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Mark West, Welcome to the Neighborhood (detail), 1986. [A drawing of shadowy unrecognizable forms.] -
LIFE—a group show, curated by Arnold J. Kemp. Installation view, Artists Space, 2025. Photo: Carter Seddon [Along the gallery wall is an assemblage of objects hanging off the wall and to the floor connected by metal thread. Further down the wall is a painting, a plinth of colorful sculptures, a framed artwork, and a television playing a video in the corner. In the back is a glimpse of an alcove with three artworks appearing as colorful stripes, grey and yellow on the wall, and black on the floor. ] -
AIDS Forum: Danny Dries - Generic Memorial (for WM. Schwedler, 1942-1982). Installation view, Artists Space, 1992. [A black and white image of a blank frame on a white wall. At the center of the frame, a sculptural mold of a brain protrudes out from the canvas.] -
Adjua Gargi Nzinga Greaves, Autotelemachy, detail, 2017. Collage, 59 x 68 inches. Courtesy Artists Space, New York. Photo: Filip Wolak [A collage with a woman's figure in profile attached to a framed map, mounted on a pink gallery wall.] -
Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979). Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A long rectangular wooden table with three TV monitors facing outwards on different sides. Six small wooden seats with wired headphones resting on them are arranged in front of the monitors. One visible screen displays an image of a man sitting at a table.] -
[White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Feb 17 / Lonnie Holley / Lee Bains" Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)] -
Association Apsolutno, still from a.trophy, 2002. [A slightly grainy, black and white image of a deer standing on snowy ground in front of woods. There are two detached antlers on the ground in front of the deer.] -
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Patricia Caire. Installation view, Artists Space, 1980. [A sheet with painted black figures on it hangs suspended in a front of lighted windows in a gallery space.] -
Hito Steyerl, I Dreamed a Dream: Politics in the Age of Mass Art Production, 2013. Two channel HD video with sound, 29 mins 28 secs. Courtesy of the artist. [A monitor suspended in the middle of the room on a pole displays an image of Hito Steyerl speaking at a podium. Stacks of pillows, forming a seating area, surround the view of the monitor.] -
Yasunao Tone Concert #3. Performance documentation, March 16, 2023, Artists Space. Photo: Destiny Mata [Color image of a figure reading into a microphone, sitting behind a music stand.] -
Clegg & Guttmann, Change, 2015, C-print , 24 x 20 in / 61 x 50,8 cm, Signed and Numbered Certificate. [Aluminum foil, partially unrolled, with a pile of pennies is dramatically lit in a darkened room.] -
[A man in a sleeveless Metallica shirt stands in front of a makeshift music studio, looking at the camera.] -
James Carpenter. Shaking. Installation view. Artists Space, 1985. [An indistinguishable projection on the wall with an installed light appearing above it facing the opposite direction and a bright light coming in from the upper right corner of the image. A column bisects the image.] -
Still from video interview with Daniel Buren about the work of Christopher D'Arcangelo, conducted by Dean Inkster and Sébastien Pluot, 2010. -
[Flyer featuring three computer-generated shapes: a sphere, a curved plane, and a flat plane. Each of the shapes is black, covered in a white grid pattern, and features a warped image of a red triangle. The shapes sit on a blue and yellow gradient background. Red sans-serif text positioned at the top and bottom of the image reads, “artists space & / the segue series / present a / reading by / Dia Felix / and / Jeremy / Hoevenaar / saturday, may 16 / 5pm nyc time / zoom id: / 378 232 567 / be there or be non-euclidean.”] -
Abasement #78. Performance documentation, June 16th, 2025, Artists Space. Photo: Joshua Wildman. [Color image of two performers on stage playing the guitar and drums. The performer on the left is wearing round sunglasses with a music stand in front of them. The back wall is lit with small white dots from a disco ball.] -
Pictures. Installation view, Artists Space, 1977. Photo: D. James Dee. [A black and white installation photo of a gallery space. An illuminated low pedastal on the floor holds a crescent shaped object.] -
Gregg Bordowitz, Open Book: Letters, Marks, Politics, 2024, lecture performance, Bonner Kunstverein. Photo: Max Beck. [A figure stands behind a microphone stand, one hand raised to their chin and the other arm up and pointing away from themselves. The figure stands in front of a blank background.] -
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Salad Days 2. Installation view, Artists Space, 2006. Photo: Bill Ocrutt. [A set of five paintings, prints, and other works on paper hang in a horizontal line across a white gallery wall. The compositions each depict one or more figures. Some sit, as if for a portrait, while others appear to play basketball. One of the gallery columns is situated in the image's center.] -
[A brochure cover for The New World Order III: The Curio Shop at Artists Space. There are collaged images of various photographs and restaurant marquees, and additional information about the location and time of the exhibition.] -
