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  • Two screens installed on either side of the top portion a white column in a gallery space. The front screen displays a logo consisting of a large letter
    Two screens installed on either side of the top portion a white column in a gallery space. The front screen displays a logo consisting of a large letter
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Two screens installed on either side of the top portion a white column in a gallery space. The front screen displays a logo consisting of a large letter "b" and small letter "c" conjoined together. The room is otherwise empty.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Two screens installed on either side of the top portion a white column in a gallery space. The front screen displays a logo consisting of a large letter "b" and small letter "c" conjoined together. The room is otherwise empty.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • Mousetraps on a wooden floor in motion, snapping to capture ping pong balls resting atop them.
    Mousetraps on a wooden floor in motion, snapping to capture ping pong balls resting atop them.
    Ethan Crenson, Fission, 1996. Mixed media installation. [Mousetraps on a wooden floor in motion, snapping to capture ping pong balls resting atop them.]
    Caption Ethan Crenson, Fission, 1996. Mixed media installation.
    Image description Mousetraps on a wooden floor in motion, snapping to capture ping pong balls resting atop them.
    Year 1996
    Related pages Station to Station
  • Abstract paint splatters of various muted colors on a grey background.
    Abstract paint splatters of various muted colors on a grey background.
    Joyce Kim, Untitled, 2000. Acryclic, latex and enamel on canvas, 48 x 45 inches. Courtesy the artist. [Abstract paint splatters of various muted colors on a grey background.]
    Caption Joyce Kim, Untitled, 2000. Acryclic, latex and enamel on canvas, 48 x 45 inches. Courtesy the artist.
    Image description Abstract paint splatters of various muted colors on a grey background.
    Year 2001
    Related pages Joyce Kim
  • A view of the door to Artists Space from outside. The glass in the door is foggy; inside, a few dark shapes are visible.
    A view of the door to Artists Space from outside. The glass in the door is foggy; inside, a few dark shapes are visible.
    Tiffany Sia, Too Wet (detail view), 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A view of the door to Artists Space from outside. The glass in the door is foggy; inside, a few dark shapes are visible.]
    Caption Tiffany Sia, Too Wet (detail view), 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A view of the door to Artists Space from outside. The glass in the door is foggy; inside, a few dark shapes are visible.
    Year 2021
    Related pages Tiffany Sia: Slippery When Wet
  • Color photo of two performers sitting on the ground in a dark venue space that is illuminated by deep red overhead lights. The performers are holding up clear, geometric objects against a neon yellow and blue projection on a wall.
    Color photo of two performers sitting on the ground in a dark venue space that is illuminated by deep red overhead lights. The performers are holding up clear, geometric objects against a neon yellow and blue projection on a wall.
    Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman. [Color photo of two performers sitting on the ground in a dark venue space that is illuminated by deep red overhead lights. The performers are holding up clear, geometric objects against a neon yellow and blue projection on a wall.]
    Caption Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman.
    Image description Color photo of two performers sitting on the ground in a dark venue space that is illuminated by deep red overhead lights. The performers are holding up clear, geometric objects against a neon yellow and blue projection on a wall.
    Year
    Related pages Abasement #64
  • Pink cursive text at an ascending angle which reads
    Pink cursive text at an ascending angle which reads
    [Pink cursive text at an ascending angle which reads "Undoolay," with horizontal green text underneath that reads "Lucas Duwenhogger."]
    Caption
    Image description Pink cursive text at an ascending angle which reads "Undoolay," with horizontal green text underneath that reads "Lucas Duwenhogger."
    Year 2016
    Related pages Lukas Duwenhögger: Undoolay
  • A computer rendering of a purple and amorphous form composed of long, extending tube shapes on a white background.
    A computer rendering of a purple and amorphous form composed of long, extending tube shapes on a white background.
    [A computer rendering of a purple and amorphous form composed of long, extending tube shapes on a white background.]
    Caption
    Image description A computer rendering of a purple and amorphous form composed of long, extending tube shapes on a white background.
    Year 2008
    Related pages Matters of Sensation
  • A cartoon outline of two hands pressed together.
    A cartoon outline of two hands pressed together.
    Dean Blunt, The Redeemer. [A cartoon outline of two hands pressed together.]
    Caption Dean Blunt, The Redeemer.
    Image description A cartoon outline of two hands pressed together.
    Year 2013
    Related pages Dean Blunt
  • A man looking at a laptop, with a modular synth and mixer next to the laptop.
    A man looking at a laptop, with a modular synth and mixer next to the laptop.
    Kevin Drumm. [A man looking at a laptop, with a modular synth and mixer next to the laptop.]
    Caption Kevin Drumm.
    Image description A man looking at a laptop, with a modular synth and mixer next to the laptop.
    Year 2013
    Related pages Kevin Drumm
  • Lonnie Holley with his painting The Hand of My Grandfather (1984), 1987. Photo: William Arnett. © Lonnie Holley / Artists Rights Society (ARS), New York. Courtesy of the artist and BLUM Los Angeles, Tokyo, New York
    Caption Lonnie Holley with his painting The Hand of My Grandfather (1984), 1987. Photo: William Arnett. © Lonnie Holley / Artists Rights Society (ARS), New York. Courtesy of the artist and BLUM Los Angeles, Tokyo, New York
    Image description
    Year
    Related pages Lonnie Holley
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A wide angle image of a multicolored exhibition space consisting of beach paraphernalia.
    A wide angle image of a multicolored exhibition space consisting of beach paraphernalia.
    New Red Order Cover the Earth, 2021 Painted mural with cut vinyl, dibond prints, kiddie pool, sod, inflatable alligator, turtle sandbox, beach towels, towel racks, beach balls, beach chairs, beach umbrella, real estate lawn sign, cooler, and pool noodles. Image courtesy Artists Space, New York Photo: Filip Wolak [A wide angle image of a multicolored exhibition space consisting of beach paraphernalia.]
    Caption New Red Order Cover the Earth, 2021 Painted mural with cut vinyl, dibond prints, kiddie pool, sod, inflatable alligator, turtle sandbox, beach towels, towel racks, beach balls, beach chairs, beach umbrella, real estate lawn sign, cooler, and pool noodles. Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description A wide angle image of a multicolored exhibition space consisting of beach paraphernalia.
    Year 2021
    Related pages New Red Order: Feel at Home Here
  • A portrait-oriented view of a home interior. On the left, a doorway leads to a kitchen. On the right, the room opens to a living space with stacks of books on the floor and decor on the wall.
    A portrait-oriented view of a home interior. On the left, a doorway leads to a kitchen. On the right, the room opens to a living space with stacks of books on the floor and decor on the wall.
    [A portrait-oriented view of a home interior. On the left, a doorway leads to a kitchen. On the right, the room opens to a living space with stacks of books on the floor and decor on the wall.]
    Caption
    Image description A portrait-oriented view of a home interior. On the left, a doorway leads to a kitchen. On the right, the room opens to a living space with stacks of books on the floor and decor on the wall.
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • A bookshelf constructed from cardboard boxes sits slightly raised off the ground on a low platform. The top two rows face away from the camera, while the bottom two face out, filled with books. Opposite that is a white wall with blue text reading
    A bookshelf constructed from cardboard boxes sits slightly raised off the ground on a low platform. The top two rows face away from the camera, while the bottom two face out, filled with books. Opposite that is a white wall with blue text reading
    The columns held us up. Installation view, Artists Space, 2009. Photo: Adam Reich. [A bookshelf constructed from cardboard boxes sits slightly raised off the ground on a low platform. The top two rows face away from the camera, while the bottom two face out, filled with books. Opposite that is a white wall with blue text reading "Artists Space."]
    Caption The columns held us up. Installation view, Artists Space, 2009. Photo: Adam Reich.
    Image description A bookshelf constructed from cardboard boxes sits slightly raised off the ground on a low platform. The top two rows face away from the camera, while the bottom two face out, filled with books. Opposite that is a white wall with blue text reading "Artists Space."
    Year 2009
    Related pages The columns held us up
  • A figure in a blue morph suit kneels down on one knee, placing their hands on top of a table made of wood and fresnel lenses while audience members watch in the background.
    A figure in a blue morph suit kneels down on one knee, placing their hands on top of a table made of wood and fresnel lenses while audience members watch in the background.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [A figure in a blue morph suit kneels down on one knee, placing their hands on top of a table made of wood and fresnel lenses while audience members watch in the background.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description A figure in a blue morph suit kneels down on one knee, placing their hands on top of a table made of wood and fresnel lenses while audience members watch in the background.
    Year 2022
    Related pages SCRAAATCH 11-18
  • A view of five vitrines, displaying various documents, arranged in columns in the middle of a room. On either wall, book cases used for display.
    A view of five vitrines, displaying various documents, arranged in columns in the middle of a room. On either wall, book cases used for display.
    Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A view of five vitrines, displaying various documents, arranged in columns in the middle of a room. On either wall, book cases used for display.]
    Caption Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description A view of five vitrines, displaying various documents, arranged in columns in the middle of a room. On either wall, book cases used for display.
    Year 2013
    Related pages Documenting Cadere: 1972 - 1978
  • A brown object stands on a white base. On the flat surface of the object, an onion and a lemon are connected by a wire. In the base of the object, a processing chip is embedded.
    A brown object stands on a white base. On the flat surface of the object, an onion and a lemon are connected by a wire. In the base of the object, a processing chip is embedded.
    Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $5,000
    [A brown object stands on a white base. On the flat surface of the object, an onion and a lemon are connected by a wire. In the base of the object, a processing chip is embedded.]
    Caption Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $5,000
    Image description A brown object stands on a white base. On the flat surface of the object, an onion and a lemon are connected by a wire. In the base of the object, a processing chip is embedded.
    Year 2019
    Related pages Trisha Baga Edition
  • A geometric composition of red, purple, black, yellow, blue, and green flat shapes on a white background.
    A geometric composition of red, purple, black, yellow, blue, and green flat shapes on a white background.
    Shirley Jaffe. White Begonia, 1986. Oil on canvas, 86x70 inches. [A geometric composition of red, purple, black, yellow, blue, and green flat shapes on a white background.]
    Caption Shirley Jaffe. White Begonia, 1986. Oil on canvas, 86x70 inches.
    Image description A geometric composition of red, purple, black, yellow, blue, and green flat shapes on a white background.
    Year 1986
    Related pages Shirley Jaffe and Murray Reich
  • A black and white photograph with two images of faces illuminated in the darkness and text underneath.
    A black and white photograph with two images of faces illuminated in the darkness and text underneath.
    John Knecht. I'm Glad To The Brink Of Fear, 1986. Video Installation. [A black and white photograph with two images of faces illuminated in the darkness and text underneath.]
    Caption John Knecht. I'm Glad To The Brink Of Fear, 1986. Video Installation.
    Image description A black and white photograph with two images of faces illuminated in the darkness and text underneath.
    Year 1987
    Related pages Dark Rooms
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    Related pages Abasement #73
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    Image description
    Year
    Related pages Austin Sley Julian + Julia Santoli, Vida Vojić, Bromp Treb, Benjamin Kendall
  • Black text that reads,
    Black text that reads,
    [Black text that reads, "9/11, TRILOGY, Laura Poitras."]
    Caption
    Image description Black text that reads, "9/11, TRILOGY, Laura Poitras."
    Year 2014
    Related pages Laura Poitras: 9/11 Trilogy
  • Page 120-121 of The Shithole Opry Collector’s Guide, Cushion Works, 2026
    Caption Page 120-121 of The Shithole Opry Collector’s Guide, Cushion Works, 2026
    Image description
    Year 2026
    Related pages A Night at the Shithole Opry with Derek McCormack featuring Lynne Tillman
  • A wooden chair sits against a white wall. Above it, an image of flowers on a patterned background with a border hangs on the wall. A fragment of the the flower image is missing, and it is affixed to two wooden poles that lean against the wall, placing it level with the flower image.
    A wooden chair sits against a white wall. Above it, an image of flowers on a patterned background with a border hangs on the wall. A fragment of the the flower image is missing, and it is affixed to two wooden poles that lean against the wall, placing it level with the flower image.
    Craig Pleasants, A House in the Tropics, 1988. [A wooden chair sits against a white wall. Above it, an image of flowers on a patterned background with a border hangs on the wall. A fragment of the the flower image is missing, and it is affixed to two wooden poles that lean against the wall, placing it level with the flower image.]
    Caption Craig Pleasants, A House in the Tropics, 1988.
    Image description A wooden chair sits against a white wall. Above it, an image of flowers on a patterned background with a border hangs on the wall. A fragment of the the flower image is missing, and it is affixed to two wooden poles that lean against the wall, placing it level with the flower image.
    Year 1988
    Related pages Selections from the Artist File
  • Two people stand in the foreground: one person holds a notebook and points to a page while the other looks on.
    Two people stand in the foreground: one person holds a notebook and points to a page while the other looks on.
    Artists Space Curator Jamie Stevens speaking with P.S. 140 Portfolio Students [Two people stand in the foreground: one person holds a notebook and points to a page while the other looks on.]
    Caption Artists Space Curator Jamie Stevens speaking with P.S. 140 Portfolio Students
    Image description Two people stand in the foreground: one person holds a notebook and points to a page while the other looks on.
    Year 2018
    Related pages Portfolio Development
  • A page ripped from a planner, with a header reading,
    A page ripped from a planner, with a header reading,
    Untitled (note), date unknown, Copyright Jack Smith Archive, Courtesy Gladstone Gallery, New York and Brussels [A page ripped from a planner, with a header reading, "for week beginning Monday ...., Thursday, Friday, Saturday, Sunday." Handwritten red cursive text, written over divided sections reads, "Capitalism lends to expectation to be manipulated but politely and a horror of ordinary usage between people."]
    Caption Untitled (note), date unknown, Copyright Jack Smith Archive, Courtesy Gladstone Gallery, New York and Brussels
    Image description A page ripped from a planner, with a header reading, "for week beginning Monday ...., Thursday, Friday, Saturday, Sunday." Handwritten red cursive text, written over divided sections reads, "Capitalism lends to expectation to be manipulated but politely and a horror of ordinary usage between people."
    Year
    Related pages Jack Smith: Art Crust of Spiritual Oasis
  • An illustration including two men, wearing blazers and dress hats, gazing downwards next to another man. This man, dressed in dungarees and a baseball cap, is holding his penis.
    An illustration including two men, wearing blazers and dress hats, gazing downwards next to another man. This man, dressed in dungarees and a baseball cap, is holding his penis.
    Tom of Finland Untitled , 1947 Gouache on paper Tom of Finland Foundation, Permanent Collection [An illustration including two men, wearing blazers and dress hats, gazing downwards next to another man. This man, dressed in dungarees and a baseball cap, is holding his penis.]
    Caption Tom of Finland Untitled , 1947 Gouache on paper Tom of Finland Foundation, Permanent Collection
    Image description An illustration including two men, wearing blazers and dress hats, gazing downwards next to another man. This man, dressed in dungarees and a baseball cap, is holding his penis.
    Year 1947
    Related pages Tom of Finland: The Pleasure of Play
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    Related pages DRAFT IMAGE PAGE_NEVER DELETE
  • Roughly two dozen stuffed laundry bags, piled up against a wall. The bags are white and are each imprinted with a large black dollar sign.
