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  • Catalogue cover design featuring an architectural sketch of an abstract contraption. A silhouette of a figure is transposed on top of the rendering. Black sans-serif text at the top and bottom edges of the cover reads,
    Catalogue cover design featuring an architectural sketch of an abstract contraption. A silhouette of a figure is transposed on top of the rendering. Black sans-serif text at the top and bottom edges of the cover reads,
    [Catalogue cover design featuring an architectural sketch of an abstract contraption. A silhouette of a figure is transposed on top of the rendering. Black sans-serif text at the top and bottom edges of the cover reads, "Joel Saunders & Scott Sherk / SIGHTING THE GALLERY / Artists Space / December 12, 1992 - January 30, 1993."]
    Caption
    Image description Catalogue cover design featuring an architectural sketch of an abstract contraption. A silhouette of a figure is transposed on top of the rendering. Black sans-serif text at the top and bottom edges of the cover reads, "Joel Saunders & Scott Sherk / SIGHTING THE GALLERY / Artists Space / December 12, 1992 - January 30, 1993."
    Year 1992
    Related pages Sighting the Gallery
  • A photograph depicting a street in New York. A fire hydrant with some graffiti supports a leaning concrete pole, which has fallen over, lifting up a piece of the sidewalk
    A photograph depicting a street in New York. A fire hydrant with some graffiti supports a leaning concrete pole, which has fallen over, lifting up a piece of the sidewalk
    Asia Negron, untitled, digital print, 2019 [A photograph depicting a street in New York. A fire hydrant with some graffiti supports a leaning concrete pole, which has fallen over, lifting up a piece of the sidewalk]
    Caption Asia Negron, untitled, digital print, 2019
    Image description A photograph depicting a street in New York. A fire hydrant with some graffiti supports a leaning concrete pole, which has fallen over, lifting up a piece of the sidewalk
    Year 2019
    Related pages Scholastic Art and Writing Awards
  • Close up of the torso and legs of a figure with long hair wearing nylon tights and a blue silk jacket on their bare chest. They are illuminated by red stage lights and appear to stand on a stage in front of a drum set and speakers.
    Close up of the torso and legs of a figure with long hair wearing nylon tights and a blue silk jacket on their bare chest. They are illuminated by red stage lights and appear to stand on a stage in front of a drum set and speakers.
    [Close up of the torso and legs of a figure with long hair wearing nylon tights and a blue silk jacket on their bare chest. They are illuminated by red stage lights and appear to stand on a stage in front of a drum set and speakers.]
    Caption
    Image description Close up of the torso and legs of a figure with long hair wearing nylon tights and a blue silk jacket on their bare chest. They are illuminated by red stage lights and appear to stand on a stage in front of a drum set and speakers.
    Year 2012
    Related pages Sandy Relief Dance Party
  • A figure plays the violin in front of a microphone.
    A figure plays the violin in front of a microphone.
    Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [A figure plays the violin in front of a microphone.]
    Caption Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure plays the violin in front of a microphone.
    Year 2022
    Related pages Abasement #61
  • Black text overlays a color-scheme grid background. The text reads: “Dec 2 / Anselm Berrigan / Kit Robinson.
    Black text overlays a color-scheme grid background. The text reads: “Dec 2 / Anselm Berrigan / Kit Robinson.
    [Black text overlays a color-scheme grid background. The text reads: “Dec 2 / Anselm Berrigan / Kit Robinson." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description Black text overlays a color-scheme grid background. The text reads: “Dec 2 / Anselm Berrigan / Kit Robinson." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year
    Related pages Segue Reading Series: Anselm Berrigan & Kit Robinson
  • An exterior view of a gallery with white neoclassical columns and a row of three glass doors. Inside the gallery is a bright red wall with large white text: the text is partially obscured by the building’s columns and doorways.
    An exterior view of a gallery with white neoclassical columns and a row of three glass doors. Inside the gallery is a bright red wall with large white text: the text is partially obscured by the building’s columns and doorways.
    Carolyn Lazard: Two-way. Installation view, Artists Space, 2025. Photo: Greg Carideo. [An exterior view of a gallery with white neoclassical columns and a row of three glass doors. Inside the gallery is a bright red wall with large white text: the text is partially obscured by the building’s columns and doorways.]
    Caption Carolyn Lazard: Two-way. Installation view, Artists Space, 2025. Photo: Greg Carideo.
    Image description An exterior view of a gallery with white neoclassical columns and a row of three glass doors. Inside the gallery is a bright red wall with large white text: the text is partially obscured by the building’s columns and doorways.
    Year
    Related pages Carolyn Lazard
  • A black and white image of a group of children clustered in front of a store window. On the right, the text
    A black and white image of a group of children clustered in front of a store window. On the right, the text
    Film still from Teaching TV, Artists Space, 1990. [A black and white image of a group of children clustered in front of a store window. On the right, the text "NO FRESH WORDS" overlays the image.]
    Caption Film still from Teaching TV, Artists Space, 1990.
    Image description A black and white image of a group of children clustered in front of a store window. On the right, the text "NO FRESH WORDS" overlays the image.
    Year 1990
    Related pages Teaching TV
  • A red leather armchair with a coffee table on a gray rug in the corner of a room. On the coffee table, there are several books, a lamp, and an old radio. On the opposite wall, there are three photographs each showing the view out of three different windows.
    A red leather armchair with a coffee table on a gray rug in the corner of a room. On the coffee table, there are several books, a lamp, and an old radio. On the opposite wall, there are three photographs each showing the view out of three different windows.
    Flipside. Installation view, Artists Space, 2004. [A red leather armchair with a coffee table on a gray rug in the corner of a room. On the coffee table, there are several books, a lamp, and an old radio. On the opposite wall, there are three photographs each showing the view out of three different windows.]
    Caption Flipside. Installation view, Artists Space, 2004.
    Image description A red leather armchair with a coffee table on a gray rug in the corner of a room. On the coffee table, there are several books, a lamp, and an old radio. On the opposite wall, there are three photographs each showing the view out of three different windows.
    Year 2004
    Related pages Flipside
  • A white postcard with purple text announcing fall 1990 exhibitions at Artists Space, including <i>Selections: Aljira & Artists Space</i>.
    A white postcard with purple text announcing fall 1990 exhibitions at Artists Space, including <i>Selections: Aljira & Artists Space</i>.
    Selections: Aljira & Artists Space Announcement Postcard [A white postcard with purple text announcing fall 1990 exhibitions at Artists Space, including Selections: Aljira & Artists Space.]
    Caption Selections: Aljira & Artists Space Announcement Postcard
    Image description A white postcard with purple text announcing fall 1990 exhibitions at Artists Space, including Selections: Aljira & Artists Space.
    Year 1990
    Related pages Selections: Aljira & Artists Space
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A piece of landscaping appears on the gallery floor with flowers and plants coming up from it in a stair-like fashion. Paintings appear in the background in a white-walled gallery space.
    A piece of landscaping appears on the gallery floor with flowers and plants coming up from it in a stair-like fashion. Paintings appear in the background in a white-walled gallery space.
    Vito Acconci. Installation View. Artists Space, 1986. [A piece of landscaping appears on the gallery floor with flowers and plants coming up from it in a stair-like fashion. Paintings appear in the background in a white-walled gallery space.]
    Caption Vito Acconci. Installation View. Artists Space, 1986.
    Image description A piece of landscaping appears on the gallery floor with flowers and plants coming up from it in a stair-like fashion. Paintings appear in the background in a white-walled gallery space.
    Year
    Related pages The Fairy Tale: Politics, Desire, and Everyday Life
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • An angled view of three light, mauve-colored and parallel walls displaying drawings and paneled canvases in an exhibition space with wooden flooring. The canvases are slightly three-dimensional, with elements that stretch in or out from their surfaces.
    An angled view of three light, mauve-colored and parallel walls displaying drawings and paneled canvases in an exhibition space with wooden flooring. The canvases are slightly three-dimensional, with elements that stretch in or out from their surfaces.
    Zilia Sánchez. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [An angled view of three light, mauve-colored and parallel walls displaying drawings and paneled canvases in an exhibition space with wooden flooring. The canvases are slightly three-dimensional, with elements that stretch in or out from their surfaces.]
    Caption Zilia Sánchez. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description An angled view of three light, mauve-colored and parallel walls displaying drawings and paneled canvases in an exhibition space with wooden flooring. The canvases are slightly three-dimensional, with elements that stretch in or out from their surfaces.
    Year 2013
    Related pages Zilia Sánchez
  • Light blue text overlays a dark blue background. The top left corner reads:
    Light blue text overlays a dark blue background. The top left corner reads:
    Flyer for Segue Reading Series featuring Sueyeun Juliette Lee and Brian Teare. November 19, 2022, Artists Space. [Light blue text overlays a dark blue background. The top left corner reads: "Sueyeun Juliette Lee & Brian Teare / November 19, 5pm." The middle reads: "Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519."]
    Caption Flyer for Segue Reading Series featuring Sueyeun Juliette Lee and Brian Teare. November 19, 2022, Artists Space.
    Image description Light blue text overlays a dark blue background. The top left corner reads: "Sueyeun Juliette Lee & Brian Teare / November 19, 5pm." The middle reads: "Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519."
    Year
    Related pages Segue Reading Series: Sueyeun Juliette Lee & Brian Teare
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Three musicians sit on stage together. From left to right the instruments they are playing include saxophone, violin, and guitar. There are cords around the stage and a plant behind the performers.
    Three musicians sit on stage together. From left to right the instruments they are playing include saxophone, violin, and guitar. There are cords around the stage and a plant behind the performers.
    Abasement #71. Performance documentation, August 5th, 2024, Artists Space. Photo: Joshua Wildman. [Three musicians sit on stage together. From left to right the instruments they are playing include saxophone, violin, and guitar. There are cords around the stage and a plant behind the performers.]
    Caption Abasement #71. Performance documentation, August 5th, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Three musicians sit on stage together. From left to right the instruments they are playing include saxophone, violin, and guitar. There are cords around the stage and a plant behind the performers.
    Year
    Related pages Abasement #71
  • A color photograph of several figures marching in the middle of the street while holding up posters. One of the figures is wearing stilts, while others are pushing carts or instruments on wheels. From the sidewalk, various pedestrians look on.
    A color photograph of several figures marching in the middle of the street while holding up posters. One of the figures is wearing stilts, while others are pushing carts or instruments on wheels. From the sidewalk, various pedestrians look on.
    Circus Amok, The Experimental Walking Tour, 2002. Performed in various parks across the five burroughs. [A color photograph of several figures marching in the middle of the street while holding up posters. One of the figures is wearing stilts, while others are pushing carts or instruments on wheels. From the sidewalk, various pedestrians look on.]
    Caption Circus Amok, The Experimental Walking Tour, 2002. Performed in various parks across the five burroughs.
    Image description A color photograph of several figures marching in the middle of the street while holding up posters. One of the figures is wearing stilts, while others are pushing carts or instruments on wheels. From the sidewalk, various pedestrians look on.
    Year 2002
    Related pages Circus Amok
  • A figure sits in front of a table with audio equipment, including a commodore computer and flute-to-haiku converter.
    A figure sits in front of a table with audio equipment, including a commodore computer and flute-to-haiku converter.
    Yasunao Tone in Concert with Barbara Held. Performance documentation, January 19, 2023, Artists Space. Photo: Destiny Mata [A figure sits in front of a table with audio equipment, including a commodore computer and flute-to-haiku converter.]
    Caption Yasunao Tone in Concert with Barbara Held. Performance documentation, January 19, 2023, Artists Space. Photo: Destiny Mata
    Image description A figure sits in front of a table with audio equipment, including a commodore computer and flute-to-haiku converter.
    Year 2023
    Related pages Yasunao Tone in Concert with Barbara Held
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Close-up of a black person leaning over a black birthing mannequin laying on a hospital bed in a patient room.
    Close-up of a black person leaning over a black birthing mannequin laying on a hospital bed in a patient room.
    Still from Fiction Contract, 2025. [Close-up of a black person leaning over a black birthing mannequin laying on a hospital bed in a patient room.]
    Caption Still from Fiction Contract, 2025.
    Image description Close-up of a black person leaning over a black birthing mannequin laying on a hospital bed in a patient room.
    Year
    Related pages Carolyn Lazard with Dorothy E. Roberts
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    Image description
    Year
    Related pages Abasement #82
  • A black-and-white scan of a page of The New York Times newspaper, folded in half lengthwise. A translucent geometric pattern is visible across the image, with washed out pinks, greens, blues, and yellows. The visible story is a continuation from the story featured on the first arts page, titled
    A black-and-white scan of a page of The New York Times newspaper, folded in half lengthwise. A translucent geometric pattern is visible across the image, with washed out pinks, greens, blues, and yellows. The visible story is a continuation from the story featured on the first arts page, titled
    Rachel Harrison, What the world needs now, 2009, Inkjet print on Ilford Galerie Gold Fibre Silk, 310 gsm 22 x 17 in / 55,9 x 43,2 cm, Signed and numbered [A black-and-white scan of a page of The New York Times newspaper, folded in half lengthwise. A translucent geometric pattern is visible across the image, with washed out pinks, greens, blues, and yellows. The visible story is a continuation from the story featured on the first arts page, titled "Foundation's New Prize To Honor Artists Under 35." Above the title is a photo of Victor Pinchuk, a Ukrainian businessman and art collector. Below the title is six images of "artist-mentors:" Andreas Gursky, Jeff Koons, Damien Hirst, Takashi Murakami, and institutional board members Nicholas Serota and Glenn D. Lowry of the Tate and MoMA, respectively. Each of the six figures has a color wig, bright lipstick, and two have glasses, giving each a goofy appearance.]
    Caption Rachel Harrison, What the world needs now, 2009, Inkjet print on Ilford Galerie Gold Fibre Silk, 310 gsm 22 x 17 in / 55,9 x 43,2 cm, Signed and numbered
    Image description A black-and-white scan of a page of The New York Times newspaper, folded in half lengthwise. A translucent geometric pattern is visible across the image, with washed out pinks, greens, blues, and yellows. The visible story is a continuation from the story featured on the first arts page, titled "Foundation's New Prize To Honor Artists Under 35." Above the title is a photo of Victor Pinchuk, a Ukrainian businessman and art collector. Below the title is six images of "artist-mentors:" Andreas Gursky, Jeff Koons, Damien Hirst, Takashi Murakami, and institutional board members Nicholas Serota and Glenn D. Lowry of the Tate and MoMA, respectively. Each of the six figures has a color wig, bright lipstick, and two have glasses, giving each a goofy appearance.
    Year 2009
    Related pages Artists Space Annual Edition Portfolio 2010
  • A close up image of three tv monitors on a wall with vinyl lettering that reads
    A close up image of three tv monitors on a wall with vinyl lettering that reads
    New Red Order Give it Back, detail, 2020 Acrylic LED displays with cut vinyl, water cooler, poster, couch, desk, chairs, magazine rack, The New Red Times Magazine, and three televisions. Image courtesy Artists Space, New York Photo: Filip Wolak [A close up image of three tv monitors on a wall with vinyl lettering that reads "New Red Order", in the right corner is a water cooler.]
    Caption New Red Order Give it Back, detail, 2020 Acrylic LED displays with cut vinyl, water cooler, poster, couch, desk, chairs, magazine rack, The New Red Times Magazine, and three televisions. Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description A close up image of three tv monitors on a wall with vinyl lettering that reads "New Red Order", in the right corner is a water cooler.
    Year 2021
    Related pages New Red Order: Feel at Home Here
  • A sink structure on wheels sits atop a tilted wooden table top with legs of varying sizes. Light from the ceiling is seen emanating onto the structure in the white-walled gallery space.
    A sink structure on wheels sits atop a tilted wooden table top with legs of varying sizes. Light from the ceiling is seen emanating onto the structure in the white-walled gallery space.
    U.S. Projects: Howard Fried. Installation view, Artists Space, 1983. [A sink structure on wheels sits atop a tilted wooden table top with legs of varying sizes. Light from the ceiling is seen emanating onto the structure in the white-walled gallery space.]
