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New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court. [A figure and a microphone are silhouetted in front of an image projection. The image shows a face obscured with white plaster, overlaid with red text reading “New Red Order” and white text reading “1-888-NEW- RED1 newredorder.org."] -
Rita McBride, General Growth, 1991. [A black and white photograph of a large convex panel strapped to a white column, its circular side extending out into an empty room.] -
City Seers, BRIDGE photography exhibition, the DOOR, May 2025 -
Show and Tell: A Chronicle. of Group Material. Doug Ashford, Julie Ault, Sabrina Locks. Four Corners Books, 2010. Hardcover, 272 pages. $35 . $120 Signed. at the Artists Space Bookstore [A red room containing a pile of miscellaneous items. Yellow text that reads, "Show and Tell: A Chronical of Group Material, Edited by Julie Ault."] -
DUOX: DUOX4Larkin. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Two sculptures installed in a gallery space featuring rectangular sheets of laminated, paper rectangles held together by metal rings. The sheets are suspended at their four corners by metal poles mounted in silver buckets.] -
[A few empty seats on an NYC subway - the 6 train, with the originating station titled "Maintaining Good Relations"] -
Steve Carter, Tile Series (detail), 1994. [A gray cross made from wire on a white background, with a small, red square held in the center.] -
Brad Kronz, Egna Spartan, 2025. Plywood, wood filler, stain. Photo: Carter Seddon [A smaller wooden panel has been inserted into a larger surrounding wooden square. The woods' grains contrast with slight color variations. ] -
ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A view of a column like display planter and multiple images on a white gallery wall. Above the images is a yellow band that wraps around to the adjacent wall with text that reads "A young boy cries, a middle aged housewife may become indignant, a group may become belligerent and/or".] -
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Lance Loud and Andy Warhol. [A black and white image of two men facing the camera.] -
Individual self-portraits, Untitled, 2021, collage and sequins on paper -
University of Colorado, still from On Art and Artists Series. Andres Serrano: What Follows…, 1991. 31 min. [Andres Serrano wearing a dark blue shirt and looking at an off-camera interviewer mid-speech.] -
Duane Zaloudek. Untitled, 1983. [An image of a wooden chair next to a wooden desk with a frame being prepared on top of it. They are placed on a wooden floor against a white wall.] -
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Ethan Crenson, Fission, 1996. Mixed media installation. [Mousetraps on a wooden floor in motion, snapping to capture ping pong balls resting atop them.] -
Abasement #76. Performance documentation, March 3rd, 2025, Artists Space. Photo: Joshua Wildman. [Color image of two performers, shot from behind the stage looking out to the audience. The musician on the left is bent down with their arms out and their back is facing the camera. The musician on their right is signing into a microphone. Multiple rows of audience members are facing the stage. A bright light from the back of the room creates a glare in the image. The room is dark and it is tinted yellow and pink.] -
Witnesses: Against Our Vanishing. Installation View, Artists Space, 1989. Photo: Frances Miller Smith. [A wide view of a gallery featuring an array of paintings, sculptures, and photographs hung along a wall and wrapping around a corner.] -
Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Overview of a large black glossy structure built in a gallery. The "bc" logo is visible, printed in white on one of the structure's walls. A TV depicting an abstract, colorful image and the word "EVERYWHERE" is hung on an upright rolling stand, visible through an opening in the structure.] -
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Young Fluxus. Installation view, Artists Space, 1982. [A number of trays of items appear around a flickering light beam over a white sheet on the ground.] -
A visit to David Ellis exhibition at Babel Gallery. -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure dressed in all white, dancing in a corridor bathed in red light.] -
[An older man in a white collared shirt, pink tie, and black vest leans against a shining countertop—perhaps a bar—with both hands. A restaurant interior and fishtank gleam behind him.] -
Renee Gladman: Narratives of Magnitude. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of three framed works hang on the white wall. The works, all made on black paper, consist of colorful shapes, white line drawings and illegible text that form abstract compsitions.] -
Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979. [Two photographs are mounted on a white gallery wall.] -
Exchange Show: Hallwalls, Buffalo, NY. Performance, Artists Space, 1976. Photo: Robert Longo. [An close up black and white image of an individual with their fingers crossed behind their back.] -
