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ART CLUB2000 Gli Avvoltoi (The Vultures), detail, 1995 Vinyl paint and newsprint flyer Image courtesy Artists Space, New York Photo: Filip Wolak [A view of a wall mural displaying multiple cartoon vultures resting on black scaffolding.] -
Richard Klauber. Installation view, Ruth Hardinger, Richard Klauber, Artists Space, 1975. [A color installation photograph of a black abstract painting on a white wall.] -
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Marian Zazeela, 19 XI 66/2, 1966, India ink on card. Courtesy of the artist. [Black-and-white drawing of a cluster of black curled lines organized into a square shape in the middle of a white page. Handwritten text in faint pencil along the bottom of the page reads "© Marian Zazeela 1988."] -
Renee Gladman, Grasses 2, 2022, graphite and oil pastel on paper, 22 x 30 inches. Image courtesy Artists Space, New York. Photo: Filip Wolak. [A close-up color image of a framed work displayed against a white wall. The drawing depicts a colorful abstract composition with a brown circle being the main figure from where trianagles and lines emerge. Soft pencil strokes complement the composition.] -
[Four book covers, arranged into a grid. Titles, from left to right, beginning with the top, read, "Pride and Prejudice," "Negotiating for Dummies," "Revenge," and "Token Gestures."] -
Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [An open hallway in a window-filled exhibition space. A gallery wall on the left side of the room displays a sideways, brown and gold American flag as well as a black and red fleg. A monitor sits on the ground to the right of the exhibition space, near one of the windows. A visitor stands in the background, viewing artworks displayed in the hallway.] -
[Flyer featuring densely collaged images of food in metal trays, renaissance-era images of saints and angels, Cookie Monster and other puppets, electric keyboards and vintage video game consoles, images of people holding vegetables and plates of food, and tree-filled landscapes. Below the collage, white sans-serif text is superimposed over an image of stars in space. The text reads: “artists space & the segue reading series invite you to a virtual reading by / Steven Seinberg / and / Darcie Dennigan / saturday, may 2nd, 5pm nyc time, zoom id: 378 232 567 / it will be robust.] -
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[A black logo consisting of a lowercase letter "b" connected to a smaller, lowercase letter "c" on a white background.] -
Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979. [A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.] -
Milford Graves: Fundamental Frequency. Installation view (ephemera from FESTAC, c. 1977), Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak. [A color photograph of a white framed vitrine containing ephemera such as newsprint and several photographs.] -
Electronic Disturbance Theater 2.0/b.a.n.g. lab. The Transborder Immigrant Tool, 2007–ongoing. Pages excerpted from The Transborder Immigrant Tool publication. Courtesy the artist, University of Michigan Ann Arbor, and University of California, San Diego. [Spanish and English translations of the poem “Justo antes del amanecer.../Just before sunrise...” are written in alternating lines in grey and black on a white background.] -
Gary Falk, Brigid Kennedy, Ladd Kessler, Peggy Yunque. Installation view, Artists Space, 1981. [A dim photograph of hanging sculptures and multiple objects on white pedestals.] -
Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman. [A close-up image of a musician surrounded by three microphones is sitting on the floor playing the violin. Three other violins lay on the stage before her. Abstract images are projected onto the back.] -
Drake Carr: Housecalls. Installation view, Artists Space at the Armory Show, 2023. Photo: Filip Wolak. [A color image of a room with white walls and pink carpet. A large painting depicting multiple fish leans on the left wall, along with a white canvas, and a cut-out of the picture of a potted plant. Across the room, a white table, a white lamp, a wooden easel and cushioned chair can be seen. Five colorful drawings of different sizes hang and lean on the back wall. A cut-out of a photograph of a piano with some sheet music hangs on the right wall.] -
YAP (Young Artists Perform), P.S. 140, 2018 [Several students sit, looking down towards printed sheets of paper, in front of colorful silk banners with writing stating "Your dreams can become a reality," "like a cheetah in a snail's race," "bridge can just go like boom bom boom BOOM," "I see a light it's so BRIGHT -Destiny" and others.] -
Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [An entryway with layered, decorative carpets and black-and-white images displayed across the height and length of the wall. A small school desk sits on the left in front of a large bookshelf.] -
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Kelly Poe, Untitled (Chaemaea fasciata, Wrentit caught in mist net. Monitoring Avian Productivity Survivorship, Canada Gobernadora, Rancho Mission Viejo, California), 2003. Courtesy the artist and Anna Helwing Gallery, Los Angeles. [A small grey bird with its head and feet caught in a net.] -
