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  • Three red-orange panels in white frames hang on a white wall in an open space.
    Three red-orange panels in white frames hang on a white wall in an open space.
    Hito Steyerl, Red Alert, 2007. Installation on 3 computer monitors. Courtesy of the artist. [Three red-orange panels in white frames hang on a white wall in an open space.]
    Caption Hito Steyerl, Red Alert, 2007. Installation on 3 computer monitors. Courtesy of the artist.
    Image description Three red-orange panels in white frames hang on a white wall in an open space.
    Year 2015
    Related pages Hito Steyerl
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    Year
    Related pages Ralston Farina: Time // Time
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    Year
    Related pages A Night at the Shithole Opry with Derek McCormack featuring Lynne Tillman
  • A color image of an unframed colorful drawing of a male-presenting figure. The figure is crossed-arm and sitting back in whats seems like a sofa. A cup of coffee sits on his right, and a potted plant and a vintage-looking radio are on his left.
    A color image of an unframed colorful drawing of a male-presenting figure. The figure is crossed-arm and sitting back in whats seems like a sofa. A cup of coffee sits on his right, and a potted plant and a vintage-looking radio are on his left.
    Drake Carr, Mel Ottenberg, 2023. Colored pencil on paper. 26 x 21 inches. Image courtesy Artists Space, New York. Photo: Filip Wolak. [A color image of an unframed colorful drawing of a male-presenting figure. The figure is crossed-arm and sitting back in whats seems like a sofa. A cup of coffee sits on his right, and a potted plant and a vintage-looking radio are on his left.]
    Caption Drake Carr, Mel Ottenberg, 2023. Colored pencil on paper. 26 x 21 inches. Image courtesy Artists Space, New York. Photo: Filip Wolak.
    Image description A color image of an unframed colorful drawing of a male-presenting figure. The figure is crossed-arm and sitting back in whats seems like a sofa. A cup of coffee sits on his right, and a potted plant and a vintage-looking radio are on his left.
    Year
    Related pages Drake Carr: Housecalls
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A large square edifice with an opening in its center bottom held up off the floor with numerous steel rods on its sides in a gallery setting. A shadow of a human figure appears/disappears in front of the work.
    A large square edifice with an opening in its center bottom held up off the floor with numerous steel rods on its sides in a gallery setting. A shadow of a human figure appears/disappears in front of the work.
    U.S. Projects: Peter Shelton. Installation view, Artists Space, 1982. [A large square edifice with an opening in its center bottom held up off the floor with numerous steel rods on its sides in a gallery setting. A shadow of a human figure appears/disappears in front of the work.]
    Caption U.S. Projects: Peter Shelton. Installation view, Artists Space, 1982.
    Image description A large square edifice with an opening in its center bottom held up off the floor with numerous steel rods on its sides in a gallery setting. A shadow of a human figure appears/disappears in front of the work.
    Year
    Related pages U.S.. Projects: Peter Shelton
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Friends of Artists Space Annual Dinner, 2022.
    Caption Friends of Artists Space Annual Dinner, 2022.
    Image description
    Year 2022
    Related pages Support
  • Black and white photograph of cursive white text on a black background on the floor.
    Black and white photograph of cursive white text on a black background on the floor.
    Margia Kramer. Installation view, Artists Space, 1980. [Black and white photograph of cursive white text on a black background on the floor.]
    Caption Margia Kramer. Installation view, Artists Space, 1980.
    Image description Black and white photograph of cursive white text on a black background on the floor.
    Year 1980
    Related pages Margia Kramer
  • The façade of a building adorned with a large, metal frame sculpture of the face of Che Guevara.
    The façade of a building adorned with a large, metal frame sculpture of the face of Che Guevara.
    Ministry of Interior building in Plaza de la Revolución, Havana, Cuba. [The façade of a building adorned with a large, metal frame sculpture of the face of Che Guevara.]
    Caption Ministry of Interior building in Plaza de la Revolución, Havana, Cuba.
    Image description The façade of a building adorned with a large, metal frame sculpture of the face of Che Guevara.
    Year 2013
    Related pages Rebecca Gordon-Nesbitt
  • An offwhite poster with black letters framed two bands of a cropped watercolor painting announces a sound poetry festival entitled
    An offwhite poster with black letters framed two bands of a cropped watercolor painting announces a sound poetry festival entitled
    [An offwhite poster with black letters framed two bands of a cropped watercolor painting announces a sound poetry festival entitled "Chorus."]
    Caption
    Image description An offwhite poster with black letters framed two bands of a cropped watercolor painting announces a sound poetry festival entitled "Chorus."
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
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    Year
    Related pages Milford Graves: Fundamental Frequency
  • A small girl stands central in the image with a microphone near her mouth and a shirtless boy stands behind her to the left. A chain-link fence can be seen behind them next to a concrete building. Subtitles burned into the bottom of the image read,
    A small girl stands central in the image with a microphone near her mouth and a shirtless boy stands behind her to the left. A chain-link fence can be seen behind them next to a concrete building. Subtitles burned into the bottom of the image read,
    Martha Wallner and Miriam Loaisiga. Still from Con Guerra O Sin Guerra (With or Without War), 1987. Video (sound, black and white). 20 minutes. Spanish with English subtitles. [A small girl stands central in the image with a microphone near her mouth and a shirtless boy stands behind her to the left. A chain-link fence can be seen behind them next to a concrete building. Subtitles burned into the bottom of the image read, "Why can't men come in?" Scan lines in the image and the outer box of a CRT monitor are visible.]
    Caption Martha Wallner and Miriam Loaisiga. Still from Con Guerra O Sin Guerra (With or Without War), 1987. Video (sound, black and white). 20 minutes. Spanish with English subtitles.
    Image description A small girl stands central in the image with a microphone near her mouth and a shirtless boy stands behind her to the left. A chain-link fence can be seen behind them next to a concrete building. Subtitles burned into the bottom of the image read, "Why can't men come in?" Scan lines in the image and the outer box of a CRT monitor are visible.
    Year 1987
    Related pages TV Sandino
  • Black text on a green background. The text reads: “Dec 7 / Deborah Meadows / Kamelya Omayma Youssef.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on a green background. The text reads: “Dec 7 / Deborah Meadows / Kamelya Omayma Youssef.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on a green background. The text reads: “Dec 7 / Deborah Meadows / Kamelya Omayma Youssef.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on a green background. The text reads: “Dec 7 / Deborah Meadows / Kamelya Omayma Youssef.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Deborah Meadows & Kamelya Omayma Youssef
  • A brown object with a processing chip imbedded in its front sits on a white base. On top of the object, a small potato sits with a wire attached.
    A brown object with a processing chip imbedded in its front sits on a white base. On top of the object, a small potato sits with a wire attached.
    Not yet titled, 2019
    Clay, glaze, mixed media
    7 x 12 x 17 inches (variable)
    $5,000
    [A brown object with a processing chip imbedded in its front sits on a white base. On top of the object, a small potato sits with a wire attached.]
    Caption Not yet titled, 2019
    Clay, glaze, mixed media
    7 x 12 x 17 inches (variable)
    $5,000
    Image description A brown object with a processing chip imbedded in its front sits on a white base. On top of the object, a small potato sits with a wire attached.
    Year 2019
    Related pages Trisha Baga Edition
  • Sepia toned image of three figures standing in the middle of the street. The figure on the left wears a white dress that flows in the wind, while the middle figure wears a button down shirt and stands in a pool of white liquid spilled on the ground. The third figure on the right wears a striped cloth over their body.
    Sepia toned image of three figures standing in the middle of the street. The figure on the left wears a white dress that flows in the wind, while the middle figure wears a button down shirt and stands in a pool of white liquid spilled on the ground. The third figure on the right wears a striped cloth over their body.
    Masao Adachi, Galaxy, 1967 [Sepia toned image of three figures standing in the middle of the street. The figure on the left wears a white dress that flows in the wind, while the middle figure wears a button down shirt and stands in a pool of white liquid spilled on the ground. The third figure on the right wears a striped cloth over their body.]
    Caption Masao Adachi, Galaxy, 1967
    Image description Sepia toned image of three figures standing in the middle of the street. The figure on the left wears a white dress that flows in the wind, while the middle figure wears a button down shirt and stands in a pool of white liquid spilled on the ground. The third figure on the right wears a striped cloth over their body.
    Year
    Related pages Yasunao Tone Film Screening #3
  • A number of paintbrushes and artists gloves appear inside a tin can next to other tin cans and paintbrushes lying on a canvas and table underneath.
    A number of paintbrushes and artists gloves appear inside a tin can next to other tin cans and paintbrushes lying on a canvas and table underneath.
    Bert Carpenter. Reflections, 1980. [A number of paintbrushes and artists gloves appear inside a tin can next to other tin cans and paintbrushes lying on a canvas and table underneath.]
    Caption Bert Carpenter. Reflections, 1980.
    Image description A number of paintbrushes and artists gloves appear inside a tin can next to other tin cans and paintbrushes lying on a canvas and table underneath.
    Year
    Related pages Three Exhibitions Sponsored by the Mark Rothko Foundation
  • A polaroid photo depicts a figure pointing a gun at another figure, who is kneeling on the ground with their head down. On the right, handwritten in red ink are the words
    A polaroid photo depicts a figure pointing a gun at another figure, who is kneeling on the ground with their head down. On the right, handwritten in red ink are the words
    Eric Mitchell, Mass Homocide, 1977. Advertisement, Artists Space. [A polaroid photo depicts a figure pointing a gun at another figure, who is kneeling on the ground with their head down. On the right, handwritten in red ink are the words "Oct/Nov 77 / Mass Homocide / Eric Mitchell / 206 E 10 st / NY, NY 10003.]
    Caption Eric Mitchell, Mass Homocide, 1977. Advertisement, Artists Space.
    Image description A polaroid photo depicts a figure pointing a gun at another figure, who is kneeling on the ground with their head down. On the right, handwritten in red ink are the words "Oct/Nov 77 / Mass Homocide / Eric Mitchell / 206 E 10 st / NY, NY 10003.
    Year 1977
    Related pages Artists Performance Series
  • Color image of a darkened gallery installation with multiple projectors and a golden egg sculpture in the left back corner. In the left foreground, a pinhole projector wrapped in foam and secured with red string sits on a pedestal. On the wall to the left, an image of a golden ornamental hoop and pin, along with four small pink and green strawberries, is projected. In the center back, a pinhole project inside a rectangular plaid plastic travel bag with straps sits atop a pedestal. It projects an image of a green square with a crenellated metal opening onto the back wall. To the right, a projector inside a plywood box sits atop a pedestal. On the wall to the right, an image of an image of a red pearlescent ball, with a small white pearlescant ball attached on top, is projected.
    Color image of a darkened gallery installation with multiple projectors and a golden egg sculpture in the left back corner. In the left foreground, a pinhole projector wrapped in foam and secured with red string sits on a pedestal. On the wall to the left, an image of a golden ornamental hoop and pin, along with four small pink and green strawberries, is projected. In the center back, a pinhole project inside a rectangular plaid plastic travel bag with straps sits atop a pedestal. It projects an image of a green square with a crenellated metal opening onto the back wall. To the right, a projector inside a plywood box sits atop a pedestal. On the wall to the right, an image of an image of a red pearlescent ball, with a small white pearlescant ball attached on top, is projected.
    Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon. [Color image of a darkened gallery installation with multiple projectors and a golden egg sculpture in the left back corner. In the left foreground, a pinhole projector wrapped in foam and secured with red string sits on a pedestal. On the wall to the left, an image of a golden ornamental hoop and pin, along with four small pink and green strawberries, is projected. In the center back, a pinhole project inside a rectangular plaid plastic travel bag with straps sits atop a pedestal. It projects an image of a green square with a crenellated metal opening onto the back wall. To the right, a projector inside a plywood box sits atop a pedestal. On the wall to the right, an image of an image of a red pearlescent ball, with a small white pearlescant ball attached on top, is projected.]
    Caption Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon.
    Image description Color image of a darkened gallery installation with multiple projectors and a golden egg sculpture in the left back corner. In the left foreground, a pinhole projector wrapped in foam and secured with red string sits on a pedestal. On the wall to the left, an image of a golden ornamental hoop and pin, along with four small pink and green strawberries, is projected. In the center back, a pinhole project inside a rectangular plaid plastic travel bag with straps sits atop a pedestal. It projects an image of a green square with a crenellated metal opening onto the back wall. To the right, a projector inside a plywood box sits atop a pedestal. On the wall to the right, an image of an image of a red pearlescent ball, with a small white pearlescant ball attached on top, is projected.
    Year
    Related pages Doris Guo Matthew Langan-Peck Isabelle Frances McGuire Ruben Ulises Rodriguez Montoya
  • A figure in a red sweater stands on stage, with three microphones placed around them. They are blowing into a white conch shell.
    A figure in a red sweater stands on stage, with three microphones placed around them. They are blowing into a white conch shell.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure in a red sweater stands on stage, with three microphones placed around them. They are blowing into a white conch shell.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure in a red sweater stands on stage, with three microphones placed around them. They are blowing into a white conch shell.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
  • In the foreground is a low sculpture made of folding metal framework that contains blue and white geometric prints as well as boxes. In the background are stacks of boxes that are printed with the words
    In the foreground is a low sculpture made of folding metal framework that contains blue and white geometric prints as well as boxes. In the background are stacks of boxes that are printed with the words
    New Economy. Installation view, Artists Space, 2007. [In the foreground is a low sculpture made of folding metal framework that contains blue and white geometric prints as well as boxes. In the background are stacks of boxes that are printed with the words "Das Kapital." Behind them are black and white posters with identical graphs that are titled "The Wealth of Nations."]
    Caption New Economy. Installation view, Artists Space, 2007.
    Image description In the foreground is a low sculpture made of folding metal framework that contains blue and white geometric prints as well as boxes. In the background are stacks of boxes that are printed with the words "Das Kapital." Behind them are black and white posters with identical graphs that are titled "The Wealth of Nations."
    Year
    Related pages New Economy
  • A black and white photograph of various objects hanging in a white-walled gallery space.
    A black and white photograph of various objects hanging in a white-walled gallery space.
    Freya Hansell. Installation view, Artists Space, 1980. [A black and white photograph of various objects hanging in a white-walled gallery space.]
    Caption Freya Hansell. Installation view, Artists Space, 1980.
    Image description A black and white photograph of various objects hanging in a white-walled gallery space.
    Year
    Related pages Freya Hansell
  • A painting of a female bartender standing behind a bar, facing the viewer. A large mirror directly behind her reflects the space of the crowded bar before her. Another woman behind and to the right of the bartender, her back to the viewer, turns to speak to a man with a top hat and mustache.
    A painting of a female bartender standing behind a bar, facing the viewer. A large mirror directly behind her reflects the space of the crowded bar before her. Another woman behind and to the right of the bartender, her back to the viewer, turns to speak to a man with a top hat and mustache.
    Édouard Manet, A Bar at the Folies-Bergère, 1882. [A painting of a female bartender standing behind a bar, facing the viewer. A large mirror directly behind her reflects the space of the crowded bar before her. Another woman behind and to the right of the bartender, her back to the viewer, turns to speak to a man with a top hat and mustache.]
    Caption Édouard Manet, A Bar at the Folies-Bergère, 1882.
    Image description A painting of a female bartender standing behind a bar, facing the viewer. A large mirror directly behind her reflects the space of the crowded bar before her. Another woman behind and to the right of the bartender, her back to the viewer, turns to speak to a man with a top hat and mustache.
    Year 2011
    Related pages Dexter Sinister: "Identity"
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    Related pages Artists Space Venue
  • Color image of three performers on stage. In the foreground a performer is sitting down, blowing into a device, in front of various types of audio technology. Their face is tinted with pink light. Behind them two performers are out of focus, one of them is wearing a costume, the other is facing the camera. In the background there are audience members and projections on the walls.
    Color image of three performers on stage. In the foreground a performer is sitting down, blowing into a device, in front of various types of audio technology. Their face is tinted with pink light. Behind them two performers are out of focus, one of them is wearing a costume, the other is facing the camera. In the background there are audience members and projections on the walls.
