A fully furnished miniature living room containing a couch, midcentury television set, antique radio, rug, and paintings hung on the walls. A doll made to look like a woman sits on the couch.
Andy Robert, The Terrain, 2021. Photo: Filip Wolak.
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Color image of a framed piece of notebook graph paper, with a pen and ink drawing of a rectangle with various lines and dots. In the bottom-center of the paper is the word "TERRAIN."
A black and white scan of an invoice from Corcraft Products issued to Artists Space at 38 Greene Street. The customer number reads "9102000". The invoice details a net purchase of $1470.00
The Mind/Body Problem. Installation view, Artists Space, 2006. Photo: Alan Wiener.
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Six watercolor paintings affixed to a white wall with pins. The paintings are various sizes, five depicting the sky and landscapes at various times of day. In the center, a man is depicted facing backwards, pulling down his pants to expose a tattoo of a triangle.
Guyton\Walker, Fruit Stickers for Artists Space, 2010, Set of 15 Inkset printed stickers, 6 in / 15,2 cm each, Signed and numbered certificate.
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A 3x5 grid of false-color stickers. The top four rows depict fruits cut in half resembling a grapefruit or orange. The last row depicts a coconut cut in half. A handful of stickers have a think line of black and white checkerboard pattern added to the perimeter of the fruit.
Black text overlays a color-scheme grid background. The text reads: “Dec 16 / Laura Henriksen / Celina Su." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
Two white walls meeting in a corner. The wall on the right has three large black and white photographs of people on winter streets with their small dogs. The wall on the left features a canvas covered in a red, green, and peach colored plaid pattern.
A tile wall with a grid of assorted photographs against a white background. A title to the left of the grid states "Artists Space P.S. 140 Photography Club"
Milford Graves: Fundamental Frequency. Installation view (ephemera from FESTAC, c. 1977), Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak.
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A color photograph of a white framed vitrine containing ephemera such as newsprint and several photographs.
Visit to Nathaniel Mary Quinn exhibition at Studio 94
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Two people hold up reproductions of a painting below the original that hangs on the wall. The painting depicts a collaged face obscured in parts by red, blue, and brown geometric shapes.
New Red Order Beginning of the End of the Trail, detail, 2021 Wet-plate collodion glass negatives with LED lightboxes, pipes, and extension cords. Image courtesy Artists Space, New York Photo: Filip Wolak
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An image of a dark room with multiple videos playing in the background and photograph negatives hang off the wall.
Las Nietas de Nonó, The page you are looking for is not found, 2022, coconut fiber, copper wire, desks, chairs, security monitors, videos, zinc sheets, clay rocks; Dimensions variable. Photo: Filip Wolak
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Image of two desks, each with a chair, TV monitor playing a video, and clay rocks placed on top.
Allan Berliner, still from Intimate Stranger, 1991.
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Black and white image of four men resting near a large, rigged tarp providing shade on a beach. Three of the men sit and recline on the sand, wearing white button-down shirts and trousers. The fourth man wears a hat and stands behind the men.
Yasunao Tone performing Paramedia, Experimental Intermedia Foundation, 1990
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Black-and-white photograph of two figures sitting behind tables filled with audio equipment. They are focused on manipulating the audio machines in front of them.
Flyer for Segue Reading Series featuring Hannah Black and Tongo Eisen-Martin.
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Bright mint green colored background with black text in the top half of the image that reads, "Segue Reading Series / Hannah Black & Tongo Eisen-Martin / February 6 / 5-6:30pm on Zoom / Suggested donation: Five dollars / Zoom ID: 830 2698 4031." Black text in the bottom right corner reads, "Artists Space."
Four drawings are hung in a row on a white wall. The leftmost drawing shows two women sitting in a living room. The next shows a figure holding their head in their hands. The next depicts two men sitting at a table. The drawing on the far right depicts a man and a woman looking out a window through window blinds.
New Red Order with Emmett de Muzio Hello, World!, detail, 2021 Wood with silicone, iPads, red feather, and polyester knit fabric step-and-repeat. Photo: Filip Wolak
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An image of an exhibition space with a sculpted, larger than life head that hangs in the mezzanine.
