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  • A flyer for the event depicting MTA subway routes in white on a red background. Event title reads
    A flyer for the event depicting MTA subway routes in white on a red background. Event title reads
    MTL+, Artists: NYC Not for Sale, 2016. [A flyer for the event depicting MTA subway routes in white on a red background. Event title reads "ARTISTS: NYC NOT FOR SALE" with a strikethrough on the alternative subtitle "IN THE BUSINESS OF GENTRIFICATION."]
    Caption MTL+, Artists: NYC Not for Sale, 2016.
    Image description A flyer for the event depicting MTA subway routes in white on a red background. Event title reads "ARTISTS: NYC NOT FOR SALE" with a strikethrough on the alternative subtitle "IN THE BUSINESS OF GENTRIFICATION."
    Year 2016
    Related pages Artists: NYC Is Not for Sale
  • A female mannequin stands in a gallery space. It is wearing blue trousers and a grey fur coat over a blue checkered shirt. The shirt and jacket are left unbuttoned, exposing the mannequin's breasts, obscured by a large bone necklace.
    A female mannequin stands in a gallery space. It is wearing blue trousers and a grey fur coat over a blue checkered shirt. The shirt and jacket are left unbuttoned, exposing the mannequin's breasts, obscured by a large bone necklace.
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [A female mannequin stands in a gallery space. It is wearing blue trousers and a grey fur coat over a blue checkered shirt. The shirt and jacket are left unbuttoned, exposing the mannequin's breasts, obscured by a large bone necklace.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description A female mannequin stands in a gallery space. It is wearing blue trousers and a grey fur coat over a blue checkered shirt. The shirt and jacket are left unbuttoned, exposing the mannequin's breasts, obscured by a large bone necklace.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • A dimly lit, empty room filled with several low chairs. A projection illuminates a dark wall opposite the chairs. The projection displays an image of a figure, their index finger blotted purple, inserting a document written in Arabic into a machine.
    A dimly lit, empty room filled with several low chairs. A projection illuminates a dark wall opposite the chairs. The projection displays an image of a figure, their index finger blotted purple, inserting a document written in Arabic into a machine.
    Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A dimly lit, empty room filled with several low chairs. A projection illuminates a dark wall opposite the chairs. The projection displays an image of a figure, their index finger blotted purple, inserting a document written in Arabic into a machine.]
    Caption Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez.
    Image description A dimly lit, empty room filled with several low chairs. A projection illuminates a dark wall opposite the chairs. The projection displays an image of a figure, their index finger blotted purple, inserting a document written in Arabic into a machine.
    Year 2014
    Related pages Laura Poitras: 9/11 Trilogy
  • White gallery wall in foreground features two framed works on paper. The closer work features a diptych of delicately pencil-drawn crosses, while the further work is densely filled with calligraphic lines. Additional clusters of small framed works on paper hang on the wall in the background.
    White gallery wall in foreground features two framed works on paper. The closer work features a diptych of delicately pencil-drawn crosses, while the further work is densely filled with calligraphic lines. Additional clusters of small framed works on paper hang on the wall in the background.
    Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak. [White gallery wall in foreground features two framed works on paper. The closer work features a diptych of delicately pencil-drawn crosses, while the further work is densely filled with calligraphic lines. Additional clusters of small framed works on paper hang on the wall in the background.]
    Caption Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak.
    Image description White gallery wall in foreground features two framed works on paper. The closer work features a diptych of delicately pencil-drawn crosses, while the further work is densely filled with calligraphic lines. Additional clusters of small framed works on paper hang on the wall in the background.
    Year
    Related pages Dream Lines: Drawings by Marian Zazeela
  • Image of a dimly-lit basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    Image of a dimly-lit basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Image of a dimly-lit basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a dimly-lit basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    Year 2022
    Related pages SCRAAATCH 12-3
  • *Jordan Lord: Prophetic Memory," Installation view, Artists Space (55 Walker Street), 2021.
    Caption *Jordan Lord: Prophetic Memory," Installation view, Artists Space (55 Walker Street), 2021.
    Image description
    Year
    Related pages Jordan Lord: Prophetic Memory
  • Three walls hung with small works on paper and photographs are visible. There is a window on the right.
    Three walls hung with small works on paper and photographs are visible. There is a window on the right.
    Art From the British Left. Installation view, Artists Space, 1979. Artwork by Mary Kelly. Courtesy Artists Space. [Three walls hung with small works on paper and photographs are visible. There is a window on the right.]
    Caption Art From the British Left. Installation view, Artists Space, 1979. Artwork by Mary Kelly. Courtesy Artists Space.
    Image description Three walls hung with small works on paper and photographs are visible. There is a window on the right.
    Year 1979
    Related pages Art From the British Left
  • Various figures in glittery costumes pose in front of a circus backdrop, holding out open fans.
    Various figures in glittery costumes pose in front of a circus backdrop, holding out open fans.
    Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court [Various figures in glittery costumes pose in front of a circus backdrop, holding out open fans.]
    Caption Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court
    Image description Various figures in glittery costumes pose in front of a circus backdrop, holding out open fans.
    Year 2022
    Related pages Circus Amok
  • A color photograph of a human hand holding a blue booklet in front of a background of green leaves as well as red and purple flowers. On the booklet slow and soft and righteous, improvising at the end of the world (and how we make a new one) / By Sonia Louise Davis" is written in black text over a black and white photograph of a figure leaning against a wall.." />
    A color photograph of a human hand holding a blue booklet in front of a background of green leaves as well as red and purple flowers. On the booklet slow and soft and righteous, improvising at the end of the world (and how we make a new one) / By Sonia Louise Davis" is written in black text over a black and white photograph of a figure leaning against a wall.." />
    Image of slow and soft and righteous, improvising at the end of the world (and how we make a new one) by Sonia Louise Davis, 2022. [A color photograph of a human hand holding a blue booklet in front of a background of green leaves as well as red and purple flowers. On the booklet "slow and soft and righteous, improvising at the end of the world (and how we make a new one) / By Sonia Louise Davis" is written in black text over a black and white photograph of a figure leaning against a wall..]
    Caption Image of slow and soft and righteous, improvising at the end of the world (and how we make a new one) by Sonia Louise Davis, 2022.
    Image description A color photograph of a human hand holding a blue booklet in front of a background of green leaves as well as red and purple flowers. On the booklet "slow and soft and righteous, improvising at the end of the world (and how we make a new one) / By Sonia Louise Davis" is written in black text over a black and white photograph of a figure leaning against a wall..
    Year 2022
    Related pages If improvisation could serve as a manual, if gesture could serve as a guide
  • Black-and-white drawing of a cluster of black curled lines organized into a square shape in the middle of a white page. Handwritten text in faint pencil along the bottom of the page reads
    Black-and-white drawing of a cluster of black curled lines organized into a square shape in the middle of a white page. Handwritten text in faint pencil along the bottom of the page reads
    Marian Zazeela, 19 XI 66/2, 1966, India ink on card. Courtesy of the artist. [Black-and-white drawing of a cluster of black curled lines organized into a square shape in the middle of a white page. Handwritten text in faint pencil along the bottom of the page reads "© Marian Zazeela 1988."]
    Caption Marian Zazeela, 19 XI 66/2, 1966, India ink on card. Courtesy of the artist.
    Image description Black-and-white drawing of a cluster of black curled lines organized into a square shape in the middle of a white page. Handwritten text in faint pencil along the bottom of the page reads "© Marian Zazeela 1988."
    Year
    Related pages Dream Lines: Drawings by Marian Zazeela
  • A man sits partially undressed on a toilet, holding a red notebook while peering through a hole in the tile wall.
    A man sits partially undressed on a toilet, holding a red notebook while peering through a hole in the tile wall.
    Frank Ripploh, still from Taxi zum Klo, 1981. 95min. [A man sits partially undressed on a toilet, holding a red notebook while peering through a hole in the tile wall.]
    Caption Frank Ripploh, still from Taxi zum Klo, 1981. 95min.
    Image description A man sits partially undressed on a toilet, holding a red notebook while peering through a hole in the tile wall.
    Year 1981
    Related pages Tom of Finland Film Evening
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  • Small house-like wooden sculptures appear on a table with a large white image on the ground between them. A video monitor and framed images are visible in the background.
    Small house-like wooden sculptures appear on a table with a large white image on the ground between them. A video monitor and framed images are visible in the background.
    Young Fluxus. Installation view, Artists Space, 1982. [Small house-like wooden sculptures appear on a table with a large white image on the ground between them. A video monitor and framed images are visible in the background.]
    Caption Young Fluxus. Installation view, Artists Space, 1982.
    Image description Small house-like wooden sculptures appear on a table with a large white image on the ground between them. A video monitor and framed images are visible in the background.
    Year
    Related pages Young Fluxus
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Color image of two performers sitting on a stage, with a variety of musical gear between them. The backs of heads from audience members observing the performers can be seen at the bottom of the image. A pinkish-red spotlight illuminates the dark performance space and the individuals on the stage.
    Color image of two performers sitting on a stage, with a variety of musical gear between them. The backs of heads from audience members observing the performers can be seen at the bottom of the image. A pinkish-red spotlight illuminates the dark performance space and the individuals on the stage.
    Abasement #63. Performance documentation, July 17, 2023, Artists Space. Photo: Joshua Wildman. [Color image of two performers sitting on a stage, with a variety of musical gear between them. The backs of heads from audience members observing the performers can be seen at the bottom of the image. A pinkish-red spotlight illuminates the dark performance space and the individuals on the stage.]
    Caption Abasement #63. Performance documentation, July 17, 2023, Artists Space. Photo: Joshua Wildman.
    Image description Color image of two performers sitting on a stage, with a variety of musical gear between them. The backs of heads from audience members observing the performers can be seen at the bottom of the image. A pinkish-red spotlight illuminates the dark performance space and the individuals on the stage.
    Year
    Related pages Abasement #63
  • A screenshot of the google images search results for the query
    A screenshot of the google images search results for the query
    [A screenshot of the google images search results for the query "exit not escape."]
    Caption
    Image description A screenshot of the google images search results for the query "exit not escape."
    Year 2013
    Related pages Exit not Escape
  • Black and white photograph of cursive white text on a black background on the floor.
    Black and white photograph of cursive white text on a black background on the floor.
    Margia Kramer. Installation view, Artists Space, 1980. [Black and white photograph of cursive white text on a black background on the floor.]
    Caption Margia Kramer. Installation view, Artists Space, 1980.
    Image description Black and white photograph of cursive white text on a black background on the floor.
    Year 1980
    Related pages Margia Kramer
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
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    Related pages DRAFT IMAGE PAGE_NEVER DELETE
  • White text on a black background spells out
    White text on a black background spells out
    [White text on a black background spells out "THEHEARTOFYOURMOTHERFORMYDOGS"]
    Caption
    Image description White text on a black background spells out "THEHEARTOFYOURMOTHERFORMYDOGS"
    Year 2009
    Related pages When Time Becomes Form: The Heart of Your Mother for My Dogs
  • A close up detail of the sculpted deer head with patterned designs on its face and antlers.
    A close up detail of the sculpted deer head with patterned designs on its face and antlers.
    Sherry Markovitz. Danny Boy (detail), 1985. [A close up detail of the sculpted deer head with patterned designs on its face and antlers.]
    Caption Sherry Markovitz. Danny Boy (detail), 1985.
    Image description A close up detail of the sculpted deer head with patterned designs on its face and antlers.
    Year
    Related pages U.S. Projects
  • Installation view of several cast concrete blocks arranged on top of one another and leaning against each other, in two groups, standing on a wood floor.
    Installation view of several cast concrete blocks arranged on top of one another and leaning against each other, in two groups, standing on a wood floor.
    Beverly Buchanan, slab works, c. 1978–1980. Cast concrete sculptures with acrylic paint. Dimensions unknown. Courtesy the Frances Mulhall Achiles Library, Artist File, Whitney Museum of American Art. [Installation view of several cast concrete blocks arranged on top of one another and leaning against each other, in two groups, standing on a wood floor.]
    Caption Beverly Buchanan, slab works, c. 1978–1980. Cast concrete sculptures with acrylic paint. Dimensions unknown. Courtesy the Frances Mulhall Achiles Library, Artist File, Whitney Museum of American Art.
    Image description Installation view of several cast concrete blocks arranged on top of one another and leaning against each other, in two groups, standing on a wood floor.
    Year
    Related pages Beverly Buchanan, 1978 – 1981
  • A color photograph of a figure standing behind audio mixing equipment and a microphone in front of an orange background.
    A color photograph of a figure standing behind audio mixing equipment and a microphone in front of an orange background.
    Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. [A color photograph of a figure standing behind audio mixing equipment and a microphone in front of an orange background.]
    Caption Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space.
    Image description A color photograph of a figure standing behind audio mixing equipment and a microphone in front of an orange background.
    Year 2022
    Related pages Yuji Agematsu
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  • Two figures' faces positioned close to one another. The woman on the left looks away from the camera, while the man on the right closes his eyes and opens his mouth. The image is blurred, as though the figures are in motion.
    Two figures' faces positioned close to one another. The woman on the left looks away from the camera, while the man on the right closes his eyes and opens his mouth. The image is blurred, as though the figures are in motion.
    Video from Sidi El Asphalt's Mulid. Dir. Wael Shawky. 2003. [Two figures' faces positioned close to one another. The woman on the left looks away from the camera, while the man on the right closes his eyes and opens his mouth. The image is blurred, as though the figures are in motion.]
    Caption Video from Sidi El Asphalt's Mulid. Dir. Wael Shawky. 2003.
    Image description Two figures' faces positioned close to one another. The woman on the left looks away from the camera, while the man on the right closes his eyes and opens his mouth. The image is blurred, as though the figures are in motion.
    Year 2003
    Related pages Video from Sidi El Asphalt's Mulid
  • A figure to the left plays the saxophone while another figure sitting in the middle of the frame watches with a guitar in his lap, another figure in the back right plays the bass.
    A figure to the left plays the saxophone while another figure sitting in the middle of the frame watches with a guitar in his lap, another figure in the back right plays the bass.
    Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman [A figure to the left plays the saxophone while another figure sitting in the middle of the frame watches with a guitar in his lap, another figure in the back right plays the bass.]
    Caption Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure to the left plays the saxophone while another figure sitting in the middle of the frame watches with a guitar in his lap, another figure in the back right plays the bass.
    Year 2022
    Related pages Tisziji Muñoz with Francisco Mora Catlett and AfroHORN
  • A large paper-maché head lays face-up on a metal scaffolding. Above it, green cursive text reads,
    A large paper-maché head lays face-up on a metal scaffolding. Above it, green cursive text reads,
    Ralph Paquin and Ann Stoddard, ERAWA - ERA WAS, 1990. Installation view, Artists Space, 1990. [A large paper-maché head lays face-up on a metal scaffolding. Above it, green cursive text reads, "ring is worn out by constant use."]
