Artists Space

Editions

All limited editions are specially commissioned by Artists Space, with proceeds directly supporting Artists Space programs. Members receive 10% off all artwork purchases. Please email kelly@artistsspace.org for information on which editions are currently available.

Cosima von Bonin Le Chic, 2023 Enamel on wood (Two color options: red & grey or red & white) 25 x 4 ½ x 4 ½ inches Edition of 20 with 5 APs Introductory price: $7,500 each More information here
Lyndon Barrois Jr. Untitled, 2022 Solvent transfer on gessoed copper Edition of 10 + 2 AP Signed & Numbered $1,000 More information here
ART CLUB2000 Untitled (Paramount Hotel Elevators/Gap Grunge), 1992-93 Chromogenic print 20 x 24 inches Edition of 10 + 5 AP Signed & Numbered $5,000 + frame
ART CLUB2000 Untitled (7-11/New Jersey), 1994 Chromogenic print 20 x 24 inches Edition of 10 + 5 AP Signed & Numbered $5000 + frame More information here
Trisha Baga Not yet titled, 2019 Clay, glaze, mixed media 7 x 12 x 17 inches (variable) $3,000 See more images
A framed image with black text, white background, and a black & white photo in the center hangs on a wall. The photo depicts a cop on the left who reaches towards a man holding a gun and a young child on the right. Above the photo it says, "Out of the blue: / Children march on capital / demanding homo-adoption / innumerable casualties / heart-wrenching scenes." Beneath the photo, the text repeats but in Turkish.
Lukas Duwenhögger, Restive Childhood, 2016, Archival inkjet with silkscreen on 320 gsm Hahnemühle Photorag Pearl paper, 20 ¾ x 15 ¾ inches (52,7 x 40 cm), Edition of 10 + 3 AP, Signed & Numbered. [A framed image with black text, white background, and a black & white photo in the center hangs on a wall. The photo depicts a cop on the left who reaches towards a man holding a gun and a young child on the right. Above the photo it says, "Out of the blue: / Children march on capital / demanding homo-adoption / innumerable casualties / heart-wrenching scenes." Beneath the photo, the text repeats but in Turkish.]
Lukas Duwenhögger Restive Childhood, 2016 Archival inkjet with silkscreen on 320 gsm Hahnemühle Photorag Pearl paper 20 ¾ x 15 ¾ inches (52,7 x 40 cm) Edition of 10 + 3 AP Signed & Numbered $3,500
A white framed image hangs on a wall. The image shows line-drawn diagrams of lightbulbs. Above the diagrams it reads, "Fig. 1" and "Fig. 2." Above that it reads, "(no. model) T.A. Edison / Incandescing electric lamp / No. 341839 Patented May 11, 1886." Below the diagram it says, "Attest [with signatures below] inventor [with signatures below]." collaged on top of the print is a saturated red and blue flower at the bottom right and the word "light" in cursive on the top left.
Seth Price, Embrace of Tradition, 2007/2013, Collage with combination photo relief and inkjet print, 16 3/4 x 13 inches (42.5 x 33 cm), Edition of 10 + 1 AP, Signed & numbered on front. [A white framed image hangs on a wall. The image shows line-drawn diagrams of lightbulbs. Above the diagrams it reads, "Fig. 1" and "Fig. 2." Above that it reads, "(no. model) T.A. Edison / Incandescing electric lamp / No. 341839 Patented May 11, 1886." Below the diagram it says, "Attest [with signatures below] inventor [with signatures below]." collaged on top of the print is a saturated red and blue flower at the bottom right and the word "light" in cursive on the top left.]
Seth Price Embrace of Tradition, 2007/2013 Collage with combination photo relief and inkjet print 16 3/4 x 13 inches (42.5 x 33 cm) Edition of 10 + 1 AP Signed & numbered on front $7,500
The phrase "big fires start small" is written diagonally against a black background. "Big fires" appears in large bubble text surrounded by flames and "start small" appreas below in white blocky type.
