• pages
  • images
  • texts
  • videos
  • artists
  • A person wearing a black shirt and hat with their arms crossed, with a cloudy sky in the background.
    A person wearing a black shirt and hat with their arms crossed, with a cloudy sky in the background.
    Still from Rainer Werner Fassbinder, Warnung vor einer heiligen Nutte (Beware of a Holy Whore), 1971 [A person wearing a black shirt and hat with their arms crossed, with a cloudy sky in the background.]
    Caption Still from Rainer Werner Fassbinder, Warnung vor einer heiligen Nutte (Beware of a Holy Whore), 1971
    Image description A person wearing a black shirt and hat with their arms crossed, with a cloudy sky in the background.
    Year 1971
    Related pages Raúl de Nieves & Werner Schroeter
  • Two people with hats, sunglasses, and long straight hair. One looks into the camera, the other diagonally past.
    Two people with hats, sunglasses, and long straight hair. One looks into the camera, the other diagonally past.
    Cecilia Dougherty. Still from Grapefruit, 1989. Video. [Two people with hats, sunglasses, and long straight hair. One looks into the camera, the other diagonally past.]
    Caption Cecilia Dougherty. Still from Grapefruit, 1989. Video.
    Image description Two people with hats, sunglasses, and long straight hair. One looks into the camera, the other diagonally past.
    Year 1989
    Related pages Remapping Boundaries: Video Art and Popular Culture
  • Photograph of a well-lit gallery space at the bottom of a staircase, with a glass vitrine on the left wall containing ephemera.
    Photograph of a well-lit gallery space at the bottom of a staircase, with a glass vitrine on the left wall containing ephemera.
    Clocking Out: Time Beyond Management. Installation view, Artists Space, 2023. Photo: Greg Carideo. [Photograph of a well-lit gallery space at the bottom of a staircase, with a glass vitrine on the left wall containing ephemera.]
    Caption Clocking Out: Time Beyond Management. Installation view, Artists Space, 2023. Photo: Greg Carideo.
    Image description Photograph of a well-lit gallery space at the bottom of a staircase, with a glass vitrine on the left wall containing ephemera.
    Year 2023
    Related pages Whitney Independent Study: Clocking Out: Time Beyond Management
  • A framed image with black text, white background, and a black & white photo in the center hangs on a wall. The photo depicts a cop on the left who reaches towards a man holding a gun and a young child on the right. Above the photo it says,
    A framed image with black text, white background, and a black & white photo in the center hangs on a wall. The photo depicts a cop on the left who reaches towards a man holding a gun and a young child on the right. Above the photo it says,
    Lukas Duwenhögger, Restive Childhood, 2016, Archival inkjet with silkscreen on 320 gsm Hahnemühle Photorag Pearl paper, 20 ¾ x 15 ¾ inches (52,7 x 40 cm), Edition of 10 + 3 AP, Signed & Numbered. [A framed image with black text, white background, and a black & white photo in the center hangs on a wall. The photo depicts a cop on the left who reaches towards a man holding a gun and a young child on the right. Above the photo it says, "Out of the blue: / Children march on capital / demanding homo-adoption / innumerable casualties / heart-wrenching scenes." Beneath the photo, the text repeats but in Turkish.]
    Caption Lukas Duwenhögger, Restive Childhood, 2016, Archival inkjet with silkscreen on 320 gsm Hahnemühle Photorag Pearl paper, 20 ¾ x 15 ¾ inches (52,7 x 40 cm), Edition of 10 + 3 AP, Signed & Numbered.
    Image description A framed image with black text, white background, and a black & white photo in the center hangs on a wall. The photo depicts a cop on the left who reaches towards a man holding a gun and a young child on the right. Above the photo it says, "Out of the blue: / Children march on capital / demanding homo-adoption / innumerable casualties / heart-wrenching scenes." Beneath the photo, the text repeats but in Turkish.
    Year 2016
    Related pages Editions
  • A black and white film still of two figures on a sidewalk, one stands against a stone wall looking through a small opening in the stone.
    A black and white film still of two figures on a sidewalk, one stands against a stone wall looking through a small opening in the stone.
    Charles Simonds. Still from Mythologies, 1974. From Thomas Lanigan-Schmidt, James Biederman, Charles Simonds, Artists Space, 1974. [A black and white film still of two figures on a sidewalk, one stands against a stone wall looking through a small opening in the stone.]
    Caption Charles Simonds. Still from Mythologies, 1974. From Thomas Lanigan-Schmidt, James Biederman, Charles Simonds, Artists Space, 1974.
    Image description A black and white film still of two figures on a sidewalk, one stands against a stone wall looking through a small opening in the stone.
    Year 1974
    Related pages Thomas Lanigan Schmidt, James Biederman, Charles Simonds
  • Image of a TV screen playing blue-tinted video footage of the performance with a fresnel lens placed in front of the screen, distorting the image.
    Image of a TV screen playing blue-tinted video footage of the performance with a fresnel lens placed in front of the screen, distorting the image.
    SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a TV screen playing blue-tinted video footage of the performance with a fresnel lens placed in front of the screen, distorting the image.]
    Caption SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a TV screen playing blue-tinted video footage of the performance with a fresnel lens placed in front of the screen, distorting the image.
    Year 2022
    Related pages SCRAAATCH 11-18
  • Audience members sit and stand alongside a ramp in a gallery. They are facing a performer who is framed in between columns to the left of the image. The audience members are bathed in red light, with a bright blue light coming from under a platform on the floor. The performer is lit with green light and the background is blue-tinted.
    Audience members sit and stand alongside a ramp in a gallery. They are facing a performer who is framed in between columns to the left of the image. The audience members are bathed in red light, with a bright blue light coming from under a platform on the floor. The performer is lit with green light and the background is blue-tinted.
    Heist Divination (fwiw remix). Performance documentation, October 25th, 2024, Artists Space. Photo: Destiny Mata. [Audience members sit and stand alongside a ramp in a gallery. They are facing a performer who is framed in between columns to the left of the image. The audience members are bathed in red light, with a bright blue light coming from under a platform on the floor. The performer is lit with green light and the background is blue-tinted.]
    Caption Heist Divination (fwiw remix). Performance documentation, October 25th, 2024, Artists Space. Photo: Destiny Mata.
    Image description Audience members sit and stand alongside a ramp in a gallery. They are facing a performer who is framed in between columns to the left of the image. The audience members are bathed in red light, with a bright blue light coming from under a platform on the floor. The performer is lit with green light and the background is blue-tinted.
    Year
    Related pages S*an D. Henry-Smith
  • Amelia Bande stands in front of wall covered with posters and gestures towards her eyes as she says, “We wore masks and protective eyewear at the protests in Santiago.”
    Amelia Bande stands in front of wall covered with posters and gestures towards her eyes as she says, “We wore masks and protective eyewear at the protests in Santiago.”
    Amelia Bande. Stills from El estallido / The Outbreak, 2020. Recording of a live performance held over Zoom on August 7, 2020. Stage design and camera collaboration with Rachel Higgins. Courtesy the artist. [Amelia Bande stands in front of wall covered with posters and gestures towards her eyes as she says, “We wore masks and protective eyewear at the protests in Santiago.”]
    Caption Amelia Bande. Stills from El estallido / The Outbreak, 2020. Recording of a live performance held over Zoom on August 7, 2020. Stage design and camera collaboration with Rachel Higgins. Courtesy the artist.
    Image description Amelia Bande stands in front of wall covered with posters and gestures towards her eyes as she says, “We wore masks and protective eyewear at the protests in Santiago.”
    Year 2020
    Related pages Whitney ISP Archive
  • Caption
    Image description
    Year
    Related pages S*an D. Henry-Smith
  • Caption
    Image description
    Year
    Related pages Of Forests and of Farms: On Faculty and Failure
  • Three television screens installed on a gallery wall. Two screens are positioned in a portrait orientation and the third in a landscape orientation. Their cords loosely fall to the ground below and run beneath a door. Each screen displays images of one or several figures mid-speech or mid-movement.
    Three television screens installed on a gallery wall. Two screens are positioned in a portrait orientation and the third in a landscape orientation. Their cords loosely fall to the ground below and run beneath a door. Each screen displays images of one or several figures mid-speech or mid-movement.
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Three television screens installed on a gallery wall. Two screens are positioned in a portrait orientation and the third in a landscape orientation. Their cords loosely fall to the ground below and run beneath a door. Each screen displays images of one or several figures mid-speech or mid-movement.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Three television screens installed on a gallery wall. Two screens are positioned in a portrait orientation and the third in a landscape orientation. Their cords loosely fall to the ground below and run beneath a door. Each screen displays images of one or several figures mid-speech or mid-movement.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • Black-and-white photograph that has been double exposed. The dominant image shows a portrait of two smiling figures, standing side-by-side. Imposed on top of that is a faint image of a building and lights.
    Black-and-white photograph that has been double exposed. The dominant image shows a portrait of two smiling figures, standing side-by-side. Imposed on top of that is a faint image of a building and lights.
    [Black-and-white photograph that has been double exposed. The dominant image shows a portrait of two smiling figures, standing side-by-side. Imposed on top of that is a faint image of a building and lights.]
    Caption
    Image description Black-and-white photograph that has been double exposed. The dominant image shows a portrait of two smiling figures, standing side-by-side. Imposed on top of that is a faint image of a building and lights.
    Year
    Related pages The Suzanne Langille Songbook
  • Three performers play various instruments on stage in front of an audience. The stage and wall behind it are bathed in a blue and red striped pattern.
    Three performers play various instruments on stage in front of an audience. The stage and wall behind it are bathed in a blue and red striped pattern.
    Abasement #85. Performance documentation, March 2nd, 2026, Artists Space. Photo: Joshua Wildman. [Three performers play various instruments on stage in front of an audience. The stage and wall behind it are bathed in a blue and red striped pattern. ]
    Caption Abasement #85. Performance documentation, March 2nd, 2026, Artists Space. Photo: Joshua Wildman.
    Image description Three performers play various instruments on stage in front of an audience. The stage and wall behind it are bathed in a blue and red striped pattern.
    Year
    Related pages Abasement #85
  • Black lowercase typewriter text on a white background reads
    Black lowercase typewriter text on a white background reads
    Mitch Corber, video still, c. 1977. [Black lowercase typewriter text on a white background reads "we can't wait."]
    Caption Mitch Corber, video still, c. 1977.
    Image description Black lowercase typewriter text on a white background reads "we can't wait."
    Year
    Related pages Artists Super 8 Film Exposition
  • Photographs of various figures are hung next to one another in a gallery setting.
    Photographs of various figures are hung next to one another in a gallery setting.
    Julie Wachtel & Chris. Selections from the Unaffiliated Artists File. Installation view, Artists Space, 1981. [Photographs of various figures are hung next to one another in a gallery setting.]
    Caption Julie Wachtel & Chris. Selections from the Unaffiliated Artists File. Installation view, Artists Space, 1981.
    Image description Photographs of various figures are hung next to one another in a gallery setting.
    Year
    Related pages Selections from the Unaffiliated Artists File
  • A rectangular column against a white background. A top section is black with sharp edges, while the rest is white and slightly rounded.
    A rectangular column against a white background. A top section is black with sharp edges, while the rest is white and slightly rounded.
    Robert Gero, Untitled, 1989. Sulfur, salt, aluminum. [A rectangular column against a white background. A top section is black with sharp edges, while the rest is white and slightly rounded.]
    Caption Robert Gero, Untitled, 1989. Sulfur, salt, aluminum.
    Image description A rectangular column against a white background. A top section is black with sharp edges, while the rest is white and slightly rounded.
    Year 1989
    Related pages Energeia
  • A black and white photograph of dark silhouetted shapes pasted on a wall, including a tree, a television set, a phone, a lightbulb, and a place setting.
    A black and white photograph of dark silhouetted shapes pasted on a wall, including a tree, a television set, a phone, a lightbulb, and a place setting.
    Matt Mullican, Wall Labels, 1976. From Susan Eder, Matt Mullican, Artists Space, 1976. [A black and white photograph of dark silhouetted shapes pasted on a wall, including a tree, a television set, a phone, a lightbulb, and a place setting.]
    Caption Matt Mullican, Wall Labels, 1976. From Susan Eder, Matt Mullican, Artists Space, 1976.
    Image description A black and white photograph of dark silhouetted shapes pasted on a wall, including a tree, a television set, a phone, a lightbulb, and a place setting.
    Year 1976
    Related pages Susan Eder, Matt Mullican
  • A brown, blue, and tan object stands on a white base. On the flat surface of the object sit an onion and a lemon, each with wires connecting them to the object. Under the onion, a purple earring hangs down.
    A brown, blue, and tan object stands on a white base. On the flat surface of the object sit an onion and a lemon, each with wires connecting them to the object. Under the onion, a purple earring hangs down.
    Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $3,000
    [A brown, blue, and tan object stands on a white base. On the flat surface of the object sit an onion and a lemon, each with wires connecting them to the object. Under the onion, a purple earring hangs down.]
    Caption Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $3,000
    Image description A brown, blue, and tan object stands on a white base. On the flat surface of the object sit an onion and a lemon, each with wires connecting them to the object. Under the onion, a purple earring hangs down.
    Year 2019
    Related pages Trisha Baga Edition
  • An abstract painting composed of central strokes of light orange paint framed from above and below by two stripes of blue paint at the composition's top and bottom edges. Black paint markings punctuate the wash of orange color.
    An abstract painting composed of central strokes of light orange paint framed from above and below by two stripes of blue paint at the composition's top and bottom edges. Black paint markings punctuate the wash of orange color.
    Nick Mauss, So long, 2013. Ceramic plaque, 11 x 15 inches. Courtesy the artist and 303 Gallery, New York. [An abstract painting composed of central strokes of light orange paint framed from above and below by two stripes of blue paint at the composition's top and bottom edges. Black paint markings punctuate the wash of orange color.]
    Caption Nick Mauss, So long, 2013. Ceramic plaque, 11 x 15 inches. Courtesy the artist and 303 Gallery, New York.
    Image description An abstract painting composed of central strokes of light orange paint framed from above and below by two stripes of blue paint at the composition's top and bottom edges. Black paint markings punctuate the wash of orange color.
