• pages
  • images
  • texts
  • videos
  • artists
  • A group of eight figures with beaks for noses, and dressed in red and white outfits and helmets, stand in an imposing formation against a yellow background.
    A group of eight figures with beaks for noses, and dressed in red and white outfits and helmets, stand in an imposing formation against a yellow background.
    Craig Baldwin, Tribulation 99: Alien Anomalies Under America (still), 1992. [A group of eight figures with beaks for noses, and dressed in red and white outfits and helmets, stand in an imposing formation against a yellow background.]
    Caption Craig Baldwin, Tribulation 99: Alien Anomalies Under America (still), 1992.
    Image description A group of eight figures with beaks for noses, and dressed in red and white outfits and helmets, stand in an imposing formation against a yellow background.
    Year 1992
    Related pages Attention Line Cinema Series: The Films of Craig Baldwin
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A woman wearing headphones stands in front of a horizontal monitor displaying an image of two illustrated eyes and a nose. Behind the monitor, several framed photographs lean against a wall. A long, red carpet runs across the floor underneath the photographs.
    A woman wearing headphones stands in front of a horizontal monitor displaying an image of two illustrated eyes and a nose. Behind the monitor, several framed photographs lean against a wall. A long, red carpet runs across the floor underneath the photographs.
    Frozen Lakes. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A woman wearing headphones stands in front of a horizontal monitor displaying an image of two illustrated eyes and a nose. Behind the monitor, several framed photographs lean against a wall. A long, red carpet runs across the floor underneath the photographs.]
    Caption Frozen Lakes. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description A woman wearing headphones stands in front of a horizontal monitor displaying an image of two illustrated eyes and a nose. Behind the monitor, several framed photographs lean against a wall. A long, red carpet runs across the floor underneath the photographs.
    Year 2013
    Related pages Frozen Lakes
  • Photographs of different housing interiors hang in a white-walled gallery space.
    Photographs of different housing interiors hang in a white-walled gallery space.
    Split/Vision. Installation View. Artists Space, 1985-86. [Photographs of different housing interiors hang in a white-walled gallery space.]
    Caption Split/Vision. Installation View. Artists Space, 1985-86.
    Image description Photographs of different housing interiors hang in a white-walled gallery space.
    Year
    Related pages Split/Vision
  • Caption
    Image description
    Year
    Related pages Doris Guo Matthew Langan-Peck Isabelle Frances McGuire Ruben Ulises Rodriguez Montoya
  • A miniature home crafted out of printed and handwritten material is displayed on a vitrine. At the front of the house above the doorway reads,
    A miniature home crafted out of printed and handwritten material is displayed on a vitrine. At the front of the house above the doorway reads,
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A miniature home crafted out of printed and handwritten material is displayed on a vitrine. At the front of the house above the doorway reads, "CHEROKEE PHEONIX & INDIAN ADVOCATE." Two other homes can be seen in the background.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description A miniature home crafted out of printed and handwritten material is displayed on a vitrine. At the front of the house above the doorway reads, "CHEROKEE PHEONIX & INDIAN ADVOCATE." Two other homes can be seen in the background.
    Year 2017
    Related pages Unholding
  • Three walls hung with small works on paper and photographs are visible. There is a window on the right.
    Three walls hung with small works on paper and photographs are visible. There is a window on the right.
    Art From the British Left. Installation view, Artists Space, 1979. Artwork by Mary Kelly. Courtesy Artists Space. [Three walls hung with small works on paper and photographs are visible. There is a window on the right.]
    Caption Art From the British Left. Installation view, Artists Space, 1979. Artwork by Mary Kelly. Courtesy Artists Space.
    Image description Three walls hung with small works on paper and photographs are visible. There is a window on the right.
    Year 1979
    Related pages Art From the British Left
  • A color photograph of two wooden cafe chairs with green cushions in a gallery space. A television screen with a cord extending down to an outlet in the floor rests upon each chair.
    A color photograph of two wooden cafe chairs with green cushions in a gallery space. A television screen with a cord extending down to an outlet in the floor rests upon each chair.
    Nicole-Antonia Spagnola, Untitled, 2022. Raw Power, Raw Power; Kollettivo, Lotta per il potere; Antigenesi, Una donna non e’ merda; Negazione, Tutti Pazzi; RAF Punk, Contro la pace Contro la guerra; Peggio Punx, Scemo. 8mm to MP4 transfer (color, sound), monitors, chairs. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of two wooden cafe chairs with green cushions in a gallery space. A television screen with a cord extending down to an outlet in the floor rests upon each chair.]
    Caption Nicole-Antonia Spagnola, Untitled, 2022. Raw Power, Raw Power; Kollettivo, Lotta per il potere; Antigenesi, Una donna non e’ merda; Negazione, Tutti Pazzi; RAF Punk, Contro la pace Contro la guerra; Peggio Punx, Scemo. 8mm to MP4 transfer (color, sound), monitors, chairs. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color photograph of two wooden cafe chairs with green cushions in a gallery space. A television screen with a cord extending down to an outlet in the floor rests upon each chair.
    Year 2022
    Related pages Nicole-Antonia Spagnola: Anti-Genesis
  • Caption
    Image description
    Year
    Related pages Genesis: Medley
  • Caption
    Image description
    Year
    Related pages S*an D. Henry-Smith
  • A color film still of an individual curled against a worn beige headboard as they lean into a candle. They don a red beanie and a checkered shawl, covered by a vintage coat emblazoned with a Howard University logo. The immediate background depicts a dilapidated green wall behind the headboard.
    A color film still of an individual curled against a worn beige headboard as they lean into a candle. They don a red beanie and a checkered shawl, covered by a vintage coat emblazoned with a Howard University logo. The immediate background depicts a dilapidated green wall behind the headboard.
    [A color film still of an individual curled against a worn beige headboard as they lean into a candle. They don a red beanie and a checkered shawl, covered by a vintage coat emblazoned with a Howard University logo. The immediate background depicts a dilapidated green wall behind the headboard.]
    Caption
    Image description A color film still of an individual curled against a worn beige headboard as they lean into a candle. They don a red beanie and a checkered shawl, covered by a vintage coat emblazoned with a Howard University logo. The immediate background depicts a dilapidated green wall behind the headboard.
    Year
    Related pages Shala Miller, Malcolm Peacock, Amiri Baraka
  • A woman sits in front of a typewriter inserting a piece of paper. She is dressed in 1950s fashion.
    A woman sits in front of a typewriter inserting a piece of paper. She is dressed in 1950s fashion.
    Cindy Sherman. Work unknown. [A woman sits in front of a typewriter inserting a piece of paper. She is dressed in 1950s fashion.]
    Caption Cindy Sherman. Work unknown.
    Image description A woman sits in front of a typewriter inserting a piece of paper. She is dressed in 1950s fashion.
    Year
    Related pages ______ , Louise Lawler, Adrian Piper & Cindy Sherman Have Agreed to Participate in an Exhibition Organized by Janelle Reiring at Artists Space, September 23 through October 28, 1978.
  • Two performers stand in the middle of a room, facing each other, with their arms raised, leaning slightly to one side. The audience sits on the perimeter of the room, forming a circle around them.
    Two performers stand in the middle of a room, facing each other, with their arms raised, leaning slightly to one side. The audience sits on the perimeter of the room, forming a circle around them.
    Richard Kennedy Both, 2017. [Two performers stand in the middle of a room, facing each other, with their arms raised, leaning slightly to one side. The audience sits on the perimeter of the room, forming a circle around them.]
    Caption Richard Kennedy Both, 2017.
    Image description Two performers stand in the middle of a room, facing each other, with their arms raised, leaning slightly to one side. The audience sits on the perimeter of the room, forming a circle around them.
    Year 2017
    Related pages Support
  • A close-up icolor mage of a musician playing the guitar. Red light cast onto them. A disco ball hangs from the ceiling, projecting white dots onto the room.
    A close-up icolor mage of a musician playing the guitar. Red light cast onto them. A disco ball hangs from the ceiling, projecting white dots onto the room.
    Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman. [A close-up icolor mage of a musician playing the guitar. Red light cast onto them. A disco ball hangs from the ceiling, projecting white dots onto the room.]
    Caption Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman.
    Image description A close-up icolor mage of a musician playing the guitar. Red light cast onto them. A disco ball hangs from the ceiling, projecting white dots onto the room.
    Year
    Related pages Abasement #65
  • Several sculptures and models sit in a gallery space with wooden floors. To the left of the image, there are several shining metalic forms supported by long, spider-like legs standing at hip height. On the image's right is a large model of a futuristic building. Hanging from the ceiling behind the metal sculptures is a shiny, white rectangular sculpture with sleek, ribbon-like forms.
    Several sculptures and models sit in a gallery space with wooden floors. To the left of the image, there are several shining metalic forms supported by long, spider-like legs standing at hip height. On the image's right is a large model of a futuristic building. Hanging from the ceiling behind the metal sculptures is a shiny, white rectangular sculpture with sleek, ribbon-like forms.
    Matters of Sensation. Installation view, Artists Space, 2008. Photo: Adam Reich. [Several sculptures and models sit in a gallery space with wooden floors. To the left of the image, there are several shining metalic forms supported by long, spider-like legs standing at hip height. On the image's right is a large model of a futuristic building. Hanging from the ceiling behind the metal sculptures is a shiny, white rectangular sculpture with sleek, ribbon-like forms.]
    Caption Matters of Sensation. Installation view, Artists Space, 2008. Photo: Adam Reich.
    Image description Several sculptures and models sit in a gallery space with wooden floors. To the left of the image, there are several shining metalic forms supported by long, spider-like legs standing at hip height. On the image's right is a large model of a futuristic building. Hanging from the ceiling behind the metal sculptures is a shiny, white rectangular sculpture with sleek, ribbon-like forms.
    Year 2008
    Related pages Matters of Sensation
  • The bright beams of a projector cut through the fog filling a basement room. An image is projected onto one of the space’s walls. Several figures talk to each other in the background.
    The bright beams of a projector cut through the fog filling a basement room. An image is projected onto one of the space’s walls. Several figures talk to each other in the background.
    Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [The bright beams of a projector cut through the fog filling a basement room. An image is projected onto one of the space’s walls. Several figures talk to each other in the background.]
    Caption Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description The bright beams of a projector cut through the fog filling a basement room. An image is projected onto one of the space’s walls. Several figures talk to each other in the background.
    Year 2019
    Related pages Speaker Music: drape over another
  • A performer plays the violin on stage. The stage and the wall behind it are bathed in orange light.
    A performer plays the violin on stage. The stage and the wall behind it are bathed in orange light.
    Abasement #80. Performance documentation, September 22nd, 2025, Artists Space. Photo: Joshua Wildman. [A performer plays the violin on stage. The stage and the wall behind it are bathed in orange light. ]
    Caption Abasement #80. Performance documentation, September 22nd, 2025, Artists Space. Photo: Joshua Wildman.
    Image description A performer plays the violin on stage. The stage and the wall behind it are bathed in orange light.
    Year
    Related pages Abasement #80
  • A looseleaf sheet of paper with
    A looseleaf sheet of paper with
    [A looseleaf sheet of paper with "Spring 2012 F.R. DAVID" printed on the top in red type. The page is filled with handwritten black text.]
    Caption
    Image description A looseleaf sheet of paper with "Spring 2012 F.R. DAVID" printed on the top in red type. The page is filled with handwritten black text.
    Year 2012
    Related pages F.R.DAVID, Issue #9
  • Crystal Z Campbell, Revolver, 2022. 16mm film transferred to Digital Video, Stereo, Sound. 17:27 min. Courtesy the artist
    Caption Crystal Z Campbell, Revolver, 2022. 16mm film transferred to Digital Video, Stereo, Sound. 17:27 min. Courtesy the artist
    Image description
    Year
    Related pages Crystal Z Campbell
  • Caption
    Image description
    Year
    Related pages Arnold J. Kemp
  • A dim photograph of dark curtains and sculptures in a gallery space.
    A dim photograph of dark curtains and sculptures in a gallery space.
    Gary Falk, Brigid Kennedy, Ladd Kessler, Peggy Yunque. Installation view, Artists Space, 1981. [A dim photograph of dark curtains and sculptures in a gallery space.]
    Caption Gary Falk, Brigid Kennedy, Ladd Kessler, Peggy Yunque. Installation view, Artists Space, 1981.
    Image description A dim photograph of dark curtains and sculptures in a gallery space.
    Year
    Related pages Gary Falk, Brigid Kennedy, Ladd Kessler, Peggy Yunque
  • A grid of 6 documents sitting opened on a table.
    A grid of 6 documents sitting opened on a table.
    Richard Hollis. Installation view, Artists Space, 2013. [A grid of 6 documents sitting opened on a table.]
    Caption Richard Hollis. Installation view, Artists Space, 2013.
    Image description A grid of 6 documents sitting opened on a table.
    Year 2013
    Related pages Richard Hollis
  • Two musicians perform on stage. To the left, one of them sits on a chair with an electric guitar laying on his legs. To the right, a musician stands playing the saxophone. Rainbow lights are projected onto the stage.
    Two musicians perform on stage. To the left, one of them sits on a chair with an electric guitar laying on his legs. To the right, a musician stands playing the saxophone. Rainbow lights are projected onto the stage.
    Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman. [Two musicians perform on stage. To the left, one of them sits on a chair with an electric guitar laying on his legs. To the right, a musician stands playing the saxophone. Rainbow lights are projected onto the stage.]
    Caption Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman.
    Image description Two musicians perform on stage. To the left, one of them sits on a chair with an electric guitar laying on his legs. To the right, a musician stands playing the saxophone. Rainbow lights are projected onto the stage.
    Year
    Related pages Abasement #65
  • An image of a gold public bathroom toilet with a red Decolonize This Place sticker placed at the top of the toilet seat.
    An image of a gold public bathroom toilet with a red Decolonize This Place sticker placed at the top of the toilet seat.
    Anonymous action at the Solomon R. Guggenheim Museum, October 10, 2016. [An image of a gold public bathroom toilet with a red Decolonize This Place sticker placed at the top of the toilet seat.]
    Caption Anonymous action at the Solomon R. Guggenheim Museum, October 10, 2016.
    Image description An image of a gold public bathroom toilet with a red Decolonize This Place sticker placed at the top of the toilet seat.
    Year 2016
    Related pages Decolonize This Place
  • Caption
    Image description
    Year
    Related pages Abasement #79
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Contact sheet of installation images taken during exhibition opening.
    Contact sheet of installation images taken during exhibition opening.
    Gary Burnley, Martin Cohen, Candace Hill-Montgomery, Louis Stein, and Haim Steinbach. Contact sheet of photos from exhibition opening, Artists Space, 1979. Photos by Gary Burnley. [Contact sheet of installation images taken during exhibition opening.]
    Caption Gary Burnley, Martin Cohen, Candace Hill-Montgomery, Louis Stein, and Haim Steinbach. Contact sheet of photos from exhibition opening, Artists Space, 1979. Photos by Gary Burnley.
    Image description Contact sheet of installation images taken during exhibition opening.
    Year 1979
    Related pages Lewis Stein
  • A figure performs on stage, standing behind a microphone with a shocked expression and their hands up.
    A figure performs on stage, standing behind a microphone with a shocked expression and their hands up.
    Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [A figure performs on stage, standing behind a microphone with a shocked expression and their hands up.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure performs on stage, standing behind a microphone with a shocked expression and their hands up.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-10
  • A photograph of one large painting divided evenly diagonally across in black and white above a smller painting that does the same.
    A photograph of one large painting divided evenly diagonally across in black and white above a smller painting that does the same.
    Hanno Ahrens. Selections from the Artists File, installation view, Artists Space, 1986. [A photograph of one large painting divided evenly diagonally across in black and white above a smller painting that does the same.]
    Caption Hanno Ahrens. Selections from the Artists File, installation view, Artists Space, 1986.
