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  • A scan of an invoice from Corcraft, issued to Artists Space at 38 Greene Street. The customer number reads
    A scan of an invoice from Corcraft, issued to Artists Space at 38 Greene Street. The customer number reads
    [A scan of an invoice from Corcraft, issued to Artists Space at 38 Greene Street. The customer number reads "9102000". The invoice details the purchase of a two oak court benches, totalling to $1309.00.]
    Caption
    Image description A scan of an invoice from Corcraft, issued to Artists Space at 38 Greene Street. The customer number reads "9102000". The invoice details the purchase of a two oak court benches, totalling to $1309.00.
    Year 2015
    Related pages Cameron Rowland: 91020000
  • Photograph of the left wall of a basement gallery space. In the back nook is a reading room with reading materials displayed on a shelf and a table with seats around it. Further down the wall are multiple projected videos, the projectors are placed on shelves of varying height in a row.
    Photograph of the left wall of a basement gallery space. In the back nook is a reading room with reading materials displayed on a shelf and a table with seats around it. Further down the wall are multiple projected videos, the projectors are placed on shelves of varying height in a row.
    Clocking Out: Time Beyond Management. Installation view, Artists Space, 2023. Photo: Greg Carideo. [Photograph of the left wall of a basement gallery space. In the back nook is a reading room with reading materials displayed on a shelf and a table with seats around it. Further down the wall are multiple projected videos, the projectors are placed on shelves of varying height in a row.]
    Caption Clocking Out: Time Beyond Management. Installation view, Artists Space, 2023. Photo: Greg Carideo.
    Image description Photograph of the left wall of a basement gallery space. In the back nook is a reading room with reading materials displayed on a shelf and a table with seats around it. Further down the wall are multiple projected videos, the projectors are placed on shelves of varying height in a row.
    Year 2023
    Related pages Whitney Independent Study: Clocking Out: Time Beyond Management
  • Books, with series numbers (1-20) marked at the top of the spine, rest on an encolsed shelf against a white wall.
    Books, with series numbers (1-20) marked at the top of the spine, rest on an encolsed shelf against a white wall.
    [Books, with series numbers (1-20) marked at the top of the spine, rest on an encolsed shelf against a white wall.]
    Caption
    Image description Books, with series numbers (1-20) marked at the top of the spine, rest on an encolsed shelf against a white wall.
    Year 2014
    Related pages The Library Vaccine
  • A wide shot of a person sitting at a table with a computer. The table is covered in a red tablecloth with white lettering that reads,
    A wide shot of a person sitting at a table with a computer. The table is covered in a red tablecloth with white lettering that reads,
    New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court. [A wide shot of a person sitting at a table with a computer. The table is covered in a red tablecloth with white lettering that reads, "WHAT ARE SAVAGES FOR?" and "THE URGE TO MERGE." Lighter red, stylized text reads "NEW RED ORDER" and "NEVER SETTLE." Behind the table, a projected image shows a man with one hand outstretched superimposed on a city skyline. On either side of the table are informational posters with printed text.]
    Caption New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court.
    Image description A wide shot of a person sitting at a table with a computer. The table is covered in a red tablecloth with white lettering that reads, "WHAT ARE SAVAGES FOR?" and "THE URGE TO MERGE." Lighter red, stylized text reads "NEW RED ORDER" and "NEVER SETTLE." Behind the table, a projected image shows a man with one hand outstretched superimposed on a city skyline. On either side of the table are informational posters with printed text.
    Year 2020
    Related pages New Red Order: Informants Get Paid!
  • Three sculptures grouped together in the corner of a gallery, with a street in Manhattan visible through large windows at the rear of the room. The largest sculpture stands behind the other two; clustered pieces of wood, string, cardboard, paper, metal, and plastic are propped up, arranged on top of one another, all standing on a large cardboard base. A humanoid white bust lies on top of the structure, its face cut in half. The two smaller sculptures also depict humanoid faces - one in white, the other with skin and hair - and both appear to grow out of masses of misshapen cardboard and wood standing on the floor.
    Three sculptures grouped together in the corner of a gallery, with a street in Manhattan visible through large windows at the rear of the room. The largest sculpture stands behind the other two; clustered pieces of wood, string, cardboard, paper, metal, and plastic are propped up, arranged on top of one another, all standing on a large cardboard base. A humanoid white bust lies on top of the structure, its face cut in half. The two smaller sculptures also depict humanoid faces - one in white, the other with skin and hair - and both appear to grow out of masses of misshapen cardboard and wood standing on the floor.
    Danica Barboza, From a Chapter in Acclimatization, 2019, hand-modeled clay, acrylic paint, rope, yarn, wood, plastic clothing hangers, condensed foam, PVC piping, newspaper, plastic bottle, orange plastic crates, black plastic shipping crate, signature tape-binding with protective gloss, shower curtains, child’s wooden chair, plastic child’s toy, white shelving unit, metal table leg, wooden shipping crate, cherry wood stained card-table top, Insignia TV monitor, wooden pole, metal pole, painted silicone, natural hair, painted glass. Photo: Daniel Pérez [Three sculptures grouped together in the corner of a gallery, with a street in Manhattan visible through large windows at the rear of the room. The largest sculpture stands behind the other two; clustered pieces of wood, string, cardboard, paper, metal, and plastic are propped up, arranged on top of one another, all standing on a large cardboard base. A humanoid white bust lies on top of the structure, its face cut in half. The two smaller sculptures also depict humanoid faces - one in white, the other with skin and hair - and both appear to grow out of masses of misshapen cardboard and wood standing on the floor.]
    Caption Danica Barboza, From a Chapter in Acclimatization, 2019, hand-modeled clay, acrylic paint, rope, yarn, wood, plastic clothing hangers, condensed foam, PVC piping, newspaper, plastic bottle, orange plastic crates, black plastic shipping crate, signature tape-binding with protective gloss, shower curtains, child’s wooden chair, plastic child’s toy, white shelving unit, metal table leg, wooden shipping crate, cherry wood stained card-table top, Insignia TV monitor, wooden pole, metal pole, painted silicone, natural hair, painted glass. Photo: Daniel Pérez
    Image description Three sculptures grouped together in the corner of a gallery, with a street in Manhattan visible through large windows at the rear of the room. The largest sculpture stands behind the other two; clustered pieces of wood, string, cardboard, paper, metal, and plastic are propped up, arranged on top of one another, all standing on a large cardboard base. A humanoid white bust lies on top of the structure, its face cut in half. The two smaller sculptures also depict humanoid faces - one in white, the other with skin and hair - and both appear to grow out of masses of misshapen cardboard and wood standing on the floor.
    Year 2019
    Related pages Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater
  • An image of two figures in blue scrubs standing on opposite ends of a sterile table. A medical mannequin on the table is covered in shiny red silk fabric. In the background, there are projections and forms draped in yellow fabric.
    An image of two figures in blue scrubs standing on opposite ends of a sterile table. A medical mannequin on the table is covered in shiny red silk fabric. In the background, there are projections and forms draped in yellow fabric.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court [An image of two figures in blue scrubs standing on opposite ends of a sterile table. A medical mannequin on the table is covered in shiny red silk fabric. In the background, there are projections and forms draped in yellow fabric.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court
    Image description An image of two figures in blue scrubs standing on opposite ends of a sterile table. A medical mannequin on the table is covered in shiny red silk fabric. In the background, there are projections and forms draped in yellow fabric.
    Year 2022
    Related pages Grandmother Cindy
  • A dim room with four benches in front of a large video screen. A black and white image of a woman in front of a red star and a wreath is projected.
    A dim room with four benches in front of a large video screen. A black and white image of a woman in front of a red star and a wreath is projected.
    Hito Steyerl, November, 2004. Digital video with sound, 25 mins. Courtesy of the artist and Andrew Kreps, New York. [A dim room with four benches in front of a large video screen. A black and white image of a woman in front of a red star and a wreath is projected.]
    Caption Hito Steyerl, November, 2004. Digital video with sound, 25 mins. Courtesy of the artist and Andrew Kreps, New York.
    Image description A dim room with four benches in front of a large video screen. A black and white image of a woman in front of a red star and a wreath is projected.
    Year 2015
    Related pages Hito Steyerl
  • Several students sit, looking down towards printed sheets of paper, in front of colorful silk banners with writing stating
    Several students sit, looking down towards printed sheets of paper, in front of colorful silk banners with writing stating
    YAP (Young Artists Perform), P.S. 140, 2018 [Several students sit, looking down towards printed sheets of paper, in front of colorful silk banners with writing stating "Your dreams can become a reality," "like a cheetah in a snail's race," "bridge can just go like boom bom boom BOOM," "I see a light it's so BRIGHT -Destiny" and others.]
    Caption YAP (Young Artists Perform), P.S. 140, 2018
    Image description Several students sit, looking down towards printed sheets of paper, in front of colorful silk banners with writing stating "Your dreams can become a reality," "like a cheetah in a snail's race," "bridge can just go like boom bom boom BOOM," "I see a light it's so BRIGHT -Destiny" and others.
    Year 2018
    Related pages Education
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A slightly blurry image of a city in the evening. An outline of a tall, triangular building is visible against a sunset sky.
    A slightly blurry image of a city in the evening. An outline of a tall, triangular building is visible against a sunset sky.
    Sean Snyder, still from Two Representations of a Given Place (Pyongyang), 2001-4. Courtesy the artist; Galerie Chantal Crousel, Paris; Lisson Gallery, London; and Galerie Neu, Berlin. [A slightly blurry image of a city in the evening. An outline of a tall, triangular building is visible against a sunset sky.]
    Caption Sean Snyder, still from Two Representations of a Given Place (Pyongyang), 2001-4. Courtesy the artist; Galerie Chantal Crousel, Paris; Lisson Gallery, London; and Galerie Neu, Berlin.
    Image description A slightly blurry image of a city in the evening. An outline of a tall, triangular building is visible against a sunset sky.
    Year 2004
    Related pages Sean Snyder
  • Magazine cut-outs and ink drawings are collaged together on a background of red and yellow paper. Pieces of beige paper with typewritten text listing the performers and event details are scattered around the flyer.
    Magazine cut-outs and ink drawings are collaged together on a background of red and yellow paper. Pieces of beige paper with typewritten text listing the performers and event details are scattered around the flyer.
    Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a background of red and yellow paper. Pieces of beige paper with typewritten text listing the performers and event details are scattered around the flyer.]
    Caption Flyer by Joe Frivaldi.
    Image description Magazine cut-outs and ink drawings are collaged together on a background of red and yellow paper. Pieces of beige paper with typewritten text listing the performers and event details are scattered around the flyer.
    Year
    Related pages Abasement #78
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    Year
    Related pages Abasement #71
  • Students at the Schomberg Center, 2024
    Caption Students at the Schomberg Center, 2024
    Image description
    Year
    Related pages BRIDGE Photography
  • A large room with white walls. Artworks hang on the right and left walls, covering most of the surface area. There is a door open towards the back of the room.
    A large room with white walls. Artworks hang on the right and left walls, covering most of the surface area. There is a door open towards the back of the room.
    Pictures. Installation view, Artists Space, 1977. [A large room with white walls. Artworks hang on the right and left walls, covering most of the surface area. There is a door open towards the back of the room.]
    Caption Pictures. Installation view, Artists Space, 1977.
    Image description A large room with white walls. Artworks hang on the right and left walls, covering most of the surface area. There is a door open towards the back of the room.
    Year 1977
    Related pages Pictures
  • Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon.
    Caption Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon.
    Image description
    Year
    Related pages Michael Asher
  • A black and white image of a woman sitting alone in a row of seats, as if on a bus or train. Her face is obscured by the seat in front of her from the nose down, but her full reflection is visible in the window next to her.
    A black and white image of a woman sitting alone in a row of seats, as if on a bus or train. Her face is obscured by the seat in front of her from the nose down, but her full reflection is visible in the window next to her.
    Still from Bernadette, 2008. Courtesy of Duncan Campbell and HOTEL, London. [A black and white image of a woman sitting alone in a row of seats, as if on a bus or train. Her face is obscured by the seat in front of her from the nose down, but her full reflection is visible in the window next to her.]
    Caption Still from Bernadette, 2008. Courtesy of Duncan Campbell and HOTEL, London.
    Image description A black and white image of a woman sitting alone in a row of seats, as if on a bus or train. Her face is obscured by the seat in front of her from the nose down, but her full reflection is visible in the window next to her.
    Year 2008
    Related pages Film Trilogy: Duncan Campbell
  • A performer wearing a baseball cap plays drums. A black, white, yellow, and green projection of horizontal and vertical lines shine on the performer and the wall behind.
    A performer wearing a baseball cap plays drums. A black, white, yellow, and green projection of horizontal and vertical lines shine on the performer and the wall behind.
    Abasement #87. Performance documentation, June 15th, 2026, Artists Space. Photo: Joshua Wildman. [A performer wearing a baseball cap plays drums. A black, white, yellow, and green projection of horizontal and vertical lines shine on the performer and the wall behind.]
    Caption Abasement #87. Performance documentation, June 15th, 2026, Artists Space. Photo: Joshua Wildman.
    Image description A performer wearing a baseball cap plays drums. A black, white, yellow, and green projection of horizontal and vertical lines shine on the performer and the wall behind.
    Year
    Related pages Abasement #87
  • Black text on a light green background. The text reads: “May 2 / Darcie Dennigan / Tess Brown-Lavoie.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on a light green background. The text reads: “May 2 / Darcie Dennigan / Tess Brown-Lavoie.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on a light green background. The text reads: “May 2 / Darcie Dennigan / Tess Brown-Lavoie.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on a light green background. The text reads: “May 2 / Darcie Dennigan / Tess Brown-Lavoie.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Darcie Dennigan & Tess Brown-Lavoie
  • A hallway with one gray wall and one white. On the gray wall, there are a series of drawings on white paper arranged in a 4x7 grid. On the white wall, there are four frames. Light is refracted on a third wall at the end of the hallway.
    A hallway with one gray wall and one white. On the gray wall, there are a series of drawings on white paper arranged in a 4x7 grid. On the white wall, there are four frames. Light is refracted on a third wall at the end of the hallway.
    Local Transit. Installation view, Artists Space, 2006. [A hallway with one gray wall and one white. On the gray wall, there are a series of drawings on white paper arranged in a 4x7 grid. On the white wall, there are four frames. Light is refracted on a third wall at the end of the hallway.]