    Year 2013
    Related pages Frieze New York
  • Caption
    Image description
    Year
    Related pages Milford Graves: Fundamental Frequency
  • A view of a white-walled gallery with large abstract paintings hanging on the walls and a small pedestal display case on the right.
    A view of a white-walled gallery with large abstract paintings hanging on the walls and a small pedestal display case on the right.
    Benito Huerta: Attempted, Not Known. Installation view, Artists Space, 1989. [A view of a white-walled gallery with large abstract paintings hanging on the walls and a small pedestal display case on the right.]
    Caption Benito Huerta: Attempted, Not Known. Installation view, Artists Space, 1989.
    Image description A view of a white-walled gallery with large abstract paintings hanging on the walls and a small pedestal display case on the right.
    Year 1989
    Related pages Project: Attempted, Not Known
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A wooden ladder standing in the corner of a room with half-finished paintings on the wall. On the left wall, there is a colorful mural composed of swirls and circles. On the other wall, there is a sketch of a ballerina with dozens of black and white portraits of a woman's head with various words including
    A wooden ladder standing in the corner of a room with half-finished paintings on the wall. On the left wall, there is a colorful mural composed of swirls and circles. On the other wall, there is a sketch of a ballerina with dozens of black and white portraits of a woman's head with various words including
    Activated Walls. Installation view, Artists Space, 1993. [A wooden ladder standing in the corner of a room with half-finished paintings on the wall. On the left wall, there is a colorful mural composed of swirls and circles. On the other wall, there is a sketch of a ballerina with dozens of black and white portraits of a woman's head with various words including "CUNT" and "CUTIE."]
    Caption Activated Walls. Installation view, Artists Space, 1993.
    Image description A wooden ladder standing in the corner of a room with half-finished paintings on the wall. On the left wall, there is a colorful mural composed of swirls and circles. On the other wall, there is a sketch of a ballerina with dozens of black and white portraits of a woman's head with various words including "CUNT" and "CUTIE."
    Year 1993
    Related pages Activated Walls
  • A portfolio box with a flowered pattern on the lid is shown on a white ground with the lid slightly askew.
    A portfolio box with a flowered pattern on the lid is shown on a white ground with the lid slightly askew.
    Susan Cianciolo, Flowers, 2018, 25 x 21 x 1 1/2 inches, Silkscreen on book cloth on bespoke archival box, Signed edition of 100, 5APs Courtesy of the artist [A portfolio box with a flowered pattern on the lid is shown on a white ground with the lid slightly askew.]
    Caption Susan Cianciolo, Flowers, 2018, 25 x 21 x 1 1/2 inches, Silkscreen on book cloth on bespoke archival box, Signed edition of 100, 5APs Courtesy of the artist
    Image description A portfolio box with a flowered pattern on the lid is shown on a white ground with the lid slightly askew.
    Year 2018
    Related pages Artists Space Annual Edition Portfolio 2018
  • Caption
    Image description
    Year
    Related pages Doris Guo Matthew Langan-Peck Isabelle Frances McGuire Ruben Ulises Rodriguez Montoya
  • A man lifts up the hood of a white car on the side of the road amidst a sprawling open landscape. The front doors on both sides of the vehicle are open.
    A man lifts up the hood of a white car on the side of the road amidst a sprawling open landscape. The front doors on both sides of the vehicle are open.
    Pena Bonita, Stalled, 1987. Color photograph. [A man lifts up the hood of a white car on the side of the road amidst a sprawling open landscape. The front doors on both sides of the vehicle are open.]
    Caption Pena Bonita, Stalled, 1987. Color photograph.
    Image description A man lifts up the hood of a white car on the side of the road amidst a sprawling open landscape. The front doors on both sides of the vehicle are open.
    Year 1987
    Related pages Unholding
  • White gallery wall featuring various small framed works on paper, some featuring abstract ornamental bands, large concentric shapes against black ground, clusters of curled black lines organized into a square shape, and pencil-shaded boxes on gridded paper in various geometric shapes and configurations.
    White gallery wall featuring various small framed works on paper, some featuring abstract ornamental bands, large concentric shapes against black ground, clusters of curled black lines organized into a square shape, and pencil-shaded boxes on gridded paper in various geometric shapes and configurations.
    Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak. [White gallery wall featuring various small framed works on paper, some featuring abstract ornamental bands, large concentric shapes against black ground, clusters of curled black lines organized into a square shape, and pencil-shaded boxes on gridded paper in various geometric shapes and configurations.]
    Caption Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak.
    Image description White gallery wall featuring various small framed works on paper, some featuring abstract ornamental bands, large concentric shapes against black ground, clusters of curled black lines organized into a square shape, and pencil-shaded boxes on gridded paper in various geometric shapes and configurations.
    Year
    Related pages Dream Lines: Drawings by Marian Zazeela
  • A figure to the left plays the saxophone while another figure sitting in the middle of the frame watches with a guitar in his lap, another figure in the back right plays the bass.
    A figure to the left plays the saxophone while another figure sitting in the middle of the frame watches with a guitar in his lap, another figure in the back right plays the bass.
    Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman [A figure to the left plays the saxophone while another figure sitting in the middle of the frame watches with a guitar in his lap, another figure in the back right plays the bass.]
    Caption Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure to the left plays the saxophone while another figure sitting in the middle of the frame watches with a guitar in his lap, another figure in the back right plays the bass.
    Year 2022
    Related pages Tisziji Muñoz with Francisco Mora Catlett and AfroHORN
  • A performer plays a clarinet on stage, bathed in blue and pink light.
    A performer plays a clarinet on stage, bathed in blue and pink light.
    Abasement #80. Performance documentation, September 22nd, 2025, Artists Space. Photo: Joshua Wildman. [A performer plays a clarinet on stage, bathed in blue and pink light.]
    Caption Abasement #80. Performance documentation, September 22nd, 2025, Artists Space. Photo: Joshua Wildman.
    Image description A performer plays a clarinet on stage, bathed in blue and pink light.
    Year
    Related pages Abasement #80
  • Photographic print of an urban skyline on a sunny day. A small skyscraper juts out from a cluster of lower buildings at the image's center. Text emblazoned across the facade of a low, white building in front of the skyscraper reads,
    Photographic print of an urban skyline on a sunny day. A small skyscraper juts out from a cluster of lower buildings at the image's center. Text emblazoned across the facade of a low, white building in front of the skyscraper reads,
    Alex Slade, Ministry of Agriculture, Manaus Brasil, 1999. C-print, 60 x 38 inches. Courtesy the artist. [Photographic print of an urban skyline on a sunny day. A small skyscraper juts out from a cluster of lower buildings at the image's center. Text emblazoned across the facade of a low, white building in front of the skyscraper reads, "TROPICAL" and "MERCADÃO DE BEBÊ." Cars drive along a four lane road to the left of the skyscraper.]
    Caption Alex Slade, Ministry of Agriculture, Manaus Brasil, 1999. C-print, 60 x 38 inches. Courtesy the artist.
    Image description Photographic print of an urban skyline on a sunny day. A small skyscraper juts out from a cluster of lower buildings at the image's center. Text emblazoned across the facade of a low, white building in front of the skyscraper reads, "TROPICAL" and "MERCADÃO DE BEBÊ." Cars drive along a four lane road to the left of the skyscraper.
    Year 2001
    Related pages Urban Pornography
  • A green poster with white text giving information about a virtual reading event. There is an image at the bottom of a person looking into digital, VR-style goggles with large headphones. Smaller white text in the bottom corner reads,
    A green poster with white text giving information about a virtual reading event. There is an image at the bottom of a person looking into digital, VR-style goggles with large headphones. Smaller white text in the bottom corner reads,
    [A green poster with white text giving information about a virtual reading event. There is an image at the bottom of a person looking into digital, VR-style goggles with large headphones. Smaller white text in the bottom corner reads, "stay well & be good to each other."]
    Caption
    Image description A green poster with white text giving information about a virtual reading event. There is an image at the bottom of a person looking into digital, VR-style goggles with large headphones. Smaller white text in the bottom corner reads, "stay well & be good to each other."
    Year 2020
    Related pages Segue Reading Series: Tongo Eisen-Martin & Jennifer Soong
  • Negative film image that has been mirrored across a diagonal line of symmetry, depicting a blue board with objects arranged on it to create vaguely recognizable patterns.
    Negative film image that has been mirrored across a diagonal line of symmetry, depicting a blue board with objects arranged on it to create vaguely recognizable patterns.
    Crystal Z Campbell, Revolver, 2022. 16mm film transferred to Digital Video, Stereo, Sound. 17:27 min. Courtesy the artist [Negative film image that has been mirrored across a diagonal line of symmetry, depicting a blue board with objects arranged on it to create vaguely recognizable patterns.]
    Caption Crystal Z Campbell, Revolver, 2022. 16mm film transferred to Digital Video, Stereo, Sound. 17:27 min. Courtesy the artist
    Image description Negative film image that has been mirrored across a diagonal line of symmetry, depicting a blue board with objects arranged on it to create vaguely recognizable patterns.
    Year
    Related pages Crystal Z Campbell
  • Flyer featuring densely collaged images of food in metal trays, renaissance-era images of saints and angels, Cookie Monster and other puppets, electric keyboards and vintage video game consoles, images of people holding vegetables and plates of food, and tree-filled landscapes. Below the collage, white sans-serif text is superimposed over an image of stars in space. The text reads: “artists space & the segue reading series invite you to a virtual reading by / Steven Seinberg / and / Darcie Dennigan / saturday, may 2nd, 5pm nyc time, zoom id: 378 232 567 / it will be robust.
    Flyer featuring densely collaged images of food in metal trays, renaissance-era images of saints and angels, Cookie Monster and other puppets, electric keyboards and vintage video game consoles, images of people holding vegetables and plates of food, and tree-filled landscapes. Below the collage, white sans-serif text is superimposed over an image of stars in space. The text reads: “artists space & the segue reading series invite you to a virtual reading by / Steven Seinberg / and / Darcie Dennigan / saturday, may 2nd, 5pm nyc time, zoom id: 378 232 567 / it will be robust.
    [Flyer featuring densely collaged images of food in metal trays, renaissance-era images of saints and angels, Cookie Monster and other puppets, electric keyboards and vintage video game consoles, images of people holding vegetables and plates of food, and tree-filled landscapes. Below the collage, white sans-serif text is superimposed over an image of stars in space. The text reads: “artists space & the segue reading series invite you to a virtual reading by / Steven Seinberg / and / Darcie Dennigan / saturday, may 2nd, 5pm nyc time, zoom id: 378 232 567 / it will be robust.]
    Caption
    Image description Flyer featuring densely collaged images of food in metal trays, renaissance-era images of saints and angels, Cookie Monster and other puppets, electric keyboards and vintage video game consoles, images of people holding vegetables and plates of food, and tree-filled landscapes. Below the collage, white sans-serif text is superimposed over an image of stars in space. The text reads: “artists space & the segue reading series invite you to a virtual reading by / Steven Seinberg / and / Darcie Dennigan / saturday, may 2nd, 5pm nyc time, zoom id: 378 232 567 / it will be robust.
    Year 2020
    Related pages Segue Reading Series: Darcie Dennigan & Steven Seidenberg
  • Two people sit at a table while a third person places a plate of food in front of them.
    Two people sit at a table while a third person places a plate of food in front of them.
    Production still from Black Picture Show, 1978. Photo: Marshall Johnson. Image courtesy of the artist. [Two people sit at a table while a third person places a plate of food in front of them.]
    Caption Production still from Black Picture Show, 1978. Photo: Marshall Johnson. Image courtesy of the artist.
    Image description Two people sit at a table while a third person places a plate of food in front of them.
    Year 1975
    Related pages Black Picture Show
  • Caption
    Image description
    Year
    Related pages Reframing the Family
  • A close up of a mural displaying cartoon vultures resting on black scaffolding. Underneath the mural sits a pile of newsprint flyers.
    A close up of a mural displaying cartoon vultures resting on black scaffolding. Underneath the mural sits a pile of newsprint flyers.
    ART CLUB2000 Gli Avvoltoi (The Vultures), detail, 1995 Vinyl paint and newsprint flyer Image courtesy Artists Space, New York Photo: Filip Wolak [A close up of a mural displaying cartoon vultures resting on black scaffolding. Underneath the mural sits a pile of newsprint flyers.]
    Caption ART CLUB2000 Gli Avvoltoi (The Vultures), detail, 1995 Vinyl paint and newsprint flyer Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description A close up of a mural displaying cartoon vultures resting on black scaffolding. Underneath the mural sits a pile of newsprint flyers.
    Year 2021
    Related pages ART CLUB2000
  • A color installation view of a gallery space. On the left wall are six black and white photographs and a television monitor positioned on the floor. In the background, another wall-mounted television monitor is visible along with a large wall hanging and two sculptures. The space is bisected by three dark columns.
    A color installation view of a gallery space. On the left wall are six black and white photographs and a television monitor positioned on the floor. In the background, another wall-mounted television monitor is visible along with a large wall hanging and two sculptures. The space is bisected by three dark columns.
    Milford Graves: Fundamental Frequency. Installation view, Artists Space, October 8, 2021 – January 15, 2022. Image courtesy Artists Space, New York. Photo: Filip Wolak. [A color installation view of a gallery space. On the left wall are six black and white photographs and a television monitor positioned on the floor. In the background, another wall-mounted television monitor is visible along with a large wall hanging and two sculptures. The space is bisected by three dark columns.]
    Caption Milford Graves: Fundamental Frequency. Installation view, Artists Space, October 8, 2021 – January 15, 2022. Image courtesy Artists Space, New York. Photo: Filip Wolak.
    Image description A color installation view of a gallery space. On the left wall are six black and white photographs and a television monitor positioned on the floor. In the background, another wall-mounted television monitor is visible along with a large wall hanging and two sculptures. The space is bisected by three dark columns.
