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  • A variety of images of covers and photographs of nude and semi-nude people is displayed on a white background.
    A variety of images of covers and photographs of nude and semi-nude people is displayed on a white background.
    Mark Morrisroe: From This Moment On. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A variety of images of covers and photographs of nude and semi-nude people is displayed on a white background.]
    Caption Mark Morrisroe: From This Moment On. Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description A variety of images of covers and photographs of nude and semi-nude people is displayed on a white background.
    Year 2011
    Related pages Mark Morrisroe: From This Moment On
  • Two shelves and several artworks sit in a gallery space with wooden floors. To the right, there are two empty wooden bookshelves placed at right angles to one another. Above a bookshelf positioned against the gallery wall, there is text that reads
    Two shelves and several artworks sit in a gallery space with wooden floors. To the right, there are two empty wooden bookshelves placed at right angles to one another. Above a bookshelf positioned against the gallery wall, there is text that reads
    Nina in Position. Installation view, Artists Space, 2008. Photo: Bill Orcutt. [Two shelves and several artworks sit in a gallery space with wooden floors. To the right, there are two empty wooden bookshelves placed at right angles to one another. Above a bookshelf positioned against the gallery wall, there is text that reads "ARTISTS SPACE." To the left of the shelves is a figurine with rectangular torso, arms, and legs and a more naturalistic face made of a brown, clay-like material. Four small monitors are installed on the gallery wall behind the figurine, while a larger monitor rests on the gallery floor to the image's far left.]
    Caption Nina in Position. Installation view, Artists Space, 2008. Photo: Bill Orcutt.
    Image description Two shelves and several artworks sit in a gallery space with wooden floors. To the right, there are two empty wooden bookshelves placed at right angles to one another. Above a bookshelf positioned against the gallery wall, there is text that reads "ARTISTS SPACE." To the left of the shelves is a figurine with rectangular torso, arms, and legs and a more naturalistic face made of a brown, clay-like material. Four small monitors are installed on the gallery wall behind the figurine, while a larger monitor rests on the gallery floor to the image's far left.
    Year 2008
    Related pages Nina in Position
  • A color photograph of a gallery space featuring two large windows on the left and a row of dark metal columns in the center. A pile of grey posters, a table with red chairs, hanging framed images, and blue posters are visible in the space. A large grey and yellow vinyl partially hangs from the wall on the right, cascading down to the ground in the far right corner.
    A color photograph of a gallery space featuring two large windows on the left and a row of dark metal columns in the center. A pile of grey posters, a table with red chairs, hanging framed images, and blue posters are visible in the space. A large grey and yellow vinyl partially hangs from the wall on the right, cascading down to the ground in the far right corner.
    virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of a gallery space featuring two large windows on the left and a row of dark metal columns in the center. A pile of grey posters, a table with red chairs, hanging framed images, and blue posters are visible in the space. A large grey and yellow vinyl partially hangs from the wall on the right, cascading down to the ground in the far right corner.]
    Caption virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color photograph of a gallery space featuring two large windows on the left and a row of dark metal columns in the center. A pile of grey posters, a table with red chairs, hanging framed images, and blue posters are visible in the space. A large grey and yellow vinyl partially hangs from the wall on the right, cascading down to the ground in the far right corner.
    Year 2022
    Related pages virgil b/g taylor: Minor Publics
  • Several artworks installed in a large gallery space with white walls and wooden flooring. A television monitor rests on a low acrylic box on the floor to the room's right side. A warped purple and pink image resembling a kaleidoscopic star shape is displayed on its screen. There are white columns to the left of the monitor. Hanging on a gallery wall on the image's far left side is a large piece of translucent, white cloth embroidered with amorphous red and blue linework. The far gallery wall behind the twinned columns has been painted with slanted, striped areas of peach, yellow, and ochre color.
    Several artworks installed in a large gallery space with white walls and wooden flooring. A television monitor rests on a low acrylic box on the floor to the room's right side. A warped purple and pink image resembling a kaleidoscopic star shape is displayed on its screen. There are white columns to the left of the monitor. Hanging on a gallery wall on the image's far left side is a large piece of translucent, white cloth embroidered with amorphous red and blue linework. The far gallery wall behind the twinned columns has been painted with slanted, striped areas of peach, yellow, and ochre color.
    Abstruction. Installation view, Artists Space, 2003. [Several artworks installed in a large gallery space with white walls and wooden flooring. A television monitor rests on a low acrylic box on the floor to the room's right side. A warped purple and pink image resembling a kaleidoscopic star shape is displayed on its screen. There are white columns to the left of the monitor. Hanging on a gallery wall on the image's far left side is a large piece of translucent, white cloth embroidered with amorphous red and blue linework. The far gallery wall behind the twinned columns has been painted with slanted, striped areas of peach, yellow, and ochre color.]
    Caption Abstruction. Installation view, Artists Space, 2003.
    Image description Several artworks installed in a large gallery space with white walls and wooden flooring. A television monitor rests on a low acrylic box on the floor to the room's right side. A warped purple and pink image resembling a kaleidoscopic star shape is displayed on its screen. There are white columns to the left of the monitor. Hanging on a gallery wall on the image's far left side is a large piece of translucent, white cloth embroidered with amorphous red and blue linework. The far gallery wall behind the twinned columns has been painted with slanted, striped areas of peach, yellow, and ochre color.
    Year 2003
    Related pages Abstruction
  • A silhouetted figure of a person speaking into a microphone. They are backlit by an image of an upside down American flag.
    A silhouetted figure of a person speaking into a microphone. They are backlit by an image of an upside down American flag.
    New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court. [A silhouetted figure of a person speaking into a microphone. They are backlit by an image of an upside down American flag.]
    Caption New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court.
    Image description A silhouetted figure of a person speaking into a microphone. They are backlit by an image of an upside down American flag.
    Year 2020
    Related pages New Red Order: Informants Get Paid!
  • A black and white photograph of a gallery space. A chouch with two figures is visible in the lower left corner. On the walls, several framed works are hung, each with a grid of smaller black and white images.
    A black and white photograph of a gallery space. A chouch with two figures is visible in the lower left corner. On the walls, several framed works are hung, each with a grid of smaller black and white images.
    Artists Performance Series. Installation view, Artists Space, 1977. [A black and white photograph of a gallery space. A chouch with two figures is visible in the lower left corner. On the walls, several framed works are hung, each with a grid of smaller black and white images.]
    Caption Artists Performance Series. Installation view, Artists Space, 1977.
    Image description A black and white photograph of a gallery space. A chouch with two figures is visible in the lower left corner. On the walls, several framed works are hung, each with a grid of smaller black and white images.
    Year 1977
    Related pages Artists Performance Series
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    Related pages Dark Rooms
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    Related pages Artists for Artists Space
  • Five dice float at the top of a container of water, which is tinted blue. There are small ripples created across the surface of the water and the frame of structure containing the water is slightly visible through the ripple distortion.
    Five dice float at the top of a container of water, which is tinted blue. There are small ripples created across the surface of the water and the frame of structure containing the water is slightly visible through the ripple distortion.
    Heist Divination (fwiw remix). Performance documentation, October 25th, 2024, Artists Space. Photo: Destiny Mata. [Five dice float at the top of a container of water, which is tinted blue. There are small ripples created across the surface of the water and the frame of structure containing the water is slightly visible through the ripple distortion.]
    Caption Heist Divination (fwiw remix). Performance documentation, October 25th, 2024, Artists Space. Photo: Destiny Mata.
    Image description Five dice float at the top of a container of water, which is tinted blue. There are small ripples created across the surface of the water and the frame of structure containing the water is slightly visible through the ripple distortion.
    Year
    Related pages S*an D. Henry-Smith
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    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • Color image of an audience in a room. Some of them are seated, others in the background are standing up. A bright yellow light is pointing into the camera, creating a dramatic light flare. The wall in the background features an abstract image projection, resembling a piece of shattered glass. The atmosphere in the room is hazy, and white dots of light from a disco ball fill the room.
    Color image of an audience in a room. Some of them are seated, others in the background are standing up. A bright yellow light is pointing into the camera, creating a dramatic light flare. The wall in the background features an abstract image projection, resembling a piece of shattered glass. The atmosphere in the room is hazy, and white dots of light from a disco ball fill the room.
    Abasement #77. Performance documentation, April 7th, 2025, Artists Space. Photo: Joshua Wildman. [Color image of an audience in a room. Some of them are seated, others in the background are standing up. A bright yellow light is pointing into the camera, creating a dramatic light flare. The wall in the background features an abstract image projection, resembling a piece of shattered glass. The atmosphere in the room is hazy, and white dots of light from a disco ball fill the room.]
    Caption Abasement #77. Performance documentation, April 7th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Color image of an audience in a room. Some of them are seated, others in the background are standing up. A bright yellow light is pointing into the camera, creating a dramatic light flare. The wall in the background features an abstract image projection, resembling a piece of shattered glass. The atmosphere in the room is hazy, and white dots of light from a disco ball fill the room.
    Year
    Related pages Abasement #77
  • A takeaway artwork shows three 2.5 gram gold bullion bars in blue Pamp Suisse certifying cases. Each bar depicts a low relief icon of Lady Fortuna, the blindfolded goddess of luck, fortune, and chance.
    A takeaway artwork shows three 2.5 gram gold bullion bars in blue Pamp Suisse certifying cases. Each bar depicts a low relief icon of Lady Fortuna, the blindfolded goddess of luck, fortune, and chance.
    Constantina Zavitsanos, Three Card Monte, 2018/24, three 2.5 gram Pamp Suisse 999.9 gold bars on offer in their certifying cases, dimensions variable. Photo: Constantina Zavitsanos. [A takeaway artwork shows three 2.5 gram gold bullion bars in blue Pamp Suisse certifying cases. Each bar depicts a low relief icon of Lady Fortuna, the blindfolded goddess of luck, fortune, and chance.]
    Caption Constantina Zavitsanos, Three Card Monte, 2018/24, three 2.5 gram Pamp Suisse 999.9 gold bars on offer in their certifying cases, dimensions variable. Photo: Constantina Zavitsanos.
    Image description A takeaway artwork shows three 2.5 gram gold bullion bars in blue Pamp Suisse certifying cases. Each bar depicts a low relief icon of Lady Fortuna, the blindfolded goddess of luck, fortune, and chance.
    Year
    Related pages fwiw
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A large gallery space full of hundreds of metal cutouts shaped like curved
    A large gallery space full of hundreds of metal cutouts shaped like curved
    H_edge. Installation view, Artists Space, 2006. Photo: Whitney Cox. [A large gallery space full of hundreds of metal cutouts shaped like curved "x"'s hanging from lengths of metal chainlinks. The cutouts are arranged in the gallery so that they form a hedge-like landscape of varying heights.]
    Caption H_edge. Installation view, Artists Space, 2006. Photo: Whitney Cox.
    Image description A large gallery space full of hundreds of metal cutouts shaped like curved "x"'s hanging from lengths of metal chainlinks. The cutouts are arranged in the gallery so that they form a hedge-like landscape of varying heights.
    Year 2006
    Related pages H_edge
  • A scan of printed text. The legible portion reads
    A scan of printed text. The legible portion reads
    Susan Howe, From DEBTHS, 2016, Silkscreen on archival box, 24 ¼ 20 ½ x 1 ½ in / 62,2 x 52 x 3,8 cm, Signed and Numbered Certificate [A scan of printed text. The legible portion reads "Upon the frontier of unimaged night"]
    Caption Susan Howe, From DEBTHS, 2016, Silkscreen on archival box, 24 ¼ 20 ½ x 1 ½ in / 62,2 x 52 x 3,8 cm, Signed and Numbered Certificate
    Image description A scan of printed text. The legible portion reads "Upon the frontier of unimaged night"
    Year
    Related pages Artists Space Annual Edition Portfolio 2017
  • Two figures perform in front of large projected images.
    Two figures perform in front of large projected images.
    SCRAAATCH, Tower of Babel, 2019, Les Urbaines. Photo: Mathilda Olmi [Two figures perform in front of large projected images.]
    Caption SCRAAATCH, Tower of Babel, 2019, Les Urbaines. Photo: Mathilda Olmi
    Image description Two figures perform in front of large projected images.
    Year 2019
    Related pages SCRAAATCH 12-3
  • Black text overlays a solid green background. The text at the top reads: “Segue Reading Series & ARTISTS SPACE / Winter 2024 Season / December/January curated by ROOF BOOKS: / Lonely Christopher & James Sherry / Saturdays at 5pm: 11 Cortlandt Alley + Zoom
    Black text overlays a solid green background. The text at the top reads: “Segue Reading Series & ARTISTS SPACE / Winter 2024 Season / December/January curated by ROOF BOOKS: / Lonely Christopher & James Sherry / Saturdays at 5pm: 11 Cortlandt Alley + Zoom
    [Black text overlays a solid green background. The text at the top reads: “Segue Reading Series & ARTISTS SPACE / Winter 2024 Season / December/January curated by ROOF BOOKS: / Lonely Christopher & James Sherry / Saturdays at 5pm: 11 Cortlandt Alley + Zoom"]
    Caption
    Image description Black text overlays a solid green background. The text at the top reads: “Segue Reading Series & ARTISTS SPACE / Winter 2024 Season / December/January curated by ROOF BOOKS: / Lonely Christopher & James Sherry / Saturdays at 5pm: 11 Cortlandt Alley + Zoom"
    Year
    Related pages Segue Reading Series
  • An image featuring a cartoonish illustration of a purple bridge crossing over a stream in a fantasy landscape. Medieval houses dot the riverbank across the bridge, and mountains are visible in the distance. A black mass vaguely resembling two pant legs emerges below the illustration. The mass rests on a small highway underpass, underneath of which three figures stand or walk. Two large blue sneakers emerge from the right and left ends of the black mass, resting at the image's lower corners. A white band runs across the bottom of the image. Small black text running along the lower edge of the image reads,
    An image featuring a cartoonish illustration of a purple bridge crossing over a stream in a fantasy landscape. Medieval houses dot the riverbank across the bridge, and mountains are visible in the distance. A black mass vaguely resembling two pant legs emerges below the illustration. The mass rests on a small highway underpass, underneath of which three figures stand or walk. Two large blue sneakers emerge from the right and left ends of the black mass, resting at the image's lower corners. A white band runs across the bottom of the image. Small black text running along the lower edge of the image reads,
    Mark Leckey, A Changeling Can Change, 2020, 23.5 x 16.5 inches [An image featuring a cartoonish illustration of a purple bridge crossing over a stream in a fantasy landscape. Medieval houses dot the riverbank across the bridge, and mountains are visible in the distance. A black mass vaguely resembling two pant legs emerges below the illustration. The mass rests on a small highway underpass, underneath of which three figures stand or walk. Two large blue sneakers emerge from the right and left ends of the black mass, resting at the image's lower corners. A white band runs across the bottom of the image. Small black text running along the lower edge of the image reads, "2020Solidarity - Mark Leckey / A project by Between Bridges."]
    Caption Mark Leckey, A Changeling Can Change, 2020, 23.5 x 16.5 inches
    Image description An image featuring a cartoonish illustration of a purple bridge crossing over a stream in a fantasy landscape. Medieval houses dot the riverbank across the bridge, and mountains are visible in the distance. A black mass vaguely resembling two pant legs emerges below the illustration. The mass rests on a small highway underpass, underneath of which three figures stand or walk. Two large blue sneakers emerge from the right and left ends of the black mass, resting at the image's lower corners. A white band runs across the bottom of the image. Small black text running along the lower edge of the image reads, "2020Solidarity - Mark Leckey / A project by Between Bridges."
