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Mark Morrisroe. Still from Nymph-O-Maniac (1984). [Three people wearing facemasks. One is dressed in an ultra-feminine mask, nightgown and open robe, facing the camera. The other two are facing the first figure, dressed casually in t-shirts and a denim vest.] -
DUOX: DUOX4Larkin. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [An installation view of a large room. To the left, an orange water dispenser is positioned between three white columns. In the center of the room is an abstract sculptural work. In the lower right foreground are eleven metal poles mounted in metal buckets that are filled with multicolored objects.] -
[White text on a bright fuchsia background. The text reads: “Oct 25 / Wo Chan / Kay Gabriel.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
Stashu Kybartas, Danny, 1986. 20 minutes, 3/4", color. Film still. [A person in a plaid shirt and jeans is seated with their hands in their lap in from of a plaid background, looking to the left of the camera.] -
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Invitation for the exhibition at Kaiserstraße 31A (two copies) Düsseldorf, May 11, 1963 Collection Tobias Kuttner, Berlin [Two panels of square images, of which are surrounded by text within sections.] -
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Kathe Burkhart and Chrysanne Stathacos: Abortion Project. Installation view, Artists Space, 1991. [Black and white image of a gallery enclave. The walls are covered with long lists of individual signatures that form several rows from floor to ceiling.] -
Reenactment of Chris Burden's Shoot (Synthetic Performance in Second Life), 2007. Courtesy of Postmasters Gallery, New York. [A digital rendering of two people in a room with white walls. One avatar has long blonde hair and is pointing a gun at the other avatar, who stands up against the wall.] -
Perspective: The State of Existing in Space Before the Eye. Installation view, Artists Space, 1989. [On a black background, a charcoal drawing of a foot overlaps a scrap of an architectural diagram.] -
[Collaged atop a purple, pink, and orange field is a series of abstract graphic and typewritten elements, including a man's face with a bandana covering his mouth. In the bottom left corner an upside down text reads "ABASEMENT 61." Smaller text above lists the participating musicians and artists.] -
[Black text on a light green background. The text reads: “April 11 / Blake Butler / Ariana Reines.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
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Barbara Kruger. Installation view, Artists Space, 1974. [A color photograph of abstract rectangles with white, green, and black stripes, arranged in a sun like shape on a white background.] -
Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure sits behind a table, looking at a laptop, and speaking into a microphone.] -
Pictures. Opening Reception, Artists Space, September 23, 1977. Photo: D. James Dee. [A black and white photograph of a gallery installation. A figure poses in front of a wall with several hanging objects, their arms outstretched to either side.] -
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Renee Gladman: Narratives of Magnitude. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of a gallery space taken from a wide angle with several framed works hanging on the wall. On the wall on the left, four drawings made on white paper are displayed in a horizontal line. On the perpendicular wall, three works made on black paper are displayed in two columns. The left column is a single work, the right column has two works. On the right wall, nine works are displayed as a grid. All drawings depict diagrammatic systems.] -
Yasunao Tone Concert #3. Performance documentation, March 16, 2023, Artists Space. Photo: Destiny Mata [Color image of four figures seated in a row on a stage. Each figure sits behind a music stand.] -
Jack Smith, still from Yellow Sequence, 1963. 16mm, (sound, color), 20 minutes. [A faded image of a silhouette holding an umbrella outdoors] -
[A figure, silhouetted by the sun, pushes a bike with a wooden contraption anchored across its handlebars, upon which various obscured objects hang. The figure is situated on a dirt road next to a body of water, which stretches out behind them in the distance. Urban buildings are visible in the far distance.] -
Abasement #72. Performance documentation, October 7th, 2024, Artists Space. Photo: Joshua Wildman. [Two musicians on stage use various instruments. The musician in the foreground plays a mandolin. The musician behind them is using electronic instruments on a table. There are yellow and pink patterned projections, a red light bulb, and reflections from a disco ball around the room. ] -
[Several students stand around a large desk working on mixed-media artworks. One reaches for something from another student towards the camera.] -
Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view, Artists Space, 2023. Photo: Filip Wolak. -