    Year 2021
    Related pages Milford Graves: Fundamental Frequency
  • A yellow and blue object sits on a white base. Embedded in the front of the object is black electronic screen and a gold nail polish bottle reading
    A yellow and blue object sits on a white base. Embedded in the front of the object is black electronic screen and a gold nail polish bottle reading
    Not yet titled, 2019
    Clay, glaze, mixed media
    7 x 12 x 17 inches (variable)
    $5,000
    [A yellow and blue object sits on a white base. Embedded in the front of the object is black electronic screen and a gold nail polish bottle reading "Sally Hansen nailgrowth miracle salon strength." On top of the object, a small potato sits with two wires attached.]
    Caption Not yet titled, 2019
    Clay, glaze, mixed media
    7 x 12 x 17 inches (variable)
    $5,000
    Image description A yellow and blue object sits on a white base. Embedded in the front of the object is black electronic screen and a gold nail polish bottle reading "Sally Hansen nailgrowth miracle salon strength." On top of the object, a small potato sits with two wires attached.
    Year 2019
    Related pages Trisha Baga Edition
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Black text on a grey background. The text reads: “Dec 6 / Nada Gordon / Kit Robinson.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on a grey background. The text reads: “Dec 6 / Nada Gordon / Kit Robinson.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on a grey background. The text reads: “Dec 6 / Nada Gordon / Kit Robinson.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on a grey background. The text reads: “Dec 6 / Nada Gordon / Kit Robinson.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Nada Gordon & Kit Robinson
  • Color photograph of a figure in a red suit performing in a darkly lit room with LED light sculptures in the background. The figure holds their left hand out in a gesture, and with their right hand holds a mask in front of their face.
    Color photograph of a figure in a red suit performing in a darkly lit room with LED light sculptures in the background. The figure holds their left hand out in a gesture, and with their right hand holds a mask in front of their face.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a figure in a red suit performing in a darkly lit room with LED light sculptures in the background. The figure holds their left hand out in a gesture, and with their right hand holds a mask in front of their face.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of a figure in a red suit performing in a darkly lit room with LED light sculptures in the background. The figure holds their left hand out in a gesture, and with their right hand holds a mask in front of their face.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • A darkened gallery space with dark blue walls, dark blue carpeting, and light blue linoleum tiling. In the foreground a bench is centered in front of a large wall projection. The projection depicts a close-up of a newborn black mannequin laying down, being tended to by medical professionals.
    A darkened gallery space with dark blue walls, dark blue carpeting, and light blue linoleum tiling. In the foreground a bench is centered in front of a large wall projection. The projection depicts a close-up of a newborn black mannequin laying down, being tended to by medical professionals.
    Carolyn Lazard: Two-way. Installation view (Fiction Contract, 2025; Borne, 2025), Artists Space, 2025. Photo: Greg Carideo. [A darkened gallery space with dark blue walls, dark blue carpeting, and light blue linoleum tiling. In the foreground a bench is centered in front of a large wall projection. The projection depicts a close-up of a newborn black mannequin laying down, being tended to by medical professionals.]
    Caption Carolyn Lazard: Two-way. Installation view (Fiction Contract, 2025; Borne, 2025), Artists Space, 2025. Photo: Greg Carideo.
    Image description A darkened gallery space with dark blue walls, dark blue carpeting, and light blue linoleum tiling. In the foreground a bench is centered in front of a large wall projection. The projection depicts a close-up of a newborn black mannequin laying down, being tended to by medical professionals.
    Year
    Related pages Carolyn Lazard
  • A woman vaping in profile against a black background. An image of another woman and a child are visible in her exhaled smoke.
    A woman vaping in profile against a black background. An image of another woman and a child are visible in her exhaled smoke.
    Flyer by Bill Hayden. [A woman vaping in profile against a black background. An image of another woman and a child are visible in her exhaled smoke.]
    Caption Flyer by Bill Hayden.
    Image description A woman vaping in profile against a black background. An image of another woman and a child are visible in her exhaled smoke.
    Year 2014
    Related pages It's Get Better II / Bernadette Corporation: 2000 Wasted Years Book Launch
  • An angled view of a freestanding white wall displaying vinyl wall text in an exhibition space. The first sentence of the text reads,
    An angled view of a freestanding white wall displaying vinyl wall text in an exhibition space. The first sentence of the text reads,
    Sam Pulitzer: A Colony for “Them”. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [An angled view of a freestanding white wall displaying vinyl wall text in an exhibition space. The first sentence of the text reads, "A plea for funds seems to come again." An adjacent wall is covered with a large, abstract image of a figure's portrait. It is rendered such that the figure's face appears to be emerging from a cloud in a night sky.]
    Caption Sam Pulitzer: A Colony for “Them”. Installation view, Artists Space, 2014. Photo: Daniel Pérez.
    Image description An angled view of a freestanding white wall displaying vinyl wall text in an exhibition space. The first sentence of the text reads, "A plea for funds seems to come again." An adjacent wall is covered with a large, abstract image of a figure's portrait. It is rendered such that the figure's face appears to be emerging from a cloud in a night sky.
    Year 2014
    Related pages Sam Pulitzer: A Colony for "Them"
  • A color installation view of a gallery space with three dark columns. A wicker pannier and a yellow brocade couch are visible in the foreground. In the background, a multi-tiered door, several paintings, a wooden stool and nightstand are also visible.
    A color installation view of a gallery space with three dark columns. A wicker pannier and a yellow brocade couch are visible in the foreground. In the background, a multi-tiered door, several paintings, a wooden stool and nightstand are also visible.
    Lyndon Barrois Jr.: Mirage Collar. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color installation view of a gallery space with three dark columns. A wicker pannier and a yellow brocade couch are visible in the foreground. In the background, a multi-tiered door, several paintings, a wooden stool and nightstand are also visible.]
    Caption Lyndon Barrois Jr.: Mirage Collar. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color installation view of a gallery space with three dark columns. A wicker pannier and a yellow brocade couch are visible in the foreground. In the background, a multi-tiered door, several paintings, a wooden stool and nightstand are also visible.
    Year 2022
    Related pages Lyndon Barrois Jr.: Mirage Collar
  • Color image of a performer standing on stage in front of a circular table. The performer bends over slightly to play music from a laptop and soundboard. Their face leans into a microphone while looking stage right at a music stand placed next to the circular table. A blue light emitted from a projector covers the whole stage and casts shadows of the performer and their setup onto the back wall.
    Color image of a performer standing on stage in front of a circular table. The performer bends over slightly to play music from a laptop and soundboard. Their face leans into a microphone while looking stage right at a music stand placed next to the circular table. A blue light emitted from a projector covers the whole stage and casts shadows of the performer and their setup onto the back wall.
    Abasement #67. Performance documentation, January 15, 2024, Artists Space. Photo: Joshua Wildman. [Color image of a performer standing on stage in front of a circular table. The performer bends over slightly to play music from a laptop and soundboard. Their face leans into a microphone while looking stage right at a music stand placed next to the circular table. A blue light emitted from a projector covers the whole stage and casts shadows of the performer and their setup onto the back wall. ]
    Caption Abasement #67. Performance documentation, January 15, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Color image of a performer standing on stage in front of a circular table. The performer bends over slightly to play music from a laptop and soundboard. Their face leans into a microphone while looking stage right at a music stand placed next to the circular table. A blue light emitted from a projector covers the whole stage and casts shadows of the performer and their setup onto the back wall.
    Year
    Related pages Abasement #67
  • Color photograph of visitors standing around a gallery space, conversing and studying the works on the wall.
    Color photograph of visitors standing around a gallery space, conversing and studying the works on the wall.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of visitors standing around a gallery space, conversing and studying the works on the wall.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of visitors standing around a gallery space, conversing and studying the works on the wall.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • A color image of a gallery space. A freestanding white wall runs perpendicular into an existing white wall. On the right side, projected onto the existing wall, is a black and white image of a spoon resting next to a bowl of water. To the left of the projected image is a single black frame containing a black and white photograph, hung above a small floating vitrine. Installed in a single row on the freestanding wall, is a series of seven black and white photographs housed in black frames. Behind the freestanding walls, a sliver of window that faces the street outside is visible. Contained within the four transom windows are black and white enlargements of a white man smoking and blowing smoke rings.
    A color image of a gallery space. A freestanding white wall runs perpendicular into an existing white wall. On the right side, projected onto the existing wall, is a black and white image of a spoon resting next to a bowl of water. To the left of the projected image is a single black frame containing a black and white photograph, hung above a small floating vitrine. Installed in a single row on the freestanding wall, is a series of seven black and white photographs housed in black frames. Behind the freestanding walls, a sliver of window that faces the street outside is visible. Contained within the four transom windows are black and white enlargements of a white man smoking and blowing smoke rings.
    Terry Fox: All These Different Things Are Sculpture. Installation view, Artists Space, 2024. Photo: Filip Wolak [A color image of a gallery space. A freestanding white wall runs perpendicular into an existing white wall. On the right side, projected onto the existing wall, is a black and white image of a spoon resting next to a bowl of water. To the left of the projected image is a single black frame containing a black and white photograph, hung above a small floating vitrine. Installed in a single row on the freestanding wall, is a series of seven black and white photographs housed in black frames. Behind the freestanding walls, a sliver of window that faces the street outside is visible. Contained within the four transom windows are black and white enlargements of a white man smoking and blowing smoke rings. ]
    Caption Terry Fox: All These Different Things Are Sculpture. Installation view, Artists Space, 2024. Photo: Filip Wolak
    Image description A color image of a gallery space. A freestanding white wall runs perpendicular into an existing white wall. On the right side, projected onto the existing wall, is a black and white image of a spoon resting next to a bowl of water. To the left of the projected image is a single black frame containing a black and white photograph, hung above a small floating vitrine. Installed in a single row on the freestanding wall, is a series of seven black and white photographs housed in black frames. Behind the freestanding walls, a sliver of window that faces the street outside is visible. Contained within the four transom windows are black and white enlargements of a white man smoking and blowing smoke rings.
    Year
    Related pages All These Different Things Are Sculpture
  • Detail view of four sculptures hung on the wall. The sculptures are ordered in neutral tones ranging from light to dark. Their shapes are approximately rectangular, each divided into quadrant segments.
    Detail view of four sculptures hung on the wall. The sculptures are ordered in neutral tones ranging from light to dark. Their shapes are approximately rectangular, each divided into quadrant segments.
    UniBodies. Installation view, Artists Space, 2006. Photo: Bill Ocrutt. [Detail view of four sculptures hung on the wall. The sculptures are ordered in neutral tones ranging from light to dark. Their shapes are approximately rectangular, each divided into quadrant segments.]
    Caption UniBodies. Installation view, Artists Space, 2006. Photo: Bill Ocrutt.
    Image description Detail view of four sculptures hung on the wall. The sculptures are ordered in neutral tones ranging from light to dark. Their shapes are approximately rectangular, each divided into quadrant segments.
    Year 2006
    Related pages UniBodies
  • Jutta Koether is a painter, performance artist, musician, critic, and theoretician based in New York and Berlin. Her work with Artists Space began in 2012 with her performance fifth season act and most recently Analogue Drive (2024) performed in Hong Kong for Artists Space and Empty Gallery. In her live works, Koether enacts a highly specific form of entangled action centering on and around specific artworks. Embedded with performative possibility, these objects – positioned in a room, a situation, a city – circuit together in a network of language, duration, and the artist's active negotiation between producer and produced. As a painter, Koether challenges the viewer’s understanding of the medium’s terms and histories, often appropriating and retooling elements from the work of male masters. Engaging a range of motifs and materials—such as grids, X-marks, and red paint—she cultivates painting’s ability to yield something unanticipated, vital, and feminine. Koether studied art and philosophy at the University of Cologne and the Whitney ISP. In 1981 she joined the editorial staff of the music and art journal Spex. She is the author of several books and has written for such publications as Eau de Cologne, Artforum, Texte zur Kunst, and Flash Art. From 2010 to 2024 Koether was Professor for Painting and Drawing at the University of Fine Arts Hamburg. She has had major solo exhibitions at the Museum Brandhorst, Munich, Mudam Luxembourg – Musée d’Art Moderne Grand-Duc Jean; Museum Abteiberg, Mönchengladbach; Artium Museoa, Vitoria-Gasteiz; PRAXES Center for Contemporary Art, Berlin; Moderna Museet, Stockholm; Van Abbemuseum, Eindhoven; Kunsthalle Bern, Switzerland; Academy of Fine Arts Vienna; and Kölnischer Kunstverein, Cologne, among other venues. [Photo: Empty Gallery, Hong Kong, 2024]
    Caption Jutta Koether is a painter, performance artist, musician, critic, and theoretician based in New York and Berlin. Her work with Artists Space began in 2012 with her performance fifth season act and most recently Analogue Drive (2024) performed in Hong Kong for Artists Space and Empty Gallery. In her live works, Koether enacts a highly specific form of entangled action centering on and around specific artworks. Embedded with performative possibility, these objects – positioned in a room, a situation, a city – circuit together in a network of language, duration, and the artist's active negotiation between producer and produced. As a painter, Koether challenges the viewer’s understanding of the medium’s terms and histories, often appropriating and retooling elements from the work of male masters. Engaging a range of motifs and materials—such as grids, X-marks, and red paint—she cultivates painting’s ability to yield something unanticipated, vital, and feminine. Koether studied art and philosophy at the University of Cologne and the Whitney ISP. In 1981 she joined the editorial staff of the music and art journal Spex. She is the author of several books and has written for such publications as Eau de Cologne, Artforum, Texte zur Kunst, and Flash Art. From 2010 to 2024 Koether was Professor for Painting and Drawing at the University of Fine Arts Hamburg. She has had major solo exhibitions at the Museum Brandhorst, Munich, Mudam Luxembourg – Musée d’Art Moderne Grand-Duc Jean; Museum Abteiberg, Mönchengladbach; Artium Museoa, Vitoria-Gasteiz; PRAXES Center for Contemporary Art, Berlin; Moderna Museet, Stockholm; Van Abbemuseum, Eindhoven; Kunsthalle Bern, Switzerland; Academy of Fine Arts Vienna; and Kölnischer Kunstverein, Cologne, among other venues. [Photo: Empty Gallery, Hong Kong, 2024]
    Image description
    Year
    Related pages Friends of Artists Space Dinner
  • Black text on an orange background. The text reads: “Oct 5 / Joan Larkin / Malcolm Tariq.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on an orange background. The text reads: “Oct 5 / Joan Larkin / Malcolm Tariq.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on an orange background. The text reads: “Oct 5 / Joan Larkin / Malcolm Tariq.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on an orange background. The text reads: “Oct 5 / Joan Larkin / Malcolm Tariq.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Joan Larkin & Malcolm Tariq
  • A wooden bar with four chairs and a palm tree in a pot is displayed against a white wall.