El Nascimiento De La Tierra, Recirculation, Word-Up Community Book Store pop-up, May 2024 -
Tom of Finland: The Pleasure of Play. Installation view, Artists Space, 2015. [Six pornographic illustrations of men near trees are framed on a wall.] -
Wade Guyton, Untitled (WG3521, 2015), 2020, 23.5 x 16.5 inches [Image of a large white canvas displayed on a white wall. The canvas is rectangular and two faint lines bisect each of its four sides, separating the canvas into four equal quadrants. A black "X" shape is emblazoned across the canvas' center, with the lower left leg of the "X" removed from the shape's figure. The floor below the canvas is a deep black color. Small, gray text at the image's lower right corner reads, " 2020Solidarity - Wade Guyton."] -
[Black text on a light green background. The text reads: “April 11 / Blake Butler / Ariana Reines.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
[A screenshot of the google images results page for the search query "institution".] -
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Dress for Virgil Abloh and Stuart Davis, Gigi Sanchez, acrylic on paper, Silver Key in Painting -
Sigmar Polke Das Palmen Bild , 1964 (Boxers) © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Photo: Daniela Steinfeld [An illustration of two green palm trees on a diagnal, sloped down to the bottom left corner, pale yellow triangle. The background contains a pattern of dark brown, gray, red, and yellow stripes.] -
ART CLUB2000 Plantar, 1993 Slatwall, mirror, spider plant, shopping bags Image courtesy Artists Space, New York Photo: Filip Wolak [A close up of a store display planter stuffed with Gap clothing store bags and crumpled documents.] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Audience members are seated along a back wall, with a figure in a blue morph suit seated on a rectangular wooden frame alongside them. Blue light is projected onto a screen in the background.] -
Wish I Were Here. Photo: Alexandra Stock. [A young boy with his arms outstretched leans against a wall. The wall is covered with a larger than life photograph of a crowd of people holding flags and signs, as in a protest or a rally.] -
Attention Line. Installation view (various ephemera surrounding the works of Vaginal Davis, c. 1990s), Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [Various posters, ephemera, and other printed matter hang on a wall with a light pink background.] -
LIFE—a group show, curated by Arnold J. Kemp. Installation view, Artists Space, 2025. Photo: Carter Seddon [Along the gallery wall is an assemblage of objects hanging off the wall and to the floor connected by metal thread. Further down the wall is a painting, a plinth of colorful sculptures, a framed artwork, and a television playing a video in the corner. In the back is a glimpse of an alcove with three artworks appearing as colorful stripes, grey and yellow on the wall, and black on the floor. ] -
Covers of Jef Geys: Catalogue Raisonnable, WIELS, 2025 and Ghislaine Leung: Holdings (2015-2025), the Renaissance Society, 2025. [Two books lay side by side. On the left, a gray cover with black text reads "JEF GEYS." On the right, a yellow cover with white text reads "SCORE / NON-SCORES / SUB-SCORES."] -
Luis and Alaniz, La Montana Everest, acrylic paint on paper, 2024 -
Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [A figure unpacks various audio and projection equipment onto a table. Blue, purple and pink washes of light are projected onto them.] -
Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a corner of a gallery space. On the left wall are two black-and-white photographs, and on the right wall is a black-and-white silhouette of a figure smoking. In the corner, a television monitor sits on a shelf.] -
[Two rectangular cards arranged on a white background. Large black text printed on each card reads, "LADYLAND" and is framed by a pattern of swirls. The top card is blue, and the bottom card is yellow.] -
Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure sits behind a table, a microphone in front of their face, as they close their laptop and grab a stack of papers on the table.] -
Abasement #81. Performance documentation, October 20th, 2025, Artists Space. Photo: Joshua Wildman. [A performer is surrounded by equipment, playing on stage. The stage is bathed in green and blue light patterns created by a projection.] -
Nicole-Antonia Spagnola, Untitled, 2022. Raw Power, Raw Power; Kollettivo, Lotta per il potere; Antigenesi, Una donna non e’ merda; Negazione, Tutti Pazzi; RAF Punk, Contro la pace Contro la guerra; Peggio Punx, Scemo. 8mm to MP4 transfer (color, sound), monitors, chairs. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of three wooden cafe chairs with green cushions next to a metal elevator door. One chair is stacked upside down on another on the left, and two pillows with black backs and sequined gold-silver fronts are placed between the chair's upturned legs. Another pillow rests on the cushion of the chair on the right.] -
Bases of the equestrian monument to Kaiser Wilhem which was destroyed by the British occupation in Münster after World War II. The photographs were printed as post cards in the early 20th century and collected from eBay and oldthing.de in 2021. [A black and white photograph of the base of a monument in a city square. Steps lead up to a pedastal surrounded by three large spheres connected by a metal chain.] -