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
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Image of a dimly lit basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
Yasunao Tone performing Genealogy and Music, Event 201, Merce Cunningham Studio, New York, 1978
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Black-and-white photograph of a reed organ covered in plastic with an ice cube placed on top of the keyboard, a microphone stand, and a music stand with a clock resting on it. In the background is a stage with chairs set up.
A large exhibition space with light wood flooring, wide windows, and white columns fills with gentle daylight. The far windows and walls the space are covered in white, semi-translucent curtains, which gently glow.
Color image of a gallery space with large panels of adobe with paintings of various figures on them. Adobe bricks are laid out on the floor to create a small walkway.
Milford Graves: Fundamental Frequency. Installation view, Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak.
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A color installation photograph of a gallery space. A collage hangs from the wall on the right, and two mixed-media sculptures are visible in the background along with a wall hanging.
Chadwick Rantanen, Untitled, 2007. Video animation. Courtesy the artist. Photo: Bill Orcutt.
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A rectangular television sits on the wooden floor near the wall. The high-contrast image on the TV shows another room with a long table upon which are computers, phones, and other office equipment. There are chairs at the desk and images hung on the wall.
Catalina Parra, FOSA, 2001. Installation at Mercosul Biennial, Porto Alegre, Brazil. Courtesy Archive, Catalina Parra, New York.
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A rectangular pit resembling a mass grave is shown lined with bags of excavated sand. Barbed wire stretches across the pit and a shovel lays to one side. The site of the pit appears to be recreational, with a lake and picnic benches visible in the background.
Richard Hollis. Installation view, Artists Space, 2013.
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In the foreground, one side of a book stand displaying various posters and documents. Two more in the background include more items. Two people congregate in a coversation around a bookstand in the background.
The Low Riders: Meridel Rubenstein. Postcard, Artists Space, 1981.
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A black and white image of three individuals, one sitting inside a car and the others standing against it.
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1981
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Dies alles Herzchen wird einmal dir gehören (All This Darling Will Once Belong To You). Performance organized by Paul Maenz and Peter Roehr, Galerie Dorothea Loehr, September 9, 1967. DVD transfer, 6 mins, 55 secs.
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Black and white image of a crowd of people gathered in a large open space. Several hollow, metal sculptures composed of geometric components are installed in the space. Some performers interact with the sculptures—one figure walks across one of the metal forms that lays on the ground.
Nicole-Antonia Spagnola, Untitled, 2022. Raw Power, Raw Power; Kollettivo, Lotta per il potere; Antigenesi, Una donna non e’ merda; Negazione, Tutti Pazzi; RAF Punk, Contro la pace Contro la guerra; Peggio Punx, Scemo. 8mm to MP4 transfer (color, sound), monitors, chairs. Installation view, Artists Space, 2022. Photo: Filip Wolak.
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A color photograph of three wooden cafe chairs with green cushions. One chair is stacked upside down on another on the left, and two pillows with black backs and sequined gold-silver fronts are placed between the chair's upturned legs. Another pillow rests on the cushion of the chair on the right.
Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez
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In the left foreground of the image is a painting of a shark standing upright in water and in the right background of the image is a large, orange stuffed slug sculpture strapped to a cast-iron column in a white gallery space.
Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
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A poster showing a silver car driving through a selection of press clippings from newspapers on a blue background. At the top of the image, there is white text that reads, "PRESENTING AMERICA'S MOST TALKED ABOUT CAR!" At the bottom, white text reads, "DELOREAN."
Louise Lawler, Egg and Gun (distorted for the times, dire), 2008/2017.
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A composited image of a gallery scene, building from a street view, hand gun, and a blue rose against a yellow back ground, distorted through buldges and pulls.
Flyer for Segue Reading Series featuring Andrea Abi-Karam, Eduardo Kac and Montana Ray. October 15, 2022, Artists Space.
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Light blue text overlays a dark blue background. The top left corner reads: "Andrea Abi-Karam / Eduardo Kac & Montana Ray / October 15, 5pm." The middle reads: "Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519."
