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  • A gallery room filled with various sculptures and objects. There are several cube and rectangular sculptures in various sizes, some solidly painted with black, white and silver, and some painted with a brick pattern. There is a table with two projectors projecting a small image on the wall. On the far wall, there are a series of framed drawings. On the righthand side of the room, there is a half-wall behind which a piece made of 7x4 rectangular images hangs on a wall.
    A gallery room filled with various sculptures and objects. There are several cube and rectangular sculptures in various sizes, some solidly painted with black, white and silver, and some painted with a brick pattern. There is a table with two projectors projecting a small image on the wall. On the far wall, there are a series of framed drawings. On the righthand side of the room, there is a half-wall behind which a piece made of 7x4 rectangular images hangs on a wall.
    Elephant Cemetery. Installation view, Artists Space, 2007. [A gallery room filled with various sculptures and objects. There are several cube and rectangular sculptures in various sizes, some solidly painted with black, white and silver, and some painted with a brick pattern. There is a table with two projectors projecting a small image on the wall. On the far wall, there are a series of framed drawings. On the righthand side of the room, there is a half-wall behind which a piece made of 7x4 rectangular images hangs on a wall.]
    Caption Elephant Cemetery. Installation view, Artists Space, 2007.
    Image description A gallery room filled with various sculptures and objects. There are several cube and rectangular sculptures in various sizes, some solidly painted with black, white and silver, and some painted with a brick pattern. There is a table with two projectors projecting a small image on the wall. On the far wall, there are a series of framed drawings. On the righthand side of the room, there is a half-wall behind which a piece made of 7x4 rectangular images hangs on a wall.
    Year 2007
    Related pages Elephant Cemetery
  • A color image of the white wall of the gallery space. In the center, a projected image of two hands tying rope around the body of a fish. The black and white projected image is flanked by two sets of six black and white framed photographs. Each frame is black, with three on the top and three on the bottom.
    A color image of the white wall of the gallery space. In the center, a projected image of two hands tying rope around the body of a fish. The black and white projected image is flanked by two sets of six black and white framed photographs. Each frame is black, with three on the top and three on the bottom.
    Terry Fox: All These Different Things Are Sculpture. Installation view, Artists Space, 2024. Photo: Filip Wolak. [A color image of the white wall of the gallery space. In the center, a projected image of two hands tying rope around the body of a fish. The black and white projected image is flanked by two sets of six black and white framed photographs. Each frame is black, with three on the top and three on the bottom. ]
    Caption Terry Fox: All These Different Things Are Sculpture. Installation view, Artists Space, 2024. Photo: Filip Wolak.
    Image description A color image of the white wall of the gallery space. In the center, a projected image of two hands tying rope around the body of a fish. The black and white projected image is flanked by two sets of six black and white framed photographs. Each frame is black, with three on the top and three on the bottom.
    Year
    Related pages All These Different Things Are Sculpture
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Color image of two performers, the performer on the left is standing over a 4-track tape teck on a table, the performer on the right is sitting playing the cello. A mic stand in the foreground splits the frame. A blue and yellow water-like image is projected on the wall.
    Color image of two performers, the performer on the left is standing over a 4-track tape teck on a table, the performer on the right is sitting playing the cello. A mic stand in the foreground splits the frame. A blue and yellow water-like image is projected on the wall.
    Abasement #78. Performance documentation, June 16th, 2025, Artists Space. Photo: Joshua Wildman. [Color image of two performers, the performer on the left is standing over a 4-track tape teck on a table, the performer on the right is sitting playing the cello. A mic stand in the foreground splits the frame. A blue and yellow water-like image is projected on the wall.]
    Caption Abasement #78. Performance documentation, June 16th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Color image of two performers, the performer on the left is standing over a 4-track tape teck on a table, the performer on the right is sitting playing the cello. A mic stand in the foreground splits the frame. A blue and yellow water-like image is projected on the wall.
    Year
    Related pages Abasement #78
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    Related pages Arnold J. Kemp
  • A color installation photograph of a black and white abstract painting on a white wall.
    A color installation photograph of a black and white abstract painting on a white wall.
    Richard Klauber. Installation view, Ruth Hardinger, Richard Klauber, Artists Space, 1975. [A color installation photograph of a black and white abstract painting on a white wall.]
    Caption Richard Klauber. Installation view, Ruth Hardinger, Richard Klauber, Artists Space, 1975.
    Image description A color installation photograph of a black and white abstract painting on a white wall.
    Year 1975
    Related pages Ruth Hardinger, Richard Klauber
  • Four geometric, silver metal sculptures are installed on the floors of a light-filled gallery space. The sculptures are modular, hollow, and consist of cube-like and triangular metal components.
    Four geometric, silver metal sculptures are installed on the floors of a light-filled gallery space. The sculptures are modular, hollow, and consist of cube-like and triangular metal components.
    Charlotte Posenenske. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [Four geometric, silver metal sculptures are installed on the floors of a light-filled gallery space. The sculptures are modular, hollow, and consist of cube-like and triangular metal components.]
    Caption Charlotte Posenenske. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description Four geometric, silver metal sculptures are installed on the floors of a light-filled gallery space. The sculptures are modular, hollow, and consist of cube-like and triangular metal components.
    Year 2010
    Related pages Charlotte Posenenske
  • Black text overlays a white background with a blue bunch of flowers in the lower right corner. The top left corner reads: “Sheila Maldonado / & Rick Snyder / April 9, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”
    Black text overlays a white background with a blue bunch of flowers in the lower right corner. The top left corner reads: “Sheila Maldonado / & Rick Snyder / April 9, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”
    Flyer for Segue Reading Series featuring Sheila Maldonado & Rick Snyder. April 9, 2022, Artists Space. [Black text overlays a white background with a blue bunch of flowers in the lower right corner. The top left corner reads: “Sheila Maldonado / & Rick Snyder / April 9, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”]
    Caption Flyer for Segue Reading Series featuring Sheila Maldonado & Rick Snyder. April 9, 2022, Artists Space.
    Image description Black text overlays a white background with a blue bunch of flowers in the lower right corner. The top left corner reads: “Sheila Maldonado / & Rick Snyder / April 9, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”
    Year 2022
    Related pages Segue Reading Series: Sheila Maldonado & Rick Snyder
  • A brightly painted red wall with the phrase “TWO-WAY” centered in large white text. The floor in front of the wall, and to the side is covered in a pattern of light blue linoleum tiles. Brown columns stretch into the darkness behind the wall.
    A brightly painted red wall with the phrase “TWO-WAY” centered in large white text. The floor in front of the wall, and to the side is covered in a pattern of light blue linoleum tiles. Brown columns stretch into the darkness behind the wall.
    Carolyn Lazard: Two-way. Installation view, Artists Space, 2025. Photo: Greg Carideo. [A brightly painted red wall with the phrase “TWO-WAY” centered in large white text. The floor in front of the wall, and to the side is covered in a pattern of light blue linoleum tiles. Brown columns stretch into the darkness behind the wall.]
    Caption Carolyn Lazard: Two-way. Installation view, Artists Space, 2025. Photo: Greg Carideo.
    Image description A brightly painted red wall with the phrase “TWO-WAY” centered in large white text. The floor in front of the wall, and to the side is covered in a pattern of light blue linoleum tiles. Brown columns stretch into the darkness behind the wall.
    Year
    Related pages Carolyn Lazard
  • A man stands on one foot on a half-rolled yoga mat, holding out a baby doll as if to throw it. Two people behind him are bent over yoga mats, mid-movement. A crowd of people stands around the group watching.
    A man stands on one foot on a half-rolled yoga mat, holding out a baby doll as if to throw it. Two people behind him are bent over yoga mats, mid-movement. A crowd of people stands around the group watching.
    Ei Arakawa: WEWORK BABIES. Performance documentation, December 8, 2019, Artists Space. Photo © 2019 Paula Court. [A man stands on one foot on a half-rolled yoga mat, holding out a baby doll as if to throw it. Two people behind him are bent over yoga mats, mid-movement. A crowd of people stands around the group watching.]
    Caption Ei Arakawa: WEWORK BABIES. Performance documentation, December 8, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description A man stands on one foot on a half-rolled yoga mat, holding out a baby doll as if to throw it. Two people behind him are bent over yoga mats, mid-movement. A crowd of people stands around the group watching.
    Year 2019
    Related pages Ei Arakawa: WEWORK BABIES (11 Cortlandt Alley)
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    Related pages Mainspace Architecture & Design Project Series: Zaha Hadid
  • An angled view of a long white table with eight wooden chairs. A galvanized bucket, an iPad, and two stacks of paper sit on the surface.
    An angled view of a long white table with eight wooden chairs. A galvanized bucket, an iPad, and two stacks of paper sit on the surface.
    Coop Fund, 2018. Photo: Daniel Pérez. [An angled view of a long white table with eight wooden chairs. A galvanized bucket, an iPad, and two stacks of paper sit on the surface.]
    Caption Coop Fund, 2018. Photo: Daniel Pérez.
    Image description An angled view of a long white table with eight wooden chairs. A galvanized bucket, an iPad, and two stacks of paper sit on the surface.
    Year 2018
    Related pages Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Several sculptures and 2D works sit in a large gallery space with wooden floors and white columns. To the right, a stool-like object sits on a white plinth, illuminated by a bright overhead light. On the ground in the center of the image, an overturned cardboard box rests on the floor. A colorful structure resembling a well is installed in the background.
    Several sculptures and 2D works sit in a large gallery space with wooden floors and white columns. To the right, a stool-like object sits on a white plinth, illuminated by a bright overhead light. On the ground in the center of the image, an overturned cardboard box rests on the floor. A colorful structure resembling a well is installed in the background.
    Salad Days 3. Installation view, Artists Space, 2008. Photo: Jeremy Ross. [Several sculptures and 2D works sit in a large gallery space with wooden floors and white columns. To the right, a stool-like object sits on a white plinth, illuminated by a bright overhead light. On the ground in the center of the image, an overturned cardboard box rests on the floor. A colorful structure resembling a well is installed in the background.]
    Caption Salad Days 3. Installation view, Artists Space, 2008. Photo: Jeremy Ross.
    Image description Several sculptures and 2D works sit in a large gallery space with wooden floors and white columns. To the right, a stool-like object sits on a white plinth, illuminated by a bright overhead light. On the ground in the center of the image, an overturned cardboard box rests on the floor. A colorful structure resembling a well is installed in the background.
    Year 2008
    Related pages Salad Days 3
  • Next to the entrance to a gallery space, along the inside wall, is a large photograph affixed to a wall that depicts a billboard on Glendale Boulevard in Los Angeles. In the foreground is a set of three open magazines displayed on a plinth made of MDF.
    Next to the entrance to a gallery space, along the inside wall, is a large photograph affixed to a wall that depicts a billboard on Glendale Boulevard in Los Angeles. In the foreground is a set of three open magazines displayed on a plinth made of MDF.
    Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon. [Next to the entrance to a gallery space, along the inside wall, is a large photograph affixed to a wall that depicts a billboard on Glendale Boulevard in Los Angeles. In the foreground is a set of three open magazines displayed on a plinth made of MDF. ]
    Caption Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon.
    Image description Next to the entrance to a gallery space, along the inside wall, is a large photograph affixed to a wall that depicts a billboard on Glendale Boulevard in Los Angeles. In the foreground is a set of three open magazines displayed on a plinth made of MDF.
    Year
    Related pages Michael Asher
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    Related pages Anne Gardiner: Through the Tulips and The Red Red Rose - May 2
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Installation view from Cameron Rowland, 91020000, Artists Space, New York, 2016.
    Photo: Adam Reich
    Caption Installation view from Cameron Rowland, 91020000, Artists Space, New York, 2016.
    Photo: Adam Reich
    Image description
    Year
    Related pages Friends of Artists Space Dinner 2025
  • Image of a basement window that has been tinted with blue paint, streaming in blue light.
    Image of a basement window that has been tinted with blue paint, streaming in blue light.
    SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement window that has been tinted with blue paint, streaming in blue light.]
    Caption SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a basement window that has been tinted with blue paint, streaming in blue light.
    Year 2022
    Related pages SCRAAATCH 11-18
  • A white table holds a white model of a house. Behind it, a television on a stand displays an image of a large, white house. There is a white wall with five color photographs arranged in a cross formation with images of a large house and yard.
    A white table holds a white model of a house. Behind it, a television on a stand displays an image of a large, white house. There is a white wall with five color photographs arranged in a cross formation with images of a large house and yard.
    Sean Snyder. Installation view, Artists Space, 2010-11. Photo: Daniel Peréz. [A white table holds a white model of a house. Behind it, a television on a stand displays an image of a large, white house. There is a white wall with five color photographs arranged in a cross formation with images of a large house and yard.]
    Caption Sean Snyder. Installation view, Artists Space, 2010-11. Photo: Daniel Peréz.
    Image description A white table holds a white model of a house. Behind it, a television on a stand displays an image of a large, white house. There is a white wall with five color photographs arranged in a cross formation with images of a large house and yard.
    Year 2010
    Related pages Sean Snyder
  • Student Presentations at Artists Space, 2021
    Caption Student Presentations at Artists Space, 2021
    Image description
    Year 2021
    Related pages BRIDGE Photography
  • A doubled arrow points to the top left corner of the image. In the bottom left, a diagonal yellow stripe outlined with red lines is overlaid with curving text that reads
    A doubled arrow points to the top left corner of the image. In the bottom left, a diagonal yellow stripe outlined with red lines is overlaid with curving text that reads
    Lawrence Weiner. WITH A SHIFT, 2013, Silkscreen on archival box, 24 ½ x 20 ½ x 1 ½ in 62 x 52 x 4 cm, Signed and Numbered. [A doubled arrow points to the top left corner of the image. In the bottom left, a diagonal yellow stripe outlined with red lines is overlaid with curving text that reads "WITH A SHIFT SIMULTANEOUS REALITIES COLLIDE"]
    Caption Lawrence Weiner. WITH A SHIFT, 2013, Silkscreen on archival box, 24 ½ x 20 ½ x 1 ½ in 62 x 52 x 4 cm, Signed and Numbered.
    Image description A doubled arrow points to the top left corner of the image. In the bottom left, a diagonal yellow stripe outlined with red lines is overlaid with curving text that reads "WITH A SHIFT SIMULTANEOUS REALITIES COLLIDE"
    Year 2014
    Related pages Artists Space Annual Edition Portfolio 2014
  • A figure, centered within the frame, leans against a beige tiled wall and stares directly into the camera.
    A figure, centered within the frame, leans against a beige tiled wall and stares directly into the camera.
    Portrait of Jackie Wang. [A figure, centered within the frame, leans against a beige tiled wall and stares directly into the camera.]
