• pages
  • images
  • texts
  • videos
  • artists
  • Detail view of a sculpture with a shiny grey finish. The shape of the sculpture forms a skeletal structure around amorphous square voids.
    Detail view of a sculpture with a shiny grey finish. The shape of the sculpture forms a skeletal structure around amorphous square voids.
    UniBodies. Installation view, Artists Space, 2006. Photo: Bill Ocrutt. [Detail view of a sculpture with a shiny grey finish. The shape of the sculpture forms a skeletal structure around amorphous square voids.]
    Caption UniBodies. Installation view, Artists Space, 2006. Photo: Bill Ocrutt.
    Image description Detail view of a sculpture with a shiny grey finish. The shape of the sculpture forms a skeletal structure around amorphous square voids.
    Year 2006
    Related pages UniBodies
  • In the foreground, a clear and grey sculpture rests on top of a white pedestal. In the background, four additional sculptures in arranged from light to dark tones, hang in a row.
    In the foreground, a clear and grey sculpture rests on top of a white pedestal. In the background, four additional sculptures in arranged from light to dark tones, hang in a row.
    UniBodies. Installation view, Artists Space, 2006. Photo: Bill Ocrutt. [In the foreground, a clear and grey sculpture rests on top of a white pedestal. In the background, four additional sculptures in arranged from light to dark tones, hang in a row.]
    Caption UniBodies. Installation view, Artists Space, 2006. Photo: Bill Ocrutt.
    Image description In the foreground, a clear and grey sculpture rests on top of a white pedestal. In the background, four additional sculptures in arranged from light to dark tones, hang in a row.
    Year 2006
    Related pages UniBodies
  • White text overlays a bright fuchsia background. The text at the top reads: “Segue Reading Series & ARTISTS SPACE / Fall 2025 Season / October/November curated by / Nightboat Books
    White text overlays a bright fuchsia background. The text at the top reads: “Segue Reading Series & ARTISTS SPACE / Fall 2025 Season / October/November curated by / Nightboat Books
    [White text overlays a bright fuchsia background. The text at the top reads: “Segue Reading Series & ARTISTS SPACE / Fall 2025 Season / October/November curated by / Nightboat Books"]
    Caption
    Image description White text overlays a bright fuchsia background. The text at the top reads: “Segue Reading Series & ARTISTS SPACE / Fall 2025 Season / October/November curated by / Nightboat Books"
    Year
    Related pages Segue Reading Series
  • The image shows a quarter of a circle on a white background that is colored half-brown, half-blue with two black ovals of different sizes etched on top.
    The image shows a quarter of a circle on a white background that is colored half-brown, half-blue with two black ovals of different sizes etched on top.
    Robert Mangold, Untitled, 1995, Etching with aquatint, 24 x 30 inches (61 x 76.2 cm), Editions of 50, Signed & numbered. [The image shows a quarter of a circle on a white background that is colored half-brown, half-blue with two black ovals of different sizes etched on top.]
    Caption Robert Mangold, Untitled, 1995, Etching with aquatint, 24 x 30 inches (61 x 76.2 cm), Editions of 50, Signed & numbered.
    Image description The image shows a quarter of a circle on a white background that is colored half-brown, half-blue with two black ovals of different sizes etched on top.
    Year
    Related pages Editions
  • Red and blue text overlay a yellow background with abstract lines and a drawing of a male face in side profile. The text in the middle reads
    Red and blue text overlay a yellow background with abstract lines and a drawing of a male face in side profile. The text in the middle reads
    Flyer for Segue Reading Series featuring Kyle Dacuyan and Judith Goldman. January 7, 2023, Artists Space. [Red and blue text overlay a yellow background with abstract lines and a drawing of a male face in side profile. The text in the middle reads "Kyle Dacuyan / Segue Reading Series / Judith Goldman."]
    Caption Flyer for Segue Reading Series featuring Kyle Dacuyan and Judith Goldman. January 7, 2023, Artists Space.
    Image description Red and blue text overlay a yellow background with abstract lines and a drawing of a male face in side profile. The text in the middle reads "Kyle Dacuyan / Segue Reading Series / Judith Goldman."
    Year
    Related pages Segue Reading Series: Kyle Dacuyan & Judith Goldman
  • Black-and-white photograph of a reed organ covered in plastic with an ice cube placed on top of the keyboard, a microphone stand, and a music stand with a clock resting on it. In the background is a stage with chairs set up.
    Black-and-white photograph of a reed organ covered in plastic with an ice cube placed on top of the keyboard, a microphone stand, and a music stand with a clock resting on it. In the background is a stage with chairs set up.
    Yasunao Tone performing Genealogy and Music, Event 201, Merce Cunningham Studio, New York, 1978 [Black-and-white photograph of a reed organ covered in plastic with an ice cube placed on top of the keyboard, a microphone stand, and a music stand with a clock resting on it. In the background is a stage with chairs set up.]
    Caption Yasunao Tone performing Genealogy and Music, Event 201, Merce Cunningham Studio, New York, 1978
    Image description Black-and-white photograph of a reed organ covered in plastic with an ice cube placed on top of the keyboard, a microphone stand, and a music stand with a clock resting on it. In the background is a stage with chairs set up.
    Year
    Related pages Yasunao Tone Concert #2
  • A grid of citrus fruits and coconuts, each cut in half to reveal the interior flesh, is presented in a variety of high contrast colors against a white ground.
    A grid of citrus fruits and coconuts, each cut in half to reveal the interior flesh, is presented in a variety of high contrast colors against a white ground.
    Guyton\Walker, Fruit Stickers for Artists Space, 2010. Set of 15 inkset printed stickers. [A grid of citrus fruits and coconuts, each cut in half to reveal the interior flesh, is presented in a variety of high contrast colors against a white ground.]
    Caption Guyton\Walker, Fruit Stickers for Artists Space, 2010. Set of 15 inkset printed stickers.
    Image description A grid of citrus fruits and coconuts, each cut in half to reveal the interior flesh, is presented in a variety of high contrast colors against a white ground.
    Year 2011
    Related pages Annual Edition Portfolio
  • A color photograph of a gallery space with several dark columns. A small wooden chest with a red piece of fabric and three white objects on top along with a small wooden stool are visible in the foreground. Further in the background are a yellow couch and a large wicker pannier..
    A color photograph of a gallery space with several dark columns. A small wooden chest with a red piece of fabric and three white objects on top along with a small wooden stool are visible in the foreground. Further in the background are a yellow couch and a large wicker pannier..
    Lyndon Barrois Jr.: Mirage Collar. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of a gallery space with several dark columns. A small wooden chest with a red piece of fabric and three white objects on top along with a small wooden stool are visible in the foreground. Further in the background are a yellow couch and a large wicker pannier..]
    Caption Lyndon Barrois Jr.: Mirage Collar. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color photograph of a gallery space with several dark columns. A small wooden chest with a red piece of fabric and three white objects on top along with a small wooden stool are visible in the foreground. Further in the background are a yellow couch and a large wicker pannier..
    Year 2022
    Related pages Lyndon Barrois Jr.: Mirage Collar
  • Caption
    Image description
    Year
    Related pages All These Different Things Are Sculpture
  • A wide angle image of a beige wall lined with multiple tv monitors and glass display cases filled with ephemera, hanging on the wall are four black and white contact sheets.
    A wide angle image of a beige wall lined with multiple tv monitors and glass display cases filled with ephemera, hanging on the wall are four black and white contact sheets.
    Till They Listen: Bill Gunn Directs America. Installation view, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A wide angle image of a beige wall lined with multiple tv monitors and glass display cases filled with ephemera, hanging on the wall are four black and white contact sheets.]
    Caption Till They Listen: Bill Gunn Directs America. Installation view, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A wide angle image of a beige wall lined with multiple tv monitors and glass display cases filled with ephemera, hanging on the wall are four black and white contact sheets.
    Year 2021
    Related pages Till They Listen: Bill Gunn Directs America
  • Caption
    Image description
    Year
    Related pages Abasement #77
  • Two musicians perform on stage. To the left, one of them sits on a chair with an electric guitar laying on his legs. To the right, a musician stands playing the saxophone. Rainbow lights are projected onto the stage.
    Two musicians perform on stage. To the left, one of them sits on a chair with an electric guitar laying on his legs. To the right, a musician stands playing the saxophone. Rainbow lights are projected onto the stage.
    Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman. [Two musicians perform on stage. To the left, one of them sits on a chair with an electric guitar laying on his legs. To the right, a musician stands playing the saxophone. Rainbow lights are projected onto the stage.]
    Caption Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman.
    Image description Two musicians perform on stage. To the left, one of them sits on a chair with an electric guitar laying on his legs. To the right, a musician stands playing the saxophone. Rainbow lights are projected onto the stage.
    Year
    Related pages Abasement #65
  • Two sculptures installed in a gallery space with wooden flooring. A large sculpture consisting of a suspended, orange tarp pulled in different directions by various wires sits in the cetner of the room. Small, tan mounds and a white side table are arranged around the orange tarp. On the gallery wall behind the large sculpture hangs a smaller sculpture that resembles a set of pink lungs.
    Two sculptures installed in a gallery space with wooden flooring. A large sculpture consisting of a suspended, orange tarp pulled in different directions by various wires sits in the cetner of the room. Small, tan mounds and a white side table are arranged around the orange tarp. On the gallery wall behind the large sculpture hangs a smaller sculpture that resembles a set of pink lungs.
    Unnaturally Yours: Selected by Willie Cole. Installation view, Artists Space, 1996. [Two sculptures installed in a gallery space with wooden flooring. A large sculpture consisting of a suspended, orange tarp pulled in different directions by various wires sits in the cetner of the room. Small, tan mounds and a white side table are arranged around the orange tarp. On the gallery wall behind the large sculpture hangs a smaller sculpture that resembles a set of pink lungs.]
    Caption Unnaturally Yours: Selected by Willie Cole. Installation view, Artists Space, 1996.
    Image description Two sculptures installed in a gallery space with wooden flooring. A large sculpture consisting of a suspended, orange tarp pulled in different directions by various wires sits in the cetner of the room. Small, tan mounds and a white side table are arranged around the orange tarp. On the gallery wall behind the large sculpture hangs a smaller sculpture that resembles a set of pink lungs.
    Year 1996
    Related pages Unnaturally Yours: Selected by Willie Cole
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Two faces on a black background, with a black and red patterned rectangle dividing them. The left face is upside-down, and a skeltal hand overlaps the face. The right is upright, and is looking back over their shoulder.
    Two faces on a black background, with a black and red patterned rectangle dividing them. The left face is upside-down, and a skeltal hand overlaps the face. The right is upright, and is looking back over their shoulder.
    Margo Machida, Altered Fates, 1990. Acrylic on canvas, 48 x 56 inches. [Two faces on a black background, with a black and red patterned rectangle dividing them. The left face is upside-down, and a skeltal hand overlaps the face. The right is upright, and is looking back over their shoulder.]
    Caption Margo Machida, Altered Fates, 1990. Acrylic on canvas, 48 x 56 inches.
    Image description Two faces on a black background, with a black and red patterned rectangle dividing them. The left face is upside-down, and a skeltal hand overlaps the face. The right is upright, and is looking back over their shoulder.
    Year 1990
    Related pages Post-Boys&Girls: Nine Painters
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Photograph of the hallway entrance into a basement gallery space. Along the left wall is a clock card machine and time card rack, vinyl text, and a pedestal with printed materials placed on top of it.
    Photograph of the hallway entrance into a basement gallery space. Along the left wall is a clock card machine and time card rack, vinyl text, and a pedestal with printed materials placed on top of it.
    Clocking Out: Time Beyond Management. Installation view (Simon Gush, Clocking In, 2013), Artists Space, 2023. Photo: Greg Carideo. [Photograph of the hallway entrance into a basement gallery space. Along the left wall is a clock card machine and time card rack, vinyl text, and a pedestal with printed materials placed on top of it.]
    Caption Clocking Out: Time Beyond Management. Installation view (Simon Gush, Clocking In, 2013), Artists Space, 2023. Photo: Greg Carideo.
    Image description Photograph of the hallway entrance into a basement gallery space. Along the left wall is a clock card machine and time card rack, vinyl text, and a pedestal with printed materials placed on top of it.
    Year 2023
    Related pages Whitney Independent Study: Clocking Out: Time Beyond Management
  • A couch is visible in the center with drawings, banners and paintings surrounding it in a white-walled gallery space.
    A couch is visible in the center with drawings, banners and paintings surrounding it in a white-walled gallery space.
    Young Fluxus. Installation view, Artists Space, 1982. [A couch is visible in the center with drawings, banners and paintings surrounding it in a white-walled gallery space.]
    Caption Young Fluxus. Installation view, Artists Space, 1982.
    Image description A couch is visible in the center with drawings, banners and paintings surrounding it in a white-walled gallery space.
    Year
    Related pages Young Fluxus
  • A long, cubic rectangle made from suspension wires with a silver, reflective base on a weathered wooden floor.
    A long, cubic rectangle made from suspension wires with a silver, reflective base on a weathered wooden floor.
    Underground: Jose Gabriel Fernandez. Installation view, Artists Space, 1991. [A long, cubic rectangle made from suspension wires with a silver, reflective base on a weathered wooden floor.]
    Caption Underground: Jose Gabriel Fernandez. Installation view, Artists Space, 1991.
    Image description A long, cubic rectangle made from suspension wires with a silver, reflective base on a weathered wooden floor.
    Year 1991
    Related pages Underground: Jose Gabriel Fernandez
  • A black and white still of a hand delicately reaching out to touch a stone surface.
    A black and white still of a hand delicately reaching out to touch a stone surface.
    Charles Simonds. Still from Mythologies, 1974. From Thomas Lanigan-Schmidt, James Biederman, Charles Simonds, Artists Space, 1974. [A black and white still of a hand delicately reaching out to touch a stone surface.]
    Caption Charles Simonds. Still from Mythologies, 1974. From Thomas Lanigan-Schmidt, James Biederman, Charles Simonds, Artists Space, 1974.
    Image description A black and white still of a hand delicately reaching out to touch a stone surface.