    Caption U.S. Projects: Howard Fried. Installation view, Artists Space, 1983.
    Image description A sink structure on wheels sits atop a tilted wooden table top with legs of varying sizes. Light from the ceiling is seen emanating onto the structure in the white-walled gallery space.
    Year
    Related pages U.S. Projects: Howard Fried
  • A moving image of a man, dressed in a pilot uniform, in front of a panning image of Earth from space, holding a laptop. The camera zooms in on the video playing on the laptop screen of a man releasing his parachute while skydiving.
    A moving image of a man, dressed in a pilot uniform, in front of a panning image of Earth from space, holding a laptop. The camera zooms in on the video playing on the laptop screen of a man releasing his parachute while skydiving.
    Hito Stereyl, excerpt from In Free Fall, 2010, HD video with sound, 30 mins. Courtesy of the artist and Andrew Kreps, New York. [A moving image of a man, dressed in a pilot uniform, in front of a panning image of Earth from space, holding a laptop. The camera zooms in on the video playing on the laptop screen of a man releasing his parachute while skydiving.]
    Caption Hito Stereyl, excerpt from In Free Fall, 2010, HD video with sound, 30 mins. Courtesy of the artist and Andrew Kreps, New York.
    Image description A moving image of a man, dressed in a pilot uniform, in front of a panning image of Earth from space, holding a laptop. The camera zooms in on the video playing on the laptop screen of a man releasing his parachute while skydiving.
    Year 2010
    Related pages Hito Steyerl
  • A white ceiling with penciled text reading
    A white ceiling with penciled text reading
    Mark Hamilton: Echoplex. Installation view, Artists Space, 2006. [A white ceiling with penciled text reading "ROAD TO RUN."]
    Caption Mark Hamilton: Echoplex. Installation view, Artists Space, 2006.
    Image description A white ceiling with penciled text reading "ROAD TO RUN."
    Year 2006
    Related pages Echoplex
  • A figure to the left plays the saxophone while another figure sitting in the middle of the frame watches with a guitar in his lap, another figure in the back right plays the bass.
    A figure to the left plays the saxophone while another figure sitting in the middle of the frame watches with a guitar in his lap, another figure in the back right plays the bass.
    Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman [A figure to the left plays the saxophone while another figure sitting in the middle of the frame watches with a guitar in his lap, another figure in the back right plays the bass.]
    Caption Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure to the left plays the saxophone while another figure sitting in the middle of the frame watches with a guitar in his lap, another figure in the back right plays the bass.
    Year 2022
    Related pages Tisziji Muñoz with Francisco Mora Catlett and AfroHORN
  • Inside a pink-hued room are three tanker desks and three rolling office chairs in a single-file line. Security monitors with color videos sit on each desk alongside small pieces of clay. In the distance, tree trunks wrapped in fabric rest on the floor and construction nets hang from the ceiling. A wooden structure and an aquarium with purple-colored lights are positioned behind the tree trunks.
    Inside a pink-hued room are three tanker desks and three rolling office chairs in a single-file line. Security monitors with color videos sit on each desk alongside small pieces of clay. In the distance, tree trunks wrapped in fabric rest on the floor and construction nets hang from the ceiling. A wooden structure and an aquarium with purple-colored lights are positioned behind the tree trunks.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022. [Inside a pink-hued room are three tanker desks and three rolling office chairs in a single-file line. Security monitors with color videos sit on each desk alongside small pieces of clay. In the distance, tree trunks wrapped in fabric rest on the floor and construction nets hang from the ceiling. A wooden structure and an aquarium with purple-colored lights are positioned behind the tree trunks.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022.
    Image description Inside a pink-hued room are three tanker desks and three rolling office chairs in a single-file line. Security monitors with color videos sit on each desk alongside small pieces of clay. In the distance, tree trunks wrapped in fabric rest on the floor and construction nets hang from the ceiling. A wooden structure and an aquarium with purple-colored lights are positioned behind the tree trunks.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • A spotted pattern against a white ground, with each spot having a unique stain, splatter, or drops of ink.
    A spotted pattern against a white ground, with each spot having a unique stain, splatter, or drops of ink.
    Anicka Yi, Flirting Is An Algorithm, 2015, Silkscreen on archival box, 24½ x 20½ x 1½ in / 62,2 x 52 x 3,8 cm, Signed and Numbered. [A spotted pattern against a white ground, with each spot having a unique stain, splatter, or drops of ink.]
    Caption Anicka Yi, Flirting Is An Algorithm, 2015, Silkscreen on archival box, 24½ x 20½ x 1½ in / 62,2 x 52 x 3,8 cm, Signed and Numbered.
    Image description A spotted pattern against a white ground, with each spot having a unique stain, splatter, or drops of ink.
    Year 2016
    Related pages Artists Space Annual Edition Portfolio 2016
  • A shirtless man holding a film camera outdoors.
    A shirtless man holding a film camera outdoors.
    Juan Downey, Hepewe, 1976 - 77. Photograph by Juan Downey. Courtesy the Juan Downey Estate, Marilys B. Downey. [A shirtless man holding a film camera outdoors.]
    Caption Juan Downey, Hepewe, 1976 - 77. Photograph by Juan Downey. Courtesy the Juan Downey Estate, Marilys B. Downey.
    Image description A shirtless man holding a film camera outdoors.
    Year
    Related pages Mimetic Exchange: Michael Taussig on Juan Downey and Jean Rouch
  • A figure stands behind a microphone stand, one hand raised to their chin and the other arm up and pointing away from themselves. The figure stands in front of a blank background.
    A figure stands behind a microphone stand, one hand raised to their chin and the other arm up and pointing away from themselves. The figure stands in front of a blank background.
    Gregg Bordowitz, Open Book: Letters, Marks, Politics, 2024, lecture performance, Bonner Kunstverein. Photo: Max Beck. [A figure stands behind a microphone stand, one hand raised to their chin and the other arm up and pointing away from themselves. The figure stands in front of a blank background.]
    Caption Gregg Bordowitz, Open Book: Letters, Marks, Politics, 2024, lecture performance, Bonner Kunstverein. Photo: Max Beck.
    Image description A figure stands behind a microphone stand, one hand raised to their chin and the other arm up and pointing away from themselves. The figure stands in front of a blank background.
    Year 2024
    Related pages One Night Only
  • Color photograph of a figure in a completely dark room, facing one wall and shining a light from their body against the wall.
    Color photograph of a figure in a completely dark room, facing one wall and shining a light from their body against the wall.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure in a completely dark room, facing one wall and shining a light from their body against the wall.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a figure in a completely dark room, facing one wall and shining a light from their body against the wall.
    Year 2022
    Related pages keyon gaskin 12-18
  • A color photograph of a figure standing behind audio mixing equipment and a microphone in front of an orange background. A white light shines down on them from the left.
    A color photograph of a figure standing behind audio mixing equipment and a microphone in front of an orange background. A white light shines down on them from the left.
    Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. [A color photograph of a figure standing behind audio mixing equipment and a microphone in front of an orange background. A white light shines down on them from the left.]
    Caption Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space.
    Image description A color photograph of a figure standing behind audio mixing equipment and a microphone in front of an orange background. A white light shines down on them from the left.
    Year 2022
    Related pages Yuji Agematsu
  • A color film still of an individual curled against a worn beige headboard as they lean into a candle. They don a red beanie and a checkered shawl, covered by a vintage coat emblazoned with a Howard University logo. The immediate background depicts a dilapidated green wall behind the headboard.
    A color film still of an individual curled against a worn beige headboard as they lean into a candle. They don a red beanie and a checkered shawl, covered by a vintage coat emblazoned with a Howard University logo. The immediate background depicts a dilapidated green wall behind the headboard.
    [A color film still of an individual curled against a worn beige headboard as they lean into a candle. They don a red beanie and a checkered shawl, covered by a vintage coat emblazoned with a Howard University logo. The immediate background depicts a dilapidated green wall behind the headboard.]
    Caption
    Image description A color film still of an individual curled against a worn beige headboard as they lean into a candle. They don a red beanie and a checkered shawl, covered by a vintage coat emblazoned with a Howard University logo. The immediate background depicts a dilapidated green wall behind the headboard.
    Year
    Related pages Shala Miller, Malcolm Peacock, Amiri Baraka
  • A painting collage with three separate figures represented hanging in a white-walled gallery space with a clock above it right where a finger in painting is pointing.
    A painting collage with three separate figures represented hanging in a white-walled gallery space with a clock above it right where a finger in painting is pointing.
    Selections from the Artists File. Installation View, Artists Space, October 1, 1987 - October 31, 1987. [A painting collage with three separate figures represented hanging in a white-walled gallery space with a clock above it right where a finger in painting is pointing.]
    Caption Selections from the Artists File. Installation View, Artists Space, October 1, 1987 - October 31, 1987.
    Image description A painting collage with three separate figures represented hanging in a white-walled gallery space with a clock above it right where a finger in painting is pointing.
    Year
    Related pages Selections from the Artists File
  • Cover of FWIW: Constantina Zavitsanos.
    Caption Cover of FWIW: Constantina Zavitsanos.
    Image description
    Year
    Related pages FWIW
  • A bed with a mountain at its center in a partially constructed room with a floor and a single wall. Surrounding it are several framed paintings and empty frames, a bench with fabric piled on it, and a high shelf with a skull.
    A bed with a mountain at its center in a partially constructed room with a floor and a single wall. Surrounding it are several framed paintings and empty frames, a bench with fabric piled on it, and a high shelf with a skull.
    Eileen Neff, Cezanne's Dream, 1992. Mixed media installation. Photo: Erik Landsberg. [A bed with a mountain at its center in a partially constructed room with a floor and a single wall. Surrounding it are several framed paintings and empty frames, a bench with fabric piled on it, and a high shelf with a skull.]
    Caption Eileen Neff, Cezanne's Dream, 1992. Mixed media installation. Photo: Erik Landsberg.
    Image description A bed with a mountain at its center in a partially constructed room with a floor and a single wall. Surrounding it are several framed paintings and empty frames, a bench with fabric piled on it, and a high shelf with a skull.
    Year
    Related pages The Mountain A Bed and A Chair
  • A performer sings and plays the keyboard on stage, facing an audience. The stage is lit with a yellow light.
    A performer sings and plays the keyboard on stage, facing an audience. The stage is lit with a yellow light.
    Abasement #82. Performance documentation, November 17th, 2025, Artists Space. Photo: Joshua Wildman. [A performer sings and plays the keyboard on stage, facing an audience. The stage is lit with a yellow light. ]
    Caption Abasement #82. Performance documentation, November 17th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description A performer sings and plays the keyboard on stage, facing an audience. The stage is lit with a yellow light.
    Year
    Related pages Abasement #82
  • Abstract painting with green filling most of the space with red lines emerging from the center outward.
    Abstract painting with green filling most of the space with red lines emerging from the center outward.
    Calvert Coggeshall. Untitled (green, red), 1987. Oil on canvas. [Abstract painting with green filling most of the space with red lines emerging from the center outward.]
    Caption Calvert Coggeshall. Untitled (green, red), 1987. Oil on canvas.
    Image description Abstract painting with green filling most of the space with red lines emerging from the center outward.
    Year
    Related pages Calvert Coggeshall and Frederick Hammersley: Painting
  • A small wooden room with a circular window depicting a woven gradient of blue to orange. On the right side of the room is a lofted bed with a ladder, under which sits a desk and chair. Various images and documents are pinned to the walls surrounding the desk.
    A small wooden room with a circular window depicting a woven gradient of blue to orange. On the right side of the room is a lofted bed with a ladder, under which sits a desk and chair. Various images and documents are pinned to the walls surrounding the desk.
    Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Malcolm Peacock, How to address the full capacity of our will, 2023), Artists Space, 2023. Photo: Filip Wolak. [A small wooden room with a circular window depicting a woven gradient of blue to orange. On the right side of the room is a lofted bed with a ladder, under which sits a desk and chair. Various images and documents are pinned to the walls surrounding the desk.]
    Caption Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Malcolm Peacock, How to address the full capacity of our will, 2023), Artists Space, 2023. Photo: Filip Wolak.
    Image description A small wooden room with a circular window depicting a woven gradient of blue to orange. On the right side of the room is a lofted bed with a ladder, under which sits a desk and chair. Various images and documents are pinned to the walls surrounding the desk.
    Year 2023
    Related pages Shala Miller, Malcolm Peacock, Amiri Baraka
  • Two performers pictured in front of soft pink, blue, and white light projected onto the wall behind them. Performer on left is smiling and pointing at the performer on right, who is seated in front of a mixing board and microphone.
    Two performers pictured in front of soft pink, blue, and white light projected onto the wall behind them. Performer on left is smiling and pointing at the performer on right, who is seated in front of a mixing board and microphone.
    Abasement #70. Performance documentation, July 1st, 2024, Artists Space. Photo: Joshua Wildman. [Two performers pictured in front of soft pink, blue, and white light projected onto the wall behind them. Performer on left is smiling and pointing at the performer on right, who is seated in front of a mixing board and microphone.]
    Caption Abasement #70. Performance documentation, July 1st, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Two performers pictured in front of soft pink, blue, and white light projected onto the wall behind them. Performer on left is smiling and pointing at the performer on right, who is seated in front of a mixing board and microphone.
    Year
    Related pages Abasement #70
  • Contact sheet of installation images taken during exhibition opening.
    Contact sheet of installation images taken during exhibition opening.
    Gary Burnley, Martin Cohen, Candace Hill-Montgomery, Louis Stein, and Haim Steinbach. Contact sheet of photos from exhibition opening, Artists Space, 1979. Photos by Gary Burnley. [Contact sheet of installation images taken during exhibition opening.]
    Caption Gary Burnley, Martin Cohen, Candace Hill-Montgomery, Louis Stein, and Haim Steinbach. Contact sheet of photos from exhibition opening, Artists Space, 1979. Photos by Gary Burnley.
    Image description Contact sheet of installation images taken during exhibition opening.
    Year 1979
    Related pages Display #7, Haim Steinbach
  • An adult figure stands in the foreground while a smaller figure stands in the background in a corner. Above the figures reads:
    An adult figure stands in the foreground while a smaller figure stands in the background in a corner. Above the figures reads:
    Jenny Snider. It's a Sin to Tell a Lie, 1985. [An adult figure stands in the foreground while a smaller figure stands in the background in a corner. Above the figures reads: "It's a sin to tell a lie."]
    Caption Jenny Snider. It's a Sin to Tell a Lie, 1985.
    Image description An adult figure stands in the foreground while a smaller figure stands in the background in a corner. Above the figures reads: "It's a sin to tell a lie."
    Year
    Related pages Four Artists: An Exhibition of Painting and Sculpture
  • Black text on a light green background. The text reads: “April 18 / Shane Kowalski / Suzie Bovenzi.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on a light green background. The text reads: “April 18 / Shane Kowalski / Suzie Bovenzi.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on a light green background. The text reads: “April 18 / Shane Kowalski / Suzie Bovenzi.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on a light green background. The text reads: “April 18 / Shane Kowalski / Suzie Bovenzi.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Shane Kowalski & Suzie Bovenzi
  • A painting with blue, yellow, and neutral tones is hung on a white wall. Another painting is visible in the background with bright yellow and orange hues.
    A painting with blue, yellow, and neutral tones is hung on a white wall. Another painting is visible in the background with bright yellow and orange hues.
    Miyoko Ito: Heart of Hearts. Installation view, Artists Space, 2018. Photo: Daniel Peréz. [A painting with blue, yellow, and neutral tones is hung on a white wall. Another painting is visible in the background with bright yellow and orange hues.]
    Caption Miyoko Ito: Heart of Hearts. Installation view, Artists Space, 2018. Photo: Daniel Peréz.
    Image description A painting with blue, yellow, and neutral tones is hung on a white wall. Another painting is visible in the background with bright yellow and orange hues.
    Year 1959
    Related pages Miyoko Ito: Heart of Hearts
  • A red background with white text which reads:
    A red background with white text which reads:
    [A red background with white text which reads: "WE ARE NOT TOOLS FOR WHITE-WASHING OCCUPATION", followed by the Decolonize This Place Logo.]
