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  • Image of a dimly lit basement. Along the back wall, on the right, a shadow of a figure in profile is cast onto a blue and purple projected screen.
    Image of a dimly lit basement. Along the back wall, on the right, a shadow of a figure in profile is cast onto a blue and purple projected screen.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Image of a dimly lit basement. Along the back wall, on the right, a shadow of a figure in profile is cast onto a blue and purple projected screen.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a dimly lit basement. Along the back wall, on the right, a shadow of a figure in profile is cast onto a blue and purple projected screen.
    Year 2022
    Related pages SCRAAATCH 12-3
  • A number of wooden block constructions appear together in various forms in an installation in a gallery space with framed works on the wall behind them.
    A number of wooden block constructions appear together in various forms in an installation in a gallery space with framed works on the wall behind them.
    David Winter. Selections for the Artists File, installation view, Artists Space, 1986. [A number of wooden block constructions appear together in various forms in an installation in a gallery space with framed works on the wall behind them.]
    Caption David Winter. Selections for the Artists File, installation view, Artists Space, 1986.
    Image description A number of wooden block constructions appear together in various forms in an installation in a gallery space with framed works on the wall behind them.
    Year
    Related pages Selections from the Artists File
  • Sculpture of an alien spaceship made out of sheet metal, with a red and blue LED light, sitting in a gallery.
    Sculpture of an alien spaceship made out of sheet metal, with a red and blue LED light, sitting in a gallery.
    George Clinton, Peter Larkin and Jules Fisher, The Mothership, 1990s. Collection of the Smithsonian National Museum of African American History and Culture. Gift of Love to the planet. [Sculpture of an alien spaceship made out of sheet metal, with a red and blue LED light, sitting in a gallery.]
    Caption George Clinton, Peter Larkin and Jules Fisher, The Mothership, 1990s. Collection of the Smithsonian National Museum of African American History and Culture. Gift of Love to the planet.
    Image description Sculpture of an alien spaceship made out of sheet metal, with a red and blue LED light, sitting in a gallery.
    Year
    Related pages Artists Space Dialogues: Huey Copeland, Michelle Kuo
  • A dim photograph of dark curtains and sculptures in a gallery space.
    A dim photograph of dark curtains and sculptures in a gallery space.
    Gary Falk, Brigid Kennedy, Ladd Kessler, Peggy Yunque. Installation view, Artists Space, 1981. [A dim photograph of dark curtains and sculptures in a gallery space.]
    Caption Gary Falk, Brigid Kennedy, Ladd Kessler, Peggy Yunque. Installation view, Artists Space, 1981.
    Image description A dim photograph of dark curtains and sculptures in a gallery space.
    Year
    Related pages Gary Falk, Brigid Kennedy, Ladd Kessler, Peggy Yunque
  • Twelve long wooden poles are mounted on a white gallery wall in a circular formation, projecting out from the wall and intersecting a line of black columns, forming a teepee shape. A large piece of brown linen stained with various black, white, and rust-colors hangs from the poles. Part of the linen drapes on the ground below the teepee structure. Several sculptures are visible behind the structure, containing disembodied humanoid heads arranged among platforms and pieces of wood, cardboard, and other materials.
    Twelve long wooden poles are mounted on a white gallery wall in a circular formation, projecting out from the wall and intersecting a line of black columns, forming a teepee shape. A large piece of brown linen stained with various black, white, and rust-colors hangs from the poles. Part of the linen drapes on the ground below the teepee structure. Several sculptures are visible behind the structure, containing disembodied humanoid heads arranged among platforms and pieces of wood, cardboard, and other materials.
    Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater. Installation view, 2019. Photo: Daniel Pérez. [Twelve long wooden poles are mounted on a white gallery wall in a circular formation, projecting out from the wall and intersecting a line of black columns, forming a teepee shape. A large piece of brown linen stained with various black, white, and rust-colors hangs from the poles. Part of the linen drapes on the ground below the teepee structure. Several sculptures are visible behind the structure, containing disembodied humanoid heads arranged among platforms and pieces of wood, cardboard, and other materials.]
    Caption Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater. Installation view, 2019. Photo: Daniel Pérez.
    Image description Twelve long wooden poles are mounted on a white gallery wall in a circular formation, projecting out from the wall and intersecting a line of black columns, forming a teepee shape. A large piece of brown linen stained with various black, white, and rust-colors hangs from the poles. Part of the linen drapes on the ground below the teepee structure. Several sculptures are visible behind the structure, containing disembodied humanoid heads arranged among platforms and pieces of wood, cardboard, and other materials.
    Year 2019
    Related pages
  • A painting of a black, rectangular object on an orange backdrop. Below is text in black reading
    A painting of a black, rectangular object on an orange backdrop. Below is text in black reading
    The Mind/Body Problem. Installation view, Artists Space, 2006. Photo: Alan Wiener. [A painting of a black, rectangular object on an orange backdrop. Below is text in black reading "ENTERTAINMENT CENTER." Red text on a yellow background in zigzagged circles reads "Fully Assembled" and "$199."]
    Caption The Mind/Body Problem. Installation view, Artists Space, 2006. Photo: Alan Wiener.
    Image description A painting of a black, rectangular object on an orange backdrop. Below is text in black reading "ENTERTAINMENT CENTER." Red text on a yellow background in zigzagged circles reads "Fully Assembled" and "$199."
    Year 2006
    Related pages The Mind/Body Problem
  • A television on a metal stand shows an image of a man in a cowboy hat. A white bar with black text on the bottom of the screen reads,
    A television on a metal stand shows an image of a man in a cowboy hat. A white bar with black text on the bottom of the screen reads,
    Sean Snyder. Installation view, Artists Space, 2010-11. Photo: Daniel Peréz. [A television on a metal stand shows an image of a man in a cowboy hat. A white bar with black text on the bottom of the screen reads, "The actor said. He explains that thousands of bootleg copies."]
    Caption Sean Snyder. Installation view, Artists Space, 2010-11. Photo: Daniel Peréz.
    Image description A television on a metal stand shows an image of a man in a cowboy hat. A white bar with black text on the bottom of the screen reads, "The actor said. He explains that thousands of bootleg copies."
    Year 2010
    Related pages Sean Snyder
  • A grayscale image of two naked people, kneeling on the ground of an untidy room. They are embracing, with their foreheads pressed together. Behind them there is a window and a typewriter on a stand.
    A grayscale image of two naked people, kneeling on the ground of an untidy room. They are embracing, with their foreheads pressed together. Behind them there is a window and a typewriter on a stand.
    Whatever Happened to Sex in Scandinavia (2011). Knut Ove Arntzen, Stan Brakhage, Marta Kuzma and Pablo LaFuente. [A grayscale image of two naked people, kneeling on the ground of an untidy room. They are embracing, with their foreheads pressed together. Behind them there is a window and a typewriter on a stand.]
    Caption Whatever Happened to Sex in Scandinavia (2011). Knut Ove Arntzen, Stan Brakhage, Marta Kuzma and Pablo LaFuente.
    Image description A grayscale image of two naked people, kneeling on the ground of an untidy room. They are embracing, with their foreheads pressed together. Behind them there is a window and a typewriter on a stand.
    Year 2011
    Related pages Whatever Happened to Sex in Scandinavia?
  • Color photograph of a figure dressed in black performing in front of an audience in the background. The room is dark, with LED light sculptures made from dried SCOBY in the background. The figure sits on the floor, looking off to the right and holding a mask in front of their face.
    Color photograph of a figure dressed in black performing in front of an audience in the background. The room is dark, with LED light sculptures made from dried SCOBY in the background. The figure sits on the floor, looking off to the right and holding a mask in front of their face.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a figure dressed in black performing in front of an audience in the background. The room is dark, with LED light sculptures made from dried SCOBY in the background. The figure sits on the floor, looking off to the right and holding a mask in front of their face.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of a figure dressed in black performing in front of an audience in the background. The room is dark, with LED light sculptures made from dried SCOBY in the background. The figure sits on the floor, looking off to the right and holding a mask in front of their face.
    Year
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • One sculpted deer head is seen in the foreground with a paper mache design and a darker deer head sculpture is seen in the background with horns. Both are hung in a white-walled gallery space.
    One sculpted deer head is seen in the foreground with a paper mache design and a darker deer head sculpture is seen in the background with horns. Both are hung in a white-walled gallery space.
    Sherry Markovitz. Installation view. Artists Space, 1985. [One sculpted deer head is seen in the foreground with a paper mache design and a darker deer head sculpture is seen in the background with horns. Both are hung in a white-walled gallery space.]
    Caption Sherry Markovitz. Installation view. Artists Space, 1985.
    Image description One sculpted deer head is seen in the foreground with a paper mache design and a darker deer head sculpture is seen in the background with horns. Both are hung in a white-walled gallery space.
    Year
    Related pages U.S. Projects
  • A hand reaches into a bronze penny-share dish filled with coins.
    A hand reaches into a bronze penny-share dish filled with coins.
    Constantina Zavitsanos, LEAVE - A - PENNY / TAKE - A - PENNY, 2024, Bronze, 4.5 in. x 4.25 in. x 1.5 in. Photo: Destiny Mata [A hand reaches into a bronze penny-share dish filled with coins.]
    Caption Constantina Zavitsanos, LEAVE - A - PENNY / TAKE - A - PENNY, 2024, Bronze, 4.5 in. x 4.25 in. x 1.5 in. Photo: Destiny Mata
    Image description A hand reaches into a bronze penny-share dish filled with coins.
    Year
    Related pages fwiw
  • Text written in black on white background reads,
    Text written in black on white background reads,
    Martha Wallner and Miriam Loasiga. Still from Con Guerra O Sin Guerra (With or Without War), 1987. Video (sound, black and white). 20 minutes. Spanish with English subtitles. [Text written in black on white background reads, "-inista ejercityo popular sandiniista ejerc-". A line above the text appears as a type of rope or barbed wire and the top opens up into black. Video scan lines and black edges of CRT monitor are visible.]
    Caption Martha Wallner and Miriam Loasiga. Still from Con Guerra O Sin Guerra (With or Without War), 1987. Video (sound, black and white). 20 minutes. Spanish with English subtitles.
    Image description Text written in black on white background reads, "-inista ejercityo popular sandiniista ejerc-". A line above the text appears as a type of rope or barbed wire and the top opens up into black. Video scan lines and black edges of CRT monitor are visible.
    Year 1987
    Related pages TV Sandino
  • A performer closes their eyes as they sing into a mic pressed up to their mouth. They are holding a music stand with a score on it in their right hand, and adjusting audio equipment with their left hand. They are bathed in green light. On the left of the image a red-tinted column is blurred in the foreground. The background is dark purple.
    A performer closes their eyes as they sing into a mic pressed up to their mouth. They are holding a music stand with a score on it in their right hand, and adjusting audio equipment with their left hand. They are bathed in green light. On the left of the image a red-tinted column is blurred in the foreground. The background is dark purple.
    Heist Divination (fwiw remix). Performance documentation, October 25th, 2024, Artists Space. Photo: Destiny Mata. [A performer closes their eyes as they sing into a mic pressed up to their mouth. They are holding a music stand with a score on it in their right hand, and adjusting audio equipment with their left hand. They are bathed in green light. On the left of the image a red-tinted column is blurred in the foreground. The background is dark purple.]
    Caption Heist Divination (fwiw remix). Performance documentation, October 25th, 2024, Artists Space. Photo: Destiny Mata.
    Image description A performer closes their eyes as they sing into a mic pressed up to their mouth. They are holding a music stand with a score on it in their right hand, and adjusting audio equipment with their left hand. They are bathed in green light. On the left of the image a red-tinted column is blurred in the foreground. The background is dark purple.
    Year
    Related pages S*an D. Henry-Smith
  • A variety of images of covers and photographs of nude and semi-nude people is displayed on a white background.
    A variety of images of covers and photographs of nude and semi-nude people is displayed on a white background.
    Mark Morrisroe: From This Moment On. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A variety of images of covers and photographs of nude and semi-nude people is displayed on a white background.]
    Caption Mark Morrisroe: From This Moment On. Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description A variety of images of covers and photographs of nude and semi-nude people is displayed on a white background.
    Year 2011
    Related pages Mark Morrisroe: From This Moment On
  • A black-and-white film still of hazy and ghostly tonal modulations. Within the tonal atmosphere, fragments of a person's face and body can be made out in the right half of the image.
    A black-and-white film still of hazy and ghostly tonal modulations. Within the tonal atmosphere, fragments of a person's face and body can be made out in the right half of the image.
    Shala Miller, Genesis, 2023. [A black-and-white film still of hazy and ghostly tonal modulations. Within the tonal atmosphere, fragments of a person's face and body can be made out in the right half of the image.]
    Caption Shala Miller, Genesis, 2023.
    Image description A black-and-white film still of hazy and ghostly tonal modulations. Within the tonal atmosphere, fragments of a person's face and body can be made out in the right half of the image.
    Year 2023
    Related pages Genesis: Medley
  • Scan of the cover and back cover of a book. On the front cover, black text on a white background reads
    Scan of the cover and back cover of a book. On the front cover, black text on a white background reads
    Cover of Christopher D'Arcangelo, Kunstverein Publishing and Artists Space. Photo: Cathy Weiner. [Scan of the cover and back cover of a book. On the front cover, black text on a white background reads "Christopher D'Arcangelo." The back cover features a black-and-white photograph of a figure doing a headstand, their back facing the viewer. The figure is shirtless, exposing black text written on their skin.]
    Caption Cover of Christopher D'Arcangelo, Kunstverein Publishing and Artists Space. Photo: Cathy Weiner.
    Image description Scan of the cover and back cover of a book. On the front cover, black text on a white background reads "Christopher D'Arcangelo." The back cover features a black-and-white photograph of a figure doing a headstand, their back facing the viewer. The figure is shirtless, exposing black text written on their skin.
    Year 2023
    Related pages Christopher D'Arcangelo
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979. [A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.]
    Caption Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979.
    Image description A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    Year 1979
    Related pages Patricia Hearst - A Second Reading
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    Year
    Related pages Artists Space: Artists Fund
  • Installation view of three cast concrete blocks - the middle one leaning against the last one - standing on a wood floor.
    Installation view of three cast concrete blocks - the middle one leaning against the last one - standing on a wood floor.
    Slab works, c. 1978–1980. Cast concrete sculptures with acrylic paint. Dimensions unknown. Courtesy of the Frances Mulhall Achiles Library, Artist File, Whitney Museum of American Art [Installation view of three cast concrete blocks - the middle one leaning against the last one - standing on a wood floor.]
    Caption Slab works, c. 1978–1980. Cast concrete sculptures with acrylic paint. Dimensions unknown. Courtesy of the Frances Mulhall Achiles Library, Artist File, Whitney Museum of American Art
    Image description Installation view of three cast concrete blocks - the middle one leaning against the last one - standing on a wood floor.
