-
Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A large red pole with matching brackets stretches from floor to ceiling, holding up an spread of Artists Space's 1987 *We The People* exhibition catalog. To the left of the pole, a brown paper bag with an illustration of an Indigenous man wearing a ten-gallon hat sits on top of a white desk. To the left of the pole, a bookshelf with floating shelves is partially visible, holding many colorful books.] -
Yasunao Tone in Concert with Barbara Held. Performance documentation, January 19, 2023, Artists Space. Photo: Destiny Mata [A crowd watches as a figure on stage sits behind a commodore computer while text is projected on the right wall that reads "A cool star filled night / above the dark sea / though as a fire-fly's light."] -
Laurel Woodcock, (Untitled), Neon Quote, 2005. Neon sculptures. Courtesy the artist. [The exterior of a Soho building at night from the opposite street corner. Inside the third floor are two glowing blue neon quotation marks visible from outside.] -
Sam Pulitzer: A Colony for “Them”. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A gif of installation images from Sam Pulitzer's, A Colony for "Them."] -
P.S. 140 students recording sounds at Tompkins Square Park, 2019 [A cropped image of a group of students smiling for the camera in Tompkins Square Park. One holds a recording device, which has been overlaid with an opaque orange image of a lampshade. Green digital circles emanate out from it, as if to simulate a doppler-effected sound.] -
Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [Several black and white photographs and documents organized into a grid on a white surface.] -
-
Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013. [A side view of a sculpture of a man leaning against a white column. He holds a book in his right hand. He is wearing a purple shirt, blue patterned shorts, and white sneakers.] -
ART CLUB2000 Gli Avvoltoi (The Vultures), detail, 1995 Vinyl paint and newsprint flyer Image courtesy Artists Space, New York Photo: Filip Wolak [A view of a wall mural displaying multiple cartoon vultures resting on black scaffolding.] -
YAP (Young Artist Perform), P.S. 140, May 11, 2022 -
[A flyer for the event depicting a stylized green marshland. Light green and red text positioned at the top of the flyer reads, "A CELEBRATION OF OUR STRUGGLES / THREE MONTHS COME TO A CLOSE / DECOLONIZE / THIS PLACE / DEC. 17TH AT 6PM / 55 WALKER] -
Wesley Kimler. Funeral Party II, 1985. [An abstract painting with the appearance of two faint human faces emerging from the imagery.] -
-
Served Up! R.M. Fischer, Postcard, Artists Space, 1979. [A black-and-white photograph of a man crouching and speaking in front of a spotlight. The outlines of two people in front of the speaker are faintly visible.] -
[A book cover with an image of a hallway with tan and brown checkerboard tiling with a door at the end. Sunlight is filtering through the windows of the door, reflecting on the floor. Superimposed text on top of the photo reads "SUMMER OF HATE" and under it, "Chris Kraus".] -
Wolfgang Tillmans exhibition at David Zwirner, 2024 -
Salad Days. Installation view, Artists Space, 2004. [Two white models of large buildings sitting on a wooden floor. Between the two models is a large mound of dirt.] -
-
Clocking Out: Time Beyond Management. Installation view, Artists Space, 2023. Photo: Greg Carideo. [Photograph of a corner of a gallery, with printed and woven works along one wall, next to a row of TV flatscreens on another wall. In the center of the space is a large wooden platform.] -
Local Transit. Installation view, Artists Space, 2006. [A gray wall with dozens of drawings arranged in rows of four. The drawings depict single buildings in black on white paper. In front of the wall, a gray object stands on a white plinth.] -
-
Left: Jazmín López, You don’t have to tell him, he knows what you want, 2022. Art Magazine. Right: Scott Cottingham, CHAIN-LINK,, 2022. Single-channel video with sound, comprising machinima, 3D animation, and found footage elements, 89 minutes. Photo: Steven Cottingham. [Color photograph of video work installed on a wooden desk. Visible on the wall in the background is a work on paper mounted on a mirror.] -
[A black and white scan of an invoice from Corcraft Products issued to Artists Space at 38 Greene Street. The customer number reads "9102000". The invoice details a net purchase of $603.10] -
Asia Negron, untitled, digital print, 2019 [A photograph depicting a street in New York. A fire hydrant with some graffiti supports a leaning concrete pole, which has fallen over, lifting up a piece of the sidewalk] -
Flyer for Segue Reading Series featuring Jacob Kahn and Erica Hunt. January 28, 2023, Artists Space. [White and dark blue text overlay a light blue background with abstract lines and a drawing of a male bust in the bottom left corner. The text in the middle reads "Jacob Kahn / Segue Reading Series / Erica Hunt."] -
Laurel Woodcock, (Untitled), Neon Quote, 2005. Neon sculptures. Courtesy the artist. [The exterior of a Soho building at night. Inside the third floor are two glowing blue neon quotation marks visible from outside.] -
-
Sixth Anniversary Exhibition. Installation view, Artists Space, 1979. Artwork by Ree Morton. [View of drawings mounted to white walls. Small labels accompany each drawing, taped to the walls.] -