    Year 1974
    Related pages Thomas Lanigan Schmidt, James Biederman, Charles Simonds
  • A black and white photograph of a mixed media collage hanging on a gallery wall hanging opposite of four mixed media collaged in frames with a back-projected slide image of two faces centerd in the image with a dark curtain covering its surroundings.
    A black and white photograph of a mixed media collage hanging on a gallery wall hanging opposite of four mixed media collaged in frames with a back-projected slide image of two faces centerd in the image with a dark curtain covering its surroundings.
    Too Black, Too Strong! Installation View, Artists Space, 1988. [A black and white photograph of a mixed media collage hanging on a gallery wall hanging opposite of four mixed media collaged in frames with a back-projected slide image of two faces centerd in the image with a dark curtain covering its surroundings.]
    Caption Too Black, Too Strong! Installation View, Artists Space, 1988.
    Image description A black and white photograph of a mixed media collage hanging on a gallery wall hanging opposite of four mixed media collaged in frames with a back-projected slide image of two faces centerd in the image with a dark curtain covering its surroundings.
    Year 1988
    Related pages Too Black, Too Strong!
  • A double exposure divides a photograph into two scenes. On the left, a man reclines against a floral patterned ground next to a tray with a lobster. The man on the right holds a pair of sunglasses in his right hand while gazing towards a drink on the table in front of him.
    A double exposure divides a photograph into two scenes. On the left, a man reclines against a floral patterned ground next to a tray with a lobster. The man on the right holds a pair of sunglasses in his right hand while gazing towards a drink on the table in front of him.
    Jack Smith, Untitled, 35mm slide, c. 1980. Copyright: Jack Smith Archive. Courtesy Gladstone Gallery, New York and Brussels. [A double exposure divides a photograph into two scenes. On the left, a man reclines against a floral patterned ground next to a tray with a lobster. The man on the right holds a pair of sunglasses in his right hand while gazing towards a drink on the table in front of him.]
    Caption Jack Smith, Untitled, 35mm slide, c. 1980. Copyright: Jack Smith Archive. Courtesy Gladstone Gallery, New York and Brussels.
    Image description A double exposure divides a photograph into two scenes. On the left, a man reclines against a floral patterned ground next to a tray with a lobster. The man on the right holds a pair of sunglasses in his right hand while gazing towards a drink on the table in front of him.
    Year 1980
    Related pages Jack Smith: Art Crust of Spiritual Oasis
  • Caption
    Image description
    Year
    Related pages Jack Smith Film Retrospective
  • A yellow object with a cracked surface sits on a white base. A metal antenna extends out on a diagonal.
    A yellow object with a cracked surface sits on a white base. A metal antenna extends out on a diagonal.
    Not yet titled, 2019
    Clay, glaze, metal antenna
    3 1/2 x 13 x 12 inches (variable)
    $2,500
    [A yellow object with a cracked surface sits on a white base. A metal antenna extends out on a diagonal.]
    Caption Not yet titled, 2019
    Clay, glaze, metal antenna
    3 1/2 x 13 x 12 inches (variable)
    $2,500
    Image description A yellow object with a cracked surface sits on a white base. A metal antenna extends out on a diagonal.
    Year 2019
    Related pages Trisha Baga Edition
  • Two performers play side-by-side on stage. The performer on the left plays a cello, and the performer on the right plays a 17-stringed instrument.
    Two performers play side-by-side on stage. The performer on the left plays a cello, and the performer on the right plays a 17-stringed instrument.
    Abasement #85. Performance documentation, March 2nd, 2026, Artists Space. Photo: Joshua Wildman. [Two performers play side-by-side on stage. The performer on the left plays a cello, and the performer on the right plays a 17-stringed instrument. ]
    Caption Abasement #85. Performance documentation, March 2nd, 2026, Artists Space. Photo: Joshua Wildman.
    Image description Two performers play side-by-side on stage. The performer on the left plays a cello, and the performer on the right plays a 17-stringed instrument.
    Year
    Related pages Abasement #85
  • A corner of a white ceiling is crossed by silver electrical tubing. A single lightbulb is affixed to one tube and is aimed at the ceiling, illuminating a circle of the ceiling only a few inches above it.
    A corner of a white ceiling is crossed by silver electrical tubing. A single lightbulb is affixed to one tube and is aimed at the ceiling, illuminating a circle of the ceiling only a few inches above it.
    Michael Asher, Installation view, Artists Space, 1988. [A corner of a white ceiling is crossed by silver electrical tubing. A single lightbulb is affixed to one tube and is aimed at the ceiling, illuminating a circle of the ceiling only a few inches above it.]
    Caption Michael Asher, Installation view, Artists Space, 1988.
    Image description A corner of a white ceiling is crossed by silver electrical tubing. A single lightbulb is affixed to one tube and is aimed at the ceiling, illuminating a circle of the ceiling only a few inches above it.
    Year 1988
    Related pages Michael Asher / James Coleman
  • A small ruler held up to a man's face, measuring a bruise on his cheek.
    A small ruler held up to a man's face, measuring a bruise on his cheek.
    Photograph released by St. Louis County prosecuting attorney of police officer Darren Wilson after he fatally shot Michael Brown on Aug. 9, 2014 in Ferguson, Missouri. [A small ruler held up to a man's face, measuring a bruise on his cheek.]
    Caption Photograph released by St. Louis County prosecuting attorney of police officer Darren Wilson after he fatally shot Michael Brown on Aug. 9, 2014 in Ferguson, Missouri.
    Image description A small ruler held up to a man's face, measuring a bruise on his cheek.
    Year 2014
    Related pages Auditing Black Pain: The Affective Economy of the Prison Industrial Complex
  • Color image of a small pinhole projector, sitting on a pedestal and facing a wall to the left of the image. On the wall, an image of a red pearlescent ball, with a small white pearlescant ball attached on top, is projected.
    Color image of a small pinhole projector, sitting on a pedestal and facing a wall to the left of the image. On the wall, an image of a red pearlescent ball, with a small white pearlescant ball attached on top, is projected.
    Doris Guo, angst, 2023 [Color image of a small pinhole projector, sitting on a pedestal and facing a wall to the left of the image. On the wall, an image of a red pearlescent ball, with a small white pearlescant ball attached on top, is projected.]
    Caption Doris Guo, angst, 2023
    Image description Color image of a small pinhole projector, sitting on a pedestal and facing a wall to the left of the image. On the wall, an image of a red pearlescent ball, with a small white pearlescant ball attached on top, is projected.
    Year 2023
    Related pages Doris Guo Matthew Langan-Peck Isabelle Frances McGuire Ruben Ulises Rodriguez Montoya
  • Two illustrations framed on a wall. On the left, two men, dressed in suits, engage in intercource behind a women sat in a chair. On the right, a half naked man sits on a bench in a cell above a man licking his leg, and an exposed butt that is plugged.
    Two illustrations framed on a wall. On the left, two men, dressed in suits, engage in intercource behind a women sat in a chair. On the right, a half naked man sits on a bench in a cell above a man licking his leg, and an exposed butt that is plugged.
    Tom of Finland: The Pleasure of Play. Installation view, Artists Space, 2015. [Two illustrations framed on a wall. On the left, two men, dressed in suits, engage in intercource behind a women sat in a chair. On the right, a half naked man sits on a bench in a cell above a man licking his leg, and an exposed butt that is plugged.]
    Caption Tom of Finland: The Pleasure of Play. Installation view, Artists Space, 2015.
    Image description Two illustrations framed on a wall. On the left, two men, dressed in suits, engage in intercource behind a women sat in a chair. On the right, a half naked man sits on a bench in a cell above a man licking his leg, and an exposed butt that is plugged.
    Year 2015
    Related pages Tom of Finland: The Pleasure of Play
  • Marz Saffore, dressed in a beige argyle swearer, a polka dot button up, jeans, and a green cap, sits and speaks into a microphone.
    Marz Saffore, dressed in a beige argyle swearer, a polka dot button up, jeans, and a green cap, sits and speaks into a microphone.
    Marz Saffore speaking at “Palestine, BLM & Boycott in the Arts.” Artists Space Books & Talks, Friday, November 4, 2016. Courtesy Decolonize This Place and Artists Space, New York. Photo: Andrés Rodriguez [Marz Saffore, dressed in a beige argyle swearer, a polka dot button up, jeans, and a green cap, sits and speaks into a microphone.]
    Caption Marz Saffore speaking at “Palestine, BLM & Boycott in the Arts.” Artists Space Books & Talks, Friday, November 4, 2016. Courtesy Decolonize This Place and Artists Space, New York. Photo: Andrés Rodriguez
    Image description Marz Saffore, dressed in a beige argyle swearer, a polka dot button up, jeans, and a green cap, sits and speaks into a microphone.
    Year 2016
    Related pages Decolonize This Place
  • A woman screams as a trail of blood runs down her chin.
    A woman screams as a trail of blood runs down her chin.
    Still from Ganja & Hess, picturing Marlene Clarke, 1973. [A woman screams as a trail of blood runs down her chin.]
    Caption Still from Ganja & Hess, picturing Marlene Clarke, 1973.
    Image description A woman screams as a trail of blood runs down her chin.
    Year 1973
    Related pages Ganja & Hess
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A painting of the basin of a dam. The water is surrounded by rock formations, with people standing scattered around on rocks.
    A painting of the basin of a dam. The water is surrounded by rock formations, with people standing scattered around on rocks.
    The Mind/Body Problem. Installation view, Artists Space, 2006. Photo: Alan Wiener. [A painting of the basin of a dam. The water is surrounded by rock formations, with people standing scattered around on rocks.]
    Caption The Mind/Body Problem. Installation view, Artists Space, 2006. Photo: Alan Wiener.
    Image description A painting of the basin of a dam. The water is surrounded by rock formations, with people standing scattered around on rocks.
    Year 2006
    Related pages The Mind/Body Problem
  • A black and white image of a man and woman. The woman is pressed against a wall, looking with fear at the man who is grabbing her wrist. He is looking back at her sternly.
    A black and white image of a man and woman. The woman is pressed against a wall, looking with fear at the man who is grabbing her wrist. He is looking back at her sternly.
    Film Still from Gaslight, 1944. [A black and white image of a man and woman. The woman is pressed against a wall, looking with fear at the man who is grabbing her wrist. He is looking back at her sternly.]
    Caption Film Still from Gaslight, 1944.
    Image description A black and white image of a man and woman. The woman is pressed against a wall, looking with fear at the man who is grabbing her wrist. He is looking back at her sternly.
    Year 1944
    Related pages Gaslight
  • Visiting Hana Yilma Godine exhibition Rachel Uffner Gallery, Lower East Side, 2024
    Caption Visiting Hana Yilma Godine exhibition Rachel Uffner Gallery, Lower East Side, 2024
    Image description
    Year
    Related pages ARTstudio
  • A nude figure with a nude figure emerging from its neck is pierced with three arrows while its arms are hidden behind its back. Blood-like lines appear dripping from the arrows. A sky is visible behind the figure.
    A nude figure with a nude figure emerging from its neck is pierced with three arrows while its arms are hidden behind its back. Blood-like lines appear dripping from the arrows. A sky is visible behind the figure.
    Neraldo de la Paz. San Sebastian, 1984. [A nude figure with a nude figure emerging from its neck is pierced with three arrows while its arms are hidden behind its back. Blood-like lines appear dripping from the arrows. A sky is visible behind the figure.]
    Caption Neraldo de la Paz. San Sebastian, 1984.
    Image description A nude figure with a nude figure emerging from its neck is pierced with three arrows while its arms are hidden behind its back. Blood-like lines appear dripping from the arrows. A sky is visible behind the figure.
    Year
    Related pages Recent Art from Chicago
  • A warm-colored living space littered with discarded wrapping paper and boxes. A champagne bottle sits on a side table next to an orange couch.
    A warm-colored living space littered with discarded wrapping paper and boxes. A champagne bottle sits on a side table next to an orange couch.
    [A warm-colored living space littered with discarded wrapping paper and boxes. A champagne bottle sits on a side table next to an orange couch.]
    Caption
    Image description A warm-colored living space littered with discarded wrapping paper and boxes. A champagne bottle sits on a side table next to an orange couch.
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • Dark blue text overlays red-pink background. The text reads: “February 25 / Steffani Jemison / Anne Waldman.
    Dark blue text overlays red-pink background. The text reads: “February 25 / Steffani Jemison / Anne Waldman.
    [Dark blue text overlays red-pink background. The text reads: “February 25 / Steffani Jemison / Anne Waldman." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description Dark blue text overlays red-pink background. The text reads: “February 25 / Steffani Jemison / Anne Waldman." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year 2023
    Related pages Segue Reading Series: Steffani Jemison & Anne Waldman
  • A negative exposure of several people standing or walking in a hallway with an arched ceiling.
    A negative exposure of several people standing or walking in a hallway with an arched ceiling.
    Angie Eng, still from Undersites, 1996. Video. [A negative exposure of several people standing or walking in a hallway with an arched ceiling.]
    Caption Angie Eng, still from Undersites, 1996. Video.
    Image description A negative exposure of several people standing or walking in a hallway with an arched ceiling.
    Year 1996
    Related pages Safety Belt
  • Bold, black text of varying sizes arranged in a rectangular block on a white background reads,
    Bold, black text of varying sizes arranged in a rectangular block on a white background reads,
    [Bold, black text of varying sizes arranged in a rectangular block on a white background reads, "TREAT A COMPLETE STRANGER / AS A LOVER, HUG THEM / AS GOOD FRIENDS, AS THEY ARE / OR AS 10 YEARS AGO YOU MIGHT HAVE HAD / FABULOUS SEX / WITH ABSOLUTE ABANDON / WITH THE SAME STRANGER. / NOW LIFE IS RAVAGED / AND WE OFFER LOVE FROM THE SAME ROOT OF BOUNDLESS / COMPASSION."]
    Caption
    Image description Bold, black text of varying sizes arranged in a rectangular block on a white background reads, "TREAT A COMPLETE STRANGER / AS A LOVER, HUG THEM / AS GOOD FRIENDS, AS THEY ARE / OR AS 10 YEARS AGO YOU MIGHT HAVE HAD / FABULOUS SEX / WITH ABSOLUTE ABANDON / WITH THE SAME STRANGER. / NOW LIFE IS RAVAGED / AND WE OFFER LOVE FROM THE SAME ROOT OF BOUNDLESS / COMPASSION."
