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  • A figure in a white graphic T-shirt has their eyes closed, while they stand and hold two cymbals over their head. Yellow and blue projections are cast onto them on stage.
    A figure in a white graphic T-shirt has their eyes closed, while they stand and hold two cymbals over their head. Yellow and blue projections are cast onto them on stage.
    Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman [A figure in a white graphic T-shirt has their eyes closed, while they stand and hold two cymbals over their head. Yellow and blue projections are cast onto them on stage.]
    Caption Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure in a white graphic T-shirt has their eyes closed, while they stand and hold two cymbals over their head. Yellow and blue projections are cast onto them on stage.
    Year
    Related pages Abasement: #62
  • A figure plays the violin in front of a microphone.
    A figure plays the violin in front of a microphone.
    Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [A figure plays the violin in front of a microphone.]
    Caption Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure plays the violin in front of a microphone.
    Year 2022
    Related pages Abasement #61
  • A black and white photograph of a figure with long hair. They raise their left hand up to brush away their hair from their face.
    A black and white photograph of a figure with long hair. They raise their left hand up to brush away their hair from their face.
    Susan Eder, c. 1976. From Susan Eder, Matt Mullican, Artists Space, 1976. [A black and white photograph of a figure with long hair. They raise their left hand up to brush away their hair from their face.]
    Caption Susan Eder, c. 1976. From Susan Eder, Matt Mullican, Artists Space, 1976.
    Image description A black and white photograph of a figure with long hair. They raise their left hand up to brush away their hair from their face.
    Year 1976
    Related pages Susan Eder, Matt Mullican
  • A black and white image of a column-like sculpture displayed in the exhibition space.
    A black and white image of a column-like sculpture displayed in the exhibition space.
    Installation view from International Projects: Belgium, featuring Didier Vermeiren, Artists Space, 1984 [A black and white image of a column-like sculpture displayed in the exhibition space.]
    Caption Installation view from International Projects: Belgium, featuring Didier Vermeiren, Artists Space, 1984
    Image description A black and white image of a column-like sculpture displayed in the exhibition space.
    Year
    Related pages International Projects: Belgium
  • A dimly lit room where two people are seated in chairs on the right, looking at a projection. The projection displays a yellow-hued image of a city skyline.
    A dimly lit room where two people are seated in chairs on the right, looking at a projection. The projection displays a yellow-hued image of a city skyline.
    Union Gaucha Productions. Installation view, Artists Space, 2015. Photo: Daniel Pérez. [A dimly lit room where two people are seated in chairs on the right, looking at a projection. The projection displays a yellow-hued image of a city skyline.]
    Caption Union Gaucha Productions. Installation view, Artists Space, 2015. Photo: Daniel Pérez.
    Image description A dimly lit room where two people are seated in chairs on the right, looking at a projection. The projection displays a yellow-hued image of a city skyline.
    Year 2015
    Related pages Union Gaucha Productions
  • A dilapidated wood shed is shown partially covered by large mounds of earth. Fingers reach out from the lower-right corner to caress the image.
    A dilapidated wood shed is shown partially covered by large mounds of earth. Fingers reach out from the lower-right corner to caress the image.
    Renée Green. Still from Partially Buried, 1996. Video, color, sound; 20 minutes. Courtesy the artist, Free Agent Media, and Video Data Bank. [A dilapidated wood shed is shown partially covered by large mounds of earth. Fingers reach out from the lower-right corner to caress the image.]
    Caption Renée Green. Still from Partially Buried, 1996. Video, color, sound; 20 minutes. Courtesy the artist, Free Agent Media, and Video Data Bank.
    Image description A dilapidated wood shed is shown partially covered by large mounds of earth. Fingers reach out from the lower-right corner to caress the image.
    Year 1997
    Related pages Whitney ISP Archive
  • A black and white photograph of gray benches with black on top, the front one with legs the back one without. Tape appears on the top of the image.
    A black and white photograph of gray benches with black on top, the front one with legs the back one without. Tape appears on the top of the image.
    Bonnie Rycheck. Elegantly Contained, 1986. [A black and white photograph of gray benches with black on top, the front one with legs the back one without. Tape appears on the top of the image.]
    Caption Bonnie Rycheck. Elegantly Contained, 1986.
    Image description A black and white photograph of gray benches with black on top, the front one with legs the back one without. Tape appears on the top of the image.
    Year
    Related pages Selections from the Artists File
  • Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They have papers taped and placed over their face.
    Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They have papers taped and placed over their face.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They have papers taped and placed over their face.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They have papers taped and placed over their face.
    Year
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • Two performers pictured in front of soft pink, blue, and white light projected onto the wall behind them. Performer on left is smiling and pointing at the performer on right, who is seated in front of a mixing board and microphone.
    Two performers pictured in front of soft pink, blue, and white light projected onto the wall behind them. Performer on left is smiling and pointing at the performer on right, who is seated in front of a mixing board and microphone.
    Abasement #70. Performance documentation, July 1st, 2024, Artists Space. Photo: Joshua Wildman. [Two performers pictured in front of soft pink, blue, and white light projected onto the wall behind them. Performer on left is smiling and pointing at the performer on right, who is seated in front of a mixing board and microphone.]
    Caption Abasement #70. Performance documentation, July 1st, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Two performers pictured in front of soft pink, blue, and white light projected onto the wall behind them. Performer on left is smiling and pointing at the performer on right, who is seated in front of a mixing board and microphone.
    Year
    Related pages Abasement #70
  • A black and white video still of a group of people in a street. One is sitting on a bicycle, another to the right leans against a trash can and looks down at their shoes.
    A black and white video still of a group of people in a street. One is sitting on a bicycle, another to the right leans against a trash can and looks down at their shoes.
    Andrea Callard, still from Standard Adult Wheelchair; Temporary participation for an analogous situation. Black and white video, 6 min, c. 1977. [A black and white video still of a group of people in a street. One is sitting on a bicycle, another to the right leans against a trash can and looks down at their shoes.]
    Caption Andrea Callard, still from Standard Adult Wheelchair; Temporary participation for an analogous situation. Black and white video, 6 min, c. 1977.
    Image description A black and white video still of a group of people in a street. One is sitting on a bicycle, another to the right leans against a trash can and looks down at their shoes.
    Year 1977
    Related pages Artists Super 8 Film Exposition
  • Two black and white images displayed on a pedestal in front of a column in an exhibition space. Behind the column, several photographs in white frames lean against a gallery wall with many windows. A long red carpet stretches across the floor underneath the framed images.
    Two black and white images displayed on a pedestal in front of a column in an exhibition space. Behind the column, several photographs in white frames lean against a gallery wall with many windows. A long red carpet stretches across the floor underneath the framed images.
    Frozen Lakes. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [Two black and white images displayed on a pedestal in front of a column in an exhibition space. Behind the column, several photographs in white frames lean against a gallery wall with many windows. A long red carpet stretches across the floor underneath the framed images.]
    Caption Frozen Lakes. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description Two black and white images displayed on a pedestal in front of a column in an exhibition space. Behind the column, several photographs in white frames lean against a gallery wall with many windows. A long red carpet stretches across the floor underneath the framed images.
    Year 2013
    Related pages Frozen Lakes
  • A close up view of a sculpture of a man holding a book. The man's hand holds the spine of a book close to his purple shirt.
    A close up view of a sculpture of a man holding a book. The man's hand holds the spine of a book close to his purple shirt.
    Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013. [A close up view of a sculpture of a man holding a book. The man's hand holds the spine of a book close to his purple shirt.]
    Caption Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013.
    Image description A close up view of a sculpture of a man holding a book. The man's hand holds the spine of a book close to his purple shirt.
    Year 2013
    Related pages Pride Goes Before a Fall
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Two pages of red sans-serif text on a white background, titled
    Two pages of red sans-serif text on a white background, titled
    Nick Relph, A List of Incorrect Things, 2010, Offset print 6 2/3 x 11 inches, Signed and numbered by Stuart Bailey and David Reinfurt, Text by Nick Relph. [Two pages of red sans-serif text on a white background, titled "Notes:"]
    Caption Nick Relph, A List of Incorrect Things, 2010, Offset print 6 2/3 x 11 inches, Signed and numbered by Stuart Bailey and David Reinfurt, Text by Nick Relph.
    Image description Two pages of red sans-serif text on a white background, titled "Notes:"
    Year 2010
    Related pages Artists Space Annual Edition Portfolio 2011
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    Year
    Related pages Abasement #77
  • A close-up photo of a snake plant in a white pot next to a brick wall, in front of a mural with somoene's instagram handle painted on.
    A close-up photo of a snake plant in a white pot next to a brick wall, in front of a mural with somoene's instagram handle painted on.
    Darien Urena, Living Brick, 2018. [A close-up photo of a snake plant in a white pot next to a brick wall, in front of a mural with somoene's instagram handle painted on.]
    Caption Darien Urena, Living Brick, 2018.
    Image description A close-up photo of a snake plant in a white pot next to a brick wall, in front of a mural with somoene's instagram handle painted on.
    Year 2018
    Related pages BRIDGE Photography
  • Black and white image depicting a performance. The artist is standing in the center of the frame and wearing spotted tights and cowboy boots. The upper half of their body is enveloped in a large plastic foam fabric, which covers their torso, face, and arms. Affixed to the large fabric construction are clusters of plastic takeout containers. Audience members are visible in the foreground.
    Black and white image depicting a performance. The artist is standing in the center of the frame and wearing spotted tights and cowboy boots. The upper half of their body is enveloped in a large plastic foam fabric, which covers their torso, face, and arms. Affixed to the large fabric construction are clusters of plastic takeout containers. Audience members are visible in the foreground.
    Johanna Went performing at The Hong Kong Cafe, Los Angeles. Photo: Ed Colver [Black and white image depicting a performance. The artist is standing in the center of the frame and wearing spotted tights and cowboy boots. The upper half of their body is enveloped in a large plastic foam fabric, which covers their torso, face, and arms. Affixed to the large fabric construction are clusters of plastic takeout containers. Audience members are visible in the foreground.]
    Caption Johanna Went performing at The Hong Kong Cafe, Los Angeles. Photo: Ed Colver
    Image description Black and white image depicting a performance. The artist is standing in the center of the frame and wearing spotted tights and cowboy boots. The upper half of their body is enveloped in a large plastic foam fabric, which covers their torso, face, and arms. Affixed to the large fabric construction are clusters of plastic takeout containers. Audience members are visible in the foreground.
    Year
    Related pages Attention Line
  • A series of reproduced photographic stills are displayed in a row along a white gallery wall. The stills are taken from a television broadcast and depict graphics from commercials, and the inside of a television studio. In the foreground is a magazine, displayed open on a plinth made from MDF.
    A series of reproduced photographic stills are displayed in a row along a white gallery wall. The stills are taken from a television broadcast and depict graphics from commercials, and the inside of a television studio. In the foreground is a magazine, displayed open on a plinth made from MDF.
    Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon. [A series of reproduced photographic stills are displayed in a row along a white gallery wall. The stills are taken from a television broadcast and depict graphics from commercials, and the inside of a television studio. In the foreground is a magazine, displayed open on a plinth made from MDF. ]
    Caption Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon.
    Image description A series of reproduced photographic stills are displayed in a row along a white gallery wall. The stills are taken from a television broadcast and depict graphics from commercials, and the inside of a television studio. In the foreground is a magazine, displayed open on a plinth made from MDF.
    Year
    Related pages Michael Asher
  • Black-and-white image of a figure performing on stage. They hold a microphone to their mouth and the other hand plays a synthesizer.
    Black-and-white image of a figure performing on stage. They hold a microphone to their mouth and the other hand plays a synthesizer.
    Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman [Black-and-white image of a figure performing on stage. They hold a microphone to their mouth and the other hand plays a synthesizer.]
    Caption Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman
    Image description Black-and-white image of a figure performing on stage. They hold a microphone to their mouth and the other hand plays a synthesizer.
    Year 2022
    Related pages Abasement: #62
  • A series of small rectangular abstract paintings hang above one another on the walls of a white-walled gallery setting with two columns visible in front.
    A series of small rectangular abstract paintings hang above one another on the walls of a white-walled gallery setting with two columns visible in front.
    Abstraction in Process. Installation view, Artists Space, March 26, 2020 - May 2, 2020. [A series of small rectangular abstract paintings hang above one another on the walls of a white-walled gallery setting with two columns visible in front.]
    Caption Abstraction in Process. Installation view, Artists Space, March 26, 2020 - May 2, 2020.
    Image description A series of small rectangular abstract paintings hang above one another on the walls of a white-walled gallery setting with two columns visible in front.
    Year 1987
    Related pages Abstraction in Process
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    Related pages DRAFT IMAGE PAGE_NEVER DELETE
  • In a large dark room, a modular structure is recessed into a raised floor covered with black carpet. The structure is lit in bright blue light, and hosts open water. Red light shines in the back room.
    In a large dark room, a modular structure is recessed into a raised floor covered with black carpet. The structure is lit in bright blue light, and hosts open water. Red light shines in the back room.
    Constantina Zavitsanos: fwiw. Installation view (Wishing Well (Korpi), 2023/24; There's something happening here, 2024), Artists Space, 2024. Photo: Carter Seddon. [In a large dark room, a modular structure is recessed into a raised floor covered with black carpet. The structure is lit in bright blue light, and hosts open water. Red light shines in the back room.]
    Caption Constantina Zavitsanos: fwiw. Installation view (Wishing Well (Korpi), 2023/24; There's something happening here, 2024), Artists Space, 2024. Photo: Carter Seddon.
    Image description In a large dark room, a modular structure is recessed into a raised floor covered with black carpet. The structure is lit in bright blue light, and hosts open water. Red light shines in the back room.
    Year
    Related pages fwiw
  • Students visiting Sleepwalk at Parasol Projects, LES, 2022
    Caption Students visiting Sleepwalk at Parasol Projects, LES, 2022
    Image description
    Year 2022
    Related pages Portfolio Development
  • The photograph shows a framed image with black geometric patterns mounted on a white wall with a black sculpture to its left sitting on a white plinth.
    The photograph shows a framed image with black geometric patterns mounted on a white wall with a black sculpture to its left sitting on a white plinth.
    Ryan Gander, What the postman brought, 2007, Mixed media Variable size, Edition of 17, 3 AP, Courtesy the artist, STORE London and Annet Gelink Amsterdam. [The photograph shows a framed image with black geometric patterns mounted on a white wall with a black sculpture to its left sitting on a white plinth.]
    Caption Ryan Gander, What the postman brought, 2007, Mixed media Variable size, Edition of 17, 3 AP, Courtesy the artist, STORE London and Annet Gelink Amsterdam.
    Image description The photograph shows a framed image with black geometric patterns mounted on a white wall with a black sculpture to its left sitting on a white plinth.
    Year 2007
    Related pages Editions
  • A close-up color image of a framed work displayed against a white wall. The drawing depicts a colorful abstract composition with a brown circle being the main figure from where trianagles and lines emerge. Soft pencil strokes complement the composition.
    A close-up color image of a framed work displayed against a white wall. The drawing depicts a colorful abstract composition with a brown circle being the main figure from where trianagles and lines emerge. Soft pencil strokes complement the composition.
    Renee Gladman, Grasses 2, 2022, graphite and oil pastel on paper, 22 x 30 inches. Image courtesy Artists Space, New York. Photo: Filip Wolak. [A close-up color image of a framed work displayed against a white wall. The drawing depicts a colorful abstract composition with a brown circle being the main figure from where trianagles and lines emerge. Soft pencil strokes complement the composition.]
    Caption Renee Gladman, Grasses 2, 2022, graphite and oil pastel on paper, 22 x 30 inches. Image courtesy Artists Space, New York. Photo: Filip Wolak.
