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I Thought I Had Time. Installation view, Artists Space, 1992. [A series of rectangular panels and tiles of varying dimensions installed on a white wall. The installed elements are positioned adjacent to one another, forming a larger irregular shape. The panels feature black, white, and muted colors. Some feature abstract painted compositions and color blocks, others include text or line drawings.] -
Susan Eder. Installation view, Artists Space, 1976. [A black and white installation view of a rectangular photographic work with wide white matting.] -
Abasement #66. Performance documentation, October 9, 2023, Artists Space. Photo: Joshua Wildman. [Black and white image of an audience watching a performance. Some are sitting on chairs, and others stand.] -
Selections from the Artists File. Installation View, Artists Space, October 1, 1987 - October 31, 1987. [White sculptural form hanging on white gallery wall with stark lighting contrast.] -
Student Presentations at Artists Space, 2021 -
Anne Walsh + Chris Kubick, Room Tone, 2007. Sound Installation. Courtesy the artists. Photo: Bill Orcutt. [A carpeted gallery with two benches. One wall is painted dark gray and on it are two audio speakers mounted on either side. Between them are eighteen sheets of paper attached to the wall and lit with a spotlight.] -
Scott Burton, Modern American Artist, second version, early 1974. Photographic portrait of performance character shown at PersonA at Artists Space. Courtesy Estate of Scott Burton. [Black and white scan of a photograph featuring a figure, standing upright with their hand on their hips. Their face is starkly painted white with heavy makeup around the eyes and lips. They wear overalls and a strap-on around their hips.] -
Allora & Calzadilla, Bandage, 2011, Painted cast white metal, 3 x 3/4 x 1/16 in / 7,6 x 2 x .16 cm, Signed certificate. [A small, tan bandage lying face-down on a white background.] -
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Attention Line. Installation view (costumes worn by Johanna Went, 1970s-2000s), Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [Two life-sized costumes.] -
Yates McKee, Strike Art: Contemporary Art and the Post-Occupy Condition (New York: Verso Books, 2017). [A book cover with the title "Strike Art: Contemporary Art and the Post-Occupy Condition" and author Yates McKee in black and grey on white ground. In the upper right corner, a red-toned image shows a group of standing men.] -
Attention Line. Installation view (James Luna with the High Cheekbones, 2006, Jacket from the exhibit All Indian All the Time, 2005), Artists Space, June 11, 2022 - August 20, 2022. Photo: Filip Wolak [An image of a wall with a poster hanging on the left, and and a brown and white jacket hanging on the right.] -
ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A small drum set lit by a spotlight sits underneath a demolished wall.] -
Abasement #73. Performance documentation, November 4th, 2024, Artists Space. Photo: Joshua Wildman. [Two musicians sit on stage. The musician on the left is leaning over a table and using electronic instruments. The musician on the right is looking down and playing the guitar. The stage is lit with red and white lights and projected with a patchworks of patterns.] -
Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court [Three figures stand in front of a large banner bearing a portrait.] -
Poster for the original production of The Owl Answers at The White Barn Theatre in Westport, Connecticut, 1965. Courtesy the Harry Ransom Archives at UT Austin, Texas. [A light pink paper with black typeface announcing the premiere of two plays, AM by Otis Bigelow and The Owl Answers by Adrienne Kennedy. Other printed information includes the time, date and location of the show, the board of directors, and the director.] -
Frozen Lakes. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A white speaker displayed on a three-legged stand in an exhibition space. To the right of the stand, a television monitor rests on the ground. An image of gravel and dirt is pictured on its screen.] -
devynn emory, Grandmother Cindy. Performance documentation, May 18, 2022, Artists Space [A person dressed in blue stands next to a mannequin draped in red fabric lying on a rolling table. To the left is an IV stand and people seated in the background.] -
Film still from Teaching TV, Artists Space, 1990. [A black and white image of a group of children clustered in front of a store window. On the right, the text "NO FRESH WORDS" overlays the image.] -
Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [Several wooden chairs placed in front of three monitors installed on two walls of an exhibition space. Each of the monitors displays a film.] -
“Decolonize This Place” sticker outside of The White House [A person's hand holding up a Decolonize This Place sticker in front of the White House, with a security guard visible in the background.] -
We Are The History of the Future: Listening to the LES online presentation, My Story Our Story Quilt, P.S. 140 7th grade students [A screenshot of a video call presentation. Names of individuals are weaved together digitally in a quilt-like fashion. These names are flanked on the right side by the images of ten individuals who are joining the call remotely.] -
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Andrea Zittel, Perfected Pillow, 1995, Pair of fringed velvet pillows, 80 x 40 inches (203 x 102 cm); 18 x 36 in (46 x 91 cm), Edition of 39. [The image shows a rectangular bed-like cushion with a black pillow that lays diagonally across the image patterned with two green and two black triangles of fabric.] -
Mel Kendrick, Dinnever Hill. Installation view, Artists Space, 1974. [A black and white installation photograph of a gallery space. Placed on the floor, pairs of dark squares lean against a white wall.] -
