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Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak. [Installation view of white gallery wall featuring several small framed works on paper. Black wall featuring black text that reads "DREAM LINES / MARIAN ZAZEELA."] -
[Dark blue text overlays red-pink background. The text reads: “February 25 / Steffani Jemison / Anne Waldman." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)] -
Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure sits behind a table, looking at a laptop, and speaking into a microphone.] -
Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman [A band plays on stage in front of a seated crowd. From left to right, a figure is sitting and playing the piano, another figure stands and plays the saxophone, another figure in the back plays the drums, and the fourth figure stands and plays the guitar.] -
Paper Exhibition. Installation view, Artists Space, 2009. Photo: Adam Reich. [A white plinth in a white room is seen through a rectagular cutout window. There is a small object on the plinth, lit from above by a square, fluorescent light.] -
[A warm colored room, surrounded by windows across two walls with view to a dimly lit horizon. String lights illuminate a scene of miscellaneous items scattered across a living space furnished with a table and chairs.] -
DIVA TV Collective, Target City Hall, 1989. 27 min. [Onlookers and news reporters with cameras crowd around helmeted police officers surrounding a graffitied truck.] -
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Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman [A figure plays the guitar sitting down, while another figure stands behind him playing the bass.] -
LIFE—a group show, curated by Arnold J. Kemp. Installation view, Artists Space, 2025. Photo: Carter Seddon [The gallery space displays an assortment of artworks on the left wall. On the far left, closest to the viewer, is a painting of Pope Francis with a top text reading "I WOKE UP LIKE THIS" and a bottom text reading "...FLAWLESS." An assortment of art objects, shelves, framed paintings, sculptural installations, and digital media recede into the gallery space along this wall. On the right a row of columns recede into the gallery space.] -
Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak. [Five framed works on paper, one individual work on the left and a cluster of four on the right, hang on a white gallery wall. Works feature abstract, calligraphic strokes in black ink on paper. Individual work on the left includes hand-painted text reading "3 concerts, improvised music. La Monte Young - sopranino saxophone, Angus MacLise - hand drums, drone, 8-12pm Sundays - August 12, 19, 26, 10-4 Group Gallery, 73 4th Avenue, contribution $1.50" ] -
[Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 6 / Tilghman Goldsborough / Holly Melgard.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
rafa esparza: Camino. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color image of a gallery space with large panels of adobe with paintings of various figures on them. Adobe bricks are laid out on the floor to create a small walkway.] -
Gedi Sibony Animal Scramble, 2013, Archival inkjet print, 14 1/4 x 13 1/2 in / 36,2 x 34,3 cm (image size), 24 x 20 in / 61 x 51 cm (paper size), Signed and Numbered. [Assorted animals, including tropical fish, birds, reptiles, a cat, dog, and rabbit are drawn in black marker on yellow paper.] -
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Works by Mark Morrisroe. Witnesses: Against Our Vanishing. Installation view, Artists Space, 1989. [In a corner of a gallery space, a small black and white photograph hangs in a black frame on the left wall. On the right, a small white panel of black text hangs above a sign attached to a glass box that protrudes from the wall. Inside the box are what appear to be bloodied white linens, and on the sign above them the words "AM I DEAD YET" are written in blood.] -
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LIFE—a group show, curated by Arnold J. Kemp. Installation view, Artists Space, 2025. Photo: Carter Seddon [A display case holding an assortment of artist memoriabilia from letters, art objects, paintings, books, and zines. To the left of the display case is metal, grocery divider hung on the wall, and to the left of this is a framed painting illustrating an array of characters. On the wall above is vinyl lettering that reads "LIFE — a group show."] -
Abasement #76. Performance documentation, March 3rd, 2025, Artists Space. Photo: Joshua Wildman. [Color image of five performers on stage. From left to right, they are playing guitar, saxophone, drums, and trumpet. The room is lit up with pink and white projections. The backs of multiple audience members are visible in the bottom of the frame. A few of the performers are lit with yellow light, as well as some of the audience.] -
Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Detail view of a display case with two screens, one resting partially on another. A person's smiling face is visible on the bottom monitor.] -
