Artists Space

Artists Space Annual Edition Portfolio 2011

Two rectangular boxes lying next to each other on a white background, with a small shadow. The left box is black. The right is white paper, with a black border, and it has two columns of very small red text, offset to the bottom left of the page.
Dexter Sinister (Stuart Bailey and David Reinfurt): Cover Material, 2010 Custom archival box, 24 1/2 x 20 1/2 x 1 1/2 in / 62 x 52 x 4 cm, Wrapped in “Cialux 1580,” manufactured from direct dyes in aqueous solution by Manifattura del Seveso, Osio Sotto, Italy, Accompanied by: A List of Incorrect Things, 2010 Nick Relph Offset print 6 2/3 x 11 in / 17 x 28 cm, Signed and numbered by Stuart Bailey and David Reinfurt. [Two rectangular boxes lying next to each other on a white background, with a small shadow. The left box is black. The right is white paper, with a black border, and it has two columns of very small red text, offset to the bottom left of the page.]

Dexter Sinister is the compound name of David Reinfurt (b. 1971, based in New York) and Stuart Bailey (b. 1973, based in Los Angeles). The two co-edit the arts journal Dot Dot Dot in and run a workshop at 38 Ludlow Street.

Two pages of red sans-serif text on a white background, titled "Notes:"
Nick Relph, A List of Incorrect Things, 2010, Offset print 6 2/3 x 11 inches, Signed and numbered by Stuart Bailey and David Reinfurt, Text by Nick Relph. [Two pages of red sans-serif text on a white background, titled "Notes:"]

Nick Relph (b. 1979) is an artist based in New York. He has recently exhibited at Overduin and Kite, Los Angeles, and Herald St, London. His text contribution is part of ongoing research into color and dye production which was also a component in his last exhibition at Gavin Brown’s Enterprise.

A color photo advertisement for an Olympus OM-10 camera, depicting a woman holding the camera and smiling, looking just past the viewer. The image is titled "CHERYL TIEGS PRAISES HER FAVORITE MODEL." A short interview is printed at the bottom right of the image, where Cheryl goes back and forth with an "interviewer" about her love of the camera.
Anne Collier, Tear Sheet, 2010, Digital C-print, 23 1/3 x 20 in / 59,2 x 50,8 cm, Signed and numbered certificate. [A color photo advertisement for an Olympus OM-10 camera, depicting a woman holding the camera and smiling, looking just past the viewer. The image is titled "CHERYL TIEGS PRAISES HER FAVORITE MODEL." A short interview is printed at the bottom right of the image, where Cheryl goes back and forth with an "interviewer" about her love of the camera.]

Anne Collier (b. 1970) is based in New York. Recent solo exhibitions include Les Recontres Arles Photographie, Arles; Anton Kern, New York; Corvi Mora, London; Bonner Kunstverein, Bonn; and Marc Foxx, Los Angeles.

An inverted color-like green, black, and white, overexposed image of a person wearing a hat, holding thier hands to their face. Most of their facial features are overexposed and not visible. In the bottom right of the image, a grey image is overlaid, as if cut-out, depicting various unidentifiable objects.
Trisha Donnelly, Untitled, 2010, 3 1/2 x 5 in / 8,9 x 12,7 cm, C print, Signed and numbered certificate. [An inverted color-like green, black, and white, overexposed image of a person wearing a hat, holding thier hands to their face. Most of their facial features are overexposed and not visible. In the bottom right of the image, a grey image is overlaid, as if cut-out, depicting various unidentifiable objects.]

Trisha Donnelly (b.1974) has recently exhibited at Casey Kaplan, New York (2010); Portikus, Frankfurt Am Main (2010), and Museo d’Arte Moderna di Bologna (2009). In 2010 Donnelly was awarded the Luma Foundation Prize from Rencontres d’Arles, in Arles, France.

A 3x5 grid of false-color stickers. The top four rows depict fruits cut in half resembling a grapefruit or orange. The last row depicts a coconut cut in half. A handful of stickers have a think line of black and white checkerboard pattern added to the perimeter of the fruit.
Guyton\Walker, Fruit Stickers for Artists Space, 2010, Set of 15 Inkset printed stickers, 6 in / 15,2 cm each, Signed and numbered certificate. [A 3x5 grid of false-color stickers. The top four rows depict fruits cut in half resembling a grapefruit or orange. The last row depicts a coconut cut in half. A handful of stickers have a think line of black and white checkerboard pattern added to the perimeter of the fruit.]

Wade Guyton (b. 1972) and Kelley Walker (b. 1969), both based in New York, began collaborating in 2004. Recent exhibitions include Greene Naftali, New York; Air de Paris, Paris; Venice Biennale 2009; MAMbo, Bologna; the Whitney Downtown Project, New York, and the Baltimore Museum of Art, in conjunction with Andy Warhol: The Last Decade.

A close-up photo of the front grille of a car, depicting the bottom half of the Chevrolet logo and a section of the front metal grille. Several bugs are visible, dead and stuck to the grille.
Danh Vo, Chevrolet Suburban, 2010, Digital C-print, 16 x 24 in / 40,6 x 61 cm Photo, credit: Thomas Cato Signed and numbered sales receipt. [A close-up photo of the front grille of a car, depicting the bottom half of the Chevrolet logo and a section of the front metal grille. Several bugs are visible, dead and stuck to the grille.]

Danh Vo (b. 1975) lives and works in Berlin. Artists Space recently presented Autoerotic Asphyxiation, his first US solo exhibition. His exhibition at the Statens Museum for Kunst, Copenhagen, is on view November 20, 2010 – March 20, 2011. His work has been featured internationally in biennials in Gwangju, Berlin and Singapore. Vo recently installed a retrospective of the work of Felix Gonzalez-Torres at WIELS in Brussels.

An image of a woman with frizzy hair, smiling and looking past the viewer. The image is slightly distorted, as if from a VHS tape.
T.J. Wilcox, I Fell in Love With Vanessa Redgrave, 2010, Perfect bound flip book 4-page cover plus 100 pages, 50 in color, with a text by the artist 3 x 6 1/2 x 3/4 inches, Signed and numbered [An image of a woman with frizzy hair, smiling and looking past the viewer. The image is slightly distorted, as if from a VHS tape.]

T.J. Wilcox (b. 1965) lives and works in New York. Recent solo exhibitions include Hiromi Yoshii, Tokyo, Metro Pictures, New York; Galleria Rafaella Cortese, Milan, and Sadie Coles HQ, London.