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James Benning, still from Nightfall, 2011. Digital HD, 97 min. [Trees in a dense forest captured at nightfall.] -
[Five book covers on a transparent background next to eachother in a line. From left to right the titles read, "The Abolition of Work," "Modern Dreams," "The Man Without Qualities," "Money," and "Power."] -
Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [Several small planks of wood of different sizes, shapes, and colors lean against a white gallery wall. Different words have been painted across the length of each plank, including "rhythm," "grace," "love," and "warmth." Above the planks hang two framed, green paintings.] -
Shala Miller, Genesis, 2023 [A black-and-white film still of hazy and ghostly tonal modulations. A disembodied arm and hand with extended fingers is captured in mid-motion, floating within the nondescript tonal atmosphere.] -
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Electronic Disturbance Theater 2.0/b.a.n.g. lab. The Transborder Immigrant Tool, 2007–ongoing. Pages excerpted from The Transborder Immigrant Tool publication. Courtesy the artist, University of Michigan Ann Arbor, and University of California, San Diego. [English version of the poem “You can survive without eating anything for three weeks in hot weather…/En climas cálidos, puede sobrevivir hasta tres semanas sin comer nada...” is written in the top-left portion of the page while the Spanish version is written in the lower-right. A grey line of varying widths divides the two languages.] -
Split/Vision. Installation View. Artists Space, 1985-86. [A number of framed images appear on the wall, on the left there is an organized section of 16 and 8 are hung horizontally next to that grouping.] -
Yara in the dojo, c. 1970s. Courtesy the Estate of Milford Graves [A black-and-white photograph depicting three men equally distanced from one another. They hold their hands up to the ceiling with their palms out and stand near a floral printed wall.] -
Mitch Corber, video still, c. 1977. [Black lowercase typewriter text on a white background reads "we can't wait."] -
Abasement #76. Performance documentation, March 3rd, 2025, Artists Space. Photo: Joshua Wildman. [Color image of a performer on stage, standing in front of various types of electronic audio equipment. They are wearing a monochromatic purple outfit and glasses. The wall behind them is decorated with blue, orange, and purple projections. The left side of the room is lit with small blue dots reflecting from a disco ball. A few audience members are visible in the bottom edge of the image.] -
Hannah Weiner, Book of Revelations, 1989, Pencil in altered book, dimensions variable [An image of a brightly photographed display case with a book which has been cut into in the center.] -
Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a gallery space. Various musical instruments and audio devices are placed around the middle of the room, photographs and vitrines hang on the walls, and various television monitors and projections are placed along the sides of the room.] -
[Several students stand around a large desk working on mixed-media artworks. One reaches for something from another student towards the camera.] -
Not yet titled, 2019
Clay, glaze, metal antenna
3 1/2 x 13 x 12 inches (variable)
$2,500
[A grey object with brown surface sits on a white base. A metal antenna extends out on a diagonal.] -
Cover of Jack the Modernist, New York Review Books, 2025. Cover by Louis Fratino. [Book cover featuring two illustrated nude men, one is laying down along the bottom of the cover, and the other stands and frames the right side. In the center is a smaller illustration of buildings. Text reads "JACK THE MODERNIST / ROBERT GLÜCK."] -
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Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Two screens hung on either side of the top of a support beam in a gallery. The room is otherwise empty. One screen depicts a woman walking down a fashion runway, wearing a black jacket and shorts with a sheer top.] -
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Richard Hawkins, Perineal purple, 2022. Photo: Filip Wolak. [Color image of an abstract oil painting. Along the edges of the composition are large patches of purple, with green and black patterns running through it. Along the top edge is a white background, with a small black dot on one side. Below that running through the middle is a thickly applied area of black paint, with a small white dot in the center of the top.] -
U.S. Projects: Howard Fried. Installation view, Artists Space, 1983. [A sink structure on wheels sits atop a tilted wooden table top with legs of varying sizes. Light from the ceiling is seen emanating onto the structure in the white-walled gallery space.] -
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Fifth Season Act, Apotheosically. Performance documentation, May 31, 2012, Artists Space. [Close up detail of a sculpture composed of a large glass pane with a painted canvas installed in the pane's center. The back of the canvas faces the viewer, and faint words are penciled onto its surface. A golden tassle and necklce cluster and hang around the canvas' edge.] -
Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color photo of an installation and sound work in a gallery space. Wooden tables with black table tops are stacked upon eachother, creating a structure of tables about 20 feet high. The tables are densely packed and populated by a variety of insturments, automated sound objects and other found items such as hair care products and medicine bottles. Behind the stack of tables, a large piece of cardboard hangs on the wall, filled with drawings and collaged elements.] -