    Caption Local Transit. Installation view, Artists Space, 2006.
    Image description A hallway with one gray wall and one white. On the gray wall, there are a series of drawings on white paper arranged in a 4x7 grid. On the white wall, there are four frames. Light is refracted on a third wall at the end of the hallway.
    Year
    Related pages Local Transit: An Exhibition in Two Parts
  • An image of three paintings hanging on a wall.
    An image of three paintings hanging on a wall.
    Attention Line. Installation view, Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [An image of three paintings hanging on a wall.]
    Caption Attention Line. Installation view, Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak
    Image description An image of three paintings hanging on a wall.
    Year
    Related pages Attention Line
  • A black and white photograph of a man standing outside, surrounded by trees and grass, with his hand on a tripod.
    A black and white photograph of a man standing outside, surrounded by trees and grass, with his hand on a tripod.
    Paul Sharits [A black and white photograph of a man standing outside, surrounded by trees and grass, with his hand on a tripod.]
    Caption Paul Sharits
    Image description A black and white photograph of a man standing outside, surrounded by trees and grass, with his hand on a tripod.
    Year
    Related pages Summer Knowledge: Paul Sharits
  • Color image of a performer on stage, standing in front of various types of electronic audio equipment. They are wearing a monochromatic purple outfit and glasses. The wall behind them is decorated with blue, orange, and purple projections. The left side of the room is lit with small blue dots reflecting from a disco ball. A few audience members are visible in the bottom edge of the image.
    Color image of a performer on stage, standing in front of various types of electronic audio equipment. They are wearing a monochromatic purple outfit and glasses. The wall behind them is decorated with blue, orange, and purple projections. The left side of the room is lit with small blue dots reflecting from a disco ball. A few audience members are visible in the bottom edge of the image.
    Abasement #76. Performance documentation, March 3rd, 2025, Artists Space. Photo: Joshua Wildman. [Color image of a performer on stage, standing in front of various types of electronic audio equipment. They are wearing a monochromatic purple outfit and glasses. The wall behind them is decorated with blue, orange, and purple projections. The left side of the room is lit with small blue dots reflecting from a disco ball. A few audience members are visible in the bottom edge of the image.]
    Caption Abasement #76. Performance documentation, March 3rd, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Color image of a performer on stage, standing in front of various types of electronic audio equipment. They are wearing a monochromatic purple outfit and glasses. The wall behind them is decorated with blue, orange, and purple projections. The left side of the room is lit with small blue dots reflecting from a disco ball. A few audience members are visible in the bottom edge of the image.
    Year
    Related pages Abasement #76
  • A film photograph of a person in a black dress and red cape, advancing across a checkered floor towards a small plastic penguin wearing beaded jewelry and a red feathery crown.
    A film photograph of a person in a black dress and red cape, advancing across a checkered floor towards a small plastic penguin wearing beaded jewelry and a red feathery crown.
    Scanned slide from an untitled photo shoot featuring Smith as the Lobster, c. 1970s - 1980s. Copyright Jack Smith Archive. Courtesy Gladstone Gallery, New York and Brussels [A film photograph of a person in a black dress and red cape, advancing across a checkered floor towards a small plastic penguin wearing beaded jewelry and a red feathery crown.]
    Caption Scanned slide from an untitled photo shoot featuring Smith as the Lobster, c. 1970s - 1980s. Copyright Jack Smith Archive. Courtesy Gladstone Gallery, New York and Brussels
    Image description A film photograph of a person in a black dress and red cape, advancing across a checkered floor towards a small plastic penguin wearing beaded jewelry and a red feathery crown.
    Year
    Related pages Jack Smith: Art Crust of Spiritual Oasis
  • Black text on a light yellow background. The text reads: “May 17 / Nazareth Hassan / Karla Kelsey.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on a light yellow background. The text reads: “May 17 / Nazareth Hassan / Karla Kelsey.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on a light yellow background. The text reads: “May 17 / Nazareth Hassan / Karla Kelsey.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on a light yellow background. The text reads: “May 17 / Nazareth Hassan / Karla Kelsey.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Nazareth Hassan & Karla Kelsey
  • A slide of a painting of a pyramid of stairs with a ladder extending upwards, connected to several gold mountains by a railroad track.
    A slide of a painting of a pyramid of stairs with a ladder extending upwards, connected to several gold mountains by a railroad track.
    Carol Sun, Journey to Gold Mountain. [A slide of a painting of a pyramid of stairs with a ladder extending upwards, connected to several gold mountains by a railroad track.]
    Caption Carol Sun, Journey to Gold Mountain.
    Image description A slide of a painting of a pyramid of stairs with a ladder extending upwards, connected to several gold mountains by a railroad track.
    Year 1993
    Related pages The China Mary Series
  • Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They wave a red object in the air.
    Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They wave a red object in the air.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They wave a red object in the air.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They wave a red object in the air.
    Year
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • Image of a TV screen playing blue-tinted video footage of the performance with a fresnel lens placed in front of the screen, distorting the image.
    Image of a TV screen playing blue-tinted video footage of the performance with a fresnel lens placed in front of the screen, distorting the image.
    SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a TV screen playing blue-tinted video footage of the performance with a fresnel lens placed in front of the screen, distorting the image.]
    Caption SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a TV screen playing blue-tinted video footage of the performance with a fresnel lens placed in front of the screen, distorting the image.
    Year 2022
    Related pages SCRAAATCH 11-19
  • A poster showing a silver car driving through a selection of press clippings from newspapers on a blue background. At the top of the image, there is white text that reads,
    A poster showing a silver car driving through a selection of press clippings from newspapers on a blue background. At the top of the image, there is white text that reads,
    Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A poster showing a silver car driving through a selection of press clippings from newspapers on a blue background. At the top of the image, there is white text that reads, "PRESENTING AMERICA'S MOST TALKED ABOUT CAR!" At the bottom, white text reads, "DELOREAN."]
    Caption Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description A poster showing a silver car driving through a selection of press clippings from newspapers on a blue background. At the top of the image, there is white text that reads, "PRESENTING AMERICA'S MOST TALKED ABOUT CAR!" At the bottom, white text reads, "DELOREAN."
    Year 2010
    Related pages Duncan Campbell: Make It New John
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    Year
    Related pages Dream Lines: Drawings by Marian Zazeela
  • A black and white image of a hand holding a newspaper with a view of the street and surroudning buildings in the background.
    A black and white image of a hand holding a newspaper with a view of the street and surroudning buildings in the background.
    Anne Bray. Film still from Man on First and Third, 1987. Slide and Sound Installation. [A black and white image of a hand holding a newspaper with a view of the street and surroudning buildings in the background.]
    Caption Anne Bray. Film still from Man on First and Third, 1987. Slide and Sound Installation.
    Image description A black and white image of a hand holding a newspaper with a view of the street and surroudning buildings in the background.
    Year 1987
    Related pages Dark Rooms
  • A still from Totloop, set during the twilight, featuring an empty model house being lit on fire, with a small tree visible to its left.
    A still from Totloop, set during the twilight, featuring an empty model house being lit on fire, with a small tree visible to its left.
    Union Gaucha Productions in collaboration with Fabio Kacero. Still from Totloop, 2003. 16mm film (silent, color), 4 min 49 sec. Courtesy of Union Gaucha Productions. [A still from Totloop, set during the twilight, featuring an empty model house being lit on fire, with a small tree visible to its left.]
    Caption Union Gaucha Productions in collaboration with Fabio Kacero. Still from Totloop, 2003. 16mm film (silent, color), 4 min 49 sec. Courtesy of Union Gaucha Productions.
    Image description A still from Totloop, set during the twilight, featuring an empty model house being lit on fire, with a small tree visible to its left.
    Year 2003
    Related pages Union Gaucha Productions
  • Two black plinths stand in the center of an otherwise empty room. Each has a glass-encased top protecting a patch of grass, lit from below by a white light.
    Two black plinths stand in the center of an otherwise empty room. Each has a glass-encased top protecting a patch of grass, lit from below by a white light.
    Spring Exhibitions. Installation view, Artists Space, 2009. [Two black plinths stand in the center of an otherwise empty room. Each has a glass-encased top protecting a patch of grass, lit from below by a white light.]
    Caption Spring Exhibitions. Installation view, Artists Space, 2009.
    Image description Two black plinths stand in the center of an otherwise empty room. Each has a glass-encased top protecting a patch of grass, lit from below by a white light.
    Year 2009
    Related pages Spring Exhibitions
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    Year
    Related pages Segue Reading Series: Moyra Davey & Edgar Oliver
  • Color image of two performers on standing on stage. The performer in the foreground is lit with pink light. They are holding their arm out touching a cymbal with a red drum stock in hand. They are looking down with their eyes closed. The performer in the background is out of focus, they are bathed in blue light. Drums surround the stage. A seated audience is out of focus in the background. The back wall features two projections, one is an abstract arrangement of shades of blue. The other has sharp geometric shapes in red, green, and yellow.
    Color image of two performers on standing on stage. The performer in the foreground is lit with pink light. They are holding their arm out touching a cymbal with a red drum stock in hand. They are looking down with their eyes closed. The performer in the background is out of focus, they are bathed in blue light. Drums surround the stage. A seated audience is out of focus in the background. The back wall features two projections, one is an abstract arrangement of shades of blue. The other has sharp geometric shapes in red, green, and yellow.
    Abasement #77. Performance documentation, April 7th, 2025, Artists Space. Photo: Joshua Wildman. [Color image of two performers on standing on stage. The performer in the foreground is lit with pink light. They are holding their arm out touching a cymbal with a red drum stock in hand. They are looking down with their eyes closed. The performer in the background is out of focus, they are bathed in blue light. Drums surround the stage. A seated audience is out of focus in the background. The back wall features two projections, one is an abstract arrangement of shades of blue. The other has sharp geometric shapes in red, green, and yellow.]
    Caption Abasement #77. Performance documentation, April 7th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Color image of two performers on standing on stage. The performer in the foreground is lit with pink light. They are holding their arm out touching a cymbal with a red drum stock in hand. They are looking down with their eyes closed. The performer in the background is out of focus, they are bathed in blue light. Drums surround the stage. A seated audience is out of focus in the background. The back wall features two projections, one is an abstract arrangement of shades of blue. The other has sharp geometric shapes in red, green, and yellow.
    Year
    Related pages Abasement #77
  • Black lowercase typewriter text on a white background reads
    Black lowercase typewriter text on a white background reads
    Mitch Corber, video still, c. 1977. [Black lowercase typewriter text on a white background reads "we can't wait."]
    Caption Mitch Corber, video still, c. 1977.
    Image description Black lowercase typewriter text on a white background reads "we can't wait."
    Year
    Related pages Artists Super 8 Film Exposition
  • A figure plays the piano in front of a crowd of seated people behind him.
    A figure plays the piano in front of a crowd of seated people behind him.
    Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman [A figure plays the piano in front of a crowd of seated people behind him.]
    Caption Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure plays the piano in front of a crowd of seated people behind him.
    Year 2022
    Related pages Tisziji Muñoz with Francisco Mora Catlett and AfroHORN
  • A color image of a close-up of a floating vitrine on a red wall, with four small paintings hung in a series above the vitrine. Inside the vitrine are six pages, with poems written on them and drawings of flowers decorating the pages. Thefour paintings above the poems depict Black Queer figures in darkened environments with gold, and colorful accents.
    A color image of a close-up of a floating vitrine on a red wall, with four small paintings hung in a series above the vitrine. Inside the vitrine are six pages, with poems written on them and drawings of flowers decorating the pages. Thefour paintings above the poems depict Black Queer figures in darkened environments with gold, and colorful accents.
    Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view (memory of barbers touch, 2022; Poems 1 -6, 2023), Artists Space, 2023. Photo: Filip Wolak. [A color image of a close-up of a floating vitrine on a red wall, with four small paintings hung in a series above the vitrine. Inside the vitrine are six pages, with poems written on them and drawings of flowers decorating the pages. Thefour paintings above the poems depict Black Queer figures in darkened environments with gold, and colorful accents.]
    Caption Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view (memory of barbers touch, 2022; Poems 1 -6, 2023), Artists Space, 2023. Photo: Filip Wolak.
    Image description A color image of a close-up of a floating vitrine on a red wall, with four small paintings hung in a series above the vitrine. Inside the vitrine are six pages, with poems written on them and drawings of flowers decorating the pages. Thefour paintings above the poems depict Black Queer figures in darkened environments with gold, and colorful accents.
    Year
    Related pages Jonathan Lyndon Chase
  • A close-up photo of a violinist performing in front of several people and a chandelier.
    A close-up photo of a violinist performing in front of several people and a chandelier.
    Laura Ortman performing at the Friends of Artists Space Annual Dinner, 2018. [A close-up photo of a violinist performing in front of several people and a chandelier.]
    Caption Laura Ortman performing at the Friends of Artists Space Annual Dinner, 2018.
    Image description A close-up photo of a violinist performing in front of several people and a chandelier.
    Year 2018
    Related pages Support
  • Three yellow-toned paintings hang at eye level, adjacent to four black viewing boxes installed on a gallery wall to the right of the canvases. A kite hangs from the ceiling in the middle of the exhibition space, its tail touching the floor.
    Three yellow-toned paintings hang at eye level, adjacent to four black viewing boxes installed on a gallery wall to the right of the canvases. A kite hangs from the ceiling in the middle of the exhibition space, its tail touching the floor.
    Whitney Museum of American Art Independent Study Program Studio Exhibition. Installation view, Artists Space, 2018. Photo: Gustavo Murillo Fernández-Valdés. [Three yellow-toned paintings hang at eye level, adjacent to four black viewing boxes installed on a gallery wall to the right of the canvases. A kite hangs from the ceiling in the middle of the exhibition space, its tail touching the floor.]
    Caption Whitney Museum of American Art Independent Study Program Studio Exhibition. Installation view, Artists Space, 2018. Photo: Gustavo Murillo Fernández-Valdés.
    Image description Three yellow-toned paintings hang at eye level, adjacent to four black viewing boxes installed on a gallery wall to the right of the canvases. A kite hangs from the ceiling in the middle of the exhibition space, its tail touching the floor.
    Year 2018
    Related pages Whitney Museum of American Art Independent Study Program Studio Exhibition
  • A figure performs on stage using a microphone and an audio mixer, with the audience in the back left of the image.