    Image description A photograph of one large painting divided evenly diagonally across in black and white above a smller painting that does the same.
    Year
    Related pages Selections from the Artists File
  • A black and white image captures the dark silhouette of trees shrouded with thick fog. In the center stands a man with wolf-like features, grimacing over a woman who is seemingly unconscious in his arms. Her body is arced back, supported by the wolf man's arm under her shoulders and around her waist.
    A black and white image captures the dark silhouette of trees shrouded with thick fog. In the center stands a man with wolf-like features, grimacing over a woman who is seemingly unconscious in his arms. Her body is arced back, supported by the wolf man's arm under her shoulders and around her waist.
    Still from The Wolf Man, 1941. [A black and white image captures the dark silhouette of trees shrouded with thick fog. In the center stands a man with wolf-like features, grimacing over a woman who is seemingly unconscious in his arms. Her body is arced back, supported by the wolf man's arm under her shoulders and around her waist.]
    Caption Still from The Wolf Man, 1941.
    Image description A black and white image captures the dark silhouette of trees shrouded with thick fog. In the center stands a man with wolf-like features, grimacing over a woman who is seemingly unconscious in his arms. Her body is arced back, supported by the wolf man's arm under her shoulders and around her waist.
    Year 1941
    Related pages The Wolf Man
  • A black and white installation view of several photo strips with wide white matting attached to a wall.
    A black and white installation view of several photo strips with wide white matting attached to a wall.
    Susan Eder. Installation view, Artists Space, 1976. [A black and white installation view of several photo strips with wide white matting attached to a wall.]
    Caption Susan Eder. Installation view, Artists Space, 1976.
    Image description A black and white installation view of several photo strips with wide white matting attached to a wall.
    Year 1976
    Related pages Susan Eder, Matt Mullican
  • A framed image installed on a white gallery wall that extends into an exhibition space. A glass wall framed by black, metal paneling is positioned to the left of the white wall. Through it, several freestanding, colorful panels decorated with cartoonish illustrations of pinwheels and forests are displayed in an open room.
    A framed image installed on a white gallery wall that extends into an exhibition space. A glass wall framed by black, metal paneling is positioned to the left of the white wall. Through it, several freestanding, colorful panels decorated with cartoonish illustrations of pinwheels and forests are displayed in an open room.
    Sam Pulitzer: A Colony for “Them”. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A framed image installed on a white gallery wall that extends into an exhibition space. A glass wall framed by black, metal paneling is positioned to the left of the white wall. Through it, several freestanding, colorful panels decorated with cartoonish illustrations of pinwheels and forests are displayed in an open room.]
    Caption Sam Pulitzer: A Colony for “Them”. Installation view, Artists Space, 2014. Photo: Daniel Pérez.
    Image description A framed image installed on a white gallery wall that extends into an exhibition space. A glass wall framed by black, metal paneling is positioned to the left of the white wall. Through it, several freestanding, colorful panels decorated with cartoonish illustrations of pinwheels and forests are displayed in an open room.
    Year 2014
    Related pages Sam Pulitzer: A Colony for "Them"
  • View of a florbound television screen and speaker next to a brown pole. The edge of a black net is visible on the left.
    View of a florbound television screen and speaker next to a brown pole. The edge of a black net is visible on the left.
    Ei Arakawa. Social Muscle Rehab (early edit for exhibition), 2021. 5:19 minutes. With Dan Chen, Danielle A. Jackson, K.O. Nnamdie, Masako Shiba, Kenneth Teng, Ivanny Pagan, Britnie Williams. Camera by Lazar Bozic (Ortvi.com). Image courtesy Artists Space, New York. Photo: Filip Wolak [View of a florbound television screen and speaker next to a brown pole. The edge of a black net is visible on the left.]
    Caption Ei Arakawa. Social Muscle Rehab (early edit for exhibition), 2021. 5:19 minutes. With Dan Chen, Danielle A. Jackson, K.O. Nnamdie, Masako Shiba, Kenneth Teng, Ivanny Pagan, Britnie Williams. Camera by Lazar Bozic (Ortvi.com). Image courtesy Artists Space, New York. Photo: Filip Wolak
    Image description View of a florbound television screen and speaker next to a brown pole. The edge of a black net is visible on the left.
    Year
    Related pages Ei Arakawa: Social Muscle Rehab
  • A person dressed in all pink, holding a microphone and piece of paper, stands surrounded by a crowd of audience members arranged in a circle. The room is lit with a slightly pink light and light spots are reflected at even intervals.
    A person dressed in all pink, holding a microphone and piece of paper, stands surrounded by a crowd of audience members arranged in a circle. The room is lit with a slightly pink light and light spots are reflected at even intervals.
    Jutta Koether: xxapollo. Performance documentation, January 5, 2020, Artists Space. Photo © 2020 Paula Court. [A person dressed in all pink, holding a microphone and piece of paper, stands surrounded by a crowd of audience members arranged in a circle. The room is lit with a slightly pink light and light spots are reflected at even intervals.]
    Caption Jutta Koether: xxapollo. Performance documentation, January 5, 2020, Artists Space. Photo © 2020 Paula Court.
    Image description A person dressed in all pink, holding a microphone and piece of paper, stands surrounded by a crowd of audience members arranged in a circle. The room is lit with a slightly pink light and light spots are reflected at even intervals.
    Year 2020
    Related pages Jutta Koether
  • A figure leans down and places a beer can on the stage.
    A figure leans down and places a beer can on the stage.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure leans down and places a beer can on the stage.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure leans down and places a beer can on the stage.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE_NEVER DELETE
  • Black and white image of an open mouth, only partially visible in the darkness. A candle hovers in front, illuminating the figure's teeth, gums, and tongue.
    Black and white image of an open mouth, only partially visible in the darkness. A candle hovers in front, illuminating the figure's teeth, gums, and tongue.
    Charles Ahearn, still from Sinatra, c. 1977. Black and white video, 3 min. [Black and white image of an open mouth, only partially visible in the darkness. A candle hovers in front, illuminating the figure's teeth, gums, and tongue.]
    Caption Charles Ahearn, still from Sinatra, c. 1977. Black and white video, 3 min.
    Image description Black and white image of an open mouth, only partially visible in the darkness. A candle hovers in front, illuminating the figure's teeth, gums, and tongue.
    Year 1977
    Related pages Artists Super 8 Film Exposition
  • A bends at the waist, resting their head on the side of a television monitor. The monitor's screen shows two figures, facing away from the camera.
    A bends at the waist, resting their head on the side of a television monitor. The monitor's screen shows two figures, facing away from the camera.
    Artists Performance Series. Installation view, Artists Space, 1977. [A bends at the waist, resting their head on the side of a television monitor. The monitor's screen shows two figures, facing away from the camera.]
    Caption Artists Performance Series. Installation view, Artists Space, 1977.
    Image description A bends at the waist, resting their head on the side of a television monitor. The monitor's screen shows two figures, facing away from the camera.
    Year 1977
    Related pages Artists Performance Series
  • Color photograph of a gallery space with white walls. Two vitrines are built out of the walls, and contain various ephemera. Above the left vitrine hang black-and-white photographs. Above the right vitrine, placed over a window, is a blown-up image of a man kneeling with his head to the floor.
    Color photograph of a gallery space with white walls. Two vitrines are built out of the walls, and contain various ephemera. Above the left vitrine hang black-and-white photographs. Above the right vitrine, placed over a window, is a blown-up image of a man kneeling with his head to the floor.
    Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a gallery space with white walls. Two vitrines are built out of the walls, and contain various ephemera. Above the left vitrine hang black-and-white photographs. Above the right vitrine, placed over a window, is a blown-up image of a man kneeling with his head to the floor.]
    Caption Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photograph of a gallery space with white walls. Two vitrines are built out of the walls, and contain various ephemera. Above the left vitrine hang black-and-white photographs. Above the right vitrine, placed over a window, is a blown-up image of a man kneeling with his head to the floor.
    Year 2023
    Related pages Yasunao Tone: Region of Paramedia
  • Three unmatching plastic bottles filled with urine are sitting in a line on a wood floor. In the background, a mixed-media installation piece sits in front of the gallery doors. Wooden poles project into the frame through two standing columns.
    Three unmatching plastic bottles filled with urine are sitting in a line on a wood floor. In the background, a mixed-media installation piece sits in front of the gallery doors. Wooden poles project into the frame through two standing columns.
    Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater. Installation view, Artists Space, 2019. Photo: Daniel Pérez. [Three unmatching plastic bottles filled with urine are sitting in a line on a wood floor. In the background, a mixed-media installation piece sits in front of the gallery doors. Wooden poles project into the frame through two standing columns.]
    Caption Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater. Installation view, Artists Space, 2019. Photo: Daniel Pérez.
    Image description Three unmatching plastic bottles filled with urine are sitting in a line on a wood floor. In the background, a mixed-media installation piece sits in front of the gallery doors. Wooden poles project into the frame through two standing columns.
    Year 2019
    Related pages Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater
  • Several blank, white walls in a large gallery space with wooden flooring. An opening emerges at the corner of two intersecting walls at the image's center, leading into a dark space. Rows of windows line the right wall of the gallery.
    Several blank, white walls in a large gallery space with wooden flooring. An opening emerges at the corner of two intersecting walls at the image's center, leading into a dark space. Rows of windows line the right wall of the gallery.
    Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [Several blank, white walls in a large gallery space with wooden flooring. An opening emerges at the corner of two intersecting walls at the image's center, leading into a dark space. Rows of windows line the right wall of the gallery.]
    Caption Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez.
    Image description Several blank, white walls in a large gallery space with wooden flooring. An opening emerges at the corner of two intersecting walls at the image's center, leading into a dark space. Rows of windows line the right wall of the gallery.
    Year 2014
    Related pages Laura Poitras: 9/11 Trilogy
  • A black-and-white film still of hazy and ghostly tonal modulations. Within the tonal atmosphere, fragments of a person's face and body can be made out in the right half of the image.
    A black-and-white film still of hazy and ghostly tonal modulations. Within the tonal atmosphere, fragments of a person's face and body can be made out in the right half of the image.
    Shala Miller, Genesis, 2023. [A black-and-white film still of hazy and ghostly tonal modulations. Within the tonal atmosphere, fragments of a person's face and body can be made out in the right half of the image.]
    Caption Shala Miller, Genesis, 2023.
    Image description A black-and-white film still of hazy and ghostly tonal modulations. Within the tonal atmosphere, fragments of a person's face and body can be made out in the right half of the image.
    Year 2023
    Related pages Genesis: Medley
  • A photograph of a long sheet of dot matrix paper with text on a black table.
    A photograph of a long sheet of dot matrix paper with text on a black table.
    Tiffany Sia, The Bastard Scroll (detail view), 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A photograph of a long sheet of dot matrix paper with text on a black table.]
    Caption Tiffany Sia, The Bastard Scroll (detail view), 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A photograph of a long sheet of dot matrix paper with text on a black table.
    Year 2021
    Related pages Tiffany Sia: Slippery When Wet
  • A flyer for the event depicting MTA subway routes in white on a red background. Event title reads
    A flyer for the event depicting MTA subway routes in white on a red background. Event title reads
    MTL+, Artists: NYC Not for Sale, 2016. [A flyer for the event depicting MTA subway routes in white on a red background. Event title reads "ARTISTS: NYC NOT FOR SALE" with a strikethrough on the alternative subtitle "IN THE BUSINESS OF GENTRIFICATION."]
    Caption MTL+, Artists: NYC Not for Sale, 2016.
    Image description A flyer for the event depicting MTA subway routes in white on a red background. Event title reads "ARTISTS: NYC NOT FOR SALE" with a strikethrough on the alternative subtitle "IN THE BUSINESS OF GENTRIFICATION."
    Year 2016
    Related pages Artists: NYC Is Not for Sale
  • Divided into two section, left featuring an upside-down dot matrix of the Empire State Building. At the top, handwritten text reads,
    Divided into two section, left featuring an upside-down dot matrix of the Empire State Building. At the top, handwritten text reads,
    [Divided into two section, left featuring an upside-down dot matrix of the Empire State Building. At the top, handwritten text reads, "Decolonization is **not** a metaphor. Triangulation of indigenous struggle, black liberation, and a free Palestine produce a re-arrangement of relationshps that make empire look like this." Below reads, "Black Lives Matter." The left section contains a bright yellow back ground, red illustration, and black text that reads, "PALESTINE, BLM & BOYCOTT IN THE ARTS," and arabic text below.]
    Caption
    Image description Divided into two section, left featuring an upside-down dot matrix of the Empire State Building. At the top, handwritten text reads, "Decolonization is **not** a metaphor. Triangulation of indigenous struggle, black liberation, and a free Palestine produce a re-arrangement of relationshps that make empire look like this." Below reads, "Black Lives Matter." The left section contains a bright yellow back ground, red illustration, and black text that reads, "PALESTINE, BLM & BOYCOTT IN THE ARTS," and arabic text below.
    Year 2016
    Related pages Decolonize This Place
  • A man stands on one foot on a half-rolled yoga mat, holding out a baby doll as if to throw it. Two people behind him are bent over yoga mats, mid-movement. A crowd of people stands around the group watching.
    A man stands on one foot on a half-rolled yoga mat, holding out a baby doll as if to throw it. Two people behind him are bent over yoga mats, mid-movement. A crowd of people stands around the group watching.
    Ei Arakawa: WEWORK BABIES. Performance documentation, December 8, 2019, Artists Space. Photo © 2019 Paula Court. [A man stands on one foot on a half-rolled yoga mat, holding out a baby doll as if to throw it. Two people behind him are bent over yoga mats, mid-movement. A crowd of people stands around the group watching.]
    Caption Ei Arakawa: WEWORK BABIES. Performance documentation, December 8, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description A man stands on one foot on a half-rolled yoga mat, holding out a baby doll as if to throw it. Two people behind him are bent over yoga mats, mid-movement. A crowd of people stands around the group watching.
    Year 2019
    Related pages Ei Arakawa: WEWORK BABIES (11 Cortlandt Alley)
  • A color installation view of a gallery space with several dark columns. A yellow brocade couch, wooden nightstand, wicker pannier, and police tape outlining a rectangle on the wall with three additional strips extending from the wall to the floor are visible.
    A color installation view of a gallery space with several dark columns. A yellow brocade couch, wooden nightstand, wicker pannier, and police tape outlining a rectangle on the wall with three additional strips extending from the wall to the floor are visible.
    Lyndon Barrois Jr.: Mirage Collar. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color installation view of a gallery space with several dark columns. A yellow brocade couch, wooden nightstand, wicker pannier, and police tape outlining a rectangle on the wall with three additional strips extending from the wall to the floor are visible.]
    Caption Lyndon Barrois Jr.: Mirage Collar. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color installation view of a gallery space with several dark columns. A yellow brocade couch, wooden nightstand, wicker pannier, and police tape outlining a rectangle on the wall with three additional strips extending from the wall to the floor are visible.
    Year 2022
    Related pages Lyndon Barrois Jr.: Mirage Collar
  • Dark blue text overlays red-pink background. The text reads: “February 25 / Steffani Jemison / Anne Waldman.
    Dark blue text overlays red-pink background. The text reads: “February 25 / Steffani Jemison / Anne Waldman.
    [Dark blue text overlays red-pink background. The text reads: “February 25 / Steffani Jemison / Anne Waldman." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description Dark blue text overlays red-pink background. The text reads: “February 25 / Steffani Jemison / Anne Waldman." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year 2023
    Related pages Segue Reading Series: Steffani Jemison & Anne Waldman
  • A gallery with a large glass display case in the center. On the wall behind it hang various ephemera.
    A gallery with a large glass display case in the center. On the wall behind it hang various ephemera.
    Attention Line. Installation view, Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [A gallery with a large glass display case in the center. On the wall behind it hang various ephemera.]