    A wooden bar with four chairs and a palm tree in a pot is displayed against a white wall.
    Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013. [A wooden bar with four chairs and a palm tree in a pot is displayed against a white wall.]
    Caption Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013.
    Image description A wooden bar with four chairs and a palm tree in a pot is displayed against a white wall.
    Year 2013
    Related pages Pride Goes Before a Fall
  • Caption
    Image description
    Year
    Related pages David Armstrong: Portraits
  • A figure stands in the center of the image, juggling several small white balls above their head.
    A figure stands in the center of the image, juggling several small white balls above their head.
    Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court [A figure stands in the center of the image, juggling several small white balls above their head.]
    Caption Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court
    Image description A figure stands in the center of the image, juggling several small white balls above their head.
    Year 2022
    Related pages Circus Amok
  • Two paintings arranged side by side, both depicting highways with a blur of car lights and tailights.
    Two paintings arranged side by side, both depicting highways with a blur of car lights and tailights.
    Mara Korkola, No Place, 2002. [Two paintings arranged side by side, both depicting highways with a blur of car lights and tailights.]
    Caption Mara Korkola, No Place, 2002.
    Image description Two paintings arranged side by side, both depicting highways with a blur of car lights and tailights.
    Year 2002
    Related pages Painting as Paradox
  • A black and white image of three figures. All three of them attentively look to the right of the image, towards the same direction. The figure in the center, holds a ladder, which has a projector taped to the top, with their right hand.
    A black and white image of three figures. All three of them attentively look to the right of the image, towards the same direction. The figure in the center, holds a ladder, which has a projector taped to the top, with their right hand.
    Abasement #66. Performance documentation, October 9, 2023, Artists Space. Photo: Joshua Wildman. [A black and white image of three figures. All three of them attentively look to the right of the image, towards the same direction. The figure in the center, holds a ladder, which has a projector taped to the top, with their right hand.]
    Caption Abasement #66. Performance documentation, October 9, 2023, Artists Space. Photo: Joshua Wildman.
    Image description A black and white image of three figures. All three of them attentively look to the right of the image, towards the same direction. The figure in the center, holds a ladder, which has a projector taped to the top, with their right hand.
    Year
    Related pages Abasement #66
  • Color photo of an installation work in a gallery space. In the left foreground, two windows with images painted on the glass are hung from the ceiling. In the center midground, ceramic sculptures and kinetic sculptures made of branches surround a structural column. To the right of the column, a large paper-mache sculpture rests atop Comet cleaner bottles. In the background, two large drawings done on carbaord hang from a wooden partition wall.
    Color photo of an installation work in a gallery space. In the left foreground, two windows with images painted on the glass are hung from the ceiling. In the center midground, ceramic sculptures and kinetic sculptures made of branches surround a structural column. To the right of the column, a large paper-mache sculpture rests atop Comet cleaner bottles. In the background, two large drawings done on carbaord hang from a wooden partition wall.
    Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photo of an installation work in a gallery space. In the left foreground, two windows with images painted on the glass are hung from the ceiling. In the center midground, ceramic sculptures and kinetic sculptures made of branches surround a structural column. To the right of the column, a large paper-mache sculpture rests atop Comet cleaner bottles. In the background, two large drawings done on carbaord hang from a wooden partition wall.]
    Caption Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photo of an installation work in a gallery space. In the left foreground, two windows with images painted on the glass are hung from the ceiling. In the center midground, ceramic sculptures and kinetic sculptures made of branches surround a structural column. To the right of the column, a large paper-mache sculpture rests atop Comet cleaner bottles. In the background, two large drawings done on carbaord hang from a wooden partition wall.
    Year
    Related pages Char Jeré: Zoo or an Orchestra
  • A number of colorful animal-like figures appear in space with a white background.
    A number of colorful animal-like figures appear in space with a white background.
    Gerome Kamrowski. Hopeful Monster, 1980. [A number of colorful animal-like figures appear in space with a white background.]
    Caption Gerome Kamrowski. Hopeful Monster, 1980.
    Image description A number of colorful animal-like figures appear in space with a white background.
    Year
    Related pages Moderns in Mind
  • Black text on a grey background. The text reads: “Dec 20 / Robert Fitterman / Theodore Harris.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on a grey background. The text reads: “Dec 20 / Robert Fitterman / Theodore Harris.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on a grey background. The text reads: “Dec 20 / Robert Fitterman / Theodore Harris.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on a grey background. The text reads: “Dec 20 / Robert Fitterman / Theodore Harris.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Robert Fitterman & Theodore Harris
  • An image of a wall with a poster hanging on the left, and and a brown and white jacket hanging on the right.
    An image of a wall with a poster hanging on the left, and and a brown and white jacket hanging on the right.
    Attention Line. Installation view (James Luna with the High Cheekbones, 2006, Jacket from the exhibit All Indian All the Time, 2005), Artists Space, June 11, 2022 - August 20, 2022. Photo: Filip Wolak [An image of a wall with a poster hanging on the left, and and a brown and white jacket hanging on the right.]
    Caption Attention Line. Installation view (James Luna with the High Cheekbones, 2006, Jacket from the exhibit All Indian All the Time, 2005), Artists Space, June 11, 2022 - August 20, 2022. Photo: Filip Wolak
    Image description An image of a wall with a poster hanging on the left, and and a brown and white jacket hanging on the right.
    Year 2022
    Related pages Attention Line
  • An image of a hand holding a yellow golf ball projected onto the wall of a dimly-lit gallery space. Several square holes have been removed from several spots on the gallery wall, through which a space on the other side of the wall is visible.
    An image of a hand holding a yellow golf ball projected onto the wall of a dimly-lit gallery space. Several square holes have been removed from several spots on the gallery wall, through which a space on the other side of the wall is visible.
    Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt. [An image of a hand holding a yellow golf ball projected onto the wall of a dimly-lit gallery space. Several square holes have been removed from several spots on the gallery wall, through which a space on the other side of the wall is visible.]
    Caption Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt.
    Image description An image of a hand holding a yellow golf ball projected onto the wall of a dimly-lit gallery space. Several square holes have been removed from several spots on the gallery wall, through which a space on the other side of the wall is visible.
    Year 1997
    Related pages Lines of Loss
  • Various objects sit on a concrete floor, including a miniature disco ball, a painted heart-shaped canvas, and a tangle of cords.
    Various objects sit on a concrete floor, including a miniature disco ball, a painted heart-shaped canvas, and a tangle of cords.
    Jutta Koether: xxapollo. Performance documentation, January 5, 2020, Artists Space. Photo © 2020 Paula Court. [Various objects sit on a concrete floor, including a miniature disco ball, a painted heart-shaped canvas, and a tangle of cords.]
    Caption Jutta Koether: xxapollo. Performance documentation, January 5, 2020, Artists Space. Photo © 2020 Paula Court.
    Image description Various objects sit on a concrete floor, including a miniature disco ball, a painted heart-shaped canvas, and a tangle of cords.
    Year 2020
    Related pages Jutta Koether
  • A color photograph of a framed painting of two sets of hands. On top of the frame rests a color control strip.
    A color photograph of a framed painting of two sets of hands. On top of the frame rests a color control strip.
    Lyndon Barrois Jr., Future Glimpsed, 2022. Oil on linen-mounted board, brass, solvent transfers, raw linen panel, linoleum frame, plywood. 20.75 x 16.75 inches. Photo: Filip Wolak. [A color photograph of a framed painting of two sets of hands. On top of the frame rests a color control strip.]
    Caption Lyndon Barrois Jr., Future Glimpsed, 2022. Oil on linen-mounted board, brass, solvent transfers, raw linen panel, linoleum frame, plywood. 20.75 x 16.75 inches. Photo: Filip Wolak.
    Image description A color photograph of a framed painting of two sets of hands. On top of the frame rests a color control strip.
    Year 2022
    Related pages Lyndon Barrois Jr.: Mirage Collar
  • A black and white film still of an apartment building, taken from the street. In front of the building is a sculpted landscape of rolling green grass. Two cars are parked on the street.
    A black and white film still of an apartment building, taken from the street. In front of the building is a sculpted landscape of rolling green grass. Two cars are parked on the street.
    Charles Simonds. Still from Mythologies, 1974. From Thomas Lanigan-Schmidt, James Biederman, Charles Simonds, Artists Space, 1974. [A black and white film still of an apartment building, taken from the street. In front of the building is a sculpted landscape of rolling green grass. Two cars are parked on the street.]
    Caption Charles Simonds. Still from Mythologies, 1974. From Thomas Lanigan-Schmidt, James Biederman, Charles Simonds, Artists Space, 1974.
    Image description A black and white film still of an apartment building, taken from the street. In front of the building is a sculpted landscape of rolling green grass. Two cars are parked on the street.
    Year 1974
    Related pages Thomas Lanigan Schmidt, James Biederman, Charles Simonds
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A green star featuring the image of a figure with their hands up and the text
    A green star featuring the image of a figure with their hands up and the text
    Shani Strand, R.I.P. He Deserves It, 2026, 10 min 32 seconds, Video and sound. [A green star featuring the image of a figure with their hands up and the text "Colonization / in REVERSE" is superimposed on top of an image of a figure standing in a parking lot, which has been reflected four times.]
    Caption Shani Strand, R.I.P. He Deserves It, 2026, 10 min 32 seconds, Video and sound.
    Image description A green star featuring the image of a figure with their hands up and the text "Colonization / in REVERSE" is superimposed on top of an image of a figure standing in a parking lot, which has been reflected four times.
    Year
    Related pages Shani Strand: Everything Must Be Returned
  • Caption
    Image description
    Year
    Related pages David Armstrong: Portraits
  • A girl lays on a dark background. She wears a white leotard. Her arms are stretched straight out on either side, with her palms facing upwards. She gazes upwards, illuminated by a soft light.
    A girl lays on a dark background. She wears a white leotard. Her arms are stretched straight out on either side, with her palms facing upwards. She gazes upwards, illuminated by a soft light.
    Sarah Michelson. Devotion, 2011. Photo: Paula Court. [A girl lays on a dark background. She wears a white leotard. Her arms are stretched straight out on either side, with her palms facing upwards. She gazes upwards, illuminated by a soft light.]
    Caption Sarah Michelson. Devotion, 2011. Photo: Paula Court.
    Image description A girl lays on a dark background. She wears a white leotard. Her arms are stretched straight out on either side, with her palms facing upwards. She gazes upwards, illuminated by a soft light.
    Year 2011
    Related pages Performing Institution
  • Poster design featuring a white background and red text, listing a number of talks and workshops conducted by Sylvère Lotringer, John Rajchman, Arthur Danto, James Fessenden, Jean-François Lyotard, Robert Fine, Joel Kovel, François Péradldi, William Burroughs, Félix Guattari, Michel Foucault, John Cage, Ti Grace Atkinson, and Gilles Deleuze.
    Poster design featuring a white background and red text, listing a number of talks and workshops conducted by Sylvère Lotringer, John Rajchman, Arthur Danto, James Fessenden, Jean-François Lyotard, Robert Fine, Joel Kovel, François Péradldi, William Burroughs, Félix Guattari, Michel Foucault, John Cage, Ti Grace Atkinson, and Gilles Deleuze.
    Poster for Schizo-Culture Colloquium. November 13 – 16, 1975, Columbia University. [Poster design featuring a white background and red text, listing a number of talks and workshops conducted by Sylvère Lotringer, John Rajchman, Arthur Danto, James Fessenden, Jean-François Lyotard, Robert Fine, Joel Kovel, François Péradldi, William Burroughs, Félix Guattari, Michel Foucault, John Cage, Ti Grace Atkinson, and Gilles Deleuze.]
    Caption Poster for Schizo-Culture Colloquium. November 13 – 16, 1975, Columbia University.
    Image description Poster design featuring a white background and red text, listing a number of talks and workshops conducted by Sylvère Lotringer, John Rajchman, Arthur Danto, James Fessenden, Jean-François Lyotard, Robert Fine, Joel Kovel, François Péradldi, William Burroughs, Félix Guattari, Michel Foucault, John Cage, Ti Grace Atkinson, and Gilles Deleuze.
    Year 1975
    Related pages Semiotext(e): The Return of Schizo-Culture
  • Three female mannequins arranged in front of five hanging timelines marked 2002-2006. The first mannequin sits in a chair and is wearing a golden shirt and black skirt with a towel tossed over its shoulder. The second wears several scarf chokers, a shirt cut in two pieces resembling an
    Three female mannequins arranged in front of five hanging timelines marked 2002-2006. The first mannequin sits in a chair and is wearing a golden shirt and black skirt with a towel tossed over its shoulder. The second wears several scarf chokers, a shirt cut in two pieces resembling an
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Three female mannequins arranged in front of five hanging timelines marked 2002-2006. The first mannequin sits in a chair and is wearing a golden shirt and black skirt with a towel tossed over its shoulder. The second wears several scarf chokers, a shirt cut in two pieces resembling an "x", and gray jeans accessorized with two button pins and large thigh cutouts. The third wears an Adidas jersey decorated with a "bc" logo and black baggy pants.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Three female mannequins arranged in front of five hanging timelines marked 2002-2006. The first mannequin sits in a chair and is wearing a golden shirt and black skirt with a towel tossed over its shoulder. The second wears several scarf chokers, a shirt cut in two pieces resembling an "x", and gray jeans accessorized with two button pins and large thigh cutouts. The third wears an Adidas jersey decorated with a "bc" logo and black baggy pants.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • LaToya Ruby Frazier, A Message In Nestle Water Bottles from Shea Cobb and Amber Hasan at Sussex Drive and West Pierson Road, Flint, MI, 2017/2023, set of three archival pigment prints on Canson Platine Fibre Rag, 16 x 24 inches (40.6 x 61 cm)
    Caption LaToya Ruby Frazier, A Message In Nestle Water Bottles from Shea Cobb and Amber Hasan at Sussex Drive and West Pierson Road, Flint, MI, 2017/2023, set of three archival pigment prints on Canson Platine Fibre Rag, 16 x 24 inches (40.6 x 61 cm)
    Image description
    Year
    Related pages Artists Fund
  • A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of a man with tan skin and facial hair, wearing aviators, talking to a soldier.