    Year 2020
    Related pages 2020Solidarity
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  • A wood framed drawing hangs on a wall. The pencil drawing depicts a youthful figure at the center of the page with abstract pencil markings surrounding them.
    A wood framed drawing hangs on a wall. The pencil drawing depicts a youthful figure at the center of the page with abstract pencil markings surrounding them.
    Hernan Bas, Needles (In Anticipation of the Fall), 2005, Single color hard ground etching, 26 1/4 x 21 inches (67 x 53 cm), Edition of 30, Courtesy the artist, Fredric Snitzer Gallery, Miami & Daniel Reich Gallery, New York, Printed by Julia D’Amario. [A wood framed drawing hangs on a wall. The pencil drawing depicts a youthful figure at the center of the page with abstract pencil markings surrounding them.]
    Caption Hernan Bas, Needles (In Anticipation of the Fall), 2005, Single color hard ground etching, 26 1/4 x 21 inches (67 x 53 cm), Edition of 30, Courtesy the artist, Fredric Snitzer Gallery, Miami & Daniel Reich Gallery, New York, Printed by Julia D’Amario.
    Image description A wood framed drawing hangs on a wall. The pencil drawing depicts a youthful figure at the center of the page with abstract pencil markings surrounding them.
    Year 2005
    Related pages Editions
  • Two portrait-oriented screens are each mounted on two floor to ceiling metal poles. The screens face outward at a 90-degree angle to each other and show abstract images.
    Two portrait-oriented screens are each mounted on two floor to ceiling metal poles. The screens face outward at a 90-degree angle to each other and show abstract images.
    Hilary Lloyd. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [Two portrait-oriented screens are each mounted on two floor to ceiling metal poles. The screens face outward at a 90-degree angle to each other and show abstract images.]
    Caption Hilary Lloyd. Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description Two portrait-oriented screens are each mounted on two floor to ceiling metal poles. The screens face outward at a 90-degree angle to each other and show abstract images.
    Year 2011
    Related pages Hilary Lloyd
  • A person is seen in profile, speaking to someone out of frame. They are wearing a glittery gold top with a pink fur neckline and beaded necklaces of different colors. They have large flower-shaped earrings and colorful makeup, including blue, shiny eyeshadow. Their dark hair appears to be covered by a bleached wig.
    A person is seen in profile, speaking to someone out of frame. They are wearing a glittery gold top with a pink fur neckline and beaded necklaces of different colors. They have large flower-shaped earrings and colorful makeup, including blue, shiny eyeshadow. Their dark hair appears to be covered by a bleached wig.
    Mark Morrisroe. Still from Hello from Bertha (1983). [A person is seen in profile, speaking to someone out of frame. They are wearing a glittery gold top with a pink fur neckline and beaded necklaces of different colors. They have large flower-shaped earrings and colorful makeup, including blue, shiny eyeshadow. Their dark hair appears to be covered by a bleached wig.]
    Caption Mark Morrisroe. Still from Hello from Bertha (1983).
    Image description A person is seen in profile, speaking to someone out of frame. They are wearing a glittery gold top with a pink fur neckline and beaded necklaces of different colors. They have large flower-shaped earrings and colorful makeup, including blue, shiny eyeshadow. Their dark hair appears to be covered by a bleached wig.
    Year 1983
    Related pages Mark Morrisroe: Super 8
  • A band of three performers plays on stage. From left to right, the performers play: a guitar, drums, and a violin. The room and stage are bathed in blue, pink, and orange light created by a live video projection of the performance.
    A band of three performers plays on stage. From left to right, the performers play: a guitar, drums, and a violin. The room and stage are bathed in blue, pink, and orange light created by a live video projection of the performance.
    Abasement #80. Performance documentation, September 22nd, 2025, Artists Space. Photo: Joshua Wildman. [A band of three performers plays on stage. From left to right, the performers play: a guitar, drums, and a violin. The room and stage are bathed in blue, pink, and orange light created by a live video projection of the performance.]
    Caption Abasement #80. Performance documentation, September 22nd, 2025, Artists Space. Photo: Joshua Wildman.
    Image description A band of three performers plays on stage. From left to right, the performers play: a guitar, drums, and a violin. The room and stage are bathed in blue, pink, and orange light created by a live video projection of the performance.
    Year
    Related pages Abasement #80
  • A rectangular, abstract painting is mounted on a black frame at an angle to the white gallery wall.
    A rectangular, abstract painting is mounted on a black frame at an angle to the white gallery wall.
    John Mendelsohn and Donald Sultan, Installation view, Artists Space, 1977. [A rectangular, abstract painting is mounted on a black frame at an angle to the white gallery wall.]
    Caption John Mendelsohn and Donald Sultan, Installation view, Artists Space, 1977.
    Image description A rectangular, abstract painting is mounted on a black frame at an angle to the white gallery wall.
    Year 1977
    Related pages John Mendelsohn and Donald Sultan
  • A figure in overalls leans forward to paint broad strokes of lighter paint on a black tarp hung on a wall. Painting supplies sit on a table directly behind them.
    A figure in overalls leans forward to paint broad strokes of lighter paint on a black tarp hung on a wall. Painting supplies sit on a table directly behind them.
    Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [A figure in overalls leans forward to paint broad strokes of lighter paint on a black tarp hung on a wall. Painting supplies sit on a table directly behind them.]
    Caption Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description A figure in overalls leans forward to paint broad strokes of lighter paint on a black tarp hung on a wall. Painting supplies sit on a table directly behind them.
    Year 2019
    Related pages Speaker Music: drape over another
  • A photocollage of the same image, a man opening a car hood, repeated 14 x 4 times includes has been altered with white, yellow, and black paint in individual photographs. These include scenes such as fire, melting, and the addition of new characters.
    A photocollage of the same image, a man opening a car hood, repeated 14 x 4 times includes has been altered with white, yellow, and black paint in individual photographs. These include scenes such as fire, melting, and the addition of new characters.
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A photocollage of the same image, a man opening a car hood, repeated 14 x 4 times includes has been altered with white, yellow, and black paint in individual photographs. These include scenes such as fire, melting, and the addition of new characters.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description A photocollage of the same image, a man opening a car hood, repeated 14 x 4 times includes has been altered with white, yellow, and black paint in individual photographs. These include scenes such as fire, melting, and the addition of new characters.
    Year 2017
    Related pages Unholding
  • Silver, italic text displayed across the top edges of two adjacent white, gallery walls reads,
    Silver, italic text displayed across the top edges of two adjacent white, gallery walls reads,
    Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [Silver, italic text displayed across the top edges of two adjacent white, gallery walls reads, "Death Sentence 2009 Love It To Death 1971 Jesse… 989 Moon over Miami 1991-95 Archive." Two images hang on the wall below the text. To the right of a white column positioned in front of the wall hangs a separate drawing. Orchid plants sit to the left of the column on the ground.]
    Caption Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description Silver, italic text displayed across the top edges of two adjacent white, gallery walls reads, "Death Sentence 2009 Love It To Death 1971 Jesse… 989 Moon over Miami 1991-95 Archive." Two images hang on the wall below the text. To the right of a white column positioned in front of the wall hangs a separate drawing. Orchid plants sit to the left of the column on the ground.
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • A group of people gathered on a city sidewalk, looking into a parked car. Above them, the text Recycling L.A., May 31-June 30, 1990, Artists Space" appears in a black square." />
    A group of people gathered on a city sidewalk, looking into a parked car. Above them, the text Recycling L.A., May 31-June 30, 1990, Artists Space" appears in a black square." />
    Recycling L.A., Newspaper cover, May 1990. [A group of people gathered on a city sidewalk, looking into a parked car. Above them, the text "Recycling L.A., May 31-June 30, 1990, Artists Space" appears in a black square.]
    Caption Recycling L.A., Newspaper cover, May 1990.
    Image description A group of people gathered on a city sidewalk, looking into a parked car. Above them, the text "Recycling L.A., May 31-June 30, 1990, Artists Space" appears in a black square.
    Year 1990
    Related pages Recycling L.A.
  • A color installation photograph of a black and white abstract painting on a white wall.
    A color installation photograph of a black and white abstract painting on a white wall.
    Richard Klauber. Small Black Painting, 1975. Installation view, Ruth Hardinger, Richard Klauber, Artists Space, 1975. [A color installation photograph of a black and white abstract painting on a white wall.]
    Caption Richard Klauber. Small Black Painting, 1975. Installation view, Ruth Hardinger, Richard Klauber, Artists Space, 1975.
    Image description A color installation photograph of a black and white abstract painting on a white wall.
    Year 1975
    Related pages Ruth Hardinger, Richard Klauber
  • White text overlayed on a rose-colored background with a geometric pattern. The text reads:
    White text overlayed on a rose-colored background with a geometric pattern. The text reads:
    [White text overlayed on a rose-colored background with a geometric pattern. The text reads: "Annual Friends of Artists Space Dinner / Celebrating 50 Years / Honoring / Kathy Halbreich / Yasunao Tone / Monday, May 8, 7pm / The Doubles Club, New York City." Text in the lower left corner reads: "Festive Attire."]
    Caption
    Image description White text overlayed on a rose-colored background with a geometric pattern. The text reads: "Annual Friends of Artists Space Dinner / Celebrating 50 Years / Honoring / Kathy Halbreich / Yasunao Tone / Monday, May 8, 7pm / The Doubles Club, New York City." Text in the lower left corner reads: "Festive Attire."
    Year
    Related pages Support
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    Related pages Welcome
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    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • A long sheet of paper with a drawing of highway signs and a gas station on it hanging on a white wall. Hung above that are three paintings of logos.
    A long sheet of paper with a drawing of highway signs and a gas station on it hanging on a white wall. Hung above that are three paintings of logos.
    Local Transit. Installation view, Artists Space, 2006. [A long sheet of paper with a drawing of highway signs and a gas station on it hanging on a white wall. Hung above that are three paintings of logos.]
    Caption Local Transit. Installation view, Artists Space, 2006.
    Image description A long sheet of paper with a drawing of highway signs and a gas station on it hanging on a white wall. Hung above that are three paintings of logos.
    Year 2006
    Related pages Local Transit: An Exhibition in Two Parts
  • A person walking down a city street, speaking into a megaphone. Behind her are several cars and a small crowd of onlookers.
    A person walking down a city street, speaking into a megaphone. Behind her are several cars and a small crowd of onlookers.
    [A person walking down a city street, speaking into a megaphone. Behind her are several cars and a small crowd of onlookers.]
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    Image description A person walking down a city street, speaking into a megaphone. Behind her are several cars and a small crowd of onlookers.
    Year 2009
    Related pages Adam Pendleton
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    Related pages Editions
  • A photograph of the exhibition opening reception. A group of visitors look around at the art.
    A photograph of the exhibition opening reception. A group of visitors look around at the art.
    Four Scottish Artists. Opening Reception, Artists Space, 1979. [A photograph of the exhibition opening reception. A group of visitors look around at the art.]
    Caption Four Scottish Artists. Opening Reception, Artists Space, 1979.
    Image description A photograph of the exhibition opening reception. A group of visitors look around at the art.
    Year 1979
    Related pages Four Scottish Artists
  • A blue shirt sits folded on a table with a book inside its pocket. Next to it, a book with text on the cover that reads,
    A blue shirt sits folded on a table with a book inside its pocket. Next to it, a book with text on the cover that reads,
    Richard Hollis. Installation view, Artists Space, 2013. [A blue shirt sits folded on a table with a book inside its pocket. Next to it, a book with text on the cover that reads, "The Hazards of Work: How to Fight Them."]
    Caption Richard Hollis. Installation view, Artists Space, 2013.
    Image description A blue shirt sits folded on a table with a book inside its pocket. Next to it, a book with text on the cover that reads, "The Hazards of Work: How to Fight Them."
    Year 2013
    Related pages Richard Hollis
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Two figures perform in a basement. On the left a figure with a video camera and shoulder rig takes footage of another figure on the right, dressed in a blue morph suit, and pushing a semicircular rolling table made of wood and fresnel lenses. Along the back wall blue and purple tinted live CCTV video footage is projected.
    Two figures perform in a basement. On the left a figure with a video camera and shoulder rig takes footage of another figure on the right, dressed in a blue morph suit, and pushing a semicircular rolling table made of wood and fresnel lenses. Along the back wall blue and purple tinted live CCTV video footage is projected.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Two figures perform in a basement. On the left a figure with a video camera and shoulder rig takes footage of another figure on the right, dressed in a blue morph suit, and pushing a semicircular rolling table made of wood and fresnel lenses. Along the back wall blue and purple tinted live CCTV video footage is projected.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Two figures perform in a basement. On the left a figure with a video camera and shoulder rig takes footage of another figure on the right, dressed in a blue morph suit, and pushing a semicircular rolling table made of wood and fresnel lenses. Along the back wall blue and purple tinted live CCTV video footage is projected.
    Year 2022
    Related pages SCRAAATCH 11-19
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  • Various photographs of athletes and other personal images are arranged on a light wooden wall to the left. A wooden shelf sits against the right wall, shown in profile. A frisbee and two loofahs hang off the side of the shelf, with other stickers and printed images arranged on the walls.
    Various photographs of athletes and other personal images are arranged on a light wooden wall to the left. A wooden shelf sits against the right wall, shown in profile. A frisbee and two loofahs hang off the side of the shelf, with other stickers and printed images arranged on the walls.
    Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Malcolm Peacock, How to address the full capacity of our will, 2023), Artists Space, 2023. Photo: Filip Wolak. [Various photographs of athletes and other personal images are arranged on a light wooden wall to the left. A wooden shelf sits against the right wall, shown in profile. A frisbee and two loofahs hang off the side of the shelf, with other stickers and printed images arranged on the walls.]
    Caption Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Malcolm Peacock, How to address the full capacity of our will, 2023), Artists Space, 2023. Photo: Filip Wolak.
    Image description Various photographs of athletes and other personal images are arranged on a light wooden wall to the left. A wooden shelf sits against the right wall, shown in profile. A frisbee and two loofahs hang off the side of the shelf, with other stickers and printed images arranged on the walls.
    Year 2023
    Related pages Shala Miller, Malcolm Peacock, Amiri Baraka
  • Photographic works hang on two adjacent walls in a gallery space. On the left they are more horizontal and on the right they appear more vertically arranged.
    Photographic works hang on two adjacent walls in a gallery space. On the left they are more horizontal and on the right they appear more vertically arranged.
    Split/Vision. Installation View. Artists Space, 1985-86. [Photographic works hang on two adjacent walls in a gallery space. On the left they are more horizontal and on the right they appear more vertically arranged.]
    Caption Split/Vision. Installation View. Artists Space, 1985-86.
    Image description Photographic works hang on two adjacent walls in a gallery space. On the left they are more horizontal and on the right they appear more vertically arranged.
    Year
    Related pages Split/Vision
  • Three sculptural forms sit and hang in a large gallery space. A large gray form with anemone-like tendrils is spread across the floor. Behind it on the gallery wall there is a large, shiny orange sculpture covered in bud-like forms. To the left of the space hangs a yellow sculpture with metal spikes protruding from its surface.