    Abasement #76. Performance documentation, March 3rd, 2025, Artists Space. Photo: Joshua Wildman. [Color image of three performers on stage. In the foreground a performer is sitting down, blowing into a device, in front of various types of audio technology. Their face is tinted with pink light. Behind them two performers are out of focus, one of them is wearing a costume, the other is facing the camera. In the background there are audience members and projections on the walls.]
    Caption Abasement #76. Performance documentation, March 3rd, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Color image of three performers on stage. In the foreground a performer is sitting down, blowing into a device, in front of various types of audio technology. Their face is tinted with pink light. Behind them two performers are out of focus, one of them is wearing a costume, the other is facing the camera. In the background there are audience members and projections on the walls.
    Year
    Related pages Abasement #76
  • A photograph of the exhibition opening reception. A group of visitors look around at the art. Two dogs walk through the crowd.
    A photograph of the exhibition opening reception. A group of visitors look around at the art. Two dogs walk through the crowd.
    Four Scottish Artists. Opening Reception, Artists Space, 1979. [A photograph of the exhibition opening reception. A group of visitors look around at the art. Two dogs walk through the crowd.]
    Caption Four Scottish Artists. Opening Reception, Artists Space, 1979.
    Image description A photograph of the exhibition opening reception. A group of visitors look around at the art. Two dogs walk through the crowd.
    Year 1979
    Related pages Four Scottish Artists
  • A gallery room filled with various sculptures and objects. There are several cube and rectangular sculptures in various sizes, some solidly painted with black, white and silver, and some painted with a brick pattern. There is a table with two projectors projecting a small image on the wall. On the far wall, there are a series of framed drawings. On the righthand side of the room, there is a half-wall behind which a piece made of 7x4 rectangular images hangs on a wall.
    A gallery room filled with various sculptures and objects. There are several cube and rectangular sculptures in various sizes, some solidly painted with black, white and silver, and some painted with a brick pattern. There is a table with two projectors projecting a small image on the wall. On the far wall, there are a series of framed drawings. On the righthand side of the room, there is a half-wall behind which a piece made of 7x4 rectangular images hangs on a wall.
    Elephant Cemetery. Installation view, Artists Space, 2007. [A gallery room filled with various sculptures and objects. There are several cube and rectangular sculptures in various sizes, some solidly painted with black, white and silver, and some painted with a brick pattern. There is a table with two projectors projecting a small image on the wall. On the far wall, there are a series of framed drawings. On the righthand side of the room, there is a half-wall behind which a piece made of 7x4 rectangular images hangs on a wall.]
    Caption Elephant Cemetery. Installation view, Artists Space, 2007.
    Image description A gallery room filled with various sculptures and objects. There are several cube and rectangular sculptures in various sizes, some solidly painted with black, white and silver, and some painted with a brick pattern. There is a table with two projectors projecting a small image on the wall. On the far wall, there are a series of framed drawings. On the righthand side of the room, there is a half-wall behind which a piece made of 7x4 rectangular images hangs on a wall.
    Year 2007
    Related pages Elephant Cemetery
  • A color installation photograph of a black and white abstract painting on a white wall.
    A color installation photograph of a black and white abstract painting on a white wall.
    Richard Klauber. Installation view,Ruth Hardinger, Richard Klauber, Artists Space, 1975. [A color installation photograph of a black and white abstract painting on a white wall.]
    Caption Richard Klauber. Installation view,Ruth Hardinger, Richard Klauber, Artists Space, 1975.
    Image description A color installation photograph of a black and white abstract painting on a white wall.
    Year 1975
    Related pages Ruth Hardinger, Richard Klauber
  • A green book cover with white lettering titled,
    A green book cover with white lettering titled,
    After Art, by David Joselit, published by Princeton University Press, 2012. [A green book cover with white lettering titled, "AFTER ART" by David Joselit.]
    Caption After Art, by David Joselit, published by Princeton University Press, 2012.
    Image description A green book cover with white lettering titled, "AFTER ART" by David Joselit.
    Year 2012
    Related pages Art and its Operations
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Five figures wearing ornate green outfits play instruments. In front of them, a crowd can be seen sitting down.
    Five figures wearing ornate green outfits play instruments. In front of them, a crowd can be seen sitting down.
    Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court [Five figures wearing ornate green outfits play instruments. In front of them, a crowd can be seen sitting down.]
    Caption Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court
    Image description Five figures wearing ornate green outfits play instruments. In front of them, a crowd can be seen sitting down.
    Year 2022
    Related pages Circus Amok
  • A black and white image of a figure with long, wispy hair and a mustache playing guitar.
    A black and white image of a figure with long, wispy hair and a mustache playing guitar.
    Tisziji Muñoz [A black and white image of a figure with long, wispy hair and a mustache playing guitar.]
    Caption Tisziji Muñoz
    Image description A black and white image of a figure with long, wispy hair and a mustache playing guitar.
    Year
    Related pages Tisziji Muñoz with Francisco Mora Catlett and AfroHORN
  • An image of a brightly lit wall, upon which various ephemera are mounted.
    An image of a brightly lit wall, upon which various ephemera are mounted.
    Attention Line. Installation view (posters and ephemera from Other Cinema, c. 1970s-80s), Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [An image of a brightly lit wall, upon which various ephemera are mounted.]
    Caption Attention Line. Installation view (posters and ephemera from Other Cinema, c. 1970s-80s), Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak
    Image description An image of a brightly lit wall, upon which various ephemera are mounted.
    Year
    Related pages Attention Line
  • Two photographs are mounted on a white gallery wall.
    Two photographs are mounted on a white gallery wall.
    Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979. [Two photographs are mounted on a white gallery wall.]
    Caption Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979.
    Image description Two photographs are mounted on a white gallery wall.
    Year 1979
    Related pages Place, (title to be determined), for a Participant: Ken Feingold
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    Year
    Related pages fwiw
  • Photograph of a performer, standing next to a table covered in a black cloth. The background is bathed in purple light. A white spotlight shines on the table, highlighting the performer's hands as they pour liquid from one teacup into another teacup held below.
    Photograph of a performer, standing next to a table covered in a black cloth. The background is bathed in purple light. A white spotlight shines on the table, highlighting the performer's hands as they pour liquid from one teacup into another teacup held below.
    S*an D. Henry Smith in Constantina Zavitsanos’ Entropy (2023), a set of three performances (on-site and online) for If I Can’t Dance, I Don’t Want to Be a Part of Your Revolution. Performers and co-creators of the score: Angelo Custódio and Pedro Matias, S*an D. Henry-Smith and Geo Wyex. Photo: Prins de Vos [Photograph of a performer, standing next to a table covered in a black cloth. The background is bathed in purple light. A white spotlight shines on the table, highlighting the performer's hands as they pour liquid from one teacup into another teacup held below.]
    Caption S*an D. Henry Smith in Constantina Zavitsanos’ Entropy (2023), a set of three performances (on-site and online) for If I Can’t Dance, I Don’t Want to Be a Part of Your Revolution. Performers and co-creators of the score: Angelo Custódio and Pedro Matias, S*an D. Henry-Smith and Geo Wyex. Photo: Prins de Vos
    Image description Photograph of a performer, standing next to a table covered in a black cloth. The background is bathed in purple light. A white spotlight shines on the table, highlighting the performer's hands as they pour liquid from one teacup into another teacup held below.
    Year
    Related pages S*an D. Henry-Smith
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    Year
    Related pages New Red Times Magazine
  • Color image of multiple performers on stage. The performer in the foreground is out of focus. In the middle one of them plays the drums, they are looking up with their mouth open. In the background, a performer faces the camera. The wall behind them is decorated with a projection of multicolored squares. A few audience members are visible in the bottom edge.
    Color image of multiple performers on stage. The performer in the foreground is out of focus. In the middle one of them plays the drums, they are looking up with their mouth open. In the background, a performer faces the camera. The wall behind them is decorated with a projection of multicolored squares. A few audience members are visible in the bottom edge.
    Abasement #76. Performance documentation, March 3rd, 2025, Artists Space. Photo: Joshua Wildman. [Color image of multiple performers on stage. The performer in the foreground is out of focus. In the middle one of them plays the drums, they are looking up with their mouth open. In the background, a performer faces the camera. The wall behind them is decorated with a projection of multicolored squares. A few audience members are visible in the bottom edge.]
    Caption Abasement #76. Performance documentation, March 3rd, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Color image of multiple performers on stage. The performer in the foreground is out of focus. In the middle one of them plays the drums, they are looking up with their mouth open. In the background, a performer faces the camera. The wall behind them is decorated with a projection of multicolored squares. A few audience members are visible in the bottom edge.
    Year
    Related pages Abasement #76
  • A performer sings and plays the keyboard on stage, facing an audience. The performer is lit by a spotlight, and the audience is bathed in a red and blue light.
    A performer sings and plays the keyboard on stage, facing an audience. The performer is lit by a spotlight, and the audience is bathed in a red and blue light.
    Abasement #82. Performance documentation, November 17th, 2025, Artists Space. Photo: Joshua Wildman. [A performer sings and plays the keyboard on stage, facing an audience. The performer is lit by a spotlight, and the audience is bathed in a red and blue light. ]
    Caption Abasement #82. Performance documentation, November 17th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description A performer sings and plays the keyboard on stage, facing an audience. The performer is lit by a spotlight, and the audience is bathed in a red and blue light.
    Year
    Related pages Abasement #82
  • A color photograph of an installation. In front of dark green curtains, a painting in a gold frame is illuminated. To the left, a conservator's coat hangs from an easel. Several empty frames and a studio light are visible on the right.
    A color photograph of an installation. In front of dark green curtains, a painting in a gold frame is illuminated. To the left, a conservator's coat hangs from an easel. Several empty frames and a studio light are visible on the right.
    Lyndon Barrois Jr., Masters of Fine Arts, 2011/2022. Oil on canvas, artist frame, solvent transfer, plywood, curtains, frames, lights, easels, conservators coat, headlamp. Dimensions variable. Photo: Filip Wolak. [A color photograph of an installation. In front of dark green curtains, a painting in a gold frame is illuminated. To the left, a conservator's coat hangs from an easel. Several empty frames and a studio light are visible on the right.]
    Caption Lyndon Barrois Jr., Masters of Fine Arts, 2011/2022. Oil on canvas, artist frame, solvent transfer, plywood, curtains, frames, lights, easels, conservators coat, headlamp. Dimensions variable. Photo: Filip Wolak.
    Image description A color photograph of an installation. In front of dark green curtains, a painting in a gold frame is illuminated. To the left, a conservator's coat hangs from an easel. Several empty frames and a studio light are visible on the right.
    Year 2022
    Related pages Lyndon Barrois Jr.: Mirage Collar
  • Audio equipment is arranged in stacks across a desk.
    Audio equipment is arranged in stacks across a desk.
    Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [Audio equipment is arranged in stacks across a desk.]
    Caption Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman
    Image description Audio equipment is arranged in stacks across a desk.
    Year 2022
    Related pages Abasement #61
  • Divided into two section, left featuring an upside-down dot matrix of the Empire State Building. At the top, handwritten text reads,
    Divided into two section, left featuring an upside-down dot matrix of the Empire State Building. At the top, handwritten text reads,
    [Divided into two section, left featuring an upside-down dot matrix of the Empire State Building. At the top, handwritten text reads, "Decolonization is **not** a metaphor. Triangulation of indigenous struggle, black liberation, and a free Palestine produce a re-arrangement of relationshps that make empire look like this." Below reads, "Black Lives Matter." The left section contains a bright yellow back ground, red illustration, and black text that reads, "PALESTINE, BLM & BOYCOTT IN THE ARTS," and arabic text below.]
    Caption
    Image description Divided into two section, left featuring an upside-down dot matrix of the Empire State Building. At the top, handwritten text reads, "Decolonization is **not** a metaphor. Triangulation of indigenous struggle, black liberation, and a free Palestine produce a re-arrangement of relationshps that make empire look like this." Below reads, "Black Lives Matter." The left section contains a bright yellow back ground, red illustration, and black text that reads, "PALESTINE, BLM & BOYCOTT IN THE ARTS," and arabic text below.
    Year 2016
    Related pages Decolonize This Place
  • A white book cover with a narrow column of red and wider column of black on the left side. It is titled,
    A white book cover with a narrow column of red and wider column of black on the left side. It is titled,
    Forgetting the Art World, by Pamela M. Lee, published by MIT Press, 2012. [A white book cover with a narrow column of red and wider column of black on the left side. It is titled, "Forgetting the Art World" by Pamela M. Lee.]
    Caption Forgetting the Art World, by Pamela M. Lee, published by MIT Press, 2012.
    Image description A white book cover with a narrow column of red and wider column of black on the left side. It is titled, "Forgetting the Art World" by Pamela M. Lee.
    Year 2012
    Related pages Art and its Operations
  • Photo: Philippe Mangeot
    Photo: Philippe Mangeot
    Renee Gladman is a writer and artist preoccupied with crossings, thresholds, and geographies as they play out at the intersections of poetry, prose, drawing and architecture. Gladman’s first solo exhibition Narratives of Magnitude was held at Artists Space from January 13th to March 18th, 2023. She is the author of fourteen published works. Recent essays and visual work have appeared in POETRY Magazine, The Paris Review, Harper's, BOMB magazine and n+1. She has been awarded fellowships, artist grants, and residencies from the Radcliffe Institute for Advanced Study at Harvard, Foundation for Contemporary Arts, the Lannan Foundation, and KW Institute for Contemporary Art (Berlin), and is a 2021 Windham-Campbell Prize winner in fiction. She makes her home in New England with poet-ceremonialist Danielle Vogel. [Photo: Philippe Mangeot]
    Caption Renee Gladman is a writer and artist preoccupied with crossings, thresholds, and geographies as they play out at the intersections of poetry, prose, drawing and architecture. Gladman’s first solo exhibition Narratives of Magnitude was held at Artists Space from January 13th to March 18th, 2023. She is the author of fourteen published works. Recent essays and visual work have appeared in POETRY Magazine, The Paris Review, Harper's, BOMB magazine and n+1. She has been awarded fellowships, artist grants, and residencies from the Radcliffe Institute for Advanced Study at Harvard, Foundation for Contemporary Arts, the Lannan Foundation, and KW Institute for Contemporary Art (Berlin), and is a 2021 Windham-Campbell Prize winner in fiction. She makes her home in New England with poet-ceremonialist Danielle Vogel.
    Image description Photo: Philippe Mangeot
    Year
    Related pages Friends of Artists Space Dinner
  • Color image of a wall of a gallery space. Hanging in the center of the wall is an adobe panel painting of the entrance to a freeway tunnel.
    Color image of a wall of a gallery space. Hanging in the center of the wall is an adobe panel painting of the entrance to a freeway tunnel.
    rafa esparza: Camino. Installation view (110 North Bound, 2023), Artists Space, 2023. Photo: Filip Wolak. [Color image of a wall of a gallery space. Hanging in the center of the wall is an adobe panel painting of the entrance to a freeway tunnel.]
    Caption rafa esparza: Camino. Installation view (110 North Bound, 2023), Artists Space, 2023. Photo: Filip Wolak.
    Image description Color image of a wall of a gallery space. Hanging in the center of the wall is an adobe panel painting of the entrance to a freeway tunnel.
    Year
    Related pages rafa esparza: Camino
  • Collaged image of two naked figures crouching on the shore of a beach as the sun sets. One reaches out to grasp the other’s arm as they stare into each other’s eyes. Below them is a collaged image of a metal, machine-like contraption with looping wires sitting on the ground next to a craggy rock.
    Collaged image of two naked figures crouching on the shore of a beach as the sun sets. One reaches out to grasp the other’s arm as they stare into each other’s eyes. Below them is a collaged image of a metal, machine-like contraption with looping wires sitting on the ground next to a craggy rock.
    [Collaged image of two naked figures crouching on the shore of a beach as the sun sets. One reaches out to grasp the other’s arm as they stare into each other’s eyes. Below them is a collaged image of a metal, machine-like contraption with looping wires sitting on the ground next to a craggy rock.]
