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  • A wide wooden worktable is installed in a gallery space. Various papers, books, models, and a small television set are displayed on the table. A series of black and white photographs are installed on the two gallery walls that surround the table.
    A wide wooden worktable is installed in a gallery space. Various papers, books, models, and a small television set are displayed on the table. A series of black and white photographs are installed on the two gallery walls that surround the table.
    Elephant Cemetery. Installation view, Artists Space, 2007. [A wide wooden worktable is installed in a gallery space. Various papers, books, models, and a small television set are displayed on the table. A series of black and white photographs are installed on the two gallery walls that surround the table.]
    Caption Elephant Cemetery. Installation view, Artists Space, 2007.
    Image description A wide wooden worktable is installed in a gallery space. Various papers, books, models, and a small television set are displayed on the table. A series of black and white photographs are installed on the two gallery walls that surround the table.
    Year 2007
    Related pages Elephant Cemetery
  • Three unmatching bottles filled with urine surround the base of a black column. Two lie horizontal, one stands upright.
    Three unmatching bottles filled with urine surround the base of a black column. Two lie horizontal, one stands upright.
    Jason Hirata, Why Not Lie?, 2020 (detail view), plastic bottles, urine. Photo: Daniel Pérez [Three unmatching bottles filled with urine surround the base of a black column. Two lie horizontal, one stands upright.]
    Caption Jason Hirata, Why Not Lie?, 2020 (detail view), plastic bottles, urine. Photo: Daniel Pérez
    Image description Three unmatching bottles filled with urine surround the base of a black column. Two lie horizontal, one stands upright.
    Year 2019
    Related pages Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater
  • An angled view of large blue painting hanging on a white wall in an exhibition space. To the right of the painting in the center of the room, a projector positioned on a small stand projects an image onto a screen that is also supported by a similar, small stand. The projected image depicts a side view of a man and woman sitting across a table.
    An angled view of large blue painting hanging on a white wall in an exhibition space. To the right of the painting in the center of the room, a projector positioned on a small stand projects an image onto a screen that is also supported by a similar, small stand. The projected image depicts a side view of a man and woman sitting across a table.
    Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [An angled view of large blue painting hanging on a white wall in an exhibition space. To the right of the painting in the center of the room, a projector positioned on a small stand projects an image onto a screen that is also supported by a similar, small stand. The projected image depicts a side view of a man and woman sitting across a table.]
    Caption Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description An angled view of large blue painting hanging on a white wall in an exhibition space. To the right of the painting in the center of the room, a projector positioned on a small stand projects an image onto a screen that is also supported by a similar, small stand. The projected image depicts a side view of a man and woman sitting across a table.
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • A color photograph of an arepa placed on a purple tablecloth.
    A color photograph of an arepa placed on a purple tablecloth.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata [A color photograph of an arepa placed on a purple tablecloth.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata
    Image description A color photograph of an arepa placed on a purple tablecloth.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
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    Year
    Related pages Abasement #82
  • Along the gallery wall from left to right is an assemblage scultpure of found objects ranging from lightbulbs to racoon tails. To the right is a sculpture of chicken wings dangling from the wall. Further along is an offwhite square nearly flush with the wall. And on the floor sits a chair adorned with cloth and green onion.
    Along the gallery wall from left to right is an assemblage scultpure of found objects ranging from lightbulbs to racoon tails. To the right is a sculpture of chicken wings dangling from the wall. Further along is an offwhite square nearly flush with the wall. And on the floor sits a chair adorned with cloth and green onion.
    LIFE—a group show, curated by Arnold J. Kemp. Installation view, Artists Space, 2025. Photo: Carter Seddon [Along the gallery wall from left to right is an assemblage scultpure of found objects ranging from lightbulbs to racoon tails. To the right is a sculpture of chicken wings dangling from the wall. Further along is an offwhite square nearly flush with the wall. And on the floor sits a chair adorned with cloth and green onion.]
    Caption LIFE—a group show, curated by Arnold J. Kemp. Installation view, Artists Space, 2025. Photo: Carter Seddon
    Image description Along the gallery wall from left to right is an assemblage scultpure of found objects ranging from lightbulbs to racoon tails. To the right is a sculpture of chicken wings dangling from the wall. Further along is an offwhite square nearly flush with the wall. And on the floor sits a chair adorned with cloth and green onion.
    Year 2025
    Related pages Arnold J. Kemp
  • A close-up, black-and-white photo of a small dirt area surrounded by a metal fence. A large tree stands in the middle of the image, surrounded by short plants and a small flower
    A close-up, black-and-white photo of a small dirt area surrounded by a metal fence. A large tree stands in the middle of the image, surrounded by short plants and a small flower
    Iliana Polanco, Curve, photography, 2016 [A close-up, black-and-white photo of a small dirt area surrounded by a metal fence. A large tree stands in the middle of the image, surrounded by short plants and a small flower]
    Caption Iliana Polanco, Curve, photography, 2016
    Image description A close-up, black-and-white photo of a small dirt area surrounded by a metal fence. A large tree stands in the middle of the image, surrounded by short plants and a small flower
    Year 2016
    Related pages Scholastic Art and Writing Awards
  • A bedroom scene set up in the middle of an open room. There is a beige rug, with a chrome lamp and matching bed frame. The bed has blue sheets with a dark blue comforter cover and a red blanket. There is a wooden chair facing in, and a brown table with assorted bottles on top. On the far side of the bed is a coffee machine, microwave, and television. In the background, various framed images are hung on white gallery walls.
    A bedroom scene set up in the middle of an open room. There is a beige rug, with a chrome lamp and matching bed frame. The bed has blue sheets with a dark blue comforter cover and a red blanket. There is a wooden chair facing in, and a brown table with assorted bottles on top. On the far side of the bed is a coffee machine, microwave, and television. In the background, various framed images are hung on white gallery walls.
    The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich. [A bedroom scene set up in the middle of an open room. There is a beige rug, with a chrome lamp and matching bed frame. The bed has blue sheets with a dark blue comforter cover and a red blanket. There is a wooden chair facing in, and a brown table with assorted bottles on top. On the far side of the bed is a coffee machine, microwave, and television. In the background, various framed images are hung on white gallery walls.]
    Caption The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich.
    Image description A bedroom scene set up in the middle of an open room. There is a beige rug, with a chrome lamp and matching bed frame. The bed has blue sheets with a dark blue comforter cover and a red blanket. There is a wooden chair facing in, and a brown table with assorted bottles on top. On the far side of the bed is a coffee machine, microwave, and television. In the background, various framed images are hung on white gallery walls.
    Year 2008
    Related pages The New Normal
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Several people seated on a couch watch a monitor set on a pedestal in front of them. A large speaker is placed to the right of the screen, and on the wall alongside this are two rows of black and white photographs.
    Several people seated on a couch watch a monitor set on a pedestal in front of them. A large speaker is placed to the right of the screen, and on the wall alongside this are two rows of black and white photographs.
    Min Joong Art. Installation view, Artists Space, 1988. [Several people seated on a couch watch a monitor set on a pedestal in front of them. A large speaker is placed to the right of the screen, and on the wall alongside this are two rows of black and white photographs.]
    Caption Min Joong Art. Installation view, Artists Space, 1988.
    Image description Several people seated on a couch watch a monitor set on a pedestal in front of them. A large speaker is placed to the right of the screen, and on the wall alongside this are two rows of black and white photographs.
    Year 1988
    Related pages Min Joong Art: A New Cultural Moment from Korea
  • A color photograph of a figure standing behind audio mixing equipment and a microphone in an orange-lit space. A crowd looks on.
    A color photograph of a figure standing behind audio mixing equipment and a microphone in an orange-lit space. A crowd looks on.
    Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. [A color photograph of a figure standing behind audio mixing equipment and a microphone in an orange-lit space. A crowd looks on.]
    Caption Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space.
    Image description A color photograph of a figure standing behind audio mixing equipment and a microphone in an orange-lit space. A crowd looks on.
    Year 2022
    Related pages Yuji Agematsu
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    Related pages Abasement #84
  • Two hands hold an orange ball against a light orange background. The image is overlaid with text that reads,
    Two hands hold an orange ball against a light orange background. The image is overlaid with text that reads,
    Flyer for Segue Reading Series featuring Will Alexander & Mei-mei Berssenbrugge. Saturday, April 10, 2021, Artists Space. [Two hands hold an orange ball against a light orange background. The image is overlaid with text that reads, "the segue reading series / & artists space / present an online reading by / Will Alexander / & / Mei-mei Berssenbrugge / saturday, 4.10.21 / 5pm nyc time / $5 suggested donation / zoom id: 830 2698 4031]
    Caption Flyer for Segue Reading Series featuring Will Alexander & Mei-mei Berssenbrugge. Saturday, April 10, 2021, Artists Space.
    Image description Two hands hold an orange ball against a light orange background. The image is overlaid with text that reads, "the segue reading series / & artists space / present an online reading by / Will Alexander / & / Mei-mei Berssenbrugge / saturday, 4.10.21 / 5pm nyc time / $5 suggested donation / zoom id: 830 2698 4031
    Year 2021
    Related pages Segue Reading Series: Will Alexander & Mei-mei Berssenbrugge
  • A black and white film still of an apartment building, taken from the street. In front of the building is an empty lot. Two cars are parked on the street.
    A black and white film still of an apartment building, taken from the street. In front of the building is an empty lot. Two cars are parked on the street.
    Charles Simonds. Still from Mythologies, 1974. From Thomas Lanigan-Schmidt, James Biederman, Charles Simonds, Artists Space, 1974. [A black and white film still of an apartment building, taken from the street. In front of the building is an empty lot. Two cars are parked on the street.]
    Caption Charles Simonds. Still from Mythologies, 1974. From Thomas Lanigan-Schmidt, James Biederman, Charles Simonds, Artists Space, 1974.
    Image description A black and white film still of an apartment building, taken from the street. In front of the building is an empty lot. Two cars are parked on the street.
    Year 1974
    Related pages Thomas Lanigan Schmidt, James Biederman, Charles Simonds
  • A black and white scan of an invoice from Corcraft Products issued to Artists Space at 38 Greene Street. The customer number reads
    A black and white scan of an invoice from Corcraft Products issued to Artists Space at 38 Greene Street. The customer number reads
    [A black and white scan of an invoice from Corcraft Products issued to Artists Space at 38 Greene Street. The customer number reads "9102000". The invoice details a net purchase of $1309.00]
    Caption
    Image description A black and white scan of an invoice from Corcraft Products issued to Artists Space at 38 Greene Street. The customer number reads "9102000". The invoice details a net purchase of $1309.00
    Year 2015
    Related pages Cameron Rowland: 91020000
  • *Jordan Lord: Prophetic Memory," Installation view, Artists Space (55 Walker Street), 2021.
    Caption *Jordan Lord: Prophetic Memory," Installation view, Artists Space (55 Walker Street), 2021.
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    Year
    Related pages Jordan Lord: Prophetic Memory
  • Image of a basement window that has been tinted with blue paint, streaming in blue light.
    Image of a basement window that has been tinted with blue paint, streaming in blue light.
    SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement window that has been tinted with blue paint, streaming in blue light.]
    Caption SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a basement window that has been tinted with blue paint, streaming in blue light.
    Year 2022
    Related pages SCRAAATCH 12-3
  • A portrait-oriented screen is mounted on two metal floor to ceiling poles. The screen is split to show two different images of shadows on the ground. At a 90-degree angle facing left, another screen is mounted on two metal floor to ceiling poles. A third screen is visible in the background, facing away, mounted on two metal poles atop a wheeled base.
    A portrait-oriented screen is mounted on two metal floor to ceiling poles. The screen is split to show two different images of shadows on the ground. At a 90-degree angle facing left, another screen is mounted on two metal floor to ceiling poles. A third screen is visible in the background, facing away, mounted on two metal poles atop a wheeled base.
    Hilary Lloyd. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A portrait-oriented screen is mounted on two metal floor to ceiling poles. The screen is split to show two different images of shadows on the ground. At a 90-degree angle facing left, another screen is mounted on two metal floor to ceiling poles. A third screen is visible in the background, facing away, mounted on two metal poles atop a wheeled base.]
    Caption Hilary Lloyd. Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description A portrait-oriented screen is mounted on two metal floor to ceiling poles. The screen is split to show two different images of shadows on the ground. At a 90-degree angle facing left, another screen is mounted on two metal floor to ceiling poles. A third screen is visible in the background, facing away, mounted on two metal poles atop a wheeled base.
    Year 2011
    Related pages Hilary Lloyd
  • Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They wave a red object in the air.
    Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They wave a red object in the air.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They wave a red object in the air.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They wave a red object in the air.
    Year
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • A cropped image of a group of students smiling for the camera in Tompkins Square Park. One holds a recording device, which has been overlaid with an opaque orange image of a lampshade. Green digital circles emanate out from it, as if to simulate a doppler-effected sound
    A cropped image of a group of students smiling for the camera in Tompkins Square Park. One holds a recording device, which has been overlaid with an opaque orange image of a lampshade. Green digital circles emanate out from it, as if to simulate a doppler-effected sound
    P.S. 140 students recording sounds at Tompkins Square Park, 2019 [A cropped image of a group of students smiling for the camera in Tompkins Square Park. One holds a recording device, which has been overlaid with an opaque orange image of a lampshade. Green digital circles emanate out from it, as if to simulate a doppler-effected sound]
    Caption P.S. 140 students recording sounds at Tompkins Square Park, 2019
    Image description A cropped image of a group of students smiling for the camera in Tompkins Square Park. One holds a recording device, which has been overlaid with an opaque orange image of a lampshade. Green digital circles emanate out from it, as if to simulate a doppler-effected sound
    Year 2019
    Related pages Listening to the LES
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    Related pages Project: Me and My Mink
  • An image of a factory with smokestacks on concrete, just behind a body of water surrounded by long grasses.
    An image of a factory with smokestacks on concrete, just behind a body of water surrounded by long grasses.
    Lisi Raskin, still from = (equals), 2004. [An image of a factory with smokestacks on concrete, just behind a body of water surrounded by long grasses.]
    Caption Lisi Raskin, still from = (equals), 2004.
    Image description An image of a factory with smokestacks on concrete, just behind a body of water surrounded by long grasses.
    Year 2004
    Related pages Salad Days
  • A black and white photograph of a gallery space. A painting of nude reclining women hangs on the left, and a figure in a suit and tie looks on from the right.
    A black and white photograph of a gallery space. A painting of nude reclining women hangs on the left, and a figure in a suit and tie looks on from the right.
    Installation view from J.B. Cobb, Martha Edelheit, Ree Morton, Artists Space, 1973. [A black and white photograph of a gallery space. A painting of nude reclining women hangs on the left, and a figure in a suit and tie looks on from the right.]
    Caption Installation view from J.B. Cobb, Martha Edelheit, Ree Morton, Artists Space, 1973.
    Image description A black and white photograph of a gallery space. A painting of nude reclining women hangs on the left, and a figure in a suit and tie looks on from the right.
    Year 1973
    Related pages J.B. Cobb, Martha Edelheit, Ree Morton
  • A color photograph of a painting in a gallery space. The canvas is mostly dark, featuring a set of hands with cards in the lower left corner. In the background, some wall text is visible next to a door with a red exit sign above.
    A color photograph of a painting in a gallery space. The canvas is mostly dark, featuring a set of hands with cards in the lower left corner. In the background, some wall text is visible next to a door with a red exit sign above.
    Lyndon Barrois Jr., Comedy Production, 2022. Oil on canvas, cardboard, chiseled nails, copper pigment. 24 x 36 inches. Photo: Filip Wolak. [A color photograph of a painting in a gallery space. The canvas is mostly dark, featuring a set of hands with cards in the lower left corner. In the background, some wall text is visible next to a door with a red exit sign above.]
    Caption Lyndon Barrois Jr., Comedy Production, 2022. Oil on canvas, cardboard, chiseled nails, copper pigment. 24 x 36 inches. Photo: Filip Wolak.
    Image description A color photograph of a painting in a gallery space. The canvas is mostly dark, featuring a set of hands with cards in the lower left corner. In the background, some wall text is visible next to a door with a red exit sign above.
