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  • A performer plays a wooden wind instrument on stage. Connected by plastic tubing and wooden rods, the instrument stands higher than the seated performer.
    A performer plays a wooden wind instrument on stage. Connected by plastic tubing and wooden rods, the instrument stands higher than the seated performer.
    Abasement #83. Performance documentation, January 5th, 2026, Artists Space. Photo: Joshua Wildman. [A performer plays a wooden wind instrument on stage. Connected by plastic tubing and wooden rods, the instrument stands higher than the seated performer. ]
    Caption Abasement #83. Performance documentation, January 5th, 2026, Artists Space. Photo: Joshua Wildman.
    Image description A performer plays a wooden wind instrument on stage. Connected by plastic tubing and wooden rods, the instrument stands higher than the seated performer.
    Year
    Related pages Abasement #83
  • A portfolio box with a flowered pattern on the lid is shown on a white ground with the lid slightly askew.
    A portfolio box with a flowered pattern on the lid is shown on a white ground with the lid slightly askew.
    Susan Cianciolo, Flowers, 2018, 25 x 21 x 1 1/2 inches, Silkscreen on book cloth on bespoke archival box, Signed edition of 100, 5APs Courtesy of the artist [A portfolio box with a flowered pattern on the lid is shown on a white ground with the lid slightly askew.]
    Caption Susan Cianciolo, Flowers, 2018, 25 x 21 x 1 1/2 inches, Silkscreen on book cloth on bespoke archival box, Signed edition of 100, 5APs Courtesy of the artist
    Image description A portfolio box with a flowered pattern on the lid is shown on a white ground with the lid slightly askew.
    Year 2018
    Related pages Artists Space Annual Edition Portfolio 2018
  • Color photograph of a figure dressed in black performing in front of an audience in the background. The room is dark, with LED light sculptures made from dried SCOBY in the background. The figure sits on the floor, looking off to the right and holding a mask in front of their face.
    Color photograph of a figure dressed in black performing in front of an audience in the background. The room is dark, with LED light sculptures made from dried SCOBY in the background. The figure sits on the floor, looking off to the right and holding a mask in front of their face.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a figure dressed in black performing in front of an audience in the background. The room is dark, with LED light sculptures made from dried SCOBY in the background. The figure sits on the floor, looking off to the right and holding a mask in front of their face.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of a figure dressed in black performing in front of an audience in the background. The room is dark, with LED light sculptures made from dried SCOBY in the background. The figure sits on the floor, looking off to the right and holding a mask in front of their face.
    Year
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • Constantina Zavitsanos: fwiw. Installation view, Artists Space, 2024. Photo: Carter Seddon.
    Caption Constantina Zavitsanos: fwiw. Installation view, Artists Space, 2024. Photo: Carter Seddon.
    Image description
    Year
    Related pages fwiw
  • Two performers pictured in front of soft pink, blue, and white light projected onto the wall behind them. Performer on left is smiling and pointing at the performer on right, who is seated in front of a mixing board and microphone.
    Two performers pictured in front of soft pink, blue, and white light projected onto the wall behind them. Performer on left is smiling and pointing at the performer on right, who is seated in front of a mixing board and microphone.
    Abasement #70. Performance documentation, July 1st, 2024, Artists Space. Photo: Joshua Wildman. [Two performers pictured in front of soft pink, blue, and white light projected onto the wall behind them. Performer on left is smiling and pointing at the performer on right, who is seated in front of a mixing board and microphone.]
    Caption Abasement #70. Performance documentation, July 1st, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Two performers pictured in front of soft pink, blue, and white light projected onto the wall behind them. Performer on left is smiling and pointing at the performer on right, who is seated in front of a mixing board and microphone.
    Year
    Related pages Abasement #70
  • A color image of the corner of a gallery space. On the left white wall, a collection of six framed black and white photographs are arranged in a grid. Each frame is black, with three on the top and three on the bottom. On the right wall are four paper-based items hung in a row. The right-most item is an enlarged map, next to it are three smaller pieces of paper with handwritten notes and drawings.
    A color image of the corner of a gallery space. On the left white wall, a collection of six framed black and white photographs are arranged in a grid. Each frame is black, with three on the top and three on the bottom. On the right wall are four paper-based items hung in a row. The right-most item is an enlarged map, next to it are three smaller pieces of paper with handwritten notes and drawings.
    Terry Fox: All These Different Things Are Sculpture. Installation view, Artists Space, 2024. Photo: Filip Wolak. [A color image of the corner of a gallery space. On the left white wall, a collection of six framed black and white photographs are arranged in a grid. Each frame is black, with three on the top and three on the bottom. On the right wall are four paper-based items hung in a row. The right-most item is an enlarged map, next to it are three smaller pieces of paper with handwritten notes and drawings. ]
    Caption Terry Fox: All These Different Things Are Sculpture. Installation view, Artists Space, 2024. Photo: Filip Wolak.
    Image description A color image of the corner of a gallery space. On the left white wall, a collection of six framed black and white photographs are arranged in a grid. Each frame is black, with three on the top and three on the bottom. On the right wall are four paper-based items hung in a row. The right-most item is an enlarged map, next to it are three smaller pieces of paper with handwritten notes and drawings.
    Year
    Related pages All These Different Things Are Sculpture
  • A darkened room with several wooden platforms with white pads on top facing a wide screen. The screen shows the image of a pond surrounded by trees.
    A darkened room with several wooden platforms with white pads on top facing a wide screen. The screen shows the image of a pond surrounded by trees.
    Kerry Tribe. Installation view of Florida, 2003. Video (sound). [A darkened room with several wooden platforms with white pads on top facing a wide screen. The screen shows the image of a pond surrounded by trees.]
    Caption Kerry Tribe. Installation view of Florida, 2003. Video (sound).
    Image description A darkened room with several wooden platforms with white pads on top facing a wide screen. The screen shows the image of a pond surrounded by trees.
    Year 2007
    Related pages Elephant Cemetery
  • A color installation view of a gallery space. On the left wall are six black and white photographs and a television monitor positioned on the floor. In the background, another wall-mounted television monitor is visible along with a large wall hanging and two sculptures. The space is bisected by three dark columns.
    A color installation view of a gallery space. On the left wall are six black and white photographs and a television monitor positioned on the floor. In the background, another wall-mounted television monitor is visible along with a large wall hanging and two sculptures. The space is bisected by three dark columns.
    Milford Graves: Fundamental Frequency. Installation view, Artists Space, October 8, 2021 – January 15, 2022. Image courtesy Artists Space, New York. Photo: Filip Wolak. [A color installation view of a gallery space. On the left wall are six black and white photographs and a television monitor positioned on the floor. In the background, another wall-mounted television monitor is visible along with a large wall hanging and two sculptures. The space is bisected by three dark columns.]
    Caption Milford Graves: Fundamental Frequency. Installation view, Artists Space, October 8, 2021 – January 15, 2022. Image courtesy Artists Space, New York. Photo: Filip Wolak.
    Image description A color installation view of a gallery space. On the left wall are six black and white photographs and a television monitor positioned on the floor. In the background, another wall-mounted television monitor is visible along with a large wall hanging and two sculptures. The space is bisected by three dark columns.
    Year 2021
    Related pages Milford Graves: Fundamental Frequency
  • A darkened classroom, lit dimly with overhead orange lights. Three rows of chairs and desks face an image projected on a screen. The image is a blurred figure with a pale face enveloped in a black cape.
    A darkened classroom, lit dimly with overhead orange lights. Three rows of chairs and desks face an image projected on a screen. The image is a blurred figure with a pale face enveloped in a black cape.
    [A darkened classroom, lit dimly with overhead orange lights. Three rows of chairs and desks face an image projected on a screen. The image is a blurred figure with a pale face enveloped in a black cape.]
    Caption
    Image description A darkened classroom, lit dimly with overhead orange lights. Three rows of chairs and desks face an image projected on a screen. The image is a blurred figure with a pale face enveloped in a black cape.
    Year 2009
    Related pages Alexandre Singh
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • The artist devynn emory in their grandmother's fleece jacket covered in polar bears, standing in front of a silver sterile table. In the background is collaborator Joseph and cinematographer Jorge discussing where the ancestor forms draped in yellow fabric should be placed.
    The artist devynn emory in their grandmother's fleece jacket covered in polar bears, standing in front of a silver sterile table. In the background is collaborator Joseph and cinematographer Jorge discussing where the ancestor forms draped in yellow fabric should be placed.
    Photo: Reilly Horan [The artist devynn emory in their grandmother's fleece jacket covered in polar bears, standing in front of a silver sterile table. In the background is collaborator Joseph and cinematographer Jorge discussing where the ancestor forms draped in yellow fabric should be placed.]
    Caption Photo: Reilly Horan
    Image description The artist devynn emory in their grandmother's fleece jacket covered in polar bears, standing in front of a silver sterile table. In the background is collaborator Joseph and cinematographer Jorge discussing where the ancestor forms draped in yellow fabric should be placed.
    Year
    Related pages Grandmother Cindy
  • A figure stands central raising their arms while others have their back turned towards the viewer as they face an audience seated in the background. Scan lines and the surrounding box of the CRT monitor are visible in the image.
    A figure stands central raising their arms while others have their back turned towards the viewer as they face an audience seated in the background. Scan lines and the surrounding box of the CRT monitor are visible in the image.
    Sistema Sandinista de Television. Still from Aqui En Esta Esquina (Here on This Corner), 1983. Video (sound, black and white). Spanish with English subtitles. [A figure stands central raising their arms while others have their back turned towards the viewer as they face an audience seated in the background. Scan lines and the surrounding box of the CRT monitor are visible in the image.]
    Caption Sistema Sandinista de Television. Still from Aqui En Esta Esquina (Here on This Corner), 1983. Video (sound, black and white). Spanish with English subtitles.
    Image description A figure stands central raising their arms while others have their back turned towards the viewer as they face an audience seated in the background. Scan lines and the surrounding box of the CRT monitor are visible in the image.
    Year 1983
    Related pages TV Sandino
  • An image of two figures in blue scrubs standing on opposite ends of a sterile table. A medical mannequin on the table is covered in shiny red silk fabric. In the background, there are projections and forms draped in yellow fabric.
    An image of two figures in blue scrubs standing on opposite ends of a sterile table. A medical mannequin on the table is covered in shiny red silk fabric. In the background, there are projections and forms draped in yellow fabric.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court [An image of two figures in blue scrubs standing on opposite ends of a sterile table. A medical mannequin on the table is covered in shiny red silk fabric. In the background, there are projections and forms draped in yellow fabric.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court
    Image description An image of two figures in blue scrubs standing on opposite ends of a sterile table. A medical mannequin on the table is covered in shiny red silk fabric. In the background, there are projections and forms draped in yellow fabric.
    Year 2022
    Related pages Grandmother Cindy
  • Black text overlays a white background with purple bunches of flowers in the upper left and bottom right corners. The top left corner reads: “Lauren Russell / & Teri Cross Davis / May 14, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”
    Black text overlays a white background with purple bunches of flowers in the upper left and bottom right corners. The top left corner reads: “Lauren Russell / & Teri Cross Davis / May 14, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”
    Flyer for Segue Reading Series featuring Lauren Russell & Teri Cross Davis. May 14, 2022, Artists Space. [Black text overlays a white background with purple bunches of flowers in the upper left and bottom right corners. The top left corner reads: “Lauren Russell / & Teri Cross Davis / May 14, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”]
    Caption Flyer for Segue Reading Series featuring Lauren Russell & Teri Cross Davis. May 14, 2022, Artists Space.
    Image description Black text overlays a white background with purple bunches of flowers in the upper left and bottom right corners. The top left corner reads: “Lauren Russell / & Teri Cross Davis / May 14, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”
    Year 2022
    Related pages Segue Reading Series: Lauren Russell & Roberto Carlos Garcia
  • An open book, vinyl exhibition text which the header reads
    An open book, vinyl exhibition text which the header reads
    She Who Is: Adrienne Kennedy and the Drama of Difference. Installation view, Artists Space, February 29 – September 19, 2020. Photo: Filip Wolak. [An open book, vinyl exhibition text which the header reads "She Who Is / Adrienne Kennedy and the Drama of Difference." and projected imagery are displayed in the exhibition space.]
    Caption She Who Is: Adrienne Kennedy and the Drama of Difference. Installation view, Artists Space, February 29 – September 19, 2020. Photo: Filip Wolak.
    Image description An open book, vinyl exhibition text which the header reads "She Who Is / Adrienne Kennedy and the Drama of Difference." and projected imagery are displayed in the exhibition space.
    Year 2020
    Related pages She Who Is: Adrienne Kennedy and the Drama of Difference
  • On the left one can see a bright image of a man standing profile view and on the right appears a photograph of a naked woman shielding her face. Blackness surrounds these two images.
    On the left one can see a bright image of a man standing profile view and on the right appears a photograph of a naked woman shielding her face. Blackness surrounds these two images.
    Installation view, Wyn Geleynse film installation, Artists Space, May 24, 1986 - June 28, 1986. [On the left one can see a bright image of a man standing profile view and on the right appears a photograph of a naked woman shielding her face. Blackness surrounds these two images.]
    Caption Installation view, Wyn Geleynse film installation, Artists Space, May 24, 1986 - June 28, 1986.
    Image description On the left one can see a bright image of a man standing profile view and on the right appears a photograph of a naked woman shielding her face. Blackness surrounds these two images.
    Year
    Related pages Wyn Geleynse film installation
  • A dim photograph of mulitple sculptures placed in the exhibtion space. A couple of black curtains are hung in the gallery.
    A dim photograph of mulitple sculptures placed in the exhibtion space. A couple of black curtains are hung in the gallery.
    Gary Falk, Brigid Kennedy, Ladd Kessler, Peggy Yunque. Installation view, Artists Space, 1981. [A dim photograph of mulitple sculptures placed in the exhibtion space. A couple of black curtains are hung in the gallery.]
    Caption Gary Falk, Brigid Kennedy, Ladd Kessler, Peggy Yunque. Installation view, Artists Space, 1981.
    Image description A dim photograph of mulitple sculptures placed in the exhibtion space. A couple of black curtains are hung in the gallery.
    Year
    Related pages Gary Falk, Brigid Kennedy, Ladd Kessler, Peggy Yunque
  • Close up shot of four music stands arranged side by side. The torsos and hands of three figures are pictured beside the stands. They leaf through the pages of scripts held in black binders, supported by the music stands.
    Close up shot of four music stands arranged side by side. The torsos and hands of three figures are pictured beside the stands. They leaf through the pages of scripts held in black binders, supported by the music stands.
    The Owl Answers. Performance documentation, February 29, 2020, Artists Space. Photo ©️ 2020 Filip Wolak. [Close up shot of four music stands arranged side by side. The torsos and hands of three figures are pictured beside the stands. They leaf through the pages of scripts held in black binders, supported by the music stands.]
    Caption The Owl Answers. Performance documentation, February 29, 2020, Artists Space. Photo ©️ 2020 Filip Wolak.
    Image description Close up shot of four music stands arranged side by side. The torsos and hands of three figures are pictured beside the stands. They leaf through the pages of scripts held in black binders, supported by the music stands.
    Year 2020
    Related pages The Owl Answers
  • An illuminated performer sings into a microphone.
    An illuminated performer sings into a microphone.
    Abasement #81. Performance documentation, October 20th, 2025, Artists Space. Photo: Joshua Wildman. [An illuminated performer sings into a microphone. ]
    Caption Abasement #81. Performance documentation, October 20th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description An illuminated performer sings into a microphone.
    Year
    Related pages Abasement #81
  • A white table holds a white model of a house. Behind it, a television on a stand displays an image of a large, white house. There is a white wall with five color photographs arranged in a cross formation with images of a large house and yard.
    A white table holds a white model of a house. Behind it, a television on a stand displays an image of a large, white house. There is a white wall with five color photographs arranged in a cross formation with images of a large house and yard.
    Sean Snyder. Installation view, Artists Space, 2010-11. Photo: Daniel Peréz. [A white table holds a white model of a house. Behind it, a television on a stand displays an image of a large, white house. There is a white wall with five color photographs arranged in a cross formation with images of a large house and yard.]
    Caption Sean Snyder. Installation view, Artists Space, 2010-11. Photo: Daniel Peréz.
    Image description A white table holds a white model of a house. Behind it, a television on a stand displays an image of a large, white house. There is a white wall with five color photographs arranged in a cross formation with images of a large house and yard.
    Year 2010
    Related pages Sean Snyder
  • A couch is visible in the center with drawings, banners and paintings surrounding it in a white-walled gallery space.
    A couch is visible in the center with drawings, banners and paintings surrounding it in a white-walled gallery space.