    Image description A close-up color image of a framed work displayed against a white wall. The drawing depicts a colorful abstract composition with a brown circle being the main figure from where trianagles and lines emerge. Soft pencil strokes complement the composition.
    Year
    Related pages Renee Gladman
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    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • In the foreground is a set of vacuum cleaners on display vertically above each other on a plexiglass shelf rack with fluourescent lights underneath each one. Behind it on a wall is a Duratrans on a lightbox with text that reads:
    In the foreground is a set of vacuum cleaners on display vertically above each other on a plexiglass shelf rack with fluourescent lights underneath each one. Behind it on a wall is a Duratrans on a lightbox with text that reads:
    Installation view. Artists Space, 1983. Foreground: Jeff Koons. New Wet/Dry Triple Decker, 1982. Plexiglass, fluorescent light, new vacuum cleaners. 124 1/2 x 28 x 28 inches. [In the foreground is a set of vacuum cleaners on display vertically above each other on a plexiglass shelf rack with fluourescent lights underneath each one. Behind it on a wall is a Duratrans on a lightbox with text that reads: "New 100% Meri Ultra-lights" and a picture of a pack of ciagrettes appears next to the text. These works appear in a white-walled gallery space with a window in the far left back and a fluorescent light visible above.]
    Caption Installation view. Artists Space, 1983. Foreground: Jeff Koons. New Wet/Dry Triple Decker, 1982. Plexiglass, fluorescent light, new vacuum cleaners. 124 1/2 x 28 x 28 inches.
    Image description In the foreground is a set of vacuum cleaners on display vertically above each other on a plexiglass shelf rack with fluourescent lights underneath each one. Behind it on a wall is a Duratrans on a lightbox with text that reads: "New 100% Meri Ultra-lights" and a picture of a pack of ciagrettes appears next to the text. These works appear in a white-walled gallery space with a window in the far left back and a fluorescent light visible above.
    Year 1983
    Related pages Los Angeles/New York Exchange
  • A large gallery space full of hundreds of metal cutouts shaped like curved
    A large gallery space full of hundreds of metal cutouts shaped like curved
    H_edge. Installation view, Artists Space, 2006. Photo: Whitney Cox. [A large gallery space full of hundreds of metal cutouts shaped like curved "x"'s hanging from lengths of metal chainlinks. The cutouts are arranged in the gallery so that they form a hedge-like landscape of varying heights.]
    Caption H_edge. Installation view, Artists Space, 2006. Photo: Whitney Cox.
    Image description A large gallery space full of hundreds of metal cutouts shaped like curved "x"'s hanging from lengths of metal chainlinks. The cutouts are arranged in the gallery so that they form a hedge-like landscape of varying heights.
    Year 2006
    Related pages H_edge
  • A split screen of two people, each visible between their nose and their chest. Both are extremely excited, with their hands raised up.
    A split screen of two people, each visible between their nose and their chest. Both are extremely excited, with their hands raised up.
    Catherine Ross, still from Fingering and Footing, 2005. [A split screen of two people, each visible between their nose and their chest. Both are extremely excited, with their hands raised up.]
    Caption Catherine Ross, still from Fingering and Footing, 2005.
    Image description A split screen of two people, each visible between their nose and their chest. Both are extremely excited, with their hands raised up.
    Year 2005
    Related pages The Mind/Body Problem
  • Five people, two standing and three in folding chairs, painting the partially formed words
    Five people, two standing and three in folding chairs, painting the partially formed words
    Claire Fontaine, Greve Humaine (Interrompue), 2009. [Five people, two standing and three in folding chairs, painting the partially formed words "GREVE H" in brown on white walls. Assorted debris is scattered on the floor around them.]
    Caption Claire Fontaine, Greve Humaine (Interrompue), 2009.
    Image description Five people, two standing and three in folding chairs, painting the partially formed words "GREVE H" in brown on white walls. Assorted debris is scattered on the floor around them.
    Year 2009
    Related pages Claire Fontaine on "human strike"
  • A black and white photograph of three figures standing in a gallery space. They each hold a drink in their hand and are smiling.
    A black and white photograph of three figures standing in a gallery space. They each hold a drink in their hand and are smiling.
    Pictures. Opening Reception, Artists Space, September 23, 1977. Maureen McFadden of National Distillers and Chemical Corporation (sponsor), (left), Irving Sandler (middle), Helene Winer (right). Photo: D. James Dee. [A black and white photograph of three figures standing in a gallery space. They each hold a drink in their hand and are smiling.]
    Caption Pictures. Opening Reception, Artists Space, September 23, 1977. Maureen McFadden of National Distillers and Chemical Corporation (sponsor), (left), Irving Sandler (middle), Helene Winer (right). Photo: D. James Dee.
    Image description A black and white photograph of three figures standing in a gallery space. They each hold a drink in their hand and are smiling.
    Year 1977
    Related pages Pictures
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  • A corner of a room filled with ping pong balls set atop mousetraps. They are lit from the side by a fluorescent tube light.
    A corner of a room filled with ping pong balls set atop mousetraps. They are lit from the side by a fluorescent tube light.
    Ethan Crenson, Fission, 1996. Mixed media installation. [A corner of a room filled with ping pong balls set atop mousetraps. They are lit from the side by a fluorescent tube light.]
    Caption Ethan Crenson, Fission, 1996. Mixed media installation.
    Image description A corner of a room filled with ping pong balls set atop mousetraps. They are lit from the side by a fluorescent tube light.
    Year 1996
    Related pages Station to Station
  • A cloth image is emerging from the darkness.
    A cloth image is emerging from the darkness.
    We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [A cloth image is emerging from the darkness.]
    Caption We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987.
    Image description A cloth image is emerging from the darkness.
    Year
    Related pages We the People
  • A figure sits in front of a two screens next to each other with impressionistic forest imagery. The light from the projection spills out onto the walls and ceiling while the figure and the floor is shrouded in darkness.
    A figure sits in front of a two screens next to each other with impressionistic forest imagery. The light from the projection spills out onto the walls and ceiling while the figure and the floor is shrouded in darkness.
    Jon Rubin. *Alice Underwater. Installation view from Dark Rooms, Artists Space, 1985. [A figure sits in front of a two screens next to each other with impressionistic forest imagery. The light from the projection spills out onto the walls and ceiling while the figure and the floor is shrouded in darkness.]
    Caption Jon Rubin. *Alice Underwater. Installation view from Dark Rooms, Artists Space, 1985.
    Image description A figure sits in front of a two screens next to each other with impressionistic forest imagery. The light from the projection spills out onto the walls and ceiling while the figure and the floor is shrouded in darkness.
    Year
    Related pages Dark Rooms
  • Image of a basement with a table made of wood and a fresnel lens tabletop on the right side of the space. In the back are audio wires and a speaker in the corner. Along the top of the image the basement windows are tinted blue.
    Image of a basement with a table made of wood and a fresnel lens tabletop on the right side of the space. In the back are audio wires and a speaker in the corner. Along the top of the image the basement windows are tinted blue.
    SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement with a table made of wood and a fresnel lens tabletop on the right side of the space. In the back are audio wires and a speaker in the corner. Along the top of the image the basement windows are tinted blue.]
    Caption SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a basement with a table made of wood and a fresnel lens tabletop on the right side of the space. In the back are audio wires and a speaker in the corner. Along the top of the image the basement windows are tinted blue.
    Year 2022
    Related pages SCRAAATCH 12-3
  • Two life-sized costumes.
    Two life-sized costumes.
    Attention Line. Installation view (costumes worn by Johanna Went, 1970s-2000s), Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [Two life-sized costumes.]
    Caption Attention Line. Installation view (costumes worn by Johanna Went, 1970s-2000s), Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak
    Image description Two life-sized costumes.
    Year 2022
    Related pages Attention Line
  • White text overlay on two photographs of people in bathing suits and summer clothing lounging on a beach.
    White text overlay on two photographs of people in bathing suits and summer clothing lounging on a beach.
    Book cover for Disordered Attention: How We Look at Art and Performance Today by Claire Bishop. [White text overlay on two photographs of people in bathing suits and summer clothing lounging on a beach.]
    Caption Book cover for Disordered Attention: How We Look at Art and Performance Today by Claire Bishop.
    Image description White text overlay on two photographs of people in bathing suits and summer clothing lounging on a beach.
    Year
    Related pages Disordered Attention
  • In the dark, a modular structure set in the floor hosts open water that shows several distinct ripple patterns in motion on its surface.
    In the dark, a modular structure set in the floor hosts open water that shows several distinct ripple patterns in motion on its surface.
    Constantina Zavitsanos: fwiw. Installation view (Wishing Well (Korpi), 2023/24), Artists Space, 2024. Photo: Carter Seddon. [In the dark, a modular structure set in the floor hosts open water that shows several distinct ripple patterns in motion on its surface.]
    Caption Constantina Zavitsanos: fwiw. Installation view (Wishing Well (Korpi), 2023/24), Artists Space, 2024. Photo: Carter Seddon.
    Image description In the dark, a modular structure set in the floor hosts open water that shows several distinct ripple patterns in motion on its surface.
    Year
    Related pages fwiw
  • Four geometric, silver metal sculptures are installed on the floors of a light-filled gallery space. The sculptures are modular, hollow, and consist of cube-like and triangular metal components.
    Four geometric, silver metal sculptures are installed on the floors of a light-filled gallery space. The sculptures are modular, hollow, and consist of cube-like and triangular metal components.
    Charlotte Posenenske. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [Four geometric, silver metal sculptures are installed on the floors of a light-filled gallery space. The sculptures are modular, hollow, and consist of cube-like and triangular metal components.]
    Caption Charlotte Posenenske. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description Four geometric, silver metal sculptures are installed on the floors of a light-filled gallery space. The sculptures are modular, hollow, and consist of cube-like and triangular metal components.
    Year 2010
    Related pages Charlotte Posenenske
  • A person sits on a wooden chair where there are three arranged, wearing headphones and looks at a TV monitor. The monitor displays a construction landscape in the Middle East.
    A person sits on a wooden chair where there are three arranged, wearing headphones and looks at a TV monitor. The monitor displays a construction landscape in the Middle East.
    Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A person sits on a wooden chair where there are three arranged, wearing headphones and looks at a TV monitor. The monitor displays a construction landscape in the Middle East.]
    Caption Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez.
    Image description A person sits on a wooden chair where there are three arranged, wearing headphones and looks at a TV monitor. The monitor displays a construction landscape in the Middle East.
    Year 2014
    Related pages Laura Poitras: 9/11 Trilogy
  • A glossy black frame surrounds a painting of a man in a grey suit seated at a table. The man is wearing a white earpiece and is leaning forward towards a microphone. His fingers are tented on top of the table in an emphatic gesture.
    A glossy black frame surrounds a painting of a man in a grey suit seated at a table. The man is wearing a white earpiece and is leaning forward towards a microphone. His fingers are tented on top of the table in an emphatic gesture.
    Lukas Duwenhögger: Undoolay. Installation view, Artists Space, 2016. Photo credit: Jean Vong. [A glossy black frame surrounds a painting of a man in a grey suit seated at a table. The man is wearing a white earpiece and is leaning forward towards a microphone. His fingers are tented on top of the table in an emphatic gesture.]
    Caption Lukas Duwenhögger: Undoolay. Installation view, Artists Space, 2016. Photo credit: Jean Vong.
    Image description A glossy black frame surrounds a painting of a man in a grey suit seated at a table. The man is wearing a white earpiece and is leaning forward towards a microphone. His fingers are tented on top of the table in an emphatic gesture.
    Year 2016
    Related pages Lukas Duwenhögger: Undoolay
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    Image description
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A large space with a wooden floor and white walls. On one wall is a black and white floorplan with 3D structures. On the other wall, there are a series of photographs with several small street signs arranged in a clump. To the right of that, there is a block of wall text with four frames below. Two of the frames hold *Time Magazine* covers.
    A large space with a wooden floor and white walls. On one wall is a black and white floorplan with 3D structures. On the other wall, there are a series of photographs with several small street signs arranged in a clump. To the right of that, there is a block of wall text with four frames below. Two of the frames hold *Time Magazine* covers.
    Establishing Shot. Installation view, Artists Space, 2004. [A large space with a wooden floor and white walls. On one wall is a black and white floorplan with 3D structures. On the other wall, there are a series of photographs with several small street signs arranged in a clump. To the right of that, there is a block of wall text with four frames below. Two of the frames hold *Time Magazine* covers.]
    Caption Establishing Shot. Installation view, Artists Space, 2004.
    Image description A large space with a wooden floor and white walls. On one wall is a black and white floorplan with 3D structures. On the other wall, there are a series of photographs with several small street signs arranged in a clump. To the right of that, there is a block of wall text with four frames below. Two of the frames hold *Time Magazine* covers.
    Year 2004
    Related pages Establishing Shot
  • Black text on a light yellow background. The text reads: “April 12 / Isabel Sobral Campos / Ronaldo V. Wilson” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on a light yellow background. The text reads: “April 12 / Isabel Sobral Campos / Ronaldo V. Wilson” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on a light yellow background. The text reads: “April 12 / Isabel Sobral Campos / Ronaldo V. Wilson” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on a light yellow background. The text reads: “April 12 / Isabel Sobral Campos / Ronaldo V. Wilson” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Isabel Sobral Campos & Ronaldo V. Wilson
  • Black text overlays a color-scheme grid background. The text reads: “Dec 9 / Jessica Laser / Jillian McManemin
    Black text overlays a color-scheme grid background. The text reads: “Dec 9 / Jessica Laser / Jillian McManemin
    [Black text overlays a color-scheme grid background. The text reads: “Dec 9 / Jessica Laser / Jillian McManemin" Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description Black text overlays a color-scheme grid background. The text reads: “Dec 9 / Jessica Laser / Jillian McManemin" Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year
    Related pages Segue Reading Series: Jessica Laser & Jillian McManemin
  • A dimly lit gallery space with wooden flooring. Three large, rectangular photographs of various buildings’ architectural details are suspended from the ceiling, hanging on thin wires. Two of the images have been printed on a tarp-like material, while the image on the far left is suspended within a large sheet of transparent plexiglass.
    A dimly lit gallery space with wooden flooring. Three large, rectangular photographs of various buildings’ architectural details are suspended from the ceiling, hanging on thin wires. Two of the images have been printed on a tarp-like material, while the image on the far left is suspended within a large sheet of transparent plexiglass.
    Zaha Hadid. Installation view, Artists Space, 2003. [A dimly lit gallery space with wooden flooring. Three large, rectangular photographs of various buildings’ architectural details are suspended from the ceiling, hanging on thin wires. Two of the images have been printed on a tarp-like material, while the image on the far left is suspended within a large sheet of transparent plexiglass.]
    Caption Zaha Hadid. Installation view, Artists Space, 2003.
    Image description A dimly lit gallery space with wooden flooring. Three large, rectangular photographs of various buildings’ architectural details are suspended from the ceiling, hanging on thin wires. Two of the images have been printed on a tarp-like material, while the image on the far left is suspended within a large sheet of transparent plexiglass.
    Year 2003
    Related pages Mainspace Architecture & Design Project Series: Zaha Hadid
  • A screenshot of the google images results page for the search query
    A screenshot of the google images results page for the search query
    [A screenshot of the google images results page for the search query "institution".]
    Caption
    Image description A screenshot of the google images results page for the search query "institution".
    Year 2013
    Related pages Institution
  • A woman holding a large blue bag. To her right, vertical black text reads,
    A woman holding a large blue bag. To her right, vertical black text reads,
    [A woman holding a large blue bag. To her right, vertical black text reads, "HAUST."]
