All limited editions are specially commissioned by Artists Space, with proceeds directly supporting Artists Space programs. Members receive 10% off all artwork purchases. Please email kelly@artistsspace.org for information on which editions are currently available.
Cosima von Bonin
Le Chic, 2023
Enamel on wood
(Two color options: red & grey or red & white)
25 x 4 ½ x 4 ½ inches
Edition of 20 with 5 APs
Price: $7,500 each
More information here
Lyndon Barrois Jr.
Untitled, 2022
Solvent transfer on gessoed copper
Edition of 10 + 2 AP Signed & Numbered
$1,000
More information here
ART CLUB2000Untitled (Paramount Hotel Elevators/Gap Grunge), 1992-93
Chromogenic print
20 x 24 inches
Edition of 10 + 5 AP Signed & Numbered
$5,000 + frame
ART CLUB2000Untitled (7-11/New Jersey), 1994
Chromogenic print
20 x 24 inches
Edition of 10 + 5 AP Signed & Numbered
$5000 + frame
More information here
Trisha Baga
Not yet titled, 2019
Clay, glaze, mixed media
7 x 12 x 17 inches (variable)
$3,000
See more images
Lukas Duwenhögger, Restive Childhood, 2016, Archival inkjet with silkscreen on 320 gsm Hahnemühle Photorag Pearl paper, 20 ¾ x 15 ¾ inches (52,7 x 40 cm), Edition of 10 + 3 AP, Signed & Numbered. [A framed image with black text, white background, and a black & white photo in the center hangs on a wall. The photo depicts a cop on the left who reaches towards a man holding a gun and a young child on the right. Above the photo it says, "Out of the blue: / Children march on capital / demanding homo-adoption / innumerable casualties / heart-wrenching scenes." Beneath the photo, the text repeats but in Turkish.]
Lukas Duwenhögger
Restive Childhood, 2016
Archival inkjet with silkscreen on 320 gsm Hahnemühle Photorag Pearl paper
20 ¾ x 15 ¾ inches (52,7 x 40 cm)
Edition of 10 + 3 AP
Signed & Numbered
$3,500
Seth Price, Embrace of Tradition, 2007/2013, Collage with combination photo relief and inkjet print, 16 3/4 x 13 inches (42.5 x 33 cm), Edition of 10 + 1 AP, Signed & numbered on front. [A white framed image hangs on a wall. The image shows line-drawn diagrams of lightbulbs. Above the diagrams it reads, "Fig. 1" and "Fig. 2." Above that it reads, "(no. model) T.A. Edison / Incandescing electric lamp / No. 341839 Patented May 11, 1886." Below the diagram it says, "Attest [with signatures below] inventor [with signatures below]." collaged on top of the print is a saturated red and blue flower at the bottom right and the word "light" in cursive on the top left.]
Seth Price
Embrace of Tradition, 2007/2013
Collage with combination photo relief and inkjet print 16 3/4 x 13 inches (42.5 x 33 cm)
Edition of 10 + 1 AP
Signed & numbered on front
$7,500
Duncan Campbell Big Fires Start Small, 2010, 3 color screenprint on poster, 25 1/2 x 16 1/2 inches (64,8 x 41,9 cm), Edition of 100, Signed and numbered. [The phrase "big fires start small" is written diagonally against a black background. "Big fires" appears in large bubble text surrounded by flames and "start small" appreas below in white blocky type.]
Duncan Campbell
Big Fires Start Small, 2010
3 color screenprint on poster
25 1/2 x 16 1/2 inches (64,8 x 41,9 cm)
Edition of 100
Signed and numbered
$150
Emily Jacir, woman to woman, 2003/2009, C-Print, Sheet size: 12 x 16 inches (30.5 x 41 cm), Framed size: 14 3/4 x 18 1/2 inches (37.5 x 47 cm), Printed by Laumont. [A photo in a black frame shows a person in military uniform, leaning against a concrete wall looking at a person who faces away from the camera with a patterned headscarf, red sweater, and light-yellow blanket.]
Emily Jacir
woman to woman, 2003/2009
C-Print
Sheet size: 12 x 16 inches (30.5 x 41 cm)
Framed size: 14 3/4 x 18 1/2 inches (37.5 x 47 cm)
Printed by Laumont
$2,200
Heather Rowe, A Careful Arrangement, 2008, Archival pigment inkjet and silkscreen on Somerset velvet paper, Image size: 12-1/2 x 13 inches (31.8 x 33 cm) Paper size: 21-3/4 x 17 inches (55.2 x 43.2 cm), Edition of 25 + 8 AP. [The photograph shows an ornate room decorated symmetrically with couches on the left and right of the image and a fireplace at the back flanked by two windows. Overlayed on top of the image is a series of black squares and rectangles that overlap each other.]