Tilo Schulz, Remake Performance, Artists Space, 2004. [Two men walking inside a large inflatable sphere being followed by a crowd of people, some who are filming them, outside in a grassy and paved area.] -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a performer dressed in white, kneeling on all fours. A bright light from their pelvic area shines onto the floor, as viewers stand around the figure.] -
James Carpenter. Shaking. Installation view. Artists Space, 1985. [An indistinguishable projection on the wall with an installed light appearing above it facing the opposite direction and a bright light coming in from the upper right corner of the image. A column bisects the image.] -
Abasement #68. Performance documentation, February 12, 2024, Artists Space. Photo: Joshua Wildman. [Color image of a seated musician playing a tenor saxophone on a stage. In the foreground of the image, there is the blurred back of the heads of seated audience members. In the center midground of the image, the musician is basked in green and yellow light being emitted from a projector. The projection covers the back wall behind the musician and the stage. ] -
[White text overlays a green and brown background. The text reads: “May 6 / stefa marin alarcon / zavé martohardjono." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)] -
Martin Beck, An Organized System of Instructions (Carpenter Center for the Visual Arts and Sternberg Press, 2017). [A hardcover book depicting a blueish outdoor park obscured by several grey sheets.] -
Still from Losing Ground, picturing Bill Gunn and Seret Scott, 1982. [On the right, a woman wearing a purple dress lies down on a couch with her eyes closed. To the left, a man sits on the floor in front of her, wearing a yellow t-shirt and overalls.] -
Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a figure dressed in black performing in front of an audience in the background. The room is dark, with LED light sculptures made from dried SCOBY in the background. The figure sits on the floor, looking off to the right and holding a mask in front of their face.] -
Abasement #71. Performance documentation, August 5th, 2024, Artists Space. Photo: Joshua Wildman. [Three musicians sit on stage and play various electronic instruments. They are bathed in red, blue, pink, and purple light projections and a large scale image of a web. In the foreground audience members are lit with red and yellow lights.] -
Prince Grace, Of Black, 2021. [Over a black background, “terminology / BLACK** / adj. / 1. Having the very dark color of the night sky or the eye’s pupil / 2. Of or relating to any various population groups of especially African ancestry often considered as having dark pigmentation of the skin but in fact having a wide range of skin colors / 3. Of or relating to Black people / 4. Dirty, soiled / 5. Characterized by the absence of light / 6. Served without milk or cream / 7. Indicative of condemnation or discredit / 8. Heavy / 9. Connected with or invoking the supernatural and especially the devil” is written in white text. Certain words are underlined and appear in grey.] -
Cover of BIOTA: A discourse between Art and Architecture from the 1970s to the present, co-published by Gregory R. Miller & Co. and Hunter College Art Galleries, 2025. [Book cover featuring a grainy close-up image of a flower. Black text across the center of the cover reads "biota."] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Three figures perform in a basement. On the left a figure in a blue morph suit wears a pair of wings made of fresnel lenses. On the right another figure in a blue morph suit stands behind a rolling table made of wood and fresnel lenses. Another figure to the far right takes video footage.] -
Cory Arcangel, $10 Applebee’s Gift Card, 2013, Plastic gift card with $10 value, 2 x 3 in 5 x 7,6 cm, Signed and Numbered [Gift cards features Applebee's branded logo of a red apple. Verso of the card shows the apple design with an American flag and says "THANK YOU"] -
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Gerome Kamrowski. Hopeful Monster, 1980. [Three panels with animal-like figure outlines appear on the floor opened out with a black background.] -
Martha Wallner and Miriam Loaisiga. Still from Con Guerra O Sin Guerra (With or Without War), 1987. Video (sound, black and white). 20 minutes. Spanish with English subtitles. [Two figures are sitting at the table with one hand tightly gripped to the other. Four men stand behind them looking on and partial text on the wall is visible in the background. Subtiltes burned onto the bottom of the image read,"I'm sorry, I mean Mercedes won and Solis lost." Scan lines in the image and the outer box of a CRT monitor are visible.] -
Abasement #71. Performance documentation, August 5th, 2024, Artists Space. Photo: Joshua Wildman. [Close up of two musicians sitting side by side and looking down. The musician on the right plays the guitar and the musician on the left plays the violin. The wall in the background is purple tinted.] -
Flyer for Palm-Lined with Potience. April 28, 2022, Artists Space. [A dark grey background with black silhouettes of leaves and foliage. In the top left corner, "Artists Space / Ugly Duckling Presse / present the launch:" is written in yellow-orange text. In the center "Palm-Lined with Potience / Fury Young / Jaylen Strong / Alex Tatarsky / Benjamin Krusling / Adjua Gargi Nzinga Greaves / JJJJJerome Ellis / x / Basie Allen" appears in yellow text. In the bottom right corner "Thursday, April 28 / 7:00pm 11 Cortlandt Alley" is written in yellow-orange text.] -