Union Gaucha Productions. Still from Phantom Limb, 1998. 16mm film (silent, black and white), 21 min 45 sec. Courtesy of Union Gaucha Productions. [A black and white still of a hallway with a patterned balcony, which descends into stairs. Three geometric paintings are hung along the walls.] -
Visit to the exhibition Dawoud Bey: In This Here Place, Sean Kelly Gallery, Chelsea, 2021 -
Margo Machida, Altered Fates, 1990. Acrylic on canvas, 48 x 56 inches. [Two faces on a black background, with a black and red patterned rectangle dividing them. The left face is upside-down, and a skeltal hand overlaps the face. The right is upright, and is looking back over their shoulder.] -
Portraits of Peter Osborne and Brendan Harvey. [Portraits of two figures are arranged side-by-side. On the left, a figure wearing a white shirt sits at a table with different objects spread out on its surface, speaking into a microphone. On the right, a black and white photo of a figures bust sits inside a larger black square.] -
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Milford Graves: Fundamental Frequency. Installation view, Artists Space, October 8, 2021 – January 15, 2022. Image courtesy Artists Space, New York. Photo: Filip Wolak. [A color installation view of a gallery space. On the left wall are six black and white photographs and a television monitor positioned on the floor. In the background, another wall-mounted television monitor is visible along with a large wall hanging and two sculptures. The space is bisected by three dark columns.] -
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Hito Steyerl, Duty-Free Art, 2015. Three channel HD video with sound, 38 mins 21 secs. Courtesy of the artist. [One large monitor lays horizontally on a low frame in front of two smaller monitors suspended on poles. The bottom monitor projects a black-and-white aerial view of a building that is highlighted yellow. The left monitor at eye level displays shipping containers. The right monitor shows Hito Steyerl in front of a black background.] -
Four Artists: An Exhibition of Painting and Sculpture. Installation View. Artists Space, 1985. [Paintings are visible hanging on walls in a white-walled gallery space with white columns in the background.] -
[A portrait-oriented view of a home interior. On the left, a doorway leads to a kitchen. On the right, the room opens to a living space with stacks of books on the floor and decor on the wall.] -
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Salad Days. Installation view, Artists Space, 2004. [A black converse shoe with a white sock. Extending out of the shoe is a white plastic false shin with a metal bone coming out of the top.] -
S*an D. Henry Smith in Constantina Zavitsanos’ Entropy (2023), a set of three performances (on-site and online) for If I Can’t Dance, I Don’t Want to Be a Part of Your Revolution. Performers and co-creators of the score: Angelo Custódio and Pedro Matias, S*an D. Henry-Smith and Geo Wyex. Photo: Prins de Vos [Photograph of a performer, standing next to a table covered in a black cloth. The background is bathed in purple light. A white spotlight shines on the table, highlighting the performer's hands as they pour liquid from one teacup into another teacup held below.] -
Cover of Common Ruin, Win McCarthy, 2023. [Scanned image of a white page featuring a geometric drawing of a building divided into squares. Some of the squares are colored in charcoal and others are lightly filled in with pencil. Light smudges of black charcoal appear across the page. In the upper-center of the page, text reads: "Win McCarthy / Common Ruin".] -
Union Gaucha Produtions, still from Phantom Limb, 1998. Courtesy Union Gaucha Productions. [An abstract, black and white geometric image.] -
Social Surfaces. Installation view, Alexander and Bonin, 2017. Photo: Ron Amstutz. [A wooden platform on wheels surrounded by a border of small poppy red brick-like sculptures, that continue to surround the base of a white pole. Sculptures and paintings are visible on the back wall behind the wooden platform.] -
Abasement #71. Performance documentation, August 5th, 2024, Artists Space. Photo: Joshua Wildman. [Close up of two musicians sitting side by side and looking down. The musician on the right plays the guitar and the musician on the left plays the violin. The wall in the background is purple tinted.] -
Pictures. Installation view, Artists Space, 1977. Photo: D. James Dee. [A black and white installation photo of a gallery space. An illuminated low pedastal on the floor holds a crescent shaped object.] -
Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman [A band plays on stage, with a figure playing the piano in the foreground of the image, while another plays congas behind him. A third figure plays the tuba in the background.] -
James Coleman. Still from Seeing for Oneself, 1987-88. Slideshow (black and white), 40 min. [A black and white film still of four people in period dress sprawled on a curving stone stairwell. Two of these people appear to have fainted, and are supported by the other two. At the top of the stairs, a person in a maid's costume peeks around the corner, observing.] -
