-
Mark Morrisroe: From This Moment On. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A white wall displaying eight papers. On the far left, there is a drawing of a knife with the handwritten text "Cutthroats for Hire." The seven other papers feature type, handwriting, and photos.] -
Keeph Little, Artists Space construction site no.1, 2020, digital photograph Keeph Little, Artists Space construction site no.1, 2020, digital photograph [A window sill with cups, cans and cloth is visible and a crane can be seen outside of the window with the text: "New Holland" written on it. Circular green graffitti is visible on the facade of the building behind the crane.] -
Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, September 16, 2022 - December 3, 2022. Photo: Filip Wolak [Image of a gallery space with a metal locker, mirrored wooden base, and some tree stumps and plants. A large light and construction nets hang from the ceiling, and on the wall in the back a video is projected onto a screen.] -
Anne Collier, Tear Sheet, 2010, Digital C-print, 23 1/3 x 20 in / 59,2 x 50,8 cm, Signed and numbered certificate. [A color photo advertisement for an Olympus OM-10 camera, depicting a woman holding the camera and smiling, looking just past the viewer. The image is titled "CHERYL TIEGS PRAISES HER FAVORITE MODEL." A short interview is printed at the bottom right of the image, where Cheryl goes back and forth with an "interviewer" about her love of the camera.] -
Sean Snyder. Installation view, Artists Space, 2010-11. Photo: Daniel Peréz. [An installation shot of two gallery walls, one white and one unpainted wood, meeting in a corner. The white wall displays nine images with accompanying text. The wood wall has an old television on a metal stand, showing a cartoon image.] -
-
Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a gallery space. Various musical instruments and audio devices are placed around the middle of the room, photographs and vitrines hang on the walls, and various television monitors and projected images are placed along the sides of the room.] -
Flyer for Segue Reading Series featuring Tyrone Williams and Joselia Rebekah Hughes. Saturday, December 11, 2021, Artists Space. [Black text overlays a mauve background. The top left corner reads: "Tyrone Williams & Joselia Rebekah Hughes." The center right reads: "Segue Reading Series & ARTISTS SPACE." The bottom left reads: "Saturday December 11 - 5pm, 11 Cortland Alley + Zoom". The image of a 5 dollar bill is placed within the text.] -
Richard Kennedy, Both, Artists Space, 2017. [A photo of three performers standing in the middle of a room, surrounded by the audience. Two performers linked hands, and the third stands in between them, arms raised.] -
-
Barbara Kruger. Installation view, Artists Space, 1974. [A color photograph of abstract rectangles with white, green, and black stripes, arranged in a sun like shape on a white background.] -
Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. [A color photograph of a figure with raised arms in an orange-lit space.] -
Crystal Z Campbell: Ode to the Underloved. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color image of a video installation in the center of the floor of a gallery space. A walkway made of plywood runs along the edges of the room, around the projection. The projection depicts a negative film image that has been mirrored along the center. Objects are arranged on a blue background to create vaguely recognizable images.] -
Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure wearing a baseball cap sits in a chair and plays the guitar.] -
Works by Robert Vitale. Witnesses: Against Our Vanishing. Installation view, Artists Space, 1989. [Three figurative, red and black gestural paintings hang on a white wall. On the left, a vertical work shows the exterior of a building with a ladder leading to a window. On the right, two horizontal works hung one above the other feature pairs of chairs, each connected by a circle.] -
-
Terry Fox: All These Different Things Are Sculpture. Installation view, Artists Space, 2024. Photo: Filip Wolak [A color image of a gallery space. A freestanding white wall runs perpendicular into an existing white wall. On the right side, projected onto the existing wall, is a black and white image of a spoon resting next to a bowl of water. To the left of the projected image is a single black frame containing a black and white photograph, hung above a small floating vitrine. Installed in a single row on the freestanding wall, is a series of seven black and white photographs housed in black frames. Behind the freestanding walls, a sliver of window that faces the street outside is visible. Contained within the four transom windows are black and white enlargements of a white man smoking and blowing smoke rings. ] -
-
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Image of a dimly lit basement, a figure holding a video camera with a rig on their shoulder takes footage of the back wall, which has blue and purple light projected onto it.] -
ricardo nagoka, Shroud (detail) Steel, human body, 2025 [In this close-up shot, a white pleated structure resembles a tent structure. Underneath the pleat there appears a backlit illumination. In the left side of the frame a ventilation tube extends from the front towards the back of the white structure.] -