Duncan Campbell Big Fires Start Small, 2010, 3 color screenprint on poster, 25 1/2 x 16 1/2 inches (64,8 x 41,9 cm), Edition of 100, Signed and numbered. [The phrase "big fires start small" is written diagonally against a black background. "Big fires" appears in large bubble text surrounded by flames and "start small" appreas below in white blocky type.]
Duncan Campbell Big Fires Start Small, 2010 3 color screenprint on poster 25 1/2 x 16 1/2 inches (64,8 x 41,9 cm) Edition of 100 Signed and numbered $150
A photo in a black frame shows a person in military uniform, leaning against a concrete wall looking at a person who faces away from the camera with a patterned headscarf, red sweater, and light-yellow blanket.
Emily Jacir, woman to woman, 2003/2009, C-Print, Sheet size: 12 x 16 inches (30.5 x 41 cm), Framed size: 14 3/4 x 18 1/2 inches (37.5 x 47 cm), Printed by Laumont. [A photo in a black frame shows a person in military uniform, leaning against a concrete wall looking at a person who faces away from the camera with a patterned headscarf, red sweater, and light-yellow blanket.]
Emily Jacir woman to woman, 2003/2009 C-Print Sheet size: 12 x 16 inches (30.5 x 41 cm) Framed size: 14 3/4 x 18 1/2 inches (37.5 x 47 cm) Printed by Laumont $2,200
The photograph shows an ornate room decorated symmetrically with couches on the left and right of the image and a fireplace at the back flanked by two windows. Overlayed on top of the image is a series of black squares and rectangles that overlap each other.
Heather Rowe, A Careful Arrangement, 2008, Archival pigment inkjet and silkscreen on Somerset velvet paper, Image size: 12-1/2 x 13 inches (31.8 x 33 cm) Paper size: 21-3/4 x 17 inches (55.2 x 43.2 cm), Edition of 25 + 8 AP. [The photograph shows an ornate room decorated symmetrically with couches on the left and right of the image and a fireplace at the back flanked by two windows. Overlayed on top of the image is a series of black squares and rectangles that overlap each other.]
Heather Rowe A Careful Arrangement, 2008 Archival pigment inkjet and silkscreen on Somerset velvet paper Image size: 12-1/2 x 13 inches (31.8 x 33 cm) Paper size: 21-3/4 x 17 inches (55.2 x 43.2 cm) Edition of 25 + 8 AP $1,200
The photograph shows a framed image with black geometric patterns mounted on a white wall with a black sculpture to its left sitting on a white plinth.
Ryan Gander, What the postman brought, 2007, Mixed media Variable size, Edition of 17, 3 AP, Courtesy the artist, STORE London and Annet Gelink Amsterdam. [The photograph shows a framed image with black geometric patterns mounted on a white wall with a black sculpture to its left sitting on a white plinth.]
Ryan Gander What the postman brought, 2007 Mixed media Variable size Edition of 17, 3 AP Courtesy of the artist, STORE London and Annet Gelink Amsterdam $1,500
A sculpture affixed to the wall made of a red steel rod with red steel rod arms that project out from the top to make shadows against the wall.
Nathan Carter, Static Cipher Signal Beacon for Inbound Flights, 2007, Wood, steel, enamel and acrylic paint, 28 1/2 x 40 inches (72.4 x 101.6 cm), Series of 10 Signed, Courtesy the artist & Casey Kaplan. [A sculpture affixed to the wall made of a red steel rod with red steel rod arms that project out from the top to make shadows against the wall.]
