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  • A person dressed in all pink, holding a heart-shaped canvas, smiles into a microphone held by a second person in all black. In the background, a crowd of people look on.
    A person dressed in all pink, holding a heart-shaped canvas, smiles into a microphone held by a second person in all black. In the background, a crowd of people look on.
    Jutta Koether: xxapollo. Performance documentation, January 5, 2020, Artists Space. Photo © 2020 Paula Court. [A person dressed in all pink, holding a heart-shaped canvas, smiles into a microphone held by a second person in all black. In the background, a crowd of people look on.]
    Caption Jutta Koether: xxapollo. Performance documentation, January 5, 2020, Artists Space. Photo © 2020 Paula Court.
    Image description A person dressed in all pink, holding a heart-shaped canvas, smiles into a microphone held by a second person in all black. In the background, a crowd of people look on.
    Year 2020
    Related pages Jutta Koether
  • Black and white scan of a photograph of a figure standing on a tall square plinth in a gallery space, in front of an obscured crowd of viewers. The figure poses like a statue with their hands on their hips, wearing a pair of overalls and high, blocky heels, and a phallic strap-on around their waist.
    Black and white scan of a photograph of a figure standing on a tall square plinth in a gallery space, in front of an obscured crowd of viewers. The figure poses like a statue with their hands on their hips, wearing a pair of overalls and high, blocky heels, and a phallic strap-on around their waist.
    Scott Burton, Performance Portrait of the Artist with Cothurni and Ithyphallus, 25 April 1974. Documentation of performance at Artists Space. Courtesy Estate of Scott Burton. [Black and white scan of a photograph of a figure standing on a tall square plinth in a gallery space, in front of an obscured crowd of viewers. The figure poses like a statue with their hands on their hips, wearing a pair of overalls and high, blocky heels, and a phallic strap-on around their waist.]
    Caption Scott Burton, Performance Portrait of the Artist with Cothurni and Ithyphallus, 25 April 1974. Documentation of performance at Artists Space. Courtesy Estate of Scott Burton.
    Image description Black and white scan of a photograph of a figure standing on a tall square plinth in a gallery space, in front of an obscured crowd of viewers. The figure poses like a statue with their hands on their hips, wearing a pair of overalls and high, blocky heels, and a phallic strap-on around their waist.
    Year
    Related pages Queer Behavior: Scott Burton and Performance Art.
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    Related pages Michael Asher
  • A computer rendering of a purple and amorphous form composed of long, extending tube shapes on a white background.
    A computer rendering of a purple and amorphous form composed of long, extending tube shapes on a white background.
    [A computer rendering of a purple and amorphous form composed of long, extending tube shapes on a white background.]
    Caption
    Image description A computer rendering of a purple and amorphous form composed of long, extending tube shapes on a white background.
    Year 2008
    Related pages Matters of Sensation
  • David Rodriguez, Free Rain, 2021, digital photography
    Caption David Rodriguez, Free Rain, 2021, digital photography
    Image description
    Year 2021
    Related pages BRIDGE Photography
  • Two people on a city street in front of a graffitied brick wall. One faces the camera, holding a megaphone and a piece of paper at his sides. The other is walking, facing the side, and speaking into her megaphone and reading off a sheet of paper.
    Two people on a city street in front of a graffitied brick wall. One faces the camera, holding a megaphone and a piece of paper at his sides. The other is walking, facing the side, and speaking into her megaphone and reading off a sheet of paper.
    [Two people on a city street in front of a graffitied brick wall. One faces the camera, holding a megaphone and a piece of paper at his sides. The other is walking, facing the side, and speaking into her megaphone and reading off a sheet of paper.]
    Caption
    Image description Two people on a city street in front of a graffitied brick wall. One faces the camera, holding a megaphone and a piece of paper at his sides. The other is walking, facing the side, and speaking into her megaphone and reading off a sheet of paper.
    Year 2009
    Related pages Adam Pendleton
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  • Two photographs arranged side by side. The left photograph displays a person sitting partially in shadow with a patterned background and a small object on her lap. The right photograph shows a framed photograph of a young man in a suit with the same object placed in front of the portrait.
    Two photographs arranged side by side. The left photograph displays a person sitting partially in shadow with a patterned background and a small object on her lap. The right photograph shows a framed photograph of a young man in a suit with the same object placed in front of the portrait.
    Robert Giard, Homage to Joe Beam, 1992. 20 x 38 inches. [Two photographs arranged side by side. The left photograph displays a person sitting partially in shadow with a patterned background and a small object on her lap. The right photograph shows a framed photograph of a young man in a suit with the same object placed in front of the portrait.]
    Caption Robert Giard, Homage to Joe Beam, 1992. 20 x 38 inches.
    Image description Two photographs arranged side by side. The left photograph displays a person sitting partially in shadow with a patterned background and a small object on her lap. The right photograph shows a framed photograph of a young man in a suit with the same object placed in front of the portrait.
    Year 1992
    Related pages AIDS FORUM: Tribute to Joe Beam
  • A photo of a room full of people seated at three long, rectangular tables. Each table has numerous glasses of wine, sparkling water, candles, and empty plates of food. In the foreground, people are talking to each other and smiling.
    A photo of a room full of people seated at three long, rectangular tables. Each table has numerous glasses of wine, sparkling water, candles, and empty plates of food. In the foreground, people are talking to each other and smiling.
    Friends of Artists Space Annual Dinner, 2017. [A photo of a room full of people seated at three long, rectangular tables. Each table has numerous glasses of wine, sparkling water, candles, and empty plates of food. In the foreground, people are talking to each other and smiling.]
    Caption Friends of Artists Space Annual Dinner, 2017.
    Image description A photo of a room full of people seated at three long, rectangular tables. Each table has numerous glasses of wine, sparkling water, candles, and empty plates of food. In the foreground, people are talking to each other and smiling.
    Year 2017
    Related pages Support
  • Two cropped photographs of figures cut into irregular shapes are laid over a light blue background. White and blue text on the image reads
    Two cropped photographs of figures cut into irregular shapes are laid over a light blue background. White and blue text on the image reads
    Flyer for Segue Reading Series featuring Richard Loranger and Yanyi. Saturday, November 21, 2020, Artists Space. Artist: Keith Higginbotham [Two cropped photographs of figures cut into irregular shapes are laid over a light blue background. White and blue text on the image reads "Richard Loranger / Yanyi / Segue."]
    Caption Flyer for Segue Reading Series featuring Richard Loranger and Yanyi. Saturday, November 21, 2020, Artists Space. Artist: Keith Higginbotham
    Image description Two cropped photographs of figures cut into irregular shapes are laid over a light blue background. White and blue text on the image reads "Richard Loranger / Yanyi / Segue."
    Year 2020
    Related pages Segue Reading Series: Yanyi & Richard Loranger
  • A figure leans over to arranges audio equipment on a desk using a flashlight held in their mouth. Red light fills the background.
    A figure leans over to arranges audio equipment on a desk using a flashlight held in their mouth. Red light fills the background.
    Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [A figure leans over to arranges audio equipment on a desk using a flashlight held in their mouth. Red light fills the background.]
    Caption Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure leans over to arranges audio equipment on a desk using a flashlight held in their mouth. Red light fills the background.
    Year 2022
    Related pages Abasement #61
  • Black-and-white photograph of a TV against a brick wall, connected to a camera recording directly above a spotlighted chair and desk.
    Black-and-white photograph of a TV against a brick wall, connected to a camera recording directly above a spotlighted chair and desk.
    Yasunao Tone, Voice and Phenomenon, Experimental Intermedia Foundation, New York, 1976. [Black-and-white photograph of a TV against a brick wall, connected to a camera recording directly above a spotlighted chair and desk.]
    Caption Yasunao Tone, Voice and Phenomenon, Experimental Intermedia Foundation, New York, 1976.
    Image description Black-and-white photograph of a TV against a brick wall, connected to a camera recording directly above a spotlighted chair and desk.
    Year
    Related pages Yasunao Tone: Region of Paramedia
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  • Two figures are seated on stage. The figure on the left plays the violin and the figure on the right holds a briefcase full of audio equipment.
    Two figures are seated on stage. The figure on the left plays the violin and the figure on the right holds a briefcase full of audio equipment.
    Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman [Two figures are seated on stage. The figure on the left plays the violin and the figure on the right holds a briefcase full of audio equipment.]
    Caption Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman
    Image description Two figures are seated on stage. The figure on the left plays the violin and the figure on the right holds a briefcase full of audio equipment.
    Year
    Related pages Abasement: #62
  • White and dark blue text overlay a light blue background with abstract lines and a drawing of a male bust in the bottom left corner. The text in the middle reads
    White and dark blue text overlay a light blue background with abstract lines and a drawing of a male bust in the bottom left corner. The text in the middle reads
    Flyer for Segue Reading Series featuring Jacob Kahn and Erica Hunt. January 28, 2023, Artists Space. [White and dark blue text overlay a light blue background with abstract lines and a drawing of a male bust in the bottom left corner. The text in the middle reads "Jacob Kahn / Segue Reading Series / Erica Hunt."]
    Caption Flyer for Segue Reading Series featuring Jacob Kahn and Erica Hunt. January 28, 2023, Artists Space.
    Image description White and dark blue text overlay a light blue background with abstract lines and a drawing of a male bust in the bottom left corner. The text in the middle reads "Jacob Kahn / Segue Reading Series / Erica Hunt."
    Year
    Related pages Segue Reading Series: Erica Hunt & Jacob Kahn
  • A crowd is pictured in front of a performer. Behind the performer are three large colorful projections.
    A crowd is pictured in front of a performer. Behind the performer are three large colorful projections.
    SCRAAATCH, Tower of Babel, 2019, Les Urbaines. Photo: Mathilda Olmi [A crowd is pictured in front of a performer. Behind the performer are three large colorful projections.]
    Caption SCRAAATCH, Tower of Babel, 2019, Les Urbaines. Photo: Mathilda Olmi
    Image description A crowd is pictured in front of a performer. Behind the performer are three large colorful projections.
    Year 2019
    Related pages SCRAAATCH 11-19
  • A nude statue of a woman in a headdress. To the left, sideways text reads,
    A nude statue of a woman in a headdress. To the left, sideways text reads,
    Program for ‘At The Whitechapel Art Gallery, September – November 1981’ . Designed by Richard Hollis, 1981. Courtesy Richard Hollis [A nude statue of a woman in a headdress. To the left, sideways text reads, "At the Whitechapel Art Gallery."]
    Caption Program for ‘At The Whitechapel Art Gallery, September – November 1981’ . Designed by Richard Hollis, 1981. Courtesy Richard Hollis
    Image description A nude statue of a woman in a headdress. To the left, sideways text reads, "At the Whitechapel Art Gallery."
    Year 1981
    Related pages Richard Hollis
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    Related pages ART CLUB2000
  • Color photograph of a figure wearing black, holding a long wooden stick over a reflective surface with an orange construction net over it.
    Color photograph of a figure wearing black, holding a long wooden stick over a reflective surface with an orange construction net over it.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a figure wearing black, holding a long wooden stick over a reflective surface with an orange construction net over it.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of a figure wearing black, holding a long wooden stick over a reflective surface with an orange construction net over it.
    Year
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • A wide shot of a person sitting at a table with a computer. The table is covered in a red tablecloth with white lettering that reads,
    A wide shot of a person sitting at a table with a computer. The table is covered in a red tablecloth with white lettering that reads,
    New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court. [A wide shot of a person sitting at a table with a computer. The table is covered in a red tablecloth with white lettering that reads, "WHAT ARE SAVAGES FOR?" and "THE URGE TO MERGE." Lighter red, stylized text reads "NEW RED ORDER" and "NEVER SETTLE." Behind the table, a projected image shows a man with one hand outstretched superimposed on a city skyline. On either side of the table are informational posters with printed text.]
    Caption New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court.
    Image description A wide shot of a person sitting at a table with a computer. The table is covered in a red tablecloth with white lettering that reads, "WHAT ARE SAVAGES FOR?" and "THE URGE TO MERGE." Lighter red, stylized text reads "NEW RED ORDER" and "NEVER SETTLE." Behind the table, a projected image shows a man with one hand outstretched superimposed on a city skyline. On either side of the table are informational posters with printed text.
    Year 2020
    Related pages New Red Order: Informants Get Paid!
  • Three framed photographs installed in a gallery space with white walls and wooden flooring. Two lighter photographs of white, industrial buildings are installed one above the other on a freestanding wall on the image's left side. Visible behind and to the right of the freestanding wall is a third, color photograph of a city skyscraper rising out of an urban landscape.
    Three framed photographs installed in a gallery space with white walls and wooden flooring. Two lighter photographs of white, industrial buildings are installed one above the other on a freestanding wall on the image's left side. Visible behind and to the right of the freestanding wall is a third, color photograph of a city skyscraper rising out of an urban landscape.
    Urban Pornography. Installation view, Artists Space, 2001. [Three framed photographs installed in a gallery space with white walls and wooden flooring. Two lighter photographs of white, industrial buildings are installed one above the other on a freestanding wall on the image's left side. Visible behind and to the right of the freestanding wall is a third, color photograph of a city skyscraper rising out of an urban landscape.]
    Caption Urban Pornography. Installation view, Artists Space, 2001.
    Image description Three framed photographs installed in a gallery space with white walls and wooden flooring. Two lighter photographs of white, industrial buildings are installed one above the other on a freestanding wall on the image's left side. Visible behind and to the right of the freestanding wall is a third, color photograph of a city skyscraper rising out of an urban landscape.
    Year 2001
    Related pages Urban Pornography
  • Two walls form an entry way to the exhibition space. Both present black and white photos across their entire surface area. On the left, two men sit in a living room; on the right a man stands outside a store with a neon light sign.
    Two walls form an entry way to the exhibition space. Both present black and white photos across their entire surface area. On the left, two men sit in a living room; on the right a man stands outside a store with a neon light sign.
    Living with Pop. A Reproduction of Capitalist Realism. Installation view, Artists Space, 2014. [Two walls form an entry way to the exhibition space. Both present black and white photos across their entire surface area. On the left, two men sit in a living room; on the right a man stands outside a store with a neon light sign.]
    Caption Living with Pop. A Reproduction of Capitalist Realism. Installation view, Artists Space, 2014.
    Image description Two walls form an entry way to the exhibition space. Both present black and white photos across their entire surface area. On the left, two men sit in a living room; on the right a man stands outside a store with a neon light sign.
    Year 2014
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • A figure faces towards a microphone and red light, playing some sort of instrument that is out of focus.
    A figure faces towards a microphone and red light, playing some sort of instrument that is out of focus.
    Eiko Ishibashi: Two New York Nights. Performance documentation, June 8, 2022, 8pm. Artists Space, New York. [A figure faces towards a microphone and red light, playing some sort of instrument that is out of focus.]