    Year 1993
    Related pages AIDS FORUM: John Giorno
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A black and white photo of an eye cropped with a heavy black border.
    A black and white photo of an eye cropped with a heavy black border.
    Phillippe Demontaut, Annette Messager, Tom Wolf 1981. Annette Messager, Postcard, 1981. [A black and white photo of an eye cropped with a heavy black border.]
    Caption Phillippe Demontaut, Annette Messager, Tom Wolf 1981. Annette Messager, Postcard, 1981.
    Image description A black and white photo of an eye cropped with a heavy black border.
    Year 1981
    Related pages
  • Black text overlays a white background with a yellow bunch of flowers in the upper left corner. The top left corner reads: “Artress Bethany White / & Cait O’Kane / April 23, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”
    Black text overlays a white background with a yellow bunch of flowers in the upper left corner. The top left corner reads: “Artress Bethany White / & Cait O’Kane / April 23, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”
    Flyer for Segue Reading Series featuring Artress Bethany White & Cait O'Kane. April 23, 2022, Artists Space. [Black text overlays a white background with a yellow bunch of flowers in the upper left corner. The top left corner reads: “Artress Bethany White / & Cait O’Kane / April 23, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”]
    Caption Flyer for Segue Reading Series featuring Artress Bethany White & Cait O'Kane. April 23, 2022, Artists Space.
    Image description Black text overlays a white background with a yellow bunch of flowers in the upper left corner. The top left corner reads: “Artress Bethany White / & Cait O’Kane / April 23, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”
    Year 2022
    Related pages Segue Reading Series: Artress Bethany White & Cait O’Kane
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Color image of a gallery space with various artworks organized within it. On the wall is an adobe panel painting of the side of a freeway. In the middle of the space is a small pile of freeway rubble with a bird sculpture placed on top of it. In front of the wall is a walkway made of adobe bricks, leading to a painting on adobe panel of a woman in a purple dress.
    Color image of a gallery space with various artworks organized within it. On the wall is an adobe panel painting of the side of a freeway. In the middle of the space is a small pile of freeway rubble with a bird sculpture placed on top of it. In front of the wall is a walkway made of adobe bricks, leading to a painting on adobe panel of a woman in a purple dress.
    rafa esparza: Camino. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color image of a gallery space with various artworks organized within it. On the wall is an adobe panel painting of the side of a freeway. In the middle of the space is a small pile of freeway rubble with a bird sculpture placed on top of it. In front of the wall is a walkway made of adobe bricks, leading to a painting on adobe panel of a woman in a purple dress.]
    Caption rafa esparza: Camino. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color image of a gallery space with various artworks organized within it. On the wall is an adobe panel painting of the side of a freeway. In the middle of the space is a small pile of freeway rubble with a bird sculpture placed on top of it. In front of the wall is a walkway made of adobe bricks, leading to a painting on adobe panel of a woman in a purple dress.
    Year
    Related pages rafa esparza: Camino
  • Black text on an orange background. The text reads: “Nov 9 / Norman Fischer / The New York Neo-Futurists.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on an orange background. The text reads: “Nov 9 / Norman Fischer / The New York Neo-Futurists.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on an orange background. The text reads: “Nov 9 / Norman Fischer / The New York Neo-Futurists.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on an orange background. The text reads: “Nov 9 / Norman Fischer / The New York Neo-Futurists.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Norman Fischer & The New York Neo-Futurists
  • A black and white photograph of a room with several rows of chairs. Along the back wall, two projectors stand on pedastals and a figure on the right adjusts a film reel.
    A black and white photograph of a room with several rows of chairs. Along the back wall, two projectors stand on pedastals and a figure on the right adjusts a film reel.
    Super 8 Films Exposition. Installation view, Artists Space, New York, 1977. [A black and white photograph of a room with several rows of chairs. Along the back wall, two projectors stand on pedastals and a figure on the right adjusts a film reel.]
    Caption Super 8 Films Exposition. Installation view, Artists Space, New York, 1977.
    Image description A black and white photograph of a room with several rows of chairs. Along the back wall, two projectors stand on pedastals and a figure on the right adjusts a film reel.
    Year 1977
    Related pages Artists Super 8 Film Exposition
  • A blue and yellow promotional flyer with text in Spanish.
    A blue and yellow promotional flyer with text in Spanish.
    Zona. Carga y Descarga, Issue 3, 1973. Courtesy Rosario Ferré. [A blue and yellow promotional flyer with text in Spanish.]
    Caption Zona. Carga y Descarga, Issue 3, 1973. Courtesy Rosario Ferré.
    Image description A blue and yellow promotional flyer with text in Spanish.
    Year 1973
    Related pages “Zona. Carga y Descarga” – Minor Literature in a Penal Colony
  • Black and white line drawing of a bucket with handle.
    Black and white line drawing of a bucket with handle.
    [Black and white line drawing of a bucket with handle.]
    Caption
    Image description Black and white line drawing of a bucket with handle.
    Year 2018
    Related pages Coop Fund Workshops
  • A figure dressed in black stands behind a microphone and stretches their arms above their head.
    A figure dressed in black stands behind a microphone and stretches their arms above their head.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure dressed in black stands behind a microphone and stretches their arms above their head.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure dressed in black stands behind a microphone and stretches their arms above their head.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
  • Fish-eye view featuring various clusters of framed works on paper hanging on three white gallery walls.
    Fish-eye view featuring various clusters of framed works on paper hanging on three white gallery walls.
    Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak. [Fish-eye view featuring various clusters of framed works on paper hanging on three white gallery walls.]
    Caption Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak.
    Image description Fish-eye view featuring various clusters of framed works on paper hanging on three white gallery walls.
    Year
    Related pages Dream Lines: Drawings by Marian Zazeela
  • Two toys, sitting on a white rug and propped up by white sneakers, face a TV screen. The TV screen between them displays a scene from the cartoon *Hercules*
    Two toys, sitting on a white rug and propped up by white sneakers, face a TV screen. The TV screen between them displays a scene from the cartoon *Hercules*
    Aristotelis Nikolas Mochloulis, The Baby & The Mouse, 2025. Hercules plushie, Fievel Mousekewitz plushie, Nike Air Force shoes, TV, speakers, recordings from DVD of the animated musical Hercules (1997), recordings from the DVD of the animated musical An American Tail (1986), voice acting. Photo: Carter Seddon [Two toys, sitting on a white rug and propped up by white sneakers, face a TV screen. The TV screen between them displays a scene from the cartoon *Hercules*]
    Caption Aristotelis Nikolas Mochloulis, The Baby & The Mouse, 2025. Hercules plushie, Fievel Mousekewitz plushie, Nike Air Force shoes, TV, speakers, recordings from DVD of the animated musical Hercules (1997), recordings from the DVD of the animated musical An American Tail (1986), voice acting. Photo: Carter Seddon
    Image description Two toys, sitting on a white rug and propped up by white sneakers, face a TV screen. The TV screen between them displays a scene from the cartoon *Hercules*
    Year
    Related pages Nandi Loaf Aristotelis Nikolas Mochloulis Ricardo Nagaoka Sydney Schrader
  • Flyer design featuring a pile of pink hair against a lime green background. Large white text superimposed over the clump of hair at the top edge of the image reads,
    Flyer design featuring a pile of pink hair against a lime green background. Large white text superimposed over the clump of hair at the top edge of the image reads,
    [Flyer design featuring a pile of pink hair against a lime green background. Large white text superimposed over the clump of hair at the top edge of the image reads, "DEMONCLOWNMONKEY." Several small, black and white icons are arranged in a line along the image's lower edge. The icons feature stylized depictions of a skull with horns, a clown, a rabbit, and other symbols.]
    Caption
    Image description Flyer design featuring a pile of pink hair against a lime green background. Large white text superimposed over the clump of hair at the top edge of the image reads, "DEMONCLOWNMONKEY." Several small, black and white icons are arranged in a line along the image's lower edge. The icons feature stylized depictions of a skull with horns, a clown, a rabbit, and other symbols.
    Year
    Related pages Demonclownmonkey
  • Three walls hung with small works on paper and photographs are visible. There is a window on the right.
    Three walls hung with small works on paper and photographs are visible. There is a window on the right.
    Art From the British Left. Installation view, Artists Space, 1979. Artwork by Mary Kelly. Courtesy Artists Space. [Three walls hung with small works on paper and photographs are visible. There is a window on the right.]
    Caption Art From the British Left. Installation view, Artists Space, 1979. Artwork by Mary Kelly. Courtesy Artists Space.
    Image description Three walls hung with small works on paper and photographs are visible. There is a window on the right.
    Year 1979
    Related pages Art From the British Left
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Light blue text overlays a dark blue background. The top left corner reads:
    Light blue text overlays a dark blue background. The top left corner reads:
    Flyer for Segue Reading Series featuring Wo Chan and Ronaldo V. Wilson. October 29, 2022, Artists Space. [Light blue text overlays a dark blue background. The top left corner reads: "Wo Chan & Ronaldo V. Wilson / October 29, 5pm." The middle reads: "Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519."]
    Caption Flyer for Segue Reading Series featuring Wo Chan and Ronaldo V. Wilson. October 29, 2022, Artists Space.
    Image description Light blue text overlays a dark blue background. The top left corner reads: "Wo Chan & Ronaldo V. Wilson / October 29, 5pm." The middle reads: "Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519."
    Year
    Related pages Segue Reading Series: Wo Chan & Ronaldo V. Wilson
  • Several students sit, looking down towards printed sheets of paper, in front of colorful silk banners with writing stating
    Several students sit, looking down towards printed sheets of paper, in front of colorful silk banners with writing stating
    YAP (Young Artists Perform), P.S. 140, 2018 [Several students sit, looking down towards printed sheets of paper, in front of colorful silk banners with writing stating "Your dreams can become a reality," "like a cheetah in a snail's race," "bridge can just go like boom bom boom BOOM," "I see a light it's so BRIGHT -Destiny" and others.\]
    Caption YAP (Young Artists Perform), P.S. 140, 2018
    Image description Several students sit, looking down towards printed sheets of paper, in front of colorful silk banners with writing stating "Your dreams can become a reality," "like a cheetah in a snail's race," "bridge can just go like boom bom boom BOOM," "I see a light it's so BRIGHT -Destiny" and others.\
    Year 2018
    Related pages Exhibitions and Events
  • A color photo of several individuals engaged in festivities and banter within a large reception space. Light and dark red overhead lights shine onto the guests in the event.
    A color photo of several individuals engaged in festivities and banter within a large reception space. Light and dark red overhead lights shine onto the guests in the event.
    Friends of Artists Space Annual Dinner, 2022. [A color photo of several individuals engaged in festivities and banter within a large reception space. Light and dark red overhead lights shine onto the guests in the event.]
    Caption Friends of Artists Space Annual Dinner, 2022.
    Image description A color photo of several individuals engaged in festivities and banter within a large reception space. Light and dark red overhead lights shine onto the guests in the event.
    Year 2022
    Related pages Support
  • A black and white Duratrans on a lightbox of a portrait of a child holding a crayon with a box of crayons and a small book lie on a desk in front of them under their crossed arms. This is on a wall with the plug for the box coming from under the left side.
    A black and white Duratrans on a lightbox of a portrait of a child holding a crayon with a box of crayons and a small book lie on a desk in front of them under their crossed arms. This is on a wall with the plug for the box coming from under the left side.
    Jeff Koon. Installation view, Artists Space, 1983. [A black and white Duratrans on a lightbox of a portrait of a child holding a crayon with a box of crayons and a small book lie on a desk in front of them under their crossed arms. This is on a wall with the plug for the box coming from under the left side.]
    Caption Jeff Koon. Installation view, Artists Space, 1983.
    Image description A black and white Duratrans on a lightbox of a portrait of a child holding a crayon with a box of crayons and a small book lie on a desk in front of them under their crossed arms. This is on a wall with the plug for the box coming from under the left side.
    Year 1983
    Related pages Los Angeles/New York Exchange
  • White text on a bright fuchsia background. The text reads: “Nov 8 / Samiya Bashir / Nora Treatbaby.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    White text on a bright fuchsia background. The text reads: “Nov 8 / Samiya Bashir / Nora Treatbaby.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [White text on a bright fuchsia background. The text reads: “Nov 8 / Samiya Bashir / Nora Treatbaby.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description White text on a bright fuchsia background. The text reads: “Nov 8 / Samiya Bashir / Nora Treatbaby.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Samiya Bashir & Nora Treatbaby
  • Wade Guyton, © Thomas Pirot
    Caption Wade Guyton, © Thomas Pirot
    Image description
    Year
    Related pages Friends of Artists Space Dinner 2025
  • A black and white image of three figures performing on stage. The figure on the left plays the saxophone, a clarinet is on the floor, right in front of them. The figure in the center plays the drums, and the one on the right, the double bass. Three microphones are scattered across the stage.
    Caption A black and white image of three figures performing on stage. The figure on the left plays the saxophone, a clarinet is on the floor, right in front of them. The figure in the center plays the drums, and the one on the right, the double bass. Three microphones are scattered across the stage.
    Image description
    Year
    Related pages Abasement #66
  • A model of a geometric, folded object with one mirrored side within an open white rectangle.
    A model of a geometric, folded object with one mirrored side within an open white rectangle.
    Sensual Hyper Tension. Installation view, Artists Space, 2004. [A model of a geometric, folded object with one mirrored side within an open white rectangle.]
    Caption Sensual Hyper Tension. Installation view, Artists Space, 2004.
    Image description A model of a geometric, folded object with one mirrored side within an open white rectangle.
    Year 2004
    Related pages Architecture & Design Project Series: Sensual Hyper Tension
  • A table covered with a red tablecloth. The tablecloth is decorated with two white images: a person riding a horse and stylized text reading
    A table covered with a red tablecloth. The tablecloth is decorated with two white images: a person riding a horse and stylized text reading
    New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court. [A table covered with a red tablecloth. The tablecloth is decorated with two white images: a person riding a horse and stylized text reading "THE URGE TO MERGE." Lying on the table, there is a magazine with a green cover with a figure holding an axe. The cover text reads, "NEVER SETTLE" and "SPECIAL Future Recruits Issue".]