    Year 2022
    Related pages Lyndon Barrois Jr.: Mirage Collar
  • A black and white image of a column-like sculpture displayed in the exhibition space.
    A black and white image of a column-like sculpture displayed in the exhibition space.
    Installation view from International Projects: Belgium, featuring Didier Vermeiren, Artists Space, 1984 [A black and white image of a column-like sculpture displayed in the exhibition space.]
    Caption Installation view from International Projects: Belgium, featuring Didier Vermeiren, Artists Space, 1984
    Image description A black and white image of a column-like sculpture displayed in the exhibition space.
    Year
    Related pages International Projects: Belgium
  • Lit from above, a square wooden panel hangs in the center of the wall.
    Lit from above, a square wooden panel hangs in the center of the wall.
    Brad Kronz, Egna Spartan, 2025. Plywood, wood filler, stain. Photo: Carter Seddon [Lit from above, a square wooden panel hangs in the center of the wall. ]
    Caption Brad Kronz, Egna Spartan, 2025. Plywood, wood filler, stain. Photo: Carter Seddon
    Image description Lit from above, a square wooden panel hangs in the center of the wall.
    Year
    Related pages Brad Kronz
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    Related pages Dream Lines: Drawings by Marian Zazeela
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Toile curtains gather around the gallery window, producing a soft, glowing white light. Four black and white photographs hang across from the windows, receding into space.
    Toile curtains gather around the gallery window, producing a soft, glowing white light. Four black and white photographs hang across from the windows, receding into space.
    David Armstrong: Portraits. Installation view, March 10 – May 23, 2026, Artists Space. Photo: Carter Seddon [Toile curtains gather around the gallery window, producing a soft, glowing white light. Four black and white photographs hang across from the windows, receding into space. ]
    Caption David Armstrong: Portraits. Installation view, March 10 – May 23, 2026, Artists Space. Photo: Carter Seddon
    Image description Toile curtains gather around the gallery window, producing a soft, glowing white light. Four black and white photographs hang across from the windows, receding into space.
    Year
    Related pages David Armstrong: Portraits
  • In a bright gallery, three vitrines recead into the space. They are met by a white wall bearing four large color photographs.
    In a bright gallery, three vitrines recead into the space. They are met by a white wall bearing four large color photographs.
    David Armstrong: Portraits. Installation view, March 10 – May 23, 2026, Artists Space. Photo: Carter Seddon [In a bright gallery, three vitrines recead into the space. They are met by a white wall bearing four large color photographs. ]
    Caption David Armstrong: Portraits. Installation view, March 10 – May 23, 2026, Artists Space. Photo: Carter Seddon
    Image description In a bright gallery, three vitrines recead into the space. They are met by a white wall bearing four large color photographs.
    Year
    Related pages David Armstrong: Portraits
  • A grid of photographs displaying candid portraiture is arranged in a white frame.
    A grid of photographs displaying candid portraiture is arranged in a white frame.
    Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A grid of photographs displaying candid portraiture is arranged in a white frame.]
    Caption Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description A grid of photographs displaying candid portraiture is arranged in a white frame.
    Year 2013
    Related pages Documenting Cadere: 1972 - 1978
  • Black text on an orange background. The text reads: “Nov 23 / Anne Waldman / No Land / Joey De Jesus.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on an orange background. The text reads: “Nov 23 / Anne Waldman / No Land / Joey De Jesus.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on an orange background. The text reads: “Nov 23 / Anne Waldman / No Land / Joey De Jesus.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on an orange background. The text reads: “Nov 23 / Anne Waldman / No Land / Joey De Jesus.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Joey de Jesus & No Land & Anne Waldman
  • A large number of framed posters, photographs, and other ephemera of varying sizes hang on a white gallery wall. A poster hung on the left side of the wall has large black lettering that reads:
    A large number of framed posters, photographs, and other ephemera of varying sizes hang on a white gallery wall. A poster hung on the left side of the wall has large black lettering that reads:
    The Serving Library. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A large number of framed posters, photographs, and other ephemera of varying sizes hang on a white gallery wall. A poster hung on the left side of the wall has large black lettering that reads: "THE TEMPERAMENTAL BAROMETRIC CONTORTIONIST!" A white pole is situated at the center of the space, in front of the exhibition wall.]
    Caption The Serving Library. Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description A large number of framed posters, photographs, and other ephemera of varying sizes hang on a white gallery wall. A poster hung on the left side of the wall has large black lettering that reads: "THE TEMPERAMENTAL BAROMETRIC CONTORTIONIST!" A white pole is situated at the center of the space, in front of the exhibition wall.
    Year 2011
    Related pages The Serving Library
  • A color image of a gallery space divided by two walls, with columns running down the middle. There are multple paintings and drawings hanging on the walls. In the center of the back room, a black-and-white checkered floor. To the right, an A-frame sign with the words
    A color image of a gallery space divided by two walls, with columns running down the middle. There are multple paintings and drawings hanging on the walls. In the center of the back room, a black-and-white checkered floor. To the right, an A-frame sign with the words
    Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of a gallery space divided by two walls, with columns running down the middle. There are multple paintings and drawings hanging on the walls. In the center of the back room, a black-and-white checkered floor. To the right, an A-frame sign with the words "Barber Shop." Another space, on the right, is illuminated with blue light.]
    Caption Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A color image of a gallery space divided by two walls, with columns running down the middle. There are multple paintings and drawings hanging on the walls. In the center of the back room, a black-and-white checkered floor. To the right, an A-frame sign with the words "Barber Shop." Another space, on the right, is illuminated with blue light.
    Year
    Related pages Jonathan Lyndon Chase
  • In a basement space, an audience watches as a figure sitting behind a white table reads into a microphone. On the back wall behind the figure are two projected videos featuring a notebook, pieces of coral, and an image of the ocean.
    In a basement space, an audience watches as a figure sitting behind a white table reads into a microphone. On the back wall behind the figure are two projected videos featuring a notebook, pieces of coral, and an image of the ocean.
    Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang. [In a basement space, an audience watches as a figure sitting behind a white table reads into a microphone. On the back wall behind the figure are two projected videos featuring a notebook, pieces of coral, and an image of the ocean.]
    Caption Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang.
    Image description In a basement space, an audience watches as a figure sitting behind a white table reads into a microphone. On the back wall behind the figure are two projected videos featuring a notebook, pieces of coral, and an image of the ocean.
    Year
    Related pages Chang Yuchen: Coral Dictionary Vol. 1, 2019-2022
  • An illustrative, yellow, white, and pink image of a woman, holding a cigar to her mouth, in profile view. At the top right corner in white text reads,
    An illustrative, yellow, white, and pink image of a woman, holding a cigar to her mouth, in profile view. At the top right corner in white text reads,
    KP Brehmer Das Gefühl zwischen Fingerkuppen... , 1967 80 copies+ 40 artists proofs, signed and numbered screen print on cardboard, folded, 60 x 36 x 10 cm Courtesy of Edition Block, Berlin [An illustrative, yellow, white, and pink image of a woman, holding a cigar to her mouth, in profile view. At the top right corner in white text reads, "Das gerfül zwischen fingerku ppen." Below a white paper decends with smaller images of various vegetables.]
    Caption KP Brehmer Das Gefühl zwischen Fingerkuppen... , 1967 80 copies+ 40 artists proofs, signed and numbered screen print on cardboard, folded, 60 x 36 x 10 cm Courtesy of Edition Block, Berlin
    Image description An illustrative, yellow, white, and pink image of a woman, holding a cigar to her mouth, in profile view. At the top right corner in white text reads, "Das gerfül zwischen fingerku ppen." Below a white paper decends with smaller images of various vegetables.
    Year 1967
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • A color image of the corner of a gallery space. The two walls have been painted black, and various paintings depicting Black Queer figures are depicted. White and yellow drawings are painted onto the wall itself, moving through and around the artworks.
    A color image of the corner of a gallery space. The two walls have been painted black, and various paintings depicting Black Queer figures are depicted. White and yellow drawings are painted onto the wall itself, moving through and around the artworks.
    Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of the corner of a gallery space. The two walls have been painted black, and various paintings depicting Black Queer figures are depicted. White and yellow drawings are painted onto the wall itself, moving through and around the artworks.]
    Caption Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A color image of the corner of a gallery space. The two walls have been painted black, and various paintings depicting Black Queer figures are depicted. White and yellow drawings are painted onto the wall itself, moving through and around the artworks.
    Year
    Related pages Jonathan Lyndon Chase
  • A man in a white shirt and pinstriped vest and pants casually holds a black jacket over one shoulder.
    A man in a white shirt and pinstriped vest and pants casually holds a black jacket over one shoulder.
    [A man in a white shirt and pinstriped vest and pants casually holds a black jacket over one shoulder. "Undoolay" is in pink script on the bottom of the image, crossing over "Elective Affinities".]
    Caption
    Image description A man in a white shirt and pinstriped vest and pants casually holds a black jacket over one shoulder. "Undoolay" is in pink script on the bottom of the image, crossing over "Elective Affinities".
    Year 2016
    Related pages Lukas Duwenhögger: Undoolay
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    Related pages Shala Miller, Malcolm Peacock, Amiri Baraka
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    Year
    Related pages David Armstrong: Portraits
  • Divided into two section, left featuring an upside-down dot matrix of the Empire State Building. At the top, handwritten text reads,
    Divided into two section, left featuring an upside-down dot matrix of the Empire State Building. At the top, handwritten text reads,
    [Divided into two section, left featuring an upside-down dot matrix of the Empire State Building. At the top, handwritten text reads, "Decolonization is **not** a metaphor. Triangulation of indigenous struggle, black liberation, and a free Palestine produce a re-arrangement of relationshps that make empire look like this." Below reads, "Black Lives Matter." The left section contains a bright yellow back ground, red illustration, and black text that reads, "PALESTINE, BLM & BOYCOTT IN THE ARTS," and arabic text below.]
    Caption
    Image description Divided into two section, left featuring an upside-down dot matrix of the Empire State Building. At the top, handwritten text reads, "Decolonization is **not** a metaphor. Triangulation of indigenous struggle, black liberation, and a free Palestine produce a re-arrangement of relationshps that make empire look like this." Below reads, "Black Lives Matter." The left section contains a bright yellow back ground, red illustration, and black text that reads, "PALESTINE, BLM & BOYCOTT IN THE ARTS," and arabic text below.
    Year 2016
    Related pages Decolonize This Place
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A black and white photograph of a performance. Three figures stand in a cleared portion of a room, each one balancing on their right foot. A crowd looks on.
    A black and white photograph of a performance. Three figures stand in a cleared portion of a room, each one balancing on their right foot. A crowd looks on.
    Jill Kroesen, Previews of Lou and Walter. Performance documentation, November 12, 1977, Artists Space. [A black and white photograph of a performance. Three figures stand in a cleared portion of a room, each one balancing on their right foot. A crowd looks on.]
    Caption Jill Kroesen, Previews of Lou and Walter. Performance documentation, November 12, 1977, Artists Space.
    Image description A black and white photograph of a performance. Three figures stand in a cleared portion of a room, each one balancing on their right foot. A crowd looks on.
    Year 1977
    Related pages Artists Performance Series
  • A color photograph of a gallery space. Hanging from the wall is a printer manual, police tape outlining a rectangle with three additional strips extending from the wall to the floor, and a wooden rectangular painting.
    A color photograph of a gallery space. Hanging from the wall is a printer manual, police tape outlining a rectangle with three additional strips extending from the wall to the floor, and a wooden rectangular painting.
    Lyndon Barrois Jr., Sinner Man, 2022; Double Appear (After Vuillard), 2013. Police tape, laser prints, museum board, MagiColor manual; oil on board, artist frame, solvent transfer, plywood. Dimensions variable. Photo: Filip Wolak. [A color photograph of a gallery space. Hanging from the wall is a printer manual, police tape outlining a rectangle with three additional strips extending from the wall to the floor, and a wooden rectangular painting.]
    Caption Lyndon Barrois Jr., Sinner Man, 2022; Double Appear (After Vuillard), 2013. Police tape, laser prints, museum board, MagiColor manual; oil on board, artist frame, solvent transfer, plywood. Dimensions variable. Photo: Filip Wolak.
    Image description A color photograph of a gallery space. Hanging from the wall is a printer manual, police tape outlining a rectangle with three additional strips extending from the wall to the floor, and a wooden rectangular painting.
    Year 2022
    Related pages Lyndon Barrois Jr.: Mirage Collar
  • A black and white image of various tones of traingle shapes and lines.
    A black and white image of various tones of traingle shapes and lines.
    Union Gaucha Productions Still from Phantom Limb , 1998 16mm film (silent, black and white), 21 min 45 sec Courtesy of Union Gaucha Productions [A black and white image of various tones of traingle shapes and lines.]
    Caption Union Gaucha Productions Still from Phantom Limb , 1998 16mm film (silent, black and white), 21 min 45 sec Courtesy of Union Gaucha Productions
    Image description A black and white image of various tones of traingle shapes and lines.
    Year 1998
    Related pages Union Gaucha Productions
  • A scan of an invoice from Corcraft, issued to Artists Space at 38 Greene Street. The customer number reads
    A scan of an invoice from Corcraft, issued to Artists Space at 38 Greene Street. The customer number reads
    [A scan of an invoice from Corcraft, issued to Artists Space at 38 Greene Street. The customer number reads "9102000". The invoice details the purchase of a two oak court benches, totalling to $1309.00.]
    Caption
    Image description A scan of an invoice from Corcraft, issued to Artists Space at 38 Greene Street. The customer number reads "9102000". The invoice details the purchase of a two oak court benches, totalling to $1309.00.
    Year 2015
    Related pages Cameron Rowland: 91020000
  • A performer sings and plays the keyboard on stage, facing an audience. The stage is lit with a yellow light.
    A performer sings and plays the keyboard on stage, facing an audience. The stage is lit with a yellow light.
    Abasement #82. Performance documentation, November 17th, 2025, Artists Space. Photo: Joshua Wildman. [A performer sings and plays the keyboard on stage, facing an audience. The stage is lit with a yellow light. ]
    Caption Abasement #82. Performance documentation, November 17th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description A performer sings and plays the keyboard on stage, facing an audience. The stage is lit with a yellow light.
    Year
    Related pages Abasement #82
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • White and dark blue text overlay a light blue background with abstract lines and a drawing of a male bust in the bottom left corner. The text in the middle reads
    White and dark blue text overlay a light blue background with abstract lines and a drawing of a male bust in the bottom left corner. The text in the middle reads
    Flyer for Segue Reading Series featuring Jacob Kahn and Erica Hunt. January 28, 2023, Artists Space. [White and dark blue text overlay a light blue background with abstract lines and a drawing of a male bust in the bottom left corner. The text in the middle reads "Jacob Kahn / Segue Reading Series / Erica Hunt."]
    Caption Flyer for Segue Reading Series featuring Jacob Kahn and Erica Hunt. January 28, 2023, Artists Space.
    Image description White and dark blue text overlay a light blue background with abstract lines and a drawing of a male bust in the bottom left corner. The text in the middle reads "Jacob Kahn / Segue Reading Series / Erica Hunt."
    Year
    Related pages Segue Reading Series: Erica Hunt & Jacob Kahn
  • A hardcover book depicting a blueish outdoor park obscured by several grey sheets.
    A hardcover book depicting a blueish outdoor park obscured by several grey sheets.
    Martin Beck, An Organized System of Instructions (Carpenter Center for the Visual Arts and Sternberg Press, 2017). [A hardcover book depicting a blueish outdoor park obscured by several grey sheets.]
    Caption Martin Beck, An Organized System of Instructions (Carpenter Center for the Visual Arts and Sternberg Press, 2017).
    Image description A hardcover book depicting a blueish outdoor park obscured by several grey sheets.
    Year 2017
    Related pages An Organized System of Instructions
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    Related pages Editions
  • A large black biomorphic sculpture hangs in the foreground. In the distance, various biomorphic sculptures hang from the ceiling, sit on pedestals, or hang from the walls, receding deeper into the gallery. Three large pink banners emblazoned with silver stars hang from the ceiling in the background.