    A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of a man with tan skin and facial hair, wearing aviators, talking to a soldier.
    Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of a man with tan skin and facial hair, wearing aviators, talking to a soldier.]
    Caption Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez.
    Image description A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of a man with tan skin and facial hair, wearing aviators, talking to a soldier.
    Year 2014
    Related pages Laura Poitras: 9/11 Trilogy
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A moving image of a person, dressed in black, side stepping slowly in the gallery as the camera pans over to them.
    A moving image of a person, dressed in black, side stepping slowly in the gallery as the camera pans over to them.
    Excerpt from Hito Stereyl, Guards, 2012, HD video on freestanding screen with sound, 20 mins. Courtesy of the artist and Andrew Kreps, New York. [A moving image of a person, dressed in black, side stepping slowly in the gallery as the camera pans over to them.]
    Caption Excerpt from Hito Stereyl, Guards, 2012, HD video on freestanding screen with sound, 20 mins. Courtesy of the artist and Andrew Kreps, New York.
    Image description A moving image of a person, dressed in black, side stepping slowly in the gallery as the camera pans over to them.
    Year 2012
    Related pages Hito Steyerl
  • A postcard showing an image of sheets of paper, books, chains, a teapot, and other assorted objects on a checkerboard.
    A postcard showing an image of sheets of paper, books, chains, a teapot, and other assorted objects on a checkerboard.
    Carol Sun, Herstory, 1991. Acrylic on canvas, 100 x 76 inches. [A postcard showing an image of sheets of paper, books, chains, a teapot, and other assorted objects on a checkerboard.]
    Caption Carol Sun, Herstory, 1991. Acrylic on canvas, 100 x 76 inches.
    Image description A postcard showing an image of sheets of paper, books, chains, a teapot, and other assorted objects on a checkerboard.
    Year 1991
    Related pages The China Mary Series
  • Black text overlays a white background. The top left corner reads: S*an D. Henry-Smith / Joey Yearous-Algozin. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, March 26, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5.
    Black text overlays a white background. The top left corner reads: S*an D. Henry-Smith / Joey Yearous-Algozin. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, March 26, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5.
    Flyer for Segue Reading Series featuring S*an D. Henry-Smith and Joey Yearous-Algozin. March 26, 2022, Artists Space. [Black text overlays a white background. The top left corner reads: S*an D. Henry-Smith / Joey Yearous-Algozin. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, March 26, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5."]
    Caption Flyer for Segue Reading Series featuring S*an D. Henry-Smith and Joey Yearous-Algozin. March 26, 2022, Artists Space.
    Image description Black text overlays a white background. The top left corner reads: S*an D. Henry-Smith / Joey Yearous-Algozin. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, March 26, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5."
    Year
    Related pages Segue Reading Series: S*an D. Henry-Smith & Joey Yearous-Algozin
  • In the left foreground of the image is a painting of a shark standing upright in water and in the right background of the image is a large, orange stuffed slug sculpture strapped to a cast-iron column in a white gallery space.
    In the left foreground of the image is a painting of a shark standing upright in water and in the right background of the image is a large, orange stuffed slug sculpture strapped to a cast-iron column in a white gallery space.
    Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez [In the left foreground of the image is a painting of a shark standing upright in water and in the right background of the image is a large, orange stuffed slug sculpture strapped to a cast-iron column in a white gallery space.]
    Caption Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez
    Image description In the left foreground of the image is a painting of a shark standing upright in water and in the right background of the image is a large, orange stuffed slug sculpture strapped to a cast-iron column in a white gallery space.
    Year 2020
    Related pages Jana Euler
  • Sepia toned image of a figure leaning over and biting the neck and shoulder of another figure that leans back, their face contorted in pain.
    Sepia toned image of a figure leaning over and biting the neck and shoulder of another figure that leans back, their face contorted in pain.
    Masao Adachi, Galaxy, 1967 [Sepia toned image of a figure leaning over and biting the neck and shoulder of another figure that leans back, their face contorted in pain.]
    Caption Masao Adachi, Galaxy, 1967
    Image description Sepia toned image of a figure leaning over and biting the neck and shoulder of another figure that leans back, their face contorted in pain.
    Year
    Related pages Yasunao Tone Film Screening #3
  • Caption
    Image description
    Year
    Related pages 2020Solidarity Wade Guyton
  • A dense crowd of people surrond a casket being carried into the back of a hearse.
    A dense crowd of people surrond a casket being carried into the back of a hearse.
    Keith J. Sanborn, A Public Appearance and a Statement, 1987. 18.5 minutes, 3/4" (original format 16mm), black and white. Film still. [A dense crowd of people surrond a casket being carried into the back of a hearse.]
    Caption Keith J. Sanborn, A Public Appearance and a Statement, 1987. 18.5 minutes, 3/4" (original format 16mm), black and white. Film still.
    Image description A dense crowd of people surrond a casket being carried into the back of a hearse.
    Year 1987
    Related pages Document and Dream
  • A large screen in a dark room, showing an image of a pair of bare legs from the knees down.
    A large screen in a dark room, showing an image of a pair of bare legs from the knees down.
    The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich. [A large screen in a dark room, showing an image of a pair of bare legs from the knees down.]
    Caption The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich.
    Image description A large screen in a dark room, showing an image of a pair of bare legs from the knees down.
    Year 2008
    Related pages The New Normal
  • White text on a bright fuchsia background. The text reads: “Nov 1 / Terrence Arjoon / Laura Henriksen.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    White text on a bright fuchsia background. The text reads: “Nov 1 / Terrence Arjoon / Laura Henriksen.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [White text on a bright fuchsia background. The text reads: “Nov 1 / Terrence Arjoon / Laura Henriksen.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description White text on a bright fuchsia background. The text reads: “Nov 1 / Terrence Arjoon / Laura Henriksen.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Terrence Arjoon & Laura Henriksen
  • Caption
    Image description
    Year
    Related pages Exhibitions and Events
  • Black text on an orange background. The text reads: “Nov 2 / Latasha N. Nevada Diggs / Modesto Flako Jimenez.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on an orange background. The text reads: “Nov 2 / Latasha N. Nevada Diggs / Modesto Flako Jimenez.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on an orange background. The text reads: “Nov 2 / Latasha N. Nevada Diggs / Modesto Flako Jimenez.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on an orange background. The text reads: “Nov 2 / Latasha N. Nevada Diggs / Modesto Flako Jimenez.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: LaTasha N. Nevada Diggs & Modesto Flako Jimenez
  • Black and white photograph of white picket fence with dark painted background behind it.
    Black and white photograph of white picket fence with dark painted background behind it.
    Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Candice Hill-Montgomery. [Black and white photograph of white picket fence with dark painted background behind it.]
    Caption Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Candice Hill-Montgomery.
    Image description Black and white photograph of white picket fence with dark painted background behind it.
    Year 1979
    Related pages Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A digital print of four books with annotated notes on each side.
    A digital print of four books with annotated notes on each side.
    Adjua Gargi Nzinga Greaves, CONTEXT, 2021. Chromogenic print with pigment ink pen, 41 ½ x 41 ½ inches. Courtesy Artists Space, New York. Photo: Filip Wolak [A digital print of four books with annotated notes on each side.]
    Caption Adjua Gargi Nzinga Greaves, CONTEXT, 2021. Chromogenic print with pigment ink pen, 41 ½ x 41 ½ inches. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A digital print of four books with annotated notes on each side.
    Year 2021
    Related pages Adjua Gargi Nzinga Greaves
  • Caption
    Image description
    Year
    Related pages THE SECOND ANNUAL CONFERENCE ABOUT ARTIST-CURATED EXHIBITIONS
  • Color image of a bird sculpture placed in an ornately decorated room.
    Color image of a bird sculpture placed in an ornately decorated room.
    Yasunao Tone, Molecular Music, 1984-85 [Color image of a bird sculpture placed in an ornately decorated room.]
    Caption Yasunao Tone, Molecular Music, 1984-85
    Image description Color image of a bird sculpture placed in an ornately decorated room.
    Year
    Related pages Yasunao Tone Film Screening #5
  • An abstract painting littered with dots, black shapes and line forms.
    An abstract painting littered with dots, black shapes and line forms.
    Lee Mullican, Four Musicians, 1984. [An abstract painting littered with dots, black shapes and line forms.]
    Caption Lee Mullican, Four Musicians, 1984.
    Image description An abstract painting littered with dots, black shapes and line forms.
    Year
    Related pages Moderns in Mind
  • Collage project on mapping and migration
    Caption Collage project on mapping and migration
    Image description
    Year
    Related pages Listening to the LES
  • Three glass vitrines displaying books, photographs, and other paper ephemera in the center of a gallery space. A film is being projected on the back wall of the exhibition space.
    Three glass vitrines displaying books, photographs, and other paper ephemera in the center of a gallery space. A film is being projected on the back wall of the exhibition space.
    She Who Is: Adrienne Kennedy and the Drama of Difference. Installation view, Artists Space, February 29 – September 19, 2020. Photo: Filip Wolak. [Three glass vitrines displaying books, photographs, and other paper ephemera in the center of a gallery space. A film is being projected on the back wall of the exhibition space.]
    Caption She Who Is: Adrienne Kennedy and the Drama of Difference. Installation view, Artists Space, February 29 – September 19, 2020. Photo: Filip Wolak.
    Image description Three glass vitrines displaying books, photographs, and other paper ephemera in the center of a gallery space. A film is being projected on the back wall of the exhibition space.
    Year 2020
    Related pages She Who Is: Adrienne Kennedy and the Drama of Difference
  • An adult sits in a chair and reads a book to a child seated on their lap and holding a doll. The adult wears wears a white, pointed, Klu Klux Klan-style hood.
    An adult sits in a chair and reads a book to a child seated on their lap and holding a doll. The adult wears wears a white, pointed, Klu Klux Klan-style hood.
    Lee Gordon, Father Reading to Son, 1987. Oil on white lead on canvas, 32 x 40 inches. [An adult sits in a chair and reads a book to a child seated on their lap and holding a doll. The adult wears wears a white, pointed, Klu Klux Klan-style hood.]
    Caption Lee Gordon, Father Reading to Son, 1987. Oil on white lead on canvas, 32 x 40 inches.
    Image description An adult sits in a chair and reads a book to a child seated on their lap and holding a doll. The adult wears wears a white, pointed, Klu Klux Klan-style hood.
    Year 1987
    Related pages Post-Boys&Girls: Nine Painters
  • Close up of two figures standing before a set of music stands, their hands turning the pages of a script. They gaze at each other while the figure on the right speaks, their arm raised towards their chest in a small gesture. This figure wears glasses and an elaborate, gold and black collar piece.
    Close up of two figures standing before a set of music stands, their hands turning the pages of a script. They gaze at each other while the figure on the right speaks, their arm raised towards their chest in a small gesture. This figure wears glasses and an elaborate, gold and black collar piece.
    The Owl Answers. Performance documentation, February 29, 2020, Artists Space. Photo ©️ 2020 Filip Wolak. [Close up of two figures standing before a set of music stands, their hands turning the pages of a script. They gaze at each other while the figure on the right speaks, their arm raised towards their chest in a small gesture. This figure wears glasses and an elaborate, gold and black collar piece.]
    Caption The Owl Answers. Performance documentation, February 29, 2020, Artists Space. Photo ©️ 2020 Filip Wolak.
    Image description Close up of two figures standing before a set of music stands, their hands turning the pages of a script. They gaze at each other while the figure on the right speaks, their arm raised towards their chest in a small gesture. This figure wears glasses and an elaborate, gold and black collar piece.
    Year 2020
    Related pages The Owl Answers
  • Magazine cut-outs and ink drawings are collaged together on a background of yellow, orange, pink, blue, and red paper. Small pieces of paper with red typewritten text listing the performers and event details are scattered around the flyer.
    Magazine cut-outs and ink drawings are collaged together on a background of yellow, orange, pink, blue, and red paper. Small pieces of paper with red typewritten text listing the performers and event details are scattered around the flyer.
    Flyer by Joe Frivaldi [Magazine cut-outs and ink drawings are collaged together on a background of yellow, orange, pink, blue, and red paper. Small pieces of paper with red typewritten text listing the performers and event details are scattered around the flyer.]
    Caption Flyer by Joe Frivaldi
    Image description Magazine cut-outs and ink drawings are collaged together on a background of yellow, orange, pink, blue, and red paper. Small pieces of paper with red typewritten text listing the performers and event details are scattered around the flyer.
    Year
    Related pages Abasement #84
  • A large sculptural abstract black object standing upright on the gallery floor behind a white wall.
    A large sculptural abstract black object standing upright on the gallery floor behind a white wall.
    Selections from the Artists File. Installation View, Artists Space, October 1, 1987 - October 31, 1987. [A large sculptural abstract black object standing upright on the gallery floor behind a white wall.]
    Caption Selections from the Artists File. Installation View, Artists Space, October 1, 1987 - October 31, 1987.
    Image description A large sculptural abstract black object standing upright on the gallery floor behind a white wall.
    Year
    Related pages Selections from the Artists File
  • Dark blue text overlays red-pink background. The text reads: “March 11 / Yuko Otomo / Ed Steck.
    Dark blue text overlays red-pink background. The text reads: “March 11 / Yuko Otomo / Ed Steck.
    [Dark blue text overlays red-pink background. The text reads: “March 11 / Yuko Otomo / Ed Steck." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description Dark blue text overlays red-pink background. The text reads: “March 11 / Yuko Otomo / Ed Steck." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year 2023
    Related pages Segue Reading Series: Yuko Otomo & Ed Steck
  • Photographs mounted to black backgrounds are hung up in a row on a white wall.