    Caption Portrait of Jackie Wang.
    Image description A figure, centered within the frame, leans against a beige tiled wall and stares directly into the camera.
    Year
    Related pages Artists Space Dialogues 2020
  • Assorted animals, including tropical fish, birds, reptiles, a cat, dog, and rabbit are drawn in black marker on yellow paper.
    Assorted animals, including tropical fish, birds, reptiles, a cat, dog, and rabbit are drawn in black marker on yellow paper.
    Gedi Sibony Animal Scramble, 2013, Archival inkjet print, 14 1/4 x 13 1/2 in / 36,2 x 34,3 cm (image size), 24 x 20 in / 61 x 51 cm (paper size), Signed and Numbered [Assorted animals, including tropical fish, birds, reptiles, a cat, dog, and rabbit are drawn in black marker on yellow paper.]
    Caption Gedi Sibony Animal Scramble, 2013, Archival inkjet print, 14 1/4 x 13 1/2 in / 36,2 x 34,3 cm (image size), 24 x 20 in / 61 x 51 cm (paper size), Signed and Numbered
    Image description Assorted animals, including tropical fish, birds, reptiles, a cat, dog, and rabbit are drawn in black marker on yellow paper.
    Year 2014
    Related pages Artists Space Annual Edition Portfolio 2014
  • A figure in a blue morph suit leans their arms on top of a rolling table made of wood and fresnel lenses, pushing it toward another figure that stands in front of them filming them. In the background a third figure in a blue morph suit sits and leans down on top of a rectangular wooden frame. Blue footage is projected onto the back wall.
    A figure in a blue morph suit leans their arms on top of a rolling table made of wood and fresnel lenses, pushing it toward another figure that stands in front of them filming them. In the background a third figure in a blue morph suit sits and leans down on top of a rectangular wooden frame. Blue footage is projected onto the back wall.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [A figure in a blue morph suit leans their arms on top of a rolling table made of wood and fresnel lenses, pushing it toward another figure that stands in front of them filming them. In the background a third figure in a blue morph suit sits and leans down on top of a rectangular wooden frame. Blue footage is projected onto the back wall.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description A figure in a blue morph suit leans their arms on top of a rolling table made of wood and fresnel lenses, pushing it toward another figure that stands in front of them filming them. In the background a third figure in a blue morph suit sits and leans down on top of a rectangular wooden frame. Blue footage is projected onto the back wall.
    Year 2022
    Related pages SCRAAATCH 11-18
  • A person holding caution tape over a patch of wet cement with the words <i>Everything is common</i> written in it.
    A person holding caution tape over a patch of wet cement with the words <i>Everything is common</i> written in it.
    Cover for Everything is common catalogue by Jack Hogan [A person holding caution tape over a patch of wet cement with the words Everything is common written in it.]
    Caption Cover for Everything is common catalogue by Jack Hogan
    Image description A person holding caution tape over a patch of wet cement with the words Everything is common written in it.
    Year 2022
    Related pages Whitney Independent Study: Everything is Common
  • Black text on a grey background. The text reads: “March 7 / Forrest Gander / Jennifer Scappettone.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on a grey background. The text reads: “March 7 / Forrest Gander / Jennifer Scappettone.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on a grey background. The text reads: “March 7 / Forrest Gander / Jennifer Scappettone.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on a grey background. The text reads: “March 7 / Forrest Gander / Jennifer Scappettone.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Forrest Gander & Jennifer Scappettone
  • Black text overlays a mauve background. The top left corner reads:
    Black text overlays a mauve background. The top left corner reads:
    Flyer for Segue Reading Series featuring Holly Melgard and Trey. Saturday, January 22, 2021, Artists Space. [Black text overlays a mauve background. The top left corner reads: "Holly Melgard and Trey (also known as Vernon Keeve III)" The center right reads: "Segue Reading Series & ARTISTS SPACE." The bottom left reads: "Saturday January 22, 5pm, Zoom ID: 893 9594 7519, Suggested donation $5". The image of a 5 dollar bill is placed within the text.]
    Caption Flyer for Segue Reading Series featuring Holly Melgard and Trey. Saturday, January 22, 2021, Artists Space.
    Image description Black text overlays a mauve background. The top left corner reads: "Holly Melgard and Trey (also known as Vernon Keeve III)" The center right reads: "Segue Reading Series & ARTISTS SPACE." The bottom left reads: "Saturday January 22, 5pm, Zoom ID: 893 9594 7519, Suggested donation $5". The image of a 5 dollar bill is placed within the text.
    Year 2021
    Related pages Segue Reading Series: Trey & Holly Melgard
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • One man takes off an orange sweater while another man watches.
    One man takes off an orange sweater while another man watches.
    Ken Okiishi. Still from Telly & Casper, 2000. Digital video (sound, color), 27 min. Courtesy the artist. [One man takes off an orange sweater while another man watches.]
    Caption Ken Okiishi. Still from Telly & Casper, 2000. Digital video (sound, color), 27 min. Courtesy the artist.
    Image description One man takes off an orange sweater while another man watches.
    Year 2000
    Related pages Ken Okiishi
  • A color image of a gallery space. From left to right: a shovel standing upright on a pedestal, a shovel with an iron claw at the base, a tree log on a pedestal and another tree log on pedestal, with a griffon vulture perched on the branch.
    A color image of a gallery space. From left to right: a shovel standing upright on a pedestal, a shovel with an iron claw at the base, a tree log on a pedestal and another tree log on pedestal, with a griffon vulture perched on the branch.
    Andy Robert: PAPALOKO. Installation view, Artists Space, 2024. Photo: Carter Seddon. [A color image of a gallery space. From left to right: a shovel standing upright on a pedestal, a shovel with an iron claw at the base, a tree log on a pedestal and another tree log on pedestal, with a griffon vulture perched on the branch.]
    Caption Andy Robert: PAPALOKO. Installation view, Artists Space, 2024. Photo: Carter Seddon.
    Image description A color image of a gallery space. From left to right: a shovel standing upright on a pedestal, a shovel with an iron claw at the base, a tree log on a pedestal and another tree log on pedestal, with a griffon vulture perched on the branch.
    Year
    Related pages Andy Robert: Papaloko
  • A black and white image featuring a large, dark shape that resembles a plus sign. The plus sign sits at the center of a white backdrop covered by various irregular markings, including a large ink blot and print markings. While the surface of the plus sign is opaque, the background markings are slightly transparent. Small black text placed at the image's lower left corner reads,
    A black and white image featuring a large, dark shape that resembles a plus sign. The plus sign sits at the center of a white backdrop covered by various irregular markings, including a large ink blot and print markings. While the surface of the plus sign is opaque, the background markings are slightly transparent. Small black text placed at the image's lower left corner reads,
    Christopher Wool, untitled (wool poster between bridges), 2020, 23.5 x 16.5 inches [A black and white image featuring a large, dark shape that resembles a plus sign. The plus sign sits at the center of a white backdrop covered by various irregular markings, including a large ink blot and print markings. While the surface of the plus sign is opaque, the background markings are slightly transparent. Small black text placed at the image's lower left corner reads, "2020Solidarity - Christopher Wool," while text placed at the image's lower right corner reads, "A project by Between Bridges."]
    Caption Christopher Wool, untitled (wool poster between bridges), 2020, 23.5 x 16.5 inches
    Image description A black and white image featuring a large, dark shape that resembles a plus sign. The plus sign sits at the center of a white backdrop covered by various irregular markings, including a large ink blot and print markings. While the surface of the plus sign is opaque, the background markings are slightly transparent. Small black text placed at the image's lower left corner reads, "2020Solidarity - Christopher Wool," while text placed at the image's lower right corner reads, "A project by Between Bridges."
    Year 2020
    Related pages 2020Solidarity
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A performer facing an audience in a dim, red-tinted room. The musician is standing over a table covered in electronic instruments. Patterns of white dots reflecting from a disco ball surround the room.
    A performer facing an audience in a dim, red-tinted room. The musician is standing over a table covered in electronic instruments. Patterns of white dots reflecting from a disco ball surround the room.
    Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman. [A performer facing an audience in a dim, red-tinted room. The musician is standing over a table covered in electronic instruments. Patterns of white dots reflecting from a disco ball surround the room. ]
    Caption Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman.
    Image description A performer facing an audience in a dim, red-tinted room. The musician is standing over a table covered in electronic instruments. Patterns of white dots reflecting from a disco ball surround the room.
    Year
    Related pages Abasement #74
  • A person in a plaid shirt and jeans is seated with their hands in their lap in from of a plaid background, looking to the left of the camera.
    A person in a plaid shirt and jeans is seated with their hands in their lap in from of a plaid background, looking to the left of the camera.
    Stashu Kybartas, Danny, 1986. 20 minutes, 3/4", color. Film still. [A person in a plaid shirt and jeans is seated with their hands in their lap in from of a plaid background, looking to the left of the camera.]
    Caption Stashu Kybartas, Danny, 1986. 20 minutes, 3/4", color. Film still.
    Image description A person in a plaid shirt and jeans is seated with their hands in their lap in from of a plaid background, looking to the left of the camera.
    Year 1986
    Related pages Document and Dream
  • Various paintings hang on the walls to the left and right.
    Various paintings hang on the walls to the left and right.
    Traditions: Five Painters. Installation View, Artists Space, 1978. [Various paintings hang on the walls to the left and right.]
    Caption Traditions: Five Painters. Installation View, Artists Space, 1978.
    Image description Various paintings hang on the walls to the left and right.
    Year
    Related pages Traditions: Five Painters, Charles Clough, William Fares, Sidney Goldberg, John Lees, Ann Thornycroft
  • A man holds a photograph up to his face with a microphone directly in front of him.
    A man holds a photograph up to his face with a microphone directly in front of him.
    Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979. [A man holds a photograph up to his face with a microphone directly in front of him.]
    Caption Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979.
    Image description A man holds a photograph up to his face with a microphone directly in front of him.
    Year 1979
    Related pages Patricia Hearst - A Second Reading
  • A black and white photograph of a metal rod with the word
    A black and white photograph of a metal rod with the word
    Robert Longo, Burning Word: Device for Young Artists, c. 1977. Cast metal. [A black and white photograph of a metal rod with the word "believe" attached to the end. A shadow spelling out "believe" is cast onto a white background.]
    Caption Robert Longo, Burning Word: Device for Young Artists, c. 1977. Cast metal.
    Image description A black and white photograph of a metal rod with the word "believe" attached to the end. A shadow spelling out "believe" is cast onto a white background.
    Year 1977
    Related pages New Art Auction and Exhibition
  • Two paintings and several sculptural elements are installed in a corner. The paintings, one in an oval frame and the other rectangular, have figurative subjects of humans and animals. A whimsical end table is illuminated by a light fixture shaped like a flowering plant whose stem extends from a patterned curtain hung against the wall.
    Two paintings and several sculptural elements are installed in a corner. The paintings, one in an oval frame and the other rectangular, have figurative subjects of humans and animals. A whimsical end table is illuminated by a light fixture shaped like a flowering plant whose stem extends from a patterned curtain hung against the wall.
    Lukas Duwenhögger: Undoolay. Installation view, Artists Space, 2016. Photo credit: Jean Vong. [Two paintings and several sculptural elements are installed in a corner. The paintings, one in an oval frame and the other rectangular, have figurative subjects of humans and animals. A whimsical end table is illuminated by a light fixture shaped like a flowering plant whose stem extends from a patterned curtain hung against the wall.]
    Caption Lukas Duwenhögger: Undoolay. Installation view, Artists Space, 2016. Photo credit: Jean Vong.
    Image description Two paintings and several sculptural elements are installed in a corner. The paintings, one in an oval frame and the other rectangular, have figurative subjects of humans and animals. A whimsical end table is illuminated by a light fixture shaped like a flowering plant whose stem extends from a patterned curtain hung against the wall.
    Year 2016
    Related pages Lukas Duwenhögger: Undoolay
  • A poster design featuring the text
    A poster design featuring the text
    [A poster design featuring the text "Shellshock Rock An Alternative Blast From Belfast" superimposed onto a grainy, black and white graphic of an open mouth yelling into a microphone. A smaller graphic of a man running with a guitar case is situated to the left of the text "Shellshock."]
    Caption
    Image description A poster design featuring the text "Shellshock Rock An Alternative Blast From Belfast" superimposed onto a grainy, black and white graphic of an open mouth yelling into a microphone. A smaller graphic of a man running with a guitar case is situated to the left of the text "Shellshock."
    Year 2010
    Related pages Shellshock Rock
  • A crowd sitting down watching a performer on stage leaning over a table with electronic instruments, holding a mic close to their mouth. The audience is bathed in red light, and the wall behind the performer is covered with multicolored abstract projections.
    A crowd sitting down watching a performer on stage leaning over a table with electronic instruments, holding a mic close to their mouth. The audience is bathed in red light, and the wall behind the performer is covered with multicolored abstract projections.
    Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman. [A crowd sitting down watching a performer on stage leaning over a table with electronic instruments, holding a mic close to their mouth. The audience is bathed in red light, and the wall behind the performer is covered with multicolored abstract projections. ]
    Caption Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman.
    Image description A crowd sitting down watching a performer on stage leaning over a table with electronic instruments, holding a mic close to their mouth. The audience is bathed in red light, and the wall behind the performer is covered with multicolored abstract projections.
    Year
    Related pages Abasement #74
  • A pencil-drawn portrait of a person with curly hair, the bones of the forehead well-defined.
    A pencil-drawn portrait of a person with curly hair, the bones of the forehead well-defined.
    Marcos Lutyens: Hypnotic Show. [A pencil-drawn portrait of a person with curly hair, the bones of the forehead well-defined.]
    Caption Marcos Lutyens: Hypnotic Show.
    Image description A pencil-drawn portrait of a person with curly hair, the bones of the forehead well-defined.
    Year 2009
    Related pages Hypnotic Show
  • A black and white photograph of dark silhouetted shapes pasted on a wall, including a tree, a television set, a phone, a lightbulb, and a place setting.
    A black and white photograph of dark silhouetted shapes pasted on a wall, including a tree, a television set, a phone, a lightbulb, and a place setting.
    Matt Mullican, Wall Labels, 1976. From Susan Eder, Matt Mullican, Artists Space, 1976. [A black and white photograph of dark silhouetted shapes pasted on a wall, including a tree, a television set, a phone, a lightbulb, and a place setting.]
    Caption Matt Mullican, Wall Labels, 1976. From Susan Eder, Matt Mullican, Artists Space, 1976.
    Image description A black and white photograph of dark silhouetted shapes pasted on a wall, including a tree, a television set, a phone, a lightbulb, and a place setting.