Bases of the equestrian monument to Kaiser Wilhem which was destroyed by the British occupation in Münster after World War II. The photographs were printed as post cards in the early 20th century and collected from eBay and oldthing.de in 2021. [A black and white photograph of the base of a monument in a city square. Steps lead up to a pedastal surrounded by three large spheres connected by a metal chain.] -
Dave Burns, SEACH FOR TRUTH, 2003. Digital photograph, archival light jet print. Courtesy the artist. [Two men wearing identical white shirts and blue jeans crouch outdoors at night. The figure on the right grasps two tree branches with both hands. His pants have been dropped to the ground and he sticks his bare rear out. The second figure on the left is fully clothed and crouches behind the other figure, shining a flashlight at his rear end.] -
Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [A large black display case with several books arranged in a small viewing window. One book is titled *MOBY-DICK*, while another displays japanese text and a woman on its cover.] -
Exhibition Card (front) -
Demonstrations outside Artists Space during the opening of Witnesses: Against Our Vanishing, November 16, 1989. [A line of people hold signs with messages including, "ED HELMS impedes THE 1ST AMENDMENT" and "OBSCENE ART?".] -
Flyer for Segue Reading Series featuring Kamden Hilliard and E.J. McAdams. Saturday, November 13, 2021, Artists Space. Artist: Lonely Christopher & Venn Daniel [A horizontal image with a flat, light blue background. On the right side is a pink, cotton candy-like image of a cloud. The word, "Segue" appears in pink text on the top left side. The name, "Kamden Hilliard," is written on the center-left in large red text, while the name, "Laura Elrick," appears in purple on the center-right.] -
Kembra Pfahler performing with the Girls of Karen Black. Photo: © Paula Court, 2018. [A stone-walled lawn filled with people watching Kembra Pfahler.] -
Art From the British Left. Installation view, Artists Space, 1979. Artwork by Mary Kelly. Courtesy Artists Space. [Three walls hung with small works on paper and photographs are visible. There is a window on the right.] -
Apartment Show: If the dogs are barking. Installation view, Artists Space, 2009. [A ceramic figure of a headless gray dog sits on the top of a shining metal barrel in an open gallery space. A garland of sausages connected to the ceramic dog drapes over the sides of the barrel. A wooden chair sits behind and to the right of the barrel. Many paintings, drawings, photographs, and posters hang on the gallery walls.] -
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SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.] -
Artists Space logo, 1980s. [A black, sans-serif A on a white background, with a black outlined square positioned at once in front and behind the letter, intersecting it at all three corners.] -
Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez [In the foreground a large, orange slug sculpture forming a circular ring shape is installed around two cast-iron columns suspended by ten elastic cords such that it encircles the column and rests close to the ceiling. Behind it is a large, orange slug sculpture forming a circular ring shape installed around one cast-iron column suspended by eight elastic cords such that it encircles the column and rests at its vertical center. In this white-walled gallery space one can also notice a partial view of a painting in the background.] -
Jerry Beck, Bird of Destruction, 1985. [A sculpted cross with two scale readings on either side of it along with bullets lined in formation on the top half and some undefinited black marks on the bottom half and two unidentified objects hanging underneath. It hangs on a white brick wall.] -
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“Chinatown Is Not for Sale.” Installation by Chinatown Art Brigade. Artists Space Books & Talks, Saturday, October 22, 2016. Courtesy Chinatown Art Brigade, Decolonize This Place and Artists Space, New York. Photo: Marz Saffore [Chinatown anti-gentrification paraphrenelia posted on the wall, with phrases like "Tenants Unite!", "Housing is a Human Right!", "Stop Gentrification Now!" and "Who did you Displace to open your Gallery?", written in English and Mandarin. A monitor displaying a person holding a megaphone at a protest is fixed on the wall, the handouts surrounding it.] -
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Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022. [A color image of a dark room featuring illuminated yellow and orange shapes floating on the wall and reflected on the floor.] -
Spread from Harun Farocki Diagrams. Images from Ten Films, stills from Images of the World and the Inscription of War, 1988. [Fifteen images arranged in a grid, depicting close-ups of human faces and arial views of war.] -
Friends of Artists Space Annual Dinner, 2022. [A color photo of three individuals standing together and posing for the camera before them. The background depicts other people engaging in festivities within a dimly lit space.] -
Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979. [Two photographs are mounted on a white gallery wall.] -
[A white, graphic shirt sits on a piles of items next to nested wicker baskets in front of a wooden wall. On top of the baskets is a sign that reads, "freedom club."] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Three figures perform in a basement. On the left a figure in a blue morph suit wears a pair of wings made of fresnel lenses. On the right another figure in a blue morph suit stands behind a rolling table made of wood and fresnel lenses. Another figure to the far right takes video footage.] -
Students visiting Sleepwalk at Parasol Projects, LES, 2022 -
Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak. [Five framed works on paper, one individual work on the left and a cluster of four on the right, hang on a white gallery wall. Works feature abstract, calligraphic strokes in black ink on paper. Individual work on the left includes hand-painted text reading "3 concerts, improvised music. La Monte Young - sopranino saxophone, Angus MacLise - hand drums, drone, 8-12pm Sundays - August 12, 19, 26, 10-4 Group Gallery, 73 4th Avenue, contribution $1.50" ] -
[Black text on a grey background. The text reads: “March 21 / Dave Morse / Manal Kara / Simone White.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
Social Surfaces. Installation view, Pearl River Mart, 2017. Photo: Ron Amstutz. [An opened case, with camera equipment resting inside gray foam, is displayed in the center of a room. A large black and white painting with text is hung on a wall underneath a hanging sculpture. In the background, individual papers of beer logos are displayed behind glass, stretching across two connecting walls.] -
Pamphlet Cover for Mike Henderson, Artists Space, 1990. [An abstract image of two rectangles, one light and one dark, each dotted with a grid of circles. Below this, black text reads, "Mike Henderson, April 19-May 19, Artists Space."] -
[Black text on a grey background. The text reads: “March 14 / Matana Roberts / Kate Valk.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
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Salad Days 3. Installation view, Artists Space, 2008. Photo: Jeremy Ross. [Several sculptures and 2D works sit in a large gallery space with wooden floors and white columns. To the right, a stool-like object sits on a white plinth, illuminated by a bright overhead light. On the ground in the center of the image, an overturned cardboard box rests on the floor. A colorful structure resembling a well is installed in the background.] -
Michael Bullock, Roman Catholic Jacuzzi (New York: Karma Publishing, 2012). [A blue and teal book cover depicting the title and author against a flat background.] -
Spring Exhibitions. Installation view, Artists Space, 2009. [A large room with wooden floors. In the right corner, there is a wall creating a corner that is covered in colorful wallpaper with images of tropical birds on trees. Several framed pictures are displayed on one side of the wall, partially obscured by a white column. To the left, there are three standing plinths with glass tops, housing dried brown plants.] -
Passages from People Who Led to My Plays. Performance documentation, March 1, 2020, Artists Space. Photo ©️ 2020 Paula Court. [Two figures in dark clothing stand before two music stands. The figure on the right speaks and gazes forward. One of their hands rests on the music stand, the other reaches out in front of themselves, their fingers extended.] -
Gary Burnley, Martin Cohen, Candace Hill-Montgomery, Louis Stein, and Haim Steinbach. Contact sheet of photos from exhibition opening, Artists Space, 1979. Photos by Gary Burnley. [Contact sheet of installation images taken during exhibition opening.] -
In The Poem About Love You Don't Write The Word Love. Installation view, Artists Space, 2006. Photo: Bill Orcutt. [Several rectangular sheets of cream colored paper hang side-by-side on a gallery wall. The papers are arranged in clusters of three or more and appear blank, with faint creases visible on their surfaces.] -
[Black text on a grey background. The text reads: “Jan 31 / Bruce Andrews / Christopher Knowles.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
Abasement #77. Performance documentation, April 7th, 2025, Artists Space. Photo: Joshua Wildman. [Color image of two performers on standing on stage. The performer in the foreground is lit with pink light. They are holding their arm out touching a cymbal with a red drum stock in hand. They are looking down with their eyes closed. The performer in the background is out of focus, they are bathed in blue light. Drums surround the stage. A seated audience is out of focus in the background. The back wall features two projections, one is an abstract arrangement of shades of blue. The other has sharp geometric shapes in red, green, and yellow.] -
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Paul Lamantia. The Critic (A Portrait of Dennis Adrian), 1984. [Three figures with misshapen faces appear together in an surreal setting.] -
