Artists Space

Artists Space Annual Edition Portfolio 2016

Aluminum foil, partially unrolled, with a pile of pennies is dramatically lit in a darkened room.
Clegg & Guttmann, Change, 2015, C-print , 24 x 20 in
/ 61 x 50,8 cm, Signed and Numbered Certificate. [Aluminum foil, partially unrolled, with a pile of pennies is dramatically lit in a darkened room.]

Clegg & Guttmann (b. 1957) live and work in New York, Berlin, and Vienna. Recent solo exhibitions include The Potsdam Kunstverein (2015); Heinrich Ehrhardt Gallery, Madrid (2014); Galerie Nagel Draxler, Berlin; Galerie Elisabeth & Klaus Thoman, Innsbruck; and DKW Brandenburg Kunstmuseum, Cottbus (all 2013); Bawag Foundation, Vienna (2012); Salzburg Kunstverein (2011); and Georg Kargl Fine Arts, Vienna (2009). Selected recent group exhibitions include Perfect Likeness: Photography and Composition at the Hammer Museum, Los Angeles (2015); Vertical Club, Bortolami Gallery, New York (2013); Commercial Psycho, Andrew Kreps Gallery, New York (2012); and Touched, Liverpool Biennial, Liverpool (2010).

An arrangement of 10 colored photos, each showing a different outdoor and indoor settings, including settings of nature, animals, a red trailer, an overexposed lecture hall, and a portrait of a woman.
Michaela Eichwald, Ten Top Photographs for Artists Space, 2015, Series of ten inkjet prints, Assorted dimensions range from 5 x 7 in to 5 x 7 ½ in / 12,7 x 17,8 cm to 12,7 x 19 cm, each Signed and Numbered Certificate [An arrangement of 10 colored photos, each showing a different outdoor and indoor settings, including settings of nature, animals, a red trailer, an overexposed lecture hall, and a portrait of a woman.]

Michaela Eichwald (b. 1967) lives and works in Berlin. Recent solo exhibitions include Overduin & Co., Los Angeles (2015); dépendence, Brussels; Galerie Meyer Kainer, Vienna; and Palais de Tokyo, Paris (all 2014); Reena Spaulings, New York (2013); Mathew, Berlin (2012); and International Project Space (with Michael Krebber) (2010). Selected group exhibitions include Painting 2.0: Expression in the Information Age, Museum Brandhorst, Munich; and Künstler und Dichter, Secession Vienna (both 2015).

An abstract, gestural drawing in neutral tones, with the names of metal elements at the bottom of the page.
Cheyney Thompson, Untitled, 2015, Offset and metal powders in acrylic binder on synthetic paper, with handwriting, 22 ½ x 19 in / 57,2 x 48,3 cm, Each unique with hand notation [An abstract, gestural drawing in neutral tones, with the names of metal elements at the bottom of the page.]

Cheyney Thompson (b. 1975) lives and works in New York. Recent solo exhibitions include Andrew Kreps Gallery, New York and Galerie Buchholz, Berlin (both 2015); Campoli Presti, London (2014); Galerie Buchholz, Cologne (2013); MIT List Visual Arts Center, Cambridge, MA, and Kunstverein Braunschweig (2012). Selected group exhibitions include and Materials and Money and Crisis, MMK, Vienna (2013); Chat Jet, Painting Beyond the Medium, Kunstlerhaus Graz; The Indiscipline of Painting, Tate St. Ives (2011); Compass in Hand: Selections from the Judith Rothschild Foundation Contemporary Drawings Collection, Museum of Modern Art, New York (2009); and the 2008 Whitney Biennial, Whitney Museum of American Art, New York. With Amy Sillman, Thompson co-curated Score! at the Marieluise Hessel Collection at CCS Bard (2014).

Black and white depiction of two figures in the woods at night. One is is hammering a fence post by the light of the lantern held by the second person.
Peter Wächtler, Untitled (Nightly Scene Forest), 2015 Black and white linocut on paper, 19 x 23 ½ in / 50,2 x 59,7 cm, Signed and Numbered. [Black and white depiction of two figures in the woods at night. One is is hammering a fence post by the light of the lantern held by the second person.]

Peter Wächtler (b. 1979) lives and works in Brussels. Recent solo exhibitions include Reena Spaulings, New York, and Westfälischer Kunstverein, Münster (both 2014); dépendance, Brussels; Kunstverein Hildesheim; B.A.C.K at Ludlow 38, New York; and Celtic Dawn, Kunstraum London (all 2013); Studium Maximu at Reisebürogalerie Diko-Reisen, Cologne (2012); Das Kino im Alten Mühlenviertel, Galerie Lars Friedrich, Berlin (2012); and The Set, Etablissement d’en Face, Brussels (2011). Wächtler is a member of Etablissement d’en Face and a co-founder with Hans-Christian Lotz of the exhibition space Sotoso in Brussels. Forthcoming solo exhibitions include The Renaissance Society, University of Chicago, and Chisenhale Gallery, London (both 2016).

A spotted pattern against a white ground, with each spot having a unique stain, splatter, or drops of ink.
Anicka Yi, Flirting Is An Algorithm, 2015, Silkscreen on archival box, 24½ x 20½ x 1½ in / 62,2 x 52 x 3,8 cm, Signed and Numbered. [A spotted pattern against a white ground, with each spot having a unique stain, splatter, or drops of ink.]

Anicka Yi (b. 1971) lives and works in New York. Recent solo exhibitions include Kunsthalle Basel; MIT List Visual Arts Center, Cambridge, MA; and The Kitchen, New York (all 2015); 47 Canal, New York, and Cleveland Museum of Art, OH (both 2014); Lars Friedrich, Berlin (2013); Galerie Rudiger Schoettle, Munich; and Green Gallery East, Milwaukee, WI (both 2011). Selected group exhibitions include MOMMY, Yale Union, Portland and Under the Clouds: From Paranoia to the Digital Sublime, Serralves, Portugal (both 2015); the Taipei and Lyon Biennials (2014 and 2013, respectively); and Looking Back: The 6th White Columns Annual, White Columns, New York (2011). Yi is a finalist for the 2016 Hugo Boss Prize.