    Caption New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court.
    Image description A table covered with a red tablecloth. The tablecloth is decorated with two white images: a person riding a horse and stylized text reading "THE URGE TO MERGE." Lying on the table, there is a magazine with a green cover with a figure holding an axe. The cover text reads, "NEVER SETTLE" and "SPECIAL Future Recruits Issue".
    Year 2020
    Related pages New Red Order: Informants Get Paid!
  • Caption
    Image description
    Year
    Related pages fwiw
  • Screenshot of two vertically oriented rectangular shapes, one white and one blue. Fragments of text appear in both rectangles, spelling out phrases like
    Screenshot of two vertically oriented rectangular shapes, one white and one blue. Fragments of text appear in both rectangles, spelling out phrases like
    Screenshot from Tan Lin's Bibliographic Sound Track, 2012. [Screenshot of two vertically oriented rectangular shapes, one white and one blue. Fragments of text appear in both rectangles, spelling out phrases like "17 black random [marks on] : lemon," "Particles disable rendering [ I ]," and "Etc. a state to each other."]
    Caption Screenshot from Tan Lin's Bibliographic Sound Track, 2012.
    Image description Screenshot of two vertically oriented rectangular shapes, one white and one blue. Fragments of text appear in both rectangles, spelling out phrases like "17 black random [marks on] : lemon," "Particles disable rendering [ I ]," and "Etc. a state to each other."
    Year 2012
    Related pages Powerpoint and the Perfume of Reading
  • A figure in a blue shirt kneels down on stage, looking down and working with audio equipment. A blue light is cast onto them from below.
    A figure in a blue shirt kneels down on stage, looking down and working with audio equipment. A blue light is cast onto them from below.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure in a blue shirt kneels down on stage, looking down and working with audio equipment. A blue light is cast onto them from below.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure in a blue shirt kneels down on stage, looking down and working with audio equipment. A blue light is cast onto them from below.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
  • Two people hold up reproductions of a painting below the original that hangs on the wall. The painting depicts a collaged face obscured in parts by red, blue, and brown geometric shapes.
    Two people hold up reproductions of a painting below the original that hangs on the wall. The painting depicts a collaged face obscured in parts by red, blue, and brown geometric shapes.
    Visit to Nathaniel Mary Quinn exhibition at Studio 94 [Two people hold up reproductions of a painting below the original that hangs on the wall. The painting depicts a collaged face obscured in parts by red, blue, and brown geometric shapes.]
    Caption Visit to Nathaniel Mary Quinn exhibition at Studio 94
    Image description Two people hold up reproductions of a painting below the original that hangs on the wall. The painting depicts a collaged face obscured in parts by red, blue, and brown geometric shapes.
    Year
    Related pages Portfolio Development
  • A large gallery room's walls are painted black, with a black vinyl floor, and white ceiling. Along the walls are yellow and orange LED lighting sculptures that have dried vegetable leather stitched on top of the lights. In the corners of the room three TVs playing animations of rushing water are placed on top of each other.
    A large gallery room's walls are painted black, with a black vinyl floor, and white ceiling. Along the walls are yellow and orange LED lighting sculptures that have dried vegetable leather stitched on top of the lights. In the corners of the room three TVs playing animations of rushing water are placed on top of each other.
    Las Nietas de Nonó, Sala Portal Omi, 2022, dried vegetable leather, 3D animation, video landscapes, ambient sound, LED lighting, linoleum floor; Dimensions variable. Photo: Filip Wolak [A large gallery room's walls are painted black, with a black vinyl floor, and white ceiling. Along the walls are yellow and orange LED lighting sculptures that have dried vegetable leather stitched on top of the lights. In the corners of the room three TVs playing animations of rushing water are placed on top of each other.]
    Caption Las Nietas de Nonó, Sala Portal Omi, 2022, dried vegetable leather, 3D animation, video landscapes, ambient sound, LED lighting, linoleum floor; Dimensions variable. Photo: Filip Wolak
    Image description A large gallery room's walls are painted black, with a black vinyl floor, and white ceiling. Along the walls are yellow and orange LED lighting sculptures that have dried vegetable leather stitched on top of the lights. In the corners of the room three TVs playing animations of rushing water are placed on top of each other.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • Two figures sit in wooden chairs in a light-filled gallery space, wearing headphones and facing television monitors installed on opposites sides of the room.
    Two figures sit in wooden chairs in a light-filled gallery space, wearing headphones and facing television monitors installed on opposites sides of the room.
    Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [Two figures sit in wooden chairs in a light-filled gallery space, wearing headphones and facing television monitors installed on opposites sides of the room.]
    Caption Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez.
    Image description Two figures sit in wooden chairs in a light-filled gallery space, wearing headphones and facing television monitors installed on opposites sides of the room.
    Year 2014
    Related pages Laura Poitras: 9/11 Trilogy
  • A black and white installation photograph of a gallery space. Two dark square canvasses hang on the wall, one is a large and the other small.
    A black and white installation photograph of a gallery space. Two dark square canvasses hang on the wall, one is a large and the other small.
    John Torreano. Installation view, Artists Space, 1974. [A black and white installation photograph of a gallery space. Two dark square canvasses hang on the wall, one is a large and the other small.]
    Caption John Torreano. Installation view, Artists Space, 1974.
    Image description A black and white installation photograph of a gallery space. Two dark square canvasses hang on the wall, one is a large and the other small.
    Year 1974
    Related pages Sidney Geist, Marvin Torffield, John Torreano
  • A large gallery wall covered with wallpaper printed with tropical birds in colorful trees on a white background. There are assorted black-framed, colorful images hung on the wall, positioned in both portrait and landscape orientations.
    A large gallery wall covered with wallpaper printed with tropical birds in colorful trees on a white background. There are assorted black-framed, colorful images hung on the wall, positioned in both portrait and landscape orientations.
    Spring Exhibitions. Installation view, Artists Space, 2009. [A large gallery wall covered with wallpaper printed with tropical birds in colorful trees on a white background. There are assorted black-framed, colorful images hung on the wall, positioned in both portrait and landscape orientations.]
    Caption Spring Exhibitions. Installation view, Artists Space, 2009.
    Image description A large gallery wall covered with wallpaper printed with tropical birds in colorful trees on a white background. There are assorted black-framed, colorful images hung on the wall, positioned in both portrait and landscape orientations.
    Year 2009
    Related pages Spring Exhibitions
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • A photograph of a group of students standing onstage, holding printed paper, and many smiling
    A photograph of a group of students standing onstage, holding printed paper, and many smiling
    YAP (Young Artist Perform), PS 140, 2017 [A photograph of a group of students standing onstage, holding printed paper, and many smiling]
    Caption YAP (Young Artist Perform), PS 140, 2017
    Image description A photograph of a group of students standing onstage, holding printed paper, and many smiling
    Year 2017
    Related pages Exhibitions and Events
  • Caption
    Image description
    Year
    Related pages Exhibitions and Events
  • Individual self-portraits, Untitled, 2021, collage and sequins on paper
    Caption Individual self-portraits, Untitled, 2021, collage and sequins on paper
    Image description
    Year 2021
    Related pages Threads of History
  • A piece of landscaping appears on the gallery floor with flowers and plants coming up from it in a stair-like fashion. Paintings appear in the background in a white-walled gallery space.
    A piece of landscaping appears on the gallery floor with flowers and plants coming up from it in a stair-like fashion. Paintings appear in the background in a white-walled gallery space.
    Vito Acconci. Installation View. Artists Space, 1986. [A piece of landscaping appears on the gallery floor with flowers and plants coming up from it in a stair-like fashion. Paintings appear in the background in a white-walled gallery space.]
    Caption Vito Acconci. Installation View. Artists Space, 1986.
    Image description A piece of landscaping appears on the gallery floor with flowers and plants coming up from it in a stair-like fashion. Paintings appear in the background in a white-walled gallery space.
    Year
    Related pages The Fairy Tale: Politics, Desire, and Everyday Life
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A wall that has various posters, photographs, and collages hanging from it.
    A wall that has various posters, photographs, and collages hanging from it.
    Attention Line. Installation view (various flyers and photographs by Johanna Went, c. 1970s-90s), Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [A wall that has various posters, photographs, and collages hanging from it.]
    Caption Attention Line. Installation view (various flyers and photographs by Johanna Went, c. 1970s-90s), Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak
    Image description A wall that has various posters, photographs, and collages hanging from it.
    Year
    Related pages Attention Line
  • A yellow and blue object sits on a white base. Embedded in the front of the object is black electronic screen and a gold nail polish bottle reading
    A yellow and blue object sits on a white base. Embedded in the front of the object is black electronic screen and a gold nail polish bottle reading
    Not yet titled, 2019
    Clay, glaze, mixed media
    7 x 12 x 17 inches (variable)
    $5,000
    [A yellow and blue object sits on a white base. Embedded in the front of the object is black electronic screen and a gold nail polish bottle reading "Sally Hansen nailgrowth miracle salon strength." On top of the object, a small potato sits with two wires attached.]
    Caption Not yet titled, 2019
    Clay, glaze, mixed media
    7 x 12 x 17 inches (variable)
    $5,000
    Image description A yellow and blue object sits on a white base. Embedded in the front of the object is black electronic screen and a gold nail polish bottle reading "Sally Hansen nailgrowth miracle salon strength." On top of the object, a small potato sits with two wires attached.
    Year 2019
    Related pages Trisha Baga Edition
  • A person in white pants and a blue shirt with the sleeves rolled up to the elbows is walking through a jungle. Their face is obscured by leaves.
    A person in white pants and a blue shirt with the sleeves rolled up to the elbows is walking through a jungle. Their face is obscured by leaves.
    Still from Spectres. Dir. Sven Augustijnen (2011). [A person in white pants and a blue shirt with the sleeves rolled up to the elbows is walking through a jungle. Their face is obscured by leaves.]
    Caption Still from Spectres. Dir. Sven Augustijnen (2011).
    Image description A person in white pants and a blue shirt with the sleeves rolled up to the elbows is walking through a jungle. Their face is obscured by leaves.
    Year 2011
    Related pages Spectres
  • View of two white gallery walls featuring small framed works on paper, each featuring abstract calligraphic ink drawings.
    View of two white gallery walls featuring small framed works on paper, each featuring abstract calligraphic ink drawings.
    Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak. [View of two white gallery walls featuring small framed works on paper, each featuring abstract calligraphic ink drawings.]
    Caption Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak.
    Image description View of two white gallery walls featuring small framed works on paper, each featuring abstract calligraphic ink drawings.
    Year
    Related pages Dream Lines: Drawings by Marian Zazeela
  • Program schedule for Sigrid Burton, Bruce Colvin, Ellen Phelan, Artists Space, 1976
    Caption Program schedule for Sigrid Burton, Bruce Colvin, Ellen Phelan, Artists Space, 1976
    Image description
    Year
    Related pages Sigrid Burton, Bruce Colvin, Ellen Phelan
  • Caption
    Image description
    Year
    Related pages Abasement #77
  • A poster design featuring two figures—a child and an older man—superimposed on a dark backdrop. The child's image has a blue hue and takes the shape of a circular cut-out, while the older man's image has a yellow hue. Above both figures, white text superimposed against a towering city skyline reads,
    A poster design featuring two figures—a child and an older man—superimposed on a dark backdrop. The child's image has a blue hue and takes the shape of a circular cut-out, while the older man's image has a yellow hue. Above both figures, white text superimposed against a towering city skyline reads,
    [A poster design featuring two figures—a child and an older man—superimposed on a dark backdrop. The child's image has a blue hue and takes the shape of a circular cut-out, while the older man's image has a yellow hue. Above both figures, white text superimposed against a towering city skyline reads, "DER ANGRIFF DER GEGENWART AUF DIE UBRIGE ZEIT / EIN FILM VON ALEXANDER KLUGE."]
    Caption
    Image description A poster design featuring two figures—a child and an older man—superimposed on a dark backdrop. The child's image has a blue hue and takes the shape of a circular cut-out, while the older man's image has a yellow hue. Above both figures, white text superimposed against a towering city skyline reads, "DER ANGRIFF DER GEGENWART AUF DIE UBRIGE ZEIT / EIN FILM VON ALEXANDER KLUGE."
    Year 2007
    Related pages Program 1 - In The Poem About Love You Don't Write The Word Love Film Series at Anthology Film Archives
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Color image of three or four individuals captured in the middle of a conversation. Two individuals have their back turned to the camera, while another person is facing the lens with arms crossed, actively listening. An elegant and decorative dinner venue can be seen in the background.
    Color image of three or four individuals captured in the middle of a conversation. Two individuals have their back turned to the camera, while another person is facing the lens with arms crossed, actively listening. An elegant and decorative dinner venue can be seen in the background.
    Friends of Artists Space Dinner, 2023. Photo: Joshua Wildman. [Color image of three or four individuals captured in the middle of a conversation. Two individuals have their back turned to the camera, while another person is facing the lens with arms crossed, actively listening. An elegant and decorative dinner venue can be seen in the background.]
    Caption Friends of Artists Space Dinner, 2023. Photo: Joshua Wildman.
    Image description Color image of three or four individuals captured in the middle of a conversation. Two individuals have their back turned to the camera, while another person is facing the lens with arms crossed, actively listening. An elegant and decorative dinner venue can be seen in the background.
    Year
    Related pages Support
  • Caption
    Image description
    Year
    Related pages Ralston Farina: Time // Time
  • A yellow print of a person with glasses leaning over and looking forward. Next to him is another person, his hands holding his chest, looking down.
    A yellow print of a person with glasses leaning over and looking forward. Next to him is another person, his hands holding his chest, looking down.
    Frank Dimario, Octavius Neveaux. [A yellow print of a person with glasses leaning over and looking forward. Next to him is another person, his hands holding his chest, looking down.]
    Caption Frank Dimario, Octavius Neveaux.
