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  • A figure wearing a black, puffy coat and a white, waxy mask that covers their entire head stands beside a stone structure with an illegible inscription. Their hand rests on the stone next to a small, spherical surveillance camera as they look off into the distance.
    A figure wearing a black, puffy coat and a white, waxy mask that covers their entire head stands beside a stone structure with an illegible inscription. Their hand rests on the stone next to a small, spherical surveillance camera as they look off into the distance.
    New Red Order, still from CULTURE CAPTURE: TERMINAL ADDITION, 2019. [A figure wearing a black, puffy coat and a white, waxy mask that covers their entire head stands beside a stone structure with an illegible inscription. Their hand rests on the stone next to a small, spherical surveillance camera as they look off into the distance.]
    Caption New Red Order, still from CULTURE CAPTURE: TERMINAL ADDITION, 2019.
    Image description A figure wearing a black, puffy coat and a white, waxy mask that covers their entire head stands beside a stone structure with an illegible inscription. Their hand rests on the stone next to a small, spherical surveillance camera as they look off into the distance.
    Year 2019
    Related pages New Red Order: Informants Get Paid!
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A marionette wearing a black suit, collared shirt, and white Nike Air Force 1s is positioned laying prone on a windowsill. Red curtains cover half of the window behind the marionette. In the corner, a small stage lights is directed at the marionette. Outside of the window is an alleyway with graffiti.
    A marionette wearing a black suit, collared shirt, and white Nike Air Force 1s is positioned laying prone on a windowsill. Red curtains cover half of the window behind the marionette. In the corner, a small stage lights is directed at the marionette. Outside of the window is an alleyway with graffiti.
    Aristotelis Nikolas Mochloulis, Aristotelis Nikolas Mochloulis, 2025. Marionette. Photo: Carter Seddon. [A marionette wearing a black suit, collared shirt, and white Nike Air Force 1s is positioned laying prone on a windowsill. Red curtains cover half of the window behind the marionette. In the corner, a small stage lights is directed at the marionette. Outside of the window is an alleyway with graffiti.]
    Caption Aristotelis Nikolas Mochloulis, Aristotelis Nikolas Mochloulis, 2025. Marionette. Photo: Carter Seddon.
    Image description A marionette wearing a black suit, collared shirt, and white Nike Air Force 1s is positioned laying prone on a windowsill. Red curtains cover half of the window behind the marionette. In the corner, a small stage lights is directed at the marionette. Outside of the window is an alleyway with graffiti.
    Year
    Related pages Aristotelis Nikolas Mochloulis Tour
  • A framed image with black text, white background, and a black & white photo in the center hangs on a wall. The photo depicts a cop on the left who reaches towards a man holding a gun and a young child on the right. Above the photo it says,
    A framed image with black text, white background, and a black & white photo in the center hangs on a wall. The photo depicts a cop on the left who reaches towards a man holding a gun and a young child on the right. Above the photo it says,
    Lukas Duwenhögger, Restive Childhood, 2016, Archival inkjet with silkscreen on 320 gsm Hahnemühle Photorag Pearl paper, 20 ¾ x 15 ¾ inches (52,7 x 40 cm), Edition of 10 + 3 AP, Signed & Numbered. [A framed image with black text, white background, and a black & white photo in the center hangs on a wall. The photo depicts a cop on the left who reaches towards a man holding a gun and a young child on the right. Above the photo it says, "Out of the blue: / Children march on capital / demanding homo-adoption / innumerable casualties / heart-wrenching scenes." Beneath the photo, the text repeats but in Turkish.]
    Caption Lukas Duwenhögger, Restive Childhood, 2016, Archival inkjet with silkscreen on 320 gsm Hahnemühle Photorag Pearl paper, 20 ¾ x 15 ¾ inches (52,7 x 40 cm), Edition of 10 + 3 AP, Signed & Numbered.
    Image description A framed image with black text, white background, and a black & white photo in the center hangs on a wall. The photo depicts a cop on the left who reaches towards a man holding a gun and a young child on the right. Above the photo it says, "Out of the blue: / Children march on capital / demanding homo-adoption / innumerable casualties / heart-wrenching scenes." Beneath the photo, the text repeats but in Turkish.
    Year 2016
    Related pages Editions
  • A digital rendering of a large structure composed of suspended sheets of red material installed in a gray room. The red sheets are stacked on top of one another, suspended from lengths of wire that run from ceiling to floor. The sheets bend amorphously and are arranged such that they resemble irregular layers of sedimentary rock or strata. Three digitally-rendered figures observe the structure.
    A digital rendering of a large structure composed of suspended sheets of red material installed in a gray room. The red sheets are stacked on top of one another, suspended from lengths of wire that run from ceiling to floor. The sheets bend amorphously and are arranged such that they resemble irregular layers of sedimentary rock or strata. Three digitally-rendered figures observe the structure.
    [A digital rendering of a large structure composed of suspended sheets of red material installed in a gray room. The red sheets are stacked on top of one another, suspended from lengths of wire that run from ceiling to floor. The sheets bend amorphously and are arranged such that they resemble irregular layers of sedimentary rock or strata. Three digitally-rendered figures observe the structure.]
    Caption
    Image description A digital rendering of a large structure composed of suspended sheets of red material installed in a gray room. The red sheets are stacked on top of one another, suspended from lengths of wire that run from ceiling to floor. The sheets bend amorphously and are arranged such that they resemble irregular layers of sedimentary rock or strata. Three digitally-rendered figures observe the structure.
    Year 2005
    Related pages nARCHITECTS: Party Wall
  • Two walls form an entry way to the exhibition space. Both present black and white photos across their entire surface area. On the left, two men sit in a living room; on the right a man stands outside a store with a neon light sign.
    Two walls form an entry way to the exhibition space. Both present black and white photos across their entire surface area. On the left, two men sit in a living room; on the right a man stands outside a store with a neon light sign.
    Living with Pop. A Reproduction of Capitalist Realism. Installation view, Artists Space, 2014. [Two walls form an entry way to the exhibition space. Both present black and white photos across their entire surface area. On the left, two men sit in a living room; on the right a man stands outside a store with a neon light sign.]
    Caption Living with Pop. A Reproduction of Capitalist Realism. Installation view, Artists Space, 2014.
    Image description Two walls form an entry way to the exhibition space. Both present black and white photos across their entire surface area. On the left, two men sit in a living room; on the right a man stands outside a store with a neon light sign.
    Year 2014
    Related pages Living with Pop. A Reproduction of Capitalist Realism
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    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • A black and white image of four men, dressed in coats, standing on a walk way leading to the door of a building. On the ground sit several painting leaning against walls and trees.
    A black and white image of four men, dressed in coats, standing on a walk way leading to the door of a building. On the ground sit several painting leaning against walls and trees.
    Front Yard Exhibition Galerie Parnass, Villa Jährling, Moltkestraße 67 February 1964 Photo: Rolf Jährling, Zentralarchiv des internationalen Kunsthandels ZADIK [A black and white image of four men, dressed in coats, standing on a walk way leading to the door of a building. On the ground sit several painting leaning against walls and trees.]
    Caption Front Yard Exhibition Galerie Parnass, Villa Jährling, Moltkestraße 67 February 1964 Photo: Rolf Jährling, Zentralarchiv des internationalen Kunsthandels ZADIK
    Image description A black and white image of four men, dressed in coats, standing on a walk way leading to the door of a building. On the ground sit several painting leaning against walls and trees.
    Year 1964
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • A woman dressed in a suit sits among clouds in a blue sky, smiling, with six arms. Each hand is holding two phones, an alarm clock, globe, laptop, and folder.
    A woman dressed in a suit sits among clouds in a blue sky, smiling, with six arms. Each hand is holding two phones, an alarm clock, globe, laptop, and folder.
    [A woman dressed in a suit sits among clouds in a blue sky, smiling, with six arms. Each hand is holding two phones, an alarm clock, globe, laptop, and folder.]
    Caption
    Image description A woman dressed in a suit sits among clouds in a blue sky, smiling, with six arms. Each hand is holding two phones, an alarm clock, globe, laptop, and folder.
    Year
    Related pages Women Inc. Lexicon
  • Two musicians perform on stage. To the left, one of them sits on a chair with an electric guitar laying on his legs. To the right, a musician stands playing the saxophone. Rainbow lights are projected onto the stage.
    Two musicians perform on stage. To the left, one of them sits on a chair with an electric guitar laying on his legs. To the right, a musician stands playing the saxophone. Rainbow lights are projected onto the stage.
    Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman. [Two musicians perform on stage. To the left, one of them sits on a chair with an electric guitar laying on his legs. To the right, a musician stands playing the saxophone. Rainbow lights are projected onto the stage.]
    Caption Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman.
    Image description Two musicians perform on stage. To the left, one of them sits on a chair with an electric guitar laying on his legs. To the right, a musician stands playing the saxophone. Rainbow lights are projected onto the stage.
    Year
    Related pages Abasement #65
  • A drawing of a hanging figure supported by weighted straps.
    A drawing of a hanging figure supported by weighted straps.
    Elizabeth Diller and Ricardo Scofidio, Bed for the Condemned Man, 1986. [A drawing of a hanging figure supported by weighted straps.]
    Caption Elizabeth Diller and Ricardo Scofidio, Bed for the Condemned Man, 1986.
    Image description A drawing of a hanging figure supported by weighted straps.
    Year
    Related pages From Here to Eternity: Fact and Fiction in Recent Architectural Projects
  • Color photograph of a figure wearing a conical sheath of reflective one-way mirror film that covers most of their body. They lay on the floor and spread one arm out from under the mirror film. A bright light shines from under the film.
    Color photograph of a figure wearing a conical sheath of reflective one-way mirror film that covers most of their body. They lay on the floor and spread one arm out from under the mirror film. A bright light shines from under the film.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure wearing a conical sheath of reflective one-way mirror film that covers most of their body. They lay on the floor and spread one arm out from under the mirror film. A bright light shines from under the film.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a figure wearing a conical sheath of reflective one-way mirror film that covers most of their body. They lay on the floor and spread one arm out from under the mirror film. A bright light shines from under the film.
    Year 2022
    Related pages keyon gaskin 12-16
  • A black and white photgraph of four square paintings of clocks in a horizontal line, each showing a different time.
    A black and white photgraph of four square paintings of clocks in a horizontal line, each showing a different time.
    Mike Henderson, Four Clocks, 1990. Installation view, Artists Space, 1990. Four panels, encaustic on masonite, 19 x 18.5 inches. [A black and white photgraph of four square paintings of clocks in a horizontal line, each showing a different time.]
    Caption Mike Henderson, Four Clocks, 1990. Installation view, Artists Space, 1990. Four panels, encaustic on masonite, 19 x 18.5 inches.
    Image description A black and white photgraph of four square paintings of clocks in a horizontal line, each showing a different time.
    Year 1990
    Related pages Mike Henderson
  • Color photograph of a gallery space. Along the middle of the space are placed various television monitors and musical instruments and audio devices. To the right on the wall are a series of photographs and prints, and two vitrines hang on the wall.
    Color photograph of a gallery space. Along the middle of the space are placed various television monitors and musical instruments and audio devices. To the right on the wall are a series of photographs and prints, and two vitrines hang on the wall.
    Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a gallery space. Along the middle of the space are placed various television monitors and musical instruments and audio devices. To the right on the wall are a series of photographs and prints, and two vitrines hang on the wall.]
    Caption Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photograph of a gallery space. Along the middle of the space are placed various television monitors and musical instruments and audio devices. To the right on the wall are a series of photographs and prints, and two vitrines hang on the wall.
    Year 2023
    Related pages Yasunao Tone: Region of Paramedia
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    Year
    Related pages Abasement #75
  • Adrian Piper, dressed in black with sunglasses and holding her arms aloft in mid-motion, stands in front of a projected image showing a photo of herself in sunglasses, and a thought bubble that reads,
    Adrian Piper, dressed in black with sunglasses and holding her arms aloft in mid-motion, stands in front of a projected image showing a photo of herself in sunglasses, and a thought bubble that reads,
    It's Just Art, Adrian Piper, April 29, 1981 [Adrian Piper, dressed in black with sunglasses and holding her arms aloft in mid-motion, stands in front of a projected image showing a photo of herself in sunglasses, and a thought bubble that reads, "14. WE DEFEND EACH OTHER / (YOU CERTAINLY DIDN'T COME TO AN ART PERFORMANCE TO HEAR A LECTURE ON CURRENT EVENTS)"]
    Caption It's Just Art, Adrian Piper, April 29, 1981
    Image description Adrian Piper, dressed in black with sunglasses and holding her arms aloft in mid-motion, stands in front of a projected image showing a photo of herself in sunglasses, and a thought bubble that reads, "14. WE DEFEND EACH OTHER / (YOU CERTAINLY DIDN'T COME TO AN ART PERFORMANCE TO HEAR A LECTURE ON CURRENT EVENTS)"
    Year 1981
    Related pages History
  • In a darkened room lit softly by red light, overlapping lines of open captions are projected on two adjacent black walls. The text varies in color (in faint greens, yellows and blues) and size.
    In a darkened room lit softly by red light, overlapping lines of open captions are projected on two adjacent black walls. The text varies in color (in faint greens, yellows and blues) and size.
    Constantina Zavitsanos: fwiw. Installation view (Ms. Pac-Man, 2024), Artists Space, 2024. Photo: Carter Seddon. [In a darkened room lit softly by red light, overlapping lines of open captions are projected on two adjacent black walls. The text varies in color (in faint greens, yellows and blues) and size.]
    Caption Constantina Zavitsanos: fwiw. Installation view (Ms. Pac-Man, 2024), Artists Space, 2024. Photo: Carter Seddon.
    Image description In a darkened room lit softly by red light, overlapping lines of open captions are projected on two adjacent black walls. The text varies in color (in faint greens, yellows and blues) and size.
    Year
    Related pages fwiw
  • Detail view of a black platform with a black screen at the end, depicting a person wearing a shirt
    Detail view of a black platform with a black screen at the end, depicting a person wearing a shirt
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Detail view of a black platform with a black screen at the end, depicting a person wearing a shirt]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Detail view of a black platform with a black screen at the end, depicting a person wearing a shirt
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • Image taken between two curtains of a TV affixed to a wall on the right, displaying blue-tinted video footage of the performance with a fresnel lens hanging in front of the TV display.
    Image taken between two curtains of a TV affixed to a wall on the right, displaying blue-tinted video footage of the performance with a fresnel lens hanging in front of the TV display.
    SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image taken between two curtains of a TV affixed to a wall on the right, displaying blue-tinted video footage of the performance with a fresnel lens hanging in front of the TV display.]
    Caption SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata
    Image description Image taken between two curtains of a TV affixed to a wall on the right, displaying blue-tinted video footage of the performance with a fresnel lens hanging in front of the TV display.
