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Charlotte Posenenske. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [Four geometric, silver metal sculptures are installed on the floors of a light-filled gallery space. The sculptures are modular, hollow, and consist of cube-like and triangular metal components.] -
[An image of rocks, trees and coastline overlooking a large body of water. Collaged on top of the photograph are cutouts of flowers, carved stones, and a mosaic. Gray text gives details about a virtual reading event, with zoom meeting information written in yellow at the bottom.] -
Installation view from International Projects: Belgium, featuring Didier Vermeiren, Artists Space, 1984 [A black and white image of a column-like sculpture displayed in the exhibition space.] -
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[Black text on a green background. The text reads: “Jan 4 / Evelyn Reilly / Mohammed Zenia” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
Yasunao Tone in Concert with Barbara Held. Performance documentation, January 19, 2023, Artists Space. Photo: Destiny Mata [A figure stands behind a music stand, playing a flute.] -
ART CLUB2000 Untitled (Grim Reaper), 1999 Wood, galvanized netting, black fabric, chain, plastic scythe, and rubber skeleton hand Image courtesy Artists Space, New York Photo: Filip Wolak [A grim reaper shrouded in deep red light pulls back a black curtain, beckoning one into a seperate vacant room.] -
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Photo: Stephen Barker. [A male figure sits inside a crowded room with lots of wooden chairs, and large paintings and posters hung on the walls. Light streams in from the windows in the back.] -
Renée Green. Still from Partially Buried Continued, 1997. Video, color, sound; 36 minutes. Courtesy the artist, Free Agent Media, and Video Data Bank. [A television box monitor displays a diagram connecting Robert Smithson to Theresa Hak Kyung Cha, and the past to the present and the future.] -
David Armstrong: Portraits. Installation view, March 10 – May 23, 2026, Artists Space. Photo: Carter Seddon [Two glass-topped vitirines reveal photographs of various sizes. Behind, four large color photographs with thick black borders hang on the gallery wall. ] -
Hilary Kliros. Installation View. Artists Space, 1986. [A sculpture of a woman stands on a pedestal looking into a glass window pyrimidal construction with a large bug on top and a TV monitor underneath.] -
Carolyn Lazard: Two-way. Installation view (Fiction Contract, 2025; Borne, 2025), Artists Space, 2025. Photo: Greg Carideo. [A darkened hallway leads into an open gallery space with dark blue walls, dark blue carpeting, and light blue linoleum tiling. In the background a video is projected onto the farthermost wall. The projection depicts a nurse in green scrubs using a red telephone affixed to the wall.] -
Abasement #82. Performance documentation, November 17th, 2025, Artists Space. Photo: Joshua Wildman. [A performer stands on stage, operating a sound system. The performer and the wall behind the stage are illuminated in red light.] -
Abasement #81. Performance documentation, October 20th, 2025, Artists Space. Photo: Joshua Wildman. [A performer plays a stringed instrument while wearing a suit adorned with multiple appendages and colors. The suit obscures the performer's face and body, revealing only an arm. ] -
Terry Fox: All These Different Things Are Sculpture. Installation view, Artists Space, 2024. Photo: Filip Wolak. [A color image of a freestanding white wall that emerges from the left side of the frame into the gallery space. On the wall, there is a row of six items including two handwritten documents, a drawing, a map, a mounted TV screen displaying a black and white image of a cloth and a small white shelf that holds a plexi box. In the background, a black and white projected image of a fork and spoon is visible on a back wall. ] -
Jane Bowles with Cherifa in Tangier, 1967. Photo: Terrence Spencer/Time & Life Pictures/Getty. [Black and white photograph of two women, one in a white dress and the other in a black niqab and sunglasses, walking arm in arm in a narrow street.] -
[Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 6 / Wendy Lotterman / Joe Milutis.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
7th Grade students from M.S. 324 meeting online to present their El Ábol de la Familia collage projects, 2020 [A screenshot of a video call. Several students are smiling while holding up artwork that depicts their respective family trees. The art varies in size, shape, and medium.] -
Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt. [A small statue of a bird sits on the floor of a dimly-lit gallery space. A long black wire runs from the sculpture to the ceiling. Several square holes have been removed from several spots on the gallery wall behind the sculpture, through which a space on the other side of the wall is visible.] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [A figure in a blue morph suit kneels down on one knee, placing their hands on top of a table made of wood and fresnel lenses while audience members watch in the background.] -