    Year 1976
    Related pages Susan Eder, Matt Mullican
  • A close-up mage of a person wearing large glasses in front of a world map.
    A close-up mage of a person wearing large glasses in front of a world map.
    Joel Katz. Still from History Lessons, 1990. [A close-up mage of a person wearing large glasses in front of a world map.]
    Caption Joel Katz. Still from History Lessons, 1990.
    Image description A close-up mage of a person wearing large glasses in front of a world map.
    Year 1990
    Related pages Project: History Lessons
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    Image description
    Year
    Related pages BRIDGE Photography
  • Two figures musicians perform on stage. On the foreground, a figure is playing the drums. On the background sits a guitar player. Blue and red lights are projected on the back wall.
    Two figures musicians perform on stage. On the foreground, a figure is playing the drums. On the background sits a guitar player. Blue and red lights are projected on the back wall.
    Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman. [Two figures musicians perform on stage. On the foreground, a figure is playing the drums. On the background sits a guitar player. Blue and red lights are projected on the back wall.]
    Caption Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman.
    Image description Two figures musicians perform on stage. On the foreground, a figure is playing the drums. On the background sits a guitar player. Blue and red lights are projected on the back wall.
    Year
    Related pages Abasement #65
  • A color image of three framed works hang on the white wall. The works, all made on black paper, consist of colorful shapes, white line drawings and illegible text that form abstract compsitions.
    A color image of three framed works hang on the white wall. The works, all made on black paper, consist of colorful shapes, white line drawings and illegible text that form abstract compsitions.
    Renee Gladman: Narratives of Magnitude. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of three framed works hang on the white wall. The works, all made on black paper, consist of colorful shapes, white line drawings and illegible text that form abstract compsitions.]
    Caption Renee Gladman: Narratives of Magnitude. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A color image of three framed works hang on the white wall. The works, all made on black paper, consist of colorful shapes, white line drawings and illegible text that form abstract compsitions.
    Year
    Related pages Renee Gladman
  • A color photograph of a figure with raised arms and in motion in an orange-lit space next to a small piece of audio equipment with a wire on the floor. A crowd looks on in the background.
    A color photograph of a figure with raised arms and in motion in an orange-lit space next to a small piece of audio equipment with a wire on the floor. A crowd looks on in the background.
    Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. [A color photograph of a figure with raised arms and in motion in an orange-lit space next to a small piece of audio equipment with a wire on the floor. A crowd looks on in the background.]
    Caption Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space.
    Image description A color photograph of a figure with raised arms and in motion in an orange-lit space next to a small piece of audio equipment with a wire on the floor. A crowd looks on in the background.
    Year 2022
    Related pages Yuji Agematsu
  • Painted objects attached to the wall in a white-walled gallery space.
    Painted objects attached to the wall in a white-walled gallery space.
    Tom Rubnitz. Installation view, Artists Space, 1981. [Painted objects attached to the wall in a white-walled gallery space.]
    Caption Tom Rubnitz. Installation view, Artists Space, 1981.
    Image description Painted objects attached to the wall in a white-walled gallery space.
    Year
    Related pages Tom Rubnitz
  • Color image of a video installation in the center of the floor of a gallery space. A walkway made of plywood runs along the edges of the room, around the projection. The projection depicts a negative film image that has been mirrored along the center. Hands reach out and manipulate objects that are placed on a blue background.
    Color image of a video installation in the center of the floor of a gallery space. A walkway made of plywood runs along the edges of the room, around the projection. The projection depicts a negative film image that has been mirrored along the center. Hands reach out and manipulate objects that are placed on a blue background.
    Crystal Z Campbell: Ode to the Underloved. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color image of a video installation in the center of the floor of a gallery space. A walkway made of plywood runs along the edges of the room, around the projection. The projection depicts a negative film image that has been mirrored along the center. Hands reach out and manipulate objects that are placed on a blue background.]
    Caption Crystal Z Campbell: Ode to the Underloved. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color image of a video installation in the center of the floor of a gallery space. A walkway made of plywood runs along the edges of the room, around the projection. The projection depicts a negative film image that has been mirrored along the center. Hands reach out and manipulate objects that are placed on a blue background.
    Year
    Related pages Crystal Z Campbell
  • A black and white installation photograph of a sculpture. The piece features various triangular ramps, wooden square blocks, and curved wooden pieces with wheels, all placed on a wooden floor.
    A black and white installation photograph of a sculpture. The piece features various triangular ramps, wooden square blocks, and curved wooden pieces with wheels, all placed on a wooden floor.
    Louisa Chase. Installation view, Louisa Chase, Ted Stamm, Meryl Vladimer, Artists Space, 1975. [A black and white installation photograph of a sculpture. The piece features various triangular ramps, wooden square blocks, and curved wooden pieces with wheels, all placed on a wooden floor.]
    Caption Louisa Chase. Installation view, Louisa Chase, Ted Stamm, Meryl Vladimer, Artists Space, 1975.
    Image description A black and white installation photograph of a sculpture. The piece features various triangular ramps, wooden square blocks, and curved wooden pieces with wheels, all placed on a wooden floor.
    Year 1975
    Related pages Louisa Chase, Ted Stamm, Meryl Vladimer
  • Two figures dressed in blue morph suits walk around a basement space. One figure on the right stands behind a semi-circular rolling table made of wood and fresnel lenses. Along the back wall blue and purple live CCTV video footage is projected.
    Two figures dressed in blue morph suits walk around a basement space. One figure on the right stands behind a semi-circular rolling table made of wood and fresnel lenses. Along the back wall blue and purple live CCTV video footage is projected.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Two figures dressed in blue morph suits walk around a basement space. One figure on the right stands behind a semi-circular rolling table made of wood and fresnel lenses. Along the back wall blue and purple live CCTV video footage is projected.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Two figures dressed in blue morph suits walk around a basement space. One figure on the right stands behind a semi-circular rolling table made of wood and fresnel lenses. Along the back wall blue and purple live CCTV video footage is projected.
    Year 2022
    Related pages SCRAAATCH 12-3
  • A black and white image captures the dark silhouette of trees shrouded with thick fog. In the center stands a man with wolf-like features, grimacing over a woman who is seemingly unconscious in his arms. Her body is arced back, supported by the wolf man's arm under her shoulders and around her waist.
    A black and white image captures the dark silhouette of trees shrouded with thick fog. In the center stands a man with wolf-like features, grimacing over a woman who is seemingly unconscious in his arms. Her body is arced back, supported by the wolf man's arm under her shoulders and around her waist.
    Still from The Wolf Man, 1941. [A black and white image captures the dark silhouette of trees shrouded with thick fog. In the center stands a man with wolf-like features, grimacing over a woman who is seemingly unconscious in his arms. Her body is arced back, supported by the wolf man's arm under her shoulders and around her waist.]
    Caption Still from The Wolf Man, 1941.
    Image description A black and white image captures the dark silhouette of trees shrouded with thick fog. In the center stands a man with wolf-like features, grimacing over a woman who is seemingly unconscious in his arms. Her body is arced back, supported by the wolf man's arm under her shoulders and around her waist.
    Year 1941
    Related pages The Wolf Man
  • Abstract painting with green filling most of the space with red lines emerging from the center outward.
    Abstract painting with green filling most of the space with red lines emerging from the center outward.
    Calvert Coggeshall. Untitled (green, red), 1987. Oil on canvas. [Abstract painting with green filling most of the space with red lines emerging from the center outward.]
    Caption Calvert Coggeshall. Untitled (green, red), 1987. Oil on canvas.
    Image description Abstract painting with green filling most of the space with red lines emerging from the center outward.
    Year
    Related pages Calvert Coggeshall and Frederick Hammersley: Painting
  • An abstract, colorful drawing, with several geometric patterns overlaid with freehand flowing shapes.
    An abstract, colorful drawing, with several geometric patterns overlaid with freehand flowing shapes.
    Emily Garcia, Princess Swan, 2013 [An abstract, colorful drawing, with several geometric patterns overlaid with freehand flowing shapes.]
    Caption Emily Garcia, Princess Swan, 2013
    Image description An abstract, colorful drawing, with several geometric patterns overlaid with freehand flowing shapes.
    Year 2013
    Related pages Scholastic Art and Writing Awards
  • A black and white image of two couches set in front of a TV monitor on a pedestal and two speakers installed on either side of it. The TV screen is on, but no clear image is visible on it. A door to exit is visible in the background.
    A black and white image of two couches set in front of a TV monitor on a pedestal and two speakers installed on either side of it. The TV screen is on, but no clear image is visible on it. A door to exit is visible in the background.
    Too Black, Too Strong! Installation View, Artists Space, 1988. [A black and white image of two couches set in front of a TV monitor on a pedestal and two speakers installed on either side of it. The TV screen is on, but no clear image is visible on it. A door to exit is visible in the background.]
    Caption Too Black, Too Strong! Installation View, Artists Space, 1988.
    Image description A black and white image of two couches set in front of a TV monitor on a pedestal and two speakers installed on either side of it. The TV screen is on, but no clear image is visible on it. A door to exit is visible in the background.
    Year 1988
    Related pages Too Black, Too Strong!
  • Black & white photograph of a performer sitting in a wooden chair. A spotlight shines on them from above, and they play a cello that leans against their body.
    Black & white photograph of a performer sitting in a wooden chair. A spotlight shines on them from above, and they play a cello that leans against their body.
    Shala Miller performs Genesis: Medley. Performance documentation, May 11, 2023, Artists Space. Photo: Roy Baizan. [Black & white photograph of a performer sitting in a wooden chair. A spotlight shines on them from above, and they play a cello that leans against their body.]
    Caption Shala Miller performs Genesis: Medley. Performance documentation, May 11, 2023, Artists Space. Photo: Roy Baizan.
    Image description Black & white photograph of a performer sitting in a wooden chair. A spotlight shines on them from above, and they play a cello that leans against their body.
    Year 2023
    Related pages Genesis: Medley
  • A man lies on the street in a horizontal position, centered within the frame. Behind him is a playground, with an Argentinian flag waving in the background.
    A man lies on the street in a horizontal position, centered within the frame. Behind him is a playground, with an Argentinian flag waving in the background.
    Union Gaucha Productions in collaboration with Fabio Kacero, still from Totloop, 2003. 16mm film (silent, color), 4 min 49 sec. Courtesy Union Gaucha Productions. [A man lies on the street in a horizontal position, centered within the frame. Behind him is a playground, with an Argentinian flag waving in the background.]
    Caption Union Gaucha Productions in collaboration with Fabio Kacero, still from Totloop, 2003. 16mm film (silent, color), 4 min 49 sec. Courtesy Union Gaucha Productions.
    Image description A man lies on the street in a horizontal position, centered within the frame. Behind him is a playground, with an Argentinian flag waving in the background.
    Year 2003
    Related pages Union Gaucha Productions
  • An arrangement of 10 colored photos, each showing a different outdoor and indoor settings, including settings of nature, animals, a red trailer, an overexposed lecture hall, and a portrait of a woman.
    An arrangement of 10 colored photos, each showing a different outdoor and indoor settings, including settings of nature, animals, a red trailer, an overexposed lecture hall, and a portrait of a woman.
    Michaela Eichwald, Ten Top Photographs for Artists Space, 2015, Series of ten inkjet prints, Assorted dimensions range from 5 x 7 in to 5 x 7 ½ in / 12,7 x 17,8 cm to 12,7 x 19 cm, each Signed and Numbered Certificate [An arrangement of 10 colored photos, each showing a different outdoor and indoor settings, including settings of nature, animals, a red trailer, an overexposed lecture hall, and a portrait of a woman.]
    Caption Michaela Eichwald, Ten Top Photographs for Artists Space, 2015, Series of ten inkjet prints, Assorted dimensions range from 5 x 7 in to 5 x 7 ½ in / 12,7 x 17,8 cm to 12,7 x 19 cm, each Signed and Numbered Certificate
    Image description An arrangement of 10 colored photos, each showing a different outdoor and indoor settings, including settings of nature, animals, a red trailer, an overexposed lecture hall, and a portrait of a woman.
    Year 2016
    Related pages Artists Space Annual Edition Portfolio 2016
  • Detail view of a display case. It is mostly empty, save for a metal gun-type object with two small pipes extending out of the nozzle, and a poster with the repeated letters
    Detail view of a display case. It is mostly empty, save for a metal gun-type object with two small pipes extending out of the nozzle, and a poster with the repeated letters
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Detail view of a display case. It is mostly empty, save for a metal gun-type object with two small pipes extending out of the nozzle, and a poster with the repeated letters "bc" hung on one side of the viewing window.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Detail view of a display case. It is mostly empty, save for a metal gun-type object with two small pipes extending out of the nozzle, and a poster with the repeated letters "bc" hung on one side of the viewing window.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
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    Image description
    Year
    Related pages Abasement #74
  • Remnants of discarded objects fill the frame. A flattened rubber chicken sits in the middle next to various bottles and boxes. On the right reads a white square in black and red font,
    Remnants of discarded objects fill the frame. A flattened rubber chicken sits in the middle next to various bottles and boxes. On the right reads a white square in black and red font,
    Jack Smith Untitled (Plaster Foundation of Atlantis), 35mm slide, c. 1970. Copyright Jack Smith Archive. Courtesy Gladstone Gallery, New York and Brussels. [Remnants of discarded objects fill the frame. A flattened rubber chicken sits in the middle next to various bottles and boxes. On the right reads a white square in black and red font, "Exotic, Tropical Fruit."]
    Caption Jack Smith Untitled (Plaster Foundation of Atlantis), 35mm slide, c. 1970. Copyright Jack Smith Archive. Courtesy Gladstone Gallery, New York and Brussels.
    Image description Remnants of discarded objects fill the frame. A flattened rubber chicken sits in the middle next to various bottles and boxes. On the right reads a white square in black and red font, "Exotic, Tropical Fruit."
    Year 1970
    Related pages Jack Smith: Art Crust of Spiritual Oasis
  • A black and white closeup of a person's face. They have blunt bangs and dark, dramatic eye makeup and lipstick.
    A black and white closeup of a person's face. They have blunt bangs and dark, dramatic eye makeup and lipstick.
    DJ Princess Julia. [A black and white closeup of a person's face. They have blunt bangs and dark, dramatic eye makeup and lipstick.]
    Caption DJ Princess Julia.
    Image description A black and white closeup of a person's face. They have blunt bangs and dark, dramatic eye makeup and lipstick.
