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  • A colorful drawing depicts an image with blue and yellow background, and two elegant figures sitting on a red couch. They are both looking towards the viewer. On the right, a female-presenting figure wearing a pink suit has her legs up on the couch. The male-presenting figure is on the left. He is cross-legged and wearing a black suit. At their feet, a cat stretches.
    A colorful drawing depicts an image with blue and yellow background, and two elegant figures sitting on a red couch. They are both looking towards the viewer. On the right, a female-presenting figure wearing a pink suit has her legs up on the couch. The male-presenting figure is on the left. He is cross-legged and wearing a black suit. At their feet, a cat stretches.
    Drake Carr, Colin and Brandi at Home, 2023. Colored pencil, ink, acrylic on paper. 48 x 60 inches. Image courtesy Artists Space, New York. Photo: Filip Wolak. [A colorful drawing depicts an image with blue and yellow background, and two elegant figures sitting on a red couch. They are both looking towards the viewer. On the right, a female-presenting figure wearing a pink suit has her legs up on the couch. The male-presenting figure is on the left. He is cross-legged and wearing a black suit. At their feet, a cat stretches.]
    Caption Drake Carr, Colin and Brandi at Home, 2023. Colored pencil, ink, acrylic on paper. 48 x 60 inches. Image courtesy Artists Space, New York. Photo: Filip Wolak.
    Image description A colorful drawing depicts an image with blue and yellow background, and two elegant figures sitting on a red couch. They are both looking towards the viewer. On the right, a female-presenting figure wearing a pink suit has her legs up on the couch. The male-presenting figure is on the left. He is cross-legged and wearing a black suit. At their feet, a cat stretches.
    Year
    Related pages Drake Carr: Housecalls
  • YAP (Young Artist Perform), P.S. 140, May 11, 2022
    Caption YAP (Young Artist Perform), P.S. 140, May 11, 2022
    Image description
    Year 2022
    Related pages Exhibitions and Events
  • A man in a sleeveless Metallica shirt stands in front of a makeshift music studio, looking at the camera.
    A man in a sleeveless Metallica shirt stands in front of a makeshift music studio, looking at the camera.
    [A man in a sleeveless Metallica shirt stands in front of a makeshift music studio, looking at the camera.]
    Caption
    Image description A man in a sleeveless Metallica shirt stands in front of a makeshift music studio, looking at the camera.
    Year 2013
    Related pages Bulletin Board Systems
  • A life-size off-white foam sculpture of a naked human form, in the likeness of Abraham Lincoln, rests supine on a low white platform.
    A life-size off-white foam sculpture of a naked human form, in the likeness of Abraham Lincoln, rests supine on a low white platform.
    Isabelle Frances McGuire, The Death of a Giant, 2024. Photo: Carter Seddon. [A life-size off-white foam sculpture of a naked human form, in the likeness of Abraham Lincoln, rests supine on a low white platform.]
    Caption Isabelle Frances McGuire, The Death of a Giant, 2024. Photo: Carter Seddon.
    Image description A life-size off-white foam sculpture of a naked human form, in the likeness of Abraham Lincoln, rests supine on a low white platform.
    Year
    Related pages Doris Guo Matthew Langan-Peck Isabelle Frances McGuire Ruben Ulises Rodriguez Montoya
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    Year
    Related pages Whitney Independent Study: Everything is Common
  • A side projector projects an image of a figure in an elaborate dress onto a freestanding wall in the middle of a gallery space. A mannequin wearing a decorative orange costumes stands to the left of the projection. In the background, a video monitor sits on a table and framed documents hang on the walls.
    A side projector projects an image of a figure in an elaborate dress onto a freestanding wall in the middle of a gallery space. A mannequin wearing a decorative orange costumes stands to the left of the projection. In the background, a video monitor sits on a table and framed documents hang on the walls.
    Jack Smith: Art Crust of Spiritual Oasis. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A side projector projects an image of a figure in an elaborate dress onto a freestanding wall in the middle of a gallery space. A mannequin wearing a decorative orange costumes stands to the left of the projection. In the background, a video monitor sits on a table and framed documents hang on the walls.]
    Caption Jack Smith: Art Crust of Spiritual Oasis. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description A side projector projects an image of a figure in an elaborate dress onto a freestanding wall in the middle of a gallery space. A mannequin wearing a decorative orange costumes stands to the left of the projection. In the background, a video monitor sits on a table and framed documents hang on the walls.
    Year 2018
    Related pages Jack Smith: Art Crust of Spiritual Oasis
  • A color photograph of a television screen resting on a wooden chair with a red cushion. The screen displays a black and white image of several masked figures.
    A color photograph of a television screen resting on a wooden chair with a red cushion. The screen displays a black and white image of several masked figures.
    Nicole-Antonia Spagnola: Italian Hardcore. Installation view, Commercial Street, Los Angeles, 2021 [A color photograph of a television screen resting on a wooden chair with a red cushion. The screen displays a black and white image of several masked figures.]
    Caption Nicole-Antonia Spagnola: Italian Hardcore. Installation view, Commercial Street, Los Angeles, 2021
    Image description A color photograph of a television screen resting on a wooden chair with a red cushion. The screen displays a black and white image of several masked figures.
    Year 2021
    Related pages Nicole-Antonia Spagnola: Anti-Genesis
  • A black and white image featuring a large, dark shape that resembles a plus sign. The plus sign sits at the center of a white backdrop covered by various irregular markings, including a large ink blot and print markings. While the surface of the plus sign is opaque, the background markings are slightly transparent. Small black text placed at the image's lower left corner reads,
    A black and white image featuring a large, dark shape that resembles a plus sign. The plus sign sits at the center of a white backdrop covered by various irregular markings, including a large ink blot and print markings. While the surface of the plus sign is opaque, the background markings are slightly transparent. Small black text placed at the image's lower left corner reads,
    Christopher Wool, untitled (wool poster between bridges), 2020, 23.5 x 16.5 inches [A black and white image featuring a large, dark shape that resembles a plus sign. The plus sign sits at the center of a white backdrop covered by various irregular markings, including a large ink blot and print markings. While the surface of the plus sign is opaque, the background markings are slightly transparent. Small black text placed at the image's lower left corner reads, "2020Solidarity - Christopher Wool," while text placed at the image's lower right corner reads, "A project by Between Bridges."]
    Caption Christopher Wool, untitled (wool poster between bridges), 2020, 23.5 x 16.5 inches
    Image description A black and white image featuring a large, dark shape that resembles a plus sign. The plus sign sits at the center of a white backdrop covered by various irregular markings, including a large ink blot and print markings. While the surface of the plus sign is opaque, the background markings are slightly transparent. Small black text placed at the image's lower left corner reads, "2020Solidarity - Christopher Wool," while text placed at the image's lower right corner reads, "A project by Between Bridges."
    Year 2020
    Related pages 2020Solidarity
  • Two figures in dark clothing stand before two music stands in front of a seated audience. The figure on the right is speaking, her hand pinched in a small gesture at her torso.
    Two figures in dark clothing stand before two music stands in front of a seated audience. The figure on the right is speaking, her hand pinched in a small gesture at her torso.
    Passages from People Who Led to My Plays. Performance documentation, March 1, 2020, Artists Space. Photo ©️ 2020 Paula Court. [Two figures in dark clothing stand before two music stands in front of a seated audience. The figure on the right is speaking, her hand pinched in a small gesture at her torso.]
    Caption Passages from People Who Led to My Plays. Performance documentation, March 1, 2020, Artists Space. Photo ©️ 2020 Paula Court.
    Image description Two figures in dark clothing stand before two music stands in front of a seated audience. The figure on the right is speaking, her hand pinched in a small gesture at her torso.
    Year 2020
    Related pages Passages from People Who Led to My Plays
  • A green and white, textured background displays a silhouetted, leaping figure and the foliage of a tree. In the top left corner,
    A green and white, textured background displays a silhouetted, leaping figure and the foliage of a tree. In the top left corner,
    Flyer for Ways to Move. November 13, 2025, Artists Space. [A green and white, textured background displays a silhouetted, leaping figure and the foliage of a tree. In the top left corner, "Artists Space / Ugly Duckling Presse / present the launch:" is written in white text. In the center "Ways to Move: Black Insurgent Grammars / Justin Allen / Rudy Gerson / Mario Gooden / Nile Harris / Marguerite Hemmings / Joselia Hughes / Benjamin Krusling / Shanzhai Lyric / Andrew Smyth / x / Jonathan González" appears in white text. In the bottom right corner "Thursday, November 13th / 7:00pm / 11 Cortlandt Alley" is written in white text.]
    Caption Flyer for Ways to Move. November 13, 2025, Artists Space.
    Image description A green and white, textured background displays a silhouetted, leaping figure and the foliage of a tree. In the top left corner, "Artists Space / Ugly Duckling Presse / present the launch:" is written in white text. In the center "Ways to Move: Black Insurgent Grammars / Justin Allen / Rudy Gerson / Mario Gooden / Nile Harris / Marguerite Hemmings / Joselia Hughes / Benjamin Krusling / Shanzhai Lyric / Andrew Smyth / x / Jonathan González" appears in white text. In the bottom right corner "Thursday, November 13th / 7:00pm / 11 Cortlandt Alley" is written in white text.
    Year
    Related pages Jonathan González: Ways to Move
  • The front and back flaps of a book cover design featuring an image of a gallery installation. Various artworks, one floorstanding case, and a column are visible in the space.
    The front and back flaps of a book cover design featuring an image of a gallery installation. Various artworks, one floorstanding case, and a column are visible in the space.
    Edited by Julie Ault, Martin Beck and Richard Birkett, Macho Man, Tell It To My Heart: Collected by Julie Ault Vol. 2 (Berlin: Hatje Cantz, 2016). [The front and back flaps of a book cover design featuring an image of a gallery installation. Various artworks, one floorstanding case, and a column are visible in the space.]
    Caption Edited by Julie Ault, Martin Beck and Richard Birkett, Macho Man, Tell It To My Heart: Collected by Julie Ault Vol. 2 (Berlin: Hatje Cantz, 2016).
    Image description The front and back flaps of a book cover design featuring an image of a gallery installation. Various artworks, one floorstanding case, and a column are visible in the space.
    Year 2016
    Related pages Tell It To My Heart - Collected By Julie Ault, Volume 2
  • A large bone is arranged vertically against a white background. The center of the bone is a pale ceramic color, while its two ends are a darker brown color.
    A large bone is arranged vertically against a white background. The center of the bone is a pale ceramic color, while its two ends are a darker brown color.
    Josh Tonsfeldt, Untitled, 2005. Bone and mechanics. Courtesy the artist. [A large bone is arranged vertically against a white background. The center of the bone is a pale ceramic color, while its two ends are a darker brown color.]
    Caption Josh Tonsfeldt, Untitled, 2005. Bone and mechanics. Courtesy the artist.
    Image description A large bone is arranged vertically against a white background. The center of the bone is a pale ceramic color, while its two ends are a darker brown color.
    Year 2005
    Related pages Nina in Position
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    Year
    Related pages Michael Asher
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    Year
    Related pages Abasement #67
  • A gallery space with a large circle of decals on the wall on the right. In the far left corner, a projector sits on a pedestal.
    A gallery space with a large circle of decals on the wall on the right. In the far left corner, a projector sits on a pedestal.
    Installation view, Robert Morgan. Artists Space, 1977. [A gallery space with a large circle of decals on the wall on the right. In the far left corner, a projector sits on a pedestal.]
    Caption Installation view, Robert Morgan. Artists Space, 1977.
    Image description A gallery space with a large circle of decals on the wall on the right. In the far left corner, a projector sits on a pedestal.
    Year 1977
    Related pages Robert Morgan
  • Photograph of the left wall of a basement gallery space. In the back nook is a reading room with reading materials displayed on a shelf and a table with seats around it. Further down the wall are multiple projected videos, the projectors are placed on shelves of varying height in a row.
    Photograph of the left wall of a basement gallery space. In the back nook is a reading room with reading materials displayed on a shelf and a table with seats around it. Further down the wall are multiple projected videos, the projectors are placed on shelves of varying height in a row.
    Clocking Out: Time Beyond Management. Installation view, Artists Space, 2023. Photo: Greg Carideo. [Photograph of the left wall of a basement gallery space. In the back nook is a reading room with reading materials displayed on a shelf and a table with seats around it. Further down the wall are multiple projected videos, the projectors are placed on shelves of varying height in a row.]
    Caption Clocking Out: Time Beyond Management. Installation view, Artists Space, 2023. Photo: Greg Carideo.
    Image description Photograph of the left wall of a basement gallery space. In the back nook is a reading room with reading materials displayed on a shelf and a table with seats around it. Further down the wall are multiple projected videos, the projectors are placed on shelves of varying height in a row.
    Year 2023
    Related pages Whitney Independent Study: Clocking Out: Time Beyond Management
  • An abstract painting composed of central strokes of light orange paint framed from above and below by two stripes of blue paint at the composition's top and bottom edges. Black paint markings punctuate the wash of orange color.
    An abstract painting composed of central strokes of light orange paint framed from above and below by two stripes of blue paint at the composition's top and bottom edges. Black paint markings punctuate the wash of orange color.
    Nick Mauss, So long, 2013. Ceramic plaque, 11 x 15 inches. Courtesy the artist and 303 Gallery, New York. [An abstract painting composed of central strokes of light orange paint framed from above and below by two stripes of blue paint at the composition's top and bottom edges. Black paint markings punctuate the wash of orange color.]
    Caption Nick Mauss, So long, 2013. Ceramic plaque, 11 x 15 inches. Courtesy the artist and 303 Gallery, New York.
    Image description An abstract painting composed of central strokes of light orange paint framed from above and below by two stripes of blue paint at the composition's top and bottom edges. Black paint markings punctuate the wash of orange color.
    Year 2013
    Related pages Frieze New York
  • A collaged image, depicting the upper body of a man, with his fists to his chin, overlaid with lower body of a horse. Blue text on top and bottom of image reads
    A collaged image, depicting the upper body of a man, with his fists to his chin, overlaid with lower body of a horse. Blue text on top and bottom of image reads
    Flyer for Segue Reading Series featuring Robert Glück & Ted Rees. Saturday, October 17, 2020, Artists Space. Artist: Keith Higginbotham [A collaged image, depicting the upper body of a man, with his fists to his chin, overlaid with lower body of a horse. Blue text on top and bottom of image reads "Robert Glück / Ted Rees / Segue".]
    Caption Flyer for Segue Reading Series featuring Robert Glück & Ted Rees. Saturday, October 17, 2020, Artists Space. Artist: Keith Higginbotham
    Image description A collaged image, depicting the upper body of a man, with his fists to his chin, overlaid with lower body of a horse. Blue text on top and bottom of image reads "Robert Glück / Ted Rees / Segue".
    Year 2020
    Related pages Segue Reading Series: Robert Glück & Ted Rees
  • Color photograph of a large empty room bathed in a red light. Along one wall, a performer dressed in white stands against the wall, bending over and looking to their left. A bright white light shines from their hips and a sheath of crinkly, reflective one-way mirror film lays on the ground in front of them.
    Color photograph of a large empty room bathed in a red light. Along one wall, a performer dressed in white stands against the wall, bending over and looking to their left. A bright white light shines from their hips and a sheath of crinkly, reflective one-way mirror film lays on the ground in front of them.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a large empty room bathed in a red light. Along one wall, a performer dressed in white stands against the wall, bending over and looking to their left. A bright white light shines from their hips and a sheath of crinkly, reflective one-way mirror film lays on the ground in front of them.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a large empty room bathed in a red light. Along one wall, a performer dressed in white stands against the wall, bending over and looking to their left. A bright white light shines from their hips and a sheath of crinkly, reflective one-way mirror film lays on the ground in front of them.