    Caption
    Image description Collaged image of two naked figures crouching on the shore of a beach as the sun sets. One reaches out to grasp the other’s arm as they stare into each other’s eyes. Below them is a collaged image of a metal, machine-like contraption with looping wires sitting on the ground next to a craggy rock.
    Year 2003
    Related pages Superstudio: Life Without Objects
  • A close up of a mural displaying cartoon vultures resting on black scaffolding. Underneath the mural sits a pile of newsprint flyers.
    A close up of a mural displaying cartoon vultures resting on black scaffolding. Underneath the mural sits a pile of newsprint flyers.
    ART CLUB2000 Gli Avvoltoi (The Vultures), detail, 1995 Vinyl paint and newsprint flyer Image courtesy Artists Space, New York Photo: Filip Wolak [A close up of a mural displaying cartoon vultures resting on black scaffolding. Underneath the mural sits a pile of newsprint flyers.]
    Caption ART CLUB2000 Gli Avvoltoi (The Vultures), detail, 1995 Vinyl paint and newsprint flyer Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description A close up of a mural displaying cartoon vultures resting on black scaffolding. Underneath the mural sits a pile of newsprint flyers.
    Year 2021
    Related pages ART CLUB2000
  • Image of a TV screen playing blue-tinted video footage of the performance with a fresnel lens placed in front of the screen, distorting the image.
    Image of a TV screen playing blue-tinted video footage of the performance with a fresnel lens placed in front of the screen, distorting the image.
    SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a TV screen playing blue-tinted video footage of the performance with a fresnel lens placed in front of the screen, distorting the image.]
    Caption SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a TV screen playing blue-tinted video footage of the performance with a fresnel lens placed in front of the screen, distorting the image.
    Year 2022
    Related pages SCRAAATCH 11-18
  • A large painting appears in a white-gallery space with various drawings of city architecture around a large amorphous black section in the middle. White columns and other paintings are visible in the surrounding area.
    A large painting appears in a white-gallery space with various drawings of city architecture around a large amorphous black section in the middle. White columns and other paintings are visible in the surrounding area.
    Five Spanish Artists. Installation View, Artists Space, 1985. [A large painting appears in a white-gallery space with various drawings of city architecture around a large amorphous black section in the middle. White columns and other paintings are visible in the surrounding area.]
    Caption Five Spanish Artists. Installation View, Artists Space, 1985.
    Image description A large painting appears in a white-gallery space with various drawings of city architecture around a large amorphous black section in the middle. White columns and other paintings are visible in the surrounding area.
    Year
    Related pages Five Spanish Artists
  • A single image hangs on a white wall.
    A single image hangs on a white wall.
    _____, Louise Lawler, Adrian Piper & Cindy Sherman Have Agreed to Participate in an Exhibition Organized by Janelle Reiring at Artists Space, September 23 through October 28, 1978, Artists Space, 1978. Installation view, Artists Space, 1978. Artwork by: Adrian Piper [A single image hangs on a white wall.]
    Caption _____, Louise Lawler, Adrian Piper & Cindy Sherman Have Agreed to Participate in an Exhibition Organized by Janelle Reiring at Artists Space, September 23 through October 28, 1978, Artists Space, 1978. Installation view, Artists Space, 1978. Artwork by: Adrian Piper
    Image description A single image hangs on a white wall.
    Year 1978
    Related pages ______ , Louise Lawler, Adrian Piper & Cindy Sherman Have Agreed to Participate in an Exhibition Organized by Janelle Reiring at Artists Space, September 23 through October 28, 1978.
  • Installation view of a mechanical wall covering a window in a gallery space, with a diamond-shaped glass pane in the center letting light through.
    Installation view of a mechanical wall covering a window in a gallery space, with a diamond-shaped glass pane in the center letting light through.
    Alan Ruiz, Hunter Green 1390, 2016. Courtesy the artist. [Installation view of a mechanical wall covering a window in a gallery space, with a diamond-shaped glass pane in the center letting light through.]
    Caption Alan Ruiz, Hunter Green 1390, 2016. Courtesy the artist.
    Image description Installation view of a mechanical wall covering a window in a gallery space, with a diamond-shaped glass pane in the center letting light through.
    Year 2016
    Related pages In the Last Instance
  • Three performers stand on stage in front of an audience. Two performers operate at a table with musical equipment while the third plays an electric string instrument. The room is dimly lit.
    Three performers stand on stage in front of an audience. Two performers operate at a table with musical equipment while the third plays an electric string instrument. The room is dimly lit.
    Abasement #86. Performance documentation, April 6th, 2026, Artists Space. Photo: Joshua Wildman. [Three performers stand on stage in front of an audience. Two performers operate at a table with musical equipment while the third plays an electric string instrument. The room is dimly lit. ]
    Caption Abasement #86. Performance documentation, April 6th, 2026, Artists Space. Photo: Joshua Wildman.
    Image description Three performers stand on stage in front of an audience. Two performers operate at a table with musical equipment while the third plays an electric string instrument. The room is dimly lit.
    Year
    Related pages Abasement #86
  • Contact sheet of installation and opening photos from the exhibition.
    Contact sheet of installation and opening photos from the exhibition.
    Selections from the Unaffiliated Artists File. Installation view, Artists Space, 1982. [Contact sheet of installation and opening photos from the exhibition.]
    Caption Selections from the Unaffiliated Artists File. Installation view, Artists Space, 1982.
    Image description Contact sheet of installation and opening photos from the exhibition.
    Year
    Related pages Selections from the Unaffiliated Artists File
  • A black and white image of a dollhouse living room, a doll is sitting in the right corner, on a couch, next to a side table with radio on it.
    A black and white image of a dollhouse living room, a doll is sitting in the right corner, on a couch, next to a side table with radio on it.
    Laurie Simmons: Photographs. Postcard, Artists Space, 1979. [A black and white image of a dollhouse living room, a doll is sitting in the right corner, on a couch, next to a side table with radio on it.]
    Caption Laurie Simmons: Photographs. Postcard, Artists Space, 1979.
    Image description A black and white image of a dollhouse living room, a doll is sitting in the right corner, on a couch, next to a side table with radio on it.
    Year 1979
    Related pages
  • A painting of two boxers engaged in a match. The bodies of both figures are depicted in grey monochrome with colorful attire. The figure on the left wears orange shorts with blue piping while the one on the right wears green shorts with yellow trim. Both are wearing red and white boxing gloves.
    A painting of two boxers engaged in a match. The bodies of both figures are depicted in grey monochrome with colorful attire. The figure on the left wears orange shorts with blue piping while the one on the right wears green shorts with yellow trim. Both are wearing red and white boxing gloves.
    Konrad Lueg Boxer , 1964 (Boxers) © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Photo: Daniela Steinfeld [A painting of two boxers engaged in a match. The bodies of both figures are depicted in grey monochrome with colorful attire. The figure on the left wears orange shorts with blue piping while the one on the right wears green shorts with yellow trim. Both are wearing red and white boxing gloves.]
    Caption Konrad Lueg Boxer , 1964 (Boxers) © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Photo: Daniela Steinfeld
    Image description A painting of two boxers engaged in a match. The bodies of both figures are depicted in grey monochrome with colorful attire. The figure on the left wears orange shorts with blue piping while the one on the right wears green shorts with yellow trim. Both are wearing red and white boxing gloves.
    Year 1964
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • Video still of a figure in glasses wearing a pink dress with black tulle fabric on a small stage. An overturned, white table is siutated to their right, and papers are strewn across the ground. The figure hunches over, looking out towards the audience. Their left hand is bent at their chest and points upwards, while their right hand touches the back of their head.
    Video still of a figure in glasses wearing a pink dress with black tulle fabric on a small stage. An overturned, white table is siutated to their right, and papers are strewn across the ground. The figure hunches over, looking out towards the audience. Their left hand is bent at their chest and points upwards, while their right hand touches the back of their head.
    [Video still of a figure in glasses wearing a pink dress with black tulle fabric on a small stage. An overturned, white table is siutated to their right, and papers are strewn across the ground. The figure hunches over, looking out towards the audience. Their left hand is bent at their chest and points upwards, while their right hand touches the back of their head.]
    Caption
    Image description Video still of a figure in glasses wearing a pink dress with black tulle fabric on a small stage. An overturned, white table is siutated to their right, and papers are strewn across the ground. The figure hunches over, looking out towards the audience. Their left hand is bent at their chest and points upwards, while their right hand touches the back of their head.
    Year 2004
    Related pages eRacism
  • A dimly lit room with a projection facing the front. The projection displays neon words that are slightly distorted, the legible text reads
    A dimly lit room with a projection facing the front. The projection displays neon words that are slightly distorted, the legible text reads
    Union Gaucha Productions. Installation view, Artists Space, 2015. Photo: Daniel Pérez. [A dimly lit room with a projection facing the front. The projection displays neon words that are slightly distorted, the legible text reads "Removes.....eight straight...."]
    Caption Union Gaucha Productions. Installation view, Artists Space, 2015. Photo: Daniel Pérez.
    Image description A dimly lit room with a projection facing the front. The projection displays neon words that are slightly distorted, the legible text reads "Removes.....eight straight...."
    Year 2015
    Related pages Union Gaucha Productions
  • Various box-like structures fill the gallery space. Central in the space, a white pedestal presents a small wooden stool.
    Various box-like structures fill the gallery space. Central in the space, a white pedestal presents a small wooden stool.
    Brad Kronz. Installation view, Artists Space, 2025. Photo: Carter Seddon [Various box-like structures fill the gallery space. Central in the space, a white pedestal presents a small wooden stool. ]
    Caption Brad Kronz. Installation view, Artists Space, 2025. Photo: Carter Seddon
    Image description Various box-like structures fill the gallery space. Central in the space, a white pedestal presents a small wooden stool.
    Year
    Related pages Brad Kronz
  • A colorful drawing of a Goya can behind a package of canilla enriched rice, and an empty cap. Each object is lying on an orange surface, with a green background
    A colorful drawing of a Goya can behind a package of canilla enriched rice, and an empty cap. Each object is lying on an orange surface, with a green background
    Nelissa Rodriguez, 2014 [A colorful drawing of a Goya can behind a package of canilla enriched rice, and an empty cap. Each object is lying on an orange surface, with a green background]
    Caption Nelissa Rodriguez, 2014
    Image description A colorful drawing of a Goya can behind a package of canilla enriched rice, and an empty cap. Each object is lying on an orange surface, with a green background
    Year
    Related pages Scholastic Art and Writing Awards
  • Christopher Williams. Bouquet for Bas Jan Ader and Christopher D’Arcangelo, 1991. . Archival corrugated board, archival photocorners, compound, 4-py conservamat, 8-ply conservamat, drywall, dye transfer print, glass lacquer-based finish, linen tape, nails, Northern maple, plastic set back strips, primer, screws, seaming tape, paint and wood.. Print: 16 x 20 inches [40,6 x 50,8 cm]; 29 x 32 5/8 inches [73,7 x 82,9] (framed). Wall: 120 x 180 x 4 ? inches [304.8 x 457,2 x 12 cm]. Overall: 120 x 180 x 6 ? inches [304.8 x 457,2 x 17,2 cm]. Edition: 1/8. Edition size: 8 and 3 artist’s proofs.. Private collection, Berlin. Courtesy: Galerie Gisela Capitain, Cologne. . Installation view from Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979), Artists Space, 2011. . Photo: Daniel Pérez
    Caption Christopher Williams. Bouquet for Bas Jan Ader and Christopher D’Arcangelo, 1991. . Archival corrugated board, archival photocorners, compound, 4-py conservamat, 8-ply conservamat, drywall, dye transfer print, glass lacquer-based finish, linen tape, nails, Northern maple, plastic set back strips, primer, screws, seaming tape, paint and wood.. Print: 16 x 20 inches [40,6 x 50,8 cm]; 29 x 32 5/8 inches [73,7 x 82,9] (framed). Wall: 120 x 180 x 4 ? inches [304.8 x 457,2 x 12 cm]. Overall: 120 x 180 x 6 ? inches [304.8 x 457,2 x 17,2 cm]. Edition: 1/8. Edition size: 8 and 3 artist’s proofs.. Private collection, Berlin. Courtesy: Galerie Gisela Capitain, Cologne. . Installation view from Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979), Artists Space, 2011. . Photo: Daniel Pérez
    Image description
    Year
    Related pages Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979)
  • An image of a glass display case, above which hang various posters and epehemera. Behind the posters is a staircase.
    An image of a glass display case, above which hang various posters and epehemera. Behind the posters is a staircase.
    Attention Line. Installation view (posters and ephemera from Other Cinema, c. 1970s-80s), Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [An image of a glass display case, above which hang various posters and epehemera. Behind the posters is a staircase.]
    Caption Attention Line. Installation view (posters and ephemera from Other Cinema, c. 1970s-80s), Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak
    Image description An image of a glass display case, above which hang various posters and epehemera. Behind the posters is a staircase.
    Year
    Related pages Attention Line
  • A series of rectangular panels and tiles of varying dimensions installed on a white wall. The installed elements are positioned adjacent to one another, forming a larger irregular shape. The panels feature black, white, and muted colors. Some feature abstract painted compositions and color blocks, others include text or line drawings.
    A series of rectangular panels and tiles of varying dimensions installed on a white wall. The installed elements are positioned adjacent to one another, forming a larger irregular shape. The panels feature black, white, and muted colors. Some feature abstract painted compositions and color blocks, others include text or line drawings.
    I Thought I Had Time. Installation view, Artists Space, 1992. [A series of rectangular panels and tiles of varying dimensions installed on a white wall. The installed elements are positioned adjacent to one another, forming a larger irregular shape. The panels feature black, white, and muted colors. Some feature abstract painted compositions and color blocks, others include text or line drawings.]
    Caption I Thought I Had Time. Installation view, Artists Space, 1992.
    Image description A series of rectangular panels and tiles of varying dimensions installed on a white wall. The installed elements are positioned adjacent to one another, forming a larger irregular shape. The panels feature black, white, and muted colors. Some feature abstract painted compositions and color blocks, others include text or line drawings.
    Year 1992
    Related pages I Thought I Had Time
  • White text overlays a green and pink marbled background. The text reads: “April 1 / Fiel Guhit / Tianyi Sun.
    White text overlays a green and pink marbled background. The text reads: “April 1 / Fiel Guhit / Tianyi Sun.
    [White text overlays a green and pink marbled background. The text reads: “April 1 / Fiel Guhit / Tianyi Sun." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description White text overlays a green and pink marbled background. The text reads: “April 1 / Fiel Guhit / Tianyi Sun." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Fiel Guhit & Tianyi Sun
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • A poster design featuring two figures—a child and an older man—superimposed on a dark backdrop. The child's image has a blue hue and takes the shape of a circular cut-out, while the older man's image has a yellow hue. Above both figures, white text superimposed against a towering city skyline reads,
    A poster design featuring two figures—a child and an older man—superimposed on a dark backdrop. The child's image has a blue hue and takes the shape of a circular cut-out, while the older man's image has a yellow hue. Above both figures, white text superimposed against a towering city skyline reads,
    [A poster design featuring two figures—a child and an older man—superimposed on a dark backdrop. The child's image has a blue hue and takes the shape of a circular cut-out, while the older man's image has a yellow hue. Above both figures, white text superimposed against a towering city skyline reads, "DER ANGRIFF DER GEGENWART AUF DIE UBRIGE ZEIT / EIN FILM VON ALEXANDER KLUGE."]
    Caption
    Image description A poster design featuring two figures—a child and an older man—superimposed on a dark backdrop. The child's image has a blue hue and takes the shape of a circular cut-out, while the older man's image has a yellow hue. Above both figures, white text superimposed against a towering city skyline reads, "DER ANGRIFF DER GEGENWART AUF DIE UBRIGE ZEIT / EIN FILM VON ALEXANDER KLUGE."
    Year 2007
    Related pages Program 1 - In The Poem About Love You Don't Write The Word Love Film Series at Anthology Film Archives
  • A person in white pants and a blue shirt with the sleeves rolled up to the elbows is walking through a jungle. Their face is obscured by leaves.