Union Gaucha Productions. Still from A Vida de Infra - Tunga, 1999. 16mm film (sound, black and white), 10 min 17 sec. Courtesy of Union Gaucha Productions. [A black and white close of of a person, with slightly scraggly hair and amblyopia, looking into the camera.] -
Still from In It Together, Amelia Bande and Rachel Higgins, 2020 [In front of a pixelated red background, a yellow caption appears on top of a black bar that reads: “But whatever debt we’re in, whatever risks, we’re in together."] -
Deven Golden. Drawing for Death of Pompey, 1986. [A drawing with seven figures without appendages where six of them are carry a large figure and one follow behind. The outline of an urban landscape is visible behind them.] -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a fgure wearing a conical sheath of reflective one-way mirror film that covers their entire body. They squat down next to a viewer sitting in a wooden chair. The performer shines a bright light against their face, making their face visible from under the mirror film.] -
Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view (Doris Guo, Doorstop 1, 2024; Doris Guo, Doorstop 2, 2024), Artists Space, 2024. Photo: Carter Seddon. [Color image of two small doorstop sculptures on the floor of the gallery space landing. The sculpture in the foreground consists of a short column of aluminum, banded with black rubber near the top. In the background sits another sculpture, a squat column of concentric stainless steel rings with a black rubber core.] -
Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez. [Two large, orange slug sculptures forming circular ring shapes around cast-iron columns suspended by elastic cords are visible inside a white-walled gallery space along with square paintings on walls in the background.] -
Perspective: The State of Existing in Space Before the Eye. Leaftlet cover, Artists Space, 1989. [At the center of a page there is an image of a charcoal drawing of a foot overlapping a scrap of an architectural diagram on a black background. Above this image, text reads, "Don Stinson, Perspective: The State of Existing in Space Before the Eye." Below the image, text reads, "September 28-November 4, Artists Space."] -
New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court. [Two silhouetted figures kissing behind a microphone. They are backlit by a white projection with black capitalized text reading "RENUNCIATION KISSING STATION".] -
Catily Dominici, Untitled, photography, 2016 [A black-and-white image of Batman fighting another man facing away from the camera overlaid with a translucent façade of walkup apartment buildings in Manhattan] -
-
Shirley Jaffe. White Begonia, 1986. Oil on canvas, 86x70 inches. [A geometric composition of red, purple, black, yellow, blue, and green flat shapes on a white background.] -
Program schedule for Sigrid Burton, Bruce Colvin, Ellen Phelan, Artists Space, 1976 -
New Red Order with Virgil B/G Taylor. Native New Yorker: Sigillum Civitatis Novi Eboraci, 2021 Painted wall with cut vinyl, historical newspapers, television, and postcard 10 x 10 feet. Photo: Filip Wolak [A black wall that reads "Sigillum Civitatis Novi Eboraci 1625". Layered on the wall are multiple printed drawings and tv monitors, below sits a red beach ball.] -
Eiko Ishibashi, Two New York Nights. Performance documentation, June 8, 2022, Artists Space [A figure lit with red light is sitting at a table holding a microphone to their mouth. On the table are a desk lamp and a laptop computer.] -
Isola & Norzi, Mama, 2006. Installation. Courtesy the artists. Photo: Bill Orcutt. [In the corner of a room, a group of six brooms and mops is held free-standing off of a wall by a shelf which allows the handles to pass through it, holding them in place in a line. Near the adjacent wall, a metal dustbin stands facing the brooms, dust both within the dustbin and nearby.] -
Barbara Steinman, Of a Space, Solitary/Of a Sound, Mute, 1989. Installation view, Artists Space, 1989. [Two rectangular works are hung next to each other on a wall. The left is solid grey, the right is a photograph of an outstretched forearm against a black background.] -
Flyer for Segue Reading Series featuring Allison Cobb and Camille Roy. October 1, 2022, Artists Space. [Light blue text overlays a dark blue background. The top left corner reads: “Allison Cobb & Camille Roy / October 1, 5pm.“ The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.“] -
[A sideways image of a photograph sitting on top of an open book. The photographs shows four people sitting next to each other. The book page is split with a column of text and a black and white image of a billboard that reads, "Growing with Birmingham!"] -
Thomas Bayrle, Woody Allen: f ilms fi lms fil ms film s fil ms fi lms f ilms, 2011, Bespoke archival box wrapped in silkscreened cotton book cloth [A black and white superform of a man's head, comprised of small rectangular shapes.] -
Hito Steyerl. Installation view, Artists Space, 2015. [A monitor facing a seating arrangement constructed of stacked pillows. Two pairs of monitors are suspended on poles in the background. An image of Hito Steyerl is seen in both pairs; next to an image of a pile of cigarettes and an image of shipping containers.] -
