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Still from Fiction Contract, 2025. [A small control room looks into an adjoining hospital patient room via an interior window. Inside the room a person sits in front of multiple display screens and observes the activity in the patient room.] -
Classroom wall at PS140 Nathan Straus, with work from students in the Portfolio Development program. [Several drawings and small paintings pinnned to the outside of a cabinet depicting city scenes, portraits, and still life images.] -
Poster for Top Hat, 1935. [A bright yellow poster for Top Hat (1935) features a man in a black tuxedo with coattails and a woman in a long white dress with a full skirt, captured in exuberant dance atop a black top hat. Orange rays radiate from around the woman, while around them are smaller illustrated vignettes of the dancing couple in various poses amidst music notes. Text at the top of the poster reads "They're dancing cheek-to-cheek again!" and bold type listing the featured actors' names, Fred Astaire and Ginger Rogers. The movie title is superimposed on the top hat in red type. Further film credits include Irving Berlin (music and lyrics), and supporting cast (Edward Everett Horton, Helen Broderick, Erick Rhodes, and Eric Blore), with direction by Mark Sandrich.] -
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Bases of the equestrian monument to Kaiser Wilhem which was destroyed by the British occupation in Münster after World War II. The photographs were printed as post cards in the early 20th century and collected from eBay and oldthing.de in 2021. [A black and white photograph of the base of a monument in a city square. Steps lead up to a pedastal surrounded by three large spheres connected by a metal chain.] -
Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They wave a red object in the air.] -
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Spring Exhibitions. Installation view, Artists Space, 2009. [An installation shot of a gallery room. There are two black plinths with glass-encased tops. On the left, the glass cover has two speakers embedded in it, facing inward toward the dried grasses which it covers. On the right, the glass covers brown grasses standing in white sand. A print of green leaves encircling a yellow background is installed on the gallery wall behind the two plinths.] -
Trip to Artists Space to see Renee Gladman exhibition, 2023 -
Not yet titled, 2019
Clay, glaze, mixed media
12 x 13 x 5 inches (variable)
$5,000
[An Elegoo microcontroller is affixed to the side of a brownish sculpture sitting on a white base. Two blue wires are plugged into a lemon and an onion on a platform, each connected to the microcontroller.] -
Rip It Up and Start Again. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A projection of a close-up image of an unidentified figure's mouth and chin is displayed on a wall of a light-filled gallery space. Two small speakers sit above the projection at its top right and left corners. A series of yellow cards sit in a clear container mounted on the wall to the right of the projector. Bold text printed on the front of the cards reads: "I'M SORRY, BUT THIS IS HOW I LEARN."] -
Susan Cianciolo, Flowers, 2018, 25 x 21 x 1 1/2 inches, Silkscreen on book cloth on bespoke archival box, Signed edition of 100, 5APs Courtesy of the artist. [A portfolio box with a flowered pattern on the lid is shown on a white ground with the lid slightly askew.] -
Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view (Doris Guo, Bathroom Kitchen Confusion, 2023; Doris Guo, Fruit Basket, 2024), Artists Space, 2024. Photo: Carter Seddon. [Color image of the corner of a darkened gallery space with two small pinhole projector sculpture installations. The pinhole projector on the left is housed in a polka-dot patterned gift-wrapped box. On the wall, an image of a white ceramic teacup with a radial swirl pattern is projected. On the right, the projector is wrapped in white foam padding and secured with red string. On the wall, it projects an image of a square containing an golden metal hoop and pin along with four small, glittering pink and green strawberry ornaments.] -
dissolving city, digital photographs, 2024 -
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Invitation fot Sigrid Burton, Bruce Colvin, Ellen Phelan, Artists Space, 1976 -
Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of four large paintings hanging on a white wall. In the paintings, queer black bodies interact with each other in different settings, such as a hair supply store. Drawn directly on the wall, roses, a hand, a ring and other elements surround the paintings. At the center of the image, hair accesories sit on the floor.] -
What is the Sound of Water? Listening Booth -
Flyer for The Rapture, Sunday, December 6, 2020, Artists Space. [A drawing of a group of skeletons, dancing and playing instruments. In the center of the image, a red banner features black text that reads "The Rapture".] -
DUOX: DUOX4Larkin. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Two sculptures installed in a gallery space featuring rectangular sheets of laminated, paper rectangles held together by metal rings. The sheets are suspended at their four corners by metal poles mounted in silver buckets.] -