    A large black biomorphic sculpture hangs in the foreground. In the distance, various biomorphic sculptures hang from the ceiling, sit on pedestals, or hang from the walls, receding deeper into the gallery. Three large pink banners emblazoned with silver stars hang from the ceiling in the background.
    Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon. [A large black biomorphic sculpture hangs in the foreground. In the distance, various biomorphic sculptures hang from the ceiling, sit on pedestals, or hang from the walls, receding deeper into the gallery. Three large pink banners emblazoned with silver stars hang from the ceiling in the background.]
    Caption Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon.
    Image description A large black biomorphic sculpture hangs in the foreground. In the distance, various biomorphic sculptures hang from the ceiling, sit on pedestals, or hang from the walls, receding deeper into the gallery. Three large pink banners emblazoned with silver stars hang from the ceiling in the background.
    Year
    Related pages Doris Guo Matthew Langan-Peck Isabelle Frances McGuire Ruben Ulises Rodriguez Montoya
  • Three white shelves, that extend the entire length of the frame, are filled with books of various colors and sizes.
    Three white shelves, that extend the entire length of the frame, are filled with books of various colors and sizes.
    The Library of Helen DeWitt Kitchen view Courtesy Helen DeWitt [Three white shelves, that extend the entire length of the frame, are filled with books of various colors and sizes.]
    Caption The Library of Helen DeWitt Kitchen view Courtesy Helen DeWitt
    Image description Three white shelves, that extend the entire length of the frame, are filled with books of various colors and sizes.
    Year 2014
    Related pages The Library Vaccine
  • Two figures holding a mannequin look at a projection on the wall.
    Two figures holding a mannequin look at a projection on the wall.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York. [Two figures holding a mannequin look at a projection on the wall.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York.
    Image description Two figures holding a mannequin look at a projection on the wall.
    Year
    Related pages Grandmother Cindy
  • Color image of a portrait of a man's face, done in purple, orange, and pink colored pencil and pastel on beige paper. Half of the man's face is detailed, while his other faetures are left undefined.
    Color image of a portrait of a man's face, done in purple, orange, and pink colored pencil and pastel on beige paper. Half of the man's face is detailed, while his other faetures are left undefined.
    Elizabeth Peyton, TC (Timothée), 2022-2023. Photo: Filip Wolak. [Color image of a portrait of a man's face, done in purple, orange, and pink colored pencil and pastel on beige paper. Half of the man's face is detailed, while his other faetures are left undefined.]
    Caption Elizabeth Peyton, TC (Timothée), 2022-2023. Photo: Filip Wolak.
    Image description Color image of a portrait of a man's face, done in purple, orange, and pink colored pencil and pastel on beige paper. Half of the man's face is detailed, while his other faetures are left undefined.
    Year 2023
    Related pages Artists for Artists Space
  • A circle of people sitting in chairs in discussion. Facing towards them are additional rows of chairs filled with an audience. To the left of the audience, there is a white plinth with a glass top housing several porcelin objects on a red fabric. On the wall behind the circle of speakers, there is a plaid composition featuring red, green, and peach colors.
    A circle of people sitting in chairs in discussion. Facing towards them are additional rows of chairs filled with an audience. To the left of the audience, there is a white plinth with a glass top housing several porcelin objects on a red fabric. On the wall behind the circle of speakers, there is a plaid composition featuring red, green, and peach colors.
    Flipside: Symposium. Program view, Artists Space, 2005. [A circle of people sitting in chairs in discussion. Facing towards them are additional rows of chairs filled with an audience. To the left of the audience, there is a white plinth with a glass top housing several porcelin objects on a red fabric. On the wall behind the circle of speakers, there is a plaid composition featuring red, green, and peach colors.]
    Caption Flipside: Symposium. Program view, Artists Space, 2005.
    Image description A circle of people sitting in chairs in discussion. Facing towards them are additional rows of chairs filled with an audience. To the left of the audience, there is a white plinth with a glass top housing several porcelin objects on a red fabric. On the wall behind the circle of speakers, there is a plaid composition featuring red, green, and peach colors.
    Year 2005
    Related pages Flipside: Symposium
  • A person stands in line to hold up a black and white photograph in front of a Super 8 camera, as two people are lined up behind him.
    A person stands in line to hold up a black and white photograph in front of a Super 8 camera, as two people are lined up behind him.
    Jean-Luc Godard and Anne-Marie Miéville. Still from Lei et ailleurs (Here and Elsewhere), 1970/1976. 16mm film transferred to DVD, (sound, color and black and white), 60 min. Courtesy Contemporary Films, London. [A person stands in line to hold up a black and white photograph in front of a Super 8 camera, as two people are lined up behind him.]
    Caption Jean-Luc Godard and Anne-Marie Miéville. Still from Lei et ailleurs (Here and Elsewhere), 1970/1976. 16mm film transferred to DVD, (sound, color and black and white), 60 min. Courtesy Contemporary Films, London.
    Image description A person stands in line to hold up a black and white photograph in front of a Super 8 camera, as two people are lined up behind him.
    Year 2006
    Related pages In The Poem About Love You Don't Write The Word Love
  • A red background with white text which reads:
    A red background with white text which reads:
    [A red background with white text which reads: "WE ARE NOT TOOLS FOR WHITE-WASHING OCCUPATION", followed by the Decolonize This Place Logo.]
    Caption
    Image description A red background with white text which reads: "WE ARE NOT TOOLS FOR WHITE-WASHING OCCUPATION", followed by the Decolonize This Place Logo.
    Year 2016
    Related pages Decolonize This Place
  • Three steel structures sit in the space, lit from a singular overhead white LED strip light. On the left sits a trough, fed liquid through the belly button of a torso-like sculpture. In the middle sits a human-sized metal box. A clear tube connects the box to the structure standing on the right, which includes metal rails that hold and pitch the tube upright.
    Three steel structures sit in the space, lit from a singular overhead white LED strip light. On the left sits a trough, fed liquid through the belly button of a torso-like sculpture. In the middle sits a human-sized metal box. A clear tube connects the box to the structure standing on the right, which includes metal rails that hold and pitch the tube upright.
    Nandi Loaf, Aristotelis Nikolas Mochloulis, ricardo nagaoka, Sydney Schrader. Installation view, Artists Space, 2025. Photo: Carter Seddon [Three steel structures sit in the space, lit from a singular overhead white LED strip light. On the left sits a trough, fed liquid through the belly button of a torso-like sculpture. In the middle sits a human-sized metal box. A clear tube connects the box to the structure standing on the right, which includes metal rails that hold and pitch the tube upright.]
    Caption Nandi Loaf, Aristotelis Nikolas Mochloulis, ricardo nagaoka, Sydney Schrader. Installation view, Artists Space, 2025. Photo: Carter Seddon
    Image description Three steel structures sit in the space, lit from a singular overhead white LED strip light. On the left sits a trough, fed liquid through the belly button of a torso-like sculpture. In the middle sits a human-sized metal box. A clear tube connects the box to the structure standing on the right, which includes metal rails that hold and pitch the tube upright.
    Year
    Related pages Nandi Loaf Aristotelis Nikolas Mochloulis Ricardo Nagaoka Sydney Schrader
  • Dark blue text overlays red-pink background. The text reads: “March 25 / Ralph Lemon / Tracie Morris.
    Dark blue text overlays red-pink background. The text reads: “March 25 / Ralph Lemon / Tracie Morris.
    [Dark blue text overlays red-pink background. The text reads: “March 25 / Ralph Lemon / Tracie Morris." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description Dark blue text overlays red-pink background. The text reads: “March 25 / Ralph Lemon / Tracie Morris." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year 2023
    Related pages Segue Reading Series: Ralph Lemon & Tracie Morris
  • A performer, wearing a bright headlamp, sings into a microphone while pointing out towards the audience in a dimly lit room.
    A performer, wearing a bright headlamp, sings into a microphone while pointing out towards the audience in a dimly lit room.
    Abasement #86. Performance documentation, April 6th, 2026, Artists Space. Photo: Joshua Wildman. [A performer, wearing a bright headlamp, sings into a microphone while pointing out towards the audience in a dimly lit room. ]
    Caption Abasement #86. Performance documentation, April 6th, 2026, Artists Space. Photo: Joshua Wildman.
    Image description A performer, wearing a bright headlamp, sings into a microphone while pointing out towards the audience in a dimly lit room.
    Year
    Related pages Abasement #86
  • An image of a glass display case, above which hang various posters and epehemera. Behind the posters is a staircase.
    An image of a glass display case, above which hang various posters and epehemera. Behind the posters is a staircase.
    Attention Line. Installation view (posters and ephemera from Other Cinema, c. 1970s-80s), Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [An image of a glass display case, above which hang various posters and epehemera. Behind the posters is a staircase.]
    Caption Attention Line. Installation view (posters and ephemera from Other Cinema, c. 1970s-80s), Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak
    Image description An image of a glass display case, above which hang various posters and epehemera. Behind the posters is a staircase.
    Year
    Related pages Attention Line
  • Book cover design featuring a blue-tinged photograph of a woman in a white blouse resting casually against an armchair, her left hand reaching up towards her face and her fingers curling in a relaxed position. She appears contemplative, as if she is about to speak. Text superimposed over the top left hand corner of the image reads
    Book cover design featuring a blue-tinged photograph of a woman in a white blouse resting casually against an armchair, her left hand reaching up towards her face and her fingers curling in a relaxed position. She appears contemplative, as if she is about to speak. Text superimposed over the top left hand corner of the image reads
    Piecing Together Los Angeles: An Esther McCoy Reader, edited by Susan Morgan, published by East of Borneo Books, 2012. [Book cover design featuring a blue-tinged photograph of a woman in a white blouse resting casually against an armchair, her left hand reaching up towards her face and her fingers curling in a relaxed position. She appears contemplative, as if she is about to speak. Text superimposed over the top left hand corner of the image reads "Piecing Together Los Angeles: An Esther McCoy Reader."]
    Caption Piecing Together Los Angeles: An Esther McCoy Reader, edited by Susan Morgan, published by East of Borneo Books, 2012.
    Image description Book cover design featuring a blue-tinged photograph of a woman in a white blouse resting casually against an armchair, her left hand reaching up towards her face and her fingers curling in a relaxed position. She appears contemplative, as if she is about to speak. Text superimposed over the top left hand corner of the image reads "Piecing Together Los Angeles: An Esther McCoy Reader."
    Year 2012
    Related pages Piecing Together Los Angeles: An Esther McCoy Reader
  • A color photograph of two wooden cafe chairs with green cushions in a gallery space with a dark metal column. A television screen with a cord extending down to an outlet in the floor rests upon each chair.
    A color photograph of two wooden cafe chairs with green cushions in a gallery space with a dark metal column. A television screen with a cord extending down to an outlet in the floor rests upon each chair.
    Nicole-Antonia Spagnola, Untitled, 2022. Raw Power, Raw Power; Kollettivo, Lotta per il potere; Antigenesi, Una donna non e’ merda; Negazione, Tutti Pazzi; RAF Punk, Contro la pace Contro la guerra; Peggio Punx, Scemo. 8mm to MP4 transfer (color, sound), monitors, chairs. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of two wooden cafe chairs with green cushions in a gallery space with a dark metal column. A television screen with a cord extending down to an outlet in the floor rests upon each chair.]
    Caption Nicole-Antonia Spagnola, Untitled, 2022. Raw Power, Raw Power; Kollettivo, Lotta per il potere; Antigenesi, Una donna non e’ merda; Negazione, Tutti Pazzi; RAF Punk, Contro la pace Contro la guerra; Peggio Punx, Scemo. 8mm to MP4 transfer (color, sound), monitors, chairs. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color photograph of two wooden cafe chairs with green cushions in a gallery space with a dark metal column. A television screen with a cord extending down to an outlet in the floor rests upon each chair.
    Year
    Related pages Nicole-Antonia Spagnola: Anti-Genesis
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • Photo: Philippe Mangeot
    Photo: Philippe Mangeot
    Renee Gladman is a writer and artist preoccupied with crossings, thresholds, and geographies as they play out at the intersections of poetry, prose, drawing and architecture. Gladman’s first solo exhibition Narratives of Magnitude was held at Artists Space from January 13th to March 18th, 2023. She is the author of fourteen published works. Recent essays and visual work have appeared in POETRY Magazine, The Paris Review, Harper's, BOMB magazine and n+1. She has been awarded fellowships, artist grants, and residencies from the Radcliffe Institute for Advanced Study at Harvard, Foundation for Contemporary Arts, the Lannan Foundation, and KW Institute for Contemporary Art (Berlin), and is a 2021 Windham-Campbell Prize winner in fiction. She makes her home in New England with poet-ceremonialist Danielle Vogel. [Photo: Philippe Mangeot]
    Caption Renee Gladman is a writer and artist preoccupied with crossings, thresholds, and geographies as they play out at the intersections of poetry, prose, drawing and architecture. Gladman’s first solo exhibition Narratives of Magnitude was held at Artists Space from January 13th to March 18th, 2023. She is the author of fourteen published works. Recent essays and visual work have appeared in POETRY Magazine, The Paris Review, Harper's, BOMB magazine and n+1. She has been awarded fellowships, artist grants, and residencies from the Radcliffe Institute for Advanced Study at Harvard, Foundation for Contemporary Arts, the Lannan Foundation, and KW Institute for Contemporary Art (Berlin), and is a 2021 Windham-Campbell Prize winner in fiction. She makes her home in New England with poet-ceremonialist Danielle Vogel.
    Image description Photo: Philippe Mangeot
    Year
    Related pages Friends of Artists Space Dinner
  • A view of a city street and the tail end of a bicycle is obscured by window blinds.
    A view of a city street and the tail end of a bicycle is obscured by window blinds.
    Barbara Levy: Photographs. Postcard, Artists Space, 1979. [A view of a city street and the tail end of a bicycle is obscured by window blinds.]
    Caption Barbara Levy: Photographs. Postcard, Artists Space, 1979.
    Image description A view of a city street and the tail end of a bicycle is obscured by window blinds.
    Year 1979
    Related pages Photographs: Barbara Levy
  • Several sculptures and models sit in a gallery space with wooden floors. To the left of the image, there are several shining metalic forms supported by long, spider-like legs standing at hip height. On the image's right is a large model of a futuristic building. Hanging from the ceiling behind the metal sculptures is a shiny, white rectangular sculpture with sleek, ribbon-like forms.
    Several sculptures and models sit in a gallery space with wooden floors. To the left of the image, there are several shining metalic forms supported by long, spider-like legs standing at hip height. On the image's right is a large model of a futuristic building. Hanging from the ceiling behind the metal sculptures is a shiny, white rectangular sculpture with sleek, ribbon-like forms.
    Matters of Sensation. Installation view, Artists Space, 2008. Photo: Adam Reich. [Several sculptures and models sit in a gallery space with wooden floors. To the left of the image, there are several shining metalic forms supported by long, spider-like legs standing at hip height. On the image's right is a large model of a futuristic building. Hanging from the ceiling behind the metal sculptures is a shiny, white rectangular sculpture with sleek, ribbon-like forms.]
    Caption Matters of Sensation. Installation view, Artists Space, 2008. Photo: Adam Reich.
    Image description Several sculptures and models sit in a gallery space with wooden floors. To the left of the image, there are several shining metalic forms supported by long, spider-like legs standing at hip height. On the image's right is a large model of a futuristic building. Hanging from the ceiling behind the metal sculptures is a shiny, white rectangular sculpture with sleek, ribbon-like forms.
    Year 2008
    Related pages Matters of Sensation
  • Color image of two performers on stage playing the guitar and drums. The performer on the left is wearing round sunglasses with a music stand in front of them. The back wall is lit with small white dots from a disco ball.
    Color image of two performers on stage playing the guitar and drums. The performer on the left is wearing round sunglasses with a music stand in front of them. The back wall is lit with small white dots from a disco ball.
    Abasement #78. Performance documentation, June 16th, 2025, Artists Space. Photo: Joshua Wildman. [Color image of two performers on stage playing the guitar and drums. The performer on the left is wearing round sunglasses with a music stand in front of them. The back wall is lit with small white dots from a disco ball.]