Nathan Carter Static Cipher Signal Beacon for Inbound Flights, 2007 Wood, steel, enamel and acrylic paint 28 1/2 x 40 inches (72.4 x 101.6 cm) Series of 10 Signed Courtesy the artist & Casey Kaplan $3,000
The image shows a crowd of figures drawn with black ink. Four text bubbles project from the crowd that read: [top left] "I curated the next show! You
Amy Sillman, MoMA Opening, 2007, Archival ink jet on Somerset Paper, 14 x 16 3/4 inches (36.6 x 42.5 cm), Edition of 17, 10 AP, 1 BAT, Courtesy the artist and Sikkema Jenkins & Co., Printed by Jean-Yves Noblet Contemporary Prints. [The image shows a crowd of figures drawn with black ink. Four text bubbles project from the crowd that read: [top left] "I curated the next show! You'll love it! I just like what you do, right up your alley!" [top center] "This is my work but the wall label is really wierd..." [bottom left] "Oh! You two split up?! I had no idea! Two years ago? Goodness! I remember when you went on your first date! Your were so happy! Are you seeing someone new?" [bottom right] "I love your work." On the bottom right is written "MOMA opening 9-06."]
Amy Sillman MoMA Opening, 2007 Archival ink jet on Somerset Paper 14 x 16 3/4 inches (36.6 x 42.5 cm) Edition of 17, 10 AP, 1 BAT Courtesy of the artist and Sikkema Jenkins & Co. Printed by Jean-Yves Noblet Contemporary Prints $950
The busts of two figures are drawn in black ink in front of a grey background. Below each figure is a text bubble that read: [below figure on left] "When did you get here?" [below figure on right] "Are you going to Basel?" At the bottom, center of the page is written "Turtlenecks."
Amy Sillman, Turtlenecks, 2007, Archival ink jet on Somerset Paper, 11 1/4 x 17 1/2 inches (28.6 x 44.5 cm), Edition of 17, 10 AP, 1 BAT, Courtesy the artist and Sikkema Jenkins & Co., Printed by Jean-Yves Noblet Contemporary Prints. [The busts of two figures are drawn in black ink in front of a grey background. Below each figure is a text bubble that read: [below figure on left] "When did you get here?" [below figure on right] "Are you going to Basel?" At the bottom, center of the page is written "Turtlenecks."]
Amy Sillman Turtlenecks, 2007 Archival ink jet on Somerset Paper 11 1/4 x 17 1/2 inches (28.6 x 44.5 cm) Edition of 17, 10 AP, 1 BAT Courtesy of the artist and Sikkema Jenkins & Co. Printed by Jean-Yves Noblet Contemporary Prints $950
A small rectangle outlined in a thick black border sits inside the larger rectangle of the paper. The interior rectangle contains a cropped image of a pink colored man with his pants pulled down. In his right hand he holds a gun, pointing towards the ground against a washy abstracted black background.
Carroll Dunham Untitled, 2006, 4 Color etching with aquatint, 14 1/4 x 11 inches (36.2 x 27.9 cm), Edition of 30 Signed & numbered, Edition of 30, Signed & numbered, Published by Two Palms Press. [A small rectangle outlined in a thick black border sits inside the larger rectangle of the paper. The interior rectangle contains a cropped image of a pink colored man with his pants pulled down. In his right hand he holds a gun, pointing towards the ground against a washy abstracted black background.]
Carroll Dunham Untitled, 2006 4 Color etching with aquatint 14 1/4 x 11 inches (36.2 x 27.9 cm) Edition of 30 Signed & numbered Published by Two Palms Press $1,200
The image shows a cut paper collage that uses saturated color blocks to define the architecture of a bedroom, including a bed, desk, reclining chair, and other abstracted shapes and figures.
Kate Shephard, Paper Bedroom, 2006, Cut paper collage, 13.75 x 10.25 inches (34.0 x 26 cm), Edition of 30. [The image shows a cut paper collage that uses saturated color blocks to define the architecture of a bedroom, including a bed, desk, reclining chair, and other abstracted shapes and figures.]
Kate Shephard Paper Bedroom, 2006 Cut paper collage 13.75 x 10.25 inches (34.0 x 26 cm) Edition of 30 $1,000
A wood framed drawing hangs on a wall. The pencil drawing depicts a youthful figure at the center of the page with abstract pencil markings surrounding them.
