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  • Books, with series numbers (1-20) marked at the top of the spine, rest on an encolsed shelf against a white wall.
    Books, with series numbers (1-20) marked at the top of the spine, rest on an encolsed shelf against a white wall.
    [Books, with series numbers (1-20) marked at the top of the spine, rest on an encolsed shelf against a white wall.]
    Caption
    Image description Books, with series numbers (1-20) marked at the top of the spine, rest on an encolsed shelf against a white wall.
    Year 2014
    Related pages The Library Vaccine
  • A display of four black and white photographs on a beige gallery wall.
    A display of four black and white photographs on a beige gallery wall.
    ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A display of four black and white photographs on a beige gallery wall.]
    Caption ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A display of four black and white photographs on a beige gallery wall.
    Year 2021
    Related pages ART CLUB2000
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • Contact sheet of photos from the exhibition.
    Contact sheet of photos from the exhibition.
    Young Fluxus. Installation view, Artists Space, 1982. Frames 31-36: Installation views of Tad Savinar’s “Rock” in Room 207. [Contact sheet of photos from the exhibition.]
    Caption Young Fluxus. Installation view, Artists Space, 1982. Frames 31-36: Installation views of Tad Savinar’s “Rock” in Room 207.
    Image description Contact sheet of photos from the exhibition.
    Year
    Related pages Young Fluxus
  • Caption
    Image description
    Year
    Related pages All These Different Things Are Sculpture
  • A small cylindrical ceramic figure, with curly filamented wings and a round head studded with horns and cowrie shell eyes, sits atop a reflective blue pool of resin with orange tints at the edges. Various other sculptures are are seen, including small metal balls, two morning stars, and two wrought iron sugar cane factory rollers with amber-colored glass ovals at the ends. On the wall, an orange stain appears to emerge from the floor.
    A small cylindrical ceramic figure, with curly filamented wings and a round head studded with horns and cowrie shell eyes, sits atop a reflective blue pool of resin with orange tints at the edges. Various other sculptures are are seen, including small metal balls, two morning stars, and two wrought iron sugar cane factory rollers with amber-colored glass ovals at the ends. On the wall, an orange stain appears to emerge from the floor.
    Shani Strand: Everything Must Be Returned. Installation view, June 12 - August 15, 2026, Artists Space. Photo: Carter Seddon [A small cylindrical ceramic figure, with curly filamented wings and a round head studded with horns and cowrie shell eyes, sits atop a reflective blue pool of resin with orange tints at the edges. Various other sculptures are are seen, including small metal balls, two morning stars, and two wrought iron sugar cane factory rollers with amber-colored glass ovals at the ends. On the wall, an orange stain appears to emerge from the floor.]
    Caption Shani Strand: Everything Must Be Returned. Installation view, June 12 - August 15, 2026, Artists Space. Photo: Carter Seddon
    Image description A small cylindrical ceramic figure, with curly filamented wings and a round head studded with horns and cowrie shell eyes, sits atop a reflective blue pool of resin with orange tints at the edges. Various other sculptures are are seen, including small metal balls, two morning stars, and two wrought iron sugar cane factory rollers with amber-colored glass ovals at the ends. On the wall, an orange stain appears to emerge from the floor.
    Year
    Related pages Shani Strand: Everything Must Be Returned
  • A dim room with four benches in front of a large video screen. A black and white image of a woman in front of a red star and a wreath is projected.
    A dim room with four benches in front of a large video screen. A black and white image of a woman in front of a red star and a wreath is projected.
    Hito Steyerl, November, 2004. Digital video with sound, 25 mins. Courtesy of the artist and Andrew Kreps, New York. [A dim room with four benches in front of a large video screen. A black and white image of a woman in front of a red star and a wreath is projected.]
    Caption Hito Steyerl, November, 2004. Digital video with sound, 25 mins. Courtesy of the artist and Andrew Kreps, New York.
    Image description A dim room with four benches in front of a large video screen. A black and white image of a woman in front of a red star and a wreath is projected.
    Year 2015
    Related pages Hito Steyerl
  • Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They wave a red object in the air.
    Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They wave a red object in the air.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They wave a red object in the air.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They wave a red object in the air.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • Two photographs are shown in a book spread. On the left page, a high-contrast black-and-white photograph hosts heavy light and shadow play. An iconic payphone handset is centered floating in a clear cube, with its top protruding slightly above the cube’s top surface. The telephone’s armored cord hangs down in loose loops inside the cube, its exposed wire slack touching the interior bottom. On the right page, a black-and-white photograph shows two pairs of modified headphones entwined on a deep black surface. In place of speakers, one headphone strap hosts clocks that each have a small stopwatch dial; the other strap hosts a pocket watch and a compass. The clock hands are missing from the clocks; inside their larger clockface circles, each clock hosts a smaller circle with a stopwatch.
    Two photographs are shown in a book spread. On the left page, a high-contrast black-and-white photograph hosts heavy light and shadow play. An iconic payphone handset is centered floating in a clear cube, with its top protruding slightly above the cube’s top surface. The telephone’s armored cord hangs down in loose loops inside the cube, its exposed wire slack touching the interior bottom. On the right page, a black-and-white photograph shows two pairs of modified headphones entwined on a deep black surface. In place of speakers, one headphone strap hosts clocks that each have a small stopwatch dial; the other strap hosts a pocket watch and a compass. The clock hands are missing from the clocks; inside their larger clockface circles, each clock hosts a smaller circle with a stopwatch.
    Book spread from FWIW. [Two photographs are shown in a book spread. On the left page, a high-contrast black-and-white photograph hosts heavy light and shadow play. An iconic payphone handset is centered floating in a clear cube, with its top protruding slightly above the cube’s top surface. The telephone’s armored cord hangs down in loose loops inside the cube, its exposed wire slack touching the interior bottom. On the right page, a black-and-white photograph shows two pairs of modified headphones entwined on a deep black surface. In place of speakers, one headphone strap hosts clocks that each have a small stopwatch dial; the other strap hosts a pocket watch and a compass. The clock hands are missing from the clocks; inside their larger clockface circles, each clock hosts a smaller circle with a stopwatch.]
    Caption Book spread from FWIW.
    Image description Two photographs are shown in a book spread. On the left page, a high-contrast black-and-white photograph hosts heavy light and shadow play. An iconic payphone handset is centered floating in a clear cube, with its top protruding slightly above the cube’s top surface. The telephone’s armored cord hangs down in loose loops inside the cube, its exposed wire slack touching the interior bottom. On the right page, a black-and-white photograph shows two pairs of modified headphones entwined on a deep black surface. In place of speakers, one headphone strap hosts clocks that each have a small stopwatch dial; the other strap hosts a pocket watch and a compass. The clock hands are missing from the clocks; inside their larger clockface circles, each clock hosts a smaller circle with a stopwatch.
    Year
    Related pages FWIW
  • Two performers stand behind a table operating various musical equipment.
    Two performers stand behind a table operating various musical equipment.
    Abasement #86. Performance documentation, April 6th, 2026, Artists Space. Photo: Joshua Wildman. [Two performers stand behind a table operating various musical equipment. ]
    Caption Abasement #86. Performance documentation, April 6th, 2026, Artists Space. Photo: Joshua Wildman.
    Image description Two performers stand behind a table operating various musical equipment.
    Year
    Related pages Abasement #86
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A color photograph of a figure standing behind audio mixing equipment and a microphone in front of an orange background. A white light shines down on them from the left.
    A color photograph of a figure standing behind audio mixing equipment and a microphone in front of an orange background. A white light shines down on them from the left.
    Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. [A color photograph of a figure standing behind audio mixing equipment and a microphone in front of an orange background. A white light shines down on them from the left.]
    Caption Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space.
    Image description A color photograph of a figure standing behind audio mixing equipment and a microphone in front of an orange background. A white light shines down on them from the left.
    Year 2022
    Related pages Yuji Agematsu
  • Several black-and-white magazines and documents opened and organized on a white surface.
    Several black-and-white magazines and documents opened and organized on a white surface.
    Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [Several black-and-white magazines and documents opened and organized on a white surface.]
    Caption Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description Several black-and-white magazines and documents opened and organized on a white surface.
    Year 2013
    Related pages Documenting Cadere: 1972 - 1978
  • A photograph of a pale pink stucco wall that separates two properties. Green trees and shrubbery line the side of the wall that is pictured. Additional trees on the neighbor's side are visible, in partial view.
    A photograph of a pale pink stucco wall that separates two properties. Green trees and shrubbery line the side of the wall that is pictured. Additional trees on the neighbor's side are visible, in partial view.
    Michael Asher, permanent work for the Grinstein Collection, Los Angeles, California, USA, 1979. Viewing north on the neighbor’s property toward the reconstructed wall section, as photographed in 2017. Photograph by Jeff McLane. © Michael Asher Foundation. [A photograph of a pale pink stucco wall that separates two properties. Green trees and shrubbery line the side of the wall that is pictured. Additional trees on the neighbor's side are visible, in partial view.]
    Caption Michael Asher, permanent work for the Grinstein Collection, Los Angeles, California, USA, 1979. Viewing north on the neighbor’s property toward the reconstructed wall section, as photographed in 2017. Photograph by Jeff McLane. © Michael Asher Foundation.
    Image description A photograph of a pale pink stucco wall that separates two properties. Green trees and shrubbery line the side of the wall that is pictured. Additional trees on the neighbor's side are visible, in partial view.
    Year 2017
    Related pages Michael Asher
  • Drawing of an axe attached to a tree branch. Line of the paper visible in the background. Written on upper left:
    Drawing of an axe attached to a tree branch. Line of the paper visible in the background. Written on upper left:
    Immanent Madness. Installation View. Artists Space, 1985-86. [Drawing of an axe attached to a tree branch. Line of the paper visible in the background. Written on upper left: "Forest/Nesescity". Written on the upper right: "Oct 31, 1985. G.W." Written on the bottom: "Axe-Tree. "Tranquility vs. Self Preservation = Survivor.""]
    Caption Immanent Madness. Installation View. Artists Space, 1985-86.
    Image description Drawing of an axe attached to a tree branch. Line of the paper visible in the background. Written on upper left: "Forest/Nesescity". Written on the upper right: "Oct 31, 1985. G.W." Written on the bottom: "Axe-Tree. "Tranquility vs. Self Preservation = Survivor.""
    Year
    Related pages Immanent Madness
  • Abstract white paintings with black smudges dispersed throughout.
    Abstract white paintings with black smudges dispersed throughout.
    Cynthia Hawkins. Untitled, 1987. [Abstract white paintings with black smudges dispersed throughout.]
    Caption Cynthia Hawkins. Untitled, 1987.
    Image description Abstract white paintings with black smudges dispersed throughout.
    Year
    Related pages Selections from the Artists File
  • Close up detail of a sculpture composed of a large glass pane with a painted canvas installed in the pane's center. The back of the canvas faces the viewer, and faint words are penciled onto its surface. A golden tassle and necklce cluster and hang around the canvas' edge.
    Close up detail of a sculpture composed of a large glass pane with a painted canvas installed in the pane's center. The back of the canvas faces the viewer, and faint words are penciled onto its surface. A golden tassle and necklce cluster and hang around the canvas' edge.
    Fifth Season Act, Apotheosically. Performance documentation, May 31, 2012, Artists Space. [Close up detail of a sculpture composed of a large glass pane with a painted canvas installed in the pane's center. The back of the canvas faces the viewer, and faint words are penciled onto its surface. A golden tassle and necklce cluster and hang around the canvas' edge.]
    Caption Fifth Season Act, Apotheosically. Performance documentation, May 31, 2012, Artists Space.
    Image description Close up detail of a sculpture composed of a large glass pane with a painted canvas installed in the pane's center. The back of the canvas faces the viewer, and faint words are penciled onto its surface. A golden tassle and necklce cluster and hang around the canvas' edge.
    Year 2012
    Related pages Fifth Season Act, Apotheosically
  • Various paintings hang in a row on a wall. The paintings are composed of bold lines and blocks of color.
    Various paintings hang in a row on a wall. The paintings are composed of bold lines and blocks of color.
    Traditions: Five Painters. Installation View, Artists Space, 1978. [Various paintings hang in a row on a wall. The paintings are composed of bold lines and blocks of color.]
    Caption Traditions: Five Painters. Installation View, Artists Space, 1978.
    Image description Various paintings hang in a row on a wall. The paintings are composed of bold lines and blocks of color.
    Year
    Related pages Traditions: Five Painters, Charles Clough, William Fares, Sidney Goldberg, John Lees, Ann Thornycroft
  • A black and white photograph of various objects hanging in a white-walled gallery space with a spotlight in center of the image.
    A black and white photograph of various objects hanging in a white-walled gallery space with a spotlight in center of the image.
    Freya Hansell. Installation view, Artists Space, 1980. [A black and white photograph of various objects hanging in a white-walled gallery space with a spotlight in center of the image.]
    Caption Freya Hansell. Installation view, Artists Space, 1980.
    Image description A black and white photograph of various objects hanging in a white-walled gallery space with a spotlight in center of the image.
    Year
    Related pages Freya Hansell
  • Image of a basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    Image of a basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.]
    Caption SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    Year 2022
    Related pages SCRAAATCH 12-3
  • Black text on a light pink background. The text reads: “Nov 21 / Valerie Hsiung / Matt Longabucco.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on a light pink background. The text reads: “Nov 21 / Valerie Hsiung / Matt Longabucco.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on a light pink background. The text reads: “Nov 21 / Valerie Hsiung / Matt Longabucco.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on a light pink background. The text reads: “Nov 21 / Valerie Hsiung / Matt Longabucco.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Valerie Hsiung & Matt Longabucco
  • The corner of a gallery space. At the base of the corner, where both walls meet the floor, a small area of the wall has been removed and replaced with the materials from another building's wall, displayed in a cross-section. Several black and white, framed photo-collages hang on the wall to the right of the corner.
    The corner of a gallery space. At the base of the corner, where both walls meet the floor, a small area of the wall has been removed and replaced with the materials from another building's wall, displayed in a cross-section. Several black and white, framed photo-collages hang on the wall to the right of the corner.
    Model Modernisms. Installation view, Artists Space, 2005. [The corner of a gallery space. At the base of the corner, where both walls meet the floor, a small area of the wall has been removed and replaced with the materials from another building's wall, displayed in a cross-section. Several black and white, framed photo-collages hang on the wall to the right of the corner.]
    Caption Model Modernisms. Installation view, Artists Space, 2005.
    Image description The corner of a gallery space. At the base of the corner, where both walls meet the floor, a small area of the wall has been removed and replaced with the materials from another building's wall, displayed in a cross-section. Several black and white, framed photo-collages hang on the wall to the right of the corner.
    Year 2005
    Related pages Model Modernisms
  • A photograph of a large gallery. In the center of the room, a person gazes at large, geometric sculptures.
    A photograph of a large gallery. In the center of the room, a person gazes at large, geometric sculptures.
    Selections from the Artists File. Installation view, Artists Space, 1989. [A photograph of a large gallery. In the center of the room, a person gazes at large, geometric sculptures.]
    Caption Selections from the Artists File. Installation view, Artists Space, 1989.
    Image description A photograph of a large gallery. In the center of the room, a person gazes at large, geometric sculptures.
    Year 1989
    Related pages Selections from the Artist File
  • A color image of a gallery space. A freestanding white wall runs perpendicular into an existing white wall. On the right side, projected onto the existing wall, is a black and white image of a spoon resting next to a bowl of water. To the left of the projected image is a single black frame containing a black and white photograph, hung above a small floating vitrine. Installed in a single row on the freestanding wall, is a series of seven black and white photographs housed in black frames. Behind the freestanding walls, a sliver of window that faces the street outside is visible. Contained within the four transom windows are black and white enlargements of a white man smoking and blowing smoke rings.
    A color image of a gallery space. A freestanding white wall runs perpendicular into an existing white wall. On the right side, projected onto the existing wall, is a black and white image of a spoon resting next to a bowl of water. To the left of the projected image is a single black frame containing a black and white photograph, hung above a small floating vitrine. Installed in a single row on the freestanding wall, is a series of seven black and white photographs housed in black frames. Behind the freestanding walls, a sliver of window that faces the street outside is visible. Contained within the four transom windows are black and white enlargements of a white man smoking and blowing smoke rings.