Clocking Out: Time Beyond Management. Installation view (Simon Gush, Sunday Light, 2013 / Without Light, 2016; Victor Masayesva Jr., Itam Hakim, Hopiit. 1984; ektor garcia, portal DF/SF, 2021; ektor garcia, textile bronceado, 2023), Artists Space, 2023. Photo: Greg Carideo. [Photograph of a corner of a basement gallery space with large columns along the back. Behind the columns are benches placed in front of video displays. On the right is a CRT TV monitor, and to the left is a projected video.] -
Elizabeth Diller and Ricardo Scofidio, Bed for the Condemned Man, 1986. [A constructed drawing of human figures using compound curvature.] -
Nick Relph, A List of Incorrect Things, 2010, Offset print 6 2/3 x 11 inches, Signed and numbered by Stuart Bailey and David Reinfurt, Text by Nick Relph. [Two pages of red sans-serif text on a white background, titled "Notes:"] -
Renee Gladman: Narratives of Magnitude. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of the corner of a gallery space with two columns. Across the two white walls, six framed abstract drawings on black paper are displayed in a horizontal line.] -
Shala Miller, Genesis. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color documentation image of Shala Miller's Genesis, 2023. Three monochrome projection panels float equidistantly in a dark room, with vinyls on black walls.] -
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Cover image photographed by Cathy Weiner -
Milford Graves: Fundamental Frequency. Installation view (Chair, 1989; Untitled drawings, 2020), Artists Space, October 8, 2021 – January 8, 2022. Photo: Filip Wolak. [A color installation photograph of a gallery space, a painted wooden chair with an asymmetrical back is visible in the foreground. In the left background, two framed drawings hang from the wall.] -
Clocking Out: Time Beyond Management. Installation view, Artists Space, 2023. Photo: Greg Carideo. [Photograph of a well-lit gallery space at the bottom of a staircase, with a glass vitrine on the left wall containing ephemera.] -
P.S. 140 students recording sounds at Tompkins Square Park, 2019 [A cropped image of a group of students smiling for the camera in Tompkins Square Park. One holds a recording device, which has been overlaid with an opaque orange image of a lampshade. Green digital circles emanate out from it, as if to simulate a doppler-effected sound] -
Jenny Holzer. Poster, 1982. [Pickle green background with black text that reads, "CHANGE IS THE BASIS OF HISTORY, THE PROOF OF VIGOR. THE OLD IS SOILED AND DISGUSTING BY NATURE. STALE FOOD IS REPELLENT, MONOGAMOUS LOVE BREEDS CONTEMPT, SENILITY CRIPPLES THE GOVERNMENT THAT IS TOO POWERFUL TOO LONG. UPHEAVAL IS DESIRABLE BECAUSE FRESH, UNTAINTED GROUPS SEIZE OPPORTUNITY. VIOLENT OVERTHROW IS NICE IF THE SITUATION IS INTOLERABLE. SLOW MODIFICATION IS EFFECTIVE BECAUSE PEOPLE ARE TRANSFORMED BEFORE THEY NOTICE AND RESIST. THE DECADENT AND THE POWERFUL CHAMPION CONTINUITY. "NOTHING ESSENTIAL CHANGES." THAT IS A MYTH. IT WILL BE REFUTED. THE NECESSARY BIRTH CONVULSIONS WILL BE TRIGGERED. ACTION WILL BRING THE EVIDENCE TO YOUR DOORSTEP."] -
Bill Gunn and Duane Jones on the set of Ganja & Hess. Image courtesy Tom Cummings. [A black-and-white photograph of a group of men shooting a scene on an outdoor film set. They are surrounded by trees and grass.] -
ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A small drum set lit by a spotlight sits underneath a demolished wall.] -
Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979. [Two photographs are mounted on a white gallery wall.] -
Marlon Riggs, still from Tongues Untied, 55 min, 1989. Credit: Signiyin' Works. [Two men embrace in the background, while a man wearing a black top hat stands in the foreground gazing at the camera.] -
Jeff Feld, Performance of the only part of Robert Rauschenberg's "Pelican" that I know, 2001. [A person on roller skates and knee pads with a large, fabric umbrella held on his back.] -
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New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court. [Two silhouetted figures kissing behind a microphone. They are backlit by a white projection with black capitalized text reading "RENUNCIATION KISSING STATION".] -
Flyer for Segue Reading Series featuring Tyrone Williams and Joselia Rebekah Hughes. Saturday, December 11, 2021, Artists Space. [Black text overlays a mauve background. The top left corner reads: "Tyrone Williams & Joselia Rebekah Hughes." The center right reads: "Segue Reading Series & ARTISTS SPACE." The bottom left reads: "Saturday December 11 - 5pm, 11 Cortland Alley + Zoom". The image of a 5 dollar bill is placed within the text.] -
[Two women in front of a white wall. They are dressed in matching white jackets and short white skirts, and each wear a set of colorful rollerskates. One woman is on her toes with her arms extended behind her, reaching for and pulling the second woman who is leaning forward to grab her hands.] -
Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a white gallery wall with three vitrines containing musical scores built into the wall. On top of the vitrine is a manipulated flute, and a series of black-and-white images. Two black-and-white photographs are hung to the right of the vitrine.] -
Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Gary Burnley. [People standing around a gallery space with various globes surrounding them and frame images hanging on the wall to the right.] -
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Yasunao Tone in Concert with Barbara Held. Performance documentation, January 19, 2023, Artists Space. Photo: Destiny Mata [A figure sits on stage in front of a crowd and looks to the right as text is projected onto the right wall.] -
Portrait of Eiko Ishibashi [A color photograph of a figure in a pointed hat with a wide brim, wearing a black and white robe. The figure is pictured amid tree branches and vines that block their face. They hold a twisted vine in their left hand.] -
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Goodman, Ken. [A sculpture is seen on the left leaning on a platform and on the right is a painter's palette lying next to it.] -
Eiko Ishibashi: Two New York Nights. Performance documentation, June 9, 2022, 8pm. Artists Space, New York. Photo: Paula Court [A seated crowd watches a performer who stands behind a table on a stage. The room is illuminated by red light and the reflection of a disco ball.] -
Peter Wächtler, Untitled (Nightly Scene Forest), 2015 Black and white linocut on paper, 19 x 23 ½ in / 50,2 x 59,7 cm, Signed and Numbered. [Black and white depiction of two figures in the woods at night. One is is hammering a fence post by the light of the lantern held by the second person.] -
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[A screenshot of the google images search results page for the query "the problem with contemporary art is not the contemporary."] -
Yasunao Tone: Region of Paramedia. Installation view (ephemera c. 1970s), Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a vitrine from above. Various ephemera, including magazines, posters, press releases and photocopied images are placed inside.] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Two figures dressed in blue morph suits walk around a basement space. One figure on the right stands behind a semi-circular rolling table made of wood and fresnel lenses. Along the back wall blue and purple live CCTV video footage is projected.] -
Teaching Artist Stephanie Costello with 8th grade Portfolio student from P.S. 140, 2021 -
Allan Berliner, still from Intimate Stranger, 1991. [Black and white image of four men resting near a large, rigged tarp providing shade on a beach. Three of the men sit and recline on the sand, wearing white button-down shirts and trousers. The fourth man wears a hat and stands behind the men.] -
UniBodies. Installation view, Artists Space, 2006. Photo: Bill Ocrutt. [Four sculptures, each roughly the same size and configuration, are displayed on top of white vitrines. Each sculpture is constructed from a different material, with sy] -
ART CLUB2000, Untitled (Starbucks Trash), 1995, 11 x 14 inches, black and white photograph. [A pile of trash, including Starbucks cups, empty packs of cigarettes, newspaper, and food remnants, is strewn across the ground.] -
Leben mit Pop - Eine Demonstration für den kapitalistischen Realismus, 1963 (Living with Pop – A Demonstration for Capitalist Realism) © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Photo: Reiner Ruthenbeck [A black and white image of two men sitting in a living room. The furniture is elevated on white pedestals. The man on the left sits on a chair; on the right on a sofa. A table with items sits inbetween them.] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Two figures perform in a basement. On the left a figure with a video camera and shoulder rig takes footage of another figure on the right, dressed in a blue morph suit, and pushing a semicircular rolling table made of wood and fresnel lenses. Along the back wall blue and purple tinted live CCTV video footage is projected.] -
Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman. [Color photo of two men sitting at a worktable that holds various musical and electronic equipment. In the background, various audience members sit and observe the performers within a dimly lit space. Yellow projections shine on the wall behind the performers along with blue and pink spotted lights.] -
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[A grid of pink hearts on a blue background.] -
[Close up of two rows of pre-packaged salads in plastic containers on the shelves of a grocery store refrigerator.] -
Samuel Steward [A slightly grainy image of a man standing shirtless with his arms crossed. He has a large, floral tattoo spanning from shoulder to shoulder across his chest, and a cigarette in his mouth.] -
Renee Gladman, Untitled (black city), 2022, oil pastel and pigment on paper, 30 x 44 inches. Image courtesy Artists Space, New York. Photo: Filip Wolak. [A color image of a drawing consisting of green, purple, yellow, and red lines and shapes that form an abstract composition. Single line white drawings complement the composition.] -
Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman. [A performer sitting down with their eyes closed playing the cello. They are using one hand to play with a bow and the other hand is on the strings. They are tinted red from the lighting, the back wall is lit with white and purple light.] -
Jutta Koether, Fifth Season Act, Apotheosically, Artists Space, 2012. [A close-up image of an assemblage with a figure on the left-hand side in a white suit holding a microphone.] -
realities:united, BIX Comminicative Display Skin, 2003. Photo: H. Schiffer. [An overhead view of a very modern building with a dark, bulbous, skin-like facade. Protruding from its top are tuberous skylights all facing the same direction, and at left is a long elevated walkway.] -
Stephon making the drawing 90’s dress, 2022, acrylic on paper -
Trip to Artists Space to see fwiw Constantina Zavitsanos exhibition, 2024 -
Adjua Gargi Nzinga Greaves, CONTEXT, 2021. Chromogenic print with pigment ink pen, 41 ½ x 41 ½ inches. Courtesy Artists Space, New York. Photo: Filip Wolak [A digital print of four books with annotated notes on each side.] -
Not yet titled, 2019
Clay, glaze, mixed media
7 x 12 x 17 inches (variable)
$5,000
[A green object with a processing chip embedded in its front sits on a white base. On top of the object sit a red potato with a wire attached, false teeth, and a telephone cord.] -
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Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman. [Two musicians perform on stage. To the left, one of them sits on a chair with an electric guitar laying on his legs. To the right, a musician stands playing the saxophone. Rainbow lights are projected onto the stage.] -
Jutta Koether: xxapollo. Performance documentation, January 5, 2020, Artists Space. Photo © 2020 Paula Court. [A person bends over an electric piano, her hair falling over her face. She is illuminated from behind by a brightly lit wall.] -
Art Day, Blue Sky Gallery, 2017 [Eight colorful paintings are exhibited in a grid pattern on a wall with a small didactic. "Blue Sky Gallery - P.S. 140 and Artists Space Expanded Art Ideas" is printed on the wall.] -
Calvert Coggeshall. Untitled (green, red), 1987. Oil on canvas. [Abstract painting with green filling most of the space with red lines emerging from the center outward.] -
The Fairy Tale: Politics, Desire and Everyday Life. Installation View. Artists Space, 1986. [A table with household items like cereal and plates and cups appear on it; next to this lies a bed and a television set. Wall paper is visible along with small framed pictures on the wall in a gallery setting.] -
Craig Baldwin, Tribulation 99: Alien Anomalies Under America (still), 1992. [A group of eight figures with beaks for noses, and dressed in red and white outfits and helmets, stand in an imposing formation against a yellow background.] -
Hito Steyerl, I Dreamed a Dream: Politics in the Age of Mass Art Production, 2013. Two channel HD video with sound, 29 mins 28 secs. Courtesy of the artist. [A monitor suspended in the middle of the room on a pole displays an image of Hito Steyerl speaking at a podium. Stacks of pillows, forming a seating area, surround the view of the monitor.] -
Whitney Museum of American Art Independent Study Program Studio Exhibition. Installation view, Artists Space, 2018. Photo: Gustavo Murillo Fernández-Valdés. [A wooden table with two chairs arranged in a gallery space. A kite hangs from the ceiling to the right of the chair and table set. Behind the kite is a large, blue carpet spread across the floor, several colorful plastic chairs lined up against the wall, and a video monitor.] -
Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon. [A large black biomorphic sculpture hangs in the foreground. In the distance, various biomorphic sculptures hang from the ceiling, sit on pedestals, or hang from the walls, receding deeper into the gallery. Three large pink banners emblazoned with silver stars hang from the ceiling in the background.] -
Cover of Christopher D'Arcangelo, Kunstverein Publishing and Artists Space. Photo: Cathy Weiner. [Scan of the cover and back cover of a book. On the front cover, black text on a white background reads "Christopher D'Arcangelo." The back cover features a black-and-white photograph of a figure doing a headstand, their back facing the viewer. The figure is shirtless, exposing black text written on their skin.] -
Drake Carr: Housecalls. Performance documentation, September 7, 2023, Artists Space at the Armory Show. Photo: Joshua Wildman. [A color image of a man sitting down on a low sofa. He is seen, through a window, holding up a portrait of him that depicts him in this specific scenario.] -
Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [A large, rectangular wall is suspended at the center of three vertical poles in a bright room. The wall is covered in abstract, smooth and multicolored shapes. Amongst the shapes there are several figures of different ages and dress performing different tasks. One raises his fist in the air. Two identical looking boys stare at the viewer. Another figure wears a hat with rabbit ears.] -