    Caption Attention Line. Installation view, Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak
    Image description A gallery with a large glass display case in the center. On the wall behind it hang various ephemera.
    Year 2022
    Related pages Attention Line
  • A white rectangular image with an opaque black circle in the center right, and a capital D outlined in black in the top left of the image.
    A white rectangular image with an opaque black circle in the center right, and a capital D outlined in black in the top left of the image.
    Adam Pendleton, Title TK, 2010, Silkscreen with embossing on Somerset Satin 500 gsm, 17 ¼ x 23 ½ inches, Signed and numbered. [A white rectangular image with an opaque black circle in the center right, and a capital D outlined in black in the top left of the image.]
    Caption Adam Pendleton, Title TK, 2010, Silkscreen with embossing on Somerset Satin 500 gsm, 17 ¼ x 23 ½ inches, Signed and numbered.
    Image description A white rectangular image with an opaque black circle in the center right, and a capital D outlined in black in the top left of the image.
    Year 2010
    Related pages Artists Space Annual Edition Portfolio 2010
  • A black and white photograph of a number of unmounted 35mm slides on a lightbox is visible in the foreground with a computer and printer visible in the background in an office setting.
    A black and white photograph of a number of unmounted 35mm slides on a lightbox is visible in the foreground with a computer and printer visible in the background in an office setting.
    The Artists File at Artists Space, 1986. [A black and white photograph of a number of unmounted 35mm slides on a lightbox is visible in the foreground with a computer and printer visible in the background in an office setting.]
    Caption The Artists File at Artists Space, 1986.
    Image description A black and white photograph of a number of unmounted 35mm slides on a lightbox is visible in the foreground with a computer and printer visible in the background in an office setting.
    Year
    Related pages Selections from the Artists File
  • Color image of the entrance into a gallery space, with columns running down the hallway. At the forefront of the image are two large paintings made of adobe, and resting on steel armatures. Each painting features a representation of a person walking slowly. In between the armatures are adobe bricks layed out into a walkway on the floor.
    Color image of the entrance into a gallery space, with columns running down the hallway. At the forefront of the image are two large paintings made of adobe, and resting on steel armatures. Each painting features a representation of a person walking slowly. In between the armatures are adobe bricks layed out into a walkway on the floor.
    rafa esparza: Camino. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color image of the entrance into a gallery space, with columns running down the hallway. At the forefront of the image are two large paintings made of adobe, and resting on steel armatures. Each painting features a representation of a person walking slowly. In between the armatures are adobe bricks layed out into a walkway on the floor.]
    Caption rafa esparza: Camino. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color image of the entrance into a gallery space, with columns running down the hallway. At the forefront of the image are two large paintings made of adobe, and resting on steel armatures. Each painting features a representation of a person walking slowly. In between the armatures are adobe bricks layed out into a walkway on the floor.
    Year
    Related pages rafa esparza: Camino
  • Black text on an orange background. The text reads: “Oct 19 / Xavier Cavazos / Pamela Booker.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on an orange background. The text reads: “Oct 19 / Xavier Cavazos / Pamela Booker.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on an orange background. The text reads: “Oct 19 / Xavier Cavazos / Pamela Booker.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on an orange background. The text reads: “Oct 19 / Xavier Cavazos / Pamela Booker.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Pamela Booker & Xavier Cavazos
  • An abstract image of two rectangles, one light and one dark, each dotted with a grid of circles. Below this, black text reads,
    An abstract image of two rectangles, one light and one dark, each dotted with a grid of circles. Below this, black text reads,
    Pamphlet Cover for Mike Henderson, Artists Space, 1990. [An abstract image of two rectangles, one light and one dark, each dotted with a grid of circles. Below this, black text reads, "Mike Henderson, April 19-May 19, Artists Space."]
    Caption Pamphlet Cover for Mike Henderson, Artists Space, 1990.
    Image description An abstract image of two rectangles, one light and one dark, each dotted with a grid of circles. Below this, black text reads, "Mike Henderson, April 19-May 19, Artists Space."
    Year 1990
    Related pages Mike Henderson
  • A color installation photograph of a black and white abstract painting on a white wall.
    A color installation photograph of a black and white abstract painting on a white wall.
    Richard Klauber. Small Black Painting, 1975. Installation view, Ruth Hardinger, Richard Klauber, Artists Space, 1975. [A color installation photograph of a black and white abstract painting on a white wall.]
    Caption Richard Klauber. Small Black Painting, 1975. Installation view, Ruth Hardinger, Richard Klauber, Artists Space, 1975.
    Image description A color installation photograph of a black and white abstract painting on a white wall.
    Year 1975
    Related pages Ruth Hardinger, Richard Klauber
  • Color photograph of a gallery wall. A video is projected onto it. Next to the projection is a shelf holding an audio device consisting of a machine, speakers, and light sensors. A black-and-white photograph also hangs on the wall.
    Color photograph of a gallery wall. A video is projected onto it. Next to the projection is a shelf holding an audio device consisting of a machine, speakers, and light sensors. A black-and-white photograph also hangs on the wall.
    Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a gallery wall. A video is projected onto it. Next to the projection is a shelf holding an audio device consisting of a machine, speakers, and light sensors. A black-and-white photograph also hangs on the wall.]
    Caption Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photograph of a gallery wall. A video is projected onto it. Next to the projection is a shelf holding an audio device consisting of a machine, speakers, and light sensors. A black-and-white photograph also hangs on the wall.
    Year 2023
    Related pages Yasunao Tone: Region of Paramedia
  • Several drawings and small paintings pinnned to the outside of a cabinet depicting city scenes, portraits, and still life images.
    Several drawings and small paintings pinnned to the outside of a cabinet depicting city scenes, portraits, and still life images.
    Classroom wall at PS140 Nathan Straus, with work from students in the Portfolio Development program. [Several drawings and small paintings pinnned to the outside of a cabinet depicting city scenes, portraits, and still life images.]
    Caption Classroom wall at PS140 Nathan Straus, with work from students in the Portfolio Development program.
    Image description Several drawings and small paintings pinnned to the outside of a cabinet depicting city scenes, portraits, and still life images.
    Year 2014
    Related pages The Importance of Art Education
  • Several sculptures, video works, and models are installed in a gallery space with wooden flooring. Situated closest to the viewer is a geometric, white model installed in an acrylic box, which in turn is displayed on a large wooden table.
    Several sculptures, video works, and models are installed in a gallery space with wooden flooring. Situated closest to the viewer is a geometric, white model installed in an acrylic box, which in turn is displayed on a large wooden table.
    In The Poem About Love You Don't Write The Word Love. Installation view, Artists Space, 2006. Photo: Bill Orcutt. [Several sculptures, video works, and models are installed in a gallery space with wooden flooring. Situated closest to the viewer is a geometric, white model installed in an acrylic box, which in turn is displayed on a large wooden table.]
    Caption In The Poem About Love You Don't Write The Word Love. Installation view, Artists Space, 2006. Photo: Bill Orcutt.
    Image description Several sculptures, video works, and models are installed in a gallery space with wooden flooring. Situated closest to the viewer is a geometric, white model installed in an acrylic box, which in turn is displayed on a large wooden table.
    Year 2006
    Related pages In The Poem About Love You Don't Write The Word Love
  • A sunlit gallery space is bisected by four columns through the middle. Various sculptures are arranged on the floor, including morning stars with cow horn spikes; two bamboo and rebar spears shaped into rectangles; bricks wrapped in cowrie shells; a small oblong ceramic figure on a short stool; resin pools; and ceramic balls. On the wall, an orange stain appears to emerge from the floor.
    A sunlit gallery space is bisected by four columns through the middle. Various sculptures are arranged on the floor, including morning stars with cow horn spikes; two bamboo and rebar spears shaped into rectangles; bricks wrapped in cowrie shells; a small oblong ceramic figure on a short stool; resin pools; and ceramic balls. On the wall, an orange stain appears to emerge from the floor.
    Shani Strand: Everything Must Be Returned. Installation view, June 12 - August 15, 2026, Artists Space. Photo: Carter Seddon [A sunlit gallery space is bisected by four columns through the middle. Various sculptures are arranged on the floor, including morning stars with cow horn spikes; two bamboo and rebar spears shaped into rectangles; bricks wrapped in cowrie shells; a small oblong ceramic figure on a short stool; resin pools; and ceramic balls. On the wall, an orange stain appears to emerge from the floor.]
    Caption Shani Strand: Everything Must Be Returned. Installation view, June 12 - August 15, 2026, Artists Space. Photo: Carter Seddon
    Image description A sunlit gallery space is bisected by four columns through the middle. Various sculptures are arranged on the floor, including morning stars with cow horn spikes; two bamboo and rebar spears shaped into rectangles; bricks wrapped in cowrie shells; a small oblong ceramic figure on a short stool; resin pools; and ceramic balls. On the wall, an orange stain appears to emerge from the floor.
    Year
    Related pages Shani Strand: Everything Must Be Returned
  • A wooden bench with a white, dome-like structure attached to its corner. Two framed drawings hang on the wall in the background.
    A wooden bench with a white, dome-like structure attached to its corner. Two framed drawings hang on the wall in the background.
    Social Surfaces. Installation view, 55 Walker Street, 2017. Photo: Ron Amstutz. [A wooden bench with a white, dome-like structure attached to its corner. Two framed drawings hang on the wall in the background.]
    Caption Social Surfaces. Installation view, 55 Walker Street, 2017. Photo: Ron Amstutz.
    Image description A wooden bench with a white, dome-like structure attached to its corner. Two framed drawings hang on the wall in the background.
    Year 2017
    Related pages Social Surfaces
  • A flyer with an abstract, colorful artwork on the left and exhibition information on the right.
    A flyer with an abstract, colorful artwork on the left and exhibition information on the right.
    Exterior of exhibition invitation. International Art Exhibition for Palestine. Beirut, 1978. Courtesy Mona Saudi. [A flyer with an abstract, colorful artwork on the left and exhibition information on the right.]
    Caption Exterior of exhibition invitation. International Art Exhibition for Palestine. Beirut, 1978. Courtesy Mona Saudi.
    Image description A flyer with an abstract, colorful artwork on the left and exhibition information on the right.
    Year 1978
    Related pages Past Disquiet
  • Black text on a grey background. The text reads: “Jan 10 / Erica Hunt / Aditi Machado.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on a grey background. The text reads: “Jan 10 / Erica Hunt / Aditi Machado.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on a grey background. The text reads: “Jan 10 / Erica Hunt / Aditi Machado.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on a grey background. The text reads: “Jan 10 / Erica Hunt / Aditi Machado.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Erica Hunt & Aditi Machado
  • A black and white image of a shirtless woman holding a baby, while another woman looks on from a doorway to the right.
    A black and white image of a shirtless woman holding a baby, while another woman looks on from a doorway to the right.
    Azian Nurudin. Still from The Headhunters of Borneo, 1989. 10 min. Photo: Micki McGee. [A black and white image of a shirtless woman holding a baby, while another woman looks on from a doorway to the right.]
    Caption Azian Nurudin. Still from The Headhunters of Borneo, 1989. 10 min. Photo: Micki McGee.
    Image description A black and white image of a shirtless woman holding a baby, while another woman looks on from a doorway to the right.
    Year 1989
    Related pages Body Language: Studies in Female Expression
  • Caption
    Image description
    Year
    Related pages Friends of Artists Space Dinner
  • A dimly lit room with green turf-like carpet and exposed wooden walls. On the left, 9 images of different sizes are mounting, and luminous. On the right, projectors and movie cameras are placed on a horizontal shelf. On the far end of the floor towards the wall is a small square tv monitor with headphones placed in front of it. Behind the monitor are three medium-sized white windows.
    A dimly lit room with green turf-like carpet and exposed wooden walls. On the left, 9 images of different sizes are mounting, and luminous. On the right, projectors and movie cameras are placed on a horizontal shelf. On the far end of the floor towards the wall is a small square tv monitor with headphones placed in front of it. Behind the monitor are three medium-sized white windows.
    Union Gaucha Productions. Installation view, Artists Space, 2015. Photo: Daniel Pérez. [A dimly lit room with green turf-like carpet and exposed wooden walls. On the left, 9 images of different sizes are mounting, and luminous. On the right, projectors and movie cameras are placed on a horizontal shelf. On the far end of the floor towards the wall is a small square tv monitor with headphones placed in front of it. Behind the monitor are three medium-sized white windows.]
    Caption Union Gaucha Productions. Installation view, Artists Space, 2015. Photo: Daniel Pérez.
    Image description A dimly lit room with green turf-like carpet and exposed wooden walls. On the left, 9 images of different sizes are mounting, and luminous. On the right, projectors and movie cameras are placed on a horizontal shelf. On the far end of the floor towards the wall is a small square tv monitor with headphones placed in front of it. Behind the monitor are three medium-sized white windows.
    Year 2015
    Related pages Union Gaucha Productions
  • A performer plays a wooden wind instrument on stage. Connected by plastic tubing and wooden rods, the instrument stands higher than the seated performer.
    A performer plays a wooden wind instrument on stage. Connected by plastic tubing and wooden rods, the instrument stands higher than the seated performer.
    Abasement #83. Performance documentation, January 5th, 2026, Artists Space. Photo: Joshua Wildman. [A performer plays a wooden wind instrument on stage. Connected by plastic tubing and wooden rods, the instrument stands higher than the seated performer. ]
    Caption Abasement #83. Performance documentation, January 5th, 2026, Artists Space. Photo: Joshua Wildman.
    Image description A performer plays a wooden wind instrument on stage. Connected by plastic tubing and wooden rods, the instrument stands higher than the seated performer.
    Year
    Related pages Abasement #83
  • Five photographic prints or varying orientations and sizes are placed inside a large white vitrine case.
    Five photographic prints or varying orientations and sizes are placed inside a large white vitrine case.
    David Armstrong: Portraits. Installation view, March 10 – May 23, 2026, Artists Space. Photo: Carter Seddon [Five photographic prints or varying orientations and sizes are placed inside a large white vitrine case. ]
    Caption David Armstrong: Portraits. Installation view, March 10 – May 23, 2026, Artists Space. Photo: Carter Seddon
    Image description Five photographic prints or varying orientations and sizes are placed inside a large white vitrine case.
    Year
    Related pages David Armstrong: Portraits
  • Detail view of a display case. It is mostly empty, save for a metal gun-type object with two small pipes extending out of the nozzle, and a poster with the repeated letters
    Detail view of a display case. It is mostly empty, save for a metal gun-type object with two small pipes extending out of the nozzle, and a poster with the repeated letters
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Detail view of a display case. It is mostly empty, save for a metal gun-type object with two small pipes extending out of the nozzle, and a poster with the repeated letters "bc" hung on one side of the viewing window.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Detail view of a display case. It is mostly empty, save for a metal gun-type object with two small pipes extending out of the nozzle, and a poster with the repeated letters "bc" hung on one side of the viewing window.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • A green object with a cracked, black surface sits on a white base. A metal antenna extends out on a diagonal.
    A green object with a cracked, black surface sits on a white base. A metal antenna extends out on a diagonal.
    Not yet titled, 2019
    Clay, glaze, metal antenna
    3 1/2 x 13 x 12 inches (variable)
    $2,500
    [A green object with a cracked, black surface sits on a white base. A metal antenna extends out on a diagonal.]
    Caption Not yet titled, 2019
    Clay, glaze, metal antenna
    3 1/2 x 13 x 12 inches (variable)
    $2,500
    Image description A green object with a cracked, black surface sits on a white base. A metal antenna extends out on a diagonal.
    Year 2019
    Related pages Trisha Baga Edition
  • Color photo of the enterance into the exhibition. A sign reading:
    Color photo of the enterance into the exhibition. A sign reading:
    Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photo of the enterance into the exhibition. A sign reading: "J.D. Grocery" is placed above a doorway. A wooden awning meant to look like a roof of a building goes across the width of the partition wall. The doorway is flanked by a cardboard fire hydrant and a box television on a small wooden chair. Through the doorway, three bar stools and a bookshelf with books and home goods are visable.]
