Artists Space

Shani Strand: Everything Must Be Returned

June 12 – August 15, 2026

Artists Space presents Everything Must Be Returned, the first New York institutional solo exhibition by Los Angeles–based multidisciplinary artist Shani Strand (b. 1995). Strand’s immersive installation weaves culturally inscribed materials and practices to examine how the visible—objects, architectures, and social performances—operates as a metonym for the invisible: ghosts, infrastructure, and history. The exhibition gathers materials that bear the residue of historical encounter and entanglement.

On the left is an oblong ceramic sculpture of a ghost with its mouth open. In the ghost
Shani Strand, Duppy (Don’t Wait for Karma), 2024, 12.5 x 5.5 x 7.5 in, glazed ceramic, teeth fragments, chain, Empire brick. [On the left is an oblong ceramic sculpture of a ghost with its mouth open. In the ghost's left hand is a coiled chain. The other end of the chain is wrapped around a worn down brick that reads "EMPIRE."]

Occupying the entire ground floor and featuring newly commissioned works, the exhibition centers on a video titled R.I.P. He Deserves It. Its title draws on a quote by C.L.R. James on Hegel and also alludes to Jamaican poet, singer, and folklorist Louise Bennett-Coverley’s (“Miss Lou”) poem Colonization in Reverse. Comprising eleven four-line stanzas, the poem satirizes the Windrush migration—the wave of Caribbean immigrants arriving in the United Kingdom. Strand reflects on the idea of “colonization in reverse” as it relates to contemporary American imperialism.

The film unfolds as a clown story and revenge fantasy, with the threat of “colonization in reverse” ever-present. Sculptures made from materials as varied as bamboo, rebar, JJJ Bricks, and ceramics depict morningstars and duppies (ghosts or spirits in Jamaican Patois). These sculptures appear alongside site-specific resin pools, evoking superstition, death, and lived experiences structured by violence.

Guided by the question, “How might we imagine alternative moralities (or moral alienation) as methods for navigating social relations and accessing or evading violence?” Strand draws on trickster figures, including the duppy, demonic angels, and the clown. These figures trace intersections of diasporic and historical narratives at the edges of violence and in spaces of potential freedom.

Shani Strand (b. 1995) is a multidisciplinary artist working across sculpture, video and installation to consider ungovernability in a post-colonial and globalized world. She is one half of Sucking Salt, a project that archives Caribbean architecture and aesthetics to diversify architectural history and to assert the Caribbean as a site of material importance and a major intersection of various cultures and colonial histories. Recent solo and two-person exhibitions include Harkawik, LA (2024); Rachel Uffner, NY (2024); Deli Gallery, CDMX (2023); Rachel Uffner, NY (2022); and HOUSING, NY (2021). She has performed at The Broad, Los Angeles (2022) and held residencies at Mass MoCA (2026), Automata (2022), and Interstate Projects (2018). She has been published by CARLA (2024), The Avery Review (2023) and Pin-Up Magazine (2021). She has lectured at Santa Monica Community College (2024), Wesleyan University (2024) and Harvard Graduate School of Design (2022). Strand received her BFA from Oberlin College and her MFA from the University of California, Los Angeles

Lead exhibition support for Shani Strand: Everything Must be Returned is provided by Ariston Art Foundation.

Support for Artists Space exhibitions and programs is provided by Lambent Foundation Fund of Tides Foundation, The Andrew W. Mellon Foundation, Horace W. Goldsmith Foundation, The New York City Department of Cultural Affairs in Partnership with the City Council, The New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature, The Keith Haring Foundation, I.A. O'Shaughnessy Foundation, Helen Frankenthaler Foundation, The Cowles Charitable Trust, Milton and Sally Avery Foundation, The David Rockefeller Fund, and the Friends of Artists Space.

    A figure in clown makeup, a black leotard, and polka dot tights jumps through the air against a dark background from which a few lights emerge.
    Shani Strand, R.I.P. He Deserves It, 2026, 10 min 32 seconds, Video and sound. [A figure in clown makeup, a black leotard, and polka dot tights jumps through the air against a dark background from which a few lights emerge.]
    A green star featuring the image of a figure with their hands up and the text
    Shani Strand, R.I.P. He Deserves It, 2026, 10 min 32 seconds, Video and sound. [A green star featuring the image of a figure with their hands up and the text "Colonization / in REVERSE" is superimposed on top of an image of a figure standing in a parking lot, which has been reflected four times.]