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Metahaven, WikiLeaks, 2011, Scarf. Photo: Meinke Klein. [A portrait of a woman whose face is covered by a colorful cloth that extends over her entire top body. Only the top of her ear and hair are visible.] -
Tiffany Sia, Barriers Buy Time, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A row of books with silver covers on a shelf. A black table and chair can be seen in the reflection of the book cover.] -
rafa esparza: Camino. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color image of a gallery space with large panels of adobe with paintings of various figures on them. Adobe bricks are laid out on the floor to create a small walkway. Paintings are also hung on either side of the wall, each depicting different views of a freeway.] -
Laurie Anderson; PersonA. Performance documentation, April 25, 1974, Artists Space. [A color image of a person sitting on a pedestal, speaking into a standing microphone.] -
Eiko Ishibashi: Two New York Nights. Performance documentation, June 8, 2022, 8pm. Artists Space, New York. [The upper body of a figure appears in front of a microphone, into which they play the flute.] -
[Dark blue text overlays red-pink background. The text reads: “March 11 / Yuko Otomo / Ed Steck." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)] -
Selections: Aljira & Artists Space Announcement Postcard [A white postcard with purple text announcing fall 1990 exhibitions at Artists Space, including Selections: Aljira & Artists Space.] -
Ei Arakawa, Mega Please Draw Freely, 2021 (The artist wears Uniqlo Roger Federer) [A person in a red shirt, white cap, and multicolored pants smiles and poses with a tennis racquet, standing atop a large piece of paper with colorful drawings on it. In the background are people sitting on the ground and printed images of trees.] -
Andy Robert, koulèv, 2023. Cast iron radiator, snakeskin. Image courtesy Artists Space, New York. Photo: Carter Seddon. [A color image of a dark green radiator placed on the floor. Parts of the radiator are covered in snake skin, while other sections feature chipping, hunter green paint and large patches of rust.] -
Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a gallery space with an installation consisting of a large mirrored pond, made from a wooden base with a reflective lining on top, that is surrounded by tree trunks, plants, fish tanks, and a phone booth. A large lamp hangs from the ceiling, and an orange construction net is placed over the pond.] -
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Abasement #82. Performance documentation, November 17th, 2025, Artists Space. Photo: Joshua Wildman. [A performer sings and plays the keyboard on stage, facing an audience. The stage is lit with a yellow light. ] -
Attention Line. Installation view, Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [An image of a monitor with two chairs in front of it. To the right of the monitor, a photocollage hangs on the wall.] -
Susan Eder, c. 1976. From Susan Eder, Matt Mullican, Artists Space, 1976. [A black and white photograph of a figure with long hair. They raise their left hand up to brush away their hair from their face.] -
Zilia Sánchez. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [Two white panels of canvas positioned together to form a square shape. Both canvases display an organic pink form. Parts of the canvas within the pink shapes stretch outwards to form protruding circular and ovular, knob-like shapes.] -
Andy Robert, The Terrain, 2021. Photo: Filip Wolak. [Color image of a framed piece of notebook graph paper, with a pen and ink drawing of a rectangle with various lines and dots. In the bottom-center of the paper is the word "TERRAIN."] -
Nuestro Reflejo, Threads of History exhibition, Morris Jumel Mansion, March, 2025 -
Dress for Virgil Abloh and Stuart Davis, Gigi Sanchez, acrylic on paper, Silver Key in Painting -
Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays a courtroom depiction of two individuals, one with blonde hair and fair skin wearing a suit, the other tan with dark facial hair wearing a keffiyeh. Behind the seated men is an image of a man sitting on the floor, in what appears to be solitary confinement.] -
Drake Carr: Housecalls. Performance documentation, September 9, 2023, Artists Space at the Armory Show. Photo: Joshua Wildman. [A color image of a white wall with two windows with black and white curtains with pink flowers. Through the right window, a figure is seen sitting on a chair. Through the left window, a figure is seen standing in front of an easel with a canvas, holding a color pencil.] -
Kelly Poe, Leave, Take, Kill, 2004. Courtesy the artist and Anna Helwing Gallery, Los Angeles. [Yellow text on a brown background reading "LEAVE NOTHING BUT FOOTPRINTS / TAKE NOTHING BUT PICTURES / KILL NOTHING BUT TIME."] -
Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman [Black-and-white image of two figures performing on stage. On the right a figure looks down and manipulates audio equipment held in a briefcase. To the left and behind another figure is out of focus and plays the violin.] -
Laura Cottingham & The Anita Pallenberg Story. Installation view, Artists Space, 2017. Photo: Daniel Pérez. [Eight large film stills are mounted on a wall, in two rows of four, leading into a dark hallway where a film projection is playing.] -
Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view (memory of barbers touch, 2022; Poems 1 -6, 2023), Artists Space, 2023. Photo: Filip Wolak. [A color image of a close-up of a floating vitrine on a red wall, with four small paintings hung in a series above the vitrine. Inside the vitrine are six pages, with poems written on them and drawings of flowers decorating the pages. Thefour paintings above the poems depict Black Queer figures in darkened environments with gold, and colorful accents.] -
The columns held us up. Installation view, Artists Space, 2009. Photo: Adam Reich. [A white cloth banner hangs vertically from the ceiling, with text which reads "KARA-KUM, area 350000, disposed in Middle Asia." Below the text are drawings resembling Turkish architecture. To the right of the banner, a slide projector sits on a short wooden bench, projecting a small image onto a white wall.] -
Christa Blatchford, still from See Around, 2008. [Four images arranged horizontally. From left to right: solid gray-blue, a gray-blue toned image of a shoreline, a gray toned image of a shoreline, and a gray toned image of a shoreline with a subtle pink sunrise in the sky.] -
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Work by Susan Eder. From Susan Eder, Matt Mullican Artists Space, 1976. [A black and white photograph of a small photograph against a white surface. The image pictured features the faces of two figures.] -
U.S. Projects: Howard Fried. Installation view, Artists Space, 1983. [A sink structure on wheels sits atop a tilted wooden table top with legs of varying sizes. Light from the ceiling is seen emanating onto the structure in the white-walled gallery space.] -
[Two women in dresses and matching shoes are splayed up against a screen with their arms raised. There is an image projected over them, with a white background and black geometric pattern, and two splotches of red over their bodies.] -
Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A green, blue, and yellow abstract landscape painting hangs on a white wall. A purple buffalo painting is hanging on the wall to the left. To the right, a tall paper is pinned into a purple section of wall.] -
Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a beige background, with red accents throughout. Pieces of yellow paper featuring typewritten text listing the performers and event details are cut out and scattered throughout the flier.] -
Sean Snyder. Installation view, Artists Space, 2010-11. Photo: Daniel Peréz. [A makeshift screening room enclosed by unpainted wooden walls. There are two wooden benches arranged to face a projector screen. The screen displays an image of a luxury pool surrounded by palm trees, with the sun shining.] -
Flyer by Joe Frivaldi. [Magazine cutouts and red and blue squigly lines overlay a yellow background. Text in the upper left corner an upside down text reads "ABASEMENT 63" and lists the performers. Text on the lower lefthand corners list the time and place of the event.] -
P.S. 140 student workshopping poems, 2019 [Two people stand at the front of a full classroom in front of a projector screen that says, "Poetry workshop / Ms. Rebecca / Today's task: create headline poems." One reads from a notebook, the other listens on.] -
Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a background of yellow, orange, purple, blue, and red paper. Small pieces of paper with typewritten text listing the performers and event details are scattered around the flyer.] -
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Clocking Out: Time Beyond Management. Installation view, Artists Space, 2023. Photo: Greg Carideo. [Photograph of a basement gallery space with various multimedia works on display. In the center is a large wooden platform that reads along one side "Imagine/ Without Fear/ What is tomorrow?", to the left is a wooden bench painted blue on the surface sitting next to a woven hanging piece. Along the walls are various projected videos.] -
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REALLIFE Magazine, First issue, March 1979. Artwork by Sherrie Levine. [A silhouette of a human head in profile is filled with a photograph of a woman looking directly at the camera, her arms outstretched either side of a dark scultpure of child's head. Text situated above the image reads, "REALLIFE Magazine, March 1979, $1."] -
Bert Carpenter. Reflections, 1980. [A number of paintbrushes and artists gloves appear inside a tin can next to other tin cans and paintbrushes lying on a canvas and table underneath.] -
Sixth Anniversary Exhibition. Installation views, Artists Space, 1979. [Contact sheet of stills depicting numerous installation views.] -
James Coleman. Still from Seeing for Oneself, 1987-88. Slideshow (black and white), 40 min. [A black and white film still of four people in period dress standing in from of an ornately carved fireplace. The people stand in two pairs, apparently engaged in conversation.] -
Ei Arakawa. Social Muscle Rehab (early edit for exhibition), 2021. 5:19 minutes. With Dan Chen, Danielle A. Jackson, K.O. Nnamdie, Masako Shiba, Kenneth Teng, Ivanny Pagan, Britnie Williams. Camera by Lazar Bozic (Ortvi.com). Image courtesy Artists Space, New York. Photo: Filip Wolak [View of a florbound television screen and speaker next to a brown pole. The edge of a black net is visible on the left.] -