    Roughly two dozen stuffed laundry bags, piled up against a wall. The bags are white and are each imprinted with a large black dollar sign.
    When Time Becomes Form: The Money Mountain. Installation view, Artists Space, 2008. [Roughly two dozen stuffed laundry bags, piled up against a wall. The bags are white and are each imprinted with a large black dollar sign.]
    Caption When Time Becomes Form: The Money Mountain. Installation view, Artists Space, 2008.
    Image description Roughly two dozen stuffed laundry bags, piled up against a wall. The bags are white and are each imprinted with a large black dollar sign.
    Year 2008
    Related pages When Time Becomes Form: The Money Mountain and A Letter for the Girl Chewing Gum
  • Magazine cut-outs and ink drawings are collaged together on a background of red and yellow paper. Pieces of beige paper with typewritten text listing the performers and event details are scattered around the flyer.
    Magazine cut-outs and ink drawings are collaged together on a background of red and yellow paper. Pieces of beige paper with typewritten text listing the performers and event details are scattered around the flyer.
    Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a background of red and yellow paper. Pieces of beige paper with typewritten text listing the performers and event details are scattered around the flyer.]
    Caption Flyer by Joe Frivaldi.
    Image description Magazine cut-outs and ink drawings are collaged together on a background of red and yellow paper. Pieces of beige paper with typewritten text listing the performers and event details are scattered around the flyer.
    Year
    Related pages Abasement #78
  • Color image of a white gallery space, with three large boxes placed throughout. On the left, one side of a box is shown with a painted landscape of green hills against a blue sky, and a black fence in front of it. In the background, another wooden box is painted with a dark finish, and a pair of headphones are hung on the box. In the foreground, to the right of the room, sits a beige box.
    Color image of a white gallery space, with three large boxes placed throughout. On the left, one side of a box is shown with a painted landscape of green hills against a blue sky, and a black fence in front of it. In the background, another wooden box is painted with a dark finish, and a pair of headphones are hung on the box. In the foreground, to the right of the room, sits a beige box.
    Matthew Langan-Peck. Installation view, Au feu rouge, Edouard Montassut, 2024 [Color image of a white gallery space, with three large boxes placed throughout. On the left, one side of a box is shown with a painted landscape of green hills against a blue sky, and a black fence in front of it. In the background, another wooden box is painted with a dark finish, and a pair of headphones are hung on the box. In the foreground, to the right of the room, sits a beige box.]
    Caption Matthew Langan-Peck. Installation view, Au feu rouge, Edouard Montassut, 2024
    Image description Color image of a white gallery space, with three large boxes placed throughout. On the left, one side of a box is shown with a painted landscape of green hills against a blue sky, and a black fence in front of it. In the background, another wooden box is painted with a dark finish, and a pair of headphones are hung on the box. In the foreground, to the right of the room, sits a beige box.
    Year 2024
    Related pages Doris Guo Matthew Langan-Peck Isabelle Frances McGuire Ruben Ulises Rodriguez Montoya
  • A screenshot of the google images search results page for the query
    A screenshot of the google images search results page for the query
    [A screenshot of the google images search results page for the query "a history of negations."]
    Caption
    Image description A screenshot of the google images search results page for the query "a history of negations."
    Year
    Related pages A History of Negations
  • Color image of three performers on stage. In the right foreground, a performer with medium length dark hair and glasses vocalizes into a microphone. Blurred in the left background are two more performers. The one standing closest to the vocal artist plays a tenor saxophone instrument while the musician behind him plays a guitar. The entire trio and interior is cast in a cobalt blue light emitted from a projector. 
    Color image of three performers on stage. In the right foreground, a performer with medium length dark hair and glasses vocalizes into a microphone. Blurred in the left background are two more performers. The one standing closest to the vocal artist plays a tenor saxophone instrument while the musician behind him plays a guitar. The entire trio and interior is cast in a cobalt blue light emitted from a projector. 
    Abasement #67. Performance documentation, January 15, 2024, Artists Space. Photo: Joshua Wildman. [Color image of three performers on stage. In the right foreground, a performer with medium length dark hair and glasses vocalizes into a microphone. Blurred in the left background are two more performers. The one standing closest to the vocal artist plays a tenor saxophone instrument while the musician behind him plays a guitar. The entire trio and interior is cast in a cobalt blue light emitted from a projector. ]
    Caption Abasement #67. Performance documentation, January 15, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Color image of three performers on stage. In the right foreground, a performer with medium length dark hair and glasses vocalizes into a microphone. Blurred in the left background are two more performers. The one standing closest to the vocal artist plays a tenor saxophone instrument while the musician behind him plays a guitar. The entire trio and interior is cast in a cobalt blue light emitted from a projector. 
    Year
    Related pages Abasement #67
  • A long sheet of white paper, hung vertically, is attached to a stack of paper on the gallery floor.
    A long sheet of white paper, hung vertically, is attached to a stack of paper on the gallery floor.
    Tiffany Sia, The Bastard Tongue (detail view), 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A long sheet of white paper, hung vertically, is attached to a stack of paper on the gallery floor.]
    Caption Tiffany Sia, The Bastard Tongue (detail view), 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A long sheet of white paper, hung vertically, is attached to a stack of paper on the gallery floor.
    Year 2021
    Related pages Tiffany Sia: Slippery When Wet
  • Close up of two rectangular plates of glass resting on top of a thin bed of white salt. A red, blood-like substance forms irregular patterns between the plates.
    Close up of two rectangular plates of glass resting on top of a thin bed of white salt. A red, blood-like substance forms irregular patterns between the plates.
    Nina in Position. Installation view, Artists Space, 2008. Photo: Bill Orcutt. [Close up of two rectangular plates of glass resting on top of a thin bed of white salt. A red, blood-like substance forms irregular patterns between the plates.]
    Caption Nina in Position. Installation view, Artists Space, 2008. Photo: Bill Orcutt.
    Image description Close up of two rectangular plates of glass resting on top of a thin bed of white salt. A red, blood-like substance forms irregular patterns between the plates.
    Year 2008
    Related pages Nina in Position
  • An orange water dispenser sits on a low metal stool in a gallery space. Encircling the top portion of the dispenser is a round glass table, with a wedge-shaped cut-out removed from its right side. A photo of a woman sits on top of the glass surface.
    An orange water dispenser sits on a low metal stool in a gallery space. Encircling the top portion of the dispenser is a round glass table, with a wedge-shaped cut-out removed from its right side. A photo of a woman sits on top of the glass surface.
    DUOX: DUOX4Larkin. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [An orange water dispenser sits on a low metal stool in a gallery space. Encircling the top portion of the dispenser is a round glass table, with a wedge-shaped cut-out removed from its right side. A photo of a woman sits on top of the glass surface.]
    Caption DUOX: DUOX4Larkin. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description An orange water dispenser sits on a low metal stool in a gallery space. Encircling the top portion of the dispenser is a round glass table, with a wedge-shaped cut-out removed from its right side. A photo of a woman sits on top of the glass surface.
    Year 2012
    Related pages DUOX: DUOX4Larkin
  • Black-and-white still of a woman's face, shown from the neck up, looking forward.
    Black-and-white still of a woman's face, shown from the neck up, looking forward.
    Theresa Hak Kyung Cha, Permutations, 1976. 16mm film transferred to video; black and white, silent, 10 min [Black-and-white still of a woman's face, shown from the neck up, looking forward.]
    Caption Theresa Hak Kyung Cha, Permutations, 1976. 16mm film transferred to video; black and white, silent, 10 min
    Image description Black-and-white still of a woman's face, shown from the neck up, looking forward.
    Year
    Related pages Theresa Hak Kyung Cha: Multiple Offerings
  • Two girls stand, cutting threads, while working on a handmade chandelier. The chandelier has a small number of flower petals, with a purple rose in the center
    Two girls stand, cutting threads, while working on a handmade chandelier. The chandelier has a small number of flower petals, with a purple rose in the center
    Collaborative team working on chandelier, 2018 [Two girls stand, cutting threads, while working on a handmade chandelier. The chandelier has a small number of flower petals, with a purple rose in the center]
    Caption Collaborative team working on chandelier, 2018
    Image description Two girls stand, cutting threads, while working on a handmade chandelier. The chandelier has a small number of flower petals, with a purple rose in the center
    Year 2018
    Related pages Threads of History
  • Close up of two musicians sitting side by side and looking down. The musician on the right plays the guitar and the musician on the left plays the violin. The wall in the background is purple tinted.
    Close up of two musicians sitting side by side and looking down. The musician on the right plays the guitar and the musician on the left plays the violin. The wall in the background is purple tinted.
    Abasement #71. Performance documentation, August 5th, 2024, Artists Space. Photo: Joshua Wildman. [Close up of two musicians sitting side by side and looking down. The musician on the right plays the guitar and the musician on the left plays the violin. The wall in the background is purple tinted.]
    Caption Abasement #71. Performance documentation, August 5th, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Close up of two musicians sitting side by side and looking down. The musician on the right plays the guitar and the musician on the left plays the violin. The wall in the background is purple tinted.
    Year
    Related pages Abasement #71
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    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Benje LaRico. Goa VI, 1987. Enamel, Plastic, Wood, Wallpaper on plywood. 52 inches x 8.5 inches x 1 inch.
    Caption Benje LaRico. Goa VI, 1987. Enamel, Plastic, Wood, Wallpaper on plywood. 52 inches x 8.5 inches x 1 inch.
    Image description
    Year
    Related pages Abstraction in Process
  • A black and white image of a group of children clustered in front of a store window. On the right, the text
    A black and white image of a group of children clustered in front of a store window. On the right, the text
    Film still from Teaching TV, Artists Space, 1990. [A black and white image of a group of children clustered in front of a store window. On the right, the text "NO FRESH WORDS" overlays the image.]
    Caption Film still from Teaching TV, Artists Space, 1990.
    Image description A black and white image of a group of children clustered in front of a store window. On the right, the text "NO FRESH WORDS" overlays the image.
    Year 1990
    Related pages Teaching TV
  • Close-up color image of a persons hands on a red audio mixing device. Various blue and red cords stick out of the machine. A camera on a tripod sits on top of the machine. The background is blurred, with a few audience members visible. The scene is lit with soft pink light.
    Close-up color image of a persons hands on a red audio mixing device. Various blue and red cords stick out of the machine. A camera on a tripod sits on top of the machine. The background is blurred, with a few audience members visible. The scene is lit with soft pink light.
    Abasement #77. Performance documentation, April 7th, 2025, Artists Space. Photo: Joshua Wildman. [Close-up color image of a persons hands on a red audio mixing device. Various blue and red cords stick out of the machine. A camera on a tripod sits on top of the machine. The background is blurred, with a few audience members visible. The scene is lit with soft pink light.]
    Caption Abasement #77. Performance documentation, April 7th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Close-up color image of a persons hands on a red audio mixing device. Various blue and red cords stick out of the machine. A camera on a tripod sits on top of the machine. The background is blurred, with a few audience members visible. The scene is lit with soft pink light.
    Year
    Related pages Abasement #77
  • A large black speaker rests at an angle in the middle of a wood floor. On the walls, a red cloth with black polka dots, a black and white photograph, and a taped black square with an X and horizontal line through the center are displayed.
    A large black speaker rests at an angle in the middle of a wood floor. On the walls, a red cloth with black polka dots, a black and white photograph, and a taped black square with an X and horizontal line through the center are displayed.
    Aloïs Godinat: New Works. Installation view, Artists Space, 2007. Photo: Bill Orcutt. [A large black speaker rests at an angle in the middle of a wood floor. On the walls, a red cloth with black polka dots, a black and white photograph, and a taped black square with an X and horizontal line through the center are displayed.]
    Caption Aloïs Godinat: New Works. Installation view, Artists Space, 2007. Photo: Bill Orcutt.
    Image description A large black speaker rests at an angle in the middle of a wood floor. On the walls, a red cloth with black polka dots, a black and white photograph, and a taped black square with an X and horizontal line through the center are displayed.
    Year 2007
    Related pages New Works
  • Flyer featuring three computer-generated shapes: a sphere, a curved plane, and a flat plane. Each of the shapes is black, covered in a white grid pattern, and features a warped image of a red triangle. The shapes sit on a blue and yellow gradient background. Red sans-serif text positioned at the top and bottom of the image reads, “artists space & / the segue series / present a / reading by / Dia Felix / and / Jeremy / Hoevenaar / saturday, may 16 / 5pm nyc time / zoom id: / 378 232 567 / be there or be non-euclidean.”
    Flyer featuring three computer-generated shapes: a sphere, a curved plane, and a flat plane. Each of the shapes is black, covered in a white grid pattern, and features a warped image of a red triangle. The shapes sit on a blue and yellow gradient background. Red sans-serif text positioned at the top and bottom of the image reads, “artists space & / the segue series / present a / reading by / Dia Felix / and / Jeremy / Hoevenaar / saturday, may 16 / 5pm nyc time / zoom id: / 378 232 567 / be there or be non-euclidean.”
    [Flyer featuring three computer-generated shapes: a sphere, a curved plane, and a flat plane. Each of the shapes is black, covered in a white grid pattern, and features a warped image of a red triangle. The shapes sit on a blue and yellow gradient background. Red sans-serif text positioned at the top and bottom of the image reads, “artists space & / the segue series / present a / reading by / Dia Felix / and / Jeremy / Hoevenaar / saturday, may 16 / 5pm nyc time / zoom id: / 378 232 567 / be there or be non-euclidean.”]
    Caption
    Image description Flyer featuring three computer-generated shapes: a sphere, a curved plane, and a flat plane. Each of the shapes is black, covered in a white grid pattern, and features a warped image of a red triangle. The shapes sit on a blue and yellow gradient background. Red sans-serif text positioned at the top and bottom of the image reads, “artists space & / the segue series / present a / reading by / Dia Felix / and / Jeremy / Hoevenaar / saturday, may 16 / 5pm nyc time / zoom id: / 378 232 567 / be there or be non-euclidean.”
    Year 2020
    Related pages Segue Reading Series: Dia Felix & Jeremy Hoevenaar
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Color photograph of a figure dressed in black performing in front of an audience in the background. The room is dark, with LED light sculptures made from dried SCOBY in the background. The figure sits on the floor, looking off to the right and holding a mask in front of their face.
    Color photograph of a figure dressed in black performing in front of an audience in the background. The room is dark, with LED light sculptures made from dried SCOBY in the background. The figure sits on the floor, looking off to the right and holding a mask in front of their face.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a figure dressed in black performing in front of an audience in the background. The room is dark, with LED light sculptures made from dried SCOBY in the background. The figure sits on the floor, looking off to the right and holding a mask in front of their face.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of a figure dressed in black performing in front of an audience in the background. The room is dark, with LED light sculptures made from dried SCOBY in the background. The figure sits on the floor, looking off to the right and holding a mask in front of their face.