    Caption
    Image description A woman holding a large blue bag. To her right, vertical black text reads, "HAUST."
    Year
    Related pages Haust
  • A closed room; in the foreground is a white table with varoius documents. On the back wall hangs a black and white portrait of a man on a blue patterened wall. To the right adjacent wall, hang a grid of photogrpahs.
    A closed room; in the foreground is a white table with varoius documents. On the back wall hangs a black and white portrait of a man on a blue patterened wall. To the right adjacent wall, hang a grid of photogrpahs.
    Living with Pop. A Reproduction of Capitalist Realism. Installation view of the section “Galerie Schmela (1966),” Artists Space, 2014. [A closed room; in the foreground is a white table with varoius documents. On the back wall hangs a black and white portrait of a man on a blue patterened wall. To the right adjacent wall, hang a grid of photogrpahs.]
    Caption Living with Pop. A Reproduction of Capitalist Realism. Installation view of the section “Galerie Schmela (1966),” Artists Space, 2014.
    Image description A closed room; in the foreground is a white table with varoius documents. On the back wall hangs a black and white portrait of a man on a blue patterened wall. To the right adjacent wall, hang a grid of photogrpahs.
    Year 2014
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • Several artworks and vitrines displayed in a gallery space. On the left, a slide projector projects an image of a figure wearing a leopard-print body suit onto a white wall. A glass vitrine displaying several paper documents stands in the middle of the room next to a freestanding wall. Twelve drawings arranged in a grid formation and one additional drawing installed to the right of the grid are dispalyed on the freestanding wall.
    Several artworks and vitrines displayed in a gallery space. On the left, a slide projector projects an image of a figure wearing a leopard-print body suit onto a white wall. A glass vitrine displaying several paper documents stands in the middle of the room next to a freestanding wall. Twelve drawings arranged in a grid formation and one additional drawing installed to the right of the grid are dispalyed on the freestanding wall.
    Jack Smith: Art Crust of Spiritual Oasis. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [Several artworks and vitrines displayed in a gallery space. On the left, a slide projector projects an image of a figure wearing a leopard-print body suit onto a white wall. A glass vitrine displaying several paper documents stands in the middle of the room next to a freestanding wall. Twelve drawings arranged in a grid formation and one additional drawing installed to the right of the grid are dispalyed on the freestanding wall.]
    Caption Jack Smith: Art Crust of Spiritual Oasis. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description Several artworks and vitrines displayed in a gallery space. On the left, a slide projector projects an image of a figure wearing a leopard-print body suit onto a white wall. A glass vitrine displaying several paper documents stands in the middle of the room next to a freestanding wall. Twelve drawings arranged in a grid formation and one additional drawing installed to the right of the grid are dispalyed on the freestanding wall.
    Year 2018
    Related pages Jack Smith: Art Crust of Spiritual Oasis
  • A figure sits in a chair facing—and silhouetted by—a soft, sunset-bathed city skyline and river. Their back faces the viewer, and they appear to rest their head on their hand. The space around them resembles a corporate office space.
    A figure sits in a chair facing—and silhouetted by—a soft, sunset-bathed city skyline and river. Their back faces the viewer, and they appear to rest their head on their hand. The space around them resembles a corporate office space.
    [A figure sits in a chair facing—and silhouetted by—a soft, sunset-bathed city skyline and river. Their back faces the viewer, and they appear to rest their head on their hand. The space around them resembles a corporate office space.]
    Caption
    Image description A figure sits in a chair facing—and silhouetted by—a soft, sunset-bathed city skyline and river. Their back faces the viewer, and they appear to rest their head on their hand. The space around them resembles a corporate office space.
    Year 2007
    Related pages Program 2 - In The Poem About Love You Don't Write The Word Love Film Series at Anthology Film Archives
  • Photo: Ben Tran
    Caption Photo: Ben Tran
    Image description
    Year
    Related pages Arnold Dreyblatt
  • A color television CRT monitor is visible with a man's face on it. This monitor is shrouded in darkness and some indistinguishable object appears to be touching the screen.
    A color television CRT monitor is visible with a man's face on it. This monitor is shrouded in darkness and some indistinguishable object appears to be touching the screen.
    Installation view of Social Disease and Two Possibilities, Artists Space, April 12, 1986 - May 10, 1986. [A color television CRT monitor is visible with a man's face on it. This monitor is shrouded in darkness and some indistinguishable object appears to be touching the screen.]
    Caption Installation view of Social Disease and Two Possibilities, Artists Space, April 12, 1986 - May 10, 1986.
    Image description A color television CRT monitor is visible with a man's face on it. This monitor is shrouded in darkness and some indistinguishable object appears to be touching the screen.
    Year
    Related pages Social Disease and Two Possibilities
  • Constantina Zavitsanos: fwiw. Installation view, Artists Space, 2024. Photo: Carter Seddon.
    Caption Constantina Zavitsanos: fwiw. Installation view, Artists Space, 2024. Photo: Carter Seddon.
    Image description
    Year
    Related pages fwiw
  • A geometric, silver metal sculpture sits on a wooden gallery floor. The sculpture is modular, hollow, and consists of cube-like and triangular metal components arranged in a long form that snakes across the ground. A large sheet of brown paper rests on the floor before the sculpture, crumpling against the sculpture's lower edge.
    A geometric, silver metal sculpture sits on a wooden gallery floor. The sculpture is modular, hollow, and consists of cube-like and triangular metal components arranged in a long form that snakes across the ground. A large sheet of brown paper rests on the floor before the sculpture, crumpling against the sculpture's lower edge.
    Charlotte Posenenske. Configured by Ei Arakawa. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A geometric, silver metal sculpture sits on a wooden gallery floor. The sculpture is modular, hollow, and consists of cube-like and triangular metal components arranged in a long form that snakes across the ground. A large sheet of brown paper rests on the floor before the sculpture, crumpling against the sculpture's lower edge.]
    Caption Charlotte Posenenske. Configured by Ei Arakawa. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description A geometric, silver metal sculpture sits on a wooden gallery floor. The sculpture is modular, hollow, and consists of cube-like and triangular metal components arranged in a long form that snakes across the ground. A large sheet of brown paper rests on the floor before the sculpture, crumpling against the sculpture's lower edge.
    Year 2010
    Related pages Charlotte Posenenske
  • Three vertical prints, framed and lined on a white wall. From left to right: A person wearing white sunglasses and a fluffy vest sits on the floor and peruses vinyls, two people are perched on a bed, wearing David-Bowie style makeup, one person wearing a bathrobe lights the others cigarette, who wears flamboyant pink underwear and socks, and two people are photographed from below as they are performing, one wears a patterned top and stands with their arms stretched and the other is playing an instrument with a mic in front of them.
    Three vertical prints, framed and lined on a white wall. From left to right: A person wearing white sunglasses and a fluffy vest sits on the floor and peruses vinyls, two people are perched on a bed, wearing David-Bowie style makeup, one person wearing a bathrobe lights the others cigarette, who wears flamboyant pink underwear and socks, and two people are photographed from below as they are performing, one wears a patterned top and stands with their arms stretched and the other is playing an instrument with a mic in front of them.
    Laura Cottingham & The Anita Pallenberg Story. Installation view, Artists Space, 2017. Photo: Daniel Pérez. [Three vertical prints, framed and lined on a white wall. From left to right: A person wearing white sunglasses and a fluffy vest sits on the floor and peruses vinyls, two people are perched on a bed, wearing David-Bowie style makeup, one person wearing a bathrobe lights the others cigarette, who wears flamboyant pink underwear and socks, and two people are photographed from below as they are performing, one wears a patterned top and stands with their arms stretched and the other is playing an instrument with a mic in front of them.]
    Caption Laura Cottingham & The Anita Pallenberg Story. Installation view, Artists Space, 2017. Photo: Daniel Pérez.
    Image description Three vertical prints, framed and lined on a white wall. From left to right: A person wearing white sunglasses and a fluffy vest sits on the floor and peruses vinyls, two people are perched on a bed, wearing David-Bowie style makeup, one person wearing a bathrobe lights the others cigarette, who wears flamboyant pink underwear and socks, and two people are photographed from below as they are performing, one wears a patterned top and stands with their arms stretched and the other is playing an instrument with a mic in front of them.
    Year 2017
    Related pages Laura Cottingham & The Anita Pallenberg Story
  • The corner of a loft space. A printed image of a canyon is affixed to the wall. The image is torn in half and the tear extends off of the paper onto the wall itself, continuing from floor to ceiling.
    The corner of a loft space. A printed image of a canyon is affixed to the wall. The image is torn in half and the tear extends off of the paper onto the wall itself, continuing from floor to ceiling.
    Valerie Hegarty, Cracked Canyon (Poster), 2007. Site-specific installation. Courtesy the artist. Photo: Bill Orcutt. [The corner of a loft space. A printed image of a canyon is affixed to the wall. The image is torn in half and the tear extends off of the paper onto the wall itself, continuing from floor to ceiling.]
    Caption Valerie Hegarty, Cracked Canyon (Poster), 2007. Site-specific installation. Courtesy the artist. Photo: Bill Orcutt.
    Image description The corner of a loft space. A printed image of a canyon is affixed to the wall. The image is torn in half and the tear extends off of the paper onto the wall itself, continuing from floor to ceiling.
    Year 2007
    Related pages On Being an Exhibition
  • A color photograph of a gallery space with several columns. In between two columns, a large fabric work is stretched with an image of cows lying on the ground. To the right, in between two other columns, a painting on fabric that depicts two people on a green background is hanging. Further in the background, a painting is visible hanging on the wall. In the foreground, one board from a cornhole set is resting on the floor.
    A color photograph of a gallery space with several columns. In between two columns, a large fabric work is stretched with an image of cows lying on the ground. To the right, in between two other columns, a painting on fabric that depicts two people on a green background is hanging. Further in the background, a painting is visible hanging on the wall. In the foreground, one board from a cornhole set is resting on the floor.
    Everything is common. Installation view, Artists Space, 2022. Photo: Steven Cottingham. [A color photograph of a gallery space with several columns. In between two columns, a large fabric work is stretched with an image of cows lying on the ground. To the right, in between two other columns, a painting on fabric that depicts two people on a green background is hanging. Further in the background, a painting is visible hanging on the wall. In the foreground, one board from a cornhole set is resting on the floor.]
    Caption Everything is common. Installation view, Artists Space, 2022. Photo: Steven Cottingham.
    Image description A color photograph of a gallery space with several columns. In between two columns, a large fabric work is stretched with an image of cows lying on the ground. To the right, in between two other columns, a painting on fabric that depicts two people on a green background is hanging. Further in the background, a painting is visible hanging on the wall. In the foreground, one board from a cornhole set is resting on the floor.
    Year
    Related pages Whitney Independent Study: Everything is Common
  • A white wall with the Artists Space logo affixed. Light bulbs are affixed to the edge of the wall. In the background a piece hangs on the wall.
    A white wall with the Artists Space logo affixed. Light bulbs are affixed to the edge of the wall. In the background a piece hangs on the wall.
    _____, Louise Lawler, Adrian Piper & Cindy Sherman Have Agreed to Participate in an Exhibition Organized by Janelle Reiring at Artists Space, September 23 through October 28, 1978, Artists Space, 1978. Installation view, Artists Space, 1978. [A white wall with the Artists Space logo affixed. Light bulbs are affixed to the edge of the wall. In the background a piece hangs on the wall.]
    Caption _____, Louise Lawler, Adrian Piper & Cindy Sherman Have Agreed to Participate in an Exhibition Organized by Janelle Reiring at Artists Space, September 23 through October 28, 1978, Artists Space, 1978. Installation view, Artists Space, 1978.
    Image description A white wall with the Artists Space logo affixed. Light bulbs are affixed to the edge of the wall. In the background a piece hangs on the wall.
    Year 1978
    Related pages ______ , Louise Lawler, Adrian Piper & Cindy Sherman Have Agreed to Participate in an Exhibition Organized by Janelle Reiring at Artists Space, September 23 through October 28, 1978.
  • Three light, mauve-colored walls in an exhibition space each display several canvases. The three walls are arranged such that they are parallel to each other. Each of the canvases are slightly three-dimensional, with elements that stretch in or out from their surfaces.
    Three light, mauve-colored walls in an exhibition space each display several canvases. The three walls are arranged such that they are parallel to each other. Each of the canvases are slightly three-dimensional, with elements that stretch in or out from their surfaces.
    Zilia Sánchez. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [Three light, mauve-colored walls in an exhibition space each display several canvases. The three walls are arranged such that they are parallel to each other. Each of the canvases are slightly three-dimensional, with elements that stretch in or out from their surfaces.]
    Caption Zilia Sánchez. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description Three light, mauve-colored walls in an exhibition space each display several canvases. The three walls are arranged such that they are parallel to each other. Each of the canvases are slightly three-dimensional, with elements that stretch in or out from their surfaces.
    Year 2013
    Related pages Zilia Sánchez
  • A color installation image of a gallery space. Several small canvases painted with geometric forms are hung on the walls.
    A color installation image of a gallery space. Several small canvases painted with geometric forms are hung on the walls.
    Paintings by Fontaine Dunn. From Gary Bower, Fontaine Dunn, Hermine Ford, Artists Space, 1976. [A color installation image of a gallery space. Several small canvases painted with geometric forms are hung on the walls.]
    Caption Paintings by Fontaine Dunn. From Gary Bower, Fontaine Dunn, Hermine Ford, Artists Space, 1976.
    Image description A color installation image of a gallery space. Several small canvases painted with geometric forms are hung on the walls.
    Year 1976
    Related pages Gary Bower, Fontaine Dunn, Hermine Ford
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Color photograph of a figure wearing a conical sheath of reflective one-way mirror film. They stand in the corner of a dark room, shining a bright light against the wall behind them. Their silhouette can be vaguely seen under the mirror film.
    Color photograph of a figure wearing a conical sheath of reflective one-way mirror film. They stand in the corner of a dark room, shining a bright light against the wall behind them. Their silhouette can be vaguely seen under the mirror film.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure wearing a conical sheath of reflective one-way mirror film. They stand in the corner of a dark room, shining a bright light against the wall behind them. Their silhouette can be vaguely seen under the mirror film.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a figure wearing a conical sheath of reflective one-way mirror film. They stand in the corner of a dark room, shining a bright light against the wall behind them. Their silhouette can be vaguely seen under the mirror film.
    Year 2022
    Related pages keyon gaskin 12-18
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    Image description
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Cover image photographed by Cathy Weiner
    Caption Cover image photographed by Cathy Weiner
    Image description
    Year
    Related pages Christopher D'Arcangelo
  • Black and white photograph of two women, one in a white dress and the other in a black niqab and sunglasses, walking arm in arm in a narrow street.
    Black and white photograph of two women, one in a white dress and the other in a black niqab and sunglasses, walking arm in arm in a narrow street.
    Jane Bowles with Cherifa in Tangier, 1967. Photo: Terrence Spencer/Time & Life Pictures/Getty. [Black and white photograph of two women, one in a white dress and the other in a black niqab and sunglasses, walking arm in arm in a narrow street.]
    Caption Jane Bowles with Cherifa in Tangier, 1967. Photo: Terrence Spencer/Time & Life Pictures/Getty.
    Image description Black and white photograph of two women, one in a white dress and the other in a black niqab and sunglasses, walking arm in arm in a narrow street.
    Year 1967
    Related pages Dear Jane
  • A black-and-white film still of hazy and ghostly tonal modulations. Within the tonal atmosphere, fragments of a person's face and body can be made out in the right half of the image.
    A black-and-white film still of hazy and ghostly tonal modulations. Within the tonal atmosphere, fragments of a person's face and body can be made out in the right half of the image.