    A figure performs on stage using a microphone and an audio mixer, with the audience in the back left of the image.
    Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [A figure performs on stage using a microphone and an audio mixer, with the audience in the back left of the image.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure performs on stage using a microphone and an audio mixer, with the audience in the back left of the image.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-10
  • A gallery with an L-shaped bench covered in fabric, plus several video projections and artworks adorning the walls.
    A gallery with an L-shaped bench covered in fabric, plus several video projections and artworks adorning the walls.
    Marie Karlberg Videos. Installation view, Artists Space, 2013. [A gallery with an L-shaped bench covered in fabric, plus several video projections and artworks adorning the walls.]
    Caption Marie Karlberg Videos. Installation view, Artists Space, 2013.
    Image description A gallery with an L-shaped bench covered in fabric, plus several video projections and artworks adorning the walls.
    Year 2013
    Related pages Marie Karlberg Videos
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    Related pages Abasement #88
  • Two performers play an electric bass and an electric guitar. They are bathed in pink light while colorful projections light the wall behind them.
    Two performers play an electric bass and an electric guitar. They are bathed in pink light while colorful projections light the wall behind them.
    Abasement #85. Performance documentation, March 2nd, 2026, Artists Space. Photo: Joshua Wildman. [Two performers play an electric bass and an electric guitar. They are bathed in pink light while colorful projections light the wall behind them. ]
    Caption Abasement #85. Performance documentation, March 2nd, 2026, Artists Space. Photo: Joshua Wildman.
    Image description Two performers play an electric bass and an electric guitar. They are bathed in pink light while colorful projections light the wall behind them.
    Year
    Related pages Abasement #85
  • A large gallery space full of hundreds of metal cutouts shaped like curved
    A large gallery space full of hundreds of metal cutouts shaped like curved
    H_edge. Installation view, Artists Space, 2006. Photo: Whitney Cox. [A large gallery space full of hundreds of metal cutouts shaped like curved "x"'s hanging from lengths of metal chainlinks. The cutouts are arranged in the gallery so that they form a hedge-like landscape of varying heights.]
    Caption H_edge. Installation view, Artists Space, 2006. Photo: Whitney Cox.
    Image description A large gallery space full of hundreds of metal cutouts shaped like curved "x"'s hanging from lengths of metal chainlinks. The cutouts are arranged in the gallery so that they form a hedge-like landscape of varying heights.
    Year 2006
    Related pages H_edge
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    Related pages Milford Graves: Fundamental Frequency
  • Yellow text on a blurry black-and-white photograph. The photograph features a figure standing against a background of trees. The text contains the event details.
    Yellow text on a blurry black-and-white photograph. The photograph features a figure standing against a background of trees. The text contains the event details.
    Flyer for Basie Allen: Palm-Lined with Potience (2nd Edition) Book Launch. [Yellow text on a blurry black-and-white photograph. The photograph features a figure standing against a background of trees. The text contains the event details.]
    Caption Flyer for Basie Allen: Palm-Lined with Potience (2nd Edition) Book Launch.
    Image description Yellow text on a blurry black-and-white photograph. The photograph features a figure standing against a background of trees. The text contains the event details.
    Year
    Related pages Palm-Lined with Potience (2nd Edition)
  • A black and white image of two men sitting in a living room. The furniture is elevated on white pedestals. The man on the left sits on a chair; on the right on a sofa. A table with items sits inbetween them.
    A black and white image of two men sitting in a living room. The furniture is elevated on white pedestals. The man on the left sits on a chair; on the right on a sofa. A table with items sits inbetween them.
    Leben mit Pop - Eine Demonstration für den kapitalistischen Realismus, 1963 (Living with Pop – A Demonstration for Capitalist Realism) © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Photo: Reiner Ruthenbeck [A black and white image of two men sitting in a living room. The furniture is elevated on white pedestals. The man on the left sits on a chair; on the right on a sofa. A table with items sits inbetween them.]
    Caption Leben mit Pop - Eine Demonstration für den kapitalistischen Realismus, 1963 (Living with Pop – A Demonstration for Capitalist Realism) © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Photo: Reiner Ruthenbeck
    Image description A black and white image of two men sitting in a living room. The furniture is elevated on white pedestals. The man on the left sits on a chair; on the right on a sofa. A table with items sits inbetween them.
    Year 1963
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • A black and white photograph of two constructed shoe-like objects on small constructed shape sitting on the grass in a foresty area.
    A black and white photograph of two constructed shoe-like objects on small constructed shape sitting on the grass in a foresty area.
    Ritsuko Taho, Untitled, 1985. [A black and white photograph of two constructed shoe-like objects on small constructed shape sitting on the grass in a foresty area.]
    Caption Ritsuko Taho, Untitled, 1985.
    Image description A black and white photograph of two constructed shoe-like objects on small constructed shape sitting on the grass in a foresty area.
    Year
    Related pages Six Sculptors
  • A person bathed in pink light bends over a table with equipment controlling projection visuals.
    A person bathed in pink light bends over a table with equipment controlling projection visuals.
    Abasement #80. Performance documentation, September 22nd, 2025, Artists Space. Photo: Joshua Wildman. [A person bathed in pink light bends over a table with equipment controlling projection visuals. ]
    Caption Abasement #80. Performance documentation, September 22nd, 2025, Artists Space. Photo: Joshua Wildman.
    Image description A person bathed in pink light bends over a table with equipment controlling projection visuals.
    Year
    Related pages Abasement #80
  • Two figures wearing medical scrubs hold a mannequin over a table.
    Two figures wearing medical scrubs hold a mannequin over a table.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court [Two figures wearing medical scrubs hold a mannequin over a table.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court
    Image description Two figures wearing medical scrubs hold a mannequin over a table.
    Year 2022
    Related pages Grandmother Cindy
  • Constantina Zavitsanos: fwiw. Installation view, Artists Space, 2024. Photo: Carter Seddon.
    Caption Constantina Zavitsanos: fwiw. Installation view, Artists Space, 2024. Photo: Carter Seddon.
    Image description
    Year
    Related pages fwiw
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    Related pages Theresa Hak Kyung Cha: Multiple Offerings
  • A yellow colored background features black text in the top half of the image that reads,
    A yellow colored background features black text in the top half of the image that reads,
    Flyer for Segue Reading Series featuring Diana Cage & Jackie Ess. Saturday March 20, 2021, Artists Space. [A yellow colored background features black text in the top half of the image that reads, "Segue Reading Series / Diana Cage & Jackie Ess / March 20 / 5pm on Zoom / Suggested donation: Five dollars / Zoom ID: 830 2698 4031." Black text in the bottom right corner reads, "Artists Space."]
    Caption Flyer for Segue Reading Series featuring Diana Cage & Jackie Ess. Saturday March 20, 2021, Artists Space.
    Image description A yellow colored background features black text in the top half of the image that reads, "Segue Reading Series / Diana Cage & Jackie Ess / March 20 / 5pm on Zoom / Suggested donation: Five dollars / Zoom ID: 830 2698 4031." Black text in the bottom right corner reads, "Artists Space."
    Year
    Related pages Segue Reading Series: Diana Cage & Jackie Ess
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    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • Four book covers, arranged into a grid. Titles, from left to right, beginning with the top, read,
    Four book covers, arranged into a grid. Titles, from left to right, beginning with the top, read,
    [Four book covers, arranged into a grid. Titles, from left to right, beginning with the top, read, "Pride and Prejudice," "Negotiating for Dummies," "Revenge," and "Token Gestures."]
    Caption
    Image description Four book covers, arranged into a grid. Titles, from left to right, beginning with the top, read, "Pride and Prejudice," "Negotiating for Dummies," "Revenge," and "Token Gestures."
    Year 2014
    Related pages The Library Vaccine
  • Black and white photograph of cursive white text on a black background on the floor of a room with an upside down chair in the foreground and a heater in the background.
    Black and white photograph of cursive white text on a black background on the floor of a room with an upside down chair in the foreground and a heater in the background.
    Margia Kramer. Installation view, Artists Space, 1980. [Black and white photograph of cursive white text on a black background on the floor of a room with an upside down chair in the foreground and a heater in the background.]
    Caption Margia Kramer. Installation view, Artists Space, 1980.
    Image description Black and white photograph of cursive white text on a black background on the floor of a room with an upside down chair in the foreground and a heater in the background.
    Year 1980
    Related pages Margia Kramer
  • A hallway lined on both walls with abstract amber photographs arranged in a grid.
    A hallway lined on both walls with abstract amber photographs arranged in a grid.
    Elephant Cemetery. Installation view, Artists Space, 2007. [A hallway lined on both walls with abstract amber photographs arranged in a grid.]
    Caption Elephant Cemetery. Installation view, Artists Space, 2007.
    Image description A hallway lined on both walls with abstract amber photographs arranged in a grid.
    Year 2007
    Related pages Elephant Cemetery
  • Two paintings arranged side by side, both depicting highways with a blur of car lights and tailights.
    Two paintings arranged side by side, both depicting highways with a blur of car lights and tailights.
    Mara Korkola, No Place, 2002. [Two paintings arranged side by side, both depicting highways with a blur of car lights and tailights.]
    Caption Mara Korkola, No Place, 2002.
    Image description Two paintings arranged side by side, both depicting highways with a blur of car lights and tailights.
    Year 2002
    Related pages Painting as Paradox
  • Image of a basement with a table made of wood and a fresnel lens tabletop on the right side of the space. In the back are audio wires and a speaker in the corner. Along the top of the image the basement windows are tinted blue.
    Image of a basement with a table made of wood and a fresnel lens tabletop on the right side of the space. In the back are audio wires and a speaker in the corner. Along the top of the image the basement windows are tinted blue.
    SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement with a table made of wood and a fresnel lens tabletop on the right side of the space. In the back are audio wires and a speaker in the corner. Along the top of the image the basement windows are tinted blue.]
    Caption SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a basement with a table made of wood and a fresnel lens tabletop on the right side of the space. In the back are audio wires and a speaker in the corner. Along the top of the image the basement windows are tinted blue.
    Year 2022
    Related pages SCRAAATCH 12-3
  • Black-and-white film photograph of a mound of flour on a concrete floor. A figure's hands are shown along the right and top side of the composition. The figure's right hand is poised above the center of the flour mound, pouring yeast into it from a small packet.
    Black-and-white film photograph of a mound of flour on a concrete floor. A figure's hands are shown along the right and top side of the composition. The figure's right hand is poised above the center of the flour mound, pouring yeast into it from a small packet.
    Terry Fox, Yield, University Art Museum, Berkeley, California, September 4, 1973. Photo: Larry Fox. Courtesy Marilyn Bogerd. [Black-and-white film photograph of a mound of flour on a concrete floor. A figure's hands are shown along the right and top side of the composition. The figure's right hand is poised above the center of the flour mound, pouring yeast into it from a small packet.]
    Caption Terry Fox, Yield, University Art Museum, Berkeley, California, September 4, 1973. Photo: Larry Fox. Courtesy Marilyn Bogerd.
    Image description Black-and-white film photograph of a mound of flour on a concrete floor. A figure's hands are shown along the right and top side of the composition. The figure's right hand is poised above the center of the flour mound, pouring yeast into it from a small packet.
    Year
    Related pages All These Different Things Are Sculpture
  • Stylized white text on a tan background reads,
    Stylized white text on a tan background reads,
    [Stylized white text on a tan background reads, "Western Agenda." Small black text above the white text reads "March 14-May 4, 1991 / Artists Space" while several lines of smaller, spaced out text spells out words such as, "courage" "hardwork" and "prosperity."]
    Caption
    Image description Stylized white text on a tan background reads, "Western Agenda." Small black text above the white text reads "March 14-May 4, 1991 / Artists Space" while several lines of smaller, spaced out text spells out words such as, "courage" "hardwork" and "prosperity."
    Year 1991
    Related pages Western Agenda
  • In the foreground of the installation view is a corridor wall with a large black and white drawing of farm architecture and in the background are monitor based works as well as sculptures of a skateboard on a pedestal and red crates of cola bottles.
    In the foreground of the installation view is a corridor wall with a large black and white drawing of farm architecture and in the background are monitor based works as well as sculptures of a skateboard on a pedestal and red crates of cola bottles.
    New Economy. Installation view, Artists Space, 2007. [In the foreground of the installation view is a corridor wall with a large black and white drawing of farm architecture and in the background are monitor based works as well as sculptures of a skateboard on a pedestal and red crates of cola bottles.]
    Caption New Economy. Installation view, Artists Space, 2007.
    Image description In the foreground of the installation view is a corridor wall with a large black and white drawing of farm architecture and in the background are monitor based works as well as sculptures of a skateboard on a pedestal and red crates of cola bottles.
    Year
    Related pages New Economy
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    Related pages Abasement #79
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    Related pages Nandi Loaf Aristotelis Nikolas Mochloulis Ricardo Nagaoka Sydney Schrader
  • An audience observes two performers playing a keyboard and a stringed instrument on stage. The performers are seated at an angle towards each other, and the stage is bathed in blue and yellow light.
    An audience observes two performers playing a keyboard and a stringed instrument on stage. The performers are seated at an angle towards each other, and the stage is bathed in blue and yellow light.
    Abasement #83. Performance documentation, January 5th, 2026, Artists Space. Photo: Joshua Wildman. [An audience observes two performers playing a keyboard and a stringed instrument on stage. The performers are seated at an angle towards each other, and the stage is bathed in blue and yellow light. ]
    Caption Abasement #83. Performance documentation, January 5th, 2026, Artists Space. Photo: Joshua Wildman.
    Image description An audience observes two performers playing a keyboard and a stringed instrument on stage. The performers are seated at an angle towards each other, and the stage is bathed in blue and yellow light.
    Year
    Related pages Abasement #83
  • A color installation image of a gallery space. Several small canvases painted with geometric forms are hung on the walls.
    A color installation image of a gallery space. Several small canvases painted with geometric forms are hung on the walls.
    Paintings by Fontaine Dunn. From Gary Bower, Fontaine Dunn, Hermine Ford, Artists Space, 1976. [A color installation image of a gallery space. Several small canvases painted with geometric forms are hung on the walls.]
    Caption Paintings by Fontaine Dunn. From Gary Bower, Fontaine Dunn, Hermine Ford, Artists Space, 1976.
    Image description A color installation image of a gallery space. Several small canvases painted with geometric forms are hung on the walls.