New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court. [Two silhouetted figures kissing behind a microphone. They are backlit by a white projection with black capitalized text reading "RENUNCIATION KISSING STATION".] -
Sherry Markovitz, Danny Boy, 1985. [A crafted deer head with horns appears on the wall with various drawn patterns on it.] -
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Adjua Gargi Nzinga Greaves, 1741 Honey Locust, 2020. Inkjet print, 44 x 58 inches. Edition of 2. Courtesy Artists Space, New York. Photo: Filip Wolak [An inkjet print mounted on a pink wall. The print includes a woman standing behind a desk and in front of several rainbow-colored bookshelves. Above the bookshelves hang several flags.] -
Attention Line. Installation view, Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [An image of a room with several display cases and a projection, with bright lights cast against the wall.] -
Ralston Farina: Time // Time. Installation view, Artists Space, 2025. Photo: Carter Seddon. [Three large display cases exhibit various objects. The case most within sight displays drawings, posters, photogrpahs, newspaper clippings, and a small sculpture.] -
Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang. [A figure in a blue dress stands behind a white table, they slowly unfold a book as another figure in the audience stands and reaches over to read off of the paper.] -
Gerome Kamrowski. Hopeful Monster, 1980. [A number of colorful animal-like figures appear in space with a white background.] -
Martin Beck, An Organized System of Instructions (Carpenter Center for the Visual Arts and Sternberg Press, 2017). [A hardcover book depicting a blueish outdoor park obscured by several grey sheets.] -
The Library Vaccine. Installation view, Artists Space, 2014. [An angled view of a room with a set of two tables and chairs, books resting on the tables, in the center. On the back wall hangs a banner in red painted text, reads "...Pessimism of the intellect, Optimism of the will... Gramsci." On the right adjacent wall, text covers the whole height, the title reading, "Vigilance:"] -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure dressed in white, laying down on a window ledge facing the street. They raise on arm up and a white light shines from their pelvic area.] -
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Jerry Beck, Cryptic Cross, 1985. [A sculpted pedestal with a black object on it is visible on a wooden floor below a sculpted multilayered cross hanging on a white gallery wall. Numbers are visible above the image.] -
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Matt Mullican, Wall labels, 1976. From Susan Eder, Matt Mullican, Artists Space, 1976. [A black and white photograph of black silhouetted forms on a white wall, including a heart, a peace sign, a cross, an eye, and a clock.] -
Yellow. Performance view, Artists Space, 2008. [A woman is seated wearing a long, yellow dress with a full skirt that has extra fabric at the bottom. She is holding up soapsuds, which are dripping down onto the front of her skirt.] -
Show and Tell: A Chronicle. of Group Material. Doug Ashford, Julie Ault, Sabrina Locks. Four Corners Books, 2010. Hardcover, 272 pages. $35 . $120 Signed. at the Artists Space Bookstore [A red room containing a pile of miscellaneous items. Yellow text that reads, "Show and Tell: A Chronical of Group Material, Edited by Julie Ault."] -
Pictures. Opening Reception, Artists Space, September 23, 1977. Photo: D. James Dee. [a black and white photograph of a gallery filled with people conversing. The walls are lined with several framed and unframed artworks.] -
Adjua Gargi Nzinga Greaves, Autotelemachy, 2017. Collage, 59 x 68 inches. Photo: Filip Wolak [A collage of eucalyptus sprigs, other plants, and human figures attached to a framed map.] -
Bonnie Rycheck. Black and Gray Benches, 1980. [A black and white image of a black bench with two distinct black drapery on both sides behind it.] -
Nandi Loaf, Aristotelis Nikolas Mochloulis, ricardo nagaoka, Sydney Schrader. Installation view, Artists Space, 2025. Photo: Carter Seddon [A twinkling black Christmas tree stands in the foreground as the gallery walls recede. A few paintings hang on the more distant walls. ] -
Flyer for Segue Reading Series featuring Wayne Koestenbaum and Morgan Võ. Saturday, October 30, 2021, Artists Space. Artist: Lonely Christopher & Venn Daniel [A horizontal white background with curved turquoise, orange, black, and purple lines. Text appears on top of the image reading, "Segue" (in pink) "Morgan Võ Wayne Koestenbaum" (in gray)] -
The Friends of Artists Space Dinner, May 8, 2010. Michael Clark & Company's performance. [A woman in a nude leotard-like top and silver leggings stands facing forward with her hand on her hip in a gallery space. Behind her, a figure in a black skirt and white collared shirt stands in a similar position, with his back to the former performer.] -
Book cover for The Stagnant Society by Michael Shanks. Design by Richard Hollis. Published by Penguin Books, London, 1961. Courtesy Richard Hollis [A red background, half the Union Jack poisitoned behind sillhouette's of five men and a car, and text that reads, "The Stagnant Society, Michael Shanks."] -