View of Vigilance: An Exhibition of Artists Books Exploring Strategies for Social Concern , Curated by Lucy R. Lippard and Mike Glier Franklin Furnace, 1979 Courtesy Mike Glier [A woman sits, left of center, at a table filled with books. On the wall behind her, a banner with red text that reads, "...Pessimism of the intellect, Optimism of the will... Gramsic," is displayed.] -
Audrey Glassman, Untitled. Cibachrome, 28 x 42 inches. [Two figures sitting at opposite ends of a couch looking outside of the image to the right. A telephone sits on a table next to the couch on the right.] -
Matt Mullican, Wall labels, 1976. From Susan Eder, Matt Mullican, Artists Space, 1976. [A black and white photograph of black silhouetted forms on a white wall, including a heart, a peace sign, a cross, an eye, and a clock.] -
Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Four clusters of photographs are mounted on a white gallery wall. Some of the photographs are black and white, while others are in color. All show images of a single or groups of figures. On the far right, a small projection of a man in a white shirt illuminates the wall.] -
Constantina Zavitsanos, LEAVE - A - PENNY / TAKE - A - PENNY, 2024, Bronze, 4.5 in. x 4.25 in. x 1.5 in. -
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Split/Vision. Installation View. Artists Space, 1985-86. [Photographs of different housing interiors hang in a white-walled gallery space.] -
Hernan Bas, Needles (In Anticipation of the Fall), 2005, Single color hard ground etching, 26 1/4 x 21 inches (67 x 53 cm), Edition of 30, Courtesy the artist, Fredric Snitzer Gallery, Miami & Daniel Reich Gallery, New York, Printed by Julia D’Amario. [A wood framed drawing hangs on a wall. The pencil drawing depicts a youthful figure at the center of the page with abstract pencil markings surrounding them.] -
The columns held us up. Installation view, Artists Space, 2009. Photo: Adam Reich. [A low futon couch on a wooden platform with multicolored pillows is fit into the corner of a room with two windows. There is a short table with two placemats and brochures, and a television. In the foreground, there is a white plinth with a glass top housing an orange object.] -
Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman [A figure stands on the stage with a mic, speaking to the crowd.] -
Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Detail view of a table filled with several stacks of a book titled *EINE PINOT GRIGIO BITTE*. The book covers appear in various shades of orange, pink, blue, yellow, and green, and are stamped with the same ornate Latin emblem. Some are comb bound and others are side stitched.] -
Frozen Lakes. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A stack of large papers filled with text sit on a low, white plank on the ground. To the right of the paper stack, a newspaper clipping is displayed on a white wall. A small glass filled with rubber bands sits on the ground to the right of the paper stack.] -
Peter Saville, Bespoke archival box with hand-marbled paper and band, 24 1/2 x 20 1/2 x 1 1/2 in / 62,2 x 52 x 3,8 cm, Signed and Numbered. [A print of marbled, amorphous forms in blue, grey, and white is centrally intersected by a horizontal orange band.] -
Eiko Ishibashi: Two New York Nights. Performance documentation, June 8, 2022, 8pm. Artists Space, New York. [Several figures stand along a wall. One figure, seated, uses a computer at a small round table.] -
Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court [Five figures wearing ornate green outfits play instruments. In front of them, a crowd can be seen sitting down.] -
Sam Pulitzer: A Colony for “Them”. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A shallow white cylinder sitting on a dark wooden floor. A small green light glows from inside the cylinder.] -
Ed Levine. Installation view, Artists Space, 1980. [View of a wall construction in a gallery setting.] -
Jutta Koether: xxapollo. Performance documentation, January 5, 2020, Artists Space. Photo © 2020 Paula Court. [A person dressed in all pink, holding several sheets of paper, speaks into a microphone. Her arms are draped with masses of cords. A crowd of audience members surrounds her, some seated and some standing.] -
Group Exhibition. Installation view, Artists Space, 1981. Photo credit: Anne Turyn. [A number of paintings hang on walls in a lighted white-walled gallery space.] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [A figure in a blue morph suit leans over a wooden box placed on the floor, while another figure to the left films them. Blue light is projected onto the back wall to the right.] -
Sanya Kantarovsky, Growth VI, 2023. Photo: Filip Wolak. [Color image of a watercolor painting. Against a purple and brown background, emerge flowers with bright blue petals opening up in the middle of the composition. In the background, other blue flowers, and plants surround them. A pair of eyes, nose and mouth are painted over the largest blue flower placed in the middle.] -
The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich. [A clay sculpture of a person, outstretched on a sofa, with miscellaneous items around them, is displayed on a wooden floor.] -
[An equilateral triangle filled with a white and purple gradient. The triangle's bottom right corner is a dark purple color, while its bottom left corner is a bright white color.] -
[A black and white scan of an invoice from Corcraft Products issued to Artists Space at 38 Greene Street. The customer number reads "9102000". The invoice details a net purchase of $1470.00] -
Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman. [Color photo of two musicians captured mid-performance in a dark venue space. Both musicians have their back turned to the camera; the man to the right plays the trumpet while the performer on the left plays the clarinet. Some seated audience members can be seen observing the musicians and are illuminated by deep red overhead lights and the glow from a bright yellow projection light being shone at the performers.] -
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Abasement #75. Performance documentation, February 3rd, 2025, Artists Space. Photo: Joshua Wildman. [Color image of a performer on stage playing the electric guitar. A couple rows of audience members are visible in the bottom edge, with their backs facing the camera. The performer and the wall behind them are bathed in blue light. An image resembling a galaxy is projected on the wall.] -
Sean Snyder. Installation view, Artists Space, 2010-11. Photo: Daniel Peréz. [Ten black and white photographs arranged in a rectangle on a white wall. The images show various scenes of assorted trash on streets.] -
Flyer for Segue Reading Series featuring David Rothenberg and Robert Fitterman. December 3, 2022, Artists Space. [Light teal and pink text overlay a dark teal background with abstract lines and drawings of a female portrait in the bottom left and a hand holding a phone in the top right corner. The text in the middle reads "David Rothenberg / Segue Reading Series / Robert Fitterman."] -
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Flyer for Segue Reading Series featuring t'ai freedom ford & Terrance Hayes. Saturday February 20, 2021, Artists Space. [A purple colored background features black text in the top half of the image that reads, "Segue Reading Series / t'ai freedom ford & Terrance Hayes / February 20 / 5pm on Zoom / Suggested donation: Five dollars / Zoom ID: 830 2698 4031." Black text in the bottom right corner reads, "Artists Space."] -
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Whitney Museum of American Art Independent Study Program Studio Exhibition. Installation view, Artists Space, 2018. [Sixty images with dark backgrounds and a white, pixelated spot emanating from their centers arranged in a grid formation on an indigo blue gallery wall.] -
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Sixth Anniversary Exhibition. Installation view, Artists Space, 1979. Artwork by Barbara Schwartz. [Sculptural pieces mounted to the left wall. A white display pedestal sits in the background on the right, next to an open door.] -
[Black text overlays a color-scheme grid background. The text reads: “Jan 6 / Pierre Joris / Tyrone Williams." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)] -
Flyer for Ways to Move. November 13, 2025, Artists Space. [A green and white, textured background displays a silhouetted, leaping figure and the foliage of a tree. In the top left corner, "Artists Space / Ugly Duckling Presse / present the launch:" is written in white text. In the center "Ways to Move: Black Insurgent Grammars / Justin Allen / Rudy Gerson / Mario Gooden / Nile Harris / Marguerite Hemmings / Joselia Hughes / Benjamin Krusling / Shanzhai Lyric / Andrew Smyth / x / Jonathan González" appears in white text. In the bottom right corner "Thursday, November 13th / 7:00pm / 11 Cortlandt Alley" is written in white text.] -
Shala Miller performs Genesis: Medley at Artists Space, co-presented with Frieze New York 2023. Performance documentation, May 19th. Photo by Vanessa Diaz/CKA. Courtesy of Frieze. [Color photograph of the center of a gallery room, in which performers are seated in wooden chairs around the center, alongside three hanging screens that project a video still of a figure's face against a dark background. All around the room, audience members sit on the floor or stand.] -
Not yet titled, 2019
Clay, glaze, metal antenna
3 1/2 x 13 x 12 inches (variable)
$3,500
[An object with tones of tan, blue, pink, and grey sits on a white base. A metal antenna extends out on a diagonal.] -
Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a colorful background, with blue, pink, yellow and beige paper. Cut up pieces of beige paper are scattered throughout the image, and feature typewritten text listing the performers and event details.] -
Witnesses: Against Our Vanishing. Installation View, Artists Space, 1989. Photo: Frances Miller Smith. [Various paintings, drawings, and sculptures of torsos hang along a wall. In the corner, a bust with an upturned face sits on a pedestal.] -
Min Joong Art. Installation view, Artists Space, 1988. [Several people seated on a couch watch a monitor set on a pedestal in front of them. A large speaker is placed to the right of the screen, and on the wall alongside this are two rows of black and white photographs.] -
Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon. -
Caroline Key. Still from Speech Memory, 2007. 16mm film on video, color, sound; 23 minutes. Courtesy the artist. [White text on a black screen reads: “From there, he learned to speak in sign…”] -
Installation view of Barbara Bloom's Solution. From Barbara Bloom, David Salle, Artists Space, 1976 [A group of people seated around a table in an empty room. In front of them are various cups and papers, they appear to be in deep thought.] -
Andy Robert: PAPALOKO. Installation view, Artists Space, 2024. Photo: Carter Seddon. [Color image of a gallery space with several sculptures placed on the floor. To the left, a shovel is attached to a child's chair. In the center, a taxidermied griffon vulture is perched upon a pile of concrete rubble that sits in between two shovels standing upright on pedestals. To the far right, a radiator lays flat on the ground.] -