Helen DeWitt. [A woman leaning against a wall.] -
Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure reads into a microphone, glancing at their phone.] -
Hito Steyerl, We cannot confirm the authenticity of this artwork, 2015, Archival inkjet print with letterpress and blind emboss, 11 x 8 1/2 in (27,9 x 21,6 cm) (image), 20 x 16 in (50,8 x 40,6 cm) (paper), Edition of 10 + 3 AP, Signed and dated imprint. [This print shows an image with text beneath on a white background. The text reproduces the work's caption then beneath that says, "1/10 / This certificate shall serve to verify authenticity and must / accompany the work through any transfer of ownership. / We cannot confirm the authenticity of this artwork. / Hito Steyerl [with signature] Date [with 2015 written]." The image shows a reproduction of the image on a blue background which repeats within that image, and so on.] -
Rashaad Newsome. Still from Shade Compositions, 2012. Video, color, sound; 50 minutes. Courtesy the artist. [A group of five performers dressed in red and white monochromatic outfits stand in front of microphones gesturing with their hands.] -
Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They have papers taped and placed over their face.] -
Abasement #84. Performance documentation, February 16th, 2026, Artists Space. Photo: Joshua Wildman. [A performer manipulates a record while seated at a turntable.] -
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Flyer for Segue Reading Series featuring Edwin Torres and Ann Lauterbach. Saturday January 16, 2021, Artists Space. [Collaged computer graphic of ranging scale palm trees, green peppers and other objects. Pink text over the top half of the image reads "Edwin Torres/ Ann Lauterbach." Green text scattered throughout the image reads "Segue" and pink text on the lower half of the image reads, "16 January / 5 pm EST"] -
Flyer by Eric Wrenn. [Flyer with light gray text against a white background, with the names of performers. A simplified painting of a flower runs across the image, with a vibrant patch of red paint in the upper right corner.] -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure dressed in all white, dancing in a corridor bathed in red light.] -
Gwynn Murrill, Clam, laminated wood, 1974. From Don Wynn, Judy Pfaff, Gwynn Murrill, Artists Space, 1974. [A black and white photograph of a wooden clam sculpture.] -
[Close up of the torso and legs of a figure with long hair wearing nylon tights and a blue silk jacket on their bare chest. They are illuminated by red stage lights and appear to stand on a stage in front of a drum set and speakers.] -
Nina in Position. Installation view, Artists Space, 2008. Photo: Bill Orcutt. [Three screens and a metallic sculpture are installed in a gallery space with wooden floors. The three screens are arranged next to each other, with the screen closest to the viewer displaying a series of figures with three bright forms attached to their torsos. The other two screens show increasingly blurry renderings of the same image. To the right of the screens, a tall, shiny and metallic sculpture sits on the gallery floor. A pocket-sized image of a figure is pasted to the sculpture's left sides.] -
Abasement #73. Performance documentation, November 4th, 2024, Artists Space. Photo: Joshua Wildman. [A crowd faces a stage where a musician is sitting over various electronic instruments and audio equipment. The audience members are bathed in red light. The wall behind the musician is projected with monochromatic gradients.] -
Demonstrations outside Artists Space during the opening of Witnesses: Against Our Vanishing, November 16, 1989. [Four overlapping photographs show a panorama of a crowd outside Artists Space at night. One group int he foreground files into the gallery through its double doors, while others on the sidewalk hold protest signs.] -
[An angled view from a ledge containing household items, into a bedroom. Above the doorway black text reads, "Macho Man, Tell it to My Heart."] -
Salad Days 3. Installation view, Artists Space, 2008. Photo: Jeremy Ross. [Several artworks sit in a dimly lit gallery space, illuminated by light from an open gallery window. Three video monitors are installed on plinths to the left of the image. In front of them and closest to the viewer, an overturned cardboard box rests on the floor. To the left, a stool-like structure sits on a plinth illuminated by a bright overhead light. Behind this structure, a series of small works on paper are displayed on a gallery wall.] -
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Art Day at P.S. 140, What is the Sound of Water? Community reception, June 17, 2022 -
Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013. [A bar with four wooden stools positioned in the corner of a room. A neon sign hangs above to the left of a fiber sculpture. On the left wall, a monitor is displayed on top of plastered posters.] -
Abasement #84. Performance documentation, February 16th, 2026, Artists Space. Photo: Joshua Wildman. [Two performers play the drums on stage. The room is speckled with white dotted lights.] -