    A person in white pants and a blue shirt with the sleeves rolled up to the elbows is walking through a jungle. Their face is obscured by leaves.
    Still from Spectres. Dir. Sven Augustijnen (2011). [A person in white pants and a blue shirt with the sleeves rolled up to the elbows is walking through a jungle. Their face is obscured by leaves.]
    Caption Still from Spectres. Dir. Sven Augustijnen (2011).
    Image description A person in white pants and a blue shirt with the sleeves rolled up to the elbows is walking through a jungle. Their face is obscured by leaves.
    Year 2011
    Related pages Spectres
  • Sculpted boots appear wih leaves on a leaf-covered section of the floor surrounded by a picket fence. In the background a white door opens up with a stack behind it. Nearby tree branches and other rustic constructions populate the gallery space.
    Sculpted boots appear wih leaves on a leaf-covered section of the floor surrounded by a picket fence. In the background a white door opens up with a stack behind it. Nearby tree branches and other rustic constructions populate the gallery space.
    Installation view from Six Sculptors, Artists Space, January 25 ,1986 - February 22, 1986. [Sculpted boots appear wih leaves on a leaf-covered section of the floor surrounded by a picket fence. In the background a white door opens up with a stack behind it. Nearby tree branches and other rustic constructions populate the gallery space.]
    Caption Installation view from Six Sculptors, Artists Space, January 25 ,1986 - February 22, 1986.
    Image description Sculpted boots appear wih leaves on a leaf-covered section of the floor surrounded by a picket fence. In the background a white door opens up with a stack behind it. Nearby tree branches and other rustic constructions populate the gallery space.
    Year 1986
    Related pages Six Sculptors
  • A gallery space with high ceilings and wooden flooring. On the left, three paper collages hang on a two-toned wall. Two videos are projected onto the right wall side-by-side. In the background, a doorway frames a black and white, projected image of a man's face.
    A gallery space with high ceilings and wooden flooring. On the left, three paper collages hang on a two-toned wall. Two videos are projected onto the right wall side-by-side. In the background, a doorway frames a black and white, projected image of a man's face.
    Jack Smith: Art Crust of Spiritual Oasis. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A gallery space with high ceilings and wooden flooring. On the left, three paper collages hang on a two-toned wall. Two videos are projected onto the right wall side-by-side. In the background, a doorway frames a black and white, projected image of a man's face.]
    Caption Jack Smith: Art Crust of Spiritual Oasis. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description A gallery space with high ceilings and wooden flooring. On the left, three paper collages hang on a two-toned wall. Two videos are projected onto the right wall side-by-side. In the background, a doorway frames a black and white, projected image of a man's face.
    Year 2018
    Related pages Jack Smith: Art Crust of Spiritual Oasis
  • Plastic bags of objects appear on a white gallery wall.
    Plastic bags of objects appear on a white gallery wall.
    Young Fluxus. Installation view, Artists Space, 1982. [Plastic bags of objects appear on a white gallery wall.]
    Caption Young Fluxus. Installation view, Artists Space, 1982.
    Image description Plastic bags of objects appear on a white gallery wall.
    Year
    Related pages Young Fluxus
  • A bar with four wooden stools positioned in the corner of a room. A neon sign hangs above to the left of a fiber sculpture. On the left wall, a monitor is displayed on top of plastered posters.
    A bar with four wooden stools positioned in the corner of a room. A neon sign hangs above to the left of a fiber sculpture. On the left wall, a monitor is displayed on top of plastered posters.
    Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013. [A bar with four wooden stools positioned in the corner of a room. A neon sign hangs above to the left of a fiber sculpture. On the left wall, a monitor is displayed on top of plastered posters.]
    Caption Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013.
    Image description A bar with four wooden stools positioned in the corner of a room. A neon sign hangs above to the left of a fiber sculpture. On the left wall, a monitor is displayed on top of plastered posters.
    Year 2013
    Related pages Pride Goes Before a Fall
  • A collage of four half-naked men dressed in a pilots hat arranged on paper.
    A collage of four half-naked men dressed in a pilots hat arranged on paper.
    Tom of Finland, Untitled, ca. 1966, collage on paper. Courtesy Tom of Finland Foundation, Permanent Collection. [A collage of four half-naked men dressed in a pilots hat arranged on paper.]
    Caption Tom of Finland, Untitled, ca. 1966, collage on paper. Courtesy Tom of Finland Foundation, Permanent Collection.
    Image description A collage of four half-naked men dressed in a pilots hat arranged on paper.
    Year 1966
    Related pages Tom of Finland: The Pleasure of Play
  • A close-up icolor mage of a musician playing the guitar. Red light cast onto them. A disco ball hangs from the ceiling, projecting white dots onto the room.
    A close-up icolor mage of a musician playing the guitar. Red light cast onto them. A disco ball hangs from the ceiling, projecting white dots onto the room.
    Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman. [A close-up icolor mage of a musician playing the guitar. Red light cast onto them. A disco ball hangs from the ceiling, projecting white dots onto the room.]
    Caption Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman.
    Image description A close-up icolor mage of a musician playing the guitar. Red light cast onto them. A disco ball hangs from the ceiling, projecting white dots onto the room.
    Year
    Related pages Abasement #65
  • A vitrine and a gallery wall are parallel in the bright gallery space. The vitrine displays books of different sizes opened to various pages. On the wall, four black and white photographs hang vertically in sequence.
    A vitrine and a gallery wall are parallel in the bright gallery space. The vitrine displays books of different sizes opened to various pages. On the wall, four black and white photographs hang vertically in sequence.
    David Armstrong: Portraits. Installation view, March 10 – May 23, 2026, Artists Space. Photo: Carter Seddon [A vitrine and a gallery wall are parallel in the bright gallery space. The vitrine displays books of different sizes opened to various pages. On the wall, four black and white photographs hang vertically in sequence. ]
    Caption David Armstrong: Portraits. Installation view, March 10 – May 23, 2026, Artists Space. Photo: Carter Seddon
    Image description A vitrine and a gallery wall are parallel in the bright gallery space. The vitrine displays books of different sizes opened to various pages. On the wall, four black and white photographs hang vertically in sequence.
    Year
    Related pages David Armstrong: Portraits
  • Color image of audience members watching a performance out of the left side of the frame. On the left side of the image, there are two rows of seated audience members in shadow. In the center of the image, audience members stand against a wall. The upper half of the standing audience members is cast in orange and red light emitted from a projector. Behind the standing audience, an image of a figure rendered in red, yellow and blue is projected on the wall. On the right edge of the image, there is a table with clear glasses and bottles of wine. 
    Color image of audience members watching a performance out of the left side of the frame. On the left side of the image, there are two rows of seated audience members in shadow. In the center of the image, audience members stand against a wall. The upper half of the standing audience members is cast in orange and red light emitted from a projector. Behind the standing audience, an image of a figure rendered in red, yellow and blue is projected on the wall. On the right edge of the image, there is a table with clear glasses and bottles of wine. 
    Abasement #68. Performance documentation, February 12, 2024, Artists Space. Photo: Joshua Wildman. [Color image of audience members watching a performance out of the left side of the frame. On the left side of the image, there are two rows of seated audience members in shadow. In the center of the image, audience members stand against a wall. The upper half of the standing audience members is cast in orange and red light emitted from a projector. Behind the standing audience, an image of a figure rendered in red, yellow and blue is projected on the wall. On the right edge of the image, there is a table with clear glasses and bottles of wine. ]
    Caption Abasement #68. Performance documentation, February 12, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Color image of audience members watching a performance out of the left side of the frame. On the left side of the image, there are two rows of seated audience members in shadow. In the center of the image, audience members stand against a wall. The upper half of the standing audience members is cast in orange and red light emitted from a projector. Behind the standing audience, an image of a figure rendered in red, yellow and blue is projected on the wall. On the right edge of the image, there is a table with clear glasses and bottles of wine. 
    Annotation Color image of a seated musician playing a tenor saxophone on a stage. In the foreground of the image, there is the blurred back of the heads of seated audience members. In the center midground of the image, the musician is basked in green and yellow light being emitted from a projector. The projection covers the back wall behind the musician and the stage. 
    Year
    Related pages Abasement #68
  • Magazine cutouts of scattered blocky letters (reading ABASEMENT) and a series of people's heads overlay a light yellow background. A chunk of upside down text lists the performers, as well as the time and place of the event.
    Magazine cutouts of scattered blocky letters (reading ABASEMENT) and a series of people's heads overlay a light yellow background. A chunk of upside down text lists the performers, as well as the time and place of the event.
    Flyer by Joe Frivaldi. [Magazine cutouts of scattered blocky letters (reading ABASEMENT) and a series of people's heads overlay a light yellow background. A chunk of upside down text lists the performers, as well as the time and place of the event.]
    Caption Flyer by Joe Frivaldi.
    Image description Magazine cutouts of scattered blocky letters (reading ABASEMENT) and a series of people's heads overlay a light yellow background. A chunk of upside down text lists the performers, as well as the time and place of the event.
    Year
    Related pages Abasement #64
  • City Seers, BRIDGE photography exhibition, the DOOR, May 2025
    Caption City Seers, BRIDGE photography exhibition, the DOOR, May 2025
    Image description
    Year
    Related pages Exhibitions and Events
  • An image of a room with several display cases and a projection, with bright lights cast against the wall.
    An image of a room with several display cases and a projection, with bright lights cast against the wall.
    Attention Line. Installation view, Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [An image of a room with several display cases and a projection, with bright lights cast against the wall.]
    Caption Attention Line. Installation view, Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak
    Image description An image of a room with several display cases and a projection, with bright lights cast against the wall.
    Year 2022
    Related pages Attention Line
  • Color photograph of a figure dressed in white, laying face down across two ledges of a raised desk.
    Color photograph of a figure dressed in white, laying face down across two ledges of a raised desk.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure dressed in white, laying face down across two ledges of a raised desk.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a figure dressed in white, laying face down across two ledges of a raised desk.
    Year 2022
    Related pages keyon gaskin 12-18
  • Black text on an orange background. The text reads: “Oct 26 / Cheryl Boyce-Taylor / Thomas Fucaloro.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on an orange background. The text reads: “Oct 26 / Cheryl Boyce-Taylor / Thomas Fucaloro.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on an orange background. The text reads: “Oct 26 / Cheryl Boyce-Taylor / Thomas Fucaloro.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on an orange background. The text reads: “Oct 26 / Cheryl Boyce-Taylor / Thomas Fucaloro.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Cheryl Boyce-Taylor & Thomas Fucaloro
  • A dimly lit room with green turf-like carpet and exposed wooden walls. On the left, 9 images of different sizes are mounting, and luminous. On the right, projectors and movie cameras are placed on a horizontal shelf. On the far end of the floor towards the wall is a small square tv monitor with headphones placed in front of it. Behind the monitor are three medium-sized white windows.
    A dimly lit room with green turf-like carpet and exposed wooden walls. On the left, 9 images of different sizes are mounting, and luminous. On the right, projectors and movie cameras are placed on a horizontal shelf. On the far end of the floor towards the wall is a small square tv monitor with headphones placed in front of it. Behind the monitor are three medium-sized white windows.
    Union Gaucha Productions. Installation view, Artists Space, 2015. Photo: Daniel Pérez. [A dimly lit room with green turf-like carpet and exposed wooden walls. On the left, 9 images of different sizes are mounting, and luminous. On the right, projectors and movie cameras are placed on a horizontal shelf. On the far end of the floor towards the wall is a small square tv monitor with headphones placed in front of it. Behind the monitor are three medium-sized white windows.]
    Caption Union Gaucha Productions. Installation view, Artists Space, 2015. Photo: Daniel Pérez.
    Image description A dimly lit room with green turf-like carpet and exposed wooden walls. On the left, 9 images of different sizes are mounting, and luminous. On the right, projectors and movie cameras are placed on a horizontal shelf. On the far end of the floor towards the wall is a small square tv monitor with headphones placed in front of it. Behind the monitor are three medium-sized white windows.
    Year 2015
    Related pages Union Gaucha Productions
  • Multi-wall drawing of various figures visible in gallery space.
    Multi-wall drawing of various figures visible in gallery space.
    Wall Drawing. Installation view, Artists Space, 1981. [Multi-wall drawing of various figures visible in gallery space.]
    Caption Wall Drawing. Installation view, Artists Space, 1981.
    Image description Multi-wall drawing of various figures visible in gallery space.
    Year
    Related pages Wall Drawing
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Two figures perform in front of large projected images.
    Two figures perform in front of large projected images.
    SCRAAATCH, Tower of Babel, 2019, Les Urbaines. Photo: Mathilda Olmi [Two figures perform in front of large projected images.]
    Caption SCRAAATCH, Tower of Babel, 2019, Les Urbaines. Photo: Mathilda Olmi
    Image description Two figures perform in front of large projected images.
    Year 2019
    Related pages SCRAAATCH 12-3
  • Caption
    Image description
    Year
    Related pages Abasement #77
  • A view of the door to Artists Space from outside. The glass in the door is foggy; inside, a few dark shapes are visible.
    A view of the door to Artists Space from outside. The glass in the door is foggy; inside, a few dark shapes are visible.
    Tiffany Sia, Too Wet (detail view), 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A view of the door to Artists Space from outside. The glass in the door is foggy; inside, a few dark shapes are visible.]
    Caption Tiffany Sia, Too Wet (detail view), 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A view of the door to Artists Space from outside. The glass in the door is foggy; inside, a few dark shapes are visible.
    Year 2021
    Related pages Tiffany Sia: Slippery When Wet
  • In the foreground a plushie of a cartoon mouse leans on a beaten up Nike Air Force One shoe, and sits on a white carpet. In the background, two panels of white wood, some director's chairs, and a stage light are arranged like a movie set. At the center of the set are two green frog plushies.
    In the foreground a plushie of a cartoon mouse leans on a beaten up Nike Air Force One shoe, and sits on a white carpet. In the background, two panels of white wood, some director's chairs, and a stage light are arranged like a movie set. At the center of the set are two green frog plushies.
    Nandi Loaf, Aristotelis Nikolas Mochloulis, ricardo nagaoka, Sydney Schrader. Installation view, Artists Space, 2025. Photo: Carter Seddon [In the foreground a plushie of a cartoon mouse leans on a beaten up Nike Air Force One shoe, and sits on a white carpet. In the background, two panels of white wood, some director's chairs, and a stage light are arranged like a movie set. At the center of the set are two green frog plushies. ]
    Caption Nandi Loaf, Aristotelis Nikolas Mochloulis, ricardo nagaoka, Sydney Schrader. Installation view, Artists Space, 2025. Photo: Carter Seddon
    Image description In the foreground a plushie of a cartoon mouse leans on a beaten up Nike Air Force One shoe, and sits on a white carpet. In the background, two panels of white wood, some director's chairs, and a stage light are arranged like a movie set. At the center of the set are two green frog plushies.
    Year
    Related pages Nandi Loaf Aristotelis Nikolas Mochloulis Ricardo Nagaoka Sydney Schrader
  • A person dressed in all pink, holding several sheets of paper, speaks into a microphone, her arms are draped with masses of cords. A crowd of audience members surrounds her, some seated and some standing.
    A person dressed in all pink, holding several sheets of paper, speaks into a microphone, her arms are draped with masses of cords. A crowd of audience members surrounds her, some seated and some standing.
    Jutta Koether, xxapollo. Performance documentation, Artists Space, January 5, 2020. Photo © Paula Court. [A person dressed in all pink, holding several sheets of paper, speaks into a microphone, her arms are draped with masses of cords. A crowd of audience members surrounds her, some seated and some standing.]
    Caption Jutta Koether, xxapollo. Performance documentation, Artists Space, January 5, 2020. Photo © Paula Court.
    Image description A person dressed in all pink, holding several sheets of paper, speaks into a microphone, her arms are draped with masses of cords. A crowd of audience members surrounds her, some seated and some standing.