[White text on a blue and grey ombré background. The text reads: “Feb 8 / Rae Armantrout / John Kelsey.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
Craig Baldwin, Tribulation 99: Alien Anomalies Under America (still), 1992. [A group of eight figures with beaks for noses, and dressed in red and white outfits and helmets, stand in an imposing formation against a yellow background.] -
Abasement #81. Performance documentation, October 20th, 2025, Artists Space. Photo: Joshua Wildman. [An illuminated performer sings into a microphone. ] -
Friends of Artists Space Dinner 2024. Executive Director & Chief Curator Jay Sanders. Photo: Jenna Bascom -
Ana Vieira-Gerbracht, Untitled, 2021, digital photography -
Photograph released by St. Louis County prosecuting attorney of police officer Darren Wilson after he fatally shot Michael Brown on Aug. 9, 2014 in Ferguson, Missouri. [A small ruler held up to a man's face, measuring a bruise on his cheek.] -
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[Stamped yellow text spelling out "W.A.G.E" at a slight angle. Underneath that, typed pink text reads, "Working Artists and the Greater Economy."] -
Pictures. Installation view, Artists Space, 1977. Photo: D. James Dee. [A black and white photograph of an artwork. A gainst a black background, 35 circles are drawn. Inside of each sphere is a miniature scene, either featuring people, planes, or household interiors.] -
Eiko Ishibashi, Two New York Nights. Performance documentation, June 8, 2022, Artists Space [A figure lit with red light is sitting at a table holding a microphone to their mouth. On the table are a desk lamp and a laptop computer.] -
Gary Burnley, Martin Cohen, Candace Hill-Montgomery, Louis Stein, and Haim Steinbach. Contact sheet of photos from exhibition opening, Artists Space, 1979. Photos by Gary Burnley. [Contact sheet of installation images taken during exhibition opening.] -
INFESTED. Installation view, Arists Space, 2013. Photo: Lyndsy Welgos. [Several empty food containers and milk boxes on a hardwood floor, with milk spilled out all over the floor.] -
Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt. [A flower arrangement consisting of white flowers and green leaves displayed on a slated, wooden floor. The arrangement is shaped such that it forms a lowercase, italicized letter "a."] -
Gerome Kamrowski. Facets of a Dome, 1960. [A dark black and white photograph with various shadows visible.] -
Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A green, blue, and yellow abstract landscape painting hangs on a white wall. A purple buffalo painting is hanging on the wall to the left. To the right, a tall paper is pinned into a purple section of wall.] -
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[Black text on a light blue-grey and yellow ombré background. The text reads: “April 19 / Jennifer Firestone / Matvei Yankelevich.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
Liz Deschenes Ibry's timetable 1878 (Paris - Lyon), 2018, UV print on photogram, 8 x 14 inches, Signed edition of 100, 5APs, Courtesy of the artist. [Black and white chart tracking the movement of trains through major cities in France. Text at the bottom of the chart reads "Fig. 7. Graphique de la marche des trains sur un chemin de fer, d'après la méthode de Ibry."] -
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Leslie Hewitt, Make it Plain, 2006. C-print. [A large, framed photograph of two books, a wooden rectangle, and a photograph stacked vertically on each other. There is a second photograph offset to the right in the image.] -
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SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image taken between two curtains of a TV affixed to a wall on the right, displaying blue-tinted video footage of the performance with a fresnel lens hanging in front of the TV display.] -
Flipside. Installation view, Artists Space, 2004. [Small red sculptures of octopi and squids arranged in an oval shape on a white wall.] -
Doris Guo, angst, 2023 [Color image of a small pinhole projector, sitting on a pedestal and facing a wall to the left of the image. On the wall, an image of a red pearlescent ball, with a small white pearlescant ball attached on top, is projected.] -
Milford Graves, Untitled Drawing, 2020. Ink, Sharpie, acrylic paint, collage elements on paper. Photo: Filip Wolak. [A color photograph of a mixed media collage with various drawings and handwritten text in a white frame.] -
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Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court [Two figures wearing medical scrubs and surgical masks move a table with wheels, on top of which a mannequin lies.] -
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Tiffany Sia, A Wet Finger in the Air, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A photograph of three TV screens stacked on top of each other. Two small speakers are visible on either side of the TV screens.] -
Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure in a blue shirt kneels down on stage, looking down and working with audio equipment. A blue light is cast onto them from below.] -
Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022. [Inside an orange-hued room are four tree trunks sitting atop a striped construction net. Three trunks are adorned in purple, orange, blue, pink, yellow, and green fabrics. A fourth trunk sits without fabric.] -