    Year 2022
    Related pages SCRAAATCH 12-3
  • A black and white image of sun shining through various stems and foliage.
    A black and white image of sun shining through various stems and foliage.
    Basie Allen, Palm-Lined with Potience. Book cover. 2022. [A black and white image of sun shining through various stems and foliage.]
    Caption Basie Allen, Palm-Lined with Potience. Book cover. 2022.
    Image description A black and white image of sun shining through various stems and foliage.
    Year
    Related pages Palm-Lined with Potience Book Launch
  • A naked man lays across the frame, resting on his elbows reading a book. Another man sits in between his open legs, reading a book that is resting on his glutes.
    A naked man lays across the frame, resting on his elbows reading a book. Another man sits in between his open legs, reading a book that is resting on his glutes.
    Tom of Finland, Untitled, 1987. Graphite on paper. Courtesy Tom of Finland Foundation. [A naked man lays across the frame, resting on his elbows reading a book. Another man sits in between his open legs, reading a book that is resting on his glutes.]
    Caption Tom of Finland, Untitled, 1987. Graphite on paper. Courtesy Tom of Finland Foundation.
    Image description A naked man lays across the frame, resting on his elbows reading a book. Another man sits in between his open legs, reading a book that is resting on his glutes.
    Year 1987
    Related pages Tom of Finland: The Pleasure of Play
  • Black and white line drawing of a bucket with handle.
    Black and white line drawing of a bucket with handle.
    [Black and white line drawing of a bucket with handle.]
    Caption
    Image description Black and white line drawing of a bucket with handle.
    Year 2018
    Related pages Coop Fund Workshops
  • A painting over a black background of a set of hands cupping a rose. Above, several more roses are pictured.
    A painting over a black background of a set of hands cupping a rose. Above, several more roses are pictured.
    Gary Bower, White Bouquet, 1976. From Gary Bower, Fontaine Dunn, Hermine Ford, Artists Space, 1976. [A painting over a black background of a set of hands cupping a rose. Above, several more roses are pictured.]
    Caption Gary Bower, White Bouquet, 1976. From Gary Bower, Fontaine Dunn, Hermine Ford, Artists Space, 1976.
    Image description A painting over a black background of a set of hands cupping a rose. Above, several more roses are pictured.
    Year 1976
    Related pages Gary Bower, Fontaine Dunn, Hermine Ford
  • A color photograph of a figure standing in an orange-lit space next to a small piece of audio equipment with a wire on the floor. A crowd looks on in the background.
    A color photograph of a figure standing in an orange-lit space next to a small piece of audio equipment with a wire on the floor. A crowd looks on in the background.
    Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. [A color photograph of a figure standing in an orange-lit space next to a small piece of audio equipment with a wire on the floor. A crowd looks on in the background.]
    Caption Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space.
    Image description A color photograph of a figure standing in an orange-lit space next to a small piece of audio equipment with a wire on the floor. A crowd looks on in the background.
    Year 2022
    Related pages Yuji Agematsu
  • An installation view shows a darkened space flooded in red light. Between two ornate columns, a projector is mounted close to the ground on a short stand. An iridescent blue glows around a shadow cast by a scientific experiment on the left wall behind, while the ceiling is covered in warm crescent silhouettes. On the back black wall, lines of projected text overlap in varying directions.
    An installation view shows a darkened space flooded in red light. Between two ornate columns, a projector is mounted close to the ground on a short stand. An iridescent blue glows around a shadow cast by a scientific experiment on the left wall behind, while the ceiling is covered in warm crescent silhouettes. On the back black wall, lines of projected text overlap in varying directions.
    Constantina Zavitsanos: fwiw. Installation view, Artists Space, 2024. Photo: Carter Seddon. [An installation view shows a darkened space flooded in red light. Between two ornate columns, a projector is mounted close to the ground on a short stand. An iridescent blue glows around a shadow cast by a scientific experiment on the left wall behind, while the ceiling is covered in warm crescent silhouettes. On the back black wall, lines of projected text overlap in varying directions.]
    Caption Constantina Zavitsanos: fwiw. Installation view, Artists Space, 2024. Photo: Carter Seddon.
    Image description An installation view shows a darkened space flooded in red light. Between two ornate columns, a projector is mounted close to the ground on a short stand. An iridescent blue glows around a shadow cast by a scientific experiment on the left wall behind, while the ceiling is covered in warm crescent silhouettes. On the back black wall, lines of projected text overlap in varying directions.
    Year
    Related pages fwiw
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A photograph of a group of students standing onstage, holding printed paper, and many smiling
    A photograph of a group of students standing onstage, holding printed paper, and many smiling
    YAP (Young Artist Perform), PS 140, 2017 [A photograph of a group of students standing onstage, holding printed paper, and many smiling]
    Caption YAP (Young Artist Perform), PS 140, 2017
    Image description A photograph of a group of students standing onstage, holding printed paper, and many smiling
    Year 2017
    Related pages Exhibitions and Events
  • A large sculptural abstract black object standing upright on the gallery floor behind a white wall.
    A large sculptural abstract black object standing upright on the gallery floor behind a white wall.
    Selections from the Artists File. Installation View, Artists Space, October 1, 1987 - October 31, 1987. [A large sculptural abstract black object standing upright on the gallery floor behind a white wall.]
    Caption Selections from the Artists File. Installation View, Artists Space, October 1, 1987 - October 31, 1987.
    Image description A large sculptural abstract black object standing upright on the gallery floor behind a white wall.
    Year
    Related pages Selections from the Artists File
  • Two figures perform on stage. To the left a figure sits on the floor playing on a small wooden organ and to the right a figure stands behind a desk using a mixer. Orange and blue light are projected onto the stage.
    Two figures perform on stage. To the left a figure sits on the floor playing on a small wooden organ and to the right a figure stands behind a desk using a mixer. Orange and blue light are projected onto the stage.
    Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [Two figures perform on stage. To the left a figure sits on the floor playing on a small wooden organ and to the right a figure stands behind a desk using a mixer. Orange and blue light are projected onto the stage.]
    Caption Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman
    Image description Two figures perform on stage. To the left a figure sits on the floor playing on a small wooden organ and to the right a figure stands behind a desk using a mixer. Orange and blue light are projected onto the stage.
    Year 2022
    Related pages Abasement #61
  • Three female mannequins arranged in front of five hanging timelines marked 2002-2006. The first mannequin sits in a chair and is wearing a golden shirt and black skirt with a towel tossed over its shoulder. The second wears several scarf chokers, a shirt cut in two pieces resembling an
    Three female mannequins arranged in front of five hanging timelines marked 2002-2006. The first mannequin sits in a chair and is wearing a golden shirt and black skirt with a towel tossed over its shoulder. The second wears several scarf chokers, a shirt cut in two pieces resembling an
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Three female mannequins arranged in front of five hanging timelines marked 2002-2006. The first mannequin sits in a chair and is wearing a golden shirt and black skirt with a towel tossed over its shoulder. The second wears several scarf chokers, a shirt cut in two pieces resembling an "x", and gray jeans accessorized with two button pins and large thigh cutouts. The third wears an Adidas jersey decorated with a "bc" logo and black baggy pants.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Three female mannequins arranged in front of five hanging timelines marked 2002-2006. The first mannequin sits in a chair and is wearing a golden shirt and black skirt with a towel tossed over its shoulder. The second wears several scarf chokers, a shirt cut in two pieces resembling an "x", and gray jeans accessorized with two button pins and large thigh cutouts. The third wears an Adidas jersey decorated with a "bc" logo and black baggy pants.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A conical shape extends from a planet on the right side of the image towards a glowing orange sphere to the left. This basic image is repeated directly below with slight variations. The image is overlaid with text that reads “the segue reading series and artists space / present / Brenda Iijima / Simone White / saturday, 4-17 / 5pm eastern / $5 suggested / zoom id: 830 2698 4031.
    A conical shape extends from a planet on the right side of the image towards a glowing orange sphere to the left. This basic image is repeated directly below with slight variations. The image is overlaid with text that reads “the segue reading series and artists space / present / Brenda Iijima / Simone White / saturday, 4-17 / 5pm eastern / $5 suggested / zoom id: 830 2698 4031.
    Flyer for Segue Reading Series featuring Brenda Iijima & Simone White. Saturday April 17, 2021, Artists Space. [A conical shape extends from a planet on the right side of the image towards a glowing orange sphere to the left. This basic image is repeated directly below with slight variations. The image is overlaid with text that reads “the segue reading series and artists space / present / Brenda Iijima / Simone White / saturday, 4-17 / 5pm eastern / $5 suggested / zoom id: 830 2698 4031."]
    Caption Flyer for Segue Reading Series featuring Brenda Iijima & Simone White. Saturday April 17, 2021, Artists Space.
    Image description A conical shape extends from a planet on the right side of the image towards a glowing orange sphere to the left. This basic image is repeated directly below with slight variations. The image is overlaid with text that reads “the segue reading series and artists space / present / Brenda Iijima / Simone White / saturday, 4-17 / 5pm eastern / $5 suggested / zoom id: 830 2698 4031."
    Year 2021
    Related pages Segue Reading Series: Brenda Iijima & Simone White
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Two figures in dark clothing stand before two music stands in front of a seated audience. The figure on the left speaks, raising up both hands by her face, her fingers making
    Two figures in dark clothing stand before two music stands in front of a seated audience. The figure on the left speaks, raising up both hands by her face, her fingers making
    Passages from People Who Led to My Plays. Performance documentation, March 1, 2020, Artists Space. Photo ©️ 2020 Paula Court. [Two figures in dark clothing stand before two music stands in front of a seated audience. The figure on the left speaks, raising up both hands by her face, her fingers making "air quotes."]
    Caption Passages from People Who Led to My Plays. Performance documentation, March 1, 2020, Artists Space. Photo ©️ 2020 Paula Court.
    Image description Two figures in dark clothing stand before two music stands in front of a seated audience. The figure on the left speaks, raising up both hands by her face, her fingers making "air quotes."
    Year 2020
    Related pages Passages from People Who Led to My Plays
  • Amelia Bande stands in front of wall covered with posters and gestures towards her eyes as she says, “We wore masks and protective eyewear at the protests in Santiago.”
    Amelia Bande stands in front of wall covered with posters and gestures towards her eyes as she says, “We wore masks and protective eyewear at the protests in Santiago.”
    Amelia Bande. Stills from El estallido / The Outbreak, 2020. Recording of a live performance held over Zoom on August 7, 2020. Stage design and camera collaboration with Rachel Higgins. Courtesy the artist. [Amelia Bande stands in front of wall covered with posters and gestures towards her eyes as she says, “We wore masks and protective eyewear at the protests in Santiago.”]
    Caption Amelia Bande. Stills from El estallido / The Outbreak, 2020. Recording of a live performance held over Zoom on August 7, 2020. Stage design and camera collaboration with Rachel Higgins. Courtesy the artist.
    Image description Amelia Bande stands in front of wall covered with posters and gestures towards her eyes as she says, “We wore masks and protective eyewear at the protests in Santiago.”
    Year 2020
    Related pages Whitney ISP Archive
  • A gallery space with a large metal structure in the middle of the floor. Four straw brooms are suspended from the top of the structure such that they just brush the floor. On the surrounding white walls, there are several pieces of art. One is a colorful canvas with geometric shapes, sharing a wall with several small objects arranged in an oval. On the other wall, there are series of framed depictions of nude figures in various poses.
    A gallery space with a large metal structure in the middle of the floor. Four straw brooms are suspended from the top of the structure such that they just brush the floor. On the surrounding white walls, there are several pieces of art. One is a colorful canvas with geometric shapes, sharing a wall with several small objects arranged in an oval. On the other wall, there are series of framed depictions of nude figures in various poses.
    Flipside. Installation view, Artists Space, 2004. [A gallery space with a large metal structure in the middle of the floor. Four straw brooms are suspended from the top of the structure such that they just brush the floor. On the surrounding white walls, there are several pieces of art. One is a colorful canvas with geometric shapes, sharing a wall with several small objects arranged in an oval. On the other wall, there are series of framed depictions of nude figures in various poses.]
    Caption Flipside. Installation view, Artists Space, 2004.
    Image description A gallery space with a large metal structure in the middle of the floor. Four straw brooms are suspended from the top of the structure such that they just brush the floor. On the surrounding white walls, there are several pieces of art. One is a colorful canvas with geometric shapes, sharing a wall with several small objects arranged in an oval. On the other wall, there are series of framed depictions of nude figures in various poses.
    Year 2004
    Related pages Flipside
  • Three white shelves, that extend the entire length of the frame, are filled with books of various colors and sizes.
    Three white shelves, that extend the entire length of the frame, are filled with books of various colors and sizes.
    The Library of Helen DeWitt Kitchen view Courtesy Helen DeWitt [Three white shelves, that extend the entire length of the frame, are filled with books of various colors and sizes.]
    Caption The Library of Helen DeWitt Kitchen view Courtesy Helen DeWitt
    Image description Three white shelves, that extend the entire length of the frame, are filled with books of various colors and sizes.
    Year 2014
    Related pages The Library Vaccine
  • A book cover with an old car vertically arranged next to Arabic writing.
    A book cover with an old car vertically arranged next to Arabic writing.
    Peter Osborne, Anywhere or Not At All (Verso Books, 2013). [A book cover with an old car vertically arranged next to Arabic writing.]
    Caption Peter Osborne, Anywhere or Not At All (Verso Books, 2013).
    Image description A book cover with an old car vertically arranged next to Arabic writing.
    Year 2013
    Related pages Anywhere or Not at All
  • A wooden box sits open atop a stool. Fabric, string, and fluffy white material spill out.
    A wooden box sits open atop a stool. Fabric, string, and fluffy white material spill out.
    Brad Kronz, While the Neglected Thought Dies, the Neglected Object Continues to Grow, 2025. Wooden stool, felt, cardboard, acrylic, paper, fabric, cotton stuffing, poly stuffing, push pins, yarn. Photo: Carter Seddon [A wooden box sits open atop a stool. Fabric, string, and fluffy white material spill out. ]
    Caption Brad Kronz, While the Neglected Thought Dies, the Neglected Object Continues to Grow, 2025. Wooden stool, felt, cardboard, acrylic, paper, fabric, cotton stuffing, poly stuffing, push pins, yarn. Photo: Carter Seddon
    Image description A wooden box sits open atop a stool. Fabric, string, and fluffy white material spill out.
    Year
    Related pages Brad Kronz
  • Two newspaper clippings and a sheet of written correspondence are installed in black frames on a gallery wall above a small vitrine. The vitrine displays a series of open, vintage magazines.
    Two newspaper clippings and a sheet of written correspondence are installed in black frames on a gallery wall above a small vitrine. The vitrine displays a series of open, vintage magazines.