Charlotte Posenenske. Configured by the staff of Artists Space. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A geometric, silver metal sculpture sits on a wooden gallery floor in front of a large, light-filled window. The sculpture is modular, hollow, and consists of rectangular and triangular metal components. Two vent-like openings in the sculpture face the viewer, while the opposite side of the sculpture bends towards the gallery window.] -
Attention Line. Installation view, Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [An image of a room with several display cases and a projection, with bright lights cast against the wall.] -
Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [Two monitors are hung on a white wall. On the left, an image of a man crouching in a room with a chair sitting on the ground behind him. On the right, a purple, pink, and red graph is displayed next to a column of indicating numbers.] -
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Abstraction in Process. Installation view, Artists Space, March 26, 1987 - May 2, 1987. [On the right abstract paintings on rectangular wooden blocks, a column bisects the frame centrally and painted wood constructions are visible on the walls in the background in a white-walled gallery setting.] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Image of a dimly lit basement. Along the back wall, on the right, a shadow of a figure in profile is cast onto a blue and purple projected screen.] -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of three figures dressed in white, embracing each other as they run across an empty basement.] -
Eniya Alonzia, The Sky, 2018. [A skewed black-and-white image looking up at the façade of a building and the sky. An LED sign spelling "DINER" hangs from the left side of the building.] -
[Black text on an orange background. The text reads: “Oct 12 / Nancy Mercado / Sloppi Chulo.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
Shala Miller performs Genesis: Medley. Performance documentation, May 11, 2023, Artists Space. Photo: Roy Baizan. [Black & white photograph of a performer singing into a microphone stand, positioned along the center of the wall. The audience sits on the floor around the center of the room, where hanging screens depict a projected video of a close-up of a figure's face with a bright light coming from one side of the image.] -
Sam Pulitzer: A Colony for “Them”. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A framed image installed on a white gallery wall that extends into an exhibition space. A glass wall framed by black, metal paneling is positioned to the left of the white wall. Through it, several freestanding, colorful panels decorated with cartoonish illustrations of pinwheels and forests are displayed in an open room.] -
[Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 20 / Imani Elizabeth Jackson / Emily Simon.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979. [The image of a figure standing next to a camera and tripod is reflected in a mirror hung on a wall.] -
Still from Rainer Werner Fassbinder, Warnung vor einer heiligen Nutte (Beware of a Holy Whore), 1971 [A person wearing a black shirt and hat with their arms crossed, with a cloudy sky in the background.] -
Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979. [A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.] -
Jutta Koether: xxapollo. Performance documentation, January 5, 2020, Artists Space. Photo © 2020 Paula Court. [A person bends over an electric piano, her hair falling over her face. She is illuminated from behind by a brightly lit wall.] -
[Several students stand around a large desk working on mixed-media artworks. One reaches for something from another student towards the camera.] -
New Red Order with Emmett de Muzio Hello, World!, detail, 2021 Wood with silicone, iPads, red feather, and polyester knit fabric step-and-repeat. Photo: Filip Wolak [An image of an exhibition space with a sculpted, larger than life head that hangs in the mezzanine.] -
Basie Allen, Palm-Lined with Potience. Book cover. 2022. [A black and white image of sun shining through various stems and foliage.] -
Eiko Ishibashi: Two New York Nights. Performance documentation, June 9, 2022, 8pm. Artists Space, New York. Photo: Paula Court [A figure stands behind a table on a stage. Across the room, red light and small fragmented pieces of white light can be seen.] -
Reese Williams. Installation view, Artists Space, 1980. [A number of framed photographs and texts are hung on walls in a gallery space.] -
Combined Faulty Acts. Installation view, Artists Space, 2008. Photo: Bill Ocrutt. [Five rows of bleachers built from wood, with dozens and dozens of assorted sculptures of gray, painted pigs arranged in decreasing size from the top bleacher to the bottom. Two flying pigs are hung on the wall directly behind the bleachers. Several feet away, across from the pigs, is a side view of a frame made of columns. On the wall between the pigs and the columns is a poster of hanging scales.] -
Charles Simonds. Still from Mythologies, 1974. From Thomas Lanigan-Schmidt, James Biederman, Charles Simonds, Artists Space, 1974. [A black and white film still of an apartment building, taken from the street. In front of the building is an empty lot. Two cars are parked on the street.] -
[White Xs on an orange background forming an image of 'K.] -
Milford Graves: Fundamental Frequency. Installation view (ephemera c. 1980-1998), Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak. [A color photograph of a red poster with three faces and Japanese captions. The poster is beneath other ephemeral material, including an open book, a pamphlet, and a black and white photograph.] -