    Caption
    Image description A red background with white text which reads: "WE ARE NOT TOOLS FOR WHITE-WASHING OCCUPATION", followed by the Decolonize This Place Logo.
    Year 2016
    Related pages Decolonize This Place
  • A large screen in a dark room, showing an image of a pair of bare legs from the knees down.
    A large screen in a dark room, showing an image of a pair of bare legs from the knees down.
    The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich. [A large screen in a dark room, showing an image of a pair of bare legs from the knees down.]
    Caption The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich.
    Image description A large screen in a dark room, showing an image of a pair of bare legs from the knees down.
    Year 2008
    Related pages The New Normal
  • A collage of four half-naked men dressed in a pilots hat arranged on paper.
    A collage of four half-naked men dressed in a pilots hat arranged on paper.
    Tom of Finland, Untitled, ca. 1966, collage on paper. Courtesy Tom of Finland Foundation, Permanent Collection. [A collage of four half-naked men dressed in a pilots hat arranged on paper.]
    Caption Tom of Finland, Untitled, ca. 1966, collage on paper. Courtesy Tom of Finland Foundation, Permanent Collection.
    Image description A collage of four half-naked men dressed in a pilots hat arranged on paper.
    Year 1966
    Related pages Tom of Finland: The Pleasure of Play
  • Color image of two small doorstop sculptures on the floor of the gallery space landing. The sculpture in the foreground consists of a short column of aluminum, banded with black rubber near the top. In the background sits another sculpture, a squat column of concentric stainless steel rings with a black rubber core.
    Color image of two small doorstop sculptures on the floor of the gallery space landing. The sculpture in the foreground consists of a short column of aluminum, banded with black rubber near the top. In the background sits another sculpture, a squat column of concentric stainless steel rings with a black rubber core.
    Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view (Doris Guo, Doorstop 1, 2024; Doris Guo, Doorstop 2, 2024), Artists Space, 2024. Photo: Carter Seddon. [Color image of two small doorstop sculptures on the floor of the gallery space landing. The sculpture in the foreground consists of a short column of aluminum, banded with black rubber near the top. In the background sits another sculpture, a squat column of concentric stainless steel rings with a black rubber core.]
    Caption Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view (Doris Guo, Doorstop 1, 2024; Doris Guo, Doorstop 2, 2024), Artists Space, 2024. Photo: Carter Seddon.
    Image description Color image of two small doorstop sculptures on the floor of the gallery space landing. The sculpture in the foreground consists of a short column of aluminum, banded with black rubber near the top. In the background sits another sculpture, a squat column of concentric stainless steel rings with a black rubber core.
    Year
    Related pages Doris Guo Matthew Langan-Peck Isabelle Frances McGuire Ruben Ulises Rodriguez Montoya
  • Various drawings are hung up on white walls. The drawings consist of simple shapes and lines.
    Various drawings are hung up on white walls. The drawings consist of simple shapes and lines.
    Artists Draw. Installation view, Artists Space, 1979. [Various drawings are hung up on white walls. The drawings consist of simple shapes and lines.]
    Caption Artists Draw. Installation view, Artists Space, 1979.
    Image description Various drawings are hung up on white walls. The drawings consist of simple shapes and lines.
    Year 1979
    Related pages Artists Draw: Tom Martin, Auste Peciura, Alan Saret, Patti Smith, Nancy Spero
  • A wooden bar with four chairs and a palm tree in a pot is displayed against a white wall.
    A wooden bar with four chairs and a palm tree in a pot is displayed against a white wall.
    Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013. [A wooden bar with four chairs and a palm tree in a pot is displayed against a white wall.]
    Caption Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013.
    Image description A wooden bar with four chairs and a palm tree in a pot is displayed against a white wall.
    Year 2013
    Related pages Pride Goes Before a Fall
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    Image description
    Year
    Related pages Milford Graves: Fundamental Frequency
  • A close-up photo of the front grille of a car, depicting the bottom half of the Chevrolet logo and a section of the front metal grille. Several bugs are visible, dead and stuck to the grille.
    A close-up photo of the front grille of a car, depicting the bottom half of the Chevrolet logo and a section of the front metal grille. Several bugs are visible, dead and stuck to the grille.
    Danh Vo, Chevrolet Suburban, 2010, Digital C-print, 16 x 24 in / 40,6 x 61 cm Photo, credit: Thomas Cato Signed and numbered sales receipt. [A close-up photo of the front grille of a car, depicting the bottom half of the Chevrolet logo and a section of the front metal grille. Several bugs are visible, dead and stuck to the grille.]
    Caption Danh Vo, Chevrolet Suburban, 2010, Digital C-print, 16 x 24 in / 40,6 x 61 cm Photo, credit: Thomas Cato Signed and numbered sales receipt.
    Image description A close-up photo of the front grille of a car, depicting the bottom half of the Chevrolet logo and a section of the front metal grille. Several bugs are visible, dead and stuck to the grille.
    Year 2010
    Related pages Artists Space Annual Edition Portfolio 2011
  • A book shelf displays paper documents containing black and white images. Above, smaller documents, and a similar paper displayed in a white frame.
    A book shelf displays paper documents containing black and white images. Above, smaller documents, and a similar paper displayed in a white frame.
    Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A book shelf displays paper documents containing black and white images. Above, smaller documents, and a similar paper displayed in a white frame.]
    Caption Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description A book shelf displays paper documents containing black and white images. Above, smaller documents, and a similar paper displayed in a white frame.
    Year 2013
    Related pages Documenting Cadere: 1972 - 1978
  • Black text overlays a white background with teal bunches of flowers in the lower left and upper right corners. The top left corner reads: “Jerome Sala / & Sarah Riggs / May 21, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”
    Black text overlays a white background with teal bunches of flowers in the lower left and upper right corners. The top left corner reads: “Jerome Sala / & Sarah Riggs / May 21, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”
    Flyer for Segue Reading Series featuring Jerome Sala & Sarah Riggs. May 21, 2022, Artists Space. [Black text overlays a white background with teal bunches of flowers in the lower left and upper right corners. The top left corner reads: “Jerome Sala / & Sarah Riggs / May 21, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”]
    Caption Flyer for Segue Reading Series featuring Jerome Sala & Sarah Riggs. May 21, 2022, Artists Space.
    Image description Black text overlays a white background with teal bunches of flowers in the lower left and upper right corners. The top left corner reads: “Jerome Sala / & Sarah Riggs / May 21, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”
    Year 2022
    Related pages Segue Reading Series: Jerome Sala & Sarah Riggs
  • A crowd sitting down watching a performer on stage leaning over a table with electronic instruments, holding a mic close to their mouth. The audience is bathed in red light, and the wall behind the performer is covered with multicolored abstract projections.
    A crowd sitting down watching a performer on stage leaning over a table with electronic instruments, holding a mic close to their mouth. The audience is bathed in red light, and the wall behind the performer is covered with multicolored abstract projections.
    Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman. [A crowd sitting down watching a performer on stage leaning over a table with electronic instruments, holding a mic close to their mouth. The audience is bathed in red light, and the wall behind the performer is covered with multicolored abstract projections. ]
    Caption Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman.
    Image description A crowd sitting down watching a performer on stage leaning over a table with electronic instruments, holding a mic close to their mouth. The audience is bathed in red light, and the wall behind the performer is covered with multicolored abstract projections.
    Year
    Related pages Abasement #74
  • Black busts of Vladimir Lenin arranged in a grid formation on a table.
    Black busts of Vladimir Lenin arranged in a grid formation on a table.
    Porcelain Lenin figures from DADALENIN Limited Special Edition, 2013. [Black busts of Vladimir Lenin arranged in a grid formation on a table.]
    Caption Porcelain Lenin figures from DADALENIN Limited Special Edition, 2013.
    Image description Black busts of Vladimir Lenin arranged in a grid formation on a table.
    Year 2013
    Related pages DADALENIN
  • Two photographs are mounted on a white gallery wall.
    Two photographs are mounted on a white gallery wall.
    Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979. [Two photographs are mounted on a white gallery wall.]
    Caption Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979.
    Image description Two photographs are mounted on a white gallery wall.
    Year 1979
    Related pages Place, (title to be determined), for a Participant: Ken Feingold
  • In the foreground a large, orange slug sculpture forming a circular ring shape is installed around two cast-iron columns suspended by ten elastic cords such that it encircles the column and rests close to the ceiling. Behind it is a large, orange slug sculpture forming a circular ring shape installed around one cast-iron column suspended by eight elastic cords such that it encircles the column and rests at its vertical center. In this white-walled gallery space one can also notice a partial view of a painting in the background.
    In the foreground a large, orange slug sculpture forming a circular ring shape is installed around two cast-iron columns suspended by ten elastic cords such that it encircles the column and rests close to the ceiling. Behind it is a large, orange slug sculpture forming a circular ring shape installed around one cast-iron column suspended by eight elastic cords such that it encircles the column and rests at its vertical center. In this white-walled gallery space one can also notice a partial view of a painting in the background.
    Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez [In the foreground a large, orange slug sculpture forming a circular ring shape is installed around two cast-iron columns suspended by ten elastic cords such that it encircles the column and rests close to the ceiling. Behind it is a large, orange slug sculpture forming a circular ring shape installed around one cast-iron column suspended by eight elastic cords such that it encircles the column and rests at its vertical center. In this white-walled gallery space one can also notice a partial view of a painting in the background.]
    Caption Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez
    Image description In the foreground a large, orange slug sculpture forming a circular ring shape is installed around two cast-iron columns suspended by ten elastic cords such that it encircles the column and rests close to the ceiling. Behind it is a large, orange slug sculpture forming a circular ring shape installed around one cast-iron column suspended by eight elastic cords such that it encircles the column and rests at its vertical center. In this white-walled gallery space one can also notice a partial view of a painting in the background.
    Year 2020
    Related pages Jana Euler
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    Image description
    Year
    Related pages David Armstrong: Portraits
  • A dirty, gray tile floor with small wisps of hair scattered across it.
    A dirty, gray tile floor with small wisps of hair scattered across it.
    [A dirty, gray tile floor with small wisps of hair scattered across it.]
    Caption
    Image description A dirty, gray tile floor with small wisps of hair scattered across it.
    Year 2003
    Related pages Multitude
  • In the center, a taxidermied griffon vulture sits amongst concrete rubble and iron rods spread across the floor in a small pile. To the left, a shovel is afixed to a children's chair and to the right, a shovel is placed upright on a thin pedestal.
    In the center, a taxidermied griffon vulture sits amongst concrete rubble and iron rods spread across the floor in a small pile. To the left, a shovel is afixed to a children's chair and to the right, a shovel is placed upright on a thin pedestal.
    Andy Robert: PAPALOKO. Installation view, Artists Space, 2024. Photo: Carter Seddon [In the center, a taxidermied griffon vulture sits amongst concrete rubble and iron rods spread across the floor in a small pile. To the left, a shovel is afixed to a children's chair and to the right, a shovel is placed upright on a thin pedestal.]
    Caption Andy Robert: PAPALOKO. Installation view, Artists Space, 2024. Photo: Carter Seddon
    Image description In the center, a taxidermied griffon vulture sits amongst concrete rubble and iron rods spread across the floor in a small pile. To the left, a shovel is afixed to a children's chair and to the right, a shovel is placed upright on a thin pedestal.
    Year
    Related pages Andy Robert: Papaloko
  • El Bosque Luminoso Bajo El Mar, M.S. 324 exhibition, Threads of History, May 2023
    Caption El Bosque Luminoso Bajo El Mar, M.S. 324 exhibition, Threads of History, May 2023
    Image description
    Year
    Related pages Exhibitions and Events
  • Caption
    Image description
    Year
    Related pages fwiw
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • White block text that reads
    White block text that reads
    Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [White block text that reads "BUILDING A BETTER WAY," stacked three times in rows against a pink, dark red, and light red background.]
    Caption Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description White block text that reads "BUILDING A BETTER WAY," stacked three times in rows against a pink, dark red, and light red background.
    Year 2010
    Related pages Duncan Campbell: Make It New John
  • A man stands at a copy machine with the hood lifted and its light on. On a wall directly behind the copy machine, black fabric hangs from a small, horizontal pole to the right of the standing figure.
    A man stands at a copy machine with the hood lifted and its light on. On a wall directly behind the copy machine, black fabric hangs from a small, horizontal pole to the right of the standing figure.
    Frozen Lakes. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A man stands at a copy machine with the hood lifted and its light on. On a wall directly behind the copy machine, black fabric hangs from a small, horizontal pole to the right of the standing figure.]
    Caption Frozen Lakes. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description A man stands at a copy machine with the hood lifted and its light on. On a wall directly behind the copy machine, black fabric hangs from a small, horizontal pole to the right of the standing figure.
    Year 2013
    Related pages Frozen Lakes
  • Magazine cut-outs and ink drawings are collaged together on a background of yellow, pink, and orange paper. A piece of green paper at the bottom reads
    Magazine cut-outs and ink drawings are collaged together on a background of yellow, pink, and orange paper. A piece of green paper at the bottom reads
    Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a background of yellow, pink, and orange paper. A piece of green paper at the bottom reads "A/BA/SEME/N/T." Other pieces of typewritten text list the performers and event details.]
    Caption Flyer by Joe Frivaldi.
    Image description Magazine cut-outs and ink drawings are collaged together on a background of yellow, pink, and orange paper. A piece of green paper at the bottom reads "A/BA/SEME/N/T." Other pieces of typewritten text list the performers and event details.
    Year
    Related pages Abasement #72
  • Potted plants and small figurines line the windowsill. Beneath are four framed works on paper and an empty frame.
    Potted plants and small figurines line the windowsill. Beneath are four framed works on paper and an empty frame.
    Adjua Gargi Nzinga Greaves, For Aricka, Ayana, Ayodele, Bernice, Chantelle, Charmaine, Cynthia Ch., Cynthia Co., Daphne, Davina, Dawn, Dina, Emily, Erica, Evadne, Frances, Gail, Gwen, Hara, Heather, Imanei, Imani, Janet, Jenny, Kadija, Kahdeidra, kale, Kelly, Kenya (R), LesLes, Lois, Lynnette, Madeleine, Mahogany, Marsha, Maiya, Najela, Nontsi, Ola, Pilar, Queen, RaFia, Ro-Ro, Sandra, Sasha, Serenity, Shana, Simone L, Simone W, Tabitha, Taiyi, Trinity, Uchenna, Vivian, Wangechi, X, Yvette, Zuri, detail, 2021. Living plants: Hannibal (Epipremnum aureum) with rose quartz, Gertrude Deuxieme (Tillandsia xerographica), Leonie (Philodendron totem), Eversley Deuxieme (Tillandsia xerographica), Melford (Epipremnum aureum) with amethyst; dessicated floral matter (eucalyptus, grass, willow, palm), knight on horseback figurine, brass candlesticks, polystyrene, porcelain and 18 karat gold plates, crystals (various), bamboo earrings, jade, cremains, leather, cork, glass, dragon figurine, sandalwood incense and ceramic holder, palo santo (Bursera graveolens), and window, overall dimensions variable. Courtesy Artists SPace, New York. Photo: Filip Wolak [Potted plants and small figurines line the windowsill. Beneath are four framed works on paper and an empty frame.]
    Caption Adjua Gargi Nzinga Greaves, For Aricka, Ayana, Ayodele, Bernice, Chantelle, Charmaine, Cynthia Ch., Cynthia Co., Daphne, Davina, Dawn, Dina, Emily, Erica, Evadne, Frances, Gail, Gwen, Hara, Heather, Imanei, Imani, Janet, Jenny, Kadija, Kahdeidra, kale, Kelly, Kenya (R), LesLes, Lois, Lynnette, Madeleine, Mahogany, Marsha, Maiya, Najela, Nontsi, Ola, Pilar, Queen, RaFia, Ro-Ro, Sandra, Sasha, Serenity, Shana, Simone L, Simone W, Tabitha, Taiyi, Trinity, Uchenna, Vivian, Wangechi, X, Yvette, Zuri, detail, 2021. Living plants: Hannibal (Epipremnum aureum) with rose quartz, Gertrude Deuxieme (Tillandsia xerographica), Leonie (Philodendron totem), Eversley Deuxieme (Tillandsia xerographica), Melford (Epipremnum aureum) with amethyst; dessicated floral matter (eucalyptus, grass, willow, palm), knight on horseback figurine, brass candlesticks, polystyrene, porcelain and 18 karat gold plates, crystals (various), bamboo earrings, jade, cremains, leather, cork, glass, dragon figurine, sandalwood incense and ceramic holder, palo santo (Bursera graveolens), and window, overall dimensions variable. Courtesy Artists SPace, New York. Photo: Filip Wolak
    Image description Potted plants and small figurines line the windowsill. Beneath are four framed works on paper and an empty frame.