    Photographs mounted to black backgrounds are hung up in a row on a white wall.
    Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979. [Photographs mounted to black backgrounds are hung up in a row on a white wall.]
    Caption Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979.
    Image description Photographs mounted to black backgrounds are hung up in a row on a white wall.
    Year 1979
    Related pages Patricia Hearst - A Second Reading
  • Color image of an old wooden cabinet, with the doors open revealing various objects placed on the shelves including: a black kettle, a glass jar with eggshells, a white bust, a clock, a fire alarm, a book, Comet bleach, and empty glass bottles
    Color image of an old wooden cabinet, with the doors open revealing various objects placed on the shelves including: a black kettle, a glass jar with eggshells, a white bust, a clock, a fire alarm, a book, Comet bleach, and empty glass bottles
    Photo: Elisheva Gavra, Courtesy of the artist. [Color image of an old wooden cabinet, with the doors open revealing various objects placed on the shelves including: a black kettle, a glass jar with eggshells, a white bust, a clock, a fire alarm, a book, Comet bleach, and empty glass bottles]
    Caption Photo: Elisheva Gavra, Courtesy of the artist.
    Image description Color image of an old wooden cabinet, with the doors open revealing various objects placed on the shelves including: a black kettle, a glass jar with eggshells, a white bust, a clock, a fire alarm, a book, Comet bleach, and empty glass bottles
    Year
    Related pages Char Jeré: Zoo or an Orchestra
  • Color photograph of a figure wearing a conical sheath of reflective one-way mirror film. They stand in the corner of a dark room, shining a bright light against the wall behind them. Their silhouette can be vaguely seen under the mirror film.
    Color photograph of a figure wearing a conical sheath of reflective one-way mirror film. They stand in the corner of a dark room, shining a bright light against the wall behind them. Their silhouette can be vaguely seen under the mirror film.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure wearing a conical sheath of reflective one-way mirror film. They stand in the corner of a dark room, shining a bright light against the wall behind them. Their silhouette can be vaguely seen under the mirror film.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a figure wearing a conical sheath of reflective one-way mirror film. They stand in the corner of a dark room, shining a bright light against the wall behind them. Their silhouette can be vaguely seen under the mirror film.
    Year 2022
    Related pages keyon gaskin 12-16
  • A figure in a blue denim shirt wearing headphones sits at a dining room table cluttered with papers, bowls of fruit, and colorful candles. The figure's back faces the viewer. A bright and rocky, arid landscape is visible through the many windows that line the walls of the dining room.
    A figure in a blue denim shirt wearing headphones sits at a dining room table cluttered with papers, bowls of fruit, and colorful candles. The figure's back faces the viewer. A bright and rocky, arid landscape is visible through the many windows that line the walls of the dining room.
    [A figure in a blue denim shirt wearing headphones sits at a dining room table cluttered with papers, bowls of fruit, and colorful candles. The figure's back faces the viewer. A bright and rocky, arid landscape is visible through the many windows that line the walls of the dining room.]
    Caption
    Image description A figure in a blue denim shirt wearing headphones sits at a dining room table cluttered with papers, bowls of fruit, and colorful candles. The figure's back faces the viewer. A bright and rocky, arid landscape is visible through the many windows that line the walls of the dining room.
    Year 2014
    Related pages Macho Man, Tell It To My Heart: Collected by Julia Ault - Film and Video Program
  • Gritty street wall background with a white poster on it with black text that reads,
    Gritty street wall background with a white poster on it with black text that reads,
    Jenny Holzer. Maxim Poster, 1982. [Gritty street wall background with a white poster on it with black text that reads, "ABUSE OF POWER SHOULD COME AS NO SURPRISE / ALIENATION CAN PRODUCE ECCENTRICS OR REVOLUTIONARIES / AN ELITE IS INEVITABLE / ANGER OR HATE CAN BE A USEFUL MOTIVATING FORCE / ANY SURPLUS IS IMMORAL / DISGUST IS THE APPROPRIATE RESPONSE TO MOST SITUATIONS / EVERYONE'S WORK IS EQUALLY IMPORTANT / EXCEPTIONAL PEOPLE DESERVE SPECIAL CONCESSIONS / FAITHFULNESS IS A SOCIAL NOT A BIOLOGICAL LAW / FREEDOM IS A LUXURY NOT A NECESSITY / GOVERNMENT IS A BURDEN ON THE PEOPLE / HUMANISM IS OBSOLETE / IDEALS ARE EVENTUALLY REPLACED BY CONVENTIONAL GOALS / INHERITANCE MUST BE ABOLISHED / KILLING IS UNAVOIDABLE BUT IS NOTHING TO BE PROUD OF / LABOR IS A LIFE-DESTROYING ACTIVITY / MONEY CREATES TASTE / MORALS ARE FOR LITTLE PEOPLE / MOST PEOPLE ARE NOT FIT TO RULE THEMSELVES / MOSTLY YOU SHOULD MIND YOUR OWN BUSINESS / MUCH WAS DECIDED BEFORE YOU WERE BORN / MURDER HAS ITS SEXUAL SIDE / PAIN CAN BE A VERY POSITIVE THING / PEOPLE ARE NUTS IF THEY THINK THEY CONTROL THEIR LIVES / PEOPLE WHO DON'T WORK WITH THEIR HANDS ARE PARASITES / PEOPLE WHO GO CRAZY ARE TOO SENSITIVE / PEOPLE WON'T BEHAVE IF THEY HAVE NOTHING TO LOSE / PLAYING IT SAFE CAN CAUSE A LOT OF DAMAGE / PRIVATE OWNERSHIP IS AN INVITATION TO DISASTER / ROMANTIC LOVE WAS INVENTED TO MANIPULATE WOMEN / SELFISHNESS IS THE MOST BASIC MOTIVATION / SEPARATISM IS THE WAY TO A NEW  BEGINNING / SEX DIFFERENCES ARE HERE TO STAY / STARVATION IS NATURE'S WAY / STERLIZIZATION IS OFTEN JUSTIFIED / STUPID PEOPLE SHOULDN'T BREED / TECHNOLOGY WILL MAKE OR BRAKE US / THE FAMILY IS LIVING ON BORROWED TIME / THE LAND BELONGS TO NO ONE / TIMIDITY IS LAUGHABLE / TORTURE IS HORRIBLE AND EXCITING / TRADING A LIFE FOR A LIFE IS FAIR ENOUGH / UNIQUE THINGS MUST BE  THE MOST VALUABLE / YOU DIG YOUR OWN GRAVE / YOU MUST REMEMBER YOU HAVE FREEDOM OF CHOICE."]
    Caption Jenny Holzer. Maxim Poster, 1982.
    Image description Gritty street wall background with a white poster on it with black text that reads, "ABUSE OF POWER SHOULD COME AS NO SURPRISE / ALIENATION CAN PRODUCE ECCENTRICS OR REVOLUTIONARIES / AN ELITE IS INEVITABLE / ANGER OR HATE CAN BE A USEFUL MOTIVATING FORCE / ANY SURPLUS IS IMMORAL / DISGUST IS THE APPROPRIATE RESPONSE TO MOST SITUATIONS / EVERYONE'S WORK IS EQUALLY IMPORTANT / EXCEPTIONAL PEOPLE DESERVE SPECIAL CONCESSIONS / FAITHFULNESS IS A SOCIAL NOT A BIOLOGICAL LAW / FREEDOM IS A LUXURY NOT A NECESSITY / GOVERNMENT IS A BURDEN ON THE PEOPLE / HUMANISM IS OBSOLETE / IDEALS ARE EVENTUALLY REPLACED BY CONVENTIONAL GOALS / INHERITANCE MUST BE ABOLISHED / KILLING IS UNAVOIDABLE BUT IS NOTHING TO BE PROUD OF / LABOR IS A LIFE-DESTROYING ACTIVITY / MONEY CREATES TASTE / MORALS ARE FOR LITTLE PEOPLE / MOST PEOPLE ARE NOT FIT TO RULE THEMSELVES / MOSTLY YOU SHOULD MIND YOUR OWN BUSINESS / MUCH WAS DECIDED BEFORE YOU WERE BORN / MURDER HAS ITS SEXUAL SIDE / PAIN CAN BE A VERY POSITIVE THING / PEOPLE ARE NUTS IF THEY THINK THEY CONTROL THEIR LIVES / PEOPLE WHO DON'T WORK WITH THEIR HANDS ARE PARASITES / PEOPLE WHO GO CRAZY ARE TOO SENSITIVE / PEOPLE WON'T BEHAVE IF THEY HAVE NOTHING TO LOSE / PLAYING IT SAFE CAN CAUSE A LOT OF DAMAGE / PRIVATE OWNERSHIP IS AN INVITATION TO DISASTER / ROMANTIC LOVE WAS INVENTED TO MANIPULATE WOMEN / SELFISHNESS IS THE MOST BASIC MOTIVATION / SEPARATISM IS THE WAY TO A NEW  BEGINNING / SEX DIFFERENCES ARE HERE TO STAY / STARVATION IS NATURE'S WAY / STERLIZIZATION IS OFTEN JUSTIFIED / STUPID PEOPLE SHOULDN'T BREED / TECHNOLOGY WILL MAKE OR BRAKE US / THE FAMILY IS LIVING ON BORROWED TIME / THE LAND BELONGS TO NO ONE / TIMIDITY IS LAUGHABLE / TORTURE IS HORRIBLE AND EXCITING / TRADING A LIFE FOR A LIFE IS FAIR ENOUGH / UNIQUE THINGS MUST BE  THE MOST VALUABLE / YOU DIG YOUR OWN GRAVE / YOU MUST REMEMBER YOU HAVE FREEDOM OF CHOICE."
    Year
    Related pages Eating Friends
  • Caption
    Image description
    Year
    Related pages Brad Kronz
  • A bends at the waist, resting their head on the side of a television monitor. The monitor's screen shows two figures, facing away from the camera.
    A bends at the waist, resting their head on the side of a television monitor. The monitor's screen shows two figures, facing away from the camera.
    Artists Performance Series. Installation view, Artists Space, 1977. [A bends at the waist, resting their head on the side of a television monitor. The monitor's screen shows two figures, facing away from the camera.]
    Caption Artists Performance Series. Installation view, Artists Space, 1977.
    Image description A bends at the waist, resting their head on the side of a television monitor. The monitor's screen shows two figures, facing away from the camera.
    Year 1977
    Related pages Artists Performance Series
  • A darkened gallery room with several standing lights pointing to illuminate a corner. In the corner, a figure stands, wearing a coat and a hat with her hands in her pockets, facing away from the camera. She is framed by an empty metal stand.
    A darkened gallery room with several standing lights pointing to illuminate a corner. In the corner, a figure stands, wearing a coat and a hat with her hands in her pockets, facing away from the camera. She is framed by an empty metal stand.
    Beech Forest. Performance view, Artists Space, 2007. [A darkened gallery room with several standing lights pointing to illuminate a corner. In the corner, a figure stands, wearing a coat and a hat with her hands in her pockets, facing away from the camera. She is framed by an empty metal stand.]
    Caption Beech Forest. Performance view, Artists Space, 2007.
    Image description A darkened gallery room with several standing lights pointing to illuminate a corner. In the corner, a figure stands, wearing a coat and a hat with her hands in her pockets, facing away from the camera. She is framed by an empty metal stand.
    Year 2007
    Related pages When Time Becomes Form: Beech Forest
  • Color photograph of two figures preparing to perform. In the foreground, out of focus, is the side profile of a figure playing a white keyboard, with music sheets in front of them. To the right, in focus, another figure sits on a wooden chair, eyes closed in concentration and behind a microphone stand.
    Color photograph of two figures preparing to perform. In the foreground, out of focus, is the side profile of a figure playing a white keyboard, with music sheets in front of them. To the right, in focus, another figure sits on a wooden chair, eyes closed in concentration and behind a microphone stand.
    Shala Miller performs Genesis: Medley at Artists Space, co-presented with Frieze New York 2023. Performance documentation, May 19th. Photo by Vanessa Diaz/CKA. Courtesy of Frieze. [Color photograph of two figures preparing to perform. In the foreground, out of focus, is the side profile of a figure playing a white keyboard, with music sheets in front of them. To the right, in focus, another figure sits on a wooden chair, eyes closed in concentration and behind a microphone stand.]
    Caption Shala Miller performs Genesis: Medley at Artists Space, co-presented with Frieze New York 2023. Performance documentation, May 19th. Photo by Vanessa Diaz/CKA. Courtesy of Frieze.
    Image description Color photograph of two figures preparing to perform. In the foreground, out of focus, is the side profile of a figure playing a white keyboard, with music sheets in front of them. To the right, in focus, another figure sits on a wooden chair, eyes closed in concentration and behind a microphone stand.
    Year 2023
    Related pages Genesis: Medley
  • Frame photographs and text hang on the wall in a gallery space.
    Frame photographs and text hang on the wall in a gallery space.
    Pool Show. Installation view, Artists Space, 1980. [Frame photographs and text hang on the wall in a gallery space.]
    Caption Pool Show. Installation view, Artists Space, 1980.
    Image description Frame photographs and text hang on the wall in a gallery space.
    Year
    Related pages Pool Show
  • Three black-and-white photographs of a young Ralston Farina, mounted on a black wall, hang above a display case.
    Three black-and-white photographs of a young Ralston Farina, mounted on a black wall, hang above a display case.
    Ralston Farina: Time // Time. Installation view, Artists Space, 2025. Photo: Carter Seddon. [Three black-and-white photographs of a young Ralston Farina, mounted on a black wall, hang above a display case.]
    Caption Ralston Farina: Time // Time. Installation view, Artists Space, 2025. Photo: Carter Seddon.
    Image description Three black-and-white photographs of a young Ralston Farina, mounted on a black wall, hang above a display case.
    Year
    Related pages Ralston Farina: Time // Time
  • Sculpted boots appear wih leaves on a leaf-covered section of the floor surrounded by a picket fence. In the background a white door opens up with a stack behind it. Nearby tree branches and other rustic constructions populate the gallery space.