    Year
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • Three female mannequins arranged in front of five hanging timelines marked 2002-2006. The first mannequin sits in a chair and is wearing a golden shirt and black skirt with a towel tossed over its shoulder. The second wears several scarf chokers, a shirt cut in two pieces resembling an
    Three female mannequins arranged in front of five hanging timelines marked 2002-2006. The first mannequin sits in a chair and is wearing a golden shirt and black skirt with a towel tossed over its shoulder. The second wears several scarf chokers, a shirt cut in two pieces resembling an
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Three female mannequins arranged in front of five hanging timelines marked 2002-2006. The first mannequin sits in a chair and is wearing a golden shirt and black skirt with a towel tossed over its shoulder. The second wears several scarf chokers, a shirt cut in two pieces resembling an "x", and gray jeans accessorized with two button pins and large thigh cutouts. The third wears an Adidas jersey decorated with a "bc" logo and black baggy pants.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Three female mannequins arranged in front of five hanging timelines marked 2002-2006. The first mannequin sits in a chair and is wearing a golden shirt and black skirt with a towel tossed over its shoulder. The second wears several scarf chokers, a shirt cut in two pieces resembling an "x", and gray jeans accessorized with two button pins and large thigh cutouts. The third wears an Adidas jersey decorated with a "bc" logo and black baggy pants.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • Color image of a figure in profile, seated behind a reed organ covered in a sheet of clear plastic. A clock sits on a music stand behind the organ. The figure reaches their arm under the plastic and holds the arm of the organ.
    Color image of a figure in profile, seated behind a reed organ covered in a sheet of clear plastic. A clock sits on a music stand behind the organ. The figure reaches their arm under the plastic and holds the arm of the organ.
    Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata [Color image of a figure in profile, seated behind a reed organ covered in a sheet of clear plastic. A clock sits on a music stand behind the organ. The figure reaches their arm under the plastic and holds the arm of the organ.]
    Caption Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata
    Image description Color image of a figure in profile, seated behind a reed organ covered in a sheet of clear plastic. A clock sits on a music stand behind the organ. The figure reaches their arm under the plastic and holds the arm of the organ.
    Year 2023
    Related pages Yasunao Tone Concert #2
  • A black and white photograph of a gallery installation. A figure poses in front of a wall with several hanging objects, their arms outstretched to either side.
    A black and white photograph of a gallery installation. A figure poses in front of a wall with several hanging objects, their arms outstretched to either side.
    Pictures. Opening Reception, Artists Space, September 23, 1977. Photo: D. James Dee. [A black and white photograph of a gallery installation. A figure poses in front of a wall with several hanging objects, their arms outstretched to either side.]
    Caption Pictures. Opening Reception, Artists Space, September 23, 1977. Photo: D. James Dee.
    Image description A black and white photograph of a gallery installation. A figure poses in front of a wall with several hanging objects, their arms outstretched to either side.
    Year 1977
    Related pages Pictures
  • A light sculpted figure appears on a pedestal in the foreground and behind it appears a map with images of humans and nature.
    A light sculpted figure appears on a pedestal in the foreground and behind it appears a map with images of humans and nature.
    We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [A light sculpted figure appears on a pedestal in the foreground and behind it appears a map with images of humans and nature.]
    Caption We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987.
    Image description A light sculpted figure appears on a pedestal in the foreground and behind it appears a map with images of humans and nature.
    Year
    Related pages We the People
  • A life-size vinyl against a black wall depicting a black-and-white image of a body in motion, multiple images are overlayed on top of each other to create a ghostly atmosphere.
    A life-size vinyl against a black wall depicting a black-and-white image of a body in motion, multiple images are overlayed on top of each other to create a ghostly atmosphere.
    Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Shala Miller, Genesis, 2023), Artists Space, 2023. Photo: Filip Wolak. [A life-size vinyl against a black wall depicting a black-and-white image of a body in motion, multiple images are overlayed on top of each other to create a ghostly atmosphere.]
    Caption Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Shala Miller, Genesis, 2023), Artists Space, 2023. Photo: Filip Wolak.
    Image description A life-size vinyl against a black wall depicting a black-and-white image of a body in motion, multiple images are overlayed on top of each other to create a ghostly atmosphere.
    Year 2023
    Related pages Shala Miller, Malcolm Peacock, Amiri Baraka
  • A black-and-white photo of a group of protestors holding various signs. One asks,
    A black-and-white photo of a group of protestors holding various signs. One asks,
    Demonstrations outside the opening of Witnesses: Against Our Vanishing, Artists Space, 1989. [A black-and-white photo of a group of protestors holding various signs. One asks, "Obscene Art?" under a crucifixion image. Another states "Helms impedes the 1st amendment"]
    Caption Demonstrations outside the opening of Witnesses: Against Our Vanishing, Artists Space, 1989.
    Image description A black-and-white photo of a group of protestors holding various signs. One asks, "Obscene Art?" under a crucifixion image. Another states "Helms impedes the 1st amendment"
    Year 1989
    Related pages About
  • In the foreground, a painting hung on a white wall features warm hues. A television monitor is installed in an alcove, and a woman's face is visible on the screen. Two paintings can be seen in the background.
    In the foreground, a painting hung on a white wall features warm hues. A television monitor is installed in an alcove, and a woman's face is visible on the screen. Two paintings can be seen in the background.
    Miyoko Ito: Heart of Hearts. Installation view, Artists Space, 2018. Photo: Daniel Peréz. [In the foreground, a painting hung on a white wall features warm hues. A television monitor is installed in an alcove, and a woman's face is visible on the screen. Two paintings can be seen in the background.]
    Caption Miyoko Ito: Heart of Hearts. Installation view, Artists Space, 2018. Photo: Daniel Peréz.
    Image description In the foreground, a painting hung on a white wall features warm hues. A television monitor is installed in an alcove, and a woman's face is visible on the screen. Two paintings can be seen in the background.
    Year 2018
    Related pages Miyoko Ito: Heart of Hearts
  • A tan and green object stands on a white base. On the flat surface of the object, an onion and a lemon are connected by a rainbow wire. In the base of the object a processing chip is embedded.
    A tan and green object stands on a white base. On the flat surface of the object, an onion and a lemon are connected by a rainbow wire. In the base of the object a processing chip is embedded.
    Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $5,000
    [A tan and green object stands on a white base. On the flat surface of the object, an onion and a lemon are connected by a rainbow wire. In the base of the object a processing chip is embedded.]
    Caption Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $5,000
    Image description A tan and green object stands on a white base. On the flat surface of the object, an onion and a lemon are connected by a rainbow wire. In the base of the object a processing chip is embedded.
    Year 2019
    Related pages Trisha Baga Edition
  • Five people, two standing and three in folding chairs, painting the partially formed words
    Five people, two standing and three in folding chairs, painting the partially formed words
    Claire Fontaine, Greve Humaine (Interrompue), 2009. [Five people, two standing and three in folding chairs, painting the partially formed words "GREVE H" in brown on white walls. Assorted debris is scattered on the floor around them.]
    Caption Claire Fontaine, Greve Humaine (Interrompue), 2009.
    Image description Five people, two standing and three in folding chairs, painting the partially formed words "GREVE H" in brown on white walls. Assorted debris is scattered on the floor around them.
    Year 2009
    Related pages Claire Fontaine on "human strike"
  • A painting of a bald man with glasses looking off to the side. He wears a red Lacoste polo shirt.
    A painting of a bald man with glasses looking off to the side. He wears a red Lacoste polo shirt.
    Tim Doud, 2001. [A painting of a bald man with glasses looking off to the side. He wears a red Lacoste polo shirt.]
    Caption Tim Doud, 2001.
    Image description A painting of a bald man with glasses looking off to the side. He wears a red Lacoste polo shirt.
    Year 2001
    Related pages Painting as Paradox
  • Black text overlays a color-scheme grid background. The text reads: “Jan 27 / Lee Ann Brown / Brian Kim Stefans
    Black text overlays a color-scheme grid background. The text reads: “Jan 27 / Lee Ann Brown / Brian Kim Stefans
    [Black text overlays a color-scheme grid background. The text reads: “Jan 27 / Lee Ann Brown / Brian Kim Stefans" Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description Black text overlays a color-scheme grid background. The text reads: “Jan 27 / Lee Ann Brown / Brian Kim Stefans" Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year
    Related pages Segue Reading Series: Lee Ann Brown & Brian Kim Stefans
  • A black and white image of a woman sitting alone in a row of seats, as if on a bus or train. Her face is obscured by the seat in front of her from the nose down, but her full reflection is visible in the window next to her.
    A black and white image of a woman sitting alone in a row of seats, as if on a bus or train. Her face is obscured by the seat in front of her from the nose down, but her full reflection is visible in the window next to her.
    Still from Bernadette, 2008. Courtesy of Duncan Campbell and HOTEL, London. [A black and white image of a woman sitting alone in a row of seats, as if on a bus or train. Her face is obscured by the seat in front of her from the nose down, but her full reflection is visible in the window next to her.]
    Caption Still from Bernadette, 2008. Courtesy of Duncan Campbell and HOTEL, London.
    Image description A black and white image of a woman sitting alone in a row of seats, as if on a bus or train. Her face is obscured by the seat in front of her from the nose down, but her full reflection is visible in the window next to her.
    Year 2008
    Related pages Film Trilogy: Duncan Campbell
  • A seated figure in a black hoodie and black beanie plays the guitar with red and purple light cast onto them.
    A seated figure in a black hoodie and black beanie plays the guitar with red and purple light cast onto them.
    Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman [A seated figure in a black hoodie and black beanie plays the guitar with red and purple light cast onto them.]
    Caption Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman
    Image description A seated figure in a black hoodie and black beanie plays the guitar with red and purple light cast onto them.
    Year 2022
    Related pages Abasement: #62
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    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • Contact sheet of installation images taken during exhibition opening.
    Contact sheet of installation images taken during exhibition opening.
    Gary Burnley, Martin Cohen, Candace Hill-Montgomery, Louis Stein, and Haim Steinbach. Contact sheet of photos from exhibition opening, Artists Space, 1979. Photos by Gary Burnley. [Contact sheet of installation images taken during exhibition opening.]
    Caption Gary Burnley, Martin Cohen, Candace Hill-Montgomery, Louis Stein, and Haim Steinbach. Contact sheet of photos from exhibition opening, Artists Space, 1979. Photos by Gary Burnley.
    Image description Contact sheet of installation images taken during exhibition opening.
    Year 1979
    Related pages Martin Cohen
  • A wood framed drawing hangs on a wall. The pencil drawing depicts a youthful figure at the center of the page with abstract pencil markings surrounding them.
    A wood framed drawing hangs on a wall. The pencil drawing depicts a youthful figure at the center of the page with abstract pencil markings surrounding them.
    Hernan Bas, Needles (In Anticipation of the Fall), 2005, Single color hard ground etching, 26 1/4 x 21 inches (67 x 53 cm), Edition of 30, Courtesy the artist, Fredric Snitzer Gallery, Miami & Daniel Reich Gallery, New York, Printed by Julia D’Amario. [A wood framed drawing hangs on a wall. The pencil drawing depicts a youthful figure at the center of the page with abstract pencil markings surrounding them.]
    Caption Hernan Bas, Needles (In Anticipation of the Fall), 2005, Single color hard ground etching, 26 1/4 x 21 inches (67 x 53 cm), Edition of 30, Courtesy the artist, Fredric Snitzer Gallery, Miami & Daniel Reich Gallery, New York, Printed by Julia D’Amario.
    Image description A wood framed drawing hangs on a wall. The pencil drawing depicts a youthful figure at the center of the page with abstract pencil markings surrounding them.
    Year 2005
    Related pages Editions
  • A two-page spread from the novel Dictée shows four diagrams of a human larynx and neck on the left-hand page and a page of writing from the novel on the right.
    A two-page spread from the novel Dictée shows four diagrams of a human larynx and neck on the left-hand page and a page of writing from the novel on the right.
    Theresa Hak Kyung Cha, Dictée (New York: Tanam Press, 1982), 74 - 75. [A two-page spread from the novel Dictée shows four diagrams of a human larynx and neck on the left-hand page and a page of writing from the novel on the right.]
    Caption Theresa Hak Kyung Cha, Dictée (New York: Tanam Press, 1982), 74 - 75.
    Image description A two-page spread from the novel Dictée shows four diagrams of a human larynx and neck on the left-hand page and a page of writing from the novel on the right.
    Year 1982
    Related pages Whitney ISP Archive
  • A figure is shown in profile performing on stage into a microphone, with a music stand placed in front of them.
    A figure is shown in profile performing on stage into a microphone, with a music stand placed in front of them.
    Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [A figure is shown in profile performing on stage into a microphone, with a music stand placed in front of them.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure is shown in profile performing on stage into a microphone, with a music stand placed in front of them.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-10
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
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    Year
    Related pages Anne Gardiner: Through the Tulips and The Red Red Rose - May 2
  • A close up image of a glass display case holding, images, books, and handwritten text. On the wall above is a paragraph of text that reads,
    A close up image of a glass display case holding, images, books, and handwritten text. On the wall above is a paragraph of text that reads,
    Till They Listen: Bill Gunn Directs America. Installation view, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A close up image of a glass display case holding, images, books, and handwritten text. On the wall above is a paragraph of text that reads, " Anyway, dear Taylor, I will visit all the soft and dark spots in our town. I will walk backwards on old Endleman's fence, I will stare at the old books and try to place what words went with which conversation about whatever it was you said. I'll go to church and eat fruitcake, sweep the pavement, water the flowers, hose out the garage and tell our fathers about the big city, I might even have a few drinks to show them how much I have changed. And I will come to the cemetery and tell you how different it all is, and what it's like up here hanging on year after year."]
    Caption Till They Listen: Bill Gunn Directs America. Installation view, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A close up image of a glass display case holding, images, books, and handwritten text. On the wall above is a paragraph of text that reads, " Anyway, dear Taylor, I will visit all the soft and dark spots in our town. I will walk backwards on old Endleman's fence, I will stare at the old books and try to place what words went with which conversation about whatever it was you said. I'll go to church and eat fruitcake, sweep the pavement, water the flowers, hose out the garage and tell our fathers about the big city, I might even have a few drinks to show them how much I have changed. And I will come to the cemetery and tell you how different it all is, and what it's like up here hanging on year after year."
    Year 2021
    Related pages Till They Listen: Bill Gunn Directs America
  • A musician standing on stage playing a small wooden instrument. They are looking down and wearing a headlamp. In front of them are multiple electronic instruments and cords. The wall in the background is scattered with white dots reflected from a disco ball.
    A musician standing on stage playing a small wooden instrument. They are looking down and wearing a headlamp. In front of them are multiple electronic instruments and cords. The wall in the background is scattered with white dots reflected from a disco ball.
    Abasement #71. Performance documentation, August 5th, 2024, Artists Space. Photo: Joshua Wildman. [A musician standing on stage playing a small wooden instrument. They are looking down and wearing a headlamp. In front of them are multiple electronic instruments and cords. The wall in the background is scattered with white dots reflected from a disco ball.]
    Caption Abasement #71. Performance documentation, August 5th, 2024, Artists Space. Photo: Joshua Wildman.
    Image description A musician standing on stage playing a small wooden instrument. They are looking down and wearing a headlamp. In front of them are multiple electronic instruments and cords. The wall in the background is scattered with white dots reflected from a disco ball.
    Year
    Related pages Abasement #71
  • A black and white image of four paintings of various sizes displayed against a fence with a thin layer of snow, marked with footprints, beneath them.