Heather Rowe
A Careful Arrangement, 2008
Archival pigment inkjet and silkscreen on Somerset velvet paper
Image size: 12-1/2 x 13 inches (31.8 x 33 cm)
Paper size: 21-3/4 x 17 inches (55.2 x 43.2 cm)
Edition of 25 + 8 AP
$1,200
Ryan Gander, What the postman brought, 2007, Mixed media Variable size, Edition of 17, 3 AP, Courtesy the artist, STORE London and Annet Gelink Amsterdam. [The photograph shows a framed image with black geometric patterns mounted on a white wall with a black sculpture to its left sitting on a white plinth.]
Ryan Gander
What the postman brought, 2007
Mixed media
Variable size
Edition of 17, 3 AP
Courtesy of the artist, STORE London and Annet Gelink Amsterdam
$1,500
Nathan Carter, Static Cipher Signal Beacon for Inbound Flights, 2007, Wood, steel, enamel and acrylic paint, 28 1/2 x 40 inches (72.4 x 101.6 cm), Series of 10 Signed, Courtesy the artist & Casey Kaplan. [A sculpture affixed to the wall made of a red steel rod with red steel rod arms that project out from the top to make shadows against the wall.]
Nathan Carter
Static Cipher Signal Beacon for Inbound Flights, 2007
Wood, steel, enamel and acrylic paint
28 1/2 x 40 inches (72.4 x 101.6 cm)
Series of 10
Signed
Courtesy the artist & Casey Kaplan
$3,000
Amy Sillman, MoMA Opening, 2007, Archival ink jet on Somerset Paper, 14 x 16 3/4 inches (36.6 x 42.5 cm), Edition of 17, 10 AP, 1 BAT, Courtesy the artist and Sikkema Jenkins & Co., Printed by Jean-Yves Noblet Contemporary Prints. [The image shows a crowd of figures drawn with black ink. Four text bubbles project from the crowd that read: [top left] "I curated the next show! You'll love it! I just like what you do, right up your alley!" [top center] "This is my work but the wall label is really wierd..." [bottom left] "Oh! You two split up?! I had no idea! Two years ago? Goodness! I remember when you went on your first date! Your were so happy! Are you seeing someone new?" [bottom right] "I love your work." On the bottom right is written "MOMA opening 9-06."]
Amy Sillman
MoMA Opening, 2007
Archival ink jet on Somerset Paper
14 x 16 3/4 inches (36.6 x 42.5 cm)
Edition of 17, 10 AP, 1 BAT
Courtesy of the artist and Sikkema Jenkins & Co.
Printed by Jean-Yves Noblet Contemporary Prints
$950
Amy Sillman, Turtlenecks, 2007, Archival ink jet on Somerset Paper, 11 1/4 x 17 1/2 inches (28.6 x 44.5 cm), Edition of 17, 10 AP, 1 BAT, Courtesy the artist and Sikkema Jenkins & Co., Printed by Jean-Yves Noblet Contemporary Prints. [The busts of two figures are drawn in black ink in front of a grey background. Below each figure is a text bubble that read: [below figure on left] "When did you get here?" [below figure on right] "Are you going to Basel?" At the bottom, center of the page is written "Turtlenecks."]
Amy Sillman
Turtlenecks, 2007
Archival ink jet on Somerset Paper
11 1/4 x 17 1/2 inches (28.6 x 44.5 cm)
Edition of 17, 10 AP, 1 BAT
Courtesy of the artist and Sikkema Jenkins & Co.
Printed by Jean-Yves Noblet Contemporary Prints
$950
Carroll Dunham Untitled, 2006, 4 Color etching with aquatint, 14 1/4 x 11 inches (36.2 x 27.9 cm), Edition of 30 Signed & numbered, Edition of 30, Signed & numbered, Published by Two Palms Press. [A small rectangle outlined in a thick black border sits inside the larger rectangle of the paper. The interior rectangle contains a cropped image of a pink colored man with his pants pulled down. In his right hand he holds a gun, pointing towards the ground against a washy abstracted black background.]