Abasement #73. Performance documentation, November 4th, 2024, Artists Space. Photo: Joshua Wildman. [Two performers on stage, the one on the right is playing the drums and using electronic audio equipment, and the performer on the left is leaning over a large case on top of a table. The room is bathed in yellow, pink, red, and purple light. The wall behind them is projected with abstract patterns.] -
Trip to Artists Space to see Renee Gladman exhibition, 2023 -
[Dark blue text overlays red-pink background. The text reads: “March 25 / Ralph Lemon / Tracie Morris." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)] -
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Local Transit. Installation view, Artists Space, 2006. [A long sheet of paper with a drawing of highway signs and a gas station on it hanging on a white wall. Hung above that are three paintings of logos.] -
Gerome Kamrowski. Trinity, 1978. [Colorful animal figures appear in space with a black background.] -
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David Kulik, Frank Majore, Kevin Noble, Ken Pelka, Pat Place, Rene Santos, and Brian Weil. Installation view, Artists Space, 1980. [Photographs hanging on a wall in a gallery space.] -
James Coleman. Still from Seeing for Oneself, 1987-88. Slideshow (black and white), 40 min. [A black and white film still of four people in period dress standing in from of an ornately carved fireplace. The people stand in two pairs, apparently engaged in conversation.] -
Eiko Ishibashi: Two New York Nights. Performance documentation, June 8, 2022, 8pm. Artists Space, New York. [Several figures sit on the ground, legs crossed.] -
Bonnie Rycheck. Black and Gray Benches, 1980. [A black and white image of a black bench with two distinct black drapery on both sides behind it.] -
Cover of Lonnie Holley, Rizzoli Electa, 2025. [Book cover featuring a black background, and a sculpture resembling a cross, with the word "MITH" engraved into a block of stone. In the top right corner of the cover bold text reads "Lonnie Holley."] -
Michael Robinson. Still from And We All Shine One, 2006. [A digitally rendered image of a green with mountains in the background, pixellated with horizontal lines.] -
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keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure dressed in white, laying down on a window ledge facing the street. They raise on arm up and a white light shines from their pelvic area.] -
David Kulik, Frank Majore, Kevin Noble, Ken Pelka, Pat Place, Rene Santos, and Brian Weil. Installation view, Artists Space, 1980. [Photographs hanging on walls in a gallery space with a doorway on the right.] -
Adjua Gargi Nzinga Greaves, For Aricka, Ayana, Ayodele, Bernice, Chantelle, Charmaine, Cynthia Ch., Cynthia Co., Daphne, Davina, Dawn, Dina, Emily, Erica, Evadne, Frances, Gail, Gwen, Hara, Heather, Imanei, Imani, Janet, Jenny, Kadija, Kahdeidra, kale, Kelly, Kenya (R), LesLes, Lois, Lynnette, Madeleine, Mahogany, Marsha, Maiya, Najela, Nontsi, Ola, Pilar, Queen, RaFia, Ro-Ro, Sandra, Sasha, Serenity, Shana, Simone L, Simone W, Tabitha, Taiyi, Trinity, Uchenna, Vivian, Wangechi, X, Yvette, Zuri, detail, 2021. Living plants: Hannibal (Epipremnum aureum) with rose quartz, Gertrude Deuxieme (Tillandsia xerographica), Leonie (Philodendron totem), Eversley Deuxieme (Tillandsia xerographica), Melford (Epipremnum aureum) with amethyst; dessicated floral matter (eucalyptus, grass, willow, palm), knight on horseback figurine, brass candlesticks, polystyrene, porcelain and 18 karat gold plates, crystals (various), bamboo earrings, jade, cremains, leather, cork, glass, dragon figurine, sandalwood incense and ceramic holder, palo santo (Bursera graveolens), and window, overall dimensions variable. Courtesy Artists SPace, New York. Photo: Filip Wolak [Partial view of a potted plant and a small figurine of a knight on horseback with a lance.] -
Paper Exhibition. Installation view, Artists Space, 2009. Photo: Adam Reich. [White glossy paper folded in geometric patterns against a white wall.] -
Danny McDonald, Midnight Snack Encounter, 2014. Photo: Filip Wolak. [Color image of a sculpture sitting on a white pedestal. A beige couch is placed on its side, with a cowboy twinkie figurine sitting in the corner of the couch. Behind the side of the couch stands a grim reaper figure peering over. Beneath the couch is a small rug, with various items (play cards, popcorn, etc.) strewn across it.] -
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Nicole-Antonia Spagnola: Italian Hardcore. Installation view, Commercial Street, Los Angeles, 2021 [A color photograph of a television screen resting on a wooden chair with a red cushion. The screen displays a black and white image of several masked figures.] -
David Rodriguez, Free Rain, 2021, digital photography -
Crystal Z Campbell, Revolver, 2022. 16mm film transferred to Digital Video, Stereo, Sound. 17:27 min. Courtesy the artist [Negative film image of two hands holding down either side of a blue board. Objects are placed to create vaguely recognizable patterns and figures.] -
Danh Vo: Autoerotic Asphyxiation. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A white translucent chiffon curtain cascades over a set of five framed images mounted on a wall.] -
[A yellow, deflated balloon, folded at the neck, with white text that reads, "Living with Pop."] -