    A black and white image of four paintings of various sizes displayed against a fence with a thin layer of snow, marked with footprints, beneath them.
    Front Yard Exhibition Galerie Parnass, Villa Jährling, Moltkestraße 67 February 1964 Photo: Rolf Jährling, Zentralarchiv des internationalen Kunsthandels ZADIK [A black and white image of four paintings of various sizes displayed against a fence with a thin layer of snow, marked with footprints, beneath them.]
    Caption Front Yard Exhibition Galerie Parnass, Villa Jährling, Moltkestraße 67 February 1964 Photo: Rolf Jährling, Zentralarchiv des internationalen Kunsthandels ZADIK
    Image description A black and white image of four paintings of various sizes displayed against a fence with a thin layer of snow, marked with footprints, beneath them.
    Year 1964
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • The image shows a wooden paddle with the preamble for the U.S. Constitution reproduced on it. It says,
    The image shows a wooden paddle with the preamble for the U.S. Constitution reproduced on it. It says,
    Mike Kelley, Untitled, 1992, Beech wood paddle with screen print and leather strap, 23 1/4 in x 6 in x 3/4 in / 59.1 cm x 15.2 cm x 1.9 cm, Edition of 50. [The image shows a wooden paddle with the preamble for the U.S. Constitution reproduced on it. It says, "We the People of the United States, in Order to form a more perfect Union, establish Justice, insure domestic Tranquility, provide for the common defence, promote the general Welfare, and secure the Blessings of Liberty to ourselves and our Posterity, do ordain and establish this Constitution for the United States of America."]
    Caption Mike Kelley, Untitled, 1992, Beech wood paddle with screen print and leather strap, 23 1/4 in x 6 in x 3/4 in / 59.1 cm x 15.2 cm x 1.9 cm, Edition of 50.
    Image description The image shows a wooden paddle with the preamble for the U.S. Constitution reproduced on it. It says, "We the People of the United States, in Order to form a more perfect Union, establish Justice, insure domestic Tranquility, provide for the common defence, promote the general Welfare, and secure the Blessings of Liberty to ourselves and our Posterity, do ordain and establish this Constitution for the United States of America."
    Year 1992
    Related pages Editions
  • A figure sits in a dimly lit corner in profile, gazing forward. They flip through pages of a script displayed in front of them. An open laptop sits to their left.
    A figure sits in a dimly lit corner in profile, gazing forward. They flip through pages of a script displayed in front of them. An open laptop sits to their left.
    Passages from People Who Led to My Plays. Performance documentation, March 1, 2020, Artists Space. Photo ©️ 2020 Paula Court. [A figure sits in a dimly lit corner in profile, gazing forward. They flip through pages of a script displayed in front of them. An open laptop sits to their left.]
    Caption Passages from People Who Led to My Plays. Performance documentation, March 1, 2020, Artists Space. Photo ©️ 2020 Paula Court.
    Image description A figure sits in a dimly lit corner in profile, gazing forward. They flip through pages of a script displayed in front of them. An open laptop sits to their left.
    Year 2020
    Related pages Passages from People Who Led to My Plays
  • An installation view of a brightly colored painting lodged into a rectangular sheet of glass which is made to stand upright by being wedged into a block of concrete which sits on a floor scattered with wood chips.
    An installation view of a brightly colored painting lodged into a rectangular sheet of glass which is made to stand upright by being wedged into a block of concrete which sits on a floor scattered with wood chips.
    Jutta Koether, Fifth Season Act, Apotheosically, Artists Space, 2012. [An installation view of a brightly colored painting lodged into a rectangular sheet of glass which is made to stand upright by being wedged into a block of concrete which sits on a floor scattered with wood chips.]
    Caption Jutta Koether, Fifth Season Act, Apotheosically, Artists Space, 2012.
    Image description An installation view of a brightly colored painting lodged into a rectangular sheet of glass which is made to stand upright by being wedged into a block of concrete which sits on a floor scattered with wood chips.
    Year 2012
    Related pages Jutta Koether
  • A black and white photograph of an artwork. Over a black background are the silhouetted outlines of several human figures standing and sitting.
    A black and white photograph of an artwork. Over a black background are the silhouetted outlines of several human figures standing and sitting.
    Pictures. Installation view, Artists Space, 1977. Photo: D. James Dee. [A black and white photograph of an artwork. Over a black background are the silhouetted outlines of several human figures standing and sitting.]
    Caption Pictures. Installation view, Artists Space, 1977. Photo: D. James Dee.
    Image description A black and white photograph of an artwork. Over a black background are the silhouetted outlines of several human figures standing and sitting.
    Year 1977
    Related pages Pictures
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  • Three metal cutouts of hands hold neon green cards displayed on a white wall. The hand on the rightmost side of the wall is holding up its middle finger.
    Three metal cutouts of hands hold neon green cards displayed on a white wall. The hand on the rightmost side of the wall is holding up its middle finger.
    The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich. [Three metal cutouts of hands hold neon green cards displayed on a white wall. The hand on the rightmost side of the wall is holding up its middle finger.]
    Caption The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich.
    Image description Three metal cutouts of hands hold neon green cards displayed on a white wall. The hand on the rightmost side of the wall is holding up its middle finger.
    Year 2014
    Related pages The Issues of Our Time
  • Color image of a musician on stage, seated in a chair, holding an instrument that appears to be a guitar across their lap. To their right, a microphone is positioned close to an amp. Their feet control several pedals placed on the floor. Their long blonde-brown hair falls down over their chest and back as they gaze down in deep focus at the instrument in their lap. Behind the musician, a diamond-shaped, geometric pattern, outlined in bright pink is projected on the back wall. 
    Color image of a musician on stage, seated in a chair, holding an instrument that appears to be a guitar across their lap. To their right, a microphone is positioned close to an amp. Their feet control several pedals placed on the floor. Their long blonde-brown hair falls down over their chest and back as they gaze down in deep focus at the instrument in their lap. Behind the musician, a diamond-shaped, geometric pattern, outlined in bright pink is projected on the back wall. 
    Abasement #67. Performance documentation, January 15, 2024, Artists Space. Photo: Joshua Wildman. [Color image of a musician on stage, seated in a chair, holding an instrument that appears to be a guitar across their lap. To their right, a microphone is positioned close to an amp. Their feet control several pedals placed on the floor. Their long blonde-brown hair falls down over their chest and back as they gaze down in deep focus at the instrument in their lap. Behind the musician, a diamond-shaped, geometric pattern, outlined in bright pink is projected on the back wall. ]
    Caption Abasement #67. Performance documentation, January 15, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Color image of a musician on stage, seated in a chair, holding an instrument that appears to be a guitar across their lap. To their right, a microphone is positioned close to an amp. Their feet control several pedals placed on the floor. Their long blonde-brown hair falls down over their chest and back as they gaze down in deep focus at the instrument in their lap. Behind the musician, a diamond-shaped, geometric pattern, outlined in bright pink is projected on the back wall. 
    Year
    Related pages Abasement #67
  • A photo of the bookstore at 55 Walker Street - the front half is a bookstore, while the back half is an empty exhibition/performance space. Both have white walls and a light wood floor. They are divided by a temporary wall with a large doorway, which leaves a large gap between the top of the temporary wall and the ceiling. The back half is empty, with windows letting in light on the furthest wall. The front half has bookshelves adorning the walls, with a lower shelf to keep some books on display. A red pipe runs floor-to-ceiling between two columns of shelves.
    A photo of the bookstore at 55 Walker Street - the front half is a bookstore, while the back half is an empty exhibition/performance space. Both have white walls and a light wood floor. They are divided by a temporary wall with a large doorway, which leaves a large gap between the top of the temporary wall and the ceiling. The back half is empty, with windows letting in light on the furthest wall. The front half has bookshelves adorning the walls, with a lower shelf to keep some books on display. A red pipe runs floor-to-ceiling between two columns of shelves.
    Bookstore at 55 Walker Street. [A photo of the bookstore at 55 Walker Street - the front half is a bookstore, while the back half is an empty exhibition/performance space. Both have white walls and a light wood floor. They are divided by a temporary wall with a large doorway, which leaves a large gap between the top of the temporary wall and the ceiling. The back half is empty, with windows letting in light on the furthest wall. The front half has bookshelves adorning the walls, with a lower shelf to keep some books on display. A red pipe runs floor-to-ceiling between two columns of shelves.]
    Caption Bookstore at 55 Walker Street.
    Image description A photo of the bookstore at 55 Walker Street - the front half is a bookstore, while the back half is an empty exhibition/performance space. Both have white walls and a light wood floor. They are divided by a temporary wall with a large doorway, which leaves a large gap between the top of the temporary wall and the ceiling. The back half is empty, with windows letting in light on the furthest wall. The front half has bookshelves adorning the walls, with a lower shelf to keep some books on display. A red pipe runs floor-to-ceiling between two columns of shelves.
    Year 2018
    Related pages Bookstore
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • White text on a turquoise and grey ombré background. The text reads: “Feb 22 / Eszter Balint / Juliana Huxtable / Rezarta Seferi.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    White text on a turquoise and grey ombré background. The text reads: “Feb 22 / Eszter Balint / Juliana Huxtable / Rezarta Seferi.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [White text on a turquoise and grey ombré background. The text reads: “Feb 22 / Eszter Balint / Juliana Huxtable / Rezarta Seferi.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description White text on a turquoise and grey ombré background. The text reads: “Feb 22 / Eszter Balint / Juliana Huxtable / Rezarta Seferi.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Eszter Balint & Juliana Huxtable & Rezarta Seferi
  • Cave of Animals, Listening Room project, May 2024
    Caption Cave of Animals, Listening Room project, May 2024
    Image description
    Year
    Related pages Exhibitions and Events
  • 1's and 0's written in pencil on grid paper. Some letters have been circled.
    1's and 0's written in pencil on grid paper. Some letters have been circled.
    Gillian Walsh, score for Dance studio life ✌ These girls were amazing today!, 2015. [1's and 0's written in pencil on grid paper. Some letters have been circled.]
    Caption Gillian Walsh, score for Dance studio life ✌ These girls were amazing today!, 2015.
    Image description 1's and 0's written in pencil on grid paper. Some letters have been circled.
    Year 2015
    Related pages Dance studio life ✌ These girls were amazing today!
  • A group of people gathered on a city sidewalk, looking into a parked car. Above them, the text Recycling L.A., May 31-June 30, 1990, Artists Space" appears in a black square." />
    A group of people gathered on a city sidewalk, looking into a parked car. Above them, the text Recycling L.A., May 31-June 30, 1990, Artists Space" appears in a black square." />
    Recycling L.A., Newspaper cover, May 1990. [A group of people gathered on a city sidewalk, looking into a parked car. Above them, the text "Recycling L.A., May 31-June 30, 1990, Artists Space" appears in a black square.]
    Caption Recycling L.A., Newspaper cover, May 1990.
    Image description A group of people gathered on a city sidewalk, looking into a parked car. Above them, the text "Recycling L.A., May 31-June 30, 1990, Artists Space" appears in a black square.
    Year 1990
    Related pages Recycling L.A.
  • A figure sits behind a table, looking at a laptop, and speaking into a microphone.
    A figure sits behind a table, looking at a laptop, and speaking into a microphone.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure sits behind a table, looking at a laptop, and speaking into a microphone.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure sits behind a table, looking at a laptop, and speaking into a microphone.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
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    Related pages 2020Solidarity Wade Guyton
  • A large number of framed posters, photographs, and other ephemera of varying sizes hang on a white gallery wall. A poster hung on the left side of the wall has large black lettering that reads:
    A large number of framed posters, photographs, and other ephemera of varying sizes hang on a white gallery wall. A poster hung on the left side of the wall has large black lettering that reads:
    The Serving Library. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A large number of framed posters, photographs, and other ephemera of varying sizes hang on a white gallery wall. A poster hung on the left side of the wall has large black lettering that reads: "THE TEMPERAMENTAL BAROMETRIC CONTORTIONIST!" A white pole is situated at the center of the space, in front of the exhibition wall.]
    Caption The Serving Library. Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description A large number of framed posters, photographs, and other ephemera of varying sizes hang on a white gallery wall. A poster hung on the left side of the wall has large black lettering that reads: "THE TEMPERAMENTAL BAROMETRIC CONTORTIONIST!" A white pole is situated at the center of the space, in front of the exhibition wall.
    Year 2011
    Related pages The Serving Library
  • Two images hang on a white wall, far apart.
    Two images hang on a white wall, far apart.
    _____, Louise Lawler, Adrian Piper & Cindy Sherman Have Agreed to Participate in an Exhibition Organized by Janelle Reiring at Artists Space, September 23 through October 28, 1978, Artists Space, 1978. Installation view, Artists Space, 1978. [Two images hang on a white wall, far apart.]
    Caption _____, Louise Lawler, Adrian Piper & Cindy Sherman Have Agreed to Participate in an Exhibition Organized by Janelle Reiring at Artists Space, September 23 through October 28, 1978, Artists Space, 1978. Installation view, Artists Space, 1978.
    Image description Two images hang on a white wall, far apart.
    Year 1978
    Related pages ______ , Louise Lawler, Adrian Piper & Cindy Sherman Have Agreed to Participate in an Exhibition Organized by Janelle Reiring at Artists Space, September 23 through October 28, 1978.
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Two black plinths stand in the center of an otherwise empty room. Each has a glass-encased top protecting a patch of grass, lit from below by a white light.
    Two black plinths stand in the center of an otherwise empty room. Each has a glass-encased top protecting a patch of grass, lit from below by a white light.
    Spring Exhibitions. Installation view, Artists Space, 2009. [Two black plinths stand in the center of an otherwise empty room. Each has a glass-encased top protecting a patch of grass, lit from below by a white light.]
    Caption Spring Exhibitions. Installation view, Artists Space, 2009.
    Image description Two black plinths stand in the center of an otherwise empty room. Each has a glass-encased top protecting a patch of grass, lit from below by a white light.
    Year 2009
    Related pages Spring Exhibitions
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    Related pages Carolyn Lazard
  • Three paper bags photographed at an angle sit on pedestals. Closest to the camera, the bag has been painted with white and blue foliage, and collaged with a drawing of Africa. The two, farther bags portray drawn portraits of men.
    Three paper bags photographed at an angle sit on pedestals. Closest to the camera, the bag has been painted with white and blue foliage, and collaged with a drawing of Africa. The two, farther bags portray drawn portraits of men.
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [Three paper bags photographed at an angle sit on pedestals. Closest to the camera, the bag has been painted with white and blue foliage, and collaged with a drawing of Africa. The two, farther bags portray drawn portraits of men.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description Three paper bags photographed at an angle sit on pedestals. Closest to the camera, the bag has been painted with white and blue foliage, and collaged with a drawing of Africa. The two, farther bags portray drawn portraits of men.
    Year 2018
    Related pages Unholding
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    Related pages Carolyn Lazard
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Dark blue text overlays red-pink background. The text reads: “March 11 / Yuko Otomo / Ed Steck.
    Dark blue text overlays red-pink background. The text reads: “March 11 / Yuko Otomo / Ed Steck.