    Year 2020
    Related pages
  • Poster design featuring a white background and red text, listing a number of talks and workshops conducted by Sylvère Lotringer, John Rajchman, Arthur Danto, James Fessenden, Jean-François Lyotard, Robert Fine, Joel Kovel, François Péradldi, William Burroughs, Félix Guattari, Michel Foucault, John Cage, Ti Grace Atkinson, and Gilles Deleuze.
    Poster design featuring a white background and red text, listing a number of talks and workshops conducted by Sylvère Lotringer, John Rajchman, Arthur Danto, James Fessenden, Jean-François Lyotard, Robert Fine, Joel Kovel, François Péradldi, William Burroughs, Félix Guattari, Michel Foucault, John Cage, Ti Grace Atkinson, and Gilles Deleuze.
    Poster for Schizo-Culture Colloquium. November 13 – 16, 1975, Columbia University. [Poster design featuring a white background and red text, listing a number of talks and workshops conducted by Sylvère Lotringer, John Rajchman, Arthur Danto, James Fessenden, Jean-François Lyotard, Robert Fine, Joel Kovel, François Péradldi, William Burroughs, Félix Guattari, Michel Foucault, John Cage, Ti Grace Atkinson, and Gilles Deleuze.]
    Caption Poster for Schizo-Culture Colloquium. November 13 – 16, 1975, Columbia University.
    Image description Poster design featuring a white background and red text, listing a number of talks and workshops conducted by Sylvère Lotringer, John Rajchman, Arthur Danto, James Fessenden, Jean-François Lyotard, Robert Fine, Joel Kovel, François Péradldi, William Burroughs, Félix Guattari, Michel Foucault, John Cage, Ti Grace Atkinson, and Gilles Deleuze.
    Year 1975
    Related pages Semiotext(e): The Return of Schizo-Culture
  • A fanciful drawn landscape of hunters following deer next to a figure in front of their desk next to a window and fireplace.
    A fanciful drawn landscape of hunters following deer next to a figure in front of their desk next to a window and fireplace.
    David Kroll. The Intrusion of Fear, the Fear of Knowing, 1985. [A fanciful drawn landscape of hunters following deer next to a figure in front of their desk next to a window and fireplace.]
    Caption David Kroll. The Intrusion of Fear, the Fear of Knowing, 1985.
    Image description A fanciful drawn landscape of hunters following deer next to a figure in front of their desk next to a window and fireplace.
    Year
    Related pages Recent Art from Chicago
  • Sheets of text hang on a white wall. Text is too small to be legible.
    Sheets of text hang on a white wall. Text is too small to be legible.
    _____, Louise Lawler, Adrian Piper & Cindy Sherman Have Agreed to Participate in an Exhibition Organized by Janelle Reiring at Artists Space, September 23 through October 28, 1978, Artists Space, 1978. Installation view, Artists Space, 1978. [Sheets of text hang on a white wall. Text is too small to be legible.]
    Caption _____, Louise Lawler, Adrian Piper & Cindy Sherman Have Agreed to Participate in an Exhibition Organized by Janelle Reiring at Artists Space, September 23 through October 28, 1978, Artists Space, 1978. Installation view, Artists Space, 1978.
    Image description Sheets of text hang on a white wall. Text is too small to be legible.
    Year 1978
    Related pages ______ , Louise Lawler, Adrian Piper & Cindy Sherman Have Agreed to Participate in an Exhibition Organized by Janelle Reiring at Artists Space, September 23 through October 28, 1978.
  • Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 6 / Tilghman Goldsborough / Holly Melgard.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 6 / Tilghman Goldsborough / Holly Melgard.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 6 / Tilghman Goldsborough / Holly Melgard.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 6 / Tilghman Goldsborough / Holly Melgard.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Tilghman Goldsborough & Holly Melgard
  • A figure performs on stage, standing straight and looking at material held on a music stand in front of them.
    A figure performs on stage, standing straight and looking at material held on a music stand in front of them.
    Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [A figure performs on stage, standing straight and looking at material held on a music stand in front of them.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure performs on stage, standing straight and looking at material held on a music stand in front of them.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-10
  • A photograph with a wood frame hangs on a wall. The photo sits on a white background, centered in the top half of the page. The photo shows a person's nose and mouth, with mouth agape.
    A photograph with a wood frame hangs on a wall. The photo sits on a white background, centered in the top half of the page. The photo shows a person's nose and mouth, with mouth agape.
    Ann Hamilton, Mirrim, 1999, Iris print, 30 x 22 inches (76.2 x 55.9 cm), Edition of 40, Signed & numbered. [A photograph with a wood frame hangs on a wall. The photo sits on a white background, centered in the top half of the page. The photo shows a person's nose and mouth, with mouth agape.]
    Caption Ann Hamilton, Mirrim, 1999, Iris print, 30 x 22 inches (76.2 x 55.9 cm), Edition of 40, Signed & numbered.
    Image description A photograph with a wood frame hangs on a wall. The photo sits on a white background, centered in the top half of the page. The photo shows a person's nose and mouth, with mouth agape.
    Year 1999
    Related pages Editions
  • Black and white photograph of white picket fence opening with dark painted background behind it.
    Black and white photograph of white picket fence opening with dark painted background behind it.
    Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Candice Hill-Montgomery. [Black and white photograph of white picket fence opening with dark painted background behind it.]
    Caption Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Candice Hill-Montgomery.
    Image description Black and white photograph of white picket fence opening with dark painted background behind it.
    Year
    Related pages Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach
  • A view of Chinatown at night, with a projection onto a side of the building that reads, in handwritten text,
    A view of Chinatown at night, with a projection onto a side of the building that reads, in handwritten text,
    Chinatown Art Brigade and The Illuminator Here to Stay, September 24, 2016 Courtesy Chinatown Art Brigade. Photo: KahEan Chang [A view of Chinatown at night, with a projection onto a side of the building that reads, in handwritten text, "Gentrification Is Modern Colonialism! #ChinatownNot4Sale". The top of a BigBus tour bus is partially visible at the right corner of the frame.]
    Caption Chinatown Art Brigade and The Illuminator Here to Stay, September 24, 2016 Courtesy Chinatown Art Brigade. Photo: KahEan Chang
    Image description A view of Chinatown at night, with a projection onto a side of the building that reads, in handwritten text, "Gentrification Is Modern Colonialism! #ChinatownNot4Sale". The top of a BigBus tour bus is partially visible at the right corner of the frame.
    Year 2016
    Related pages Decolonize This Place
  • Trip to Artists Space to see Renee Gladman exhibition, 2023
    Caption Trip to Artists Space to see Renee Gladman exhibition, 2023
    Image description
    Year
    Related pages Art and Literacy: Poetry
  • Black text on paper that reads,
    Black text on paper that reads,
    Invitation for Yves Klein. Propositions monochromes Galerie Schmela, May 31, 1957 Archiv Kunstmuseen Krefeld [Black text on paper that reads, "Yves, Propositions Monochromes."]
    Caption Invitation for Yves Klein. Propositions monochromes Galerie Schmela, May 31, 1957 Archiv Kunstmuseen Krefeld
    Image description Black text on paper that reads, "Yves, Propositions Monochromes."
    Year 1957
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • A crowd faces a stage where a musician is sitting over various electronic instruments and audio equipment. The audience members are bathed in red light. The wall behind the musician is projected with monochromatic gradients.
    A crowd faces a stage where a musician is sitting over various electronic instruments and audio equipment. The audience members are bathed in red light. The wall behind the musician is projected with monochromatic gradients.
    Abasement #73. Performance documentation, November 4th, 2024, Artists Space. Photo: Joshua Wildman. [A crowd faces a stage where a musician is sitting over various electronic instruments and audio equipment. The audience members are bathed in red light. The wall behind the musician is projected with monochromatic gradients.]
    Caption Abasement #73. Performance documentation, November 4th, 2024, Artists Space. Photo: Joshua Wildman.
    Image description A crowd faces a stage where a musician is sitting over various electronic instruments and audio equipment. The audience members are bathed in red light. The wall behind the musician is projected with monochromatic gradients.
    Year
    Related pages Abasement #73
  • A white wall displaying nine framed photographs of people. In the foreground, there is a vitrine with papers encased in glass.
    A white wall displaying nine framed photographs of people. In the foreground, there is a vitrine with papers encased in glass.
    Mark Morrisroe: From This Moment On. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A white wall displaying nine framed photographs of people. In the foreground, there is a vitrine with papers encased in glass.]
    Caption Mark Morrisroe: From This Moment On. Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description A white wall displaying nine framed photographs of people. In the foreground, there is a vitrine with papers encased in glass.
    Year 2011
    Related pages Mark Morrisroe: From This Moment On
  • A wide blue mop with a yellow handle is tethered to a white pillar by a black cord, and is stretched with the handle angled forward. Resting against the pillar is a tv, angled and facing slightly leftwards, displaying a sculpture in a parking lot.
    A wide blue mop with a yellow handle is tethered to a white pillar by a black cord, and is stretched with the handle angled forward. Resting against the pillar is a tv, angled and facing slightly leftwards, displaying a sculpture in a parking lot.
    Social Surfaces. Installation view, Alexander and Bonin, 2017. Photo: Ron Amstutz. [A wide blue mop with a yellow handle is tethered to a white pillar by a black cord, and is stretched with the handle angled forward. Resting against the pillar is a tv, angled and facing slightly leftwards, displaying a sculpture in a parking lot.]
    Caption Social Surfaces. Installation view, Alexander and Bonin, 2017. Photo: Ron Amstutz.
    Image description A wide blue mop with a yellow handle is tethered to a white pillar by a black cord, and is stretched with the handle angled forward. Resting against the pillar is a tv, angled and facing slightly leftwards, displaying a sculpture in a parking lot.
    Year 2017
    Related pages Social Surfaces
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A cluster of four works on paper against a white gallery wall. The works feature swooping, abstract calligraphic strokes in black and light green ink.
    A cluster of four works on paper against a white gallery wall. The works feature swooping, abstract calligraphic strokes in black and light green ink.
    Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak. [A cluster of four works on paper against a white gallery wall. The works feature swooping, abstract calligraphic strokes in black and light green ink.]
    Caption Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak.
    Image description A cluster of four works on paper against a white gallery wall. The works feature swooping, abstract calligraphic strokes in black and light green ink.
    Year
    Related pages Support
  • Student Presentations at Artists Space, 2021
    Caption Student Presentations at Artists Space, 2021
    Image description
    Year 2021
    Related pages BRIDGE Photography
  • Detail view of a display case. Several mugs are stacked on top of each other on the left side of the case, while five others are placed haphazardly across its surface. Each white mug is decorated with black text that reads, *STANCHION*. Several photos of a nude woman are arranged across the surface of the case.
    Detail view of a display case. Several mugs are stacked on top of each other on the left side of the case, while five others are placed haphazardly across its surface. Each white mug is decorated with black text that reads, *STANCHION*. Several photos of a nude woman are arranged across the surface of the case.
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Detail view of a display case. Several mugs are stacked on top of each other on the left side of the case, while five others are placed haphazardly across its surface. Each white mug is decorated with black text that reads, *STANCHION*. Several photos of a nude woman are arranged across the surface of the case.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Detail view of a display case. Several mugs are stacked on top of each other on the left side of the case, while five others are placed haphazardly across its surface. Each white mug is decorated with black text that reads, *STANCHION*. Several photos of a nude woman are arranged across the surface of the case.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • A black and white image of a woman painting on a three-dimensional canvas. She holds a paintbrush in her right hand and a jar of paint in her left hand while leaning over the canvas.
    A black and white image of a woman painting on a three-dimensional canvas. She holds a paintbrush in her right hand and a jar of paint in her left hand while leaning over the canvas.
    [A black and white image of a woman painting on a three-dimensional canvas. She holds a paintbrush in her right hand and a jar of paint in her left hand while leaning over the canvas.]
    Caption
    Image description A black and white image of a woman painting on a three-dimensional canvas. She holds a paintbrush in her right hand and a jar of paint in her left hand while leaning over the canvas.
    Year 2013
    Related pages Zilia Sánchez
  • A white wall displaying eight papers. On the far left, there is a drawing of a knife with the handwritten text
    A white wall displaying eight papers. On the far left, there is a drawing of a knife with the handwritten text
    Mark Morrisroe: From This Moment On. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A white wall displaying eight papers. On the far left, there is a drawing of a knife with the handwritten text "Cutthroats for Hire." The seven other papers feature type, handwriting, and photos.]
    Caption Mark Morrisroe: From This Moment On. Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description A white wall displaying eight papers. On the far left, there is a drawing of a knife with the handwritten text "Cutthroats for Hire." The seven other papers feature type, handwriting, and photos.
    Year 2011
    Related pages Mark Morrisroe: From This Moment On
  • A view between two book stands, perpendicular to the wall, displaying books, documents, and papers. On the wall, posters are staggered including various text and images.
    A view between two book stands, perpendicular to the wall, displaying books, documents, and papers. On the wall, posters are staggered including various text and images.
    Richard Hollis. Installation view, Artists Space, 2013. [A view between two book stands, perpendicular to the wall, displaying books, documents, and papers. On the wall, posters are staggered including various text and images.]
    Caption Richard Hollis. Installation view, Artists Space, 2013.
    Image description A view between two book stands, perpendicular to the wall, displaying books, documents, and papers. On the wall, posters are staggered including various text and images.
    Year 2013
    Related pages Richard Hollis
  • A color photograph of a figure with raised arms and in motion in an orange-lit space next to a small piece of audio equipment with a wire on the floor. A crowd looks on in the background.
    A color photograph of a figure with raised arms and in motion in an orange-lit space next to a small piece of audio equipment with a wire on the floor. A crowd looks on in the background.
    Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. [A color photograph of a figure with raised arms and in motion in an orange-lit space next to a small piece of audio equipment with a wire on the floor. A crowd looks on in the background.]
    Caption Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space.
    Image description A color photograph of a figure with raised arms and in motion in an orange-lit space next to a small piece of audio equipment with a wire on the floor. A crowd looks on in the background.
    Year 2022
    Related pages Yuji Agematsu
  • A small, empty room with images projected on three walls. All are gray/blue shots of spinning tops on a white grid on concrete. The center image shows this from above, while the left and right images show the tops from the side.
    A small, empty room with images projected on three walls. All are gray/blue shots of spinning tops on a white grid on concrete. The center image shows this from above, while the left and right images show the tops from the side.
    Morir ('til Death). Installation view, Artists Space, 2003. [A small, empty room with images projected on three walls. All are gray/blue shots of spinning tops on a white grid on concrete. The center image shows this from above, while the left and right images show the tops from the side.]
    Caption Morir ('til Death). Installation view, Artists Space, 2003.
    Image description A small, empty room with images projected on three walls. All are gray/blue shots of spinning tops on a white grid on concrete. The center image shows this from above, while the left and right images show the tops from the side.
    Year 2003
    Related pages Morir ('til Death)
  • A painting of a lamb figurine.
    A painting of a lamb figurine.
    Brett Reichman, Squeaker, 1991. Oil on canvas, 36 x 36 inches. Courtesy the artist. [A painting of a lamb figurine.]
    Caption Brett Reichman, Squeaker, 1991. Oil on canvas, 36 x 36 inches. Courtesy the artist.
    Image description A painting of a lamb figurine.
    Year 1991
    Related pages Writers Who Love Too Much
  • Light blue text overlays a dark blue background. The top left corner reads:
    Light blue text overlays a dark blue background. The top left corner reads:
    Flyer for Segue Reading Series featuring Chia-Lun Chang and Rosie Stockton. November 12, 2022, Artists Space. [Light blue text overlays a dark blue background. The top left corner reads: "Chia-Lun Chang & Rosie Stockton / November 12, 5 pm." The middle reads: "Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519."]
    Caption Flyer for Segue Reading Series featuring Chia-Lun Chang and Rosie Stockton. November 12, 2022, Artists Space.
    Image description Light blue text overlays a dark blue background. The top left corner reads: "Chia-Lun Chang & Rosie Stockton / November 12, 5 pm." The middle reads: "Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519."