    Year 2021
    Related pages Adjua Gargi Nzinga Greaves
  • A yellow-toned close-up of a person's bare chest. There is a hummingbird tattoo on the person's right breast, and they are wearing two chain necklaces.
    A yellow-toned close-up of a person's bare chest. There is a hummingbird tattoo on the person's right breast, and they are wearing two chain necklaces.
    Mark Morrisroe. Untitled (1988). © The Estate of Mark Morrisroe (Ringier Collection) at Fotomuseum Winterthur. [A yellow-toned close-up of a person's bare chest. There is a hummingbird tattoo on the person's right breast, and they are wearing two chain necklaces.]
    Caption Mark Morrisroe. Untitled (1988). © The Estate of Mark Morrisroe (Ringier Collection) at Fotomuseum Winterthur.
    Image description A yellow-toned close-up of a person's bare chest. There is a hummingbird tattoo on the person's right breast, and they are wearing two chain necklaces.
    Year 1988
    Related pages Mark Morrisroe: Photographic Process and Psychic Structure
  • Black text overlays a light blue background. The top left corner reads: Sarah E. Brook / Sara Jimenez. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, March 19, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5.
    Black text overlays a light blue background. The top left corner reads: Sarah E. Brook / Sara Jimenez. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, March 19, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5.
    Flyer for Segue Reading Series featuring Sarah E. Brook and Sara Jimenez. March 19, 2022, Artists Space. [Black text overlays a light blue background. The top left corner reads: Sarah E. Brook / Sara Jimenez. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, March 19, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5."]
    Caption Flyer for Segue Reading Series featuring Sarah E. Brook and Sara Jimenez. March 19, 2022, Artists Space.
    Image description Black text overlays a light blue background. The top left corner reads: Sarah E. Brook / Sara Jimenez. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, March 19, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5."
    Year 2022
    Related pages Segue Reading Series: Sarah E. Brook & Sara Jimenez
  • A sculpted pedestal with a black object on it is visible on a wooden floor below a sculpted multilayered cross hanging on a white gallery wall. Numbers are visible above the image.
    A sculpted pedestal with a black object on it is visible on a wooden floor below a sculpted multilayered cross hanging on a white gallery wall. Numbers are visible above the image.
    Jerry Beck, Cryptic Cross, 1985. [A sculpted pedestal with a black object on it is visible on a wooden floor below a sculpted multilayered cross hanging on a white gallery wall. Numbers are visible above the image.]
    Caption Jerry Beck, Cryptic Cross, 1985.
    Image description A sculpted pedestal with a black object on it is visible on a wooden floor below a sculpted multilayered cross hanging on a white gallery wall. Numbers are visible above the image.
    Year
    Related pages U.S. Projects
  • Two figures stand on stage next to each other, holding hands and smiling at the audience.
    Two figures stand on stage next to each other, holding hands and smiling at the audience.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [Two figures stand on stage next to each other, holding hands and smiling at the audience.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description Two figures stand on stage next to each other, holding hands and smiling at the audience.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
  • A side view of a large video monitor screen, sitting on the ground, with a large ramp extending from the base. Two viewers sit on large pillows at the curve of the ramp. The room is tinted blue. On the screen, there is a man in a sitting in an office with a note pad and a pen at the table in front of him.
    A side view of a large video monitor screen, sitting on the ground, with a large ramp extending from the base. Two viewers sit on large pillows at the curve of the ramp. The room is tinted blue. On the screen, there is a man in a sitting in an office with a note pad and a pen at the table in front of him.
    Hito Steyerl, Liquidity, Inc., 2014, HD video with sound, 30 mins. Courtesy the artist and Andrew Kreps, New York. Installation view from Hito Steyerl, Artists Space, 2015. [A side view of a large video monitor screen, sitting on the ground, with a large ramp extending from the base. Two viewers sit on large pillows at the curve of the ramp. The room is tinted blue. On the screen, there is a man in a sitting in an office with a note pad and a pen at the table in front of him.]
    Caption Hito Steyerl, Liquidity, Inc., 2014, HD video with sound, 30 mins. Courtesy the artist and Andrew Kreps, New York. Installation view from Hito Steyerl, Artists Space, 2015.
    Image description A side view of a large video monitor screen, sitting on the ground, with a large ramp extending from the base. Two viewers sit on large pillows at the curve of the ramp. The room is tinted blue. On the screen, there is a man in a sitting in an office with a note pad and a pen at the table in front of him.
    Year 2015
    Related pages Hito Steyerl
  • A black and white image of person in a coverall jumpsuit and backwards baseball cap reading aloud from a music stand. Behind them, a pair of sunglasses is shown on a white background.
    A black and white image of person in a coverall jumpsuit and backwards baseball cap reading aloud from a music stand. Behind them, a pair of sunglasses is shown on a white background.
    Joelle de la Casiniere. Still from La Grimoire Magnetique, 1983. 26 minutes. Photo: Micki McGee. [A black and white image of person in a coverall jumpsuit and backwards baseball cap reading aloud from a music stand. Behind them, a pair of sunglasses is shown on a white background.]
    Caption Joelle de la Casiniere. Still from La Grimoire Magnetique, 1983. 26 minutes. Photo: Micki McGee.
    Image description A black and white image of person in a coverall jumpsuit and backwards baseball cap reading aloud from a music stand. Behind them, a pair of sunglasses is shown on a white background.
    Year 1983
    Related pages Body Language: Studies in Female Expression
  • Black text overlays a color-scheme grid background. The text reads: “Jan 20 / Bahaar Ahsan / Uche Nduka.
    Black text overlays a color-scheme grid background. The text reads: “Jan 20 / Bahaar Ahsan / Uche Nduka.
    [Black text overlays a color-scheme grid background. The text reads: “Jan 20 / Bahaar Ahsan / Uche Nduka." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description Black text overlays a color-scheme grid background. The text reads: “Jan 20 / Bahaar Ahsan / Uche Nduka." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year
    Related pages Segue Reading Series: Bahaar Ahsan & Uche Nduka
  • Wolfgang Tillmans exhibition at David Zwirner, 2024
    Caption Wolfgang Tillmans exhibition at David Zwirner, 2024
    Image description
    Year
    Related pages BRIDGE Photography
  • Four sculptures, each roughly the same size and configuration, are displayed on top of white vitrines. Each sculpture is constructed from a different material, with sy
    Four sculptures, each roughly the same size and configuration, are displayed on top of white vitrines. Each sculpture is constructed from a different material, with sy
    UniBodies. Installation view, Artists Space, 2006. Photo: Bill Ocrutt. [Four sculptures, each roughly the same size and configuration, are displayed on top of white vitrines. Each sculpture is constructed from a different material, with sy]
    Caption UniBodies. Installation view, Artists Space, 2006. Photo: Bill Ocrutt.
    Image description Four sculptures, each roughly the same size and configuration, are displayed on top of white vitrines. Each sculpture is constructed from a different material, with sy
    Year 2006
    Related pages UniBodies
  • Tennis players stand in an alleyway, ready to hit balls from an automatic ballfeeder. A crowd watches intently in the background. Suspended above them the words
    Tennis players stand in an alleyway, ready to hit balls from an automatic ballfeeder. A crowd watches intently in the background. Suspended above them the words
    Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [Tennis players stand in an alleyway, ready to hit balls from an automatic ballfeeder. A crowd watches intently in the background. Suspended above them the words "Social Muscle Rehab" are painted in white capitalized text on black and green signs.]
    Caption Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak.
    Image description Tennis players stand in an alleyway, ready to hit balls from an automatic ballfeeder. A crowd watches intently in the background. Suspended above them the words "Social Muscle Rehab" are painted in white capitalized text on black and green signs.
    Year
    Related pages Welcome
  • A book cover with an image of a hallway with tan and brown checkerboard tiling with a door at the end. Sunlight is filtering through the windows of the door, reflecting on the floor. Superimposed text on top of the photo reads
    A book cover with an image of a hallway with tan and brown checkerboard tiling with a door at the end. Sunlight is filtering through the windows of the door, reflecting on the floor. Superimposed text on top of the photo reads
    [A book cover with an image of a hallway with tan and brown checkerboard tiling with a door at the end. Sunlight is filtering through the windows of the door, reflecting on the floor. Superimposed text on top of the photo reads "SUMMER OF HATE" and under it, "Chris Kraus".]
    Caption
    Image description A book cover with an image of a hallway with tan and brown checkerboard tiling with a door at the end. Sunlight is filtering through the windows of the door, reflecting on the floor. Superimposed text on top of the photo reads "SUMMER OF HATE" and under it, "Chris Kraus".
    Year 2012
    Related pages Summer of Hate
  • Color image of an individual seated at a table with a variety of musical and electronic equipment and gear in front of him. The individual stares with focus at a computer screen, which illuminates his face in the darkened performance space. A variety of guests can been seen seated all around the musician's work table.
    Color image of an individual seated at a table with a variety of musical and electronic equipment and gear in front of him. The individual stares with focus at a computer screen, which illuminates his face in the darkened performance space. A variety of guests can been seen seated all around the musician's work table.
    Abasement #63. Performance documentation, July 17, 2023, Artists Space. Photo: Joshua Wildman. [Color image of an individual seated at a table with a variety of musical and electronic equipment and gear in front of him. The individual stares with focus at a computer screen, which illuminates his face in the darkened performance space. A variety of guests can been seen seated all around the musician's work table.]
    Caption Abasement #63. Performance documentation, July 17, 2023, Artists Space. Photo: Joshua Wildman.
    Image description Color image of an individual seated at a table with a variety of musical and electronic equipment and gear in front of him. The individual stares with focus at a computer screen, which illuminates his face in the darkened performance space. A variety of guests can been seen seated all around the musician's work table.
    Year
    Related pages Abasement #63
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Several students sit, looking down towards printed sheets of paper, in front of colorful silk banners with writing stating
    Several students sit, looking down towards printed sheets of paper, in front of colorful silk banners with writing stating
    YAP (Young Artists Perform), P.S. 140, 2018 [Several students sit, looking down towards printed sheets of paper, in front of colorful silk banners with writing stating "Your dreams can become a reality," "like a cheetah in a snail's race," "bridge can just go like boom bom boom BOOM," "I see a light it's so BRIGHT -Destiny" and others.\]
    Caption YAP (Young Artists Perform), P.S. 140, 2018
    Image description Several students sit, looking down towards printed sheets of paper, in front of colorful silk banners with writing stating "Your dreams can become a reality," "like a cheetah in a snail's race," "bridge can just go like boom bom boom BOOM," "I see a light it's so BRIGHT -Destiny" and others.\
    Year 2018
    Related pages Exhibitions and Events
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A framed photograph with a red border of a naked man on a blue shag carpet. The man is seated, leaning slightly back on his hands with his legs extended. He is bald with a full grey beard.
    A framed photograph with a red border of a naked man on a blue shag carpet. The man is seated, leaning slightly back on his hands with his legs extended. He is bald with a full grey beard.
    Flipside. Installation view, Artists Space, 2004. [A framed photograph with a red border of a naked man on a blue shag carpet. The man is seated, leaning slightly back on his hands with his legs extended. He is bald with a full grey beard.]
    Caption Flipside. Installation view, Artists Space, 2004.
    Image description A framed photograph with a red border of a naked man on a blue shag carpet. The man is seated, leaning slightly back on his hands with his legs extended. He is bald with a full grey beard.
    Year 2004
    Related pages Flipside
  • A color photo of several individuals engaged in festivities and banter within a large reception space. Light and dark red overhead lights shine onto the guests in the event.
    A color photo of several individuals engaged in festivities and banter within a large reception space. Light and dark red overhead lights shine onto the guests in the event.
    Friends of Artists Space Annual Dinner, 2022. [A color photo of several individuals engaged in festivities and banter within a large reception space. Light and dark red overhead lights shine onto the guests in the event.]
    Caption Friends of Artists Space Annual Dinner, 2022.
    Image description A color photo of several individuals engaged in festivities and banter within a large reception space. Light and dark red overhead lights shine onto the guests in the event.
    Year 2022
    Related pages Support
  • A man wearing a grey polo shirt sitting in front of a sky blue wall signs in Japanese sign language.
    A man wearing a grey polo shirt sitting in front of a sky blue wall signs in Japanese sign language.
    Caroline Key. Still from Speech Memory, 2007. 16mm film on video, color, sound; 23 minutes. Courtesy the artist. [A man wearing a grey polo shirt sitting in front of a sky blue wall signs in Japanese sign language.]
    Caption Caroline Key. Still from Speech Memory, 2007. 16mm film on video, color, sound; 23 minutes. Courtesy the artist.
    Image description A man wearing a grey polo shirt sitting in front of a sky blue wall signs in Japanese sign language.
    Year 2007
    Related pages Whitney ISP Archive
  • A closeup of a young girl with dark hair and bangs, frowning as she applies red lipstick in a messy circle around her mouth.
    A closeup of a young girl with dark hair and bangs, frowning as she applies red lipstick in a messy circle around her mouth.
    Leslie Thornton. Jennifer, Where Are You?, 1981. [A closeup of a young girl with dark hair and bangs, frowning as she applies red lipstick in a messy circle around her mouth.]
    Caption Leslie Thornton. Jennifer, Where Are You?, 1981.
    Image description A closeup of a young girl with dark hair and bangs, frowning as she applies red lipstick in a messy circle around her mouth.
    Year 1981
    Related pages Summer Knowledge: Leslie Thornton
  • An aerial view of a hand painted drumset on a wooden floor.
    An aerial view of a hand painted drumset on a wooden floor.
    Milford Graves, Hand-painted Drums, c. 1970s. Wood and metal bass drums, toms, snares, acrylic paint, and mixed media. Dimensions variable. Photo: Filip Wolak. [An aerial view of a hand painted drumset on a wooden floor.]
    Caption Milford Graves, Hand-painted Drums, c. 1970s. Wood and metal bass drums, toms, snares, acrylic paint, and mixed media. Dimensions variable. Photo: Filip Wolak.
    Image description An aerial view of a hand painted drumset on a wooden floor.
    Year 2021
    Related pages Milford Graves: Fundamental Frequency
  • A small, tan bandage lying face-down on a white background.
    A small, tan bandage lying face-down on a white background.
    Allora & Calzadilla, Bandage, 2011, Painted cast white metal, 3 x 3/4 x 1/16 in / 7,6 x 2 x .16 cm, Signed certificate. [A small, tan bandage lying face-down on a white background.]
    Caption Allora & Calzadilla, Bandage, 2011, Painted cast white metal, 3 x 3/4 x 1/16 in / 7,6 x 2 x .16 cm, Signed certificate.
    Image description A small, tan bandage lying face-down on a white background.
    Year 2011
    Related pages Artists Space Annual Edition Portfolio 2012
  • A black and white photograph of three forms over a wooden background. The forms are vaguely triangular and are white, grey, and black.
    A black and white photograph of three forms over a wooden background. The forms are vaguely triangular and are white, grey, and black.
    Judy Rifka. Installation view, Deborah S. Freedman, Judy Rifka and Ernest Silva. Artists Space, 1975. [A black and white photograph of three forms over a wooden background. The forms are vaguely triangular and are white, grey, and black.]
    Caption Judy Rifka. Installation view, Deborah S. Freedman, Judy Rifka and Ernest Silva. Artists Space, 1975.
