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keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a fgure wearing a conical sheath of reflective one-way mirror film that covers their entire body. They squat down next to a viewer sitting in a wooden chair. The performer shines a bright light against their face, making their face visible from under the mirror film.] -
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Attention Line. Installation view, Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [An image of three paintings hanging on a wall.] -
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Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013. [An ashtray with the text, "Martini," three Schweppes bottles, six Coca-Cola bottle, and nine drinking classes arranged face down on a silver platter are displayed on a white counter top.] -
Gary Falk, Brigid Kennedy, Ladd Kessler, Peggy Yunque. Installation view, Artists Space, 1981. [A dim photograph of mulitple artworks hanging on a white wall in the exhibition space.] -
[A grid of yellow hearts on a pink background.] -
Ralston Farina: Time // Time. Installation view, Artists Space, 2025. Photo: Carter Seddon. [Two colorful drawings are exhibited on a black wall. On the left, a series of open boxes is drawn in red. To the right, the drawing is crowded with the depiction of an open book, airplanes, and multicolored boxes. Both drawings are signed with F-.] -
[Black text on a light green background. The text reads: “April 25 / Wayne Koestenbaum / Douglas Kearney.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
Sistema Sandinista de Television. Still from Golpes de la Corazon (Blows of the Heart), 1983. Video (sound, black and white). 30 minutes (excerpted). Spanish with English subtitles. [A figure holding a sword in the middle of a man and woman with a car visible behind them. Subtitles burned onto the bottom of the image read, "Aha, I found you." Scan lines in the image and the outer box of a CRT monitor are visible.] -
The Owl Answers. Performance documentation, February 29, 2020, Artists Space. Photo ©️ 2020 Filip Wolak. [Six figures standing around a line of music stands in an interior space with concrete flooring and industrial columns. Some of the figures lean against the columns, their hands at their sides or casually crossed at their chests. Five of them stare at an isolated figure situated in front of the line of music stands, holding a black binder. She turns to gaze back at the others, illuminated by overhead lights as she speaks.] -
Be Nice Share Everything Have Fun, ed. Stefan Kalmár and Daniel Pies. Kunstverein München, 2010. [A book cover design featuring large, sans-serif orange text on a white background. The text varies in size and reads "BE NICE SHARE EVERYTHING HAVE FUN."] -
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Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a large group of people standing around a gallery space. Chairs, and tanker desks with TV monitors on them are placed in the space. The audience watches a figure in a red suit that stands next to a column, holding their hand to their mouth.] -
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Abasement #66. Performance documentation, October 9, 2023, Artists Space. Photo: Joshua Wildman. [Color image of a performance space illuminated by red light. In the center, two standing figures play the violin. On the left, audience members look towards the performers. On the right, a stage filled with music equipment, such as speakers, cables and microphones. In the background, a table filled with electronic equipment, and a man looking at a computer monitor.] -
Cosima von Bonin
Le Chic, 2023
Enamel on wood
(Two color options: red & grey or red & white)
25 x 4 ½ x 4 ½ inches
Edition of 20 with 5 APs
Introductory price: $5,000 each -
Murray Reich. Zapping for Zeke, 1988. [A red grid of punched-out circles overlays a background of yellow, orange, white, and black rectangles.] -
Eiko Ishibashi: Two New York Nights. Performance documentation, June 8, 2022, 8pm. Artists Space, New York. [A woman stands behind a microphone under dim red light. The woman looks down to her right while typing on a keyboard.] -
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SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Three figures perform in a basement. On the left a figure in a blue morph suit wears a pair of wings made of fresnel lenses. On the right another figure in a blue morph suit stands behind a rolling table made of wood and fresnel lenses. Another figure to the far right takes video footage.] -
Portrait of Eiko Ishibashi [A color photograph of a figure in a pointed hat with a wide brim, wearing a black and white robe. The figure is pictured amid tree branches and vines that block their face. They hold a twisted vine in their left hand.] -
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Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon. [A long piece of plexiglass hangs vertically from the cieling in a gallery. Eight postcards are mounted onto the plexiglass. All of the postcards depict different garbage trucks, shown from the exact same angle. ] -
Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A string of light bulbs decends from the celing of an exhibition space, with the end of its wiring resting on the ground below. A framed image of a figure's face is installed high on the wall directly behind the light string. A small cardboard box with gold details sits on the ground to the right of the light string.] -
Mark Morrisroe. Still from The Laziest Girl in Town (1981). [Two people with wigs and highly made up faces. The front figure is holding a cob of corn with the end in their mouth, looking suggestively at the camera. Behind them, a second figure holds a small eggplant with the end in their open mouth.] -
Zilia Sánchez. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [Seven vertical light blue panels, positioned side-by-side, displayed on a light mauve wall. Each panel contains a white circle positioned near its vertical center. Within each circle, the panel's canvas is stretched outward by a dowel.] -
Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. [A color photograph of a figure standing in an orange-lit space next to a small piece of audio equipment with a wire on the floor. A speaker is visible in the background.] -
Brad Kronz, Thank the Poet, 2025. Wood, stain, marker, screws, carpet, fabric, board. Photo: Carter Seddon [A box-like structure made of wooden boards casts a shadow. The top of the structure is open, revealing an interior lining. ] -
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Susan Eder. Installation view, Artists Space, 1976. [A black and white installation view of small photographs with wide white matting, affixed in a grid formation on a wall in a gallery.] -
The Fairy Tale: Politics, Desire and Everyday Life. Installation View. Artists Space, 1986. [A headless woman in a white dress slumps next to a bust of a man's head lying on the floor. A fuzzy television screen background appears the figure.] -
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Yasunao Tone, Score for Trio for a Flute Player, 1985. [Six lines of calligraphy written in black ink on white paper are lined by musical staves.] -
Yasunao Tone, Molecular Music, 1984-85 [Color image of a bird sculpture placed in an ornately decorated room.] -
A New World Order II: Remapping Tales of Desire. Installation view, Artists Space, 1992. [A fractured image of a person hung on a white wall next to a tall stack of suitcases painted gold.] -
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Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [Several figures fill a dimly lit, basement room. Some figures sit and talk on large couches, while others stand and talk to each other. Video projections play on two of the space’s walls.] -
Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view (Doris Guo, Bathroom Kitchen Confusion, 2023; Doris Guo, Fruit Basket, 2024), Artists Space, 2024. Photo: Carter Seddon. [Color image of the corner of a darkened gallery space with two small pinhole projector sculpture installations. The pinhole projector on the left is housed in a polka-dot patterned gift-wrapped box. On the wall, an image of a white ceramic teacup with a radial swirl pattern is projected. On the right, the projector is wrapped in white foam padding and secured with red string. On the wall, it projects an image of a square containing an golden metal hoop and pin along with four small, glittering pink and green strawberry ornaments.] -
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Clocking Out: Time Beyond Management. Installation view (Samson Kambalu, Nyau Cinema, 2014 - ongoing; Finnegan Shannon, Do you want us here or not, 2018; Kevin Jerome Everson, Workers Leaving the Job Site, 2013; Clare Hu, Perimeter, 2022), Artists Space, 2023. Photo: Greg Carideo. [Photograph of a corner of a basement gallery. A wooden bench, painted blue on the surface, sits between two columns. The back of the bench reads "THIS EXHIBITION HAS ASKED / ME TO STAND FOR TOO LONG." A woven piece hangs from the ceiling to the right. Behind the bench are projectors facing the wall at varying heights.] -
Lynn Yamamoto. [An round, orange object with protruding spikes is set inside a brown box. The box's lid is set on the black floor next to it.] -
[A white, graphic shirt sits on a piles of items next to nested wicker baskets in front of a wooden wall. On top of the baskets is a sign that reads, "freedom club."] -
Kristin Lucas, a common object has special powers unbeknownst to the players..., 1996. [A poem titled, "a common object has special powers unbeknownst to the players..." printed on a blue and white marbled background. There is a stencil of lines and dots at the bottom of the page.] -
Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a gallery space with an installation consisting of a large mirrored pond, made from a wooden base with a reflective lining on top, that is surrounded by tree trunks, plants, fish tanks, and a phone booth. A large lamp hangs from the ceiling, and an orange construction net is placed over the pond.] -