Flyer for Segue Reading Series featuring Ron Silliman and Tonya Foster. Saturday, January 9, 2021, Artists Space. [An image of multiple abstract line drawings. The drawings on the left are depicted in black and the drawings on the right are depicted in a range of colors. Black text over the top half of the image reads "Ron Silliman/ Tonya Foster." Black and white text layed out vertically between drawings reads "Segue" and black text on the lower half of the image reads, "9 January / 5 pm".] -
[An image of a woman riding a bull through a green bank note. One hand holds on to the reins of the bull, the other scatters bills. She wears a yellow dress that is opening at the top.] -
Young Fluxus. Installation view, Artists Space, 1982. [A television set sits in the corner on a pedestal with framed images on the two walls surrounding it.] -
Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court [Various figures stand around a mannequin covered with foliage and flowers.] -
Attention Line. Installation view (masks, scripts, and videos by Tom Murrin, c. late 1970s-2000s), Artists Space, June 11, 2022 - August 20, 2022. Photo: Filip Wolak [An image of a wall mounted with various colorful masks and cardboard paintings. Below them is a glass display case.] -
[White text overlays a green and brown background. The text reads: “May 6 / stefa marin alarcon / zavé martohardjono." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)] -
Local Transit. Installation view, Artists Space, 2006. [Three red, orange, and green fabric rolls are arranged vertically on a white wall. Further along the wall, two marbled, gray and red sheets have been hung low on the wall such that their lower halves drape on the gallery floor.] -
Andy Robert, koulèv, 2023. Cast iron radiator, snakeskin. Image courtesy Artists Space, New York. Photo: Carter Seddon. [A color image of a dark green radiator placed on the floor. Parts of the radiator are covered in snake skin, while other sections feature chipping, hunter green paint and large patches of rust.] -
Danh Vo. Installation view from Autoerotic Asphyxiation, 2010. Photo: Daniel Pérez. [A vintage, framed black and white photograph of five priests dressed in all black stiffly pose before the camera for a portrait. The two men sitting closest to the viewer hold hands.] -
‘MoRADE Seeks Positive Action’ poster. Design by Richard Hollis, 1968. Courtesy Richard Hollis [Black text at the top of a white background reads, "At Guilford 40 part-time staff have been dismissed, 7 full-time staff suspended, 5 full-time staff threatened, some students are in danger of being refused readmission. Hornsey is to stay closed for six weeks; Haringey has asked local authorities to pay grants monthly." Red text at the bottom reads, "MoRADE seeks positive action."] -
Tilo Schulz, Remake Performance, Artists Space, 2004. [Two men walking inside a large inflatable sphere being followed by a crowd of people, some who are filming them, outside in a grassy and paved area.] -
Detail of the flyer for the performance "Fun With Time Time," Ralston Farina, May 22, 1977, Artists Space. [A black and white drawing forms an image puzzle featuring broken-up text and a clock. A handwritten date appears in the bottom right corner: "5.22.77."] -
Fifth Season Act, Apotheosically. Performance documentation, May 31, 2012, Artists Space. [A crowd if people sit on wooden chairs in a large gallery space. The crowd forms a semi-circle around a portion of the gallery floor covered in a brown, dirt-like material. A woman in a white suit stands amonst the debris and speaks into a microphone in front of a sculpture composed of a large pane of glass.] -
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Abasement #85. Performance documentation, March 2nd, 2026, Artists Space. Photo: Joshua Wildman. [Three performers play various instruments on stage in front of an audience. The stage and wall behind it are bathed in a blue and red striped pattern. ] -
P.S. 140 students performing at YAP (Young Artists Perform), 2019 [Eight people sit in a row on a wooden stage in front of a navy blue curtain. They are holding pieces of paper, one speaks into a microphone.] -
[An image of rocks, trees and coastline overlooking a large body of water. Collaged on top of the photograph are cutouts of flowers, carved stones, and a mosaic. Gray text gives details about a virtual reading event, with zoom meeting information written in yellow at the bottom.] -
[An orange flyer features black sans serif text that reads: "Artists for ARTISTS SPACE / a benefit exhibition / April 27–May 13, 2023." Underneath is the list of participating artists: "Richard Aldrich, Ei Arakawa, Oto Gillen, Renee Gladman, Robert Gober, Richard Hawkins, G. Peter Jemison, Sanya Kantarovsky, Danny McDonald, Julie Mehretu, Jill Mulleady, Ulrike Müller, Yoshitomo Nara, Elizabeth Peyton, Pope.L, Andy Robert, Julia Rommel, Cosima von Bonin."] -
[A poster design featuring the text "Shellshock Rock An Alternative Blast From Belfast" superimposed onto a grainy, black and white graphic of an open mouth yelling into a microphone. A smaller graphic of a man running with a guitar case is situated to the left of the text "Shellshock."] -
Meryl Vladimer. Installation view, Louisa Chase, Ted Stamm, Meryl Vladimer, Artists Space, 1975. [A black and white photograph of a sculpture comprised of nine dark orbs on a dark circular backgroun.] -