    Year
    Related pages Segue Reading Series: Chia-Lun Chang & Rosie Stockton
  • Frame photographs and text hang on the wall in a gallery space.
    Frame photographs and text hang on the wall in a gallery space.
    Pool Show. Installation view, Artists Space, 1980. [Frame photographs and text hang on the wall in a gallery space.]
    Caption Pool Show. Installation view, Artists Space, 1980.
    Image description Frame photographs and text hang on the wall in a gallery space.
    Year
    Related pages Pool Show
  • A person suspended as if swimming or floating, with large headphones, a silver bikini top, and loose, blue pants and bangles up her arms on a blue background. Red text above her reads,
    A person suspended as if swimming or floating, with large headphones, a silver bikini top, and loose, blue pants and bangles up her arms on a blue background. Red text above her reads,
    Mr. Dead & Mrs. Free invitation, 1996. [A person suspended as if swimming or floating, with large headphones, a silver bikini top, and loose, blue pants and bangles up her arms on a blue background. Red text above her reads, "from back out to south came / the King of the Gestapoes / Lord of the Sabotage / Ruler of the Astronauts..." and white text below reads, "Mr. DEAD & Mrs. FREE."]
    Caption Mr. Dead & Mrs. Free invitation, 1996.
    Image description A person suspended as if swimming or floating, with large headphones, a silver bikini top, and loose, blue pants and bangles up her arms on a blue background. Red text above her reads, "from back out to south came / the King of the Gestapoes / Lord of the Sabotage / Ruler of the Astronauts..." and white text below reads, "Mr. DEAD & Mrs. FREE."
    Year 1996
    Related pages Mr. Dead & Mrs. Free: A History of Squat Theatre (1969 – 1991)
  • Framed square and rectangualar photographs are visible in a white-walled gallery space with white columns centered in the image.
    Framed square and rectangualar photographs are visible in a white-walled gallery space with white columns centered in the image.
    Split/Vision. Installation View. Artists Space, 1985-86. [Framed square and rectangualar photographs are visible in a white-walled gallery space with white columns centered in the image.]
    Caption Split/Vision. Installation View. Artists Space, 1985-86.
    Image description Framed square and rectangualar photographs are visible in a white-walled gallery space with white columns centered in the image.
    Year
    Related pages Split/Vision
  • A color photograph of a grey and blue piece of semi-transparent fabric, partially hung from a grey metal scaffold in a gallery space.
    A color photograph of a grey and blue piece of semi-transparent fabric, partially hung from a grey metal scaffold in a gallery space.
    virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of a grey and blue piece of semi-transparent fabric, partially hung from a grey metal scaffold in a gallery space.]
    Caption virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color photograph of a grey and blue piece of semi-transparent fabric, partially hung from a grey metal scaffold in a gallery space.
    Year 2022
    Related pages virgil b/g taylor: Minor Publics
  • A woman is seated wearing a long, yellow dress with a full skirt. She has the front of the skirt held in her teeth, with her hands on her knees. There are some soap suds on her hands, near her mouth, and on the front of the skirt.
    A woman is seated wearing a long, yellow dress with a full skirt. She has the front of the skirt held in her teeth, with her hands on her knees. There are some soap suds on her hands, near her mouth, and on the front of the skirt.
    Yellow. Performance view, Artists Space, 2008. [A woman is seated wearing a long, yellow dress with a full skirt. She has the front of the skirt held in her teeth, with her hands on her knees. There are some soap suds on her hands, near her mouth, and on the front of the skirt.]
    Caption Yellow. Performance view, Artists Space, 2008.
    Image description A woman is seated wearing a long, yellow dress with a full skirt. She has the front of the skirt held in her teeth, with her hands on her knees. There are some soap suds on her hands, near her mouth, and on the front of the skirt.
    Year 2008
    Related pages When Time Becomes Form: Yellow
  • A black and white photograph of a gallery space. A chouch with two figures is visible in the lower left corner. On the walls, several framed works are hung, each with a grid of smaller black and white images.
    A black and white photograph of a gallery space. A chouch with two figures is visible in the lower left corner. On the walls, several framed works are hung, each with a grid of smaller black and white images.
    Artists Performance Series. Installation view, Artists Space, 1977. [A black and white photograph of a gallery space. A chouch with two figures is visible in the lower left corner. On the walls, several framed works are hung, each with a grid of smaller black and white images.]
    Caption Artists Performance Series. Installation view, Artists Space, 1977.
    Image description A black and white photograph of a gallery space. A chouch with two figures is visible in the lower left corner. On the walls, several framed works are hung, each with a grid of smaller black and white images.
    Year 1977
    Related pages Artists Performance Series
  • Two figures hold medical instruments over a table with a manneuqin and an IV.
    Two figures hold medical instruments over a table with a manneuqin and an IV.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court [Two figures hold medical instruments over a table with a manneuqin and an IV.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court
    Image description Two figures hold medical instruments over a table with a manneuqin and an IV.
    Year 2022
    Related pages Grandmother Cindy
  • Close up detail of a sculpture composed of a large glass pane with a painted canvas installed in the pane's center. The back of the canvas faces the viewer, and faint words are penciled onto its surface. A golden tassle and necklce cluster and hang around the canvas' edge.
    Close up detail of a sculpture composed of a large glass pane with a painted canvas installed in the pane's center. The back of the canvas faces the viewer, and faint words are penciled onto its surface. A golden tassle and necklce cluster and hang around the canvas' edge.
    Fifth Season Act, Apotheosically. Performance documentation, May 31, 2012, Artists Space. [Close up detail of a sculpture composed of a large glass pane with a painted canvas installed in the pane's center. The back of the canvas faces the viewer, and faint words are penciled onto its surface. A golden tassle and necklce cluster and hang around the canvas' edge.]
    Caption Fifth Season Act, Apotheosically. Performance documentation, May 31, 2012, Artists Space.
    Image description Close up detail of a sculpture composed of a large glass pane with a painted canvas installed in the pane's center. The back of the canvas faces the viewer, and faint words are penciled onto its surface. A golden tassle and necklce cluster and hang around the canvas' edge.
    Year 2012
    Related pages Fifth Season Act, Apotheosically
  • An installation view shows a darkened space flooded in red light. Between two ornate columns, a projector is mounted close to the ground on a short stand. An iridescent blue glows around a shadow cast by a scientific experiment on the left wall behind, while the ceiling is covered in warm crescent silhouettes. On the back black wall, lines of projected text overlap in varying directions.
    An installation view shows a darkened space flooded in red light. Between two ornate columns, a projector is mounted close to the ground on a short stand. An iridescent blue glows around a shadow cast by a scientific experiment on the left wall behind, while the ceiling is covered in warm crescent silhouettes. On the back black wall, lines of projected text overlap in varying directions.
    Constantina Zavitsanos: fwiw. Installation view, Artists Space, 2024. Photo: Carter Seddon. [An installation view shows a darkened space flooded in red light. Between two ornate columns, a projector is mounted close to the ground on a short stand. An iridescent blue glows around a shadow cast by a scientific experiment on the left wall behind, while the ceiling is covered in warm crescent silhouettes. On the back black wall, lines of projected text overlap in varying directions.]
    Caption Constantina Zavitsanos: fwiw. Installation view, Artists Space, 2024. Photo: Carter Seddon.
    Image description An installation view shows a darkened space flooded in red light. Between two ornate columns, a projector is mounted close to the ground on a short stand. An iridescent blue glows around a shadow cast by a scientific experiment on the left wall behind, while the ceiling is covered in warm crescent silhouettes. On the back black wall, lines of projected text overlap in varying directions.
    Year
    Related pages fwiw
  • A photograph showing mostly the concrete floor of a gallery. Sitting on the floor is a large plexiglass box, the bottom of which is lined with eggs arranged in neat rows.
    A photograph showing mostly the concrete floor of a gallery. Sitting on the floor is a large plexiglass box, the bottom of which is lined with eggs arranged in neat rows.
    Selections from the Artists File. Installation view, Artists Space, 1989. [A photograph showing mostly the concrete floor of a gallery. Sitting on the floor is a large plexiglass box, the bottom of which is lined with eggs arranged in neat rows.]
    Caption Selections from the Artists File. Installation view, Artists Space, 1989.
    Image description A photograph showing mostly the concrete floor of a gallery. Sitting on the floor is a large plexiglass box, the bottom of which is lined with eggs arranged in neat rows.
    Year 1989
    Related pages Selections from the Artist File
  • Various paintings hang in a row on a wall. The paintings are composed of bold lines and blocks of color.
    Various paintings hang in a row on a wall. The paintings are composed of bold lines and blocks of color.
    Traditions: Five Painters. Installation View, Artists Space, 1978. [Various paintings hang in a row on a wall. The paintings are composed of bold lines and blocks of color.]
    Caption Traditions: Five Painters. Installation View, Artists Space, 1978.
    Image description Various paintings hang in a row on a wall. The paintings are composed of bold lines and blocks of color.
    Year
    Related pages Traditions: Five Painters, Charles Clough, William Fares, Sidney Goldberg, John Lees, Ann Thornycroft
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    Related pages Abasement #84
  • One figure is looking at the ground with their back facing the camera and another painted figure appears frontally looking down. They both are around a bright light emerging from below. A black wall covers the right half of the image.
    One figure is looking at the ground with their back facing the camera and another painted figure appears frontally looking down. They both are around a bright light emerging from below. A black wall covers the right half of the image.
    Keeph, Artists Space construction site no. 2, 2020, digital photograph [One figure is looking at the ground with their back facing the camera and another painted figure appears frontally looking down. They both are around a bright light emerging from below. A black wall covers the right half of the image.]
    Caption Keeph, Artists Space construction site no. 2, 2020, digital photograph
    Image description One figure is looking at the ground with their back facing the camera and another painted figure appears frontally looking down. They both are around a bright light emerging from below. A black wall covers the right half of the image.
    Year 2020
    Related pages BRIDGE Photography
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  • Angled view of wooden table top covered with an organized assortment of cards, books, and paper materials, displaying images and texts, in various positions.
    Angled view of wooden table top covered with an organized assortment of cards, books, and paper materials, displaying images and texts, in various positions.
    View of Everything is About to Happen : An ongoing archive of artists’ books selected by Gregorio Magnani Courtesy Corvi-Mora, London and Greengrassi, London Photo: Marcus Leith [Angled view of wooden table top covered with an organized assortment of cards, books, and paper materials, displaying images and texts, in various positions.]
    Caption View of Everything is About to Happen : An ongoing archive of artists’ books selected by Gregorio Magnani Courtesy Corvi-Mora, London and Greengrassi, London Photo: Marcus Leith
    Image description Angled view of wooden table top covered with an organized assortment of cards, books, and paper materials, displaying images and texts, in various positions.
    Year 2014
    Related pages The Library Vaccine
  • Two pieces of wood are joined to create a miniature stage set. In the center, sitting in a miniature director's chair are two cartoon frog plushies wearing black top hats. The larger frog plushy cradles the smaller frog in it's arms. Two more director's chairs are positioned facing the plushies, along with a miniature stage light and stand that shines a spotlight on the plushies.
    Two pieces of wood are joined to create a miniature stage set. In the center, sitting in a miniature director's chair are two cartoon frog plushies wearing black top hats. The larger frog plushy cradles the smaller frog in it's arms. Two more director's chairs are positioned facing the plushies, along with a miniature stage light and stand that shines a spotlight on the plushies.
    Aristotelis Nikolas Mochloulis, Frog Man & Baby Frog, 2025. Michigan J. Frog plushies, miniature directors chairs, ARRI 150 Junior light, Manfrotto Nano light stand, speakers, audio excerpts from movies. Photo: Carter Seddon. [Two pieces of wood are joined to create a miniature stage set. In the center, sitting in a miniature director's chair are two cartoon frog plushies wearing black top hats. The larger frog plushy cradles the smaller frog in it's arms. Two more director's chairs are positioned facing the plushies, along with a miniature stage light and stand that shines a spotlight on the plushies.]
    Caption Aristotelis Nikolas Mochloulis, Frog Man & Baby Frog, 2025. Michigan J. Frog plushies, miniature directors chairs, ARRI 150 Junior light, Manfrotto Nano light stand, speakers, audio excerpts from movies. Photo: Carter Seddon.
    Image description Two pieces of wood are joined to create a miniature stage set. In the center, sitting in a miniature director's chair are two cartoon frog plushies wearing black top hats. The larger frog plushy cradles the smaller frog in it's arms. Two more director's chairs are positioned facing the plushies, along with a miniature stage light and stand that shines a spotlight on the plushies.
    Year
    Related pages Aristotelis Nikolas Mochloulis Tour 2
  • A flower arrangement consisting of white flowers and green leaves displayed on a slated, wooden floor. The arrangement is shaped such that it forms a lowercase, italicized letter
    A flower arrangement consisting of white flowers and green leaves displayed on a slated, wooden floor. The arrangement is shaped such that it forms a lowercase, italicized letter
    Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt. [A flower arrangement consisting of white flowers and green leaves displayed on a slated, wooden floor. The arrangement is shaped such that it forms a lowercase, italicized letter "a."]
    Caption Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt.
    Image description A flower arrangement consisting of white flowers and green leaves displayed on a slated, wooden floor. The arrangement is shaped such that it forms a lowercase, italicized letter "a."
    Year 1997
    Related pages Lines of Loss
  • A view of five vitrines, displaying various documents, arranged in columns in the middle of a room. On either wall, book cases used for display.
    A view of five vitrines, displaying various documents, arranged in columns in the middle of a room. On either wall, book cases used for display.
    Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A view of five vitrines, displaying various documents, arranged in columns in the middle of a room. On either wall, book cases used for display.]
    Caption Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description A view of five vitrines, displaying various documents, arranged in columns in the middle of a room. On either wall, book cases used for display.
    Year 2013
    Related pages Documenting Cadere: 1972 - 1978
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  • White text on a black screen reads: “An additional interpreter was needed to translate my father’s Korean into English.”
    White text on a black screen reads: “An additional interpreter was needed to translate my father’s Korean into English.”
    Caroline Key. Still from Speech Memory, 2007. 16mm film on video, color, sound; 23 minutes. Courtesy the artist. [White text on a black screen reads: “An additional interpreter was needed to translate my father’s Korean into English.”]
    Caption Caroline Key. Still from Speech Memory, 2007. 16mm film on video, color, sound; 23 minutes. Courtesy the artist.
    Image description White text on a black screen reads: “An additional interpreter was needed to translate my father’s Korean into English.”
    Year 2007
    Related pages Whitney ISP Archive
  • Image of a gallery space installed with multiple sculptures. On the right, two large painted wooden boxes by Matthew Langan-Peck are slightly open and have headphones hanging on their sides. The boxes are painted light blue with yellow shooting stars and dark blue with traffic light-esque designs, respectively. On the left, two of Ruben Ulises Rodriguez Montoya's large biomorphic sculptures, composed of found materials, hang from the ceiling. In the background, Isabelle Frances McGuire's three large pink fabric banners emblazoned with silver stars hang from ceiling to floor.
    Image of a gallery space installed with multiple sculptures. On the right, two large painted wooden boxes by Matthew Langan-Peck are slightly open and have headphones hanging on their sides. The boxes are painted light blue with yellow shooting stars and dark blue with traffic light-esque designs, respectively. On the left, two of Ruben Ulises Rodriguez Montoya's large biomorphic sculptures, composed of found materials, hang from the ceiling. In the background, Isabelle Frances McGuire's three large pink fabric banners emblazoned with silver stars hang from ceiling to floor.
    Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon. [Image of a gallery space installed with multiple sculptures. On the right, two large painted wooden boxes by Matthew Langan-Peck are slightly open and have headphones hanging on their sides. The boxes are painted light blue with yellow shooting stars and dark blue with traffic light-esque designs, respectively. On the left, two of Ruben Ulises Rodriguez Montoya's large biomorphic sculptures, composed of found materials, hang from the ceiling. In the background, Isabelle Frances McGuire's three large pink fabric banners emblazoned with silver stars hang from ceiling to floor.]
    Caption Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon.