    Caption Ralph Paquin and Ann Stoddard, ERAWA - ERA WAS, 1990. Installation view, Artists Space, 1990.
    Image description A large paper-maché head lays face-up on a metal scaffolding. Above it, green cursive text reads, "ring is worn out by constant use."
    Year 1990
    Related pages Project: ERAWA - ERA WAS
  • A black Christmas tree stands in the room, adorned with white twinkling lights. A black toy train circulates around the shiny black base of the tree.
    A black Christmas tree stands in the room, adorned with white twinkling lights. A black toy train circulates around the shiny black base of the tree.
    Nandi Loaf, WÜNDERBAR, 2025. Artifical tree (monument), custom 4-4-0 model locomotive + semi-autonomous rail system, re-routed grid hardware, ornaments, site-specific electrical circulation. Photo: Carter Seddon [A black Christmas tree stands in the room, adorned with white twinkling lights. A black toy train circulates around the shiny black base of the tree.]
    Caption Nandi Loaf, WÜNDERBAR, 2025. Artifical tree (monument), custom 4-4-0 model locomotive + semi-autonomous rail system, re-routed grid hardware, ornaments, site-specific electrical circulation. Photo: Carter Seddon
    Image description A black Christmas tree stands in the room, adorned with white twinkling lights. A black toy train circulates around the shiny black base of the tree.
    Year
    Related pages Nandi Loaf Aristotelis Nikolas Mochloulis Ricardo Nagaoka Sydney Schrader
  • A sculpture consisting of a large, leaning metal pole installed in a gallery space in front of a wall of framed photographs, drawings, and other two-dimensional works. The pole is braced at the floor and leans to the left. Several metal clamps are attached to the bottom portion of the pole, near where it meets the floor. A stack of white papers is displayed on the ground in front of the sculpture.
    A sculpture consisting of a large, leaning metal pole installed in a gallery space in front of a wall of framed photographs, drawings, and other two-dimensional works. The pole is braced at the floor and leans to the left. Several metal clamps are attached to the bottom portion of the pole, near where it meets the floor. A stack of white papers is displayed on the ground in front of the sculpture.
    Apartment Show: If the dogs are barking. Installation view, Artists Space, 2009. [A sculpture consisting of a large, leaning metal pole installed in a gallery space in front of a wall of framed photographs, drawings, and other two-dimensional works. The pole is braced at the floor and leans to the left. Several metal clamps are attached to the bottom portion of the pole, near where it meets the floor. A stack of white papers is displayed on the ground in front of the sculpture.]
    Caption Apartment Show: If the dogs are barking. Installation view, Artists Space, 2009.
    Image description A sculpture consisting of a large, leaning metal pole installed in a gallery space in front of a wall of framed photographs, drawings, and other two-dimensional works. The pole is braced at the floor and leans to the left. Several metal clamps are attached to the bottom portion of the pole, near where it meets the floor. A stack of white papers is displayed on the ground in front of the sculpture.
    Year 2009
    Related pages Apartment Show: If the dogs are barking
  • Detail view of a
    Detail view of a
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Detail view of a "bc" logo printed on a black glossy structure.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Detail view of a "bc" logo printed on a black glossy structure.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • A figure is shown in profile performing on stage into a microphone, with a music stand placed in front of them.
    A figure is shown in profile performing on stage into a microphone, with a music stand placed in front of them.
    Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [A figure is shown in profile performing on stage into a microphone, with a music stand placed in front of them.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure is shown in profile performing on stage into a microphone, with a music stand placed in front of them.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-10
  • A composition of lines, circles, and angles made of wood and metal is affixed to a wall, covering the surface.
    A composition of lines, circles, and angles made of wood and metal is affixed to a wall, covering the surface.
    Michael Sorkin, Model City, 1989. Installation view, Artists Space, 1989. [A composition of lines, circles, and angles made of wood and metal is affixed to a wall, covering the surface.]
    Caption Michael Sorkin, Model City, 1989. Installation view, Artists Space, 1989.
    Image description A composition of lines, circles, and angles made of wood and metal is affixed to a wall, covering the surface.
    Year 1989
    Related pages Project: Model City
  • An image of a hand holding a yellow golf ball projected onto the wall of a dimly-lit gallery space. Several square holes have been removed from several spots on the gallery wall, through which a space on the other side of the wall is visible.
    An image of a hand holding a yellow golf ball projected onto the wall of a dimly-lit gallery space. Several square holes have been removed from several spots on the gallery wall, through which a space on the other side of the wall is visible.
    Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt. [An image of a hand holding a yellow golf ball projected onto the wall of a dimly-lit gallery space. Several square holes have been removed from several spots on the gallery wall, through which a space on the other side of the wall is visible.]
    Caption Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt.
    Image description An image of a hand holding a yellow golf ball projected onto the wall of a dimly-lit gallery space. Several square holes have been removed from several spots on the gallery wall, through which a space on the other side of the wall is visible.
    Year 1997
    Related pages Lines of Loss
  • A large, rectangular wall is suspended at the center of three vertical poles in a bright room. The wall is covered in abstract, smooth and multicolored shapes. Amongst the shapes there are several figures of different ages and dress performing different tasks. One raises his fist in the air. Two identical looking boys stare at the viewer. Another figure wears a hat with rabbit ears.
    A large, rectangular wall is suspended at the center of three vertical poles in a bright room. The wall is covered in abstract, smooth and multicolored shapes. Amongst the shapes there are several figures of different ages and dress performing different tasks. One raises his fist in the air. Two identical looking boys stare at the viewer. Another figure wears a hat with rabbit ears.
    Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [A large, rectangular wall is suspended at the center of three vertical poles in a bright room. The wall is covered in abstract, smooth and multicolored shapes. Amongst the shapes there are several figures of different ages and dress performing different tasks. One raises his fist in the air. Two identical looking boys stare at the viewer. Another figure wears a hat with rabbit ears.]
    Caption Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description A large, rectangular wall is suspended at the center of three vertical poles in a bright room. The wall is covered in abstract, smooth and multicolored shapes. Amongst the shapes there are several figures of different ages and dress performing different tasks. One raises his fist in the air. Two identical looking boys stare at the viewer. Another figure wears a hat with rabbit ears.
    Year 2012
    Related pages Radical Localism: Art, Video and Culture from Pueblo Nuevo’s Mexicali Rose
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  • Installation view of a mechanical wall covering a window in a gallery space, with a diamond-shaped glass pane in the center letting light through.
    Installation view of a mechanical wall covering a window in a gallery space, with a diamond-shaped glass pane in the center letting light through.
    Alan Ruiz, Hunter Green 1390, 2016. Courtesy the artist. [Installation view of a mechanical wall covering a window in a gallery space, with a diamond-shaped glass pane in the center letting light through.]
    Caption Alan Ruiz, Hunter Green 1390, 2016. Courtesy the artist.
    Image description Installation view of a mechanical wall covering a window in a gallery space, with a diamond-shaped glass pane in the center letting light through.
    Year 2016
    Related pages In the Last Instance
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    Related pages Lasse Marhaug, Eternities, Neuter
  • A small television on top of a vitrine shows John Berger looking at the viewer. In the vitrine, several books and documents are opened for display.
    A small television on top of a vitrine shows John Berger looking at the viewer. In the vitrine, several books and documents are opened for display.
    Richard Hollis. Installation view, Artists Space, 2013. [A small television on top of a vitrine shows John Berger looking at the viewer. In the vitrine, several books and documents are opened for display.]
    Caption Richard Hollis. Installation view, Artists Space, 2013.
    Image description A small television on top of a vitrine shows John Berger looking at the viewer. In the vitrine, several books and documents are opened for display.
    Year 2013
    Related pages Richard Hollis
  • Two white walls forming a corner in an exhibition space. Displayed on the left wall is a large a photograph of an eye visible through a round hole in a white fabric hood. Displayed on the right wall is a photograph of a figure in a green KKK hood against a black background.
    Two white walls forming a corner in an exhibition space. Displayed on the left wall is a large a photograph of an eye visible through a round hole in a white fabric hood. Displayed on the right wall is a photograph of a figure in a green KKK hood against a black background.
    Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [Two white walls forming a corner in an exhibition space. Displayed on the left wall is a large a photograph of an eye visible through a round hole in a white fabric hood. Displayed on the right wall is a photograph of a figure in a green KKK hood against a black background.]
    Caption Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description Two white walls forming a corner in an exhibition space. Displayed on the left wall is a large a photograph of an eye visible through a round hole in a white fabric hood. Displayed on the right wall is a photograph of a figure in a green KKK hood against a black background.
    Year 2014
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • The façade of a building adorned with a large, metal frame sculpture of the face of Che Guevara.
    The façade of a building adorned with a large, metal frame sculpture of the face of Che Guevara.
    Ministry of Interior building in Plaza de la Revolución, Havana, Cuba. [The façade of a building adorned with a large, metal frame sculpture of the face of Che Guevara.]
    Caption Ministry of Interior building in Plaza de la Revolución, Havana, Cuba.
    Image description The façade of a building adorned with a large, metal frame sculpture of the face of Che Guevara.
    Year 2013
    Related pages Rebecca Gordon-Nesbitt
  • View down a hallway with framed images on the wall.
    View down a hallway with framed images on the wall.
    Young Fluxus. Installation view, Artists Space, 1982. [View down a hallway with framed images on the wall.]
    Caption Young Fluxus. Installation view, Artists Space, 1982.
    Image description View down a hallway with framed images on the wall.
    Year
    Related pages Young Fluxus
  • A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text. In the center of the image is an open doorframe.
    A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text. In the center of the image is an open doorframe.
    Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979. [A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text. In the center of the image is an open doorframe.]
    Caption Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979.
    Image description A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text. In the center of the image is an open doorframe.
    Year 1979
    Related pages Patricia Hearst - A Second Reading
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    Year
    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • Heist Divination (fwiw remix). Performance documentation, October 25th, 2024, Artists Space. Photo: Destiny Mata.
    Caption Heist Divination (fwiw remix). Performance documentation, October 25th, 2024, Artists Space. Photo: Destiny Mata.
    Image description
    Year
    Related pages Support
  • A book cover with the title
    A book cover with the title
    Yates McKee, Strike Art: Contemporary Art and the Post-Occupy Condition (New York: Verso Books, 2017). [A book cover with the title "Strike Art: Contemporary Art and the Post-Occupy Condition" and author Yates McKee in black and grey on white ground. In the upper right corner, a red-toned image shows a group of standing men.]
    Caption Yates McKee, Strike Art: Contemporary Art and the Post-Occupy Condition (New York: Verso Books, 2017).
    Image description A book cover with the title "Strike Art: Contemporary Art and the Post-Occupy Condition" and author Yates McKee in black and grey on white ground. In the upper right corner, a red-toned image shows a group of standing men.
    Year 2017
    Related pages Artists After Occupy
  • Two figures perform in a basement. On the left a figure with a video camera and shoulder rig takes footage of another figure on the right, dressed in a blue morph suit, and pushing a semicircular rolling table made of wood and fresnel lenses. Along the back wall blue and purple tinted live CCTV video footage is projected.
    Two figures perform in a basement. On the left a figure with a video camera and shoulder rig takes footage of another figure on the right, dressed in a blue morph suit, and pushing a semicircular rolling table made of wood and fresnel lenses. Along the back wall blue and purple tinted live CCTV video footage is projected.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Two figures perform in a basement. On the left a figure with a video camera and shoulder rig takes footage of another figure on the right, dressed in a blue morph suit, and pushing a semicircular rolling table made of wood and fresnel lenses. Along the back wall blue and purple tinted live CCTV video footage is projected.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Two figures perform in a basement. On the left a figure with a video camera and shoulder rig takes footage of another figure on the right, dressed in a blue morph suit, and pushing a semicircular rolling table made of wood and fresnel lenses. Along the back wall blue and purple tinted live CCTV video footage is projected.
    Year 2022
    Related pages SCRAAATCH 12-3
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • Image taken between two curtains of a TV affixed to a wall on the right, displaying blue-tinted video footage of the performance with a fresnel lens hanging in front of the TV display.
    Image taken between two curtains of a TV affixed to a wall on the right, displaying blue-tinted video footage of the performance with a fresnel lens hanging in front of the TV display.
    SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image taken between two curtains of a TV affixed to a wall on the right, displaying blue-tinted video footage of the performance with a fresnel lens hanging in front of the TV display.]
    Caption SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata
    Image description Image taken between two curtains of a TV affixed to a wall on the right, displaying blue-tinted video footage of the performance with a fresnel lens hanging in front of the TV display.
    Year 2022
    Related pages SCRAAATCH 11-19
  • Color photograph of a vitrine from above. Various ephemera including press releases, photographs, and notes are placed inside.
    Color photograph of a vitrine from above. Various ephemera including press releases, photographs, and notes are placed inside.
    Yasunao Tone: Region of Paramedia. Installation view (ephemera, c. 1980s), Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a vitrine from above. Various ephemera including press releases, photographs, and notes are placed inside.]
    Caption Yasunao Tone: Region of Paramedia. Installation view (ephemera, c. 1980s), Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photograph of a vitrine from above. Various ephemera including press releases, photographs, and notes are placed inside.
    Year 2023
    Related pages Yasunao Tone: Region of Paramedia
  • A photograph of the exhibition opening reception. A group of visitors look around at the art. Two dogs walk through the crowd.
    A photograph of the exhibition opening reception. A group of visitors look around at the art. Two dogs walk through the crowd.
    Four Scottish Artists. Opening Reception, Artists Space, 1979. [A photograph of the exhibition opening reception. A group of visitors look around at the art. Two dogs walk through the crowd.]
    Caption Four Scottish Artists. Opening Reception, Artists Space, 1979.
    Image description A photograph of the exhibition opening reception. A group of visitors look around at the art. Two dogs walk through the crowd.
    Year 1979
    Related pages Four Scottish Artists
  • A woman sits at a desk covered with notebooks and documents. She looks off to the side holding a pen by a mug. Behind her, a round window allows light to enter the room.
    A woman sits at a desk covered with notebooks and documents. She looks off to the side holding a pen by a mug. Behind her, a round window allows light to enter the room.
    Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979. [A woman sits at a desk covered with notebooks and documents. She looks off to the side holding a pen by a mug. Behind her, a round window allows light to enter the room.]
    Caption Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979.
    Image description A woman sits at a desk covered with notebooks and documents. She looks off to the side holding a pen by a mug. Behind her, a round window allows light to enter the room.
