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  • A figure in a baseball cap stands beside a table covered in scattered drinks and a laptop, typing on the computer’s keys.
    A figure in a baseball cap stands beside a table covered in scattered drinks and a laptop, typing on the computer’s keys.
    Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [A figure in a baseball cap stands beside a table covered in scattered drinks and a laptop, typing on the computer’s keys.]
    Caption Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description A figure in a baseball cap stands beside a table covered in scattered drinks and a laptop, typing on the computer’s keys.
    Year 2019
    Related pages Speaker Music: drape over another
  • Black text overlays a white background with two bunches of pink flowers in the upper right and lower left corners. The top left corner reads: “John Yau / & Patrick Rosal / April 30, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”
    Black text overlays a white background with two bunches of pink flowers in the upper right and lower left corners. The top left corner reads: “John Yau / & Patrick Rosal / April 30, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”
    Flyer for Segue Reading Series featuring John Yau & Patrick Rosal. April 30, 2022, Artists Space. [Black text overlays a white background with two bunches of pink flowers in the upper right and lower left corners. The top left corner reads: “John Yau / & Patrick Rosal / April 30, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”]
    Caption Flyer for Segue Reading Series featuring John Yau & Patrick Rosal. April 30, 2022, Artists Space.
    Image description Black text overlays a white background with two bunches of pink flowers in the upper right and lower left corners. The top left corner reads: “John Yau / & Patrick Rosal / April 30, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”
    Year 2022
    Related pages Segue Reading Series: John Yau & Patrick Rosal
  • A faded image of a silhouette holding an umbrella outdoors
    A faded image of a silhouette holding an umbrella outdoors
    Jack Smith, still from Yellow Sequence, 1963. 16mm, (sound, color), 20 minutes. [A faded image of a silhouette holding an umbrella outdoors]
    Caption Jack Smith, still from Yellow Sequence, 1963. 16mm, (sound, color), 20 minutes.
    Image description A faded image of a silhouette holding an umbrella outdoors
    Year 1963
    Related pages The Great Pasty Triumph
  • A model of a geometric, folded object with one mirrored side within an open white rectangle.
    A model of a geometric, folded object with one mirrored side within an open white rectangle.
    Sensual Hyper Tension. Installation view, Artists Space, 2004. [A model of a geometric, folded object with one mirrored side within an open white rectangle.]
    Caption Sensual Hyper Tension. Installation view, Artists Space, 2004.
    Image description A model of a geometric, folded object with one mirrored side within an open white rectangle.
    Year 2004
    Related pages Architecture & Design Project Series: Sensual Hyper Tension
  • In a gallery space, a large white overhead LED-style sign acts as both a drop ceiling and overhead lighting. It displays two numbers, a 2 and a 5. Below are a black sofa and, facing it, a small television on a wooden pedestal.
    In a gallery space, a large white overhead LED-style sign acts as both a drop ceiling and overhead lighting. It displays two numbers, a 2 and a 5. Below are a black sofa and, facing it, a small television on a wooden pedestal.
    Contemporary Architecture - an installation by realities:united. Installation view, Artists Space, 2007. Photo: Bill Orcutt. [In a gallery space, a large white overhead LED-style sign acts as both a drop ceiling and overhead lighting. It displays two numbers, a 2 and a 5. Below are a black sofa and, facing it, a small television on a wooden pedestal.]
    Caption Contemporary Architecture - an installation by realities:united. Installation view, Artists Space, 2007. Photo: Bill Orcutt.
    Image description In a gallery space, a large white overhead LED-style sign acts as both a drop ceiling and overhead lighting. It displays two numbers, a 2 and a 5. Below are a black sofa and, facing it, a small television on a wooden pedestal.
    Year 2007
    Related pages Contemporary Architecture - an installation by realities:united
  • Framed square and rectangualar photographs are visible in a white-walled gallery space with white columns centered in the image.
    Framed square and rectangualar photographs are visible in a white-walled gallery space with white columns centered in the image.
    Split/Vision. Installation View. Artists Space, 1985-86. [Framed square and rectangualar photographs are visible in a white-walled gallery space with white columns centered in the image.]
    Caption Split/Vision. Installation View. Artists Space, 1985-86.
    Image description Framed square and rectangualar photographs are visible in a white-walled gallery space with white columns centered in the image.
    Year
    Related pages Split/Vision
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  • Close up of the torso and legs of a figure with long hair wearing nylon tights and a blue silk jacket on their bare chest. They are illuminated by red stage lights and appear to stand on a stage in front of a drum set and speakers.
    Close up of the torso and legs of a figure with long hair wearing nylon tights and a blue silk jacket on their bare chest. They are illuminated by red stage lights and appear to stand on a stage in front of a drum set and speakers.
    [Close up of the torso and legs of a figure with long hair wearing nylon tights and a blue silk jacket on their bare chest. They are illuminated by red stage lights and appear to stand on a stage in front of a drum set and speakers.]
    Caption
    Image description Close up of the torso and legs of a figure with long hair wearing nylon tights and a blue silk jacket on their bare chest. They are illuminated by red stage lights and appear to stand on a stage in front of a drum set and speakers.
    Year 2012
    Related pages Sandy Relief Dance Party
  • A black-and-white photo of the façade of a building in New York. A black flag with white text reading
    A black-and-white photo of the façade of a building in New York. A black flag with white text reading
    Artists Space, 38 Greene Street, 1998. [A black-and-white photo of the façade of a building in New York. A black flag with white text reading "Artists Space" hangs from several stories up, above a streetlamp.]
    Caption Artists Space, 38 Greene Street, 1998.
    Image description A black-and-white photo of the façade of a building in New York. A black flag with white text reading "Artists Space" hangs from several stories up, above a streetlamp.
    Year 1998
    Related pages About
  • Two figures wearing medical scrubs stand on pieces of red fabric, stretching outwards toward the audience.
    Two figures wearing medical scrubs stand on pieces of red fabric, stretching outwards toward the audience.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York. [Two figures wearing medical scrubs stand on pieces of red fabric, stretching outwards toward the audience.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York.
    Image description Two figures wearing medical scrubs stand on pieces of red fabric, stretching outwards toward the audience.
    Year
    Related pages Grandmother Cindy
  • Two dynamic images of a group of individuals pinned by large push pins on a green gallery wall.
    Two dynamic images of a group of individuals pinned by large push pins on a green gallery wall.
    ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [Two dynamic images of a group of individuals pinned by large push pins on a green gallery wall.]
    Caption ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak
    Image description Two dynamic images of a group of individuals pinned by large push pins on a green gallery wall.
    Year 2021
    Related pages ART CLUB2000
  • Black lower case text on a red page reads,
    Black lower case text on a red page reads,
    Catalog cover from polke / richter – richter / polke , 1966 galerie h, Hannover Courtesy August Haseke [Black lower case text on a red page reads, "richter/polke, polke/richter."]
    Caption Catalog cover from polke / richter – richter / polke , 1966 galerie h, Hannover Courtesy August Haseke
    Image description Black lower case text on a red page reads, "richter/polke, polke/richter."
    Year 1966
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • An upwards-angeled view of an audience member, wearing a dark denim shirt, with a poster in the background that reads
    An upwards-angeled view of an audience member, wearing a dark denim shirt, with a poster in the background that reads
    An audience member speaks at “Palestine, BLM & Boycott in the Arts.” Artists Space Books & Talks, Friday, November 4, 2016. Courtesy Decolonize This Place and Artists Space, New York. Photo: Andrés Rodriguez [An upwards-angeled view of an audience member, wearing a dark denim shirt, with a poster in the background that reads "mourning for all those massacred in GAZA".]
    Caption An audience member speaks at “Palestine, BLM & Boycott in the Arts.” Artists Space Books & Talks, Friday, November 4, 2016. Courtesy Decolonize This Place and Artists Space, New York. Photo: Andrés Rodriguez
    Image description An upwards-angeled view of an audience member, wearing a dark denim shirt, with a poster in the background that reads "mourning for all those massacred in GAZA".
    Year 2016
    Related pages Decolonize This Place
  • An image of a glass display case, above which several drawings hang from the wall.
    An image of a glass display case, above which several drawings hang from the wall.
    Attention Line. Installation view, Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [An image of a glass display case, above which several drawings hang from the wall.]
    Caption Attention Line. Installation view, Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak
    Image description An image of a glass display case, above which several drawings hang from the wall.
    Year 2022
    Related pages Attention Line
  • An illustration takes up the whole frame depicting a yellow house with one rectangular door, one square window, and an orange roof. The house sits in an ambiguous space of slanted red ovals without any perspectival grounding.
    An illustration takes up the whole frame depicting a yellow house with one rectangular door, one square window, and an orange roof. The house sits in an ambiguous space of slanted red ovals without any perspectival grounding.
    Sydney Schrader [An illustration takes up the whole frame depicting a yellow house with one rectangular door, one square window, and an orange roof. The house sits in an ambiguous space of slanted red ovals without any perspectival grounding.]
    Caption Sydney Schrader
    Image description An illustration takes up the whole frame depicting a yellow house with one rectangular door, one square window, and an orange roof. The house sits in an ambiguous space of slanted red ovals without any perspectival grounding.
    Year
    Related pages Nandi Loaf Aristotelis Nikolas Mochloulis Ricardo Nagaoka Sydney Schrader
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    Related pages Dream Lines: Drawings by Marian Zazeela
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
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    Related pages Segue Reading Series: Samiya Bashir & Nora Treatbaby
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A person in white pants and a blue shirt with the sleeves rolled up to the elbows is walking through a jungle. Their face is obscured by leaves.
    A person in white pants and a blue shirt with the sleeves rolled up to the elbows is walking through a jungle. Their face is obscured by leaves.
    Still from Spectres. Dir. Sven Augustijnen (2011). [A person in white pants and a blue shirt with the sleeves rolled up to the elbows is walking through a jungle. Their face is obscured by leaves.]
    Caption Still from Spectres. Dir. Sven Augustijnen (2011).
    Image description A person in white pants and a blue shirt with the sleeves rolled up to the elbows is walking through a jungle. Their face is obscured by leaves.
    Year 2011
    Related pages Spectres
  • Several silhouetted figures backlit by a red glow stand among columns. The figure in the center holds a white-lit object in the air.
    Several silhouetted figures backlit by a red glow stand among columns. The figure in the center holds a white-lit object in the air.
    New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court. [Several silhouetted figures backlit by a red glow stand among columns. The figure in the center holds a white-lit object in the air.]
    Caption New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court.
    Image description Several silhouetted figures backlit by a red glow stand among columns. The figure in the center holds a white-lit object in the air.
    Year 2020
    Related pages New Red Order: Informants Get Paid!
  • A painting on the wall of an industrial room depicts a network of television antennas, repeated horizontally. Cartoon birds sit atop the poles, each with a numbered speech bubble floating above their heads.
    A painting on the wall of an industrial room depicts a network of television antennas, repeated horizontally. Cartoon birds sit atop the poles, each with a numbered speech bubble floating above their heads.
    ART CLUB2000, Gli Avvoltoi (The Vultures), 1995, wall painting. Installation view of FuoriUso '95: caravanserraglio arte contemporane, Fuori Uso, Pescara, Italy, 1995. The wall painting was originally produced for the exhibition Milanarian at Gallerie Facsimile, Milan, Italy, 1995. [A painting on the wall of an industrial room depicts a network of television antennas, repeated horizontally. Cartoon birds sit atop the poles, each with a numbered speech bubble floating above their heads.]
    Caption ART CLUB2000, Gli Avvoltoi (The Vultures), 1995, wall painting. Installation view of FuoriUso '95: caravanserraglio arte contemporane, Fuori Uso, Pescara, Italy, 1995. The wall painting was originally produced for the exhibition Milanarian at Gallerie Facsimile, Milan, Italy, 1995.
    Image description A painting on the wall of an industrial room depicts a network of television antennas, repeated horizontally. Cartoon birds sit atop the poles, each with a numbered speech bubble floating above their heads.
    Year 1995
    Related pages ART CLUB2000
  • White block text reads SPECIES EXTINCTION on a background of grey and white swirls.
    White block text reads SPECIES EXTINCTION on a background of grey and white swirls.
    Sherry Kromer Schapiro. Still from Am I My Mother's Keeper?, 1989. 5 min. Photo: Micki McGee. [White block text reads SPECIES EXTINCTION on a background of grey and white swirls.]
    Caption Sherry Kromer Schapiro. Still from Am I My Mother's Keeper?, 1989. 5 min. Photo: Micki McGee.
    Image description White block text reads SPECIES EXTINCTION on a background of grey and white swirls.
    Year 1989
    Related pages Body Language: Studies in Female Expression
  • A white square in the center of the image has a number of black and white 35mm slides on it. Underneath this image in white reads,
    A white square in the center of the image has a number of black and white 35mm slides on it. Underneath this image in white reads,
    Catalogue Cover, Annual Selections Show, Artists Space, 1985 [A white square in the center of the image has a number of black and white 35mm slides on it. Underneath this image in white reads, "Selections / From the Artists File" and on the bottom of the image in white reads "Artists Space" with a dark letter 'A' in a white square above it. Black fills the background of the image and text.]
    Caption Catalogue Cover, Annual Selections Show, Artists Space, 1985
    Image description A white square in the center of the image has a number of black and white 35mm slides on it. Underneath this image in white reads, "Selections / From the Artists File" and on the bottom of the image in white reads "Artists Space" with a dark letter 'A' in a white square above it. Black fills the background of the image and text.
    Year
    Related pages Annual Selections Show
  • Cindy Sherman, Jack Hanley, Claudia Gould, and Alexandra Audler stand together and smile at the camera in front of a red wall with an illusionistic landscape view inside a painted pointed arch window.
    Cindy Sherman, Jack Hanley, Claudia Gould, and Alexandra Audler stand together and smile at the camera in front of a red wall with an illusionistic landscape view inside a painted pointed arch window.
    Friends of Artists Space Dinner 2024. Cindy Sherman, Jack Hanley, Claudia Gould, Alexandra Auder. Photo: Jenna Bascom [Cindy Sherman, Jack Hanley, Claudia Gould, and Alexandra Audler stand together and smile at the camera in front of a red wall with an illusionistic landscape view inside a painted pointed arch window.]
    Caption Friends of Artists Space Dinner 2024. Cindy Sherman, Jack Hanley, Claudia Gould, Alexandra Auder. Photo: Jenna Bascom
    Image description Cindy Sherman, Jack Hanley, Claudia Gould, and Alexandra Audler stand together and smile at the camera in front of a red wall with an illusionistic landscape view inside a painted pointed arch window.
    Year
    Related pages Friends of Artists Space Dinner
  • A color installation view of a gallery space with a white column, and three white tables.