    Young Fluxus. Installation view, Artists Space, 1982. [A couch is visible in the center with drawings, banners and paintings surrounding it in a white-walled gallery space.]
    Caption Young Fluxus. Installation view, Artists Space, 1982.
    Image description A couch is visible in the center with drawings, banners and paintings surrounding it in a white-walled gallery space.
    Year
    Related pages Young Fluxus
  • A white wall with three sets of multiple photographs of rooms. Each set of photographs has a framed accompanying text below.
    A white wall with three sets of multiple photographs of rooms. Each set of photographs has a framed accompanying text below.
    Sean Snyder. Installation view, Artists Space, 2010-11. Photo: Daniel Peréz. [A white wall with three sets of multiple photographs of rooms. Each set of photographs has a framed accompanying text below.]
    Caption Sean Snyder. Installation view, Artists Space, 2010-11. Photo: Daniel Peréz.
    Image description A white wall with three sets of multiple photographs of rooms. Each set of photographs has a framed accompanying text below.
    Year 2010
    Related pages Sean Snyder
  • A large, black and white illustration of a hand displayed on a freestanding gallery wall. The hand extends upwards, palm facing the viewer, with tentacle like creatures escaping a slit on its wrist. The illustration extends across the full height of the wall.
    A large, black and white illustration of a hand displayed on a freestanding gallery wall. The hand extends upwards, palm facing the viewer, with tentacle like creatures escaping a slit on its wrist. The illustration extends across the full height of the wall.
    Sam Pulitzer: A Colony for “Them”. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A large, black and white illustration of a hand displayed on a freestanding gallery wall. The hand extends upwards, palm facing the viewer, with tentacle like creatures escaping a slit on its wrist. The illustration extends across the full height of the wall.]
    Caption Sam Pulitzer: A Colony for “Them”. Installation view, Artists Space, 2014. Photo: Daniel Pérez.
    Image description A large, black and white illustration of a hand displayed on a freestanding gallery wall. The hand extends upwards, palm facing the viewer, with tentacle like creatures escaping a slit on its wrist. The illustration extends across the full height of the wall.
    Year 2014
    Related pages Sam Pulitzer: A Colony for "Them"
  • A small, tan bandage lying face-down on a white background.
    A small, tan bandage lying face-down on a white background.
    Allora & Calzadilla, Bandage, 2011, Painted cast white metal, 3 x 3/4 x 1/16 in / 7,6 x 2 x .16 cm, Signed certificate. [A small, tan bandage lying face-down on a white background.]
    Caption Allora & Calzadilla, Bandage, 2011, Painted cast white metal, 3 x 3/4 x 1/16 in / 7,6 x 2 x .16 cm, Signed certificate.
    Image description A small, tan bandage lying face-down on a white background.
    Year 2011
    Related pages Artists Space Annual Edition Portfolio 2012
  • A painting with orange and neutral hues is hung on a white wall with nails around the perimeter of the canvas.
    A painting with orange and neutral hues is hung on a white wall with nails around the perimeter of the canvas.
    Miyoko Ito, Heart of Hearts Basking, 1973. Oil on canvas, 44 x 31 7/8 inches. Courtesy Collection Matthew Marks Gallery. Photo: Daniel Peréz. [A painting with orange and neutral hues is hung on a white wall with nails around the perimeter of the canvas.]
    Caption Miyoko Ito, Heart of Hearts Basking, 1973. Oil on canvas, 44 x 31 7/8 inches. Courtesy Collection Matthew Marks Gallery. Photo: Daniel Peréz.
    Image description A painting with orange and neutral hues is hung on a white wall with nails around the perimeter of the canvas.
    Year 1973
    Related pages Miyoko Ito: Heart of Hearts
  • Two screens installed on either side of the top portion a white column in a gallery space. The front screen displays a logo consisting of a large letter
    Two screens installed on either side of the top portion a white column in a gallery space. The front screen displays a logo consisting of a large letter
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Two screens installed on either side of the top portion a white column in a gallery space. The front screen displays a logo consisting of a large letter "b" and small letter "c" conjoined together. The room is otherwise empty.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Two screens installed on either side of the top portion a white column in a gallery space. The front screen displays a logo consisting of a large letter "b" and small letter "c" conjoined together. The room is otherwise empty.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • An installation view of multiple sewing stations and a clothing rack of red and white sweatshirts.
    An installation view of multiple sewing stations and a clothing rack of red and white sweatshirts.
    New Economy. Installation view, Artists Space, 2007. [An installation view of multiple sewing stations and a clothing rack of red and white sweatshirts.]
    Caption New Economy. Installation view, Artists Space, 2007.
    Image description An installation view of multiple sewing stations and a clothing rack of red and white sweatshirts.
    Year
    Related pages New Economy
  • Black and white video still of a figure in a packed crowd, speaking into a microphone. A date and time stamp at the bottom left corner of the still read,
    Black and white video still of a figure in a packed crowd, speaking into a microphone. A date and time stamp at the bottom left corner of the still read,
    Black Cat Collective. Still from Many Faces of Paper, 1989. [Black and white video still of a figure in a packed crowd, speaking into a microphone. A date and time stamp at the bottom left corner of the still read, "PM 1:11" and "FEB. 15 1988."]
    Caption Black Cat Collective. Still from Many Faces of Paper, 1989.
    Image description Black and white video still of a figure in a packed crowd, speaking into a microphone. A date and time stamp at the bottom left corner of the still read, "PM 1:11" and "FEB. 15 1988."
    Year 1989
    Related pages Video Witnesses: Festival of New Journalism
  • A crowd sitting down watching a performer on stage leaning over a table with electronic instruments, holding a mic close to their mouth. The audience is bathed in red light, and the wall behind the performer is covered with multicolored abstract projections.
    A crowd sitting down watching a performer on stage leaning over a table with electronic instruments, holding a mic close to their mouth. The audience is bathed in red light, and the wall behind the performer is covered with multicolored abstract projections.
    Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman. [A crowd sitting down watching a performer on stage leaning over a table with electronic instruments, holding a mic close to their mouth. The audience is bathed in red light, and the wall behind the performer is covered with multicolored abstract projections. ]
    Caption Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman.
    Image description A crowd sitting down watching a performer on stage leaning over a table with electronic instruments, holding a mic close to their mouth. The audience is bathed in red light, and the wall behind the performer is covered with multicolored abstract projections.
    Year
    Related pages Abasement #74
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A painting in color depicting five Black Queer people within an abstract barbershop environment. The barber to the left of the scene holds clippers to the scalp of one of them positioned in the center. Another barber pictured in the upper right quadrant holds up a pair of shears between two other Black Queer figures with smocked patterning on their barber capes. Sgraffito-like swaths of grid serve as a tiled floor, shown in a floating perspective.
    A painting in color depicting five Black Queer people within an abstract barbershop environment. The barber to the left of the scene holds clippers to the scalp of one of them positioned in the center. Another barber pictured in the upper right quadrant holds up a pair of shears between two other Black Queer figures with smocked patterning on their barber capes. Sgraffito-like swaths of grid serve as a tiled floor, shown in a floating perspective.
    Jonathan Lyndon Chase, City of Beauty, 2023. Courtesy of the artist and Company Gallery, New York. [A painting in color depicting five Black Queer people within an abstract barbershop environment. The barber to the left of the scene holds clippers to the scalp of one of them positioned in the center. Another barber pictured in the upper right quadrant holds up a pair of shears between two other Black Queer figures with smocked patterning on their barber capes. Sgraffito-like swaths of grid serve as a tiled floor, shown in a floating perspective.]
    Caption Jonathan Lyndon Chase, City of Beauty, 2023. Courtesy of the artist and Company Gallery, New York.
    Image description A painting in color depicting five Black Queer people within an abstract barbershop environment. The barber to the left of the scene holds clippers to the scalp of one of them positioned in the center. Another barber pictured in the upper right quadrant holds up a pair of shears between two other Black Queer figures with smocked patterning on their barber capes. Sgraffito-like swaths of grid serve as a tiled floor, shown in a floating perspective.
    Year
    Related pages Jonathan Lyndon Chase
  • Caption
    Image description
    Year
    Related pages Artists for Artists Space
  • A brown paper bag, opened and placed at an angle, with colored pencil illustrations of a balding man wearing sunglasses and a blue collared shirt, face slightly covered by a translucent red figurative silhouette, and along the other side of the bag, a white daisy with a long green stem.
    A brown paper bag, opened and placed at an angle, with colored pencil illustrations of a balding man wearing sunglasses and a blue collared shirt, face slightly covered by a translucent red figurative silhouette, and along the other side of the bag, a white daisy with a long green stem.
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A brown paper bag, opened and placed at an angle, with colored pencil illustrations of a balding man wearing sunglasses and a blue collared shirt, face slightly covered by a translucent red figurative silhouette, and along the other side of the bag, a white daisy with a long green stem.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description A brown paper bag, opened and placed at an angle, with colored pencil illustrations of a balding man wearing sunglasses and a blue collared shirt, face slightly covered by a translucent red figurative silhouette, and along the other side of the bag, a white daisy with a long green stem.
    Year 2017
    Related pages Unholding
  • One figure stands in a small square construction waist high and a nearby child stands inside another square construction with their head peeking out at the other figure. A figure stands behind them by a washbasin with clothes hanging from a clothesline in front of them. Bushes and trees appear behind them along with another edifice in the background. Video scan lines and black edges of CRT monitor are visible.
    One figure stands in a small square construction waist high and a nearby child stands inside another square construction with their head peeking out at the other figure. A figure stands behind them by a washbasin with clothes hanging from a clothesline in front of them. Bushes and trees appear behind them along with another edifice in the background. Video scan lines and black edges of CRT monitor are visible.
    Sistema Sandinista de Television. Still from Golpes de la Corazon (Blows of the Heart), 1983. Video (sound, black and white). Spanish with English subtitles. [One figure stands in a small square construction waist high and a nearby child stands inside another square construction with their head peeking out at the other figure. A figure stands behind them by a washbasin with clothes hanging from a clothesline in front of them. Bushes and trees appear behind them along with another edifice in the background. Video scan lines and black edges of CRT monitor are visible.]
    Caption Sistema Sandinista de Television. Still from Golpes de la Corazon (Blows of the Heart), 1983. Video (sound, black and white). Spanish with English subtitles.
    Image description One figure stands in a small square construction waist high and a nearby child stands inside another square construction with their head peeking out at the other figure. A figure stands behind them by a washbasin with clothes hanging from a clothesline in front of them. Bushes and trees appear behind them along with another edifice in the background. Video scan lines and black edges of CRT monitor are visible.
    Year 1983
    Related pages TV Sandino
  • A red room containing a pile of miscellaneous items. Yellow text that reads,
    A red room containing a pile of miscellaneous items. Yellow text that reads,
    Show and Tell: A Chronicle. of Group Material. Doug Ashford, Julie Ault, Sabrina Locks. Four Corners Books, 2010. Hardcover, 272 pages. $35 . $120 Signed. at the Artists Space Bookstore [A red room containing a pile of miscellaneous items. Yellow text that reads, "Show and Tell: A Chronical of Group Material, Edited by Julie Ault."]
    Caption Show and Tell: A Chronicle. of Group Material. Doug Ashford, Julie Ault, Sabrina Locks. Four Corners Books, 2010. Hardcover, 272 pages. $35 . $120 Signed. at the Artists Space Bookstore
    Image description A red room containing a pile of miscellaneous items. Yellow text that reads, "Show and Tell: A Chronical of Group Material, Edited by Julie Ault."
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • An abstract painting, mostly blue, purple, and black, with splashes of yellow and pink. Several of the brush strokes take on a vaguely anthropomorphic association.
    An abstract painting, mostly blue, purple, and black, with splashes of yellow and pink. Several of the brush strokes take on a vaguely anthropomorphic association.
    Nayiel Walker, Self Portrait, 2018 [An abstract painting, mostly blue, purple, and black, with splashes of yellow and pink. Several of the brush strokes take on a vaguely anthropomorphic association.]
    Caption Nayiel Walker, Self Portrait, 2018
    Image description An abstract painting, mostly blue, purple, and black, with splashes of yellow and pink. Several of the brush strokes take on a vaguely anthropomorphic association.
    Year 2018
    Related pages Scholastic Art and Writing Awards
  • A metal plaque engraved with text is displayed on a white gallery wall that extends into the left half of the image's frame. Past and to the right of the wall, a series of colorful panels are staggered around a white column in front of a red wall. Some of the panels are decorated with cartoonish illustrations of animals and forests. Large text on one of the visible panels reads,
    A metal plaque engraved with text is displayed on a white gallery wall that extends into the left half of the image's frame. Past and to the right of the wall, a series of colorful panels are staggered around a white column in front of a red wall. Some of the panels are decorated with cartoonish illustrations of animals and forests. Large text on one of the visible panels reads,
    Sam Pulitzer: A Colony for “Them”. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A metal plaque engraved with text is displayed on a white gallery wall that extends into the left half of the image's frame. Past and to the right of the wall, a series of colorful panels are staggered around a white column in front of a red wall. Some of the panels are decorated with cartoonish illustrations of animals and forests. Large text on one of the visible panels reads, "We're all going to really miss doing your work for you."]
    Caption Sam Pulitzer: A Colony for “Them”. Installation view, Artists Space, 2014. Photo: Daniel Pérez.
    Image description A metal plaque engraved with text is displayed on a white gallery wall that extends into the left half of the image's frame. Past and to the right of the wall, a series of colorful panels are staggered around a white column in front of a red wall. Some of the panels are decorated with cartoonish illustrations of animals and forests. Large text on one of the visible panels reads, "We're all going to really miss doing your work for you."
    Year 2014
    Related pages Sam Pulitzer: A Colony for "Them"
  • A grid of pink hearts on a green background.
    A grid of pink hearts on a green background.
    [A grid of pink hearts on a green background.]
    Caption
    Image description A grid of pink hearts on a green background.
    Year 2017
    Related pages I ❤ John Giorno: Welcoming The Flowers
  • Abstract paint splatters of various muted colors on a grey background.
    Abstract paint splatters of various muted colors on a grey background.
    Joyce Kim, Untitled, 2000. Acryclic, latex and enamel on canvas, 48 x 45 inches. Courtesy the artist. [Abstract paint splatters of various muted colors on a grey background.]
    Caption Joyce Kim, Untitled, 2000. Acryclic, latex and enamel on canvas, 48 x 45 inches. Courtesy the artist.
    Image description Abstract paint splatters of various muted colors on a grey background.
    Year 2001
    Related pages Joyce Kim
  • Three long and slim dresses on mannequin figures - one yellow, one orange, and one blue. Her signature and the date (12.5.15) appear in between each figure
    Three long and slim dresses on mannequin figures - one yellow, one orange, and one blue. Her signature and the date (12.5.15) appear in between each figure
    Ashley Baez, Untitled, colored pencil on paper 28 x 24 inches, 2016 [Three long and slim dresses on mannequin figures - one yellow, one orange, and one blue. Her signature and the date (12.5.15) appear in between each figure]
    Caption Ashley Baez, Untitled, colored pencil on paper 28 x 24 inches, 2016
    Image description Three long and slim dresses on mannequin figures - one yellow, one orange, and one blue. Her signature and the date (12.5.15) appear in between each figure
    Year 2016
    Related pages Scholastic Art and Writing Awards
  • The corner of a room with two white walls. On one wall, there is a white collared shirt on a hanger, a black and white abstract image, and a small white sculpture.
    The corner of a room with two white walls. On one wall, there is a white collared shirt on a hanger, a black and white abstract image, and a small white sculpture.
    Paper Exhibition. Installation view, Artists Space, 2009. Photo: Adam Reich. [The corner of a room with two white walls. On one wall, there is a white collared shirt on a hanger, a black and white abstract image, and a small white sculpture.]
    Caption Paper Exhibition. Installation view, Artists Space, 2009. Photo: Adam Reich.
    Image description The corner of a room with two white walls. On one wall, there is a white collared shirt on a hanger, a black and white abstract image, and a small white sculpture.
    Year 2009
    Related pages Paper Exhibition
  • A drawing of a man's head cut off at the neck with horns made of hair. Text along the top reads
    A drawing of a man's head cut off at the neck with horns made of hair. Text along the top reads
    Artists Draw. Installation view, Artists Space, 1979. [A drawing of a man's head cut off at the neck with horns made of hair. Text along the top reads "flames of genius."]
    Caption Artists Draw. Installation view, Artists Space, 1979.
    Image description A drawing of a man's head cut off at the neck with horns made of hair. Text along the top reads "flames of genius."