Hernan Bas, Needles (In Anticipation of the Fall), 2005, Single color hard ground etching, 26 1/4 x 21 inches (67 x 53 cm), Edition of 30, Courtesy the artist, Fredric Snitzer Gallery, Miami & Daniel Reich Gallery, New York, Printed by Julia D’Amario. [A wood framed drawing hangs on a wall. The pencil drawing depicts a youthful figure at the center of the page with abstract pencil markings surrounding them.]
Hernan Bas Needles (In Anticipation of the Fall), 2005 Single color hard ground etching 26 1/4 x 21 inches (66.7 x 53.3 cm) Edition of 30 Courtesy the artist, Fredric Snitzer Gallery, Miami & Daniel Reich Gallery, New York Printed by Julia D’Amario $2,500
This hazy photograph pictures a landscape. A group of people stand at the edge of an overhang that looks off onto a bluish landscape below. Another person walks by a tree without leaves that centers the photo.
Justine Kurland, Meeting on the Hill, 2000, C-Print, 16 x 20 inches (40.6 x 50.8 cm), Edition of 100, Signed & numbered, Courtesy the artist and Gorney Bravin & Lee, New York, Printed by the artist. [This hazy photograph pictures a landscape. A group of people stand at the edge of an overhang that looks off onto a bluish landscape below. Another person walks by a tree without leaves that centers the photo.]
Justine Kurland Meeting on the Hill, 2000 C-Print 16 x 20 inches (40.6 x 50.8 cm) Edition of 100 Signed & numbered Courtesy the artist and Gorney Bravin & Lee, New York Printed by the artist $750
A photograph with a wood frame hangs on a wall. The photo sits on a white background, centered in the top half of the page. The photo shows a person
Ann Hamilton, Mirrim, 1999, Iris print, 30 x 22 inches (76.2 x 55.9 cm), Edition of 40, Signed & numbered. [A photograph with a wood frame hangs on a wall. The photo sits on a white background, centered in the top half of the page. The photo shows a person's nose and mouth, with mouth agape.]
Ann Hamilton Mirrim, 1999 Iris print 30 x 22 inches (76.2 x 55.9 cm) Edition of 40 Signed & numbered $2,500
A white image with a faint grey line that bisects the page lengthwise. In small text, the word "with" Iies at the center of the image.
Jim Hodges, Untitled, 1999, Etching and aquatint with chine-collé, 22 x 30 inches (55.9 x 76.2 cm), Edition of 30, Signed & numbered. [A white image with a faint grey line that bisects the page lengthwise. In small text, the word "with" Iies at the center of the image.]
Jim Hodges Untitled, 1999 Etching and aquatint with chine-collé 22 x 30 inches (55.9 x 76.2 cm) Edition of 30 Signed & numbered $1,200
The image shows a wood-framed photograph hanging on a wall. The photo, taken from inside a room, shows a seagull on a window ledge beside a small bird figurine. Out the window is a blue sky and buildings.
Mona Hatoum, Birds of a Feather, 1997, Chromogenic print, 10 x 12 inches (25.4 x 30.5 cm), Edition of 50, Signed & numbered. [The image shows a wood-framed photograph hanging on a wall. The photo, taken from inside a room, shows a seagull on a window ledge beside a small bird figurine. Out the window is a blue sky and buildings.]
Mona Hatoum Birds of a Feather, 1997 Chromogenic print 10 x 12 inches (25.4 x 30.5 cm) Edition of 50 Signed & numbered $1,500
The image shows a photograph with a plastic frame. The frame has holes for a small speaker and a button that says, "play." The photograph shows a close-up of a woman
Tony Oursler, Untitled (Talking Photograph), 1996, Photograph mounted on plastic frame with audio recording in custom box, 6 x 7 x 1/2 inches (15.2 x 17.8 x 1.3 cm), Signed & numbered. [The image shows a photograph with a plastic frame. The frame has holes for a small speaker and a button that says, "play." The photograph shows a close-up of a woman's face looking off into the distance while laying face down on white lace. Projected on the side of her face is another woman's face.]