    Caption Eiko Ishibashi: Two New York Nights. Performance documentation, June 8, 2022, 8pm. Artists Space, New York.
    Image description A figure faces towards a microphone and red light, playing some sort of instrument that is out of focus.
    Year
    Related pages Eiko Ishibashi in Concert
  • Color photograph of a performer dressed in white, kneeling on all fours. A bright light from their pelvic area shines onto the floor, as viewers stand around the figure.
    Color photograph of a performer dressed in white, kneeling on all fours. A bright light from their pelvic area shines onto the floor, as viewers stand around the figure.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a performer dressed in white, kneeling on all fours. A bright light from their pelvic area shines onto the floor, as viewers stand around the figure.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a performer dressed in white, kneeling on all fours. A bright light from their pelvic area shines onto the floor, as viewers stand around the figure.
    Year 2022
    Related pages keyon gaskin 12-16
  • Color image of an abstract oil painting. Along the edges of the composition are large patches of purple, with green and black patterns running through it. Along the top edge is a white background, with a small black dot on one side. Below that running through the middle is a thickly applied area of black paint, with a small white dot in the center of the top.
    Color image of an abstract oil painting. Along the edges of the composition are large patches of purple, with green and black patterns running through it. Along the top edge is a white background, with a small black dot on one side. Below that running through the middle is a thickly applied area of black paint, with a small white dot in the center of the top.
    Richard Hawkins, Perineal purple, 2022. Photo: Filip Wolak. [Color image of an abstract oil painting. Along the edges of the composition are large patches of purple, with green and black patterns running through it. Along the top edge is a white background, with a small black dot on one side. Below that running through the middle is a thickly applied area of black paint, with a small white dot in the center of the top.]
    Caption Richard Hawkins, Perineal purple, 2022. Photo: Filip Wolak.
    Image description Color image of an abstract oil painting. Along the edges of the composition are large patches of purple, with green and black patterns running through it. Along the top edge is a white background, with a small black dot on one side. Below that running through the middle is a thickly applied area of black paint, with a small white dot in the center of the top.
    Year 2023
    Related pages Artists for Artists Space
  • A black and white installation photograph of a gallery space. On the wall, a trapezoidal shape with riders on horseback slowly emerging from the top is visible. On the right, two figures converse.
    A black and white installation photograph of a gallery space. On the wall, a trapezoidal shape with riders on horseback slowly emerging from the top is visible. On the right, two figures converse.
    Pictures. Opening Reception, Artists Space, September 23, 1977. Photo: D. James Dee. [A black and white installation photograph of a gallery space. On the wall, a trapezoidal shape with riders on horseback slowly emerging from the top is visible. On the right, two figures converse.]
    Caption Pictures. Opening Reception, Artists Space, September 23, 1977. Photo: D. James Dee.
    Image description A black and white installation photograph of a gallery space. On the wall, a trapezoidal shape with riders on horseback slowly emerging from the top is visible. On the right, two figures converse.
    Year 1977
    Related pages Pictures
  • An image of a multicolored exhibition space consisting of beach paraphernalia.
    An image of a multicolored exhibition space consisting of beach paraphernalia.
    New Red Order Cover the Earth, detail, 2021 Painted mural with cut vinyl, dibond prints, kiddie pool, sod, inflatable alligator, turtle sandbox, beach towels, towel racks, beach balls, beach chairs, beach umbrella, real estate lawn sign, cooler, and pool noodles. Image courtesy Artists Space, New York Photo: Filip Wolak [An image of a multicolored exhibition space consisting of beach paraphernalia.]
    Caption New Red Order Cover the Earth, detail, 2021 Painted mural with cut vinyl, dibond prints, kiddie pool, sod, inflatable alligator, turtle sandbox, beach towels, towel racks, beach balls, beach chairs, beach umbrella, real estate lawn sign, cooler, and pool noodles. Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description An image of a multicolored exhibition space consisting of beach paraphernalia.
    Year 2021
    Related pages New Red Order: Feel at Home Here
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A pattern consisting of blue prints of delicate flowers repeats across a white surface. The image resembles wallpaper.
    A pattern consisting of blue prints of delicate flowers repeats across a white surface. The image resembles wallpaper.
    [A pattern consisting of blue prints of delicate flowers repeats across a white surface. The image resembles wallpaper.]
    Caption
    Image description A pattern consisting of blue prints of delicate flowers repeats across a white surface. The image resembles wallpaper.
    Year 2014
    Related pages The Demonstration of Capitalist Realism
  • Art Day at P.S. 140, What is the Sound of Water? Community reception, June 17, 2022
    Caption Art Day at P.S. 140, What is the Sound of Water? Community reception, June 17, 2022
    Image description
    Year 2022
    Related pages Exhibitions and Events
  • A slightly grainy, black and white image of a deer standing on snowy ground in front of woods. There are two detached antlers on the ground in front of the deer.
    A slightly grainy, black and white image of a deer standing on snowy ground in front of woods. There are two detached antlers on the ground in front of the deer.
    Association Apsolutno, still from a.trophy, 2002. [A slightly grainy, black and white image of a deer standing on snowy ground in front of woods. There are two detached antlers on the ground in front of the deer.]
    Caption Association Apsolutno, still from a.trophy, 2002.
    Image description A slightly grainy, black and white image of a deer standing on snowy ground in front of woods. There are two detached antlers on the ground in front of the deer.
    Year 2002
    Related pages Flipside
  • A set of wooden chairs arranged in the exhibition space to face projected film
    A set of wooden chairs arranged in the exhibition space to face projected film
    She Who Is: Adrienne Kennedy and the Drama of Difference. Installation view, Artists Space, February 29 – September 19, 2020. Photo: Filip Wolak. [A set of wooden chairs arranged in the exhibition space to face projected film]
    Caption She Who Is: Adrienne Kennedy and the Drama of Difference. Installation view, Artists Space, February 29 – September 19, 2020. Photo: Filip Wolak.
    Image description A set of wooden chairs arranged in the exhibition space to face projected film
    Year 2020
    Related pages She Who Is: Adrienne Kennedy and the Drama of Difference
  • Magazine cut-outs featuring faces are overlayed on a pink background. Other cut-outs contain hand-written text that reads
    Magazine cut-outs featuring faces are overlayed on a pink background. Other cut-outs contain hand-written text that reads
    Flyer by Joe Frivaldi. [Magazine cut-outs featuring faces are overlayed on a pink background. Other cut-outs contain hand-written text that reads "Abasement 67" and lists the performers and date of the concert. Thin white lines are scribbled over the composition.]
    Caption Flyer by Joe Frivaldi.
    Image description Magazine cut-outs featuring faces are overlayed on a pink background. Other cut-outs contain hand-written text that reads "Abasement 67" and lists the performers and date of the concert. Thin white lines are scribbled over the composition.
    Year
    Related pages Abasement #67
  • A scanned image of paper, angled at its forlds, that reads,
    A scanned image of paper, angled at its forlds, that reads,
    Invitation from Hommage an Schmela (Homage to Schmela) December 9 – 15, 1966 Galerie Schmela, Düsseldorf Estate Konrad Lueg [A scanned image of paper, angled at its forlds, that reads, "Hommage en schemla." On the bottom page are sections of dates with handwritten information.]
    Caption Invitation from Hommage an Schmela (Homage to Schmela) December 9 – 15, 1966 Galerie Schmela, Düsseldorf Estate Konrad Lueg
    Image description A scanned image of paper, angled at its forlds, that reads, "Hommage en schemla." On the bottom page are sections of dates with handwritten information.
    Year 1966
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • A rough sketch of a gallery with names in specific zones, done in blue ink
    A rough sketch of a gallery with names in specific zones, done in blue ink
    Floor plan sketch for Group Show, Artists Space, 1975. [A rough sketch of a gallery with names in specific zones, done in blue ink]
    Caption Floor plan sketch for Group Show, Artists Space, 1975.
    Image description A rough sketch of a gallery with names in specific zones, done in blue ink
    Year 1975
    Related pages Group Show
  • Trip to Artists Space to see Renee Gladman exhibition, 2023
    Caption Trip to Artists Space to see Renee Gladman exhibition, 2023
    Image description
    Year
    Related pages Art and Literacy: Poetry
  • A yellow and blue object sits on a white base. Embedded in the front of the object is black electronic screen and a gold nail polish bottle reading
    A yellow and blue object sits on a white base. Embedded in the front of the object is black electronic screen and a gold nail polish bottle reading
    Not yet titled, 2019
    Clay, glaze, mixed media
    7 x 12 x 17 inches (variable)
    $5,000
    [A yellow and blue object sits on a white base. Embedded in the front of the object is black electronic screen and a gold nail polish bottle reading "Sally Hansen nailgrowth miracle salon strength." On top of the object, a small potato sits with two wires attached.]
    Caption Not yet titled, 2019
    Clay, glaze, mixed media
    7 x 12 x 17 inches (variable)
    $5,000
    Image description A yellow and blue object sits on a white base. Embedded in the front of the object is black electronic screen and a gold nail polish bottle reading "Sally Hansen nailgrowth miracle salon strength." On top of the object, a small potato sits with two wires attached.
    Year 2019
    Related pages Trisha Baga Edition
  • A book cover design featuring large pink text that reads,
    A book cover design featuring large pink text that reads,
    LaTasha N. Nevada Diggs, Twerk (New York: Belladonna Books, 2015). [A book cover design featuring large pink text that reads, "TWERK" against an abstract turquoise background. Parts of the letter "K" and "T" extend off the page and have been overlaid with a lacy ribbon pattern.]
    Caption LaTasha N. Nevada Diggs, Twerk (New York: Belladonna Books, 2015).
    Image description A book cover design featuring large pink text that reads, "TWERK" against an abstract turquoise background. Parts of the letter "K" and "T" extend off the page and have been overlaid with a lacy ribbon pattern.
    Year 2015
    Related pages In Visible Architectures: Juliana Huxtable & LaTasha N. Nevada Diggs
  • Color image of the corner of a gallery space. On the right side is a large adobe panel that rests on a steel armature. Painted onto the adobe is a portrait of a figure with a bicycle, and around the armature are adobe bricks laid out on the floor. On the lefthand wall is another adobe panel painting depicting the entrance into a freeway tunnel.
    Color image of the corner of a gallery space. On the right side is a large adobe panel that rests on a steel armature. Painted onto the adobe is a portrait of a figure with a bicycle, and around the armature are adobe bricks laid out on the floor. On the lefthand wall is another adobe panel painting depicting the entrance into a freeway tunnel.
    rafa esparza: Camino. Installation view (110 North Bound, 2023; Jaime, 2023), Artists Space, 2023. Photo: Filip Wolak. [Color image of the corner of a gallery space. On the right side is a large adobe panel that rests on a steel armature. Painted onto the adobe is a portrait of a figure with a bicycle, and around the armature are adobe bricks laid out on the floor. On the lefthand wall is another adobe panel painting depicting the entrance into a freeway tunnel.]
    Caption rafa esparza: Camino. Installation view (110 North Bound, 2023; Jaime, 2023), Artists Space, 2023. Photo: Filip Wolak.
    Image description Color image of the corner of a gallery space. On the right side is a large adobe panel that rests on a steel armature. Painted onto the adobe is a portrait of a figure with a bicycle, and around the armature are adobe bricks laid out on the floor. On the lefthand wall is another adobe panel painting depicting the entrance into a freeway tunnel.
    Year
    Related pages rafa esparza: Camino
  • A color image of the corner of a gallery space. The two walls have been painted black, and various paintings depicting Black Queer figures are depicted. White and yellow drawings are painted onto the wall itself, moving through and around the artworks.
    A color image of the corner of a gallery space. The two walls have been painted black, and various paintings depicting Black Queer figures are depicted. White and yellow drawings are painted onto the wall itself, moving through and around the artworks.
    Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of the corner of a gallery space. The two walls have been painted black, and various paintings depicting Black Queer figures are depicted. White and yellow drawings are painted onto the wall itself, moving through and around the artworks.]
    Caption Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A color image of the corner of a gallery space. The two walls have been painted black, and various paintings depicting Black Queer figures are depicted. White and yellow drawings are painted onto the wall itself, moving through and around the artworks.
    Year
    Related pages Jonathan Lyndon Chase
  • Several black and white photographs and documents organized into a grid on a white surface.
    Several black and white photographs and documents organized into a grid on a white surface.
    Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [Several black and white photographs and documents organized into a grid on a white surface.]
    Caption Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description Several black and white photographs and documents organized into a grid on a white surface.
    Year 2013
    Related pages Documenting Cadere: 1972 - 1978
  • A seated figure plays the violin on stage with red and purple lights cast onto them.
    A seated figure plays the violin on stage with red and purple lights cast onto them.
    Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman [A seated figure plays the violin on stage with red and purple lights cast onto them.]
    Caption Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman
    Image description A seated figure plays the violin on stage with red and purple lights cast onto them.
    Year
    Related pages Abasement: #62
  • A poster with yellow text on a red and black background, stating
    A poster with yellow text on a red and black background, stating
    MTL+. Our Uprisings, 2016. [A poster with yellow text on a red and black background, stating "OUR UPRISINGS ARE QUEER TRANS BLACK BROWN PALESTINIAN IMMIGRANT INDIGENOUS AND GLOBAL".]
    Caption MTL+. Our Uprisings, 2016.
    Image description A poster with yellow text on a red and black background, stating "OUR UPRISINGS ARE QUEER TRANS BLACK BROWN PALESTINIAN IMMIGRANT INDIGENOUS AND GLOBAL".
    Year 2016
    Related pages Our Uprisings
  • M.S. 324 Grade 7 Threads of History students with Teaching Artist, Esperanza Cortés and M.S. 324 Science teacher Mary Guerrero, June 2021
    Caption M.S. 324 Grade 7 Threads of History students with Teaching Artist, Esperanza Cortés and M.S. 324 Science teacher Mary Guerrero, June 2021
    Image description
    Year 2021
    Related pages Threads of History
  • Six geometric, silver metal sculptures installed on low dolleys with wheels sit, scattered, across a wooden gallery floor. The sculptures are modular, hollow, and consist of cube-like and triangular metal components. Long arrows of colorful tape are installed on the gallery floors.
    Six geometric, silver metal sculptures installed on low dolleys with wheels sit, scattered, across a wooden gallery floor. The sculptures are modular, hollow, and consist of cube-like and triangular metal components. Long arrows of colorful tape are installed on the gallery floors.
    Charlotte Posenenske. Configured by Rirkrit Tiravanija. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [Six geometric, silver metal sculptures installed on low dolleys with wheels sit, scattered, across a wooden gallery floor. The sculptures are modular, hollow, and consist of cube-like and triangular metal components. Long arrows of colorful tape are installed on the gallery floors.]