    Three sculptural forms sit and hang in a large gallery space. A large gray form with anemone-like tendrils is spread across the floor. Behind it on the gallery wall there is a large, shiny orange sculpture covered in bud-like forms. To the left of the space hangs a yellow sculpture with metal spikes protruding from its surface.
    Matters of Sensation. Installation view, Artists Space, 2008. Photo: Adam Reich. [Three sculptural forms sit and hang in a large gallery space. A large gray form with anemone-like tendrils is spread across the floor. Behind it on the gallery wall there is a large, shiny orange sculpture covered in bud-like forms. To the left of the space hangs a yellow sculpture with metal spikes protruding from its surface.]
    Caption Matters of Sensation. Installation view, Artists Space, 2008. Photo: Adam Reich.
    Image description Three sculptural forms sit and hang in a large gallery space. A large gray form with anemone-like tendrils is spread across the floor. Behind it on the gallery wall there is a large, shiny orange sculpture covered in bud-like forms. To the left of the space hangs a yellow sculpture with metal spikes protruding from its surface.
    Year 2008
    Related pages Matters of Sensation
  • A figure in a red sweater stands on stage, with three microphones placed around them. They are blowing into a white conch shell.
    A figure in a red sweater stands on stage, with three microphones placed around them. They are blowing into a white conch shell.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure in a red sweater stands on stage, with three microphones placed around them. They are blowing into a white conch shell.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure in a red sweater stands on stage, with three microphones placed around them. They are blowing into a white conch shell.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
  • Black and white mixed-media drawings of cartoonish, smiling faces.
    Black and white mixed-media drawings of cartoonish, smiling faces.
    Chris Johansen. [Black and white mixed-media drawings of cartoonish, smiling faces.]
    Caption Chris Johansen.
    Image description Black and white mixed-media drawings of cartoonish, smiling faces.
    Year 2000
    Related pages Deterritorialization of Process
  • A black-and-white film still depicting a nude figure, her body is turned two-thirds of the way. Several smoky duplicates of the figure's body and face are superimposed over the original image. A cloudy and blooming, nondescript atmosphere serves as the background.
    A black-and-white film still depicting a nude figure, her body is turned two-thirds of the way. Several smoky duplicates of the figure's body and face are superimposed over the original image. A cloudy and blooming, nondescript atmosphere serves as the background.
    Shala Miller, Genesis, 2023. [A black-and-white film still depicting a nude figure, her body is turned two-thirds of the way. Several smoky duplicates of the figure's body and face are superimposed over the original image. A cloudy and blooming, nondescript atmosphere serves as the background.]
    Caption Shala Miller, Genesis, 2023.
    Image description A black-and-white film still depicting a nude figure, her body is turned two-thirds of the way. Several smoky duplicates of the figure's body and face are superimposed over the original image. A cloudy and blooming, nondescript atmosphere serves as the background.
    Year
    Related pages Shala Miller, Malcolm Peacock, Amiri Baraka
  • A flyer for Slideshow/Cloakroom at Artists Space featuring information about the event in black text. At the bottom there is a line drawing of a hanger with decibel readings within it.
    A flyer for Slideshow/Cloakroom at Artists Space featuring information about the event in black text. At the bottom there is a line drawing of a hanger with decibel readings within it.
    [A flyer for Slideshow/Cloakroom at Artists Space featuring information about the event in black text. At the bottom there is a line drawing of a hanger with decibel readings within it.]
    Caption
    Image description A flyer for Slideshow/Cloakroom at Artists Space featuring information about the event in black text. At the bottom there is a line drawing of a hanger with decibel readings within it.
    Year 2009
    Related pages Slideshow/Cloakroom with Pierre Leguillon
  • Close up of three figures standing side by side. The figure on the right raises a fist in the air and appears to shout towards the figures on their left. They wear glasses and an intricate, gold and black collar piece. The figure directly to their left gazes downwards, pressing their fingers to their temples.
    Close up of three figures standing side by side. The figure on the right raises a fist in the air and appears to shout towards the figures on their left. They wear glasses and an intricate, gold and black collar piece. The figure directly to their left gazes downwards, pressing their fingers to their temples.
    The Owl Answers. Performance documentation, February 29, 2020, Artists Space. Photo ©️ 2020 Filip Wolak. [Close up of three figures standing side by side. The figure on the right raises a fist in the air and appears to shout towards the figures on their left. They wear glasses and an intricate, gold and black collar piece. The figure directly to their left gazes downwards, pressing their fingers to their temples.]
    Caption The Owl Answers. Performance documentation, February 29, 2020, Artists Space. Photo ©️ 2020 Filip Wolak.
    Image description Close up of three figures standing side by side. The figure on the right raises a fist in the air and appears to shout towards the figures on their left. They wear glasses and an intricate, gold and black collar piece. The figure directly to their left gazes downwards, pressing their fingers to their temples.
    Year 2020
    Related pages The Owl Answers
  • Two photographs are mounted on a white gallery wall.
    Two photographs are mounted on a white gallery wall.
    Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979. [Two photographs are mounted on a white gallery wall.]
    Caption Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979.
    Image description Two photographs are mounted on a white gallery wall.
    Year 1979
    Related pages Place, (title to be determined), for a Participant: Ken Feingold
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  • Photographs of different housing interiors hang in a white-walled gallery space.
    Photographs of different housing interiors hang in a white-walled gallery space.
    Split/Vision. Installation View. Artists Space, 1985-86. [Photographs of different housing interiors hang in a white-walled gallery space.]
    Caption Split/Vision. Installation View. Artists Space, 1985-86.
    Image description Photographs of different housing interiors hang in a white-walled gallery space.
    Year
    Related pages Split/Vision
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    Related pages Michael Asher
  • A person on roller skates and knee pads with a large, fabric umbrella held on his back.
    A person on roller skates and knee pads with a large, fabric umbrella held on his back.
    Jeff Feld, Performance of the only part of Robert Rauschenberg's "Pelican" that I know, 2001. [A person on roller skates and knee pads with a large, fabric umbrella held on his back.]
    Caption Jeff Feld, Performance of the only part of Robert Rauschenberg's "Pelican" that I know, 2001.
    Image description A person on roller skates and knee pads with a large, fabric umbrella held on his back.
    Year 2001
    Related pages Repeat Performance
  • An image of three red socks, accordion folded in the center of the leg.
    An image of three red socks, accordion folded in the center of the leg.
    Sigmar Polke Socken , 1963 Courtesy the Estate of Sigmar Polke © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn [An image of three red socks, accordion folded in the center of the leg.]
    Caption Sigmar Polke Socken , 1963 Courtesy the Estate of Sigmar Polke © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn
    Image description An image of three red socks, accordion folded in the center of the leg.
    Year 1963
    Related pages Living with Pop. A Reproduction of Capitalist Realism
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  • Color photograph of a corner space in a gallery, below a staircase, that is bathed in red light. At the bottom of the stairs are a group of performers wearing conical costumes made of reflective one-way mirror film.
    Color photograph of a corner space in a gallery, below a staircase, that is bathed in red light. At the bottom of the stairs are a group of performers wearing conical costumes made of reflective one-way mirror film.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. [Color photograph of a corner space in a gallery, below a staircase, that is bathed in red light. At the bottom of the stairs are a group of performers wearing conical costumes made of reflective one-way mirror film.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space.
    Image description Color photograph of a corner space in a gallery, below a staircase, that is bathed in red light. At the bottom of the stairs are a group of performers wearing conical costumes made of reflective one-way mirror film.
    Year 2022
    Related pages keyon gaskin 12-16
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    Related pages Brad Kronz
  • A color photograph of a white glove resting on a wicker pannier in a gallery space. The glove cups a multicolored card. Further in the background, an illuminated painting in a gold frame and a multi-tiered door are visible.
    A color photograph of a white glove resting on a wicker pannier in a gallery space. The glove cups a multicolored card. Further in the background, an illuminated painting in a gold frame and a multi-tiered door are visible.
    Lyndon Barrois Jr.: Mirage Collar. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of a white glove resting on a wicker pannier in a gallery space. The glove cups a multicolored card. Further in the background, an illuminated painting in a gold frame and a multi-tiered door are visible.]
    Caption Lyndon Barrois Jr.: Mirage Collar. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color photograph of a white glove resting on a wicker pannier in a gallery space. The glove cups a multicolored card. Further in the background, an illuminated painting in a gold frame and a multi-tiered door are visible.
    Year 2022
    Related pages Lyndon Barrois Jr.: Mirage Collar
  • Photo of John Giorno wearing a navy blue t-shirt and black framed glasses, standing in front of a microphone and reading from loose pages held in his left hand.
    Photo of John Giorno wearing a navy blue t-shirt and black framed glasses, standing in front of a microphone and reading from loose pages held in his left hand.
    I ♥ John Giorno. Reading documentation, Artists Space, 2017. [Photo of John Giorno wearing a navy blue t-shirt and black framed glasses, standing in front of a microphone and reading from loose pages held in his left hand.]
    Caption I ♥ John Giorno. Reading documentation, Artists Space, 2017.
    Image description Photo of John Giorno wearing a navy blue t-shirt and black framed glasses, standing in front of a microphone and reading from loose pages held in his left hand.
    Year 2017
    Related pages Ugo Rondinone: I ♥ John Giorno
  • Potted plants and small figurines line the windowsill. Beneath the window are four framed works on paper.
    Potted plants and small figurines line the windowsill. Beneath the window are four framed works on paper.
    Adjua Gargi Nzinga Greaves, For Aricka, Ayana, Ayodele, Bernice, Chantelle, Charmaine, Cynthia Ch., Cynthia Co., Daphne, Davina, Dawn, Dina, Emily, Erica, Evadne, Frances, Gail, Gwen, Hara, Heather, Imanei, Imani, Janet, Jenny, Kadija, Kahdeidra, kale, Kelly, Kenya (R), LesLes, Lois, Lynnette, Madeleine, Mahogany, Marsha, Maiya, Najela, Nontsi, Ola, Pilar, Queen, RaFia, Ro-Ro, Sandra, Sasha, Serenity, Shana, Simone L, Simone W, Tabitha, Taiyi, Trinity, Uchenna, Vivian, Wangechi, X, Yvette, Zuri, detail, 2021. Living plants: Hannibal (Epipremnum aureum) with rose quartz, Gertrude Deuxieme (Tillandsia xerographica), Leonie (Philodendron totem), Eversley Deuxieme (Tillandsia xerographica), Melford (Epipremnum aureum) with amethyst; dessicated floral matter (eucalyptus, grass, willow, palm), knight on horseback figurine, brass candlesticks, polystyrene, porcelain and 18 karat gold plates, crystals (various), bamboo earrings, jade, cremains, leather, cork, glass, dragon figurine, sandalwood incense and ceramic holder, palo santo (Bursera graveolens), and window, overall dimensions variable. Courtesy Artists SPace, New York. Photo: Filip Wolak [Potted plants and small figurines line the windowsill. Beneath the window are four framed works on paper.]
    Caption Adjua Gargi Nzinga Greaves, For Aricka, Ayana, Ayodele, Bernice, Chantelle, Charmaine, Cynthia Ch., Cynthia Co., Daphne, Davina, Dawn, Dina, Emily, Erica, Evadne, Frances, Gail, Gwen, Hara, Heather, Imanei, Imani, Janet, Jenny, Kadija, Kahdeidra, kale, Kelly, Kenya (R), LesLes, Lois, Lynnette, Madeleine, Mahogany, Marsha, Maiya, Najela, Nontsi, Ola, Pilar, Queen, RaFia, Ro-Ro, Sandra, Sasha, Serenity, Shana, Simone L, Simone W, Tabitha, Taiyi, Trinity, Uchenna, Vivian, Wangechi, X, Yvette, Zuri, detail, 2021. Living plants: Hannibal (Epipremnum aureum) with rose quartz, Gertrude Deuxieme (Tillandsia xerographica), Leonie (Philodendron totem), Eversley Deuxieme (Tillandsia xerographica), Melford (Epipremnum aureum) with amethyst; dessicated floral matter (eucalyptus, grass, willow, palm), knight on horseback figurine, brass candlesticks, polystyrene, porcelain and 18 karat gold plates, crystals (various), bamboo earrings, jade, cremains, leather, cork, glass, dragon figurine, sandalwood incense and ceramic holder, palo santo (Bursera graveolens), and window, overall dimensions variable. Courtesy Artists SPace, New York. Photo: Filip Wolak
    Image description Potted plants and small figurines line the windowsill. Beneath the window are four framed works on paper.
    Year 2021
    Related pages Adjua Gargi Nzinga Greaves
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  • Color image of a figure sitting behind a reed organ covered in a sheet of clear plastic. A clock sits on a music stannd with instructions behind the organ. The figure positions their hands on a large block of ice that sits on top of the keys of the organ.
    Color image of a figure sitting behind a reed organ covered in a sheet of clear plastic. A clock sits on a music stannd with instructions behind the organ. The figure positions their hands on a large block of ice that sits on top of the keys of the organ.
    Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata [Color image of a figure sitting behind a reed organ covered in a sheet of clear plastic. A clock sits on a music stannd with instructions behind the organ. The figure positions their hands on a large block of ice that sits on top of the keys of the organ.]
    Caption Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata
    Image description Color image of a figure sitting behind a reed organ covered in a sheet of clear plastic. A clock sits on a music stannd with instructions behind the organ. The figure positions their hands on a large block of ice that sits on top of the keys of the organ.
    Year 2023
    Related pages Yasunao Tone Concert #2
  • A multicolored wall with a collage of images, text, and tv monitors. A larger than life, sculpted head leans against the wall while beach balls scatter around it.
    A multicolored wall with a collage of images, text, and tv monitors. A larger than life, sculpted head leans against the wall while beach balls scatter around it.
    New Red Order with Virgil B/G Taylor Progenerator, detail, 2020 – Ongoing Dibond prints with painted mural, five televisions, flag, plate, Improved Order of Red Men ephemera, and more 40 x 40 feet Image courtesy Artists Space, New York Photo: Filip Wolak [A multicolored wall with a collage of images, text, and tv monitors. A larger than life, sculpted head leans against the wall while beach balls scatter around it.]
    Caption New Red Order with Virgil B/G Taylor Progenerator, detail, 2020 – Ongoing Dibond prints with painted mural, five televisions, flag, plate, Improved Order of Red Men ephemera, and more 40 x 40 feet Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description A multicolored wall with a collage of images, text, and tv monitors. A larger than life, sculpted head leans against the wall while beach balls scatter around it.
    Year 2021
    Related pages New Red Order: Feel at Home Here
  • Black text on a grey background. The text reads: “Jan 24 / Carrie Hunter / John Yau.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on a grey background. The text reads: “Jan 24 / Carrie Hunter / John Yau.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on a grey background. The text reads: “Jan 24 / Carrie Hunter / John Yau.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on a grey background. The text reads: “Jan 24 / Carrie Hunter / John Yau.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Carrie Hunter & John Yau
  • VHS-distorted image of Wonder Woman holding up her fist, from which emanates a burst of energy.
    VHS-distorted image of Wonder Woman holding up her fist, from which emanates a burst of energy.
    Dara Birnbaum, Technology/Transformation: Wonder Woman, 1978/9. Videotape still. [VHS-distorted image of Wonder Woman holding up her fist, from which emanates a burst of energy.]