Hito Steyerl, Guards, 2012, HD video on freestanding screen with sound, 20 mins. Courtesy the artist and Andrew Kreps, New York. Installation view from Hito Steyerl, Artists Space, 2015. [A portrait oriented video is projected in a dark narrow space. A bench sits in front of the video. An image-still of a man, hands clasped at his waist as he faces the viewer, is on the back wall.] -
Social Surfaces. Installation view, Bortolami, 2017. Photo: Ron Amstutz. [A large painting illuminated by lights hangs on a wall behind two black columns. A small sculpture sits on the ground in front of it. Smaller artworks are visible on the connecting walls.] -
The Friends of Artists Space Dinner, May 8, 2010. Wolfgang Tillmans's laudation. [A man with a shaved head wearing black pants and a striped collared shirt reads from sheets of paper, speaking into a standing microphone. Two figures sitting at a table behind him turn to gaze towards him as he speaks.] -
Developing cyanotypes, 2022 -
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The Library Vaccine. Installation view, Artists Space, 2014. [A cluster of metal book shelves sit in the middle of the room. Visible are the cubbies of three structures, populated with books of various sizes and colors.] -
Édouard Manet, A Bar at the Folies-Bergère, 1882. [A painting of a female bartender standing behind a bar, facing the viewer. A large mirror directly behind her reflects the space of the crowded bar before her. Another woman behind and to the right of the bartender, her back to the viewer, turns to speak to a man with a top hat and mustache.] -
Abasement #73. Performance documentation, November 4th, 2024, Artists Space. Photo: Joshua Wildman. [Image of a performer on stage in a yellow shirt and baseball cap playing the drums. They are facing an audience. To their right is another performer playing the guitar. The room is dark with red and blue-tinted light.] -
Abasement #73. Performance documentation, November 4th, 2024, Artists Space. Photo: Joshua Wildman. [A performer with long blonde hair and a black baseball cap sits on stage at a table covered in electronic instruments. Their face is lit with red light. The background is dark, but a few audience members are visible. ] -
Jean-Luc Godard and Anne-Marie Miéville. Still from Lei et ailleurs (Here and Elsewhere), 1970/1976. 16mm film transferred to DVD, (sound, color and black and white), 60 min. Courtesy Contemporary Films, London. [A person stands in line to hold up a black and white photograph in front of a Super 8 camera, as two people are lined up behind him.] -
Lyndon Barrois Jr., Masters of Fine Arts, 2011/2022. Oil on canvas, artist frame, solvent transfer, plywood, curtains, frames, lights, easels, conservators coat, headlamp. Dimensions variable. Photo: Filip Wolak. [A color photograph of an installation. In front of dark green curtains, a painting in a gold frame is illuminated. To the left, a conservator's coat hangs from an easel. Several empty frames and a studio light are visible on the right.] -
Mark Morrisroe, Untitled, 1986. Courtesy The Estate of Mark Morrisroe (Ringier Collection) at Fotomuseum Winterthur. [An ant is mounted on a white surface by a white pin through its center. Its shadow is visible underneath it.] -
Audtrey Glassman, Untitled, 1984. Cibachrome, 40 x 60 inches. [A child's face with a blurred white body stands next to a figure driving a car with one hand on the wheel and another outside of the window. The outside of the car is also white in appearance.] -
Jenny Holzer. Video still of Re-Make, 1982. [Dark image of the upper torso of a woman with liquid dripping in the foreground of the image.] -
A New World Order III: The Curio Shop. Installation view, Artists Space, 1993. [A black and white photograph of two shelves, each with several Quaker Oats canisters and vases of assorted shapes. Beyond the shelves are several plinths housing objects, and a metal rack with dozens of glass jars.] -
Hanno Ahrens. Selections from the Artists File, installation view, Artists Space, 1986. [A photograph of one large painting divided evenly diagonally across in black and white above a smller painting that does the same.] -
Artists Draw. Installation view, Artists Space, 1979. [A group of people sitting in chairs arranged in a circle, all facing inwards. Drawings are hung on the walls.] -
Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court [A crowd watches two figures in medical scrubs, facing each other on opposite sides of a table with wheels.] -
Terry Fox: All These Different Things Are Sculpture. Installation view, Artists Space, 2024. Photo: Filip Wolak. [A color image of the corner of a gallery space. On the left white wall, a collection of six framed black and white photographs are arranged in a grid. Each frame is black, with three on the top and three on the bottom. On the right wall are four paper-based items hung in a row. The right-most item is an enlarged map, next to it are three smaller pieces of paper with handwritten notes and drawings. ] -
Renée Green. Still from Partially Buried Continued, 1997. Video, color, sound; 36 minutes. Courtesy the artist, Free Agent Media, and Video Data Bank. [A television box monitor displays a diagram connecting Robert Smithson to Theresa Hak Kyung Cha, and the past to the present and the future.] -
Abasement #67. Performance documentation, January 15, 2024, Artists Space. Photo: Joshua Wildman. [Color image of a performer standing on stage in front of a circular table. The performer bends over slightly to play music from a laptop and soundboard. Their face leans into a microphone while looking stage right at a music stand placed next to the circular table. A blue light emitted from a projector covers the whole stage and casts shadows of the performer and their setup onto the back wall. ] -
Pictures. Opening Reception, Artists Space, September 23, 1977. Sherrie Levine (left), Irving Sandler (right). Photo: D. James Dee. [A black and white photograph of two figures standing in a gallery space. The figure on the left looks at the one on the right. In the background, a crowd of people and se veral large wall hangings are visible.] -