Tony Oursler Untitled (Talking Photograph), 1996 Photograph mounted on plastic frame with audio recording in custom box 6 x 7 x 1/2 inches (15.2 x 17.8 x 1.3 cm) Signed & numbered $1,500
The image shows a quarter of a circle on a white background that is colored half-brown, half-blue with two black ovals of different sizes etched on top.
Robert Mangold, Untitled, 1995, Etching with aquatint, 24 x 30 inches (61 x 76.2 cm), Editions of 50, Signed & numbered. [The image shows a quarter of a circle on a white background that is colored half-brown, half-blue with two black ovals of different sizes etched on top.]
Robert Mangold Untitled, 1995 Etching with aquatint 24 x 30 inches (61 x 76.2 cm) Editions of 50 Signed & numbered $2,500
The image shows a rectangular bed-like cushion with a black pillow that lays diagonally across the image patterned with two green and two black triangles of fabric.
Andrea Zittel, Perfected Pillow, 1995, Pair of fringed velvet pillows, 80 x 40 inches (203 x 102 cm); 18 x 36 in (46 x 91 cm), Edition of 39. [The image shows a rectangular bed-like cushion with a black pillow that lays diagonally across the image patterned with two green and two black triangles of fabric.]
Andrea Zittel Perfected Pillow, 1995 Pair of fringed velvet pillows 80 x 40 inches (203 x 102 cm); 18 x 36 in (46 x 91 cm) Edition of 39 $5,000
A black chalk board displays various words written in white chalk. The word "ART" in all caps boldly appears as a header and twelve additional words are written below. Four words are crossed out with red chalk.
Willie Cole A.R.T. (in the new world order), 1994, Oilstick on framed blackboard, 18 x 24 inches (45.7 x 61 cm), Signed & numbered. [A black chalk board displays various words written in white chalk. The word "ART" in all caps boldly appears as a header and twelve additional words are written below. Four words are crossed out with red chalk.]
Willie Cole A.R.T. (in the new world order), 1994 Oilstick on framed blackboard 18 x 24 inches (45.7 x 61 cm) Signed & numbered $1,500

A rectangular open box sits next to the hardcover book Stories and texts for nothing by Samuel Beckett, both against a white background. The green box lies open, exposing a blue interior with a rectangular cutout for the book to be placed in. A yellow ribbon functions as a pull-tab.
Pope.L, Some Basic Problems of Re-Gifting, 2019, Modified hardcover book with dust jacket in cloth-lined box, 11 ¾ x 9 ¼ x 6 ⅛ inches, Edition of 13 with 3 APs [A rectangular open box sits next to the hardcover book Stories and texts for nothing by Samuel Beckett, both against a white background. The green box lies open, exposing a blue interior with a rectangular cutout for the book to be placed in. A yellow ribbon functions as a pull-tab.]
Pope.L Some Basic Problems of Re-Gifting, 2019 Modified hardcover book with dust jacket in cloth-lined box 11 ¾ x 9 ¼ x 6 ⅛ inches Edition of 13 + 3 AP Signed & Numbered SOLD
This print shows an image with text beneath on a white background. The text reproduces the work
Hito Steyerl, We cannot confirm the authenticity of this artwork, 2015, Archival inkjet print with letterpress and blind emboss, 11 x 8 1/2 in (27,9 x 21,6 cm) (image), 20 x 16 in (50,8 x 40,6 cm) (paper), Edition of 10 + 3 AP, Signed and dated imprint. [This print shows an image with text beneath on a white background. The text reproduces the work's caption then beneath that says, "1/10 / This certificate shall serve to verify authenticity and must / accompany the work through any transfer of ownership. / We cannot confirm the authenticity of this artwork. / Hito Steyerl [with signature] Date [with 2015 written]." The image shows a reproduction of the image on a blue background which repeats within that image, and so on.]
