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Gary Falk, Brigid Kennedy, Ladd Kessler, Peggy Yunque. Installation view, Artists Space, 1981. [Grainy photograph of a wall drawing in a gallery space.] -
Ernest Silva, Artist's Suitcase, 1975. Installation view, Deborah S. Freedman, Judy Rifka, Ernest Silva, Artists Space, 1975. [A color photograph of an abstract painting, composed of curving blue, teal, purple and pink forms.] -
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Metaphysical Visions. Installation view, Artists Space, 1989. [Three abstract sculptures in the foreground of a white-walled gallery space with white columns. In the background, there are other gallery spaces with artworks hanging on the walls.] -
Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artist Space, 2013. Photo: Daniel Pérez. [An exhibition wall filled with colorful posters, prints and magazine covers, a tv monitor sits on the floor.] -
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Hilary Lloyd. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A wide shot of a gallery space with wood floors and large windows. In the foreground is a screen mounted on two metal poles on a wheeled base. In the midground, there are two screens mounted on floor to ceiling metal poles arranged at a 90-degree angle to each other. In the background, there is another screen just visible from behind a white column.] -
Audrey Glassman, Untitled, 1983. Cibachrome, 28 x 42 inches. [Sculptures of lizards and turtles are seen on the top portion of the image in bright lighting on a white gallery wall and on the bottom of the image is a 10-gallon hat.] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [A figure in a blue morph suit kneels down on one knee, placing their hands on top of a table made of wood and fresnel lenses while audience members watch in the background.] -
Pool Show. Installation view, Artists Space, 1980. [Frame photographs and text hang on the wall in a gallery space.] -
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Edgar Oliver reading at Marble Cemetery. Photo: © Paula Court, 2018. [Man standing outside at a microphone in front of a large silver inflatable penis, reading from a purple folder.] -
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devynn emory, Grandmother Cindy. Performance documentation, May 18, 2022, Artists Space [A person dressed in blue stands next to a mannequin draped in red fabric lying on a rolling table. To the left is an IV stand and people seated in the background.] -
Hito Steyerl, Lovely Andrea, 2007. Digital video with sound, 30 mins. Courtesy of the artist. [A dim room with four benches in front of a large video projection screen. A still image of a woman suspended by rope is projected.] -
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Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak. [Various small drawings on paper in india ink and pencil hang on a white gallery wall. The works in pencil feature a looping ornamental symbol, drawn in various orientations within the individual box units of gridded paper to form larger structures.] -
Lonnie Holley with his painting The Hand of My Grandfather (1984), 1987. Photo: William Arnett. © Lonnie Holley / Artists Rights Society (ARS), New York. Courtesy of the artist and BLUM Los Angeles, Tokyo, New York -
Margia Kramer. Installation view, Artists Space, 1980. [Black and white photograph of cursive white text on a black background on the floor of a room with an upside down chair in the foreground and a heater in the background.] -
Jack Smith, still from Hamlet in the Rented World (A Fragment), 1970-73. 16mm transferred to video, (sound, color), 27 minutes. [A figure wearing all black clothing, a black hood, heavy eyeshadow, and a fake mustache looks at the floor.] -
Still from Losing Ground, picturing Bill Gunn and Seret Scott, 1982. [On the right, a woman wearing a purple dress lies down on a couch with her eyes closed. To the left, a man sits on the floor in front of her, wearing a yellow t-shirt and overalls.] -
Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013. [A view from behind an angled bar with blue walls. Shelves full of Coca-Cola, liquor, and glasses are visible. On the counter, more Coca-Cola bottles, glassware, and an esspresso machine. A palm leaf is positioned beyond the counter top.] -
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Abasement #77. Performance documentation, April 7th, 2025, Artists Space. Photo: Joshua Wildman. [Close-up color image of a performer sitting on stage facing a laptop. The room is dark, lit with blue light and patches of rainbow abstract projections. There are white dots on the back walls reflecting from a disco ball. The performers face is lit up, they are wearing glasses and their hands are on the table.] -
Arts and Family Engagement evening, student panel on high school portfolio preparation, P.S. 140, 2017 [A classroom setting with several students and adults sitting across the room at desks and tables, looking at a teacher speaking to them in a corner of the room] -
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keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of three figures, wearing conical costumes made of reflective one-way mirror film, standing at the doorways of a gallery space.] -
Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez [In the foreground a large, orange slug sculpture forming a circular ring shape is installed around two cast-iron columns suspended by ten elastic cords such that it encircles the column and rests close to the ceiling. Behind it is a large, orange slug sculpture forming a circular ring shape installed around one cast-iron column suspended by eight elastic cords such that it encircles the column and rests at its vertical center. In this white-walled gallery space one can also notice a partial view of a painting in the background.] -
Flyer for The Rapture, Sunday, December 6, 2020, Artists Space. [A drawing of a group of skeletons, dancing and playing instruments. In the center of the image, a red banner features black text that reads "The Rapture".] -
[A grid of pink hearts on a green background.] -
[Black, Arial text, reads, "The Library of Helen DeWitt."] -
Drake Carr: Housecalls. Installation view, Artists Space at the Armory Show, 2023. Photo: Filip Wolak. [A color image of a room with white walls and pink carpet. A large painting depicting multiple fish leans on the left wall, along with a white canvas, and a cut-out of the picture of a potted plant. Across the room, a white table, a white lamp, a wooden easel and cushioned chair can be seen. Five colorful drawings of different sizes hang and lean on the back wall. A cut-out of a photograph of a piano with some sheet music hangs on the right wall.] -
LIFE—a group show, curated by Arnold J. Kemp. Installation view, Artists Space, 2025. Photo: Carter Seddon [On the left wall of the gallery space sits of shelf containing a display case of photographs and jars. In the corner of the walls sits a televion on the floor playing a video. On the right wall is a painting vertically reading "NIGHTMARE" with skulls, stars, and abstracted forms superimposed on top. To the right of this is a framed landscape. A painted ceramic sits on a table in the foreground.] -
Flyer for Segue Reading Series featuring Ted Rees and Jean Day. January 21, 2023, Artists Space. [Purple and dark gray text overlay a light gray background with abstract patterns and a drawing of a male figure smoking a pipe in the bottom left corner. The text in the middle reads "Ted Rees / Segue Reading Series / Jean Day."] -
Abasement #70. Performance documentation, July 1st, 2024, Artists Space. Photo: Joshua Wildman. [Two performers pictured in front of soft pink, blue, and white light projected onto the wall behind them. Performer on left is smiling and pointing at the performer on right, who is seated in front of a mixing board and microphone.] -
SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement with a sculpture made of two fresnel lenses cut in the shape of wings hung on the back of a pillar to the left of the image. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.] -
Charlotte Posenenske. Configured by the staff of Artists Space. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A geometric, silver metal sculpture sits on a wooden gallery floor. The sculpture is modular and hollow and consists of rectangular and triangular metal components arranged in a long form that snakes across the ground before arching up and down, forming a large U-shaped archway.] -
Selections from the Unaffiliated Artists File. Installation view, Artists Space, 1982. [Contact sheet of installation and opening photos from the exhibition.] -
Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata [Color image of a darkly lit room. A figure sits behind a white table filled with audio equipment and two standing microphones are placed above the table. Light sensors are attached to the wall behind the figure where a projection of images plays.] -
Young Fluxus. Installation view, Artists Space, 1982. [Wide view of a white-walled gallery space with various artworks visible on the walls.] -
Waiting room view of Leben mit Pop - Eine Demonstration für den kapitalistischen Realismus , 1963 (Living with Pop – A Demonstration for Capitalist Realism) © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Photo: Reiner Ruthenbeck [A room, view from above a stair case, with a group of men sat scatted around the area.] -
Abasement #76. Performance documentation, March 3rd, 2025, Artists Space. Photo: Joshua Wildman. [Color image of a performer on stage playing the cello. They are facing sideways to the audience, wearing sunglasses and a purple jacket. To their side there is a collection of audio equipment, as well as a music stand and a speaker. The audience is sitting down facing the stage. The room is dark, except for a projected image of a disco ball on the back wall.] -
Flipside. Installation view, Artists Space, 2004. [A small black table leans at an angle, one corner resting on a white wall and one leg resting on an inflated balloon with a face printed on it. Coming out of the ballon is a flowered dress, attached to a fan by an inflation tube. Beyond that, visible behind a half wall, are two red shades with holes covering two windows.] -
Abasement #63. Performance documentation, July 17, 2023, Artists Space. Photo: Joshua Wildman. [A grainy color image of two performers facing each other on a stage, with a large audience observing in a dark room. One individual on stage is sitting and faces the camera, watching her performance partner. The other individual has their back turned to the camera, as they crouch over musical equipment on the stage floor. A pinkish-red hue from some spotlights illuminates the on-stage performers.] -