Carroll Dunham
Untitled, 2006
4 Color etching with aquatint
14 1/4 x 11 inches (36.2 x 27.9 cm)
Edition of 30
Signed & numbered
Published by Two Palms Press
$1,200
Kate Shephard, Paper Bedroom, 2006, Cut paper collage, 13.75 x 10.25 inches (34.0 x 26 cm), Edition of 30. [The image shows a cut paper collage that uses saturated color blocks to define the architecture of a bedroom, including a bed, desk, reclining chair, and other abstracted shapes and figures.]
Kate Shephard
Paper Bedroom, 2006
Cut paper collage
13.75 x 10.25 inches (34.0 x 26 cm)
Edition of 30
$1,000
Hernan Bas, Needles (In Anticipation of the Fall), 2005, Single color hard ground etching, 26 1/4 x 21 inches (67 x 53 cm), Edition of 30, Courtesy the artist, Fredric Snitzer Gallery, Miami & Daniel Reich Gallery, New York, Printed by Julia D’Amario. [A wood framed drawing hangs on a wall. The pencil drawing depicts a youthful figure at the center of the page with abstract pencil markings surrounding them.]
Hernan Bas
Needles (In Anticipation of the Fall), 2005
Single color hard ground etching
26 1/4 x 21 inches (66.7 x 53.3 cm)
Edition of 30
Courtesy the artist, Fredric Snitzer Gallery, Miami & Daniel Reich Gallery,
New York
Printed by Julia D’Amario
$2,500
Justine Kurland, Meeting on the Hill, 2000, C-Print, 16 x 20 inches (40.6 x 50.8 cm), Edition of 100, Signed & numbered, Courtesy the artist and Gorney Bravin & Lee, New York, Printed by the artist. [This hazy photograph pictures a landscape. A group of people stand at the edge of an overhang that looks off onto a bluish landscape below. Another person walks by a tree without leaves that centers the photo.]
Justine Kurland
Meeting on the Hill, 2000
C-Print
16 x 20 inches (40.6 x 50.8 cm)
Edition of 100
Signed & numbered
Courtesy the artist and Gorney Bravin & Lee, New York Printed by the artist
$750
Ann Hamilton, Mirrim, 1999, Iris print, 30 x 22 inches (76.2 x 55.9 cm), Edition of 40, Signed & numbered. [A photograph with a wood frame hangs on a wall. The photo sits on a white background, centered in the top half of the page. The photo shows a person's nose and mouth, with mouth agape.]
Ann Hamilton
Mirrim, 1999
Iris print
30 x 22 inches (76.2 x 55.9 cm)
Edition of 40
Signed & numbered
$2,500
Jim Hodges, Untitled, 1999, Etching and aquatint with chine-collé, 22 x 30 inches (55.9 x 76.2 cm), Edition of 30, Signed & numbered. [A white image with a faint grey line that bisects the page lengthwise. In small text, the word "with" Iies at the center of the image.]
Jim Hodges
Untitled, 1999
Etching and aquatint with chine-collé
22 x 30 inches (55.9 x 76.2 cm)
Edition of 30
Signed & numbered
$1,200
Mona Hatoum, Birds of a Feather, 1997, Chromogenic print, 10 x 12 inches (25.4 x 30.5 cm), Edition of 50, Signed & numbered. [The image shows a wood-framed photograph hanging on a wall. The photo, taken from inside a room, shows a seagull on a window ledge beside a small bird figurine. Out the window is a blue sky and buildings.]
Mona Hatoum
Birds of a Feather, 1997
Chromogenic print
10 x 12 inches (25.4 x 30.5 cm)
Edition of 50
Signed & numbered
$1,500
Tony Oursler, Untitled (Talking Photograph), 1996, Photograph mounted on plastic frame with audio recording in custom box, 6 x 7 x 1/2 inches (15.2 x 17.8 x 1.3 cm), Signed & numbered. [The image shows a photograph with a plastic frame. The frame has holes for a small speaker and a button that says, "play." The photograph shows a close-up of a woman's face looking off into the distance while laying face down on white lace. Projected on the side of her face is another woman's face.]
Tony Oursler
Untitled (Talking Photograph), 1996
Photograph mounted on plastic frame with audio
recording in custom box
6 x 7 x 1/2 inches (15.2 x 17.8 x 1.3 cm)
Signed & numbered
$1,500
Robert Mangold, Untitled, 1995, Etching with aquatint, 24 x 30 inches (61 x 76.2 cm), Editions of 50, Signed & numbered. [The image shows a quarter of a circle on a white background that is colored half-brown, half-blue with two black ovals of different sizes etched on top.]