Hito Steyerl We cannot confirm the authenticity of this artwork, 2015 Archival inkjet print with letterpress and blind emboss 11 x 8 1/2 in (27,9 x 21,6 cm) (image) 20 x 16 in (50,8 x 40,6 cm) (paper) Edition of 10 + 3 AP Signed and dated imprint SOLD
The image shows a print with overlayed images. A faint, plaid-printed grey covers the entire print. A smaller faint, purple plaid design overlays the grey on three-quarters of the image. On the bottom left is a printed green square with a white ribbon-like looped shape printed on top. A figure
R. H. Quaytman, Archimedean Point, 2014, flip lenticular print mounted to sintra, 
32 3/8 x 20 in (82,2 x 51 cm), 
Edition of 10
. [The image shows a print with overlayed images. A faint, plaid-printed grey covers the entire print. A smaller faint, purple plaid design overlays the grey on three-quarters of the image. On the bottom left is a printed green square with a white ribbon-like looped shape printed on top. A figure's face, eyes-closed, is printed on a translucent black square on top of the green.]
R. H. Quaytman Archimedean Point, 2014 flip lenticular print mounted to sintra 
32 3/8 x 20 in (82,2 x 51 cm) 
Edition of 10
 SOLD
The photo shows steel rods that make a curved pyramid shape laying on its side with an LED light-strip running along one of the rods. The sculpture lies on a wooden floor against a white wall.
Joan Jonas, Night Light, 2013, Steel and LEDs, 37 x 15 x 10 inches (94 x 38 x 25 cm), Edition of 10 + 1 AP, Signed certificate. [The photo shows steel rods that make a curved pyramid shape laying on its side with an LED light-strip running along one of the rods. The sculpture lies on a wooden floor against a white wall.]
Joan Jonas Night Light, 2013 Steel and LEDs 37 x 15 x 10 inches (94 x 38 x 25 cm) Edition of 10 + 1 AP Signed certificate SOLD
The screenprint shows a collage of photos some in black & white and some in color. Some images show scenes with people and others document different multimedia installations. On top of the collage in large white block letters is written "Enough / Tyranny, / Recalled."
Marc Camille Chaimowicz, Enough Tiranny Recalled (Artists Space), 2009, 6 color screenprint, 24 x 24 in (60 x 60 cm), Edition of 10 + 3AP. [The screenprint shows a collage of photos some in black & white and some in color. Some images show scenes with people and others document different multimedia installations. On top of the collage in large white block letters is written "Enough / Tyranny, / Recalled."]
Marc Camille Chaimowicz Enough Tiranny Recalled (Artists Space), 2009 6 color screenprint 24 x 24 in (60 x 60 cm) Edition of 10 + 3AP SOLD
Two red and blue spidery forms interlace, floating in the center of the page atop a blank sheet of staff paper.
Louise Bourgeois Jitterbug, 1998 Lithograph, 18 x 24 in / 46 x 61 cm, Signed & Numbered. [Two red and blue spidery forms interlace, floating in the center of the page atop a blank sheet of staff paper.]
Louise Bourgeois Jitterbug, 1998 Lithograph 18 x 24 in / 46 x 61 cm Signed & Numbered SOLD
The image shows a white t-shirt in a frame with text printed on top in a wavy text that says, "A mother is having a very tense relationship / with her fourteen year old son. Screaming and / fighting are constantly going on in the house. / She finally brings him to a psychoanalyst. After / two sessions, the doctor calls the mother into / the office. / "Your son," he tells her, "has an Oedipus / complex." / "Oedipus, Schmedipus," the woman answers. / "as long as he loves his mother."
Richard Prince, Oedipus Schmedipus, 1994, Screenprint on white T-shirt Stretched over canvas in white lacquer frame, 25 1/4 x 19 1/2 in (64.1 x 49.5 cm), Edition of 26, Signed & numbered. [The image shows a white t-shirt in a frame with text printed on top in a wavy text that says, "A mother is having a very tense relationship / with her fourteen year old son. Screaming and / fighting are constantly going on in the house. / She finally brings him to a psychoanalyst. After / two sessions, the doctor calls the mother into / the office. / "Your son," he tells her, "has an Oedipus / complex." / "Oedipus, Schmedipus," the woman answers. / "as long as he loves his mother."]
