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  • In a gallery space, a large white overhead LED-style sign acts as both a drop ceiling and overhead lighting. It displays two numbers, a 2 and a 3. Below are a black sofa and, facing it, a small television on a wooden pedestal.
    In a gallery space, a large white overhead LED-style sign acts as both a drop ceiling and overhead lighting. It displays two numbers, a 2 and a 3. Below are a black sofa and, facing it, a small television on a wooden pedestal.
    Contemporary Architecture - an installation by realities:united. Installation view, Artists Space, 2007. Photo: Bill Orcutt. [In a gallery space, a large white overhead LED-style sign acts as both a drop ceiling and overhead lighting. It displays two numbers, a 2 and a 3. Below are a black sofa and, facing it, a small television on a wooden pedestal.]
    Caption Contemporary Architecture - an installation by realities:united. Installation view, Artists Space, 2007. Photo: Bill Orcutt.
    Image description In a gallery space, a large white overhead LED-style sign acts as both a drop ceiling and overhead lighting. It displays two numbers, a 2 and a 3. Below are a black sofa and, facing it, a small television on a wooden pedestal.
    Year 2007
    Related pages Contemporary Architecture - an installation by realities:united
  • Projectors placed across a wood floor project variegated hues of white light onto a wall.
    Projectors placed across a wood floor project variegated hues of white light onto a wall.
    Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater. Installation view, Artists Space, 2019. Photo: Daniel Pérez. [Projectors placed across a wood floor project variegated hues of white light onto a wall.]
    Caption Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater. Installation view, Artists Space, 2019. Photo: Daniel Pérez.
    Image description Projectors placed across a wood floor project variegated hues of white light onto a wall.
    Year 2019
    Related pages
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • The entrance to a gallery space. Two video stills are projected on the wall facing the entrance. The left projector shows a black-and-white film image of two figures in trench coats with paper bags over their heads doing pushups. On the right is a black-and-white film image of a pair of black shoes hanging over a wooden ledge.
    The entrance to a gallery space. Two video stills are projected on the wall facing the entrance. The left projector shows a black-and-white film image of two figures in trench coats with paper bags over their heads doing pushups. On the right is a black-and-white film image of a pair of black shoes hanging over a wooden ledge.
    Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Amiri Baraka, Cellar Vigil (Experimental Death Unit #2), 1966), Artists Space, 2023. Photo: Filip Wolak. [The entrance to a gallery space. Two video stills are projected on the wall facing the entrance. The left projector shows a black-and-white film image of two figures in trench coats with paper bags over their heads doing pushups. On the right is a black-and-white film image of a pair of black shoes hanging over a wooden ledge.]
    Caption Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Amiri Baraka, Cellar Vigil (Experimental Death Unit #2), 1966), Artists Space, 2023. Photo: Filip Wolak.
    Image description The entrance to a gallery space. Two video stills are projected on the wall facing the entrance. The left projector shows a black-and-white film image of two figures in trench coats with paper bags over their heads doing pushups. On the right is a black-and-white film image of a pair of black shoes hanging over a wooden ledge.
    Year 2023
    Related pages Shala Miller, Malcolm Peacock, Amiri Baraka
  • Close up of an artwork that consists of a white, rectangular canvas with a black and white image of a planet with a swirling, cloudy atmosphere. Directly below, a shelf made out of worn wooden planks supports several rough, oval and square shaped 2D cutouts that are arranged next to one another. A strip of wall behind the shelf and two
    Close up of an artwork that consists of a white, rectangular canvas with a black and white image of a planet with a swirling, cloudy atmosphere. Directly below, a shelf made out of worn wooden planks supports several rough, oval and square shaped 2D cutouts that are arranged next to one another. A strip of wall behind the shelf and two
    Nina in Position. Installation view, Artists Space, 2008. Photo: Bill Orcutt. [Close up of an artwork that consists of a white, rectangular canvas with a black and white image of a planet with a swirling, cloudy atmosphere. Directly below, a shelf made out of worn wooden planks supports several rough, oval and square shaped 2D cutouts that are arranged next to one another. A strip of wall behind the shelf and two "leg" like shapes below it have been gouged out of the gallery wall, revealing insulation and building supports.]
    Caption Nina in Position. Installation view, Artists Space, 2008. Photo: Bill Orcutt.
    Image description Close up of an artwork that consists of a white, rectangular canvas with a black and white image of a planet with a swirling, cloudy atmosphere. Directly below, a shelf made out of worn wooden planks supports several rough, oval and square shaped 2D cutouts that are arranged next to one another. A strip of wall behind the shelf and two "leg" like shapes below it have been gouged out of the gallery wall, revealing insulation and building supports.
    Year 2008
    Related pages Nina in Position
  • An opened gate is visible on the right with tables and chairs set up on a cement floor and decorative steel windows visible at the top.
    An opened gate is visible on the right with tables and chairs set up on a cement floor and decorative steel windows visible at the top.
    Audrey Glassman, Untitled. Cibachrome, 28 x 42 inches. [An opened gate is visible on the right with tables and chairs set up on a cement floor and decorative steel windows visible at the top.]
    Caption Audrey Glassman, Untitled. Cibachrome, 28 x 42 inches.
    Image description An opened gate is visible on the right with tables and chairs set up on a cement floor and decorative steel windows visible at the top.
    Year
    Related pages U.S. Projects
  • The exterior of a Soho building at night from the opposite street corner. Inside the third floor are two glowing blue neon quotation marks visible from outside.
    The exterior of a Soho building at night from the opposite street corner. Inside the third floor are two glowing blue neon quotation marks visible from outside.
    Laurel Woodcock, (Untitled), Neon Quote, 2005. Neon sculptures. Courtesy the artist. [The exterior of a Soho building at night from the opposite street corner. Inside the third floor are two glowing blue neon quotation marks visible from outside.]
    Caption Laurel Woodcock, (Untitled), Neon Quote, 2005. Neon sculptures. Courtesy the artist.
    Image description The exterior of a Soho building at night from the opposite street corner. Inside the third floor are two glowing blue neon quotation marks visible from outside.
    Year 2007
    Related pages On Being an Exhibition
  • Black, rounded text on a white background reads left,
    Black, rounded text on a white background reads left,
    Poster from polke / richter , 1966 galerie h, Hannover Courtesy August Haseke [Black, rounded text on a white background reads left, "galerie h, hannover, alleestrasse, gh;" right, "POLKE/RICHTER, Pop?, Kapitalistischer, Realismus?"]
    Caption Poster from polke / richter , 1966 galerie h, Hannover Courtesy August Haseke
    Image description Black, rounded text on a white background reads left, "galerie h, hannover, alleestrasse, gh;" right, "POLKE/RICHTER, Pop?, Kapitalistischer, Realismus?"
    Year 1966
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • A view between two book stands, perpendicular to the wall, displaying books, documents, and papers. On the wall, posters are staggered including various text and images.
    A view between two book stands, perpendicular to the wall, displaying books, documents, and papers. On the wall, posters are staggered including various text and images.
    Richard Hollis. Installation view, Artists Space, 2013. [A view between two book stands, perpendicular to the wall, displaying books, documents, and papers. On the wall, posters are staggered including various text and images.]
    Caption Richard Hollis. Installation view, Artists Space, 2013.
    Image description A view between two book stands, perpendicular to the wall, displaying books, documents, and papers. On the wall, posters are staggered including various text and images.
    Year 2013
    Related pages Richard Hollis
  • Audience members are seated along a back wall, with a figure in a blue morph suit seated on a rectangular wooden frame alongside them. Blue light is projected onto a screen in the background.
    Audience members are seated along a back wall, with a figure in a blue morph suit seated on a rectangular wooden frame alongside them. Blue light is projected onto a screen in the background.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Audience members are seated along a back wall, with a figure in a blue morph suit seated on a rectangular wooden frame alongside them. Blue light is projected onto a screen in the background.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Audience members are seated along a back wall, with a figure in a blue morph suit seated on a rectangular wooden frame alongside them. Blue light is projected onto a screen in the background.
    Year 2022
    Related pages SCRAAATCH 12-3
  • Jessica, the imagination of being in the rocks, digital photograph, 2023
    Caption Jessica, the imagination of being in the rocks, digital photograph, 2023
    Image description
    Year
    Related pages BRIDGE Photography
  • Color photograph of a mound of brown rocks and dirt. In the middle of the frame, jutting out of the mound is a broken piece of clear glass with a gold metallic finish on the outside.
    Color photograph of a mound of brown rocks and dirt. In the middle of the frame, jutting out of the mound is a broken piece of clear glass with a gold metallic finish on the outside.
    Photo courtesy the artist [Color photograph of a mound of brown rocks and dirt. In the middle of the frame, jutting out of the mound is a broken piece of clear glass with a gold metallic finish on the outside.]
    Caption Photo courtesy the artist
    Image description Color photograph of a mound of brown rocks and dirt. In the middle of the frame, jutting out of the mound is a broken piece of clear glass with a gold metallic finish on the outside.
    Year
    Related pages rafa esparza: Camino
  • The screenprint shows a collage of photos some in black & white and some in color. Some images show scenes with people and others document different multimedia installations. On top of the collage in large white block letters is written
    The screenprint shows a collage of photos some in black & white and some in color. Some images show scenes with people and others document different multimedia installations. On top of the collage in large white block letters is written
    Marc Camille Chaimowicz, Enough Tiranny Recalled (Artists Space), 2009, 6 color screenprint, 24 x 24 in (60 x 60 cm), Edition of 10 + 3AP. [The screenprint shows a collage of photos some in black & white and some in color. Some images show scenes with people and others document different multimedia installations. On top of the collage in large white block letters is written "Enough / Tyranny, / Recalled."]
    Caption Marc Camille Chaimowicz, Enough Tiranny Recalled (Artists Space), 2009, 6 color screenprint, 24 x 24 in (60 x 60 cm), Edition of 10 + 3AP.
    Image description The screenprint shows a collage of photos some in black & white and some in color. Some images show scenes with people and others document different multimedia installations. On top of the collage in large white block letters is written "Enough / Tyranny, / Recalled."
    Year 2009
    Related pages Editions
  • A black and white film still of a stone rockface with a small stone shelter built into the rock on the left side.
    A black and white film still of a stone rockface with a small stone shelter built into the rock on the left side.
    Charles Simonds. Still from Mythologies, 1974. From Thomas Lanigan-Schmidt, James Biederman, Charles Simonds, Artists Space, 1974. [A black and white film still of a stone rockface with a small stone shelter built into the rock on the left side.]
    Caption Charles Simonds. Still from Mythologies, 1974. From Thomas Lanigan-Schmidt, James Biederman, Charles Simonds, Artists Space, 1974.
    Image description A black and white film still of a stone rockface with a small stone shelter built into the rock on the left side.
    Year 1974
    Related pages Thomas Lanigan Schmidt, James Biederman, Charles Simonds
  • Six figures standing around a line of music stands in an interior space with concrete flooring and industrial columns. Some of the figures lean against the columns, their hands at their sides or casually crossed at their chests. Five of them stare at an isolated figure situated in front of the line of music stands, holding a black binder. She turns to gaze back at the others, illuminated by overhead lights as she speaks.
    Six figures standing around a line of music stands in an interior space with concrete flooring and industrial columns. Some of the figures lean against the columns, their hands at their sides or casually crossed at their chests. Five of them stare at an isolated figure situated in front of the line of music stands, holding a black binder. She turns to gaze back at the others, illuminated by overhead lights as she speaks.
    The Owl Answers. Performance documentation, February 29, 2020, Artists Space. Photo ©️ 2020 Filip Wolak. [Six figures standing around a line of music stands in an interior space with concrete flooring and industrial columns. Some of the figures lean against the columns, their hands at their sides or casually crossed at their chests. Five of them stare at an isolated figure situated in front of the line of music stands, holding a black binder. She turns to gaze back at the others, illuminated by overhead lights as she speaks.]
    Caption The Owl Answers. Performance documentation, February 29, 2020, Artists Space. Photo ©️ 2020 Filip Wolak.
    Image description Six figures standing around a line of music stands in an interior space with concrete flooring and industrial columns. Some of the figures lean against the columns, their hands at their sides or casually crossed at their chests. Five of them stare at an isolated figure situated in front of the line of music stands, holding a black binder. She turns to gaze back at the others, illuminated by overhead lights as she speaks.
    Year 2020
    Related pages The Owl Answers
  • An upside-down wooden stool is cast in a glowing, neon light. In the background, a rocking chair with decorative pillows appears out of focus.
    An upside-down wooden stool is cast in a glowing, neon light. In the background, a rocking chair with decorative pillows appears out of focus.
    [An upside-down wooden stool is cast in a glowing, neon light. In the background, a rocking chair with decorative pillows appears out of focus.]
    Caption
    Image description An upside-down wooden stool is cast in a glowing, neon light. In the background, a rocking chair with decorative pillows appears out of focus.
    Year 2025
    Related pages Brad Kronz
  • Caption
    Image description
    Year
    Related pages Dream Lines: Drawings by Marian Zazeela
  • In a dimly lit room with light wood flooring and white pillars, three illuminated screens are suspended side-by-side from the ceiling. Two of the screens are off. The screen to the far left displays an image of a 19th century painting of a female bartender.
    In a dimly lit room with light wood flooring and white pillars, three illuminated screens are suspended side-by-side from the ceiling. Two of the screens are off. The screen to the far left displays an image of a 19th century painting of a female bartender.
    "Identity". Installation View, Artists Space, 2011. Photo: Daniel Pérez. [In a dimly lit room with light wood flooring and white pillars, three illuminated screens are suspended side-by-side from the ceiling. Two of the screens are off. The screen to the far left displays an image of a 19th century painting of a female bartender.]
    Caption "Identity". Installation View, Artists Space, 2011. Photo: Daniel Pérez.
    Image description In a dimly lit room with light wood flooring and white pillars, three illuminated screens are suspended side-by-side from the ceiling. Two of the screens are off. The screen to the far left displays an image of a 19th century painting of a female bartender.
    Year 2011
    Related pages Dexter Sinister: "Identity"
  • An audience watches a performance, smoke fills the room to the left and a projector casts dark blue light over the audience.
    An audience watches a performance, smoke fills the room to the left and a projector casts dark blue light over the audience.
    Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [An audience watches a performance, smoke fills the room to the left and a projector casts dark blue light over the audience.]
    Caption Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman
    Image description An audience watches a performance, smoke fills the room to the left and a projector casts dark blue light over the audience.
    Year 2022
    Related pages Abasement #61
  • A black and white photograph of a gallery space. On the left, a window casts soft light onto a table and two chairs. On the right, a television monitor is positioned on a low bench.
    A black and white photograph of a gallery space. On the left, a window casts soft light onto a table and two chairs. On the right, a television monitor is positioned on a low bench.
    Artists Performance Series. Installation view, Artists Space, 1977. [A black and white photograph of a gallery space. On the left, a window casts soft light onto a table and two chairs. On the right, a television monitor is positioned on a low bench.]
    Caption Artists Performance Series. Installation view, Artists Space, 1977.
    Image description A black and white photograph of a gallery space. On the left, a window casts soft light onto a table and two chairs. On the right, a television monitor is positioned on a low bench.
    Year 1977
    Related pages Artists Performance Series
  • Two figures in dark clothing stand before two music stands. The figure on the right speaks and gazes forward. One of their hands rests on the music stand, the other reaches out in front of themselves, their fingers extended.
    Two figures in dark clothing stand before two music stands. The figure on the right speaks and gazes forward. One of their hands rests on the music stand, the other reaches out in front of themselves, their fingers extended.