John Salvest, Cipher, 1989. Wood, brass, plexiglass, alphabet noodles, 80 x 24 x 6 inches. [A narrow, white door with the number "0" on it is partially open against a white wall, obscuring what is behind it.] -
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Flyer for Segue Reading Series featuring Sueyeun Juliette Lee and Brian Teare. November 19, 2022, Artists Space. [Light blue text overlays a dark blue background. The top left corner reads: "Sueyeun Juliette Lee & Brian Teare / November 19, 5pm." The middle reads: "Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519."] -
Those Lost Trees by Viola Yesiltac (2005). [A woman stands, facing away from the camera. She is standing on a photo backdrop of trees in a forest, which covers part of the floor and is raised into the air by stand. Studio lights surround her, casting a slight glare off the backdrop.] -
Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a figure dressed in black performing in front of an audience in the background. The room is dark, with LED light sculptures made from dried SCOBY in the background. The figure sits on the floor, looking off to the right and holding a mask in front of their face.] -
Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court [A figure wearing blue clothing uses the body of another person beneath them to hold their weight up.] -
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Sidewalk Archives, Artists Space, April 2023 -
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ARTstudio, Blue Sky Gallery, May 2024 -
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Tilo Schulz, Remake Performance, Artists Space, 2004. [Two men walking inside a large inflatable sphere being followed by a crowd of people, some who are filming them, outside in a grassy and paved area.] -
William Pope.L, Maybe, 2009-2010. MDF board, sardine cans, plastic bag, cardboard box, nails, electrical extension cord, paint, graphite. 96 x 96 x 18 inches. [A large white MDF board rests against a gray wall. A series of metal sardine cans are placed across the MDF board in a loose grid. ] -
Photo: Reilly Horan [The artist devynn emory in their grandmother's fleece jacket covered in polar bears, standing in front of a silver sterile table. In the background is collaborator Joseph and cinematographer Jorge discussing where the ancestor forms draped in yellow fabric should be placed.] -
Installation view of Social Disease and Two Possibilities, Artists Space, April 12, 1986 - May 10, 1986. [A close-up view of an image on a television monitor with a blue tint. The image appears to be a portion of a person's face.] -
[The inside of a room with a window looking out onto a view of Manhattan. The rightmost third of the image has been digitally altered such that it appears to warp and glitch.] -
Jack Smith: Art Crust of Spiritual Oasis. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A two-toned wall with three paper collages hanging next to a niche that houses a red elevator. Vinyl text displayed on the wall above the niche reads, "Jack Smith, Art Crust of Spirtual Oasis, June 22 - September 9."] -
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Zilia Sánchez. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [Seven vertical light blue panels, positioned side-by-side, displayed on a light mauve wall. Each panel contains a white circle positioned near its vertical center. Within each circle, the panel's canvas is stretched outward by a dowel.] -
Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman [A figure in side profile studies sheet music placed on a piano.] -
Fifth Season Act, Apotheosically. Performance documentation, May 31, 2012, Artists Space. [A sculpture composed of a large glass pane wedged into the center of a square concrete block sits in a gallery space. A painted canvas is installed in the pane, displaying a large number "5" on its surface, surrounded by peach and pink hues. Various ornaments are installed on the painting or drip from it, such as red string, golden tassles, necklaces, and other ornaments. A brown, dirt-like material is spread on the floor around the sculpture.] -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of three figures, wearing all white, performing in a dark gallery space. The leftmost figure lays on the floor with their legs spread and hands pushing their chest up. On the right, a figure with a flashlight around their hips stands with their shoulders and head flung back. The third figure contorts their body on the floor in the rightmost corner.] -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of three figures dressed in white, embracing each other as they run across an empty basement.] -
Artists Space's locations, 1973-2019. [A stylized map of SoHo and TriBeCa, stretching in latitude from West Houston Street to White Street, and in longitude from Hudson Street/West Broadway to Broadway. Each past location is marked by a red dot, indicating its address and years active, alongside a photo of the space's exterior.] -
Scott Burton, Pastoral Chair Tableau, 1971 – 1974. [A stage set with a blue curtain, in front of which sit 6 chairs facing different directions.] -
Las Nietas de Nonó, Especie: archivo natural, 2022, sounds, lamp, phone booth, phone booth hotline, fish tanks, atmospheric water, yucca, corn, dracaena, snake plant, dragon tree, tree trunks, handmade lyca garments for tree trunks, mirror pond; Dimensions variable. Photo: Filip Wolak [A large mirrored pond made of a wooden base with a reflective lining on top is surrounded by three tree trunks, plants, fish tanks, and a phone booth. A large lamp hangs from the ceiling with a metal locker in the back.] -