    Year 2022
    Related pages keyon gaskin 12-18
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Black text on a light yellow background. The text reads: “May 17 / Nazareth Hassan / Karla Kelsey.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on a light yellow background. The text reads: “May 17 / Nazareth Hassan / Karla Kelsey.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on a light yellow background. The text reads: “May 17 / Nazareth Hassan / Karla Kelsey.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on a light yellow background. The text reads: “May 17 / Nazareth Hassan / Karla Kelsey.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Nazareth Hassan & Karla Kelsey
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    Year
    Related pages Abasement #72
  • Two figures in blue morph suits face off, with one figure sitting down on a wooden box looking up at the other figure who stands above them wearing wings made of fresnel lenses. All the way on the right a figure takes video footage of the scene.
    Two figures in blue morph suits face off, with one figure sitting down on a wooden box looking up at the other figure who stands above them wearing wings made of fresnel lenses. All the way on the right a figure takes video footage of the scene.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Two figures in blue morph suits face off, with one figure sitting down on a wooden box looking up at the other figure who stands above them wearing wings made of fresnel lenses. All the way on the right a figure takes video footage of the scene.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Two figures in blue morph suits face off, with one figure sitting down on a wooden box looking up at the other figure who stands above them wearing wings made of fresnel lenses. All the way on the right a figure takes video footage of the scene.
    Year 2022
    Related pages SCRAAATCH 11-19
  • A black and white photograph of a gallery space. On the wall, seven framed works are hung, each featuring a grid of small black and white images.
    A black and white photograph of a gallery space. On the wall, seven framed works are hung, each featuring a grid of small black and white images.
    Artists Performance Series. Installation view, Artists Space, 1977. [A black and white photograph of a gallery space. On the wall, seven framed works are hung, each featuring a grid of small black and white images.]
    Caption Artists Performance Series. Installation view, Artists Space, 1977.
    Image description A black and white photograph of a gallery space. On the wall, seven framed works are hung, each featuring a grid of small black and white images.
    Year 1977
    Related pages Artists Performance Series
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Black, Arial text, reads,
    Black, Arial text, reads,
    [Black, Arial text, reads, "The Library of Helen DeWitt."]
    Caption
    Image description Black, Arial text, reads, "The Library of Helen DeWitt."
    Year 2014
    Related pages The Library Vaccine
  • A person walking down a city street, speaking into a megaphone. Around him are several cars and scattered onlookers.
    A person walking down a city street, speaking into a megaphone. Around him are several cars and scattered onlookers.
    [A person walking down a city street, speaking into a megaphone. Around him are several cars and scattered onlookers.]
    Caption
    Image description A person walking down a city street, speaking into a megaphone. Around him are several cars and scattered onlookers.
    Year 2009
    Related pages Adam Pendleton
  • A figure in a white t-shirt turns from a woman holding a bouquet of lavender flowers. She glances down at the flowers, smiling. The two figures stand amongst a sitting crowd of applauding people. Some gaze up towards the figures and smile.
    A figure in a white t-shirt turns from a woman holding a bouquet of lavender flowers. She glances down at the flowers, smiling. The two figures stand amongst a sitting crowd of applauding people. Some gaze up towards the figures and smile.
    The Friends of Artists Space Dinner, May 8, 2010. Julie Ault receiving flowers from Stefan Kalmár. [A figure in a white t-shirt turns from a woman holding a bouquet of lavender flowers. She glances down at the flowers, smiling. The two figures stand amongst a sitting crowd of applauding people. Some gaze up towards the figures and smile.]
    Caption The Friends of Artists Space Dinner, May 8, 2010. Julie Ault receiving flowers from Stefan Kalmár.
    Image description A figure in a white t-shirt turns from a woman holding a bouquet of lavender flowers. She glances down at the flowers, smiling. The two figures stand amongst a sitting crowd of applauding people. Some gaze up towards the figures and smile.
    Year 2010
    Related pages The Friends of Artists Space Dinner
  • A white wall with three sets of multiple photographs of rooms. Each set of photographs has a framed accompanying text below.
    A white wall with three sets of multiple photographs of rooms. Each set of photographs has a framed accompanying text below.
    Sean Snyder. Installation view, Artists Space, 2010-11. Photo: Daniel Peréz. [A white wall with three sets of multiple photographs of rooms. Each set of photographs has a framed accompanying text below.]
    Caption Sean Snyder. Installation view, Artists Space, 2010-11. Photo: Daniel Peréz.
    Image description A white wall with three sets of multiple photographs of rooms. Each set of photographs has a framed accompanying text below.
    Year 2010
    Related pages Sean Snyder
  • A pink piece of paper with the typed text
    A pink piece of paper with the typed text
    Neil Goldberg, Fortune 500 Dream Fax Project, 1996. [A pink piece of paper with the typed text "Dream Fax Transmission Sheet" positioned at its top edge. Underneath, there is a handwritten account of the artist's dream from 3/26/96.]
    Caption Neil Goldberg, Fortune 500 Dream Fax Project, 1996.
    Image description A pink piece of paper with the typed text "Dream Fax Transmission Sheet" positioned at its top edge. Underneath, there is a handwritten account of the artist's dream from 3/26/96.
    Year 1996
    Related pages A Strategy Hinted At: New Conceptual Artists
  • A spotted pattern against a white ground, with each spot having a unique stain, splatter, or drops of ink.
    A spotted pattern against a white ground, with each spot having a unique stain, splatter, or drops of ink.
    Anicka Yi, Flirting Is An Algorithm, 2015, Silkscreen on archival box, 24½ x 20½ x 1½ in / 62,2 x 52 x 3,8 cm, Signed and Numbered. [A spotted pattern against a white ground, with each spot having a unique stain, splatter, or drops of ink.]
    Caption Anicka Yi, Flirting Is An Algorithm, 2015, Silkscreen on archival box, 24½ x 20½ x 1½ in / 62,2 x 52 x 3,8 cm, Signed and Numbered.
    Image description A spotted pattern against a white ground, with each spot having a unique stain, splatter, or drops of ink.
    Year 2015
    Related pages Annual Edition Portfolio
  • A portrait of a purple buffalo photocollaged with of images including objects and people.
    A portrait of a purple buffalo photocollaged with of images including objects and people.
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A portrait of a purple buffalo photocollaged with of images including objects and people.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description A portrait of a purple buffalo photocollaged with of images including objects and people.
    Year 2017
    Related pages Unholding
  • Americo Rossi, Untitled, 2021, digital photography
    Caption Americo Rossi, Untitled, 2021, digital photography
    Image description
    Year
    Related pages BRIDGE Photography
  • A portfolio box with a flowered pattern on the lid is shown on a white ground with the lid slightly askew.
    A portfolio box with a flowered pattern on the lid is shown on a white ground with the lid slightly askew.
    Susan Cianciolo, Flowers, 2018, 25 x 21 x 1 1/2 inches, Silkscreen on book cloth on bespoke archival box, Signed edition of 100, 5APs Courtesy of the artist [A portfolio box with a flowered pattern on the lid is shown on a white ground with the lid slightly askew.]
    Caption Susan Cianciolo, Flowers, 2018, 25 x 21 x 1 1/2 inches, Silkscreen on book cloth on bespoke archival box, Signed edition of 100, 5APs Courtesy of the artist
    Image description A portfolio box with a flowered pattern on the lid is shown on a white ground with the lid slightly askew.
    Year 2018
    Related pages Artists Space Annual Edition Portfolio 2018
  • A painting over a black background of a set of hands cupping a rose. Above, several more roses are pictured.
    A painting over a black background of a set of hands cupping a rose. Above, several more roses are pictured.
    Gary Bower, White Bouquet, 1976. From Gary Bower, Fontaine Dunn, Hermine Ford, Artists Space, 1976. [A painting over a black background of a set of hands cupping a rose. Above, several more roses are pictured.]
    Caption Gary Bower, White Bouquet, 1976. From Gary Bower, Fontaine Dunn, Hermine Ford, Artists Space, 1976.
    Image description A painting over a black background of a set of hands cupping a rose. Above, several more roses are pictured.
    Year 1976
    Related pages Gary Bower, Fontaine Dunn, Hermine Ford
  • Black-and-white photograph of three figures performing together. On the left, a figure in a striped shirt and glasses sits down in front of a table full of audio equipment, wearing headphones. In the middle, a figure in a graphic shirt stands and reads off a piece of paper. The rightmost figure wears a glitter and mesh top and plays the flute standing.
    Black-and-white photograph of three figures performing together. On the left, a figure in a striped shirt and glasses sits down in front of a table full of audio equipment, wearing headphones. In the middle, a figure in a graphic shirt stands and reads off a piece of paper. The rightmost figure wears a glitter and mesh top and plays the flute standing.
    Yasunao Tone, Carles Hac Mor, and Barbara Held performing Música desterritorialitzada at Metronom, Barcelona, Spain, 1997. [Black-and-white photograph of three figures performing together. On the left, a figure in a striped shirt and glasses sits down in front of a table full of audio equipment, wearing headphones. In the middle, a figure in a graphic shirt stands and reads off a piece of paper. The rightmost figure wears a glitter and mesh top and plays the flute standing.]
    Caption Yasunao Tone, Carles Hac Mor, and Barbara Held performing Música desterritorialitzada at Metronom, Barcelona, Spain, 1997.
    Image description Black-and-white photograph of three figures performing together. On the left, a figure in a striped shirt and glasses sits down in front of a table full of audio equipment, wearing headphones. In the middle, a figure in a graphic shirt stands and reads off a piece of paper. The rightmost figure wears a glitter and mesh top and plays the flute standing.
    Year
    Related pages Yasunao Tone in Concert with Barbara Held
  • A person is seen in profile, speaking to someone out of frame. They are wearing a glittery gold top with a pink fur neckline and beaded necklaces of different colors. They have large flower-shaped earrings and colorful makeup, including blue, shiny eyeshadow. Their dark hair appears to be covered by a bleached wig.
    A person is seen in profile, speaking to someone out of frame. They are wearing a glittery gold top with a pink fur neckline and beaded necklaces of different colors. They have large flower-shaped earrings and colorful makeup, including blue, shiny eyeshadow. Their dark hair appears to be covered by a bleached wig.
    Mark Morrisroe. Still from Hello from Bertha (1983). [A person is seen in profile, speaking to someone out of frame. They are wearing a glittery gold top with a pink fur neckline and beaded necklaces of different colors. They have large flower-shaped earrings and colorful makeup, including blue, shiny eyeshadow. Their dark hair appears to be covered by a bleached wig.]
    Caption Mark Morrisroe. Still from Hello from Bertha (1983).
    Image description A person is seen in profile, speaking to someone out of frame. They are wearing a glittery gold top with a pink fur neckline and beaded necklaces of different colors. They have large flower-shaped earrings and colorful makeup, including blue, shiny eyeshadow. Their dark hair appears to be covered by a bleached wig.
    Year 1983
    Related pages Mark Morrisroe: Super 8
  • Two screens are mounted vertically on metal poles that stretch floor to ceiling. The screens show black images with white light spots.
    Two screens are mounted vertically on metal poles that stretch floor to ceiling. The screens show black images with white light spots.
    Hilary Lloyd. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [Two screens are mounted vertically on metal poles that stretch floor to ceiling. The screens show black images with white light spots.]
    Caption Hilary Lloyd. Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description Two screens are mounted vertically on metal poles that stretch floor to ceiling. The screens show black images with white light spots.
    Year 2011
    Related pages Hilary Lloyd
  • A figure kneels beside a table and traces their finger along the screen of an iPad. They wear a baseball cap that reads “MAKE TECHNO BLACK AGAIN.”
    A figure kneels beside a table and traces their finger along the screen of an iPad. They wear a baseball cap that reads “MAKE TECHNO BLACK AGAIN.”
    Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [A figure kneels beside a table and traces their finger along the screen of an iPad. They wear a baseball cap that reads “MAKE TECHNO BLACK AGAIN.”]
    Caption Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description A figure kneels beside a table and traces their finger along the screen of an iPad. They wear a baseball cap that reads “MAKE TECHNO BLACK AGAIN.”
    Year 2019
    Related pages Speaker Music: drape over another
  • Color image of three or four individuals captured in the middle of a conversation. Two individuals have their back turned to the camera, while another person is facing the lens with arms crossed, actively listening. An elegant and decorative dinner venue can be seen in the background.
    Color image of three or four individuals captured in the middle of a conversation. Two individuals have their back turned to the camera, while another person is facing the lens with arms crossed, actively listening. An elegant and decorative dinner venue can be seen in the background.
    Friends of Artists Space Dinner, 2023. Photo: Joshua Wildman. [Color image of three or four individuals captured in the middle of a conversation. Two individuals have their back turned to the camera, while another person is facing the lens with arms crossed, actively listening. An elegant and decorative dinner venue can be seen in the background.]
    Caption Friends of Artists Space Dinner, 2023. Photo: Joshua Wildman.
    Image description Color image of three or four individuals captured in the middle of a conversation. Two individuals have their back turned to the camera, while another person is facing the lens with arms crossed, actively listening. An elegant and decorative dinner venue can be seen in the background.
    Year
    Related pages Support
  • A white plinth in a white room is seen through a rectagular cutout window. There is a small object on the plinth, lit from above by a square, fluorescent light.
    A white plinth in a white room is seen through a rectagular cutout window. There is a small object on the plinth, lit from above by a square, fluorescent light.
    Paper Exhibition. Installation view, Artists Space, 2009. Photo: Adam Reich. [A white plinth in a white room is seen through a rectagular cutout window. There is a small object on the plinth, lit from above by a square, fluorescent light.]
    Caption Paper Exhibition. Installation view, Artists Space, 2009. Photo: Adam Reich.
    Image description A white plinth in a white room is seen through a rectagular cutout window. There is a small object on the plinth, lit from above by a square, fluorescent light.
    Year 2009
    Related pages Paper Exhibition
  • Two figures in dark clothing stand before two music stands. The figure on the right speaks and gazes forward. One of their hands rests on the music stand, the other reaches out in front of themselves, their fingers extended.
    Two figures in dark clothing stand before two music stands. The figure on the right speaks and gazes forward. One of their hands rests on the music stand, the other reaches out in front of themselves, their fingers extended.
    Passages from People Who Led to My Plays. Performance documentation, March 1, 2020, Artists Space. Photo ©️ 2020 Paula Court. [Two figures in dark clothing stand before two music stands. The figure on the right speaks and gazes forward. One of their hands rests on the music stand, the other reaches out in front of themselves, their fingers extended.]
    Caption Passages from People Who Led to My Plays. Performance documentation, March 1, 2020, Artists Space. Photo ©️ 2020 Paula Court.
    Image description Two figures in dark clothing stand before two music stands. The figure on the right speaks and gazes forward. One of their hands rests on the music stand, the other reaches out in front of themselves, their fingers extended.
    Year 2020
    Related pages Passages from People Who Led to My Plays
  • A figure reads into a microphone, glancing at their phone.
    A figure reads into a microphone, glancing at their phone.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure reads into a microphone, glancing at their phone.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure reads into a microphone, glancing at their phone.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
  • Black text on a grey background. The text reads: “March 14 / Matana Roberts / Kate Valk.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on a grey background. The text reads: “March 14 / Matana Roberts / Kate Valk.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on a grey background. The text reads: “March 14 / Matana Roberts / Kate Valk.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on a grey background. The text reads: “March 14 / Matana Roberts / Kate Valk.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Matana Roberts & Kate Valk
  • Black and white image of an open mouth, only partially visible in the darkness. A candle hovers in front, illuminating the figure's teeth, gums, and tongue.
    Black and white image of an open mouth, only partially visible in the darkness. A candle hovers in front, illuminating the figure's teeth, gums, and tongue.
    Charles Ahearn, still from Sinatra, c. 1977. Black and white video, 3 min. [Black and white image of an open mouth, only partially visible in the darkness. A candle hovers in front, illuminating the figure's teeth, gums, and tongue.]
    Caption Charles Ahearn, still from Sinatra, c. 1977. Black and white video, 3 min.