    Year 1979
    Related pages Artists Draw: Tom Martin, Auste Peciura, Alan Saret, Patti Smith, Nancy Spero
  • White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Mar 16 / Frances Stark / Richard Foreman
    White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Mar 16 / Frances Stark / Richard Foreman
    [White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Mar 16 / Frances Stark / Richard Foreman" Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Mar 16 / Frances Stark / Richard Foreman" Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year
    Related pages Segue Reading Series: Frances Stark & Richard Foreman
  • A black and white installation photograph of a gallery space. Several large framed pieces hang on the left and right walls.
    A black and white installation photograph of a gallery space. Several large framed pieces hang on the left and right walls.
    Pictures. Installation view, Artists Space, 1977. Photo: D. James Dee. [A black and white installation photograph of a gallery space. Several large framed pieces hang on the left and right walls.]
    Caption Pictures. Installation view, Artists Space, 1977. Photo: D. James Dee.
    Image description A black and white installation photograph of a gallery space. Several large framed pieces hang on the left and right walls.
    Year 1977
    Related pages Pictures
  • Two performers play stringed instruments on stage while bathed in pink light. The performer closest plays an electric bass.
    Two performers play stringed instruments on stage while bathed in pink light. The performer closest plays an electric bass.
    Abasement #85. Performance documentation, March 2nd, 2026, Artists Space. Photo: Joshua Wildman. [Two performers play stringed instruments on stage while bathed in pink light. The performer closest plays an electric bass. ]
    Caption Abasement #85. Performance documentation, March 2nd, 2026, Artists Space. Photo: Joshua Wildman.
    Image description Two performers play stringed instruments on stage while bathed in pink light. The performer closest plays an electric bass.
    Year
    Related pages Abasement #85
  • A person dressed in all pink reads from a sheet of paper into a microphone. She holds a small disco ball in her arm. She is surrounded by rapt audience members arranged in a semi-circle around her.
    A person dressed in all pink reads from a sheet of paper into a microphone. She holds a small disco ball in her arm. She is surrounded by rapt audience members arranged in a semi-circle around her.
    Jutta Koether: xxapollo. Performance documentation, January 5, 2020, Artists Space. Photo © 2020 Paula Court. [A person dressed in all pink reads from a sheet of paper into a microphone. She holds a small disco ball in her arm. She is surrounded by rapt audience members arranged in a semi-circle around her.]
    Caption Jutta Koether: xxapollo. Performance documentation, January 5, 2020, Artists Space. Photo © 2020 Paula Court.
    Image description A person dressed in all pink reads from a sheet of paper into a microphone. She holds a small disco ball in her arm. She is surrounded by rapt audience members arranged in a semi-circle around her.
    Year 2020
    Related pages Jutta Koether
  • White text overlays a color-scheme grid background. The text reads: “Nov 11 / Dior J. Stephens / Dawn Lundy Martin.
    White text overlays a color-scheme grid background. The text reads: “Nov 11 / Dior J. Stephens / Dawn Lundy Martin.
    [White text overlays a color-scheme grid background. The text reads: “Nov 11 / Dior J. Stephens / Dawn Lundy Martin." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description White text overlays a color-scheme grid background. The text reads: “Nov 11 / Dior J. Stephens / Dawn Lundy Martin." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year
    Related pages Segue Reading Series: Dior J. Stephens & Dawn Lundy Martin
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • On a white table, to the left, sits a flutter book with a dot illustration increasing in density through the pages. To the right, a TV monitor displays a black and white image of a finger pressing the space bar on a type writer.
    On a white table, to the left, sits a flutter book with a dot illustration increasing in density through the pages. To the right, a TV monitor displays a black and white image of a finger pressing the space bar on a type writer.
    The Library Vaccine. Installation view, Artists Space, 2014. [On a white table, to the left, sits a flutter book with a dot illustration increasing in density through the pages. To the right, a TV monitor displays a black and white image of a finger pressing the space bar on a type writer.]
    Caption The Library Vaccine. Installation view, Artists Space, 2014.
    Image description On a white table, to the left, sits a flutter book with a dot illustration increasing in density through the pages. To the right, a TV monitor displays a black and white image of a finger pressing the space bar on a type writer.
    Year 2014
    Related pages The Library Vaccine
  • A wide shot of an interior space. Several books and pamphlets rest on metal shelving to the image's left and right. A low wall separates the foreground of the image from the background, in which a figure sits at a long desk with their back to the viewer. More pamplets and books are strewn about and propped upon this desk. Several gray square and rectangular canvases hang on the walls.
    A wide shot of an interior space. Several books and pamphlets rest on metal shelving to the image's left and right. A low wall separates the foreground of the image from the background, in which a figure sits at a long desk with their back to the viewer. More pamplets and books are strewn about and propped upon this desk. Several gray square and rectangular canvases hang on the walls.
    BAS, Istanbul. [A wide shot of an interior space. Several books and pamphlets rest on metal shelving to the image's left and right. A low wall separates the foreground of the image from the background, in which a figure sits at a long desk with their back to the viewer. More pamplets and books are strewn about and propped upon this desk. Several gray square and rectangular canvases hang on the walls.]
    Caption BAS, Istanbul.
    Image description A wide shot of an interior space. Several books and pamphlets rest on metal shelving to the image's left and right. A low wall separates the foreground of the image from the background, in which a figure sits at a long desk with their back to the viewer. More pamplets and books are strewn about and propped upon this desk. Several gray square and rectangular canvases hang on the walls.
    Year 2012
    Related pages Banu Cennetoglu: BAS / Bent
  • Black text on a light blue-grey and yellow ombré background. The text reads: “April 19 / Jennifer Firestone / Matvei Yankelevich.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on a light blue-grey and yellow ombré background. The text reads: “April 19 / Jennifer Firestone / Matvei Yankelevich.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on a light blue-grey and yellow ombré background. The text reads: “April 19 / Jennifer Firestone / Matvei Yankelevich.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on a light blue-grey and yellow ombré background. The text reads: “April 19 / Jennifer Firestone / Matvei Yankelevich.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Jennifer Firestone & Matvei Yankelevich
  • Color image of a bird sculpture placed in an ornately decorated room.
    Color image of a bird sculpture placed in an ornately decorated room.
    Yasunao Tone, Molecular Music, 1984-85 [Color image of a bird sculpture placed in an ornately decorated room.]
    Caption Yasunao Tone, Molecular Music, 1984-85
    Image description Color image of a bird sculpture placed in an ornately decorated room.
    Year
    Related pages Yasunao Tone Film Screening #5
  • A digital rendering of a dark tank filled with water. Spherical pods sit into the top of the tank, with one pod lying sideways next to it.
    A digital rendering of a dark tank filled with water. Spherical pods sit into the top of the tank, with one pod lying sideways next to it.
    [A digital rendering of a dark tank filled with water. Spherical pods sit into the top of the tank, with one pod lying sideways next to it.]
    Caption
    Image description A digital rendering of a dark tank filled with water. Spherical pods sit into the top of the tank, with one pod lying sideways next to it.
    Year 2008
    Related pages Local River
  • Color image of three performers on stage. In the middle a performer is standing up with their hands on their shoulders. To the right, a performer is hidden behind a large collection of tissue paper. In the back left side, a performer is sitting down in front of audio equipment. A few audience members heads are visible in the foreground. The wall behind the stage is projected on with blurry images of a crowd.
    Color image of three performers on stage. In the middle a performer is standing up with their hands on their shoulders. To the right, a performer is hidden behind a large collection of tissue paper. In the back left side, a performer is sitting down in front of audio equipment. A few audience members heads are visible in the foreground. The wall behind the stage is projected on with blurry images of a crowd.
    Abasement #76. Performance documentation, March 3rd, 2025, Artists Space. Photo: Joshua Wildman. [Color image of three performers on stage. In the middle a performer is standing up with their hands on their shoulders. To the right, a performer is hidden behind a large collection of tissue paper. In the back left side, a performer is sitting down in front of audio equipment. A few audience members heads are visible in the foreground. The wall behind the stage is projected on with blurry images of a crowd. ]
    Caption Abasement #76. Performance documentation, March 3rd, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Color image of three performers on stage. In the middle a performer is standing up with their hands on their shoulders. To the right, a performer is hidden behind a large collection of tissue paper. In the back left side, a performer is sitting down in front of audio equipment. A few audience members heads are visible in the foreground. The wall behind the stage is projected on with blurry images of a crowd.
    Year
    Related pages Abasement #76
  • Color image of a sculpture of a human body, laying face up, placed on a concrete floor. The figure is dressed in French military apparel and their head rests on a large glittery, red bow.
    Color image of a sculpture of a human body, laying face up, placed on a concrete floor. The figure is dressed in French military apparel and their head rests on a large glittery, red bow.
    Isabelle Frances McGuire, Death of Napoleon, 2024 [Color image of a sculpture of a human body, laying face up, placed on a concrete floor. The figure is dressed in French military apparel and their head rests on a large glittery, red bow.]
    Caption Isabelle Frances McGuire, Death of Napoleon, 2024
    Image description Color image of a sculpture of a human body, laying face up, placed on a concrete floor. The figure is dressed in French military apparel and their head rests on a large glittery, red bow.
    Year 2024
    Related pages Doris Guo Matthew Langan-Peck Isabelle Frances McGuire Ruben Ulises Rodriguez Montoya
  • A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text. In the center of the image is an open doorframe.
    A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text. In the center of the image is an open doorframe.
    Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979. [A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text. In the center of the image is an open doorframe.]
    Caption Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979.
    Image description A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text. In the center of the image is an open doorframe.
    Year 1979
    Related pages Patricia Hearst - A Second Reading
  • A framed photograph with a red border of a naked man on a blue shag carpet. The man is seated, leaning slightly back on his hands with his legs extended. He is bald with a full grey beard.
    A framed photograph with a red border of a naked man on a blue shag carpet. The man is seated, leaning slightly back on his hands with his legs extended. He is bald with a full grey beard.
    Flipside. Installation view, Artists Space, 2004. [A framed photograph with a red border of a naked man on a blue shag carpet. The man is seated, leaning slightly back on his hands with his legs extended. He is bald with a full grey beard.]
    Caption Flipside. Installation view, Artists Space, 2004.
    Image description A framed photograph with a red border of a naked man on a blue shag carpet. The man is seated, leaning slightly back on his hands with his legs extended. He is bald with a full grey beard.
    Year 2004
    Related pages Flipside
  • A black-and-white photograph of a man sitting down against a gray background wearing a Nazi uniform, holding a basket of apples.
    A black-and-white photograph of a man sitting down against a gray background wearing a Nazi uniform, holding a basket of apples.
    Collier Schorr, Traitor, 2001-2004. Courtesy Modern Art, London. [A black-and-white photograph of a man sitting down against a gray background wearing a Nazi uniform, holding a basket of apples.]
    Caption Collier Schorr, Traitor, 2001-2004. Courtesy Modern Art, London.
    Image description A black-and-white photograph of a man sitting down against a gray background wearing a Nazi uniform, holding a basket of apples.
    Year
    Related pages Drawing In A Straight Line
  • A 3x5 grid of false-color stickers. The top four rows depict fruits cut in half resembling a grapefruit or orange. The last row depicts a coconut cut in half. A handful of stickers have a think line of black and white checkerboard pattern added to the perimeter of the fruit.
    A 3x5 grid of false-color stickers. The top four rows depict fruits cut in half resembling a grapefruit or orange. The last row depicts a coconut cut in half. A handful of stickers have a think line of black and white checkerboard pattern added to the perimeter of the fruit.
    Guyton\Walker, Fruit Stickers for Artists Space, 2010, Set of 15 Inkset printed stickers, 6 in / 15,2 cm each, Signed and numbered certificate. [A 3x5 grid of false-color stickers. The top four rows depict fruits cut in half resembling a grapefruit or orange. The last row depicts a coconut cut in half. A handful of stickers have a think line of black and white checkerboard pattern added to the perimeter of the fruit.]
    Caption Guyton\Walker, Fruit Stickers for Artists Space, 2010, Set of 15 Inkset printed stickers, 6 in / 15,2 cm each, Signed and numbered certificate.
    Image description A 3x5 grid of false-color stickers. The top four rows depict fruits cut in half resembling a grapefruit or orange. The last row depicts a coconut cut in half. A handful of stickers have a think line of black and white checkerboard pattern added to the perimeter of the fruit.
    Year 2010
    Related pages Artists Space Annual Edition Portfolio 2011
  • Blotted smoke-dots curve across a vast blue sky, spelling out the phrase
    Blotted smoke-dots curve across a vast blue sky, spelling out the phrase
    Raúl Zurita, documentation of La vida nueva, 1982. Courtesy the artist. Photo by Ana María López. [Blotted smoke-dots curve across a vast blue sky, spelling out the phrase "MI DIOS ES PARAISO", above a jagged skyline of red brick buildings. The photograph is taken from the vantage point of the Flushing Airport, where a pile of debris, which appears to be torn-up asphalt, and a few puddles litter the runway. Three planes are parked in the lower fourth quadrant.]
    Caption Raúl Zurita, documentation of La vida nueva, 1982. Courtesy the artist. Photo by Ana María López.
    Image description Blotted smoke-dots curve across a vast blue sky, spelling out the phrase "MI DIOS ES PARAISO", above a jagged skyline of red brick buildings. The photograph is taken from the vantage point of the Flushing Airport, where a pile of debris, which appears to be torn-up asphalt, and a few puddles litter the runway. Three planes are parked in the lower fourth quadrant.
    Year 1982
    Related pages Whitney ISP Archive
  • A person working in a small space enclosed by walls, painted red with white text. At the top of the wall, large letters read
    A person working in a small space enclosed by walls, painted red with white text. At the top of the wall, large letters read
    Activated Walls. Installation view, Artists Space, 1993. [A person working in a small space enclosed by walls, painted red with white text. At the top of the wall, large letters read "AZT=DEATH", with a paragraph of text stretching across three walls. Underneath, there are a dozen white pieces of a paper taped up.]
    Caption Activated Walls. Installation view, Artists Space, 1993.
    Image description A person working in a small space enclosed by walls, painted red with white text. At the top of the wall, large letters read "AZT=DEATH", with a paragraph of text stretching across three walls. Underneath, there are a dozen white pieces of a paper taped up.
    Year 1993
    Related pages Activated Walls
  • In a large dark room, a modular structure is recessed into a raised floor covered with black carpet. The structure is lit in bright blue light, and hosts open water. Behind, a projected image from a camera obscura displays the alley outside. Red light floods the back corner of the room.
    In a large dark room, a modular structure is recessed into a raised floor covered with black carpet. The structure is lit in bright blue light, and hosts open water. Behind, a projected image from a camera obscura displays the alley outside. Red light floods the back corner of the room.
    Constantina Zavitsanos: fwiw. Installation view (Wishing Well (Korpi), 2023/24; Days (Cortlandt Alley Crosswalk), 2024), Artists Space, 2024. Photo: Carter Seddon. [In a large dark room, a modular structure is recessed into a raised floor covered with black carpet. The structure is lit in bright blue light, and hosts open water. Behind, a projected image from a camera obscura displays the alley outside. Red light floods the back corner of the room.]
    Caption Constantina Zavitsanos: fwiw. Installation view (Wishing Well (Korpi), 2023/24; Days (Cortlandt Alley Crosswalk), 2024), Artists Space, 2024. Photo: Carter Seddon.
    Image description In a large dark room, a modular structure is recessed into a raised floor covered with black carpet. The structure is lit in bright blue light, and hosts open water. Behind, a projected image from a camera obscura displays the alley outside. Red light floods the back corner of the room.
    Year
    Related pages fwiw
  • A color image of audience members sitting on the floor looking towards the stage. Blue light dots are projected onto them.
    A color image of audience members sitting on the floor looking towards the stage. Blue light dots are projected onto them.
    Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman. [A color image of audience members sitting on the floor looking towards the stage. Blue light dots are projected onto them.]
    Caption Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman.
    Image description A color image of audience members sitting on the floor looking towards the stage. Blue light dots are projected onto them.
    Year
    Related pages Abasement #65
  • An object with tones of tan, blue, pink, and grey sits on a white base. A metal antenna extends out on a diagonal.
    An object with tones of tan, blue, pink, and grey sits on a white base. A metal antenna extends out on a diagonal.
    Not yet titled, 2019
    Clay, glaze, metal antenna
    3 1/2 x 13 x 12 inches (variable)
    $3,500
    [An object with tones of tan, blue, pink, and grey sits on a white base. A metal antenna extends out on a diagonal.]
    Caption Not yet titled, 2019
    Clay, glaze, metal antenna
    3 1/2 x 13 x 12 inches (variable)
    $3,500
    Image description An object with tones of tan, blue, pink, and grey sits on a white base. A metal antenna extends out on a diagonal.
    Year 2019
    Related pages Trisha Baga Edition
  • An abstract, multicolored squareish sculpture standing on a white base. A potato sits on top of the sculpture with a wire plugged into the top. A 9v battery is affixed to the side of the sculpture, connected to two comptuer chips affixed to the front.