    [Dark blue text overlays red-pink background. The text reads: “March 11 / Yuko Otomo / Ed Steck." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description Dark blue text overlays red-pink background. The text reads: “March 11 / Yuko Otomo / Ed Steck." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year 2023
    Related pages Segue Reading Series: Yuko Otomo & Ed Steck
  • A still from Totloop, set during the twilight, featuring an empty model house being lit on fire, with a small tree visible to its left.
    A still from Totloop, set during the twilight, featuring an empty model house being lit on fire, with a small tree visible to its left.
    Union Gaucha Productions in collaboration with Fabio Kacero. Still from Totloop, 2003. 16mm film (silent, color), 4 min 49 sec. Courtesy of Union Gaucha Productions. [A still from Totloop, set during the twilight, featuring an empty model house being lit on fire, with a small tree visible to its left.]
    Caption Union Gaucha Productions in collaboration with Fabio Kacero. Still from Totloop, 2003. 16mm film (silent, color), 4 min 49 sec. Courtesy of Union Gaucha Productions.
    Image description A still from Totloop, set during the twilight, featuring an empty model house being lit on fire, with a small tree visible to its left.
    Year 2003
    Related pages Union Gaucha Productions
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    Related pages Artists Space: Artists Fund
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Color image of a performer leaning over a record player with headphones on. One of their hands is partly out of frame while touching the machine. The background is out of focus, and bathed in bright blue light. A small portable light is placed on top of the record player, illuminating both it and the performer.
    Color image of a performer leaning over a record player with headphones on. One of their hands is partly out of frame while touching the machine. The background is out of focus, and bathed in bright blue light. A small portable light is placed on top of the record player, illuminating both it and the performer.
    Abasement #77. Performance documentation, April 7th, 2025, Artists Space. Photo: Joshua Wildman. [Color image of a performer leaning over a record player with headphones on. One of their hands is partly out of frame while touching the machine. The background is out of focus, and bathed in bright blue light. A small portable light is placed on top of the record player, illuminating both it and the performer. ]
    Caption Abasement #77. Performance documentation, April 7th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Color image of a performer leaning over a record player with headphones on. One of their hands is partly out of frame while touching the machine. The background is out of focus, and bathed in bright blue light. A small portable light is placed on top of the record player, illuminating both it and the performer.
    Year
    Related pages Abasement #77
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    Related pages Segue Reading Series
  • The photograph shows a framed image with black geometric patterns mounted on a white wall with a black sculpture to its left sitting on a white plinth.
    The photograph shows a framed image with black geometric patterns mounted on a white wall with a black sculpture to its left sitting on a white plinth.
    Ryan Gander, What the postman brought, 2007, Mixed media Variable size, Edition of 17, 3 AP, Courtesy the artist, STORE London and Annet Gelink Amsterdam. [The photograph shows a framed image with black geometric patterns mounted on a white wall with a black sculpture to its left sitting on a white plinth.]
    Caption Ryan Gander, What the postman brought, 2007, Mixed media Variable size, Edition of 17, 3 AP, Courtesy the artist, STORE London and Annet Gelink Amsterdam.
    Image description The photograph shows a framed image with black geometric patterns mounted on a white wall with a black sculpture to its left sitting on a white plinth.
    Year 2007
    Related pages Editions
  • A figure in a blue morph suit stands, their hands on their waist, and looks to the left. A figure behind them films them. Blue video footage is projected onto the back wall.
    A figure in a blue morph suit stands, their hands on their waist, and looks to the left. A figure behind them films them. Blue video footage is projected onto the back wall.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [A figure in a blue morph suit stands, their hands on their waist, and looks to the left. A figure behind them films them. Blue video footage is projected onto the back wall.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description A figure in a blue morph suit stands, their hands on their waist, and looks to the left. A figure behind them films them. Blue video footage is projected onto the back wall.
    Year 2022
    Related pages SCRAAATCH 11-18
  • Two silhouetted figures kissing behind a microphone. They are backlit by a white projection with black capitalized text reading
    Two silhouetted figures kissing behind a microphone. They are backlit by a white projection with black capitalized text reading
    New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court. [Two silhouetted figures kissing behind a microphone. They are backlit by a white projection with black capitalized text reading "RENUNCIATION KISSING STATION".]
    Caption New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court.
    Image description Two silhouetted figures kissing behind a microphone. They are backlit by a white projection with black capitalized text reading "RENUNCIATION KISSING STATION".
    Year 2020
    Related pages New Red Order: Informants Get Paid!
  • A view of a vending machine against a glazed over window, tiled images on a white gallery wall, and a glass table surrounded by four wooden chairs.
    A view of a vending machine against a glazed over window, tiled images on a white gallery wall, and a glass table surrounded by four wooden chairs.
    ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A view of a vending machine against a glazed over window, tiled images on a white gallery wall, and a glass table surrounded by four wooden chairs.]
    Caption ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A view of a vending machine against a glazed over window, tiled images on a white gallery wall, and a glass table surrounded by four wooden chairs.
    Year 2021
    Related pages ART CLUB2000
  • A slightly blurry photograph of a yellow-toned fish tank at close range. There is a white border on two sides of the photograph with handwritten text on it.
    A slightly blurry photograph of a yellow-toned fish tank at close range. There is a white border on two sides of the photograph with handwritten text on it.
    Mark Morrisroe. Kathy's Goldfish(1985). © The Estate of Mark Morrisroe (Ringier Collection) at Fotomuseum Winterthur. [A slightly blurry photograph of a yellow-toned fish tank at close range. There is a white border on two sides of the photograph with handwritten text on it.]
    Caption Mark Morrisroe. Kathy's Goldfish(1985). © The Estate of Mark Morrisroe (Ringier Collection) at Fotomuseum Winterthur.
    Image description A slightly blurry photograph of a yellow-toned fish tank at close range. There is a white border on two sides of the photograph with handwritten text on it.
    Year 1985
    Related pages Mark Morrisroe: Neo-Romantic Iconography and the Performance of Self
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    Related pages Till They Listen: Bill Gunn Directs America
  • A wide shot of an interior space. Several books and pamphlets rest on metal shelving to the image's left and right. A low wall separates the foreground of the image from the background, in which a figure sits at a long desk with their back to the viewer. More pamplets and books are strewn about and propped upon this desk. Several gray square and rectangular canvases hang on the walls.
    A wide shot of an interior space. Several books and pamphlets rest on metal shelving to the image's left and right. A low wall separates the foreground of the image from the background, in which a figure sits at a long desk with their back to the viewer. More pamplets and books are strewn about and propped upon this desk. Several gray square and rectangular canvases hang on the walls.
    BAS, Istanbul. [A wide shot of an interior space. Several books and pamphlets rest on metal shelving to the image's left and right. A low wall separates the foreground of the image from the background, in which a figure sits at a long desk with their back to the viewer. More pamplets and books are strewn about and propped upon this desk. Several gray square and rectangular canvases hang on the walls.]
    Caption BAS, Istanbul.
    Image description A wide shot of an interior space. Several books and pamphlets rest on metal shelving to the image's left and right. A low wall separates the foreground of the image from the background, in which a figure sits at a long desk with their back to the viewer. More pamplets and books are strewn about and propped upon this desk. Several gray square and rectangular canvases hang on the walls.
    Year 2012
    Related pages Banu Cennetoglu: BAS / Bent
  • A close up of a store display planter stuffed with Gap clothing store bags and crumpled documents.
    A close up of a store display planter stuffed with Gap clothing store bags and crumpled documents.
    ART CLUB2000 Plantar, 1993 Slatwall, mirror, spider plant, shopping bags Image courtesy Artists Space, New York Photo: Filip Wolak [A close up of a store display planter stuffed with Gap clothing store bags and crumpled documents.]
    Caption ART CLUB2000 Plantar, 1993 Slatwall, mirror, spider plant, shopping bags Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description A close up of a store display planter stuffed with Gap clothing store bags and crumpled documents.
    Year 2021
    Related pages ART CLUB2000
  • A black and white video still of a painting hanging on a decorative wall. The image in the painting has been burned and is illegibly white.
    A black and white video still of a painting hanging on a decorative wall. The image in the painting has been burned and is illegibly white.
    Union Gaucha Productions in collaboration with Fabio Kacero. Still from Totloop, 2003. 16mm film (silent, color), 4 min 49 sec. Courtesy of Union Gaucha Productions. [A black and white video still of a painting hanging on a decorative wall. The image in the painting has been burned and is illegibly white.]
    Caption Union Gaucha Productions in collaboration with Fabio Kacero. Still from Totloop, 2003. 16mm film (silent, color), 4 min 49 sec. Courtesy of Union Gaucha Productions.
    Image description A black and white video still of a painting hanging on a decorative wall. The image in the painting has been burned and is illegibly white.
    Year 2003
    Related pages Union Gaucha Productions
  • In a darkened room, a bright blue LED light, two circular mirrors and scientific mounts sit atop two metal welding tables. Behind, on two adjacent black walls, lines of projected open captions overlap in varying directions.
    In a darkened room, a bright blue LED light, two circular mirrors and scientific mounts sit atop two metal welding tables. Behind, on two adjacent black walls, lines of projected open captions overlap in varying directions.
    Constantina Zavitsanos: fwiw. Installation view (Ace of Spades, 2024; Ms. Pac-Man, 2024), Artists Space, 2024. Photo: Carter Seddon. [In a darkened room, a bright blue LED light, two circular mirrors and scientific mounts sit atop two metal welding tables. Behind, on two adjacent black walls, lines of projected open captions overlap in varying directions.]
    Caption Constantina Zavitsanos: fwiw. Installation view (Ace of Spades, 2024; Ms. Pac-Man, 2024), Artists Space, 2024. Photo: Carter Seddon.
    Image description In a darkened room, a bright blue LED light, two circular mirrors and scientific mounts sit atop two metal welding tables. Behind, on two adjacent black walls, lines of projected open captions overlap in varying directions.
    Year
    Related pages fwiw
  • Two figures wearing medical scrubs stand on the edge of pieces of red fabric, stretching their arms outward.
    Two figures wearing medical scrubs stand on the edge of pieces of red fabric, stretching their arms outward.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court [Two figures wearing medical scrubs stand on the edge of pieces of red fabric, stretching their arms outward.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court
    Image description Two figures wearing medical scrubs stand on the edge of pieces of red fabric, stretching their arms outward.
    Year 2022
    Related pages Grandmother Cindy
  • Photographs hanging on a wall above a photograph on a wall shelf.
    Photographs hanging on a wall above a photograph on a wall shelf.
    Silvia Kolbowski. Installation view, Artists Space, 1980. [Photographs hanging on a wall above a photograph on a wall shelf.]
    Caption Silvia Kolbowski. Installation view, Artists Space, 1980.
    Image description Photographs hanging on a wall above a photograph on a wall shelf.
    Year
    Related pages Silvia Kolbowski
  • Color photograph of a piano. Six solenoids are placed along the piano's strings.
    Color photograph of a piano. Six solenoids are placed along the piano's strings.
    Yasunao Tone: Region of Paramedia. Installation view (Instrument for Aleitheia, 1987), Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a piano. Six solenoids are placed along the piano's strings.]
    Caption Yasunao Tone: Region of Paramedia. Installation view (Instrument for Aleitheia, 1987), Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photograph of a piano. Six solenoids are placed along the piano's strings.
    Year 2023
    Related pages Yasunao Tone: Region of Paramedia
  • Individual self-portraits, Untitled, 2021, collage and sequins on paper
    Caption Individual self-portraits, Untitled, 2021, collage and sequins on paper
    Image description
    Year 2021
    Related pages Threads of History
  • A black bumper sticker with white text on the back of a silver car reads,
    A black bumper sticker with white text on the back of a silver car reads,
    Mungo Thomson, The True Artist Helps the World by Revealing Mystic Truths (12 Step), 2004. [A black bumper sticker with white text on the back of a silver car reads, "The True Artist Helps the World by Revealing Mystic Truths."]
    Caption Mungo Thomson, The True Artist Helps the World by Revealing Mystic Truths (12 Step), 2004.
    Image description A black bumper sticker with white text on the back of a silver car reads, "The True Artist Helps the World by Revealing Mystic Truths."
    Year 2004
    Related pages Repeat Performance
  • A figure plays the saxophone on a stage.
    A figure plays the saxophone on a stage.
    Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman [A figure plays the saxophone on a stage.]
    Caption Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure plays the saxophone on a stage.
    Year 2022
    Related pages Tisziji Muñoz with Francisco Mora Catlett and AfroHORN
  • A dimly lit room with a black couch against the far wall and a houseplant in the left hand corner. Above the couch are the words
    A dimly lit room with a black couch against the far wall and a houseplant in the left hand corner. Above the couch are the words
    Audio Works. Installation view, Artists Space, 1978. [A dimly lit room with a black couch against the far wall and a houseplant in the left hand corner. Above the couch are the words "AUDIO WORKS."]
    Caption Audio Works. Installation view, Artists Space, 1978.
    Image description A dimly lit room with a black couch against the far wall and a houseplant in the left hand corner. Above the couch are the words "AUDIO WORKS."
    Year 1978
    Related pages Audio Works
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    Related pages Theresa Hak Kyung Cha: Multiple Offerings
  • A black and white photograph of a gallery space. A chouch with two figures is visible in the lower left corner. On the walls, several framed works are hung, each with a grid of smaller black and white images.
    A black and white photograph of a gallery space. A chouch with two figures is visible in the lower left corner. On the walls, several framed works are hung, each with a grid of smaller black and white images.
    Artists Performance Series. Installation view, Artists Space, 1977. [A black and white photograph of a gallery space. A chouch with two figures is visible in the lower left corner. On the walls, several framed works are hung, each with a grid of smaller black and white images.]
    Caption Artists Performance Series. Installation view, Artists Space, 1977.
    Image description A black and white photograph of a gallery space. A chouch with two figures is visible in the lower left corner. On the walls, several framed works are hung, each with a grid of smaller black and white images.
    Year 1977
    Related pages Artists Performance Series
  • Six figures each stand before a music stand in front of a seated audience. They are arranged side by side in a horizontal line, illuminated by overhead lights. A figure at the group's center is speaking. Their outstretched hand gestures towards the crowd.
    Six figures each stand before a music stand in front of a seated audience. They are arranged side by side in a horizontal line, illuminated by overhead lights. A figure at the group's center is speaking. Their outstretched hand gestures towards the crowd.
    The Owl Answers. Performance documentation, February 29, 2020, Artists Space. Photo ©️ 2020 Filip Wolak. [Six figures each stand before a music stand in front of a seated audience. They are arranged side by side in a horizontal line, illuminated by overhead lights. A figure at the group's center is speaking. Their outstretched hand gestures towards the crowd.]
    Caption The Owl Answers. Performance documentation, February 29, 2020, Artists Space. Photo ©️ 2020 Filip Wolak.
    Image description Six figures each stand before a music stand in front of a seated audience. They are arranged side by side in a horizontal line, illuminated by overhead lights. A figure at the group's center is speaking. Their outstretched hand gestures towards the crowd.