    Caption Abasement #78. Performance documentation, June 16th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Color image of two performers on stage playing the guitar and drums. The performer on the left is wearing round sunglasses with a music stand in front of them. The back wall is lit with small white dots from a disco ball.
    Year
    Related pages Abasement #78
  • A close up view of two abstract, earth-toned paintings hanging on a wall. Beyond them a doorway and another room with more painting is visible.
    A close up view of two abstract, earth-toned paintings hanging on a wall. Beyond them a doorway and another room with more painting is visible.
    Witnesses: Against Our Vanishing. Installation View, Artists Space, 1989. Photo: Frances Miller Smith. [A close up view of two abstract, earth-toned paintings hanging on a wall. Beyond them a doorway and another room with more painting is visible.]
    Caption Witnesses: Against Our Vanishing. Installation View, Artists Space, 1989. Photo: Frances Miller Smith.
    Image description A close up view of two abstract, earth-toned paintings hanging on a wall. Beyond them a doorway and another room with more painting is visible.
    Year 1989
    Related pages Witnesses: Against Our Vanishing
  • Objects are cluttered on the floor of a room lit with a warm, yellow hue. There is a low-hanging disco ball, two standing lights, and a small television showing white static mounted on a stand. There are two vases with plants and a string of white lights.
    Objects are cluttered on the floor of a room lit with a warm, yellow hue. There is a low-hanging disco ball, two standing lights, and a small television showing white static mounted on a stand. There are two vases with plants and a string of white lights.
    Enough Tiranny Recalled, 1972–2009. Installation view, Artists Space, 2009. Photo: Daniel Pérez. [Objects are cluttered on the floor of a room lit with a warm, yellow hue. There is a low-hanging disco ball, two standing lights, and a small television showing white static mounted on a stand. There are two vases with plants and a string of white lights.]
    Caption Enough Tiranny Recalled, 1972–2009. Installation view, Artists Space, 2009. Photo: Daniel Pérez.
    Image description Objects are cluttered on the floor of a room lit with a warm, yellow hue. There is a low-hanging disco ball, two standing lights, and a small television showing white static mounted on a stand. There are two vases with plants and a string of white lights.
    Year 2009
    Related pages Marc Camille Chaimowicz: Enough Tiranny Recalled, 1972 – 2009
  • A profile of a man in a jacket on a gray and white background. Painted streaks of color are superimposed over the man's profile. The whole image is slightly blurry.
    A profile of a man in a jacket on a gray and white background. Painted streaks of color are superimposed over the man's profile. The whole image is slightly blurry.
    Establishing Shot. Installation view, Artists Space, 2004. [A profile of a man in a jacket on a gray and white background. Painted streaks of color are superimposed over the man's profile. The whole image is slightly blurry.]
    Caption Establishing Shot. Installation view, Artists Space, 2004.
    Image description A profile of a man in a jacket on a gray and white background. Painted streaks of color are superimposed over the man's profile. The whole image is slightly blurry.
    Year 2004
    Related pages Establishing Shot
  • A grid of fifteen black and white monitors, each displaying a unique text that names objects, phenomena, or other nouns characterizing an unidentified subject, such as
    A grid of fifteen black and white monitors, each displaying a unique text that names objects, phenomena, or other nouns characterizing an unidentified subject, such as
    Felix Gonzalez-Torres, “Untitled” (A Portrait), 1991. 5 min. [A grid of fifteen black and white monitors, each displaying a unique text that names objects, phenomena, or other nouns characterizing an unidentified subject, such as "a silver sea," "civil disobedience," and "a new lesion."]
    Caption Felix Gonzalez-Torres, “Untitled” (A Portrait), 1991. 5 min.
    Image description A grid of fifteen black and white monitors, each displaying a unique text that names objects, phenomena, or other nouns characterizing an unidentified subject, such as "a silver sea," "civil disobedience," and "a new lesion."
    Year 1991
    Related pages Film and Video Program | Macho Man, Tell It To My Heart: Collected by Julie Ault | January 23
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    Related pages DRAFT IMAGE PAGE_NEVER DELETE
  • The title <em>TIME // TIME</em> is written centered on a white wall. To the right, a white shelf displays objects and a colorful poster of Ernie Kovacs.
    The title <em>TIME // TIME</em> is written centered on a white wall. To the right, a white shelf displays objects and a colorful poster of Ernie Kovacs.
    Ralston Farina: Time // Time. Installation view, Artists Space, 2025. Photo: Carter Seddon. [The title TIME // TIME is written centered on a white wall. To the right, a white shelf displays objects and a colorful poster of Ernie Kovacs.]
    Caption Ralston Farina: Time // Time. Installation view, Artists Space, 2025. Photo: Carter Seddon.
    Image description The title TIME // TIME is written centered on a white wall. To the right, a white shelf displays objects and a colorful poster of Ernie Kovacs.
    Year
    Related pages Ralston Farina: Time // Time
  • A horizontal image with a flat, light blue background. On the right side is a pink, cotton candy-like image of a cloud. The word,
    A horizontal image with a flat, light blue background. On the right side is a pink, cotton candy-like image of a cloud. The word,
    Flyer for Segue Reading Series featuring Kamden Hilliard and E.J. McAdams. Saturday, November 13, 2021, Artists Space. Artist: Lonely Christopher & Venn Daniel [A horizontal image with a flat, light blue background. On the right side is a pink, cotton candy-like image of a cloud. The word, "Segue" appears in pink text on the top left side. The name, "Kamden Hilliard," is written on the center-left in large red text, while the name, "Laura Elrick," appears in purple on the center-right.]
    Caption Flyer for Segue Reading Series featuring Kamden Hilliard and E.J. McAdams. Saturday, November 13, 2021, Artists Space. Artist: Lonely Christopher & Venn Daniel
    Image description A horizontal image with a flat, light blue background. On the right side is a pink, cotton candy-like image of a cloud. The word, "Segue" appears in pink text on the top left side. The name, "Kamden Hilliard," is written on the center-left in large red text, while the name, "Laura Elrick," appears in purple on the center-right.
    Year 2021
    Related pages Segue Reading Series: Laura Elrick & E.J. McAdams
  • Low res image of two men, with tan skin and curly hair, kissing profusely.
    Low res image of two men, with tan skin and curly hair, kissing profusely.
    Julio Torres, Search Results: Drunks Kissing, 2010. [Low res image of two men, with tan skin and curly hair, kissing profusely.]
    Caption Julio Torres, Search Results: Drunks Kissing, 2010.
    Image description Low res image of two men, with tan skin and curly hair, kissing profusely.
    Year 2010
    Related pages Radical Localism: Art, Video and Culture from Pueblo Nuevo’s Mexicali Rose
  • A film still of a crowd of people sitting in rows of seats. Some wear sunglasses. Most do not speak to one another but gaze forward or glance around themselves.
    A film still of a crowd of people sitting in rows of seats. Some wear sunglasses. Most do not speak to one another but gaze forward or glance around themselves.
    Still from Eli Noyes and Claudia Weill's IDCA 1970, 1970. [A film still of a crowd of people sitting in rows of seats. Some wear sunglasses. Most do not speak to one another but gaze forward or glance around themselves.]
    Caption Still from Eli Noyes and Claudia Weill's IDCA 1970, 1970.
    Image description A film still of a crowd of people sitting in rows of seats. Some wear sunglasses. Most do not speak to one another but gaze forward or glance around themselves.
    Year 1970
    Related pages The Aspen Complex
  • A fruit salad with watermelon, oranges, berries, and more in a metal dish, as if at a deli station. Overlaid white text in script reads
    A fruit salad with watermelon, oranges, berries, and more in a metal dish, as if at a deli station. Overlaid white text in script reads
    [A fruit salad with watermelon, oranges, berries, and more in a metal dish, as if at a deli station. Overlaid white text in script reads "Salad Days."]
    Caption
    Image description A fruit salad with watermelon, oranges, berries, and more in a metal dish, as if at a deli station. Overlaid white text in script reads "Salad Days."
    Year 2004
    Related pages Salad Days
  • A person in army camouflage and a military gun grabs a handful of packaged cookies from a stand selling assorted candies, snacks, sodas, and other food.
    A person in army camouflage and a military gun grabs a handful of packaged cookies from a stand selling assorted candies, snacks, sodas, and other food.
    Sean Snyder, still from Casio, Seiko, Sheraton, Toyota, Mars, 2004-5. Courtesy Lisson Gallery, London. [A person in army camouflage and a military gun grabs a handful of packaged cookies from a stand selling assorted candies, snacks, sodas, and other food.]
    Caption Sean Snyder, still from Casio, Seiko, Sheraton, Toyota, Mars, 2004-5. Courtesy Lisson Gallery, London.
    Image description A person in army camouflage and a military gun grabs a handful of packaged cookies from a stand selling assorted candies, snacks, sodas, and other food.
    Year 2005
    Related pages Sean Snyder
  • Detail view of a greyscale sculpture made of varying polymer segments.
    Detail view of a greyscale sculpture made of varying polymer segments.
    PATTERNS / Marcelo Spina with Kreysler & Associates, Macro Piece, 2006. [Detail view of a greyscale sculpture made of varying polymer segments.]
    Caption PATTERNS / Marcelo Spina with Kreysler & Associates, Macro Piece, 2006.
    Image description Detail view of a greyscale sculpture made of varying polymer segments.
    Year 2006
    Related pages UniBodies
  • A black and white photograph of various objects hanging in a white-walled gallery space.
    A black and white photograph of various objects hanging in a white-walled gallery space.
    Freya Hansell. Installation view, Artists Space, 1980. [A black and white photograph of various objects hanging in a white-walled gallery space.]
    Caption Freya Hansell. Installation view, Artists Space, 1980.
    Image description A black and white photograph of various objects hanging in a white-walled gallery space.
    Year
    Related pages Freya Hansell
  • A large glass container filled with golden honey sits on a white surface against a dark backdrop. Serif text inscribed across the center of the jar reads,
    A large glass container filled with golden honey sits on a white surface against a dark backdrop. Serif text inscribed across the center of the jar reads,
    Elliott Linwood, Initiation, 1993. 200 lbs. of honey, sandblasted glass, syringes. [A large glass container filled with golden honey sits on a white surface against a dark backdrop. Serif text inscribed across the center of the jar reads, "INITIATION." Several syringes float within the honey. A small glass lid seals the top of the jar.]
    Caption Elliott Linwood, Initiation, 1993. 200 lbs. of honey, sandblasted glass, syringes.
    Image description A large glass container filled with golden honey sits on a white surface against a dark backdrop. Serif text inscribed across the center of the jar reads, "INITIATION." Several syringes float within the honey. A small glass lid seals the top of the jar.
    Year
    Related pages A Living Testament of the Blood Fairies
  • Three abstract sculptures in the foreground of a white-walled gallery space with white columns. In the background, there are other gallery spaces with artworks hanging on the walls.
    Three abstract sculptures in the foreground of a white-walled gallery space with white columns. In the background, there are other gallery spaces with artworks hanging on the walls.
    Metaphysical Visions. Installation view, Artists Space, 1989. [Three abstract sculptures in the foreground of a white-walled gallery space with white columns. In the background, there are other gallery spaces with artworks hanging on the walls.]
    Caption Metaphysical Visions. Installation view, Artists Space, 1989.
    Image description Three abstract sculptures in the foreground of a white-walled gallery space with white columns. In the background, there are other gallery spaces with artworks hanging on the walls.
    Year
    Related pages Metaphysical Visions: Middle Europe
  • A photograph of several works on yellow paper hung on a white gallery wall.
    A photograph of several works on yellow paper hung on a white gallery wall.
    Adjua Gargi Nzinga Greaves, Better homes and gardens back by popular demand, detail, 2021. Magazine, artists tape, overall dimensions variable. Courtesy Artists Space, New York. Photo: Filip Wolak [A photograph of several works on yellow paper hung on a white gallery wall.]
    Caption Adjua Gargi Nzinga Greaves, Better homes and gardens back by popular demand, detail, 2021. Magazine, artists tape, overall dimensions variable. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A photograph of several works on yellow paper hung on a white gallery wall.
    Year 2021
    Related pages Adjua Gargi Nzinga Greaves
  • A black and white photo of three figures. The faint circular outline of a clock face surrounds the middle one, who is wearing a suit and a helmet.
    A black and white photo of three figures. The faint circular outline of a clock face surrounds the middle one, who is wearing a suit and a helmet.
    Craig Baldwin, Spectres of the Spectrum (still), 1999. [A black and white photo of three figures. The faint circular outline of a clock face surrounds the middle one, who is wearing a suit and a helmet.]
    Caption Craig Baldwin, Spectres of the Spectrum (still), 1999.
    Image description A black and white photo of three figures. The faint circular outline of a clock face surrounds the middle one, who is wearing a suit and a helmet.
    Year
    Related pages Craig Baldwin in Conversation with Adam Khalil
  • Black-and-white image of two figures, each wearing white shirts. The figure on the right sits with their knees against their chest and looks attentively at the figure to their left, who engages with someone out of the right-side of the frame.
    Black-and-white image of two figures, each wearing white shirts. The figure on the right sits with their knees against their chest and looks attentively at the figure to their left, who engages with someone out of the right-side of the frame.
    Amiri Baraka, Cellar Vigil (Experimental Death Unit #2), 1966. Permission by Chris Calhoun Agency, © Estate of Amiri Baraka [Black-and-white image of two figures, each wearing white shirts. The figure on the right sits with their knees against their chest and looks attentively at the figure to their left, who engages with someone out of the right-side of the frame.]
    Caption Amiri Baraka, Cellar Vigil (Experimental Death Unit #2), 1966. Permission by Chris Calhoun Agency, © Estate of Amiri Baraka
    Image description Black-and-white image of two figures, each wearing white shirts. The figure on the right sits with their knees against their chest and looks attentively at the figure to their left, who engages with someone out of the right-side of the frame.
    Year
    Related pages Shala Miller, Malcolm Peacock, Amiri Baraka
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    Related pages ARTstudio
  • A 3x5 grid of false-color stickers. The top four rows depict fruits cut in half resembling a grapefruit or orange. The last row depicts a coconut cut in half. A handful of stickers have a think line of black and white checkerboard pattern added to the perimeter of the fruit.
    A 3x5 grid of false-color stickers. The top four rows depict fruits cut in half resembling a grapefruit or orange. The last row depicts a coconut cut in half. A handful of stickers have a think line of black and white checkerboard pattern added to the perimeter of the fruit.
    Guyton\Walker, Fruit Stickers for Artists Space, 2010, Set of 15 Inkset printed stickers, 6 in / 15,2 cm each, Signed and numbered certificate. [A 3x5 grid of false-color stickers. The top four rows depict fruits cut in half resembling a grapefruit or orange. The last row depicts a coconut cut in half. A handful of stickers have a think line of black and white checkerboard pattern added to the perimeter of the fruit.]
    Caption Guyton\Walker, Fruit Stickers for Artists Space, 2010, Set of 15 Inkset printed stickers, 6 in / 15,2 cm each, Signed and numbered certificate.
    Image description A 3x5 grid of false-color stickers. The top four rows depict fruits cut in half resembling a grapefruit or orange. The last row depicts a coconut cut in half. A handful of stickers have a think line of black and white checkerboard pattern added to the perimeter of the fruit.
    Year 2010
    Related pages Artists Space Annual Edition Portfolio 2011
  • Purple and dark gray text overlay a light gray background with abstract patterns and a drawing of a male figure smoking a pipe in the bottom left corner. The text in the middle reads
    Purple and dark gray text overlay a light gray background with abstract patterns and a drawing of a male figure smoking a pipe in the bottom left corner. The text in the middle reads
    Flyer for Segue Reading Series featuring Ted Rees and Jean Day. January 21, 2023, Artists Space. [Purple and dark gray text overlay a light gray background with abstract patterns and a drawing of a male figure smoking a pipe in the bottom left corner. The text in the middle reads "Ted Rees / Segue Reading Series / Jean Day."]
    Caption Flyer for Segue Reading Series featuring Ted Rees and Jean Day. January 21, 2023, Artists Space.
