• pages
  • images
  • texts
  • videos
  • artists
  • Four drawings are hung in a row on a white wall. The foremost depicts a man and a woman looking out a window through window blinds. The next depicts two men sitting at a table.
    Four drawings are hung in a row on a white wall. The foremost depicts a man and a woman looking out a window through window blinds. The next depicts two men sitting at a table.
    Artists Draw. Installation view, Artists Space, 1979. [Four drawings are hung in a row on a white wall. The foremost depicts a man and a woman looking out a window through window blinds. The next depicts two men sitting at a table.]
    Caption Artists Draw. Installation view, Artists Space, 1979.
    Image description Four drawings are hung in a row on a white wall. The foremost depicts a man and a woman looking out a window through window blinds. The next depicts two men sitting at a table.
    Year 1979
    Related pages Artists Draw: Tom Martin, Auste Peciura, Alan Saret, Patti Smith, Nancy Spero
  • A sculpted pedestal with a black object on it is visible below a sculpted multilayered cross hanging on a gallery wall. Sharp lighting shrouds most of the image in darkness with a light falling on the figure on the pedestal.
    A sculpted pedestal with a black object on it is visible below a sculpted multilayered cross hanging on a gallery wall. Sharp lighting shrouds most of the image in darkness with a light falling on the figure on the pedestal.
    Jerry Beck. Installation view of Cryptic Cross. Artists Space, 1985. [A sculpted pedestal with a black object on it is visible below a sculpted multilayered cross hanging on a gallery wall. Sharp lighting shrouds most of the image in darkness with a light falling on the figure on the pedestal.]
    Caption Jerry Beck. Installation view of Cryptic Cross. Artists Space, 1985.
    Image description A sculpted pedestal with a black object on it is visible below a sculpted multilayered cross hanging on a gallery wall. Sharp lighting shrouds most of the image in darkness with a light falling on the figure on the pedestal.
    Year
    Related pages U.S. Projects
  • In the foreground is a slug sculpture leaning against a cast-iron column in a white-walled gallery space. In the background slug sculptures forming circular ring shapes can be partially visible around columns and two square paintings are visible on walls adjacent to one another.
    In the foreground is a slug sculpture leaning against a cast-iron column in a white-walled gallery space. In the background slug sculptures forming circular ring shapes can be partially visible around columns and two square paintings are visible on walls adjacent to one another.
    Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez. [In the foreground is a slug sculpture leaning against a cast-iron column in a white-walled gallery space. In the background slug sculptures forming circular ring shapes can be partially visible around columns and two square paintings are visible on walls adjacent to one another.]
    Caption Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez.
    Image description In the foreground is a slug sculpture leaning against a cast-iron column in a white-walled gallery space. In the background slug sculptures forming circular ring shapes can be partially visible around columns and two square paintings are visible on walls adjacent to one another.
    Year 2020
    Related pages Jana Euler
  • A white sign that reads
    A white sign that reads
    ART CLUB2000 Untitled (Stop on in when staying at The Mega Hotel), 1996 Oriented strand board, acrylic paint, plastic chain, and hardware 48 x 36 inches Image courtesy Artists Space, New York Photo: Filip Wolak [A white sign that reads "Stop on in when staying at The Mega Hotel!" sits outside of the gallery door.]
    Caption ART CLUB2000 Untitled (Stop on in when staying at The Mega Hotel), 1996 Oriented strand board, acrylic paint, plastic chain, and hardware 48 x 36 inches Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description A white sign that reads "Stop on in when staying at The Mega Hotel!" sits outside of the gallery door.
    Year 2021
    Related pages ART CLUB2000
  • A black-and-white image shows a person seated behind a white desk, adjusting an audio device with their hands. The device is surrounded by replacement speakers with organically shaped wires. In the background, a projected video shows a landscape and a shadowy figure.
    A black-and-white image shows a person seated behind a white desk, adjusting an audio device with their hands. The device is surrounded by replacement speakers with organically shaped wires. In the background, a projected video shows a landscape and a shadowy figure.
    Yasunao Tone performing Molecular Music (1982–85) during a studio rehearsal, New York, c. 1990. [A black-and-white image shows a person seated behind a white desk, adjusting an audio device with their hands. The device is surrounded by replacement speakers with organically shaped wires. In the background, a projected video shows a landscape and a shadowy figure.]
    Caption Yasunao Tone performing Molecular Music (1982–85) during a studio rehearsal, New York, c. 1990.
    Image description A black-and-white image shows a person seated behind a white desk, adjusting an audio device with their hands. The device is surrounded by replacement speakers with organically shaped wires. In the background, a projected video shows a landscape and a shadowy figure.
    Year
    Related pages A Memorial for Yasunao Tone
  • A figure performs on stage behind a table with audio equipment and holds an audio box to their mouth.
    A figure performs on stage behind a table with audio equipment and holds an audio box to their mouth.
    Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [A figure performs on stage behind a table with audio equipment and holds an audio box to their mouth.]
    Caption Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure performs on stage behind a table with audio equipment and holds an audio box to their mouth.
    Year 2022
    Related pages Abasement #61
  • Two prints, of books with annotations written on the side, are hung on a white gallery wall.
    Two prints, of books with annotations written on the side, are hung on a white gallery wall.
    Adjua Gargi Nzinga Greaves: The x in florxal is silent when spoken. Installation view, Artists Space, 2021. Photo: Filip Wolak. Courtesy Artists Space, New York. [Two prints, of books with annotations written on the side, are hung on a white gallery wall.]
    Caption Adjua Gargi Nzinga Greaves: The x in florxal is silent when spoken. Installation view, Artists Space, 2021. Photo: Filip Wolak. Courtesy Artists Space, New York.
    Image description Two prints, of books with annotations written on the side, are hung on a white gallery wall.
    Year 2021
    Related pages Adjua Gargi Nzinga Greaves
  • Black text on a light yellow background. The text reads: “May 10 / Mirene Arsanios / Roberto Balò.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on a light yellow background. The text reads: “May 10 / Mirene Arsanios / Roberto Balò.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on a light yellow background. The text reads: “May 10 / Mirene Arsanios / Roberto Balò.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on a light yellow background. The text reads: “May 10 / Mirene Arsanios / Roberto Balò.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Mirene Arsanios & Roberto Balò
  • Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon.
    Caption Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon.
    Image description
    Year
    Related pages Michael Asher
  • A brown paper bag, opened and placed at an angle, with colored pencil illustrations of a balding man wearing sunglasses and a blue collared shirt, face slightly covered by a translucent red figurative silhouette, and along the other side of the bag, a white daisy with a long green stem.
    A brown paper bag, opened and placed at an angle, with colored pencil illustrations of a balding man wearing sunglasses and a blue collared shirt, face slightly covered by a translucent red figurative silhouette, and along the other side of the bag, a white daisy with a long green stem.
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A brown paper bag, opened and placed at an angle, with colored pencil illustrations of a balding man wearing sunglasses and a blue collared shirt, face slightly covered by a translucent red figurative silhouette, and along the other side of the bag, a white daisy with a long green stem.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description A brown paper bag, opened and placed at an angle, with colored pencil illustrations of a balding man wearing sunglasses and a blue collared shirt, face slightly covered by a translucent red figurative silhouette, and along the other side of the bag, a white daisy with a long green stem.
    Year 2017
    Related pages Unholding
  • A black and white film still of an apartment building, taken from the street. In front of the building is an empty lot. Two cars are parked on the street.
    A black and white film still of an apartment building, taken from the street. In front of the building is an empty lot. Two cars are parked on the street.
    Charles Simonds. Still from Mythologies, 1974. From Thomas Lanigan-Schmidt, James Biederman, Charles Simonds, Artists Space, 1974. [A black and white film still of an apartment building, taken from the street. In front of the building is an empty lot. Two cars are parked on the street.]
    Caption Charles Simonds. Still from Mythologies, 1974. From Thomas Lanigan-Schmidt, James Biederman, Charles Simonds, Artists Space, 1974.
    Image description A black and white film still of an apartment building, taken from the street. In front of the building is an empty lot. Two cars are parked on the street.
    Year 1974
    Related pages Thomas Lanigan Schmidt, James Biederman, Charles Simonds
  • A black-and-white image of a woman, wearing all black clothing and sunglasses, standing with her arms raised. An image is projected on the wall behind her, with a description reading
    A black-and-white image of a woman, wearing all black clothing and sunglasses, standing with her arms raised. An image is projected on the wall behind her, with a description reading
    Adrian Piper, It's Just Art, Artists Space, April 29, 1981. [A black-and-white image of a woman, wearing all black clothing and sunglasses, standing with her arms raised. An image is projected on the wall behind her, with a description reading "A Cambodian boy stands near the side of a road in Ban Laem, Thailand . . . and Cambodian civilians are turned back yesterday near Thailand . . .". Above her head, there is a cartoon thought bubble, with the text "14. We defend each other / (you certainly didn't come to an art performance to hear a lecture on current events)".]
    Caption Adrian Piper, It's Just Art, Artists Space, April 29, 1981.
    Image description A black-and-white image of a woman, wearing all black clothing and sunglasses, standing with her arms raised. An image is projected on the wall behind her, with a description reading "A Cambodian boy stands near the side of a road in Ban Laem, Thailand . . . and Cambodian civilians are turned back yesterday near Thailand . . .". Above her head, there is a cartoon thought bubble, with the text "14. We defend each other / (you certainly didn't come to an art performance to hear a lecture on current events)".
    Year 1981
    Related pages About
  • Caption
    Image description
    Year
    Related pages Louise Lawler Tote Bag
  • Small sculptures on pedestals are lined up diagonally in front of a map and various images.
    Small sculptures on pedestals are lined up diagonally in front of a map and various images.
    We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [Small sculptures on pedestals are lined up diagonally in front of a map and various images.]
    Caption We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987.
    Image description Small sculptures on pedestals are lined up diagonally in front of a map and various images.
    Year
    Related pages We the People
  • A figure sits on stage in front of a crowd and looks to the right as text is projected onto the right wall.
    A figure sits on stage in front of a crowd and looks to the right as text is projected onto the right wall.
    Yasunao Tone in Concert with Barbara Held. Performance documentation, January 19, 2023, Artists Space. Photo: Destiny Mata [A figure sits on stage in front of a crowd and looks to the right as text is projected onto the right wall.]
    Caption Yasunao Tone in Concert with Barbara Held. Performance documentation, January 19, 2023, Artists Space. Photo: Destiny Mata
    Image description A figure sits on stage in front of a crowd and looks to the right as text is projected onto the right wall.
    Year 2023
    Related pages Yasunao Tone in Concert with Barbara Held
  • The corner of a room with two white walls. On one wall, there is a white collared shirt on a hanger, a black and white abstract image, and a small white sculpture.
    The corner of a room with two white walls. On one wall, there is a white collared shirt on a hanger, a black and white abstract image, and a small white sculpture.
    Paper Exhibition. Installation view, Artists Space, 2009. Photo: Adam Reich. [The corner of a room with two white walls. On one wall, there is a white collared shirt on a hanger, a black and white abstract image, and a small white sculpture.]
    Caption Paper Exhibition. Installation view, Artists Space, 2009. Photo: Adam Reich.
    Image description The corner of a room with two white walls. On one wall, there is a white collared shirt on a hanger, a black and white abstract image, and a small white sculpture.
    Year 2009
    Related pages Paper Exhibition
  • A pineapple and two bananas sit on a table with a person's hands in the midst of drawing the fruit with pencil at the center of the image.
    A pineapple and two bananas sit on a table with a person's hands in the midst of drawing the fruit with pencil at the center of the image.
    Observational drawing exercises [A pineapple and two bananas sit on a table with a person's hands in the midst of drawing the fruit with pencil at the center of the image.]
    Caption Observational drawing exercises
    Image description A pineapple and two bananas sit on a table with a person's hands in the midst of drawing the fruit with pencil at the center of the image.
    Year 2019
    Related pages Portfolio Development
  • Color photograph of a figure dressed in white, laying down on a window ledge facing the street. They raise on arm up and a white light shines from their pelvic area.
    Color photograph of a figure dressed in white, laying down on a window ledge facing the street. They raise on arm up and a white light shines from their pelvic area.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure dressed in white, laying down on a window ledge facing the street. They raise on arm up and a white light shines from their pelvic area.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a figure dressed in white, laying down on a window ledge facing the street. They raise on arm up and a white light shines from their pelvic area.
    Year 2022
    Related pages keyon gaskin 12-14
  • Color image of a figure on a black stage, seated behind a white desk. They are looking attentively at a laptop screen in front of them which is open to a computer program.
    Color image of a figure on a black stage, seated behind a white desk. They are looking attentively at a laptop screen in front of them which is open to a computer program.
    Yasunao Tone Concert #3. Performance documentation, March 16, 2023, Artists Space. Photo: Destiny Mata [Color image of a figure on a black stage, seated behind a white desk. They are looking attentively at a laptop screen in front of them which is open to a computer program.]
    Caption Yasunao Tone Concert #3. Performance documentation, March 16, 2023, Artists Space. Photo: Destiny Mata
    Image description Color image of a figure on a black stage, seated behind a white desk. They are looking attentively at a laptop screen in front of them which is open to a computer program.
    Year 2023
    Related pages Yasunao Tone Concert #3
  • A figure in overalls reaches up to pin a dark tarp along the length of a wall. Behind them, another figure adjusts a camera on a tripod.
    A figure in overalls reaches up to pin a dark tarp along the length of a wall. Behind them, another figure adjusts a camera on a tripod.
    Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [A figure in overalls reaches up to pin a dark tarp along the length of a wall. Behind them, another figure adjusts a camera on a tripod.]
    Caption Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description A figure in overalls reaches up to pin a dark tarp along the length of a wall. Behind them, another figure adjusts a camera on a tripod.
    Year 2019
    Related pages Speaker Music: drape over another
  • Color photograph of two figures performing in a dark gallery space, lit only by an installation of LED lights covered in dried SCOBY material. One figure wearing black leans down in front of one of the LED lights. Partly hidden behind a column, another figure stands wearing a red suit.
    Color photograph of two figures performing in a dark gallery space, lit only by an installation of LED lights covered in dried SCOBY material. One figure wearing black leans down in front of one of the LED lights. Partly hidden behind a column, another figure stands wearing a red suit.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata [Color photograph of two figures performing in a dark gallery space, lit only by an installation of LED lights covered in dried SCOBY material. One figure wearing black leans down in front of one of the LED lights. Partly hidden behind a column, another figure stands wearing a red suit.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of two figures performing in a dark gallery space, lit only by an installation of LED lights covered in dried SCOBY material. One figure wearing black leans down in front of one of the LED lights. Partly hidden behind a column, another figure stands wearing a red suit.
    Year
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • LaToya Ruby Frazier, A Message In Nestle Water Bottles from Shea Cobb and Amber Hasan at Sussex Drive and West Pierson Road, Flint, MI, 2017/2023, set of three archival pigment prints on Canson Platine Fibre Rag, 16 x 24 inches (40.6 x 61 cm)
    Caption LaToya Ruby Frazier, A Message In Nestle Water Bottles from Shea Cobb and Amber Hasan at Sussex Drive and West Pierson Road, Flint, MI, 2017/2023, set of three archival pigment prints on Canson Platine Fibre Rag, 16 x 24 inches (40.6 x 61 cm)
    Image description
    Year
    Related pages Artists Space: Artists Fund
  • Portrait of a figure dancing on stage with purple projections cast onto them.
    Portrait of a figure dancing on stage with purple projections cast onto them.
    Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [Portrait of a figure dancing on stage with purple projections cast onto them.]
    Caption Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman
    Image description Portrait of a figure dancing on stage with purple projections cast onto them.
    Year 2022
    Related pages Abasement #61
  • A grid of fifteen black and white monitors, each displaying a unique text that names objects, phenomena, or other nouns characterizing an unidentified subject, such as
    A grid of fifteen black and white monitors, each displaying a unique text that names objects, phenomena, or other nouns characterizing an unidentified subject, such as
    Felix Gonzalez-Torres, “Untitled” (A Portrait), 1991. 5 min. [A grid of fifteen black and white monitors, each displaying a unique text that names objects, phenomena, or other nouns characterizing an unidentified subject, such as "a silver sea," "civil disobedience," and "a new lesion."]
    Caption Felix Gonzalez-Torres, “Untitled” (A Portrait), 1991. 5 min.
    Image description A grid of fifteen black and white monitors, each displaying a unique text that names objects, phenomena, or other nouns characterizing an unidentified subject, such as "a silver sea," "civil disobedience," and "a new lesion."