    Year 1979
    Related pages Patricia Hearst - A Second Reading
  • Exhibition Card (front)
    Caption Exhibition Card (front)
    Image description
    Year
    Related pages Four Artists: An Exhibition of Painting and Sculpture
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Scavenger Hunt, Serena Booth, City-As-School high school student, 2021, digital photograph.
    Caption Scavenger Hunt, Serena Booth, City-As-School high school student, 2021, digital photograph.
    Image description
    Year
    Related pages BRIDGE Photography
  • Two photographs are mounted on a white gallery wall.
    Two photographs are mounted on a white gallery wall.
    Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979. [Two photographs are mounted on a white gallery wall.]
    Caption Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979.
    Image description Two photographs are mounted on a white gallery wall.
    Year 1979
    Related pages Place, (title to be determined), for a Participant: Ken Feingold
  • A photograph of a large gallery. In the center of the room, a person gazes at large, geometric sculptures.
    A photograph of a large gallery. In the center of the room, a person gazes at large, geometric sculptures.
    Selections from the Artists File. Installation view, Artists Space, 1989. [A photograph of a large gallery. In the center of the room, a person gazes at large, geometric sculptures.]
    Caption Selections from the Artists File. Installation view, Artists Space, 1989.
    Image description A photograph of a large gallery. In the center of the room, a person gazes at large, geometric sculptures.
    Year 1989
    Related pages Selections from the Artist File
  • White and yellow text on a green background reads
    White and yellow text on a green background reads
    [White and yellow text on a green background reads "THE SECOND ANNUAL CONFERENCE ABOUT ARTIST-CURATED EXHIBITION," and other details about the events.]
    Caption
    Image description White and yellow text on a green background reads "THE SECOND ANNUAL CONFERENCE ABOUT ARTIST-CURATED EXHIBITION," and other details about the events.
    Year
    Related pages THE SECOND ANNUAL CONFERENCE ABOUT ARTIST-CURATED EXHIBITIONS
  • Two side-by-side magazine advertisements mounted on a white wall. On the left, a portrait-oriented multicolored image is titled,
    Two side-by-side magazine advertisements mounted on a white wall. On the left, a portrait-oriented multicolored image is titled,
    Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [Two side-by-side magazine advertisements mounted on a white wall. On the left, a portrait-oriented multicolored image is titled, "One out of every 100 new business succeeds. Here's to those who take the odds." There is a short written blurb below. On the right, a landscape-oriented spread shows an image of a car with its doors open on the left page. On the right page, large text reads, "The Delorean. Live the dream." An additional image of a car and a single column of text is positioned to the right of this headline.]
    Caption Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description Two side-by-side magazine advertisements mounted on a white wall. On the left, a portrait-oriented multicolored image is titled, "One out of every 100 new business succeeds. Here's to those who take the odds." There is a short written blurb below. On the right, a landscape-oriented spread shows an image of a car with its doors open on the left page. On the right page, large text reads, "The Delorean. Live the dream." An additional image of a car and a single column of text is positioned to the right of this headline.
    Year 2010
    Related pages Duncan Campbell: Make It New John
  • A round, diner-style table with a white mug, napkins, a baked good sitting on top of its open wrapper, and a small card with text. A long, straight line of crumbs stretches across the diameter of the table.
    A round, diner-style table with a white mug, napkins, a baked good sitting on top of its open wrapper, and a small card with text. A long, straight line of crumbs stretches across the diameter of the table.
    Pedro Lasch, Crumbs: Drawing on a Limited View of New York City's Cultural Wealth, 2000. [A round, diner-style table with a white mug, napkins, a baked good sitting on top of its open wrapper, and a small card with text. A long, straight line of crumbs stretches across the diameter of the table.]
    Caption Pedro Lasch, Crumbs: Drawing on a Limited View of New York City's Cultural Wealth, 2000.
    Image description A round, diner-style table with a white mug, napkins, a baked good sitting on top of its open wrapper, and a small card with text. A long, straight line of crumbs stretches across the diameter of the table.
    Year 2000
    Related pages When Artists Say We
  • Magazine cut-outs and ink drawings are collaged together on a background of red, green, and yellow paper. Pieces of beige paper with typewritten text listing the performers and event details are scattered around the flyer.
    Magazine cut-outs and ink drawings are collaged together on a background of red, green, and yellow paper. Pieces of beige paper with typewritten text listing the performers and event details are scattered around the flyer.
    Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a background of red, green, and yellow paper. Pieces of beige paper with typewritten text listing the performers and event details are scattered around the flyer.]
    Caption Flyer by Joe Frivaldi.
    Image description Magazine cut-outs and ink drawings are collaged together on a background of red, green, and yellow paper. Pieces of beige paper with typewritten text listing the performers and event details are scattered around the flyer.
    Year
    Related pages Abasement 77
  • A boy and two adults standing around an italian ice street cart in front of an SUV.
    A boy and two adults standing around an italian ice street cart in front of an SUV.
    Garreth Adorna, Afterschool Icies, 2018. [A boy and two adults standing around an italian ice street cart in front of an SUV.]
    Caption Garreth Adorna, Afterschool Icies, 2018.
    Image description A boy and two adults standing around an italian ice street cart in front of an SUV.
    Year 2018
    Related pages BRIDGE Photography
  • An illustration of two green palm trees on a diagnal, sloped down to the bottom left corner, pale yellow triangle. The background contains a pattern of dark brown, gray, red, and yellow stripes.
    An illustration of two green palm trees on a diagnal, sloped down to the bottom left corner, pale yellow triangle. The background contains a pattern of dark brown, gray, red, and yellow stripes.
    Sigmar Polke Das Palmen Bild , 1964 (Boxers) © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Photo: Daniela Steinfeld [An illustration of two green palm trees on a diagnal, sloped down to the bottom left corner, pale yellow triangle. The background contains a pattern of dark brown, gray, red, and yellow stripes.]
    Caption Sigmar Polke Das Palmen Bild , 1964 (Boxers) © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Photo: Daniela Steinfeld
    Image description An illustration of two green palm trees on a diagnal, sloped down to the bottom left corner, pale yellow triangle. The background contains a pattern of dark brown, gray, red, and yellow stripes.
    Year 1964
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • A low-angled view of an empty gallery space with wooden flooring and white walls.
    A low-angled view of an empty gallery space with wooden flooring and white walls.
    [A low-angled view of an empty gallery space with wooden flooring and white walls.]
    Caption
    Image description A low-angled view of an empty gallery space with wooden flooring and white walls.
    Year 2016
    Related pages Richard Kennedy: Both
  • A black and white video still of a group of people in a street. One is sitting on a bicycle, another to the right leans against a trash can and looks down at their shoes.
    A black and white video still of a group of people in a street. One is sitting on a bicycle, another to the right leans against a trash can and looks down at their shoes.
    Andrea Callard, still from Standard Adult Wheelchair; Temporary participation for an analogous situation. Black and white video, 6 min, c. 1977. [A black and white video still of a group of people in a street. One is sitting on a bicycle, another to the right leans against a trash can and looks down at their shoes.]
    Caption Andrea Callard, still from Standard Adult Wheelchair; Temporary participation for an analogous situation. Black and white video, 6 min, c. 1977.
    Image description A black and white video still of a group of people in a street. One is sitting on a bicycle, another to the right leans against a trash can and looks down at their shoes.
    Year 1977
    Related pages Artists Super 8 Film Exposition
  • A color installation photograph of two wooden cafe chairs with green cushions in a gallery space with a column on the left. Resting on the chairs are two television monitors with cords that extend to outlets on the ground.
    A color installation photograph of two wooden cafe chairs with green cushions in a gallery space with a column on the left. Resting on the chairs are two television monitors with cords that extend to outlets on the ground.
    Nicole-Antonia Spagnola, Untitled, 2022. Raw Power, Raw Power; Kollettivo, Lotta per il potere; Antigenesi, Una donna non e’ merda; Negazione, Tutti Pazzi; RAF Punk, Contro la pace Contro la guerra; Peggio Punx, Scemo. 8mm to MP4 transfer (color, sound), monitors, chairs. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color installation photograph of two wooden cafe chairs with green cushions in a gallery space with a column on the left. Resting on the chairs are two television monitors with cords that extend to outlets on the ground.]
    Caption Nicole-Antonia Spagnola, Untitled, 2022. Raw Power, Raw Power; Kollettivo, Lotta per il potere; Antigenesi, Una donna non e’ merda; Negazione, Tutti Pazzi; RAF Punk, Contro la pace Contro la guerra; Peggio Punx, Scemo. 8mm to MP4 transfer (color, sound), monitors, chairs. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color installation photograph of two wooden cafe chairs with green cushions in a gallery space with a column on the left. Resting on the chairs are two television monitors with cords that extend to outlets on the ground.
    Year 2022
    Related pages Nicole-Antonia Spagnola: Anti-Genesis
  • An image of a wall with a poster hanging on the left, and and a brown and white jacket hanging on the right.
    An image of a wall with a poster hanging on the left, and and a brown and white jacket hanging on the right.
    Attention Line. Installation view (James Luna with the High Cheekbones, 2006, Jacket from the exhibit All Indian All the Time, 2005), Artists Space, June 11, 2022 - August 20, 2022. Photo: Filip Wolak [An image of a wall with a poster hanging on the left, and and a brown and white jacket hanging on the right.]
    Caption Attention Line. Installation view (James Luna with the High Cheekbones, 2006, Jacket from the exhibit All Indian All the Time, 2005), Artists Space, June 11, 2022 - August 20, 2022. Photo: Filip Wolak
    Image description An image of a wall with a poster hanging on the left, and and a brown and white jacket hanging on the right.
    Year 2022
    Related pages Attention Line
  • A color image of a man sitting down on a low sofa. He is seen, through a window, holding up a portrait of him that depicts him in this specific scenario.
    A color image of a man sitting down on a low sofa. He is seen, through a window, holding up a portrait of him that depicts him in this specific scenario.
    Drake Carr: Housecalls. Performance documentation, September 7, 2023, Artists Space at the Armory Show. Photo: Joshua Wildman. [A color image of a man sitting down on a low sofa. He is seen, through a window, holding up a portrait of him that depicts him in this specific scenario.]
    Caption Drake Carr: Housecalls. Performance documentation, September 7, 2023, Artists Space at the Armory Show. Photo: Joshua Wildman.
    Image description A color image of a man sitting down on a low sofa. He is seen, through a window, holding up a portrait of him that depicts him in this specific scenario.
    Year
    Related pages Drake Carr: Housecalls
  • Six glass vitrines displaying books, photographs, and other paper ephemera are installed in the center of a gallery space. A series of old Hollywood films are projected on the back wall of the exhibition space.
    Six glass vitrines displaying books, photographs, and other paper ephemera are installed in the center of a gallery space. A series of old Hollywood films are projected on the back wall of the exhibition space.
    She Who Is: Adrienne Kennedy and the Drama of Difference. Installation view, Artists Space, February 29 – September 19, 2020. Photo: Filip Wolak. [Six glass vitrines displaying books, photographs, and other paper ephemera are installed in the center of a gallery space. A series of old Hollywood films are projected on the back wall of the exhibition space.]
    Caption She Who Is: Adrienne Kennedy and the Drama of Difference. Installation view, Artists Space, February 29 – September 19, 2020. Photo: Filip Wolak.
    Image description Six glass vitrines displaying books, photographs, and other paper ephemera are installed in the center of a gallery space. A series of old Hollywood films are projected on the back wall of the exhibition space.
    Year 2020
    Related pages She Who Is: Adrienne Kennedy and the Drama of Difference
  • Color photograph of a five person band on stage. To the left, a musician playing a guitar wears a black and white vertically striped shirt and a black conductor hat. They sing into a microphone. To the left of the musician playing guitar, another musician holds a guitar while wearing a white button up and black leather pants. Behind the guitarist, a musician in a black tee shirt plays a set of drums. On the right side of the image, a musician plays a bass in a black tee shirt and jeans. To the left of the bassists, a vocalist in a cargo jacket and black beanie prepares to vocalize into the microphone. The stage and the wall behind the stage are illuminated by a colorful projection. Some of the band's shadows appear in the projection. 
    Color photograph of a five person band on stage. To the left, a musician playing a guitar wears a black and white vertically striped shirt and a black conductor hat. They sing into a microphone. To the left of the musician playing guitar, another musician holds a guitar while wearing a white button up and black leather pants. Behind the guitarist, a musician in a black tee shirt plays a set of drums. On the right side of the image, a musician plays a bass in a black tee shirt and jeans. To the left of the bassists, a vocalist in a cargo jacket and black beanie prepares to vocalize into the microphone. The stage and the wall behind the stage are illuminated by a colorful projection. Some of the band's shadows appear in the projection. 
    Abasement #68. Performance documentation, February 12, 2024, Artists Space. Photo: Joshua Wildman. [Color photograph of a five person band on stage. To the left, a musician playing a guitar wears a black and white vertically striped shirt and a black conductor hat. They sing into a microphone. To the left of the musician playing guitar, another musician holds a guitar while wearing a white button up and black leather pants. Behind the guitarist, a musician in a black tee shirt plays a set of drums. On the right side of the image, a musician plays a bass in a black tee shirt and jeans. To the left of the bassists, a vocalist in a cargo jacket and black beanie prepares to vocalize into the microphone. The stage and the wall behind the stage are illuminated by a colorful projection. Some of the band's shadows appear in the projection. ]
    Caption Abasement #68. Performance documentation, February 12, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Color photograph of a five person band on stage. To the left, a musician playing a guitar wears a black and white vertically striped shirt and a black conductor hat. They sing into a microphone. To the left of the musician playing guitar, another musician holds a guitar while wearing a white button up and black leather pants. Behind the guitarist, a musician in a black tee shirt plays a set of drums. On the right side of the image, a musician plays a bass in a black tee shirt and jeans. To the left of the bassists, a vocalist in a cargo jacket and black beanie prepares to vocalize into the microphone. The stage and the wall behind the stage are illuminated by a colorful projection. Some of the band's shadows appear in the projection. 
    Year
    Related pages Abasement #68
  • A white translucent chiffon curtain cascades over a set of five framed images mounted on a wall.
    A white translucent chiffon curtain cascades over a set of five framed images mounted on a wall.
    Danh Vo: Autoerotic Asphyxiation. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A white translucent chiffon curtain cascades over a set of five framed images mounted on a wall.]
    Caption Danh Vo: Autoerotic Asphyxiation. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description A white translucent chiffon curtain cascades over a set of five framed images mounted on a wall.
    Year 2010
    Related pages Danh Vo: Autoerotic Asphyxiation
  • A warm colored room, surrounded by windows across two walls with view to a dimly lit horizon. String lights illuminate a scene of miscellaneous items scattered across a living space furnished with a table and chairs.