    Passages from People Who Led to My Plays. Performance documentation, March 1, 2020, Artists Space. Photo ©️ 2020 Paula Court. [Two figures in dark clothing stand before two music stands. The figure on the right speaks and gazes forward. One of their hands rests on the music stand, the other reaches out in front of themselves, their fingers extended.]
    Caption Passages from People Who Led to My Plays. Performance documentation, March 1, 2020, Artists Space. Photo ©️ 2020 Paula Court.
    Image description Two figures in dark clothing stand before two music stands. The figure on the right speaks and gazes forward. One of their hands rests on the music stand, the other reaches out in front of themselves, their fingers extended.
    Year 2020
    Related pages Passages from People Who Led to My Plays
  • Close up of two rows of pre-packaged salads in plastic containers on the shelves of a grocery store refrigerator.
    Close up of two rows of pre-packaged salads in plastic containers on the shelves of a grocery store refrigerator.
    [Close up of two rows of pre-packaged salads in plastic containers on the shelves of a grocery store refrigerator.]
    Caption
    Image description Close up of two rows of pre-packaged salads in plastic containers on the shelves of a grocery store refrigerator.
    Year 2008
    Related pages Salad Days 3
  • The title of the book appears in white text atop an yellowed image of a room's interior. A plant, lamp, and some paper with notes cover the desk in the room.
    The title of the book appears in white text atop an yellowed image of a room's interior. A plant, lamp, and some paper with notes cover the desk in the room.
    Eds. Lisa Lee and Hal Foster, Critical Laboratory: The Writings of Thomas Hirschhorn (MIT Press, 2013). [The title of the book appears in white text atop an yellowed image of a room's interior. A plant, lamp, and some paper with notes cover the desk in the room.]
    Caption Eds. Lisa Lee and Hal Foster, Critical Laboratory: The Writings of Thomas Hirschhorn (MIT Press, 2013).
    Image description The title of the book appears in white text atop an yellowed image of a room's interior. A plant, lamp, and some paper with notes cover the desk in the room.
    Year 2013
    Related pages Critical Laboratory
  • A receding row of columns lines our view into the far gallery space. In the foreground, several of Ruben Ulises Rodriguez Montoya's biomorphic sculptures are displayed on walls, resting on a pedestal, or hanging from the ceiling. In the distance, two of Matthew Langan-Peck's monumental painted toy box sculptures sit on the gallery floor; a set of headphones hangs on the side of each box. In the background, Isabelle Frances McGuire's three large pink banners emblazoned with silver stars hang from ceiling to floor.
    A receding row of columns lines our view into the far gallery space. In the foreground, several of Ruben Ulises Rodriguez Montoya's biomorphic sculptures are displayed on walls, resting on a pedestal, or hanging from the ceiling. In the distance, two of Matthew Langan-Peck's monumental painted toy box sculptures sit on the gallery floor; a set of headphones hangs on the side of each box. In the background, Isabelle Frances McGuire's three large pink banners emblazoned with silver stars hang from ceiling to floor.
    Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon. [A receding row of columns lines our view into the far gallery space. In the foreground, several of Ruben Ulises Rodriguez Montoya's biomorphic sculptures are displayed on walls, resting on a pedestal, or hanging from the ceiling. In the distance, two of Matthew Langan-Peck's monumental painted toy box sculptures sit on the gallery floor; a set of headphones hangs on the side of each box. In the background, Isabelle Frances McGuire's three large pink banners emblazoned with silver stars hang from ceiling to floor.]
    Caption Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon.
    Image description A receding row of columns lines our view into the far gallery space. In the foreground, several of Ruben Ulises Rodriguez Montoya's biomorphic sculptures are displayed on walls, resting on a pedestal, or hanging from the ceiling. In the distance, two of Matthew Langan-Peck's monumental painted toy box sculptures sit on the gallery floor; a set of headphones hangs on the side of each box. In the background, Isabelle Frances McGuire's three large pink banners emblazoned with silver stars hang from ceiling to floor.
    Year
    Related pages Doris Guo Matthew Langan-Peck Isabelle Frances McGuire Ruben Ulises Rodriguez Montoya
  • Caption
    Image description
    Year
    Related pages Dream Lines: Drawings by Marian Zazeela
  • Color photograph of visitors standing around a gallery space, conversing and studying the works on the wall.
    Color photograph of visitors standing around a gallery space, conversing and studying the works on the wall.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of visitors standing around a gallery space, conversing and studying the works on the wall.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of visitors standing around a gallery space, conversing and studying the works on the wall.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • Portfolio Development, Blue Sky Gallery exhibition (an homage to Virgil Abloh), June 17, 2022
    Caption Portfolio Development, Blue Sky Gallery exhibition (an homage to Virgil Abloh), June 17, 2022
    Image description
    Year
    Related pages Exhibitions and Events
  • Color image of a small framed white envelope, folded in half, with an abstract pen drawing of a face on it.
    Color image of a small framed white envelope, folded in half, with an abstract pen drawing of a face on it.
    Andy Robert, Pocket Money (a little pocket money; a chase, a bill, away—to runaround), 2021. Photo: Filip Wolak. [Color image of a small framed white envelope, folded in half, with an abstract pen drawing of a face on it.]
    Caption Andy Robert, Pocket Money (a little pocket money; a chase, a bill, away—to runaround), 2021. Photo: Filip Wolak.
    Image description Color image of a small framed white envelope, folded in half, with an abstract pen drawing of a face on it.
    Year 2023
    Related pages Artists for Artists Space
  • An abstract painting littered with dots, black shapes and line forms.
    An abstract painting littered with dots, black shapes and line forms.
    Lee Mullican, Four Musicians, 1984. [An abstract painting littered with dots, black shapes and line forms.]
    Caption Lee Mullican, Four Musicians, 1984.
    Image description An abstract painting littered with dots, black shapes and line forms.
    Year
    Related pages Moderns in Mind
  • A color photograph of a gallery space. Behind three dark columns a large vinyl printed with text is attached to the wall, falling to the ground on the left side. In the center a large grey table with four red chairs and stacks of yellow and grey posters is visible.
    A color photograph of a gallery space. Behind three dark columns a large vinyl printed with text is attached to the wall, falling to the ground on the left side. In the center a large grey table with four red chairs and stacks of yellow and grey posters is visible.
    virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of a gallery space. Behind three dark columns a large vinyl printed with text is attached to the wall, falling to the ground on the left side. In the center a large grey table with four red chairs and stacks of yellow and grey posters is visible.]
    Caption virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color photograph of a gallery space. Behind three dark columns a large vinyl printed with text is attached to the wall, falling to the ground on the left side. In the center a large grey table with four red chairs and stacks of yellow and grey posters is visible.
    Year 2022
    Related pages virgil b/g taylor: Minor Publics
  • A large paper-maché head lays face-up on a metal scaffolding. Above it, green cursive text reads,
    A large paper-maché head lays face-up on a metal scaffolding. Above it, green cursive text reads,
    Ralph Paquin and Ann Stoddard, ERAWA - ERA WAS, 1990. Installation view, Artists Space, 1990. [A large paper-maché head lays face-up on a metal scaffolding. Above it, green cursive text reads, "ring is worn out by constant use."]
    Caption Ralph Paquin and Ann Stoddard, ERAWA - ERA WAS, 1990. Installation view, Artists Space, 1990.
    Image description A large paper-maché head lays face-up on a metal scaffolding. Above it, green cursive text reads, "ring is worn out by constant use."
    Year 1990
    Related pages Project: ERAWA - ERA WAS
  • A painting can be seen on the right adjacent to walls with a number of posters on them and a window. A sculpture on a pedestal can be seen in the background. A curving ceiling is visible above.
    A painting can be seen on the right adjacent to walls with a number of posters on them and a window. A sculpture on a pedestal can be seen in the background. A curving ceiling is visible above.
    We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [A painting can be seen on the right adjacent to walls with a number of posters on them and a window. A sculpture on a pedestal can be seen in the background. A curving ceiling is visible above.]
    Caption We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987.
    Image description A painting can be seen on the right adjacent to walls with a number of posters on them and a window. A sculpture on a pedestal can be seen in the background. A curving ceiling is visible above.
    Year
    Related pages We the People
  • In a darkened room lit softly by red light, overlapping lines of open captions are projected on two adjacent black walls. The text varies in color (in faint greens, yellows and blues) and size.
    In a darkened room lit softly by red light, overlapping lines of open captions are projected on two adjacent black walls. The text varies in color (in faint greens, yellows and blues) and size.
    Constantina Zavitsanos: fwiw. Installation view (Ms. Pac-Man, 2024), Artists Space, 2024. Photo: Carter Seddon. [In a darkened room lit softly by red light, overlapping lines of open captions are projected on two adjacent black walls. The text varies in color (in faint greens, yellows and blues) and size.]
    Caption Constantina Zavitsanos: fwiw. Installation view (Ms. Pac-Man, 2024), Artists Space, 2024. Photo: Carter Seddon.
    Image description In a darkened room lit softly by red light, overlapping lines of open captions are projected on two adjacent black walls. The text varies in color (in faint greens, yellows and blues) and size.
    Year
    Related pages fwiw
  • A person in a red shirt, white cap, and multicolored pants smiles and poses with a tennis racquet, standing atop a large piece of paper with colorful drawings on it. In the background are people sitting on the ground and printed images of trees.
    A person in a red shirt, white cap, and multicolored pants smiles and poses with a tennis racquet, standing atop a large piece of paper with colorful drawings on it. In the background are people sitting on the ground and printed images of trees.
    Ei Arakawa, Mega Please Draw Freely, 2021 (The artist wears Uniqlo Roger Federer) [A person in a red shirt, white cap, and multicolored pants smiles and poses with a tennis racquet, standing atop a large piece of paper with colorful drawings on it. In the background are people sitting on the ground and printed images of trees.]
    Caption Ei Arakawa, Mega Please Draw Freely, 2021 (The artist wears Uniqlo Roger Federer)
    Image description A person in a red shirt, white cap, and multicolored pants smiles and poses with a tennis racquet, standing atop a large piece of paper with colorful drawings on it. In the background are people sitting on the ground and printed images of trees.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab (outdoor performance)
  • Light teal and pink text overlay a dark teal background with abstract lines and drawings of a female portrait in the bottom left and a hand holding a phone in the top right corner. The text in the middle reads
    Light teal and pink text overlay a dark teal background with abstract lines and drawings of a female portrait in the bottom left and a hand holding a phone in the top right corner. The text in the middle reads
    Flyer for Segue Reading Series featuring David Rothenberg and Robert Fitterman. December 3, 2022, Artists Space. [Light teal and pink text overlay a dark teal background with abstract lines and drawings of a female portrait in the bottom left and a hand holding a phone in the top right corner. The text in the middle reads "David Rothenberg / Segue Reading Series / Robert Fitterman."]
    Caption Flyer for Segue Reading Series featuring David Rothenberg and Robert Fitterman. December 3, 2022, Artists Space.
    Image description Light teal and pink text overlay a dark teal background with abstract lines and drawings of a female portrait in the bottom left and a hand holding a phone in the top right corner. The text in the middle reads "David Rothenberg / Segue Reading Series / Robert Fitterman."
    Year
    Related pages Segue Reading Series: Robert Fitterman & David Rothenberg
  • The artist devynn emory in their grandmother's fleece jacket covered in polar bears, standing in front of a silver sterile table. In the background is collaborator Joseph and cinematographer Jorge discussing where the ancestor forms draped in yellow fabric should be placed.
    The artist devynn emory in their grandmother's fleece jacket covered in polar bears, standing in front of a silver sterile table. In the background is collaborator Joseph and cinematographer Jorge discussing where the ancestor forms draped in yellow fabric should be placed.
    Photo: Reilly Horan [The artist devynn emory in their grandmother's fleece jacket covered in polar bears, standing in front of a silver sterile table. In the background is collaborator Joseph and cinematographer Jorge discussing where the ancestor forms draped in yellow fabric should be placed.]
    Caption Photo: Reilly Horan
    Image description The artist devynn emory in their grandmother's fleece jacket covered in polar bears, standing in front of a silver sterile table. In the background is collaborator Joseph and cinematographer Jorge discussing where the ancestor forms draped in yellow fabric should be placed.
    Year
    Related pages Grandmother Cindy
  • Black text listing the collection's features. From top to bottom, it reads,
    Black text listing the collection's features. From top to bottom, it reads,
    [Black text listing the collection's features. From top to bottom, it reads, "The Defaced Library Books of Kenneth Halliwell and Joe Orton," "edition hansjörg mayer," "Vigilance: An Exhibition Of Artist’s Books Exploring Strategies for Social Concern After an exhibition curated by Mike Grier and Lucy R. Lippard," "The Colin De Land Library," "Everything is About to Happen: An ongoing archive of artists’ books selected by Gregorio Magnani," and "The Library of Helen DeWitt."]
    Caption
    Image description Black text listing the collection's features. From top to bottom, it reads, "The Defaced Library Books of Kenneth Halliwell and Joe Orton," "edition hansjörg mayer," "Vigilance: An Exhibition Of Artist’s Books Exploring Strategies for Social Concern After an exhibition curated by Mike Grier and Lucy R. Lippard," "The Colin De Land Library," "Everything is About to Happen: An ongoing archive of artists’ books selected by Gregorio Magnani," and "The Library of Helen DeWitt."
    Year 2014
    Related pages The Library Vaccine
  • In the foreground, a clear and grey sculpture rests on top of a white pedestal. In the background, four additional sculptures in arranged from light to dark tones, hang in a row.
    In the foreground, a clear and grey sculpture rests on top of a white pedestal. In the background, four additional sculptures in arranged from light to dark tones, hang in a row.
    UniBodies. Installation view, Artists Space, 2006. Photo: Bill Ocrutt. [In the foreground, a clear and grey sculpture rests on top of a white pedestal. In the background, four additional sculptures in arranged from light to dark tones, hang in a row.]
    Caption UniBodies. Installation view, Artists Space, 2006. Photo: Bill Ocrutt.
    Image description In the foreground, a clear and grey sculpture rests on top of a white pedestal. In the background, four additional sculptures in arranged from light to dark tones, hang in a row.
    Year 2006
    Related pages UniBodies
  • A black and white image of a black bench with two distinct black drapery on both sides behind it.
    A black and white image of a black bench with two distinct black drapery on both sides behind it.
    Bonnie Rycheck. Black and Gray Benches, 1980. [A black and white image of a black bench with two distinct black drapery on both sides behind it.]
    Caption Bonnie Rycheck. Black and Gray Benches, 1980.
    Image description A black and white image of a black bench with two distinct black drapery on both sides behind it.
    Year
    Related pages Selections from the Artists File
  • A screenshot of a video call presentation. Several students are seen holding strips of white paper. They are flanked on the right side by the images of ten individuals who are joining the call remotely.
    A screenshot of a video call presentation. Several students are seen holding strips of white paper. They are flanked on the right side by the images of ten individuals who are joining the call remotely.
    We Are The History of the Future: Listening to the LES online presentation, weaving a North Star, P.S. 140 7th grade students [A screenshot of a video call presentation. Several students are seen holding strips of white paper. They are flanked on the right side by the images of ten individuals who are joining the call remotely.]
    Caption We Are The History of the Future: Listening to the LES online presentation, weaving a North Star, P.S. 140 7th grade students
    Image description A screenshot of a video call presentation. Several students are seen holding strips of white paper. They are flanked on the right side by the images of ten individuals who are joining the call remotely.
    Year 2020
    Related pages Exhibitions and Events
  • An audience watches a performance.
    An audience watches a performance.
    Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [An audience watches a performance.]
    Caption Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman
    Image description An audience watches a performance.