Young Fluxus. Installation view, Artists Space, 1982. [A number of objects and writings appear on the gallery wall and a desk with a light appears in front of it with windows visible in the background.] -
David Kulik, Frank Majore, Kevin Noble, Ken Pelka, Pat Place, Rene Santos, and Brian Weil. Installation view, Artists Space, 1980. [Two photographs are hanging next to each other on a wall.] -
Everything is common. Installation view, Artists Space, 2022. Photo: Steven Cottingham. [A color photograph of a gallery space with several columns. In between two columns, a large fabric work is stretched with an image of cows lying on the ground. To the right, in between two other columns, a painting on fabric that depicts two people on a green background is hanging. Further in the background, a painting is visible hanging on the wall. In the foreground, one board from a cornhole set is resting on the floor.] -
Nam June Paik Young Penis Symphony from Wolf Vostell, décollage No. 3 , 1962 © Nam June Pak Estate Collection Peter Wenzel [Red text that reads, "Young Penis Symphony, -curtain up-, the audience sees only a huge piece of white paper stretched across the whole stage mouth, from the ceiling to the floor and from the left to the right wing. Behind this paper, on the stagem stand ten young men... ready, -after a while- The first sticks his penis out through the paper to the audience..., The second sticks his penis out through the paper to the audience..., The third sticks his penis out through the paper to the audience..., The fourth sticks his penis out throught the paper to the audience..., The fifth sticks his penis out through the paper to the audience..., The sixth sticks his penis out through the paper to the audience..., The seventh sticks his penis out through the paper to the audience..., The eight sticks his penis out through the paper to the audience..., The ninth sticks his penis out throught the paper to the audience..., The tenth sticks his penis out through the paper to the audience..., N.J. Paik, Expected world premier about 1984 A.D., ref. Taiyono Kisetza Ishihara"] -
Cosima von Bonin, Le Chic, 2023. Photo: Filip Wolak. [Color image of two replica rockets, created from wood and white and red enamel paint over top. They are placed on a small white platform.] -
Sistema Sandinista de Television. Still from Golpes de la Corazon (Blows of the Heart), 1983. Video (sound, black and white). 30 minutes (excerpted). Spanish with English subtitles. [A figure holding a sword in the middle of a man and woman with a car visible behind them. Subtitles burned onto the bottom of the image read, "Aha, I found you." Scan lines in the image and the outer box of a CRT monitor are visible.] -
Attention Line. Installation view, Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [An image of a monitor with two chairs in front of it. To the right of the monitor, a photocollage hangs on the wall.] -
[Collaged atop a blue, beige, and orange field is a series of abstract graphic and typewritten elements, including a womans face placed sideways with green tape over it. In the middle, on a piece of blue paper, is the list of performers and text reading "aBASEmEnt 62 at ArTists SpACe" along with the location and time of the event.] -
Union Gaucha Productions. Installation view, Artists Space, 2015. Photo: Daniel Pérez. [A dimly lit room with green turf-like carpet and exposed wooden walls. On the left, 9 images of different sizes are mounting, and luminous. On the right, projectors and movie cameras are placed on a horizontal shelf. On the far end of the floor towards the wall is a small square tv monitor with headphones placed in front of it. Behind the monitor are three medium-sized white windows.] -
Audrey Glassman, Untitled, 1983. Cibachrome, 28 x 42 inches. [A nude figure is seen sitting in a pool of water in the corner with ceramic tile wall paneling behind them. Sharp lighting accentuates the top half of the image where the face of the figure is, staring into the camera.] -
Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure in a red sweater sits in a chair on stage. Two microphones are positioned around them. They hold a wooden stick and a red bell up.] -
Young Fluxus. Installation view, Artists Space, 1982. [View down a hallway with framed images on the wall.] -
Salad Days 2. Installation view, Artists Space, 2006. Photo: Bill Ocrutt. [Five photographic collages installed in white frames arranged in a horizontal row along a blank wall.] -
-
-
Andy Robert: PAPALOKO. Installation view, Artists Space, 2024. Photo: Carter Seddon. [A color image of a gallery space. Three shovels placed upright on pedestals are placed on the floor. To the left, a raditator on its side, partially covered in snake skin, lies on the floor. To the right of the shovels, a wooden divining rod attached to a pedestal sits upright on the floor.] -
Portraits of Peter Osborne and Brendan Harvey. [Portraits of two figures are arranged side-by-side. On the left, a figure wearing a white shirt sits at a table with different objects spread out on its surface, speaking into a microphone. On the right, a black and white photo of a figures bust sits inside a larger black square.] -