    Image description Black and white image of an open mouth, only partially visible in the darkness. A candle hovers in front, illuminating the figure's teeth, gums, and tongue.
    Year 1977
    Related pages Artists Super 8 Film Exposition
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    Related pages Christopher D'Arcangelo
  • Stylized white text on a tan background reads,
    Stylized white text on a tan background reads,
    [Stylized white text on a tan background reads, "Western Agenda." Small black text above the white text reads "March 14-May 4, 1991 / Artists Space" while several lines of smaller, spaced out text spells out words such as, "courage" "hardwork" and "prosperity."]
    Caption
    Image description Stylized white text on a tan background reads, "Western Agenda." Small black text above the white text reads "March 14-May 4, 1991 / Artists Space" while several lines of smaller, spaced out text spells out words such as, "courage" "hardwork" and "prosperity."
    Year 1991
    Related pages Western Agenda
  • Contact sheet of installation images taken during exhibition opening.
    Contact sheet of installation images taken during exhibition opening.
    Gary Burnley, Martin Cohen, Candace Hill-Montgomery, Louis Stein, and Haim Steinbach. Contact sheet of photos from exhibition opening, Artists Space, 1979. Photos by Gary Burnley. [Contact sheet of installation images taken during exhibition opening.]
    Caption Gary Burnley, Martin Cohen, Candace Hill-Montgomery, Louis Stein, and Haim Steinbach. Contact sheet of photos from exhibition opening, Artists Space, 1979. Photos by Gary Burnley.
    Image description Contact sheet of installation images taken during exhibition opening.
    Year 1979
    Related pages Lewis Stein
  • A person suspended as if swimming or floating, with large headphones, a silver bikini top, and loose, blue pants and bangles up her arms on a blue background. Red text above her reads,
    A person suspended as if swimming or floating, with large headphones, a silver bikini top, and loose, blue pants and bangles up her arms on a blue background. Red text above her reads,
    Mr. Dead & Mrs. Free invitation, 1996. [A person suspended as if swimming or floating, with large headphones, a silver bikini top, and loose, blue pants and bangles up her arms on a blue background. Red text above her reads, "from back out to south came / the King of the Gestapoes / Lord of the Sabotage / Ruler of the Astronauts..." and white text below reads, "Mr. DEAD & Mrs. FREE."]
    Caption Mr. Dead & Mrs. Free invitation, 1996.
    Image description A person suspended as if swimming or floating, with large headphones, a silver bikini top, and loose, blue pants and bangles up her arms on a blue background. Red text above her reads, "from back out to south came / the King of the Gestapoes / Lord of the Sabotage / Ruler of the Astronauts..." and white text below reads, "Mr. DEAD & Mrs. FREE."
    Year 1996
    Related pages Mr. Dead & Mrs. Free: A History of Squat Theatre (1969 – 1991)
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    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • Ann Goldstein has been a museum professional for over forty years. She currently serves as Deputy Director and Senior Curator at Large at the Art Institute of Chicago and on the board of directors and as President of the Michael Asher Foundation. Goldsstein joined the Art Institute in 2016 as Deputy Director, and Chair and Dittmer Curator of Modern and Contemporary Art. Prior to joining the museum, she served as Director of the Stedelijk Museum in Amsterdam from 2010–2013, and as Senior Curator at The Museum of Contemporary Art in Los Angeles (MOCA) from 1983–2009. She is recognized for such large-scale historical survey exhibitions as A Minimal Future? Art as Object 1958-1968, 1965-1975: Reconsidering the Object of Art, and A Forest of Signs: Art in the Crisis of Representation, as well as numerous solo exhibitions and projects over the years with Jo Baer, stanley brouwn, Judy Fiskin, Felix Gonzalez-Torres, Roni Horn, Richard Hunt, Mike Kelley, Martin Kippenberger, Barbara Kruger, William Leavitt, Steve McQueen, Cady Noland, Pope.L, Josephine Pryde, Nancy Rubins, Lawrence Weiner, and Christopher Wool, among others. In addition to the Asher Foundation, Goldstein serves as a member of The Felix Gonzalez-Torres Foundation Fellows Forum, on the board of trustees of the Richard Hunt Legacy Foundation, and as a member of the Serralves Museum Advisory Committee. In recognition of her work, the Center for Curatorial Studies at Bard College presented her with the Audrey Irmas Award for Curatorial Excellence in 2012.
    Caption Ann Goldstein has been a museum professional for over forty years. She currently serves as Deputy Director and Senior Curator at Large at the Art Institute of Chicago and on the board of directors and as President of the Michael Asher Foundation. Goldsstein joined the Art Institute in 2016 as Deputy Director, and Chair and Dittmer Curator of Modern and Contemporary Art. Prior to joining the museum, she served as Director of the Stedelijk Museum in Amsterdam from 2010–2013, and as Senior Curator at The Museum of Contemporary Art in Los Angeles (MOCA) from 1983–2009. She is recognized for such large-scale historical survey exhibitions as A Minimal Future? Art as Object 1958-1968, 1965-1975: Reconsidering the Object of Art, and A Forest of Signs: Art in the Crisis of Representation, as well as numerous solo exhibitions and projects over the years with Jo Baer, stanley brouwn, Judy Fiskin, Felix Gonzalez-Torres, Roni Horn, Richard Hunt, Mike Kelley, Martin Kippenberger, Barbara Kruger, William Leavitt, Steve McQueen, Cady Noland, Pope.L, Josephine Pryde, Nancy Rubins, Lawrence Weiner, and Christopher Wool, among others. In addition to the Asher Foundation, Goldstein serves as a member of The Felix Gonzalez-Torres Foundation Fellows Forum, on the board of trustees of the Richard Hunt Legacy Foundation, and as a member of the Serralves Museum Advisory Committee. In recognition of her work, the Center for Curatorial Studies at Bard College presented her with the Audrey Irmas Award for Curatorial Excellence in 2012.
    Image description
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    Related pages Friends of Artists Space Dinner
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    Related pages Mainspace Architecture & Design Project Series: Zaha Hadid
  • Constantina Zavitsanos, Ace of Spades (detail), 2024. Z interferometer: two aluminized 6" diameter spherical mirrors, LED illumination source, knife edge on mounts; soldering iron, fan, infrared light, steel tables. Dimensions variable.
    Caption Constantina Zavitsanos, Ace of Spades (detail), 2024. Z interferometer: two aluminized 6" diameter spherical mirrors, LED illumination source, knife edge on mounts; soldering iron, fan, infrared light, steel tables. Dimensions variable.
    Image description
    Year
    Related pages fwiw
  • A composition of four images, showing two detail views of a black and white painting, and two installation views of a white-walled gallery.
    A composition of four images, showing two detail views of a black and white painting, and two installation views of a white-walled gallery.
    Richard Aldrich, Big, Small, 2016, 
Inkjet print, 
17 x 11 in
/ 43,2 x 28 cm, 
Signed and Numbered. [A composition of four images, showing two detail views of a black and white painting, and two installation views of a white-walled gallery.]
    Caption Richard Aldrich, Big, Small, 2016, 
Inkjet print, 
17 x 11 in
/ 43,2 x 28 cm, 
Signed and Numbered.
    Image description A composition of four images, showing two detail views of a black and white painting, and two installation views of a white-walled gallery.
    Year
    Related pages Artists Space Annual Edition Portfolio 2017
  • Elisabeth Sussman, © David Armstrong
    Caption Elisabeth Sussman, © David Armstrong
    Image description
    Year
    Related pages Friends of Artists Space Dinner 2025
  • A common convenience store countertop coin share dish shines in solid bronze on a soft black velvet ledge. Its raised text reads: “LEAVE - A - PENNY / TAKE - A - PENNY”.
    A common convenience store countertop coin share dish shines in solid bronze on a soft black velvet ledge. Its raised text reads: “LEAVE - A - PENNY / TAKE - A - PENNY”.
    Constantina Zavitsanos, LEAVE - A - PENNY / TAKE - A - PENNY, 2024, Bronze, 4.5 in. x 4.25 in. x 1.5 in. [A common convenience store countertop coin share dish shines in solid bronze on a soft black velvet ledge. Its raised text reads: “LEAVE - A - PENNY / TAKE - A - PENNY”.]
    Caption Constantina Zavitsanos, LEAVE - A - PENNY / TAKE - A - PENNY, 2024, Bronze, 4.5 in. x 4.25 in. x 1.5 in.
    Image description A common convenience store countertop coin share dish shines in solid bronze on a soft black velvet ledge. Its raised text reads: “LEAVE - A - PENNY / TAKE - A - PENNY”.
    Year
    Related pages fwiw
  • A black and white close of of a person, with slightly scraggly hair and amblyopia, looking into the camera.
    A black and white close of of a person, with slightly scraggly hair and amblyopia, looking into the camera.
    Union Gaucha Productions. Still from A Vida de Infra - Tunga, 1999. 16mm film (sound, black and white), 10 min 17 sec. Courtesy of Union Gaucha Productions. [A black and white close of of a person, with slightly scraggly hair and amblyopia, looking into the camera.]
    Caption Union Gaucha Productions. Still from A Vida de Infra - Tunga, 1999. 16mm film (sound, black and white), 10 min 17 sec. Courtesy of Union Gaucha Productions.
    Image description A black and white close of of a person, with slightly scraggly hair and amblyopia, looking into the camera.
    Year 1999
    Related pages Union Gaucha Productions
  • Three unmatching bottles filled with urine surround the base of a black column. Two lie horizontal, one stands upright.
    Three unmatching bottles filled with urine surround the base of a black column. Two lie horizontal, one stands upright.
    Jason Hirata, Why Not Lie?, 2020 (detail view), plastic bottles, urine. Photo: Daniel Pérez [Three unmatching bottles filled with urine surround the base of a black column. Two lie horizontal, one stands upright.]
    Caption Jason Hirata, Why Not Lie?, 2020 (detail view), plastic bottles, urine. Photo: Daniel Pérez
    Image description Three unmatching bottles filled with urine surround the base of a black column. Two lie horizontal, one stands upright.
    Year 2019
    Related pages Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater
  • A close-up of a vitrine housing several postcards which have been drawn and collaged upon.
    A close-up of a vitrine housing several postcards which have been drawn and collaged upon.
    Attention Line. Installation view (various envelopes by Blaster Al Ackerman, c. 1970s-2000s, Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [A close-up of a vitrine housing several postcards which have been drawn and collaged upon.]
    Caption Attention Line. Installation view (various envelopes by Blaster Al Ackerman, c. 1970s-2000s, Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak
    Image description A close-up of a vitrine housing several postcards which have been drawn and collaged upon.
    Year 2022
    Related pages Attention Line
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    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • Frame photographs and text hang on the wall in a gallery space.
    Frame photographs and text hang on the wall in a gallery space.
    Pool Show. Installation view, Artists Space, 1980. [Frame photographs and text hang on the wall in a gallery space.]
    Caption Pool Show. Installation view, Artists Space, 1980.
    Image description Frame photographs and text hang on the wall in a gallery space.
    Year
    Related pages Pool Show
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • William Carlos Williams' poem
    William Carlos Williams' poem
    [William Carlos Williams' poem "For Eleanor and Bill Monahan" written in black text on a white background.]
    Caption
    Image description William Carlos Williams' poem "For Eleanor and Bill Monahan" written in black text on a white background.
    Year 2011
    Related pages Simon Amstell's Do Nothing, read by Will Holder
  • A black and white photograph of a small photograph against a white surface. The image pictured features the faces of two figures.
    A black and white photograph of a small photograph against a white surface. The image pictured features the faces of two figures.
    Work by Susan Eder. From Susan Eder, Matt Mullican Artists Space, 1976. [A black and white photograph of a small photograph against a white surface. The image pictured features the faces of two figures.]
    Caption Work by Susan Eder. From Susan Eder, Matt Mullican Artists Space, 1976.
    Image description A black and white photograph of a small photograph against a white surface. The image pictured features the faces of two figures.
    Year 1976
    Related pages Susan Eder, Matt Mullican
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    Related pages Listening to the LES
  • A crowd is pictured in front of a performer. Behind the performer are three large colorful projections.
    A crowd is pictured in front of a performer. Behind the performer are three large colorful projections.
    SCRAAATCH, Tower of Babel, 2019, Les Urbaines. Photo: Mathilda Olmi [A crowd is pictured in front of a performer. Behind the performer are three large colorful projections.]
    Caption SCRAAATCH, Tower of Babel, 2019, Les Urbaines. Photo: Mathilda Olmi
    Image description A crowd is pictured in front of a performer. Behind the performer are three large colorful projections.
    Year 2019
    Related pages SCRAAATCH 11-19
  • Close up image of a series of black shelves mounted to a white wall. Various wooden blocks painted with scenes of crowds, witches, and other characters are placed on the shelves, alongside smaller blocks decorated with white letters that spell out words including
    Close up image of a series of black shelves mounted to a white wall. Various wooden blocks painted with scenes of crowds, witches, and other characters are placed on the shelves, alongside smaller blocks decorated with white letters that spell out words including
    [Close up image of a series of black shelves mounted to a white wall. Various wooden blocks painted with scenes of crowds, witches, and other characters are placed on the shelves, alongside smaller blocks decorated with white letters that spell out words including "stooge," "atheist," and "traitor." At the center of the shelves sits a black figurine of a goat.]
    Caption
    Image description Close up image of a series of black shelves mounted to a white wall. Various wooden blocks painted with scenes of crowds, witches, and other characters are placed on the shelves, alongside smaller blocks decorated with white letters that spell out words including "stooge," "atheist," and "traitor." At the center of the shelves sits a black figurine of a goat.
    Year 1991
    Related pages Project: Our Bodice, Our Selves
  • Color image of a figure standing on a black stage, with a spotlight placed on them. They are hunched over a black suitcase on the floor, and holding a small radio in their hands.
    Color image of a figure standing on a black stage, with a spotlight placed on them. They are hunched over a black suitcase on the floor, and holding a small radio in their hands.
    Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata [Color image of a figure standing on a black stage, with a spotlight placed on them. They are hunched over a black suitcase on the floor, and holding a small radio in their hands.]
    Caption Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata
    Image description Color image of a figure standing on a black stage, with a spotlight placed on them. They are hunched over a black suitcase on the floor, and holding a small radio in their hands.
    Year 2023
    Related pages Yasunao Tone Concert #2
  • A person smiles widely in close up, facing the viewer. They are lying on their side so their head is horizontal.
    A person smiles widely in close up, facing the viewer. They are lying on their side so their head is horizontal.
    Marina Grzinic and Aina Smid, still from Axis of Life, 1987. 6 minutes. [A person smiles widely in close up, facing the viewer. They are lying on their side so their head is horizontal.]
    Caption Marina Grzinic and Aina Smid, still from Axis of Life, 1987. 6 minutes.
    Image description A person smiles widely in close up, facing the viewer. They are lying on their side so their head is horizontal.
    Year 1987
    Related pages Deconstruction, Quotation, & Subversion: Video from Yugoslavia
  • A white image with a faint grey line that bisects the page lengthwise. In small text, the word
    A white image with a faint grey line that bisects the page lengthwise. In small text, the word
    Jim Hodges, Untitled, 1999, Etching and aquatint with chine-collé, 22 x 30 inches (55.9 x 76.2 cm), Edition of 30, Signed & numbered. [A white image with a faint grey line that bisects the page lengthwise. In small text, the word "with" Iies at the center of the image.]
    Caption Jim Hodges, Untitled, 1999, Etching and aquatint with chine-collé, 22 x 30 inches (55.9 x 76.2 cm), Edition of 30, Signed & numbered.
    Image description A white image with a faint grey line that bisects the page lengthwise. In small text, the word "with" Iies at the center of the image.
    Year 1999
    Related pages Editions
  • Yellow cursive text superimposed over an array of plush, blue diamonds. The text is slightly hazy and reads,
    Yellow cursive text superimposed over an array of plush, blue diamonds. The text is slightly hazy and reads,
    Mike Parker, This Town Needs an Enema, 1990. Oil on canvas. [Yellow cursive text superimposed over an array of plush, blue diamonds. The text is slightly hazy and reads, "Let's Broaden Our Minds."]
