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Till They Listen: Bill Gunn Directs America. Installation view, c. 1973, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [An image of a projection in a dark room above a glass display case holding ephemera.] -
Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photo of an installation work in a gallery. On a wooden partition wall in the back of the space, two large carboard drawings hang. To the left, in front of the wooden parition, a paper-mache sculpture is placed on the floor. In the center of the image, ceramic works and kinetic sculptures made of branches surround a structural column. Behind the column, there are more paper-mache sculptures placed on the floor and hanging off the wall. In the right foreground, two windows with images painted on the glass hang from the ceiling.] -
Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure leans down and places a beer can on the stage.] -
Attention Line. Installation view (masks, scripts, and videos by Tom Murrin, c. late 1970s-2000s), Artists Space, June 11, 2022 - August 20, 2022. Photo: Filip Wolak [An image of a wall mounted with various colorful masks and cardboard paintings. Below them is a glass display case.] -
Jolene Rickard, Leadership (detail), 1987. [A black and white photo of an antler.] -
Jutta Koether, xxapollo. Performance documentation, Artists Space, January 5, 2020. Photo © Paula Court. [A person dressed in all pink holds a colorful heart-shaped canvas in her right hand while extending her left arm in the air. She is surrounded by rapt audience, who carefully track her movements.] -
Charlotte Posenenske. Configured by Rirkrit Tiravanija. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A geometric, silver metal sculpture sits on a low dolley with wheels on a wooden gallery floor. The sculpture is modular, hollow, and consists of a cube-like metal component. Under the sculpture, long arrows of colorful tape are installed on the gallery floors.] -
Abasement #79. Performance documentation, August 11th, 2025, Artists Space. Photo: Joshua Wildman. [Two performers stand side by side on stage. One performer plays a brass instrument and the other a woodwind instrument. The performers and room are bathed in colorful light, created from a projection of a geometric pattern of green, blue, and red stripes.] -
Terry Fox: All These Different Things Are Sculpture. Installation view, Artists Space, 2024. Photo: Filip Wolak. [A color image of the corner of a gallery space. On the left wall there is a line of nine polaroid photographs, evenly spaced and hung about five feet from the light wooden floor. The right wall features a frame from a video being played from a projector. The black and white film frame shows the interior of an industrial space, the exposed ceiling rafters and brick wall. ] -
Group Material: Primer (for Raymond Williams). Artists Space, 1982. [A view of a bedroom with various imagery on the walls along with a line and clothespins and a dotted line cloth on a matress lying on the floor.] -
Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman [A figure plays the saxophone on a stage.] -
Drake Carr: Housecalls. Installation view, Artists Space at the Armory Show, 2023. Photo: Filip Wolak. [Color image of front view of a booth inside an art fair. On the right wall hangs a colorful drawing. At the center of the booth, an installation shows the corner of a domestic space, with a window on each side and black and white curtains with pink flowers. Through the windows, the leg of a chair, a lamp, an easel, and some drawings can be seen.] -
Reese Williams. A Pair of Eyes (detail), 1983. Photomural with gouache. 7 x 40 x 60 inches (panels). [Large structures of power lines are visible with white human figures moving around in the bottom section of the image.] -
Nuestro Reflejo, Threads of History exhibition, Morris Jumel Mansion, March, 2025 -
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Group Material: Primer (for Raymond Williams). Artists Space, 1982. [A large taxidermied eagle hangs upside down from the ceiling holding line tape that repeats "A GOVERNMENT FOR THE RICH BY THE RICH". Posters and drawings on the wall are visible around the eagle.] -
ART CLUB2000 Gli Avvoltoi (The Vultures), 1995 Vinyl paint and newsprint flyer Image courtesy Artists Space, New York Photo: Filip Wolak [Behind two large columns is a wall mural displaying multiple cartoon vultures resting on black scaffolding. Beside the mural sits a pile of newsprint flyers.] -
Jack Smith, still from Hamlet in the Rented World (A Fragment), 1970-73. 16mm transferred to video, (sound, color), 27 minutes. [A figure wearing all black clothing, a black hood, heavy eyeshadow, and a fake mustache looks at the floor.] -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of three figures, wearing all white, performing in a dark gallery space. The leftmost figure lays on the floor with their legs spread and hands pushing their chest up. On the right, a figure with a flashlight around their hips stands with their shoulders and head flung back. The third figure contorts their body on the floor in the rightmost corner.] -