    A color installation view of a gallery space with a white column, and three white tables.
    Don Gummer. Installation view, Artists Space, 1974. [A color installation view of a gallery space with a white column, and three white tables.]
    Caption Don Gummer. Installation view, Artists Space, 1974.
    Image description A color installation view of a gallery space with a white column, and three white tables.
    Year 1974
    Related pages Laurie Anderson, Don Gummer, Barbara Kruger
  • *Abasement #85*. Performance documentation, March 2nd, 2026, Artists Space. Photo: Joshua Wildman.
    *Abasement #85*. Performance documentation, March 2nd, 2026, Artists Space. Photo: Joshua Wildman.
    Abasement #85. Performance documentation, March 2nd, 2026, Artists Space. Photo: Joshua Wildman. [*Abasement #85*. Performance documentation, March 2nd, 2026, Artists Space. Photo: Joshua Wildman.]
    Caption Abasement #85. Performance documentation, March 2nd, 2026, Artists Space. Photo: Joshua Wildman.
    Image description *Abasement #85*. Performance documentation, March 2nd, 2026, Artists Space. Photo: Joshua Wildman.
    Annotation A performer, illuminated in white light, plays a stringed instrument on stage and sings into a microphone.
    Year
    Related pages Abasement #85
  • A color photo of an installation and sound work in a gallery space. Wooden tables with black table tops are stacked upon eachother, creating a structure of tables about 20 feet high. The tables are densely packed and populated by a variety of insturments, automated sound objects and other found items such as hair care products and medicine bottles. Behind the stack of tables, a large piece of cardboard hangs on the wall, filled with drawings and collaged elements.
    A color photo of an installation and sound work in a gallery space. Wooden tables with black table tops are stacked upon eachother, creating a structure of tables about 20 feet high. The tables are densely packed and populated by a variety of insturments, automated sound objects and other found items such as hair care products and medicine bottles. Behind the stack of tables, a large piece of cardboard hangs on the wall, filled with drawings and collaged elements.
    Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color photo of an installation and sound work in a gallery space. Wooden tables with black table tops are stacked upon eachother, creating a structure of tables about 20 feet high. The tables are densely packed and populated by a variety of insturments, automated sound objects and other found items such as hair care products and medicine bottles. Behind the stack of tables, a large piece of cardboard hangs on the wall, filled with drawings and collaged elements.]
    Caption Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A color photo of an installation and sound work in a gallery space. Wooden tables with black table tops are stacked upon eachother, creating a structure of tables about 20 feet high. The tables are densely packed and populated by a variety of insturments, automated sound objects and other found items such as hair care products and medicine bottles. Behind the stack of tables, a large piece of cardboard hangs on the wall, filled with drawings and collaged elements.
    Year
    Related pages Char Jeré: Zoo or an Orchestra
  • Black-and-white image of two figures, each wearing white shirts. The figure on the right sits with their knees against their chest and looks attentively at the figure to their left, who engages with someone out of the right-side of the frame.
    Black-and-white image of two figures, each wearing white shirts. The figure on the right sits with their knees against their chest and looks attentively at the figure to their left, who engages with someone out of the right-side of the frame.
    Amiri Baraka, Cellar Vigil (Experimental Death Unit #2), 1966. Permission by Chris Calhoun Agency, © Estate of Amiri Baraka [Black-and-white image of two figures, each wearing white shirts. The figure on the right sits with their knees against their chest and looks attentively at the figure to their left, who engages with someone out of the right-side of the frame.]
    Caption Amiri Baraka, Cellar Vigil (Experimental Death Unit #2), 1966. Permission by Chris Calhoun Agency, © Estate of Amiri Baraka
    Image description Black-and-white image of two figures, each wearing white shirts. The figure on the right sits with their knees against their chest and looks attentively at the figure to their left, who engages with someone out of the right-side of the frame.
    Year
    Related pages Shala Miller, Malcolm Peacock, Amiri Baraka
  • Two hands hold an orange ball against a light orange background. The image is overlaid with text that reads,
    Two hands hold an orange ball against a light orange background. The image is overlaid with text that reads,
    Flyer for Segue Reading Series featuring Will Alexander & Mei-mei Berssenbrugge. Saturday, April 10, 2021, Artists Space. [Two hands hold an orange ball against a light orange background. The image is overlaid with text that reads, "the segue reading series / & artists space / present an online reading by / Will Alexander / & / Mei-mei Berssenbrugge / saturday, 4.10.21 / 5pm nyc time / $5 suggested donation / zoom id: 830 2698 4031]
    Caption Flyer for Segue Reading Series featuring Will Alexander & Mei-mei Berssenbrugge. Saturday, April 10, 2021, Artists Space.
    Image description Two hands hold an orange ball against a light orange background. The image is overlaid with text that reads, "the segue reading series / & artists space / present an online reading by / Will Alexander / & / Mei-mei Berssenbrugge / saturday, 4.10.21 / 5pm nyc time / $5 suggested donation / zoom id: 830 2698 4031
    Year 2021
    Related pages Segue Reading Series: Will Alexander & Mei-mei Berssenbrugge
  • The inside of a room with a window looking out onto a view of Manhattan. The rightmost third of the image has been digitally altered such that it appears to warp and glitch.
    The inside of a room with a window looking out onto a view of Manhattan. The rightmost third of the image has been digitally altered such that it appears to warp and glitch.
    [The inside of a room with a window looking out onto a view of Manhattan. The rightmost third of the image has been digitally altered such that it appears to warp and glitch.]
    Caption
    Image description The inside of a room with a window looking out onto a view of Manhattan. The rightmost third of the image has been digitally altered such that it appears to warp and glitch.
    Year 2018
    Related pages PRACTICE x Wind
  • Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 6 / Tilghman Goldsborough / Holly Melgard.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 6 / Tilghman Goldsborough / Holly Melgard.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 6 / Tilghman Goldsborough / Holly Melgard.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 6 / Tilghman Goldsborough / Holly Melgard.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Tilghman Goldsborough & Holly Melgard
  • A sculpture of a woman stands on a pedestal looking into a glass window pyrimidal construction with a large bug on top and a TV monitor underneath.
    A sculpture of a woman stands on a pedestal looking into a glass window pyrimidal construction with a large bug on top and a TV monitor underneath.
    Hilary Kliros. Installation View. Artists Space, 1986. [A sculpture of a woman stands on a pedestal looking into a glass window pyrimidal construction with a large bug on top and a TV monitor underneath.]
    Caption Hilary Kliros. Installation View. Artists Space, 1986.
    Image description A sculpture of a woman stands on a pedestal looking into a glass window pyrimidal construction with a large bug on top and a TV monitor underneath.
    Year 1986
    Related pages The Fairy Tale: Politics, Desire, and Everyday Life
  • A group of basketball players sit on a bench, a cutout photograph of a pink flower collaged over each of their heads. On top of the lower half of the image, black text reads
    A group of basketball players sit on a bench, a cutout photograph of a pink flower collaged over each of their heads. On top of the lower half of the image, black text reads
    Flyer for Segue Reading Series featuring Kimberly Alidio and Joyelle McSweeney. Saturday, November 7, 2020, Artists Space. Artist: Keith Higginbotham [A group of basketball players sit on a bench, a cutout photograph of a pink flower collaged over each of their heads. On top of the lower half of the image, black text reads "Kimberly Alidio / Joyelle McSweeney" and the lower left corner pink text reads "Segue."]
    Caption Flyer for Segue Reading Series featuring Kimberly Alidio and Joyelle McSweeney. Saturday, November 7, 2020, Artists Space. Artist: Keith Higginbotham
    Image description A group of basketball players sit on a bench, a cutout photograph of a pink flower collaged over each of their heads. On top of the lower half of the image, black text reads "Kimberly Alidio / Joyelle McSweeney" and the lower left corner pink text reads "Segue."
    Year 2020
    Related pages Segue Reading Series: Joyelle McSweeney & Kimberly Alidio
  • Black and white printed images are collaged over a yellow and beige background, with scribbles of red and white ink. In the bottom middle a torn piece of paper reads sideways:
    Black and white printed images are collaged over a yellow and beige background, with scribbles of red and white ink. In the bottom middle a torn piece of paper reads sideways:
    Flyer for Abasement: #60. October 3, 2022, Artists Space. [Black and white printed images are collaged over a yellow and beige background, with scribbles of red and white ink. In the bottom middle a torn piece of paper reads sideways: "ABASEMENT 60 / abasement 60." In the bottom right corner upside down text reads "ARTISTS SPACE / october 3."]
    Caption Flyer for Abasement: #60. October 3, 2022, Artists Space.
    Image description Black and white printed images are collaged over a yellow and beige background, with scribbles of red and white ink. In the bottom middle a torn piece of paper reads sideways: "ABASEMENT 60 / abasement 60." In the bottom right corner upside down text reads "ARTISTS SPACE / october 3."
    Year
    Related pages Abasement #60
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  • A glass-topped vitrine reveals five smaller color photographs. Directly behind and center, a horizontal portrait hangs on a gallery wall. The color portrait of a young man lying down yet facing upright is printed in a pink and silver tone.
    A glass-topped vitrine reveals five smaller color photographs. Directly behind and center, a horizontal portrait hangs on a gallery wall. The color portrait of a young man lying down yet facing upright is printed in a pink and silver tone.
    David Armstrong: Portraits. Installation view, March 10 – May 23, 2026, Artists Space. Photo: Carter Seddon [A glass-topped vitrine reveals five smaller color photographs. Directly behind and center, a horizontal portrait hangs on a gallery wall. The color portrait of a young man lying down yet facing upright is printed in a pink and silver tone. ]
    Caption David Armstrong: Portraits. Installation view, March 10 – May 23, 2026, Artists Space. Photo: Carter Seddon
    Image description A glass-topped vitrine reveals five smaller color photographs. Directly behind and center, a horizontal portrait hangs on a gallery wall. The color portrait of a young man lying down yet facing upright is printed in a pink and silver tone.
    Year
    Related pages David Armstrong: Portraits
  • A group of figures dressed as firefighters spread out a tarp. Behind them is a cardboard set illustrated to look like a fire.
    A group of figures dressed as firefighters spread out a tarp. Behind them is a cardboard set illustrated to look like a fire.
    Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court [A group of figures dressed as firefighters spread out a tarp. Behind them is a cardboard set illustrated to look like a fire.]
    Caption Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court
    Image description A group of figures dressed as firefighters spread out a tarp. Behind them is a cardboard set illustrated to look like a fire.
    Year 2022
    Related pages Circus Amok
  • On a white table, to the left, sits a flutter book with a dot illustration increasing in density through the pages. To the right, a TV monitor displays a black and white image of a finger pressing the space bar on a type writer.
    On a white table, to the left, sits a flutter book with a dot illustration increasing in density through the pages. To the right, a TV monitor displays a black and white image of a finger pressing the space bar on a type writer.
    The Library Vaccine. Installation view, Artists Space, 2014. [On a white table, to the left, sits a flutter book with a dot illustration increasing in density through the pages. To the right, a TV monitor displays a black and white image of a finger pressing the space bar on a type writer.]
    Caption The Library Vaccine. Installation view, Artists Space, 2014.
    Image description On a white table, to the left, sits a flutter book with a dot illustration increasing in density through the pages. To the right, a TV monitor displays a black and white image of a finger pressing the space bar on a type writer.
    Year 2014
    Related pages The Library Vaccine
  • A performer, wearing a bright headlamp, plays a theremin on stage next to a table of musical equipment.
    A performer, wearing a bright headlamp, plays a theremin on stage next to a table of musical equipment.
    Abasement #86. Performance documentation, April 6th, 2026, Artists Space. Photo: Joshua Wildman. [A performer, wearing a bright headlamp, plays a theremin on stage next to a table of musical equipment. ]
    Caption Abasement #86. Performance documentation, April 6th, 2026, Artists Space. Photo: Joshua Wildman.
    Image description A performer, wearing a bright headlamp, plays a theremin on stage next to a table of musical equipment.
    Year
    Related pages Abasement #86
  • A man holds a photograph up to his face with a microphone directly in front of him.
    A man holds a photograph up to his face with a microphone directly in front of him.
    Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979. [A man holds a photograph up to his face with a microphone directly in front of him.]
    Caption Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979.
    Image description A man holds a photograph up to his face with a microphone directly in front of him.
    Year 1979
    Related pages Patricia Hearst - A Second Reading
  • Inside a pink-hued room are three tanker desks and three rolling office chairs in a single-file line. Security monitors with color videos sit on each desk alongside small pieces of clay. In the distance, tree trunks wrapped in fabric rest on the floor and construction nets hang from the ceiling. A wooden structure and an aquarium with purple-colored lights are positioned behind the tree trunks.
    Inside a pink-hued room are three tanker desks and three rolling office chairs in a single-file line. Security monitors with color videos sit on each desk alongside small pieces of clay. In the distance, tree trunks wrapped in fabric rest on the floor and construction nets hang from the ceiling. A wooden structure and an aquarium with purple-colored lights are positioned behind the tree trunks.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022. [Inside a pink-hued room are three tanker desks and three rolling office chairs in a single-file line. Security monitors with color videos sit on each desk alongside small pieces of clay. In the distance, tree trunks wrapped in fabric rest on the floor and construction nets hang from the ceiling. A wooden structure and an aquarium with purple-colored lights are positioned behind the tree trunks.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022.
    Image description Inside a pink-hued room are three tanker desks and three rolling office chairs in a single-file line. Security monitors with color videos sit on each desk alongside small pieces of clay. In the distance, tree trunks wrapped in fabric rest on the floor and construction nets hang from the ceiling. A wooden structure and an aquarium with purple-colored lights are positioned behind the tree trunks.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • Dark blue text overlays red-pink background. The text reads: “February 18 / Natalie Diaz / Tiffany Sia.
    Dark blue text overlays red-pink background. The text reads: “February 18 / Natalie Diaz / Tiffany Sia.
    [Dark blue text overlays red-pink background. The text reads: “February 18 / Natalie Diaz / Tiffany Sia." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description Dark blue text overlays red-pink background. The text reads: “February 18 / Natalie Diaz / Tiffany Sia." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year 2023
    Related pages Segue Reading Series: Natalie Diaz & Tiffany Sia
  • Installation view of several cast concrete blocks arranged on top of one another and leaning against each other, in two groups, standing on a wood floor.
    Installation view of several cast concrete blocks arranged on top of one another and leaning against each other, in two groups, standing on a wood floor.
    Beverly Buchanan, slab works, c. 1978–1980. Cast concrete sculptures with acrylic paint. Dimensions unknown. Courtesy the Frances Mulhall Achiles Library, Artist File, Whitney Museum of American Art. [Installation view of several cast concrete blocks arranged on top of one another and leaning against each other, in two groups, standing on a wood floor.]