A color photo of three individuals standing together and posing for the camera before them. The background depicts other people engaging in festivities within a dimly lit space.
Black-and-white image of a group of figures in suits and white shirts surrounding a large military tank, they are grabbing the sides and trying to control the vehicle.
slow and soft and righteous, improvising at the end of the world (and how we make a new one) / By Sonia Louise Davis" is written in black text over a black and white photograph of a figure leaning against a wall.."
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Image of slow and soft and righteous, improvising at the end of the world (and how we make a new one) by Sonia Louise Davis, 2022.
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A color photograph of a human hand holding a blue booklet in front of a background of green leaves as well as red and purple flowers. On the booklet "slow and soft and righteous, improvising at the end of the world (and how we make a new one) / By Sonia Louise Davis" is written in black text over a black and white photograph of a figure leaning against a wall..
A figure in a black hoodie and an LED light stapped on their chest performs on a stage, behind a table full of audio equipment. A green light projection is cast onto the stage.
The Queen's Rules Suspended and Brachiating Installations. Postcard, Artists Space, 1978.
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Two figures are in silhouette on a white background, separated by a black diagonal line. The figure on the left appears to be crouching, while the figure on the right is standing with one leg raised.
Andy Robert, koulèv, 2023. Cast iron radiator, snakeskin. Image courtesy Artists Space, New York. Photo: Carter Seddon.
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A color image of a dark green radiator placed on the floor. Parts of the radiator are covered in snake skin, while other sections feature chipping, hunter green paint and large patches of rust.
The AIDS Crisis Is Not Over. Installation view, Artists Space, 1988.
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An exhibition wall with multiple posters hanging in between two large speakers and a tv on a pedestal in the center.
Year
1988
Related pages
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Amelia Bande. Stills from El estallido / The Outbreak, 2020. Recording of a live performance held over Zoom on August 7, 2020. Stage design and camera collaboration with Rachel Higgins. Courtesy the artist.
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[Amelia Bande sits on the floor next to a pile of stones and leans on a cement block while holding a white rock in her hand. She sings, “it brings landscapes where I am not.”]
The columns held us up. Installation view, Artists Space, 2009. Photo: Adam Reich.
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An archway made of cardboard boxes connected to a bookcase and curved desk, also made of cardboard. A white lucky waving cat is placed at the bottom left side of the desk. The desk and bookcase are supported by a platform, underneath of which a pair of slippers are visible.
_____, Louise Lawler, Adrian Piper & Cindy Sherman Have Agreed to Participate in an Exhibition Organized by Janelle Reiring at Artists Space, September 23 through October 28, 1978, Artists Space, 1978. Installation view, Artists Space, 1978.
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Black text affixed to a white wall reads: "Christopher D'Arcangelo / Louise Lawler / Adrian Piper / Cindy Sherman."
A person dressed in all pink extends a heart-shaped canvas in front of her, while her eyes look away. She is surrounded by rapt audience members arranged in a semi-circle around her. There are light spots reflected at even intervals patterning the room.
Andy Robert: PAPALOKO. Installation view, Artists Space, 2024. Photo: Carter Seddon.
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A color image of a gallery space features two shovels, standing upright on pedestals, a radiator sitting on its side; In the forground, a divining rod attached to a pedestal is placed on the floor.
A rectangular, 3x5 grid hung on a white wall, comprised of close-up photographs of the inside of people's mouths. Just in front of the wall to the left of the photographs, there is a white plinth with a black Converse shoe, a false shin extending out of it, with a metal bone coming out of the top.
A table covered with a red tablecloth. The tablecloth is decorated with two white images: a person riding a horse and stylized text reading "THE URGE TO MERGE." Lying on the table, there is a magazine with a green cover with a figure holding an axe. The cover text reads, "NEVER SETTLE" and "SPECIAL Future Recruits Issue".
Salad Days 3. Installation view, Artists Space, 2008. Photo: Jeremy Ross.