    Terry Fox: All These Different Things Are Sculpture. Installation view, Artists Space, 2024. Photo: Filip Wolak [A color image of a gallery space. A freestanding white wall runs perpendicular into an existing white wall. On the right side, projected onto the existing wall, is a black and white image of a spoon resting next to a bowl of water. To the left of the projected image is a single black frame containing a black and white photograph, hung above a small floating vitrine. Installed in a single row on the freestanding wall, is a series of seven black and white photographs housed in black frames. Behind the freestanding walls, a sliver of window that faces the street outside is visible. Contained within the four transom windows are black and white enlargements of a white man smoking and blowing smoke rings. ]
    Caption Terry Fox: All These Different Things Are Sculpture. Installation view, Artists Space, 2024. Photo: Filip Wolak
    Image description A color image of a gallery space. A freestanding white wall runs perpendicular into an existing white wall. On the right side, projected onto the existing wall, is a black and white image of a spoon resting next to a bowl of water. To the left of the projected image is a single black frame containing a black and white photograph, hung above a small floating vitrine. Installed in a single row on the freestanding wall, is a series of seven black and white photographs housed in black frames. Behind the freestanding walls, a sliver of window that faces the street outside is visible. Contained within the four transom windows are black and white enlargements of a white man smoking and blowing smoke rings.
    Year
    Related pages All These Different Things Are Sculpture
  • A color installation photograph of a black and white abstract painting on a white wall.
    A color installation photograph of a black and white abstract painting on a white wall.
    Richard Klauber. Installation view, Ruth Hardinger, Richard Klauber, Artists Space, 1975. [A color installation photograph of a black and white abstract painting on a white wall.]
    Caption Richard Klauber. Installation view, Ruth Hardinger, Richard Klauber, Artists Space, 1975.
    Image description A color installation photograph of a black and white abstract painting on a white wall.
    Year 1975
    Related pages Ruth Hardinger, Richard Klauber
  • Five wooden panels stack atop one another to vertically scale the wall.
    Five wooden panels stack atop one another to vertically scale the wall.
    Dubhenge, 2025, wood, stain, wood filler, screws, carpet, fabric, and board. Photo: Carter Seddon [Five wooden panels stack atop one another to vertically scale the wall.]
    Caption Dubhenge, 2025, wood, stain, wood filler, screws, carpet, fabric, and board. Photo: Carter Seddon
    Image description Five wooden panels stack atop one another to vertically scale the wall.
    Year
    Related pages Brad Kronz
  • A blue book cover with text that reads,
    A blue book cover with text that reads,
    [A blue book cover with text that reads, "The Truth About Hollis, W.J. West."]
    Caption
    Image description A blue book cover with text that reads, "The Truth About Hollis, W.J. West."
    Year 2013
    Related pages Richard Hollis
  • Andres Serrano wearing a dark blue shirt and looking at an off-camera interviewer mid-speech.
    Andres Serrano wearing a dark blue shirt and looking at an off-camera interviewer mid-speech.
    University of Colorado, still from On Art and Artists Series. Andres Serrano: What Follows…, 1991. 31 min. [Andres Serrano wearing a dark blue shirt and looking at an off-camera interviewer mid-speech.]
    Caption University of Colorado, still from On Art and Artists Series. Andres Serrano: What Follows…, 1991. 31 min.
    Image description Andres Serrano wearing a dark blue shirt and looking at an off-camera interviewer mid-speech.
    Year 1991
    Related pages Film and Video Program | Macho Man, Tell It To My Heart: Collected by Julie Ault | December 12
  • Color image of a framed fragment of newspaper. The headlines of the two articles featured read,
    Color image of a framed fragment of newspaper. The headlines of the two articles featured read,
    Robert Gober, Untitled, 1992. Photo: Filip Wolak. [Color image of a framed fragment of newspaper. The headlines of the two articles featured read, "Bush Is Sent Forth as Champion of Family Values," and "Jury Convicts Man Who Locked His Children in Bronx Apartment." An image of steel pots and pans is placed on the bottom-left corner, and an image of a woman with her arms draped over a man in a suit is placed on the bottom-right corner.]
    Caption Robert Gober, Untitled, 1992. Photo: Filip Wolak.
    Image description Color image of a framed fragment of newspaper. The headlines of the two articles featured read, "Bush Is Sent Forth as Champion of Family Values," and "Jury Convicts Man Who Locked His Children in Bronx Apartment." An image of steel pots and pans is placed on the bottom-left corner, and an image of a woman with her arms draped over a man in a suit is placed on the bottom-right corner.
    Year 2023
    Related pages Artists for Artists Space
  • Caption
    Image description
    Year
    Related pages Exhibitions and Events
  • A black and white photograph of the base of a monument in a city square. Steps lead up to a pedastal surrounded by three large spheres connected by a metal chain.
    A black and white photograph of the base of a monument in a city square. Steps lead up to a pedastal surrounded by three large spheres connected by a metal chain.
    Bases of the equestrian monument to Kaiser Wilhem which was destroyed by the British occupation in Münster after World War II. The photographs were printed as post cards in the early 20th century and collected from eBay and oldthing.de in 2021. [A black and white photograph of the base of a monument in a city square. Steps lead up to a pedastal surrounded by three large spheres connected by a metal chain.]
    Caption Bases of the equestrian monument to Kaiser Wilhem which was destroyed by the British occupation in Münster after World War II. The photographs were printed as post cards in the early 20th century and collected from eBay and oldthing.de in 2021.
    Image description A black and white photograph of the base of a monument in a city square. Steps lead up to a pedastal surrounded by three large spheres connected by a metal chain.
    Year 2022
    Related pages virgil b/g taylor: Minor Publics
  • Five performers sitting in a row playing various wind, string, and percussion instruments. They are facing microphone and sheet music stands. There is a pink-tint covering the musicians and the wall behind them.
    Five performers sitting in a row playing various wind, string, and percussion instruments. They are facing microphone and sheet music stands. There is a pink-tint covering the musicians and the wall behind them.
    Abasement #72. Performance documentation, October 7th, 2024, Artists Space. Photo: Joshua Wildman. [Five performers sitting in a row playing various wind, string, and percussion instruments. They are facing microphone and sheet music stands. There is a pink-tint covering the musicians and the wall behind them.]
    Caption Abasement #72. Performance documentation, October 7th, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Five performers sitting in a row playing various wind, string, and percussion instruments. They are facing microphone and sheet music stands. There is a pink-tint covering the musicians and the wall behind them.
    Year
    Related pages Abasement #72
  • A figure stands behind a microphone, smiling and looking off into the audience.
    A figure stands behind a microphone, smiling and looking off into the audience.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure stands behind a microphone, smiling and looking off into the audience.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure stands behind a microphone, smiling and looking off into the audience.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
  • A black and white illustration featuring a person in a black cat suit. A group of penguins, behind him, face towards the background. Text reads,
    A black and white illustration featuring a person in a black cat suit. A group of penguins, behind him, face towards the background. Text reads,
    Untitled (Business card), late 1970s. Copyright: Jack Smith Archive. Courtesy: Gladstone Gallery, New York and Brussels [A black and white illustration featuring a person in a black cat suit. A group of penguins, behind him, face towards the background. Text reads, "Jack Smith, Exotic Theatrical Genius!"]
    Caption Untitled (Business card), late 1970s. Copyright: Jack Smith Archive. Courtesy: Gladstone Gallery, New York and Brussels
    Image description A black and white illustration featuring a person in a black cat suit. A group of penguins, behind him, face towards the background. Text reads, "Jack Smith, Exotic Theatrical Genius!"
    Year
    Related pages Jack Smith: Art Crust of Spiritual Oasis
  • A photograph with a wood frame hangs on a wall. The photo sits on a white background, centered in the top half of the page. The photo shows a person's nose and mouth, with mouth agape.
    A photograph with a wood frame hangs on a wall. The photo sits on a white background, centered in the top half of the page. The photo shows a person's nose and mouth, with mouth agape.
    Ann Hamilton, Mirrim, 1999, Iris print, 30 x 22 inches (76.2 x 55.9 cm), Edition of 40, Signed & numbered. [A photograph with a wood frame hangs on a wall. The photo sits on a white background, centered in the top half of the page. The photo shows a person's nose and mouth, with mouth agape.]
    Caption Ann Hamilton, Mirrim, 1999, Iris print, 30 x 22 inches (76.2 x 55.9 cm), Edition of 40, Signed & numbered.
    Image description A photograph with a wood frame hangs on a wall. The photo sits on a white background, centered in the top half of the page. The photo shows a person's nose and mouth, with mouth agape.
    Year 1999
    Related pages Editions
  • An angled view of two adjacent walls, in between sit vitrines with minature houses constructed from documents. From left to right on the wall: colorful paper bags, a monitor with a video still, a purple section of wall with various photographic objects.
    An angled view of two adjacent walls, in between sit vitrines with minature houses constructed from documents. From left to right on the wall: colorful paper bags, a monitor with a video still, a purple section of wall with various photographic objects.
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [An angled view of two adjacent walls, in between sit vitrines with minature houses constructed from documents. From left to right on the wall: colorful paper bags, a monitor with a video still, a purple section of wall with various photographic objects.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description An angled view of two adjacent walls, in between sit vitrines with minature houses constructed from documents. From left to right on the wall: colorful paper bags, a monitor with a video still, a purple section of wall with various photographic objects.
    Year 2017
    Related pages Unholding
  • Two figures sit in front of a table filled with audio equipment including a commodore computer and flute-to-haiku converter.
    Two figures sit in front of a table filled with audio equipment including a commodore computer and flute-to-haiku converter.
    Yasunao Tone in Concert with Barbara Held. Performance documentation, January 19, 2023, Artists Space. Photo: Destiny Mata [Two figures sit in front of a table filled with audio equipment including a commodore computer and flute-to-haiku converter.]
    Caption Yasunao Tone in Concert with Barbara Held. Performance documentation, January 19, 2023, Artists Space. Photo: Destiny Mata
    Image description Two figures sit in front of a table filled with audio equipment including a commodore computer and flute-to-haiku converter.
    Year 2023
    Related pages Yasunao Tone in Concert with Barbara Held
  • Photographs mounted to black backgrounds are hung up in a row on a white wall.
    Photographs mounted to black backgrounds are hung up in a row on a white wall.
    Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979. [Photographs mounted to black backgrounds are hung up in a row on a white wall.]
    Caption Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979.
    Image description Photographs mounted to black backgrounds are hung up in a row on a white wall.
    Year 1979
    Related pages Patricia Hearst - A Second Reading
  • Photograph of a performer, standing next to a table covered in a black cloth. The background is bathed in purple light. A white spotlight shines on the table, highlighting the performer's hands as they pour liquid from one teacup into another teacup held below.
    Photograph of a performer, standing next to a table covered in a black cloth. The background is bathed in purple light. A white spotlight shines on the table, highlighting the performer's hands as they pour liquid from one teacup into another teacup held below.
    S*an D. Henry Smith in Constantina Zavitsanos’ Entropy (2023), a set of three performances (on-site and online) for If I Can’t Dance, I Don’t Want to Be a Part of Your Revolution. Performers and co-creators of the score: Angelo Custódio and Pedro Matias, S*an D. Henry-Smith and Geo Wyex. Photo: Prins de Vos [Photograph of a performer, standing next to a table covered in a black cloth. The background is bathed in purple light. A white spotlight shines on the table, highlighting the performer's hands as they pour liquid from one teacup into another teacup held below.]
    Caption S*an D. Henry Smith in Constantina Zavitsanos’ Entropy (2023), a set of three performances (on-site and online) for If I Can’t Dance, I Don’t Want to Be a Part of Your Revolution. Performers and co-creators of the score: Angelo Custódio and Pedro Matias, S*an D. Henry-Smith and Geo Wyex. Photo: Prins de Vos
    Image description Photograph of a performer, standing next to a table covered in a black cloth. The background is bathed in purple light. A white spotlight shines on the table, highlighting the performer's hands as they pour liquid from one teacup into another teacup held below.
    Year
    Related pages S*an D. Henry-Smith
  • A photograph of three paintings hanging in a row on a white gallery wall. The closest to the camera, on the right, shows a ship at sea, the center shows a fountain, and the painting on the left is an abstract composition of black diagonal lines.
    A photograph of three paintings hanging in a row on a white gallery wall. The closest to the camera, on the right, shows a ship at sea, the center shows a fountain, and the painting on the left is an abstract composition of black diagonal lines.
    Selections from the Artists File. Installation view, Artists Space, 1989. [A photograph of three paintings hanging in a row on a white gallery wall. The closest to the camera, on the right, shows a ship at sea, the center shows a fountain, and the painting on the left is an abstract composition of black diagonal lines.]
    Caption Selections from the Artists File. Installation view, Artists Space, 1989.
    Image description A photograph of three paintings hanging in a row on a white gallery wall. The closest to the camera, on the right, shows a ship at sea, the center shows a fountain, and the painting on the left is an abstract composition of black diagonal lines.
    Year 1989
    Related pages Selections from the Artist File
  • Color photograph of a fgure wearing a conical sheath of reflective one-way mirror film that covers their entire body. They squat down next to a viewer sitting in a wooden chair. The performer shines a bright light against their face, making their face visible from under the mirror film.
    Color photograph of a fgure wearing a conical sheath of reflective one-way mirror film that covers their entire body. They squat down next to a viewer sitting in a wooden chair. The performer shines a bright light against their face, making their face visible from under the mirror film.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a fgure wearing a conical sheath of reflective one-way mirror film that covers their entire body. They squat down next to a viewer sitting in a wooden chair. The performer shines a bright light against their face, making their face visible from under the mirror film.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a fgure wearing a conical sheath of reflective one-way mirror film that covers their entire body. They squat down next to a viewer sitting in a wooden chair. The performer shines a bright light against their face, making their face visible from under the mirror film.
    Year 2022
    Related pages keyon gaskin 12-14
  • A band plays on stage, with a figure playing the piano in the foreground of the image, while another plays congas behind him. A third figure plays the tuba in the background.
    A band plays on stage, with a figure playing the piano in the foreground of the image, while another plays congas behind him. A third figure plays the tuba in the background.
    Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman [A band plays on stage, with a figure playing the piano in the foreground of the image, while another plays congas behind him. A third figure plays the tuba in the background.]
    Caption Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman
    Image description A band plays on stage, with a figure playing the piano in the foreground of the image, while another plays congas behind him. A third figure plays the tuba in the background.
    Year 2022
    Related pages Tisziji Muñoz with Francisco Mora Catlett and AfroHORN
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A pair of leather boots and a power strip rest underneath a blue, wooden chair on a concrete floor.
    A pair of leather boots and a power strip rest underneath a blue, wooden chair on a concrete floor.
    [A pair of leather boots and a power strip rest underneath a blue, wooden chair on a concrete floor.]
    Caption
    Image description A pair of leather boots and a power strip rest underneath a blue, wooden chair on a concrete floor.
    Year 2018
    Related pages What Are Our Questions?
  • Black text on a light yellow background. The text reads: “May 10 / Mirene Arsanios / Roberto Balò.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on a light yellow background. The text reads: “May 10 / Mirene Arsanios / Roberto Balò.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on a light yellow background. The text reads: “May 10 / Mirene Arsanios / Roberto Balò.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on a light yellow background. The text reads: “May 10 / Mirene Arsanios / Roberto Balò.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Mirene Arsanios & Roberto Balò
  • Contact sheet of stills depicting numerous installation views.
    Contact sheet of stills depicting numerous installation views.
    Sixth Anniversary Exhibition. Installation views, Artists Space, 1979. [Contact sheet of stills depicting numerous installation views.]
    Caption Sixth Anniversary Exhibition. Installation views, Artists Space, 1979.
    Image description Contact sheet of stills depicting numerous installation views.
    Year 1979
    Related pages Sixth Anniversary Exhibition
  • A display case holding an assortment of artist memoriabilia from letters, art objects, paintings, books, and zines. To the left of the display case is metal, grocery divider hung on the wall, and to the left of this is a framed painting illustrating an array of characters. On the wall above is vinyl lettering that reads
    A display case holding an assortment of artist memoriabilia from letters, art objects, paintings, books, and zines. To the left of the display case is metal, grocery divider hung on the wall, and to the left of this is a framed painting illustrating an array of characters. On the wall above is vinyl lettering that reads
    LIFE—a group show, curated by Arnold J. Kemp. Installation view, Artists Space, 2025. Photo: Carter Seddon [A display case holding an assortment of artist memoriabilia from letters, art objects, paintings, books, and zines. To the left of the display case is metal, grocery divider hung on the wall, and to the left of this is a framed painting illustrating an array of characters. On the wall above is vinyl lettering that reads "LIFE — a group show."]
