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Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. [A color photograph of a figure standing behind audio mixing equipment and a microphone in an orange-lit space. A crowd looks on.] -
New Red Order Cover the Earth, detail, 2021 Painted mural with cut vinyl, dibond prints, kiddie pool, sod, inflatable alligator, turtle sandbox, beach towels, towel racks, beach balls, beach chairs, beach umbrella, real estate lawn sign, cooler, and pool noodles. Image courtesy Artists Space, New York Photo: Filip Wolak [An image of a multicolored exhibition space consisting of beach paraphernalia, a real estate lawn sign, and a mural wall collaged with images and drawings] -
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Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon. -
Jenny Snider. It's a Sin to Tell a Lie, 1985. [A painting of two figures, one in the foreground and the other in the background. Towards the top of the painting reads, "IT'S A SIN TO TELL A LIE".] -
Tom of Finland Untitled , 1947 Gouache on paper Tom of Finland Foundation, Permanent Collection [An illustration including two men, wearing blazers and dress hats, gazing downwards next to another man. This man, dressed in dungarees and a baseball cap, is holding his penis.] -
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[Catalogue cover design featuring an architectural sketch of an abstract contraption. A silhouette of a figure is transposed on top of the rendering. Black sans-serif text at the top and bottom edges of the cover reads, "Joel Saunders & Scott Sherk / SIGHTING THE GALLERY / Artists Space / December 12, 1992 - January 30, 1993."] -
Nuestro Reflejo, Threads of History exhibition, Morris Jumel Mansion, March, 2025 -
Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure sits behind a table, looking at a laptop screen, their face resting in their hand and a microphone placed next to their face.] -
Mona Hatoum, Birds of a Feather, 1997, Chromogenic print, 10 x 12 inches (25.4 x 30.5 cm), Edition of 50, Signed & numbered. [The image shows a wood-framed photograph hanging on a wall. The photo, taken from inside a room, shows a seagull on a window ledge beside a small bird figurine. Out the window is a blue sky and buildings.] -
Flyer for Segue Reading Series featuring Wo Chan and Ronaldo V. Wilson. October 29, 2022, Artists Space. [Light blue text overlays a dark blue background. The top left corner reads: "Wo Chan & Ronaldo V. Wilson / October 29, 5pm." The middle reads: "Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519."] -
Francesco Simeti: Volatili. Installation view, Artists Space, 2009. [A painting of a woman with blonde hair and a cape hangs on a wallpapered wall. The wallpaper is white and decorated with colorful images of tropical birds in trees.] -
Exchange Show: Hallwalls, Buffalo, NY. Documentation of Opening Reception, Artists Space, 1976. Photos: Cindy Sherman. [Three black and white images arranged in a column. In the top photograph, a figure stands very close to a white wall. In the center photograph, a firue holds the sides of a their dark jacket, opening it up to reveal a white t-shirt. They stand next to a wall with three circular objects. The bottom photograph features a dog in the center foreground.] -
Emily Richardson, Redshift, 2001. DVD Projection, 4 min. [An outdoor landscape at night. Raindrops fall from the sky, and several dots of bright light are visible on the horizon over a great expanse of water, reflecting yellow light onto the water's surface.] -
Pictures. Installation view, Artists Space, 1977. Photo: D. James Dee. [A black and white installation view of two square black panels on a white wall. The hazy outline of a circle with a figure behidn can be discerned in each canvas.] -
Apartment Show: If the dogs are barking. Installation view, Artists Space, 2009. [A collection of posters, drawings, paintings, photographs, and collages hang in clusters on a white gallery wall. On the right of the wall is a closed doorway. A long, multicolored poll wedged into a wood stump sits on the gallery floor.] -
David Armstrong: Portraits. Installation view, March 10 – May 23, 2026, Artists Space. Photo: Carter Seddon [On the back wall, painted in grey, a collage of photographs intertwines and overlaps. Directly in front, a white gallery wall displays five black and white portraits of various sizes. ] -
[An equilateral triangle filled with a white and purple gradient. The triangle's bottom right corner is a dark purple color, while its bottom left corner is a bright white color.] -
P.S. 140 students painting sound, 2019 [An image of several students paitning with watercolors, each on their own desk] -
[A screenshot of the google images search results page for the query "a history of negations."] -
Betty Tompkins, Sex Painting #4, 2013, 23.5 x 16.5 inches [Painting depicting a close-up image of a figure's mouth licking the top side of a foot. A large thumb is pressed against the bottom of the foot, holding it up to the mouth. The painting is composed of soft, muted gray and purple hues. A white band stretches across the lower edge of the image. Black text running along the center of the image's bottom edge reads, "2020Solidarity - Betty Tompkins," while small, faint gray text running along the lower right edge of the image reads, "A project by Between Bridges."] -
Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak. [Framed works on paper hang on a white gallery wall. Some feature large circles composed of smaller ornamental swooping lines. Others feature abstract calligraphic strokes that resemble text.] -
Sistema Sandinista de Television. Still from Golpes de la Corazon (Blows of the Heart)*, 1983. Video (sound, black and white). Spanish with English Subtitles. [A man holds a woman over his shoulder as looks to the right. Writing can be seen on the wall behind them. Subtitles are burned into the bottom of the screen that read, "I'm the boss in my house...stay here!" Scan lines are in the image and the box of the CRT monitor is visible.] -
Lucas Pedernieras, from Huh portfolio, 2020, digital photograph [A painted orange sun outlined in yellow with light orange rays with a black background is visible in the upper corner of a ceiling with cyan moulding.] -
Yasunao Tone, Voice and Phenomenon, Experimental Intermedia Foundation, New York, 1976. [Black-and-white photograph of a TV against a brick wall, connected to a camera recording directly above a spotlighted chair and desk.] -
Laura Cottingham & The Anita Pallenberg Story. Installation view, Artists Space, 2017. Photo: Daniel Pérez. [An empty dim-lit room with chairs with a projection on the wall. The projection features a close-up image of a person with wavy brown hair covering their face, lying facedown on a fluffy white carpet.] -
Trip to Artists Space to see fwiw Constantina Zavitsanos exhibition, 2024 -
Min Joong Art. Installation view, Artists Space, 1988. [A photograph of a large, open gallery space. The visible walls feature a continuous painting that wraps around the room, showing human figures on saturated blue, yellow, and red backgrounds. A single person stands int he room and looks at the painting.] -
Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata [Color image of a figure sitting behind a reed organ covered in a sheet of clear plastic. A clock sits on a music stannd with instructions behind the organ. The figure positions their hands on a large block of ice that sits on top of the keys of the organ.] -
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Leslie Thornton. Jennifer, Where Are You?, 1981. [A closeup of a young girl with dark hair and bangs, frowning as she applies red lipstick in a messy circle around her mouth.] -
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Still from CNN’s coverage of the NEA controversy surrounding the exhibition Witnesses: Against Our Vanishing, recorded by Marion Stokes. Aired on 11/09/1989. [Still image with VHS distortion depicting the exterior of a building, and a sign with the Artists Space logo: white text on a black background with a large "A" on top of a thin white square, with "ARTISTS SPACE" written below. The sign marks a red door on a dark building façade.] -
Lance Loud and Andy Warhol. [A black and white image of two men facing the camera.] -
[Black text on a light green background. The text reads: “May 9 / Patricia Spears Jones / Khashayar "Kess" Mohammadi.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
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Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [A crowd of people fill a dimly lit red room, some sitting and some standing. Projections of abstract images and an illuminated painting cover three of the space’s walls.] -
Abasement #77. Performance documentation, April 7th, 2025, Artists Space. Photo: Joshua Wildman. [Color image of an audience in a room. Some of them are seated, others in the background are standing up. A bright yellow light is pointing into the camera, creating a dramatic light flare. The wall in the background features an abstract image projection, resembling a piece of shattered glass. The atmosphere in the room is hazy, and white dots of light from a disco ball fill the room.] -
Sharon Hayes, Symbionese Liberation Army (SLA), 2002. [Stacks of labeled VHS tapes of varying heights arranged against a white wall.] -
Union Gaucha Productions. Installation view, Artists Space, 2015. Photo: Daniel Pérez. [A dimly lit room with green turf-like carpet and exposed wooden walls. On the left, 9 images of different sizes are mounting, and luminous. On the right, projectors and movie cameras are placed on a horizontal shelf. On the far end of the floor towards the wall is a small square tv monitor with headphones placed in front of it. Behind the monitor are three medium-sized white windows.] -
Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [Four collages, framed in a grid on a wall. Each collage features the same backdrop of a man stopped in the middle of the road opening the hood a car, the drivers seat door opened. Each collage features a different colored filter, arranged with images of various Indigenous people on reservations, European historical paintings, animals, gags, signs, objects, and detritus.] -