Observational drawing exercises [A pineapple and two bananas sit on a table with a person's hands in the midst of drawing the fruit with pencil at the center of the image.] -
Abasement #66. Performance documentation, October 9, 2023, Artists Space. Photo: Joshua Wildman. [A close-up color image of two figures performing. One plays the drums, and the second figure plays the double bass. To their right, a large black speaker, and a microphone. Images are projected onto the back wall. The room is illuminated with red and blue light.] -
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Ian White, Here Is Information. Mobilise (Montréal: LUX, 2016). Image courtesy of Tenderbooks. [A blue book cover with white text that reads "Here is Information. / Mobilise. / Ian White."] -
Purgatory, Alexander Karpman, Silver Key in Photography -
Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [A figure leans into a microphone from the side with blue, purple, and pink projections cast onto them.] -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a performer dressed in white, kneeling on all fours. A bright light from their pelvic area shines onto the floor, as viewers stand around the figure.] -
Electronic Disturbance Theater 2.0/b.a.n.g. lab. The Transborder Immigrant Tool, 2007–ongoing. Pages excerpted from The Transborder Immigrant Tool publication. Courtesy the artist, University of Michigan Ann Arbor, and University of California, San Diego. [The Spanish translation of the poem “La cholla, o cactus saltador, se agarra.../Cholla, or jumping cactus, attaches...” is shown above a thin grey horizontal line, below which appears the English translation of the same poem.] -
Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Detail view of white lettering on a black glossy structure: "SMASH FALSE DREAMLANDS".] -
She Who Is: Adrienne Kennedy and the Drama of Difference. Installation view, Artists Space, February 29 – September 19, 2020. Photo: Filip Wolak. [Displayed on shelf, a framed poster, an open book, and book showing multiple images on cover.] -
Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata [Color photograph of two figures performing in a dark gallery space, lit only by an installation of LED lights covered in dried SCOBY material. One figure wearing black leans down in front of one of the LED lights. Partly hidden behind a column, another figure stands wearing a red suit.] -
Ralston Farina: Time // Time. Installation view, Artists Space, 2025. Photo: Carter Seddon. [A display case presents ten clear small boxes, each filled with various liquids and items. Some contain liquid mercury, disassembled toy parts, newsprint images, and temporary tattoos on silly putty. ] -
Abasement #79. Performance documentation, August 11th, 2025, Artists Space. Photo: Joshua Wildman. [Two performers stand in the middle of a crowd, in a darkened basement. A red light casts a glow over the performers from their audio set-up in the middle of the room. ] -
Ann Hamilton, Mirrim, 1999, Iris print, 30 x 22 inches (76.2 x 55.9 cm), Edition of 40, Signed & numbered. [A photograph with a wood frame hangs on a wall. The photo sits on a white background, centered in the top half of the page. The photo shows a person's nose and mouth, with mouth agape.] -
Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A person sits on a wooden chair where there are three arranged, wearing headphones and looks at a TV monitor. The monitor displays a construction landscape in the Middle East.] -
Nandi Loaf, Aristotelis Nikolas Mochloulis, ricardo nagaoka, Sydney Schrader. Installation view, Artists Space, 2025. Photo: Carter Seddon [A series of paintings made with brown and red paint against a white background are hung on a wall.] -
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Flyer for The Rapture, Sunday, December 6, 2020, Artists Space. [A drawing of a group of skeletons, dancing and playing instruments. In the center of the image, a red banner features black text that reads "The Rapture".] -
Hani Rashid, Certain First Principles, 1985. Mixed media with ink, old paint, acids, chalks, 33 x 24 inches. [Drawing of a curving tower with accentuated imagery spilling into the white surrounding areas.] -
Friends of Artists Space Annual Dinner, 2017. [A man and a woman seated at a table smile and pose for the camera.] -
Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York. [Projections of elongated gold figures.] -
Fifth Season Act, Apotheosically. Performance documentation, May 31, 2012, Artists Space. [A figure in a white suit crouches on the floor of a gallery space, speaking into a microphone held in one hand while reading from a series of papers stewn about her on the ground. The ground is unevenly covered in a grainy, brown dirt-like material. A flashlight rests on the ground at her feet, pointing towards and illuminating a sculpture composed of a large glass pane wedged into the center of a square concrete block. String, golden tassles, and other sparkling ornaments hang on the glass pane.] -
Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman. [Color photo of two performers sitting on the ground in a dark venue space that is illuminated by deep red overhead lights. The performers are holding up clear, geometric objects against a neon yellow and blue projection on a wall.] -
Flipside. Installation view, Artists Space, 2004. [A red leather armchair with a coffee table on a gray rug in the corner of a room. On the coffee table, there are several books, a lamp, and an old radio. On the opposite wall, there are three photographs each showing the view out of three different windows.] -
Carol Sun. Prospect Park Series - Ornithos, 1987. [Dark drawing with white curved shapes in lines visible in the center with a perspectival depth.] -
Ilana Halperin: Physical Geology (slow time). Installation view, Artists Space, 2009. [Protruding clusters of dots and triangles form designs in a gray surface.] -
Jaylynn Reyna, Bonnie, 2022, digital photograph -
Beneath the Surface, BRIDGE photography presentation at City-As-School, November 5, 2021 -
James Coleman. Still from Seeing for Oneself, 1987-88. Slideshow (black and white), 40 min. [A black and white film still of two people in period dress engaged in conversation at the far end of an ornate allway lit by candlelight. In the foreground, a person in a maid's costume peeks around one end of a colonnade, observing.] -
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Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman. [Color photo of a woman captured with her eyes closed, standing before a pair of microphones in a darkened performance space. Blue spotted lights and the reddish glow from a different light source shine onto the performer.] -
Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of a gallery space, taken from a wide angle. There is a checkerboard floor, with three large sculptures placed down the center. A large red painting is hung on the left wall. On the right wall are a series of paintings and durags.] -
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The Body Politic. Installation view, Artists Space, 1991. [A black and white photograph of four sculptures resting on slightly elevated rectangular plinths, and a fifth sculpture mounted on the wall. The sculptures are constructed of metal molded into headless and limbless humanoid body shapes.] -
Jazmín López, Amazon, 2022. Chandelier and blood. Photo: Steven Cottingham. [Color installation image showing a chandelier hanging from the ceiling and resting on the floor in front of a dark column.] -
The Library of Helen DeWitt Kitchen view Courtesy Helen DeWitt [Three white shelves, that extend the entire length of the frame, are filled with books of various colors and sizes.] -
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Anicka Yi, Flirting Is An Algorithm, 2015, Silkscreen on archival box, 24½ x 20½ x 1½ in / 62,2 x 52 x 3,8 cm, Signed and Numbered. [A spotted pattern against a white ground, with each spot having a unique stain, splatter, or drops of ink.] -
Book spreads from Exhibitionism, Verlag der Buchhandlung Walther König, 2025. [Carousel of spreads from an artist's book, featuring text and reproductions of colorful paintings and drawings.] -
In The Poem About Love You Don't Write The Word Love. Installation view, Artists Space, 2006. Photo: Bill Orcutt. [Two TV monitors installed in a gallery space with wooden flooring. One monitor is installed in the image's foreground on a white plinth and displays an image of a figure walking along a sidewalk. The other monitor can be seen through a hallway at the image's center and is installed on the gallery wall. A third video plays on a gallery wall on the image's right side, showing an image of two hands.] -
New Red Order with Maiingan “iNDiO1763” Wiikwedong, Gaile Pranckunaite, and Inpatient Press. Conscientious Conscripture, 2018 - Ongoing Polyester knit feather flag, polyester knit fabric step-and-repeat, table, tablecloth, chair, vinyl retractable banner, dibond print on easel, three televisions, red phone, newspaper box, and childrens activity book. Image courtesy Artists Space, New York Photo: Filip Wolak [A table with red cover that reads "NEW RED ORDER" sits in between three tv monitors. On either side of the tv monitors sits a banner and a newspaper dispenser.] -
Viv Latta, from NYC streets portfolio, 2020, digital photograph [A figure centered in the image stares at the viewer wearing a backwards cap. The background appears as a monochrome gray.] -
Tasneem, 2020, charcoal self-portrait -
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Cover of Exit Interview, Benjamin H. D. Buchloh & Hal Foster, no place press. [Book cover featuring a red background with white text that reads, from top to bottom, "Exit Interview / Benjamin H.D. Buchloh / Hal Foster / no place press"] -
Photo: Elisheva Gavra, Courtesy of the artist. [Color image of a piece of matted brown material, placed on top of a newspaper. In the center of the matted material, a glass eye with a bright blue iris is left uncovered. The left edge of the image is obscured by strands of black hair hanging down.] -