    Caption LIFE—a group show, curated by Arnold J. Kemp. Installation view, Artists Space, 2025. Photo: Carter Seddon
    Image description A display case holding an assortment of artist memoriabilia from letters, art objects, paintings, books, and zines. To the left of the display case is metal, grocery divider hung on the wall, and to the left of this is a framed painting illustrating an array of characters. On the wall above is vinyl lettering that reads "LIFE — a group show."
    Year 2025
    Related pages Arnold J. Kemp
  • A close up image of a glass display case holding artworks in gouache and watercolor.
    A close up image of a glass display case holding artworks in gouache and watercolor.
    Till They Listen: Bill Gunn Directs America. Installation view featuring artworks by Gunn, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A close up image of a glass display case holding artworks in gouache and watercolor.]
    Caption Till They Listen: Bill Gunn Directs America. Installation view featuring artworks by Gunn, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A close up image of a glass display case holding artworks in gouache and watercolor.
    Year 2021
    Related pages Till They Listen: Bill Gunn Directs America
  • A large rectangular painting hangs on a wall to the left.
    A large rectangular painting hangs on a wall to the left.
    Traditions: Five Painters. Installation View, Artists Space, 1978. [A large rectangular painting hangs on a wall to the left.]
    Caption Traditions: Five Painters. Installation View, Artists Space, 1978.
    Image description A large rectangular painting hangs on a wall to the left.
    Year
    Related pages Traditions: Five Painters, Charles Clough, William Fares, Sidney Goldberg, John Lees, Ann Thornycroft
  • Color image of a musician standing behind a long table on a stage. The musician plays a large soundboard placed on the table. The musician wears a black long sleeve top and looks down at the soundboard as they play. They have short blond hair with bangs. A colorful image, almost like a close-up shot of a cell rendered in pink, red, blue and black is projected onto the stage and the wall behind the stage. A shadow of the musician appears on the back wall. 
    Color image of a musician standing behind a long table on a stage. The musician plays a large soundboard placed on the table. The musician wears a black long sleeve top and looks down at the soundboard as they play. They have short blond hair with bangs. A colorful image, almost like a close-up shot of a cell rendered in pink, red, blue and black is projected onto the stage and the wall behind the stage. A shadow of the musician appears on the back wall. 
    Abasement #68. Performance documentation, February 12, 2024, Artists Space. Photo: Joshua Wildman. [Color image of a musician standing behind a long table on a stage. The musician plays a large soundboard placed on the table. The musician wears a black long sleeve top and looks down at the soundboard as they play. They have short blond hair with bangs. A colorful image, almost like a close-up shot of a cell rendered in pink, red, blue and black is projected onto the stage and the wall behind the stage. A shadow of the musician appears on the back wall. ]
    Caption Abasement #68. Performance documentation, February 12, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Color image of a musician standing behind a long table on a stage. The musician plays a large soundboard placed on the table. The musician wears a black long sleeve top and looks down at the soundboard as they play. They have short blond hair with bangs. A colorful image, almost like a close-up shot of a cell rendered in pink, red, blue and black is projected onto the stage and the wall behind the stage. A shadow of the musician appears on the back wall. 
    Annotation Color image of a musician or DJ playing on a soundboard. The soundboard is surrounded by several panels, with many inputs and buttons lit up. The musician looks into a screen that contains colorful visuals used in the projections. The musician's hand is blurred as they move around pressing buttons and working with the visuals. The musician leans over the table with the equipment and has short dark hair, and wears a black jacket.
    Year
    Related pages Abasement #68
  • A person stands, holds a microphone to their mouth and adjusts a knob on a CDJ.
    A person stands, holds a microphone to their mouth and adjusts a knob on a CDJ.
    Lolina performing Inquiry & Investigation, 2018. [A person stands, holds a microphone to their mouth and adjusts a knob on a CDJ.]
    Caption Lolina performing Inquiry & Investigation, 2018.
    Image description A person stands, holds a microphone to their mouth and adjusts a knob on a CDJ.
    Year 2018
    Related pages Support
  • A painting of five figures seated for a portrait. Their faces are blurred out, and the entire image has been similarly rendered in soft, blurred strokes
    A painting of five figures seated for a portrait. Their faces are blurred out, and the entire image has been similarly rendered in soft, blurred strokes
    Minako Iwamur, Family, 1978. [A painting of five figures seated for a portrait. Their faces are blurred out, and the entire image has been similarly rendered in soft, blurred strokes]
    Caption Minako Iwamur, Family, 1978.
    Image description A painting of five figures seated for a portrait. Their faces are blurred out, and the entire image has been similarly rendered in soft, blurred strokes
    Year 1978
    Related pages Painting as Paradox
  • White text on a blue and grey ombré background. The text reads: “Feb 8 / Rae Armantrout / John Kelsey.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    White text on a blue and grey ombré background. The text reads: “Feb 8 / Rae Armantrout / John Kelsey.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [White text on a blue and grey ombré background. The text reads: “Feb 8 / Rae Armantrout / John Kelsey.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description White text on a blue and grey ombré background. The text reads: “Feb 8 / Rae Armantrout / John Kelsey.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Rae Armantrout & John Kelsey
  • Color photograph of visitors standing around a gallery space, conversing and studying the works on the wall.
    Color photograph of visitors standing around a gallery space, conversing and studying the works on the wall.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of visitors standing around a gallery space, conversing and studying the works on the wall.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of visitors standing around a gallery space, conversing and studying the works on the wall.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • Cosima von Bonin
    Le Chic, 2023
    Enamel on wood
    (Two color options: red & grey or red & white)
    25 x 4 ½ x 4 ½ inches
    Edition of 20 with 5 APs
    Introductory price: $10,000 each
    Caption Cosima von Bonin
    Le Chic, 2023
    Enamel on wood
    (Two color options: red & grey or red & white)
    25 x 4 ½ x 4 ½ inches
    Edition of 20 with 5 APs
    Introductory price: $10,000 each
    Image description
    Year 2023
    Related pages Cosima von Bonin
  • Three pedestals, covered with fabric scarves and various objects, sit atop a dark floor covering. Framed images hang on the walls. Along the back wall, large windows are adorned with candlesticks.
    Three pedestals, covered with fabric scarves and various objects, sit atop a dark floor covering. Framed images hang on the walls. Along the back wall, large windows are adorned with candlesticks.
    Sixth Anniversary Exhibition. Installation view, Artists Space, 1979. Artwork by Thomas Laningan-Schmidt. [Three pedestals, covered with fabric scarves and various objects, sit atop a dark floor covering. Framed images hang on the walls. Along the back wall, large windows are adorned with candlesticks.]
    Caption Sixth Anniversary Exhibition. Installation view, Artists Space, 1979. Artwork by Thomas Laningan-Schmidt.
    Image description Three pedestals, covered with fabric scarves and various objects, sit atop a dark floor covering. Framed images hang on the walls. Along the back wall, large windows are adorned with candlesticks.
    Year 1979
    Related pages Sixth Anniversary Exhibition
  • A black and white photograph of a black square painting with a lighter border on the left and right sides.
    A black and white photograph of a black square painting with a lighter border on the left and right sides.
    Joseph Marioni. Installation view, Joseph Marioni, Andrew Ginzel, Barbara Schwartz, Artists Space, 1975. [A black and white photograph of a black square painting with a lighter border on the left and right sides.]
    Caption Joseph Marioni. Installation view, Joseph Marioni, Andrew Ginzel, Barbara Schwartz, Artists Space, 1975.
    Image description A black and white photograph of a black square painting with a lighter border on the left and right sides.
    Year 1975
    Related pages Joseph Marioni, Andrew Ginzel, Barbara Schwartz
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Two figures' faces positioned close to one another. The woman on the left looks away from the camera, while the man on the right closes his eyes and opens his mouth. The image is blurred, as though the figures are in motion.
    Two figures' faces positioned close to one another. The woman on the left looks away from the camera, while the man on the right closes his eyes and opens his mouth. The image is blurred, as though the figures are in motion.
    Video from Sidi El Asphalt's Mulid. Dir. Wael Shawky. 2003. [Two figures' faces positioned close to one another. The woman on the left looks away from the camera, while the man on the right closes his eyes and opens his mouth. The image is blurred, as though the figures are in motion.]
    Caption Video from Sidi El Asphalt's Mulid. Dir. Wael Shawky. 2003.
    Image description Two figures' faces positioned close to one another. The woman on the left looks away from the camera, while the man on the right closes his eyes and opens his mouth. The image is blurred, as though the figures are in motion.
    Year 2003
    Related pages Video from Sidi El Asphalt's Mulid
  • A figure stands on the stage with a mic, speaking to the crowd.
    A figure stands on the stage with a mic, speaking to the crowd.
    Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman [A figure stands on the stage with a mic, speaking to the crowd.]
    Caption Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure stands on the stage with a mic, speaking to the crowd.
    Year 2022
    Related pages Tisziji Muñoz with Francisco Mora Catlett and AfroHORN
  • A small control room looks into an adjoining hospital patient room via an interior window. Inside the room a person sits in front of multiple display screens and observes the activity in the patient room.
    A small control room looks into an adjoining hospital patient room via an interior window. Inside the room a person sits in front of multiple display screens and observes the activity in the patient room.
    Still from Fiction Contract, 2025. [A small control room looks into an adjoining hospital patient room via an interior window. Inside the room a person sits in front of multiple display screens and observes the activity in the patient room.]
    Caption Still from Fiction Contract, 2025.
    Image description A small control room looks into an adjoining hospital patient room via an interior window. Inside the room a person sits in front of multiple display screens and observes the activity in the patient room.
    Year
    Related pages Carolyn Lazard
  • A black and white film still of two people in period dress. One lies on a patterned couch, wrapped in sheets, while the other stands observing. Above the couch, a mirror on the wall reflects the scene to the camera.
    A black and white film still of two people in period dress. One lies on a patterned couch, wrapped in sheets, while the other stands observing. Above the couch, a mirror on the wall reflects the scene to the camera.
    James Coleman. Still from Seeing for Oneself, 1987-88. Slideshow (black and white), 40 min. [A black and white film still of two people in period dress. One lies on a patterned couch, wrapped in sheets, while the other stands observing. Above the couch, a mirror on the wall reflects the scene to the camera.]
    Caption James Coleman. Still from Seeing for Oneself, 1987-88. Slideshow (black and white), 40 min.
    Image description A black and white film still of two people in period dress. One lies on a patterned couch, wrapped in sheets, while the other stands observing. Above the couch, a mirror on the wall reflects the scene to the camera.
    Year 1988
    Related pages Michael Asher / James Coleman
  • White text overlays a green and brown background. The text reads: “May 6 / stefa marin alarcon / zavé martohardjono.
    White text overlays a green and brown background. The text reads: “May 6 / stefa marin alarcon / zavé martohardjono.
    [White text overlays a green and brown background. The text reads: “May 6 / stefa marin alarcon / zavé martohardjono." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description White text overlays a green and brown background. The text reads: “May 6 / stefa marin alarcon / zavé martohardjono." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year
    Related pages Segue Reading Series: stefa marin alarcon & zavé martohardjono
  • A cluster of metal book shelves sit in the middle of the room. Visible are the cubbies of three structures, populated with books of various sizes and colors.
    A cluster of metal book shelves sit in the middle of the room. Visible are the cubbies of three structures, populated with books of various sizes and colors.
    The Library Vaccine. Installation view, Artists Space, 2014. [A cluster of metal book shelves sit in the middle of the room. Visible are the cubbies of three structures, populated with books of various sizes and colors.]
    Caption The Library Vaccine. Installation view, Artists Space, 2014.
    Image description A cluster of metal book shelves sit in the middle of the room. Visible are the cubbies of three structures, populated with books of various sizes and colors.
    Year 2014
    Related pages The Library Vaccine
  • A group of people sit around a circular dining table. Wade Guyton and Kathy Halbreich are on the far left side of the frame. Andy Robert and Joan Jonas face each other and are mid-conversation. Robert wears a diamond-patterned sweater, black jacket, and black, red, and yellow striped beanie. Jonas wears a black jacket over a blue blouse with small red polka dots and scalloped edges, and her hair is held out of her face with a decorative clip.
    A group of people sit around a circular dining table. Wade Guyton and Kathy Halbreich are on the far left side of the frame. Andy Robert and Joan Jonas face each other and are mid-conversation. Robert wears a diamond-patterned sweater, black jacket, and black, red, and yellow striped beanie. Jonas wears a black jacket over a blue blouse with small red polka dots and scalloped edges, and her hair is held out of her face with a decorative clip.
    Wade Guyton, Kathy Halbreich, Andy Robert, Joan Jonas. Photo: Joshua Wildman [A group of people sit around a circular dining table. Wade Guyton and Kathy Halbreich are on the far left side of the frame. Andy Robert and Joan Jonas face each other and are mid-conversation. Robert wears a diamond-patterned sweater, black jacket, and black, red, and yellow striped beanie. Jonas wears a black jacket over a blue blouse with small red polka dots and scalloped edges, and her hair is held out of her face with a decorative clip.]
    Caption Wade Guyton, Kathy Halbreich, Andy Robert, Joan Jonas. Photo: Joshua Wildman
    Image description A group of people sit around a circular dining table. Wade Guyton and Kathy Halbreich are on the far left side of the frame. Andy Robert and Joan Jonas face each other and are mid-conversation. Robert wears a diamond-patterned sweater, black jacket, and black, red, and yellow striped beanie. Jonas wears a black jacket over a blue blouse with small red polka dots and scalloped edges, and her hair is held out of her face with a decorative clip.
    Year
    Related pages Support
  • A color image of a white wall with two windows with black and white curtains with pink flowers. Through the right window, a figure is seen sitting on a chair. Through the left window, a figure is seen standing in front of an easel with a canvas, holding a color pencil.
    A color image of a white wall with two windows with black and white curtains with pink flowers. Through the right window, a figure is seen sitting on a chair. Through the left window, a figure is seen standing in front of an easel with a canvas, holding a color pencil.
    Drake Carr: Housecalls. Performance documentation, September 9, 2023, Artists Space at the Armory Show. Photo: Joshua Wildman. [A color image of a white wall with two windows with black and white curtains with pink flowers. Through the right window, a figure is seen sitting on a chair. Through the left window, a figure is seen standing in front of an easel with a canvas, holding a color pencil.]
    Caption Drake Carr: Housecalls. Performance documentation, September 9, 2023, Artists Space at the Armory Show. Photo: Joshua Wildman.
    Image description A color image of a white wall with two windows with black and white curtains with pink flowers. Through the right window, a figure is seen sitting on a chair. Through the left window, a figure is seen standing in front of an easel with a canvas, holding a color pencil.
    Year
    Related pages Drake Carr: Housecalls
  • Black text on a grey background. The text reads: “Jan 31 / Bruce Andrews / Christopher Knowles.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on a grey background. The text reads: “Jan 31 / Bruce Andrews / Christopher Knowles.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on a grey background. The text reads: “Jan 31 / Bruce Andrews / Christopher Knowles.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on a grey background. The text reads: “Jan 31 / Bruce Andrews / Christopher Knowles.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Bruce Andrews & Christopher Knowles
  • A photograph of six index cards with typed up clues.
    A photograph of six index cards with typed up clues.
    Playing cards from Barbara Bloom's Solution. From Barbara Bloom, David Salle, Artists Space, 1976. [A photograph of six index cards with typed up clues.]
    Caption Playing cards from Barbara Bloom's Solution. From Barbara Bloom, David Salle, Artists Space, 1976.
    Image description A photograph of six index cards with typed up clues.
    Year
    Related pages Barbara Bloom, David Salle
  • A metal form sits on a sloped gray slap on top of a low, rectangular plinth. The 3D form is composed of thin metal sheets that together form an amorphous shape that casts a series of shadows on the surface below it.
    A metal form sits on a sloped gray slap on top of a low, rectangular plinth. The 3D form is composed of thin metal sheets that together form an amorphous shape that casts a series of shadows on the surface below it.
    Matters of Sensation. Installation view, Artists Space, 2008. Photo: Adam Reich. [A metal form sits on a sloped gray slap on top of a low, rectangular plinth. The 3D form is composed of thin metal sheets that together form an amorphous shape that casts a series of shadows on the surface below it.]