    Image description A yellow print of a person with glasses leaning over and looking forward. Next to him is another person, his hands holding his chest, looking down.
    Year 2002
    Related pages Painting as Paradox
  • A color image that depicts a bird's eye view of a vitrine. Held within the vitrine is a photobook open to a two-page spread of black and white photographs. The left image is of a man on his knees in a white shirt and black pants with long, dark hair, leaning backwards. The right page is of the same man kneeling in front of a small, low-lying stool. The top of the stool is covered in a white, powdery substance and the man appears to be blowing into a long instrument onto the substance. To the right of the table is a spool of wire. In his free hand, the man holds a string of wire. Below the open photobook is another black and white photograph of the man with dark hair holding his head back and to the left of that image is a two page magazine spread, open to an article titled
    A color image that depicts a bird's eye view of a vitrine. Held within the vitrine is a photobook open to a two-page spread of black and white photographs. The left image is of a man on his knees in a white shirt and black pants with long, dark hair, leaning backwards. The right page is of the same man kneeling in front of a small, low-lying stool. The top of the stool is covered in a white, powdery substance and the man appears to be blowing into a long instrument onto the substance. To the right of the table is a spool of wire. In his free hand, the man holds a string of wire. Below the open photobook is another black and white photograph of the man with dark hair holding his head back and to the left of that image is a two page magazine spread, open to an article titled
    Terry Fox: All These Different Things Are Sculpture. Installation view, Artists Space, 2024. Photo: Filip Wolak. [ A color image that depicts a bird's eye view of a vitrine. Held within the vitrine is a photobook open to a two-page spread of black and white photographs. The left image is of a man on his knees in a white shirt and black pants with long, dark hair, leaning backwards. The right page is of the same man kneeling in front of a small, low-lying stool. The top of the stool is covered in a white, powdery substance and the man appears to be blowing into a long instrument onto the substance. To the right of the table is a spool of wire. In his free hand, the man holds a string of wire. Below the open photobook is another black and white photograph of the man with dark hair holding his head back and to the left of that image is a two page magazine spread, open to an article titled "A Discussion with Terry Fox, Vito Acconci, and Dennis Oppenhiem." ]
    Caption Terry Fox: All These Different Things Are Sculpture. Installation view, Artists Space, 2024. Photo: Filip Wolak.
    Image description A color image that depicts a bird's eye view of a vitrine. Held within the vitrine is a photobook open to a two-page spread of black and white photographs. The left image is of a man on his knees in a white shirt and black pants with long, dark hair, leaning backwards. The right page is of the same man kneeling in front of a small, low-lying stool. The top of the stool is covered in a white, powdery substance and the man appears to be blowing into a long instrument onto the substance. To the right of the table is a spool of wire. In his free hand, the man holds a string of wire. Below the open photobook is another black and white photograph of the man with dark hair holding his head back and to the left of that image is a two page magazine spread, open to an article titled "A Discussion with Terry Fox, Vito Acconci, and Dennis Oppenhiem."
    Year
    Related pages All These Different Things Are Sculpture
  • Caption
    Image description
    Year
    Related pages Milford Graves: Fundamental Frequency
  • Elisabeth Sussman, © David Armstrong
    Caption Elisabeth Sussman, © David Armstrong
    Image description
    Year
    Related pages Friends of Artists Space Dinner 2025
  • Color photograph of a figure dressed in white, laying down on a window ledge facing the street. They raise on arm up and a white light shines from their pelvic area.
    Color photograph of a figure dressed in white, laying down on a window ledge facing the street. They raise on arm up and a white light shines from their pelvic area.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure dressed in white, laying down on a window ledge facing the street. They raise on arm up and a white light shines from their pelvic area.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a figure dressed in white, laying down on a window ledge facing the street. They raise on arm up and a white light shines from their pelvic area.
    Year 2022
    Related pages keyon gaskin 12-14
  • Color image of an audience in a room. Some of them are seated, others in the background are standing up. A bright yellow light is pointing into the camera, creating a dramatic light flare. The wall in the background features an abstract image projection, resembling a piece of shattered glass. The atmosphere in the room is hazy, and white dots of light from a disco ball fill the room.
    Color image of an audience in a room. Some of them are seated, others in the background are standing up. A bright yellow light is pointing into the camera, creating a dramatic light flare. The wall in the background features an abstract image projection, resembling a piece of shattered glass. The atmosphere in the room is hazy, and white dots of light from a disco ball fill the room.
    Abasement #77. Performance documentation, April 7th, 2025, Artists Space. Photo: Joshua Wildman. [Color image of an audience in a room. Some of them are seated, others in the background are standing up. A bright yellow light is pointing into the camera, creating a dramatic light flare. The wall in the background features an abstract image projection, resembling a piece of shattered glass. The atmosphere in the room is hazy, and white dots of light from a disco ball fill the room.]
    Caption Abasement #77. Performance documentation, April 7th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Color image of an audience in a room. Some of them are seated, others in the background are standing up. A bright yellow light is pointing into the camera, creating a dramatic light flare. The wall in the background features an abstract image projection, resembling a piece of shattered glass. The atmosphere in the room is hazy, and white dots of light from a disco ball fill the room.
    Year
    Related pages Abasement #77
  • An angled view of two adjacent walls, in between sit vitrines with minature houses constructed from documents. From left to right on the wall: colorful paper bags, a monitor with a video still, a purple section of wall with various photographic objects.
    An angled view of two adjacent walls, in between sit vitrines with minature houses constructed from documents. From left to right on the wall: colorful paper bags, a monitor with a video still, a purple section of wall with various photographic objects.
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [An angled view of two adjacent walls, in between sit vitrines with minature houses constructed from documents. From left to right on the wall: colorful paper bags, a monitor with a video still, a purple section of wall with various photographic objects.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description An angled view of two adjacent walls, in between sit vitrines with minature houses constructed from documents. From left to right on the wall: colorful paper bags, a monitor with a video still, a purple section of wall with various photographic objects.
    Year 2017
    Related pages Unholding
  • A color photograph of a figure standing behind audio mixing equipment and a microphone in an orange-lit space. A seated observer watches in the foreground.
    A color photograph of a figure standing behind audio mixing equipment and a microphone in an orange-lit space. A seated observer watches in the foreground.
    Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. [A color photograph of a figure standing behind audio mixing equipment and a microphone in an orange-lit space. A seated observer watches in the foreground.]
    Caption Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space.
    Image description A color photograph of a figure standing behind audio mixing equipment and a microphone in an orange-lit space. A seated observer watches in the foreground.
    Year 2022
    Related pages Yuji Agematsu
  • A gallery space with a chalk drawing on the top section of a wall and chairs underneath. Framed images on the adjacent wall are near a doorway into another space.
    A gallery space with a chalk drawing on the top section of a wall and chairs underneath. Framed images on the adjacent wall are near a doorway into another space.
    Young Fluxus. Installation view, Artists Space, 1982. [A gallery space with a chalk drawing on the top section of a wall and chairs underneath. Framed images on the adjacent wall are near a doorway into another space.]
    Caption Young Fluxus. Installation view, Artists Space, 1982.
    Image description A gallery space with a chalk drawing on the top section of a wall and chairs underneath. Framed images on the adjacent wall are near a doorway into another space.
    Year
    Related pages Young Fluxus
  • A black and white installation photograph of a gallery space. Placed on the floor, canvasses of dark rectangles on white backgrounds lean against a white wall.
    A black and white installation photograph of a gallery space. Placed on the floor, canvasses of dark rectangles on white backgrounds lean against a white wall.
    Mel Kendrick, Dinnever Hill. Installation view, Artists Space, 1974. [A black and white installation photograph of a gallery space. Placed on the floor, canvasses of dark rectangles on white backgrounds lean against a white wall.]
    Caption Mel Kendrick, Dinnever Hill. Installation view, Artists Space, 1974.
    Image description A black and white installation photograph of a gallery space. Placed on the floor, canvasses of dark rectangles on white backgrounds lean against a white wall.
    Year 1974
    Related pages Mel Kendrick, Lois Lane, Christopher Shelton
  • A geometric, silver metal sculpture sits on a low dolley with wheels on a wooden gallery floor. The sculpture is modular, hollow, and consists of a cube-like metal component. Under the sculpture, long arrows of colorful tape are installed on the gallery floors.
    A geometric, silver metal sculpture sits on a low dolley with wheels on a wooden gallery floor. The sculpture is modular, hollow, and consists of a cube-like metal component. Under the sculpture, long arrows of colorful tape are installed on the gallery floors.
    Charlotte Posenenske. Configured by Rirkrit Tiravanija. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A geometric, silver metal sculpture sits on a low dolley with wheels on a wooden gallery floor. The sculpture is modular, hollow, and consists of a cube-like metal component. Under the sculpture, long arrows of colorful tape are installed on the gallery floors.]
    Caption Charlotte Posenenske. Configured by Rirkrit Tiravanija. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description A geometric, silver metal sculpture sits on a low dolley with wheels on a wooden gallery floor. The sculpture is modular, hollow, and consists of a cube-like metal component. Under the sculpture, long arrows of colorful tape are installed on the gallery floors.
    Year 2010
    Related pages Charlotte Posenenske
  • Two people stand at the foot of an empty table, mid-conversation, looking off-camera to the left. The individual on the left holds a glass of wine.
    Two people stand at the foot of an empty table, mid-conversation, looking off-camera to the left. The individual on the left holds a glass of wine.
    Artists Space founder Irving Sandler, Miyoko Ito Dinner, 2018. [Two people stand at the foot of an empty table, mid-conversation, looking off-camera to the left. The individual on the left holds a glass of wine.]
    Caption Artists Space founder Irving Sandler, Miyoko Ito Dinner, 2018.
    Image description Two people stand at the foot of an empty table, mid-conversation, looking off-camera to the left. The individual on the left holds a glass of wine.
    Year 2018
    Related pages Support
  • Photograph of a white magazine stand with black trim. Along the top of the stand, four stacks of black-and-white journals rest on acrylic stands. A selection of art journals in a variety of shapes and colors sit along the stand's two rows.
    Photograph of a white magazine stand with black trim. Along the top of the stand, four stacks of black-and-white journals rest on acrylic stands. A selection of art journals in a variety of shapes and colors sit along the stand's two rows.
    Michael Asher, Musée d'Art Contemporain de Montreal, Montreal, Canada, l'art conceptuel, une perspective, August 5–October 21, 1990. Art journals with advertisements for the exhibition placed by Michael Asher displayed in the museum’s bookstore. Photograph by Denis Farley. Michael Asher Archive, © Michael Asher Foundation. [Photograph of a white magazine stand with black trim. Along the top of the stand, four stacks of black-and-white journals rest on acrylic stands. A selection of art journals in a variety of shapes and colors sit along the stand's two rows.]
    Caption Michael Asher, Musée d'Art Contemporain de Montreal, Montreal, Canada, l'art conceptuel, une perspective, August 5–October 21, 1990. Art journals with advertisements for the exhibition placed by Michael Asher displayed in the museum’s bookstore. Photograph by Denis Farley. Michael Asher Archive, © Michael Asher Foundation.
    Image description Photograph of a white magazine stand with black trim. Along the top of the stand, four stacks of black-and-white journals rest on acrylic stands. A selection of art journals in a variety of shapes and colors sit along the stand's two rows.
    Year 1990
    Related pages Michael Asher
  • Paintings and collages appear on a white gallery wall and a scultpure on a pedestal sits in the foreground.
    Paintings and collages appear on a white gallery wall and a scultpure on a pedestal sits in the foreground.
    We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [Paintings and collages appear on a white gallery wall and a scultpure on a pedestal sits in the foreground.]
    Caption We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987.
    Image description Paintings and collages appear on a white gallery wall and a scultpure on a pedestal sits in the foreground.
    Year
    Related pages We the People
  • A painted image of a white push-button telephone sitting atop a brown surface with a yellow wall behind it. At the top right is a 10 cent postage stamp depicting a face with missing teeth and a text that says
    A painted image of a white push-button telephone sitting atop a brown surface with a yellow wall behind it. At the top right is a 10 cent postage stamp depicting a face with missing teeth and a text that says
    Blaster Al Ackerman, Untitled, n.d., painted album cover, 12 x 12 inches. Courtesy of Stewart Mostofsky. [A painted image of a white push-button telephone sitting atop a brown surface with a yellow wall behind it. At the top right is a 10 cent postage stamp depicting a face with missing teeth and a text that says "The GIGGLER."]
    Caption Blaster Al Ackerman, Untitled, n.d., painted album cover, 12 x 12 inches. Courtesy of Stewart Mostofsky.
    Image description A painted image of a white push-button telephone sitting atop a brown surface with a yellow wall behind it. At the top right is a 10 cent postage stamp depicting a face with missing teeth and a text that says "The GIGGLER."
    Year
    Related pages Attention Line
  • Caption
    Image description
    Year
    Related pages Milford Graves: Fundamental Frequency
  • In the foreground of a white gallery space is a large sculpture made of a wooden box topped with a floral textile and wooden chairs. Another sculpture and painting are installed behind it.
    In the foreground of a white gallery space is a large sculpture made of a wooden box topped with a floral textile and wooden chairs. Another sculpture and painting are installed behind it.
    Metaphysical Visions. Installation view, Artists Space, 1989. [In the foreground of a white gallery space is a large sculpture made of a wooden box topped with a floral textile and wooden chairs. Another sculpture and painting are installed behind it.]
    Caption Metaphysical Visions. Installation view, Artists Space, 1989.
    Image description In the foreground of a white gallery space is a large sculpture made of a wooden box topped with a floral textile and wooden chairs. Another sculpture and painting are installed behind it.
    Year 1989
    Related pages Metaphysical Visions: Middle Europe
  • A figure wearing a black, puffy coat and a white, waxy mask that covers their entire head stands beside a stone structure with an illegible inscription. Their hand rests on the stone next to a small, spherical surveillance camera as they look off into the distance.
    A figure wearing a black, puffy coat and a white, waxy mask that covers their entire head stands beside a stone structure with an illegible inscription. Their hand rests on the stone next to a small, spherical surveillance camera as they look off into the distance.