    Year 2020
    Related pages The Owl Answers
  • Red and green text overlay an orange background with abstract lines and a drawing of a male figure riding a horse in the bottom left corner. The text in the middle reads
    Red and green text overlay an orange background with abstract lines and a drawing of a male figure riding a horse in the bottom left corner. The text in the middle reads
    Flyer for Segue Reading Series featuring erica kaufman and M. Lamar. January 28, 2023, Artists Space. [Red and green text overlay an orange background with abstract lines and a drawing of a male figure riding a horse in the bottom left corner. The text in the middle reads "erica kaufman / Segue Reading Series / M. Lamar."]
    Caption Flyer for Segue Reading Series featuring erica kaufman and M. Lamar. January 28, 2023, Artists Space.
    Image description Red and green text overlay an orange background with abstract lines and a drawing of a male figure riding a horse in the bottom left corner. The text in the middle reads "erica kaufman / Segue Reading Series / M. Lamar."
    Year
    Related pages Segue Reading Series: erica kaufman & M. Lamar
  • A figure in a blue dress sits behind a white table, they are reading from a small book in front of them. Projectors on either side of the table face the back wall. An audience watches the reader from the right side of the image.
    A figure in a blue dress sits behind a white table, they are reading from a small book in front of them. Projectors on either side of the table face the back wall. An audience watches the reader from the right side of the image.
    Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang. [A figure in a blue dress sits behind a white table, they are reading from a small book in front of them. Projectors on either side of the table face the back wall. An audience watches the reader from the right side of the image.]
    Caption Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang.
    Image description A figure in a blue dress sits behind a white table, they are reading from a small book in front of them. Projectors on either side of the table face the back wall. An audience watches the reader from the right side of the image.
    Year 2023
    Related pages Chang Yuchen: Coral Dictionary Vol. 1, 2019-2022
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  • Along the gallery wall is an assemblage of objects hanging off the wall and to the floor connected by metal thread. Further down the wall is a painting, a plinth of colorful sculptures, a framed artwork, and a television playing a video in the corner. In the back is a glimpse of an alcove with three artworks appearing as colorful stripes, grey and yellow on the wall, and black on the floor.
    Along the gallery wall is an assemblage of objects hanging off the wall and to the floor connected by metal thread. Further down the wall is a painting, a plinth of colorful sculptures, a framed artwork, and a television playing a video in the corner. In the back is a glimpse of an alcove with three artworks appearing as colorful stripes, grey and yellow on the wall, and black on the floor.
    LIFE—a group show, curated by Arnold J. Kemp. Installation view, Artists Space, 2025. Photo: Carter Seddon [Along the gallery wall is an assemblage of objects hanging off the wall and to the floor connected by metal thread. Further down the wall is a painting, a plinth of colorful sculptures, a framed artwork, and a television playing a video in the corner. In the back is a glimpse of an alcove with three artworks appearing as colorful stripes, grey and yellow on the wall, and black on the floor. ]
    Caption LIFE—a group show, curated by Arnold J. Kemp. Installation view, Artists Space, 2025. Photo: Carter Seddon
    Image description Along the gallery wall is an assemblage of objects hanging off the wall and to the floor connected by metal thread. Further down the wall is a painting, a plinth of colorful sculptures, a framed artwork, and a television playing a video in the corner. In the back is a glimpse of an alcove with three artworks appearing as colorful stripes, grey and yellow on the wall, and black on the floor.
    Year 2025
    Related pages Arnold J. Kemp
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    Related pages Brad Kronz
  • People sitting on small wooden planks at the end of a pier. A large hole is visible in the side of the pier.
    People sitting on small wooden planks at the end of a pier. A large hole is visible in the side of the pier.
    Alvin Baltrop, The Piers (exterior view of day's end), 1975-8. Courtesy The Alvin Baltrop Trust and Third Streaming, New York. [People sitting on small wooden planks at the end of a pier. A large hole is visible in the side of the pier.]
    Caption Alvin Baltrop, The Piers (exterior view of day's end), 1975-8. Courtesy The Alvin Baltrop Trust and Third Streaming, New York.
    Image description People sitting on small wooden planks at the end of a pier. A large hole is visible in the side of the pier.
    Year 1975
    Related pages Artists Space Dialogues: Douglas Crimp and Bettina Funcke
  • Detail view of a greyscale sculpture made of varying polymer segments.
    Detail view of a greyscale sculpture made of varying polymer segments.
    PATTERNS / Marcelo Spina with Kreysler & Associates, Macro Piece, 2006. [Detail view of a greyscale sculpture made of varying polymer segments.]
    Caption PATTERNS / Marcelo Spina with Kreysler & Associates, Macro Piece, 2006.
    Image description Detail view of a greyscale sculpture made of varying polymer segments.
    Year 2006
    Related pages UniBodies
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    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • A white, square, cover with arabic text and a rainbow color grid.
    A white, square, cover with arabic text and a rainbow color grid.
    Arabic Cover of the catalogue for The International Art Exhibition for Palestine. Beirut, 1978. published by the PLO Unified Information Office [A white, square, cover with arabic text and a rainbow color grid.]
    Caption Arabic Cover of the catalogue for The International Art Exhibition for Palestine. Beirut, 1978. published by the PLO Unified Information Office
    Image description A white, square, cover with arabic text and a rainbow color grid.
    Year 1978
    Related pages Past Disquiet
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    Related pages Exhibitions and Events
  • Two figures are pictured side by side in matching clothes. A cutout picture of a head, its mouth wide open, is collaged on top of the figure on the left side. White and black text over the image reads
    Two figures are pictured side by side in matching clothes. A cutout picture of a head, its mouth wide open, is collaged on top of the figure on the left side. White and black text over the image reads
    Flyer for Segue Reading Series featuring Evan Kennedy and Jennifer Nelson. Saturday, November 28, 2020, Artists Space. Artist: Keith Higginbotham [Two figures are pictured side by side in matching clothes. A cutout picture of a head, its mouth wide open, is collaged on top of the figure on the left side. White and black text over the image reads "Evan Kennedy / Jennifer Nelson / Segue."]
    Caption Flyer for Segue Reading Series featuring Evan Kennedy and Jennifer Nelson. Saturday, November 28, 2020, Artists Space. Artist: Keith Higginbotham
    Image description Two figures are pictured side by side in matching clothes. A cutout picture of a head, its mouth wide open, is collaged on top of the figure on the left side. White and black text over the image reads "Evan Kennedy / Jennifer Nelson / Segue."
    Year 2020
    Related pages Segue Reading Series: Jennifer Nelson & Evan Kennedy
  • A white wall with the Artists Space logo affixed. Light bulbs are affixed to the edge of the wall. In the background a piece hangs on the wall.
    A white wall with the Artists Space logo affixed. Light bulbs are affixed to the edge of the wall. In the background a piece hangs on the wall.
    _____, Louise Lawler, Adrian Piper & Cindy Sherman Have Agreed to Participate in an Exhibition Organized by Janelle Reiring at Artists Space, September 23 through October 28, 1978, Artists Space, 1978. Installation view, Artists Space, 1978. [A white wall with the Artists Space logo affixed. Light bulbs are affixed to the edge of the wall. In the background a piece hangs on the wall.]
    Caption _____, Louise Lawler, Adrian Piper & Cindy Sherman Have Agreed to Participate in an Exhibition Organized by Janelle Reiring at Artists Space, September 23 through October 28, 1978, Artists Space, 1978. Installation view, Artists Space, 1978.
    Image description A white wall with the Artists Space logo affixed. Light bulbs are affixed to the edge of the wall. In the background a piece hangs on the wall.
    Year 1978
    Related pages ______ , Louise Lawler, Adrian Piper & Cindy Sherman Have Agreed to Participate in an Exhibition Organized by Janelle Reiring at Artists Space, September 23 through October 28, 1978.
  • A bottle of wine sits on a set dining table covered in a red tablecloth, surrounded by wine glasses. The wine label features an irregular curved white semi-oval, overlaid with a smaller burgundy red shape, and the embossed text
    A bottle of wine sits on a set dining table covered in a red tablecloth, surrounded by wine glasses. The wine label features an irregular curved white semi-oval, overlaid with a smaller burgundy red shape, and the embossed text
    Friends of Artists Space Dinner 2024. Wine sponsor Vivanterre. Photo: Jenna Bascom [A bottle of wine sits on a set dining table covered in a red tablecloth, surrounded by wine glasses. The wine label features an irregular curved white semi-oval, overlaid with a smaller burgundy red shape, and the embossed text "Vivanterre"]
    Caption Friends of Artists Space Dinner 2024. Wine sponsor Vivanterre. Photo: Jenna Bascom
    Image description A bottle of wine sits on a set dining table covered in a red tablecloth, surrounded by wine glasses. The wine label features an irregular curved white semi-oval, overlaid with a smaller burgundy red shape, and the embossed text "Vivanterre"
    Year
    Related pages Friends of Artists Space Dinner
  • A hardcover book depicting a blueish outdoor park obscured by several grey sheets.
    A hardcover book depicting a blueish outdoor park obscured by several grey sheets.
    Martin Beck, An Organized System of Instructions (Carpenter Center for the Visual Arts and Sternberg Press, 2017). [A hardcover book depicting a blueish outdoor park obscured by several grey sheets.]
    Caption Martin Beck, An Organized System of Instructions (Carpenter Center for the Visual Arts and Sternberg Press, 2017).
    Image description A hardcover book depicting a blueish outdoor park obscured by several grey sheets.
    Year 2017
    Related pages An Organized System of Instructions
  • A color photograph of a wooden cafe chair with a green cushion in a gallery space. The chair is placed in front of a small seam in the wall. A television screen rests on top of the chair.
    A color photograph of a wooden cafe chair with a green cushion in a gallery space. The chair is placed in front of a small seam in the wall. A television screen rests on top of the chair.
    Nicole-Antonia Spagnola, Untitled, 2022. Raw Power, Raw Power; Kollettivo, Lotta per il potere; Antigenesi, Una donna non e’ merda; Negazione, Tutti Pazzi; RAF Punk, Contro la pace Contro la guerra; Peggio Punx, Scemo. 8mm to MP4 transfer (color, sound), monitors, chairs. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of a wooden cafe chair with a green cushion in a gallery space. The chair is placed in front of a small seam in the wall. A television screen rests on top of the chair.]
    Caption Nicole-Antonia Spagnola, Untitled, 2022. Raw Power, Raw Power; Kollettivo, Lotta per il potere; Antigenesi, Una donna non e’ merda; Negazione, Tutti Pazzi; RAF Punk, Contro la pace Contro la guerra; Peggio Punx, Scemo. 8mm to MP4 transfer (color, sound), monitors, chairs. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color photograph of a wooden cafe chair with a green cushion in a gallery space. The chair is placed in front of a small seam in the wall. A television screen rests on top of the chair.
    Year
    Related pages Nicole-Antonia Spagnola: Anti-Genesis
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    Related pages Brad Kronz
  • Color image of performer using their left hand to control a soundboard resting on a circular table while their left hand grasps a microphone. Next the performer is an empty music stand. The performer's serious face peeks out from their long brown hair. To stage left, audience members hold their hands up in applause. The performer is illuminated by the colorful light of a projector, which casts red and blue light on the wall behind the performer.
    Color image of performer using their left hand to control a soundboard resting on a circular table while their left hand grasps a microphone. Next the performer is an empty music stand. The performer's serious face peeks out from their long brown hair. To stage left, audience members hold their hands up in applause. The performer is illuminated by the colorful light of a projector, which casts red and blue light on the wall behind the performer.
    Abasement #67. Performance documentation, January 15, 2024, Artists Space. Photo: Joshua Wildman. [Color image of performer using their left hand to control a soundboard resting on a circular table while their left hand grasps a microphone. Next the performer is an empty music stand. The performer's serious face peeks out from their long brown hair. To stage left, audience members hold their hands up in applause. The performer is illuminated by the colorful light of a projector, which casts red and blue light on the wall behind the performer.]
    Caption Abasement #67. Performance documentation, January 15, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Color image of performer using their left hand to control a soundboard resting on a circular table while their left hand grasps a microphone. Next the performer is an empty music stand. The performer's serious face peeks out from their long brown hair. To stage left, audience members hold their hands up in applause. The performer is illuminated by the colorful light of a projector, which casts red and blue light on the wall behind the performer.
    Year
    Related pages Abasement #67
  • A greyscale Polaroid of two shirtless men looking into each other's eyes.
    A greyscale Polaroid of two shirtless men looking into each other's eyes.
    Mark Morrisroe, Untitled [Stephen and Mark], c. 1984. Courtesy The Estate of Mark Morrisroe (Ringier Collection) at Fotomuseum Winterthur. [A greyscale Polaroid of two shirtless men looking into each other's eyes.]
    Caption Mark Morrisroe, Untitled [Stephen and Mark], c. 1984. Courtesy The Estate of Mark Morrisroe (Ringier Collection) at Fotomuseum Winterthur.
    Image description A greyscale Polaroid of two shirtless men looking into each other's eyes.
    Year 2011
    Related pages Mark Morrisroe: From This Moment On
  • Green fluorescent strips arranged in gridded, triangle-shaped sections.
    Green fluorescent strips arranged in gridded, triangle-shaped sections.
    [Green fluorescent strips arranged in gridded, triangle-shaped sections.]
    Caption
    Image description Green fluorescent strips arranged in gridded, triangle-shaped sections.
    Year 2004
    Related pages Architecture & Design Project Series: Flux Room
  • Color photograph of a corner of a gallery space. On the left wall hang various framed posters, and black-and-white photographs. A small window in the wall leads to the front of the gallery. On the right wall are more photographs and posters, and a vitrine. On the floor sits a television monitor displaying a black-and-white image of a pocketwatch.
    Color photograph of a corner of a gallery space. On the left wall hang various framed posters, and black-and-white photographs. A small window in the wall leads to the front of the gallery. On the right wall are more photographs and posters, and a vitrine. On the floor sits a television monitor displaying a black-and-white image of a pocketwatch.
    Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a corner of a gallery space. On the left wall hang various framed posters, and black-and-white photographs. A small window in the wall leads to the front of the gallery. On the right wall are more photographs and posters, and a vitrine. On the floor sits a television monitor displaying a black-and-white image of a pocketwatch.]
    Caption Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photograph of a corner of a gallery space. On the left wall hang various framed posters, and black-and-white photographs. A small window in the wall leads to the front of the gallery. On the right wall are more photographs and posters, and a vitrine. On the floor sits a television monitor displaying a black-and-white image of a pocketwatch.
    Year 2023
    Related pages Yasunao Tone: Region of Paramedia
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • An exhibition wall filled with colorful posters, prints and magazine covers, a tv monitor sits on the floor.
    An exhibition wall filled with colorful posters, prints and magazine covers, a tv monitor sits on the floor.
    Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artist Space, 2013. Photo: Daniel Pérez. [An exhibition wall filled with colorful posters, prints and magazine covers, a tv monitor sits on the floor.]
    Caption Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artist Space, 2013. Photo: Daniel Pérez.
    Image description An exhibition wall filled with colorful posters, prints and magazine covers, a tv monitor sits on the floor.