    Image description A black and white photograph of three forms over a wooden background. The forms are vaguely triangular and are white, grey, and black.
    Year 1975
    Related pages Deborah S. Freedman, Judy Rifka, Ernest Silva
  • A red metal sculpture displayed on a pedestal in front of a monitor installed on a freestanding wall. The monitor's screen displays an image of three people gathered around the displayed sculpture as it is pieced together.
    A red metal sculpture displayed on a pedestal in front of a monitor installed on a freestanding wall. The monitor's screen displays an image of three people gathered around the displayed sculpture as it is pieced together.
    Frozen Lakes. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A red metal sculpture displayed on a pedestal in front of a monitor installed on a freestanding wall. The monitor's screen displays an image of three people gathered around the displayed sculpture as it is pieced together.]
    Caption Frozen Lakes. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description A red metal sculpture displayed on a pedestal in front of a monitor installed on a freestanding wall. The monitor's screen displays an image of three people gathered around the displayed sculpture as it is pieced together.
    Year 2013
    Related pages Frozen Lakes
  • Color photo of a performer wearing a quilted suit with a variety of equipment strapped to his body. A bright blue glowing projection emantes from the performer's gear. He is surrounded by seated audience members who observe the performance in a dimly lit venue.
    Color photo of a performer wearing a quilted suit with a variety of equipment strapped to his body. A bright blue glowing projection emantes from the performer's gear. He is surrounded by seated audience members who observe the performance in a dimly lit venue.
    Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman. [Color photo of a performer wearing a quilted suit with a variety of equipment strapped to his body. A bright blue glowing projection emantes from the performer's gear. He is surrounded by seated audience members who observe the performance in a dimly lit venue.]
    Caption Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman.
    Image description Color photo of a performer wearing a quilted suit with a variety of equipment strapped to his body. A bright blue glowing projection emantes from the performer's gear. He is surrounded by seated audience members who observe the performance in a dimly lit venue.
    Year
    Related pages Abasement #64
  • Caption
    Image description
    Year
    Related pages Abasement #77
  • Margit Lewczuk. For Freda, 1985.
    Caption Margit Lewczuk. For Freda, 1985.
    Image description
    Year
    Related pages Four Artists: An Exhibition of Painting and Sculpture
  • A black and white photograph of two constructed shoe-like objects on small constructed shape sitting on the grass in a foresty area.
    A black and white photograph of two constructed shoe-like objects on small constructed shape sitting on the grass in a foresty area.
    Ritsuko Taho, Untitled, 1985. [A black and white photograph of two constructed shoe-like objects on small constructed shape sitting on the grass in a foresty area.]
    Caption Ritsuko Taho, Untitled, 1985.
    Image description A black and white photograph of two constructed shoe-like objects on small constructed shape sitting on the grass in a foresty area.
    Year
    Related pages Six Sculptors
  • A book cover with the title
    A book cover with the title
    Yates McKee, Strike Art: Contemporary Art and the Post-Occupy Condition (New York: Verso Books, 2017). [A book cover with the title "Strike Art: Contemporary Art and the Post-Occupy Condition" and author Yates McKee in black and grey on white ground. In the upper right corner, a red-toned image shows a group of standing men.]
    Caption Yates McKee, Strike Art: Contemporary Art and the Post-Occupy Condition (New York: Verso Books, 2017).
    Image description A book cover with the title "Strike Art: Contemporary Art and the Post-Occupy Condition" and author Yates McKee in black and grey on white ground. In the upper right corner, a red-toned image shows a group of standing men.
    Year 2017
    Related pages Artists After Occupy
  • Two paneled works hang on either side of a white column on a light, mauve-colored wall. Both canvases are slightly three-dimensional, with elements that stretch in or out from their surfaces.
    Two paneled works hang on either side of a white column on a light, mauve-colored wall. Both canvases are slightly three-dimensional, with elements that stretch in or out from their surfaces.
    Zilia Sánchez. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [Two paneled works hang on either side of a white column on a light, mauve-colored wall. Both canvases are slightly three-dimensional, with elements that stretch in or out from their surfaces.]
    Caption Zilia Sánchez. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description Two paneled works hang on either side of a white column on a light, mauve-colored wall. Both canvases are slightly three-dimensional, with elements that stretch in or out from their surfaces.
    Year 2013
    Related pages Zilia Sánchez
  • Three performers play various instruments on stage in front of an audience. The stage and wall behind it are bathed in a blue and red striped pattern.
    Three performers play various instruments on stage in front of an audience. The stage and wall behind it are bathed in a blue and red striped pattern.
    Abasement #85. Performance documentation, March 2nd, 2026, Artists Space. Photo: Joshua Wildman. [Three performers play various instruments on stage in front of an audience. The stage and wall behind it are bathed in a blue and red striped pattern. ]
    Caption Abasement #85. Performance documentation, March 2nd, 2026, Artists Space. Photo: Joshua Wildman.
    Image description Three performers play various instruments on stage in front of an audience. The stage and wall behind it are bathed in a blue and red striped pattern.
    Year
    Related pages Abasement #85
  • Color photo of an installation work. A row of structural columns cut through the installation. In the foreground, a kinetic scutlpure featuring a sock being dipped into a pot sit on the floor next to a column. Behind the first column, two windows with images painted on the glass hang from the ceiling. Behind the windows, ceramic sculptures and kinetic sculptures featuring branches surround another column. To the right of the ceramic sculptures and branch sculptures, large paper-mache sculptures rest on the floor and hang on the walls. In the right forground, a large drawing done on craft paper featuring a cow hangs on the wall. In the background, two large drawings done on cardboard are hung from a wooden partition wall.
    Color photo of an installation work. A row of structural columns cut through the installation. In the foreground, a kinetic scutlpure featuring a sock being dipped into a pot sit on the floor next to a column. Behind the first column, two windows with images painted on the glass hang from the ceiling. Behind the windows, ceramic sculptures and kinetic sculptures featuring branches surround another column. To the right of the ceramic sculptures and branch sculptures, large paper-mache sculptures rest on the floor and hang on the walls. In the right forground, a large drawing done on craft paper featuring a cow hangs on the wall. In the background, two large drawings done on cardboard are hung from a wooden partition wall.
    Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photo of an installation work. A row of structural columns cut through the installation. In the foreground, a kinetic scutlpure featuring a sock being dipped into a pot sit on the floor next to a column. Behind the first column, two windows with images painted on the glass hang from the ceiling. Behind the windows, ceramic sculptures and kinetic sculptures featuring branches surround another column. To the right of the ceramic sculptures and branch sculptures, large paper-mache sculptures rest on the floor and hang on the walls. In the right forground, a large drawing done on craft paper featuring a cow hangs on the wall. In the background, two large drawings done on cardboard are hung from a wooden partition wall.]
    Caption Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photo of an installation work. A row of structural columns cut through the installation. In the foreground, a kinetic scutlpure featuring a sock being dipped into a pot sit on the floor next to a column. Behind the first column, two windows with images painted on the glass hang from the ceiling. Behind the windows, ceramic sculptures and kinetic sculptures featuring branches surround another column. To the right of the ceramic sculptures and branch sculptures, large paper-mache sculptures rest on the floor and hang on the walls. In the right forground, a large drawing done on craft paper featuring a cow hangs on the wall. In the background, two large drawings done on cardboard are hung from a wooden partition wall.
    Year
    Related pages Char Jeré: Zoo or an Orchestra
  • White text on a bright fuchsia background. The text reads: “Nov 1 / Jzl Jmz / Edward Salem.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    White text on a bright fuchsia background. The text reads: “Nov 1 / Jzl Jmz / Edward Salem.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [White text on a bright fuchsia background. The text reads: “Nov 1 / Jzl Jmz / Edward Salem.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description White text on a bright fuchsia background. The text reads: “Nov 1 / Jzl Jmz / Edward Salem.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Jzl Jmz & Edward Salem
  • A woman screams as a trail of blood runs down her chin.
    A woman screams as a trail of blood runs down her chin.
    Still from Ganja & Hess, picturing Marlene Clarke, 1973. [A woman screams as a trail of blood runs down her chin.]
    Caption Still from Ganja & Hess, picturing Marlene Clarke, 1973.
    Image description A woman screams as a trail of blood runs down her chin.
    Year 1973
    Related pages Ganja & Hess
  • Caption
    Image description
    Year
    Related pages Editions
  • Black text overlays a white background with a blue bunch of flowers in the lower right corner. The top left corner reads: “Martine Bellen / & Uche Nduka / April 2, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”
    Black text overlays a white background with a blue bunch of flowers in the lower right corner. The top left corner reads: “Martine Bellen / & Uche Nduka / April 2, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”
    Flyer for Segue Reading Series featuring Martine Bellen & Uche Nduka. April 2, 2022, Artists Space. [Black text overlays a white background with a blue bunch of flowers in the lower right corner. The top left corner reads: “Martine Bellen / & Uche Nduka / April 2, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”]
    Caption Flyer for Segue Reading Series featuring Martine Bellen & Uche Nduka. April 2, 2022, Artists Space.
    Image description Black text overlays a white background with a blue bunch of flowers in the lower right corner. The top left corner reads: “Martine Bellen / & Uche Nduka / April 2, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”
    Year 2022
    Related pages Segue Reading Series: Martine Bellen & Uche Nduka
  • Two photographs are mounted on a white gallery wall.
    Two photographs are mounted on a white gallery wall.
    Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979. [Two photographs are mounted on a white gallery wall.]
    Caption Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979.
    Image description Two photographs are mounted on a white gallery wall.
    Year 1979
    Related pages Place, (title to be determined), for a Participant: Ken Feingold
  • Gradient red and green, curved and cusped shades. A red pointed mound sits atop a pale green inverted triangle inside angular red and green rectangles.
    Gradient red and green, curved and cusped shades. A red pointed mound sits atop a pale green inverted triangle inside angular red and green rectangles.
    Miyoko Ito, Island in the Sun, 1978. Oil on canvas, 38 x 33 inches. Courtesy John B. Pittman. [Gradient red and green, curved and cusped shades. A red pointed mound sits atop a pale green inverted triangle inside angular red and green rectangles.]
    Caption Miyoko Ito, Island in the Sun, 1978. Oil on canvas, 38 x 33 inches. Courtesy John B. Pittman.
    Image description Gradient red and green, curved and cusped shades. A red pointed mound sits atop a pale green inverted triangle inside angular red and green rectangles.
    Year 1978
    Related pages Miyoko Ito: Heart of Hearts
  • The exterior of a Soho building at night. Inside the third floor are two glowing blue neon quotation marks visible from outside.
    The exterior of a Soho building at night. Inside the third floor are two glowing blue neon quotation marks visible from outside.
    Laurel Woodcock, (Untitled), Neon Quote, 2005. Neon sculptures. Courtesy the artist. [The exterior of a Soho building at night. Inside the third floor are two glowing blue neon quotation marks visible from outside.]
    Caption Laurel Woodcock, (Untitled), Neon Quote, 2005. Neon sculptures. Courtesy the artist.
    Image description The exterior of a Soho building at night. Inside the third floor are two glowing blue neon quotation marks visible from outside.
    Year 2007
    Related pages On Being an Exhibition
  • A display case presents ten clear small boxes, each filled with various liquids and items. Some contain liquid mercury, disassembled toy parts, newsprint images, and temporary tattoos on silly putty.
    A display case presents ten clear small boxes, each filled with various liquids and items. Some contain liquid mercury, disassembled toy parts, newsprint images, and temporary tattoos on silly putty.
    Ralston Farina: Time // Time. Installation view, Artists Space, 2025. Photo: Carter Seddon. [A display case presents ten clear small boxes, each filled with various liquids and items. Some contain liquid mercury, disassembled toy parts, newsprint images, and temporary tattoos on silly putty. ]
    Caption Ralston Farina: Time // Time. Installation view, Artists Space, 2025. Photo: Carter Seddon.
    Image description A display case presents ten clear small boxes, each filled with various liquids and items. Some contain liquid mercury, disassembled toy parts, newsprint images, and temporary tattoos on silly putty.
    Year
    Related pages Ralston Farina: Time // Time
  • A postcard depicting a black-and-white photograph of the facade of a factory in Belgium sits on a plinth.
    A postcard depicting a black-and-white photograph of the facade of a factory in Belgium sits on a plinth.
    Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon. [A postcard depicting a black-and-white photograph of the facade of a factory in Belgium sits on a plinth. ]
    Caption Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon.
    Image description A postcard depicting a black-and-white photograph of the facade of a factory in Belgium sits on a plinth.
    Year
    Related pages Michael Asher
  • Two figures' faces positioned close to one another. The woman on the left looks away from the camera, while the man on the right closes his eyes and opens his mouth. The image is blurred, as though the figures are in motion.
    Two figures' faces positioned close to one another. The woman on the left looks away from the camera, while the man on the right closes his eyes and opens his mouth. The image is blurred, as though the figures are in motion.
    Video from Sidi El Asphalt's Mulid. Dir. Wael Shawky. 2003. [Two figures' faces positioned close to one another. The woman on the left looks away from the camera, while the man on the right closes his eyes and opens his mouth. The image is blurred, as though the figures are in motion.]
    Caption Video from Sidi El Asphalt's Mulid. Dir. Wael Shawky. 2003.
    Image description Two figures' faces positioned close to one another. The woman on the left looks away from the camera, while the man on the right closes his eyes and opens his mouth. The image is blurred, as though the figures are in motion.
    Year 2003
    Related pages Video from Sidi El Asphalt's Mulid
  • A vintage photograph of a man wearing black headphones, sitting behind a table in a cluttered room full of music equipment. A keyboard leans against the table, which is covered in AV equipment and snaking wires.
    A vintage photograph of a man wearing black headphones, sitting behind a table in a cluttered room full of music equipment. A keyboard leans against the table, which is covered in AV equipment and snaking wires.
    Photograph of Arthur Russell. Photo courtesy of Audika. [A vintage photograph of a man wearing black headphones, sitting behind a table in a cluttered room full of music equipment. A keyboard leans against the table, which is covered in AV equipment and snaking wires.]
    Caption Photograph of Arthur Russell. Photo courtesy of Audika.
    Image description A vintage photograph of a man wearing black headphones, sitting behind a table in a cluttered room full of music equipment. A keyboard leans against the table, which is covered in AV equipment and snaking wires.
    Year
    Related pages Rip It Up and Start Again: William S. Burroughs, Charles Henri Ford, Ray Johnson, Philippe Thomas, Arthur Russell
  • Two boards, one horizontal on the ground and the other vertical on the wall, meet at a right angle. The bottom board sits covered with stripped carpet, the top nearly covered with marroon carpet.
    Two boards, one horizontal on the ground and the other vertical on the wall, meet at a right angle. The bottom board sits covered with stripped carpet, the top nearly covered with marroon carpet.
    Brad Kronz, I Reject the Good Opinion of Others, 2024. Wood, carpet, paper, latex paint, staples, bolts, nails. Photo: Carter Seddon [Two boards, one horizontal on the ground and the other vertical on the wall, meet at a right angle. The bottom board sits covered with stripped carpet, the top nearly covered with marroon carpet. ]
    Caption Brad Kronz, I Reject the Good Opinion of Others, 2024. Wood, carpet, paper, latex paint, staples, bolts, nails. Photo: Carter Seddon
    Image description Two boards, one horizontal on the ground and the other vertical on the wall, meet at a right angle. The bottom board sits covered with stripped carpet, the top nearly covered with marroon carpet.
    Year
    Related pages Brad Kronz
  • Black text overlays a white background. The top left corner reads: S*an D. Henry-Smith / Joey Yearous-Algozin. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, March 26, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5.
    Black text overlays a white background. The top left corner reads: S*an D. Henry-Smith / Joey Yearous-Algozin. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, March 26, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5.
    Flyer for Segue Reading Series featuring S*an D. Henry-Smith and Joey Yearous-Algozin. March 26, 2022, Artists Space. [Black text overlays a white background. The top left corner reads: S*an D. Henry-Smith / Joey Yearous-Algozin. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, March 26, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5."]
    Caption Flyer for Segue Reading Series featuring S*an D. Henry-Smith and Joey Yearous-Algozin. March 26, 2022, Artists Space.