Lee Gordon, Father Reading to Son, 1987. Oil on white lead on canvas, 32 x 40 inches. [An adult sits in a chair and reads a book to a child seated on their lap and holding a doll. The adult wears wears a white, pointed, Klu Klux Klan-style hood.] -
Metaphysical Visions. Installation view, Artists Space, 1989. [Three abstract sculptures in the foreground of a white-walled gallery space with white columns. In the background, there are other gallery spaces with artworks hanging on the walls.] -
[A book cover with an image of a hallway with tan and brown checkerboard tiling with a door at the end. Sunlight is filtering through the windows of the door, reflecting on the floor. Superimposed text on top of the photo reads "SUMMER OF HATE" and under it, "Chris Kraus".] -
Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979. [A woman sits at a desk covered with notebooks and documents. She looks off to the side holding a pen by a mug. Behind her, a round window allows light to enter the room.] -
Flyer for Segue Reading Series featuring Monica de la Torre and Joan Retallack. Saturday, January 23, 2021, Artists Space. [An animated setting of an icy background with miscellaneous objects and imagery appearing throughout. Light green text over the top half of the image reads, "Monica De La Torre / Joan Retallack". Light green text in the center left of the image at a left-slanted angle reads, "SEGUE." On the left hand corner in light green text reads, "23 January" and on the right hand corner in light green text reads, "5PM EST."] -
View of Vigilance: An Exhibition of Artists Books Exploring Strategies for Social Concern , Curated by Lucy R. Lippard and Mike Glier Franklin Furnace, 1979 Courtesy Mike Glier [A woman sits, left of center, at a table filled with books. On the wall behind her, a banner with red text that reads, "...Pessimism of the intellect, Optimism of the will... Gramsic," is displayed.] -
Selections from the Artists File. Installation view, Artists Space, 1989. [A photograph of a small room with clear walls and a clear door sitting against a wall in a white-walled gallery. Inside the room, a wooden chair and shelves are visible.] -
Michael Kalil, an analytical study for Osmotic Membrane (detail), 1986. [Drawing of a globe figure bisected with long vertical rectangle, overlaid with line grid.] -
Gregg Powell, video still, c. 1977. [A black and white image of a figure in a field, they bend at the waist and place their hands on their knees.] -
Everything is common. Installation view, Artists Space, 2022. Photo: Steven Cottingham. [A color photograph of a galllery space with several dark columns. In between two columns in the foreground is a large fabric projector screen, with a video being projected onto it. In front of the screen are several fabric-wrapped stools. Further in the background a painting is visible on one wall, and a tv screen with a video work is visible on another.] -
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Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a gallery space. On the left wall is a projected black-and-white video. On the right wall are various scores, posters, and photographs, and a vitrine.] -
ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A view of multiple works displayed in a multilevel gallery space. An old tv monitor, a coffee machine, and an artificial seagull are placed near a yellow boombox sitting on a black rug. Beside the boombox is a large image of a group of individuals in a defaced bedroom.] -
Yasunao Tone: Region of Paramedia. Installation view (Clockwork Video a la MAGRITTE, 1974), Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a gallery space. In the corner are three stacked television monitors, displaying videos taken at different speeds. On the top monitor is an image of part of a wall in a room, with a mirror and framed images. The middle monitor shows an empty image. The bottom monitor shows part of a woman's leg.] -
LaToya Ruby Frazier, A Message In Nestle Water Bottles from Shea Cobb and Amber Hasan at Sussex Drive and West Pierson Road, Flint, MI, 2017/2023, set of three archival pigment prints on Canson Platine Fibre Rag, 16 x 24 inches (40.6 x 61 cm) -
Installation view from J.B. Cobb, Martha Edelheit, Ree Morton, Artists Space, 1973. [A black and white photograph of a gallery space. A painting of nude reclining women hangs on the left, and a figure in a suit and tie looks on from the right.] -
John Torreano. Untitled, 1974. Oil and glass jewels on canvas. Artists Space, 1974. [A black and white photograph of a square white canvas covered in shiny and textured black splotches.] -
Flyer for Segue Reading Series featuring Kamden Hilliard and E.J. McAdams. Saturday, November 13, 2021, Artists Space. Artist: Lonely Christopher & Venn Daniel [A horizontal image with a flat, light blue background. On the right side is a pink, cotton candy-like image of a cloud. The word, "Segue" appears in pink text on the top left side. The name, "Kamden Hilliard," is written on the center-left in large red text, while the name, "Laura Elrick," appears in purple on the center-right.] -
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Till They Listen: Bill Gunn Directs America. Installation view, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [Two glass display cases holding ephemera sit on either side of a tv monitor, on the wall are four black and white contact sheets.] -
Yasunao Tone Concert #3. Performance documentation, March 16, 2023, Artists Space. Photo: Destiny Mata [Color image of four figures seated in a row on a stage. Each figure sits behind a music stand.] -