    Caption Matters of Sensation. Installation view, Artists Space, 2008. Photo: Adam Reich.
    Image description A metal form sits on a sloped gray slap on top of a low, rectangular plinth. The 3D form is composed of thin metal sheets that together form an amorphous shape that casts a series of shadows on the surface below it.
    Year 2008
    Related pages Matters of Sensation
  • Color photograph of a vitrine from above. Various ephemera including magazines and fliers are placed inside.
    Color photograph of a vitrine from above. Various ephemera including magazines and fliers are placed inside.
    Yasunao Tone: Region of Paramedia. Installation view (ephemera c. 1960s), Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a vitrine from above. Various ephemera including magazines and fliers are placed inside.]
    Caption Yasunao Tone: Region of Paramedia. Installation view (ephemera c. 1960s), Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photograph of a vitrine from above. Various ephemera including magazines and fliers are placed inside.
    Year 2023
    Related pages Yasunao Tone: Region of Paramedia
  • Color image of a figure looking to the left and leaning over a table filled with audio equipment. The figure holds sheets of paper with instructions, and manipulates an audio machine.
    Color image of a figure looking to the left and leaning over a table filled with audio equipment. The figure holds sheets of paper with instructions, and manipulates an audio machine.
    Still from video of Yasunao Tone performing Paramedia, Experimental Intermedia Foundation, 1990 [Color image of a figure looking to the left and leaning over a table filled with audio equipment. The figure holds sheets of paper with instructions, and manipulates an audio machine.]
    Caption Still from video of Yasunao Tone performing Paramedia, Experimental Intermedia Foundation, 1990
    Image description Color image of a figure looking to the left and leaning over a table filled with audio equipment. The figure holds sheets of paper with instructions, and manipulates an audio machine.
    Year
    Related pages Yasunao Tone Concert #3
  • A mostly nude woman with parts of her body obscured by plants and flowers. She holds her arms up, with a large plant sprig in each hand. She has a large stem woven through her hair, and a single flower held between her toes.
    A mostly nude woman with parts of her body obscured by plants and flowers. She holds her arms up, with a large plant sprig in each hand. She has a large stem woven through her hair, and a single flower held between her toes.
    Anna Gili, Flower Dress, 1987. [A mostly nude woman with parts of her body obscured by plants and flowers. She holds her arms up, with a large plant sprig in each hand. She has a large stem woven through her hair, and a single flower held between her toes.]
    Caption Anna Gili, Flower Dress, 1987.
    Image description A mostly nude woman with parts of her body obscured by plants and flowers. She holds her arms up, with a large plant sprig in each hand. She has a large stem woven through her hair, and a single flower held between her toes.
    Year 1987
    Related pages Anna Gili
  • Long, thin bundles of hay are arranged one over the other, mimicking the woven pattern of a textile.
    Long, thin bundles of hay are arranged one over the other, mimicking the woven pattern of a textile.
    Beverly Semmes, Eel Mat (detail), 1989. Copper, aluminum, hay, and chicken wire. Dimensions variable. [Long, thin bundles of hay are arranged one over the other, mimicking the woven pattern of a textile.]
    Caption Beverly Semmes, Eel Mat (detail), 1989. Copper, aluminum, hay, and chicken wire. Dimensions variable.
    Image description Long, thin bundles of hay are arranged one over the other, mimicking the woven pattern of a textile.
    Year 1989
    Related pages Beverly Semmes
  • A person on roller skates and knee pads with a large, fabric umbrella held on his back.
    A person on roller skates and knee pads with a large, fabric umbrella held on his back.
    Jeff Feld, Performance of the only part of Robert Rauschenberg's "Pelican" that I know, 2001. [A person on roller skates and knee pads with a large, fabric umbrella held on his back.]
    Caption Jeff Feld, Performance of the only part of Robert Rauschenberg's "Pelican" that I know, 2001.
    Image description A person on roller skates and knee pads with a large, fabric umbrella held on his back.
    Year 2001
    Related pages Repeat Performance
  • Black text that reads,
    Black text that reads,
    [Black text that reads, "9/11, TRILOGY, Laura Poitras."]
    Caption
    Image description Black text that reads, "9/11, TRILOGY, Laura Poitras."
    Year 2014
    Related pages Laura Poitras: 9/11 Trilogy
  • A figure performs on stage, standing behind a microphone with a shocked expression and their hands up.
    A figure performs on stage, standing behind a microphone with a shocked expression and their hands up.
    Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [A figure performs on stage, standing behind a microphone with a shocked expression and their hands up.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure performs on stage, standing behind a microphone with a shocked expression and their hands up.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-10
  • Detail view of an interferometer emitting a green light onto a white wall.
    Detail view of an interferometer emitting a green light onto a white wall.
    Amalle Dublon & Constantina Zavitsanos, Mach Zehnder Interferometer, 2018. [Detail view of an interferometer emitting a green light onto a white wall.]
    Caption Amalle Dublon & Constantina Zavitsanos, Mach Zehnder Interferometer, 2018.
    Image description Detail view of an interferometer emitting a green light onto a white wall.
    Year 2018
    Related pages Quantum Entanglement: Producing Entangled Photon Pairs
  • A view of a large window with the facade of other buildings, a restaurant is visible on the left. Graffiti text is visible above the length of the horizontal window and lights appear hanging from the ceiling directed to opposite sides.
    A view of a large window with the facade of other buildings, a restaurant is visible on the left. Graffiti text is visible above the length of the horizontal window and lights appear hanging from the ceiling directed to opposite sides.
    New Galleries of the Lower East Side. Installation View. Artists Space, 1984. Photo: Kenji Fujita. [A view of a large window with the facade of other buildings, a restaurant is visible on the left. Graffiti text is visible above the length of the horizontal window and lights appear hanging from the ceiling directed to opposite sides.]
    Caption New Galleries of the Lower East Side. Installation View. Artists Space, 1984. Photo: Kenji Fujita.
    Image description A view of a large window with the facade of other buildings, a restaurant is visible on the left. Graffiti text is visible above the length of the horizontal window and lights appear hanging from the ceiling directed to opposite sides.
    Year 1984
    Related pages New Galleries of the Lower East Side
  • Along the gallery wall from left to right is an assemblage scultpure of found objects ranging from lightbulbs to racoon tails. To the right is a sculpture of chicken wings dangling from the wall. Further along is an offwhite square nearly flush with the wall. And on the floor sits a chair adorned with cloth and green onion.
    Along the gallery wall from left to right is an assemblage scultpure of found objects ranging from lightbulbs to racoon tails. To the right is a sculpture of chicken wings dangling from the wall. Further along is an offwhite square nearly flush with the wall. And on the floor sits a chair adorned with cloth and green onion.
    LIFE—a group show, curated by Arnold J. Kemp. Installation view, Artists Space, 2025. Photo: Carter Seddon [Along the gallery wall from left to right is an assemblage scultpure of found objects ranging from lightbulbs to racoon tails. To the right is a sculpture of chicken wings dangling from the wall. Further along is an offwhite square nearly flush with the wall. And on the floor sits a chair adorned with cloth and green onion.]
    Caption LIFE—a group show, curated by Arnold J. Kemp. Installation view, Artists Space, 2025. Photo: Carter Seddon
    Image description Along the gallery wall from left to right is an assemblage scultpure of found objects ranging from lightbulbs to racoon tails. To the right is a sculpture of chicken wings dangling from the wall. Further along is an offwhite square nearly flush with the wall. And on the floor sits a chair adorned with cloth and green onion.
    Year 2025
    Related pages Arnold J. Kemp
  • A black and white close-up image of an adolescent girl, smiling at the camera. She is holding up a scrub brush in one hand and a bottle of Soft Scrub in the other and is wearing a bathrobe and a shower cap.
    A black and white close-up image of an adolescent girl, smiling at the camera. She is holding up a scrub brush in one hand and a bottle of Soft Scrub in the other and is wearing a bathrobe and a shower cap.
    Mindy Faber. Still from Identity Crisis, 1989. 3 min. Photo: Micki McGee. [A black and white close-up image of an adolescent girl, smiling at the camera. She is holding up a scrub brush in one hand and a bottle of Soft Scrub in the other and is wearing a bathrobe and a shower cap.]
    Caption Mindy Faber. Still from Identity Crisis, 1989. 3 min. Photo: Micki McGee.
    Image description A black and white close-up image of an adolescent girl, smiling at the camera. She is holding up a scrub brush in one hand and a bottle of Soft Scrub in the other and is wearing a bathrobe and a shower cap.
    Year 1989
    Related pages Body Language: Studies in Female Expression
  • A small girl stands central in the image with a microphone near her mouth and a shirtless boy stands behind her to the left. A chain-link fence can be seen behind them next to a concrete building. Subtitles burned into the bottom of the image read,
    A small girl stands central in the image with a microphone near her mouth and a shirtless boy stands behind her to the left. A chain-link fence can be seen behind them next to a concrete building. Subtitles burned into the bottom of the image read,
    Martha Wallner and Miriam Loaisiga. Still from Con Guerra O Sin Guerra (With or Without War), 1987. Video (sound, black and white). 20 minutes. Spanish with English subtitles. [A small girl stands central in the image with a microphone near her mouth and a shirtless boy stands behind her to the left. A chain-link fence can be seen behind them next to a concrete building. Subtitles burned into the bottom of the image read, "Why can't men come in?" Scan lines in the image and the outer box of a CRT monitor are visible.]
    Caption Martha Wallner and Miriam Loaisiga. Still from Con Guerra O Sin Guerra (With or Without War), 1987. Video (sound, black and white). 20 minutes. Spanish with English subtitles.
    Image description A small girl stands central in the image with a microphone near her mouth and a shirtless boy stands behind her to the left. A chain-link fence can be seen behind them next to a concrete building. Subtitles burned into the bottom of the image read, "Why can't men come in?" Scan lines in the image and the outer box of a CRT monitor are visible.
    Year 1987
    Related pages TV Sandino
  • A photo of students sitting around a table, watching a YouTube video and speaking to one another.
    A photo of students sitting around a table, watching a YouTube video and speaking to one another.
    City-As-School students critiquing images, 2019. [A photo of students sitting around a table, watching a YouTube video and speaking to one another.]
    Caption City-As-School students critiquing images, 2019.
    Image description A photo of students sitting around a table, watching a YouTube video and speaking to one another.
    Year 2019
    Related pages BRIDGE Photography
  • A crowd watches a large humanoid blue bird turn around.
    A crowd watches a large humanoid blue bird turn around.
    Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court [A crowd watches a large humanoid blue bird turn around.]
    Caption Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court
    Image description A crowd watches a large humanoid blue bird turn around.
    Year 2022
    Related pages Circus Amok
  • Magazine cut-outs and ink drawings are collaged together on a background of yellow, pink, and orange paper. Pieces of paper with typewritten text listing the performers and event details are scattered around the flyer.
    Magazine cut-outs and ink drawings are collaged together on a background of yellow, pink, and orange paper. Pieces of paper with typewritten text listing the performers and event details are scattered around the flyer.
    Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a background of yellow, pink, and orange paper. Pieces of paper with typewritten text listing the performers and event details are scattered around the flyer.]
    Caption Flyer by Joe Frivaldi.
    Image description Magazine cut-outs and ink drawings are collaged together on a background of yellow, pink, and orange paper. Pieces of paper with typewritten text listing the performers and event details are scattered around the flyer.
    Year
    Related pages Abasement #73
  • Color photo of three musicians captured mid-performance on stage in a low-lit venue space. The central musician plays the trumpet, and is flanked at either side by men playing clarinets. Abstract and fragmented projections in green and yellow-orange shine onto the musicians and cast onto the wall behind them.
    Color photo of three musicians captured mid-performance on stage in a low-lit venue space. The central musician plays the trumpet, and is flanked at either side by men playing clarinets. Abstract and fragmented projections in green and yellow-orange shine onto the musicians and cast onto the wall behind them.
    Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman. [Color photo of three musicians captured mid-performance on stage in a low-lit venue space. The central musician plays the trumpet, and is flanked at either side by men playing clarinets. Abstract and fragmented projections in green and yellow-orange shine onto the musicians and cast onto the wall behind them.]
    Caption Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman.
    Image description Color photo of three musicians captured mid-performance on stage in a low-lit venue space. The central musician plays the trumpet, and is flanked at either side by men playing clarinets. Abstract and fragmented projections in green and yellow-orange shine onto the musicians and cast onto the wall behind them.
    Year
    Related pages Abasement #64
  • A black and white photograph of the base of a monument in a city square. Steps lead up to a pedastal surrounded by three large spheres connected by a metal chain.
    A black and white photograph of the base of a monument in a city square. Steps lead up to a pedastal surrounded by three large spheres connected by a metal chain.
    Bases of the equestrian monument to Kaiser Wilhem which was destroyed by the British occupation in Münster after World War II. The photographs were printed as post cards in the early 20th century and collected from eBay and oldthing.de in 2021. [A black and white photograph of the base of a monument in a city square. Steps lead up to a pedastal surrounded by three large spheres connected by a metal chain.]
    Caption Bases of the equestrian monument to Kaiser Wilhem which was destroyed by the British occupation in Münster after World War II. The photographs were printed as post cards in the early 20th century and collected from eBay and oldthing.de in 2021.
    Image description A black and white photograph of the base of a monument in a city square. Steps lead up to a pedastal surrounded by three large spheres connected by a metal chain.
    Year 2022
    Related pages virgil b/g taylor: Minor Publics
  • White text overlay on two photographs of people in bathing suits and summer clothing lounging on a beach.
    White text overlay on two photographs of people in bathing suits and summer clothing lounging on a beach.
    Book cover for Disordered Attention: How We Look at Art and Performance Today by Claire Bishop. [White text overlay on two photographs of people in bathing suits and summer clothing lounging on a beach.]
    Caption Book cover for Disordered Attention: How We Look at Art and Performance Today by Claire Bishop.
    Image description White text overlay on two photographs of people in bathing suits and summer clothing lounging on a beach.
    Year
    Related pages Disordered Attention
  • An image of a cat laying on a persons lap. The cat is holding an Ipod Nano displaying a skateboarder. Neon green text over the top half of the image reads,
    An image of a cat laying on a persons lap. The cat is holding an Ipod Nano displaying a skateboarder. Neon green text over the top half of the image reads,
    Flyer for Segue Reading Series featuring Marie Buck and Peter Inman. Saturday, January 30, 2021, Artists Space. [An image of a cat laying on a persons lap. The cat is holding an Ipod Nano displaying a skateboarder. Neon green text over the top half of the image reads, "Marie Buck / Peter Inman". Black text in the center left of the image reads, "SEGUE." Black text on the bottom half of the image reads, "30 January/ 5PM EST."]
    Caption Flyer for Segue Reading Series featuring Marie Buck and Peter Inman. Saturday, January 30, 2021, Artists Space.
    Image description An image of a cat laying on a persons lap. The cat is holding an Ipod Nano displaying a skateboarder. Neon green text over the top half of the image reads, "Marie Buck / Peter Inman". Black text in the center left of the image reads, "SEGUE." Black text on the bottom half of the image reads, "30 January/ 5PM EST."
    Year 2021
    Related pages Segue Reading Series: Marie Buck & Peter Inman
  • An inverted triangle of straw held together with wax supports an X made of lead.
    An inverted triangle of straw held together with wax supports an X made of lead.
    Robert Gero, Untitled, 1989. Lead, straw, wax. [An inverted triangle of straw held together with wax supports an X made of lead.]
    Caption Robert Gero, Untitled, 1989. Lead, straw, wax.
    Image description An inverted triangle of straw held together with wax supports an X made of lead.
    Year 1989
    Related pages Energeia
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    Related pages Education Publications
  • A wooden bench with a white, dome-like structure attached to its corner. Two framed drawings hang on the wall in the background.
    A wooden bench with a white, dome-like structure attached to its corner. Two framed drawings hang on the wall in the background.
    Social Surfaces. Installation view, 55 Walker Street, 2017. Photo: Ron Amstutz. [A wooden bench with a white, dome-like structure attached to its corner. Two framed drawings hang on the wall in the background.]
    Caption Social Surfaces. Installation view, 55 Walker Street, 2017. Photo: Ron Amstutz.
    Image description A wooden bench with a white, dome-like structure attached to its corner. Two framed drawings hang on the wall in the background.
    Year 2017
    Related pages Social Surfaces
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Color photograph of three figures, wearing conical costumes made of reflective one-way mirror film, standing at the doorways of a gallery space.