    An abstract, multicolored squareish sculpture standing on a white base. A potato sits on top of the sculpture with a wire plugged into the top. A 9v battery is affixed to the side of the sculpture, connected to two comptuer chips affixed to the front.
    Not yet titled, 2019
    Clay, glaze, mixed media
    7 x 12 x 17 inches (variable)
    $5,000
    [An abstract, multicolored squareish sculpture standing on a white base. A potato sits on top of the sculpture with a wire plugged into the top. A 9v battery is affixed to the side of the sculpture, connected to two comptuer chips affixed to the front.]
    Caption Not yet titled, 2019
    Clay, glaze, mixed media
    7 x 12 x 17 inches (variable)
    $5,000
    Image description An abstract, multicolored squareish sculpture standing on a white base. A potato sits on top of the sculpture with a wire plugged into the top. A 9v battery is affixed to the side of the sculpture, connected to two comptuer chips affixed to the front.
    Year 2019
    Related pages Trisha Baga Edition
  • Circular bricolage sculpture in a white-walled gallery space.
    Circular bricolage sculpture in a white-walled gallery space.
    Lizbeth Marano. Third Circle, 1985. [Circular bricolage sculpture in a white-walled gallery space.]
    Caption Lizbeth Marano. Third Circle, 1985.
    Image description Circular bricolage sculpture in a white-walled gallery space.
    Year
    Related pages Four Artists: An Exhibition of Painting and Sculpture
  • A blue and teal book cover depicting the title and author against a flat background.
    A blue and teal book cover depicting the title and author against a flat background.
    Michael Bullock, Roman Catholic Jacuzzi (New York: Karma Publishing, 2012). [A blue and teal book cover depicting the title and author against a flat background.]
    Caption Michael Bullock, Roman Catholic Jacuzzi (New York: Karma Publishing, 2012).
    Image description A blue and teal book cover depicting the title and author against a flat background.
    Year 2012
    Related pages Roman Catholic Jacuzzi
  • A cross-shaped panel installed on a white wall. The left arm of the panel is painted gray, while its vertical bisector is painted a dark black color. The right arm of the panel features a collage of three identical black and white images of a doctor wearing protective gloves while injecting a figure's arm with a syringe.
    A cross-shaped panel installed on a white wall. The left arm of the panel is painted gray, while its vertical bisector is painted a dark black color. The right arm of the panel features a collage of three identical black and white images of a doctor wearing protective gloves while injecting a figure's arm with a syringe.
    I Thought I Had Time. Installation view, Artists Space, 1992. [A cross-shaped panel installed on a white wall. The left arm of the panel is painted gray, while its vertical bisector is painted a dark black color. The right arm of the panel features a collage of three identical black and white images of a doctor wearing protective gloves while injecting a figure's arm with a syringe.]
    Caption I Thought I Had Time. Installation view, Artists Space, 1992.
    Image description A cross-shaped panel installed on a white wall. The left arm of the panel is painted gray, while its vertical bisector is painted a dark black color. The right arm of the panel features a collage of three identical black and white images of a doctor wearing protective gloves while injecting a figure's arm with a syringe.
    Year 1992
    Related pages I Thought I Had Time
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Black, Arial text, reads,
    Black, Arial text, reads,
    [Black, Arial text, reads, "The Library of Helen DeWitt."]
    Caption
    Image description Black, Arial text, reads, "The Library of Helen DeWitt."
    Year 2014
    Related pages The Library Vaccine
  • An angled view of a display case containing several framed drawings. To the left of the display case, three vintage television sets rest a white support and play video footage. Framed documents and photographs hang along the back wall on either side of a doorway.
    An angled view of a display case containing several framed drawings. To the left of the display case, three vintage television sets rest a white support and play video footage. Framed documents and photographs hang along the back wall on either side of a doorway.
    Jack Smith: Art Crust of Spiritual Oasis. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [An angled view of a display case containing several framed drawings. To the left of the display case, three vintage television sets rest a white support and play video footage. Framed documents and photographs hang along the back wall on either side of a doorway.]
    Caption Jack Smith: Art Crust of Spiritual Oasis. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description An angled view of a display case containing several framed drawings. To the left of the display case, three vintage television sets rest a white support and play video footage. Framed documents and photographs hang along the back wall on either side of a doorway.
    Year 2018
    Related pages Jack Smith: Art Crust of Spiritual Oasis
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    Related pages Abasement #84
  • Black and white photograph of white picket fence opening with dark painted background behind it.
    Black and white photograph of white picket fence opening with dark painted background behind it.
    Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Candice Hill-Montgomery. [Black and white photograph of white picket fence opening with dark painted background behind it.]
    Caption Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Candice Hill-Montgomery.
    Image description Black and white photograph of white picket fence opening with dark painted background behind it.
    Year 1979
    Related pages Candance Hill-Montgomery
  • A black and white image of a painted spiral.
    A black and white image of a painted spiral.
    Fontaine Dunn, Everything's Always Just the Same, Only Different, 1976. From Gary Bower, Fontaine Dunn, Hermine Ford, Artists Space, 1976. [A black and white image of a painted spiral.]
    Caption Fontaine Dunn, Everything's Always Just the Same, Only Different, 1976. From Gary Bower, Fontaine Dunn, Hermine Ford, Artists Space, 1976.
    Image description A black and white image of a painted spiral.
    Year 1976
    Related pages Gary Bower, Fontaine Dunn, Hermine Ford
  • Color photograph of a hand, fingers outstretched and manipulating a group of suspended wires that run across the frame.
    Color photograph of a hand, fingers outstretched and manipulating a group of suspended wires that run across the frame.
    New Music Circle, St. Louis. Photo: Theo R. Welling [Color photograph of a hand, fingers outstretched and manipulating a group of suspended wires that run across the frame.]
    Caption New Music Circle, St. Louis. Photo: Theo R. Welling
    Image description Color photograph of a hand, fingers outstretched and manipulating a group of suspended wires that run across the frame.
    Year
    Related pages Ellen Fullman
  • A gallery space with two columns. On the right side of the columns is a small platform from which two black curtains hang. Behind that are two stools underneath a mirror mounted on the wall. On the other side of the columns, four paintings hang on a white wall in a line. Just visible beyond the end of the wall is another space with additional paintings hung on that wall.
    A gallery space with two columns. On the right side of the columns is a small platform from which two black curtains hang. Behind that are two stools underneath a mirror mounted on the wall. On the other side of the columns, four paintings hang on a white wall in a line. Just visible beyond the end of the wall is another space with additional paintings hung on that wall.
    The Mind/Body Problem. Installation view, Artists Space, 2006. Photo: Alan Wiener. [A gallery space with two columns. On the right side of the columns is a small platform from which two black curtains hang. Behind that are two stools underneath a mirror mounted on the wall. On the other side of the columns, four paintings hang on a white wall in a line. Just visible beyond the end of the wall is another space with additional paintings hung on that wall.]
    Caption The Mind/Body Problem. Installation view, Artists Space, 2006. Photo: Alan Wiener.
    Image description A gallery space with two columns. On the right side of the columns is a small platform from which two black curtains hang. Behind that are two stools underneath a mirror mounted on the wall. On the other side of the columns, four paintings hang on a white wall in a line. Just visible beyond the end of the wall is another space with additional paintings hung on that wall.
    Year 2006
    Related pages The Mind/Body Problem
  • A black and white image of four people, one sitting, three standing in a patterned room displaying a large photograph on the left wall. On the right wall, two men stand underneath large block text, that reads,
    A black and white image of four people, one sitting, three standing in a patterned room displaying a large photograph on the left wall. On the right wall, two men stand underneath large block text, that reads,
    Gerhard Richter Volker Bradke , December 13, 1966 From the exhibition Hommage an Schmela (Homage to Schmela), December 9 – 15, 1966. Galerie Schmela, Düsseldorf Courtesy Archiv Reiner Ruthenbeck, Ratingen © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Photo: Reiner Ruthenbeck [A black and white image of four people, one sitting, three standing in a patterned room displaying a large photograph on the left wall. On the right wall, two men stand underneath large block text, that reads, "Volker Bradk."]
    Caption Gerhard Richter Volker Bradke , December 13, 1966 From the exhibition Hommage an Schmela (Homage to Schmela), December 9 – 15, 1966. Galerie Schmela, Düsseldorf Courtesy Archiv Reiner Ruthenbeck, Ratingen © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Photo: Reiner Ruthenbeck
    Image description A black and white image of four people, one sitting, three standing in a patterned room displaying a large photograph on the left wall. On the right wall, two men stand underneath large block text, that reads, "Volker Bradk."
    Year 1966
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • Sepia toned image of three figures standing in the middle of the street. The figure on the left wears a white dress that flows in the wind, while the middle figure wears a button down shirt and stands in a pool of white liquid spilled on the ground. The third figure on the right wears a striped cloth over their body.
    Sepia toned image of three figures standing in the middle of the street. The figure on the left wears a white dress that flows in the wind, while the middle figure wears a button down shirt and stands in a pool of white liquid spilled on the ground. The third figure on the right wears a striped cloth over their body.
    Masao Adachi, Galaxy, 1967 [Sepia toned image of three figures standing in the middle of the street. The figure on the left wears a white dress that flows in the wind, while the middle figure wears a button down shirt and stands in a pool of white liquid spilled on the ground. The third figure on the right wears a striped cloth over their body.]
    Caption Masao Adachi, Galaxy, 1967
    Image description Sepia toned image of three figures standing in the middle of the street. The figure on the left wears a white dress that flows in the wind, while the middle figure wears a button down shirt and stands in a pool of white liquid spilled on the ground. The third figure on the right wears a striped cloth over their body.
    Year
    Related pages Yasunao Tone Film Screening #3
  • A grainy, black and white close up of a person, their face partially in shadow.
    A grainy, black and white close up of a person, their face partially in shadow.
    Anne Charlotte Robertson. Fall to Spring (Reel 76 of Five Year Diary), 1991-92. [A grainy, black and white close up of a person, their face partially in shadow.]
    Caption Anne Charlotte Robertson. Fall to Spring (Reel 76 of Five Year Diary), 1991-92.
    Image description A grainy, black and white close up of a person, their face partially in shadow.
    Year 1992
    Related pages Summer Knowledge: Anne Charlotte Robertson
  • Magazine cut-outs and ink drawings are collaged together on a background of yellow, pink, and orange paper. A piece of green paper at the bottom reads
    Magazine cut-outs and ink drawings are collaged together on a background of yellow, pink, and orange paper. A piece of green paper at the bottom reads
    Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a background of yellow, pink, and orange paper. A piece of green paper at the bottom reads "A/BA/SEME/N/T." Other pieces of typewritten text list the performers and event details.]
    Caption Flyer by Joe Frivaldi.
    Image description Magazine cut-outs and ink drawings are collaged together on a background of yellow, pink, and orange paper. A piece of green paper at the bottom reads "A/BA/SEME/N/T." Other pieces of typewritten text list the performers and event details.
    Year
    Related pages Abasement #72
  • Color image of two individuals smiling jovially towards the camera. A dimly lit interior space with red flocking on the walls can be seen in the background.
    Color image of two individuals smiling jovially towards the camera. A dimly lit interior space with red flocking on the walls can be seen in the background.
    Friends of Artists Space Dinner, 2023. Photo: Destiny Mata. [Color image of two individuals smiling jovially towards the camera. A dimly lit interior space with red flocking on the walls can be seen in the background.]
    Caption Friends of Artists Space Dinner, 2023. Photo: Destiny Mata.
    Image description Color image of two individuals smiling jovially towards the camera. A dimly lit interior space with red flocking on the walls can be seen in the background.
    Year
    Related pages Support
  • A man and a woman sit in two low wooden chairs. The man wears a brown hat and striped suit, while the woman wears a white top with a low v-neck. Her hair is blonde and stylishly curled. She stares ahead, her left hand gently resting on her chin. The man stares sideways at her.
    A man and a woman sit in two low wooden chairs. The man wears a brown hat and striped suit, while the woman wears a white top with a low v-neck. Her hair is blonde and stylishly curled. She stares ahead, her left hand gently resting on her chin. The man stares sideways at her.
    Warnung vor einer heiligen Nutte (Beware of a Holy Whore). Dir. Rainer Werner Fassbinder. 1971. [A man and a woman sit in two low wooden chairs. The man wears a brown hat and striped suit, while the woman wears a white top with a low v-neck. Her hair is blonde and stylishly curled. She stares ahead, her left hand gently resting on her chin. The man stares sideways at her.]
    Caption Warnung vor einer heiligen Nutte (Beware of a Holy Whore). Dir. Rainer Werner Fassbinder. 1971.
    Image description A man and a woman sit in two low wooden chairs. The man wears a brown hat and striped suit, while the woman wears a white top with a low v-neck. Her hair is blonde and stylishly curled. She stares ahead, her left hand gently resting on her chin. The man stares sideways at her.
    Year 1971
    Related pages Pride Goes Before a Fall / Beware of a Holy Whore / Mise en Abyme
  • Collaged atop a yellow and orange field is a series of abstract graphic elements and an upside down image of a face. In the bottom right corner an upside down text reads
    Collaged atop a yellow and orange field is a series of abstract graphic elements and an upside down image of a face. In the bottom right corner an upside down text reads
    [Collaged atop a yellow and orange field is a series of abstract graphic elements and an upside down image of a face. In the bottom right corner an upside down text reads "ABASEMENT 60."]
    Caption
    Image description Collaged atop a yellow and orange field is a series of abstract graphic elements and an upside down image of a face. In the bottom right corner an upside down text reads "ABASEMENT 60."
    Year 2022
    Related pages Abasement #60
  • A person dressed in all pink extends a heart-shaped canvas in front of her, while her eyes look away. She is surrounded by rapt audience members arranged in a semi-circle around her. There are light spots reflected at even intervals patterning the room.
    A person dressed in all pink extends a heart-shaped canvas in front of her, while her eyes look away. She is surrounded by rapt audience members arranged in a semi-circle around her. There are light spots reflected at even intervals patterning the room.
    Jutta Koether: xxapollo. Performance documentation, January 5, 2020, Artists Space. Photo © 2020 Paula Court. [A person dressed in all pink extends a heart-shaped canvas in front of her, while her eyes look away. She is surrounded by rapt audience members arranged in a semi-circle around her. There are light spots reflected at even intervals patterning the room.]
    Caption Jutta Koether: xxapollo. Performance documentation, January 5, 2020, Artists Space. Photo © 2020 Paula Court.
    Image description A person dressed in all pink extends a heart-shaped canvas in front of her, while her eyes look away. She is surrounded by rapt audience members arranged in a semi-circle around her. There are light spots reflected at even intervals patterning the room.
    Year 2020
    Related pages Jutta Koether
  • A view of multiple works displayed in a multilevel gallery space. An old tv monitor, a coffee machine, and an artificial seagull are placed near a yellow boombox sitting on a black rug. Beside the boombox is a large image of a group of individuals in a defaced bedroom.
    A view of multiple works displayed in a multilevel gallery space. An old tv monitor, a coffee machine, and an artificial seagull are placed near a yellow boombox sitting on a black rug. Beside the boombox is a large image of a group of individuals in a defaced bedroom.
    ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A view of multiple works displayed in a multilevel gallery space. An old tv monitor, a coffee machine, and an artificial seagull are placed near a yellow boombox sitting on a black rug. Beside the boombox is a large image of a group of individuals in a defaced bedroom.]
    Caption ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A view of multiple works displayed in a multilevel gallery space. An old tv monitor, a coffee machine, and an artificial seagull are placed near a yellow boombox sitting on a black rug. Beside the boombox is a large image of a group of individuals in a defaced bedroom.
    Year 2021
    Related pages ART CLUB2000
  • Five performers sitting in a row playing various wind, string, and percussion instruments. They are facing microphone and sheet music stands. Multicolored patterned projections and disco ball reflections cover the two walls and musicians. Audience members are visible around the stage.
    Five performers sitting in a row playing various wind, string, and percussion instruments. They are facing microphone and sheet music stands. Multicolored patterned projections and disco ball reflections cover the two walls and musicians. Audience members are visible around the stage.
    Abasement #72. Performance documentation, October 7th, 2024, Artists Space. Photo: Joshua Wildman. [Five performers sitting in a row playing various wind, string, and percussion instruments. They are facing microphone and sheet music stands. Multicolored patterned projections and disco ball reflections cover the two walls and musicians. Audience members are visible around the stage.]
    Caption Abasement #72. Performance documentation, October 7th, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Five performers sitting in a row playing various wind, string, and percussion instruments. They are facing microphone and sheet music stands. Multicolored patterned projections and disco ball reflections cover the two walls and musicians. Audience members are visible around the stage.