New Red Order Give it Back, 2020 Acrylic LED displays with cut vinyl, water cooler, poster, couch, desk, chairs, magazine rack, The New Red Times Magazine, and three televisions. Image courtesy Artists Space, New York Photo: Filip Wolak [A wide angle image of a mockup real estate office consisiting of a leather couch, a magazine rack, a table and multiple tv monitors. The windows are lined with real estate listings.] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Two figures in blue morph suits engage in an argument, standing on either side of a wooden table with a fresnel lens as the tabletop. A third figure to the right films their encounter, while audience members watch in the background.] -
SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image taken between two curtains of a TV affixed to a wall on the right, displaying blue-tinted video footage of the performance with a fresnel lens hanging in front of the TV display.] -
Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman [A figure to the left plays the saxophone while another figure sitting in the middle of the frame watches with a guitar in his lap, another figure in the back right plays the bass.] -
Adjua Gargi Nzinga Greaves: The x in florxal is silent when spoken. Installation view, Artists Space, 2021. Photo: Filip Wolak. Courtesy Artists Space, New York. [A gallery wall painted pink with a window in the middle. On the windowsill are several potted plants. Works on paper and a collage are hung on the wall.] -
Louise Lawler, Who Says, Who Shows, Who Counts, 1990, Three chablis glasses with glass shelf, 8 1/2 x 14 x 4 1/4 in (21,6 x 35,6 x 10,8 cm), Edition of 50, Signed & numbered. [Three wine glasses sit next to each other on a glass shelf with a black background. Each glass has text lasered into the front. From left to right the first says, "who says," the second, "who shows," and the third, "who counts."] -
Joel Katz, History Lessons, 1990. Installation view, Artists Space, 1990. [A photograph, taken from above, of rows of school desks facing a television with a map behind it.] -
Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022. [Inside a pink-hued room are three tanker desks and three rolling office chairs in a single-file line. Security monitors with color videos sit on each desk alongside small pieces of clay. In the distance, tree trunks wrapped in fabric rest on the floor and construction nets hang from the ceiling. A wooden structure and an aquarium with purple-colored lights are positioned behind the tree trunks.] -
The columns held us up. Installation view, Artists Space, 2009. Photo: Adam Reich. [A white cloth banner hangs vertically from the ceiling, with text which reads "KARA-KUM, area 350000, disposed in Middle Asia." Below the text are drawings resembling Turkish architecture. To the right of the banner, a slide projector sits on a short wooden bench, projecting a small image onto a white wall.] -
Bases of the equestrian monument to Kaiser Wilhem which was destroyed by the British occupation in Münster after World War II. The photographs were printed as post cards in the early 20th century and collected from eBay and oldthing.de in 2021. [A black and white photograph of the base of a monument in a city square. Steps lead up to a pedastal surrounded by three large spheres connected by a metal chain.] -
[A red background with white text which reads: "DUMP THE FINE ART OF GENTRIFICATION", followed by the Decolonize This Place Logo.] -
ART CLUB2000 Gli Avvoltoi (The Vultures), 1995 Vinyl paint and newsprint flyer Image courtesy Artists Space, New York Photo: Filip Wolak [Behind two large columns is a wall mural displaying multiple cartoon vultures resting on black scaffolding. Beside the mural sits a pile of newsprint flyers.] -
Selections from the Artists File. Installation view, Artists Space, 1989. [A photograph of a large painting of vines and water hanging on a white gallery wall. Beyond it, more painting and sculptures are visible in an adjacent gallery.] -
YAP (Young Artist Perform), P.S. 140, May 11, 2022 -
Heist Divination (fwiw remix). Performance documentation, October 25th, 2024, Artists Space. Photo: Destiny Mata. [A performer stands close to a microphone with their right arm in the air holding a musical score. Their eyes are closed and pieces of their hair falls over their face. They are bathed in soft green light and the background is tinted dark purple.] -
Audio Works. Installation view, Artists Space, 1978. [A viewer is visible through the open door to a gallery room.] -
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Price, Seth by Seth Price, edited by Beatrix Ruf, text by Michael Newman, published by JRP Ringier, 2010. [Book cover design featuring a white mask in the shape of a human face installed on a white backdrop. Ribbons of white material extend from the mask's lower right side, curling on the backdrop. Black text reading "PRICE, SETH" is superimposed on the image's upper left corner.] -
Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view, Artists Space, 2023. Photo: Filip Wolak. [The corner of a gallery space with a wooden camper structure placed there. Two ramps lead to doorways along the front and side of the structure. The edge of a free-standing white wall sits to the left of the camper..] -
Fishing For Sound Team on the East River, 2022 -
In The Poem About Love You Don't Write The Word Love. Installation view, Artists Space, 2006. Photo: Bill Orcutt. [Two newspaper clippings and a sheet of written correspondence are installed in black frames on a gallery wall above a small vitrine. The vitrine displays a series of open, vintage magazines.] -
Anelisse Rivera, Secrets and Lies, 2020, acrylic paint on paper -
Salad Days 3. Installation view, Artists Space, 2008. Photo: Jeremy Ross. [A large structure resembling a well is displayed in a gallery space with wooden floors. The sides of the well are constructed from spray-painted cinder blocks. Supported above the well's opening and a hanging, red bucket is a structure resembling the top portion of a house roof. Behind the well, three large paintings composed of colorful, gestural marks are installed on the gallery wall.] -
Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez. [Large, orange slug forms are visible with the cast iron columns in a white-walled gallery with paintings of slugs hanging on the opposite side of the image behind a staircase.] -
The Owl Answers. Performance documentation, February 29, 2020, Artists Space. Photo ©️ 2020 Filip Wolak. [Two figures behind music stands perform before a seated audience. One of the figures wears a striped shirt and has turned away from the figure beside them, who gazes out towards the audience as they speak.] -
Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Candice Hill-Montgomery. [Black and white photograph close up of white picket fence and painted dark background.] -
A seated musician wearing a white t-shirt with the name Xenakis printed above an image manipulates electronics on top of a small table. The wall behind features swirling white, purple, and orange light. -
Installation view. Artists Space, 1983. Foreground: Jeff Koons. New Wet/Dry Triple Decker, 1982. Plexiglass, fluorescent light, new vacuum cleaners. 124 1/2 x 28 x 28 inches. [In the foreground is a set of vacuum cleaners on display vertically above each other on a plexiglass shelf rack with fluourescent lights underneath each one. Behind it on a wall is a Duratrans on a lightbox with text that reads: "New 100% Meri Ultra-lights" and a picture of a pack of ciagrettes appears next to the text. These works appear in a white-walled gallery space with a window in the far left back and a fluorescent light visible above.] -
Abasement #67. Performance documentation, January 15, 2024, Artists Space. Photo: Joshua Wildman. [Color image of a four-person band on stage. The left-most musician wears a green baseball cap, black tee-shirt and jeans while playing a guitar. Slightly behind him to the right, a musician in a black tee shirt and blue jeans is seemingly playing an alto and tenor saxophone at the same time. To the right of the saxophonist, a musician with grey hair, mustache and beard plays the drums. To the right of the drummer, closer to the front of the stage, a singer stand upright, vocalizing into the microphone with their eyes closed. The singer grasps a sheet of paper in their right hand. The entire stage and back wall is illuminated by bright bluish-green light emitted from a projector. ] -
[A rendering of a head with two faces, one positioned head-on and the other seen in profile, is made from gradient strips of red, orange and yellow color. Dissecting lines and geometric shapes define the face's blocky features. The top lips are blue and the bottom red, while the left eye is black with a white dial and the right eye is a hazy blue with yellow lightning coming out of it. Under the image, text in red, white, blue serif font reads: the segue reading series and artists space present / a reading by David Larsen and Sara Larsen / saturday, may 9, 5 pm nyc time / zoom id: 378 232 567.] -
Terry Fox: All These Different Things Are Sculpture. Installation view, Artists Space, 2024. Photo: Filip Wolak [A color image of a gallery space. A freestanding white wall runs perpendicular into an existing white wall. On the right side, projected onto the existing wall, is a black and white image of a spoon resting next to a bowl of water. To the left of the projected image is a single black frame containing a black and white photograph, hung above a small floating vitrine. Installed in a single row on the freestanding wall, is a series of seven black and white photographs housed in black frames. Behind the freestanding walls, a sliver of window that faces the street outside is visible. Contained within the four transom windows are black and white enlargements of a white man smoking and blowing smoke rings. ] -
Selections from the Artists File. Installation view, Artists Space, 1989. [A photograph showing a row of text-based paintings hanging on a gallery wall. Beyond them, another gallery space with other artworks is visible.] -
Flipside. Installation view, Artists Space, 2004. [Two white walls meeting in a corner. The wall on the right has three large black and white photographs of people on winter streets with their small dogs. The wall on the left features a canvas covered in a red, green, and peach colored plaid pattern.] -
Milford Graves, Cosmos 2 - 5, 2020. Wood, copper netting, hand-painted drum, lights, metal, casters, acupuncture head, figurines, artifact, turntable, printed label, metal, glue, copper netting tubing, hand-painted drum, plasma globe, tree branch, model brain, lights, printed label, stones, transducer, amplifier, wires, wooden crate, metal bracket, anatomical model, copper pipe, outdoor house lamp, transducer, amplifier, printed label. Dimensions variable. Photo: Filip Wolak. [A color photograph of four sculptures mounted on wooden pedastals. The sculptures are connected by copper netting and are composed of objects including a model of a human head, a plasma globe, a drum, lights, and wires.] -
Peter Osborne, Anywhere or Not At All (Verso Books, 2013). [A book cover with an old car vertically arranged next to Arabic writing.] -
Flyer for Segue Reading Series featuring Dazie Grego-Sykes and Douglas A. Martin. Saturday, October 24, 2020, Artists Space. Artist: Keith Higginbotham [Yellow rectangles with cropped black text are arranged haphardly on a white background. Black text over the top and bottom of the image reads "Dazie Grego-Sykes / Douglas A. Martin," and positioned in the center vertically, black text reads "Segue."] -
virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color installation photograph of a gallery space with a row of dark metal columns on the left, an exposed interior of a drywall with one grey panel in the center, and a large swath of partially hung grey and yellow vinyl on the right.] -