    Year 2022
    Related pages Abasement #61
  • Color image of a large print of a close-up photograph of a fake daisy, with white woven petals and a yellow center.
    Color image of a large print of a close-up photograph of a fake daisy, with white woven petals and a yellow center.
    Oto Gillen, Daisy (Perry Street), March 19, 2023, 2023. Photo: Filip Wolak. [Color image of a large print of a close-up photograph of a fake daisy, with white woven petals and a yellow center.]
    Caption Oto Gillen, Daisy (Perry Street), March 19, 2023, 2023. Photo: Filip Wolak.
    Image description Color image of a large print of a close-up photograph of a fake daisy, with white woven petals and a yellow center.
    Year 2023
    Related pages Artists for Artists Space
  • A gold framed painting of a seated figure with a grey beard in a tawny toned space.
    A gold framed painting of a seated figure with a grey beard in a tawny toned space.
    Lyndon Barrois Jr., Double Appear (After Vuillard), 2013. Oil on board, artist frame, solvent transfer, plywood. 23.5 x 18.5 inches. Photo: Filip Wolak. [A gold framed painting of a seated figure with a grey beard in a tawny toned space.]
    Caption Lyndon Barrois Jr., Double Appear (After Vuillard), 2013. Oil on board, artist frame, solvent transfer, plywood. 23.5 x 18.5 inches. Photo: Filip Wolak.
    Image description A gold framed painting of a seated figure with a grey beard in a tawny toned space.
    Year 2022
    Related pages Lyndon Barrois Jr.: Mirage Collar
  • Two figures wearing medical scrubs move a table with wheels, on which a mannequin lies.
    Two figures wearing medical scrubs move a table with wheels, on which a mannequin lies.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court [Two figures wearing medical scrubs move a table with wheels, on which a mannequin lies.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court
    Image description Two figures wearing medical scrubs move a table with wheels, on which a mannequin lies.
    Year 2022
    Related pages Grandmother Cindy
  • Eleven beige sacks of various sizes, depicting text and illustrations, are arranged on a wall.
    Eleven beige sacks of various sizes, depicting text and illustrations, are arranged on a wall.
    Alan Michelson, Permanent Title, 1993. [Eleven beige sacks of various sizes, depicting text and illustrations, are arranged on a wall.]
    Caption Alan Michelson, Permanent Title, 1993.
    Image description Eleven beige sacks of various sizes, depicting text and illustrations, are arranged on a wall.
    Year 2017
    Related pages Unholding
  • A takeaway artwork shows three 2.5 gram gold bullion bars in blue Pamp Suisse certifying cases. Each bar depicts a low relief icon of Lady Fortuna, the blindfolded goddess of luck, fortune, and chance.
    A takeaway artwork shows three 2.5 gram gold bullion bars in blue Pamp Suisse certifying cases. Each bar depicts a low relief icon of Lady Fortuna, the blindfolded goddess of luck, fortune, and chance.
    Constantina Zavitsanos, Three Card Monte, 2018/24, three 2.5 gram Pamp Suisse 999.9 gold bars on offer in their certifying cases, dimensions variable. Photo: Constantina Zavitsanos. [A takeaway artwork shows three 2.5 gram gold bullion bars in blue Pamp Suisse certifying cases. Each bar depicts a low relief icon of Lady Fortuna, the blindfolded goddess of luck, fortune, and chance.]
    Caption Constantina Zavitsanos, Three Card Monte, 2018/24, three 2.5 gram Pamp Suisse 999.9 gold bars on offer in their certifying cases, dimensions variable. Photo: Constantina Zavitsanos.
    Image description A takeaway artwork shows three 2.5 gram gold bullion bars in blue Pamp Suisse certifying cases. Each bar depicts a low relief icon of Lady Fortuna, the blindfolded goddess of luck, fortune, and chance.
    Year
    Related pages fwiw
  • A black and white photograph of a figure with long hair. They raise their left hand up to brush away their hair from their face.
    A black and white photograph of a figure with long hair. They raise their left hand up to brush away their hair from their face.
    Susan Eder, c. 1976. From Susan Eder, Matt Mullican, Artists Space, 1976. [A black and white photograph of a figure with long hair. They raise their left hand up to brush away their hair from their face.]
    Caption Susan Eder, c. 1976. From Susan Eder, Matt Mullican, Artists Space, 1976.
    Image description A black and white photograph of a figure with long hair. They raise their left hand up to brush away their hair from their face.
    Year 1976
    Related pages Susan Eder, Matt Mullican
  • Two TV monitors installed in a gallery space with wooden flooring. One monitor is installed in the image's foreground on a white plinth and displays an image of a figure walking along a sidewalk. The other monitor can be seen through a hallway at the image's center and is installed on the gallery wall. A third video plays on a gallery wall on the image's right side, showing an image of two hands.
    Two TV monitors installed in a gallery space with wooden flooring. One monitor is installed in the image's foreground on a white plinth and displays an image of a figure walking along a sidewalk. The other monitor can be seen through a hallway at the image's center and is installed on the gallery wall. A third video plays on a gallery wall on the image's right side, showing an image of two hands.
    In The Poem About Love You Don't Write The Word Love. Installation view, Artists Space, 2006. Photo: Bill Orcutt. [Two TV monitors installed in a gallery space with wooden flooring. One monitor is installed in the image's foreground on a white plinth and displays an image of a figure walking along a sidewalk. The other monitor can be seen through a hallway at the image's center and is installed on the gallery wall. A third video plays on a gallery wall on the image's right side, showing an image of two hands.]
    Caption In The Poem About Love You Don't Write The Word Love. Installation view, Artists Space, 2006. Photo: Bill Orcutt.
    Image description Two TV monitors installed in a gallery space with wooden flooring. One monitor is installed in the image's foreground on a white plinth and displays an image of a figure walking along a sidewalk. The other monitor can be seen through a hallway at the image's center and is installed on the gallery wall. A third video plays on a gallery wall on the image's right side, showing an image of two hands.
    Year 2006
    Related pages In The Poem About Love You Don't Write The Word Love
  • Painted objects attached to the wall in a white-walled gallery space.
    Painted objects attached to the wall in a white-walled gallery space.
    Tom Rubnitz. Installation view, Artists Space, 1981. [Painted objects attached to the wall in a white-walled gallery space.]
    Caption Tom Rubnitz. Installation view, Artists Space, 1981.
    Image description Painted objects attached to the wall in a white-walled gallery space.
    Year
    Related pages Tom Rubnitz
  • Color photo of two men sitting at a work table that holds various electronic and musical equipment. The man seated closest to the camera is playing a trumpet, while the other performer at his side actively works at a computer. The performance venue is dimly lit while a projection and some pink overhead lights provide some illumination.
    Color photo of two men sitting at a work table that holds various electronic and musical equipment. The man seated closest to the camera is playing a trumpet, while the other performer at his side actively works at a computer. The performance venue is dimly lit while a projection and some pink overhead lights provide some illumination.
    Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman. [Color photo of two men sitting at a work table that holds various electronic and musical equipment. The man seated closest to the camera is playing a trumpet, while the other performer at his side actively works at a computer. The performance venue is dimly lit while a projection and some pink overhead lights provide some illumination.]
    Caption Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman.
    Image description Color photo of two men sitting at a work table that holds various electronic and musical equipment. The man seated closest to the camera is playing a trumpet, while the other performer at his side actively works at a computer. The performance venue is dimly lit while a projection and some pink overhead lights provide some illumination.
    Year
    Related pages Abasement #64
  • An abstract drawing consisting of two white circles and two grey rectangles, from where lines and shapes emerge. Blurred white lines, and illegible text complement the composition. On both sides, green strokes, and a continuous white line create other abstract figures.
    An abstract drawing consisting of two white circles and two grey rectangles, from where lines and shapes emerge. Blurred white lines, and illegible text complement the composition. On both sides, green strokes, and a continuous white line create other abstract figures.
    Renee Gladman, Black Wandering, 2022, oil pastel, pigment, and gouache on paper, 30 x 44 inches. Image courtesy Artists Space, New York. Photo: Filip Wolak. [An abstract drawing consisting of two white circles and two grey rectangles, from where lines and shapes emerge. Blurred white lines, and illegible text complement the composition. On both sides, green strokes, and a continuous white line create other abstract figures.]
    Caption Renee Gladman, Black Wandering, 2022, oil pastel, pigment, and gouache on paper, 30 x 44 inches. Image courtesy Artists Space, New York. Photo: Filip Wolak.
    Image description An abstract drawing consisting of two white circles and two grey rectangles, from where lines and shapes emerge. Blurred white lines, and illegible text complement the composition. On both sides, green strokes, and a continuous white line create other abstract figures.
    Year
    Related pages Renee Gladman
  • A brick on the bround with black text on it that reads,
    A brick on the bround with black text on it that reads,
    Group Material: Primer (for Raymond Williams). Artists Space, 1982. [A brick on the bround with black text on it that reads, "No heat." Above this brick in black lettering on the wall is text that reads from left to right, "born brick burn."]
    Caption Group Material: Primer (for Raymond Williams). Artists Space, 1982.
    Image description A brick on the bround with black text on it that reads, "No heat." Above this brick in black lettering on the wall is text that reads from left to right, "born brick burn."
    Year
    Related pages Group Material: Primer (for Raymond Williams)
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  • Photographs hanging on a wall in a gallery space.
    Photographs hanging on a wall in a gallery space.
    David Kulik, Frank Majore, Kevin Noble, Ken Pelka, Pat Place, Rene Santos, and Brian Weil. Installation view, Artists Space, 1980. [Photographs hanging on a wall in a gallery space.]
    Caption David Kulik, Frank Majore, Kevin Noble, Ken Pelka, Pat Place, Rene Santos, and Brian Weil. Installation view, Artists Space, 1980.
    Image description Photographs hanging on a wall in a gallery space.
    Year
    Related pages David Kulik, Frank Majore, Kevin Noble, Ken Pelka, Pat Place, Rene Santos, and Brian Weil
  • Screenshot of two vertically oriented rectangular shapes, one white and one blue. Fragments of text appear in both rectangles, spelling out phrases like
    Screenshot of two vertically oriented rectangular shapes, one white and one blue. Fragments of text appear in both rectangles, spelling out phrases like
    Screenshot from Tan Lin's Bibliographic Sound Track, 2012. [Screenshot of two vertically oriented rectangular shapes, one white and one blue. Fragments of text appear in both rectangles, spelling out phrases like "17 black random [marks on] : lemon," "Particles disable rendering [ I ]," and "Etc. a state to each other."]
    Caption Screenshot from Tan Lin's Bibliographic Sound Track, 2012.
    Image description Screenshot of two vertically oriented rectangular shapes, one white and one blue. Fragments of text appear in both rectangles, spelling out phrases like "17 black random [marks on] : lemon," "Particles disable rendering [ I ]," and "Etc. a state to each other."
    Year 2012
    Related pages Powerpoint and the Perfume of Reading
  • A black and white image of an antique wooden chair with a plush seat. A mold of a human brain emerges from the center of the chair's cushion.
    A black and white image of an antique wooden chair with a plush seat. A mold of a human brain emerges from the center of the chair's cushion.
    AIDS Forum: Danny Dries - Generic Memorial (for WM. Schwedler, 1942-1982). Installation view, Artists Space, 1992. [A black and white image of an antique wooden chair with a plush seat. A mold of a human brain emerges from the center of the chair's cushion.]
    Caption AIDS Forum: Danny Dries - Generic Memorial (for WM. Schwedler, 1942-1982). Installation view, Artists Space, 1992.
    Image description A black and white image of an antique wooden chair with a plush seat. A mold of a human brain emerges from the center of the chair's cushion.
    Year
    Related pages AIDS FORUM: Generic Memorial (for WM. Schwedler, 1942-1982)
  • An angled view of a large ramp leading to a large video monitor screen. The room is tinted blue. On the screen, an iPhone 4 sits on a glass table, it's lock screen on view; the time reads,
    An angled view of a large ramp leading to a large video monitor screen. The room is tinted blue. On the screen, an iPhone 4 sits on a glass table, it's lock screen on view; the time reads,
    Hito Steyerl, Liquidity, Inc., 2014, HD video with sound, 30 mins. Courtesy the artist and Andrew Kreps, New York. Installation view from Hito Steyerl, Artists Space, 2015. [An angled view of a large ramp leading to a large video monitor screen. The room is tinted blue. On the screen, an iPhone 4 sits on a glass table, it's lock screen on view; the time reads, "4:39"]
    Caption Hito Steyerl, Liquidity, Inc., 2014, HD video with sound, 30 mins. Courtesy the artist and Andrew Kreps, New York. Installation view from Hito Steyerl, Artists Space, 2015.
    Image description An angled view of a large ramp leading to a large video monitor screen. The room is tinted blue. On the screen, an iPhone 4 sits on a glass table, it's lock screen on view; the time reads, "4:39"
    Year 2015
    Related pages Hito Steyerl
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  • Two large, orange slug sculptures forming circular ring shapes around cast-iron columns suspended by elastic cords are visible inside a white-walled gallery space along with square paintings on walls in the background.
    Two large, orange slug sculptures forming circular ring shapes around cast-iron columns suspended by elastic cords are visible inside a white-walled gallery space along with square paintings on walls in the background.
    Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez. [Two large, orange slug sculptures forming circular ring shapes around cast-iron columns suspended by elastic cords are visible inside a white-walled gallery space along with square paintings on walls in the background.]
    Caption Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez.
    Image description Two large, orange slug sculptures forming circular ring shapes around cast-iron columns suspended by elastic cords are visible inside a white-walled gallery space along with square paintings on walls in the background.
    Year 2020
    Related pages Jana Euler
  • figure in a blue dress sits behind a white table, facing an audience. On the wall behind the presenter is a projected video that depicts an array of dried coral pieces on the left, and next to them a hand places a paper with illustrations of coral and a chart with notes underneath.
    figure in a blue dress sits behind a white table, facing an audience. On the wall behind the presenter is a projected video that depicts an array of dried coral pieces on the left, and next to them a hand places a paper with illustrations of coral and a chart with notes underneath.
    Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang. [figure in a blue dress sits behind a white table, facing an audience. On the wall behind the presenter is a projected video that depicts an array of dried coral pieces on the left, and next to them a hand places a paper with illustrations of coral and a chart with notes underneath.]
    Caption Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang.
    Image description figure in a blue dress sits behind a white table, facing an audience. On the wall behind the presenter is a projected video that depicts an array of dried coral pieces on the left, and next to them a hand places a paper with illustrations of coral and a chart with notes underneath.
    Year
    Related pages Chang Yuchen: Coral Dictionary Vol. 1, 2019-2022
  • A black and white photograph of a wooden clam sculpture.
    A black and white photograph of a wooden clam sculpture.
    Gwynn Murrill, Clam, laminated wood, 1974. From Don Wynn, Judy Pfaff, Gwynn Murrill, Artists Space, 1974. [A black and white photograph of a wooden clam sculpture.]
    Caption Gwynn Murrill, Clam, laminated wood, 1974. From Don Wynn, Judy Pfaff, Gwynn Murrill, Artists Space, 1974.
    Image description A black and white photograph of a wooden clam sculpture.
    Year 1974
    Related pages Don Wynn, Judy Pfaff, Gwynn Murrill
  • A painting of two boxers engaged in a match. The bodies of both figures are depicted in grey monochrome with colorful attire. The figure on the left wears orange shorts with blue piping while the one on the right wears green shorts with yellow trim. Both are wearing red and white boxing gloves.
    A painting of two boxers engaged in a match. The bodies of both figures are depicted in grey monochrome with colorful attire. The figure on the left wears orange shorts with blue piping while the one on the right wears green shorts with yellow trim. Both are wearing red and white boxing gloves.