    Year
    Related pages Beverly Buchanan, 1978 – 1981
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    Year
    Related pages Segue Reading Series
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Two rectangular orange paintings, in portrait orientation, hang on a white wall. Both canvases depict slugs filling up each rectangle. In the painting to the left, the slug almost forms into a square. In the painting to the right, the slug is stretched in a long line, twisting across the surface area of the canvas. The eyes of both slugs protrude from their animated bodies like antennae, raised and peeking over the boundary of each painting's edge.
    Two rectangular orange paintings, in portrait orientation, hang on a white wall. Both canvases depict slugs filling up each rectangle. In the painting to the left, the slug almost forms into a square. In the painting to the right, the slug is stretched in a long line, twisting across the surface area of the canvas. The eyes of both slugs protrude from their animated bodies like antennae, raised and peeking over the boundary of each painting's edge.
    [Two rectangular orange paintings, in portrait orientation, hang on a white wall. Both canvases depict slugs filling up each rectangle. In the painting to the left, the slug almost forms into a square. In the painting to the right, the slug is stretched in a long line, twisting across the surface area of the canvas. The eyes of both slugs protrude from their animated bodies like antennae, raised and peeking over the boundary of each painting's edge.]
    Caption
    Image description Two rectangular orange paintings, in portrait orientation, hang on a white wall. Both canvases depict slugs filling up each rectangle. In the painting to the left, the slug almost forms into a square. In the painting to the right, the slug is stretched in a long line, twisting across the surface area of the canvas. The eyes of both slugs protrude from their animated bodies like antennae, raised and peeking over the boundary of each painting's edge.
    Year 2020
    Related pages Jana Euler
  • An angled view of two adjacent gray walls displaying various paper material, documents, and photographs.
    An angled view of two adjacent gray walls displaying various paper material, documents, and photographs.
    Living with Pop. A Reproduction of Capitalist Realism. Installation view of the section “Düsseldorf and the Rhineland (1957–1964)," Artists Space, 2014. [An angled view of two adjacent gray walls displaying various paper material, documents, and photographs.]
    Caption Living with Pop. A Reproduction of Capitalist Realism. Installation view of the section “Düsseldorf and the Rhineland (1957–1964)," Artists Space, 2014.
    Image description An angled view of two adjacent gray walls displaying various paper material, documents, and photographs.
    Year 2014
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • A painting of a female bartender standing behind a bar, facing the viewer. A large mirror directly behind her reflects the space of the crowded bar before her. Another woman behind and to the right of the bartender, her back to the viewer, turns to speak to a man with a top hat and mustache.
    A painting of a female bartender standing behind a bar, facing the viewer. A large mirror directly behind her reflects the space of the crowded bar before her. Another woman behind and to the right of the bartender, her back to the viewer, turns to speak to a man with a top hat and mustache.
    Édouard Manet, A Bar at the Folies-Bergère, 1882. [A painting of a female bartender standing behind a bar, facing the viewer. A large mirror directly behind her reflects the space of the crowded bar before her. Another woman behind and to the right of the bartender, her back to the viewer, turns to speak to a man with a top hat and mustache.]
    Caption Édouard Manet, A Bar at the Folies-Bergère, 1882.
    Image description A painting of a female bartender standing behind a bar, facing the viewer. A large mirror directly behind her reflects the space of the crowded bar before her. Another woman behind and to the right of the bartender, her back to the viewer, turns to speak to a man with a top hat and mustache.
    Year 2011
    Related pages Dexter Sinister: "Identity"
  • Listening Room, recorded compositions, collage and ceramics 2025
    Caption Listening Room, recorded compositions, collage and ceramics 2025
    Image description
    Year
    Related pages Listening to the LES
  • Two paintings hung on white walls meeting in a corner. The paintings are colorful, predominantly pink and red.
    Two paintings hung on white walls meeting in a corner. The paintings are colorful, predominantly pink and red.
    Salad Days. Installation view, Artists Space, 2004. [Two paintings hung on white walls meeting in a corner. The paintings are colorful, predominantly pink and red.]
    Caption Salad Days. Installation view, Artists Space, 2004.
    Image description Two paintings hung on white walls meeting in a corner. The paintings are colorful, predominantly pink and red.
    Year 2004
    Related pages Salad Days
  • A wall of pornographic illustrations displayed in frames at eye level.
    A wall of pornographic illustrations displayed in frames at eye level.
    Tom of Finland: The Pleasure of Play. Installation view, Artists Space, 2015. [A wall of pornographic illustrations displayed in frames at eye level.]
    Caption Tom of Finland: The Pleasure of Play. Installation view, Artists Space, 2015.
    Image description A wall of pornographic illustrations displayed in frames at eye level.
    Year 2015
    Related pages Tom of Finland: The Pleasure of Play
  • A figure in side profile plays the tuba which has been fitted with a microphone at the bell's opening.
    A figure in side profile plays the tuba which has been fitted with a microphone at the bell's opening.
    Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman [A figure in side profile plays the tuba which has been fitted with a microphone at the bell's opening.]
    Caption Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure in side profile plays the tuba which has been fitted with a microphone at the bell's opening.
    Year 2022
    Related pages Tisziji Muñoz with Francisco Mora Catlett and AfroHORN
  • Several framed posters, photographs, and other ephemera of varying sizes hang on a white gallery wall. At the center of the wall is a doorway-shaped opening, through which more of the gallery space is visible.
    Several framed posters, photographs, and other ephemera of varying sizes hang on a white gallery wall. At the center of the wall is a doorway-shaped opening, through which more of the gallery space is visible.
    The Serving Library. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [Several framed posters, photographs, and other ephemera of varying sizes hang on a white gallery wall. At the center of the wall is a doorway-shaped opening, through which more of the gallery space is visible.]
    Caption The Serving Library. Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description Several framed posters, photographs, and other ephemera of varying sizes hang on a white gallery wall. At the center of the wall is a doorway-shaped opening, through which more of the gallery space is visible.
    Year 2011
    Related pages The Serving Library
  • Two men wearing identical white shirts and blue jeans crouch outdoors at night. The figure on the right grasps two tree branches with both hands. His pants have been dropped to the ground and he sticks his bare rear out. The second figure on the left is fully clothed and crouches behind the other figure, shining a flashlight at his rear end.
    Two men wearing identical white shirts and blue jeans crouch outdoors at night. The figure on the right grasps two tree branches with both hands. His pants have been dropped to the ground and he sticks his bare rear out. The second figure on the left is fully clothed and crouches behind the other figure, shining a flashlight at his rear end.
    Dave Burns, SEACH FOR TRUTH, 2003. Digital photograph, archival light jet print. Courtesy the artist. [Two men wearing identical white shirts and blue jeans crouch outdoors at night. The figure on the right grasps two tree branches with both hands. His pants have been dropped to the ground and he sticks his bare rear out. The second figure on the left is fully clothed and crouches behind the other figure, shining a flashlight at his rear end.]
    Caption Dave Burns, SEACH FOR TRUTH, 2003. Digital photograph, archival light jet print. Courtesy the artist.
    Image description Two men wearing identical white shirts and blue jeans crouch outdoors at night. The figure on the right grasps two tree branches with both hands. His pants have been dropped to the ground and he sticks his bare rear out. The second figure on the left is fully clothed and crouches behind the other figure, shining a flashlight at his rear end.
    Year 2005
    Related pages Log Cabin
  • Silver, italic text displayed across the top edge of a white gallery wall reads,
    Silver, italic text displayed across the top edge of a white gallery wall reads,
    Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [Silver, italic text displayed across the top edge of a white gallery wall reads, "Tier 3 1980 Dallas 1963 Cabins 2007 Color TV 1954 TITMH 2013 Alexis de Tocqueville 1992." An image of the moon in a black sky and a small letter are displayed side-by-side on the gallery wall beneath the silver text.]
    Caption Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description Silver, italic text displayed across the top edge of a white gallery wall reads, "Tier 3 1980 Dallas 1963 Cabins 2007 Color TV 1954 TITMH 2013 Alexis de Tocqueville 1992." An image of the moon in a black sky and a small letter are displayed side-by-side on the gallery wall beneath the silver text.
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • A pair of leather boots and a power strip rest underneath a blue, wooden chair on a concrete floor.
    A pair of leather boots and a power strip rest underneath a blue, wooden chair on a concrete floor.
    [A pair of leather boots and a power strip rest underneath a blue, wooden chair on a concrete floor.]
    Caption
    Image description A pair of leather boots and a power strip rest underneath a blue, wooden chair on a concrete floor.
    Year 2018
    Related pages What Are Our Questions?
  • Three photographs are mounted next to one another on a colorful gallery wall, which is covered with a photo decal of a mosaic. Each of the photographs show different urban walls covered in grafitti. Graffiti on a city wall shown in the far right photograph reads,
    Three photographs are mounted next to one another on a colorful gallery wall, which is covered with a photo decal of a mosaic. Each of the photographs show different urban walls covered in grafitti. Graffiti on a city wall shown in the far right photograph reads,
    Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Three photographs are mounted next to one another on a colorful gallery wall, which is covered with a photo decal of a mosaic. Each of the photographs show different urban walls covered in grafitti. Graffiti on a city wall shown in the far right photograph reads, "pueblo nueva."]
    Caption Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Three photographs are mounted next to one another on a colorful gallery wall, which is covered with a photo decal of a mosaic. Each of the photographs show different urban walls covered in grafitti. Graffiti on a city wall shown in the far right photograph reads, "pueblo nueva."
    Year 2012
    Related pages Radical Localism: Art, Video and Culture from Pueblo Nuevo’s Mexicali Rose
  • A white poster giving information about a virtual reading event. There are overlaid gray and white images of a statue of an angel with a sword, and two figures in beak masks. Orange texts reads “Frederic Tuten/Vi Khi Nat/Virtual Reading/18 April 2020/5:00 PM E.T./Artists Space x Segue Series/Zoom Meeting ID 378 232 576
    A white poster giving information about a virtual reading event. There are overlaid gray and white images of a statue of an angel with a sword, and two figures in beak masks. Orange texts reads “Frederic Tuten/Vi Khi Nat/Virtual Reading/18 April 2020/5:00 PM E.T./Artists Space x Segue Series/Zoom Meeting ID 378 232 576
    [A white poster giving information about a virtual reading event. There are overlaid gray and white images of a statue of an angel with a sword, and two figures in beak masks. Orange texts reads “Frederic Tuten/Vi Khi Nat/Virtual Reading/18 April 2020/5:00 PM E.T./Artists Space x Segue Series/Zoom Meeting ID 378 232 576]
    Caption
    Image description A white poster giving information about a virtual reading event. There are overlaid gray and white images of a statue of an angel with a sword, and two figures in beak masks. Orange texts reads “Frederic Tuten/Vi Khi Nat/Virtual Reading/18 April 2020/5:00 PM E.T./Artists Space x Segue Series/Zoom Meeting ID 378 232 576
    Year 2020
    Related pages Segue Reading Series: Frederic Tuten & Vi Khi Nao
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    Image description
    Year
    Related pages Brad Kronz
  • Photograph of a performer standing behind a small desk that holds audio equipment. The performer stands upright with their head down and their hands held together in front of their face. To the performer's right a music stand holds a score. The background is bathed in blue and red light with the silhouettes of audience members visible. In the bottom left corner a recessed structure filled with water is illuminated.
    Photograph of a performer standing behind a small desk that holds audio equipment. The performer stands upright with their head down and their hands held together in front of their face. To the performer's right a music stand holds a score. The background is bathed in blue and red light with the silhouettes of audience members visible. In the bottom left corner a recessed structure filled with water is illuminated.
    Heist Divination (fwiw remix). Performance documentation, October 25th, 2024, Artists Space. Photo: Destiny Mata. [Photograph of a performer standing behind a small desk that holds audio equipment. The performer stands upright with their head down and their hands held together in front of their face. To the performer's right a music stand holds a score. The background is bathed in blue and red light with the silhouettes of audience members visible. In the bottom left corner a recessed structure filled with water is illuminated. ]
    Caption Heist Divination (fwiw remix). Performance documentation, October 25th, 2024, Artists Space. Photo: Destiny Mata.
    Image description Photograph of a performer standing behind a small desk that holds audio equipment. The performer stands upright with their head down and their hands held together in front of their face. To the performer's right a music stand holds a score. The background is bathed in blue and red light with the silhouettes of audience members visible. In the bottom left corner a recessed structure filled with water is illuminated.
    Year
    Related pages S*an D. Henry-Smith
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    Related pages Milford Graves: Fundamental Frequency
  • A solo musician standing on stage faces the audience and plays a small wooden instrument. They are bathed in red and pink light. They are looking down and wearing a headlamp. On the stage there are also multiple electronic instruments, cords, and a plant. A green image is projected on a side wall above the audience. The wall in the background is scattered with white dots reflected from a disco ball.
    A solo musician standing on stage faces the audience and plays a small wooden instrument. They are bathed in red and pink light. They are looking down and wearing a headlamp. On the stage there are also multiple electronic instruments, cords, and a plant. A green image is projected on a side wall above the audience. The wall in the background is scattered with white dots reflected from a disco ball.
    Abasement #71. Performance documentation, August 5th, 2024, Artists Space. Photo: Joshua Wildman. [A solo musician standing on stage faces the audience and plays a small wooden instrument. They are bathed in red and pink light. They are looking down and wearing a headlamp. On the stage there are also multiple electronic instruments, cords, and a plant. A green image is projected on a side wall above the audience. The wall in the background is scattered with white dots reflected from a disco ball.]
    Caption Abasement #71. Performance documentation, August 5th, 2024, Artists Space. Photo: Joshua Wildman.
    Image description A solo musician standing on stage faces the audience and plays a small wooden instrument. They are bathed in red and pink light. They are looking down and wearing a headlamp. On the stage there are also multiple electronic instruments, cords, and a plant. A green image is projected on a side wall above the audience. The wall in the background is scattered with white dots reflected from a disco ball.
    Year
    Related pages Abasement #71
  • Color photograph of a corner space in a gallery, below a staircase, that is bathed in red light. At the bottom of the stairs are a group of performers wearing conical costumes made of reflective one-way mirror film.
    Color photograph of a corner space in a gallery, below a staircase, that is bathed in red light. At the bottom of the stairs are a group of performers wearing conical costumes made of reflective one-way mirror film.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a corner space in a gallery, below a staircase, that is bathed in red light. At the bottom of the stairs are a group of performers wearing conical costumes made of reflective one-way mirror film.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a corner space in a gallery, below a staircase, that is bathed in red light. At the bottom of the stairs are a group of performers wearing conical costumes made of reflective one-way mirror film.
    Year 2022
    Related pages keyon gaskin 12-18
  • A view of a wall mural displaying multiple cartoon vultures resting on black scaffolding.
    A view of a wall mural displaying multiple cartoon vultures resting on black scaffolding.
    ART CLUB2000 Gli Avvoltoi (The Vultures), detail, 1995 Vinyl paint and newsprint flyer Image courtesy Artists Space, New York Photo: Filip Wolak [A view of a wall mural displaying multiple cartoon vultures resting on black scaffolding.]
    Caption ART CLUB2000 Gli Avvoltoi (The Vultures), detail, 1995 Vinyl paint and newsprint flyer Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description A view of a wall mural displaying multiple cartoon vultures resting on black scaffolding.