    Shala Miller, Genesis, 2023. [A black-and-white film still of hazy and ghostly tonal modulations. Within the tonal atmosphere, fragments of a person's face and body can be made out in the right half of the image.]
    Caption Shala Miller, Genesis, 2023.
    Image description A black-and-white film still of hazy and ghostly tonal modulations. Within the tonal atmosphere, fragments of a person's face and body can be made out in the right half of the image.
    Year
    Related pages Genesis: Medley
  • Various drawings are hung up on white walls. The drawings consist of simple shapes and lines.
    Various drawings are hung up on white walls. The drawings consist of simple shapes and lines.
    Artists Draw. Installation view, Artists Space, 1979. [Various drawings are hung up on white walls. The drawings consist of simple shapes and lines.]
    Caption Artists Draw. Installation view, Artists Space, 1979.
    Image description Various drawings are hung up on white walls. The drawings consist of simple shapes and lines.
    Year 1979
    Related pages Artists Draw: Tom Martin, Auste Peciura, Alan Saret, Patti Smith, Nancy Spero
  • A person with pink nail polish hold up a Canon AE-1 film camera.
    A person with pink nail polish hold up a Canon AE-1 film camera.
    Aisha Rodriguez, Click, 2013. [A person with pink nail polish hold up a Canon AE-1 film camera.]
    Caption Aisha Rodriguez, Click, 2013.
    Image description A person with pink nail polish hold up a Canon AE-1 film camera.
    Year 2013
    Related pages Welcome To My World
  • A black and white paintng of a group of individuals in party attire, multiple accents of red are placed throughout the painting.
    A black and white paintng of a group of individuals in party attire, multiple accents of red are placed throughout the painting.
    Living with Pop. A Reproduction of Capitalist Realism 2014 Gerhard Richter Party, 1963 © Atelier Gerhard Richter [A black and white paintng of a group of individuals in party attire, multiple accents of red are placed throughout the painting.]
    Caption Living with Pop. A Reproduction of Capitalist Realism 2014 Gerhard Richter Party, 1963 © Atelier Gerhard Richter
    Image description A black and white paintng of a group of individuals in party attire, multiple accents of red are placed throughout the painting.
    Year 2014
    Related pages
  • A negative exposure of several people standing or walking in a hallway with an arched ceiling.
    A negative exposure of several people standing or walking in a hallway with an arched ceiling.
    Angie Eng, still from Undersites, 1996. Video. [A negative exposure of several people standing or walking in a hallway with an arched ceiling.]
    Caption Angie Eng, still from Undersites, 1996. Video.
    Image description A negative exposure of several people standing or walking in a hallway with an arched ceiling.
    Year 1996
    Related pages Safety Belt
  • Several photographs installed in a gallery space with white walls and wooden flooring. Four color photographs are arranged in a vertical line on a wall to the right side of the image. The wall terminates to the left of the displayed photographs, and a second wall extends into the gallery space directly behind it. Two large images comprised of pink and purple hues hang on a far gallery wall in the background of the image. The image on the left displays a futuristic looking, interior space.
    Several photographs installed in a gallery space with white walls and wooden flooring. Four color photographs are arranged in a vertical line on a wall to the right side of the image. The wall terminates to the left of the displayed photographs, and a second wall extends into the gallery space directly behind it. Two large images comprised of pink and purple hues hang on a far gallery wall in the background of the image. The image on the left displays a futuristic looking, interior space.
    Urban Pornography. Installation view, Artists Space, 2001. [Several photographs installed in a gallery space with white walls and wooden flooring. Four color photographs are arranged in a vertical line on a wall to the right side of the image. The wall terminates to the left of the displayed photographs, and a second wall extends into the gallery space directly behind it. Two large images comprised of pink and purple hues hang on a far gallery wall in the background of the image. The image on the left displays a futuristic looking, interior space.]
    Caption Urban Pornography. Installation view, Artists Space, 2001.
    Image description Several photographs installed in a gallery space with white walls and wooden flooring. Four color photographs are arranged in a vertical line on a wall to the right side of the image. The wall terminates to the left of the displayed photographs, and a second wall extends into the gallery space directly behind it. Two large images comprised of pink and purple hues hang on a far gallery wall in the background of the image. The image on the left displays a futuristic looking, interior space.
    Year 2001
    Related pages Urban Pornography
  • A close up, black and white image of the seat of an antique wooden chair. A mold of a human brain emerges from the center of the chair's cushion.
    A close up, black and white image of the seat of an antique wooden chair. A mold of a human brain emerges from the center of the chair's cushion.
    AIDS Forum: Danny Dries - Generic Memorial (for WM. Schwedler, 1942-1982). Installation view, Artists Space, 1992. [A close up, black and white image of the seat of an antique wooden chair. A mold of a human brain emerges from the center of the chair's cushion.]
    Caption AIDS Forum: Danny Dries - Generic Memorial (for WM. Schwedler, 1942-1982). Installation view, Artists Space, 1992.
    Image description A close up, black and white image of the seat of an antique wooden chair. A mold of a human brain emerges from the center of the chair's cushion.
    Year
    Related pages AIDS FORUM: Generic Memorial (for WM. Schwedler, 1942-1982)
  • Photograph of a performer, standing next to a table covered in a black cloth. The background is bathed in purple light. A white spotlight shines on the table, highlighting the performer's hands as they pour liquid from one teacup into another teacup held below.
    Photograph of a performer, standing next to a table covered in a black cloth. The background is bathed in purple light. A white spotlight shines on the table, highlighting the performer's hands as they pour liquid from one teacup into another teacup held below.
    S*an D. Henry Smith in Constantina Zavitsanos’ Entropy (2023), a set of three performances (on-site and online) for If I Can’t Dance, I Don’t Want to Be a Part of Your Revolution. Performers and co-creators of the score: Angelo Custódio and Pedro Matias, S*an D. Henry-Smith and Geo Wyex. Photo: Prins de Vos [Photograph of a performer, standing next to a table covered in a black cloth. The background is bathed in purple light. A white spotlight shines on the table, highlighting the performer's hands as they pour liquid from one teacup into another teacup held below.]
    Caption S*an D. Henry Smith in Constantina Zavitsanos’ Entropy (2023), a set of three performances (on-site and online) for If I Can’t Dance, I Don’t Want to Be a Part of Your Revolution. Performers and co-creators of the score: Angelo Custódio and Pedro Matias, S*an D. Henry-Smith and Geo Wyex. Photo: Prins de Vos
    Image description Photograph of a performer, standing next to a table covered in a black cloth. The background is bathed in purple light. A white spotlight shines on the table, highlighting the performer's hands as they pour liquid from one teacup into another teacup held below.
    Year
    Related pages S*an D. Henry-Smith
  • Contact sheet of stills depicting numerous installation views.
    Contact sheet of stills depicting numerous installation views.
    Sixth Anniversary Exhibition. Installation views, Artists Space, 1979. [Contact sheet of stills depicting numerous installation views.]
    Caption Sixth Anniversary Exhibition. Installation views, Artists Space, 1979.
    Image description Contact sheet of stills depicting numerous installation views.
    Year 1979
    Related pages Sixth Anniversary Exhibition
  • Color image of a darkened venue space full of seated visitors, whose backs are turned to look at a screening. The wall before them displays a bright projection, the glow of the image illuminates the seated participants.
    Color image of a darkened venue space full of seated visitors, whose backs are turned to look at a screening. The wall before them displays a bright projection, the glow of the image illuminates the seated participants.
    Abasement #63. Performance documentation, July 17, 2023, Artists Space. Photo: Joshua Wildman. [Color image of a darkened venue space full of seated visitors, whose backs are turned to look at a screening. The wall before them displays a bright projection, the glow of the image illuminates the seated participants.]
    Caption Abasement #63. Performance documentation, July 17, 2023, Artists Space. Photo: Joshua Wildman.
    Image description Color image of a darkened venue space full of seated visitors, whose backs are turned to look at a screening. The wall before them displays a bright projection, the glow of the image illuminates the seated participants.
    Year
    Related pages Abasement #63
  • El Bosque Luminoso Bajo El Mar, M.S. 324 exhibition, Threads of History, May 2023
    Caption El Bosque Luminoso Bajo El Mar, M.S. 324 exhibition, Threads of History, May 2023
    Image description
    Year
    Related pages Exhibitions and Events
  • Catalogue cover design featuring an architectural sketch of an abstract contraption. A silhouette of a figure is transposed on top of the rendering. Black sans-serif text at the top and bottom edges of the cover reads,
    Catalogue cover design featuring an architectural sketch of an abstract contraption. A silhouette of a figure is transposed on top of the rendering. Black sans-serif text at the top and bottom edges of the cover reads,
    [Catalogue cover design featuring an architectural sketch of an abstract contraption. A silhouette of a figure is transposed on top of the rendering. Black sans-serif text at the top and bottom edges of the cover reads, "Joel Saunders & Scott Sherk / SIGHTING THE GALLERY / Artists Space / December 12, 1992 - January 30, 1993."]
    Caption
    Image description Catalogue cover design featuring an architectural sketch of an abstract contraption. A silhouette of a figure is transposed on top of the rendering. Black sans-serif text at the top and bottom edges of the cover reads, "Joel Saunders & Scott Sherk / SIGHTING THE GALLERY / Artists Space / December 12, 1992 - January 30, 1993."
    Year 1992
    Related pages Sighting the Gallery
  • Caption
    Image description
    Year
    Related pages Education Publications
  • An overexposed image of a person looking at the camera, their face partially obscured by the exposure.
    An overexposed image of a person looking at the camera, their face partially obscured by the exposure.
    Union Gaucha Productions Still from Totloop , 2003 16mm film (silent, color), 4 min 49 sec Collaboration with Fabio Kacero Courtesy of Union Gaucha Productions [An overexposed image of a person looking at the camera, their face partially obscured by the exposure.]
    Caption Union Gaucha Productions Still from Totloop , 2003 16mm film (silent, color), 4 min 49 sec Collaboration with Fabio Kacero Courtesy of Union Gaucha Productions
    Image description An overexposed image of a person looking at the camera, their face partially obscured by the exposure.
    Year 2003
    Related pages Union Gaucha Productions
  • A bright yellow object with a cracked surface is embedded with a computer chipboard on its front, and a multicolored fidget spinner on the top.
    A bright yellow object with a cracked surface is embedded with a computer chipboard on its front, and a multicolored fidget spinner on the top.
    Not yet titled, 2019
    Clay, glaze, mixed media
    7 x 12 x 17 inches (variable)
    $5,000
    [A bright yellow object with a cracked surface is embedded with a computer chipboard on its front, and a multicolored fidget spinner on the top.]
    Caption Not yet titled, 2019
    Clay, glaze, mixed media
    7 x 12 x 17 inches (variable)
    $5,000
    Image description A bright yellow object with a cracked surface is embedded with a computer chipboard on its front, and a multicolored fidget spinner on the top.
    Year 2019
    Related pages Trisha Baga Edition
  • Four pornographic illustrations of men in jail cells are framed on the wall.
    Four pornographic illustrations of men in jail cells are framed on the wall.
    Tom of Finland: The Pleasure of Play. Installation view, Artists Space, 2015. [Four pornographic illustrations of men in jail cells are framed on the wall.]
    Caption Tom of Finland: The Pleasure of Play. Installation view, Artists Space, 2015.
    Image description Four pornographic illustrations of men in jail cells are framed on the wall.
    Year 2015
    Related pages Tom of Finland: The Pleasure of Play
  • Two square paintings adjacent to eachother.
    Two square paintings adjacent to eachother.
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [Two square paintings adjacent to eachother.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description Two square paintings adjacent to eachother.
    Year 2017
    Related pages Unholding
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A black and white photograph of four framed mixed media collages installed on a gallery wall with light shining on them from above.
    A black and white photograph of four framed mixed media collages installed on a gallery wall with light shining on them from above.
    Too Black, Too Strong! Installation View, Artists Space, 1988. [A black and white photograph of four framed mixed media collages installed on a gallery wall with light shining on them from above.]
    Caption Too Black, Too Strong! Installation View, Artists Space, 1988.
    Image description A black and white photograph of four framed mixed media collages installed on a gallery wall with light shining on them from above.
    Year 1988
    Related pages Too Black, Too Strong!
  • Black and white photograph of cursive white text on a black background on the floor.
    Black and white photograph of cursive white text on a black background on the floor.
    Margia Kramer. Installation view, Artists Space, 1980. [Black and white photograph of cursive white text on a black background on the floor.]
    Caption Margia Kramer. Installation view, Artists Space, 1980.
    Image description Black and white photograph of cursive white text on a black background on the floor.
    Year
    Related pages Margia Kramer
  • A line of people marching forward hold up signs reading
    A line of people marching forward hold up signs reading
    Demonstrations outside Artists Space during the opening of Witnesses: Against Our Vanishing, November 16, 1989. [A line of people marching forward hold up signs reading "replace frony" and "Keep 1st amendment, stop helms," among other phrases.]
    Caption Demonstrations outside Artists Space during the opening of Witnesses: Against Our Vanishing, November 16, 1989.
    Image description A line of people marching forward hold up signs reading "replace frony" and "Keep 1st amendment, stop helms," among other phrases.
    Year 1989
    Related pages Witnesses: Against Our Vanishing
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A detail view of a dim, stark forest with minimal sunlight.
    A detail view of a dim, stark forest with minimal sunlight.
    Metahaven, The Sprawl (in development), 2015. Video still. Courtesy Lighthouse / The Space. [A detail view of a dim, stark forest with minimal sunlight.]
    Caption Metahaven, The Sprawl (in development), 2015. Video still. Courtesy Lighthouse / The Space.
    Image description A detail view of a dim, stark forest with minimal sunlight.
    Year 2015
    Related pages After Effects
  • Three gray objects rest on separate rectangular, white plinths in a gallery space with wooden flooring. Each of the objects is rectangular and has a 3D, biomorphic form.
    Three gray objects rest on separate rectangular, white plinths in a gallery space with wooden flooring. Each of the objects is rectangular and has a 3D, biomorphic form.
    Matters of Sensation. Installation view, Artists Space, 2008. Photo: Adam Reich. [Three gray objects rest on separate rectangular, white plinths in a gallery space with wooden flooring. Each of the objects is rectangular and has a 3D, biomorphic form.]
    Caption Matters of Sensation. Installation view, Artists Space, 2008. Photo: Adam Reich.
    Image description Three gray objects rest on separate rectangular, white plinths in a gallery space with wooden flooring. Each of the objects is rectangular and has a 3D, biomorphic form.
    Year 2008
    Related pages Matters of Sensation
  • Two photographs are shown in a book spread. On the left page, a high-contrast black-and-white photograph hosts heavy light and shadow play. An iconic payphone handset is centered floating in a clear cube, with its top protruding slightly above the cube’s top surface. The telephone’s armored cord hangs down in loose loops inside the cube, its exposed wire slack touching the interior bottom. On the right page, a black-and-white photograph shows two pairs of modified headphones entwined on a deep black surface. In place of speakers, one headphone strap hosts clocks that each have a small stopwatch dial; the other strap hosts a pocket watch and a compass. The clock hands are missing from the clocks; inside their larger clockface circles, each clock hosts a smaller circle with a stopwatch.
    Two photographs are shown in a book spread. On the left page, a high-contrast black-and-white photograph hosts heavy light and shadow play. An iconic payphone handset is centered floating in a clear cube, with its top protruding slightly above the cube’s top surface. The telephone’s armored cord hangs down in loose loops inside the cube, its exposed wire slack touching the interior bottom. On the right page, a black-and-white photograph shows two pairs of modified headphones entwined on a deep black surface. In place of speakers, one headphone strap hosts clocks that each have a small stopwatch dial; the other strap hosts a pocket watch and a compass. The clock hands are missing from the clocks; inside their larger clockface circles, each clock hosts a smaller circle with a stopwatch.