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Installation view from Annual Selections Show, Artists Space, 1985 [A close up black and white image of multiple paintings hanging on a white wall and a sculpture occupying the gallery floor.] -
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Union Gaucha Productions. Installation view, Artists Space, 2015. Photo: Daniel Pérez. [A dimly lit room with a projection facing the front. The projection displays neon words that are slightly distorted, the legible text reads "Removes.....eight straight...."] -
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Crystal Z Campbell, Revolver, 2022. 16mm film transferred to Digital Video, Stereo, Sound. 17:27 min. Courtesy the artist [Negative film image of two hands holding down either side of a blue board. Objects are placed to create vaguely recognizable patterns and figures.] -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure in a completely dark room, facing one wall and shining a light from their body against the wall.] -
Flipside. Installation view, Artists Space, 2004. [Two white walls meeting in a corner. The wall on the right has three large black and white photographs of people on winter streets with their small dogs. The wall on the left features a canvas covered in a red, green, and peach colored plaid pattern.] -
"Identity". Installation View, Artists Space, 2011. Photo: Daniel Pérez. [In a dimly lit room with light wood flooring and white pillars, three illuminated screens are suspended side-by-side from the ceiling. Two of the screens are off. The screen to the far left displays an image of a 19th century painting of a female bartender.] -
It's Get Better IV, 2016. [A flyer for the event, depicting a Manhattan city block with neon-hued clouds in the background.] -
Postcard for Underground: amanaplanacanalpanama, 1990, Artists Space. [A postcard, displaying puple text on a white background, provides details about the exhibition and corresponding events.] -
Sean Snyder, still from Two Representations of a Given Place (Pyongyang), 2001-4. Courtesy the artist; Galerie Chantal Crousel, Paris; Lisson Gallery, London; and Galerie Neu, Berlin. [A slightly blurry image of a city in the evening. An outline of a tall, triangular building is visible against a sunset sky.] -
Freya Hansell. Installation view, Artists Space, 1980. [A black and white photograph of various objects hanging in a white-walled gallery space with a spotlight in center of the image.] -
Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak. [Framed works on paper hang on a white gallery wall. Some feature large circles composed of smaller ornamental swooping lines. Others feature abstract calligraphic strokes that resemble text.] -
Young Fluxus. Installation view, Artists Space, 1982. [The outline of a bird in black is visible on both sides of the image with black text in the center that reads, "If you look to the left, that is the left drawing, if you look to the right, that's the right drawing, but if you don't look anywhere that's the no drawing."] -
Cover of Jack the Modernist, New York Review Books, 2025. Cover by Louis Fratino. [Book cover featuring two illustrated nude men, one is laying down along the bottom of the cover, and the other stands and frames the right side. In the center is a smaller illustration of buildings. Text reads "JACK THE MODERNIST / ROBERT GLÜCK."] -
Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [An entryway with layered, decorative carpets and black-and-white images displayed across the height and length of the wall. A small school desk sits on the left in front of a large bookshelf.] -
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Patricia Caire. Installation view, Artists Space, 1980. [A sheet with painted black figures on it hangs suspended in a front of lighted windows in a gallery space.] -
LaMonte Westmoreland. The Watermeleon Series, 1986. Mixed Media collages. [A black and white photograph of two mixed media collage works hanging side by side on a gallery wall.] -
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Flyer for Segue Reading Series featuring Jerome Sala & Sarah Riggs. May 21, 2022, Artists Space. [Black text overlays a white background with teal bunches of flowers in the lower left and upper right corners. The top left corner reads: “Jerome Sala / & Sarah Riggs / May 21, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”] -
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Judit Kurtág. Still from Episode, 2007. [A black and white image of a person's face against a white tiled wall, with water pouring down over her.] -
Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a corner of a gallery space. On the left wall are two black-and-white photographs, and on the right wall is a black-and-white silhouette of a figure smoking. In the corner, a television monitor sits on a shelf.] -
Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman. [Color photo of two performers kneeling on the floor of a dark performance venue. A deep red glowing light emanating from between the performers serves as the only source of illumination. The crouching individuals are wearing quilted pants and have a variety of nightvision gear attached to their legs and torsos.] -
Warnung vor einer heiligen Nutte (Beware of a Holy Whore). Dir. Rainer Werner Fassbinder. 1971. [A man and a woman sit in two low wooden chairs. The man wears a brown hat and striped suit, while the woman wears a white top with a low v-neck. Her hair is blonde and stylishly curled. She stares ahead, her left hand gently resting on her chin. The man stares sideways at her.] -
Retrovizija (Peter Vezjak), still from Laibach: Sympathy for the Devil, 1988. 5 minutes, 40 seconds. [Seven people are in a courtyard in period dress, facing the camera. Some stand on a ladder, another leans against a colonnade in the background. Smoke billows out behind them from an unseen source.] -
Left: Jazmín López, You don’t have to tell him, he knows what you want, 2022. Art Magazine. Right: Scott Cottingham, CHAIN-LINK,, 2022. Single-channel video with sound, comprising machinima, 3D animation, and found footage elements, 89 minutes. Photo: Steven Cottingham. [Color photograph of video work installed on a wooden desk. Visible on the wall in the background is a work on paper mounted on a mirror.] -
ART CLUB2000 Untitled (What Ever Happened to the Drawing Center Planters/Proposal for Two Semi-Permanent Planters), 1996 Painted wood, vinyl lettering, silk flowers, mulch Image courtesy Artists Space, New York Photo: Filip Wolak [An off white planter reading "The Drawing Center" sits beneath a glazed over window displaying the Old Navy logo.] -
Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure reads into a microphone, glancing at their phone.] -
Flyer for Segue Reading Series featuring Jesse Darling and Fiona Alison Duncan. February 19, 2022, Artists Space. [Black text overlays a blue background. The top left corner reads: Jesse Darling / Fiona Alison Duncan. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, February 19, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5."] -
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Yasunao Tone Concert #3. Performance documentation, March 16, 2023, Artists Space. Photo: Destiny Mata [Color image of a figure working on a laptop, seated behind a white desk.] -
Flyer for Segue Reading Series featuring Ted Rees and Jean Day. January 21, 2023, Artists Space. [Purple and dark gray text overlay a light gray background with abstract patterns and a drawing of a male figure smoking a pipe in the bottom left corner. The text in the middle reads "Ted Rees / Segue Reading Series / Jean Day."] -
Playing cards from Barbara Bloom's Solution. From Barbara Bloom, David Salle, Artists Space, 1976. [A photograph of six index cards with typed up clues.] -
Pop or Populus: Art Between High and Low, by Bettina Funcke, published by Sternberg Press, 2009. [A white book cover with patterned text reading, "Pop or Populus." In between these words, small black text reads, "Art between High and Low" and "Betinna Funcke".] -
[A digital rendering of a large structure composed of suspended sheets of red material installed in a gray room. The red sheets are stacked on top of one another, suspended from lengths of wire that run from ceiling to floor. The sheets bend amorphously and are arranged such that they resemble irregular layers of sedimentary rock or strata. Three digitally-rendered figures observe the structure.] -
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Flyer by Joe Frivaldi. [Magazine cutouts of faces printed in green ink, with red dots and accents, overlay a yellow and red printed background that has also been collaged together and drawn over with red and blue abstract lines. A block of black typewritten text on a white background is placed upside down in the bottom left of the image, and reads "ABASEMENT 65" and then the list of performers. On the right side of the image is text that reads the time and place of the event.] -
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Eiko Ishibashi: Two New York Nights. Performance documentation, June 9, 2022, 8pm. Artists Space, New York. Photo: Paula Court [A figure whose face is illuminated by red light plays flute into a microphone.] -
Postcards from John Mendelsohn, Donald Sultan. Artists Space, 1977 -
Community Listening event, Listening to the LES, P.S. 140, 2018 [A photograph of a classroom environment with several students sitting around the edges of the room and a few drawing directly onto a white tablecloth in the center of the room. An image of the underside of a large bridge is shown on a monitor at the front of the room] -
Union Gaucha Productions. Installation view, Artists Space, 2015. Photo: Daniel Pérez. [Two people seated with their legs outstretched on a green carpet in front of a small television monitor, wearing headphones.] -
Sarah Michelson. Devotion, 2011. Photo: Paula Court. [A girl lays on a dark background. She wears a white leotard. Her arms are stretched straight out on either side, with her palms facing upwards. She gazes upwards, illuminated by a soft light.] -
SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement with a sculpture made of two fresnel lenses cut in the shape of wings hung on the back of a pillar to the left of the image. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.] -
YAP: Young Artists Perform, 2025 -
Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979. [A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.] -
Jack Smith: Art Crust of Spiritual Oasis. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [Black and white photographs hang in a horizontal line across a dark wall descending into an exhibition space. On the right, a video monitor sits on the ground. In the background is a free-standing wall featuring a series of framed photographs. A mannequin dressed in orange and green fabric is displayed in front of the photographs.] -
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Flipside. Installation view, Artists Space, 2004. [A small black table leans at an angle, one corner resting on a white wall and one leg resting on an inflated balloon with a face printed on it. Coming out of the ballon is a flowered dress, attached to a fan by an inflation tube. Beyond that, visible behind a half wall, are two red shades with holes covering two windows.] -
Anne Collier, Tear Sheet, 2010, Digital C-print, 23 1/3 x 20 in / 59,2 x 50,8 cm, Signed and numbered certificate. [A color photo advertisement for an Olympus OM-10 camera, depicting a woman holding the camera and smiling, looking just past the viewer. The image is titled "CHERYL TIEGS PRAISES HER FAVORITE MODEL." A short interview is printed at the bottom right of the image, where Cheryl goes back and forth with an "interviewer" about her love of the camera.] -
Axine M: Sold Licker Glass, 2024, Artists Space. Courtesy of ISSUE Project Room. Photography by Cameron Kelly McLeod. [Wide view of 5 musicians on stage performing under blue tinted lights with the audience on the left. From left to right the instruments played are the cello, clarinet, horn, flute, guitar, and vocals.] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [A figure in a blue morph suit leans their arms on top of a rolling table made of wood and fresnel lenses, pushing it toward another figure that stands in front of them filming them. In the background a third figure in a blue morph suit sits and leans down on top of a rectangular wooden frame. Blue footage is projected onto the back wall.] -
ART CLUB2000 Untitled (Drum kit), 1994 Miniature drum kit and spotlight Image courtesy Artists Space, New York Photo: Filip Wolak [A close up of a dramatically lit small drum kit that reads "art club 2000".] -
Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a figure in a red suit performing in a darkly lit room with LED light sculptures in the background. The figure holds their left hand out in a gesture, and with their right hand holds a mask in front of their face.] -
The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich. [A metal cutout of a hand, holding up its middle finger with others curled back, is installed on a white wall. The hand holds a stack of neon cards. Black text on the front of the top card reads, "High five, girls earned the point, they have a good feel."] -
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Bonnie Rycheck. Elegantly Contained, 1986. [A black and white photograph of gray benches with black on top, the front one with legs the back one without. Tape appears on the top of the image.] -
Activated Walls. Installation view, Artists Space, 1993. [A wooden chair facing the corner of a room. Painted on one wall is an empty red frame. On the perpendicular wall, there are several half-finished paintings of children.] -
Attention Line. Installation view (various flyers and photographs by Johanna Went, c. 1970s-90s), Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [A wall that has various posters, photographs, and collages hanging from it.] -
[Black text on a light green background. The text reads: “May 2 / Darcie Dennigan / Tess Brown-Lavoie.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
Union Gaucha Productions Still from As Long As it Lasts , 2010 Digital video on six screens (silent, color), 191 min Film production and editing assistance: Francisca Caporali and Lior Shvil Originally commissioned by The Museum of Modern Art Courtesy of Union Gaucha Productions and The Museum of Modern Art [A man is shown in front of a Jackson Pollock painting wearing a frilly baby bonnet, sunglasses, a pacifier, a white t-shirt and a white cloth that resembles a diaper.] -
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Paper Exhibition. Installation view, Artists Space, 2009. Photo: Adam Reich. [A large, empty room with three white walls. The right wall displays glossy papers folded into geometric shapes. The left wall has symmetric, geometric patterns drawn on it.] -
Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [White block text that reads "BUILDING A BETTER WAY," stacked three times in rows against a pink, dark red, and light red background.] -