    Image description Black text overlays a white background. The top left corner reads: S*an D. Henry-Smith / Joey Yearous-Algozin. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, March 26, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5."
    Year
    Related pages Segue Reading Series: S*an D. Henry-Smith & Joey Yearous-Algozin
  • Color image of a figure on a black stage, seated behind a white desk. They are looking attentively at a laptop screen in front of them which is open to a computer program.
    Color image of a figure on a black stage, seated behind a white desk. They are looking attentively at a laptop screen in front of them which is open to a computer program.
    Yasunao Tone Concert #3. Performance documentation, March 16, 2023, Artists Space. Photo: Destiny Mata [Color image of a figure on a black stage, seated behind a white desk. They are looking attentively at a laptop screen in front of them which is open to a computer program.]
    Caption Yasunao Tone Concert #3. Performance documentation, March 16, 2023, Artists Space. Photo: Destiny Mata
    Image description Color image of a figure on a black stage, seated behind a white desk. They are looking attentively at a laptop screen in front of them which is open to a computer program.
    Year 2023
    Related pages Yasunao Tone Concert #3
  • A large room with white walls. Artworks hang on the right and left walls, covering most of the surface area. There is a door open towards the back of the room.
    A large room with white walls. Artworks hang on the right and left walls, covering most of the surface area. There is a door open towards the back of the room.
    Pictures. Installation view, Artists Space, 1977. [A large room with white walls. Artworks hang on the right and left walls, covering most of the surface area. There is a door open towards the back of the room.]
    Caption Pictures. Installation view, Artists Space, 1977.
    Image description A large room with white walls. Artworks hang on the right and left walls, covering most of the surface area. There is a door open towards the back of the room.
    Year 1977
    Related pages Pictures
  • A book cover with text reading:
    A book cover with text reading:
    Rhinestone Sharecropping. Berkeley: I. Reed Books, 1981. [A book cover with text reading: "RHINE / STONE / SHARE / CROPPING / a novel / by BILL GUNN author of / Black Picture Show." Below the text is an image of multiple filmstrips arranged to form a grid.]
    Caption Rhinestone Sharecropping. Berkeley: I. Reed Books, 1981.
    Image description A book cover with text reading: "RHINE / STONE / SHARE / CROPPING / a novel / by BILL GUNN author of / Black Picture Show." Below the text is an image of multiple filmstrips arranged to form a grid.
    Year 1981
    Related pages Ishmael Reed in Conversation
  • Color photograph of a piano. Six solenoids are placed along the piano's strings.
    Color photograph of a piano. Six solenoids are placed along the piano's strings.
    Yasunao Tone: Region of Paramedia. Installation view (Instrument for Aleitheia, 1987), Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a piano. Six solenoids are placed along the piano's strings.]
    Caption Yasunao Tone: Region of Paramedia. Installation view (Instrument for Aleitheia, 1987), Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photograph of a piano. Six solenoids are placed along the piano's strings.
    Year 2023
    Related pages Yasunao Tone: Region of Paramedia
  • A person, clad in a white jumpsuit and blue eye makeup, lies horizontally on the ground. Their top half body is visible in the bottom left corner. Next to them floats a handwritten thought bubble, which reads,
    A person, clad in a white jumpsuit and blue eye makeup, lies horizontally on the ground. Their top half body is visible in the bottom left corner. Next to them floats a handwritten thought bubble, which reads,
    Untitled (Performance at Galleria L'Attico), 1974 35mm slide, Copyright Jack Smith Archive, Courtesy Gladstone Gallery, New York and Brussels [A person, clad in a white jumpsuit and blue eye makeup, lies horizontally on the ground. Their top half body is visible in the bottom left corner. Next to them floats a handwritten thought bubble, which reads, "How can a queer escape the mocking laughter of wealthy normals if they visit his very rejection-sewer home to get art."]
    Caption Untitled (Performance at Galleria L'Attico), 1974 35mm slide, Copyright Jack Smith Archive, Courtesy Gladstone Gallery, New York and Brussels
    Image description A person, clad in a white jumpsuit and blue eye makeup, lies horizontally on the ground. Their top half body is visible in the bottom left corner. Next to them floats a handwritten thought bubble, which reads, "How can a queer escape the mocking laughter of wealthy normals if they visit his very rejection-sewer home to get art."
    Year 1974
    Related pages Jack Smith: Art Crust of Spiritual Oasis
  • A figure, centered within the frame, leans against a beige tiled wall and stares directly into the camera.
    A figure, centered within the frame, leans against a beige tiled wall and stares directly into the camera.
    Portrait of Jackie Wang. [A figure, centered within the frame, leans against a beige tiled wall and stares directly into the camera.]
    Caption Portrait of Jackie Wang.
    Image description A figure, centered within the frame, leans against a beige tiled wall and stares directly into the camera.
    Year
    Related pages Artists Space Dialogues 2020
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    Related pages Exhibitions and Events
  • A grainy image of a person's face in striped tones of blue, orange, pink, and green.
    A grainy image of a person's face in striped tones of blue, orange, pink, and green.
    Kristin Lucas, still from Cable Xcess, 1996. [A grainy image of a person's face in striped tones of blue, orange, pink, and green.]
    Caption Kristin Lucas, still from Cable Xcess, 1996.
    Image description A grainy image of a person's face in striped tones of blue, orange, pink, and green.
    Year 1996
    Related pages Station to Station
  • Black text overlays a mauve background. The top left corner reads:
    Black text overlays a mauve background. The top left corner reads:
    Flyer for Segue Reading Series featuring Norman Fischer and Farnoosh Fathi. Saturday, January 15, 2021, Artists Space. [Black text overlays a mauve background. The top left corner reads: "Norman Fischer & Farnoosh Fathi." The center right reads: "Segue Reading Series & ARTISTS SPACE." The bottom left reads: "Saturday January 15 - 5pm, Zoom ID: 893 9594 7519, Suggested donation $5". The image of a 5 dollar bill is placed within the text.]
    Caption Flyer for Segue Reading Series featuring Norman Fischer and Farnoosh Fathi. Saturday, January 15, 2021, Artists Space.
    Image description Black text overlays a mauve background. The top left corner reads: "Norman Fischer & Farnoosh Fathi." The center right reads: "Segue Reading Series & ARTISTS SPACE." The bottom left reads: "Saturday January 15 - 5pm, Zoom ID: 893 9594 7519, Suggested donation $5". The image of a 5 dollar bill is placed within the text.
    Year 2021
    Related pages Segue Reading Series: Norman Fischer & Farnoosh Fathi
  • A photograph of a foggy gallery window. The words on the windowsill read
    A photograph of a foggy gallery window. The words on the windowsill read
    Tiffany Sia, Too Wet (detail view), 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A photograph of a foggy gallery window. The words on the windowsill read "THREAD VII (TOO WET)."]
    Caption Tiffany Sia, Too Wet (detail view), 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A photograph of a foggy gallery window. The words on the windowsill read "THREAD VII (TOO WET)."
    Year 2021
    Related pages Tiffany Sia: Slippery When Wet
  • A figure with short hair energetically strums an electric guitar, their mouth wide open. Another figure with dark hair, partially cut off in the image, leans down to strum another guitar or base instrument.
    A figure with short hair energetically strums an electric guitar, their mouth wide open. Another figure with dark hair, partially cut off in the image, leans down to strum another guitar or base instrument.
    Vivienne Dick. Still from Guerilla Talks, 1978. [A figure with short hair energetically strums an electric guitar, their mouth wide open. Another figure with dark hair, partially cut off in the image, leans down to strum another guitar or base instrument.]
    Caption Vivienne Dick. Still from Guerilla Talks, 1978.
    Image description A figure with short hair energetically strums an electric guitar, their mouth wide open. Another figure with dark hair, partially cut off in the image, leans down to strum another guitar or base instrument.
    Year 1978
    Related pages Vivienne Dick
  • A black and white installation photograph of a tall stack of papers in a gallery space.
    A black and white installation photograph of a tall stack of papers in a gallery space.
    McArthur Binion, Jonathan Borofsky, Mary Obering. Installation view, Artists Space, 1973. [A black and white installation photograph of a tall stack of papers in a gallery space.]
    Caption McArthur Binion, Jonathan Borofsky, Mary Obering. Installation view, Artists Space, 1973.
    Image description A black and white installation photograph of a tall stack of papers in a gallery space.
    Year 1973
    Related pages McArthur Binion, Jonathan Borofsky, Mary Obering
  • A color photograph of a figure in an orange and white-lit space, leaning forward slightly to adjust a dial on a piece of audio equipment.
    A color photograph of a figure in an orange and white-lit space, leaning forward slightly to adjust a dial on a piece of audio equipment.
    Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. [A color photograph of a figure in an orange and white-lit space, leaning forward slightly to adjust a dial on a piece of audio equipment.]
    Caption Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space.
    Image description A color photograph of a figure in an orange and white-lit space, leaning forward slightly to adjust a dial on a piece of audio equipment.
    Year 2022
    Related pages Yuji Agematsu
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    Image description
    Year
    Related pages Project: Model City
  • Black-and-white drawing of a cluster of black curled lines organized into a square shape in the middle of a white page. Handwritten text in faint pencil along the bottom of the page reads
    Black-and-white drawing of a cluster of black curled lines organized into a square shape in the middle of a white page. Handwritten text in faint pencil along the bottom of the page reads
    Marian Zazeela, 19 XI 66/2, 1966, India ink on card. Courtesy of the artist. [Black-and-white drawing of a cluster of black curled lines organized into a square shape in the middle of a white page. Handwritten text in faint pencil along the bottom of the page reads "© Marian Zazeela 1988."]
    Caption Marian Zazeela, 19 XI 66/2, 1966, India ink on card. Courtesy of the artist.
    Image description Black-and-white drawing of a cluster of black curled lines organized into a square shape in the middle of a white page. Handwritten text in faint pencil along the bottom of the page reads "© Marian Zazeela 1988."
    Year
    Related pages Dream Lines: Drawings by Marian Zazeela
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    Year
    Related pages Abasement #77
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • An image with a white background of a large printing machine with black text that reads
    An image with a white background of a large printing machine with black text that reads
    Mitchell Syrop. Work Environment Safety Poster, 1982. Photo collage. 30 x 42 inches. [An image with a white background of a large printing machine with black text that reads "ALL MEN ARE CREATED EQUAL..." in the upper left corner and on the bottom right reads "...but only machines have guarantees."]
    Caption Mitchell Syrop. Work Environment Safety Poster, 1982. Photo collage. 30 x 42 inches.
    Image description An image with a white background of a large printing machine with black text that reads "ALL MEN ARE CREATED EQUAL..." in the upper left corner and on the bottom right reads "...but only machines have guarantees."
    Year 1983
    Related pages Los Angeles/New York Exchange
  • Color image of an individual standing and smiling jovially towards the camera. A podium can be seen to the left of the image, and a variety of seated party guests are also imaged within the elegant and decorative venue.
    Color image of an individual standing and smiling jovially towards the camera. A podium can be seen to the left of the image, and a variety of seated party guests are also imaged within the elegant and decorative venue.
    Friends of Artists Space Dinner, 2023. Photo: Joshua Wildman. [Color image of an individual standing and smiling jovially towards the camera. A podium can be seen to the left of the image, and a variety of seated party guests are also imaged within the elegant and decorative venue.]
    Caption Friends of Artists Space Dinner, 2023. Photo: Joshua Wildman.
    Image description Color image of an individual standing and smiling jovially towards the camera. A podium can be seen to the left of the image, and a variety of seated party guests are also imaged within the elegant and decorative venue.
    Year
    Related pages Support
  • A large paper-maché head lays face-up on a metal scaffolding. Above it, green cursive text reads,
    A large paper-maché head lays face-up on a metal scaffolding. Above it, green cursive text reads,
    Ralph Paquin and Ann Stoddard, ERAWA - ERA WAS, 1990. Installation view, Artists Space, 1990. [A large paper-maché head lays face-up on a metal scaffolding. Above it, green cursive text reads, "ring is worn out by constant use."]
    Caption Ralph Paquin and Ann Stoddard, ERAWA - ERA WAS, 1990. Installation view, Artists Space, 1990.
    Image description A large paper-maché head lays face-up on a metal scaffolding. Above it, green cursive text reads, "ring is worn out by constant use."
    Year 1990
    Related pages Project: ERAWA - ERA WAS
  • An image of three seperate glass display cases, with various ephemera hanging on the walls behind them.
    An image of three seperate glass display cases, with various ephemera hanging on the walls behind them.
    Attention Line. Installation view, Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [An image of three seperate glass display cases, with various ephemera hanging on the walls behind them.]
    Caption Attention Line. Installation view, Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak
    Image description An image of three seperate glass display cases, with various ephemera hanging on the walls behind them.
    Year 2022
    Related pages Attention Line
  • Painting of figures with Native American headdresses on a white gallery wall with a sculpture appearing in front of it.
    Painting of figures with Native American headdresses on a white gallery wall with a sculpture appearing in front of it.
    We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [Painting of figures with Native American headdresses on a white gallery wall with a sculpture appearing in front of it.]
    Caption We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987.
    Image description Painting of figures with Native American headdresses on a white gallery wall with a sculpture appearing in front of it.
    Year
    Related pages We the People
  • Drawing with various stools and faces in the center rectangle with lines emerging under it stretching towards the bottom.
    Drawing with various stools and faces in the center rectangle with lines emerging under it stretching towards the bottom.
    Hani Rashid, Corset Shop in Paris, 1985. Mixed media with ink, old paints, acids, chalks, 33 x 24 inches. [Drawing with various stools and faces in the center rectangle with lines emerging under it stretching towards the bottom.]
    Caption Hani Rashid, Corset Shop in Paris, 1985. Mixed media with ink, old paints, acids, chalks, 33 x 24 inches.
    Image description Drawing with various stools and faces in the center rectangle with lines emerging under it stretching towards the bottom.
    Year
    Related pages Kursaal For An Evacuee
  • A person suspended as if swimming or floating, with large headphones, a silver bikini top, and loose, blue pants and bangles up her arms on a blue background. Red text above her reads,
    A person suspended as if swimming or floating, with large headphones, a silver bikini top, and loose, blue pants and bangles up her arms on a blue background. Red text above her reads,
    Mr. Dead & Mrs. Free invitation, 1996. [A person suspended as if swimming or floating, with large headphones, a silver bikini top, and loose, blue pants and bangles up her arms on a blue background. Red text above her reads, "from back out to south came / the King of the Gestapoes / Lord of the Sabotage / Ruler of the Astronauts..." and white text below reads, "Mr. DEAD & Mrs. FREE."]
    Caption Mr. Dead & Mrs. Free invitation, 1996.
    Image description A person suspended as if swimming or floating, with large headphones, a silver bikini top, and loose, blue pants and bangles up her arms on a blue background. Red text above her reads, "from back out to south came / the King of the Gestapoes / Lord of the Sabotage / Ruler of the Astronauts..." and white text below reads, "Mr. DEAD & Mrs. FREE."
    Year 1996
    Related pages Mr. Dead & Mrs. Free: A History of Squat Theatre (1969 – 1991)
  • A gallery space with three columns running down the right side. Projected onto a wall on the left is a video still of a woman in a red blanket hunched over. Two projector screens can be seen on the far left wall. In the back is a ramp which leads to the doorway of a wooden camper structure.
    A gallery space with three columns running down the right side. Projected onto a wall on the left is a video still of a woman in a red blanket hunched over. Two projector screens can be seen on the far left wall. In the back is a ramp which leads to the doorway of a wooden camper structure.
    Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A gallery space with three columns running down the right side. Projected onto a wall on the left is a video still of a woman in a red blanket hunched over. Two projector screens can be seen on the far left wall. In the back is a ramp which leads to the doorway of a wooden camper structure.]
    Caption Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A gallery space with three columns running down the right side. Projected onto a wall on the left is a video still of a woman in a red blanket hunched over. Two projector screens can be seen on the far left wall. In the back is a ramp which leads to the doorway of a wooden camper structure.