    Caption Charlotte Posenenske. Configured by Rirkrit Tiravanija. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description Six geometric, silver metal sculptures installed on low dolleys with wheels sit, scattered, across a wooden gallery floor. The sculptures are modular, hollow, and consist of cube-like and triangular metal components. Long arrows of colorful tape are installed on the gallery floors.
    Year 2010
    Related pages Charlotte Posenenske
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    Image description
    Year
    Related pages Abasement #77
  • A figure stands behind a microphone and table with audio equipment. They hold one hand over their mouth and the other around their neck.
    A figure stands behind a microphone and table with audio equipment. They hold one hand over their mouth and the other around their neck.
    Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [A figure stands behind a microphone and table with audio equipment. They hold one hand over their mouth and the other around their neck.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure stands behind a microphone and table with audio equipment. They hold one hand over their mouth and the other around their neck.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-10
  • A wall with pink pieces of paper arranged in long columns, floor to ceiling. In front of the wall there is a single white pole, and a metal stepladder.
    A wall with pink pieces of paper arranged in long columns, floor to ceiling. In front of the wall there is a single white pole, and a metal stepladder.
    Neil Goldberg, Fortune 500 Dream Fax Project, 1996. [A wall with pink pieces of paper arranged in long columns, floor to ceiling. In front of the wall there is a single white pole, and a metal stepladder.]
    Caption Neil Goldberg, Fortune 500 Dream Fax Project, 1996.
    Image description A wall with pink pieces of paper arranged in long columns, floor to ceiling. In front of the wall there is a single white pole, and a metal stepladder.
    Year 1996
    Related pages A Strategy Hinted At: New Conceptual Artists
  • Silver, italic text displayed across the top edges of two adjacent white, gallery walls reads,
    Silver, italic text displayed across the top edges of two adjacent white, gallery walls reads,
    Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [Silver, italic text displayed across the top edges of two adjacent white, gallery walls reads, "Death Sentence 2009 Love It To Death 1971 Jesse… 989 Moon over Miami 1991-95 Archive." Two images hang on the wall below the text. To the right of a white column positioned in front of the wall hangs a separate drawing. Orchid plants sit to the left of the column on the ground.]
    Caption Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description Silver, italic text displayed across the top edges of two adjacent white, gallery walls reads, "Death Sentence 2009 Love It To Death 1971 Jesse… 989 Moon over Miami 1991-95 Archive." Two images hang on the wall below the text. To the right of a white column positioned in front of the wall hangs a separate drawing. Orchid plants sit to the left of the column on the ground.
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • Black & white photograph of a performer singing into a microphone stand, positioned along the center of the wall. The audience sits on the floor around the center of the room, where hanging screens depict a projected video of a close-up of a figure's face with a bright light coming from one side of the image.
    Black & white photograph of a performer singing into a microphone stand, positioned along the center of the wall. The audience sits on the floor around the center of the room, where hanging screens depict a projected video of a close-up of a figure's face with a bright light coming from one side of the image.
    Shala Miller performs Genesis: Medley. Performance documentation, May 11, 2023, Artists Space. Photo: Roy Baizan. [Black & white photograph of a performer singing into a microphone stand, positioned along the center of the wall. The audience sits on the floor around the center of the room, where hanging screens depict a projected video of a close-up of a figure's face with a bright light coming from one side of the image.]
    Caption Shala Miller performs Genesis: Medley. Performance documentation, May 11, 2023, Artists Space. Photo: Roy Baizan.
    Image description Black & white photograph of a performer singing into a microphone stand, positioned along the center of the wall. The audience sits on the floor around the center of the room, where hanging screens depict a projected video of a close-up of a figure's face with a bright light coming from one side of the image.
    Year 2023
    Related pages Genesis: Medley
  • A black and white image of two men facing the camera.
    A black and white image of two men facing the camera.
    Lance Loud and Andy Warhol. [A black and white image of two men facing the camera.]
    Caption Lance Loud and Andy Warhol.
    Image description A black and white image of two men facing the camera.
    Year
    Related pages An American Family
  • Colorful animal figures appear in space with a black background.
    Colorful animal figures appear in space with a black background.
    Gerome Kamrowski. Trinity, 1978. [Colorful animal figures appear in space with a black background.]
    Caption Gerome Kamrowski. Trinity, 1978.
    Image description Colorful animal figures appear in space with a black background.
    Year
    Related pages Moderns in Mind
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Color photo of a woman captured with her eyes closed, standing before a pair of microphones in a darkened performance space. Blue spotted lights and the reddish glow from a different light source shine onto the performer.
    Color photo of a woman captured with her eyes closed, standing before a pair of microphones in a darkened performance space. Blue spotted lights and the reddish glow from a different light source shine onto the performer.
    Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman. [Color photo of a woman captured with her eyes closed, standing before a pair of microphones in a darkened performance space. Blue spotted lights and the reddish glow from a different light source shine onto the performer.]
    Caption Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman.
    Image description Color photo of a woman captured with her eyes closed, standing before a pair of microphones in a darkened performance space. Blue spotted lights and the reddish glow from a different light source shine onto the performer.
    Year
    Related pages Abasement #64
  • A figure and a microphone are silhouetted in front of an image projection. The image shows a face obscured with white plaster, overlaid with red text reading “New Red Order” and white text reading “1-888-NEW- RED1 newredorder.org.
    A figure and a microphone are silhouetted in front of an image projection. The image shows a face obscured with white plaster, overlaid with red text reading “New Red Order” and white text reading “1-888-NEW- RED1 newredorder.org.
    New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court. [A figure and a microphone are silhouetted in front of an image projection. The image shows a face obscured with white plaster, overlaid with red text reading “New Red Order” and white text reading “1-888-NEW- RED1 newredorder.org."]
    Caption New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court.
    Image description A figure and a microphone are silhouetted in front of an image projection. The image shows a face obscured with white plaster, overlaid with red text reading “New Red Order” and white text reading “1-888-NEW- RED1 newredorder.org."
    Year 2020
    Related pages New Red Order: Informants Get Paid!
  • Black-and-white photograph of a figure sitting in a chair on stage, with their hands behind their head. They are sitting behind a reed organ covered in a plastic sheet with an ice cube placed on top of the keyboard. Behind the reed organ is a clock on a music stand.
    Black-and-white photograph of a figure sitting in a chair on stage, with their hands behind their head. They are sitting behind a reed organ covered in a plastic sheet with an ice cube placed on top of the keyboard. Behind the reed organ is a clock on a music stand.
    Yasunao Tone performing Music for Reed Organ (1962), Repetition and Structures, Mills College, Oakland, California, 1972 [Black-and-white photograph of a figure sitting in a chair on stage, with their hands behind their head. They are sitting behind a reed organ covered in a plastic sheet with an ice cube placed on top of the keyboard. Behind the reed organ is a clock on a music stand.]
    Caption Yasunao Tone performing Music for Reed Organ (1962), Repetition and Structures, Mills College, Oakland, California, 1972
    Image description Black-and-white photograph of a figure sitting in a chair on stage, with their hands behind their head. They are sitting behind a reed organ covered in a plastic sheet with an ice cube placed on top of the keyboard. Behind the reed organ is a clock on a music stand.
    Year
    Related pages Yasunao Tone Concert #2
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A person sits on a wooden chair where there are three arranged, wearing headphones and looks at a TV monitor. The monitor displays a construction landscape in the Middle East.
    A person sits on a wooden chair where there are three arranged, wearing headphones and looks at a TV monitor. The monitor displays a construction landscape in the Middle East.
    Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A person sits on a wooden chair where there are three arranged, wearing headphones and looks at a TV monitor. The monitor displays a construction landscape in the Middle East.]
    Caption Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez.
    Image description A person sits on a wooden chair where there are three arranged, wearing headphones and looks at a TV monitor. The monitor displays a construction landscape in the Middle East.
    Year 2014
    Related pages Laura Poitras: 9/11 Trilogy
  • An imprint of pink pursed lips on off-white ground.
    An imprint of pink pursed lips on off-white ground.
    Maggie Lee, 100 Kisses for Artists Space, 2016, Lipstick on paper, each unique 10 x 8 ½ in / 25,4 x 21,6 cm, Signed and Numbered. [An imprint of pink pursed lips on off-white ground.]
    Caption Maggie Lee, 100 Kisses for Artists Space, 2016, Lipstick on paper, each unique 10 x 8 ½ in / 25,4 x 21,6 cm, Signed and Numbered.
    Image description An imprint of pink pursed lips on off-white ground.
    Year 2017
    Related pages Artists Space Annual Edition Portfolio 2017
  • A graph showing a typical stock price increasing in value, digitally manipulated to show it going back in time and continuing to increase, once above a certain threshold.
    A graph showing a typical stock price increasing in value, digitally manipulated to show it going back in time and continuing to increase, once above a certain threshold.
    [A graph showing a typical stock price increasing in value, digitally manipulated to show it going back in time and continuing to increase, once above a certain threshold.]
    Caption
    Image description A graph showing a typical stock price increasing in value, digitally manipulated to show it going back in time and continuing to increase, once above a certain threshold.
    Year 2018
    Related pages Code is LAWL: Diversifying the Crypto Demographic
  • A man spray paints a large piece of abstract blue graffiti against a white city wall below a graphic emblem of an eagle. The street is dark, but he is illuminated by the flash of the camera.
    A man spray paints a large piece of abstract blue graffiti against a white city wall below a graphic emblem of an eagle. The street is dark, but he is illuminated by the flash of the camera.
    Jose Miguel Salcido, Sin Titulo (Nhsr), 2009. [A man spray paints a large piece of abstract blue graffiti against a white city wall below a graphic emblem of an eagle. The street is dark, but he is illuminated by the flash of the camera.]
    Caption Jose Miguel Salcido, Sin Titulo (Nhsr), 2009.
    Image description A man spray paints a large piece of abstract blue graffiti against a white city wall below a graphic emblem of an eagle. The street is dark, but he is illuminated by the flash of the camera.
    Year 2009
    Related pages Radical Localism: Art, Video and Culture from Pueblo Nuevo’s Mexicali Rose
  • Two screens installed on either side of the top portion a white column in a gallery space. The front screen displays a logo consisting of a large letter
    Two screens installed on either side of the top portion a white column in a gallery space. The front screen displays a logo consisting of a large letter
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Two screens installed on either side of the top portion a white column in a gallery space. The front screen displays a logo consisting of a large letter "b" and small letter "c" conjoined together. The room is otherwise empty.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Two screens installed on either side of the top portion a white column in a gallery space. The front screen displays a logo consisting of a large letter "b" and small letter "c" conjoined together. The room is otherwise empty.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • The busts of two figures are drawn in black ink in front of a grey background. Below each figure is a text bubble that read: [below figure on left]
    The busts of two figures are drawn in black ink in front of a grey background. Below each figure is a text bubble that read: [below figure on left]
    Amy Sillman, Turtlenecks, 2007, Archival ink jet on Somerset Paper, 11 1/4 x 17 1/2 inches (28.6 x 44.5 cm), Edition of 17, 10 AP, 1 BAT, Courtesy the artist and Sikkema Jenkins & Co., Printed by Jean-Yves Noblet Contemporary Prints. [The busts of two figures are drawn in black ink in front of a grey background. Below each figure is a text bubble that read: [below figure on left] "When did you get here?" [below figure on right] "Are you going to Basel?" At the bottom, center of the page is written "Turtlenecks."]
    Caption Amy Sillman, Turtlenecks, 2007, Archival ink jet on Somerset Paper, 11 1/4 x 17 1/2 inches (28.6 x 44.5 cm), Edition of 17, 10 AP, 1 BAT, Courtesy the artist and Sikkema Jenkins & Co., Printed by Jean-Yves Noblet Contemporary Prints.
    Image description The busts of two figures are drawn in black ink in front of a grey background. Below each figure is a text bubble that read: [below figure on left] "When did you get here?" [below figure on right] "Are you going to Basel?" At the bottom, center of the page is written "Turtlenecks."
    Year 2007
    Related pages Editions
  • A folding wall is erected in the center of a gallery space. Its top features painted portraits of eight people from the waist up. Below them, the lower half of the wall is covered in white, handpainted text on a black background. The text extends onto the floor, and its bottom edge is bordered by a row of votive candles. Behind this wall, other artworks are partially visible.
    A folding wall is erected in the center of a gallery space. Its top features painted portraits of eight people from the waist up. Below them, the lower half of the wall is covered in white, handpainted text on a black background. The text extends onto the floor, and its bottom edge is bordered by a row of votive candles. Behind this wall, other artworks are partially visible.
    Vidas Perdidas. Installation view, Artists Space, 1989. [A folding wall is erected in the center of a gallery space. Its top features painted portraits of eight people from the waist up. Below them, the lower half of the wall is covered in white, handpainted text on a black background. The text extends onto the floor, and its bottom edge is bordered by a row of votive candles. Behind this wall, other artworks are partially visible.]
    Caption Vidas Perdidas. Installation view, Artists Space, 1989.
    Image description A folding wall is erected in the center of a gallery space. Its top features painted portraits of eight people from the waist up. Below them, the lower half of the wall is covered in white, handpainted text on a black background. The text extends onto the floor, and its bottom edge is bordered by a row of votive candles. Behind this wall, other artworks are partially visible.
    Year 1989
    Related pages Vidas Perdidas/Lost Lives: Border Art/Workshop/Taller de Arte Fronterizo
  • A photograph of one large painting divided evenly diagonally across in black and white above a smller painting that does the same.
    A photograph of one large painting divided evenly diagonally across in black and white above a smller painting that does the same.
    Hanno Ahrens. Selections from the Artists File, installation view, Artists Space, 1986. [A photograph of one large painting divided evenly diagonally across in black and white above a smller painting that does the same.]
    Caption Hanno Ahrens. Selections from the Artists File, installation view, Artists Space, 1986.
    Image description A photograph of one large painting divided evenly diagonally across in black and white above a smller painting that does the same.
    Year
    Related pages Selections from the Artists File
  • View from right of 5 musicians, with lights from a disco ball visible along the walls behind them. From left, musician playing a clarinet, behind which is a musician playing a vibraphone. In the center a musician playing a trumpet into a microphone. In the foreground are pictured musicians playing a cello and a violin.
    View from right of 5 musicians, with lights from a disco ball visible along the walls behind them. From left, musician playing a clarinet, behind which is a musician playing a vibraphone. In the center a musician playing a trumpet into a microphone. In the foreground are pictured musicians playing a cello and a violin.
    Abasement #70. Performance documentation, July 1st, 2024, Artists Space. Photo: Joshua Wildman. [View from right of 5 musicians, with lights from a disco ball visible along the walls behind them. From left, musician playing a clarinet, behind which is a musician playing a vibraphone. In the center a musician playing a trumpet into a microphone. In the foreground are pictured musicians playing a cello and a violin. ]
    Caption Abasement #70. Performance documentation, July 1st, 2024, Artists Space. Photo: Joshua Wildman.
