Antonia Hirsch is an artist and editor-at-large at Fillip. Her work has been exhibited at the Contemporary Art Gallery, Vancouver; the Power Plant, Toronto; the Taipei Fine Arts Museum; Tramway, Glasgow; and ZKM Museum of Contemporary Art, Karlsruhe, among others. Her writing and projects have appeared in publications including artecontexto, C Magazine, Fillip, and The Happy Hypocrite.
Candice Hopkins is an independent curator and writer based in Albuquerque, New Mexico and Ottawa, Canada. She has held curatorial positions at the National Gallery of Canada, the Western Front, and the Walter Phillips Gallery at The Banff Centre. Her writings on art, history and vernacular architecture have been published by MIT Press, Revolver Press, and Fillip among others. She has lectured at venues including Witte de With, Tate, the Dakar Biennale, and dOCUMENTA (13).
Patricia Reed is a Berlin-based artist and writer who has exhibited at Haus der Kulturen der Welt, Berlin; Program, Berlin; Plateforme, Paris; Württembergischer Kunstverein, Stuttgart; Los Angeles Contemporary Exhibitions, LA; and Kunsthaus Langenthal, Switzerland, among others. As a writer, she has contributed essays to publications including: Waking Up From the Nightmare of Participation (Sternberg Press, 2011); A Joy Forever: The Political Economy Of Social Creativity (University of Warsaw, 2011); and The Archive as a Productive Space of Conflict (Karlsruhe University of Arts and Design, 2011).