    Caption Mike Parker, This Town Needs an Enema, 1990. Oil on canvas.
    Image description Yellow cursive text superimposed over an array of plush, blue diamonds. The text is slightly hazy and reads, "Let's Broaden Our Minds."
    Year 1990
    Related pages A Living Testament of the Blood Fairies
  • Two dogs face each other at an angle on eggshell colored sand.
    Two dogs face each other at an angle on eggshell colored sand.
    Malachi Sherrill, from Dogs portfolio, 2020, digital photograph [Two dogs face each other at an angle on eggshell colored sand.]
    Caption Malachi Sherrill, from Dogs portfolio, 2020, digital photograph
    Image description Two dogs face each other at an angle on eggshell colored sand.
    Year 2020
    Related pages BRIDGE Photography
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Two beds appear on the floor with a mirror and a picture hanging on the walls along with a clock in the right corner. Light is shining onto the wall from an area not visible to the viewer.
    Two beds appear on the floor with a mirror and a picture hanging on the walls along with a clock in the right corner. Light is shining onto the wall from an area not visible to the viewer.
    Audrey Glassman, Untitled, 1983. Cibachrome, 28 x 42 inches. [Two beds appear on the floor with a mirror and a picture hanging on the walls along with a clock in the right corner. Light is shining onto the wall from an area not visible to the viewer.]
    Caption Audrey Glassman, Untitled, 1983. Cibachrome, 28 x 42 inches.
    Image description Two beds appear on the floor with a mirror and a picture hanging on the walls along with a clock in the right corner. Light is shining onto the wall from an area not visible to the viewer.
    Year
    Related pages U.S. Projects
  • A gallery room filled with various sculptures and objects. There are several cube and rectangular sculptures in various sizes, some solidly painted with black, white and silver, and some painted with a brick pattern. There is a table with two projectors projecting a small image on the wall. On the far wall, there are a series of framed drawings. On the righthand side of the room, there is a half-wall behind which a piece made of 7x4 rectangular images hangs on a wall.
    A gallery room filled with various sculptures and objects. There are several cube and rectangular sculptures in various sizes, some solidly painted with black, white and silver, and some painted with a brick pattern. There is a table with two projectors projecting a small image on the wall. On the far wall, there are a series of framed drawings. On the righthand side of the room, there is a half-wall behind which a piece made of 7x4 rectangular images hangs on a wall.
    Elephant Cemetery. Installation view, Artists Space, 2007. [A gallery room filled with various sculptures and objects. There are several cube and rectangular sculptures in various sizes, some solidly painted with black, white and silver, and some painted with a brick pattern. There is a table with two projectors projecting a small image on the wall. On the far wall, there are a series of framed drawings. On the righthand side of the room, there is a half-wall behind which a piece made of 7x4 rectangular images hangs on a wall.]
    Caption Elephant Cemetery. Installation view, Artists Space, 2007.
    Image description A gallery room filled with various sculptures and objects. There are several cube and rectangular sculptures in various sizes, some solidly painted with black, white and silver, and some painted with a brick pattern. There is a table with two projectors projecting a small image on the wall. On the far wall, there are a series of framed drawings. On the righthand side of the room, there is a half-wall behind which a piece made of 7x4 rectangular images hangs on a wall.
    Year 2007
    Related pages Elephant Cemetery
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Two shirtless men doing the splits on top of large boulders outdoors.
    Two shirtless men doing the splits on top of large boulders outdoors.
    [Two shirtless men doing the splits on top of large boulders outdoors.]
    Caption
    Image description Two shirtless men doing the splits on top of large boulders outdoors.
    Year
    Related pages Re: Re: Re: Homos and Light
  • Black and white installation photograph of a gallery corner. On the floor, a crescent shaped object rests on a pedastal. Above, several black panels are attached to the wall.
    Black and white installation photograph of a gallery corner. On the floor, a crescent shaped object rests on a pedastal. Above, several black panels are attached to the wall.
    Pictures. Installation view, Artists Space, 1977. Photo: D. James Dee. [Black and white installation photograph of a gallery corner. On the floor, a crescent shaped object rests on a pedastal. Above, several black panels are attached to the wall.]
    Caption Pictures. Installation view, Artists Space, 1977. Photo: D. James Dee.
    Image description Black and white installation photograph of a gallery corner. On the floor, a crescent shaped object rests on a pedastal. Above, several black panels are attached to the wall.
    Year 1977
    Related pages Pictures
  • A microphone and lights are set up in a field, with trees along the horizon line.
    A microphone and lights are set up in a field, with trees along the horizon line.
    SCRAAATCH, Untitled July 4th Performance, 2022. Photo: Mo Costello. [A microphone and lights are set up in a field, with trees along the horizon line.]
    Caption SCRAAATCH, Untitled July 4th Performance, 2022. Photo: Mo Costello.
    Image description A microphone and lights are set up in a field, with trees along the horizon line.
    Year 2022
    Related pages SCRAAATCH 11-19
  • Color image of a gallery space with large panels of adobe with paintings of various figures on them. In the foreground is a painting of a panther that approaches the viewer. Adobe bricks are laid out on the floor to create short walkways.
    Color image of a gallery space with large panels of adobe with paintings of various figures on them. In the foreground is a painting of a panther that approaches the viewer. Adobe bricks are laid out on the floor to create short walkways.
    rafa esparza: Camino. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color image of a gallery space with large panels of adobe with paintings of various figures on them. In the foreground is a painting of a panther that approaches the viewer. Adobe bricks are laid out on the floor to create short walkways.]
    Caption rafa esparza: Camino. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color image of a gallery space with large panels of adobe with paintings of various figures on them. In the foreground is a painting of a panther that approaches the viewer. Adobe bricks are laid out on the floor to create short walkways.
    Year
    Related pages rafa esparza: Camino
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    Related pages Exhibitions and Events
  • A Samsung television monitor displaying Benjamin Buchloh, in a black sweater and thin rectangular glasses, being interviewed.
    A Samsung television monitor displaying Benjamin Buchloh, in a black sweater and thin rectangular glasses, being interviewed.
    Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979). Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A Samsung television monitor displaying Benjamin Buchloh, in a black sweater and thin rectangular glasses, being interviewed.]
    Caption Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979). Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description A Samsung television monitor displaying Benjamin Buchloh, in a black sweater and thin rectangular glasses, being interviewed.
    Year 2011
    Related pages Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979)
  • Three performers, from left to right, sit singing, playing the drums, and operating a sound board on stage.
    Three performers, from left to right, sit singing, playing the drums, and operating a sound board on stage.
    Abasement #84. Performance documentation, February 16th, 2026, Artists Space. Photo: Joshua Wildman. [Three performers, from left to right, sit singing, playing the drums, and operating a sound board on stage. ]
    Caption Abasement #84. Performance documentation, February 16th, 2026, Artists Space. Photo: Joshua Wildman.
    Image description Three performers, from left to right, sit singing, playing the drums, and operating a sound board on stage.
    Year
    Related pages Abasement #84
  • A collection of posters, drawings, paintings, photographs, and collages hang in clusters on a white gallery wall. On the right of the wall is a closed doorway. A long, multicolored poll wedged into a wood stump sits on the gallery floor.
    A collection of posters, drawings, paintings, photographs, and collages hang in clusters on a white gallery wall. On the right of the wall is a closed doorway. A long, multicolored poll wedged into a wood stump sits on the gallery floor.
    Apartment Show: If the dogs are barking. Installation view, Artists Space, 2009. [A collection of posters, drawings, paintings, photographs, and collages hang in clusters on a white gallery wall. On the right of the wall is a closed doorway. A long, multicolored poll wedged into a wood stump sits on the gallery floor.]
    Caption Apartment Show: If the dogs are barking. Installation view, Artists Space, 2009.
    Image description A collection of posters, drawings, paintings, photographs, and collages hang in clusters on a white gallery wall. On the right of the wall is a closed doorway. A long, multicolored poll wedged into a wood stump sits on the gallery floor.
    Year 2009
    Related pages Apartment Show: If the dogs are barking
  • A close-up detail of a large assemblage sculpture.
    A close-up detail of a large assemblage sculpture.
    Ed Bereal, Miss America: Manufacturing Consent: Upside Down and Backwards (detail), 2000-2014, mixed media and found objects, dimensions variable. Photo: Filip Wolak [A close-up detail of a large assemblage sculpture.]
    Caption Ed Bereal, Miss America: Manufacturing Consent: Upside Down and Backwards (detail), 2000-2014, mixed media and found objects, dimensions variable. Photo: Filip Wolak
    Image description A close-up detail of a large assemblage sculpture.
    Year 2022
    Related pages Attention Line
  • A close up image of a white building facade with numerous real estate listings lining the windows.
    A close up image of a white building facade with numerous real estate listings lining the windows.
    New Red Order Give it Back, detail, 2020 Acrylic LED displays with cut vinyl, water cooler, poster, couch, desk, chairs, magazine rack, The New Red Times Magazine, and three televisions. Image courtesy Artists Space, New York Photo: Filip Wolak [A close up image of a white building facade with numerous real estate listings lining the windows.]
    Caption New Red Order Give it Back, detail, 2020 Acrylic LED displays with cut vinyl, water cooler, poster, couch, desk, chairs, magazine rack, The New Red Times Magazine, and three televisions. Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description A close up image of a white building facade with numerous real estate listings lining the windows.
    Year 2021
    Related pages New Red Order: Feel at Home Here
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  • A photograph of a gallery space with a long rectangular table and chair in the background. In the foreground is a bookshelf with a row of books with silver covers.
    A photograph of a gallery space with a long rectangular table and chair in the background. In the foreground is a bookshelf with a row of books with silver covers.
    Tiffany Sia: Slippery When Wet. Installation view, Artists Space, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A photograph of a gallery space with a long rectangular table and chair in the background. In the foreground is a bookshelf with a row of books with silver covers.]
    Caption Tiffany Sia: Slippery When Wet. Installation view, Artists Space, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A photograph of a gallery space with a long rectangular table and chair in the background. In the foreground is a bookshelf with a row of books with silver covers.
    Year 2021
    Related pages Tiffany Sia: Slippery When Wet
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    Related pages DRAFT IMAGE PAGE_NEVER DELETE
  • Two performers stand in the middle of a room, facing each other, with their arms raised, leaning slightly to one side. The audience sits on the perimeter of the room, forming a circle around them.
    Two performers stand in the middle of a room, facing each other, with their arms raised, leaning slightly to one side. The audience sits on the perimeter of the room, forming a circle around them.
    Richard Kennedy Both, 2017. [Two performers stand in the middle of a room, facing each other, with their arms raised, leaning slightly to one side. The audience sits on the perimeter of the room, forming a circle around them.]
    Caption Richard Kennedy Both, 2017.
    Image description Two performers stand in the middle of a room, facing each other, with their arms raised, leaning slightly to one side. The audience sits on the perimeter of the room, forming a circle around them.
    Year 2017
    Related pages Support
  • A black and white close-up image of an adolescent girl, smiling at the camera. She is holding up a scrub brush in one hand and a bottle of Soft Scrub in the other and is wearing a bathrobe and a shower cap.
    A black and white close-up image of an adolescent girl, smiling at the camera. She is holding up a scrub brush in one hand and a bottle of Soft Scrub in the other and is wearing a bathrobe and a shower cap.
    Mindy Faber. Still from Identity Crisis, 1989. 3 min. Photo: Micki McGee. [A black and white close-up image of an adolescent girl, smiling at the camera. She is holding up a scrub brush in one hand and a bottle of Soft Scrub in the other and is wearing a bathrobe and a shower cap.]
    Caption Mindy Faber. Still from Identity Crisis, 1989. 3 min. Photo: Micki McGee.
    Image description A black and white close-up image of an adolescent girl, smiling at the camera. She is holding up a scrub brush in one hand and a bottle of Soft Scrub in the other and is wearing a bathrobe and a shower cap.
    Year 1989
    Related pages Body Language: Studies in Female Expression
  • In a darkened space, a person dressed in blue faces to the right holding red fabric behind them. On the back wall are images of figures draped in yellow fabric.
    In a darkened space, a person dressed in blue faces to the right holding red fabric behind them. On the back wall are images of figures draped in yellow fabric.
    devynn emory, Grandmother Cindy. Performance documentation, May 18, 2022, Artists Space [In a darkened space, a person dressed in blue faces to the right holding red fabric behind them. On the back wall are images of figures draped in yellow fabric.]
    Caption devynn emory, Grandmother Cindy. Performance documentation, May 18, 2022, Artists Space
    Image description In a darkened space, a person dressed in blue faces to the right holding red fabric behind them. On the back wall are images of figures draped in yellow fabric.
    Year
    Related pages Artists Space Venue
  • A figure plays the guitar sitting down, while another figure stands behind him playing the bass.
    A figure plays the guitar sitting down, while another figure stands behind him playing the bass.
    Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman [A figure plays the guitar sitting down, while another figure stands behind him playing the bass.]
    Caption Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure plays the guitar sitting down, while another figure stands behind him playing the bass.
    Year 2022
    Related pages Tisziji Muñoz with Francisco Mora Catlett and AfroHORN
  • Negative film image that has been mirrored across a diagonal line of symmetry, depicting a blue board with objects arranged on it to create vaguely recognizable patterns.
    Negative film image that has been mirrored across a diagonal line of symmetry, depicting a blue board with objects arranged on it to create vaguely recognizable patterns.
    Crystal Z Campbell, Revolver, 2022. 16mm film transferred to Digital Video, Stereo, Sound. 17:27 min. Courtesy the artist [Negative film image that has been mirrored across a diagonal line of symmetry, depicting a blue board with objects arranged on it to create vaguely recognizable patterns.]
    Caption Crystal Z Campbell, Revolver, 2022. 16mm film transferred to Digital Video, Stereo, Sound. 17:27 min. Courtesy the artist
    Image description Negative film image that has been mirrored across a diagonal line of symmetry, depicting a blue board with objects arranged on it to create vaguely recognizable patterns.
    Year
    Related pages Crystal Z Campbell
  • A large speaker rests on a small wooden stool. To the right sit two abstracted black box-like objects.
    A large speaker rests on a small wooden stool. To the right sit two abstracted black box-like objects.
    Brad Kronz, Forces at Work II, 2025. Woodel stool, felt, subwoofer, acrylic, wood, fabric, paper, board, screws and bolts, mc cable, leaves. Photo: Carter Seddon [A large speaker rests on a small wooden stool. To the right sit two abstracted black box-like objects. ]
    Caption Brad Kronz, Forces at Work II, 2025. Woodel stool, felt, subwoofer, acrylic, wood, fabric, paper, board, screws and bolts, mc cable, leaves. Photo: Carter Seddon
    Image description A large speaker rests on a small wooden stool. To the right sit two abstracted black box-like objects.
    Year
    Related pages Brad Kronz
  • A wooden ornament with a string attached at its top, is carved with the outlines of the worlds continents, becoming a miniature globe.
    A wooden ornament with a string attached at its top, is carved with the outlines of the worlds continents, becoming a miniature globe.
    Benito Huerta, Attempted, Not Known. Media unknown, dimesions unknown. [A wooden ornament with a string attached at its top, is carved with the outlines of the worlds continents, becoming a miniature globe.]
    Caption Benito Huerta, Attempted, Not Known. Media unknown, dimesions unknown.
    Image description A wooden ornament with a string attached at its top, is carved with the outlines of the worlds continents, becoming a miniature globe.
    Year 1989
    Related pages Project: Attempted, Not Known
  • A black-and-white image shows a person seated behind a white desk, adjusting an audio device with their hands. The device is surrounded by replacement speakers with organically shaped wires. In the background, a projected video shows a landscape and a shadowy figure.