    Caption Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photo of the enterance into the exhibition. A sign reading: "J.D. Grocery" is placed above a doorway. A wooden awning meant to look like a roof of a building goes across the width of the partition wall. The doorway is flanked by a cardboard fire hydrant and a box television on a small wooden chair. Through the doorway, three bar stools and a bookshelf with books and home goods are visable.
    Year
    Related pages Char Jeré: Zoo or an Orchestra
  • In the foreground a large, orange slug sculpture forming a circular ring shape is installed around two cast-iron columns suspended by ten elastic cords such that it encircles the column and rests close to the ceiling. Behind it is a large, orange slug sculpture forming a circular ring shape installed around one cast-iron column suspended by eight elastic cords such that it encircles the column and rests at its vertical center. In this white-walled gallery space one can also notice a partial view of a painting in the background.
    In the foreground a large, orange slug sculpture forming a circular ring shape is installed around two cast-iron columns suspended by ten elastic cords such that it encircles the column and rests close to the ceiling. Behind it is a large, orange slug sculpture forming a circular ring shape installed around one cast-iron column suspended by eight elastic cords such that it encircles the column and rests at its vertical center. In this white-walled gallery space one can also notice a partial view of a painting in the background.
    Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez [In the foreground a large, orange slug sculpture forming a circular ring shape is installed around two cast-iron columns suspended by ten elastic cords such that it encircles the column and rests close to the ceiling. Behind it is a large, orange slug sculpture forming a circular ring shape installed around one cast-iron column suspended by eight elastic cords such that it encircles the column and rests at its vertical center. In this white-walled gallery space one can also notice a partial view of a painting in the background.]
    Caption Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez
    Image description In the foreground a large, orange slug sculpture forming a circular ring shape is installed around two cast-iron columns suspended by ten elastic cords such that it encircles the column and rests close to the ceiling. Behind it is a large, orange slug sculpture forming a circular ring shape installed around one cast-iron column suspended by eight elastic cords such that it encircles the column and rests at its vertical center. In this white-walled gallery space one can also notice a partial view of a painting in the background.
    Year 2020
    Related pages Jana Euler
  • A grainy color image of two performers facing each other on a stage, with a large audience observing in a dark room. One individual on stage is sitting and faces the camera, watching her performance partner. The other individual has their back turned to the camera, as they crouch over musical equipment on the stage floor. A pinkish-red hue from some spotlights illuminates the on-stage performers.
    A grainy color image of two performers facing each other on a stage, with a large audience observing in a dark room. One individual on stage is sitting and faces the camera, watching her performance partner. The other individual has their back turned to the camera, as they crouch over musical equipment on the stage floor. A pinkish-red hue from some spotlights illuminates the on-stage performers.
    Abasement #63. Performance documentation, July 17, 2023, Artists Space. Photo: Joshua Wildman. [A grainy color image of two performers facing each other on a stage, with a large audience observing in a dark room. One individual on stage is sitting and faces the camera, watching her performance partner. The other individual has their back turned to the camera, as they crouch over musical equipment on the stage floor. A pinkish-red hue from some spotlights illuminates the on-stage performers.]
    Caption Abasement #63. Performance documentation, July 17, 2023, Artists Space. Photo: Joshua Wildman.
    Image description A grainy color image of two performers facing each other on a stage, with a large audience observing in a dark room. One individual on stage is sitting and faces the camera, watching her performance partner. The other individual has their back turned to the camera, as they crouch over musical equipment on the stage floor. A pinkish-red hue from some spotlights illuminates the on-stage performers.
    Year
    Related pages Abasement #63
  • A figure stands behind a microphone, smiling and looking off into the audience.
    A figure stands behind a microphone, smiling and looking off into the audience.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure stands behind a microphone, smiling and looking off into the audience.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure stands behind a microphone, smiling and looking off into the audience.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
  • A person is standing at the end of a stage, dressed in a long coat, with a stern expression on her face. A man sits at a desk in the corner, his head in his hands. There is a white trifold screen behind them, with an extra chair, and a banner written in German.
    A person is standing at the end of a stage, dressed in a long coat, with a stern expression on her face. A man sits at a desk in the corner, his head in his hands. There is a white trifold screen behind them, with an extra chair, and a banner written in German.
    Still from The Empty Plan (2010). [A person is standing at the end of a stage, dressed in a long coat, with a stern expression on her face. A man sits at a desk in the corner, his head in his hands. There is a white trifold screen behind them, with an extra chair, and a banner written in German.]
    Caption Still from The Empty Plan (2010).
    Image description A person is standing at the end of a stage, dressed in a long coat, with a stern expression on her face. A man sits at a desk in the corner, his head in his hands. There is a white trifold screen behind them, with an extra chair, and a banner written in German.
    Year 2010
    Related pages The Empty Plan
  • Caption
    Image description
    Year
    Related pages Abasement #88
  • Two men embrace in the background, while a man wearing a black top hat stands in the foreground gazing at the camera.
    Two men embrace in the background, while a man wearing a black top hat stands in the foreground gazing at the camera.
    Marlon Riggs, still from Tongues Untied, 55 min, 1989. Credit: Signiyin' Works. [Two men embrace in the background, while a man wearing a black top hat stands in the foreground gazing at the camera.]
    Caption Marlon Riggs, still from Tongues Untied, 55 min, 1989. Credit: Signiyin' Works.
    Image description Two men embrace in the background, while a man wearing a black top hat stands in the foreground gazing at the camera.
    Year 1989
    Related pages Tom of Finland Film Evening
  • A stone-walled lawn filled with people watching Kembra Pfahler.
    A stone-walled lawn filled with people watching Kembra Pfahler.
    Kembra Pfahler performing with the Girls of Karen Black. Photo: © Paula Court, 2018. [A stone-walled lawn filled with people watching Kembra Pfahler.]
    Caption Kembra Pfahler performing with the Girls of Karen Black. Photo: © Paula Court, 2018.
    Image description A stone-walled lawn filled with people watching Kembra Pfahler.
    Year 2018
    Related pages Garden Party at Marble Cemetery
  • A black and white image of a man photographing a plastic penguin in front of a decorative gate. Sideways text on the right reads,
    A black and white image of a man photographing a plastic penguin in front of a decorative gate. Sideways text on the right reads,
    Exhibition Catalogue [A black and white image of a man photographing a plastic penguin in front of a decorative gate. Sideways text on the right reads, "Jack Smith, Art Crust of Spiritual Oasis, June 22 - September 9, 2018, Artists Space."]
    Caption Exhibition Catalogue
    Image description A black and white image of a man photographing a plastic penguin in front of a decorative gate. Sideways text on the right reads, "Jack Smith, Art Crust of Spiritual Oasis, June 22 - September 9, 2018, Artists Space."
    Year 2018
    Related pages Jack Smith: Art Crust of Spiritual Oasis
  • Black text on a light green background. The text reads: “May 2 / Darcie Dennigan / Tess Brown-Lavoie.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on a light green background. The text reads: “May 2 / Darcie Dennigan / Tess Brown-Lavoie.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on a light green background. The text reads: “May 2 / Darcie Dennigan / Tess Brown-Lavoie.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on a light green background. The text reads: “May 2 / Darcie Dennigan / Tess Brown-Lavoie.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Darcie Dennigan & Tess Brown-Lavoie
  • Five projections playing on a wall at different heights. Two are completely visible and three are partially visible. In the center of the image is a black and white projection of a gallery, with a painting placed in between the entrance of a hallway. To its right is a projection of a Jonas Mekas facing left, his face slightly golden in tone, wearing a fedora. A projection to its right partially shows four dark skinned people, nude and posing.
    Five projections playing on a wall at different heights. Two are completely visible and three are partially visible. In the center of the image is a black and white projection of a gallery, with a painting placed in between the entrance of a hallway. To its right is a projection of a Jonas Mekas facing left, his face slightly golden in tone, wearing a fedora. A projection to its right partially shows four dark skinned people, nude and posing.
    Union Gaucha Productions. Installation view, Artists Space, 2015. Photo: Daniel Pérez. [Five projections playing on a wall at different heights. Two are completely visible and three are partially visible. In the center of the image is a black and white projection of a gallery, with a painting placed in between the entrance of a hallway. To its right is a projection of a Jonas Mekas facing left, his face slightly golden in tone, wearing a fedora. A projection to its right partially shows four dark skinned people, nude and posing.]
    Caption Union Gaucha Productions. Installation view, Artists Space, 2015. Photo: Daniel Pérez.
    Image description Five projections playing on a wall at different heights. Two are completely visible and three are partially visible. In the center of the image is a black and white projection of a gallery, with a painting placed in between the entrance of a hallway. To its right is a projection of a Jonas Mekas facing left, his face slightly golden in tone, wearing a fedora. A projection to its right partially shows four dark skinned people, nude and posing.
    Year 2015
    Related pages Union Gaucha Productions
  • Three figurative paintings hanging on walls in a gallery space.
    Three figurative paintings hanging on walls in a gallery space.
    Patricia Caire. Installation view, Artists Space, 1980. [Three figurative paintings hanging on walls in a gallery space.]
    Caption Patricia Caire. Installation view, Artists Space, 1980.
    Image description Three figurative paintings hanging on walls in a gallery space.
    Year
    Related pages Patricia Caire
  • A large log spans the length of a table, held down with straps and with eight machetes affixed to the table alongside it. On either end of the log are two televisions, and the one facing the camera displays static.
    A large log spans the length of a table, held down with straps and with eight machetes affixed to the table alongside it. On either end of the log are two televisions, and the one facing the camera displays static.
    Les LeVeque, The Rain Forest is on Fire, 1990. Mixed media, 65 x 126 x 26 inches. Photograph c/o Peter McClennan. [A large log spans the length of a table, held down with straps and with eight machetes affixed to the table alongside it. On either end of the log are two televisions, and the one facing the camera displays static.]
    Caption Les LeVeque, The Rain Forest is on Fire, 1990. Mixed media, 65 x 126 x 26 inches. Photograph c/o Peter McClennan.
    Image description A large log spans the length of a table, held down with straps and with eight machetes affixed to the table alongside it. On either end of the log are two televisions, and the one facing the camera displays static.
    Year 1990
    Related pages Project: Some Questions Concerning Technology
  • A view from the side of the stage of two performers. The performer in the back is playing the saxophone and has their eyes closed. The musician in the foreground is out of focus. They are playing the cello. Both musicians are tinted red, as well as the audience on the left side, and the room has white dots of light reflecting from a disco ball.
    A view from the side of the stage of two performers. The performer in the back is playing the saxophone and has their eyes closed. The musician in the foreground is out of focus. They are playing the cello. Both musicians are tinted red, as well as the audience on the left side, and the room has white dots of light reflecting from a disco ball.
    Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman. [A view from the side of the stage of two performers. The performer in the back is playing the saxophone and has their eyes closed. The musician in the foreground is out of focus. They are playing the cello. Both musicians are tinted red, as well as the audience on the left side, and the room has white dots of light reflecting from a disco ball.]
    Caption Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman.
    Image description A view from the side of the stage of two performers. The performer in the back is playing the saxophone and has their eyes closed. The musician in the foreground is out of focus. They are playing the cello. Both musicians are tinted red, as well as the audience on the left side, and the room has white dots of light reflecting from a disco ball.
    Year
    Related pages Abasement #74
  • A wooden ornament with a string attached at its top, is carved with the outlines of the worlds continents, becoming a miniature globe.
    A wooden ornament with a string attached at its top, is carved with the outlines of the worlds continents, becoming a miniature globe.
    Benito Huerta, Attempted, Not Known. Media unknown, dimesions unknown. [A wooden ornament with a string attached at its top, is carved with the outlines of the worlds continents, becoming a miniature globe.]
    Caption Benito Huerta, Attempted, Not Known. Media unknown, dimesions unknown.
    Image description A wooden ornament with a string attached at its top, is carved with the outlines of the worlds continents, becoming a miniature globe.
    Year 1989
    Related pages Project: Attempted, Not Known
  • Black text overlays a white background with an orange bunch of flowers in the upper right corner. The top left corner reads: “Sarah Mangold / & Toni Simon / May 7, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”
    Black text overlays a white background with an orange bunch of flowers in the upper right corner. The top left corner reads: “Sarah Mangold / & Toni Simon / May 7, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”
    Flyer for Segue Reading Series featuring Sarah Mangolf & Toni Simon. May 7, 2022. [Black text overlays a white background with an orange bunch of flowers in the upper right corner. The top left corner reads: “Sarah Mangold / & Toni Simon / May 7, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”]
    Caption Flyer for Segue Reading Series featuring Sarah Mangolf & Toni Simon. May 7, 2022.
    Image description Black text overlays a white background with an orange bunch of flowers in the upper right corner. The top left corner reads: “Sarah Mangold / & Toni Simon / May 7, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”
    Year 2022
    Related pages Segue Reading Series: Sarah Mangold & Toni Simon
  • A figure with short hair energetically strums an electric guitar, their mouth wide open. Another figure with dark hair, partially cut off in the image, leans down to strum another guitar or base instrument.
    A figure with short hair energetically strums an electric guitar, their mouth wide open. Another figure with dark hair, partially cut off in the image, leans down to strum another guitar or base instrument.
    Vivienne Dick. Still from Guerilla Talks, 1978. [A figure with short hair energetically strums an electric guitar, their mouth wide open. Another figure with dark hair, partially cut off in the image, leans down to strum another guitar or base instrument.]
    Caption Vivienne Dick. Still from Guerilla Talks, 1978.
    Image description A figure with short hair energetically strums an electric guitar, their mouth wide open. Another figure with dark hair, partially cut off in the image, leans down to strum another guitar or base instrument.
    Year 1978
    Related pages Vivienne Dick
  • A profile of a man wearing glasses gazing beyond the frame. He sits in front of a painted portrait of a figure, who gazes in the same direction.
    A profile of a man wearing glasses gazing beyond the frame. He sits in front of a painted portrait of a figure, who gazes in the same direction.
    George Kuchar. [A profile of a man wearing glasses gazing beyond the frame. He sits in front of a painted portrait of a figure, who gazes in the same direction.]
    Caption George Kuchar.
    Image description A profile of a man wearing glasses gazing beyond the frame. He sits in front of a painted portrait of a figure, who gazes in the same direction.
    Year 2013
    Related pages George Kuchar
  • Black text on a grey background. The text reads: “March 21 / Dave Morse / Manal Kara / Simone White.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on a grey background. The text reads: “March 21 / Dave Morse / Manal Kara / Simone White.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on a grey background. The text reads: “March 21 / Dave Morse / Manal Kara / Simone White.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on a grey background. The text reads: “March 21 / Dave Morse / Manal Kara / Simone White.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Dave Morse, Manal Kara, and Simone White
  • A black and white installation photograph of two figures in front of a curved white wall in a gallery space.
    A black and white installation photograph of two figures in front of a curved white wall in a gallery space.
    Marvin Torffield. Sesondo, 1974. Three coat plaster on wire lathe with nova ply and Masonite. Installation view, Artists Space, 1974. Credit: Marvin Torffield. [A black and white installation photograph of two figures in front of a curved white wall in a gallery space.]
    Caption Marvin Torffield. Sesondo, 1974. Three coat plaster on wire lathe with nova ply and Masonite. Installation view, Artists Space, 1974. Credit: Marvin Torffield.
    Image description A black and white installation photograph of two figures in front of a curved white wall in a gallery space.
    Year 1974
    Related pages Sidney Geist, Marvin Torffield, John Torreano
  • An adult figure stands in the foreground while a smaller figure stands in the background in a corner. Above the figures reads:
    An adult figure stands in the foreground while a smaller figure stands in the background in a corner. Above the figures reads:
    Jenny Snider. It's a Sin to Tell a Lie, 1985. [An adult figure stands in the foreground while a smaller figure stands in the background in a corner. Above the figures reads: "It's a sin to tell a lie."]