    Caption Dara Birnbaum, Technology/Transformation: Wonder Woman, 1978/9. Videotape still.
    Image description VHS-distorted image of Wonder Woman holding up her fist, from which emanates a burst of energy.
    Year
    Related pages How to be a wo(man)
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  • An installation view of multiple sewing stations and a clothing rack of red and white sweatshirts.
    An installation view of multiple sewing stations and a clothing rack of red and white sweatshirts.
    New Economy. Installation view, Artists Space, 2007. [An installation view of multiple sewing stations and a clothing rack of red and white sweatshirts.]
    Caption New Economy. Installation view, Artists Space, 2007.
    Image description An installation view of multiple sewing stations and a clothing rack of red and white sweatshirts.
    Year
    Related pages New Economy
  • A nightime view of a truck driving past a parking lot. In the top left of the image is a superimposed video of a blond woman. The words
    A nightime view of a truck driving past a parking lot. In the top left of the image is a superimposed video of a blond woman. The words
    Ursula Biemann, still from Writing Desire, 2000. Video, 23 minutes. Courtesy the artist. [A nightime view of a truck driving past a parking lot. In the top left of the image is a superimposed video of a blond woman. The words "Hello I'm Natascha" appear in red to the right of the woman.]
    Caption Ursula Biemann, still from Writing Desire, 2000. Video, 23 minutes. Courtesy the artist.
    Image description A nightime view of a truck driving past a parking lot. In the top left of the image is a superimposed video of a blond woman. The words "Hello I'm Natascha" appear in red to the right of the woman.
    Year 2000
    Related pages New Economy
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A color image of a figure, seen from behind, performing on stage. The figure sits on a chair and plays the guitar, and the audience is on the background. Red, and purple light fills the room.
    A color image of a figure, seen from behind, performing on stage. The figure sits on a chair and plays the guitar, and the audience is on the background. Red, and purple light fills the room.
    Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman. [A color image of a figure, seen from behind, performing on stage. The figure sits on a chair and plays the guitar, and the audience is on the background. Red, and purple light fills the room.]
    Caption Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman.
    Image description A color image of a figure, seen from behind, performing on stage. The figure sits on a chair and plays the guitar, and the audience is on the background. Red, and purple light fills the room.
    Year
    Related pages Abasement #65
  • A photo and drawing collage featuring the image of a man in contrapposto with a phone to one ear. In the background, stairs leads into an arched passageway.
    A photo and drawing collage featuring the image of a man in contrapposto with a phone to one ear. In the background, stairs leads into an arched passageway.
    Richard Hawkins, Sarrasine 3, 2013, Archival pigment print on Sunset Cotton Etch 285 gsm with collage element on Hahnemühle Photo Rag 188 gsm, 19 x 16 inches, Signed and numbered [A photo and drawing collage featuring the image of a man in contrapposto with a phone to one ear. In the background, stairs leads into an arched passageway.]
    Caption Richard Hawkins, Sarrasine 3, 2013, Archival pigment print on Sunset Cotton Etch 285 gsm with collage element on Hahnemühle Photo Rag 188 gsm, 19 x 16 inches, Signed and numbered
    Image description A photo and drawing collage featuring the image of a man in contrapposto with a phone to one ear. In the background, stairs leads into an arched passageway.
    Year 2014
    Related pages Artists Space Annual Edition Portfolio 2013
  • A photo of the bookstore at 55 Walker Street - the front half is a bookstore, while the back half is an empty exhibition/performance space. Both have white walls and a light wood floor. They are divided by a temporary wall with a large doorway, which leaves a large gap between the top of the temporary wall and the ceiling. The back half is empty, with windows letting in light on the furthest wall. The front half has bookshelves adorning the walls, with a lower shelf to keep some books on display. A red pipe runs floor-to-ceiling between two columns of shelves.
    A photo of the bookstore at 55 Walker Street - the front half is a bookstore, while the back half is an empty exhibition/performance space. Both have white walls and a light wood floor. They are divided by a temporary wall with a large doorway, which leaves a large gap between the top of the temporary wall and the ceiling. The back half is empty, with windows letting in light on the furthest wall. The front half has bookshelves adorning the walls, with a lower shelf to keep some books on display. A red pipe runs floor-to-ceiling between two columns of shelves.
    Bookstore at 55 Walker Street. [A photo of the bookstore at 55 Walker Street - the front half is a bookstore, while the back half is an empty exhibition/performance space. Both have white walls and a light wood floor. They are divided by a temporary wall with a large doorway, which leaves a large gap between the top of the temporary wall and the ceiling. The back half is empty, with windows letting in light on the furthest wall. The front half has bookshelves adorning the walls, with a lower shelf to keep some books on display. A red pipe runs floor-to-ceiling between two columns of shelves.]
    Caption Bookstore at 55 Walker Street.
    Image description A photo of the bookstore at 55 Walker Street - the front half is a bookstore, while the back half is an empty exhibition/performance space. Both have white walls and a light wood floor. They are divided by a temporary wall with a large doorway, which leaves a large gap between the top of the temporary wall and the ceiling. The back half is empty, with windows letting in light on the furthest wall. The front half has bookshelves adorning the walls, with a lower shelf to keep some books on display. A red pipe runs floor-to-ceiling between two columns of shelves.
    Year 2018
    Related pages Bookstore
  • A man spray paints a large piece of abstract blue graffiti against a white city wall below a graphic emblem of an eagle. The street is dark, but he is illuminated by the flash of the camera.
    A man spray paints a large piece of abstract blue graffiti against a white city wall below a graphic emblem of an eagle. The street is dark, but he is illuminated by the flash of the camera.
    Jose Miguel Salcido, Sin Titulo (Nhsr), 2009. [A man spray paints a large piece of abstract blue graffiti against a white city wall below a graphic emblem of an eagle. The street is dark, but he is illuminated by the flash of the camera.]
    Caption Jose Miguel Salcido, Sin Titulo (Nhsr), 2009.
    Image description A man spray paints a large piece of abstract blue graffiti against a white city wall below a graphic emblem of an eagle. The street is dark, but he is illuminated by the flash of the camera.
    Year 2009
    Related pages Radical Localism: Art, Video and Culture from Pueblo Nuevo’s Mexicali Rose
  • Rummana Hussain stands in an open courtyard cradling half a papaya in her hands, her mouth wide open in a silent scream. Behind her, indigo powder is scattered across the pavement.
    Rummana Hussain stands in an open courtyard cradling half a papaya in her hands, her mouth wide open in a silent scream. Behind her, indigo powder is scattered across the pavement.
    Rummana Hussain, Living on the Margins, 1995. Video, color, sound; 28 minutes. Courtesy Rummana Hussain Family Collection. [Rummana Hussain stands in an open courtyard cradling half a papaya in her hands, her mouth wide open in a silent scream. Behind her, indigo powder is scattered across the pavement.]
    Caption Rummana Hussain, Living on the Margins, 1995. Video, color, sound; 28 minutes. Courtesy Rummana Hussain Family Collection.
    Image description Rummana Hussain stands in an open courtyard cradling half a papaya in her hands, her mouth wide open in a silent scream. Behind her, indigo powder is scattered across the pavement.
    Year 1995
    Related pages Whitney ISP Archive
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    Year
    Related pages Book launch for Top Stories
  • Dolls with photos adjacaent to them hangon the wall on protruding nails and black text is also visible around them. An object can be seen on the floor and a text-based painting is on a wall adjacent to the dolls in this white-walled gallery setting.
    Dolls with photos adjacaent to them hangon the wall on protruding nails and black text is also visible around them. An object can be seen on the floor and a text-based painting is on a wall adjacent to the dolls in this white-walled gallery setting.
    We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [Dolls with photos adjacaent to them hangon the wall on protruding nails and black text is also visible around them. An object can be seen on the floor and a text-based painting is on a wall adjacent to the dolls in this white-walled gallery setting.]
    Caption We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987.
    Image description Dolls with photos adjacaent to them hangon the wall on protruding nails and black text is also visible around them. An object can be seen on the floor and a text-based painting is on a wall adjacent to the dolls in this white-walled gallery setting.
    Year
    Related pages We the People
  • Color image of two performers on stage. The musician on the left is in profile, standing up, while playing the guitar. On the right side of the frame a musician is sitting down, out of focus, playing the drums.
    Color image of two performers on stage. The musician on the left is in profile, standing up, while playing the guitar. On the right side of the frame a musician is sitting down, out of focus, playing the drums.
    Abasement #76. Performance documentation, March 3rd, 2025, Artists Space. Photo: Joshua Wildman. [Color image of two performers on stage. The musician on the left is in profile, standing up, while playing the guitar. On the right side of the frame a musician is sitting down, out of focus, playing the drums.]
    Caption Abasement #76. Performance documentation, March 3rd, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Color image of two performers on stage. The musician on the left is in profile, standing up, while playing the guitar. On the right side of the frame a musician is sitting down, out of focus, playing the drums.
    Year
    Related pages Abasement #76
  • Contact sheet of photos from the opening reception of the exhibition.
    Contact sheet of photos from the opening reception of the exhibition.
    Young Fluxus. Installation view, Artists Space, 1982. [Contact sheet of photos from the opening reception of the exhibition.]
    Caption Young Fluxus. Installation view, Artists Space, 1982.
    Image description Contact sheet of photos from the opening reception of the exhibition.
    Year
    Related pages Young Fluxus
  • Black-and-white photograph of a figure, walking in the middle of the frame between two sets of suspended wires that run from across the room. The figures hands manipulate the wires on each side of them.
    Black-and-white photograph of a figure, walking in the middle of the frame between two sets of suspended wires that run from across the room. The figures hands manipulate the wires on each side of them.
    Other Minds, San Francisco. Photo: John Fago [Black-and-white photograph of a figure, walking in the middle of the frame between two sets of suspended wires that run from across the room. The figures hands manipulate the wires on each side of them.]
    Caption Other Minds, San Francisco. Photo: John Fago
    Image description Black-and-white photograph of a figure, walking in the middle of the frame between two sets of suspended wires that run from across the room. The figures hands manipulate the wires on each side of them.
    Year
    Related pages Ellen Fullman
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    Image description
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Dark blue text overlays red-pink background. The text reads: “March 11 / Yuko Otomo / Ed Steck.
    Dark blue text overlays red-pink background. The text reads: “March 11 / Yuko Otomo / Ed Steck.
    [Dark blue text overlays red-pink background. The text reads: “March 11 / Yuko Otomo / Ed Steck." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description Dark blue text overlays red-pink background. The text reads: “March 11 / Yuko Otomo / Ed Steck." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year 2023
    Related pages Segue Reading Series: Yuko Otomo & Ed Steck
  • A figure in a blue morph suit stands, their hands on their waist, and looks to the left. A figure behind them films them. Blue video footage is projected onto the back wall.
    A figure in a blue morph suit stands, their hands on their waist, and looks to the left. A figure behind them films them. Blue video footage is projected onto the back wall.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [A figure in a blue morph suit stands, their hands on their waist, and looks to the left. A figure behind them films them. Blue video footage is projected onto the back wall.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description A figure in a blue morph suit stands, their hands on their waist, and looks to the left. A figure behind them films them. Blue video footage is projected onto the back wall.
    Year 2022
    Related pages SCRAAATCH 11-18
  • A color image of a gallery space. In the corner of a gallery space, a taxidermied crow is perched atop an iron axe that is decorated with bottle caps. The crow and the iron axe are placed upon a tall pedestal about four feet tall, so that the crow is at, or above the viewers eye level. Entangled in the birds feathers and wings are strands of black hair.
    A color image of a gallery space. In the corner of a gallery space, a taxidermied crow is perched atop an iron axe that is decorated with bottle caps. The crow and the iron axe are placed upon a tall pedestal about four feet tall, so that the crow is at, or above the viewers eye level. Entangled in the birds feathers and wings are strands of black hair.
    Andy Robert, Favorite Perch, 2023. Taxidermy crow, hair, bottle caps, iron nails, iron axe. Image courtesy Artists Space, New York. Photo: Carter Seddon. [A color image of a gallery space. In the corner of a gallery space, a taxidermied crow is perched atop an iron axe that is decorated with bottle caps. The crow and the iron axe are placed upon a tall pedestal about four feet tall, so that the crow is at, or above the viewers eye level. Entangled in the birds feathers and wings are strands of black hair.]
    Caption Andy Robert, Favorite Perch, 2023. Taxidermy crow, hair, bottle caps, iron nails, iron axe. Image courtesy Artists Space, New York. Photo: Carter Seddon.
    Image description A color image of a gallery space. In the corner of a gallery space, a taxidermied crow is perched atop an iron axe that is decorated with bottle caps. The crow and the iron axe are placed upon a tall pedestal about four feet tall, so that the crow is at, or above the viewers eye level. Entangled in the birds feathers and wings are strands of black hair.
    Year
    Related pages Andy Robert: Papaloko
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A rendering of a head with two faces, one positioned head-on and the other seen in profile, is made from gradient strips of red, orange and yellow color. Dissecting lines and geometric shapes define the face's blocky features. The top lips are blue and the bottom red, while the left eye is black with a white dial and the right eye is a hazy blue with yellow lightning coming out of it. Under the image, text in red, white, blue serif font reads: the segue reading series and artists space present / a reading by David Larsen and Sara Larsen / saturday, may 9, 5 pm nyc time / zoom id: 378 232 567.
    A rendering of a head with two faces, one positioned head-on and the other seen in profile, is made from gradient strips of red, orange and yellow color. Dissecting lines and geometric shapes define the face's blocky features. The top lips are blue and the bottom red, while the left eye is black with a white dial and the right eye is a hazy blue with yellow lightning coming out of it. Under the image, text in red, white, blue serif font reads: the segue reading series and artists space present / a reading by David Larsen and Sara Larsen / saturday, may 9, 5 pm nyc time / zoom id: 378 232 567.
    [A rendering of a head with two faces, one positioned head-on and the other seen in profile, is made from gradient strips of red, orange and yellow color. Dissecting lines and geometric shapes define the face's blocky features. The top lips are blue and the bottom red, while the left eye is black with a white dial and the right eye is a hazy blue with yellow lightning coming out of it. Under the image, text in red, white, blue serif font reads: the segue reading series and artists space present / a reading by David Larsen and Sara Larsen / saturday, may 9, 5 pm nyc time / zoom id: 378 232 567.]
    Caption
    Image description A rendering of a head with two faces, one positioned head-on and the other seen in profile, is made from gradient strips of red, orange and yellow color. Dissecting lines and geometric shapes define the face's blocky features. The top lips are blue and the bottom red, while the left eye is black with a white dial and the right eye is a hazy blue with yellow lightning coming out of it. Under the image, text in red, white, blue serif font reads: the segue reading series and artists space present / a reading by David Larsen and Sara Larsen / saturday, may 9, 5 pm nyc time / zoom id: 378 232 567.
    Year 2020
    Related pages Segue Reading Series: David Larsen and Sara Larsen
  • A crowd faces a stage where a musician is sitting over various electronic instruments and audio equipment. The audience members are bathed in red light. The wall behind the musician is projected with monochromatic gradients.
    A crowd faces a stage where a musician is sitting over various electronic instruments and audio equipment. The audience members are bathed in red light. The wall behind the musician is projected with monochromatic gradients.