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Flyer for Segue Reading Series featuring Kimberly Alidio and Rae Armantrout. October 8, 2022, Artists Space. [Light blue text overlays a dark blue background. The top left corner reads: "Kimberly Alidio & Rae Armantrout / October 8, 5pm." The middle reads: "Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortland Alley + Zoom / Zoom ID: 893 9594 7519."] -
Sistema Sandinista de Television. Still from Golpes de la Corazon (Blows of the Heart), 1983. Video (sound, black and white). Spanish with English subtitles. [Older man with microphone stands next to five small boys. The wall behind them reads "en esta esquina" in black letters on one side and "CDS" in white letters on the other. Subtitles burned into the image at the bottom read, "Our prizes are 2000, 1000 and 500!" Video scan lines and outer edges of CRT monitor are visible.] -
Orchidary Siahaya, headline poem, 2019 [A hand holds up a lined notebook with a poem collaged from newspaper cutouts which says, "This is not normal what's at stake life,/ our lives death most people run/ to a sadness disbelief/ and play bloody/ fire."] -
Salad Days 3. Installation view, Artists Space, 2008. Photo: Jeremy Ross. [Several sculptures and 2D works sit in a large gallery space with wooden floors and white columns. To the right, a stool-like object sits on a white plinth, illuminated by a bright overhead light. On the ground in the center of the image, an overturned cardboard box rests on the floor. A colorful structure resembling a well is installed in the background.] -
Nina in Position. Installation view, Artists Space, 2008. Photo: Bill Orcutt. [Close up of a small sculpture resting on a square wooden support jutting out from a white gallery wall next to a window. The sculpture has a metallic color and an irregular, round shape, with a tree-bark like texture. A similar sculpture and support are mounted on the other side of the gallery window.] -
Sean Snyder. Installation view, Artists Space, 2010-11. Photo: Daniel Peréz. [A white table holds a white model of a house. Behind it, a television on a stand displays an image of a large, white house. There is a white wall with five color photographs arranged in a cross formation with images of a large house and yard.] -
Ilana Halperin: Physical Geology (slow time). Installation view, Artists Space, 2009. [Protruding clusters of dots and triangles form designs in a gray surface.] -
Sean Snyder. Installation view, Artists Space, 2010-11. Photo: Daniel Peréz. [A white wall with three sets of multiple photographs of rooms. Each set of photographs has a framed accompanying text below.] -
Zilia Sánchez. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A square, gray canvas with a large white circle centered towards its bottom edge hangs on a light, mauve-colored wall. At the bottom center of the circle, the canvas stretches outward in a verticle line.] -
Sanya Kantarovsky, Growth VI, 2023. Photo: Filip Wolak. [Color image of a watercolor painting. Against a purple and brown background, emerge flowers with bright blue petals opening up in the middle of the composition. In the background, other blue flowers, and plants surround them. A pair of eyes, nose and mouth are painted over the largest blue flower placed in the middle.] -
Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979. [A woman sits at a desk covered with notebooks and documents. She looks off to the side holding a pen by a mug. Behind her, a round window allows light to enter the room.] -
Salad Days. Installation view, Artists Space, 2004. [A white wall with orange and yellow lollipops arranged in lines. In front of the wall is a small television on a white plinth.] -
Nandi Loaf, Aristotelis Nikolas Mochloulis, ricardo nagaoka, Sydney Schrader. Installation view, Artists Space, 2025. Photo: Carter Seddon [Along two white walls a series of paintings are arranged. Many of the paintings loosely depict human figures or abstracted body parts in brown and red toned paint against white backgrounds.] -
Benito Huerta, Attempted, Not Known. Media unknown, dimesions unknown. [A wooden ornament with a string attached at its top, is carved with the outlines of the worlds continents, becoming a miniature globe.] -
[White text on a bright fuchsia background. The text reads: “Nov 8 / Samiya Bashir / Nora Treatbaby.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
Bonnie Rycheck. Black and Gray Benches, 1980. [A black and white image of a black bench with two distinct black drapery on both sides behind it.] -
Whitney Museum of American Art Independent Study Program Studio Exhibition. Installation view, Artists Space, 2018. [Sixty images with dark backgrounds and a white, pixelated spot emanating from their centers arranged in a grid formation on an indigo blue gallery wall.] -
Pictures. Opening Reception, Artists Space, September 23, 1977. Photo: D. James Dee. [A black and white installation photograph of a gallery space. On the wall, a trapezoidal shape with riders on horseback slowly emerging from the top is visible. On the right, two figures converse.] -