    Caption Jenny Snider. It's a Sin to Tell a Lie, 1985.
    Image description An adult figure stands in the foreground while a smaller figure stands in the background in a corner. Above the figures reads: "It's a sin to tell a lie."
    Year
    Related pages Four Artists: An Exhibition of Painting and Sculpture
  • Caption
    Image description
    Year
    Related pages Doris Guo Matthew Langan-Peck Isabelle Frances McGuire Ruben Ulises Rodriguez Montoya
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A doubled arrow points to the top left corner of the image. In the bottom left, a diagonal yellow stripe outlined with red lines is overlaid with curving text that reads
    A doubled arrow points to the top left corner of the image. In the bottom left, a diagonal yellow stripe outlined with red lines is overlaid with curving text that reads
    Lawrence Weiner. WITH A SHIFT, 2013, Silkscreen on archival box, 24 ½ x 20 ½ x 1 ½ in 62 x 52 x 4 cm, Signed and Numbered. [A doubled arrow points to the top left corner of the image. In the bottom left, a diagonal yellow stripe outlined with red lines is overlaid with curving text that reads "WITH A SHIFT SIMULTANEOUS REALITIES COLLIDE"]
    Caption Lawrence Weiner. WITH A SHIFT, 2013, Silkscreen on archival box, 24 ½ x 20 ½ x 1 ½ in 62 x 52 x 4 cm, Signed and Numbered.
    Image description A doubled arrow points to the top left corner of the image. In the bottom left, a diagonal yellow stripe outlined with red lines is overlaid with curving text that reads "WITH A SHIFT SIMULTANEOUS REALITIES COLLIDE"
    Year 2014
    Related pages Artists Space Annual Edition Portfolio 2014
  • Nuestro Reflejo exhibition at Morris Jumel Mansion, Washington Heights, 2025
    Caption Nuestro Reflejo exhibition at Morris Jumel Mansion, Washington Heights, 2025
    Image description
    Year
    Related pages Threads of History
  • Older man with microphone stands next to five small boys. The wall behind them reads
    Older man with microphone stands next to five small boys. The wall behind them reads
    Sistema Sandinista de Television. Still from Golpes de la Corazon (Blows of the Heart), 1983. Video (sound, black and white). Spanish with English subtitles. [Older man with microphone stands next to five small boys. The wall behind them reads "en esta esquina" in black letters on one side and "CDS" in white letters on the other. Subtitles burned into the image at the bottom read, "Our prizes are 2000, 1000 and 500!" Video scan lines and outer edges of CRT monitor are visible.]
    Caption Sistema Sandinista de Television. Still from Golpes de la Corazon (Blows of the Heart), 1983. Video (sound, black and white). Spanish with English subtitles.
    Image description Older man with microphone stands next to five small boys. The wall behind them reads "en esta esquina" in black letters on one side and "CDS" in white letters on the other. Subtitles burned into the image at the bottom read, "Our prizes are 2000, 1000 and 500!" Video scan lines and outer edges of CRT monitor are visible.
    Year 1983
    Related pages TV Sandino
  • Black text overlays a white background with a blue bunch of flowers in the lower right corner. The top left corner reads: “Martine Bellen / & Uche Nduka / April 2, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”
    Black text overlays a white background with a blue bunch of flowers in the lower right corner. The top left corner reads: “Martine Bellen / & Uche Nduka / April 2, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”
    Flyer for Segue Reading Series featuring Martine Bellen & Uche Nduka. April 2, 2022, Artists Space. [Black text overlays a white background with a blue bunch of flowers in the lower right corner. The top left corner reads: “Martine Bellen / & Uche Nduka / April 2, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”]
    Caption Flyer for Segue Reading Series featuring Martine Bellen & Uche Nduka. April 2, 2022, Artists Space.
    Image description Black text overlays a white background with a blue bunch of flowers in the lower right corner. The top left corner reads: “Martine Bellen / & Uche Nduka / April 2, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”
    Year 2022
    Related pages Segue Reading Series: Martine Bellen & Uche Nduka
  • Caption
    Image description
    Year
    Related pages Exhibitions and Events
  • Caption
    Image description
    Year
    Related pages Doris Guo Matthew Langan-Peck Isabelle Frances McGuire Ruben Ulises Rodriguez Montoya
  • A color documentation image of Shala Miller's <i>Genesis</i>, 2023. Three monochrome projection panels float equidistantly in a dark room, with vinyls on black walls.
    A color documentation image of Shala Miller's <i>Genesis</i>, 2023. Three monochrome projection panels float equidistantly in a dark room, with vinyls on black walls.
    Shala Miller, Genesis. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color documentation image of Shala Miller's Genesis, 2023. Three monochrome projection panels float equidistantly in a dark room, with vinyls on black walls.]
    Caption Shala Miller, Genesis. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A color documentation image of Shala Miller's Genesis, 2023. Three monochrome projection panels float equidistantly in a dark room, with vinyls on black walls.
    Year 2023
    Related pages Genesis: Medley
  • A figure in a white military uniform shirt approaches a group of women on a city street. She holds out a platter of small cookies wrapped in small plastic wrappers to one of the figures, who has taken the cookie, unwrapped it, and reads a small note attached to it.
    A figure in a white military uniform shirt approaches a group of women on a city street. She holds out a platter of small cookies wrapped in small plastic wrappers to one of the figures, who has taken the cookie, unwrapped it, and reads a small note attached to it.
    Amy Westpfhal, still from The Informational Cookie Project, 2006. [A figure in a white military uniform shirt approaches a group of women on a city street. She holds out a platter of small cookies wrapped in small plastic wrappers to one of the figures, who has taken the cookie, unwrapped it, and reads a small note attached to it.]
    Caption Amy Westpfhal, still from The Informational Cookie Project, 2006.
    Image description A figure in a white military uniform shirt approaches a group of women on a city street. She holds out a platter of small cookies wrapped in small plastic wrappers to one of the figures, who has taken the cookie, unwrapped it, and reads a small note attached to it.
    Year 2006
    Related pages Salad Days 2
  • A miniature log cabin constructed of handwritten documents is displayed in a vitrine. The roof on the left side reads,
    A miniature log cabin constructed of handwritten documents is displayed in a vitrine. The roof on the left side reads,
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A miniature log cabin constructed of handwritten documents is displayed in a vitrine. The roof on the left side reads, "By the President of the United States of America, A Proclimation."]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description A miniature log cabin constructed of handwritten documents is displayed in a vitrine. The roof on the left side reads, "By the President of the United States of America, A Proclimation."
    Year 2017
    Related pages Unholding
  • A performer, bathed in purple light, plays a guitar on stage.
    A performer, bathed in purple light, plays a guitar on stage.
    Abasement #84. Performance documentation, February 16th, 2026, Artists Space. Photo: Joshua Wildman. [A performer, bathed in purple light, plays a guitar on stage.]
    Caption Abasement #84. Performance documentation, February 16th, 2026, Artists Space. Photo: Joshua Wildman.
    Image description A performer, bathed in purple light, plays a guitar on stage.
    Year
    Related pages Abasement #84
  • Into an outlet socket on a wall is plugged a large black adapter with two USBs plugged into it. Screens on the USBs flash text that reads
    Into an outlet socket on a wall is plugged a large black adapter with two USBs plugged into it. Screens on the USBs flash text that reads
    Nandi Loaf, ???., 2025. Hardware. Photo: Carter Seddon. [Into an outlet socket on a wall is plugged a large black adapter with two USBs plugged into it. Screens on the USBs flash text that reads "TEMP 12 / Lucky miner 00:13." In the outlet above the USBs is a black plastic cover.]
    Caption Nandi Loaf, ???., 2025. Hardware. Photo: Carter Seddon.
    Image description Into an outlet socket on a wall is plugged a large black adapter with two USBs plugged into it. Screens on the USBs flash text that reads "TEMP 12 / Lucky miner 00:13." In the outlet above the USBs is a black plastic cover.
    Year
    Related pages Nandi Loaf Aristotelis Nikolas Mochloulis Ricardo Nagaoka Sydney Schrader
  • Two drawings are hung up on adjacent walls.
    Two drawings are hung up on adjacent walls.
    Artists Draw. Installation view, Artists Space, 1979. [Two drawings are hung up on adjacent walls.]
    Caption Artists Draw. Installation view, Artists Space, 1979.
    Image description Two drawings are hung up on adjacent walls.
    Year 1979
    Related pages Artists Draw: Tom Martin, Auste Peciura, Alan Saret, Patti Smith, Nancy Spero
  • Two metal bowls, a water bottle with a funnel in its spout, and a blue plastic bucket stand on a sandy ocean beach
    Two metal bowls, a water bottle with a funnel in its spout, and a blue plastic bucket stand on a sandy ocean beach
    Ocean water from Nakoso Beach, Iwaki, Fukushima, Japan, June 2021 [Two metal bowls, a water bottle with a funnel in its spout, and a blue plastic bucket stand on a sandy ocean beach]
    Caption Ocean water from Nakoso Beach, Iwaki, Fukushima, Japan, June 2021
    Image description Two metal bowls, a water bottle with a funnel in its spout, and a blue plastic bucket stand on a sandy ocean beach
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab
  • A black and white image of two hands behind a figure's back. They cross their index and middle finger on each hand.
    A black and white image of two hands behind a figure's back. They cross their index and middle finger on each hand.
    Robert Longo. Performance documentation, Exchange Show: Hallwalls, Buffalo, NY, Artists Space, 1976. [A black and white image of two hands behind a figure's back. They cross their index and middle finger on each hand.]
    Caption Robert Longo. Performance documentation, Exchange Show: Hallwalls, Buffalo, NY, Artists Space, 1976.
    Image description A black and white image of two hands behind a figure's back. They cross their index and middle finger on each hand.
    Year
    Related pages Exchange Show: Hallwalls, Buffalo, NY
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A black and white photograph of a person standing in a doorframe. On the left, a broom rests against the wall. A circular window behind a radiator is visible on the right. Buckets of paint and painting rollers are scattered across the floor.
    A black and white photograph of a person standing in a doorframe. On the left, a broom rests against the wall. A circular window behind a radiator is visible on the right. Buckets of paint and painting rollers are scattered across the floor.
    Michael Brewster, An Acoustic Sculpture, A Clicker Drawing. View from Opening, April 2, 1977, Artists Space. [A black and white photograph of a person standing in a doorframe. On the left, a broom rests against the wall. A circular window behind a radiator is visible on the right. Buckets of paint and painting rollers are scattered across the floor.]
    Caption Michael Brewster, An Acoustic Sculpture, A Clicker Drawing. View from Opening, April 2, 1977, Artists Space.
    Image description A black and white photograph of a person standing in a doorframe. On the left, a broom rests against the wall. A circular window behind a radiator is visible on the right. Buckets of paint and painting rollers are scattered across the floor.
    Year 1977
    Related pages Michael Brewster: An Acoustic Sculpture, A Clicker Drawing
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A television sits on the floor, encaged by a wooden structure extending at an angle into the air. On the walls opposite, there are assorted photographs of varying sizes, showing primarily landscapes.
    A television sits on the floor, encaged by a wooden structure extending at an angle into the air. On the walls opposite, there are assorted photographs of varying sizes, showing primarily landscapes.
    The columns held us up. Installation view, Artists Space, 2009. Photo: Adam Reich. [A television sits on the floor, encaged by a wooden structure extending at an angle into the air. On the walls opposite, there are assorted photographs of varying sizes, showing primarily landscapes.]
    Caption The columns held us up. Installation view, Artists Space, 2009. Photo: Adam Reich.
    Image description A television sits on the floor, encaged by a wooden structure extending at an angle into the air. On the walls opposite, there are assorted photographs of varying sizes, showing primarily landscapes.
    Year 2009
    Related pages The columns held us up
  • A rectangular image, opaque and black. In black, all-caps, sans-serif font, outlined in white, text reads
    A rectangular image, opaque and black. In black, all-caps, sans-serif font, outlined in white, text reads
    Claire Fontaine, Please God Make Tomorrow Better, 2010, Silkscreen on archival box, 24 1/2 x 20 1/2 x 1 1/2 inches, Signed and numbered certificate [A rectangular image, opaque and black. In black, all-caps, sans-serif font, outlined in white, text reads "PLEASE GOD MAKE TOMORROW BETTER." The text appears slightly above the center of the image and center justified.]
    Caption Claire Fontaine, Please God Make Tomorrow Better, 2010, Silkscreen on archival box, 24 1/2 x 20 1/2 x 1 1/2 inches, Signed and numbered certificate
    Image description A rectangular image, opaque and black. In black, all-caps, sans-serif font, outlined in white, text reads "PLEASE GOD MAKE TOMORROW BETTER." The text appears slightly above the center of the image and center justified.
    Year
    Related pages Artists Space Annual Edition Portfolio 2010
  • An angled view of 4 book stands perpendicular to a wall, all displaying various books, documents, and papers.
    An angled view of 4 book stands perpendicular to a wall, all displaying various books, documents, and papers.
    Richard Hollis. Installation view, Artists Space, 2013. [An angled view of 4 book stands perpendicular to a wall, all displaying various books, documents, and papers.]
    Caption Richard Hollis. Installation view, Artists Space, 2013.
    Image description An angled view of 4 book stands perpendicular to a wall, all displaying various books, documents, and papers.
    Year 2013
    Related pages Richard Hollis
  • A figure sits on stage in front of a crowd and looks to the right as text is projected onto the right wall.
    A figure sits on stage in front of a crowd and looks to the right as text is projected onto the right wall.
    Yasunao Tone in Concert with Barbara Held. Performance documentation, January 19, 2023, Artists Space. Photo: Destiny Mata [A figure sits on stage in front of a crowd and looks to the right as text is projected onto the right wall.]
    Caption Yasunao Tone in Concert with Barbara Held. Performance documentation, January 19, 2023, Artists Space. Photo: Destiny Mata
    Image description A figure sits on stage in front of a crowd and looks to the right as text is projected onto the right wall.
    Year 2023
    Related pages Yasunao Tone in Concert with Barbara Held
  • A performer sings and plays the keyboard on stage, facing an audience. The performer is lit by a spotlight, and the audience is bathed in a red and blue light.
    A performer sings and plays the keyboard on stage, facing an audience. The performer is lit by a spotlight, and the audience is bathed in a red and blue light.
    Abasement #82. Performance documentation, November 17th, 2025, Artists Space. Photo: Joshua Wildman. [A performer sings and plays the keyboard on stage, facing an audience. The performer is lit by a spotlight, and the audience is bathed in a red and blue light. ]
    Caption Abasement #82. Performance documentation, November 17th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description A performer sings and plays the keyboard on stage, facing an audience. The performer is lit by a spotlight, and the audience is bathed in a red and blue light.
    Year
    Related pages Abasement #82
  • A poster design featuring two figures—a child and an older man—superimposed on a dark backdrop. The child's image has a blue hue and takes the shape of a circular cut-out, while the older man's image has a yellow hue. Above both figures, white text superimposed against a towering city skyline reads,
    A poster design featuring two figures—a child and an older man—superimposed on a dark backdrop. The child's image has a blue hue and takes the shape of a circular cut-out, while the older man's image has a yellow hue. Above both figures, white text superimposed against a towering city skyline reads,
    [A poster design featuring two figures—a child and an older man—superimposed on a dark backdrop. The child's image has a blue hue and takes the shape of a circular cut-out, while the older man's image has a yellow hue. Above both figures, white text superimposed against a towering city skyline reads, "DER ANGRIFF DER GEGENWART AUF DIE UBRIGE ZEIT / EIN FILM VON ALEXANDER KLUGE."]