Abasement #66. Performance documentation, October 9, 2023, Artists Space. Photo: Joshua Wildman. [A color image of two figures performing on a stage. Various electronic equipment, such as speakers, cables, an monitors surround the performers. One of the figures is playing the saxophone. The other one is playing the guitar and has their eyes closed. An image of the figure playing the saxophone is projected onto the back wall. In the background, a row of audience members sit looking towards the performers.] -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of three figures dressed in white, embracing each other as they run across an empty basement.] -
Artists Performance Series. Installation view, Artists Space, 1977. [A black and white photograph of a gallery space. A chouch with two figures is visible in the lower left corner. On the walls, several framed works are hung, each with a grid of smaller black and white images.] -
Constantina Zavitsanos: fwiw. Installation view (Ms. Pac-Man, 2024), Artists Space, 2024. Photo: Carter Seddon. [In a darkened room lit softly by red light, overlapping lines of open captions are projected on two adjacent black walls. The text varies in color (in faint greens, yellows and blues) and size.] -
New Red Order with Maiingan “iNDiO1763” Wiikwedong, Gaile Pranckunaite, and Inpatient Press. Conscientious Conscripture, 2018 - Ongoing Polyester knit feather flag, polyester knit fabric step-and-repeat, table, tablecloth, chair, vinyl retractable banner, dibond print on easel, three televisions, red phone, newspaper box, and childrens activity book. Image courtesy Artists Space, New York Photo: Filip Wolak [A table with red cover that reads "NEW RED ORDER" sits in between three tv monitors. On either side of the tv monitors sits a banner and a newspaper dispenser.] -
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New Red Order Give it Back, 2020 Acrylic LED displays with cut vinyl, water cooler, poster, couch, desk, chairs, magazine rack, The New Red Times Magazine, and three televisions. Image courtesy Artists Space, New York Photo: Filip Wolak [A wide angle image of a mockup real estate office consisiting of a leather couch, a magazine rack, a table and multiple tv monitors. The windows are lined with real estate listings.] -
Bert Carpenter. The Great Bouquet, 1979. [A paintings of a few bloomed white and dark flowers appear inside a vase with a white background.] -
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Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [Three planks of glass lean on a white wall. Etched displays read from left to right; "The more you teach the less you learn," a smiley-face,"But I swear dis beat go."] -
Still from Werner Schroeter, Maria Callas Portrait, 1968 [A black-and-white photo of a woman wearing a large black hat, holding her hand loosely to her neck, against a black background.] -
Living with Pop. A Reproduction of Capitalist Realism. Installation view of the section “Düsseldorf and the Rhineland (1957–1964)," Artists Space, 2014. [An angled view of two adjacent gray walls displaying various paper material, documents, and photographs.] -
Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [Assorted Delorean paraphernalia displayed on a white background, including several images of cars and a binder filled with a user manual.] -
[An illustrated black and white poster titled, "Artists Space Presents / Doug & Mike's Adult Entertainment." There are two hand puppets labelled Doug and Mike, with smaller portraits of assorted characters arranged around them. Additional text at the bottom notes the location and admission information.] -
Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman. [A close-up color image of a musician playing the saxophone. Half of his face hidden by his hat. Orange and red projections cast onto him.] -
Till They Listen: Bill Gunn Directs America. Installation view, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [Along the wall are two glass display cases holding ephemera, in the center of them three images hang on the wall, on the left sits a tv monitor on a shelf.] -
On Being an Exhibition. Installation view, Artists Space, 2007. Photo: Bill Orcutt. [The interior of a Soho loft space. In the foreground, a plastic bucket hands from a red rope attached to an overhead pulley that is suspended from a wooden plank hanging overhead. '"ARTISTS SPACE" is written on the far wall, and a number of bookcases, a white pedestal with a clear plastic hood, and a front desk populate the room. Behind the front desk are two neon quotation marks.] -
Yasunao Tone: Region of Paramedia. Installation view (Instrument for Aleitheia, 1987), Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a piano from above. Six solenoids are placed along the piano's strings, and are attached by wires to a device placed on a chair next to the piano.] -
Betty Tompkins, Sex Painting #4, 2013, 23.5 x 16.5 inches [Painting depicting a close-up image of a figure's mouth licking the top side of a foot. A large thumb is pressed against the bottom of the foot, holding it up to the mouth. The painting is composed of soft, muted gray and purple hues. A white band stretches across the lower edge of the image. Black text running along the center of the image's bottom edge reads, "2020Solidarity - Betty Tompkins," while small, faint gray text running along the lower right edge of the image reads, "A project by Between Bridges."] -