    Year 2021
    Related pages ART CLUB2000
  • Color photograph of a figure dressed in white, laying face down across two ledges of a raised desk.
    Color photograph of a figure dressed in white, laying face down across two ledges of a raised desk.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure dressed in white, laying face down across two ledges of a raised desk.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a figure dressed in white, laying face down across two ledges of a raised desk.
    Year 2022
    Related pages keyon gaskin 12-18
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Black text listing the collection's featured. From top to bottom, it reads,
    Black text listing the collection's featured. From top to bottom, it reads,
    [Black text listing the collection's featured. From top to bottom, it reads, "The Defaced Library Books of Kenneth Halliwell and Joe Orton," "edition hansjörg mayer," "Vigilance: An Exhibition Of Artist’s Books Exploring Strategies for Social Concern After an exhibition curated by Mike Grier and Lucy R. Lippard," "The Colin De Land Library," "Everything is About to Happen: An ongoing archive of artists’ books selected by Gregorio Magnani," and "The Library of Helen DeWitt."]
    Caption
    Image description Black text listing the collection's featured. From top to bottom, it reads, "The Defaced Library Books of Kenneth Halliwell and Joe Orton," "edition hansjörg mayer," "Vigilance: An Exhibition Of Artist’s Books Exploring Strategies for Social Concern After an exhibition curated by Mike Grier and Lucy R. Lippard," "The Colin De Land Library," "Everything is About to Happen: An ongoing archive of artists’ books selected by Gregorio Magnani," and "The Library of Helen DeWitt."
    Year 2014
    Related pages The Library Vaccine
  • A group of people sit around a circular dining table. Wade Guyton and Kathy Halbreich are on the far left side of the frame. Andy Robert and Joan Jonas face each other and are mid-conversation. Robert wears a diamond-patterned sweater, black jacket, and black, red, and yellow striped beanie. Jonas wears a black jacket over a blue blouse with small red polka dots and scalloped edges, and her hair is held out of her face with a decorative clip.
    A group of people sit around a circular dining table. Wade Guyton and Kathy Halbreich are on the far left side of the frame. Andy Robert and Joan Jonas face each other and are mid-conversation. Robert wears a diamond-patterned sweater, black jacket, and black, red, and yellow striped beanie. Jonas wears a black jacket over a blue blouse with small red polka dots and scalloped edges, and her hair is held out of her face with a decorative clip.
    Wade Guyton, Kathy Halbreich, Andy Robert, Joan Jonas. Photo: Joshua Wildman [A group of people sit around a circular dining table. Wade Guyton and Kathy Halbreich are on the far left side of the frame. Andy Robert and Joan Jonas face each other and are mid-conversation. Robert wears a diamond-patterned sweater, black jacket, and black, red, and yellow striped beanie. Jonas wears a black jacket over a blue blouse with small red polka dots and scalloped edges, and her hair is held out of her face with a decorative clip.]
    Caption Wade Guyton, Kathy Halbreich, Andy Robert, Joan Jonas. Photo: Joshua Wildman
    Image description A group of people sit around a circular dining table. Wade Guyton and Kathy Halbreich are on the far left side of the frame. Andy Robert and Joan Jonas face each other and are mid-conversation. Robert wears a diamond-patterned sweater, black jacket, and black, red, and yellow striped beanie. Jonas wears a black jacket over a blue blouse with small red polka dots and scalloped edges, and her hair is held out of her face with a decorative clip.
    Year
    Related pages Support
  • Black text overlays a light blue background. The top left corner reads: Sarah E. Brook / Sara Jimenez. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, March 19, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5.
    Black text overlays a light blue background. The top left corner reads: Sarah E. Brook / Sara Jimenez. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, March 19, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5.
    Flyer for Segue Reading Series featuring Sarah E. Brook and Sara Jimenez. March 19, 2022, Artists Space. [Black text overlays a light blue background. The top left corner reads: Sarah E. Brook / Sara Jimenez. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, March 19, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5."]
    Caption Flyer for Segue Reading Series featuring Sarah E. Brook and Sara Jimenez. March 19, 2022, Artists Space.
    Image description Black text overlays a light blue background. The top left corner reads: Sarah E. Brook / Sara Jimenez. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, March 19, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5."
    Year 2022
    Related pages Segue Reading Series: Sarah E. Brook & Sara Jimenez
  • A two-page spread from the novel Dictée shows four diagrams of a human larynx and neck on the left-hand page and a page of writing from the novel on the right.
    A two-page spread from the novel Dictée shows four diagrams of a human larynx and neck on the left-hand page and a page of writing from the novel on the right.
    Theresa Hak Kyung Cha, Dictée (New York: Tanam Press, 1982), 74 - 75. [A two-page spread from the novel Dictée shows four diagrams of a human larynx and neck on the left-hand page and a page of writing from the novel on the right.]
    Caption Theresa Hak Kyung Cha, Dictée (New York: Tanam Press, 1982), 74 - 75.
    Image description A two-page spread from the novel Dictée shows four diagrams of a human larynx and neck on the left-hand page and a page of writing from the novel on the right.
    Year 1982
    Related pages Whitney ISP Archive
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
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    Year
    Related pages Abasement #67
  • Books, with series numbers (1-20) marked at the top of the spine, rest on an encolsed shelf against a white wall.
    Books, with series numbers (1-20) marked at the top of the spine, rest on an encolsed shelf against a white wall.
    [Books, with series numbers (1-20) marked at the top of the spine, rest on an encolsed shelf against a white wall.]
    Caption
    Image description Books, with series numbers (1-20) marked at the top of the spine, rest on an encolsed shelf against a white wall.
    Year 2014
    Related pages The Library Vaccine
  • A dimly lit room with a black couch against the far wall and a houseplant in the left hand corner. Above the couch are the words
    A dimly lit room with a black couch against the far wall and a houseplant in the left hand corner. Above the couch are the words
    Audio Works. Installation view, Artists Space, 1978. [A dimly lit room with a black couch against the far wall and a houseplant in the left hand corner. Above the couch are the words "AUDIO WORKS."]
    Caption Audio Works. Installation view, Artists Space, 1978.
    Image description A dimly lit room with a black couch against the far wall and a houseplant in the left hand corner. Above the couch are the words "AUDIO WORKS."
    Year 1978
    Related pages Audio Works
  • A color image of four large paintings hanging on a white wall. In the paintings, queer black bodies interact with each other in different settings, such as a hair supply store. Drawn directly on the wall, roses, a hand, a ring and other elements surround the paintings. At the center of the image, hair accesories sit on the floor.
    A color image of four large paintings hanging on a white wall. In the paintings, queer black bodies interact with each other in different settings, such as a hair supply store. Drawn directly on the wall, roses, a hand, a ring and other elements surround the paintings. At the center of the image, hair accesories sit on the floor.
    Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of four large paintings hanging on a white wall. In the paintings, queer black bodies interact with each other in different settings, such as a hair supply store. Drawn directly on the wall, roses, a hand, a ring and other elements surround the paintings. At the center of the image, hair accesories sit on the floor.]
    Caption Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A color image of four large paintings hanging on a white wall. In the paintings, queer black bodies interact with each other in different settings, such as a hair supply store. Drawn directly on the wall, roses, a hand, a ring and other elements surround the paintings. At the center of the image, hair accesories sit on the floor.
    Year
    Related pages Jonathan Lyndon Chase
  • Black text overlays a color-scheme grid background. The text reads: “Dec 2 / Anselm Berrigan / Kit Robinson.
    Black text overlays a color-scheme grid background. The text reads: “Dec 2 / Anselm Berrigan / Kit Robinson.
    [Black text overlays a color-scheme grid background. The text reads: “Dec 2 / Anselm Berrigan / Kit Robinson." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description Black text overlays a color-scheme grid background. The text reads: “Dec 2 / Anselm Berrigan / Kit Robinson." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year
    Related pages Segue Reading Series: Anselm Berrigan & Kit Robinson
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    Year
    Related pages Support
  • Color image of two performers on stage standing next to each other. The performer on the right is holding a microphone close to their mouth as they touch an audio board. The performer on the left is holding a microphone with both arms in the air, looking down at the board. There are drums to the sides of both performers. The scene is lit with soft pink and green light.
    Color image of two performers on stage standing next to each other. The performer on the right is holding a microphone close to their mouth as they touch an audio board. The performer on the left is holding a microphone with both arms in the air, looking down at the board. There are drums to the sides of both performers. The scene is lit with soft pink and green light.
    Abasement #77. Performance documentation, April 7th, 2025, Artists Space. Photo: Joshua Wildman. [Color image of two performers on stage standing next to each other. The performer on the right is holding a microphone close to their mouth as they touch an audio board. The performer on the left is holding a microphone with both arms in the air, looking down at the board. There are drums to the sides of both performers. The scene is lit with soft pink and green light. ]
    Caption Abasement #77. Performance documentation, April 7th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Color image of two performers on stage standing next to each other. The performer on the right is holding a microphone close to their mouth as they touch an audio board. The performer on the left is holding a microphone with both arms in the air, looking down at the board. There are drums to the sides of both performers. The scene is lit with soft pink and green light.
    Year
    Related pages Abasement #77
  • A performer stands close to a microphone with their right arm in the air holding a musical score. Their eyes are closed and pieces of their hair falls over their face. They are bathed in soft green light and the background is tinted dark purple.
    A performer stands close to a microphone with their right arm in the air holding a musical score. Their eyes are closed and pieces of their hair falls over their face. They are bathed in soft green light and the background is tinted dark purple.
    Heist Divination (fwiw remix). Performance documentation, October 25th, 2024, Artists Space. Photo: Destiny Mata. [A performer stands close to a microphone with their right arm in the air holding a musical score. Their eyes are closed and pieces of their hair falls over their face. They are bathed in soft green light and the background is tinted dark purple.]
    Caption Heist Divination (fwiw remix). Performance documentation, October 25th, 2024, Artists Space. Photo: Destiny Mata.
    Image description A performer stands close to a microphone with their right arm in the air holding a musical score. Their eyes are closed and pieces of their hair falls over their face. They are bathed in soft green light and the background is tinted dark purple.
    Year
    Related pages S*an D. Henry-Smith
  • A figurative painting shows a cat-like figure drooping down to grab a long mushroom-like object. Painting appears in a white-walled gallery space.
    A figurative painting shows a cat-like figure drooping down to grab a long mushroom-like object. Painting appears in a white-walled gallery space.
    Five Spanish Artists. Installation view, Artists Space, 1985. [A figurative painting shows a cat-like figure drooping down to grab a long mushroom-like object. Painting appears in a white-walled gallery space.]
    Caption Five Spanish Artists. Installation view, Artists Space, 1985.
    Image description A figurative painting shows a cat-like figure drooping down to grab a long mushroom-like object. Painting appears in a white-walled gallery space.
    Year
    Related pages Five Spanish Artists
  • A color photo of the first room in the exhibition. To the left, a wooden high-top bar holds a cash register, a lamp and a book. Three high-top stools are lined up in front of the bar. A large drawing done in BLANK on cardboard hangs above the bar. To the right, a grey metal bookshelf holds books, bags of rice and flour, Wonder bread, toliet paper, q-tips and soap. Next to the bookshelf a yellow produce scale hangs from the ceiling holding bubble wrap. The back wall is painted green, appears like the walls used in construction projects, with a hand-painted sign that reads: Dorothy Porter Wesley: The Negro in the United States, A Selected Bibliography.
    A color photo of the first room in the exhibition. To the left, a wooden high-top bar holds a cash register, a lamp and a book. Three high-top stools are lined up in front of the bar. A large drawing done in BLANK on cardboard hangs above the bar. To the right, a grey metal bookshelf holds books, bags of rice and flour, Wonder bread, toliet paper, q-tips and soap. Next to the bookshelf a yellow produce scale hangs from the ceiling holding bubble wrap. The back wall is painted green, appears like the walls used in construction projects, with a hand-painted sign that reads: Dorothy Porter Wesley: The Negro in the United States, A Selected Bibliography.
    Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color photo of the first room in the exhibition. To the left, a wooden high-top bar holds a cash register, a lamp and a book. Three high-top stools are lined up in front of the bar. A large drawing done in BLANK on cardboard hangs above the bar. To the right, a grey metal bookshelf holds books, bags of rice and flour, Wonder bread, toliet paper, q-tips and soap. Next to the bookshelf a yellow produce scale hangs from the ceiling holding bubble wrap. The back wall is painted green, appears like the walls used in construction projects, with a hand-painted sign that reads: Dorothy Porter Wesley: The Negro in the United States, A Selected Bibliography.]
    Caption Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A color photo of the first room in the exhibition. To the left, a wooden high-top bar holds a cash register, a lamp and a book. Three high-top stools are lined up in front of the bar. A large drawing done in BLANK on cardboard hangs above the bar. To the right, a grey metal bookshelf holds books, bags of rice and flour, Wonder bread, toliet paper, q-tips and soap. Next to the bookshelf a yellow produce scale hangs from the ceiling holding bubble wrap. The back wall is painted green, appears like the walls used in construction projects, with a hand-painted sign that reads: Dorothy Porter Wesley: The Negro in the United States, A Selected Bibliography.
    Year
    Related pages Char Jeré: Zoo or an Orchestra
  • A band performs on stage, bathed in white light. The guitarist and drummer play alongside a singer, performing between them.
    A band performs on stage, bathed in white light. The guitarist and drummer play alongside a singer, performing between them.
    Abasement #81. Performance documentation, October 20th, 2025, Artists Space. Photo: Joshua Wildman. [A band performs on stage, bathed in white light. The guitarist and drummer play alongside a singer, performing between them.]
    Caption Abasement #81. Performance documentation, October 20th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description A band performs on stage, bathed in white light. The guitarist and drummer play alongside a singer, performing between them.
    Year
    Related pages Abasement #81
  • A bifold book cover. A picture of a woman singing into a microphone bleeds across the front and back cover and the title of the book is written in a blocky yellow font.
    A bifold book cover. A picture of a woman singing into a microphone bleeds across the front and back cover and the title of the book is written in a blocky yellow font.
    Colin MacCabe, Godard: Images, Sounds, Politics (Macmillan, 1980). [A bifold book cover. A picture of a woman singing into a microphone bleeds across the front and back cover and the title of the book is written in a blocky yellow font.]
    Caption Colin MacCabe, Godard: Images, Sounds, Politics (Macmillan, 1980).
    Image description A bifold book cover. A picture of a woman singing into a microphone bleeds across the front and back cover and the title of the book is written in a blocky yellow font.
    Year 1980
    Related pages The Truth About Hollis
  • A black and white image of a building. A black flag hangs that reads,
    A black and white image of a building. A black flag hangs that reads,
    Artists Space, 38 Greene Street, 1993 – 2016. [A black and white image of a building. A black flag hangs that reads, "ARTISTS SPACE."]
    Caption Artists Space, 38 Greene Street, 1993 – 2016.
    Image description A black and white image of a building. A black flag hangs that reads, "ARTISTS SPACE."