    Book spread from FWIW. [Two photographs are shown in a book spread. On the left page, a high-contrast black-and-white photograph hosts heavy light and shadow play. An iconic payphone handset is centered floating in a clear cube, with its top protruding slightly above the cube’s top surface. The telephone’s armored cord hangs down in loose loops inside the cube, its exposed wire slack touching the interior bottom. On the right page, a black-and-white photograph shows two pairs of modified headphones entwined on a deep black surface. In place of speakers, one headphone strap hosts clocks that each have a small stopwatch dial; the other strap hosts a pocket watch and a compass. The clock hands are missing from the clocks; inside their larger clockface circles, each clock hosts a smaller circle with a stopwatch.]
    Caption Book spread from FWIW.
    Image description Two photographs are shown in a book spread. On the left page, a high-contrast black-and-white photograph hosts heavy light and shadow play. An iconic payphone handset is centered floating in a clear cube, with its top protruding slightly above the cube’s top surface. The telephone’s armored cord hangs down in loose loops inside the cube, its exposed wire slack touching the interior bottom. On the right page, a black-and-white photograph shows two pairs of modified headphones entwined on a deep black surface. In place of speakers, one headphone strap hosts clocks that each have a small stopwatch dial; the other strap hosts a pocket watch and a compass. The clock hands are missing from the clocks; inside their larger clockface circles, each clock hosts a smaller circle with a stopwatch.
    Year
    Related pages FWIW
  • A figure stands in the center of the image, juggling several small white balls above their head.
    A figure stands in the center of the image, juggling several small white balls above their head.
    Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court [A figure stands in the center of the image, juggling several small white balls above their head.]
    Caption Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court
    Image description A figure stands in the center of the image, juggling several small white balls above their head.
    Year 2022
    Related pages Circus Amok
  • A light colored paper with four photographs. Two images are the same, which feature a scene involving people and various props. The photograph at the top right features a man with a blue face posing next to a black and red sign. The image at the bottom left includes three people posing near one another.
    A light colored paper with four photographs. Two images are the same, which feature a scene involving people and various props. The photograph at the top right features a man with a blue face posing next to a black and red sign. The image at the bottom left includes three people posing near one another.
    Untitled (scrapbook), date unknown, Copyright Jack Smith Archive, Courtesy Gladstone Gallery, New York and Brussels [A light colored paper with four photographs. Two images are the same, which feature a scene involving people and various props. The photograph at the top right features a man with a blue face posing next to a black and red sign. The image at the bottom left includes three people posing near one another.]
    Caption Untitled (scrapbook), date unknown, Copyright Jack Smith Archive, Courtesy Gladstone Gallery, New York and Brussels
    Image description A light colored paper with four photographs. Two images are the same, which feature a scene involving people and various props. The photograph at the top right features a man with a blue face posing next to a black and red sign. The image at the bottom left includes three people posing near one another.
    Year
    Related pages Jack Smith: Art Crust of Spiritual Oasis
  • A nude figure is seen sitting in a pool of water in the corner with ceramic tile wall paneling behind them. Sharp lighting accentuates the top half of the image where the face of the figure is, staring into the camera.
    A nude figure is seen sitting in a pool of water in the corner with ceramic tile wall paneling behind them. Sharp lighting accentuates the top half of the image where the face of the figure is, staring into the camera.
    Audrey Glassman, Untitled, 1983. Cibachrome, 28 x 42 inches. [A nude figure is seen sitting in a pool of water in the corner with ceramic tile wall paneling behind them. Sharp lighting accentuates the top half of the image where the face of the figure is, staring into the camera.]
    Caption Audrey Glassman, Untitled, 1983. Cibachrome, 28 x 42 inches.
    Image description A nude figure is seen sitting in a pool of water in the corner with ceramic tile wall paneling behind them. Sharp lighting accentuates the top half of the image where the face of the figure is, staring into the camera.
    Year
    Related pages U.S. Projects
  • A wall with pink pieces of paper arranged in long columns, floor to ceiling. In front of the wall there is a single white pole, and a metal stepladder.
    A wall with pink pieces of paper arranged in long columns, floor to ceiling. In front of the wall there is a single white pole, and a metal stepladder.
    Neil Goldberg, Fortune 500 Dream Fax Project, 1996. [A wall with pink pieces of paper arranged in long columns, floor to ceiling. In front of the wall there is a single white pole, and a metal stepladder.]
    Caption Neil Goldberg, Fortune 500 Dream Fax Project, 1996.
    Image description A wall with pink pieces of paper arranged in long columns, floor to ceiling. In front of the wall there is a single white pole, and a metal stepladder.
    Year 1996
    Related pages A Strategy Hinted At: New Conceptual Artists
  • The corner of a room with two white walls. On one wall, there is a white collared shirt on a hanger, a black and white abstract image, and a small white sculpture.
    The corner of a room with two white walls. On one wall, there is a white collared shirt on a hanger, a black and white abstract image, and a small white sculpture.
    Paper Exhibition. Installation view, Artists Space, 2009. Photo: Adam Reich. [The corner of a room with two white walls. On one wall, there is a white collared shirt on a hanger, a black and white abstract image, and a small white sculpture.]
    Caption Paper Exhibition. Installation view, Artists Space, 2009. Photo: Adam Reich.
    Image description The corner of a room with two white walls. On one wall, there is a white collared shirt on a hanger, a black and white abstract image, and a small white sculpture.
    Year 2009
    Related pages Paper Exhibition
  • A book cover with an old car vertically arranged next to Arabic writing.
    A book cover with an old car vertically arranged next to Arabic writing.
    Peter Osborne, Anywhere or Not At All (Verso Books, 2013). [A book cover with an old car vertically arranged next to Arabic writing.]
    Caption Peter Osborne, Anywhere or Not At All (Verso Books, 2013).
    Image description A book cover with an old car vertically arranged next to Arabic writing.
    Year 2013
    Related pages Anywhere or Not at All
  • A flyer featuring black and white photos of NYC housing developments and an orange column with text that reads,
    A flyer featuring black and white photos of NYC housing developments and an orange column with text that reads,
    Morag Keil, Posters, 2014. Inkjet prints (series of four). [A flyer featuring black and white photos of NYC housing developments and an orange column with text that reads, "HOUSING DISCRIMINATION IS AGAINST THE LAW! Fair housing is a human right protected by the New York City Human Rights Law. Under the New York City Human Rights Law, you cannot be denied housing because of your actual or perceived race, age, disability, gender (including gender identity and sexual harrassment), sexual orientation, marital status, partnership status, alienage or citizenship status, lawful occupation, lawful source of income, or because children may be residing with you."]
    Caption Morag Keil, Posters, 2014. Inkjet prints (series of four).
    Image description A flyer featuring black and white photos of NYC housing developments and an orange column with text that reads, "HOUSING DISCRIMINATION IS AGAINST THE LAW! Fair housing is a human right protected by the New York City Human Rights Law. Under the New York City Human Rights Law, you cannot be denied housing because of your actual or perceived race, age, disability, gender (including gender identity and sexual harrassment), sexual orientation, marital status, partnership status, alienage or citizenship status, lawful occupation, lawful source of income, or because children may be residing with you."
    Year 2014
    Related pages No Lectures
  • Black text overlays a color-scheme grid background. The text reads: “Jan 27 / Lee Ann Brown / Brian Kim Stefans
    Black text overlays a color-scheme grid background. The text reads: “Jan 27 / Lee Ann Brown / Brian Kim Stefans
    [Black text overlays a color-scheme grid background. The text reads: “Jan 27 / Lee Ann Brown / Brian Kim Stefans" Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description Black text overlays a color-scheme grid background. The text reads: “Jan 27 / Lee Ann Brown / Brian Kim Stefans" Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year
    Related pages Segue Reading Series: Lee Ann Brown & Brian Kim Stefans
  • A movie poster depicting the title and pertinent information of the film, showing a man walking away from the camera down a dirt road in the desert, shot in sepia.
    A movie poster depicting the title and pertinent information of the film, showing a man walking away from the camera down a dirt road in the desert, shot in sepia.
    Our Terrible Country. Dir. Mohammad Ali Atassi & Ziad Homsi. 2014. [A movie poster depicting the title and pertinent information of the film, showing a man walking away from the camera down a dirt road in the desert, shot in sepia.]
    Caption Our Terrible Country. Dir. Mohammad Ali Atassi & Ziad Homsi. 2014.
    Image description A movie poster depicting the title and pertinent information of the film, showing a man walking away from the camera down a dirt road in the desert, shot in sepia.
    Year 2014
    Related pages Our Terrible Country
  • Two figures in dark clothing stand before two music stands. The figure on the right speaks and gazes forward. One of their hands rests on the music stand, the other reaches out in front of themselves, their fingers extended.
    Two figures in dark clothing stand before two music stands. The figure on the right speaks and gazes forward. One of their hands rests on the music stand, the other reaches out in front of themselves, their fingers extended.
    Passages from People Who Led to My Plays. Performance documentation, March 1, 2020, Artists Space. Photo ©️ 2020 Paula Court. [Two figures in dark clothing stand before two music stands. The figure on the right speaks and gazes forward. One of their hands rests on the music stand, the other reaches out in front of themselves, their fingers extended.]
    Caption Passages from People Who Led to My Plays. Performance documentation, March 1, 2020, Artists Space. Photo ©️ 2020 Paula Court.
    Image description Two figures in dark clothing stand before two music stands. The figure on the right speaks and gazes forward. One of their hands rests on the music stand, the other reaches out in front of themselves, their fingers extended.
    Year 2020
    Related pages Passages from People Who Led to My Plays
  • A black and white photograph of a television set upon a wooden side table in front of a window in a gallery space.
    A black and white photograph of a television set upon a wooden side table in front of a window in a gallery space.
    J.B. Cobb, Optical, 1973. From J.B. Cobb, Martha Edelheit, Ree Morton, Artists Space, 1973. [A black and white photograph of a television set upon a wooden side table in front of a window in a gallery space.]
    Caption J.B. Cobb, Optical, 1973. From J.B. Cobb, Martha Edelheit, Ree Morton, Artists Space, 1973.
    Image description A black and white photograph of a television set upon a wooden side table in front of a window in a gallery space.
    Year 1973
    Related pages J.B. Cobb, Martha Edelheit, Ree Morton
  • A collage-style image with a person looking towards the camera, a woman's hand, beads and several other objects.
    A collage-style image with a person looking towards the camera, a woman's hand, beads and several other objects.
    Chumlum. Dir. Ron Rice. 1964. 16mm, (sound, color). [A collage-style image with a person looking towards the camera, a woman's hand, beads and several other objects.]
    Caption Chumlum. Dir. Ron Rice. 1964. 16mm, (sound, color).
    Image description A collage-style image with a person looking towards the camera, a woman's hand, beads and several other objects.
    Year 1964
    Related pages Not Even Acting
  • A blue book cover with white text that reads
    A blue book cover with white text that reads
    Ian White, Here Is Information. Mobilise (Montréal: LUX, 2016). Image courtesy of Tenderbooks. [A blue book cover with white text that reads "Here is Information. / Mobilise. / Ian White."]
    Caption Ian White, Here Is Information. Mobilise (Montréal: LUX, 2016). Image courtesy of Tenderbooks.
    Image description A blue book cover with white text that reads "Here is Information. / Mobilise. / Ian White."
    Year 2016
    Related pages Here Is Information. Mobilise.
  • Three figures perform in a basement. On the left a figure in a blue morph suit wears a pair of wings made of fresnel lenses. On the right another figure in a blue morph suit stands behind a rolling table made of wood and fresnel lenses. Another figure to the far right takes video footage.
    Three figures perform in a basement. On the left a figure in a blue morph suit wears a pair of wings made of fresnel lenses. On the right another figure in a blue morph suit stands behind a rolling table made of wood and fresnel lenses. Another figure to the far right takes video footage.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Three figures perform in a basement. On the left a figure in a blue morph suit wears a pair of wings made of fresnel lenses. On the right another figure in a blue morph suit stands behind a rolling table made of wood and fresnel lenses. Another figure to the far right takes video footage.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Three figures perform in a basement. On the left a figure in a blue morph suit wears a pair of wings made of fresnel lenses. On the right another figure in a blue morph suit stands behind a rolling table made of wood and fresnel lenses. Another figure to the far right takes video footage.
    Year 2022
    Related pages SCRAAATCH 12-3
  • A rendering of a head with two faces, one positioned head-on and the other seen in profile, is made from gradient strips of red, orange and yellow color. Dissecting lines and geometric shapes define the face's blocky features. The top lips are blue and the bottom red, while the left eye is black with a white dial and the right eye is a hazy blue with yellow lightning coming out of it. Under the image, text in red, white, blue serif font reads: the segue reading series and artists space present / a reading by David Larsen and Sara Larsen / saturday, may 9, 5 pm nyc time / zoom id: 378 232 567.
    A rendering of a head with two faces, one positioned head-on and the other seen in profile, is made from gradient strips of red, orange and yellow color. Dissecting lines and geometric shapes define the face's blocky features. The top lips are blue and the bottom red, while the left eye is black with a white dial and the right eye is a hazy blue with yellow lightning coming out of it. Under the image, text in red, white, blue serif font reads: the segue reading series and artists space present / a reading by David Larsen and Sara Larsen / saturday, may 9, 5 pm nyc time / zoom id: 378 232 567.
    [A rendering of a head with two faces, one positioned head-on and the other seen in profile, is made from gradient strips of red, orange and yellow color. Dissecting lines and geometric shapes define the face's blocky features. The top lips are blue and the bottom red, while the left eye is black with a white dial and the right eye is a hazy blue with yellow lightning coming out of it. Under the image, text in red, white, blue serif font reads: the segue reading series and artists space present / a reading by David Larsen and Sara Larsen / saturday, may 9, 5 pm nyc time / zoom id: 378 232 567.]
    Caption
    Image description A rendering of a head with two faces, one positioned head-on and the other seen in profile, is made from gradient strips of red, orange and yellow color. Dissecting lines and geometric shapes define the face's blocky features. The top lips are blue and the bottom red, while the left eye is black with a white dial and the right eye is a hazy blue with yellow lightning coming out of it. Under the image, text in red, white, blue serif font reads: the segue reading series and artists space present / a reading by David Larsen and Sara Larsen / saturday, may 9, 5 pm nyc time / zoom id: 378 232 567.
    Year 2020
    Related pages Segue Reading Series: David Larsen and Sara Larsen
  • An image of a glass display case, above which several drawings hang from the wall.
    An image of a glass display case, above which several drawings hang from the wall.
    Attention Line. Installation view, Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [An image of a glass display case, above which several drawings hang from the wall.]
    Caption Attention Line. Installation view, Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak
    Image description An image of a glass display case, above which several drawings hang from the wall.
    Year 2022
    Related pages Attention Line
  • Three plexiglass and poster board timelines and a large black structure are visible within a gallery space. The timelines depict photos and texts arranged by year, from 1999-2001. The structure has an image of an office wrapped around one column and a TV is visible through the structure.
    Three plexiglass and poster board timelines and a large black structure are visible within a gallery space. The timelines depict photos and texts arranged by year, from 1999-2001. The structure has an image of an office wrapped around one column and a TV is visible through the structure.