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A large structure resembling a well is displayed in a gallery space with wooden floors. The sides of the well are constructed from spray-painted cinder blocks. Supported above the well's opening and a hanging, red bucket is a structure resembling the top portion of a house roof. Behind the well, three large paintings composed of colorful, gestural marks are installed on the gallery wall.
virgil b/g taylor, cover of Fag Tips for Artists Space, 2022
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Over a white background yellow and black dotted lines appear in a swooping fashion. Several curved yellow lines with arrows on either end are also visible. The words "We, you?" and "Or, you, here" are printed in black text in the top and bottom thirds of the image. The words "activity," "condition," and "object" are printed in yellow text inside of ovals made of yellow dashes.
Ei Arakawa, Mega Please Draw Freely, 2021 (The artist wears Uniqlo Roger Federer)
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A person in a red shirt, white cap, and multicolored pants smiles and poses with a tennis racquet, standing atop a large piece of paper with colorful drawings on it. In the background are people sitting on the ground and printed images of trees.
Marina Grzinic and Aina Smid, still from Axis of Life, 1987. 6 minutes.
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Two people are seen from below, standing and facing one another in a shadowy window. Below them, the subtitle text reads, "although it was a case of murder. I remember the report."e
Two figures in dark clothing stand before two music stands in front of a seated audience. The figure on the right appears to read from a text propped on the stand, while the figure on the left looks towards the audience, speaking and gesturing towards them with one hand.
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
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Three figures perform in front of an audience. Two figures in blue morph suits face off with a wooden table between them, while a third figure takes video footage of the scene.
A woman is seated wearing a long, yellow dress with a full skirt that has extra fabric at the bottom. She is washing the front of her dress with soap suds, some of which are dripping down the front of the skirt.
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
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Three figures perform in a basement. Two figures in blue morph suits act out a scene together. The figure on the right scratches a fresnel lens attached to a wooden rolling table while the left figure walks toward the table. A third figure takes video footage of the scene.
virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak.
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A color photograph of a gallery space featuring two large windows on the left and a row of dark metal columns in the center. A pile of grey posters, a table with red chairs, hanging framed images, and blue posters are visible in the space. A large grey and yellow vinyl partially hangs from the wall on the right, cascading down to the ground in the far right corner.
Flyer for Segue Reading Series featuring Trisha Low and Alisha Mascarenhas. Saturday, November 14, 2020, Artists Space. Artist: Keith Higginbotham
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Cropped cutout photographs of a face are collaged together, forming an irregular shape. Purple text over the image reads "Trisha Low / Alisha Mascarenhas / Segue."
New Economy. Installation view, Artists Space, 2007.
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An installation view of two rows of photographic portraits tacked to the walls. In the background is a red, white and black print that says "Imagine that capitalist revelations are overcome by local economic federations of grassroots groups that produce according to regional demand."
ART CLUB2000Untitled (Punishing Enforcers of an Oppressive Regime), detail, 1998 Eight printed cardboard standees, satin sashes, and LED lights Image courtesy Artists Space, New York Photo: Filip Wolak
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A view of four red-eyed police officer cardboard cutouts with sashes that read "Punishing Enforcers of an Oppressive Regime." A blue police light sits in the corner of the red lit room.
A teenage girl holds a film camera obscuring her face, and takes a photo of her reflection in a small, round mirror. The background is blurred but suggests a retail environment.
Jack Smith Untitled (Plaster Foundation of Atlantis), 35mm slide, c. 1970. Copyright Jack Smith Archive. Courtesy Gladstone Gallery, New York and Brussels.
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Remnants of discarded objects fill the frame. A flattened rubber chicken sits in the middle next to various bottles and boxes. On the right reads a white square in black and red font, "Exotic, Tropical Fruit."
U.S. Projects: Howard Fried. Installation view, Artists Space, 1983.
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A sink structure on wheels sits atop a tilted wooden table top with legs of varying sizes. Light from the ceiling is seen emanating onto the structure in the white-walled gallery space.
Isa Suero, from Help, 2020, portfolio, digital photograph
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A figure wearing a red hoodie pours oil into a cooking pan on a stove while a figure wearing a T-shirt and jeans in the background chops a produce item. Another pot is visible on the stove along and a cabinet and light appear above the stove.
Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak.
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Black and white drawing of two cows. A tv sits on the floor between them, and a smoke column is seen in the background. A blue piece of tape with the words Moooo hurting is taped on top of the smoke column. A wooden structure, an electronic device, and a small canvas painted in blue with the word River written across it, cover part of the cow drawing on the left.
Perspective: The State of Existing in Space Before the Eye. Leaftlet cover, Artists Space, 1989.
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At the center of a page there is an image of a charcoal drawing of a foot overlapping a scrap of an architectural diagram on a black background. Above this image, text reads, "Don Stinson, Perspective: The State of Existing in Space Before the Eye." Below the image, text reads, "September 28-November 4, Artists Space."
A person dressed in all pink reads from a sheet of paper into a microphone. She holds a small disco ball in her arm. She is surrounded by rapt audience members arranged in a semi-circle around her.
Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata
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Color photograph of two figures performing in a dark gallery space, lit only by an installation of LED lights covered in dried SCOBY material. One figure wearing black leans down in front of one of the LED lights. Partly hidden behind a column, another figure stands wearing a red suit.
Young Fluxus. Installation view, Artists Space, 1982.
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View through a doorway with photographs and a black text on a poster on the foreground wall and a clock along with a propeller of fan upholstered to the wall on the back wall through the doorway.
Black text overlays a color-scheme grid background. The text reads: “Jan 20 / Bahaar Ahsan / Uche Nduka." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
Yasunao Tone Concert #3. Performance documentation, March 16, 2023, Artists Space. Photo: Destiny Mata
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Color image of a figure on a black stage, seated behind a white desk. They are looking attentively at a laptop screen in front of them which is open to a computer program.
Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt.
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An installation consisting of a series of readymade objects displayed on a wooden gallery floor. To the right, an open book rests on a wooden folding chair. One metal clamp light is attached to the chair, while a second light is attached to a reclining, green lounge chair on the left of the gallery space. Two additional clamp lights rest on the floor between the chairs. An ashy material is scattered on the ground between the chairs.
A New World Order III: The Curio Shop. Installation view, Artists Space, 1993.
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A black and white photograph of two shelves, each with several Quaker Oats canisters and vases of assorted shapes. Beyond the shelves are several plinths housing objects, and a metal rack with dozens of glass jars.
Renee Gladman: Narratives of Magnitude. Installation view, Artists Space, 2023. Photo: Filip Wolak.
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A color image of a gallery space with two columns in the middle. Framed drawings depicting colorful abstract compositions hang on the white walls. Five of the drawings are made on black paper, and two on white paper.
Still from In It Together, Amelia Bande and Rachel Higgins, 2020
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In front of a pixelated red background, a yellow caption appears on top of a black bar that reads: “But whatever debt we’re in, whatever risks, we’re in together."
A photograph with a striped blue and white blurry background. In the center of the image, outlined in a blurry orange circle, is a clear image of a rope tied into a knot, holding a white object
Video still of a figure laying on their back on top of an overturned, white table on a small stage area. They stretch their legs straight up above themselves. They wear a pink dress with black tulle fabric and brown boots. Scattered papers are strewn around them onstage.
Flyer for Segue Reading Series featuring Kyle Dacuyan and Judith Goldman. January 7, 2023, Artists Space.
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Red and blue text overlay a yellow background with abstract lines and a drawing of a male face in side profile. The text in the middle reads "Kyle Dacuyan / Segue Reading Series / Judith Goldman."
Marz Saffore speaking at “Palestine, BLM & Boycott in the Arts.” Artists Space Books & Talks, Friday, November 4, 2016. Courtesy Decolonize This Place and Artists Space, New York. Photo: Andrés Rodriguez
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Marz Saffore, dressed in a beige argyle swearer, a polka dot button up, jeans, and a green cap, sits and speaks into a microphone.
Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez.
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An individual TV monitor with three wooden chairs placed in front of it, each holding headphones. Edward Snowden appears speaking to the camera onscreen.
Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez.
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A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of a man holding up the Iraqi flag.