Yasunao Tone: Region of Paramedia. Installation view (Device for Molecular Music, 1982), Artists Space, 2023. Photo: Filip Wolak. [Color photograph of an audio device placed on a shelf. The device consists of a machine, speakers, and light sensors. A paper containing notes and instructions on the controls is placed on top of the machine.] -
Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang. [A row of small folded blue books are displayed on a black table. A piece of white coral is also placed in the middle of the table.] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Two figures in blue morph suits engage in an argument, standing on either side of a wooden table with a fresnel lens as the tabletop. A third figure to the right films their encounter, while audience members watch in the background.] -
Fishing For Sound Team on the East River, 2022 -
Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of the outside of a brick building. Three large windows running along the wall are each illuminated with neon lights. On the left side is a door to a gallery space, through which can be seen some large, colorful paintings hanging inside.] -
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Detail of the flyer for the performance "Fun With Time Time," Ralston Farina, May 22, 1977, Artists Space. [A black and white drawing forms an image puzzle featuring broken-up text and a clock. A handwritten date appears in the bottom right corner: "5.22.77."] -
Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York. [Two figures stretch their arms out.] -
New Red Order Beginning of the End of the Trail, detail, 2021 Wet-plate collodion glass negatives with LED lightboxes, pipes, and extension cords. Image courtesy Artists Space, New York Photo: Filip Wolak [An image of a dark room with multiple videos playing in the background and photograph negatives hang off the wall.] -
Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Gary Burnley. [A black and white photograph of a multicolored globe sitting on a wooden floor.] -
[A digitially generated image of a series of curved, x-shaped cutouts stacked one on top of the other in long rows. The rows are clustered around white text that reads "h-edge." The shadows of the cutouts are visible on the ground directly below the text.] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Three figures perform in a basement. Two figures in blue morph suits act out a scene together. The figure on the right scratches a fresnel lens attached to a wooden rolling table while the left figure walks toward the table. A third figure takes video footage of the scene.] -
Édouard Manet, A Bar at the Folies-Bergère, 1882. [A painting of a female bartender standing behind a bar, facing the viewer. A large mirror directly behind her reflects the space of the crowded bar before her. Another woman behind and to the right of the bartender, her back to the viewer, turns to speak to a man with a top hat and mustache.] -
Rhinestone Sharecropping. Berkeley: I. Reed Books, 1981. [A book cover with text reading: "RHINE / STONE / SHARE / CROPPING / a novel / by BILL GUNN author of / Black Picture Show." Below the text is an image of multiple filmstrips arranged to form a grid.] -
Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [A figure is shown in profile performing on stage into a microphone, with a music stand placed in front of them.] -
Clocking Out: Time Beyond Management. Installation view (Samson Kambalu, Nyau Cinema, 2014 - ongoing; Finnegan Shannon, Do you want us here or not, 2018; Kevin Jerome Everson, Workers Leaving the Job Site, 2013; Clare Hu, Perimeter, 2022), Artists Space, 2023. Photo: Greg Carideo. [Photograph of a corner of a basement gallery. A wooden bench, painted blue on the surface, sits between two columns. The back of the bench reads "THIS EXHIBITION HAS ASKED / ME TO STAND FOR TOO LONG." A woven piece hangs from the ceiling to the right. Behind the bench are projectors facing the wall at varying heights.] -
Student prototyping design, 2018 [A student sitting at a science room desk with a sink, drawing with a pencil on several sheets of paper. One sheet, foregrounded, has an outline of an airplane] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [A figure in a blue morph suit kneels down next to a wooden table and looks off to the right. Audience members sit along the floor in the background.] -
Flyer for Segue Reading Series featuring hannah baer and Cyrus Dunham. March 12, 2022, Artists Space. [Black text overlays a light blue background. The top left corner reads: hannah baer / Cyrus Dunham. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, March 12, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5."] -
Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez. [Partial view of two large orange slug sculptures forming a circular ring shape around cast-iron columns suspended by black elastic cords and two square paintings of the human form are on adjacent walls in a white-walled gallery space.] -
Warnung vor einer heiligen Nutte (Beware of a Holy Whore). Dir. Rainer Werner Fassbinder. 1971. [Two people sitting in front of a window looking towards the camera, one wearing a red dress and the other a black shirt and top hat.] -
Not yet titled, 2019
Clay, glaze, metal antenna
3 1/2 x 13 x 12 inches (variable)
$3,500
[A multicolored object sits on a white base. A metal antenna extends out on a diagonal.] -