Cindy Sherman. Untitled (Secretary), 1978 . Photographed for Cover Magazine. -
Model Modernisms. Installation view, Artists Space, 2005. [The corner of a gallery space. At the base of the corner, where both walls meet the floor, a small area of the wall has been removed and replaced with the materials from another building's wall, displayed in a cross-section. Several black and white, framed photo-collages hang on the wall to the right of the corner.] -
Split/Vision. Installation View. Artists Space, 1985-86. [Photographs of different housing interiors hang in a white-walled gallery space.] -
[A black and white image of a woman painting on a three-dimensional canvas. She holds a paintbrush in her right hand and a jar of paint in her left hand while leaning over the canvas.] -
Living with Pop. A Reproduction of Capitalist Realism. Installation view of the section “Düsseldorf and the Rhineland (1957–1964)," Artists Space, 2014. [An angled view of two adjacent gray walls displaying various paper material, documents, and photographs.] -
David Armstrong: Portraits. Installation view, March 10 – May 23, 2026, Artists Space. Photo: Carter Seddon [A glass-topped vitrine reveals five smaller color photographs. Directly behind and center, a horizontal portrait hangs on a gallery wall. The color portrait of a young man lying down yet facing upright is printed in a pink and silver tone. ] -
Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Candice Hill-Montgomery. [Black and white photograph of white picket fence opening with dark painted background behind it.] -
Bill Gunn and Duane Jones on the set of Ganja & Hess. Image courtesy Tom Cummings. [A black-and-white photograph of a group of men shooting a scene on an outdoor film set. They are surrounded by trees and grass.] -
Jazmín López, Amazon, 2022. Chandelier and blood. Photo: Steven Cottingham. [Color installation image showing a chandelier hanging from the ceiling and resting on the floor in front of a dark column.] -
Eva Buchmüller selects Bern Nix and his trio. Performance documentation, May 7, 1996, Squat Café at Artists Space. [A man with a bald head wearing wire frame glasses strums an electric guitar by a set of microphones. A potted plant and a large sculpture of a baby with glowing, blue eyes are situated behind him.] -
Matt Mullican, Wall labels, 1976. From Susan Eder, Matt Mullican, Artists Space, 1976. [A black and white photograph of black silhouettes on a white wall, including human figures, a car, a house, and a television set.] -
Krzysztof Wodiczko: Guidelines. Installation View, Artists Space, 1978. [An image is projected onto a white wall.] -
Aristotelis Nikolas Mochloulis, Frog Man & Baby Frog, 2025. Michigan J. Frog plushies, miniature directors chairs, ARRI 150 Junior light, Manfrotto Nano light stand, speakers, audio excerpts from movies. Photo: Carter Seddon. [Two pieces of wood are joined to create a miniature stage set. In the center, sitting in a miniature director's chair are two cartoon frog plushies wearing black top hats. The larger frog plushy cradles the smaller frog in it's arms. Two more director's chairs are positioned facing the plushies, along with a miniature stage light and stand that shines a spotlight on the plushies.] -
Social Surfaces. Installation view, 55 Walker Street, 2017. Photo: Ron Amstutz. [A wooden bench with a white, dome-like structure attached to its corner. Two framed drawings hang on the wall in the background.] -
Shirley Jaffe. The Blue Daisy, 1988-89. [A geometric composition of black, blue, yellow, red, and orange flat shapes on a white background.] -
Artists Performance Series. Installation view, Artists Space, 1977. [A bends at the waist, resting their head on the side of a television monitor. The monitor's screen shows two figures, facing away from the camera.] -
Tom Murrin, Johanna Went, 1985. Acrylic on foam core, 14.75 x 20 inches. Courtesy the artist. Photo: Patty Wallace. [A painting of a person with red hair, cross-shaped earings, and black paint under their eyes.] -
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Till They Listen: Bill Gunn Directs America. Installation view featuring artworks by Gunn, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A close up image of a glass display case holding artworks in gouache and watercolor.] -
We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [Four upright bags with images on them sit on two different leveled shelves on a white gallery wall.] -
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Michael Clark in the production Mmm.... (1992). Photographed by Hugo Glendinning. [An open book showing two black and white images. On the left, a person with a fur on his arms extends one leg into the air. On the right, the same person wears a unitard and hinges back with one leg straightened in front of him.] -
Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [A figure stands behind a microphone and table with audio equipment. They hold one hand over their mouth and the other around their neck.] -