Untitled, Taro Quirk, City-As-School high school student, 2021, digital photograph. -
Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt. [A wooden door opens on a view of a tiled, single-user bathroom. To the right of the room is a small, porcelain sink and warped mirror. Behind the sink is a tan toilet below a thin window.] -
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Peter Jemison, Crows in Winter (Paris), 1980s. [A yellow paper bag with handles, detailed illustrations across its sides. At the front is a drawing of two large crows. Intricate line designs in the background and along the handles. On the side of the bag is a barren tree, with small dots indicating snowfall, and a fence that stretches in the background.] -
Milford Graves, Bikongo-Ifá: Spirit of the Being, 2020. Wood, tabla, acupuncture model, bata drum, Nkondi figure, George Washington Carverbust, compass, glass, peanuts, LabVIEW animation, monitors, bells, plasma, lamp, globe, eagle figurine, alarm clock, collaged paper, printouts, copper wire, paint marker, metal fasteners, casters. Dimensions Variable. Photo: Filip Wolak. [A color photograph of a sculpture composed of three monitors, drums, a human figure sculpture, and topped by a small sculpture of an eagle in mid-flight.] -
Attention Line. Installation view (various envelopes by Blaster Al Ackerman, c. 1970s-2000s, Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [A close-up of a vitrine housing several postcards which have been drawn and collaged upon.] -
Jeff Preiss, still from STOP, 2012. 16mm film transferred to digital video. [Close-up photo of a person with red hair, leaning against a wall while looking away from the camera.] -
Union Gaucha Productions Still from Phantom Limb , 1998 16mm film (silent, black and white), 21 min 45 sec Courtesy of Union Gaucha Productions [A black and white image of various tones of traingle shapes and lines.] -
Richard Hollis. Installation view, Artists Space, 2013. [A view between two book stands, perpendicular to the wall, displaying books, documents, and papers. On the wall, posters are staggered including various text and images.] -
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Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [A figure stands on stage speaking into a microphone.] -
Christa Blatchford, still from See Around, 2008. [Four images arranged horizontally. From left to right: solid gray-blue, a gray-blue toned image of a shoreline, a gray toned image of a shoreline, and a gray toned image of a shoreline with a subtle pink sunrise in the sky.] -
Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a figure wearing black, holding a long wooden stick over a reflective surface with an orange construction net over it.] -
Carolee Schneemann. Installation View of War Mop, 1985. Video sculpture and installation with mechanized mop, plexiglas fulcrum, TV monitor. [A black and white photograph of a mop on top of a working CRT television in a gallery setting.] -
LIFE—a group show, curated by Arnold J. Kemp. Installation view, Artists Space, 2025. Photo: Carter Seddon [An assortment of artworks are seen in the large gallery space. On the left, an assemblage of materials affixed to the wall on floor connected through a metal thread. Behind are framed works and a plinth displaying colorful sculptures. In the right of the gallery are red, white, and blue wax candles spelling "LOVE" sitting abundantly on metal armatures. Further to the right is a colorful artwork forming the Star of David, and behind on the gallery walls are glimpses of assemblage artworks.] -
Abasement #78. Performance documentation, June 16th, 2025, Artists Space. Photo: Joshua Wildman. [Color image of a performer on stage with a guitar. They are singing into a microphone, with another microphone facing the guitar. Japanese and English text are projected on the performer and the wall behind them. The performer is lit with orange-tinted lights, and white dots of light from a discoball decorate the wall.] -
Yasunao Tone Concert #3. Performance documentation, March 16, 2023, Artists Space. Photo: Destiny Mata [Color image of a figure seated behind a white desk on a stage. They face out into the audience, and controls a laptop that also faces out into the audience. Members of the audience wave their arms in the air so the laptop will capture their movement.] -
Enough Tiranny. Installation view, Serpentine Gallery, 1972. [A black and white photograph showing a room filled with various standing lights and assorted objects sitting on the floor. Two people are standing, their outlines casting shadows on a white wall with the word "TIRANNY" handwritten in large, block letters.] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Image of a dimly lit basement. Along the back wall, on the right, a shadow of a figure in profile is cast onto a blue and purple projected screen.] -
Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They wave a red object in the air.] -