devynn emory, Grandmother Cindy. Performance documentation, May 18, 2022, Artists Space [A person dressed in blue stands next to a mannequin draped in red fabric lying on a rolling table. To the left is an IV stand and people seated in the background.] -
-
-
SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement window that has been tinted with blue paint, streaming in blue light.] -
Freya Hansell. Installation view, Artists Space, 1980. [A black and white photograph of various objects hanging in a white-walled gallery space.] -
-
Yasunao Tone: Region of Paramedia. Installation view (Instrument for Aleitheia, 1987), Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a piano. Six solenoids are placed along the piano's strings.] -
-
-
[An image of rocks, trees and coastline overlooking a large body of water. Collaged on top of the photograph are cutouts of flowers, carved stones, and a mosaic. Gray text gives details about a virtual reading event, with zoom meeting information written in yellow at the bottom.] -
Artists Performance Series. Installation view, Artists Space, 1977. [A black and white photograph of a gallery space. On the left, a window casts soft light onto a table and two chairs. On the right, a television monitor is positioned on a low bench.] -
Tilo Schulz, Remake Performance, Artists Space, 2004. [Two men walking inside a large inflatable sphere being followed by a crowd of people, some who are filming them, outside in a grassy and paved area.] -
The columns held us up. Installation view, Artists Space, 2009. Photo: Adam Reich. [A white cloth banner hangs vertically from the ceiling, with text which reads "KARA-KUM, area 350000, disposed in Middle Asia." Below the text are drawings resembling Turkish architecture. To the right of the banner, a slide projector sits on a short wooden bench, projecting a small image onto a white wall.] -
Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [Half-eaten fruit, chocolate, and candles sit on a low, stone tabletop under dim lighting.] -
Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater. Installation view, Artists Space, 2019. Photo: Daniel Pérez. [Projectors placed across a wood floor project variegated hues of white light onto a wall.] -
Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979. [A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.] -
Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They have papers taped and placed over their face.] -
Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979. [Two photographs are mounted on a white gallery wall.] -
-
Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Gary Burnley. [People standing around a gallery space with various globes surrounding them and frame images hanging on the wall to the right.] -
Keith J. Sanborn, A Public Appearance and a Statement, 1987. 18.5 minutes, 3/4" (original format 16mm), black and white. Film still. [A dense crowd of people surrond a casket being carried into the back of a hearse.] -
[White text on a bright fuchsia background. The text reads: “Oct 18 / Laura Moriarty / Kevin Holden” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
Social Surfaces. Installation view, Pearl River Mart, 2017. Photo: Ron Amstutz. [A diagonal view of photographs, paintings, sculptures, and prints against two walls. In the corner rests a TV displaying a person with their back turned.] -
Paintings by Fontaine Dunn. From Gary Bower, Fontaine Dunn, Hermine Ford, Artists Space, 1976. [A color installation image of a gallery space. Several small canvases painted with geometric forms are hung on the walls.] -
Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Gary Burnley. [A black and white photograph of a multicolored globe sitting on a wooden floor.] -
Elizabeth Peyton, TC (Timothée), 2022-2023. Photo: Filip Wolak. [Color image of a portrait of a man's face, done in purple, orange, and pink colored pencil and pastel on beige paper. Half of the man's face is detailed, while his other faetures are left undefined.] -
Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of a man holding up the Iraqi flag.] -
-
Abasement #71. Performance documentation, August 5th, 2024, Artists Space. Photo: Joshua Wildman. [Close up of two musicians sitting side by side and looking down. The musician on the right plays the guitar and the musician on the left plays the violin. The wall in the background is purple tinted.] -
Local Transit. Installation view, Artists Space, 2006. [A gallery space with two columns. One column is wrapped in an off-white fabric, the other in bright pink. There are four white plinths of various heights with gray objects on top. One of the surrounding walls has a long sheet of paper with a drawing of highway signs and a gas station on it; the other has colorful framed images.] -
[A book cover with an image of a hallway with tan and brown checkerboard tiling with a door at the end. Sunlight is filtering through the windows of the door, reflecting on the floor. Superimposed text on top of the photo reads "SUMMER OF HATE" and under it, "Chris Kraus".] -
Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays a courtroom depiction of two individuals, one with blonde hair and fair skin wearing a suit, the other tan with dark facial hair wearing a keffiyeh. Behind the seated men is an image of a man sitting on the floor, in what appears to be solitary confinement.] -
DUOX: DUOX4Larkin. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [A glass case filled with colorful paraphernalia sits on an orange table. The case is bound lengthwise and widthwise with straps. On top of the case sit two magnifying glasses and several stacks of plastic cups.] -
Pictures. Opening Reception, Artists Space, September 23, 1977. Maureen McFadden of National Distillers and Chemical Corporation (sponsor), (left), Irving Sandler (middle), Helene Winer (right). Photo: D. James Dee. [A black and white photograph of three figures standing in a gallery space. They each hold a drink in their hand and are smiling.] -
KH Hödicke Magic Window Cleaner II , 1967 80 copies + 40 artists proofs, signed and numbered screen print on Plexiglas, 83 x 59 cm Courtesy of Edition Block, Berlin [A red image, portraying a window squeege at the bottom left of frame, of which the section of it's width above is a darker red.] -
Patricia Thornley. Untitled (detail), 1985. Electrical wire, string, fans, photograph, spotlight, wood, wax, dirt, water. Dimensions variable. [A spotlight shines on a photograph hanging on a white wall framed by string and electrical wire hanging around it and falling to the black floor underneath.] -
Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [Eleven tan sacks of various sizes hang on a while wall. Each is illustrated with individual imagery and/or text. A long one, hanging at the top left, reads "CHASE" in block letters. A painting is hung in the background on a wall.] -
[A Budget van is parked next to the curb with its side doors open. There is an orange extension cord coming out of the door, and a white paper taped on the side of the van with text, "Antinomian Press."] -
-
Dara Birnbaum, Technology/Transformation: Wonder Woman, 1978/9. Videotape still. [VHS-distorted image of Wonder Woman holding up her fist, from which emanates a burst of energy.] -
Union Gaucha Productions. Installation view, Artists Space, 2015. Photo: Daniel Pérez. [An angled view of scattered video projection stills at various heights and sizes on a wooden wall. The wooden wall is displayed in a room with white walls and faux-grass flooring.] -
Chris Johansen. [Black and white mixed-media drawings of cartoonish, smiling faces.] -
Benkert, Ernst. Bars, 1981. [A painting with 5 black vertical rectangles in the center srrounded by indvidually outlined white squares inside a larger black rectangular outline on a white canvas hanging on a white wall.] -
David Kulik, Frank Majore, Kevin Noble, Ken Pelka, Pat Place, Rene Santos, and Brian Weil. Installation view, Artists Space, 1980. [Photographs hanging on walls in a gallery space with a doorway on the right.] -
SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement with two sculptures made of wood and fresnel lenses placed on either side of the image. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.] -
Abasement #68. Performance documentation, February 12, 2024, Artists Space. Photo: Joshua Wildman. [Color image of a seated musician playing an oboe into a microphone. The musician is dressed in all black and has medium length black hair. The image catches the musician with their eyes downturned, just a moment before blowing air into the oboe. The musician and the back wall are flooded with a circle of yellow light, in the top corners, the yellow turns into blue. ] -
Iliana Polanco, Curve, photography, 2016 [A close-up, black-and-white photo of a small dirt area surrounded by a metal fence. A large tree stands in the middle of the image, surrounded by short plants and a small flower] -
-
ARTstudio exhibition at Blue Sky Gallery, PS 140, 2024 -
Untitled (Dealers in a round table dialogue, Basilico Fine Arts, July 18, 1996), 1996 Duratran lightbox 3 x 8 feet Image courtesy Artists Space, New York Photo: Filip Wolak [A lightbox displaying a group of sitting and standing individuals. Behind them is a wall of small photographs and artworks.] -
-
ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A close up of low windows on a brick facade covered in layered black and yellow film.] -
Sean Snyder. Installation view, Artists Space, 2010-11. Photo: Daniel Peréz. [Ten black and white photographs arranged in a rectangle on a white wall. The images show various scenes of assorted trash on streets.] -
Contemporary Architecture - an installation by realities:united. Installation view, Artists Space, 2007. Photo: Bill Orcutt. [In a gallery space, a large white overhead LED-style sign acts as both a drop ceiling and overhead lighting. It displays two numbers, a 2 and a 5. Below are a black sofa and, facing it, a small television on a wooden pedestal.] -
Ursula Biemann, still from Writing Desire, 2000. Video, 23 minutes. Courtesy the artist. [A nightime view of a truck driving past a parking lot. In the top left of the image is a superimposed video of a blond woman. The words "Hello I'm Natascha" appear in red to the right of the woman.] -