    Caption Beverly Buchanan, slab works, c. 1978–1980. Cast concrete sculptures with acrylic paint. Dimensions unknown. Courtesy the Frances Mulhall Achiles Library, Artist File, Whitney Museum of American Art.
    Image description Installation view of several cast concrete blocks arranged on top of one another and leaning against each other, in two groups, standing on a wood floor.
    Year
    Related pages Beverly Buchanan, 1978 – 1981
  • A cartoon outline of two hands pressed together.
    A cartoon outline of two hands pressed together.
    Dean Blunt, The Redeemer. [A cartoon outline of two hands pressed together.]
    Caption Dean Blunt, The Redeemer.
    Image description A cartoon outline of two hands pressed together.
    Year 2013
    Related pages Dean Blunt
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  • A performer plays a stringed instrument with a bow. The stage and wall behind it are bathed in blue light, created from projections of a geometric pattern.
    A performer plays a stringed instrument with a bow. The stage and wall behind it are bathed in blue light, created from projections of a geometric pattern.
    Abasement #80. Performance documentation, September 22nd, 2025, Artists Space. Photo: Joshua Wildman. [A performer plays a stringed instrument with a bow. The stage and wall behind it are bathed in blue light, created from projections of a geometric pattern.]
    Caption Abasement #80. Performance documentation, September 22nd, 2025, Artists Space. Photo: Joshua Wildman.
    Image description A performer plays a stringed instrument with a bow. The stage and wall behind it are bathed in blue light, created from projections of a geometric pattern.
    Year
    Related pages Abasement #80
  • Solo performer on stage next to a small table with a silver metal box on top. The walls are bathed in soft pink and purple light, to the right of the performer an image of a man in the style of a lithograph is projected. The performer has a green eyeball attached to their head amidst long flowing blonde hair.
    Solo performer on stage next to a small table with a silver metal box on top. The walls are bathed in soft pink and purple light, to the right of the performer an image of a man in the style of a lithograph is projected. The performer has a green eyeball attached to their head amidst long flowing blonde hair.
    Abasement #70. Performance documentation, July 1st, 2024, Artists Space. Photo: Joshua Wildman. [Solo performer on stage next to a small table with a silver metal box on top. The walls are bathed in soft pink and purple light, to the right of the performer an image of a man in the style of a lithograph is projected. The performer has a green eyeball attached to their head amidst long flowing blonde hair. ]
    Caption Abasement #70. Performance documentation, July 1st, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Solo performer on stage next to a small table with a silver metal box on top. The walls are bathed in soft pink and purple light, to the right of the performer an image of a man in the style of a lithograph is projected. The performer has a green eyeball attached to their head amidst long flowing blonde hair.
    Year
    Related pages Abasement #70
  • Collage project on mapping and migration
    Caption Collage project on mapping and migration
    Image description
    Year
    Related pages Listening to the LES
  • At the bottom of the gallery wall sits a small shelf housing a pair of construction boots that are extremely worn in and covered in white paint.
    At the bottom of the gallery wall sits a small shelf housing a pair of construction boots that are extremely worn in and covered in white paint.
    LIFE—a group show, curated by Arnold J. Kemp. Installation view (William Pope.L's boots, 2003), Artists Space, 2025. Photo: Carter Seddon [At the bottom of the gallery wall sits a small shelf housing a pair of construction boots that are extremely worn in and covered in white paint.]
    Caption LIFE—a group show, curated by Arnold J. Kemp. Installation view (William Pope.L's boots, 2003), Artists Space, 2025. Photo: Carter Seddon
    Image description At the bottom of the gallery wall sits a small shelf housing a pair of construction boots that are extremely worn in and covered in white paint.
    Year
    Related pages Arnold J. Kemp
  • A young boy with his arms outstretched leans against a wall. The wall is covered with a larger than life photograph of a crowd of people holding flags and signs, as in a protest or a rally.
    A young boy with his arms outstretched leans against a wall. The wall is covered with a larger than life photograph of a crowd of people holding flags and signs, as in a protest or a rally.
    Wish I Were Here. Photo: Alexandra Stock. [A young boy with his arms outstretched leans against a wall. The wall is covered with a larger than life photograph of a crowd of people holding flags and signs, as in a protest or a rally.]
    Caption Wish I Were Here. Photo: Alexandra Stock.
    Image description A young boy with his arms outstretched leans against a wall. The wall is covered with a larger than life photograph of a crowd of people holding flags and signs, as in a protest or a rally.
    Year 2011
    Related pages Bidoun Issue #25
  • Three large metal rectangular scuptures, hinging at an angle off the floor. A large photographic print of deer in woods hangs on the wall directly behind the sculptures.
    Three large metal rectangular scuptures, hinging at an angle off the floor. A large photographic print of deer in woods hangs on the wall directly behind the sculptures.
    Underground: Jose Gabriel Fernandez. Installation view, Artists Space, 1991. [Three large metal rectangular scuptures, hinging at an angle off the floor. A large photographic print of deer in woods hangs on the wall directly behind the sculptures.]
    Caption Underground: Jose Gabriel Fernandez. Installation view, Artists Space, 1991.
    Image description Three large metal rectangular scuptures, hinging at an angle off the floor. A large photographic print of deer in woods hangs on the wall directly behind the sculptures.
    Year 1991
    Related pages Underground: Jose Gabriel Fernandez
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  • Three large display cases exhibit various objects. The case most within sight displays a selection of drawings and handwritten pages. To the left of the case, numerous yellow note cards align to form a code.
    Three large display cases exhibit various objects. The case most within sight displays a selection of drawings and handwritten pages. To the left of the case, numerous yellow note cards align to form a code.
    Ralston Farina: Time // Time. Installation view, Artists Space, 2025. Photo: Carter Seddon. [Three large display cases exhibit various objects. The case most within sight displays a selection of drawings and handwritten pages. To the left of the case, numerous yellow note cards align to form a code. ]
    Caption Ralston Farina: Time // Time. Installation view, Artists Space, 2025. Photo: Carter Seddon.
    Image description Three large display cases exhibit various objects. The case most within sight displays a selection of drawings and handwritten pages. To the left of the case, numerous yellow note cards align to form a code.
    Year
    Related pages Ralston Farina: Time // Time
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    Related pages Abasement #77
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  • A dimly lit gallery space with wooden flooring. Several sheets of thin gray board hang from the gallery ceiling by thin wires such that they form a set of suspended display walls. The boards are arranged such that they face one another and form a hallway-like area that one can walk through. Various photographs and architectural renderings of buildings are displayed on the walls. A wall arranged to the far right of the others displays black san-serif wall text. Large header text on the wall reads, “ZAHA HADID.”
    A dimly lit gallery space with wooden flooring. Several sheets of thin gray board hang from the gallery ceiling by thin wires such that they form a set of suspended display walls. The boards are arranged such that they face one another and form a hallway-like area that one can walk through. Various photographs and architectural renderings of buildings are displayed on the walls. A wall arranged to the far right of the others displays black san-serif wall text. Large header text on the wall reads, “ZAHA HADID.”
    Zaha Hadid. Installation view, Artists Space, 2003. [A dimly lit gallery space with wooden flooring. Several sheets of thin gray board hang from the gallery ceiling by thin wires such that they form a set of suspended display walls. The boards are arranged such that they face one another and form a hallway-like area that one can walk through. Various photographs and architectural renderings of buildings are displayed on the walls. A wall arranged to the far right of the others displays black san-serif wall text. Large header text on the wall reads, “ZAHA HADID.”]
    Caption Zaha Hadid. Installation view, Artists Space, 2003.
    Image description A dimly lit gallery space with wooden flooring. Several sheets of thin gray board hang from the gallery ceiling by thin wires such that they form a set of suspended display walls. The boards are arranged such that they face one another and form a hallway-like area that one can walk through. Various photographs and architectural renderings of buildings are displayed on the walls. A wall arranged to the far right of the others displays black san-serif wall text. Large header text on the wall reads, “ZAHA HADID.”
    Year 2003
    Related pages Mainspace Architecture & Design Project Series: Zaha Hadid
  • Black and white photo of various figures in an office space. The set and costumes are in the style of the 1950s. One woman sits at a desk looking through papers, one woman sits at a typewriter. Three other figures are also in the space in casual poses.
    Black and white photo of various figures in an office space. The set and costumes are in the style of the 1950s. One woman sits at a desk looking through papers, one woman sits at a typewriter. Three other figures are also in the space in casual poses.
    Cindy Sherman. Work unknown. [Black and white photo of various figures in an office space. The set and costumes are in the style of the 1950s. One woman sits at a desk looking through papers, one woman sits at a typewriter. Three other figures are also in the space in casual poses.]
    Caption Cindy Sherman. Work unknown.
    Image description Black and white photo of various figures in an office space. The set and costumes are in the style of the 1950s. One woman sits at a desk looking through papers, one woman sits at a typewriter. Three other figures are also in the space in casual poses.
    Year
    Related pages ______ , Louise Lawler, Adrian Piper & Cindy Sherman Have Agreed to Participate in an Exhibition Organized by Janelle Reiring at Artists Space, September 23 through October 28, 1978.
  • Black and white photograph close up of white picket fence and painted dark background.
    Black and white photograph close up of white picket fence and painted dark background.
    Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Candice Hill-Montgomery. [Black and white photograph close up of white picket fence and painted dark background.]
    Caption Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Candice Hill-Montgomery.
    Image description Black and white photograph close up of white picket fence and painted dark background.
    Year 1979
    Related pages Candance Hill-Montgomery
  • A girl lays on a dark background. She wears a white leotard. Her arms are stretched straight out on either side, with her palms facing upwards. She gazes upwards, illuminated by a soft light.
    A girl lays on a dark background. She wears a white leotard. Her arms are stretched straight out on either side, with her palms facing upwards. She gazes upwards, illuminated by a soft light.
    Sarah Michelson. Devotion, 2011. Photo: Paula Court. [A girl lays on a dark background. She wears a white leotard. Her arms are stretched straight out on either side, with her palms facing upwards. She gazes upwards, illuminated by a soft light.]
    Caption Sarah Michelson. Devotion, 2011. Photo: Paula Court.
    Image description A girl lays on a dark background. She wears a white leotard. Her arms are stretched straight out on either side, with her palms facing upwards. She gazes upwards, illuminated by a soft light.
    Year 2011
    Related pages Performing Institution
  • A color photo advertisement for an Olympus OM-10 camera, depicting a woman holding the camera and smiling, looking just past the viewer. The image is titled
    A color photo advertisement for an Olympus OM-10 camera, depicting a woman holding the camera and smiling, looking just past the viewer. The image is titled
    Anne Collier, Tear Sheet, 2010, Digital C-print, 23 1/3 x 20 in / 59,2 x 50,8 cm, Signed and numbered certificate. [A color photo advertisement for an Olympus OM-10 camera, depicting a woman holding the camera and smiling, looking just past the viewer. The image is titled "CHERYL TIEGS PRAISES HER FAVORITE MODEL." A short interview is printed at the bottom right of the image, where Cheryl goes back and forth with an "interviewer" about her love of the camera.]
    Caption Anne Collier, Tear Sheet, 2010, Digital C-print, 23 1/3 x 20 in / 59,2 x 50,8 cm, Signed and numbered certificate.
    Image description A color photo advertisement for an Olympus OM-10 camera, depicting a woman holding the camera and smiling, looking just past the viewer. The image is titled "CHERYL TIEGS PRAISES HER FAVORITE MODEL." A short interview is printed at the bottom right of the image, where Cheryl goes back and forth with an "interviewer" about her love of the camera.
    Year 2010
    Related pages Artists Space Annual Edition Portfolio 2011
  • A color photograph of an installation. In front of dark green curtains, a painting in a gold frame is illuminated. To the left, a conservator's coat hangs from an easel. Several empty frames and a studio light are visible on the right.
    A color photograph of an installation. In front of dark green curtains, a painting in a gold frame is illuminated. To the left, a conservator's coat hangs from an easel. Several empty frames and a studio light are visible on the right.
    Lyndon Barrois Jr., Masters of Fine Arts, 2011/2022. Oil on canvas, artist frame, solvent transfer, plywood, curtains, frames, lights, easels, conservators coat, headlamp. Dimensions variable. Photo: Filip Wolak. [A color photograph of an installation. In front of dark green curtains, a painting in a gold frame is illuminated. To the left, a conservator's coat hangs from an easel. Several empty frames and a studio light are visible on the right.]
    Caption Lyndon Barrois Jr., Masters of Fine Arts, 2011/2022. Oil on canvas, artist frame, solvent transfer, plywood, curtains, frames, lights, easels, conservators coat, headlamp. Dimensions variable. Photo: Filip Wolak.
    Image description A color photograph of an installation. In front of dark green curtains, a painting in a gold frame is illuminated. To the left, a conservator's coat hangs from an easel. Several empty frames and a studio light are visible on the right.
    Year 2022
    Related pages Lyndon Barrois Jr.: Mirage Collar
  • A color image of a soft sculpture, placed on the floor and leanning against a blue and white wall. The sculpture depicts a Black Queer figure dressed in black, with accents of white, blue and yellow. On top of their head is a wooden brush.
    A color image of a soft sculpture, placed on the floor and leanning against a blue and white wall. The sculpture depicts a Black Queer figure dressed in black, with accents of white, blue and yellow. On top of their head is a wooden brush.
    Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view (what he thinks about when he sees him, 2023), Artists Space, 2023. Photo: Filip Wolak. [A color image of a soft sculpture, placed on the floor and leanning against a blue and white wall. The sculpture depicts a Black Queer figure dressed in black, with accents of white, blue and yellow. On top of their head is a wooden brush.]
    Caption Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view (what he thinks about when he sees him, 2023), Artists Space, 2023. Photo: Filip Wolak.
    Image description A color image of a soft sculpture, placed on the floor and leanning against a blue and white wall. The sculpture depicts a Black Queer figure dressed in black, with accents of white, blue and yellow. On top of their head is a wooden brush.
    Year
    Related pages Jonathan Lyndon Chase
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  • A grid of citrus fruits and coconuts, each cut in half to reveal the interior flesh, is presented in a variety of high contrast colors against a white ground.
    A grid of citrus fruits and coconuts, each cut in half to reveal the interior flesh, is presented in a variety of high contrast colors against a white ground.
    Guyton\Walker, Fruit Stickers for Artists Space, 2010. Set of 15 inkset printed stickers. [A grid of citrus fruits and coconuts, each cut in half to reveal the interior flesh, is presented in a variety of high contrast colors against a white ground.]
    Caption Guyton\Walker, Fruit Stickers for Artists Space, 2010. Set of 15 inkset printed stickers.