    Year 2013
    Related pages
  • Magazine cutouts and printed images overlay a colorful background with red, white, blue and yellow pieces collaged together. A cutout of an eye is placed in the center, and to the right of it is text that reads
    Magazine cutouts and printed images overlay a colorful background with red, white, blue and yellow pieces collaged together. A cutout of an eye is placed in the center, and to the right of it is text that reads
    Flyer by Joe Frivaldi. [Magazine cutouts and printed images overlay a colorful background with red, white, blue and yellow pieces collaged together. A cutout of an eye is placed in the center, and to the right of it is text that reads "ABASEMENT 66." Along the bottom right is a cutout of yellow paper has handwritten text in red ink, listing the performers and date of the performance.]
    Caption Flyer by Joe Frivaldi.
    Image description Magazine cutouts and printed images overlay a colorful background with red, white, blue and yellow pieces collaged together. A cutout of an eye is placed in the center, and to the right of it is text that reads "ABASEMENT 66." Along the bottom right is a cutout of yellow paper has handwritten text in red ink, listing the performers and date of the performance.
    Year 2023
    Related pages Abasement #66
  • A black and white photograph with two projectors hanging central with projections on one wall and another hanging screen in a gallery space.
    A black and white photograph with two projectors hanging central with projections on one wall and another hanging screen in a gallery space.
    Anne Bray. Man on First and Third, 1987. Slide/Sound Installation. [A black and white photograph with two projectors hanging central with projections on one wall and another hanging screen in a gallery space.]
    Caption Anne Bray. Man on First and Third, 1987. Slide/Sound Installation.
    Image description A black and white photograph with two projectors hanging central with projections on one wall and another hanging screen in a gallery space.
    Year 1987
    Related pages Dark Rooms
  • A receding row of columns lines our view into the far gallery space. In the foreground, several of Ruben Ulises Rodriguez Montoya's biomorphic sculptures are displayed on walls, resting on a pedestal, or hanging from the ceiling. In the distance, two of Matthew Langan-Peck's monumental painted toy box sculptures sit on the gallery floor; a set of headphones hangs on the side of each box. In the background, Isabelle Frances McGuire's three large pink banners emblazoned with silver stars hang from ceiling to floor.
    A receding row of columns lines our view into the far gallery space. In the foreground, several of Ruben Ulises Rodriguez Montoya's biomorphic sculptures are displayed on walls, resting on a pedestal, or hanging from the ceiling. In the distance, two of Matthew Langan-Peck's monumental painted toy box sculptures sit on the gallery floor; a set of headphones hangs on the side of each box. In the background, Isabelle Frances McGuire's three large pink banners emblazoned with silver stars hang from ceiling to floor.
    Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon. [A receding row of columns lines our view into the far gallery space. In the foreground, several of Ruben Ulises Rodriguez Montoya's biomorphic sculptures are displayed on walls, resting on a pedestal, or hanging from the ceiling. In the distance, two of Matthew Langan-Peck's monumental painted toy box sculptures sit on the gallery floor; a set of headphones hangs on the side of each box. In the background, Isabelle Frances McGuire's three large pink banners emblazoned with silver stars hang from ceiling to floor.]
    Caption Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon.
    Image description A receding row of columns lines our view into the far gallery space. In the foreground, several of Ruben Ulises Rodriguez Montoya's biomorphic sculptures are displayed on walls, resting on a pedestal, or hanging from the ceiling. In the distance, two of Matthew Langan-Peck's monumental painted toy box sculptures sit on the gallery floor; a set of headphones hangs on the side of each box. In the background, Isabelle Frances McGuire's three large pink banners emblazoned with silver stars hang from ceiling to floor.
    Year
    Related pages Doris Guo Matthew Langan-Peck Isabelle Frances McGuire Ruben Ulises Rodriguez Montoya
  • A photograph of a large gallery space with multiple rooms visible. In the foreground, the floor is covered with flooring, except for a silhouette of a human figure which has been cut out of the flooring, through which the concrete below is visible. Two geometric abstract paintings hang on the wall above.
    A photograph of a large gallery space with multiple rooms visible. In the foreground, the floor is covered with flooring, except for a silhouette of a human figure which has been cut out of the flooring, through which the concrete below is visible. Two geometric abstract paintings hang on the wall above.
    Selections from the Artists File. Installation view, Artists Space, 1989. [A photograph of a large gallery space with multiple rooms visible. In the foreground, the floor is covered with flooring, except for a silhouette of a human figure which has been cut out of the flooring, through which the concrete below is visible. Two geometric abstract paintings hang on the wall above.]
    Caption Selections from the Artists File. Installation view, Artists Space, 1989.
    Image description A photograph of a large gallery space with multiple rooms visible. In the foreground, the floor is covered with flooring, except for a silhouette of a human figure which has been cut out of the flooring, through which the concrete below is visible. Two geometric abstract paintings hang on the wall above.
    Year 1989
    Related pages Selections from the Artist File
  • A person, clad in a white jumpsuit and blue eye makeup, lies horizontally on the ground. Their top half body is visible in the bottom left corner. Next to them floats a handwritten thought bubble, which reads,
    A person, clad in a white jumpsuit and blue eye makeup, lies horizontally on the ground. Their top half body is visible in the bottom left corner. Next to them floats a handwritten thought bubble, which reads,
    Untitled (Performance at Galleria L'Attico), 1974 35mm slide, Copyright Jack Smith Archive, Courtesy Gladstone Gallery, New York and Brussels [A person, clad in a white jumpsuit and blue eye makeup, lies horizontally on the ground. Their top half body is visible in the bottom left corner. Next to them floats a handwritten thought bubble, which reads, "How can a queer escape the mocking laughter of wealthy normals if they visit his very rejection-sewer home to get art."]
    Caption Untitled (Performance at Galleria L'Attico), 1974 35mm slide, Copyright Jack Smith Archive, Courtesy Gladstone Gallery, New York and Brussels
    Image description A person, clad in a white jumpsuit and blue eye makeup, lies horizontally on the ground. Their top half body is visible in the bottom left corner. Next to them floats a handwritten thought bubble, which reads, "How can a queer escape the mocking laughter of wealthy normals if they visit his very rejection-sewer home to get art."
    Year 1974
    Related pages Jack Smith: Art Crust of Spiritual Oasis
  • A man and woman hold hands while running, captured as though suspended above the ground. The woman pushes a red baby stroller in front of her. The scene is backlit, with the sun over a body of water behind them. On the upper right hand corner is the logo for
    A man and woman hold hands while running, captured as though suspended above the ground. The woman pushes a red baby stroller in front of her. The scene is backlit, with the sun over a body of water behind them. On the upper right hand corner is the logo for
    [A man and woman hold hands while running, captured as though suspended above the ground. The woman pushes a red baby stroller in front of her. The scene is backlit, with the sun over a body of water behind them. On the upper right hand corner is the logo for "WeWork," offset on a diagonal.]
    Caption
    Image description A man and woman hold hands while running, captured as though suspended above the ground. The woman pushes a red baby stroller in front of her. The scene is backlit, with the sun over a body of water behind them. On the upper right hand corner is the logo for "WeWork," offset on a diagonal.
    Year 2019
    Related pages Ei Arakawa: WEWORK BABIES (11 Cortlandt Alley)
  • Two women stand close together and smile at the camera. Barbara Gladstone, who stands on the left, is wearing a black long-sleeved cowl-neck gown. Emily Wei Rales, who is on the right, wears a dark eggplant dress with fringe accents and trim.
    Two women stand close together and smile at the camera. Barbara Gladstone, who stands on the left, is wearing a black long-sleeved cowl-neck gown. Emily Wei Rales, who is on the right, wears a dark eggplant dress with fringe accents and trim.
    Barbara Gladstone and Emily Wei Rales. Photo: Jenna Bascom [Two women stand close together and smile at the camera. Barbara Gladstone, who stands on the left, is wearing a black long-sleeved cowl-neck gown. Emily Wei Rales, who is on the right, wears a dark eggplant dress with fringe accents and trim.]
    Caption Barbara Gladstone and Emily Wei Rales. Photo: Jenna Bascom
    Image description Two women stand close together and smile at the camera. Barbara Gladstone, who stands on the left, is wearing a black long-sleeved cowl-neck gown. Emily Wei Rales, who is on the right, wears a dark eggplant dress with fringe accents and trim.
    Year
    Related pages Support
  • Several artworks sit in a dimly lit gallery space, illuminated by light from an open gallery window. Three video monitors are installed on plinths to the left of the image. In front of them and closest to the viewer, an overturned cardboard box rests on the floor. To the left, a stool-like structure sits on a plinth illuminated by a bright overhead light. Behind this structure, a series of small works on paper are displayed on a gallery wall.
    Several artworks sit in a dimly lit gallery space, illuminated by light from an open gallery window. Three video monitors are installed on plinths to the left of the image. In front of them and closest to the viewer, an overturned cardboard box rests on the floor. To the left, a stool-like structure sits on a plinth illuminated by a bright overhead light. Behind this structure, a series of small works on paper are displayed on a gallery wall.
    Salad Days 3. Installation view, Artists Space, 2008. Photo: Jeremy Ross. [Several artworks sit in a dimly lit gallery space, illuminated by light from an open gallery window. Three video monitors are installed on plinths to the left of the image. In front of them and closest to the viewer, an overturned cardboard box rests on the floor. To the left, a stool-like structure sits on a plinth illuminated by a bright overhead light. Behind this structure, a series of small works on paper are displayed on a gallery wall.]
    Caption Salad Days 3. Installation view, Artists Space, 2008. Photo: Jeremy Ross.
    Image description Several artworks sit in a dimly lit gallery space, illuminated by light from an open gallery window. Three video monitors are installed on plinths to the left of the image. In front of them and closest to the viewer, an overturned cardboard box rests on the floor. To the left, a stool-like structure sits on a plinth illuminated by a bright overhead light. Behind this structure, a series of small works on paper are displayed on a gallery wall.
    Year 2008
    Related pages Salad Days 3
  • A color photo of several individuals seated at banquet-style dining tables. Individuals are clapping and looking around the large reception space.
    A color photo of several individuals seated at banquet-style dining tables. Individuals are clapping and looking around the large reception space.
    The Founders Dinner, 2019. [A color photo of several individuals seated at banquet-style dining tables. Individuals are clapping and looking around the large reception space.]
    Caption The Founders Dinner, 2019.
    Image description A color photo of several individuals seated at banquet-style dining tables. Individuals are clapping and looking around the large reception space.
    Year 2019
    Related pages Support
  • Developing cyanotypes, 2022
    Caption Developing cyanotypes, 2022
    Image description
    Year 2022
    Related pages Listening to the LES
  • A person dressed in all pink, holding several sheets of paper, speaks into a microphone. Her arms are draped with masses of cords. A crowd of audience members surrounds her, some seated and some standing.
    A person dressed in all pink, holding several sheets of paper, speaks into a microphone. Her arms are draped with masses of cords. A crowd of audience members surrounds her, some seated and some standing.
    Jutta Koether: xxapollo. Performance documentation, January 5, 2020, Artists Space. Photo © 2020 Paula Court. [A person dressed in all pink, holding several sheets of paper, speaks into a microphone. Her arms are draped with masses of cords. A crowd of audience members surrounds her, some seated and some standing.]
    Caption Jutta Koether: xxapollo. Performance documentation, January 5, 2020, Artists Space. Photo © 2020 Paula Court.
    Image description A person dressed in all pink, holding several sheets of paper, speaks into a microphone. Her arms are draped with masses of cords. A crowd of audience members surrounds her, some seated and some standing.
    Year 2020
    Related pages Jutta Koether
  • A view of Chinatown at night, with a projection onto the side of a building which reads
    A view of Chinatown at night, with a projection onto the side of a building which reads
    Chinatown Art Brigade and The Illuminator Here to Stay, September 24, 2016 Courtesy Chinatown Art Brigade. Photo: KahEan Chang [A view of Chinatown at night, with a projection onto the side of a building which reads "Save Chinatown" with its own image of Chinatown storefronts underneath.]
    Caption Chinatown Art Brigade and The Illuminator Here to Stay, September 24, 2016 Courtesy Chinatown Art Brigade. Photo: KahEan Chang
    Image description A view of Chinatown at night, with a projection onto the side of a building which reads "Save Chinatown" with its own image of Chinatown storefronts underneath.
    Year 2016
    Related pages Decolonize This Place
  • A photograph with a wood frame hangs on a wall. The photo sits on a white background, centered in the top half of the page. The photo shows a person's nose and mouth, with mouth agape.
    A photograph with a wood frame hangs on a wall. The photo sits on a white background, centered in the top half of the page. The photo shows a person's nose and mouth, with mouth agape.
    Ann Hamilton, Mirrim, 1999, Iris print, 30 x 22 inches (76.2 x 55.9 cm), Edition of 40, Signed & numbered. [A photograph with a wood frame hangs on a wall. The photo sits on a white background, centered in the top half of the page. The photo shows a person's nose and mouth, with mouth agape.]
    Caption Ann Hamilton, Mirrim, 1999, Iris print, 30 x 22 inches (76.2 x 55.9 cm), Edition of 40, Signed & numbered.
    Image description A photograph with a wood frame hangs on a wall. The photo sits on a white background, centered in the top half of the page. The photo shows a person's nose and mouth, with mouth agape.
    Year 1999
    Related pages Editions
  • Caption
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Three red, orange, and green fabric rolls are arranged vertically on a white wall. Further along the wall, two marbled, gray and red sheets have been hung low on the wall such that their lower halves drape on the gallery floor.
    Three red, orange, and green fabric rolls are arranged vertically on a white wall. Further along the wall, two marbled, gray and red sheets have been hung low on the wall such that their lower halves drape on the gallery floor.
    Local Transit. Installation view, Artists Space, 2006. [Three red, orange, and green fabric rolls are arranged vertically on a white wall. Further along the wall, two marbled, gray and red sheets have been hung low on the wall such that their lower halves drape on the gallery floor.]
    Caption Local Transit. Installation view, Artists Space, 2006.
    Image description Three red, orange, and green fabric rolls are arranged vertically on a white wall. Further along the wall, two marbled, gray and red sheets have been hung low on the wall such that their lower halves drape on the gallery floor.
    Year 2006
    Related pages Local Transit: An Exhibition in Two Parts
  • A book cover with an old car vertically arranged next to Arabic writing.
    A book cover with an old car vertically arranged next to Arabic writing.
    Peter Osborne, Anywhere or Not At All (Verso Books, 2013). [A book cover with an old car vertically arranged next to Arabic writing.]
    Caption Peter Osborne, Anywhere or Not At All (Verso Books, 2013).
    Image description A book cover with an old car vertically arranged next to Arabic writing.
    Year 2013
    Related pages Anywhere or Not at All
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    Related pages Dream Lines: Drawings by Marian Zazeela
  • A painting over a black background of a set of hands cupping a rose. Above, several more roses are pictured.
    A painting over a black background of a set of hands cupping a rose. Above, several more roses are pictured.
    Gary Bower, White Bouquet, 1976. From Gary Bower, Fontaine Dunn, Hermine Ford, Artists Space, 1976. [A painting over a black background of a set of hands cupping a rose. Above, several more roses are pictured.]
    Caption Gary Bower, White Bouquet, 1976. From Gary Bower, Fontaine Dunn, Hermine Ford, Artists Space, 1976.
    Image description A painting over a black background of a set of hands cupping a rose. Above, several more roses are pictured.