    Year 2012
    Related pages Club Nights NEIN POP
  • A drawing of a group of skeletons, dancing and playing instruments. In the center of the image, a red banner features black text that reads
    A drawing of a group of skeletons, dancing and playing instruments. In the center of the image, a red banner features black text that reads
    Flyer for The Rapture, Sunday, December 6, 2020, Artists Space. [A drawing of a group of skeletons, dancing and playing instruments. In the center of the image, a red banner features black text that reads "The Rapture".]
    Caption Flyer for The Rapture, Sunday, December 6, 2020, Artists Space.
    Image description A drawing of a group of skeletons, dancing and playing instruments. In the center of the image, a red banner features black text that reads "The Rapture".
    Year 2020
    Related pages The Rapture
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • An image of a large assemblage sculpture with various posed and costumed mannequins.
    An image of a large assemblage sculpture with various posed and costumed mannequins.
    Ed Bereal, Miss America: Manufacturing Consent: Upside Down and Backwards, 2000-2014, mixed media and found objects, dimensions variable. Photo: Filip Wolak [An image of a large assemblage sculpture with various posed and costumed mannequins.]
    Caption Ed Bereal, Miss America: Manufacturing Consent: Upside Down and Backwards, 2000-2014, mixed media and found objects, dimensions variable. Photo: Filip Wolak
    Image description An image of a large assemblage sculpture with various posed and costumed mannequins.
    Year 2022
    Related pages Attention Line
  • Close up of two rectangular plates of glass resting on top of a thin bed of white salt. A red, blood-like substance forms irregular patterns between the plates.
    Close up of two rectangular plates of glass resting on top of a thin bed of white salt. A red, blood-like substance forms irregular patterns between the plates.
    Nina in Position. Installation view, Artists Space, 2008. Photo: Bill Orcutt. [Close up of two rectangular plates of glass resting on top of a thin bed of white salt. A red, blood-like substance forms irregular patterns between the plates.]
    Caption Nina in Position. Installation view, Artists Space, 2008. Photo: Bill Orcutt.
    Image description Close up of two rectangular plates of glass resting on top of a thin bed of white salt. A red, blood-like substance forms irregular patterns between the plates.
    Year 2008
    Related pages Nina in Position
  • A still from Totloop, set during the twilight, featuring an empty model house being lit on fire, with a small tree visible to its left.
    A still from Totloop, set during the twilight, featuring an empty model house being lit on fire, with a small tree visible to its left.
    Union Gaucha Productions in collaboration with Fabio Kacero. Still from Totloop, 2003. 16mm film (silent, color), 4 min 49 sec. Courtesy of Union Gaucha Productions. [A still from Totloop, set during the twilight, featuring an empty model house being lit on fire, with a small tree visible to its left.]
    Caption Union Gaucha Productions in collaboration with Fabio Kacero. Still from Totloop, 2003. 16mm film (silent, color), 4 min 49 sec. Courtesy of Union Gaucha Productions.
    Image description A still from Totloop, set during the twilight, featuring an empty model house being lit on fire, with a small tree visible to its left.
    Year 2003
    Related pages Union Gaucha Productions
  • Six glass vitrines displaying books, photographs, and other paper ephemera are installed in the center of a gallery space. A series of old Hollywood films are projected on the back wall of the exhibition space.
    Six glass vitrines displaying books, photographs, and other paper ephemera are installed in the center of a gallery space. A series of old Hollywood films are projected on the back wall of the exhibition space.
    She Who Is: Adrienne Kennedy and the Drama of Difference. Installation view, Artists Space, February 29 – September 19, 2020. Photo: Filip Wolak. [Six glass vitrines displaying books, photographs, and other paper ephemera are installed in the center of a gallery space. A series of old Hollywood films are projected on the back wall of the exhibition space.]
    Caption She Who Is: Adrienne Kennedy and the Drama of Difference. Installation view, Artists Space, February 29 – September 19, 2020. Photo: Filip Wolak.
    Image description Six glass vitrines displaying books, photographs, and other paper ephemera are installed in the center of a gallery space. A series of old Hollywood films are projected on the back wall of the exhibition space.
    Year 2020
    Related pages She Who Is: Adrienne Kennedy and the Drama of Difference
  • A 3x5 grid of false-color stickers. The top four rows depict fruits cut in half resembling a grapefruit or orange. The last row depicts a coconut cut in half. A handful of stickers have a think line of black and white checkerboard pattern added to the perimeter of the fruit.
    A 3x5 grid of false-color stickers. The top four rows depict fruits cut in half resembling a grapefruit or orange. The last row depicts a coconut cut in half. A handful of stickers have a think line of black and white checkerboard pattern added to the perimeter of the fruit.
    Guyton\Walker, Fruit Stickers for Artists Space, 2010, Set of 15 Inkset printed stickers, 6 in / 15,2 cm each, Signed and numbered certificate. [A 3x5 grid of false-color stickers. The top four rows depict fruits cut in half resembling a grapefruit or orange. The last row depicts a coconut cut in half. A handful of stickers have a think line of black and white checkerboard pattern added to the perimeter of the fruit.]
    Caption Guyton\Walker, Fruit Stickers for Artists Space, 2010, Set of 15 Inkset printed stickers, 6 in / 15,2 cm each, Signed and numbered certificate.
    Image description A 3x5 grid of false-color stickers. The top four rows depict fruits cut in half resembling a grapefruit or orange. The last row depicts a coconut cut in half. A handful of stickers have a think line of black and white checkerboard pattern added to the perimeter of the fruit.
    Year 2010
    Related pages Artists Space Annual Edition Portfolio 2011
  • Black text overlays a color-scheme grid background. The text reads: “Jan 13 / isaiah a. hines / Elizabeth Robinson.
    Black text overlays a color-scheme grid background. The text reads: “Jan 13 / isaiah a. hines / Elizabeth Robinson.
    [Black text overlays a color-scheme grid background. The text reads: “Jan 13 / isaiah a. hines / Elizabeth Robinson." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description Black text overlays a color-scheme grid background. The text reads: “Jan 13 / isaiah a. hines / Elizabeth Robinson." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year
    Related pages Segue Reading Series: isaiah a. hines & Elizabeth Robinson
  • A color image of a gallery space, with large paintings of Black Queer figures placed on white walls. Drawings in black accent the walls and complement the paintings. Past the left wall is a corridor leading into the next room. In the distance is a white sign on the floor, reading
    A color image of a gallery space, with large paintings of Black Queer figures placed on white walls. Drawings in black accent the walls and complement the paintings. Past the left wall is a corridor leading into the next room. In the distance is a white sign on the floor, reading
    Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of a gallery space, with large paintings of Black Queer figures placed on white walls. Drawings in black accent the walls and complement the paintings. Past the left wall is a corridor leading into the next room. In the distance is a white sign on the floor, reading "BARBER SHOP."]
    Caption Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A color image of a gallery space, with large paintings of Black Queer figures placed on white walls. Drawings in black accent the walls and complement the paintings. Past the left wall is a corridor leading into the next room. In the distance is a white sign on the floor, reading "BARBER SHOP."
    Year
    Related pages Jonathan Lyndon Chase
  • Image of a basement window that has been tinted with blue paint, streaming in blue light.
    Image of a basement window that has been tinted with blue paint, streaming in blue light.
    SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement window that has been tinted with blue paint, streaming in blue light.]
    Caption SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a basement window that has been tinted with blue paint, streaming in blue light.
    Year 2022
    Related pages SCRAAATCH 11-19
  • A gallery space with a large circle of decals on the wall on the right. In the far left corner, a projector sits on a pedestal.
    A gallery space with a large circle of decals on the wall on the right. In the far left corner, a projector sits on a pedestal.
    Installation view, Robert Morgan. Artists Space, 1977. [A gallery space with a large circle of decals on the wall on the right. In the far left corner, a projector sits on a pedestal.]
    Caption Installation view, Robert Morgan. Artists Space, 1977.
    Image description A gallery space with a large circle of decals on the wall on the right. In the far left corner, a projector sits on a pedestal.
    Year 1977
    Related pages Robert Morgan
  • A drawing with seven figures without appendages where six of them are carry a large figure and one follow behind. The outline of an urban landscape is visible behind them.
    A drawing with seven figures without appendages where six of them are carry a large figure and one follow behind. The outline of an urban landscape is visible behind them.
    Deven Golden. Drawing for Death of Pompey, 1986. [A drawing with seven figures without appendages where six of them are carry a large figure and one follow behind. The outline of an urban landscape is visible behind them.]
    Caption Deven Golden. Drawing for Death of Pompey, 1986.
    Image description A drawing with seven figures without appendages where six of them are carry a large figure and one follow behind. The outline of an urban landscape is visible behind them.
    Year
    Related pages Recent Art from Chicago
  • Two white walls forming a corner in an exhibition space. Displayed on the left wall is a large a photograph of an eye visible through a round hole in a white fabric hood. Displayed on the right wall is a photograph of a figure in a green KKK hood against a black background.
    Two white walls forming a corner in an exhibition space. Displayed on the left wall is a large a photograph of an eye visible through a round hole in a white fabric hood. Displayed on the right wall is a photograph of a figure in a green KKK hood against a black background.
    Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [Two white walls forming a corner in an exhibition space. Displayed on the left wall is a large a photograph of an eye visible through a round hole in a white fabric hood. Displayed on the right wall is a photograph of a figure in a green KKK hood against a black background.]
    Caption Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description Two white walls forming a corner in an exhibition space. Displayed on the left wall is a large a photograph of an eye visible through a round hole in a white fabric hood. Displayed on the right wall is a photograph of a figure in a green KKK hood against a black background.
    Year 2014
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • Image of a basement with a rectangular shaped sculpture made of a wooden frame with fresnel lenses placed along the top and sides. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    Image of a basement with a rectangular shaped sculpture made of a wooden frame with fresnel lenses placed along the top and sides. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement with a rectangular shaped sculpture made of a wooden frame with fresnel lenses placed along the top and sides. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.]
    Caption SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a basement with a rectangular shaped sculpture made of a wooden frame with fresnel lenses placed along the top and sides. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    Year 2022
    Related pages SCRAAATCH 11-19
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    Related pages Scholastic Art and Writing Awards
  • Black text on a green background. The text reads: “Jan 18 / Ann Lauterbach / Chris Campanioni.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on a green background. The text reads: “Jan 18 / Ann Lauterbach / Chris Campanioni.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on a green background. The text reads: “Jan 18 / Ann Lauterbach / Chris Campanioni.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on a green background. The text reads: “Jan 18 / Ann Lauterbach / Chris Campanioni.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Ann Lauterbach & Chris Campanioni
  • Six glass vitrines displaying books, photographs, and other paper ephemera are installed in the center of a gallery space. A film is being projected on the back wall of the exhibition space.
    Six glass vitrines displaying books, photographs, and other paper ephemera are installed in the center of a gallery space. A film is being projected on the back wall of the exhibition space.
    She Who Is: Adrienne Kennedy and the Drama of Difference. Installation view, Artists Space, February 29 – September 19, 2020. Photo: Filip Wolak. [Six glass vitrines displaying books, photographs, and other paper ephemera are installed in the center of a gallery space. A film is being projected on the back wall of the exhibition space.]
    Caption She Who Is: Adrienne Kennedy and the Drama of Difference. Installation view, Artists Space, February 29 – September 19, 2020. Photo: Filip Wolak.
    Image description Six glass vitrines displaying books, photographs, and other paper ephemera are installed in the center of a gallery space. A film is being projected on the back wall of the exhibition space.
    Year 2020
    Related pages She Who Is: Adrienne Kennedy and the Drama of Difference
  • Black and white image of a gallery enclave. The walls are covered with long lists of individual signatures that form several rows from floor to ceiling.
    Black and white image of a gallery enclave. The walls are covered with long lists of individual signatures that form several rows from floor to ceiling.
    Kathe Burkhart and Chrysanne Stathacos: Abortion Project. Installation view, Artists Space, 1991. [Black and white image of a gallery enclave. The walls are covered with long lists of individual signatures that form several rows from floor to ceiling.]
    Caption Kathe Burkhart and Chrysanne Stathacos: Abortion Project. Installation view, Artists Space, 1991.
    Image description Black and white image of a gallery enclave. The walls are covered with long lists of individual signatures that form several rows from floor to ceiling.
    Year 1991
    Related pages Abortion Project
  • Two photographs are mounted on a white gallery wall.
    Two photographs are mounted on a white gallery wall.
    Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979. [Two photographs are mounted on a white gallery wall.]
    Caption Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979.
    Image description Two photographs are mounted on a white gallery wall.
    Year 1979
    Related pages Place, (title to be determined), for a Participant: Ken Feingold
  • A black and white installation view of a gallery space with windows and a doorframe. Several artworks hang from the walls.
    A black and white installation view of a gallery space with windows and a doorframe. Several artworks hang from the walls.
    New Art Auction and Exhibition. Installation view, Artists Space, 1977. [A black and white installation view of a gallery space with windows and a doorframe. Several artworks hang from the walls.]
    Caption New Art Auction and Exhibition. Installation view, Artists Space, 1977.
    Image description A black and white installation view of a gallery space with windows and a doorframe. Several artworks hang from the walls.
    Year 1977
    Related pages New Art Auction and Exhibition
  • Two life-sized costumes.
    Two life-sized costumes.
    Attention Line. Installation view (costumes worn by Johanna Went, 1970s-2000s), Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [Two life-sized costumes.]
    Caption Attention Line. Installation view (costumes worn by Johanna Went, 1970s-2000s), Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak
    Image description Two life-sized costumes.
    Year 2022
    Related pages Attention Line
  • A dilapidated wood shed is shown partially covered by large mounds of earth. Fingers reach out from the lower-right corner to caress the image.
    A dilapidated wood shed is shown partially covered by large mounds of earth. Fingers reach out from the lower-right corner to caress the image.
    Renée Green. Still from Partially Buried, 1996. Video, color, sound; 20 minutes. Courtesy the artist, Free Agent Media, and Video Data Bank. [A dilapidated wood shed is shown partially covered by large mounds of earth. Fingers reach out from the lower-right corner to caress the image.]
    Caption Renée Green. Still from Partially Buried, 1996. Video, color, sound; 20 minutes. Courtesy the artist, Free Agent Media, and Video Data Bank.
    Image description A dilapidated wood shed is shown partially covered by large mounds of earth. Fingers reach out from the lower-right corner to caress the image.
    Year 1997
    Related pages Whitney ISP Archive
  • A performer sits behind a white desk, on top of which are piled various audio equipment.
    A performer sits behind a white desk, on top of which are piled various audio equipment.
    Abasement #79. Performance documentation, August 11th, 2025, Artists Space. Photo: Joshua Wildman. [A performer sits behind a white desk, on top of which are piled various audio equipment. ]
    Caption Abasement #79. Performance documentation, August 11th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description A performer sits behind a white desk, on top of which are piled various audio equipment.