    A warm colored room, surrounded by windows across two walls with view to a dimly lit horizon. String lights illuminate a scene of miscellaneous items scattered across a living space furnished with a table and chairs.
    [A warm colored room, surrounded by windows across two walls with view to a dimly lit horizon. String lights illuminate a scene of miscellaneous items scattered across a living space furnished with a table and chairs.]
    Caption
    Image description A warm colored room, surrounded by windows across two walls with view to a dimly lit horizon. String lights illuminate a scene of miscellaneous items scattered across a living space furnished with a table and chairs.
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • Caption
    Image description
    Year
    Related pages fwiw
  • White text on a grey and blue ombré background. The text reads: “March 8 / Farnoosh Fathi / A. B. Spellman.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    White text on a grey and blue ombré background. The text reads: “March 8 / Farnoosh Fathi / A. B. Spellman.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [White text on a grey and blue ombré background. The text reads: “March 8 / Farnoosh Fathi / A. B. Spellman.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description White text on a grey and blue ombré background. The text reads: “March 8 / Farnoosh Fathi / A. B. Spellman.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Farnoosh Fathi & A. B. Spellman
  • Rummana Hussain stands in an open courtyard cradling half a papaya in her hands, her mouth wide open in a silent scream. Behind her, indigo powder is scattered across the pavement.
    Rummana Hussain stands in an open courtyard cradling half a papaya in her hands, her mouth wide open in a silent scream. Behind her, indigo powder is scattered across the pavement.
    Rummana Hussain, Living on the Margins, 1995. Video, color, sound; 28 minutes. Courtesy Rummana Hussain Family Collection. [Rummana Hussain stands in an open courtyard cradling half a papaya in her hands, her mouth wide open in a silent scream. Behind her, indigo powder is scattered across the pavement.]
    Caption Rummana Hussain, Living on the Margins, 1995. Video, color, sound; 28 minutes. Courtesy Rummana Hussain Family Collection.
    Image description Rummana Hussain stands in an open courtyard cradling half a papaya in her hands, her mouth wide open in a silent scream. Behind her, indigo powder is scattered across the pavement.
    Year 1995
    Related pages Whitney ISP Archive
  • Multiple paintings are hung on white walls, some in rounded frames, depicting various people in outdoor settings. Suspended from the ceiling is a sculpture in the shape of an inverted cone and covered in artificial plants. Multicolored streamers hang from the base of the sculpture.
    Multiple paintings are hung on white walls, some in rounded frames, depicting various people in outdoor settings. Suspended from the ceiling is a sculpture in the shape of an inverted cone and covered in artificial plants. Multicolored streamers hang from the base of the sculpture.
    Lukas Duwenhögger: Undoolay. Installation view, Artists Space, 2016. Photo credit: Jean Vong. [Multiple paintings are hung on white walls, some in rounded frames, depicting various people in outdoor settings. Suspended from the ceiling is a sculpture in the shape of an inverted cone and covered in artificial plants. Multicolored streamers hang from the base of the sculpture.]
    Caption Lukas Duwenhögger: Undoolay. Installation view, Artists Space, 2016. Photo credit: Jean Vong.
    Image description Multiple paintings are hung on white walls, some in rounded frames, depicting various people in outdoor settings. Suspended from the ceiling is a sculpture in the shape of an inverted cone and covered in artificial plants. Multicolored streamers hang from the base of the sculpture.
    Year 2016
    Related pages Lukas Duwenhögger: Undoolay
  • Corner of a gallery space with white walls and wooden flooring. Two large rectangular lengths of translucent, white cloth embroidered with amorphous red and blue linework are installed on the corner's left and right walls.
    Corner of a gallery space with white walls and wooden flooring. Two large rectangular lengths of translucent, white cloth embroidered with amorphous red and blue linework are installed on the corner's left and right walls.
    Abstruction. Installation view, Artists Space, 2003. [Corner of a gallery space with white walls and wooden flooring. Two large rectangular lengths of translucent, white cloth embroidered with amorphous red and blue linework are installed on the corner's left and right walls.]
    Caption Abstruction. Installation view, Artists Space, 2003.
    Image description Corner of a gallery space with white walls and wooden flooring. Two large rectangular lengths of translucent, white cloth embroidered with amorphous red and blue linework are installed on the corner's left and right walls.
    Year 2003
    Related pages Abstruction
  • Image of a dimly lit basement. Along the back wall, on the left, a shadow of a figure in profile is cast onto a blue and purple projected screen.
    Image of a dimly lit basement. Along the back wall, on the left, a shadow of a figure in profile is cast onto a blue and purple projected screen.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Image of a dimly lit basement. Along the back wall, on the left, a shadow of a figure in profile is cast onto a blue and purple projected screen.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a dimly lit basement. Along the back wall, on the left, a shadow of a figure in profile is cast onto a blue and purple projected screen.
    Year 2022
    Related pages SCRAAATCH 12-3
  • Three red-orange panels in white frames hang on a white wall in an open space.
    Three red-orange panels in white frames hang on a white wall in an open space.
    Hito Steyerl, Red Alert, 2007. Installation on 3 computer monitors. Courtesy of the artist. [Three red-orange panels in white frames hang on a white wall in an open space.]
    Caption Hito Steyerl, Red Alert, 2007. Installation on 3 computer monitors. Courtesy of the artist.
    Image description Three red-orange panels in white frames hang on a white wall in an open space.
    Year 2015
    Related pages Hito Steyerl
  • White text on a neutral green ground lists exhibition information.
    White text on a neutral green ground lists exhibition information.
    Artists Space, Richard Massey: Caution: Five hungry Soviet cows are in the garden (New York: Artists Space, 2007). [White text on a neutral green ground lists exhibition information. "Artists Space" is outlined in all capital letters aligned to the spine of the catalogue. In the upper left corner, "Caution: Five hungry Soviet cows are in the Garden" is rendered in sans serif font, some letters appearing smudged. The center right of the cover reads "Richard Massey, 03.30–05.12.2007, Project Space."]
    Caption Artists Space, Richard Massey: Caution: Five hungry Soviet cows are in the garden (New York: Artists Space, 2007).
    Image description White text on a neutral green ground lists exhibition information. "Artists Space" is outlined in all capital letters aligned to the spine of the catalogue. In the upper left corner, "Caution: Five hungry Soviet cows are in the Garden" is rendered in sans serif font, some letters appearing smudged. The center right of the cover reads "Richard Massey, 03.30–05.12.2007, Project Space."
    Year 2007
    Related pages Richard Massey: Caution Five Hungry Soviet Cows are in the Garden
  • A view of a vending machine against a glazed over window, tiled images on a white gallery wall, and a glass table surrounded by four wooden chairs.
    A view of a vending machine against a glazed over window, tiled images on a white gallery wall, and a glass table surrounded by four wooden chairs.
    ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A view of a vending machine against a glazed over window, tiled images on a white gallery wall, and a glass table surrounded by four wooden chairs.]
    Caption ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A view of a vending machine against a glazed over window, tiled images on a white gallery wall, and a glass table surrounded by four wooden chairs.
    Year 2021
    Related pages ART CLUB2000
  • A person in a red shirt, white cap, and multicolored pants smiles and poses with a tennis racquet, standing atop a large piece of paper with colorful drawings on it. In the background are people sitting on the ground and printed images of trees.
    A person in a red shirt, white cap, and multicolored pants smiles and poses with a tennis racquet, standing atop a large piece of paper with colorful drawings on it. In the background are people sitting on the ground and printed images of trees.
    Ei Arakawa, Mega Please Draw Freely, 2021 (The artist wears Uniqlo Roger Federer) [A person in a red shirt, white cap, and multicolored pants smiles and poses with a tennis racquet, standing atop a large piece of paper with colorful drawings on it. In the background are people sitting on the ground and printed images of trees.]
    Caption Ei Arakawa, Mega Please Draw Freely, 2021 (The artist wears Uniqlo Roger Federer)
    Image description A person in a red shirt, white cap, and multicolored pants smiles and poses with a tennis racquet, standing atop a large piece of paper with colorful drawings on it. In the background are people sitting on the ground and printed images of trees.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab (outdoor performance)
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  • Students visiting Sleepwalk at Parasol Projects, LES, 2022
    Caption Students visiting Sleepwalk at Parasol Projects, LES, 2022
    Image description
    Year 2022
    Related pages Portfolio Development
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  • Painted objects attached to the wall in a white-walled gallery space.
    Painted objects attached to the wall in a white-walled gallery space.
    Tom Rubnitz. Installation view, Artists Space, 1981. [Painted objects attached to the wall in a white-walled gallery space.]
    Caption Tom Rubnitz. Installation view, Artists Space, 1981.
    Image description Painted objects attached to the wall in a white-walled gallery space.
    Year
    Related pages Tom Rubnitz
  • Stamped yellow text spelling out
    Stamped yellow text spelling out
    [Stamped yellow text spelling out "W.A.G.E" at a slight angle. Underneath that, typed pink text reads, "Working Artists and the Greater Economy."]
    Caption
    Image description Stamped yellow text spelling out "W.A.G.E" at a slight angle. Underneath that, typed pink text reads, "Working Artists and the Greater Economy."
    Year 2012
    Related pages W.A.G.E. Survey Release
  • Two screens hung on either side of the top of a support beam in a gallery. The room is otherwise empty. One screen depicts a woman walking down a fashion runway, wearing a black jacket and shorts with a sheer top.
    Two screens hung on either side of the top of a support beam in a gallery. The room is otherwise empty. One screen depicts a woman walking down a fashion runway, wearing a black jacket and shorts with a sheer top.
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Two screens hung on either side of the top of a support beam in a gallery. The room is otherwise empty. One screen depicts a woman walking down a fashion runway, wearing a black jacket and shorts with a sheer top.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Two screens hung on either side of the top of a support beam in a gallery. The room is otherwise empty. One screen depicts a woman walking down a fashion runway, wearing a black jacket and shorts with a sheer top.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • A photograph of one large painting divided evenly diagonally across in black and white above a smller painting that does the same.
    A photograph of one large painting divided evenly diagonally across in black and white above a smller painting that does the same.
    Hanno Ahrens. Selections from the Artists File, installation view, Artists Space, 1986. [A photograph of one large painting divided evenly diagonally across in black and white above a smller painting that does the same.]
    Caption Hanno Ahrens. Selections from the Artists File, installation view, Artists Space, 1986.
    Image description A photograph of one large painting divided evenly diagonally across in black and white above a smller painting that does the same.
    Year
    Related pages Selections from the Artists File
  • A black cube-shaped speaker sits, tilted upwards, in the middle of a room with wooden floors and white walls. On a wall to the left of the image is a printed image of a fragment of a face with an open mouth, the skin painted in red, blue, and yellow. On a wall to the right are two printed works, one an illustration of a figure in black and white but with a section of the image above the figure's head blocked out with white space, another is a red and blue polka dot pattern in a hand-cut shape. On the wall in the middle of the room is a small white shelf with a small flat object on top of it.
    A black cube-shaped speaker sits, tilted upwards, in the middle of a room with wooden floors and white walls. On a wall to the left of the image is a printed image of a fragment of a face with an open mouth, the skin painted in red, blue, and yellow. On a wall to the right are two printed works, one an illustration of a figure in black and white but with a section of the image above the figure's head blocked out with white space, another is a red and blue polka dot pattern in a hand-cut shape. On the wall in the middle of the room is a small white shelf with a small flat object on top of it.
    Aloïs Godinat: New Works. Installation view, Artists Space, 2007. Photo: Bill Orcutt. [A black cube-shaped speaker sits, tilted upwards, in the middle of a room with wooden floors and white walls. On a wall to the left of the image is a printed image of a fragment of a face with an open mouth, the skin painted in red, blue, and yellow. On a wall to the right are two printed works, one an illustration of a figure in black and white but with a section of the image above the figure's head blocked out with white space, another is a red and blue polka dot pattern in a hand-cut shape. On the wall in the middle of the room is a small white shelf with a small flat object on top of it.]
    Caption Aloïs Godinat: New Works. Installation view, Artists Space, 2007. Photo: Bill Orcutt.
    Image description A black cube-shaped speaker sits, tilted upwards, in the middle of a room with wooden floors and white walls. On a wall to the left of the image is a printed image of a fragment of a face with an open mouth, the skin painted in red, blue, and yellow. On a wall to the right are two printed works, one an illustration of a figure in black and white but with a section of the image above the figure's head blocked out with white space, another is a red and blue polka dot pattern in a hand-cut shape. On the wall in the middle of the room is a small white shelf with a small flat object on top of it.
    Year 2007
    Related pages New Works
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  • A close view of a performer playing the violin. Their hand using the bow is in focus and the rest of the image is slightly blurred. They are playing into a microphone on a stand. To their left a performer plays the upright bass. Both musicians are covered with red light and images of projected green circles.
    A close view of a performer playing the violin. Their hand using the bow is in focus and the rest of the image is slightly blurred. They are playing into a microphone on a stand. To their left a performer plays the upright bass. Both musicians are covered with red light and images of projected green circles.
    Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman. [A close view of a performer playing the violin. Their hand using the bow is in focus and the rest of the image is slightly blurred. They are playing into a microphone on a stand. To their left a performer plays the upright bass. Both musicians are covered with red light and images of projected green circles.]
    Caption Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman.
    Image description A close view of a performer playing the violin. Their hand using the bow is in focus and the rest of the image is slightly blurred. They are playing into a microphone on a stand. To their left a performer plays the upright bass. Both musicians are covered with red light and images of projected green circles.
    Year
    Related pages Abasement #74
  • A woman screaming while two men hold her down and touch her breasts.
    A woman screaming while two men hold her down and touch her breasts.
    Jack Smith. Still from *Flaming Creatures, 1962-63. [A woman screaming while two men hold her down and touch her breasts.]
    Caption Jack Smith. Still from *Flaming Creatures, 1962-63.
    Image description A woman screaming while two men hold her down and touch her breasts.
    Year 1962
    Related pages Explorations of an “Aesthetic of Delirium"
  • Magazine cut-outs and ink drawings are collaged together on a background of yellow, pink, and orange paper. A piece of green paper at the bottom reads
    Magazine cut-outs and ink drawings are collaged together on a background of yellow, pink, and orange paper. A piece of green paper at the bottom reads
    Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a background of yellow, pink, and orange paper. A piece of green paper at the bottom reads "A/BA/SEME/N/T." Other pieces of typewritten text list the performers and event details.]
    Caption Flyer by Joe Frivaldi.