Millie Wilson, The Painter Who is Not One, 1990, detail. Acrylic on canvas, text, type, photos, wall paint, 13 by 25 feet, variable. [A small square of illegible text, an abstract image of two black squares on grey, and a painting of a person in period dress and a top hat all hang on a blue wall.] -
Abasement #71. Performance documentation, August 5th, 2024, Artists Space. Photo: Joshua Wildman. [Two musicians standing on stage use electronic instruments. In the foreground there various more cords and audio instruments on stands. Both musicians have microphones and one is wearing a woven hat. The wall behind them is projected with images of trees, and a red light illuminates the left side of the frame.] -
[A man in a sleeveless Metallica shirt stands in front of a makeshift music studio, looking at the camera.] -
Attention Line. Installation view (posters and ephemera from Other Cinema, c. 1970s-80s), Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [An image of a brightly lit wall, upon which various ephemera are mounted.] -
P.S. 140 student poems from “I am” project, 2018 [Two poems. On the left, by Quentin: "I am from a computer and websites and games. / I am from a fun house and a loud house. / I am from an acacia tree and a bush whose stems I remember as if they were my own. / I am from Fourth of July and birthdays and from being sick toether and my sister Sivanda. / I am from my niece and being observant and independent. / I am from "stay out of the trouble" and "wait until you're older" and *Wheels on the Bus.* / I am from always eating at 7 o'clock. / I am from Manhattan and Puerto Rico and Africa and chicken and rice and seafood. / I am from fighting all the time and shiny and precious jewlery." The second poem, by Gabby, reads: "I am from Hip Hop music and cocoa butter and sprite. / I am from Joy and love. / I am from a cherry tree and daisies whose stems I remember as if they were my own. / I am from church and birthday parties and from bravery and confidence. / I am from Sabrina and cleaning the house and from family that is protective of me. / I am from 'mind your business' and 'I don't have friends, I have associates' and 'stay alive longer!' and the song *Body Party* by Ciara. / I am from visiting with family in Pennsylvania. / I am from East Harlem and West Indians and fried chicken and mac 'n cheese. / I am from Shakina who passed and I am named after her and a beautiful Egyptian statue"] -
The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich. [20 photographs arranged in 5 rows of 4 on a white wall. The photos show various shots taken under beds. There is descriptive wall text to the right of the photos.] -
Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon. [Ten photographs are displayed on a white gallery wall. The photographs are arranged into two identical rows. The photographs along the top are darker and cool toned. The photographs along the bottom are much brighter and warm toned. To the left of the photographs is a white panel that shows the floor plan of a gallery.] -
Margia Kramer. Installation view, Artists Space, 1980. [Black and white photograph of cursive white text on a black background on the floor.] -
Louise Lawler. Installation View. Artists Space, 1986 [A yellowish image of a fireplace with paintings, a mirror and a TV monitor next to a line of text that reads: "Once there was a little boy and everything turned out alright. The End."] -
Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata [Color image of a figure standing on a black stage, with a spotlight placed on them. They are hunched over a black suitcase on the floor, and holding a small radio in their hands.] -
Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater. Installation view, Artists Space, 2019. Photo: Daniel Pérez. [Twelve long wooden poles are mounted on a white gallery wall in a circular formation, projecting out from the wall and intersecting a line of black columns, forming a teepee shape. A large piece of brown linen stained with various black, white, and rust-colors hangs from the poles. Part of the linen drapes on the ground below the teepee structure. Several sculptures are visible behind the structure, containing disembodied humanoid heads arranged among platforms and pieces of wood, cardboard, and other materials.] -
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Living with Pop. A Reproduction of Capitalist Realism. Installation view of the section “Galerie Schmela (1966),” Artists Space, 2014. [A white table with various documents sits in the ceter for a room. On the right, a televsion displaying a man walking sits on a pedestal. In the background, a black and white image of a crowd at a dinner table is displayed.] -
Till They Listen: Bill Gunn Directs America. Installation view, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [Along the wall is a glass display case holding ephemera, hanging above are two black and white contact sheets.] -
Underground: Jose Gabriel Fernandez. Installation view, Artists Space, 1991. [A large cone-shaped object in a room with wooden floors and a window covered with a sheer curtain. A light, floral print decorates one wallpapered wall; the same print covers the cone.] -
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Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022. [A color image of a pink-hued room inside which an irregularly shaped platform with a reflective surface sits on the ground. Objects such as plants, a fish tank, and tree stumps sit on and around the platform.] -