    Image description Purple and dark gray text overlay a light gray background with abstract patterns and a drawing of a male figure smoking a pipe in the bottom left corner. The text in the middle reads "Ted Rees / Segue Reading Series / Jean Day."
    Year
    Related pages Segue Reading Series: Jean Day & Ted Rees
  • A takeaway artwork shows three 2.5 gram gold bullion bars in blue Pamp Suisse certifying cases. Each bar depicts a low relief icon of Lady Fortuna, the blindfolded goddess of luck, fortune, and chance.
    A takeaway artwork shows three 2.5 gram gold bullion bars in blue Pamp Suisse certifying cases. Each bar depicts a low relief icon of Lady Fortuna, the blindfolded goddess of luck, fortune, and chance.
    Constantina Zavitsanos, Three Card Monte, 2018/24, three 2.5 gram Pamp Suisse 999.9 gold bars on offer in their certifying cases, dimensions variable. Photo: Constantina Zavitsanos. [A takeaway artwork shows three 2.5 gram gold bullion bars in blue Pamp Suisse certifying cases. Each bar depicts a low relief icon of Lady Fortuna, the blindfolded goddess of luck, fortune, and chance.]
    Caption Constantina Zavitsanos, Three Card Monte, 2018/24, three 2.5 gram Pamp Suisse 999.9 gold bars on offer in their certifying cases, dimensions variable. Photo: Constantina Zavitsanos.
    Image description A takeaway artwork shows three 2.5 gram gold bullion bars in blue Pamp Suisse certifying cases. Each bar depicts a low relief icon of Lady Fortuna, the blindfolded goddess of luck, fortune, and chance.
    Year
    Related pages fwiw
  • Color image of four individuals holding hands and dancing in a circle energetically. The background depicts a dimly lit venue with a glowing discoball and a variety of guests.
    Color image of four individuals holding hands and dancing in a circle energetically. The background depicts a dimly lit venue with a glowing discoball and a variety of guests.
    Friends of Artists Space Dinner, 2023. Photo: Destiny Mata. [Color image of four individuals holding hands and dancing in a circle energetically. The background depicts a dimly lit venue with a glowing discoball and a variety of guests.]
    Caption Friends of Artists Space Dinner, 2023. Photo: Destiny Mata.
    Image description Color image of four individuals holding hands and dancing in a circle energetically. The background depicts a dimly lit venue with a glowing discoball and a variety of guests.
    Year
    Related pages Support
  • Color image of an individual seated and intently looking into a computer screen. The bright glow from the computer illuminates the performer's face and the electronic gear on the worktable before him.
    Color image of an individual seated and intently looking into a computer screen. The bright glow from the computer illuminates the performer's face and the electronic gear on the worktable before him.
    Abasement #63. Performance documentation, July 17, 2023, Artists Space. Photo: Joshua Wildman. [Color image of an individual seated and intently looking into a computer screen. The bright glow from the computer illuminates the performer's face and the electronic gear on the worktable before him.]
    Caption Abasement #63. Performance documentation, July 17, 2023, Artists Space. Photo: Joshua Wildman.
    Image description Color image of an individual seated and intently looking into a computer screen. The bright glow from the computer illuminates the performer's face and the electronic gear on the worktable before him.
    Year
    Related pages Abasement #63
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  • Several geometric structures of varying sizes are displayed in close, overlapping clusters in a gallery space. The largest structure of the group nearly touches the gallery ceiling is composed of an array of flat pentagons that form circular, symmetrical patterns. Behind this structure is a large archway-shaped wall decal showing further colorful arrays and patterns. Several other, smaller pieces with similar geometric forms cluster on the floor around these structures.
    Several geometric structures of varying sizes are displayed in close, overlapping clusters in a gallery space. The largest structure of the group nearly touches the gallery ceiling is composed of an array of flat pentagons that form circular, symmetrical patterns. Behind this structure is a large archway-shaped wall decal showing further colorful arrays and patterns. Several other, smaller pieces with similar geometric forms cluster on the floor around these structures.
    Salad Days 3. Installation view, Artists Space, 2008. Photo: Jeremy Ross. [Several geometric structures of varying sizes are displayed in close, overlapping clusters in a gallery space. The largest structure of the group nearly touches the gallery ceiling is composed of an array of flat pentagons that form circular, symmetrical patterns. Behind this structure is a large archway-shaped wall decal showing further colorful arrays and patterns. Several other, smaller pieces with similar geometric forms cluster on the floor around these structures.]
    Caption Salad Days 3. Installation view, Artists Space, 2008. Photo: Jeremy Ross.
    Image description Several geometric structures of varying sizes are displayed in close, overlapping clusters in a gallery space. The largest structure of the group nearly touches the gallery ceiling is composed of an array of flat pentagons that form circular, symmetrical patterns. Behind this structure is a large archway-shaped wall decal showing further colorful arrays and patterns. Several other, smaller pieces with similar geometric forms cluster on the floor around these structures.
    Year 2008
    Related pages Salad Days 3
  • Several framed posters, photographs, and ephemera varying sizes hang on a white gallery wall. On the right side of the wall hangs a photographic portrait of a figure in a striped shirt standing against a striped wall.
    Several framed posters, photographs, and ephemera varying sizes hang on a white gallery wall. On the right side of the wall hangs a photographic portrait of a figure in a striped shirt standing against a striped wall.
    The Serving Library. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [Several framed posters, photographs, and ephemera varying sizes hang on a white gallery wall. On the right side of the wall hangs a photographic portrait of a figure in a striped shirt standing against a striped wall.]
    Caption The Serving Library. Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description Several framed posters, photographs, and ephemera varying sizes hang on a white gallery wall. On the right side of the wall hangs a photographic portrait of a figure in a striped shirt standing against a striped wall.
    Year 2011
    Related pages The Serving Library
  • A row of figures sitting in wooden chairs hold various sections of a folded up book, reading off different parts.
    A row of figures sitting in wooden chairs hold various sections of a folded up book, reading off different parts.
    Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang. [A row of figures sitting in wooden chairs hold various sections of a folded up book, reading off different parts.]
    Caption Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang.
    Image description A row of figures sitting in wooden chairs hold various sections of a folded up book, reading off different parts.
    Year 2023
    Related pages Chang Yuchen: Coral Dictionary Vol. 1, 2019-2022
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    Year
    Related pages fwiw
  • A collage of eucalyptus sprigs, other plants, and human figures attached to a framed map.
    A collage of eucalyptus sprigs, other plants, and human figures attached to a framed map.
    Adjua Gargi Nzinga Greaves, Autotelemachy, 2017. Collage, 59 x 68 inches. Photo: Filip Wolak [A collage of eucalyptus sprigs, other plants, and human figures attached to a framed map.]
    Caption Adjua Gargi Nzinga Greaves, Autotelemachy, 2017. Collage, 59 x 68 inches. Photo: Filip Wolak
    Image description A collage of eucalyptus sprigs, other plants, and human figures attached to a framed map.
    Year 2021
    Related pages Adjua Gargi Nzinga Greaves
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Photographic portrait of a youthful figure leaning against a white brick wall. They wear a partially unbuttoned, blue and black plaid shirt and a trucker hat. Large black text emblazoned across the front of the hat reads,
    Photographic portrait of a youthful figure leaning against a white brick wall. They wear a partially unbuttoned, blue and black plaid shirt and a trucker hat. Large black text emblazoned across the front of the hat reads,
    Cass Bird, I Look Like My Daddy, 2004. C-print, 30 x 40 inches. Courtesy the artist. [Photographic portrait of a youthful figure leaning against a white brick wall. They wear a partially unbuttoned, blue and black plaid shirt and a trucker hat. Large black text emblazoned across the front of the hat reads, "I LOOK JUST LIKE MY DADDY." A miniature gun token has been attached to the hat, to the left of the text. The figure stares ahead, the right side of their face illuminated by daylight.]
    Caption Cass Bird, I Look Like My Daddy, 2004. C-print, 30 x 40 inches. Courtesy the artist.
    Image description Photographic portrait of a youthful figure leaning against a white brick wall. They wear a partially unbuttoned, blue and black plaid shirt and a trucker hat. Large black text emblazoned across the front of the hat reads, "I LOOK JUST LIKE MY DADDY." A miniature gun token has been attached to the hat, to the left of the text. The figure stares ahead, the right side of their face illuminated by daylight.
    Year 2004
    Related pages Log Cabin
  • Three black and white photographs hang on white walls in the corner of a room. The photos depict a woman in various positions: laying down, reaching up to a bookshelf, and sitting on a ledge gazing out a window.
    Three black and white photographs hang on white walls in the corner of a room. The photos depict a woman in various positions: laying down, reaching up to a bookshelf, and sitting on a ledge gazing out a window.
    _____, Louise Lawler, Adrian Piper & Cindy Sherman Have Agreed to Participate in an Exhibition Organized by Janelle Reiring at Artists Space, September 23 through October 28, 1978, Artists Space, 1978. Installation view, Artists Space, 1978. Artwork by Cindy Sherman. [Three black and white photographs hang on white walls in the corner of a room. The photos depict a woman in various positions: laying down, reaching up to a bookshelf, and sitting on a ledge gazing out a window.]
    Caption _____, Louise Lawler, Adrian Piper & Cindy Sherman Have Agreed to Participate in an Exhibition Organized by Janelle Reiring at Artists Space, September 23 through October 28, 1978, Artists Space, 1978. Installation view, Artists Space, 1978. Artwork by Cindy Sherman.
    Image description Three black and white photographs hang on white walls in the corner of a room. The photos depict a woman in various positions: laying down, reaching up to a bookshelf, and sitting on a ledge gazing out a window.
    Year 1978
    Related pages ______ , Louise Lawler, Adrian Piper & Cindy Sherman Have Agreed to Participate in an Exhibition Organized by Janelle Reiring at Artists Space, September 23 through October 28, 1978.
  • A performer plays a modified string instrument on stage.
    A performer plays a modified string instrument on stage.
    Abasement #81. Performance documentation, October 20th, 2025, Artists Space. Photo: Joshua Wildman. [A performer plays a modified string instrument on stage. ]
    Caption Abasement #81. Performance documentation, October 20th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description A performer plays a modified string instrument on stage.
    Year
    Related pages Abasement #81
  • Color photograph of a figure wearing a conical sheath of reflective one-way mirror film that covers most of their body. They lay on the floor and spread one arm out from under the mirror film. A bright light shines from under the film.
    Color photograph of a figure wearing a conical sheath of reflective one-way mirror film that covers most of their body. They lay on the floor and spread one arm out from under the mirror film. A bright light shines from under the film.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure wearing a conical sheath of reflective one-way mirror film that covers most of their body. They lay on the floor and spread one arm out from under the mirror film. A bright light shines from under the film.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a figure wearing a conical sheath of reflective one-way mirror film that covers most of their body. They lay on the floor and spread one arm out from under the mirror film. A bright light shines from under the film.
    Year 2022
    Related pages keyon gaskin 12-14
  • Black and white installation view of a gallery space with a large pole on the left. Several works hang from the walls.
    Black and white installation view of a gallery space with a large pole on the left. Several works hang from the walls.
    Susan Eder, Matt Mullican. Installation view, Artists Space, 1976. [Black and white installation view of a gallery space with a large pole on the left. Several works hang from the walls.]
    Caption Susan Eder, Matt Mullican. Installation view, Artists Space, 1976.
    Image description Black and white installation view of a gallery space with a large pole on the left. Several works hang from the walls.
    Year 1976
    Related pages Susan Eder, Matt Mullican
  • A photograph of the exhibition opening reception. A group of visitors look around at the art.
    A photograph of the exhibition opening reception. A group of visitors look around at the art.
    Four Scottish Artists. Opening Reception, Artists Space, 1979. [A photograph of the exhibition opening reception. A group of visitors look around at the art.]
    Caption Four Scottish Artists. Opening Reception, Artists Space, 1979.
    Image description A photograph of the exhibition opening reception. A group of visitors look around at the art.
    Year 1979
    Related pages Four Scottish Artists
  • Two people with wigs and highly made up faces. The front figure is holding a cob of corn with the end in their mouth, looking suggestively at the camera. Behind them, a second figure holds a small eggplant with the end in their open mouth.
    Two people with wigs and highly made up faces. The front figure is holding a cob of corn with the end in their mouth, looking suggestively at the camera. Behind them, a second figure holds a small eggplant with the end in their open mouth.
    Mark Morrisroe. Still from The Laziest Girl in Town (1981). [Two people with wigs and highly made up faces. The front figure is holding a cob of corn with the end in their mouth, looking suggestively at the camera. Behind them, a second figure holds a small eggplant with the end in their open mouth.]
    Caption Mark Morrisroe. Still from The Laziest Girl in Town (1981).
    Image description Two people with wigs and highly made up faces. The front figure is holding a cob of corn with the end in their mouth, looking suggestively at the camera. Behind them, a second figure holds a small eggplant with the end in their open mouth.
    Year 1981
    Related pages Mark Morrisroe: Super 8
  • In the foreground, a clear and grey sculpture rests on top of a white pedestal. In the background, four additional sculptures in arranged from light to dark tones, hang in a row.
    In the foreground, a clear and grey sculpture rests on top of a white pedestal. In the background, four additional sculptures in arranged from light to dark tones, hang in a row.
    UniBodies. Installation view, Artists Space, 2006. Photo: Bill Ocrutt. [In the foreground, a clear and grey sculpture rests on top of a white pedestal. In the background, four additional sculptures in arranged from light to dark tones, hang in a row.]
    Caption UniBodies. Installation view, Artists Space, 2006. Photo: Bill Ocrutt.
    Image description In the foreground, a clear and grey sculpture rests on top of a white pedestal. In the background, four additional sculptures in arranged from light to dark tones, hang in a row.
    Year 2006
    Related pages UniBodies
  • Black text on an orange background. The text reads: “Nov 9 / Norman Fischer / The New York Neo-Futurists.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on an orange background. The text reads: “Nov 9 / Norman Fischer / The New York Neo-Futurists.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on an orange background. The text reads: “Nov 9 / Norman Fischer / The New York Neo-Futurists.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on an orange background. The text reads: “Nov 9 / Norman Fischer / The New York Neo-Futurists.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Norman Fischer & The New York Neo-Futurists
  • Remnants of discarded objects fill the frame. A flattened rubber chicken sits in the middle next to various bottles and boxes. On the right reads a white square in black and red font,
    Remnants of discarded objects fill the frame. A flattened rubber chicken sits in the middle next to various bottles and boxes. On the right reads a white square in black and red font,
    Jack Smith Untitled (Plaster Foundation of Atlantis), 35mm slide, c. 1970. Copyright Jack Smith Archive. Courtesy Gladstone Gallery, New York and Brussels. [Remnants of discarded objects fill the frame. A flattened rubber chicken sits in the middle next to various bottles and boxes. On the right reads a white square in black and red font, "Exotic, Tropical Fruit."]
    Caption Jack Smith Untitled (Plaster Foundation of Atlantis), 35mm slide, c. 1970. Copyright Jack Smith Archive. Courtesy Gladstone Gallery, New York and Brussels.
    Image description Remnants of discarded objects fill the frame. A flattened rubber chicken sits in the middle next to various bottles and boxes. On the right reads a white square in black and red font, "Exotic, Tropical Fruit."
    Year 1970
    Related pages Jack Smith: Art Crust of Spiritual Oasis
  • A large, framed photograph of two books, a wooden rectangle, and a photograph stacked vertically on each other. There is a second photograph offset to the right in the image.
    A large, framed photograph of two books, a wooden rectangle, and a photograph stacked vertically on each other. There is a second photograph offset to the right in the image.
    Leslie Hewitt, Make it Plain, 2006. C-print. [A large, framed photograph of two books, a wooden rectangle, and a photograph stacked vertically on each other. There is a second photograph offset to the right in the image.]
    Caption Leslie Hewitt, Make it Plain, 2006. C-print.
    Image description A large, framed photograph of two books, a wooden rectangle, and a photograph stacked vertically on each other. There is a second photograph offset to the right in the image.