Guyton\Walker, Fruit Stickers for Artists Space, 2010, Set of 15 Inkset printed stickers, 6 in / 15,2 cm each, Signed and numbered certificate. [A 3x5 grid of false-color stickers. The top four rows depict fruits cut in half resembling a grapefruit or orange. The last row depicts a coconut cut in half. A handful of stickers have a think line of black and white checkerboard pattern added to the perimeter of the fruit.] -
Abasement #76. Performance documentation, March 3rd, 2025, Artists Space. Photo: Joshua Wildman. [Color image of 3 performers on stage. The musician on the left is standing over electronic audio equipment while looking down. To their side a musician is sitting down holding a microphone close to their mouth. On the right side of the image a musician is sitting down playing the violin. In the middle of the stage there is a drum kit. The backs of audience members are visible in the bottom of the image. There is an abstract orange projection on the back wall, which also covers one of the musicians.] -
Zilia Sánchez. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [An angled view of three light, mauve-colored and parallel walls displaying drawings and paneled canvases in an exhibition space with wooden flooring. The canvases are slightly three-dimensional, with elements that stretch in or out from their surfaces.] -
ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A display of multiple images on a white gallery wall.] -
-
Demonstrations outside Artists Space during the opening of Witnesses: Against Our Vanishing, November 16, 1989. [A line of people hold signs with messages including, "ED HELMS impedes THE 1ST AMENDMENT" and "OBSCENE ART?".] -
Marian Zazeela, Portrait of Helen 10/12, 1977, black ink on graph paper (bilateral symmetry; sequential series of mirrored names moving closer together and retrograding apart). Courtesy of the artist. [Image of drawing done on white graph paper. In the middle of the paper is a cluster of lines, each made of individual dots, which overlap and curve over each other to create a symmetric composition.] -
Andrea Zittel, Perfected Pillow, 1995, Pair of fringed velvet pillows, 80 x 40 inches (203 x 102 cm); 18 x 36 in (46 x 91 cm), Edition of 39. [The image shows a rectangular bed-like cushion with a black pillow that lays diagonally across the image patterned with two green and two black triangles of fabric.] -
Eiko Ishibashi: Two New York Nights. Performance documentation, June 9, 2022, 8pm. Artists Space, New York. Photo: Paula Court [A figure whose face is illuminated by red light plays flute into a microphone.] -
Richard Klauber. Installation view,Ruth Hardinger, Richard Klauber, Artists Space, 1975. [A color installation photograph of a black and white abstract painting on a white wall.] -
Sanya Kantarovsky, Growth VI, 2023. Photo: Filip Wolak. [Color image of a watercolor painting. Against a purple and brown background, emerge flowers with bright blue petals opening up in the middle of the composition. In the background, other blue flowers, and plants surround them. A pair of eyes, nose and mouth are painted over the largest blue flower placed in the middle.] -
Installation view from Six Sculptors, Artists Space, January 25 ,1986 - February 22, 1986. [Sculpted boots appear wih leaves on a leaf-covered section of the floor surrounded by a picket fence. In the background a white door opens up with a stack behind it. Nearby tree branches and other rustic constructions populate the gallery space.] -
-
Konrad Lueg Boxer , 1964 (Boxers) © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Photo: Daniela Steinfeld [A painting of two boxers engaged in a match. The bodies of both figures are depicted in grey monochrome with colorful attire. The figure on the left wears orange shorts with blue piping while the one on the right wears green shorts with yellow trim. Both are wearing red and white boxing gloves.] -
-
Abasement #75. Performance documentation, February 3rd, 2025, Artists Space. Photo: Joshua Wildman. [Color image of a fabric tent with an image of the moon projected on the top. The top of the tent is decorated with multicolored stars. The tent and the wall behind it are bathed in pale pink light, with small speckles of white light.] -
Spongemation: water paintings and sponge characters, 2022 -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a performer dressed in white, kneeling on all fours. A bright light from their pelvic area shines onto the floor, as viewers stand around the figure.] -
Pamela Jenrette. Lavalava, 1974. From Scott Burton, Pamela Jenrette, Artists Space,1975. [A black and white photograph of a textured wall with white and grey splotches.] -
New Economy. Installation view, Artists Space, 2007. [An installation view of two rows of photographic portraits tacked to the walls. In the background is a red, white and black print that says "Imagine that capitalist revelations are overcome by local economic federations of grassroots groups that produce according to regional demand."] -
Kristin Lucas, Social Climber, 1997. [A black remote control with a red light pointing out of its head. Six insect-like legs are attached to the body of the remote, three on each side, and it is poised on the wall as if crawling.] -