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Shayla Aviles, Untitled, 2018 [A mostly black-and-white image depicting the façades of two buildings - one is light grey with a turquoise fire escape, and the other is dark grey with a black fire escape. On the lighter building, the street-level storefront says "Mazeish"] -
Hilary Lloyd, Shirt, 2011. [A close-up shot of black fabric patterned with white dots, stripes, and zigzags.] -
Attention Line. Installation view (James Luna with the High Cheekbones, 2006, Jacket from the exhibit All Indian All the Time, 2005), Artists Space, June 11, 2022 - August 20, 2022. Photo: Filip Wolak [An image of a wall with a poster hanging on the left, and and a brown and white jacket hanging on the right.] -
Richard Hollis. Installation view, Artists Space, 2013. [A view of a book stand perpendicular to a wall in which staggered posters are hung. The book stand displays various documents and materials.] -
Chadwick Rantanen, Untitled, 2007. Video animation. Courtesy the artist. Photo: Bill Orcutt. [A rectangular television sits on the wooden floor near the wall. The high-contrast image on the TV shows another room with a long table upon which are computers, phones, and other office equipment. There are chairs at the desk and images hung on the wall.] -
Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photo of a installation and sound work. In the right foreground, two lab tables contain a lab equipment such as beakers, distilling chambers, jars, hot plate and two blenders. On the left midground, an antique cabinet with its doors open, reveals shelves and drawers filled with more lab equipment, such as a microscope and household items such as a dustpan. In the background, two box television screens sit on top of wooden lab tables. A posterboard with a periodic table rests on top of the televisions. Each "element" of the periodic table features a small lightbulb that glows.] -
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[A close-up photo of a variety of books standing across several metal shelves.] -
New Red Order Give it Back, detail, 2020 Acrylic LED displays with cut vinyl, water cooler, poster, couch, desk, chairs, magazine rack, The New Red Times Magazine, and three televisions. Image courtesy Artists Space, New York Photo: Filip Wolak [A close up image of three tv monitors on a wall with vinyl lettering that reads "New Red Order", in the right corner is a water cooler.] -
Pictures. Opening Reception, Artists Space, September 23, 1977. Photo: D. James Dee. [Black and white installation photograph of a gallery. a figure stands on the left, contemplating several wall hangings. A dog is visible on the right, wagging its tail.] -
Salad Days. Installation view, Artists Space, 2004. [Photographs hung on a wall in two rows. The top row photographs are outlined in black and show images of people inside an apartment. The bottom row photographs show people on a subway.] -
Visiting Hana Yilma Godine exhibition Rachel Uffner Gallery, Lower East Side, 2024 -
Constantina Zavitsanos: fwiw. Installation view (Wishing Well (Korpi), 2023/24; There's something happening here, 2024), Artists Space, 2024. Photo: Carter Seddon. [In a large dark room, a modular structure is recessed into a raised floor covered with black carpet. The structure is lit in bright blue light, and hosts open water. Red light shines in the back room.] -
Still from The Empty Plan (2010). [A person is standing at the end of a stage, dressed in a long coat, with a stern expression on her face. A man sits at a desk in the corner, his head in his hands. There is a white trifold screen behind them, with an extra chair, and a banner written in German.] -
Gerome Kamrowski. Paintings on the Surface of a Dome, 1960. [A black and white photograph of a large constructed rock dome in a galelry space.] -
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Lyndon Barrois Jr., The Conjuror (After Bosch) f/ Addoley Dzegede, 2022. Enamel tumblers, ceramic frog, wooden wand, foam, graphite, batik dyed handkerchief, electroformed ink cartridge, copper, night stand. Dimensions variable. Photo: Filip Wolak. [A color photograph of a wooden nightstand with a red hankerchief, ceramic frog, wand, and enamel tumblers. On the right side of the nightstand, a brass hoop rests on the floor, propped up against the nightstand.] -
[Black and white pen drawing featuring a cartoonish rendering of Manhattan and the surrounding boroughs that resembles a grassy mini-golf course. Golf holes are scattered across Manhattan amidst larger-than-life cut-out figures, convoluted structures, palm trees, and other quirky obstacles. Stray golf balls are scattered across the surrounding boroughs. A cluster of golf balls in New Jersey are arranged such that they spell out the words, "PUTT-MODERNISM."] -
Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A person sits on a wooden chair where there are three arranged, wearing headphones and looks at a TV monitor. The monitor displays a construction landscape in the Middle East.] -