    Year 2006
    Related pages Replica of a Lost Original
  • A color photograph of a human hand holding a blue booklet in front of a background of green leaves as well as red and purple flowers. On the booklet slow and soft and righteous, improvising at the end of the world (and how we make a new one) / By Sonia Louise Davis" is written in black text over a black and white photograph of a figure leaning against a wall.." />
    A color photograph of a human hand holding a blue booklet in front of a background of green leaves as well as red and purple flowers. On the booklet slow and soft and righteous, improvising at the end of the world (and how we make a new one) / By Sonia Louise Davis" is written in black text over a black and white photograph of a figure leaning against a wall.." />
    Image of slow and soft and righteous, improvising at the end of the world (and how we make a new one) by Sonia Louise Davis, 2022. [A color photograph of a human hand holding a blue booklet in front of a background of green leaves as well as red and purple flowers. On the booklet "slow and soft and righteous, improvising at the end of the world (and how we make a new one) / By Sonia Louise Davis" is written in black text over a black and white photograph of a figure leaning against a wall..]
    Caption Image of slow and soft and righteous, improvising at the end of the world (and how we make a new one) by Sonia Louise Davis, 2022.
    Image description A color photograph of a human hand holding a blue booklet in front of a background of green leaves as well as red and purple flowers. On the booklet "slow and soft and righteous, improvising at the end of the world (and how we make a new one) / By Sonia Louise Davis" is written in black text over a black and white photograph of a figure leaning against a wall..
    Year 2022
    Related pages If improvisation could serve as a manual, if gesture could serve as a guide
  • A device with several electrical wire connections is displayed on a metal wire shelf.
    A device with several electrical wire connections is displayed on a metal wire shelf.
    Devin Kenny, “What would Upski think?”, 2018. Photo: Daniel Pérez. [A device with several electrical wire connections is displayed on a metal wire shelf.]
    Caption Devin Kenny, “What would Upski think?”, 2018. Photo: Daniel Pérez.
    Image description A device with several electrical wire connections is displayed on a metal wire shelf.
    Year 2018
    Related pages Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff
  • Invitation fot Sigrid Burton, Bruce Colvin, Ellen Phelan, Artists Space, 1976
    Caption Invitation fot Sigrid Burton, Bruce Colvin, Ellen Phelan, Artists Space, 1976
    Image description
    Year
    Related pages Sigrid Burton, Bruce Colvin, Ellen Phelan
  • A looseleaf sheet of paper with
    A looseleaf sheet of paper with
    [A looseleaf sheet of paper with "Spring 2012 F.R. DAVID" printed on the top in red type. The page is filled with handwritten black text.]
    Caption
    Image description A looseleaf sheet of paper with "Spring 2012 F.R. DAVID" printed on the top in red type. The page is filled with handwritten black text.
    Year 2012
    Related pages F.R.DAVID, Issue #9
  • Color photograph of a hand, fingers outstretched and manipulating a group of suspended wires that run across the frame.
    Color photograph of a hand, fingers outstretched and manipulating a group of suspended wires that run across the frame.
    New Music Circle, St. Louis. Photo: Theo R. Welling [Color photograph of a hand, fingers outstretched and manipulating a group of suspended wires that run across the frame.]
    Caption New Music Circle, St. Louis. Photo: Theo R. Welling
    Image description Color photograph of a hand, fingers outstretched and manipulating a group of suspended wires that run across the frame.
    Year
    Related pages Ellen Fullman & JACK Quartet
  • A colorful drawing of a Goya can behind a package of canilla enriched rice, and an empty cap. Each object is lying on an orange surface, with a green background
    A colorful drawing of a Goya can behind a package of canilla enriched rice, and an empty cap. Each object is lying on an orange surface, with a green background
    Nelissa Rodriguez, 2014 [A colorful drawing of a Goya can behind a package of canilla enriched rice, and an empty cap. Each object is lying on an orange surface, with a green background]
    Caption Nelissa Rodriguez, 2014
    Image description A colorful drawing of a Goya can behind a package of canilla enriched rice, and an empty cap. Each object is lying on an orange surface, with a green background
    Year
    Related pages Scholastic Art and Writing Awards
  • Caption
    Image description
    Year 2019
    Related pages About this Website
  • Detail view of a display case. It is mostly empty, save for a metal gun-type object with two small pipes extending out of the nozzle, and a poster with the repeated letters
    Detail view of a display case. It is mostly empty, save for a metal gun-type object with two small pipes extending out of the nozzle, and a poster with the repeated letters
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Detail view of a display case. It is mostly empty, save for a metal gun-type object with two small pipes extending out of the nozzle, and a poster with the repeated letters "bc" hung on one side of the viewing window.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Detail view of a display case. It is mostly empty, save for a metal gun-type object with two small pipes extending out of the nozzle, and a poster with the repeated letters "bc" hung on one side of the viewing window.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • Caption
    Image description
    Year
    Related pages fwiw
  • A black and white photograph of the base of a monument in a city square. Steps lead up to a pedastal surrounded by three large spheres connected by a metal chain.
    A black and white photograph of the base of a monument in a city square. Steps lead up to a pedastal surrounded by three large spheres connected by a metal chain.
    Bases of the equestrian monument to Kaiser Wilhem which was destroyed by the British occupation in Münster after World War II. The photographs were printed as post cards in the early 20th century and collected from eBay and oldthing.de in 2021. [A black and white photograph of the base of a monument in a city square. Steps lead up to a pedastal surrounded by three large spheres connected by a metal chain.]
    Caption Bases of the equestrian monument to Kaiser Wilhem which was destroyed by the British occupation in Münster after World War II. The photographs were printed as post cards in the early 20th century and collected from eBay and oldthing.de in 2021.
    Image description A black and white photograph of the base of a monument in a city square. Steps lead up to a pedastal surrounded by three large spheres connected by a metal chain.
    Year 2022
    Related pages virgil b/g taylor: Minor Publics
  • An onlooking audience watches a performer play an electric guitar on stage. The audience is bathed in red light, and projections are present on the left wall.
    An onlooking audience watches a performer play an electric guitar on stage. The audience is bathed in red light, and projections are present on the left wall.
    Abasement #83. Performance documentation, January 5th, 2026, Artists Space. Photo: Joshua Wildman. [An onlooking audience watches a performer play an electric guitar on stage. The audience is bathed in red light, and projections are present on the left wall. ]
    Caption Abasement #83. Performance documentation, January 5th, 2026, Artists Space. Photo: Joshua Wildman.
    Image description An onlooking audience watches a performer play an electric guitar on stage. The audience is bathed in red light, and projections are present on the left wall.
    Year
    Related pages Abasement #83
  • Photographs of an opulant room are collaged together, creating a view of a single space with multiple perspectives. White text centered on the image reads
    Photographs of an opulant room are collaged together, creating a view of a single space with multiple perspectives. White text centered on the image reads
    Flyer for Segue Reading Series featuring Sasha Banks and Derek McCormack. Saturday, October 31, 2020, Artists Space. Artist: Keith Higginbotham [Photographs of an opulant room are collaged together, creating a view of a single space with multiple perspectives. White text centered on the image reads "Sasha Banks / Derek McCormack," and black text below reads "Segue."]
    Caption Flyer for Segue Reading Series featuring Sasha Banks and Derek McCormack. Saturday, October 31, 2020, Artists Space. Artist: Keith Higginbotham
    Image description Photographs of an opulant room are collaged together, creating a view of a single space with multiple perspectives. White text centered on the image reads "Sasha Banks / Derek McCormack," and black text below reads "Segue."
    Year 2020
    Related pages Segue Reading Series: Derek McCormack & Sasha Banks
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A photograph of a gallery space with works on paper hung on the far wall and plants, works on paper, and a collage mounted on the right wall, which is painted pink.
    A photograph of a gallery space with works on paper hung on the far wall and plants, works on paper, and a collage mounted on the right wall, which is painted pink.
    Adjua Gargi Nzinga Greaves: The x in florxal is silent when spoken. Installation view, Artists Space, 2021. Photo: Filip Wolak. Courtesy Artists Space, New York. [A photograph of a gallery space with works on paper hung on the far wall and plants, works on paper, and a collage mounted on the right wall, which is painted pink.]
    Caption Adjua Gargi Nzinga Greaves: The x in florxal is silent when spoken. Installation view, Artists Space, 2021. Photo: Filip Wolak. Courtesy Artists Space, New York.
    Image description A photograph of a gallery space with works on paper hung on the far wall and plants, works on paper, and a collage mounted on the right wall, which is painted pink.
    Year 2021
    Related pages Adjua Gargi Nzinga Greaves
  • Black text overlays a color-scheme grid background. The text reads: “Jan 27 / Lee Ann Brown / Brian Kim Stefans
    Black text overlays a color-scheme grid background. The text reads: “Jan 27 / Lee Ann Brown / Brian Kim Stefans
    [Black text overlays a color-scheme grid background. The text reads: “Jan 27 / Lee Ann Brown / Brian Kim Stefans" Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description Black text overlays a color-scheme grid background. The text reads: “Jan 27 / Lee Ann Brown / Brian Kim Stefans" Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year
    Related pages Segue Reading Series: Lee Ann Brown & Brian Kim Stefans
  • A black and white installation view of two square black panels on a white wall. The hazy outline of a circle with a figure behidn can be discerned in each canvas.
    A black and white installation view of two square black panels on a white wall. The hazy outline of a circle with a figure behidn can be discerned in each canvas.
    Pictures. Installation view, Artists Space, 1977. Photo: D. James Dee. [A black and white installation view of two square black panels on a white wall. The hazy outline of a circle with a figure behidn can be discerned in each canvas.]
    Caption Pictures. Installation view, Artists Space, 1977. Photo: D. James Dee.
    Image description A black and white installation view of two square black panels on a white wall. The hazy outline of a circle with a figure behidn can be discerned in each canvas.
    Year 1977
    Related pages Pictures
  • A white book cover with a narrow column of red and wider column of black on the left side. It is titled,
    A white book cover with a narrow column of red and wider column of black on the left side. It is titled,
    Forgetting the Art World, by Pamela M. Lee, published by MIT Press, 2012. [A white book cover with a narrow column of red and wider column of black on the left side. It is titled, "Forgetting the Art World" by Pamela M. Lee.]
    Caption Forgetting the Art World, by Pamela M. Lee, published by MIT Press, 2012.
    Image description A white book cover with a narrow column of red and wider column of black on the left side. It is titled, "Forgetting the Art World" by Pamela M. Lee.
    Year 2012
    Related pages Art and its Operations
  • A black display case in the corner of a gallery, surrounded by windows looking out into Manhattan. A mannequin faces away from the camera, and three backlit texts are placed across the floor, in sequence. Each text is superimposed on a photo of a metal pipe looking similar to a gun. On the back viewer, the image is visible alone with no superimposition.
    A black display case in the corner of a gallery, surrounded by windows looking out into Manhattan. A mannequin faces away from the camera, and three backlit texts are placed across the floor, in sequence. Each text is superimposed on a photo of a metal pipe looking similar to a gun. On the back viewer, the image is visible alone with no superimposition.
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [A black display case in the corner of a gallery, surrounded by windows looking out into Manhattan. A mannequin faces away from the camera, and three backlit texts are placed across the floor, in sequence. Each text is superimposed on a photo of a metal pipe looking similar to a gun. On the back viewer, the image is visible alone with no superimposition.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description A black display case in the corner of a gallery, surrounded by windows looking out into Manhattan. A mannequin faces away from the camera, and three backlit texts are placed across the floor, in sequence. Each text is superimposed on a photo of a metal pipe looking similar to a gun. On the back viewer, the image is visible alone with no superimposition.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • Red text reading “we cover for you / new red order / 1-888-NEW-RED1 / newredorder.org” is overlaid on an image of a person in a black shirt holding a rock in front of their face.
    Red text reading “we cover for you / new red order / 1-888-NEW-RED1 / newredorder.org” is overlaid on an image of a person in a black shirt holding a rock in front of their face.
    [Red text reading “we cover for you / new red order / 1-888-NEW-RED1 / newredorder.org” is overlaid on an image of a person in a black shirt holding a rock in front of their face.]
    Caption
    Image description Red text reading “we cover for you / new red order / 1-888-NEW-RED1 / newredorder.org” is overlaid on an image of a person in a black shirt holding a rock in front of their face.
    Year
    Related pages New Red Order: Informants Get Paid!
  • A text banner with a warm pastel yellow and green border, which reads
    A text banner with a warm pastel yellow and green border, which reads
    [A text banner with a warm pastel yellow and green border, which reads "IT CLOSES AT SUNSET", in a rounded-word Art style font. The shadows behind each letter are visible.]
    Caption
    Image description A text banner with a warm pastel yellow and green border, which reads "IT CLOSES AT SUNSET", in a rounded-word Art style font. The shadows behind each letter are visible.
    Year 2016
    Related pages Lukas Duwenhögger: Undoolay
  • A book cover opened so the front and back are visible. There is a black rectangle with white text reading,
    A book cover opened so the front and back are visible. There is a black rectangle with white text reading,
    [A book cover opened so the front and back are visible. There is a black rectangle with white text reading, "Whose Choice" with a handprint and an illustration of internal organs. Small text at the bottom of the image reads, "...prior to quickening..." / "...suffer imprisonment..." / "...right to privacy..."]
    Caption
    Image description A book cover opened so the front and back are visible. There is a black rectangle with white text reading, "Whose Choice" with a handprint and an illustration of internal organs. Small text at the bottom of the image reads, "...prior to quickening..." / "...suffer imprisonment..." / "...right to privacy..."
    Year 1992
    Related pages A New World Order I: Choice Histories: Framing Abortion
  • A city street with a concrete median and wall made from gray metal supported by wooden planks. The median has the words
    A city street with a concrete median and wall made from gray metal supported by wooden planks. The median has the words
    Valerie Tevere, UNITED STATES, 1996. [A city street with a concrete median and wall made from gray metal supported by wooden planks. The median has the words "Property of LACTC" printed on it. Hanging just above that are four postered portraits displayed in a horizontal line. Each poster features three letters below its portrait image that together spell out "UNI/TED/STA/TES". The portraits are framed by traffic signs that say, "WRONG WAY" and "USE SIDEWALK."]
    Caption Valerie Tevere, UNITED STATES, 1996.
    Image description A city street with a concrete median and wall made from gray metal supported by wooden planks. The median has the words "Property of LACTC" printed on it. Hanging just above that are four postered portraits displayed in a horizontal line. Each poster features three letters below its portrait image that together spell out "UNI/TED/STA/TES". The portraits are framed by traffic signs that say, "WRONG WAY" and "USE SIDEWALK."
    Year 1996
    Related pages When Artists Say We
  • A figure performs on stage, standing behind a microphone with a shocked expression and their hands up.
    A figure performs on stage, standing behind a microphone with a shocked expression and their hands up.
    Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [A figure performs on stage, standing behind a microphone with a shocked expression and their hands up.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure performs on stage, standing behind a microphone with a shocked expression and their hands up.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-10
  • Color photograph of a fgure wearing a conical sheath of reflective one-way mirror film that covers their entire body. They squat down next to a viewer sitting in a wooden chair. The performer shines a bright light against their face, making their face visible from under the mirror film.
    Color photograph of a fgure wearing a conical sheath of reflective one-way mirror film that covers their entire body. They squat down next to a viewer sitting in a wooden chair. The performer shines a bright light against their face, making their face visible from under the mirror film.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a fgure wearing a conical sheath of reflective one-way mirror film that covers their entire body. They squat down next to a viewer sitting in a wooden chair. The performer shines a bright light against their face, making their face visible from under the mirror film.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a fgure wearing a conical sheath of reflective one-way mirror film that covers their entire body. They squat down next to a viewer sitting in a wooden chair. The performer shines a bright light against their face, making their face visible from under the mirror film.
    Year 2022
    Related pages keyon gaskin 12-16
  • A color image of two figures before a table filled with electronic equipment such as cables, cameras, and monitors. The figure on the left is sitting down, and the figure on the right is standing up. They are both looking at something outside of the frame. Their faces are illuminated by red light.