Gary Bower, White Bouquet, 1976. From Gary Bower, Fontaine Dunn, Hermine Ford, Artists Space, 1976. [A painting over a black background of a set of hands cupping a rose. Above, several more roses are pictured.] -
Martha Wallner and Miriam Loasiga. Still from Con Guerra O Sin Guerra (With or Without War), 1987. Video (sound, black and white). 20 minutes. Spanish with English subtitles. [Text written in black on white background reads, "-inista ejercityo popular sandiniista ejerc-". A line above the text appears as a type of rope or barbed wire and the top opens up into black. Video scan lines and black edges of CRT monitor are visible.] -
Abasement #71. Performance documentation, August 5th, 2024, Artists Space. Photo: Joshua Wildman. [Three musicians sit on stage and play various electronic instruments. They are bathed in red, blue, pink, and purple light projections and a large scale image of a web. In the foreground audience members are lit with red and yellow lights.] -
Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater. Installation view, Artists Space, 2019. Photo: Daniel Pérez. [Installation view of a gallery filled with projectors arranged on the floor around three large black columns in the middle of the room. Each projector is projecting a bright white test screen onto white walls, aligned so all play at the same height. A wooden wardrobe stands in the foreground of the image against a white wall.] -
-
Union Gaucha Productions. Installation view, Artists Space, 2015. Photo: Daniel Pérez. [A dimly lit view of a wooden wall with scattered video-still images at varying placements. Behind the wood is a white wall.] -
From below, a musician is seen manipulating electronics housed inside of a lunchbox that pictures a schoolbus painted with different colored rectangles that have sharp black borders. Above the schoolbus is text that reads "The Partridge Family". The walls behind the musician are bathed in soft green light. -
Union Gaucha Productions. Installation view, Artists Space, 2015. Photo: Daniel Pérez. [Two people seated with their legs outstretched on a green carpet in front of a small television monitor, wearing headphones.] -
Yasunao Tone, 2,880K=120", 1964 [Black-and-white image of a hand holding a stopwatch.] -
Sandinista Sistema de Television. Still from Aqui En Esta Esquina (Here On This Corner), 1983. Video (sound, black and white). Spanish with English subtitles. [A figure standing central in the image with a microphone and two slightly upholstered chairs behind him. The logo "CDF" can be seen written on the wall next to another word of partial view. Video scan lines and black edges of CRT monitor are visible.] -
El Nascimiento De La Tierra exhibition at Recirculation, WordUp Community Book Store, 2024 -
Michael Asher, permanent work for the Grinstein Collection, Los Angeles, California, USA, 1979. Viewing north on the neighbor’s property toward the reconstructed wall section, as photographed in 2017. Photograph by Jeff McLane. © Michael Asher Foundation. [A photograph of a pale pink stucco wall that separates two properties. Green trees and shrubbery line the side of the wall that is pictured. Additional trees on the neighbor's side are visible, in partial view.] -
-
-
You Are The Everything and The Everything Is In You. Installation view, Artists Space, 2005. [Two delicate, framed works on paper hang side by side against a white wall. A light blue color has been imprinted on the central portion of the wall. The artworks feature flecks of pastel color on an otherwise white surface.] -
DUOX: DUOX4Larkin. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [An installation view of a large room. To the left, an orange water dispenser is positioned between three white columns. In the center of the room is an abstract sculptural work. In the lower right foreground are eleven metal poles mounted in metal buckets that are filled with multicolored objects.] -
Jeff Koons. Installation View, Artists Space, 1983. [In the foreground vacuums on plexiglass shelves with fluorescent lights underneath are visible and in the background on a white gallery wall is a number of different photographs lined next to each other in successio.] -
Abasement #87. Performance documentation, June 15th, 2026, Artists Space. Photo: Joshua Wildman. [The left side of a performer is seen seated on stage, looking down as they play guitar. Warm yellow light shines upon them and a bright blue light flashes across the stage.] -
[keyon's two hands are gripping the top of an i-beam ceiling rafter and their leg wearing a black knee pad and combat boot is dangling from below the rafter far above and in front of a crowd/audience. The audience mostly looks up at keyon and one figure stands below keyon and in front of the audience holding a taut black rope that is also coming from the rafter, seemingly attached to keyon but that part of keyon's body is obscured by the rafter. The surrounding room is large and empty besides the bodies, with lots of windows and a hardwood floor. This image is a video still of a performance by keyon in 2015 in Portland, OR.] -
-
Artists Draw. Installation view, Artists Space, 1979. [Two drawings are hung up on adjacent walls.] -