    Year 2023
    Related pages Shala Miller, Malcolm Peacock, Amiri Baraka
  • Two performers stand in the middle of a crowd in a darkened basement. A white light emanates from the table in between the performers, which also holds all of their audio equipment. The performers are bent over the table, manipulating the equipment.
    Two performers stand in the middle of a crowd in a darkened basement. A white light emanates from the table in between the performers, which also holds all of their audio equipment. The performers are bent over the table, manipulating the equipment.
    Abasement #79. Performance documentation, August 11th, 2025, Artists Space. Photo: Joshua Wildman. [Two performers stand in the middle of a crowd in a darkened basement. A white light emanates from the table in between the performers, which also holds all of their audio equipment. The performers are bent over the table, manipulating the equipment.]
    Caption Abasement #79. Performance documentation, August 11th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Two performers stand in the middle of a crowd in a darkened basement. A white light emanates from the table in between the performers, which also holds all of their audio equipment. The performers are bent over the table, manipulating the equipment.
    Year
    Related pages Abasement #79
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    Year
    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • A performer with long blonde hair and a black baseball cap sits on stage at a table covered in electronic instruments. Their face is lit with red light. The background is dark, but a few audience members are visible.
    A performer with long blonde hair and a black baseball cap sits on stage at a table covered in electronic instruments. Their face is lit with red light. The background is dark, but a few audience members are visible.
    Abasement #73. Performance documentation, November 4th, 2024, Artists Space. Photo: Joshua Wildman. [A performer with long blonde hair and a black baseball cap sits on stage at a table covered in electronic instruments. Their face is lit with red light. The background is dark, but a few audience members are visible. ]
    Caption Abasement #73. Performance documentation, November 4th, 2024, Artists Space. Photo: Joshua Wildman.
    Image description A performer with long blonde hair and a black baseball cap sits on stage at a table covered in electronic instruments. Their face is lit with red light. The background is dark, but a few audience members are visible.
    Year
    Related pages Abasement #73
  • ARTstudio, Blue Sky Gallery, May 2024
    Caption ARTstudio, Blue Sky Gallery, May 2024
    Image description
    Year
    Related pages Exhibitions and Events
  • A side view of a sculpture of a man leaning againt a white column. He hols a book in his right hand. He is wearing a purple shirt and blue patterned shorts.
    A side view of a sculpture of a man leaning againt a white column. He hols a book in his right hand. He is wearing a purple shirt and blue patterned shorts.
    Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013. [A side view of a sculpture of a man leaning againt a white column. He hols a book in his right hand. He is wearing a purple shirt and blue patterned shorts.]
    Caption Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013.
    Image description A side view of a sculpture of a man leaning againt a white column. He hols a book in his right hand. He is wearing a purple shirt and blue patterned shorts.
    Year 2013
    Related pages Pride Goes Before a Fall
  • An image of a gallery with a jacket and poster hanging on one wall, and a projection visible on the other. In front of the projection is a sculpture made out of bike parts and other materials.
    An image of a gallery with a jacket and poster hanging on one wall, and a projection visible on the other. In front of the projection is a sculpture made out of bike parts and other materials.
    Attention Line. Installation view, Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [An image of a gallery with a jacket and poster hanging on one wall, and a projection visible on the other. In front of the projection is a sculpture made out of bike parts and other materials.]
    Caption Attention Line. Installation view, Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak
    Image description An image of a gallery with a jacket and poster hanging on one wall, and a projection visible on the other. In front of the projection is a sculpture made out of bike parts and other materials.
    Year 2022
    Related pages Attention Line
  • A photograph of the exhibition opening reception. A group of visitors look around at the art. Two dogs walk through the crowd.
    A photograph of the exhibition opening reception. A group of visitors look around at the art. Two dogs walk through the crowd.
    Four Scottish Artists. Opening Reception, Artists Space, 1979. [A photograph of the exhibition opening reception. A group of visitors look around at the art. Two dogs walk through the crowd.]
    Caption Four Scottish Artists. Opening Reception, Artists Space, 1979.
    Image description A photograph of the exhibition opening reception. A group of visitors look around at the art. Two dogs walk through the crowd.
    Year 1979
    Related pages Four Scottish Artists
  • A man and a woman seated at a table smile and pose for the camera.
    A man and a woman seated at a table smile and pose for the camera.
    Friends of Artists Space Annual Dinner, 2017. [A man and a woman seated at a table smile and pose for the camera.]
    Caption Friends of Artists Space Annual Dinner, 2017.
    Image description A man and a woman seated at a table smile and pose for the camera.
    Year 2017
    Related pages Support
  • Black and white scan of a photograph featuring a figure, standing upright with their hand on their hips. Their face is starkly painted white with heavy makeup around the eyes and lips. They wear overalls and a strap-on around their hips.
    Black and white scan of a photograph featuring a figure, standing upright with their hand on their hips. Their face is starkly painted white with heavy makeup around the eyes and lips. They wear overalls and a strap-on around their hips.
    Scott Burton, Modern American Artist, second version, early 1974. Photographic portrait of performance character shown at PersonA at Artists Space. Courtesy Estate of Scott Burton. [Black and white scan of a photograph featuring a figure, standing upright with their hand on their hips. Their face is starkly painted white with heavy makeup around the eyes and lips. They wear overalls and a strap-on around their hips.]
    Caption Scott Burton, Modern American Artist, second version, early 1974. Photographic portrait of performance character shown at PersonA at Artists Space. Courtesy Estate of Scott Burton.
    Image description Black and white scan of a photograph featuring a figure, standing upright with their hand on their hips. Their face is starkly painted white with heavy makeup around the eyes and lips. They wear overalls and a strap-on around their hips.
    Year
    Related pages Queer Behavior: Scott Burton and Performance Art.
  • A close up view of two abstract, earth-toned paintings hanging on a wall. Beyond them a doorway and another room with more painting is visible.
    A close up view of two abstract, earth-toned paintings hanging on a wall. Beyond them a doorway and another room with more painting is visible.
    Witnesses: Against Our Vanishing. Installation View, Artists Space, 1989. Photo: Frances Miller Smith. [A close up view of two abstract, earth-toned paintings hanging on a wall. Beyond them a doorway and another room with more painting is visible.]
    Caption Witnesses: Against Our Vanishing. Installation View, Artists Space, 1989. Photo: Frances Miller Smith.
    Image description A close up view of two abstract, earth-toned paintings hanging on a wall. Beyond them a doorway and another room with more painting is visible.
    Year 1989
    Related pages Witnesses: Against Our Vanishing
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    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • Two men wearing identical white shirts and blue jeans crouch outdoors at night. The figure on the right grasps two tree branches with both hands. His pants have been dropped to the ground and he sticks his bare rear out. The second figure on the left is fully clothed and crouches behind the other figure, shining a flashlight at his rear end.
    Two men wearing identical white shirts and blue jeans crouch outdoors at night. The figure on the right grasps two tree branches with both hands. His pants have been dropped to the ground and he sticks his bare rear out. The second figure on the left is fully clothed and crouches behind the other figure, shining a flashlight at his rear end.
    Dave Burns, SEACH FOR TRUTH, 2003. Digital photograph, archival light jet print. Courtesy the artist. [Two men wearing identical white shirts and blue jeans crouch outdoors at night. The figure on the right grasps two tree branches with both hands. His pants have been dropped to the ground and he sticks his bare rear out. The second figure on the left is fully clothed and crouches behind the other figure, shining a flashlight at his rear end.]
    Caption Dave Burns, SEACH FOR TRUTH, 2003. Digital photograph, archival light jet print. Courtesy the artist.
    Image description Two men wearing identical white shirts and blue jeans crouch outdoors at night. The figure on the right grasps two tree branches with both hands. His pants have been dropped to the ground and he sticks his bare rear out. The second figure on the left is fully clothed and crouches behind the other figure, shining a flashlight at his rear end.
    Year 2005
    Related pages Log Cabin
  • The gallery space displays an assortment of artworks on the left wall. On the far left, closest to the viewer, is a painting of Pope Francis with a top text reading
    The gallery space displays an assortment of artworks on the left wall. On the far left, closest to the viewer, is a painting of Pope Francis with a top text reading
    LIFE—a group show, curated by Arnold J. Kemp. Installation view, Artists Space, 2025. Photo: Carter Seddon [The gallery space displays an assortment of artworks on the left wall. On the far left, closest to the viewer, is a painting of Pope Francis with a top text reading "I WOKE UP LIKE THIS" and a bottom text reading "...FLAWLESS." An assortment of art objects, shelves, framed paintings, sculptural installations, and digital media recede into the gallery space along this wall. On the right a row of columns recede into the gallery space.]
    Caption LIFE—a group show, curated by Arnold J. Kemp. Installation view, Artists Space, 2025. Photo: Carter Seddon
    Image description The gallery space displays an assortment of artworks on the left wall. On the far left, closest to the viewer, is a painting of Pope Francis with a top text reading "I WOKE UP LIKE THIS" and a bottom text reading "...FLAWLESS." An assortment of art objects, shelves, framed paintings, sculptural installations, and digital media recede into the gallery space along this wall. On the right a row of columns recede into the gallery space.
    Year 2025
    Related pages Arnold J. Kemp
  • Five projections playing on a wall at different heights. Two are completely visible and three are partially visible. In the center of the image is a black and white projection of a gallery, with a painting placed in between the entrance of a hallway. To its right is a projection of a Jonas Mekas facing left, his face slightly golden in tone, wearing a fedora. A projection to its right partially shows four dark skinned people, nude and posing.
    Five projections playing on a wall at different heights. Two are completely visible and three are partially visible. In the center of the image is a black and white projection of a gallery, with a painting placed in between the entrance of a hallway. To its right is a projection of a Jonas Mekas facing left, his face slightly golden in tone, wearing a fedora. A projection to its right partially shows four dark skinned people, nude and posing.
    Union Gaucha Productions. Installation view, Artists Space, 2015. Photo: Daniel Pérez. [Five projections playing on a wall at different heights. Two are completely visible and three are partially visible. In the center of the image is a black and white projection of a gallery, with a painting placed in between the entrance of a hallway. To its right is a projection of a Jonas Mekas facing left, his face slightly golden in tone, wearing a fedora. A projection to its right partially shows four dark skinned people, nude and posing.]
    Caption Union Gaucha Productions. Installation view, Artists Space, 2015. Photo: Daniel Pérez.
    Image description Five projections playing on a wall at different heights. Two are completely visible and three are partially visible. In the center of the image is a black and white projection of a gallery, with a painting placed in between the entrance of a hallway. To its right is a projection of a Jonas Mekas facing left, his face slightly golden in tone, wearing a fedora. A projection to its right partially shows four dark skinned people, nude and posing.
    Year 2015
    Related pages Union Gaucha Productions
  • Close up image of a series of black shelves mounted to a white wall. Various wooden blocks painted with scenes of crowds, witches, and other characters are placed on the shelves, alongside smaller blocks decorated with white letters that spell out words including
    Close up image of a series of black shelves mounted to a white wall. Various wooden blocks painted with scenes of crowds, witches, and other characters are placed on the shelves, alongside smaller blocks decorated with white letters that spell out words including
    [Close up image of a series of black shelves mounted to a white wall. Various wooden blocks painted with scenes of crowds, witches, and other characters are placed on the shelves, alongside smaller blocks decorated with white letters that spell out words including "stooge," "atheist," and "traitor." At the center of the shelves sits a black figurine of a goat.]
    Caption
    Image description Close up image of a series of black shelves mounted to a white wall. Various wooden blocks painted with scenes of crowds, witches, and other characters are placed on the shelves, alongside smaller blocks decorated with white letters that spell out words including "stooge," "atheist," and "traitor." At the center of the shelves sits a black figurine of a goat.
    Year 1991
    Related pages Project: Our Bodice, Our Selves
  • A brown object housed in a mirrored glass case. An inscription on the case's surface reads,
    A brown object housed in a mirrored glass case. An inscription on the case's surface reads,
    DUOX: DUOX4Larkin. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [A brown object housed in a mirrored glass case. An inscription on the case's surface reads, "BRAINWASH 408-983-2800." The case itself is enclosed in a larger glass vitrine supported by a white and orange table.]
    Caption DUOX: DUOX4Larkin. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description A brown object housed in a mirrored glass case. An inscription on the case's surface reads, "BRAINWASH 408-983-2800." The case itself is enclosed in a larger glass vitrine supported by a white and orange table.
    Year 2012
    Related pages DUOX: DUOX4Larkin
  • Still image with VHS distortion depicting the exterior of a building, and a sign with the Artists Space logo: white text on a black background with a large
    Still image with VHS distortion depicting the exterior of a building, and a sign with the Artists Space logo: white text on a black background with a large
    Still from CNN’s coverage of the NEA controversy surrounding the exhibition Witnesses: Against Our Vanishing, recorded by Marion Stokes. Aired on 11/09/1989. [Still image with VHS distortion depicting the exterior of a building, and a sign with the Artists Space logo: white text on a black background with a large "A" on top of a thin white square, with "ARTISTS SPACE" written below. The sign marks a red door on a dark building façade.]
    Caption Still from CNN’s coverage of the NEA controversy surrounding the exhibition Witnesses: Against Our Vanishing, recorded by Marion Stokes. Aired on 11/09/1989.
    Image description Still image with VHS distortion depicting the exterior of a building, and a sign with the Artists Space logo: white text on a black background with a large "A" on top of a thin white square, with "ARTISTS SPACE" written below. The sign marks a red door on a dark building façade.
    Year 1989
    Related pages About
  • A color television CRT monitor is visible with a man's face on it. This monitor is shrouded in darkness and some indistinguishable object appears to be touching the screen.
    A color television CRT monitor is visible with a man's face on it. This monitor is shrouded in darkness and some indistinguishable object appears to be touching the screen.
    Installation view of Social Disease and Two Possibilities, Artists Space, April 12, 1986 - May 10, 1986. [A color television CRT monitor is visible with a man's face on it. This monitor is shrouded in darkness and some indistinguishable object appears to be touching the screen.]
    Caption Installation view of Social Disease and Two Possibilities, Artists Space, April 12, 1986 - May 10, 1986.
    Image description A color television CRT monitor is visible with a man's face on it. This monitor is shrouded in darkness and some indistinguishable object appears to be touching the screen.
    Year
    Related pages Social Disease and Two Possibilities
  • The image shows a wood-framed photograph hanging on a wall. The photo, taken from inside a room, shows a seagull on a window ledge beside a small bird figurine. Out the window is a blue sky and buildings.
    The image shows a wood-framed photograph hanging on a wall. The photo, taken from inside a room, shows a seagull on a window ledge beside a small bird figurine. Out the window is a blue sky and buildings.
    Mona Hatoum, Birds of a Feather, 1997, Chromogenic print, 10 x 12 inches (25.4 x 30.5 cm), Edition of 50, Signed & numbered. [The image shows a wood-framed photograph hanging on a wall. The photo, taken from inside a room, shows a seagull on a window ledge beside a small bird figurine. Out the window is a blue sky and buildings.]
    Caption Mona Hatoum, Birds of a Feather, 1997, Chromogenic print, 10 x 12 inches (25.4 x 30.5 cm), Edition of 50, Signed & numbered.
    Image description The image shows a wood-framed photograph hanging on a wall. The photo, taken from inside a room, shows a seagull on a window ledge beside a small bird figurine. Out the window is a blue sky and buildings.
    Year 1997
    Related pages Editions
  • A black and white photograph of a wall featuring twelve black and white photographs, arranged in a grid. The images on the wall are of various human figures.
    A black and white photograph of a wall featuring twelve black and white photographs, arranged in a grid. The images on the wall are of various human figures.
    Donald Sultan. Installation view from John Mendelsohn and Donald Sultan. Artists Space, 1977. [A black and white photograph of a wall featuring twelve black and white photographs, arranged in a grid. The images on the wall are of various human figures.]
    Caption Donald Sultan. Installation view from John Mendelsohn and Donald Sultan. Artists Space, 1977.
    Image description A black and white photograph of a wall featuring twelve black and white photographs, arranged in a grid. The images on the wall are of various human figures.
