Artists Space

rafa esparza: Camino

June 9 – August 19, 2023

Artists Space is pleased to present Camino, the first New York solo exhibition of Los Angeles based performance and installation artist rafa esparza.

Color photograph of a mound of brown rocks and dirt. In the middle of the frame, jutting out of the mound is a broken piece of clear glass with a gold metallic finish on the outside.
Photo courtesy the artist [Color photograph of a mound of brown rocks and dirt. In the middle of the frame, jutting out of the mound is a broken piece of clear glass with a gold metallic finish on the outside.]

A painter, installation, and performance artist, esparza creates works that engage site-specificity and materiality in order to challenge dominant power structures. Camino is an immersive exhibit that comprises a material deconstruction of the Arroyo Seco section of the 110 Freeway in Los Angeles, the first freeway in the western United States. Architects championed the Arroyo Seco, completed in 1940, as an innovation in vehicular roadway systems and mobility. But the freeway is a living reminder of what the artist calls “the brute force of infrastructural planning that divided Los Angeles,” which primarily impacts gravely marginalized poor and working-class communities of color. The popularity of this urban-planning model was adapted by other cities across the country, resulting in an almost ritual-like approach to dividing communities.

In Camino (which in Spanish can mean either “road” or “I walk”), esparza transforms Artists Space with concrete rubble scattered about an adobe-paved road. Bringing together sculptures, painting, and earthen elements, Camino explores the continuum of urban renewal and redevelopment, and posits a possibility of material collapse. esparza populates the exhibition with portraits of barefoot people moving through space, foregrounding the history of working-class brown and Black communities’ severed relationship to land and simultaneously highlighting their customizations of mobile vehicles such as bikes, cars, and trucks. The aesthetics of these modifications—symbols of joy, celebration, comfort, and community—become a key element in the fabrication of esparza’s hybrid sculptures.

Color image of the entrance into a gallery space, with columns running down the hallway. At the forefront of the image are two large paintings made of adobe, and resting on steel armatures. Each painting features a representation of a person walking slowly. In between the armatures are adobe bricks layed out into a walkway on the floor.
rafa esparza: Camino. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color image of the entrance into a gallery space, with columns running down the hallway. At the forefront of the image are two large paintings made of adobe, and resting on steel armatures. Each painting features a representation of a person walking slowly. In between the armatures are adobe bricks layed out into a walkway on the floor.]
Color image of a gallery space with paintings done on adobe panels that rest on steel armatures, and are laid out around the space. The artworks depict paintings of various figures. On the wall hangs a wooden ladder horizontally.
rafa esparza: Camino. Installation view (Timo, 2023; Adobera 1 (adobe brick mold), 2023; Sancha, 2023), Artists Space, 2023. Photo: Filip Wolak. [Color image of a gallery space with paintings done on adobe panels that rest on steel armatures, and are laid out around the space. The artworks depict paintings of various figures. On the wall hangs a wooden ladder horizontally.]
Color image of a gallery space with large paintings made on adobe panels and resting on steel armatures that are organized in various configurations. Some paintings are also hung on the wall, and adobe bricks are laid out to create a walkway in the middle of the room.
rafa esparza: Camino. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color image of a gallery space with large paintings made on adobe panels and resting on steel armatures that are organized in various configurations. Some paintings are also hung on the wall, and adobe bricks are laid out to create a walkway in the middle of the room.]
Color image of a gallery space with large panels of adobe with paintings of various figures on them. Adobe bricks are laid out on the floor to create a small walkway.
rafa esparza: Camino. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color image of a gallery space with large panels of adobe with paintings of various figures on them. Adobe bricks are laid out on the floor to create a small walkway.]
Color image of the corner of a gallery space. On the right side is a large adobe panel that rests on a steel armature. Painted onto the adobe is a portrait of a figure with a bicycle, and around the armature are adobe bricks laid out on the floor. On the lefthand wall is another adobe panel painting depicting the entrance into a freeway tunnel.
rafa esparza: Camino. Installation view (110 North Bound, 2023; Jaime, 2023), Artists Space, 2023. Photo: Filip Wolak. [Color image of the corner of a gallery space. On the right side is a large adobe panel that rests on a steel armature. Painted onto the adobe is a portrait of a figure with a bicycle, and around the armature are adobe bricks laid out on the floor. On the lefthand wall is another adobe panel painting depicting the entrance into a freeway tunnel.]
Color image of a wall of a gallery space. Hanging in the center of the wall is an adobe panel painting of the entrance to a freeway tunnel.
rafa esparza: Camino. Installation view (110 North Bound, 2023), Artists Space, 2023. Photo: Filip Wolak. [Color image of a wall of a gallery space. Hanging in the center of the wall is an adobe panel painting of the entrance to a freeway tunnel.]
Color image of a gallery space. Along the lefthand wall are two adobe panel paintings, each depicting different parts of a freeway. In the middle of the space is a pile of freeway rubble on which sits a sculpture of a bird. Along the right side of the room are adobe bricks laid out on the floor, along with steel armatures that hold adobe panels.
rafa esparza: Camino. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color image of a gallery space. Along the lefthand wall are two adobe panel paintings, each depicting different parts of a freeway. In the middle of the space is a pile of freeway rubble on which sits a sculpture of a bird. Along the right side of the room are adobe bricks laid out on the floor, along with steel armatures that hold adobe panels.]
Color image of a gallery space with large panels of adobe with paintings of various figures on them. Adobe bricks are laid out on the floor to create a small walkway. Paintings are also hung on either side of the wall, each depicting different views of a freeway.
rafa esparza: Camino. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color image of a gallery space with large panels of adobe with paintings of various figures on them. Adobe bricks are laid out on the floor to create a small walkway. Paintings are also hung on either side of the wall, each depicting different views of a freeway.]
Color image of a gallery space with various artworks organized within it. On the wall is an adobe panel painting of the side of a freeway. In the middle of the space is a small pile of freeway rubble with a bird sculpture placed on top of it. In front of the wall is a walkway made of adobe bricks, leading to a painting on adobe panel of a woman in a purple dress.
rafa esparza: Camino. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color image of a gallery space with various artworks organized within it. On the wall is an adobe panel painting of the side of a freeway. In the middle of the space is a small pile of freeway rubble with a bird sculpture placed on top of it. In front of the wall is a walkway made of adobe bricks, leading to a painting on adobe panel of a woman in a purple dress.]
Color image of a gallery space with large panels of adobe with paintings of various figures on them. Adobe bricks are laid out on the floor to create a small walkway.
rafa esparza: Camino. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color image of a gallery space with large panels of adobe with paintings of various figures on them. Adobe bricks are laid out on the floor to create a small walkway.]
Color image of a pile of freeway rubble arranged on the floor, with a sculpture of a bird made of a deconstructed Nike sneaker perched on top of the pile, with its wings spread.
rafa esparza, NH1, 2023, 1 pair of US mens size 11 black and white Nike Cortez, chicken wire, and black Nike socks, freeway rubble. Image courtesy Artists Space, New York. Photo: Filip Wolak. [Color image of a pile of freeway rubble arranged on the floor, with a sculpture of a bird made of a deconstructed Nike sneaker perched on top of the pile, with its wings spread.]
Color image of a gallery space with large panels of adobe with paintings of various figures on them. In the foreground is a painting of a panther that approaches the viewer. Adobe bricks are laid out on the floor to create short walkways.
rafa esparza: Camino. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color image of a gallery space with large panels of adobe with paintings of various figures on them. In the foreground is a painting of a panther that approaches the viewer. Adobe bricks are laid out on the floor to create short walkways.]