    Year
    Related pages Abasement #72
  • A slightly chipped painting of a face with downcast eyes and a medieval-style crown. The word
    A slightly chipped painting of a face with downcast eyes and a medieval-style crown. The word
    Ken Aptekar, Oversensitive, 1987-1990. Oil on wood, sandblasted glass, bolts, 30 x 30 inches. [A slightly chipped painting of a face with downcast eyes and a medieval-style crown. The word "Oversensitive" is overlaid across the top part of the face.]
    Caption Ken Aptekar, Oversensitive, 1987-1990. Oil on wood, sandblasted glass, bolts, 30 x 30 inches.
    Image description A slightly chipped painting of a face with downcast eyes and a medieval-style crown. The word "Oversensitive" is overlaid across the top part of the face.
    Year
    Related pages Post-Boys&Girls: Nine Painters
  • Octopus and water paintings, 2022
    Caption Octopus and water paintings, 2022
    Image description
    Year 2022
    Related pages Listening to the LES
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A performer plays a modified string instrument on stage.
    A performer plays a modified string instrument on stage.
    Abasement #81. Performance documentation, October 20th, 2025, Artists Space. Photo: Joshua Wildman. [A performer plays a modified string instrument on stage. ]
    Caption Abasement #81. Performance documentation, October 20th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description A performer plays a modified string instrument on stage.
    Year
    Related pages Abasement #81
  • Margit Lewczuk. Installation View. Artists Space, 1985.
    Caption Margit Lewczuk. Installation View. Artists Space, 1985.
    Image description
    Year
    Related pages Four Artists: An Exhibition of Painting and Sculpture
  • A large number of framed posters, photographs, and other ephemera of varying sizes hang on a white gallery wall. A poster hung on the left side of the wall has large black lettering that reads:
    A large number of framed posters, photographs, and other ephemera of varying sizes hang on a white gallery wall. A poster hung on the left side of the wall has large black lettering that reads:
    The Serving Library. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A large number of framed posters, photographs, and other ephemera of varying sizes hang on a white gallery wall. A poster hung on the left side of the wall has large black lettering that reads: "THE TEMPERAMENTAL BAROMETRIC CONTORTIONIST!" A white pole is situated at the center of the space, in front of the exhibition wall.]
    Caption The Serving Library. Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description A large number of framed posters, photographs, and other ephemera of varying sizes hang on a white gallery wall. A poster hung on the left side of the wall has large black lettering that reads: "THE TEMPERAMENTAL BAROMETRIC CONTORTIONIST!" A white pole is situated at the center of the space, in front of the exhibition wall.
    Year 2011
    Related pages The Serving Library
  • A color photograph of a gallery space. Behind three dark columns a large vinyl printed with text is attached to the wall, falling to the ground on the left side. In the center a large grey table with four red chairs and stacks of yellow and grey posters is visible.
    A color photograph of a gallery space. Behind three dark columns a large vinyl printed with text is attached to the wall, falling to the ground on the left side. In the center a large grey table with four red chairs and stacks of yellow and grey posters is visible.
    virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of a gallery space. Behind three dark columns a large vinyl printed with text is attached to the wall, falling to the ground on the left side. In the center a large grey table with four red chairs and stacks of yellow and grey posters is visible.]
    Caption virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color photograph of a gallery space. Behind three dark columns a large vinyl printed with text is attached to the wall, falling to the ground on the left side. In the center a large grey table with four red chairs and stacks of yellow and grey posters is visible.
    Year 2022
    Related pages virgil b/g taylor: Minor Publics
  • Rows of audio cassette tapes are tightly packed together. Many of the tapes have handwritten labels describing what is on the tape.
    Rows of audio cassette tapes are tightly packed together. Many of the tapes have handwritten labels describing what is on the tape.
    Audio cassette tapes for Echo Chamber, Sharon Hayes & Brooke O'Harra. [Rows of audio cassette tapes are tightly packed together. Many of the tapes have handwritten labels describing what is on the tape. ]
    Caption Audio cassette tapes for Echo Chamber, Sharon Hayes & Brooke O'Harra.
    Image description Rows of audio cassette tapes are tightly packed together. Many of the tapes have handwritten labels describing what is on the tape.
    Year
    Related pages Sharon Hayes and Brooke O'Harra 2
  • A color image of a gallery space, taken from a wide angle. There is a checkerboard floor, with three large sculptures placed down the center. A large red painting is hung on the left wall. On the right wall are a series of paintings and durags.
    A color image of a gallery space, taken from a wide angle. There is a checkerboard floor, with three large sculptures placed down the center. A large red painting is hung on the left wall. On the right wall are a series of paintings and durags.
    Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of a gallery space, taken from a wide angle. There is a checkerboard floor, with three large sculptures placed down the center. A large red painting is hung on the left wall. On the right wall are a series of paintings and durags.]
    Caption Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A color image of a gallery space, taken from a wide angle. There is a checkerboard floor, with three large sculptures placed down the center. A large red painting is hung on the left wall. On the right wall are a series of paintings and durags.
    Year
    Related pages Jonathan Lyndon Chase
  • A photograph of a pale pink stucco wall that separates two properties. Green trees and shrubbery line the side of the wall that is pictured. Additional trees on the neighbor's side are visible, in partial view.
    A photograph of a pale pink stucco wall that separates two properties. Green trees and shrubbery line the side of the wall that is pictured. Additional trees on the neighbor's side are visible, in partial view.
    Michael Asher, permanent work for the Grinstein Collection, Los Angeles, California, USA, 1979. Viewing north on the neighbor’s property toward the reconstructed wall section, as photographed in 2017. Photograph by Jeff McLane. © Michael Asher Foundation. [A photograph of a pale pink stucco wall that separates two properties. Green trees and shrubbery line the side of the wall that is pictured. Additional trees on the neighbor's side are visible, in partial view.]
    Caption Michael Asher, permanent work for the Grinstein Collection, Los Angeles, California, USA, 1979. Viewing north on the neighbor’s property toward the reconstructed wall section, as photographed in 2017. Photograph by Jeff McLane. © Michael Asher Foundation.
    Image description A photograph of a pale pink stucco wall that separates two properties. Green trees and shrubbery line the side of the wall that is pictured. Additional trees on the neighbor's side are visible, in partial view.
    Year 2017
    Related pages Michael Asher
  • A view from behind an angled bar with blue walls. Shelves full of Coca-Cola, liquor, and glasses are visible. On the counter, more Coca-Cola bottles, glassware, and an esspresso machine. A palm leaf is positioned beyond the counter top.
    A view from behind an angled bar with blue walls. Shelves full of Coca-Cola, liquor, and glasses are visible. On the counter, more Coca-Cola bottles, glassware, and an esspresso machine. A palm leaf is positioned beyond the counter top.
    Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013. [A view from behind an angled bar with blue walls. Shelves full of Coca-Cola, liquor, and glasses are visible. On the counter, more Coca-Cola bottles, glassware, and an esspresso machine. A palm leaf is positioned beyond the counter top.]
    Caption Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013.
    Image description A view from behind an angled bar with blue walls. Shelves full of Coca-Cola, liquor, and glasses are visible. On the counter, more Coca-Cola bottles, glassware, and an esspresso machine. A palm leaf is positioned beyond the counter top.
    Year 2013
    Related pages Pride Goes Before a Fall
  • Three paper bags, decorated in collage and drawing, sit on pedestals of varying heights. An abstract lanscape painting hangs on a wall behind them. To the left, a purple painting of an buffalo hangs on another wall.
    Three paper bags, decorated in collage and drawing, sit on pedestals of varying heights. An abstract lanscape painting hangs on a wall behind them. To the left, a purple painting of an buffalo hangs on another wall.
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [Three paper bags, decorated in collage and drawing, sit on pedestals of varying heights. An abstract lanscape painting hangs on a wall behind them. To the left, a purple painting of an buffalo hangs on another wall.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description Three paper bags, decorated in collage and drawing, sit on pedestals of varying heights. An abstract lanscape painting hangs on a wall behind them. To the left, a purple painting of an buffalo hangs on another wall.
    Year 2017
    Related pages Unholding
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A white T-shirt hangs on a clothes hanger placed on a cylinder of plexi which is affixed to a white gallery wall. Down the middle of the shirt in vertical orientation is a six-digit phone number. In front of the wall and to the right of the shirt is a low plinth made of MDF, with a newspaper placed on top.
    A white T-shirt hangs on a clothes hanger placed on a cylinder of plexi which is affixed to a white gallery wall. Down the middle of the shirt in vertical orientation is a six-digit phone number. In front of the wall and to the right of the shirt is a low plinth made of MDF, with a newspaper placed on top.
    Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon. [A white T-shirt hangs on a clothes hanger placed on a cylinder of plexi which is affixed to a white gallery wall. Down the middle of the shirt in vertical orientation is a six-digit phone number. In front of the wall and to the right of the shirt is a low plinth made of MDF, with a newspaper placed on top. ]
    Caption Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon.
    Image description A white T-shirt hangs on a clothes hanger placed on a cylinder of plexi which is affixed to a white gallery wall. Down the middle of the shirt in vertical orientation is a six-digit phone number. In front of the wall and to the right of the shirt is a low plinth made of MDF, with a newspaper placed on top.
    Year
    Related pages Michael Asher
  • Two performers play side by side on stage. One performer plays the drums and the other a standing bass. The performers are bathed in colorful lights, created by a live video projection of the performance.
    Two performers play side by side on stage. One performer plays the drums and the other a standing bass. The performers are bathed in colorful lights, created by a live video projection of the performance.
    Abasement #80. Performance documentation, September 22nd, 2025, Artists Space. Photo: Joshua Wildman. [Two performers play side by side on stage. One performer plays the drums and the other a standing bass. The performers are bathed in colorful lights, created by a live video projection of the performance.]
    Caption Abasement #80. Performance documentation, September 22nd, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Two performers play side by side on stage. One performer plays the drums and the other a standing bass. The performers are bathed in colorful lights, created by a live video projection of the performance.
    Year
    Related pages Abasement #80
  • In a basement space, an audience watches as a figure sitting behind a white table reads into a microphone. On the back wall behind the figure are two projected videos featuring a notebook, pieces of coral, and an image of the ocean.
    In a basement space, an audience watches as a figure sitting behind a white table reads into a microphone. On the back wall behind the figure are two projected videos featuring a notebook, pieces of coral, and an image of the ocean.
    Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang. [In a basement space, an audience watches as a figure sitting behind a white table reads into a microphone. On the back wall behind the figure are two projected videos featuring a notebook, pieces of coral, and an image of the ocean.]
    Caption Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang.
    Image description In a basement space, an audience watches as a figure sitting behind a white table reads into a microphone. On the back wall behind the figure are two projected videos featuring a notebook, pieces of coral, and an image of the ocean.
    Year
    Related pages Chang Yuchen: Coral Dictionary Vol. 1, 2019-2022
  • A black and white photograph of dark silhouetted shapes pasted on a wall, including a tree, a television set, a phone, a lightbulb, and a place setting.
    A black and white photograph of dark silhouetted shapes pasted on a wall, including a tree, a television set, a phone, a lightbulb, and a place setting.
    Matt Mullican, Wall Labels, 1976. From Susan Eder, Matt Mullican, Artists Space, 1976. [A black and white photograph of dark silhouetted shapes pasted on a wall, including a tree, a television set, a phone, a lightbulb, and a place setting.]
    Caption Matt Mullican, Wall Labels, 1976. From Susan Eder, Matt Mullican, Artists Space, 1976.
    Image description A black and white photograph of dark silhouetted shapes pasted on a wall, including a tree, a television set, a phone, a lightbulb, and a place setting.
    Year 1976
    Related pages Susan Eder, Matt Mullican
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    Related pages Abasement #82
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    Related pages Abasement #85
  • Two half-circle canvases, positioned together to create a full circular shape, displayed on a light mauve wall. The canvases are filled with neutral blue and pale pink colors as well as sweeping, black line illustrations. At the center of the composition, the canvases stretch outward in mirrored c-curve shapes.
    Two half-circle canvases, positioned together to create a full circular shape, displayed on a light mauve wall. The canvases are filled with neutral blue and pale pink colors as well as sweeping, black line illustrations. At the center of the composition, the canvases stretch outward in mirrored c-curve shapes.
    Zilia Sánchez. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [Two half-circle canvases, positioned together to create a full circular shape, displayed on a light mauve wall. The canvases are filled with neutral blue and pale pink colors as well as sweeping, black line illustrations. At the center of the composition, the canvases stretch outward in mirrored c-curve shapes.]
    Caption Zilia Sánchez. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description Two half-circle canvases, positioned together to create a full circular shape, displayed on a light mauve wall. The canvases are filled with neutral blue and pale pink colors as well as sweeping, black line illustrations. At the center of the composition, the canvases stretch outward in mirrored c-curve shapes.
    Year 2013
    Related pages Zilia Sánchez
  • A view of four police officer cardboard cutouts with red eyes in a red lit room. They are wearing sashes that read
    A view of four police officer cardboard cutouts with red eyes in a red lit room. They are wearing sashes that read
    ART CLUB2000 Untitled (Punishing Enforcers of an Oppressive Regime), detail, 1998 Eight printed cardboard standees, satin sashes, and LED lights Image courtesy Artists Space, New York Photo: Filip Wolak [A view of four police officer cardboard cutouts with red eyes in a red lit room. They are wearing sashes that read "Punishing Enforcers of an Oppressive Regime."]
    Caption ART CLUB2000 Untitled (Punishing Enforcers of an Oppressive Regime), detail, 1998 Eight printed cardboard standees, satin sashes, and LED lights Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description A view of four police officer cardboard cutouts with red eyes in a red lit room. They are wearing sashes that read "Punishing Enforcers of an Oppressive Regime."
    Year 2021
    Related pages ART CLUB2000
  • Image of a dimly lit basement. Along the back wall, on the right, a shadow of a figure in profile is cast onto a blue and purple projected screen.
    Image of a dimly lit basement. Along the back wall, on the right, a shadow of a figure in profile is cast onto a blue and purple projected screen.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Image of a dimly lit basement. Along the back wall, on the right, a shadow of a figure in profile is cast onto a blue and purple projected screen.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a dimly lit basement. Along the back wall, on the right, a shadow of a figure in profile is cast onto a blue and purple projected screen.
    Year 2022
    Related pages SCRAAATCH 11-19
  • Four framed drawings on a wall depicting chaotic, colorful scenes of crowds.
    Four framed drawings on a wall depicting chaotic, colorful scenes of crowds.
    [Four framed drawings on a wall depicting chaotic, colorful scenes of crowds.]
    Caption
    Image description Four framed drawings on a wall depicting chaotic, colorful scenes of crowds.
    Year 2013
    Related pages Peter Wächtler
  • A black and white oil painting depicting a person lying facedown on asphalt.
    A black and white oil painting depicting a person lying facedown on asphalt.
    Jordan Kantor, Untitled (Pasolini), 2004. Oil on canvas, 52 x 96 inches. Courtesy the artist. [A black and white oil painting depicting a person lying facedown on asphalt.]
    Caption Jordan Kantor, Untitled (Pasolini), 2004. Oil on canvas, 52 x 96 inches. Courtesy the artist.
    Image description A black and white oil painting depicting a person lying facedown on asphalt.
    Year 2004
    Related pages Recent Paintings
  • Color image of the entrance into a gallery space, with columns running down the hallway. At the forefront of the image are two large paintings made of adobe, and resting on steel armatures. Each painting features a representation of a person walking slowly. In between the armatures are adobe bricks layed out into a walkway on the floor.
    Color image of the entrance into a gallery space, with columns running down the hallway. At the forefront of the image are two large paintings made of adobe, and resting on steel armatures. Each painting features a representation of a person walking slowly. In between the armatures are adobe bricks layed out into a walkway on the floor.
    rafa esparza: Camino. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color image of the entrance into a gallery space, with columns running down the hallway. At the forefront of the image are two large paintings made of adobe, and resting on steel armatures. Each painting features a representation of a person walking slowly. In between the armatures are adobe bricks layed out into a walkway on the floor.]
    Caption rafa esparza: Camino. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color image of the entrance into a gallery space, with columns running down the hallway. At the forefront of the image are two large paintings made of adobe, and resting on steel armatures. Each painting features a representation of a person walking slowly. In between the armatures are adobe bricks layed out into a walkway on the floor.