    In The Poem About Love You Don't Write The Word Love. Installation view, Artists Space, 2006. Photo: Bill Orcutt. [Two newspaper clippings and a sheet of written correspondence are installed in black frames on a gallery wall above a small vitrine. The vitrine displays a series of open, vintage magazines.]
    Caption In The Poem About Love You Don't Write The Word Love. Installation view, Artists Space, 2006. Photo: Bill Orcutt.
    Image description Two newspaper clippings and a sheet of written correspondence are installed in black frames on a gallery wall above a small vitrine. The vitrine displays a series of open, vintage magazines.
    Year 2006
    Related pages In The Poem About Love You Don't Write The Word Love
  • A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays a courtroom depiction of two individuals, one with blonde hair and fair skin wearing a suit, the other tan with dark facial hair wearing a keffiyeh. Behind the seated men is an image of a man sitting on the floor, in what appears to be solitary confinement.
    A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays a courtroom depiction of two individuals, one with blonde hair and fair skin wearing a suit, the other tan with dark facial hair wearing a keffiyeh. Behind the seated men is an image of a man sitting on the floor, in what appears to be solitary confinement.
    Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays a courtroom depiction of two individuals, one with blonde hair and fair skin wearing a suit, the other tan with dark facial hair wearing a keffiyeh. Behind the seated men is an image of a man sitting on the floor, in what appears to be solitary confinement.]
    Caption Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez.
    Image description A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays a courtroom depiction of two individuals, one with blonde hair and fair skin wearing a suit, the other tan with dark facial hair wearing a keffiyeh. Behind the seated men is an image of a man sitting on the floor, in what appears to be solitary confinement.
    Year 2014
    Related pages Laura Poitras: 9/11 Trilogy
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    Related pages fwiw
  • Color photograph of a gallery space with an installation consisting of a large mirrored pond, made from a wooden base with a reflective lining on top, that is surrounded by tree trunks, plants, fish tanks, and a phone booth. A large lamp hangs from the ceiling, and an orange construction net is placed over the pond.
    Color photograph of a gallery space with an installation consisting of a large mirrored pond, made from a wooden base with a reflective lining on top, that is surrounded by tree trunks, plants, fish tanks, and a phone booth. A large lamp hangs from the ceiling, and an orange construction net is placed over the pond.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a gallery space with an installation consisting of a large mirrored pond, made from a wooden base with a reflective lining on top, that is surrounded by tree trunks, plants, fish tanks, and a phone booth. A large lamp hangs from the ceiling, and an orange construction net is placed over the pond.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of a gallery space with an installation consisting of a large mirrored pond, made from a wooden base with a reflective lining on top, that is surrounded by tree trunks, plants, fish tanks, and a phone booth. A large lamp hangs from the ceiling, and an orange construction net is placed over the pond.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • A wooden door opens on a view of a tiled, single-user bathroom. To the right of the room is a small, porcelain sink and warped mirror. Behind the sink is a tan toilet below a thin window.
    A wooden door opens on a view of a tiled, single-user bathroom. To the right of the room is a small, porcelain sink and warped mirror. Behind the sink is a tan toilet below a thin window.
    Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt. [A wooden door opens on a view of a tiled, single-user bathroom. To the right of the room is a small, porcelain sink and warped mirror. Behind the sink is a tan toilet below a thin window.]
    Caption Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt.
    Image description A wooden door opens on a view of a tiled, single-user bathroom. To the right of the room is a small, porcelain sink and warped mirror. Behind the sink is a tan toilet below a thin window.
    Year 1997
    Related pages Lines of Loss
  • A close up photograph shows patterns of ripples in water, lit in iridescent blues.
    A close up photograph shows patterns of ripples in water, lit in iridescent blues.
    Constantina Zavitsanos: fwiw. Installation view (Wishing Well (Korpi), 2024), Artists Space, 2024. Photo: Carter Seddon. [A close up photograph shows patterns of ripples in water, lit in iridescent blues.]
    Caption Constantina Zavitsanos: fwiw. Installation view (Wishing Well (Korpi), 2024), Artists Space, 2024. Photo: Carter Seddon.
    Image description A close up photograph shows patterns of ripples in water, lit in iridescent blues.
    Year
    Related pages fwiw
  • Color image of an individual standing and smiling jovially towards the camera. A podium can be seen to the left of the image, and a variety of seated party guests are also imaged within the elegant and decorative venue.
    Color image of an individual standing and smiling jovially towards the camera. A podium can be seen to the left of the image, and a variety of seated party guests are also imaged within the elegant and decorative venue.
    Friends of Artists Space Dinner, 2023. Photo: Joshua Wildman. [Color image of an individual standing and smiling jovially towards the camera. A podium can be seen to the left of the image, and a variety of seated party guests are also imaged within the elegant and decorative venue.]
    Caption Friends of Artists Space Dinner, 2023. Photo: Joshua Wildman.
    Image description Color image of an individual standing and smiling jovially towards the camera. A podium can be seen to the left of the image, and a variety of seated party guests are also imaged within the elegant and decorative venue.
    Year
    Related pages Support
  • A large, empty room with three white walls. The right wall displays glossy papers folded into geometric shapes. The left wall has symmetric, geometric patterns drawn on it.
    A large, empty room with three white walls. The right wall displays glossy papers folded into geometric shapes. The left wall has symmetric, geometric patterns drawn on it.
    Paper Exhibition. Installation view, Artists Space, 2009. Photo: Adam Reich. [A large, empty room with three white walls. The right wall displays glossy papers folded into geometric shapes. The left wall has symmetric, geometric patterns drawn on it.]
    Caption Paper Exhibition. Installation view, Artists Space, 2009. Photo: Adam Reich.
    Image description A large, empty room with three white walls. The right wall displays glossy papers folded into geometric shapes. The left wall has symmetric, geometric patterns drawn on it.
    Year 2009
    Related pages Paper Exhibition
  • A geometric composition of black, blue, yellow, red, and orange flat shapes on a white background.
    A geometric composition of black, blue, yellow, red, and orange flat shapes on a white background.
    Shirley Jaffe. The Blue Daisy, 1988-89. [A geometric composition of black, blue, yellow, red, and orange flat shapes on a white background.]
    Caption Shirley Jaffe. The Blue Daisy, 1988-89.
    Image description A geometric composition of black, blue, yellow, red, and orange flat shapes on a white background.
    Year
    Related pages Shirley Jaffe and Murray Reich
  • Cover of the novel <em>Goodbye to Tenth Street</em>, featuring a blue-toned image of a streetpost with a road sign for East 10th Street and a one-way sign.
    Cover of the novel <em>Goodbye to Tenth Street</em>, featuring a blue-toned image of a streetpost with a road sign for East 10th Street and a one-way sign.
    Irving Sandler, Goodbye to Tenth Street (New York: Pleasure Boat Studio, 2018). [Cover of the novel Goodbye to Tenth Street, featuring a blue-toned image of a streetpost with a road sign for East 10th Street and a one-way sign.]
    Caption Irving Sandler, Goodbye to Tenth Street (New York: Pleasure Boat Studio, 2018).
    Image description Cover of the novel Goodbye to Tenth Street, featuring a blue-toned image of a streetpost with a road sign for East 10th Street and a one-way sign.
    Year 2018
    Related pages Goodbye to Tenth Street, A Novel by Irving Sandler
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Caption
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A black and white still of a hand delicately reaching out to touch a stone surface.
    A black and white still of a hand delicately reaching out to touch a stone surface.
    Charles Simonds. Still from Mythologies, 1974. From Thomas Lanigan-Schmidt, James Biederman, Charles Simonds, Artists Space, 1974. [A black and white still of a hand delicately reaching out to touch a stone surface.]
    Caption Charles Simonds. Still from Mythologies, 1974. From Thomas Lanigan-Schmidt, James Biederman, Charles Simonds, Artists Space, 1974.
    Image description A black and white still of a hand delicately reaching out to touch a stone surface.
    Year 1974
    Related pages Thomas Lanigan Schmidt, James Biederman, Charles Simonds
  • Photograph of a large building on an urban street composed of rectangular sections of dark black and white stone that jut variously in towards and away from the building's facade. The bottom portion of the building is supported by two white columns and has a glass facade.
    Photograph of a large building on an urban street composed of rectangular sections of dark black and white stone that jut variously in towards and away from the building's facade. The bottom portion of the building is supported by two white columns and has a glass facade.
    [Photograph of a large building on an urban street composed of rectangular sections of dark black and white stone that jut variously in towards and away from the building's facade. The bottom portion of the building is supported by two white columns and has a glass facade.]
    Caption
    Image description Photograph of a large building on an urban street composed of rectangular sections of dark black and white stone that jut variously in towards and away from the building's facade. The bottom portion of the building is supported by two white columns and has a glass facade.
    Year 2003
    Related pages Mainspace Architecture & Design Project Series: Zaha Hadid
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Caption
    Image description
    Year
    Related pages Brad Kronz
  • Two figures perform on a stage with a keyboard. Washes of blue, green, orange and pink light are projected onto them.
    Two figures perform on a stage with a keyboard. Washes of blue, green, orange and pink light are projected onto them.
    Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [Two figures perform on a stage with a keyboard. Washes of blue, green, orange and pink light are projected onto them.]
    Caption Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman
    Image description Two figures perform on a stage with a keyboard. Washes of blue, green, orange and pink light are projected onto them.
    Year 2022
    Related pages Abasement #61
  • An upwards-angeled view of an audience member, wearing a dark denim shirt, with a poster in the background that reads
    An upwards-angeled view of an audience member, wearing a dark denim shirt, with a poster in the background that reads
    An audience member speaks at “Palestine, BLM & Boycott in the Arts.” Artists Space Books & Talks, Friday, November 4, 2016. Courtesy Decolonize This Place and Artists Space, New York. Photo: Andrés Rodriguez [An upwards-angeled view of an audience member, wearing a dark denim shirt, with a poster in the background that reads "mourning for all those massacred in GAZA".]
    Caption An audience member speaks at “Palestine, BLM & Boycott in the Arts.” Artists Space Books & Talks, Friday, November 4, 2016. Courtesy Decolonize This Place and Artists Space, New York. Photo: Andrés Rodriguez
    Image description An upwards-angeled view of an audience member, wearing a dark denim shirt, with a poster in the background that reads "mourning for all those massacred in GAZA".
    Year 2016
    Related pages Decolonize This Place
  • Color image of performer using their left hand to control a soundboard resting on a circular table while their left hand grasps a microphone. Next the performer is an empty music stand. The performer's serious face peeks out from their long brown hair. To stage left, audience members hold their hands up in applause. The performer is illuminated by the colorful light of a projector, which casts red and blue light on the wall behind the performer.
    Color image of performer using their left hand to control a soundboard resting on a circular table while their left hand grasps a microphone. Next the performer is an empty music stand. The performer's serious face peeks out from their long brown hair. To stage left, audience members hold their hands up in applause. The performer is illuminated by the colorful light of a projector, which casts red and blue light on the wall behind the performer.
    Abasement #67. Performance documentation, January 15, 2024, Artists Space. Photo: Joshua Wildman. [Color image of performer using their left hand to control a soundboard resting on a circular table while their left hand grasps a microphone. Next the performer is an empty music stand. The performer's serious face peeks out from their long brown hair. To stage left, audience members hold their hands up in applause. The performer is illuminated by the colorful light of a projector, which casts red and blue light on the wall behind the performer.]
    Caption Abasement #67. Performance documentation, January 15, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Color image of performer using their left hand to control a soundboard resting on a circular table while their left hand grasps a microphone. Next the performer is an empty music stand. The performer's serious face peeks out from their long brown hair. To stage left, audience members hold their hands up in applause. The performer is illuminated by the colorful light of a projector, which casts red and blue light on the wall behind the performer.
    Year
    Related pages Abasement #67
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    Year
    Related pages Brad Kronz
  • Numerous artworks appear on the walls of a white-walled gallery space.
    Numerous artworks appear on the walls of a white-walled gallery space.
    Young Fluxus. Installation view, Artists Space, 1982. [Numerous artworks appear on the walls of a white-walled gallery space.]
    Caption Young Fluxus. Installation view, Artists Space, 1982.
    Image description Numerous artworks appear on the walls of a white-walled gallery space.
    Year
    Related pages Young Fluxus
  • Color photograph of a large group of people standing around a gallery space. Chairs, and tanker desks with TV monitors on them are placed in the space. The audience watches a figure in a red suit that stands next to a column, holding their hand to their mouth.
    Color photograph of a large group of people standing around a gallery space. Chairs, and tanker desks with TV monitors on them are placed in the space. The audience watches a figure in a red suit that stands next to a column, holding their hand to their mouth.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a large group of people standing around a gallery space. Chairs, and tanker desks with TV monitors on them are placed in the space. The audience watches a figure in a red suit that stands next to a column, holding their hand to their mouth.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of a large group of people standing around a gallery space. Chairs, and tanker desks with TV monitors on them are placed in the space. The audience watches a figure in a red suit that stands next to a column, holding their hand to their mouth.
    Year
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • A hand holds up a lined notebook with a poem collaged from newspaper cutouts which says,
    A hand holds up a lined notebook with a poem collaged from newspaper cutouts which says,
    Orchidary Siahaya, headline poem, 2019 [A hand holds up a lined notebook with a poem collaged from newspaper cutouts which says, "This is not normal what's at stake life,/ our lives death most people run/ to a sadness disbelief/ and play bloody/ fire."]
    Caption Orchidary Siahaya, headline poem, 2019
    Image description A hand holds up a lined notebook with a poem collaged from newspaper cutouts which says, "This is not normal what's at stake life,/ our lives death most people run/ to a sadness disbelief/ and play bloody/ fire."
    Year 2019
    Related pages Art and Literacy: Poetry
  • A hand-drawn image in pencil of a bedroom or living room scene. The room's double windows have been blown open, scattering several papers across the room. A crudely drawn figure stands upright in an uncomfortable manner in the middle of the room.
    A hand-drawn image in pencil of a bedroom or living room scene. The room's double windows have been blown open, scattering several papers across the room. A crudely drawn figure stands upright in an uncomfortable manner in the middle of the room.
    [A hand-drawn image in pencil of a bedroom or living room scene. The room's double windows have been blown open, scattering several papers across the room. A crudely drawn figure stands upright in an uncomfortable manner in the middle of the room.]
    Caption
    Image description A hand-drawn image in pencil of a bedroom or living room scene. The room's double windows have been blown open, scattering several papers across the room. A crudely drawn figure stands upright in an uncomfortable manner in the middle of the room.
    Year 2014
    Related pages Restless
  • A view through a doorway into a white-walled gallery space with drawings on the walls and a banner on the windows.
    A view through a doorway into a white-walled gallery space with drawings on the walls and a banner on the windows.