Abasement #67. Performance documentation, January 15, 2024, Artists Space. Photo: Joshua Wildman. [Color image of a performer standing in the midground of the image with their back towards the audience. They are dressed in all black including a black beret. Both of their arms are raised with a bend at the elbows. In their right hand, they hold a straight object, perhaps a conductor's baton or drumstick. They grasp an oblong object in their left hand as well. Speckled purple, green and blue light is projected onto the performer and the back wall, their shadow with their arms raised appears on the back wall. In the center foreground of the image there is a microphone on a stand and to the right side, a black speaker on a stand. ] -
Yasunao Tone and Suzanne Fletcher performing Voice and Phenomenon, Experimental Intermedia Foundation, New York, 1976. [Black-and-white photograph of a TV against a brick wall, connected to a camera recording directly above a spotlighted chair and desk. A figure sits across the empty chair at the desk, while another figure kneels down to the left side of the desk working on something.] -
Traci Tullius, Some People Never Learn, 2001. [A figure with long brown hair wearing a gray sweater over a light pink and white button-down shirt clenches their eyes shut as a red ball hits their face.] -
Eiko Ishibashi: Two New York Nights. Performance documentation, June 9, 2022, 8pm. Artists Space, New York. Photo: Paula Court [A figure peers into a computer while standing behind a table and next to a speaker.] -
-
-
New Red Order with Ashley Byler and Jeremy Pheiffer / Kate August and Enver Chakartash Urge 2 Merge, 2021 3 channel video, color 12 minutes (loop) Image courtesy Artists Space, New York Photo: Filip Wolak [An image of a dark exhibition space with three video projections projected on to a wall.] -
Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a background of pink, green, and yellowed paper. Pieces of yellow paper with typewritten text listing the performers and event details are scattered around the flyer.] -
Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Haim Steinbach. [View of colorful panelled designed wall with shelves holding plants and other items. A blue desk with pamphlets on them is visible in the front left corner which is near a doorway into another room.] -
Charlotte Posenenske. Configured by Rirkrit Tiravanija. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A geometric, silver metal sculpture sits on a low dolley with wheels on a wooden gallery floor. The sculpture is modular, hollow, and consists of a cube-like metal component. Under the sculpture, long arrows of colorful tape are installed on the gallery floors.] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Two figures perform in a basement. On the left a figure with a video camera and shoulder rig takes footage of another figure on the right, dressed in a blue morph suit, and pushing a semicircular rolling table made of wood and fresnel lenses. Along the back wall blue and purple tinted live CCTV video footage is projected.] -
Scott Burton. Pastoral Chair Tableau, 1971—1974. Installation view, Scott Burton, Pamela Jenrette, Artists Space, 1975. [A color photograph of six chairs in front of a blue curtain.] -
-
Eiko Ishibashi: Two New York Nights. Performance documentation, June 9, 2022, 8pm. Artists Space, New York. Photo: Paula Court [A figure illuminated by red light stands behind a table, using a computer that sits on the table.] -
Jane Bowles with Cherifa in Tangier, 1967. Photo: Terrence Spencer/Time & Life Pictures/Getty. [Black and white photograph of two women, one in a white dress and the other in a black niqab and sunglasses, walking arm in arm in a narrow street.] -
Constantina Zavitsanos: fwiw. Installation view, Artists Space, 2024. Photo: Carter Seddon. [An installation view shows a darkened space flooded in red light. Between two ornate columns, a projector is mounted close to the ground on a short stand. An iridescent blue glows around a shadow cast by a scientific experiment on the left wall behind, while the ceiling is covered in warm crescent silhouettes. On the back black wall, lines of projected text overlap in varying directions.] -
Mara Korkola, No Place, 2002. [Two paintings arranged side by side, both depicting highways with a blur of car lights and tailights.] -
[Dark blue text overlays red-pink background. The text reads: “March 25 / Ralph Lemon / Tracie Morris." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)] -
-
Vanalyne Green, Still from A Spy in the House That Ruth Built, 1989. 29 minutes. [A close up image of hands holding a film camera in black and white on a white background. Below the hands, a small, black silhouette of a figure walking.] -
Andy Robert: PAPALOKO. Installation view, Artists Space, 2024. Photo: Carter Seddon. [A color image of a gallery space. On the left, two tree log sculptures rest on pedestals. To the right, two shovels standing upright on pedestals flank a taxidermied griffon vulture that sits amongst a pile of concrete rubble. In the center, the top of a shovel afixed to a small childs chair is placed up against the back wall.] -
Paul Sharits [A black and white photograph of a man standing outside, surrounded by trees and grass, with his hand on a tripod.] -