Wolfgang Tillmans,still life (Bühnenbild), 2020, 23.5 x 16.5 inches
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Photograph of a series of objects clustered on a dusty shelf, illuminated by soft daylight. Two identical green vases and two clear cups sit on the right side of the shelf. A photograph of several tomato plant stalks and other flowers is causally propped behind the leftmost vase. Stacks of paper, a plastic bag, and used candles are scattered behind these objects. Small text at the lower left and right corners of the image reads, "2020Solidarity - Wolfgang Tillmans / A project by Between Bridges."
A black and white photograph of a number of unmounted 35mm slides on a lightbox is visible in the foreground with a computer and printer visible in the background in an office setting.
Three figures standing by a set of music stands in front of a seated audience. The center figure faces the audience, her arms stretched wide. The figures on either side of her appear to mime grasping something above themselves—such as a bar or handle—with one hand. One's expression is solemn, the other's incredulous.
New Red Order Cover the Earth, 2021 Painted mural with cut vinyl, dibond prints, kiddie pool, sod, inflatable alligator, turtle sandbox, beach towels, towel racks, beach balls, beach chairs, beach umbrella, real estate lawn sign, cooler, and pool noodles. Image courtesy Artists Space, New York Photo: Filip Wolak
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A wide angle image of a multicolored exhibition space consisting of beach paraphernalia.
Leigh Ledare, Double Bind (Diptych #6/25), 2010. Courtesy the artist and Mitchell-Innes & Nash, New York.
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Two framed artworks side-by-side. One has a white background and features a collage of photographs, showing two people with their faces obscured by other images of nature and currency. The other artwork features a black background and two smaller photos arranged one on top of the other. The top image depicts a woman looking back at the camera, and the lower image depicts a forest.
A large room with numerous people seated at long, rectangular tables. Many are eating, talking, and drinking wine. Several waiters walk between the tables.
Shala Miller performs Genesis: Medley at Artists Space, co-presented with Frieze New York 2023. Performance documentation, May 19th. Photo by Vanessa Diaz/CKA. Courtesy of Frieze.
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Color photograph of a group of performers, seated in a circle around a gallery room. The performers include a choruse of singers, a pianist, and a harpist with their instruments. They sit underneath three hanging screens that surround the center of the room. The screens depict a video still of a figure's face, obscured by a bright light in one corner.
Tiffany Sia: Slippery When Wet. Installation view, Artists Space, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
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A photograph of a gallery space with a long rectangular table and chair in the background. In the foreground is a bookshelf with a row of books with silver covers.
Color image of a small pinhole projector, sitting on a pedestal and facing a wall to the left of the image. On the wall, an image of a red pearlescent ball, with a small white pearlescant ball attached on top, is projected.
Sandinista Sistema de Television. Still from Aqui En Esta Esquina (Here On This Corner), 1983. Video (sound, black and white). Spanish with English subtitles.
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A figure standing central in the image with a microphone and two slightly upholstered chairs behind him. The logo "CDF" can be seen written on the wall next to another word of partial view. Video scan lines and black edges of CRT monitor are visible.
A black and white installation photograph of a sculpture. The piece features various triangular ramps, wooden square blocks, and curved wooden pieces with wheels, all placed on a wooden floor.
Several people hold a makeshift metal structure upright, fastening additional metal poles onto the structure. A small crowd stands behind them watching.
Untitled (Performance at Galleria L'Attico), 1974 35mm slide, Copyright Jack Smith Archive, Courtesy Gladstone Gallery, New York and Brussels
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A person, clad in a white jumpsuit and blue eye makeup, lies horizontally on the ground. Their top half body is visible in the bottom left corner. Next to them floats a handwritten thought bubble, which reads, "How can a queer escape the mocking laughter of wealthy normals if they visit his very rejection-sewer home to get art."
A hand reaches toward the black-gloved hand of a person dressed in a black mask and jester-style costume, complete with a black and white pattern and a ruff around the neck.
Lise Soskolne. Installation view, Artists Space, 1999.
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Three large, monotone paintings, each hung on its own white wall. A protruding white wall with a blue canvas and white text in French partially obscures a black canvas with white text. Perpendicular to that is a red canvas.