    Image description Image of a gallery space installed with multiple sculptures. On the right, two large painted wooden boxes by Matthew Langan-Peck are slightly open and have headphones hanging on their sides. The boxes are painted light blue with yellow shooting stars and dark blue with traffic light-esque designs, respectively. On the left, two of Ruben Ulises Rodriguez Montoya's large biomorphic sculptures, composed of found materials, hang from the ceiling. In the background, Isabelle Frances McGuire's three large pink fabric banners emblazoned with silver stars hang from ceiling to floor.
    Year
    Related pages Doris Guo Matthew Langan-Peck Isabelle Frances McGuire Ruben Ulises Rodriguez Montoya
  • White text arranged in two columns on a black background. Film roles, such as
    White text arranged in two columns on a black background. Film roles, such as
    Lise Soskolne, Film Still: Characters, 1999. Oil on canvas, 66 x 108 inches. [White text arranged in two columns on a black background. Film roles, such as "Desk Clerk" and "Beauty Queen" are listed on the left, with names of actors on the right.]
    Caption Lise Soskolne, Film Still: Characters, 1999. Oil on canvas, 66 x 108 inches.
    Image description White text arranged in two columns on a black background. Film roles, such as "Desk Clerk" and "Beauty Queen" are listed on the left, with names of actors on the right.
    Year 1999
    Related pages Lise Soskolne
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  • Brad Kronz, The Expert Thinks the Artist is a Fool, 2025. Wooden stool, felt, boiled wool, fabric, nails, screws, marker, pencil. Photo: Carter Seddon
    Caption Brad Kronz, The Expert Thinks the Artist is a Fool, 2025. Wooden stool, felt, boiled wool, fabric, nails, screws, marker, pencil. Photo: Carter Seddon
    Image description
    Year
    Related pages Brad Kronz
  • In the foreground a vacuum can be seen on a plexiglass shelf case with a fluorescent light underneath and above it. Behind it is an image on a white wall of an automobile with text visible that reads,
    In the foreground a vacuum can be seen on a plexiglass shelf case with a fluorescent light underneath and above it. Behind it is an image on a white wall of an automobile with text visible that reads,
    Jeff Koons. Installation View, Artists Space, 1983. [In the foreground a vacuum can be seen on a plexiglass shelf case with a fluorescent light underneath and above it. Behind it is an image on a white wall of an automobile with text visible that reads, "ROOOMY!" on the top left and "TOYOTA" on the bottom left and "NEW FAMILY CAMRY" on the bottom right.]
    Caption Jeff Koons. Installation View, Artists Space, 1983.
    Image description In the foreground a vacuum can be seen on a plexiglass shelf case with a fluorescent light underneath and above it. Behind it is an image on a white wall of an automobile with text visible that reads, "ROOOMY!" on the top left and "TOYOTA" on the bottom left and "NEW FAMILY CAMRY" on the bottom right.
    Year
    Related pages Los Angeles/New York Exchange
  • A grayscale image of two naked people, kneeling on the ground of an untidy room. They are embracing, with their foreheads pressed together. Behind them there is a window and a typewriter on a stand.
    A grayscale image of two naked people, kneeling on the ground of an untidy room. They are embracing, with their foreheads pressed together. Behind them there is a window and a typewriter on a stand.
    Whatever Happened to Sex in Scandinavia (2011). Knut Ove Arntzen, Stan Brakhage, Marta Kuzma and Pablo LaFuente. [A grayscale image of two naked people, kneeling on the ground of an untidy room. They are embracing, with their foreheads pressed together. Behind them there is a window and a typewriter on a stand.]
    Caption Whatever Happened to Sex in Scandinavia (2011). Knut Ove Arntzen, Stan Brakhage, Marta Kuzma and Pablo LaFuente.
    Image description A grayscale image of two naked people, kneeling on the ground of an untidy room. They are embracing, with their foreheads pressed together. Behind them there is a window and a typewriter on a stand.
    Year 2011
    Related pages Whatever Happened to Sex in Scandinavia?
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  • Sculptural pieces mounted to the left wall. A white display pedestal sits in the background on the right, next to an open door.
    Sculptural pieces mounted to the left wall. A white display pedestal sits in the background on the right, next to an open door.
    Sixth Anniversary Exhibition. Installation view, Artists Space, 1979. Artwork by Barbara Schwartz. [Sculptural pieces mounted to the left wall. A white display pedestal sits in the background on the right, next to an open door.]
    Caption Sixth Anniversary Exhibition. Installation view, Artists Space, 1979. Artwork by Barbara Schwartz.
    Image description Sculptural pieces mounted to the left wall. A white display pedestal sits in the background on the right, next to an open door.
    Year 1979
    Related pages Sixth Anniversary Exhibition
  • A basement gallery is filled with red light and disco lights. On the far wall is projected a book cover featuring a painting of a naked body with body parts squished together. Fake chairs drawn in black outline are placed around the space.
    A basement gallery is filled with red light and disco lights. On the far wall is projected a book cover featuring a painting of a naked body with body parts squished together. Fake chairs drawn in black outline are placed around the space.
    [A basement gallery is filled with red light and disco lights. On the far wall is projected a book cover featuring a painting of a naked body with body parts squished together. Fake chairs drawn in black outline are placed around the space.]
    Caption
    Image description A basement gallery is filled with red light and disco lights. On the far wall is projected a book cover featuring a painting of a naked body with body parts squished together. Fake chairs drawn in black outline are placed around the space.
    Year
    Related pages Jana Euler: Exhibitionism
  • A color image of a gallery space. A freestanding white wall runs perpendicular into an existing white wall. On the right side, projected onto the existing wall, is a black and white image of a spoon resting next to a bowl of water. To the left of the projected image is a single black frame containing a black and white photograph, hung above a small floating vitrine. Installed in a single row on the freestanding wall, is a series of seven black and white photographs housed in black frames. Behind the freestanding walls, a sliver of window that faces the street outside is visible. Contained within the four transom windows are black and white enlargements of a white man smoking and blowing smoke rings.
    A color image of a gallery space. A freestanding white wall runs perpendicular into an existing white wall. On the right side, projected onto the existing wall, is a black and white image of a spoon resting next to a bowl of water. To the left of the projected image is a single black frame containing a black and white photograph, hung above a small floating vitrine. Installed in a single row on the freestanding wall, is a series of seven black and white photographs housed in black frames. Behind the freestanding walls, a sliver of window that faces the street outside is visible. Contained within the four transom windows are black and white enlargements of a white man smoking and blowing smoke rings.
    Terry Fox: All These Different Things Are Sculpture. Installation view, Artists Space, 2024. Photo: Filip Wolak [A color image of a gallery space. A freestanding white wall runs perpendicular into an existing white wall. On the right side, projected onto the existing wall, is a black and white image of a spoon resting next to a bowl of water. To the left of the projected image is a single black frame containing a black and white photograph, hung above a small floating vitrine. Installed in a single row on the freestanding wall, is a series of seven black and white photographs housed in black frames. Behind the freestanding walls, a sliver of window that faces the street outside is visible. Contained within the four transom windows are black and white enlargements of a white man smoking and blowing smoke rings. ]
    Caption Terry Fox: All These Different Things Are Sculpture. Installation view, Artists Space, 2024. Photo: Filip Wolak
    Image description A color image of a gallery space. A freestanding white wall runs perpendicular into an existing white wall. On the right side, projected onto the existing wall, is a black and white image of a spoon resting next to a bowl of water. To the left of the projected image is a single black frame containing a black and white photograph, hung above a small floating vitrine. Installed in a single row on the freestanding wall, is a series of seven black and white photographs housed in black frames. Behind the freestanding walls, a sliver of window that faces the street outside is visible. Contained within the four transom windows are black and white enlargements of a white man smoking and blowing smoke rings.
    Year
    Related pages All These Different Things Are Sculpture
  • Color photograph of a figure dressed in all white, dancing in a corridor bathed in red light.
    Color photograph of a figure dressed in all white, dancing in a corridor bathed in red light.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure dressed in all white, dancing in a corridor bathed in red light.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a figure dressed in all white, dancing in a corridor bathed in red light.
    Year 2022
    Related pages keyon gaskin 12-16
  • A group of people seated around a table in an empty room. In front of them are various cups and papers, they appear to be in deep thought.
    A group of people seated around a table in an empty room. In front of them are various cups and papers, they appear to be in deep thought.
    Installation view of Barbara Bloom's Solution. From Barbara Bloom, David Salle, Artists Space, 1976 [A group of people seated around a table in an empty room. In front of them are various cups and papers, they appear to be in deep thought.]
    Caption Installation view of Barbara Bloom's Solution. From Barbara Bloom, David Salle, Artists Space, 1976
    Image description A group of people seated around a table in an empty room. In front of them are various cups and papers, they appear to be in deep thought.
    Year 1976
    Related pages Barbara Bloom, David Salle
  • Color photo of an installation work in a gallery space. In the left foreground, two windows with images painted on the glass are hung from the ceiling. In the center midground, ceramic sculptures and kinetic sculptures made of branches surround a structural column. To the right of the column, a large paper-mache sculpture rests atop Comet cleaner bottles. In the background, two large drawings done on carbaord hang from a wooden partition wall.
    Color photo of an installation work in a gallery space. In the left foreground, two windows with images painted on the glass are hung from the ceiling. In the center midground, ceramic sculptures and kinetic sculptures made of branches surround a structural column. To the right of the column, a large paper-mache sculpture rests atop Comet cleaner bottles. In the background, two large drawings done on carbaord hang from a wooden partition wall.
    Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photo of an installation work in a gallery space. In the left foreground, two windows with images painted on the glass are hung from the ceiling. In the center midground, ceramic sculptures and kinetic sculptures made of branches surround a structural column. To the right of the column, a large paper-mache sculpture rests atop Comet cleaner bottles. In the background, two large drawings done on carbaord hang from a wooden partition wall.]
    Caption Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photo of an installation work in a gallery space. In the left foreground, two windows with images painted on the glass are hung from the ceiling. In the center midground, ceramic sculptures and kinetic sculptures made of branches surround a structural column. To the right of the column, a large paper-mache sculpture rests atop Comet cleaner bottles. In the background, two large drawings done on carbaord hang from a wooden partition wall.
    Year
    Related pages Char Jeré: Zoo or an Orchestra
  • Color photograph of the side of an oscillator box, with various notes written next to all of the controls.
    Color photograph of the side of an oscillator box, with various notes written next to all of the controls.
    Yasunao Tone: Region of Paramedia. Installation view (Device for Paramedia, 1990), Artists Space, 2023. Photo: Filip Wolak. [Color photograph of the side of an oscillator box, with various notes written next to all of the controls.]
    Caption Yasunao Tone: Region of Paramedia. Installation view (Device for Paramedia, 1990), Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photograph of the side of an oscillator box, with various notes written next to all of the controls.
    Year 2023
    Related pages Yasunao Tone: Region of Paramedia
  • A figure stands on stage behind a table with a laptop, preparing to perform.
    A figure stands on stage behind a table with a laptop, preparing to perform.
    Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [A figure stands on stage behind a table with a laptop, preparing to perform.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure stands on stage behind a table with a laptop, preparing to perform.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-10
  • Three large wall text pieces appear in a white-walled gallery space.
    Three large wall text pieces appear in a white-walled gallery space.
    Young Fluxus. Installation view, Artists Space, 1982. [Three large wall text pieces appear in a white-walled gallery space.]
    Caption Young Fluxus. Installation view, Artists Space, 1982.
    Image description Three large wall text pieces appear in a white-walled gallery space.
    Year
    Related pages Young Fluxus
  • A black and white line illustration of a person shaking in the middle of room. The open windows depict a wind blowing papers into the space.
    A black and white line illustration of a person shaking in the middle of room. The open windows depict a wind blowing papers into the space.
    Mélanie Matranga, Not, 2014 [A black and white line illustration of a person shaking in the middle of room. The open windows depict a wind blowing papers into the space.]
    Caption Mélanie Matranga, Not, 2014
    Image description A black and white line illustration of a person shaking in the middle of room. The open windows depict a wind blowing papers into the space.
    Year 2014
    Related pages The Issues of Our Time
  • A view of a vending machine against a glazed over window, tiled images on a white gallery wall, and a glass table surrounded by four wooden chairs.
    A view of a vending machine against a glazed over window, tiled images on a white gallery wall, and a glass table surrounded by four wooden chairs.
    ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A view of a vending machine against a glazed over window, tiled images on a white gallery wall, and a glass table surrounded by four wooden chairs.]
    Caption ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A view of a vending machine against a glazed over window, tiled images on a white gallery wall, and a glass table surrounded by four wooden chairs.
    Year 2021
    Related pages ART CLUB2000
  • A man wearing only a leather jacket thrusts his pelvis forward as he ejaculates in front of seven enthusiastic men.
    A man wearing only a leather jacket thrusts his pelvis forward as he ejaculates in front of seven enthusiastic men.
    Tom of Finland Untitled , 1967 Graphite on paper Tom of Finland Foundation, Permanent Collection [A man wearing only a leather jacket thrusts his pelvis forward as he ejaculates in front of seven enthusiastic men.]
    Caption Tom of Finland Untitled , 1967 Graphite on paper Tom of Finland Foundation, Permanent Collection
    Image description A man wearing only a leather jacket thrusts his pelvis forward as he ejaculates in front of seven enthusiastic men.
    Year 1967
    Related pages Tom of Finland: The Pleasure of Play
  • A color photograph of abstract rectangles with white, green, and black stripes, arranged in a sun like shape on a white background.
    A color photograph of abstract rectangles with white, green, and black stripes, arranged in a sun like shape on a white background.
    Barbara Kruger. Installation view, Artists Space, 1974. [A color photograph of abstract rectangles with white, green, and black stripes, arranged in a sun like shape on a white background.]
    Caption Barbara Kruger. Installation view, Artists Space, 1974.
    Image description A color photograph of abstract rectangles with white, green, and black stripes, arranged in a sun like shape on a white background.
    Year 1974
    Related pages Laurie Anderson, Don Gummer, Barbara Kruger
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A corner installation view of red crates containing glass bottles of cola on a wood floor.
    A corner installation view of red crates containing glass bottles of cola on a wood floor.
    Mike Bouchet, My Cola LITE, 2007. Cola bottles in plastic cases, dimensions variable. [A corner installation view of red crates containing glass bottles of cola on a wood floor.]
    Caption Mike Bouchet, My Cola LITE, 2007. Cola bottles in plastic cases, dimensions variable.
    Image description A corner installation view of red crates containing glass bottles of cola on a wood floor.
    Year 2007
    Related pages New Economy
  • Four black and white photographs hang vertically on the gallery wall. The images, three of which are portraits, the other of a chair, share a similar tone of drama and quietness as only one subject is given focus at a time.
    Four black and white photographs hang vertically on the gallery wall. The images, three of which are portraits, the other of a chair, share a similar tone of drama and quietness as only one subject is given focus at a time.
    David Armstrong: Portraits. Installation view, March 10 – May 23, 2026, Artists Space. Photo: Carter Seddon [Four black and white photographs hang vertically on the gallery wall. The images, three of which are portraits, the other of a chair, share a similar tone of drama and quietness as only one subject is given focus at a time. ]
    Caption David Armstrong: Portraits. Installation view, March 10 – May 23, 2026, Artists Space. Photo: Carter Seddon
    Image description Four black and white photographs hang vertically on the gallery wall. The images, three of which are portraits, the other of a chair, share a similar tone of drama and quietness as only one subject is given focus at a time.
    Year
    Related pages David Armstrong: Portraits
  • Two figures wearing medical scrubs suspend a piece of red fabric between themselves.
    Two figures wearing medical scrubs suspend a piece of red fabric between themselves.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court [Two figures wearing medical scrubs suspend a piece of red fabric between themselves.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court
    Image description Two figures wearing medical scrubs suspend a piece of red fabric between themselves.
    Year 2022
    Related pages Grandmother Cindy
  • A grid of blue hearts on a yellow background.
    A grid of blue hearts on a yellow background.
    [A grid of blue hearts on a yellow background.]
