Artists Space

Decolonize This Place

September 17 – December 17, 2016

Organized by the collective MTL+ at the invitation of Common Practice New York, Decolonize This Place will convert Artists Space Books & Talks into a shared resource for art, research and organizing.

Red background with white text and border which reads: "DUMP THE FINE ART OF GENTRIFICATION," with the Decolonize This Place logo positioned underneath.
[Red background with white text and border which reads: "DUMP THE FINE ART OF GENTRIFICATION," with the Decolonize This Place logo positioned underneath.]

Recent years have seen a sharp resurgence of social movements, within which artists and cultural workers are playing leading roles. Decolonization, not only of the mind, but of land, institutions and social relationships, has emerged as a sweeping imperative across contemporary political struggles.

Organized by the collective MTL+ at the invitation of Common Practice New York, Decolonize This Place will convert Artists Space Books & Talks into a shared resource for art, research and organizing.

At the core of its process is a weekly program of public events, with collaborators from across the five boroughs anchoring assemblies, trainings, skillshares, readings, screenings, meals, and healing sessions. Confirmed participants include

Aida Youth Center—Palestine
AKA Exit
Al-Awda NY
Black Poets Speak Out
Bronx Not For Sale
Chinatown Arts Brigade
Comité Boricua en la Diáspora
Common Practice New York
Direct Action Front for Palestine
El Salón
Global Ultra Luxury Faction (G.U.L.F.)
Insurgent Poets Society
Jive Poetic
Justice for Akai Gurley
Mahina Movement
NYC Stands for Standing Rock Organizing Committee
Queens Anti-Gentrification Project
Take Back The Bronx
Tidal: Occupy Theory, Occupy Strategy
Wing On Wo & Co.
Woman Writers Of Color
Working Artists and the Greater Economy (W.A.G.E.)

with further collaborators added through the duration of the project.

The program of outward- and inward-facing events will center five lines of political inquiry, namely Indigenous Struggle, Black Liberation, Free Palestine, Global Wage Workers, and De-Gentrification. Different communities will be in dialogue through the space, establishing ties between groups that tend to converge around single issues. Moving beyond politics that rely upon loose definitions of commonality, Decolonize This Place seeks instead to mobilize complex differences to decenter whiteness and repatriate land.

The project will be grounded in the in-house production of posters, banners, t-shirts and other artworks, with a print station providing the means to make zines and publications. Artworks produced will be displayed in the gallery and strategically used in actions across New York, collapsing a feedback loop between exhibition and demonstration. Through this, 55 Walker Street will be coded as a site of continuous social and aesthetic production that feeds directly into movements across the city. A kitchen and greenhouse will root the project in a politics based on abundance, in an attempt to depart from an economic schema that emphasizes scarcity.

Just as Artists Space itself is transformed into a self-regulated commons, Decolonize This Place will “strike art” to “liberate art from itself”—in the words of MTL+ member Nitasha Dhillon: “not to end art, but to unleash its powers of direct action and radical imagination.” The fluid intersection between grassroots organizing and creative activism is key to this process. When communities make artworks, and artists become organizers, usual hierarchies of artistic production fall apart.

Through its three-month duration, Decolonize This Place will question how the alternative arts organization, pressured to justify ever-escalating real estate values, can re-interpret its traditional function as holdout within an art world increasingly quarried for ultra-luxury assets. At a time when so many neighborhoods see art crudely utilized to drive gentrification, what further models of community engagement can nonprofit institutions devise?

A website with further information, documentation and a calendar of daily activities can be found at

MTL+ is comprised of Nitasha Dhillon, Amin Husain, Yates McKee, Andrew Ross, Kyle Goen, Amy Weng, Aiko Maya Roudette, Marz Saffore and Samer Abulaela.

Nitasha Dhillon and Amin Husain are founding members of MTL, a collective that combines research, aesthetics and organizing. MTL is a founder of Tidal: Occupy Theory, Occupy Strategy, and of Global Ultra Luxury Faction (G.U.L.F.), Direct Action Front for Palestine, Strike Debt, Rolling Jubilee and Decolonial Cultural Front. Currently, MTL is working on a film on Palestine titled On This Land (

Yates McKee is an art historian whose work has appeared in venues including October, Grey Room, Oxford Art Journal, e-flux Journal, Texte zur Kunst, South Atlantic Quarterly, and The Nation. He is the author of Strike Art: Contemporary Art and the Post-Occupy Condition (Verso, 2016).

Andrew Ross is a social activist and NYU professor. He has authored many books, has written for The New York Times, The Guardian, The Nation, Newsweek, and Artforum, and was a founding member of Occupy Student Debt Campaign, Gulf Labor Coalition, Strike Debt, and Global Ultra Luxury Faction (G.U.L.F.).

Kyle Goen is multidisciplinary artist and founding member of AKA Exit, an art collective that combines research and aesthetics in direct actions. Kyle is a core member of Direct Action Front for Palestine and Decolonial Cultural Front, the formation that led the action against Brooklyn Museum in May 2016, and was the precursor to Decolonize This Place. Kyle is also an active member of Global Ultra Luxury Faction (G.U.L.F.).

Common Practice New York is an advocacy group that fosters research and discussions about the role of small-scale arts organizations in New York City. The members of Common Practice New York are Anthology Film Archives, Artists Space, Bidoun, Blank Forms, Danspace Project, Electronic Arts Intermix (EAI), ISSUE Project Room, The Kitchen, Light Industry, Participant Inc, Primary Information, Printed Matter, Recess, SculptureCenter, Storefront for Art and Architecture, Triple Canopy, and White Columns. Common Practice New York draws inspiration from Common Practice, London, an affiliated advocacy group working for the recognition and fostering of the small-scale contemporary visual arts sector in England, and founder of the Common Practice Network.

October 8, 2016

Water Is Life
Benefit Concert
7 p.m.

October 11, 2016

Decolonize This Museum
7 p.m.

October 22, 2016

Chinatown Is Not for Sale

October 29, 2016

Artists: NYC Is Not for Sale
7 p.m.

November 20, 2016

Our Uprisings
Art Action Assembly
6 p.m.

December 3, 2016

Bodies of Light: Exit Strategy
Presentation & Performances
6 p.m.

December 10, 2016

Wages of Whiteness in the Art Economy
6 p.m.

December 17, 2016

Decolonize This Place: Closing Party
Closing Party
6 p.m.