    Image description A grid of citrus fruits and coconuts, each cut in half to reveal the interior flesh, is presented in a variety of high contrast colors against a white ground.
    Year 2011
    Related pages Annual Edition Portfolio
  • A horizontal image with a flat, light blue background. On the right side is a pink, cotton candy-like image of a cloud. The word,
    A horizontal image with a flat, light blue background. On the right side is a pink, cotton candy-like image of a cloud. The word,
    Flyer for Segue Reading Series featuring Kamden Hilliard and E.J. McAdams. Saturday, November 13, 2021, Artists Space. Artist: Lonely Christopher & Venn Daniel [A horizontal image with a flat, light blue background. On the right side is a pink, cotton candy-like image of a cloud. The word, "Segue" appears in pink text on the top left side. The name, "Kamden Hilliard," is written on the center-left in large red text, while the name, "Laura Elrick," appears in purple on the center-right.]
    Caption Flyer for Segue Reading Series featuring Kamden Hilliard and E.J. McAdams. Saturday, November 13, 2021, Artists Space. Artist: Lonely Christopher & Venn Daniel
    Image description A horizontal image with a flat, light blue background. On the right side is a pink, cotton candy-like image of a cloud. The word, "Segue" appears in pink text on the top left side. The name, "Kamden Hilliard," is written on the center-left in large red text, while the name, "Laura Elrick," appears in purple on the center-right.
    Year 2021
    Related pages Segue Reading Series: Laura Elrick & E.J. McAdams
  • Black text overlays a white background with a yellow bunch of flowers in the upper left corner. The top left corner reads: “Artress Bethany White / & Cait O’Kane / April 23, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”
    Black text overlays a white background with a yellow bunch of flowers in the upper left corner. The top left corner reads: “Artress Bethany White / & Cait O’Kane / April 23, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”
    Flyer for Segue Reading Series featuring Artress Bethany White & Cait O'Kane. April 23, 2022, Artists Space. [Black text overlays a white background with a yellow bunch of flowers in the upper left corner. The top left corner reads: “Artress Bethany White / & Cait O’Kane / April 23, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”]
    Caption Flyer for Segue Reading Series featuring Artress Bethany White & Cait O'Kane. April 23, 2022, Artists Space.
    Image description Black text overlays a white background with a yellow bunch of flowers in the upper left corner. The top left corner reads: “Artress Bethany White / & Cait O’Kane / April 23, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”
    Year 2022
    Related pages Segue Reading Series: Artress Bethany White & Cait O’Kane
  • Still from video interview with Daniel Buren about the work of Christopher D'Arcangelo, conducted by Dean Inkster and Sébastien Pluot, 2010.
    Caption Still from video interview with Daniel Buren about the work of Christopher D'Arcangelo, conducted by Dean Inkster and Sébastien Pluot, 2010.
    Image description
    Year
    Related pages Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979)
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  • The busts of two figures are drawn in black ink in front of a grey background. Below each figure is a text bubble that read: [below figure on left]
    The busts of two figures are drawn in black ink in front of a grey background. Below each figure is a text bubble that read: [below figure on left]
    Amy Sillman, Turtlenecks, 2007, Archival ink jet on Somerset Paper, 11 1/4 x 17 1/2 inches (28.6 x 44.5 cm), Edition of 17, 10 AP, 1 BAT, Courtesy the artist and Sikkema Jenkins & Co., Printed by Jean-Yves Noblet Contemporary Prints. [The busts of two figures are drawn in black ink in front of a grey background. Below each figure is a text bubble that read: [below figure on left] "When did you get here?" [below figure on right] "Are you going to Basel?" At the bottom, center of the page is written "Turtlenecks."]
    Caption Amy Sillman, Turtlenecks, 2007, Archival ink jet on Somerset Paper, 11 1/4 x 17 1/2 inches (28.6 x 44.5 cm), Edition of 17, 10 AP, 1 BAT, Courtesy the artist and Sikkema Jenkins & Co., Printed by Jean-Yves Noblet Contemporary Prints.
    Image description The busts of two figures are drawn in black ink in front of a grey background. Below each figure is a text bubble that read: [below figure on left] "When did you get here?" [below figure on right] "Are you going to Basel?" At the bottom, center of the page is written "Turtlenecks."
    Year 2007
    Related pages Editions
  • A dark room with a screen projection showing an image of a man with a partially cut out button down shirt. The sleeves and top button are intact, with the chest and torso bare except for three elastic strips spaced out spanning the torso.
    A dark room with a screen projection showing an image of a man with a partially cut out button down shirt. The sleeves and top button are intact, with the chest and torso bare except for three elastic strips spaced out spanning the torso.
    The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich. [A dark room with a screen projection showing an image of a man with a partially cut out button down shirt. The sleeves and top button are intact, with the chest and torso bare except for three elastic strips spaced out spanning the torso.]
    Caption The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich.
    Image description A dark room with a screen projection showing an image of a man with a partially cut out button down shirt. The sleeves and top button are intact, with the chest and torso bare except for three elastic strips spaced out spanning the torso.
    Year 2008
    Related pages The New Normal
  • A photograph of paintings hanging on the walls of a large gallery space with white walls. The work closest to the camera is a realistic painting of a baby, shown for the waist up.
    A photograph of paintings hanging on the walls of a large gallery space with white walls. The work closest to the camera is a realistic painting of a baby, shown for the waist up.
    Selections from the Artists File. Installation view, Artists Space, 1989. [A photograph of paintings hanging on the walls of a large gallery space with white walls. The work closest to the camera is a realistic painting of a baby, shown for the waist up.]
    Caption Selections from the Artists File. Installation view, Artists Space, 1989.
    Image description A photograph of paintings hanging on the walls of a large gallery space with white walls. The work closest to the camera is a realistic painting of a baby, shown for the waist up.
    Year 1989
    Related pages Selections from the Artist File
  • A cut-out reproduction of a painting depicting a figure being beheaded is collaged over a black and white photograph of a renaissance style interior. Black text over the top half of the image reads
    A cut-out reproduction of a painting depicting a figure being beheaded is collaged over a black and white photograph of a renaissance style interior. Black text over the top half of the image reads
    Flyer for Segue Reading Series featuring Michael Gottlieb and Duriel E. Harris. Saturday, October 3, 2020, Artists Space. Artist: Keith Higginbotham [A cut-out reproduction of a painting depicting a figure being beheaded is collaged over a black and white photograph of a renaissance style interior. Black text over the top half of the image reads "Michael Gottlieb / Duriel E. Harris," and in the bottom corner black text reads "Segue."]
    Caption Flyer for Segue Reading Series featuring Michael Gottlieb and Duriel E. Harris. Saturday, October 3, 2020, Artists Space. Artist: Keith Higginbotham
    Image description A cut-out reproduction of a painting depicting a figure being beheaded is collaged over a black and white photograph of a renaissance style interior. Black text over the top half of the image reads "Michael Gottlieb / Duriel E. Harris," and in the bottom corner black text reads "Segue."
    Year 2020
    Related pages Segue Reading Series: Michael Gottlieb & Duriel E. Harris
  • A painting in color of two Black Queer people in a red interior setting. One of them, wearing gray underpants, gazes out of the picture plane, while another profile of their head turned to the right is superimposed. The barber on their right is shaping the seated person’s hair with clippers. The rounded edge of a tabletop with a mirror, comb, and shears atop of it is pictured to the left of the image. A single window depicting snowfall at night can be seen behind the two Black Queer figures.
    A painting in color of two Black Queer people in a red interior setting. One of them, wearing gray underpants, gazes out of the picture plane, while another profile of their head turned to the right is superimposed. The barber on their right is shaping the seated person’s hair with clippers. The rounded edge of a tabletop with a mirror, comb, and shears atop of it is pictured to the left of the image. A single window depicting snowfall at night can be seen behind the two Black Queer figures.
    Jonathan Lyndon Chase, The Shape Up, 2023. Courtesy of the artist and Company Gallery, New York. [A painting in color of two Black Queer people in a red interior setting. One of them, wearing gray underpants, gazes out of the picture plane, while another profile of their head turned to the right is superimposed. The barber on their right is shaping the seated person’s hair with clippers. The rounded edge of a tabletop with a mirror, comb, and shears atop of it is pictured to the left of the image. A single window depicting snowfall at night can be seen behind the two Black Queer figures.]
    Caption Jonathan Lyndon Chase, The Shape Up, 2023. Courtesy of the artist and Company Gallery, New York.
    Image description A painting in color of two Black Queer people in a red interior setting. One of them, wearing gray underpants, gazes out of the picture plane, while another profile of their head turned to the right is superimposed. The barber on their right is shaping the seated person’s hair with clippers. The rounded edge of a tabletop with a mirror, comb, and shears atop of it is pictured to the left of the image. A single window depicting snowfall at night can be seen behind the two Black Queer figures.
    Year
    Related pages Jonathan Lyndon Chase
  • Black and white photograph of white picket fence with dark painted background behind it.
    Black and white photograph of white picket fence with dark painted background behind it.
    Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Candice Hill-Montgomery. [Black and white photograph of white picket fence with dark painted background behind it.]
    Caption Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Candice Hill-Montgomery.
    Image description Black and white photograph of white picket fence with dark painted background behind it.
    Year 1979
    Related pages Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach
  • A close-up color image of two figures performing. One plays the drums, and the second figure plays the double bass. To their right, a large black speaker, and a microphone. Images are projected onto the back wall. The room is illuminated with red and blue light.
    A close-up color image of two figures performing. One plays the drums, and the second figure plays the double bass. To their right, a large black speaker, and a microphone. Images are projected onto the back wall. The room is illuminated with red and blue light.
    Abasement #66. Performance documentation, October 9, 2023, Artists Space. Photo: Joshua Wildman. [A close-up color image of two figures performing. One plays the drums, and the second figure plays the double bass. To their right, a large black speaker, and a microphone. Images are projected onto the back wall. The room is illuminated with red and blue light.]
    Caption Abasement #66. Performance documentation, October 9, 2023, Artists Space. Photo: Joshua Wildman.
    Image description A close-up color image of two figures performing. One plays the drums, and the second figure plays the double bass. To their right, a large black speaker, and a microphone. Images are projected onto the back wall. The room is illuminated with red and blue light.
    Year
    Related pages Abasement #66
  • Kayla, digital photograph, 2023
    Caption Kayla, digital photograph, 2023
    Image description
    Year
    Related pages BRIDGE Photography
  • A black and white photograph of a small photograph against a white surface. The image pictured features the faces of two figures.
    A black and white photograph of a small photograph against a white surface. The image pictured features the faces of two figures.
    Work by Susan Eder. From Susan Eder, Matt Mullican Artists Space, 1976. [A black and white photograph of a small photograph against a white surface. The image pictured features the faces of two figures.]
    Caption Work by Susan Eder. From Susan Eder, Matt Mullican Artists Space, 1976.
    Image description A black and white photograph of a small photograph against a white surface. The image pictured features the faces of two figures.
    Year 1976
    Related pages Susan Eder, Matt Mullican
  • Black text on a green background. The text reads: “Jan 25 / Ted Rees / Jimin Seo.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on a green background. The text reads: “Jan 25 / Ted Rees / Jimin Seo.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on a green background. The text reads: “Jan 25 / Ted Rees / Jimin Seo.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on a green background. The text reads: “Jan 25 / Ted Rees / Jimin Seo.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Ted Rees & Jimin Seo
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    Year
    Related pages ARTstudio
  • Color photograph of three figures, wearing conical costumes made of reflective one-way mirror film, standing at the doorways of a gallery space.
    Color photograph of three figures, wearing conical costumes made of reflective one-way mirror film, standing at the doorways of a gallery space.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of three figures, wearing conical costumes made of reflective one-way mirror film, standing at the doorways of a gallery space.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of three figures, wearing conical costumes made of reflective one-way mirror film, standing at the doorways of a gallery space.
    Year 2022
    Related pages keyon gaskin 12-18
  • Black-and-white image of a figure in a long black coat bending down and drawing a hop scotch pattern in an alleyway using white chalk.
    Black-and-white image of a figure in a long black coat bending down and drawing a hop scotch pattern in an alleyway using white chalk.
    Kenji Kanesaka, still from Hop Scotch, 1967 [Black-and-white image of a figure in a long black coat bending down and drawing a hop scotch pattern in an alleyway using white chalk.]
    Caption Kenji Kanesaka, still from Hop Scotch, 1967
    Image description Black-and-white image of a figure in a long black coat bending down and drawing a hop scotch pattern in an alleyway using white chalk.
    Year
    Related pages Yasunao Tone Weekend
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Two white panels of canvas positioned together to form a square shape. Both canvases display an organic pink form. Parts of the canvas within the pink shapes stretch outwards to form protruding circular and ovular, knob-like shapes.
    Two white panels of canvas positioned together to form a square shape. Both canvases display an organic pink form. Parts of the canvas within the pink shapes stretch outwards to form protruding circular and ovular, knob-like shapes.
    Zilia Sánchez. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [Two white panels of canvas positioned together to form a square shape. Both canvases display an organic pink form. Parts of the canvas within the pink shapes stretch outwards to form protruding circular and ovular, knob-like shapes.]
    Caption Zilia Sánchez. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description Two white panels of canvas positioned together to form a square shape. Both canvases display an organic pink form. Parts of the canvas within the pink shapes stretch outwards to form protruding circular and ovular, knob-like shapes.
    Year 2013
    Related pages Zilia Sánchez
  • The corner of a room with two white walls. On one wall, there is a white collared shirt on a hanger, a black and white abstract image, and a small white sculpture.
    The corner of a room with two white walls. On one wall, there is a white collared shirt on a hanger, a black and white abstract image, and a small white sculpture.
    Paper Exhibition. Installation view, Artists Space, 2009. Photo: Adam Reich. [The corner of a room with two white walls. On one wall, there is a white collared shirt on a hanger, a black and white abstract image, and a small white sculpture.]
    Caption Paper Exhibition. Installation view, Artists Space, 2009. Photo: Adam Reich.
    Image description The corner of a room with two white walls. On one wall, there is a white collared shirt on a hanger, a black and white abstract image, and a small white sculpture.
    Year 2009
    Related pages Paper Exhibition
  • A white book cover with patterned text reading,
    A white book cover with patterned text reading,
    Pop or Populus: Art Between High and Low, by Bettina Funcke, published by Sternberg Press, 2009. [A white book cover with patterned text reading, "Pop or Populus." In between these words, small black text reads, "Art between High and Low" and "Betinna Funcke".]
    Caption Pop or Populus: Art Between High and Low, by Bettina Funcke, published by Sternberg Press, 2009.