    Caption
    Image description A poster design featuring two figures—a child and an older man—superimposed on a dark backdrop. The child's image has a blue hue and takes the shape of a circular cut-out, while the older man's image has a yellow hue. Above both figures, white text superimposed against a towering city skyline reads, "DER ANGRIFF DER GEGENWART AUF DIE UBRIGE ZEIT / EIN FILM VON ALEXANDER KLUGE."
    Year 2007
    Related pages Program 1 - In The Poem About Love You Don't Write The Word Love Film Series at Anthology Film Archives
  • Drawing of large square architectural development with half circle surrouding it and a small development above it to the right.
    Drawing of large square architectural development with half circle surrouding it and a small development above it to the right.
    Ian Bader. Spalation Clock, 1977. Axonometric. [Drawing of large square architectural development with half circle surrouding it and a small development above it to the right.]
    Caption Ian Bader. Spalation Clock, 1977. Axonometric.
    Image description Drawing of large square architectural development with half circle surrouding it and a small development above it to the right.
    Year 1977
    Related pages Architecture Project
  • Dark photograph of a plywood sculpture in a gallery space.
    Dark photograph of a plywood sculpture in a gallery space.
    Selections from the Unaffiliated Artists File. Installation view, Artists Space, 1981. [Dark photograph of a plywood sculpture in a gallery space.]
    Caption Selections from the Unaffiliated Artists File. Installation view, Artists Space, 1981.
    Image description Dark photograph of a plywood sculpture in a gallery space.
    Year
    Related pages Selections from the Unaffiliated Artists File
  • Caption
    Image description
    Year
    Related pages Carolyn Lazard
  • A figure in a blue morph suit stands, their hands on their waist, and looks to the left. A figure behind them films them. Blue video footage is projected onto the back wall.
    A figure in a blue morph suit stands, their hands on their waist, and looks to the left. A figure behind them films them. Blue video footage is projected onto the back wall.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [A figure in a blue morph suit stands, their hands on their waist, and looks to the left. A figure behind them films them. Blue video footage is projected onto the back wall.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description A figure in a blue morph suit stands, their hands on their waist, and looks to the left. A figure behind them films them. Blue video footage is projected onto the back wall.
    Year 2022
    Related pages SCRAAATCH 11-19
  • Two Artists Space tote bags lay in the autumn grass. One is black with a white line drawing, the other is pink with a black bold graphic.
    Two Artists Space tote bags lay in the autumn grass. One is black with a white line drawing, the other is pink with a black bold graphic.
    [Two Artists Space tote bags lay in the autumn grass. One is black with a white line drawing, the other is pink with a black bold graphic.]
    Caption
    Image description Two Artists Space tote bags lay in the autumn grass. One is black with a white line drawing, the other is pink with a black bold graphic.
    Year
    Related pages Artists Space Items
  • A gallery space with a large metal structure in the middle of the floor. Four straw brooms are suspended from the top of the structure such that they just brush the floor. On the surrounding white walls, there are several pieces of art. One is a colorful canvas with geometric shapes, sharing a wall with several small objects arranged in an oval. On the other wall, there are series of framed depictions of nude figures in various poses.
    A gallery space with a large metal structure in the middle of the floor. Four straw brooms are suspended from the top of the structure such that they just brush the floor. On the surrounding white walls, there are several pieces of art. One is a colorful canvas with geometric shapes, sharing a wall with several small objects arranged in an oval. On the other wall, there are series of framed depictions of nude figures in various poses.
    Flipside. Installation view, Artists Space, 2004. [A gallery space with a large metal structure in the middle of the floor. Four straw brooms are suspended from the top of the structure such that they just brush the floor. On the surrounding white walls, there are several pieces of art. One is a colorful canvas with geometric shapes, sharing a wall with several small objects arranged in an oval. On the other wall, there are series of framed depictions of nude figures in various poses.]
    Caption Flipside. Installation view, Artists Space, 2004.
    Image description A gallery space with a large metal structure in the middle of the floor. Four straw brooms are suspended from the top of the structure such that they just brush the floor. On the surrounding white walls, there are several pieces of art. One is a colorful canvas with geometric shapes, sharing a wall with several small objects arranged in an oval. On the other wall, there are series of framed depictions of nude figures in various poses.
    Year 2004
    Related pages Flipside
  • A color photograph of a wooden cafe chair with a green cushion in a gallery space. A television screen rests on top of the chair.
    A color photograph of a wooden cafe chair with a green cushion in a gallery space. A television screen rests on top of the chair.
    Nicole-Antonia Spagnola, Untitled, 2022. Raw Power, Raw Power; Kollettivo, Lotta per il potere; Antigenesi, Una donna non e’ merda; Negazione, Tutti Pazzi; RAF Punk, Contro la pace Contro la guerra; Peggio Punx, Scemo. 8mm to MP4 transfer (color, sound), monitors, chairs. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of a wooden cafe chair with a green cushion in a gallery space. A television screen rests on top of the chair.]
    Caption Nicole-Antonia Spagnola, Untitled, 2022. Raw Power, Raw Power; Kollettivo, Lotta per il potere; Antigenesi, Una donna non e’ merda; Negazione, Tutti Pazzi; RAF Punk, Contro la pace Contro la guerra; Peggio Punx, Scemo. 8mm to MP4 transfer (color, sound), monitors, chairs. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color photograph of a wooden cafe chair with a green cushion in a gallery space. A television screen rests on top of the chair.
    Year 2022
    Related pages Nicole-Antonia Spagnola: Anti-Genesis
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • 19 thinly outlined boxes arranged in columns of decreasing height on a black background. Each box contains a glowing, symmetrical, orange and purple geometric shape of varying complexity. In each box's lower right corner, white text lists three coordinates. There is a gradient key from purple through orange and yellow to white, with a minus sign at one end and a plus sign at the other, and above that, a complex mathematical formula. In the upper righthand corner, white text reads,
    19 thinly outlined boxes arranged in columns of decreasing height on a black background. Each box contains a glowing, symmetrical, orange and purple geometric shape of varying complexity. In each box's lower right corner, white text lists three coordinates. There is a gradient key from purple through orange and yellow to white, with a minus sign at one end and a plus sign at the other, and above that, a complex mathematical formula. In the upper righthand corner, white text reads,
    [19 thinly outlined boxes arranged in columns of decreasing height on a black background. Each box contains a glowing, symmetrical, orange and purple geometric shape of varying complexity. In each box's lower right corner, white text lists three coordinates. There is a gradient key from purple through orange and yellow to white, with a minus sign at one end and a plus sign at the other, and above that, a complex mathematical formula. In the upper righthand corner, white text reads, "Betsy Fagin and Alan Felsenthal" and "sat, 5/23 / 5pm nyc time / zoom id: 378 232 567."]
    Caption
    Image description 19 thinly outlined boxes arranged in columns of decreasing height on a black background. Each box contains a glowing, symmetrical, orange and purple geometric shape of varying complexity. In each box's lower right corner, white text lists three coordinates. There is a gradient key from purple through orange and yellow to white, with a minus sign at one end and a plus sign at the other, and above that, a complex mathematical formula. In the upper righthand corner, white text reads, "Betsy Fagin and Alan Felsenthal" and "sat, 5/23 / 5pm nyc time / zoom id: 378 232 567."
    Year 2020
    Related pages Segue Reading Series: Betsy Fagin & Alan Felsenthal
  • An image of a cat laying on a persons lap. The cat is holding an Ipod Nano displaying a skateboarder. Neon green text over the top half of the image reads,
    An image of a cat laying on a persons lap. The cat is holding an Ipod Nano displaying a skateboarder. Neon green text over the top half of the image reads,
    Flyer for Segue Reading Series featuring Marie Buck and Peter Inman. Saturday, January 30, 2021, Artists Space. [An image of a cat laying on a persons lap. The cat is holding an Ipod Nano displaying a skateboarder. Neon green text over the top half of the image reads, "Marie Buck / Peter Inman". Black text in the center left of the image reads, "SEGUE." Black text on the bottom half of the image reads, "30 January/ 5PM EST."]
    Caption Flyer for Segue Reading Series featuring Marie Buck and Peter Inman. Saturday, January 30, 2021, Artists Space.
    Image description An image of a cat laying on a persons lap. The cat is holding an Ipod Nano displaying a skateboarder. Neon green text over the top half of the image reads, "Marie Buck / Peter Inman". Black text in the center left of the image reads, "SEGUE." Black text on the bottom half of the image reads, "30 January/ 5PM EST."
    Year 2021
    Related pages Segue Reading Series: Marie Buck & Peter Inman
  • Two musicians on stage use various instruments. The musician in the foreground plays a mandolin. The musician behind them is using electronic instruments on a table. There are yellow and pink patterned projections, a red light bulb, and reflections from a disco ball around the room.
    Two musicians on stage use various instruments. The musician in the foreground plays a mandolin. The musician behind them is using electronic instruments on a table. There are yellow and pink patterned projections, a red light bulb, and reflections from a disco ball around the room.
    Abasement #72. Performance documentation, October 7th, 2024, Artists Space. Photo: Joshua Wildman. [Two musicians on stage use various instruments. The musician in the foreground plays a mandolin. The musician behind them is using electronic instruments on a table. There are yellow and pink patterned projections, a red light bulb, and reflections from a disco ball around the room. ]
    Caption Abasement #72. Performance documentation, October 7th, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Two musicians on stage use various instruments. The musician in the foreground plays a mandolin. The musician behind them is using electronic instruments on a table. There are yellow and pink patterned projections, a red light bulb, and reflections from a disco ball around the room.
    Year
    Related pages Abasement #72
  • Caption
    Image description
    Year
    Related pages Friends of Artists Space Dinner
  • An angled view of a room with a set of two tables and chairs, books resting on the tables, in the center. On the back wall hangs a banner in red painted text, reads
    An angled view of a room with a set of two tables and chairs, books resting on the tables, in the center. On the back wall hangs a banner in red painted text, reads
    The Library Vaccine. Installation view, Artists Space, 2014. [An angled view of a room with a set of two tables and chairs, books resting on the tables, in the center. On the back wall hangs a banner in red painted text, reads "...Pessimism of the intellect, Optimism of the will... Gramsci." On the right adjacent wall, text covers the whole height, the title reading, "Vigilance:"]
    Caption The Library Vaccine. Installation view, Artists Space, 2014.
    Image description An angled view of a room with a set of two tables and chairs, books resting on the tables, in the center. On the back wall hangs a banner in red painted text, reads "...Pessimism of the intellect, Optimism of the will... Gramsci." On the right adjacent wall, text covers the whole height, the title reading, "Vigilance:"
    Year 2014
    Related pages The Library Vaccine
  • A black and white photograph of a mixed media collage hanging on a gallery wall hanging opposite of four mixed media collaged in frames with a back-projected slide image of two faces centerd in the image with a dark curtain covering its surroundings.
    A black and white photograph of a mixed media collage hanging on a gallery wall hanging opposite of four mixed media collaged in frames with a back-projected slide image of two faces centerd in the image with a dark curtain covering its surroundings.
    Too Black, Too Strong! Installation View, Artists Space, 1988. [A black and white photograph of a mixed media collage hanging on a gallery wall hanging opposite of four mixed media collaged in frames with a back-projected slide image of two faces centerd in the image with a dark curtain covering its surroundings.]
    Caption Too Black, Too Strong! Installation View, Artists Space, 1988.
    Image description A black and white photograph of a mixed media collage hanging on a gallery wall hanging opposite of four mixed media collaged in frames with a back-projected slide image of two faces centerd in the image with a dark curtain covering its surroundings.
    Year 1988
    Related pages Too Black, Too Strong!
  • A dimly lit corner of a gallery. A large, gray structure with a slight trapezoidal shape hangs on the corner's left wall. A series of small figurines of men riding on horses emerge in a line along the top edge of the gray form. Hanging on the corner's right wall is a frieze-style figurine of a man in a white shirt and tie that emerges from the wall. He tilts his head back as his arms bend, one extending forward.
    A dimly lit corner of a gallery. A large, gray structure with a slight trapezoidal shape hangs on the corner's left wall. A series of small figurines of men riding on horses emerge in a line along the top edge of the gray form. Hanging on the corner's right wall is a frieze-style figurine of a man in a white shirt and tie that emerges from the wall. He tilts his head back as his arms bend, one extending forward.
    Pictures. Installation view, Artists Space, 1977. [A dimly lit corner of a gallery. A large, gray structure with a slight trapezoidal shape hangs on the corner's left wall. A series of small figurines of men riding on horses emerge in a line along the top edge of the gray form. Hanging on the corner's right wall is a frieze-style figurine of a man in a white shirt and tie that emerges from the wall. He tilts his head back as his arms bend, one extending forward.]
    Caption Pictures. Installation view, Artists Space, 1977.
    Image description A dimly lit corner of a gallery. A large, gray structure with a slight trapezoidal shape hangs on the corner's left wall. A series of small figurines of men riding on horses emerge in a line along the top edge of the gray form. Hanging on the corner's right wall is a frieze-style figurine of a man in a white shirt and tie that emerges from the wall. He tilts his head back as his arms bend, one extending forward.
    Year 1977
    Related pages "Pictures" at an Exhibition
  • Abasement #68. Performance documentation, February 12, 2024, Artists Space. Photo: Joshua Wildman.
    Caption Abasement #68. Performance documentation, February 12, 2024, Artists Space. Photo: Joshua Wildman.
    Image description
    Year
    Related pages Abasement #68
  • Image of a basement with a rectangular shaped sculpture made of a wooden frame with fresnel lenses placed along the top and sides. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    Image of a basement with a rectangular shaped sculpture made of a wooden frame with fresnel lenses placed along the top and sides. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement with a rectangular shaped sculpture made of a wooden frame with fresnel lenses placed along the top and sides. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.]
    Caption SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a basement with a rectangular shaped sculpture made of a wooden frame with fresnel lenses placed along the top and sides. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    Year 2022
    Related pages SCRAAATCH 11-19
  • Two people hold up reproductions of a painting below the original that hangs on the wall. The painting depicts a collaged face obscured in parts by red, blue, and brown geometric shapes.
    Two people hold up reproductions of a painting below the original that hangs on the wall. The painting depicts a collaged face obscured in parts by red, blue, and brown geometric shapes.
    Visit to Nathaniel Mary Quinn exhibition at Studio 94 [Two people hold up reproductions of a painting below the original that hangs on the wall. The painting depicts a collaged face obscured in parts by red, blue, and brown geometric shapes.]
    Caption Visit to Nathaniel Mary Quinn exhibition at Studio 94
    Image description Two people hold up reproductions of a painting below the original that hangs on the wall. The painting depicts a collaged face obscured in parts by red, blue, and brown geometric shapes.
    Year
    Related pages Portfolio Development
  • Book cover design featuring an image of a large room with red walls. A banner of colorful flags hangs from the ceiling. A large collection of objects is scattered on the floor, including coca-cola bottles, posters, chip bags, paint cans, detergent bottles, and other assorted items.
    Book cover design featuring an image of a large room with red walls. A banner of colorful flags hangs from the ceiling. A large collection of objects is scattered on the floor, including coca-cola bottles, posters, chip bags, paint cans, detergent bottles, and other assorted items.
    Show and Tell: A Chronicle of Group Material, edited by Julie Ault, published by Four Corners Books, 2010. [Book cover design featuring an image of a large room with red walls. A banner of colorful flags hangs from the ceiling. A large collection of objects is scattered on the floor, including coca-cola bottles, posters, chip bags, paint cans, detergent bottles, and other assorted items.]
    Caption Show and Tell: A Chronicle of Group Material, edited by Julie Ault, published by Four Corners Books, 2010.
    Image description Book cover design featuring an image of a large room with red walls. A banner of colorful flags hangs from the ceiling. A large collection of objects is scattered on the floor, including coca-cola bottles, posters, chip bags, paint cans, detergent bottles, and other assorted items.