    Year 1991
    Related pages Film and Video Program | Macho Man, Tell It To My Heart: Collected by Julie Ault | January 23
  • Detail view of a sculpture with a shiny grey finish. The shape of the sculpture forms a skeletal structure around amorphous square voids.
    Detail view of a sculpture with a shiny grey finish. The shape of the sculpture forms a skeletal structure around amorphous square voids.
    UniBodies. Installation view, Artists Space, 2006. Photo: Bill Ocrutt. [Detail view of a sculpture with a shiny grey finish. The shape of the sculpture forms a skeletal structure around amorphous square voids.]
    Caption UniBodies. Installation view, Artists Space, 2006. Photo: Bill Ocrutt.
    Image description Detail view of a sculpture with a shiny grey finish. The shape of the sculpture forms a skeletal structure around amorphous square voids.
    Year 2006
    Related pages UniBodies
  • A color photograph of a figure standing behind audio mixing equipment and a microphone in an orange-lit space. A crowd looks on.
    A color photograph of a figure standing behind audio mixing equipment and a microphone in an orange-lit space. A crowd looks on.
    Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. [A color photograph of a figure standing behind audio mixing equipment and a microphone in an orange-lit space. A crowd looks on.]
    Caption Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space.
    Image description A color photograph of a figure standing behind audio mixing equipment and a microphone in an orange-lit space. A crowd looks on.
    Year 2022
    Related pages Yuji Agematsu
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A black and white photograph of a sculpture, which sits on the ground near the corner of a room, its wiry frame covered by a transparent mesh material.
    A black and white photograph of a sculpture, which sits on the ground near the corner of a room, its wiry frame covered by a transparent mesh material.
    Beverly Semmes, Tree Net, 1989. [A black and white photograph of a sculpture, which sits on the ground near the corner of a room, its wiry frame covered by a transparent mesh material.]
    Caption Beverly Semmes, Tree Net, 1989.
    Image description A black and white photograph of a sculpture, which sits on the ground near the corner of a room, its wiry frame covered by a transparent mesh material.
    Year 1989
    Related pages Beverly Semmes
  • A trash can is filled to the brim with various objects including a binder, a circuit board, a film strip, a CD, and stacks of paper forms. Yellow text on a black background reads
    A trash can is filled to the brim with various objects including a binder, a circuit board, a film strip, a CD, and stacks of paper forms. Yellow text on a black background reads
    [A trash can is filled to the brim with various objects including a binder, a circuit board, a film strip, a CD, and stacks of paper forms. Yellow text on a black background reads "Your Trash... / Coul be an Adversary's / Treasure! / Remember / OPSEC / Operations Security."]
    Caption
    Image description A trash can is filled to the brim with various objects including a binder, a circuit board, a film strip, a CD, and stacks of paper forms. Yellow text on a black background reads "Your Trash... / Coul be an Adversary's / Treasure! / Remember / OPSEC / Operations Security."
    Year
    Related pages Digital Security and the Legal Framework of Surveillance
  • Circular bricolage sculpture in a white-walled gallery space.
    Circular bricolage sculpture in a white-walled gallery space.
    Lizbeth Marano. Third Circle, 1985. [Circular bricolage sculpture in a white-walled gallery space.]
    Caption Lizbeth Marano. Third Circle, 1985.
    Image description Circular bricolage sculpture in a white-walled gallery space.
    Year
    Related pages Four Artists: An Exhibition of Painting and Sculpture
  • Five framed works on paper, one individual work on the left and a cluster of four on the right, hang on a white gallery wall. Works feature abstract, calligraphic strokes in black ink on paper. Individual work on the left includes hand-painted text reading
    Five framed works on paper, one individual work on the left and a cluster of four on the right, hang on a white gallery wall. Works feature abstract, calligraphic strokes in black ink on paper. Individual work on the left includes hand-painted text reading
    Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak. [Five framed works on paper, one individual work on the left and a cluster of four on the right, hang on a white gallery wall. Works feature abstract, calligraphic strokes in black ink on paper. Individual work on the left includes hand-painted text reading "3 concerts, improvised music. La Monte Young - sopranino saxophone, Angus MacLise - hand drums, drone, 8-12pm Sundays - August 12, 19, 26, 10-4 Group Gallery, 73 4th Avenue, contribution $1.50" ]
    Caption Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak.
    Image description Five framed works on paper, one individual work on the left and a cluster of four on the right, hang on a white gallery wall. Works feature abstract, calligraphic strokes in black ink on paper. Individual work on the left includes hand-painted text reading "3 concerts, improvised music. La Monte Young - sopranino saxophone, Angus MacLise - hand drums, drone, 8-12pm Sundays - August 12, 19, 26, 10-4 Group Gallery, 73 4th Avenue, contribution $1.50"
    Year
    Related pages Dream Lines: Drawings by Marian Zazeela
  • Black and white photograph of three, geometric metal structures sitting on a wide, outdoor concrete plaza. One of the metal structures is situated in the center of the photograph, while the additional two sit behind it, flanking it on either side. The structures are composed of hollow cube-like and triangular components.
    Black and white photograph of three, geometric metal structures sitting on a wide, outdoor concrete plaza. One of the metal structures is situated in the center of the photograph, while the additional two sit behind it, flanking it on either side. The structures are composed of hollow cube-like and triangular components.
    Charlotte Posenenske, Series D Vierkantrohre (Square Tubes), 1967. Galvanized sheet steel, dimensions variable. Photo: Burkhard Brunn. [Black and white photograph of three, geometric metal structures sitting on a wide, outdoor concrete plaza. One of the metal structures is situated in the center of the photograph, while the additional two sit behind it, flanking it on either side. The structures are composed of hollow cube-like and triangular components.]
    Caption Charlotte Posenenske, Series D Vierkantrohre (Square Tubes), 1967. Galvanized sheet steel, dimensions variable. Photo: Burkhard Brunn.
    Image description Black and white photograph of three, geometric metal structures sitting on a wide, outdoor concrete plaza. One of the metal structures is situated in the center of the photograph, while the additional two sit behind it, flanking it on either side. The structures are composed of hollow cube-like and triangular components.
    Year 1967
    Related pages Charlotte Posenenske
  • Photograph of a well lit gallery, with various multimedia works placed around the space, projected against the walls, and hanging on the walls.
    Photograph of a well lit gallery, with various multimedia works placed around the space, projected against the walls, and hanging on the walls.
    Clocking Out: Time Beyond Management. Installation view, Artists Space, 2023. Photo: Greg Carideo. [Photograph of a well lit gallery, with various multimedia works placed around the space, projected against the walls, and hanging on the walls.]
    Caption Clocking Out: Time Beyond Management. Installation view, Artists Space, 2023. Photo: Greg Carideo.
    Image description Photograph of a well lit gallery, with various multimedia works placed around the space, projected against the walls, and hanging on the walls.
    Year 2023
    Related pages Whitney Independent Study: Clocking Out: Time Beyond Management
  • Two figures wearing medical scrubs hold a mannequin, while looking towards a projection.
    Two figures wearing medical scrubs hold a mannequin, while looking towards a projection.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court [Two figures wearing medical scrubs hold a mannequin, while looking towards a projection.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court
    Image description Two figures wearing medical scrubs hold a mannequin, while looking towards a projection.
    Year 2022
    Related pages Grandmother Cindy
  • A color photograph of an installation in a gallery. Several dark metal columns line the left side of the space, and on the right a punching bag and other boxing equipment hang from a rectangular wooden frame. In the background, several more mixed-media sculptures are visible.
    A color photograph of an installation in a gallery. Several dark metal columns line the left side of the space, and on the right a punching bag and other boxing equipment hang from a rectangular wooden frame. In the background, several more mixed-media sculptures are visible.
    Milford Graves: Fundamental Frequency. Installation view, Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak. [A color photograph of an installation in a gallery. Several dark metal columns line the left side of the space, and on the right a punching bag and other boxing equipment hang from a rectangular wooden frame. In the background, several more mixed-media sculptures are visible.]
    Caption Milford Graves: Fundamental Frequency. Installation view, Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak.
    Image description A color photograph of an installation in a gallery. Several dark metal columns line the left side of the space, and on the right a punching bag and other boxing equipment hang from a rectangular wooden frame. In the background, several more mixed-media sculptures are visible.
    Year 2021
    Related pages Milford Graves: Fundamental Frequency
  • Several geometric structures of varying sizes are displayed in close, overlapping clusters in a gallery space. The largest structure of the group nearly touches the gallery ceiling is composed of an array of flat pentagons that form circular, symmetrical patterns. Behind this structure is a large archway-shaped wall decal showing further colorful arrays and patterns. Several other, smaller pieces with similar geometric forms cluster on the floor around these structures.
    Several geometric structures of varying sizes are displayed in close, overlapping clusters in a gallery space. The largest structure of the group nearly touches the gallery ceiling is composed of an array of flat pentagons that form circular, symmetrical patterns. Behind this structure is a large archway-shaped wall decal showing further colorful arrays and patterns. Several other, smaller pieces with similar geometric forms cluster on the floor around these structures.
    Salad Days 3. Installation view, Artists Space, 2008. Photo: Jeremy Ross. [Several geometric structures of varying sizes are displayed in close, overlapping clusters in a gallery space. The largest structure of the group nearly touches the gallery ceiling is composed of an array of flat pentagons that form circular, symmetrical patterns. Behind this structure is a large archway-shaped wall decal showing further colorful arrays and patterns. Several other, smaller pieces with similar geometric forms cluster on the floor around these structures.]
    Caption Salad Days 3. Installation view, Artists Space, 2008. Photo: Jeremy Ross.
    Image description Several geometric structures of varying sizes are displayed in close, overlapping clusters in a gallery space. The largest structure of the group nearly touches the gallery ceiling is composed of an array of flat pentagons that form circular, symmetrical patterns. Behind this structure is a large archway-shaped wall decal showing further colorful arrays and patterns. Several other, smaller pieces with similar geometric forms cluster on the floor around these structures.
    Year 2008
    Related pages Salad Days 3
  • Various paintings, drawings, and sculptures of torsos hang along a wall. In the corner, a bust with an upturned face sits on a pedestal.
    Various paintings, drawings, and sculptures of torsos hang along a wall. In the corner, a bust with an upturned face sits on a pedestal.
    Witnesses: Against Our Vanishing. Installation View, Artists Space, 1989. Photo: Frances Miller Smith. [Various paintings, drawings, and sculptures of torsos hang along a wall. In the corner, a bust with an upturned face sits on a pedestal.]
    Caption Witnesses: Against Our Vanishing. Installation View, Artists Space, 1989. Photo: Frances Miller Smith.
    Image description Various paintings, drawings, and sculptures of torsos hang along a wall. In the corner, a bust with an upturned face sits on a pedestal.
    Year 1989
    Related pages Witnesses: Against Our Vanishing
  • Nuestro Reflejo exhibition at Morris Jumel Mansion, Washington Heights, 2025
    Caption Nuestro Reflejo exhibition at Morris Jumel Mansion, Washington Heights, 2025
    Image description
    Year
    Related pages Threads of History
  • Black text on a grey background. The text reads: “Jan 31 / Bruce Andrews / Christopher Knowles.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on a grey background. The text reads: “Jan 31 / Bruce Andrews / Christopher Knowles.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on a grey background. The text reads: “Jan 31 / Bruce Andrews / Christopher Knowles.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on a grey background. The text reads: “Jan 31 / Bruce Andrews / Christopher Knowles.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Bruce Andrews & Christopher Knowles
  • A pile of dark earth and plant matter is heaped against a wooden bannister.
    A pile of dark earth and plant matter is heaped against a wooden bannister.
    Laurie Palmer, Winter Flush, 1989. Installation view, Artists Space, 1989. [A pile of dark earth and plant matter is heaped against a wooden bannister.]
    Caption Laurie Palmer, Winter Flush, 1989. Installation view, Artists Space, 1989.
    Image description A pile of dark earth and plant matter is heaped against a wooden bannister.
    Year 1989
    Related pages Project: Winter Flush: A Temporary Garden
  • Black text overlays a light green background. The text at the top reads: “Segue Reading Series & ARTISTS SPACE / Spring 2026 Season / April/May curated by Fence Books: / Emily Wallis Hughes & Nikolas Slackman
    Black text overlays a light green background. The text at the top reads: “Segue Reading Series & ARTISTS SPACE / Spring 2026 Season / April/May curated by Fence Books: / Emily Wallis Hughes & Nikolas Slackman
    [Black text overlays a light green background. The text at the top reads: “Segue Reading Series & ARTISTS SPACE / Spring 2026 Season / April/May curated by Fence Books: / Emily Wallis Hughes & Nikolas Slackman"]
    Caption
    Image description Black text overlays a light green background. The text at the top reads: “Segue Reading Series & ARTISTS SPACE / Spring 2026 Season / April/May curated by Fence Books: / Emily Wallis Hughes & Nikolas Slackman"
    Year
    Related pages Segue Reading Series
  • A geometric metal sculpture against a blank, white background. The sculpture is composed of four identical components, each with two triangular spikes extending upwards or downwards. Each of the components is hollow, and the interior of the sculpture can be glimpsed from its side.
    A geometric metal sculpture against a blank, white background. The sculpture is composed of four identical components, each with two triangular spikes extending upwards or downwards. Each of the components is hollow, and the interior of the sculpture can be glimpsed from its side.
    Charlotte Posenenske, Series D Vierkantrohre (Square Tubes), 1967. Galvanized sheet steel, dimensions variable. [A geometric metal sculpture against a blank, white background. The sculpture is composed of four identical components, each with two triangular spikes extending upwards or downwards. Each of the components is hollow, and the interior of the sculpture can be glimpsed from its side.]
    Caption Charlotte Posenenske, Series D Vierkantrohre (Square Tubes), 1967. Galvanized sheet steel, dimensions variable.
    Image description A geometric metal sculpture against a blank, white background. The sculpture is composed of four identical components, each with two triangular spikes extending upwards or downwards. Each of the components is hollow, and the interior of the sculpture can be glimpsed from its side.
    Year 2010
    Related pages Charlotte Posenenske
  • An image of a brightly photographed display case with a book which has been cut into in the center.
    An image of a brightly photographed display case with a book which has been cut into in the center.
    Hannah Weiner, Book of Revelations, 1989, Pencil in altered book, dimensions variable [An image of a brightly photographed display case with a book which has been cut into in the center.]
    Caption Hannah Weiner, Book of Revelations, 1989, Pencil in altered book, dimensions variable
    Image description An image of a brightly photographed display case with a book which has been cut into in the center.
    Year 2022
    Related pages Attention Line
  • A corner made by two white walls. One wall has four framed images of yellow amorphus shapes on different backrounds, arranged in a horizontal line. The other wall has three framed images, one hung by itself and the other two stacked vertically.
    A corner made by two white walls. One wall has four framed images of yellow amorphus shapes on different backrounds, arranged in a horizontal line. The other wall has three framed images, one hung by itself and the other two stacked vertically.
    Local Transit. Installation view, Artists Space, 2006. [A corner made by two white walls. One wall has four framed images of yellow amorphus shapes on different backrounds, arranged in a horizontal line. The other wall has three framed images, one hung by itself and the other two stacked vertically.]
    Caption Local Transit. Installation view, Artists Space, 2006.
    Image description A corner made by two white walls. One wall has four framed images of yellow amorphus shapes on different backrounds, arranged in a horizontal line. The other wall has three framed images, one hung by itself and the other two stacked vertically.
    Year 2006
    Related pages Local Transit: An Exhibition in Two Parts
  • White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Mar 23 / Dubravka Djuric / Fanny Howe
    White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Mar 23 / Dubravka Djuric / Fanny Howe
    [White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Mar 23 / Dubravka Djuric / Fanny Howe" Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Mar 23 / Dubravka Djuric / Fanny Howe" Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year
    Related pages Segue Reading Series: Dubravka Djuric & Fanny Howe
  • A gray cross made from wire on a white background, with a small, red square held in the center.
    A gray cross made from wire on a white background, with a small, red square held in the center.
    Steve Carter, Tile Series (detail), 1994. [A gray cross made from wire on a white background, with a small, red square held in the center.]
    Caption Steve Carter, Tile Series (detail), 1994.
    Image description A gray cross made from wire on a white background, with a small, red square held in the center.
    Year 1994
    Related pages A Strategy Hinted At: New Conceptual Artists
  • A figure sits behind a table, looking at a laptop, and speaking into a microphone.