Lyndon Barrois Jr., Unseen Hand (Fall Guy); Sinner Man, 2022. Couch, jute, antique cane, plastic, copper, brass, conservation glove; police tape, laser prints, museum board, MagiColor manual. Dimensions variable. Photo: Filip Wolak. [A color photograph of a yellow couch in a gallery space. A cane with a white glove rests on the couch cushions and a rope extends from its base. In the background, police tape demarcates a rectangle on a wall, and three strips of police tape extend from the wall to the floor.] -
Still from video of Yasunao Tone performing Paramedia, Experimental Intermedia Foundation, 1990 [Color image of a figure looking to the left and leaning over a table filled with audio equipment. The figure holds sheets of paper with instructions, and manipulates an audio machine.] -
Abstruction. Installation view, Artists Space, 2003. [Several artworks installed in a large gallery space with white walls and wooden flooring. A television monitor rests on a low acrylic box on the floor to the room's right side. A warped purple and pink image resembling a kaleidoscopic star shape is displayed on its screen. There are white columns to the left of the monitor. Hanging on a gallery wall on the image's far left side is a large piece of translucent, white cloth embroidered with amorphous red and blue linework. The far gallery wall behind the twinned columns has been painted with slanted, striped areas of peach, yellow, and ochre color.] -
Shala Miller, Genesis. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color documentation image of Shala Miller's Genesis, 2023. Three monochrome projection panels float equidistantly in a dark room, with vinyls on black walls.] -
Paper Exhibition. Installation view, Artists Space, 2009. Photo: Adam Reich. [A wide cyclindrical glass bottle with a lightbulb inserted at its opening.] -
Stephon making the drawing 90’s dress, 2022, acrylic on paper -
Robert Longo. Performance documentation, Exchange Show: Hallwalls, Buffalo, NY, Artists Space, 1976. [A black and white image of two hands behind a figure's back. They cross their index and middle finger on each hand.] -
-
Those Lost Trees by Viola Yesiltac (2005). [A woman stands, facing away from the camera. She is standing on a photo backdrop of trees in a forest, which covers part of the floor and is raised into the air by stand. Studio lights surround her, casting a slight glare off the backdrop.] -
Richard Hollis. Installation view, Artists Space, 2013. [A view between two book stands, perpendicular to the wall, displaying books, documents, and papers. On the wall, posters are staggered including various text and images.] -
Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork: All is Pretty Andy Warhol!, Martin Cohen. [People standing around a gallery space with various globes surrounding them and frame images hanging on the wall to the right.] -
Louise Lawler, Who Says, Who Shows, Who Counts, 1990. [Three empty wine glasses in row, each engraved with two words: "who says," "who shows," "who counts."] -
Flyer for Segue Reading Series featuring Charles Alexander and Lonely Christopher. Saturday, January 29, 2021, Artists Space. [[Black text overlays a mauve background. The top left corner reads: "Charles Alexander & Lonely Christopher" The center right reads: "Segue Reading Series & ARTISTS SPACE." The bottom left reads: "Saturday January 29, 5pm, Zoom ID: 893 9594 7519, Suggested donation $5". The image of a 5 dollar bill is placed within the text.]] -
Kayla Asalcedo, Lower East Side Map, 2018 [A black-and-white drawing in a collage style, depicting many public parking signs, street-level façades, advertisements, buildings, a bycicle, smoke, and two large, flowing arrows] -
Min Joong Art. Installation view, Artists Space, 1988. [A photograph of building facades in Manhattan. Hanging on the central facade is a piece of white fabric the length of two stories. On the white fabric, there is a gestural painting of in a figure grapsing another figure from behind. Below them is a line of text in Korean.] -
Carol Haerer. Installation view, Artists Space, 1990. Media and dimensions unknown. [A black and white photograph of a tall, narrow rectangle-shaped painting of abstract swirls hanging on a white wall.] -
SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.] -
A visit to David Ellis exhibition at Babel Gallery. -
Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [A figure performs on stage, speaking into a microphone and holding papers in their hands.] -
David Kroll. The Aftermath of Columbus' Coming, 1985. [A drawing of various animals running or flying around in an indoor dwelling with three figures in states of disarray around them.] -
Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman [A figure to the left plays the saxophone while another figure sitting in the middle of the frame watches with a guitar in his lap, another figure in the back right plays the bass.] -
Artists Draw. Installation view, Artists Space, 1979. [A drawing of a man's head cut off at the neck with horns made of hair. Text along the top reads "flames of genius."] -
New Red Order Give it Back, 2020 Acrylic LED displays with cut vinyl, water cooler, poster, couch, desk, chairs, magazine rack, The New Red Times Magazine, and three televisions. Image courtesy Artists Space, New York Photo: Filip Wolak [An image of a white facade with real estate listings in the windows, and above them, in vinyl lettering reads "NRO".] -