    Image description View from right of 5 musicians, with lights from a disco ball visible along the walls behind them. From left, musician playing a clarinet, behind which is a musician playing a vibraphone. In the center a musician playing a trumpet into a microphone. In the foreground are pictured musicians playing a cello and a violin.
    Year
    Related pages Abasement #70
  • Two cars sitting on a city street in front of a dumpster covered with a tarp.
    Two cars sitting on a city street in front of a dumpster covered with a tarp.
    [Two cars sitting on a city street in front of a dumpster covered with a tarp.]
    Caption
    Image description Two cars sitting on a city street in front of a dumpster covered with a tarp.
    Year 2016
    Related pages No Total
  • ["We (not I)" typed in red, black, and blue serif font.]
    Caption
    Image description "We (not I)" typed in red, black, and blue serif font.
    Year 2015
    Related pages Finding Words
  • A line of people hold signs with messages including,
    A line of people hold signs with messages including,
    Demonstrations outside Artists Space during the opening of Witnesses: Against Our Vanishing, November 16, 1989. [A line of people hold signs with messages including, "ED HELMS impedes THE 1ST AMENDMENT" and "OBSCENE ART?".]
    Caption Demonstrations outside Artists Space during the opening of Witnesses: Against Our Vanishing, November 16, 1989.
    Image description A line of people hold signs with messages including, "ED HELMS impedes THE 1ST AMENDMENT" and "OBSCENE ART?".
    Year 1989
    Related pages Witnesses: Against Our Vanishing
  • The phrase
    The phrase
    Duncan Campbell Big Fires Start Small, 2010, 3 color screenprint on poster, 25 1/2 x 16 1/2 inches (64,8 x 41,9 cm), Edition of 100, Signed and numbered. [The phrase "big fires start small" is written diagonally against a black background. "Big fires" appears in large bubble text surrounded by flames and "start small" appreas below in white blocky type.]
    Caption Duncan Campbell Big Fires Start Small, 2010, 3 color screenprint on poster, 25 1/2 x 16 1/2 inches (64,8 x 41,9 cm), Edition of 100, Signed and numbered.
    Image description The phrase "big fires start small" is written diagonally against a black background. "Big fires" appears in large bubble text surrounded by flames and "start small" appreas below in white blocky type.
    Year 2010
    Related pages Editions
  • An exhibition view of various artworks. Several stylized portraits hang on the right; in the middle, a large didactic titled
    An exhibition view of various artworks. Several stylized portraits hang on the right; in the middle, a large didactic titled
    Reinventado, exhibition at Word Up Community Bookshop, 2018 [An exhibition view of various artworks. Several stylized portraits hang on the right; in the middle, a large didactic titled "REINVENTADO." On the left, several small photos of students in a classroom hang underneath a red-white-and blue airplane suspended from the ceiling]
    Caption Reinventado, exhibition at Word Up Community Bookshop, 2018
    Image description An exhibition view of various artworks. Several stylized portraits hang on the right; in the middle, a large didactic titled "REINVENTADO." On the left, several small photos of students in a classroom hang underneath a red-white-and blue airplane suspended from the ceiling
    Year 2018
    Related pages Threads of History
  • A black-and-white photograph of a gallery space with a video projected on the wall. There appear to be multiple bodies in the video.
    A black-and-white photograph of a gallery space with a video projected on the wall. There appear to be multiple bodies in the video.
    Installation view, Robert Morgan. Artists Space, 1977. [A black-and-white photograph of a gallery space with a video projected on the wall. There appear to be multiple bodies in the video.]
    Caption Installation view, Robert Morgan. Artists Space, 1977.
    Image description A black-and-white photograph of a gallery space with a video projected on the wall. There appear to be multiple bodies in the video.
    Year 1977
    Related pages Robert Morgan
  • A color image of a dark green radiator placed on the floor. Parts of the radiator are covered in snake skin, while other sections feature chipping, hunter green paint and large patches of rust.
    A color image of a dark green radiator placed on the floor. Parts of the radiator are covered in snake skin, while other sections feature chipping, hunter green paint and large patches of rust.
    Andy Robert, koulèv, 2023. Cast iron radiator, snakeskin. Image courtesy Artists Space, New York. Photo: Carter Seddon. [A color image of a dark green radiator placed on the floor. Parts of the radiator are covered in snake skin, while other sections feature chipping, hunter green paint and large patches of rust.]
    Caption Andy Robert, koulèv, 2023. Cast iron radiator, snakeskin. Image courtesy Artists Space, New York. Photo: Carter Seddon.
    Image description A color image of a dark green radiator placed on the floor. Parts of the radiator are covered in snake skin, while other sections feature chipping, hunter green paint and large patches of rust.
    Year
    Related pages Andy Robert: Papaloko
  • Image of a TV screen playing blue-tinted video footage of the performance with a fresnel lens placed in front of the screen, distorting the image.
    Image of a TV screen playing blue-tinted video footage of the performance with a fresnel lens placed in front of the screen, distorting the image.
    SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a TV screen playing blue-tinted video footage of the performance with a fresnel lens placed in front of the screen, distorting the image.]
    Caption SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a TV screen playing blue-tinted video footage of the performance with a fresnel lens placed in front of the screen, distorting the image.
    Year 2022
    Related pages SCRAAATCH 11-18
  • A figure wearing a trenchcoat stands in a psychadelically lit bathroom while smoking a cigarette.
    A figure wearing a trenchcoat stands in a psychadelically lit bathroom while smoking a cigarette.
    Manuel DeLanda, Raw Nerves: A Lacanian Thriller (still), 1980, 16mm-to-digital, Color, Sound, 30 minutes. [A figure wearing a trenchcoat stands in a psychadelically lit bathroom while smoking a cigarette.]
    Caption Manuel DeLanda, Raw Nerves: A Lacanian Thriller (still), 1980, 16mm-to-digital, Color, Sound, 30 minutes.
    Image description A figure wearing a trenchcoat stands in a psychadelically lit bathroom while smoking a cigarette.
    Year
    Related pages Manuel DeLanda Screening & Lecture
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • A figure plays the piano in front of a crowd of seated people behind him.
    A figure plays the piano in front of a crowd of seated people behind him.
    Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman [A figure plays the piano in front of a crowd of seated people behind him.]
    Caption Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure plays the piano in front of a crowd of seated people behind him.
    Year 2022
    Related pages Tisziji Muñoz with Francisco Mora Catlett and AfroHORN
  • Two figures dressed in blue morph suits walk around a basement space. One figure on the right stands behind a semi-circular rolling table made of wood and fresnel lenses. Along the back wall blue and purple live CCTV video footage is projected.
    Two figures dressed in blue morph suits walk around a basement space. One figure on the right stands behind a semi-circular rolling table made of wood and fresnel lenses. Along the back wall blue and purple live CCTV video footage is projected.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Two figures dressed in blue morph suits walk around a basement space. One figure on the right stands behind a semi-circular rolling table made of wood and fresnel lenses. Along the back wall blue and purple live CCTV video footage is projected.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Two figures dressed in blue morph suits walk around a basement space. One figure on the right stands behind a semi-circular rolling table made of wood and fresnel lenses. Along the back wall blue and purple live CCTV video footage is projected.
    Year 2022
    Related pages SCRAAATCH 12-3
  • A figure stands behind a microphone stand, one hand raised to their chin and the other arm up and pointing away from themselves. The figure stands in front of a blank background.
    A figure stands behind a microphone stand, one hand raised to their chin and the other arm up and pointing away from themselves. The figure stands in front of a blank background.
    Gregg Bordowitz, Open Book: Letters, Marks, Politics, 2024, lecture performance, Bonner Kunstverein. Photo: Max Beck. [A figure stands behind a microphone stand, one hand raised to their chin and the other arm up and pointing away from themselves. The figure stands in front of a blank background.]
    Caption Gregg Bordowitz, Open Book: Letters, Marks, Politics, 2024, lecture performance, Bonner Kunstverein. Photo: Max Beck.
    Image description A figure stands behind a microphone stand, one hand raised to their chin and the other arm up and pointing away from themselves. The figure stands in front of a blank background.
    Year 2024
    Related pages One Night Only
  • Five rectangular black-and-white drawings of cityscapes appear exhibited on a wall in the corner of a room, with a didactic panel under a lightswitch to their right, titled
    Five rectangular black-and-white drawings of cityscapes appear exhibited on a wall in the corner of a room, with a didactic panel under a lightswitch to their right, titled
    Art Day, Blue Sky Gallery, P.S. 140, 2018 [Five rectangular black-and-white drawings of cityscapes appear exhibited on a wall in the corner of a room, with a didactic panel under a lightswitch to their right, titled "A View from the Bridge"]
    Caption Art Day, Blue Sky Gallery, P.S. 140, 2018
    Image description Five rectangular black-and-white drawings of cityscapes appear exhibited on a wall in the corner of a room, with a didactic panel under a lightswitch to their right, titled "A View from the Bridge"
    Year 2018
    Related pages Exhibitions and Events
  • A piece of landscaping appears on the gallery floor with flowers and plants coming up from it in a stair-like fashion. A painting appears in the background in a white-walled gallery space.
    A piece of landscaping appears on the gallery floor with flowers and plants coming up from it in a stair-like fashion. A painting appears in the background in a white-walled gallery space.
    Vito Acconci. Installation View. Artists Space, 1986. [A piece of landscaping appears on the gallery floor with flowers and plants coming up from it in a stair-like fashion. A painting appears in the background in a white-walled gallery space.]
    Caption Vito Acconci. Installation View. Artists Space, 1986.
    Image description A piece of landscaping appears on the gallery floor with flowers and plants coming up from it in a stair-like fashion. A painting appears in the background in a white-walled gallery space.
    Year
    Related pages The Fairy Tale: Politics, Desire, and Everyday Life
  • A color documentation image of Shala Miller's Genesis, 2023. Three monochrome projection panels float equidistantly in a dark room, with vinyls on blacks walls.
    A color documentation image of Shala Miller's Genesis, 2023. Three monochrome projection panels float equidistantly in a dark room, with vinyls on blacks walls.
    Shala Miller, Genesis. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color documentation image of Shala Miller's Genesis, 2023. Three monochrome projection panels float equidistantly in a dark room, with vinyls on blacks walls.]
    Caption Shala Miller, Genesis. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A color documentation image of Shala Miller's Genesis, 2023. Three monochrome projection panels float equidistantly in a dark room, with vinyls on blacks walls.
    Year
    Related pages Genesis: Medley
  • A large potted fern sits to the right of an elevator door in a light-filled gallery space. To the right of the fern is a low, round table with a pen and open booklet on top of it. A large black and white image installed on the gallery wall behind the fern shows several art books lined up next to one another on a blank surface. Text above the books reads,
    A large potted fern sits to the right of an elevator door in a light-filled gallery space. To the right of the fern is a low, round table with a pen and open booklet on top of it. A large black and white image installed on the gallery wall behind the fern shows several art books lined up next to one another on a blank surface. Text above the books reads,
    Rip It Up and Start Again. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A large potted fern sits to the right of an elevator door in a light-filled gallery space. To the right of the fern is a low, round table with a pen and open booklet on top of it. A large black and white image installed on the gallery wall behind the fern shows several art books lined up next to one another on a blank surface. Text above the books reads, "histoire de l'art cherche personnages."]
    Caption Rip It Up and Start Again. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description A large potted fern sits to the right of an elevator door in a light-filled gallery space. To the right of the fern is a low, round table with a pen and open booklet on top of it. A large black and white image installed on the gallery wall behind the fern shows several art books lined up next to one another on a blank surface. Text above the books reads, "histoire de l'art cherche personnages."
    Year 2010
    Related pages Rip It Up and Start Again: William S. Burroughs, Charles Henri Ford, Ray Johnson, Philippe Thomas, Arthur Russell
  • A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979. [A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.]
    Caption Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979.
    Image description A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    Year 1979
    Related pages Patricia Hearst - A Second Reading
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    Related pages Michael Asher
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Two figures wearing medical scrubs stand across from each other, with a table with a mannequin on it in the middle.
    Two figures wearing medical scrubs stand across from each other, with a table with a mannequin on it in the middle.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court [Two figures wearing medical scrubs stand across from each other, with a table with a mannequin on it in the middle.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court
    Image description Two figures wearing medical scrubs stand across from each other, with a table with a mannequin on it in the middle.
    Year 2022
    Related pages Grandmother Cindy
  • A figure stands in front of an orange and blue projection and performs with audio equipment.
    A figure stands in front of an orange and blue projection and performs with audio equipment.
    Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [A figure stands in front of an orange and blue projection and performs with audio equipment.]
    Caption Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure stands in front of an orange and blue projection and performs with audio equipment.
    Year 2022
    Related pages Abasement #61
  • A man in t-shirt and fabric harness crouching, face slightly obscured behind metal pipes, wearing a baseball cap saying
    A man in t-shirt and fabric harness crouching, face slightly obscured behind metal pipes, wearing a baseball cap saying
    Speaker Music (DeForrest Brown, Jr.), portrait by Ting Ding, 2019, Shirt & Harness by HECHA / 做. [A man in t-shirt and fabric harness crouching, face slightly obscured behind metal pipes, wearing a baseball cap saying "MAKE TECHNO BLACK AGAIN"]
    Caption Speaker Music (DeForrest Brown, Jr.), portrait by Ting Ding, 2019, Shirt & Harness by HECHA / 做.
    Image description A man in t-shirt and fabric harness crouching, face slightly obscured behind metal pipes, wearing a baseball cap saying "MAKE TECHNO BLACK AGAIN"
    Year 2019
    Related pages Speaker Music: drape over another
  • A color installation photograph of a gallery space with a painted drum set, a hanging gong. A television monitor is placed on the floor to the right with several LP covers hanging above.
    A color installation photograph of a gallery space with a painted drum set, a hanging gong. A television monitor is placed on the floor to the right with several LP covers hanging above.
    Milford Graves: Fundamental Frequency. Installation view, Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak. [A color installation photograph of a gallery space with a painted drum set, a hanging gong. A television monitor is placed on the floor to the right with several LP covers hanging above.]
    Caption Milford Graves: Fundamental Frequency. Installation view, Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak.
    Image description A color installation photograph of a gallery space with a painted drum set, a hanging gong. A television monitor is placed on the floor to the right with several LP covers hanging above.
    Year 2021
    Related pages Milford Graves: Fundamental Frequency
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    Related pages Arnold Dreyblatt
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    Related pages Anne Gardiner: Through the Tulips and The Red Red Rose - May 2
  • A crowd of people standing outdoors surround several performers. The performers intermingle with the crowd, holding metal poles, some looking at a baby doll which is photographed in midair after being thrown upwards.
    A crowd of people standing outdoors surround several performers. The performers intermingle with the crowd, holding metal poles, some looking at a baby doll which is photographed in midair after being thrown upwards.