    Abasement #73. Performance documentation, November 4th, 2024, Artists Space. Photo: Joshua Wildman. [A crowd faces a stage where a musician is sitting over various electronic instruments and audio equipment. The audience members are bathed in red light. The wall behind the musician is projected with monochromatic gradients.]
    Caption Abasement #73. Performance documentation, November 4th, 2024, Artists Space. Photo: Joshua Wildman.
    Image description A crowd faces a stage where a musician is sitting over various electronic instruments and audio equipment. The audience members are bathed in red light. The wall behind the musician is projected with monochromatic gradients.
    Year
    Related pages Abasement #73
  • Sidewalk Archives, Artists Space, April 2023
    Caption Sidewalk Archives, Artists Space, April 2023
    Image description
    Year
    Related pages Exhibitions and Events
  • Two figures musicians perform on stage. On the left, a figure is playing the drums. On the right, a guitar player, sits on a chair. Blue and red lights are projected onto the stage.
    Two figures musicians perform on stage. On the left, a figure is playing the drums. On the right, a guitar player, sits on a chair. Blue and red lights are projected onto the stage.
    Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman. [Two figures musicians perform on stage. On the left, a figure is playing the drums. On the right, a guitar player, sits on a chair. Blue and red lights are projected onto the stage.]
    Caption Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman.
    Image description Two figures musicians perform on stage. On the left, a figure is playing the drums. On the right, a guitar player, sits on a chair. Blue and red lights are projected onto the stage.
    Year
    Related pages Abasement #65
  • A black and white image of electrical towers stretching into the distance.
    A black and white image of electrical towers stretching into the distance.
    Jolene Rickard, from Corn Blue Room, 2000. [A black and white image of electrical towers stretching into the distance.]
    Caption Jolene Rickard, from Corn Blue Room, 2000.
    Image description A black and white image of electrical towers stretching into the distance.
    Year 2017
    Related pages Unholding
  • In front of a large colorful projection, a figure wearing headphones around their neck leans down over musical technology.
    In front of a large colorful projection, a figure wearing headphones around their neck leans down over musical technology.
    SCRAAATCH, Tower of Babel, 2019, Les Urbaines. Photo: Mathilda Olmi [In front of a large colorful projection, a figure wearing headphones around their neck leans down over musical technology.]
    Caption SCRAAATCH, Tower of Babel, 2019, Les Urbaines. Photo: Mathilda Olmi
    Image description In front of a large colorful projection, a figure wearing headphones around their neck leans down over musical technology.
    Year 2019
    Related pages SCRAAATCH 11-18
  • A strip of black and white film negatives of a cavernous gallery space.
    A strip of black and white film negatives of a cavernous gallery space.
    Michael Brewster, An Acoustic Sculpture, 1977. Negatives of Installation views from An Acoustic Sculpture, A Clicker Drawing. Artists Space, 1977. [A strip of black and white film negatives of a cavernous gallery space.]
    Caption Michael Brewster, An Acoustic Sculpture, 1977. Negatives of Installation views from An Acoustic Sculpture, A Clicker Drawing. Artists Space, 1977.
    Image description A strip of black and white film negatives of a cavernous gallery space.
    Year 1977
    Related pages Michael Brewster: An Acoustic Sculpture, A Clicker Drawing
  • Margit Lewczuk. For Freda, 1985.
    Caption Margit Lewczuk. For Freda, 1985.
    Image description
    Year
    Related pages Four Artists: An Exhibition of Painting and Sculpture
  • A poster showing a silver car driving through a selection of press clippings from newspapers on a blue background. At the top of the image, there is white text that reads,
    A poster showing a silver car driving through a selection of press clippings from newspapers on a blue background. At the top of the image, there is white text that reads,
    Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A poster showing a silver car driving through a selection of press clippings from newspapers on a blue background. At the top of the image, there is white text that reads, "PRESENTING AMERICA'S MOST TALKED ABOUT CAR!" At the bottom, white text reads, "DELOREAN."]
    Caption Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description A poster showing a silver car driving through a selection of press clippings from newspapers on a blue background. At the top of the image, there is white text that reads, "PRESENTING AMERICA'S MOST TALKED ABOUT CAR!" At the bottom, white text reads, "DELOREAN."
    Year 2010
    Related pages Duncan Campbell: Make It New John
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    Year
    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • A crowd of people fill a dimly lit red room, some sitting and some standing. Projections of abstract images and an illuminated painting cover three of the space’s walls.
    A crowd of people fill a dimly lit red room, some sitting and some standing. Projections of abstract images and an illuminated painting cover three of the space’s walls.
    Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [A crowd of people fill a dimly lit red room, some sitting and some standing. Projections of abstract images and an illuminated painting cover three of the space’s walls.]
    Caption Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description A crowd of people fill a dimly lit red room, some sitting and some standing. Projections of abstract images and an illuminated painting cover three of the space’s walls.
    Year 2019
    Related pages Speaker Music: drape over another
  • Three works are seen in the gallery space. To the far left, five rectangular wooden boards stand stacked on top of each other. Central is a tall box made of similar wood boards. To the right sits an eagle-headed sculpture and an object resembling a modem.
    Three works are seen in the gallery space. To the far left, five rectangular wooden boards stand stacked on top of each other. Central is a tall box made of similar wood boards. To the right sits an eagle-headed sculpture and an object resembling a modem.
    Brad Kronz. Installation view, Artists Space, 2025. Photo: Carter Seddon [Three works are seen in the gallery space. To the far left, five rectangular wooden boards stand stacked on top of each other. Central is a tall box made of similar wood boards. To the right sits an eagle-headed sculpture and an object resembling a modem. ]
    Caption Brad Kronz. Installation view, Artists Space, 2025. Photo: Carter Seddon
    Image description Three works are seen in the gallery space. To the far left, five rectangular wooden boards stand stacked on top of each other. Central is a tall box made of similar wood boards. To the right sits an eagle-headed sculpture and an object resembling a modem.
    Year
    Related pages Brad Kronz
  • White text on a bright fuchsia background. The text reads: “Nov 1 / Terrence Arjoon / Laura Henriksen.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    White text on a bright fuchsia background. The text reads: “Nov 1 / Terrence Arjoon / Laura Henriksen.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [White text on a bright fuchsia background. The text reads: “Nov 1 / Terrence Arjoon / Laura Henriksen.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description White text on a bright fuchsia background. The text reads: “Nov 1 / Terrence Arjoon / Laura Henriksen.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Terrence Arjoon & Laura Henriksen
  • Negative film image that has been mirrored across a diagonal line of symmetry, depicting a blue board with objects arranged on it to create vaguely recognizable patterns.
    Negative film image that has been mirrored across a diagonal line of symmetry, depicting a blue board with objects arranged on it to create vaguely recognizable patterns.
    Crystal Z Campbell, Revolver, 2022. 16mm film transferred to Digital Video, Stereo, Sound. 17:27 min. Courtesy the artist [Negative film image that has been mirrored across a diagonal line of symmetry, depicting a blue board with objects arranged on it to create vaguely recognizable patterns.]
    Caption Crystal Z Campbell, Revolver, 2022. 16mm film transferred to Digital Video, Stereo, Sound. 17:27 min. Courtesy the artist
    Image description Negative film image that has been mirrored across a diagonal line of symmetry, depicting a blue board with objects arranged on it to create vaguely recognizable patterns.
    Year
    Related pages Crystal Z Campbell
  • An open gallery presents various works dispersed throughout the space. To the far left, five rectangular wooden boards stand stacked on top of each other. The bottom board rests at an angle as if to support the others above.
    An open gallery presents various works dispersed throughout the space. To the far left, five rectangular wooden boards stand stacked on top of each other. The bottom board rests at an angle as if to support the others above.
    Brad Kronz. Installation view, Artists Space, 2025. Photo: Carter Seddon [An open gallery presents various works dispersed throughout the space. To the far left, five rectangular wooden boards stand stacked on top of each other. The bottom board rests at an angle as if to support the others above. ]
    Caption Brad Kronz. Installation view, Artists Space, 2025. Photo: Carter Seddon
    Image description An open gallery presents various works dispersed throughout the space. To the far left, five rectangular wooden boards stand stacked on top of each other. The bottom board rests at an angle as if to support the others above.
    Year
    Related pages Brad Kronz
  • An installation view shows a darkened space flooded in red light. Between two ornate columns, a projector is mounted close to the ground on a short stand. An iridescent blue glows around a shadow cast by a scientific experiment on the left wall behind, while the ceiling is covered in warm crescent silhouettes. On the back black wall, lines of projected text overlap in varying directions.
    An installation view shows a darkened space flooded in red light. Between two ornate columns, a projector is mounted close to the ground on a short stand. An iridescent blue glows around a shadow cast by a scientific experiment on the left wall behind, while the ceiling is covered in warm crescent silhouettes. On the back black wall, lines of projected text overlap in varying directions.
    Constantina Zavitsanos: fwiw. Installation view, Artists Space, 2024. Photo: Carter Seddon. [An installation view shows a darkened space flooded in red light. Between two ornate columns, a projector is mounted close to the ground on a short stand. An iridescent blue glows around a shadow cast by a scientific experiment on the left wall behind, while the ceiling is covered in warm crescent silhouettes. On the back black wall, lines of projected text overlap in varying directions.]
    Caption Constantina Zavitsanos: fwiw. Installation view, Artists Space, 2024. Photo: Carter Seddon.
    Image description An installation view shows a darkened space flooded in red light. Between two ornate columns, a projector is mounted close to the ground on a short stand. An iridescent blue glows around a shadow cast by a scientific experiment on the left wall behind, while the ceiling is covered in warm crescent silhouettes. On the back black wall, lines of projected text overlap in varying directions.
    Year
    Related pages fwiw
  • Book cover featuring a red background with white text that reads, from top to bottom,
    Book cover featuring a red background with white text that reads, from top to bottom,
    Cover of Exit Interview, Benjamin H. D. Buchloh & Hal Foster, no place press. [Book cover featuring a red background with white text that reads, from top to bottom, "Exit Interview / Benjamin H.D. Buchloh / Hal Foster / no place press"]
    Caption Cover of Exit Interview, Benjamin H. D. Buchloh & Hal Foster, no place press.
    Image description Book cover featuring a red background with white text that reads, from top to bottom, "Exit Interview / Benjamin H.D. Buchloh / Hal Foster / no place press"
    Year
    Related pages Exit Interview
  • Two prints, of books with annotations written on the side, are hung on a white gallery wall.
    Two prints, of books with annotations written on the side, are hung on a white gallery wall.
    Adjua Gargi Nzinga Greaves: The x in florxal is silent when spoken. Installation view, Artists Space, 2021. Photo: Filip Wolak. Courtesy Artists Space, New York. [Two prints, of books with annotations written on the side, are hung on a white gallery wall.]
    Caption Adjua Gargi Nzinga Greaves: The x in florxal is silent when spoken. Installation view, Artists Space, 2021. Photo: Filip Wolak. Courtesy Artists Space, New York.
    Image description Two prints, of books with annotations written on the side, are hung on a white gallery wall.
    Year 2021
    Related pages Adjua Gargi Nzinga Greaves
  • A figure reads into a microphone, glancing at their phone.
    A figure reads into a microphone, glancing at their phone.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure reads into a microphone, glancing at their phone.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure reads into a microphone, glancing at their phone.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A sink structure on wheels sits atop a tilted wooden table top with legs of varying sizes. Light from the ceiling is seen emanating onto the structure in the white-walled gallery space.
    A sink structure on wheels sits atop a tilted wooden table top with legs of varying sizes. Light from the ceiling is seen emanating onto the structure in the white-walled gallery space.
    U.S. Projects: Howard Fried. Installation view, Artists Space, 1983. [A sink structure on wheels sits atop a tilted wooden table top with legs of varying sizes. Light from the ceiling is seen emanating onto the structure in the white-walled gallery space.]
    Caption U.S. Projects: Howard Fried. Installation view, Artists Space, 1983.
    Image description A sink structure on wheels sits atop a tilted wooden table top with legs of varying sizes. Light from the ceiling is seen emanating onto the structure in the white-walled gallery space.
    Year
    Related pages U.S. Projects: Howard Fried
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A set of five paintings, prints, and other works on paper hang in a horizontal line across a white gallery wall. The compositions each depict one or more figures. Some sit, as if for a portrait, while others appear to play basketball. One of the gallery columns is situated in the image's center.
    A set of five paintings, prints, and other works on paper hang in a horizontal line across a white gallery wall. The compositions each depict one or more figures. Some sit, as if for a portrait, while others appear to play basketball. One of the gallery columns is situated in the image's center.
    Salad Days 2. Installation view, Artists Space, 2006. Photo: Bill Ocrutt. [A set of five paintings, prints, and other works on paper hang in a horizontal line across a white gallery wall. The compositions each depict one or more figures. Some sit, as if for a portrait, while others appear to play basketball. One of the gallery columns is situated in the image's center.]
    Caption Salad Days 2. Installation view, Artists Space, 2006. Photo: Bill Ocrutt.
    Image description A set of five paintings, prints, and other works on paper hang in a horizontal line across a white gallery wall. The compositions each depict one or more figures. Some sit, as if for a portrait, while others appear to play basketball. One of the gallery columns is situated in the image's center.
    Year 2006
    Related pages Salad Days 2
  • Color image of a drawing of a cartoon girl, standing on a black hill, against a gold background. The girl holds up her middle finger, and above it in the top-right corner is text that reads
    Color image of a drawing of a cartoon girl, standing on a black hill, against a gold background. The girl holds up her middle finger, and above it in the top-right corner is text that reads
    Yoshitomo Nara, No War Girl, 2023. Photo: Filip Wolak. [Color image of a drawing of a cartoon girl, standing on a black hill, against a gold background. The girl holds up her middle finger, and above it in the top-right corner is text that reads "FUCK YOU WAR."]
    Caption Yoshitomo Nara, No War Girl, 2023. Photo: Filip Wolak.
    Image description Color image of a drawing of a cartoon girl, standing on a black hill, against a gold background. The girl holds up her middle finger, and above it in the top-right corner is text that reads "FUCK YOU WAR."
    Year 2023
    Related pages Artists for Artists Space
  • Twelve performers play various instruments on stage for an audience. The stage and performers are bathed in red and orange light. A member sitting in the front row videotapes the performance.
    Twelve performers play various instruments on stage for an audience. The stage and performers are bathed in red and orange light. A member sitting in the front row videotapes the performance.
    Abasement #82. Performance documentation, November 17th, 2025, Artists Space. Photo: Joshua Wildman. [Twelve performers play various instruments on stage for an audience. The stage and performers are bathed in red and orange light. A member sitting in the front row videotapes the performance.]
    Caption Abasement #82. Performance documentation, November 17th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Twelve performers play various instruments on stage for an audience. The stage and performers are bathed in red and orange light. A member sitting in the front row videotapes the performance.
    Year
    Related pages Abasement #82
  • Inside a pink-hued room are three tanker desks and three rolling office chairs in a single-file line. Security monitors with color videos sit on each desk alongside small pieces of clay. In the distance, tree trunks wrapped in fabric rest on the floor and construction nets hang from the ceiling. A wooden structure and an aquarium with purple-colored lights are positioned behind the tree trunks.