Replica of a Lost Original. Installation view, Artists Space, 2007. Photo: Bill Orcutt. [A gray television sits on a rectangular wooden board. There is a mass of wires next to it. In the background, a white paper with black text hangs on a white wall.] -
Artists Draw. Installation view, Artists Space, 1979. [A drawing of a figure on white paper. The figure has horns and lines emenate from its eye.] -
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Louise Bourgeois Jitterbug, 1998 Lithograph, 18 x 24 in / 46 x 61 cm, Signed & Numbered. [Two red and blue spidery forms interlace, floating in the center of the page atop a blank sheet of staff paper.] -
Shadi Habib Allah, still from S/N: 8F1GNA0021, 2012, single channel HD Video. Courtesy the artist and Green Art Gallery, Dubai. [A side view of two men, facing eachother, in a workshop space. On the left, the man holds a metal object to place it onto the machine sitting inbetween them.] -
[A flyer depicting a stylized black body in profile. Handwritten text at the top and bottom edges of the flyer reads, "BODIES OF LIGHT / EXIT STRATEGY / DEC 3RD / DECOLONIZE THIS PLACE / 55 WALKER ST / 6PM-11PM / NEW YORK, NEW YORK."] -
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Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022. [A color image of a dark room featuring illuminated yellow and orange shapes floating on the wall and reflected on the floor.] -
Bookstore at 55 Walker Street. [A photo of the bookstore at 55 Walker Street - the front half is a bookstore, while the back half is an empty exhibition/performance space. Both have white walls and a light wood floor. They are divided by a temporary wall with a large doorway, which leaves a large gap between the top of the temporary wall and the ceiling. The back half is empty, with windows letting in light on the furthest wall. The front half has bookshelves adorning the walls, with a lower shelf to keep some books on display. A red pipe runs floor-to-ceiling between two columns of shelves.] -
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Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata [A color photograph of an arepa placed on a purple tablecloth.] -
Hito Steyerl, I Dreamed a Dream: Politics in the Age of Mass Art Production, 2013. Two channel HD video with sound, 29 mins 28 secs. Courtesy of the artist. [A monitor suspended in the middle of the room on a pole displays an image of Hito Steyerl speaking at a podium. Stacks of pillows, forming a seating area, surround the view of the monitor.] -
Michael Brewster, An Acoustic Sculpture, A Clicker Drawing. View from Opening, April 2, 1977, Artists Space. [A black and white photograph of a person standing in a doorframe. On the left, a broom rests against the wall. A circular window behind a radiator is visible on the right. Buckets of paint and painting rollers are scattered across the floor.] -
Gerome Kamrowski. Facets of a Dome, 1960. [A dark black and white photograph with various shadows visible.] -
Charles Simonds. Still from Mythologies, 1974. From Thomas Lanigan-Schmidt, James Biederman, Charles Simonds, Artists Space, 1974. [A black and white film still of two figures on a sidewalk, one stands against a stone wall looking through a small opening in the stone.] -
Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Candice Hill-Montgomery. [Black and white photograph of white picket fence with dark painted background behind it.] -
[Two small tomatoes arranged side-by-side against a blank, white backdrop. Text placed directly underneath the tomatoes reads, "Salad Days 2006 ~Second Course~."] -
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SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement with a table made of wood and a fresnel lens tabletop on the right side of the space. In the back are audio wires and a speaker in the corner. Along the top of the image the basement windows are tinted blue.] -
Wages of Whiteness in the Art Economy. Poster. Decolonize This Place, 2016. [A black and white flyer with various slogans, from "Black Lives Matter" to "Abolish White Supremacy," printed on the front.] -
Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. [A color photograph of a figure standing behind audio mixing equipment and a microphone in an orange-lit space. A seated observer watches in the foreground.] -
Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Two video monitors are mounted on a colorful gallery wall covered with a photo decal of large, white letters and a ram's head. Four stools sit in front of the monitors. A pair of headphones rests on each stool, connected to the monitors.] -
Mel Kendrick, Dinnever Hill. Installation view, Artists Space, 1974. [A black and white installation photograph of a gallery space. Placed on the floor, pairs of dark squares lean against a white wall.] -
Fifth Season Act, Apotheosically. Performance documentation, May 31, 2012, Artists Space. [A crowd if people sit on wooden chairs in a large gallery space. The crowd forms a semi-circle around a portion of the gallery floor covered in a brown, dirt-like material. A woman in a white suit stands amonst the debris and speaks into a microphone in front of a sculpture composed of a large pane of glass.] -