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Salad Days. Installation view, Artists Space, 2004. [Photographs hung on a wall in two rows. The top row photographs are outlined in black and show images of people inside an apartment. The bottom row photographs show people on a subway.] -
Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Detail view of a black platform with a black screen at the end, depicting a person wearing a shirt] -
Salad Days 2. Installation view, Artists Space, 2006. Photo: Bill Ocrutt. [A set of five paintings, prints, and other works on paper hang in a horizontal line across a white gallery wall. The compositions each depict one or more figures. Some sit, as if for a portrait, while others appear to play basketball. One of the gallery columns is situated in the image's center.] -
Andrea Zittel, Perfected Pillow, 1995, Pair of fringed velvet pillows, 80 x 40 inches (203 x 102 cm); 18 x 36 in (46 x 91 cm), Edition of 39. [The image shows a rectangular bed-like cushion with a black pillow that lays diagonally across the image patterned with two green and two black triangles of fabric.] -
Artists Performance Series. Installation view, Artists Space, 1977. [A black and white photograph of a gallery space. On the left, a window casts soft light onto a table and two chairs. On the right, a television monitor is positioned on a low bench.] -
You Are The Everything and The Everything Is In You. Installation view, Artists Space, 2005. [Two delicate, framed works on paper hang side by side against a white wall. A light blue color has been imprinted on the central portion of the wall. The artworks feature flecks of pastel color on an otherwise white surface.] -
Michael Kalil, an analytical study for Osmotic Membrane (detail), 1986. [A scan of a constructed line drawing using different architectural notations like dashed and construction lines.] -
[An animation of a black and white clock whose hands move backwards. The clock is positioned on a silhouette of a head in profile. Sans-serif text below the graphic reads, "The Fainnie Azul Horologe."] -
Axine M by Jeremiah M. Carter. [Color photograph of a figure standing in a field of wheats. Their face is obscured as they look downwards, and by wheats in front of the camera. ] -
Richard Hollis. Installation view, Artists Space, 2013. [An angled view of the exhibition exit, on which the left of the doorway is text, on the right a projected image. Across the frame is a large bookstand displaying documents, books, and papers.] -
Emily Jacir, woman to woman, 2003/2009, C-Print, Sheet size: 12 x 16 inches (30.5 x 41 cm), Framed size: 14 3/4 x 18 1/2 inches (37.5 x 47 cm), Printed by Laumont. [A photo in a black frame shows a person in military uniform, leaning against a concrete wall looking at a person who faces away from the camera with a patterned headscarf, red sweater, and light-yellow blanket.] -
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Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a corner of a gallery space. On the left wall hang various framed posters, and black-and-white photographs. A small window in the wall leads to the front of the gallery. On the right wall are more photographs and posters, and a vitrine. On the floor sits a television monitor displaying a black-and-white image of a pocketwatch.] -
Jack Smith in Jack Smith’s Fear Ritual of Shark Museum, Cologne, 1974 Photograph © Gwenn Thomas. Courtesy Exile Gallery, Berlin and Southfirst, New York Courtesy New York University, Fales Library and Special Collections [A black and white image with an organic border features Jack Smith in a white cloak standing in front of a wall. To the left of him are two posters that read, "Krone," at the top in block letters. Behind him are large, white block letters that read, "R O N." A ghost-like figure with multiple arms is pictured above him.] -
Jeff Koons. Installation View, Artists Space, 1983. [In the foreground vacuums on plexiglass shelves with fluorescent lights underneath are visible and in the background on a white gallery wall is a number of different photographs lined next to each other in successio.] -
Four Scottish Artists. Opening Reception, Artists Space, 1979. [A photograph of the exhibition opening reception. A group of visitors look around at the art.] -
Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Candice Hill-Montgomery. [Black and white photograph close up of white picket fence and painted dark background.] -
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[White text on a bright fuchsia background. The text reads: “Oct 25 / Wo Chan / Kay Gabriel.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater. Installation view, Artists Space, 2019. Photo: Daniel Pérez. [An installation view of several works in a gallery space. Twelve long wooden poles are mounted on a white gallery wall in a circular formation, projecting out from the wall and intersecting a line of black columns, forming a teepee shape. A large piece of brown linen stained with various black, white, and rust-colors hangs from the poles. Part of the linen drapes on the ground below the teepee structure. A wooden wardrobe stands against a wall in front of the structure. Several bottles filled with urine stand in a line behind the structure, in front of an abstract sculpture in the corner of the room. The sculpture contains a humanoid head, a TV monitor, and haphazard pieces of wooden and cardboard.] -