    Young Fluxus. Installation view, Artists Space, 1982. [A view through a doorway into a white-walled gallery space with drawings on the walls and a banner on the windows.]
    Caption Young Fluxus. Installation view, Artists Space, 1982.
    Image description A view through a doorway into a white-walled gallery space with drawings on the walls and a banner on the windows.
    Year
    Related pages Young Fluxus
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    Image description
    Year
    Related pages Abasement #72
  • A seated figure plays a guitar that lies in his lap.
    A seated figure plays a guitar that lies in his lap.
    Eiko Ishibashi: Two New York Nights. Performance documentation, June 9, 2022, 8pm. Artists Space, New York. Photo: Paula Court [A seated figure plays a guitar that lies in his lap.]
    Caption Eiko Ishibashi: Two New York Nights. Performance documentation, June 9, 2022, 8pm. Artists Space, New York. Photo: Paula Court
    Image description A seated figure plays a guitar that lies in his lap.
    Year 2022
    Related pages Eiko Ishibashi in Concert
  • Detail view of white lettering on a black glossy structure:
    Detail view of white lettering on a black glossy structure:
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Detail view of white lettering on a black glossy structure: "SMASH FALSE DREAMLANDS".]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Detail view of white lettering on a black glossy structure: "SMASH FALSE DREAMLANDS".
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • A figure sits in front of a microphone and reads a story off of a piece of paper.
    A figure sits in front of a microphone and reads a story off of a piece of paper.
    Yasunao Tone in Concert with Barbara Held. Performance documentation, January 19, 2023, Artists Space. Photo: Destiny Mata [A figure sits in front of a microphone and reads a story off of a piece of paper.]
    Caption Yasunao Tone in Concert with Barbara Held. Performance documentation, January 19, 2023, Artists Space. Photo: Destiny Mata
    Image description A figure sits in front of a microphone and reads a story off of a piece of paper.
    Year 2023
    Related pages Yasunao Tone in Concert with Barbara Held
  • A black and white paintng of a group of individuals in party attire, multiple accents of red are placed throughout the painting.
    A black and white paintng of a group of individuals in party attire, multiple accents of red are placed throughout the painting.
    Living with Pop. A Reproduction of Capitalist Realism 2014 Gerhard Richter Party, 1963 © Atelier Gerhard Richter [A black and white paintng of a group of individuals in party attire, multiple accents of red are placed throughout the painting.]
    Caption Living with Pop. A Reproduction of Capitalist Realism 2014 Gerhard Richter Party, 1963 © Atelier Gerhard Richter
    Image description A black and white paintng of a group of individuals in party attire, multiple accents of red are placed throughout the painting.
    Year 2014
    Related pages
  • A poster with yellow text on a red and black background, stating
    A poster with yellow text on a red and black background, stating
    MTL+. Our Uprisings, 2016. [A poster with yellow text on a red and black background, stating "OUR UPRISINGS ARE QUEER TRANS BLACK BROWN PALESTINIAN IMMIGRANT INDIGENOUS AND GLOBAL".]
    Caption MTL+. Our Uprisings, 2016.
    Image description A poster with yellow text on a red and black background, stating "OUR UPRISINGS ARE QUEER TRANS BLACK BROWN PALESTINIAN IMMIGRANT INDIGENOUS AND GLOBAL".
    Year 2016
    Related pages Our Uprisings
  • A close-up phot of a group of of small, lit lamps hanging on a glass wall in an ornate building.
    A close-up phot of a group of of small, lit lamps hanging on a glass wall in an ornate building.
    Eva Medina, Untitled, 2018. [A close-up phot of a group of of small, lit lamps hanging on a glass wall in an ornate building.]
    Caption Eva Medina, Untitled, 2018.
    Image description A close-up phot of a group of of small, lit lamps hanging on a glass wall in an ornate building.
    Year 2018
    Related pages BRIDGE Photography
  • A figure plays the violin in front of a microphone.
    A figure plays the violin in front of a microphone.
    Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [A figure plays the violin in front of a microphone.]
    Caption Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure plays the violin in front of a microphone.
    Year 2022
    Related pages Abasement #61
  • Scavenger Hunt, Serena Booth, City-As-School high school student, 2021, digital photograph.
    Caption Scavenger Hunt, Serena Booth, City-As-School high school student, 2021, digital photograph.
    Image description
    Year
    Related pages BRIDGE Photography
  • A sketch of a projector on a stand, projecting a black hole into a wall.
    A sketch of a projector on a stand, projecting a black hole into a wall.
    Adam Putnam, Magic Lanterns, 2004. [A sketch of a projector on a stand, projecting a black hole into a wall.]
    Caption Adam Putnam, Magic Lanterns, 2004.
    Image description A sketch of a projector on a stand, projecting a black hole into a wall.
    Year 2004
    Related pages Magic Lanterns
  • A white plinth in a white room is seen through a rectagular cutout window. There is a small object on the plinth, lit from above by a square, fluorescent light.
    A white plinth in a white room is seen through a rectagular cutout window. There is a small object on the plinth, lit from above by a square, fluorescent light.
    Paper Exhibition. Installation view, Artists Space, 2009. Photo: Adam Reich. [A white plinth in a white room is seen through a rectagular cutout window. There is a small object on the plinth, lit from above by a square, fluorescent light.]
    Caption Paper Exhibition. Installation view, Artists Space, 2009. Photo: Adam Reich.
    Image description A white plinth in a white room is seen through a rectagular cutout window. There is a small object on the plinth, lit from above by a square, fluorescent light.
    Year 2009
    Related pages Paper Exhibition
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    Image description
    Year
    Related pages Abasement #78
  • A man in a white shirt and pinstriped vest and pants casually holds a black jacket over one shoulder.
    A man in a white shirt and pinstriped vest and pants casually holds a black jacket over one shoulder.
    [A man in a white shirt and pinstriped vest and pants casually holds a black jacket over one shoulder. "Undoolay" is in pink script on the bottom of the image, crossing over "Elective Affinities".]
    Caption
    Image description A man in a white shirt and pinstriped vest and pants casually holds a black jacket over one shoulder. "Undoolay" is in pink script on the bottom of the image, crossing over "Elective Affinities".
    Year 2016
    Related pages Lukas Duwenhögger: Undoolay
  • Contact sheet of stills depicting numerous installation views.
    Contact sheet of stills depicting numerous installation views.
    Sixth Anniversary Exhibition. Installation views, Artists Space, 1979. [Contact sheet of stills depicting numerous installation views.]
    Caption Sixth Anniversary Exhibition. Installation views, Artists Space, 1979.
    Image description Contact sheet of stills depicting numerous installation views.
    Year 1979
    Related pages Sixth Anniversary Exhibition
  • A figure, centered within the frame, leans against a beige tiled wall and stares directly into the camera.
    A figure, centered within the frame, leans against a beige tiled wall and stares directly into the camera.
    Portrait of Jackie Wang. [A figure, centered within the frame, leans against a beige tiled wall and stares directly into the camera.]
    Caption Portrait of Jackie Wang.
    Image description A figure, centered within the frame, leans against a beige tiled wall and stares directly into the camera.
    Year
    Related pages Artists Space Dialogues 2020
  • A three-shelf, wooden bookshelf sits in a small enclave in a white-walled room. Various multicolored books fill the shelves and additional books rest on top of the bookshelf. Installed on the wall directly to the right of the shelf is a glowing, red neon tube that gently illuminates the room.
    A three-shelf, wooden bookshelf sits in a small enclave in a white-walled room. Various multicolored books fill the shelves and additional books rest on top of the bookshelf. Installed on the wall directly to the right of the shelf is a glowing, red neon tube that gently illuminates the room.
    The Serving Library. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A three-shelf, wooden bookshelf sits in a small enclave in a white-walled room. Various multicolored books fill the shelves and additional books rest on top of the bookshelf. Installed on the wall directly to the right of the shelf is a glowing, red neon tube that gently illuminates the room.]
    Caption The Serving Library. Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description A three-shelf, wooden bookshelf sits in a small enclave in a white-walled room. Various multicolored books fill the shelves and additional books rest on top of the bookshelf. Installed on the wall directly to the right of the shelf is a glowing, red neon tube that gently illuminates the room.
    Year 2011
    Related pages The Serving Library
  • A color photograph looking down an alleyway. Sets of grey and yellow posters hang from the brick wall of the alleyway.
    A color photograph looking down an alleyway. Sets of grey and yellow posters hang from the brick wall of the alleyway.
    virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph looking down an alleyway. Sets of grey and yellow posters hang from the brick wall of the alleyway.]
    Caption virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color photograph looking down an alleyway. Sets of grey and yellow posters hang from the brick wall of the alleyway.
    Year 2022
    Related pages virgil b/g taylor: Minor Publics
  • An angled view of a wooden table containing various papers, books, and documents displaying text and images. Windows to the street surround the background.
    An angled view of a wooden table containing various papers, books, and documents displaying text and images. Windows to the street surround the background.
    The Library Vaccine. Installation view, Artists Space, 2014. [An angled view of a wooden table containing various papers, books, and documents displaying text and images. Windows to the street surround the background.]
    Caption The Library Vaccine. Installation view, Artists Space, 2014.
    Image description An angled view of a wooden table containing various papers, books, and documents displaying text and images. Windows to the street surround the background.
    Year 2014
    Related pages The Library Vaccine
  • A color photograph of an arepa placed on a purple tablecloth.
    A color photograph of an arepa placed on a purple tablecloth.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata [A color photograph of an arepa placed on a purple tablecloth.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata
    Image description A color photograph of an arepa placed on a purple tablecloth.
    Year
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • A hallway with one gray wall and one white. On the gray wall, there are a series of drawings on white paper arranged in a 4x7 grid. On the white wall, there are four frames. Light is refracted on a third wall at the end of the hallway.
    A hallway with one gray wall and one white. On the gray wall, there are a series of drawings on white paper arranged in a 4x7 grid. On the white wall, there are four frames. Light is refracted on a third wall at the end of the hallway.
    Local Transit. Installation view, Artists Space, 2006. [A hallway with one gray wall and one white. On the gray wall, there are a series of drawings on white paper arranged in a 4x7 grid. On the white wall, there are four frames. Light is refracted on a third wall at the end of the hallway.]
    Caption Local Transit. Installation view, Artists Space, 2006.
    Image description A hallway with one gray wall and one white. On the gray wall, there are a series of drawings on white paper arranged in a 4x7 grid. On the white wall, there are four frames. Light is refracted on a third wall at the end of the hallway.
    Year
    Related pages Local Transit: An Exhibition in Two Parts
  • White text overlays a green and brown background. The text reads: “May 6 / stefa marin alarcon / zavé martohardjono.
    White text overlays a green and brown background. The text reads: “May 6 / stefa marin alarcon / zavé martohardjono.
    [White text overlays a green and brown background. The text reads: “May 6 / stefa marin alarcon / zavé martohardjono." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description White text overlays a green and brown background. The text reads: “May 6 / stefa marin alarcon / zavé martohardjono." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year
    Related pages Segue Reading Series: stefa marin alarcon & zavé martohardjono
  • A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979. [A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.]
    Caption Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979.
    Image description A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    Year 1979
    Related pages Patricia Hearst - A Second Reading
  • Three paintings appear on two adjacent walls in a white-walled gallery space.
    Three paintings appear on two adjacent walls in a white-walled gallery space.
    Four Artists: An Exhibition of Painting and Sculpture. Installation View. Artists Space, 1985. [Three paintings appear on two adjacent walls in a white-walled gallery space.]
    Caption Four Artists: An Exhibition of Painting and Sculpture. Installation View. Artists Space, 1985.
    Image description Three paintings appear on two adjacent walls in a white-walled gallery space.
    Year
    Related pages Four Artists: An Exhibition of Painting and Sculpture
  • Students visiting Sleepwalk at Parasol Projects, LES, 2022
    Caption Students visiting Sleepwalk at Parasol Projects, LES, 2022
    Image description
    Year 2022
    Related pages Portfolio Development
  • Two people in the middle of a conversation. The woman is wearing a red cardigan, a white collared shirt, and has short gray hair with square black glasses. The man is wearing a checked blue and white collared shirt and has gray facial hair and round black glasses.
    Two people in the middle of a conversation. The woman is wearing a red cardigan, a white collared shirt, and has short gray hair with square black glasses. The man is wearing a checked blue and white collared shirt and has gray facial hair and round black glasses.
    Still from video interview with Naomi and Stephen Antonakos, conducted by Dean Inkster and Sébastien Pluot, 2010. [Two people in the middle of a conversation. The woman is wearing a red cardigan, a white collared shirt, and has short gray hair with square black glasses. The man is wearing a checked blue and white collared shirt and has gray facial hair and round black glasses.]
    Caption Still from video interview with Naomi and Stephen Antonakos, conducted by Dean Inkster and Sébastien Pluot, 2010.
    Image description Two people in the middle of a conversation. The woman is wearing a red cardigan, a white collared shirt, and has short gray hair with square black glasses. The man is wearing a checked blue and white collared shirt and has gray facial hair and round black glasses.
    Year 2011
    Related pages Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979)
  • Various drawings are hung up on white walls. The drawings consist of simple shapes and lines.
    Various drawings are hung up on white walls. The drawings consist of simple shapes and lines.
    Artists Draw. Installation view, Artists Space, 1979. [Various drawings are hung up on white walls. The drawings consist of simple shapes and lines.]
    Caption Artists Draw. Installation view, Artists Space, 1979.
    Image description Various drawings are hung up on white walls. The drawings consist of simple shapes and lines.
    Year 1979
    Related pages Artists Draw: Tom Martin, Auste Peciura, Alan Saret, Patti Smith, Nancy Spero
  • A collage with a woman's figure in profile attached to a framed map, mounted on a pink gallery wall.
    A collage with a woman's figure in profile attached to a framed map, mounted on a pink gallery wall.
    Adjua Gargi Nzinga Greaves, Autotelemachy, detail, 2017. Collage, 59 x 68 inches. Courtesy Artists Space, New York. Photo: Filip Wolak [A collage with a woman's figure in profile attached to a framed map, mounted on a pink gallery wall.]
    Caption Adjua Gargi Nzinga Greaves, Autotelemachy, detail, 2017. Collage, 59 x 68 inches. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A collage with a woman's figure in profile attached to a framed map, mounted on a pink gallery wall.
    Year 2021
    Related pages Adjua Gargi Nzinga Greaves
  • Contact sheet of installation and opening photos from the exhibition.
    Contact sheet of installation and opening photos from the exhibition.
    Selections from the Unaffiliated Artists File. Installation view, Artists Space, 1982. [Contact sheet of installation and opening photos from the exhibition.]
    Caption Selections from the Unaffiliated Artists File. Installation view, Artists Space, 1982.
    Image description Contact sheet of installation and opening photos from the exhibition.