    Year 2016
    Related pages Social Surfaces
  • Black and white video still of a figure in a packed crowd, speaking into a microphone. A date and time stamp at the bottom left corner of the still read,
    Black and white video still of a figure in a packed crowd, speaking into a microphone. A date and time stamp at the bottom left corner of the still read,
    Black Cat Collective. Still from Many Faces of Paper, 1989. [Black and white video still of a figure in a packed crowd, speaking into a microphone. A date and time stamp at the bottom left corner of the still read, "PM 1:11" and "FEB. 15 1988."]
    Caption Black Cat Collective. Still from Many Faces of Paper, 1989.
    Image description Black and white video still of a figure in a packed crowd, speaking into a microphone. A date and time stamp at the bottom left corner of the still read, "PM 1:11" and "FEB. 15 1988."
    Year 1989
    Related pages Video Witnesses: Festival of New Journalism
  • Small red sculptures of octopi and squids arranged in an oval shape on a white wall.
    Small red sculptures of octopi and squids arranged in an oval shape on a white wall.
    Flipside. Installation view, Artists Space, 2004. [Small red sculptures of octopi and squids arranged in an oval shape on a white wall.]
    Caption Flipside. Installation view, Artists Space, 2004.
    Image description Small red sculptures of octopi and squids arranged in an oval shape on a white wall.
    Year 2004
    Related pages Flipside
  • A view between two book stands, perpendicular to the wall, displaying books, documents, and papers. On the wall, posters are staggered including various text and images.
    A view between two book stands, perpendicular to the wall, displaying books, documents, and papers. On the wall, posters are staggered including various text and images.
    Richard Hollis. Installation view, Artists Space, 2013. [A view between two book stands, perpendicular to the wall, displaying books, documents, and papers. On the wall, posters are staggered including various text and images.]
    Caption Richard Hollis. Installation view, Artists Space, 2013.
    Image description A view between two book stands, perpendicular to the wall, displaying books, documents, and papers. On the wall, posters are staggered including various text and images.
    Year 2013
    Related pages Richard Hollis
  • Image of a dimly-lit basement, a figure holding a video camera with a rig on their shoulder takes footage of the back wall, which has blue and purple light projected onto it.
    Image of a dimly-lit basement, a figure holding a video camera with a rig on their shoulder takes footage of the back wall, which has blue and purple light projected onto it.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Image of a dimly-lit basement, a figure holding a video camera with a rig on their shoulder takes footage of the back wall, which has blue and purple light projected onto it.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a dimly-lit basement, a figure holding a video camera with a rig on their shoulder takes footage of the back wall, which has blue and purple light projected onto it.
    Year 2022
    Related pages SCRAAATCH 12-3
  • A tile wall with a grid of assorted photographs against a white background. A title to the left of the grid states
    A tile wall with a grid of assorted photographs against a white background. A title to the left of the grid states
    Art Day, Photo Club exhibition, PS 140, 2017. [A tile wall with a grid of assorted photographs against a white background. A title to the left of the grid states "Artists Space P.S. 140 Photography Club".]
    Caption Art Day, Photo Club exhibition, PS 140, 2017.
    Image description A tile wall with a grid of assorted photographs against a white background. A title to the left of the grid states "Artists Space P.S. 140 Photography Club".
    Year 2017
    Related pages Exhibitions and Events
  • A flower arrangement consisting of white flowers and green leaves displayed on a slated, wooden floor. The arrangement is shaped such that it forms a lowercase, italicized letter
    A flower arrangement consisting of white flowers and green leaves displayed on a slated, wooden floor. The arrangement is shaped such that it forms a lowercase, italicized letter
    Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt. [A flower arrangement consisting of white flowers and green leaves displayed on a slated, wooden floor. The arrangement is shaped such that it forms a lowercase, italicized letter "a."]
    Caption Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt.
    Image description A flower arrangement consisting of white flowers and green leaves displayed on a slated, wooden floor. The arrangement is shaped such that it forms a lowercase, italicized letter "a."
    Year 1997
    Related pages Lines of Loss
  • An exhibition view of various artworks. Several stylized portraits hang on the right; in the middle, a large didactic titled
    An exhibition view of various artworks. Several stylized portraits hang on the right; in the middle, a large didactic titled
    Reinventado, exhibition at Word Up Community Bookshop, 2018 [An exhibition view of various artworks. Several stylized portraits hang on the right; in the middle, a large didactic titled "REINVENTADO." On the left, several small photos of students in a classroom hang underneath a red-white-and blue airplane suspended from the ceiling]
    Caption Reinventado, exhibition at Word Up Community Bookshop, 2018
    Image description An exhibition view of various artworks. Several stylized portraits hang on the right; in the middle, a large didactic titled "REINVENTADO." On the left, several small photos of students in a classroom hang underneath a red-white-and blue airplane suspended from the ceiling
    Year 2018
    Related pages Threads of History
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    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • Two performers stand behind a table operating various musical equipment.
    Two performers stand behind a table operating various musical equipment.
    Abasement #86. Performance documentation, April 6th, 2026, Artists Space. Photo: Joshua Wildman. [Two performers stand behind a table operating various musical equipment. ]
    Caption Abasement #86. Performance documentation, April 6th, 2026, Artists Space. Photo: Joshua Wildman.
    Image description Two performers stand behind a table operating various musical equipment.
    Year
    Related pages Abasement #86
  • People standing around a gallery space with various globes surrounding them and frame images hanging on the wall to the right.
    People standing around a gallery space with various globes surrounding them and frame images hanging on the wall to the right.
    Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Gary Burnley. [People standing around a gallery space with various globes surrounding them and frame images hanging on the wall to the right.]
    Caption Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Gary Burnley.
    Image description People standing around a gallery space with various globes surrounding them and frame images hanging on the wall to the right.
    Year 1979
    Related pages Gary Burnley
  • Five figures standing before a set of music stands. The figure closest to the viewer stands in profile and gazes ahead, while two figures directly behind them look towards him with furrowed brows.
    Five figures standing before a set of music stands. The figure closest to the viewer stands in profile and gazes ahead, while two figures directly behind them look towards him with furrowed brows.
    The Owl Answers. Performance documentation, February 29, 2020, Artists Space. Photo ©️ 2020 Filip Wolak. [Five figures standing before a set of music stands. The figure closest to the viewer stands in profile and gazes ahead, while two figures directly behind them look towards him with furrowed brows.]
    Caption The Owl Answers. Performance documentation, February 29, 2020, Artists Space. Photo ©️ 2020 Filip Wolak.
    Image description Five figures standing before a set of music stands. The figure closest to the viewer stands in profile and gazes ahead, while two figures directly behind them look towards him with furrowed brows.
    Year 2020
    Related pages The Owl Answers
  • A red, white, and black text logo that reads,
    A red, white, and black text logo that reads,
    Kaisa Lassinaro, We (Not I), 2015. [A red, white, and black text logo that reads, "We (not I)."]
    Caption Kaisa Lassinaro, We (Not I), 2015.
    Image description A red, white, and black text logo that reads, "We (not I)."
    Year 2015
    Related pages We (Not I)
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • An angled view of a wall portraying four paintings, of various dimensions, at eye level. In the room, a 34mm projector displays a video, to the right, on a gray wall.
    An angled view of a wall portraying four paintings, of various dimensions, at eye level. In the room, a 34mm projector displays a video, to the right, on a gray wall.
    Living with Pop. A Reproduction of Capitalist Realism. Installation view, Artists Space, 2014. [An angled view of a wall portraying four paintings, of various dimensions, at eye level. In the room, a 34mm projector displays a video, to the right, on a gray wall.]
    Caption Living with Pop. A Reproduction of Capitalist Realism. Installation view, Artists Space, 2014.
    Image description An angled view of a wall portraying four paintings, of various dimensions, at eye level. In the room, a 34mm projector displays a video, to the right, on a gray wall.
    Year 2014
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • Color photograph of a hand, fingers outstretched and manipulating a group of suspended wires that run across the frame.
    Color photograph of a hand, fingers outstretched and manipulating a group of suspended wires that run across the frame.
    New Music Circle, St. Louis. Photo: Theo R. Welling [Color photograph of a hand, fingers outstretched and manipulating a group of suspended wires that run across the frame.]
    Caption New Music Circle, St. Louis. Photo: Theo R. Welling
    Image description Color photograph of a hand, fingers outstretched and manipulating a group of suspended wires that run across the frame.
    Year
    Related pages Ellen Fullman
  • A large gallery space with a wooden floor and white walls. On one wall that forms an L shape into the space, slightly distorted color portraits are arranged floor to ceiling in a tight grid. On the other white wall is a large black and white photograph, with several other small photographs with accompanying text.
    A large gallery space with a wooden floor and white walls. On one wall that forms an L shape into the space, slightly distorted color portraits are arranged floor to ceiling in a tight grid. On the other white wall is a large black and white photograph, with several other small photographs with accompanying text.
    Establishing Shot. Installation view, Artists Space, 2004. [A large gallery space with a wooden floor and white walls. On one wall that forms an L shape into the space, slightly distorted color portraits are arranged floor to ceiling in a tight grid. On the other white wall is a large black and white photograph, with several other small photographs with accompanying text.]
    Caption Establishing Shot. Installation view, Artists Space, 2004.
    Image description A large gallery space with a wooden floor and white walls. On one wall that forms an L shape into the space, slightly distorted color portraits are arranged floor to ceiling in a tight grid. On the other white wall is a large black and white photograph, with several other small photographs with accompanying text.
    Year 2004
    Related pages Establishing Shot
  • Installation view of a gallery space with a large dark wall in the center.
    Installation view of a gallery space with a large dark wall in the center.
    Charles Clough. Installation view, Exchange Show: Hallwalls, Buffalo, NY, Artists Space, 1976. [Installation view of a gallery space with a large dark wall in the center.]
    Caption Charles Clough. Installation view, Exchange Show: Hallwalls, Buffalo, NY, Artists Space, 1976.
    Image description Installation view of a gallery space with a large dark wall in the center.
    Year 1976
    Related pages Exchange Show: Hallwalls, Buffalo, NY
  • View of the audience at the Artists Space and Decolonize This Place event, with banners of resistance posted along the walls. One visible reads
    View of the audience at the Artists Space and Decolonize This Place event, with banners of resistance posted along the walls. One visible reads
    Our Uprisings: Art Action Assembly. Event documentation, November 20, 2016, Artists Space. Courtesy Decolonize This Place. Photo: Marz Saffore. [View of the audience at the Artists Space and Decolonize This Place event, with banners of resistance posted along the walls. One visible reads "Akai Gurley Murdered by NYPD Open Mic Moved To Streets," while another reads "ABOLISH WHITE SUPREMACY."]
    Caption Our Uprisings: Art Action Assembly. Event documentation, November 20, 2016, Artists Space. Courtesy Decolonize This Place. Photo: Marz Saffore.
    Image description View of the audience at the Artists Space and Decolonize This Place event, with banners of resistance posted along the walls. One visible reads "Akai Gurley Murdered by NYPD Open Mic Moved To Streets," while another reads "ABOLISH WHITE SUPREMACY."
    Year 2016
    Related pages Decolonize This Place
  • Yasunao Tone: Region of Paramedia. Installation view (Flute from Lyrictron for Flute, 1968; Score for Trio for a Flute Player, 1985), Artists Space, 2023. Photo: Filip Wolak.
    Caption Yasunao Tone: Region of Paramedia. Installation view (Flute from Lyrictron for Flute, 1968; Score for Trio for a Flute Player, 1985), Artists Space, 2023. Photo: Filip Wolak.
    Image description
    Year 2023
    Related pages Yasunao Tone: Region of Paramedia
  • A large painting illuminated by lights hangs on a wall behind two black columns. A small sculpture sits on the ground in front of it. Smaller artworks are visible on the connecting walls.
    A large painting illuminated by lights hangs on a wall behind two black columns. A small sculpture sits on the ground in front of it. Smaller artworks are visible on the connecting walls.
    Social Surfaces. Installation view, Bortolami, 2017. Photo: Ron Amstutz. [A large painting illuminated by lights hangs on a wall behind two black columns. A small sculpture sits on the ground in front of it. Smaller artworks are visible on the connecting walls.]
    Caption Social Surfaces. Installation view, Bortolami, 2017. Photo: Ron Amstutz.
    Image description A large painting illuminated by lights hangs on a wall behind two black columns. A small sculpture sits on the ground in front of it. Smaller artworks are visible on the connecting walls.
    Year 2017
    Related pages Social Surfaces
  • Image of a basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    Image of a basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.]
    Caption SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    Year 2022
    Related pages SCRAAATCH 12-3
  • A black and white image of a painted abstract figure. The figure consists of multiple materials and line qualities.
    A black and white image of a painted abstract figure. The figure consists of multiple materials and line qualities.
    Benje LaRico. Goa IV (JEM), 1987. Enamel, Wood, Plastic on plywood. 48 inches x 96 inches x 6.75 inches. [A black and white image of a painted abstract figure. The figure consists of multiple materials and line qualities.]
    Caption Benje LaRico. Goa IV (JEM), 1987. Enamel, Wood, Plastic on plywood. 48 inches x 96 inches x 6.75 inches.
    Image description A black and white image of a painted abstract figure. The figure consists of multiple materials and line qualities.
    Year 1987
    Related pages Abstraction in Process
  • A grainy image of a person's face in striped tones of blue, orange, pink, and green.
    A grainy image of a person's face in striped tones of blue, orange, pink, and green.
    Kristin Lucas, still from Cable Xcess, 1996. [A grainy image of a person's face in striped tones of blue, orange, pink, and green.]
    Caption Kristin Lucas, still from Cable Xcess, 1996.
    Image description A grainy image of a person's face in striped tones of blue, orange, pink, and green.
    Year 1996
    Related pages Station to Station
  • A man holds a woman over his shoulder as looks to the right. Writing can be seen on the wall behind them. Subtitles are burned into the bottom of the screen that read,
    A man holds a woman over his shoulder as looks to the right. Writing can be seen on the wall behind them. Subtitles are burned into the bottom of the screen that read,
    Sistema Sandinista de Television. Still from Golpes de la Corazon (Blows of the Heart)*, 1983. Video (sound, black and white). Spanish with English Subtitles. [A man holds a woman over his shoulder as looks to the right. Writing can be seen on the wall behind them. Subtitles are burned into the bottom of the screen that read, "I'm the boss in my house...stay here!" Scan lines are in the image and the box of the CRT monitor is visible.]
    Caption Sistema Sandinista de Television. Still from Golpes de la Corazon (Blows of the Heart)*, 1983. Video (sound, black and white). Spanish with English Subtitles.
    Image description A man holds a woman over his shoulder as looks to the right. Writing can be seen on the wall behind them. Subtitles are burned into the bottom of the screen that read, "I'm the boss in my house...stay here!" Scan lines are in the image and the box of the CRT monitor is visible.
    Year 1983
    Related pages TV Sandino
  • A seated performer plays the electric guitar on stage while bathed in pink light. Colorful patterns are projected onto the wall behind the stage.