Renee Gladman is a writer and artist preoccupied with crossings, thresholds, and geographies as they play out at the intersections of poetry, prose, drawing and architecture. Gladman’s first solo exhibition Narratives of Magnitude was held at Artists Space from January 13th to March 18th, 2023. She is the author of fourteen published works. Recent essays and visual work have appeared in POETRY Magazine, The Paris Review, Harper's, BOMB magazine and n+1. She has been awarded fellowships, artist grants, and residencies from the Radcliffe Institute for Advanced Study at Harvard, Foundation for Contemporary Arts, the Lannan Foundation, and KW Institute for Contemporary Art (Berlin), and is a 2021 Windham-Campbell Prize winner in fiction. She makes her home in New England with poet-ceremonialist Danielle Vogel. [Photo: Philippe Mangeot] -
[A black and white, vintage photograph of a male figure leaning casually against a low wall by a river. The figure's long back faces the viewer, and we cannot see his face. He wears a short piece of cloth at his waist, while his upper body is bare.] -
Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979). Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A Samsung television monitor displaying Benjamin Buchloh, in a black sweater and thin rectangular glasses, being interviewed.] -
Gregg Bordowitz, Open Book: Letters, Marks, Politics, 2024, lecture performance, Bonner Kunstverein. Photo: Max Beck. [A figure stands behind a microphone stand, one hand raised to their chin and the other arm up and pointing away from themselves. The figure stands in front of a blank background.] -
Abasement #73. Performance documentation, November 4th, 2024, Artists Space. Photo: Joshua Wildman. [Two performers on stage in front of a seated audience. The musician on the left is playing the violin, and the musician on the right is playing the drums. The room is bathed in red and blue light. The wall behind the performers is projected with blue and purple graphics.] -
Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose. Installation view, Artists Space, 2012. Photo: Daniel Pérez.. [In a large, open gallery space, several photographs hang on walls to the right. To the left, multiple small monitors mounted to a colorful gallery wall play video works. In front of the monitors, there are wooden stools with headphones resting upon them.] -
Attention Line. Installation view (costumes worn by Johanna Went, 1970s-2000s), Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [A brightly lit photograph of three human-sized costumes in front of a wall.] -
Adjua Gargi Nzinga Greaves: The x in florxal is silent when spoken. Installation view, Artists Space, 2021. Photo: Filip Wolak. Courtesy Artists Space, New York. [A photograph of a gallery space with eight prints hung on the rightmost wall and a lightbox mounted on the far wall.] -
Michael Bullock, Roman Catholic Jacuzzi (New York: Karma Publishing, 2012). [A blue and teal book cover depicting the title and author against a flat background.] -
Spring Exhibitions. Installation view, Artists Space, 2009. [A smooth, white branch extends up from the floor vertically. Behind it is a wall, papered with a pattern of tropical birds in trees on a white background.] -
Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon. [A large gallery space houses a variety of plinths made of MDF, atop of which are placed various archival objects. Down the middle of the room are two long, short plinths that display a series of art historical journals. On another tall plinth to the right is a postcard. ] -
Dr Andrew Torres, Teaching Artist leading a poetry class for Grade 8 students, 2022 -
Isabelle Frances McGuire, Death of Napoleon, 2024 [Color image of a sculpture of a human body, laying face up, placed on a concrete floor. The figure is dressed in French military apparel and their head rests on a large glittery, red bow.] -
Selections from the Artists File. Installation view, Artists Space, 1989. [A photograph of paintings hanging on the walls of a large gallery space with white walls. The work closest to the camera is a realistic painting of a baby, shown for the waist up.] -
Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt. [A flower arrangement consisting of white flowers and green leaves displayed on a slated, wooden floor. The arrangement is shaped such that it forms a lowercase, italicized letter "a."] -
It's Get Better IV, 2016. [A flyer for the event, depicting a Manhattan city block with neon-hued clouds in the background.] -
Constantina Zavitsanos: fwiw. Installation view (∞, 2024), Artists Space, 2024. Photo: Carter Seddon. [The exterior corner of Artists Space shows a building with highly elaborated columns. On the White Street side, an aluminum can is strapped to the building’s security camera.] -
Catalog cover from polke / richter – richter / polke , 1966 galerie h, Hannover Courtesy August Haseke [Black lower case text on a red page reads, "richter/polke, polke/richter."] -
Four Scottish Artists. Opening Reception, Artists Space, 1979. [A photograph of the exhibition opening reception. A group of visitors look around at the art.] -
Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure stands behind a microphone, their hands placed together in front of them and looking off.] -