    Year
    Related pages Selections from the Unaffiliated Artists File
  • A sculpture of a woman stands on a pedestal looking into a glass window pyrimidal construction with a large bug on top and a TV monitor underneath.
    A sculpture of a woman stands on a pedestal looking into a glass window pyrimidal construction with a large bug on top and a TV monitor underneath.
    Hilary Kliros. Installation View. Artists Space, 1986. [A sculpture of a woman stands on a pedestal looking into a glass window pyrimidal construction with a large bug on top and a TV monitor underneath.]
    Caption Hilary Kliros. Installation View. Artists Space, 1986.
    Image description A sculpture of a woman stands on a pedestal looking into a glass window pyrimidal construction with a large bug on top and a TV monitor underneath.
    Year 1986
    Related pages The Fairy Tale: Politics, Desire, and Everyday Life
  • Multi-wall drawing of various figures visible in gallery space.
    Multi-wall drawing of various figures visible in gallery space.
    Wall Drawing. Installation view, Artists Space, 1981. [Multi-wall drawing of various figures visible in gallery space.]
    Caption Wall Drawing. Installation view, Artists Space, 1981.
    Image description Multi-wall drawing of various figures visible in gallery space.
    Year
    Related pages Wall Drawing
  • Two photographs arranged side by side. The left photograph displays a person sitting partially in shadow with a patterned background and a small object on her lap. The right photograph shows a framed photograph of a young man in a suit with the same object placed in front of the portrait.
    Two photographs arranged side by side. The left photograph displays a person sitting partially in shadow with a patterned background and a small object on her lap. The right photograph shows a framed photograph of a young man in a suit with the same object placed in front of the portrait.
    Robert Giard, Homage to Joe Beam, 1992. 20 x 38 inches. [Two photographs arranged side by side. The left photograph displays a person sitting partially in shadow with a patterned background and a small object on her lap. The right photograph shows a framed photograph of a young man in a suit with the same object placed in front of the portrait.]
    Caption Robert Giard, Homage to Joe Beam, 1992. 20 x 38 inches.
    Image description Two photographs arranged side by side. The left photograph displays a person sitting partially in shadow with a patterned background and a small object on her lap. The right photograph shows a framed photograph of a young man in a suit with the same object placed in front of the portrait.
    Year 1992
    Related pages AIDS FORUM: Tribute to Joe Beam
  • Draped fabric that reads
    Draped fabric that reads
    [Draped fabric that reads "American Express World Service" in an all-over pattern.]
    Caption
    Image description Draped fabric that reads "American Express World Service" in an all-over pattern.
    Year 2014
    Related pages Folklore U.S.
  • Caption
    Image description
    Year
    Related pages LAND MASS
  • An audience observes two performers playing a keyboard and a bass on stage. The performers are seated at an angle towards each other, and the stage is bathed in orange light and blue cloud-like patterns.
    An audience observes two performers playing a keyboard and a bass on stage. The performers are seated at an angle towards each other, and the stage is bathed in orange light and blue cloud-like patterns.
    Abasement #83. Performance documentation, January 5th, 2026, Artists Space. Photo: Joshua Wildman. [An audience observes two performers playing a keyboard and a bass on stage. The performers are seated at an angle towards each other, and the stage is bathed in orange light and blue cloud-like patterns. ]
    Caption Abasement #83. Performance documentation, January 5th, 2026, Artists Space. Photo: Joshua Wildman.
    Image description An audience observes two performers playing a keyboard and a bass on stage. The performers are seated at an angle towards each other, and the stage is bathed in orange light and blue cloud-like patterns.
    Year
    Related pages Abasement #83
  • In the corner of a room, close to the ceiling, is an industrial light fixture. The lightbulb is on and faces up towards the ceiling.
    In the corner of a room, close to the ceiling, is an industrial light fixture. The lightbulb is on and faces up towards the ceiling.
    Michael Asher, Untitled. Installation view, Artists Space, 1988. [In the corner of a room, close to the ceiling, is an industrial light fixture. The lightbulb is on and faces up towards the ceiling.]
    Caption Michael Asher, Untitled. Installation view, Artists Space, 1988.
    Image description In the corner of a room, close to the ceiling, is an industrial light fixture. The lightbulb is on and faces up towards the ceiling.
    Year 1988
    Related pages
  • An illustration takes up the whole frame depicting a yellow house with one rectangular door, one square window, and an orange roof. The house sits in an ambiguous space of slanted red ovals without any perspectival grounding.
    An illustration takes up the whole frame depicting a yellow house with one rectangular door, one square window, and an orange roof. The house sits in an ambiguous space of slanted red ovals without any perspectival grounding.
    Sydney Schrader [An illustration takes up the whole frame depicting a yellow house with one rectangular door, one square window, and an orange roof. The house sits in an ambiguous space of slanted red ovals without any perspectival grounding.]
    Caption Sydney Schrader
    Image description An illustration takes up the whole frame depicting a yellow house with one rectangular door, one square window, and an orange roof. The house sits in an ambiguous space of slanted red ovals without any perspectival grounding.
    Year
    Related pages Nandi Loaf Aristotelis Nikolas Mochloulis Ricardo Nagaoka Sydney Schrader
  • A figure leans into a microphone from the side with blue, purple, and pink projections cast onto them.
    A figure leans into a microphone from the side with blue, purple, and pink projections cast onto them.
    Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [A figure leans into a microphone from the side with blue, purple, and pink projections cast onto them.]
    Caption Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure leans into a microphone from the side with blue, purple, and pink projections cast onto them.
    Year 2022
    Related pages Abasement #61
  • Three figures perform in front of an audience. Two figures in blue morph suits face off with a wooden table between them, while a third figure takes video footage of the scene.
    Three figures perform in front of an audience. Two figures in blue morph suits face off with a wooden table between them, while a third figure takes video footage of the scene.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Three figures perform in front of an audience. Two figures in blue morph suits face off with a wooden table between them, while a third figure takes video footage of the scene.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Three figures perform in front of an audience. Two figures in blue morph suits face off with a wooden table between them, while a third figure takes video footage of the scene.
    Year 2022
    Related pages SCRAAATCH 11-18
  • A cartoon drawing of a bedroom with a purple bed, chair, and window
    A cartoon drawing of a bedroom with a purple bed, chair, and window
    Courtesy No Total. [A cartoon drawing of a bedroom with a purple bed, chair, and window]
    Caption Courtesy No Total.
    Image description A cartoon drawing of a bedroom with a purple bed, chair, and window
    Year 2017
    Related pages You Should Wake Up Earlier
  • A black and white image of an exhibtion space, sculptures sit on three pedestals in front a wall of paintings.
    A black and white image of an exhibtion space, sculptures sit on three pedestals in front a wall of paintings.
    We the People. Installation view, Artists Space. 1987. [A black and white image of an exhibtion space, sculptures sit on three pedestals in front a wall of paintings.]
    Caption We the People. Installation view, Artists Space. 1987.
    Image description A black and white image of an exhibtion space, sculptures sit on three pedestals in front a wall of paintings.
    Year 1987
    Related pages
  • A yellow object painted with a green and grey cracked surface sits on a white base. There is a rectangular panel with wiring attached to the front. On top of the object sits a small yellow figure.
    A yellow object painted with a green and grey cracked surface sits on a white base. There is a rectangular panel with wiring attached to the front. On top of the object sits a small yellow figure.
    Not yet titled, 2019
    Clay, glaze, mixed media
    7 x 12 x 17 inches (variable)
    $3,000
    [A yellow object painted with a green and grey cracked surface sits on a white base. There is a rectangular panel with wiring attached to the front. On top of the object sits a small yellow figure.]
    Caption Not yet titled, 2019
    Clay, glaze, mixed media
    7 x 12 x 17 inches (variable)
    $3,000
    Image description A yellow object painted with a green and grey cracked surface sits on a white base. There is a rectangular panel with wiring attached to the front. On top of the object sits a small yellow figure.
    Year 2019
    Related pages Trisha Baga Edition
  • Several figures sit on the ground, legs crossed.
    Several figures sit on the ground, legs crossed.
    Eiko Ishibashi: Two New York Nights. Performance documentation, June 8, 2022, 8pm. Artists Space, New York. [Several figures sit on the ground, legs crossed.]
    Caption Eiko Ishibashi: Two New York Nights. Performance documentation, June 8, 2022, 8pm. Artists Space, New York.
    Image description Several figures sit on the ground, legs crossed.
    Year
    Related pages Eiko Ishibashi in Concert
  • A gallery space with two columns. On the right side of the columns is a small platform from which two black curtains hang. Behind that are two stools underneath a mirror mounted on the wall. On the other side of the columns, four paintings hang on a white wall in a line. Just visible beyond the end of the wall is another space with additional paintings hung on that wall.
    A gallery space with two columns. On the right side of the columns is a small platform from which two black curtains hang. Behind that are two stools underneath a mirror mounted on the wall. On the other side of the columns, four paintings hang on a white wall in a line. Just visible beyond the end of the wall is another space with additional paintings hung on that wall.
    The Mind/Body Problem. Installation view, Artists Space, 2006. Photo: Alan Wiener. [A gallery space with two columns. On the right side of the columns is a small platform from which two black curtains hang. Behind that are two stools underneath a mirror mounted on the wall. On the other side of the columns, four paintings hang on a white wall in a line. Just visible beyond the end of the wall is another space with additional paintings hung on that wall.]
    Caption The Mind/Body Problem. Installation view, Artists Space, 2006. Photo: Alan Wiener.
    Image description A gallery space with two columns. On the right side of the columns is a small platform from which two black curtains hang. Behind that are two stools underneath a mirror mounted on the wall. On the other side of the columns, four paintings hang on a white wall in a line. Just visible beyond the end of the wall is another space with additional paintings hung on that wall.
    Year 2006
    Related pages The Mind/Body Problem
  • Drawing of a globe figure bisected with long vertical rectangle, overlaid with line grid.
    Drawing of a globe figure bisected with long vertical rectangle, overlaid with line grid.
    Michael Kalil, an analytical study for Osmotic Membrane (detail), 1986. [Drawing of a globe figure bisected with long vertical rectangle, overlaid with line grid.]
    Caption Michael Kalil, an analytical study for Osmotic Membrane (detail), 1986.
    Image description Drawing of a globe figure bisected with long vertical rectangle, overlaid with line grid.
    Year
    Related pages From Here to Eternity: Fact and Fiction in Recent Architectural Projects
  • A black and white image of a column-like sculpture displayed in the exhibition space.
    A black and white image of a column-like sculpture displayed in the exhibition space.
    Installation view from International Projects: Belgium, featuring Didier Vermeiren, Artists Space, 1984 [A black and white image of a column-like sculpture displayed in the exhibition space.]
    Caption Installation view from International Projects: Belgium, featuring Didier Vermeiren, Artists Space, 1984
    Image description A black and white image of a column-like sculpture displayed in the exhibition space.
    Year
    Related pages International Projects: Belgium
  • A black and white photograph of a performance. Three figures stand in a cleared portion of a room, each one balancing on their right foot. A crowd looks on.
    A black and white photograph of a performance. Three figures stand in a cleared portion of a room, each one balancing on their right foot. A crowd looks on.
    Jill Kroesen, Previews of Lou and Walter. Performance documentation, November 12, 1977, Artists Space. [A black and white photograph of a performance. Three figures stand in a cleared portion of a room, each one balancing on their right foot. A crowd looks on.]
    Caption Jill Kroesen, Previews of Lou and Walter. Performance documentation, November 12, 1977, Artists Space.
    Image description A black and white photograph of a performance. Three figures stand in a cleared portion of a room, each one balancing on their right foot. A crowd looks on.
    Year 1977
    Related pages Artists Performance Series
  • A photo looking down from the top of the Guggenheim Museum's atrium, showing people crowded around an unfurling banner.
    A photo looking down from the top of the Guggenheim Museum's atrium, showing people crowded around an unfurling banner.
    Gulf Labor action at the Solomon R. Guggenheim Museum, March 29, 2014. Image courtesy Global Ultra Luxury Faction/Gulf Labor. [A photo looking down from the top of the Guggenheim Museum's atrium, showing people crowded around an unfurling banner.]
    Caption Gulf Labor action at the Solomon R. Guggenheim Museum, March 29, 2014. Image courtesy Global Ultra Luxury Faction/Gulf Labor.
    Image description A photo looking down from the top of the Guggenheim Museum's atrium, showing people crowded around an unfurling banner.
    Year 2014
    Related pages Decolonize This Museum
  • Black text on an orange background. The text reads: “Oct 19 / Xavier Cavazos / Pamela Booker.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on an orange background. The text reads: “Oct 19 / Xavier Cavazos / Pamela Booker.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on an orange background. The text reads: “Oct 19 / Xavier Cavazos / Pamela Booker.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on an orange background. The text reads: “Oct 19 / Xavier Cavazos / Pamela Booker.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Pamela Booker & Xavier Cavazos
  • An image of a glass display case, above which hang various posters and epehemera. Behind the posters is a staircase.
    An image of a glass display case, above which hang various posters and epehemera. Behind the posters is a staircase.
    Attention Line. Installation view (posters and ephemera from Other Cinema, c. 1970s-80s), Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [An image of a glass display case, above which hang various posters and epehemera. Behind the posters is a staircase.]
    Caption Attention Line. Installation view (posters and ephemera from Other Cinema, c. 1970s-80s), Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak
    Image description An image of a glass display case, above which hang various posters and epehemera. Behind the posters is a staircase.
    Year
    Related pages Attention Line
  • A group of people sit around a circular dining table. Wade Guyton and Kathy Halbreich are on the far left side of the frame. Andy Robert and Joan Jonas face each other and are mid-conversation. Robert wears a diamond-patterned sweater, black jacket, and black, red, and yellow striped beanie. Jonas wears a black jacket over a blue blouse with small red polka dots and scalloped edges, and her hair is held out of her face with a decorative clip.
    A group of people sit around a circular dining table. Wade Guyton and Kathy Halbreich are on the far left side of the frame. Andy Robert and Joan Jonas face each other and are mid-conversation. Robert wears a diamond-patterned sweater, black jacket, and black, red, and yellow striped beanie. Jonas wears a black jacket over a blue blouse with small red polka dots and scalloped edges, and her hair is held out of her face with a decorative clip.
    Friends of Artists Space Dinner 2024. Wade Guyton, Kathy Halbreich, Andy Robert, Joan Jonas. Photo: Joshua Wildman [A group of people sit around a circular dining table. Wade Guyton and Kathy Halbreich are on the far left side of the frame. Andy Robert and Joan Jonas face each other and are mid-conversation. Robert wears a diamond-patterned sweater, black jacket, and black, red, and yellow striped beanie. Jonas wears a black jacket over a blue blouse with small red polka dots and scalloped edges, and her hair is held out of her face with a decorative clip.]