[A person walking down a city street, speaking into a megaphone. Behind her are several cars and a truck, and she is surrounded by loft buildings.] -
Avery Singer, The Studio Visit, 2012. Courtesy the artist and Gavin Brown's enterprise, New York/Rome and Kraupa-Tuskany Zeidler, Berlin. [Abstract painting of two people sitting at a table, having a conversation.] -
Gerome Kamrowski. Paintings on the Surface of a Dome, 1960. [A black and white photograph of a painted, sculpted object appears hanging above a person's head in a dark space.] -
Lucas Pedernieras, from Huh portfolio, 2020, digital photograph [A painted orange sun outlined in yellow with light orange rays with a black background is visible in the upper corner of a ceiling with cyan moulding.] -
[White text overlays a background of a blue sky, tree tops, and tadpoles. The text reads: “May 20 / Fred Moten / Onyx Collective (Austin Williamson & Isaiah Barr) " Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)] -
Metaphysical Visions. Installation view, Artists Space, 1989. [In the foreground of a white gallery space is a large sculpture made of a wooden box topped with a floral textile and wooden chairs. Another sculpture and painting are installed behind it.] -
Hernan Bas, Needles (In Anticipation of the Fall), 2005, Single color hard ground etching, 26 1/4 x 21 inches (67 x 53 cm), Edition of 30, Courtesy the artist, Fredric Snitzer Gallery, Miami & Daniel Reich Gallery, New York, Printed by Julia D’Amario. [A wood framed drawing hangs on a wall. The pencil drawing depicts a youthful figure at the center of the page with abstract pencil markings surrounding them.] -
Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure in a red sweater stands on stage, behind three microphones placed around them, their left hand held up to their mouth.] -
Miguel Angel Rios, Morir ('til Death), 2003. [A collection of black spinning tops on concrete. Several are upright, spinning, and several have fallen onto their sides. A white grid is just visible on the ground beneath them.] -
Episode. Installation view, Artists Space, 2007. Photo: Bill Orcutt. [A dark screening room with a single brown couch. An image is projected on the wall, showing a hallway with a slightly ajar door, through which blue light is filtered.] -
Mark Fell, Isomorphism and Totality (projection still), 2010. [An emanating, abstract blue and black circle on a teal backdrop.] -
Cheyney Thompson, Untitled, 2015, Offset and metal powders in acrylic binder on synthetic paper, with handwriting, 22 ½ x 19 in / 57,2 x 48,3 cm, Each unique with hand notation [An abstract, gestural drawing in neutral tones, with the names of metal elements at the bottom of the page.] -
Jaylynn Reyna, 31 Years of Glory, 2021, digital photography -
Abasement #79. Performance documentation, August 11th, 2025, Artists Space. Photo: Joshua Wildman. [Two performers are on stage, the performer on the left side blows into a long woodwind instrument. The performer on the right sits behind a desk on top of which is a large pile of audio equipment. The stage and wall behind it are bathed in blue light, created from projections of a geometric pattern.] -
Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court [A figure wearing blue clothing uses the body of another person beneath them to hold their weight up.] -
Salad Days. Installation view, Artists Space, 2004. [Two paintings hung on white walls meeting in a corner. The paintings are colorful, predominantly pink and red.] -
Sidewalk Archives, Artists Space, April 2023 -
Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view (Doris Guo, Doorstop 1, 2024; Doris Guo, Doorstop 2, 2024), Artists Space, 2024. Photo: Carter Seddon. [Color image of two small doorstop sculptures on the floor of the gallery space landing. The sculpture in the foreground consists of a short column of aluminum, banded with black rubber near the top. In the background sits another sculpture, a squat column of concentric stainless steel rings with a black rubber core.] -
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Living with Pop. A Reproduction of Capitalist Realism. Installation view, Artists Space, 2014. [An angled view of a wall portraying four paintings, of various dimensions, at eye level. In the room, a 34mm projector displays a video, to the right, on a gray wall.] -
Jon Rubin. *Alice Underwater. Installation view from Dark Rooms, Artists Space, 1985. [A figure sits in front of a two screens next to each other with impressionistic forest imagery. The light from the projection spills out onto the walls and ceiling while the figure and the floor is shrouded in darkness.] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Three figures perform in a basement. On the left a figure in a blue morph suit wears a pair of wings made of fresnel lenses. On the right another figure in a blue morph suit stands behind a rolling table made of wood and fresnel lenses. Another figure to the far right takes video footage.] -
Ian Bader. Spalation Clock, 1977. Section 1. [Architectural drawing on center of page with white surrounding it.] -
Activated Walls. Installation view, Artists Space, 1993. [A person working in a small space enclosed by walls, painted red with white text. At the top of the wall, large letters read "AZT=DEATH", with a paragraph of text stretching across three walls. Underneath, there are a dozen white pieces of a paper taped up.] -
Ei Arakawa. Social Muscle Rehab (early edit for exhibition), 2021. 5:19 minutes. With Dan Chen, Danielle A. Jackson, K.O. Nnamdie, Masako Shiba, Kenneth Teng, Ivanny Pagan, Britnie Williams. Camera by Lazar Bozic (Ortvi.com). Image courtesy Artists Space, New York. Photo: Filip Wolak [View of a florbound television screen and speaker next to a brown pole. The edge of a black net is visible on the left.] -