    Year 1976
    Related pages Gary Bower, Fontaine Dunn, Hermine Ford
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Eight colorful paintings are exhibited in a grid pattern on a wall with a small didactic.
    Eight colorful paintings are exhibited in a grid pattern on a wall with a small didactic.
    Art Day, Blue Sky Gallery, 2017 [Eight colorful paintings are exhibited in a grid pattern on a wall with a small didactic. "Blue Sky Gallery - P.S. 140 and Artists Space Expanded Art Ideas" is printed on the wall.]
    Caption Art Day, Blue Sky Gallery, 2017
    Image description Eight colorful paintings are exhibited in a grid pattern on a wall with a small didactic. "Blue Sky Gallery - P.S. 140 and Artists Space Expanded Art Ideas" is printed on the wall.
    Year 2017
    Related pages Exhibitions and Events
  • An image of a room with several display cases and a projection, with bright lights cast against the wall.
    An image of a room with several display cases and a projection, with bright lights cast against the wall.
    Attention Line. Installation view, Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [An image of a room with several display cases and a projection, with bright lights cast against the wall.]
    Caption Attention Line. Installation view, Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak
    Image description An image of a room with several display cases and a projection, with bright lights cast against the wall.
    Year 2022
    Related pages Attention Line
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
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    Related pages DRAFT IMAGE PAGE_NEVER DELETE
  • Color image of a painting, done on linen. The left edge is painting a light blue, and the bottom edge is painting orange, with a large rectangle of dark blue paint covering the rest of the work. Accents of light blue paint run through the center and around the edges.
    Color image of a painting, done on linen. The left edge is painting a light blue, and the bottom edge is painting orange, with a large rectangle of dark blue paint covering the rest of the work. Accents of light blue paint run through the center and around the edges.
    Julia Rommel, Back Channel, 2023. Photo: Filip Wolak. [Color image of a painting, done on linen. The left edge is painting a light blue, and the bottom edge is painting orange, with a large rectangle of dark blue paint covering the rest of the work. Accents of light blue paint run through the center and around the edges.]
    Caption Julia Rommel, Back Channel, 2023. Photo: Filip Wolak.
    Image description Color image of a painting, done on linen. The left edge is painting a light blue, and the bottom edge is painting orange, with a large rectangle of dark blue paint covering the rest of the work. Accents of light blue paint run through the center and around the edges.
    Year 2023
    Related pages Artists for Artists Space
  • A color image of a white wall with windows and black and white curtains. Through the window, a cross-legged figure is partially seen sitting on a chair. Only the legs and hands are visible.
    A color image of a white wall with windows and black and white curtains. Through the window, a cross-legged figure is partially seen sitting on a chair. Only the legs and hands are visible.
    Drake Carr: Housecalls. Performance documentation, September 10, 2023, Artists Space at the Armory Show. Photo: Joshua Wildman. [A color image of a white wall with windows and black and white curtains. Through the window, a cross-legged figure is partially seen sitting on a chair. Only the legs and hands are visible.]
    Caption Drake Carr: Housecalls. Performance documentation, September 10, 2023, Artists Space at the Armory Show. Photo: Joshua Wildman.
    Image description A color image of a white wall with windows and black and white curtains. Through the window, a cross-legged figure is partially seen sitting on a chair. Only the legs and hands are visible.
    Year
    Related pages Drake Carr: Housecalls
  • Twizzy, Juan Reyes, Silver Key in Photography
    Caption Twizzy, Juan Reyes, Silver Key in Photography
    Image description
    Year
    Related pages Scholastic Art and Writing Awards
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
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    Year
    Related pages Abasement #82
  • Color image of two performers on standing on stage. They are both looking to the side with microphones close to their mouths. They are surrounded by drums, cymbals, and a audio board on a table. The wall behind the performers is decorated with an abstract orange, blue, and pink projection, which also covers the performers. Multiple rows of seated audience members are visible in the foreground.
    Color image of two performers on standing on stage. They are both looking to the side with microphones close to their mouths. They are surrounded by drums, cymbals, and a audio board on a table. The wall behind the performers is decorated with an abstract orange, blue, and pink projection, which also covers the performers. Multiple rows of seated audience members are visible in the foreground.
    Abasement #77. Performance documentation, April 7th, 2025, Artists Space. Photo: Joshua Wildman. [Color image of two performers on standing on stage. They are both looking to the side with microphones close to their mouths. They are surrounded by drums, cymbals, and a audio board on a table. The wall behind the performers is decorated with an abstract orange, blue, and pink projection, which also covers the performers. Multiple rows of seated audience members are visible in the foreground.]
    Caption Abasement #77. Performance documentation, April 7th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Color image of two performers on standing on stage. They are both looking to the side with microphones close to their mouths. They are surrounded by drums, cymbals, and a audio board on a table. The wall behind the performers is decorated with an abstract orange, blue, and pink projection, which also covers the performers. Multiple rows of seated audience members are visible in the foreground.
    Year
    Related pages Abasement #77
  • A large gallery wall covered with wallpaper printed with tropical birds in colorful trees on a white background. There are assorted black-framed, colorful images hung on the wall, positioned in both portrait and landscape orientations.
    A large gallery wall covered with wallpaper printed with tropical birds in colorful trees on a white background. There are assorted black-framed, colorful images hung on the wall, positioned in both portrait and landscape orientations.
    Spring Exhibitions. Installation view, Artists Space, 2009. [A large gallery wall covered with wallpaper printed with tropical birds in colorful trees on a white background. There are assorted black-framed, colorful images hung on the wall, positioned in both portrait and landscape orientations.]
    Caption Spring Exhibitions. Installation view, Artists Space, 2009.
    Image description A large gallery wall covered with wallpaper printed with tropical birds in colorful trees on a white background. There are assorted black-framed, colorful images hung on the wall, positioned in both portrait and landscape orientations.
    Year 2009
    Related pages Spring Exhibitions
  • A group of people sit on the floor of a dimly-lit gallery. The audience is facing towards a wall on the left side of the image where a projection of live transcription text is projected. On the right side a performer bathed in green light holds their hands together as they stand infront of a mic. The audience member in the foreground is lit with red light, as well as an exit sign on the back wall. The rest of the gallery walls are blue and purple tinted.
    A group of people sit on the floor of a dimly-lit gallery. The audience is facing towards a wall on the left side of the image where a projection of live transcription text is projected. On the right side a performer bathed in green light holds their hands together as they stand infront of a mic. The audience member in the foreground is lit with red light, as well as an exit sign on the back wall. The rest of the gallery walls are blue and purple tinted.
    Heist Divination (fwiw remix). Performance documentation, October 25th, 2024, Artists Space. Photo: Destiny Mata. [A group of people sit on the floor of a dimly-lit gallery. The audience is facing towards a wall on the left side of the image where a projection of live transcription text is projected. On the right side a performer bathed in green light holds their hands together as they stand infront of a mic. The audience member in the foreground is lit with red light, as well as an exit sign on the back wall. The rest of the gallery walls are blue and purple tinted.]
    Caption Heist Divination (fwiw remix). Performance documentation, October 25th, 2024, Artists Space. Photo: Destiny Mata.
    Image description A group of people sit on the floor of a dimly-lit gallery. The audience is facing towards a wall on the left side of the image where a projection of live transcription text is projected. On the right side a performer bathed in green light holds their hands together as they stand infront of a mic. The audience member in the foreground is lit with red light, as well as an exit sign on the back wall. The rest of the gallery walls are blue and purple tinted.
    Year
    Related pages S*an D. Henry-Smith
  • Contact sheet of installation images taken during exhibition opening.
    Contact sheet of installation images taken during exhibition opening.
    Gary Burnley, Martin Cohen, Candace Hill-Montgomery, Louis Stein, and Haim Steinbach. Contact sheet of photos from exhibition opening, Artists Space, 1979. Photos by Gary Burnley. [Contact sheet of installation images taken during exhibition opening.]
    Caption Gary Burnley, Martin Cohen, Candace Hill-Montgomery, Louis Stein, and Haim Steinbach. Contact sheet of photos from exhibition opening, Artists Space, 1979. Photos by Gary Burnley.
    Image description Contact sheet of installation images taken during exhibition opening.
    Year 1979
    Related pages Martin Cohen
  • A vintage, black and white photograph of the interior of a shop window, which looks out upon a city street. Two men stand to the left side of the window, casually leaning against a pole and talking. Various metal vases, cutlery, and ornaments are displayed on the shelves within the window.
    A vintage, black and white photograph of the interior of a shop window, which looks out upon a city street. Two men stand to the left side of the window, casually leaning against a pole and talking. Various metal vases, cutlery, and ornaments are displayed on the shelves within the window.
    [A vintage, black and white photograph of the interior of a shop window, which looks out upon a city street. Two men stand to the left side of the window, casually leaning against a pole and talking. Various metal vases, cutlery, and ornaments are displayed on the shelves within the window.]
    Caption
    Image description A vintage, black and white photograph of the interior of a shop window, which looks out upon a city street. Two men stand to the left side of the window, casually leaning against a pole and talking. Various metal vases, cutlery, and ornaments are displayed on the shelves within the window.
    Year 2010
    Related pages Danh Vo: Autoerotic Asphyxiation
  • A black and white image of two couches set in front of a TV monitor on a pedestal and two speakers installed on either side of it. The TV screen is on, but no clear image is visible on it. A door to exit is visible in the background.
    A black and white image of two couches set in front of a TV monitor on a pedestal and two speakers installed on either side of it. The TV screen is on, but no clear image is visible on it. A door to exit is visible in the background.
    Too Black, Too Strong! Installation View, Artists Space, 1988. [A black and white image of two couches set in front of a TV monitor on a pedestal and two speakers installed on either side of it. The TV screen is on, but no clear image is visible on it. A door to exit is visible in the background.]
    Caption Too Black, Too Strong! Installation View, Artists Space, 1988.
    Image description A black and white image of two couches set in front of a TV monitor on a pedestal and two speakers installed on either side of it. The TV screen is on, but no clear image is visible on it. A door to exit is visible in the background.
    Year 1988
    Related pages Too Black, Too Strong!
  • Photograph of a framed work on paper. In the work, a figure with back turned to the viewer sinks into a plié. The figure is repeated four times in the work.
    Photograph of a framed work on paper. In the work, a figure with back turned to the viewer sinks into a plié. The figure is repeated four times in the work.
    Installation view, Robert Morgan. Artists Space, 1977. [Photograph of a framed work on paper. In the work, a figure with back turned to the viewer sinks into a plié. The figure is repeated four times in the work.]
    Caption Installation view, Robert Morgan. Artists Space, 1977.
    Image description Photograph of a framed work on paper. In the work, a figure with back turned to the viewer sinks into a plié. The figure is repeated four times in the work.
    Year 1977
    Related pages Robert Morgan
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    Image description
    Year
    Related pages Abasement #67
  • A color installation photograph of a figure in front of a curved white wall in a gallery space.
    A color installation photograph of a figure in front of a curved white wall in a gallery space.
    Marvin Torffield. Sesondo, 1974. Three coat plaster on wire lathe with nova ply and Masonite. Installation view, Artists Space, 1974. Credit: Marvin Torffield. [A color installation photograph of a figure in front of a curved white wall in a gallery space.]
    Caption Marvin Torffield. Sesondo, 1974. Three coat plaster on wire lathe with nova ply and Masonite. Installation view, Artists Space, 1974. Credit: Marvin Torffield.
    Image description A color installation photograph of a figure in front of a curved white wall in a gallery space.
    Year 1974
    Related pages Sidney Geist, Marvin Torffield, John Torreano
  • A spotted pattern against a white ground, with each spot having a unique stain, splatter, or drops of ink.
    A spotted pattern against a white ground, with each spot having a unique stain, splatter, or drops of ink.
    Anicka Yi, Flirting Is An Algorithm, 2015, Silkscreen on archival box, 24½ x 20½ x 1½ in / 62,2 x 52 x 3,8 cm, Signed and Numbered. [A spotted pattern against a white ground, with each spot having a unique stain, splatter, or drops of ink.]
    Caption Anicka Yi, Flirting Is An Algorithm, 2015, Silkscreen on archival box, 24½ x 20½ x 1½ in / 62,2 x 52 x 3,8 cm, Signed and Numbered.
    Image description A spotted pattern against a white ground, with each spot having a unique stain, splatter, or drops of ink.
    Year 2015
    Related pages Annual Edition Portfolio
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A large, black and white illustration of a hand displayed on a freestanding gallery wall. The hand extends upwards, palm facing the viewer, with tentacle like creatures escaping a slit on its wrist. The illustration extends across the full height of the wall.
    A large, black and white illustration of a hand displayed on a freestanding gallery wall. The hand extends upwards, palm facing the viewer, with tentacle like creatures escaping a slit on its wrist. The illustration extends across the full height of the wall.
    Sam Pulitzer: A Colony for “Them”. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A large, black and white illustration of a hand displayed on a freestanding gallery wall. The hand extends upwards, palm facing the viewer, with tentacle like creatures escaping a slit on its wrist. The illustration extends across the full height of the wall.]
    Caption Sam Pulitzer: A Colony for “Them”. Installation view, Artists Space, 2014. Photo: Daniel Pérez.
    Image description A large, black and white illustration of a hand displayed on a freestanding gallery wall. The hand extends upwards, palm facing the viewer, with tentacle like creatures escaping a slit on its wrist. The illustration extends across the full height of the wall.
    Year 2014
    Related pages Sam Pulitzer: A Colony for "Them"
  • Portrait of a musician with long blonde hair holding a microphone with their eyes close. There are microphones and stands to their sides. The wall behind them is yellow with images of architectural columns.
    Portrait of a musician with long blonde hair holding a microphone with their eyes close. There are microphones and stands to their sides. The wall behind them is yellow with images of architectural columns.
    Abasement #71. Performance documentation, August 5th, 2024, Artists Space. Photo: Joshua Wildman. [Portrait of a musician with long blonde hair holding a microphone with their eyes close. There are microphones and stands to their sides. The wall behind them is yellow with images of architectural columns. ]
    Caption Abasement #71. Performance documentation, August 5th, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Portrait of a musician with long blonde hair holding a microphone with their eyes close. There are microphones and stands to their sides. The wall behind them is yellow with images of architectural columns.
    Year
    Related pages Abasement #71
  • Drawing of large square architectural development with half circle surrouding it and a small development above it to the right.