Flyer for Segue Reading Series featuring Kimberly Alidio and Joyelle McSweeney. Saturday, November 7, 2020, Artists Space. Artist: Keith Higginbotham [A group of basketball players sit on a bench, a cutout photograph of a pink flower collaged over each of their heads. On top of the lower half of the image, black text reads "Kimberly Alidio / Joyelle McSweeney" and the lower left corner pink text reads "Segue."] -
Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [A large display case whose top and bottom portions are made of a shiny, black material. Held between these black components is a glass vitrine that displays several objects, including a flat surface covered with inky text that reads, "BC." Behind and to the right of the display case, a shiny, black cubic structure—nearly of ceiling height— is installed in the gallery.] -
Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [A figure looks into the viewfinder of a camera. In the background, an abstract image is projected onto a wall.] -
The Library Vaccine. Installation view, Artists Space, 2014. [A seven shelf, white, book case is housed full of various colorful and sized books.] -
Circus Amok, The Experimental Walking Tour, 2002. Performed in various parks across the five burroughs. [A color photograph of several figures marching in the middle of the street while holding up posters. One of the figures is wearing stilts, while others are pushing carts or instruments on wheels. From the sidewalk, various pedestrians look on.] -
Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a figure dressed in black performing in front of an audience in the background. The room is dark, with LED light sculptures made from dried SCOBY in the background. The figure sits on the floor, looking off to the right and holding a mask in front of their face.] -
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[Five book covers on a transparent background next to eachother in a line. From left to right the titles read, "The Abolition of Work," "Modern Dreams," "The Man Without Qualities," "Money," and "Power."] -
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Renée Green. Still from Partially Buried, 1996. Video, color, sound; 20 minutes. Courtesy the artist, Free Agent Media, and Video Data Bank. [A dilapidated wood shed is shown partially covered by large mounds of earth. Fingers reach out from the lower-right corner to caress the image.] -
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Shani Strand, R.I.P. He Deserves It, 2026, 10 min 32 seconds, Video and sound. [A figure in clown makeup, a black leotard, and polka dot tights jumps through the air against a dark background from which a few lights emerge.] -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of three figures dressed in white, embracing each other as they run across an empty basement.] -
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Union Gaucha Productions in collaboration with Fabio Kacero. Still from Totloop, 2003. 16mm film (silent, color), 4 min 49 sec. Courtesy of Union Gaucha Productions. [A portrait of Jonas Mekas in Rembrandt lighting looking directly into the camera, wearing his signature fedora and standing against a black background.] -
Abasement #85. Performance documentation, March 2nd, 2026, Artists Space. Photo: Joshua Wildman. [To the left, surrounded by a sound system, a performer sings into a microphone while resting a wind instrument in their lap. To the right, a performer plays a saxophone. The stage is bathed in red, green, and blue lights while a projection is shown on the wall. ] -
Nelissa Rodriguez, 2014 [A colorful drawing of a Goya can behind a package of canilla enriched rice, and an empty cap. Each object is lying on an orange surface, with a green background] -
[A graph showing a typical stock price increasing in value, digitally manipulated to show it going back in time and continuing to increase, once above a certain threshold.] -
Installation view, Robert Morgan. Artists Space, 1977. [A black-and-white photograph of a gallery space with multiple works, framed and unframed, on the walls.] -
Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata [Color image of a reed organ with a sheet of clear plastic falling off the organ, and a block of ice fallen on its side on the floor of a black stage.] -
Abasement #77. Performance documentation, April 7th, 2025, Artists Space. Photo: Joshua Wildman. [Color image of a performer on stage, standing sideways, with an audience facing them. The performer has their hands up and their mouth open in an exasperated manner. They are holding a phone in one hand. They are standing near a microphone on a stand, with a hat balanced on it. The audience is seated. The back wall features a distorted projection of a live feed of the performance. ] -
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Served Up! R.M. Fischer. Installation view, Artists Space, 1979. [A black-and-white photograph of a long floor lamp with two protruding lampshades.] -
Benita-Immanuel Grosser, Participating, at the same time, 1996. [A room divided by a glass partition. On the righthand side, the walls are blue with a wooden floor, and a square artwork painted with stripes hangs on the wall. On the lefthand side, the floor is light blue and covered with dark blue mats placed at even intervals. A white, folded towel is placed on each of the mats.] -
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Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They wave a red object in the air.] -
Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata [Color image of a figure standing on a black stage. They smile out at the audience as they prepare to perform in front of a reedorgan covered in plastic wrap.] -
Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979. [Two photographs are mounted on a white gallery wall.] -
Camilo, headline poem, 2019 [A monkey's head is pasted above a drawing of a suit with other pencil markings throughout the image on lined notebook paper. Below the figure is a collaged phrase from newspaper clippings that says "Monkey goes to Harvard."] -
Abasement #78. Performance documentation, June 16th, 2025, Artists Space. Photo: Joshua Wildman. [Color image of three performers on stage. The performer on the left is sitting at a table with a tape deck, the performer in the middle is playing cello with a bow, and the rightmost performer is standing with a microphone. One audience member is visible in the foreground. The musicians, as well as the wall behind them, are bathed in an abstract light projection.] -
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Édouard Manet, A Bar at the Folies-Bergère, 1882. [A painting of a female bartender standing behind a bar, facing the viewer. A large mirror directly behind her reflects the space of the crowded bar before her. Another woman behind and to the right of the bartender, her back to the viewer, turns to speak to a man with a top hat and mustache.] -
Salad Days. Installation view, Artists Space, 2004. [A white wall with orange and yellow lollipops arranged in lines. In front of the wall is a small television on a white plinth.] -
Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata [Color photograph of two figures performing in a dark gallery space, lit only by an installation of LED lights covered in dried SCOBY material. One figure wearing black leans down in front of one of the LED lights. Partly hidden behind a column, another figure stands wearing a red suit.] -
Christa Blatchford, still from See Around, 2008. [Four images arranged horizontally. From left to right: solid gray-blue, a gray-blue toned image of a shoreline, a gray toned image of a shoreline, and a gray toned image of a shoreline with a subtle pink sunrise in the sky.] -
Abasement #76. Performance documentation, March 3rd, 2025, Artists Space. Photo: Joshua Wildman. [Color image of three performers on stage. In the middle a performer is standing up with their hands on their shoulders. To the right, a performer is hidden behind a large collection of tissue paper. In the back left side, a performer is sitting down in front of audio equipment. A few audience members heads are visible in the foreground. The wall behind the stage is projected on with blurry images of a crowd. ] -
Abasement #63. Performance documentation, July 17, 2023, Artists Space. Photo: Joshua Wildman. [Color image of two performers sitting on a stage, with a variety of musical gear between them. The backs of heads from audience members observing the performers can be seen at the bottom of the image. A pinkish-red spotlight illuminates the dark performance space and the individuals on the stage.] -
Carolyn Lazard: Two-way. Installation view (Vital, 2025), Artists Space, 2025. Photo: Greg Carideo. [A darkened gallery space with dark blue walls and dark blue carpeting with a large wall projection. The projection depicts a black patient in a blue hospital gown laying down on an examination table. A white doctor holds a stethoscope to the patient’s stomach.] -
Willie Cole A.R.T. (in the new world order), 1994, Oilstick on framed blackboard, 18 x 24 inches (45.7 x 61 cm), Signed & numbered. [A black chalk board displays various words written in white chalk. The word "ART" in all caps boldly appears as a header and twelve additional words are written below. Four words are crossed out with red chalk.] -
Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a large group of people standing around a gallery space. Chairs, and tanker desks with TV monitors on them are placed in the space. The audience watches a figure in a red suit that stands next to a column, holding their hand to their mouth.] -
Artists Space, 38 Greene Street, 1998. [A black-and-white photo of the façade of a building in New York. A black flag with white text reading "Artists Space" hangs from several stories up, above a streetlamp.] -
Millie Wilson, The Painter Who is Not One, 1990, detail. Acrylic on canvas, text, type, photos, wall paint, 13 by 25 feet, variable. [A small square of illegible text, an abstract image of two black squares on grey, and a painting of a person in period dress and a top hat all hang on a blue wall.] -
Salad Days. Installation view, Artists Space, 2004. [Two paintings hung on white walls meeting in a corner. The paintings are colorful, predominantly pink and red.] -
Abstruction. Installation view, Artists Space, 2003. [Several artworks installed in a large gallery space with white walls and wooden flooring. A television monitor rests on a low acrylic box on the floor to the room's right side. A warped purple and pink image resembling a kaleidoscopic star shape is displayed on its screen. There are white columns to the left of the monitor. Hanging on a gallery wall on the image's far left side is a large piece of translucent, white cloth embroidered with amorphous red and blue linework. The far gallery wall behind the twinned columns has been painted with slanted, striped areas of peach, yellow, and ochre color.] -