    Ei Arakawa, WEWORK BABIES. Performance documentation, Artists Space, December 8, 2019. Photo © Paula Court. [A crowd of people standing outdoors surround several performers. The performers intermingle with the crowd, holding metal poles, some looking at a baby doll which is photographed in midair after being thrown upwards.]
    Caption Ei Arakawa, WEWORK BABIES. Performance documentation, Artists Space, December 8, 2019. Photo © Paula Court.
    Image description A crowd of people standing outdoors surround several performers. The performers intermingle with the crowd, holding metal poles, some looking at a baby doll which is photographed in midair after being thrown upwards.
    Year 2019
    Related pages
  • A simple graphic of words forming the shape of a triangle reads,
    A simple graphic of words forming the shape of a triangle reads,
    [A simple graphic of words forming the shape of a triangle reads, "A NEW SYMBOL PROPOSED & PROJECTED INSIDE THIS SPACE IS (LIKE EVERY LOGO) ALL SURFACE: A BUBBLE BLOWN AROUND NOTHING INFLATED TO BURSTING POINT BY THE LAZY ASSUMPTION THAT WHAT WE LOOK LIKE IS WHO WE ARE IN OTHER WORDS, 'IDENTITY' = IDENTITY."]
    Caption
    Image description A simple graphic of words forming the shape of a triangle reads, "A NEW SYMBOL PROPOSED & PROJECTED INSIDE THIS SPACE IS (LIKE EVERY LOGO) ALL SURFACE: A BUBBLE BLOWN AROUND NOTHING INFLATED TO BURSTING POINT BY THE LAZY ASSUMPTION THAT WHAT WE LOOK LIKE IS WHO WE ARE IN OTHER WORDS, 'IDENTITY' = IDENTITY."
    Year 2011
    Related pages Dexter Sinister: "Identity"
  • Sculptural pieces mounted to the left wall. A white display pedestal sits in the background on the right, next to an open door.
    Sculptural pieces mounted to the left wall. A white display pedestal sits in the background on the right, next to an open door.
    Sixth Anniversary Exhibition. Installation view, Artists Space, 1979. Artwork by Barbara Schwartz. [Sculptural pieces mounted to the left wall. A white display pedestal sits in the background on the right, next to an open door.]
    Caption Sixth Anniversary Exhibition. Installation view, Artists Space, 1979. Artwork by Barbara Schwartz.
    Image description Sculptural pieces mounted to the left wall. A white display pedestal sits in the background on the right, next to an open door.
    Year 1979
    Related pages Sixth Anniversary Exhibition
  • Magazine cut-outs and ink drawings are collaged together on a background of yellow, pink, and orange paper. Pieces of paper with typewritten text listing the performers and event details are scattered around the flyer.
    Magazine cut-outs and ink drawings are collaged together on a background of yellow, pink, and orange paper. Pieces of paper with typewritten text listing the performers and event details are scattered around the flyer.
    Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a background of yellow, pink, and orange paper. Pieces of paper with typewritten text listing the performers and event details are scattered around the flyer.]
    Caption Flyer by Joe Frivaldi.
    Image description Magazine cut-outs and ink drawings are collaged together on a background of yellow, pink, and orange paper. Pieces of paper with typewritten text listing the performers and event details are scattered around the flyer.
    Year
    Related pages Abasement #73
  • A photo of the exterior of a building, with several colorful portrait paintings lying on the wooden porch. One has text stating
    A photo of the exterior of a building, with several colorful portrait paintings lying on the wooden porch. One has text stating
    Alza Tu Voz, back porch, exhibition at Dykeman Farmhouse Museum, 2017 [A photo of the exterior of a building, with several colorful portrait paintings lying on the wooden porch. One has text stating "no te dejes oprimir." A large poster hangs on the door to the building, with the title "Alza tu Voz"]
    Caption Alza Tu Voz, back porch, exhibition at Dykeman Farmhouse Museum, 2017
    Image description A photo of the exterior of a building, with several colorful portrait paintings lying on the wooden porch. One has text stating "no te dejes oprimir." A large poster hangs on the door to the building, with the title "Alza tu Voz"
    Year 2017
    Related pages Exhibitions and Events
  • Two small items in a white glossy frame, one is a photograph and the other a postcard. The photograph is a black and white image of a man standing, slightly hunched over, pasted on top of an image of a sailor. Beneath the photograph, a faded handwritten postcard reads in blue ink,
    Two small items in a white glossy frame, one is a photograph and the other a postcard. The photograph is a black and white image of a man standing, slightly hunched over, pasted on top of an image of a sailor. Beneath the photograph, a faded handwritten postcard reads in blue ink,
    Ken Okiishi, detail from Wish I Were Here, 1997 – 2001. Five archival inkjet prints. Courtesy the artist [Two small items in a white glossy frame, one is a photograph and the other a postcard. The photograph is a black and white image of a man standing, slightly hunched over, pasted on top of an image of a sailor. Beneath the photograph, a faded handwritten postcard reads in blue ink, "11 July 1997, Dear Cindy Sherman, I am lost - not physically, but emotionally. I am on a cruise ship to Greece with my straight best friend, who I am in love with. Acting like "The Girl" is getting me nowhere with him. Did it get you anywhere? Sincerely, Ken Okiishi."]
    Caption Ken Okiishi, detail from Wish I Were Here, 1997 – 2001. Five archival inkjet prints. Courtesy the artist
    Image description Two small items in a white glossy frame, one is a photograph and the other a postcard. The photograph is a black and white image of a man standing, slightly hunched over, pasted on top of an image of a sailor. Beneath the photograph, a faded handwritten postcard reads in blue ink, "11 July 1997, Dear Cindy Sherman, I am lost - not physically, but emotionally. I am on a cruise ship to Greece with my straight best friend, who I am in love with. Acting like "The Girl" is getting me nowhere with him. Did it get you anywhere? Sincerely, Ken Okiishi."
    Year 1997
    Related pages Frozen Lakes
  • Photograph of a basement gallery space with various multimedia works on display. In the left back corner is a reading room, and in the center is a large wooden platform, a wooden bench painted blue, and a woven hanging.
    Photograph of a basement gallery space with various multimedia works on display. In the left back corner is a reading room, and in the center is a large wooden platform, a wooden bench painted blue, and a woven hanging.
    Clocking Out: Time Beyond Management. Installation view, Artists Space, 2023. Photo: Greg Carideo. [Photograph of a basement gallery space with various multimedia works on display. In the left back corner is a reading room, and in the center is a large wooden platform, a wooden bench painted blue, and a woven hanging.]
    Caption Clocking Out: Time Beyond Management. Installation view, Artists Space, 2023. Photo: Greg Carideo.
    Image description Photograph of a basement gallery space with various multimedia works on display. In the left back corner is a reading room, and in the center is a large wooden platform, a wooden bench painted blue, and a woven hanging.
    Year 2023
    Related pages Whitney Independent Study: Clocking Out: Time Beyond Management
  • Color image of a figure performing on a black stage in front of an audience. The figure on stage stands behind a white desk with a laptop and other audio equipment on it.
    Color image of a figure performing on a black stage in front of an audience. The figure on stage stands behind a white desk with a laptop and other audio equipment on it.
    Yasunao Tone Concert #3. Performance documentation, March 16, 2023, Artists Space. Photo: Destiny Mata [Color image of a figure performing on a black stage in front of an audience. The figure on stage stands behind a white desk with a laptop and other audio equipment on it.]
    Caption Yasunao Tone Concert #3. Performance documentation, March 16, 2023, Artists Space. Photo: Destiny Mata
    Image description Color image of a figure performing on a black stage in front of an audience. The figure on stage stands behind a white desk with a laptop and other audio equipment on it.
    Year 2023
    Related pages Yasunao Tone Concert #3
  • College-ruled paper with numerous tallies in different colors and orientations
    College-ruled paper with numerous tallies in different colors and orientations
    Photography and the City attendance sheets. Courtesy Harvard University Archives. [College-ruled paper with numerous tallies in different colors and orientations]
    Caption Photography and the City attendance sheets. Courtesy Harvard University Archives.
    Image description College-ruled paper with numerous tallies in different colors and orientations
    Year 2017
    Related pages An Organized System of Instructions
  • An installation view shows a darkened space flooded in red light. Between two ornate columns, a projector is mounted close to the ground on a short stand. An iridescent blue glows around a shadow cast by a scientific experiment on the left wall behind, while the ceiling is covered in warm crescent silhouettes. On the back black wall, lines of projected text overlap in varying directions.
    An installation view shows a darkened space flooded in red light. Between two ornate columns, a projector is mounted close to the ground on a short stand. An iridescent blue glows around a shadow cast by a scientific experiment on the left wall behind, while the ceiling is covered in warm crescent silhouettes. On the back black wall, lines of projected text overlap in varying directions.
    Constantina Zavitsanos: fwiw. Installation view, Artists Space, 2024. Photo: Carter Seddon. [An installation view shows a darkened space flooded in red light. Between two ornate columns, a projector is mounted close to the ground on a short stand. An iridescent blue glows around a shadow cast by a scientific experiment on the left wall behind, while the ceiling is covered in warm crescent silhouettes. On the back black wall, lines of projected text overlap in varying directions.]
    Caption Constantina Zavitsanos: fwiw. Installation view, Artists Space, 2024. Photo: Carter Seddon.
    Image description An installation view shows a darkened space flooded in red light. Between two ornate columns, a projector is mounted close to the ground on a short stand. An iridescent blue glows around a shadow cast by a scientific experiment on the left wall behind, while the ceiling is covered in warm crescent silhouettes. On the back black wall, lines of projected text overlap in varying directions.
    Year
    Related pages fwiw
  • A yellow object with a cracked surface sits on a white base. A metal antenna extends out on a diagonal.
    A yellow object with a cracked surface sits on a white base. A metal antenna extends out on a diagonal.
    Not yet titled, 2019
    Clay, glaze, metal antenna
    3 1/2 x 13 x 12 inches (variable)
    $2,500
    [A yellow object with a cracked surface sits on a white base. A metal antenna extends out on a diagonal.]
    Caption Not yet titled, 2019
    Clay, glaze, metal antenna
    3 1/2 x 13 x 12 inches (variable)
    $2,500
    Image description A yellow object with a cracked surface sits on a white base. A metal antenna extends out on a diagonal.
    Year 2019
    Related pages Trisha Baga Edition
  • Black text overlays a color-scheme grid background. The text reads: “Jan 6 / Pierre Joris / Tyrone Williams.
    Black text overlays a color-scheme grid background. The text reads: “Jan 6 / Pierre Joris / Tyrone Williams.
    [Black text overlays a color-scheme grid background. The text reads: “Jan 6 / Pierre Joris / Tyrone Williams." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description Black text overlays a color-scheme grid background. The text reads: “Jan 6 / Pierre Joris / Tyrone Williams." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year
    Related pages Segue Reading Series: Pierre Joris & Tyrone Williams
  • Color image of an individual seated at a table with a variety of musical and electronic equipment and gear in front of him. The individual stares with focus at a computer screen, which illuminates his face in the darkened performance space. A variety of guests can been seen seated all around the musician's work table.
    Color image of an individual seated at a table with a variety of musical and electronic equipment and gear in front of him. The individual stares with focus at a computer screen, which illuminates his face in the darkened performance space. A variety of guests can been seen seated all around the musician's work table.
    Abasement #63. Performance documentation, July 17, 2023, Artists Space. Photo: Joshua Wildman. [Color image of an individual seated at a table with a variety of musical and electronic equipment and gear in front of him. The individual stares with focus at a computer screen, which illuminates his face in the darkened performance space. A variety of guests can been seen seated all around the musician's work table.]
    Caption Abasement #63. Performance documentation, July 17, 2023, Artists Space. Photo: Joshua Wildman.
    Image description Color image of an individual seated at a table with a variety of musical and electronic equipment and gear in front of him. The individual stares with focus at a computer screen, which illuminates his face in the darkened performance space. A variety of guests can been seen seated all around the musician's work table.
    Year
    Related pages Abasement #63
  • Color photograph of three figures, wearing conical costumes made of reflective one-way mirror film, standing at the doorways of a gallery space.
    Color photograph of three figures, wearing conical costumes made of reflective one-way mirror film, standing at the doorways of a gallery space.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of three figures, wearing conical costumes made of reflective one-way mirror film, standing at the doorways of a gallery space.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of three figures, wearing conical costumes made of reflective one-way mirror film, standing at the doorways of a gallery space.
    Year 2022
    Related pages keyon gaskin 12-18
  • A white bust with a plaque reading
    A white bust with a plaque reading
    Still from The Last Days of Jack Sheppard (2009). [A white bust with a plaque reading "DEFOE" below it. Slightly offset and partially in shadow is a man seen in profile, dressed identically to the bust with a powdered wig.]
    Caption Still from The Last Days of Jack Sheppard (2009).
    Image description A white bust with a plaque reading "DEFOE" below it. Slightly offset and partially in shadow is a man seen in profile, dressed identically to the bust with a powdered wig.
    Year 2009
    Related pages The Last Days of Jack Sheppard
  • A black and white photograph of a figure standing in a gallery space, looking towards the camera. On the wall behind them, several canvases with no discernable markings hang.
    A black and white photograph of a figure standing in a gallery space, looking towards the camera. On the wall behind them, several canvases with no discernable markings hang.
    Jim Pavlicovic. Installation view featuring Jim Pavlicovic, from Gerry Morehead, Jim Pavlicovic, Artists Space, 1976. [A black and white photograph of a figure standing in a gallery space, looking towards the camera. On the wall behind them, several canvases with no discernable markings hang.]
    Caption Jim Pavlicovic. Installation view featuring Jim Pavlicovic, from Gerry Morehead, Jim Pavlicovic, Artists Space, 1976.
    Image description A black and white photograph of a figure standing in a gallery space, looking towards the camera. On the wall behind them, several canvases with no discernable markings hang.
    Year 1976
    Related pages Gerry Morehead, Jim Pavlicovic
  • A band performs on stage, bathed in white light. The guitarist and drummer play alongside a singer, performing between them.
    A band performs on stage, bathed in white light. The guitarist and drummer play alongside a singer, performing between them.
    Abasement #81. Performance documentation, October 20th, 2025, Artists Space. Photo: Joshua Wildman. [A band performs on stage, bathed in white light. The guitarist and drummer play alongside a singer, performing between them.]
    Caption Abasement #81. Performance documentation, October 20th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description A band performs on stage, bathed in white light. The guitarist and drummer play alongside a singer, performing between them.
    Year
    Related pages Abasement #81
  • A black and white photograph of a dark geometric painting over a wooden background.
    A black and white photograph of a dark geometric painting over a wooden background.
    Judy Rifka. Installation view, Deborah S. Freedman, Judy Rifka and Ernest Silva, Artists Space, 1975. [A black and white photograph of a dark geometric painting over a wooden background.]