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Matters of Sensation. Installation view, Artists Space, 2008. Photo: Adam Reich. [Three gray objects rest on separate rectangular, white plinths in a gallery space with wooden flooring. Each of the objects is rectangular and has a 3D, biomorphic form.] -
![[Artworks hang on walls on the left and right. In the background, a neighboring building is visible through the window.]](data:image/svg+xml,%3Csvg xmlns='http://www.w3.org/2000/svg' width='2866' height='1958'%3E%3C/svg%3E)
Pictures. Installation view, Artists Space, 1977. Photo: D. James Dee. [[Artworks hang on walls on the left and right. In the background, a neighboring building is visible through the window.]] -
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Ed. Mario Pfeifer, A Formal Film In Nine Episodes, Prologue and Epilogue – A Critical Reader (Spector Books, 2013). [A white book cover with black text in English and Hindi.] -
Selections from the Artists File. Installation view, Artists Space, 1989. [A photograph of a large painting of vines and water hanging on a white gallery wall. Beyond it, more painting and sculptures are visible in an adjacent gallery.] -
Maltz, Russell. 1979. [A drained inground swimming pool surrounded by greenery.] -
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Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Two screens hung on either side of the top of a support beam in a gallery. The room is otherwise empty. One screen depicts a woman walking down a fashion runway, wearing a black jacket and shorts with a sheer top.] -
[White text on a blue and grey ombré background. The text reads: “March 15 / Elise Duryee-Browner / Allen Ruppersberg.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
Abasement #76. Performance documentation, March 3rd, 2025, Artists Space. Photo: Joshua Wildman. [Color image of three performers on stage. In the foreground a performer is sitting down, blowing into a device, in front of various types of audio technology. Their face is tinted with pink light. Behind them two performers are out of focus, one of them is wearing a costume, the other is facing the camera. In the background there are audience members and projections on the walls.] -
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Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez. [Large, orange slug forms are visible with the cast iron columns in a white-walled gallery with paintings of slugs hanging on the opposite side of the image behind a staircase.] -
Deborah Willis. From Embracing Eatonville: A Photographic Survey, 2010 [A woman looking at herself in a handheld mirror while getting a haircut at a barbershop] -
CaptionKari Altmann, still from XOMIA, 2015. Courtesy the artist and Ellis King Gallery. [Two figures crouch next to two abstract artworks standing on the floor of a gallery space. Both people have dyed hair and half-blue facepaint.] -
Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view (memory of barbers touch, 2022; Poems 1 -6, 2023), Artists Space, 2023. Photo: Filip Wolak. [A color image of a close-up of a floating vitrine on a red wall, with four small paintings hung in a series above the vitrine. Inside the vitrine are six pages, with poems written on them and drawings of flowers decorating the pages. Thefour paintings above the poems depict Black Queer figures in darkened environments with gold, and colorful accents.] -
Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view (Doris Guo, Doorstop 1, 2024; Doris Guo, Doorstop 2, 2024), Artists Space, 2024. Photo: Carter Seddon. [Color image of two small doorstop sculptures on the floor of the gallery space landing. The sculpture in the foreground consists of a short column of aluminum, banded with black rubber near the top. In the background sits another sculpture, a squat column of concentric stainless steel rings with a black rubber core.] -
Nicole-Antonia Spagnola, Untitled, 2022. Raw Power, Raw Power; Kollettivo, Lotta per il potere; Antigenesi, Una donna non e’ merda; Negazione, Tutti Pazzi; RAF Punk, Contro la pace Contro la guerra; Peggio Punx, Scemo. 8mm to MP4 transfer (color, sound), monitors, chairs. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of three wooden cafe chairs with green cushions. One chair is stacked upside down on another on the left, and two pillows with black backs and sequined gold-silver fronts are placed between the chair's upturned legs. Another pillow rests on the cushion of the chair on the right.] -
[A computer rendering of a purple and amorphous form composed of long, extending tube shapes on a white background.] -
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[Two rectangular cards arranged on a white background. Large black text printed on each card reads, "LADYLAND" and is framed by a pattern of swirls. The top card is blue, and the bottom card is yellow.] -
Not yet titled, 2019
Clay, glaze, mixed media
12 x 13 x 5 inches (variable)
$5,000
[A brown and gold object stands on a white base. On the flat surface of the object sit an onion and a lemon, each connected to a wire. In the base of the object a processing chip is embedded. Under the lemon, a gold earring hangs down.] -