    Caption Friends of Artists Space Dinner 2024. Wade Guyton, Kathy Halbreich, Andy Robert, Joan Jonas. Photo: Joshua Wildman
    Image description A group of people sit around a circular dining table. Wade Guyton and Kathy Halbreich are on the far left side of the frame. Andy Robert and Joan Jonas face each other and are mid-conversation. Robert wears a diamond-patterned sweater, black jacket, and black, red, and yellow striped beanie. Jonas wears a black jacket over a blue blouse with small red polka dots and scalloped edges, and her hair is held out of her face with a decorative clip.
    Year
    Related pages Friends of Artists Space Dinner
  • A blue flyer with the word
    A blue flyer with the word
    Richard Hollis, Whitechapel Gallery advertisement, 1980. [A blue flyer with the word "OPEN." printed in yellow.]
    Caption Richard Hollis, Whitechapel Gallery advertisement, 1980.
    Image description A blue flyer with the word "OPEN." printed in yellow.
    Year
    Related pages A Video Lecture by Richard Hollis
  • Close up of the torso and legs of a figure with long hair wearing nylon tights and a blue silk jacket on their bare chest. They are illuminated by red stage lights and appear to stand on a stage in front of a drum set and speakers.
    Close up of the torso and legs of a figure with long hair wearing nylon tights and a blue silk jacket on their bare chest. They are illuminated by red stage lights and appear to stand on a stage in front of a drum set and speakers.
    [Close up of the torso and legs of a figure with long hair wearing nylon tights and a blue silk jacket on their bare chest. They are illuminated by red stage lights and appear to stand on a stage in front of a drum set and speakers.]
    Caption
    Image description Close up of the torso and legs of a figure with long hair wearing nylon tights and a blue silk jacket on their bare chest. They are illuminated by red stage lights and appear to stand on a stage in front of a drum set and speakers.
    Year 2012
    Related pages Sandy Relief Dance Party
  • A diptych drawing of one figure sitting cross-legged on the left and another figure lying down next to flowers in a vase depicted on the right.
    A diptych drawing of one figure sitting cross-legged on the left and another figure lying down next to flowers in a vase depicted on the right.
    Joseph Hilton, Beside the Sleeping Guards (of Cairo) Day and Night, 1986. [A diptych drawing of one figure sitting cross-legged on the left and another figure lying down next to flowers in a vase depicted on the right.]
    Caption Joseph Hilton, Beside the Sleeping Guards (of Cairo) Day and Night, 1986.
    Image description A diptych drawing of one figure sitting cross-legged on the left and another figure lying down next to flowers in a vase depicted on the right.
    Year
    Related pages Recent Art from Chicago
  • A photograph of a gallery space with works on paper hung on the far wall and plants, works on paper, and a collage mounted on the right wall, which is painted pink.
    A photograph of a gallery space with works on paper hung on the far wall and plants, works on paper, and a collage mounted on the right wall, which is painted pink.
    Adjua Gargi Nzinga Greaves: The x in florxal is silent when spoken. Installation view, Artists Space, 2021. Photo: Filip Wolak. Courtesy Artists Space, New York. [A photograph of a gallery space with works on paper hung on the far wall and plants, works on paper, and a collage mounted on the right wall, which is painted pink.]
    Caption Adjua Gargi Nzinga Greaves: The x in florxal is silent when spoken. Installation view, Artists Space, 2021. Photo: Filip Wolak. Courtesy Artists Space, New York.
    Image description A photograph of a gallery space with works on paper hung on the far wall and plants, works on paper, and a collage mounted on the right wall, which is painted pink.
    Year 2021
    Related pages Adjua Gargi Nzinga Greaves
  • A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of a man with tan skin and facial hair, wearing aviators, talking to a soldier.
    A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of a man with tan skin and facial hair, wearing aviators, talking to a soldier.
    Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of a man with tan skin and facial hair, wearing aviators, talking to a soldier.]
    Caption Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez.
    Image description A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of a man with tan skin and facial hair, wearing aviators, talking to a soldier.
    Year 2014
    Related pages Laura Poitras: 9/11 Trilogy
  • A polaroid photo depicts a figure pointing a gun at another figure, who is kneeling on the ground with their head down. On the right, handwritten in red ink are the words
    A polaroid photo depicts a figure pointing a gun at another figure, who is kneeling on the ground with their head down. On the right, handwritten in red ink are the words
    Eric Mitchell, Mass Homocide, 1977. Advertisement, Artists Space. [A polaroid photo depicts a figure pointing a gun at another figure, who is kneeling on the ground with their head down. On the right, handwritten in red ink are the words "Oct/Nov 77 / Mass Homocide / Eric Mitchell / 206 E 10 st / NY, NY 10003.]
    Caption Eric Mitchell, Mass Homocide, 1977. Advertisement, Artists Space.
    Image description A polaroid photo depicts a figure pointing a gun at another figure, who is kneeling on the ground with their head down. On the right, handwritten in red ink are the words "Oct/Nov 77 / Mass Homocide / Eric Mitchell / 206 E 10 st / NY, NY 10003.
    Year 1977
    Related pages Artists Performance Series
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    Related pages David Armstrong: Portraits
  • Red and blue text overlay a yellow background with abstract lines and a drawing of a male face in side profile. The text in the middle reads
    Red and blue text overlay a yellow background with abstract lines and a drawing of a male face in side profile. The text in the middle reads
    Flyer for Segue Reading Series featuring Kyle Dacuyan and Judith Goldman. January 7, 2023, Artists Space. [Red and blue text overlay a yellow background with abstract lines and a drawing of a male face in side profile. The text in the middle reads "Kyle Dacuyan / Segue Reading Series / Judith Goldman."]
    Caption Flyer for Segue Reading Series featuring Kyle Dacuyan and Judith Goldman. January 7, 2023, Artists Space.
    Image description Red and blue text overlay a yellow background with abstract lines and a drawing of a male face in side profile. The text in the middle reads "Kyle Dacuyan / Segue Reading Series / Judith Goldman."
    Year
    Related pages Segue Reading Series: Kyle Dacuyan & Judith Goldman
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Individual self-portraits, Untitled, 2021, collage and sequins on paper
    Caption Individual self-portraits, Untitled, 2021, collage and sequins on paper
    Image description
    Year 2021
    Related pages Threads of History
  • Two faces on a black background, with a black and red patterned rectangle dividing them. The left face is upside-down, and a skeltal hand overlaps the face. The right is upright, and is looking back over their shoulder.
    Two faces on a black background, with a black and red patterned rectangle dividing them. The left face is upside-down, and a skeltal hand overlaps the face. The right is upright, and is looking back over their shoulder.
    Margo Machida, Altered Fates, 1990. Acrylic on canvas, 48 x 56 inches. [Two faces on a black background, with a black and red patterned rectangle dividing them. The left face is upside-down, and a skeltal hand overlaps the face. The right is upright, and is looking back over their shoulder.]
    Caption Margo Machida, Altered Fates, 1990. Acrylic on canvas, 48 x 56 inches.
    Image description Two faces on a black background, with a black and red patterned rectangle dividing them. The left face is upside-down, and a skeltal hand overlaps the face. The right is upright, and is looking back over their shoulder.
    Year 1990
    Related pages Post-Boys&Girls: Nine Painters
  • A black-and-white film still depicting a nude figure, her body is turned two-thirds of the way. Several smoky duplicates of the figure's body and face are superimposed over the original image. A cloudy and blooming, nondescript atmosphere serves as the background.
    A black-and-white film still depicting a nude figure, her body is turned two-thirds of the way. Several smoky duplicates of the figure's body and face are superimposed over the original image. A cloudy and blooming, nondescript atmosphere serves as the background.
    Shala Miller, Genesis, 2023. [A black-and-white film still depicting a nude figure, her body is turned two-thirds of the way. Several smoky duplicates of the figure's body and face are superimposed over the original image. A cloudy and blooming, nondescript atmosphere serves as the background.]
    Caption Shala Miller, Genesis, 2023.
    Image description A black-and-white film still depicting a nude figure, her body is turned two-thirds of the way. Several smoky duplicates of the figure's body and face are superimposed over the original image. A cloudy and blooming, nondescript atmosphere serves as the background.
    Year
    Related pages Shala Miller, Malcolm Peacock, Amiri Baraka
  • Jaylynn Reyna, Legendary, 2022, digital photograph
    Caption Jaylynn Reyna, Legendary, 2022, digital photograph
    Image description
    Year 2022
    Related pages Scholastic Art and Writing Awards
  • Stools and black electronic objects are dispersed around the floor of the gallery. Suspended above hangs a transparent sheet, framing three large white balls and a selection of drawings.
    Stools and black electronic objects are dispersed around the floor of the gallery. Suspended above hangs a transparent sheet, framing three large white balls and a selection of drawings.
    Brad Kronz. Installation view, Artists Space, 2025. Photo: Carter Seddon [Stools and black electronic objects are dispersed around the floor of the gallery. Suspended above hangs a transparent sheet, framing three large white balls and a selection of drawings. ]
    Caption Brad Kronz. Installation view, Artists Space, 2025. Photo: Carter Seddon
    Image description Stools and black electronic objects are dispersed around the floor of the gallery. Suspended above hangs a transparent sheet, framing three large white balls and a selection of drawings.
    Year
    Related pages Brad Kronz
  • Black and white photograph of white picket fence with dark painted background behind it.
    Black and white photograph of white picket fence with dark painted background behind it.
    Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Candice Hill-Montgomery. [Black and white photograph of white picket fence with dark painted background behind it.]
    Caption Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Candice Hill-Montgomery.
    Image description Black and white photograph of white picket fence with dark painted background behind it.
    Year 1979
    Related pages Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach
  • Two people sitting in front of a window looking towards the camera, one wearing a red dress and the other a black shirt and top hat.
    Two people sitting in front of a window looking towards the camera, one wearing a red dress and the other a black shirt and top hat.
    Warnung vor einer heiligen Nutte (Beware of a Holy Whore). Dir. Rainer Werner Fassbinder. 1971. [Two people sitting in front of a window looking towards the camera, one wearing a red dress and the other a black shirt and top hat.]
    Caption Warnung vor einer heiligen Nutte (Beware of a Holy Whore). Dir. Rainer Werner Fassbinder. 1971.
    Image description Two people sitting in front of a window looking towards the camera, one wearing a red dress and the other a black shirt and top hat.
    Year 2016
    Related pages Raúl de Nieves & Werner Schroeter
  • An upward angled view of two people performing with a gray curtain behind them. One person, with black hair and a yellow jacket, is playing an electric guitar, the other, with red hair and wearing a black sequin top and blue scarf with matching eyeshadow, is singing into a mic.
    An upward angled view of two people performing with a gray curtain behind them. One person, with black hair and a yellow jacket, is playing an electric guitar, the other, with red hair and wearing a black sequin top and blue scarf with matching eyeshadow, is singing into a mic.
    Laura Cottingham & Leslie Singer, still from The Anita Pallenburg Story, 2000. Digital Video, 76 min. [An upward angled view of two people performing with a gray curtain behind them. One person, with black hair and a yellow jacket, is playing an electric guitar, the other, with red hair and wearing a black sequin top and blue scarf with matching eyeshadow, is singing into a mic.]
    Caption Laura Cottingham & Leslie Singer, still from The Anita Pallenburg Story, 2000. Digital Video, 76 min.
    Image description An upward angled view of two people performing with a gray curtain behind them. One person, with black hair and a yellow jacket, is playing an electric guitar, the other, with red hair and wearing a black sequin top and blue scarf with matching eyeshadow, is singing into a mic.
    Year 2017
    Related pages Laura Cottingham & The Anita Pallenberg Story
  • Constantina Zavitsanos, Ace of Spades (detail), 2024. Z interferometer: two aluminized 6" diameter spherical mirrors, LED illumination source, knife edge on mounts; soldering iron, fan, infrared light, steel tables. Dimensions variable.
    Caption Constantina Zavitsanos, Ace of Spades (detail), 2024. Z interferometer: two aluminized 6" diameter spherical mirrors, LED illumination source, knife edge on mounts; soldering iron, fan, infrared light, steel tables. Dimensions variable.
    Image description
    Year
    Related pages fwiw
  • A white book lying on a larger blue book.
    A white book lying on a larger blue book.
    Corrugated Slogans and An Anthology of Invalid Format. [A white book lying on a larger blue book.]
    Caption Corrugated Slogans and An Anthology of Invalid Format.
    Image description A white book lying on a larger blue book.
    Year 2013
    Related pages Novel Operations
  • A color photo of two smiling individuals seated at a banquet table, the person to the right has her hand on another guest's shoulder. The background depicts several other guests out of focus.
    A color photo of two smiling individuals seated at a banquet table, the person to the right has her hand on another guest's shoulder. The background depicts several other guests out of focus.
    The Founders Dinner, 2019. [A color photo of two smiling individuals seated at a banquet table, the person to the right has her hand on another guest's shoulder. The background depicts several other guests out of focus.]
    Caption The Founders Dinner, 2019.
    Image description A color photo of two smiling individuals seated at a banquet table, the person to the right has her hand on another guest's shoulder. The background depicts several other guests out of focus.
    Year 2019
    Related pages Support
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  • A slightly chipped painting of a face with downcast eyes and a medieval-style crown. The word
    A slightly chipped painting of a face with downcast eyes and a medieval-style crown. The word
    Ken Aptekar, Oversensitive, 1987-1990. Oil on wood, sandblasted glass, bolts, 30 x 30 inches. [A slightly chipped painting of a face with downcast eyes and a medieval-style crown. The word "Oversensitive" is overlaid across the top part of the face.]
    Caption Ken Aptekar, Oversensitive, 1987-1990. Oil on wood, sandblasted glass, bolts, 30 x 30 inches.
    Image description A slightly chipped painting of a face with downcast eyes and a medieval-style crown. The word "Oversensitive" is overlaid across the top part of the face.
    Year
    Related pages Post-Boys&Girls: Nine Painters
  • A book shelf displays paper documents containing black and white images. Above, smaller documents, and a similar paper displayed in a white frame.
    A book shelf displays paper documents containing black and white images. Above, smaller documents, and a similar paper displayed in a white frame.
    Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A book shelf displays paper documents containing black and white images. Above, smaller documents, and a similar paper displayed in a white frame.]
    Caption Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description A book shelf displays paper documents containing black and white images. Above, smaller documents, and a similar paper displayed in a white frame.
    Year 2013
    Related pages Documenting Cadere: 1972 - 1978
  • A large paper-maché head lays face-up on a metal scaffolding. Above it, green cursive text reads,
    A large paper-maché head lays face-up on a metal scaffolding. Above it, green cursive text reads,
    Ralph Paquin and Ann Stoddard, ERAWA - ERA WAS, 1990. Installation view, Artists Space, 1990. [A large paper-maché head lays face-up on a metal scaffolding. Above it, green cursive text reads, "ring is worn out by constant use."]