Richard Prince Oedipus Schmedipus, 1994 Screenprint on white T-shirt Stretched over canvas in white lacquer frame 25 1/4 x 19 1/2 in (64.1 x 49.5 cm) Edition of 26 Signed & numbered SOLD Published by Artists Space in 1994 to benefit the organization’s endowment fund
The image shows a wooden paddle with the preamble for the U.S. Constitution reproduced on it. It says, "We the People of the United States, in Order to form a more perfect Union, establish Justice, insure domestic Tranquility, provide for the common defence, promote the general Welfare, and secure the Blessings of Liberty to ourselves and our Posterity, do ordain and establish this Constitution for the United States of America."
Mike Kelley, Untitled, 1992, Beech wood paddle with screen print and leather strap, 23 1/4 in x 6 in x 3/4 in / 59.1 cm x 15.2 cm x 1.9 cm, Edition of 50. [The image shows a wooden paddle with the preamble for the U.S. Constitution reproduced on it. It says, "We the People of the United States, in Order to form a more perfect Union, establish Justice, insure domestic Tranquility, provide for the common defence, promote the general Welfare, and secure the Blessings of Liberty to ourselves and our Posterity, do ordain and establish this Constitution for the United States of America."]
Mike Kelley Untitled, 1992 Beech wood paddle with screen print and leather strap 23 1/4 in x 6 in x 3/4 in / 59.1 cm x 15.2 cm x 1.9 cm Edition of 50 SOLD
Two people sit with a dark blue seat back behind them. One, on the right of the image, looks to the camera with the other lays asleep on their lap across the bottom of the image.
Nan Goldin, Suzanne and Phillippe on the train, Long Island, 1992, Framed C-print, 16 x 20 in / 41 x 51 cm, Edition 1 of 100, Signed & Numbered. [Two people sit with a dark blue seat back behind them. One, on the right of the image, looks to the camera with the other lays asleep on their lap across the bottom of the image.]
Nan Goldin Suzanne and Phillippe on the train, Long Island, 1992 Framed C-print 16 x 20 in / 41 x 51 cm Edition 1 of 100 Signed & Numbered SOLD
The image shows a figure
Kiki Smith, Untitled, 1991, Fired enamel on glass with shelf, Glass: 18 x 18 in / 45,7 x 45,7 cm Shelf: 4 1/2 x 20 15/16 x 5 in / 11,5 x 52,9 x 12,7 cm, Edition of 50. [The image shows a figure's face composed of black lines and etch-marks on top of a transluscent background. The image rests on a wooden shelf.]
Kiki Smith Untitled, 1991 Fired enamel on glass with shelf Glass: 18 x 18 in / 45,7 x 45,7 cm Shelf: 4 1/2 x 20 15/16 x 5 in / 11,5 x 52,9 x 12,7 cm Edition of 50 SOLD
Three wine glasses sit next to each other on a glass shelf with a black background. Each glass has text lasered into the front. From left to right the first says, "who says," the second, "who shows," and the third, "who counts."
Louise Lawler, Who Says, Who Shows, Who Counts, 1990, Three chablis glasses with glass shelf, 8 1/2 x 14 x 4 1/4 in (21,6 x 35,6 x 10,8 cm), Edition of 50, Signed & numbered. [Three wine glasses sit next to each other on a glass shelf with a black background. Each glass has text lasered into the front. From left to right the first says, "who says," the second, "who shows," and the third, "who counts."]
Louise Lawler Who Says, Who Shows, Who Counts, 1990 Three chablis glasses with glass shelf 8 1/2 x 14 x 4 1/4 in (21,6 x 35,6 x 10,8 cm) Edition of 50 Signed & numbered SOLD Published by Artists Space in 1990 to benefit the organization’s endowment fund