Abasement #68. Performance documentation, February 12, 2024, Artists Space. Photo: Joshua Wildman. [Color image of three performers on stage. In the foreground, in the lower right corner a musician wearing headphones plays drums. To the left hand side in the midground, two bald performers look at one another. One of the performers wears a red robe and holds a microphone. The other performer wears a blue tunic and faces the performer in the red robe. Stage lights shine down on all three performers. ] -
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Louisa Chase. Installation view, Louisa Chase, Ted Stamm, Meryl Vladimer, Artists Space, 1975. [A black and white installation photograph of a gallery space. Two floor bound sculptures are visible in the foreground, and in the background a few framed works hangfrom the wall.] -
David Armstrong, Enrique, 2003, Silver Gelatin Print. © David Armstrong; Courtesy of the David Armstrong Estate -
Constantina Zavitsanos: fwiw. Installation view (∞, 2024), Artists Space, 2024. Photo: Carter Seddon. [The exterior corner of Artists Space shows a building with highly elaborated columns. On the White Street side, an aluminum can is strapped to the building’s security camera.] -
Mr. Dead & Mrs. Free invitation, 1996. [A person suspended as if swimming or floating, with large headphones, a silver bikini top, and loose, blue pants and bangles up her arms on a blue background. Red text above her reads, "from back out to south came / the King of the Gestapoes / Lord of the Sabotage / Ruler of the Astronauts..." and white text below reads, "Mr. DEAD & Mrs. FREE."] -
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David Armstrong: Portraits. Installation view, March 10 – May 23, 2026, Artists Space. Photo: Carter Seddon -
Work by Susan Eder. From Susan Eder, Matt Mullican Artists Space, 1976. [A black and white photograph of a small photograph against a white surface. The image pictured features the faces of two figures.] -
[Black text on a grey background. The text reads: “May 3 / John Keene / Laura Mullen.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [Small sculptures on pedestals are lined up diagonally in front of a map and various images.] -
A black and white image of three figures performing on stage. The figure on the left plays the saxophone, a clarinet is on the floor, right in front of them. The figure in the center plays the drums, and the one on the right, the double bass. Three microphones are scattered across the stage. -
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keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure, wearing reflective one-way mirror film around their body, hanging off the ledge of an open doorway entrance.] -
Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Candice Hill-Montgomery. [Black and white photograph of white picket fence with dark painted background behind it.] -
Installation view from International Projects: Belgium, featuring Didier Vermeiren, Artists Space, 1984 [A black and white image of a sculpture resembling a rectangular prism displayed in the exhibition space.] -
David Armstrong: Portraits. Installation view, March 10 – May 23, 2026, Artists Space. Photo: Carter Seddon [The inner display of a vitrine reveals four smaller color photographs. Directly above on a bright gallery wall, hang four larger photographs. One of the four is a slightly larger-than-life portrait of a young man printed in soft tones. ] -
LaMonte Westmoreland. The Watermeleon Series, 1986. Mixed Media collages. [A black and white photograph of two mixed media collage works hanging side by side on a gallery wall.] -
Artists Draw. Installation view, Artists Space, 1979. [Two drawings hung up on adjacent walls. On the left is a nude headless figure with a star covering its groin and smaller figures walking along the top. On the right is a nude headless figure with two disembodied heads floating nearby with long extended tongues.] -
Susan Cianciolo, Flowers, 2018, 25 x 21 x 1 1/2 inches, Silkscreen on book cloth on bespoke archival box, Signed edition of 100, 5APs Courtesy of the artist. [A portfolio box with a flowered pattern on the lid is shown on a white ground with the lid slightly askew.] -
Untitled (Performance at Galleria L'Attico), 1974 35mm slide, Copyright Jack Smith Archive, Courtesy Gladstone Gallery, New York and Brussels [A person, clad in a white jumpsuit and blue eye makeup, lies horizontally on the ground. Their top half body is visible in the bottom left corner. Next to them floats a handwritten thought bubble, which reads, "How can a queer escape the mocking laughter of wealthy normals if they visit his very rejection-sewer home to get art."] -
Joseph Marioni pictured with his work. Installation view, Joseph Marioni, Andrew Ginzel, Barbara Schwartz, Artists Space, 1975. [A figure standing in front of a black square canvas in a gallery space.] -
Lukas Duwenhögger: Undoolay. Installation view, Artists Space, 2016. Photo credit: Jean Vong. [A glossy black frame surrounds a painting of a man in a grey suit seated at a table. The man is wearing a white earpiece and is leaning forward towards a microphone. His fingers are tented on top of the table in an emphatic gesture.] -
Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 6 / Charles Alexander / Laura Jaramillo.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)" -