    Color photograph of three figures, wearing conical costumes made of reflective one-way mirror film, standing at the doorways of a gallery space.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of three figures, wearing conical costumes made of reflective one-way mirror film, standing at the doorways of a gallery space.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of three figures, wearing conical costumes made of reflective one-way mirror film, standing at the doorways of a gallery space.
    Year 2022
    Related pages keyon gaskin 12-14
  • An outdoor landscape at night. Raindrops fall from the sky, and several dots of bright light are visible on the horizon over a great expanse of water, reflecting yellow light onto the water's surface.
    An outdoor landscape at night. Raindrops fall from the sky, and several dots of bright light are visible on the horizon over a great expanse of water, reflecting yellow light onto the water's surface.
    Emily Richardson, Redshift, 2001. DVD Projection, 4 min. [An outdoor landscape at night. Raindrops fall from the sky, and several dots of bright light are visible on the horizon over a great expanse of water, reflecting yellow light onto the water's surface.]
    Caption Emily Richardson, Redshift, 2001. DVD Projection, 4 min.
    Image description An outdoor landscape at night. Raindrops fall from the sky, and several dots of bright light are visible on the horizon over a great expanse of water, reflecting yellow light onto the water's surface.
    Year 2001
    Related pages Demonclownmonkey
  • A magazine cover depicting a grid of international stamps.
    A magazine cover depicting a grid of international stamps.
    The Happy Hypocrite - Freedom Issue 6. [A magazine cover depicting a grid of international stamps.]
    Caption The Happy Hypocrite - Freedom Issue 6.
    Image description A magazine cover depicting a grid of international stamps.
    Year 2013
    Related pages The Happy Hypocrite - Freedom Issue 6, Edited by Lynne Tillman
  • Color photograph of a large empty room bathed in a red light. Along one wall, a performer dressed in white stands against the wall, bending over and looking to their left. A bright white light shines from their hips and a sheath of crinkly, reflective one-way mirror film lays on the ground in front of them.
    Color photograph of a large empty room bathed in a red light. Along one wall, a performer dressed in white stands against the wall, bending over and looking to their left. A bright white light shines from their hips and a sheath of crinkly, reflective one-way mirror film lays on the ground in front of them.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a large empty room bathed in a red light. Along one wall, a performer dressed in white stands against the wall, bending over and looking to their left. A bright white light shines from their hips and a sheath of crinkly, reflective one-way mirror film lays on the ground in front of them.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a large empty room bathed in a red light. Along one wall, a performer dressed in white stands against the wall, bending over and looking to their left. A bright white light shines from their hips and a sheath of crinkly, reflective one-way mirror film lays on the ground in front of them.
    Year 2022
    Related pages keyon gaskin 12-18
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    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
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    Related pages Abasement #71
  • Cover of the novel <em>Goodbye to Tenth Street</em>, featuring a blue-toned image of a streetpost with a road sign for East 10th Street and a one-way sign.
    Cover of the novel <em>Goodbye to Tenth Street</em>, featuring a blue-toned image of a streetpost with a road sign for East 10th Street and a one-way sign.
    Irving Sandler, Goodbye to Tenth Street (New York: Pleasure Boat Studio, 2018). [Cover of the novel Goodbye to Tenth Street, featuring a blue-toned image of a streetpost with a road sign for East 10th Street and a one-way sign.]
    Caption Irving Sandler, Goodbye to Tenth Street (New York: Pleasure Boat Studio, 2018).
    Image description Cover of the novel Goodbye to Tenth Street, featuring a blue-toned image of a streetpost with a road sign for East 10th Street and a one-way sign.
    Year 2018
    Related pages Goodbye to Tenth Street, A Novel by Irving Sandler
  • 3 paintings hang on a wall. The painting to the left is circular, the center painting is rhombus shaped. The painting to the right is square.
    3 paintings hang on a wall. The painting to the left is circular, the center painting is rhombus shaped. The painting to the right is square.
    Traditions: Five Painters. Installation View, Artists Space, 1978. [3 paintings hang on a wall. The painting to the left is circular, the center painting is rhombus shaped. The painting to the right is square.]
    Caption Traditions: Five Painters. Installation View, Artists Space, 1978.
    Image description 3 paintings hang on a wall. The painting to the left is circular, the center painting is rhombus shaped. The painting to the right is square.
    Year
    Related pages Traditions: Five Painters, Charles Clough, William Fares, Sidney Goldberg, John Lees, Ann Thornycroft
  • A PrintFile photo preserver is visible with two black and white photographic artworks inside and the top photograph has tape around it with writing on it.
    A PrintFile photo preserver is visible with two black and white photographic artworks inside and the top photograph has tape around it with writing on it.
    Seth Laderman. Installation view, Artists Space, 1980. [A PrintFile photo preserver is visible with two black and white photographic artworks inside and the top photograph has tape around it with writing on it.]
    Caption Seth Laderman. Installation view, Artists Space, 1980.
    Image description A PrintFile photo preserver is visible with two black and white photographic artworks inside and the top photograph has tape around it with writing on it.
    Year
    Related pages Seth Laderman
  • A close up black and white image of multiple paintings hanging on a white wall and a sculpture occupying the gallery floor.
    A close up black and white image of multiple paintings hanging on a white wall and a sculpture occupying the gallery floor.
    Installation view from Annual Selections Show, Artists Space, 1985 [A close up black and white image of multiple paintings hanging on a white wall and a sculpture occupying the gallery floor.]
    Caption Installation view from Annual Selections Show, Artists Space, 1985
    Image description A close up black and white image of multiple paintings hanging on a white wall and a sculpture occupying the gallery floor.
    Year
    Related pages Annual Selections Show
  • A screenshot of a video call. Several students are smiling while holding up artwork that depicts their respective family trees. The art varies in size, shape, and medium.
    A screenshot of a video call. Several students are smiling while holding up artwork that depicts their respective family trees. The art varies in size, shape, and medium.
    7th Grade students from M.S. 324 meeting online to present their El Ábol de la Familia collage projects, 2020 [A screenshot of a video call. Several students are smiling while holding up artwork that depicts their respective family trees. The art varies in size, shape, and medium.]
    Caption 7th Grade students from M.S. 324 meeting online to present their El Ábol de la Familia collage projects, 2020
    Image description A screenshot of a video call. Several students are smiling while holding up artwork that depicts their respective family trees. The art varies in size, shape, and medium.
    Year 2020
    Related pages Threads of History
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    Related pages Anne Gardiner: Through the Tulips and The Red Red Rose - May 2
  • A color image of a pink-hued room inside which an irregularly shaped platform with a reflective surface sits on the ground. Objects such as plants, a fish tank, and tree stumps sit on and around the platform.
    A color image of a pink-hued room inside which an irregularly shaped platform with a reflective surface sits on the ground. Objects such as plants, a fish tank, and tree stumps sit on and around the platform.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022. [A color image of a pink-hued room inside which an irregularly shaped platform with a reflective surface sits on the ground. Objects such as plants, a fish tank, and tree stumps sit on and around the platform.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022.
    Image description A color image of a pink-hued room inside which an irregularly shaped platform with a reflective surface sits on the ground. Objects such as plants, a fish tank, and tree stumps sit on and around the platform.
    Year
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • A figure facing a microphone looks upon a computer with audio software open.
    A figure facing a microphone looks upon a computer with audio software open.
    Eiko Ishibashi: Two New York Nights. Performance documentation, June 8, 2022, 8pm. Artists Space, New York. [A figure facing a microphone looks upon a computer with audio software open.]
    Caption Eiko Ishibashi: Two New York Nights. Performance documentation, June 8, 2022, 8pm. Artists Space, New York.
    Image description A figure facing a microphone looks upon a computer with audio software open.
    Year
    Related pages Eiko Ishibashi in Concert
  • A black and white photograph of two figures standing in front of a wall of framed silhouettes.
    A black and white photograph of two figures standing in front of a wall of framed silhouettes.
    Pictures. Opening Reception, Artists Space, September 23, 1977. Photo: D. James Dee. [A black and white photograph of two figures standing in front of a wall of framed silhouettes.]
    Caption Pictures. Opening Reception, Artists Space, September 23, 1977. Photo: D. James Dee.
    Image description A black and white photograph of two figures standing in front of a wall of framed silhouettes.
    Year 1977
    Related pages Pictures
  • Two iron columns run across the gallery floor. Central in the room, on the back wall, five rectangular boards stand stacked on top of each other. The bottom plank is darker in color. In front of the columns, a stool adorned with a box sits to the left. Two abstracted boxes sit to the right, one black, the other made of a wood material similar to the central stack.
    Two iron columns run across the gallery floor. Central in the room, on the back wall, five rectangular boards stand stacked on top of each other. The bottom plank is darker in color. In front of the columns, a stool adorned with a box sits to the left. Two abstracted boxes sit to the right, one black, the other made of a wood material similar to the central stack.
    Brad Kronz. Installation view, Artists Space, 2025. Photo: Carter Seddon [Two iron columns run across the gallery floor. Central in the room, on the back wall, five rectangular boards stand stacked on top of each other. The bottom plank is darker in color. In front of the columns, a stool adorned with a box sits to the left. Two abstracted boxes sit to the right, one black, the other made of a wood material similar to the central stack. ]
    Caption Brad Kronz. Installation view, Artists Space, 2025. Photo: Carter Seddon
    Image description Two iron columns run across the gallery floor. Central in the room, on the back wall, five rectangular boards stand stacked on top of each other. The bottom plank is darker in color. In front of the columns, a stool adorned with a box sits to the left. Two abstracted boxes sit to the right, one black, the other made of a wood material similar to the central stack.
    Year
    Related pages Brad Kronz
  • A crowd of people standing outside a brick building, mingling and talking.
    A crowd of people standing outside a brick building, mingling and talking.
    [A crowd of people standing outside a brick building, mingling and talking.]
    Caption
    Image description A crowd of people standing outside a brick building, mingling and talking.
    Year 2013
    Related pages On the Necessity of Art's Exit from Contemporary Art
  • A portrait oriented video is projected in a dark narrow space. A bench sits in front of the video. An image-still of a man, gesturing towards the viewer with both hands together, is on the back wall.
    A portrait oriented video is projected in a dark narrow space. A bench sits in front of the video. An image-still of a man, gesturing towards the viewer with both hands together, is on the back wall.
    Hito Steyerl, Guards, 2012. HD video on freestanding screen with sound, 20 mins. Courtesy the artist and Andrew Kreps, New York. [A portrait oriented video is projected in a dark narrow space. A bench sits in front of the video. An image-still of a man, gesturing towards the viewer with both hands together, is on the back wall.]
    Caption Hito Steyerl, Guards, 2012. HD video on freestanding screen with sound, 20 mins. Courtesy the artist and Andrew Kreps, New York.
    Image description A portrait oriented video is projected in a dark narrow space. A bench sits in front of the video. An image-still of a man, gesturing towards the viewer with both hands together, is on the back wall.
    Year 2015
    Related pages Hito Steyerl
  • A color photograph of two wooden cafe chairs with green cushions in a gallery space with a dark metal column. A television screen with a cord extending down to an outlet in the floor rests upon each chair.
    A color photograph of two wooden cafe chairs with green cushions in a gallery space with a dark metal column. A television screen with a cord extending down to an outlet in the floor rests upon each chair.
    Nicole-Antonia Spagnola, Untitled, 2022. Raw Power, Raw Power; Kollettivo, Lotta per il potere; Antigenesi, Una donna non e’ merda; Negazione, Tutti Pazzi; RAF Punk, Contro la pace Contro la guerra; Peggio Punx, Scemo. 8mm to MP4 transfer (color, sound), monitors, chairs. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of two wooden cafe chairs with green cushions in a gallery space with a dark metal column. A television screen with a cord extending down to an outlet in the floor rests upon each chair.]
    Caption Nicole-Antonia Spagnola, Untitled, 2022. Raw Power, Raw Power; Kollettivo, Lotta per il potere; Antigenesi, Una donna non e’ merda; Negazione, Tutti Pazzi; RAF Punk, Contro la pace Contro la guerra; Peggio Punx, Scemo. 8mm to MP4 transfer (color, sound), monitors, chairs. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color photograph of two wooden cafe chairs with green cushions in a gallery space with a dark metal column. A television screen with a cord extending down to an outlet in the floor rests upon each chair.
    Year
    Related pages Nicole-Antonia Spagnola: Anti-Genesis
  • A dyptich of color photographs. The one on the left shows an empty alleyway. The one on the right shows six chairs in front of a blue curtain.
    A dyptich of color photographs. The one on the left shows an empty alleyway. The one on the right shows six chairs in front of a blue curtain.
    Pictured right:. Scott Burton. Pastoral Chair Tableau, 1971—74. From Scott Burton, Pamela Jenrette, Artists Space, 1975. [A dyptich of color photographs. The one on the left shows an empty alleyway. The one on the right shows six chairs in front of a blue curtain.]
    Caption Pictured right:. Scott Burton. Pastoral Chair Tableau, 1971—74. From Scott Burton, Pamela Jenrette, Artists Space, 1975.
    Image description A dyptich of color photographs. The one on the left shows an empty alleyway. The one on the right shows six chairs in front of a blue curtain.
    Year 1975
    Related pages Scott Burton, Pamela Jenrette
  • Color image of a darkened gallery installation with multiple projectors and a golden egg sculpture in the left back corner. In the left foreground, a pinhole projector wrapped in foam and secured with red string sits on a pedestal. On the wall to the left, an image of a golden ornamental hoop and pin, along with four small pink and green strawberries, is projected. In the center back, a pinhole project inside a rectangular plaid plastic travel bag with straps sits atop a pedestal. It projects an image of a green square with a crenellated metal opening onto the back wall. To the right, a projector inside a plywood box sits atop a pedestal. On the wall to the right, an image of an image of a red pearlescent ball, with a small white pearlescant ball attached on top, is projected.
    Color image of a darkened gallery installation with multiple projectors and a golden egg sculpture in the left back corner. In the left foreground, a pinhole projector wrapped in foam and secured with red string sits on a pedestal. On the wall to the left, an image of a golden ornamental hoop and pin, along with four small pink and green strawberries, is projected. In the center back, a pinhole project inside a rectangular plaid plastic travel bag with straps sits atop a pedestal. It projects an image of a green square with a crenellated metal opening onto the back wall. To the right, a projector inside a plywood box sits atop a pedestal. On the wall to the right, an image of an image of a red pearlescent ball, with a small white pearlescant ball attached on top, is projected.
    Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon. [Color image of a darkened gallery installation with multiple projectors and a golden egg sculpture in the left back corner. In the left foreground, a pinhole projector wrapped in foam and secured with red string sits on a pedestal. On the wall to the left, an image of a golden ornamental hoop and pin, along with four small pink and green strawberries, is projected. In the center back, a pinhole project inside a rectangular plaid plastic travel bag with straps sits atop a pedestal. It projects an image of a green square with a crenellated metal opening onto the back wall. To the right, a projector inside a plywood box sits atop a pedestal. On the wall to the right, an image of an image of a red pearlescent ball, with a small white pearlescant ball attached on top, is projected.]
    Caption Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon.
    Image description Color image of a darkened gallery installation with multiple projectors and a golden egg sculpture in the left back corner. In the left foreground, a pinhole projector wrapped in foam and secured with red string sits on a pedestal. On the wall to the left, an image of a golden ornamental hoop and pin, along with four small pink and green strawberries, is projected. In the center back, a pinhole project inside a rectangular plaid plastic travel bag with straps sits atop a pedestal. It projects an image of a green square with a crenellated metal opening onto the back wall. To the right, a projector inside a plywood box sits atop a pedestal. On the wall to the right, an image of an image of a red pearlescent ball, with a small white pearlescant ball attached on top, is projected.
    Year
    Related pages Doris Guo Matthew Langan-Peck Isabelle Frances McGuire Ruben Ulises Rodriguez Montoya
  • Photographs hang on a white wall. On the left, two black and white portraits are stacked vertically. In the center, a row of five color photographs includes a person sitting in a lounge chair and a person in a hospital bed. On the right, the edge of a painting in visible.
    Photographs hang on a white wall. On the left, two black and white portraits are stacked vertically. In the center, a row of five color photographs includes a person sitting in a lounge chair and a person in a hospital bed. On the right, the edge of a painting in visible.