    A figure sits behind a table, looking at a laptop, and speaking into a microphone.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure sits behind a table, looking at a laptop, and speaking into a microphone.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure sits behind a table, looking at a laptop, and speaking into a microphone.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
  • Close-up image of the faces of a man and a woman, both of their figures cut off by the frame. The woman stands slightly in front of the man, who stands directly behind her shoulder. She wears lipstick, jewelry, and has short hair, while the man is older and wears a suit with a stiff collar. Neither figure looks at each other, gazing elsewhere.
    Close-up image of the faces of a man and a woman, both of their figures cut off by the frame. The woman stands slightly in front of the man, who stands directly behind her shoulder. She wears lipstick, jewelry, and has short hair, while the man is older and wears a suit with a stiff collar. Neither figure looks at each other, gazing elsewhere.
    [Close-up image of the faces of a man and a woman, both of their figures cut off by the frame. The woman stands slightly in front of the man, who stands directly behind her shoulder. She wears lipstick, jewelry, and has short hair, while the man is older and wears a suit with a stiff collar. Neither figure looks at each other, gazing elsewhere.]
    Caption
    Image description Close-up image of the faces of a man and a woman, both of their figures cut off by the frame. The woman stands slightly in front of the man, who stands directly behind her shoulder. She wears lipstick, jewelry, and has short hair, while the man is older and wears a suit with a stiff collar. Neither figure looks at each other, gazing elsewhere.
    Year 2007
    Related pages Program 5 - In The Poem About Love You Don't Write The Word Love Film Series at Anthology Film Archives
  • A man in a suit, black shirt, and glasses strums a guitar while singing into a microphone in a white-walled gallery space.
    A man in a suit, black shirt, and glasses strums a guitar while singing into a microphone in a white-walled gallery space.
    The Friends of Artists Space Dinner, May 8, 2010. Stephen Prina's performance. [A man in a suit, black shirt, and glasses strums a guitar while singing into a microphone in a white-walled gallery space.]
    Caption The Friends of Artists Space Dinner, May 8, 2010. Stephen Prina's performance.
    Image description A man in a suit, black shirt, and glasses strums a guitar while singing into a microphone in a white-walled gallery space.
    Year 2010
    Related pages The Friends of Artists Space Dinner
  • Color image of a framed fragment of newspaper. The headlines of the two articles featured read,
    Color image of a framed fragment of newspaper. The headlines of the two articles featured read,
    Robert Gober, Untitled, 1992. Photo: Filip Wolak. [Color image of a framed fragment of newspaper. The headlines of the two articles featured read, "Bush Is Sent Forth as Champion of Family Values," and "Jury Convicts Man Who Locked His Children in Bronx Apartment." An image of steel pots and pans is placed on the bottom-left corner, and an image of a woman with her arms draped over a man in a suit is placed on the bottom-right corner.]
    Caption Robert Gober, Untitled, 1992. Photo: Filip Wolak.
    Image description Color image of a framed fragment of newspaper. The headlines of the two articles featured read, "Bush Is Sent Forth as Champion of Family Values," and "Jury Convicts Man Who Locked His Children in Bronx Apartment." An image of steel pots and pans is placed on the bottom-left corner, and an image of a woman with her arms draped over a man in a suit is placed on the bottom-right corner.
    Year 2023
    Related pages Artists for Artists Space
  • Various people having conversations and looking around at the art during the exhibition opening.
    Various people having conversations and looking around at the art during the exhibition opening.
    Artists Draw. Installation view, Artists Space, 1979. [Various people having conversations and looking around at the art during the exhibition opening.]
    Caption Artists Draw. Installation view, Artists Space, 1979.
    Image description Various people having conversations and looking around at the art during the exhibition opening.
    Year 1979
    Related pages Artists Draw: Tom Martin, Auste Peciura, Alan Saret, Patti Smith, Nancy Spero
  • A woman screaming while two men hold her down and touch her breasts.
    A woman screaming while two men hold her down and touch her breasts.
    Jack Smith. Still from *Flaming Creatures, 1962-63. [A woman screaming while two men hold her down and touch her breasts.]
    Caption Jack Smith. Still from *Flaming Creatures, 1962-63.
    Image description A woman screaming while two men hold her down and touch her breasts.
    Year 1962
    Related pages Explorations of an “Aesthetic of Delirium"
  • A black and white photograph of a gallery space. A piece with a large black paint swatch hangs on the wall on the right.
    A black and white photograph of a gallery space. A piece with a large black paint swatch hangs on the wall on the right.
    David Salle. Untitled (Camus), 1976. Mixed media on paper. From Barbara Bloom, David Salle, Artists Space, 1976 [A black and white photograph of a gallery space. A piece with a large black paint swatch hangs on the wall on the right.]
    Caption David Salle. Untitled (Camus), 1976. Mixed media on paper. From Barbara Bloom, David Salle, Artists Space, 1976
    Image description A black and white photograph of a gallery space. A piece with a large black paint swatch hangs on the wall on the right.
    Year 1976
    Related pages Barbara Bloom, David Salle
  • A figure wearing a trenchcoat stands in a psychadelically lit bathroom while smoking a cigarette.
    A figure wearing a trenchcoat stands in a psychadelically lit bathroom while smoking a cigarette.
    Manuel DeLanda, Raw Nerves: A Lacanian Thriller (still), 1980, 16mm-to-digital, Color, Sound, 30 minutes. [A figure wearing a trenchcoat stands in a psychadelically lit bathroom while smoking a cigarette.]
    Caption Manuel DeLanda, Raw Nerves: A Lacanian Thriller (still), 1980, 16mm-to-digital, Color, Sound, 30 minutes.
    Image description A figure wearing a trenchcoat stands in a psychadelically lit bathroom while smoking a cigarette.
    Year
    Related pages Manuel DeLanda Screening & Lecture
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A colorful drawing depicts an image with blue and yellow background, and two elegant figures sitting on a red couch. They are both looking towards the viewer. On the right, a female-presenting figure wearing a pink suit has her legs up on the couch. The male-presenting figure is on the left. He is cross-legged and wearing a black suit. At their feet, a cat stretches.
    A colorful drawing depicts an image with blue and yellow background, and two elegant figures sitting on a red couch. They are both looking towards the viewer. On the right, a female-presenting figure wearing a pink suit has her legs up on the couch. The male-presenting figure is on the left. He is cross-legged and wearing a black suit. At their feet, a cat stretches.
    Drake Carr, Colin and Brandi at Home, 2023. Colored pencil, ink, acrylic on paper. 48 x 60 inches. Image courtesy Artists Space, New York. Photo: Filip Wolak. [A colorful drawing depicts an image with blue and yellow background, and two elegant figures sitting on a red couch. They are both looking towards the viewer. On the right, a female-presenting figure wearing a pink suit has her legs up on the couch. The male-presenting figure is on the left. He is cross-legged and wearing a black suit. At their feet, a cat stretches.]
    Caption Drake Carr, Colin and Brandi at Home, 2023. Colored pencil, ink, acrylic on paper. 48 x 60 inches. Image courtesy Artists Space, New York. Photo: Filip Wolak.
    Image description A colorful drawing depicts an image with blue and yellow background, and two elegant figures sitting on a red couch. They are both looking towards the viewer. On the right, a female-presenting figure wearing a pink suit has her legs up on the couch. The male-presenting figure is on the left. He is cross-legged and wearing a black suit. At their feet, a cat stretches.
    Year
    Related pages Drake Carr: Housecalls
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • In the foreground is a set of vacuum cleaners on display vertically above each other on a plexiglass shelf rack with fluourescent lights underneath each one. Behind it on a wall is a Duratrans on a lightbox with text that reads:
    In the foreground is a set of vacuum cleaners on display vertically above each other on a plexiglass shelf rack with fluourescent lights underneath each one. Behind it on a wall is a Duratrans on a lightbox with text that reads:
    Installation view. Artists Space, 1983. Foreground: Jeff Koons. New Wet/Dry Triple Decker, 1982. Plexiglass, fluorescent light, new vacuum cleaners. 124 1/2 x 28 x 28 inches. [In the foreground is a set of vacuum cleaners on display vertically above each other on a plexiglass shelf rack with fluourescent lights underneath each one. Behind it on a wall is a Duratrans on a lightbox with text that reads: "New 100% Meri Ultra-lights" and a picture of a pack of ciagrettes appears next to the text. These works appear in a white-walled gallery space with a window in the far left back and a fluorescent light visible above.]
    Caption Installation view. Artists Space, 1983. Foreground: Jeff Koons. New Wet/Dry Triple Decker, 1982. Plexiglass, fluorescent light, new vacuum cleaners. 124 1/2 x 28 x 28 inches.
    Image description In the foreground is a set of vacuum cleaners on display vertically above each other on a plexiglass shelf rack with fluourescent lights underneath each one. Behind it on a wall is a Duratrans on a lightbox with text that reads: "New 100% Meri Ultra-lights" and a picture of a pack of ciagrettes appears next to the text. These works appear in a white-walled gallery space with a window in the far left back and a fluorescent light visible above.
    Year 1983
    Related pages Los Angeles/New York Exchange
  • A video projection on a scrim of an urban environment with a store and a park lot visible with buildings in the background. A standing box with a wire coming from the back is visible and another box with a wire from the back is visible on the right wall. All of this is set up in a gallery setting.
    A video projection on a scrim of an urban environment with a store and a park lot visible with buildings in the background. A standing box with a wire coming from the back is visible and another box with a wire from the back is visible on the right wall. All of this is set up in a gallery setting.
    Judith Barry. In the Shadow of the City (Vampry...). Installation view. Artists Space, 1985. [A video projection on a scrim of an urban environment with a store and a park lot visible with buildings in the background. A standing box with a wire coming from the back is visible and another box with a wire from the back is visible on the right wall. All of this is set up in a gallery setting.]
    Caption Judith Barry. In the Shadow of the City (Vampry...). Installation view. Artists Space, 1985.
    Image description A video projection on a scrim of an urban environment with a store and a park lot visible with buildings in the background. A standing box with a wire coming from the back is visible and another box with a wire from the back is visible on the right wall. All of this is set up in a gallery setting.
    Year 1985
    Related pages Dark Rooms
  • Drawing with various stools and faces in the center rectangle with lines emerging under it stretching towards the bottom.
    Drawing with various stools and faces in the center rectangle with lines emerging under it stretching towards the bottom.
    Hani Rashid, Corset Shop in Paris, 1985. Mixed media with ink, old paints, acids, chalks, 33 x 24 inches. [Drawing with various stools and faces in the center rectangle with lines emerging under it stretching towards the bottom.]
    Caption Hani Rashid, Corset Shop in Paris, 1985. Mixed media with ink, old paints, acids, chalks, 33 x 24 inches.
    Image description Drawing with various stools and faces in the center rectangle with lines emerging under it stretching towards the bottom.
    Year
    Related pages Kursaal For An Evacuee
  • White text against black background, landscape orientation poisitioned in portrait with words reading from bottom to top. The large title reads
    White text against black background, landscape orientation poisitioned in portrait with words reading from bottom to top. The large title reads
    Wolf Vostell idécollage No. 3, Bulletin aktueller Ideen , Cologne, December 1962 Collection Andersch [White text against black background, landscape orientation poisitioned in portrait with words reading from bottom to top. The large title reads "dé collage."]
    Caption Wolf Vostell idécollage No. 3, Bulletin aktueller Ideen , Cologne, December 1962 Collection Andersch
    Image description White text against black background, landscape orientation poisitioned in portrait with words reading from bottom to top. The large title reads "dé collage."
    Year 1962
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • Color image of the audience. In the foreground, audience members are seated in chairs and in the background, folks stand and watch the performance. Almost all of their eyes are attuned towards the stage, which is out of frame to the right. Many of the audience members wear smiling, joyful faces as they watch the show. The audience sits in the dark of the seating area, small specks of bright white light reflecting from a disco ball scatter on their bodies and the walls behind them. 
    Color image of the audience. In the foreground, audience members are seated in chairs and in the background, folks stand and watch the performance. Almost all of their eyes are attuned towards the stage, which is out of frame to the right. Many of the audience members wear smiling, joyful faces as they watch the show. The audience sits in the dark of the seating area, small specks of bright white light reflecting from a disco ball scatter on their bodies and the walls behind them. 
    Abasement #67. Performance documentation, January 15, 2024, Artists Space. Photo: Joshua Wildman. [Color image of the audience. In the foreground, audience members are seated in chairs and in the background, folks stand and watch the performance. Almost all of their eyes are attuned towards the stage, which is out of frame to the right. Many of the audience members wear smiling, joyful faces as they watch the show. The audience sits in the dark of the seating area, small specks of bright white light reflecting from a disco ball scatter on their bodies and the walls behind them. ]
    Caption Abasement #67. Performance documentation, January 15, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Color image of the audience. In the foreground, audience members are seated in chairs and in the background, folks stand and watch the performance. Almost all of their eyes are attuned towards the stage, which is out of frame to the right. Many of the audience members wear smiling, joyful faces as they watch the show. The audience sits in the dark of the seating area, small specks of bright white light reflecting from a disco ball scatter on their bodies and the walls behind them. 
    Year
    Related pages Abasement #67
  • Three performers, from left to right, sit singing, playing the drums, and operating a sound board on stage.
    Three performers, from left to right, sit singing, playing the drums, and operating a sound board on stage.
    Abasement #84. Performance documentation, February 16th, 2026, Artists Space. Photo: Joshua Wildman. [Three performers, from left to right, sit singing, playing the drums, and operating a sound board on stage. ]
    Caption Abasement #84. Performance documentation, February 16th, 2026, Artists Space. Photo: Joshua Wildman.
    Image description Three performers, from left to right, sit singing, playing the drums, and operating a sound board on stage.
    Year
    Related pages Abasement #84
  • What Do We Carry? Coil pots and coiled personal timelines, December 2024
    Caption What Do We Carry? Coil pots and coiled personal timelines, December 2024
    Image description
    Year
    Related pages Listening to the LES
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A view of multiple works including a vending machine against a glazed over window, a glass display table backed by tiled photographs, a lightbox with an image of sitting individuals and a colorful shack structure.
    A view of multiple works including a vending machine against a glazed over window, a glass display table backed by tiled photographs, a lightbox with an image of sitting individuals and a colorful shack structure.
    ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A view of multiple works including a vending machine against a glazed over window, a glass display table backed by tiled photographs, a lightbox with an image of sitting individuals and a colorful shack structure.]
    Caption ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A view of multiple works including a vending machine against a glazed over window, a glass display table backed by tiled photographs, a lightbox with an image of sitting individuals and a colorful shack structure.
    Year 2021
    Related pages ART CLUB2000
  • Six monitors in a row are lined up in the middle of a floating bookshelf, displaying stills from the film. On the left corner of the image, a desk holds long slips of black paper with white text on it, curled and intertwined, resembling film strips.
    Six monitors in a row are lined up in the middle of a floating bookshelf, displaying stills from the film. On the left corner of the image, a desk holds long slips of black paper with white text on it, curled and intertwined, resembling film strips.
    Union Gaucha Productions. Installation view, Artists Space, 2015. Photo: Daniel Pérez. [Six monitors in a row are lined up in the middle of a floating bookshelf, displaying stills from the film. On the left corner of the image, a desk holds long slips of black paper with white text on it, curled and intertwined, resembling film strips.]
    Caption Union Gaucha Productions. Installation view, Artists Space, 2015. Photo: Daniel Pérez.
    Image description Six monitors in a row are lined up in the middle of a floating bookshelf, displaying stills from the film. On the left corner of the image, a desk holds long slips of black paper with white text on it, curled and intertwined, resembling film strips.
    Year 2015
    Related pages Union Gaucha Productions
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • In front of a pixelated red background, a yellow caption appears on top of a black bar that reads: “But whatever debt we’re in, whatever risks, we’re in together.
    In front of a pixelated red background, a yellow caption appears on top of a black bar that reads: “But whatever debt we’re in, whatever risks, we’re in together.
    Still from In It Together, Amelia Bande and Rachel Higgins, 2020 [In front of a pixelated red background, a yellow caption appears on top of a black bar that reads: “But whatever debt we’re in, whatever risks, we’re in together."]
    Caption Still from In It Together, Amelia Bande and Rachel Higgins, 2020
    Image description In front of a pixelated red background, a yellow caption appears on top of a black bar that reads: “But whatever debt we’re in, whatever risks, we’re in together."
    Year
    Related pages Jordan Lord: Scheduled Interruptions
  • Close-up of an upright black birthing mannequin reclined on a hospital bed in a blue patient room. A newborn mannequin swaddled in a hospital receiving blanket lays on the birthing mannequin’s chest.
    Close-up of an upright black birthing mannequin reclined on a hospital bed in a blue patient room. A newborn mannequin swaddled in a hospital receiving blanket lays on the birthing mannequin’s chest.