H_edge. Installation view, Artists Space, 2006. Photo: Whitney Cox. [A series of metal cutouts shaped like curved "x"'s hang on lengths of metal chainlinks in a gallery space. The rows of cutouts overlap, forming a hedge-like sculptural body. A gallery hallway decorated with vinyl reading "ARTISTS SPACE" is visible through the overlapping cutouts.] -
[Two figures illuminated by a circular spotlight in an interior space. A mirror leans against the wall directly behind them. One figure stands in a brown suit, their hands behind their back. They are blindfolded. A second, mostly nude figure crouches directly below them.] -
[White text on a pink background spells out 24 artists' names, arranged to form the composite words "ACTIVATED WALLS."] -
David Armstrong, Jefferson Avenue, Brooklyn, 1997, Cibachrome
© David Armstrong. Courtesy of the Estate of David Armstrong
[An out-of-focus photograph of a wooden chair in a golden-lit room decorated with curtains, a carpet, and a framed artwork leaning against the back wall.] -
YAP (Young Artist Perform), P.S. 140, May 11, 2022 -
Jeff Gibson, Delusions of Grandeur, 1989. Media unknown, 20 x 24 inches. [A close-up, black and white image of a face, with parts of the image chipping off and revealing a black backing.] -
Sharon Hayes, Symbionese Liberation Army (SLA), 2002. [Stacks of labeled VHS tapes of varying heights arranged against a white wall.] -
Mel Kendrick, Dinnever Hill. Installation view, Artists Space, 1974. [A black and white installation photograph of a gallery space. Placed on the floor, pairs of dark squares lean against a white wall.] -
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Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork: All is Pretty Andy Warhol!, Martin Cohen. [People standing around a gallery space with various globes surrounding them and frame images hanging on the wall to the right.] -
Union Gaucha Productions Still from As Long As it Lasts , 2010 Digital video on six screens (silent, color), 191 min Film production and editing assistance: Francisca Caporali and Lior Shvil Originally commissioned by The Museum of Modern Art Courtesy of Union Gaucha Productions and The Museum of Modern Art [A man is shown in front of a Jackson Pollock painting wearing a frilly baby bonnet, sunglasses, a pacifier, a white t-shirt and a white cloth that resembles a diaper.] -
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Mystery Men, Darold Biggs, Silver Key in Photography -
[Black, typed text that reads, " Everything is About to Happen: An ongoing archive of artists’ books selected by Gregorio Magnani."] -
Nicole-Antonia Spagnola, Untitled, 2022. Raw Power, Raw Power; Kollettivo, Lotta per il potere; Antigenesi, Una donna non e’ merda; Negazione, Tutti Pazzi; RAF Punk, Contro la pace Contro la guerra; Peggio Punx, Scemo. 8mm to MP4 transfer (color, sound), monitors, chairs. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color installation photograph of two wooden cafe chairs with green cushions in a gallery space with a column on the left. Resting on the chairs are two television monitors with cords that extend to outlets on the ground.] -
Constantina Zavitsanos: fwiw. Installation view (∞, 2024), Artists Space, 2024. Photo: Carter Seddon. [The exterior corner of Artists Space shows a building with highly elaborated columns. On the White Street side, an aluminum can is strapped to the building’s security camera.] -
Flipside. Installation view, Artists Space, 2004. [A gallery space with a large metal structure in the middle of the floor. Four straw brooms are suspended from the top of the structure such that they just brush the floor. On the surrounding white walls, there are several pieces of art. One is a colorful canvas with geometric shapes, sharing a wall with several small objects arranged in an oval. On the other wall, there are series of framed depictions of nude figures in various poses.] -
Four Scottish Artists. Opening Reception, Artists Space, 1979. [A photograph of the exhibition opening reception. A group of visitors look around at the art.] -
ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A view of a small drum set lit by a spotlight underneath a demolished wall, blue and green gallery walls displaying dynamic images of individuals hung by large push pins.] -
Pictures. Opening Reception, Artists Space, September 23, 1977. Photo: D. James Dee. [A black and white photograph of a crowded gallery space. In the background, several large black and white wall hangings are visible.] -
M.S. 324 Grade 7 Threads of History students with Teaching Artist, Esperanza Cortés and M.S. 324 Science teacher Mary Guerrero, June 2021 -
This drawing by Jean-Louis Forain, published on the front page of a Parisian newspaper in 1920, rallied support for the original Droit De Suite. [Drawing depicting an impoverished beggar and his child outside an auction house where the father's painting is being sold for large sums.] -
ricardo nagaoka, Untitled, 2025. Steel, electrolytes, urine, human body. Photo: Carter Seddon [A human-sized steel box stands in the room, lit by white light from above. The box rests on metal supports, and a plastic tube protrudes from one side.] -