    Works by Philip-Lorca diCorcia. Witnesses: Against Our Vanishing. Installation view, Artists Space, 1989. [Photographs hang on a white wall. On the left, two black and white portraits are stacked vertically. In the center, a row of five color photographs includes a person sitting in a lounge chair and a person in a hospital bed. On the right, the edge of a painting in visible.]
    Caption Works by Philip-Lorca diCorcia. Witnesses: Against Our Vanishing. Installation view, Artists Space, 1989.
    Image description Photographs hang on a white wall. On the left, two black and white portraits are stacked vertically. In the center, a row of five color photographs includes a person sitting in a lounge chair and a person in a hospital bed. On the right, the edge of a painting in visible.
    Year 1989
    Related pages Witnesses: Against Our Vanishing
  • Gift cards features Applebee's branded logo of a red apple. Verso of the card shows the apple design with an American flag and says
    Gift cards features Applebee's branded logo of a red apple. Verso of the card shows the apple design with an American flag and says
    Cory Arcangel, $10 Applebee’s Gift Card, 2013, Plastic gift card with $10 value, 2 x 3 in 5 x 7,6 cm, Signed and Numbered [Gift cards features Applebee's branded logo of a red apple. Verso of the card shows the apple design with an American flag and says "THANK YOU"]
    Caption Cory Arcangel, $10 Applebee’s Gift Card, 2013, Plastic gift card with $10 value, 2 x 3 in 5 x 7,6 cm, Signed and Numbered
    Image description Gift cards features Applebee's branded logo of a red apple. Verso of the card shows the apple design with an American flag and says "THANK YOU"
    Year
    Related pages Artists Space Annual Edition Portfolio 2014
  • Black and white photograph of white picket fence opening with dark painted background behind it.
    Black and white photograph of white picket fence opening with dark painted background behind it.
    Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Candice Hill-Montgomery. [Black and white photograph of white picket fence opening with dark painted background behind it.]
    Caption Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Candice Hill-Montgomery.
    Image description Black and white photograph of white picket fence opening with dark painted background behind it.
    Year 1979
    Related pages Candance Hill-Montgomery
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  • Four gallery walls sit at various angles in a bright-lit exhibition space. One of the walls is decorated with colorful vertical stripes. Another wall is covered in many small, square grid-like compositions. A wall at the photograph's center is decorated with a composition of abstract, smooth shapes and various figures rendered in black and white.
    Four gallery walls sit at various angles in a bright-lit exhibition space. One of the walls is decorated with colorful vertical stripes. Another wall is covered in many small, square grid-like compositions. A wall at the photograph's center is decorated with a composition of abstract, smooth shapes and various figures rendered in black and white.
    Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Four gallery walls sit at various angles in a bright-lit exhibition space. One of the walls is decorated with colorful vertical stripes. Another wall is covered in many small, square grid-like compositions. A wall at the photograph's center is decorated with a composition of abstract, smooth shapes and various figures rendered in black and white.]
    Caption Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Four gallery walls sit at various angles in a bright-lit exhibition space. One of the walls is decorated with colorful vertical stripes. Another wall is covered in many small, square grid-like compositions. A wall at the photograph's center is decorated with a composition of abstract, smooth shapes and various figures rendered in black and white.
    Year 2012
    Related pages Radical Localism: Art, Video and Culture from Pueblo Nuevo’s Mexicali Rose
  • An angled view of vitrines and book cases displaying collages.
    An angled view of vitrines and book cases displaying collages.
    Tom of Finland: The Pleasure of Play. Installation view, Artists Space, 2015. [An angled view of vitrines and book cases displaying collages.]
    Caption Tom of Finland: The Pleasure of Play. Installation view, Artists Space, 2015.
    Image description An angled view of vitrines and book cases displaying collages.
    Year 2015
    Related pages Tom of Finland: The Pleasure of Play
  • Close up image of a rectangular panel installed on a white wall. The canvas is covered in color block washes of black, gray, and white paint. Left-aligned, serif text positioned at the upper half of the canvas reads,
    Close up image of a rectangular panel installed on a white wall. The canvas is covered in color block washes of black, gray, and white paint. Left-aligned, serif text positioned at the upper half of the canvas reads,
    I Thought I Had Time. Installation view, Artists Space, 1992. [Close up image of a rectangular panel installed on a white wall. The canvas is covered in color block washes of black, gray, and white paint. Left-aligned, serif text positioned at the upper half of the canvas reads, "she said it's gone too far. I thought I had time. / I thought I had more time. / Room 409 / Memorial Sloan-Kettering / 1990 A.D."]
    Caption I Thought I Had Time. Installation view, Artists Space, 1992.
    Image description Close up image of a rectangular panel installed on a white wall. The canvas is covered in color block washes of black, gray, and white paint. Left-aligned, serif text positioned at the upper half of the canvas reads, "she said it's gone too far. I thought I had time. / I thought I had more time. / Room 409 / Memorial Sloan-Kettering / 1990 A.D."
    Year 1992
    Related pages I Thought I Had Time
  • A bright yellow object with a cracked surface is embedded with a computer chipboard on its front, and a multicolored fidget spinner on the top.
    A bright yellow object with a cracked surface is embedded with a computer chipboard on its front, and a multicolored fidget spinner on the top.
    Not yet titled, 2019
    Clay, glaze, mixed media
    7 x 12 x 17 inches (variable)
    $5,000
    [A bright yellow object with a cracked surface is embedded with a computer chipboard on its front, and a multicolored fidget spinner on the top.]
    Caption Not yet titled, 2019
    Clay, glaze, mixed media
    7 x 12 x 17 inches (variable)
    $5,000
    Image description A bright yellow object with a cracked surface is embedded with a computer chipboard on its front, and a multicolored fidget spinner on the top.
    Year 2019
    Related pages Trisha Baga Edition
  • A black and white image of a person's face against a white tiled wall, with water pouring down over her.
    A black and white image of a person's face against a white tiled wall, with water pouring down over her.
    Judit Kurtág. Still from Episode, 2007. [A black and white image of a person's face against a white tiled wall, with water pouring down over her.]
    Caption Judit Kurtág. Still from Episode, 2007.
    Image description A black and white image of a person's face against a white tiled wall, with water pouring down over her.
    Year 2007
    Related pages Episode
  • A painting depicting a blue tree and landscape with a turquoise lake against a peach-colored sky. Several areas of the water are black
    A painting depicting a blue tree and landscape with a turquoise lake against a peach-colored sky. Several areas of the water are black
    Christopher Binifacio, Oil Spill, 2018 [A painting depicting a blue tree and landscape with a turquoise lake against a peach-colored sky. Several areas of the water are black]
    Caption Christopher Binifacio, Oil Spill, 2018
    Image description A painting depicting a blue tree and landscape with a turquoise lake against a peach-colored sky. Several areas of the water are black
    Year 2018
    Related pages Scholastic Art and Writing Awards
  • Three screens and a metallic sculpture are installed in a gallery space with wooden floors. The three screens are arranged next to each other, with the screen closest to the viewer displaying a series of figures with three bright forms attached to their torsos. The other two screens show increasingly blurry renderings of the same image. To the right of the screens, a tall, shiny and metallic sculpture sits on the gallery floor. A pocket-sized image of a figure is pasted to the sculpture's left sides.
    Three screens and a metallic sculpture are installed in a gallery space with wooden floors. The three screens are arranged next to each other, with the screen closest to the viewer displaying a series of figures with three bright forms attached to their torsos. The other two screens show increasingly blurry renderings of the same image. To the right of the screens, a tall, shiny and metallic sculpture sits on the gallery floor. A pocket-sized image of a figure is pasted to the sculpture's left sides.
    Nina in Position. Installation view, Artists Space, 2008. Photo: Bill Orcutt. [Three screens and a metallic sculpture are installed in a gallery space with wooden floors. The three screens are arranged next to each other, with the screen closest to the viewer displaying a series of figures with three bright forms attached to their torsos. The other two screens show increasingly blurry renderings of the same image. To the right of the screens, a tall, shiny and metallic sculpture sits on the gallery floor. A pocket-sized image of a figure is pasted to the sculpture's left sides.]
    Caption Nina in Position. Installation view, Artists Space, 2008. Photo: Bill Orcutt.
    Image description Three screens and a metallic sculpture are installed in a gallery space with wooden floors. The three screens are arranged next to each other, with the screen closest to the viewer displaying a series of figures with three bright forms attached to their torsos. The other two screens show increasingly blurry renderings of the same image. To the right of the screens, a tall, shiny and metallic sculpture sits on the gallery floor. A pocket-sized image of a figure is pasted to the sculpture's left sides.
    Year 2008
    Related pages Nina in Position
  • Magazine cut-outs and ink drawings are collaged together on a background of yellow, pink, and orange paper. A piece of green paper at the bottom reads
    Magazine cut-outs and ink drawings are collaged together on a background of yellow, pink, and orange paper. A piece of green paper at the bottom reads
    Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a background of yellow, pink, and orange paper. A piece of green paper at the bottom reads "A/BA/SEME/N/T." Other pieces of typewritten text list the performers and event details.]
    Caption Flyer by Joe Frivaldi.
    Image description Magazine cut-outs and ink drawings are collaged together on a background of yellow, pink, and orange paper. A piece of green paper at the bottom reads "A/BA/SEME/N/T." Other pieces of typewritten text list the performers and event details.
    Year
    Related pages Abasement #72
  • A woman sits at a desk covered with notebooks and documents. She looks off to the side holding a pen by a mug. Behind her, a round window allows light to enter the room.
    A woman sits at a desk covered with notebooks and documents. She looks off to the side holding a pen by a mug. Behind her, a round window allows light to enter the room.
    Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979. [A woman sits at a desk covered with notebooks and documents. She looks off to the side holding a pen by a mug. Behind her, a round window allows light to enter the room.]
    Caption Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979.
    Image description A woman sits at a desk covered with notebooks and documents. She looks off to the side holding a pen by a mug. Behind her, a round window allows light to enter the room.
    Year 1979
    Related pages Patricia Hearst - A Second Reading
  • The stage is dark except for a red glow, and a single bulb illuminating two performers sitting at tables facing each other on stage. Each performer operates a mixing board abundant with cables.
    The stage is dark except for a red glow, and a single bulb illuminating two performers sitting at tables facing each other on stage. Each performer operates a mixing board abundant with cables.
    Abasement #83. Performance documentation, January 5th, 2026, Artists Space. Photo: Joshua Wildman. [The stage is dark except for a red glow, and a single bulb illuminating two performers sitting at tables facing each other on stage. Each performer operates a mixing board abundant with cables.]
    Caption Abasement #83. Performance documentation, January 5th, 2026, Artists Space. Photo: Joshua Wildman.
    Image description The stage is dark except for a red glow, and a single bulb illuminating two performers sitting at tables facing each other on stage. Each performer operates a mixing board abundant with cables.
    Year
    Related pages Abasement #83
  • El Bosque Luminoso Bajo El Mar, M.S. 324 exhibition, Threads of History, May 2023
    Caption El Bosque Luminoso Bajo El Mar, M.S. 324 exhibition, Threads of History, May 2023
    Image description
    Year
    Related pages Exhibitions and Events
  • A glass case filled with colorful paraphernalia sits on an orange table. The case is bound lengthwise and widthwise with straps. On top of the case sit two magnifying glasses and several stacks of plastic cups.
    A glass case filled with colorful paraphernalia sits on an orange table. The case is bound lengthwise and widthwise with straps. On top of the case sit two magnifying glasses and several stacks of plastic cups.
    DUOX: DUOX4Larkin. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [A glass case filled with colorful paraphernalia sits on an orange table. The case is bound lengthwise and widthwise with straps. On top of the case sit two magnifying glasses and several stacks of plastic cups.]
    Caption DUOX: DUOX4Larkin. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description A glass case filled with colorful paraphernalia sits on an orange table. The case is bound lengthwise and widthwise with straps. On top of the case sit two magnifying glasses and several stacks of plastic cups.
    Year 2012
    Related pages DUOX: DUOX4Larkin
  • A performer, bathed in purple light, plays a guitar on stage.
    A performer, bathed in purple light, plays a guitar on stage.
    Abasement #84. Performance documentation, February 16th, 2026, Artists Space. Photo: Joshua Wildman. [A performer, bathed in purple light, plays a guitar on stage.]
    Caption Abasement #84. Performance documentation, February 16th, 2026, Artists Space. Photo: Joshua Wildman.
    Image description A performer, bathed in purple light, plays a guitar on stage.
    Year
    Related pages Abasement #84
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    Related pages Carolyn Lazard
  • A wooden chair facing the corner of a room. Painted on one wall is an empty red frame. On the perpendicular wall, there are several half-finished paintings of children.
    A wooden chair facing the corner of a room. Painted on one wall is an empty red frame. On the perpendicular wall, there are several half-finished paintings of children.
    Activated Walls. Installation view, Artists Space, 1993. [A wooden chair facing the corner of a room. Painted on one wall is an empty red frame. On the perpendicular wall, there are several half-finished paintings of children.]
    Caption Activated Walls. Installation view, Artists Space, 1993.
    Image description A wooden chair facing the corner of a room. Painted on one wall is an empty red frame. On the perpendicular wall, there are several half-finished paintings of children.
    Year 1993
    Related pages Activated Walls
  • A black logo consisting of a lowercase letter
    A black logo consisting of a lowercase letter
    [A black logo consisting of a lowercase letter "b" connected to a smaller, lowercase letter "c" on a white background.]
    Caption
    Image description A black logo consisting of a lowercase letter "b" connected to a smaller, lowercase letter "c" on a white background.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • A figure faces towards a microphone and red light, playing some sort of instrument that is out of focus.
    A figure faces towards a microphone and red light, playing some sort of instrument that is out of focus.
    Eiko Ishibashi: Two New York Nights. Performance documentation, June 8, 2022, 8pm. Artists Space, New York. [A figure faces towards a microphone and red light, playing some sort of instrument that is out of focus.]
    Caption Eiko Ishibashi: Two New York Nights. Performance documentation, June 8, 2022, 8pm. Artists Space, New York.
    Image description A figure faces towards a microphone and red light, playing some sort of instrument that is out of focus.
    Year
    Related pages Eiko Ishibashi in Concert
  • An opened case, with camera equipment resting inside gray foam, is displayed in the center of a room. A large black and white painting with text is hung on a wall underneath a hanging sculpture. In the background, individual papers of beer logos are displayed behind glass, stretching across two connecting walls.
    An opened case, with camera equipment resting inside gray foam, is displayed in the center of a room. A large black and white painting with text is hung on a wall underneath a hanging sculpture. In the background, individual papers of beer logos are displayed behind glass, stretching across two connecting walls.
    Social Surfaces. Installation view, Pearl River Mart, 2017. Photo: Ron Amstutz. [An opened case, with camera equipment resting inside gray foam, is displayed in the center of a room. A large black and white painting with text is hung on a wall underneath a hanging sculpture. In the background, individual papers of beer logos are displayed behind glass, stretching across two connecting walls.]
    Caption Social Surfaces. Installation view, Pearl River Mart, 2017. Photo: Ron Amstutz.
    Image description An opened case, with camera equipment resting inside gray foam, is displayed in the center of a room. A large black and white painting with text is hung on a wall underneath a hanging sculpture. In the background, individual papers of beer logos are displayed behind glass, stretching across two connecting walls.
    Year 2017
    Related pages Social Surfaces
  • A black and white image of a three by four metal grid with plastic-covered white lights on each intersection. To the right of the grid is a figure wearing all black, with a black hat, facing to the wall.
    A black and white image of a three by four metal grid with plastic-covered white lights on each intersection. To the right of the grid is a figure wearing all black, with a black hat, facing to the wall.
    The Heart of Your Mother for my Dogs. Performance view, Artists Space, 2009. [A black and white image of a three by four metal grid with plastic-covered white lights on each intersection. To the right of the grid is a figure wearing all black, with a black hat, facing to the wall.]
    Caption The Heart of Your Mother for my Dogs. Performance view, Artists Space, 2009.
    Image description A black and white image of a three by four metal grid with plastic-covered white lights on each intersection. To the right of the grid is a figure wearing all black, with a black hat, facing to the wall.
    Year 2009
    Related pages When Time Becomes Form: The Heart of Your Mother for My Dogs
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    Related pages Abasement #74
  • Two figures wearing medical scrubs move a table with wheels, on which a mannequin lies.