Program schedule for Sigrid Burton, Bruce Colvin, Ellen Phelan, Artists Space, 1976 -
Community Listening event, Listening to the LES, P.S. 140, 2018 [A photograph of a classroom environment with several students sitting around the edges of the room and a few drawing directly onto a white tablecloth in the center of the room. An image of the underside of a large bridge is shown on a monitor at the front of the room] -
Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman [A figure sits on a piano bench, holding a guitar vertically against the figure's body.] -
Jack Smith, Untitled (Plaster Foundation of Atlantis), 35mm slide, c. 1970. Copyright: Jack Smith Archive. Courtesy Gladstone Gallery, New York and Brussels. [An assortment of fake flowers, tinsel, a disfigured mannequin's leg, used tissues, empty whiskey bottles, and other festive detritus.] -
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Still from video interview with Benjamin Buchloh about the work of Christopher D'Arcangelo, conducted by Dean Inkster and Sébastien Pluot, 2010. [A book with blank pages is sitting open on a white table, seen from above. A person's right hand rests on the table next to the book, while the left is lifted in gesture.] -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a corner space in a gallery, below a staircase, that is bathed in red light. At the bottom of the stairs are a group of performers wearing conical costumes made of reflective one-way mirror film.] -
_____, Louise Lawler, Adrian Piper & Cindy Sherman Have Agreed to Participate in an Exhibition Organized by Janelle Reiring at Artists Space, September 23 through October 28, 1978, Artists Space, 1978. Installation view, Artists Space, 1978. [Black text affixed to a white wall reads: "Christopher D'Arcangelo / Louise Lawler / Adrian Piper / Cindy Sherman."] -
Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata [Color image of a seated audience all facing the right of the room. A figure in the back middle is standing and operating a film projector. The room is bathed in red light.] -
Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [An audience watches a performance, smoke and an orange light fill the room.] -
U.S. Projects: Howard Fried. Installation view, Artists Space, 1983. [A sink structure on wheels sits atop a tilted wooden table top with legs of varying sizes. Light from the ceiling is seen emanating onto the structure in the white-walled gallery space.] -
Guilt for Shame. Performance documentation, August 22, 2013, Artists Space. Photo: Lyndsy Welgos. [A man stands, motioning towards at an LED light sculpture hung on the wall. A woman sits on one of three benches circling the man, and the audience is seated on the floor behind them.] -
Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure in a red sweater and a black bowler hat stands behind three microphones, speaking into them.] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [A figure in a blue morph suit leans their arms on top of a rolling table made of wood and fresnel lenses, pushing it toward another figure that stands in front of them filming them. In the background a third figure in a blue morph suit sits and leans down on top of a rectangular wooden frame. Blue footage is projected onto the back wall.] -
El Bosque Luminoso Bajo El Mar, M.S. 324 exhibition, Threads of History, May 2023 -
Jubilee Aponte, Untitled, 2021, digital photography -
Manuel DeLanda, Raw Nerves: A Lacanian Thriller (still), 1980, 16mm-to-digital, Color, Sound, 30 minutes. [A figure wearing a trenchcoat stands in a psychadelically lit bathroom while smoking a cigarette.] -
[Black text on a green background. The text reads: “Jan 11 / Charles Bernstein / Sol Cabrini.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
Zona. Carga Y Descarga, Issue 3, January - February 1973. Editor and Publisher: Rosario Ferré. Design and Photomontage: Zilia Sánchez. [Four pages of a magazine displayed on a white background. The pages contain text and black and white as well as blue and yellow collaged images.] -
Fontaine Dunn, Everything's Always Just the Same, Only Different, 1976. From Gary Bower, Fontaine Dunn, Hermine Ford, Artists Space, 1976. [A black and white image of a painted spiral.] -
Heist Divination (fwiw remix). Performance documentation, October 25th, 2024, Artists Space. Photo: Destiny Mata. [Photograph of a performer standing behind a small desk that holds audio equipment. The performer stands upright with their head down and their hands held together in front of their face. To the performer's right a music stand holds a score. The background is bathed in blue and red light with the silhouettes of audience members visible. In the bottom left corner a recessed structure filled with water is illuminated. ] -
We Are The History of the Future: Listening to the LES online presentation, My Story Our Story Quilt, P.S. 140 7th grade students [A screenshot of a video call presentation. Names of individuals are weaved together digitally in a quilt-like fashion. These names are flanked on the right side by the images of ten individuals who are joining the call remotely.] -
Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of a man holding up the Iraqi flag.] -
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Still from Personal Problems picturing Walter Cotton and Vertamae Smart-Grosvenor, 1980. [A man and a woman sit at a kitchen table for breakfast. The table is crowded with dishes and items like orange juice and a box of Raisin Bran.] -
Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A brown paper bag, placed on a shelf at an angle, an illustration, in colored pencil, of a man wearing a ten-gallon hat, in which his strands of black hair stick out from the bottom. A graphic that reads, "Pioneer," across his hat. In the background and the side of the bag are small detailed multicolored line patterns. A single cannabis leaf, facing sideways amongst the line pattern.] -
Johanna Went performing at The Hong Kong Cafe, Los Angeles. Photo: Ed Colver [Black and white image depicting a performance. The artist is standing in the center of the frame and wearing spotted tights and cowboy boots. The upper half of their body is enveloped in a large plastic foam fabric, which covers their torso, face, and arms. Affixed to the large fabric construction are clusters of plastic takeout containers. Audience members are visible in the foreground.] -
Photograph of Arthur Russell. Photo courtesy of Audika. [A vintage photograph of a man wearing black headphones, sitting behind a table in a cluttered room full of music equipment. A keyboard leans against the table, which is covered in AV equipment and snaking wires.] -
Not yet titled, 2019
Clay, glaze, mixed media
7 x 12 x 17 inches (variable)
$5,000
[A brown and green object with a processing chip imbedded in its front sits on a white base. There is a battery with two wires sticking out the left side, and a small, silver crank device sitting on top.] -
Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak. [A cluster of four works on paper against a white gallery wall. The works feature swooping, abstract calligraphic strokes in black and light green ink.] -
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Book spread from FWIW, Constantina Zavitsanos and Artists Space, 2024. [White text composed into a circle against a black background reads “A TRIBE CALLED QUEST” across the center of a book spread. The text appears handwritten, and between each word is an ankh symbol. Four stick figures move across the page, each one performing a different motion.] -
Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [A figure stands behind a microphone and table with audio equipment. They hold one hand over their mouth and the other around their neck.] -
[An equilateral triangle filled with a white and purple gradient. The triangle's bottom right corner is a dark purple color, while its bottom left corner is a bright white color.] -
Alan Ruiz, Hunter Green 1390, 2016. Courtesy the artist. [Installation view of a mechanical wall covering a window in a gallery space, with a diamond-shaped glass pane in the center letting light through.] -
SCRAAATCH, Tower of Babel, 2019, Les Urbaines. Photo: Mathilda Olmi [Two figures perform in front of large projected images.] -
Activated Walls. Installation view, Artists Space, 1993. [A person sits in a chair with a ladder next to them, bent over and painting on the bottom of a wall. The wall is painted top to bottom with a large black cross and several figures. Hand-painted text at the top of the wall reads, "WHAT THE CHURCH OFFERS."] -
Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure on the left sings into a microphone, while on thhe right, a figure sitting down and wearing a baseball cap plays the guitar.] -
Attention Line. Installation view, Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [An image of a room with several display cases and a projection, with bright lights cast against the wall.] -
Richard Klauber. Installation view, Ruth Hardinger, Richard Klauber, Artists Space, 1975. [A color installation photograph of a black and white abstract painting on a white background.] -
Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979. [A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.] -
[Two women in dresses and matching shoes are splayed up against a screen with their arms raised. There is an image projected over them, with a white background and black geometric pattern, and two splotches of red over their bodies.] -
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Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. [A color photograph of a figure standing behind audio mixing equipment and a microphone in an orange-lit space. A crowd looks on.] -
Carolee Schneemann. Installation View of War Mop, 1985. Video sculpture and installation with mechanized mop, plexiglas fulcrum, TV monitor. [A black and white photograph of a mop on top of a working CRT television in a gallery setting.] -
Salad Days 2. Installation view, Artists Space, 2006. Photo: Bill Ocrutt. [A metal desk with each of its legs perched on top of four vertical cinderblocks. The side of the desk is decorated with a dark blue and aqua blue stripe. A bright red ball rests on top of the desk.] -