    Bernadette Corporation: 2000 Wasted Years. Installation View, Artists Space, 2012. Photo: Daniel Pérez. [Three plexiglass and poster board timelines and a large black structure are visible within a gallery space. The timelines depict photos and texts arranged by year, from 1999-2001. The structure has an image of an office wrapped around one column and a TV is visible through the structure.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation View, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Three plexiglass and poster board timelines and a large black structure are visible within a gallery space. The timelines depict photos and texts arranged by year, from 1999-2001. The structure has an image of an office wrapped around one column and a TV is visible through the structure.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They wave a red object in the air.
    Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They wave a red object in the air.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They wave a red object in the air.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They wave a red object in the air.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • Color photograph of a figure wearing a conical sheath of reflective one-way mirror film that covers most of their body. They lay on the floor and spread one arm out from under the mirror film. A bright light shines from under the film.
    Color photograph of a figure wearing a conical sheath of reflective one-way mirror film that covers most of their body. They lay on the floor and spread one arm out from under the mirror film. A bright light shines from under the film.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure wearing a conical sheath of reflective one-way mirror film that covers most of their body. They lay on the floor and spread one arm out from under the mirror film. A bright light shines from under the film.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a figure wearing a conical sheath of reflective one-way mirror film that covers most of their body. They lay on the floor and spread one arm out from under the mirror film. A bright light shines from under the film.
    Year 2022
    Related pages keyon gaskin 12-18
  • A red light beams from a black toy train as it moves along the train track. Smoke emits from the chimney of the toy train.
    A red light beams from a black toy train as it moves along the train track. Smoke emits from the chimney of the toy train.
    Nandi Loaf, WÜNDERBAR, 2025. Artifical tree (monument), custom 4-4-0 model locomotive + semi-autonomous rail system, re-routed grid hardware, ornaments, site-specific electrical circulation. Photo: Carter Seddon [A red light beams from a black toy train as it moves along the train track. Smoke emits from the chimney of the toy train.]
    Caption Nandi Loaf, WÜNDERBAR, 2025. Artifical tree (monument), custom 4-4-0 model locomotive + semi-autonomous rail system, re-routed grid hardware, ornaments, site-specific electrical circulation. Photo: Carter Seddon
    Image description A red light beams from a black toy train as it moves along the train track. Smoke emits from the chimney of the toy train.
    Year
    Related pages Nandi Loaf Aristotelis Nikolas Mochloulis Ricardo Nagaoka Sydney Schrader
  • A disco ball reflects multicolored light spots across a room lit by pink and yellow hues. On the floor sit a second disco ball, a silver glittery hat, a silver chain, and a white convertable toy car.
    A disco ball reflects multicolored light spots across a room lit by pink and yellow hues. On the floor sit a second disco ball, a silver glittery hat, a silver chain, and a white convertable toy car.
    Enough Tiranny Recalled, 1972–2009. Installation view, Artists Space, 2009. Photo: Daniel Pérez. [A disco ball reflects multicolored light spots across a room lit by pink and yellow hues. On the floor sit a second disco ball, a silver glittery hat, a silver chain, and a white convertable toy car.]
    Caption Enough Tiranny Recalled, 1972–2009. Installation view, Artists Space, 2009. Photo: Daniel Pérez.
    Image description A disco ball reflects multicolored light spots across a room lit by pink and yellow hues. On the floor sit a second disco ball, a silver glittery hat, a silver chain, and a white convertable toy car.
    Year 2009
    Related pages Marc Camille Chaimowicz: Enough Tiranny Recalled, 1972 – 2009
  • A hand is writing in German on a chalkboard with white chalk.
    A hand is writing in German on a chalkboard with white chalk.
    Still from The Empty Plan (2010). [A hand is writing in German on a chalkboard with white chalk.]
    Caption Still from The Empty Plan (2010).
    Image description A hand is writing in German on a chalkboard with white chalk.
    Year 2010
    Related pages The Empty Plan
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    Related pages Milford Graves: Fundamental Frequency
  • Inside an orange-hued room are four tree trunks sitting atop a striped construction net. Three trunks are adorned in purple, orange, blue, pink, yellow, and green fabrics. A fourth trunk sits without fabric.
    Inside an orange-hued room are four tree trunks sitting atop a striped construction net. Three trunks are adorned in purple, orange, blue, pink, yellow, and green fabrics. A fourth trunk sits without fabric.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022. [Inside an orange-hued room are four tree trunks sitting atop a striped construction net. Three trunks are adorned in purple, orange, blue, pink, yellow, and green fabrics. A fourth trunk sits without fabric.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022.
    Image description Inside an orange-hued room are four tree trunks sitting atop a striped construction net. Three trunks are adorned in purple, orange, blue, pink, yellow, and green fabrics. A fourth trunk sits without fabric.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • A man gazes up at a baby doll mid-flight, holding out his right hand towards it. A group of people gaze towards the doll, smiling.
    A man gazes up at a baby doll mid-flight, holding out his right hand towards it. A group of people gaze towards the doll, smiling.
    Ei Arakawa: WEWORK BABIES. Performance documentation, December 8, 2019, Artists Space. Photo © 2019 Paula Court. [A man gazes up at a baby doll mid-flight, holding out his right hand towards it. A group of people gaze towards the doll, smiling.]
    Caption Ei Arakawa: WEWORK BABIES. Performance documentation, December 8, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description A man gazes up at a baby doll mid-flight, holding out his right hand towards it. A group of people gaze towards the doll, smiling.
    Year 2019
    Related pages Ei Arakawa: WEWORK BABIES (11 Cortlandt Alley)
  • [A tan colored background features black text in the top half of the image that reads,
    [A tan colored background features black text in the top half of the image that reads,
    Flyer for Segue Reading Series featuring Benjamin Krusling & Momtaza Mehri. Saturday February 13, 2021, Artists Space. [[A tan colored background features black text in the top half of the image that reads, "Segue Reading Series / Benjamin Krusling & Momtaza Mehri / February 13 / 5pm on Zoom / Suggested donation: Five dollars / Zoom ID: 830 2698 4031." Black text in the bottom right corner reads, "Artists Space."]]
    Caption Flyer for Segue Reading Series featuring Benjamin Krusling & Momtaza Mehri. Saturday February 13, 2021, Artists Space.
    Image description [A tan colored background features black text in the top half of the image that reads, "Segue Reading Series / Benjamin Krusling & Momtaza Mehri / February 13 / 5pm on Zoom / Suggested donation: Five dollars / Zoom ID: 830 2698 4031." Black text in the bottom right corner reads, "Artists Space."]
    Year
    Related pages Segue Reading Series: Benjamin Krusling & Momtaza Mehri
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A performer closes their eyes as they sing into a mic pressed up to their mouth. They are holding a music stand with a score on it in their right hand, and adjusting audio equipment with their left hand. They are bathed in green light. On the left of the image a red-tinted column is blurred in the foreground. The background is dark purple.
    A performer closes their eyes as they sing into a mic pressed up to their mouth. They are holding a music stand with a score on it in their right hand, and adjusting audio equipment with their left hand. They are bathed in green light. On the left of the image a red-tinted column is blurred in the foreground. The background is dark purple.
    Heist Divination (fwiw remix). Performance documentation, October 25th, 2024, Artists Space. Photo: Destiny Mata. [A performer closes their eyes as they sing into a mic pressed up to their mouth. They are holding a music stand with a score on it in their right hand, and adjusting audio equipment with their left hand. They are bathed in green light. On the left of the image a red-tinted column is blurred in the foreground. The background is dark purple.]
    Caption Heist Divination (fwiw remix). Performance documentation, October 25th, 2024, Artists Space. Photo: Destiny Mata.
    Image description A performer closes their eyes as they sing into a mic pressed up to their mouth. They are holding a music stand with a score on it in their right hand, and adjusting audio equipment with their left hand. They are bathed in green light. On the left of the image a red-tinted column is blurred in the foreground. The background is dark purple.
    Year
    Related pages S*an D. Henry-Smith
  • An abstract drawing consisting of horizontal white lines scratched across black paper with circles interspersed throughout the composition. On the right side of the drawing are arrows, and blurred, scribbled lines and illegible text. Yellow marks accentuate different parts of the composition.
    An abstract drawing consisting of horizontal white lines scratched across black paper with circles interspersed throughout the composition. On the right side of the drawing are arrows, and blurred, scribbled lines and illegible text. Yellow marks accentuate different parts of the composition.
    Renee Gladman, Untitled (Moon Math), 2022. Pigment, oil, pastel, 30 x 44 inches. Courtesy of the Artist [An abstract drawing consisting of horizontal white lines scratched across black paper with circles interspersed throughout the composition. On the right side of the drawing are arrows, and blurred, scribbled lines and illegible text. Yellow marks accentuate different parts of the composition.]
    Caption Renee Gladman, Untitled (Moon Math), 2022. Pigment, oil, pastel, 30 x 44 inches. Courtesy of the Artist
    Image description An abstract drawing consisting of horizontal white lines scratched across black paper with circles interspersed throughout the composition. On the right side of the drawing are arrows, and blurred, scribbled lines and illegible text. Yellow marks accentuate different parts of the composition.
    Year 2022
    Related pages Renee Gladman
  • A hulking biomorphic black sculpture, composed of car parts and a large black t-shirt smeared with pigmented dragon skin silicone, hangs from the ceiling. To the right, a small sculpture of scuffed white plastic, brown fur, and various jutting animal teeth sits on a shelf.
    A hulking biomorphic black sculpture, composed of car parts and a large black t-shirt smeared with pigmented dragon skin silicone, hangs from the ceiling. To the right, a small sculpture of scuffed white plastic, brown fur, and various jutting animal teeth sits on a shelf.
    Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view (Ruben Ulises Rodriguez Montoya, The Lil Rat that Made it on Board the Ship, 2021; Ruben Ulises Rodriguez Montoya, Goyas lil bat from “sueño de la razón produce monstruos”, 2022), Artists Space, 2024. Photo: Carter Seddon. [A hulking biomorphic black sculpture, composed of car parts and a large black t-shirt smeared with pigmented dragon skin silicone, hangs from the ceiling. To the right, a small sculpture of scuffed white plastic, brown fur, and various jutting animal teeth sits on a shelf.]
    Caption Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view (Ruben Ulises Rodriguez Montoya, The Lil Rat that Made it on Board the Ship, 2021; Ruben Ulises Rodriguez Montoya, Goyas lil bat from “sueño de la razón produce monstruos”, 2022), Artists Space, 2024. Photo: Carter Seddon.
    Image description A hulking biomorphic black sculpture, composed of car parts and a large black t-shirt smeared with pigmented dragon skin silicone, hangs from the ceiling. To the right, a small sculpture of scuffed white plastic, brown fur, and various jutting animal teeth sits on a shelf.
    Year
    Related pages Doris Guo Matthew Langan-Peck Isabelle Frances McGuire Ruben Ulises Rodriguez Montoya
  • The Cortlandt Alley main entrance to Artists Space shows two grab bars blocking the staircase entrance to the gallery.
    The Cortlandt Alley main entrance to Artists Space shows two grab bars blocking the staircase entrance to the gallery.
    Constantina Zavitsanos: fwiw. Installation view (Specific Objects (Swing), 2024), Artists Space, 2024. Photo: Carter Seddon. [The Cortlandt Alley main entrance to Artists Space shows two grab bars blocking the staircase entrance to the gallery.]
    Caption Constantina Zavitsanos: fwiw. Installation view (Specific Objects (Swing), 2024), Artists Space, 2024. Photo: Carter Seddon.
    Image description The Cortlandt Alley main entrance to Artists Space shows two grab bars blocking the staircase entrance to the gallery.
    Year
    Related pages fwiw
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    Related pages Nandi Loaf Aristotelis Nikolas Mochloulis Ricardo Nagaoka Sydney Schrader
  • An abstract painting littered with dots, black shapes and line forms.
    An abstract painting littered with dots, black shapes and line forms.
    Lee Mullican, Four Musicians, 1984. [An abstract painting littered with dots, black shapes and line forms.]
    Caption Lee Mullican, Four Musicians, 1984.
    Image description An abstract painting littered with dots, black shapes and line forms.
    Year
    Related pages Moderns in Mind
  • A color image of a gallery space. On the left, two tree log sculptures rest on pedestals. To the right, two shovels standing upright on pedestals flank a taxidermied griffon vulture that sits amongst a pile of concrete rubble. In the center, the top of a shovel afixed to a small childs chair is placed up against the back wall.
    A color image of a gallery space. On the left, two tree log sculptures rest on pedestals. To the right, two shovels standing upright on pedestals flank a taxidermied griffon vulture that sits amongst a pile of concrete rubble. In the center, the top of a shovel afixed to a small childs chair is placed up against the back wall.
    Andy Robert: PAPALOKO. Installation view, Artists Space, 2024. Photo: Carter Seddon. [A color image of a gallery space. On the left, two tree log sculptures rest on pedestals. To the right, two shovels standing upright on pedestals flank a taxidermied griffon vulture that sits amongst a pile of concrete rubble. In the center, the top of a shovel afixed to a small childs chair is placed up against the back wall.]
    Caption Andy Robert: PAPALOKO. Installation view, Artists Space, 2024. Photo: Carter Seddon.
    Image description A color image of a gallery space. On the left, two tree log sculptures rest on pedestals. To the right, two shovels standing upright on pedestals flank a taxidermied griffon vulture that sits amongst a pile of concrete rubble. In the center, the top of a shovel afixed to a small childs chair is placed up against the back wall.
    Year
    Related pages Andy Robert: Papaloko
  • A person wearing a black mask over their head reads a book titled <i>Kennedys An American Dream</i>.
    A person wearing a black mask over their head reads a book titled <i>Kennedys An American Dream</i>.
    Lee Gordon, Here's to America Series, 1990. Oil on canvas, 18 inch round. [A person wearing a black mask over their head reads a book titled Kennedys An American Dream.]
    Caption Lee Gordon, Here's to America Series, 1990. Oil on canvas, 18 inch round.
    Image description A person wearing a black mask over their head reads a book titled Kennedys An American Dream.
    Year 1990
    Related pages Post-Boys&Girls: Nine Painters
  • Two figures stand back to back, juggling clubs above their heads.
    Two figures stand back to back, juggling clubs above their heads.
    Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court [Two figures stand back to back, juggling clubs above their heads.]
    Caption Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court
    Image description Two figures stand back to back, juggling clubs above their heads.
    Year 2022
    Related pages Circus Amok
  • A portrait oriented video is projected in a dark narrow space. A bench sits in front of the video. An image-still of a man, gesturing towards the viewer with both hands together, is on the back wall.
    A portrait oriented video is projected in a dark narrow space. A bench sits in front of the video. An image-still of a man, gesturing towards the viewer with both hands together, is on the back wall.
    Hito Steyerl, Guards, 2012. HD video on freestanding screen with sound, 20 mins. Courtesy the artist and Andrew Kreps, New York. [A portrait oriented video is projected in a dark narrow space. A bench sits in front of the video. An image-still of a man, gesturing towards the viewer with both hands together, is on the back wall.]
    Caption Hito Steyerl, Guards, 2012. HD video on freestanding screen with sound, 20 mins. Courtesy the artist and Andrew Kreps, New York.
    Image description A portrait oriented video is projected in a dark narrow space. A bench sits in front of the video. An image-still of a man, gesturing towards the viewer with both hands together, is on the back wall.
    Year 2015
    Related pages Hito Steyerl
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    Related pages About this Website
  • Color image of a performer sitting on stage in front of a table with a laptop and audio equipment. They are leaning forward, using both hands on the machine. The laptop on the table shows live audio tracks, with bars of various colors. The room is dark and the audience is out of focus in the background. White dots of light fill the room.