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Saul Becker: Nature Preserves. Installation view, Artists Space, 2009. [Brown, dried plants hang upside down in front of a white wall.] -
Lissette and Ruby, Las Avenida de los Gigantes, acrylic paint on paper, 2024 -
Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez. [Large black straps wrap around some cast-iron columns, an orange, slug skins covers one of the cast-iron columns and other large, orange slug forms interact with the white-walled gallery space in the background. A black table sits in the corner and a figurative painting of an upright shark is in the back left corner.] -
Heist Divination (fwiw remix). Performance documentation, October 25th, 2024, Artists Space. Photo: Destiny Mata. [A performer closes their eyes as they sing into a mic pressed up to their mouth. They are holding a music stand with a score on it in their right hand, and adjusting audio equipment with their left hand. They are bathed in green light. On the left of the image a red-tinted column is blurred in the foreground. The background is dark purple.] -
Lyndon Barrois Jr., Breakaway Palm, 2022. Oil on linen-mounted board, brass, solvent transfers, raw linen panel, linoleum frame, plywood. 20.75 x 16.75 inches. Photo: Filip Wolak. [A color photograph of a ceramic jub resting on a small wooden stool next to a color control strip. On the wall above and to the right is a painting of two hands. Another color control strip rests on top of the painting's frame.] -
Union Gaucha Productions in collaboration with Fabio Kacero. Still from Totloop, 2003. 16mm film (silent, color), 4 min 49 sec. Courtesy of Union Gaucha Productions. [A black and white video still of a painting hanging on a decorative wall. The image in the painting has been burned and is illegibly white.] -
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ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A close up of low windows on a brick facade covered in layered black and yellow film.] -
Abasement #86. Performance documentation, April 6th, 2026, Artists Space. Photo: Joshua Wildman. [A performer, wearing a bright headlamp, sings into a microphone while pointing out towards the audience in a dimly lit room. ] -
Photo: Ricardo Estanislao Zulueta. [Installation view in a room with white walls and blue floors. In the middle of the wall there is votive candle stand filled with dark blue prayer candles. Above it there is a rectangular artwork with a black and white abstract image in the shape of a circle printed on metal. In the right edge of the image there is a white radiator.] -
She Who Is: Adrienne Kennedy and the Drama of Difference. Installation view, Artists Space, February 29 – September 19, 2020. Photo: Filip Wolak. [A glass vitrine displaying a series of images, pages of text, and two large rat skulls.] -
Yasunao Tone performing Music for Reed Organ (1962), Repetition and Structures, Mills College, Oakland, California, 1972 [Black-and-white photograph of a figure, in profile, sitting behind a reed organ that is covered in plastic.] -
Richard Hollis, Whitechapel Gallery advertisement, 1980. [A blue flyer with the word "OPEN." printed in yellow.] -
Friends of Artists Space Dinner 2024. Wine sponsor Vivanterre. Photo: Jenna Bascom [A bottle of wine sits on a set dining table covered in a red tablecloth, surrounded by wine glasses. The wine label features an irregular curved white semi-oval, overlaid with a smaller burgundy red shape, and the embossed text "Vivanterre"] -
Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court [Two figures wearing medical scrubs stand across from each other, with a table with a mannequin on it in the middle.] -
Installation view of Social Disease and Two Possibilities, Artists Space, April 12, 1986 - May 10, 1986. [Two people sit on chairs in front of television monitors that are showing a black image. The television monitors are on pedestals in the gallery space.] -
Till They Listen: Bill Gunn Directs America. Installation view featuring contact sheets from Losing Ground, c. 1982, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A close up image of two black and white contact sheets mounted on a wall.] -
Las Nietas de Nonó, Still from FOODTOPIA: en el suelo áspero, 2022. [A woman wearing a gold headdress, hoop earring, and necklace stares off into the distance. The background is filled with trees and vegetation.] -
You Are The Everything and The Everything Is In You. Installation view, Artists Space, 2005. [A corner of a gallery space with wooden floors. Two framed works on paper hang on the left wall. A light blue color has also been imprinted on the central portion of the wall. A long scroll of paper stretches horizontally across the wall to the right. The paper is covered with black and pastel-colored markings.] -
Joey De Jesus, NOCT: The Threshold of Madness, 2016. Ink on found book. Courtesy the artist. [A text titled "Before the Encounter" with a strikethrough on nearly every word - drawn over with abstract black symbols and shapes, circling some words.] -
Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon. -
[A screenshot of the google images results page for the search query "institution".] -