Trip to Artists Space to see Renee Gladman exhibition, 2023 -
Crystal Colon, Cherish Atlas, 2014 [An artwork depicting a long pier with checkered black floor, splitting a waterway, with the outline of a city skyline in the distance. Two long cream-colored couches appear in the foreground, alongside a round and rectangular red table. The top left corner of the image contains an empty white circle] -
Yasunao Tone in Concert with Barbara Held. Performance documentation, January 19, 2023, Artists Space. Photo: Destiny Mata [A figure sits in front of a microphone and reads a story off of a piece of paper.] -
Jason Simon, still from Vera, 2003. 25 min. [A woman seated on a couch wearing a green button-down shirt captured mid-laughter.] -
LaToya Ruby Frazier, A Message In Nestle Water Bottles from Shea Cobb and Amber Hasan at Sussex Drive and West Pierson Road, Flint, MI, 2017/2023, set of three archival pigment prints on Canson Platine Fibre Rag, 16 x 24 inches (40.6 x 61 cm) -
Shani Strand: Everything Must Be Returned. Installation view, June 12 - August 15, 2026, Artists Space. Photo: Carter Seddon [In a corner of the gallery, two oblong ceramic ghosts lay on their sides on top of a rusty blue square with small piles of charcoal. A shiny blue and orange pool of resin appears to leak out along the edges of the wall and numerous small metal balls are scattered around. On the wall, an orange stain appears to emerge from the floor.] -
Underground: Jose Gabriel Fernandez. Installation view, Artists Space, 1991. [Three large metal rectangular scuptures, hinging at an angle off the floor. A large photographic print of deer in woods hangs on the wall directly behind the sculptures.] -
Hernan Bas, Needles (In Anticipation of the Fall), 2005, Single color hard ground etching, 26 1/4 x 21 inches (67 x 53 cm), Edition of 30, Courtesy the artist, Fredric Snitzer Gallery, Miami & Daniel Reich Gallery, New York, Printed by Julia D’Amario. [A wood framed drawing hangs on a wall. The pencil drawing depicts a youthful figure at the center of the page with abstract pencil markings surrounding them.] -
-
Student Presentations at Artists Space, 2021 -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [A figure in a blue morph suit stands, their hands on their waist, and looks to the left. A figure behind them films them. Blue video footage is projected onto the back wall.] -
Heist Divination (fwiw remix). Performance documentation, October 25th, 2024, Artists Space. Photo: Destiny Mata. [Photograph of a performer standing behind a small desk that holds audio equipment. The performer stands upright with their head down and their hands held together in front of their face. To the performer's right a music stand holds a score. The background is bathed in blue and red light with the silhouettes of audience members visible. In the bottom left corner a recessed structure filled with water is illuminated. ] -
Audio Works. Installation view, Artists Space, 1978. [A viewer is visible through the open door to a gallery room.] -
Art Day, Photo Club exhibition, PS 140, 2017. [A tile wall with a grid of assorted photographs against a white background. A title to the left of the grid states "Artists Space P.S. 140 Photography Club".] -
Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view (clippers, 2023), Artists Space, 2023. Photo: Filip Wolak. [A color image of the stair landing inside a gallery. The whole image is illuminated in blue, and in the corner rests a large soft sculpture of hair clippers. A long cord connected to the clippers runs vertically up the wall and is draped to the other side. The outlet rests in the air, next to a windowsill.] -
-
Elephant Cemetery. Installation view, Artists Space, 2007. [A gallery room filled with various sculptures and objects. There are four plinths of varying heights with black, white, silver, and mirrored surfaces. There are three televisions sitting on the floor against a white wall. On the other side, there are two projectors sitting on a table projecting small images on white walls. In the foreground, a rectangular cube painted like bricks is wrapped around a column.] -
Social Surfaces. Installation view, Alexander and Bonin, 2017. Photo: Ron Amstutz. [A wooden platform on wheels surrounded by a border of small poppy red brick-like sculptures, that continue to surround the base of a white pole. Sculptures and paintings are visible on the back wall behind the wooden platform.] -
-
Isa Suero, from Help, 2020, portfolio, digital photograph [A figure wearing a red hoodie pours oil into a cooking pan on a stove while a figure wearing a T-shirt and jeans in the background chops a produce item. Another pot is visible on the stove along and a cabinet and light appear above the stove.] -
Log Cabin. Installation view, Artists Space, 2005. [Multiple small, rectangular collages hung in two rows on a gallery wall. The collages are displayed in black frames and feature images of people as well as text fragments. Most are black and white or contain minimal color.] -
[Stamped yellow text spelling out "W.A.G.E" at a slight angle. Underneath that, typed pink text reads, "Working Artists and the Greater Economy."] -