    Caption Judy Rifka. Installation view, Deborah S. Freedman, Judy Rifka and Ernest Silva, Artists Space, 1975.
    Image description A black and white photograph of a dark geometric painting over a wooden background.
    Year 1975
    Related pages Deborah S. Freedman, Judy Rifka, Ernest Silva
  • A crowd sits in a semi-circle arrangement of wooden chairs within a gallery space. In front of the audience, a man sits at a white table and reads from a piece of paper while speaking into a microphone. Directly behind the man is a large statue of a baby with glowing blue eyes.
    A crowd sits in a semi-circle arrangement of wooden chairs within a gallery space. In front of the audience, a man sits at a white table and reads from a piece of paper while speaking into a microphone. Directly behind the man is a large statue of a baby with glowing blue eyes.
    Vito Acconci reads. Event documentation, May 14, 1996, Squat Café at Artists Space. [A crowd sits in a semi-circle arrangement of wooden chairs within a gallery space. In front of the audience, a man sits at a white table and reads from a piece of paper while speaking into a microphone. Directly behind the man is a large statue of a baby with glowing blue eyes.]
    Caption Vito Acconci reads. Event documentation, May 14, 1996, Squat Café at Artists Space.
    Image description A crowd sits in a semi-circle arrangement of wooden chairs within a gallery space. In front of the audience, a man sits at a white table and reads from a piece of paper while speaking into a microphone. Directly behind the man is a large statue of a baby with glowing blue eyes.
    Year 1996
    Related pages Artist Friends of Squat Select Films, Videos, Readers and Performers
  • Color photograph of a hand, fingers outstretched and manipulating a group of suspended wires that run across the frame.
    Color photograph of a hand, fingers outstretched and manipulating a group of suspended wires that run across the frame.
    New Music Circle, St. Louis. Photo: Theo R. Welling [Color photograph of a hand, fingers outstretched and manipulating a group of suspended wires that run across the frame.]
    Caption New Music Circle, St. Louis. Photo: Theo R. Welling
    Image description Color photograph of a hand, fingers outstretched and manipulating a group of suspended wires that run across the frame.
    Year
    Related pages Ellen Fullman & JACK Quartet
  • A man sits partially undressed on a toilet, holding a red notebook while peering through a hole in the tile wall.
    A man sits partially undressed on a toilet, holding a red notebook while peering through a hole in the tile wall.
    Frank Ripploh, still from Taxi zum Klo, 1981. 95min. [A man sits partially undressed on a toilet, holding a red notebook while peering through a hole in the tile wall.]
    Caption Frank Ripploh, still from Taxi zum Klo, 1981. 95min.
    Image description A man sits partially undressed on a toilet, holding a red notebook while peering through a hole in the tile wall.
    Year 1981
    Related pages Tom of Finland Film Evening
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Large black straps wrap around some cast-iron columns, an orange, slug skins covers one of the cast-iron columns and other large, orange slug forms interact with the white-walled gallery space in the background. A black table sits in the corner and a figurative painting of an upright shark is in the back left corner.
    Large black straps wrap around some cast-iron columns, an orange, slug skins covers one of the cast-iron columns and other large, orange slug forms interact with the white-walled gallery space in the background. A black table sits in the corner and a figurative painting of an upright shark is in the back left corner.
    Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez. [Large black straps wrap around some cast-iron columns, an orange, slug skins covers one of the cast-iron columns and other large, orange slug forms interact with the white-walled gallery space in the background. A black table sits in the corner and a figurative painting of an upright shark is in the back left corner.]
    Caption Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez.
    Image description Large black straps wrap around some cast-iron columns, an orange, slug skins covers one of the cast-iron columns and other large, orange slug forms interact with the white-walled gallery space in the background. A black table sits in the corner and a figurative painting of an upright shark is in the back left corner.
    Year 2020
    Related pages Jana Euler
  • A close-up phot of a group of of small, lit lamps hanging on a glass wall in an ornate building.
    A close-up phot of a group of of small, lit lamps hanging on a glass wall in an ornate building.
    Eva Medina, Untitled, 2018. [A close-up phot of a group of of small, lit lamps hanging on a glass wall in an ornate building.]
    Caption Eva Medina, Untitled, 2018.
    Image description A close-up phot of a group of of small, lit lamps hanging on a glass wall in an ornate building.
    Year 2018
    Related pages BRIDGE Photography
  • A red background, half the Union Jack poisitoned behind sillhouette's of five men and a car, and text that reads,
    A red background, half the Union Jack poisitoned behind sillhouette's of five men and a car, and text that reads,
    Book cover for The Stagnant Society by Michael Shanks. Design by Richard Hollis. Published by Penguin Books, London, 1961. Courtesy Richard Hollis [A red background, half the Union Jack poisitoned behind sillhouette's of five men and a car, and text that reads, "The Stagnant Society, Michael Shanks."]
    Caption Book cover for The Stagnant Society by Michael Shanks. Design by Richard Hollis. Published by Penguin Books, London, 1961. Courtesy Richard Hollis
    Image description A red background, half the Union Jack poisitoned behind sillhouette's of five men and a car, and text that reads, "The Stagnant Society, Michael Shanks."
    Year 1961
    Related pages Richard Hollis
  • Several photographs installed in a gallery space with white walls and wooden flooring. Four color photographs are arranged in a vertical line on a wall to the right side of the image. The wall terminates to the left of the displayed photographs, and a second wall extends into the gallery space directly behind it. Two large images comprised of pink and purple hues hang on a far gallery wall in the background of the image. The image on the left displays a futuristic looking, interior space.
    Several photographs installed in a gallery space with white walls and wooden flooring. Four color photographs are arranged in a vertical line on a wall to the right side of the image. The wall terminates to the left of the displayed photographs, and a second wall extends into the gallery space directly behind it. Two large images comprised of pink and purple hues hang on a far gallery wall in the background of the image. The image on the left displays a futuristic looking, interior space.
    Urban Pornography. Installation view, Artists Space, 2001. [Several photographs installed in a gallery space with white walls and wooden flooring. Four color photographs are arranged in a vertical line on a wall to the right side of the image. The wall terminates to the left of the displayed photographs, and a second wall extends into the gallery space directly behind it. Two large images comprised of pink and purple hues hang on a far gallery wall in the background of the image. The image on the left displays a futuristic looking, interior space.]
    Caption Urban Pornography. Installation view, Artists Space, 2001.
    Image description Several photographs installed in a gallery space with white walls and wooden flooring. Four color photographs are arranged in a vertical line on a wall to the right side of the image. The wall terminates to the left of the displayed photographs, and a second wall extends into the gallery space directly behind it. Two large images comprised of pink and purple hues hang on a far gallery wall in the background of the image. The image on the left displays a futuristic looking, interior space.
    Year 2001
    Related pages Urban Pornography
  • Image of a dimly lit basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    Image of a dimly lit basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Image of a dimly lit basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a dimly lit basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    Year 2022
    Related pages SCRAAATCH 11-18
  • Color image of an abstract work, of black enamel on steel, with a light blue line running down the middle, a light grey petal on one side, and a bright blue petal on the other side.
    Color image of an abstract work, of black enamel on steel, with a light blue line running down the middle, a light grey petal on one side, and a bright blue petal on the other side.
    Ulrike Müller, Sequitur, 2021. Photo: Filip Wolak. [Color image of an abstract work, of black enamel on steel, with a light blue line running down the middle, a light grey petal on one side, and a bright blue petal on the other side.]
    Caption Ulrike Müller, Sequitur, 2021. Photo: Filip Wolak.
    Image description Color image of an abstract work, of black enamel on steel, with a light blue line running down the middle, a light grey petal on one side, and a bright blue petal on the other side.
    Year 2023
    Related pages Artists for Artists Space
  • A monitor suspended in the middle of the room on a pole displays an image of Hito Steyerl speaking at a podium. Stacks of pillows, forming a seating area, surround the view of the monitor.
    A monitor suspended in the middle of the room on a pole displays an image of Hito Steyerl speaking at a podium. Stacks of pillows, forming a seating area, surround the view of the monitor.
    Hito Steyerl, I Dreamed a Dream: Politics in the Age of Mass Art Production, 2013. Two channel HD video with sound, 29 mins 28 secs. Courtesy of the artist. [A monitor suspended in the middle of the room on a pole displays an image of Hito Steyerl speaking at a podium. Stacks of pillows, forming a seating area, surround the view of the monitor.]
    Caption Hito Steyerl, I Dreamed a Dream: Politics in the Age of Mass Art Production, 2013. Two channel HD video with sound, 29 mins 28 secs. Courtesy of the artist.
    Image description A monitor suspended in the middle of the room on a pole displays an image of Hito Steyerl speaking at a podium. Stacks of pillows, forming a seating area, surround the view of the monitor.
    Year 2015
    Related pages Hito Steyerl
  • Photographic portrait of a youthful figure leaning against a white brick wall. They wear a partially unbuttoned, blue and black plaid shirt and a trucker hat. Large black text emblazoned across the front of the hat reads,
    Photographic portrait of a youthful figure leaning against a white brick wall. They wear a partially unbuttoned, blue and black plaid shirt and a trucker hat. Large black text emblazoned across the front of the hat reads,
    Cass Bird, I Look Like My Daddy, 2004. C-print, 30 x 40 inches. Courtesy the artist. [Photographic portrait of a youthful figure leaning against a white brick wall. They wear a partially unbuttoned, blue and black plaid shirt and a trucker hat. Large black text emblazoned across the front of the hat reads, "I LOOK JUST LIKE MY DADDY." A miniature gun token has been attached to the hat, to the left of the text. The figure stares ahead, the right side of their face illuminated by daylight.]
    Caption Cass Bird, I Look Like My Daddy, 2004. C-print, 30 x 40 inches. Courtesy the artist.
    Image description Photographic portrait of a youthful figure leaning against a white brick wall. They wear a partially unbuttoned, blue and black plaid shirt and a trucker hat. Large black text emblazoned across the front of the hat reads, "I LOOK JUST LIKE MY DADDY." A miniature gun token has been attached to the hat, to the left of the text. The figure stares ahead, the right side of their face illuminated by daylight.
    Year 2004
    Related pages Log Cabin
  • A lightbox displaying a group of sitting and standing individuals. Behind them is a wall of small photographs and artworks.
    A lightbox displaying a group of sitting and standing individuals. Behind them is a wall of small photographs and artworks.
    Untitled (Dealers in a round table dialogue, Basilico Fine Arts, July 18, 1996), 1996 Duratran lightbox 3 x 8 feet Image courtesy Artists Space, New York Photo: Filip Wolak [A lightbox displaying a group of sitting and standing individuals. Behind them is a wall of small photographs and artworks.]
    Caption Untitled (Dealers in a round table dialogue, Basilico Fine Arts, July 18, 1996), 1996 Duratran lightbox 3 x 8 feet Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description A lightbox displaying a group of sitting and standing individuals. Behind them is a wall of small photographs and artworks.
    Year 2021
    Related pages ART CLUB2000
  • Color photograph of a gallery installation view. Two walls converge in a corner: on the left wall is a larger, colorful painting with a smaller one to its right. On the right wall, there is one smaller painting and one black and white image under plexiglass.
    Color photograph of a gallery installation view. Two walls converge in a corner: on the left wall is a larger, colorful painting with a smaller one to its right. On the right wall, there is one smaller painting and one black and white image under plexiglass.
    Everything is common. Installation view, Artists Space, 2022. Photo: Steven Cottingham. [Color photograph of a gallery installation view. Two walls converge in a corner: on the left wall is a larger, colorful painting with a smaller one to its right. On the right wall, there is one smaller painting and one black and white image under plexiglass.]
    Caption Everything is common. Installation view, Artists Space, 2022. Photo: Steven Cottingham.
    Image description Color photograph of a gallery installation view. Two walls converge in a corner: on the left wall is a larger, colorful painting with a smaller one to its right. On the right wall, there is one smaller painting and one black and white image under plexiglass.
    Year
    Related pages Whitney Independent Study: Everything is Common
  • White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Feb 24 / Alexandra Auder / Stephanie LaCava
    White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Feb 24 / Alexandra Auder / Stephanie LaCava
    [White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Feb 24 / Alexandra Auder / Stephanie LaCava" Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Feb 24 / Alexandra Auder / Stephanie LaCava" Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year
    Related pages Segues Reading Series: Alexandra Auder & Stephanie LaCava
  • A figure plays the guitar sitting down, while another figure stands behind him playing the bass.
    A figure plays the guitar sitting down, while another figure stands behind him playing the bass.
    Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman [A figure plays the guitar sitting down, while another figure stands behind him playing the bass.]
    Caption Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure plays the guitar sitting down, while another figure stands behind him playing the bass.
    Year 2022
    Related pages Tisziji Muñoz with Francisco Mora Catlett and AfroHORN
  • An abstract pixelated artwork in pastel tones.
    An abstract pixelated artwork in pastel tones.
    [An abstract pixelated artwork in pastel tones.]
    Caption
    Image description An abstract pixelated artwork in pastel tones.
    Year 2013
    Related pages Chimerizations
  • Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They have papers taped and placed over their face.
    Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They have papers taped and placed over their face.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They have papers taped and placed over their face.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They have papers taped and placed over their face.
    Year
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • The facade of a cast-iron building with three double door entrances. Real estate listings are illuminated within the windows inside each door. In red tinted transoms above the doors are the letters N, R, O in eccentric white lettering.
    The facade of a cast-iron building with three double door entrances. Real estate listings are illuminated within the windows inside each door. In red tinted transoms above the doors are the letters N, R, O in eccentric white lettering.
    [The facade of a cast-iron building with three double door entrances. Real estate listings are illuminated within the windows inside each door. In red tinted transoms above the doors are the letters N, R, O in eccentric white lettering.]
    Caption
    Image description The facade of a cast-iron building with three double door entrances. Real estate listings are illuminated within the windows inside each door. In red tinted transoms above the doors are the letters N, R, O in eccentric white lettering.
    Year 2021
    Related pages Welcome
  • Three figures perform in front of an audience. Two figures in blue morph suits face off with a wooden table between them, while a third figure takes video footage of the scene.
    Three figures perform in front of an audience. Two figures in blue morph suits face off with a wooden table between them, while a third figure takes video footage of the scene.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Three figures perform in front of an audience. Two figures in blue morph suits face off with a wooden table between them, while a third figure takes video footage of the scene.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Three figures perform in front of an audience. Two figures in blue morph suits face off with a wooden table between them, while a third figure takes video footage of the scene.