    Drawing of large square architectural development with half circle surrouding it and a small development above it to the right.
    Ian Bader. Spalation Clock, 1977. Axonometric. [Drawing of large square architectural development with half circle surrouding it and a small development above it to the right.]
    Caption Ian Bader. Spalation Clock, 1977. Axonometric.
    Image description Drawing of large square architectural development with half circle surrouding it and a small development above it to the right.
    Year 1977
    Related pages Architecture Project
  • A black and white photograph with two images of faces illuminated in the darkness and text underneath.
    A black and white photograph with two images of faces illuminated in the darkness and text underneath.
    John Knecht. I'm Glad To The Brink Of Fear, 1986. Video Installation. [A black and white photograph with two images of faces illuminated in the darkness and text underneath.]
    Caption John Knecht. I'm Glad To The Brink Of Fear, 1986. Video Installation.
    Image description A black and white photograph with two images of faces illuminated in the darkness and text underneath.
    Year 1987
    Related pages Dark Rooms
  • A photograph of three paintings hanging in a row on a white gallery wall. The closest to the camera, on the right, shows a ship at sea, the center shows a fountain, and the painting on the left is an abstract composition of black diagonal lines.
    A photograph of three paintings hanging in a row on a white gallery wall. The closest to the camera, on the right, shows a ship at sea, the center shows a fountain, and the painting on the left is an abstract composition of black diagonal lines.
    Selections from the Artists File. Installation view, Artists Space, 1989. [A photograph of three paintings hanging in a row on a white gallery wall. The closest to the camera, on the right, shows a ship at sea, the center shows a fountain, and the painting on the left is an abstract composition of black diagonal lines.]
    Caption Selections from the Artists File. Installation view, Artists Space, 1989.
    Image description A photograph of three paintings hanging in a row on a white gallery wall. The closest to the camera, on the right, shows a ship at sea, the center shows a fountain, and the painting on the left is an abstract composition of black diagonal lines.
    Year 1989
    Related pages Selections from the Artist File
  • A pink pamphlet with black text announcing
    A pink pamphlet with black text announcing
    [A pink pamphlet with black text announcing "Artists Space Presents: PUTT-MODERNISM", an "artist created 18-hole fully playable minature golf course." There is an illustrated map showing the location of the event, and additional printed information on the location and hours.]
    Caption
    Image description A pink pamphlet with black text announcing "Artists Space Presents: PUTT-MODERNISM", an "artist created 18-hole fully playable minature golf course." There is an illustrated map showing the location of the event, and additional printed information on the location and hours.
    Year 1994
    Related pages Putt-Modernism (Fulton Market)
  • A small cylindrical ceramic figure, with curly filamented wings and a round head studded with horns and cowrie shell eyes, sits atop a reflective blue pool of resin with orange tints at the edges. Four small metal balls are scattered around and, on the wall behind, an orange stain appears to emerge from the floor.
    A small cylindrical ceramic figure, with curly filamented wings and a round head studded with horns and cowrie shell eyes, sits atop a reflective blue pool of resin with orange tints at the edges. Four small metal balls are scattered around and, on the wall behind, an orange stain appears to emerge from the floor.
    Shani Strand: Everything Must Be Returned. Installation view, June 12 - August 15, 2026, Artists Space. Photo: Carter Seddon [A small cylindrical ceramic figure, with curly filamented wings and a round head studded with horns and cowrie shell eyes, sits atop a reflective blue pool of resin with orange tints at the edges. Four small metal balls are scattered around and, on the wall behind, an orange stain appears to emerge from the floor.]
    Caption Shani Strand: Everything Must Be Returned. Installation view, June 12 - August 15, 2026, Artists Space. Photo: Carter Seddon
    Image description A small cylindrical ceramic figure, with curly filamented wings and a round head studded with horns and cowrie shell eyes, sits atop a reflective blue pool of resin with orange tints at the edges. Four small metal balls are scattered around and, on the wall behind, an orange stain appears to emerge from the floor.
    Year
    Related pages Shani Strand: Everything Must Be Returned
  • Black-and-white image of a figure in black standing straight against a wall. On either side of them are life-size printed images of a naked figure from behind.
    Black-and-white image of a figure in black standing straight against a wall. On either side of them are life-size printed images of a naked figure from behind.
    Moroharu Jonouchi, Shelter Plan, 1964 [Black-and-white image of a figure in black standing straight against a wall. On either side of them are life-size printed images of a naked figure from behind.]
    Caption Moroharu Jonouchi, Shelter Plan, 1964
    Image description Black-and-white image of a figure in black standing straight against a wall. On either side of them are life-size printed images of a naked figure from behind.
    Year
    Related pages Yasunao Tone Film Screening #2
  • Color photograph of a gallery space. Various musical instruments and audio devices are placed around the middle of the room, photographs and vitrines hang on the walls, and various television monitors and projections are placed along the sides of the room.
    Color photograph of a gallery space. Various musical instruments and audio devices are placed around the middle of the room, photographs and vitrines hang on the walls, and various television monitors and projections are placed along the sides of the room.
    Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a gallery space. Various musical instruments and audio devices are placed around the middle of the room, photographs and vitrines hang on the walls, and various television monitors and projections are placed along the sides of the room.]
    Caption Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photograph of a gallery space. Various musical instruments and audio devices are placed around the middle of the room, photographs and vitrines hang on the walls, and various television monitors and projections are placed along the sides of the room.
    Year 2023
    Related pages Yasunao Tone: Region of Paramedia
  • White text on a pink background spells out 24 artists' names, arranged to form the composite words
    White text on a pink background spells out 24 artists' names, arranged to form the composite words
    [White text on a pink background spells out 24 artists' names, arranged to form the composite words "ACTIVATED WALLS."]
    Caption
    Image description White text on a pink background spells out 24 artists' names, arranged to form the composite words "ACTIVATED WALLS."
    Year 1993
    Related pages Activated Walls
  • A black and white image of two hands behind a figure's back. They cross their index and middle finger on each hand.
    A black and white image of two hands behind a figure's back. They cross their index and middle finger on each hand.
    Robert Longo. Performance documentation, Exchange Show: Hallwalls, Buffalo, NY, Artists Space, 1976. [A black and white image of two hands behind a figure's back. They cross their index and middle finger on each hand.]
    Caption Robert Longo. Performance documentation, Exchange Show: Hallwalls, Buffalo, NY, Artists Space, 1976.
    Image description A black and white image of two hands behind a figure's back. They cross their index and middle finger on each hand.
    Year
    Related pages Exchange Show: Hallwalls, Buffalo, NY
  • Drawing of a globe figure bisected with long vertical rectangle, overlaid with line grid.
    Drawing of a globe figure bisected with long vertical rectangle, overlaid with line grid.
    Michael Kalil, an analytical study for Osmotic Membrane (detail), 1986. [Drawing of a globe figure bisected with long vertical rectangle, overlaid with line grid.]
    Caption Michael Kalil, an analytical study for Osmotic Membrane (detail), 1986.
    Image description Drawing of a globe figure bisected with long vertical rectangle, overlaid with line grid.
    Year
    Related pages From Here to Eternity: Fact and Fiction in Recent Architectural Projects
  • A black and white photograph of a mop on top of a working CRT television in a gallery setting.
    A black and white photograph of a mop on top of a working CRT television in a gallery setting.
    Carolee Schneemann. Installation View of War Mop, 1985. Video sculpture and installation with mechanized mop, plexiglas fulcrum, TV monitor. [A black and white photograph of a mop on top of a working CRT television in a gallery setting.]
    Caption Carolee Schneemann. Installation View of War Mop, 1985. Video sculpture and installation with mechanized mop, plexiglas fulcrum, TV monitor.
    Image description A black and white photograph of a mop on top of a working CRT television in a gallery setting.
    Year 1987
    Related pages Dark Rooms
  • Color photograph of visitors standing around a gallery space, conversing and studying the works on the wall.
    Color photograph of visitors standing around a gallery space, conversing and studying the works on the wall.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of visitors standing around a gallery space, conversing and studying the works on the wall.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of visitors standing around a gallery space, conversing and studying the works on the wall.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Black text on a grey background. The text reads: “April 5 / Marie Buck / Matthew Walker / Simone White.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on a grey background. The text reads: “April 5 / Marie Buck / Matthew Walker / Simone White.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on a grey background. The text reads: “April 5 / Marie Buck / Matthew Walker / Simone White.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on a grey background. The text reads: “April 5 / Marie Buck / Matthew Walker / Simone White.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Marie Buck and Matthew Walker & Simone White
  • A dimly lit gallery space with wooden flooring. Several sheets of thin gray board hang from the gallery ceiling by thin wires such that they form a set of suspended display walls. The boards are arranged such that they face one another and form a hallway-like area that one can walk through. Various photographs and architectural renderings of buildings are displayed on the walls. A wall arranged to the far right of the others displays black san-serif wall text. Large header text on the wall reads, “ZAHA HADID.”
    A dimly lit gallery space with wooden flooring. Several sheets of thin gray board hang from the gallery ceiling by thin wires such that they form a set of suspended display walls. The boards are arranged such that they face one another and form a hallway-like area that one can walk through. Various photographs and architectural renderings of buildings are displayed on the walls. A wall arranged to the far right of the others displays black san-serif wall text. Large header text on the wall reads, “ZAHA HADID.”
    Zaha Hadid. Installation view, Artists Space, 2003. [A dimly lit gallery space with wooden flooring. Several sheets of thin gray board hang from the gallery ceiling by thin wires such that they form a set of suspended display walls. The boards are arranged such that they face one another and form a hallway-like area that one can walk through. Various photographs and architectural renderings of buildings are displayed on the walls. A wall arranged to the far right of the others displays black san-serif wall text. Large header text on the wall reads, “ZAHA HADID.”]
    Caption Zaha Hadid. Installation view, Artists Space, 2003.
    Image description A dimly lit gallery space with wooden flooring. Several sheets of thin gray board hang from the gallery ceiling by thin wires such that they form a set of suspended display walls. The boards are arranged such that they face one another and form a hallway-like area that one can walk through. Various photographs and architectural renderings of buildings are displayed on the walls. A wall arranged to the far right of the others displays black san-serif wall text. Large header text on the wall reads, “ZAHA HADID.”
    Year 2003
    Related pages Mainspace Architecture & Design Project Series: Zaha Hadid
  • Photograph of a corner of a basement gallery space with large columns along the back. Behind the columns are benches placed in front of video displays. On the right is a CRT TV monitor, and to the left is a projected video.
    Photograph of a corner of a basement gallery space with large columns along the back. Behind the columns are benches placed in front of video displays. On the right is a CRT TV monitor, and to the left is a projected video.
    Clocking Out: Time Beyond Management. Installation view (Simon Gush, Sunday Light, 2013 / Without Light, 2016; Victor Masayesva Jr., Itam Hakim, Hopiit. 1984; ektor garcia, portal DF/SF, 2021; ektor garcia, textile bronceado, 2023), Artists Space, 2023. Photo: Greg Carideo. [Photograph of a corner of a basement gallery space with large columns along the back. Behind the columns are benches placed in front of video displays. On the right is a CRT TV monitor, and to the left is a projected video.]
    Caption Clocking Out: Time Beyond Management. Installation view (Simon Gush, Sunday Light, 2013 / Without Light, 2016; Victor Masayesva Jr., Itam Hakim, Hopiit. 1984; ektor garcia, portal DF/SF, 2021; ektor garcia, textile bronceado, 2023), Artists Space, 2023. Photo: Greg Carideo.
    Image description Photograph of a corner of a basement gallery space with large columns along the back. Behind the columns are benches placed in front of video displays. On the right is a CRT TV monitor, and to the left is a projected video.
    Year 2023
    Related pages Whitney Independent Study: Clocking Out: Time Beyond Management
  • A corner made by two white walls. One wall has four framed images of yellow amorphus shapes on different backrounds, arranged in a horizontal line. The other wall has three framed images, one hung by itself and the other two stacked vertically.
    A corner made by two white walls. One wall has four framed images of yellow amorphus shapes on different backrounds, arranged in a horizontal line. The other wall has three framed images, one hung by itself and the other two stacked vertically.
    Local Transit. Installation view, Artists Space, 2006. [A corner made by two white walls. One wall has four framed images of yellow amorphus shapes on different backrounds, arranged in a horizontal line. The other wall has three framed images, one hung by itself and the other two stacked vertically.]
    Caption Local Transit. Installation view, Artists Space, 2006.
    Image description A corner made by two white walls. One wall has four framed images of yellow amorphus shapes on different backrounds, arranged in a horizontal line. The other wall has three framed images, one hung by itself and the other two stacked vertically.
    Year 2006
    Related pages Local Transit: An Exhibition in Two Parts
  • A student sitting at a science room desk with a sink, drawing with a pencil on several sheets of paper. One sheet, foregrounded, has an outline of an airplane
    A student sitting at a science room desk with a sink, drawing with a pencil on several sheets of paper. One sheet, foregrounded, has an outline of an airplane
    Student prototyping design, 2018 [A student sitting at a science room desk with a sink, drawing with a pencil on several sheets of paper. One sheet, foregrounded, has an outline of an airplane]
    Caption Student prototyping design, 2018
    Image description A student sitting at a science room desk with a sink, drawing with a pencil on several sheets of paper. One sheet, foregrounded, has an outline of an airplane
    Year 2019
    Related pages Threads of History
  • White text overlays a color-scheme grid background. The text reads: “Nov 18 / Eileen Myles / Jackie Wang.
    White text overlays a color-scheme grid background. The text reads: “Nov 18 / Eileen Myles / Jackie Wang.
    [White text overlays a color-scheme grid background. The text reads: “Nov 18 / Eileen Myles / Jackie Wang." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description White text overlays a color-scheme grid background. The text reads: “Nov 18 / Eileen Myles / Jackie Wang." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year
    Related pages Segue Reading Series: Eileen Myles & Jackie Wang
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A figure sits behind a table with a laptop and a microphone in front of them.
    A figure sits behind a table with a laptop and a microphone in front of them.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure sits behind a table with a laptop and a microphone in front of them.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure sits behind a table with a laptop and a microphone in front of them.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
  • Numerous plastic bags of objects appear together on a white gallery wall.
    Numerous plastic bags of objects appear together on a white gallery wall.
    Young Fluxus. Installation view, Artists Space, 1982. [Numerous plastic bags of objects appear together on a white gallery wall.]