Till They Listen: Bill Gunn Directs America. Installation view, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A wide angle image of a beige wall lined with multiple tv monitors and glass display cases filled with ephemera, hanging on the wall are four black and white contact sheets.] -
Hito Steyerl, excerpt from, Liquidity, Inc., 2014 HD video with sound, 30 mins Courtesy of the artist and Andrew Kreps, New York [A moving image of a computer generated ocean horizon line that pixelates into a recorded video of a real ocean horizon.] -
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Poster for Schizo-Culture Colloquium. November 13 – 16, 1975, Columbia University. [Poster design featuring a white background and red text, listing a number of talks and workshops conducted by Sylvère Lotringer, John Rajchman, Arthur Danto, James Fessenden, Jean-François Lyotard, Robert Fine, Joel Kovel, François Péradldi, William Burroughs, Félix Guattari, Michel Foucault, John Cage, Ti Grace Atkinson, and Gilles Deleuze.] -
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A New World Order II: Remapping Tales of Desire. Installation view, Artists Space, 1992. [A fractured image of a person hung on a white wall next to a tall stack of suitcases painted gold.] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Image of a dimly lit basement. Along the back wall, on the left, a shadow of a figure in profile is cast onto a blue and purple projected screen.] -
Selections from the Unaffiliated Artists File. Installation view, Artists Space, 1982. [Contact sheet of installation and opening photos from the exhibition.] -
Abasement #82. Performance documentation, November 17th, 2025, Artists Space. Photo: Joshua Wildman. [A performer sings into a microphone solely illuminated by a red and blue light.] -
Honoree LaToya Ruby Frazier. Photo: Joshua Wildman [LaToya Ruby Frazier smiles while seated at a dinner table, holding hands with someone whose body is out of frame. She wears an orange suit jacket, a purple collared shirt, and a pocket square bearing a print of various orange flowers.] -
Jayline Quiles, Landscape, 2018 [A colorful painting of a landscape, with a river running through the center of the image, a mountain across the river and a cloudy sky] -
Untitled (Dealers in a round table dialogue, Basilico Fine Arts, July 18, 1996), 1996 Duratran lightbox 3 x 8 feet Image courtesy Artists Space, New York Photo: Filip Wolak [A lightbox displaying a group of sitting and standing individuals. Behind them is a wall of small photographs and artworks.] -
ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21 – January 30, 2021. Photo: Filip Wolak [A view of a small store display shelf stuffed with Gap clothing store bags and a small palm tree. On the wall, a blue band wraps around to the adjacent wall with text that reads "Every customer will have their needs determined and merchandise suggested to meet those needs." A group of life like cutouts of individuals dressed in animal costumes are clustered together near the gallery wall.] -
Flyer for Segue Reading Series featuring Emily Lee Luan & imogen xtian smith. November 5, 2022, Artists Space. [Light blue text overlays a dark blue background. The top left corner reads: "Emily Lee Luan & imogen xtian smith / November 5, 5pm." The middle reads: "Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519."] -
Abasement #63. Performance documentation, July 17, 2023, Artists Space. Photo: Joshua Wildman. [Color image of an individual seated and intently looking into a computer screen. The bright glow from the computer illuminates the performer's face and the electronic gear on the worktable before him.] -
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Lawrence Weiner. WITH A SHIFT, 2013, Silkscreen on archival box, 24 ½ x 20 ½ x 1 ½ in 62 x 52 x 4 cm, Signed and Numbered. [A doubled arrow points to the top left corner of the image. In the bottom left, a diagonal yellow stripe outlined with red lines is overlaid with curving text that reads "WITH A SHIFT SIMULTANEOUS REALITIES COLLIDE"] -
Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman. [A performer sitting down with their eyes closed playing the cello. They are using one hand to play with a bow and the other hand is on the strings. They are tinted red from the lighting, the back wall is lit with white and purple light.] -
New Red Order Give it Back, detail, 2020 Acrylic LED displays with cut vinyl, water cooler, poster, couch, desk, chairs, magazine rack, The New Red Times Magazine, and three televisions. Image courtesy Artists Space, New York Photo: Filip Wolak [A close up image of three tv monitors on a wall with vinyl lettering that reads "New Red Order", in the right corner is a water cooler.] -
Arnold Dreyblatt. Photo: Cécile Braneyre [Black-and-white photograph of a figure performing on stage. The figure is standing, manipulating the bow of a string instrument. Layed out on the table in front of him is a laptop and various audio devices.] -
Constantina Zavitsanos, Three Card Monte, 2018/24, three 2.5 gram Pamp Suisse 999.9 gold bars on offer in their certifying cases, dimensions variable. Photo: Constantina Zavitsanos. [A takeaway artwork shows three 2.5 gram gold bullion bars in blue Pamp Suisse certifying cases. Each bar depicts a low relief icon of Lady Fortuna, the blindfolded goddess of luck, fortune, and chance.] -