    Year
    Related pages Abasement #79
  • A color image of a gallery space. To the left of the image, on the foreground, a white wall with a window and a drawing of a parked car. The driver is speaking with a figure that leans on the car. Through the window, a painting of three figures is visible. In the background, four works hang on a black wall. In the center of the room, a black couch and a table in the shape of a body.
    A color image of a gallery space. To the left of the image, on the foreground, a white wall with a window and a drawing of a parked car. The driver is speaking with a figure that leans on the car. Through the window, a painting of three figures is visible. In the background, four works hang on a black wall. In the center of the room, a black couch and a table in the shape of a body.
    Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of a gallery space. To the left of the image, on the foreground, a white wall with a window and a drawing of a parked car. The driver is speaking with a figure that leans on the car. Through the window, a painting of three figures is visible. In the background, four works hang on a black wall. In the center of the room, a black couch and a table in the shape of a body.]
    Caption Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A color image of a gallery space. To the left of the image, on the foreground, a white wall with a window and a drawing of a parked car. The driver is speaking with a figure that leans on the car. Through the window, a painting of three figures is visible. In the background, four works hang on a black wall. In the center of the room, a black couch and a table in the shape of a body.
    Year
    Related pages Jonathan Lyndon Chase
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A receding row of columns lines our view into the far gallery space. In the foreground, several of Ruben Ulises Rodriguez Montoya's biomorphic sculptures are displayed on walls, resting on a pedestal, or hanging from the ceiling. In the distance, two of Matthew Langan-Peck's monumental painted toy box sculptures sit on the gallery floor; a set of headphones hangs on the side of each box. In the background, Isabelle Frances McGuire's three large pink banners emblazoned with silver stars hang from ceiling to floor.
    A receding row of columns lines our view into the far gallery space. In the foreground, several of Ruben Ulises Rodriguez Montoya's biomorphic sculptures are displayed on walls, resting on a pedestal, or hanging from the ceiling. In the distance, two of Matthew Langan-Peck's monumental painted toy box sculptures sit on the gallery floor; a set of headphones hangs on the side of each box. In the background, Isabelle Frances McGuire's three large pink banners emblazoned with silver stars hang from ceiling to floor.
    Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon. [A receding row of columns lines our view into the far gallery space. In the foreground, several of Ruben Ulises Rodriguez Montoya's biomorphic sculptures are displayed on walls, resting on a pedestal, or hanging from the ceiling. In the distance, two of Matthew Langan-Peck's monumental painted toy box sculptures sit on the gallery floor; a set of headphones hangs on the side of each box. In the background, Isabelle Frances McGuire's three large pink banners emblazoned with silver stars hang from ceiling to floor.]
    Caption Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon.
    Image description A receding row of columns lines our view into the far gallery space. In the foreground, several of Ruben Ulises Rodriguez Montoya's biomorphic sculptures are displayed on walls, resting on a pedestal, or hanging from the ceiling. In the distance, two of Matthew Langan-Peck's monumental painted toy box sculptures sit on the gallery floor; a set of headphones hangs on the side of each box. In the background, Isabelle Frances McGuire's three large pink banners emblazoned with silver stars hang from ceiling to floor.
    Year
    Related pages Doris Guo Matthew Langan-Peck Isabelle Frances McGuire Ruben Ulises Rodriguez Montoya
  • An entryway with layered, decorative carpets and black-and-white images displayed across the height and length of the wall. A small school desk sits on the left in front of a large bookshelf.
    An entryway with layered, decorative carpets and black-and-white images displayed across the height and length of the wall. A small school desk sits on the left in front of a large bookshelf.
    Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [An entryway with layered, decorative carpets and black-and-white images displayed across the height and length of the wall. A small school desk sits on the left in front of a large bookshelf.]
    Caption Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description An entryway with layered, decorative carpets and black-and-white images displayed across the height and length of the wall. A small school desk sits on the left in front of a large bookshelf.
    Year 2013
    Related pages Documenting Cadere: 1972 - 1978
  • A rough sketch of a gallery with names in specific zones, done in blue ink
    A rough sketch of a gallery with names in specific zones, done in blue ink
    Floor plan sketch for Group Show, Artists Space, 1975. [A rough sketch of a gallery with names in specific zones, done in blue ink]
    Caption Floor plan sketch for Group Show, Artists Space, 1975.
    Image description A rough sketch of a gallery with names in specific zones, done in blue ink
    Year 1975
    Related pages Group Show
  • A figure plays the guitar sitting down, while another figure stands behind him playing the bass.
    A figure plays the guitar sitting down, while another figure stands behind him playing the bass.
    Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman [A figure plays the guitar sitting down, while another figure stands behind him playing the bass.]
    Caption Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure plays the guitar sitting down, while another figure stands behind him playing the bass.
    Year 2022
    Related pages Tisziji Muñoz with Francisco Mora Catlett and AfroHORN
  • A young boy with his arms outstretched leans against a wall. The wall is covered with a larger than life photograph of a crowd of people holding flags and signs, as in a protest or a rally.
    A young boy with his arms outstretched leans against a wall. The wall is covered with a larger than life photograph of a crowd of people holding flags and signs, as in a protest or a rally.
    Wish I Were Here. Photo: Alexandra Stock. [A young boy with his arms outstretched leans against a wall. The wall is covered with a larger than life photograph of a crowd of people holding flags and signs, as in a protest or a rally.]
    Caption Wish I Were Here. Photo: Alexandra Stock.
    Image description A young boy with his arms outstretched leans against a wall. The wall is covered with a larger than life photograph of a crowd of people holding flags and signs, as in a protest or a rally.
    Year 2011
    Related pages Bidoun Issue #25
  • A book cover depicting an upside-down photo of a section of Manhattan, taken from above.
    A book cover depicting an upside-down photo of a section of Manhattan, taken from above.
    Lou Cantor and Clamens Jahn (eds.), Turning Inward (Berlin: Sternberg Press, 2015). [A book cover depicting an upside-down photo of a section of Manhattan, taken from above.]
    Caption Lou Cantor and Clamens Jahn (eds.), Turning Inward (Berlin: Sternberg Press, 2015).
    Image description A book cover depicting an upside-down photo of a section of Manhattan, taken from above.
    Year 2015
    Related pages Turning Inward
  • Color image of a performer on stage with a guitar. They are singing into a microphone, with another microphone facing the guitar. Japanese and English text are projected on the performer and the wall behind them. The performer is lit with orange-tinted lights, and white dots of light from a discoball decorate the wall.
    Color image of a performer on stage with a guitar. They are singing into a microphone, with another microphone facing the guitar. Japanese and English text are projected on the performer and the wall behind them. The performer is lit with orange-tinted lights, and white dots of light from a discoball decorate the wall.
    Abasement #78. Performance documentation, June 16th, 2025, Artists Space. Photo: Joshua Wildman. [Color image of a performer on stage with a guitar. They are singing into a microphone, with another microphone facing the guitar. Japanese and English text are projected on the performer and the wall behind them. The performer is lit with orange-tinted lights, and white dots of light from a discoball decorate the wall.]
    Caption Abasement #78. Performance documentation, June 16th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Color image of a performer on stage with a guitar. They are singing into a microphone, with another microphone facing the guitar. Japanese and English text are projected on the performer and the wall behind them. The performer is lit with orange-tinted lights, and white dots of light from a discoball decorate the wall.
    Year
    Related pages Abasement #78
  • Color image of a video installation in the center of the floor of a gallery space. A walkway made of plywood runs along the edges of the room, around the projection. The projection depicts a negative film image that has been mirrored along the center. Objects are arranged on a blue background to create vaguely recognizable images.
    Color image of a video installation in the center of the floor of a gallery space. A walkway made of plywood runs along the edges of the room, around the projection. The projection depicts a negative film image that has been mirrored along the center. Objects are arranged on a blue background to create vaguely recognizable images.
    Crystal Z Campbell: Ode to the Underloved. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color image of a video installation in the center of the floor of a gallery space. A walkway made of plywood runs along the edges of the room, around the projection. The projection depicts a negative film image that has been mirrored along the center. Objects are arranged on a blue background to create vaguely recognizable images.]
    Caption Crystal Z Campbell: Ode to the Underloved. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color image of a video installation in the center of the floor of a gallery space. A walkway made of plywood runs along the edges of the room, around the projection. The projection depicts a negative film image that has been mirrored along the center. Objects are arranged on a blue background to create vaguely recognizable images.
    Year
    Related pages Crystal Z Campbell
  • A person dressed in all pink bends at the waist over her extended leg, over a heart-shaped canvas. She is surrounded by a crowd of audience members. There are light spots are reflected at even intervals over the performer and the crowd.
    A person dressed in all pink bends at the waist over her extended leg, over a heart-shaped canvas. She is surrounded by a crowd of audience members. There are light spots are reflected at even intervals over the performer and the crowd.
    Jutta Koether: xxapollo. Performance documentation, January 5, 2020, Artists Space. Photo © 2020 Paula Court. [A person dressed in all pink bends at the waist over her extended leg, over a heart-shaped canvas. She is surrounded by a crowd of audience members. There are light spots are reflected at even intervals over the performer and the crowd.]
    Caption Jutta Koether: xxapollo. Performance documentation, January 5, 2020, Artists Space. Photo © 2020 Paula Court.
    Image description A person dressed in all pink bends at the waist over her extended leg, over a heart-shaped canvas. She is surrounded by a crowd of audience members. There are light spots are reflected at even intervals over the performer and the crowd.
    Year 2020
    Related pages Jutta Koether
  • Photograph of a performer standing behind a small desk that holds audio equipment. The performer stands upright with their hands held together in front of their face. To the performer's right a music stand holds a score. The background is bathed in blue and red light.
    Photograph of a performer standing behind a small desk that holds audio equipment. The performer stands upright with their hands held together in front of their face. To the performer's right a music stand holds a score. The background is bathed in blue and red light.
    Heist Divination (fwiw remix). Performance documentation, October 25th, 2024, Artists Space. Photo: Destiny Mata. [Photograph of a performer standing behind a small desk that holds audio equipment. The performer stands upright with their hands held together in front of their face. To the performer's right a music stand holds a score. The background is bathed in blue and red light. ]
    Caption Heist Divination (fwiw remix). Performance documentation, October 25th, 2024, Artists Space. Photo: Destiny Mata.
    Image description Photograph of a performer standing behind a small desk that holds audio equipment. The performer stands upright with their hands held together in front of their face. To the performer's right a music stand holds a score. The background is bathed in blue and red light.
    Year
    Related pages S*an D. Henry-Smith
  • A close-up photo of the front grille of a car, depicting the bottom half of the Chevrolet logo and a section of the front metal grille. Several bugs are visible, dead and stuck to the grille.
    A close-up photo of the front grille of a car, depicting the bottom half of the Chevrolet logo and a section of the front metal grille. Several bugs are visible, dead and stuck to the grille.
    Danh Vo, Chevrolet Suburban, 2010, Digital C-print, 16 x 24 in / 40,6 x 61 cm Photo, credit: Thomas Cato Signed and numbered sales receipt. [A close-up photo of the front grille of a car, depicting the bottom half of the Chevrolet logo and a section of the front metal grille. Several bugs are visible, dead and stuck to the grille.]
    Caption Danh Vo, Chevrolet Suburban, 2010, Digital C-print, 16 x 24 in / 40,6 x 61 cm Photo, credit: Thomas Cato Signed and numbered sales receipt.
    Image description A close-up photo of the front grille of a car, depicting the bottom half of the Chevrolet logo and a section of the front metal grille. Several bugs are visible, dead and stuck to the grille.
    Year 2010
    Related pages Artists Space Annual Edition Portfolio 2011
  • A slightly blurry image of a city in the evening. An outline of a tall, triangular building is visible against a sunset sky.
    A slightly blurry image of a city in the evening. An outline of a tall, triangular building is visible against a sunset sky.
    Sean Snyder, still from Two Representations of a Given Place (Pyongyang), 2001-4. Courtesy the artist; Galerie Chantal Crousel, Paris; Lisson Gallery, London; and Galerie Neu, Berlin. [A slightly blurry image of a city in the evening. An outline of a tall, triangular building is visible against a sunset sky.]
    Caption Sean Snyder, still from Two Representations of a Given Place (Pyongyang), 2001-4. Courtesy the artist; Galerie Chantal Crousel, Paris; Lisson Gallery, London; and Galerie Neu, Berlin.
    Image description A slightly blurry image of a city in the evening. An outline of a tall, triangular building is visible against a sunset sky.
    Year 2004
    Related pages Sean Snyder
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    Year
    Related pages Ralston Farina: Time // Time
  • A pair of leather boots and a power strip rest underneath a blue, wooden chair on a concrete floor.
    A pair of leather boots and a power strip rest underneath a blue, wooden chair on a concrete floor.
    [A pair of leather boots and a power strip rest underneath a blue, wooden chair on a concrete floor.]
    Caption
    Image description A pair of leather boots and a power strip rest underneath a blue, wooden chair on a concrete floor.
    Year 2018
    Related pages What Are Our Questions?
  • A sculpted deer head with numerous designed drawn on it is viewed upright and with a veil hanging over it with a white background.
    A sculpted deer head with numerous designed drawn on it is viewed upright and with a veil hanging over it with a white background.
    Sherry Markovitz, Marmele Veiled, 1983. [A sculpted deer head with numerous designed drawn on it is viewed upright and with a veil hanging over it with a white background.]
    Caption Sherry Markovitz, Marmele Veiled, 1983.
    Image description A sculpted deer head with numerous designed drawn on it is viewed upright and with a veil hanging over it with a white background.
    Year
    Related pages U.S. Projects
  • A dimly lit room with a leather black couch facing a projection screen.
    A dimly lit room with a leather black couch facing a projection screen.
    Episode: Compari Project Space 2007 Installation view from Episode, Artists Space, 2007. Photo: Bill Orcutt. [A dimly lit room with a leather black couch facing a projection screen.]
    Caption Episode: Compari Project Space 2007 Installation view from Episode, Artists Space, 2007. Photo: Bill Orcutt.
    Image description A dimly lit room with a leather black couch facing a projection screen.
    Year 2007
    Related pages
  • A color photograph of a doorstop shaped like a donkey. The donkey carries a bundle of sticks on its back and props open a brown door.
    A color photograph of a doorstop shaped like a donkey. The donkey carries a bundle of sticks on its back and props open a brown door.
    Lyndon Barrois Jr.: Mirage Collar. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of a doorstop shaped like a donkey. The donkey carries a bundle of sticks on its back and props open a brown door.]