    Inside a pink-hued room are three tanker desks and three rolling office chairs in a single-file line. Security monitors with color videos sit on each desk alongside small pieces of clay. In the distance, tree trunks wrapped in fabric rest on the floor and construction nets hang from the ceiling. A wooden structure and an aquarium with purple-colored lights are positioned behind the tree trunks.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022. [Inside a pink-hued room are three tanker desks and three rolling office chairs in a single-file line. Security monitors with color videos sit on each desk alongside small pieces of clay. In the distance, tree trunks wrapped in fabric rest on the floor and construction nets hang from the ceiling. A wooden structure and an aquarium with purple-colored lights are positioned behind the tree trunks.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022.
    Image description Inside a pink-hued room are three tanker desks and three rolling office chairs in a single-file line. Security monitors with color videos sit on each desk alongside small pieces of clay. In the distance, tree trunks wrapped in fabric rest on the floor and construction nets hang from the ceiling. A wooden structure and an aquarium with purple-colored lights are positioned behind the tree trunks.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • A slide projector sits in a dimly lit corner of a gallery space. The device projects an image of rocks and other debris onto a poster hung on the wall, which lists various statistics related to The Letchworth Village, a residential commuinty in Rockland County, New York. A second poster hangs on a wall to the left of the slide projector. A stack of papers rests on a small support below the poster.
    A slide projector sits in a dimly lit corner of a gallery space. The device projects an image of rocks and other debris onto a poster hung on the wall, which lists various statistics related to The Letchworth Village, a residential commuinty in Rockland County, New York. A second poster hangs on a wall to the left of the slide projector. A stack of papers rests on a small support below the poster.
    Salad Days 2. Installation view, Artists Space, 2006. Photo: Bill Ocrutt. [A slide projector sits in a dimly lit corner of a gallery space. The device projects an image of rocks and other debris onto a poster hung on the wall, which lists various statistics related to The Letchworth Village, a residential commuinty in Rockland County, New York. A second poster hangs on a wall to the left of the slide projector. A stack of papers rests on a small support below the poster.]
    Caption Salad Days 2. Installation view, Artists Space, 2006. Photo: Bill Ocrutt.
    Image description A slide projector sits in a dimly lit corner of a gallery space. The device projects an image of rocks and other debris onto a poster hung on the wall, which lists various statistics related to The Letchworth Village, a residential commuinty in Rockland County, New York. A second poster hangs on a wall to the left of the slide projector. A stack of papers rests on a small support below the poster.
    Year 2006
    Related pages Salad Days 2
  • A black and white photograph of various objects hanging in a white-walled gallery space with a spotlight in center of the image.
    A black and white photograph of various objects hanging in a white-walled gallery space with a spotlight in center of the image.
    Freya Hansell. Installation view, Artists Space, 1980. [A black and white photograph of various objects hanging in a white-walled gallery space with a spotlight in center of the image.]
    Caption Freya Hansell. Installation view, Artists Space, 1980.
    Image description A black and white photograph of various objects hanging in a white-walled gallery space with a spotlight in center of the image.
    Year
    Related pages Freya Hansell
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    Year
    Related pages Abasement #84
  • Portraits of two figures are arranged side-by-side. On the left, a figure wearing a white shirt sits at a table with different objects spread out on its surface, speaking into a microphone. On the right, a black and white photo of a figures bust sits inside a larger black square.
    Portraits of two figures are arranged side-by-side. On the left, a figure wearing a white shirt sits at a table with different objects spread out on its surface, speaking into a microphone. On the right, a black and white photo of a figures bust sits inside a larger black square.
    Portraits of Peter Osborne and Brendan Harvey. [Portraits of two figures are arranged side-by-side. On the left, a figure wearing a white shirt sits at a table with different objects spread out on its surface, speaking into a microphone. On the right, a black and white photo of a figures bust sits inside a larger black square.]
    Caption Portraits of Peter Osborne and Brendan Harvey.
    Image description Portraits of two figures are arranged side-by-side. On the left, a figure wearing a white shirt sits at a table with different objects spread out on its surface, speaking into a microphone. On the right, a black and white photo of a figures bust sits inside a larger black square.
    Year 2021
    Related pages Artists Space Dialogues: Ciarán Finlayson and Peter Osborne (with Brendan Harvey)
  • A color image of four framed works displayed in a horizontal line on a white wall. The drawings, made on black paper, depict abstract compositions made up of white lines, arrows, circles, and illegible textlines.
    A color image of four framed works displayed in a horizontal line on a white wall. The drawings, made on black paper, depict abstract compositions made up of white lines, arrows, circles, and illegible textlines.
    Renee Gladman: Narratives of Magnitude. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of four framed works displayed in a horizontal line on a white wall. The drawings, made on black paper, depict abstract compositions made up of white lines, arrows, circles, and illegible textlines.]
    Caption Renee Gladman: Narratives of Magnitude. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A color image of four framed works displayed in a horizontal line on a white wall. The drawings, made on black paper, depict abstract compositions made up of white lines, arrows, circles, and illegible textlines.
    Year
    Related pages Renee Gladman
  • A long sheet of paper is suspended over the gallery floor. Handrails for the stairs are visible on each side of the photograph.
    A long sheet of paper is suspended over the gallery floor. Handrails for the stairs are visible on each side of the photograph.
    Tiffany Sia, The Bastard Tongue (detail view), 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A long sheet of paper is suspended over the gallery floor. Handrails for the stairs are visible on each side of the photograph.]
    Caption Tiffany Sia, The Bastard Tongue (detail view), 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A long sheet of paper is suspended over the gallery floor. Handrails for the stairs are visible on each side of the photograph.
    Year 2021
    Related pages Tiffany Sia: Slippery When Wet
  • Black text on a green background. The text reads: “Jan 18 / Ann Lauterbach / Chris Campanioni.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on a green background. The text reads: “Jan 18 / Ann Lauterbach / Chris Campanioni.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on a green background. The text reads: “Jan 18 / Ann Lauterbach / Chris Campanioni.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on a green background. The text reads: “Jan 18 / Ann Lauterbach / Chris Campanioni.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Ann Lauterbach & Chris Campanioni
  • A performer plays a stringed instrument on stage. The performer and stage are bathed in pink and blue light.
    A performer plays a stringed instrument on stage. The performer and stage are bathed in pink and blue light.
    Abasement #80. Performance documentation, September 22nd, 2025, Artists Space. Photo: Joshua Wildman. [A performer plays a stringed instrument on stage. The performer and stage are bathed in pink and blue light.]
    Caption Abasement #80. Performance documentation, September 22nd, 2025, Artists Space. Photo: Joshua Wildman.
    Image description A performer plays a stringed instrument on stage. The performer and stage are bathed in pink and blue light.
    Year
    Related pages Abasement #80
  • A color photograph of a gallery space. Hanging from the wall is a printer manual, police tape outlining a rectangle with three additional strips extending from the wall to the floor, and a wooden rectangular painting.
    A color photograph of a gallery space. Hanging from the wall is a printer manual, police tape outlining a rectangle with three additional strips extending from the wall to the floor, and a wooden rectangular painting.
    Lyndon Barrois Jr., Sinner Man, 2022; Double Appear (After Vuillard), 2013. Police tape, laser prints, museum board, MagiColor manual; oil on board, artist frame, solvent transfer, plywood. Dimensions variable. Photo: Filip Wolak. [A color photograph of a gallery space. Hanging from the wall is a printer manual, police tape outlining a rectangle with three additional strips extending from the wall to the floor, and a wooden rectangular painting.]
    Caption Lyndon Barrois Jr., Sinner Man, 2022; Double Appear (After Vuillard), 2013. Police tape, laser prints, museum board, MagiColor manual; oil on board, artist frame, solvent transfer, plywood. Dimensions variable. Photo: Filip Wolak.
    Image description A color photograph of a gallery space. Hanging from the wall is a printer manual, police tape outlining a rectangle with three additional strips extending from the wall to the floor, and a wooden rectangular painting.
    Year 2022
    Related pages Lyndon Barrois Jr.: Mirage Collar
  • A diagonal view of photographs, paintings, sculptures, and prints against two walls. In the corner rests a TV displaying a person with their back turned.
    A diagonal view of photographs, paintings, sculptures, and prints against two walls. In the corner rests a TV displaying a person with their back turned.
    Social Surfaces. Installation view, Pearl River Mart, 2017. Photo: Ron Amstutz. [A diagonal view of photographs, paintings, sculptures, and prints against two walls. In the corner rests a TV displaying a person with their back turned.]
    Caption Social Surfaces. Installation view, Pearl River Mart, 2017. Photo: Ron Amstutz.
    Image description A diagonal view of photographs, paintings, sculptures, and prints against two walls. In the corner rests a TV displaying a person with their back turned.
    Year 2017
    Related pages Social Surfaces
  • A portrait oriented video is projected in a dark narrow space. A bench sits in front of the video. An image-still of a man, gesturing towards the viewer with both hands together, is on the back wall.
    A portrait oriented video is projected in a dark narrow space. A bench sits in front of the video. An image-still of a man, gesturing towards the viewer with both hands together, is on the back wall.
    Hito Steyerl, Guards, 2012. HD video on freestanding screen with sound, 20 mins. Courtesy the artist and Andrew Kreps, New York. [A portrait oriented video is projected in a dark narrow space. A bench sits in front of the video. An image-still of a man, gesturing towards the viewer with both hands together, is on the back wall.]
    Caption Hito Steyerl, Guards, 2012. HD video on freestanding screen with sound, 20 mins. Courtesy the artist and Andrew Kreps, New York.
    Image description A portrait oriented video is projected in a dark narrow space. A bench sits in front of the video. An image-still of a man, gesturing towards the viewer with both hands together, is on the back wall.
    Year 2015
    Related pages Hito Steyerl
  • A large black display case with several books arranged in a small viewing window. One book is titled *MOBY-DICK*, while another displays japanese text and a woman on its cover.
    A large black display case with several books arranged in a small viewing window. One book is titled *MOBY-DICK*, while another displays japanese text and a woman on its cover.
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [A large black display case with several books arranged in a small viewing window. One book is titled *MOBY-DICK*, while another displays japanese text and a woman on its cover.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description A large black display case with several books arranged in a small viewing window. One book is titled *MOBY-DICK*, while another displays japanese text and a woman on its cover.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • A device with several electrical wire connections is displayed on a metal wire shelf.
    A device with several electrical wire connections is displayed on a metal wire shelf.
    Devin Kenny, “What would Upski think?”, 2018. Photo: Daniel Pérez. [A device with several electrical wire connections is displayed on a metal wire shelf.]
    Caption Devin Kenny, “What would Upski think?”, 2018. Photo: Daniel Pérez.
    Image description A device with several electrical wire connections is displayed on a metal wire shelf.
    Year 2018
    Related pages Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff
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    Year
    Related pages Project: Me and My Mink
  • A color installation view of a gallery space. Several handpainted LPs line the left wall. A television monitor is visible in the back corner with two chairs in front. A red tunic hangs above the monitor.
    A color installation view of a gallery space. Several handpainted LPs line the left wall. A television monitor is visible in the back corner with two chairs in front. A red tunic hangs above the monitor.
    Milford Graves: Fundamental Frequency. Installation view, Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak. [A color installation view of a gallery space. Several handpainted LPs line the left wall. A television monitor is visible in the back corner with two chairs in front. A red tunic hangs above the monitor.]
    Caption Milford Graves: Fundamental Frequency. Installation view, Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak.
    Image description A color installation view of a gallery space. Several handpainted LPs line the left wall. A television monitor is visible in the back corner with two chairs in front. A red tunic hangs above the monitor.
    Year 2021
    Related pages Milford Graves: Fundamental Frequency
  • Color image of the corner of a gallery space. On the right side is a large adobe panel that rests on a steel armature. Painted onto the adobe is a portrait of a figure with a bicycle, and around the armature are adobe bricks laid out on the floor. On the lefthand wall is another adobe panel painting depicting the entrance into a freeway tunnel.
    Color image of the corner of a gallery space. On the right side is a large adobe panel that rests on a steel armature. Painted onto the adobe is a portrait of a figure with a bicycle, and around the armature are adobe bricks laid out on the floor. On the lefthand wall is another adobe panel painting depicting the entrance into a freeway tunnel.
    rafa esparza: Camino. Installation view (110 North Bound, 2023; Jaime, 2023), Artists Space, 2023. Photo: Filip Wolak. [Color image of the corner of a gallery space. On the right side is a large adobe panel that rests on a steel armature. Painted onto the adobe is a portrait of a figure with a bicycle, and around the armature are adobe bricks laid out on the floor. On the lefthand wall is another adobe panel painting depicting the entrance into a freeway tunnel.]
    Caption rafa esparza: Camino. Installation view (110 North Bound, 2023; Jaime, 2023), Artists Space, 2023. Photo: Filip Wolak.
    Image description Color image of the corner of a gallery space. On the right side is a large adobe panel that rests on a steel armature. Painted onto the adobe is a portrait of a figure with a bicycle, and around the armature are adobe bricks laid out on the floor. On the lefthand wall is another adobe panel painting depicting the entrance into a freeway tunnel.
    Year
    Related pages rafa esparza: Camino
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A black and white photo of a nude person in profile with arms crossed.
    A black and white photo of a nude person in profile with arms crossed.
    Collier Schorr, D., 2012, Archival pigment ink print, 14 x 11 inches, Signed and numbered [A black and white photo of a nude person in profile with arms crossed.]
    Caption Collier Schorr, D., 2012, Archival pigment ink print, 14 x 11 inches, Signed and numbered
    Image description A black and white photo of a nude person in profile with arms crossed.
    Year 2014
    Related pages Artists Space Annual Edition Portfolio 2013
  • In the foreground of a white gallery space is a large sculpture made of a wooden box topped with a floral textile and wooden chairs. Another sculpture and painting are installed behind it.
    In the foreground of a white gallery space is a large sculpture made of a wooden box topped with a floral textile and wooden chairs. Another sculpture and painting are installed behind it.
    Metaphysical Visions. Installation view, Artists Space, 1989. [In the foreground of a white gallery space is a large sculpture made of a wooden box topped with a floral textile and wooden chairs. Another sculpture and painting are installed behind it.]
    Caption Metaphysical Visions. Installation view, Artists Space, 1989.
    Image description In the foreground of a white gallery space is a large sculpture made of a wooden box topped with a floral textile and wooden chairs. Another sculpture and painting are installed behind it.
    Year 1989
    Related pages Metaphysical Visions: Middle Europe
  • A silhouette of a human head in profile is filled with a photograph of a woman looking directly at the camera, her arms outstretched either side of a dark scultpure of child's head. Text situated above the image reads,
    A silhouette of a human head in profile is filled with a photograph of a woman looking directly at the camera, her arms outstretched either side of a dark scultpure of child's head. Text situated above the image reads,
    REALLIFE Magazine, First issue, March 1979. Artwork by Sherrie Levine. [A silhouette of a human head in profile is filled with a photograph of a woman looking directly at the camera, her arms outstretched either side of a dark scultpure of child's head. Text situated above the image reads, "REALLIFE Magazine, March 1979, $1."]
    Caption REALLIFE Magazine, First issue, March 1979. Artwork by Sherrie Levine.
    Image description A silhouette of a human head in profile is filled with a photograph of a woman looking directly at the camera, her arms outstretched either side of a dark scultpure of child's head. Text situated above the image reads, "REALLIFE Magazine, March 1979, $1."