    Year 1977
    Related pages John Mendelsohn and Donald Sultan
  • Magenta pink background with black text that reads,
    Magenta pink background with black text that reads,
    Jenny Holzer. Poster, 1982. [Magenta pink background with black text that reads, "YOU GET AMAZING SENSATIONS FROM GUNS. YOU GET RESULTS FROM GUNS. MAN IS AN AGRESSIVE ANIMAL; YOU HAVE TO HAVE A GOOD OFFENSE AND A GOOD DEFENSE. TOO MANY CITIZENS THINK THEY ARE HELPLESS. THEY LEAVE EVERYTHING TO THE AUTHORITIES AND THIS CAUSES CORRUPTION. RESPONSIBILITY SHOULD GO BACK WHERE IT BELONGS. IT IS YOUR LIFE SO TAKE CONTROL AND FEEL VITAL. THERE MAY BE SOME ACCIDENTS ALONG THE PATH TO SELF-EXPRESSION AND SELF DETERMINATION. SOME INNOCENT PEOPLE WILL BE HURT. HOWEVER, G-U-N SPELLS PRIDE TO THE STRONG, SAFETY TO THE WEAK AND HOPE TO THE HOPELESS. GUNS MAKE WRONG RIGHT FAST."]
    Caption Jenny Holzer. Poster, 1982.
    Image description Magenta pink background with black text that reads, "YOU GET AMAZING SENSATIONS FROM GUNS. YOU GET RESULTS FROM GUNS. MAN IS AN AGRESSIVE ANIMAL; YOU HAVE TO HAVE A GOOD OFFENSE AND A GOOD DEFENSE. TOO MANY CITIZENS THINK THEY ARE HELPLESS. THEY LEAVE EVERYTHING TO THE AUTHORITIES AND THIS CAUSES CORRUPTION. RESPONSIBILITY SHOULD GO BACK WHERE IT BELONGS. IT IS YOUR LIFE SO TAKE CONTROL AND FEEL VITAL. THERE MAY BE SOME ACCIDENTS ALONG THE PATH TO SELF-EXPRESSION AND SELF DETERMINATION. SOME INNOCENT PEOPLE WILL BE HURT. HOWEVER, G-U-N SPELLS PRIDE TO THE STRONG, SAFETY TO THE WEAK AND HOPE TO THE HOPELESS. GUNS MAKE WRONG RIGHT FAST."
    Year
    Related pages Eating Friends
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Caption
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Caption
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Luis and Alaniz, La Montana Everest, acrylic paint on paper, 2024
    Caption Luis and Alaniz, La Montana Everest, acrylic paint on paper, 2024
    Image description
    Year
    Related pages Threads of History
  • A city street with a concrete median and wall made from gray metal supported by wooden planks. The median has the words
    A city street with a concrete median and wall made from gray metal supported by wooden planks. The median has the words
    Valerie Tevere, UNITED STATES, 1996. [A city street with a concrete median and wall made from gray metal supported by wooden planks. The median has the words "Property of LACTC" printed on it. Hanging just above that are four postered portraits displayed in a horizontal line. Each poster features three letters below its portrait image that together spell out "UNI/TED/STA/TES". The portraits are framed by traffic signs that say, "WRONG WAY" and "USE SIDEWALK."]
    Caption Valerie Tevere, UNITED STATES, 1996.
    Image description A city street with a concrete median and wall made from gray metal supported by wooden planks. The median has the words "Property of LACTC" printed on it. Hanging just above that are four postered portraits displayed in a horizontal line. Each poster features three letters below its portrait image that together spell out "UNI/TED/STA/TES". The portraits are framed by traffic signs that say, "WRONG WAY" and "USE SIDEWALK."
    Year 1996
    Related pages When Artists Say We
  • Black text on a grey background. The text reads: “Feb 14 / Paul McMahon / Linda Mary Montano.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on a grey background. The text reads: “Feb 14 / Paul McMahon / Linda Mary Montano.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on a grey background. The text reads: “Feb 14 / Paul McMahon / Linda Mary Montano.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on a grey background. The text reads: “Feb 14 / Paul McMahon / Linda Mary Montano.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Paul McMahon & Linda Mary Montano
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    Image description
    Year
    Related pages David Armstrong: Portraits
  • Nineteen books and documents, organized into a grid, sit against a white background. Two materials in the top center, and one on the top right, are opened to middle pages.
    Nineteen books and documents, organized into a grid, sit against a white background. Two materials in the top center, and one on the top right, are opened to middle pages.
    The Library Vaccine. Installation view, Artists Space, 2014. [Nineteen books and documents, organized into a grid, sit against a white background. Two materials in the top center, and one on the top right, are opened to middle pages.]
    Caption The Library Vaccine. Installation view, Artists Space, 2014.
    Image description Nineteen books and documents, organized into a grid, sit against a white background. Two materials in the top center, and one on the top right, are opened to middle pages.
    Year 2014
    Related pages The Library Vaccine
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    Image description
    Year
    Related pages Project: Me and My Mink
  • A small statue of a bird sits on the floor of a dimly-lit gallery space. A long black wire runs from the sculpture to the ceiling. Several square holes have been removed from several spots on the gallery wall behind the sculpture, through which a space on the other side of the wall is visible.
    A small statue of a bird sits on the floor of a dimly-lit gallery space. A long black wire runs from the sculpture to the ceiling. Several square holes have been removed from several spots on the gallery wall behind the sculpture, through which a space on the other side of the wall is visible.
    Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt. [A small statue of a bird sits on the floor of a dimly-lit gallery space. A long black wire runs from the sculpture to the ceiling. Several square holes have been removed from several spots on the gallery wall behind the sculpture, through which a space on the other side of the wall is visible.]
    Caption Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt.
    Image description A small statue of a bird sits on the floor of a dimly-lit gallery space. A long black wire runs from the sculpture to the ceiling. Several square holes have been removed from several spots on the gallery wall behind the sculpture, through which a space on the other side of the wall is visible.
    Year 1997
    Related pages Lines of Loss
  • A dim photograph of mulitple sculptures placed in the exhibtion space. A couple of black curtains are hung in the gallery.
    A dim photograph of mulitple sculptures placed in the exhibtion space. A couple of black curtains are hung in the gallery.
    Gary Falk, Brigid Kennedy, Ladd Kessler, Peggy Yunque. Installation view, Artists Space, 1981. [A dim photograph of mulitple sculptures placed in the exhibtion space. A couple of black curtains are hung in the gallery.]
    Caption Gary Falk, Brigid Kennedy, Ladd Kessler, Peggy Yunque. Installation view, Artists Space, 1981.
    Image description A dim photograph of mulitple sculptures placed in the exhibtion space. A couple of black curtains are hung in the gallery.
    Year
    Related pages Gary Falk, Brigid Kennedy, Ladd Kessler, Peggy Yunque
  • Two performers are on a stage, batehd in purple light. On the left, a performer plays the guitar and on the right, someone else plays the drums.
    Two performers are on a stage, batehd in purple light. On the left, a performer plays the guitar and on the right, someone else plays the drums.
    Abasement #79. Performance documentation, August 11th, 2025, Artists Space. Photo: Joshua Wildman. [Two performers are on a stage, batehd in purple light. On the left, a performer plays the guitar and on the right, someone else plays the drums.]
    Caption Abasement #79. Performance documentation, August 11th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Two performers are on a stage, batehd in purple light. On the left, a performer plays the guitar and on the right, someone else plays the drums.
    Year
    Related pages Abasement #79
  • A dimly lit room with green turf-like carpet and exposed wooden walls. On the left, 9 images of different sizes are mounting, and luminous. On the right, projectors and movie cameras are placed on a horizontal shelf. On the far end of the floor towards the wall is a small square tv monitor with headphones placed in front of it. Behind the monitor are three medium-sized white windows.
    A dimly lit room with green turf-like carpet and exposed wooden walls. On the left, 9 images of different sizes are mounting, and luminous. On the right, projectors and movie cameras are placed on a horizontal shelf. On the far end of the floor towards the wall is a small square tv monitor with headphones placed in front of it. Behind the monitor are three medium-sized white windows.
    Union Gaucha Productions. Installation view, Artists Space, 2015. Photo: Daniel Pérez. [A dimly lit room with green turf-like carpet and exposed wooden walls. On the left, 9 images of different sizes are mounting, and luminous. On the right, projectors and movie cameras are placed on a horizontal shelf. On the far end of the floor towards the wall is a small square tv monitor with headphones placed in front of it. Behind the monitor are three medium-sized white windows.]
    Caption Union Gaucha Productions. Installation view, Artists Space, 2015. Photo: Daniel Pérez.
    Image description A dimly lit room with green turf-like carpet and exposed wooden walls. On the left, 9 images of different sizes are mounting, and luminous. On the right, projectors and movie cameras are placed on a horizontal shelf. On the far end of the floor towards the wall is a small square tv monitor with headphones placed in front of it. Behind the monitor are three medium-sized white windows.
    Year 2015
    Related pages Union Gaucha Productions
  • Two pieces of wood are joined to create a miniature stage set. In the center, sitting in a miniature director's chair are two cartoon frog plushies wearing black top hats. The larger frog plushy cradles the smaller frog in it's arms. Two more director's chairs are positioned facing the plushies, along with a miniature stage light and stand that shines a spotlight on the plushies.
    Two pieces of wood are joined to create a miniature stage set. In the center, sitting in a miniature director's chair are two cartoon frog plushies wearing black top hats. The larger frog plushy cradles the smaller frog in it's arms. Two more director's chairs are positioned facing the plushies, along with a miniature stage light and stand that shines a spotlight on the plushies.
    Aristotelis Nikolas Mochloulis, Frog Man & Baby Frog, 2025. Michigan J. Frog plushies, miniature directors chairs, ARRI 150 Junior light, Manfrotto Nano light stand, speakers, audio excerpts from movies. Photo: Carter Seddon. [Two pieces of wood are joined to create a miniature stage set. In the center, sitting in a miniature director's chair are two cartoon frog plushies wearing black top hats. The larger frog plushy cradles the smaller frog in it's arms. Two more director's chairs are positioned facing the plushies, along with a miniature stage light and stand that shines a spotlight on the plushies.]
    Caption Aristotelis Nikolas Mochloulis, Frog Man & Baby Frog, 2025. Michigan J. Frog plushies, miniature directors chairs, ARRI 150 Junior light, Manfrotto Nano light stand, speakers, audio excerpts from movies. Photo: Carter Seddon.
    Image description Two pieces of wood are joined to create a miniature stage set. In the center, sitting in a miniature director's chair are two cartoon frog plushies wearing black top hats. The larger frog plushy cradles the smaller frog in it's arms. Two more director's chairs are positioned facing the plushies, along with a miniature stage light and stand that shines a spotlight on the plushies.
    Year
    Related pages Aristotelis Nikolas Mochloulis Tour 2
  • A black and white photograph of a gallery installation. A figure poses in front of a wall with several hanging objects, their arms outstretched to either side.
    A black and white photograph of a gallery installation. A figure poses in front of a wall with several hanging objects, their arms outstretched to either side.
    Pictures. Opening Reception, Artists Space, September 23, 1977. Photo: D. James Dee. [A black and white photograph of a gallery installation. A figure poses in front of a wall with several hanging objects, their arms outstretched to either side.]
    Caption Pictures. Opening Reception, Artists Space, September 23, 1977. Photo: D. James Dee.
    Image description A black and white photograph of a gallery installation. A figure poses in front of a wall with several hanging objects, their arms outstretched to either side.
    Year 1977
    Related pages Pictures
  • Photo of a person in a white robe and headdress carrying a pole in their right hand, standing outdoors against a grey sky
    Photo of a person in a white robe and headdress carrying a pole in their right hand, standing outdoors against a grey sky
    Film still from The Whirled (aka The Four Shorts of Jack Smith), dir. Ken Jacobs, 1956-63 [Photo of a person in a white robe and headdress carrying a pole in their right hand, standing outdoors against a grey sky]
    Caption Film still from The Whirled (aka The Four Shorts of Jack Smith), dir. Ken Jacobs, 1956-63
    Image description Photo of a person in a white robe and headdress carrying a pole in their right hand, standing outdoors against a grey sky
    Year
    Related pages Not Even Acting
  • A black and white photograph looking through a doorframe onto several barely illuminated rectangular shapes. A microphone hangs from the top right corner of the doorframe, pointed down towards the floor.
    A black and white photograph looking through a doorframe onto several barely illuminated rectangular shapes. A microphone hangs from the top right corner of the doorframe, pointed down towards the floor.
    Michael Bewster, An Acoustic Sculpture, A Clicker Drawing. Installation view, Artists Space, 1977. [A black and white photograph looking through a doorframe onto several barely illuminated rectangular shapes. A microphone hangs from the top right corner of the doorframe, pointed down towards the floor.]
    Caption Michael Bewster, An Acoustic Sculpture, A Clicker Drawing. Installation view, Artists Space, 1977.
    Image description A black and white photograph looking through a doorframe onto several barely illuminated rectangular shapes. A microphone hangs from the top right corner of the doorframe, pointed down towards the floor.
    Year 1977
    Related pages Michael Brewster: An Acoustic Sculpture, A Clicker Drawing
  • A photograph of a large gallery space with multiple rooms visible. In the foreground, the floor is covered with flooring, except for a silhouette of a human figure which has been cut out of the flooring, through which the concrete below is visible. Two geometric abstract paintings hang on the wall above.
    A photograph of a large gallery space with multiple rooms visible. In the foreground, the floor is covered with flooring, except for a silhouette of a human figure which has been cut out of the flooring, through which the concrete below is visible. Two geometric abstract paintings hang on the wall above.
    Selections from the Artists File. Installation view, Artists Space, 1989. [A photograph of a large gallery space with multiple rooms visible. In the foreground, the floor is covered with flooring, except for a silhouette of a human figure which has been cut out of the flooring, through which the concrete below is visible. Two geometric abstract paintings hang on the wall above.]
    Caption Selections from the Artists File. Installation view, Artists Space, 1989.
    Image description A photograph of a large gallery space with multiple rooms visible. In the foreground, the floor is covered with flooring, except for a silhouette of a human figure which has been cut out of the flooring, through which the concrete below is visible. Two geometric abstract paintings hang on the wall above.
    Year 1989
    Related pages Selections from the Artist File
  • Two figures musicians perform on stage. On the left, a figure is playing the drums. On the right, a guitar player, sits on a chair. Blue and red lights are projected onto the stage.
    Two figures musicians perform on stage. On the left, a figure is playing the drums. On the right, a guitar player, sits on a chair. Blue and red lights are projected onto the stage.
    Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman. [Two figures musicians perform on stage. On the left, a figure is playing the drums. On the right, a guitar player, sits on a chair. Blue and red lights are projected onto the stage.]
    Caption Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman.
    Image description Two figures musicians perform on stage. On the left, a figure is playing the drums. On the right, a guitar player, sits on a chair. Blue and red lights are projected onto the stage.
    Year
    Related pages Abasement #65
  • A man wearing only a leather jacket thrusts his pelvis forward as he ejaculates in front of seven enthusiastic men.
    A man wearing only a leather jacket thrusts his pelvis forward as he ejaculates in front of seven enthusiastic men.
    Tom of Finland Untitled , 1967 Graphite on paper Tom of Finland Foundation, Permanent Collection [A man wearing only a leather jacket thrusts his pelvis forward as he ejaculates in front of seven enthusiastic men.]
    Caption Tom of Finland Untitled , 1967 Graphite on paper Tom of Finland Foundation, Permanent Collection
    Image description A man wearing only a leather jacket thrusts his pelvis forward as he ejaculates in front of seven enthusiastic men.
    Year 1967
    Related pages Tom of Finland: The Pleasure of Play
  • A figure wearing a baseball cap sits in a chair and plays the guitar, their legs crossed.
    A figure wearing a baseball cap sits in a chair and plays the guitar, their legs crossed.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure wearing a baseball cap sits in a chair and plays the guitar, their legs crossed.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure wearing a baseball cap sits in a chair and plays the guitar, their legs crossed.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
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