    Year 2022
    Related pages SCRAAATCH 11-18
  • Caption
    Image description
    Year
    Related pages Editions
  • A panoramic image of the audience at Artists Space and Decolonize This Place's event, featuring colorful banners on the wall that read
    A panoramic image of the audience at Artists Space and Decolonize This Place's event, featuring colorful banners on the wall that read
    “Chinatown Is Not for Sale.” Artists Space Books & Talks, Saturday, October 22, 2016. Courtesy Decolonize This Place and Artists Space, New York. Photo: Marz Saffore [A panoramic image of the audience at Artists Space and Decolonize This Place's event, featuring colorful banners on the wall that read "ABOLISH WHITE SUPREMACY," "Black Lives Matter", "Don't Play with Apartheid #BDS".]
    Caption “Chinatown Is Not for Sale.” Artists Space Books & Talks, Saturday, October 22, 2016. Courtesy Decolonize This Place and Artists Space, New York. Photo: Marz Saffore
    Image description A panoramic image of the audience at Artists Space and Decolonize This Place's event, featuring colorful banners on the wall that read "ABOLISH WHITE SUPREMACY," "Black Lives Matter", "Don't Play with Apartheid #BDS".
    Year 2016
    Related pages Decolonize This Place
  • The photograph shows an ornate room decorated symmetrically with couches on the left and right of the image and a fireplace at the back flanked by two windows. Overlayed on top of the image is a series of black squares and rectangles that overlap each other.
    The photograph shows an ornate room decorated symmetrically with couches on the left and right of the image and a fireplace at the back flanked by two windows. Overlayed on top of the image is a series of black squares and rectangles that overlap each other.
    Heather Rowe, A Careful Arrangement, 2008, Archival pigment inkjet and silkscreen on Somerset velvet paper, Image size: 12-1/2 x 13 inches (31.8 x 33 cm) Paper size: 21-3/4 x 17 inches (55.2 x 43.2 cm), Edition of 25 + 8 AP. [The photograph shows an ornate room decorated symmetrically with couches on the left and right of the image and a fireplace at the back flanked by two windows. Overlayed on top of the image is a series of black squares and rectangles that overlap each other.]
    Caption Heather Rowe, A Careful Arrangement, 2008, Archival pigment inkjet and silkscreen on Somerset velvet paper, Image size: 12-1/2 x 13 inches (31.8 x 33 cm) Paper size: 21-3/4 x 17 inches (55.2 x 43.2 cm), Edition of 25 + 8 AP.
    Image description The photograph shows an ornate room decorated symmetrically with couches on the left and right of the image and a fireplace at the back flanked by two windows. Overlayed on top of the image is a series of black squares and rectangles that overlap each other.
    Year 2008
    Related pages Editions
  • A black and white installation view of a rectangular photographic work with wide white matting.
    A black and white installation view of a rectangular photographic work with wide white matting.
    Susan Eder. Installation view, Artists Space, 1976. [A black and white installation view of a rectangular photographic work with wide white matting.]
    Caption Susan Eder. Installation view, Artists Space, 1976.
    Image description A black and white installation view of a rectangular photographic work with wide white matting.
    Year 1976
    Related pages Susan Eder, Matt Mullican
  • A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of a man holding up the Iraqi flag.
    A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of a man holding up the Iraqi flag.
    Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of a man holding up the Iraqi flag.]
    Caption Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez.
    Image description A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of a man holding up the Iraqi flag.
    Year 2014
    Related pages Laura Poitras: 9/11 Trilogy
  • An image of a room with several display cases and a projection, with bright lights cast against the wall.
    An image of a room with several display cases and a projection, with bright lights cast against the wall.
    Attention Line. Installation view, Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [An image of a room with several display cases and a projection, with bright lights cast against the wall.]
    Caption Attention Line. Installation view, Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak
    Image description An image of a room with several display cases and a projection, with bright lights cast against the wall.
    Year 2022
    Related pages Attention Line
  • A man holds a woman over his shoulder as looks to the right. Writing can be seen on the wall behind them. Subtitles are burned into the bottom of the screen that read,
    A man holds a woman over his shoulder as looks to the right. Writing can be seen on the wall behind them. Subtitles are burned into the bottom of the screen that read,
    Sistema Sandinista de Television. Still from Golpes de la Corazon (Blows of the Heart)*, 1983. Video (sound, black and white). Spanish with English Subtitles. [A man holds a woman over his shoulder as looks to the right. Writing can be seen on the wall behind them. Subtitles are burned into the bottom of the screen that read, "I'm the boss in my house...stay here!" Scan lines are in the image and the box of the CRT monitor is visible.]
    Caption Sistema Sandinista de Television. Still from Golpes de la Corazon (Blows of the Heart)*, 1983. Video (sound, black and white). Spanish with English Subtitles.
    Image description A man holds a woman over his shoulder as looks to the right. Writing can be seen on the wall behind them. Subtitles are burned into the bottom of the screen that read, "I'm the boss in my house...stay here!" Scan lines are in the image and the box of the CRT monitor is visible.
    Year 1983
    Related pages TV Sandino
  • A color image of a hand holding up a small blue book, in front of a solid grey background. White handwritten text is overlayed the image, the text reads:
    A color image of a hand holding up a small blue book, in front of a solid grey background. White handwritten text is overlayed the image, the text reads:
    Chang Yuchen, Coral Dictionary Vol.1: 2019-2022, 2022. Published by Gong Press, 2023. [A color image of a hand holding up a small blue book, in front of a solid grey background. White handwritten text is overlayed the image, the text reads: "Coral Dictionary Vol.1: 2019-2022 / book launch and performance / April 28 2023 / 8pm / Artists Space / 11 Cortlandt Alley / Published by Gong Press.]
    Caption Chang Yuchen, Coral Dictionary Vol.1: 2019-2022, 2022. Published by Gong Press, 2023.
    Image description A color image of a hand holding up a small blue book, in front of a solid grey background. White handwritten text is overlayed the image, the text reads: "Coral Dictionary Vol.1: 2019-2022 / book launch and performance / April 28 2023 / 8pm / Artists Space / 11 Cortlandt Alley / Published by Gong Press.
    Year
    Related pages Chang Yuchen: Coral Dictionary Vol. 1, 2019-2022
  • Image of a basement window that has been tinted with blue paint, streaming in blue light.
    Image of a basement window that has been tinted with blue paint, streaming in blue light.
    SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement window that has been tinted with blue paint, streaming in blue light.]
    Caption SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a basement window that has been tinted with blue paint, streaming in blue light.
    Year 2022
    Related pages SCRAAATCH 12-3
  • A grey object with brown surface sits on a white base. A metal antenna extends out on a diagonal.
    A grey object with brown surface sits on a white base. A metal antenna extends out on a diagonal.
    Not yet titled, 2019
    Clay, glaze, metal antenna
    3 1/2 x 13 x 12 inches (variable)
    $2,500
    [A grey object with brown surface sits on a white base. A metal antenna extends out on a diagonal.]
    Caption Not yet titled, 2019
    Clay, glaze, metal antenna
    3 1/2 x 13 x 12 inches (variable)
    $2,500
    Image description A grey object with brown surface sits on a white base. A metal antenna extends out on a diagonal.
    Year 2019
    Related pages Trisha Baga Edition
  • A figure wearing a baseball cap sits in a chair and plays the guitar.
    A figure wearing a baseball cap sits in a chair and plays the guitar.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure wearing a baseball cap sits in a chair and plays the guitar.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure wearing a baseball cap sits in a chair and plays the guitar.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
  • A figure in a white graphic T-shirt has their eyes closed, while they stand and hold two cymbals over their head. Yellow and blue projections are cast onto them on stage.
    A figure in a white graphic T-shirt has their eyes closed, while they stand and hold two cymbals over their head. Yellow and blue projections are cast onto them on stage.
    Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman [A figure in a white graphic T-shirt has their eyes closed, while they stand and hold two cymbals over their head. Yellow and blue projections are cast onto them on stage.]
    Caption Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure in a white graphic T-shirt has their eyes closed, while they stand and hold two cymbals over their head. Yellow and blue projections are cast onto them on stage.
    Year
    Related pages Abasement: #62
  • A black and white image of a person with dark hair looking to the left with their arms outstretched. In the distance is a dish rack with dishes and a window flanked by cabinets.
    A black and white image of a person with dark hair looking to the left with their arms outstretched. In the distance is a dish rack with dishes and a window flanked by cabinets.
    Hannah Weiner circa 1969. Photo by Ira Joel Haber. [A black and white image of a person with dark hair looking to the left with their arms outstretched. In the distance is a dish rack with dishes and a window flanked by cabinets.]
    Caption Hannah Weiner circa 1969. Photo by Ira Joel Haber.
    Image description A black and white image of a person with dark hair looking to the left with their arms outstretched. In the distance is a dish rack with dishes and a window flanked by cabinets.
    Year
    Related pages I See Words: The Life and Work of Hannah Weiner
  • A color image of a dark room featuring illuminated yellow and orange shapes floating on the wall and reflected on the floor.
    A color image of a dark room featuring illuminated yellow and orange shapes floating on the wall and reflected on the floor.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022. [A color image of a dark room featuring illuminated yellow and orange shapes floating on the wall and reflected on the floor.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022.
    Image description A color image of a dark room featuring illuminated yellow and orange shapes floating on the wall and reflected on the floor.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • A black and white image of the back of a chair in front of a man in front of a train car, in which a man exits the door.
    A black and white image of the back of a chair in front of a man in front of a train car, in which a man exits the door.
    Installation view at Kaiserstraße 31A, Düsseldorf May 11, 1963 Courtesy Archiv Kuttner, Erkrath Photo: Manfred Kuttner [A black and white image of the back of a chair in front of a man in front of a train car, in which a man exits the door.]
    Caption Installation view at Kaiserstraße 31A, Düsseldorf May 11, 1963 Courtesy Archiv Kuttner, Erkrath Photo: Manfred Kuttner
    Image description A black and white image of the back of a chair in front of a man in front of a train car, in which a man exits the door.
    Year 1963
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • Color image of multiple performers on stage. The performer in the foreground is out of focus. In the middle one of them plays the drums, they are looking up with their mouth open. In the background, a performer faces the camera. The wall behind them is decorated with a projection of multicolored squares. A few audience members are visible in the bottom edge.
    Color image of multiple performers on stage. The performer in the foreground is out of focus. In the middle one of them plays the drums, they are looking up with their mouth open. In the background, a performer faces the camera. The wall behind them is decorated with a projection of multicolored squares. A few audience members are visible in the bottom edge.
    Abasement #76. Performance documentation, March 3rd, 2025, Artists Space. Photo: Joshua Wildman. [Color image of multiple performers on stage. The performer in the foreground is out of focus. In the middle one of them plays the drums, they are looking up with their mouth open. In the background, a performer faces the camera. The wall behind them is decorated with a projection of multicolored squares. A few audience members are visible in the bottom edge.]
    Caption Abasement #76. Performance documentation, March 3rd, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Color image of multiple performers on stage. The performer in the foreground is out of focus. In the middle one of them plays the drums, they are looking up with their mouth open. In the background, a performer faces the camera. The wall behind them is decorated with a projection of multicolored squares. A few audience members are visible in the bottom edge.
    Year
    Related pages Abasement #76
  • Light blue text overlays a dark blue background. The top left corner reads:
    Light blue text overlays a dark blue background. The top left corner reads:
    Flyer for Segue Reading Series featuring Andrea Abi-Karam, Eduardo Kac and Montana Ray. October 15, 2022, Artists Space. [Light blue text overlays a dark blue background. The top left corner reads: "Andrea Abi-Karam / Eduardo Kac & Montana Ray / October 15, 5pm." The middle reads: "Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519."]
    Caption Flyer for Segue Reading Series featuring Andrea Abi-Karam, Eduardo Kac and Montana Ray. October 15, 2022, Artists Space.
    Image description Light blue text overlays a dark blue background. The top left corner reads: "Andrea Abi-Karam / Eduardo Kac & Montana Ray / October 15, 5pm." The middle reads: "Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519."
    Year
    Related pages Segue Reading Series: Andrea Abi-Karam, Eduardo Kac & Montana Ray
  • Black and white image of four men resting near a large, rigged tarp providing shade on a beach. Three of the men sit and recline on the sand, wearing white button-down shirts and trousers. The fourth man wears a hat and stands behind the men.
    Black and white image of four men resting near a large, rigged tarp providing shade on a beach. Three of the men sit and recline on the sand, wearing white button-down shirts and trousers. The fourth man wears a hat and stands behind the men.
    Allan Berliner, still from Intimate Stranger, 1991. [Black and white image of four men resting near a large, rigged tarp providing shade on a beach. Three of the men sit and recline on the sand, wearing white button-down shirts and trousers. The fourth man wears a hat and stands behind the men.]
    Caption Allan Berliner, still from Intimate Stranger, 1991.
    Image description Black and white image of four men resting near a large, rigged tarp providing shade on a beach. Three of the men sit and recline on the sand, wearing white button-down shirts and trousers. The fourth man wears a hat and stands behind the men.
    Year 1991
    Related pages Japan: Outside/Inside/In Between Part 3: Individuals, In Between
  • Black text on a grey background. The text reads: “Dec 6 / Nada Gordon / Kit Robinson.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on a grey background. The text reads: “Dec 6 / Nada Gordon / Kit Robinson.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on a grey background. The text reads: “Dec 6 / Nada Gordon / Kit Robinson.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on a grey background. The text reads: “Dec 6 / Nada Gordon / Kit Robinson.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Nada Gordon & Kit Robinson
  • A black and white image of four people, one sitting, three standing in a patterned room displaying a large photograph on the left wall. On the right wall, two men stand underneath large block text, that reads,
    A black and white image of four people, one sitting, three standing in a patterned room displaying a large photograph on the left wall. On the right wall, two men stand underneath large block text, that reads,
    Gerhard Richter Volker Bradke , December 13, 1966 From the exhibition Hommage an Schmela (Homage to Schmela), December 9 – 15, 1966. Galerie Schmela, Düsseldorf Courtesy Archiv Reiner Ruthenbeck, Ratingen © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Photo: Reiner Ruthenbeck [A black and white image of four people, one sitting, three standing in a patterned room displaying a large photograph on the left wall. On the right wall, two men stand underneath large block text, that reads, "Volker Bradk."]
    Caption Gerhard Richter Volker Bradke , December 13, 1966 From the exhibition Hommage an Schmela (Homage to Schmela), December 9 – 15, 1966. Galerie Schmela, Düsseldorf Courtesy Archiv Reiner Ruthenbeck, Ratingen © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Photo: Reiner Ruthenbeck
    Image description A black and white image of four people, one sitting, three standing in a patterned room displaying a large photograph on the left wall. On the right wall, two men stand underneath large block text, that reads, "Volker Bradk."
    Year 1966
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • A figure stands on the stage with a mic, speaking to the crowd.
    A figure stands on the stage with a mic, speaking to the crowd.
    Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman [A figure stands on the stage with a mic, speaking to the crowd.]