    Year
    Related pages REALLIFE Magazine: 1979–1990
  • A red stripe is painted on a white wall. Hung in the red stripe are twenty sheets of white paper with a single figure drawn on each one.
    A red stripe is painted on a white wall. Hung in the red stripe are twenty sheets of white paper with a single figure drawn on each one.
    Salad Days. Installation view, Artists Space, 2004. [A red stripe is painted on a white wall. Hung in the red stripe are twenty sheets of white paper with a single figure drawn on each one.]
    Caption Salad Days. Installation view, Artists Space, 2004.
    Image description A red stripe is painted on a white wall. Hung in the red stripe are twenty sheets of white paper with a single figure drawn on each one.
    Year 2004
    Related pages Salad Days
  • Two photographs are mounted on a white gallery wall.
    Two photographs are mounted on a white gallery wall.
    Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979. [Two photographs are mounted on a white gallery wall.]
    Caption Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979.
    Image description Two photographs are mounted on a white gallery wall.
    Year 1979
    Related pages Place, (title to be determined), for a Participant: Ken Feingold
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A photograph of a gallery space. The right half of the image is taken up by a wall with printed text identifying the exhibitions,
    A photograph of a gallery space. The right half of the image is taken up by a wall with printed text identifying the exhibitions,
    Min Joong Art. Installation view, Artists Space, 1988. [A photograph of a gallery space. The right half of the image is taken up by a wall with printed text identifying the exhibitions, "Min Joong Art: A New Cultural Movement from Korea," and, "I Miss the Revolution."]
    Caption Min Joong Art. Installation view, Artists Space, 1988.
    Image description A photograph of a gallery space. The right half of the image is taken up by a wall with printed text identifying the exhibitions, "Min Joong Art: A New Cultural Movement from Korea," and, "I Miss the Revolution."
    Year 1988
    Related pages Min Joong Art: A New Cultural Moment from Korea
  • Color image of a portrait of a man's face, done in purple, orange, and pink colored pencil and pastel on beige paper. Half of the man's face is detailed, while his other faetures are left undefined.
    Color image of a portrait of a man's face, done in purple, orange, and pink colored pencil and pastel on beige paper. Half of the man's face is detailed, while his other faetures are left undefined.
    Elizabeth Peyton, TC (Timothée), 2022-2023. Photo: Filip Wolak. [Color image of a portrait of a man's face, done in purple, orange, and pink colored pencil and pastel on beige paper. Half of the man's face is detailed, while his other faetures are left undefined.]
    Caption Elizabeth Peyton, TC (Timothée), 2022-2023. Photo: Filip Wolak.
    Image description Color image of a portrait of a man's face, done in purple, orange, and pink colored pencil and pastel on beige paper. Half of the man's face is detailed, while his other faetures are left undefined.
    Year 2023
    Related pages Artists for Artists Space
  • Two black and white images of the faces of two women projected side-by-side. The woman on the left is in profile and appears to speak in both frames, while the woman to her right appears to glance towards her companion in the first frame, and speak in the second.
    Two black and white images of the faces of two women projected side-by-side. The woman on the left is in profile and appears to speak in both frames, while the woman to her right appears to glance towards her companion in the first frame, and speak in the second.
    OUTER AND INNER SPACE. Andy Warhol, 1965. 16mm film (sound, black and white, double-screen projection), 33 minutes. [Two black and white images of the faces of two women projected side-by-side. The woman on the left is in profile and appears to speak in both frames, while the woman to her right appears to glance towards her companion in the first frame, and speak in the second.]
    Caption OUTER AND INNER SPACE. Andy Warhol, 1965. 16mm film (sound, black and white, double-screen projection), 33 minutes.
    Image description Two black and white images of the faces of two women projected side-by-side. The woman on the left is in profile and appears to speak in both frames, while the woman to her right appears to glance towards her companion in the first frame, and speak in the second.
    Year 1965
    Related pages In The Poem About Love You Don't Write The Word Love Film Series at Anthology Film Archives
  • A woman wearing a gold headdress, hoop earring, and necklace stares off into the distance. The background is filled with trees and vegetation.
    A woman wearing a gold headdress, hoop earring, and necklace stares off into the distance. The background is filled with trees and vegetation.
    Las Nietas de Nonó, Still from FOODTOPIA: en el suelo áspero, 2022. [A woman wearing a gold headdress, hoop earring, and necklace stares off into the distance. The background is filled with trees and vegetation.]
    Caption Las Nietas de Nonó, Still from FOODTOPIA: en el suelo áspero, 2022.
    Image description A woman wearing a gold headdress, hoop earring, and necklace stares off into the distance. The background is filled with trees and vegetation.
    Year
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • A round, diner-style table with a white mug, napkins, a baked good sitting on top of its open wrapper, and a small card with text. A long, straight line of crumbs stretches across the diameter of the table.
    A round, diner-style table with a white mug, napkins, a baked good sitting on top of its open wrapper, and a small card with text. A long, straight line of crumbs stretches across the diameter of the table.
    Pedro Lasch, Crumbs: Drawing on a Limited View of New York City's Cultural Wealth, 2000. [A round, diner-style table with a white mug, napkins, a baked good sitting on top of its open wrapper, and a small card with text. A long, straight line of crumbs stretches across the diameter of the table.]
    Caption Pedro Lasch, Crumbs: Drawing on a Limited View of New York City's Cultural Wealth, 2000.
    Image description A round, diner-style table with a white mug, napkins, a baked good sitting on top of its open wrapper, and a small card with text. A long, straight line of crumbs stretches across the diameter of the table.
    Year 2000
    Related pages When Artists Say We
  • An older man in a white collared shirt, pink tie, and black vest leans against a shining countertop—perhaps a bar—with both hands. A restaurant interior and fishtank gleam behind him.
    An older man in a white collared shirt, pink tie, and black vest leans against a shining countertop—perhaps a bar—with both hands. A restaurant interior and fishtank gleam behind him.
    [An older man in a white collared shirt, pink tie, and black vest leans against a shining countertop—perhaps a bar—with both hands. A restaurant interior and fishtank gleam behind him.]
    Caption
    Image description An older man in a white collared shirt, pink tie, and black vest leans against a shining countertop—perhaps a bar—with both hands. A restaurant interior and fishtank gleam behind him.
    Year 2005
    Related pages La Villa Basque, Vernon, CA
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A black and white image featuring a large, dark shape that resembles a plus sign. The plus sign sits at the center of a white backdrop covered by various irregular markings, including a large ink blot and print markings. While the surface of the plus sign is opaque, the background markings are slightly transparent. Small black text placed at the image's lower left corner reads,
    A black and white image featuring a large, dark shape that resembles a plus sign. The plus sign sits at the center of a white backdrop covered by various irregular markings, including a large ink blot and print markings. While the surface of the plus sign is opaque, the background markings are slightly transparent. Small black text placed at the image's lower left corner reads,
    Christopher Wool, untitled (wool poster between bridges), 2020, 23.5 x 16.5 inches [A black and white image featuring a large, dark shape that resembles a plus sign. The plus sign sits at the center of a white backdrop covered by various irregular markings, including a large ink blot and print markings. While the surface of the plus sign is opaque, the background markings are slightly transparent. Small black text placed at the image's lower left corner reads, "2020Solidarity - Christopher Wool," while text placed at the image's lower right corner reads, "A project by Between Bridges."]
    Caption Christopher Wool, untitled (wool poster between bridges), 2020, 23.5 x 16.5 inches
    Image description A black and white image featuring a large, dark shape that resembles a plus sign. The plus sign sits at the center of a white backdrop covered by various irregular markings, including a large ink blot and print markings. While the surface of the plus sign is opaque, the background markings are slightly transparent. Small black text placed at the image's lower left corner reads, "2020Solidarity - Christopher Wool," while text placed at the image's lower right corner reads, "A project by Between Bridges."
    Year 2020
    Related pages 2020Solidarity
  • Color image of front view of a booth inside an art fair. On the right wall hangs a colorful drawing. At the center of the booth, an installation shows the corner of a domestic space, with a window on each side and black and white curtains with pink flowers. Through the windows, the leg of a chair, a lamp, an easel, and some drawings can be seen.
    Color image of front view of a booth inside an art fair. On the right wall hangs a colorful drawing. At the center of the booth, an installation shows the corner of a domestic space, with a window on each side and black and white curtains with pink flowers. Through the windows, the leg of a chair, a lamp, an easel, and some drawings can be seen.
    Drake Carr: Housecalls. Installation view, Artists Space at the Armory Show, 2023. Photo: Filip Wolak. [Color image of front view of a booth inside an art fair. On the right wall hangs a colorful drawing. At the center of the booth, an installation shows the corner of a domestic space, with a window on each side and black and white curtains with pink flowers. Through the windows, the leg of a chair, a lamp, an easel, and some drawings can be seen.]
    Caption Drake Carr: Housecalls. Installation view, Artists Space at the Armory Show, 2023. Photo: Filip Wolak.
    Image description Color image of front view of a booth inside an art fair. On the right wall hangs a colorful drawing. At the center of the booth, an installation shows the corner of a domestic space, with a window on each side and black and white curtains with pink flowers. Through the windows, the leg of a chair, a lamp, an easel, and some drawings can be seen.
    Year
    Related pages Drake Carr: Housecalls
  • Two people seated at a table covered with assorted art supplies. They talk to each other as they paint or prepare to draw.
    Two people seated at a table covered with assorted art supplies. They talk to each other as they paint or prepare to draw.
    Dayna Goldfine and Dan Geller, still from Kids of Survival: The Art and Life of Tim Rollins & K.O.S., 1996. 87 min. [Two people seated at a table covered with assorted art supplies. They talk to each other as they paint or prepare to draw.]
    Caption Dayna Goldfine and Dan Geller, still from Kids of Survival: The Art and Life of Tim Rollins & K.O.S., 1996. 87 min.
    Image description Two people seated at a table covered with assorted art supplies. They talk to each other as they paint or prepare to draw.
    Year 1996
    Related pages Film and Video Program | Macho Man, Tell It To My Heart: Collected by Julie Ault | December 19
  • A crowd watches two figures in medical scrubs, facing each other on opposite sides of a table with wheels.
    A crowd watches two figures in medical scrubs, facing each other on opposite sides of a table with wheels.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court [A crowd watches two figures in medical scrubs, facing each other on opposite sides of a table with wheels.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court
    Image description A crowd watches two figures in medical scrubs, facing each other on opposite sides of a table with wheels.
    Year 2022
    Related pages Grandmother Cindy
  • Three figures perform in front of an audience. Two figures in blue morph suits face off with a wooden table between them, while a third figure takes video footage of the scene.
    Three figures perform in front of an audience. Two figures in blue morph suits face off with a wooden table between them, while a third figure takes video footage of the scene.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Three figures perform in front of an audience. Two figures in blue morph suits face off with a wooden table between them, while a third figure takes video footage of the scene.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Three figures perform in front of an audience. Two figures in blue morph suits face off with a wooden table between them, while a third figure takes video footage of the scene.
    Year 2022
    Related pages SCRAAATCH 12-3
  • Black text overlays a mauve background. The top left corner reads:
    Black text overlays a mauve background. The top left corner reads:
    Flyer for Segue Reading Series featuring Norman Fischer and Farnoosh Fathi. Saturday, January 15, 2021, Artists Space. [Black text overlays a mauve background. The top left corner reads: "Norman Fischer & Farnoosh Fathi." The center right reads: "Segue Reading Series & ARTISTS SPACE." The bottom left reads: "Saturday January 15 - 5pm, Zoom ID: 893 9594 7519, Suggested donation $5". The image of a 5 dollar bill is placed within the text.]
    Caption Flyer for Segue Reading Series featuring Norman Fischer and Farnoosh Fathi. Saturday, January 15, 2021, Artists Space.
    Image description Black text overlays a mauve background. The top left corner reads: "Norman Fischer & Farnoosh Fathi." The center right reads: "Segue Reading Series & ARTISTS SPACE." The bottom left reads: "Saturday January 15 - 5pm, Zoom ID: 893 9594 7519, Suggested donation $5". The image of a 5 dollar bill is placed within the text.
    Year 2021
    Related pages Segue Reading Series: Norman Fischer & Farnoosh Fathi
  • A painting with blue, yellow, and neutral tones is hung on a white wall. Another painting is visible in the background with bright yellow and orange hues.
    A painting with blue, yellow, and neutral tones is hung on a white wall. Another painting is visible in the background with bright yellow and orange hues.
    Miyoko Ito: Heart of Hearts. Installation view, Artists Space, 2018. Photo: Daniel Peréz. [A painting with blue, yellow, and neutral tones is hung on a white wall. Another painting is visible in the background with bright yellow and orange hues.]
    Caption Miyoko Ito: Heart of Hearts. Installation view, Artists Space, 2018. Photo: Daniel Peréz.
    Image description A painting with blue, yellow, and neutral tones is hung on a white wall. Another painting is visible in the background with bright yellow and orange hues.
    Year 1959
    Related pages Miyoko Ito: Heart of Hearts
  • The corner of a room with two white walls. On one wall, there is a white collared shirt on a hanger, a black and white abstract image, and a small white sculpture.
    The corner of a room with two white walls. On one wall, there is a white collared shirt on a hanger, a black and white abstract image, and a small white sculpture.
    Paper Exhibition. Installation view, Artists Space, 2009. Photo: Adam Reich. [The corner of a room with two white walls. On one wall, there is a white collared shirt on a hanger, a black and white abstract image, and a small white sculpture.]
    Caption Paper Exhibition. Installation view, Artists Space, 2009. Photo: Adam Reich.
    Image description The corner of a room with two white walls. On one wall, there is a white collared shirt on a hanger, a black and white abstract image, and a small white sculpture.
    Year 2009
    Related pages Paper Exhibition
  • Installation view from Split/Vision, Artists Space, 1985-86
    Caption Installation view from Split/Vision, Artists Space, 1985-86
    Image description
    Year
    Related pages Split/Vision
  • A solo musician standing on stage faces the audience and plays a small wooden instrument. They are bathed in red and pink light. They are looking down and wearing a headlamp. On the stage there are also multiple electronic instruments, cords, and a plant. A green image is projected on a side wall above the audience. The wall in the background is scattered with white dots reflected from a disco ball.
    A solo musician standing on stage faces the audience and plays a small wooden instrument. They are bathed in red and pink light. They are looking down and wearing a headlamp. On the stage there are also multiple electronic instruments, cords, and a plant. A green image is projected on a side wall above the audience. The wall in the background is scattered with white dots reflected from a disco ball.
    Abasement #71. Performance documentation, August 5th, 2024, Artists Space. Photo: Joshua Wildman. [A solo musician standing on stage faces the audience and plays a small wooden instrument. They are bathed in red and pink light. They are looking down and wearing a headlamp. On the stage there are also multiple electronic instruments, cords, and a plant. A green image is projected on a side wall above the audience. The wall in the background is scattered with white dots reflected from a disco ball.]
    Caption Abasement #71. Performance documentation, August 5th, 2024, Artists Space. Photo: Joshua Wildman.
    Image description A solo musician standing on stage faces the audience and plays a small wooden instrument. They are bathed in red and pink light. They are looking down and wearing a headlamp. On the stage there are also multiple electronic instruments, cords, and a plant. A green image is projected on a side wall above the audience. The wall in the background is scattered with white dots reflected from a disco ball.