Log Cabin. Installation view, Artists Space, 2005. [Several photographs and TV monitors installed along the length of a white wall in a gallery space. Black vinyl text on the wall's far right side reads, "LOG CABIN" and lists a series of artists. Six photographs are installed to the left of the wall vinyl and depict portraits of clothed and nude figures. A yellow composition on a wooden panel is installed directly above the line of photographs. Three TV monitors are installed on the wall to the left of the photograhs.] -
-
Renee Gladman: Narratives of Magnitude. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of the corner of a gallery space with two columns. Across the two white walls, six framed abstract drawings on black paper are displayed in a horizontal line.] -
Passages from People Who Led to My Plays. Performance documentation, March 1, 2020, Artists Space. Photo ©️ 2020 Paula Court. [Two figures in dark clothing stand before two music stands in front of a seated audience. The figure on the right looks towards the figure on the left, who looks down at their two hands. Their hands are turned, palms up, towards the sky, as if miming holding something.] -
Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color photo of the first room in the exhibition. To the left, a wooden high-top bar holds a cash register, a lamp and a book. Three high-top stools are lined up in front of the bar. A large drawing done in BLANK on cardboard hangs above the bar. To the right, a grey metal bookshelf holds books, bags of rice and flour, Wonder bread, toliet paper, q-tips and soap. Next to the bookshelf a yellow produce scale hangs from the ceiling holding bubble wrap. The back wall is painted green, appears like the walls used in construction projects, with a hand-painted sign that reads: Dorothy Porter Wesley: The Negro in the United States, A Selected Bibliography.] -
Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of the corner of a gallery space. The walls are painted with blue accents, and there is a checkerboard floor. Large, vibrant paintings of Black Queer figures hang on the walls. Blue neon lights run along the frame of the window in the corner.] -
Four Artists: An Exhibition of Painting and Sculpture. Installation View. Artists Space, 1985. [Paintings are hanging on walls in a white-walled gallery space with columns in the background.] -
Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A book shelf displays paper documents containing black and white images. Above, smaller documents, and a similar paper displayed in a white frame.] -
Abasement #73. Performance documentation, November 4th, 2024, Artists Space. Photo: Joshua Wildman. [Image of a performer on stage in a yellow shirt and baseball cap playing the drums. They are facing an audience. To their right is another performer playing the guitar. The room is dark with red and blue-tinted light.] -
Abasement #73. Performance documentation, November 4th, 2024, Artists Space. Photo: Joshua Wildman. [A performer with long blonde hair and a black baseball cap sits on stage at a table covered in electronic instruments. Their face is lit with red light. The background is dark, but a few audience members are visible. ] -
Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Gary Burnley. [A black and white photograph of a multicolored globe sitting on a wooden floor.] -
Portrait of Loretta J. Ross. [A black woman sits behind a large table and looks off to the side. Behind her is a blue background.] -
Dionis Diaz, self portrait, acrylic on paper, 2019 [This painting depicts a figure comprised of geometric shapes in saturated pinks, greens, yellows, and blues on a purple background. The arms, neck, and parts of the face are decorated with blue swirls and a brown, broken heart-like shape lies on top of the figure's chest.] -
Group Exhibition. Installation view, Artists Space, 1981. Photo credit: Anne Turyn. [Three figurative paintings hang side-by-side in a white-walled gallery space.] -
Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman [A figure stands on the stage with a mic, speaking to the crowd.] -
Colin de Land at American Fine Arts, February 1996. Courtesy Smithsonian Archives of American Art. [Colin de Land sat at a desk, looking at paper materials in his lap. Various objects, documents, and books sit opened around him.] -
MS 324 students outside Word Up Community Bookshop, 2018 [Students stand outside of a storefront in New York - Word Up Community Bookshop. In the window are several signs with Black Lives Matter and "Eat Sleep Read Local" slogans] -
Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon. [Color image of a darkened gallery space with three sculptures. On the left, a pinhole projector wrapped in foam and bound with red string sits on a pedestal. It projects an image of an ornamental golden metal pin and four small pink and green strawberries onto the left wall. A golden egg sculpture sits on the floor in the corner of the gallery. To the right, another pinhole projector inside a plaid vinyl bag with straps sits on a pedestal. On the right wall, an image of a green square with a small crenellated metal opening to the upper left, is projected.] -
Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang. [A figure in a blue dress stands behind a white table, and holds the end of a small folded up book. On the other side of the table, a row of people sitting on wooden chairs hold different sections of the book and read off of it.] -
Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Detail view of a "bc" logo printed on a black glossy structure.] -
[A darkened classroom, lit dimly with overhead orange lights. Three rows of chairs and desks face an image projected on a screen. The image is a blurred figure with a pale face enveloped in a black cape.] -
-
Pope.L, Some Basic Problems of Re-Gifting, 2019. Photo: Filip Wolak. [Color image of a bright green cloth-lined box with a bright blue interior, placed on a white pedestal. On one side of the opened box lies a copy of "stories and texts for nothing" by Samuel Beckett. On the top side of the box is a small piece of torn paper.] -
Mr. Dead & Mrs. Free: A History of Squat Theatre. Installation view, Artists Space, 1996. [A person looks at several sheets of paper with text and black and white photographs mounted on a wall. Hanging just above the papers is a sculpture of a human head with blonde wig.] -
Peter Saville, Bespoke archival box with hand-marbled paper and band, 24 1/2 x 20 1/2 x 1 1/2 in / 62,2 x 52 x 3,8 cm, Signed and Numbered. [A print of marbled, amorphous forms in blue, grey, and white is centrally intersected by a horizontal orange band.] -
Louise Bourgeois Jitterbug, 1998 Lithograph, 18 x 24 in / 46 x 61 cm, Signed & Numbered. [Two red and blue spidery forms interlace, floating in the center of the page atop a blank sheet of staff paper.] -
Hani Rashid, The Early 17th Century, 1985. Mixed media with ink, old paints, acids, chalks, 33 x 24 inches. [Drawing of upside down Christian iconography along with pyramid, desert landscape with white surrouding the images.] -
Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Two screens hung on either side of the top of a support beam in a gallery. The room is otherwise empty. One screen depicts a woman walking down a fashion runway, wearing a black jacket and shorts with a sheer top.] -
[White text overlays a green and brown background. The text reads: “May 6 / stefa marin alarcon / zavé martohardjono." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)] -
New Galleries of the Lower East Side. Installation view, Artist Space, 1984. Photo: Kenji Fujita. [A black and white photograph of an exhibition space with multiple art works.] -
Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Detail view of a display case. Several mugs are stacked on top of each other on the left side of the case, while five others are placed haphazardly across its surface. Each white mug is decorated with black text that reads, *STANCHION*. Several photos of a nude woman are arranged across the surface of the case.] -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of three figures, wearing conical costumes made of reflective one-way mirror film, standing at the doorways of a gallery space.] -
Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure stands behind a microphone, their hands placed together in front of them and looking off.] -
-
Susan Howe, From DEBTHS, 2016, Silkscreen on archival box, 24 ¼ 20 ½ x 1 ½ in / 62,2 x 52 x 3,8 cm, Signed and Numbered Certificate [A scan of printed text. The legible portion reads "Upon the frontier of unimaged night"] -
[Stamped yellow text spelling out "W.A.G.E" at a slight angle. Underneath that, typed pink text reads, "Working Artists and the Greater Economy."] -
-
Robert M. Young, still from Short Eyes, 1977. 35mm, 100 min. [A man wearing a denim vest is seen within the cramped, barred space of a prison.] -
Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon. [A set of stairs lead into a gallery space with two series of photographs on each wall. On the back wall a series of fourteen photographs are shown in two rows. Along the right wall, eight photographs in two rows are visible from this angle. In both series, the photographs on the top row are cool-toned and darker, and the photographs on the bottom row are much brighter and warm-toned. ] -
H_edge. Installation view, Artists Space, 2006. Photo: Whitney Cox. [Close-up of a series of metal cutouts shaped like curved "x"'s hanging from lengths of metal chainlinks. The many rows of cutouts overlap, forming a hedge-like sculptural body.] -
[A graph showing a typical stock price increasing in value, digitally manipulated to show it going back in time and continuing to increase, once above a certain threshold.] -
-
-
Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Candice Hill-Montgomery. [Black and white photograph of white picket fence opening with dark painted background behind it.] -
Laurie Simmons: Photographs. Postcard, Artists Space, 1979. [A black and white image of a dollhouse living room, a doll is sitting in the right corner, on a couch, next to a side table with radio on it.] -
Lizbeth Marano. Third Circle, 1985. [Circular bricolage sculpture in a white-walled gallery space.] -
She Who Is: Adrienne Kennedy and the Drama of Difference. Installation view, Artists Space, February 29 – September 19, 2020. Photo: Filip Wolak. [A set of wooden chairs arranged in the exhibition space to face projected film] -