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Spring Exhibitions. Installation view, Artists Space, 2009. [A large gallery wall covered with wallpaper printed with tropical birds in colorful trees on a white background. There are assorted black-framed, colorful images hung on the wall, positioned in both portrait and landscape orientations.] -
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Mike Kelley, Untitled, 1992, Beech wood paddle with screen print and leather strap, 23 1/4 in x 6 in x 3/4 in / 59.1 cm x 15.2 cm x 1.9 cm, Edition of 50. [The image shows a wooden paddle with the preamble for the U.S. Constitution reproduced on it. It says, "We the People of the United States, in Order to form a more perfect Union, establish Justice, insure domestic Tranquility, provide for the common defence, promote the general Welfare, and secure the Blessings of Liberty to ourselves and our Posterity, do ordain and establish this Constitution for the United States of America."] -
[A flyer featuring a vintage orange and black computer with a small monitor and chunky keyboard set against a saturated yellow background. White, stylized text on a faded computer screen reads: "A READING BY ALAN FELSENTHAL AND BETSY FAGIN." Red text on the yellow background in the upper left corner reads: "Artists Space & the Segue Reading Series present" and in the lower right corner: "Saturday May 23rd / 5 pm NYC time / Zoom ID 378 232 567”] -
Richard Klauber. Installation view, Ruth Hardinger, Richard Klauber, Artists Space, 1975. [A color installation photograph of a black and white abstract painting on a white background.] -
Abasement #68. Performance documentation, February 12, 2024, Artists Space. Photo: Joshua Wildman. [Color image of a musician standing behind a long table on a stage. The musician plays a large soundboard placed on the table. The musician wears a black long sleeve top and looks down at the soundboard as they play. They have short blond hair with bangs. A colorful image, almost like a close-up shot of a cell rendered in pink, red, blue and black is projected onto the stage and the wall behind the stage. A shadow of the musician appears on the back wall. ] -
Social Surfaces. Installation view, 55 Walker Street, 2017. Photo: Ron Amstutz. [A wooden bench with a white, dome-like structure attached to its corner. Two framed drawings hang on the wall in the background.] -
Yasunao Tone: Region of Paramedia. Installation view (Social Eclipse, 1997), Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a framed artwork. Various images of people, the sun, and other objects are cut-out and in red ink over them are japanese characters.] -
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City-As-School students installing photo wall, 2019. [Two students holding up a grid of photos on a white background.] -
Untitled, 2024. [Color photograph of a room used to store medical props and devices, including hospital beds, catheters, and three medical test dummies stacked on top of one another on a shelf. The walls are painted a blue-grey color.] -
Jutta Koether, xxapollo. Performance documentation, Artists Space, January 5, 2020. Photo © Paula Court. [A person dressed in all pink, holding several sheets of paper, speaks into a microphone, her arms are draped with masses of cords. A crowd of audience members surrounds her, some seated and some standing.] -
Flyer for Segue Reading Series featuring Martine Bellen & Uche Nduka. April 2, 2022, Artists Space. [Black text overlays a white background with a blue bunch of flowers in the lower right corner. The top left corner reads: “Martine Bellen / & Uche Nduka / April 2, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”] -
[Six books in different colors fanned out. Each book's cover has a solid color with black text that spells out a person's name.] -
Tom of Finland Untitled , ca. 1968 Collage on paper Tom of Finland Foundation, Permanent Collection [Collaged images of pairs of half-naked men in various poses and positions.] -
Miyoko Ito: Heart of Hearts. Installation view, Artists Space, 2018. Photo: Daniel Peréz. [Six paintings are hung on white walls at eye level. The paintings contain muted and vibrant warm colors depicting abstract shapes.] -
Malaika Villamizar, Untitled, 2021, digital photography -
Witnesses: Against Our Vanishing. Installation View, Artists Space, 1989. Photo: Frances Miller Smith. [Various paintings, drawings, and sculptures of torsos hang along a wall. In the corner, a bust with an upturned face sits on a pedestal.] -
Young Fluxus. Installation view, Artists Space, 1982. [A number of objects and writings appear on the gallery wall and a desk with a light appears in front of it with windows visible in the background.] -
Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez. [A large, orange slug sculpture forming a circular ring shape around a cast-iron column suspended by eight elastic cords such that it encircles the column and rests at its vertical center. This is next to a square painting of a partially nude human figure in a white-walled gallery space. In the foreground the viewer can identify a partial view of a large, orange slug forming a circular ring near the ceiling.] -