Artists Performance Series. Installation view, Artists Space, 1977. [A black and white photograph of a gallery space. On the left, a window casts soft light onto a table and two chairs. On the right, a television monitor is positioned on a low bench.] -
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Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of the corner of a gallery space. The walls are painted with blue accents, and there is a checkerboard floor. Large, vibrant paintings of Black Queer figures hang on the walls. Blue neon lights run along the frame of the window in the corner.] -
[Eight pieces of paper with text in various languages arranged in a grid.] -
[Black text overlays a color-scheme grid background. The text reads: “Dec 9 / Jessica Laser / Jillian McManemin" Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)] -
[A rendering of a head with two faces, one positioned head-on and the other seen in profile, is made from gradient strips of red, orange and yellow color. Dissecting lines and geometric shapes define the face's blocky features. The top lips are blue and the bottom red, while the left eye is black with a white dial and the right eye is a hazy blue with yellow lightning coming out of it. Under the image, text in red, white, blue serif font reads: the segue reading series and artists space present / a reading by David Larsen and Sara Larsen / saturday, may 9, 5 pm nyc time / zoom id: 378 232 567.] -
Cosima von Bonin, Le Chic, 2023. Photo: Filip Wolak. [Color image of two replica rockets, created from wood and white and red enamel paint over top. They are placed on a small white platform.] -
Collage project on mapping and migration -
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Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court [Three figures adorning firefighter costumes pass white buckets back and forth while being menaced from above by a figure wearing a wig.] -
Unholding. Installation view, Artists Space, November 19, 2017 - January 21, 2018. Photo: Daniel Pérez. [Three paper bags featuring collaged and drawn embellishments sit in a row on three pedastals of varying heights in ascending order.] -
Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [A figure unpacks various audio and projection equipment onto a table. Blue, purple and pink washes of light are projected onto them.] -
Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon. [Color image of a gallery installation containing four large wooden box sculptures by Matthew Langan-Peck, three of which are slightly open and have headphones hanging from their sides. To the left, a dark blue box is painted with a repeated traffic light motif. The box in the center foreground is messily painted sky blue, with two yellow shooting stars on one side. In the background, to the right, two wooden boxes sit next to each other, one painted light yellow and the other covered in imitation gold leaf.] -
Traditions: Five Painters. Installation View, Artists Space, 1978. [Two pieces hang on a wall.] -
Jack Smith: Art Crust of Spiritual Oasis. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A display case holds materials in the middle of a neutral colored room. A black and white video is projected on a wall on the left side of the room. The projection faces a wall displaying several framed photographs and drawings.] -
Still from In It Together, Amelia Bande and Rachel Higgins, 2020 [In front of a pixelated red background, a yellow caption appears on top of a black bar that reads: “But whatever debt we’re in, whatever risks, we’re in together."] -
[A catalogue cover design featuring a black and white illustration of the head of a bear. Large, black serif text above the bear's head reads, "Art's Mouth," while smaller white text positioned underneath the bear's head reads, "May 16-June 29, 1991 ARTISTS SPACE"] -
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[A digital rendering of a large structure composed of suspended sheets of red material installed in a gray room. The red sheets are stacked on top of one another, suspended from lengths of wire that run from ceiling to floor. The sheets bend amorphously and are arranged such that they resemble irregular layers of sedimentary rock or strata. Three digitally-rendered figures observe the structure.] -
Adam and Zack Khalil, still from INAATE/SE/ [it shines a certain way. to a certain place./it flies. falls./], 2016. [An image of a person with long brown hair pointing a pistol at the camera is superimposed on top of an image of a picturesque lake.] -
Isabelle Frances McGuire, The Death of a Giant, 2024. Photo: Carter Seddon. [A life-size off-white foam sculpture of a naked human form, in the likeness of Abraham Lincoln, rests supine on a low white platform.] -
Tom of Finland, Untitled, 1976. Graphite on paper. Courtesy Collection Ulrich Tangermann, Hamburg. [Drawing of a muscular man with a combover and handlebar mustache, grappling the Earth and grinning as he inserts his penis into the planet.] -