    Caption Lyndon Barrois Jr.: Mirage Collar. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color photograph of a doorstop shaped like a donkey. The donkey carries a bundle of sticks on its back and props open a brown door.
    Year 2022
    Related pages Lyndon Barrois Jr.: Mirage Collar
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    Image description
    Year
    Related pages Dream Lines: Drawings by Marian Zazeela
  • Photograph of a corner of a gallery, with printed and woven works along one wall, next to a row of TV flatscreens on another wall. In the center of the space is a large wooden platform.
    Photograph of a corner of a gallery, with printed and woven works along one wall, next to a row of TV flatscreens on another wall. In the center of the space is a large wooden platform.
    Clocking Out: Time Beyond Management. Installation view, Artists Space, 2023. Photo: Greg Carideo. [Photograph of a corner of a gallery, with printed and woven works along one wall, next to a row of TV flatscreens on another wall. In the center of the space is a large wooden platform.]
    Caption Clocking Out: Time Beyond Management. Installation view, Artists Space, 2023. Photo: Greg Carideo.
    Image description Photograph of a corner of a gallery, with printed and woven works along one wall, next to a row of TV flatscreens on another wall. In the center of the space is a large wooden platform.
    Year 2023
    Related pages Whitney Independent Study: Clocking Out: Time Beyond Management
  • Aluminum foil, partially unrolled, with a pile of pennies is dramatically lit in a darkened room.
    Aluminum foil, partially unrolled, with a pile of pennies is dramatically lit in a darkened room.
    Clegg & Guttmann, Change, 2015, C-print , 24 x 20 in
/ 61 x 50,8 cm, Signed and Numbered Certificate. [Aluminum foil, partially unrolled, with a pile of pennies is dramatically lit in a darkened room.]
    Caption Clegg & Guttmann, Change, 2015, C-print , 24 x 20 in
/ 61 x 50,8 cm, Signed and Numbered Certificate.
    Image description Aluminum foil, partially unrolled, with a pile of pennies is dramatically lit in a darkened room.
    Year 2016
    Related pages Artists Space Annual Edition Portfolio 2016
  • A cartoon outline of two hands pressed together.
    A cartoon outline of two hands pressed together.
    Dean Blunt, The Redeemer. [A cartoon outline of two hands pressed together.]
    Caption Dean Blunt, The Redeemer.
    Image description A cartoon outline of two hands pressed together.
    Year 2013
    Related pages Dean Blunt
  • A red background, half the Union Jack poisitoned behind sillhouette's of five men and a car, and text that reads,
    A red background, half the Union Jack poisitoned behind sillhouette's of five men and a car, and text that reads,
    Book cover for The Stagnant Society by Michael Shanks. Design by Richard Hollis. Published by Penguin Books, London, 1961. Courtesy Richard Hollis [A red background, half the Union Jack poisitoned behind sillhouette's of five men and a car, and text that reads, "The Stagnant Society, Michael Shanks."]
    Caption Book cover for The Stagnant Society by Michael Shanks. Design by Richard Hollis. Published by Penguin Books, London, 1961. Courtesy Richard Hollis
    Image description A red background, half the Union Jack poisitoned behind sillhouette's of five men and a car, and text that reads, "The Stagnant Society, Michael Shanks."
    Year 1961
    Related pages Richard Hollis
  • Rows of audio cassette tapes are tightly packed together. Many of the tapes have handwritten labels describing what is on the tape.
    Rows of audio cassette tapes are tightly packed together. Many of the tapes have handwritten labels describing what is on the tape.
    Audio cassette tapes for Echo Chamber, Sharon Hayes & Brooke O'Harra. [Rows of audio cassette tapes are tightly packed together. Many of the tapes have handwritten labels describing what is on the tape. ]
    Caption Audio cassette tapes for Echo Chamber, Sharon Hayes & Brooke O'Harra.
    Image description Rows of audio cassette tapes are tightly packed together. Many of the tapes have handwritten labels describing what is on the tape.
    Year
    Related pages Sharon Hayes and Brooke O'Harra
  • A rendering of a head with two faces, one positioned head-on and the other seen in profile, is made from gradient strips of red, orange and yellow color. Dissecting lines and geometric shapes define the face's blocky features. The top lips are blue and the bottom red, while the left eye is black with a white dial and the right eye is a hazy blue with yellow lightning coming out of it. Under the image, text in red, white, blue serif font reads: the segue reading series and artists space present / a reading by David Larsen and Sara Larsen / saturday, may 9, 5 pm nyc time / zoom id: 378 232 567.
    A rendering of a head with two faces, one positioned head-on and the other seen in profile, is made from gradient strips of red, orange and yellow color. Dissecting lines and geometric shapes define the face's blocky features. The top lips are blue and the bottom red, while the left eye is black with a white dial and the right eye is a hazy blue with yellow lightning coming out of it. Under the image, text in red, white, blue serif font reads: the segue reading series and artists space present / a reading by David Larsen and Sara Larsen / saturday, may 9, 5 pm nyc time / zoom id: 378 232 567.
    [A rendering of a head with two faces, one positioned head-on and the other seen in profile, is made from gradient strips of red, orange and yellow color. Dissecting lines and geometric shapes define the face's blocky features. The top lips are blue and the bottom red, while the left eye is black with a white dial and the right eye is a hazy blue with yellow lightning coming out of it. Under the image, text in red, white, blue serif font reads: the segue reading series and artists space present / a reading by David Larsen and Sara Larsen / saturday, may 9, 5 pm nyc time / zoom id: 378 232 567.]
    Caption
    Image description A rendering of a head with two faces, one positioned head-on and the other seen in profile, is made from gradient strips of red, orange and yellow color. Dissecting lines and geometric shapes define the face's blocky features. The top lips are blue and the bottom red, while the left eye is black with a white dial and the right eye is a hazy blue with yellow lightning coming out of it. Under the image, text in red, white, blue serif font reads: the segue reading series and artists space present / a reading by David Larsen and Sara Larsen / saturday, may 9, 5 pm nyc time / zoom id: 378 232 567.
    Year 2020
    Related pages Segue Reading Series: David Larsen and Sara Larsen
  • Projections of elongated gold figures.
    Projections of elongated gold figures.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York. [Projections of elongated gold figures.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York.
    Image description Projections of elongated gold figures.
    Year
    Related pages Grandmother Cindy
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    Related pages Friends of Artists Space Dinner
  • A color-blocked, red and grey, illustration of man's head with a blue hat turns toward the left of the frame.
    A color-blocked, red and grey, illustration of man's head with a blue hat turns toward the left of the frame.
    Konrad Lueg Mr. C & A, 1963 © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Photo: Daniela Steinfeld [A color-blocked, red and grey, illustration of man's head with a blue hat turns toward the left of the frame.]
    Caption Konrad Lueg Mr. C & A, 1963 © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Photo: Daniela Steinfeld
    Image description A color-blocked, red and grey, illustration of man's head with a blue hat turns toward the left of the frame.
    Year 1963
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • Portrait of a seated musician holding a microphone and a guitar.
    Portrait of a seated musician holding a microphone and a guitar.
    Axine M: Sold Licker Glass, 2024, Artists Space. Courtesy of ISSUE Project Room. Photography by Cameron Kelly McLeod. [Portrait of a seated musician holding a microphone and a guitar.]
    Caption Axine M: Sold Licker Glass, 2024, Artists Space. Courtesy of ISSUE Project Room. Photography by Cameron Kelly McLeod.
    Image description Portrait of a seated musician holding a microphone and a guitar.
    Year
    Related pages Axine M: Sold Licker Glass
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    Related pages fwiw
  • An abstract sculpture made of sticks, cords, and a textile sits in the center of a gallery space. Three large paintings hang on the walls around it, all blending abstract, painterly designs with latin text.
    An abstract sculpture made of sticks, cords, and a textile sits in the center of a gallery space. Three large paintings hang on the walls around it, all blending abstract, painterly designs with latin text.
    Metaphysical Visions. Installation view, Artists Space, 1989. [An abstract sculpture made of sticks, cords, and a textile sits in the center of a gallery space. Three large paintings hang on the walls around it, all blending abstract, painterly designs with latin text.]
    Caption Metaphysical Visions. Installation view, Artists Space, 1989.
    Image description An abstract sculpture made of sticks, cords, and a textile sits in the center of a gallery space. Three large paintings hang on the walls around it, all blending abstract, painterly designs with latin text.
    Year 1989
    Related pages Metaphysical Visions: Middle Europe
  • A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979. [A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.]
    Caption Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979.
    Image description A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    Year 1979
    Related pages Patricia Hearst - A Second Reading
  • A grid of fifteen black and white monitors, each displaying a unique text that names objects, phenomena, or other nouns characterizing an unidentified subject, such as
    A grid of fifteen black and white monitors, each displaying a unique text that names objects, phenomena, or other nouns characterizing an unidentified subject, such as
    Felix Gonzalez-Torres, “Untitled” (A Portrait), 1991. 5 min. [A grid of fifteen black and white monitors, each displaying a unique text that names objects, phenomena, or other nouns characterizing an unidentified subject, such as "a silver sea," "civil disobedience," and "a new lesion."]
    Caption Felix Gonzalez-Torres, “Untitled” (A Portrait), 1991. 5 min.
    Image description A grid of fifteen black and white monitors, each displaying a unique text that names objects, phenomena, or other nouns characterizing an unidentified subject, such as "a silver sea," "civil disobedience," and "a new lesion."
    Year 1991
    Related pages Film and Video Program | Macho Man, Tell It To My Heart: Collected by Julie Ault | January 23
  • A small wooden stool is presented on a white pedestal.
    A small wooden stool is presented on a white pedestal.
    Brad Kronz. Installation view, Artists Space, 2025. Photo: Carter Seddon [A small wooden stool is presented on a white pedestal. ]
    Caption Brad Kronz. Installation view, Artists Space, 2025. Photo: Carter Seddon
    Image description A small wooden stool is presented on a white pedestal.
    Year
    Related pages Brad Kronz
  • A gray television sits on a rectangular wooden board. There is a mass of wires next to it that snakes towards a pile of nearby photographs.
    A gray television sits on a rectangular wooden board. There is a mass of wires next to it that snakes towards a pile of nearby photographs.
    Replica of a Lost Original. Installation view, Artists Space, 2007. Photo: Bill Orcutt. [A gray television sits on a rectangular wooden board. There is a mass of wires next to it that snakes towards a pile of nearby photographs.]
    Caption Replica of a Lost Original. Installation view, Artists Space, 2007. Photo: Bill Orcutt.
    Image description A gray television sits on a rectangular wooden board. There is a mass of wires next to it that snakes towards a pile of nearby photographs.
    Year 2007
    Related pages Replica of a Lost Original
  • Silver, italic text displayed across the top edge of a white gallery wall reads,
    Silver, italic text displayed across the top edge of a white gallery wall reads,
    Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [Silver, italic text displayed across the top edge of a white gallery wall reads, "Tier 3 1980 Dallas 1963 Cabins 2007 Color TV 1954 TITMH 2013 Alexis de Tocqueville 1992." An image of the moon in a black sky and a small letter are displayed side-by-side on the gallery wall beneath the silver text.]
    Caption Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description Silver, italic text displayed across the top edge of a white gallery wall reads, "Tier 3 1980 Dallas 1963 Cabins 2007 Color TV 1954 TITMH 2013 Alexis de Tocqueville 1992." An image of the moon in a black sky and a small letter are displayed side-by-side on the gallery wall beneath the silver text.
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • Color photograph of a corner space in a gallery, below a staircase, that is bathed in red light. At the bottom of the stairs are a group of performers wearing conical costumes made of reflective one-way mirror film.
    Color photograph of a corner space in a gallery, below a staircase, that is bathed in red light. At the bottom of the stairs are a group of performers wearing conical costumes made of reflective one-way mirror film.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. [Color photograph of a corner space in a gallery, below a staircase, that is bathed in red light. At the bottom of the stairs are a group of performers wearing conical costumes made of reflective one-way mirror film.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space.
    Image description Color photograph of a corner space in a gallery, below a staircase, that is bathed in red light. At the bottom of the stairs are a group of performers wearing conical costumes made of reflective one-way mirror film.
    Year 2022
    Related pages keyon gaskin 12-16
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Black and white photograph of white picket fence with dark painted background behind it.
    Black and white photograph of white picket fence with dark painted background behind it.
    Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Candice Hill-Montgomery. [Black and white photograph of white picket fence with dark painted background behind it.]
    Caption Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Candice Hill-Montgomery.
    Image description Black and white photograph of white picket fence with dark painted background behind it.
    Year 1979
    Related pages Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach
  • A light pink paper with black typeface announcing the premiere of two plays, AM by Otis Bigelow and The Owl Answers by Adrienne Kennedy. Other printed information includes the time, date and location of the show, the board of directors, and the director.
    A light pink paper with black typeface announcing the premiere of two plays, AM by Otis Bigelow and The Owl Answers by Adrienne Kennedy. Other printed information includes the time, date and location of the show, the board of directors, and the director.
    Poster for the original production of The Owl Answers at The White Barn Theatre in Westport, Connecticut, 1965. Courtesy the Harry Ransom Archives at UT Austin, Texas. [A light pink paper with black typeface announcing the premiere of two plays, AM by Otis Bigelow and The Owl Answers by Adrienne Kennedy. Other printed information includes the time, date and location of the show, the board of directors, and the director.]
    Caption Poster for the original production of The Owl Answers at The White Barn Theatre in Westport, Connecticut, 1965. Courtesy the Harry Ransom Archives at UT Austin, Texas.
    Image description A light pink paper with black typeface announcing the premiere of two plays, AM by Otis Bigelow and The Owl Answers by Adrienne Kennedy. Other printed information includes the time, date and location of the show, the board of directors, and the director.
    Year 1965
    Related pages The Owl Answers
  • A grainy color image of two performers facing each other on a stage, with a large audience observing in a dark room. One individual on stage is sitting and faces the camera, watching her performance partner. The other individual has their back turned to the camera, as they crouch over musical equipment on the stage floor. A pinkish-red hue from some spotlights illuminates the on-stage performers.
    A grainy color image of two performers facing each other on a stage, with a large audience observing in a dark room. One individual on stage is sitting and faces the camera, watching her performance partner. The other individual has their back turned to the camera, as they crouch over musical equipment on the stage floor. A pinkish-red hue from some spotlights illuminates the on-stage performers.
    Abasement #63. Performance documentation, July 17, 2023, Artists Space. Photo: Joshua Wildman. [A grainy color image of two performers facing each other on a stage, with a large audience observing in a dark room. One individual on stage is sitting and faces the camera, watching her performance partner. The other individual has their back turned to the camera, as they crouch over musical equipment on the stage floor. A pinkish-red hue from some spotlights illuminates the on-stage performers.]