Abstruction. Installation view, Artists Space, 2003. [Corner of a gallery space with white walls and wooden flooring. Two large rectangular lengths of translucent, white cloth embroidered with amorphous red and blue linework are installed on the corner's left and right walls.] -
![The image shows a crowd of figures drawn with black ink. Four text bubbles project from the crowd that read: [top left]](data:image/svg+xml,%3Csvg xmlns='http://www.w3.org/2000/svg' width='2100' height='1661'%3E%3C/svg%3E)
Amy Sillman, MoMA Opening, 2007, Archival ink jet on Somerset Paper, 14 x 16 3/4 inches (36.6 x 42.5 cm), Edition of 17, 10 AP, 1 BAT, Courtesy the artist and Sikkema Jenkins & Co., Printed by Jean-Yves Noblet Contemporary Prints. [The image shows a crowd of figures drawn with black ink. Four text bubbles project from the crowd that read: [top left] "I curated the next show! You'll love it! I just like what you do, right up your alley!" [top center] "This is my work but the wall label is really wierd..." [bottom left] "Oh! You two split up?! I had no idea! Two years ago? Goodness! I remember when you went on your first date! Your were so happy! Are you seeing someone new?" [bottom right] "I love your work." On the bottom right is written "MOMA opening 9-06."] -
Hani Rashid, The Early 17th Century, 1985. Mixed media with ink, old paints, acids, chalks, 33 x 24 inches. [Drawing of upside down Christian iconography along with pyramid, desert landscape with white surrouding the images.] -
Artists Space's locations, 1973-2019. [A stylized map of SoHo and TriBeCa, stretching in latitude from West Houston Street to White Street, and in longitude from Hudson Street/West Broadway to Broadway. Each past location is marked by a red dot, indicating its address and years active, alongside a photo of the space's exterior.] -
Abasement #81. Performance documentation, October 20th, 2025, Artists Space. Photo: Joshua Wildman. [An illuminated performer sings into a microphone. ] -
The Library of Helen DeWitt Kitchen view, Courtesy Helen DeWitt. [Several books of different sizes and colors rest on the floor. The floor molding is visible in the bottom right frame.] -
New Red Order Beginning of the End of the Trail, detail, 2021 Wet-plate collodion glass negatives with LED lightboxes, pipes, and extension cords. Image courtesy Artists Space, New York Photo: Filip Wolak [An image of photograph negatives with LED lightboxes hanging off a wall.] -
[A Frida Kahlo painting and portrait of woman against a black background.] -
David Winter. Selections for the Artists File, installation view, Artists Space, 1986. [A number of wooden block constructions appear together in various forms in an installation in a gallery space with framed works on the wall behind them.] -
[A black and white postcard with an image of a bed with a mountain in the middle of it and a dilapidated chair with the back hollowed out. Text underneath the images reads, "A Bed / And A Chair / Eileen Neff / April 9 - May 23, 1992 / Artists Space."] -
Jayce Salloum, Episode 1: So. Cal., 1988. 33 minutes, 1/2", color. Film still. [A person driving a car is seen from behind, as if the camera is in the backseat. Their face is hidden by the headrest of the car seat. Trinkets hang from the rearview mirror.] -
Abasement #67. Performance documentation, January 15, 2024, Artists Space. Photo: Joshua Wildman. [Color image of the audience. In the foreground, audience members are seated in chairs and in the background, folks stand and watch the performance. Almost all of their eyes are attuned towards the stage, which is out of frame to the right. Many of the audience members wear smiling, joyful faces as they watch the show. The audience sits in the dark of the seating area, small specks of bright white light reflecting from a disco ball scatter on their bodies and the walls behind them. ] -
We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [A number of sculptures on pedestals can be seen in the foreground with paintings and sculptures behind them in a gallery setting.] -
Blaster Al Ackerman, Untitled, n.d., painted album cover, 12 x 12 inches. Courtesy of Stewart Mostofsky. [A painted image of a white push-button telephone sitting atop a brown surface with a yellow wall behind it. At the top right is a 10 cent postage stamp depicting a face with missing teeth and a text that says "The GIGGLER."] -
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Tony Vevers, c. 1976. Painting from Eleanor Magid, Tony Vevers, William White, Artists Space, 1976. [A black and white photograph of an abstract painting with an ovular form in the top left corner and a line on the right.] -
SCRAAATCH, Tower of Babel, 2019, Les Urbaines. Photo: Mathilda Olmi [In front of a large colorful projection, a figure wearing headphones around their neck leans down over musical technology.] -
Adjua Gargi Nzinga Greaves, For Aricka, Ayana, Ayodele, Bernice, Chantelle, Charmaine, Cynthia Ch., Cynthia Co., Daphne, Davina, Dawn, Dina, Emily, Erica, Evadne, Frances, Gail, Gwen, Hara, Heather, Imanei, Imani, Janet, Jenny, Kadija, Kahdeidra, kale, Kelly, Kenya (R), LesLes, Lois, Lynnette, Madeleine, Mahogany, Marsha, Maiya, Najela, Nontsi, Ola, Pilar, Queen, RaFia, Ro-Ro, Sandra, Sasha, Serenity, Shana, Simone L, Simone W, Tabitha, Taiyi, Trinity, Uchenna, Vivian, Wangechi, X, Yvette, Zuri, detail, 2021. Living plants: Hannibal (Epipremnum aureum) with rose quartz, Gertrude Deuxieme (Tillandsia xerographica), Leonie (Philodendron totem), Eversley Deuxieme (Tillandsia xerographica), Melford (Epipremnum aureum) with amethyst; dessicated floral matter (eucalyptus, grass, willow, palm), knight on horseback figurine, brass candlesticks, polystyrene, porcelain and 18 karat gold plates, crystals (various), bamboo earrings, jade, cremains, leather, cork, glass, dragon figurine, sandalwood incense and ceramic holder, palo santo (Bursera graveolens), and window, overall dimensions variable. Courtesy Artists SPace, New York. Photo: Filip Wolak [A candlestick holder, a small glass box and a plate with rocks and leaves sit on a windowsill.] -