    Caption Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure stands on the stage with a mic, speaking to the crowd.
    Year 2022
    Related pages Tisziji Muñoz with Francisco Mora Catlett and AfroHORN
  • Color photograph of a figure in a completely dark room, facing one wall and shining a light from their body against the wall.
    Color photograph of a figure in a completely dark room, facing one wall and shining a light from their body against the wall.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure in a completely dark room, facing one wall and shining a light from their body against the wall.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a figure in a completely dark room, facing one wall and shining a light from their body against the wall.
    Year 2022
    Related pages keyon gaskin 12-16
  • A view of multiple works including a vending machine against a glazed over window, a glass display table backed by tiled photographs, a lightbox with an image of sitting individuals and a colorful shack structure.
    A view of multiple works including a vending machine against a glazed over window, a glass display table backed by tiled photographs, a lightbox with an image of sitting individuals and a colorful shack structure.
    ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A view of multiple works including a vending machine against a glazed over window, a glass display table backed by tiled photographs, a lightbox with an image of sitting individuals and a colorful shack structure.]
    Caption ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A view of multiple works including a vending machine against a glazed over window, a glass display table backed by tiled photographs, a lightbox with an image of sitting individuals and a colorful shack structure.
    Year 2021
    Related pages ART CLUB2000
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  • Americo Rossi, Untitled, 2021, digital photography
    Caption Americo Rossi, Untitled, 2021, digital photography
    Image description
    Year
    Related pages BRIDGE Photography
  • A television sits on the floor, encaged by a wooden structure extending at an angle into the air. On the walls opposite, there are assorted photographs of varying sizes, showing primarily landscapes.
    A television sits on the floor, encaged by a wooden structure extending at an angle into the air. On the walls opposite, there are assorted photographs of varying sizes, showing primarily landscapes.
    The columns held us up. Installation view, Artists Space, 2009. Photo: Adam Reich. [A television sits on the floor, encaged by a wooden structure extending at an angle into the air. On the walls opposite, there are assorted photographs of varying sizes, showing primarily landscapes.]
    Caption The columns held us up. Installation view, Artists Space, 2009. Photo: Adam Reich.
    Image description A television sits on the floor, encaged by a wooden structure extending at an angle into the air. On the walls opposite, there are assorted photographs of varying sizes, showing primarily landscapes.
    Year 2009
    Related pages The columns held us up
  • A side view of a sculpture of a man leaning against a white column. He holds a book in his right hand. He is wearing a purple shirt, blue patterned shorts, and white sneakers.
    A side view of a sculpture of a man leaning against a white column. He holds a book in his right hand. He is wearing a purple shirt, blue patterned shorts, and white sneakers.
    Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013. [A side view of a sculpture of a man leaning against a white column. He holds a book in his right hand. He is wearing a purple shirt, blue patterned shorts, and white sneakers.]
    Caption Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013.
    Image description A side view of a sculpture of a man leaning against a white column. He holds a book in his right hand. He is wearing a purple shirt, blue patterned shorts, and white sneakers.
    Year 2013
    Related pages Pride Goes Before a Fall
  • Video still of a figure in glasses wearing a pink dress with black tulle fabric on a small stage. An overturned, white table is siutated to their right, and papers are strewn across the ground. The figure hunches over, looking out towards the audience. Their left hand is bent at their chest and points upwards, while their right hand touches the back of their head.
    Video still of a figure in glasses wearing a pink dress with black tulle fabric on a small stage. An overturned, white table is siutated to their right, and papers are strewn across the ground. The figure hunches over, looking out towards the audience. Their left hand is bent at their chest and points upwards, while their right hand touches the back of their head.
    [Video still of a figure in glasses wearing a pink dress with black tulle fabric on a small stage. An overturned, white table is siutated to their right, and papers are strewn across the ground. The figure hunches over, looking out towards the audience. Their left hand is bent at their chest and points upwards, while their right hand touches the back of their head.]
    Caption
    Image description Video still of a figure in glasses wearing a pink dress with black tulle fabric on a small stage. An overturned, white table is siutated to their right, and papers are strewn across the ground. The figure hunches over, looking out towards the audience. Their left hand is bent at their chest and points upwards, while their right hand touches the back of their head.
    Year 2004
    Related pages eRacism
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    Related pages Nandi Loaf Aristotelis Nikolas Mochloulis Ricardo Nagaoka Sydney Schrader
  • A display case holds three Christmas stockings labeled
    A display case holds three Christmas stockings labeled
    LIFE—a group show, curated by Arnold J. Kemp. Installation view (Pope.L and Mami Takahashi, Family, 2025), Artists Space, 2025. Photo: Carter Seddon [A display case holds three Christmas stockings labeled "Mami, William, and Desmond." There are two Christmas trees and cards at the bottom along with an assortment of Christmas paraphernalia.]
    Caption LIFE—a group show, curated by Arnold J. Kemp. Installation view (Pope.L and Mami Takahashi, Family, 2025), Artists Space, 2025. Photo: Carter Seddon
    Image description A display case holds three Christmas stockings labeled "Mami, William, and Desmond." There are two Christmas trees and cards at the bottom along with an assortment of Christmas paraphernalia.
    Year 2025
    Related pages Arnold J. Kemp
  • A shirtless man holding a film camera outdoors.
    A shirtless man holding a film camera outdoors.
    Juan Downey, Hepewe, 1976 - 77. Photograph by Juan Downey. Courtesy the Juan Downey Estate, Marilys B. Downey. [A shirtless man holding a film camera outdoors.]
    Caption Juan Downey, Hepewe, 1976 - 77. Photograph by Juan Downey. Courtesy the Juan Downey Estate, Marilys B. Downey.
    Image description A shirtless man holding a film camera outdoors.
    Year
    Related pages Mimetic Exchange: Michael Taussig on Juan Downey and Jean Rouch
  • Two paintings and several sculptural elements are installed in a corner. The paintings, one in an oval frame and the other rectangular, have figurative subjects of humans and animals. A whimsical end table is illuminated by a light fixture shaped like a flowering plant whose stem extends from a patterned curtain hung against the wall.
    Two paintings and several sculptural elements are installed in a corner. The paintings, one in an oval frame and the other rectangular, have figurative subjects of humans and animals. A whimsical end table is illuminated by a light fixture shaped like a flowering plant whose stem extends from a patterned curtain hung against the wall.
    Lukas Duwenhögger: Undoolay. Installation view, Artists Space, 2016. Photo credit: Jean Vong. [Two paintings and several sculptural elements are installed in a corner. The paintings, one in an oval frame and the other rectangular, have figurative subjects of humans and animals. A whimsical end table is illuminated by a light fixture shaped like a flowering plant whose stem extends from a patterned curtain hung against the wall.]
    Caption Lukas Duwenhögger: Undoolay. Installation view, Artists Space, 2016. Photo credit: Jean Vong.
    Image description Two paintings and several sculptural elements are installed in a corner. The paintings, one in an oval frame and the other rectangular, have figurative subjects of humans and animals. A whimsical end table is illuminated by a light fixture shaped like a flowering plant whose stem extends from a patterned curtain hung against the wall.
    Year 2016
    Related pages Lukas Duwenhögger: Undoolay
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • What Do We Carry? Coil pots and coiled personal timelines, December 2024
    Caption What Do We Carry? Coil pots and coiled personal timelines, December 2024
    Image description
    Year
    Related pages Listening to the LES
  • Black text overlays a white background. The top left corner reads: S*an D. Henry-Smith / Joey Yearous-Algozin. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, March 26, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5.
    Black text overlays a white background. The top left corner reads: S*an D. Henry-Smith / Joey Yearous-Algozin. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, March 26, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5.
    Flyer for Segue Reading Series featuring S*an D. Henry-Smith and Joey Yearous-Algozin. March 26, 2022, Artists Space. [Black text overlays a white background. The top left corner reads: S*an D. Henry-Smith / Joey Yearous-Algozin. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, March 26, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5."]
    Caption Flyer for Segue Reading Series featuring S*an D. Henry-Smith and Joey Yearous-Algozin. March 26, 2022, Artists Space.
    Image description Black text overlays a white background. The top left corner reads: S*an D. Henry-Smith / Joey Yearous-Algozin. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, March 26, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5."
    Year
    Related pages Segue Reading Series: S*an D. Henry-Smith & Joey Yearous-Algozin
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    Related pages 2020Solidarity Betty Tompkins
  • A circular shape with a textured fill on a blue background.
    A circular shape with a textured fill on a blue background.
    [A circular shape with a textured fill on a blue background.]
    Caption
    Image description A circular shape with a textured fill on a blue background.
    Year 1992
    Related pages AIDS FORUM: In Memoriam
  • Color photograph of two figures performing in a dark gallery space, lit only by an installation of LED lights covered in dried SCOBY material. One figure wearing black leans down in front of one of the LED lights. Partly hidden behind a column, another figure stands wearing a red suit.
    Color photograph of two figures performing in a dark gallery space, lit only by an installation of LED lights covered in dried SCOBY material. One figure wearing black leans down in front of one of the LED lights. Partly hidden behind a column, another figure stands wearing a red suit.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata [Color photograph of two figures performing in a dark gallery space, lit only by an installation of LED lights covered in dried SCOBY material. One figure wearing black leans down in front of one of the LED lights. Partly hidden behind a column, another figure stands wearing a red suit.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of two figures performing in a dark gallery space, lit only by an installation of LED lights covered in dried SCOBY material. One figure wearing black leans down in front of one of the LED lights. Partly hidden behind a column, another figure stands wearing a red suit.
    Year
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • Two women in front of a white wall. They are dressed in matching white jackets and short white skirts, and each wear a set of colorful rollerskates. One woman is on her toes with her arms extended behind her, reaching for and pulling the second woman who is leaning forward to grab her hands.
    Two women in front of a white wall. They are dressed in matching white jackets and short white skirts, and each wear a set of colorful rollerskates. One woman is on her toes with her arms extended behind her, reaching for and pulling the second woman who is leaning forward to grab her hands.
    [Two women in front of a white wall. They are dressed in matching white jackets and short white skirts, and each wear a set of colorful rollerskates. One woman is on her toes with her arms extended behind her, reaching for and pulling the second woman who is leaning forward to grab her hands.]
    Caption
    Image description Two women in front of a white wall. They are dressed in matching white jackets and short white skirts, and each wear a set of colorful rollerskates. One woman is on her toes with her arms extended behind her, reaching for and pulling the second woman who is leaning forward to grab her hands.
    Year 2007
    Related pages When Time Becomes Form: Solidly Grounded
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    Related pages Abasement #75
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A close-up image of a musician sitting on the floor playing the violin. Three other violins lay on the stage before her.
    A close-up image of a musician sitting on the floor playing the violin. Three other violins lay on the stage before her.
    Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman. [A close-up image of a musician sitting on the floor playing the violin. Three other violins lay on the stage before her.]
    Caption Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman.
    Image description A close-up image of a musician sitting on the floor playing the violin. Three other violins lay on the stage before her.
    Year
    Related pages Abasement #65
  • A dimly lit room with a projection facing the front. The projection displays neon words that are slightly distorted, the legible text reads
    A dimly lit room with a projection facing the front. The projection displays neon words that are slightly distorted, the legible text reads
    Union Gaucha Productions. Installation view, Artists Space, 2015. Photo: Daniel Pérez. [A dimly lit room with a projection facing the front. The projection displays neon words that are slightly distorted, the legible text reads "Removes.....eight straight...."]
    Caption Union Gaucha Productions. Installation view, Artists Space, 2015. Photo: Daniel Pérez.
    Image description A dimly lit room with a projection facing the front. The projection displays neon words that are slightly distorted, the legible text reads "Removes.....eight straight...."
    Year 2015
    Related pages Union Gaucha Productions
  • A color installation photograph of a gallery space with a row of dark metal columns on the left, an exposed interior of a drywall with one grey panel in the center, and a large swath of partially hung grey and yellow vinyl on the right.
    A color installation photograph of a gallery space with a row of dark metal columns on the left, an exposed interior of a drywall with one grey panel in the center, and a large swath of partially hung grey and yellow vinyl on the right.
    virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color installation photograph of a gallery space with a row of dark metal columns on the left, an exposed interior of a drywall with one grey panel in the center, and a large swath of partially hung grey and yellow vinyl on the right.]
    Caption virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color installation photograph of a gallery space with a row of dark metal columns on the left, an exposed interior of a drywall with one grey panel in the center, and a large swath of partially hung grey and yellow vinyl on the right.
    Year 2022
    Related pages virgil b/g taylor: Minor Publics
  • An animated gif of a rotating, square painting installed in a white-walled gallery space. The painting depicts four superimposed nude bodies in various positions (standing, crouching, extending their arms) in an amorphous yet contained space. The painting framed in a black wooden frame with handles on each of its four sides. The animation depicts the painting spinning clockwise, such that at every angle the figures appear to stand in a different position, carrying out a new action.
    An animated gif of a rotating, square painting installed in a white-walled gallery space. The painting depicts four superimposed nude bodies in various positions (standing, crouching, extending their arms) in an amorphous yet contained space. The painting framed in a black wooden frame with handles on each of its four sides. The animation depicts the painting spinning clockwise, such that at every angle the figures appear to stand in a different position, carrying out a new action.
    [An animated gif of a rotating, square painting installed in a white-walled gallery space. The painting depicts four superimposed nude bodies in various positions (standing, crouching, extending their arms) in an amorphous yet contained space. The painting framed in a black wooden frame with handles on each of its four sides. The animation depicts the painting spinning clockwise, such that at every angle the figures appear to stand in a different position, carrying out a new action.]
    Caption
    Image description An animated gif of a rotating, square painting installed in a white-walled gallery space. The painting depicts four superimposed nude bodies in various positions (standing, crouching, extending their arms) in an amorphous yet contained space. The painting framed in a black wooden frame with handles on each of its four sides. The animation depicts the painting spinning clockwise, such that at every angle the figures appear to stand in a different position, carrying out a new action.
    Year 2020
    Related pages Jana Euler
  • Drawing of a muscular man with a combover and handlebar mustache, grappling the Earth and grinning as he inserts his penis into the planet.
    Drawing of a muscular man with a combover and handlebar mustache, grappling the Earth and grinning as he inserts his penis into the planet.
    Tom of Finland, Untitled, 1976. Graphite on paper. Courtesy Collection Ulrich Tangermann, Hamburg. [Drawing of a muscular man with a combover and handlebar mustache, grappling the Earth and grinning as he inserts his penis into the planet.]
    Caption Tom of Finland, Untitled, 1976. Graphite on paper. Courtesy Collection Ulrich Tangermann, Hamburg.
    Image description Drawing of a muscular man with a combover and handlebar mustache, grappling the Earth and grinning as he inserts his penis into the planet.
    Year 1976
    Related pages Tom of Finland: The Pleasure of Play
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