    New Red Order, still from CULTURE CAPTURE: TERMINAL ADDITION, 2019. [A figure wearing a black, puffy coat and a white, waxy mask that covers their entire head stands beside a stone structure with an illegible inscription. Their hand rests on the stone next to a small, spherical surveillance camera as they look off into the distance.]
    Caption New Red Order, still from CULTURE CAPTURE: TERMINAL ADDITION, 2019.
    Image description A figure wearing a black, puffy coat and a white, waxy mask that covers their entire head stands beside a stone structure with an illegible inscription. Their hand rests on the stone next to a small, spherical surveillance camera as they look off into the distance.
    Year 2019
    Related pages New Red Order: Informants Get Paid!
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • In this photograph, eleven people pose for a picture in front of drawings and paintings that hang on the wall. Most stand while three kneel.
    In this photograph, eleven people pose for a picture in front of drawings and paintings that hang on the wall. Most stand while three kneel.
    Blue Sky Gallery exhibition P.S. 140, 2019 [In this photograph, eleven people pose for a picture in front of drawings and paintings that hang on the wall. Most stand while three kneel.]
    Caption Blue Sky Gallery exhibition P.S. 140, 2019
    Image description In this photograph, eleven people pose for a picture in front of drawings and paintings that hang on the wall. Most stand while three kneel.
    Year 2019
    Related pages Portfolio Development
  • Caption
    Image description
    Year
    Related pages Membership
  • Various people having conversations and looking around at the art during the exhibition opening.
    Various people having conversations and looking around at the art during the exhibition opening.
    Artists Draw. Installation view, Artists Space, 1979. [Various people having conversations and looking around at the art during the exhibition opening.]
    Caption Artists Draw. Installation view, Artists Space, 1979.
    Image description Various people having conversations and looking around at the art during the exhibition opening.
    Year 1979
    Related pages Artists Draw: Tom Martin, Auste Peciura, Alan Saret, Patti Smith, Nancy Spero
  • Light blue and teal text overlay a purple background with abstract lines and an upside-down drawing of a male bust in the top right corner. The text in the middle reads
    Light blue and teal text overlay a purple background with abstract lines and an upside-down drawing of a male bust in the top right corner. The text in the middle reads
    Flyer for Segue Reading Series featuring Sue Landers and Monica de la Torre. December 17, 2022, Artists Space. [Light blue and teal text overlay a purple background with abstract lines and an upside-down drawing of a male bust in the top right corner. The text in the middle reads "Sue Landers / Segue Reading Series / Monica de la Torre."]
    Caption Flyer for Segue Reading Series featuring Sue Landers and Monica de la Torre. December 17, 2022, Artists Space.
    Image description Light blue and teal text overlay a purple background with abstract lines and an upside-down drawing of a male bust in the top right corner. The text in the middle reads "Sue Landers / Segue Reading Series / Monica de la Torre."
    Year
    Related pages Segue Reading Series: Sue Landers & Monica de la Torre
  • Color image of a dark room, illuminated only by a projection of blue and orange amorphous shapes on a wall. The shadow of a table with dj equipment and gear is cast against the colorful projected image.
    Color image of a dark room, illuminated only by a projection of blue and orange amorphous shapes on a wall. The shadow of a table with dj equipment and gear is cast against the colorful projected image.
    Abasement #63. Performance documentation, July 17, 2023, Artists Space. Photo: Joshua Wildman. [Color image of a dark room, illuminated only by a projection of blue and orange amorphous shapes on a wall. The shadow of a table with dj equipment and gear is cast against the colorful projected image.]
    Caption Abasement #63. Performance documentation, July 17, 2023, Artists Space. Photo: Joshua Wildman.
    Image description Color image of a dark room, illuminated only by a projection of blue and orange amorphous shapes on a wall. The shadow of a table with dj equipment and gear is cast against the colorful projected image.
    Year
    Related pages Abasement #63
  • A color photograph of a mixed media collage with various drawings and handwritten text in a white frame.
    A color photograph of a mixed media collage with various drawings and handwritten text in a white frame.
    Milford Graves, Untitled Drawing, 2020. Ink, Sharpie, acrylic paint, collage elements on paper. Photo: Filip Wolak. [A color photograph of a mixed media collage with various drawings and handwritten text in a white frame.]
    Caption Milford Graves, Untitled Drawing, 2020. Ink, Sharpie, acrylic paint, collage elements on paper. Photo: Filip Wolak.
    Image description A color photograph of a mixed media collage with various drawings and handwritten text in a white frame.
    Year 2021
    Related pages Milford Graves: Fundamental Frequency
  • Caption
    Image description
    Year
    Related pages David Armstrong: Portraits
  • A black and white photograph of a television sitting on a low table, with a fan sitting on top of it. White text in the bottom right reads,
    A black and white photograph of a television sitting on a low table, with a fan sitting on top of it. White text in the bottom right reads,
    Catalogue cover for Stone's Throw, Artists Space, 1990. [A black and white photograph of a television sitting on a low table, with a fan sitting on top of it. White text in the bottom right reads, "STONE'S THROW, TV FROM CUBA, ISLAND IN GOLIATH'S SEA. ORGANIZED BY DEE DEE HALLECK AND MONICA MELAMID. MARCH 8-APRIL 7, 1990. ARTISTS SPACE."]
    Caption Catalogue cover for Stone's Throw, Artists Space, 1990.
    Image description A black and white photograph of a television sitting on a low table, with a fan sitting on top of it. White text in the bottom right reads, "STONE'S THROW, TV FROM CUBA, ISLAND IN GOLIATH'S SEA. ORGANIZED BY DEE DEE HALLECK AND MONICA MELAMID. MARCH 8-APRIL 7, 1990. ARTISTS SPACE."
    Year 1990
    Related pages Stone's Throw: Television from Cuba, Island in Goliath's Sea
  • Caption
    Image description
    Year
    Related pages Christopher D'Arcangelo
  • In a darkened room, a bright blue LED light, two circular mirrors and scientific mounts sit atop two metal welding tables. Behind, on two adjacent black walls, lines of projected open captions overlap in varying directions.
    In a darkened room, a bright blue LED light, two circular mirrors and scientific mounts sit atop two metal welding tables. Behind, on two adjacent black walls, lines of projected open captions overlap in varying directions.
    Constantina Zavitsanos: fwiw. Installation view (Ace of Spades, 2024; Ms. Pac-Man, 2024), Artists Space, 2024. Photo: Carter Seddon. [In a darkened room, a bright blue LED light, two circular mirrors and scientific mounts sit atop two metal welding tables. Behind, on two adjacent black walls, lines of projected open captions overlap in varying directions.]
    Caption Constantina Zavitsanos: fwiw. Installation view (Ace of Spades, 2024; Ms. Pac-Man, 2024), Artists Space, 2024. Photo: Carter Seddon.
    Image description In a darkened room, a bright blue LED light, two circular mirrors and scientific mounts sit atop two metal welding tables. Behind, on two adjacent black walls, lines of projected open captions overlap in varying directions.
    Year
    Related pages fwiw
  • A view of a gallery installed with multiple sculptures. In the center foreground sits a wooden box sculpture painted light blue,and another box painted dark blue with a repeated traffic light motif, sits in the distance behind. To the left, a large biomorphic sculpture composed of found materials hangs from the ceiling. In the background, three large pink banners emblazoned with silver stars hang from ceiling to floor.
    A view of a gallery installed with multiple sculptures. In the center foreground sits a wooden box sculpture painted light blue,and another box painted dark blue with a repeated traffic light motif, sits in the distance behind. To the left, a large biomorphic sculpture composed of found materials hangs from the ceiling. In the background, three large pink banners emblazoned with silver stars hang from ceiling to floor.
    Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon. [A view of a gallery installed with multiple sculptures. In the center foreground sits a wooden box sculpture painted light blue,and another box painted dark blue with a repeated traffic light motif, sits in the distance behind. To the left, a large biomorphic sculpture composed of found materials hangs from the ceiling. In the background, three large pink banners emblazoned with silver stars hang from ceiling to floor.]
    Caption Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon.
    Image description A view of a gallery installed with multiple sculptures. In the center foreground sits a wooden box sculpture painted light blue,and another box painted dark blue with a repeated traffic light motif, sits in the distance behind. To the left, a large biomorphic sculpture composed of found materials hangs from the ceiling. In the background, three large pink banners emblazoned with silver stars hang from ceiling to floor.
    Year
    Related pages Support
  • A color photograph of a gallery space featuring two large windows on the left and a row of dark metal columns in the center. A pile of grey posters, a table with red chairs, hanging framed images, and blue posters are visible in the space. A large grey and yellow vinyl partially hangs from the wall on the right, cascading down to the ground in the far right corner.
    A color photograph of a gallery space featuring two large windows on the left and a row of dark metal columns in the center. A pile of grey posters, a table with red chairs, hanging framed images, and blue posters are visible in the space. A large grey and yellow vinyl partially hangs from the wall on the right, cascading down to the ground in the far right corner.
    virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of a gallery space featuring two large windows on the left and a row of dark metal columns in the center. A pile of grey posters, a table with red chairs, hanging framed images, and blue posters are visible in the space. A large grey and yellow vinyl partially hangs from the wall on the right, cascading down to the ground in the far right corner.]
    Caption virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color photograph of a gallery space featuring two large windows on the left and a row of dark metal columns in the center. A pile of grey posters, a table with red chairs, hanging framed images, and blue posters are visible in the space. A large grey and yellow vinyl partially hangs from the wall on the right, cascading down to the ground in the far right corner.
    Year 2022
    Related pages virgil b/g taylor: Minor Publics
  • Color image of a sculpture sitting on a white pedestal. A beige couch is placed on its side, with a cowboy twinkie figurine sitting in the corner of the couch. Behind the side of the couch stands a grim reaper figure peering over. Beneath the couch is a small rug, with various items (play cards, popcorn, etc.) strewn across it.
    Color image of a sculpture sitting on a white pedestal. A beige couch is placed on its side, with a cowboy twinkie figurine sitting in the corner of the couch. Behind the side of the couch stands a grim reaper figure peering over. Beneath the couch is a small rug, with various items (play cards, popcorn, etc.) strewn across it.
    Danny McDonald, Midnight Snack Encounter, 2014. Photo: Filip Wolak. [Color image of a sculpture sitting on a white pedestal. A beige couch is placed on its side, with a cowboy twinkie figurine sitting in the corner of the couch. Behind the side of the couch stands a grim reaper figure peering over. Beneath the couch is a small rug, with various items (play cards, popcorn, etc.) strewn across it.]
    Caption Danny McDonald, Midnight Snack Encounter, 2014. Photo: Filip Wolak.
    Image description Color image of a sculpture sitting on a white pedestal. A beige couch is placed on its side, with a cowboy twinkie figurine sitting in the corner of the couch. Behind the side of the couch stands a grim reaper figure peering over. Beneath the couch is a small rug, with various items (play cards, popcorn, etc.) strewn across it.
    Year 2023
    Related pages Artists for Artists Space
  • Detail view of an interferometer emitting a green light onto a white wall.
    Detail view of an interferometer emitting a green light onto a white wall.
    Amalle Dublon & Constantina Zavitsanos, Mach Zehnder Interferometer, 2018. [Detail view of an interferometer emitting a green light onto a white wall.]
    Caption Amalle Dublon & Constantina Zavitsanos, Mach Zehnder Interferometer, 2018.
    Image description Detail view of an interferometer emitting a green light onto a white wall.
    Year 2018
    Related pages Quantum Entanglement: Producing Entangled Photon Pairs
  • A large room with wooden floors. In the right corner, there is a wall creating a corner that is covered in colorful wallpaper with images of tropical birds on trees. Several framed pictures are displayed on one side of the wall, partially obscured by a white column. To the left, there are three standing plinths with glass tops, housing dried brown plants.
    A large room with wooden floors. In the right corner, there is a wall creating a corner that is covered in colorful wallpaper with images of tropical birds on trees. Several framed pictures are displayed on one side of the wall, partially obscured by a white column. To the left, there are three standing plinths with glass tops, housing dried brown plants.
    Spring Exhibitions. Installation view, Artists Space, 2009. [A large room with wooden floors. In the right corner, there is a wall creating a corner that is covered in colorful wallpaper with images of tropical birds on trees. Several framed pictures are displayed on one side of the wall, partially obscured by a white column. To the left, there are three standing plinths with glass tops, housing dried brown plants.]
    Caption Spring Exhibitions. Installation view, Artists Space, 2009.
    Image description A large room with wooden floors. In the right corner, there is a wall creating a corner that is covered in colorful wallpaper with images of tropical birds on trees. Several framed pictures are displayed on one side of the wall, partially obscured by a white column. To the left, there are three standing plinths with glass tops, housing dried brown plants.
    Year 2009
    Related pages Spring Exhibitions
  • A portrait-oriented view of a home interior. On the left, a doorway leads to a kitchen. On the right, the room opens to a living space with stacks of books on the floor and decor on the wall.
    A portrait-oriented view of a home interior. On the left, a doorway leads to a kitchen. On the right, the room opens to a living space with stacks of books on the floor and decor on the wall.
    [A portrait-oriented view of a home interior. On the left, a doorway leads to a kitchen. On the right, the room opens to a living space with stacks of books on the floor and decor on the wall.]
    Caption
    Image description A portrait-oriented view of a home interior. On the left, a doorway leads to a kitchen. On the right, the room opens to a living space with stacks of books on the floor and decor on the wall.
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • Two white models of large buildings sitting on a wooden floor. Between the two models is a large mound of dirt.
    Two white models of large buildings sitting on a wooden floor. Between the two models is a large mound of dirt.
    Salad Days. Installation view, Artists Space, 2004. [Two white models of large buildings sitting on a wooden floor. Between the two models is a large mound of dirt.]
    Caption Salad Days. Installation view, Artists Space, 2004.
    Image description Two white models of large buildings sitting on a wooden floor. Between the two models is a large mound of dirt.
    Year 2004
    Related pages Salad Days
  • A color photograph of a figure with raised arms in an orange-lit space.
    A color photograph of a figure with raised arms in an orange-lit space.
    Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. [A color photograph of a figure with raised arms in an orange-lit space.]