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Paul Lamantia. The Critic (A Portrait of Dennis Adrian), 1984. [Three figures with misshapen faces appear together in an surreal setting.] -
Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman [A seated figure in a black hoodie and black beanie plays the guitar with red and purple light cast onto them.] -
Abstraction in Process. Installation view, Artists Space, March 26, 1987 - May 2, 1987. [intermezzo?] -
Ei Arakawa, Syllabus Painting (The Films of Keanu Reeves, a class by Stephen Prina, at ArtCenter College of Design, Pasadena, CA, USA, 1994), 2023. Photo: Filip Wolak. [Color image of an art work made up of 7656 small LED lights placed on a bleached fabric, creating an image of two figures laying intimately in bed together. Along the floor below the image are a string of wires, attached to various outlets and a controller.] -
Passages from People Who Led to My Plays. Performance documentation, March 1, 2020, Artists Space. Photo ©️ 2020 Paula Court. [Two figures in dark clothing stand before two music stands in front of a seated audience. The figure on the right looks towards the figure on the left, who looks down at their two hands. Their hands are turned, palms up, towards the sky, as if miming holding something.] -
Adjua Gargi Nzinga Greaves, For Aricka, Ayana, Ayodele, Bernice, Chantelle, Charmaine, Cynthia Ch., Cynthia Co., Daphne, Davina, Dawn, Dina, Emily, Erica, Evadne, Frances, Gail, Gwen, Hara, Heather, Imanei, Imani, Janet, Jenny, Kadija, Kahdeidra, kale, Kelly, Kenya (R), LesLes, Lois, Lynnette, Madeleine, Mahogany, Marsha, Maiya, Najela, Nontsi, Ola, Pilar, Queen, RaFia, Ro-Ro, Sandra, Sasha, Serenity, Shana, Simone L, Simone W, Tabitha, Taiyi, Trinity, Uchenna, Vivian, Wangechi, X, Yvette, Zuri, detail, 2021. Living plants: Hannibal (Epipremnum aureum) with rose quartz, Gertrude Deuxieme (Tillandsia xerographica), Leonie (Philodendron totem), Eversley Deuxieme (Tillandsia xerographica), Melford (Epipremnum aureum) with amethyst; dessicated floral matter (eucalyptus, grass, willow, palm), knight on horseback figurine, brass candlesticks, polystyrene, porcelain and 18 karat gold plates, crystals (various), bamboo earrings, jade, cremains, leather, cork, glass, dragon figurine, sandalwood incense and ceramic holder, palo santo (Bursera graveolens), and window, overall dimensions variable. Courtesy Artists SPace, New York. Photo: Filip Wolak [Potted plants and small figurines sit on the windowsill of a gallery space. Beneath the windowsill are two framed works on paper.] -
Living with Pop. A Reproduction of Capitalist Realism. Installation view, Artists Space, 2014. [A white wall displaying exhibition text next to two, life size paper mache sculptures. Left is John F. Kennedy and right is gallerist Alfred Schmela. To the right is text thanking the Artists Space suppoters.] -
The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich. [Three metal cutouts of hands hold neon green cards displayed on a white wall. The hand on the rightmost side of the wall is holding up its middle finger.] -
Arnold Dreyblatt. Photo: Cécile Braneyre [Black-and-white photograph of a figure performing on stage. The figure is standing, manipulating the bow of a string instrument. Layed out on the table in front of him is a laptop and various audio devices.] -
Perspective: The State of Existing in Space Before the Eye. Leaftlet cover, Artists Space, 1989. [At the center of a page there is an image of a charcoal drawing of a foot overlapping a scrap of an architectural diagram on a black background. Above this image, text reads, "Don Stinson, Perspective: The State of Existing in Space Before the Eye." Below the image, text reads, "September 28-November 4, Artists Space."] -
[A circular shape with a textured fill on a blue background.] -
[A digital rendering of a large structure composed of suspended sheets of red material installed in a gray room. The red sheets are stacked on top of one another, suspended from lengths of wire that run from ceiling to floor. The sheets bend amorphously and are arranged such that they resemble irregular layers of sedimentary rock or strata. Three digitally-rendered figures observe the structure.] -
Cory Arcangel, $10 Applebee’s Gift Card, 2013, Plastic gift card with $10 value, 2 x 3 in 5 x 7,6 cm, Signed and Numbered [Gift cards features Applebee's branded logo of a red apple. Verso of the card shows the apple design with an American flag and says "THANK YOU"] -
Sistema Sandinista de Television. Still from Golpes de la Corazon (Blows of the Heart), 1983. Video (sound, black and white). Spanish with English subtitles. [One figure stands in a small square construction waist high and a nearby child stands inside another square construction with their head peeking out at the other figure. A figure stands behind them by a washbasin with clothes hanging from a clothesline in front of them. Bushes and trees appear behind them along with another edifice in the background. Video scan lines and black edges of CRT monitor are visible.] -