    Image description Magazine cut-outs and ink drawings are collaged together on a background of yellow, pink, and orange paper. A piece of green paper at the bottom reads "A/BA/SEME/N/T." Other pieces of typewritten text list the performers and event details.
    Year
    Related pages Abasement #72
  • A postcard containing an illustration of a house with collaged materials on top. At the bottom is the back of the post card, with a handwritten note.
    A postcard containing an illustration of a house with collaged materials on top. At the bottom is the back of the post card, with a handwritten note.
    Collaged postcard by Sigmar Polke and the Hoehme class to Gerhard Hoehme Not dated (ca. 1965/66) Gerhard and Margarete Hoehme-Stiftung, Museum Kunstapalast Düsseldorf [A postcard containing an illustration of a house with collaged materials on top. At the bottom is the back of the post card, with a handwritten note.]
    Caption Collaged postcard by Sigmar Polke and the Hoehme class to Gerhard Hoehme Not dated (ca. 1965/66) Gerhard and Margarete Hoehme-Stiftung, Museum Kunstapalast Düsseldorf
    Image description A postcard containing an illustration of a house with collaged materials on top. At the bottom is the back of the post card, with a handwritten note.
    Year 1965
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • A large log spans the length of a table, held down with straps and with eight machetes affixed to the table alongside it. On either end of the log are two televisions, and the one facing the camera displays static.
    A large log spans the length of a table, held down with straps and with eight machetes affixed to the table alongside it. On either end of the log are two televisions, and the one facing the camera displays static.
    Les LeVeque, The Rain Forest is on Fire, 1990. Mixed media, 65 x 126 x 26 inches. Photograph c/o Peter McClennan. [A large log spans the length of a table, held down with straps and with eight machetes affixed to the table alongside it. On either end of the log are two televisions, and the one facing the camera displays static.]
    Caption Les LeVeque, The Rain Forest is on Fire, 1990. Mixed media, 65 x 126 x 26 inches. Photograph c/o Peter McClennan.
    Image description A large log spans the length of a table, held down with straps and with eight machetes affixed to the table alongside it. On either end of the log are two televisions, and the one facing the camera displays static.
    Year 1990
    Related pages Project: Some Questions Concerning Technology
  • Two screens installed on either side of the top portion a white column in a gallery space. The front screen displays a logo consisting of a large letter
    Two screens installed on either side of the top portion a white column in a gallery space. The front screen displays a logo consisting of a large letter
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Two screens installed on either side of the top portion a white column in a gallery space. The front screen displays a logo consisting of a large letter "b" and small letter "c" conjoined together. The room is otherwise empty.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Two screens installed on either side of the top portion a white column in a gallery space. The front screen displays a logo consisting of a large letter "b" and small letter "c" conjoined together. The room is otherwise empty.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • A device with several electrical wire connections is displayed on a metal wire shelf.
    A device with several electrical wire connections is displayed on a metal wire shelf.
    Devin Kenny, “What would Upski think?”, 2018. Photo: Daniel Pérez. [A device with several electrical wire connections is displayed on a metal wire shelf.]
    Caption Devin Kenny, “What would Upski think?”, 2018. Photo: Daniel Pérez.
    Image description A device with several electrical wire connections is displayed on a metal wire shelf.
    Year 2018
    Related pages Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff
  • A closed rectangular box with a black cover sits on a white backdrop. Large, white text reading
    A closed rectangular box with a black cover sits on a white backdrop. Large, white text reading
    [A closed rectangular box with a black cover sits on a white backdrop. Large, white text reading "Avalanche" runs along the top of the box's right side.]
    Caption
    Image description A closed rectangular box with a black cover sits on a white backdrop. Large, white text reading "Avalanche" runs along the top of the box's right side.
    Year 2010
    Related pages Liza Béar and Christophe Cherix in conversation regarding Avalanche
  • A rectangular column of rough, brown material is capped by a smooth cube of white stone.
    A rectangular column of rough, brown material is capped by a smooth cube of white stone.
    Robert Gero, Untitled, 1989. Sandstone, salt, aluminum, 60 x 9 x 9 inches. [A rectangular column of rough, brown material is capped by a smooth cube of white stone.]
    Caption Robert Gero, Untitled, 1989. Sandstone, salt, aluminum, 60 x 9 x 9 inches.
    Image description A rectangular column of rough, brown material is capped by a smooth cube of white stone.
    Year 1989
    Related pages Energeia
  • A figure sits nexts to a window with light shining through the shades, making an evident striped shadown on them and the seats next to them, one of which includes a purse.
    A figure sits nexts to a window with light shining through the shades, making an evident striped shadown on them and the seats next to them, one of which includes a purse.
    Charles Harbutt. Le Mistral in France, 1975. [A figure sits nexts to a window with light shining through the shades, making an evident striped shadown on them and the seats next to them, one of which includes a purse.]
    Caption Charles Harbutt. Le Mistral in France, 1975.
    Image description A figure sits nexts to a window with light shining through the shades, making an evident striped shadown on them and the seats next to them, one of which includes a purse.
    Year 1975
    Related pages Three Exhibitions Sponsored by the Mark Rothko Foundation
  • A man with a shaved head stands in front of a crowd seated at a long table in a large gallery space. He stares in front of him with one hand resting at his hip and wears a white collared shirt and a black, knee-length skirt.
    A man with a shaved head stands in front of a crowd seated at a long table in a large gallery space. He stares in front of him with one hand resting at his hip and wears a white collared shirt and a black, knee-length skirt.
    The Friends of Artists Space Dinner, May 8, 2010. Michael Clark & Company's performance. [A man with a shaved head stands in front of a crowd seated at a long table in a large gallery space. He stares in front of him with one hand resting at his hip and wears a white collared shirt and a black, knee-length skirt.]
    Caption The Friends of Artists Space Dinner, May 8, 2010. Michael Clark & Company's performance.
    Image description A man with a shaved head stands in front of a crowd seated at a long table in a large gallery space. He stares in front of him with one hand resting at his hip and wears a white collared shirt and a black, knee-length skirt.
    Year 2010
    Related pages The Friends of Artists Space Dinner
  • A photograph showing a row of text-based paintings hanging on a gallery wall. Beyond them, another gallery space with other artworks is visible.
    A photograph showing a row of text-based paintings hanging on a gallery wall. Beyond them, another gallery space with other artworks is visible.
    Selections from the Artists File. Installation view, Artists Space, 1989. [A photograph showing a row of text-based paintings hanging on a gallery wall. Beyond them, another gallery space with other artworks is visible.]
    Caption Selections from the Artists File. Installation view, Artists Space, 1989.
    Image description A photograph showing a row of text-based paintings hanging on a gallery wall. Beyond them, another gallery space with other artworks is visible.
    Year
    Related pages Selections from the Artist File
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  • Magazine cutouts and printed images overlay a colorful background with red, white, blue and yellow pieces collaged together. A cutout of an eye is placed in the center, and to the right of it is text that reads
    Magazine cutouts and printed images overlay a colorful background with red, white, blue and yellow pieces collaged together. A cutout of an eye is placed in the center, and to the right of it is text that reads
    Flyer by Joe Frivaldi. [Magazine cutouts and printed images overlay a colorful background with red, white, blue and yellow pieces collaged together. A cutout of an eye is placed in the center, and to the right of it is text that reads "ABASEMENT 66." Along the bottom right is a cutout of yellow paper has handwritten text in red ink, listing the performers and date of the performance.]
    Caption Flyer by Joe Frivaldi.
    Image description Magazine cutouts and printed images overlay a colorful background with red, white, blue and yellow pieces collaged together. A cutout of an eye is placed in the center, and to the right of it is text that reads "ABASEMENT 66." Along the bottom right is a cutout of yellow paper has handwritten text in red ink, listing the performers and date of the performance.
    Year 2023
    Related pages Abasement #66
  • White text on a blue and grey ombré background. The text reads: “March 15 / Elise Duryee-Browner / Allen Ruppersberg.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    White text on a blue and grey ombré background. The text reads: “March 15 / Elise Duryee-Browner / Allen Ruppersberg.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [White text on a blue and grey ombré background. The text reads: “March 15 / Elise Duryee-Browner / Allen Ruppersberg.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description White text on a blue and grey ombré background. The text reads: “March 15 / Elise Duryee-Browner / Allen Ruppersberg.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Elise Duryee-Browner & Allen Ruppersberg
  • Black text on an orange background. The text reads: “Oct 19 / Xavier Cavazos / Pamela Booker.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on an orange background. The text reads: “Oct 19 / Xavier Cavazos / Pamela Booker.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on an orange background. The text reads: “Oct 19 / Xavier Cavazos / Pamela Booker.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on an orange background. The text reads: “Oct 19 / Xavier Cavazos / Pamela Booker.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Pamela Booker & Xavier Cavazos
  • A figure reads into a microphone, glancing at their phone.
    A figure reads into a microphone, glancing at their phone.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure reads into a microphone, glancing at their phone.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure reads into a microphone, glancing at their phone.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
  • White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Mar 9 / Harmony Holiday / Taylor Johnson
    White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Mar 9 / Harmony Holiday / Taylor Johnson
    [White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Mar 9 / Harmony Holiday / Taylor Johnson" Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Mar 9 / Harmony Holiday / Taylor Johnson" Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year
    Related pages Segue Reading Series: Harmony Holiday & Taylor Johnson
  • A color photograph of two wooden cafe chairs with green cushions in a gallery space with a dark metal column. A television screen with a cord extending down to an outlet in the floor rests upon each chair.
    A color photograph of two wooden cafe chairs with green cushions in a gallery space with a dark metal column. A television screen with a cord extending down to an outlet in the floor rests upon each chair.
    Nicole-Antonia Spagnola, Untitled, 2022. Raw Power, Raw Power; Kollettivo, Lotta per il potere; Antigenesi, Una donna non e’ merda; Negazione, Tutti Pazzi; RAF Punk, Contro la pace Contro la guerra; Peggio Punx, Scemo. 8mm to MP4 transfer (color, sound), monitors, chairs. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of two wooden cafe chairs with green cushions in a gallery space with a dark metal column. A television screen with a cord extending down to an outlet in the floor rests upon each chair.]
    Caption Nicole-Antonia Spagnola, Untitled, 2022. Raw Power, Raw Power; Kollettivo, Lotta per il potere; Antigenesi, Una donna non e’ merda; Negazione, Tutti Pazzi; RAF Punk, Contro la pace Contro la guerra; Peggio Punx, Scemo. 8mm to MP4 transfer (color, sound), monitors, chairs. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color photograph of two wooden cafe chairs with green cushions in a gallery space with a dark metal column. A television screen with a cord extending down to an outlet in the floor rests upon each chair.
    Year
    Related pages Nicole-Antonia Spagnola: Anti-Genesis
  • A color installation photograph of a black and white abstract painting on a white wall.
    A color installation photograph of a black and white abstract painting on a white wall.
    Richard Klauber. Small Black Painting, 1975. Installation view, Ruth Hardinger, Richard Klauber, Artists Space, 1975. [A color installation photograph of a black and white abstract painting on a white wall.]
    Caption Richard Klauber. Small Black Painting, 1975. Installation view, Ruth Hardinger, Richard Klauber, Artists Space, 1975.
    Image description A color installation photograph of a black and white abstract painting on a white wall.
    Year 1975
    Related pages Ruth Hardinger, Richard Klauber
  • A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of a man holding up the Iraqi flag.
    A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of a man holding up the Iraqi flag.
    Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of a man holding up the Iraqi flag.]
    Caption Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez.
    Image description A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of a man holding up the Iraqi flag.
    Year 2014
    Related pages Laura Poitras: 9/11 Trilogy
  • Two metal bowls, a water bottle with a funnel in its spout, and a blue plastic bucket stand on a sandy ocean beach
    Two metal bowls, a water bottle with a funnel in its spout, and a blue plastic bucket stand on a sandy ocean beach
    Ocean water from Nakoso Beach, Iwaki, Fukushima, Japan, June 2021 [Two metal bowls, a water bottle with a funnel in its spout, and a blue plastic bucket stand on a sandy ocean beach]
    Caption Ocean water from Nakoso Beach, Iwaki, Fukushima, Japan, June 2021
    Image description Two metal bowls, a water bottle with a funnel in its spout, and a blue plastic bucket stand on a sandy ocean beach
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab
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    Year
    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • Color image of a side view of a booth inside an art fair. On the outside of the left wall, three works made of cut-out panels can be seen. One is in the shape of curtains, and two are human figures. Inside the booth, a window with balck and white curtains with pink flowers can be seen. On the right wall hangs a colorful drawing with two figures sitting on a couch.
    Color image of a side view of a booth inside an art fair. On the outside of the left wall, three works made of cut-out panels can be seen. One is in the shape of curtains, and two are human figures. Inside the booth, a window with balck and white curtains with pink flowers can be seen. On the right wall hangs a colorful drawing with two figures sitting on a couch.
    Drake Carr: Housecalls. Installation view, Artists Space at the Armory Show, 2023. Photo: Filip Wolak. [Color image of a side view of a booth inside an art fair. On the outside of the left wall, three works made of cut-out panels can be seen. One is in the shape of curtains, and two are human figures. Inside the booth, a window with balck and white curtains with pink flowers can be seen. On the right wall hangs a colorful drawing with two figures sitting on a couch.]
    Caption Drake Carr: Housecalls. Installation view, Artists Space at the Armory Show, 2023. Photo: Filip Wolak.
    Image description Color image of a side view of a booth inside an art fair. On the outside of the left wall, three works made of cut-out panels can be seen. One is in the shape of curtains, and two are human figures. Inside the booth, a window with balck and white curtains with pink flowers can be seen. On the right wall hangs a colorful drawing with two figures sitting on a couch.
    Year
    Related pages Drake Carr: Housecalls
  • An image of people in a circle wearing white ponchos holding white streamers and a large red balloon is superimposed on top of a city street, rendered in shades of black and grey.
    An image of people in a circle wearing white ponchos holding white streamers and a large red balloon is superimposed on top of a city street, rendered in shades of black and grey.
    [An image of people in a circle wearing white ponchos holding white streamers and a large red balloon is superimposed on top of a city street, rendered in shades of black and grey.]
    Caption
    Image description An image of people in a circle wearing white ponchos holding white streamers and a large red balloon is superimposed on top of a city street, rendered in shades of black and grey.
    Year 2019
    Related pages Ei Arakawa: WEWORK BABIES (11 Cortlandt Alley)
  • VHS-distorted image of Wonder Woman holding up her fist, from which emanates a burst of energy.
    VHS-distorted image of Wonder Woman holding up her fist, from which emanates a burst of energy.
    Dara Birnbaum, Technology/Transformation: Wonder Woman, 1978/9. Videotape still. [VHS-distorted image of Wonder Woman holding up her fist, from which emanates a burst of energy.]