    Color image of a performer sitting on stage in front of a table with a laptop and audio equipment. They are leaning forward, using both hands on the machine. The laptop on the table shows live audio tracks, with bars of various colors. The room is dark and the audience is out of focus in the background. White dots of light fill the room.
    Abasement #77. Performance documentation, April 7th, 2025, Artists Space. Photo: Joshua Wildman. [Color image of a performer sitting on stage in front of a table with a laptop and audio equipment. They are leaning forward, using both hands on the machine. The laptop on the table shows live audio tracks, with bars of various colors. The room is dark and the audience is out of focus in the background. White dots of light fill the room.]
    Caption Abasement #77. Performance documentation, April 7th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Color image of a performer sitting on stage in front of a table with a laptop and audio equipment. They are leaning forward, using both hands on the machine. The laptop on the table shows live audio tracks, with bars of various colors. The room is dark and the audience is out of focus in the background. White dots of light fill the room.
    Year
    Related pages Abasement #77
  • Large structures of power lines are visible with white human figures moving around in the bottom section of the image.
    Large structures of power lines are visible with white human figures moving around in the bottom section of the image.
    Reese Williams. A Pair of Eyes (detail), 1983. Photomural with gouache. 7 x 40 x 60 inches (panels). [Large structures of power lines are visible with white human figures moving around in the bottom section of the image.]
    Caption Reese Williams. A Pair of Eyes (detail), 1983. Photomural with gouache. 7 x 40 x 60 inches (panels).
    Image description Large structures of power lines are visible with white human figures moving around in the bottom section of the image.
    Year 1983
    Related pages Los Angeles/New York Exchange
  • An image of a man sitting on a park bench is projected on a white wall. The man is holding a book open in his lap and is reaching into his breast pocket.
    An image of a man sitting on a park bench is projected on a white wall. The man is holding a book open in his lap and is reaching into his breast pocket.
    Local Transit. Installation view, Artists Space, 2006. [An image of a man sitting on a park bench is projected on a white wall. The man is holding a book open in his lap and is reaching into his breast pocket.]
    Caption Local Transit. Installation view, Artists Space, 2006.
    Image description An image of a man sitting on a park bench is projected on a white wall. The man is holding a book open in his lap and is reaching into his breast pocket.
    Year 2006
    Related pages Local Transit: An Exhibition in Two Parts
  • A black and white film still of an apartment building, taken from the street. In front of the building is an empty lot. Two cars are parked on the street.
    A black and white film still of an apartment building, taken from the street. In front of the building is an empty lot. Two cars are parked on the street.
    Charles Simonds. Still from Mythologies, 1974. From Thomas Lanigan-Schmidt, James Biederman, Charles Simonds, Artists Space, 1974. [A black and white film still of an apartment building, taken from the street. In front of the building is an empty lot. Two cars are parked on the street.]
    Caption Charles Simonds. Still from Mythologies, 1974. From Thomas Lanigan-Schmidt, James Biederman, Charles Simonds, Artists Space, 1974.
    Image description A black and white film still of an apartment building, taken from the street. In front of the building is an empty lot. Two cars are parked on the street.
    Year 1974
    Related pages Thomas Lanigan Schmidt, James Biederman, Charles Simonds
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  • A corner of a wall imposed with the text,
    A corner of a wall imposed with the text,
    See Around. Installation view, Artists Space, 2008. Photo: Adam Reich. [A corner of a wall imposed with the text, "Christa Blatchford: See Around."]
    Caption See Around. Installation view, Artists Space, 2008. Photo: Adam Reich.
    Image description A corner of a wall imposed with the text, "Christa Blatchford: See Around."
    Year 2008
    Related pages See Around
  • A side view of a sculpture of a man leaning againt a white column. He hols a book in his right hand. He is wearing a purple shirt and blue patterned shorts.
    A side view of a sculpture of a man leaning againt a white column. He hols a book in his right hand. He is wearing a purple shirt and blue patterned shorts.
    Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013. [A side view of a sculpture of a man leaning againt a white column. He hols a book in his right hand. He is wearing a purple shirt and blue patterned shorts.]
    Caption Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013.
    Image description A side view of a sculpture of a man leaning againt a white column. He hols a book in his right hand. He is wearing a purple shirt and blue patterned shorts.
    Year 2013
    Related pages Pride Goes Before a Fall
  • Dark sculptural elements appear lighted on boxes in the center of the image with paintings on the gallery walls behind them. A corridor is seen to the right.
    Dark sculptural elements appear lighted on boxes in the center of the image with paintings on the gallery walls behind them. A corridor is seen to the right.
    We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [Dark sculptural elements appear lighted on boxes in the center of the image with paintings on the gallery walls behind them. A corridor is seen to the right.]
    Caption We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987.
    Image description Dark sculptural elements appear lighted on boxes in the center of the image with paintings on the gallery walls behind them. A corridor is seen to the right.
    Year
    Related pages We the People
  • The façade of a large, stone museum. A cobblestone, roundabout path snakes in front of the museum, with a series of bushes and greenery planted in the middle of the roundabout.
    The façade of a large, stone museum. A cobblestone, roundabout path snakes in front of the museum, with a series of bushes and greenery planted in the middle of the roundabout.
    John Knight, The Right to Be Lazy, 2008. Hamburger Bahnhof Museum für Gegenwart, Berlin. [The façade of a large, stone museum. A cobblestone, roundabout path snakes in front of the museum, with a series of bushes and greenery planted in the middle of the roundabout.]
    Caption John Knight, The Right to Be Lazy, 2008. Hamburger Bahnhof Museum für Gegenwart, Berlin.
    Image description The façade of a large, stone museum. A cobblestone, roundabout path snakes in front of the museum, with a series of bushes and greenery planted in the middle of the roundabout.
    Year 2016
    Related pages Artists Space Dialogues: John Knight and Bettina Funcke
  • A black and white image of a man in sunglasses holding a large cluster of balloons tied to strings above his head with his left hand.
    A black and white image of a man in sunglasses holding a large cluster of balloons tied to strings above his head with his left hand.
    Konrad Lueg with Balloons July 1962 Zero Festival, Rhine Meadows, Düsseldorf-Over-Kassel Courtesy Archiv Reiner Ruthenbeck, Ratingen © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Photo: Reiner Ruthenbeck [A black and white image of a man in sunglasses holding a large cluster of balloons tied to strings above his head with his left hand.]
    Caption Konrad Lueg with Balloons July 1962 Zero Festival, Rhine Meadows, Düsseldorf-Over-Kassel Courtesy Archiv Reiner Ruthenbeck, Ratingen © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Photo: Reiner Ruthenbeck
    Image description A black and white image of a man in sunglasses holding a large cluster of balloons tied to strings above his head with his left hand.
    Year 1962
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • Contact sheet of installation images taken during exhibition opening.
    Contact sheet of installation images taken during exhibition opening.
    Gary Burnley, Martin Cohen, Candace Hill-Montgomery, Louis Stein, and Haim Steinbach. Contact sheet of photos from exhibition opening, Artists Space, 1979. Photos by Gary Burnley. [Contact sheet of installation images taken during exhibition opening.]
    Caption Gary Burnley, Martin Cohen, Candace Hill-Montgomery, Louis Stein, and Haim Steinbach. Contact sheet of photos from exhibition opening, Artists Space, 1979. Photos by Gary Burnley.
    Image description Contact sheet of installation images taken during exhibition opening.
    Year 1979
    Related pages Lewis Stein
  • A man, looking toward the camera, in the midst of pulling his shirt off exposing his torso. A subtitle typed in white at the bottom reads
    A man, looking toward the camera, in the midst of pulling his shirt off exposing his torso. A subtitle typed in white at the bottom reads
    William E. Jones. Still from v.o., 2006. [A man, looking toward the camera, in the midst of pulling his shirt off exposing his torso. A subtitle typed in white at the bottom reads "No, I wasn't talking about death."]
    Caption William E. Jones. Still from v.o., 2006.
    Image description A man, looking toward the camera, in the midst of pulling his shirt off exposing his torso. A subtitle typed in white at the bottom reads "No, I wasn't talking about death."
    Year 2006
    Related pages Summer Knowledge: William E. Jones
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  • A black and white image of three individuals, one sitting inside a car and the others standing against it.
    A black and white image of three individuals, one sitting inside a car and the others standing against it.
    The Low Riders: Meridel Rubenstein. Postcard, Artists Space, 1981. [A black and white image of three individuals, one sitting inside a car and the others standing against it.]
    Caption The Low Riders: Meridel Rubenstein. Postcard, Artists Space, 1981.
    Image description A black and white image of three individuals, one sitting inside a car and the others standing against it.
    Year 1981
    Related pages
  • A brightly painted red wall with the phrase “TWO-WAY” centered in large white text. The floor in front of the wall, and to the side is covered in a pattern of light blue linoleum tiles. Brown columns stretch into the darkness behind the wall.
    A brightly painted red wall with the phrase “TWO-WAY” centered in large white text. The floor in front of the wall, and to the side is covered in a pattern of light blue linoleum tiles. Brown columns stretch into the darkness behind the wall.
    Carolyn Lazard: Two-way. Installation view, Artists Space, 2025. Photo: Greg Carideo. [A brightly painted red wall with the phrase “TWO-WAY” centered in large white text. The floor in front of the wall, and to the side is covered in a pattern of light blue linoleum tiles. Brown columns stretch into the darkness behind the wall.]
    Caption Carolyn Lazard: Two-way. Installation view, Artists Space, 2025. Photo: Greg Carideo.
    Image description A brightly painted red wall with the phrase “TWO-WAY” centered in large white text. The floor in front of the wall, and to the side is covered in a pattern of light blue linoleum tiles. Brown columns stretch into the darkness behind the wall.
    Year
    Related pages Carolyn Lazard
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Paintings are visible hanging on walls in a white-walled gallery space with white columns in the background.
    Paintings are visible hanging on walls in a white-walled gallery space with white columns in the background.
    Four Artists: An Exhibition of Painting and Sculpture. Installation View. Artists Space, 1985. [Paintings are visible hanging on walls in a white-walled gallery space with white columns in the background.]
    Caption Four Artists: An Exhibition of Painting and Sculpture. Installation View. Artists Space, 1985.
    Image description Paintings are visible hanging on walls in a white-walled gallery space with white columns in the background.
    Year
    Related pages Four Artists: An Exhibition of Painting and Sculpture
  • A diptych drawing of one figure sitting cross-legged on the left and another figure lying down next to flowers in a vase depicted on the right.
    A diptych drawing of one figure sitting cross-legged on the left and another figure lying down next to flowers in a vase depicted on the right.
    Joseph Hilton, Beside the Sleeping Guards (of Cairo) Day and Night, 1986. [A diptych drawing of one figure sitting cross-legged on the left and another figure lying down next to flowers in a vase depicted on the right.]
    Caption Joseph Hilton, Beside the Sleeping Guards (of Cairo) Day and Night, 1986.
    Image description A diptych drawing of one figure sitting cross-legged on the left and another figure lying down next to flowers in a vase depicted on the right.
    Year
    Related pages Recent Art from Chicago
  • Color image of four individuals holding hands and dancing in a circle energetically. The background depicts a dimly lit venue with a glowing discoball and a variety of guests.
    Color image of four individuals holding hands and dancing in a circle energetically. The background depicts a dimly lit venue with a glowing discoball and a variety of guests.
    Friends of Artists Space Dinner, 2023. Photo: Destiny Mata. [Color image of four individuals holding hands and dancing in a circle energetically. The background depicts a dimly lit venue with a glowing discoball and a variety of guests.]
    Caption Friends of Artists Space Dinner, 2023. Photo: Destiny Mata.
    Image description Color image of four individuals holding hands and dancing in a circle energetically. The background depicts a dimly lit venue with a glowing discoball and a variety of guests.
    Year
    Related pages Friends of Artists Space Dinner 2024
  • A text titled
    A text titled
    Joey De Jesus, NOCT: The Threshold of Madness, 2016. Ink on found book. Courtesy the artist. [A text titled "Before the Encounter" with a strikethrough on nearly every word - drawn over with abstract black symbols and shapes, circling some words.]
    Caption Joey De Jesus, NOCT: The Threshold of Madness, 2016. Ink on found book. Courtesy the artist.
    Image description A text titled "Before the Encounter" with a strikethrough on nearly every word - drawn over with abstract black symbols and shapes, circling some words.
    Year 2016
    Related pages Joey De Jesus, Dawn Lundy Martin, Morgan Ritter
  • Color image of two performers sitting on a stage, with a variety of musical gear between them. The backs of heads from audience members observing the performers can be seen at the bottom of the image. A pinkish-red spotlight illuminates the dark performance space and the individuals on the stage.
    Color image of two performers sitting on a stage, with a variety of musical gear between them. The backs of heads from audience members observing the performers can be seen at the bottom of the image. A pinkish-red spotlight illuminates the dark performance space and the individuals on the stage.
    Abasement #63. Performance documentation, July 17, 2023, Artists Space. Photo: Joshua Wildman. [Color image of two performers sitting on a stage, with a variety of musical gear between them. The backs of heads from audience members observing the performers can be seen at the bottom of the image. A pinkish-red spotlight illuminates the dark performance space and the individuals on the stage.]
    Caption Abasement #63. Performance documentation, July 17, 2023, Artists Space. Photo: Joshua Wildman.
    Image description Color image of two performers sitting on a stage, with a variety of musical gear between them. The backs of heads from audience members observing the performers can be seen at the bottom of the image. A pinkish-red spotlight illuminates the dark performance space and the individuals on the stage.
    Year
    Related pages Abasement #63
  • An irreverant cartoon promotional poster with text in grafitti.
    An irreverant cartoon promotional poster with text in grafitti.
    Bill Hayden, It's Get Better. [An irreverant cartoon promotional poster with text in grafitti.]
    Caption Bill Hayden, It's Get Better.
    Image description An irreverant cartoon promotional poster with text in grafitti.
    Year 2013
    Related pages It's Get Better Presented by Stewart Uoo
  • Close-up color image of a musician holding a saxaphone to his body. One hand holds the instrument while the other hand is held up to his face in a contemplative gesture. Hues from diffused rainbow and bright purple lights are cast against the performer and in the interior space.
    Close-up color image of a musician holding a saxaphone to his body. One hand holds the instrument while the other hand is held up to his face in a contemplative gesture. Hues from diffused rainbow and bright purple lights are cast against the performer and in the interior space.
    Abasement #63. Performance documentation, July 17, 2023, Artists Space. Photo: Joshua Wildman. [Close-up color image of a musician holding a saxaphone to his body. One hand holds the instrument while the other hand is held up to his face in a contemplative gesture. Hues from diffused rainbow and bright purple lights are cast against the performer and in the interior space.]
    Caption Abasement #63. Performance documentation, July 17, 2023, Artists Space. Photo: Joshua Wildman.
    Image description Close-up color image of a musician holding a saxaphone to his body. One hand holds the instrument while the other hand is held up to his face in a contemplative gesture. Hues from diffused rainbow and bright purple lights are cast against the performer and in the interior space.
    Year
    Related pages Abasement #63
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A wide angle image of a mockup real estate office consisiting of a leather couch, a magazine rack, a table and multiple tv monitors. The windows are lined with real estate listings.
    A wide angle image of a mockup real estate office consisiting of a leather couch, a magazine rack, a table and multiple tv monitors. The windows are lined with real estate listings.
    New Red Order Give it Back, 2020 Acrylic LED displays with cut vinyl, water cooler, poster, couch, desk, chairs, magazine rack, The New Red Times Magazine, and three televisions. Image courtesy Artists Space, New York Photo: Filip Wolak [A wide angle image of a mockup real estate office consisiting of a leather couch, a magazine rack, a table and multiple tv monitors. The windows are lined with real estate listings.]