    Konrad Lueg Boxer , 1964 (Boxers) © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Photo: Daniela Steinfeld [A painting of two boxers engaged in a match. The bodies of both figures are depicted in grey monochrome with colorful attire. The figure on the left wears orange shorts with blue piping while the one on the right wears green shorts with yellow trim. Both are wearing red and white boxing gloves.]
    Caption Konrad Lueg Boxer , 1964 (Boxers) © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Photo: Daniela Steinfeld
    Image description A painting of two boxers engaged in a match. The bodies of both figures are depicted in grey monochrome with colorful attire. The figure on the left wears orange shorts with blue piping while the one on the right wears green shorts with yellow trim. Both are wearing red and white boxing gloves.
    Year 1964
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • A figure in a blue morph suit leans their arms on top of a rolling table made of wood and fresnel lenses, pushing it toward another figure that stands in front of them filming them. In the background a third figure in a blue morph suit sits and leans down on top of a rectangular wooden frame. Blue footage is projected onto the back wall.
    A figure in a blue morph suit leans their arms on top of a rolling table made of wood and fresnel lenses, pushing it toward another figure that stands in front of them filming them. In the background a third figure in a blue morph suit sits and leans down on top of a rectangular wooden frame. Blue footage is projected onto the back wall.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [A figure in a blue morph suit leans their arms on top of a rolling table made of wood and fresnel lenses, pushing it toward another figure that stands in front of them filming them. In the background a third figure in a blue morph suit sits and leans down on top of a rectangular wooden frame. Blue footage is projected onto the back wall.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description A figure in a blue morph suit leans their arms on top of a rolling table made of wood and fresnel lenses, pushing it toward another figure that stands in front of them filming them. In the background a third figure in a blue morph suit sits and leans down on top of a rectangular wooden frame. Blue footage is projected onto the back wall.
    Year 2022
    Related pages SCRAAATCH 11-19
  • An emanating, abstract blue and black circle on a teal backdrop.
    An emanating, abstract blue and black circle on a teal backdrop.
    Mark Fell, Isomorphism and Totality (projection still), 2010. [An emanating, abstract blue and black circle on a teal backdrop.]
    Caption Mark Fell, Isomorphism and Totality (projection still), 2010.
    Image description An emanating, abstract blue and black circle on a teal backdrop.
    Year 2010
    Related pages Mark Fell
  • A brown object stands on a white base. On the flat surface of the object, an onion and a lemon are connected with blue and green wires. In the base of the object a processing chip is embedded.
    A brown object stands on a white base. On the flat surface of the object, an onion and a lemon are connected with blue and green wires. In the base of the object a processing chip is embedded.
    Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $5,000
    [A brown object stands on a white base. On the flat surface of the object, an onion and a lemon are connected with blue and green wires. In the base of the object a processing chip is embedded.]
    Caption Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $5,000
    Image description A brown object stands on a white base. On the flat surface of the object, an onion and a lemon are connected with blue and green wires. In the base of the object a processing chip is embedded.
    Year 2019
    Related pages Trisha Baga Edition
  • Two drawings are exhibited on a black wall. On the left, a colorful drawing of a cowboy is accompanied by a grid of numbers and titled <em>Random Cowboy</em>. On the right, abstracted numbered houses are drawn in thick black marker and surround a grid of faces.
    Two drawings are exhibited on a black wall. On the left, a colorful drawing of a cowboy is accompanied by a grid of numbers and titled <em>Random Cowboy</em>. On the right, abstracted numbered houses are drawn in thick black marker and surround a grid of faces.
    Ralston Farina: Time // Time. Installation view, Artists Space, 2025. Photo: Carter Seddon. [Two drawings are exhibited on a black wall. On the left, a colorful drawing of a cowboy is accompanied by a grid of numbers and titled Random Cowboy. On the right, abstracted numbered houses are drawn in thick black marker and surround a grid of faces.]
    Caption Ralston Farina: Time // Time. Installation view, Artists Space, 2025. Photo: Carter Seddon.
    Image description Two drawings are exhibited on a black wall. On the left, a colorful drawing of a cowboy is accompanied by a grid of numbers and titled Random Cowboy. On the right, abstracted numbered houses are drawn in thick black marker and surround a grid of faces.
    Year
    Related pages Ralston Farina: Time // Time
  • Three large prints rest on the floor against a windowed wall. Two on the left are black and white, of an interior room. On the right is a colorful illustration of two women.
    Three large prints rest on the floor against a windowed wall. Two on the left are black and white, of an interior room. On the right is a colorful illustration of two women.
    Living with Pop. A Reproduction of Capitalist Realism. Installation view, Artists Space, 2014. [Three large prints rest on the floor against a windowed wall. Two on the left are black and white, of an interior room. On the right is a colorful illustration of two women.]
    Caption Living with Pop. A Reproduction of Capitalist Realism. Installation view, Artists Space, 2014.
    Image description Three large prints rest on the floor against a windowed wall. Two on the left are black and white, of an interior room. On the right is a colorful illustration of two women.
    Year 2014
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • A book shelf displays various documents and photographs behind glass. Documents with text hang directly above.
    A book shelf displays various documents and photographs behind glass. Documents with text hang directly above.
    Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A book shelf displays various documents and photographs behind glass. Documents with text hang directly above.]
    Caption Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description A book shelf displays various documents and photographs behind glass. Documents with text hang directly above.
    Year 2013
    Related pages Documenting Cadere: 1972 - 1978
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  • Close-up of a bottle of golden Dior perfume decorated with a black bow resting on a white surface.
    Close-up of a bottle of golden Dior perfume decorated with a black bow resting on a white surface.
    Sarah Morris, still from Strange Magic, 2014. REDCODE HD digital video, 45 min 8 sec. Courtesy the artist. [Close-up of a bottle of golden Dior perfume decorated with a black bow resting on a white surface.]
    Caption Sarah Morris, still from Strange Magic, 2014. REDCODE HD digital video, 45 min 8 sec. Courtesy the artist.
    Image description Close-up of a bottle of golden Dior perfume decorated with a black bow resting on a white surface.
    Year 2014
    Related pages Artists Space Dialogues: Sarah Morris and Bettina Funcke
  • Sidewalk Archives, Artists Space, April 2023
    Caption Sidewalk Archives, Artists Space, April 2023
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    Year
    Related pages Exhibitions and Events
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  • Close up of an illuminated white curtain, which reveals small, delicate embroidery of various flowers and herbs.
    Close up of an illuminated white curtain, which reveals small, delicate embroidery of various flowers and herbs.
    Danh Vo: Autoerotic Asphyxiation. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [Close up of an illuminated white curtain, which reveals small, delicate embroidery of various flowers and herbs.]
    Caption Danh Vo: Autoerotic Asphyxiation. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description Close up of an illuminated white curtain, which reveals small, delicate embroidery of various flowers and herbs.
    Year 2010
    Related pages Danh Vo: Autoerotic Asphyxiation
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • An angled view of large blue painting hanging on a white wall in an exhibition space. To the right of the painting in the center of the room, a projector positioned on a small stand projects an image onto a screen that is also supported by a similar, small stand. The projected image depicts a side view of a man and woman sitting across a table.
    An angled view of large blue painting hanging on a white wall in an exhibition space. To the right of the painting in the center of the room, a projector positioned on a small stand projects an image onto a screen that is also supported by a similar, small stand. The projected image depicts a side view of a man and woman sitting across a table.
    Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [An angled view of large blue painting hanging on a white wall in an exhibition space. To the right of the painting in the center of the room, a projector positioned on a small stand projects an image onto a screen that is also supported by a similar, small stand. The projected image depicts a side view of a man and woman sitting across a table.]
    Caption Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description An angled view of large blue painting hanging on a white wall in an exhibition space. To the right of the painting in the center of the room, a projector positioned on a small stand projects an image onto a screen that is also supported by a similar, small stand. The projected image depicts a side view of a man and woman sitting across a table.
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • A glass vitrine appears in the center with headphones and seats placed around it in a circle. Behind it is another glass vitrine sculpture as well as paintings and sculptural objects on the gallery walls.
    A glass vitrine appears in the center with headphones and seats placed around it in a circle. Behind it is another glass vitrine sculpture as well as paintings and sculptural objects on the gallery walls.
    The Fairy Tale: Politics, Desire and Everyday Life. Installation View. Artists Space, 1986. [A glass vitrine appears in the center with headphones and seats placed around it in a circle. Behind it is another glass vitrine sculpture as well as paintings and sculptural objects on the gallery walls.]
    Caption The Fairy Tale: Politics, Desire and Everyday Life. Installation View. Artists Space, 1986.
    Image description A glass vitrine appears in the center with headphones and seats placed around it in a circle. Behind it is another glass vitrine sculpture as well as paintings and sculptural objects on the gallery walls.
    Year 1986
    Related pages The Fairy Tale: Politics, Desire, and Everyday Life
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • An image of a gold public bathroom toilet with a red Decolonize This Place sticker placed at the top of the toilet seat.
    An image of a gold public bathroom toilet with a red Decolonize This Place sticker placed at the top of the toilet seat.
    Anonymous action at the Solomon R. Guggenheim Museum, October 10, 2016. [An image of a gold public bathroom toilet with a red Decolonize This Place sticker placed at the top of the toilet seat.]
    Caption Anonymous action at the Solomon R. Guggenheim Museum, October 10, 2016.
    Image description An image of a gold public bathroom toilet with a red Decolonize This Place sticker placed at the top of the toilet seat.
    Year 2016
    Related pages Decolonize This Place
  • A photograph of a figure with long hair, placed aboce a photograph of several squash.
    A photograph of a figure with long hair, placed aboce a photograph of several squash.
    Susan Eder, c. 1976. From Susan Eder, Matt Mullican, Artists Space, 1976. [A photograph of a figure with long hair, placed aboce a photograph of several squash.]
    Caption Susan Eder, c. 1976. From Susan Eder, Matt Mullican, Artists Space, 1976.
    Image description A photograph of a figure with long hair, placed aboce a photograph of several squash.
    Year 1976
    Related pages Susan Eder, Matt Mullican
  • A performer sits on stage, playing a double-neck guitar.
    A performer sits on stage, playing a double-neck guitar.
    Abasement #79. Performance documentation, August 11th, 2025, Artists Space. Photo: Joshua Wildman. [A performer sits on stage, playing a double-neck guitar. ]
    Caption Abasement #79. Performance documentation, August 11th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description A performer sits on stage, playing a double-neck guitar.
    Year
    Related pages Abasement #79
  • A figure sits in a chair facing—and silhouetted by—a soft, sunset-bathed city skyline and river. Their back faces the viewer, and they appear to rest their head on their hand. The space around them resembles a corporate office space.
    A figure sits in a chair facing—and silhouetted by—a soft, sunset-bathed city skyline and river. Their back faces the viewer, and they appear to rest their head on their hand. The space around them resembles a corporate office space.
    [A figure sits in a chair facing—and silhouetted by—a soft, sunset-bathed city skyline and river. Their back faces the viewer, and they appear to rest their head on their hand. The space around them resembles a corporate office space.]
    Caption
    Image description A figure sits in a chair facing—and silhouetted by—a soft, sunset-bathed city skyline and river. Their back faces the viewer, and they appear to rest their head on their hand. The space around them resembles a corporate office space.
    Year 2007
    Related pages Program 2 - In The Poem About Love You Don't Write The Word Love Film Series at Anthology Film Archives
  • Two musicians sit on stage. The musician on the left is leaning over a table and using electronic instruments. The musician on the right is looking down and playing the guitar. The stage is lit with red and white lights and projected with a patchworks of patterns.
    Two musicians sit on stage. The musician on the left is leaning over a table and using electronic instruments. The musician on the right is looking down and playing the guitar. The stage is lit with red and white lights and projected with a patchworks of patterns.
    Abasement #73. Performance documentation, November 4th, 2024, Artists Space. Photo: Joshua Wildman. [Two musicians sit on stage. The musician on the left is leaning over a table and using electronic instruments. The musician on the right is looking down and playing the guitar. The stage is lit with red and white lights and projected with a patchworks of patterns.]
    Caption Abasement #73. Performance documentation, November 4th, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Two musicians sit on stage. The musician on the left is leaning over a table and using electronic instruments. The musician on the right is looking down and playing the guitar. The stage is lit with red and white lights and projected with a patchworks of patterns.
    Year
    Related pages Abasement #73
  • A white translucent chiffon curtain cascades over a set of five framed images mounted on a wall.
    A white translucent chiffon curtain cascades over a set of five framed images mounted on a wall.
    Danh Vo: Autoerotic Asphyxiation. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A white translucent chiffon curtain cascades over a set of five framed images mounted on a wall.]
    Caption Danh Vo: Autoerotic Asphyxiation. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description A white translucent chiffon curtain cascades over a set of five framed images mounted on a wall.
    Year 2010
    Related pages Danh Vo: Autoerotic Asphyxiation
  • A color photograph of a yellow brocade couch in a gallery space. A long tangled rope extends from the bottom of the couch towards the camera. In the background, police tape against frames a rectangle on the wall, and three additional strips of police tape extend from the wall to the floor.
    A color photograph of a yellow brocade couch in a gallery space. A long tangled rope extends from the bottom of the couch towards the camera. In the background, police tape against frames a rectangle on the wall, and three additional strips of police tape extend from the wall to the floor.
    Lyndon Barrois Jr., Unseen Hand (Fall Guy); Sinner Man, 2022. Couch, jute, antique cane, plastic, copper, brass, conservation glove; Police tape, laser prints, museum board, MagiColor manual. Dimensions variable. Photo: Filip Wolak. [A color photograph of a yellow brocade couch in a gallery space. A long tangled rope extends from the bottom of the couch towards the camera. In the background, police tape against frames a rectangle on the wall, and three additional strips of police tape extend from the wall to the floor.]
    Caption Lyndon Barrois Jr., Unseen Hand (Fall Guy); Sinner Man, 2022. Couch, jute, antique cane, plastic, copper, brass, conservation glove; Police tape, laser prints, museum board, MagiColor manual. Dimensions variable. Photo: Filip Wolak.
    Image description A color photograph of a yellow brocade couch in a gallery space. A long tangled rope extends from the bottom of the couch towards the camera. In the background, police tape against frames a rectangle on the wall, and three additional strips of police tape extend from the wall to the floor.
    Year 2022
    Related pages Lyndon Barrois Jr.: Mirage Collar
  • Three TV screens, mounted on a black wall, glow with various images. Each TV plays a performance by Ralston Farina. In front of the screens sit two display cases.
    Three TV screens, mounted on a black wall, glow with various images. Each TV plays a performance by Ralston Farina. In front of the screens sit two display cases.
    Ralston Farina: Time // Time. Installation view, Artists Space, 2025. Photo: Carter Seddon. [Three TV screens, mounted on a black wall, glow with various images. Each TV plays a performance by Ralston Farina. In front of the screens sit two display cases.]
    Caption Ralston Farina: Time // Time. Installation view, Artists Space, 2025. Photo: Carter Seddon.
    Image description Three TV screens, mounted on a black wall, glow with various images. Each TV plays a performance by Ralston Farina. In front of the screens sit two display cases.
    Year
    Related pages Ralston Farina: Time // Time
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • An all-over black and white pattern of
    An all-over black and white pattern of
    Karl Holmqvist, oxoxbox, 2012, Bespoke archival box wrapped in cotton book cloth with silkscreen, 24 1/2 x 20 1/2 x 1 1/2 inches, Signed and numbered certificate [An all-over black and white pattern of "oxox"]
    Caption Karl Holmqvist, oxoxbox, 2012, Bespoke archival box wrapped in cotton book cloth with silkscreen, 24 1/2 x 20 1/2 x 1 1/2 inches, Signed and numbered certificate
    Image description An all-over black and white pattern of "oxox"
    Year 2014
    Related pages Artists Space Annual Edition Portfolio 2013
  • Black text overlays a blue background. The top left corner reads: Julian Louis Phillips / LA Warman. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, February 26, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5.