    Year 1976
    Related pages Gary Bower, Fontaine Dunn, Hermine Ford
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    Related pages DRAFT IMAGE PAGE_NEVER DELETE
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Image of a performer on stage in a yellow shirt and baseball cap playing the drums. They are facing an audience. To their right is another performer playing the guitar. The room is dark with red and blue-tinted light.
    Image of a performer on stage in a yellow shirt and baseball cap playing the drums. They are facing an audience. To their right is another performer playing the guitar. The room is dark with red and blue-tinted light.
    Abasement #73. Performance documentation, November 4th, 2024, Artists Space. Photo: Joshua Wildman. [Image of a performer on stage in a yellow shirt and baseball cap playing the drums. They are facing an audience. To their right is another performer playing the guitar. The room is dark with red and blue-tinted light.]
    Caption Abasement #73. Performance documentation, November 4th, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Image of a performer on stage in a yellow shirt and baseball cap playing the drums. They are facing an audience. To their right is another performer playing the guitar. The room is dark with red and blue-tinted light.
    Year
    Related pages Abasement #73
  • A smaller wooden panel has been inserted into a larger surrounding wooden square. The woods' grains contrast with slight color variations.
    A smaller wooden panel has been inserted into a larger surrounding wooden square. The woods' grains contrast with slight color variations.
    Brad Kronz, Egna Spartan, 2025. Plywood, wood filler, stain. Photo: Carter Seddon [A smaller wooden panel has been inserted into a larger surrounding wooden square. The woods' grains contrast with slight color variations. ]
    Caption Brad Kronz, Egna Spartan, 2025. Plywood, wood filler, stain. Photo: Carter Seddon
    Image description A smaller wooden panel has been inserted into a larger surrounding wooden square. The woods' grains contrast with slight color variations.
    Year
    Related pages Brad Kronz
  • Several geometric structures of varying sizes are displayed in close, overlapping clusters in a gallery space. The largest structure of the group nearly touches the gallery ceiling is composed of an array of flat pentagons that form circular, symmetrical patterns. Behind this structure is a large archway-shaped wall decal showing further colorful arrays and patterns. Several other, smaller pieces with similar geometric forms cluster on the floor around these structures.
    Several geometric structures of varying sizes are displayed in close, overlapping clusters in a gallery space. The largest structure of the group nearly touches the gallery ceiling is composed of an array of flat pentagons that form circular, symmetrical patterns. Behind this structure is a large archway-shaped wall decal showing further colorful arrays and patterns. Several other, smaller pieces with similar geometric forms cluster on the floor around these structures.
    Salad Days 3. Installation view, Artists Space, 2008. Photo: Jeremy Ross. [Several geometric structures of varying sizes are displayed in close, overlapping clusters in a gallery space. The largest structure of the group nearly touches the gallery ceiling is composed of an array of flat pentagons that form circular, symmetrical patterns. Behind this structure is a large archway-shaped wall decal showing further colorful arrays and patterns. Several other, smaller pieces with similar geometric forms cluster on the floor around these structures.]
    Caption Salad Days 3. Installation view, Artists Space, 2008. Photo: Jeremy Ross.
    Image description Several geometric structures of varying sizes are displayed in close, overlapping clusters in a gallery space. The largest structure of the group nearly touches the gallery ceiling is composed of an array of flat pentagons that form circular, symmetrical patterns. Behind this structure is a large archway-shaped wall decal showing further colorful arrays and patterns. Several other, smaller pieces with similar geometric forms cluster on the floor around these structures.
    Year 2008
    Related pages Salad Days 3
  • An image of a gold public bathroom toilet with a red Decolonize This Place sticker placed at the top of the toilet seat.
    An image of a gold public bathroom toilet with a red Decolonize This Place sticker placed at the top of the toilet seat.
    Anonymous action at the Solomon R. Guggenheim Museum, October 10, 2016. [An image of a gold public bathroom toilet with a red Decolonize This Place sticker placed at the top of the toilet seat.]
    Caption Anonymous action at the Solomon R. Guggenheim Museum, October 10, 2016.
    Image description An image of a gold public bathroom toilet with a red Decolonize This Place sticker placed at the top of the toilet seat.
    Year 2016
    Related pages Decolonize This Place
  • A performer sings into a microphone. The performer and stage are bathed in psychedelic, colorful patterns.
    A performer sings into a microphone. The performer and stage are bathed in psychedelic, colorful patterns.
    Abasement #85. Performance documentation, March 2nd, 2026, Artists Space. Photo: Joshua Wildman. [A performer sings into a microphone. The performer and stage are bathed in psychedelic, colorful patterns. ]
    Caption Abasement #85. Performance documentation, March 2nd, 2026, Artists Space. Photo: Joshua Wildman.
    Image description A performer sings into a microphone. The performer and stage are bathed in psychedelic, colorful patterns.
    Year
    Related pages Abasement #85
  • Figurative paintings are hanging on a wall in a white-walled gallery setting.
    Figurative paintings are hanging on a wall in a white-walled gallery setting.
    Four Artists: An Exhibition of Painting and Sculpture. Installation View. Artists Space, 1985. [Figurative paintings are hanging on a wall in a white-walled gallery setting.]
    Caption Four Artists: An Exhibition of Painting and Sculpture. Installation View. Artists Space, 1985.
    Image description Figurative paintings are hanging on a wall in a white-walled gallery setting.
    Year 1985
    Related pages Four Artists: An Exhibition of Painting and Sculpture
  • Color installation image showing a video monitor mounted on a wall which is covered in tiled images of YouTube pages. A pair of wired headphones is hanging to the right of the monitor.
    Color installation image showing a video monitor mounted on a wall which is covered in tiled images of YouTube pages. A pair of wired headphones is hanging to the right of the monitor.
    Amalia Soto, My Apology, 2022. Single-Channel video, 23:59 minutes, wall vinyl. Photo: Steven Cottingham. [Color installation image showing a video monitor mounted on a wall which is covered in tiled images of YouTube pages. A pair of wired headphones is hanging to the right of the monitor.]
    Caption Amalia Soto, My Apology, 2022. Single-Channel video, 23:59 minutes, wall vinyl. Photo: Steven Cottingham.
    Image description Color installation image showing a video monitor mounted on a wall which is covered in tiled images of YouTube pages. A pair of wired headphones is hanging to the right of the monitor.
    Year
    Related pages Whitney Independent Study: Everything is Common
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    Related pages Scholastic Art and Writing Awards
  • A book sits against a grey background. The cover features a colorful abstract drawing and a black-and-white photograph. The text on the cover reads
    A book sits against a grey background. The cover features a colorful abstract drawing and a black-and-white photograph. The text on the cover reads
    Cover of Marc Camille Chaimowicz: Writings and Interviews, Sternberg Press, 2025. [A book sits against a grey background. The cover features a colorful abstract drawing and a black-and-white photograph. The text on the cover reads "Marc Camille Chaimowicz / Writings and Interviews."]
    Caption Cover of Marc Camille Chaimowicz: Writings and Interviews, Sternberg Press, 2025.
    Image description A book sits against a grey background. The cover features a colorful abstract drawing and a black-and-white photograph. The text on the cover reads "Marc Camille Chaimowicz / Writings and Interviews."
    Year
    Related pages Marc Camille Chaimowicz: Writings and Interviews
  • Three performers, from left to right, sit singing, playing the drums, and operating a sound board on stage.
    Three performers, from left to right, sit singing, playing the drums, and operating a sound board on stage.
    Abasement #84. Performance documentation, February 16th, 2026, Artists Space. Photo: Joshua Wildman. [Three performers, from left to right, sit singing, playing the drums, and operating a sound board on stage. ]
    Caption Abasement #84. Performance documentation, February 16th, 2026, Artists Space. Photo: Joshua Wildman.
    Image description Three performers, from left to right, sit singing, playing the drums, and operating a sound board on stage.
    Year
    Related pages Abasement #84
  • A view of a gallery installed with multiple sculptures by Matthew Langan-Peck, Ruben Ulises Rodriguez Montoya, and Isabelle Frances McGuire. In the center foreground sits a wooden box sculpture painted light blue, with a pair of headphones hanging from a small peg on the side facing us. Another wooden box, painted dark blue with a repeated traffic light motif, sits in the distance behind and partially occluded by the box in the foreground. To the left, a large biomorphic sculpture composed of found materials hangs from the ceiling. In the background, three large pink banners emblazoned with silver stars hang from ceiling to floor.
    A view of a gallery installed with multiple sculptures by Matthew Langan-Peck, Ruben Ulises Rodriguez Montoya, and Isabelle Frances McGuire. In the center foreground sits a wooden box sculpture painted light blue, with a pair of headphones hanging from a small peg on the side facing us. Another wooden box, painted dark blue with a repeated traffic light motif, sits in the distance behind and partially occluded by the box in the foreground. To the left, a large biomorphic sculpture composed of found materials hangs from the ceiling. In the background, three large pink banners emblazoned with silver stars hang from ceiling to floor.
    Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon. [A view of a gallery installed with multiple sculptures by Matthew Langan-Peck, Ruben Ulises Rodriguez Montoya, and Isabelle Frances McGuire. In the center foreground sits a wooden box sculpture painted light blue, with a pair of headphones hanging from a small peg on the side facing us. Another wooden box, painted dark blue with a repeated traffic light motif, sits in the distance behind and partially occluded by the box in the foreground. To the left, a large biomorphic sculpture composed of found materials hangs from the ceiling. In the background, three large pink banners emblazoned with silver stars hang from ceiling to floor.]
    Caption Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon.
    Image description A view of a gallery installed with multiple sculptures by Matthew Langan-Peck, Ruben Ulises Rodriguez Montoya, and Isabelle Frances McGuire. In the center foreground sits a wooden box sculpture painted light blue, with a pair of headphones hanging from a small peg on the side facing us. Another wooden box, painted dark blue with a repeated traffic light motif, sits in the distance behind and partially occluded by the box in the foreground. To the left, a large biomorphic sculpture composed of found materials hangs from the ceiling. In the background, three large pink banners emblazoned with silver stars hang from ceiling to floor.
    Year
    Related pages Doris Guo Matthew Langan-Peck Isabelle Frances McGuire Ruben Ulises Rodriguez Montoya
  • An image showing a video game work consisting of a monitor, a keyboard, and instructional booklet arranged on a wooden desk.
    An image showing a video game work consisting of a monitor, a keyboard, and instructional booklet arranged on a wooden desk.
    Will Lee, Sentence, 2022. Videogame. Photo: Steven Cottingham. [An image showing a video game work consisting of a monitor, a keyboard, and instructional booklet arranged on a wooden desk.]
    Caption Will Lee, Sentence, 2022. Videogame. Photo: Steven Cottingham.
    Image description An image showing a video game work consisting of a monitor, a keyboard, and instructional booklet arranged on a wooden desk.
    Year
    Related pages Whitney Independent Study: Everything is Common
  • A display case presents ten clear small boxes, each filled with various liquids and items. Some contain liquid mercury, disassembled toy parts, newsprint images, and temporary tattoos on silly putty.
    A display case presents ten clear small boxes, each filled with various liquids and items. Some contain liquid mercury, disassembled toy parts, newsprint images, and temporary tattoos on silly putty.
    Ralston Farina: Time // Time. Installation view, Artists Space, 2025. Photo: Carter Seddon. [A display case presents ten clear small boxes, each filled with various liquids and items. Some contain liquid mercury, disassembled toy parts, newsprint images, and temporary tattoos on silly putty. ]
    Caption Ralston Farina: Time // Time. Installation view, Artists Space, 2025. Photo: Carter Seddon.
    Image description A display case presents ten clear small boxes, each filled with various liquids and items. Some contain liquid mercury, disassembled toy parts, newsprint images, and temporary tattoos on silly putty.
    Year
    Related pages Ralston Farina: Time // Time
  • A colorful drawing with sketches of two people is projected onto a dark wall. The image is partially obscured by two silhouetted figures.
    A colorful drawing with sketches of two people is projected onto a dark wall. The image is partially obscured by two silhouetted figures.
    Jutta Koether: xxapollo. Performance documentation, January 5, 2020, Artists Space. Photo © 2020 Paula Court. [A colorful drawing with sketches of two people is projected onto a dark wall. The image is partially obscured by two silhouetted figures.]
    Caption Jutta Koether: xxapollo. Performance documentation, January 5, 2020, Artists Space. Photo © 2020 Paula Court.
    Image description A colorful drawing with sketches of two people is projected onto a dark wall. The image is partially obscured by two silhouetted figures.
    Year 2020
    Related pages Jutta Koether
  • A figure stands on stage speaking into a microphone.
    A figure stands on stage speaking into a microphone.
    Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [A figure stands on stage speaking into a microphone.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure stands on stage speaking into a microphone.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-10
  • Photograph of a series of objects clustered on a dusty shelf, illuminated by soft daylight. Two identical green vases and two clear cups sit on the right side of the shelf. A photograph of several tomato plant stalks and other flowers is causally propped behind the leftmost vase. Stacks of paper, a plastic bag, and used candles are scattered behind these objects. Small text at the lower left and right corners of the image reads,
    Photograph of a series of objects clustered on a dusty shelf, illuminated by soft daylight. Two identical green vases and two clear cups sit on the right side of the shelf. A photograph of several tomato plant stalks and other flowers is causally propped behind the leftmost vase. Stacks of paper, a plastic bag, and used candles are scattered behind these objects. Small text at the lower left and right corners of the image reads,
    Wolfgang Tillmans,still life (Bühnenbild), 2020, 23.5 x 16.5 inches [Photograph of a series of objects clustered on a dusty shelf, illuminated by soft daylight. Two identical green vases and two clear cups sit on the right side of the shelf. A photograph of several tomato plant stalks and other flowers is causally propped behind the leftmost vase. Stacks of paper, a plastic bag, and used candles are scattered behind these objects. Small text at the lower left and right corners of the image reads, "2020Solidarity - Wolfgang Tillmans / A project by Between Bridges."]
    Caption Wolfgang Tillmans,still life (Bühnenbild), 2020, 23.5 x 16.5 inches
    Image description Photograph of a series of objects clustered on a dusty shelf, illuminated by soft daylight. Two identical green vases and two clear cups sit on the right side of the shelf. A photograph of several tomato plant stalks and other flowers is causally propped behind the leftmost vase. Stacks of paper, a plastic bag, and used candles are scattered behind these objects. Small text at the lower left and right corners of the image reads, "2020Solidarity - Wolfgang Tillmans / A project by Between Bridges."
    Year 2020
    Related pages 2020Solidarity
  • A close-up, black and white photo of a person mid-speech, looking off-center.
    A close-up, black and white photo of a person mid-speech, looking off-center.
    Lyn Blumenthal and Kate Horsfield, still from Nancy Spero: An Interview, 1982. 35 min. [A close-up, black and white photo of a person mid-speech, looking off-center.]
    Caption Lyn Blumenthal and Kate Horsfield, still from Nancy Spero: An Interview, 1982. 35 min.
    Image description A close-up, black and white photo of a person mid-speech, looking off-center.
    Year 1982
    Related pages Film and Video Program | Macho Man, Tell It To My Heart: Collected by Julie Ault | January 16
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
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