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Jack Smith: Art Crust of Spiritual Oasis. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A side projector projects an image of a figure in an elaborate dress onto a freestanding wall in the middle of a gallery space. A mannequin wearing a decorative orange costumes stands to the left of the projection. In the background, a video monitor sits on a table and framed documents hang on the walls.] -
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Gerome Kamrowski. Metaphysical Menagerie, 1986. [A black and white photograph of various floating constructed fish-like objects in space.] -
Abasement #77. Performance documentation, April 7th, 2025, Artists Space. Photo: Joshua Wildman. [Close-up color image of a persons hands on a red audio mixing device. Various blue and red cords stick out of the machine. A camera on a tripod sits on top of the machine. The background is blurred, with a few audience members visible. The scene is lit with soft pink light.] -
Matthew Langan-Peck, Golden Egg 1, 2024. Photo: Carter Seddon. [Color image of a corner in a darkened gallery space. A large golden egg sculpture sits on the floor in the corner.] -
Circus Amok, The Patriot Act, 2002, performed for the Summer Parks Tour at Housing Plaza (Harlem). Image courtesy Jennifer Miller [A color image depicts five figures performing on the street. The five figures are wearing blue or red American flag patterned skirts with different shirts. The center figure holds two shopping bags with the text "America: Open for Business" on the front surfaces. The other four figures surround and reach toward the middle figure and the tote bags. A band is playing music in the background.] -
Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure kneels down on all fours on the stage, setting up audio equipment. Blue and red lights are cast onto them.] -
ART CLUB2000 Untitled (Old Navy - November 1996), 1996 Vinyl signs and glass wax Image courtesy Artists Space, New York Photo: Filip Wolak [A close up of glazed over windows displaying the Old Navy logo and the date "November 1996"] -
Portrait of Carman Moore. [A color photograph of a figure from the chest up. Moore wears a green collared shirt and looks directly into the camera. He stands in front of a translucent glass background, in whose reflection buildings are faintly visible.] -
Abasement #80. Performance documentation, September 22nd, 2025, Artists Space. Photo: Joshua Wildman. [A performer plays a stringed instrument on stage. The performer and stage are bathed in pink and blue light.] -
Abasement #81. Performance documentation, October 20th, 2025, Artists Space. Photo: Joshua Wildman. [A performer wears a suit adorned with large appendages and plays a stringed instrument. The stage and wall behind it are bathed in blue light. ] -
Pictures. Installation view, Artists Space, 1977. Photo: D. James Dee. [Black and white installation shot of a gallery corner. Attached to the wall are nine square black pieces on the left, and two dark circles on the right.] -
Flyer for Segue Reading Series featuring Sarah Mangolf & Toni Simon. May 7, 2022. [Black text overlays a white background with an orange bunch of flowers in the upper right corner. The top left corner reads: “Sarah Mangold / & Toni Simon / May 7, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”] -
In the Kaleidoscope Room, by Elizabeth Stone. [A book cover of In The Kaleidoscope Room by Elizabeth Stone, with the title and author written at the top in yellow text. Underneath, there is an image of a woman's face with orange lazers shooting out of her forehead in the shape of a soda bottle, with a straw coming out of the top. Behind her are light green and dark green checkered mountains. Under that is an old silver car with yellow headlights on a pink and blue checkered floor.] -
Artists Draw. Installation view, Artists Space, 1979. [Two drawings hung up on adjacent walls. On the left is a nude headless figure with a star covering its groin and smaller figures walking along the top. On the right is a nude headless figure with two disembodied heads floating nearby with long extended tongues.] -
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Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt. [A large black disk installed on a white gallery wall. Bold gray text circling the circumfrence of the disk reads, "PROYECTO PARA MONUMENTO." Directly to the left of the disk, a square hole has been cut into the gallery wall. A horizontal metal bar and several planks of wood are visible through the hole.] -
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[A cartoon drawing of men at a table with text underneath reading, "Everybody sees right through your damned transparency."] -
Local Transit. Installation view, Artists Space, 2006. [A gray wall with dozens of drawings arranged in rows of four. The drawings depict single buildings in black on white paper. In front of the wall, a gray object stands on a white plinth.] -
Anelisse, Secrets and Lies, 2020, acrylic paint on paper -
Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of the corner of a gallery space. The walls are painted with blue accents, and there is a checkerboard floor. Large, vibrant paintings of Black Queer figures hang on the walls. Blue neon lights run along the frame of the window in the corner.] -