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    Related pages rafa esparza: Camino
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    Related pages Support
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  • White text overlays a bright fuchsia background. The text at the top reads: “Segue Reading Series & ARTISTS SPACE / Fall 2025 Season / October/November curated by / Nightboat Books
    White text overlays a bright fuchsia background. The text at the top reads: “Segue Reading Series & ARTISTS SPACE / Fall 2025 Season / October/November curated by / Nightboat Books
    [White text overlays a bright fuchsia background. The text at the top reads: “Segue Reading Series & ARTISTS SPACE / Fall 2025 Season / October/November curated by / Nightboat Books"]
    Caption
    Image description White text overlays a bright fuchsia background. The text at the top reads: “Segue Reading Series & ARTISTS SPACE / Fall 2025 Season / October/November curated by / Nightboat Books"
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    Related pages Segue Reading Series
  • A book cover design. The title
    A book cover design. The title
    Der symbolische Auftraggeber/The Symbolic Commissioner, edited Søren Grammel, published by Sternberg Press, 2011. [A book cover design. The title "Der symbolische Auftraggeber/The Symbolic Commissioner" is situated at the top of the cover. Below it is an image of two sculptures made of large rectangular panels affixed in midair by metal poles that reach floor to ceiling. To the right of the sculptures is a white plinth, and in front of that, a television on the ground.]
    Caption Der symbolische Auftraggeber/The Symbolic Commissioner, edited Søren Grammel, published by Sternberg Press, 2011.
    Image description A book cover design. The title "Der symbolische Auftraggeber/The Symbolic Commissioner" is situated at the top of the cover. Below it is an image of two sculptures made of large rectangular panels affixed in midair by metal poles that reach floor to ceiling. To the right of the sculptures is a white plinth, and in front of that, a television on the ground.
    Year 2011
    Related pages The Symbolic Commissioner
  • A color image of two figures performing. The figure on the left plays the saxophone. There is a standing microphone in front of them. The figure on the right, has their eyes closed, and is playing the guitar. Blue and red light is projected onto them.
    A color image of two figures performing. The figure on the left plays the saxophone. There is a standing microphone in front of them. The figure on the right, has their eyes closed, and is playing the guitar. Blue and red light is projected onto them.
    Abasement #66. Performance documentation, October 9, 2023, Artists Space. Photo: Joshua Wildman. [A color image of two figures performing. The figure on the left plays the saxophone. There is a standing microphone in front of them. The figure on the right, has their eyes closed, and is playing the guitar. Blue and red light is projected onto them.]
    Caption Abasement #66. Performance documentation, October 9, 2023, Artists Space. Photo: Joshua Wildman.
    Image description A color image of two figures performing. The figure on the left plays the saxophone. There is a standing microphone in front of them. The figure on the right, has their eyes closed, and is playing the guitar. Blue and red light is projected onto them.
    Year
    Related pages Abasement #66
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    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • Color image of an individual captured midst performing at a table set up with DJ equipment. Another performer is seen behind him, playing the saxaphone in a dark performance space illuminated only by bright blue, pink and neon yellow projections. A large shadow of a person taking a photo with a camera can be seen cast on the projection wall to the left of the image.
    Color image of an individual captured midst performing at a table set up with DJ equipment. Another performer is seen behind him, playing the saxaphone in a dark performance space illuminated only by bright blue, pink and neon yellow projections. A large shadow of a person taking a photo with a camera can be seen cast on the projection wall to the left of the image.
    Abasement #63. Performance documentation, July 17, 2023, Artists Space. Photo: Joshua Wildman. [Color image of an individual captured midst performing at a table set up with DJ equipment. Another performer is seen behind him, playing the saxaphone in a dark performance space illuminated only by bright blue, pink and neon yellow projections. A large shadow of a person taking a photo with a camera can be seen cast on the projection wall to the left of the image.]
    Caption Abasement #63. Performance documentation, July 17, 2023, Artists Space. Photo: Joshua Wildman.
    Image description Color image of an individual captured midst performing at a table set up with DJ equipment. Another performer is seen behind him, playing the saxaphone in a dark performance space illuminated only by bright blue, pink and neon yellow projections. A large shadow of a person taking a photo with a camera can be seen cast on the projection wall to the left of the image.
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    Related pages Abasement #63
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  • A symmetrical image of windowless houses rendered in inverted colors with tones of purple, yellow, and pink.
    A symmetrical image of windowless houses rendered in inverted colors with tones of purple, yellow, and pink.
    Darren Wardle, Jailbreak, 2002. [A symmetrical image of windowless houses rendered in inverted colors with tones of purple, yellow, and pink.]
    Caption Darren Wardle, Jailbreak, 2002.
    Image description A symmetrical image of windowless houses rendered in inverted colors with tones of purple, yellow, and pink.
    Year 2002
    Related pages Painting as Paradox
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  • Color photograph of a figure in a red suit performing in a darkly lit room with LED light sculptures in the background. The figure holds their left hand out in a gesture, and with their right hand holds a mask in front of their face.
    Color photograph of a figure in a red suit performing in a darkly lit room with LED light sculptures in the background. The figure holds their left hand out in a gesture, and with their right hand holds a mask in front of their face.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a figure in a red suit performing in a darkly lit room with LED light sculptures in the background. The figure holds their left hand out in a gesture, and with their right hand holds a mask in front of their face.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of a figure in a red suit performing in a darkly lit room with LED light sculptures in the background. The figure holds their left hand out in a gesture, and with their right hand holds a mask in front of their face.
    Year
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • Screenshot of two vertically oriented rectangular shapes, one white and one blue. Fragments of text appear in both rectangles, spelling out phrases like
    Screenshot of two vertically oriented rectangular shapes, one white and one blue. Fragments of text appear in both rectangles, spelling out phrases like
    Screenshot from Tan Lin's Bibliographic Sound Track, 2012. [Screenshot of two vertically oriented rectangular shapes, one white and one blue. Fragments of text appear in both rectangles, spelling out phrases like "17 black random [marks on] : lemon," "Particles disable rendering [ I ]," and "Etc. a state to each other."]
    Caption Screenshot from Tan Lin's Bibliographic Sound Track, 2012.
    Image description Screenshot of two vertically oriented rectangular shapes, one white and one blue. Fragments of text appear in both rectangles, spelling out phrases like "17 black random [marks on] : lemon," "Particles disable rendering [ I ]," and "Etc. a state to each other."
    Year 2012
    Related pages Powerpoint and the Perfume of Reading
  • In the center, a taxidermied griffon vulture sits amongst concrete rubble and iron rods spread across the floor in a small pile. To the left, a shovel is afixed to a children's chair and to the right, a shovel is placed upright on a thin pedestal.
    In the center, a taxidermied griffon vulture sits amongst concrete rubble and iron rods spread across the floor in a small pile. To the left, a shovel is afixed to a children's chair and to the right, a shovel is placed upright on a thin pedestal.
    Andy Robert: PAPALOKO. Installation view, Artists Space, 2024. Photo: Carter Seddon [In the center, a taxidermied griffon vulture sits amongst concrete rubble and iron rods spread across the floor in a small pile. To the left, a shovel is afixed to a children's chair and to the right, a shovel is placed upright on a thin pedestal.]
    Caption Andy Robert: PAPALOKO. Installation view, Artists Space, 2024. Photo: Carter Seddon
    Image description In the center, a taxidermied griffon vulture sits amongst concrete rubble and iron rods spread across the floor in a small pile. To the left, a shovel is afixed to a children's chair and to the right, a shovel is placed upright on a thin pedestal.
    Year
    Related pages Andy Robert: Papaloko
  • A large taxidermied eagle hangs upside down from the ceiling holding line tape that repeats
    A large taxidermied eagle hangs upside down from the ceiling holding line tape that repeats
    Group Material: Primer (for Raymond Williams). Artists Space, 1982. [A large taxidermied eagle hangs upside down from the ceiling holding line tape that repeats "A GOVERNMENT FOR THE RICH BY THE RICH". Posters and drawings on the wall are visible around the eagle.]
    Caption Group Material: Primer (for Raymond Williams). Artists Space, 1982.
    Image description A large taxidermied eagle hangs upside down from the ceiling holding line tape that repeats "A GOVERNMENT FOR THE RICH BY THE RICH". Posters and drawings on the wall are visible around the eagle.
    Year
    Related pages Group Material: Primer (for Raymond Williams)
  • Color image of a gallery installation containing four large wooden box sculptures by Matthew Langan-Peck, three of which are slightly open and have headphones hanging from their sides. To the left, a dark blue box is painted with a repeated traffic light motif. The box in the center foreground is messily painted sky blue, with two yellow shooting stars on one side. In the background, to the right, two wooden boxes sit next to each other, one painted light yellow and the other covered in imitation gold leaf.
    Color image of a gallery installation containing four large wooden box sculptures by Matthew Langan-Peck, three of which are slightly open and have headphones hanging from their sides. To the left, a dark blue box is painted with a repeated traffic light motif. The box in the center foreground is messily painted sky blue, with two yellow shooting stars on one side. In the background, to the right, two wooden boxes sit next to each other, one painted light yellow and the other covered in imitation gold leaf.
    Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon. [Color image of a gallery installation containing four large wooden box sculptures by Matthew Langan-Peck, three of which are slightly open and have headphones hanging from their sides. To the left, a dark blue box is painted with a repeated traffic light motif. The box in the center foreground is messily painted sky blue, with two yellow shooting stars on one side. In the background, to the right, two wooden boxes sit next to each other, one painted light yellow and the other covered in imitation gold leaf.]
    Caption Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon.
    Image description Color image of a gallery installation containing four large wooden box sculptures by Matthew Langan-Peck, three of which are slightly open and have headphones hanging from their sides. To the left, a dark blue box is painted with a repeated traffic light motif. The box in the center foreground is messily painted sky blue, with two yellow shooting stars on one side. In the background, to the right, two wooden boxes sit next to each other, one painted light yellow and the other covered in imitation gold leaf.
    Year
    Related pages Doris Guo Matthew Langan-Peck Isabelle Frances McGuire Ruben Ulises Rodriguez Montoya
  • Two screens hung on either side of the top of a support beam in a gallery. The room is otherwise empty. One screen depicts a woman walking down a fashion runway, wearing a black jacket and shorts with a sheer top.
    Two screens hung on either side of the top of a support beam in a gallery. The room is otherwise empty. One screen depicts a woman walking down a fashion runway, wearing a black jacket and shorts with a sheer top.
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Two screens hung on either side of the top of a support beam in a gallery. The room is otherwise empty. One screen depicts a woman walking down a fashion runway, wearing a black jacket and shorts with a sheer top.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Two screens hung on either side of the top of a support beam in a gallery. The room is otherwise empty. One screen depicts a woman walking down a fashion runway, wearing a black jacket and shorts with a sheer top.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • A black-and-white image shows a person seated behind a white desk, adjusting an audio device with their hands. The device is surrounded by replacement speakers with organically shaped wires. In the background, a projected video shows a landscape and a shadowy figure.
    A black-and-white image shows a person seated behind a white desk, adjusting an audio device with their hands. The device is surrounded by replacement speakers with organically shaped wires. In the background, a projected video shows a landscape and a shadowy figure.
    Yasunao Tone performing Molecular Music (1982–85) during a studio rehearsal, New York, c. 1990. [A black-and-white image shows a person seated behind a white desk, adjusting an audio device with their hands. The device is surrounded by replacement speakers with organically shaped wires. In the background, a projected video shows a landscape and a shadowy figure.]
    Caption Yasunao Tone performing Molecular Music (1982–85) during a studio rehearsal, New York, c. 1990.
    Image description A black-and-white image shows a person seated behind a white desk, adjusting an audio device with their hands. The device is surrounded by replacement speakers with organically shaped wires. In the background, a projected video shows a landscape and a shadowy figure.
    Year
    Related pages A Memorial for Yasunao Tone
  • A photograph features two boxers entangled in front of a faded photo of a house. Blue text on top of the image reads
    A photograph features two boxers entangled in front of a faded photo of a house. Blue text on top of the image reads
    Flyer for Segue Reading Series featuring Zach Haber and Jubi Arriola-Headley. Saturday, October 10, 2020, Artists Space. Artist: Keith Higginbotham [A photograph features two boxers entangled in front of a faded photo of a house. Blue text on top of the image reads "Zack Haber / Jubi Arriola-Headley / Segue."]
    Caption Flyer for Segue Reading Series featuring Zach Haber and Jubi Arriola-Headley. Saturday, October 10, 2020, Artists Space. Artist: Keith Higginbotham
    Image description A photograph features two boxers entangled in front of a faded photo of a house. Blue text on top of the image reads "Zack Haber / Jubi Arriola-Headley / Segue."
    Year 2020
    Related pages Segue Reading Series: Jubi Arriola-Headley & Zack Haber
  • A Samsung television monitor displaying Benjamin Buchloh, in a black sweater and thin rectangular glasses, being interviewed.
    A Samsung television monitor displaying Benjamin Buchloh, in a black sweater and thin rectangular glasses, being interviewed.
    Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979). Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A Samsung television monitor displaying Benjamin Buchloh, in a black sweater and thin rectangular glasses, being interviewed.]
    Caption Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979). Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description A Samsung television monitor displaying Benjamin Buchloh, in a black sweater and thin rectangular glasses, being interviewed.
    Year 2011
    Related pages Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979)
  • A wooden platform on wheels surrounded by a border of small poppy red brick-like sculptures, that continue to surround the base of a white pole. Sculptures and paintings are visible on the back wall behind the wooden platform.
    A wooden platform on wheels surrounded by a border of small poppy red brick-like sculptures, that continue to surround the base of a white pole. Sculptures and paintings are visible on the back wall behind the wooden platform.
    Social Surfaces. Installation view, Alexander and Bonin, 2017. Photo: Ron Amstutz. [A wooden platform on wheels surrounded by a border of small poppy red brick-like sculptures, that continue to surround the base of a white pole. Sculptures and paintings are visible on the back wall behind the wooden platform.]
    Caption Social Surfaces. Installation view, Alexander and Bonin, 2017. Photo: Ron Amstutz.
    Image description A wooden platform on wheels surrounded by a border of small poppy red brick-like sculptures, that continue to surround the base of a white pole. Sculptures and paintings are visible on the back wall behind the wooden platform.
    Year 2017
    Related pages Social Surfaces
  • Over a white background yellow and black dotted lines appear in a swooping fashion. Several curved yellow lines with arrows on either end are also visible. The words
    Over a white background yellow and black dotted lines appear in a swooping fashion. Several curved yellow lines with arrows on either end are also visible. The words
    virgil b/g taylor, cover of Fag Tips for Artists Space, 2022 [Over a white background yellow and black dotted lines appear in a swooping fashion. Several curved yellow lines with arrows on either end are also visible. The words "We, you?" and "Or, you, here" are printed in black text in the top and bottom thirds of the image. The words "activity," "condition," and "object" are printed in yellow text inside of ovals made of yellow dashes.]
    Caption virgil b/g taylor, cover of Fag Tips for Artists Space, 2022
    Image description Over a white background yellow and black dotted lines appear in a swooping fashion. Several curved yellow lines with arrows on either end are also visible. The words "We, you?" and "Or, you, here" are printed in black text in the top and bottom thirds of the image. The words "activity," "condition," and "object" are printed in yellow text inside of ovals made of yellow dashes.
    Year 2022
    Related pages virgil b/g taylor
  • A black and white scan of an invoice from Corcraft Products issued to Artists Space at 38 Greene Street. The customer number reads
    A black and white scan of an invoice from Corcraft Products issued to Artists Space at 38 Greene Street. The customer number reads
    [A black and white scan of an invoice from Corcraft Products issued to Artists Space at 38 Greene Street. The customer number reads "9102000". The invoice details a net purchase of $603.10]
    Caption
    Image description A black and white scan of an invoice from Corcraft Products issued to Artists Space at 38 Greene Street. The customer number reads "9102000". The invoice details a net purchase of $603.10
    Year 2015
    Related pages Cameron Rowland: 91020000
  • Ethan, Transit Station, digital photograph, 2023
    Caption Ethan, Transit Station, digital photograph, 2023
    Image description
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    Related pages BRIDGE Photography
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Installation view of three cast concrete blocks - the middle one leaning against the last one - standing on a wood floor.
    Installation view of three cast concrete blocks - the middle one leaning against the last one - standing on a wood floor.
    Slab works, c. 1978–1980. Cast concrete sculptures with acrylic paint. Dimensions unknown. Courtesy of the Frances Mulhall Achiles Library, Artist File, Whitney Museum of American Art [Installation view of three cast concrete blocks - the middle one leaning against the last one - standing on a wood floor.]
    Caption Slab works, c. 1978–1980. Cast concrete sculptures with acrylic paint. Dimensions unknown. Courtesy of the Frances Mulhall Achiles Library, Artist File, Whitney Museum of American Art
    Image description Installation view of three cast concrete blocks - the middle one leaning against the last one - standing on a wood floor.
    Year
    Related pages Beverly Buchanan, 1978 – 1981
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  • A black and white film still of a person with a white beard wearing an apron seated in front of a workbench covered in glass bottles and scientific instruments. He holds an hourglass and the wall behind him is lined with dials.