Jenny Snider. It's a Sin to Tell a Lie, 1985. [A painting of two figures, one in the foreground and the other in the background. Towards the top of the painting reads, "IT'S A SIN TO TELL A LIE".] -
Renee Gladman: Narratives of Magnitude. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of a gallery space taken from a wide angle with several framed works hanging on the wall. On the wall on the left, four drawings made on white paper are displayed in a horizontal line. On the perpendicular wall, three works made on black paper are displayed in two columns. The left column is a single work, the right column has two works. On the right wall, nine works are displayed as a grid. All drawings depict diagrammatic systems.] -
Patricia Thornley. Untitled (detail), 1985. Electrical wire, string, fans, photograph, spotlight, wood, wax, dirt, water. Dimensions variable. [A spotlight shines on a photograph hanging on a white wall framed by string and electrical wire hanging around it and falling to the black floor underneath.] -
Clocking Out: Time Beyond Management. Installation view (Simon Gush, Clocking In, 2013), Artists Space, 2023. Photo: Greg Carideo. [Photograph of the hallway entrance into a basement gallery space. Along the left wall is a clock card machine and time card rack, vinyl text, and a pedestal with printed materials placed on top of it.] -
New Red Order Give it Back, detail, 2020 Acrylic LED displays with cut vinyl, water cooler, poster, couch, desk, chairs, magazine rack, The New Red Times Magazine, and three televisions. Image courtesy Artists Space, New York [An image of a magazine rack with numerous copies of a magazine with a city-scape is positioned upside down, the point of the skyscraper reaching towards the bottom of the image. Googley eyes, eyebrows, and a mouth are drawn near the top of the building. Red serif font across the top of the image reads "The New Red Times Magazine." White serif font in the bottom left corner reads "TIRED OF LIVING ON STOLEN LAND?" Below, red serif font reads "GIVE IT BACK."] -
BAS, Istanbul. [A wide shot of an interior space. Several books and pamphlets rest on metal shelving to the image's left and right. A low wall separates the foreground of the image from the background, in which a figure sits at a long desk with their back to the viewer. More pamplets and books are strewn about and propped upon this desk. Several gray square and rectangular canvases hang on the walls.] -
35 Artists Return to Artists Space. Installation view, Artists Space, 1981. [Photographic and sculptural works appear in a white-walled gallery space.] -
Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Candice Hill-Montgomery. [Black and white photograph of white picket fence with dark painted background behind it.] -
Julianne Swartz, Line Drawing, 2002. Site-specific installation, dimensions variable. [Close-up image of a peep hole installed in a light mauve wall. Through the peep hole, a figure wearing a blue shirt and black pants is visible in profile. Their image is warped by the surface of the peep hole, swirling and reflecting around the hole.] -
George Macunias Manifesto, 1963 Courtesy Billie Maciunas [A book page; at the top is handwritten text, "Manifesto." Following are alternating printed and handwritten paragraphs.] -
Hito Steyerl, I Dreamed a Dream: Politics in the Age of Mass Art Production, 2013. Two channel HD video with sound, 29 mins 28 secs. Courtesy of the artist. [A monitor suspended in the middle of the room on a pole displays an image of Hito Steyerl speaking at a podium. Stacks of pillows, forming a seating area, surround the view of the monitor.] -
[A hand-drawn image in pencil of a bedroom or living room scene. The room's double windows have been blown open, scattering several papers across the room. A crudely drawn figure stands upright in an uncomfortable manner in the middle of the room.] -
Abasement #84. Performance documentation, February 16th, 2026, Artists Space. Photo: Joshua Wildman. [A performer, bathed in purple light, plays a guitar on stage.] -
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Danh Vo. Installation view from Autoerotic Asphyxiation, 2010. Photo: Daniel Pérez. [A vintage, framed black and white photograph of five priests dressed in all black stiffly pose before the camera for a portrait. The two men sitting closest to the viewer hold hands.] -
Not yet titled, 2019
Clay, glaze, metal antenna
3 1/2 x 13 x 12 inches (variable)
$3,500
[A multicolored object sits on a white base. A metal antenna extends out on a diagonal.] -
We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [A number of sculptures appear on pedestals with paintings on walls behind them with columns bisecting the image in a gallery setting.] -
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Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman. [A performer sitting down with their eyes closed playing the cello. They are using one hand to play with a bow and the other hand is on the strings. They are tinted red from the lighting, the back wall is lit with white and purple light.] -