Adrian Piper, It's Just Art, Artists Space, April 29, 1981.
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A black-and-white image of a woman, wearing all black clothing and sunglasses, standing with her arms raised. An image is projected on the wall behind her, with a description reading "A Cambodian boy stands near the side of a road in Ban Laem, Thailand . . . and Cambodian civilians are turned back yesterday near Thailand . . .". Above her head, there is a cartoon thought bubble, with the text "14. We defend each other / (you certainly didn't come to an art performance to hear a lecture on current events)".
Electronic Disturbance Theater 2.0/b.a.n.g. lab. The Transborder Immigrant Tool, 2007–ongoing. Pages excerpted from The Transborder Immigrant Tool publication. Courtesy the artist, University of Michigan Ann Arbor, and University of California, San Diego.
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The Spanish translation of the poem “La cholla, o cactus saltador, se agarra.../Cholla, or jumping cactus, attaches...” is shown above a thin grey horizontal line, below which appears the English translation of the same poem.
Attention Line. Installation view (James as Jimmy, 2001, Guitar from the exhibit All Indian All the Time, 2005), Artists Space, June 11, 2022 - August 20, 2022. Photo: Filip Wolak
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On the left, a framed photograph hangs on the wall. In the center, a sculpture built around a red electric guitar hangs from the wall. In the distance on the right, various posters and ephemera adorn the wall.
Lyndon Barrois Jr., Diverses Expériences par la Baguette, 2022. Plastic, copper, brass, divination wand, drawer, ceramic jug, solvent transfers, plywood, brass. 35 x 26.5 x 19.5 inches. Photo: Filip Wolak.
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A color photograph of a drawer positioned vertically on plywood in the corner of a gallery space. In front of the drawer is a ceramic jug and several other obkects including a wand.
Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman
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A figure to the left plays the saxophone while another figure sitting in the middle of the frame watches with a guitar in his lap, another figure in the back right plays the bass.
Drake Carr: Housecalls. Performance documentation, September 8, 2023, Artists Space at the Armory Show. Photo: Joshua Wildman.
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A color image of a white wall with windows and black and white curtains with pink flowers. Through the windows, a figure is seen sitting cross-legged on a chair. They are wearing a yellow dress.
Group Material: Primer (for Raymond Williams). Artists Space, 1982.
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A brick on the bround with black text on it that reads, "No heat." Above this brick in black lettering on the wall is text that reads from left to right, "born brick burn."
Flyer for Segue Reading Series featuring S*an D. Henry-Smith and Joey Yearous-Algozin. March 26, 2022, Artists Space.
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Black text overlays a white background. The top left corner reads: S*an D. Henry-Smith / Joey Yearous-Algozin. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, March 26, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5."
Flyer for Segue Reading Series featuring Lauren Russell & Teri Cross Davis. May 14, 2022, Artists Space.
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Black text overlays a white background with purple bunches of flowers in the upper left and bottom right corners. The top left corner reads: “Lauren Russell / & Teri Cross Davis / May 14, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”
Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata
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Color photograph of a gallery space with an installation consisting of a large mirrored pond, made from a wooden base with a reflective lining on top, that is surrounded by tree trunks, plants, fish tanks, and a phone booth. A large lamp hangs from the ceiling, and an orange construction net is placed over the pond.
Yuki Kimura, Wardrobe Extensions Version 4, Oracle, Berlin, 2018.
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A two-toned wardrobe constructed from wood stands between two framed mirrors mounted on a yellow-orange wall above marble tiling. The reflection between the two mirrors causes the wardrobe's image to be repeated infinitely.
Pictures. Installation view, Artists Space, 1977. Photo: D. James Dee.
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Black and white installation photograph of a gallery corner. On the floor, a crescent shaped object rests on a pedastal. Above, several black panels are attached to the wall.
Rhinestone Sharecropping. Berkeley: I. Reed Books, 1981.
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A book cover with text reading: "RHINE / STONE / SHARE / CROPPING / a novel / by BILL GUNN author of / Black Picture Show." Below the text is an image of multiple filmstrips arranged to form a grid.