Aristotelis Nikolas Mochloulis, Aristotelis Nikolas Mochloulis, 2025. Marionette. Photo: Carter Seddon. [A marionette wearing a black suit, collared shirt, and white Nike Air Force 1s is positioned laying prone on a windowsill. Red curtains cover half of the window behind the marionette. In the corner, a small stage lights is directed at the marionette. Outside of the window is an alleyway with graffiti.] -
Crystal Z Campbell: Ode to the Underloved. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color image of a video installation in the center of the floor of a gallery space. A walkway made of plywood runs along the edges of the room, around the projection. The projection depicts a negative film image that has been mirrored along the center. Hands reach out and manipulate objects that are placed on a blue background.] -
“Chinatown Is Not for Sale.” Artists Space Books & Talks, Saturday, October 22, 2016. Courtesy Decolonize This Place and Artists Space, New York. Photo: Marz Saffore [A panoramic image of the audience at Artists Space and Decolonize This Place's event, featuring colorful banners on the wall that read "ABOLISH WHITE SUPREMACY," "Black Lives Matter", "Don't Play with Apartheid #BDS".] -
[Dark blue text overlays red-pink background. The text reads: “February 18 / Natalie Diaz / Tiffany Sia." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)] -
Yoshitomo Nara, No War Girl, 2023. Photo: Filip Wolak. [Color image of a drawing of a cartoon girl, standing on a black hill, against a gold background. The girl holds up her middle finger, and above it in the top-right corner is text that reads "FUCK YOU WAR."] -
Charlotte Posenenske, Series D Vierkantrohre (Square Tubes), 1967. Galvanized sheet steel, dimensions variable. Photo: Burkhard Brunn. [Black and white photograph of three, geometric metal structures sitting on a wide, outdoor concrete plaza. One of the metal structures is situated in the center of the photograph, while the additional two sit behind it, flanking it on either side. The structures are composed of hollow cube-like and triangular components.] -
Eiko Ishibashi: Two New York Nights. Performance documentation, June 9, 2022, 8pm. Artists Space, New York. Photo: Paula Court [A figure in front of a microphone looks down upon a computer.] -
Matt Mullican, Wall Labels, 1976. From Susan Eder, Matt Mullican, Artists Space, 1976. [A black and white photograph of dark silhouetted shapes pasted on a wall, including a tree, a television set, a phone, a lightbulb, and a place setting.] -
Julie Wachtel. Installation View. Artists Space, 1985-86. [A split-screen image of a kitten sleeping with a pink blanket hanging on a white wall. Both images appear identical in photograph.] -
Paul Lamantia. Paper Doll Lounge, 1985. [Two figures appear entangled on a pedestal in front of other figures along with another figure in the background hanging upside down.] -
We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [A large decorative panel painting with sculptural elements hangs on the back wall adjacent to photographic images on the wall. In between two columns are two glass covered cases.] -
Anne Charlotte Robertson. Fall to Spring (Reel 76 of Five Year Diary), 1991-92. [A grainy, black and white close up of a person, their face partially in shadow.] -
Mark Morrisroe. Kathy's Goldfish(1985). © The Estate of Mark Morrisroe (Ringier Collection) at Fotomuseum Winterthur. [A slightly blurry photograph of a yellow-toned fish tank at close range. There is a white border on two sides of the photograph with handwritten text on it.] -
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Ken Okiishi, Wish I Were Here, 1997 – 2001. pigmented inkjet prints. Courtesy the artist [Five framed photographs and documents displayed on freestanding, white panels in an exhibition space.] -
Association Apsolutno, still from a.trophy, 2002. [A slightly grainy, black and white image of a deer standing on snowy ground in front of woods. There are two detached antlers on the ground in front of the deer.] -
Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022. [A color image of a pink-hued room inside which an irregularly shaped platform with a reflective surface sits on the ground. Objects such as plants, a fish tank, and tree stumps sit on and around the platform.] -
Jack Smith Untitled (Plaster Foundation of Atlantis), 35mm slide, c. 1970. Copyright Jack Smith Archive. Courtesy Gladstone Gallery, New York and Brussels. [Remnants of discarded objects fill the frame. A flattened rubber chicken sits in the middle next to various bottles and boxes. On the right reads a white square in black and red font, "Exotic, Tropical Fruit."] -
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Selections: Aljira & Artists Space Announcement Postcard [A white postcard with purple text announcing fall 1990 exhibitions at Artists Space, including Selections: Aljira & Artists Space.] -
ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A display of multiple images on a white gallery wall.] -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure dressed in white, laying on the floor of a dark room. The figure has one leg raised in the air, shining a light from their pelvic area onto the floor and wall across from them. A small TV monitor sits in the corner.] -