[Black and white line drawing of a bucket with handle.] -
Whatever Happened to Sex in Scandinavia (2011). Knut Ove Arntzen, Stan Brakhage, Marta Kuzma and Pablo LaFuente. [A grayscale image of two naked people, kneeling on the ground of an untidy room. They are embracing, with their foreheads pressed together. Behind them there is a window and a typewriter on a stand.] -
Lukas Duwenhögger: Undoolay. Installation view, Artists Space, 2016. Photo credit: Jean Vong. [Two paintings and several sculptural elements are installed in a corner. The paintings, one in an oval frame and the other rectangular, have figurative subjects of humans and animals. A whimsical end table is illuminated by a light fixture shaped like a flowering plant whose stem extends from a patterned curtain hung against the wall.] -
Yasunao Tone in Concert with Barbara Held. Performance documentation, January 19, 2023, Artists Space. Photo: Destiny Mata [A figure sits in front of a table with audio equipment, including a commodore computer and flute-to-haiku converter.] -
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Amalle Dublon & Constantina Zavitsanos, Interferometer (Quantum Eraser), 2018 (detail view). Photo: Daniel Pérez. [An inferometer in the foreground, bolted onto a black peg-board table, projects a green dot, through multiple lenses, onto a white wall.] -
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UniBodies. Installation view, Artists Space, 2006. Photo: Bill Ocrutt. [Detail view of an abstract grey sculpture on a white pedestal. The surface of the sculpture is shiny and made of synthetic materials.] -
Flyer for Segue Reading Series featuring Lauren Russell & Teri Cross Davis. May 14, 2022, Artists Space. [Black text overlays a white background with purple bunches of flowers in the upper left and bottom right corners. The top left corner reads: “Lauren Russell / & Teri Cross Davis / May 14, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”] -
Abasement #81. Performance documentation, October 20th, 2025, Artists Space. Photo: Joshua Wildman. [A painted cardboard structure sits on stage. The audience, stage, and wall behind it are bathed in yellow, blue, and green light created by a patterned projection.] -
Anna Gili, Casi del Mare. [Five glass sculptures of varying colors arranged in a line. They are painted with small circular and oval dots.] -
Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They wave a red object in the air.] -
[White text overlays a green and pink marbled background. The text reads: “April 1 / Fiel Guhit / Tianyi Sun." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
Union Gaucha Productions. Installation view, Artists Space, 2015. Photo: Daniel Pérez. [Two people seated with their legs outstretched on a green carpet in front of a small television monitor, wearing headphones.] -
Installation view, Robert Morgan. Artists Space, 1977. [A photograph of a white gallery wall with multiple photographs mounted in a crooked row.] -
Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak. [White gallery wall featuring various small framed works on paper, one on pink ground.] -
Crystal Z Campbell: Ode to the Underloved. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color image of a video installation in the center of the floor of a gallery space. A walkway made of plywood runs along the edges of the room, around the projection. The projection depicts a negative film image that has been mirrored along the center. Objects are arranged on a blue background to create vaguely recognizable images.] -
Miyoko Ito, Island in the Sun, 1978. Oil on canvas, 38 x 33 inches. Courtesy John B. Pittman. [Gradient red and green, curved and cusped shades. A red pointed mound sits atop a pale green inverted triangle inside angular red and green rectangles.] -
Activated Walls. Installation view, Artists Space, 1993. [A wooden ladder standing in the corner of a room with half-finished paintings on the wall. On the left wall, there is a colorful mural composed of swirls and circles. On the other wall, there is a sketch of a ballerina with dozens of black and white portraits of a woman's head with various words including "CUNT" and "CUTIE."] -
Dubhenge, 2025, wood, stain, wood filler, screws, carpet, fabric, and board. Photo: Carter Seddon [Five wooden panels stack atop one another to vertically scale the wall.] -
Hito Steyerl, I Dreamed a Dream: Politics in the Age of Mass Art Production, 2013. Two channel HD video with sound, 29 mins 28 secs. Courtesy of the artist. [A monitor suspended in the middle of the room on a pole displays an image of Hito Steyerl speaking at a podium. Stacks of pillows, forming a seating area, surround the view of the monitor.] -
Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman. [A view from the side of the stage of two performers. The performer in the back is playing the saxophone and has their eyes closed. The musician in the foreground is out of focus. They are playing the cello. Both musicians are tinted red, as well as the audience on the left side, and the room has white dots of light reflecting from a disco ball.] -