    Black text overlays a blue background. The top left corner reads: Julian Louis Phillips / LA Warman. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, February 26, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5.
    Flyer for Segue Reading Series featuring Julian Louis Phillips and LA Warman. February 26, 2022, Artists Space. [Black text overlays a blue background. The top left corner reads: Julian Louis Phillips / LA Warman. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, February 26, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5."]
    Caption Flyer for Segue Reading Series featuring Julian Louis Phillips and LA Warman. February 26, 2022, Artists Space.
    Image description Black text overlays a blue background. The top left corner reads: Julian Louis Phillips / LA Warman. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, February 26, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5."
    Year 2022
    Related pages Segue Reading Series: Julian Louis Phillips & LA Warman
  • A gallery space with a wooden camper structure situated in the corner of two walls, to the left of the space. Through the open doorway can be seen a small ciruclar window and a shelf with various items placed on it.
    A gallery space with a wooden camper structure situated in the corner of two walls, to the left of the space. Through the open doorway can be seen a small ciruclar window and a shelf with various items placed on it.
    Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Malcolm Peacock, How to address the full capacity of our will, 2023), Artists Space, 2023. Photo: Filip Wolak. [A gallery space with a wooden camper structure situated in the corner of two walls, to the left of the space. Through the open doorway can be seen a small ciruclar window and a shelf with various items placed on it.]
    Caption Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Malcolm Peacock, How to address the full capacity of our will, 2023), Artists Space, 2023. Photo: Filip Wolak.
    Image description A gallery space with a wooden camper structure situated in the corner of two walls, to the left of the space. Through the open doorway can be seen a small ciruclar window and a shelf with various items placed on it.
    Year 2023
    Related pages Shala Miller, Malcolm Peacock, Amiri Baraka
  • A view of a life like cutout of an individual dressed in an animal costume placed against a gallery column. Behind the cutout is a series of seven images displayed on a white gallery wall
    A view of a life like cutout of an individual dressed in an animal costume placed against a gallery column. Behind the cutout is a series of seven images displayed on a white gallery wall
    ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A view of a life like cutout of an individual dressed in an animal costume placed against a gallery column. Behind the cutout is a series of seven images displayed on a white gallery wall]
    Caption ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A view of a life like cutout of an individual dressed in an animal costume placed against a gallery column. Behind the cutout is a series of seven images displayed on a white gallery wall
    Year 2021
    Related pages ART CLUB2000
  • A gallery with low lighting and white walls is hung with a painting and a grid of photographs. More artworks are visible around a corner in another room.
    A gallery with low lighting and white walls is hung with a painting and a grid of photographs. More artworks are visible around a corner in another room.
    Witnesses: Against Our Vanishing. Installation View, Artists Space, 1989. Photo: Frances Miller Smith. [A gallery with low lighting and white walls is hung with a painting and a grid of photographs. More artworks are visible around a corner in another room.]
    Caption Witnesses: Against Our Vanishing. Installation View, Artists Space, 1989. Photo: Frances Miller Smith.
    Image description A gallery with low lighting and white walls is hung with a painting and a grid of photographs. More artworks are visible around a corner in another room.
    Year 1989
    Related pages Witnesses: Against Our Vanishing
  • A flyer featuring a vintage orange and black computer with a small monitor and chunky keyboard set against a saturated yellow background. White, stylized text on a faded computer screen reads:
    A flyer featuring a vintage orange and black computer with a small monitor and chunky keyboard set against a saturated yellow background. White, stylized text on a faded computer screen reads:
    [A flyer featuring a vintage orange and black computer with a small monitor and chunky keyboard set against a saturated yellow background. White, stylized text on a faded computer screen reads: "A READING BY ALAN FELSENTHAL AND BETSY FAGIN." Red text on the yellow background in the upper left corner reads: "Artists Space & the Segue Reading Series present" and in the lower right corner: "Saturday May 23rd / 5 pm NYC time / Zoom ID 378 232 567”]
    Caption
    Image description A flyer featuring a vintage orange and black computer with a small monitor and chunky keyboard set against a saturated yellow background. White, stylized text on a faded computer screen reads: "A READING BY ALAN FELSENTHAL AND BETSY FAGIN." Red text on the yellow background in the upper left corner reads: "Artists Space & the Segue Reading Series present" and in the lower right corner: "Saturday May 23rd / 5 pm NYC time / Zoom ID 378 232 567”
    Year 2020
    Related pages Segue Reading Series: Betsy Fagin & Alan Felsenthal
  • Octopus and water paintings, 2022
    Caption Octopus and water paintings, 2022
    Image description
    Year 2022
    Related pages Listening to the LES
  • Six monitors in a row are lined up in the middle of a floating bookshelf, displaying stills from the film. On the left corner of the image, a desk holds long slips of black paper with white text on it, curled and intertwined, resembling film strips.
    Six monitors in a row are lined up in the middle of a floating bookshelf, displaying stills from the film. On the left corner of the image, a desk holds long slips of black paper with white text on it, curled and intertwined, resembling film strips.
    Union Gaucha Productions. Installation view, Artists Space, 2015. Photo: Daniel Pérez. [Six monitors in a row are lined up in the middle of a floating bookshelf, displaying stills from the film. On the left corner of the image, a desk holds long slips of black paper with white text on it, curled and intertwined, resembling film strips.]
    Caption Union Gaucha Productions. Installation view, Artists Space, 2015. Photo: Daniel Pérez.
    Image description Six monitors in a row are lined up in the middle of a floating bookshelf, displaying stills from the film. On the left corner of the image, a desk holds long slips of black paper with white text on it, curled and intertwined, resembling film strips.
    Year 2015
    Related pages Union Gaucha Productions
  • A figure dressed in leather performs on stage with a purple projection on them.
    A figure dressed in leather performs on stage with a purple projection on them.
    Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [A figure dressed in leather performs on stage with a purple projection on them.]
    Caption Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure dressed in leather performs on stage with a purple projection on them.
    Year 2022
    Related pages Abasement #61
  • A miniature log cabin constructed of handwritten documents is displayed in a vitrine. The roof on the left side reads,
    A miniature log cabin constructed of handwritten documents is displayed in a vitrine. The roof on the left side reads,
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A miniature log cabin constructed of handwritten documents is displayed in a vitrine. The roof on the left side reads, "By the President of the United States of America, A Proclimation."]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description A miniature log cabin constructed of handwritten documents is displayed in a vitrine. The roof on the left side reads, "By the President of the United States of America, A Proclimation."
    Year 2017
    Related pages Unholding
  • A figure in a blue morph suit leans over a wooden box placed on the floor, while another figure to the left films them. Blue light is projected onto the back wall to the right.
    A figure in a blue morph suit leans over a wooden box placed on the floor, while another figure to the left films them. Blue light is projected onto the back wall to the right.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [A figure in a blue morph suit leans over a wooden box placed on the floor, while another figure to the left films them. Blue light is projected onto the back wall to the right.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description A figure in a blue morph suit leans over a wooden box placed on the floor, while another figure to the left films them. Blue light is projected onto the back wall to the right.
    Year 2022
    Related pages SCRAAATCH 11-19
  • A black and white oil painting depicting a person lying facedown on asphalt.
    A black and white oil painting depicting a person lying facedown on asphalt.
    Jordan Kantor, Untitled (Pasolini), 2004. Oil on canvas, 52 x 96 inches. Courtesy the artist. [A black and white oil painting depicting a person lying facedown on asphalt.]
    Caption Jordan Kantor, Untitled (Pasolini), 2004. Oil on canvas, 52 x 96 inches. Courtesy the artist.
    Image description A black and white oil painting depicting a person lying facedown on asphalt.
    Year 2004
    Related pages Recent Paintings
  • A large stick appears emerging from an image of reverberating water out of the image onto the upper lefthand corner of the gallery wall.
    A large stick appears emerging from an image of reverberating water out of the image onto the upper lefthand corner of the gallery wall.
    Five Spanish Artists. Installation View, Artists Space, 1985. [A large stick appears emerging from an image of reverberating water out of the image onto the upper lefthand corner of the gallery wall.]
    Caption Five Spanish Artists. Installation View, Artists Space, 1985.
    Image description A large stick appears emerging from an image of reverberating water out of the image onto the upper lefthand corner of the gallery wall.
    Year
    Related pages Five Spanish Artists
  • A dense crowd of people surrond a casket being carried into the back of a hearse.
    A dense crowd of people surrond a casket being carried into the back of a hearse.
    Keith J. Sanborn, A Public Appearance and a Statement, 1987. 18.5 minutes, 3/4" (original format 16mm), black and white. Film still. [A dense crowd of people surrond a casket being carried into the back of a hearse.]
    Caption Keith J. Sanborn, A Public Appearance and a Statement, 1987. 18.5 minutes, 3/4" (original format 16mm), black and white. Film still.
    Image description A dense crowd of people surrond a casket being carried into the back of a hearse.
    Year 1987
    Related pages Document and Dream
  • A drawing of several glasses of varying shapes holding colorful liquids suspended on a flat background
    A drawing of several glasses of varying shapes holding colorful liquids suspended on a flat background
    Tracy Benissan, Untitled, 2014 [A drawing of several glasses of varying shapes holding colorful liquids suspended on a flat background]
    Caption Tracy Benissan, Untitled, 2014
    Image description A drawing of several glasses of varying shapes holding colorful liquids suspended on a flat background
    Year 2014
    Related pages Scholastic Art and Writing Awards
  • dissolving city, digital photographs, 2024
    Caption dissolving city, digital photographs, 2024
    Image description
    Year
    Related pages BRIDGE Photography
  • A multicolored object sits on a white base. A metal antenna extends out on a diagonal.
    A multicolored object sits on a white base. A metal antenna extends out on a diagonal.
    Not yet titled, 2019
    Clay, glaze, metal antenna
    3 1/2 x 13 x 12 inches (variable)
    $3,500
    [A multicolored object sits on a white base. A metal antenna extends out on a diagonal.]
    Caption Not yet titled, 2019
    Clay, glaze, metal antenna
    3 1/2 x 13 x 12 inches (variable)
    $3,500
    Image description A multicolored object sits on a white base. A metal antenna extends out on a diagonal.
    Year 2019
    Related pages Trisha Baga Edition
  • A color photo of three individuals standing together and posing for the camera before them. The background depicts other people engaging in festivities within a dimly lit space.
    A color photo of three individuals standing together and posing for the camera before them. The background depicts other people engaging in festivities within a dimly lit space.
    Friends of Artists Space Annual Dinner, 2022. [A color photo of three individuals standing together and posing for the camera before them. The background depicts other people engaging in festivities within a dimly lit space.]
    Caption Friends of Artists Space Annual Dinner, 2022.
    Image description A color photo of three individuals standing together and posing for the camera before them. The background depicts other people engaging in festivities within a dimly lit space.
    Year 2022
    Related pages Support
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • An image of a cat laying on a persons lap. The cat is holding an Ipod Nano displaying a skateboarder. Neon green text over the top half of the image reads,
    An image of a cat laying on a persons lap. The cat is holding an Ipod Nano displaying a skateboarder. Neon green text over the top half of the image reads,
    Flyer for Segue Reading Series featuring Marie Buck and Peter Inman. Saturday, January 30, 2021, Artists Space. [An image of a cat laying on a persons lap. The cat is holding an Ipod Nano displaying a skateboarder. Neon green text over the top half of the image reads, "Marie Buck / Peter Inman". Black text in the center left of the image reads, "SEGUE." Black text on the bottom half of the image reads, "30 January/ 5PM EST."]
    Caption Flyer for Segue Reading Series featuring Marie Buck and Peter Inman. Saturday, January 30, 2021, Artists Space.
    Image description An image of a cat laying on a persons lap. The cat is holding an Ipod Nano displaying a skateboarder. Neon green text over the top half of the image reads, "Marie Buck / Peter Inman". Black text in the center left of the image reads, "SEGUE." Black text on the bottom half of the image reads, "30 January/ 5PM EST."
    Year 2021
    Related pages Segue Reading Series: Marie Buck & Peter Inman
  • Caption
    Image description
    Year
    Related pages Editions
  • El Bosque Luminoso Bajo El Mar, M.S. 324 exhibition, Threads of History, May 2023
    Caption El Bosque Luminoso Bajo El Mar, M.S. 324 exhibition, Threads of History, May 2023
    Image description
    Year
    Related pages Exhibitions and Events
  • Black, Arial text, reads,
    Black, Arial text, reads,
    [Black, Arial text, reads, "The Library of Helen DeWitt."]
    Caption
    Image description Black, Arial text, reads, "The Library of Helen DeWitt."
    Year 2014
    Related pages The Library Vaccine
  • A small grey bird with its head and feet caught in a net.
    A small grey bird with its head and feet caught in a net.
    Kelly Poe, Untitled (Chaemaea fasciata, Wrentit caught in mist net. Monitoring Avian Productivity Survivorship, Canada Gobernadora, Rancho Mission Viejo, California), 2003. Courtesy the artist and Anna Helwing Gallery, Los Angeles. [A small grey bird with its head and feet caught in a net.]
    Caption Kelly Poe, Untitled (Chaemaea fasciata, Wrentit caught in mist net. Monitoring Avian Productivity Survivorship, Canada Gobernadora, Rancho Mission Viejo, California), 2003. Courtesy the artist and Anna Helwing Gallery, Los Angeles.
    Image description A small grey bird with its head and feet caught in a net.
    Year 2003
    Related pages International Geographic
  • Red and off-white text on a black-and-white background reads:
    Red and off-white text on a black-and-white background reads:
    [Red and off-white text on a black-and-white background reads: "AT THE LIMITS / OF THE GAZE / SELECTED WRITINGS BY / TAKUMA NAKAHIRA" and the event details. The background features a photograph of ocean waves.]
    Caption
    Image description Red and off-white text on a black-and-white background reads: "AT THE LIMITS / OF THE GAZE / SELECTED WRITINGS BY / TAKUMA NAKAHIRA" and the event details. The background features a photograph of ocean waves.
    Year
    Related pages Takuma Nakahira: Encounters
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A detail shot of a larger photo collage work featuring 20 identical images in a grid that have been altered with black, yellow, or white paint to vary the scene presented of a man opening up the hood of a car.
    A detail shot of a larger photo collage work featuring 20 identical images in a grid that have been altered with black, yellow, or white paint to vary the scene presented of a man opening up the hood of a car.
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A detail shot of a larger photo collage work featuring 20 identical images in a grid that have been altered with black, yellow, or white paint to vary the scene presented of a man opening up the hood of a car.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description A detail shot of a larger photo collage work featuring 20 identical images in a grid that have been altered with black, yellow, or white paint to vary the scene presented of a man opening up the hood of a car.
    Year 2017
    Related pages Unholding
  • Various paintings, drawings, and sculptures of torsos hang along a wall. In the corner, a bust with an upturned face sits on a pedestal.
    Various paintings, drawings, and sculptures of torsos hang along a wall. In the corner, a bust with an upturned face sits on a pedestal.
    Witnesses: Against Our Vanishing. Installation View, Artists Space, 1989. Photo: Frances Miller Smith. [Various paintings, drawings, and sculptures of torsos hang along a wall. In the corner, a bust with an upturned face sits on a pedestal.]