    Caption Ralph Paquin and Ann Stoddard, ERAWA - ERA WAS, 1990. Installation view, Artists Space, 1990.
    Image description A large paper-maché head lays face-up on a metal scaffolding. Above it, green cursive text reads, "ring is worn out by constant use."
    Year 1990
    Related pages Project: ERAWA - ERA WAS
  • A view from behind an angled bar with blue walls. Shelves full of Coca-Cola, liquor, and glasses are visible. On the counter, more Coca-Cola bottles, glassware, and an esspresso machine. A palm leaf is positioned beyond the counter top.
    A view from behind an angled bar with blue walls. Shelves full of Coca-Cola, liquor, and glasses are visible. On the counter, more Coca-Cola bottles, glassware, and an esspresso machine. A palm leaf is positioned beyond the counter top.
    Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013. [A view from behind an angled bar with blue walls. Shelves full of Coca-Cola, liquor, and glasses are visible. On the counter, more Coca-Cola bottles, glassware, and an esspresso machine. A palm leaf is positioned beyond the counter top.]
    Caption Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013.
    Image description A view from behind an angled bar with blue walls. Shelves full of Coca-Cola, liquor, and glasses are visible. On the counter, more Coca-Cola bottles, glassware, and an esspresso machine. A palm leaf is positioned beyond the counter top.
    Year 2013
    Related pages Pride Goes Before a Fall
  • A color image of three framed works against a white wall. The drawings are done on black paper and depict abstract compositions made up of white, and colorful shapes, lines and strokes.
    A color image of three framed works against a white wall. The drawings are done on black paper and depict abstract compositions made up of white, and colorful shapes, lines and strokes.
    Renee Gladman: Narratives of Magnitude. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of three framed works against a white wall. The drawings are done on black paper and depict abstract compositions made up of white, and colorful shapes, lines and strokes.]
    Caption Renee Gladman: Narratives of Magnitude. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A color image of three framed works against a white wall. The drawings are done on black paper and depict abstract compositions made up of white, and colorful shapes, lines and strokes.
    Year
    Related pages Renee Gladman
  • Color image of a gallery installation containing four large wooden box sculptures by Matthew Langan-Peck, three of which are slightly open and have headphones hanging from their sides. To the left, a dark blue box is painted with a repeated traffic light motif. The box in the center foreground is messily painted sky blue, with two yellow shooting stars on one side. In the background, to the right, two wooden boxes sit next to each other, one painted light yellow and the other covered in imitation gold leaf.
    Color image of a gallery installation containing four large wooden box sculptures by Matthew Langan-Peck, three of which are slightly open and have headphones hanging from their sides. To the left, a dark blue box is painted with a repeated traffic light motif. The box in the center foreground is messily painted sky blue, with two yellow shooting stars on one side. In the background, to the right, two wooden boxes sit next to each other, one painted light yellow and the other covered in imitation gold leaf.
    Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon. [Color image of a gallery installation containing four large wooden box sculptures by Matthew Langan-Peck, three of which are slightly open and have headphones hanging from their sides. To the left, a dark blue box is painted with a repeated traffic light motif. The box in the center foreground is messily painted sky blue, with two yellow shooting stars on one side. In the background, to the right, two wooden boxes sit next to each other, one painted light yellow and the other covered in imitation gold leaf.]
    Caption Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon.
    Image description Color image of a gallery installation containing four large wooden box sculptures by Matthew Langan-Peck, three of which are slightly open and have headphones hanging from their sides. To the left, a dark blue box is painted with a repeated traffic light motif. The box in the center foreground is messily painted sky blue, with two yellow shooting stars on one side. In the background, to the right, two wooden boxes sit next to each other, one painted light yellow and the other covered in imitation gold leaf.
    Year
    Related pages Doris Guo Matthew Langan-Peck Isabelle Frances McGuire Ruben Ulises Rodriguez Montoya
  • Two performers stand behind a table operating various musical equipment.
    Two performers stand behind a table operating various musical equipment.
    Abasement #86. Performance documentation, April 6th, 2026, Artists Space. Photo: Joshua Wildman. [Two performers stand behind a table operating various musical equipment. ]
    Caption Abasement #86. Performance documentation, April 6th, 2026, Artists Space. Photo: Joshua Wildman.
    Image description Two performers stand behind a table operating various musical equipment.
    Year
    Related pages Abasement #86
  • An image depicting a digitally-created cartoon-style black-and-white humanoid figure standing upright, holding a stick. He has a long beard, hair across his body, and leaves as a skirt and hat. A thought bubble appears above his head, with sans-serif text stating
    An image depicting a digitally-created cartoon-style black-and-white humanoid figure standing upright, holding a stick. He has a long beard, hair across his body, and leaves as a skirt and hat. A thought bubble appears above his head, with sans-serif text stating
    Liam Gillick, Thinking, 2010, Inkjet print on Sunset Cotton Etch 285 gsm, 24 x 20 in / 61 x 50,8 cm, Signed and numbered [An image depicting a digitally-created cartoon-style black-and-white humanoid figure standing upright, holding a stick. He has a long beard, hair across his body, and leaves as a skirt and hat. A thought bubble appears above his head, with sans-serif text stating "Thinking more about production than consumption..."]
    Caption Liam Gillick, Thinking, 2010, Inkjet print on Sunset Cotton Etch 285 gsm, 24 x 20 in / 61 x 50,8 cm, Signed and numbered
    Image description An image depicting a digitally-created cartoon-style black-and-white humanoid figure standing upright, holding a stick. He has a long beard, hair across his body, and leaves as a skirt and hat. A thought bubble appears above his head, with sans-serif text stating "Thinking more about production than consumption..."
    Year 2010
    Related pages Artists Space Annual Edition Portfolio 2010
  • Black and white photograph of Jean Fisher looking to the right.
    Black and white photograph of Jean Fisher looking to the right.
    [Black and white photograph of Jean Fisher looking to the right.]
    Caption
    Image description Black and white photograph of Jean Fisher looking to the right.
    Year 2018
    Related pages The Work Between Us: Reflections on Jean Fisher
  • A photograph of a gallery space with dark grey walls. Eight photographs and print-outs are hung on the walls, and to the right of them is a wooden bench.
    A photograph of a gallery space with dark grey walls. Eight photographs and print-outs are hung on the walls, and to the right of them is a wooden bench.
    Tiffany Sia, The Bastard Scroll (detail view), 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A photograph of a gallery space with dark grey walls. Eight photographs and print-outs are hung on the walls, and to the right of them is a wooden bench.]
    Caption Tiffany Sia, The Bastard Scroll (detail view), 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A photograph of a gallery space with dark grey walls. Eight photographs and print-outs are hung on the walls, and to the right of them is a wooden bench.
    Year 2021
    Related pages Tiffany Sia: Slippery When Wet
  • A black and white image of a painting. Two triangular shapes are painted on either side of the canvas. The hypotenuse of each triangle is tiered, appearing like stairs. The space between the triangles is painted in a darker shade.
    A black and white image of a painting. Two triangular shapes are painted on either side of the canvas. The hypotenuse of each triangle is tiered, appearing like stairs. The space between the triangles is painted in a darker shade.
    Fontaine Dunn, Untitled, 1976. From Gary Bower, Fontaine Dunn, Hermine Ford</>, Artists Space, 1976. [A black and white image of a painting. Two triangular shapes are painted on either side of the canvas. The hypotenuse of each triangle is tiered, appearing like stairs. The space between the triangles is painted in a darker shade.]
    Caption Fontaine Dunn, Untitled, 1976. From Gary Bower, Fontaine Dunn, Hermine Ford</>, Artists Space, 1976.
    Image description A black and white image of a painting. Two triangular shapes are painted on either side of the canvas. The hypotenuse of each triangle is tiered, appearing like stairs. The space between the triangles is painted in a darker shade.
    Year 1976
    Related pages Gary Bower, Fontaine Dunn, Hermine Ford
  • Against an urban landscape, a metal pinhole camera tin is mounted to a roof post.
    Against an urban landscape, a metal pinhole camera tin is mounted to a roof post.
    Constantina Zavitsanos: fwiw. Installation view (∞, 2024), Artists Space, 2024. Photo: Carter Seddon. [Against an urban landscape, a metal pinhole camera tin is mounted to a roof post.]
    Caption Constantina Zavitsanos: fwiw. Installation view (∞, 2024), Artists Space, 2024. Photo: Carter Seddon.
    Image description Against an urban landscape, a metal pinhole camera tin is mounted to a roof post.
    Year
    Related pages fwiw
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    Related pages S*an D. Henry-Smith
  • Bright red milk crates arranged on top of one another in descending height in a gallery space. Wooden planks are balanced on top of the crates and supported by longer wooden planks that rest against cinderblocks along the side of the structure.
    Bright red milk crates arranged on top of one another in descending height in a gallery space. Wooden planks are balanced on top of the crates and supported by longer wooden planks that rest against cinderblocks along the side of the structure.
    Salad Days 2. Installation view, Artists Space, 2006. Photo: Bill Ocrutt. [Bright red milk crates arranged on top of one another in descending height in a gallery space. Wooden planks are balanced on top of the crates and supported by longer wooden planks that rest against cinderblocks along the side of the structure.]
    Caption Salad Days 2. Installation view, Artists Space, 2006. Photo: Bill Ocrutt.
    Image description Bright red milk crates arranged on top of one another in descending height in a gallery space. Wooden planks are balanced on top of the crates and supported by longer wooden planks that rest against cinderblocks along the side of the structure.
    Year 2006
    Related pages Salad Days 2
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A view of paintings and photographs across three walls in the space. Black columns divide the room; to the left, a sculpture is displayed on the ground.
    A view of paintings and photographs across three walls in the space. Black columns divide the room; to the left, a sculpture is displayed on the ground.
    Social Surfaces. Installation view, Pearl River Mart, 2017. Photo: Ron Amstutz. [A view of paintings and photographs across three walls in the space. Black columns divide the room; to the left, a sculpture is displayed on the ground.]
    Caption Social Surfaces. Installation view, Pearl River Mart, 2017. Photo: Ron Amstutz.
    Image description A view of paintings and photographs across three walls in the space. Black columns divide the room; to the left, a sculpture is displayed on the ground.
    Year 2017
    Related pages Social Surfaces
  • One large monitor lays horizontally on a low frame in front of two smaller monitors suspended on poles. The bottom monitor projects a black-and-white aerial view of a building that is highlighted yellow. The left monitor at eye level displays shipping containers. The right monitor shows Hito Steyerl in front of a black background.
    One large monitor lays horizontally on a low frame in front of two smaller monitors suspended on poles. The bottom monitor projects a black-and-white aerial view of a building that is highlighted yellow. The left monitor at eye level displays shipping containers. The right monitor shows Hito Steyerl in front of a black background.
    Hito Steyerl, Duty-Free Art, 2015. Three channel HD video with sound, 38 mins 21 secs. Courtesy of the artist. [One large monitor lays horizontally on a low frame in front of two smaller monitors suspended on poles. The bottom monitor projects a black-and-white aerial view of a building that is highlighted yellow. The left monitor at eye level displays shipping containers. The right monitor shows Hito Steyerl in front of a black background.]
    Caption Hito Steyerl, Duty-Free Art, 2015. Three channel HD video with sound, 38 mins 21 secs. Courtesy of the artist.
    Image description One large monitor lays horizontally on a low frame in front of two smaller monitors suspended on poles. The bottom monitor projects a black-and-white aerial view of a building that is highlighted yellow. The left monitor at eye level displays shipping containers. The right monitor shows Hito Steyerl in front of a black background.
    Year 2015
    Related pages Hito Steyerl
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A grid of fifteen black and white monitors, each displaying a unique text that names objects, phenomena, or other nouns characterizing an unidentified subject, such as
    A grid of fifteen black and white monitors, each displaying a unique text that names objects, phenomena, or other nouns characterizing an unidentified subject, such as
    Felix Gonzalez-Torres, “Untitled” (A Portrait), 1991. 5 min. [A grid of fifteen black and white monitors, each displaying a unique text that names objects, phenomena, or other nouns characterizing an unidentified subject, such as "a silver sea," "civil disobedience," and "a new lesion."]
    Caption Felix Gonzalez-Torres, “Untitled” (A Portrait), 1991. 5 min.
    Image description A grid of fifteen black and white monitors, each displaying a unique text that names objects, phenomena, or other nouns characterizing an unidentified subject, such as "a silver sea," "civil disobedience," and "a new lesion."
    Year 1991
    Related pages Film and Video Program | Macho Man, Tell It To My Heart: Collected by Julie Ault | January 23
  • Detail view of a camel's head in profile against a palm tree and blue sky.
    Detail view of a camel's head in profile against a palm tree and blue sky.
    Heji Shin, Camp Habibi II, 2013, C-print, 20 x 16 inches, Signed edition of 100, 5APs, Courtesy of the artist. [Detail view of a camel's head in profile against a palm tree and blue sky.]
    Caption Heji Shin, Camp Habibi II, 2013, C-print, 20 x 16 inches, Signed edition of 100, 5APs, Courtesy of the artist.
    Image description Detail view of a camel's head in profile against a palm tree and blue sky.
    Year 2018
    Related pages Artists Space Annual Edition Portfolio 2018
  • A film projector is set up in the middle of a darkened room, facing a blank wall. A rectangular grey image is projected onto the wall. A group of seated spectators are backlit by the projected image.
    A film projector is set up in the middle of a darkened room, facing a blank wall. A rectangular grey image is projected onto the wall. A group of seated spectators are backlit by the projected image.
    A film by Michael Asher. Documentation, January 23rd, 2025, Artists Space. Photo: John Miller. [A film projector is set up in the middle of a darkened room, facing a blank wall. A rectangular grey image is projected onto the wall. A group of seated spectators are backlit by the projected image.]
    Caption A film by Michael Asher. Documentation, January 23rd, 2025, Artists Space. Photo: John Miller.
    Image description A film projector is set up in the middle of a darkened room, facing a blank wall. A rectangular grey image is projected onto the wall. A group of seated spectators are backlit by the projected image.
    Year
    Related pages A film by Michael Asher
  • A digital greyscale rendering of a loose spiral made from flexible bricks.
    A digital greyscale rendering of a loose spiral made from flexible bricks.
    [A digital greyscale rendering of a loose spiral made from flexible bricks.]
    Caption
    Image description A digital greyscale rendering of a loose spiral made from flexible bricks.
    Year 2000
    Related pages Defective Brick Project
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
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    Related pages Abasement #79
  • A wide angle image of a beige wall lined with multiple tv monitors and glass display cases filled with ephemera, hanging on the wall are four black and white contact sheets.