Student Presentations at Artists Space, 2021 -
The Body Politic. Installation view, Artists Space, 1991. [A black and white photograph of four sculptures resting on slightly elevated rectangular plinths. The sculptures are constructed of metal molded into headless and limbless humanoid body shapes.] -
Cover for Everything is common catalogue by Jack Hogan [A person holding caution tape over a patch of wet cement with the words Everything is common written in it.] -
Abasement #73. Performance documentation, November 4th, 2024, Artists Space. Photo: Joshua Wildman. [Two performers on stage in front of a seated audience. The musician on the left is holding a violin in the air as they use audio equipment on the table in front of them. The musician on the right is sitting playing the drums. The room is red-tinted, and white dots reflected from a disco ball cover the walls.] -
Portrait of Jackie Wang. [A figure, centered within the frame, leans against a beige tiled wall and stares directly into the camera.] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Audience members are seated along a back wall, with a figure in a blue morph suit seated on a rectangular wooden frame alongside them. Blue light is projected onto a screen in the background.] -
Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman. [A room full of audience members in a pink-tinted room. The people in the front are sitting, and the ones behind are standing close together. Many people are clapping. The room is filled with patterns of white dots reflecting from a disco ball.] -
Alex Slade, Ministry of Agriculture, Manaus Brasil, 1999. C-print, 60 x 38 inches. Courtesy the artist. [Photographic print of an urban skyline on a sunny day. A small skyscraper juts out from a cluster of lower buildings at the image's center. Text emblazoned across the facade of a low, white building in front of the skyscraper reads, "TROPICAL" and "MERCADÃO DE BEBÊ." Cars drive along a four lane road to the left of the skyscraper.] -
Untitled, 2024. [Color photograph of a room used to store medical props and devices, including hospital beds, catheters, and three medical test dummies stacked on top of one another on a shelf. The walls are painted a blue-grey color.] -
Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang. [A figure in a blue dress sits behind a white table, they are reading from a small book in front of them. Projectors on either side of the table face the back wall. An audience watches the reader from the right side of the image.] -
Bases of the equestrian monument to Kaiser Wilhem which was destroyed by the British occupation in Münster after World War II. The photographs were printed as post cards in the early 20th century and collected from eBay and oldthing.de in 2021. [A black and white photograph of the base of a monument in a city square. Steps lead up to a pedastal surrounded by three large spheres connected by a metal chain.] -
Sean Snyder. Installation view, Artists Space, 2010-11. Photo: Daniel Peréz. [A makeshift screening room enclosed by unpainted wooden walls. There are two wooden benches arranged to face a projector screen. The screen displays an image of a luxury pool surrounded by palm trees, with the sun shining.] -
ART CLUB2000 Untitled (Old Navy - November 1996), 1996 Vinyl signs and glass wax Image courtesy Artists Space, New York Photo: Filip Wolak [A close up of glazed over windows displaying the Old Navy logo and the date "November 1996"] -
Ryan Gander, What the postman brought, 2007, Mixed media Variable size, Edition of 17, 3 AP, Courtesy the artist, STORE London and Annet Gelink Amsterdam. [The photograph shows a framed image with black geometric patterns mounted on a white wall with a black sculpture to its left sitting on a white plinth.] -
Everything is common. Installation view, Artists Space, 2022. Photo: Steven Cottingham. [Color photograph of a gallery installation view. Two walls converge in a corner: on the left wall is a larger, colorful painting with a smaller one to its right. On the right wall, there is one smaller painting and one black and white image under plexiglass.] -
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Richard Klauber. Installation view,Ruth Hardinger, Richard Klauber, Artists Space, 1975. [A color installation photograph of a black and white abstract painting on a white wall.] -
Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 6 / Charles Alexander / Laura Jaramillo.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)" -
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Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata [Color image of a closeup of a figure, in profile, holding up a small radio to their ear.] -
Not yet titled, 2019
Clay, glaze, metal antenna
3 1/2 x 13 x 12 inches (variable)
$3,500
[A silver and gold object sits on a white base. A flat, multicolored surface is attached to the left side, and a metal antenna extends out on a diagonal.] -
Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. [A color photograph of a figure with raised arms and in motion in an orange-lit space next to a small piece of audio equipment with a wire on the floor. A crowd looks on in the background.] -
[Two women in dresses and matching shoes are splayed up against a screen with their arms raised. There is an image projected over them, with a white background and black geometric pattern, and two splotches of red over their bodies.] -
Split/Vision. Installation View. Artists Space, 1985-86. [Papers lies on a table in front of exhibition wall text, baskets with paper are hanging on an adjacent wall. Framed paintings can be seen in the white-walled gallery space in the background.] -
Paper Exhibition. Installation view, Artists Space, 2009. Photo: Adam Reich. [A wide cyclindrical glass bottle with a lightbulb inserted at its opening.] -
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The Library Vaccine. Installation view, Artists Space, 2014. [An angled view of table's length, on which are various organized documents, books, and papers displaying images and text. In the background are bookshelves and tables.] -
[A pair of leather boots and a power strip rest underneath a blue, wooden chair on a concrete floor.] -
Carol Sun, Herstory, 1991. Acrylic on canvas, 100 x 76 inches. [A postcard showing an image of sheets of paper, books, chains, a teapot, and other assorted objects on a checkerboard.] -
Vidas Perdidas. Installation view, Artists Space, 1989. [A folding wall is erected in the center of a gallery space. Its top features painted portraits of eight people from the waist up. Below them, the lower half of the wall is covered in white, handpainted text on a black background. The text extends onto the floor, and its bottom edge is bordered by a row of votive candles. Behind this wall, other artworks are partially visible.] -
Abasement #68. Performance documentation, February 12, 2024, Artists Space. Photo: Joshua Wildman. [Close-up color photograph of a musician holding a guitar. The musician wears a white-button up with a black tie and black leather pants. Medium-length red-and-black streaked hair falls around their face as they look down at the guitar. The musician and the wall behind them is illuminated by a projected image that is mostly white, but features large black letters at the top of the projection. ] -
Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata [Color image of a dark basement room. On the back wall is projected an image with Chinese characters, and English characters that read "Three Poems of The Tong Dynasty."] -
Lou Cantor and Clamens Jahn (eds.), Turning Inward (Berlin: Sternberg Press, 2015). [A book cover depicting an upside-down photo of a section of Manhattan, taken from above.] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Two figures in blue morph suits face off, with one figure sitting down on a wooden box looking up at the other figure who stands above them wearing wings made of fresnel lenses. All the way on the right a figure takes video footage of the scene.] -
Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt. [A wooden door opens on a view of a tiled, single-user bathroom. To the right of the room is a small, porcelain sink and warped mirror. Behind the sink is a tan toilet below a thin window.] -
Portrait of Sammy Baloji. Photo: Sophie Nuytten [A figure in three-quarter profile, wearing a beaded necklace and a blue shirt, gazes outside the frame. In the background is a blurry window, and a partially decipherable city-scape.] -
Cover of BIOTA: A discourse between Art and Architecture from the 1970s to the present, co-published by Gregory R. Miller & Co. and Hunter College Art Galleries, 2025. [Book cover featuring a grainy close-up image of a flower. Black text across the center of the cover reads "biota."] -
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Charlotte Posenenske. Configured by Rirkrit Tiravanija. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [Six geometric, silver metal sculptures installed on low dolleys with wheels sit, scattered, across a wooden gallery floor. The sculptures are modular, hollow, and consist of cube-like and triangular metal components. Long arrows of colorful tape are installed on the gallery floors.] -
Richard Klauber. Installation view, Ruth Hardinger, Richard Klauber, Artists Space, 1975. [A color installation photograph of a black abstract painting on a white wall.] -
Wesley Kimler. Funeral Party II, 1985. [An abstract painting with the appearance of two faint human faces emerging from the imagery.] -
REALLIFE Magazine, First issue, March 1979. Artwork by Sherrie Levine. [A silhouette of a human head in profile is filled with a photograph of a woman looking directly at the camera, her arms outstretched either side of a dark scultpure of child's head. Text situated above the image reads, "REALLIFE Magazine, March 1979, $1."] -
Michael Kalil, an analytical study for Osmotic Membrane (detail), 1986. [Drawing of a globe figure bisected with long vertical rectangle, overlaid with line grid.]