    Still from Fiction Contract, 2025 [Close-up of an upright black birthing mannequin reclined on a hospital bed in a blue patient room. A newborn mannequin swaddled in a hospital receiving blanket lays on the birthing mannequin’s chest.]
    Caption Still from Fiction Contract, 2025
    Image description Close-up of an upright black birthing mannequin reclined on a hospital bed in a blue patient room. A newborn mannequin swaddled in a hospital receiving blanket lays on the birthing mannequin’s chest.
    Year
    Related pages Carolyn Lazard
  • A flyer with an abstract, colorful artwork on the left and exhibition information on the right.
    A flyer with an abstract, colorful artwork on the left and exhibition information on the right.
    Exterior of exhibition invitation. International Art Exhibition for Palestine. Beirut, 1978. Courtesy Mona Saudi. [A flyer with an abstract, colorful artwork on the left and exhibition information on the right.]
    Caption Exterior of exhibition invitation. International Art Exhibition for Palestine. Beirut, 1978. Courtesy Mona Saudi.
    Image description A flyer with an abstract, colorful artwork on the left and exhibition information on the right.
    Year 1978
    Related pages Past Disquiet
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Color photo of an installation work. A large, paper-mache sculpture of a cow-like creature stands next to a crocheted blanket laid on the floor. On top of the blanket there is a red thermos with two red mugs and a miniature white couch. On the back wall behind the paper-mache sculpture and blanket is a round mirror. The mirror contains a reflection of a large box TV with a static screen. On the left-side background, behind the paper-mache sculpture, two blow-dryers hang from a freestanding metal fixture.
    Color photo of an installation work. A large, paper-mache sculpture of a cow-like creature stands next to a crocheted blanket laid on the floor. On top of the blanket there is a red thermos with two red mugs and a miniature white couch. On the back wall behind the paper-mache sculpture and blanket is a round mirror. The mirror contains a reflection of a large box TV with a static screen. On the left-side background, behind the paper-mache sculpture, two blow-dryers hang from a freestanding metal fixture.
    Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photo of an installation work. A large, paper-mache sculpture of a cow-like creature stands next to a crocheted blanket laid on the floor. On top of the blanket there is a red thermos with two red mugs and a miniature white couch. On the back wall behind the paper-mache sculpture and blanket is a round mirror. The mirror contains a reflection of a large box TV with a static screen. On the left-side background, behind the paper-mache sculpture, two blow-dryers hang from a freestanding metal fixture.]
    Caption Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photo of an installation work. A large, paper-mache sculpture of a cow-like creature stands next to a crocheted blanket laid on the floor. On top of the blanket there is a red thermos with two red mugs and a miniature white couch. On the back wall behind the paper-mache sculpture and blanket is a round mirror. The mirror contains a reflection of a large box TV with a static screen. On the left-side background, behind the paper-mache sculpture, two blow-dryers hang from a freestanding metal fixture.
    Year
    Related pages Char Jeré: Zoo or an Orchestra
  • A black and white photograph of an artwork. A gainst a black background, 35 circles are drawn. Inside of each sphere is a miniature scene, either featuring people, planes, or household interiors.
    A black and white photograph of an artwork. A gainst a black background, 35 circles are drawn. Inside of each sphere is a miniature scene, either featuring people, planes, or household interiors.
    Pictures. Installation view, Artists Space, 1977. Photo: D. James Dee. [A black and white photograph of an artwork. A gainst a black background, 35 circles are drawn. Inside of each sphere is a miniature scene, either featuring people, planes, or household interiors.]
    Caption Pictures. Installation view, Artists Space, 1977. Photo: D. James Dee.
    Image description A black and white photograph of an artwork. A gainst a black background, 35 circles are drawn. Inside of each sphere is a miniature scene, either featuring people, planes, or household interiors.
    Year 1977
    Related pages Pictures
  • Black & white photograph of a performer singing into a microphone stand, positioned along the center of the wall. The audience sits on the floor around the center of the room, where hanging screens depict a projected video of a close-up of a figure's face with a bright light coming from one side of the image.
    Black & white photograph of a performer singing into a microphone stand, positioned along the center of the wall. The audience sits on the floor around the center of the room, where hanging screens depict a projected video of a close-up of a figure's face with a bright light coming from one side of the image.
    Shala Miller performs Genesis: Medley. Performance documentation, May 11, 2023, Artists Space. Photo: Roy Baizan. [Black & white photograph of a performer singing into a microphone stand, positioned along the center of the wall. The audience sits on the floor around the center of the room, where hanging screens depict a projected video of a close-up of a figure's face with a bright light coming from one side of the image.]
    Caption Shala Miller performs Genesis: Medley. Performance documentation, May 11, 2023, Artists Space. Photo: Roy Baizan.
    Image description Black & white photograph of a performer singing into a microphone stand, positioned along the center of the wall. The audience sits on the floor around the center of the room, where hanging screens depict a projected video of a close-up of a figure's face with a bright light coming from one side of the image.
    Year 2023
    Related pages Genesis: Medley
  • A black and white installation view of a large rectangular artwork featuring several dark portions, dots, and text.
    A black and white installation view of a large rectangular artwork featuring several dark portions, dots, and text.
    Gerry Morehead. Installation view, Gerry Morehead, Jim Pavlicovic, Artists Space, 1976. [A black and white installation view of a large rectangular artwork featuring several dark portions, dots, and text.]
    Caption Gerry Morehead. Installation view, Gerry Morehead, Jim Pavlicovic, Artists Space, 1976.
    Image description A black and white installation view of a large rectangular artwork featuring several dark portions, dots, and text.
    Year 1976
    Related pages Gerry Morehead, Jim Pavlicovic
  • An image of a wall with a poster hanging on the left, and and a brown and white jacket hanging on the right.
    An image of a wall with a poster hanging on the left, and and a brown and white jacket hanging on the right.
    Attention Line. Installation view (James Luna with the High Cheekbones, 2006, Jacket from the exhibit All Indian All the Time, 2005), Artists Space, June 11, 2022 - August 20, 2022. Photo: Filip Wolak [An image of a wall with a poster hanging on the left, and and a brown and white jacket hanging on the right.]
    Caption Attention Line. Installation view (James Luna with the High Cheekbones, 2006, Jacket from the exhibit All Indian All the Time, 2005), Artists Space, June 11, 2022 - August 20, 2022. Photo: Filip Wolak
    Image description An image of a wall with a poster hanging on the left, and and a brown and white jacket hanging on the right.
    Year 2022
    Related pages Attention Line
  • Several sculptures and models sit in a gallery space with wooden floors. To the left of the image, there are several shining metalic forms supported by long, spider-like legs standing at hip height. On the image's right is a large model of a futuristic building. Hanging from the ceiling behind the metal sculptures is a shiny, white rectangular sculpture with sleek, ribbon-like forms.
    Several sculptures and models sit in a gallery space with wooden floors. To the left of the image, there are several shining metalic forms supported by long, spider-like legs standing at hip height. On the image's right is a large model of a futuristic building. Hanging from the ceiling behind the metal sculptures is a shiny, white rectangular sculpture with sleek, ribbon-like forms.
    Matters of Sensation. Installation view, Artists Space, 2008. Photo: Adam Reich. [Several sculptures and models sit in a gallery space with wooden floors. To the left of the image, there are several shining metalic forms supported by long, spider-like legs standing at hip height. On the image's right is a large model of a futuristic building. Hanging from the ceiling behind the metal sculptures is a shiny, white rectangular sculpture with sleek, ribbon-like forms.]
    Caption Matters of Sensation. Installation view, Artists Space, 2008. Photo: Adam Reich.
    Image description Several sculptures and models sit in a gallery space with wooden floors. To the left of the image, there are several shining metalic forms supported by long, spider-like legs standing at hip height. On the image's right is a large model of a futuristic building. Hanging from the ceiling behind the metal sculptures is a shiny, white rectangular sculpture with sleek, ribbon-like forms.
    Year 2008
    Related pages Matters of Sensation
  • Caption
    Image description
    Year
    Related pages Milford Graves: Fundamental Frequency
  • Color photo of two performers kneeling on the floor of a dark performance venue. A deep red glowing light emanating from between the performers serves as the only source of illumination. The crouching individuals are wearing quilted pants and have a variety of nightvision gear attached to their legs and torsos.
    Color photo of two performers kneeling on the floor of a dark performance venue. A deep red glowing light emanating from between the performers serves as the only source of illumination. The crouching individuals are wearing quilted pants and have a variety of nightvision gear attached to their legs and torsos.
    Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman. [Color photo of two performers kneeling on the floor of a dark performance venue. A deep red glowing light emanating from between the performers serves as the only source of illumination. The crouching individuals are wearing quilted pants and have a variety of nightvision gear attached to their legs and torsos.]
    Caption Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman.
    Image description Color photo of two performers kneeling on the floor of a dark performance venue. A deep red glowing light emanating from between the performers serves as the only source of illumination. The crouching individuals are wearing quilted pants and have a variety of nightvision gear attached to their legs and torsos.
    Year
    Related pages Abasement #64
  • An angled view of a large ramp looking on to a large video monitor screen positioned at the base. The room is tinted blue. On the screen, an iPhone 4 sits on a glass table, its lock screen on view; the time reads,
    An angled view of a large ramp looking on to a large video monitor screen positioned at the base. The room is tinted blue. On the screen, an iPhone 4 sits on a glass table, its lock screen on view; the time reads,
    Hito Steyerl, Liquidity, Inc., 2014. HD video with sound, 30 mins. Courtesy the artist and Andrew Kreps, New York. [An angled view of a large ramp looking on to a large video monitor screen positioned at the base. The room is tinted blue. On the screen, an iPhone 4 sits on a glass table, its lock screen on view; the time reads, "4:39."]
    Caption Hito Steyerl, Liquidity, Inc., 2014. HD video with sound, 30 mins. Courtesy the artist and Andrew Kreps, New York.
    Image description An angled view of a large ramp looking on to a large video monitor screen positioned at the base. The room is tinted blue. On the screen, an iPhone 4 sits on a glass table, its lock screen on view; the time reads, "4:39."
    Year 2015
    Related pages Hito Steyerl
  • Caption
    Image description
    Year
    Related pages Carolyn Lazard
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A figure in a suit performs on stage.
    A figure in a suit performs on stage.
    Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [A figure in a suit performs on stage.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure in a suit performs on stage.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-10
  • A Samsung television monitor displaying Benjamin Buchloh, in a black sweater and thin rectangular glasses, being interviewed.
    A Samsung television monitor displaying Benjamin Buchloh, in a black sweater and thin rectangular glasses, being interviewed.
    Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979). Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A Samsung television monitor displaying Benjamin Buchloh, in a black sweater and thin rectangular glasses, being interviewed.]
    Caption Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979). Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description A Samsung television monitor displaying Benjamin Buchloh, in a black sweater and thin rectangular glasses, being interviewed.
    Year 2011
    Related pages Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979)
  • Close-up of a rectangular, silver metal plaque hanging on a white gallery wall. The plaque is inscribed with a diagram of an exhibition space. Numbers note the location of the artworks, while a key next to the diagram notes the titles and other tombstone information of the works.
    Close-up of a rectangular, silver metal plaque hanging on a white gallery wall. The plaque is inscribed with a diagram of an exhibition space. Numbers note the location of the artworks, while a key next to the diagram notes the titles and other tombstone information of the works.
    Danh Vo: Autoerotic Asphyxiation. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [Close-up of a rectangular, silver metal plaque hanging on a white gallery wall. The plaque is inscribed with a diagram of an exhibition space. Numbers note the location of the artworks, while a key next to the diagram notes the titles and other tombstone information of the works.]
    Caption Danh Vo: Autoerotic Asphyxiation. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description Close-up of a rectangular, silver metal plaque hanging on a white gallery wall. The plaque is inscribed with a diagram of an exhibition space. Numbers note the location of the artworks, while a key next to the diagram notes the titles and other tombstone information of the works.
    Year 2010
    Related pages Danh Vo: Autoerotic Asphyxiation
  • Caption
    Image description
    Year
    Related pages Abasement #77
  • Collage featuring a color image of the Mr. Peanut brand logo surrounded by black-and-white imagery, including a boy carrying a bindle.
    Collage featuring a color image of the Mr. Peanut brand logo surrounded by black-and-white imagery, including a boy carrying a bindle.
    Frederick Weston, SoBar, 2018. Collage. [Collage featuring a color image of the Mr. Peanut brand logo surrounded by black-and-white imagery, including a boy carrying a bindle.]
    Caption Frederick Weston, SoBar, 2018. Collage.
    Image description Collage featuring a color image of the Mr. Peanut brand logo surrounded by black-and-white imagery, including a boy carrying a bindle.
    Year 2018
    Related pages Fag, Stag, or Drag?
  • Three large pink fabric banners by Isabelle Frances McGuire, each bearing three silver star patches, hang from the ceiling to rest on the floor.
    Three large pink fabric banners by Isabelle Frances McGuire, each bearing three silver star patches, hang from the ceiling to rest on the floor.
    Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon. [Three large pink fabric banners by Isabelle Frances McGuire, each bearing three silver star patches, hang from the ceiling to rest on the floor.]
    Caption Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon.
    Image description Three large pink fabric banners by Isabelle Frances McGuire, each bearing three silver star patches, hang from the ceiling to rest on the floor.
    Year
    Related pages Doris Guo Matthew Langan-Peck Isabelle Frances McGuire Ruben Ulises Rodriguez Montoya
  • A collage-style image. The background is a 19th century-style painting titled
    A collage-style image. The background is a 19th century-style painting titled
    Paul Chan, Wht is the nture of lw, 2011, Inkjet print and silkscreen on paper, 19 1/3 x 16 1/8 in / 49 x 48,6 cm, Signed and numbered. [A collage-style image. The background is a 19th century-style painting titled "Start of the Famous Race between the Natchez & Robt," drawing from an actual race between two steamboats named the Nachez and the Robert E. Lee in 1870 New Orleans. The painting depicts a maritime scene. It appears slightly ripped at the top, with a black background, and black, blue, and yellow opaque squares appearing in each corner. At the bottom, "THE END" is printed in a square formation. In the center, a printed, black, numbered list is overlaid on top of the painting, with 20 elements. The text reads: "1. Dylan quote: To be just, one has to be against the law / 2. Artist are "natural" lawbreakers / 3. Art synonymous with freedom (against law) / But art is not lawless, it simply followed another law (law as tendency) / 5. Expression is the following of a more natural law (perhaps higher law in line with nature and non-man made law / 6. Diotima? Marcus Aurelius? Hardot / Natural law, nature) / 7. Artmaking is when one discovers a law that one already follows (science) / 8. In the end, it is law against law. / 9. But still, law is sin (St. Paul) and death. / 10. Petrified unrest / manic energy / overproduction / 11. What is truly against the law? / 12. Duchamp / against one's taste / contranatural / (perverse) / 13. Kant = Contranatural is Anti-Christ / 14. His anti-art was in fact a private pleasure forced to live on for others. / 15. Crime and pleasure (≠ happiness) / 16. Crime is what is pleasing only to onself? / 17. Real art is what is pleasing to oneself? / 18. Real art is a real crime? / 19. Adorno quote as Nietzschean bluster / 20. The real crime is that what we do for ourselves is pleasing"]
    Caption Paul Chan, Wht is the nture of lw, 2011, Inkjet print and silkscreen on paper, 19 1/3 x 16 1/8 in / 49 x 48,6 cm, Signed and numbered.
    Image description A collage-style image. The background is a 19th century-style painting titled "Start of the Famous Race between the Natchez & Robt," drawing from an actual race between two steamboats named the Nachez and the Robert E. Lee in 1870 New Orleans. The painting depicts a maritime scene. It appears slightly ripped at the top, with a black background, and black, blue, and yellow opaque squares appearing in each corner. At the bottom, "THE END" is printed in a square formation. In the center, a printed, black, numbered list is overlaid on top of the painting, with 20 elements. The text reads: "1. Dylan quote: To be just, one has to be against the law / 2. Artist are "natural" lawbreakers / 3. Art synonymous with freedom (against law) / But art is not lawless, it simply followed another law (law as tendency) / 5. Expression is the following of a more natural law (perhaps higher law in line with nature and non-man made law / 6. Diotima? Marcus Aurelius? Hardot / Natural law, nature) / 7. Artmaking is when one discovers a law that one already follows (science) / 8. In the end, it is law against law. / 9. But still, law is sin (St. Paul) and death. / 10. Petrified unrest / manic energy / overproduction / 11. What is truly against the law? / 12. Duchamp / against one's taste / contranatural / (perverse) / 13. Kant = Contranatural is Anti-Christ / 14. His anti-art was in fact a private pleasure forced to live on for others. / 15. Crime and pleasure (≠ happiness) / 16. Crime is what is pleasing only to onself? / 17. Real art is what is pleasing to oneself? / 18. Real art is a real crime? / 19. Adorno quote as Nietzschean bluster / 20. The real crime is that what we do for ourselves is pleasing"
    Year 2011
    Related pages Artists Space Annual Edition Portfolio 2012
  • Cave of Animals: Cave of the Future, site recording, 2024
    Caption Cave of Animals: Cave of the Future, site recording, 2024
    Image description
    Year
    Related pages Listening to the LES
  • Postcards from John Mendelsohn, Donald Sultan. Artists Space, 1977
    Caption Postcards from John Mendelsohn, Donald Sultan. Artists Space, 1977
    Image description
    Year
    Related pages John Mendelsohn and Donald Sultan
  • One performer operates a sound system, while the other plays the saxophone on stage in front of an audience.