    A wide angle image of a beige wall lined with multiple tv monitors and glass display cases filled with ephemera, hanging on the wall are four black and white contact sheets.
    Till They Listen: Bill Gunn Directs America. Installation view, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A wide angle image of a beige wall lined with multiple tv monitors and glass display cases filled with ephemera, hanging on the wall are four black and white contact sheets.]
    Caption Till They Listen: Bill Gunn Directs America. Installation view, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A wide angle image of a beige wall lined with multiple tv monitors and glass display cases filled with ephemera, hanging on the wall are four black and white contact sheets.
    Year 2021
    Related pages Till They Listen: Bill Gunn Directs America
  • Color photograph of a figure dressed in white, laying on the floor of a dark room. The figure has one leg raised in the air, shining a light from their pelvic area onto the floor and wall across from them. A small TV monitor sits in the corner.
    Color photograph of a figure dressed in white, laying on the floor of a dark room. The figure has one leg raised in the air, shining a light from their pelvic area onto the floor and wall across from them. A small TV monitor sits in the corner.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure dressed in white, laying on the floor of a dark room. The figure has one leg raised in the air, shining a light from their pelvic area onto the floor and wall across from them. A small TV monitor sits in the corner.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a figure dressed in white, laying on the floor of a dark room. The figure has one leg raised in the air, shining a light from their pelvic area onto the floor and wall across from them. A small TV monitor sits in the corner.
    Year 2022
    Related pages keyon gaskin 12-18
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  • A flyer for the event, depicting a Manhattan city block with neon-hued clouds in the background.
    A flyer for the event, depicting a Manhattan city block with neon-hued clouds in the background.
    It's Get Better IV, 2016. [A flyer for the event, depicting a Manhattan city block with neon-hued clouds in the background.]
    Caption It's Get Better IV, 2016.
    Image description A flyer for the event, depicting a Manhattan city block with neon-hued clouds in the background.
    Year 2016
    Related pages It's Get Better IV
  • A figure smiles and stands behind a music stand and microphone.
    A figure smiles and stands behind a music stand and microphone.
    Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [A figure smiles and stands behind a music stand and microphone.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure smiles and stands behind a music stand and microphone.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-10
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    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • A table with red cover that reads
    A table with red cover that reads
    New Red Order with Maiingan “iNDiO1763” Wiikwedong, Gaile Pranckunaite, and Inpatient Press. Conscientious Conscripture, 2018 - Ongoing Polyester knit feather flag, polyester knit fabric step-and-repeat, table, tablecloth, chair, vinyl retractable banner, dibond print on easel, three televisions, red phone, newspaper box, and childrens activity book. Image courtesy Artists Space, New York Photo: Filip Wolak [A table with red cover that reads "NEW RED ORDER" sits in between three tv monitors. On either side of the tv monitors sits a banner and a newspaper dispenser.]
    Caption New Red Order with Maiingan “iNDiO1763” Wiikwedong, Gaile Pranckunaite, and Inpatient Press. Conscientious Conscripture, 2018 - Ongoing Polyester knit feather flag, polyester knit fabric step-and-repeat, table, tablecloth, chair, vinyl retractable banner, dibond print on easel, three televisions, red phone, newspaper box, and childrens activity book. Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description A table with red cover that reads "NEW RED ORDER" sits in between three tv monitors. On either side of the tv monitors sits a banner and a newspaper dispenser.
    Year 2021
    Related pages New Red Order: Feel at Home Here
  • Four copper squares embedded with images and text lean against a white wall. The squares sit on a tan carpet.
    Four copper squares embedded with images and text lean against a white wall. The squares sit on a tan carpet.
    The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich. [Four copper squares embedded with images and text lean against a white wall. The squares sit on a tan carpet.]
    Caption The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich.
    Image description Four copper squares embedded with images and text lean against a white wall. The squares sit on a tan carpet.
    Year 2014
    Related pages The Issues of Our Time
  • A view of two black leather stools in front of an LED sign crawl of a text.
    A view of two black leather stools in front of an LED sign crawl of a text.
    ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A view of two black leather stools in front of an LED sign crawl of a text.]
    Caption ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A view of two black leather stools in front of an LED sign crawl of a text.
    Year 2021
    Related pages ART CLUB2000
  • Two figures sitting at opposite ends of a couch looking outside of the image to the right. A telephone sits on a table next to the couch on the right.
    Two figures sitting at opposite ends of a couch looking outside of the image to the right. A telephone sits on a table next to the couch on the right.
    Audrey Glassman, Untitled. Cibachrome, 28 x 42 inches. [Two figures sitting at opposite ends of a couch looking outside of the image to the right. A telephone sits on a table next to the couch on the right.]
    Caption Audrey Glassman, Untitled. Cibachrome, 28 x 42 inches.
    Image description Two figures sitting at opposite ends of a couch looking outside of the image to the right. A telephone sits on a table next to the couch on the right.
    Year
    Related pages U.S. Projects
  • Close-up color image of two performers. Occupying most of the image is a performer in a red robe with only one button buttoned so the middle of their chest is exposed. A necklace with chunky white beads and a silver pendant with a black tassel hangs around their neck and down their bare chest. The performer's right hand is raised up, their head turned down, looking over their left shoulder to the second performer who stands behind them. The performer dressed in red with a bald head holds a microphone in their left hand. On the red-dressed performer's left shoulder, another performer, wearing a bald cap looks up at them. Their right hand is raised, touching the red performer's forearm. Their faces and the wall behind them is illuminated by the bright white light of the projected image. --
    Close-up color image of two performers. Occupying most of the image is a performer in a red robe with only one button buttoned so the middle of their chest is exposed. A necklace with chunky white beads and a silver pendant with a black tassel hangs around their neck and down their bare chest. The performer's right hand is raised up, their head turned down, looking over their left shoulder to the second performer who stands behind them. The performer dressed in red with a bald head holds a microphone in their left hand. On the red-dressed performer's left shoulder, another performer, wearing a bald cap looks up at them. Their right hand is raised, touching the red performer's forearm. Their faces and the wall behind them is illuminated by the bright white light of the projected image. --
    Abasement #68. Performance documentation, February 12, 2024, Artists Space. Photo: Joshua Wildman. [Close-up color image of two performers. Occupying most of the image is a performer in a red robe with only one button buttoned so the middle of their chest is exposed. A necklace with chunky white beads and a silver pendant with a black tassel hangs around their neck and down their bare chest. The performer's right hand is raised up, their head turned down, looking over their left shoulder to the second performer who stands behind them. The performer dressed in red with a bald head holds a microphone in their left hand. On the red-dressed performer's left shoulder, another performer, wearing a bald cap looks up at them. Their right hand is raised, touching the red performer's forearm. Their faces and the wall behind them is illuminated by the bright white light of the projected image. --]
    Caption Abasement #68. Performance documentation, February 12, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Close-up color image of two performers. Occupying most of the image is a performer in a red robe with only one button buttoned so the middle of their chest is exposed. A necklace with chunky white beads and a silver pendant with a black tassel hangs around their neck and down their bare chest. The performer's right hand is raised up, their head turned down, looking over their left shoulder to the second performer who stands behind them. The performer dressed in red with a bald head holds a microphone in their left hand. On the red-dressed performer's left shoulder, another performer, wearing a bald cap looks up at them. Their right hand is raised, touching the red performer's forearm. Their faces and the wall behind them is illuminated by the bright white light of the projected image. --
    Year
    Related pages Abasement #68
  • Two white walls are suspended on six vertical poles and are arranged so that they form a right corner. A large grid-like composition composed of many small squares is mounted on the left wall. On the right wall there are many photographs and printed video stills either mounted in grid patterns or one above the other.
    Two white walls are suspended on six vertical poles and are arranged so that they form a right corner. A large grid-like composition composed of many small squares is mounted on the left wall. On the right wall there are many photographs and printed video stills either mounted in grid patterns or one above the other.
    Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Two white walls are suspended on six vertical poles and are arranged so that they form a right corner. A large grid-like composition composed of many small squares is mounted on the left wall. On the right wall there are many photographs and printed video stills either mounted in grid patterns or one above the other.]
    Caption Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Two white walls are suspended on six vertical poles and are arranged so that they form a right corner. A large grid-like composition composed of many small squares is mounted on the left wall. On the right wall there are many photographs and printed video stills either mounted in grid patterns or one above the other.
    Year 2012
    Related pages Radical Localism: Art, Video and Culture from Pueblo Nuevo’s Mexicali Rose
  • A color installation view of a gallery space. A poster with a drawing of a human body hangs on the left, a television monitor with two chairs is in the center of the image. Above the monitor, a red tunic hangs from the wall.
    A color installation view of a gallery space. A poster with a drawing of a human body hangs on the left, a television monitor with two chairs is in the center of the image. Above the monitor, a red tunic hangs from the wall.
    Milford Graves: Fundamental Frequency. Installation view, Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak. [A color installation view of a gallery space. A poster with a drawing of a human body hangs on the left, a television monitor with two chairs is in the center of the image. Above the monitor, a red tunic hangs from the wall.]
    Caption Milford Graves: Fundamental Frequency. Installation view, Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak.
    Image description A color installation view of a gallery space. A poster with a drawing of a human body hangs on the left, a television monitor with two chairs is in the center of the image. Above the monitor, a red tunic hangs from the wall.
    Year 2021
    Related pages Milford Graves: Fundamental Frequency
  • Purgatory, Alexander Karpman, Silver Key in Photography
    Caption Purgatory, Alexander Karpman, Silver Key in Photography
    Image description
    Year
    Related pages Scholastic Art and Writing Awards
  • Photograph of a performer, leaning over a white table filled with audio equipment. The performer has their leg up on the table and use one hand to manipulate the equipment.
    Photograph of a performer, leaning over a white table filled with audio equipment. The performer has their leg up on the table and use one hand to manipulate the equipment.
    Abasement #69. Performance documentation, March 18th, 2024, Artists Space. Photo: Jay Sanders. [Photograph of a performer, leaning over a white table filled with audio equipment. The performer has their leg up on the table and use one hand to manipulate the equipment.]
    Caption Abasement #69. Performance documentation, March 18th, 2024, Artists Space. Photo: Jay Sanders.
    Image description Photograph of a performer, leaning over a white table filled with audio equipment. The performer has their leg up on the table and use one hand to manipulate the equipment.
    Year
    Related pages Support
  • A sculpture composed of a large glass pane wedged into the center of a square concrete block sits in a gallery space. A painted canvas is installed in the pane, displaying a large number
    A sculpture composed of a large glass pane wedged into the center of a square concrete block sits in a gallery space. A painted canvas is installed in the pane, displaying a large number
    Fifth Season Act, Apotheosically. Performance documentation, May 31, 2012, Artists Space. [A sculpture composed of a large glass pane wedged into the center of a square concrete block sits in a gallery space. A painted canvas is installed in the pane, displaying a large number "5" on its surface, surrounded by peach and pink hues. Various ornaments are installed on the painting or drip from it, such as red string, golden tassles, necklaces, and other ornaments. A brown, dirt-like material is spread on the floor around the sculpture.]
    Caption Fifth Season Act, Apotheosically. Performance documentation, May 31, 2012, Artists Space.
    Image description A sculpture composed of a large glass pane wedged into the center of a square concrete block sits in a gallery space. A painted canvas is installed in the pane, displaying a large number "5" on its surface, surrounded by peach and pink hues. Various ornaments are installed on the painting or drip from it, such as red string, golden tassles, necklaces, and other ornaments. A brown, dirt-like material is spread on the floor around the sculpture.
    Year 2012
    Related pages Fifth Season Act, Apotheosically
  • A row of books with silver covers on a shelf. A black table and chair can be seen in the reflection of the book cover.
    A row of books with silver covers on a shelf. A black table and chair can be seen in the reflection of the book cover.
    Tiffany Sia, Barriers Buy Time, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A row of books with silver covers on a shelf. A black table and chair can be seen in the reflection of the book cover.]
    Caption Tiffany Sia, Barriers Buy Time, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A row of books with silver covers on a shelf. A black table and chair can be seen in the reflection of the book cover.
    Year 2021
    Related pages Tiffany Sia: Slippery When Wet
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  • Close up of an artwork that consists of a white, rectangular canvas with a black and white image of a planet with a swirling, cloudy atmosphere. Directly below, a shelf made out of worn wooden planks supports several rough, oval and square shaped 2D cutouts that are arranged next to one another. A strip of wall behind the shelf and two
    Close up of an artwork that consists of a white, rectangular canvas with a black and white image of a planet with a swirling, cloudy atmosphere. Directly below, a shelf made out of worn wooden planks supports several rough, oval and square shaped 2D cutouts that are arranged next to one another. A strip of wall behind the shelf and two
    Nina in Position. Installation view, Artists Space, 2008. Photo: Bill Orcutt. [Close up of an artwork that consists of a white, rectangular canvas with a black and white image of a planet with a swirling, cloudy atmosphere. Directly below, a shelf made out of worn wooden planks supports several rough, oval and square shaped 2D cutouts that are arranged next to one another. A strip of wall behind the shelf and two "leg" like shapes below it have been gouged out of the gallery wall, revealing insulation and building supports.]
    Caption Nina in Position. Installation view, Artists Space, 2008. Photo: Bill Orcutt.
    Image description Close up of an artwork that consists of a white, rectangular canvas with a black and white image of a planet with a swirling, cloudy atmosphere. Directly below, a shelf made out of worn wooden planks supports several rough, oval and square shaped 2D cutouts that are arranged next to one another. A strip of wall behind the shelf and two "leg" like shapes below it have been gouged out of the gallery wall, revealing insulation and building supports.
    Year 2008
    Related pages Nina in Position
  • A black and white photograph of a man in a leopard print costume standing center stage with his hands up and palms open facing toward the viewer. He stands with his legs outstretched and behind him rests a drum set which sits next to a gong. Microphones are positioned near his body, one on each side.
    A black and white photograph of a man in a leopard print costume standing center stage with his hands up and palms open facing toward the viewer. He stands with his legs outstretched and behind him rests a drum set which sits next to a gong. Microphones are positioned near his body, one on each side.
    Milford Graves at the Festival d'Automne à Paris, 1974, Black and white photograph. © Philippe Gras [A black and white photograph of a man in a leopard print costume standing center stage with his hands up and palms open facing toward the viewer. He stands with his legs outstretched and behind him rests a drum set which sits next to a gong. Microphones are positioned near his body, one on each side.]
    Caption Milford Graves at the Festival d'Automne à Paris, 1974, Black and white photograph. © Philippe Gras
    Image description A black and white photograph of a man in a leopard print costume standing center stage with his hands up and palms open facing toward the viewer. He stands with his legs outstretched and behind him rests a drum set which sits next to a gong. Microphones are positioned near his body, one on each side.
    Year 1974
    Related pages Milford Graves Memorial
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