    Year
    Related pages Abasement #71
  • A gray cross made from wire on a white background, with a small, red square held in the center.
    A gray cross made from wire on a white background, with a small, red square held in the center.
    Steve Carter, Tile Series (detail), 1994. [A gray cross made from wire on a white background, with a small, red square held in the center.]
    Caption Steve Carter, Tile Series (detail), 1994.
    Image description A gray cross made from wire on a white background, with a small, red square held in the center.
    Year 1994
    Related pages A Strategy Hinted At: New Conceptual Artists
  • A figure on the left sings into a microphone, while on thhe right, a figure sitting down and wearing a baseball cap plays the guitar.
    A figure on the left sings into a microphone, while on thhe right, a figure sitting down and wearing a baseball cap plays the guitar.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure on the left sings into a microphone, while on thhe right, a figure sitting down and wearing a baseball cap plays the guitar.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure on the left sings into a microphone, while on thhe right, a figure sitting down and wearing a baseball cap plays the guitar.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
  • Two figures perform on stage. The figure on the right stands behind a music stand and plays the flute while the figure on the left sits behind a microphone and reads off a piece of paper.
    Two figures perform on stage. The figure on the right stands behind a music stand and plays the flute while the figure on the left sits behind a microphone and reads off a piece of paper.
    Yasunao Tone in Concert with Barbara Held. Performance documentation, January 19, 2023, Artists Space. Photo: Destiny Mata [Two figures perform on stage. The figure on the right stands behind a music stand and plays the flute while the figure on the left sits behind a microphone and reads off a piece of paper.]
    Caption Yasunao Tone in Concert with Barbara Held. Performance documentation, January 19, 2023, Artists Space. Photo: Destiny Mata
    Image description Two figures perform on stage. The figure on the right stands behind a music stand and plays the flute while the figure on the left sits behind a microphone and reads off a piece of paper.
    Year 2023
    Related pages Yasunao Tone in Concert with Barbara Held
  • A large red carpet extends across the length of an exhibition space next to a windowed wall. A long line of framed photographs lean against the windowed wall. Two figures examine the photographs and additional artworks displayed in the space's background.
    A large red carpet extends across the length of an exhibition space next to a windowed wall. A long line of framed photographs lean against the windowed wall. Two figures examine the photographs and additional artworks displayed in the space's background.
    Frozen Lakes. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A large red carpet extends across the length of an exhibition space next to a windowed wall. A long line of framed photographs lean against the windowed wall. Two figures examine the photographs and additional artworks displayed in the space's background.]
    Caption Frozen Lakes. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description A large red carpet extends across the length of an exhibition space next to a windowed wall. A long line of framed photographs lean against the windowed wall. Two figures examine the photographs and additional artworks displayed in the space's background.
    Year 2013
    Related pages Frozen Lakes
  • A black-and-white photograph of a long floor lamp with two protruding lampshades.
    A black-and-white photograph of a long floor lamp with two protruding lampshades.
    Served Up! R.M. Fischer. Installation view, Artists Space, 1979. [A black-and-white photograph of a long floor lamp with two protruding lampshades.]
    Caption Served Up! R.M. Fischer. Installation view, Artists Space, 1979.
    Image description A black-and-white photograph of a long floor lamp with two protruding lampshades.
    Year 1979
    Related pages Served Up! R. M. Fischer
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  • Color image a performer in a bald cap with both of their hands raised with elbows at shoulder height. The performer occupies the center of the image wearing a blue dress covered in a square and circle pattern. From the left, bottom corner, a microphone on a stand rises to meet the performer in the center. In the lower, right hand corner, another bald performer, dressed in a red top bends down towards the performer in the center of the image. The wall behind both the performers is filled with a projected image in hues of yellow, brown and white.
    Color image a performer in a bald cap with both of their hands raised with elbows at shoulder height. The performer occupies the center of the image wearing a blue dress covered in a square and circle pattern. From the left, bottom corner, a microphone on a stand rises to meet the performer in the center. In the lower, right hand corner, another bald performer, dressed in a red top bends down towards the performer in the center of the image. The wall behind both the performers is filled with a projected image in hues of yellow, brown and white.
    Abasement #68. Performance documentation, February 12, 2024, Artists Space. Photo: Joshua Wildman. [Color image a performer in a bald cap with both of their hands raised with elbows at shoulder height. The performer occupies the center of the image wearing a blue dress covered in a square and circle pattern. From the left, bottom corner, a microphone on a stand rises to meet the performer in the center. In the lower, right hand corner, another bald performer, dressed in a red top bends down towards the performer in the center of the image. The wall behind both the performers is filled with a projected image in hues of yellow, brown and white. ]
    Caption Abasement #68. Performance documentation, February 12, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Color image a performer in a bald cap with both of their hands raised with elbows at shoulder height. The performer occupies the center of the image wearing a blue dress covered in a square and circle pattern. From the left, bottom corner, a microphone on a stand rises to meet the performer in the center. In the lower, right hand corner, another bald performer, dressed in a red top bends down towards the performer in the center of the image. The wall behind both the performers is filled with a projected image in hues of yellow, brown and white.
    Year
    Related pages Abasement #68
  • A performer plays a clarinet on stage, bathed in blue and pink light.
    A performer plays a clarinet on stage, bathed in blue and pink light.
    Abasement #80. Performance documentation, September 22nd, 2025, Artists Space. Photo: Joshua Wildman. [A performer plays a clarinet on stage, bathed in blue and pink light.]
    Caption Abasement #80. Performance documentation, September 22nd, 2025, Artists Space. Photo: Joshua Wildman.
    Image description A performer plays a clarinet on stage, bathed in blue and pink light.
    Year
    Related pages Abasement #80
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  • A figure wearing blue clothing uses the body of another person beneath them to hold their weight up.
    A figure wearing blue clothing uses the body of another person beneath them to hold their weight up.
    Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court [A figure wearing blue clothing uses the body of another person beneath them to hold their weight up.]
    Caption Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court
    Image description A figure wearing blue clothing uses the body of another person beneath them to hold their weight up.
    Year 2022
    Related pages Circus Amok
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    Related pages Arnold J. Kemp
  • A person with a long braid is sitting on one of many brightly colored bundles of objects. The bundles are sitting on the dirt ground.
    A person with a long braid is sitting on one of many brightly colored bundles of objects. The bundles are sitting on the dirt ground.
    [A person with a long braid is sitting on one of many brightly colored bundles of objects. The bundles are sitting on the dirt ground.]
    Caption
    Image description A person with a long braid is sitting on one of many brightly colored bundles of objects. The bundles are sitting on the dirt ground.
    Year 2011
    Related pages Where Do We Migrate To?
  • Color image of an audience watching a performance. In the middle of the crowd, a figure in a blue and white dress holds their hand to their chest with their eyes closed, listening to the performance.
    Color image of an audience watching a performance. In the middle of the crowd, a figure in a blue and white dress holds their hand to their chest with their eyes closed, listening to the performance.
    Yasunao Tone Concert #3. Performance documentation, March 16, 2023, Artists Space. Photo: Destiny Mata [Color image of an audience watching a performance. In the middle of the crowd, a figure in a blue and white dress holds their hand to their chest with their eyes closed, listening to the performance.]
    Caption Yasunao Tone Concert #3. Performance documentation, March 16, 2023, Artists Space. Photo: Destiny Mata
    Image description Color image of an audience watching a performance. In the middle of the crowd, a figure in a blue and white dress holds their hand to their chest with their eyes closed, listening to the performance.
    Year 2023
    Related pages Yasunao Tone Concert #3
  • On a white gallery wall, a vinyl cut out of a black cross or
    On a white gallery wall, a vinyl cut out of a black cross or
    Nandi Loaf, +, 2025 [On a white gallery wall, a vinyl cut out of a black cross or "plus-sign" sits perfectly in the center.]
    Caption Nandi Loaf, +, 2025
    Image description On a white gallery wall, a vinyl cut out of a black cross or "plus-sign" sits perfectly in the center.
    Year
    Related pages Nandi Loaf Aristotelis Nikolas Mochloulis Ricardo Nagaoka Sydney Schrader
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  • Photographs of various figures are hung next to one another in a gallery setting.
    Photographs of various figures are hung next to one another in a gallery setting.
    Julie Wachtel & Chris. Selections from the Unaffiliated Artists File. Installation view, Artists Space, 1981. [Photographs of various figures are hung next to one another in a gallery setting.]
    Caption Julie Wachtel & Chris. Selections from the Unaffiliated Artists File. Installation view, Artists Space, 1981.
    Image description Photographs of various figures are hung next to one another in a gallery setting.
    Year
    Related pages Selections from the Unaffiliated Artists File
  • Magazine cut-outs and ink drawings are collaged together on a colorful background, with blue, pink, yellow and beige paper. Cut up pieces of beige paper are scattered throughout the image, and feature typewritten text listing the performers and event details.
    Magazine cut-outs and ink drawings are collaged together on a colorful background, with blue, pink, yellow and beige paper. Cut up pieces of beige paper are scattered throughout the image, and feature typewritten text listing the performers and event details.
    Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a colorful background, with blue, pink, yellow and beige paper. Cut up pieces of beige paper are scattered throughout the image, and feature typewritten text listing the performers and event details.]
    Caption Flyer by Joe Frivaldi.
    Image description Magazine cut-outs and ink drawings are collaged together on a colorful background, with blue, pink, yellow and beige paper. Cut up pieces of beige paper are scattered throughout the image, and feature typewritten text listing the performers and event details.
    Year
    Related pages Abasement #70
  • A miniature log cabin constructed of handwritten documents is displayed in a vitrine. The roof on the left side reads,
    A miniature log cabin constructed of handwritten documents is displayed in a vitrine. The roof on the left side reads,
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A miniature log cabin constructed of handwritten documents is displayed in a vitrine. The roof on the left side reads, "By the President of the United States of America, A Proclimation."]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description A miniature log cabin constructed of handwritten documents is displayed in a vitrine. The roof on the left side reads, "By the President of the United States of America, A Proclimation."
    Year 2017
    Related pages Unholding
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    Related pages Michael Asher
  • White gallery wall featuring various small framed works on paper, one on pink ground.
    White gallery wall featuring various small framed works on paper, one on pink ground.
    Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak. [White gallery wall featuring various small framed works on paper, one on pink ground.]
    Caption Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak.
    Image description White gallery wall featuring various small framed works on paper, one on pink ground.
    Year
    Related pages Dream Lines: Drawings by Marian Zazeela
  • Color photograph of a large group of people standing around a gallery space. Chairs, and tanker desks with TV monitors on them are placed in the space. The audience watches a figure in a red suit that stands next to a column, holding their hand to their mouth.
    Color photograph of a large group of people standing around a gallery space. Chairs, and tanker desks with TV monitors on them are placed in the space. The audience watches a figure in a red suit that stands next to a column, holding their hand to their mouth.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a large group of people standing around a gallery space. Chairs, and tanker desks with TV monitors on them are placed in the space. The audience watches a figure in a red suit that stands next to a column, holding their hand to their mouth.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of a large group of people standing around a gallery space. Chairs, and tanker desks with TV monitors on them are placed in the space. The audience watches a figure in a red suit that stands next to a column, holding their hand to their mouth.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • Six geometric, silver metal sculptures installed on low dolleys with wheels sit, scattered, across a wooden gallery floor. The sculptures are modular, hollow, and consist of cube-like and triangular metal components. Long arrows of colorful tape are installed on the gallery floors.
    Six geometric, silver metal sculptures installed on low dolleys with wheels sit, scattered, across a wooden gallery floor. The sculptures are modular, hollow, and consist of cube-like and triangular metal components. Long arrows of colorful tape are installed on the gallery floors.
    Charlotte Posenenske. Configured by Rirkrit Tiravanija. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [Six geometric, silver metal sculptures installed on low dolleys with wheels sit, scattered, across a wooden gallery floor. The sculptures are modular, hollow, and consist of cube-like and triangular metal components. Long arrows of colorful tape are installed on the gallery floors.]
    Caption Charlotte Posenenske. Configured by Rirkrit Tiravanija. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description Six geometric, silver metal sculptures installed on low dolleys with wheels sit, scattered, across a wooden gallery floor. The sculptures are modular, hollow, and consist of cube-like and triangular metal components. Long arrows of colorful tape are installed on the gallery floors.
    Year 2010
    Related pages Charlotte Posenenske
  • A view of five vitrines, displaying various documents, arranged in columns in the middle of a room. On either wall, book cases used for display.
    A view of five vitrines, displaying various documents, arranged in columns in the middle of a room. On either wall, book cases used for display.
    Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A view of five vitrines, displaying various documents, arranged in columns in the middle of a room. On either wall, book cases used for display.]
    Caption Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description A view of five vitrines, displaying various documents, arranged in columns in the middle of a room. On either wall, book cases used for display.
    Year 2013
    Related pages Documenting Cadere: 1972 - 1978
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    Related pages Christopher D'Arcangelo
  • Color photograph of a figure dressed in all white, dancing in a corridor bathed in red light.
    Color photograph of a figure dressed in all white, dancing in a corridor bathed in red light.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure dressed in all white, dancing in a corridor bathed in red light.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a figure dressed in all white, dancing in a corridor bathed in red light.
    Year 2022
    Related pages keyon gaskin 12-18
  • A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979. [A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.]
    Caption Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979.
    Image description A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    Year 1979
    Related pages Patricia Hearst - A Second Reading
  • A flyer featuring a vintage orange and black computer with a small monitor and chunky keyboard set against a saturated yellow background. White, stylized text on a faded computer screen reads:
    A flyer featuring a vintage orange and black computer with a small monitor and chunky keyboard set against a saturated yellow background. White, stylized text on a faded computer screen reads:
    [A flyer featuring a vintage orange and black computer with a small monitor and chunky keyboard set against a saturated yellow background. White, stylized text on a faded computer screen reads: "A READING BY ALAN FELSENTHAL AND BETSY FAGIN." Red text on the yellow background in the upper left corner reads: "Artists Space & the Segue Reading Series present" and in the lower right corner: "Saturday May 23rd / 5 pm NYC time / Zoom ID 378 232 567”]
    Caption
    Image description A flyer featuring a vintage orange and black computer with a small monitor and chunky keyboard set against a saturated yellow background. White, stylized text on a faded computer screen reads: "A READING BY ALAN FELSENTHAL AND BETSY FAGIN." Red text on the yellow background in the upper left corner reads: "Artists Space & the Segue Reading Series present" and in the lower right corner: "Saturday May 23rd / 5 pm NYC time / Zoom ID 378 232 567”
    Year 2020
    Related pages Segue Reading Series: Betsy Fagin & Alan Felsenthal
  • A pile of dark earth and plant matter is heaped against a wooden bannister.
    A pile of dark earth and plant matter is heaped against a wooden bannister.
    Laurie Palmer, Winter Flush, 1989. Installation view, Artists Space, 1989. [A pile of dark earth and plant matter is heaped against a wooden bannister.]
    Caption Laurie Palmer, Winter Flush, 1989. Installation view, Artists Space, 1989.
    Image description A pile of dark earth and plant matter is heaped against a wooden bannister.
    Year 1989
    Related pages Project: Winter Flush: A Temporary Garden
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