    Caption Young Fluxus. Installation view, Artists Space, 1982.
    Image description Numerous plastic bags of objects appear together on a white gallery wall.
    Year
    Related pages Young Fluxus
  • Caption
    Image description
    Year
    Related pages Dream Lines: Drawings by Marian Zazeela
  • Color photo of a large gathering of audience members seated and standing in a dimly lit performance space. The venue is illuminated by white spotted lights from a discoball out of view and soft, pink projections.
    Color photo of a large gathering of audience members seated and standing in a dimly lit performance space. The venue is illuminated by white spotted lights from a discoball out of view and soft, pink projections.
    Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman. [Color photo of a large gathering of audience members seated and standing in a dimly lit performance space. The venue is illuminated by white spotted lights from a discoball out of view and soft, pink projections.]
    Caption Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman.
    Image description Color photo of a large gathering of audience members seated and standing in a dimly lit performance space. The venue is illuminated by white spotted lights from a discoball out of view and soft, pink projections.
    Year
    Related pages Abasement #64
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A photo of a city alleyway acts as the background for this image. Superimposed on the photo are two groups of people in motion with right arms raised, holding cellphones. The group on the right faces toward the viewer, the group on the left faces away.
    A photo of a city alleyway acts as the background for this image. Superimposed on the photo are two groups of people in motion with right arms raised, holding cellphones. The group on the right faces toward the viewer, the group on the left faces away.
    [A photo of a city alleyway acts as the background for this image. Superimposed on the photo are two groups of people in motion with right arms raised, holding cellphones. The group on the right faces toward the viewer, the group on the left faces away.]
    Caption
    Image description A photo of a city alleyway acts as the background for this image. Superimposed on the photo are two groups of people in motion with right arms raised, holding cellphones. The group on the right faces toward the viewer, the group on the left faces away.
    Year 2019
    Related pages Ei Arakawa: WEWORK BABIES (11 Cortlandt Alley)
  • The title and table of contents page of an essay published in the Harvard Law Review.
    The title and table of contents page of an essay published in the Harvard Law Review.
    Harris, Cheryl I, "Whiteness as Property." Harvard Law Review. Vol. 106, No. 8, June 1993. [The title and table of contents page of an essay published in the Harvard Law Review.]
    Caption Harris, Cheryl I, "Whiteness as Property." Harvard Law Review. Vol. 106, No. 8, June 1993.
    Image description The title and table of contents page of an essay published in the Harvard Law Review.
    Year 1993
    Related pages The Afterlife of Slavery: Markets, Property and Race
  • An offwhite poster with black letters framed two bands of a cropped watercolor painting announces a sound poetry festival entitled
    An offwhite poster with black letters framed two bands of a cropped watercolor painting announces a sound poetry festival entitled
    [An offwhite poster with black letters framed two bands of a cropped watercolor painting announces a sound poetry festival entitled "Chorus."]
    Caption
    Image description An offwhite poster with black letters framed two bands of a cropped watercolor painting announces a sound poetry festival entitled "Chorus."
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
  • Book cover featuring two illustrated nude men, one is laying down along the bottom of the cover, and the other stands and frames the right side. In the center is a smaller illustration of buildings. Text reads
    Book cover featuring two illustrated nude men, one is laying down along the bottom of the cover, and the other stands and frames the right side. In the center is a smaller illustration of buildings. Text reads
    Cover of Jack the Modernist, New York Review Books, 2025. Cover by Louis Fratino. [Book cover featuring two illustrated nude men, one is laying down along the bottom of the cover, and the other stands and frames the right side. In the center is a smaller illustration of buildings. Text reads "JACK THE MODERNIST / ROBERT GLÜCK."]
    Caption Cover of Jack the Modernist, New York Review Books, 2025. Cover by Louis Fratino.
    Image description Book cover featuring two illustrated nude men, one is laying down along the bottom of the cover, and the other stands and frames the right side. In the center is a smaller illustration of buildings. Text reads "JACK THE MODERNIST / ROBERT GLÜCK."
    Year
    Related pages Robert Glück Jack the Modernist
  • A sideways image of a photograph sitting on top of an open book. The photographs shows four people sitting next to each other. The book page is split with a column of text and a black and white image of a billboard that reads,
    A sideways image of a photograph sitting on top of an open book. The photographs shows four people sitting next to each other. The book page is split with a column of text and a black and white image of a billboard that reads,
    [A sideways image of a photograph sitting on top of an open book. The photographs shows four people sitting next to each other. The book page is split with a column of text and a black and white image of a billboard that reads, "Growing with Birmingham!"]
    Caption
    Image description A sideways image of a photograph sitting on top of an open book. The photographs shows four people sitting next to each other. The book page is split with a column of text and a black and white image of a billboard that reads, "Growing with Birmingham!"
    Year 2007
    Related pages Replica of a Lost Original
  • An individual TV monitor with three wooden chairs placed in front of it, each holding headphones. Edward Snowden appears speaking to the camera onscreen.
    An individual TV monitor with three wooden chairs placed in front of it, each holding headphones. Edward Snowden appears speaking to the camera onscreen.
    Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [An individual TV monitor with three wooden chairs placed in front of it, each holding headphones. Edward Snowden appears speaking to the camera onscreen.]
    Caption Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez.
    Image description An individual TV monitor with three wooden chairs placed in front of it, each holding headphones. Edward Snowden appears speaking to the camera onscreen.
    Year 2014
    Related pages Laura Poitras: 9/11 Trilogy
  • A large black disk installed on a white gallery wall. Bold gray text circling the circumfrence of the disk reads,
    A large black disk installed on a white gallery wall. Bold gray text circling the circumfrence of the disk reads,
    Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt. [A large black disk installed on a white gallery wall. Bold gray text circling the circumfrence of the disk reads, "PROYECTO PARA MONUMENTO." Directly to the left of the disk, a square hole has been cut into the gallery wall. A horizontal metal bar and several planks of wood are visible through the hole.]
    Caption Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt.
    Image description A large black disk installed on a white gallery wall. Bold gray text circling the circumfrence of the disk reads, "PROYECTO PARA MONUMENTO." Directly to the left of the disk, a square hole has been cut into the gallery wall. A horizontal metal bar and several planks of wood are visible through the hole.
    Year 1997
    Related pages Lines of Loss
  • A black and white installation photograph of two figures in front of a curved white wall in a gallery space.
    A black and white installation photograph of two figures in front of a curved white wall in a gallery space.
    Marvin Torffield. Sesondo, 1974. Three coat plaster on wire lathe with nova ply and Masonite. Installation view, Artists Space, 1974. Credit: Marvin Torffield. [A black and white installation photograph of two figures in front of a curved white wall in a gallery space.]
    Caption Marvin Torffield. Sesondo, 1974. Three coat plaster on wire lathe with nova ply and Masonite. Installation view, Artists Space, 1974. Credit: Marvin Torffield.
    Image description A black and white installation photograph of two figures in front of a curved white wall in a gallery space.
    Year 1974
    Related pages Sidney Geist, Marvin Torffield, John Torreano
  • A large, orange and brown stuffed slug sculpture is strapped around a Greco-Roman style columns on the facade of a cast iron building. The slug’s antennae points upwards.
    A large, orange and brown stuffed slug sculpture is strapped around a Greco-Roman style columns on the facade of a cast iron building. The slug’s antennae points upwards.
    Jana Euler, Unstretched, bound, outside mission, 2020, acrylic on linen, bubble wrap, ratchet strap, chicken wire, dimensions variable. Photo: Daniel Pérez [A large, orange and brown stuffed slug sculpture is strapped around a Greco-Roman style columns on the facade of a cast iron building. The slug’s antennae points upwards.]
    Caption Jana Euler, Unstretched, bound, outside mission, 2020, acrylic on linen, bubble wrap, ratchet strap, chicken wire, dimensions variable. Photo: Daniel Pérez
    Image description A large, orange and brown stuffed slug sculpture is strapped around a Greco-Roman style columns on the facade of a cast iron building. The slug’s antennae points upwards.
    Year 2020
    Related pages Jana Euler
  • Installation view from Cameron Rowland, 91020000, Artists Space, New York, 2016.
    Photo: Adam Reich
    Caption Installation view from Cameron Rowland, 91020000, Artists Space, New York, 2016.
    Photo: Adam Reich
    Image description
    Year
    Related pages Friends of Artists Space Dinner
  • Two people dressed in black looking down. Superimposed on top of them is a poster reading,
    Two people dressed in black looking down. Superimposed on top of them is a poster reading,
    Still from Polly II - A Plan for a Revolution in Docklands (2006). [Two people dressed in black looking down. Superimposed on top of them is a poster reading, "JENNY DIVER CALLS ON ALL PEOPLE OF THE FLOOD EAST ORGANIZE NOW! PEACE TO HUMBLE DWELLINGS! WAR TO THE PALACES!"]
    Caption Still from Polly II - A Plan for a Revolution in Docklands (2006).
    Image description Two people dressed in black looking down. Superimposed on top of them is a poster reading, "JENNY DIVER CALLS ON ALL PEOPLE OF THE FLOOD EAST ORGANIZE NOW! PEACE TO HUMBLE DWELLINGS! WAR TO THE PALACES!"
    Year 2006
    Related pages Polly II - A Plan for a Revolution in Docklands
  • A window sill with cups, cans and cloth is visible and a crane can be seen outside of the window with the text:
    A window sill with cups, cans and cloth is visible and a crane can be seen outside of the window with the text:
    Keeph Little, Artists Space construction site no.1, 2020, digital photograph Keeph Little, Artists Space construction site no.1, 2020, digital photograph [A window sill with cups, cans and cloth is visible and a crane can be seen outside of the window with the text: "New Holland" written on it. Circular green graffitti is visible on the facade of the building behind the crane.]
    Caption Keeph Little, Artists Space construction site no.1, 2020, digital photograph Keeph Little, Artists Space construction site no.1, 2020, digital photograph
    Image description A window sill with cups, cans and cloth is visible and a crane can be seen outside of the window with the text: "New Holland" written on it. Circular green graffitti is visible on the facade of the building behind the crane.
    Year 2020
    Related pages Sidewalk Archives
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    Related pages fwiw
  • White text against black background, landscape orientation poisitioned in portrait with words reading from bottom to top. The large title reads
    White text against black background, landscape orientation poisitioned in portrait with words reading from bottom to top. The large title reads
    Wolf Vostell idécollage No. 3, Bulletin aktueller Ideen , Cologne, December 1962 Collection Andersch [White text against black background, landscape orientation poisitioned in portrait with words reading from bottom to top. The large title reads "dé collage."]
    Caption Wolf Vostell idécollage No. 3, Bulletin aktueller Ideen , Cologne, December 1962 Collection Andersch
    Image description White text against black background, landscape orientation poisitioned in portrait with words reading from bottom to top. The large title reads "dé collage."
    Year 1962
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • A black and white photograph of a person in a white collared shirt and tie standing in front of a wall, extending their left hand out and up parallel to the surface. The wall features an upturned trapezoid shape, with illustrations of riders on horseback emerging from the left to right side of the shape.
    A black and white photograph of a person in a white collared shirt and tie standing in front of a wall, extending their left hand out and up parallel to the surface. The wall features an upturned trapezoid shape, with illustrations of riders on horseback emerging from the left to right side of the shape.
    Pictures. Opening Reception, Artists Space, September 23, 1977. Photo: D. James Dee. [A black and white photograph of a person in a white collared shirt and tie standing in front of a wall, extending their left hand out and up parallel to the surface. The wall features an upturned trapezoid shape, with illustrations of riders on horseback emerging from the left to right side of the shape.]
    Caption Pictures. Opening Reception, Artists Space, September 23, 1977. Photo: D. James Dee.
    Image description A black and white photograph of a person in a white collared shirt and tie standing in front of a wall, extending their left hand out and up parallel to the surface. The wall features an upturned trapezoid shape, with illustrations of riders on horseback emerging from the left to right side of the shape.
    Year 1977
    Related pages Pictures
  • Aluminum foil, partially unrolled, with a pile of pennies is dramatically lit in a darkened room.
    Aluminum foil, partially unrolled, with a pile of pennies is dramatically lit in a darkened room.
    Clegg & Guttmann, Change, 2015, C-print , 24 x 20 in
/ 61 x 50,8 cm, Signed and Numbered Certificate. [Aluminum foil, partially unrolled, with a pile of pennies is dramatically lit in a darkened room.]
    Caption Clegg & Guttmann, Change, 2015, C-print , 24 x 20 in
/ 61 x 50,8 cm, Signed and Numbered Certificate.
    Image description Aluminum foil, partially unrolled, with a pile of pennies is dramatically lit in a darkened room.
    Year 2016
    Related pages Artists Space Annual Edition Portfolio 2016
  • A few people standing in a gallery space with a picket fence and drapery on the walls behind them.
    A few people standing in a gallery space with a picket fence and drapery on the walls behind them.
    Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork: Candace Hill-Montgomery. [A few people standing in a gallery space with a picket fence and drapery on the walls behind them.]
    Caption Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork: Candace Hill-Montgomery.
    Image description A few people standing in a gallery space with a picket fence and drapery on the walls behind them.
    Year 1979
    Related pages Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A black-and-white photograph of a gallery space with a video projected on the wall. There appear to be multiple bodies in the video.
    A black-and-white photograph of a gallery space with a video projected on the wall. There appear to be multiple bodies in the video.
    Installation view, Robert Morgan. Artists Space, 1977. [A black-and-white photograph of a gallery space with a video projected on the wall. There appear to be multiple bodies in the video.]
    Caption Installation view, Robert Morgan. Artists Space, 1977.
    Image description A black-and-white photograph of a gallery space with a video projected on the wall. There appear to be multiple bodies in the video.
    Year 1977
    Related pages Robert Morgan
  • A color photograph of a gallery space with a row of dark columns on the left side. Several wooden cafe chairs with green cushions are visible. Upon the chairs rest gold-silver sequined pillows or television screens.
    A color photograph of a gallery space with a row of dark columns on the left side. Several wooden cafe chairs with green cushions are visible. Upon the chairs rest gold-silver sequined pillows or television screens.