    One performer operates a sound system, while the other plays the saxophone on stage in front of an audience.
    Abasement #85. Performance documentation, March 2nd, 2026, Artists Space. Photo: Joshua Wildman. [One performer operates a sound system, while the other plays the saxophone on stage in front of an audience. ]
    Caption Abasement #85. Performance documentation, March 2nd, 2026, Artists Space. Photo: Joshua Wildman.
    Image description One performer operates a sound system, while the other plays the saxophone on stage in front of an audience.
    Year
    Related pages Abasement #85
  • A color photograph of a gallery space with two partial views of windows. In between the windows, two blue posters are attached to the wall. Directly in front of the posters is a large grey table with four red chairs. The table holds a stack of yellow posters and two stacks of smaller grey handouts.
    A color photograph of a gallery space with two partial views of windows. In between the windows, two blue posters are attached to the wall. Directly in front of the posters is a large grey table with four red chairs. The table holds a stack of yellow posters and two stacks of smaller grey handouts.
    virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of a gallery space with two partial views of windows. In between the windows, two blue posters are attached to the wall. Directly in front of the posters is a large grey table with four red chairs. The table holds a stack of yellow posters and two stacks of smaller grey handouts.]
    Caption virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color photograph of a gallery space with two partial views of windows. In between the windows, two blue posters are attached to the wall. Directly in front of the posters is a large grey table with four red chairs. The table holds a stack of yellow posters and two stacks of smaller grey handouts.
    Year 2022
    Related pages virgil b/g taylor: Minor Publics
  • Two paper bags with handles sit on a white shelf. The left bag is red and decorated with two illustrated portraits, one of which is a Native American man. The bag to the right has a larger portrait of a Native American man next to illustrative fish on a colorful background.
    Two paper bags with handles sit on a white shelf. The left bag is red and decorated with two illustrated portraits, one of which is a Native American man. The bag to the right has a larger portrait of a Native American man next to illustrative fish on a colorful background.
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [Two paper bags with handles sit on a white shelf. The left bag is red and decorated with two illustrated portraits, one of which is a Native American man. The bag to the right has a larger portrait of a Native American man next to illustrative fish on a colorful background.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description Two paper bags with handles sit on a white shelf. The left bag is red and decorated with two illustrated portraits, one of which is a Native American man. The bag to the right has a larger portrait of a Native American man next to illustrative fish on a colorful background.
    Year 2017
    Related pages Unholding
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • Photo of a person in a white robe and headdress carrying a pole in their right hand, standing outdoors against a grey sky
    Photo of a person in a white robe and headdress carrying a pole in their right hand, standing outdoors against a grey sky
    Film still from The Whirled (aka The Four Shorts of Jack Smith), dir. Ken Jacobs, 1956-63 [Photo of a person in a white robe and headdress carrying a pole in their right hand, standing outdoors against a grey sky]
    Caption Film still from The Whirled (aka The Four Shorts of Jack Smith), dir. Ken Jacobs, 1956-63
    Image description Photo of a person in a white robe and headdress carrying a pole in their right hand, standing outdoors against a grey sky
    Year
    Related pages Not Even Acting
  • The Decolonize This Place Logo in red text.
    The Decolonize This Place Logo in red text.
    [The Decolonize This Place Logo in red text.]
    Caption
    Image description The Decolonize This Place Logo in red text.
    Year 2016
    Related pages Decolonize This Place
  • View of a small diamond-shaped object framed in a box on the wall next to a doorway in a white-walled gallery space.
    View of a small diamond-shaped object framed in a box on the wall next to a doorway in a white-walled gallery space.
    Young Fluxus. Installation view, Artists Space, 1982. [View of a small diamond-shaped object framed in a box on the wall next to a doorway in a white-walled gallery space.]
    Caption Young Fluxus. Installation view, Artists Space, 1982.
    Image description View of a small diamond-shaped object framed in a box on the wall next to a doorway in a white-walled gallery space.
    Year
    Related pages Young Fluxus
  • A sculpture affixed to the wall made of a red steel rod with red steel rod arms that project out from the top to make shadows against the wall.
    A sculpture affixed to the wall made of a red steel rod with red steel rod arms that project out from the top to make shadows against the wall.
    Nathan Carter, Static Cipher Signal Beacon for Inbound Flights, 2007, Wood, steel, enamel and acrylic paint, 28 1/2 x 40 inches (72.4 x 101.6 cm), Series of 10 Signed, Courtesy the artist & Casey Kaplan. [A sculpture affixed to the wall made of a red steel rod with red steel rod arms that project out from the top to make shadows against the wall.]
    Caption Nathan Carter, Static Cipher Signal Beacon for Inbound Flights, 2007, Wood, steel, enamel and acrylic paint, 28 1/2 x 40 inches (72.4 x 101.6 cm), Series of 10 Signed, Courtesy the artist & Casey Kaplan.
    Image description A sculpture affixed to the wall made of a red steel rod with red steel rod arms that project out from the top to make shadows against the wall.
    Year 2007
    Related pages Editions
  • Caption
    Image description
    Year
    Related pages Brad Kronz
  • Caption
    Image description
    Year
    Related pages Artists Space Dialogues: Huey Copeland, Michelle Kuo
  • A black and white, portrait photograph of a woman at the beach. She wears sunglasses and has short, curled hair.
    A black and white, portrait photograph of a woman at the beach. She wears sunglasses and has short, curled hair.
    [A black and white, portrait photograph of a woman at the beach. She wears sunglasses and has short, curled hair.]
    Caption
    Image description A black and white, portrait photograph of a woman at the beach. She wears sunglasses and has short, curled hair.
    Year 2006
    Related pages But it was all green
  • Several students sit, looking down towards printed sheets of paper, in front of colorful silk banners with writing stating
    Several students sit, looking down towards printed sheets of paper, in front of colorful silk banners with writing stating
    YAP (Young Artists Perform), P.S. 140, 2018 [Several students sit, looking down towards printed sheets of paper, in front of colorful silk banners with writing stating "Your dreams can become a reality," "like a cheetah in a snail's race," "bridge can just go like boom bom boom BOOM," "I see a light it's so BRIGHT -Destiny" and others.]
    Caption YAP (Young Artists Perform), P.S. 140, 2018
    Image description Several students sit, looking down towards printed sheets of paper, in front of colorful silk banners with writing stating "Your dreams can become a reality," "like a cheetah in a snail's race," "bridge can just go like boom bom boom BOOM," "I see a light it's so BRIGHT -Destiny" and others.
    Year 2018
    Related pages Education
  • The exterior of a Soho building at night from the opposite street corner. Inside the third floor are two glowing blue neon quotation marks visible from outside.
    The exterior of a Soho building at night from the opposite street corner. Inside the third floor are two glowing blue neon quotation marks visible from outside.
    Laurel Woodcock, (Untitled), Neon Quote, 2005. Neon sculptures. Courtesy the artist. [The exterior of a Soho building at night from the opposite street corner. Inside the third floor are two glowing blue neon quotation marks visible from outside.]
    Caption Laurel Woodcock, (Untitled), Neon Quote, 2005. Neon sculptures. Courtesy the artist.
    Image description The exterior of a Soho building at night from the opposite street corner. Inside the third floor are two glowing blue neon quotation marks visible from outside.
    Year 2007
    Related pages On Being an Exhibition
  • A person stands in line to hold up a black and white photograph in front of a Super 8 camera, as two people are lined up behind him.
    A person stands in line to hold up a black and white photograph in front of a Super 8 camera, as two people are lined up behind him.
    Jean-Luc Godard and Anne-Marie Miéville. Still from Lei et ailleurs (Here and Elsewhere), 1970/1976. 16mm film transferred to DVD, (sound, color and black and white), 60 min. Courtesy Contemporary Films, London. [A person stands in line to hold up a black and white photograph in front of a Super 8 camera, as two people are lined up behind him.]
    Caption Jean-Luc Godard and Anne-Marie Miéville. Still from Lei et ailleurs (Here and Elsewhere), 1970/1976. 16mm film transferred to DVD, (sound, color and black and white), 60 min. Courtesy Contemporary Films, London.
    Image description A person stands in line to hold up a black and white photograph in front of a Super 8 camera, as two people are lined up behind him.
    Year 2006
    Related pages In The Poem About Love You Don't Write The Word Love
  • Flyer featuring densely collaged images of food in metal trays, renaissance-era images of saints and angels, Cookie Monster and other puppets, electric keyboards and vintage video game consoles, images of people holding vegetables and plates of food, and tree-filled landscapes. Below the collage, white sans-serif text is superimposed over an image of stars in space. The text reads: “artists space & the segue reading series invite you to a virtual reading by / Steven Seinberg / and / Darcie Dennigan / saturday, may 2nd, 5pm nyc time, zoom id: 378 232 567 / it will be robust.
    Flyer featuring densely collaged images of food in metal trays, renaissance-era images of saints and angels, Cookie Monster and other puppets, electric keyboards and vintage video game consoles, images of people holding vegetables and plates of food, and tree-filled landscapes. Below the collage, white sans-serif text is superimposed over an image of stars in space. The text reads: “artists space & the segue reading series invite you to a virtual reading by / Steven Seinberg / and / Darcie Dennigan / saturday, may 2nd, 5pm nyc time, zoom id: 378 232 567 / it will be robust.
    [Flyer featuring densely collaged images of food in metal trays, renaissance-era images of saints and angels, Cookie Monster and other puppets, electric keyboards and vintage video game consoles, images of people holding vegetables and plates of food, and tree-filled landscapes. Below the collage, white sans-serif text is superimposed over an image of stars in space. The text reads: “artists space & the segue reading series invite you to a virtual reading by / Steven Seinberg / and / Darcie Dennigan / saturday, may 2nd, 5pm nyc time, zoom id: 378 232 567 / it will be robust.]
    Caption
    Image description Flyer featuring densely collaged images of food in metal trays, renaissance-era images of saints and angels, Cookie Monster and other puppets, electric keyboards and vintage video game consoles, images of people holding vegetables and plates of food, and tree-filled landscapes. Below the collage, white sans-serif text is superimposed over an image of stars in space. The text reads: “artists space & the segue reading series invite you to a virtual reading by / Steven Seinberg / and / Darcie Dennigan / saturday, may 2nd, 5pm nyc time, zoom id: 378 232 567 / it will be robust.
    Year 2020
    Related pages Segue Reading Series: Darcie Dennigan & Steven Seidenberg
  • An image of a woman with frizzy hair, smiling and looking past the viewer. The image is slightly distorted, as if from a VHS tape.
    An image of a woman with frizzy hair, smiling and looking past the viewer. The image is slightly distorted, as if from a VHS tape.
    T.J. Wilcox, I Fell in Love With Vanessa Redgrave, 2010, Perfect bound flip book 4-page cover plus 100 pages, 50 in color, with a text by the artist 3 x 6 1/2 x 3/4 inches, Signed and numbered [An image of a woman with frizzy hair, smiling and looking past the viewer. The image is slightly distorted, as if from a VHS tape.]
    Caption T.J. Wilcox, I Fell in Love With Vanessa Redgrave, 2010, Perfect bound flip book 4-page cover plus 100 pages, 50 in color, with a text by the artist 3 x 6 1/2 x 3/4 inches, Signed and numbered
    Image description An image of a woman with frizzy hair, smiling and looking past the viewer. The image is slightly distorted, as if from a VHS tape.
    Year 2010
    Related pages Artists Space Annual Edition Portfolio 2011
  • A color photograph of a red punching bag, other boxing equipment, and a human statue suspended from a rectangular wooden frame in a gallery space.
    A color photograph of a red punching bag, other boxing equipment, and a human statue suspended from a rectangular wooden frame in a gallery space.
    Milford Graves, Yara Training Bag, c. 1990. Wood, punching bags, hand-painted boxing gloves, springs, samurai sword, rubber balls, acupuncture model, tape,metal fixtures, athletic socks, rope. Dimensions variable. Photo: Filip Wolak. [A color photograph of a red punching bag, other boxing equipment, and a human statue suspended from a rectangular wooden frame in a gallery space.]
    Caption Milford Graves, Yara Training Bag, c. 1990. Wood, punching bags, hand-painted boxing gloves, springs, samurai sword, rubber balls, acupuncture model, tape,metal fixtures, athletic socks, rope. Dimensions variable. Photo: Filip Wolak.
    Image description A color photograph of a red punching bag, other boxing equipment, and a human statue suspended from a rectangular wooden frame in a gallery space.
    Year 2021
    Related pages Milford Graves: Fundamental Frequency
  • Photographs hanging on walls in a gallery space with a doorway on the right.
    Photographs hanging on walls in a gallery space with a doorway on the right.
    David Kulik, Frank Majore, Kevin Noble, Ken Pelka, Pat Place, Rene Santos, and Brian Weil. Installation view, Artists Space, 1980. [Photographs hanging on walls in a gallery space with a doorway on the right.]
    Caption David Kulik, Frank Majore, Kevin Noble, Ken Pelka, Pat Place, Rene Santos, and Brian Weil. Installation view, Artists Space, 1980.
    Image description Photographs hanging on walls in a gallery space with a doorway on the right.
    Year
    Related pages David Kulik, Frank Majore, Kevin Noble, Ken Pelka, Pat Place, Rene Santos, and Brian Weil
  • Color image of a video installation in the center of the floor of a gallery space. A walkway made of plywood runs along the edges of the room, around the projection. The projection depicts a negative film image that has been mirrored along the center. Objects are arranged on a blue background to create vaguely recognizable images.
    Color image of a video installation in the center of the floor of a gallery space. A walkway made of plywood runs along the edges of the room, around the projection. The projection depicts a negative film image that has been mirrored along the center. Objects are arranged on a blue background to create vaguely recognizable images.
    Crystal Z Campbell: Ode to the Underloved. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color image of a video installation in the center of the floor of a gallery space. A walkway made of plywood runs along the edges of the room, around the projection. The projection depicts a negative film image that has been mirrored along the center. Objects are arranged on a blue background to create vaguely recognizable images.]
    Caption Crystal Z Campbell: Ode to the Underloved. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color image of a video installation in the center of the floor of a gallery space. A walkway made of plywood runs along the edges of the room, around the projection. The projection depicts a negative film image that has been mirrored along the center. Objects are arranged on a blue background to create vaguely recognizable images.
    Year
    Related pages Crystal Z Campbell
  • A bedroom scene set up in the middle of an open room, seen between two white poles. There is a beige rug, with a chrome lamp and matching bed frame. The bed has blue sheets with a dark blue comforter cover and a red blanket. There is a wooden chair facing in, and a brown table with assorted bottles on top. On the far side of the bed is a coffee machine, microwave, and television. In the background, various framed images are hung on white gallery walls.
    A bedroom scene set up in the middle of an open room, seen between two white poles. There is a beige rug, with a chrome lamp and matching bed frame. The bed has blue sheets with a dark blue comforter cover and a red blanket. There is a wooden chair facing in, and a brown table with assorted bottles on top. On the far side of the bed is a coffee machine, microwave, and television. In the background, various framed images are hung on white gallery walls.
    The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich. [A bedroom scene set up in the middle of an open room, seen between two white poles. There is a beige rug, with a chrome lamp and matching bed frame. The bed has blue sheets with a dark blue comforter cover and a red blanket. There is a wooden chair facing in, and a brown table with assorted bottles on top. On the far side of the bed is a coffee machine, microwave, and television. In the background, various framed images are hung on white gallery walls.]
    Caption The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich.
    Image description A bedroom scene set up in the middle of an open room, seen between two white poles. There is a beige rug, with a chrome lamp and matching bed frame. The bed has blue sheets with a dark blue comforter cover and a red blanket. There is a wooden chair facing in, and a brown table with assorted bottles on top. On the far side of the bed is a coffee machine, microwave, and television. In the background, various framed images are hung on white gallery walls.