    A seated performer plays the electric guitar on stage while bathed in pink light. Colorful patterns are projected onto the wall behind the stage.
    Abasement #85. Performance documentation, March 2nd, 2026, Artists Space. Photo: Joshua Wildman. [A seated performer plays the electric guitar on stage while bathed in pink light. Colorful patterns are projected onto the wall behind the stage. ]
    Caption Abasement #85. Performance documentation, March 2nd, 2026, Artists Space. Photo: Joshua Wildman.
    Image description A seated performer plays the electric guitar on stage while bathed in pink light. Colorful patterns are projected onto the wall behind the stage.
    Year
    Related pages Abasement #85
  • A chair and desk face a white wall which has a grid of cards in varying colors on it. A notebook, stacks of cards, and pens are on the desk.
    A chair and desk face a white wall which has a grid of cards in varying colors on it. A notebook, stacks of cards, and pens are on the desk.
    Las Nietas de Nonó, el flow oculto de agua / the hidden flow of water, 2022, cards, QR codes, desk, chair, notebook, pencils, colored markers, quote by Audre Lorde; Dimensions variable. Photo: Filip Wolak [A chair and desk face a white wall which has a grid of cards in varying colors on it. A notebook, stacks of cards, and pens are on the desk.]
    Caption Las Nietas de Nonó, el flow oculto de agua / the hidden flow of water, 2022, cards, QR codes, desk, chair, notebook, pencils, colored markers, quote by Audre Lorde; Dimensions variable. Photo: Filip Wolak
    Image description A chair and desk face a white wall which has a grid of cards in varying colors on it. A notebook, stacks of cards, and pens are on the desk.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • A close-up color image of a musician sitting on a chair playing an electric guitar in an unusual way. The guitar is laying on his legs and he is using a metal stick to play the chords. Blue and purple projections cast onto him.
    A close-up color image of a musician sitting on a chair playing an electric guitar in an unusual way. The guitar is laying on his legs and he is using a metal stick to play the chords. Blue and purple projections cast onto him.
    Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman. [A close-up color image of a musician sitting on a chair playing an electric guitar in an unusual way. The guitar is laying on his legs and he is using a metal stick to play the chords. Blue and purple projections cast onto him.]
    Caption Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman.
    Image description A close-up color image of a musician sitting on a chair playing an electric guitar in an unusual way. The guitar is laying on his legs and he is using a metal stick to play the chords. Blue and purple projections cast onto him.
    Year
    Related pages Abasement #65
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A wooden table with two chairs arranged in a gallery space. A kite hangs from the ceiling to the right of the chair and table set. Behind the kite is a large, blue carpet spread across the floor, several colorful plastic chairs lined up against the wall, and a video monitor.
    A wooden table with two chairs arranged in a gallery space. A kite hangs from the ceiling to the right of the chair and table set. Behind the kite is a large, blue carpet spread across the floor, several colorful plastic chairs lined up against the wall, and a video monitor.
    Whitney Museum of American Art Independent Study Program Studio Exhibition. Installation view, Artists Space, 2018. Photo: Gustavo Murillo Fernández-Valdés. [A wooden table with two chairs arranged in a gallery space. A kite hangs from the ceiling to the right of the chair and table set. Behind the kite is a large, blue carpet spread across the floor, several colorful plastic chairs lined up against the wall, and a video monitor.]
    Caption Whitney Museum of American Art Independent Study Program Studio Exhibition. Installation view, Artists Space, 2018. Photo: Gustavo Murillo Fernández-Valdés.
    Image description A wooden table with two chairs arranged in a gallery space. A kite hangs from the ceiling to the right of the chair and table set. Behind the kite is a large, blue carpet spread across the floor, several colorful plastic chairs lined up against the wall, and a video monitor.
    Year 2018
    Related pages Whitney Museum of American Art Independent Study Program Studio Exhibition
  • A color image that depicts a bird's eye view of a vitrine. Held within the vitrine is a photobook open to a two-page spread of black and white photographs. The left image is of a man on his knees in a white shirt and black pants with long, dark hair, leaning backwards. The right page is of the same man kneeling in front of a small, low-lying stool. The top of the stool is covered in a white, powdery substance and the man appears to be blowing into a long instrument onto the substance. To the right of the table is a spool of wire. In his free hand, the man holds a string of wire. Below the open photobook is another black and white photograph of the man with dark hair holding his head back and to the left of that image is a two page magazine spread, open to an article titled
    A color image that depicts a bird's eye view of a vitrine. Held within the vitrine is a photobook open to a two-page spread of black and white photographs. The left image is of a man on his knees in a white shirt and black pants with long, dark hair, leaning backwards. The right page is of the same man kneeling in front of a small, low-lying stool. The top of the stool is covered in a white, powdery substance and the man appears to be blowing into a long instrument onto the substance. To the right of the table is a spool of wire. In his free hand, the man holds a string of wire. Below the open photobook is another black and white photograph of the man with dark hair holding his head back and to the left of that image is a two page magazine spread, open to an article titled
    Terry Fox: All These Different Things Are Sculpture. Installation view, Artists Space, 2024. Photo: Filip Wolak. [ A color image that depicts a bird's eye view of a vitrine. Held within the vitrine is a photobook open to a two-page spread of black and white photographs. The left image is of a man on his knees in a white shirt and black pants with long, dark hair, leaning backwards. The right page is of the same man kneeling in front of a small, low-lying stool. The top of the stool is covered in a white, powdery substance and the man appears to be blowing into a long instrument onto the substance. To the right of the table is a spool of wire. In his free hand, the man holds a string of wire. Below the open photobook is another black and white photograph of the man with dark hair holding his head back and to the left of that image is a two page magazine spread, open to an article titled "A Discussion with Terry Fox, Vito Acconci, and Dennis Oppenhiem." ]
    Caption Terry Fox: All These Different Things Are Sculpture. Installation view, Artists Space, 2024. Photo: Filip Wolak.
    Image description A color image that depicts a bird's eye view of a vitrine. Held within the vitrine is a photobook open to a two-page spread of black and white photographs. The left image is of a man on his knees in a white shirt and black pants with long, dark hair, leaning backwards. The right page is of the same man kneeling in front of a small, low-lying stool. The top of the stool is covered in a white, powdery substance and the man appears to be blowing into a long instrument onto the substance. To the right of the table is a spool of wire. In his free hand, the man holds a string of wire. Below the open photobook is another black and white photograph of the man with dark hair holding his head back and to the left of that image is a two page magazine spread, open to an article titled "A Discussion with Terry Fox, Vito Acconci, and Dennis Oppenhiem."
    Year
    Related pages All These Different Things Are Sculpture
  • Cave of Animals, Listening Room project, May 2024
    Caption Cave of Animals, Listening Room project, May 2024
    Image description
    Year
    Related pages Exhibitions and Events
  • White text on a bright fuchsia background. The text reads: “Nov 1 / Terrence Arjoon / Laura Henriksen.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    White text on a bright fuchsia background. The text reads: “Nov 1 / Terrence Arjoon / Laura Henriksen.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [White text on a bright fuchsia background. The text reads: “Nov 1 / Terrence Arjoon / Laura Henriksen.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description White text on a bright fuchsia background. The text reads: “Nov 1 / Terrence Arjoon / Laura Henriksen.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Terrence Arjoon & Laura Henriksen
  • A long sheet of white paper, hung vertically, is attached to a stack of paper on the gallery floor.
    A long sheet of white paper, hung vertically, is attached to a stack of paper on the gallery floor.
    Tiffany Sia, The Bastard Tongue (detail view), 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A long sheet of white paper, hung vertically, is attached to a stack of paper on the gallery floor.]
    Caption Tiffany Sia, The Bastard Tongue (detail view), 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A long sheet of white paper, hung vertically, is attached to a stack of paper on the gallery floor.
    Year 2021
    Related pages Tiffany Sia: Slippery When Wet
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    Related pages Nandi Loaf Aristotelis Nikolas Mochloulis Ricardo Nagaoka Sydney Schrader
  • A brown and tan object stands on a white base. On the flat surface of the object, an onion and a lemon sit connected by a rainbow wire. In the base of the object, a processing chip is embedded.
    A brown and tan object stands on a white base. On the flat surface of the object, an onion and a lemon sit connected by a rainbow wire. In the base of the object, a processing chip is embedded.
    Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $5,000
    [A brown and tan object stands on a white base. On the flat surface of the object, an onion and a lemon sit connected by a rainbow wire. In the base of the object, a processing chip is embedded.]
    Caption Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $5,000
    Image description A brown and tan object stands on a white base. On the flat surface of the object, an onion and a lemon sit connected by a rainbow wire. In the base of the object, a processing chip is embedded.
    Year 2019
    Related pages Trisha Baga Edition
  • An opened gate is visible on the right with tables and chairs set up on a cement floor and decorative steel windows visible at the top.
    An opened gate is visible on the right with tables and chairs set up on a cement floor and decorative steel windows visible at the top.
    Audrey Glassman, Untitled. Cibachrome, 28 x 42 inches. [An opened gate is visible on the right with tables and chairs set up on a cement floor and decorative steel windows visible at the top.]
    Caption Audrey Glassman, Untitled. Cibachrome, 28 x 42 inches.
    Image description An opened gate is visible on the right with tables and chairs set up on a cement floor and decorative steel windows visible at the top.
    Year
    Related pages U.S. Projects
  • A black and white photograph of four sculptures resting on slightly elevated rectangular plinths. The sculptures are constructed of metal molded into headless and limbless humanoid body shapes.
    A black and white photograph of four sculptures resting on slightly elevated rectangular plinths. The sculptures are constructed of metal molded into headless and limbless humanoid body shapes.
    The Body Politic. Installation view, Artists Space, 1991. [A black and white photograph of four sculptures resting on slightly elevated rectangular plinths. The sculptures are constructed of metal molded into headless and limbless humanoid body shapes.]
    Caption The Body Politic. Installation view, Artists Space, 1991.
    Image description A black and white photograph of four sculptures resting on slightly elevated rectangular plinths. The sculptures are constructed of metal molded into headless and limbless humanoid body shapes.
    Year
    Related pages The Body Politic
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    Related pages Abasement #84
  • Close-up photo of a person with red hair, leaning against a wall while looking away from the camera.
    Close-up photo of a person with red hair, leaning against a wall while looking away from the camera.
    Jeff Preiss, still from STOP, 2012. 16mm film transferred to digital video. [Close-up photo of a person with red hair, leaning against a wall while looking away from the camera.]
    Caption Jeff Preiss, still from STOP, 2012. 16mm film transferred to digital video.
    Image description Close-up photo of a person with red hair, leaning against a wall while looking away from the camera.
    Year 2012
    Related pages Jeff Preiss and Union Gaucha Productions
  • A black and white installation view of small photographs with wide white matting, affixed in a grid formation on a wall in a gallery.
    A black and white installation view of small photographs with wide white matting, affixed in a grid formation on a wall in a gallery.
    Susan Eder. Installation view, Artists Space, 1976. [A black and white installation view of small photographs with wide white matting, affixed in a grid formation on a wall in a gallery.]
    Caption Susan Eder. Installation view, Artists Space, 1976.
    Image description A black and white installation view of small photographs with wide white matting, affixed in a grid formation on a wall in a gallery.
    Year 1976
    Related pages Susan Eder, Matt Mullican
  • White sculptural form hanging on white gallery wall with stark lighting contrast.
    White sculptural form hanging on white gallery wall with stark lighting contrast.
    Selections from the Artists File. Installation View, Artists Space, October 1, 1987 - October 31, 1987. [White sculptural form hanging on white gallery wall with stark lighting contrast.]
    Caption Selections from the Artists File. Installation View, Artists Space, October 1, 1987 - October 31, 1987.
    Image description White sculptural form hanging on white gallery wall with stark lighting contrast.
    Year
    Related pages Selections from the Artists File
  • Color photograph of a figure wearing a conical sheath of reflective one-way mirror film. They stand in the corner of a dark room, shining a bright light against the wall behind them. Their silhouette can be vaguely seen under the mirror film.
    Color photograph of a figure wearing a conical sheath of reflective one-way mirror film. They stand in the corner of a dark room, shining a bright light against the wall behind them. Their silhouette can be vaguely seen under the mirror film.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure wearing a conical sheath of reflective one-way mirror film. They stand in the corner of a dark room, shining a bright light against the wall behind them. Their silhouette can be vaguely seen under the mirror film.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a figure wearing a conical sheath of reflective one-way mirror film. They stand in the corner of a dark room, shining a bright light against the wall behind them. Their silhouette can be vaguely seen under the mirror film.
    Year 2022
    Related pages keyon gaskin 12-16
  • Two dogs face each other at an angle on eggshell colored sand.
    Two dogs face each other at an angle on eggshell colored sand.
    Malachi Sherrill, from Dogs portfolio, 2020, digital photograph [Two dogs face each other at an angle on eggshell colored sand.]
    Caption Malachi Sherrill, from Dogs portfolio, 2020, digital photograph
    Image description Two dogs face each other at an angle on eggshell colored sand.
    Year 2020
    Related pages BRIDGE Photography
  • An image featuring a cartoonish illustration of a purple bridge crossing over a stream in a fantasy landscape. Medieval houses dot the riverbank across the bridge, and mountains are visible in the distance. A black mass vaguely resembling two pant legs emerges below the illustration. The mass rests on a small highway underpass, underneath of which three figures stand or walk. Two large blue sneakers emerge from the right and left ends of the black mass, resting at the image's lower corners. A white band runs across the bottom of the image. Small black text running along the lower edge of the image reads,
    An image featuring a cartoonish illustration of a purple bridge crossing over a stream in a fantasy landscape. Medieval houses dot the riverbank across the bridge, and mountains are visible in the distance. A black mass vaguely resembling two pant legs emerges below the illustration. The mass rests on a small highway underpass, underneath of which three figures stand or walk. Two large blue sneakers emerge from the right and left ends of the black mass, resting at the image's lower corners. A white band runs across the bottom of the image. Small black text running along the lower edge of the image reads,
    Mark Leckey, A Changeling Can Change, 2020, 23.5 x 16.5 inches [An image featuring a cartoonish illustration of a purple bridge crossing over a stream in a fantasy landscape. Medieval houses dot the riverbank across the bridge, and mountains are visible in the distance. A black mass vaguely resembling two pant legs emerges below the illustration. The mass rests on a small highway underpass, underneath of which three figures stand or walk. Two large blue sneakers emerge from the right and left ends of the black mass, resting at the image's lower corners. A white band runs across the bottom of the image. Small black text running along the lower edge of the image reads, "2020Solidarity - Mark Leckey / A project by Between Bridges."]
    Caption Mark Leckey, A Changeling Can Change, 2020, 23.5 x 16.5 inches
    Image description An image featuring a cartoonish illustration of a purple bridge crossing over a stream in a fantasy landscape. Medieval houses dot the riverbank across the bridge, and mountains are visible in the distance. A black mass vaguely resembling two pant legs emerges below the illustration. The mass rests on a small highway underpass, underneath of which three figures stand or walk. Two large blue sneakers emerge from the right and left ends of the black mass, resting at the image's lower corners. A white band runs across the bottom of the image. Small black text running along the lower edge of the image reads, "2020Solidarity - Mark Leckey / A project by Between Bridges."