LOOP 2 Pamphlet Cover, Artists Space, 1990. [A series of black and white film stills appear projected on a black background. Below them, white text reads "LOOP 2 Cultures Converge May 31-June 30 Artists Space."] -
Salad Days 3. Installation view, Artists Space, 2008. Photo: Jeremy Ross. [Three black television monitors installed on white plinths in a gallery space in a semi-circluar formation. Faces of three disparate figures are displayed on each screen. The face displayed in the center monitor's screen is a deep blue color.] -
[Black text on a light blue-grey and yellow ombré background. The text reads: “April 19 / Jennifer Firestone / Matvei Yankelevich.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman. [Color photo of a large gathering of audience members seated and standing in a dimly lit performance space. The venue is illuminated by white spotted lights from a discoball out of view and soft, pink projections.] -
John Knecht. I'm Glad To The Brink Of Fear, 1986. Video Installation. [A black and white photograph with two images of faces illuminated in the darkness and text underneath.] -
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Yasunao Tone performing Music for 2 CD Players at Experimental Intermedia Foundation, New York, 1986. [Black-and-white photograph of a blurred figure in motion sitting behind a wooden desk surrounded by audio equipment in a sparse room.] -
Abasement #79. Performance documentation, August 11th, 2025, Artists Space. Photo: Joshua Wildman. [A performer sits behind a white desk, on top of which are piled various audio equipment. ] -
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Yuki Kimura, The Circle, 2019, 21 stainless steel round trays. Photo: Daniel Pérez [21 silver, round, stainless steel trays sit nested on a wood floor.] -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a performer dressed in white, kneeling on all fours. A bright light from their pelvic area shines onto the floor, as viewers stand around the figure.] -
Till They Listen: Bill Gunn Directs America. Installation view, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [Along the wall is a glass display case holding ephemera, hanging above are two black and white contact sheets.] -
[Screenshot of an unnamed Financial Times video, depicting an upward-trajectory chart titled "seven lean years for value."] -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a large empty room bathed in a red light. Along one wall, a performer dressed in white stands against the wall, bending over and looking to their left. A bright white light shines from their hips and a sheath of crinkly, reflective one-way mirror film lays on the ground in front of them.] -
Young Fluxus. Installation view, Artists Space, 1982. [A shiny dark plaquette-like object with engraving sits on a white pedestal.] -
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SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement window that has been tinted with blue paint, streaming in blue light.] -
We Are The History of the Future: Listening to the LES online presentation, My Story Our Story Quilt, P.S. 140 7th grade students [A screenshot of a video call presentation. Two students are placing strips of white paper together; they are creating a paper quilt. They are flanked on the right side by the images of ten individuals who are joining the call remotely.] -
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rafa esparza: Camino. Installation view (110 North Bound, 2023; Jaime, 2023), Artists Space, 2023. Photo: Filip Wolak. [Color image of the corner of a gallery space. On the right side is a large adobe panel that rests on a steel armature. Painted onto the adobe is a portrait of a figure with a bicycle, and around the armature are adobe bricks laid out on the floor. On the lefthand wall is another adobe panel painting depicting the entrance into a freeway tunnel.] -
Vanalyne Green, Still from A Spy in the House That Ruth Built, 1989. 29 minutes. [A close up image of hands holding a film camera in black and white on a white background. Below the hands, a small, black silhouette of a figure walking.] -
Gordon Onslow-Ford, Play, 1985. [Various abstract star-like symbols appear wih a black background.] -
Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [An audience watches a performance, smoke and an orange light fill the room.] -
Not yet titled, 2019
Clay, glaze, mixed media
7 x 12 x 17 inches (variable)
$5,000
[A green object with a processing chip embedded in its front sits on a white base. On top of the object sit a red potato with a wire attached, false teeth, and a telephone cord.] -
Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Haim Steinbach. [View of colorful panelled designed wall with shelves holding plants and other items. A blue desk with pamphlets on them is visible in the front left corner which is near a doorway into another room.] -
Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A large room with a wooden table in the foreground. A standing screen is centered between two white poles, showing a projected image of a white sign with handwritten text reading "DELOREAN DREAM WORKERS NIGHTMARE."] -
Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. [A color photograph of a figure with raised arms and in motion in an orange-lit space next to a small piece of audio equipment with a wire on the floor. A crowd looks on in the background.] -
Rent check envelope prop, c.1970s. Copyright Jack Smith Archive. Courtesy Gladstone Gallery, New York and Brussels [A discolored envolope, stained and frayed, with cursive handwriting that reads "The Lobster Lucky Landlord Paradise".] -
In The Poem About Love You Don't Write The Word Love. Installation view, Artists Space, 2006. Photo: Bill Orcutt. [Several sculptures, video works, and models are installed in a gallery space with wooden flooring. Situated closest to the viewer is a geometric, white model installed in an acrylic box, which in turn is displayed on a large wooden table.] -
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SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [A figure in a blue morph suit kneels down next to a wooden table and looks off to the right. Audience members sit along the floor in the background.] -
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[A pink pamphlet with black text announcing "Artists Space Presents: PUTT-MODERNISM", an "artist created 18-hole fully playable minature golf course." There is an illustrated map showing the location of the event, and additional printed information on the location and hours.] -
Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a gallery space. On the left wall series of photographs hang, and vitrines containing musical scores. Various musical instruments and audio devices are placed around the middle of the room, and various television monitors are placed along the sides of the room..] -
Abasement #76. Performance documentation, March 3rd, 2025, Artists Space. Photo: Joshua Wildman. [Color image of two performers on stage. The musician on the left is in profile, standing up, while playing the guitar. On the right side of the frame a musician is sitting down, out of focus, playing the drums.] -
Lyndon Barrois Jr., Sinner Man, 2022; Double Appear (After Vuillard), 2013. Police tape, laser prints, museum board, MagiColor manual; oil on board, artist frame, solvent transfer, plywood. Dimensions variable. Photo: Filip Wolak. [A color photograph of a gallery space. Hanging from the wall is a printer manual, police tape outlining a rectangle with three additional strips extending from the wall to the floor, and a wooden rectangular painting.] -
Friends of Artists Space Dinner, 2023. Photo: Joshua Wildman. [Color image of three individuals captured as they engage with other guests at their table. A dimly lit and elegant dinner venue can be seen in the background.] -
Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York. [Two figures holding a mannequin look at a projection on the wall.] -
Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman. [A close-up image of a musician sitting on the floor playing the violin. Three other violins lay on the stage before her.] -
Artists Draw. Installation view, Artists Space, 1979. [A drawing of a man's head cut off at the neck with horns made of hair. Text along the top reads "flames of genius."] -
Jutta Koether, The Seasons ("Summer," Seasons set #3, Reena Spaulings, Frieze New York), 2012. [A sculpture consisting of a large rectangular pane of glass, its bottom edge wedged into the center of a square block, is installed in a white-walled gallery space. A small canvas is attached to the center of the glass pane with its wooden backing facing the viewer. String and an orange, mesh-like object hang and drip from the canvas's lower edge. Three figures are visible behind the sculpture, talking in a small cluster.] -
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Abasement #78. Performance documentation, June 16th, 2025, Artists Space. Photo: Joshua Wildman. [Color image of five performers on stage. They are playing bass, violin, guitars, and drums. A row of audience members are visible in the foreground, with their backs to the camera. A blue projection covers the performers and the back wall.] -
Praydoliub Ivanov, Pessimism No More (detail), 2002. [A block of cheese sitting on a white plate on a wooden table. There are several Band-Aids covering the holes on the block of cheese.] -
Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure reads into a microphone, glancing at their phone.] -
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Gary Falk, Brigid Kennedy, Ladd Kessler, Peggy Yunque. Installation view, Artists Space, 1981. [A dim photograph of mulitple artworks hanging on a white wall in the exhibition space.] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [A figure in a blue morph suit kneels down on one knee, placing their hands on top of a table made of wood and fresnel lenses while audience members watch in the background.] -
Artists Draw. Installation view, Artists Space, 1979. [A simple drawing of a figure with a horse-like head wearing a dress and black gloves. Text along the top reads: "thorn dress for the rianthrope." Text along the bottom reads "the shoulder length glove."]