Flyer for Segue Reading Series featuring Monica de la Torre and Joan Retallack. Saturday, January 23, 2021, Artists Space. [An animated setting of an icy background with miscellaneous objects and imagery appearing throughout. Light green text over the top half of the image reads, "Monica De La Torre / Joan Retallack". Light green text in the center left of the image at a left-slanted angle reads, "SEGUE." On the left hand corner in light green text reads, "23 January" and on the right hand corner in light green text reads, "5PM EST."] -
James Coleman. Still from Seeing for Oneself, 1987-88. Slideshow (black and white), 40 min. [A black and white film still of two people in period dress. One lies on a patterned couch, wrapped in sheets, while the other stands observing. Above the couch, a mirror on the wall reflects the scene to the camera.] -
Gerry Morehead. Installation view, Gerry Morehead, Jim Pavlicovic, Artists Space, 1976. [A black and white installation view of a large rectangular artwork featuring several dark portions, dots, and text.] -
Robert Giard, Homage to Joe Beam, 1992. 20 x 38 inches. [Two photographs arranged side by side. The left photograph displays a person sitting partially in shadow with a patterned background and a small object on her lap. The right photograph shows a framed photograph of a young man in a suit with the same object placed in front of the portrait.] -
Poetry Class: Writing As Flow, 2024 -
[Black and white photograph of several wooden boxes and drawers filled with small animal bones and preserved insects. Several animal skulls are scattered around and in between the drawers.] -
Charles Simonds. Still from Mythologies, 1974. From Thomas Lanigan-Schmidt, James Biederman, Charles Simonds, Artists Space, 1974. [A black and white film still of two figures on a sidewalk, one stands against a stone wall looking through a small opening in the stone.] -
Ei Arakawa, Mega Please Draw Freely, 2021 (The artist wears Uniqlo Roger Federer) [A person in a red shirt, white cap, and multicolored pants smiles and poses with a tennis racquet, standing atop a large piece of paper with colorful drawings on it. In the background are people sitting on the ground and printed images of trees.] -
LaToya Ruby Frazier, A Message In Nestle Water Bottles from Shea Cobb and Amber Hasan at Sussex Drive and West Pierson Road, Flint, MI, 2017/2023, set of three archival pigment prints on Canson Platine Fibre Rag, 16 x 24 inches (40.6 x 61 cm) -
Group Exhibition. Installation view, Artists Space, 1981. Photo credit: Anne Turyn. [A number of paintings hang on walls in a lighted white-walled gallery space.] -
Visiting Hana Yilma Godine exhibition Rachel Uffner Gallery, Lower East Side, 2024 -
Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court [A crowd watches two figures in medical scrubs, facing each other on opposite sides of a table with wheels.] -
The AIDS Crisis Is Not Over. Installation view, Artists Space, 1988. [An exhibition wall with multiple posters hanging in between two large speakers and a tv on a pedestal in the center.] -
Five Spanish Artists. Installation View, Artists Space, 1985. [A large stick appears emerging from an image of reverberating water out of the image onto the upper lefthand corner of the gallery wall.] -
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P.S. 140 student poems from “I am” project, 2018 [Two poems. On the left, by Quentin: "I am from a computer and websites and games. / I am from a fun house and a loud house. / I am from an acacia tree and a bush whose stems I remember as if they were my own. / I am from Fourth of July and birthdays and from being sick toether and my sister Sivanda. / I am from my niece and being observant and independent. / I am from "stay out of the trouble" and "wait until you're older" and *Wheels on the Bus.* / I am from always eating at 7 o'clock. / I am from Manhattan and Puerto Rico and Africa and chicken and rice and seafood. / I am from fighting all the time and shiny and precious jewlery." The second poem, by Gabby, reads: "I am from Hip Hop music and cocoa butter and sprite. / I am from Joy and love. / I am from a cherry tree and daisies whose stems I remember as if they were my own. / I am from church and birthday parties and from bravery and confidence. / I am from Sabrina and cleaning the house and from family that is protective of me. / I am from 'mind your business' and 'I don't have friends, I have associates' and 'stay alive longer!' and the song *Body Party* by Ciara. / I am from visiting with family in Pennsylvania. / I am from East Harlem and West Indians and fried chicken and mac 'n cheese. / I am from Shakina who passed and I am named after her and a beautiful Egyptian statue"] -
[A closet, sliding doors opened to reveal clothing folded on shelves and organized on hangers. To the right, a view into the hallway.] -
Photograph from the catalogue for polke / richter , 1966 galerie h, Hannover Courtesy August Haseke [A black and white image of a man, standing in a doorway, coving his torso with a small white blanket.] -
Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979. [Two photographs are mounted on a white gallery wall.] -
[White Xs on an orange background forming an image of 'K.] -
Artists Space logo designed by Louise Lawler, 1978 [Artists Space logo, a capital letter 'A' inscribed in a circle] -