    Two figures wearing medical scrubs move a table with wheels, on which a mannequin lies.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court [Two figures wearing medical scrubs move a table with wheels, on which a mannequin lies.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court
    Image description Two figures wearing medical scrubs move a table with wheels, on which a mannequin lies.
    Year 2022
    Related pages Grandmother Cindy
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  • A light pink colored background features black text in the top half of the image that reads,
    A light pink colored background features black text in the top half of the image that reads,
    Flyer for Segue Reading Series featuring Miguel Gutierrez & Ishmael Houston-Jones. Saturday February 27, 2021, Artists Space. [A light pink colored background features black text in the top half of the image that reads, "Segue Reading Series / Miguel Gutierrez & Ishamel Houston-Jones / February 27 / 5pm on Zoom / Suggested donation: Five dollars / Zoom ID: 830 2698 4031." Black text in the bottom right corner reads, "Artists Space."]
    Caption Flyer for Segue Reading Series featuring Miguel Gutierrez & Ishmael Houston-Jones. Saturday February 27, 2021, Artists Space.
    Image description A light pink colored background features black text in the top half of the image that reads, "Segue Reading Series / Miguel Gutierrez & Ishamel Houston-Jones / February 27 / 5pm on Zoom / Suggested donation: Five dollars / Zoom ID: 830 2698 4031." Black text in the bottom right corner reads, "Artists Space."
    Year 2021
    Related pages Segue Reading Series: Miguel Gutierrez & Ishmael Houston‐Jones
  • An Elegoo microcontroller is affixed to the side of a brownish sculpture sitting on a white base. Two blue wires are plugged into a lemon and an onion on a platform, each connected to the microcontroller.
    An Elegoo microcontroller is affixed to the side of a brownish sculpture sitting on a white base. Two blue wires are plugged into a lemon and an onion on a platform, each connected to the microcontroller.
    Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $5,000
    [An Elegoo microcontroller is affixed to the side of a brownish sculpture sitting on a white base. Two blue wires are plugged into a lemon and an onion on a platform, each connected to the microcontroller.]
    Caption Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $5,000
    Image description An Elegoo microcontroller is affixed to the side of a brownish sculpture sitting on a white base. Two blue wires are plugged into a lemon and an onion on a platform, each connected to the microcontroller.
    Year 2019
    Related pages Trisha Baga Edition
  • Three paper bags, decorated in collage and drawing, sit on pedestals of varying heights. An abstract lanscape painting hangs on a wall behind them. To the left, a purple painting of an buffalo hangs on another wall.
    Three paper bags, decorated in collage and drawing, sit on pedestals of varying heights. An abstract lanscape painting hangs on a wall behind them. To the left, a purple painting of an buffalo hangs on another wall.
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [Three paper bags, decorated in collage and drawing, sit on pedestals of varying heights. An abstract lanscape painting hangs on a wall behind them. To the left, a purple painting of an buffalo hangs on another wall.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description Three paper bags, decorated in collage and drawing, sit on pedestals of varying heights. An abstract lanscape painting hangs on a wall behind them. To the left, a purple painting of an buffalo hangs on another wall.
    Year 2017
    Related pages Unholding
  • A performer playing a blue retro-style guitar stands in front of a large audience. The crowd faces the musician, some of them are sitting closer to the stage and others stand in the background. A red stage light on the ceiling illuminates the room. White dots reflect around the room from a disco ball.
    A performer playing a blue retro-style guitar stands in front of a large audience. The crowd faces the musician, some of them are sitting closer to the stage and others stand in the background. A red stage light on the ceiling illuminates the room. White dots reflect around the room from a disco ball.
    Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman. [A performer playing a blue retro-style guitar stands in front of a large audience. The crowd faces the musician, some of them are sitting closer to the stage and others stand in the background. A red stage light on the ceiling illuminates the room. White dots reflect around the room from a disco ball. ]
    Caption Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman.
    Image description A performer playing a blue retro-style guitar stands in front of a large audience. The crowd faces the musician, some of them are sitting closer to the stage and others stand in the background. A red stage light on the ceiling illuminates the room. White dots reflect around the room from a disco ball.
    Year
    Related pages Abasement #74
  • A view of a life like cutout of an individual dressed in an animal costume placed against a gallery column. Behind the cutout is a series of seven images displayed on a white gallery wall
    A view of a life like cutout of an individual dressed in an animal costume placed against a gallery column. Behind the cutout is a series of seven images displayed on a white gallery wall
    ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A view of a life like cutout of an individual dressed in an animal costume placed against a gallery column. Behind the cutout is a series of seven images displayed on a white gallery wall]
    Caption ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A view of a life like cutout of an individual dressed in an animal costume placed against a gallery column. Behind the cutout is a series of seven images displayed on a white gallery wall
    Year 2021
    Related pages ART CLUB2000
  • A black and white image of a hand holding a newspaper with a view of the street and surroudning buildings in the background.
    A black and white image of a hand holding a newspaper with a view of the street and surroudning buildings in the background.
    Anne Bray. Film still from Man on First and Third, 1987. Slide and Sound Installation. [A black and white image of a hand holding a newspaper with a view of the street and surroudning buildings in the background.]
    Caption Anne Bray. Film still from Man on First and Third, 1987. Slide and Sound Installation.
    Image description A black and white image of a hand holding a newspaper with a view of the street and surroudning buildings in the background.
    Year 1987
    Related pages Dark Rooms
  • A collection of cartoonish monsters, cutout photographs, and medieval-style drawings are collaged onto an abstracted pastel image of a sunset peeking out over ocean waves. Green, red, and blue text in serif font reads:
    A collection of cartoonish monsters, cutout photographs, and medieval-style drawings are collaged onto an abstracted pastel image of a sunset peeking out over ocean waves. Green, red, and blue text in serif font reads:
    [A collection of cartoonish monsters, cutout photographs, and medieval-style drawings are collaged onto an abstracted pastel image of a sunset peeking out over ocean waves. Green, red, and blue text in serif font reads: "The Segue Reading Series & Artists Space present / a virtual reading by / Shane McCrae & Bob Perelman / Saturday, 4/25 / 5pm NYC time / Zoom ID: / 378 232 567.]
    Caption
    Image description A collection of cartoonish monsters, cutout photographs, and medieval-style drawings are collaged onto an abstracted pastel image of a sunset peeking out over ocean waves. Green, red, and blue text in serif font reads: "The Segue Reading Series & Artists Space present / a virtual reading by / Shane McCrae & Bob Perelman / Saturday, 4/25 / 5pm NYC time / Zoom ID: / 378 232 567.
    Year 2020
    Related pages Segue Reading Series: Shane McCrae & Bob Perelman
  • An image of three performers on stage facing each other. The musician in the middle is standing and playing an upright bass with a bow. On their right side a musician is sitting and playing violin. On the other side a musician is sitting playing an instrument similar to a mandolin. They are all bathed in red light and projections of white angular shapes cover the musicians and the wall.
    An image of three performers on stage facing each other. The musician in the middle is standing and playing an upright bass with a bow. On their right side a musician is sitting and playing violin. On the other side a musician is sitting playing an instrument similar to a mandolin. They are all bathed in red light and projections of white angular shapes cover the musicians and the wall.
    Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman. [An image of three performers on stage facing each other. The musician in the middle is standing and playing an upright bass with a bow. On their right side a musician is sitting and playing violin. On the other side a musician is sitting playing an instrument similar to a mandolin. They are all bathed in red light and projections of white angular shapes cover the musicians and the wall.]
    Caption Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman.
    Image description An image of three performers on stage facing each other. The musician in the middle is standing and playing an upright bass with a bow. On their right side a musician is sitting and playing violin. On the other side a musician is sitting playing an instrument similar to a mandolin. They are all bathed in red light and projections of white angular shapes cover the musicians and the wall.
    Year
    Related pages Abasement #74
  • A figure sits behind a table with a laptop and a microphone in front of them.
    A figure sits behind a table with a laptop and a microphone in front of them.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure sits behind a table with a laptop and a microphone in front of them.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure sits behind a table with a laptop and a microphone in front of them.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
  • A figure performs on stage using a microphone and an audio mixer, with the audience in the back left of the image.
    A figure performs on stage using a microphone and an audio mixer, with the audience in the back left of the image.
    Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [A figure performs on stage using a microphone and an audio mixer, with the audience in the back left of the image.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure performs on stage using a microphone and an audio mixer, with the audience in the back left of the image.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-10
  • A black and white photograph of a painting of a pastoral landscape with trees and a waterway.
    A black and white photograph of a painting of a pastoral landscape with trees and a waterway.
    Bill Benway, The Bath of Hercules in the Love Canal, 1986. [A black and white photograph of a painting of a pastoral landscape with trees and a waterway.]
    Caption Bill Benway, The Bath of Hercules in the Love Canal, 1986.
    Image description A black and white photograph of a painting of a pastoral landscape with trees and a waterway.
    Year
    Related pages Recent Art from Chicago
  • A photograph of several works on yellow paper hung on a white gallery wall.
    A photograph of several works on yellow paper hung on a white gallery wall.
    Adjua Gargi Nzinga Greaves, Better homes and gardens back by popular demand, detail, 2021. Magazine, artists tape, overall dimensions variable. Courtesy Artists Space, New York. Photo: Filip Wolak [A photograph of several works on yellow paper hung on a white gallery wall.]
    Caption Adjua Gargi Nzinga Greaves, Better homes and gardens back by popular demand, detail, 2021. Magazine, artists tape, overall dimensions variable. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A photograph of several works on yellow paper hung on a white gallery wall.
    Year 2021
    Related pages Adjua Gargi Nzinga Greaves
  • A wooden ornament with a string attached at its top, is carved with the outlines of the worlds continents, becoming a miniature globe.
    A wooden ornament with a string attached at its top, is carved with the outlines of the worlds continents, becoming a miniature globe.
    Benito Huerta, Attempted, Not Known. Media unknown, dimesions unknown. [A wooden ornament with a string attached at its top, is carved with the outlines of the worlds continents, becoming a miniature globe.]
    Caption Benito Huerta, Attempted, Not Known. Media unknown, dimesions unknown.
    Image description A wooden ornament with a string attached at its top, is carved with the outlines of the worlds continents, becoming a miniature globe.
    Year 1989
    Related pages Project: Attempted, Not Known
  • The English translation of the poem “When everything—including this cell phone—fails…/Cuando todo—incluyendo este teléfono móvil—faile...” appears above the Spanish translation. Two grey lines of different thicknesses cross to form an X-shape on the right of the page.
    The English translation of the poem “When everything—including this cell phone—fails…/Cuando todo—incluyendo este teléfono móvil—faile...” appears above the Spanish translation. Two grey lines of different thicknesses cross to form an X-shape on the right of the page.
    Electronic Disturbance Theater 2.0/b.a.n.g. lab. The Transborder Immigrant Tool, 2007–ongoing. Pages excerpted from The Transborder Immigrant Tool publication. Courtesy the artist, University of Michigan Ann Arbor, and University of California, San Diego. [The English translation of the poem “When everything—including this cell phone—fails…/Cuando todo—incluyendo este teléfono móvil—faile...” appears above the Spanish translation. Two grey lines of different thicknesses cross to form an X-shape on the right of the page.]
    Caption Electronic Disturbance Theater 2.0/b.a.n.g. lab. The Transborder Immigrant Tool, 2007–ongoing. Pages excerpted from The Transborder Immigrant Tool publication. Courtesy the artist, University of Michigan Ann Arbor, and University of California, San Diego.
    Image description The English translation of the poem “When everything—including this cell phone—fails…/Cuando todo—incluyendo este teléfono móvil—faile...” appears above the Spanish translation. Two grey lines of different thicknesses cross to form an X-shape on the right of the page.
    Year 2007
    Related pages Whitney ISP Archive
  • A large gallery space houses a variety of plinths made of MDF, atop of which are placed various archival objects. Down the middle of the room are two long, short plinths that display a series of art historical journals. On another tall plinth to the right is a postcard.
    A large gallery space houses a variety of plinths made of MDF, atop of which are placed various archival objects. Down the middle of the room are two long, short plinths that display a series of art historical journals. On another tall plinth to the right is a postcard.
    Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon. [A large gallery space houses a variety of plinths made of MDF, atop of which are placed various archival objects. Down the middle of the room are two long, short plinths that display a series of art historical journals. On another tall plinth to the right is a postcard. ]
    Caption Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon.
    Image description A large gallery space houses a variety of plinths made of MDF, atop of which are placed various archival objects. Down the middle of the room are two long, short plinths that display a series of art historical journals. On another tall plinth to the right is a postcard.
    Year
    Related pages Michael Asher
  • A kite hangs from the ceiling of an exhibition space in front of a white gallery wall. Three yellow-toned paintings are displayed at eye level on the wall behind the kite. Three identical paintings depicting an image of a white, tent-like tarp sit at an angle on the gallery floor to the left of the yellow paintings.
    A kite hangs from the ceiling of an exhibition space in front of a white gallery wall. Three yellow-toned paintings are displayed at eye level on the wall behind the kite. Three identical paintings depicting an image of a white, tent-like tarp sit at an angle on the gallery floor to the left of the yellow paintings.
    Whitney Museum of American Art Independent Study Program Studio Exhibition. Installation view, Artists Space, 2018. Photo: Gustavo Murillo Fernández-Valdés. [A kite hangs from the ceiling of an exhibition space in front of a white gallery wall. Three yellow-toned paintings are displayed at eye level on the wall behind the kite. Three identical paintings depicting an image of a white, tent-like tarp sit at an angle on the gallery floor to the left of the yellow paintings.]
    Caption Whitney Museum of American Art Independent Study Program Studio Exhibition. Installation view, Artists Space, 2018. Photo: Gustavo Murillo Fernández-Valdés.
    Image description A kite hangs from the ceiling of an exhibition space in front of a white gallery wall. Three yellow-toned paintings are displayed at eye level on the wall behind the kite. Three identical paintings depicting an image of a white, tent-like tarp sit at an angle on the gallery floor to the left of the yellow paintings.
    Year 2018
    Related pages Whitney Museum of American Art Independent Study Program Studio Exhibition
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Caption
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • figure in a blue dress sits behind a white table, facing an audience. On the wall behind the presenter is a projected video that depicts an array of dried coral pieces on the left, and next to them a hand places a paper with illustrations of coral and a chart with notes underneath.
    figure in a blue dress sits behind a white table, facing an audience. On the wall behind the presenter is a projected video that depicts an array of dried coral pieces on the left, and next to them a hand places a paper with illustrations of coral and a chart with notes underneath.
    Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang. [figure in a blue dress sits behind a white table, facing an audience. On the wall behind the presenter is a projected video that depicts an array of dried coral pieces on the left, and next to them a hand places a paper with illustrations of coral and a chart with notes underneath.]
    Caption Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang.
    Image description figure in a blue dress sits behind a white table, facing an audience. On the wall behind the presenter is a projected video that depicts an array of dried coral pieces on the left, and next to them a hand places a paper with illustrations of coral and a chart with notes underneath.
    Year
    Related pages Chang Yuchen: Coral Dictionary Vol. 1, 2019-2022
  • A framed photograph displayed on a white wall. The photograph shows multicolored flowers laying on a white surface with a black background.
    A framed photograph displayed on a white wall. The photograph shows multicolored flowers laying on a white surface with a black background.
    Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979). Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A framed photograph displayed on a white wall. The photograph shows multicolored flowers laying on a white surface with a black background.]
    Caption Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979). Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description A framed photograph displayed on a white wall. The photograph shows multicolored flowers laying on a white surface with a black background.
    Year 2011
    Related pages Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979)
  • Three red, orange, and green fabric rolls are arranged vertically on a white wall. Further along the wall, two marbled, gray and red sheets have been hung low on the wall such that their lower halves drape on the gallery floor.
    Three red, orange, and green fabric rolls are arranged vertically on a white wall. Further along the wall, two marbled, gray and red sheets have been hung low on the wall such that their lower halves drape on the gallery floor.
    Local Transit. Installation view, Artists Space, 2006. [Three red, orange, and green fabric rolls are arranged vertically on a white wall. Further along the wall, two marbled, gray and red sheets have been hung low on the wall such that their lower halves drape on the gallery floor.]
    Caption Local Transit. Installation view, Artists Space, 2006.
    Image description Three red, orange, and green fabric rolls are arranged vertically on a white wall. Further along the wall, two marbled, gray and red sheets have been hung low on the wall such that their lower halves drape on the gallery floor.