    Image description A white book cover with patterned text reading, "Pop or Populus." In between these words, small black text reads, "Art between High and Low" and "Betinna Funcke".
    Year 2009
    Related pages Pop or Populus: Art Between High and Low
  • A black and white photograph of a metal rod with the word
    A black and white photograph of a metal rod with the word
    Robert Longo, Burning Word: Device for Young Artists, c. 1977. Cast metal. [A black and white photograph of a metal rod with the word "believe" attached to the end. A shadow spelling out "believe" is cast onto a white background.]
    Caption Robert Longo, Burning Word: Device for Young Artists, c. 1977. Cast metal.
    Image description A black and white photograph of a metal rod with the word "believe" attached to the end. A shadow spelling out "believe" is cast onto a white background.
    Year 1977
    Related pages New Art Auction and Exhibition
  • Sepia toned image of a figure leaning over and biting the neck and shoulder of another figure that leans back, their face contorted in pain.
    Sepia toned image of a figure leaning over and biting the neck and shoulder of another figure that leans back, their face contorted in pain.
    Masao Adachi, Galaxy, 1967 [Sepia toned image of a figure leaning over and biting the neck and shoulder of another figure that leans back, their face contorted in pain.]
    Caption Masao Adachi, Galaxy, 1967
    Image description Sepia toned image of a figure leaning over and biting the neck and shoulder of another figure that leans back, their face contorted in pain.
    Year
    Related pages Yasunao Tone Film Screening #3
  • An image of a mixed-media sculpture.
    An image of a mixed-media sculpture.
    James Luna, High-Tech-Peace-Pipe, 2000, mixed media, touch-tone phone, pipe, dimensions variable. Photo: Filip Wolak [An image of a mixed-media sculpture.]
    Caption James Luna, High-Tech-Peace-Pipe, 2000, mixed media, touch-tone phone, pipe, dimensions variable. Photo: Filip Wolak
    Image description An image of a mixed-media sculpture.
    Year 2022
    Related pages Attention Line
  • A black and white image of an antique wooden chair with a plush seat. A mold of a human brain emerges from the center of the chair's cushion.
    A black and white image of an antique wooden chair with a plush seat. A mold of a human brain emerges from the center of the chair's cushion.
    AIDS Forum: Danny Dries - Generic Memorial (for WM. Schwedler, 1942-1982). Installation view, Artists Space, 1992. [A black and white image of an antique wooden chair with a plush seat. A mold of a human brain emerges from the center of the chair's cushion.]
    Caption AIDS Forum: Danny Dries - Generic Memorial (for WM. Schwedler, 1942-1982). Installation view, Artists Space, 1992.
    Image description A black and white image of an antique wooden chair with a plush seat. A mold of a human brain emerges from the center of the chair's cushion.
    Year
    Related pages AIDS FORUM: Generic Memorial (for WM. Schwedler, 1942-1982)
  • A crowd of people standing outside in Cortlandt Alley surrounding several performers. The performers are mixed in with the crowd, holding metal poles, some looking at a baby doll which is photographed in midair after being thrown upwards.
    A crowd of people standing outside in Cortlandt Alley surrounding several performers. The performers are mixed in with the crowd, holding metal poles, some looking at a baby doll which is photographed in midair after being thrown upwards.
    Ei Arakawa: WEWORK BABIES. Performance documentation, December 8, 2019, Artists Space. Photo © 2019 Paula Court. [A crowd of people standing outside in Cortlandt Alley surrounding several performers. The performers are mixed in with the crowd, holding metal poles, some looking at a baby doll which is photographed in midair after being thrown upwards.]
    Caption Ei Arakawa: WEWORK BABIES. Performance documentation, December 8, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description A crowd of people standing outside in Cortlandt Alley surrounding several performers. The performers are mixed in with the crowd, holding metal poles, some looking at a baby doll which is photographed in midair after being thrown upwards.
    Year 2019
    Related pages Ei Arakawa: WEWORK BABIES (11 Cortlandt Alley)
  • A double exposure divides a photograph into two scenes. On the left, a man reclines against a floral patterned ground next to a tray with a lobster. The man on the right holds a pair of sunglasses in his right hand while gazing towards a drink on the table in front of him.
    A double exposure divides a photograph into two scenes. On the left, a man reclines against a floral patterned ground next to a tray with a lobster. The man on the right holds a pair of sunglasses in his right hand while gazing towards a drink on the table in front of him.
    Jack Smith, Untitled, 35mm slide, c. 1980. Copyright: Jack Smith Archive. Courtesy Gladstone Gallery, New York and Brussels. [A double exposure divides a photograph into two scenes. On the left, a man reclines against a floral patterned ground next to a tray with a lobster. The man on the right holds a pair of sunglasses in his right hand while gazing towards a drink on the table in front of him.]
    Caption Jack Smith, Untitled, 35mm slide, c. 1980. Copyright: Jack Smith Archive. Courtesy Gladstone Gallery, New York and Brussels.
    Image description A double exposure divides a photograph into two scenes. On the left, a man reclines against a floral patterned ground next to a tray with a lobster. The man on the right holds a pair of sunglasses in his right hand while gazing towards a drink on the table in front of him.
    Year 1980
    Related pages Jack Smith: Art Crust of Spiritual Oasis
  • Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They wave a red object in the air.
    Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They wave a red object in the air.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They wave a red object in the air.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They wave a red object in the air.
    Year
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • An audience observes two performers playing a keyboard and a bass on stage. The performers are seated at an angle towards each other, and the stage is bathed in orange light and blue cloud-like patterns.
    An audience observes two performers playing a keyboard and a bass on stage. The performers are seated at an angle towards each other, and the stage is bathed in orange light and blue cloud-like patterns.
    Abasement #83. Performance documentation, January 5th, 2026, Artists Space. Photo: Joshua Wildman. [An audience observes two performers playing a keyboard and a bass on stage. The performers are seated at an angle towards each other, and the stage is bathed in orange light and blue cloud-like patterns. ]
    Caption Abasement #83. Performance documentation, January 5th, 2026, Artists Space. Photo: Joshua Wildman.
    Image description An audience observes two performers playing a keyboard and a bass on stage. The performers are seated at an angle towards each other, and the stage is bathed in orange light and blue cloud-like patterns.
    Year
    Related pages Abasement #83
  • A dimly lit room with a projection facing the front. The projection displays neon words that are slightly distorted, the legible text reads
    A dimly lit room with a projection facing the front. The projection displays neon words that are slightly distorted, the legible text reads
    Union Gaucha Productions. Installation view, Artists Space, 2015. Photo: Daniel Pérez. [A dimly lit room with a projection facing the front. The projection displays neon words that are slightly distorted, the legible text reads "Removes.....eight straight...."]
    Caption Union Gaucha Productions. Installation view, Artists Space, 2015. Photo: Daniel Pérez.
    Image description A dimly lit room with a projection facing the front. The projection displays neon words that are slightly distorted, the legible text reads "Removes.....eight straight...."
    Year 2015
    Related pages Union Gaucha Productions
  • A figure in a blue morph suit kneels down next to a wooden table and looks off to the right. Audience members sit along the floor in the background.
    A figure in a blue morph suit kneels down next to a wooden table and looks off to the right. Audience members sit along the floor in the background.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [A figure in a blue morph suit kneels down next to a wooden table and looks off to the right. Audience members sit along the floor in the background.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description A figure in a blue morph suit kneels down next to a wooden table and looks off to the right. Audience members sit along the floor in the background.
    Year 2022
    Related pages SCRAAATCH 12-3
  • Five people, two standing and three in folding chairs, painting the partially formed words
    Five people, two standing and three in folding chairs, painting the partially formed words
    Claire Fontaine, Greve Humaine (Interrompue), 2009. [Five people, two standing and three in folding chairs, painting the partially formed words "GREVE H" in brown on white walls. Assorted debris is scattered on the floor around them.]
    Caption Claire Fontaine, Greve Humaine (Interrompue), 2009.
    Image description Five people, two standing and three in folding chairs, painting the partially formed words "GREVE H" in brown on white walls. Assorted debris is scattered on the floor around them.
    Year 2009
    Related pages Claire Fontaine on "human strike"
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    Image description
    Year
    Related pages Michael Asher
  • Color photograph of three figures, wearing all white, performing in a dark gallery space. The leftmost figure lays on the floor with their legs spread and hands pushing their chest up. On the right, a figure with a flashlight around their hips stands with their shoulders and head flung back. The third figure contorts their body on the floor in the rightmost corner.
    Color photograph of three figures, wearing all white, performing in a dark gallery space. The leftmost figure lays on the floor with their legs spread and hands pushing their chest up. On the right, a figure with a flashlight around their hips stands with their shoulders and head flung back. The third figure contorts their body on the floor in the rightmost corner.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of three figures, wearing all white, performing in a dark gallery space. The leftmost figure lays on the floor with their legs spread and hands pushing their chest up. On the right, a figure with a flashlight around their hips stands with their shoulders and head flung back. The third figure contorts their body on the floor in the rightmost corner.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of three figures, wearing all white, performing in a dark gallery space. The leftmost figure lays on the floor with their legs spread and hands pushing their chest up. On the right, a figure with a flashlight around their hips stands with their shoulders and head flung back. The third figure contorts their body on the floor in the rightmost corner.
    Year 2022
    Related pages keyon gaskin 12-14
  • A figure in overalls leans forward to paint broad strokes of lighter paint on a black tarp hung on a wall. Painting supplies sit on a table directly behind them.
    A figure in overalls leans forward to paint broad strokes of lighter paint on a black tarp hung on a wall. Painting supplies sit on a table directly behind them.
    Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [A figure in overalls leans forward to paint broad strokes of lighter paint on a black tarp hung on a wall. Painting supplies sit on a table directly behind them.]
    Caption Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description A figure in overalls leans forward to paint broad strokes of lighter paint on a black tarp hung on a wall. Painting supplies sit on a table directly behind them.
    Year 2019
    Related pages Speaker Music: drape over another
  • Color image of a video installation in the center of the floor of a gallery. A walkway made of plywood runs along the edges of the room, encircling the projection. The projection depicts a mirrored negative film image. The image features an assortment of abstracted objects arranged on a blue background.
    Color image of a video installation in the center of the floor of a gallery. A walkway made of plywood runs along the edges of the room, encircling the projection. The projection depicts a mirrored negative film image. The image features an assortment of abstracted objects arranged on a blue background.
    Crystal Z Campbell: Ode to the Underloved. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color image of a video installation in the center of the floor of a gallery. A walkway made of plywood runs along the edges of the room, encircling the projection. The projection depicts a mirrored negative film image. The image features an assortment of abstracted objects arranged on a blue background.]
    Caption Crystal Z Campbell: Ode to the Underloved. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color image of a video installation in the center of the floor of a gallery. A walkway made of plywood runs along the edges of the room, encircling the projection. The projection depicts a mirrored negative film image. The image features an assortment of abstracted objects arranged on a blue background.
    Year
    Related pages Crystal Z Campbell
  • Several drawings and small paintings pinnned to the outside of a cabinet depicting city scenes, portraits, and still life images.
    Several drawings and small paintings pinnned to the outside of a cabinet depicting city scenes, portraits, and still life images.
    Classroom wall at PS140 Nathan Straus, with work from students in the Portfolio Development program. [Several drawings and small paintings pinnned to the outside of a cabinet depicting city scenes, portraits, and still life images.]
    Caption Classroom wall at PS140 Nathan Straus, with work from students in the Portfolio Development program.
    Image description Several drawings and small paintings pinnned to the outside of a cabinet depicting city scenes, portraits, and still life images.
    Year 2014
    Related pages The Importance of Art Education
  • A color image of a man and a woman standing facing each other. The man in the red shirt, with his back facing the viewers, points to himself; the woman in the blue top puts her hands on her hips and stares back at the man. A reflection of the man's irate facial expression is cast on a glass surface, overlapping onto the woman's body.
    A color image of a man and a woman standing facing each other. The man in the red shirt, with his back facing the viewers, points to himself; the woman in the blue top puts her hands on her hips and stares back at the man. A reflection of the man's irate facial expression is cast on a glass surface, overlapping onto the woman's body.
    Manuel De Landa, still from The Itch Scratch Itch Cycle, 1976, 16mm, color, sound, 8 minutes. [A color image of a man and a woman standing facing each other. The man in the red shirt, with his back facing the viewers, points to himself; the woman in the blue top puts her hands on her hips and stares back at the man. A reflection of the man's irate facial expression is cast on a glass surface, overlapping onto the woman's body.]
    Caption Manuel De Landa, still from The Itch Scratch Itch Cycle, 1976, 16mm, color, sound, 8 minutes.
    Image description A color image of a man and a woman standing facing each other. The man in the red shirt, with his back facing the viewers, points to himself; the woman in the blue top puts her hands on her hips and stares back at the man. A reflection of the man's irate facial expression is cast on a glass surface, overlapping onto the woman's body.
    Year
    Related pages Attention Line Cinema Series: Manuel DeLanda
  • In a dark room with a black wall and wood floor, there is a spotlight shining on two frog plushies. One sits horizontally in the lap of another who is seated in a director's chair. Two more director's chairs, not illuminated, sit facing the frogs. The spotlight, the chairs, and the frogs all appear miniature-sized.
    In a dark room with a black wall and wood floor, there is a spotlight shining on two frog plushies. One sits horizontally in the lap of another who is seated in a director's chair. Two more director's chairs, not illuminated, sit facing the frogs. The spotlight, the chairs, and the frogs all appear miniature-sized.
    Aristotelis Nikolas Mochloulis, Frog Man and Baby Frog, 2025, Michigan J. Frog plushies, miniature directors chairs, ARRI 150W light, Manfrotto Nano light stand. [In a dark room with a black wall and wood floor, there is a spotlight shining on two frog plushies. One sits horizontally in the lap of another who is seated in a director's chair. Two more director's chairs, not illuminated, sit facing the frogs. The spotlight, the chairs, and the frogs all appear miniature-sized.]
    Caption Aristotelis Nikolas Mochloulis, Frog Man and Baby Frog, 2025, Michigan J. Frog plushies, miniature directors chairs, ARRI 150W light, Manfrotto Nano light stand.
    Image description In a dark room with a black wall and wood floor, there is a spotlight shining on two frog plushies. One sits horizontally in the lap of another who is seated in a director's chair. Two more director's chairs, not illuminated, sit facing the frogs. The spotlight, the chairs, and the frogs all appear miniature-sized.
    Year 2024
    Related pages Nandi Loaf Aristotelis Nikolas Mochloulis Ricardo Nagaoka Sydney Schrader
  • A gray television sits on a rectangular wooden board. There is a mass of wires extending from the back of it snaking towards a pile of nearby photographs. On one white wall opposite, there are two identical images. Leaning on the other white wall is a framed photograph of two books, a wooden rectangle, and a photograph stacked vertically on each other. There is a second photograph offset to the right.