    Year 2020
    Related pages 2020Solidarity
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A mostly black-and-white image depicting the façades of two buildings - one is light grey with a turquoise fire escape, and the other is dark grey with a black fire escape. On the lighter building, the street-level storefront says
    A mostly black-and-white image depicting the façades of two buildings - one is light grey with a turquoise fire escape, and the other is dark grey with a black fire escape. On the lighter building, the street-level storefront says
    Shayla Aviles, Untitled, 2018 [A mostly black-and-white image depicting the façades of two buildings - one is light grey with a turquoise fire escape, and the other is dark grey with a black fire escape. On the lighter building, the street-level storefront says "Mazeish"]
    Caption Shayla Aviles, Untitled, 2018
    Image description A mostly black-and-white image depicting the façades of two buildings - one is light grey with a turquoise fire escape, and the other is dark grey with a black fire escape. On the lighter building, the street-level storefront says "Mazeish"
    Year 2018
    Related pages Scholastic Art and Writing Awards
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    Related pages Michael Asher
  • A black and white installation view of a gallery space with a set of six large window panes. Various pieces of artwork hang from the walls.
    A black and white installation view of a gallery space with a set of six large window panes. Various pieces of artwork hang from the walls.
    New Art Auction and Exhibition. Installation view, Artists Space, 1977. [A black and white installation view of a gallery space with a set of six large window panes. Various pieces of artwork hang from the walls.]
    Caption New Art Auction and Exhibition. Installation view, Artists Space, 1977.
    Image description A black and white installation view of a gallery space with a set of six large window panes. Various pieces of artwork hang from the walls.
    Year 1977
    Related pages New Art Auction and Exhibition
  • A center-parted white chiffon curtain revealing a set of six framed images mounted on the wall. A white bar runs slightly right of center of the image.
    A center-parted white chiffon curtain revealing a set of six framed images mounted on the wall. A white bar runs slightly right of center of the image.
    Danh Vo: Autoerotic Asphyxiation. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A center-parted white chiffon curtain revealing a set of six framed images mounted on the wall. A white bar runs slightly right of center of the image.]
    Caption Danh Vo: Autoerotic Asphyxiation. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description A center-parted white chiffon curtain revealing a set of six framed images mounted on the wall. A white bar runs slightly right of center of the image.
    Year 2010
    Related pages Danh Vo: Autoerotic Asphyxiation
  • Twelve long wooden poles are mounted on a white gallery wall in a circular formation, projecting out from the wall and intersecting a line of black columns, forming a teepee shape. A large piece of brown linen stained with various black, white, and rust-colors hangs from the poles. Part of the linen drapes on the ground below the teepee structure. Several sculptures are visible behind the structure, containing disembodied humanoid heads arranged among platforms and pieces of wood, cardboard, and other materials.
    Twelve long wooden poles are mounted on a white gallery wall in a circular formation, projecting out from the wall and intersecting a line of black columns, forming a teepee shape. A large piece of brown linen stained with various black, white, and rust-colors hangs from the poles. Part of the linen drapes on the ground below the teepee structure. Several sculptures are visible behind the structure, containing disembodied humanoid heads arranged among platforms and pieces of wood, cardboard, and other materials.
    Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater. Installation view, Artists Space, 2019. Photo: Daniel Pérez. [Twelve long wooden poles are mounted on a white gallery wall in a circular formation, projecting out from the wall and intersecting a line of black columns, forming a teepee shape. A large piece of brown linen stained with various black, white, and rust-colors hangs from the poles. Part of the linen drapes on the ground below the teepee structure. Several sculptures are visible behind the structure, containing disembodied humanoid heads arranged among platforms and pieces of wood, cardboard, and other materials.]
    Caption Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater. Installation view, Artists Space, 2019. Photo: Daniel Pérez.
    Image description Twelve long wooden poles are mounted on a white gallery wall in a circular formation, projecting out from the wall and intersecting a line of black columns, forming a teepee shape. A large piece of brown linen stained with various black, white, and rust-colors hangs from the poles. Part of the linen drapes on the ground below the teepee structure. Several sculptures are visible behind the structure, containing disembodied humanoid heads arranged among platforms and pieces of wood, cardboard, and other materials.
    Year 2019
    Related pages Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater
  • A man lifts up the hood of a white car on the side of the road amidst a sprawling open landscape. The front doors on both sides of the vehicle are open.
    A man lifts up the hood of a white car on the side of the road amidst a sprawling open landscape. The front doors on both sides of the vehicle are open.
    Pena Bonita, Stalled, 1987. Color photograph. [A man lifts up the hood of a white car on the side of the road amidst a sprawling open landscape. The front doors on both sides of the vehicle are open.]
    Caption Pena Bonita, Stalled, 1987. Color photograph.
    Image description A man lifts up the hood of a white car on the side of the road amidst a sprawling open landscape. The front doors on both sides of the vehicle are open.
    Year 1987
    Related pages Unholding
  • A black and white film still of four people in period dress sprawled on a curving stone stairwell. Two of these people appear to have fainted, and are supported by the other two. At the top of the stairs, a person in a maid's costume peeks around the corner, observing.
    A black and white film still of four people in period dress sprawled on a curving stone stairwell. Two of these people appear to have fainted, and are supported by the other two. At the top of the stairs, a person in a maid's costume peeks around the corner, observing.
    James Coleman. Still from Seeing for Oneself, 1987-88. Slideshow (black and white), 40 min. [A black and white film still of four people in period dress sprawled on a curving stone stairwell. Two of these people appear to have fainted, and are supported by the other two. At the top of the stairs, a person in a maid's costume peeks around the corner, observing.]
    Caption James Coleman. Still from Seeing for Oneself, 1987-88. Slideshow (black and white), 40 min.
    Image description A black and white film still of four people in period dress sprawled on a curving stone stairwell. Two of these people appear to have fainted, and are supported by the other two. At the top of the stairs, a person in a maid's costume peeks around the corner, observing.
    Year 1988
    Related pages Michael Asher / James Coleman
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  • A section of wooden flooring is displayed on the ground near four windows on adjacent walls of an exhibition space. A small bed, a candle on a night table, a metal stove, and a several chests stacked on top of one another are arranged on the wooden boards.
    A section of wooden flooring is displayed on the ground near four windows on adjacent walls of an exhibition space. A small bed, a candle on a night table, a metal stove, and a several chests stacked on top of one another are arranged on the wooden boards.
    Sam Pulitzer: A Colony for “Them”. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A section of wooden flooring is displayed on the ground near four windows on adjacent walls of an exhibition space. A small bed, a candle on a night table, a metal stove, and a several chests stacked on top of one another are arranged on the wooden boards.]
    Caption Sam Pulitzer: A Colony for “Them”. Installation view, Artists Space, 2014. Photo: Daniel Pérez.
    Image description A section of wooden flooring is displayed on the ground near four windows on adjacent walls of an exhibition space. A small bed, a candle on a night table, a metal stove, and a several chests stacked on top of one another are arranged on the wooden boards.
    Year 2014
    Related pages Sam Pulitzer: A Colony for "Them"
  • Color image of a portrait of a man's face, done in purple, orange, and pink colored pencil and pastel on beige paper. Half of the man's face is detailed, while his other faetures are left undefined.
    Color image of a portrait of a man's face, done in purple, orange, and pink colored pencil and pastel on beige paper. Half of the man's face is detailed, while his other faetures are left undefined.
    Elizabeth Peyton, TC (Timothée), 2022-2023. Photo: Filip Wolak. [Color image of a portrait of a man's face, done in purple, orange, and pink colored pencil and pastel on beige paper. Half of the man's face is detailed, while his other faetures are left undefined.]
    Caption Elizabeth Peyton, TC (Timothée), 2022-2023. Photo: Filip Wolak.
    Image description Color image of a portrait of a man's face, done in purple, orange, and pink colored pencil and pastel on beige paper. Half of the man's face is detailed, while his other faetures are left undefined.
    Year 2023
    Related pages Artists for Artists Space
  • In the foreground of a white gallery space is a large sculpture made of a wooden box topped with a floral textile and wooden chairs. Another sculpture and painting are installed behind it.
    In the foreground of a white gallery space is a large sculpture made of a wooden box topped with a floral textile and wooden chairs. Another sculpture and painting are installed behind it.
    Metaphysical Visions. Installation view, Artists Space, 1989. [In the foreground of a white gallery space is a large sculpture made of a wooden box topped with a floral textile and wooden chairs. Another sculpture and painting are installed behind it.]
    Caption Metaphysical Visions. Installation view, Artists Space, 1989.
    Image description In the foreground of a white gallery space is a large sculpture made of a wooden box topped with a floral textile and wooden chairs. Another sculpture and painting are installed behind it.
    Year 1989
    Related pages Metaphysical Visions: Middle Europe
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  • A pattern consisting of blue prints of delicate flowers repeats across a white surface. The image resembles wallpaper.
    A pattern consisting of blue prints of delicate flowers repeats across a white surface. The image resembles wallpaper.
    [A pattern consisting of blue prints of delicate flowers repeats across a white surface. The image resembles wallpaper.]
    Caption
    Image description A pattern consisting of blue prints of delicate flowers repeats across a white surface. The image resembles wallpaper.
    Year 2014
    Related pages The Demonstration of Capitalist Realism
  • Close up of two musicians sitting side by side and looking down. The musician on the right plays the guitar and the musician on the left plays the violin. The wall in the background is purple tinted.
    Close up of two musicians sitting side by side and looking down. The musician on the right plays the guitar and the musician on the left plays the violin. The wall in the background is purple tinted.
    Abasement #71. Performance documentation, August 5th, 2024, Artists Space. Photo: Joshua Wildman. [Close up of two musicians sitting side by side and looking down. The musician on the right plays the guitar and the musician on the left plays the violin. The wall in the background is purple tinted.]
    Caption Abasement #71. Performance documentation, August 5th, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Close up of two musicians sitting side by side and looking down. The musician on the right plays the guitar and the musician on the left plays the violin. The wall in the background is purple tinted.
    Year
    Related pages Abasement #71
  • Color image of four individuals crowded together as they look at something on a cellphone. Two individuals in the group are seated at a dinner table, where other guests are also engaged in conversation. A dimly lit and elegant venue full of other individuals can be seen in the background.
    Color image of four individuals crowded together as they look at something on a cellphone. Two individuals in the group are seated at a dinner table, where other guests are also engaged in conversation. A dimly lit and elegant venue full of other individuals can be seen in the background.
    Friends of Artists Space Dinner, 2023. Photo: Joshua Wildman. [Color image of four individuals crowded together as they look at something on a cellphone. Two individuals in the group are seated at a dinner table, where other guests are also engaged in conversation. A dimly lit and elegant venue full of other individuals can be seen in the background.]
    Caption Friends of Artists Space Dinner, 2023. Photo: Joshua Wildman.
    Image description Color image of four individuals crowded together as they look at something on a cellphone. Two individuals in the group are seated at a dinner table, where other guests are also engaged in conversation. A dimly lit and elegant venue full of other individuals can be seen in the background.
    Year
    Related pages Support
  • An image of rocky terrain with a cliff in the forefront. Near the lower left corner of the photograph are some shrubs and a tiny human figure in the distance. Below the image is text reading:
    An image of rocky terrain with a cliff in the forefront. Near the lower left corner of the photograph are some shrubs and a tiny human figure in the distance. Below the image is text reading:
    ArtpArkArtIII. Exhibition Postcard, Artists Space, 1978. [An image of rocky terrain with a cliff in the forefront. Near the lower left corner of the photograph are some shrubs and a tiny human figure in the distance. Below the image is text reading: "ArtpArkArt III / Artists Space / March 18-April 1."]
    Caption ArtpArkArtIII. Exhibition Postcard, Artists Space, 1978.
    Image description An image of rocky terrain with a cliff in the forefront. Near the lower left corner of the photograph are some shrubs and a tiny human figure in the distance. Below the image is text reading: "ArtpArkArt III / Artists Space / March 18-April 1."
    Year
    Related pages ArtpArkArtIII: Photo documentation from Art Park's 1977 installations
  • A close-up of a vitrine housing several postcards which have been drawn and collaged upon.
    A close-up of a vitrine housing several postcards which have been drawn and collaged upon.
    Attention Line. Installation view (various envelopes by Blaster Al Ackerman, c. 1970s-2000s, Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [A close-up of a vitrine housing several postcards which have been drawn and collaged upon.]
    Caption Attention Line. Installation view (various envelopes by Blaster Al Ackerman, c. 1970s-2000s, Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak
    Image description A close-up of a vitrine housing several postcards which have been drawn and collaged upon.
    Year 2022
    Related pages Attention Line
  • Pink cursive text at an ascending angle which reads
    Pink cursive text at an ascending angle which reads
    [Pink cursive text at an ascending angle which reads "Undoolay," with horizontal green text underneath that reads "Lucas Duwenhogger."]
    Caption
    Image description Pink cursive text at an ascending angle which reads "Undoolay," with horizontal green text underneath that reads "Lucas Duwenhogger."
    Year 2016
    Related pages Lukas Duwenhögger: Undoolay
  • Installation view of several cast concrete blocks arranged on top of one another and leaning against each other, in two groups, standing on a wood floor.
    Installation view of several cast concrete blocks arranged on top of one another and leaning against each other, in two groups, standing on a wood floor.
    Beverly Buchanan, slab works, c. 1978–1980. Cast concrete sculptures with acrylic paint. Dimensions unknown. Courtesy the Frances Mulhall Achiles Library, Artist File, Whitney Museum of American Art. [Installation view of several cast concrete blocks arranged on top of one another and leaning against each other, in two groups, standing on a wood floor.]
    Caption Beverly Buchanan, slab works, c. 1978–1980. Cast concrete sculptures with acrylic paint. Dimensions unknown. Courtesy the Frances Mulhall Achiles Library, Artist File, Whitney Museum of American Art.
    Image description Installation view of several cast concrete blocks arranged on top of one another and leaning against each other, in two groups, standing on a wood floor.
    Year
    Related pages Beverly Buchanan, 1978 – 1981
  • A red background with white text which reads:
    A red background with white text which reads:
    [A red background with white text which reads: "BDS IS THE FLOOR NOT THE CEILING", followed by the Decolonize This Place Logo.]
    Caption
    Image description A red background with white text which reads: "BDS IS THE FLOOR NOT THE CEILING", followed by the Decolonize This Place Logo.
    Year 2016
    Related pages Decolonize This Place
  • Black-and-white photograph of two figures sitting behind tables filled with audio equipment. They are focused on manipulating the audio machines in front of them.
    Black-and-white photograph of two figures sitting behind tables filled with audio equipment. They are focused on manipulating the audio machines in front of them.
    Yasunao Tone performing Paramedia, Experimental Intermedia Foundation, 1990 [Black-and-white photograph of two figures sitting behind tables filled with audio equipment. They are focused on manipulating the audio machines in front of them.]