Robert Mangold
Untitled, 1995
Etching with aquatint
24 x 30 inches (61 x 76.2 cm)
Editions of 50
Signed & numbered
$2,500
Andrea Zittel, Perfected Pillow, 1995, Pair of fringed velvet pillows, 80 x 40 inches (203 x 102 cm); 18 x 36 in (46 x 91 cm), Edition of 39. [The image shows a rectangular bed-like cushion with a black pillow that lays diagonally across the image patterned with two green and two black triangles of fabric.]
Andrea Zittel
Perfected Pillow, 1995
Pair of fringed velvet pillows
80 x 40 inches (203 x 102 cm); 18 x 36 in (46 x 91 cm)
Edition of 39
$5,000
Willie Cole A.R.T. (in the new world order), 1994, Oilstick on framed blackboard, 18 x 24 inches (45.7 x 61 cm), Signed & numbered. [A black chalk board displays various words written in white chalk. The word "ART" in all caps boldly appears as a header and twelve additional words are written below. Four words are crossed out with red chalk.]
Willie Cole
A.R.T. (in the new world order), 1994
Oilstick on framed blackboard
18 x 24 inches (45.7 x 61 cm)
Signed & numbered
$1,500
Pope.L, Some Basic Problems of Re-Gifting, 2019, Modified hardcover book with dust jacket in cloth-lined box, 11 ¾ x 9 ¼ x 6 ⅛ inches, Edition of 13 with 3 APs [A rectangular open box sits next to the hardcover book Stories and texts for nothing by Samuel Beckett, both against a white background. The green box lies open, exposing a blue interior with a rectangular cutout for the book to be placed in. A yellow ribbon functions as a pull-tab.]
Pope.L
Some Basic Problems of Re-Gifting, 2019
Modified hardcover book with dust jacket in cloth-lined box
11 ¾ x 9 ¼ x 6 ⅛ inches
Edition of 13 + 3 AP
Signed & Numbered
SOLD
Hito Steyerl, We cannot confirm the authenticity of this artwork, 2015, Archival inkjet print with letterpress and blind emboss, 11 x 8 1/2 in (27,9 x 21,6 cm) (image), 20 x 16 in (50,8 x 40,6 cm) (paper), Edition of 10 + 3 AP, Signed and dated imprint. [This print shows an image with text beneath on a white background. The text reproduces the work's caption then beneath that says, "1/10 / This certificate shall serve to verify authenticity and must / accompany the work through any transfer of ownership. / We cannot confirm the authenticity of this artwork. / Hito Steyerl [with signature] Date [with 2015 written]." The image shows a reproduction of the image on a blue background which repeats within that image, and so on.]
Hito Steyerl
We cannot confirm the authenticity of this artwork, 2015
Archival inkjet print with letterpress and blind emboss
11 x 8 1/2 in (27,9 x 21,6 cm) (image)
20 x 16 in (50,8 x 40,6 cm) (paper)
Edition of 10 + 3 AP
Signed and dated imprint
SOLD
R. H. Quaytman, Archimedean Point, 2014, flip lenticular print mounted to sintra, 32 3/8 x 20 in (82,2 x 51 cm), Edition of 10 . [The image shows a print with overlayed images. A faint, plaid-printed grey covers the entire print. A smaller faint, purple plaid design overlays the grey on three-quarters of the image. On the bottom left is a printed green square with a white ribbon-like looped shape printed on top. A figure's face, eyes-closed, is printed on a translucent black square on top of the green.]
R. H. Quaytman
Archimedean Point, 2014
flip lenticular print mounted to sintra
32 3/8 x 20 in (82,2 x 51 cm)
Edition of 10
SOLD
Joan Jonas, Night Light, 2013, Steel and LEDs, 37 x 15 x 10 inches (94 x 38 x 25 cm), Edition of 10 + 1 AP, Signed certificate. [The photo shows steel rods that make a curved pyramid shape laying on its side with an LED light-strip running along one of the rods. The sculpture lies on a wooden floor against a white wall.]
Joan Jonas
Night Light, 2013
Steel and LEDs
37 x 15 x 10 inches (94 x 38 x 25 cm)
Edition of 10 + 1 AP
Signed certificate
SOLD
Marc Camille Chaimowicz, Enough Tiranny Recalled (Artists Space), 2009, 6 color screenprint, 24 x 24 in (60 x 60 cm), Edition of 10 + 3AP. [The screenprint shows a collage of photos some in black & white and some in color. Some images show scenes with people and others document different multimedia installations. On top of the collage in large white block letters is written "Enough / Tyranny, / Recalled."]