    Year 2010
    Related pages Show & Tell: A Chronicle of Group Material
  • A round, diner-style table with a white mug, napkins, a baked good sitting on top of its open wrapper, and a small card with text. A long, straight line of crumbs stretches across the diameter of the table.
    A round, diner-style table with a white mug, napkins, a baked good sitting on top of its open wrapper, and a small card with text. A long, straight line of crumbs stretches across the diameter of the table.
    Pedro Lasch, Crumbs: Drawing on a Limited View of New York City's Cultural Wealth, 2000. [A round, diner-style table with a white mug, napkins, a baked good sitting on top of its open wrapper, and a small card with text. A long, straight line of crumbs stretches across the diameter of the table.]
    Caption Pedro Lasch, Crumbs: Drawing on a Limited View of New York City's Cultural Wealth, 2000.
    Image description A round, diner-style table with a white mug, napkins, a baked good sitting on top of its open wrapper, and a small card with text. A long, straight line of crumbs stretches across the diameter of the table.
    Year 2000
    Related pages When Artists Say We
  • Color image of a gallery space with large panels of adobe with paintings of various figures on them. Adobe bricks are laid out on the floor to create a small walkway. Paintings are also hung on either side of the wall, each depicting different views of a freeway.
    Color image of a gallery space with large panels of adobe with paintings of various figures on them. Adobe bricks are laid out on the floor to create a small walkway. Paintings are also hung on either side of the wall, each depicting different views of a freeway.
    rafa esparza: Camino. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color image of a gallery space with large panels of adobe with paintings of various figures on them. Adobe bricks are laid out on the floor to create a small walkway. Paintings are also hung on either side of the wall, each depicting different views of a freeway.]
    Caption rafa esparza: Camino. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color image of a gallery space with large panels of adobe with paintings of various figures on them. Adobe bricks are laid out on the floor to create a small walkway. Paintings are also hung on either side of the wall, each depicting different views of a freeway.
    Year
    Related pages rafa esparza: Camino
  • A painting collage with three separate figures represented hanging in a white-walled gallery space with a clock above it right where a finger in painting is pointing.
    A painting collage with three separate figures represented hanging in a white-walled gallery space with a clock above it right where a finger in painting is pointing.
    Selections from the Artists File. Installation View, Artists Space, October 1, 1987 - October 31, 1987. [A painting collage with three separate figures represented hanging in a white-walled gallery space with a clock above it right where a finger in painting is pointing.]
    Caption Selections from the Artists File. Installation View, Artists Space, October 1, 1987 - October 31, 1987.
    Image description A painting collage with three separate figures represented hanging in a white-walled gallery space with a clock above it right where a finger in painting is pointing.
    Year
    Related pages Selections from the Artists File
  • A glass vitrine appears in the center with headphones and seats placed around it in a circle. Behind it is another glass vitrine sculpture as well as paintings and sculptural objects on the gallery walls.
    A glass vitrine appears in the center with headphones and seats placed around it in a circle. Behind it is another glass vitrine sculpture as well as paintings and sculptural objects on the gallery walls.
    The Fairy Tale: Politics, Desire and Everyday Life. Installation View. Artists Space, 1986. [A glass vitrine appears in the center with headphones and seats placed around it in a circle. Behind it is another glass vitrine sculpture as well as paintings and sculptural objects on the gallery walls.]
    Caption The Fairy Tale: Politics, Desire and Everyday Life. Installation View. Artists Space, 1986.
    Image description A glass vitrine appears in the center with headphones and seats placed around it in a circle. Behind it is another glass vitrine sculpture as well as paintings and sculptural objects on the gallery walls.
    Year 1986
    Related pages The Fairy Tale: Politics, Desire, and Everyday Life
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A close up black and white image of multiple paintings hanging on a white wall and a sculpture occupying the gallery floor.
    A close up black and white image of multiple paintings hanging on a white wall and a sculpture occupying the gallery floor.
    Installation view from Annual Selections Show, Artists Space, 1985 [A close up black and white image of multiple paintings hanging on a white wall and a sculpture occupying the gallery floor.]
    Caption Installation view from Annual Selections Show, Artists Space, 1985
    Image description A close up black and white image of multiple paintings hanging on a white wall and a sculpture occupying the gallery floor.
    Year
    Related pages Annual Selections Show
  • A grayscale image of two naked people, kneeling on the ground of an untidy room. They are embracing, with their foreheads pressed together. Behind them there is a window and a typewriter on a stand.
    A grayscale image of two naked people, kneeling on the ground of an untidy room. They are embracing, with their foreheads pressed together. Behind them there is a window and a typewriter on a stand.
    Whatever Happened to Sex in Scandinavia (2011). Knut Ove Arntzen, Stan Brakhage, Marta Kuzma and Pablo LaFuente. [A grayscale image of two naked people, kneeling on the ground of an untidy room. They are embracing, with their foreheads pressed together. Behind them there is a window and a typewriter on a stand.]
    Caption Whatever Happened to Sex in Scandinavia (2011). Knut Ove Arntzen, Stan Brakhage, Marta Kuzma and Pablo LaFuente.
    Image description A grayscale image of two naked people, kneeling on the ground of an untidy room. They are embracing, with their foreheads pressed together. Behind them there is a window and a typewriter on a stand.
    Year 2011
    Related pages Whatever Happened to Sex in Scandinavia?
  • Magazine cut-outs and ink drawings are collaged together on a background of beige, yellow, pink, turqoise and red paper. Small pieces of paper with red typewritten text listing the performers and event details are scattered around the flyer.
    Magazine cut-outs and ink drawings are collaged together on a background of beige, yellow, pink, turqoise and red paper. Small pieces of paper with red typewritten text listing the performers and event details are scattered around the flyer.
    Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a background of beige, yellow, pink, turqoise and red paper. Small pieces of paper with red typewritten text listing the performers and event details are scattered around the flyer.]
    Caption Flyer by Joe Frivaldi.
    Image description Magazine cut-outs and ink drawings are collaged together on a background of beige, yellow, pink, turqoise and red paper. Small pieces of paper with red typewritten text listing the performers and event details are scattered around the flyer.
    Year
    Related pages Abasement #81
  • Image of a basement with a table made of wood and a fresnel lens tabletop on the right side of the space. Along the top of the image the basement windows are tinted blue.
    Image of a basement with a table made of wood and a fresnel lens tabletop on the right side of the space. Along the top of the image the basement windows are tinted blue.
    SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement with a table made of wood and a fresnel lens tabletop on the right side of the space. Along the top of the image the basement windows are tinted blue.]
    Caption SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a basement with a table made of wood and a fresnel lens tabletop on the right side of the space. Along the top of the image the basement windows are tinted blue.
    Year 2022
    Related pages SCRAAATCH 11-18
  • Color photograph of a large group of people standing around a gallery space. Chairs, and tanker desks with TV monitors on them are placed in the space. The audience watches a figure in a red suit that stands next to a column, holding their hand to their mouth.
    Color photograph of a large group of people standing around a gallery space. Chairs, and tanker desks with TV monitors on them are placed in the space. The audience watches a figure in a red suit that stands next to a column, holding their hand to their mouth.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a large group of people standing around a gallery space. Chairs, and tanker desks with TV monitors on them are placed in the space. The audience watches a figure in a red suit that stands next to a column, holding their hand to their mouth.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of a large group of people standing around a gallery space. Chairs, and tanker desks with TV monitors on them are placed in the space. The audience watches a figure in a red suit that stands next to a column, holding their hand to their mouth.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • A photograph of a rectangular, abstract black-and-white work mounted on a white wall. The pattern resembles a geometric face on a checkerboard.
    A photograph of a rectangular, abstract black-and-white work mounted on a white wall. The pattern resembles a geometric face on a checkerboard.
    John Mendelsohn and Donald Sultan, Installation view, Artists Space, 1977. [A photograph of a rectangular, abstract black-and-white work mounted on a white wall. The pattern resembles a geometric face on a checkerboard.]
    Caption John Mendelsohn and Donald Sultan, Installation view, Artists Space, 1977.
    Image description A photograph of a rectangular, abstract black-and-white work mounted on a white wall. The pattern resembles a geometric face on a checkerboard.
    Year 1977
    Related pages John Mendelsohn and Donald Sultan
  • Several figures sit on the ground, legs crossed.
    Several figures sit on the ground, legs crossed.
    Eiko Ishibashi: Two New York Nights. Performance documentation, June 8, 2022, 8pm. Artists Space, New York. [Several figures sit on the ground, legs crossed.]
    Caption Eiko Ishibashi: Two New York Nights. Performance documentation, June 8, 2022, 8pm. Artists Space, New York.
    Image description Several figures sit on the ground, legs crossed.
    Year
    Related pages Eiko Ishibashi in Concert
  • Color photograph of three figures dressed in white, embracing each other as they run across an empty basement.
    Color photograph of three figures dressed in white, embracing each other as they run across an empty basement.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of three figures dressed in white, embracing each other as they run across an empty basement.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of three figures dressed in white, embracing each other as they run across an empty basement.
    Year 2022
    Related pages keyon gaskin 12-14
  • Caption
    Image description
    Year
    Related pages Editions
  • A dilapidated wood shed is shown partially covered by large mounds of earth. Fingers reach out from the lower-right corner to caress the image.
    A dilapidated wood shed is shown partially covered by large mounds of earth. Fingers reach out from the lower-right corner to caress the image.
    Renée Green. Still from Partially Buried, 1996. Video, color, sound; 20 minutes. Courtesy the artist, Free Agent Media, and Video Data Bank. [A dilapidated wood shed is shown partially covered by large mounds of earth. Fingers reach out from the lower-right corner to caress the image.]
    Caption Renée Green. Still from Partially Buried, 1996. Video, color, sound; 20 minutes. Courtesy the artist, Free Agent Media, and Video Data Bank.
    Image description A dilapidated wood shed is shown partially covered by large mounds of earth. Fingers reach out from the lower-right corner to caress the image.
    Year 1997
    Related pages Whitney ISP Archive
  • An image of a person with long brown hair pointing a pistol at the camera is superimposed on top of an image of a picturesque lake.
    An image of a person with long brown hair pointing a pistol at the camera is superimposed on top of an image of a picturesque lake.
    Adam and Zack Khalil, still from INAATE/SE/ [it shines a certain way. to a certain place./it flies. falls./], 2016. [An image of a person with long brown hair pointing a pistol at the camera is superimposed on top of an image of a picturesque lake.]
    Caption Adam and Zack Khalil, still from INAATE/SE/ [it shines a certain way. to a certain place./it flies. falls./], 2016.
    Image description An image of a person with long brown hair pointing a pistol at the camera is superimposed on top of an image of a picturesque lake.
    Year 2017
    Related pages Unholding
  • Portrait of a figure in a blue shirt looking into the camera.
    Portrait of a figure in a blue shirt looking into the camera.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [Portrait of a figure in a blue shirt looking into the camera.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description Portrait of a figure in a blue shirt looking into the camera.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
  • Magazine cut-outs and ink drawings are collaged together on a background of beige, yellow, orange, green, and red paper. Small pieces of paper with red typewritten text listing the performers and event details are scattered around the flyer.
    Magazine cut-outs and ink drawings are collaged together on a background of beige, yellow, orange, green, and red paper. Small pieces of paper with red typewritten text listing the performers and event details are scattered around the flyer.
    Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a background of beige, yellow, orange, green, and red paper. Small pieces of paper with red typewritten text listing the performers and event details are scattered around the flyer.]
    Caption Flyer by Joe Frivaldi.
    Image description Magazine cut-outs and ink drawings are collaged together on a background of beige, yellow, orange, green, and red paper. Small pieces of paper with red typewritten text listing the performers and event details are scattered around the flyer.
    Year
    Related pages Abasement #83
  • A color photo of the first room in the exhibition. To the left, a wooden high-top bar holds a cash register, a lamp and a book. Three high-top stools are lined up in front of the bar. A large drawing done in BLANK on cardboard hangs above the bar. To the right, a grey metal bookshelf holds books, bags of rice and flour, Wonder bread, toliet paper, q-tips and soap. Next to the bookshelf a yellow produce scale hangs from the ceiling holding bubble wrap. The back wall is painted green, appears like the walls used in construction projects, with a hand-painted sign that reads: Dorothy Porter Wesley: The Negro in the United States, A Selected Bibliography.
    A color photo of the first room in the exhibition. To the left, a wooden high-top bar holds a cash register, a lamp and a book. Three high-top stools are lined up in front of the bar. A large drawing done in BLANK on cardboard hangs above the bar. To the right, a grey metal bookshelf holds books, bags of rice and flour, Wonder bread, toliet paper, q-tips and soap. Next to the bookshelf a yellow produce scale hangs from the ceiling holding bubble wrap. The back wall is painted green, appears like the walls used in construction projects, with a hand-painted sign that reads: Dorothy Porter Wesley: The Negro in the United States, A Selected Bibliography.
    Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color photo of the first room in the exhibition. To the left, a wooden high-top bar holds a cash register, a lamp and a book. Three high-top stools are lined up in front of the bar. A large drawing done in BLANK on cardboard hangs above the bar. To the right, a grey metal bookshelf holds books, bags of rice and flour, Wonder bread, toliet paper, q-tips and soap. Next to the bookshelf a yellow produce scale hangs from the ceiling holding bubble wrap. The back wall is painted green, appears like the walls used in construction projects, with a hand-painted sign that reads: Dorothy Porter Wesley: The Negro in the United States, A Selected Bibliography.]
    Caption Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A color photo of the first room in the exhibition. To the left, a wooden high-top bar holds a cash register, a lamp and a book. Three high-top stools are lined up in front of the bar. A large drawing done in BLANK on cardboard hangs above the bar. To the right, a grey metal bookshelf holds books, bags of rice and flour, Wonder bread, toliet paper, q-tips and soap. Next to the bookshelf a yellow produce scale hangs from the ceiling holding bubble wrap. The back wall is painted green, appears like the walls used in construction projects, with a hand-painted sign that reads: Dorothy Porter Wesley: The Negro in the United States, A Selected Bibliography.
    Year
    Related pages Char Jeré: Zoo or an Orchestra
  • A brown object stands on a white base. On the flat surface of the object, an onion and a lemon are connected by a rainbow wire.
    A brown object stands on a white base. On the flat surface of the object, an onion and a lemon are connected by a rainbow wire.
    Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $5,000
    [A brown object stands on a white base. On the flat surface of the object, an onion and a lemon are connected by a rainbow wire.]
    Caption Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $5,000
    Image description A brown object stands on a white base. On the flat surface of the object, an onion and a lemon are connected by a rainbow wire.
    Year 2019
    Related pages Trisha Baga Edition
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • At the bottom of the gallery wall sits a small shelf housing a pair of construction boots that are extremely worn in and covered in white paint.
    At the bottom of the gallery wall sits a small shelf housing a pair of construction boots that are extremely worn in and covered in white paint.
    LIFE—a group show, curated by Arnold J. Kemp. Installation view (William Pope.L's boots, 2003), Artists Space, 2025. Photo: Carter Seddon [At the bottom of the gallery wall sits a small shelf housing a pair of construction boots that are extremely worn in and covered in white paint.]
    Caption LIFE—a group show, curated by Arnold J. Kemp. Installation view (William Pope.L's boots, 2003), Artists Space, 2025. Photo: Carter Seddon
    Image description At the bottom of the gallery wall sits a small shelf housing a pair of construction boots that are extremely worn in and covered in white paint.
    Year
    Related pages Arnold J. Kemp
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • A black and white image of a large room with a round black disk suspended from the ceiling over a gray circle in the floor. It is lit from above by mounted lights.
    A black and white image of a large room with a round black disk suspended from the ceiling over a gray circle in the floor. It is lit from above by mounted lights.
    Laurie Anderson, Whirlwind, 1996. Disk, 48 speakers, electronics, computer program. [A black and white image of a large room with a round black disk suspended from the ceiling over a gray circle in the floor. It is lit from above by mounted lights.]