Daniel Joglar, Untitled, 2005. Courtesy the artist. [An open black wallet supported upright on a white surface by four binder clips attached to its left side and bottom edge.] -
Frozen Lakes. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A white speaker displayed on a three-legged stand in an exhibition space. To the right of the stand, a television monitor rests on the ground. An image of gravel and dirt is pictured on its screen.] -
Union Gaucha Produtions, still from Phantom Limb, 1998. Courtesy Union Gaucha Productions. [An abstract, black and white geometric image.] -
Portfolio Development, Blue Sky Gallery exhibition (an homage to Virgil Abloh), June 17, 2022 -
In The Poem About Love You Don't Write The Word Love. Installation view, Artists Space, 2006. Photo: Bill Orcutt. [Three free-standing walls supporting a series of shelves are arranged at right angles around a pole in a gallery space. The shelves display a series of pieces of paper containing both images and text. The shelves are yellow, and a portion of the center of the column has also been painted yellow.] -
Whitney Claflin, Hiatus, 2015. Mixed media on linen. Courtesy the artist and Real Fine Arts, New York. [An abstract mixed-media artwork featuring three yellow circles and spatterings of multicolored paint on a white canvas. Light blue text at the top of the composition reads, "dose style."] -
SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.] -
The Colin de Land Library Collection Alexander Schroeder, Berlin [Staggered metal shelves that are filled with books of various color and sizes.] -
Contemporary Architecture - an installation by realities:united. Installation view, Artists Space, 2007. Photo: Bill Orcutt. [In a gallery space, a large white overhead LED-style sign acts as both a drop ceiling and overhead lighting. It displays two numbers, a 2 and a 3. Below are a black sofa and, facing it, a small television on a wooden pedestal.] -
New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court. [A person stands at a microphone reading off sheets of paper. In the background, there is a slightly blurry image of a book cover: "Twice-Told Tales" by Nathanial Hawthorne.] -
S*an D. Henry Smith, stringency principle of the looking drum, presented at 47 Canal, New York, February 17, 2023. Photo: S*an D. Henry Smith [Photograph of a wooden table covered in a plethora of audio equipment, a tambourine, and wiring. Around the table are three microphone stands, that point at the empty space above a black chair behind the table. Next to the chair is a camera and tripod.] -
Frank Ripploh, still from Taxi zum Klo, 1981. 95min. [A man sits partially undressed on a toilet, holding a red notebook while peering through a hole in the tile wall.] -
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SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement with two sculptures made of wood and fresnel lenses placed on either side of the image. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.] -
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Four Scottish Artists. Opening Reception, Artists Space, 1979. [A photograph of the exhibition opening reception. A group of visitors look around at the art.] -
Selections from the Artists File. Installation View, Artists Space, October 1, 1987 - October 31, 1987. [A painting collage with three separate figures represented hanging in a white-walled gallery space with a clock above it right where a finger in painting is pointing.] -
Renee Gladman: Narratives of Magnitude. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of a gallery space with two columns in the middle. Framed drawings depicting colorful abstract compositions hang on the white walls. Five of the drawings are made on black paper, and two on white paper.] -
Drake Carr: Housecalls. Installation view, Artists Space at the Armory Show, 2023. Photo: Filip Wolak. [Color image of a booth at an art fair. At the center of the image, there is a white wall with three works made out of cut-out panel. The one on the left is cut in the shape of curtains, which are yellow with pink ruffles. The work in the center is a male-presenting figure with one hand above its head, and the other one in its pocket. It's wearing a white jacket, black shorts, pink tights, and black shoes. The work on the right is a woman-presenting figure, with short blond hair. It has its arms crossed over the chest, and is dramatically looking up. It's wearing a black suit and a single red glove.] -
Cover of Exit Interview, Benjamin H. D. Buchloh & Hal Foster, no place press. [Book cover featuring a red background with white text that reads, from top to bottom, "Exit Interview / Benjamin H.D. Buchloh / Hal Foster / no place press"] -
Marc Blane, c. 1975. From Marc Blane, Ken Hubbell, Carole Stein, Artists Space, 1975. [A color photograph of four sculptures resembling miniature theatre sets.] -