    Sculpted boots appear wih leaves on a leaf-covered section of the floor surrounded by a picket fence. In the background a white door opens up with a stack behind it. Nearby tree branches and other rustic constructions populate the gallery space.
    Installation view from Six Sculptors, Artists Space, January 25 ,1986 - February 22, 1986. [Sculpted boots appear wih leaves on a leaf-covered section of the floor surrounded by a picket fence. In the background a white door opens up with a stack behind it. Nearby tree branches and other rustic constructions populate the gallery space.]
    Caption Installation view from Six Sculptors, Artists Space, January 25 ,1986 - February 22, 1986.
    Image description Sculpted boots appear wih leaves on a leaf-covered section of the floor surrounded by a picket fence. In the background a white door opens up with a stack behind it. Nearby tree branches and other rustic constructions populate the gallery space.
    Year
    Related pages Six Sculptors
  • A white wall in a dimly lit room is illuminated in patterns by circles of light.
    A white wall in a dimly lit room is illuminated in patterns by circles of light.
    Amalle Dublon & Constantina Zavitsanos, a composition of waters (adjusted to fit), 2018. Photo: Daniel Pérez. [A white wall in a dimly lit room is illuminated in patterns by circles of light.]
    Caption Amalle Dublon & Constantina Zavitsanos, a composition of waters (adjusted to fit), 2018. Photo: Daniel Pérez.
    Image description A white wall in a dimly lit room is illuminated in patterns by circles of light.
    Year 2018
    Related pages Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff
  • A color photo of several individuals seated at banquet-style dining tables. Individuals are clapping and looking around the large reception space.
    A color photo of several individuals seated at banquet-style dining tables. Individuals are clapping and looking around the large reception space.
    The Founders Dinner, 2019. [A color photo of several individuals seated at banquet-style dining tables. Individuals are clapping and looking around the large reception space.]
    Caption The Founders Dinner, 2019.
    Image description A color photo of several individuals seated at banquet-style dining tables. Individuals are clapping and looking around the large reception space.
    Year 2019
    Related pages Support
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Caption
    Image description
    Year
    Related pages Abasement #79
  • A slide of a painting of a pyramid of stairs with a ladder extending upwards, connected to several gold mountains by a railroad track.
    A slide of a painting of a pyramid of stairs with a ladder extending upwards, connected to several gold mountains by a railroad track.
    Carol Sun, Journey to Gold Mountain. [A slide of a painting of a pyramid of stairs with a ladder extending upwards, connected to several gold mountains by a railroad track.]
    Caption Carol Sun, Journey to Gold Mountain.
    Image description A slide of a painting of a pyramid of stairs with a ladder extending upwards, connected to several gold mountains by a railroad track.
    Year 1993
    Related pages The China Mary Series
  • Two black and white images of the faces of two women projected side-by-side. The woman on the left is in profile and appears to speak in both frames, while the woman to her right appears to glance towards her companion in the first frame, and speak in the second.
    Two black and white images of the faces of two women projected side-by-side. The woman on the left is in profile and appears to speak in both frames, while the woman to her right appears to glance towards her companion in the first frame, and speak in the second.
    OUTER AND INNER SPACE. Andy Warhol, 1965. 16mm film (sound, black and white, double-screen projection), 33 minutes. [Two black and white images of the faces of two women projected side-by-side. The woman on the left is in profile and appears to speak in both frames, while the woman to her right appears to glance towards her companion in the first frame, and speak in the second.]
    Caption OUTER AND INNER SPACE. Andy Warhol, 1965. 16mm film (sound, black and white, double-screen projection), 33 minutes.
    Image description Two black and white images of the faces of two women projected side-by-side. The woman on the left is in profile and appears to speak in both frames, while the woman to her right appears to glance towards her companion in the first frame, and speak in the second.
    Year 1965
    Related pages In The Poem About Love You Don't Write The Word Love Film Series at Anthology Film Archives
  • Black-and-white print featuring multiple photographs of a naked body, spotlighted against a black background and collaged together. Flashes of white light across the print obscure parts of the image, bringing the body in and out of focus.
    Black-and-white print featuring multiple photographs of a naked body, spotlighted against a black background and collaged together. Flashes of white light across the print obscure parts of the image, bringing the body in and out of focus.
    Shala Miller, Modern-Day Sisyphus I, 2023. Courtesy the artist [Black-and-white print featuring multiple photographs of a naked body, spotlighted against a black background and collaged together. Flashes of white light across the print obscure parts of the image, bringing the body in and out of focus.]
    Caption Shala Miller, Modern-Day Sisyphus I, 2023. Courtesy the artist
    Image description Black-and-white print featuring multiple photographs of a naked body, spotlighted against a black background and collaged together. Flashes of white light across the print obscure parts of the image, bringing the body in and out of focus.
    Year
    Related pages Shala Miller, Malcolm Peacock, Amiri Baraka
  • A black and white photograph of a black pipe sticking through a large white shape coming from a large book. A wrinkled curtain is visible behind the construction.
    A black and white photograph of a black pipe sticking through a large white shape coming from a large book. A wrinkled curtain is visible behind the construction.
    William Harvey, Pipe Dream, 1985. [A black and white photograph of a black pipe sticking through a large white shape coming from a large book. A wrinkled curtain is visible behind the construction.]
    Caption William Harvey, Pipe Dream, 1985.
    Image description A black and white photograph of a black pipe sticking through a large white shape coming from a large book. A wrinkled curtain is visible behind the construction.
    Year
    Related pages Six Sculptors
  • A black and white photograph of a large constructed rock dome in a galelry space.
    A black and white photograph of a large constructed rock dome in a galelry space.
    Gerome Kamrowski. Paintings on the Surface of a Dome, 1960. [A black and white photograph of a large constructed rock dome in a galelry space.]
    Caption Gerome Kamrowski. Paintings on the Surface of a Dome, 1960.
    Image description A black and white photograph of a large constructed rock dome in a galelry space.
    Year
    Related pages Moderns in Mind
  • Several artworks sit in a dimly lit gallery space, illuminated by light from an open gallery window. Three video monitors are installed on plinths to the left of the image. In front of them and closest to the viewer, an overturned cardboard box rests on the floor. To the left, a stool-like structure sits on a plinth illuminated by a bright overhead light. Behind this structure, a series of small works on paper are displayed on a gallery wall.
    Several artworks sit in a dimly lit gallery space, illuminated by light from an open gallery window. Three video monitors are installed on plinths to the left of the image. In front of them and closest to the viewer, an overturned cardboard box rests on the floor. To the left, a stool-like structure sits on a plinth illuminated by a bright overhead light. Behind this structure, a series of small works on paper are displayed on a gallery wall.
    Salad Days 3. Installation view, Artists Space, 2008. Photo: Jeremy Ross. [Several artworks sit in a dimly lit gallery space, illuminated by light from an open gallery window. Three video monitors are installed on plinths to the left of the image. In front of them and closest to the viewer, an overturned cardboard box rests on the floor. To the left, a stool-like structure sits on a plinth illuminated by a bright overhead light. Behind this structure, a series of small works on paper are displayed on a gallery wall.]
    Caption Salad Days 3. Installation view, Artists Space, 2008. Photo: Jeremy Ross.
    Image description Several artworks sit in a dimly lit gallery space, illuminated by light from an open gallery window. Three video monitors are installed on plinths to the left of the image. In front of them and closest to the viewer, an overturned cardboard box rests on the floor. To the left, a stool-like structure sits on a plinth illuminated by a bright overhead light. Behind this structure, a series of small works on paper are displayed on a gallery wall.
    Year 2008
    Related pages Salad Days 3
  • Color photograph of a framed artwork. Various images of people, the sun, and other objects are cut-out and in red ink over them are japanese characters.
    Color photograph of a framed artwork. Various images of people, the sun, and other objects are cut-out and in red ink over them are japanese characters.
    Yasunao Tone: Region of Paramedia. Installation view (Social Eclipse, 1997), Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a framed artwork. Various images of people, the sun, and other objects are cut-out and in red ink over them are japanese characters.]
    Caption Yasunao Tone: Region of Paramedia. Installation view (Social Eclipse, 1997), Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photograph of a framed artwork. Various images of people, the sun, and other objects are cut-out and in red ink over them are japanese characters.
    Year 2023
    Related pages Yasunao Tone: Region of Paramedia
  • A mostly black-and-white image depicting the façades of two buildings - one is light grey with a turquoise fire escape, and the other is dark grey with a black fire escape. On the lighter building, the street-level storefront says
    A mostly black-and-white image depicting the façades of two buildings - one is light grey with a turquoise fire escape, and the other is dark grey with a black fire escape. On the lighter building, the street-level storefront says
    Shayla Aviles, Untitled, 2018 [A mostly black-and-white image depicting the façades of two buildings - one is light grey with a turquoise fire escape, and the other is dark grey with a black fire escape. On the lighter building, the street-level storefront says "Mazeish"]
    Caption Shayla Aviles, Untitled, 2018
    Image description A mostly black-and-white image depicting the façades of two buildings - one is light grey with a turquoise fire escape, and the other is dark grey with a black fire escape. On the lighter building, the street-level storefront says "Mazeish"
    Year 2018
    Related pages Scholastic Art and Writing Awards
  • A simple graphic of words forming the shape of a triangle reads,
    A simple graphic of words forming the shape of a triangle reads,
    [A simple graphic of words forming the shape of a triangle reads, "A NEW SYMBOL PROPOSED & PROJECTED INSIDE THIS SPACE IS (LIKE EVERY LOGO) ALL SURFACE: A BUBBLE BLOWN AROUND NOTHING INFLATED TO BURSTING POINT BY THE LAZY ASSUMPTION THAT WHAT WE LOOK LIKE IS WHO WE ARE IN OTHER WORDS, 'IDENTITY' = IDENTITY."]
    Caption
    Image description A simple graphic of words forming the shape of a triangle reads, "A NEW SYMBOL PROPOSED & PROJECTED INSIDE THIS SPACE IS (LIKE EVERY LOGO) ALL SURFACE: A BUBBLE BLOWN AROUND NOTHING INFLATED TO BURSTING POINT BY THE LAZY ASSUMPTION THAT WHAT WE LOOK LIKE IS WHO WE ARE IN OTHER WORDS, 'IDENTITY' = IDENTITY."
    Year 2011
    Related pages Dexter Sinister: "Identity"
  • Two women in dresses and matching shoes are splayed up against a screen with their arms raised. There is an image projected over them, with a white background and black geometric pattern, and two splotches of red over their bodies.
    Two women in dresses and matching shoes are splayed up against a screen with their arms raised. There is an image projected over them, with a white background and black geometric pattern, and two splotches of red over their bodies.
    [Two women in dresses and matching shoes are splayed up against a screen with their arms raised. There is an image projected over them, with a white background and black geometric pattern, and two splotches of red over their bodies.]
    Caption
    Image description Two women in dresses and matching shoes are splayed up against a screen with their arms raised. There is an image projected over them, with a white background and black geometric pattern, and two splotches of red over their bodies.
    Year 2007
    Related pages Things Will End Before They Start
  • A gallery wall painted pink with a window in the middle. On the windowsill are several potted plants. Works on paper and a collage are hung on the wall.
    A gallery wall painted pink with a window in the middle. On the windowsill are several potted plants. Works on paper and a collage are hung on the wall.
    Adjua Gargi Nzinga Greaves: The x in florxal is silent when spoken. Installation view, Artists Space, 2021. Photo: Filip Wolak. Courtesy Artists Space, New York. [A gallery wall painted pink with a window in the middle. On the windowsill are several potted plants. Works on paper and a collage are hung on the wall.]
    Caption Adjua Gargi Nzinga Greaves: The x in florxal is silent when spoken. Installation view, Artists Space, 2021. Photo: Filip Wolak. Courtesy Artists Space, New York.
    Image description A gallery wall painted pink with a window in the middle. On the windowsill are several potted plants. Works on paper and a collage are hung on the wall.
    Year 2021
    Related pages Adjua Gargi Nzinga Greaves
  • A brown paper bag, opened and placed at an angle, with colored pencil illustrations of a balding man wearing sunglasses and a blue collared shirt, face slightly covered by a translucent red figurative silhouette, and along the other side of the bag, a white daisy with a long green stem.
    A brown paper bag, opened and placed at an angle, with colored pencil illustrations of a balding man wearing sunglasses and a blue collared shirt, face slightly covered by a translucent red figurative silhouette, and along the other side of the bag, a white daisy with a long green stem.
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A brown paper bag, opened and placed at an angle, with colored pencil illustrations of a balding man wearing sunglasses and a blue collared shirt, face slightly covered by a translucent red figurative silhouette, and along the other side of the bag, a white daisy with a long green stem.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description A brown paper bag, opened and placed at an angle, with colored pencil illustrations of a balding man wearing sunglasses and a blue collared shirt, face slightly covered by a translucent red figurative silhouette, and along the other side of the bag, a white daisy with a long green stem.
    Year 2017
    Related pages Unholding
  • A film projector is set up in the middle of a darkened room, facing a blank wall. A rectangular grey image is projected onto the wall. A group of seated spectators are backlit by the projected image.
    A film projector is set up in the middle of a darkened room, facing a blank wall. A rectangular grey image is projected onto the wall. A group of seated spectators are backlit by the projected image.
    A film by Michael Asher. Documentation, January 23rd, 2025, Artists Space. Photo: John Miller. [A film projector is set up in the middle of a darkened room, facing a blank wall. A rectangular grey image is projected onto the wall. A group of seated spectators are backlit by the projected image.]
    Caption A film by Michael Asher. Documentation, January 23rd, 2025, Artists Space. Photo: John Miller.
    Image description A film projector is set up in the middle of a darkened room, facing a blank wall. A rectangular grey image is projected onto the wall. A group of seated spectators are backlit by the projected image.
    Year
    Related pages A film by Michael Asher
  • Video still of a figure laying on their back on top of an overturned, white table on a small stage area. They stretch their legs straight up above themselves. They wear a pink dress with black tulle fabric and brown boots. Scattered papers are strewn around them onstage.