Robert Gero, Untitled, 1989. Corn, copper, tar. [A rectangular column against a white background. The bottom segment is covered in corn kernals, then there is a layer of black tar, and the top is a cube of copper.] -
-
7th Grade students from M.S. 324 meeting online to present their El Ábol de la Familia collage projects, 2020 [A screenshot of a video call. Several students are smiling while holding up artwork that depicts their respective family trees. The art varies in size, shape, and medium.] -
[A looseleaf sheet of paper with "Spring 2012 F.R. DAVID" printed on the top in red type. The page is filled with handwritten black text.] -
Whitney Museum of American Art Independent Study Program Studio Exhibition. Installation view, Artists Space, 2018. Photo: Gustavo Murillo Fernández-Valdés. [A wooden table with two chairs arranged in a gallery space. A kite hangs from the ceiling to the right of the chair and table set. Behind the kite is a large, blue carpet spread across the floor, several colorful plastic chairs lined up against the wall, and a video monitor.] -
Still from Compensation, Zeinabu irene Davis, 1999 [Standing on a beach, a Black woman holds up her hand, signing to a Black man. A caption at the bottom of the screen reads: “You’re speaking my language.”] -
[A grid of blue hearts on a yellow background.] -
Nina in Position. Installation view, Artists Space, 2008. Photo: Bill Orcutt. [Close up of two rectangular plates of glass resting on top of a thin bed of white salt. A red, blood-like substance forms irregular patterns between the plates.] -
El Bosque Luminoso Bajo El Mar, M.S. 324 exhibition, Threads of History, May 2023 -
[A book cover opened so the front and back are visible. There is a black rectangle with white text reading, "Whose Choice" with a handprint and an illustration of internal organs. Small text at the bottom of the image reads, "...prior to quickening..." / "...suffer imprisonment..." / "...right to privacy..."] -
Elephant Cemetery. Installation view, Artists Space, 2007. [A wide wooden worktable sits in a gallery space with various models, books, and papers displayed on its surface. One of the models located closest to the viewer is yellow and has an amorphous shape. A series of black and white photographs of buildings hang on the wall to the right of the table.] -
The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich. [A dark room with a screen projection showing an image of a man with a partially cut out button down shirt. The sleeves and top button are intact, with the chest and torso bare except for three elastic strips spaced out spanning the torso.] -
ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A view of two black leather stools in front of an LED sign crawl of a text.] -
Pictures. Installation view, Artists Space, 1977. Photo: D. James Dee. [A black and white installation photo of a gallery space. An illuminated low pedastal on the floor holds a crescent shaped object.] -
Other Minds, San Francisco. Photo: John Fago [Black-and-white photograph of a figure, walking in the middle of the frame between two sets of suspended wires that run from across the room. The figures hands manipulate the wires on each side of them.] -
Cover for Everything is common catalogue by Jack Hogan [A person holding caution tape over a patch of wet cement with the words Everything is common written in it.] -
-
[Black and white cropped image of an animal-like figure. An eye is located on the upper right corner. Feathers and fur fill the frame.] -
The Owl Answers. Performance documentation, February 29, 2020, Artists Space. Photo ©️ 2020 Filip Wolak. [Three figures standing by a set of music stands in front of a seated audience. The center figure faces the audience, her arms stretched wide. The figures on either side of her appear to mime grasping something above themselves—such as a bar or handle—with one hand. One's expression is solemn, the other's incredulous.] -
Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [Eleven tan sacks of various sizes hang on a while wall. Each is illustrated with individual imagery and/or text. A long one, hanging at the top left, reads "CHASE" in block letters. A painting is hung in the background on a wall.] -
Opening reception for J.B. Cobb, Martha Edelheit, Ree Morton, Artists Space, 1973 [A black and white photograph of a gallery with paintinfs on the wll and several figures milling and chatting.] -
[Collaged atop a purple, pink, and orange field is a series of abstract graphic and typewritten elements, including a man's face with a bandana covering his mouth. In the bottom left corner an upside down text reads "ABASEMENT 61." Smaller text above lists the participating musicians and artists.] -
Living with Pop. A Reproduction of Capitalist Realism. Installation view, Artists Space, 2014. [An angled view of a wall portraying four paintings, of various dimensions, at eye level. In the room, a 34mm projector displays a video, to the right, on a gray wall.] -
Union Gaucha Produtions, still from Phantom Limb, 1998. Courtesy Union Gaucha Productions. [An abstract, black and white geometric image.] -
Contemporary Architecture - an installation by realities:united. Installation view, Artists Space, 2007. Photo: Bill Orcutt. [In a gallery space, a large white overhead LED-style sign acts as both a drop ceiling and overhead lighting. It displays two numbers, a 2 and a 5. Below are a black sofa and, facing it, a small television on a wooden pedestal.] -