    Caption Witnesses: Against Our Vanishing. Installation View, Artists Space, 1989. Photo: Frances Miller Smith.
    Image description Various paintings, drawings, and sculptures of torsos hang along a wall. In the corner, a bust with an upturned face sits on a pedestal.
    Year 1989
    Related pages Witnesses: Against Our Vanishing
  • A photo in a black frame shows a person in military uniform, leaning against a concrete wall looking at a person who faces away from the camera with a patterned headscarf, red sweater, and light-yellow blanket.
    A photo in a black frame shows a person in military uniform, leaning against a concrete wall looking at a person who faces away from the camera with a patterned headscarf, red sweater, and light-yellow blanket.
    Emily Jacir, woman to woman, 2003/2009, C-Print, Sheet size: 12 x 16 inches (30.5 x 41 cm), Framed size: 14 3/4 x 18 1/2 inches (37.5 x 47 cm), Printed by Laumont. [A photo in a black frame shows a person in military uniform, leaning against a concrete wall looking at a person who faces away from the camera with a patterned headscarf, red sweater, and light-yellow blanket.]
    Caption Emily Jacir, woman to woman, 2003/2009, C-Print, Sheet size: 12 x 16 inches (30.5 x 41 cm), Framed size: 14 3/4 x 18 1/2 inches (37.5 x 47 cm), Printed by Laumont.
    Image description A photo in a black frame shows a person in military uniform, leaning against a concrete wall looking at a person who faces away from the camera with a patterned headscarf, red sweater, and light-yellow blanket.
    Year 2003.2009
    Related pages Editions
  • A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979. [A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.]
    Caption Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979.
    Image description A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    Year 1979
    Related pages Patricia Hearst - A Second Reading
  • Color photo of the enterance into the exhibition. A sign reading:
    Color photo of the enterance into the exhibition. A sign reading:
    Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photo of the enterance into the exhibition. A sign reading: "J.D. Grocery" is placed above a doorway. A wooden awning meant to look like a roof of a building goes across the width of the partition wall. The doorway is flanked by a cardboard fire hydrant and a box television on a small wooden chair. Through the doorway, three bar stools and a bookshelf with books and home goods are visable.]
    Caption Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photo of the enterance into the exhibition. A sign reading: "J.D. Grocery" is placed above a doorway. A wooden awning meant to look like a roof of a building goes across the width of the partition wall. The doorway is flanked by a cardboard fire hydrant and a box television on a small wooden chair. Through the doorway, three bar stools and a bookshelf with books and home goods are visable.
    Year
    Related pages Char Jeré: Zoo or an Orchestra
  • A book cover design displaying an image of a series of triangular shapes of varying colors arranged in an abstract comoposition. Some of the triangles are semi-transparent and are overlaid over others. Large block lettering situated above and below the composition reads,
    A book cover design displaying an image of a series of triangular shapes of varying colors arranged in an abstract comoposition. Some of the triangles are semi-transparent and are overlaid over others. Large block lettering situated above and below the composition reads,
    Poor Man's Expression - Technology, Experimental Film, Conceptual Art, edited by Martin Ebner and Florian Zeyfang, published by Sternberg Press, 2011. [A book cover design displaying an image of a series of triangular shapes of varying colors arranged in an abstract comoposition. Some of the triangles are semi-transparent and are overlaid over others. Large block lettering situated above and below the composition reads, "POOR MAN'S EXPRESSION Technology, Experimental Film, Conceptual Art."]
    Caption Poor Man's Expression - Technology, Experimental Film, Conceptual Art, edited by Martin Ebner and Florian Zeyfang, published by Sternberg Press, 2011.
    Image description A book cover design displaying an image of a series of triangular shapes of varying colors arranged in an abstract comoposition. Some of the triangles are semi-transparent and are overlaid over others. Large block lettering situated above and below the composition reads, "POOR MAN'S EXPRESSION Technology, Experimental Film, Conceptual Art."
    Year 2011
    Related pages Poor Man’s Expression
  • Three human sized creatures with the heads of rabbits stand in front of a fence which has barbed wire at the top. Yellow text in the center reads
    Three human sized creatures with the heads of rabbits stand in front of a fence which has barbed wire at the top. Yellow text in the center reads
    [Three human sized creatures with the heads of rabbits stand in front of a fence which has barbed wire at the top. Yellow text in the center reads "an ARMY of LOVERS CANNOT FAIL."]
    Caption
    Image description Three human sized creatures with the heads of rabbits stand in front of a fence which has barbed wire at the top. Yellow text in the center reads "an ARMY of LOVERS CANNOT FAIL."
    Year
    Related pages Three Short Interactive Projects: An Army of Lovers Cannot Fail
  • A color photograph of a sculpture composed of three monitors, drums, a human figure sculpture, and topped by a small sculpture of an eagle in mid-flight.
    A color photograph of a sculpture composed of three monitors, drums, a human figure sculpture, and topped by a small sculpture of an eagle in mid-flight.
    Milford Graves, Bikongo-Ifá: Spirit of the Being, 2020. Wood, tabla, acupuncture model, bata drum, Nkondi figure, George Washington Carverbust, compass, glass, peanuts, LabVIEW animation, monitors, bells, plasma, lamp, globe, eagle figurine, alarm clock, collaged paper, printouts, copper wire, paint marker, metal fasteners, casters. Dimensions Variable. Photo: Filip Wolak. [A color photograph of a sculpture composed of three monitors, drums, a human figure sculpture, and topped by a small sculpture of an eagle in mid-flight.]
    Caption Milford Graves, Bikongo-Ifá: Spirit of the Being, 2020. Wood, tabla, acupuncture model, bata drum, Nkondi figure, George Washington Carverbust, compass, glass, peanuts, LabVIEW animation, monitors, bells, plasma, lamp, globe, eagle figurine, alarm clock, collaged paper, printouts, copper wire, paint marker, metal fasteners, casters. Dimensions Variable. Photo: Filip Wolak.
    Image description A color photograph of a sculpture composed of three monitors, drums, a human figure sculpture, and topped by a small sculpture of an eagle in mid-flight.
    Year 2021
    Related pages Milford Graves: Fundamental Frequency
  • Color image of a performer sitting on stage in front of a table with a laptop and audio equipment. They are leaning forward, using both hands on the machine. The laptop on the table shows live audio tracks, with bars of various colors. The room is dark and the audience is out of focus in the background. White dots of light fill the room.
    Color image of a performer sitting on stage in front of a table with a laptop and audio equipment. They are leaning forward, using both hands on the machine. The laptop on the table shows live audio tracks, with bars of various colors. The room is dark and the audience is out of focus in the background. White dots of light fill the room.
    Abasement #77. Performance documentation, April 7th, 2025, Artists Space. Photo: Joshua Wildman. [Color image of a performer sitting on stage in front of a table with a laptop and audio equipment. They are leaning forward, using both hands on the machine. The laptop on the table shows live audio tracks, with bars of various colors. The room is dark and the audience is out of focus in the background. White dots of light fill the room.]
    Caption Abasement #77. Performance documentation, April 7th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Color image of a performer sitting on stage in front of a table with a laptop and audio equipment. They are leaning forward, using both hands on the machine. The laptop on the table shows live audio tracks, with bars of various colors. The room is dark and the audience is out of focus in the background. White dots of light fill the room.
    Year
    Related pages Abasement #77
  • A painted orange sun outlined in yellow with light orange rays with a black background is visible in the upper corner of a ceiling with cyan moulding.
    A painted orange sun outlined in yellow with light orange rays with a black background is visible in the upper corner of a ceiling with cyan moulding.
    Lucas Pedernieras, from Huh portfolio, 2020, digital photograph [A painted orange sun outlined in yellow with light orange rays with a black background is visible in the upper corner of a ceiling with cyan moulding.]
    Caption Lucas Pedernieras, from Huh portfolio, 2020, digital photograph
    Image description A painted orange sun outlined in yellow with light orange rays with a black background is visible in the upper corner of a ceiling with cyan moulding.
    Year 2020
    Related pages BRIDGE Photography
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Color photograph of a figure dressed in white, laying on the floor of a dark room. The figure has one leg raised in the air, shining a light from their pelvic area onto the floor and wall across from them. A small TV monitor sits in the corner.
    Color photograph of a figure dressed in white, laying on the floor of a dark room. The figure has one leg raised in the air, shining a light from their pelvic area onto the floor and wall across from them. A small TV monitor sits in the corner.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure dressed in white, laying on the floor of a dark room. The figure has one leg raised in the air, shining a light from their pelvic area onto the floor and wall across from them. A small TV monitor sits in the corner.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a figure dressed in white, laying on the floor of a dark room. The figure has one leg raised in the air, shining a light from their pelvic area onto the floor and wall across from them. A small TV monitor sits in the corner.
    Year 2022
    Related pages keyon gaskin 12-16
  • A dim, twilight image of a city on a coastline. Bright, turquoise blue streetlights dot the photograph.
    A dim, twilight image of a city on a coastline. Bright, turquoise blue streetlights dot the photograph.
    Establishing Shot. Installation view, Artists Space, 2004. [A dim, twilight image of a city on a coastline. Bright, turquoise blue streetlights dot the photograph.]
    Caption Establishing Shot. Installation view, Artists Space, 2004.
    Image description A dim, twilight image of a city on a coastline. Bright, turquoise blue streetlights dot the photograph.
    Year 2004
    Related pages Establishing Shot
  • A red grid of punched-out circles overlays a background of yellow, orange, white, and black rectangles.
    A red grid of punched-out circles overlays a background of yellow, orange, white, and black rectangles.
    Murray Reich. Zapping for Zeke, 1988. [A red grid of punched-out circles overlays a background of yellow, orange, white, and black rectangles.]
    Caption Murray Reich. Zapping for Zeke, 1988.
    Image description A red grid of punched-out circles overlays a background of yellow, orange, white, and black rectangles.
    Year 1988
    Related pages Shirley Jaffe and Murray Reich
  • Two performers are on a stage, batehd in purple light. On the left, a performer plays the guitar and on the right, someone else plays the drums.
    Two performers are on a stage, batehd in purple light. On the left, a performer plays the guitar and on the right, someone else plays the drums.
    Abasement #79. Performance documentation, August 11th, 2025, Artists Space. Photo: Joshua Wildman. [Two performers are on a stage, batehd in purple light. On the left, a performer plays the guitar and on the right, someone else plays the drums.]
    Caption Abasement #79. Performance documentation, August 11th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Two performers are on a stage, batehd in purple light. On the left, a performer plays the guitar and on the right, someone else plays the drums.
    Year
    Related pages Abasement #79
  • A man sits partially undressed on a toilet, holding a red notebook while peering through a hole in the tile wall.
    A man sits partially undressed on a toilet, holding a red notebook while peering through a hole in the tile wall.
    Frank Ripploh, still from Taxi zum Klo, 1981. 95min. [A man sits partially undressed on a toilet, holding a red notebook while peering through a hole in the tile wall.]
    Caption Frank Ripploh, still from Taxi zum Klo, 1981. 95min.
    Image description A man sits partially undressed on a toilet, holding a red notebook while peering through a hole in the tile wall.
    Year 1981
    Related pages Tom of Finland Film Evening
  • Two performers sitting on stage. The musician in the foreground is lit with blue and purple light. They are leaning forward and playing the guitar. The musician in the back is out of focus. They are bathed in red light and they also are playing guitar.
    Two performers sitting on stage. The musician in the foreground is lit with blue and purple light. They are leaning forward and playing the guitar. The musician in the back is out of focus. They are bathed in red light and they also are playing guitar.
    Abasement #73. Performance documentation, November 4th, 2024, Artists Space. Photo: Joshua Wildman. [Two performers sitting on stage. The musician in the foreground is lit with blue and purple light. They are leaning forward and playing the guitar. The musician in the back is out of focus. They are bathed in red light and they also are playing guitar.]
    Caption Abasement #73. Performance documentation, November 4th, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Two performers sitting on stage. The musician in the foreground is lit with blue and purple light. They are leaning forward and playing the guitar. The musician in the back is out of focus. They are bathed in red light and they also are playing guitar.
    Year
    Related pages Abasement #73
  • Audience members are seated along a back wall, with a figure in a blue morph suit seated on a rectangular wooden frame alongside them. Blue light is projected onto a screen in the background.
    Audience members are seated along a back wall, with a figure in a blue morph suit seated on a rectangular wooden frame alongside them. Blue light is projected onto a screen in the background.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Audience members are seated along a back wall, with a figure in a blue morph suit seated on a rectangular wooden frame alongside them. Blue light is projected onto a screen in the background.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Audience members are seated along a back wall, with a figure in a blue morph suit seated on a rectangular wooden frame alongside them. Blue light is projected onto a screen in the background.
    Year 2022
    Related pages SCRAAATCH 11-19
  • Detail view of a display case. It is mostly empty, save for a metal gun-type object with two small pipes extending out of the nozzle, and a poster with the repeated letters
    Detail view of a display case. It is mostly empty, save for a metal gun-type object with two small pipes extending out of the nozzle, and a poster with the repeated letters
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Detail view of a display case. It is mostly empty, save for a metal gun-type object with two small pipes extending out of the nozzle, and a poster with the repeated letters "bc" hung on one side of the viewing window.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Detail view of a display case. It is mostly empty, save for a metal gun-type object with two small pipes extending out of the nozzle, and a poster with the repeated letters "bc" hung on one side of the viewing window.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • A large black speaker rests at an angle in the middle of a wood floor. On the walls, a red cloth with black polka dots, a black and white photograph, and a taped black square with an X and horizontal line through the center are displayed.
    A large black speaker rests at an angle in the middle of a wood floor. On the walls, a red cloth with black polka dots, a black and white photograph, and a taped black square with an X and horizontal line through the center are displayed.
    Aloïs Godinat: New Works. Installation view, Artists Space, 2007. Photo: Bill Orcutt. [A large black speaker rests at an angle in the middle of a wood floor. On the walls, a red cloth with black polka dots, a black and white photograph, and a taped black square with an X and horizontal line through the center are displayed.]
    Caption Aloïs Godinat: New Works. Installation view, Artists Space, 2007. Photo: Bill Orcutt.
    Image description A large black speaker rests at an angle in the middle of a wood floor. On the walls, a red cloth with black polka dots, a black and white photograph, and a taped black square with an X and horizontal line through the center are displayed.
    Year 2007
    Related pages New Works
  • Caption
    Image description
    Year
    Related pages Arthur Rimbaud in Verdun
  • A color photograph of a gallery space with two partial views of windows. In between the windows, two blue posters are attached to the wall. Directly in front of the posters is a large grey table with four red chairs. The table holds a stack of yellow posters and two stacks of smaller grey handouts.
    A color photograph of a gallery space with two partial views of windows. In between the windows, two blue posters are attached to the wall. Directly in front of the posters is a large grey table with four red chairs. The table holds a stack of yellow posters and two stacks of smaller grey handouts.
    virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of a gallery space with two partial views of windows. In between the windows, two blue posters are attached to the wall. Directly in front of the posters is a large grey table with four red chairs. The table holds a stack of yellow posters and two stacks of smaller grey handouts.]
    Caption virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color photograph of a gallery space with two partial views of windows. In between the windows, two blue posters are attached to the wall. Directly in front of the posters is a large grey table with four red chairs. The table holds a stack of yellow posters and two stacks of smaller grey handouts.
    Year 2022
    Related pages virgil b/g taylor: Minor Publics
  • Photograph of a basement gallery space with various multimedia works on display. In the center is a large wooden platform that reads along one side
    Photograph of a basement gallery space with various multimedia works on display. In the center is a large wooden platform that reads along one side
    Clocking Out: Time Beyond Management. Installation view, Artists Space, 2023. Photo: Greg Carideo. [Photograph of a basement gallery space with various multimedia works on display. In the center is a large wooden platform that reads along one side "Imagine/ Without Fear/ What is tomorrow?", to the left is a wooden bench painted blue on the surface sitting next to a woven hanging piece. Along the walls are various projected videos.]