    Caption
    Image description A grid of blue hearts on a yellow background.
    Year 2017
    Related pages I ❤ John Giorno: John Giorno, Fanny Howe, Mónica de la Torre
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A wide angle image of a multicolored exhibition space consisting of beach paraphernalia.
    A wide angle image of a multicolored exhibition space consisting of beach paraphernalia.
    New Red Order Cover the Earth, 2021 Painted mural with cut vinyl, dibond prints, kiddie pool, sod, inflatable alligator, turtle sandbox, beach towels, towel racks, beach balls, beach chairs, beach umbrella, real estate lawn sign, cooler, and pool noodles. Image courtesy Artists Space, New York Photo: Filip Wolak [A wide angle image of a multicolored exhibition space consisting of beach paraphernalia.]
    Caption New Red Order Cover the Earth, 2021 Painted mural with cut vinyl, dibond prints, kiddie pool, sod, inflatable alligator, turtle sandbox, beach towels, towel racks, beach balls, beach chairs, beach umbrella, real estate lawn sign, cooler, and pool noodles. Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description A wide angle image of a multicolored exhibition space consisting of beach paraphernalia.
    Year 2021
    Related pages New Red Order: Feel at Home Here
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A low platform on a concrete floor supporting a glasstop photograph of pink clouds on a blue sky.
    A low platform on a concrete floor supporting a glasstop photograph of pink clouds on a blue sky.
    Katsuhiro Saiki. Installation view, Artists Space, 2003. [A low platform on a concrete floor supporting a glasstop photograph of pink clouds on a blue sky.]
    Caption Katsuhiro Saiki. Installation view, Artists Space, 2003.
    Image description A low platform on a concrete floor supporting a glasstop photograph of pink clouds on a blue sky.
    Year 2003
    Related pages Katsuhiro Saiki
  • Two figures standing behind a set of music stands. The figure on the left gazes downwards, while the figure on the right looks up, speaking. Her hands are raised by her torso in a gesture. Both figures wear dark clothing.
    Two figures standing behind a set of music stands. The figure on the left gazes downwards, while the figure on the right looks up, speaking. Her hands are raised by her torso in a gesture. Both figures wear dark clothing.
    The Owl Answers. Performance documentation, February 29, 2020, Artists Space. Photo ©️ 2020 Filip Wolak. [Two figures standing behind a set of music stands. The figure on the left gazes downwards, while the figure on the right looks up, speaking. Her hands are raised by her torso in a gesture. Both figures wear dark clothing.]
    Caption The Owl Answers. Performance documentation, February 29, 2020, Artists Space. Photo ©️ 2020 Filip Wolak.
    Image description Two figures standing behind a set of music stands. The figure on the left gazes downwards, while the figure on the right looks up, speaking. Her hands are raised by her torso in a gesture. Both figures wear dark clothing.
    Year 2020
    Related pages The Owl Answers
  • A painting in color depicting five Black Queer people within an abstract barbershop environment. The barber to the left of the scene holds clippers to the scalp of one of them positioned in the center. Another barber pictured in the upper right quadrant holds up a pair of shears between two other Black Queer figures with smocked patterning on their barber capes. Sgraffito-like swaths of grid serve as a tiled floor, shown in a floating perspective.
    A painting in color depicting five Black Queer people within an abstract barbershop environment. The barber to the left of the scene holds clippers to the scalp of one of them positioned in the center. Another barber pictured in the upper right quadrant holds up a pair of shears between two other Black Queer figures with smocked patterning on their barber capes. Sgraffito-like swaths of grid serve as a tiled floor, shown in a floating perspective.
    Jonathan Lyndon Chase, City of Beauty, 2023. Courtesy of the artist and Company Gallery, New York. [A painting in color depicting five Black Queer people within an abstract barbershop environment. The barber to the left of the scene holds clippers to the scalp of one of them positioned in the center. Another barber pictured in the upper right quadrant holds up a pair of shears between two other Black Queer figures with smocked patterning on their barber capes. Sgraffito-like swaths of grid serve as a tiled floor, shown in a floating perspective.]
    Caption Jonathan Lyndon Chase, City of Beauty, 2023. Courtesy of the artist and Company Gallery, New York.
    Image description A painting in color depicting five Black Queer people within an abstract barbershop environment. The barber to the left of the scene holds clippers to the scalp of one of them positioned in the center. Another barber pictured in the upper right quadrant holds up a pair of shears between two other Black Queer figures with smocked patterning on their barber capes. Sgraffito-like swaths of grid serve as a tiled floor, shown in a floating perspective.
    Year
    Related pages Jonathan Lyndon Chase
  • A group of people gathered outside in a semicircle around a performer. Some sit on benches, others on grass, and others stand. The performer is dressed in a long white robe and knee-length, high-heeled boots; their face is painted blue and they are speaking into a microphone.
    A group of people gathered outside in a semicircle around a performer. Some sit on benches, others on grass, and others stand. The performer is dressed in a long white robe and knee-length, high-heeled boots; their face is painted blue and they are speaking into a microphone.
    Kembra Pfahler, Garden Party at the New York Marble Cemetery: In celebration of Jack Smith, 2018. Photograph: ©Paula Court [A group of people gathered outside in a semicircle around a performer. Some sit on benches, others on grass, and others stand. The performer is dressed in a long white robe and knee-length, high-heeled boots; their face is painted blue and they are speaking into a microphone.]
    Caption Kembra Pfahler, Garden Party at the New York Marble Cemetery: In celebration of Jack Smith, 2018. Photograph: ©Paula Court
    Image description A group of people gathered outside in a semicircle around a performer. Some sit on benches, others on grass, and others stand. The performer is dressed in a long white robe and knee-length, high-heeled boots; their face is painted blue and they are speaking into a microphone.
    Year 2018
    Related pages Support
  • Image of a basement with a rectangular shaped sculpture made of a wooden frame with fresnel lenses placed along the top and sides. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    Image of a basement with a rectangular shaped sculpture made of a wooden frame with fresnel lenses placed along the top and sides. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement with a rectangular shaped sculpture made of a wooden frame with fresnel lenses placed along the top and sides. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.]
    Caption SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a basement with a rectangular shaped sculpture made of a wooden frame with fresnel lenses placed along the top and sides. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    Year 2022
    Related pages SCRAAATCH 11-19
  • An orange water dispenser sits on a low metal stool in a gallery space. Encircling the top portion of the dispenser is a round glass table, with a wedge-shaped cut-out removed from its right side. A photo of a woman sits on top of the glass surface.
    An orange water dispenser sits on a low metal stool in a gallery space. Encircling the top portion of the dispenser is a round glass table, with a wedge-shaped cut-out removed from its right side. A photo of a woman sits on top of the glass surface.
    DUOX: DUOX4Larkin. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [An orange water dispenser sits on a low metal stool in a gallery space. Encircling the top portion of the dispenser is a round glass table, with a wedge-shaped cut-out removed from its right side. A photo of a woman sits on top of the glass surface.]
    Caption DUOX: DUOX4Larkin. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description An orange water dispenser sits on a low metal stool in a gallery space. Encircling the top portion of the dispenser is a round glass table, with a wedge-shaped cut-out removed from its right side. A photo of a woman sits on top of the glass surface.
    Year 2012
    Related pages DUOX: DUOX4Larkin
  • At the center of a page there is an image of a charcoal drawing of a foot overlapping a scrap of an architectural diagram on a black background. Above this image, text reads,
    At the center of a page there is an image of a charcoal drawing of a foot overlapping a scrap of an architectural diagram on a black background. Above this image, text reads,
    Perspective: The State of Existing in Space Before the Eye. Leaftlet cover, Artists Space, 1989. [At the center of a page there is an image of a charcoal drawing of a foot overlapping a scrap of an architectural diagram on a black background. Above this image, text reads, "Don Stinson, Perspective: The State of Existing in Space Before the Eye." Below the image, text reads, "September 28-November 4, Artists Space."]
    Caption Perspective: The State of Existing in Space Before the Eye. Leaftlet cover, Artists Space, 1989.
    Image description At the center of a page there is an image of a charcoal drawing of a foot overlapping a scrap of an architectural diagram on a black background. Above this image, text reads, "Don Stinson, Perspective: The State of Existing in Space Before the Eye." Below the image, text reads, "September 28-November 4, Artists Space."
    Year 1989
    Related pages Project: Perspective: The State of Existing in Space Before the Eye
  • A video projection playing in a blue lit room with a large curved surface for viewing.
    A video projection playing in a blue lit room with a large curved surface for viewing.
    Hito Steyerl. Still from Liquidity, Inc., 2014. HD video with sound, 30 minutes. [A video projection playing in a blue lit room with a large curved surface for viewing.]
    Caption Hito Steyerl. Still from Liquidity, Inc., 2014. HD video with sound, 30 minutes.
    Image description A video projection playing in a blue lit room with a large curved surface for viewing.
    Year 2014
    Related pages
  • Against the left hand wall is a glass display case, above which and above on the right hang various ephemera.
    Against the left hand wall is a glass display case, above which and above on the right hang various ephemera.
    Attention Line. Installation view, Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [Against the left hand wall is a glass display case, above which and above on the right hang various ephemera.]
    Caption Attention Line. Installation view, Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak
    Image description Against the left hand wall is a glass display case, above which and above on the right hang various ephemera.
    Year 2022
    Related pages Attention Line
  • Poster with a red-filtered image of a colonialist painting. In green and yellow font at the top of the image it reads,
    Poster with a red-filtered image of a colonialist painting. In green and yellow font at the top of the image it reads,
    [Poster with a red-filtered image of a colonialist painting. In green and yellow font at the top of the image it reads, "Land Mass / 18 December 2017 7pm" and at the bottom in the same font, "Natalie Diaz / Demian Dineyazhi / Sonia Guinansaca / Artists Space 55 Walker Street New York, NY 10013.]
    Caption
    Image description Poster with a red-filtered image of a colonialist painting. In green and yellow font at the top of the image it reads, "Land Mass / 18 December 2017 7pm" and at the bottom in the same font, "Natalie Diaz / Demian Dineyazhi / Sonia Guinansaca / Artists Space 55 Walker Street New York, NY 10013.
    Year 2017
    Related pages LAND MASS
  • Foregrounded military tents with a pink sky in the background.
    Foregrounded military tents with a pink sky in the background.
    The Oath. Dir. Laura Poitras. 2010. Courtesy Zeitgeist Films. [Foregrounded military tents with a pink sky in the background.]
    Caption The Oath. Dir. Laura Poitras. 2010. Courtesy Zeitgeist Films.
    Image description Foregrounded military tents with a pink sky in the background.
    Year 2010
    Related pages Laura Poitras & Bettina Funcke
  • A miniature home crafted out of printed and handwritten material is displayed on a vitrine. At the front of the house above the doorway reads,
    A miniature home crafted out of printed and handwritten material is displayed on a vitrine. At the front of the house above the doorway reads,
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A miniature home crafted out of printed and handwritten material is displayed on a vitrine. At the front of the house above the doorway reads, "CHEROKEE PHEONIX & INDIAN ADVOCATE." Two other homes can be seen in the background.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description A miniature home crafted out of printed and handwritten material is displayed on a vitrine. At the front of the house above the doorway reads, "CHEROKEE PHEONIX & INDIAN ADVOCATE." Two other homes can be seen in the background.
    Year 2017
    Related pages Unholding
  • A large room with wooden floors. In the right corner, there is a wall creating a corner that is covered in colorful wallpaper with images of tropical birds on trees. Several framed pictures are displayed on one side of the wall, partially obscured by a white column. To the left, there are three standing plinths with glass tops, housing dried brown plants.
    A large room with wooden floors. In the right corner, there is a wall creating a corner that is covered in colorful wallpaper with images of tropical birds on trees. Several framed pictures are displayed on one side of the wall, partially obscured by a white column. To the left, there are three standing plinths with glass tops, housing dried brown plants.
    Spring Exhibitions. Installation view, Artists Space, 2009. [A large room with wooden floors. In the right corner, there is a wall creating a corner that is covered in colorful wallpaper with images of tropical birds on trees. Several framed pictures are displayed on one side of the wall, partially obscured by a white column. To the left, there are three standing plinths with glass tops, housing dried brown plants.]
    Caption Spring Exhibitions. Installation view, Artists Space, 2009.
    Image description A large room with wooden floors. In the right corner, there is a wall creating a corner that is covered in colorful wallpaper with images of tropical birds on trees. Several framed pictures are displayed on one side of the wall, partially obscured by a white column. To the left, there are three standing plinths with glass tops, housing dried brown plants.
    Year 2009
    Related pages Spring Exhibitions
  • Black text on a light green background. The text reads: “April 25 / Wayne Koestenbaum / Douglas Kearney.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on a light green background. The text reads: “April 25 / Wayne Koestenbaum / Douglas Kearney.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on a light green background. The text reads: “April 25 / Wayne Koestenbaum / Douglas Kearney.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on a light green background. The text reads: “April 25 / Wayne Koestenbaum / Douglas Kearney.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Wayne Koestenbaum & Douglas Kearney
  • A black and white image of a man photographing a plastic penguin in front of a decorative gate. Sideways text on the right reads,
    A black and white image of a man photographing a plastic penguin in front of a decorative gate. Sideways text on the right reads,
    Exhibition Catalogue [A black and white image of a man photographing a plastic penguin in front of a decorative gate. Sideways text on the right reads, "Jack Smith, Art Crust of Spiritual Oasis, June 22 - September 9, 2018, Artists Space."]
    Caption Exhibition Catalogue
    Image description A black and white image of a man photographing a plastic penguin in front of a decorative gate. Sideways text on the right reads, "Jack Smith, Art Crust of Spiritual Oasis, June 22 - September 9, 2018, Artists Space."
    Year 2018
    Related pages Jack Smith: Art Crust of Spiritual Oasis
  • Teaching Artist Stephanie Costello with 8th grade Portfolio student from P.S. 140, 2021
    Caption Teaching Artist Stephanie Costello with 8th grade Portfolio student from P.S. 140, 2021
    Image description
    Year 2021
    Related pages Portfolio Development
  • Two performers, wearing glasses adorned with bright, shining white lights, operate a soundboard. The stage is lit with two bright red tube lights.
    Two performers, wearing glasses adorned with bright, shining white lights, operate a soundboard. The stage is lit with two bright red tube lights.
    Abasement #86. Performance documentation, April 6th, 2026, Artists Space. Photo: Joshua Wildman. [Two performers, wearing glasses adorned with bright, shining white lights, operate a soundboard. The stage is lit with two bright red tube lights. ]
    Caption Abasement #86. Performance documentation, April 6th, 2026, Artists Space. Photo: Joshua Wildman.
    Image description Two performers, wearing glasses adorned with bright, shining white lights, operate a soundboard. The stage is lit with two bright red tube lights.
    Year
    Related pages Abasement #86
  • Eight, framed, color photographs arranged into a grid on a white wall.
    Eight, framed, color photographs arranged into a grid on a white wall.
    Laura Cottingham & The Anita Pallenberg Story. Installation view, Artists Space, 2017. Photo: Daniel Pérez. [Eight, framed, color photographs arranged into a grid on a white wall.]
    Caption Laura Cottingham & The Anita Pallenberg Story. Installation view, Artists Space, 2017. Photo: Daniel Pérez.
    Image description Eight, framed, color photographs arranged into a grid on a white wall.
    Year 2017
    Related pages Laura Cottingham & The Anita Pallenberg Story
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Fifteen images arranged in a grid, depicting close-ups of human faces and arial views of war.
    Fifteen images arranged in a grid, depicting close-ups of human faces and arial views of war.
    Spread from Harun Farocki Diagrams. Images from Ten Films, stills from Images of the World and the Inscription of War, 1988. [Fifteen images arranged in a grid, depicting close-ups of human faces and arial views of war.]
    Caption Spread from Harun Farocki Diagrams. Images from Ten Films, stills from Images of the World and the Inscription of War, 1988.
    Image description Fifteen images arranged in a grid, depicting close-ups of human faces and arial views of war.
    Year 1988
    Related pages Harun Farocki Diagrams
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