Union Gaucha Productions. Still from A Vida de Infra - Tunga, 1999. 16mm film (sound, black and white), 10 min 17 sec. Courtesy of Union Gaucha Productions. [A black and white close of of a person, with slightly scraggly hair and amblyopia, looking into the camera.] -
Clegg & Guttmann, Change, 2015, C-print , 24 x 20 in / 61 x 50,8 cm, Signed and Numbered Certificate. [Aluminum foil, partially unrolled, with a pile of pennies is dramatically lit in a darkened room.] -
[Dark blue text overlays red-pink background. The text reads: “February 18 / Natalie Diaz / Tiffany Sia." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)] -
Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. [A color photograph of a figure with raised arms and in motion in an orange-lit space next to a small piece of audio equipment with a wire on the floor. A crowd looks on in the background.] -
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Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view, Artists Space, 2023. Photo: Filip Wolak. [The corner of a gallery space with a wooden camper structure placed there. Two ramps lead to doorways along the front and side of the structure. The edge of a free-standing white wall sits to the left of the camper..] -
Abasement #83. Performance documentation, January 5th, 2026, Artists Space. Photo: Joshua Wildman. [A performer plays a large wooden instrument on stage. The performer and the wall behind the stage are bathed in green and purple lights] -
In The Poem About Love You Don't Write The Word Love. Installation view, Artists Space, 2006. Photo: Bill Orcutt. [A video plays on a monitor installed on the wall of a gallery space. Two pairs of headphones attached to the monitor rest on a wooden bench facing the screen. The front pages of several newspapers are displayed on a gallery wall to the left of the monitor, while to the right, a paragraph of wall vinyl is installed on the lower half of the gallery wall.] -
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Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman. [Musician holding a microphone stand with both hands. Their eyes are closed and they are wearing glasses. A blue guitar is around their body. The background and the musicians face are decorated with green, blue, red, and yellow abstract patterns.] -
Coop Fund, 2018. Photo: Daniel Pérez. [An angled view of a long white table with eight wooden chairs. A galvanized bucket, an iPad, and two stacks of paper sit on the surface.] -
Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman. [A close-up color image of a musician sitting on a chair playing an electric guitar in an unusual way. The guitar is laying on his legs and he is using a metal stick to play the chords. Blue and purple projections cast onto him.] -
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Young Fluxus. Installation view, Artists Space, 1982. [Plastic bags of objects appear on a white gallery wall.] -
[Black text overlays a solid orange background. The text at the top reads: “Segue Reading Series & ARTISTS SPACE / Fall/Winter 2024 Season / October/November curated by A Gathering of the Tribes / Saturdays at 5pm: 11 Cortlandt Alley + Zoom"] -
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[A green poster with white text giving information about a virtual reading event. There is an image at the bottom of a person looking into digital, VR-style goggles with large headphones. Smaller white text in the bottom corner reads, "stay well & be good to each other."] -
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Nandi Loaf, ???., 2025. Hardware. Photo: Carter Seddon. [Into an outlet socket on a wall is plugged a large black adapter with two USBs plugged into it. Screens on the USBs flash text that reads "TEMP 12 / Lucky miner 00:13." In the outlet above the USBs is a black plastic cover.] -
Robert Mangold, Untitled, 1995, Etching with aquatint, 24 x 30 inches (61 x 76.2 cm), Editions of 50, Signed & numbered. [The image shows a quarter of a circle on a white background that is colored half-brown, half-blue with two black ovals of different sizes etched on top.] -
Flyer for Segue Reading Series featuring Kamden Hilliard and E.J. McAdams. Saturday, November 13, 2021, Artists Space. Artist: Lonely Christopher & Venn Daniel [A horizontal image with a flat, light blue background. On the right side is a pink, cotton candy-like image of a cloud. The word, "Segue" appears in pink text on the top left side. The name, "Kamden Hilliard," is written on the center-left in large red text, while the name, "Laura Elrick," appears in purple on the center-right.] -
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Light and Shadow, City-As-School photography student exhibition, 2018 [A person looks over an exhibition of photography arranged in a grid pattern on a wall] -
Attention Line. Installation view (posters and ephemera from Other Cinema, c. 1970s-80s), Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [An image of a glass display case, above which hang various posters and epehemera. Behind the posters is a staircase.] -
Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [Four collages, framed in a grid on a wall. Each collage features the same backdrop of a man stopped in the middle of the road opening the hood a car, the drivers seat door opened. Each collage features a different colored filter, arranged with images of various Indigenous people on reservations, European historical paintings, animals, gags, signs, objects, and detritus.] -
Axine M: Sold Licker Glass, 2024, Artists Space. Courtesy of ISSUE Project Room. Photography by Cameron Kelly McLeod. [Wide view of 5 musicians on stage performing under blue tinted lights with the audience on the left. From left to right the instruments played are the cello, clarinet, horn, flute, guitar, and vocals.] -
Not yet titled, 2019
Clay, glaze, metal antenna
3 1/2 x 13 x 12 inches (variable)
$2,500
[A grey object with brown surface sits on a white base. A metal antenna extends out on a diagonal.] -
Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Detail view of a black display case depicting an image of woman printed on a white cloth, with the title *2000 WASTED YEARS*. She is sitting down in an antique chair, one foot up, wearing a full-body black-and-white suit adorned with black English and Japanese lettering.] -
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Adjua Gargi Nzinga Greaves: The x in florxal is silent when spoken. Installation view, Artists Space, 2021. Photo: Filip Wolak. Courtesy Artists Space, New York. [Two prints, of books with annotations written on the side, are hung on a white gallery wall.] -
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Friends of Artists Space Dinner 2024. Barbara Gladstone and Emily Wei Rales. Photo: Jenna Bascom [Two women stand close together and smile at the camera. Barbara Gladstone, who stands on the left, is wearing a black long-sleeved cowl-neck gown. Emily Wei Rales, who is on the right, wears a dark eggplant dress with fringe accents and trim.] -
Scott Burton, Pastoral Chair Tableau, 1971 – 1974. [A stage set with a blue curtain, in front of which sit 6 chairs facing different directions.] -
Johanna Went, Shark Head, 1983, sweater, fabric, felt, toy poodle, Tide Detergent box cut out, panty hose mask with plastic toys and shark, dimensions variable. Photo: Filip Wolak [A life-sized costume in front of a large glass window.] -
Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon. [A large gallery space houses a variety of plinths made of MDF atop of which are placed various archival documents and objects, such as exhibition pamphlets and art historical journals. ] -
Mr. Dead & Mrs. Free: A History of Squat Theatre. Installation view, Artists Space, 1996. [A gallery space with two white columns bisecting the room. There are black and white images on the wall and a large sign suspended from the ceiling with red letters reading "squat." Behind the sign, a large seated baby with glowing eyes is visible through a paned window.] -
Portrait of Dorothy E. Roberts [Portrait of a black woman, looking forward with her face resting in her left hand, and her right arm placed on a table. Behind her is a dark grey background.] -
Constantina Zavitsanos, Ace of Spades (detail), 2024. Z interferometer: two aluminized 6" diameter spherical mirrors, LED illumination source, knife edge on mounts; soldering iron, fan, infrared light, steel tables. Dimensions variable. -
Abasement #79. Performance documentation, August 11th, 2025, Artists Space. Photo: Joshua Wildman. [Two performers are on stage, the performer on the left side blows into a long woodwind instrument. The performer on the right sits behind a desk on top of which is a large pile of audio equipment. The stage and wall behind it are bathed in blue light, created from projections of a geometric pattern.] -
Sixth Anniversary Exhibition. Installation view, Artists Space, 1979. Artwork by Scott Burton and John Torreano. [In the foreground, a podium displays a curvy white object. Miniature doors and windows are attached to the top edges of the podium facing inward towards the tube-like white object.] -
Der symbolische Auftraggeber/The Symbolic Commissioner, edited Søren Grammel, published by Sternberg Press, 2011. [A book cover design. The title "Der symbolische Auftraggeber/The Symbolic Commissioner" is situated at the top of the cover. Below it is an image of two sculptures made of large rectangular panels affixed in midair by metal poles that reach floor to ceiling. To the right of the sculptures is a white plinth, and in front of that, a television on the ground.] -
Flyer for Segue Reading Series featuring Tyrone Williams and Joselia Rebekah Hughes. Saturday, December 11, 2021, Artists Space. [Black text overlays a mauve background. The top left corner reads: "Tyrone Williams & Joselia Rebekah Hughes." The center right reads: "Segue Reading Series & ARTISTS SPACE." The bottom left reads: "Saturday December 11 - 5pm, 11 Cortland Alley + Zoom". The image of a 5 dollar bill is placed within the text.] -
Michael Robinson. Still from And We All Shine One, 2006. [A digitally rendered image of a green with mountains in the background, pixellated with horizontal lines.] -
Still from Shani Strand, No Telephone to Heaven (The Freedom of Unfreedom), 2023, 7 min 42 sec, Video and sound. [Two images are superimposed over each other. The background image features car lot with a sign reading "ZAKI'S AUTO." In the foreground two women wearing plastic masks dance horizontally while a third women, shown from the back, squats down.] -