    Year 2008
    Related pages The New Normal
  • A block of cheese sitting on a white plate on a wooden table. There are several Band-Aids covering the holes on the block of cheese.
    A block of cheese sitting on a white plate on a wooden table. There are several Band-Aids covering the holes on the block of cheese.
    Praydoliub Ivanov, Pessimism No More (detail), 2002. [A block of cheese sitting on a white plate on a wooden table. There are several Band-Aids covering the holes on the block of cheese.]
    Caption Praydoliub Ivanov, Pessimism No More (detail), 2002.
    Image description A block of cheese sitting on a white plate on a wooden table. There are several Band-Aids covering the holes on the block of cheese.
    Year 2002
    Related pages Flipside
  • A marionette wearing a black suit, collared shirt, and white Nike Air Force 1s is positioned laying prone on a windowsill. Red curtains cover half of the window behind the marionette. In the corner, a small stage lights is directed at the marionette. Outside of the window is an alleyway with graffiti.
    A marionette wearing a black suit, collared shirt, and white Nike Air Force 1s is positioned laying prone on a windowsill. Red curtains cover half of the window behind the marionette. In the corner, a small stage lights is directed at the marionette. Outside of the window is an alleyway with graffiti.
    Aristotelis Nikolas Mochloulis, Aristotelis Nikolas Mochloulis, 2025. Marionette. Photo: Carter Seddon. [A marionette wearing a black suit, collared shirt, and white Nike Air Force 1s is positioned laying prone on a windowsill. Red curtains cover half of the window behind the marionette. In the corner, a small stage lights is directed at the marionette. Outside of the window is an alleyway with graffiti.]
    Caption Aristotelis Nikolas Mochloulis, Aristotelis Nikolas Mochloulis, 2025. Marionette. Photo: Carter Seddon.
    Image description A marionette wearing a black suit, collared shirt, and white Nike Air Force 1s is positioned laying prone on a windowsill. Red curtains cover half of the window behind the marionette. In the corner, a small stage lights is directed at the marionette. Outside of the window is an alleyway with graffiti.
    Year
    Related pages Nandi Loaf Aristotelis Nikolas Mochloulis Ricardo Nagaoka Sydney Schrader
  • A black and white image of a group of children clustered in front of a store window. On the right, the text
    A black and white image of a group of children clustered in front of a store window. On the right, the text
    Film still from Teaching TV, Artists Space, 1990. [A black and white image of a group of children clustered in front of a store window. On the right, the text "NO FRESH WORDS" overlays the image.]
    Caption Film still from Teaching TV, Artists Space, 1990.
    Image description A black and white image of a group of children clustered in front of a store window. On the right, the text "NO FRESH WORDS" overlays the image.
    Year 1990
    Related pages Teaching TV
  • A wide angle image of a multicolored exhibition space consisting of scattered beach balls, an inflatable pool, a beach umbrella, a beach chair, numerous wall graphics and tv monitors.
    A wide angle image of a multicolored exhibition space consisting of scattered beach balls, an inflatable pool, a beach umbrella, a beach chair, numerous wall graphics and tv monitors.
    New Red Order: Feel at Home Here. Installation view, Artists Space, May 19 – August 21, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A wide angle image of a multicolored exhibition space consisting of scattered beach balls, an inflatable pool, a beach umbrella, a beach chair, numerous wall graphics and tv monitors.]
    Caption New Red Order: Feel at Home Here. Installation view, Artists Space, May 19 – August 21, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A wide angle image of a multicolored exhibition space consisting of scattered beach balls, an inflatable pool, a beach umbrella, a beach chair, numerous wall graphics and tv monitors.
    Year 2021
    Related pages New Red Order: Feel at Home Here
  • Two screens installed on either side of the top portion a white column in a gallery space. The front screen displays a logo consisting of a large letter
    Two screens installed on either side of the top portion a white column in a gallery space. The front screen displays a logo consisting of a large letter
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Two screens installed on either side of the top portion a white column in a gallery space. The front screen displays a logo consisting of a large letter "b" and small letter "c" conjoined together. The room is otherwise empty.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Two screens installed on either side of the top portion a white column in a gallery space. The front screen displays a logo consisting of a large letter "b" and small letter "c" conjoined together. The room is otherwise empty.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • Sepia toned image of a figure leaning over and biting the neck and shoulder of another figure that leans back, their face contorted in pain.
    Sepia toned image of a figure leaning over and biting the neck and shoulder of another figure that leans back, their face contorted in pain.
    Masao Adachi, Galaxy, 1967 [Sepia toned image of a figure leaning over and biting the neck and shoulder of another figure that leans back, their face contorted in pain.]
    Caption Masao Adachi, Galaxy, 1967
    Image description Sepia toned image of a figure leaning over and biting the neck and shoulder of another figure that leans back, their face contorted in pain.
    Year
    Related pages Yasunao Tone Film Screening #3
  • Several black-and-white magazines and documents opened and organized on a white surface.
    Several black-and-white magazines and documents opened and organized on a white surface.
    Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [Several black-and-white magazines and documents opened and organized on a white surface.]
    Caption Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description Several black-and-white magazines and documents opened and organized on a white surface.
    Year 2013
    Related pages Documenting Cadere: 1972 - 1978
  • A black and white image of a column-like sculpture displayed in the exhibition space.
    A black and white image of a column-like sculpture displayed in the exhibition space.
    Installation view from International Projects: Belgium, featuring Didier Vermeiren, Artists Space, 1984 [A black and white image of a column-like sculpture displayed in the exhibition space.]
    Caption Installation view from International Projects: Belgium, featuring Didier Vermeiren, Artists Space, 1984
    Image description A black and white image of a column-like sculpture displayed in the exhibition space.
    Year
    Related pages International Projects: Belgium
  • An abstract drawing consisting of two white circles and two grey rectangles, from where lines and shapes emerge. Blurred white lines, and illegible text complement the composition. On both sides, green strokes, and a continuous white line create other abstract figures.
    An abstract drawing consisting of two white circles and two grey rectangles, from where lines and shapes emerge. Blurred white lines, and illegible text complement the composition. On both sides, green strokes, and a continuous white line create other abstract figures.
    Renee Gladman, Black Wandering, 2022, oil pastel, pigment, and gouache on paper, 30 x 44 inches. Image courtesy Artists Space, New York. Photo: Filip Wolak. [An abstract drawing consisting of two white circles and two grey rectangles, from where lines and shapes emerge. Blurred white lines, and illegible text complement the composition. On both sides, green strokes, and a continuous white line create other abstract figures.]
    Caption Renee Gladman, Black Wandering, 2022, oil pastel, pigment, and gouache on paper, 30 x 44 inches. Image courtesy Artists Space, New York. Photo: Filip Wolak.
    Image description An abstract drawing consisting of two white circles and two grey rectangles, from where lines and shapes emerge. Blurred white lines, and illegible text complement the composition. On both sides, green strokes, and a continuous white line create other abstract figures.
    Year
    Related pages Renee Gladman
  • A single screen showing a splitscreen image is mounted on two poles that stretch floor to ceiling. The screen stands alone in a large, open space with windows in the background.
    A single screen showing a splitscreen image is mounted on two poles that stretch floor to ceiling. The screen stands alone in a large, open space with windows in the background.
    Hilary Lloyd. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A single screen showing a splitscreen image is mounted on two poles that stretch floor to ceiling. The screen stands alone in a large, open space with windows in the background.]
    Caption Hilary Lloyd. Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description A single screen showing a splitscreen image is mounted on two poles that stretch floor to ceiling. The screen stands alone in a large, open space with windows in the background.
    Year 2011
    Related pages Hilary Lloyd
  • Four red bean bags are arranged on a gallery floor around four small tv monitors, each facing a different direction. The monitors are installed on a low, square plinth.
    Four red bean bags are arranged on a gallery floor around four small tv monitors, each facing a different direction. The monitors are installed on a low, square plinth.
    In The Poem About Love You Don't Write The Word Love. Installation view, Artists Space, 2006. Photo: Bill Orcutt. [Four red bean bags are arranged on a gallery floor around four small tv monitors, each facing a different direction. The monitors are installed on a low, square plinth.]
    Caption In The Poem About Love You Don't Write The Word Love. Installation view, Artists Space, 2006. Photo: Bill Orcutt.
    Image description Four red bean bags are arranged on a gallery floor around four small tv monitors, each facing a different direction. The monitors are installed on a low, square plinth.
    Year 2006
    Related pages In The Poem About Love You Don't Write The Word Love
  • A person is standing at the end of a stage, dressed in a long coat, with a stern expression on her face. A man sits at a desk in the corner, his head in his hands. There is a white trifold screen behind them, with an extra chair, and a banner written in German.
    A person is standing at the end of a stage, dressed in a long coat, with a stern expression on her face. A man sits at a desk in the corner, his head in his hands. There is a white trifold screen behind them, with an extra chair, and a banner written in German.
    Still from The Empty Plan (2010). [A person is standing at the end of a stage, dressed in a long coat, with a stern expression on her face. A man sits at a desk in the corner, his head in his hands. There is a white trifold screen behind them, with an extra chair, and a banner written in German.]
    Caption Still from The Empty Plan (2010).
    Image description A person is standing at the end of a stage, dressed in a long coat, with a stern expression on her face. A man sits at a desk in the corner, his head in his hands. There is a white trifold screen behind them, with an extra chair, and a banner written in German.
    Year 2010
    Related pages The Empty Plan
  • An image of three red socks, accordion folded in the center of the leg.
    An image of three red socks, accordion folded in the center of the leg.
    Sigmar Polke Socken , 1963 Courtesy the Estate of Sigmar Polke © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn [An image of three red socks, accordion folded in the center of the leg.]
    Caption Sigmar Polke Socken , 1963 Courtesy the Estate of Sigmar Polke © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn
    Image description An image of three red socks, accordion folded in the center of the leg.
    Year 1963
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • A white rectangular image with an opaque black circle in the center right, and a capital D outlined in black in the top left of the image.
    A white rectangular image with an opaque black circle in the center right, and a capital D outlined in black in the top left of the image.
    Adam Pendleton, Title TK, 2010, Silkscreen with embossing on Somerset Satin 500 gsm, 17 ¼ x 23 ½ inches, Signed and numbered. [A white rectangular image with an opaque black circle in the center right, and a capital D outlined in black in the top left of the image.]
    Caption Adam Pendleton, Title TK, 2010, Silkscreen with embossing on Somerset Satin 500 gsm, 17 ¼ x 23 ½ inches, Signed and numbered.
    Image description A white rectangular image with an opaque black circle in the center right, and a capital D outlined in black in the top left of the image.
    Year 2010
    Related pages Artists Space Annual Edition Portfolio 2010
  • Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They wave a red object in the air.
    Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They wave a red object in the air.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They wave a red object in the air.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They wave a red object in the air.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • Constantina Zavitsanos, Ace of Spades (detail), 2024. Z interferometer: two aluminized 6" diameter spherical mirrors, LED illumination source, knife edge on mounts; soldering iron, fan, infrared light, steel tables. Dimensions variable.
    Caption Constantina Zavitsanos, Ace of Spades (detail), 2024. Z interferometer: two aluminized 6" diameter spherical mirrors, LED illumination source, knife edge on mounts; soldering iron, fan, infrared light, steel tables. Dimensions variable.
    Image description
    Year
    Related pages fwiw
  • To the left, surrounded by a sound system, a performer sings into a microphone while resting a wind instrument in their lap. To the right, a performer plays a saxophone. The stage is bathed in red, green, and blue lights while a projection is shown on the wall.
    To the left, surrounded by a sound system, a performer sings into a microphone while resting a wind instrument in their lap. To the right, a performer plays a saxophone. The stage is bathed in red, green, and blue lights while a projection is shown on the wall.
    Abasement #85. Performance documentation, March 2nd, 2026, Artists Space. Photo: Joshua Wildman. [To the left, surrounded by a sound system, a performer sings into a microphone while resting a wind instrument in their lap. To the right, a performer plays a saxophone. The stage is bathed in red, green, and blue lights while a projection is shown on the wall. ]
    Caption Abasement #85. Performance documentation, March 2nd, 2026, Artists Space. Photo: Joshua Wildman.
    Image description To the left, surrounded by a sound system, a performer sings into a microphone while resting a wind instrument in their lap. To the right, a performer plays a saxophone. The stage is bathed in red, green, and blue lights while a projection is shown on the wall.
    Year
    Related pages Abasement #85
  • A gold helix sculpture.
    A gold helix sculpture.
    Tauba Auerbach, Reciprocal Helix (Z), 2014, 3D printed matte gold steel, 5 1/2 x 1 1/4 x 2/5 in / 14 x 3,2 x 1,1 cm, Signed and Numbered Certificate. [A gold helix sculpture.]
    Caption Tauba Auerbach, Reciprocal Helix (Z), 2014, 3D printed matte gold steel, 5 1/2 x 1 1/4 x 2/5 in / 14 x 3,2 x 1,1 cm, Signed and Numbered Certificate.
    Image description A gold helix sculpture.
    Year 2015
    Related pages Artists Space Annual Edition Portfolio 2015
  • A figure performs on the stage. He is sitting on a chair playing a guitar. To the right, there is another chair with an amp on the seat. Nature images are projected onto the stage, and back wall.
    A figure performs on the stage. He is sitting on a chair playing a guitar. To the right, there is another chair with an amp on the seat. Nature images are projected onto the stage, and back wall.
    Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman. [A figure performs on the stage. He is sitting on a chair playing a guitar. To the right, there is another chair with an amp on the seat. Nature images are projected onto the stage, and back wall.]
    Caption Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman.
    Image description A figure performs on the stage. He is sitting on a chair playing a guitar. To the right, there is another chair with an amp on the seat. Nature images are projected onto the stage, and back wall.
    Year
    Related pages Abasement #65
  • A long piece of paper covered with muted pastel and black areas of color stretches horizontally along two walls in the corner of a gallery space. Vinyl text installed to the right of the paper scroll reads:
    A long piece of paper covered with muted pastel and black areas of color stretches horizontally along two walls in the corner of a gallery space. Vinyl text installed to the right of the paper scroll reads:
    You Are The Everything and The Everything Is In You. Installation view, Artists Space, 2005. [A long piece of paper covered with muted pastel and black areas of color stretches horizontally along two walls in the corner of a gallery space. Vinyl text installed to the right of the paper scroll reads: "Andrew Kuo / YOU ARE THE EVERYTHING AND THE EVERYTHING IS IN YOU."]
    Caption You Are The Everything and The Everything Is In You. Installation view, Artists Space, 2005.
    Image description A long piece of paper covered with muted pastel and black areas of color stretches horizontally along two walls in the corner of a gallery space. Vinyl text installed to the right of the paper scroll reads: "Andrew Kuo / YOU ARE THE EVERYTHING AND THE EVERYTHING IS IN YOU."
    Year 2005
    Related pages You Are The Everything and The Everything Is In You
  • A color installation photograph of a white abstract painting with black lines on a white wall.
    A color installation photograph of a white abstract painting with black lines on a white wall.
    Richard Klauber. Installation view, Ruth Hardinger, Richard Klauber, Artists Space, 1975. [A color installation photograph of a white abstract painting with black lines on a white wall.]
    Caption Richard Klauber. Installation view, Ruth Hardinger, Richard Klauber, Artists Space, 1975.
    Image description A color installation photograph of a white abstract painting with black lines on a white wall.
    Year 1975
    Related pages Ruth Hardinger, Richard Klauber
  • Black & white photograph of one side and the entrance into a gallery room. The walls are painted black, and at the corner of the entrance stands a performer singing into a microphone stand. Around him and along the wall audience members sit on the floor or stand.
    Black & white photograph of one side and the entrance into a gallery room. The walls are painted black, and at the corner of the entrance stands a performer singing into a microphone stand. Around him and along the wall audience members sit on the floor or stand.
    Shala Miller performs Genesis: Medley. Performance documentation, May 11, 2023, Artists Space. Photo: Roy Baizan. [Black & white photograph of one side and the entrance into a gallery room. The walls are painted black, and at the corner of the entrance stands a performer singing into a microphone stand. Around him and along the wall audience members sit on the floor or stand.]
    Caption Shala Miller performs Genesis: Medley. Performance documentation, May 11, 2023, Artists Space. Photo: Roy Baizan.
    Image description Black & white photograph of one side and the entrance into a gallery room. The walls are painted black, and at the corner of the entrance stands a performer singing into a microphone stand. Around him and along the wall audience members sit on the floor or stand.