    Caption Dara Birnbaum, Technology/Transformation: Wonder Woman, 1978/9. Videotape still.
    Image description VHS-distorted image of Wonder Woman holding up her fist, from which emanates a burst of energy.
    Year
    Related pages How to be a wo(man)
  • A close up image of three tv monitors on a wall with vinyl lettering that reads
    A close up image of three tv monitors on a wall with vinyl lettering that reads
    New Red Order Give it Back, detail, 2020 Acrylic LED displays with cut vinyl, water cooler, poster, couch, desk, chairs, magazine rack, The New Red Times Magazine, and three televisions. Image courtesy Artists Space, New York Photo: Filip Wolak [A close up image of three tv monitors on a wall with vinyl lettering that reads "New Red Order", in the right corner is a water cooler.]
    Caption New Red Order Give it Back, detail, 2020 Acrylic LED displays with cut vinyl, water cooler, poster, couch, desk, chairs, magazine rack, The New Red Times Magazine, and three televisions. Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description A close up image of three tv monitors on a wall with vinyl lettering that reads "New Red Order", in the right corner is a water cooler.
    Year 2021
    Related pages New Red Order: Feel at Home Here
  • A gray television sits on a rectangular wooden board. There is a mass of wires extending from the back of it snaking towards a pile of nearby photographs. On one white wall opposite, there are two identical images. Leaning on the other white wall is a framed photograph of two books, a wooden rectangle, and a photograph stacked vertically on each other. There is a second photograph offset to the right.
    A gray television sits on a rectangular wooden board. There is a mass of wires extending from the back of it snaking towards a pile of nearby photographs. On one white wall opposite, there are two identical images. Leaning on the other white wall is a framed photograph of two books, a wooden rectangle, and a photograph stacked vertically on each other. There is a second photograph offset to the right.
    Replica of a Lost Original. Installation view, Artists Space, 2007. Photo: Bill Orcutt. [A gray television sits on a rectangular wooden board. There is a mass of wires extending from the back of it snaking towards a pile of nearby photographs. On one white wall opposite, there are two identical images. Leaning on the other white wall is a framed photograph of two books, a wooden rectangle, and a photograph stacked vertically on each other. There is a second photograph offset to the right.]
    Caption Replica of a Lost Original. Installation view, Artists Space, 2007. Photo: Bill Orcutt.
    Image description A gray television sits on a rectangular wooden board. There is a mass of wires extending from the back of it snaking towards a pile of nearby photographs. On one white wall opposite, there are two identical images. Leaning on the other white wall is a framed photograph of two books, a wooden rectangle, and a photograph stacked vertically on each other. There is a second photograph offset to the right.
    Year 2007
    Related pages Replica of a Lost Original
  • Two rectangular boxes lying next to each other on a white background, with a small shadow. The left box is black. The right is white paper, with a black border, and it has two columns of very small red text, offset to the bottom left of the page.
    Two rectangular boxes lying next to each other on a white background, with a small shadow. The left box is black. The right is white paper, with a black border, and it has two columns of very small red text, offset to the bottom left of the page.
    Dexter Sinister (Stuart Bailey and David Reinfurt): Cover Material, 2010 Custom archival box, 24 1/2 x 20 1/2 x 1 1/2 in / 62 x 52 x 4 cm, Wrapped in “Cialux 1580,” manufactured from direct dyes in aqueous solution by Manifattura del Seveso, Osio Sotto, Italy, Accompanied by: A List of Incorrect Things, 2010 Nick Relph Offset print 6 2/3 x 11 in / 17 x 28 cm, Signed and numbered by Stuart Bailey and David Reinfurt. [Two rectangular boxes lying next to each other on a white background, with a small shadow. The left box is black. The right is white paper, with a black border, and it has two columns of very small red text, offset to the bottom left of the page.]
    Caption Dexter Sinister (Stuart Bailey and David Reinfurt): Cover Material, 2010 Custom archival box, 24 1/2 x 20 1/2 x 1 1/2 in / 62 x 52 x 4 cm, Wrapped in “Cialux 1580,” manufactured from direct dyes in aqueous solution by Manifattura del Seveso, Osio Sotto, Italy, Accompanied by: A List of Incorrect Things, 2010 Nick Relph Offset print 6 2/3 x 11 in / 17 x 28 cm, Signed and numbered by Stuart Bailey and David Reinfurt.
    Image description Two rectangular boxes lying next to each other on a white background, with a small shadow. The left box is black. The right is white paper, with a black border, and it has two columns of very small red text, offset to the bottom left of the page.
    Year 2010
    Related pages Artists Space Annual Edition Portfolio 2011
  • The top half of this painting shows a blue building ablaze on left. The building foregrounds an orange sky, grey clouds, a white car, and a black skyline. The bottom half uses a grey background with eight figures separated by a white rectangle in the center and an ambulance in the bottom right corner.
    The top half of this painting shows a blue building ablaze on left. The building foregrounds an orange sky, grey clouds, a white car, and a black skyline. The bottom half uses a grey background with eight figures separated by a white rectangle in the center and an ambulance in the bottom right corner.
    Cobus Jagdeo, Orange Hate, acrylic and gouache painting, 2018 [The top half of this painting shows a blue building ablaze on left. The building foregrounds an orange sky, grey clouds, a white car, and a black skyline. The bottom half uses a grey background with eight figures separated by a white rectangle in the center and an ambulance in the bottom right corner.]
    Caption Cobus Jagdeo, Orange Hate, acrylic and gouache painting, 2018
    Image description The top half of this painting shows a blue building ablaze on left. The building foregrounds an orange sky, grey clouds, a white car, and a black skyline. The bottom half uses a grey background with eight figures separated by a white rectangle in the center and an ambulance in the bottom right corner.
    Year 2018
    Related pages Portfolio Development
  • A person dressed in all pink, holding several sheets of paper, speaks into a microphone. Her arms are draped with masses of cords. A crowd of audience members surrounds her, some seated and some standing.
    A person dressed in all pink, holding several sheets of paper, speaks into a microphone. Her arms are draped with masses of cords. A crowd of audience members surrounds her, some seated and some standing.
    Jutta Koether: xxapollo. Performance documentation, January 5, 2020, Artists Space. Photo © 2020 Paula Court. [A person dressed in all pink, holding several sheets of paper, speaks into a microphone. Her arms are draped with masses of cords. A crowd of audience members surrounds her, some seated and some standing.]
    Caption Jutta Koether: xxapollo. Performance documentation, January 5, 2020, Artists Space. Photo © 2020 Paula Court.
    Image description A person dressed in all pink, holding several sheets of paper, speaks into a microphone. Her arms are draped with masses of cords. A crowd of audience members surrounds her, some seated and some standing.
    Year 2020
    Related pages Jutta Koether
  • A black and white still of a hallway with a patterned balcony, which descends into stairs. Three geometric paintings are hung along the walls.
    A black and white still of a hallway with a patterned balcony, which descends into stairs. Three geometric paintings are hung along the walls.
    Union Gaucha Productions. Still from Phantom Limb, 1998. 16mm film (silent, black and white), 21 min 45 sec. Courtesy of Union Gaucha Productions. [A black and white still of a hallway with a patterned balcony, which descends into stairs. Three geometric paintings are hung along the walls.]
    Caption Union Gaucha Productions. Still from Phantom Limb, 1998. 16mm film (silent, black and white), 21 min 45 sec. Courtesy of Union Gaucha Productions.
    Image description A black and white still of a hallway with a patterned balcony, which descends into stairs. Three geometric paintings are hung along the walls.
    Year 1998
    Related pages Union Gaucha Productions
  • A woman in a dark dress with shoulder-length auburn hair stands before a microphone in a gallery space, reading from a sheet of paper. She looks up from the paper to gaze in front of her.
    A woman in a dark dress with shoulder-length auburn hair stands before a microphone in a gallery space, reading from a sheet of paper. She looks up from the paper to gaze in front of her.
    The Friends of Artists Space Dinner, May 8, 2010. Julie Ault's speech. [A woman in a dark dress with shoulder-length auburn hair stands before a microphone in a gallery space, reading from a sheet of paper. She looks up from the paper to gaze in front of her.]
    Caption The Friends of Artists Space Dinner, May 8, 2010. Julie Ault's speech.
    Image description A woman in a dark dress with shoulder-length auburn hair stands before a microphone in a gallery space, reading from a sheet of paper. She looks up from the paper to gaze in front of her.
    Year 2010
    Related pages The Friends of Artists Space Dinner
  • A close up black and white image of a slide projection with two figures.
    A close up black and white image of a slide projection with two figures.
    Daniel Tilsdale. Still from Contacts, Ponytails, Noses and Bleach, 1988. Graphite on Xerox (presented in slide format). [A close up black and white image of a slide projection with two figures.]
    Caption Daniel Tilsdale. Still from Contacts, Ponytails, Noses and Bleach, 1988. Graphite on Xerox (presented in slide format).
    Image description A close up black and white image of a slide projection with two figures.
    Year 1988
    Related pages Too Black, Too Strong!
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    Related pages fwiw
  • A color photograph of several figures marching in the middle of the street while holding up posters. One of the figures is wearing stilts, while others are pushing carts or instruments on wheels. From the sidewalk, various pedestrians look on.
    A color photograph of several figures marching in the middle of the street while holding up posters. One of the figures is wearing stilts, while others are pushing carts or instruments on wheels. From the sidewalk, various pedestrians look on.
    Circus Amok, The Experimental Walking Tour, 2002. Performed in various parks across the five burroughs. [A color photograph of several figures marching in the middle of the street while holding up posters. One of the figures is wearing stilts, while others are pushing carts or instruments on wheels. From the sidewalk, various pedestrians look on.]
    Caption Circus Amok, The Experimental Walking Tour, 2002. Performed in various parks across the five burroughs.
    Image description A color photograph of several figures marching in the middle of the street while holding up posters. One of the figures is wearing stilts, while others are pushing carts or instruments on wheels. From the sidewalk, various pedestrians look on.
    Year 2002
    Related pages Circus Amok
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    Related pages All These Different Things Are Sculpture
  • Two photographs are mounted on a white gallery wall.
    Two photographs are mounted on a white gallery wall.
    Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979. [Two photographs are mounted on a white gallery wall.]
    Caption Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979.
    Image description Two photographs are mounted on a white gallery wall.
    Year 1979
    Related pages Place, (title to be determined), for a Participant: Ken Feingold
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    Related pages Genesis: Medley
  • Circular bricolage sculpture in a white-walled gallery space.
    Circular bricolage sculpture in a white-walled gallery space.
    Lizbeth Marano. Third Circle, 1985. [Circular bricolage sculpture in a white-walled gallery space.]
    Caption Lizbeth Marano. Third Circle, 1985.
    Image description Circular bricolage sculpture in a white-walled gallery space.
    Year
    Related pages Four Artists: An Exhibition of Painting and Sculpture
  • Two faces on a black background, with a black and red patterned rectangle dividing them. The left face is upside-down, and a skeltal hand overlaps the face. The right is upright, and is looking back over their shoulder.
    Two faces on a black background, with a black and red patterned rectangle dividing them. The left face is upside-down, and a skeltal hand overlaps the face. The right is upright, and is looking back over their shoulder.
    Margo Machida, Altered Fates, 1990. Acrylic on canvas, 48 x 56 inches. [Two faces on a black background, with a black and red patterned rectangle dividing them. The left face is upside-down, and a skeltal hand overlaps the face. The right is upright, and is looking back over their shoulder.]
    Caption Margo Machida, Altered Fates, 1990. Acrylic on canvas, 48 x 56 inches.
    Image description Two faces on a black background, with a black and red patterned rectangle dividing them. The left face is upside-down, and a skeltal hand overlaps the face. The right is upright, and is looking back over their shoulder.
    Year 1990
    Related pages Post-Boys&Girls: Nine Painters
  • Various black and white obal shapes appear with lines throughout this abstract work.
    Various black and white obal shapes appear with lines throughout this abstract work.
    Lee Mullican. Source Sketch, 1981. [Various black and white obal shapes appear with lines throughout this abstract work.]
    Caption Lee Mullican. Source Sketch, 1981.
    Image description Various black and white obal shapes appear with lines throughout this abstract work.
    Year
    Related pages Moderns in Mind
  • A black and white photograph of a wooden clam sculpture.
    A black and white photograph of a wooden clam sculpture.
    Gwynn Murrill, Clam, laminated wood, 1974. From Don Wynn, Judy Pfaff, Gwynn Murrill, Artists Space, 1974. [A black and white photograph of a wooden clam sculpture.]
    Caption Gwynn Murrill, Clam, laminated wood, 1974. From Don Wynn, Judy Pfaff, Gwynn Murrill, Artists Space, 1974.
    Image description A black and white photograph of a wooden clam sculpture.
    Year 1974
    Related pages Don Wynn, Judy Pfaff, Gwynn Murrill
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    Related pages 2020Solidarity Betty Tompkins
  • Video still of a figure laying on their back on top of an overturned, white table on a small stage area. They stretch their legs straight up above themselves. They wear a pink dress with black tulle fabric and brown boots. Scattered papers are strewn around them onstage.
    Video still of a figure laying on their back on top of an overturned, white table on a small stage area. They stretch their legs straight up above themselves. They wear a pink dress with black tulle fabric and brown boots. Scattered papers are strewn around them onstage.
    [Video still of a figure laying on their back on top of an overturned, white table on a small stage area. They stretch their legs straight up above themselves. They wear a pink dress with black tulle fabric and brown boots. Scattered papers are strewn around them onstage.]
    Caption
    Image description Video still of a figure laying on their back on top of an overturned, white table on a small stage area. They stretch their legs straight up above themselves. They wear a pink dress with black tulle fabric and brown boots. Scattered papers are strewn around them onstage.
    Year 2004
    Related pages eRacism
  • A color photograph of abstract rectangles with white, green, and black stripes, arranged in a sun like shape on a white background.
    A color photograph of abstract rectangles with white, green, and black stripes, arranged in a sun like shape on a white background.
    Barbara Kruger. Installation view, Artists Space, 1974. [A color photograph of abstract rectangles with white, green, and black stripes, arranged in a sun like shape on a white background.]
    Caption Barbara Kruger. Installation view, Artists Space, 1974.
    Image description A color photograph of abstract rectangles with white, green, and black stripes, arranged in a sun like shape on a white background.
    Year 1974
    Related pages Laurie Anderson, Don Gummer, Barbara Kruger
  • A Frida Kahlo painting and portrait of woman against a black background.
    A Frida Kahlo painting and portrait of woman against a black background.
    [A Frida Kahlo painting and portrait of woman against a black background.]