    Year 2006
    Related pages Local Transit: An Exhibition in Two Parts
  • Black, capitlized text that reads,
    Black, capitlized text that reads,
    [Black, capitlized text that reads, "The Colin de Land Library."]
    Caption
    Image description Black, capitlized text that reads, "The Colin de Land Library."
    Year 2014
    Related pages The Library Vaccine
  • Black and white video still of a figure in a packed crowd, speaking into a microphone. A date and time stamp at the bottom left corner of the still read,
    Black and white video still of a figure in a packed crowd, speaking into a microphone. A date and time stamp at the bottom left corner of the still read,
    Black Cat Collective. Still from Many Faces of Paper, 1989. [Black and white video still of a figure in a packed crowd, speaking into a microphone. A date and time stamp at the bottom left corner of the still read, "PM 1:11" and "FEB. 15 1988."]
    Caption Black Cat Collective. Still from Many Faces of Paper, 1989.
    Image description Black and white video still of a figure in a packed crowd, speaking into a microphone. A date and time stamp at the bottom left corner of the still read, "PM 1:11" and "FEB. 15 1988."
    Year 1989
    Related pages Video Witnesses: Festival of New Journalism
  • An exhibition view of various artworks. Several stylized portraits hang on the right; in the middle, a large didactic titled
    An exhibition view of various artworks. Several stylized portraits hang on the right; in the middle, a large didactic titled
    Reinventado, Word Up Community Bookshop and MS 324 students, 2019 [An exhibition view of various artworks. Several stylized portraits hang on the right; in the middle, a large didactic titled "REINVENTADO." On the left, several small photos of students in a classroom hang underneath a red-white-and blue airplane suspended from the ceiling]
    Caption Reinventado, Word Up Community Bookshop and MS 324 students, 2019
    Image description An exhibition view of various artworks. Several stylized portraits hang on the right; in the middle, a large didactic titled "REINVENTADO." On the left, several small photos of students in a classroom hang underneath a red-white-and blue airplane suspended from the ceiling
    Year
    Related pages Exhibitions and Events
  • A long piece of plexiglass hangs vertically from the cieling in a gallery. Eight postcards are mounted onto the plexiglass. All of the postcards depict different garbage trucks, shown from the exact same angle.
    A long piece of plexiglass hangs vertically from the cieling in a gallery. Eight postcards are mounted onto the plexiglass. All of the postcards depict different garbage trucks, shown from the exact same angle.
    Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon. [A long piece of plexiglass hangs vertically from the cieling in a gallery. Eight postcards are mounted onto the plexiglass. All of the postcards depict different garbage trucks, shown from the exact same angle. ]
    Caption Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon.
    Image description A long piece of plexiglass hangs vertically from the cieling in a gallery. Eight postcards are mounted onto the plexiglass. All of the postcards depict different garbage trucks, shown from the exact same angle.
    Year
    Related pages Michael Asher
  • Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They wave a red object in the air.
    Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They wave a red object in the air.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They wave a red object in the air.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They wave a red object in the air.
    Year
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • Trees in a dense forest captured at nightfall.
    Trees in a dense forest captured at nightfall.
    James Benning, still from Nightfall, 2011. Digital HD, 97 min. [Trees in a dense forest captured at nightfall.]
    Caption James Benning, still from Nightfall, 2011. Digital HD, 97 min.
    Image description Trees in a dense forest captured at nightfall.
    Year 2011
    Related pages Film and Video Program | Macho Man, Tell It To My Heart: Collected by Julie Ault | February 20
  • An image of a video work with three vertical wall-mounted monitors, each with differently shaped kettles on them.
    An image of a video work with three vertical wall-mounted monitors, each with differently shaped kettles on them.
    Carmen Armengual, Before my, your her, his, our, your, their faces Delante de mis, tus, sus, nuestros, vuestros, sus rostros (work in progress), 2022. Digital video, sound, text, 13:40 minutes. Photo: Steven Cottingham. [An image of a video work with three vertical wall-mounted monitors, each with differently shaped kettles on them.]
    Caption Carmen Armengual, Before my, your her, his, our, your, their faces Delante de mis, tus, sus, nuestros, vuestros, sus rostros (work in progress), 2022. Digital video, sound, text, 13:40 minutes. Photo: Steven Cottingham.
    Image description An image of a video work with three vertical wall-mounted monitors, each with differently shaped kettles on them.
    Year
    Related pages Whitney Independent Study: Everything is Common
  • Jutta Koether is a painter, performance artist, musician, critic, and theoretician based in New York and Berlin. Her work with Artists Space began in 2012 with her performance fifth season act and most recently Analogue Drive (2024) performed in Hong Kong for Artists Space and Empty Gallery. In her live works, Koether enacts a highly specific form of entangled action centering on and around specific artworks. Embedded with performative possibility, these objects – positioned in a room, a situation, a city – circuit together in a network of language, duration, and the artist's active negotiation between producer and produced. As a painter, Koether challenges the viewer’s understanding of the medium’s terms and histories, often appropriating and retooling elements from the work of male masters. Engaging a range of motifs and materials—such as grids, X-marks, and red paint—she cultivates painting’s ability to yield something unanticipated, vital, and feminine. Koether studied art and philosophy at the University of Cologne and the Whitney ISP. In 1981 she joined the editorial staff of the music and art journal Spex. She is the author of several books and has written for such publications as Eau de Cologne, Artforum, Texte zur Kunst, and Flash Art. From 2010 to 2024 Koether was Professor for Painting and Drawing at the University of Fine Arts Hamburg. She has had major solo exhibitions at the Museum Brandhorst, Munich, Mudam Luxembourg – Musée d’Art Moderne Grand-Duc Jean; Museum Abteiberg, Mönchengladbach; Artium Museoa, Vitoria-Gasteiz; PRAXES Center for Contemporary Art, Berlin; Moderna Museet, Stockholm; Van Abbemuseum, Eindhoven; Kunsthalle Bern, Switzerland; Academy of Fine Arts Vienna; and Kölnischer Kunstverein, Cologne, among other venues. [Photo: Empty Gallery, Hong Kong, 2024]
    Caption Jutta Koether is a painter, performance artist, musician, critic, and theoretician based in New York and Berlin. Her work with Artists Space began in 2012 with her performance fifth season act and most recently Analogue Drive (2024) performed in Hong Kong for Artists Space and Empty Gallery. In her live works, Koether enacts a highly specific form of entangled action centering on and around specific artworks. Embedded with performative possibility, these objects – positioned in a room, a situation, a city – circuit together in a network of language, duration, and the artist's active negotiation between producer and produced. As a painter, Koether challenges the viewer’s understanding of the medium’s terms and histories, often appropriating and retooling elements from the work of male masters. Engaging a range of motifs and materials—such as grids, X-marks, and red paint—she cultivates painting’s ability to yield something unanticipated, vital, and feminine. Koether studied art and philosophy at the University of Cologne and the Whitney ISP. In 1981 she joined the editorial staff of the music and art journal Spex. She is the author of several books and has written for such publications as Eau de Cologne, Artforum, Texte zur Kunst, and Flash Art. From 2010 to 2024 Koether was Professor for Painting and Drawing at the University of Fine Arts Hamburg. She has had major solo exhibitions at the Museum Brandhorst, Munich, Mudam Luxembourg – Musée d’Art Moderne Grand-Duc Jean; Museum Abteiberg, Mönchengladbach; Artium Museoa, Vitoria-Gasteiz; PRAXES Center for Contemporary Art, Berlin; Moderna Museet, Stockholm; Van Abbemuseum, Eindhoven; Kunsthalle Bern, Switzerland; Academy of Fine Arts Vienna; and Kölnischer Kunstverein, Cologne, among other venues. [Photo: Empty Gallery, Hong Kong, 2024]
    Image description
    Year
    Related pages Friends of Artists Space Dinner
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    Year
    Related pages Friends of Artists Space Dinner 2024
  • Pickle green background with black text that reads,
    Pickle green background with black text that reads,
    Jenny Holzer. Poster, 1982. [Pickle green background with black text that reads, "CHANGE IS THE BASIS OF HISTORY, THE PROOF OF VIGOR. THE OLD IS SOILED AND DISGUSTING BY NATURE. STALE FOOD IS REPELLENT, MONOGAMOUS LOVE BREEDS CONTEMPT, SENILITY CRIPPLES THE GOVERNMENT THAT IS TOO POWERFUL TOO LONG. UPHEAVAL IS DESIRABLE BECAUSE FRESH, UNTAINTED GROUPS SEIZE OPPORTUNITY. VIOLENT OVERTHROW IS NICE IF THE SITUATION IS INTOLERABLE. SLOW MODIFICATION IS EFFECTIVE BECAUSE PEOPLE ARE TRANSFORMED BEFORE THEY NOTICE AND RESIST. THE DECADENT AND THE POWERFUL CHAMPION CONTINUITY. "NOTHING ESSENTIAL CHANGES." THAT IS A MYTH. IT WILL BE REFUTED. THE NECESSARY BIRTH CONVULSIONS WILL BE TRIGGERED. ACTION WILL BRING THE EVIDENCE TO YOUR DOORSTEP."]
    Caption Jenny Holzer. Poster, 1982.
    Image description Pickle green background with black text that reads, "CHANGE IS THE BASIS OF HISTORY, THE PROOF OF VIGOR. THE OLD IS SOILED AND DISGUSTING BY NATURE. STALE FOOD IS REPELLENT, MONOGAMOUS LOVE BREEDS CONTEMPT, SENILITY CRIPPLES THE GOVERNMENT THAT IS TOO POWERFUL TOO LONG. UPHEAVAL IS DESIRABLE BECAUSE FRESH, UNTAINTED GROUPS SEIZE OPPORTUNITY. VIOLENT OVERTHROW IS NICE IF THE SITUATION IS INTOLERABLE. SLOW MODIFICATION IS EFFECTIVE BECAUSE PEOPLE ARE TRANSFORMED BEFORE THEY NOTICE AND RESIST. THE DECADENT AND THE POWERFUL CHAMPION CONTINUITY. "NOTHING ESSENTIAL CHANGES." THAT IS A MYTH. IT WILL BE REFUTED. THE NECESSARY BIRTH CONVULSIONS WILL BE TRIGGERED. ACTION WILL BRING THE EVIDENCE TO YOUR DOORSTEP."
    Year
    Related pages Eating Friends
  • A figure's hands are shown, standing at the edge of a white table, unfolding a small book as another figure on the other side of the table holds part of the book and reads off of it.
    A figure's hands are shown, standing at the edge of a white table, unfolding a small book as another figure on the other side of the table holds part of the book and reads off of it.
    Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang. [A figure's hands are shown, standing at the edge of a white table, unfolding a small book as another figure on the other side of the table holds part of the book and reads off of it.]
    Caption Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang.
    Image description A figure's hands are shown, standing at the edge of a white table, unfolding a small book as another figure on the other side of the table holds part of the book and reads off of it.
    Year 2023
    Related pages Chang Yuchen: Coral Dictionary Vol. 1, 2019-2022
  • Two seated performers face each other on stage. The left performer plays the drums and the right performer plays a keyboard. An abstract yellow, red, and green projection shines on them and the wall behind.
    Two seated performers face each other on stage. The left performer plays the drums and the right performer plays a keyboard. An abstract yellow, red, and green projection shines on them and the wall behind.
    Abasement #88. Performance documentation, July 20th, 2026, Artists Space. Photo: Joshua Wildman. [Two seated performers face each other on stage. The left performer plays the drums and the right performer plays a keyboard. An abstract yellow, red, and green projection shines on them and the wall behind.]
    Caption Abasement #88. Performance documentation, July 20th, 2026, Artists Space. Photo: Joshua Wildman.
    Image description Two seated performers face each other on stage. The left performer plays the drums and the right performer plays a keyboard. An abstract yellow, red, and green projection shines on them and the wall behind.
    Year
    Related pages Abasement #88
  • Scanned spread of a collage featuring photographs overlaid with accented drawings. The main image depicts a woman posing strikingly with her arms raised and feet firmly apart, the red dress she wears flows out dramatically behind her. In the background a man stands at a large canvas, his hand raised in the act of drawing the figure posing. Film strips depicting the same woman in different poses are overlayed on top.
    Scanned spread of a collage featuring photographs overlaid with accented drawings. The main image depicts a woman posing strikingly with her arms raised and feet firmly apart, the red dress she wears flows out dramatically behind her. In the background a man stands at a large canvas, his hand raised in the act of drawing the figure posing. Film strips depicting the same woman in different poses are overlayed on top.
    Drake Carr, Walk-Ins, 2023, New York Life Gallery. Photo: Ethan James Green [Scanned spread of a collage featuring photographs overlaid with accented drawings. The main image depicts a woman posing strikingly with her arms raised and feet firmly apart, the red dress she wears flows out dramatically behind her. In the background a man stands at a large canvas, his hand raised in the act of drawing the figure posing. Film strips depicting the same woman in different poses are overlayed on top.]
    Caption Drake Carr, Walk-Ins, 2023, New York Life Gallery. Photo: Ethan James Green
    Image description Scanned spread of a collage featuring photographs overlaid with accented drawings. The main image depicts a woman posing strikingly with her arms raised and feet firmly apart, the red dress she wears flows out dramatically behind her. In the background a man stands at a large canvas, his hand raised in the act of drawing the figure posing. Film strips depicting the same woman in different poses are overlayed on top.
    Year 2023
    Related pages Drake Carr: Housecalls
  • A large black biomorphic sculpture hangs in the foreground. In the distance, various biomorphic sculptures hang from the ceiling, sit on pedestals, or hang from the walls, receding deeper into the gallery. Three large pink banners emblazoned with silver stars hang from the ceiling in the background.
    A large black biomorphic sculpture hangs in the foreground. In the distance, various biomorphic sculptures hang from the ceiling, sit on pedestals, or hang from the walls, receding deeper into the gallery. Three large pink banners emblazoned with silver stars hang from the ceiling in the background.
    Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon. [A large black biomorphic sculpture hangs in the foreground. In the distance, various biomorphic sculptures hang from the ceiling, sit on pedestals, or hang from the walls, receding deeper into the gallery. Three large pink banners emblazoned with silver stars hang from the ceiling in the background.]
    Caption Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon.
    Image description A large black biomorphic sculpture hangs in the foreground. In the distance, various biomorphic sculptures hang from the ceiling, sit on pedestals, or hang from the walls, receding deeper into the gallery. Three large pink banners emblazoned with silver stars hang from the ceiling in the background.
    Year
    Related pages Doris Guo Matthew Langan-Peck Isabelle Frances McGuire Ruben Ulises Rodriguez Montoya
  • A figure plays the guitar sitting down, while another figure stands behind him playing the bass.
    A figure plays the guitar sitting down, while another figure stands behind him playing the bass.
    Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman [A figure plays the guitar sitting down, while another figure stands behind him playing the bass.]
    Caption Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure plays the guitar sitting down, while another figure stands behind him playing the bass.
    Year 2022
    Related pages Tisziji Muñoz with Francisco Mora Catlett and AfroHORN
  • A low-angled view of an empty gallery space with wooden flooring and white walls.
    A low-angled view of an empty gallery space with wooden flooring and white walls.
    [A low-angled view of an empty gallery space with wooden flooring and white walls.]
    Caption
    Image description A low-angled view of an empty gallery space with wooden flooring and white walls.
    Year 2016
    Related pages Richard Kennedy: Both
  • A drawing of a figure on white paper. The figure has horns and lines emenate from its eye.
    A drawing of a figure on white paper. The figure has horns and lines emenate from its eye.
    Artists Draw. Installation view, Artists Space, 1979. [A drawing of a figure on white paper. The figure has horns and lines emenate from its eye.]
    Caption Artists Draw. Installation view, Artists Space, 1979.
    Image description A drawing of a figure on white paper. The figure has horns and lines emenate from its eye.
    Year 1979
    Related pages Artists Draw: Tom Martin, Auste Peciura, Alan Saret, Patti Smith, Nancy Spero
  • A black and white image of three overlapping pillows propped up against a white wall.
    A black and white image of three overlapping pillows propped up against a white wall.
    Ava Garber, 3 Pillows, 1990. Wax, fabric, wood and oil, 36 x 120 x 36 inches. [A black and white image of three overlapping pillows propped up against a white wall.]
    Caption Ava Garber, 3 Pillows, 1990. Wax, fabric, wood and oil, 36 x 120 x 36 inches.
    Image description A black and white image of three overlapping pillows propped up against a white wall.
    Year 1991
    Related pages Western Agenda
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