Abstruction. Installation view, Artists Space, 2003. [Several artworks installed in a large gallery space with white walls and wooden flooring. A television monitor rests on a low acrylic box on the floor to the room's right side. A warped purple and pink image resembling a kaleidoscopic star shape is displayed on its screen. There are white columns to the left of the monitor. Hanging on a gallery wall on the image's far left side is a large piece of translucent, white cloth embroidered with amorphous red and blue linework. The far gallery wall behind the twinned columns has been painted with slanted, striped areas of peach, yellow, and ochre color.] -
Abasement #68. Performance documentation, February 12, 2024, Artists Space. Photo: Joshua Wildman. [Color image of a musician standing behind a long table on a stage. The musician plays a large soundboard placed on the table. The musician wears a black long sleeve top and looks down at the soundboard as they play. They have short blond hair with bangs. A colorful image, almost like a close-up shot of a cell rendered in pink, red, blue and black is projected onto the stage and the wall behind the stage. A shadow of the musician appears on the back wall. ] -
ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A view of a vending machine against a glazed over window, tiled images on a white gallery wall, and a glass table surrounded by four wooden chairs.] -
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Drake Carr, Marcs IV, 2023. Acrylic on panel. 87 x 33 1/2 x 2 inches. Image courtesy Artists Space, New York. Photo: Filip Wolak. [A color image of a work, made out of cut-out panel, of a woman-presenting figure with short blond hair. The work on the left is a woman-presenting figure, with short blond hair. It has its arms crossed over its chest, and is dramatically looking up. It's wearing a black suit and a single red glove] -
Vidas Perdidas. Installation view, Artists Space, 1989. [A folding wall is erected in the center of a gallery space. Its top features painted portraits of eight people from the waist up. Below them, the lower half of the wall is covered in white, handpainted text on a black background. The text extends onto the floor, and its bottom edge is bordered by a row of votive candles. Behind this wall, other artworks are partially visible.] -
Sharon Hayes, Symbionese Liberation Army (SLA), 2002. [Stacks of labeled VHS tapes of varying heights arranged against a white wall.] -
Jack Smith, Untitled (Plaster Foundation of Atlantis), 35mm slide, c. 1970. Copyright: Jack Smith Archive. Courtesy Gladstone Gallery, New York and Brussels. [An assortment of fake flowers, tinsel, a disfigured mannequin's leg, used tissues, empty whiskey bottles, and other festive detritus.] -
Abasement #63. Performance documentation, July 17, 2023, Artists Space. Photo: Joshua Wildman. [A grainy color image of two performers facing each other on a stage, with a large audience observing in a dark room. One individual on stage is sitting and faces the camera, watching her performance partner. The other individual has their back turned to the camera, as they crouch over musical equipment on the stage floor. A pinkish-red hue from some spotlights illuminates the on-stage performers.] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [A figure in a blue morph suit stands, their hands on their waist, and looks to the left. A figure behind them films them. Blue video footage is projected onto the back wall.] -
Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013. [A sculpture of a man leans against a white column in an otherwise empty gallery space.] -
Milford Graves, Cosmos 2 - 5, 2020. Wood, copper netting, hand-painted drum, lights, metal, casters, acupuncture head, figurines, artifact, turntable, printed label, metal, glue, copper netting tubing, hand-painted drum, plasma globe, tree branch, model brain, lights, printed label, stones, transducer, amplifier, wires, wooden crate, metal bracket, anatomical model, copper pipe, outdoor house lamp, transducer, amplifier, printed label. Dimensions variable. Photo: Filip Wolak. [A color photograph of four sculptures mounted on wooden pedastals. The sculptures are connected by copper netting and are composed of objects including a model of a human head, a plasma globe, a drum, lights, and wires.] -
Drake Carr: Housecalls. Performance documentation, September 10, 2023, Artists Space at the Armory Show. Photo: Joshua Wildman. [A color image of a white wall with windows and black and white curtains. Through the window, a cross-legged figure is partially seen sitting on a chair. Only the legs and hands are visible.] -
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Hito Steyerl, Guards, 2012. HD video on freestanding screen with sound, 20 mins. Courtesy the artist and Andrew Kreps, New York. [A portrait oriented video is projected in a dark narrow space. A bench sits in front of the video. An image-still of a man, gesturing towards the viewer with both hands together, is on the back wall.] -
Abasement #70. Performance documentation, July 1st, 2024, Artists Space. Photo: Joshua Wildman. [View from right of 5 musicians, with lights from a disco ball visible along the walls behind them. From left, musician playing a clarinet, behind which is a musician playing a vibraphone. In the center a musician playing a trumpet into a microphone. In the foreground are pictured musicians playing a cello and a violin. ] -