    Caption
    Image description A Frida Kahlo painting and portrait of woman against a black background.
    Year 2013
    Related pages Richard Hollis
  • A large room with numerous people seated at long, rectangular tables. Many are eating, talking, and drinking wine. Several waiters walk between the tables.
    A large room with numerous people seated at long, rectangular tables. Many are eating, talking, and drinking wine. Several waiters walk between the tables.
    Friends of Artists Space Annual Dinner, 2016. [A large room with numerous people seated at long, rectangular tables. Many are eating, talking, and drinking wine. Several waiters walk between the tables.]
    Caption Friends of Artists Space Annual Dinner, 2016.
    Image description A large room with numerous people seated at long, rectangular tables. Many are eating, talking, and drinking wine. Several waiters walk between the tables.
    Year 2016
    Related pages Support
  • A square painting of a partially nude human figure is visible next to large, orange slug installations attached with black elastic cords onto cast iron columns.
    A square painting of a partially nude human figure is visible next to large, orange slug installations attached with black elastic cords onto cast iron columns.
    Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez. [A square painting of a partially nude human figure is visible next to large, orange slug installations attached with black elastic cords onto cast iron columns.]
    Caption Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez.
    Image description A square painting of a partially nude human figure is visible next to large, orange slug installations attached with black elastic cords onto cast iron columns.
    Year 2020
    Related pages Jana Euler
  • Color photograph of two performers, seated side by side, singing into a microphone stand. Next to them can be seen the corner of a hanging screen positioned in the center of the room. Behind and around the performers audience members sit on the floor or stand.
    Color photograph of two performers, seated side by side, singing into a microphone stand. Next to them can be seen the corner of a hanging screen positioned in the center of the room. Behind and around the performers audience members sit on the floor or stand.
    Shala Miller performs Genesis: Medley at Artists Space, co-presented with Frieze New York 2023. Performance documentation, May 19th. Photo by Vanessa Diaz/CKA. Courtesy of Frieze. [Color photograph of two performers, seated side by side, singing into a microphone stand. Next to them can be seen the corner of a hanging screen positioned in the center of the room. Behind and around the performers audience members sit on the floor or stand.]
    Caption Shala Miller performs Genesis: Medley at Artists Space, co-presented with Frieze New York 2023. Performance documentation, May 19th. Photo by Vanessa Diaz/CKA. Courtesy of Frieze.
    Image description Color photograph of two performers, seated side by side, singing into a microphone stand. Next to them can be seen the corner of a hanging screen positioned in the center of the room. Behind and around the performers audience members sit on the floor or stand.
    Year 2023
    Related pages Genesis: Medley
  • Black text on a grey background. The text reads: “Jan 31 / Bruce Andrews / Christopher Knowles.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on a grey background. The text reads: “Jan 31 / Bruce Andrews / Christopher Knowles.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on a grey background. The text reads: “Jan 31 / Bruce Andrews / Christopher Knowles.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on a grey background. The text reads: “Jan 31 / Bruce Andrews / Christopher Knowles.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Bruce Andrews & Christopher Knowles
  • Color image of a band of performers playing music on a stage together, colorful and patterned projections illuminate the group and the wall behind them. In order: group includes a keyboardist, a bass player, a drummer, a trumpet player and two saxaphone players.
    Color image of a band of performers playing music on a stage together, colorful and patterned projections illuminate the group and the wall behind them. In order: group includes a keyboardist, a bass player, a drummer, a trumpet player and two saxaphone players.
    Abasement #63. Performance documentation, July 17, 2023, Artists Space. Photo: Joshua Wildman. [Color image of a band of performers playing music on a stage together, colorful and patterned projections illuminate the group and the wall behind them. In order: group includes a keyboardist, a bass player, a drummer, a trumpet player and two saxaphone players.]
    Caption Abasement #63. Performance documentation, July 17, 2023, Artists Space. Photo: Joshua Wildman.
    Image description Color image of a band of performers playing music on a stage together, colorful and patterned projections illuminate the group and the wall behind them. In order: group includes a keyboardist, a bass player, a drummer, a trumpet player and two saxaphone players.
    Year
    Related pages Abasement #63
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • White text overlays a bright fuchsia background. The text at the top reads: “Segue Reading Series & ARTISTS SPACE / Fall 2025 Season / October/November curated by / Nightboat Books
    White text overlays a bright fuchsia background. The text at the top reads: “Segue Reading Series & ARTISTS SPACE / Fall 2025 Season / October/November curated by / Nightboat Books
    [White text overlays a bright fuchsia background. The text at the top reads: “Segue Reading Series & ARTISTS SPACE / Fall 2025 Season / October/November curated by / Nightboat Books"]
    Caption
    Image description White text overlays a bright fuchsia background. The text at the top reads: “Segue Reading Series & ARTISTS SPACE / Fall 2025 Season / October/November curated by / Nightboat Books"
    Year
    Related pages Segue Reading Series
  • Sculptural pieces are mounted on the right wall. Three square canvases and one larger rectangular canvas dotted with a dark material hang on the left wall. Large windows line the back wall.
    Sculptural pieces are mounted on the right wall. Three square canvases and one larger rectangular canvas dotted with a dark material hang on the left wall. Large windows line the back wall.
    Sixth Anniversary Exhibition. Installation view, Artists Space, 1979. Artwork by John Torreano and Barbara Schwartz. [Sculptural pieces are mounted on the right wall. Three square canvases and one larger rectangular canvas dotted with a dark material hang on the left wall. Large windows line the back wall.]
    Caption Sixth Anniversary Exhibition. Installation view, Artists Space, 1979. Artwork by John Torreano and Barbara Schwartz.
    Image description Sculptural pieces are mounted on the right wall. Three square canvases and one larger rectangular canvas dotted with a dark material hang on the left wall. Large windows line the back wall.
    Year 1979
    Related pages Sixth Anniversary Exhibition
  • Miniature houses constructed of documents are displayed in vitrines in the middle of the room. Various photographs utilizing the wall and floor are displayed to the left on a purple section of wall. Tan, illustrated sacks of variable sizes hang on a white wall to the right.
    Miniature houses constructed of documents are displayed in vitrines in the middle of the room. Various photographs utilizing the wall and floor are displayed to the left on a purple section of wall. Tan, illustrated sacks of variable sizes hang on a white wall to the right.
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [Miniature houses constructed of documents are displayed in vitrines in the middle of the room. Various photographs utilizing the wall and floor are displayed to the left on a purple section of wall. Tan, illustrated sacks of variable sizes hang on a white wall to the right.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description Miniature houses constructed of documents are displayed in vitrines in the middle of the room. Various photographs utilizing the wall and floor are displayed to the left on a purple section of wall. Tan, illustrated sacks of variable sizes hang on a white wall to the right.
    Year 2017
    Related pages Unholding
  • A black and white installation photograph. Four black rectangular panels hang on the wall. Each one is filled with white silhouetted shapes of human figures, and objects.
    A black and white installation photograph. Four black rectangular panels hang on the wall. Each one is filled with white silhouetted shapes of human figures, and objects.
    Pictures. Installation view, Artists Space, 1977. Photo: D. James Dee. [A black and white installation photograph. Four black rectangular panels hang on the wall. Each one is filled with white silhouetted shapes of human figures, and objects.]
    Caption Pictures. Installation view, Artists Space, 1977. Photo: D. James Dee.
    Image description A black and white installation photograph. Four black rectangular panels hang on the wall. Each one is filled with white silhouetted shapes of human figures, and objects.
    Year 1977
    Related pages Pictures
  • A number of objects and writings appear on the gallery wall and a desk with a light appears in front of it with windows visible in the background.
    A number of objects and writings appear on the gallery wall and a desk with a light appears in front of it with windows visible in the background.
    Young Fluxus. Installation view, Artists Space, 1982. [A number of objects and writings appear on the gallery wall and a desk with a light appears in front of it with windows visible in the background.]
    Caption Young Fluxus. Installation view, Artists Space, 1982.
    Image description A number of objects and writings appear on the gallery wall and a desk with a light appears in front of it with windows visible in the background.
    Year
    Related pages Young Fluxus
  • Several framed posters, photographs, and other ephemera of varying sizes hang on a white gallery wall. At the center of the wall is a doorway-shaped opening, through which more of the gallery space is visible.
    Several framed posters, photographs, and other ephemera of varying sizes hang on a white gallery wall. At the center of the wall is a doorway-shaped opening, through which more of the gallery space is visible.
    The Serving Library. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [Several framed posters, photographs, and other ephemera of varying sizes hang on a white gallery wall. At the center of the wall is a doorway-shaped opening, through which more of the gallery space is visible.]
    Caption The Serving Library. Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description Several framed posters, photographs, and other ephemera of varying sizes hang on a white gallery wall. At the center of the wall is a doorway-shaped opening, through which more of the gallery space is visible.
    Year 2011
    Related pages The Serving Library
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Caption
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A group of five performers dressed in red and white monochromatic outfits stand in front of microphones gesturing with their hands.
    A group of five performers dressed in red and white monochromatic outfits stand in front of microphones gesturing with their hands.
    Rashaad Newsome. Still from Shade Compositions, 2012. Video, color, sound; 50 minutes. Courtesy the artist. [A group of five performers dressed in red and white monochromatic outfits stand in front of microphones gesturing with their hands.]
    Caption Rashaad Newsome. Still from Shade Compositions, 2012. Video, color, sound; 50 minutes. Courtesy the artist.
    Image description A group of five performers dressed in red and white monochromatic outfits stand in front of microphones gesturing with their hands.
    Year 2012
    Related pages Whitney ISP Archive
  • A black and white illustration featuring a person in a black cat suit. A group of penguins, behind him, face towards the background. Text reads,
    A black and white illustration featuring a person in a black cat suit. A group of penguins, behind him, face towards the background. Text reads,
    Untitled (Business card), late 1970s. Copyright: Jack Smith Archive. Courtesy: Gladstone Gallery, New York and Brussels [A black and white illustration featuring a person in a black cat suit. A group of penguins, behind him, face towards the background. Text reads, "Jack Smith, Exotic Theatrical Genius!"]
    Caption Untitled (Business card), late 1970s. Copyright: Jack Smith Archive. Courtesy: Gladstone Gallery, New York and Brussels
    Image description A black and white illustration featuring a person in a black cat suit. A group of penguins, behind him, face towards the background. Text reads, "Jack Smith, Exotic Theatrical Genius!"
    Year
    Related pages Jack Smith: Art Crust of Spiritual Oasis
  • Drawing of an axe attached to a tree branch. Line of the paper visible in the background. Written on upper left:
    Drawing of an axe attached to a tree branch. Line of the paper visible in the background. Written on upper left:
    Immanent Madness. Installation View. Artists Space, 1985-86. [Drawing of an axe attached to a tree branch. Line of the paper visible in the background. Written on upper left: "Forest/Nesescity". Written on the upper right: "Oct 31, 1985. G.W." Written on the bottom: "Axe-Tree. "Tranquility vs. Self Preservation = Survivor.""]
    Caption Immanent Madness. Installation View. Artists Space, 1985-86.
    Image description Drawing of an axe attached to a tree branch. Line of the paper visible in the background. Written on upper left: "Forest/Nesescity". Written on the upper right: "Oct 31, 1985. G.W." Written on the bottom: "Axe-Tree. "Tranquility vs. Self Preservation = Survivor.""
    Year
    Related pages Immanent Madness
  • A large room with white walls. Artworks hang on the right and left walls, covering most of the surface area. There is a door open towards the back of the room.
    A large room with white walls. Artworks hang on the right and left walls, covering most of the surface area. There is a door open towards the back of the room.
    Pictures. Installation view, Artists Space, 1977. [A large room with white walls. Artworks hang on the right and left walls, covering most of the surface area. There is a door open towards the back of the room.]
    Caption Pictures. Installation view, Artists Space, 1977.
    Image description A large room with white walls. Artworks hang on the right and left walls, covering most of the surface area. There is a door open towards the back of the room.
    Year 1977
    Related pages Pictures
  • A gallery room filled with various sculptures and objects. There are several cube and rectangular sculptures in various sizes, some solidly painted with black, white and silver, and some painted with a brick pattern. There is a table with two projectors projecting a small image on the wall. On the far wall, there are a series of framed drawings. On the righthand side of the room, there is a half-wall behind which a piece made of 7x4 rectangular images hangs on a wall.
    A gallery room filled with various sculptures and objects. There are several cube and rectangular sculptures in various sizes, some solidly painted with black, white and silver, and some painted with a brick pattern. There is a table with two projectors projecting a small image on the wall. On the far wall, there are a series of framed drawings. On the righthand side of the room, there is a half-wall behind which a piece made of 7x4 rectangular images hangs on a wall.
    Elephant Cemetery. Installation view, Artists Space, 2007. [A gallery room filled with various sculptures and objects. There are several cube and rectangular sculptures in various sizes, some solidly painted with black, white and silver, and some painted with a brick pattern. There is a table with two projectors projecting a small image on the wall. On the far wall, there are a series of framed drawings. On the righthand side of the room, there is a half-wall behind which a piece made of 7x4 rectangular images hangs on a wall.]
    Caption Elephant Cemetery. Installation view, Artists Space, 2007.
    Image description A gallery room filled with various sculptures and objects. There are several cube and rectangular sculptures in various sizes, some solidly painted with black, white and silver, and some painted with a brick pattern. There is a table with two projectors projecting a small image on the wall. On the far wall, there are a series of framed drawings. On the righthand side of the room, there is a half-wall behind which a piece made of 7x4 rectangular images hangs on a wall.
    Year 2007
    Related pages Elephant Cemetery
  • A corner of a room filled with ping pong balls set atop mousetraps. They are lit from the side by a fluorescent tube light.
    A corner of a room filled with ping pong balls set atop mousetraps. They are lit from the side by a fluorescent tube light.
    Ethan Crenson, Fission, 1996. Mixed media installation. [A corner of a room filled with ping pong balls set atop mousetraps. They are lit from the side by a fluorescent tube light.]
    Caption Ethan Crenson, Fission, 1996. Mixed media installation.
    Image description A corner of a room filled with ping pong balls set atop mousetraps. They are lit from the side by a fluorescent tube light.
    Year 1996
    Related pages Station to Station
  • A man and a woman sit at a kitchen table for breakfast. The table is crowded with dishes and items like orange juice and a box of Raisin Bran.
    A man and a woman sit at a kitchen table for breakfast. The table is crowded with dishes and items like orange juice and a box of Raisin Bran.
    Still from Personal Problems picturing Walter Cotton and Vertamae Smart-Grosvenor, 1980. [A man and a woman sit at a kitchen table for breakfast. The table is crowded with dishes and items like orange juice and a box of Raisin Bran.]