    A black and white film still of a person with a white beard wearing an apron seated in front of a workbench covered in glass bottles and scientific instruments. He holds an hourglass and the wall behind him is lined with dials.
    James Coleman. Still from Seeing for Oneself, 1987-88. Slideshow (black and white), 40 min. [A black and white film still of a person with a white beard wearing an apron seated in front of a workbench covered in glass bottles and scientific instruments. He holds an hourglass and the wall behind him is lined with dials.]
    Caption James Coleman. Still from Seeing for Oneself, 1987-88. Slideshow (black and white), 40 min.
    Image description A black and white film still of a person with a white beard wearing an apron seated in front of a workbench covered in glass bottles and scientific instruments. He holds an hourglass and the wall behind him is lined with dials.
    Year 1988
    Related pages Michael Asher / James Coleman
  • A doubled arrow points to the top left corner of the image. In the bottom left, a diagonal yellow stripe outlined with red lines is overlaid with curving text that reads
    A doubled arrow points to the top left corner of the image. In the bottom left, a diagonal yellow stripe outlined with red lines is overlaid with curving text that reads
    Lawrence Weiner. WITH A SHIFT, 2013, Silkscreen on archival box, 24 ½ x 20 ½ x 1 ½ in 62 x 52 x 4 cm, Signed and Numbered. [A doubled arrow points to the top left corner of the image. In the bottom left, a diagonal yellow stripe outlined with red lines is overlaid with curving text that reads "WITH A SHIFT SIMULTANEOUS REALITIES COLLIDE"]
    Caption Lawrence Weiner. WITH A SHIFT, 2013, Silkscreen on archival box, 24 ½ x 20 ½ x 1 ½ in 62 x 52 x 4 cm, Signed and Numbered.
    Image description A doubled arrow points to the top left corner of the image. In the bottom left, a diagonal yellow stripe outlined with red lines is overlaid with curving text that reads "WITH A SHIFT SIMULTANEOUS REALITIES COLLIDE"
    Year 2014
    Related pages Artists Space Annual Edition Portfolio 2014
  • A color image of a gallery space. A freestanding white wall runs perpendicular into an existing white wall. On the right side, projected onto the existing wall, is a black and white image of a spoon resting next to a bowl of water. To the left of the projected image is a single black frame containing a black and white photograph, hung above a small floating vitrine. Installed in a single row on the freestanding wall, is a series of seven black and white photographs housed in black frames. Behind the freestanding walls, a sliver of window that faces the street outside is visible. Contained within the four transom windows are black and white enlargements of a white man smoking and blowing smoke rings.
    A color image of a gallery space. A freestanding white wall runs perpendicular into an existing white wall. On the right side, projected onto the existing wall, is a black and white image of a spoon resting next to a bowl of water. To the left of the projected image is a single black frame containing a black and white photograph, hung above a small floating vitrine. Installed in a single row on the freestanding wall, is a series of seven black and white photographs housed in black frames. Behind the freestanding walls, a sliver of window that faces the street outside is visible. Contained within the four transom windows are black and white enlargements of a white man smoking and blowing smoke rings.
    Terry Fox: All These Different Things Are Sculpture. Installation view, Artists Space, 2024. Photo: Filip Wolak [A color image of a gallery space. A freestanding white wall runs perpendicular into an existing white wall. On the right side, projected onto the existing wall, is a black and white image of a spoon resting next to a bowl of water. To the left of the projected image is a single black frame containing a black and white photograph, hung above a small floating vitrine. Installed in a single row on the freestanding wall, is a series of seven black and white photographs housed in black frames. Behind the freestanding walls, a sliver of window that faces the street outside is visible. Contained within the four transom windows are black and white enlargements of a white man smoking and blowing smoke rings. ]
    Caption Terry Fox: All These Different Things Are Sculpture. Installation view, Artists Space, 2024. Photo: Filip Wolak
    Image description A color image of a gallery space. A freestanding white wall runs perpendicular into an existing white wall. On the right side, projected onto the existing wall, is a black and white image of a spoon resting next to a bowl of water. To the left of the projected image is a single black frame containing a black and white photograph, hung above a small floating vitrine. Installed in a single row on the freestanding wall, is a series of seven black and white photographs housed in black frames. Behind the freestanding walls, a sliver of window that faces the street outside is visible. Contained within the four transom windows are black and white enlargements of a white man smoking and blowing smoke rings.
    Year
    Related pages All These Different Things Are Sculpture
  • A performer sings into two microphones while green, purple, and white lights illuminate the stage and wall behind it.
    A performer sings into two microphones while green, purple, and white lights illuminate the stage and wall behind it.
    Abasement #84. Performance documentation, February 16th, 2026, Artists Space. Photo: Joshua Wildman. [A performer sings into two microphones while green, purple, and white lights illuminate the stage and wall behind it. ]
    Caption Abasement #84. Performance documentation, February 16th, 2026, Artists Space. Photo: Joshua Wildman.
    Image description A performer sings into two microphones while green, purple, and white lights illuminate the stage and wall behind it.
    Year
    Related pages Abasement #84
  • Two figures wearing medical scrubs hold a mannequin, while looking towards a projection.
    Two figures wearing medical scrubs hold a mannequin, while looking towards a projection.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court [Two figures wearing medical scrubs hold a mannequin, while looking towards a projection.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court
    Image description Two figures wearing medical scrubs hold a mannequin, while looking towards a projection.
    Year 2022
    Related pages Grandmother Cindy
  • An angled view of several dividers displaying artworks in the middle of a room. Colorful textiles hang from two of the central dividers, while several framed photographs lean against rightmost divider.
    An angled view of several dividers displaying artworks in the middle of a room. Colorful textiles hang from two of the central dividers, while several framed photographs lean against rightmost divider.
    Frozen Lakes. Installation view, Artists Space, 2013. Photo: Meinke Klein. [An angled view of several dividers displaying artworks in the middle of a room. Colorful textiles hang from two of the central dividers, while several framed photographs lean against rightmost divider.]
    Caption Frozen Lakes. Installation view, Artists Space, 2013. Photo: Meinke Klein.
    Image description An angled view of several dividers displaying artworks in the middle of a room. Colorful textiles hang from two of the central dividers, while several framed photographs lean against rightmost divider.
    Year 2013
    Related pages Frozen Lakes
  • A gallery space with a wooden camper structure placed in the left corner. Two wooden ramps lead to the front and side of the structure. A freedstanding walls juts out from the right wall. A white projector hangs from the ceiling on the right side of the space.
    A gallery space with a wooden camper structure placed in the left corner. Two wooden ramps lead to the front and side of the structure. A freedstanding walls juts out from the right wall. A white projector hangs from the ceiling on the right side of the space.
    Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Malcolm Peacock, How to address the full capacity of our will, 2023), Artists Space, 2023. Photo: Filip Wolak. [A gallery space with a wooden camper structure placed in the left corner. Two wooden ramps lead to the front and side of the structure. A freedstanding walls juts out from the right wall. A white projector hangs from the ceiling on the right side of the space.]
    Caption Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Malcolm Peacock, How to address the full capacity of our will, 2023), Artists Space, 2023. Photo: Filip Wolak.
    Image description A gallery space with a wooden camper structure placed in the left corner. Two wooden ramps lead to the front and side of the structure. A freedstanding walls juts out from the right wall. A white projector hangs from the ceiling on the right side of the space.
    Year 2023
    Related pages Shala Miller, Malcolm Peacock, Amiri Baraka
  • A pink book cover opened all the way so that the front and back covers are visible. It is bright pink, with white text on the front cover reading
    A pink book cover opened all the way so that the front and back covers are visible. It is bright pink, with white text on the front cover reading
    Painting as Paradox Exhibition Catalogue, Artists Space, 2002. [A pink book cover opened all the way so that the front and back covers are visible. It is bright pink, with white text on the front cover reading "Painting as Paradox" and "Artists Space." There is an image of a maze in the center of the cover. On the back, a long column on the lefthand side lists artists names.]
    Caption Painting as Paradox Exhibition Catalogue, Artists Space, 2002.
    Image description A pink book cover opened all the way so that the front and back covers are visible. It is bright pink, with white text on the front cover reading "Painting as Paradox" and "Artists Space." There is an image of a maze in the center of the cover. On the back, a long column on the lefthand side lists artists names.
    Year 2002
    Related pages Painting as Paradox
  • A discolored envolope, stained and frayed, with cursive handwriting that reads
    A discolored envolope, stained and frayed, with cursive handwriting that reads
    Rent check envelope prop, c.1970s. Copyright Jack Smith Archive. Courtesy Gladstone Gallery, New York and Brussels [A discolored envolope, stained and frayed, with cursive handwriting that reads "The Lobster Lucky Landlord Paradise".]
    Caption Rent check envelope prop, c.1970s. Copyright Jack Smith Archive. Courtesy Gladstone Gallery, New York and Brussels
    Image description A discolored envolope, stained and frayed, with cursive handwriting that reads "The Lobster Lucky Landlord Paradise".
    Year
    Related pages Jack Smith: Art Crust of Spiritual Oasis
  • A green colored background features black text in the top half of the image that reads,
    A green colored background features black text in the top half of the image that reads,
    Flyer for Segue Reading Series featuring Amber Dawn & Kai Cheng Thom. Saturday March 13, 2021, Artists Space. [A green colored background features black text in the top half of the image that reads, "Segue Reading Series / Amber Dawn & Kai Cheng Thom / March 13 / 5pm on Zoom / Suggested donation: Five dollars / Zoom ID: 830 2698 4031." Black text in the bottom right corner reads, "Artists Space."]
    Caption Flyer for Segue Reading Series featuring Amber Dawn & Kai Cheng Thom. Saturday March 13, 2021, Artists Space.
    Image description A green colored background features black text in the top half of the image that reads, "Segue Reading Series / Amber Dawn & Kai Cheng Thom / March 13 / 5pm on Zoom / Suggested donation: Five dollars / Zoom ID: 830 2698 4031." Black text in the bottom right corner reads, "Artists Space."
    Year 2021
    Related pages Segue Reading Series: Amber Dawn & Kai Cheng Thom
  • Black text affixed to a white wall reads:
    Black text affixed to a white wall reads:
    _____, Louise Lawler, Adrian Piper & Cindy Sherman Have Agreed to Participate in an Exhibition Organized by Janelle Reiring at Artists Space, September 23 through October 28, 1978, Artists Space, 1978. Installation view, Artists Space, 1978. [Black text affixed to a white wall reads: "Christopher D'Arcangelo / Louise Lawler / Adrian Piper / Cindy Sherman."]
    Caption _____, Louise Lawler, Adrian Piper & Cindy Sherman Have Agreed to Participate in an Exhibition Organized by Janelle Reiring at Artists Space, September 23 through October 28, 1978, Artists Space, 1978. Installation view, Artists Space, 1978.
    Image description Black text affixed to a white wall reads: "Christopher D'Arcangelo / Louise Lawler / Adrian Piper / Cindy Sherman."
    Year 1978
    Related pages ______ , Louise Lawler, Adrian Piper & Cindy Sherman Have Agreed to Participate in an Exhibition Organized by Janelle Reiring at Artists Space, September 23 through October 28, 1978.
  • Several parallel dividers constructed from metal fencing positioned between black metal frames are arranged in an exhibition space. Colorful textiles and t-shirts are displayed on the fencing.
    Several parallel dividers constructed from metal fencing positioned between black metal frames are arranged in an exhibition space. Colorful textiles and t-shirts are displayed on the fencing.
    Frozen Lakes. Installation view, Artists Space, 2013. Photo: Meinke Klein. [Several parallel dividers constructed from metal fencing positioned between black metal frames are arranged in an exhibition space. Colorful textiles and t-shirts are displayed on the fencing.]
    Caption Frozen Lakes. Installation view, Artists Space, 2013. Photo: Meinke Klein.
    Image description Several parallel dividers constructed from metal fencing positioned between black metal frames are arranged in an exhibition space. Colorful textiles and t-shirts are displayed on the fencing.
    Year 2013
    Related pages Frozen Lakes
  • A side view of a sculpture of a man leaning againt a white column. He hols a book in his right hand. He is wearing a purple shirt and blue patterned shorts.
    A side view of a sculpture of a man leaning againt a white column. He hols a book in his right hand. He is wearing a purple shirt and blue patterned shorts.
    Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013. [A side view of a sculpture of a man leaning againt a white column. He hols a book in his right hand. He is wearing a purple shirt and blue patterned shorts.]
    Caption Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013.
    Image description A side view of a sculpture of a man leaning againt a white column. He hols a book in his right hand. He is wearing a purple shirt and blue patterned shorts.
    Year 2013
    Related pages Pride Goes Before a Fall
  • Semi-translucent, white cloth material embroidered with thin black and yellow linework. A cluster of embroidered black lines gather at the top of the fabric. At their center is a group of words that have been embroidered onto the fabric. They overlap with such density that they are illegible. Small embroidered yellow circles decorate the lower half and right corner of the fabric.
    Semi-translucent, white cloth material embroidered with thin black and yellow linework. A cluster of embroidered black lines gather at the top of the fabric. At their center is a group of words that have been embroidered onto the fabric. They overlap with such density that they are illegible. Small embroidered yellow circles decorate the lower half and right corner of the fabric.
    [Semi-translucent, white cloth material embroidered with thin black and yellow linework. A cluster of embroidered black lines gather at the top of the fabric. At their center is a group of words that have been embroidered onto the fabric. They overlap with such density that they are illegible. Small embroidered yellow circles decorate the lower half and right corner of the fabric.]
    Caption
    Image description Semi-translucent, white cloth material embroidered with thin black and yellow linework. A cluster of embroidered black lines gather at the top of the fabric. At their center is a group of words that have been embroidered onto the fabric. They overlap with such density that they are illegible. Small embroidered yellow circles decorate the lower half and right corner of the fabric.
    Year 2003
    Related pages Abstruction
  • Close-up color image of two performers. Occupying most of the image is a performer in a red robe with only one button buttoned so the middle of their chest is exposed. A necklace with chunky white beads and a silver pendant with a black tassel hangs around their neck and down their bare chest. The performer's right hand is raised up, their head turned down, looking over their left shoulder to the second performer who stands behind them. The performer dressed in red with a bald head holds a microphone in their left hand. On the red-dressed performer's left shoulder, another performer, wearing a bald cap looks up at them. Their right hand is raised, touching the red performer's forearm. Their faces and the wall behind them is illuminated by the bright white light of the projected image. --
    Close-up color image of two performers. Occupying most of the image is a performer in a red robe with only one button buttoned so the middle of their chest is exposed. A necklace with chunky white beads and a silver pendant with a black tassel hangs around their neck and down their bare chest. The performer's right hand is raised up, their head turned down, looking over their left shoulder to the second performer who stands behind them. The performer dressed in red with a bald head holds a microphone in their left hand. On the red-dressed performer's left shoulder, another performer, wearing a bald cap looks up at them. Their right hand is raised, touching the red performer's forearm. Their faces and the wall behind them is illuminated by the bright white light of the projected image. --
    Abasement #68. Performance documentation, February 12, 2024, Artists Space. Photo: Joshua Wildman. [Close-up color image of two performers. Occupying most of the image is a performer in a red robe with only one button buttoned so the middle of their chest is exposed. A necklace with chunky white beads and a silver pendant with a black tassel hangs around their neck and down their bare chest. The performer's right hand is raised up, their head turned down, looking over their left shoulder to the second performer who stands behind them. The performer dressed in red with a bald head holds a microphone in their left hand. On the red-dressed performer's left shoulder, another performer, wearing a bald cap looks up at them. Their right hand is raised, touching the red performer's forearm. Their faces and the wall behind them is illuminated by the bright white light of the projected image. --]
    Caption Abasement #68. Performance documentation, February 12, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Close-up color image of two performers. Occupying most of the image is a performer in a red robe with only one button buttoned so the middle of their chest is exposed. A necklace with chunky white beads and a silver pendant with a black tassel hangs around their neck and down their bare chest. The performer's right hand is raised up, their head turned down, looking over their left shoulder to the second performer who stands behind them. The performer dressed in red with a bald head holds a microphone in their left hand. On the red-dressed performer's left shoulder, another performer, wearing a bald cap looks up at them. Their right hand is raised, touching the red performer's forearm. Their faces and the wall behind them is illuminated by the bright white light of the projected image. --
    Year
    Related pages Abasement #68
  • An animated setting of an icy background with miscellaneous objects and imagery appearing throughout. Light green text over the top half of the image reads,
    An animated setting of an icy background with miscellaneous objects and imagery appearing throughout. Light green text over the top half of the image reads,
    Flyer for Segue Reading Series featuring Monica de la Torre and Joan Retallack. Saturday, January 23, 2021, Artists Space. [An animated setting of an icy background with miscellaneous objects and imagery appearing throughout. Light green text over the top half of the image reads, "Monica De La Torre / Joan Retallack". Light green text in the center left of the image at a left-slanted angle reads, "SEGUE." On the left hand corner in light green text reads, "23 January" and on the right hand corner in light green text reads, "5PM EST."]