    Caption New Red Order Give it Back, 2020 Acrylic LED displays with cut vinyl, water cooler, poster, couch, desk, chairs, magazine rack, The New Red Times Magazine, and three televisions. Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description A wide angle image of a mockup real estate office consisiting of a leather couch, a magazine rack, a table and multiple tv monitors. The windows are lined with real estate listings.
    Year 2021
    Related pages New Red Order: Feel at Home Here
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
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    Related pages BRIDGE Photography
  • Mystery Men, Darold Biggs, Silver Key in Photography
    Caption Mystery Men, Darold Biggs, Silver Key in Photography
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    Related pages Scholastic Art and Writing Awards
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A figure in a white suit crouches on the floor of a gallery space, speaking into a microphone held in one hand while reading from a series of papers stewn about her on the ground. The ground is unevenly covered in a grainy, brown dirt-like material. A flashlight rests on the ground at her feet, pointing towards and illuminating a sculpture composed of a large glass pane wedged into the center of a square concrete block. String, golden tassles, and other sparkling ornaments hang on the glass pane.
    A figure in a white suit crouches on the floor of a gallery space, speaking into a microphone held in one hand while reading from a series of papers stewn about her on the ground. The ground is unevenly covered in a grainy, brown dirt-like material. A flashlight rests on the ground at her feet, pointing towards and illuminating a sculpture composed of a large glass pane wedged into the center of a square concrete block. String, golden tassles, and other sparkling ornaments hang on the glass pane.
    Fifth Season Act, Apotheosically. Performance documentation, May 31, 2012, Artists Space. [A figure in a white suit crouches on the floor of a gallery space, speaking into a microphone held in one hand while reading from a series of papers stewn about her on the ground. The ground is unevenly covered in a grainy, brown dirt-like material. A flashlight rests on the ground at her feet, pointing towards and illuminating a sculpture composed of a large glass pane wedged into the center of a square concrete block. String, golden tassles, and other sparkling ornaments hang on the glass pane.]
    Caption Fifth Season Act, Apotheosically. Performance documentation, May 31, 2012, Artists Space.
    Image description A figure in a white suit crouches on the floor of a gallery space, speaking into a microphone held in one hand while reading from a series of papers stewn about her on the ground. The ground is unevenly covered in a grainy, brown dirt-like material. A flashlight rests on the ground at her feet, pointing towards and illuminating a sculpture composed of a large glass pane wedged into the center of a square concrete block. String, golden tassles, and other sparkling ornaments hang on the glass pane.
    Year 2012
    Related pages Fifth Season Act, Apotheosically
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    Related pages Project: Me and My Mink
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A color photograph of a gallery space. A large piece of grey and yellow vinyl hangs from the wall on the left, perpendicular to grey metal scaffolding with semi-transparent fabric on one side. A stack of grey a white posters are placed on the ground directly in front of the scaffold.
    A color photograph of a gallery space. A large piece of grey and yellow vinyl hangs from the wall on the left, perpendicular to grey metal scaffolding with semi-transparent fabric on one side. A stack of grey a white posters are placed on the ground directly in front of the scaffold.
    virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of a gallery space. A large piece of grey and yellow vinyl hangs from the wall on the left, perpendicular to grey metal scaffolding with semi-transparent fabric on one side. A stack of grey a white posters are placed on the ground directly in front of the scaffold.]
    Caption virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color photograph of a gallery space. A large piece of grey and yellow vinyl hangs from the wall on the left, perpendicular to grey metal scaffolding with semi-transparent fabric on one side. A stack of grey a white posters are placed on the ground directly in front of the scaffold.
    Year 2022
    Related pages virgil b/g taylor: Minor Publics
  • Friends of Artists Space Dinner 2024. Executive Director & Chief Curator Jay Sanders. Photo: Jenna Bascom
    Caption Friends of Artists Space Dinner 2024. Executive Director & Chief Curator Jay Sanders. Photo: Jenna Bascom
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    Year
    Related pages Friends of Artists Space Dinner
  • A folding wall is erected in the center of a gallery space. Its top features painted portraits of eight people from the waist up. Below them, the lower half of the wall is covered in white, handpainted text on a black background. The text extends onto the floor, and its bottom edge is bordered by a row of votive candles. Behind this wall, other artworks are partially visible.
    A folding wall is erected in the center of a gallery space. Its top features painted portraits of eight people from the waist up. Below them, the lower half of the wall is covered in white, handpainted text on a black background. The text extends onto the floor, and its bottom edge is bordered by a row of votive candles. Behind this wall, other artworks are partially visible.
    Vidas Perdidas. Installation view, Artists Space, 1989. [A folding wall is erected in the center of a gallery space. Its top features painted portraits of eight people from the waist up. Below them, the lower half of the wall is covered in white, handpainted text on a black background. The text extends onto the floor, and its bottom edge is bordered by a row of votive candles. Behind this wall, other artworks are partially visible.]
    Caption Vidas Perdidas. Installation view, Artists Space, 1989.
    Image description A folding wall is erected in the center of a gallery space. Its top features painted portraits of eight people from the waist up. Below them, the lower half of the wall is covered in white, handpainted text on a black background. The text extends onto the floor, and its bottom edge is bordered by a row of votive candles. Behind this wall, other artworks are partially visible.
    Year 1989
    Related pages Vidas Perdidas/Lost Lives: Border Art/Workshop/Taller de Arte Fronterizo
  • Color photograph of a large empty room bathed in a red light. Along one wall, a performer dressed in white stands against the wall, bending over and looking to their left. A bright white light shines from their hips and a sheath of crinkly, reflective one-way mirror film lays on the ground in front of them.
    Color photograph of a large empty room bathed in a red light. Along one wall, a performer dressed in white stands against the wall, bending over and looking to their left. A bright white light shines from their hips and a sheath of crinkly, reflective one-way mirror film lays on the ground in front of them.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a large empty room bathed in a red light. Along one wall, a performer dressed in white stands against the wall, bending over and looking to their left. A bright white light shines from their hips and a sheath of crinkly, reflective one-way mirror film lays on the ground in front of them.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a large empty room bathed in a red light. Along one wall, a performer dressed in white stands against the wall, bending over and looking to their left. A bright white light shines from their hips and a sheath of crinkly, reflective one-way mirror film lays on the ground in front of them.
    Year 2022
    Related pages keyon gaskin 12-14
  • Five photographs arranged in a pane of glass lean on bolts against a wall. The images in the photographs (from left to right) include a man exhaling smoke, a man looking towards the viewer, a man in a bathtub, a man, turned away from the camera, in a hospital gown, and an empty dinner plate.
    Five photographs arranged in a pane of glass lean on bolts against a wall. The images in the photographs (from left to right) include a man exhaling smoke, a man looking towards the viewer, a man in a bathtub, a man, turned away from the camera, in a hospital gown, and an empty dinner plate.
    John Neff, Authorization Sessions Set: Proof prints from Time Dust, 2013 – 2018, 2018. Photo: Daniel Pérez. [Five photographs arranged in a pane of glass lean on bolts against a wall. The images in the photographs (from left to right) include a man exhaling smoke, a man looking towards the viewer, a man in a bathtub, a man, turned away from the camera, in a hospital gown, and an empty dinner plate.]
    Caption John Neff, Authorization Sessions Set: Proof prints from Time Dust, 2013 – 2018, 2018. Photo: Daniel Pérez.
    Image description Five photographs arranged in a pane of glass lean on bolts against a wall. The images in the photographs (from left to right) include a man exhaling smoke, a man looking towards the viewer, a man in a bathtub, a man, turned away from the camera, in a hospital gown, and an empty dinner plate.
    Year 2013
    Related pages Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff
  • A hand holds up a lined notebook with a poem collaged from newspaper cutouts which says,
    A hand holds up a lined notebook with a poem collaged from newspaper cutouts which says,
    Orchidary Siahaya, headline poem, 2019 [A hand holds up a lined notebook with a poem collaged from newspaper cutouts which says, "This is not normal what's at stake life,/ our lives death most people run/ to a sadness disbelief/ and play bloody/ fire."]
    Caption Orchidary Siahaya, headline poem, 2019
    Image description A hand holds up a lined notebook with a poem collaged from newspaper cutouts which says, "This is not normal what's at stake life,/ our lives death most people run/ to a sadness disbelief/ and play bloody/ fire."
    Year 2019
    Related pages Art and Literacy: Poetry
  • A photograph of a construction site, with several steel beams and a sign titled
    A photograph of a construction site, with several steel beams and a sign titled
    Shaylene Viera, Revolution, photography, 2016 [A photograph of a construction site, with several steel beams and a sign titled "RAISE PLOW" lying on the ground]
    Caption Shaylene Viera, Revolution, photography, 2016
    Image description A photograph of a construction site, with several steel beams and a sign titled "RAISE PLOW" lying on the ground
    Year 2016
    Related pages Scholastic Art and Writing Awards
  • A warm-colored living space littered with discarded wrapping paper and boxes. A champagne bottle sits on a side table next to an orange couch.
    A warm-colored living space littered with discarded wrapping paper and boxes. A champagne bottle sits on a side table next to an orange couch.
    [A warm-colored living space littered with discarded wrapping paper and boxes. A champagne bottle sits on a side table next to an orange couch.]
    Caption
    Image description A warm-colored living space littered with discarded wrapping paper and boxes. A champagne bottle sits on a side table next to an orange couch.
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
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    Year
    Related pages Carolyn Lazard
  • A piece of stretched cloth covered with painted words reading,
    A piece of stretched cloth covered with painted words reading,
    Flyer for Inquiry & Investigation, 2018. [A piece of stretched cloth covered with painted words reading, "Inquiry" and "Investigation," along with digitally superimposed event information.]
    Caption Flyer for Inquiry & Investigation, 2018.
    Image description A piece of stretched cloth covered with painted words reading, "Inquiry" and "Investigation," along with digitally superimposed event information.
    Year 2018
    Related pages Inquiry & Investigation
  • Abstract painting with green filling most of the space with red lines emerging from the center outward.
    Abstract painting with green filling most of the space with red lines emerging from the center outward.
    Calvert Coggeshall. Untitled (green, red), 1987. Oil on canvas. [Abstract painting with green filling most of the space with red lines emerging from the center outward.]
    Caption Calvert Coggeshall. Untitled (green, red), 1987. Oil on canvas.
    Image description Abstract painting with green filling most of the space with red lines emerging from the center outward.
    Year
    Related pages Calvert Coggeshall and Frederick Hammersley: Painting
  • Yellow rectangles with cropped black text are arranged haphardly on a white background. Black text over the top and bottom of the image reads
    Yellow rectangles with cropped black text are arranged haphardly on a white background. Black text over the top and bottom of the image reads
    Flyer for Segue Reading Series featuring Dazie Grego-Sykes and Douglas A. Martin. Saturday, October 24, 2020, Artists Space. Artist: Keith Higginbotham [Yellow rectangles with cropped black text are arranged haphardly on a white background. Black text over the top and bottom of the image reads "Dazie Grego-Sykes / Douglas A. Martin," and positioned in the center vertically, black text reads "Segue."]
    Caption Flyer for Segue Reading Series featuring Dazie Grego-Sykes and Douglas A. Martin. Saturday, October 24, 2020, Artists Space. Artist: Keith Higginbotham
    Image description Yellow rectangles with cropped black text are arranged haphardly on a white background. Black text over the top and bottom of the image reads "Dazie Grego-Sykes / Douglas A. Martin," and positioned in the center vertically, black text reads "Segue."
    Year 2020
    Related pages Segue Reading Series: Douglas A. Martin & Dazié Grego- Sykes
  • Image of a basement with a table made of wood and a fresnel lens tabletop on the right side of the space. Along the top of the image the basement windows are tinted blue.
    Image of a basement with a table made of wood and a fresnel lens tabletop on the right side of the space. Along the top of the image the basement windows are tinted blue.
    SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement with a table made of wood and a fresnel lens tabletop on the right side of the space. Along the top of the image the basement windows are tinted blue.]
    Caption SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a basement with a table made of wood and a fresnel lens tabletop on the right side of the space. Along the top of the image the basement windows are tinted blue.
    Year 2022
    Related pages SCRAAATCH 11-18
  • Color image of a framed fragment of newspaper. The headlines of the two articles featured read,
    Color image of a framed fragment of newspaper. The headlines of the two articles featured read,
    Robert Gober, Untitled, 1992. Photo: Filip Wolak. [Color image of a framed fragment of newspaper. The headlines of the two articles featured read, "Bush Is Sent Forth as Champion of Family Values," and "Jury Convicts Man Who Locked His Children in Bronx Apartment." An image of steel pots and pans is placed on the bottom-left corner, and an image of a woman with her arms draped over a man in a suit is placed on the bottom-right corner.]
    Caption Robert Gober, Untitled, 1992. Photo: Filip Wolak.
    Image description Color image of a framed fragment of newspaper. The headlines of the two articles featured read, "Bush Is Sent Forth as Champion of Family Values," and "Jury Convicts Man Who Locked His Children in Bronx Apartment." An image of steel pots and pans is placed on the bottom-left corner, and an image of a woman with her arms draped over a man in a suit is placed on the bottom-right corner.
    Year 2023
    Related pages Artists for Artists Space
  • Two black and white photographs of various men casually holding hands are mounted one on top of the other on a white gallery wall behind semi-translucent white curtains. Two hands draw the curtains back to reveal the images.
    Two black and white photographs of various men casually holding hands are mounted one on top of the other on a white gallery wall behind semi-translucent white curtains. Two hands draw the curtains back to reveal the images.
    Danh Vo: Autoerotic Asphyxiation. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [Two black and white photographs of various men casually holding hands are mounted one on top of the other on a white gallery wall behind semi-translucent white curtains. Two hands draw the curtains back to reveal the images.]
    Caption Danh Vo: Autoerotic Asphyxiation. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description Two black and white photographs of various men casually holding hands are mounted one on top of the other on a white gallery wall behind semi-translucent white curtains. Two hands draw the curtains back to reveal the images.
    Year 2010
    Related pages Danh Vo: Autoerotic Asphyxiation
  • Black-and-white photograph of two figures sitting behind tables filled with audio equipment. They are focused on manipulating the audio machines in front of them.
    Black-and-white photograph of two figures sitting behind tables filled with audio equipment. They are focused on manipulating the audio machines in front of them.
    Yasunao Tone performing Paramedia, Experimental Intermedia Foundation, 1990 [Black-and-white photograph of two figures sitting behind tables filled with audio equipment. They are focused on manipulating the audio machines in front of them.]
    Caption Yasunao Tone performing Paramedia, Experimental Intermedia Foundation, 1990
    Image description Black-and-white photograph of two figures sitting behind tables filled with audio equipment. They are focused on manipulating the audio machines in front of them.
    Year
    Related pages Yasunao Tone Concert #3
  • White text overlays a color-scheme grid background. The text reads: “Oct 28 / A celebration of the poems of Mark Hyatt with Sam Ladkin, Luke Roberts, et al.
    White text overlays a color-scheme grid background. The text reads: “Oct 28 / A celebration of the poems of Mark Hyatt with Sam Ladkin, Luke Roberts, et al.
    [White text overlays a color-scheme grid background. The text reads: “Oct 28 / A celebration of the poems of Mark Hyatt with Sam Ladkin, Luke Roberts, et al." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description White text overlays a color-scheme grid background. The text reads: “Oct 28 / A celebration of the poems of Mark Hyatt with Sam Ladkin, Luke Roberts, et al." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year
    Related pages Segue Reading Series: A celebration of the poems of Mark Hyatt, with Sam Ladkin & Luke Roberts
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