    Caption Laurie Anderson, Whirlwind, 1996. Disk, 48 speakers, electronics, computer program.
    Image description A black and white image of a large room with a round black disk suspended from the ceiling over a gray circle in the floor. It is lit from above by mounted lights.
    Year 1996
    Related pages Laurie Anderson: Whirlwind
  • A figure wearing all black lies on their back on a concrete floor. Their hips and knees are lifted off the floor, with their hand holding a dangling microphone by the cord. There is a crowd of people arranged in a semi-circle behind the performer, and disordered empty chairs in the foreground.
    A figure wearing all black lies on their back on a concrete floor. Their hips and knees are lifted off the floor, with their hand holding a dangling microphone by the cord. There is a crowd of people arranged in a semi-circle behind the performer, and disordered empty chairs in the foreground.
    New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court. [A figure wearing all black lies on their back on a concrete floor. Their hips and knees are lifted off the floor, with their hand holding a dangling microphone by the cord. There is a crowd of people arranged in a semi-circle behind the performer, and disordered empty chairs in the foreground.]
    Caption New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court.
    Image description A figure wearing all black lies on their back on a concrete floor. Their hips and knees are lifted off the floor, with their hand holding a dangling microphone by the cord. There is a crowd of people arranged in a semi-circle behind the performer, and disordered empty chairs in the foreground.
    Year 2020
    Related pages New Red Order: Informants Get Paid!
  • Cave of Animals: Cave of the Future, site recording, 2024
    Caption Cave of Animals: Cave of the Future, site recording, 2024
    Image description
    Year
    Related pages Listening to the LES
  • A dimly lit, color photograph of a desert installed on a white gallery wall. The desert ground is a bright orange color and includes many large rock features. The sky above is slightly blue and filled with clouds.
    A dimly lit, color photograph of a desert installed on a white gallery wall. The desert ground is a bright orange color and includes many large rock features. The sky above is slightly blue and filled with clouds.
    Urban Pornography. Installation view, Artists Space, 2001. [A dimly lit, color photograph of a desert installed on a white gallery wall. The desert ground is a bright orange color and includes many large rock features. The sky above is slightly blue and filled with clouds.]
    Caption Urban Pornography. Installation view, Artists Space, 2001.
    Image description A dimly lit, color photograph of a desert installed on a white gallery wall. The desert ground is a bright orange color and includes many large rock features. The sky above is slightly blue and filled with clouds.
    Year 2001
    Related pages Urban Pornography
  • A paintings of a few bloomed white and dark flowers appear inside a vase with a white background.
    A paintings of a few bloomed white and dark flowers appear inside a vase with a white background.
    Bert Carpenter. The Great Bouquet, 1979. [A paintings of a few bloomed white and dark flowers appear inside a vase with a white background.]
    Caption Bert Carpenter. The Great Bouquet, 1979.
    Image description A paintings of a few bloomed white and dark flowers appear inside a vase with a white background.
    Year
    Related pages Three Exhibitions Sponsored by the Mark Rothko Foundation
  • Two figures hold medical instruments over a table with a manneuqin and an IV.
    Two figures hold medical instruments over a table with a manneuqin and an IV.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York. [Two figures hold medical instruments over a table with a manneuqin and an IV.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York.
    Image description Two figures hold medical instruments over a table with a manneuqin and an IV.
    Year
    Related pages Grandmother Cindy
  • Two screens are mounted vertically on metal poles that stretch floor to ceiling. The screens show black images with white light spots.
    Two screens are mounted vertically on metal poles that stretch floor to ceiling. The screens show black images with white light spots.
    Hilary Lloyd. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [Two screens are mounted vertically on metal poles that stretch floor to ceiling. The screens show black images with white light spots.]
    Caption Hilary Lloyd. Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description Two screens are mounted vertically on metal poles that stretch floor to ceiling. The screens show black images with white light spots.
    Year 2011
    Related pages Hilary Lloyd
  • Two works on paper hanging on a white gallery wall. The work on the left features curling black lines that accrete densely in various clusters. The work on the right features two overlapping pieces of paper with a box in the top-left corner that reads
    Two works on paper hanging on a white gallery wall. The work on the left features curling black lines that accrete densely in various clusters. The work on the right features two overlapping pieces of paper with a box in the top-left corner that reads
    Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak. [Two works on paper hanging on a white gallery wall. The work on the left features curling black lines that accrete densely in various clusters. The work on the right features two overlapping pieces of paper with a box in the top-left corner that reads "Index." The paper on top is white and features various lines of dense, swirling black calligraphic lines of ink that approximate text, followed by a small printed line of text that reads "(over)." The larger paper beneath is yellowish and features larger, curling lines of black ink.]
    Caption Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak.
    Image description Two works on paper hanging on a white gallery wall. The work on the left features curling black lines that accrete densely in various clusters. The work on the right features two overlapping pieces of paper with a box in the top-left corner that reads "Index." The paper on top is white and features various lines of dense, swirling black calligraphic lines of ink that approximate text, followed by a small printed line of text that reads "(over)." The larger paper beneath is yellowish and features larger, curling lines of black ink.
    Year
    Related pages Dream Lines: Drawings by Marian Zazeela
  • Five performers sitting in a row playing various wind, string, and percussion instruments. They are facing microphone and sheet music stands. There is a pink-tint covering the musicians and the wall behind them.
    Five performers sitting in a row playing various wind, string, and percussion instruments. They are facing microphone and sheet music stands. There is a pink-tint covering the musicians and the wall behind them.
    Abasement #72. Performance documentation, October 7th, 2024, Artists Space. Photo: Joshua Wildman. [Five performers sitting in a row playing various wind, string, and percussion instruments. They are facing microphone and sheet music stands. There is a pink-tint covering the musicians and the wall behind them.]
    Caption Abasement #72. Performance documentation, October 7th, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Five performers sitting in a row playing various wind, string, and percussion instruments. They are facing microphone and sheet music stands. There is a pink-tint covering the musicians and the wall behind them.
    Year
    Related pages Abasement #72
  • An open book showing two black and white images. On the left, a person with a fur on his arms extends one leg into the air. On the right, the same person wears a unitard and hinges back with one leg straightened in front of him.
    An open book showing two black and white images. On the left, a person with a fur on his arms extends one leg into the air. On the right, the same person wears a unitard and hinges back with one leg straightened in front of him.
    Michael Clark in the production Mmm.... (1992). Photographed by Hugo Glendinning. [An open book showing two black and white images. On the left, a person with a fur on his arms extends one leg into the air. On the right, the same person wears a unitard and hinges back with one leg straightened in front of him.]
    Caption Michael Clark in the production Mmm.... (1992). Photographed by Hugo Glendinning.
    Image description An open book showing two black and white images. On the left, a person with a fur on his arms extends one leg into the air. On the right, the same person wears a unitard and hinges back with one leg straightened in front of him.
    Year 1992
    Related pages Michael Clark
  • The interior of a Soho loft space. In the foreground, a plastic bucket hands from a red rope attached to an overhead pulley that is suspended from a wooden plank hanging overhead. '
    The interior of a Soho loft space. In the foreground, a plastic bucket hands from a red rope attached to an overhead pulley that is suspended from a wooden plank hanging overhead. '
    On Being an Exhibition. Installation view, Artists Space, 2007. Photo: Bill Orcutt. [The interior of a Soho loft space. In the foreground, a plastic bucket hands from a red rope attached to an overhead pulley that is suspended from a wooden plank hanging overhead. '"ARTISTS SPACE" is written on the far wall, and a number of bookcases, a white pedestal with a clear plastic hood, and a front desk populate the room. Behind the front desk are two neon quotation marks.]
    Caption On Being an Exhibition. Installation view, Artists Space, 2007. Photo: Bill Orcutt.
    Image description The interior of a Soho loft space. In the foreground, a plastic bucket hands from a red rope attached to an overhead pulley that is suspended from a wooden plank hanging overhead. '"ARTISTS SPACE" is written on the far wall, and a number of bookcases, a white pedestal with a clear plastic hood, and a front desk populate the room. Behind the front desk are two neon quotation marks.
    Year 2007
    Related pages On Being an Exhibition
  • A black and white image of a painted abstract figure.
    A black and white image of a painted abstract figure.
    Benje LaRico. Prova, 1986. Enamel, Plastic, Wood, Linoleum. 63.5 inches x 84.5 inches x 2.75 inches. [A black and white image of a painted abstract figure.]
    Caption Benje LaRico. Prova, 1986. Enamel, Plastic, Wood, Linoleum. 63.5 inches x 84.5 inches x 2.75 inches.
    Image description A black and white image of a painted abstract figure.
    Year 1986
    Related pages Abstraction in Process
  • Caption
    Image description
    Year
    Related pages All These Different Things Are Sculpture
  • In the left foreground of the image is a painting of a shark standing upright in water and in the right background of the image is a large, orange stuffed slug sculpture strapped to a cast-iron column in a white gallery space.
    In the left foreground of the image is a painting of a shark standing upright in water and in the right background of the image is a large, orange stuffed slug sculpture strapped to a cast-iron column in a white gallery space.
    Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez [In the left foreground of the image is a painting of a shark standing upright in water and in the right background of the image is a large, orange stuffed slug sculpture strapped to a cast-iron column in a white gallery space.]
    Caption Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez
    Image description In the left foreground of the image is a painting of a shark standing upright in water and in the right background of the image is a large, orange stuffed slug sculpture strapped to a cast-iron column in a white gallery space.
    Year 2020
    Related pages Jana Euler
  • Contact sheet of installation images taken during exhibition opening.
    Contact sheet of installation images taken during exhibition opening.
    Gary Burnley, Martin Cohen, Candace Hill-Montgomery, Louis Stein, and Haim Steinbach. Contact sheet of photos from exhibition opening, Artists Space, 1979. Photos by Gary Burnley. [Contact sheet of installation images taken during exhibition opening.]
    Caption Gary Burnley, Martin Cohen, Candace Hill-Montgomery, Louis Stein, and Haim Steinbach. Contact sheet of photos from exhibition opening, Artists Space, 1979. Photos by Gary Burnley.
    Image description Contact sheet of installation images taken during exhibition opening.
    Year 1979
    Related pages Gary Burnley
  • LaToya Ruby Frazier smiles while seated at a dinner table, holding hands with someone whose body is out of frame. She wears an orange suit jacket, a purple collared shirt, and a pocket square bearing a print of various orange flowers.
    LaToya Ruby Frazier smiles while seated at a dinner table, holding hands with someone whose body is out of frame. She wears an orange suit jacket, a purple collared shirt, and a pocket square bearing a print of various orange flowers.
    Friends of Artists Space Dinner 2024. Honoree LaToya Ruby Frazier. Photo: Joshua Wildman [LaToya Ruby Frazier smiles while seated at a dinner table, holding hands with someone whose body is out of frame. She wears an orange suit jacket, a purple collared shirt, and a pocket square bearing a print of various orange flowers.]
    Caption Friends of Artists Space Dinner 2024. Honoree LaToya Ruby Frazier. Photo: Joshua Wildman
    Image description LaToya Ruby Frazier smiles while seated at a dinner table, holding hands with someone whose body is out of frame. She wears an orange suit jacket, a purple collared shirt, and a pocket square bearing a print of various orange flowers.
    Year
    Related pages Friends of Artists Space Dinner
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Color image of a figure seated behind a white desk. They are using a laptop, open to a computer program page.
    Color image of a figure seated behind a white desk. They are using a laptop, open to a computer program page.
    Yasunao Tone Concert #3. Performance documentation, March 16, 2023, Artists Space. Photo: Destiny Mata [Color image of a figure seated behind a white desk. They are using a laptop, open to a computer program page.]
    Caption Yasunao Tone Concert #3. Performance documentation, March 16, 2023, Artists Space. Photo: Destiny Mata
    Image description Color image of a figure seated behind a white desk. They are using a laptop, open to a computer program page.
    Year 2023
    Related pages Yasunao Tone Concert #3
  • Two musicians standing on stage use electronic instruments. In the foreground there various more cords and audio instruments on stands. Both musicians have microphones and one is wearing a woven hat. The wall behind them is projected with images of trees, and a red light illuminates the left side of the frame.
    Two musicians standing on stage use electronic instruments. In the foreground there various more cords and audio instruments on stands. Both musicians have microphones and one is wearing a woven hat. The wall behind them is projected with images of trees, and a red light illuminates the left side of the frame.
    Abasement #71. Performance documentation, August 5th, 2024, Artists Space. Photo: Joshua Wildman. [Two musicians standing on stage use electronic instruments. In the foreground there various more cords and audio instruments on stands. Both musicians have microphones and one is wearing a woven hat. The wall behind them is projected with images of trees, and a red light illuminates the left side of the frame.]
    Caption Abasement #71. Performance documentation, August 5th, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Two musicians standing on stage use electronic instruments. In the foreground there various more cords and audio instruments on stands. Both musicians have microphones and one is wearing a woven hat. The wall behind them is projected with images of trees, and a red light illuminates the left side of the frame.
    Year
    Related pages Abasement #71
  • A performer closes their eyes as they sing into a mic pressed up to their mouth. They are holding a music stand with a score on it in their right hand, and adjusting audio equipment with their left hand. They are bathed in green light. On the left of the image a red-tinted column is blurred in the foreground. The background is dark purple.
    A performer closes their eyes as they sing into a mic pressed up to their mouth. They are holding a music stand with a score on it in their right hand, and adjusting audio equipment with their left hand. They are bathed in green light. On the left of the image a red-tinted column is blurred in the foreground. The background is dark purple.
    Heist Divination (fwiw remix). Performance documentation, October 25th, 2024, Artists Space. Photo: Destiny Mata. [A performer closes their eyes as they sing into a mic pressed up to their mouth. They are holding a music stand with a score on it in their right hand, and adjusting audio equipment with their left hand. They are bathed in green light. On the left of the image a red-tinted column is blurred in the foreground. The background is dark purple.]
    Caption Heist Divination (fwiw remix). Performance documentation, October 25th, 2024, Artists Space. Photo: Destiny Mata.
    Image description A performer closes their eyes as they sing into a mic pressed up to their mouth. They are holding a music stand with a score on it in their right hand, and adjusting audio equipment with their left hand. They are bathed in green light. On the left of the image a red-tinted column is blurred in the foreground. The background is dark purple.
    Year
    Related pages S*an D. Henry-Smith
  • A gray wall with dozens of drawings arranged in rows of four. The drawings depict single buildings in black on white paper. In front of the wall, a gray object stands on a white plinth.
    A gray wall with dozens of drawings arranged in rows of four. The drawings depict single buildings in black on white paper. In front of the wall, a gray object stands on a white plinth.
    Local Transit. Installation view, Artists Space, 2006. [A gray wall with dozens of drawings arranged in rows of four. The drawings depict single buildings in black on white paper. In front of the wall, a gray object stands on a white plinth.]
    Caption Local Transit. Installation view, Artists Space, 2006.
    Image description A gray wall with dozens of drawings arranged in rows of four. The drawings depict single buildings in black on white paper. In front of the wall, a gray object stands on a white plinth.
    Year 2006
    Related pages Local Transit: An Exhibition in Two Parts
  • A skewed black-and-white image looking up at the façade of a building and the sky. An LED sign spelling
    A skewed black-and-white image looking up at the façade of a building and the sky. An LED sign spelling
    Eniya Alonzia, The Sky, digital print, 2019 [A skewed black-and-white image looking up at the façade of a building and the sky. An LED sign spelling "DINER" hangs from the left side of the building]
    Caption Eniya Alonzia, The Sky, digital print, 2019
    Image description A skewed black-and-white image looking up at the façade of a building and the sky. An LED sign spelling "DINER" hangs from the left side of the building
    Year 2019
    Related pages Scholastic Art and Writing Awards
page 2 of 30