Artists Performance Series. Installation view, Artists Space, 1977. [A bends at the waist, resting their head on the side of a television monitor. The monitor's screen shows two figures, facing away from the camera.] -
Replica of a Lost Original. Installation view, Artists Space, 2007. Photo: Bill Orcutt. [A gray television sits on a rectangular wooden board. There is a mass of wires next to it. In the background, a white paper with black text hangs on a white wall.] -
[A book cover opened so the front and back are visible. There is a black rectangle with white text reading, "Whose Choice" with a handprint and an illustration of internal organs. Small text at the bottom of the image reads, "...prior to quickening..." / "...suffer imprisonment..." / "...right to privacy..."] -
Portrait of Jackie Wang. [A figure, centered within the frame, leans against a beige tiled wall and stares directly into the camera.] -
Édouard Manet, A Bar at the Folies-Bergère, 1882. [A painting of a female bartender standing behind a bar, facing the viewer. A large mirror directly behind her reflects the space of the crowded bar before her. Another woman behind and to the right of the bartender, her back to the viewer, turns to speak to a man with a top hat and mustache.] -
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Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [A figure stands behind a microphone and table with audio equipment. They hold one hand over their mouth and the other around their neck.] -
Selections from the Artists File. Installation View, Artists Space, October 1, 1987 - October 31, 1987. [White sculptural form hanging on white gallery wall with stark lighting contrast.] -
Mark Morrisroe: From This Moment On. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A white wall with twenty-four framed photograms arranged in an eight by three rectangle.] -
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Nandi Loaf, Aristotelis Nikolas Mochloulis, ricardo nagaoka, Sydney Schrader. Installation view, Artists Space, 2025. Photo: Carter Seddon [A twinkling black Christmas tree stands in the foreground as the gallery walls recede. A few paintings hang on the more distant walls. ] -
Ken Okiishi. Still from Telly & Casper, 2000. Digital video (sound, color), 27 min. Courtesy the artist. [One man takes off an orange sweater while another man watches.] -
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New Economy. Installation view, Artists Space, 2007. [A black box screening room featuring a a video of a bespecaled white haired man with glasses speaking to the camera in front of rows of books.] -
Electronic Disturbance Theater 2.0/b.a.n.g. lab. The Transborder Immigrant Tool, 2007–ongoing. Pages excerpted from The Transborder Immigrant Tool publication. Courtesy the artist, University of Michigan Ann Arbor, and University of California, San Diego. [The Spanish translation of the poem “La cholla, o cactus saltador, se agarra.../Cholla, or jumping cactus, attaches...” is shown above a thin grey horizontal line, below which appears the English translation of the same poem.] -
Liz Moy, Chinatown Gallery Map, 2016. [A flyer titled "Sites of Mass Displacement," depicting a map of Chinatown with pins on every gallery in the neighborhood. It asks, "Is this what a neighborhood 'untouched' by gentrification looks like?" Text at the bottom of the flyer notes "There are currently over 100 galleries occupying Chinatown, Two Bridges, and the Lower East Side. Can a neighborhood be both a holdout to gentrification and the new art enclave?"] -
Vito Acconci. Installation View. Artists Space, 1986. [A piece of landscaping appears on the gallery floor with flowers and plants coming up from it in a stair-like fashion. Paintings appear in the background in a white-walled gallery space.] -
Helen DeWitt. [A woman leaning against a wall.] -
[A vintage, black and white photograph of the interior of a shop window, which looks out upon a city street. Two men stand to the left side of the window, casually leaning against a pole and talking. Various metal vases, cutlery, and ornaments are displayed on the shelves within the window.] -
Sydney Schrader [An illustration takes up the whole frame depicting a yellow house with one rectangular door, one square window, and an orange roof. The house sits in an ambiguous space of slanted red ovals without any perspectival grounding.] -
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SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Three figures perform in a basement. On the left a figure in a blue morph suit wears a pair of wings made of fresnel lenses. On the right another figure in a blue morph suit stands behind a rolling table made of wood and fresnel lenses. Another figure to the far right takes video footage.] -
Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [A female mannequin stands in a gallery space. It is wearing blue trousers and a grey fur coat over a blue checkered shirt. The shirt and jacket are left unbuttoned, exposing the mannequin's breasts, obscured by a large bone necklace.] -