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Sistema Sandinista de Television. Still from Golpes de la Corazon (Blows of the Heart), 1983. Video (sound, black and white). Spanish with English subtitles. [Older man with microphone stands next to five small boys. The wall behind them reads "en esta esquina" in black letters on one side and "CDS" in white letters on the other. Subtitles burned into the image at the bottom read, "Our prizes are 2000, 1000 and 500!" Video scan lines and outer edges of CRT monitor are visible.] -
Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure sits behind a table, a microphone in front of their face, as they close their laptop and grab a stack of papers on the table.] -
Flyer for Segue Reading Series featuring John Yau & Patrick Rosal. April 30, 2022, Artists Space. [Black text overlays a white background with two bunches of pink flowers in the upper right and lower left corners. The top left corner reads: “John Yau / & Patrick Rosal / April 30, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”] -
Flyer for Segue Reading Series featuring Andrea Abi-Karam, Eduardo Kac and Montana Ray. October 15, 2022, Artists Space. [Light blue text overlays a dark blue background. The top left corner reads: "Andrea Abi-Karam / Eduardo Kac & Montana Ray / October 15, 5pm." The middle reads: "Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519."] -
Heji Shin, Camp Habibi II, 2013, C-print, 20 x 16 inches, Signed edition of 100, 5APs, Courtesy of the artist. [Detail view of a camel's head against a palm tree and blue sky.] -
Demonstrations outside the opening of Witnesses: Against Our Vanishing, Artists Space, 1989 [Protesters standing in a line hold a variety of signs with statements such as "Helms impedes the 1st Amendment," "Obscene Art?", "I have no taste," and "No taxation without artistic representation"] -
SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.] -
[Flyer featuring a white background with black text that provides the event details. In the center of the flyer is a photograph of two figures. The left figure is seated, and playing an oud. On the right, a woman stands with her hand raised to her chin.] -
Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979. [Two photographs mounted on a white gallery wall.] -
Abasement #76. Performance documentation, March 3rd, 2025, Artists Space. Photo: Joshua Wildman. [Color image of a performer on stage playing the cello. They are facing sideways to the audience, wearing sunglasses and a purple jacket. To their side there is a collection of audio equipment, as well as a music stand and a speaker. The audience is sitting down facing the stage. The room is dark, except for a projected image of a disco ball on the back wall.] -
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David Armstrong: Portraits. Installation view, March 10 – May 23, 2026, Artists Space. Photo: Carter Seddon [Toile curtains gather around the gallery windows, producing a soft, glowing white light. A glass-topped vitrine stands parallel to the windows, displaying small open books.] -
Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979). Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A Samsung television monitor displaying Benjamin Buchloh, in a black sweater and thin rectangular glasses, being interviewed.] -
The Library of Helen DeWitt Kitchen view, Courtesy Helen DeWitt. [Several neutral, blue toned books, propped up by a red book stand, fill the frame on the shelf they sit in.] -
Barbara Gladstone and Emily Wei Rales. Photo: Jenna Bascom [Two women stand close together and smile at the camera. Barbara Gladstone, who stands on the left, is wearing a black long-sleeved cowl-neck gown. Emily Wei Rales, who is on the right, wears a dark eggplant dress with fringe accents and trim.] -
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Lyndon Barrois Jr.: Mirage Collar. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color installation view of a gallery space with several dark columns. A yellow brocade couch, wooden nightstand, wicker pannier, and police tape outlining a rectangle on the wall with three additional strips extending from the wall to the floor are visible.] -
ART CLUB2000 Untitled (Punishing Enforcers of an Oppressive Regime), detail, 1998 Eight printed cardboard standees, satin sashes, and LED lights Image courtesy Artists Space, New York Photo: Filip Wolak [A view of four red-eyed police officer cardboard cutouts with sashes that read "Punishing Enforcers of an Oppressive Regime." A blue police light sits in the corner of the red lit room.] -
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Underground: Jose Gabriel Fernandez. Installation view, Artists Space, 1991. [Two neon lights on a wooden floor. One light is coiled within a silver box, while the other rests directly on the floor, attached to a black cord.] -
Abasement #71. Performance documentation, August 5th, 2024, Artists Space. Photo: Joshua Wildman. [Close up of a solo musician sitting on stage playing a string instrument in their lap with a bow. They are looking to the side and they are covered in red light. The wall behind them is blue-tinted with patterned image projections.]