    A gray television sits on a rectangular wooden board. There is a mass of wires extending from the back of it snaking towards a pile of nearby photographs. On one white wall opposite, there are two identical images. Leaning on the other white wall is a framed photograph of two books, a wooden rectangle, and a photograph stacked vertically on each other. There is a second photograph offset to the right.
    Replica of a Lost Original. Installation view, Artists Space, 2007. Photo: Bill Orcutt. [A gray television sits on a rectangular wooden board. There is a mass of wires extending from the back of it snaking towards a pile of nearby photographs. On one white wall opposite, there are two identical images. Leaning on the other white wall is a framed photograph of two books, a wooden rectangle, and a photograph stacked vertically on each other. There is a second photograph offset to the right.]
    Caption Replica of a Lost Original. Installation view, Artists Space, 2007. Photo: Bill Orcutt.
    Image description A gray television sits on a rectangular wooden board. There is a mass of wires extending from the back of it snaking towards a pile of nearby photographs. On one white wall opposite, there are two identical images. Leaning on the other white wall is a framed photograph of two books, a wooden rectangle, and a photograph stacked vertically on each other. There is a second photograph offset to the right.
    Year 2007
    Related pages Replica of a Lost Original
  • figure in a blue dress sits behind a white table, facing an audience. On the wall behind the presenter is a projected video that depicts an array of dried coral pieces on the left, and next to them a hand places a paper with illustrations of coral and a chart with notes underneath.
    figure in a blue dress sits behind a white table, facing an audience. On the wall behind the presenter is a projected video that depicts an array of dried coral pieces on the left, and next to them a hand places a paper with illustrations of coral and a chart with notes underneath.
    Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang. [figure in a blue dress sits behind a white table, facing an audience. On the wall behind the presenter is a projected video that depicts an array of dried coral pieces on the left, and next to them a hand places a paper with illustrations of coral and a chart with notes underneath.]
    Caption Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang.
    Image description figure in a blue dress sits behind a white table, facing an audience. On the wall behind the presenter is a projected video that depicts an array of dried coral pieces on the left, and next to them a hand places a paper with illustrations of coral and a chart with notes underneath.
    Year
    Related pages Chang Yuchen: Coral Dictionary Vol. 1, 2019-2022
  • Aerial view of three long dining tables with rows of candlebras running down the middle of each. Rows of seated guests on each side of the tables are chatting and having dinner.
    Aerial view of three long dining tables with rows of candlebras running down the middle of each. Rows of seated guests on each side of the tables are chatting and having dinner.
    Hall of Records, Friends of Artists Space Dinner, 2025. Photo: Jenna Bascom. [Aerial view of three long dining tables with rows of candlebras running down the middle of each. Rows of seated guests on each side of the tables are chatting and having dinner. ]
    Caption Hall of Records, Friends of Artists Space Dinner, 2025. Photo: Jenna Bascom.
    Image description Aerial view of three long dining tables with rows of candlebras running down the middle of each. Rows of seated guests on each side of the tables are chatting and having dinner.
    Year
    Related pages Friends of Artists Space Dinner
  • A room full of audience members in a pink-tinted room. The people in the front are sitting, and the ones behind are standing close together. Many people are clapping. The room is filled with patterns of white dots reflecting from a disco ball.
    A room full of audience members in a pink-tinted room. The people in the front are sitting, and the ones behind are standing close together. Many people are clapping. The room is filled with patterns of white dots reflecting from a disco ball.
    Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman. [A room full of audience members in a pink-tinted room. The people in the front are sitting, and the ones behind are standing close together. Many people are clapping. The room is filled with patterns of white dots reflecting from a disco ball.]
    Caption Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman.
    Image description A room full of audience members in a pink-tinted room. The people in the front are sitting, and the ones behind are standing close together. Many people are clapping. The room is filled with patterns of white dots reflecting from a disco ball.
    Year
    Related pages Abasement #74
  • A gray wall with dozens of drawings arranged in rows of four. The drawings depict single buildings in black on white paper. In front of the wall, a gray object stands on a white plinth.
    A gray wall with dozens of drawings arranged in rows of four. The drawings depict single buildings in black on white paper. In front of the wall, a gray object stands on a white plinth.
    Local Transit. Installation view, Artists Space, 2006. [A gray wall with dozens of drawings arranged in rows of four. The drawings depict single buildings in black on white paper. In front of the wall, a gray object stands on a white plinth.]
    Caption Local Transit. Installation view, Artists Space, 2006.
    Image description A gray wall with dozens of drawings arranged in rows of four. The drawings depict single buildings in black on white paper. In front of the wall, a gray object stands on a white plinth.
    Year 2006
    Related pages Local Transit: An Exhibition in Two Parts
  • A photo and drawing collage featuring the image of a man in contrapposto with a phone to one ear. In the background, stairs leads into an arched passageway.
    A photo and drawing collage featuring the image of a man in contrapposto with a phone to one ear. In the background, stairs leads into an arched passageway.
    Richard Hawkins, Sarrasine 3, 2013, Archival pigment print on Sunset Cotton Etch 285 gsm with collage element on Hahnemühle Photo Rag 188 gsm, 19 x 16 inches, Signed and numbered [A photo and drawing collage featuring the image of a man in contrapposto with a phone to one ear. In the background, stairs leads into an arched passageway.]
    Caption Richard Hawkins, Sarrasine 3, 2013, Archival pigment print on Sunset Cotton Etch 285 gsm with collage element on Hahnemühle Photo Rag 188 gsm, 19 x 16 inches, Signed and numbered
    Image description A photo and drawing collage featuring the image of a man in contrapposto with a phone to one ear. In the background, stairs leads into an arched passageway.
    Year 2014
    Related pages Artists Space Annual Edition Portfolio 2013
  • A poster showing a silver car driving through a selection of press clippings from newspapers on a blue background. At the top of the image, there is white text that reads,
    A poster showing a silver car driving through a selection of press clippings from newspapers on a blue background. At the top of the image, there is white text that reads,
    Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A poster showing a silver car driving through a selection of press clippings from newspapers on a blue background. At the top of the image, there is white text that reads, "PRESENTING AMERICA'S MOST TALKED ABOUT CAR!" At the bottom, white text reads, "DELOREAN."]
    Caption Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description A poster showing a silver car driving through a selection of press clippings from newspapers on a blue background. At the top of the image, there is white text that reads, "PRESENTING AMERICA'S MOST TALKED ABOUT CAR!" At the bottom, white text reads, "DELOREAN."
    Year 2010
    Related pages Duncan Campbell: Make It New John
  • Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “May 4 / Nature Theater of Oklahoma / Violet Spurlock.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “May 4 / Nature Theater of Oklahoma / Violet Spurlock.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “May 4 / Nature Theater of Oklahoma / Violet Spurlock.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “May 4 / Nature Theater of Oklahoma / Violet Spurlock.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Nature Theater of Oklahoma & Violet Spurlock
  • Color photograph of visitors standing around a gallery space, conversing and studying the works on the wall.
    Color photograph of visitors standing around a gallery space, conversing and studying the works on the wall.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of visitors standing around a gallery space, conversing and studying the works on the wall.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of visitors standing around a gallery space, conversing and studying the works on the wall.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • A block of cheese sitting on a white plate on a wooden table. There are several Band-Aids covering the holes on the block of cheese.
    A block of cheese sitting on a white plate on a wooden table. There are several Band-Aids covering the holes on the block of cheese.
    Praydoliub Ivanov, Pessimism No More (detail), 2002. [A block of cheese sitting on a white plate on a wooden table. There are several Band-Aids covering the holes on the block of cheese.]
    Caption Praydoliub Ivanov, Pessimism No More (detail), 2002.
    Image description A block of cheese sitting on a white plate on a wooden table. There are several Band-Aids covering the holes on the block of cheese.
    Year 2002
    Related pages Flipside
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Magazine cut-outs and ink drawings are collaged together on a background of beige, yellow, orange, green, and red paper. Small pieces of paper with red typewritten text listing the performers and event details are scattered around the flyer.
    Magazine cut-outs and ink drawings are collaged together on a background of beige, yellow, orange, green, and red paper. Small pieces of paper with red typewritten text listing the performers and event details are scattered around the flyer.
    Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a background of beige, yellow, orange, green, and red paper. Small pieces of paper with red typewritten text listing the performers and event details are scattered around the flyer.]
    Caption Flyer by Joe Frivaldi.
    Image description Magazine cut-outs and ink drawings are collaged together on a background of beige, yellow, orange, green, and red paper. Small pieces of paper with red typewritten text listing the performers and event details are scattered around the flyer.
    Year
    Related pages Abasement #83
  • Yellow text on a blurry black-and-white photograph. The photograph features a figure standing against a background of trees. The text contains the event details.
    Yellow text on a blurry black-and-white photograph. The photograph features a figure standing against a background of trees. The text contains the event details.
    Flyer for Basie Allen: Palm-Lined with Potience (2nd Edition) Book Launch. [Yellow text on a blurry black-and-white photograph. The photograph features a figure standing against a background of trees. The text contains the event details.]
    Caption Flyer for Basie Allen: Palm-Lined with Potience (2nd Edition) Book Launch.
    Image description Yellow text on a blurry black-and-white photograph. The photograph features a figure standing against a background of trees. The text contains the event details.
    Year
    Related pages Palm-Lined with Potience (2nd Edition)
  • Abstract painting with green filling most of the space with red lines emerging from the center outward.
    Abstract painting with green filling most of the space with red lines emerging from the center outward.
    Calvert Coggeshall. Untitled (green, red), 1987. Oil on canvas. [Abstract painting with green filling most of the space with red lines emerging from the center outward.]
    Caption Calvert Coggeshall. Untitled (green, red), 1987. Oil on canvas.
    Image description Abstract painting with green filling most of the space with red lines emerging from the center outward.
    Year
    Related pages Calvert Coggeshall and Frederick Hammersley: Painting
  • Four pornographic illustrations of men in jail cells are framed on the wall.
    Four pornographic illustrations of men in jail cells are framed on the wall.
    Tom of Finland: The Pleasure of Play. Installation view, Artists Space, 2015. [Four pornographic illustrations of men in jail cells are framed on the wall.]
    Caption Tom of Finland: The Pleasure of Play. Installation view, Artists Space, 2015.
    Image description Four pornographic illustrations of men in jail cells are framed on the wall.
    Year 2015
    Related pages Tom of Finland: The Pleasure of Play
  • A close up of a store display planter stuffed with Gap clothing store bags and crumpled documents.
    A close up of a store display planter stuffed with Gap clothing store bags and crumpled documents.
    ART CLUB2000 Plantar, 1993 Slatwall, mirror, spider plant, shopping bags Image courtesy Artists Space, New York Photo: Filip Wolak [A close up of a store display planter stuffed with Gap clothing store bags and crumpled documents.]
    Caption ART CLUB2000 Plantar, 1993 Slatwall, mirror, spider plant, shopping bags Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description A close up of a store display planter stuffed with Gap clothing store bags and crumpled documents.
    Year 2021
    Related pages ART CLUB2000
  • Color photograph of three figures dressed in white, embracing each other as they run across an empty basement.
    Color photograph of three figures dressed in white, embracing each other as they run across an empty basement.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of three figures dressed in white, embracing each other as they run across an empty basement.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of three figures dressed in white, embracing each other as they run across an empty basement.
    Year 2022
    Related pages keyon gaskin 12-18
  • A dimly lit, empty room filled with low chairs. A projection illuminates a dark wall opposite the chairs and displays an image of a man with tan skin and facial hair, wearing a keffiyeh.
    A dimly lit, empty room filled with low chairs. A projection illuminates a dark wall opposite the chairs and displays an image of a man with tan skin and facial hair, wearing a keffiyeh.
    Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A dimly lit, empty room filled with low chairs. A projection illuminates a dark wall opposite the chairs and displays an image of a man with tan skin and facial hair, wearing a keffiyeh.]
    Caption Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez.
    Image description A dimly lit, empty room filled with low chairs. A projection illuminates a dark wall opposite the chairs and displays an image of a man with tan skin and facial hair, wearing a keffiyeh.
    Year 2014
    Related pages Laura Poitras: 9/11 Trilogy
  • Two figures wearing medical scrubs hold a mannequin, while looking towards a projection.
    Two figures wearing medical scrubs hold a mannequin, while looking towards a projection.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court [Two figures wearing medical scrubs hold a mannequin, while looking towards a projection.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court
    Image description Two figures wearing medical scrubs hold a mannequin, while looking towards a projection.
    Year 2022
    Related pages Grandmother Cindy
  • A row of small folded blue books are displayed on a black table. A piece of white coral is also placed in the middle of the table.
    A row of small folded blue books are displayed on a black table. A piece of white coral is also placed in the middle of the table.
    Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang. [A row of small folded blue books are displayed on a black table. A piece of white coral is also placed in the middle of the table.]
    Caption Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang.
    Image description A row of small folded blue books are displayed on a black table. A piece of white coral is also placed in the middle of the table.
    Year 2023
    Related pages Chang Yuchen: Coral Dictionary Vol. 1, 2019-2022
  • An abstract painting, mostly blue, purple, and black, with splashes of yellow and pink. Several of the brush strokes take on a vaguely anthropomorphic association.
    An abstract painting, mostly blue, purple, and black, with splashes of yellow and pink. Several of the brush strokes take on a vaguely anthropomorphic association.
    Nayiel Walker, Self Portrait, 2018 [An abstract painting, mostly blue, purple, and black, with splashes of yellow and pink. Several of the brush strokes take on a vaguely anthropomorphic association.]
    Caption Nayiel Walker, Self Portrait, 2018
    Image description An abstract painting, mostly blue, purple, and black, with splashes of yellow and pink. Several of the brush strokes take on a vaguely anthropomorphic association.
    Year 2018
    Related pages Scholastic Art and Writing Awards
  • Color image of two individuals smiling jovially towards the camera. A dimly lit interior space with red flocking on the walls can be seen in the background.
    Color image of two individuals smiling jovially towards the camera. A dimly lit interior space with red flocking on the walls can be seen in the background.
    Friends of Artists Space Dinner, 2023. Photo: Destiny Mata. [Color image of two individuals smiling jovially towards the camera. A dimly lit interior space with red flocking on the walls can be seen in the background.]
    Caption Friends of Artists Space Dinner, 2023. Photo: Destiny Mata.
    Image description Color image of two individuals smiling jovially towards the camera. A dimly lit interior space with red flocking on the walls can be seen in the background.