    A color image of two figures before a table filled with electronic equipment such as cables, cameras, and monitors. The figure on the left is sitting down, and the figure on the right is standing up. They are both looking at something outside of the frame. Their faces are illuminated by red light.
    Abasement #66. Performance documentation, October 9, 2023, Artists Space. Photo: Joshua Wildman. [A color image of two figures before a table filled with electronic equipment such as cables, cameras, and monitors. The figure on the left is sitting down, and the figure on the right is standing up. They are both looking at something outside of the frame. Their faces are illuminated by red light.]
    Caption Abasement #66. Performance documentation, October 9, 2023, Artists Space. Photo: Joshua Wildman.
    Image description A color image of two figures before a table filled with electronic equipment such as cables, cameras, and monitors. The figure on the left is sitting down, and the figure on the right is standing up. They are both looking at something outside of the frame. Their faces are illuminated by red light.
    Year
    Related pages Abasement #66
  • Color photograph of a figure dressed in white, laying face down across two ledges of a raised desk.
    Color photograph of a figure dressed in white, laying face down across two ledges of a raised desk.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure dressed in white, laying face down across two ledges of a raised desk.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a figure dressed in white, laying face down across two ledges of a raised desk.
    Year 2022
    Related pages keyon gaskin 12-14
  • A woman is seated wearing a long, yellow dress with a full skirt that has extra fabric at the bottom. She is washing the front of her dress with soap suds, some of which are dripping down the front of the skirt.
    A woman is seated wearing a long, yellow dress with a full skirt that has extra fabric at the bottom. She is washing the front of her dress with soap suds, some of which are dripping down the front of the skirt.
    Yellow. Performance view, Artists Space, 2008. [A woman is seated wearing a long, yellow dress with a full skirt that has extra fabric at the bottom. She is washing the front of her dress with soap suds, some of which are dripping down the front of the skirt.]
    Caption Yellow. Performance view, Artists Space, 2008.
    Image description A woman is seated wearing a long, yellow dress with a full skirt that has extra fabric at the bottom. She is washing the front of her dress with soap suds, some of which are dripping down the front of the skirt.
    Year 2008
    Related pages When Time Becomes Form: Yellow
  • A white book cover with patterned text reading,
    A white book cover with patterned text reading,
    Pop or Populus: Art Between High and Low, by Bettina Funcke, published by Sternberg Press, 2009. [A white book cover with patterned text reading, "Pop or Populus." In between these words, small black text reads, "Art between High and Low" and "Betinna Funcke".]
    Caption Pop or Populus: Art Between High and Low, by Bettina Funcke, published by Sternberg Press, 2009.
    Image description A white book cover with patterned text reading, "Pop or Populus." In between these words, small black text reads, "Art between High and Low" and "Betinna Funcke".
    Year 2009
    Related pages Pop or Populus: Art Between High and Low
  • A drawing of a group of skeletons, dancing and playing instruments. In the center of the image, a red banner features black text that reads
    A drawing of a group of skeletons, dancing and playing instruments. In the center of the image, a red banner features black text that reads
    Flyer for The Rapture, Sunday, December 6, 2020, Artists Space. [A drawing of a group of skeletons, dancing and playing instruments. In the center of the image, a red banner features black text that reads "The Rapture".]
    Caption Flyer for The Rapture, Sunday, December 6, 2020, Artists Space.
    Image description A drawing of a group of skeletons, dancing and playing instruments. In the center of the image, a red banner features black text that reads "The Rapture".
    Year 2020
    Related pages The Rapture
  • Five projections playing on a wall at different heights. Two are completely visible and three are partially visible. In the center of the image is a black and white projection of a gallery, with a painting placed in between the entrance of a hallway. To its right is a projection of a Jonas Mekas facing left, his face slightly golden in tone, wearing a fedora. A projection to its right partially shows four dark skinned people, nude and posing.
    Five projections playing on a wall at different heights. Two are completely visible and three are partially visible. In the center of the image is a black and white projection of a gallery, with a painting placed in between the entrance of a hallway. To its right is a projection of a Jonas Mekas facing left, his face slightly golden in tone, wearing a fedora. A projection to its right partially shows four dark skinned people, nude and posing.
    Union Gaucha Productions. Installation view, Artists Space, 2015. Photo: Daniel Pérez. [Five projections playing on a wall at different heights. Two are completely visible and three are partially visible. In the center of the image is a black and white projection of a gallery, with a painting placed in between the entrance of a hallway. To its right is a projection of a Jonas Mekas facing left, his face slightly golden in tone, wearing a fedora. A projection to its right partially shows four dark skinned people, nude and posing.]
    Caption Union Gaucha Productions. Installation view, Artists Space, 2015. Photo: Daniel Pérez.
    Image description Five projections playing on a wall at different heights. Two are completely visible and three are partially visible. In the center of the image is a black and white projection of a gallery, with a painting placed in between the entrance of a hallway. To its right is a projection of a Jonas Mekas facing left, his face slightly golden in tone, wearing a fedora. A projection to its right partially shows four dark skinned people, nude and posing.
    Year 2015
    Related pages Union Gaucha Productions
  • Color photograph of a vitrine from above. Various ephemera, including magazines, posters, press releases and photocopied images are placed inside.
    Color photograph of a vitrine from above. Various ephemera, including magazines, posters, press releases and photocopied images are placed inside.
    Yasunao Tone: Region of Paramedia. Installation view (ephemera c. 1970s), Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a vitrine from above. Various ephemera, including magazines, posters, press releases and photocopied images are placed inside.]
    Caption Yasunao Tone: Region of Paramedia. Installation view (ephemera c. 1970s), Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photograph of a vitrine from above. Various ephemera, including magazines, posters, press releases and photocopied images are placed inside.
    Year 2023
    Related pages Yasunao Tone: Region of Paramedia
  • The photograph shows an ornate room decorated symmetrically with couches on the left and right of the image and a fireplace at the back flanked by two windows. Overlayed on top of the image is a series of black squares and rectangles that overlap each other.
    The photograph shows an ornate room decorated symmetrically with couches on the left and right of the image and a fireplace at the back flanked by two windows. Overlayed on top of the image is a series of black squares and rectangles that overlap each other.
    Heather Rowe, A Careful Arrangement, 2008, Archival pigment inkjet and silkscreen on Somerset velvet paper, Image size: 12-1/2 x 13 inches (31.8 x 33 cm) Paper size: 21-3/4 x 17 inches (55.2 x 43.2 cm), Edition of 25 + 8 AP. [The photograph shows an ornate room decorated symmetrically with couches on the left and right of the image and a fireplace at the back flanked by two windows. Overlayed on top of the image is a series of black squares and rectangles that overlap each other.]
    Caption Heather Rowe, A Careful Arrangement, 2008, Archival pigment inkjet and silkscreen on Somerset velvet paper, Image size: 12-1/2 x 13 inches (31.8 x 33 cm) Paper size: 21-3/4 x 17 inches (55.2 x 43.2 cm), Edition of 25 + 8 AP.
    Image description The photograph shows an ornate room decorated symmetrically with couches on the left and right of the image and a fireplace at the back flanked by two windows. Overlayed on top of the image is a series of black squares and rectangles that overlap each other.
    Year 2008
    Related pages Editions
  • A figure in a white military uniform shirt approaches a group of women on a city street. She holds out a platter of small cookies wrapped in small plastic wrappers to one of the figures, who has taken the cookie, unwrapped it, and reads a small note attached to it.
    A figure in a white military uniform shirt approaches a group of women on a city street. She holds out a platter of small cookies wrapped in small plastic wrappers to one of the figures, who has taken the cookie, unwrapped it, and reads a small note attached to it.
    Amy Westpfhal, still from The Informational Cookie Project, 2006. [A figure in a white military uniform shirt approaches a group of women on a city street. She holds out a platter of small cookies wrapped in small plastic wrappers to one of the figures, who has taken the cookie, unwrapped it, and reads a small note attached to it.]
    Caption Amy Westpfhal, still from The Informational Cookie Project, 2006.
    Image description A figure in a white military uniform shirt approaches a group of women on a city street. She holds out a platter of small cookies wrapped in small plastic wrappers to one of the figures, who has taken the cookie, unwrapped it, and reads a small note attached to it.
    Year 2006
    Related pages Salad Days 2
  • A figure to the left plays the saxophone while another figure sitting in the middle of the frame watches with a guitar in his lap, another figure in the back right plays the bass.
    A figure to the left plays the saxophone while another figure sitting in the middle of the frame watches with a guitar in his lap, another figure in the back right plays the bass.
    Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman [A figure to the left plays the saxophone while another figure sitting in the middle of the frame watches with a guitar in his lap, another figure in the back right plays the bass.]
    Caption Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure to the left plays the saxophone while another figure sitting in the middle of the frame watches with a guitar in his lap, another figure in the back right plays the bass.
    Year 2022
    Related pages Tisziji Muñoz with Francisco Mora Catlett and AfroHORN
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  • Portfolio Development, Blue Sky Gallery exhibition (an homage to Virgil Abloh), June 17, 2022
    Caption Portfolio Development, Blue Sky Gallery exhibition (an homage to Virgil Abloh), June 17, 2022
    Image description
    Year
    Related pages Exhibitions and Events
  • Gray silhouettes are displayed on adjacent walls. Miscellaneous items are displayed on gray tables. A microphone and its extended wire lays on the floor in front of a speaker.
    Gray silhouettes are displayed on adjacent walls. Miscellaneous items are displayed on gray tables. A microphone and its extended wire lays on the floor in front of a speaker.
    The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich. [Gray silhouettes are displayed on adjacent walls. Miscellaneous items are displayed on gray tables. A microphone and its extended wire lays on the floor in front of a speaker.]
    Caption The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich.
    Image description Gray silhouettes are displayed on adjacent walls. Miscellaneous items are displayed on gray tables. A microphone and its extended wire lays on the floor in front of a speaker.
    Year 2014
    Related pages The Issues of Our Time
  • A figure smiles and stands behind a music stand and microphone.
    A figure smiles and stands behind a music stand and microphone.
    Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [A figure smiles and stands behind a music stand and microphone.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure smiles and stands behind a music stand and microphone.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-10
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Portraits of two figures are arranged side-by-side. On the left, a figure wearing a white shirt sits at a table with different objects spread out on its surface, speaking into a microphone. On the right, a black and white photo of a figures bust sits inside a larger black square.
    Portraits of two figures are arranged side-by-side. On the left, a figure wearing a white shirt sits at a table with different objects spread out on its surface, speaking into a microphone. On the right, a black and white photo of a figures bust sits inside a larger black square.
    Portraits of Peter Osborne and Brendan Harvey. [Portraits of two figures are arranged side-by-side. On the left, a figure wearing a white shirt sits at a table with different objects spread out on its surface, speaking into a microphone. On the right, a black and white photo of a figures bust sits inside a larger black square.]
    Caption Portraits of Peter Osborne and Brendan Harvey.
    Image description Portraits of two figures are arranged side-by-side. On the left, a figure wearing a white shirt sits at a table with different objects spread out on its surface, speaking into a microphone. On the right, a black and white photo of a figures bust sits inside a larger black square.
    Year 2021
    Related pages Artists Space Dialogues: Ciarán Finlayson and Peter Osborne (with Brendan Harvey)
  • A collection of drawings, paintings, tote bags, and posters hang on a gallery wall. Two geometric, carpet-like shapes are spread across the floor before the wall.
    A collection of drawings, paintings, tote bags, and posters hang on a gallery wall. Two geometric, carpet-like shapes are spread across the floor before the wall.
    Apartment Show: If the dogs are barking. Installation view, Artists Space, 2009. [A collection of drawings, paintings, tote bags, and posters hang on a gallery wall. Two geometric, carpet-like shapes are spread across the floor before the wall.]
    Caption Apartment Show: If the dogs are barking. Installation view, Artists Space, 2009.
    Image description A collection of drawings, paintings, tote bags, and posters hang on a gallery wall. Two geometric, carpet-like shapes are spread across the floor before the wall.
    Year 2009
    Related pages Apartment Show: If the dogs are barking
  • An ashtray with the text,
    An ashtray with the text,
    Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013. [An ashtray with the text, "Martini," three Schweppes bottles, six Coca-Cola bottle, and nine drinking classes arranged face down on a silver platter are displayed on a white counter top.]
    Caption Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013.
    Image description An ashtray with the text, "Martini," three Schweppes bottles, six Coca-Cola bottle, and nine drinking classes arranged face down on a silver platter are displayed on a white counter top.
    Year 2013
    Related pages Pride Goes Before a Fall
  • Two people in aprons use a printmaker. One stands in the foreground, using the machine, while the other stands to the left in the background.
    Two people in aprons use a printmaker. One stands in the foreground, using the machine, while the other stands to the left in the background.
    Students creating prints at International Print Center NY, 2019 [Two people in aprons use a printmaker. One stands in the foreground, using the machine, while the other stands to the left in the background.]
    Caption Students creating prints at International Print Center NY, 2019
    Image description Two people in aprons use a printmaker. One stands in the foreground, using the machine, while the other stands to the left in the background.
    Year 2019
    Related pages Portfolio Development
  • Two performers stand in the middle of a room, facing each other, with their arms raised, leaning slightly to one side. The audience sits on the perimeter of the room, forming a circle around them.
    Two performers stand in the middle of a room, facing each other, with their arms raised, leaning slightly to one side. The audience sits on the perimeter of the room, forming a circle around them.
    Richard Kennedy Both, 2017. [Two performers stand in the middle of a room, facing each other, with their arms raised, leaning slightly to one side. The audience sits on the perimeter of the room, forming a circle around them.]
    Caption Richard Kennedy Both, 2017.
    Image description Two performers stand in the middle of a room, facing each other, with their arms raised, leaning slightly to one side. The audience sits on the perimeter of the room, forming a circle around them.
    Year 2017
    Related pages Support
  • A color photograph of a figure standing in an orange-lit space filled with various audio equipment and a stereo player. They lean down to press adjust a dial on an audio mixer.
    A color photograph of a figure standing in an orange-lit space filled with various audio equipment and a stereo player. They lean down to press adjust a dial on an audio mixer.
    Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. Photo: Filip Wolak [A color photograph of a figure standing in an orange-lit space filled with various audio equipment and a stereo player. They lean down to press adjust a dial on an audio mixer.]
    Caption Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. Photo: Filip Wolak
    Image description A color photograph of a figure standing in an orange-lit space filled with various audio equipment and a stereo player. They lean down to press adjust a dial on an audio mixer.
    Year 2022
    Related pages Yuji Agematsu
  • Color image of audience members watching a performance out of the left side of the frame. On the left side of the image, there are two rows of seated audience members in shadow. In the center of the image, audience members stand against a wall. The upper half of the standing audience members is cast in orange and red light emitted from a projector. Behind the standing audience, an image of a figure rendered in red, yellow and blue is projected on the wall. On the right edge of the image, there is a table with clear glasses and bottles of wine. 
    Color image of audience members watching a performance out of the left side of the frame. On the left side of the image, there are two rows of seated audience members in shadow. In the center of the image, audience members stand against a wall. The upper half of the standing audience members is cast in orange and red light emitted from a projector. Behind the standing audience, an image of a figure rendered in red, yellow and blue is projected on the wall. On the right edge of the image, there is a table with clear glasses and bottles of wine. 
    Abasement #68. Performance documentation, February 12, 2024, Artists Space. Photo: Joshua Wildman. [Color image of audience members watching a performance out of the left side of the frame. On the left side of the image, there are two rows of seated audience members in shadow. In the center of the image, audience members stand against a wall. The upper half of the standing audience members is cast in orange and red light emitted from a projector. Behind the standing audience, an image of a figure rendered in red, yellow and blue is projected on the wall. On the right edge of the image, there is a table with clear glasses and bottles of wine. ]
    Caption Abasement #68. Performance documentation, February 12, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Color image of audience members watching a performance out of the left side of the frame. On the left side of the image, there are two rows of seated audience members in shadow. In the center of the image, audience members stand against a wall. The upper half of the standing audience members is cast in orange and red light emitted from a projector. Behind the standing audience, an image of a figure rendered in red, yellow and blue is projected on the wall. On the right edge of the image, there is a table with clear glasses and bottles of wine. 