Black Cat Collective. Still from Many Faces of Paper, 1989. [Black and white video still of a figure in a packed crowd, speaking into a microphone. A date and time stamp at the bottom left corner of the still read, "PM 1:11" and "FEB. 15 1988."] -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a performer dressed in white, kneeling on all fours. A bright light from their pelvic area shines onto the floor, as viewers stand around the figure.] -
Terry Fox: All These Different Things Are Sculpture. Installation view, Artists Space, 2024. Photo: Filip Wolak -
Tom Murrin, Johanna Went, 1985. Acrylic on foam core, 14.75 x 20 inches. Courtesy the artist. Photo: Patty Wallace. [A painting of a person with red hair, cross-shaped earings, and black paint under their eyes.] -
Gerome Kamrowski. Metaphysical Menagerie, 1986. [A black and white photograph of various floating constructed fish-like objects in space.] -
Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon. [A white T-shirt hangs on a clothes hanger placed on a cylinder of plexi which is affixed to a white gallery wall. Down the middle of the shirt in vertical orientation is a six-digit phone number. In front of the wall and to the right of the shirt is a low plinth made of MDF, with a newspaper placed on top. ] -
Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view (Doris Guo, Bathroom Kitchen Confusion, 2023; Doris Guo, Fruit Basket, 2024), Artists Space, 2024. Photo: Carter Seddon. [Color image of the corner of a darkened gallery space with two small pinhole projector sculpture installations. The pinhole projector on the left is housed in a polka-dot patterned gift-wrapped box. On the wall, an image of a white ceramic teacup with a radial swirl pattern is projected. On the right, the projector is wrapped in white foam padding and secured with red string. On the wall, it projects an image of a square containing an golden metal hoop and pin along with four small, glittering pink and green strawberry ornaments.] -
Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [Two figures play music on a stage, the left figure plays a keyboard. Washes of blue and green light are projected onto them.] -
-
Louise Lawler Tote Bag. Produced by Artists Space. 2017. $20 [A pink tote bag with the black Louise Lawler-designed Artists Space logo in the middle - A black circle around a black "A", with small, pink, all-caps text, "ARTISTS SPACE" in the middle of the A.] -
Abasement #71. Performance documentation, August 5th, 2024, Artists Space. Photo: Joshua Wildman. [Portrait of a musician with long blonde hair holding a microphone with their eyes close. There are microphones and stands to their sides. The wall behind them is yellow with images of architectural columns. ] -
-
Young Fluxus. Installation view, Artists Space, 1982. [Plastic bags of objects appear on a white gallery wall.] -
Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [A figure performs on stage behind a music stand.] -
We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [Small sculptures on pedestals are lined up diagonally in front of a map and various images.] -
Carroll Dunham Untitled, 2006, 4 Color etching with aquatint, 14 1/4 x 11 inches (36.2 x 27.9 cm), Edition of 30 Signed & numbered, Edition of 30, Signed & numbered, Published by Two Palms Press. [A small rectangle outlined in a thick black border sits inside the larger rectangle of the paper. The interior rectangle contains a cropped image of a pink colored man with his pants pulled down. In his right hand he holds a gun, pointing towards the ground against a washy abstracted black background.] -
[A moving gif of a paper diagram blowing from the wind of a computer device. The top right corner of the machine reads, "StarTech.com"] -
Ann Goldstein has been a museum professional for over forty years. She currently serves as Deputy Director and Senior Curator at Large at the Art Institute of Chicago and on the board of directors and as President of the Michael Asher Foundation. Goldsstein joined the Art Institute in 2016 as Deputy Director, and Chair and Dittmer Curator of Modern and Contemporary Art. Prior to joining the museum, she served as Director of the Stedelijk Museum in Amsterdam from 2010–2013, and as Senior Curator at The Museum of Contemporary Art in Los Angeles (MOCA) from 1983–2009. She is recognized for such large-scale historical survey exhibitions as A Minimal Future? Art as Object 1958-1968, 1965-1975: Reconsidering the Object of Art, and A Forest of Signs: Art in the Crisis of Representation, as well as numerous solo exhibitions and projects over the years with Jo Baer, stanley brouwn, Judy Fiskin, Felix Gonzalez-Torres, Roni Horn, Richard Hunt, Mike Kelley, Martin Kippenberger, Barbara Kruger, William Leavitt, Steve McQueen, Cady Noland, Pope.L, Josephine Pryde, Nancy Rubins, Lawrence Weiner, and Christopher Wool, among others. In addition to the Asher Foundation, Goldstein serves as a member of The Felix Gonzalez-Torres Foundation Fellows Forum, on the board of trustees of the Richard Hunt Legacy Foundation, and as a member of the Serralves Museum Advisory Committee. In recognition of her work, the Center for Curatorial Studies at Bard College presented her with the Audrey Irmas Award for Curatorial Excellence in 2012.