    A black-and-white image shows a person seated behind a white desk, adjusting an audio device with their hands. The device is surrounded by replacement speakers with organically shaped wires. In the background, a projected video shows a landscape and a shadowy figure.
    Yasunao Tone performing Molecular Music (1982–85) during a studio rehearsal, New York, c. 1990. [A black-and-white image shows a person seated behind a white desk, adjusting an audio device with their hands. The device is surrounded by replacement speakers with organically shaped wires. In the background, a projected video shows a landscape and a shadowy figure.]
    Caption Yasunao Tone performing Molecular Music (1982–85) during a studio rehearsal, New York, c. 1990.
    Image description A black-and-white image shows a person seated behind a white desk, adjusting an audio device with their hands. The device is surrounded by replacement speakers with organically shaped wires. In the background, a projected video shows a landscape and a shadowy figure.
    Year
    Related pages A Memorial for Yasunao Tone
  • A viewer is visible through the open door to a gallery room.
    A viewer is visible through the open door to a gallery room.
    Audio Works. Installation view, Artists Space, 1978. [A viewer is visible through the open door to a gallery room.]
    Caption Audio Works. Installation view, Artists Space, 1978.
    Image description A viewer is visible through the open door to a gallery room.
    Year 1978
    Related pages Audio Works
  • Three figures standing by a set of music stands in front of a seated audience. The center figure faces the audience, her arms stretched wide. The figures on either side of her appear to mime grasping something above themselves—such as a bar or handle—with one hand. One's expression is solemn, the other's incredulous.
    Three figures standing by a set of music stands in front of a seated audience. The center figure faces the audience, her arms stretched wide. The figures on either side of her appear to mime grasping something above themselves—such as a bar or handle—with one hand. One's expression is solemn, the other's incredulous.
    The Owl Answers. Performance documentation, February 29, 2020, Artists Space. Photo ©️ 2020 Filip Wolak. [Three figures standing by a set of music stands in front of a seated audience. The center figure faces the audience, her arms stretched wide. The figures on either side of her appear to mime grasping something above themselves—such as a bar or handle—with one hand. One's expression is solemn, the other's incredulous.]
    Caption The Owl Answers. Performance documentation, February 29, 2020, Artists Space. Photo ©️ 2020 Filip Wolak.
    Image description Three figures standing by a set of music stands in front of a seated audience. The center figure faces the audience, her arms stretched wide. The figures on either side of her appear to mime grasping something above themselves—such as a bar or handle—with one hand. One's expression is solemn, the other's incredulous.
    Year 2020
    Related pages The Owl Answers
  • A series of booklets with monochrome covers sit in stacks on the interior of a windowsill. Each of the booklets' covers displays thin text spelling out various names, including
    A series of booklets with monochrome covers sit in stacks on the interior of a windowsill. Each of the booklets' covers displays thin text spelling out various names, including
    [A series of booklets with monochrome covers sit in stacks on the interior of a windowsill. Each of the booklets' covers displays thin text spelling out various names, including "Ian Wallace," "Carolyn Christov-Bakargiev," and "G. M. Tamás."]
    Caption
    Image description A series of booklets with monochrome covers sit in stacks on the interior of a windowsill. Each of the booklets' covers displays thin text spelling out various names, including "Ian Wallace," "Carolyn Christov-Bakargiev," and "G. M. Tamás."
    Year 2012
    Related pages 100 Notes – 100 Thoughts
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  • Two pages of red sans-serif text on a white background, titled
    Two pages of red sans-serif text on a white background, titled
    Nick Relph, A List of Incorrect Things, 2010, Offset print 6 2/3 x 11 inches, Signed and numbered by Stuart Bailey and David Reinfurt, Text by Nick Relph. [Two pages of red sans-serif text on a white background, titled "Notes:"]
    Caption Nick Relph, A List of Incorrect Things, 2010, Offset print 6 2/3 x 11 inches, Signed and numbered by Stuart Bailey and David Reinfurt, Text by Nick Relph.
    Image description Two pages of red sans-serif text on a white background, titled "Notes:"
    Year 2010
    Related pages Artists Space Annual Edition Portfolio 2011
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  • Partial view of a potted plant and a small figurine of a knight on horseback with a lance.
    Partial view of a potted plant and a small figurine of a knight on horseback with a lance.
    Adjua Gargi Nzinga Greaves, For Aricka, Ayana, Ayodele, Bernice, Chantelle, Charmaine, Cynthia Ch., Cynthia Co., Daphne, Davina, Dawn, Dina, Emily, Erica, Evadne, Frances, Gail, Gwen, Hara, Heather, Imanei, Imani, Janet, Jenny, Kadija, Kahdeidra, kale, Kelly, Kenya (R), LesLes, Lois, Lynnette, Madeleine, Mahogany, Marsha, Maiya, Najela, Nontsi, Ola, Pilar, Queen, RaFia, Ro-Ro, Sandra, Sasha, Serenity, Shana, Simone L, Simone W, Tabitha, Taiyi, Trinity, Uchenna, Vivian, Wangechi, X, Yvette, Zuri, detail, 2021. Living plants: Hannibal (Epipremnum aureum) with rose quartz, Gertrude Deuxieme (Tillandsia xerographica), Leonie (Philodendron totem), Eversley Deuxieme (Tillandsia xerographica), Melford (Epipremnum aureum) with amethyst; dessicated floral matter (eucalyptus, grass, willow, palm), knight on horseback figurine, brass candlesticks, polystyrene, porcelain and 18 karat gold plates, crystals (various), bamboo earrings, jade, cremains, leather, cork, glass, dragon figurine, sandalwood incense and ceramic holder, palo santo (Bursera graveolens), and window, overall dimensions variable. Courtesy Artists SPace, New York. Photo: Filip Wolak [Partial view of a potted plant and a small figurine of a knight on horseback with a lance.]
    Caption Adjua Gargi Nzinga Greaves, For Aricka, Ayana, Ayodele, Bernice, Chantelle, Charmaine, Cynthia Ch., Cynthia Co., Daphne, Davina, Dawn, Dina, Emily, Erica, Evadne, Frances, Gail, Gwen, Hara, Heather, Imanei, Imani, Janet, Jenny, Kadija, Kahdeidra, kale, Kelly, Kenya (R), LesLes, Lois, Lynnette, Madeleine, Mahogany, Marsha, Maiya, Najela, Nontsi, Ola, Pilar, Queen, RaFia, Ro-Ro, Sandra, Sasha, Serenity, Shana, Simone L, Simone W, Tabitha, Taiyi, Trinity, Uchenna, Vivian, Wangechi, X, Yvette, Zuri, detail, 2021. Living plants: Hannibal (Epipremnum aureum) with rose quartz, Gertrude Deuxieme (Tillandsia xerographica), Leonie (Philodendron totem), Eversley Deuxieme (Tillandsia xerographica), Melford (Epipremnum aureum) with amethyst; dessicated floral matter (eucalyptus, grass, willow, palm), knight on horseback figurine, brass candlesticks, polystyrene, porcelain and 18 karat gold plates, crystals (various), bamboo earrings, jade, cremains, leather, cork, glass, dragon figurine, sandalwood incense and ceramic holder, palo santo (Bursera graveolens), and window, overall dimensions variable. Courtesy Artists SPace, New York. Photo: Filip Wolak
    Image description Partial view of a potted plant and a small figurine of a knight on horseback with a lance.
    Year 2021
    Related pages Adjua Gargi Nzinga Greaves
  • Color image of 5 musicians performing in front of blue, pink and yellow projected swirling visuals. From left to right instruments shown are clarinet, vibraphone, trumpet, cello and violin. A small group of audience members are shown in front of the stage.
    Color image of 5 musicians performing in front of blue, pink and yellow projected swirling visuals. From left to right instruments shown are clarinet, vibraphone, trumpet, cello and violin. A small group of audience members are shown in front of the stage.
    Abasement #70. Performance documentation, July 1st, 2024, Artists Space. Photo: Joshua Wildman. [Color image of 5 musicians performing in front of blue, pink and yellow projected swirling visuals. From left to right instruments shown are clarinet, vibraphone, trumpet, cello and violin. A small group of audience members are shown in front of the stage.]
    Caption Abasement #70. Performance documentation, July 1st, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Color image of 5 musicians performing in front of blue, pink and yellow projected swirling visuals. From left to right instruments shown are clarinet, vibraphone, trumpet, cello and violin. A small group of audience members are shown in front of the stage.
    Year
    Related pages Abasement #70
  • Contact sheet of installation images taken during exhibition opening.
    Contact sheet of installation images taken during exhibition opening.
    Gary Burnley, Martin Cohen, Candace Hill-Montgomery, Louis Stein, and Haim Steinbach. Contact sheet of photos from exhibition opening, Artists Space, 1979. Photos by Gary Burnley. [Contact sheet of installation images taken during exhibition opening.]
    Caption Gary Burnley, Martin Cohen, Candace Hill-Montgomery, Louis Stein, and Haim Steinbach. Contact sheet of photos from exhibition opening, Artists Space, 1979. Photos by Gary Burnley.
    Image description Contact sheet of installation images taken during exhibition opening.
    Year 1979
    Related pages Martin Cohen
  • An open book showing two black and white images. On the left, a person with a fur on his arms extends one leg into the air. On the right, the same person wears a unitard and hinges back with one leg straightened in front of him.
    An open book showing two black and white images. On the left, a person with a fur on his arms extends one leg into the air. On the right, the same person wears a unitard and hinges back with one leg straightened in front of him.
    Michael Clark in the production Mmm.... (1992). Photographed by Hugo Glendinning. [An open book showing two black and white images. On the left, a person with a fur on his arms extends one leg into the air. On the right, the same person wears a unitard and hinges back with one leg straightened in front of him.]
    Caption Michael Clark in the production Mmm.... (1992). Photographed by Hugo Glendinning.
    Image description An open book showing two black and white images. On the left, a person with a fur on his arms extends one leg into the air. On the right, the same person wears a unitard and hinges back with one leg straightened in front of him.
    Year 1992
    Related pages Michael Clark
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    Year
    Related pages Abasement #82
  • Black text at the top of a white background reads,
    Black text at the top of a white background reads,
    ‘MoRADE Seeks Positive Action’ poster. Design by Richard Hollis, 1968. Courtesy Richard Hollis [Black text at the top of a white background reads, "At Guilford 40 part-time staff have been dismissed, 7 full-time staff suspended, 5 full-time staff threatened, some students are in danger of being refused readmission. Hornsey is to stay closed for six weeks; Haringey has asked local authorities to pay grants monthly." Red text at the bottom reads, "MoRADE seeks positive action."]
    Caption ‘MoRADE Seeks Positive Action’ poster. Design by Richard Hollis, 1968. Courtesy Richard Hollis
    Image description Black text at the top of a white background reads, "At Guilford 40 part-time staff have been dismissed, 7 full-time staff suspended, 5 full-time staff threatened, some students are in danger of being refused readmission. Hornsey is to stay closed for six weeks; Haringey has asked local authorities to pay grants monthly." Red text at the bottom reads, "MoRADE seeks positive action."
    Year 1968
    Related pages Richard Hollis
  • A painting collage with three separate figures represented hanging in a white-walled gallery space with a clock above it right where a finger in painting is pointing.
    A painting collage with three separate figures represented hanging in a white-walled gallery space with a clock above it right where a finger in painting is pointing.
    Selections from the Artists File. Installation View, Artists Space, October 1, 1987 - October 31, 1987. [A painting collage with three separate figures represented hanging in a white-walled gallery space with a clock above it right where a finger in painting is pointing.]
    Caption Selections from the Artists File. Installation View, Artists Space, October 1, 1987 - October 31, 1987.
    Image description A painting collage with three separate figures represented hanging in a white-walled gallery space with a clock above it right where a finger in painting is pointing.
    Year
    Related pages Selections from the Artists File
  • A large stick appears emerging from an image of reverberating water out of the image onto the upper lefthand corner of the gallery wall.
    A large stick appears emerging from an image of reverberating water out of the image onto the upper lefthand corner of the gallery wall.
    Five Spanish Artists. Installation View, Artists Space, 1985. [A large stick appears emerging from an image of reverberating water out of the image onto the upper lefthand corner of the gallery wall.]
    Caption Five Spanish Artists. Installation View, Artists Space, 1985.
    Image description A large stick appears emerging from an image of reverberating water out of the image onto the upper lefthand corner of the gallery wall.
    Year
    Related pages Five Spanish Artists
  • A performer plays the saxophone into a microphone on stage for an audience. Speckled white lights appear around the room.
    A performer plays the saxophone into a microphone on stage for an audience. Speckled white lights appear around the room.
    Abasement #84. Performance documentation, February 16th, 2026, Artists Space. Photo: Joshua Wildman. [A performer plays the saxophone into a microphone on stage for an audience. Speckled white lights appear around the room. ]
    Caption Abasement #84. Performance documentation, February 16th, 2026, Artists Space. Photo: Joshua Wildman.
    Image description A performer plays the saxophone into a microphone on stage for an audience. Speckled white lights appear around the room.
    Year
    Related pages Abasement #84
  • A black bumper sticker with white text on the back of a silver car reads,
    A black bumper sticker with white text on the back of a silver car reads,
    Mungo Thomson, The True Artist Helps the World by Revealing Mystic Truths (12 Step), 2004. [A black bumper sticker with white text on the back of a silver car reads, "The True Artist Helps the World by Revealing Mystic Truths."]
    Caption Mungo Thomson, The True Artist Helps the World by Revealing Mystic Truths (12 Step), 2004.
    Image description A black bumper sticker with white text on the back of a silver car reads, "The True Artist Helps the World by Revealing Mystic Truths."
    Year 2004
    Related pages Repeat Performance
  • Two glass display cases holding ephemera sit on either side of a tv monitor, on the wall are four black and white contact sheets.
    Two glass display cases holding ephemera sit on either side of a tv monitor, on the wall are four black and white contact sheets.
    Till They Listen: Bill Gunn Directs America. Installation view, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [Two glass display cases holding ephemera sit on either side of a tv monitor, on the wall are four black and white contact sheets.]
    Caption Till They Listen: Bill Gunn Directs America. Installation view, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description Two glass display cases holding ephemera sit on either side of a tv monitor, on the wall are four black and white contact sheets.
    Year 2021
    Related pages Till They Listen: Bill Gunn Directs America
  • A photograph of a woman looking into the camera with one hand raised to her cheek. She wears a striped white Adidas soccer jersey with the
    A photograph of a woman looking into the camera with one hand raised to her cheek. She wears a striped white Adidas soccer jersey with the
    Bernadette Corporation with Benjamin Alexander Huseby, BC Reloaded, 2012. [A photograph of a woman looking into the camera with one hand raised to her cheek. She wears a striped white Adidas soccer jersey with the "bc" logo in one corner, and her eyeshadow stops abruptly in the middle of her right eyelid, creating an artificial crease down her face.]
    Caption Bernadette Corporation with Benjamin Alexander Huseby, BC Reloaded, 2012.
    Image description A photograph of a woman looking into the camera with one hand raised to her cheek. She wears a striped white Adidas soccer jersey with the "bc" logo in one corner, and her eyeshadow stops abruptly in the middle of her right eyelid, creating an artificial crease down her face.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • An image of an exhibition space consisting of a mock up bedroom, a bed, table, chair, lamp, television, microwave, and coffee maker sit on a large beige rug.
    An image of an exhibition space consisting of a mock up bedroom, a bed, table, chair, lamp, television, microwave, and coffee maker sit on a large beige rug.
    The New Normal. Installation view, Artists Space, 2008. [An image of an exhibition space consisting of a mock up bedroom, a bed, table, chair, lamp, television, microwave, and coffee maker sit on a large beige rug.]
    Caption The New Normal. Installation view, Artists Space, 2008.
    Image description An image of an exhibition space consisting of a mock up bedroom, a bed, table, chair, lamp, television, microwave, and coffee maker sit on a large beige rug.