Marc Camille Chaimowicz
Enough Tiranny Recalled (Artists Space), 2009
6 color screenprint
24 x 24 in (60 x 60 cm)
Edition of 10 + 3AP
SOLD
Louise Bourgeois Jitterbug, 1998 Lithograph, 18 x 24 in / 46 x 61 cm, Signed & Numbered. [Two red and blue spidery forms interlace, floating in the center of the page atop a blank sheet of staff paper.]
Louise Bourgeois
Jitterbug, 1998
Lithograph
18 x 24 in / 46 x 61 cm
Signed & Numbered
SOLD
Richard Prince, Oedipus Schmedipus, 1994, Screenprint on white T-shirt Stretched over canvas in white lacquer frame, 25 1/4 x 19 1/2 in (64.1 x 49.5 cm), Edition of 26, Signed & numbered. [The image shows a white t-shirt in a frame with text printed on top in a wavy text that says, "A mother is having a very tense relationship / with her fourteen year old son. Screaming and / fighting are constantly going on in the house. / She finally brings him to a psychoanalyst. After / two sessions, the doctor calls the mother into / the office. / "Your son," he tells her, "has an Oedipus / complex." / "Oedipus, Schmedipus," the woman answers. / "as long as he loves his mother."]
Richard Prince
Oedipus Schmedipus, 1994
Screenprint on white T-shirt
Stretched over canvas in white lacquer frame
25 1/4 x 19 1/2 in (64.1 x 49.5 cm)
Edition of 26
Signed & numbered
SOLD
Published by Artists Space in 1994 to benefit the
organization’s endowment fund
Mike Kelley, Untitled, 1992, Beech wood paddle with screen print and leather strap, 23 1/4 in x 6 in x 3/4 in / 59.1 cm x 15.2 cm x 1.9 cm, Edition of 50. [The image shows a wooden paddle with the preamble for the U.S. Constitution reproduced on it. It says, "We the People of the United States, in Order to form a more perfect Union, establish Justice, insure domestic Tranquility, provide for the common defence, promote the general Welfare, and secure the Blessings of Liberty to ourselves and our Posterity, do ordain and establish this Constitution for the United States of America."]
Mike Kelley
Untitled, 1992
Beech wood paddle with screen print and leather strap
23 1/4 in x 6 in x 3/4 in / 59.1 cm x 15.2 cm x 1.9 cm
Edition of 50
SOLD
Nan Goldin, Suzanne and Phillippe on the train, Long Island, 1992, Framed C-print, 16 x 20 in / 41 x 51 cm, Edition 1 of 100, Signed & Numbered. [Two people sit with a dark blue seat back behind them. One, on the right of the image, looks to the camera with the other lays asleep on their lap across the bottom of the image.]
Nan Goldin
Suzanne and Phillippe on the train, Long Island, 1992
Framed C-print
16 x 20 in / 41 x 51 cm
Edition 1 of 100
Signed & Numbered
SOLD
Kiki Smith, Untitled, 1991, Fired enamel on glass with shelf, Glass: 18 x 18 in / 45,7 x 45,7 cm Shelf: 4 1/2 x 20 15/16 x 5 in / 11,5 x 52,9 x 12,7 cm, Edition of 50. [The image shows a figure's face composed of black lines and etch-marks on top of a transluscent background. The image rests on a wooden shelf.]
Kiki Smith
Untitled, 1991
Fired enamel on glass with shelf
Glass: 18 x 18 in / 45,7 x 45,7 cm
Shelf: 4 1/2 x 20 15/16 x 5 in / 11,5 x 52,9 x 12,7 cm
Edition of 50
SOLD
Louise Lawler, Who Says, Who Shows, Who Counts, 1990, Three chablis glasses with glass shelf, 8 1/2 x 14 x 4 1/4 in (21,6 x 35,6 x 10,8 cm), Edition of 50, Signed & numbered. [Three wine glasses sit next to each other on a glass shelf with a black background. Each glass has text lasered into the front. From left to right the first says, "who says," the second, "who shows," and the third, "who counts."]
Louise Lawler
Who Says, Who Shows, Who Counts, 1990
Three chablis glasses with glass shelf
8 1/2 x 14 x 4 1/4 in (21,6 x 35,6 x 10,8 cm)
Edition of 50
Signed & numbered
SOLD
Published by Artists Space in 1990 to benefit
the organization’s endowment fund