Susan Cianciolo, Flowers, 2018, 25 x 21 x 1 1/2 inches, Silkscreen on book cloth on bespoke archival box, Signed edition of 100, 5APs Courtesy of the artist [A portfolio box with a flowered pattern on the lid is shown on a white ground with the lid slightly askew.] -
Fifth Season Act, Apotheosically. Performance documentation, May 31, 2012, Artists Space. [A crowd if people sit on wooden chairs in a large gallery space. The crowd forms a semi-circle around a portion of the gallery floor covered in a brown, dirt-like material. A woman in a white suit stands amonst the debris and speaks into a microphone in front of a sculpture composed of a large pane of glass.] -
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Zilia Sánchez. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [Two paneled works hang on either side of a white column on a light, mauve-colored wall. Both canvases are slightly three-dimensional, with elements that stretch in or out from their surfaces.] -
Manuel De Landa, still from The Itch Scratch Itch Cycle, 1976, 16mm, color, sound, 8 minutes. [A color image of a man and a woman standing facing each other. The man in the red shirt, with his back facing the viewers, points to himself; the woman in the blue top puts her hands on her hips and stares back at the man. A reflection of the man's irate facial expression is cast on a glass surface, overlapping onto the woman's body.] -
Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a background of red and yellow paper. Pieces of beige paper with typewritten text listing the performers and event details are scattered around the flyer.] -
Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [An angled view of large blue painting hanging on a white wall in an exhibition space. To the right of the painting in the center of the room, a projector positioned on a small stand projects an image onto a screen that is also supported by a similar, small stand. The projected image depicts a side view of a man and woman sitting across a table.] -
Observational drawing exercises [A pineapple and two bananas sit on a table with a person's hands in the midst of drawing the fruit with pencil at the center of the image.] -
Ralph Paquin and Ann Stoddard, ERAWA - ERA WAS, 1990. Installation view, Artists Space, 1990. [A large paper-maché head lays face-up on a metal scaffolding. Above it, green cursive text reads, "ring is worn out by constant use."] -
[Black text on an orange background. The text reads: “Nov 2 / Latasha N. Nevada Diggs / Modesto Flako Jimenez.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
Attention Line. Installation view, Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [An image of a monitor with two chairs in front of it. To the right of the monitor, a photocollage hangs on the wall.] -
New Red Order Cover the Earth, 2021 Painted mural with cut vinyl, dibond prints, kiddie pool, sod, inflatable alligator, turtle sandbox, beach towels, towel racks, beach balls, beach chairs, beach umbrella, real estate lawn sign, cooler, and pool noodles. Image courtesy Artists Space, New York Photo: Filip Wolak [A wide angle image of a multicolored exhibition space consisting of beach paraphernalia.] -
[A digitally-produced image featuring a series of translucent, yellow forms that resemble topographical renderings superimposed over a series of white grids.] -
LaTasha N. Nevada Diggs, Twerk (New York: Belladonna Books, 2015). [A book cover design featuring large pink text that reads, "TWERK" against an abstract turquoise background. Parts of the letter "K" and "T" extend off the page and have been overlaid with a lacy ribbon pattern.] -
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Richard Klauber. Installation view, Ruth Hardinger, Richard Klauber, Artists Space, 1975. [A color installation photograph of a black, grey, and white abstract painting on a white wall.] -
Mr. Dead & Mrs. Free: A History of Squat Theatre. Installation view, Artists Space, 1996. [A gallery space with two white columns bisecting the room. There are black and white images on the wall and a large sign suspended from the ceiling with red letters reading "squat." Behind the sign, a large seated baby with glowing eyes is visible through a paned window.] -
[A woman dressed in a suit sits among clouds in a blue sky, smiling, with six arms. Each hand is holding two phones, an alarm clock, globe, laptop, and folder.] -
Joseph Hilton, Beside the Sleeping Guards (of Cairo) Day and Night, 1986. [A drawing of various nude human figures appearing in space with a white background.] -
Flyer for Segue Reading Series featuring Artress Bethany White & Cait O'Kane. April 23, 2022, Artists Space. [Black text overlays a white background with a yellow bunch of flowers in the upper left corner. The top left corner reads: “Artress Bethany White / & Cait O’Kane / April 23, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”] -
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Flyer for Segue Reading Series featuring Samiya Bashir and Jasmine Gibson. October 22, 2022, Artists Space. [Light blue text overlays a dark blue background. The top left corner reads: "Samiya Bashir & Jasmine Gibson / October 22, 5pm." The middle reads: "Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519."] -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure dressed in white, laying face down across two ledges of a raised desk.] -
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Brett Reichman, Squeaker, 1991. Oil on canvas, 36 x 36 inches. Courtesy the artist. [A painting of a lamb figurine.] -