    Year
    Related pages Support
  • Detail view of white lettering on a black glossy structure:
    Detail view of white lettering on a black glossy structure:
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Detail view of white lettering on a black glossy structure: "SMASH FALSE DREAMLANDS".]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Detail view of white lettering on a black glossy structure: "SMASH FALSE DREAMLANDS".
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • A color photograph of a mixed media collage with various drawings and handwritten text in a white frame.
    A color photograph of a mixed media collage with various drawings and handwritten text in a white frame.
    Milford Graves, Untitled Drawing, 2020. Ink, Sharpie, acrylic paint, collage elements on paper. Photo: Filip Wolak. [A color photograph of a mixed media collage with various drawings and handwritten text in a white frame.]
    Caption Milford Graves, Untitled Drawing, 2020. Ink, Sharpie, acrylic paint, collage elements on paper. Photo: Filip Wolak.
    Image description A color photograph of a mixed media collage with various drawings and handwritten text in a white frame.
    Year 2021
    Related pages Milford Graves: Fundamental Frequency
  • A set of wooden chairs arranged in the exhibition space to face projected film
    A set of wooden chairs arranged in the exhibition space to face projected film
    She Who Is: Adrienne Kennedy and the Drama of Difference. Installation view, Artists Space, February 29 – September 19, 2020. Photo: Filip Wolak. [A set of wooden chairs arranged in the exhibition space to face projected film]
    Caption She Who Is: Adrienne Kennedy and the Drama of Difference. Installation view, Artists Space, February 29 – September 19, 2020. Photo: Filip Wolak.
    Image description A set of wooden chairs arranged in the exhibition space to face projected film
    Year 2020
    Related pages She Who Is: Adrienne Kennedy and the Drama of Difference
  • An angled view of a long white table with eight wooden chairs. A galvanized bucket, an iPad, and two stacks of paper sit on the surface.
    An angled view of a long white table with eight wooden chairs. A galvanized bucket, an iPad, and two stacks of paper sit on the surface.
    Coop Fund, 2018. Photo: Daniel Pérez. [An angled view of a long white table with eight wooden chairs. A galvanized bucket, an iPad, and two stacks of paper sit on the surface.]
    Caption Coop Fund, 2018. Photo: Daniel Pérez.
    Image description An angled view of a long white table with eight wooden chairs. A galvanized bucket, an iPad, and two stacks of paper sit on the surface.
    Year 2018
    Related pages Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A corner of a wall imposed with the text,
    A corner of a wall imposed with the text,
    See Around. Installation view, Artists Space, 2008. Photo: Adam Reich. [A corner of a wall imposed with the text, "Christa Blatchford: See Around."]
    Caption See Around. Installation view, Artists Space, 2008. Photo: Adam Reich.
    Image description A corner of a wall imposed with the text, "Christa Blatchford: See Around."
    Year 2008
    Related pages See Around
  • A performer sings into microphones illuminated in colorful, patterned lights.
    A performer sings into microphones illuminated in colorful, patterned lights.
    Abasement #84. Performance documentation, February 16th, 2026, Artists Space. Photo: Joshua Wildman. [A performer sings into microphones illuminated in colorful, patterned lights. ]
    Caption Abasement #84. Performance documentation, February 16th, 2026, Artists Space. Photo: Joshua Wildman.
    Image description A performer sings into microphones illuminated in colorful, patterned lights.
    Year
    Related pages Abasement #84
  • A person dressed in all pink steps over a mass of wires. She is illuminated from behind by a bright, white wall. In the foreground, dimly lit figures face varying directions.
    A person dressed in all pink steps over a mass of wires. She is illuminated from behind by a bright, white wall. In the foreground, dimly lit figures face varying directions.
    Jutta Koether: xxapollo. Performance documentation, January 5, 2020, Artists Space. Photo © 2020 Paula Court. [A person dressed in all pink steps over a mass of wires. She is illuminated from behind by a bright, white wall. In the foreground, dimly lit figures face varying directions.]
    Caption Jutta Koether: xxapollo. Performance documentation, January 5, 2020, Artists Space. Photo © 2020 Paula Court.
    Image description A person dressed in all pink steps over a mass of wires. She is illuminated from behind by a bright, white wall. In the foreground, dimly lit figures face varying directions.
    Year 2020
    Related pages Jutta Koether
  • Flyer featuring a white background with black text that provides the event details. In the center of the flyer is a photograph of two figures. The left figure is seated, and playing an oud. On the right, a woman stands with her hand raised to her chin.
    Flyer featuring a white background with black text that provides the event details. In the center of the flyer is a photograph of two figures. The left figure is seated, and playing an oud. On the right, a woman stands with her hand raised to her chin.
    [Flyer featuring a white background with black text that provides the event details. In the center of the flyer is a photograph of two figures. The left figure is seated, and playing an oud. On the right, a woman stands with her hand raised to her chin.]
    Caption
    Image description Flyer featuring a white background with black text that provides the event details. In the center of the flyer is a photograph of two figures. The left figure is seated, and playing an oud. On the right, a woman stands with her hand raised to her chin.
    Year
    Related pages Alsarah & the Nubatones
  • A color photograph of a floorbound television monitor, showing a figure in a snow bank. Above is an annotated drawing of a human figure.
    A color photograph of a floorbound television monitor, showing a figure in a snow bank. Above is an annotated drawing of a human figure.
    Milford Graves: Fundamental Frequency. Installation view (Movements in the Snow, 1990, Herbal Chart, c. 1980), Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak. [A color photograph of a floorbound television monitor, showing a figure in a snow bank. Above is an annotated drawing of a human figure.]
    Caption Milford Graves: Fundamental Frequency. Installation view (Movements in the Snow, 1990, Herbal Chart, c. 1980), Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak.
    Image description A color photograph of a floorbound television monitor, showing a figure in a snow bank. Above is an annotated drawing of a human figure.
    Year 2021
    Related pages Milford Graves: Fundamental Frequency
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Five rectangular black-and-white drawings of cityscapes appear exhibited on a wall in the corner of a room, with a didactic panel under a lightswitch to their right, titled
    Five rectangular black-and-white drawings of cityscapes appear exhibited on a wall in the corner of a room, with a didactic panel under a lightswitch to their right, titled
    Art Day, Blue Sky Gallery, P.S. 140, 2018 [Five rectangular black-and-white drawings of cityscapes appear exhibited on a wall in the corner of a room, with a didactic panel under a lightswitch to their right, titled "A View from the Bridge"]
    Caption Art Day, Blue Sky Gallery, P.S. 140, 2018
    Image description Five rectangular black-and-white drawings of cityscapes appear exhibited on a wall in the corner of a room, with a didactic panel under a lightswitch to their right, titled "A View from the Bridge"
    Year 2018
    Related pages Exhibitions and Events
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    Related pages Education Publications
  • A darkened gallery space with dark blue walls and dark blue carpeting with a large wall projection. The projection depicts a black patient in a blue hospital gown laying down on an examination table. A white doctor holds a stethoscope to the patient’s stomach.
    A darkened gallery space with dark blue walls and dark blue carpeting with a large wall projection. The projection depicts a black patient in a blue hospital gown laying down on an examination table. A white doctor holds a stethoscope to the patient’s stomach.
    Carolyn Lazard: Two-way. Installation view (Vital, 2025), Artists Space, 2025. Photo: Greg Carideo. [A darkened gallery space with dark blue walls and dark blue carpeting with a large wall projection. The projection depicts a black patient in a blue hospital gown laying down on an examination table. A white doctor holds a stethoscope to the patient’s stomach.]
    Caption Carolyn Lazard: Two-way. Installation view (Vital, 2025), Artists Space, 2025. Photo: Greg Carideo.
    Image description A darkened gallery space with dark blue walls and dark blue carpeting with a large wall projection. The projection depicts a black patient in a blue hospital gown laying down on an examination table. A white doctor holds a stethoscope to the patient’s stomach.
    Year
    Related pages Carolyn Lazard
  • A black box screening room featuring a a video of a bespecaled white haired man with glasses speaking to the camera in front of rows of books.
    A black box screening room featuring a a video of a bespecaled white haired man with glasses speaking to the camera in front of rows of books.
    New Economy. Installation view, Artists Space, 2007. [A black box screening room featuring a a video of a bespecaled white haired man with glasses speaking to the camera in front of rows of books.]
    Caption New Economy. Installation view, Artists Space, 2007.
    Image description A black box screening room featuring a a video of a bespecaled white haired man with glasses speaking to the camera in front of rows of books.
    Year 2007
    Related pages New Economy
  • Image of a dimly lit basement. Along the back wall, on the right, a shadow of a figure in profile is cast onto a blue and purple projected screen.
    Image of a dimly lit basement. Along the back wall, on the right, a shadow of a figure in profile is cast onto a blue and purple projected screen.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Image of a dimly lit basement. Along the back wall, on the right, a shadow of a figure in profile is cast onto a blue and purple projected screen.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a dimly lit basement. Along the back wall, on the right, a shadow of a figure in profile is cast onto a blue and purple projected screen.
    Year 2022
    Related pages SCRAAATCH 11-18
  • Wade Guyton, © Thomas Pirot
    Caption Wade Guyton, © Thomas Pirot
    Image description
    Year
    Related pages Friends of Artists Space Dinner
  • A plaque with text is hung up next to an open doorframe. Through the doorframe, a continuous strip extending around the perimeter of the room is visible. The strip on the walls alternates between photographic stills and black boxes overlaid with white text.
    A plaque with text is hung up next to an open doorframe. Through the doorframe, a continuous strip extending around the perimeter of the room is visible. The strip on the walls alternates between photographic stills and black boxes overlaid with white text.
    Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979. [A plaque with text is hung up next to an open doorframe. Through the doorframe, a continuous strip extending around the perimeter of the room is visible. The strip on the walls alternates between photographic stills and black boxes overlaid with white text.]
    Caption Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979.
    Image description A plaque with text is hung up next to an open doorframe. Through the doorframe, a continuous strip extending around the perimeter of the room is visible. The strip on the walls alternates between photographic stills and black boxes overlaid with white text.
    Year 1979
    Related pages Patricia Hearst - A Second Reading
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    Related pages Artists Space: Artists Fund
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    Related pages Abasement #85
  • A man looking at a laptop, with a modular synth and mixer next to the laptop.
    A man looking at a laptop, with a modular synth and mixer next to the laptop.
    Kevin Drumm. [A man looking at a laptop, with a modular synth and mixer next to the laptop.]
    Caption Kevin Drumm.
    Image description A man looking at a laptop, with a modular synth and mixer next to the laptop.
    Year 2013
    Related pages Kevin Drumm
  • Two people wearing large sun hats look up towards an empty blue sky framed by scattered palm trees. Faint, white text written in dotted cloud formations is visible in the sky.
    Two people wearing large sun hats look up towards an empty blue sky framed by scattered palm trees. Faint, white text written in dotted cloud formations is visible in the sky.
    David Antin, Sky Poem, La Jolla, CA, Santa Monica, 1987. Courtesy Getty Research Institute, Los Angeles. [Two people wearing large sun hats look up towards an empty blue sky framed by scattered palm trees. Faint, white text written in dotted cloud formations is visible in the sky.]
    Caption David Antin, Sky Poem, La Jolla, CA, Santa Monica, 1987. Courtesy Getty Research Institute, Los Angeles.
    Image description Two people wearing large sun hats look up towards an empty blue sky framed by scattered palm trees. Faint, white text written in dotted cloud formations is visible in the sky.
    Year 1987
    Related pages Talking About David Antin
  • Color photograph of a vitrine set into a wall. Placed inside are various works including a book, stacks of printed imitation yen sheets, film cannisters, and a mask made of printed imitation yen sheets.
    Color photograph of a vitrine set into a wall. Placed inside are various works including a book, stacks of printed imitation yen sheets, film cannisters, and a mask made of printed imitation yen sheets.
    Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a vitrine set into a wall. Placed inside are various works including a book, stacks of printed imitation yen sheets, film cannisters, and a mask made of printed imitation yen sheets.]
    Caption Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photograph of a vitrine set into a wall. Placed inside are various works including a book, stacks of printed imitation yen sheets, film cannisters, and a mask made of printed imitation yen sheets.
    Year 2023
    Related pages Yasunao Tone: Region of Paramedia
  • A performer sings into a microphone. The performer and stage are bathed in psychedelic, colorful patterns.
    A performer sings into a microphone. The performer and stage are bathed in psychedelic, colorful patterns.
    Abasement #85. Performance documentation, March 2nd, 2026, Artists Space. Photo: Joshua Wildman. [A performer sings into a microphone. The performer and stage are bathed in psychedelic, colorful patterns. ]
    Caption Abasement #85. Performance documentation, March 2nd, 2026, Artists Space. Photo: Joshua Wildman.
    Image description A performer sings into a microphone. The performer and stage are bathed in psychedelic, colorful patterns.
    Year
    Related pages Abasement #85
  • A black-and-white image depicting several translucent photos overlaid, some of natural plant life and others of industrial scenes, with power lines and bridge spokes
    A black-and-white image depicting several translucent photos overlaid, some of natural plant life and others of industrial scenes, with power lines and bridge spokes
    Sharon Halliday, Shaded Times, 2014 [A black-and-white image depicting several translucent photos overlaid, some of natural plant life and others of industrial scenes, with power lines and bridge spokes]
    Caption Sharon Halliday, Shaded Times, 2014
    Image description A black-and-white image depicting several translucent photos overlaid, some of natural plant life and others of industrial scenes, with power lines and bridge spokes
    Year 2014
    Related pages Scholastic Art and Writing Awards
  • A photograph of two walls of a gallery space. On one, photographs hang in an uneven row. On the other, two sculptures protrude from the wall.
    A photograph of two walls of a gallery space. On one, photographs hang in an uneven row. On the other, two sculptures protrude from the wall.
    Selections from the Artists File. Installation view, Artists Space, 1989. [A photograph of two walls of a gallery space. On one, photographs hang in an uneven row. On the other, two sculptures protrude from the wall.]
    Caption Selections from the Artists File. Installation view, Artists Space, 1989.
    Image description A photograph of two walls of a gallery space. On one, photographs hang in an uneven row. On the other, two sculptures protrude from the wall.
    Year 1989
    Related pages Selections from the Artist File
  • Close-up photo of a person with red hair, leaning against a wall while looking away from the camera.
    Close-up photo of a person with red hair, leaning against a wall while looking away from the camera.
    Jeff Preiss, still from STOP, 2012. 16mm film transferred to digital video. [Close-up photo of a person with red hair, leaning against a wall while looking away from the camera.]
    Caption Jeff Preiss, still from STOP, 2012. 16mm film transferred to digital video.
    Image description Close-up photo of a person with red hair, leaning against a wall while looking away from the camera.