    Caption Abasement #63. Performance documentation, July 17, 2023, Artists Space. Photo: Joshua Wildman.
    Image description A grainy color image of two performers facing each other on a stage, with a large audience observing in a dark room. One individual on stage is sitting and faces the camera, watching her performance partner. The other individual has their back turned to the camera, as they crouch over musical equipment on the stage floor. A pinkish-red hue from some spotlights illuminates the on-stage performers.
    Year
    Related pages Abasement #63
  • Christopher Williams. Bouquet for Bas Jan Ader and Christopher D’Arcangelo, 1991. . Archival corrugated board, archival photocorners, compound, 4-py conservamat, 8-ply conservamat, drywall, dye transfer print, glass lacquer-based finish, linen tape, nails, Northern maple, plastic set back strips, primer, screws, seaming tape, paint and wood.. Print: 16 x 20 inches [40,6 x 50,8 cm]; 29 x 32 5/8 inches [73,7 x 82,9] (framed). Wall: 120 x 180 x 4 ? inches [304.8 x 457,2 x 12 cm]. Overall: 120 x 180 x 6 ? inches [304.8 x 457,2 x 17,2 cm]. Edition: 1/8. Edition size: 8 and 3 artist’s proofs.. Private collection, Berlin. Courtesy: Galerie Gisela Capitain, Cologne. . Installation view from Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979), Artists Space, 2011. . Photo: Daniel Pérez
    Caption Christopher Williams. Bouquet for Bas Jan Ader and Christopher D’Arcangelo, 1991. . Archival corrugated board, archival photocorners, compound, 4-py conservamat, 8-ply conservamat, drywall, dye transfer print, glass lacquer-based finish, linen tape, nails, Northern maple, plastic set back strips, primer, screws, seaming tape, paint and wood.. Print: 16 x 20 inches [40,6 x 50,8 cm]; 29 x 32 5/8 inches [73,7 x 82,9] (framed). Wall: 120 x 180 x 4 ? inches [304.8 x 457,2 x 12 cm]. Overall: 120 x 180 x 6 ? inches [304.8 x 457,2 x 17,2 cm]. Edition: 1/8. Edition size: 8 and 3 artist’s proofs.. Private collection, Berlin. Courtesy: Galerie Gisela Capitain, Cologne. . Installation view from Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979), Artists Space, 2011. . Photo: Daniel Pérez
    Image description
    Year
    Related pages Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979)
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Magazine cut-outs and ink drawings are collaged together on a background of red, green, and yellow paper. Pieces of beige paper with typewritten text listing the performers and event details are scattered around the flyer.
    Magazine cut-outs and ink drawings are collaged together on a background of red, green, and yellow paper. Pieces of beige paper with typewritten text listing the performers and event details are scattered around the flyer.
    Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a background of red, green, and yellow paper. Pieces of beige paper with typewritten text listing the performers and event details are scattered around the flyer.]
    Caption Flyer by Joe Frivaldi.
    Image description Magazine cut-outs and ink drawings are collaged together on a background of red, green, and yellow paper. Pieces of beige paper with typewritten text listing the performers and event details are scattered around the flyer.
    Year
    Related pages Abasement 77
  • A figure in a blue shirt kneels down on stage, they look down and hold a microphone to their face. Red light is cast onto the stage.
    A figure in a blue shirt kneels down on stage, they look down and hold a microphone to their face. Red light is cast onto the stage.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure in a blue shirt kneels down on stage, they look down and hold a microphone to their face. Red light is cast onto the stage.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure in a blue shirt kneels down on stage, they look down and hold a microphone to their face. Red light is cast onto the stage.
    Year
    Related pages Chorus: A Sound Poetry Festival 11-11
  • A large, black and white illustration of a hand displayed on a freestanding gallery wall. The hand extends upwards, palm facing the viewer, with tentacle like creatures escaping a slit on its wrist. The illustration extends across the full height of the wall.
    A large, black and white illustration of a hand displayed on a freestanding gallery wall. The hand extends upwards, palm facing the viewer, with tentacle like creatures escaping a slit on its wrist. The illustration extends across the full height of the wall.
    Sam Pulitzer: A Colony for “Them”. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A large, black and white illustration of a hand displayed on a freestanding gallery wall. The hand extends upwards, palm facing the viewer, with tentacle like creatures escaping a slit on its wrist. The illustration extends across the full height of the wall.]
    Caption Sam Pulitzer: A Colony for “Them”. Installation view, Artists Space, 2014. Photo: Daniel Pérez.
    Image description A large, black and white illustration of a hand displayed on a freestanding gallery wall. The hand extends upwards, palm facing the viewer, with tentacle like creatures escaping a slit on its wrist. The illustration extends across the full height of the wall.
    Year 2014
    Related pages Sam Pulitzer: A Colony for "Them"
  • A kite hangs from the ceiling of an exhibition space in front of a white gallery wall. Three yellow-toned paintings are displayed at eye level on the wall behind the kite. Three identical paintings depicting an image of a white, tent-like tarp sit at an angle on the gallery floor to the left of the yellow paintings.
    A kite hangs from the ceiling of an exhibition space in front of a white gallery wall. Three yellow-toned paintings are displayed at eye level on the wall behind the kite. Three identical paintings depicting an image of a white, tent-like tarp sit at an angle on the gallery floor to the left of the yellow paintings.
    Whitney Museum of American Art Independent Study Program Studio Exhibition. Installation view, Artists Space, 2018. Photo: Gustavo Murillo Fernández-Valdés. [A kite hangs from the ceiling of an exhibition space in front of a white gallery wall. Three yellow-toned paintings are displayed at eye level on the wall behind the kite. Three identical paintings depicting an image of a white, tent-like tarp sit at an angle on the gallery floor to the left of the yellow paintings.]
    Caption Whitney Museum of American Art Independent Study Program Studio Exhibition. Installation view, Artists Space, 2018. Photo: Gustavo Murillo Fernández-Valdés.
    Image description A kite hangs from the ceiling of an exhibition space in front of a white gallery wall. Three yellow-toned paintings are displayed at eye level on the wall behind the kite. Three identical paintings depicting an image of a white, tent-like tarp sit at an angle on the gallery floor to the left of the yellow paintings.
    Year 2018
    Related pages Whitney Museum of American Art Independent Study Program Studio Exhibition
  • Two figures play music on a stage, the left figure plays a keyboard. Washes of blue and green light are projected onto them.
    Two figures play music on a stage, the left figure plays a keyboard. Washes of blue and green light are projected onto them.
    Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [Two figures play music on a stage, the left figure plays a keyboard. Washes of blue and green light are projected onto them.]
    Caption Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman
    Image description Two figures play music on a stage, the left figure plays a keyboard. Washes of blue and green light are projected onto them.
    Year 2022
    Related pages Abasement #61
  • Books, with series numbers (1-20) marked at the top of the spine, rest on an encolsed shelf against a white wall.
    Books, with series numbers (1-20) marked at the top of the spine, rest on an encolsed shelf against a white wall.
    [Books, with series numbers (1-20) marked at the top of the spine, rest on an encolsed shelf against a white wall.]
    Caption
    Image description Books, with series numbers (1-20) marked at the top of the spine, rest on an encolsed shelf against a white wall.
    Year 2014
    Related pages The Library Vaccine
  • A figure in front of a microphone looks down upon a computer.
    A figure in front of a microphone looks down upon a computer.
    Eiko Ishibashi: Two New York Nights. Performance documentation, June 9, 2022, 8pm. Artists Space, New York. Photo: Paula Court [A figure in front of a microphone looks down upon a computer.]
    Caption Eiko Ishibashi: Two New York Nights. Performance documentation, June 9, 2022, 8pm. Artists Space, New York. Photo: Paula Court
    Image description A figure in front of a microphone looks down upon a computer.
    Year 2022
    Related pages Eiko Ishibashi in Concert
  • A person stands, holds a microphone to their mouth and adjusts a knob on a CDJ.
    A person stands, holds a microphone to their mouth and adjusts a knob on a CDJ.
    Lolina performing Inquiry & Investigation, 2018. [A person stands, holds a microphone to their mouth and adjusts a knob on a CDJ.]
    Caption Lolina performing Inquiry & Investigation, 2018.
    Image description A person stands, holds a microphone to their mouth and adjusts a knob on a CDJ.
    Year 2018
    Related pages Support
  • Assorted Delorean paraphernalia displayed on a white background, including several images of cars and a binder filled with a user manual.
    Assorted Delorean paraphernalia displayed on a white background, including several images of cars and a binder filled with a user manual.
    Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [Assorted Delorean paraphernalia displayed on a white background, including several images of cars and a binder filled with a user manual.]
    Caption Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description Assorted Delorean paraphernalia displayed on a white background, including several images of cars and a binder filled with a user manual.
    Year 2010
    Related pages Duncan Campbell: Make It New John
  • Dark drawing with branch-like figures appear from a twirling white line surrounded by black, fuzzy lines.
    Dark drawing with branch-like figures appear from a twirling white line surrounded by black, fuzzy lines.
    Carol Sun. Prospect Park Series - Winter, 1987. [Dark drawing with branch-like figures appear from a twirling white line surrounded by black, fuzzy lines.]
    Caption Carol Sun. Prospect Park Series - Winter, 1987.
    Image description Dark drawing with branch-like figures appear from a twirling white line surrounded by black, fuzzy lines.
    Year
    Related pages Selections from the Artists File
  • A white rectangular image with an opaque black circle in the center right, and a capital D outlined in black in the top left of the image.
    A white rectangular image with an opaque black circle in the center right, and a capital D outlined in black in the top left of the image.
    Adam Pendleton, Title TK, 2010, Silkscreen with embossing on Somerset Satin 500 gsm, 17 ¼ x 23 ½ inches, Signed and numbered. [A white rectangular image with an opaque black circle in the center right, and a capital D outlined in black in the top left of the image.]
    Caption Adam Pendleton, Title TK, 2010, Silkscreen with embossing on Somerset Satin 500 gsm, 17 ¼ x 23 ½ inches, Signed and numbered.
    Image description A white rectangular image with an opaque black circle in the center right, and a capital D outlined in black in the top left of the image.
    Year 2010
    Related pages Artists Space Annual Edition Portfolio 2010
  • Two video monitors installed on a freestanding wall in an exhibition space. A woman stands in front of the leftmost monitor, which displays a bright, red image. A larger monitor to the right displays a cool-toned scene of an ocean. White text superimposed over the image reads,
    Two video monitors installed on a freestanding wall in an exhibition space. A woman stands in front of the leftmost monitor, which displays a bright, red image. A larger monitor to the right displays a cool-toned scene of an ocean. White text superimposed over the image reads,
    Frozen Lakes. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [Two video monitors installed on a freestanding wall in an exhibition space. A woman stands in front of the leftmost monitor, which displays a bright, red image. A larger monitor to the right displays a cool-toned scene of an ocean. White text superimposed over the image reads, "Death Mask III."]
    Caption Frozen Lakes. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description Two video monitors installed on a freestanding wall in an exhibition space. A woman stands in front of the leftmost monitor, which displays a bright, red image. A larger monitor to the right displays a cool-toned scene of an ocean. White text superimposed over the image reads, "Death Mask III."
    Year 2013
    Related pages Frozen Lakes
  • Dr Andrew Torres, Teaching Artist leading a poetry class for Grade 8 students (detail), 2022
    Caption Dr Andrew Torres, Teaching Artist leading a poetry class for Grade 8 students (detail), 2022
    Image description
    Year 2022
    Related pages Art and Literacy: Poetry
  • A black-and-white photograph of a gallery space with several floor lamps installed throughout.
    A black-and-white photograph of a gallery space with several floor lamps installed throughout.
    Served Up! R.M. Fischer. Installation view, Artists Space, 1979. [A black-and-white photograph of a gallery space with several floor lamps installed throughout.]
    Caption Served Up! R.M. Fischer. Installation view, Artists Space, 1979.
    Image description A black-and-white photograph of a gallery space with several floor lamps installed throughout.
    Year
    Related pages Served Up! R. M. Fischer
  • Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon.
    Caption Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon.
    Image description
    Year
    Related pages Michael Asher
  • Black-and-white photograph of a TV against a brick wall, connected to a camera recording directly above a spotlighted chair and desk.
    Black-and-white photograph of a TV against a brick wall, connected to a camera recording directly above a spotlighted chair and desk.
    Yasunao Tone, Voice and Phenomenon, Experimental Intermedia Foundation, New York, 1976. [Black-and-white photograph of a TV against a brick wall, connected to a camera recording directly above a spotlighted chair and desk.]
    Caption Yasunao Tone, Voice and Phenomenon, Experimental Intermedia Foundation, New York, 1976.
    Image description Black-and-white photograph of a TV against a brick wall, connected to a camera recording directly above a spotlighted chair and desk.
    Year
    Related pages Yasunao Tone: Region of Paramedia
  • Black text overlays a color-scheme grid background. The text reads: “Dec 9 / Jessica Laser / Jillian McManemin
    Black text overlays a color-scheme grid background. The text reads: “Dec 9 / Jessica Laser / Jillian McManemin
    [Black text overlays a color-scheme grid background. The text reads: “Dec 9 / Jessica Laser / Jillian McManemin" Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description Black text overlays a color-scheme grid background. The text reads: “Dec 9 / Jessica Laser / Jillian McManemin" Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year
    Related pages Segue Reading Series: Jessica Laser & Jillian McManemin
  • A ghostly, blurry figure in white with their arms out with digital light blurs swirled around.
    A ghostly, blurry figure in white with their arms out with digital light blurs swirled around.
    Michael Robinson. Still from All Through the Night, 2008. [A ghostly, blurry figure in white with their arms out with digital light blurs swirled around.]
    Caption Michael Robinson. Still from All Through the Night, 2008.
    Image description A ghostly, blurry figure in white with their arms out with digital light blurs swirled around.
    Year 2008
    Related pages Summer Knowledge: Michael Robinson
  • Eight colorful paintings are exhibited in a grid pattern on a wall with a small didactic.
    Eight colorful paintings are exhibited in a grid pattern on a wall with a small didactic.
    Art Day, Blue Sky Gallery, 2017 [Eight colorful paintings are exhibited in a grid pattern on a wall with a small didactic. "Blue Sky Gallery - P.S. 140 and Artists Space Expanded Art Ideas" is printed on the wall.]
    Caption Art Day, Blue Sky Gallery, 2017
    Image description Eight colorful paintings are exhibited in a grid pattern on a wall with a small didactic. "Blue Sky Gallery - P.S. 140 and Artists Space Expanded Art Ideas" is printed on the wall.