    Caption Clocking Out: Time Beyond Management. Installation view, Artists Space, 2023. Photo: Greg Carideo.
    Image description Photograph of a basement gallery space with various multimedia works on display. In the center is a large wooden platform that reads along one side "Imagine/ Without Fear/ What is tomorrow?", to the left is a wooden bench painted blue on the surface sitting next to a woven hanging piece. Along the walls are various projected videos.
    Year 2023
    Related pages Whitney Independent Study: Clocking Out: Time Beyond Management
  • A black monitor sits on a wooden table. The image onscreen shows a hand holding a black and white paper with text. A stack of photographs lay underneath the paper.
    A black monitor sits on a wooden table. The image onscreen shows a hand holding a black and white paper with text. A stack of photographs lay underneath the paper.
    Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979). Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A black monitor sits on a wooden table. The image onscreen shows a hand holding a black and white paper with text. A stack of photographs lay underneath the paper.]
    Caption Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979). Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description A black monitor sits on a wooden table. The image onscreen shows a hand holding a black and white paper with text. A stack of photographs lay underneath the paper.
    Year 2011
    Related pages Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979)
  • A series of reproduced photographic stills are displayed in a row along a white gallery wall. The stills are taken from a television broadcast and depict graphics from commercials, and the inside of a television studio. In the foreground is a magazine, displayed open on a plinth made from MDF.
    A series of reproduced photographic stills are displayed in a row along a white gallery wall. The stills are taken from a television broadcast and depict graphics from commercials, and the inside of a television studio. In the foreground is a magazine, displayed open on a plinth made from MDF.
    Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon. [A series of reproduced photographic stills are displayed in a row along a white gallery wall. The stills are taken from a television broadcast and depict graphics from commercials, and the inside of a television studio. In the foreground is a magazine, displayed open on a plinth made from MDF. ]
    Caption Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon.
    Image description A series of reproduced photographic stills are displayed in a row along a white gallery wall. The stills are taken from a television broadcast and depict graphics from commercials, and the inside of a television studio. In the foreground is a magazine, displayed open on a plinth made from MDF.
    Year
    Related pages Michael Asher
  • A dark room with a screen projection showing an image of a man with a partially cut out button down shirt. The sleeves and top button are intact, with the chest and torso bare except for three elastic strips spaced out spanning the torso.
    A dark room with a screen projection showing an image of a man with a partially cut out button down shirt. The sleeves and top button are intact, with the chest and torso bare except for three elastic strips spaced out spanning the torso.
    The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich. [A dark room with a screen projection showing an image of a man with a partially cut out button down shirt. The sleeves and top button are intact, with the chest and torso bare except for three elastic strips spaced out spanning the torso.]
    Caption The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich.
    Image description A dark room with a screen projection showing an image of a man with a partially cut out button down shirt. The sleeves and top button are intact, with the chest and torso bare except for three elastic strips spaced out spanning the torso.
    Year 2008
    Related pages The New Normal
  • Color image of three large pink fabric banners by Isabelle Frances McGuire, each emblazoned with three silver stars, hanging from ceiling to floor. In the gallery space behind the banners, an off-white foam sculpture of a naked human form rests supine on a small white platform.
    Color image of three large pink fabric banners by Isabelle Frances McGuire, each emblazoned with three silver stars, hanging from ceiling to floor. In the gallery space behind the banners, an off-white foam sculpture of a naked human form rests supine on a small white platform.
    Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon. [Color image of three large pink fabric banners by Isabelle Frances McGuire, each emblazoned with three silver stars, hanging from ceiling to floor. In the gallery space behind the banners, an off-white foam sculpture of a naked human form rests supine on a small white platform.]
    Caption Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon.
    Image description Color image of three large pink fabric banners by Isabelle Frances McGuire, each emblazoned with three silver stars, hanging from ceiling to floor. In the gallery space behind the banners, an off-white foam sculpture of a naked human form rests supine on a small white platform.
    Year
    Related pages Doris Guo Matthew Langan-Peck Isabelle Frances McGuire Ruben Ulises Rodriguez Montoya
  • A black-and-white film still of hazy and ghostly tonal modulations. Within the tonal atmosphere, fragments of a person's face and body can be made out in the right half of the image.
    A black-and-white film still of hazy and ghostly tonal modulations. Within the tonal atmosphere, fragments of a person's face and body can be made out in the right half of the image.
    Shala Miller, Genesis, 2023. [A black-and-white film still of hazy and ghostly tonal modulations. Within the tonal atmosphere, fragments of a person's face and body can be made out in the right half of the image.]
    Caption Shala Miller, Genesis, 2023.
    Image description A black-and-white film still of hazy and ghostly tonal modulations. Within the tonal atmosphere, fragments of a person's face and body can be made out in the right half of the image.
    Year 2023
    Related pages Genesis: Medley
  • Photograph of a framed work on paper. In the work, a figure with back turned to the viewer sinks into a plié. The figure is repeated four times in the work.
    Photograph of a framed work on paper. In the work, a figure with back turned to the viewer sinks into a plié. The figure is repeated four times in the work.
    Installation view, Robert Morgan. Artists Space, 1977. [Photograph of a framed work on paper. In the work, a figure with back turned to the viewer sinks into a plié. The figure is repeated four times in the work.]
    Caption Installation view, Robert Morgan. Artists Space, 1977.
    Image description Photograph of a framed work on paper. In the work, a figure with back turned to the viewer sinks into a plié. The figure is repeated four times in the work.
    Year 1977
    Related pages Robert Morgan
  • Black text on a green background. The text reads: “Dec 14 / Antoinette Cooper / Edwin Torres.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on a green background. The text reads: “Dec 14 / Antoinette Cooper / Edwin Torres.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on a green background. The text reads: “Dec 14 / Antoinette Cooper / Edwin Torres.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on a green background. The text reads: “Dec 14 / Antoinette Cooper / Edwin Torres.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Antoinette Cooper & Edwin Torres
  • A color image of a drawing consisting of green, purple, yellow, and red lines and shapes that form an abstract composition. Single line white drawings complement the composition.
    A color image of a drawing consisting of green, purple, yellow, and red lines and shapes that form an abstract composition. Single line white drawings complement the composition.
    Renee Gladman, Untitled (black city), 2022, oil pastel and pigment on paper, 30 x 44 inches. Image courtesy Artists Space, New York. Photo: Filip Wolak. [A color image of a drawing consisting of green, purple, yellow, and red lines and shapes that form an abstract composition. Single line white drawings complement the composition.]
    Caption Renee Gladman, Untitled (black city), 2022, oil pastel and pigment on paper, 30 x 44 inches. Image courtesy Artists Space, New York. Photo: Filip Wolak.
    Image description A color image of a drawing consisting of green, purple, yellow, and red lines and shapes that form an abstract composition. Single line white drawings complement the composition.
    Year
    Related pages Renee Gladman
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A rough sketch of a gallery with names in specific zones, done in blue ink
    A rough sketch of a gallery with names in specific zones, done in blue ink
    Floor plan sketch for Group Show, Artists Space, 1975. [A rough sketch of a gallery with names in specific zones, done in blue ink]
    Caption Floor plan sketch for Group Show, Artists Space, 1975.
    Image description A rough sketch of a gallery with names in specific zones, done in blue ink
    Year 1975
    Related pages Group Show
  • A black-and-white photograph of a gallery space with multiple works, framed and unframed, on the walls.
    A black-and-white photograph of a gallery space with multiple works, framed and unframed, on the walls.
    Installation view, Robert Morgan. Artists Space, 1977. [A black-and-white photograph of a gallery space with multiple works, framed and unframed, on the walls.]
    Caption Installation view, Robert Morgan. Artists Space, 1977.
    Image description A black-and-white photograph of a gallery space with multiple works, framed and unframed, on the walls.
    Year 1977
    Related pages Robert Morgan
  • Black & white photograph of an empty gallery room, with black walls. Hanging around the center of the space are three hanging screens playing the same synchronized video. Along the back wall a cello lays against a wooden chair, next to a harp and stool. On the side wall a spotlight shines on a microphone stand.
    Black & white photograph of an empty gallery room, with black walls. Hanging around the center of the space are three hanging screens playing the same synchronized video. Along the back wall a cello lays against a wooden chair, next to a harp and stool. On the side wall a spotlight shines on a microphone stand.
    Shala Miller performs Genesis: Medley. Performance documentation, May 11, 2023, Artists Space. Photo: Roy Baizan. [Black & white photograph of an empty gallery room, with black walls. Hanging around the center of the space are three hanging screens playing the same synchronized video. Along the back wall a cello lays against a wooden chair, next to a harp and stool. On the side wall a spotlight shines on a microphone stand.]
    Caption Shala Miller performs Genesis: Medley. Performance documentation, May 11, 2023, Artists Space. Photo: Roy Baizan.
    Image description Black & white photograph of an empty gallery room, with black walls. Hanging around the center of the space are three hanging screens playing the same synchronized video. Along the back wall a cello lays against a wooden chair, next to a harp and stool. On the side wall a spotlight shines on a microphone stand.
    Year 2023
    Related pages Genesis: Medley
  • A black and white image of three overlapping pillows propped up against a white wall.
    A black and white image of three overlapping pillows propped up against a white wall.
    Ava Garber, 3 Pillows, 1990. Wax, fabric, wood and oil, 36 x 120 x 36 inches. [A black and white image of three overlapping pillows propped up against a white wall.]
    Caption Ava Garber, 3 Pillows, 1990. Wax, fabric, wood and oil, 36 x 120 x 36 inches.
    Image description A black and white image of three overlapping pillows propped up against a white wall.
    Year 1991
    Related pages Western Agenda
  • Several framed posters, photographs, and ephemera varying sizes hang on a white gallery wall. On the right side of the wall hangs a photographic portrait of a figure in a striped shirt standing against a striped wall.
    Several framed posters, photographs, and ephemera varying sizes hang on a white gallery wall. On the right side of the wall hangs a photographic portrait of a figure in a striped shirt standing against a striped wall.
    The Serving Library. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [Several framed posters, photographs, and ephemera varying sizes hang on a white gallery wall. On the right side of the wall hangs a photographic portrait of a figure in a striped shirt standing against a striped wall.]
    Caption The Serving Library. Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description Several framed posters, photographs, and ephemera varying sizes hang on a white gallery wall. On the right side of the wall hangs a photographic portrait of a figure in a striped shirt standing against a striped wall.
    Year 2011
    Related pages The Serving Library
  • Black-and-white image of a hand holding a stopwatch.
    Black-and-white image of a hand holding a stopwatch.
    Yasunao Tone, 2,880K=120", 1964 [Black-and-white image of a hand holding a stopwatch.]
    Caption Yasunao Tone, 2,880K=120", 1964
    Image description Black-and-white image of a hand holding a stopwatch.
    Year
    Related pages Yasunao Tone Film Screening #1
  • In the foreground is a slug sculpture leaning against a cast-iron column in a white-walled gallery space. In the background slug sculptures forming circular ring shapes can be partially visible around columns and two square paintings are visible on walls adjacent to one another.
    In the foreground is a slug sculpture leaning against a cast-iron column in a white-walled gallery space. In the background slug sculptures forming circular ring shapes can be partially visible around columns and two square paintings are visible on walls adjacent to one another.
    Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez. [In the foreground is a slug sculpture leaning against a cast-iron column in a white-walled gallery space. In the background slug sculptures forming circular ring shapes can be partially visible around columns and two square paintings are visible on walls adjacent to one another.]
    Caption Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez.
    Image description In the foreground is a slug sculpture leaning against a cast-iron column in a white-walled gallery space. In the background slug sculptures forming circular ring shapes can be partially visible around columns and two square paintings are visible on walls adjacent to one another.
    Year 2020
    Related pages Jana Euler
  • A figure plays the violin in front of a microphone.
    A figure plays the violin in front of a microphone.
    Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [A figure plays the violin in front of a microphone.]
    Caption Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure plays the violin in front of a microphone.
    Year 2022
    Related pages Abasement #61
  • A person driving a car is seen from behind, as if the camera is in the backseat. Their face is hidden by the headrest of the car seat. Trinkets hang from the rearview mirror.
    A person driving a car is seen from behind, as if the camera is in the backseat. Their face is hidden by the headrest of the car seat. Trinkets hang from the rearview mirror.
    Jayce Salloum, Episode 1: So. Cal., 1988. 33 minutes, 1/2", color. Film still. [A person driving a car is seen from behind, as if the camera is in the backseat. Their face is hidden by the headrest of the car seat. Trinkets hang from the rearview mirror.]
    Caption Jayce Salloum, Episode 1: So. Cal., 1988. 33 minutes, 1/2", color. Film still.
    Image description A person driving a car is seen from behind, as if the camera is in the backseat. Their face is hidden by the headrest of the car seat. Trinkets hang from the rearview mirror.
    Year 1988
    Related pages Document and Dream
  • A crowd of people sitting in a dimly lit room. Most have their eyes obscured by black blindfolds. In the background, a white projection with black text just visible reads,
    A crowd of people sitting in a dimly lit room. Most have their eyes obscured by black blindfolds. In the background, a white projection with black text just visible reads,
    New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court. [A crowd of people sitting in a dimly lit room. Most have their eyes obscured by black blindfolds. In the background, a white projection with black text just visible reads, "No-peep show."]
    Caption New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court.
    Image description A crowd of people sitting in a dimly lit room. Most have their eyes obscured by black blindfolds. In the background, a white projection with black text just visible reads, "No-peep show."
    Year 2020
    Related pages New Red Order: Informants Get Paid!
  • Large structures of power lines are visible with white human figures moving around in the bottom section of the image.
    Large structures of power lines are visible with white human figures moving around in the bottom section of the image.
    Reese Williams. A Pair of Eyes (detail), 1983. Photomural with gouache. 7 x 40 x 60 inches (panels). [Large structures of power lines are visible with white human figures moving around in the bottom section of the image.]
    Caption Reese Williams. A Pair of Eyes (detail), 1983. Photomural with gouache. 7 x 40 x 60 inches (panels).
    Image description Large structures of power lines are visible with white human figures moving around in the bottom section of the image.
    Year 1983
    Related pages Los Angeles/New York Exchange
  • Photograph of a wooden table covered in a plethora of audio equipment, a tambourine, and wiring. Around the table are three microphone stands, that point at the empty space above a black chair behind the table. Next to the chair is a camera and tripod.
    Photograph of a wooden table covered in a plethora of audio equipment, a tambourine, and wiring. Around the table are three microphone stands, that point at the empty space above a black chair behind the table. Next to the chair is a camera and tripod.
    S*an D. Henry Smith, stringency principle of the looking drum, presented at 47 Canal, New York, February 17, 2023. Photo: S*an D. Henry Smith [Photograph of a wooden table covered in a plethora of audio equipment, a tambourine, and wiring. Around the table are three microphone stands, that point at the empty space above a black chair behind the table. Next to the chair is a camera and tripod.]
    Caption S*an D. Henry Smith, stringency principle of the looking drum, presented at 47 Canal, New York, February 17, 2023. Photo: S*an D. Henry Smith
    Image description Photograph of a wooden table covered in a plethora of audio equipment, a tambourine, and wiring. Around the table are three microphone stands, that point at the empty space above a black chair behind the table. Next to the chair is a camera and tripod.