Constantina Zavitsanos, LEAVE - A - PENNY / TAKE - A - PENNY, 2024, Bronze, 4.5 in. x 4.25 in. x 1.5 in. Photo: Destiny Mata [A hand reaches into a bronze penny-share dish filled with coins.] -
Friends of Artists Space Dinner 2024. Executive Director & Chief Curator Jay Sanders. Photo: Jenna Bascom -
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Shala Miller, Genesis, 2023. [A black-and-white film still of hazy and ghostly tonal modulations. A disembodied arm and hand with extended fingers is captured in mid-motion, floating within the nondescript tonal atmosphere.] -
Unnaturally Yours: Selected by Willie Cole. Installation view, Artists Space, 1996. [Two sculptures installed in a gallery space with wooden flooring. A large sculpture consisting of a suspended, orange tarp pulled in different directions by various wires sits in the cetner of the room. Small, tan mounds and a white side table are arranged around the orange tarp. On the gallery wall behind the large sculpture hangs a smaller sculpture that resembles a set of pink lungs.] -
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Hilary Lloyd. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [Two portrait-oriented screens are each mounted on two floor to ceiling metal poles. The screens face outward at a 90-degree angle to each other and show abstract images.] -
AIDS Forum: Danny Dries - Generic Memorial (for WM. Schwedler, 1942-1982). Installation view, Artists Space, 1992. [A black and white image of an antique wooden chair with a plush seat. A mold of a human brain emerges from the center of the chair's cushion.] -
Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure stands behind a microphone, smiling and looking off into the audience.] -
Ei Arakawa: WEWORK BABIES. Performance documentation, December 8, 2019, Artists Space. Photo © 2019 Paula Court. [A man gazes up at a baby doll mid-flight, holding out his right hand towards it. A group of people gaze towards the doll, smiling.] -
Renee Gladman: Narratives of Magnitude. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of a gallery space. On the left wall hangs a framed work that consists of a colorful abstract drawing made on white paper, with pencil strokes surrounding the colored shapes. On the right wall, three framed works hang on a horizontal line. The three abstract works are made on black paper, and depict colorful compositions.] -
Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [An open hallway in a window-filled exhibition space. A gallery wall on the left side of the room displays a sideways, brown and gold American flag as well as a black and red fleg. A monitor sits on the ground to the right of the exhibition space, near one of the windows. A visitor stands in the background, viewing artworks displayed in the hallway.] -
Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman. [A color image of a figure, seen from behind, performing on stage. The figure sits on a chair and plays the guitar, and the audience is on the background. Red, and purple light fills the room.] -
Robert Gero, Untitled, 1989. Lead, straw, wax. [An inverted triangle of straw held together with wax supports an X made of lead.] -
rafa esparza: Camino. Installation view (110 North Bound, 2023; Jaime, 2023), Artists Space, 2023. Photo: Filip Wolak. [Color image of the corner of a gallery space. On the right side is a large adobe panel that rests on a steel armature. Painted onto the adobe is a portrait of a figure with a bicycle, and around the armature are adobe bricks laid out on the floor. On the lefthand wall is another adobe panel painting depicting the entrance into a freeway tunnel.] -
Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon. [A set of stairs lead into a gallery space with two series of photographs on each wall. On the back wall a series of fourteen photographs are shown in two rows. Along the right wall, eight photographs in two rows are visible from this angle. In both series, the photographs on the top row are cool-toned and darker, and the photographs on the bottom row are much brighter and warm-toned. ] -
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Nina in Position. Installation view, Artists Space, 2008. Photo: Bill Orcutt. [Two shelves and several artworks sit in a gallery space with wooden floors. To the right, there are two empty wooden bookshelves placed at right angles to one another. Above a bookshelf positioned against the gallery wall, there is text that reads "ARTISTS SPACE." To the left of the shelves is a figurine with rectangular torso, arms, and legs and a more naturalistic face made of a brown, clay-like material. Four small monitors are installed on the gallery wall behind the figurine, while a larger monitor rests on the gallery floor to the image's far left.] -
Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979. [One red photograph is mounted at an angle on a white gallery wall.] -
Abasement #79. Performance documentation, August 11th, 2025, Artists Space. Photo: Joshua Wildman. [A performer sits behind a white desk, on top of which are piled various audio equipment. ] -