New Red Order Beginning of the End of the Trail, detail, 2021 Wet-plate collodion glass negatives with LED lightboxes, pipes, and extension cords. Image courtesy Artists Space, New York Photo: Filip Wolak [An image of a dark room with multiple videos playing in the background and photograph negatives hang off the wall.] -
Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman. [Color photo of three musicians captured mid-performance on stage in a dark venue space. The performer in the middle plays the trumpet and is flanked at either side by two men playing clarinets. The musicians are illuminated by green and blue abstract projections that are cast on the wall behind them.] -
Heist Divination (fwiw remix). Performance documentation, October 25th, 2024, Artists Space. Photo: Destiny Mata. [A performer's hand adjusts the dials of audio equipment which is placed on top of a small desk. Their hands are adorned with rings and bracelets, and the scene is bathed in green light. The background is blue and purple tinted, and there are blurred silhouettes of audience members behind the performer.] -
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Carolyn Lazard: Two-way. Installation view, Artists Space, 2025. Photo: Greg Carideo. [An exterior view of a gallery with white neoclassical columns and a row of three glass doors. Inside the gallery is a bright red wall with large white text: the text is partially obscured by the building’s columns and doorways.] -
Abasement #73. Performance documentation, November 4th, 2024, Artists Space. Photo: Joshua Wildman. [Two performers on stage in front of a seated audience. The musician on the left is playing the violin, and the musician on the right is playing the drums. The room is bathed in red and blue light. The wall behind the performers is projected with blue and purple graphics.] -
Grade 7 students with collage self-portraits, 2021 -
John Torreano. Untitled, 1974. Oil and glass jewels on canvas. Artists Space, 1974. [A black and white photograph of a square white canvas covered in shiny and textured black splotches.] -
Flyer for Segue Reading Series featuring hannah baer and Cyrus Dunham. March 12, 2022, Artists Space. [Black text overlays a light blue background. The top left corner reads: hannah baer / Cyrus Dunham. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, March 12, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5."] -
Unholding. Installation view, Artists Space, November 19, 2017 - January 21, 2018. Photo: Daniel Pérez. [Three paper bags featuring collaged and drawn embellishments sit in a row on three pedastals of varying heights in ascending order.] -
Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. [A color photograph of a figure standing behind audio mixing equipment and a microphone in an orange-lit space. A crowd looks on.] -
Jill Kroesen, Previews of Lou and Walter. Performance documentation, November 12, 1977, Artists Space. [A black and white photograph of a performance. Three figures stand in a cleared portion of a room, each one balancing on their right foot. A crowd looks on.] -
New Economy. Installation view, Artists Space, 2007. [An installation view of two rows of photographic portraits tacked to the walls. In the background is a red, white and black print that says "Imagine that capitalist revelations are overcome by local economic federations of grassroots groups that produce according to regional demand."] -
Milford Graves: Fundamental Frequency. Installation view, Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak. [A color installation photograph of two sculptures in a gallery space. The sculpture closer to the camera is composed of a human skeleton, and anatomical models of human heads, a brain, and a spine. The sculpture in the background features several monitors, and is topped by a sculpture of an eagle in mid-flight.] -
Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon. [A series of reproduced photographic stills are displayed in a row along a white gallery wall. The stills are taken from a television broadcast and depict graphics from commercials, and the inside of a television studio. In the foreground is a magazine, displayed open on a plinth made from MDF. ] -
Abasement #75. Performance documentation, February 3rd, 2025, Artists Space. Photo: Joshua Wildman. [Color image of a performer playing the drums. Their eyes are closed and their mouth is open, they are wearing a black t-shirt and glasses. The face of the performer and the wall in the background are decorated with colorful pattern projections.] -
Adjua Gargi Nzinga Greaves: The x in florxal is silent when spoken. Installation view, Artists Space, 2021. Photo: Filip Wolak. Courtesy Artists Space, New York. [A photograph of a gallery space with works on paper hung on the far wall and plants, works on paper, and a collage mounted on the right wall, which is painted pink.] -
Metaphysical Visions. Installation view, Artists Space, 1989. [In the foreground of a white gallery space is a large sculpture made of a wooden box topped with a floral textile and wooden chairs. Another sculpture and painting are installed behind it.] -
Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013. [A side view of a sculpture of a man leaning against a white column. He holds a book in his right hand. He is wearing a purple shirt, blue patterned shorts, and white sneakers.] -
Photo: Gabe Hoot. [A woman in a pink dress sitting at a table in a yard surrounded by stuffed animals and a tea set.] -
Frozen Lakes. Installation view, Artists Space, 2013. Photo: Meinke Klein. [Several parallel dividers constructed from metal fencing positioned between black metal frames are arranged in an exhibition space. Colorful textiles and t-shirts are displayed on the fencing.] -
David Armstrong: Portraits. Installation view, March 10 – May 23, 2026, Artists Space. Photo: Carter Seddon [In a bright gallery, three vitrines recead into the space. They are met by a white wall bearing four large color photographs. ] -
*Jordan Lord: Prophetic Memory," Installation view, Artists Space (55 Walker Street), 2021. -
Page 120-121 of The Shithole Opry Collector’s Guide, Cushion Works, 2026 -
In The Poem About Love You Don't Write The Word Love. Installation view, Artists Space, 2006. Photo: Bill Orcutt. [Several rectangular sheets of cream colored paper hang side-by-side on a gallery wall. The papers are arranged in clusters of three or more and appear blank, with faint creases visible on their surfaces.] -
The Owl Answers. Performance documentation, February 29, 2020, Artists Space. Photo ©️ 2020 Filip Wolak. [Close up of two figures standing before a set of music stands, their hands turning the pages of a script. They gaze at each other while the figure on the right speaks, their arm raised towards their chest in a small gesture. This figure wears glasses and an elaborate, gold and black collar piece.] -
Pool Show. Installation view, Artists Space, 1980. [Frame photographs and text hang on the wall in a gallery space.] -
Installation view, Robert Morgan. Artists Space, 1977. [A black-and-white photograph of a gallery space with multiple works, framed and unframed, on the walls.] -
Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [A figure dressed in leather performs on stage with a purple projection on them.] -
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Caroline Key. Still from Speech Memory, 2007. 16mm film on video, color, sound; 23 minutes. Courtesy the artist. [White text on a black screen reads: “An additional interpreter was needed to translate my father’s Korean into English.”] -
Abasement #84. Performance documentation, February 16th, 2026, Artists Space. Photo: Joshua Wildman. [A performer sings into microphones illuminated in colorful, patterned lights. ] -
Patricia Caire. Installation view, Artists Space, 1980. [A sheet with painted black figures on it hangs suspended in a front of lighted windows in a gallery space.] -
Not yet titled, 2019
Clay, glaze, metal antenna
3 1/2 x 13 x 12 inches (variable)
$3,500
[A silver and gold object sits on a white base. A flat, multicolored surface is attached to the left side, and a metal antenna extends out on a diagonal.] -
Listening Room, recorded compositions, collage and ceramics 2025 -
Shayla Aviles, Untitled, 2018 [A mostly black-and-white image depicting the façades of two buildings - one is light grey with a turquoise fire escape, and the other is dark grey with a black fire escape. On the lighter building, the street-level storefront says "Mazeish"] -
Jutta Koether: xxapollo. Performance documentation, January 5, 2020, Artists Space. Photo © 2020 Paula Court. [A person dressed in all pink extends a heart-shaped canvas in front of her, while her eyes look away. She is surrounded by rapt audience members arranged in a semi-circle around her. There are light spots reflected at even intervals patterning the room.] -
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Abasement #80. Performance documentation, September 22nd, 2025, Artists Space. Photo: Joshua Wildman. [Two performers play side by side on stage. One performer plays the drums and the other a standing bass. The performers are bathed in colorful lights, created by a live video projection of the performance.] -
SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement with a sculpture made of two fresnel lenses cut in the shape of wings hung on the back of a pillar to the left of the image. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.] -
The House that Herman Built. Installation view, Artists Space, 2007. [A freestanding room, constructed from wood and resembling a prison cell, sits in the center of a gallery space, its door ajar. A model of a building sits on a pedestal to the left of the wooden prison cell. On the wall, a vinyl quote reads: WHAT KIND OF HOUSE DOES / A MAN WHO HAS LIVED IN A / SIX-FOOT BY NINE-FOOT CELL / FOR OVER 35 YEARS DREAM OF?] -
Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a background of yellow, pink, and orange paper. Pieces of paper with typewritten text listing the performers and event details are scattered around the flyer.] -
Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [Two figures play music on a stage, the left figure plays a keyboard. Washes of blue and green light are projected onto them.] -