    Nicole-Antonia Spagnola, Untitled, 2022. Raw Power, Raw Power; Kollettivo, Lotta per il potere; Antigenesi, Una donna non e’ merda; Negazione, Tutti Pazzi; RAF Punk, Contro la pace Contro la guerra; Peggio Punx, Scemo. 8mm to MP4 transfer (color, sound), monitors, chairs. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of a gallery space with a row of dark columns on the left side. Several wooden cafe chairs with green cushions are visible. Upon the chairs rest gold-silver sequined pillows or television screens.]
    Caption Nicole-Antonia Spagnola, Untitled, 2022. Raw Power, Raw Power; Kollettivo, Lotta per il potere; Antigenesi, Una donna non e’ merda; Negazione, Tutti Pazzi; RAF Punk, Contro la pace Contro la guerra; Peggio Punx, Scemo. 8mm to MP4 transfer (color, sound), monitors, chairs. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color photograph of a gallery space with a row of dark columns on the left side. Several wooden cafe chairs with green cushions are visible. Upon the chairs rest gold-silver sequined pillows or television screens.
    Year 2022
    Related pages Nicole-Antonia Spagnola: Anti-Genesis
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    Related pages Abasement #83
  • A receding row of columns lines our view into the far gallery space. In the foreground, several of Ruben Ulises Rodriguez Montoya's biomorphic sculptures are displayed on walls, resting on a pedestal, or hanging from the ceiling. In the distance, two of Matthew Langan-Peck's monumental painted toy box sculptures sit on the gallery floor; a set of headphones hangs on the side of each box. In the background, Isabelle Frances McGuire's three large pink banners emblazoned with silver stars hang from ceiling to floor.
    A receding row of columns lines our view into the far gallery space. In the foreground, several of Ruben Ulises Rodriguez Montoya's biomorphic sculptures are displayed on walls, resting on a pedestal, or hanging from the ceiling. In the distance, two of Matthew Langan-Peck's monumental painted toy box sculptures sit on the gallery floor; a set of headphones hangs on the side of each box. In the background, Isabelle Frances McGuire's three large pink banners emblazoned with silver stars hang from ceiling to floor.
    Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon. [A receding row of columns lines our view into the far gallery space. In the foreground, several of Ruben Ulises Rodriguez Montoya's biomorphic sculptures are displayed on walls, resting on a pedestal, or hanging from the ceiling. In the distance, two of Matthew Langan-Peck's monumental painted toy box sculptures sit on the gallery floor; a set of headphones hangs on the side of each box. In the background, Isabelle Frances McGuire's three large pink banners emblazoned with silver stars hang from ceiling to floor.]
    Caption Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon.
    Image description A receding row of columns lines our view into the far gallery space. In the foreground, several of Ruben Ulises Rodriguez Montoya's biomorphic sculptures are displayed on walls, resting on a pedestal, or hanging from the ceiling. In the distance, two of Matthew Langan-Peck's monumental painted toy box sculptures sit on the gallery floor; a set of headphones hangs on the side of each box. In the background, Isabelle Frances McGuire's three large pink banners emblazoned with silver stars hang from ceiling to floor.
    Year
    Related pages Doris Guo Matthew Langan-Peck Isabelle Frances McGuire Ruben Ulises Rodriguez Montoya
  • Black text overlays a blue background. The top left corner reads: Jesse Darling / Fiona Alison Duncan. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, February 19, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5.
    Black text overlays a blue background. The top left corner reads: Jesse Darling / Fiona Alison Duncan. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, February 19, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5.
    Flyer for Segue Reading Series featuring Jesse Darling and Fiona Alison Duncan. February 19, 2022, Artists Space. [Black text overlays a blue background. The top left corner reads: Jesse Darling / Fiona Alison Duncan. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, February 19, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5."]
    Caption Flyer for Segue Reading Series featuring Jesse Darling and Fiona Alison Duncan. February 19, 2022, Artists Space.
    Image description Black text overlays a blue background. The top left corner reads: Jesse Darling / Fiona Alison Duncan. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, February 19, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5."
    Year 2022
    Related pages Segue Reading Series: Jesse Darling & Fiona Alison Duncan
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    Related pages Abasement #83
  • A color photo of several individuals engaged in festivities and banter within a large reception space. Light and dark red overhead lights shine onto the guests in the event.
    A color photo of several individuals engaged in festivities and banter within a large reception space. Light and dark red overhead lights shine onto the guests in the event.
    Friends of Artists Space Annual Dinner, 2022. [A color photo of several individuals engaged in festivities and banter within a large reception space. Light and dark red overhead lights shine onto the guests in the event.]
    Caption Friends of Artists Space Annual Dinner, 2022.
    Image description A color photo of several individuals engaged in festivities and banter within a large reception space. Light and dark red overhead lights shine onto the guests in the event.
    Year 2022
    Related pages Support
  • A visit to Federico Herrera exhibition at James Cohan.
    Caption A visit to Federico Herrera exhibition at James Cohan.
    Image description
    Year
    Related pages Portfolio Development
  • Three desks are lined up in front of each other, each desktop has a TV monitor and clay rocks. In the back is a dark room with yellow LED light sculptures.
    Three desks are lined up in front of each other, each desktop has a TV monitor and clay rocks. In the back is a dark room with yellow LED light sculptures.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, September 16, 2022 - December 3, 2022. Photo: Filip Wolak [Three desks are lined up in front of each other, each desktop has a TV monitor and clay rocks. In the back is a dark room with yellow LED light sculptures.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, September 16, 2022 - December 3, 2022. Photo: Filip Wolak
    Image description Three desks are lined up in front of each other, each desktop has a TV monitor and clay rocks. In the back is a dark room with yellow LED light sculptures.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
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    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • A book page; at the top is handwritten text,
    A book page; at the top is handwritten text,
    George Macunias Manifesto, 1963 Courtesy Billie Maciunas [A book page; at the top is handwritten text, "Manifesto." Following are alternating printed and handwritten paragraphs.]
    Caption George Macunias Manifesto, 1963 Courtesy Billie Maciunas
    Image description A book page; at the top is handwritten text, "Manifesto." Following are alternating printed and handwritten paragraphs.
    Year 1963
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • Detail view of a display case with two screens, one resting partially on another. A person's smiling face is visible on the bottom monitor.
    Detail view of a display case with two screens, one resting partially on another. A person's smiling face is visible on the bottom monitor.
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Detail view of a display case with two screens, one resting partially on another. A person's smiling face is visible on the bottom monitor.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Detail view of a display case with two screens, one resting partially on another. A person's smiling face is visible on the bottom monitor.
    Year
    Related pages Bernadette Corporation: 2000 Wasted Years
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    Related pages Abasement #82
  • Dolls and other sculptural items appea on the wall and the floor along with text in a gallery setting.
    Dolls and other sculptural items appea on the wall and the floor along with text in a gallery setting.
    We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [Dolls and other sculptural items appea on the wall and the floor along with text in a gallery setting.]
    Caption We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987.
    Image description Dolls and other sculptural items appea on the wall and the floor along with text in a gallery setting.
    Year
    Related pages We the People
  • Color image of a framed fragment of newspaper. The headlines of the two articles featured read,
    Color image of a framed fragment of newspaper. The headlines of the two articles featured read,
    Robert Gober, Untitled, 1992. Photo: Filip Wolak. [Color image of a framed fragment of newspaper. The headlines of the two articles featured read, "Bush Is Sent Forth as Champion of Family Values," and "Jury Convicts Man Who Locked His Children in Bronx Apartment." An image of steel pots and pans is placed on the bottom-left corner, and an image of a woman with her arms draped over a man in a suit is placed on the bottom-right corner.]
    Caption Robert Gober, Untitled, 1992. Photo: Filip Wolak.
    Image description Color image of a framed fragment of newspaper. The headlines of the two articles featured read, "Bush Is Sent Forth as Champion of Family Values," and "Jury Convicts Man Who Locked His Children in Bronx Apartment." An image of steel pots and pans is placed on the bottom-left corner, and an image of a woman with her arms draped over a man in a suit is placed on the bottom-right corner.
    Year 2023
    Related pages Artists for Artists Space
  • Six books in different colors fanned out. Each book's cover has a solid color with black text that spells out a person's name.
    Six books in different colors fanned out. Each book's cover has a solid color with black text that spells out a person's name.
    [Six books in different colors fanned out. Each book's cover has a solid color with black text that spells out a person's name.]
    Caption
    Image description Six books in different colors fanned out. Each book's cover has a solid color with black text that spells out a person's name.
    Year 2011
    Related pages Launch of dOCUMENTA (13)
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    Related pages Ralston Farina: Time // Time
  • A performer plays the upright bass on stage. The stage and wall behind it are bathed in orange and blue light.
    A performer plays the upright bass on stage. The stage and wall behind it are bathed in orange and blue light.
    Abasement #80. Performance documentation, September 22nd, 2025, Artists Space. Photo: Joshua Wildman. [A performer plays the upright bass on stage. The stage and wall behind it are bathed in orange and blue light.]
    Caption Abasement #80. Performance documentation, September 22nd, 2025, Artists Space. Photo: Joshua Wildman.
    Image description A performer plays the upright bass on stage. The stage and wall behind it are bathed in orange and blue light.
    Year
    Related pages Abasement #80
  • Color photograph of three figures dressed in white, embracing each other as they run across an empty basement.
    Color photograph of three figures dressed in white, embracing each other as they run across an empty basement.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of three figures dressed in white, embracing each other as they run across an empty basement.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of three figures dressed in white, embracing each other as they run across an empty basement.
    Year 2022
    Related pages keyon gaskin 12-14
  • A photograph of paintings hanging on the walls of a large gallery space with white walls. The work closest to the camera is a realistic painting of a baby, shown for the waist up.
    A photograph of paintings hanging on the walls of a large gallery space with white walls. The work closest to the camera is a realistic painting of a baby, shown for the waist up.
    Selections from the Artists File. Installation view, Artists Space, 1989. [A photograph of paintings hanging on the walls of a large gallery space with white walls. The work closest to the camera is a realistic painting of a baby, shown for the waist up.]
    Caption Selections from the Artists File. Installation view, Artists Space, 1989.
    Image description A photograph of paintings hanging on the walls of a large gallery space with white walls. The work closest to the camera is a realistic painting of a baby, shown for the waist up.
    Year 1989
    Related pages Selections from the Artist File
  • A view of a small drum set lit by a spotlight underneath a demolished wall, blue and green gallery walls displaying dynamic images of individuals hung by large push pins.
    A view of a small drum set lit by a spotlight underneath a demolished wall, blue and green gallery walls displaying dynamic images of individuals hung by large push pins.
    ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A view of a small drum set lit by a spotlight underneath a demolished wall, blue and green gallery walls displaying dynamic images of individuals hung by large push pins.]
    Caption ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A view of a small drum set lit by a spotlight underneath a demolished wall, blue and green gallery walls displaying dynamic images of individuals hung by large push pins.
    Year 2021
    Related pages ART CLUB2000
  • Color image of a gallery space. To the left, a tree trunk sits on the pedestal. On top of the tree trunk there is a taxidermied crow covered in porcupine quills. Behind the tree trunk, there are more sculptures featuring taxidermied birds, tree logs, and shovels.
    Color image of a gallery space. To the left, a tree trunk sits on the pedestal. On top of the tree trunk there is a taxidermied crow covered in porcupine quills. Behind the tree trunk, there are more sculptures featuring taxidermied birds, tree logs, and shovels.
    Andy Robert: PAPALOKO. Installation view, Artists Space, 2024. Photo: Carter Seddon. [Color image of a gallery space. To the left, a tree trunk sits on the pedestal. On top of the tree trunk there is a taxidermied crow covered in porcupine quills. Behind the tree trunk, there are more sculptures featuring taxidermied birds, tree logs, and shovels.]
    Caption Andy Robert: PAPALOKO. Installation view, Artists Space, 2024. Photo: Carter Seddon.
    Image description Color image of a gallery space. To the left, a tree trunk sits on the pedestal. On top of the tree trunk there is a taxidermied crow covered in porcupine quills. Behind the tree trunk, there are more sculptures featuring taxidermied birds, tree logs, and shovels.
    Year
    Related pages Andy Robert: Papaloko
  • A figure with short hair energetically strums an electric guitar, their mouth wide open. Another figure with dark hair, partially cut off in the image, leans down to strum another guitar or base instrument.
    A figure with short hair energetically strums an electric guitar, their mouth wide open. Another figure with dark hair, partially cut off in the image, leans down to strum another guitar or base instrument.
    Vivienne Dick. Still from Guerilla Talks, 1978. [A figure with short hair energetically strums an electric guitar, their mouth wide open. Another figure with dark hair, partially cut off in the image, leans down to strum another guitar or base instrument.]
    Caption Vivienne Dick. Still from Guerilla Talks, 1978.
    Image description A figure with short hair energetically strums an electric guitar, their mouth wide open. Another figure with dark hair, partially cut off in the image, leans down to strum another guitar or base instrument.
    Year 1978
    Related pages Vivienne Dick
  • A color image of four framed works displayed against a white wall. The drawings depict abstract compositions made up of colorful shapes and lines, and pencil strokes.
    A color image of four framed works displayed against a white wall. The drawings depict abstract compositions made up of colorful shapes and lines, and pencil strokes.
    Renee Gladman: Narratives of Magnitude. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of four framed works displayed against a white wall. The drawings depict abstract compositions made up of colorful shapes and lines, and pencil strokes.]
    Caption Renee Gladman: Narratives of Magnitude. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A color image of four framed works displayed against a white wall. The drawings depict abstract compositions made up of colorful shapes and lines, and pencil strokes.
    Year
    Related pages Renee Gladman
  • Two pages of red sans-serif text on a white background, titled
    Two pages of red sans-serif text on a white background, titled
    Nick Relph, A List of Incorrect Things, 2010, Offset print 6 2/3 x 11 inches, Signed and numbered by Stuart Bailey and David Reinfurt, Text by Nick Relph. [Two pages of red sans-serif text on a white background, titled "Notes:"]
    Caption Nick Relph, A List of Incorrect Things, 2010, Offset print 6 2/3 x 11 inches, Signed and numbered by Stuart Bailey and David Reinfurt, Text by Nick Relph.
    Image description Two pages of red sans-serif text on a white background, titled "Notes:"
    Year 2010
    Related pages Artists Space Annual Edition Portfolio 2011
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Color image of a figure looking to the left and leaning over a table filled with audio equipment. The figure holds sheets of paper with instructions, and manipulates an audio machine.