The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich. [A room with white walls, with two windows on the back wall with shades pulled halfway down. The wall to the left of the windows has three framed photographs, and a white plinth with a glass top. In front of the windows, a television on a low table faces sideways toward a low black couch. On the far right side, a protruding corner of a wall has white text projected on it reading "cupholder mount vaio."] -
William Pope.L, Maybe, 2009-2010. MDF board, sardine cans, plastic bag, cardboard box, nails, electrical extension cord, paint, graphite. 96 x 96 x 18 inches. [A large white MDF board rests against a gray wall. A series of metal sardine cans are placed across the MDF board in a loose grid. ] -
Flyer [White text overlays a color-scheme grid background. The text reads: “Oct 21 / Richard Loranger / r. erica doyle." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)] -
Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata [Color image of a seated audience all facing the right of the room. A figure in the back middle is standing and operating a film projector. The room is bathed in red light.] -
[A black logo consisting of a lowercase letter "b" connected to a smaller, lowercase letter "c" on a white background.] -
Milford Graves: Fundamental Frequency. Installation view, Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak. [A color installation photograph of a gallery space. Three costumes hang from the left wall, a video is projected on a white wall in the background alongside a mixed-media sculpture. Two glass vitrines are visible in the foreground.] -
Anicka Yi, Flirting Is An Algorithm, 2015, Silkscreen on archival box, 24½ x 20½ x 1½ in / 62,2 x 52 x 3,8 cm, Signed and Numbered. [A spotted pattern against a white ground, with each spot having a unique stain, splatter, or drops of ink.] -
ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A display of multiple images on a white gallery wall.] -
Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photo of the enterance into the exhibition. A sign reading: "J.D. Grocery" is placed above a doorway. A wooden awning meant to look like a roof of a building goes across the width of the partition wall. The doorway is flanked by a cardboard fire hydrant and a box television on a small wooden chair. Through the doorway, three bar stools and a bookshelf with books and home goods are visable.] -
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Terry Fox: All These Different Things Are Sculpture. Installation view, Artists Space, 2024. Photo: Filip Wolak. [A color image of the corner of a gallery space. On the left wall there is a line of nine polaroid photographs, evenly spaced and hung about five feet from the light wooden floor. The right wall features a frame from a video being played from a projector. The black and white film frame shows the interior of an industrial space, the exposed ceiling rafters and brick wall. ] -
"Identity". Installation View, Artists Space, 2011. Photo: Daniel Pérez. [In a dimly lit room with light wood flooring and white pillars, three illuminated panels are suspended from the ceiling in the distance. The panels each display a single word—"tri", "angu", and "late"—in a cursive font.] -
Attention Line. Installation view (posters and ephemera from Other Cinema, c. 1970s-80s), Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [An image of a brightly lit wall, upon which various ephemera are mounted.] -
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Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A book shelf displays various documents and photographs behind glass. Documents with text hang directly above.] -
John Neff, Tony Greene Movie, 2016. Photo: Daniel Pérez. [Two blue chairs face a monitor that displays a still image of framed windows in which three curtains have been tied to look like bodies in dresses.] -
Untitled (note), date unknown, Copyright Jack Smith Archive, Courtesy Gladstone Gallery, New York and Brussels [A page ripped from a planner, with a header reading, "for week beginning Monday ...., Thursday, Friday, Saturday, Sunday." Handwritten red cursive text, written over divided sections reads, "Capitalism lends to expectation to be manipulated but politely and a horror of ordinary usage between people."] -
Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [Six orange papers arranged in a rectangle are painted with the letters "DMC SIT-IN" in black text.] -
Terry Fox: All These Different Things Are Sculpture. Installation view, Artists Space, 2024. Photo: Filip Wolak. [A color image of the white wall of the gallery space. In the center, a projected image of two hands tying rope around the body of a fish. The black and white projected image is flanked by two sets of six black and white framed photographs. Each frame is black, with three on the top and three on the bottom. ] -
Jack Smith Untitled (Plaster Foundation of Atlantis), 35mm slide, c. 1970. Copyright Jack Smith Archive. Courtesy Gladstone Gallery, New York and Brussels. [Remnants of discarded objects fill the frame. A flattened rubber chicken sits in the middle next to various bottles and boxes. On the right reads a white square in black and red font, "Exotic, Tropical Fruit."] -
Renee Gladman: Narratives of Magnitude. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of the corner of a gallery space with two columns. Across the two white walls, six framed abstract drawings on black paper are displayed in a horizontal line.] -