    Caption Yasunao Tone performing Paramedia, Experimental Intermedia Foundation, 1990
    Image description Black-and-white photograph of two figures sitting behind tables filled with audio equipment. They are focused on manipulating the audio machines in front of them.
    Year
    Related pages Yasunao Tone Concert #3
  • Color image of a large print of a close-up photograph of a fake daisy, with white woven petals and a yellow center.
    Color image of a large print of a close-up photograph of a fake daisy, with white woven petals and a yellow center.
    Oto Gillen, Daisy (Perry Street), March 19, 2023, 2023. Photo: Filip Wolak. [Color image of a large print of a close-up photograph of a fake daisy, with white woven petals and a yellow center.]
    Caption Oto Gillen, Daisy (Perry Street), March 19, 2023, 2023. Photo: Filip Wolak.
    Image description Color image of a large print of a close-up photograph of a fake daisy, with white woven petals and a yellow center.
    Year 2023
    Related pages Artists for Artists Space
  • Six framed drawings are hung in a row on a white wall.
    Six framed drawings are hung in a row on a white wall.
    Artists Draw. Installation view, Artists Space, 1979. [Six framed drawings are hung in a row on a white wall.]
    Caption Artists Draw. Installation view, Artists Space, 1979.
    Image description Six framed drawings are hung in a row on a white wall.
    Year 1979
    Related pages Artists Draw: Tom Martin, Auste Peciura, Alan Saret, Patti Smith, Nancy Spero
  • Portfolio Development, Blue Sky Gallery exhibition (an homage to Virgil Abloh), June 17, 2022
    Caption Portfolio Development, Blue Sky Gallery exhibition (an homage to Virgil Abloh), June 17, 2022
    Image description
    Year
    Related pages Exhibitions and Events
  • Magazine cut-outs and ink drawings are collaged together on a pale yellow background, with red and orange accents throughout. Cut up pieces of light pink paper are scattered throughout the image, and feature typewritten text listing the performers and event details.
    Magazine cut-outs and ink drawings are collaged together on a pale yellow background, with red and orange accents throughout. Cut up pieces of light pink paper are scattered throughout the image, and feature typewritten text listing the performers and event details.
    Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a pale yellow background, with red and orange accents throughout. Cut up pieces of light pink paper are scattered throughout the image, and feature typewritten text listing the performers and event details.]
    Caption Flyer by Joe Frivaldi.
    Image description Magazine cut-outs and ink drawings are collaged together on a pale yellow background, with red and orange accents throughout. Cut up pieces of light pink paper are scattered throughout the image, and feature typewritten text listing the performers and event details.
    Year
    Related pages Abasement #69
  • A metal statue is being lifted from its platform by a crane via ropes around its neck and feet. A large building is visible behind it.
    A metal statue is being lifted from its platform by a crane via ropes around its neck and feet. A large building is visible behind it.
    [A metal statue is being lifted from its platform by a crane via ropes around its neck and feet. A large building is visible behind it.]
    Caption
    Image description A metal statue is being lifted from its platform by a crane via ropes around its neck and feet. A large building is visible behind it.
    Year 1991
    Related pages Western Agenda
  • Color photograph of three figures dressed in white, embracing each other as they run across an empty basement.
    Color photograph of three figures dressed in white, embracing each other as they run across an empty basement.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of three figures dressed in white, embracing each other as they run across an empty basement.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of three figures dressed in white, embracing each other as they run across an empty basement.
    Year 2022
    Related pages keyon gaskin 12-18
  • A hand holds up a lined notebook with a poem collaged from newspaper cutouts which says,
    A hand holds up a lined notebook with a poem collaged from newspaper cutouts which says,
    Orchidary Siahaya, headline poem, 2019 [A hand holds up a lined notebook with a poem collaged from newspaper cutouts which says, "This is not normal what's at stake life,/ our lives death most people run/ to a sadness disbelief/ and play bloody/ fire."]
    Caption Orchidary Siahaya, headline poem, 2019
    Image description A hand holds up a lined notebook with a poem collaged from newspaper cutouts which says, "This is not normal what's at stake life,/ our lives death most people run/ to a sadness disbelief/ and play bloody/ fire."
    Year 2019
    Related pages Art and Literacy: Poetry
  • A painting with orange and neutral hues is hung on a white wall with nails around the perimeter of the canvas.
    A painting with orange and neutral hues is hung on a white wall with nails around the perimeter of the canvas.
    Miyoko Ito, Heart of Hearts Basking, 1973. Oil on canvas, 44 x 31 7/8 inches. Courtesy Collection Matthew Marks Gallery. Photo: Daniel Peréz. [A painting with orange and neutral hues is hung on a white wall with nails around the perimeter of the canvas.]
    Caption Miyoko Ito, Heart of Hearts Basking, 1973. Oil on canvas, 44 x 31 7/8 inches. Courtesy Collection Matthew Marks Gallery. Photo: Daniel Peréz.
    Image description A painting with orange and neutral hues is hung on a white wall with nails around the perimeter of the canvas.
    Year 1973
    Related pages Miyoko Ito: Heart of Hearts
  • Color photograph of a mound of brown rocks and dirt. In the middle of the frame, jutting out of the mound is a broken piece of clear glass with a gold metallic finish on the outside.
    Color photograph of a mound of brown rocks and dirt. In the middle of the frame, jutting out of the mound is a broken piece of clear glass with a gold metallic finish on the outside.
    Photo courtesy the artist [Color photograph of a mound of brown rocks and dirt. In the middle of the frame, jutting out of the mound is a broken piece of clear glass with a gold metallic finish on the outside.]
    Caption Photo courtesy the artist
    Image description Color photograph of a mound of brown rocks and dirt. In the middle of the frame, jutting out of the mound is a broken piece of clear glass with a gold metallic finish on the outside.
    Year
    Related pages rafa esparza: Camino
  • Black and white image of several popular romance novel covers arranged in a grid formation. Dispersed amongst the covers are photos of desert canyons and other abstract, inky images.
    Black and white image of several popular romance novel covers arranged in a grid formation. Dispersed amongst the covers are photos of desert canyons and other abstract, inky images.
    [Black and white image of several popular romance novel covers arranged in a grid formation. Dispersed amongst the covers are photos of desert canyons and other abstract, inky images.]
    Caption
    Image description Black and white image of several popular romance novel covers arranged in a grid formation. Dispersed amongst the covers are photos of desert canyons and other abstract, inky images.
    Year 1991
    Related pages Project: Our Bodice, Our Selves
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    Related pages fwiw
  • Black-and-white image of two figures performing on stage. On the right a figure looks down and manipulates audio equipment held in a briefcase. To the left and behind another figure is out of focus and plays the violin.
    Black-and-white image of two figures performing on stage. On the right a figure looks down and manipulates audio equipment held in a briefcase. To the left and behind another figure is out of focus and plays the violin.
    Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman [Black-and-white image of two figures performing on stage. On the right a figure looks down and manipulates audio equipment held in a briefcase. To the left and behind another figure is out of focus and plays the violin.]
    Caption Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman
    Image description Black-and-white image of two figures performing on stage. On the right a figure looks down and manipulates audio equipment held in a briefcase. To the left and behind another figure is out of focus and plays the violin.
    Year
    Related pages Abasement: #62
  • Dark blue text overlays red-pink background. The text reads: “February 25 / Steffani Jemison / Anne Waldman.
    Dark blue text overlays red-pink background. The text reads: “February 25 / Steffani Jemison / Anne Waldman.
    [Dark blue text overlays red-pink background. The text reads: “February 25 / Steffani Jemison / Anne Waldman." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description Dark blue text overlays red-pink background. The text reads: “February 25 / Steffani Jemison / Anne Waldman." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year 2023
    Related pages Segue Reading Series: Steffani Jemison & Anne Waldman
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Magazine cut-outs and ink drawings are collaged together on a background of yellow, orange, blue, and red paper. Small pieces of paper with typewritten text listing the performers and event details are scattered around the flyer.
    Magazine cut-outs and ink drawings are collaged together on a background of yellow, orange, blue, and red paper. Small pieces of paper with typewritten text listing the performers and event details are scattered around the flyer.
    Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a background of yellow, orange, blue, and red paper. Small pieces of paper with typewritten text listing the performers and event details are scattered around the flyer.]
    Caption Flyer by Joe Frivaldi.
    Image description Magazine cut-outs and ink drawings are collaged together on a background of yellow, orange, blue, and red paper. Small pieces of paper with typewritten text listing the performers and event details are scattered around the flyer.
    Year
    Related pages Abasement #86
  • Two paintings arranged side by side, both depicting highways with a blur of car lights and tailights.
    Two paintings arranged side by side, both depicting highways with a blur of car lights and tailights.
    Mara Korkola, No Place, 2002. [Two paintings arranged side by side, both depicting highways with a blur of car lights and tailights.]
    Caption Mara Korkola, No Place, 2002.
    Image description Two paintings arranged side by side, both depicting highways with a blur of car lights and tailights.
    Year 2002
    Related pages Painting as Paradox
  • A grid of 6 documents sitting opened on a table.
    A grid of 6 documents sitting opened on a table.
    Richard Hollis. Installation view, Artists Space, 2013. [A grid of 6 documents sitting opened on a table.]
    Caption Richard Hollis. Installation view, Artists Space, 2013.
    Image description A grid of 6 documents sitting opened on a table.
    Year 2013
    Related pages Richard Hollis
  • A color photograph of a sculpture composed of a skeleton, monitors, several wires, and anatomical models of a human body, brain, and spine.
    A color photograph of a sculpture composed of a skeleton, monitors, several wires, and anatomical models of a human body, brain, and spine.
    Milford Graves, Pathways of Infinite Possibilities: Skeleton, 2017. Human skeleton, steel pipe, wires, stickers, medical ear, model, dundun (talking drum), preserved heart, stethoscope, video monitor, transducer, amplifier, wood, metal, printed, labels, marker, casters. Dimensions variable. Photo: Filip Wolak. [A color photograph of a sculpture composed of a skeleton, monitors, several wires, and anatomical models of a human body, brain, and spine.]
    Caption Milford Graves, Pathways of Infinite Possibilities: Skeleton, 2017. Human skeleton, steel pipe, wires, stickers, medical ear, model, dundun (talking drum), preserved heart, stethoscope, video monitor, transducer, amplifier, wood, metal, printed, labels, marker, casters. Dimensions variable. Photo: Filip Wolak.
    Image description A color photograph of a sculpture composed of a skeleton, monitors, several wires, and anatomical models of a human body, brain, and spine.
    Year 2021
    Related pages Milford Graves: Fundamental Frequency
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  • A fanciful drawn landscape of hunters following deer next to a figure in front of their desk next to a window and fireplace.
    A fanciful drawn landscape of hunters following deer next to a figure in front of their desk next to a window and fireplace.
    David Kroll. The Intrusion of Fear, the Fear of Knowing, 1985. [A fanciful drawn landscape of hunters following deer next to a figure in front of their desk next to a window and fireplace.]
    Caption David Kroll. The Intrusion of Fear, the Fear of Knowing, 1985.
    Image description A fanciful drawn landscape of hunters following deer next to a figure in front of their desk next to a window and fireplace.
    Year
    Related pages Recent Art from Chicago
  • A dimly lit, empty room filled with low chairs. A projection illuminates a dark wall opposite the chairs and displays an image of a man with tan skin and facial hair, wearing a keffiyeh.
    A dimly lit, empty room filled with low chairs. A projection illuminates a dark wall opposite the chairs and displays an image of a man with tan skin and facial hair, wearing a keffiyeh.
    Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A dimly lit, empty room filled with low chairs. A projection illuminates a dark wall opposite the chairs and displays an image of a man with tan skin and facial hair, wearing a keffiyeh.]
    Caption Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez.
    Image description A dimly lit, empty room filled with low chairs. A projection illuminates a dark wall opposite the chairs and displays an image of a man with tan skin and facial hair, wearing a keffiyeh.
    Year 2014
    Related pages Laura Poitras: 9/11 Trilogy
  • Johanna Went, still from Passion Container,The Whiskey, Los Angeles October 26, 1988 Video, Color, Sound, 35 minutes.
    Caption Johanna Went, still from Passion Container,The Whiskey, Los Angeles October 26, 1988 Video, Color, Sound, 35 minutes.
    Image description
    Year 1988
    Related pages Attention Line Cinema Series: Johanna Went
  • An abstract, colorful drawing, with several geometric patterns overlaid with freehand flowing shapes.
    An abstract, colorful drawing, with several geometric patterns overlaid with freehand flowing shapes.
    Emily Garcia, Princess Swan, 2013 [An abstract, colorful drawing, with several geometric patterns overlaid with freehand flowing shapes.]
    Caption Emily Garcia, Princess Swan, 2013
    Image description An abstract, colorful drawing, with several geometric patterns overlaid with freehand flowing shapes.
    Year 2013
    Related pages Scholastic Art and Writing Awards
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    Year
    Related pages DRAFT IMAGE PAGE_NEVER DELETE
  • A black and white installation photograph of two figures in front of a curved white wall in a gallery space.
    A black and white installation photograph of two figures in front of a curved white wall in a gallery space.
    Marvin Torffield. Sesondo, 1974. Three coat plaster on wire lathe with nova ply and Masonite. Installation view, Artists Space, 1974. Credit: Marvin Torffield. [A black and white installation photograph of two figures in front of a curved white wall in a gallery space.]
    Caption Marvin Torffield. Sesondo, 1974. Three coat plaster on wire lathe with nova ply and Masonite. Installation view, Artists Space, 1974. Credit: Marvin Torffield.
    Image description A black and white installation photograph of two figures in front of a curved white wall in a gallery space.
    Year 1974
    Related pages Sidney Geist, Marvin Torffield, John Torreano
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A color image of a dark room featuring illuminated yellow and orange shapes floating on the wall and reflected on the floor.
    A color image of a dark room featuring illuminated yellow and orange shapes floating on the wall and reflected on the floor.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022. [A color image of a dark room featuring illuminated yellow and orange shapes floating on the wall and reflected on the floor.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022.
    Image description A color image of a dark room featuring illuminated yellow and orange shapes floating on the wall and reflected on the floor.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • A text titled
    A text titled
    Joey De Jesus, NOCT: The Threshold of Madness, 2016. Ink on found book. Courtesy the artist. [A text titled "Before the Encounter" with a strikethrough on nearly every word - drawn over with abstract black symbols and shapes, circling some words.]
    Caption Joey De Jesus, NOCT: The Threshold of Madness, 2016. Ink on found book. Courtesy the artist.
    Image description A text titled "Before the Encounter" with a strikethrough on nearly every word - drawn over with abstract black symbols and shapes, circling some words.
    Year 2016
    Related pages Joey De Jesus, Dawn Lundy Martin, Morgan Ritter
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    Related pages Sidewalk Archives
  • Caption
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    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • Caption
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A band plays on stage in front of a seated crowd. From left to right, a figure is sitting and playing the piano, another figure stands and plays the saxophone, another figure in the back plays the drums, and the fourth figure stands and plays the guitar.