Lyndon Barrois Jr., Guardians Gate (Farfanicchio), 2022; Masters of Fine Arts, 2011/2022. Wood, latex paint, antique brass elements, cast iron, oil paint, twigs, brass, burlap, packing felt; oil on canvas, artist frame, solvent transfer, plywood, curtains, frames, lights, easels, conservators coat, headlamp. Dimensions variable. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of a door with multiple nested smaller doors within the doorframe. Each individual doorway is framed with a gold outline. To the left are several empty picture frames and two studio lights. In front of dark green curtains is a painting set in a gold frame.] -
[A black and white, square wordsearch grid.] -
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Jeff Feld, Performance of the only part of Robert Rauschenberg's "Pelican" that I know, 2001. [A person on roller skates and knee pads with a large, fabric umbrella held on his back.] -
[White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Feb 24 / Alexandra Auder / Stephanie LaCava" Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)] -
Passages from People Who Led to My Plays. Performance documentation, March 1, 2020, Artists Space. Photo ©️ 2020 Paula Court. [Two figures in dark clothing stand before two music stands in front of a seated audience. The figure on the left speaks, raising up both hands by her face, her fingers making "air quotes."] -
Abasement #68. Performance documentation, February 12, 2024, Artists Space. Photo: Joshua Wildman. [Color image a performer in a bald cap with both of their hands raised with elbows at shoulder height. The performer occupies the center of the image wearing a blue dress covered in a square and circle pattern. From the left, bottom corner, a microphone on a stand rises to meet the performer in the center. In the lower, right hand corner, another bald performer, dressed in a red top bends down towards the performer in the center of the image. The wall behind both the performers is filled with a projected image in hues of yellow, brown and white. ] -
Lyn Blumenthal and Kate Horsfield, still from Nancy Spero: An Interview, 1982. 35 min. [A close-up, black and white photo of a person mid-speech, looking off-center.] -
Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [Audio equipment is arranged in stacks across a desk.] -
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New Red Order with Emmett de Muzio Hello, World!, detail, 2021 Wood with silicone, iPads, red feather, and polyester knit fabric step-and-repeat. Photo: Filip Wolak [An image of an exhibition space with a sculpted, larger than life head that hangs in the mezzanine.] -
New Economy. Installation view, Artists Space, 2007. [An installation view of multiple sewing stations and a clothing rack of red and white sweatshirts.] -
Raúl Zurita, documentation of La vida nueva, 1982. Courtesy the artist. Photo by Ana María López. [Blotted smoke-dots curve across a vast blue sky, spelling out the phrase "MI DIOS ES PARAISO", above a jagged skyline of red brick buildings. The photograph is taken from the vantage point of the Flushing Airport, where a pile of debris, which appears to be torn-up asphalt, and a few puddles litter the runway. Three planes are parked in the lower fourth quadrant.] -
ART CLUB2000 Untitled (Individual Viewing Station for Interviews with Artists on the Year 1970), 1997 CRT monitor with videos of Vito Acconci, Simon Cerigo, Henry Flynt, Isa Genzken, Alex Katz, Les Levine, Niki Logis, Olivier Mosset, and Carolee Schneemann Image courtesy Artists Space, New York Photo: Filip Wolak [A display of nine CRT monitors showing nine individuals in a bluish hue.] -
Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon. [Image of a gallery space installed with multiple sculptures. On the right, two large painted wooden boxes by Matthew Langan-Peck are slightly open and have headphones hanging on their sides. The boxes are painted light blue with yellow shooting stars and dark blue with traffic light-esque designs, respectively. On the left, two of Ruben Ulises Rodriguez Montoya's large biomorphic sculptures, composed of found materials, hang from the ceiling. In the background, Isabelle Frances McGuire's three large pink fabric banners emblazoned with silver stars hang from ceiling to floor.] -
Eva Medina, Untitled, 2018. [A close-up phot of a group of of small, lit lamps hanging on a glass wall in an ornate building.] -
Not yet titled, 2019
Clay, glaze, mixed media
12 x 13 x 5 inches (variable)
$5,000
[A brown object stands on a white base. On the flat surface of the object, an onion and a lemon are connected by a rainbow wire.] -
Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon. [A large gallery space houses a variety of plinths made from MDF, atop of which are various archival objects. On the walls are large photographs affixed directly to the wall.] -
Ian Bader. Spalation Clock, 1977. Section 2. [Drawing of architectural section in center of paper with white surrouding it.] -
Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A handled paper bag, placed at an angle, with detailed illustrations along the sides. The front image depicts a goat sitting on grass with its back turned to the viewer, facing a dancing Statue of Liberty against a blue background. In the right corner is a small drawing of the twin towers against a yellow background, and in the right corner is a small drawing of three small cylinders with smoke emanating from one. The side panel has paintlerly blue stokes in the middle, and a small green triangular tent at the bottom.]