    Year 2023
    Related pages Genesis: Medley
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • Audio equipment is arranged in stacks across a desk.
    Audio equipment is arranged in stacks across a desk.
    Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [Audio equipment is arranged in stacks across a desk.]
    Caption Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman
    Image description Audio equipment is arranged in stacks across a desk.
    Year 2022
    Related pages Abasement #61
  • Draped fabric that reads
    Draped fabric that reads
    [Draped fabric that reads "American Express World Service" in an all-over pattern.]
    Caption
    Image description Draped fabric that reads "American Express World Service" in an all-over pattern.
    Year 2014
    Related pages Folklore U.S.
  • A lamp pole, left of center, in an upward angled view of a sunny, cloud covered sky. The pole has a coiled wire running upward to a security camera mounted on its top.
    A lamp pole, left of center, in an upward angled view of a sunny, cloud covered sky. The pole has a coiled wire running upward to a security camera mounted on its top.
    [A lamp pole, left of center, in an upward angled view of a sunny, cloud covered sky. The pole has a coiled wire running upward to a security camera mounted on its top.]
    Caption
    Image description A lamp pole, left of center, in an upward angled view of a sunny, cloud covered sky. The pole has a coiled wire running upward to a security camera mounted on its top.
    Year 2014
    Related pages Laura Poitras: 9/11 Trilogy
  • Large, orange slug forms are visible with the cast iron columns in a white-walled gallery with paintings of slugs hanging on the opposite side of the image behind a staircase.
    Large, orange slug forms are visible with the cast iron columns in a white-walled gallery with paintings of slugs hanging on the opposite side of the image behind a staircase.
    Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez. [Large, orange slug forms are visible with the cast iron columns in a white-walled gallery with paintings of slugs hanging on the opposite side of the image behind a staircase.]
    Caption Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez.
    Image description Large, orange slug forms are visible with the cast iron columns in a white-walled gallery with paintings of slugs hanging on the opposite side of the image behind a staircase.
    Year 2020
    Related pages Jana Euler
  • A figure in overalls leans forward to paint broad strokes of lighter paint on a black tarp hung on a wall. Painting supplies sit on a table directly behind them.
    A figure in overalls leans forward to paint broad strokes of lighter paint on a black tarp hung on a wall. Painting supplies sit on a table directly behind them.
    Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [A figure in overalls leans forward to paint broad strokes of lighter paint on a black tarp hung on a wall. Painting supplies sit on a table directly behind them.]
    Caption Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description A figure in overalls leans forward to paint broad strokes of lighter paint on a black tarp hung on a wall. Painting supplies sit on a table directly behind them.
    Year 2019
    Related pages Speaker Music: drape over another
  • Four abstract sculptures constructed from neutral-toned materials are displayed atop white virtrines. Three more sculptures are hung in a row against a white wall.
    Four abstract sculptures constructed from neutral-toned materials are displayed atop white virtrines. Three more sculptures are hung in a row against a white wall.
    UniBodies. Installation view, Artists Space, 2006. Photo: Bill Ocrutt. [Four abstract sculptures constructed from neutral-toned materials are displayed atop white virtrines. Three more sculptures are hung in a row against a white wall.]
    Caption UniBodies. Installation view, Artists Space, 2006. Photo: Bill Ocrutt.
    Image description Four abstract sculptures constructed from neutral-toned materials are displayed atop white virtrines. Three more sculptures are hung in a row against a white wall.
    Year 2006
    Related pages UniBodies
  • Color photo of two performers sitting on the ground in a dark venue space that is illuminated by deep red overhead lights. The performers are holding up clear, geometric objects against a neon yellow and blue projection on a wall.
    Color photo of two performers sitting on the ground in a dark venue space that is illuminated by deep red overhead lights. The performers are holding up clear, geometric objects against a neon yellow and blue projection on a wall.
    Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman. [Color photo of two performers sitting on the ground in a dark venue space that is illuminated by deep red overhead lights. The performers are holding up clear, geometric objects against a neon yellow and blue projection on a wall.]
    Caption Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman.
    Image description Color photo of two performers sitting on the ground in a dark venue space that is illuminated by deep red overhead lights. The performers are holding up clear, geometric objects against a neon yellow and blue projection on a wall.
    Year
    Related pages Abasement #64
  • A long, cubic rectangle held by suspension wires on a weathered wooden floor. A small, white box rests within the rectangle.
    A long, cubic rectangle held by suspension wires on a weathered wooden floor. A small, white box rests within the rectangle.
    Underground: Jose Gabriel Fernandez. Installation view, Artists Space, 1991. [A long, cubic rectangle held by suspension wires on a weathered wooden floor. A small, white box rests within the rectangle.]
    Caption Underground: Jose Gabriel Fernandez. Installation view, Artists Space, 1991.
    Image description A long, cubic rectangle held by suspension wires on a weathered wooden floor. A small, white box rests within the rectangle.
    Year 1991
    Related pages Underground: Jose Gabriel Fernandez
  • A string of light bulbs decends from the celing of an exhibition space, with the end of its wiring resting on the ground below. A framed image of a figure's face is installed high on the wall directly behind the light string. A small cardboard box with gold details sits on the ground to the right of the light string.
    A string of light bulbs decends from the celing of an exhibition space, with the end of its wiring resting on the ground below. A framed image of a figure's face is installed high on the wall directly behind the light string. A small cardboard box with gold details sits on the ground to the right of the light string.
    Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A string of light bulbs decends from the celing of an exhibition space, with the end of its wiring resting on the ground below. A framed image of a figure's face is installed high on the wall directly behind the light string. A small cardboard box with gold details sits on the ground to the right of the light string.]
    Caption Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description A string of light bulbs decends from the celing of an exhibition space, with the end of its wiring resting on the ground below. A framed image of a figure's face is installed high on the wall directly behind the light string. A small cardboard box with gold details sits on the ground to the right of the light string.
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • Image of a basement with a rectangular shaped sculpture made of a wooden frame with fresnel lenses placed along the top and sides. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    Image of a basement with a rectangular shaped sculpture made of a wooden frame with fresnel lenses placed along the top and sides. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement with a rectangular shaped sculpture made of a wooden frame with fresnel lenses placed along the top and sides. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.]
    Caption SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a basement with a rectangular shaped sculpture made of a wooden frame with fresnel lenses placed along the top and sides. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    Year 2022
    Related pages SCRAAATCH 11-18
  • Caption
    Image description
    Year
    Related pages Carolyn Lazard
  • A figure facing a microphone looks upon a computer with audio software open.
    A figure facing a microphone looks upon a computer with audio software open.
    Eiko Ishibashi: Two New York Nights. Performance documentation, June 8, 2022, 8pm. Artists Space, New York. [A figure facing a microphone looks upon a computer with audio software open.]
    Caption Eiko Ishibashi: Two New York Nights. Performance documentation, June 8, 2022, 8pm. Artists Space, New York.
    Image description A figure facing a microphone looks upon a computer with audio software open.
    Year
    Related pages Eiko Ishibashi in Concert
  • Two screens are mounted vertically on metal poles that stretch floor to ceiling. The screens show black images with white light spots.
    Two screens are mounted vertically on metal poles that stretch floor to ceiling. The screens show black images with white light spots.
    Hilary Lloyd. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [Two screens are mounted vertically on metal poles that stretch floor to ceiling. The screens show black images with white light spots.]
    Caption Hilary Lloyd. Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description Two screens are mounted vertically on metal poles that stretch floor to ceiling. The screens show black images with white light spots.
    Year 2011
    Related pages Hilary Lloyd
  • Image of a basement with a sculpture made of two fresnel lenses cut in the shape of wings hung on the back of a pillar to the left of the image. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    Image of a basement with a sculpture made of two fresnel lenses cut in the shape of wings hung on the back of a pillar to the left of the image. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement with a sculpture made of two fresnel lenses cut in the shape of wings hung on the back of a pillar to the left of the image. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.]
    Caption SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a basement with a sculpture made of two fresnel lenses cut in the shape of wings hung on the back of a pillar to the left of the image. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    Year 2022
    Related pages SCRAAATCH 11-19
  • Black & white photograph of a room with black walls. A figure stands behind a harp, next to a stool and music stand. A spotlight shines on the harp. In the middle of the space is a hanging screen that plays a projected video of a close-up of a face.
    Black & white photograph of a room with black walls. A figure stands behind a harp, next to a stool and music stand. A spotlight shines on the harp. In the middle of the space is a hanging screen that plays a projected video of a close-up of a face.
    Shala Miller performs Genesis: Medley. Performance documentation, May 11, 2023, Artists Space. Photo: Roy Baizan. [Black & white photograph of a room with black walls. A figure stands behind a harp, next to a stool and music stand. A spotlight shines on the harp. In the middle of the space is a hanging screen that plays a projected video of a close-up of a face.]
    Caption Shala Miller performs Genesis: Medley. Performance documentation, May 11, 2023, Artists Space. Photo: Roy Baizan.
    Image description Black & white photograph of a room with black walls. A figure stands behind a harp, next to a stool and music stand. A spotlight shines on the harp. In the middle of the space is a hanging screen that plays a projected video of a close-up of a face.
    Year 2023
    Related pages Genesis: Medley
  • Color image of the corner of a darkened gallery space with two small pinhole projector sculpture installations. The pinhole projector on the left is housed in a polka-dot patterned gift-wrapped box. On the wall, an image of a white ceramic teacup with a radial swirl pattern is projected. On the right, the projector is wrapped in white foam padding and secured with red string. On the wall, it projects an image of a square containing an golden metal hoop and pin along with four small, glittering pink and green strawberry ornaments.
    Color image of the corner of a darkened gallery space with two small pinhole projector sculpture installations. The pinhole projector on the left is housed in a polka-dot patterned gift-wrapped box. On the wall, an image of a white ceramic teacup with a radial swirl pattern is projected. On the right, the projector is wrapped in white foam padding and secured with red string. On the wall, it projects an image of a square containing an golden metal hoop and pin along with four small, glittering pink and green strawberry ornaments.
    Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view (Doris Guo, Bathroom Kitchen Confusion, 2023; Doris Guo, Fruit Basket, 2024), Artists Space, 2024. Photo: Carter Seddon. [Color image of the corner of a darkened gallery space with two small pinhole projector sculpture installations. The pinhole projector on the left is housed in a polka-dot patterned gift-wrapped box. On the wall, an image of a white ceramic teacup with a radial swirl pattern is projected. On the right, the projector is wrapped in white foam padding and secured with red string. On the wall, it projects an image of a square containing an golden metal hoop and pin along with four small, glittering pink and green strawberry ornaments.]
    Caption Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view (Doris Guo, Bathroom Kitchen Confusion, 2023; Doris Guo, Fruit Basket, 2024), Artists Space, 2024. Photo: Carter Seddon.
    Image description Color image of the corner of a darkened gallery space with two small pinhole projector sculpture installations. The pinhole projector on the left is housed in a polka-dot patterned gift-wrapped box. On the wall, an image of a white ceramic teacup with a radial swirl pattern is projected. On the right, the projector is wrapped in white foam padding and secured with red string. On the wall, it projects an image of a square containing an golden metal hoop and pin along with four small, glittering pink and green strawberry ornaments.
    Year
    Related pages Doris Guo Matthew Langan-Peck Isabelle Frances McGuire Ruben Ulises Rodriguez Montoya
  • Color photograph of three figures dressed in white, embracing each other as they run across an empty basement.
    Color photograph of three figures dressed in white, embracing each other as they run across an empty basement.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of three figures dressed in white, embracing each other as they run across an empty basement.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of three figures dressed in white, embracing each other as they run across an empty basement.
    Year 2022
    Related pages keyon gaskin 12-16
  • A black-and-white photo depicting a behind the scenes view of a movie in production. A man holds the camera on the right - a cage is on the left, and two men speak in the center of the image, one facing the camera and one facing away.
    A black-and-white photo depicting a behind the scenes view of a movie in production. A man holds the camera on the right - a cage is on the left, and two men speak in the center of the image, one facing the camera and one facing away.
    Storm de Hirsch, still from Newsreel: Jonas in The Brig, 1964. Courtesy Anthology Film Archives. [A black-and-white photo depicting a behind the scenes view of a movie in production. A man holds the camera on the right - a cage is on the left, and two men speak in the center of the image, one facing the camera and one facing away.]
    Caption Storm de Hirsch, still from Newsreel: Jonas in The Brig, 1964. Courtesy Anthology Film Archives.
    Image description A black-and-white photo depicting a behind the scenes view of a movie in production. A man holds the camera on the right - a cage is on the left, and two men speak in the center of the image, one facing the camera and one facing away.
    Year 1964
    Related pages Jonas In The Brig
  • A woman is seated wearing a long, yellow dress with a full skirt that has extra fabric at the bottom. She is holding up soapsuds, which are dripping down onto the front of her skirt.
    A woman is seated wearing a long, yellow dress with a full skirt that has extra fabric at the bottom. She is holding up soapsuds, which are dripping down onto the front of her skirt.
    Yellow. Performance view, Artists Space, 2008. [A woman is seated wearing a long, yellow dress with a full skirt that has extra fabric at the bottom. She is holding up soapsuds, which are dripping down onto the front of her skirt.]
    Caption Yellow. Performance view, Artists Space, 2008.
    Image description A woman is seated wearing a long, yellow dress with a full skirt that has extra fabric at the bottom. She is holding up soapsuds, which are dripping down onto the front of her skirt.
    Year 2008
    Related pages When Time Becomes Form: Yellow
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A crowd watches two figures in medical scrubs, facing each other on opposite sides of a table with wheels.
    A crowd watches two figures in medical scrubs, facing each other on opposite sides of a table with wheels.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court [A crowd watches two figures in medical scrubs, facing each other on opposite sides of a table with wheels.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court
    Image description A crowd watches two figures in medical scrubs, facing each other on opposite sides of a table with wheels.
    Year 2022
    Related pages Grandmother Cindy
  • Caption
    Image description
    Year
    Related pages Artists Space: Artists Fund
  • Black text on a light yellow background. The text reads: “May 17 / Nazareth Hassan / Karla Kelsey.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on a light yellow background. The text reads: “May 17 / Nazareth Hassan / Karla Kelsey.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on a light yellow background. The text reads: “May 17 / Nazareth Hassan / Karla Kelsey.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on a light yellow background. The text reads: “May 17 / Nazareth Hassan / Karla Kelsey.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Nazareth Hassan & Karla Kelsey
  • Five rows of bleachers built from wood, with dozens and dozens of assorted sculptures of gray, painted pigs arranged in decreasing size from the top bleacher to the bottom. Two flying pigs are hung on the wall directly behind the bleachers. Several feet away, across from the pigs, is a side view of a frame made of columns. On the wall between the pigs and the columns is a poster of hanging scales.
    Five rows of bleachers built from wood, with dozens and dozens of assorted sculptures of gray, painted pigs arranged in decreasing size from the top bleacher to the bottom. Two flying pigs are hung on the wall directly behind the bleachers. Several feet away, across from the pigs, is a side view of a frame made of columns. On the wall between the pigs and the columns is a poster of hanging scales.
    Combined Faulty Acts. Installation view, Artists Space, 2008. Photo: Bill Ocrutt. [Five rows of bleachers built from wood, with dozens and dozens of assorted sculptures of gray, painted pigs arranged in decreasing size from the top bleacher to the bottom. Two flying pigs are hung on the wall directly behind the bleachers. Several feet away, across from the pigs, is a side view of a frame made of columns. On the wall between the pigs and the columns is a poster of hanging scales.]
    Caption Combined Faulty Acts. Installation view, Artists Space, 2008. Photo: Bill Ocrutt.
    Image description Five rows of bleachers built from wood, with dozens and dozens of assorted sculptures of gray, painted pigs arranged in decreasing size from the top bleacher to the bottom. Two flying pigs are hung on the wall directly behind the bleachers. Several feet away, across from the pigs, is a side view of a frame made of columns. On the wall between the pigs and the columns is a poster of hanging scales.
    Year 2008
    Related pages Combined Faulty Acts
  • Sixty images with dark backgrounds and a white, pixelated spot emanating from their centers arranged in a grid formation on an indigo blue gallery wall.
    Sixty images with dark backgrounds and a white, pixelated spot emanating from their centers arranged in a grid formation on an indigo blue gallery wall.
    Whitney Museum of American Art Independent Study Program Studio Exhibition. Installation view, Artists Space, 2018. [Sixty images with dark backgrounds and a white, pixelated spot emanating from their centers arranged in a grid formation on an indigo blue gallery wall.]
    Caption Whitney Museum of American Art Independent Study Program Studio Exhibition. Installation view, Artists Space, 2018.