Abasement #77. Performance documentation, April 7th, 2025, Artists Space. Photo: Joshua Wildman. [Color image of two performers on standing on stage. They are both looking to the side with microphones close to their mouths. They are surrounded by drums, cymbals, and a audio board on a table. The wall behind the performers is decorated with an abstract orange, blue, and pink projection, which also covers the performers. Multiple rows of seated audience members are visible in the foreground.] -
Renee Gladman, Untitled (moon math), 2022. Photo: Filip Wolak. [Color image of an abstract drawing consisting of horizontal white lines scratched across black paper with circles interspersed throughout the composition. On the right side of the drawing are arrows, and blurred, scribbled lines and illegible text. Yellow marks accentuate different parts of the composition.] -
[The facade of a cast-iron building with three double door entrances. Real estate listings are illuminated within the windows inside each door. In red tinted transoms above the doors are the letters N, R, O in eccentric white lettering.] -
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Silvia Kolbowski. Installation view, Artists Space, 1980. [Photographs hanging on a wall above a photograph on a wall shelf.] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Image of a dimly-lit basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.] -
[A diagram superimposed across a blurry image of a wooden folding chair facing a small wooden bookshelf filled with colorful books. The diagram is composed of a simplistic icon that loosely resembles an open book. Circling the book icon are several hand-drawn arrows that point to various handwritten words and phrases, such as "PDF's" and "Followed remotely." Below the book icon are hand-drawn drops of liquid and a puddle.] -
Ken Aptekar, Fuck Me? Fuck You, 1990. Oil on wood, sandblasted glass, bolts, polyptych, 60 x 60 inches overall. [Two suits of armor face one another, with a medieval-style battle scene in the background. The words "FUCK ME? FUCK YOU FUCK ME? FUCK YOU" form a circle on top of the scene.] -
Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [Two square paintings adjacent to each other, the left one depicting a lush mountain view in hues of burgundy, green, and blue, and the right one depicting a vertical slit in the ground, slightly parted, revealing a light brown interior crust surrounded by a dark, rippled exterior.] -
Beneath the Surface, BRIDGE photography presentation at City-As-School, November 5, 2021 -
Abasement #84. Performance documentation, February 16th, 2026, Artists Space. Photo: Joshua Wildman. [Three performers, from left to right, sit singing, playing the drums, and operating a sound board on stage. ] -
Abasement #77. Performance documentation, April 7th, 2025, Artists Space. Photo: Joshua Wildman. [Close-up color image of a performer sitting on stage facing a laptop. The room is dark, lit with blue light and patches of rainbow abstract projections. There are white dots on the back walls reflecting from a disco ball. The performers face is lit up, they are wearing glasses and their hands are on the table.] -
LIFE—a group show, curated by Arnold J. Kemp. Installation view (Catherine Sullivan in collaboration with George Lewis and Sean Griffin, Afterword via Fantasia, 2015; Nick Raffel, No title, 2025), Artists Space, 2025. Photo: Carter Seddon [On the left gallery wall is a sheet of paper listing the credits of Catherine Sullivan's film "Afterword Via Fantasia." On the right gallery wall is a still image from this film featuring Pope L wearing a suit.] -
Renee Gladman: Narratives of Magnitude. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of a gallery space. On the left wall hangs a framed work that consists of a colorful abstract drawing made on white paper, with pencil strokes surrounding the colored shapes. On the right wall, three framed works hang on a horizontal line. The three abstract works are made on black paper, and depict colorful compositions.] -
SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement with a sculpture made of two fresnel lenses cut in the shape of wings hung on the back of a pillar to the left of the image. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.] -
[Black text on a green background. The text reads: “Jan 18 / Ann Lauterbach / Chris Campanioni.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
Fishing For Sound Team on the East River, 2022 -
Event Poster, Topical Cream Presents, 2016. [Event poster with performers and time information on the right. On the left, an image of a person putting on full protective medical gear and a white facemask.] -
Flyer for Segue Reading Series featuring Richard Loranger and Yanyi. Saturday, November 21, 2020, Artists Space. Artist: Keith Higginbotham [Two cropped photographs of figures cut into irregular shapes are laid over a light blue background. White and blue text on the image reads "Richard Loranger / Yanyi / Segue."] -
Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a gallery space. Various musical instruments and audio devices are placed around the back room, photographs and vitrines hang on the walls, and various television monitors and projections are placed along the sides of the room.] -