Gerome Kamrowski. Paintings on the Surface of a Dome, 1960. [A black and white photograph of a painted, sculpted object appears hanging above a person's head in a dark space.] -
Contemporary Architecture - an installation by realities:united. Installation view, Artists Space, 2007. Photo: Bill Orcutt. [In a gallery space, a large white overhead LED-style sign acts as both a drop ceiling and overhead lighting. It displays two numbers, a 2 and a 5. Below are a black sofa and, facing it, a small television on a wooden pedestal.] -
Kevin Drumm. [A man looking at a laptop, with a modular synth and mixer next to the laptop.] -
Traditions: Five Painters. Installation View, Artists Space, 1978. [Various paintings hang on the walls as guests enjoy the exhibition opening.] -
Film Still from Gaslight, 1944. [A black and white image of a man and woman. The woman is pressed against a wall, looking with fear at the man who is grabbing her wrist. He is looking back at her sternly.] -
Malkiyah Yehuda, Grasp, 2017. [A close-up image of two people holding hands, one in a red jacket and the other in a black sweater.] -
Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [A figure leans into a microphone from the side with blue, purple, and pink projections cast onto them.] -
[White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Feb 17 / Lonnie Holley / Lee Bains" Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)] -
Installation view from Six Sculptors, Artists Space, January 25, 1986 - February 22, 1986. [A number of flat-paneled works appear hanging on the gallery wall while various sculptural forms are on pedestals or on the floor in front of them.] -
Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater. Installation view, Artists Space, 2019. Photo: Daniel Pérez. [Installation view of a gallery filled with projectors arranged on the floor around three large black columns in the middle of the room. Each projector is projecting a bright white test screen onto white walls, aligned so all play at the same height. A wooden wardrobe stands in the foreground of the image against a white wall.] -
Abasement #70. Performance documentation, July 1st, 2024, Artists Space. Photo: Joshua Wildman. [In the foreground a musician is playing a clarinet, slightly bent forward. Behind them are two other performers on stage at rest. The wall behind is lit with soft green light and the lights from a disco ball.] -
Katsuhiro Saiki. Installation view, Artists Space, 2003. [A low platform on a concrete floor supporting a glasstop photograph of pink clouds on a blue sky.] -
New Economy. Installation view, Artists Space, 2007. [In the foreground of the installation view is a corridor wall with a large black and white drawing of farm architecture and in the background are monitor based works as well as sculptures of a skateboard on a pedestal and red crates of cola bottles.] -
The Mind/Body Problem. Installation view, Artists Space, 2006. Photo: Alan Wiener. [Six watercolor paintings affixed to a white wall with pins. The paintings are various sizes, five depicting the sky and landscapes at various times of day. In the center, a man is depicted facing backwards, pulling down his pants to expose a tattoo of a triangle.] -
Charlotte Posenenske. Configured by the staff of Artists Space. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A geometric, silver metal sculpture sits on a wooden gallery floor. The sculpture is modular and hollow and consists of rectangular and triangular metal components arranged in a long form that snakes across the ground before arching up and down, forming a large U-shaped archway.] -
David Maljkovic, Scene for a New Heritage - New Possibilities, 2004. Mixed media on paper. Courtesy Annet Gelink Gallery, Amsterdam. [A drawing of an amorphous shape with a trail of black extending out the bottom and billowing upward. There are several lines of handwritten cursive text on the lefthand side of the drawing.] -
Flyer for Segue Reading Series featuring Benjamin Krusling & Momtaza Mehri. Saturday February 13, 2021, Artists Space. [[A tan colored background features black text in the top half of the image that reads, "Segue Reading Series / Benjamin Krusling & Momtaza Mehri / February 13 / 5pm on Zoom / Suggested donation: Five dollars / Zoom ID: 830 2698 4031." Black text in the bottom right corner reads, "Artists Space."]] -
Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt. [Five flower arrangements sit side-by-side on a gallery floor. The flowers have been arranged such that they form the shape of four italicized, lowercase letters and a period. From left to right, the arrangements spell "abbr." White flowers form the letters' shapes, while green leaves frame the flowers.] -
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Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Malcolm Peacock, How to address the full capacity of our will, 2023), Artists Space, 2023. Photo: Filip Wolak. [A gallery space with a wooden camper structure situated in the corner of two walls, to the left of the space. Through the open doorway can be seen a small ciruclar window and a shelf with various items placed on it.] -
Show and Tell: A Chronicle of Group Material, edited by Julie Ault, published by Four Corners Books, 2010. [Book cover design featuring an image of a large room with red walls. A banner of colorful flags hangs from the ceiling. A large collection of objects is scattered on the floor, including coca-cola bottles, posters, chip bags, paint cans, detergent bottles, and other assorted items.] -
Sharon Halliday, Shaded Times, 2014 [A black-and-white image depicting several translucent photos overlaid, some of natural plant life and others of industrial scenes, with power lines and bridge spokes] -
Recycling L.A., May 31-June 30, 1990, Artists Space" appears in a black square."
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Recycling L.A., May 31-June 30, 1990, Artists Space" appears in a black square."