rafa esparza (b. 1981, Los Angeles; lives and works in Los Angeles) received a BA from University of California, Los Angeles in 2011. Solo exhibitions have been held at Artists Space, New York (forthcoming); Commonwealth and Council, Los Angeles (2021); MASS MoCA, North Adams (2019); ArtPace, San Antonio (2018); and Ballroom Marfa (2017). Selected group exhibitions have been held at Commonwealth and Council, Mexico City (2022); Museum of Contemporary Art, Tucson (2022); Moody Center for the Arts, Rice University, Houston (2020); San Diego Art Institute (2019); Whitney Museum of American Art, New York (2017); and Hammer Museum, Los Angeles (2016). esparza is a recipient of the Perez Prize (2022), the Latinx Artist Fellowship (2021), Lucas Artist Fellowship (2020), Louis Comfort Tiffany Foundation Award (2017), and Art Matters Foundation Grant (2014). He has participated in residencies of Artpace San Antonio (2018) and Wanlass Artist In Residence, Oxy Arts, Eagle Rock (2016).

esparza’s work is in the collections of the Los Angeles County Museum of Art; Dallas Museum of Art; San Jose Museum of Art; Minneapolis Institute of Art; Museum of Contemporary Art, Los Angeles; Kadist, San Francisco; the Whitney Museum of American Art, New York; Solomon R. Guggenheim Museum, New York; and Vincent Price Art Museum, Los Angeles.

Lead support for rafa esparza: Camino is provided by: Shane Akeroyd. Major support is provided by Miyoung Lee. Exhibition support is provided by an Anonymous Donor.

Support for Artists Space’s exhibitions and programs is provided by The Andrew W. Mellon Foundation, Lambent Foundation Fund of Tides Foundation, The Andy Warhol Foundation, The Horace W. Goldsmith Foundation, Robert Rauschenberg Foundation, The Cowles Charitable Trust, The New York City Department of Cultural Affairs, The New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature, The Helen Frankenthaler Foundation, Herman Goldman Foundation, May and Samuel Rudin Family Foundation, The Milton and Sally Avery Arts Foundation, and the Friends of Artists Space

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