    Year 2017
    Related pages Exhibitions and Events
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  • Close up of an illuminated white curtain, which reveals small, delicate embroidery of various flowers and herbs.
    Close up of an illuminated white curtain, which reveals small, delicate embroidery of various flowers and herbs.
    Danh Vo: Autoerotic Asphyxiation. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [Close up of an illuminated white curtain, which reveals small, delicate embroidery of various flowers and herbs.]
    Caption Danh Vo: Autoerotic Asphyxiation. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description Close up of an illuminated white curtain, which reveals small, delicate embroidery of various flowers and herbs.
    Year 2010
    Related pages Danh Vo: Autoerotic Asphyxiation
  • A few people standing in a gallery space with a picket fence and drapery on the walls behind them.
    A few people standing in a gallery space with a picket fence and drapery on the walls behind them.
    Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork: Candace Hill-Montgomery. [A few people standing in a gallery space with a picket fence and drapery on the walls behind them.]
    Caption Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork: Candace Hill-Montgomery.
    Image description A few people standing in a gallery space with a picket fence and drapery on the walls behind them.
    Year 1979
    Related pages Candance Hill-Montgomery
  • On the left, a framed photograph hangs on the wall. In the center, a sculpture built around a red electric guitar hangs from the wall. In the distance on the right, various posters and ephemera adorn the wall.
    On the left, a framed photograph hangs on the wall. In the center, a sculpture built around a red electric guitar hangs from the wall. In the distance on the right, various posters and ephemera adorn the wall.
    Attention Line. Installation view (James as Jimmy, 2001, Guitar from the exhibit All Indian All the Time, 2005), Artists Space, June 11, 2022 - August 20, 2022. Photo: Filip Wolak [On the left, a framed photograph hangs on the wall. In the center, a sculpture built around a red electric guitar hangs from the wall. In the distance on the right, various posters and ephemera adorn the wall.]
    Caption Attention Line. Installation view (James as Jimmy, 2001, Guitar from the exhibit All Indian All the Time, 2005), Artists Space, June 11, 2022 - August 20, 2022. Photo: Filip Wolak
    Image description On the left, a framed photograph hangs on the wall. In the center, a sculpture built around a red electric guitar hangs from the wall. In the distance on the right, various posters and ephemera adorn the wall.
    Year 2022
    Related pages Attention Line
  • A photograph of a gallery space with a long rectangular table and chair in the background. In the foreground is a bookshelf with a row of books with silver covers.
    A photograph of a gallery space with a long rectangular table and chair in the background. In the foreground is a bookshelf with a row of books with silver covers.
    Tiffany Sia: Slippery When Wet. Installation view, Artists Space, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A photograph of a gallery space with a long rectangular table and chair in the background. In the foreground is a bookshelf with a row of books with silver covers.]
    Caption Tiffany Sia: Slippery When Wet. Installation view, Artists Space, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A photograph of a gallery space with a long rectangular table and chair in the background. In the foreground is a bookshelf with a row of books with silver covers.
    Year 2021
    Related pages Tiffany Sia: Slippery When Wet
  • A photograph of a large gallery. In the center of the room, a person gazes at large, geometric sculptures.
    A photograph of a large gallery. In the center of the room, a person gazes at large, geometric sculptures.
    Selections from the Artists File. Installation view, Artists Space, 1989. [A photograph of a large gallery. In the center of the room, a person gazes at large, geometric sculptures.]
    Caption Selections from the Artists File. Installation view, Artists Space, 1989.
    Image description A photograph of a large gallery. In the center of the room, a person gazes at large, geometric sculptures.
    Year 1989
    Related pages Selections from the Artist File
  • Flyer for Pierre Leguillon, Slideshow/Cloackroom
    Caption Flyer for Pierre Leguillon, Slideshow/Cloackroom
    Image description
    Year
    Related pages Hypnotic Show
  • A close up of a glass display case holding multiple images and text.
    A close up of a glass display case holding multiple images and text.
    Till They Listen: Bill Gunn Directs America. Installation view featuring various ephemera from Ganja & Hess, c. 1973, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A close up of a glass display case holding multiple images and text.]
    Caption Till They Listen: Bill Gunn Directs America. Installation view featuring various ephemera from Ganja & Hess, c. 1973, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A close up of a glass display case holding multiple images and text.
    Year 2021
    Related pages Till They Listen: Bill Gunn Directs America
  • A vertical rectangle of straw on a white background. The top of the rectangle is covered by an inverted triangle made of black tar.
    A vertical rectangle of straw on a white background. The top of the rectangle is covered by an inverted triangle made of black tar.
    Robert Gero, Untitled, 1989. Straw, tar. [A vertical rectangle of straw on a white background. The top of the rectangle is covered by an inverted triangle made of black tar.]
    Caption Robert Gero, Untitled, 1989. Straw, tar.
    Image description A vertical rectangle of straw on a white background. The top of the rectangle is covered by an inverted triangle made of black tar.
    Year 1989
    Related pages Energeia
  • A black box screening room featuring a a video of a bespecaled white haired man with glasses speaking to the camera in front of rows of books.
    A black box screening room featuring a a video of a bespecaled white haired man with glasses speaking to the camera in front of rows of books.
    New Economy. Installation view, Artists Space, 2007. [A black box screening room featuring a a video of a bespecaled white haired man with glasses speaking to the camera in front of rows of books.]
    Caption New Economy. Installation view, Artists Space, 2007.
    Image description A black box screening room featuring a a video of a bespecaled white haired man with glasses speaking to the camera in front of rows of books.
    Year 2007
    Related pages New Economy
  • A color photograph of an arepa placed on a purple tablecloth.
    A color photograph of an arepa placed on a purple tablecloth.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata [A color photograph of an arepa placed on a purple tablecloth.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata
    Image description A color photograph of an arepa placed on a purple tablecloth.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • Photographic and sculptural works appear in a white-walled gallery space.
    Photographic and sculptural works appear in a white-walled gallery space.
    35 Artists Return to Artists Space. Installation view, Artists Space, 1981. [Photographic and sculptural works appear in a white-walled gallery space.]
    Caption 35 Artists Return to Artists Space. Installation view, Artists Space, 1981.
    Image description Photographic and sculptural works appear in a white-walled gallery space.
    Year
    Related pages 35 Artists Return to Artists Space: A Benefit Exhibition
  • Color image of the silhouette of a figure on the right, they are bent over with a small radio in their hands. To the left is a standing microphone placed over speakers on a desk, with light sensors dangling on the wall behind.
    Color image of the silhouette of a figure on the right, they are bent over with a small radio in their hands. To the left is a standing microphone placed over speakers on a desk, with light sensors dangling on the wall behind.
    Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata [Color image of the silhouette of a figure on the right, they are bent over with a small radio in their hands. To the left is a standing microphone placed over speakers on a desk, with light sensors dangling on the wall behind.]
    Caption Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata
    Image description Color image of the silhouette of a figure on the right, they are bent over with a small radio in their hands. To the left is a standing microphone placed over speakers on a desk, with light sensors dangling on the wall behind.
    Year 2023
    Related pages Yasunao Tone Concert #2
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    Related pages Theresa Hak Kyung Cha: Multiple Offerings
  • A figure performs on stage, speaking into a microphone and holding papers in their hands.
    A figure performs on stage, speaking into a microphone and holding papers in their hands.
    Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [A figure performs on stage, speaking into a microphone and holding papers in their hands.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure performs on stage, speaking into a microphone and holding papers in their hands.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-10
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A warm-colored living space littered with discarded wrapping paper and boxes. A champagne bottle sits on a side table next to an orange couch.
    A warm-colored living space littered with discarded wrapping paper and boxes. A champagne bottle sits on a side table next to an orange couch.
    [A warm-colored living space littered with discarded wrapping paper and boxes. A champagne bottle sits on a side table next to an orange couch.]
    Caption
    Image description A warm-colored living space littered with discarded wrapping paper and boxes. A champagne bottle sits on a side table next to an orange couch.
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • A grainy image of a person's face in striped tones of blue, orange, pink, and green.
    A grainy image of a person's face in striped tones of blue, orange, pink, and green.
    Kristin Lucas, still from Cable Xcess, 1996. [A grainy image of a person's face in striped tones of blue, orange, pink, and green.]
    Caption Kristin Lucas, still from Cable Xcess, 1996.
    Image description A grainy image of a person's face in striped tones of blue, orange, pink, and green.
    Year 1996
    Related pages Station to Station
  • In a large dark room, a modular structure is recessed into a raised floor covered with black carpet. The structure is lit in bright blue light, and hosts open water. Red light shines in the back room.
    In a large dark room, a modular structure is recessed into a raised floor covered with black carpet. The structure is lit in bright blue light, and hosts open water. Red light shines in the back room.
    Constantina Zavitsanos: fwiw. Installation view (Wishing Well (Korpi), 2023/24; There's something happening here, 2024), Artists Space, 2024. Photo: Carter Seddon. [In a large dark room, a modular structure is recessed into a raised floor covered with black carpet. The structure is lit in bright blue light, and hosts open water. Red light shines in the back room.]
    Caption Constantina Zavitsanos: fwiw. Installation view (Wishing Well (Korpi), 2023/24; There's something happening here, 2024), Artists Space, 2024. Photo: Carter Seddon.
    Image description In a large dark room, a modular structure is recessed into a raised floor covered with black carpet. The structure is lit in bright blue light, and hosts open water. Red light shines in the back room.
    Year
    Related pages fwiw
  • Black text overlays a color-scheme grid background. The text reads: “Jan 20 / Bahaar Ahsan / Uche Nduka.
    Black text overlays a color-scheme grid background. The text reads: “Jan 20 / Bahaar Ahsan / Uche Nduka.
    [Black text overlays a color-scheme grid background. The text reads: “Jan 20 / Bahaar Ahsan / Uche Nduka." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description Black text overlays a color-scheme grid background. The text reads: “Jan 20 / Bahaar Ahsan / Uche Nduka." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year
    Related pages Segue Reading Series: Bahaar Ahsan & Uche Nduka
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Scavenger Hunt, Serena Booth, City-As-School high school student, 2021, digital photograph.
    Caption Scavenger Hunt, Serena Booth, City-As-School high school student, 2021, digital photograph.
    Image description
    Year
    Related pages BRIDGE Photography
  • A black and white photograph of a gallery with paintinfs on the wll and several figures milling and chatting.
    A black and white photograph of a gallery with paintinfs on the wll and several figures milling and chatting.
    Opening reception for J.B. Cobb, Martha Edelheit, Ree Morton, Artists Space, 1973 [A black and white photograph of a gallery with paintinfs on the wll and several figures milling and chatting.]
    Caption Opening reception for J.B. Cobb, Martha Edelheit, Ree Morton, Artists Space, 1973
    Image description A black and white photograph of a gallery with paintinfs on the wll and several figures milling and chatting.
    Year 1973
    Related pages J.B. Cobb, Martha Edelheit, Ree Morton
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    Related pages David Armstrong: Portraits
  • A blue carpet decorated with colorful polka-dots fills the floor of a gallery space. Colorful, plastic chairs are arranged against the right wall. A wooden table with chairs and two monitors are displayed at the space's back wall. A kite hangs from the ceiling in the center of the space.
    A blue carpet decorated with colorful polka-dots fills the floor of a gallery space. Colorful, plastic chairs are arranged against the right wall. A wooden table with chairs and two monitors are displayed at the space's back wall. A kite hangs from the ceiling in the center of the space.
    Whitney Museum of American Art Independent Study Program Studio Exhibition. Installation view, Artists Space, 2018. Photo: Gustavo Murillo Fernández-Valdés. [A blue carpet decorated with colorful polka-dots fills the floor of a gallery space. Colorful, plastic chairs are arranged against the right wall. A wooden table with chairs and two monitors are displayed at the space's back wall. A kite hangs from the ceiling in the center of the space.]
    Caption Whitney Museum of American Art Independent Study Program Studio Exhibition. Installation view, Artists Space, 2018. Photo: Gustavo Murillo Fernández-Valdés.
    Image description A blue carpet decorated with colorful polka-dots fills the floor of a gallery space. Colorful, plastic chairs are arranged against the right wall. A wooden table with chairs and two monitors are displayed at the space's back wall. A kite hangs from the ceiling in the center of the space.
    Year 2018
    Related pages Whitney Museum of American Art Independent Study Program Studio Exhibition
  • One figure stands in a small square construction waist high and a nearby child stands inside another square construction with their head peeking out at the other figure. A figure stands behind them by a washbasin with clothes hanging from a clothesline in front of them. Bushes and trees appear behind them along with another edifice in the background. Video scan lines and black edges of CRT monitor are visible.
    One figure stands in a small square construction waist high and a nearby child stands inside another square construction with their head peeking out at the other figure. A figure stands behind them by a washbasin with clothes hanging from a clothesline in front of them. Bushes and trees appear behind them along with another edifice in the background. Video scan lines and black edges of CRT monitor are visible.
    Sistema Sandinista de Television. Still from Golpes de la Corazon (Blows of the Heart), 1983. Video (sound, black and white). Spanish with English subtitles. [One figure stands in a small square construction waist high and a nearby child stands inside another square construction with their head peeking out at the other figure. A figure stands behind them by a washbasin with clothes hanging from a clothesline in front of them. Bushes and trees appear behind them along with another edifice in the background. Video scan lines and black edges of CRT monitor are visible.]
    Caption Sistema Sandinista de Television. Still from Golpes de la Corazon (Blows of the Heart), 1983. Video (sound, black and white). Spanish with English subtitles.
    Image description One figure stands in a small square construction waist high and a nearby child stands inside another square construction with their head peeking out at the other figure. A figure stands behind them by a washbasin with clothes hanging from a clothesline in front of them. Bushes and trees appear behind them along with another edifice in the background. Video scan lines and black edges of CRT monitor are visible.
    Year 1983
    Related pages TV Sandino
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    Year
    Related pages Abasement #78
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    Year
    Related pages Axine M: Sold Licker Glass
  • Color image of a figure sitting behind a white desk, manipulating an audio machine with their hands. A lamp illuminates the machines controls and speakers are placed in front of the machine.
    Color image of a figure sitting behind a white desk, manipulating an audio machine with their hands. A lamp illuminates the machines controls and speakers are placed in front of the machine.
    Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata [Color image of a figure sitting behind a white desk, manipulating an audio machine with their hands. A lamp illuminates the machines controls and speakers are placed in front of the machine.]
    Caption Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata
    Image description Color image of a figure sitting behind a white desk, manipulating an audio machine with their hands. A lamp illuminates the machines controls and speakers are placed in front of the machine.
    Year 2023
    Related pages Yasunao Tone Concert #2
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