Hito Steyerl, Liquidity, Inc., 2014 HD video with sound, 30 mins. Courtesy the artist and Andrew Kreps, New York. Installation view from Hito Steyerl, Artists Space, 2015 [An angled view of a large video monitor screen positioned on the ground behind a collumn. The room is tinted blue. Three pairs of pipe-frame panels visible in the front and both sides of the screen, which projects a video-still of a composited frame that includes computer generated images of the ocean.] -
Young Fluxus. Installation view, Artists Space, 1982. [Plastic bags of objects appear on a white gallery wall.] -
[Black text on an orange background. The text reads: “Nov 9 / Norman Fischer / The New York Neo-Futurists.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
John Mendelsohn and Donald Sultan, Installation view, Artists Space, 1977. [A rectangular, abstract painting is mounted on a black frame at an angle to the white gallery wall.] -
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Abasement #67. Performance documentation, January 15, 2024, Artists Space. Photo: Joshua Wildman. [Color image of performer using their left hand to control a soundboard resting on a circular table while their left hand grasps a microphone. Next the performer is an empty music stand. The performer's serious face peeks out from their long brown hair. To stage left, audience members hold their hands up in applause. The performer is illuminated by the colorful light of a projector, which casts red and blue light on the wall behind the performer.] -
[A flyer for Concert's tour, ending at Artists Space on June 30. The yellow flyer features two black speakers mounted on stands.] -
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New Red Order with Ashley Byler and Jeremy Pheiffer / Kate August and Enver Chakartash Urge 2 Merge, 2021 3 channel video, color 12 minutes (loop) Image courtesy Artists Space, New York Photo: Filip Wolak [An image of a dark exhibition space with three video projections projected on to a wall.] -
Yellow. Performance view, Artists Space, 2008. [A woman is seated wearing a long, yellow dress with a full skirt that has extra fabric at the bottom. She is washing the front of her dress with soap suds, some of which are dripping down the front of the skirt.] -
Fifth Season Act, Apotheosically. Performance documentation, May 31, 2012, Artists Space. [A figure in a white suit—the artist Jutta Koether—stands with her back to the viewer in front of a sculpture composed of a large glass pane with a painted canvas installed in the panel's center. Her left hand gestures in the air and grasps a metal wand with a butterfly ornament as well as papers with handwritten text.] -
Gwynn Murrill, Impala, laminated wood blocks, 1972. From Don Wynn, Judy Pfaff, Gwynn Murrill, Artists Space, 1974. [A black and white photograph of a wooden bust of a horned deer like animal, attached to a white wall.] -
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Marc Handelman, 2001. [A blue-toned image of a room with dozens of beds arranged in rows on platforms surrounded by floor grates. Spots of sunlight filter in through skylights in the ceiling.] -
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Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman. [Color photo of a large gathering of audience members seated and standing in a dimly lit performance space. The venue is illuminated by white spotted lights from a discoball out of view and soft, pink projections.] -
Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [Two individuals seated in two wooden chairs while a third in between them holds a single headphone. They are seated in front of a TV monitor displaying Edward Snowden's image.] -
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Ei Arakawa, WEWORK BABIES. Performance documentation, Artists Space, December 8, 2019. Photo © Paula Court. [A crowd of people standing outdoors surround several performers. The performers intermingle with the crowd, holding metal poles, some looking at a baby doll which is photographed in midair after being thrown upwards.] -
Immanent Madness. Installation View. Artists Space, 1985-86. [A drawing of a chain attached to a constructed wall with text on the lower left of the page reading, "IMMINENT MADNESS THE WALL WE ARE NO LONGER CHAINED TO".] -
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Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [Two monitors are hung on a white wall. On the left, an image of a man crouching in a room with a chair sitting on the ground behind him. On the right, a purple, pink, and red graph is displayed next to a column of indicating numbers.] -
Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York. [Two figures hold a table with a mannequin on it.] -
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Michael Brewster, An Acoustic Sculpture, 1977. Negatives of Installation views from An Acoustic Sculpture, A Clicker Drawing. Artists Space, 1977. [A strip of black and white film negatives of a cavernous gallery space.] -
Third World Gay Revolution, “Come Out in Third World Lingo,” back cover of Come Out! 1, no. 7, (December/January 1970 – 7). Courtesy Archivo Moléculas Malucas. [Characteristic, expressive handwriting on a page spells out phrases such as “All Power to the People!” and ”Seize the Time!” in both English and Spanish.]