Artists Space Curator Jamie Stevens speaking with P.S. 140 Portfolio Students [Two people stand in the foreground: one person holds a notebook and points to a page while the other looks on.] -
Abasement #70. Performance documentation, July 1st, 2024, Artists Space. Photo: Joshua Wildman. [Color image of 5 musicians performing in front of blue, pink and yellow projected swirling visuals. From left to right instruments shown are clarinet, vibraphone, trumpet, cello and violin. A small group of audience members are shown in front of the stage.] -
A Strategy Hinted At. Installation view, Artists Space, 1996. [Five works depicting wood patterns in various tones are arranged in a horizontal line on a white wall.] -
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Robert Longo. Performance documentation, Exchange Show: Hallwalls, Buffalo, NY, Artists Space, 1976. [A black and white image of two hands behind a figure's back. They cross their index and middle finger on each hand.] -
Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a gallery space. On the left wall series of photographs hang, and vitrines containing musical scores. Various musical instruments and audio devices are placed around the middle of the room, and various television monitors are placed along the sides of the room..] -
Mitch Corber, video still, c. 1977. [Black lowercase typewriter text on a white background reads "we can't wait."] -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure, wearing reflective one-way mirror film around their body, hanging off the ledge of an open doorway entrance.] -
Kelly Poe, Leave, Take, Kill, 2004. Courtesy the artist and Anna Helwing Gallery, Los Angeles. [Yellow text on a brown background reading "LEAVE NOTHING BUT FOOTPRINTS / TAKE NOTHING BUT PICTURES / KILL NOTHING BUT TIME."] -
Union Gaucha Productions. Installation view, Artists Space, 2015. Photo: Daniel Pérez. [A dimly lit room where two people are seated in chairs on the right, looking at a projection. The projection displays a yellow-hued image of a city skyline.] -
Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. [A color photograph of a figure standing in an orange-lit space filled with various audio equipment. They lean down to press adjust a dial on an audio mixer.] -
John Neff, Authorization Sessions Set: Proof prints from Time Dust, 2013 – 2018, 2018. Photo: Daniel Pérez. [Five photographs arranged in a pane of glass lean on bolts against a wall. The images in the photographs (from left to right) include a man exhaling smoke, a man looking towards the viewer, a man in a bathtub, a man, turned away from the camera, in a hospital gown, and an empty dinner plate.] -
Michael Brewster. Text and documentation of installations, Inside, Outside, Down and Soliloquies, 1977. [A speaker balances on its side on the top of a step ladder in a gallery space. Directly above the ladder are four large window panes which look out onto trees.] -
Lyndon Barrois Jr., Future Glimpsed, 2022. Oil on linen-mounted board, brass, solvent transfers, raw linen panel, linoleum frame, plywood. 20.75 x 16.75 inches. Photo: Filip Wolak. [A color photograph of a framed painting of two sets of hands. On top of the frame rests a color control strip.] -
Lukas Duwenhögger: Undoolay. Installation view, Artists Space, 2016. Photo credit: Jean Vong. [A glossy black frame surrounds a painting of a man in a grey suit seated at a table. The man is wearing a white earpiece and is leaning forward towards a microphone. His fingers are tented on top of the table in an emphatic gesture.] -
YAP (Young Artists Perform), P.S. 140, 2018 [Several students sit, looking down towards printed sheets of paper, in front of colorful silk banners with writing stating "Your dreams can become a reality," "like a cheetah in a snail's race," "bridge can just go like boom bom boom BOOM," "I see a light it's so BRIGHT -Destiny" and others.\] -
Union Gaucha Productions. Installation view, Artists Space, 2015. Photo: Daniel Pérez. [A dimly lit view of a wooden wall with scattered video-still images at varying placements. Behind the wood is a white wall.] -
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Works by Philip-Lorca diCorcia. Witnesses: Against Our Vanishing. Installation view, Artists Space, 1989. [Photographs hang on a white wall. On the left, two black and white portraits are stacked vertically. In the center, a row of five color photographs includes a person sitting in a lounge chair and a person in a hospital bed. On the right, the edge of a painting in visible.] -
Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court [On the right, a figure speaking into a microphone appears to be in conversation with two humanoid blue birds.] -
Flyer for Segue Reading Series featuring Benjamin Krusling & Momtaza Mehri. Saturday February 13, 2021, Artists Space. [[A tan colored background features black text in the top half of the image that reads, "Segue Reading Series / Benjamin Krusling & Momtaza Mehri / February 13 / 5pm on Zoom / Suggested donation: Five dollars / Zoom ID: 830 2698 4031." Black text in the bottom right corner reads, "Artists Space."]] -