    Annotation Color image of a seated musician playing a tenor saxophone on a stage. In the foreground of the image, there is the blurred back of the heads of seated audience members. In the center midground of the image, the musician is basked in green and yellow light being emitted from a projector. The projection covers the back wall behind the musician and the stage. 
    Year
    Related pages Abasement #68
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    Related pages S*an D. Henry-Smith
  • A white cloth banner hangs vertically from the ceiling, with text which reads
    A white cloth banner hangs vertically from the ceiling, with text which reads
    The columns held us up. Installation view, Artists Space, 2009. Photo: Adam Reich. [A white cloth banner hangs vertically from the ceiling, with text which reads "KARA-KUM, area 350000, disposed in Middle Asia." Below the text are drawings resembling Turkish architecture. To the right of the banner, a slide projector sits on a short wooden bench, projecting a small image onto a white wall.]
    Caption The columns held us up. Installation view, Artists Space, 2009. Photo: Adam Reich.
    Image description A white cloth banner hangs vertically from the ceiling, with text which reads "KARA-KUM, area 350000, disposed in Middle Asia." Below the text are drawings resembling Turkish architecture. To the right of the banner, a slide projector sits on a short wooden bench, projecting a small image onto a white wall.
    Year 2009
    Related pages The columns held us up
  • In a darkened room, a bright blue LED light, two circular mirrors and scientific mounts sit atop two metal welding tables.
    In a darkened room, a bright blue LED light, two circular mirrors and scientific mounts sit atop two metal welding tables.
    Constantina Zavitsanos: fwiw. Installation view (Ace of Spades, 2024), Artists Space, 2024. Photo: Carter Seddon. [In a darkened room, a bright blue LED light, two circular mirrors and scientific mounts sit atop two metal welding tables. ]
    Caption Constantina Zavitsanos: fwiw. Installation view (Ace of Spades, 2024), Artists Space, 2024. Photo: Carter Seddon.
    Image description In a darkened room, a bright blue LED light, two circular mirrors and scientific mounts sit atop two metal welding tables.
    Year
    Related pages fwiw
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
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    Related pages Abasement #67
  • Two photographs mounted on a white gallery wall.
    Two photographs mounted on a white gallery wall.
    Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979. [Two photographs mounted on a white gallery wall.]
    Caption Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979.
    Image description Two photographs mounted on a white gallery wall.
    Year 1979
    Related pages Place, (title to be determined), for a Participant: Ken Feingold
  • Black & white photograph of a performer sitting in a wooden chair. A spotlight shines on them from above, and they play a cello that leans against their body.
    Black & white photograph of a performer sitting in a wooden chair. A spotlight shines on them from above, and they play a cello that leans against their body.
    Shala Miller performs Genesis: Medley. Performance documentation, May 11, 2023, Artists Space. Photo: Roy Baizan. [Black & white photograph of a performer sitting in a wooden chair. A spotlight shines on them from above, and they play a cello that leans against their body.]
    Caption Shala Miller performs Genesis: Medley. Performance documentation, May 11, 2023, Artists Space. Photo: Roy Baizan.
    Image description Black & white photograph of a performer sitting in a wooden chair. A spotlight shines on them from above, and they play a cello that leans against their body.
    Year 2023
    Related pages Genesis: Medley
  • Color image of an old wooden cabinet, with the doors open revealing various objects placed on the shelves including: a black kettle, a glass jar with eggshells, a white bust, a clock, a fire alarm, a book, Comet bleach, and empty glass bottles
    Color image of an old wooden cabinet, with the doors open revealing various objects placed on the shelves including: a black kettle, a glass jar with eggshells, a white bust, a clock, a fire alarm, a book, Comet bleach, and empty glass bottles
    Photo: Elisheva Gavra, Courtesy of the artist. [Color image of an old wooden cabinet, with the doors open revealing various objects placed on the shelves including: a black kettle, a glass jar with eggshells, a white bust, a clock, a fire alarm, a book, Comet bleach, and empty glass bottles]
    Caption Photo: Elisheva Gavra, Courtesy of the artist.
    Image description Color image of an old wooden cabinet, with the doors open revealing various objects placed on the shelves including: a black kettle, a glass jar with eggshells, a white bust, a clock, a fire alarm, a book, Comet bleach, and empty glass bottles
    Year
    Related pages Char Jeré: Zoo or an Orchestra
  • A metal desk with each of its legs perched on top of four vertical cinderblocks. The side of the desk is decorated with a dark blue and aqua blue stripe. A bright red ball rests on top of the desk.
    A metal desk with each of its legs perched on top of four vertical cinderblocks. The side of the desk is decorated with a dark blue and aqua blue stripe. A bright red ball rests on top of the desk.
    Salad Days 2. Installation view, Artists Space, 2006. Photo: Bill Ocrutt. [A metal desk with each of its legs perched on top of four vertical cinderblocks. The side of the desk is decorated with a dark blue and aqua blue stripe. A bright red ball rests on top of the desk.]
    Caption Salad Days 2. Installation view, Artists Space, 2006. Photo: Bill Ocrutt.
    Image description A metal desk with each of its legs perched on top of four vertical cinderblocks. The side of the desk is decorated with a dark blue and aqua blue stripe. A bright red ball rests on top of the desk.
    Year 2006
    Related pages Salad Days 2
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    Year 2019
    Related pages Editions
  • Installation view of a mechanical wall covering a window in a gallery space, with a diamond-shaped glass pane in the center letting light through.
    Installation view of a mechanical wall covering a window in a gallery space, with a diamond-shaped glass pane in the center letting light through.
    Alan Ruiz, Hunter Green 1390, 2016. Courtesy the artist. [Installation view of a mechanical wall covering a window in a gallery space, with a diamond-shaped glass pane in the center letting light through.]
    Caption Alan Ruiz, Hunter Green 1390, 2016. Courtesy the artist.
    Image description Installation view of a mechanical wall covering a window in a gallery space, with a diamond-shaped glass pane in the center letting light through.
    Year 2016
    Related pages In the Last Instance
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    Year
    Related pages Friends of Artists Space Dinner
  • A naked woman with long, brown hair rides on a saddled brown and white horse down a cobbled urban street. One green and one red car are parked on the side of the street directly behind her, and various passerby look up towards her as she passes by. A red flag with white text reading,
    A naked woman with long, brown hair rides on a saddled brown and white horse down a cobbled urban street. One green and one red car are parked on the side of the street directly behind her, and various passerby look up towards her as she passes by. A red flag with white text reading,
    Sonic Godiva Music Fest. Performance documentation, November 19, 2005, Artists Space. [A naked woman with long, brown hair rides on a saddled brown and white horse down a cobbled urban street. One green and one red car are parked on the side of the street directly behind her, and various passerby look up towards her as she passes by. A red flag with white text reading, "UNIQLO" hangs from a rightmost building behind the horse.]
    Caption Sonic Godiva Music Fest. Performance documentation, November 19, 2005, Artists Space.
    Image description A naked woman with long, brown hair rides on a saddled brown and white horse down a cobbled urban street. One green and one red car are parked on the side of the street directly behind her, and various passerby look up towards her as she passes by. A red flag with white text reading, "UNIQLO" hangs from a rightmost building behind the horse.
    Year 2005
    Related pages Empty Space With Exciting Events
  • An overexposed image of a person looking at the camera, their face partially obscured by the exposure.
    An overexposed image of a person looking at the camera, their face partially obscured by the exposure.
    Union Gaucha Productions Still from Totloop , 2003 16mm film (silent, color), 4 min 49 sec Collaboration with Fabio Kacero Courtesy of Union Gaucha Productions [An overexposed image of a person looking at the camera, their face partially obscured by the exposure.]
    Caption Union Gaucha Productions Still from Totloop , 2003 16mm film (silent, color), 4 min 49 sec Collaboration with Fabio Kacero Courtesy of Union Gaucha Productions
    Image description An overexposed image of a person looking at the camera, their face partially obscured by the exposure.
    Year 2003
    Related pages Union Gaucha Productions
  • A table covered with a red tablecloth. The tablecloth is decorated with two white images: a person riding a horse and stylized text reading
    A table covered with a red tablecloth. The tablecloth is decorated with two white images: a person riding a horse and stylized text reading
    New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court. [A table covered with a red tablecloth. The tablecloth is decorated with two white images: a person riding a horse and stylized text reading "THE URGE TO MERGE." Lying on the table, there is a magazine with a green cover with a figure holding an axe. The cover text reads, "NEVER SETTLE" and "SPECIAL Future Recruits Issue".]
    Caption New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court.
    Image description A table covered with a red tablecloth. The tablecloth is decorated with two white images: a person riding a horse and stylized text reading "THE URGE TO MERGE." Lying on the table, there is a magazine with a green cover with a figure holding an axe. The cover text reads, "NEVER SETTLE" and "SPECIAL Future Recruits Issue".
    Year 2020
    Related pages New Red Order: Informants Get Paid!
  • Color image of a gallery space with large panels of adobe with paintings of various figures on them. Adobe bricks are laid out on the floor to create a small walkway.
    Color image of a gallery space with large panels of adobe with paintings of various figures on them. Adobe bricks are laid out on the floor to create a small walkway.
    rafa esparza: Camino. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color image of a gallery space with large panels of adobe with paintings of various figures on them. Adobe bricks are laid out on the floor to create a small walkway.]
    Caption rafa esparza: Camino. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color image of a gallery space with large panels of adobe with paintings of various figures on them. Adobe bricks are laid out on the floor to create a small walkway.
    Year
    Related pages rafa esparza: Camino
  • Color photograph of a figure wearing a conical sheath of reflective one-way mirror film. They stand in the corner of a dark room, shining a bright light against the wall behind them. Their silhouette can be vaguely seen under the mirror film.
    Color photograph of a figure wearing a conical sheath of reflective one-way mirror film. They stand in the corner of a dark room, shining a bright light against the wall behind them. Their silhouette can be vaguely seen under the mirror film.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure wearing a conical sheath of reflective one-way mirror film. They stand in the corner of a dark room, shining a bright light against the wall behind them. Their silhouette can be vaguely seen under the mirror film.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a figure wearing a conical sheath of reflective one-way mirror film. They stand in the corner of a dark room, shining a bright light against the wall behind them. Their silhouette can be vaguely seen under the mirror film.
    Year 2022
    Related pages keyon gaskin 12-14
  • Drawing of a globe figure bisected with long vertical rectangle, overlaid with line grid.
    Drawing of a globe figure bisected with long vertical rectangle, overlaid with line grid.
    Michael Kalil, an analytical study for Osmotic Membrane (detail), 1986. [Drawing of a globe figure bisected with long vertical rectangle, overlaid with line grid.]
    Caption Michael Kalil, an analytical study for Osmotic Membrane (detail), 1986.
    Image description Drawing of a globe figure bisected with long vertical rectangle, overlaid with line grid.
    Year
    Related pages From Here to Eternity: Fact and Fiction in Recent Architectural Projects
  • Collaged image featuring a vintage color photograph of the Golden Gate Bridge. A gigantic box whose sides are covered with images of forest treetops covers the center portion of the bridge. The bridge appears to pass through the box through a hole in its left side, out of which water pours into the Bay below. Verdant, rolling hills are visible in the image's foreground.
    Collaged image featuring a vintage color photograph of the Golden Gate Bridge. A gigantic box whose sides are covered with images of forest treetops covers the center portion of the bridge. The bridge appears to pass through the box through a hole in its left side, out of which water pours into the Bay below. Verdant, rolling hills are visible in the image's foreground.
    [Collaged image featuring a vintage color photograph of the Golden Gate Bridge. A gigantic box whose sides are covered with images of forest treetops covers the center portion of the bridge. The bridge appears to pass through the box through a hole in its left side, out of which water pours into the Bay below. Verdant, rolling hills are visible in the image's foreground.]
    Caption
    Image description Collaged image featuring a vintage color photograph of the Golden Gate Bridge. A gigantic box whose sides are covered with images of forest treetops covers the center portion of the bridge. The bridge appears to pass through the box through a hole in its left side, out of which water pours into the Bay below. Verdant, rolling hills are visible in the image's foreground.
    Year 2003
    Related pages Superstudio: Life Without Objects
  • Color image of two performers sitting on a stage, with a variety of musical gear between them. The backs of heads from audience members observing the performers can be seen at the bottom of the image. A pinkish-red spotlight illuminates the dark performance space and the individuals on the stage.
    Color image of two performers sitting on a stage, with a variety of musical gear between them. The backs of heads from audience members observing the performers can be seen at the bottom of the image. A pinkish-red spotlight illuminates the dark performance space and the individuals on the stage.
    Abasement #63. Performance documentation, July 17, 2023, Artists Space. Photo: Joshua Wildman. [Color image of two performers sitting on a stage, with a variety of musical gear between them. The backs of heads from audience members observing the performers can be seen at the bottom of the image. A pinkish-red spotlight illuminates the dark performance space and the individuals on the stage.]
    Caption Abasement #63. Performance documentation, July 17, 2023, Artists Space. Photo: Joshua Wildman.
    Image description Color image of two performers sitting on a stage, with a variety of musical gear between them. The backs of heads from audience members observing the performers can be seen at the bottom of the image. A pinkish-red spotlight illuminates the dark performance space and the individuals on the stage.
    Year
    Related pages Abasement #63
  • [A tan colored background features black text in the top half of the image that reads,
    [A tan colored background features black text in the top half of the image that reads,
    Flyer for Segue Reading Series featuring Benjamin Krusling & Momtaza Mehri. Saturday February 13, 2021, Artists Space. [[A tan colored background features black text in the top half of the image that reads, "Segue Reading Series / Benjamin Krusling & Momtaza Mehri / February 13 / 5pm on Zoom / Suggested donation: Five dollars / Zoom ID: 830 2698 4031." Black text in the bottom right corner reads, "Artists Space."]]
    Caption Flyer for Segue Reading Series featuring Benjamin Krusling & Momtaza Mehri. Saturday February 13, 2021, Artists Space.
    Image description [A tan colored background features black text in the top half of the image that reads, "Segue Reading Series / Benjamin Krusling & Momtaza Mehri / February 13 / 5pm on Zoom / Suggested donation: Five dollars / Zoom ID: 830 2698 4031." Black text in the bottom right corner reads, "Artists Space."]
    Year
    Related pages Segue Reading Series: Benjamin Krusling & Momtaza Mehri
  • A white wall displaying twenty-one framed photograms arranged in a rectangle creates a corner with a second white wall displaying four framed photograms in a horizontal line.
    A white wall displaying twenty-one framed photograms arranged in a rectangle creates a corner with a second white wall displaying four framed photograms in a horizontal line.
    Mark Morrisroe: From This Moment On. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A white wall displaying twenty-one framed photograms arranged in a rectangle creates a corner with a second white wall displaying four framed photograms in a horizontal line.]
    Caption Mark Morrisroe: From This Moment On. Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description A white wall displaying twenty-one framed photograms arranged in a rectangle creates a corner with a second white wall displaying four framed photograms in a horizontal line.
    Year 2011
    Related pages Mark Morrisroe: From This Moment On
  • Screenshot of two vertically oriented rectangular shapes, one white and one blue. Fragments of text appear in both rectangles, spelling out phrases like
    Screenshot of two vertically oriented rectangular shapes, one white and one blue. Fragments of text appear in both rectangles, spelling out phrases like
    Screenshot from Tan Lin's Bibliographic Sound Track, 2012. [Screenshot of two vertically oriented rectangular shapes, one white and one blue. Fragments of text appear in both rectangles, spelling out phrases like "17 black random [marks on] : lemon," "Particles disable rendering [ I ]," and "Etc. a state to each other."]
    Caption Screenshot from Tan Lin's Bibliographic Sound Track, 2012.
    Image description Screenshot of two vertically oriented rectangular shapes, one white and one blue. Fragments of text appear in both rectangles, spelling out phrases like "17 black random [marks on] : lemon," "Particles disable rendering [ I ]," and "Etc. a state to each other."
    Year 2012
    Related pages Powerpoint and the Perfume of Reading
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