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Recycling L.A., Newspaper cover, May 1990. [A group of people gathered on a city sidewalk, looking into a parked car. Above them, the text "Recycling L.A., May 31-June 30, 1990, Artists Space" appears in a black square.] -
Artists Draw. Installation view, Artists Space, 1979. [Two drawings hung up on adjacent walls. On the left is a nude headless figure with a star covering its groin and smaller figures walking along the top. On the right is a nude headless figure with two disembodied heads floating nearby with long extended tongues.] -
Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York. [An audience looks at a mannequin on a table.] -
Four Scottish Artists. Opening Reception, Artists Space, 1979. [A photograph of the exhibition opening reception. A group of visitors look around at the art.] -
Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang. [A figure in a blue dress sits behind a white table, with speakers and projectors on either side of them. The figure leans over and opens a small book.] -
7th grade Threads of History student at M.S. 324, 2020 [A student holds up artwork depicting her family tree.] -
Yasunao Tone, Score for Trio for a Flute Player, 1985. [Six lines of calligraphy written in black ink on white paper are lined by musical staves.] -
Anne Bray. Film still from Man on First and Third, 1987. Slide and Sound Installation. [A black and white image of a hand holding a newspaper with a view of the street and surroudning buildings in the background.] -
Darren Wardle, Jailbreak, 2002. [A symmetrical image of windowless houses rendered in inverted colors with tones of purple, yellow, and pink.] -
Not yet titled, 2019
Clay, glaze, mixed media
7 x 12 x 17 inches (variable)
$5,000
[A brown object with a processing chip imbedded in its front sits on a white base. On top of the object, a small potato sits with a wire attached.] -
Program for ‘At The Whitechapel Art Gallery, September – November 1981’ . Designed by Richard Hollis, 1981. Courtesy Richard Hollis [A nude statue of a woman in a headdress. To the left, sideways text reads, "At the Whitechapel Art Gallery."] -
Not yet titled, 2019
Clay, glaze, mixed media
7 x 12 x 17 inches (variable)
$5,000
[A green object with a processing chip embedded in its front sits on a white base. On top of the object sit a red potato with a wire attached, false teeth, and a telephone cord.] -
[Photograph of two figures, one in a suit, one in a suit and brown trenchcoat, striding across a city street. The facade of the buildings behind them is covered with a colorful mural and a long line of alternating, bright red and yellow posters. A large building sign above the posters reads "S. KLEIN."] -
SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement window that has been tinted with blue paint, streaming in blue light.] -
Angela Bulloch, Rules of the Space, 2012, from the Rules Series, Silkscreen print on record sleeve, 12 3/8 x 12 3/8 inches, Signed and numbered [A numbered list of rules is arranged on white ground in various black fonts. Text reads: "Rules of the Space / 1. This SPACE is OCCUPIED. Anyone CAN SLEEP HERE / 2. NO Police (Pigs) and NO Informants (Rats) / 3. No Press OR Photos / 4. This is a Safer SPACE No Bullshit / 5. NO Peacekeepers or WANNA-BE POLICE / 6. INVITE EVERYONE (Except the aforementioned pigs and rats) / 7. create the world you want to see in the future (occupy the future) / 8. The HISTORICAL BREAK / 9. SEQUESTER THE BOSSES / 10. SHUT IT DOWN!!! / 11. Flush the toilet - don't shit on the floor.. this isn't Zucotti. / 12. PANTS ARE OPTIONAL / 13. DEMAND NO. 1 CATS (AND WE WANT THEM MEOW!) / 14. Louder! Louder!! LOUDER!!! If You Wanna Exploit LABOR you havta be you have to be 15ft from the door / 15. Rock & Roll ALL NIIIGHT AND PARTY EV-ERY DAY! / 16. CREATE MYTHS TO SUSTAIN CATASTROPHE] -
Zona. Carga Y Descarga, Issue 3, January - February 1973. Editor and Publisher: Rosario Ferré. Design and Photomontage: Zilia Sánchez. [Four pages of a magazine displayed on a white background. The pages contain text and black and white as well as blue and yellow collaged images.] -
Ed Levine. Installation view, Artists Space, 1980. [View of a wall construction in a gallery setting.] -
Collaborative team designing butterfly, 2018 [Four people pose for a photo, leaning on a table with three drawings of butterflies splayed across the surface. A papier mache butterfly composed of saturated pink and gold paper and red, yellow, black and white cotton balls hangs above the people at the top right of the image.] -
Carol Sun, Journey to Gold Mountain. [A slide of a painting of a pyramid of stairs with a ladder extending upwards, connected to several gold mountains by a railroad track.] -
Passages from People Who Led to My Plays. Performance documentation, March 1, 2020, Artists Space. Photo ©️ 2020 Paula Court. [Two figures in dark clothing stand before two music stands in front of a seated audience. The figure on the right appears to read from a text propped on the stand, while the figure on the left looks towards the audience, speaking and gesturing towards them with one hand.] -
Cover of Christopher D'Arcangelo, Kunstverein Publishing and Artists Space. Photo: Cathy Weiner. [Scan of the cover and back cover of a book. On the front cover, black text on a white background reads "Christopher D'Arcangelo." The back cover features a black-and-white photograph of a figure doing a headstand, their back facing the viewer. The figure is shirtless, exposing black text written on their skin.] -
Artists Performance Series. Installation view, Artists Space, 1977. [A black and white photograph of a gallery space. A chouch with two figures is visible in the lower left corner. On the walls, several framed works are hung, each with a grid of smaller black and white images.] -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure dressed in white, laying down on a window ledge facing the street. They raise on arm up and a white light shines from their pelvic area.] -
Hunter Reynolds, Patina du Prey’s Memorial Dress: 1997 to 2007. Historical performance documentation. Photo: Maxine Henryson. [A portrait of a heavily made-up standing person in a ballgown with outstretched arms in black evening gloves. The dark ballgown has rows of light names on it.] -
Cass Bird, I Look Like My Daddy, 2004. C-print, 30 x 40 inches. Courtesy the artist. [Photographic portrait of a youthful figure leaning against a white brick wall. They wear a partially unbuttoned, blue and black plaid shirt and a trucker hat. Large black text emblazoned across the front of the hat reads, "I LOOK JUST LIKE MY DADDY." A miniature gun token has been attached to the hat, to the left of the text. The figure stares ahead, the right side of their face illuminated by daylight.] -
Drake Carr: Housecalls. Performance documentation, September 9, 2023, Artists Space at the Armory Show. Photo: Joshua Wildman.
Recycling L.A., May 31-June 30, 1990, Artists Space" appears in a black square."
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Recycling L.A., May 31-June 30, 1990, Artists Space" appears in a black square."
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