[Bold, black text of varying sizes arranged in a rectangular block on a white background reads, "TREAT A COMPLETE STRANGER / AS A LOVER, HUG THEM / AS GOOD FRIENDS, AS THEY ARE / OR AS 10 YEARS AGO YOU MIGHT HAVE HAD / FABULOUS SEX / WITH ABSOLUTE ABANDON / WITH THE SAME STRANGER. / NOW LIFE IS RAVAGED / AND WE OFFER LOVE FROM THE SAME ROOT OF BOUNDLESS / COMPASSION."] -
Nicole-Antonia Spagnola: Italian Hardcore. Installation view, Commercial Street, Los Angeles, 2021 [A color photograph of a television screen resting on a wooden chair with a red cushion. The screen displays a black and white image of several masked figures.] -
Robert Longo, Burning Word: Device for Young Artists, c. 1977. Cast metal. [A black and white photograph of a metal rod with the word "believe" attached to the end. A shadow spelling out "believe" is cast onto a white background.] -
Christa Blatchford, still from See Around, 2008. [Four images arranged horizontally. From left to right: solid gray-blue, a gray-blue toned image of a shoreline, a gray toned image of a shoreline, and a gray toned image of a shoreline with a subtle pink sunrise in the sky.] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Image of a dimly-lit basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.] -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of three figures dressed in white, embracing each other as they run across an empty basement.] -
[Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 13 / Alexis Almeida / makalani bandele.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [A figure in a blue morph suit kneels down on one knee, placing their hands on top of a table made of wood and fresnel lenses while audience members watch in the background.] -
Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure sits behind a table with a laptop and a microphone in front of them.] -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure in a completely dark room, facing one wall and shining a light from their body against the wall.] -
Richard Klauber. Installation view, Ruth Hardinger, Richard Klauber, Artists Space, 1975. [A color installation photograph of a black and white abstract painting on a white background.] -
[White and yellow text on a green background reads "THE SECOND ANNUAL CONFERENCE ABOUT ARTIST-CURATED EXHIBITION," and other details about the events.] -
Underground: Jose Gabriel Fernandez. Installation view, Artists Space, 1991. [Three large metal rectangular scuptures, hinging at an angle off the floor. A large photographic print of deer in woods hangs on the wall directly behind the sculptures.] -
Laura Cottingham & The Anita Pallenberg Story. Installation view, Artists Space, 2017. Photo: Daniel Pérez. [A photo taken on a diagonal of two people sitting on black chairs in a dimly lit room with a projection on the wall. The projection features a person with red hair looking at themself in a vanity mirror.] -
Salad Days. Installation view, Artists Space, 2004. [A rectangular, 3x5 grid hung on a white wall, comprised of close-up photographs of the inside of people's mouths. Just in front of the wall to the left of the photographs, there is a white plinth with a black Converse shoe, a false shin extending out of it, with a metal bone coming out of the top.] -
Hilary Lloyd. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [Two portrait-oriented screens are each mounted on two floor to ceiling metal poles. The screens face outward at a 90-degree angle to each other and show abstract images.] -
Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a corner of a gallery space. On the left wall are two black-and-white photographs, and on the right wall is a black-and-white silhouette of a figure smoking. In the corner, a television monitor sits on a shelf.] -
Neraldo de la Paz. Melania's Thigh, 1982. [A small constructed dancing figurine appears on a pedestal with light shining on it from the right creating a shadow on its left.] -
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rafa esparza: Camino. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color image of a gallery space with various artworks organized within it. On the wall is an adobe panel painting of the side of a freeway. In the middle of the space is a small pile of freeway rubble with a bird sculpture placed on top of it. In front of the wall is a walkway made of adobe bricks, leading to a painting on adobe panel of a woman in a purple dress.] -
Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman. [A performer sitting down playing the guitar is bathed in colorful light. They are wearing a geometric print shirt and a blue, green, and white projected pattern covers their face and the wall behind. There are two mic stands to their right.] -
Jutta Koether, xxapollo. Performance documentation, Artists Space, January 5, 2020. Photo © Paula Court. [A person dressed in all pink holds a colorful heart-shaped canvas in her right hand while extending her left arm in the air. She is surrounded by rapt audience, who carefully track her movements.] -
Hannah Weiner circa 1969. Photo by Ira Joel Haber. [A black and white image of a person with dark hair looking to the left with their arms outstretched. In the distance is a dish rack with dishes and a window flanked by cabinets.]