    Image description Sixty images with dark backgrounds and a white, pixelated spot emanating from their centers arranged in a grid formation on an indigo blue gallery wall.
    Year 2018
    Related pages Whitney Museum of American Art Independent Study Program Studio Exhibition
  • A black-and-white photograph of a long floor lamp with two protruding lampshades.
    A black-and-white photograph of a long floor lamp with two protruding lampshades.
    Served Up! R.M. Fischer. Installation view, Artists Space, 1979. [A black-and-white photograph of a long floor lamp with two protruding lampshades.]
    Caption Served Up! R.M. Fischer. Installation view, Artists Space, 1979.
    Image description A black-and-white photograph of a long floor lamp with two protruding lampshades.
    Year 1979
    Related pages Served Up! R. M. Fischer
  • A black and white photograph of two shelves, each with several Quaker Oats canisters and vases of assorted shapes. Beyond the shelves are several plinths housing objects, and a metal rack with dozens of glass jars.
    A black and white photograph of two shelves, each with several Quaker Oats canisters and vases of assorted shapes. Beyond the shelves are several plinths housing objects, and a metal rack with dozens of glass jars.
    A New World Order III: The Curio Shop. Installation view, Artists Space, 1993. [A black and white photograph of two shelves, each with several Quaker Oats canisters and vases of assorted shapes. Beyond the shelves are several plinths housing objects, and a metal rack with dozens of glass jars.]
    Caption A New World Order III: The Curio Shop. Installation view, Artists Space, 1993.
    Image description A black and white photograph of two shelves, each with several Quaker Oats canisters and vases of assorted shapes. Beyond the shelves are several plinths housing objects, and a metal rack with dozens of glass jars.
    Year 1993
    Related pages A New World Order III: The Curio Shop
  • Caption
    Image description
    Year
    Related pages Dream Lines: Drawings by Marian Zazeela
  • A tile wall with a grid of assorted photographs against a white background. A title to the left of the grid states
    A tile wall with a grid of assorted photographs against a white background. A title to the left of the grid states
    Art Day, Photo Club exhibition, PS 140, 2017. [A tile wall with a grid of assorted photographs against a white background. A title to the left of the grid states "Artists Space P.S. 140 Photography Club"]
    Caption Art Day, Photo Club exhibition, PS 140, 2017.
    Image description A tile wall with a grid of assorted photographs against a white background. A title to the left of the grid states "Artists Space P.S. 140 Photography Club"
    Year 2017
    Related pages Education
  • Color image of a painting, done on linen. The left edge is painting a light blue, and the bottom edge is painting orange, with a large rectangle of dark blue paint covering the rest of the work. Accents of light blue paint run through the center and around the edges.
    Color image of a painting, done on linen. The left edge is painting a light blue, and the bottom edge is painting orange, with a large rectangle of dark blue paint covering the rest of the work. Accents of light blue paint run through the center and around the edges.
    Julia Rommel, Back Channel, 2023. Photo: Filip Wolak. [Color image of a painting, done on linen. The left edge is painting a light blue, and the bottom edge is painting orange, with a large rectangle of dark blue paint covering the rest of the work. Accents of light blue paint run through the center and around the edges.]
    Caption Julia Rommel, Back Channel, 2023. Photo: Filip Wolak.
    Image description Color image of a painting, done on linen. The left edge is painting a light blue, and the bottom edge is painting orange, with a large rectangle of dark blue paint covering the rest of the work. Accents of light blue paint run through the center and around the edges.
    Year 2023
    Related pages Artists for Artists Space
  • A wide view of a gallery featuring an array of paintings, sculptures, and photographs hung along a wall and wrapping around a corner.
    A wide view of a gallery featuring an array of paintings, sculptures, and photographs hung along a wall and wrapping around a corner.
    Witnesses: Against Our Vanishing. Installation View, Artists Space, 1989. Photo: Frances Miller Smith. [A wide view of a gallery featuring an array of paintings, sculptures, and photographs hung along a wall and wrapping around a corner.]
    Caption Witnesses: Against Our Vanishing. Installation View, Artists Space, 1989. Photo: Frances Miller Smith.
    Image description A wide view of a gallery featuring an array of paintings, sculptures, and photographs hung along a wall and wrapping around a corner.
    Year 1989
    Related pages Witnesses: Against Our Vanishing
  • Color image of a seated musician playing an oboe into a microphone. The musician is dressed in all black and has medium length black hair. The image catches the musician with their eyes downturned, just a moment before blowing air into the oboe. The musician and the back wall are flooded with a circle of yellow light, in the top corners, the yellow turns into blue.
    Color image of a seated musician playing an oboe into a microphone. The musician is dressed in all black and has medium length black hair. The image catches the musician with their eyes downturned, just a moment before blowing air into the oboe. The musician and the back wall are flooded with a circle of yellow light, in the top corners, the yellow turns into blue.
    Abasement #68. Performance documentation, February 12, 2024, Artists Space. Photo: Joshua Wildman. [Color image of a seated musician playing an oboe into a microphone. The musician is dressed in all black and has medium length black hair. The image catches the musician with their eyes downturned, just a moment before blowing air into the oboe. The musician and the back wall are flooded with a circle of yellow light, in the top corners, the yellow turns into blue. ]
    Caption Abasement #68. Performance documentation, February 12, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Color image of a seated musician playing an oboe into a microphone. The musician is dressed in all black and has medium length black hair. The image catches the musician with their eyes downturned, just a moment before blowing air into the oboe. The musician and the back wall are flooded with a circle of yellow light, in the top corners, the yellow turns into blue.
    Year
    Related pages Abasement #68
  • A person with pink nail polish hold up a Canon AE-1 film camera.
    A person with pink nail polish hold up a Canon AE-1 film camera.
    Aisha Rodriguez, Click, 2013. [A person with pink nail polish hold up a Canon AE-1 film camera.]
    Caption Aisha Rodriguez, Click, 2013.
    Image description A person with pink nail polish hold up a Canon AE-1 film camera.
    Year 2013
    Related pages Welcome To My World
  • Photo: Paula Court.
    Photo: Paula Court.
    Jutta Koether is a painter, performance artist, musician, critic, and theoretician based in New York and Berlin. Her work with Artists Space began in 2012 with her performance fifth season act and most recently Analogue Drive (2024) performed in Hong Kong for Artists Space and Empty Gallery. In her live works, Koether enacts a highly specific form of entangled action centering on and around specific artworks. Embedded with performative possibility, these objects – positioned in a room, a situation, a city – circuit together in a network of language, duration, and the artist's active negotiation between producer and produced. As a painter, Koether challenges the viewer’s understanding of the medium’s terms and histories, often appropriating and retooling elements from the work of male masters. Engaging a range of motifs and materials—such as grids, X-marks, and red paint—she cultivates painting’s ability to yield something unanticipated, vital, and feminine. Koether studied art and philosophy at the University of Cologne and the Whitney ISP. In 1981 she joined the editorial staff of the music and art journal Spex. She is the author of several books and has written for such publications as Eau de Cologne, Artforum, Texte zur Kunst, and Flash Art. From 2010 to 2024 Koether was Professor for Painting and Drawing at the University of Fine Arts Hamburg. She has had major solo exhibitions at the Museum Brandhorst, Munich, Mudam Luxembourg – Musée d’Art Moderne Grand-Duc Jean; Museum Abteiberg, Mönchengladbach; Artium Museoa, Vitoria-Gasteiz; PRAXES Center for Contemporary Art, Berlin; Moderna Museet, Stockholm; Van Abbemuseum, Eindhoven; Kunsthalle Bern, Switzerland; Academy of Fine Arts Vienna; and Kölnischer Kunstverein, Cologne, among other venues. [Photo: Paula Court.]
    Caption Jutta Koether is a painter, performance artist, musician, critic, and theoretician based in New York and Berlin. Her work with Artists Space began in 2012 with her performance fifth season act and most recently Analogue Drive (2024) performed in Hong Kong for Artists Space and Empty Gallery. In her live works, Koether enacts a highly specific form of entangled action centering on and around specific artworks. Embedded with performative possibility, these objects – positioned in a room, a situation, a city – circuit together in a network of language, duration, and the artist's active negotiation between producer and produced. As a painter, Koether challenges the viewer’s understanding of the medium’s terms and histories, often appropriating and retooling elements from the work of male masters. Engaging a range of motifs and materials—such as grids, X-marks, and red paint—she cultivates painting’s ability to yield something unanticipated, vital, and feminine. Koether studied art and philosophy at the University of Cologne and the Whitney ISP. In 1981 she joined the editorial staff of the music and art journal Spex. She is the author of several books and has written for such publications as Eau de Cologne, Artforum, Texte zur Kunst, and Flash Art. From 2010 to 2024 Koether was Professor for Painting and Drawing at the University of Fine Arts Hamburg. She has had major solo exhibitions at the Museum Brandhorst, Munich, Mudam Luxembourg – Musée d’Art Moderne Grand-Duc Jean; Museum Abteiberg, Mönchengladbach; Artium Museoa, Vitoria-Gasteiz; PRAXES Center for Contemporary Art, Berlin; Moderna Museet, Stockholm; Van Abbemuseum, Eindhoven; Kunsthalle Bern, Switzerland; Academy of Fine Arts Vienna; and Kölnischer Kunstverein, Cologne, among other venues.
    Image description Photo: Paula Court.
    Year
    Related pages Friends of Artists Space Dinner
  • A seven shelf, white, book case is housed full of various colorful and sized books.
    A seven shelf, white, book case is housed full of various colorful and sized books.
    The Library Vaccine. Installation view, Artists Space, 2014. [A seven shelf, white, book case is housed full of various colorful and sized books.]
    Caption The Library Vaccine. Installation view, Artists Space, 2014.
    Image description A seven shelf, white, book case is housed full of various colorful and sized books.
    Year 2014
    Related pages The Library Vaccine
  • Two figures in blue morph suits engage in an argument, standing on either side of a wooden table with a fresnel lens as the tabletop. A third figure to the right films their encounter, while audience members watch in the background.
    Two figures in blue morph suits engage in an argument, standing on either side of a wooden table with a fresnel lens as the tabletop. A third figure to the right films their encounter, while audience members watch in the background.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Two figures in blue morph suits engage in an argument, standing on either side of a wooden table with a fresnel lens as the tabletop. A third figure to the right films their encounter, while audience members watch in the background.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Two figures in blue morph suits engage in an argument, standing on either side of a wooden table with a fresnel lens as the tabletop. A third figure to the right films their encounter, while audience members watch in the background.
    Year 2022
    Related pages SCRAAATCH 11-18
  • Photograph of one wall of a gallery. In the center of the wall are three TV flatscreens playing different synchronized videos. In front of the flatscreens is a large wooden platform with a piece of marley floor on it that can be written on. To the right on the wall is a small vitrine with a matchbox.
    Photograph of one wall of a gallery. In the center of the wall are three TV flatscreens playing different synchronized videos. In front of the flatscreens is a large wooden platform with a piece of marley floor on it that can be written on. To the right on the wall is a small vitrine with a matchbox.
    Clocking Out: Time Beyond Management. Installation view (Brendan Fernandes, A Solo Until We Can Dance Again, 2021; Sky Hopinka, In Dreams & Autumn, 2021; Kobby Adi, Whiskey, 2022), Artists Space, 2023. Photo: Greg Carideo. [Photograph of one wall of a gallery. In the center of the wall are three TV flatscreens playing different synchronized videos. In front of the flatscreens is a large wooden platform with a piece of marley floor on it that can be written on. To the right on the wall is a small vitrine with a matchbox.]
    Caption Clocking Out: Time Beyond Management. Installation view (Brendan Fernandes, A Solo Until We Can Dance Again, 2021; Sky Hopinka, In Dreams & Autumn, 2021; Kobby Adi, Whiskey, 2022), Artists Space, 2023. Photo: Greg Carideo.
    Image description Photograph of one wall of a gallery. In the center of the wall are three TV flatscreens playing different synchronized videos. In front of the flatscreens is a large wooden platform with a piece of marley floor on it that can be written on. To the right on the wall is a small vitrine with a matchbox.
    Year 2023
    Related pages Whitney Independent Study: Clocking Out: Time Beyond Management
  • Gift cards features Applebee's branded logo of a red apple. Verso of the card shows the apple design with an American flag and says
    Gift cards features Applebee's branded logo of a red apple. Verso of the card shows the apple design with an American flag and says
    Cory Arcangel, $10 Applebee’s Gift Card, 2013, Plastic gift card with $10 value, 2 x 3 in 5 x 7,6 cm, Signed and Numbered [Gift cards features Applebee's branded logo of a red apple. Verso of the card shows the apple design with an American flag and says "THANK YOU"]
    Caption Cory Arcangel, $10 Applebee’s Gift Card, 2013, Plastic gift card with $10 value, 2 x 3 in 5 x 7,6 cm, Signed and Numbered
    Image description Gift cards features Applebee's branded logo of a red apple. Verso of the card shows the apple design with an American flag and says "THANK YOU"
    Year
    Related pages Artists Space Annual Edition Portfolio 2014
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Color image of three or four individuals captured in the middle of a conversation. Two individuals have their back turned to the camera, while another person is facing the lens with arms crossed, actively listening. An elegant and decorative dinner venue can be seen in the background.
    Color image of three or four individuals captured in the middle of a conversation. Two individuals have their back turned to the camera, while another person is facing the lens with arms crossed, actively listening. An elegant and decorative dinner venue can be seen in the background.
    Friends of Artists Space Dinner, 2023. Photo: Joshua Wildman. [Color image of three or four individuals captured in the middle of a conversation. Two individuals have their back turned to the camera, while another person is facing the lens with arms crossed, actively listening. An elegant and decorative dinner venue can be seen in the background.]
    Caption Friends of Artists Space Dinner, 2023. Photo: Joshua Wildman.
    Image description Color image of three or four individuals captured in the middle of a conversation. Two individuals have their back turned to the camera, while another person is facing the lens with arms crossed, actively listening. An elegant and decorative dinner venue can be seen in the background.
    Year
    Related pages Support
  • A black and white film still of two people in period dress. One lies on a patterned couch, wrapped in sheets, while the other stands observing. Above the couch, a mirror on the wall reflects the scene to the camera.
    A black and white film still of two people in period dress. One lies on a patterned couch, wrapped in sheets, while the other stands observing. Above the couch, a mirror on the wall reflects the scene to the camera.
    James Coleman. Still from Seeing for Oneself, 1987-88. Slideshow (black and white), 40 min. [A black and white film still of two people in period dress. One lies on a patterned couch, wrapped in sheets, while the other stands observing. Above the couch, a mirror on the wall reflects the scene to the camera.]
    Caption James Coleman. Still from Seeing for Oneself, 1987-88. Slideshow (black and white), 40 min.
    Image description A black and white film still of two people in period dress. One lies on a patterned couch, wrapped in sheets, while the other stands observing. Above the couch, a mirror on the wall reflects the scene to the camera.
    Year 1988
    Related pages Michael Asher / James Coleman
  • Black-and-white photograph of a figure sitting in a chair on stage, with their hands behind their head. They are sitting behind a reed organ covered in a plastic sheet with an ice cube placed on top of the keyboard. Behind the reed organ is a clock on a music stand.
    Black-and-white photograph of a figure sitting in a chair on stage, with their hands behind their head. They are sitting behind a reed organ covered in a plastic sheet with an ice cube placed on top of the keyboard. Behind the reed organ is a clock on a music stand.
    Yasunao Tone performing Music for Reed Organ (1962), Repetition and Structures, Mills College, Oakland, California, 1972 [Black-and-white photograph of a figure sitting in a chair on stage, with their hands behind their head. They are sitting behind a reed organ covered in a plastic sheet with an ice cube placed on top of the keyboard. Behind the reed organ is a clock on a music stand.]
    Caption Yasunao Tone performing Music for Reed Organ (1962), Repetition and Structures, Mills College, Oakland, California, 1972
    Image description Black-and-white photograph of a figure sitting in a chair on stage, with their hands behind their head. They are sitting behind a reed organ covered in a plastic sheet with an ice cube placed on top of the keyboard. Behind the reed organ is a clock on a music stand.
    Year
    Related pages Yasunao Tone Concert #2
  • A performer plays a modified string instrument on stage.
    A performer plays a modified string instrument on stage.
    Abasement #81. Performance documentation, October 20th, 2025, Artists Space. Photo: Joshua Wildman. [A performer plays a modified string instrument on stage. ]
    Caption Abasement #81. Performance documentation, October 20th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description A performer plays a modified string instrument on stage.
    Year
    Related pages Abasement #81
page 8 of 29