    Year
    Related pages S*an D. Henry-Smith
  • 3 large paintings hang on the wall to the right. The foremost is rectangular, then further away is a rhombus shaped painting and lastly a circular piece.
    3 large paintings hang on the wall to the right. The foremost is rectangular, then further away is a rhombus shaped painting and lastly a circular piece.
    Traditions: Five Painters. Installation View, Artists Space, 1978. [3 large paintings hang on the wall to the right. The foremost is rectangular, then further away is a rhombus shaped painting and lastly a circular piece.]
    Caption Traditions: Five Painters. Installation View, Artists Space, 1978.
    Image description 3 large paintings hang on the wall to the right. The foremost is rectangular, then further away is a rhombus shaped painting and lastly a circular piece.
    Year
    Related pages Traditions: Five Painters, Charles Clough, William Fares, Sidney Goldberg, John Lees, Ann Thornycroft
  • An angled view of grey, metal book shelves sat towards left frame in the center of a room. The shelves are populated with books of various sizes and colors. In the background, right frame, a table with charis and books sits infront of a wall opening leading to an entrance/exit.
    An angled view of grey, metal book shelves sat towards left frame in the center of a room. The shelves are populated with books of various sizes and colors. In the background, right frame, a table with charis and books sits infront of a wall opening leading to an entrance/exit.
    The Library Vaccine. Installation view, Artists Space, 2014. [An angled view of grey, metal book shelves sat towards left frame in the center of a room. The shelves are populated with books of various sizes and colors. In the background, right frame, a table with charis and books sits infront of a wall opening leading to an entrance/exit.]
    Caption The Library Vaccine. Installation view, Artists Space, 2014.
    Image description An angled view of grey, metal book shelves sat towards left frame in the center of a room. The shelves are populated with books of various sizes and colors. In the background, right frame, a table with charis and books sits infront of a wall opening leading to an entrance/exit.
    Year 2014
    Related pages The Library Vaccine
  • A color photograph of a vitrine containing an EKG printout and several black and white photographs.
    A color photograph of a vitrine containing an EKG printout and several black and white photographs.
    Milford Graves: Fundamental Frequency. Installation view (ephemera c. 1970s), Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak. [A color photograph of a vitrine containing an EKG printout and several black and white photographs.]
    Caption Milford Graves: Fundamental Frequency. Installation view (ephemera c. 1970s), Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak.
    Image description A color photograph of a vitrine containing an EKG printout and several black and white photographs.
    Year 2021
    Related pages Milford Graves: Fundamental Frequency
  • Three large pink fabric banners by Isabelle Frances McGuire, each bearing three silver star patches, hang from the ceiling to rest on the floor.
    Three large pink fabric banners by Isabelle Frances McGuire, each bearing three silver star patches, hang from the ceiling to rest on the floor.
    Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon. [Three large pink fabric banners by Isabelle Frances McGuire, each bearing three silver star patches, hang from the ceiling to rest on the floor.]
    Caption Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon.
    Image description Three large pink fabric banners by Isabelle Frances McGuire, each bearing three silver star patches, hang from the ceiling to rest on the floor.
    Year
    Related pages Doris Guo Matthew Langan-Peck Isabelle Frances McGuire Ruben Ulises Rodriguez Montoya
  • Magazine cut-outs and ink drawings are collaged together on a colorful background, with blue, pink, yellow and beige paper. Cut up pieces of beige paper are scattered throughout the image, and feature typewritten text listing the performers and event details.
    Magazine cut-outs and ink drawings are collaged together on a colorful background, with blue, pink, yellow and beige paper. Cut up pieces of beige paper are scattered throughout the image, and feature typewritten text listing the performers and event details.
    Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a colorful background, with blue, pink, yellow and beige paper. Cut up pieces of beige paper are scattered throughout the image, and feature typewritten text listing the performers and event details.]
    Caption Flyer by Joe Frivaldi.
    Image description Magazine cut-outs and ink drawings are collaged together on a colorful background, with blue, pink, yellow and beige paper. Cut up pieces of beige paper are scattered throughout the image, and feature typewritten text listing the performers and event details.
    Year
    Related pages Abasement #70
  • A color photo of three individuals smiling and posing together in an embrace for the camera. Other individuals engage with each other in the background of a dimly lit space.
    A color photo of three individuals smiling and posing together in an embrace for the camera. Other individuals engage with each other in the background of a dimly lit space.
    Friends of Artists Space Annual Dinner, 2018. [A color photo of three individuals smiling and posing together in an embrace for the camera. Other individuals engage with each other in the background of a dimly lit space.]
    Caption Friends of Artists Space Annual Dinner, 2018.
    Image description A color photo of three individuals smiling and posing together in an embrace for the camera. Other individuals engage with each other in the background of a dimly lit space.
    Year 2018
    Related pages Support
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Color photograph of a performer dressed in white, kneeling on all fours. A bright light from their pelvic area shines onto the floor, as viewers stand around the figure.
    Color photograph of a performer dressed in white, kneeling on all fours. A bright light from their pelvic area shines onto the floor, as viewers stand around the figure.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a performer dressed in white, kneeling on all fours. A bright light from their pelvic area shines onto the floor, as viewers stand around the figure.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a performer dressed in white, kneeling on all fours. A bright light from their pelvic area shines onto the floor, as viewers stand around the figure.
    Year 2022
    Related pages keyon gaskin 12-18
  • Four lined up rectangular panels jutting out from the gallery walls.
    Four lined up rectangular panels jutting out from the gallery walls.
    Eating Friends. Installation view, Artists Space, 1982. Photo courtesy of Anne Turyn. [Four lined up rectangular panels jutting out from the gallery walls.]
    Caption Eating Friends. Installation view, Artists Space, 1982. Photo courtesy of Anne Turyn.
    Image description Four lined up rectangular panels jutting out from the gallery walls.
    Year
    Related pages Eating Friends
  • Miniature houses constructed of documents are displayed on vitrines in the foreground. Behind them, tan, illustrated sacks of various sizes hang on a while wall. A purple painting of a buffalo with photo collage hangs on a wall to the right.
    Miniature houses constructed of documents are displayed on vitrines in the foreground. Behind them, tan, illustrated sacks of various sizes hang on a while wall. A purple painting of a buffalo with photo collage hangs on a wall to the right.
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [Miniature houses constructed of documents are displayed on vitrines in the foreground. Behind them, tan, illustrated sacks of various sizes hang on a while wall. A purple painting of a buffalo with photo collage hangs on a wall to the right.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description Miniature houses constructed of documents are displayed on vitrines in the foreground. Behind them, tan, illustrated sacks of various sizes hang on a while wall. A purple painting of a buffalo with photo collage hangs on a wall to the right.
    Year 2017
    Related pages Unholding
  • A black and white image of a man lying on the ground, his arms and legs splayed out as if in agony. His eyes are closed and his face is contorted.
    A black and white image of a man lying on the ground, his arms and legs splayed out as if in agony. His eyes are closed and his face is contorted.
    Still from Sacrifice/Gisei (1959). [A black and white image of a man lying on the ground, his arms and legs splayed out as if in agony. His eyes are closed and his face is contorted.]
    Caption Still from Sacrifice/Gisei (1959).
    Image description A black and white image of a man lying on the ground, his arms and legs splayed out as if in agony. His eyes are closed and his face is contorted.
    Year 1959
    Related pages Dancing in a Pool of Gray Grits
  • A dimly lit gallery space with wooden flooring. Three large, rectangular photographs of various buildings’ architectural details are suspended from the ceiling, hanging on thin wires. Two of the images have been printed on a tarp-like material, while the image on the far left is suspended within a large sheet of transparent plexiglass.
    A dimly lit gallery space with wooden flooring. Three large, rectangular photographs of various buildings’ architectural details are suspended from the ceiling, hanging on thin wires. Two of the images have been printed on a tarp-like material, while the image on the far left is suspended within a large sheet of transparent plexiglass.
    Zaha Hadid. Installation view, Artists Space, 2003. [A dimly lit gallery space with wooden flooring. Three large, rectangular photographs of various buildings’ architectural details are suspended from the ceiling, hanging on thin wires. Two of the images have been printed on a tarp-like material, while the image on the far left is suspended within a large sheet of transparent plexiglass.]
    Caption Zaha Hadid. Installation view, Artists Space, 2003.
    Image description A dimly lit gallery space with wooden flooring. Three large, rectangular photographs of various buildings’ architectural details are suspended from the ceiling, hanging on thin wires. Two of the images have been printed on a tarp-like material, while the image on the far left is suspended within a large sheet of transparent plexiglass.
    Year 2003
    Related pages Mainspace Architecture & Design Project Series: Zaha Hadid
  • Three lights are visible in a triangle formation shining on one central photograph in the middle of the image which is framed by hanging strings and wires in a white-walled gallery space.
    Three lights are visible in a triangle formation shining on one central photograph in the middle of the image which is framed by hanging strings and wires in a white-walled gallery space.
    Patricia Thornley. Untitled, 1985. Electrical wire, string, fans, photograph, spotlight, wood, wax, dirt, water. [Three lights are visible in a triangle formation shining on one central photograph in the middle of the image which is framed by hanging strings and wires in a white-walled gallery space.]
    Caption Patricia Thornley. Untitled, 1985. Electrical wire, string, fans, photograph, spotlight, wood, wax, dirt, water.
    Image description Three lights are visible in a triangle formation shining on one central photograph in the middle of the image which is framed by hanging strings and wires in a white-walled gallery space.
    Year
    Related pages U.S. Projects
  • A red deflated balloon, folded at the neck, with white text that reads,
    A red deflated balloon, folded at the neck, with white text that reads,
    [A red deflated balloon, folded at the neck, with white text that reads, "Living with Pop."]
    Caption
    Image description A red deflated balloon, folded at the neck, with white text that reads, "Living with Pop."
    Year 2014
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • A handled paper bag, placed at an angle, with detailed illustrations along the sides. The front image depicts a goat sitting on grass with its back turned to the viewer, facing a dancing Statue of Liberty against a blue background. In the right corner is a small drawing of the twin towers against a yellow background, and in the right corner is a small drawing of three small cylinders with smoke emanating from one. The side panel has paintlerly blue stokes in the middle, and a small green triangular tent at the bottom.
    A handled paper bag, placed at an angle, with detailed illustrations along the sides. The front image depicts a goat sitting on grass with its back turned to the viewer, facing a dancing Statue of Liberty against a blue background. In the right corner is a small drawing of the twin towers against a yellow background, and in the right corner is a small drawing of three small cylinders with smoke emanating from one. The side panel has paintlerly blue stokes in the middle, and a small green triangular tent at the bottom.
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A handled paper bag, placed at an angle, with detailed illustrations along the sides. The front image depicts a goat sitting on grass with its back turned to the viewer, facing a dancing Statue of Liberty against a blue background. In the right corner is a small drawing of the twin towers against a yellow background, and in the right corner is a small drawing of three small cylinders with smoke emanating from one. The side panel has paintlerly blue stokes in the middle, and a small green triangular tent at the bottom.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description A handled paper bag, placed at an angle, with detailed illustrations along the sides. The front image depicts a goat sitting on grass with its back turned to the viewer, facing a dancing Statue of Liberty against a blue background. In the right corner is a small drawing of the twin towers against a yellow background, and in the right corner is a small drawing of three small cylinders with smoke emanating from one. The side panel has paintlerly blue stokes in the middle, and a small green triangular tent at the bottom.
    Year 2017
    Related pages Unholding
  • A figure stands behind a microphone stand, one hand raised to their chin and the other arm up and pointing away from themselves. The figure stands in front of a blank background.
    A figure stands behind a microphone stand, one hand raised to their chin and the other arm up and pointing away from themselves. The figure stands in front of a blank background.
    Gregg Bordowitz, Open Book: Letters, Marks, Politics, 2024, lecture performance, Bonner Kunstverein. Photo: Max Beck. [A figure stands behind a microphone stand, one hand raised to their chin and the other arm up and pointing away from themselves. The figure stands in front of a blank background.]
    Caption Gregg Bordowitz, Open Book: Letters, Marks, Politics, 2024, lecture performance, Bonner Kunstverein. Photo: Max Beck.
    Image description A figure stands behind a microphone stand, one hand raised to their chin and the other arm up and pointing away from themselves. The figure stands in front of a blank background.
    Year 2024
    Related pages One Night Only
  • Artists Space logo, a capital letter 'A' inscribed in a circle
    Artists Space logo, a capital letter 'A' inscribed in a circle
    Artists Space logo designed by Louise Lawler, 1978 [Artists Space logo, a capital letter 'A' inscribed in a circle]
    Caption Artists Space logo designed by Louise Lawler, 1978
    Image description Artists Space logo, a capital letter 'A' inscribed in a circle
    Year
    Related pages History
  • Color photograph of a figure dressed in black performing in front of an audience in the background. The room is dark, with LED light sculptures made from dried SCOBY in the background. The figure sits on the floor, looking off to the right and holding a mask in front of their face.
    Color photograph of a figure dressed in black performing in front of an audience in the background. The room is dark, with LED light sculptures made from dried SCOBY in the background. The figure sits on the floor, looking off to the right and holding a mask in front of their face.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a figure dressed in black performing in front of an audience in the background. The room is dark, with LED light sculptures made from dried SCOBY in the background. The figure sits on the floor, looking off to the right and holding a mask in front of their face.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of a figure dressed in black performing in front of an audience in the background. The room is dark, with LED light sculptures made from dried SCOBY in the background. The figure sits on the floor, looking off to the right and holding a mask in front of their face.
    Year
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • A black and white still of a hallway with a patterned balcony, which descends into stairs. Three geometric paintings are hung along the walls.
    A black and white still of a hallway with a patterned balcony, which descends into stairs. Three geometric paintings are hung along the walls.
    Union Gaucha Productions. Still from Phantom Limb, 1998. 16mm film (silent, black and white), 21 min 45 sec. Courtesy of Union Gaucha Productions. [A black and white still of a hallway with a patterned balcony, which descends into stairs. Three geometric paintings are hung along the walls.]
    Caption Union Gaucha Productions. Still from Phantom Limb, 1998. 16mm film (silent, black and white), 21 min 45 sec. Courtesy of Union Gaucha Productions.
    Image description A black and white still of a hallway with a patterned balcony, which descends into stairs. Three geometric paintings are hung along the walls.
    Year 1998
    Related pages Union Gaucha Productions
  • One figure is looking at the ground with their back facing the camera and another painted figure appears frontally looking down. They both are around a bright light emerging from below. A black wall covers the right half of the image.
    One figure is looking at the ground with their back facing the camera and another painted figure appears frontally looking down. They both are around a bright light emerging from below. A black wall covers the right half of the image.
    Keeph, Artists Space construction site no. 2, 2020, digital photograph [One figure is looking at the ground with their back facing the camera and another painted figure appears frontally looking down. They both are around a bright light emerging from below. A black wall covers the right half of the image.]
    Caption Keeph, Artists Space construction site no. 2, 2020, digital photograph
    Image description One figure is looking at the ground with their back facing the camera and another painted figure appears frontally looking down. They both are around a bright light emerging from below. A black wall covers the right half of the image.
    Year 2020
    Related pages BRIDGE Photography
  • Three figurative paintings hang side-by-side in a white-walled gallery space.
    Three figurative paintings hang side-by-side in a white-walled gallery space.
    Group Exhibition. Installation view, Artists Space, 1981. Photo credit: Anne Turyn. [Three figurative paintings hang side-by-side in a white-walled gallery space.]
    Caption Group Exhibition. Installation view, Artists Space, 1981. Photo credit: Anne Turyn.
    Image description Three figurative paintings hang side-by-side in a white-walled gallery space.
    Year
    Related pages Group Exhibition
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