New Red Order with Laura Gardin Fraser Teddy’s Touchdown, 1938/2021 16mm film, black and white 14 minutes (loop) Image courtesy Artists Space, New York Photo: Filip Wolak [An image of a dark exhibition space, a film projector projects a sepia tone image onto the wall.] -
ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A view of a small drum set lit by a spotlight underneath a demolished wall, blue and green gallery walls displaying dynamic images of individuals hung by large push pins.] -
New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court. [A person stands at a microphone reading off sheets of paper. In the background, there is a slightly blurry image of a book cover: "Twice-Told Tales" by Nathanial Hawthorne.] -
Installation view at Kaiserstraße 31A, Düsseldorf May 11, 1963 Courtesy Archiv Kuttner, Erkrath Photo: Manfred Kuttner [A black and white image of the back of a chair in front of a man in front of a train car, in which a man exits the door.] -
Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater. Installation view, Artists Space, 2019. Photo: Daniel Pérez. [Installation view of a gallery filled with projectors arranged on the floor around three large black columns in the middle of the room. Each projector is projecting a bright white test screen onto white walls, aligned so all play at the same height. A wooden wardrobe stands in the foreground of the image against a white wall.] -
Mark Morrisroe: From This Moment On. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A white wall displaying eight papers. On the far left, there is a drawing of a knife with the handwritten text "Cutthroats for Hire." The seven other papers feature type, handwriting, and photos.] -
Min Joong Art. Installation view, Artists Space, 1988. [A photograph of a large, open gallery space. The visible walls feature a continuous painting that wraps around the room, showing human figures on saturated blue, yellow, and red backgrounds. A single person stands int he room and looks at the painting.] -
Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman [A figure plays the drums in the background with an out of focus piano in the foreground.] -
Flyer for Inquiry & Investigation, 2018. [A piece of stretched cloth covered with painted words reading, "Inquiry" and "Investigation," along with digitally superimposed event information.] -
Selections from the Artists File, installation view, Artists Space, 1986. [A number of wooden sculptures appear in various shapes in a white-walled gallery space.] -
[White text overlays a rose-colored background with a geometric design. The text reads: "Annual Friends of Artists Space Dinner / Celebrating 50 Years / Honoring / Kathy Halbreich/ Yasunao Tone / Monday, May 8, 7pm / The Doubles Club, New York City." Text in the bottom left corner reads: "Festive attire."] -
[Black and white line drawing of a bucket with handle.] -
In The Poem About Love You Don't Write The Word Love. Installation view, Artists Space, 2006. Photo: Bill Orcutt. [Three free-standing walls supporting a series of shelves are arranged at right angles around a pole in a gallery space. The shelves display a series of pieces of paper containing both images and text. The shelves are yellow, and a portion of the center of the column has also been painted yellow.] -
Constantina Zavitsanos, the one who knows may show the one who knows (detail), 2024. Digital print on dibond. 30 x 30 in. [A photograph made in a two mirror Schlieren system with knife edge shows the silhouette of a hand holding a small lit flame in front of a round mirror, staged in a black surround. Typically invisible, heat waves are visible along the golden shadowy gradient of a telescope mirror. At the bottom a candle’s wick and its mirror image break the circle.] -
Duane Zaloudek. Untitled, 1983. [An image of a wooden chair next to a wooden desk with a frame being prepared on top of it. They are placed on a wooden floor against a white wall.] -
Ashley Baez, Untitled, colored pencil on paper 28 x 24 inches, 2016 [Three long and slim dresses on mannequin figures - one yellow, one orange, and one blue. Her signature and the date (12.5.15) appear in between each figure] -
Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang. [A figure in a blue dress stands behind a white table, they slowly unfold a book as another figure in the audience stands and reaches over to read off of the paper.] -
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Ilana Halperin: Physical Geology (slow time). Installation view, Artists Space, 2009. [Protruding clusters of dots and triangles form designs in a gray surface.] -
Yasunao Tone performing Music for Reed Organ (1962), Repetition and Structures, Mills College, Oakland, California, 1972 [Black-and-white photograph of a figure sitting in a chair on stage, with their hands behind their head. They are sitting behind a reed organ covered in a plastic sheet with an ice cube placed on top of the keyboard. Behind the reed organ is a clock on a music stand.] -
[Green fluorescent strips arranged in gridded, triangle-shaped sections.] -
Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of a gallery space with several works exhibited throughout the room. On the left, a drawing hangs from a wooden wall. A creature-like sculpture made out of papier-mâche sits on top of packs of Comet cleaning powder. On the back wall, a colorful drawing hangs on the white wall. An old metal stove sits on the corner next to some wood. Two columns stand in the middle of the room, and are surrounded by kinetic sculptures made out of a variety of objects like wood, tree branches and construction blocks. In between the columns, two wooden window frames hang from the ceiling. Different scenes painted onto the glass. On the right, a black and white drawing with details on blue hangs on the wall.] -
Other Minds, San Francisco. Photo: John Fago [Black-and-white photograph of a figure, walking in the middle of the frame between two sets of suspended wires that run from across the room. The figures hands manipulate the wires on each side of them.] -
Tiffany Sia: Slippery When Wet. Installation view, Artists Space, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A photograph of a gallery space with a black rectangular table and a chair in the foreground. There are eight photographs and print-outs hung on the back walls, and a row of floor-to-ceiling columns is visible in the background.] -
Storm de Hirsch, still from Newsreel: Jonas in The Brig, 1964. Courtesy Anthology Film Archives. [A man clinging to a chain-link fence in front of several other men looking up at him. Underneath the image, partially cut-off text reads, "THE BRIG."] -
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Abasement #72. Performance documentation, October 7th, 2024, Artists Space. Photo: Joshua Wildman. [Two musicians on stage use various instruments. The musician in the foreground plays a mandolin. The musician behind them is using electronic instruments on a table. There are yellow and pink patterned projections, a red light bulb, and reflections from a disco ball around the room. ] -
Photo: Reilly Horan [The artist devynn emory in their grandmother's fleece jacket covered in polar bears, standing in front of a silver sterile table. In the background is collaborator Joseph and cinematographer Jorge discussing where the ancestor forms draped in yellow fabric should be placed.] -
Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a gallery space with white walls. Two vitrines are built out of the walls, and contain various ephemera. Above the left vitrine hang black-and-white photographs. Above the right vitrine, placed over a window, is a blown-up image of a man kneeling with his head to the floor.] -
Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court [Three figures stand in front of a large banner bearing a portrait.] -
Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. [A color photograph of a figure standing behind audio mixing equipment and a microphone in an orange-lit space. A crowd looks on.] -
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Cass Bird, I Look Like My Daddy, 2004. C-print, 30 x 40 inches. Courtesy the artist. [Photographic portrait of a youthful figure leaning against a white brick wall. They wear a partially unbuttoned, blue and black plaid shirt and a trucker hat. Large black text emblazoned across the front of the hat reads, "I LOOK JUST LIKE MY DADDY." A miniature gun token has been attached to the hat, to the left of the text. The figure stares ahead, the right side of their face illuminated by daylight.] -
M.S. 324 Grade 7 Threads of History students with Teaching Artist, Esperanza Cortés and M.S. 324 Science teacher Mary Guerrero, June 2021 -
[White text on a bright fuchsia background. The text reads: “Oct 11 / Mónica de la Torre / Rodrigo Toscano.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979. [Two photographs are mounted on a white gallery wall.] -
Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979. [Two photographs mounted on a white gallery wall.] -
Underground: Jose Gabriel Fernandez. Installation view, Artists Space, 1991. [Two neon lights on a wooden floor. One light is coiled within a silver box, while the other rests directly on the floor, attached to a black cord.] -
[Black text on a green background. The text reads: “Jan 18 / Ann Lauterbach / Chris Campanioni.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
Flyer for Segue Reading Series featuring t'ai freedom ford & Terrance Hayes. Saturday February 20, 2021, Artists Space. [A purple colored background features black text in the top half of the image that reads, "Segue Reading Series / t'ai freedom ford & Terrance Hayes / February 20 / 5pm on Zoom / Suggested donation: Five dollars / Zoom ID: 830 2698 4031." Black text in the bottom right corner reads, "Artists Space."] -
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keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of three figures, wearing conical costumes made of reflective one-way mirror film, standing at the doorways of a gallery space.] -
Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a gallery space. On the left wall series of photographs hang, and vitrines containing musical scores. Various musical instruments and audio devices are placed around the middle of the room, and various television monitors are placed along the sides of the room..]