    Caption Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space.
    Image description A color photograph of a figure with raised arms in an orange-lit space.
    Year 2022
    Related pages Yuji Agematsu
  • Black, capitlized text that reads,
    Black, capitlized text that reads,
    [Black, capitlized text that reads, "The Colin de Land Library."]
    Caption
    Image description Black, capitlized text that reads, "The Colin de Land Library."
    Year 2014
    Related pages The Library Vaccine
  • A sculpture of a woman stands on a pedestal looking into a glass window pyrimidal construction with a large bug on top and a TV monitor underneath.
    A sculpture of a woman stands on a pedestal looking into a glass window pyrimidal construction with a large bug on top and a TV monitor underneath.
    Hilary Kliros. Installation View. Artists Space, 1986. [A sculpture of a woman stands on a pedestal looking into a glass window pyrimidal construction with a large bug on top and a TV monitor underneath.]
    Caption Hilary Kliros. Installation View. Artists Space, 1986.
    Image description A sculpture of a woman stands on a pedestal looking into a glass window pyrimidal construction with a large bug on top and a TV monitor underneath.
    Year
    Related pages The Fairy Tale: Politics, Desire, and Everyday Life
  • A microphone and lights are set up in a field, with trees along the horizon line.
    A microphone and lights are set up in a field, with trees along the horizon line.
    SCRAAATCH, Untitled July 4th Performance, 2022. Photo: Mo Costello. [A microphone and lights are set up in a field, with trees along the horizon line.]
    Caption SCRAAATCH, Untitled July 4th Performance, 2022. Photo: Mo Costello.
    Image description A microphone and lights are set up in a field, with trees along the horizon line.
    Year
    Related pages SCRAAATCH 11-18
  • Trip to Artists Space to see fwiw Constantina Zavitsanos exhibition, 2024
    Caption Trip to Artists Space to see fwiw Constantina Zavitsanos exhibition, 2024
    Image description
    Year
    Related pages Listening to the LES
  • View of a small diamond-shaped object framed in a box on the wall next to a doorway in a white-walled gallery space.
    View of a small diamond-shaped object framed in a box on the wall next to a doorway in a white-walled gallery space.
    Young Fluxus. Installation view, Artists Space, 1982. [View of a small diamond-shaped object framed in a box on the wall next to a doorway in a white-walled gallery space.]
    Caption Young Fluxus. Installation view, Artists Space, 1982.
    Image description View of a small diamond-shaped object framed in a box on the wall next to a doorway in a white-walled gallery space.
    Year
    Related pages Young Fluxus
  • A figure illuminated by red light stands behind a table, using a computer that sits on the table.
    A figure illuminated by red light stands behind a table, using a computer that sits on the table.
    Eiko Ishibashi: Two New York Nights. Performance documentation, June 9, 2022, 8pm. Artists Space, New York. Photo: Paula Court [A figure illuminated by red light stands behind a table, using a computer that sits on the table.]
    Caption Eiko Ishibashi: Two New York Nights. Performance documentation, June 9, 2022, 8pm. Artists Space, New York. Photo: Paula Court
    Image description A figure illuminated by red light stands behind a table, using a computer that sits on the table.
    Year 2022
    Related pages Eiko Ishibashi in Concert
  • A color documentation image of Shala Miller's <i>Genesis</i>, 2023. Three monochrome projection panels float equidistantly in a dark room, with vinyls on black walls.
    A color documentation image of Shala Miller's <i>Genesis</i>, 2023. Three monochrome projection panels float equidistantly in a dark room, with vinyls on black walls.
    Shala Miller, Genesis. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color documentation image of Shala Miller's Genesis, 2023. Three monochrome projection panels float equidistantly in a dark room, with vinyls on black walls.]
    Caption Shala Miller, Genesis. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A color documentation image of Shala Miller's Genesis, 2023. Three monochrome projection panels float equidistantly in a dark room, with vinyls on black walls.
    Year 2023
    Related pages Genesis: Medley
  • A man lifts up the hood of a white car on the side of the road amidst a sprawling open landscape. The front doors on both sides of the vehicle are open.
    A man lifts up the hood of a white car on the side of the road amidst a sprawling open landscape. The front doors on both sides of the vehicle are open.
    Pena Bonita, Stalled, 1987. Color photograph. [A man lifts up the hood of a white car on the side of the road amidst a sprawling open landscape. The front doors on both sides of the vehicle are open.]
    Caption Pena Bonita, Stalled, 1987. Color photograph.
    Image description A man lifts up the hood of a white car on the side of the road amidst a sprawling open landscape. The front doors on both sides of the vehicle are open.
    Year 1987
    Related pages Unholding
  • A looseleaf sheet of paper with
    A looseleaf sheet of paper with
    [A looseleaf sheet of paper with "Spring 2012 F.R. DAVID" printed on the top in red type. The page is filled with handwritten black text.]
    Caption
    Image description A looseleaf sheet of paper with "Spring 2012 F.R. DAVID" printed on the top in red type. The page is filled with handwritten black text.
    Year 2012
    Related pages F.R.DAVID, Issue #9
  • Three book covers, arranged in a triangle, with title text reading from top to bottom, left to right,
    Three book covers, arranged in a triangle, with title text reading from top to bottom, left to right,
    [Three book covers, arranged in a triangle, with title text reading from top to bottom, left to right, "Danger In Dusseldorf," "Die, Chastrommel," and "Berliner."]
    Caption
    Image description Three book covers, arranged in a triangle, with title text reading from top to bottom, left to right, "Danger In Dusseldorf," "Die, Chastrommel," and "Berliner."
    Year 2014
    Related pages The Library Vaccine
  • Caption
    Image description
    Year
    Related pages Artists Space Venue
  • Close up of a person drawing. Only the right arm is visible. The hand is holding a small yellow color pencil. The drawing is of a crossed-arm man sitting on a sofa.
    Close up of a person drawing. Only the right arm is visible. The hand is holding a small yellow color pencil. The drawing is of a crossed-arm man sitting on a sofa.
    Drake Carr: Housecalls. Performance documentation, September 7, 2023, Artists Space at the Armory Show. Photo: Joshua Wildman. [Close up of a person drawing. Only the right arm is visible. The hand is holding a small yellow color pencil. The drawing is of a crossed-arm man sitting on a sofa.]
    Caption Drake Carr: Housecalls. Performance documentation, September 7, 2023, Artists Space at the Armory Show. Photo: Joshua Wildman.
    Image description Close up of a person drawing. Only the right arm is visible. The hand is holding a small yellow color pencil. The drawing is of a crossed-arm man sitting on a sofa.
    Year
    Related pages Drake Carr: Housecalls
  • Caption
    Image description
    Year
    Related pages Doris Guo Matthew Langan-Peck Isabelle Frances McGuire Ruben Ulises Rodriguez Montoya
  • An ashtray with the text,
    An ashtray with the text,
    Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013. [An ashtray with the text, "Martini," three Schweppes bottles, six Coca-Cola bottle, and nine drinking classes arranged face down on a silver platter are displayed on a white counter top.]
    Caption Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013.
    Image description An ashtray with the text, "Martini," three Schweppes bottles, six Coca-Cola bottle, and nine drinking classes arranged face down on a silver platter are displayed on a white counter top.
    Year 2013
    Related pages Pride Goes Before a Fall
  • Red and off-white text on a black-and-white background reads:
    Red and off-white text on a black-and-white background reads:
    [Red and off-white text on a black-and-white background reads: "AT THE LIMITS / OF THE GAZE / SELECTED WRITINGS BY / TAKUMA NAKAHIRA" and the event details. The background features a photograph of ocean waves.]
    Caption
    Image description Red and off-white text on a black-and-white background reads: "AT THE LIMITS / OF THE GAZE / SELECTED WRITINGS BY / TAKUMA NAKAHIRA" and the event details. The background features a photograph of ocean waves.
    Year
    Related pages Takuma Nakahira: Encounters
  • A small store display shelf stuffed with Gap clothing store bags and a small palm tree. On the wall, a blue band wraps around to the adjacent wall with text that reads
    A small store display shelf stuffed with Gap clothing store bags and a small palm tree. On the wall, a blue band wraps around to the adjacent wall with text that reads
    ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A small store display shelf stuffed with Gap clothing store bags and a small palm tree. On the wall, a blue band wraps around to the adjacent wall with text that reads "Every customer will have their needs determined and merchandise suggested to meet those needs.". Above the text is a multilayered light display.]
    Caption ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A small store display shelf stuffed with Gap clothing store bags and a small palm tree. On the wall, a blue band wraps around to the adjacent wall with text that reads "Every customer will have their needs determined and merchandise suggested to meet those needs.". Above the text is a multilayered light display.
    Year 2021
    Related pages ART CLUB2000
  • A black and white photograph of a metal rod with the word
    A black and white photograph of a metal rod with the word
    Robert Longo, Burning Word: Device for Young Artists, c. 1977. Cast metal. [A black and white photograph of a metal rod with the word "believe" attached to the end. A shadow spelling out "believe" is cast onto a white background.]
    Caption Robert Longo, Burning Word: Device for Young Artists, c. 1977. Cast metal.
    Image description A black and white photograph of a metal rod with the word "believe" attached to the end. A shadow spelling out "believe" is cast onto a white background.
    Year 1977
    Related pages New Art Auction and Exhibition
  • Abstract painting with orange squares and black lines around the side and center with white filling most of the central area.
    Abstract painting with orange squares and black lines around the side and center with white filling most of the central area.
    Frederick Hammersley. Hide and Speak, 1973. Oil on Linen. 40 inches x 40 inches. [Abstract painting with orange squares and black lines around the side and center with white filling most of the central area.]
    Caption Frederick Hammersley. Hide and Speak, 1973. Oil on Linen. 40 inches x 40 inches.
    Image description Abstract painting with orange squares and black lines around the side and center with white filling most of the central area.
    Year
    Related pages Calvert Coggeshall and Frederick Hammersley: Painting
  • Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They wave a red object in the air.
    Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They wave a red object in the air.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They wave a red object in the air.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They wave a red object in the air.
    Year
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • Several black and white images collaged on a black background. Some of the images are photographs of various buildings, bridges, and other structures—some in the process of construction. At the bottom of the composition is an alien-like image of a man with dark eyes and a large nose.
    Several black and white images collaged on a black background. Some of the images are photographs of various buildings, bridges, and other structures—some in the process of construction. At the bottom of the composition is an alien-like image of a man with dark eyes and a large nose.
    Ben van Berkel: Mobile Forces banner detail, Artists Space, 1997. [Several black and white images collaged on a black background. Some of the images are photographs of various buildings, bridges, and other structures—some in the process of construction. At the bottom of the composition is an alien-like image of a man with dark eyes and a large nose.]
    Caption Ben van Berkel: Mobile Forces banner detail, Artists Space, 1997.
    Image description Several black and white images collaged on a black background. Some of the images are photographs of various buildings, bridges, and other structures—some in the process of construction. At the bottom of the composition is an alien-like image of a man with dark eyes and a large nose.
    Year 1997
    Related pages Mobile Forces
  • A color photograph of an alleyway. Two sets of grey and yellow posters hang on the brick surface, next to a large black doorway.
    A color photograph of an alleyway. Two sets of grey and yellow posters hang on the brick surface, next to a large black doorway.
    virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of an alleyway. Two sets of grey and yellow posters hang on the brick surface, next to a large black doorway.]
    Caption virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color photograph of an alleyway. Two sets of grey and yellow posters hang on the brick surface, next to a large black doorway.
    Year 2022
    Related pages virgil b/g taylor: Minor Publics
  • Gray silhouettes are displayed on adjacent walls. Miscellaneous items are displayed on gray tables. A microphone and its extended wire lays on the floor in front of a speaker.
    Gray silhouettes are displayed on adjacent walls. Miscellaneous items are displayed on gray tables. A microphone and its extended wire lays on the floor in front of a speaker.
    The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich. [Gray silhouettes are displayed on adjacent walls. Miscellaneous items are displayed on gray tables. A microphone and its extended wire lays on the floor in front of a speaker.]
    Caption The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich.
    Image description Gray silhouettes are displayed on adjacent walls. Miscellaneous items are displayed on gray tables. A microphone and its extended wire lays on the floor in front of a speaker.
    Year 2014
    Related pages The Issues of Our Time
  • Caption
    Image description
    Year 2019
    Related pages Editions
  • Caption
    Image description
    Year
    Related pages Abasement #75
  • Color image of a figure standing on a black stage, with a spotlight placed on them. They are hunched over a black suitcase on the floor, and holding a small radio in their hands.
    Color image of a figure standing on a black stage, with a spotlight placed on them. They are hunched over a black suitcase on the floor, and holding a small radio in their hands.
    Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata [Color image of a figure standing on a black stage, with a spotlight placed on them. They are hunched over a black suitcase on the floor, and holding a small radio in their hands.]
    Caption Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata
    Image description Color image of a figure standing on a black stage, with a spotlight placed on them. They are hunched over a black suitcase on the floor, and holding a small radio in their hands.
    Year 2023
    Related pages Yasunao Tone Concert #2
  • A performer plays the upright bass on stage. The stage and wall behind it are bathed in orange and blue light.
    A performer plays the upright bass on stage. The stage and wall behind it are bathed in orange and blue light.
    Abasement #80. Performance documentation, September 22nd, 2025, Artists Space. Photo: Joshua Wildman. [A performer plays the upright bass on stage. The stage and wall behind it are bathed in orange and blue light.]
    Caption Abasement #80. Performance documentation, September 22nd, 2025, Artists Space. Photo: Joshua Wildman.
    Image description A performer plays the upright bass on stage. The stage and wall behind it are bathed in orange and blue light.
    Year
    Related pages Abasement #80
  • A poster showing a silver car driving through a selection of press clippings from newspapers on a blue background. At the top of the image, there is white text that reads,
    A poster showing a silver car driving through a selection of press clippings from newspapers on a blue background. At the top of the image, there is white text that reads,
    Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A poster showing a silver car driving through a selection of press clippings from newspapers on a blue background. At the top of the image, there is white text that reads, "PRESENTING AMERICA'S MOST TALKED ABOUT CAR!" At the bottom, white text reads, "DELOREAN."]