    Caption Flyer for Segue Reading Series featuring Monica de la Torre and Joan Retallack. Saturday, January 23, 2021, Artists Space.
    Image description An animated setting of an icy background with miscellaneous objects and imagery appearing throughout. Light green text over the top half of the image reads, "Monica De La Torre / Joan Retallack". Light green text in the center left of the image at a left-slanted angle reads, "SEGUE." On the left hand corner in light green text reads, "23 January" and on the right hand corner in light green text reads, "5PM EST."
    Year
    Related pages Segue Reading Series: Mónica de la Torre & Joan Retallack
  • A black and white book cover with the text
    A black and white book cover with the text
    The Expendable Reader, by John McHale, edited by Alex Kitnick, published by Columbia University Press, 2011. [A black and white book cover with the text "The Expendable Reader John McHale" overlaid on a recycling logo.]
    Caption The Expendable Reader, by John McHale, edited by Alex Kitnick, published by Columbia University Press, 2011.
    Image description A black and white book cover with the text "The Expendable Reader John McHale" overlaid on a recycling logo.
    Year 2011
    Related pages John McHale: The Expendable Reader
  • Black and white installation view of a gallery space with a large pole on the left. Several works hang from the walls.
    Black and white installation view of a gallery space with a large pole on the left. Several works hang from the walls.
    Susan Eder, Matt Mullican. Installation view, Artists Space, 1976. [Black and white installation view of a gallery space with a large pole on the left. Several works hang from the walls.]
    Caption Susan Eder, Matt Mullican. Installation view, Artists Space, 1976.
    Image description Black and white installation view of a gallery space with a large pole on the left. Several works hang from the walls.
    Year 1976
    Related pages Susan Eder, Matt Mullican
  • Two people sitting in front of a window looking towards the camera, one wearing a red dress and the other a black shirt and top hat.
    Two people sitting in front of a window looking towards the camera, one wearing a red dress and the other a black shirt and top hat.
    Warnung vor einer heiligen Nutte (Beware of a Holy Whore). Dir. Rainer Werner Fassbinder. 1971. [Two people sitting in front of a window looking towards the camera, one wearing a red dress and the other a black shirt and top hat.]
    Caption Warnung vor einer heiligen Nutte (Beware of a Holy Whore). Dir. Rainer Werner Fassbinder. 1971.
    Image description Two people sitting in front of a window looking towards the camera, one wearing a red dress and the other a black shirt and top hat.
    Year 2016
    Related pages Raúl de Nieves & Werner Schroeter
  • Blue text overlays a dark blue background. The top left corner reads: Chris Martin / Adjua Gargi Nzinga Greaves. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, February 12, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5.
    Blue text overlays a dark blue background. The top left corner reads: Chris Martin / Adjua Gargi Nzinga Greaves. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, February 12, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5.
    Flyer for Segue Reading Series featuring Chris Martin and Adjua Gargi Nzinga Greaves. February 12, 2022, Artists Space. [Blue text overlays a dark blue background. The top left corner reads: Chris Martin / Adjua Gargi Nzinga Greaves. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, February 12, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5."]
    Caption Flyer for Segue Reading Series featuring Chris Martin and Adjua Gargi Nzinga Greaves. February 12, 2022, Artists Space.
    Image description Blue text overlays a dark blue background. The top left corner reads: Chris Martin / Adjua Gargi Nzinga Greaves. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, February 12, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5."
    Year 2022
    Related pages Segue Reading Series: Chris Martin & Adjua Gargi Nzinga Greaves
  • Rows of audio cassette tapes are tightly packed together. Many of the tapes have handwritten labels describing what is on the tape.
    Rows of audio cassette tapes are tightly packed together. Many of the tapes have handwritten labels describing what is on the tape.
    Audio cassette tapes for Echo Chamber, Sharon Hayes & Brooke O'Harra. [Rows of audio cassette tapes are tightly packed together. Many of the tapes have handwritten labels describing what is on the tape. ]
    Caption Audio cassette tapes for Echo Chamber, Sharon Hayes & Brooke O'Harra.
    Image description Rows of audio cassette tapes are tightly packed together. Many of the tapes have handwritten labels describing what is on the tape.
    Year
    Related pages Sharon Hayes and Brooke O'Harra
  • A color photograph of a figure standing behind audio mixing equipment and a microphone in front of an orange background.
    A color photograph of a figure standing behind audio mixing equipment and a microphone in front of an orange background.
    Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. [A color photograph of a figure standing behind audio mixing equipment and a microphone in front of an orange background.]
    Caption Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space.
    Image description A color photograph of a figure standing behind audio mixing equipment and a microphone in front of an orange background.
    Year 2022
    Related pages Yuji Agematsu
  • A book cover featuring a vertical stack of disabled-access grab bars mounted on a black wall. White text across the center reads
    A book cover featuring a vertical stack of disabled-access grab bars mounted on a black wall. White text across the center reads
    Cover of FWIW. [A book cover featuring a vertical stack of disabled-access grab bars mounted on a black wall. White text across the center reads "FWIW: Constantina Zavitsanos / Danielle A. Jackson." Along the right edge of the book seven tabs each read a different keyword: "Infinity / Ouroboros / Stop-time / Cipher / Caption / Specter / Epilogue." The book is set on a black background.]
    Caption Cover of FWIW.
    Image description A book cover featuring a vertical stack of disabled-access grab bars mounted on a black wall. White text across the center reads "FWIW: Constantina Zavitsanos / Danielle A. Jackson." Along the right edge of the book seven tabs each read a different keyword: "Infinity / Ouroboros / Stop-time / Cipher / Caption / Specter / Epilogue." The book is set on a black background.
    Year
    Related pages FWIW
  • Fibe book covers displayed in a line against a white background. Each one has been illustrated over with various colos of marker and pen.
    Fibe book covers displayed in a line against a white background. Each one has been illustrated over with various colos of marker and pen.
    Works by Dieter Roth Published by Edition Hansjörg Mayer [Fibe book covers displayed in a line against a white background. Each one has been illustrated over with various colos of marker and pen.]
    Caption Works by Dieter Roth Published by Edition Hansjörg Mayer
    Image description Fibe book covers displayed in a line against a white background. Each one has been illustrated over with various colos of marker and pen.
    Year 2014
    Related pages The Library Vaccine
  • A black and white image of various tones of traingle shapes and lines.
    A black and white image of various tones of traingle shapes and lines.
    Union Gaucha Productions Still from Phantom Limb , 1998 16mm film (silent, black and white), 21 min 45 sec Courtesy of Union Gaucha Productions [A black and white image of various tones of traingle shapes and lines.]
    Caption Union Gaucha Productions Still from Phantom Limb , 1998 16mm film (silent, black and white), 21 min 45 sec Courtesy of Union Gaucha Productions
    Image description A black and white image of various tones of traingle shapes and lines.
    Year 1998
    Related pages Union Gaucha Productions
  • Black lower case text on a red page reads,
    Black lower case text on a red page reads,
    Catalog cover from polke / richter – richter / polke , 1966 galerie h, Hannover Courtesy August Haseke [Black lower case text on a red page reads, "richter/polke, polke/richter."]
    Caption Catalog cover from polke / richter – richter / polke , 1966 galerie h, Hannover Courtesy August Haseke
    Image description Black lower case text on a red page reads, "richter/polke, polke/richter."
    Year 1966
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • A close up image of three tv monitors on a wall with vinyl lettering that reads
    A close up image of three tv monitors on a wall with vinyl lettering that reads
    New Red Order Give it Back, detail, 2020 Acrylic LED displays with cut vinyl, water cooler, poster, couch, desk, chairs, magazine rack, The New Red Times Magazine, and three televisions. Image courtesy Artists Space, New York Photo: Filip Wolak [A close up image of three tv monitors on a wall with vinyl lettering that reads "New Red Order", in the right corner is a water cooler.]
    Caption New Red Order Give it Back, detail, 2020 Acrylic LED displays with cut vinyl, water cooler, poster, couch, desk, chairs, magazine rack, The New Red Times Magazine, and three televisions. Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description A close up image of three tv monitors on a wall with vinyl lettering that reads "New Red Order", in the right corner is a water cooler.
    Year 2021
    Related pages New Red Order: Feel at Home Here
  • A black and white closeup of a person's face. They have blunt bangs and dark, dramatic eye makeup and lipstick.
    A black and white closeup of a person's face. They have blunt bangs and dark, dramatic eye makeup and lipstick.
    DJ Princess Julia. [A black and white closeup of a person's face. They have blunt bangs and dark, dramatic eye makeup and lipstick.]
    Caption DJ Princess Julia.
    Image description A black and white closeup of a person's face. They have blunt bangs and dark, dramatic eye makeup and lipstick.
    Year 2012
    Related pages Club Nights NEIN POP
  • A color image of a soft sculpture, placed on the floor and leanning against a blue and white wall. The sculpture depicts a Black Queer figure dressed in black, with accents of white, blue and yellow. On top of their head is a wooden brush.
    A color image of a soft sculpture, placed on the floor and leanning against a blue and white wall. The sculpture depicts a Black Queer figure dressed in black, with accents of white, blue and yellow. On top of their head is a wooden brush.
    Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view (what he thinks about when he sees him, 2023), Artists Space, 2023. Photo: Filip Wolak. [A color image of a soft sculpture, placed on the floor and leanning against a blue and white wall. The sculpture depicts a Black Queer figure dressed in black, with accents of white, blue and yellow. On top of their head is a wooden brush.]
    Caption Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view (what he thinks about when he sees him, 2023), Artists Space, 2023. Photo: Filip Wolak.
    Image description A color image of a soft sculpture, placed on the floor and leanning against a blue and white wall. The sculpture depicts a Black Queer figure dressed in black, with accents of white, blue and yellow. On top of their head is a wooden brush.
    Year
    Related pages Jonathan Lyndon Chase
  • A photograph of a black table next to a black chair. The end of a long sheet of white paper on the table rests on the chair.
    A photograph of a black table next to a black chair. The end of a long sheet of white paper on the table rests on the chair.
    Tiffany Sia, The Bastard Scroll (detail view), 2021. Photo: Filip Wolak [A photograph of a black table next to a black chair. The end of a long sheet of white paper on the table rests on the chair.]
    Caption Tiffany Sia, The Bastard Scroll (detail view), 2021. Photo: Filip Wolak
    Image description A photograph of a black table next to a black chair. The end of a long sheet of white paper on the table rests on the chair.
    Year 2021
    Related pages Tiffany Sia: Slippery When Wet
  • A figure stands behind a microphone and table with audio equipment. They hold one hand over their mouth and the other around their neck.
    A figure stands behind a microphone and table with audio equipment. They hold one hand over their mouth and the other around their neck.
    Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [A figure stands behind a microphone and table with audio equipment. They hold one hand over their mouth and the other around their neck.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure stands behind a microphone and table with audio equipment. They hold one hand over their mouth and the other around their neck.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-10
  • Color photograph of a figure wearing a conical sheath of reflective one-way mirror film that covers most of their body. They lay on the floor and spread one arm out from under the mirror film. A bright light shines from under the film.
    Color photograph of a figure wearing a conical sheath of reflective one-way mirror film that covers most of their body. They lay on the floor and spread one arm out from under the mirror film. A bright light shines from under the film.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure wearing a conical sheath of reflective one-way mirror film that covers most of their body. They lay on the floor and spread one arm out from under the mirror film. A bright light shines from under the film.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a figure wearing a conical sheath of reflective one-way mirror film that covers most of their body. They lay on the floor and spread one arm out from under the mirror film. A bright light shines from under the film.
    Year 2022
    Related pages keyon gaskin 12-18
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • A sculpture composed of a large glass pane wedged into the center of a square concrete block sits in a gallery space. A painted canvas is installed in the pane, displaying a large number
    A sculpture composed of a large glass pane wedged into the center of a square concrete block sits in a gallery space. A painted canvas is installed in the pane, displaying a large number
    Fifth Season Act, Apotheosically. Performance documentation, May 31, 2012, Artists Space. [A sculpture composed of a large glass pane wedged into the center of a square concrete block sits in a gallery space. A painted canvas is installed in the pane, displaying a large number "5" on its surface, surrounded by peach and pink hues. Various ornaments are installed on the painting or drip from it, such as red string, golden tassles, necklaces, and other ornaments. A brown, dirt-like material is spread on the floor around the sculpture.]
    Caption Fifth Season Act, Apotheosically. Performance documentation, May 31, 2012, Artists Space.
    Image description A sculpture composed of a large glass pane wedged into the center of a square concrete block sits in a gallery space. A painted canvas is installed in the pane, displaying a large number "5" on its surface, surrounded by peach and pink hues. Various ornaments are installed on the painting or drip from it, such as red string, golden tassles, necklaces, and other ornaments. A brown, dirt-like material is spread on the floor around the sculpture.
    Year 2012
    Related pages Fifth Season Act, Apotheosically
  • Caption
    Image description
    Year
    Related pages BRIDGE Photography
  • In front of a large colorful projection, a figure wearing headphones around their neck leans down over musical technology.
    In front of a large colorful projection, a figure wearing headphones around their neck leans down over musical technology.
    SCRAAATCH, Tower of Babel, 2019, Les Urbaines. Photo: Mathilda Olmi [In front of a large colorful projection, a figure wearing headphones around their neck leans down over musical technology.]
    Caption SCRAAATCH, Tower of Babel, 2019, Les Urbaines. Photo: Mathilda Olmi
    Image description In front of a large colorful projection, a figure wearing headphones around their neck leans down over musical technology.
    Year 2019
    Related pages SCRAAATCH 11-19
  • Color image of a performer standing up playing the violin. They are standing in front of a mic stand with their eyes closed. A drum kit is barely visible in the right corner of the image. The wall in the background is tinted with green and blue lights.
    Color image of a performer standing up playing the violin. They are standing in front of a mic stand with their eyes closed. A drum kit is barely visible in the right corner of the image. The wall in the background is tinted with green and blue lights.
    Abasement #75. Performance documentation, February 3rd, 2025, Artists Space. Photo: Joshua Wildman. [Color image of a performer standing up playing the violin. They are standing in front of a mic stand with their eyes closed. A drum kit is barely visible in the right corner of the image. The wall in the background is tinted with green and blue lights.]
    Caption Abasement #75. Performance documentation, February 3rd, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Color image of a performer standing up playing the violin. They are standing in front of a mic stand with their eyes closed. A drum kit is barely visible in the right corner of the image. The wall in the background is tinted with green and blue lights.
    Year
    Related pages Abasement #75
  • Color photograph of a figure dressed in all white, dancing in a corridor bathed in red light.
    Color photograph of a figure dressed in all white, dancing in a corridor bathed in red light.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure dressed in all white, dancing in a corridor bathed in red light.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a figure dressed in all white, dancing in a corridor bathed in red light.
    Year 2022
    Related pages keyon gaskin 12-16
  • Books packed on two adjacent metal shelving units.
    Books packed on two adjacent metal shelving units.
    [Books packed on two adjacent metal shelving units.]
    Caption
    Image description Books packed on two adjacent metal shelving units.
    Year 2014
    Related pages Going Down the Market
  • A figure plays a bell into three microphones.
    A figure plays a bell into three microphones.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure plays a bell into three microphones.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure plays a bell into three microphones.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
  • In a darkened room, a bright blue LED light, two circular mirrors and scientific mounts sit atop two metal welding tables. Behind, on two adjacent black walls, lines of projected open captions overlap in varying directions.
    In a darkened room, a bright blue LED light, two circular mirrors and scientific mounts sit atop two metal welding tables. Behind, on two adjacent black walls, lines of projected open captions overlap in varying directions.
    Constantina Zavitsanos: fwiw. Installation view (Ace of Spades, 2024; Ms. Pac-Man, 2024), Artists Space, 2024. Photo: Carter Seddon. [In a darkened room, a bright blue LED light, two circular mirrors and scientific mounts sit atop two metal welding tables. Behind, on two adjacent black walls, lines of projected open captions overlap in varying directions.]
    Caption Constantina Zavitsanos: fwiw. Installation view (Ace of Spades, 2024; Ms. Pac-Man, 2024), Artists Space, 2024. Photo: Carter Seddon.
    Image description In a darkened room, a bright blue LED light, two circular mirrors and scientific mounts sit atop two metal welding tables. Behind, on two adjacent black walls, lines of projected open captions overlap in varying directions.
    Year
    Related pages fwiw
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