[White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Mar 23 / Dubravka Djuric / Fanny Howe" Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)] -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a large empty room bathed in a red light. Along one wall, a performer dressed in white stands against the wall, bending over and looking to their left. A bright white light shines from their hips and a sheath of crinkly, reflective one-way mirror film lays on the ground in front of them.] -
Abasement #67. Performance documentation, January 15, 2024, Artists Space. Photo: Joshua Wildman. [Color image of a musician on stage, seated in a chair, holding an instrument that appears to be a guitar across their lap. To their right, a microphone is positioned close to an amp. Their feet control several pedals placed on the floor. Their long blonde-brown hair falls down over their chest and back as they gaze down in deep focus at the instrument in their lap. Behind the musician, a diamond-shaped, geometric pattern, outlined in bright pink is projected on the back wall. ] -
Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork: All is Pretty Andy Warhol!, Martin Cohen. [People standing around a gallery space with various globes surrounding them and frame images hanging on the wall to the right.] -
Selections from the ART CLUB2000 archive. Photo: Nicole Eisenman. [A snowglobe with a portrait photograph inside sits on a surface next to three sheets of paper featuring typewritten and handwritten notes.] -
Charles Harbutt. East Liverpool, Ohio, 1984. [An image of a town setting with advertising on a building that reads, "Crook's Easy Terms of Credit" in white letters on black background on the left and "Crook" in large white letters with white background on the right. Telephone poles and lines can be seen in the image as well. Store names "Pietche's Print & Paper Place" and "Tile Town" can be identified on the two building adjacent to one another.] -
[A posterr with the silhouette of a man in the middle, dressed like a cowboy. Before him appear blue scan-lines, as if on a television set, which are boxed off into several rectangles.] -
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Installation view from John Mendelsohn and Donald Sultan. Artists Space, 1977 -
Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979. [Two photographs are mounted on a white gallery wall.] -
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keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a corner space in a gallery, below a staircase, that is bathed in red light. At the bottom of the stairs are a group of performers wearing conical costumes made of reflective one-way mirror film.] -
Video from Sidi El Asphalt's Mulid. Dir. Wael Shawky. 2003. [Two figures' faces positioned close to one another. The woman on the left looks away from the camera, while the man on the right closes his eyes and opens his mouth. The image is blurred, as though the figures are in motion.] -
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Selections from the Artists File. Installation view, Artists Space, 1989. [A photograph of a large painting of vines and water hanging on a white gallery wall. Beyond it, more painting and sculptures are visible in an adjacent gallery.] -
Drake Carr, Walk-Ins, 2023, New York Life Gallery. Photo: Ethan James Green [Scanned spread of a collage featuring photographs overlaid with accented drawings. The main image depicts a woman posing strikingly with her arms raised and feet firmly apart, the red dress she wears flows out dramatically behind her. In the background a man stands at a large canvas, his hand raised in the act of drawing the figure posing. Film strips depicting the same woman in different poses are overlayed on top.] -
New Music Circle, St. Louis. Photo: Theo R. Welling [Color photograph of a hand, fingers outstretched and manipulating a group of suspended wires that run across the frame.] -
Johanna Went, still from Passion Container,The Whiskey, Los Angeles October 26, 1988 Video, Color, Sound, 35 minutes. -
Kristin Lucas, still from Cable Xcess, 1996. [A grainy image of a person's face in striped tones of blue, orange, pink, and green.] -
Devin Kenny, Not This, 2018. Single channel video. [A screencapture from a video taken on a phone in Times Square, depicting a person facedown beside a car, still in motion, in the street.] -
Gary Bower, White Bouquet, 1976. From Gary Bower, Fontaine Dunn, Hermine Ford, Artists Space, 1976. [A painting over a black background of a set of hands cupping a rose. Above, several more roses are pictured.] -
Till They Listen: Bill Gunn Directs America. Installation view, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [Along the wall is a glass display case holding ephemera, hanging above are two black and white contact sheets.] -
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Yuki Kimura, Wardrobe Extensions Version 5, 2019, three wood wardrobes with metal hardware, wood panel, paint. Photo: Daniel Pérez [A wooden wardrobe stands against a white wall. In the background, four projectors sit on the floor amid one black column. Two white test patterns are projected on white walls.] -
[White text on a bright fuchsia background. The text reads: “Oct 18 / Laura Moriarty / Kevin Holden” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
![The image shows a crowd of figures drawn with black ink. Four text bubbles project from the crowd that read: [top left]](https://artistsspace.org/media/pages/store/editions/2224900873-1623172903/sillman-moma-opening-168x.jpg)
![The image shows a crowd of figures drawn with black ink. Four text bubbles project from the crowd that read: [top left]](https://artistsspace.org/media/pages/store/editions/2224900873-1623172903/sillman-moma-opening.jpg)