    Year 2008
    Related pages
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    Related pages BRIDGE Photography
  • Image of a basement with a rectangular shaped sculpture made of a wooden frame with fresnel lenses placed along the top and sides. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    Image of a basement with a rectangular shaped sculpture made of a wooden frame with fresnel lenses placed along the top and sides. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement with a rectangular shaped sculpture made of a wooden frame with fresnel lenses placed along the top and sides. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.]
    Caption SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a basement with a rectangular shaped sculpture made of a wooden frame with fresnel lenses placed along the top and sides. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    Year 2022
    Related pages SCRAAATCH 11-18
  • A color photograph of four sculptures mounted on wooden pedastals. The sculptures are connected by copper netting and are composed of objects including a model of a human head, a plasma globe, a drum, lights, and wires.
    A color photograph of four sculptures mounted on wooden pedastals. The sculptures are connected by copper netting and are composed of objects including a model of a human head, a plasma globe, a drum, lights, and wires.
    Milford Graves, Cosmos 2 - 5, 2020. Wood, copper netting, hand-painted drum, lights, metal, casters, acupuncture head, figurines, artifact, turntable, printed label, metal, glue, copper netting tubing, hand-painted drum, plasma globe, tree branch, model brain, lights, printed label, stones, transducer, amplifier, wires, wooden crate, metal bracket, anatomical model, copper pipe, outdoor house lamp, transducer, amplifier, printed label. Dimensions variable. Photo: Filip Wolak. [A color photograph of four sculptures mounted on wooden pedastals. The sculptures are connected by copper netting and are composed of objects including a model of a human head, a plasma globe, a drum, lights, and wires.]
    Caption Milford Graves, Cosmos 2 - 5, 2020. Wood, copper netting, hand-painted drum, lights, metal, casters, acupuncture head, figurines, artifact, turntable, printed label, metal, glue, copper netting tubing, hand-painted drum, plasma globe, tree branch, model brain, lights, printed label, stones, transducer, amplifier, wires, wooden crate, metal bracket, anatomical model, copper pipe, outdoor house lamp, transducer, amplifier, printed label. Dimensions variable. Photo: Filip Wolak.
    Image description A color photograph of four sculptures mounted on wooden pedastals. The sculptures are connected by copper netting and are composed of objects including a model of a human head, a plasma globe, a drum, lights, and wires.
    Year 2021
    Related pages Milford Graves: Fundamental Frequency
  • Black & white photograph of a gallery room with black walls. Around the center of the room are three hanging screens. Around the edges of the room, performers wearing all black stand under spotlights. Along the back wall sit a cellist and harpist with their instruments. The audience sit on the floor in front of the performers.
    Black & white photograph of a gallery room with black walls. Around the center of the room are three hanging screens. Around the edges of the room, performers wearing all black stand under spotlights. Along the back wall sit a cellist and harpist with their instruments. The audience sit on the floor in front of the performers.
    Shala Miller performs Genesis: Medley. Performance documentation, May 11, 2023, Artists Space. Photo: Roy Baizan. [Black & white photograph of a gallery room with black walls. Around the center of the room are three hanging screens. Around the edges of the room, performers wearing all black stand under spotlights. Along the back wall sit a cellist and harpist with their instruments. The audience sit on the floor in front of the performers.]
    Caption Shala Miller performs Genesis: Medley. Performance documentation, May 11, 2023, Artists Space. Photo: Roy Baizan.
    Image description Black & white photograph of a gallery room with black walls. Around the center of the room are three hanging screens. Around the edges of the room, performers wearing all black stand under spotlights. Along the back wall sit a cellist and harpist with their instruments. The audience sit on the floor in front of the performers.
    Year 2023
    Related pages Genesis: Medley
  • Three wine glasses sit next to each other on a glass shelf with a black background. Each glass has text lasered into the front. From left to right the first says,
    Three wine glasses sit next to each other on a glass shelf with a black background. Each glass has text lasered into the front. From left to right the first says,
    Louise Lawler, Who Says, Who Shows, Who Counts, 1990, Three chablis glasses with glass shelf, 8 1/2 x 14 x 4 1/4 in (21,6 x 35,6 x 10,8 cm), Edition of 50, Signed & numbered. [Three wine glasses sit next to each other on a glass shelf with a black background. Each glass has text lasered into the front. From left to right the first says, "who says," the second, "who shows," and the third, "who counts."]
    Caption Louise Lawler, Who Says, Who Shows, Who Counts, 1990, Three chablis glasses with glass shelf, 8 1/2 x 14 x 4 1/4 in (21,6 x 35,6 x 10,8 cm), Edition of 50, Signed & numbered.
    Image description Three wine glasses sit next to each other on a glass shelf with a black background. Each glass has text lasered into the front. From left to right the first says, "who says," the second, "who shows," and the third, "who counts."
    Year 1990
    Related pages Editions
  • A city skyline on fire behind black and white waves. Above that are four circular portraits of people and a title decal with the words
    A city skyline on fire behind black and white waves. Above that are four circular portraits of people and a title decal with the words
    Poster from Polly II - A Plan for a Revolution in Docklands (2006). [A city skyline on fire behind black and white waves. Above that are four circular portraits of people and a title decal with the words "POLLY II: Plan for a Revolution in Docklands."]
    Caption Poster from Polly II - A Plan for a Revolution in Docklands (2006).
    Image description A city skyline on fire behind black and white waves. Above that are four circular portraits of people and a title decal with the words "POLLY II: Plan for a Revolution in Docklands."
    Year 2006
    Related pages Polly II - A Plan for a Revolution in Docklands
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  • Two men wearing identical white shirts and blue jeans crouch outdoors at night. The figure on the right grasps two tree branches with both hands. His pants have been dropped to the ground and he sticks his bare rear out. The second figure on the left is fully clothed and crouches behind the other figure, shining a flashlight at his rear end.
    Two men wearing identical white shirts and blue jeans crouch outdoors at night. The figure on the right grasps two tree branches with both hands. His pants have been dropped to the ground and he sticks his bare rear out. The second figure on the left is fully clothed and crouches behind the other figure, shining a flashlight at his rear end.
    Dave Burns, SEACH FOR TRUTH, 2003. Digital photograph, archival light jet print. Courtesy the artist. [Two men wearing identical white shirts and blue jeans crouch outdoors at night. The figure on the right grasps two tree branches with both hands. His pants have been dropped to the ground and he sticks his bare rear out. The second figure on the left is fully clothed and crouches behind the other figure, shining a flashlight at his rear end.]
    Caption Dave Burns, SEACH FOR TRUTH, 2003. Digital photograph, archival light jet print. Courtesy the artist.
    Image description Two men wearing identical white shirts and blue jeans crouch outdoors at night. The figure on the right grasps two tree branches with both hands. His pants have been dropped to the ground and he sticks his bare rear out. The second figure on the left is fully clothed and crouches behind the other figure, shining a flashlight at his rear end.
    Year 2005
    Related pages Log Cabin
  • A nightime view of a truck driving past a parking lot. In the top left of the image is a superimposed video of a blond woman. The words
    A nightime view of a truck driving past a parking lot. In the top left of the image is a superimposed video of a blond woman. The words
    Ursula Biemann, still from Writing Desire, 2000. Video, 23 minutes. Courtesy the artist. [A nightime view of a truck driving past a parking lot. In the top left of the image is a superimposed video of a blond woman. The words "Hello I'm Natascha" appear in red to the right of the woman.]
    Caption Ursula Biemann, still from Writing Desire, 2000. Video, 23 minutes. Courtesy the artist.
    Image description A nightime view of a truck driving past a parking lot. In the top left of the image is a superimposed video of a blond woman. The words "Hello I'm Natascha" appear in red to the right of the woman.
    Year 2000
    Related pages New Economy
  • Magazine cutouts of faces printed in green ink, with red dots and accents, overlay a yellow and red printed background that has also been collaged together and drawn over with red and blue abstract lines. A block of black typewritten text on a white background is placed upside down in the bottom left of the image, and reads
    Magazine cutouts of faces printed in green ink, with red dots and accents, overlay a yellow and red printed background that has also been collaged together and drawn over with red and blue abstract lines. A block of black typewritten text on a white background is placed upside down in the bottom left of the image, and reads
    Flyer by Joe Frivaldi. [Magazine cutouts of faces printed in green ink, with red dots and accents, overlay a yellow and red printed background that has also been collaged together and drawn over with red and blue abstract lines. A block of black typewritten text on a white background is placed upside down in the bottom left of the image, and reads "ABASEMENT 65" and then the list of performers. On the right side of the image is text that reads the time and place of the event.]
    Caption Flyer by Joe Frivaldi.
    Image description Magazine cutouts of faces printed in green ink, with red dots and accents, overlay a yellow and red printed background that has also been collaged together and drawn over with red and blue abstract lines. A block of black typewritten text on a white background is placed upside down in the bottom left of the image, and reads "ABASEMENT 65" and then the list of performers. On the right side of the image is text that reads the time and place of the event.
    Year
    Related pages Abasement #65
  • Various box-like structures fill the gallery space. Central in the space, a white pedestal presents a small wooden stool.
    Various box-like structures fill the gallery space. Central in the space, a white pedestal presents a small wooden stool.
    Brad Kronz. Installation view, Artists Space, 2025. Photo: Carter Seddon [Various box-like structures fill the gallery space. Central in the space, a white pedestal presents a small wooden stool. ]
    Caption Brad Kronz. Installation view, Artists Space, 2025. Photo: Carter Seddon
    Image description Various box-like structures fill the gallery space. Central in the space, a white pedestal presents a small wooden stool.
    Year
    Related pages Brad Kronz
  • Pages of an old magazine containing text and printed images.
    Pages of an old magazine containing text and printed images.
    Zona. Carga Y Descarga, Issue 1, September-October 1972. Editor and Publisher: Rosario Ferré. Design and Photomontage: Zilia Sánchez. [Pages of an old magazine containing text and printed images.]
    Caption Zona. Carga Y Descarga, Issue 1, September-October 1972. Editor and Publisher: Rosario Ferré. Design and Photomontage: Zilia Sánchez.
    Image description Pages of an old magazine containing text and printed images.
    Year 2013
    Related pages Zilia Sánchez
  • A number of small figurines appear on a sculpted object with various other items including a half of a guitar and a picture. All appearing in a white-walled gallery space.
    A number of small figurines appear on a sculpted object with various other items including a half of a guitar and a picture. All appearing in a white-walled gallery space.
    Installation view from Six Sculptors, Artists Space, January 25, 1986 - February 22, 1986. [A number of small figurines appear on a sculpted object with various other items including a half of a guitar and a picture. All appearing in a white-walled gallery space.]
    Caption Installation view from Six Sculptors, Artists Space, January 25, 1986 - February 22, 1986.
    Image description A number of small figurines appear on a sculpted object with various other items including a half of a guitar and a picture. All appearing in a white-walled gallery space.
    Year
    Related pages Six Sculptors
  • A black and white image of a column-like sculpture displayed in the exhibition space.
    A black and white image of a column-like sculpture displayed in the exhibition space.
    Installation view from International Projects: Belgium, featuring Didier Vermeiren, Artists Space, 1984 [A black and white image of a column-like sculpture displayed in the exhibition space.]
    Caption Installation view from International Projects: Belgium, featuring Didier Vermeiren, Artists Space, 1984
    Image description A black and white image of a column-like sculpture displayed in the exhibition space.
    Year
    Related pages International Projects: Belgium
  • Paintings and collages appear on a white gallery wall and a scultpure on a pedestal sits in the foreground.
    Paintings and collages appear on a white gallery wall and a scultpure on a pedestal sits in the foreground.
    We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [Paintings and collages appear on a white gallery wall and a scultpure on a pedestal sits in the foreground.]
    Caption We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987.
    Image description Paintings and collages appear on a white gallery wall and a scultpure on a pedestal sits in the foreground.
    Year
    Related pages We the People
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  • Individual self-portraits, Untitled, 2021, collage and sequins on paper
    Caption Individual self-portraits, Untitled, 2021, collage and sequins on paper
    Image description
    Year 2021
    Related pages Threads of History
  • An open folding calculator, turned on its side and illuminated by bright green, peach, and pink lights.
    An open folding calculator, turned on its side and illuminated by bright green, peach, and pink lights.
    Ed Atkins, Death Mask II: The Scent, 2010. HD video with sound, 8 minutes 19 seconds. Courtesy the artist, Cabinet Gallery, London and Isabella Bortolozzi Galerie, Berlin. [An open folding calculator, turned on its side and illuminated by bright green, peach, and pink lights.]
    Caption Ed Atkins, Death Mask II: The Scent, 2010. HD video with sound, 8 minutes 19 seconds. Courtesy the artist, Cabinet Gallery, London and Isabella Bortolozzi Galerie, Berlin.
    Image description An open folding calculator, turned on its side and illuminated by bright green, peach, and pink lights.
    Year 2010
    Related pages Frozen Lakes
  • Three television screens installed on a gallery wall. Two screens are positioned in a portrait orientation and the third in a landscape orientation. Their cords loosely fall to the ground below and run beneath a door. Each screen displays images of one or several figures mid-speech or mid-movement.
    Three television screens installed on a gallery wall. Two screens are positioned in a portrait orientation and the third in a landscape orientation. Their cords loosely fall to the ground below and run beneath a door. Each screen displays images of one or several figures mid-speech or mid-movement.
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Three television screens installed on a gallery wall. Two screens are positioned in a portrait orientation and the third in a landscape orientation. Their cords loosely fall to the ground below and run beneath a door. Each screen displays images of one or several figures mid-speech or mid-movement.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Three television screens installed on a gallery wall. Two screens are positioned in a portrait orientation and the third in a landscape orientation. Their cords loosely fall to the ground below and run beneath a door. Each screen displays images of one or several figures mid-speech or mid-movement.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • White text on a blue and grey ombré background. The text reads: “Feb 8 / Rae Armantrout / John Kelsey.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    White text on a blue and grey ombré background. The text reads: “Feb 8 / Rae Armantrout / John Kelsey.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [White text on a blue and grey ombré background. The text reads: “Feb 8 / Rae Armantrout / John Kelsey.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description White text on a blue and grey ombré background. The text reads: “Feb 8 / Rae Armantrout / John Kelsey.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Rae Armantrout & John Kelsey
  • A large potted fern sits to the right of an elevator door in a light-filled gallery space. To the right of the fern is a low, round table with a pen and open booklet on top of it. A large black and white image installed on the gallery wall behind the fern shows several art books lined up next to one another on a blank surface. Text above the books reads,
    A large potted fern sits to the right of an elevator door in a light-filled gallery space. To the right of the fern is a low, round table with a pen and open booklet on top of it. A large black and white image installed on the gallery wall behind the fern shows several art books lined up next to one another on a blank surface. Text above the books reads,
    Rip It Up and Start Again. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A large potted fern sits to the right of an elevator door in a light-filled gallery space. To the right of the fern is a low, round table with a pen and open booklet on top of it. A large black and white image installed on the gallery wall behind the fern shows several art books lined up next to one another on a blank surface. Text above the books reads, "histoire de l'art cherche personnages."]
    Caption Rip It Up and Start Again. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description A large potted fern sits to the right of an elevator door in a light-filled gallery space. To the right of the fern is a low, round table with a pen and open booklet on top of it. A large black and white image installed on the gallery wall behind the fern shows several art books lined up next to one another on a blank surface. Text above the books reads, "histoire de l'art cherche personnages."
    Year 2010
    Related pages Rip It Up and Start Again: William S. Burroughs, Charles Henri Ford, Ray Johnson, Philippe Thomas, Arthur Russell
  • A few empty seats on an NYC subway - the 6 train, with the originating station titled
    A few empty seats on an NYC subway - the 6 train, with the originating station titled
    [A few empty seats on an NYC subway - the 6 train, with the originating station titled "Maintaining Good Relations"]
    Caption
    Image description A few empty seats on an NYC subway - the 6 train, with the originating station titled "Maintaining Good Relations"
    Year 2017
    Related pages Maintaining Good Relations
  • A crowd sitting down watching a performer on stage leaning over a table with electronic instruments, holding a mic close to their mouth. The audience is bathed in red light, and the wall behind the performer is covered with multicolored abstract projections.