    A band plays on stage in front of a seated crowd. From left to right, a figure is sitting and playing the piano, another figure stands and plays the saxophone, another figure in the back plays the drums, and the fourth figure stands and plays the guitar.
    Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman [A band plays on stage in front of a seated crowd. From left to right, a figure is sitting and playing the piano, another figure stands and plays the saxophone, another figure in the back plays the drums, and the fourth figure stands and plays the guitar.]
    Caption Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman
    Image description A band plays on stage in front of a seated crowd. From left to right, a figure is sitting and playing the piano, another figure stands and plays the saxophone, another figure in the back plays the drums, and the fourth figure stands and plays the guitar.
    Year 2022
    Related pages Tisziji Muñoz with Francisco Mora Catlett and AfroHORN
  • A narrow, white door with the number
    A narrow, white door with the number
    John Salvest, Cipher, 1989. Wood, brass, plexiglass, alphabet noodles, 80 x 24 x 6 inches. [A narrow, white door with the number "0" on it is partially open against a white wall, obscuring what is behind it.]
    Caption John Salvest, Cipher, 1989. Wood, brass, plexiglass, alphabet noodles, 80 x 24 x 6 inches.
    Image description A narrow, white door with the number "0" on it is partially open against a white wall, obscuring what is behind it.
    Year 1989
    Related pages Selections: Aljira & Artists Space
  • A device with several electrical wire connections is displayed on a metal wire shelf.
    A device with several electrical wire connections is displayed on a metal wire shelf.
    Devin Kenny, “What would Upski think?”, 2018. Photo: Daniel Pérez. [A device with several electrical wire connections is displayed on a metal wire shelf.]
    Caption Devin Kenny, “What would Upski think?”, 2018. Photo: Daniel Pérez.
    Image description A device with several electrical wire connections is displayed on a metal wire shelf.
    Year 2018
    Related pages Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff
  • Two musicians on stage use various instruments. The musician in the foreground plays a mandolin. The musician behind them is using electronic instruments on a table. There are yellow and pink patterned projections, a red light bulb, and reflections from a disco ball around the room.
    Two musicians on stage use various instruments. The musician in the foreground plays a mandolin. The musician behind them is using electronic instruments on a table. There are yellow and pink patterned projections, a red light bulb, and reflections from a disco ball around the room.
    Abasement #72. Performance documentation, October 7th, 2024, Artists Space. Photo: Joshua Wildman. [Two musicians on stage use various instruments. The musician in the foreground plays a mandolin. The musician behind them is using electronic instruments on a table. There are yellow and pink patterned projections, a red light bulb, and reflections from a disco ball around the room. ]
    Caption Abasement #72. Performance documentation, October 7th, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Two musicians on stage use various instruments. The musician in the foreground plays a mandolin. The musician behind them is using electronic instruments on a table. There are yellow and pink patterned projections, a red light bulb, and reflections from a disco ball around the room.
    Year
    Related pages Abasement #72
  • A color photograph of two wooden cafe chairs with green cushions in a gallery space. A television screen with a cord extending down to an outlet in the floor rests upon the chair closest to the camera. A pillow with black backing and a gold-silver sequined front rests on the chair in the background.
    A color photograph of two wooden cafe chairs with green cushions in a gallery space. A television screen with a cord extending down to an outlet in the floor rests upon the chair closest to the camera. A pillow with black backing and a gold-silver sequined front rests on the chair in the background.
    Nicole-Antonia Spagnola, Untitled, 2022. Raw Power, Raw Power; Kollettivo, Lotta per il potere; Antigenesi, Una donna non e’ merda; Negazione, Tutti Pazzi; RAF Punk, Contro la pace Contro la guerra; Peggio Punx, Scemo. 8mm to MP4 transfer (color, sound), monitors, chairs. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of two wooden cafe chairs with green cushions in a gallery space. A television screen with a cord extending down to an outlet in the floor rests upon the chair closest to the camera. A pillow with black backing and a gold-silver sequined front rests on the chair in the background.]
    Caption Nicole-Antonia Spagnola, Untitled, 2022. Raw Power, Raw Power; Kollettivo, Lotta per il potere; Antigenesi, Una donna non e’ merda; Negazione, Tutti Pazzi; RAF Punk, Contro la pace Contro la guerra; Peggio Punx, Scemo. 8mm to MP4 transfer (color, sound), monitors, chairs. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color photograph of two wooden cafe chairs with green cushions in a gallery space. A television screen with a cord extending down to an outlet in the floor rests upon the chair closest to the camera. A pillow with black backing and a gold-silver sequined front rests on the chair in the background.
    Year 2022
    Related pages Nicole-Antonia Spagnola: Anti-Genesis
  • A painting of a bald man with glasses looking off to the side. He wears a red Lacoste polo shirt.
    A painting of a bald man with glasses looking off to the side. He wears a red Lacoste polo shirt.
    Tim Doud, 2001. [A painting of a bald man with glasses looking off to the side. He wears a red Lacoste polo shirt.]
    Caption Tim Doud, 2001.
    Image description A painting of a bald man with glasses looking off to the side. He wears a red Lacoste polo shirt.
    Year 2001
    Related pages Painting as Paradox
  • Two hands hold an orange ball against a light orange background. The image is overlaid with text that reads,
    Two hands hold an orange ball against a light orange background. The image is overlaid with text that reads,
    Flyer for Segue Reading Series featuring Will Alexander & Mei-mei Berssenbrugge. Saturday, April 10, 2021, Artists Space. [Two hands hold an orange ball against a light orange background. The image is overlaid with text that reads, "the segue reading series / & artists space / present an online reading by / Will Alexander / & / Mei-mei Berssenbrugge / saturday, 4.10.21 / 5pm nyc time / $5 suggested donation / zoom id: 830 2698 4031]
    Caption Flyer for Segue Reading Series featuring Will Alexander & Mei-mei Berssenbrugge. Saturday, April 10, 2021, Artists Space.
    Image description Two hands hold an orange ball against a light orange background. The image is overlaid with text that reads, "the segue reading series / & artists space / present an online reading by / Will Alexander / & / Mei-mei Berssenbrugge / saturday, 4.10.21 / 5pm nyc time / $5 suggested donation / zoom id: 830 2698 4031
    Year 2021
    Related pages Segue Reading Series: Will Alexander & Mei-mei Berssenbrugge
  • A color installation photograph of a black, grey, and white abstract painting on a white wall.
    A color installation photograph of a black, grey, and white abstract painting on a white wall.
    Richard Klauber. Installation view, Ruth Hardinger, Richard Klauber, Artists Space, 1975. [A color installation photograph of a black, grey, and white abstract painting on a white wall.]
    Caption Richard Klauber. Installation view, Ruth Hardinger, Richard Klauber, Artists Space, 1975.
    Image description A color installation photograph of a black, grey, and white abstract painting on a white wall.
    Year 1975
    Related pages Ruth Hardinger, Richard Klauber
  • Close-up color image of a persons hands on a red audio mixing device. Various blue and red cords stick out of the machine. A camera on a tripod sits on top of the machine. The background is blurred, with a few audience members visible. The scene is lit with soft pink light.
    Close-up color image of a persons hands on a red audio mixing device. Various blue and red cords stick out of the machine. A camera on a tripod sits on top of the machine. The background is blurred, with a few audience members visible. The scene is lit with soft pink light.
    Abasement #77. Performance documentation, April 7th, 2025, Artists Space. Photo: Joshua Wildman. [Close-up color image of a persons hands on a red audio mixing device. Various blue and red cords stick out of the machine. A camera on a tripod sits on top of the machine. The background is blurred, with a few audience members visible. The scene is lit with soft pink light.]
    Caption Abasement #77. Performance documentation, April 7th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Close-up color image of a persons hands on a red audio mixing device. Various blue and red cords stick out of the machine. A camera on a tripod sits on top of the machine. The background is blurred, with a few audience members visible. The scene is lit with soft pink light.
    Year
    Related pages Abasement #77
  • Spretnjak not sure name of work
    Caption Spretnjak not sure name of work
    Image description
    Year
    Related pages Abstraction in Process
  • Book cover featuring a black background, and a sculpture resembling a cross, with the word
    Book cover featuring a black background, and a sculpture resembling a cross, with the word
    Cover of Lonnie Holley, Rizzoli Electa, 2025. [Book cover featuring a black background, and a sculpture resembling a cross, with the word "MITH" engraved into a block of stone. In the top right corner of the cover bold text reads "Lonnie Holley."]
    Caption Cover of Lonnie Holley, Rizzoli Electa, 2025.
    Image description Book cover featuring a black background, and a sculpture resembling a cross, with the word "MITH" engraved into a block of stone. In the top right corner of the cover bold text reads "Lonnie Holley."
    Year
    Related pages Lonnie Holley
  • A large gallery space houses a variety of plinths made of MDF atop of which are placed various archival documents and objects, such as exhibition pamphlets and art historical journals.
    A large gallery space houses a variety of plinths made of MDF atop of which are placed various archival documents and objects, such as exhibition pamphlets and art historical journals.
    Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon. [A large gallery space houses a variety of plinths made of MDF atop of which are placed various archival documents and objects, such as exhibition pamphlets and art historical journals. ]
    Caption Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon.
    Image description A large gallery space houses a variety of plinths made of MDF atop of which are placed various archival documents and objects, such as exhibition pamphlets and art historical journals.
    Year
    Related pages Michael Asher
  • Black and white image of an open mouth, only partially visible in the darkness. A candle hovers in front, illuminating the figure's teeth, gums, and tongue.
    Black and white image of an open mouth, only partially visible in the darkness. A candle hovers in front, illuminating the figure's teeth, gums, and tongue.
    Charles Ahearn, still from Sinatra, c. 1977. Black and white video, 3 min. [Black and white image of an open mouth, only partially visible in the darkness. A candle hovers in front, illuminating the figure's teeth, gums, and tongue.]
    Caption Charles Ahearn, still from Sinatra, c. 1977. Black and white video, 3 min.
    Image description Black and white image of an open mouth, only partially visible in the darkness. A candle hovers in front, illuminating the figure's teeth, gums, and tongue.
    Year 1977
    Related pages Artists Super 8 Film Exposition
  • Color photograph of a gallery space with an installation consisting of a large mirrored pond, made from a wooden base with a reflective lining on top, that is surrounded by tree trunks, plants, fish tanks, and a phone booth. A large lamp hangs from the ceiling, and an orange construction net is placed over the pond.
    Color photograph of a gallery space with an installation consisting of a large mirrored pond, made from a wooden base with a reflective lining on top, that is surrounded by tree trunks, plants, fish tanks, and a phone booth. A large lamp hangs from the ceiling, and an orange construction net is placed over the pond.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a gallery space with an installation consisting of a large mirrored pond, made from a wooden base with a reflective lining on top, that is surrounded by tree trunks, plants, fish tanks, and a phone booth. A large lamp hangs from the ceiling, and an orange construction net is placed over the pond.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of a gallery space with an installation consisting of a large mirrored pond, made from a wooden base with a reflective lining on top, that is surrounded by tree trunks, plants, fish tanks, and a phone booth. A large lamp hangs from the ceiling, and an orange construction net is placed over the pond.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • A painting with blue, yellow, and neutral tones is hung on a white wall. Another painting is visible in the background with bright yellow and orange hues.
    A painting with blue, yellow, and neutral tones is hung on a white wall. Another painting is visible in the background with bright yellow and orange hues.
    Miyoko Ito: Heart of Hearts. Installation view, Artists Space, 2018. Photo: Daniel Peréz. [A painting with blue, yellow, and neutral tones is hung on a white wall. Another painting is visible in the background with bright yellow and orange hues.]
    Caption Miyoko Ito: Heart of Hearts. Installation view, Artists Space, 2018. Photo: Daniel Peréz.
    Image description A painting with blue, yellow, and neutral tones is hung on a white wall. Another painting is visible in the background with bright yellow and orange hues.
    Year 1959
    Related pages Miyoko Ito: Heart of Hearts
  • A color photo of two smiling individuals seated at a banquet table, the person to the right has her hand on another guest's shoulder. The background depicts several other guests out of focus.
    A color photo of two smiling individuals seated at a banquet table, the person to the right has her hand on another guest's shoulder. The background depicts several other guests out of focus.
    The Founders Dinner, 2019. [A color photo of two smiling individuals seated at a banquet table, the person to the right has her hand on another guest's shoulder. The background depicts several other guests out of focus.]
    Caption The Founders Dinner, 2019.
    Image description A color photo of two smiling individuals seated at a banquet table, the person to the right has her hand on another guest's shoulder. The background depicts several other guests out of focus.
    Year 2019
    Related pages Support
  • A vintage photograph of a man wearing black headphones, sitting behind a table in a cluttered room full of music equipment. A keyboard leans against the table, which is covered in AV equipment and snaking wires.
    A vintage photograph of a man wearing black headphones, sitting behind a table in a cluttered room full of music equipment. A keyboard leans against the table, which is covered in AV equipment and snaking wires.
    Photograph of Arthur Russell. Photo courtesy of Audika. [A vintage photograph of a man wearing black headphones, sitting behind a table in a cluttered room full of music equipment. A keyboard leans against the table, which is covered in AV equipment and snaking wires.]
    Caption Photograph of Arthur Russell. Photo courtesy of Audika.
    Image description A vintage photograph of a man wearing black headphones, sitting behind a table in a cluttered room full of music equipment. A keyboard leans against the table, which is covered in AV equipment and snaking wires.
    Year
    Related pages Rip It Up and Start Again: William S. Burroughs, Charles Henri Ford, Ray Johnson, Philippe Thomas, Arthur Russell
  • Two removed defensive planters with growing plants installed in the gallery window sill. One planter has an attached advertisement for belts above it.
    Two removed defensive planters with growing plants installed in the gallery window sill. One planter has an attached advertisement for belts above it.
    David L. Johnson, Diggers, 2022-ongoing. Removed defensive platers, parsnip plants, bean plants, carrot plants, soil. Photo: Steven Cottingham. [Two removed defensive planters with growing plants installed in the gallery window sill. One planter has an attached advertisement for belts above it.]
    Caption David L. Johnson, Diggers, 2022-ongoing. Removed defensive platers, parsnip plants, bean plants, carrot plants, soil. Photo: Steven Cottingham.
    Image description Two removed defensive planters with growing plants installed in the gallery window sill. One planter has an attached advertisement for belts above it.
    Year
    Related pages Whitney Independent Study: Everything is Common
  • Three book covers, arranged in a triangle, with title text reading from top to bottom, left to right,
    Three book covers, arranged in a triangle, with title text reading from top to bottom, left to right,
    [Three book covers, arranged in a triangle, with title text reading from top to bottom, left to right, "Danger In Dusseldorf," "Die, Chastrommel," and "Berliner."]
    Caption
    Image description Three book covers, arranged in a triangle, with title text reading from top to bottom, left to right, "Danger In Dusseldorf," "Die, Chastrommel," and "Berliner."
    Year 2014
    Related pages The Library Vaccine
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    Image description
    Year
    Related pages 11 Cortlandt Alley Tote Bag
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