    Caption Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description A poster showing a silver car driving through a selection of press clippings from newspapers on a blue background. At the top of the image, there is white text that reads, "PRESENTING AMERICA'S MOST TALKED ABOUT CAR!" At the bottom, white text reads, "DELOREAN."
    Year 2010
    Related pages Duncan Campbell: Make It New John
  • A performer sitting down with their eyes closed playing the cello. They are using one hand to play with a bow and the other hand is on the strings. They are tinted red from the lighting, the back wall is lit with white and purple light.
    A performer sitting down with their eyes closed playing the cello. They are using one hand to play with a bow and the other hand is on the strings. They are tinted red from the lighting, the back wall is lit with white and purple light.
    Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman. [A performer sitting down with their eyes closed playing the cello. They are using one hand to play with a bow and the other hand is on the strings. They are tinted red from the lighting, the back wall is lit with white and purple light.]
    Caption Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman.
    Image description A performer sitting down with their eyes closed playing the cello. They are using one hand to play with a bow and the other hand is on the strings. They are tinted red from the lighting, the back wall is lit with white and purple light.
    Year
    Related pages Abasement #74
  • A figure in a white military uniform shirt approaches a group of women on a city street. She holds out a platter of small cookies wrapped in small plastic wrappers to one of the figures, who has taken the cookie, unwrapped it, and reads a small note attached to it.
    A figure in a white military uniform shirt approaches a group of women on a city street. She holds out a platter of small cookies wrapped in small plastic wrappers to one of the figures, who has taken the cookie, unwrapped it, and reads a small note attached to it.
    Amy Westpfhal, still from The Informational Cookie Project, 2006. [A figure in a white military uniform shirt approaches a group of women on a city street. She holds out a platter of small cookies wrapped in small plastic wrappers to one of the figures, who has taken the cookie, unwrapped it, and reads a small note attached to it.]
    Caption Amy Westpfhal, still from The Informational Cookie Project, 2006.
    Image description A figure in a white military uniform shirt approaches a group of women on a city street. She holds out a platter of small cookies wrapped in small plastic wrappers to one of the figures, who has taken the cookie, unwrapped it, and reads a small note attached to it.
    Year 2006
    Related pages Salad Days 2
  • A collage with a woman's figure in profile attached to a framed map, mounted on a pink gallery wall.
    A collage with a woman's figure in profile attached to a framed map, mounted on a pink gallery wall.
    Adjua Gargi Nzinga Greaves, Autotelemachy, detail, 2017. Collage, 59 x 68 inches. Courtesy Artists Space, New York. Photo: Filip Wolak [A collage with a woman's figure in profile attached to a framed map, mounted on a pink gallery wall.]
    Caption Adjua Gargi Nzinga Greaves, Autotelemachy, detail, 2017. Collage, 59 x 68 inches. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A collage with a woman's figure in profile attached to a framed map, mounted on a pink gallery wall.
    Year 2021
    Related pages Adjua Gargi Nzinga Greaves
  • Color image of a closeup of a figure, in profile, holding up a small radio to their ear.
    Color image of a closeup of a figure, in profile, holding up a small radio to their ear.
    Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata [Color image of a closeup of a figure, in profile, holding up a small radio to their ear.]
    Caption Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata
    Image description Color image of a closeup of a figure, in profile, holding up a small radio to their ear.
    Year 2023
    Related pages Yasunao Tone Concert #2
  • A black monitor sits on a wooden table. The image onscreen shows a hand holding a black and white paper with text. A stack of photographs lay underneath the paper.
    A black monitor sits on a wooden table. The image onscreen shows a hand holding a black and white paper with text. A stack of photographs lay underneath the paper.
    Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979). Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A black monitor sits on a wooden table. The image onscreen shows a hand holding a black and white paper with text. A stack of photographs lay underneath the paper.]
    Caption Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979). Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description A black monitor sits on a wooden table. The image onscreen shows a hand holding a black and white paper with text. A stack of photographs lay underneath the paper.
    Year 2011
    Related pages Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979)
  • Book cover featuring a grainy close-up image of a flower. Black text across the center of the cover reads
    Book cover featuring a grainy close-up image of a flower. Black text across the center of the cover reads
    Cover of BIOTA: A discourse between Art and Architecture from the 1970s to the present, co-published by Gregory R. Miller & Co. and Hunter College Art Galleries, 2025. [Book cover featuring a grainy close-up image of a flower. Black text across the center of the cover reads "biota."]
    Caption Cover of BIOTA: A discourse between Art and Architecture from the 1970s to the present, co-published by Gregory R. Miller & Co. and Hunter College Art Galleries, 2025.
    Image description Book cover featuring a grainy close-up image of a flower. Black text across the center of the cover reads "biota."
    Year
    Related pages Andrea Blum: Biota
  • Caption
    Image description
    Year
    Related pages Carolyn Lazard
  • Black, Arial text, reads,
    Black, Arial text, reads,
    [Black, Arial text, reads, "The Library of Helen DeWitt."]
    Caption
    Image description Black, Arial text, reads, "The Library of Helen DeWitt."
    Year 2014
    Related pages The Library Vaccine
  • Dark blue text overlays red-pink background. The text reads: “March 11 / Yuko Otomo / Ed Steck.
    Dark blue text overlays red-pink background. The text reads: “March 11 / Yuko Otomo / Ed Steck.
    [Dark blue text overlays red-pink background. The text reads: “March 11 / Yuko Otomo / Ed Steck." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description Dark blue text overlays red-pink background. The text reads: “March 11 / Yuko Otomo / Ed Steck." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year 2023
    Related pages Segue Reading Series: Yuko Otomo & Ed Steck
  • Sculptures of lizards and turtles are seen on the top portion of the image in bright lighting on a white gallery wall and on the bottom of the image is a 10-gallon hat.
    Sculptures of lizards and turtles are seen on the top portion of the image in bright lighting on a white gallery wall and on the bottom of the image is a 10-gallon hat.
    Audrey Glassman, Untitled, 1983. Cibachrome, 28 x 42 inches. [Sculptures of lizards and turtles are seen on the top portion of the image in bright lighting on a white gallery wall and on the bottom of the image is a 10-gallon hat.]
    Caption Audrey Glassman, Untitled, 1983. Cibachrome, 28 x 42 inches.
    Image description Sculptures of lizards and turtles are seen on the top portion of the image in bright lighting on a white gallery wall and on the bottom of the image is a 10-gallon hat.
    Year
    Related pages U.S. Projects
  • A color photograph of a figure standing in an orange-lit space next to a small piece of audio equipment with a wire on the floor. A crowd looks on in the background.
    A color photograph of a figure standing in an orange-lit space next to a small piece of audio equipment with a wire on the floor. A crowd looks on in the background.
    Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. [A color photograph of a figure standing in an orange-lit space next to a small piece of audio equipment with a wire on the floor. A crowd looks on in the background.]
    Caption Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space.
    Image description A color photograph of a figure standing in an orange-lit space next to a small piece of audio equipment with a wire on the floor. A crowd looks on in the background.
    Year 2022
    Related pages Yuji Agematsu
  • A man lies on the street in a horizontal position, centered within the frame. Behind him is a playground, with an Argentinian flag waving in the background.
    A man lies on the street in a horizontal position, centered within the frame. Behind him is a playground, with an Argentinian flag waving in the background.
    Union Gaucha Productions in collaboration with Fabio Kacero, still from Totloop, 2003. 16mm film (silent, color), 4 min 49 sec. Courtesy Union Gaucha Productions. [A man lies on the street in a horizontal position, centered within the frame. Behind him is a playground, with an Argentinian flag waving in the background.]
    Caption Union Gaucha Productions in collaboration with Fabio Kacero, still from Totloop, 2003. 16mm film (silent, color), 4 min 49 sec. Courtesy Union Gaucha Productions.
    Image description A man lies on the street in a horizontal position, centered within the frame. Behind him is a playground, with an Argentinian flag waving in the background.
    Year 2003
    Related pages Union Gaucha Productions
  • A black and white image of two hands behind a figure's back. They cross their index and middle finger on each hand.
    A black and white image of two hands behind a figure's back. They cross their index and middle finger on each hand.
    Robert Longo. Performance documentation, Exchange Show: Hallwalls, Buffalo, NY, Artists Space, 1976. [A black and white image of two hands behind a figure's back. They cross their index and middle finger on each hand.]
    Caption Robert Longo. Performance documentation, Exchange Show: Hallwalls, Buffalo, NY, Artists Space, 1976.
    Image description A black and white image of two hands behind a figure's back. They cross their index and middle finger on each hand.
    Year
    Related pages Exchange Show: Hallwalls, Buffalo, NY
  • Caption
    Image description
    Year
    Related pages Brad Kronz
  • Black text overlays a mauve background. The top left corner reads:
    Black text overlays a mauve background. The top left corner reads:
    Flyer for Segue Reading Series featuring Holly Melgard and Trey. Saturday, January 22, 2021, Artists Space. [Black text overlays a mauve background. The top left corner reads: "Holly Melgard and Trey (also known as Vernon Keeve III)" The center right reads: "Segue Reading Series & ARTISTS SPACE." The bottom left reads: "Saturday January 22, 5pm, Zoom ID: 893 9594 7519, Suggested donation $5". The image of a 5 dollar bill is placed within the text.]
    Caption Flyer for Segue Reading Series featuring Holly Melgard and Trey. Saturday, January 22, 2021, Artists Space.
    Image description Black text overlays a mauve background. The top left corner reads: "Holly Melgard and Trey (also known as Vernon Keeve III)" The center right reads: "Segue Reading Series & ARTISTS SPACE." The bottom left reads: "Saturday January 22, 5pm, Zoom ID: 893 9594 7519, Suggested donation $5". The image of a 5 dollar bill is placed within the text.
    Year 2021
    Related pages Segue Reading Series: Trey & Holly Melgard
  • Chinatown anti-gentrification paraphrenelia posted on the wall, with phrases like
    Chinatown anti-gentrification paraphrenelia posted on the wall, with phrases like
    “Chinatown Is Not for Sale.” Installation by Chinatown Art Brigade. Artists Space Books & Talks, Saturday, October 22, 2016. Courtesy Chinatown Art Brigade, Decolonize This Place and Artists Space, New York. Photo: Marz Saffore [Chinatown anti-gentrification paraphrenelia posted on the wall, with phrases like "Tenants Unite!", "Housing is a Human Right!", "Stop Gentrification Now!" and "Who did you Displace to open your Gallery?", written in English and Mandarin. A monitor displaying a person holding a megaphone at a protest is fixed on the wall, the handouts surrounding it.]
    Caption “Chinatown Is Not for Sale.” Installation by Chinatown Art Brigade. Artists Space Books & Talks, Saturday, October 22, 2016. Courtesy Chinatown Art Brigade, Decolonize This Place and Artists Space, New York. Photo: Marz Saffore
    Image description Chinatown anti-gentrification paraphrenelia posted on the wall, with phrases like "Tenants Unite!", "Housing is a Human Right!", "Stop Gentrification Now!" and "Who did you Displace to open your Gallery?", written in English and Mandarin. A monitor displaying a person holding a megaphone at a protest is fixed on the wall, the handouts surrounding it.
    Year 2016
    Related pages Decolonize This Place
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A solo performer with their hands up holds tuning forks. They are standing behind a mic stand. The performer and walls are covered with mulitcolored light projections.
    A solo performer with their hands up holds tuning forks. They are standing behind a mic stand. The performer and walls are covered with mulitcolored light projections.
    Abasement #72. Performance documentation, October 7th, 2024, Artists Space. Photo: Joshua Wildman. [A solo performer with their hands up holds tuning forks. They are standing behind a mic stand. The performer and walls are covered with mulitcolored light projections.]
    Caption Abasement #72. Performance documentation, October 7th, 2024, Artists Space. Photo: Joshua Wildman.
    Image description A solo performer with their hands up holds tuning forks. They are standing behind a mic stand. The performer and walls are covered with mulitcolored light projections.
    Year
    Related pages Abasement #72
  • Color photograph of visitors standing around a gallery space, conversing and studying the works on the wall.
    Color photograph of visitors standing around a gallery space, conversing and studying the works on the wall.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of visitors standing around a gallery space, conversing and studying the works on the wall.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of visitors standing around a gallery space, conversing and studying the works on the wall.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • Caption
    Image description
    Year
    Related pages LAND MASS
  • A greyscale Polaroid of two shirtless men looking into each other's eyes.
    A greyscale Polaroid of two shirtless men looking into each other's eyes.
    Mark Morrisroe, Untitled [Stephen and Mark], c. 1984. Courtesy The Estate of Mark Morrisroe (Ringier Collection) at Fotomuseum Winterthur. [A greyscale Polaroid of two shirtless men looking into each other's eyes.]
    Caption Mark Morrisroe, Untitled [Stephen and Mark], c. 1984. Courtesy The Estate of Mark Morrisroe (Ringier Collection) at Fotomuseum Winterthur.
    Image description A greyscale Polaroid of two shirtless men looking into each other's eyes.
    Year 2011
    Related pages Mark Morrisroe: From This Moment On
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Caption
    Image description
    Year
    Related pages Doris Guo Matthew Langan-Peck Isabelle Frances McGuire Ruben Ulises Rodriguez Montoya
  • In the left foreground of the image is a painting of a shark standing upright in water and in the right background of the image is a large, orange stuffed slug sculpture strapped to a cast-iron column in a white gallery space.
    In the left foreground of the image is a painting of a shark standing upright in water and in the right background of the image is a large, orange stuffed slug sculpture strapped to a cast-iron column in a white gallery space.
    Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez [In the left foreground of the image is a painting of a shark standing upright in water and in the right background of the image is a large, orange stuffed slug sculpture strapped to a cast-iron column in a white gallery space.]
    Caption Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez
    Image description In the left foreground of the image is a painting of a shark standing upright in water and in the right background of the image is a large, orange stuffed slug sculpture strapped to a cast-iron column in a white gallery space.
    Year 2020
    Related pages Jana Euler
  • Caption
    Image description
    Year
    Related pages Abasement #73
page 4 of 29