Susan Eder, c. 1976. From Susan Eder, Matt Mullican, Artists Space, 1976. [A black and white photograph of a figure with long hair. They raise their left hand up to brush away their hair from their face.] -
Drake Carr, Martin Cohn, 2023. Colored pencil on paper. 40 1/16 x 32 3/16 inches. Image courtesy Artists Space, New York. Photo: Filip Wolak. [A color image of an unframed drawing of a figure wearing a yellow dress. The figure is seen from a three-quarter view. To the right, near the head, there is a floating blue fish. Behind the figure, a brown column stands.] -
Benito Huerta, Attempted, Not Known. Media unknown, dimesions unknown. [A wooden ornament with a string attached at its top, is carved with the outlines of the worlds continents, becoming a miniature globe.] -
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Bert Carpenter. Reflections, 1980. [A number of paintbrushes and artists gloves appear inside a tin can next to other tin cans and paintbrushes lying on a canvas and table underneath.] -
Abasement #78. Performance documentation, June 16th, 2025, Artists Space. Photo: Joshua Wildman. [Color image of five performers on stage. They are playing bass, violin, guitars, and drums. A row of audience members are visible in the foreground, with their backs to the camera. A blue projection covers the performers and the back wall.] -
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Hito Steyerl, Liquidity, Inc., 2014, HD video with sound, 30 mins. Courtesy the artist and Andrew Kreps, New York. Installation view from Hito Steyerl, Artists Space, 2015. [A side view of a large video monitor screen, sitting on the ground, with a large ramp extending from the base. Two viewers sit on large pillows at the curve of the ramp. The room is tinted blue. On the screen, there is a man in a sitting in an office with a note pad and a pen at the table in front of him.] -
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Vintage clocks designed by George Nelson, late 1940-50s. Collected by Felix Gonzalez-Torres. Loaned by Julie Ault, John Connelly, Amada Cruz Harman and Rick G. Harman, Jim Hodges, Roni Horn, Michelle Reyes, Andrea Rosen. [A series of vintage, abstract clocks hanging on a white wall above a long didactic text displayed on a horizontal plinth.] -
SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a TV screen playing blue-tinted video footage of the performance with a fresnel lens placed in front of the screen, distorting the image.] -
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I Thought I Had Time. Installation view, Artists Space, 1992. [A series of rectangular and square panels, strips of wood, and portions of ornate frames installed on a white wall. The installed elements are positioned adjacent to one another such that they form a larger, irregular shape. The panels feature black, white, and muted colors. Some feature abstract painted compositions and color blocks, others include text and collaged photographs.] -
Charlotte Posenenske. Configured by the staff of Artists Space. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A geometric, silver metal sculpture sits on a wooden gallery floor in front of a large, light-filled window. The sculpture is modular, hollow, and consists of rectangular and triangular metal components. Two vent-like openings in the sculpture face the viewer, while the opposite side of the sculpture bends towards the gallery window.] -
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Yasunao Tone in Concert with Barbara Held. Performance documentation, January 19, 2023, Artists Space. Photo: Destiny Mata [Two figures sit in front of a table filled with audio equipment including a commodore computer and flute-to-haiku converter.] -
Exhibition announcements (assorted). Artists Space, 1999. Graphic Design: Sara Soskolne. [Nine fanned announcement cards in assorted colors. Black text on each card announces the Lise Soskolne exhibition at Artists Space, noting the time and exhibition location.] -
Too Black, Too Strong! Installation View, Artists Space, 1988. [A black and white image of two couches set in front of a TV monitor on a pedestal and two speakers installed on either side of it. The TV screen is on, but no clear image is visible on it. A door to exit is visible in the background.] -
Lyndon Barrois Jr., Guardians Gate (Farfanicchio), 2022; Masters of Fine Arts, 2011/2022. Wood, latex paint, antique brass elements, cast iron, oil paint, twigs, brass, burlap, packing felt; oil on canvas, artist frame, solvent transfer, plywood, curtains, frames, lights, easels, conservators coat, headlamp. Dimensions variable. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of a door with multiple nested smaller doors within the doorframe. Each individual doorway is framed with a gold outline. To the left are several empty picture frames and two studio lights. In front of dark green curtains is a painting set in a gold frame.] -
Mark Morrisroe: From This Moment On. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A white wall displaying twenty-one framed photograms arranged in a rectangle creates a corner with a second white wall displaying four framed photograms in a horizontal line.] -
Bernadette Corporation: 2000 Wasted Years. Installation View, Artists Space, 2012. Photo: Daniel Pérez. [Three plexiglass and poster board timelines and a large black structure are visible within a gallery space. The timelines depict photos and texts arranged by year, from 1999-2001. The structure has an image of an office wrapped around one column and a TV is visible through the structure.]