Benito Huerta, Attempted, Not Known. Media unknown, dimesions unknown. [A wooden ornament with a string attached at its top, is carved with the outlines of the worlds continents, becoming a miniature globe.] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Three figures perform in front of an audience. Two figures in blue morph suits face off with a wooden table between them, while a third figure takes video footage of the scene.] -
Abasement #84. Performance documentation, February 16th, 2026, Artists Space. Photo: Joshua Wildman. [A performer manipulates a record while seated at a turntable.] -
Chinatown Art Brigade and The Illuminator Here to Stay, September 24, 2016 Courtesy Chinatown Art Brigade. Photo: KahEan Chang [A view of Chinatown at night, with a projection onto the side of a building which reads "Save Chinatown" with its own image of Chinatown storefronts underneath.] -
[A blue book cover with text that reads, "The Truth About Hollis, W.J. West."] -
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Beech Forest. Performance view, Artists Space, 2007. [Three standing lights point to illuminate a white wall. Standing beside them facing the wall is a figure wearing a coat and a hat with her hands lightly clasped behind her back. Barely visible on the wall beside her are stenciled outlines of trees.] -
Selections from the Artists File. Installation view, Artists Space, 1989. [A photograph of a large gallery. In the center of the room, a person gazes at large, geometric sculptures.] -
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Blaster Al Ackerman, Untitled, n.d., painted album cover, 12 x 12 inches. Courtesy of Stewart Mostofsky. [A painted image of a white push-button telephone sitting atop a brown surface with a yellow wall behind it. At the top right is a 10 cent postage stamp depicting a face with missing teeth and a text that says "The GIGGLER."] -
Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artist Space, 2013. Photo: Daniel Pérez. [An exhibition wall filled with colorful posters, prints and magazine covers, a tv monitor sits on the floor.] -
Paper Exhibition. Installation view, Artists Space, 2009. Photo: Adam Reich. [A cylindrical lamp with cutouts in various shapes projects a shadow on white walls. The lamp sits on a white base, surrounded by three circular floor cushions. On the far wall, there is a mounted television screen showing white text.] -
Jutta Koether, xxapollo. Performance documentation, Artists Space, January 5, 2020. Photo © Paula Court. [A person dressed in all pink grips a heart-shaped canvas in front of her, while her eyes look past the camera. She is surrounded by rapt audience members behind her. There are light spots reflected at even intervals patterning the room.] -
Bases of the equestrian monument to Kaiser Wilhem which was destroyed by the British occupation in Münster after World War II. The photographs were printed as post cards in the early 20th century and collected from eBay and oldthing.de in 2021. [A black and white photograph of the base of a monument in a city square. Steps lead up to a pedastal surrounded by three large spheres connected by a metal chain.] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [A figure in a blue morph suit leans their arms on top of a rolling table made of wood and fresnel lenses, pushing it toward another figure that stands in front of them filming them. In the background a third figure in a blue morph suit sits and leans down on top of a rectangular wooden frame. Blue footage is projected onto the back wall.] -
Seth Price,Postcard Style Place, 2018, 23.5 x 16.5 inches [An image featuring an oblong golden form whose top portion has a shiny, defined metallic surface. Its bottom half, however, has a liquid-like, transparent, and cracked texture. It sits on white background decorated with a swirling yellow line. Blue text that reads, "NEWYORKCITY" emerges from the image's bottom edge and is arranged such that the text reads vertically. Lines composed of small blue dots radiate out from the text's right side, running over the golden form. Small black text at the image's lower left corner reads, "2020Solidarity - Seth Price."] -
[Three book covers, arranged in a triangle, with title text reading from top to bottom, left to right, "Danger In Dusseldorf," "Die, Chastrommel," and "Berliner."] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [A figure in a blue morph suit kneels down next to a wooden table and looks off to the right. Audience members sit along the floor in the background.]
![[Artworks hang on walls on the left and right. In the background, a neighboring building is visible through the window.]](https://artistsspace.org/media/pages/exhibitions/pictures/582194948-1623172948/77-pictures-installation2-168x.jpg)
![[Artworks hang on walls on the left and right. In the background, a neighboring building is visible through the window.]](https://artistsspace.org/media/pages/exhibitions/pictures/582194948-1623172948/77_pictures_installation2.jpg)