    Color image of a figure looking to the left and leaning over a table filled with audio equipment. The figure holds sheets of paper with instructions, and manipulates an audio machine.
    Still from video of Yasunao Tone performing Paramedia, Experimental Intermedia Foundation, 1990 [Color image of a figure looking to the left and leaning over a table filled with audio equipment. The figure holds sheets of paper with instructions, and manipulates an audio machine.]
    Caption Still from video of Yasunao Tone performing Paramedia, Experimental Intermedia Foundation, 1990
    Image description Color image of a figure looking to the left and leaning over a table filled with audio equipment. The figure holds sheets of paper with instructions, and manipulates an audio machine.
    Year
    Related pages Yasunao Tone Concert #3
  • Nine musicians sitting side by side at tables use electronic instruments. The wall behind them is covered with blue tinted lights. There are a few audience members visible in the foreground.
    Nine musicians sitting side by side at tables use electronic instruments. The wall behind them is covered with blue tinted lights. There are a few audience members visible in the foreground.
    Abasement #72. Performance documentation, October 7th, 2024, Artists Space. Photo: Joshua Wildman. [Nine musicians sitting side by side at tables use electronic instruments. The wall behind them is covered with blue tinted lights. There are a few audience members visible in the foreground.]
    Caption Abasement #72. Performance documentation, October 7th, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Nine musicians sitting side by side at tables use electronic instruments. The wall behind them is covered with blue tinted lights. There are a few audience members visible in the foreground.
    Year
    Related pages Abasement #72
  • In a darkened room lit softly by red light, overlapping lines of open captions are projected on two adjacent black walls. The text varies in color (in faint greens, yellows and blues) and size.
    In a darkened room lit softly by red light, overlapping lines of open captions are projected on two adjacent black walls. The text varies in color (in faint greens, yellows and blues) and size.
    Constantina Zavitsanos: fwiw. Installation view (Ms. Pac-Man, 2024), Artists Space, 2024. Photo: Carter Seddon. [In a darkened room lit softly by red light, overlapping lines of open captions are projected on two adjacent black walls. The text varies in color (in faint greens, yellows and blues) and size.]
    Caption Constantina Zavitsanos: fwiw. Installation view (Ms. Pac-Man, 2024), Artists Space, 2024. Photo: Carter Seddon.
    Image description In a darkened room lit softly by red light, overlapping lines of open captions are projected on two adjacent black walls. The text varies in color (in faint greens, yellows and blues) and size.
    Year
    Related pages fwiw
  • White and dark blue text overlay a light blue background with abstract lines and a drawing of a male bust in the bottom left corner. The text in the middle reads
    White and dark blue text overlay a light blue background with abstract lines and a drawing of a male bust in the bottom left corner. The text in the middle reads
    Flyer for Segue Reading Series featuring Jacob Kahn and Erica Hunt. January 28, 2023, Artists Space. [White and dark blue text overlay a light blue background with abstract lines and a drawing of a male bust in the bottom left corner. The text in the middle reads "Jacob Kahn / Segue Reading Series / Erica Hunt."]
    Caption Flyer for Segue Reading Series featuring Jacob Kahn and Erica Hunt. January 28, 2023, Artists Space.
    Image description White and dark blue text overlay a light blue background with abstract lines and a drawing of a male bust in the bottom left corner. The text in the middle reads "Jacob Kahn / Segue Reading Series / Erica Hunt."
    Year
    Related pages Segue Reading Series: Erica Hunt & Jacob Kahn
  • A painting of two boxers engaged in a match. The bodies of both figures are depicted in grey monochrome with colorful attire. The figure on the left wears orange shorts with blue piping while the one on the right wears green shorts with yellow trim. Both are wearing red and white boxing gloves.
    A painting of two boxers engaged in a match. The bodies of both figures are depicted in grey monochrome with colorful attire. The figure on the left wears orange shorts with blue piping while the one on the right wears green shorts with yellow trim. Both are wearing red and white boxing gloves.
    Konrad Lueg Boxer , 1964 (Boxers) © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Photo: Daniela Steinfeld [A painting of two boxers engaged in a match. The bodies of both figures are depicted in grey monochrome with colorful attire. The figure on the left wears orange shorts with blue piping while the one on the right wears green shorts with yellow trim. Both are wearing red and white boxing gloves.]
    Caption Konrad Lueg Boxer , 1964 (Boxers) © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Photo: Daniela Steinfeld
    Image description A painting of two boxers engaged in a match. The bodies of both figures are depicted in grey monochrome with colorful attire. The figure on the left wears orange shorts with blue piping while the one on the right wears green shorts with yellow trim. Both are wearing red and white boxing gloves.
    Year 1964
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • A side view of a large video monitor screen, sitting on the ground, with a large ramp extending from the base including large pillows for seating. The room is tinted blue. On the screen, there is a man in a mask, infront of a map of Europe and Eastern Asia. A text bubble is infront of him that reads,
    A side view of a large video monitor screen, sitting on the ground, with a large ramp extending from the base including large pillows for seating. The room is tinted blue. On the screen, there is a man in a mask, infront of a map of Europe and Eastern Asia. A text bubble is infront of him that reads,
    Hito Steyerl, Liquidity, Inc., 2014. HD video with sound, 30 mins. Courtesy the artist and Andrew Kreps, New York. [A side view of a large video monitor screen, sitting on the ground, with a large ramp extending from the base including large pillows for seating. The room is tinted blue. On the screen, there is a man in a mask, infront of a map of Europe and Eastern Asia. A text bubble is infront of him that reads, "because huge quantities of data are raining down from their cloud storage over Scandinavia."]
    Caption Hito Steyerl, Liquidity, Inc., 2014. HD video with sound, 30 mins. Courtesy the artist and Andrew Kreps, New York.
    Image description A side view of a large video monitor screen, sitting on the ground, with a large ramp extending from the base including large pillows for seating. The room is tinted blue. On the screen, there is a man in a mask, infront of a map of Europe and Eastern Asia. A text bubble is infront of him that reads, "because huge quantities of data are raining down from their cloud storage over Scandinavia."
    Year 2014
    Related pages Hito Steyerl
  • A film still of a woman, captured from the shoulders up, standing in an outdoor field. The white subtitle reads
    A film still of a woman, captured from the shoulders up, standing in an outdoor field. The white subtitle reads
    Anton Vidokle, still from This Is Cosmos, 2014. [A film still of a woman, captured from the shoulders up, standing in an outdoor field. The white subtitle reads "that death is a mistake."]
    Caption Anton Vidokle, still from This Is Cosmos, 2014.
    Image description A film still of a woman, captured from the shoulders up, standing in an outdoor field. The white subtitle reads "that death is a mistake."
    Year 2014
    Related pages This Is Cosmos
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    Related pages Arnold J. Kemp
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A freestanding white wall displaying a metal plaque engraved with paragraphs of text juts in front of another angled, white wall in an exhibition space. A large paragraph of wall vinyl text is displayed on the second, angled wall.
    A freestanding white wall displaying a metal plaque engraved with paragraphs of text juts in front of another angled, white wall in an exhibition space. A large paragraph of wall vinyl text is displayed on the second, angled wall.
    Sam Pulitzer: A Colony for “Them”. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A freestanding white wall displaying a metal plaque engraved with paragraphs of text juts in front of another angled, white wall in an exhibition space. A large paragraph of wall vinyl text is displayed on the second, angled wall.]
    Caption Sam Pulitzer: A Colony for “Them”. Installation view, Artists Space, 2014. Photo: Daniel Pérez.
    Image description A freestanding white wall displaying a metal plaque engraved with paragraphs of text juts in front of another angled, white wall in an exhibition space. A large paragraph of wall vinyl text is displayed on the second, angled wall.
    Year 2014
    Related pages Sam Pulitzer: A Colony for "Them"
  • Color photograph of a figure dressed in white, laying face down across two ledges of a raised desk.
    Color photograph of a figure dressed in white, laying face down across two ledges of a raised desk.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure dressed in white, laying face down across two ledges of a raised desk.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a figure dressed in white, laying face down across two ledges of a raised desk.
    Year 2022
    Related pages keyon gaskin 12-14
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  • Photographs of various figures are hung next to one another in a gallery setting.
    Photographs of various figures are hung next to one another in a gallery setting.
    Julie Wachtel & Chris. Selections from the Unaffiliated Artists File. Installation view, Artists Space, 1981. [Photographs of various figures are hung next to one another in a gallery setting.]
    Caption Julie Wachtel & Chris. Selections from the Unaffiliated Artists File. Installation view, Artists Space, 1981.
    Image description Photographs of various figures are hung next to one another in a gallery setting.
    Year
    Related pages Selections from the Unaffiliated Artists File
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Two sculptures installed in a gallery space featuring rectangular sheets of laminated, paper rectangles held together by metal rings. The sheets are suspended at their four corners by metal poles mounted in silver buckets.
    Two sculptures installed in a gallery space featuring rectangular sheets of laminated, paper rectangles held together by metal rings. The sheets are suspended at their four corners by metal poles mounted in silver buckets.
    DUOX: DUOX4Larkin. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Two sculptures installed in a gallery space featuring rectangular sheets of laminated, paper rectangles held together by metal rings. The sheets are suspended at their four corners by metal poles mounted in silver buckets.]
    Caption DUOX: DUOX4Larkin. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Two sculptures installed in a gallery space featuring rectangular sheets of laminated, paper rectangles held together by metal rings. The sheets are suspended at their four corners by metal poles mounted in silver buckets.
    Year 2012
    Related pages DUOX: DUOX4Larkin
  • Color photograph of a figure, wearing reflective one-way mirror film around their body, hanging off the ledge of an open doorway entrance
    Color photograph of a figure, wearing reflective one-way mirror film around their body, hanging off the ledge of an open doorway entrance
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure, wearing reflective one-way mirror film around their body, hanging off the ledge of an open doorway entrance]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a figure, wearing reflective one-way mirror film around their body, hanging off the ledge of an open doorway entrance
    Year 2022
    Related pages keyon gaskin 12-16
  • A white speaker displayed on a three-legged stand in an exhibition space. To the right of the stand, a television monitor rests on the ground. An image of gravel and dirt is pictured on its screen.
    A white speaker displayed on a three-legged stand in an exhibition space. To the right of the stand, a television monitor rests on the ground. An image of gravel and dirt is pictured on its screen.
    Frozen Lakes. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A white speaker displayed on a three-legged stand in an exhibition space. To the right of the stand, a television monitor rests on the ground. An image of gravel and dirt is pictured on its screen.]
    Caption Frozen Lakes. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description A white speaker displayed on a three-legged stand in an exhibition space. To the right of the stand, a television monitor rests on the ground. An image of gravel and dirt is pictured on its screen.
    Year 2013
    Related pages Frozen Lakes
  • A black and white image of four people, one sitting, three standing in a patterned room displaying a large photograph on the left wall. On the right wall, two men stand underneath large block text, that reads,
    A black and white image of four people, one sitting, three standing in a patterned room displaying a large photograph on the left wall. On the right wall, two men stand underneath large block text, that reads,
    Gerhard Richter Volker Bradke , December 13, 1966 From the exhibition Hommage an Schmela (Homage to Schmela), December 9 – 15, 1966. Galerie Schmela, Düsseldorf Courtesy Archiv Reiner Ruthenbeck, Ratingen © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Photo: Reiner Ruthenbeck [A black and white image of four people, one sitting, three standing in a patterned room displaying a large photograph on the left wall. On the right wall, two men stand underneath large block text, that reads, "Volker Bradk."]
    Caption Gerhard Richter Volker Bradke , December 13, 1966 From the exhibition Hommage an Schmela (Homage to Schmela), December 9 – 15, 1966. Galerie Schmela, Düsseldorf Courtesy Archiv Reiner Ruthenbeck, Ratingen © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Photo: Reiner Ruthenbeck
    Image description A black and white image of four people, one sitting, three standing in a patterned room displaying a large photograph on the left wall. On the right wall, two men stand underneath large block text, that reads, "Volker Bradk."
    Year 1966
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • A white wall with three sets of multiple photographs of rooms. Each set of photographs has a framed accompanying text below.
    A white wall with three sets of multiple photographs of rooms. Each set of photographs has a framed accompanying text below.
    Sean Snyder. Installation view, Artists Space, 2010-11. Photo: Daniel Peréz. [A white wall with three sets of multiple photographs of rooms. Each set of photographs has a framed accompanying text below.]
    Caption Sean Snyder. Installation view, Artists Space, 2010-11. Photo: Daniel Peréz.
    Image description A white wall with three sets of multiple photographs of rooms. Each set of photographs has a framed accompanying text below.
    Year 2010
    Related pages Sean Snyder
  • A black and white photograph with two projectors hanging central with projections on one wall and another hanging screen in a gallery space.
    A black and white photograph with two projectors hanging central with projections on one wall and another hanging screen in a gallery space.
    Anne Bray. Man on First and Third, 1987. Slide/Sound Installation. [A black and white photograph with two projectors hanging central with projections on one wall and another hanging screen in a gallery space.]
    Caption Anne Bray. Man on First and Third, 1987. Slide/Sound Installation.
    Image description A black and white photograph with two projectors hanging central with projections on one wall and another hanging screen in a gallery space.
    Year 1987
    Related pages Dark Rooms
  • A side projector projects an image of a figure in an elaborate dress onto a freestanding wall in the middle of a gallery space. A mannequin wearing a decorative orange costumes stands to the left of the projection. In the background, a video monitor sits on a table and framed documents hang on the walls.
    A side projector projects an image of a figure in an elaborate dress onto a freestanding wall in the middle of a gallery space. A mannequin wearing a decorative orange costumes stands to the left of the projection. In the background, a video monitor sits on a table and framed documents hang on the walls.
    Jack Smith: Art Crust of Spiritual Oasis. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A side projector projects an image of a figure in an elaborate dress onto a freestanding wall in the middle of a gallery space. A mannequin wearing a decorative orange costumes stands to the left of the projection. In the background, a video monitor sits on a table and framed documents hang on the walls.]
    Caption Jack Smith: Art Crust of Spiritual Oasis. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description A side projector projects an image of a figure in an elaborate dress onto a freestanding wall in the middle of a gallery space. A mannequin wearing a decorative orange costumes stands to the left of the projection. In the background, a video monitor sits on a table and framed documents hang on the walls.
    Year 2018
    Related pages Jack Smith: Art Crust of Spiritual Oasis
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