    A crowd sitting down watching a performer on stage leaning over a table with electronic instruments, holding a mic close to their mouth. The audience is bathed in red light, and the wall behind the performer is covered with multicolored abstract projections.
    Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman. [A crowd sitting down watching a performer on stage leaning over a table with electronic instruments, holding a mic close to their mouth. The audience is bathed in red light, and the wall behind the performer is covered with multicolored abstract projections. ]
    Caption Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman.
    Image description A crowd sitting down watching a performer on stage leaning over a table with electronic instruments, holding a mic close to their mouth. The audience is bathed in red light, and the wall behind the performer is covered with multicolored abstract projections.
    Year
    Related pages Abasement #74
  • A mostly nude woman with parts of her body obscured by plants and flowers. She holds her arms up, with a large plant sprig in each hand. She has a large stem woven through her hair, and a single flower held between her toes.
    A mostly nude woman with parts of her body obscured by plants and flowers. She holds her arms up, with a large plant sprig in each hand. She has a large stem woven through her hair, and a single flower held between her toes.
    Anna Gili, Flower Dress, 1987. [A mostly nude woman with parts of her body obscured by plants and flowers. She holds her arms up, with a large plant sprig in each hand. She has a large stem woven through her hair, and a single flower held between her toes.]
    Caption Anna Gili, Flower Dress, 1987.
    Image description A mostly nude woman with parts of her body obscured by plants and flowers. She holds her arms up, with a large plant sprig in each hand. She has a large stem woven through her hair, and a single flower held between her toes.
    Year 1987
    Related pages Anna Gili
  • Developing cyanotypes, 2022
    Caption Developing cyanotypes, 2022
    Image description
    Year 2022
    Related pages Listening to the LES
  • Sculpted boots appear wih leaves on a leaf-covered section of the floor surrounded by a picket fence. In the background a white door opens up with a stack behind it. Nearby tree branches and other rustic constructions populate the gallery space.
    Sculpted boots appear wih leaves on a leaf-covered section of the floor surrounded by a picket fence. In the background a white door opens up with a stack behind it. Nearby tree branches and other rustic constructions populate the gallery space.
    Installation view from Six Sculptors, Artists Space, January 25 ,1986 - February 22, 1986. [Sculpted boots appear wih leaves on a leaf-covered section of the floor surrounded by a picket fence. In the background a white door opens up with a stack behind it. Nearby tree branches and other rustic constructions populate the gallery space.]
    Caption Installation view from Six Sculptors, Artists Space, January 25 ,1986 - February 22, 1986.
    Image description Sculpted boots appear wih leaves on a leaf-covered section of the floor surrounded by a picket fence. In the background a white door opens up with a stack behind it. Nearby tree branches and other rustic constructions populate the gallery space.
    Year
    Related pages Six Sculptors
  • Cave of Animals: Cave of the Future, site recording, 2024
    Caption Cave of Animals: Cave of the Future, site recording, 2024
    Image description
    Year
    Related pages Listening to the LES
  • A small store display shelf stuffed with Gap clothing store bags and a small palm tree. On the wall, a blue band wraps around to the adjacent wall with text that reads
    A small store display shelf stuffed with Gap clothing store bags and a small palm tree. On the wall, a blue band wraps around to the adjacent wall with text that reads
    ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A small store display shelf stuffed with Gap clothing store bags and a small palm tree. On the wall, a blue band wraps around to the adjacent wall with text that reads "Every customer will have their needs determined and merchandise suggested to meet those needs.". Above the text is a multilayered light display.]
    Caption ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A small store display shelf stuffed with Gap clothing store bags and a small palm tree. On the wall, a blue band wraps around to the adjacent wall with text that reads "Every customer will have their needs determined and merchandise suggested to meet those needs.". Above the text is a multilayered light display.
    Year 2021
    Related pages ART CLUB2000
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Caption
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    Year
    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • Artists Space logo, a capital letter 'A' inscribed in a circle
    Artists Space logo, a capital letter 'A' inscribed in a circle
    Artists Space logo designed by Louise Lawler, 1978 [Artists Space logo, a capital letter 'A' inscribed in a circle]
    Caption Artists Space logo designed by Louise Lawler, 1978
    Image description Artists Space logo, a capital letter 'A' inscribed in a circle
    Year
    Related pages History
  • Five framed photographs and documents displayed on freestanding, white panels in an exhibition space.
    Five framed photographs and documents displayed on freestanding, white panels in an exhibition space.
    Ken Okiishi, Wish I Were Here, 1997 – 2001. pigmented inkjet prints. Courtesy the artist [Five framed photographs and documents displayed on freestanding, white panels in an exhibition space.]
    Caption Ken Okiishi, Wish I Were Here, 1997 – 2001. pigmented inkjet prints. Courtesy the artist
    Image description Five framed photographs and documents displayed on freestanding, white panels in an exhibition space.
    Year 2013
    Related pages Frozen Lakes
  • Black and white photo of Andre Cadere holding a striped stick over one shoulder and crossing the street in New York City.
    Black and white photo of Andre Cadere holding a striped stick over one shoulder and crossing the street in New York City.
    Andre Cadere, 11 December, 1976, David Ebony Gallery, New York, 13.00 to 17.30, Photograph by Gianfranco Gorgoni Digital print Image size: 10 x 8 in / 25,4 x 20,3 cm Paper size: 11 x 8 in / 27,9 x 21,6 cm Signed and numbered certificate [Black and white photo of Andre Cadere holding a striped stick over one shoulder and crossing the street in New York City.]
    Caption Andre Cadere, 11 December, 1976, David Ebony Gallery, New York, 13.00 to 17.30, Photograph by Gianfranco Gorgoni Digital print Image size: 10 x 8 in / 25,4 x 20,3 cm Paper size: 11 x 8 in / 27,9 x 21,6 cm Signed and numbered certificate
    Image description Black and white photo of Andre Cadere holding a striped stick over one shoulder and crossing the street in New York City.
    Year 2015
    Related pages Artists Space Annual Edition Portfolio 2015
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Individual self-portraits, Untitled, 2021, collage and sequins on paper
    Caption Individual self-portraits, Untitled, 2021, collage and sequins on paper
    Image description
    Year 2021
    Related pages Threads of History
  • The corner of a small white room features elements implying that it's a bathroom: a sink, a blue trash bin, and a hot-water heater are below while a wall-mounted paper towel holder and a non-reversing mirror hang above.
    The corner of a small white room features elements implying that it's a bathroom: a sink, a blue trash bin, and a hot-water heater are below while a wall-mounted paper towel holder and a non-reversing mirror hang above.
    Beth Campbell, Four Eyes Are Better Than One, 2007. Site-specific installation. Courtesy the artist. Photo: Bill Orcutt. [The corner of a small white room features elements implying that it's a bathroom: a sink, a blue trash bin, and a hot-water heater are below while a wall-mounted paper towel holder and a non-reversing mirror hang above.]
    Caption Beth Campbell, Four Eyes Are Better Than One, 2007. Site-specific installation. Courtesy the artist. Photo: Bill Orcutt.
    Image description The corner of a small white room features elements implying that it's a bathroom: a sink, a blue trash bin, and a hot-water heater are below while a wall-mounted paper towel holder and a non-reversing mirror hang above.
    Year 2007
    Related pages On Being an Exhibition
  • A performer is surrounded by equipment, playing on stage. The stage is bathed in green and blue light patterns created by a projection.
    A performer is surrounded by equipment, playing on stage. The stage is bathed in green and blue light patterns created by a projection.
    Abasement #81. Performance documentation, October 20th, 2025, Artists Space. Photo: Joshua Wildman. [A performer is surrounded by equipment, playing on stage. The stage is bathed in green and blue light patterns created by a projection.]
    Caption Abasement #81. Performance documentation, October 20th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description A performer is surrounded by equipment, playing on stage. The stage is bathed in green and blue light patterns created by a projection.
    Year
    Related pages Abasement #81
  • Three panels with animal-like figure outlines appear on the floor opened out with a black background.
    Three panels with animal-like figure outlines appear on the floor opened out with a black background.
    Gerome Kamrowski. Hopeful Monster, 1980. [Three panels with animal-like figure outlines appear on the floor opened out with a black background.]
    Caption Gerome Kamrowski. Hopeful Monster, 1980.
    Image description Three panels with animal-like figure outlines appear on the floor opened out with a black background.
    Year
    Related pages Moderns in Mind
  • A black and white installation photograph of a gallery space. Several rectangular forms are on the floor, and a large voluminous black rectangle is attached to the wall on the left.
    A black and white installation photograph of a gallery space. Several rectangular forms are on the floor, and a large voluminous black rectangle is attached to the wall on the left.
    Pictures. Installation view, Artists Space, 1977. Photo: D. James Dee. [A black and white installation photograph of a gallery space. Several rectangular forms are on the floor, and a large voluminous black rectangle is attached to the wall on the left.]
    Caption Pictures. Installation view, Artists Space, 1977. Photo: D. James Dee.
    Image description A black and white installation photograph of a gallery space. Several rectangular forms are on the floor, and a large voluminous black rectangle is attached to the wall on the left.
    Year 1977
    Related pages Pictures
  • A number of framed photographs and texts are hung on walls in a gallery space.
    A number of framed photographs and texts are hung on walls in a gallery space.
    Reese Williams. Installation view, Artists Space, 1980. [A number of framed photographs and texts are hung on walls in a gallery space.]
    Caption Reese Williams. Installation view, Artists Space, 1980.
    Image description A number of framed photographs and texts are hung on walls in a gallery space.
    Year
    Related pages Reese Williams
  • A small statue of a bird sits on the floor of a dimly-lit gallery space. A long black wire runs from the sculpture to the ceiling. Several square holes have been removed from several spots on the gallery wall behind the sculpture, through which a space on the other side of the wall is visible.
    A small statue of a bird sits on the floor of a dimly-lit gallery space. A long black wire runs from the sculpture to the ceiling. Several square holes have been removed from several spots on the gallery wall behind the sculpture, through which a space on the other side of the wall is visible.
    Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt. [A small statue of a bird sits on the floor of a dimly-lit gallery space. A long black wire runs from the sculpture to the ceiling. Several square holes have been removed from several spots on the gallery wall behind the sculpture, through which a space on the other side of the wall is visible.]
    Caption Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt.
    Image description A small statue of a bird sits on the floor of a dimly-lit gallery space. A long black wire runs from the sculpture to the ceiling. Several square holes have been removed from several spots on the gallery wall behind the sculpture, through which a space on the other side of the wall is visible.
    Year 1997
    Related pages Lines of Loss
  • Color image of a performer standing in the center of the frame, looking down while playing an electric guitar. In the foreground the backs of audience members are blurred. The scene is decorated with an abstract striped projection resembling a screen glitch.
    Color image of a performer standing in the center of the frame, looking down while playing an electric guitar. In the foreground the backs of audience members are blurred. The scene is decorated with an abstract striped projection resembling a screen glitch.
    Abasement #75. Performance documentation, February 3rd, 2025, Artists Space. Photo: Joshua Wildman. [Color image of a performer standing in the center of the frame, looking down while playing an electric guitar. In the foreground the backs of audience members are blurred. The scene is decorated with an abstract striped projection resembling a screen glitch.]
    Caption Abasement #75. Performance documentation, February 3rd, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Color image of a performer standing in the center of the frame, looking down while playing an electric guitar. In the foreground the backs of audience members are blurred. The scene is decorated with an abstract striped projection resembling a screen glitch.
    Year
    Related pages Abasement #75
  • One figure stands in a small square construction waist high and a nearby child stands inside another square construction with their head peeking out at the other figure. A figure stands behind them by a washbasin with clothes hanging from a clothesline in front of them. Bushes and trees appear behind them along with another edifice in the background. Video scan lines and black edges of CRT monitor are visible.
    One figure stands in a small square construction waist high and a nearby child stands inside another square construction with their head peeking out at the other figure. A figure stands behind them by a washbasin with clothes hanging from a clothesline in front of them. Bushes and trees appear behind them along with another edifice in the background. Video scan lines and black edges of CRT monitor are visible.
    Sistema Sandinista de Television. Still from Golpes de la Corazon (Blows of the Heart), 1983. Video (sound, black and white). Spanish with English subtitles. [One figure stands in a small square construction waist high and a nearby child stands inside another square construction with their head peeking out at the other figure. A figure stands behind them by a washbasin with clothes hanging from a clothesline in front of them. Bushes and trees appear behind them along with another edifice in the background. Video scan lines and black edges of CRT monitor are visible.]
    Caption Sistema Sandinista de Television. Still from Golpes de la Corazon (Blows of the Heart), 1983. Video (sound, black and white). Spanish with English subtitles.
    Image description One figure stands in a small square construction waist high and a nearby child stands inside another square construction with their head peeking out at the other figure. A figure stands behind them by a washbasin with clothes hanging from a clothesline in front of them. Bushes and trees appear behind them along with another edifice in the background. Video scan lines and black edges of CRT monitor are visible.
    Year 1983
    Related pages TV Sandino
  • A group of people gathered on a city sidewalk, looking into a parked car. Above them, the text Recycling L.A., May 31-June 30, 1990, Artists Space" appears in a black square." />
    A group of people gathered on a city sidewalk, looking into a parked car. Above them, the text Recycling L.A., May 31-June 30, 1990, Artists Space" appears in a black square." />
    Recycling L.A., Newspaper cover, May 1990. [A group of people gathered on a city sidewalk, looking into a parked car. Above them, the text "Recycling L.A., May 31-June 30, 1990, Artists Space" appears in a black square.]
    Caption Recycling L.A., Newspaper cover, May 1990.
    Image description A group of people gathered on a city sidewalk, looking into a parked car. Above them, the text "Recycling L.A., May 31-June 30, 1990, Artists Space" appears in a black square.
    Year 1990
    Related pages Recycling L.A.
  • A horizontal image with a flat, light blue background. On the right side is a pink, cotton candy-like image of a cloud. The word,
    A horizontal image with a flat, light blue background. On the right side is a pink, cotton candy-like image of a cloud. The word,
    Flyer for Segue Reading Series featuring Kamden Hilliard and E.J. McAdams. Saturday, November 13, 2021, Artists Space. Artist: Lonely Christopher & Venn Daniel [A horizontal image with a flat, light blue background. On the right side is a pink, cotton candy-like image of a cloud. The word, "Segue" appears in pink text on the top left side. The name, "Kamden Hilliard," is written on the center-left in large red text, while the name, "Laura Elrick," appears in purple on the center-right.]
    Caption Flyer for Segue Reading Series featuring Kamden Hilliard and E.J. McAdams. Saturday, November 13, 2021, Artists Space. Artist: Lonely Christopher & Venn Daniel
    Image description A horizontal image with a flat, light blue background. On the right side is a pink, cotton candy-like image of a cloud. The word, "Segue" appears in pink text on the top left side. The name, "Kamden Hilliard," is written on the center-left in large red text, while the name, "Laura Elrick," appears in purple on the center-right.