Artists Space Curator Jamie Stevens speaking with P.S. 140 Portfolio Students [Two people stand in the foreground: one person holds a notebook and points to a page while the other looks on.] -
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Based on a True Story. Installation view, Artists Space, 2004. [A wide shot of a gallery space with three columns. At the base of one column is a colorful, flat piece. On the large wall behind that column, three paintings hang in a horizontal line. To left of that, several framed drawings are arranged in a horizontal line. Against the perpendicular wall, there is a plinth with a television and several headphones.] -
Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court [Two figures stand back to back, juggling clubs above their heads.] -
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Pictures. Opening Reception, Artists Space, September 23, 1977. Photo: D. James Dee. [A black and white photograph of two figures standing in front of a wall of framed silhouettes.] -
The Owl Answers. Performance documentation, February 29, 2020, Artists Space. Photo ©️ 2020 Filip Wolak. [Two figures behind music stands perform before a seated audience. One of the figures wears a striped shirt and has turned away from the figure beside them, who gazes out towards the audience as they speak.] -
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Jutta Koether, Fifth Season Act, Apotheosically, Artists Space, 2012. [A close-up image of an assemblage with a figure on the left-hand side in a white suit holding a microphone.] -
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Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [A black display case in the corner of a gallery, surrounded by windows looking out into Manhattan. A mannequin faces away from the camera, and three backlit texts are placed across the floor, in sequence. Each text is superimposed on a photo of a metal pipe looking similar to a gun. On the back viewer, the image is visible alone with no superimposition.] -
Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. [A color photograph of a figure standing behind audio mixing equipment and a microphone in front of an orange background.] -
Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A dimly lit, empty room filled with low chairs. A projection illuminates a dark wall opposite the chairs and displays an image of a man with tan skin and facial hair, wearing a keffiyeh.] -
Jim Hodges, Untitled, 1999, Etching and aquatint with chine-collé, 22 x 30 inches (55.9 x 76.2 cm), Edition of 30, Signed & numbered. [A white image with a faint grey line that bisects the page lengthwise. In small text, the word "with" Iies at the center of the image.] -
Contemporary Architecture - an installation by realities:united. Installation view, Artists Space, 2007. Photo: Bill Orcutt. [In a gallery space, a large white overhead LED-style sign acts as both a drop ceiling and overhead lighting. It displays two numbers, a 2 and a 3. Below are a black sofa and, facing it, a small television on a wooden pedestal.] -
SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement window that has been tinted with blue paint, streaming in blue light.] -
Avery Singer, The Studio Visit, 2012. Courtesy the artist and Gavin Brown's enterprise, New York/Rome and Kraupa-Tuskany Zeidler, Berlin. [Abstract painting of two people sitting at a table, having a conversation.] -
dissolving city, digital photographs, 2024 -
Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A view of a dimly lit room with a video monitor sitting on the ground of the right wall. The monitor screen is black with white text reading, "[The Manhattans continue to sing 'Shining Star']." Towards the corner, an inferometer projects green dots onto adjacent walls.] -
Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a gallery space. Various musical instruments and audio devices are placed around the middle of the room, photographs and vitrines hang on the walls, and various television monitors are placed along the sides of the room.] -
Cindy Sherman. Work unknown. [Black and white photo of various figures in an office space. The set and costumes are in the style of the 1950s. One woman sits at a desk looking through papers, one woman sits at a typewriter. Three other figures are also in the space in casual poses.] -
Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a gallery space. A free-standing wall sits in the middle of the space, holding framed CDs, a projected image of a man and a truck, and an audio device. On the floor in front of the wall sits a television monitor.] -
Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman [A figure to the left plays the saxophone while another figure sitting in the middle of the frame watches with a guitar in his lap, another figure in the back right plays the bass.] -
Paul Lamantia. Lilith, 1985. [Three figures with misshapen bodies and faces appear in a surreal setting.] -
Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon. [Next to the entrance to a gallery space, along the inside wall, is a large photograph affixed to a wall that depicts a billboard on Glendale Boulevard in Los Angeles. In the foreground is a set of three open magazines displayed on a plinth made of MDF. ] -
Enough Tiranny Recalled, 1972–2009. Installation view, Artists Space, 2009. Photo: Daniel Pérez. [A installation wide shot of a room with five silver columns. In the foreground, there is a rectangular pool filled with water with two spouts spraying water in fountains. A second pool built from wood is visible in the background. Between the two, there are various objects including a low-hanging disco ball, a vase with flowers, strands of string lights, and more. On the back wall, the word "TIRANNY" is handwritten in block letters, partially obscured by one of the columns. The room is lit by standing colorful lights with pink and blue tones.] -
Visit to Artists Space to see exhibition Zoo or an Orchestra, Char Jaré, 2024 -
Abasement #82. Performance documentation, November 17th, 2025, Artists Space. Photo: Joshua Wildman. [The image positioned below a speaker shows a performer singing while playing the keyboard. ] -
[Two people on a city street in front of a graffitied brick wall. One faces the camera, holding a megaphone and a piece of paper at his sides. The other is walking, facing the side, and speaking into her megaphone and reading off a sheet of paper.] -
[A grid of pink hearts on a green background.] -
Abasement #86. Performance documentation, April 6th, 2026, Artists Space. Photo: Joshua Wildman. [A performer, wearing a bright headlamp, sings into a microphone while pointing out towards the audience in a dimly lit room. ] -
Mark Morrisroe: From This Moment On. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A white wall displaying twenty-one framed photograms arranged in a rectangle creates a corner with a second white wall displaying four framed photograms in a horizontal line.] -
Beverly Semmes, Tree Net, 1989. [A black and white photograph of a sculpture, which sits on the ground near the corner of a room, its wiry frame covered by a transparent mesh material.] -
Trip to Artists Space to see Renee Gladman exhibition, 2023 -
Doris Guo, angst, 2023 [Color image of a small pinhole projector, sitting on a pedestal and facing a wall to the left of the image. On the wall, an image of a red pearlescent ball, with a small white pearlescant ball attached on top, is projected.] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Three figures perform in front of an audience. Two figures in blue morph suits face off with a wooden table between them, while a third figure takes video footage of the scene.] -
rafa esparza: Camino. Installation view (Timo, 2023; Adobera 1 (adobe brick mold), 2023; Sancha, 2023), Artists Space, 2023. Photo: Filip Wolak. [Color image of a gallery space with paintings done on adobe panels that rest on steel armatures, and are laid out around the space. The artworks depict paintings of various figures. On the wall hangs a wooden ladder horizontally.] -
Installations by Jurgen Partenheimer and Stuart Wilson. Installation view, Artists Space, 1982. [Three figures appear in distinctive dress flowing through space around each other as if in a duel amongst themselves with a black background.] -
Arts and Family Engagement evening, student panel on high school portfolio preparation, P.S. 140, 2017 [A classroom setting with several students and adults sitting across the room at desks and tables, looking at a teacher speaking to them in a corner of the room] -
Charles Simonds. Still from Mythologies, 1974. From Thomas Lanigan-Schmidt, James Biederman, Charles Simonds, Artists Space, 1974. [A black and white film still of an apartment building, taken from the street. In front of the building is a sculpted landscape of rolling green grass. Two cars are parked on the street.] -
Wolf Vostell idécollage No. 3, Bulletin aktueller Ideen , Cologne, December 1962 Collection Andersch [White text against black background, landscape orientation poisitioned in portrait with words reading from bottom to top. The large title reads "dé collage."] -
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keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of three figures, wearing conical costumes made of reflective one-way mirror film, standing at the doorways of a gallery space.] -
Abasement #77. Performance documentation, April 7th, 2025, Artists Space. Photo: Joshua Wildman. [Close-up color image of a persons hands on a red audio mixing device. Various blue and red cords stick out of the machine. A camera on a tripod sits on top of the machine. The background is blurred, with a few audience members visible. The scene is lit with soft pink light.] -
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[A woman dressed in a suit sits among clouds in a blue sky, smiling, with six arms. Each hand is holding two phones, an alarm clock, globe, laptop, and folder.] -
Baskets. Installation view, Artists Space, 2006. [A series of amorphous, basket-like objects sit on a series of plinths of varying heights in a gallery space. The baskets are composed of a variety of materials, including wood, grass, gourd, and paper.] -
Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A document that reads, "1976," next to several newspaper and magazine articles organized on a white surface.] -
The Library Vaccine. Installation view, Artists Space, 2014. [A seven shelf, white, book case is housed full of various colorful and sized books.] -
Renée Green. Still from Partially Buried Continued, 1997. Video, color, sound; 36 minutes. Courtesy the artist, Free Agent Media, and Video Data Bank. [A television box monitor displays a diagram connecting Robert Smithson to Theresa Hak Kyung Cha, and the past to the present and the future.] -
Excerpt from Hito Stereyl, Guards, 2012, HD video on freestanding screen with sound, 20 mins. Courtesy of the artist and Andrew Kreps, New York. [A moving image of a person, dressed in black, side stepping slowly in the gallery as the camera pans over to them.] -
ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A view of multiple works including a vending machine against a glazed over window, a glass display table backed by tiled photographs, a lightbox with an image of sitting individuals and a colorful shack structure.] -
Abasement #80. Performance documentation, September 22nd, 2025, Artists Space. Photo: Joshua Wildman. [A performer plays the cello on stage.] -
John Mendelsohn. Installation view from John Mendelsohn and Donald Sultan. Artists Space, 1977. [A black and white photograph of a canvas filled with black and white abstract angular forms that are reminiscent of tables.] -
The Owl Answers. Performance documentation, February 29, 2020, Artists Space. Photo ©️ 2020 Filip Wolak. [Three figures standing by a set of music stands in front of a seated audience. The center figure faces the audience, her arms stretched wide. The figures on either side of her appear to mime grasping something above themselves—such as a bar or handle—with one hand. One's expression is solemn, the other's incredulous.] -
David Armstrong: Portraits. Installation view, March 10 – May 23, 2026, Artists Space. Photo: Carter Seddon [In an open gallery space, three vitirnes stand surrounded by walls displaying large color photographs with thick black borders. ] -
"Identity". Installation View, Artists Space, 2011. Photo: Daniel Pérez. [Three adjacent panels, reading "pompidou", "moma", and "tate" in black text against a luminous white background hang in a dimly-lit exhibition space.] -
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Eiko Ishibashi: Two New York Nights. Performance documentation, June 8, 2022, 8pm. Artists Space, New York. [A woman stands in front of a micrphone and computer. Her face and hands are illuminated by red light.] -
Johanna Went performing at The Hong Kong Cafe, Los Angeles. Photo: Ed Colver [Black and white image depicting a performance. The artist is standing in the center of the frame and wearing spotted tights and cowboy boots. The upper half of their body is enveloped in a large plastic foam fabric, which covers their torso, face, and arms. Affixed to the large fabric construction are clusters of plastic takeout containers. Audience members are visible in the foreground.] -
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Shala Miller performs Genesis: Medley. Performance documentation, May 11, 2023, Artists Space. Photo: Roy Baizan. [Black & white photograph of one side and the entrance into a gallery room. The walls are painted black, and at the corner of the entrance stands a performer singing into a microphone stand. Around him and along the wall audience members sit on the floor or stand.] -
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Flyer by Joe Frivaldi [Magazine cut-outs and ink drawings are collaged together on a background of yellow, orange, pink, blue, and red paper. Small pieces of paper with red typewritten text listing the performers and event details are scattered around the flyer.] -
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“Palestine, BLM & Boycott in the Arts.” Artists Space Books & Talks, Friday, November 4, 2016. Courtesy Decolonize This Place and Artists Space, New York. Photo: Andrés Rodriguez [View of the audience members from the Artists Space and Decolonize this Place event, featuring black, white, red, and yellow banners on the wall with slogans for global resistance.] -
[Black text on a grey background. The text reads: “Jan 31 / Bruce Andrews / Christopher Knowles.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
Abasement #67. Performance documentation, January 15, 2024, Artists Space. Photo: Joshua Wildman. [Color image of a performer standing in the midground of the image with their back towards the audience. They are dressed in all black including a black beret. Both of their arms are raised with a bend at the elbows. In their right hand, they hold a straight object, perhaps a conductor's baton or drumstick. They grasp an oblong object in their left hand as well. Speckled purple, green and blue light is projected onto the performer and the back wall, their shadow with their arms raised appears on the back wall. In the center foreground of the image there is a microphone on a stand and to the right side, a black speaker on a stand. ] -