[A black and white scan of an invoice from Corcraft Products issued to Artists Space at 38 Greene Street. The customer number reads "9102000". The invoice details a net purchase of $603.10] -
Anne Bray. Installation View of Man on First and Third, 1987. Slide and sound installation. [A black and white photograph of two projectors hanging central in a darkened gallery and projecting images onto two separate screens in the foreground with light coming in from the background] -
Witnesses: Against Our Vanishing. Installation View, Artists Space, 1989. Photo: Frances Miller Smith. [A wide view of a gallery. A sculpture including two small tables is next to a column in the center of the room. The far wall is hung with paintings and photographs, and a monochormatic white sculpture of a human figure hangs from the ceiling.] -
David Armstrong: Portraits. Installation view, March 10 – May 23, 2026, Artists Space. Photo: Carter Seddon [Toile curtains gather around the gallery windows, producing a soft, glowing white light. A glass-topped vitrine stands parallel to the windows, displaying small open books.] -
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The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich. [A black cord sticks out from underneath a tan carpet. Wires are visible running underneath the carpeted floor throughout the frame.] -
Drake Carr, Colin and Brandi at Home, 2023. Colored pencil, ink, acrylic on paper. 48 x 60 inches. Image courtesy Artists Space, New York. Photo: Filip Wolak. [A colorful drawing depicts an image with blue and yellow background, and two elegant figures sitting on a red couch. They are both looking towards the viewer. On the right, a female-presenting figure wearing a pink suit has her legs up on the couch. The male-presenting figure is on the left. He is cross-legged and wearing a black suit. At their feet, a cat stretches.] -
Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a gallery space with an installation consisting of a large mirrored pond, made from a wooden base with a reflective lining on top, that is surrounded by tree trunks, plants, fish tanks, and a phone booth. A large lamp hangs from the ceiling, and an orange construction net is placed over the pond.] -
Mark Morrisroe: From This Moment On. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A white wall displaying nine framed photographs of people. In the foreground, there is a vitrine with papers encased in glass.] -
Abasement #80. Performance documentation, September 22nd, 2025, Artists Space. Photo: Joshua Wildman. [A performer plays a stringed instrument on stage. The performer and stage are bathed in pink and blue light.] -
ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A small drum set lit by a spotlight sits underneath a demolished wall.] -
Yasunao Tone performing Music for Reed Organ (1962), Repetition and Structures, Mills College, Oakland, California, 1972 [Black-and-white photograph of a figure, in profile, sitting behind a reed organ that is covered in plastic.] -
Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979. [A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.] -
Gwynn Murrill, Stalking Cat, laminated wood, 1974. From Don Wynn, Judy Pfaff, Gwynn Murrill, Artists Space, 1974. [A black and white photograph of a wooden sculpture of a seated cat.] -
Waiting room view of Leben mit Pop - Eine Demonstration für den kapitalistischen Realismus , 1963 (Living with Pop – A Demonstration for Capitalist Realism) © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Photo: Reiner Ruthenbeck [A room, view from above a stair case, with a group of men sat scatted around the area.] -
Frank Ripploh, still from Taxi zum Klo, 1981. 95min. [A man sits partially undressed on a toilet, holding a red notebook while peering through a hole in the tile wall.] -
Cindy Sherman. Work unknown. [Black and white photo of various figures in an office space. The set and costumes are in the style of the 1950s. One woman sits at a desk looking through papers, one woman sits at a typewriter. Three other figures are also in the space in casual poses.] -
Trip to Artists Space to see fwiw Constantina Zavitsanos exhibition, 2024 -
Oto Gillen, Daisy (Perry Street), March 19, 2023, 2023. Photo: Filip Wolak. [Color image of a large print of a close-up photograph of a fake daisy, with white woven petals and a yellow center.] -
rafa esparza: Camino. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color image of a gallery space. Along the lefthand wall are two adobe panel paintings, each depicting different parts of a freeway. In the middle of the space is a pile of freeway rubble on which sits a sculpture of a bird. Along the right side of the room are adobe bricks laid out on the floor, along with steel armatures that hold adobe panels.] -
Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [A figure in overalls spreads paint over a dark tarp hung against a white wall. The length of the tarp is covered with wide strokes of lighter paint.]