    Caption Still from Personal Problems picturing Walter Cotton and Vertamae Smart-Grosvenor, 1980.
    Image description A man and a woman sit at a kitchen table for breakfast. The table is crowded with dishes and items like orange juice and a box of Raisin Bran.
    Year 1980
    Related pages Personal Problems
  • A swirling cloud of grey mist covers most of a figures face. Slivers of their eyes and mouth are revealed through holes in the blanket of grey.
    A swirling cloud of grey mist covers most of a figures face. Slivers of their eyes and mouth are revealed through holes in the blanket of grey.
    Tameca Cole, Locked in a Dark Calm, 2016. Courtesy of the artist and Ellen Driscoll [A swirling cloud of grey mist covers most of a figures face. Slivers of their eyes and mouth are revealed through holes in the blanket of grey.]
    Caption Tameca Cole, Locked in a Dark Calm, 2016. Courtesy of the artist and Ellen Driscoll
    Image description A swirling cloud of grey mist covers most of a figures face. Slivers of their eyes and mouth are revealed through holes in the blanket of grey.
    Year 2020
    Related pages Artists Space Dialogues: Jackie Wang with Nicole R. Fleetwood
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    Related pages Doris Guo Matthew Langan-Peck Isabelle Frances McGuire Ruben Ulises Rodriguez Montoya
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    Related pages Artists Space Items
  • Magazine cut-outs and ink drawings are collaged together on a background of red and yellow paper. Pieces of beige paper with typewritten text listing the performers and event details are scattered around the flyer.
    Magazine cut-outs and ink drawings are collaged together on a background of red and yellow paper. Pieces of beige paper with typewritten text listing the performers and event details are scattered around the flyer.
    Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a background of red and yellow paper. Pieces of beige paper with typewritten text listing the performers and event details are scattered around the flyer.]
    Caption Flyer by Joe Frivaldi.
    Image description Magazine cut-outs and ink drawings are collaged together on a background of red and yellow paper. Pieces of beige paper with typewritten text listing the performers and event details are scattered around the flyer.
    Year
    Related pages Abasement #78
  • Color photograph of a figure dressed in white, laying face down across two ledges of a raised desk.
    Color photograph of a figure dressed in white, laying face down across two ledges of a raised desk.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure dressed in white, laying face down across two ledges of a raised desk.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a figure dressed in white, laying face down across two ledges of a raised desk.
    Year 2022
    Related pages keyon gaskin 12-18
  • figure in a blue dress sits behind a white table, facing an audience. On the wall behind the presenter is a projected video that depicts an array of dried coral pieces on the left, and next to them a hand places a paper with illustrations of coral and a chart with notes underneath.
    figure in a blue dress sits behind a white table, facing an audience. On the wall behind the presenter is a projected video that depicts an array of dried coral pieces on the left, and next to them a hand places a paper with illustrations of coral and a chart with notes underneath.
    Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang. [figure in a blue dress sits behind a white table, facing an audience. On the wall behind the presenter is a projected video that depicts an array of dried coral pieces on the left, and next to them a hand places a paper with illustrations of coral and a chart with notes underneath.]
    Caption Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang.
    Image description figure in a blue dress sits behind a white table, facing an audience. On the wall behind the presenter is a projected video that depicts an array of dried coral pieces on the left, and next to them a hand places a paper with illustrations of coral and a chart with notes underneath.
    Year
    Related pages Chang Yuchen: Coral Dictionary Vol. 1, 2019-2022
  • A framed image with black text, white background, and a black & white photo in the center hangs on a wall. The photo depicts a cop on the left who reaches towards a man holding a gun and a young child on the right. Above the photo it says,
    A framed image with black text, white background, and a black & white photo in the center hangs on a wall. The photo depicts a cop on the left who reaches towards a man holding a gun and a young child on the right. Above the photo it says,
    Lukas Duwenhögger, Restive Childhood, 2016, Archival inkjet with silkscreen on 320 gsm Hahnemühle Photorag Pearl paper, 20 ¾ x 15 ¾ inches (52,7 x 40 cm), Edition of 10 + 3 AP, Signed & Numbered. [A framed image with black text, white background, and a black & white photo in the center hangs on a wall. The photo depicts a cop on the left who reaches towards a man holding a gun and a young child on the right. Above the photo it says, "Out of the blue: / Children march on capital / demanding homo-adoption / innumerable casualties / heart-wrenching scenes." Beneath the photo, the text repeats but in Turkish.]
    Caption Lukas Duwenhögger, Restive Childhood, 2016, Archival inkjet with silkscreen on 320 gsm Hahnemühle Photorag Pearl paper, 20 ¾ x 15 ¾ inches (52,7 x 40 cm), Edition of 10 + 3 AP, Signed & Numbered.
    Image description A framed image with black text, white background, and a black & white photo in the center hangs on a wall. The photo depicts a cop on the left who reaches towards a man holding a gun and a young child on the right. Above the photo it says, "Out of the blue: / Children march on capital / demanding homo-adoption / innumerable casualties / heart-wrenching scenes." Beneath the photo, the text repeats but in Turkish.
    Year 2016
    Related pages Editions
  • A portfolio box with a flowered pattern on the lid is shown on a white ground with the lid slightly askew.
    A portfolio box with a flowered pattern on the lid is shown on a white ground with the lid slightly askew.
    Susan Cianciolo, Flowers, 2018, 25 x 21 x 1 1/2 inches, Silkscreen on book cloth on bespoke archival box, Signed edition of 100, 5APs Courtesy of the artist [A portfolio box with a flowered pattern on the lid is shown on a white ground with the lid slightly askew.]
    Caption Susan Cianciolo, Flowers, 2018, 25 x 21 x 1 1/2 inches, Silkscreen on book cloth on bespoke archival box, Signed edition of 100, 5APs Courtesy of the artist
    Image description A portfolio box with a flowered pattern on the lid is shown on a white ground with the lid slightly askew.
    Year 2018
    Related pages Artists Space Annual Edition Portfolio 2018
  • A black and white image of a building. A black flag hangs that reads,
    A black and white image of a building. A black flag hangs that reads,
    Artists Space, 38 Greene Street, 1993 – 2016. [A black and white image of a building. A black flag hangs that reads, "ARTISTS SPACE."]
    Caption Artists Space, 38 Greene Street, 1993 – 2016.
    Image description A black and white image of a building. A black flag hangs that reads, "ARTISTS SPACE."
    Year 2016
    Related pages Social Surfaces
  • Photo: Philippe Mangeot
    Photo: Philippe Mangeot
    Renee Gladman is a writer and artist preoccupied with crossings, thresholds, and geographies as they play out at the intersections of poetry, prose, drawing and architecture. Gladman’s first solo exhibition Narratives of Magnitude was held at Artists Space from January 13th to March 18th, 2023. She is the author of fourteen published works. Recent essays and visual work have appeared in POETRY Magazine, The Paris Review, Harper's, BOMB magazine and n+1. She has been awarded fellowships, artist grants, and residencies from the Radcliffe Institute for Advanced Study at Harvard, Foundation for Contemporary Arts, the Lannan Foundation, and KW Institute for Contemporary Art (Berlin), and is a 2021 Windham-Campbell Prize winner in fiction. She makes her home in New England with poet-ceremonialist Danielle Vogel. [Photo: Philippe Mangeot]
    Caption Renee Gladman is a writer and artist preoccupied with crossings, thresholds, and geographies as they play out at the intersections of poetry, prose, drawing and architecture. Gladman’s first solo exhibition Narratives of Magnitude was held at Artists Space from January 13th to March 18th, 2023. She is the author of fourteen published works. Recent essays and visual work have appeared in POETRY Magazine, The Paris Review, Harper's, BOMB magazine and n+1. She has been awarded fellowships, artist grants, and residencies from the Radcliffe Institute for Advanced Study at Harvard, Foundation for Contemporary Arts, the Lannan Foundation, and KW Institute for Contemporary Art (Berlin), and is a 2021 Windham-Campbell Prize winner in fiction. She makes her home in New England with poet-ceremonialist Danielle Vogel.
    Image description Photo: Philippe Mangeot
    Year
    Related pages Friends of Artists Space Dinner
  • A cloth image is emerging from the darkness.
    A cloth image is emerging from the darkness.
    We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [A cloth image is emerging from the darkness.]
    Caption We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987.
    Image description A cloth image is emerging from the darkness.
    Year
    Related pages We the People
  • Portraits of two figures are arranged side-by-side. On the left, a figure wearing a white shirt sits at a table with different objects spread out on its surface, speaking into a microphone. On the right, a black and white photo of a figures bust sits inside a larger black square.
    Portraits of two figures are arranged side-by-side. On the left, a figure wearing a white shirt sits at a table with different objects spread out on its surface, speaking into a microphone. On the right, a black and white photo of a figures bust sits inside a larger black square.
    Portraits of Peter Osborne and Brendan Harvey. [Portraits of two figures are arranged side-by-side. On the left, a figure wearing a white shirt sits at a table with different objects spread out on its surface, speaking into a microphone. On the right, a black and white photo of a figures bust sits inside a larger black square.]
    Caption Portraits of Peter Osborne and Brendan Harvey.
    Image description Portraits of two figures are arranged side-by-side. On the left, a figure wearing a white shirt sits at a table with different objects spread out on its surface, speaking into a microphone. On the right, a black and white photo of a figures bust sits inside a larger black square.
    Year 2021
    Related pages Artists Space Dialogues: Ciarán Finlayson and Peter Osborne (with Brendan Harvey)
  • Bold, black text of varying sizes arranged in a rectangular block on a white background reads,
    Bold, black text of varying sizes arranged in a rectangular block on a white background reads,
    [Bold, black text of varying sizes arranged in a rectangular block on a white background reads, "TREAT A COMPLETE STRANGER / AS A LOVER, HUG THEM / AS GOOD FRIENDS, AS THEY ARE / OR AS 10 YEARS AGO YOU MIGHT HAVE HAD / FABULOUS SEX / WITH ABSOLUTE ABANDON / WITH THE SAME STRANGER. / NOW LIFE IS RAVAGED / AND WE OFFER LOVE FROM THE SAME ROOT OF BOUNDLESS / COMPASSION."]
    Caption
    Image description Bold, black text of varying sizes arranged in a rectangular block on a white background reads, "TREAT A COMPLETE STRANGER / AS A LOVER, HUG THEM / AS GOOD FRIENDS, AS THEY ARE / OR AS 10 YEARS AGO YOU MIGHT HAVE HAD / FABULOUS SEX / WITH ABSOLUTE ABANDON / WITH THE SAME STRANGER. / NOW LIFE IS RAVAGED / AND WE OFFER LOVE FROM THE SAME ROOT OF BOUNDLESS / COMPASSION."
    Year 1993
    Related pages AIDS FORUM: John Giorno
  • A brown paper bag, placed on a shelf at an angle, an illustration, in colored pencil, of a man wearing a ten-gallon hat, in which his strands of black hair stick out from the bottom. A graphic that reads,
    A brown paper bag, placed on a shelf at an angle, an illustration, in colored pencil, of a man wearing a ten-gallon hat, in which his strands of black hair stick out from the bottom. A graphic that reads,
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A brown paper bag, placed on a shelf at an angle, an illustration, in colored pencil, of a man wearing a ten-gallon hat, in which his strands of black hair stick out from the bottom. A graphic that reads, "Pioneer," across his hat. In the background and the side of the bag are small detailed multicolored line patterns. A single cannabis leaf, facing sideways amongst the line pattern.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description A brown paper bag, placed on a shelf at an angle, an illustration, in colored pencil, of a man wearing a ten-gallon hat, in which his strands of black hair stick out from the bottom. A graphic that reads, "Pioneer," across his hat. In the background and the side of the bag are small detailed multicolored line patterns. A single cannabis leaf, facing sideways amongst the line pattern.
    Year 2017
    Related pages Unholding
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    Related pages Dream Lines: Drawings by Marian Zazeela
  • A person in white pants and a blue shirt with the sleeves rolled up to the elbows is walking through a jungle. Their face is obscured by leaves.
    A person in white pants and a blue shirt with the sleeves rolled up to the elbows is walking through a jungle. Their face is obscured by leaves.
    Still from Spectres. Dir. Sven Augustijnen (2011). [A person in white pants and a blue shirt with the sleeves rolled up to the elbows is walking through a jungle. Their face is obscured by leaves.]
    Caption Still from Spectres. Dir. Sven Augustijnen (2011).
    Image description A person in white pants and a blue shirt with the sleeves rolled up to the elbows is walking through a jungle. Their face is obscured by leaves.
    Year 2011
    Related pages Spectres
  • Contact sheet of installation images taken during exhibition opening.
    Contact sheet of installation images taken during exhibition opening.
    Gary Burnley, Martin Cohen, Candace Hill-Montgomery, Louis Stein, and Haim Steinbach. Contact sheet of photos from exhibition opening, Artists Space, 1979. Photos by Gary Burnley. [Contact sheet of installation images taken during exhibition opening.]
    Caption Gary Burnley, Martin Cohen, Candace Hill-Montgomery, Louis Stein, and Haim Steinbach. Contact sheet of photos from exhibition opening, Artists Space, 1979. Photos by Gary Burnley.
    Image description Contact sheet of installation images taken during exhibition opening.
    Year 1979
    Related pages Display #7, Haim Steinbach
  • Color image of a gallery space with large panels of adobe with paintings of various figures on them. Adobe bricks are laid out on the floor to create a small walkway.
    Color image of a gallery space with large panels of adobe with paintings of various figures on them. Adobe bricks are laid out on the floor to create a small walkway.
    rafa esparza: Camino. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color image of a gallery space with large panels of adobe with paintings of various figures on them. Adobe bricks are laid out on the floor to create a small walkway.]
    Caption rafa esparza: Camino. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color image of a gallery space with large panels of adobe with paintings of various figures on them. Adobe bricks are laid out on the floor to create a small walkway.
    Year
    Related pages rafa esparza: Camino
  • Color image of three individuals captured as they engage with other guests at their table. A dimly lit and elegant dinner venue can be seen in the background.
    Color image of three individuals captured as they engage with other guests at their table. A dimly lit and elegant dinner venue can be seen in the background.
    Friends of Artists Space Dinner, 2023. Photo: Joshua Wildman. [Color image of three individuals captured as they engage with other guests at their table. A dimly lit and elegant dinner venue can be seen in the background.]
    Caption Friends of Artists Space Dinner, 2023. Photo: Joshua Wildman.
    Image description Color image of three individuals captured as they engage with other guests at their table. A dimly lit and elegant dinner venue can be seen in the background.
    Year
    Related pages Support
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