Brad Kronz. Installation view, Artists Space, 2025. Photo: Carter Seddon [Three works are seen in the gallery space. To the far left, five rectangular wooden boards stand stacked on top of each other. Central is a tall box made of similar wood boards. To the right sits an eagle-headed sculpture and an object resembling a modem. ] -
Shani Strand, Duppy (Don’t Wait for Karma), 2024, 12.5 x 5.5 x 7.5 in, glazed ceramic, teeth fragments, chain, Empire brick. [On the left is an oblong ceramic sculpture of a ghost with its mouth open. In the ghost's left hand is a coiled chain. The other end of the chain is wrapped around a worn down brick that reads "EMPIRE."] -
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[Flyer featuring densely collaged images of food in metal trays, renaissance-era images of saints and angels, Cookie Monster and other puppets, electric keyboards and vintage video game consoles, images of people holding vegetables and plates of food, and tree-filled landscapes. Below the collage, white sans-serif text is superimposed over an image of stars in space. The text reads: “artists space & the segue reading series invite you to a virtual reading by / Steven Seinberg / and / Darcie Dennigan / saturday, may 2nd, 5pm nyc time, zoom id: 378 232 567 / it will be robust.] -
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Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure kneels down on all fours on the stage, setting up audio equipment. Blue and red lights are cast onto them.] -
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Selections from the Artists File. Installation view, Artists Space, 1989. [A photograph of a large gallery space with multiple rooms visible. In the foreground, the floor is covered with flooring, except for a silhouette of a human figure which has been cut out of the flooring, through which the concrete below is visible. Two geometric abstract paintings hang on the wall above.] -
[White text overlays a green and pink marbled background. The text reads: “April 1 / Fiel Guhit / Tianyi Sun." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
We Are The History of the Future: Listening to the LES online presentation, My Story Our Story Quilt, P.S. 140 7th grade students [A screenshot of a video call presentation. Two students are placing strips of white paper together; they are creating a paper quilt. They are flanked on the right side by the images of ten individuals who are joining the call remotely.] -
Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color photo of the first room in the exhibition. To the left, a wooden high-top bar holds a cash register, a lamp and a book. Three high-top stools are lined up in front of the bar. A large drawing done in BLANK on cardboard hangs above the bar. To the right, a grey metal bookshelf holds books, bags of rice and flour, Wonder bread, toliet paper, q-tips and soap. Next to the bookshelf a yellow produce scale hangs from the ceiling holding bubble wrap. The back wall is painted green, appears like the walls used in construction projects, with a hand-painted sign that reads: Dorothy Porter Wesley: The Negro in the United States, A Selected Bibliography.] -
"Identity". Installation View, Artists Space, 2011. Photo: Daniel Pérez. [In a dimly lit room with light wood flooring and white pillars, three illuminated panels are suspended from the ceiling in the distance. The panels each display a single word—"tri", "angu", and "late"—in a cursive font.] -
Terry Fox, Yield, University Art Museum, Berkeley, California, September 4, 1973. Photo: Larry Fox. Courtesy Marilyn Bogerd. [Black-and-white film photograph of a mound of flour on a concrete floor. A figure's hands are shown along the right and top side of the composition. The figure's right hand is poised above the center of the flour mound, pouring yeast into it from a small packet.] -
New Red Order Give it Back, detail, 2020 Acrylic LED displays with cut vinyl, water cooler, poster, couch, desk, chairs, magazine rack, The New Red Times Magazine, and three televisions. Image courtesy Artists Space, New York Photo: Filip Wolak [A close up image of three tv monitors on a wall with vinyl lettering that reads "New Red Order", in the right corner is a water cooler.] -
Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979). Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A framed photograph displayed on a white wall. The photograph shows multicolored flowers laying on a white surface with a black background.] -
Michael Brewster, An Acoustic Sculpture, 1977. Negatives of Installation views from An Acoustic Sculpture, A Clicker Drawing. Artists Space, 1977. [A strip of black and white film negatives of a cavernous gallery space.] -
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[A warm-colored living space littered with discarded wrapping paper and boxes. A champagne bottle sits on a side table next to an orange couch.] -
[A man in a white shirt and pinstriped vest and pants casually holds a black jacket over one shoulder. "Undoolay" is in pink script on the bottom of the image, crossing over "Elective Affinities".]