    Year 2021
    Related pages Segue Reading Series: Laura Elrick & E.J. McAdams
  • A flyer featuring a vintage orange and black computer with a small monitor and chunky keyboard set against a saturated yellow background. White, stylized text on a faded computer screen reads:
    A flyer featuring a vintage orange and black computer with a small monitor and chunky keyboard set against a saturated yellow background. White, stylized text on a faded computer screen reads:
    [A flyer featuring a vintage orange and black computer with a small monitor and chunky keyboard set against a saturated yellow background. White, stylized text on a faded computer screen reads: "A READING BY ALAN FELSENTHAL AND BETSY FAGIN." Red text on the yellow background in the upper left corner reads: "Artists Space & the Segue Reading Series present" and in the lower right corner: "Saturday May 23rd / 5 pm NYC time / Zoom ID 378 232 567”]
    Caption
    Image description A flyer featuring a vintage orange and black computer with a small monitor and chunky keyboard set against a saturated yellow background. White, stylized text on a faded computer screen reads: "A READING BY ALAN FELSENTHAL AND BETSY FAGIN." Red text on the yellow background in the upper left corner reads: "Artists Space & the Segue Reading Series present" and in the lower right corner: "Saturday May 23rd / 5 pm NYC time / Zoom ID 378 232 567”
    Year 2020
    Related pages Segue Reading Series: Betsy Fagin & Alan Felsenthal
  • Color image of a video installation in the center of the floor of a gallery. A walkway made of plywood runs along the edges of the room, encircling the projection. The projection depicts a mirrored negative film image. The image features an assortment of abstracted objects arranged on a blue background.
    Color image of a video installation in the center of the floor of a gallery. A walkway made of plywood runs along the edges of the room, encircling the projection. The projection depicts a mirrored negative film image. The image features an assortment of abstracted objects arranged on a blue background.
    Crystal Z Campbell: Ode to the Underloved. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color image of a video installation in the center of the floor of a gallery. A walkway made of plywood runs along the edges of the room, encircling the projection. The projection depicts a mirrored negative film image. The image features an assortment of abstracted objects arranged on a blue background.]
    Caption Crystal Z Campbell: Ode to the Underloved. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color image of a video installation in the center of the floor of a gallery. A walkway made of plywood runs along the edges of the room, encircling the projection. The projection depicts a mirrored negative film image. The image features an assortment of abstracted objects arranged on a blue background.
    Year
    Related pages Crystal Z Campbell
  • Characteristic, expressive handwriting on a page spells out phrases such as “All Power to the People!” and ”Seize the Time!” in both English and Spanish.
    Characteristic, expressive handwriting on a page spells out phrases such as “All Power to the People!” and ”Seize the Time!” in both English and Spanish.
    Third World Gay Revolution, “Come Out in Third World Lingo,” back cover of Come Out! 1, no. 7, (December/January 1970 – 7). Courtesy Archivo Moléculas Malucas. [Characteristic, expressive handwriting on a page spells out phrases such as “All Power to the People!” and ”Seize the Time!” in both English and Spanish.]
    Caption Third World Gay Revolution, “Come Out in Third World Lingo,” back cover of Come Out! 1, no. 7, (December/January 1970 – 7). Courtesy Archivo Moléculas Malucas.
    Image description Characteristic, expressive handwriting on a page spells out phrases such as “All Power to the People!” and ”Seize the Time!” in both English and Spanish.
    Year
    Related pages Whitney ISP Archive
  • Close-up image of the faces of a man and a woman, both of their figures cut off by the frame. The woman stands slightly in front of the man, who stands directly behind her shoulder. She wears lipstick, jewelry, and has short hair, while the man is older and wears a suit with a stiff collar. Neither figure looks at each other, gazing elsewhere.
    Close-up image of the faces of a man and a woman, both of their figures cut off by the frame. The woman stands slightly in front of the man, who stands directly behind her shoulder. She wears lipstick, jewelry, and has short hair, while the man is older and wears a suit with a stiff collar. Neither figure looks at each other, gazing elsewhere.
    [Close-up image of the faces of a man and a woman, both of their figures cut off by the frame. The woman stands slightly in front of the man, who stands directly behind her shoulder. She wears lipstick, jewelry, and has short hair, while the man is older and wears a suit with a stiff collar. Neither figure looks at each other, gazing elsewhere.]
    Caption
    Image description Close-up image of the faces of a man and a woman, both of their figures cut off by the frame. The woman stands slightly in front of the man, who stands directly behind her shoulder. She wears lipstick, jewelry, and has short hair, while the man is older and wears a suit with a stiff collar. Neither figure looks at each other, gazing elsewhere.
    Year 2007
    Related pages Program 5 - In The Poem About Love You Don't Write The Word Love Film Series at Anthology Film Archives
  • A postcard, displaying puple text on a white background, provides details about the exhibition and corresponding events.
    A postcard, displaying puple text on a white background, provides details about the exhibition and corresponding events.
    Postcard for Underground: amanaplanacanalpanama, 1990, Artists Space. [A postcard, displaying puple text on a white background, provides details about the exhibition and corresponding events.]
    Caption Postcard for Underground: amanaplanacanalpanama, 1990, Artists Space.
    Image description A postcard, displaying puple text on a white background, provides details about the exhibition and corresponding events.
    Year 1990
    Related pages Underground: AMANAPLANACANALPANAMA
  • A black and white drawing forms an image puzzle featuring broken-up text and a clock. A handwritten date appears in the bottom right corner:
    A black and white drawing forms an image puzzle featuring broken-up text and a clock. A handwritten date appears in the bottom right corner:
    Detail of the flyer for the performance "Fun With Time Time," Ralston Farina, May 22, 1977, Artists Space. [A black and white drawing forms an image puzzle featuring broken-up text and a clock. A handwritten date appears in the bottom right corner: "5.22.77."]
    Caption Detail of the flyer for the performance "Fun With Time Time," Ralston Farina, May 22, 1977, Artists Space.
    Image description A black and white drawing forms an image puzzle featuring broken-up text and a clock. A handwritten date appears in the bottom right corner: "5.22.77."
    Year
    Related pages Ralston Farina: Time // Time
  • Color image of the corner of a darkened gallery space with two small pinhole projector sculpture installations. The pinhole projector on the left is housed in a polka-dot patterned gift-wrapped box. On the wall, an image of a white ceramic teacup with a radial swirl pattern is projected. On the right, the projector is wrapped in white foam padding and secured with red string. On the wall, it projects an image of a square containing an golden metal hoop and pin along with four small, glittering pink and green strawberry ornaments.
    Color image of the corner of a darkened gallery space with two small pinhole projector sculpture installations. The pinhole projector on the left is housed in a polka-dot patterned gift-wrapped box. On the wall, an image of a white ceramic teacup with a radial swirl pattern is projected. On the right, the projector is wrapped in white foam padding and secured with red string. On the wall, it projects an image of a square containing an golden metal hoop and pin along with four small, glittering pink and green strawberry ornaments.
    Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view (Doris Guo, Bathroom Kitchen Confusion, 2023; Doris Guo, Fruit Basket, 2024), Artists Space, 2024. Photo: Carter Seddon. [Color image of the corner of a darkened gallery space with two small pinhole projector sculpture installations. The pinhole projector on the left is housed in a polka-dot patterned gift-wrapped box. On the wall, an image of a white ceramic teacup with a radial swirl pattern is projected. On the right, the projector is wrapped in white foam padding and secured with red string. On the wall, it projects an image of a square containing an golden metal hoop and pin along with four small, glittering pink and green strawberry ornaments.]
    Caption Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view (Doris Guo, Bathroom Kitchen Confusion, 2023; Doris Guo, Fruit Basket, 2024), Artists Space, 2024. Photo: Carter Seddon.
    Image description Color image of the corner of a darkened gallery space with two small pinhole projector sculpture installations. The pinhole projector on the left is housed in a polka-dot patterned gift-wrapped box. On the wall, an image of a white ceramic teacup with a radial swirl pattern is projected. On the right, the projector is wrapped in white foam padding and secured with red string. On the wall, it projects an image of a square containing an golden metal hoop and pin along with four small, glittering pink and green strawberry ornaments.
    Year
    Related pages Doris Guo Matthew Langan-Peck Isabelle Frances McGuire Ruben Ulises Rodriguez Montoya
  • A painted image of a white push-button telephone sitting atop a brown surface with a yellow wall behind it. At the top right is a 10 cent postage stamp depicting a face with missing teeth and a text that says
    A painted image of a white push-button telephone sitting atop a brown surface with a yellow wall behind it. At the top right is a 10 cent postage stamp depicting a face with missing teeth and a text that says
    Blaster Al Ackerman, Untitled, n.d., painted album cover, 12 x 12 inches. Courtesy of Stewart Mostofsky. [A painted image of a white push-button telephone sitting atop a brown surface with a yellow wall behind it. At the top right is a 10 cent postage stamp depicting a face with missing teeth and a text that says "The GIGGLER."]
    Caption Blaster Al Ackerman, Untitled, n.d., painted album cover, 12 x 12 inches. Courtesy of Stewart Mostofsky.
    Image description A painted image of a white push-button telephone sitting atop a brown surface with a yellow wall behind it. At the top right is a 10 cent postage stamp depicting a face with missing teeth and a text that says "The GIGGLER."
    Year
    Related pages Attention Line
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A black and white film still of a stone rockface with a small stone shelter built into the rock on the left side.
    A black and white film still of a stone rockface with a small stone shelter built into the rock on the left side.
    Charles Simonds. Still from Mythologies, 1974. From Thomas Lanigan-Schmidt, James Biederman, Charles Simonds, Artists Space, 1974. [A black and white film still of a stone rockface with a small stone shelter built into the rock on the left side.]
    Caption Charles Simonds. Still from Mythologies, 1974. From Thomas Lanigan-Schmidt, James Biederman, Charles Simonds, Artists Space, 1974.
    Image description A black and white film still of a stone rockface with a small stone shelter built into the rock on the left side.
    Year 1974
    Related pages Thomas Lanigan Schmidt, James Biederman, Charles Simonds
  • A performer plays a stringed instrument on stage. The performer and the onlooking audience are illuminated in bright lights.
    A performer plays a stringed instrument on stage. The performer and the onlooking audience are illuminated in bright lights.
    Abasement #85. Performance documentation, March 2nd, 2026, Artists Space. Photo: Joshua Wildman. [A performer plays a stringed instrument on stage. The performer and the onlooking audience are illuminated in bright lights. ]
    Caption Abasement #85. Performance documentation, March 2nd, 2026, Artists Space. Photo: Joshua Wildman.
    Image description A performer plays a stringed instrument on stage. The performer and the onlooking audience are illuminated in bright lights.
    Year
    Related pages Abasement #85
  • Image of a basement with a rectangular shaped sculpture made of a wooden frame with fresnel lenses placed along the top and sides. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    Image of a basement with a rectangular shaped sculpture made of a wooden frame with fresnel lenses placed along the top and sides. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement with a rectangular shaped sculpture made of a wooden frame with fresnel lenses placed along the top and sides. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.]
    Caption SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a basement with a rectangular shaped sculpture made of a wooden frame with fresnel lenses placed along the top and sides. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    Year 2022
    Related pages SCRAAATCH 12-3
  • A solo musician standing on stage faces the audience and plays a small wooden instrument. They are bathed in red and pink light. They are looking down and wearing a headlamp. On the stage there are also multiple electronic instruments, cords, and a plant. A green image is projected on a side wall above the audience. The wall in the background is scattered with white dots reflected from a disco ball.
    A solo musician standing on stage faces the audience and plays a small wooden instrument. They are bathed in red and pink light. They are looking down and wearing a headlamp. On the stage there are also multiple electronic instruments, cords, and a plant. A green image is projected on a side wall above the audience. The wall in the background is scattered with white dots reflected from a disco ball.
    Abasement #71. Performance documentation, August 5th, 2024, Artists Space. Photo: Joshua Wildman. [A solo musician standing on stage faces the audience and plays a small wooden instrument. They are bathed in red and pink light. They are looking down and wearing a headlamp. On the stage there are also multiple electronic instruments, cords, and a plant. A green image is projected on a side wall above the audience. The wall in the background is scattered with white dots reflected from a disco ball.]
    Caption Abasement #71. Performance documentation, August 5th, 2024, Artists Space. Photo: Joshua Wildman.
    Image description A solo musician standing on stage faces the audience and plays a small wooden instrument. They are bathed in red and pink light. They are looking down and wearing a headlamp. On the stage there are also multiple electronic instruments, cords, and a plant. A green image is projected on a side wall above the audience. The wall in the background is scattered with white dots reflected from a disco ball.
    Year
    Related pages Abasement #71
  • Three light, mauve-colored walls in an exhibition space each display several canvases. The three walls are arranged such that they are parallel to each other. Each of the canvases are slightly three-dimensional, with elements that stretch in or out from their surfaces.
    Three light, mauve-colored walls in an exhibition space each display several canvases. The three walls are arranged such that they are parallel to each other. Each of the canvases are slightly three-dimensional, with elements that stretch in or out from their surfaces.
    Zilia Sánchez. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [Three light, mauve-colored walls in an exhibition space each display several canvases. The three walls are arranged such that they are parallel to each other. Each of the canvases are slightly three-dimensional, with elements that stretch in or out from their surfaces.]
    Caption Zilia Sánchez. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description Three light, mauve-colored walls in an exhibition space each display several canvases. The three walls are arranged such that they are parallel to each other. Each of the canvases are slightly three-dimensional, with elements that stretch in or out from their surfaces.
    Year 2013
    Related pages Zilia Sánchez
  • Color photograph of a figure dressed in black performing in front of an audience in the background. The room is dark, with LED light sculptures made from dried SCOBY in the background. The figure sits on the floor, looking off to the right and holding a mask in front of their face.
    Color photograph of a figure dressed in black performing in front of an audience in the background. The room is dark, with LED light sculptures made from dried SCOBY in the background. The figure sits on the floor, looking off to the right and holding a mask in front of their face.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a figure dressed in black performing in front of an audience in the background. The room is dark, with LED light sculptures made from dried SCOBY in the background. The figure sits on the floor, looking off to the right and holding a mask in front of their face.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of a figure dressed in black performing in front of an audience in the background. The room is dark, with LED light sculptures made from dried SCOBY in the background. The figure sits on the floor, looking off to the right and holding a mask in front of their face.
    Year
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • Three desks are lined up in front of each other, each desktop has a TV monitor and clay rocks. In the back is a dark room with yellow LED light sculptures.
    Three desks are lined up in front of each other, each desktop has a TV monitor and clay rocks. In the back is a dark room with yellow LED light sculptures.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, September 16, 2022 - December 3, 2022. Photo: Filip Wolak [Three desks are lined up in front of each other, each desktop has a TV monitor and clay rocks. In the back is a dark room with yellow LED light sculptures.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, September 16, 2022 - December 3, 2022. Photo: Filip Wolak
    Image description Three desks are lined up in front of each other, each desktop has a TV monitor and clay rocks. In the back is a dark room with yellow LED light sculptures.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • A group of basketball players sit on a bench, a cutout photograph of a pink flower collaged over each of their heads. On top of the lower half of the image, black text reads
    A group of basketball players sit on a bench, a cutout photograph of a pink flower collaged over each of their heads. On top of the lower half of the image, black text reads
    Flyer for Segue Reading Series featuring Kimberly Alidio and Joyelle McSweeney. Saturday, November 7, 2020, Artists Space. Artist: Keith Higginbotham [A group of basketball players sit on a bench, a cutout photograph of a pink flower collaged over each of their heads. On top of the lower half of the image, black text reads "Kimberly Alidio / Joyelle McSweeney" and the lower left corner pink text reads "Segue."]
    Caption Flyer for Segue Reading Series featuring Kimberly Alidio and Joyelle McSweeney. Saturday, November 7, 2020, Artists Space. Artist: Keith Higginbotham
    Image description A group of basketball players sit on a bench, a cutout photograph of a pink flower collaged over each of their heads. On top of the lower half of the image, black text reads "Kimberly Alidio / Joyelle McSweeney" and the lower left corner pink text reads "Segue."
    Year 2020
    Related pages Segue Reading Series: Joyelle McSweeney & Kimberly Alidio
  • Circular bricolage sculpture in a white-walled gallery space.
    Circular bricolage sculpture in a white-walled gallery space.
    Lizbeth Marano. Third Circle, 1985. [Circular bricolage sculpture in a white-walled gallery space.]
    Caption Lizbeth Marano. Third Circle, 1985.
    Image description Circular bricolage sculpture in a white-walled gallery space.
    Year
    Related pages Four Artists: An Exhibition of Painting and Sculpture
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