    Year 2012
    Related pages Jeff Preiss and Union Gaucha Productions
  • A performer sings onstage, obscured by hair and bathed in shades of blue light.
    A performer sings onstage, obscured by hair and bathed in shades of blue light.
    Abasement #82. Performance documentation, November 17th, 2025, Artists Space. Photo: Joshua Wildman. [A performer sings onstage, obscured by hair and bathed in shades of blue light. ]
    Caption Abasement #82. Performance documentation, November 17th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description A performer sings onstage, obscured by hair and bathed in shades of blue light.
    Year
    Related pages Abasement #82
  • Installation view from Split/Vision, Artists Space, 1985-86
    Caption Installation view from Split/Vision, Artists Space, 1985-86
    Image description
    Year
    Related pages Split/Vision
  • Dark blue text overlays red-pink background. The text reads: “February 11 / Felix Bernstein / Whitney Claflin.
    Dark blue text overlays red-pink background. The text reads: “February 11 / Felix Bernstein / Whitney Claflin.
    [Dark blue text overlays red-pink background. The text reads: “February 11 / Felix Bernstein / Whitney Claflin." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description Dark blue text overlays red-pink background. The text reads: “February 11 / Felix Bernstein / Whitney Claflin." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year 2023
    Related pages Segue Reading Series: Felix Bernstein & Whitney Claflin
  • A black and white still of a hallway with a patterned balcony, which descends into stairs. Three geometric paintings are hung along the walls.
    A black and white still of a hallway with a patterned balcony, which descends into stairs. Three geometric paintings are hung along the walls.
    Union Gaucha Productions. Still from Phantom Limb, 1998. 16mm film (silent, black and white), 21 min 45 sec. Courtesy of Union Gaucha Productions. [A black and white still of a hallway with a patterned balcony, which descends into stairs. Three geometric paintings are hung along the walls.]
    Caption Union Gaucha Productions. Still from Phantom Limb, 1998. 16mm film (silent, black and white), 21 min 45 sec. Courtesy of Union Gaucha Productions.
    Image description A black and white still of a hallway with a patterned balcony, which descends into stairs. Three geometric paintings are hung along the walls.
    Year 1998
    Related pages Union Gaucha Productions
  • Black & white photograph of a gallery room with black walls. Around the center of the room are three hanging screens. Around the edges of the room, performers wearing all black stand under spotlights. Along the back wall sit a cellist and harpist with their instruments. The audience sit on the floor in front of the performers.
    Black & white photograph of a gallery room with black walls. Around the center of the room are three hanging screens. Around the edges of the room, performers wearing all black stand under spotlights. Along the back wall sit a cellist and harpist with their instruments. The audience sit on the floor in front of the performers.
    Shala Miller performs Genesis: Medley. Performance documentation, May 11, 2023, Artists Space. Photo: Roy Baizan. [Black & white photograph of a gallery room with black walls. Around the center of the room are three hanging screens. Around the edges of the room, performers wearing all black stand under spotlights. Along the back wall sit a cellist and harpist with their instruments. The audience sit on the floor in front of the performers.]
    Caption Shala Miller performs Genesis: Medley. Performance documentation, May 11, 2023, Artists Space. Photo: Roy Baizan.
    Image description Black & white photograph of a gallery room with black walls. Around the center of the room are three hanging screens. Around the edges of the room, performers wearing all black stand under spotlights. Along the back wall sit a cellist and harpist with their instruments. The audience sit on the floor in front of the performers.
    Year 2023
    Related pages Genesis: Medley
  • Two Artists Space tote bags lay in the autumn grass. One is black with a white architectural line drawing with the phrase
    Two Artists Space tote bags lay in the autumn grass. One is black with a white architectural line drawing with the phrase
    Artists Space's two tote bags. [Two Artists Space tote bags lay in the autumn grass. One is black with a white architectural line drawing with the phrase "OPEN TO BEYOND" at center, the other is pink with a black bold graphic of an "A" inside an outlined circle.]
    Caption Artists Space's two tote bags.
    Image description Two Artists Space tote bags lay in the autumn grass. One is black with a white architectural line drawing with the phrase "OPEN TO BEYOND" at center, the other is pink with a black bold graphic of an "A" inside an outlined circle.
    Year 2019
    Related pages About this Website
  • Black and white photograph of white picket fence opening with dark painted background behind it.
    Black and white photograph of white picket fence opening with dark painted background behind it.
    Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Candice Hill-Montgomery. [Black and white photograph of white picket fence opening with dark painted background behind it.]
    Caption Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Candice Hill-Montgomery.
    Image description Black and white photograph of white picket fence opening with dark painted background behind it.
    Year 1979
    Related pages Candance Hill-Montgomery
  • Four dynamic images of a group of individuals pinned by large push pins on a blue gallery wall.
    Four dynamic images of a group of individuals pinned by large push pins on a blue gallery wall.
    ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [Four dynamic images of a group of individuals pinned by large push pins on a blue gallery wall.]
    Caption ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak
    Image description Four dynamic images of a group of individuals pinned by large push pins on a blue gallery wall.
    Year 2021
    Related pages ART CLUB2000
  • Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They have papers taped and placed over their face.
    Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They have papers taped and placed over their face.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They have papers taped and placed over their face.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They have papers taped and placed over their face.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • Three figures pose for a photograph in a gallery space crowded with milling people who talk amongst each other. They hold drink glasses in their hands and are illuminated by the camera's flash.
    Three figures pose for a photograph in a gallery space crowded with milling people who talk amongst each other. They hold drink glasses in their hands and are illuminated by the camera's flash.
    The Friends of Artists Space Dinner, May 8, 2010. Executive Director & Curator, Stefan Kalmár, and friends of Artists Space. [Three figures pose for a photograph in a gallery space crowded with milling people who talk amongst each other. They hold drink glasses in their hands and are illuminated by the camera's flash.]
    Caption The Friends of Artists Space Dinner, May 8, 2010. Executive Director & Curator, Stefan Kalmár, and friends of Artists Space.
    Image description Three figures pose for a photograph in a gallery space crowded with milling people who talk amongst each other. They hold drink glasses in their hands and are illuminated by the camera's flash.
    Year 2010
    Related pages The Friends of Artists Space Dinner
  • Placed at an angle between two iron columns are two box-like structures made of wooden boards. Behind the closer box, a pedestal presents a small wooden stool.
    Placed at an angle between two iron columns are two box-like structures made of wooden boards. Behind the closer box, a pedestal presents a small wooden stool.
    Brad Kronz. Installation view, Artists Space, 2025. Photo: Carter Seddon [Placed at an angle between two iron columns are two box-like structures made of wooden boards. Behind the closer box, a pedestal presents a small wooden stool. ]
    Caption Brad Kronz. Installation view, Artists Space, 2025. Photo: Carter Seddon
    Image description Placed at an angle between two iron columns are two box-like structures made of wooden boards. Behind the closer box, a pedestal presents a small wooden stool.
    Year
    Related pages Brad Kronz
  • A digitially generated image of a series of curved, x-shaped cutouts stacked one on top of the other in long rows. The rows are clustered around white text that reads
    A digitially generated image of a series of curved, x-shaped cutouts stacked one on top of the other in long rows. The rows are clustered around white text that reads
    [A digitially generated image of a series of curved, x-shaped cutouts stacked one on top of the other in long rows. The rows are clustered around white text that reads "h-edge." The shadows of the cutouts are visible on the ground directly below the text.]
    Caption
    Image description A digitially generated image of a series of curved, x-shaped cutouts stacked one on top of the other in long rows. The rows are clustered around white text that reads "h-edge." The shadows of the cutouts are visible on the ground directly below the text.
    Year 2006
    Related pages H_edge
  • Black and white image of an unmade bed under a wall covered with small images of people and idols.
    Black and white image of an unmade bed under a wall covered with small images of people and idols.
    [Black and white image of an unmade bed under a wall covered with small images of people and idols.]
    Caption
    Image description Black and white image of an unmade bed under a wall covered with small images of people and idols.
    Year 2014
    Related pages Malicious Damage
  • Contact sheet of installation views of the exhibition.
    Contact sheet of installation views of the exhibition.
    Facades, Landscapes, Interiors. Installation view, Artists Space, 1982. [Contact sheet of installation views of the exhibition.]
    Caption Facades, Landscapes, Interiors. Installation view, Artists Space, 1982.
    Image description Contact sheet of installation views of the exhibition.
    Year
    Related pages Facades, Landscapes, Interiors
  • Color photograph of a gallery space. Various musical instruments and audio devices are placed around the middle of the room, photographs and vitrines hang on the walls, and various television monitors and projections are placed along the sides of the room.
    Color photograph of a gallery space. Various musical instruments and audio devices are placed around the middle of the room, photographs and vitrines hang on the walls, and various television monitors and projections are placed along the sides of the room.
    Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a gallery space. Various musical instruments and audio devices are placed around the middle of the room, photographs and vitrines hang on the walls, and various television monitors and projections are placed along the sides of the room.]
    Caption Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photograph of a gallery space. Various musical instruments and audio devices are placed around the middle of the room, photographs and vitrines hang on the walls, and various television monitors and projections are placed along the sides of the room.
    Year 2023
    Related pages Yasunao Tone: Region of Paramedia
  • Wade Guyton, © Thomas Pirot
    Caption Wade Guyton, © Thomas Pirot
    Image description
    Year
    Related pages Friends of Artists Space Dinner 2025
  • A black and white photograph of a room filled with plinths of varying heights, several objects suspended from the ceiling, and a pile of small fans with a mess of wires sitting on the floor.
    A black and white photograph of a room filled with plinths of varying heights, several objects suspended from the ceiling, and a pile of small fans with a mess of wires sitting on the floor.
    A New World Order III: The Curio Shop. Installation view, Artists Space, 1993. [A black and white photograph of a room filled with plinths of varying heights, several objects suspended from the ceiling, and a pile of small fans with a mess of wires sitting on the floor.]
    Caption A New World Order III: The Curio Shop. Installation view, Artists Space, 1993.
    Image description A black and white photograph of a room filled with plinths of varying heights, several objects suspended from the ceiling, and a pile of small fans with a mess of wires sitting on the floor.
    Year 1993
    Related pages A New World Order III: The Curio Shop
  • A person in army camouflage and a military gun grabs a handful of packaged cookies from a stand selling assorted candies, snacks, sodas, and other food.
    A person in army camouflage and a military gun grabs a handful of packaged cookies from a stand selling assorted candies, snacks, sodas, and other food.
    Sean Snyder, still from Casio, Seiko, Sheraton, Toyota, Mars, 2004-5. Courtesy Lisson Gallery, London. [A person in army camouflage and a military gun grabs a handful of packaged cookies from a stand selling assorted candies, snacks, sodas, and other food.]
    Caption Sean Snyder, still from Casio, Seiko, Sheraton, Toyota, Mars, 2004-5. Courtesy Lisson Gallery, London.
    Image description A person in army camouflage and a military gun grabs a handful of packaged cookies from a stand selling assorted candies, snacks, sodas, and other food.
    Year 2005
    Related pages Sean Snyder
  • A split screen of two people, each visible between their nose and their chest. Both are extremely excited, with their hands raised up.
    A split screen of two people, each visible between their nose and their chest. Both are extremely excited, with their hands raised up.
    Catherine Ross, still from Fingering and Footing, 2005. [A split screen of two people, each visible between their nose and their chest. Both are extremely excited, with their hands raised up.]
    Caption Catherine Ross, still from Fingering and Footing, 2005.
    Image description A split screen of two people, each visible between their nose and their chest. Both are extremely excited, with their hands raised up.
    Year 2005
    Related pages The Mind/Body Problem
  • Negative film image that has been mirrored across a diagonal line of symmetry, depicting a blue board with objects arranged on it to create vaguely recognizable patterns.
    Negative film image that has been mirrored across a diagonal line of symmetry, depicting a blue board with objects arranged on it to create vaguely recognizable patterns.
    Crystal Z Campbell, Revolver, 2022. 16mm film transferred to Digital Video, Stereo, Sound. 17:27 min. Courtesy the artist [Negative film image that has been mirrored across a diagonal line of symmetry, depicting a blue board with objects arranged on it to create vaguely recognizable patterns.]
    Caption Crystal Z Campbell, Revolver, 2022. 16mm film transferred to Digital Video, Stereo, Sound. 17:27 min. Courtesy the artist
    Image description Negative film image that has been mirrored across a diagonal line of symmetry, depicting a blue board with objects arranged on it to create vaguely recognizable patterns.
    Year
    Related pages Crystal Z Campbell
  • A photo of a 2D artwork consisting of a blank rectangular surface with the image of an classical sculpture bust in the lower left-hand corner.
    A photo of a 2D artwork consisting of a blank rectangular surface with the image of an classical sculpture bust in the lower left-hand corner.
    Troy Brauntuch. Untitled, 1976. Silkscreen and offset lithograph. 50 x 40 inches. Photo: D. James Dee. [A photo of a 2D artwork consisting of a blank rectangular surface with the image of an classical sculpture bust in the lower left-hand corner.]
    Caption Troy Brauntuch. Untitled, 1976. Silkscreen and offset lithograph. 50 x 40 inches. Photo: D. James Dee.
    Image description A photo of a 2D artwork consisting of a blank rectangular surface with the image of an classical sculpture bust in the lower left-hand corner.
    Year 1976
    Related pages Pictures
  • White text on a bright fuchsia background. The text reads: “Nov 1 / Terrence Arjoon / Laura Henriksen.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    White text on a bright fuchsia background. The text reads: “Nov 1 / Terrence Arjoon / Laura Henriksen.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [White text on a bright fuchsia background. The text reads: “Nov 1 / Terrence Arjoon / Laura Henriksen.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description White text on a bright fuchsia background. The text reads: “Nov 1 / Terrence Arjoon / Laura Henriksen.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Terrence Arjoon & Laura Henriksen
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Cutouts of black and white illustrations arranged next to each other. In the center, several illustrated eyes form a circle. Above the eyes is a round, illustrated face, while two wings are positioned below the eyes.
    Cutouts of black and white illustrations arranged next to each other. In the center, several illustrated eyes form a circle. Above the eyes is a round, illustrated face, while two wings are positioned below the eyes.
    [Cutouts of black and white illustrations arranged next to each other. In the center, several illustrated eyes form a circle. Above the eyes is a round, illustrated face, while two wings are positioned below the eyes.]
    Caption
    Image description Cutouts of black and white illustrations arranged next to each other. In the center, several illustrated eyes form a circle. Above the eyes is a round, illustrated face, while two wings are positioned below the eyes.
    Year 2014
    Related pages Sam Pulitzer: A Colony for "Them"
  • Caption
    Image description
    Year
    Related pages Listening to the LES
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