    Video still of a figure laying on their back on top of an overturned, white table on a small stage area. They stretch their legs straight up above themselves. They wear a pink dress with black tulle fabric and brown boots. Scattered papers are strewn around them onstage.
    [Video still of a figure laying on their back on top of an overturned, white table on a small stage area. They stretch their legs straight up above themselves. They wear a pink dress with black tulle fabric and brown boots. Scattered papers are strewn around them onstage.]
    Caption
    Image description Video still of a figure laying on their back on top of an overturned, white table on a small stage area. They stretch their legs straight up above themselves. They wear a pink dress with black tulle fabric and brown boots. Scattered papers are strewn around them onstage.
    Year 2004
    Related pages eRacism
  • Caption
    Image description
    Year
    Related pages Dream Lines: Drawings by Marian Zazeela
  • Caption
    Image description
    Year
    Related pages Membership
  • Blue descending text reads,
    Blue descending text reads,
    [Blue descending text reads, "Ri, ch, ard." Red descending text reads, "Ho, llis."]
    Caption
    Image description Blue descending text reads, "Ri, ch, ard." Red descending text reads, "Ho, llis."
    Year 2013
    Related pages Richard Hollis
  • Two people in white face paint and fanciful dresses crowd around a crudely constructed wooden desk that sits off-kilter. One sits at the desk and applies makeup while the other stands to their left, gazing beyond the image.
    Two people in white face paint and fanciful dresses crowd around a crudely constructed wooden desk that sits off-kilter. One sits at the desk and applies makeup while the other stands to their left, gazing beyond the image.
    Adrienne Kennedy, Funnyhouse of a Negro, 1964 (East End Theater, New York, directed by Michael Kahn, produced by Barr, WIlder, and Albee). Pictured: Ellen Holly and Cynthia Belgrave. Photo: Frederick Eberstadt. [Two people in white face paint and fanciful dresses crowd around a crudely constructed wooden desk that sits off-kilter. One sits at the desk and applies makeup while the other stands to their left, gazing beyond the image.]
    Caption Adrienne Kennedy, Funnyhouse of a Negro, 1964 (East End Theater, New York, directed by Michael Kahn, produced by Barr, WIlder, and Albee). Pictured: Ellen Holly and Cynthia Belgrave. Photo: Frederick Eberstadt.
    Image description Two people in white face paint and fanciful dresses crowd around a crudely constructed wooden desk that sits off-kilter. One sits at the desk and applies makeup while the other stands to their left, gazing beyond the image.
    Year 1964
    Related pages She Who Is: Adrienne Kennedy and the Drama of Difference
  • Two figures in medical scrubs stare into the distance.
    Two figures in medical scrubs stare into the distance.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York. [Two figures in medical scrubs stare into the distance.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York.
    Image description Two figures in medical scrubs stare into the distance.
    Year
    Related pages Grandmother Cindy
  • Video still of a figure in glasses wearing a pink dress with black tulle fabric on a small stage. An overturned, white table is siutated to their right, and papers are strewn across the ground. The figure hunches over, looking out towards the audience. Their left hand is bent at their chest and points upwards, while their right hand touches the back of their head.
    Video still of a figure in glasses wearing a pink dress with black tulle fabric on a small stage. An overturned, white table is siutated to their right, and papers are strewn across the ground. The figure hunches over, looking out towards the audience. Their left hand is bent at their chest and points upwards, while their right hand touches the back of their head.
    [Video still of a figure in glasses wearing a pink dress with black tulle fabric on a small stage. An overturned, white table is siutated to their right, and papers are strewn across the ground. The figure hunches over, looking out towards the audience. Their left hand is bent at their chest and points upwards, while their right hand touches the back of their head.]
    Caption
    Image description Video still of a figure in glasses wearing a pink dress with black tulle fabric on a small stage. An overturned, white table is siutated to their right, and papers are strewn across the ground. The figure hunches over, looking out towards the audience. Their left hand is bent at their chest and points upwards, while their right hand touches the back of their head.
    Year 2004
    Related pages eRacism
  • Caption
    Image description
    Year
    Related pages David Armstrong: Portraits
  • A free-standing wall with paintings on it is placed in the middle of a gallery. Iron columns run down the center of the gallery, and in the background past the wall is a christmas tree decorated with lights.
    A free-standing wall with paintings on it is placed in the middle of a gallery. Iron columns run down the center of the gallery, and in the background past the wall is a christmas tree decorated with lights.
    Nandi Loaf, Aristotelis Nikolas Mochloulis, rio nagaoka, Sydney Schrader. Installation view, Artists Space, 2025. Photo: Carter Seddon [A free-standing wall with paintings on it is placed in the middle of a gallery. Iron columns run down the center of the gallery, and in the background past the wall is a christmas tree decorated with lights.]
    Caption Nandi Loaf, Aristotelis Nikolas Mochloulis, rio nagaoka, Sydney Schrader. Installation view, Artists Space, 2025. Photo: Carter Seddon
    Image description A free-standing wall with paintings on it is placed in the middle of a gallery. Iron columns run down the center of the gallery, and in the background past the wall is a christmas tree decorated with lights.
    Year
    Related pages Nandi Loaf Aristotelis Nikolas Mochloulis rio nagaoka Sydney Schrader
  • A black and white photograph of gray benches with black on top, the front one with legs the back one without. Tape appears on the top of the image.
    A black and white photograph of gray benches with black on top, the front one with legs the back one without. Tape appears on the top of the image.
    Bonnie Rycheck. Elegantly Contained, 1986. [A black and white photograph of gray benches with black on top, the front one with legs the back one without. Tape appears on the top of the image.]
    Caption Bonnie Rycheck. Elegantly Contained, 1986.
    Image description A black and white photograph of gray benches with black on top, the front one with legs the back one without. Tape appears on the top of the image.
    Year
    Related pages Selections from the Artists File
  • Black text on a grey background. The text reads: “Feb 14 / Paul McMahon / Linda Mary Montano.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on a grey background. The text reads: “Feb 14 / Paul McMahon / Linda Mary Montano.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on a grey background. The text reads: “Feb 14 / Paul McMahon / Linda Mary Montano.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on a grey background. The text reads: “Feb 14 / Paul McMahon / Linda Mary Montano.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Paul McMahon & Linda Mary Montano
  • Figurative paintings hang on adjacent walls in white-walled gallery space.
    Figurative paintings hang on adjacent walls in white-walled gallery space.
    Group Exhibition. Installation view, Artists Space, 1981. Photo credit: Anne Turyn. [Figurative paintings hang on adjacent walls in white-walled gallery space.]
    Caption Group Exhibition. Installation view, Artists Space, 1981. Photo credit: Anne Turyn.
    Image description Figurative paintings hang on adjacent walls in white-walled gallery space.
    Year
    Related pages Group Exhibition
  • Toile curtains gather around the gallery window, producing a soft, glowing white light. Four black and white photographs hang across from the windows, receding into space.
    Toile curtains gather around the gallery window, producing a soft, glowing white light. Four black and white photographs hang across from the windows, receding into space.
    David Armstrong: Portraits. Installation view, March 10 – May 23, 2026, Artists Space. Photo: Carter Seddon [Toile curtains gather around the gallery window, producing a soft, glowing white light. Four black and white photographs hang across from the windows, receding into space. ]
    Caption David Armstrong: Portraits. Installation view, March 10 – May 23, 2026, Artists Space. Photo: Carter Seddon
    Image description Toile curtains gather around the gallery window, producing a soft, glowing white light. Four black and white photographs hang across from the windows, receding into space.
    Year
    Related pages David Armstrong: Portraits
  • A blue and teal book cover depicting the title and author against a flat background.
    A blue and teal book cover depicting the title and author against a flat background.
    Michael Bullock, Roman Catholic Jacuzzi (New York: Karma Publishing, 2012). [A blue and teal book cover depicting the title and author against a flat background.]
    Caption Michael Bullock, Roman Catholic Jacuzzi (New York: Karma Publishing, 2012).
    Image description A blue and teal book cover depicting the title and author against a flat background.
    Year 2012
    Related pages Roman Catholic Jacuzzi
  • White text on a black screen reads: “An additional interpreter was needed to translate my father’s Korean into English.”
    White text on a black screen reads: “An additional interpreter was needed to translate my father’s Korean into English.”
    Caroline Key. Still from Speech Memory, 2007. 16mm film on video, color, sound; 23 minutes. Courtesy the artist. [White text on a black screen reads: “An additional interpreter was needed to translate my father’s Korean into English.”]
    Caption Caroline Key. Still from Speech Memory, 2007. 16mm film on video, color, sound; 23 minutes. Courtesy the artist.
    Image description White text on a black screen reads: “An additional interpreter was needed to translate my father’s Korean into English.”
    Year 2007
    Related pages Whitney ISP Archive
  • Two unframed paintings are hung on a foldable room divider in a gallery. The larger painting depicts the interior of a classroom with four ambiguous figures. The smaller painting shows a man poised mid-dance.
    Two unframed paintings are hung on a foldable room divider in a gallery. The larger painting depicts the interior of a classroom with four ambiguous figures. The smaller painting shows a man poised mid-dance.
    Lukas Duwenhögger: Undoolay. Installation view, Artists Space, 2016. Photo credit: Jean Vong. [Two unframed paintings are hung on a foldable room divider in a gallery. The larger painting depicts the interior of a classroom with four ambiguous figures. The smaller painting shows a man poised mid-dance.]
    Caption Lukas Duwenhögger: Undoolay. Installation view, Artists Space, 2016. Photo credit: Jean Vong.
    Image description Two unframed paintings are hung on a foldable room divider in a gallery. The larger painting depicts the interior of a classroom with four ambiguous figures. The smaller painting shows a man poised mid-dance.
    Year 2016
    Related pages Lukas Duwenhögger: Undoolay
  • Book cover featuring a black background, and a sculpture resembling a cross, with the word
    Book cover featuring a black background, and a sculpture resembling a cross, with the word
    Cover of Lonnie Holley, Rizzoli Electa, 2025. [Book cover featuring a black background, and a sculpture resembling a cross, with the word "MITH" engraved into a block of stone. In the top right corner of the cover bold text reads "Lonnie Holley."]
    Caption Cover of Lonnie Holley, Rizzoli Electa, 2025.
    Image description Book cover featuring a black background, and a sculpture resembling a cross, with the word "MITH" engraved into a block of stone. In the top right corner of the cover bold text reads "Lonnie Holley."
    Year
    Related pages Lonnie Holley
  • In the foreground of the installation view is a corridor wall with a large black and white drawing of farm architecture and in the background are monitor based works as well as sculptures of a skateboard on a pedestal and red crates of cola bottles.
    In the foreground of the installation view is a corridor wall with a large black and white drawing of farm architecture and in the background are monitor based works as well as sculptures of a skateboard on a pedestal and red crates of cola bottles.
    New Economy. Installation view, Artists Space, 2007. [In the foreground of the installation view is a corridor wall with a large black and white drawing of farm architecture and in the background are monitor based works as well as sculptures of a skateboard on a pedestal and red crates of cola bottles.]
    Caption New Economy. Installation view, Artists Space, 2007.
    Image description In the foreground of the installation view is a corridor wall with a large black and white drawing of farm architecture and in the background are monitor based works as well as sculptures of a skateboard on a pedestal and red crates of cola bottles.
    Year
    Related pages New Economy
  • Cave of Animals, Listening Room project, May 2024
    Caption Cave of Animals, Listening Room project, May 2024
    Image description
    Year
    Related pages Exhibitions and Events
  • Nine musicians sitting side by side at tables use electronic instruments. The wall behind them is covered with blue tinted lights. There are a few audience members visible in the foreground.
    Nine musicians sitting side by side at tables use electronic instruments. The wall behind them is covered with blue tinted lights. There are a few audience members visible in the foreground.
    Abasement #72. Performance documentation, October 7th, 2024, Artists Space. Photo: Joshua Wildman. [Nine musicians sitting side by side at tables use electronic instruments. The wall behind them is covered with blue tinted lights. There are a few audience members visible in the foreground.]
    Caption Abasement #72. Performance documentation, October 7th, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Nine musicians sitting side by side at tables use electronic instruments. The wall behind them is covered with blue tinted lights. There are a few audience members visible in the foreground.
    Year
    Related pages Abasement #72
  • Several figures stand along a wall. One figure, seated, uses a computer at a small round table.
    Several figures stand along a wall. One figure, seated, uses a computer at a small round table.
    Eiko Ishibashi: Two New York Nights. Performance documentation, June 8, 2022, 8pm. Artists Space, New York. [Several figures stand along a wall. One figure, seated, uses a computer at a small round table.]
    Caption Eiko Ishibashi: Two New York Nights. Performance documentation, June 8, 2022, 8pm. Artists Space, New York.
    Image description Several figures stand along a wall. One figure, seated, uses a computer at a small round table.
    Year
    Related pages Eiko Ishibashi in Concert
  • An abstract, black and white geometric image.
    An abstract, black and white geometric image.
    Union Gaucha Produtions, still from Phantom Limb, 1998. Courtesy Union Gaucha Productions. [An abstract, black and white geometric image.]
    Caption Union Gaucha Produtions, still from Phantom Limb, 1998. Courtesy Union Gaucha Productions.
    Image description An abstract, black and white geometric image.
    Year 1998
    Related pages Phantom Limb with music performance by Lukas Ligeti
  • Black text at the top of a white background reads,
    Black text at the top of a white background reads,
    ‘MoRADE Seeks Positive Action’ poster. Design by Richard Hollis, 1968. Courtesy Richard Hollis [Black text at the top of a white background reads, "At Guilford 40 part-time staff have been dismissed, 7 full-time staff suspended, 5 full-time staff threatened, some students are in danger of being refused readmission. Hornsey is to stay closed for six weeks; Haringey has asked local authorities to pay grants monthly." Red text at the bottom reads, "MoRADE seeks positive action."]
    Caption ‘MoRADE Seeks Positive Action’ poster. Design by Richard Hollis, 1968. Courtesy Richard Hollis
    Image description Black text at the top of a white background reads, "At Guilford 40 part-time staff have been dismissed, 7 full-time staff suspended, 5 full-time staff threatened, some students are in danger of being refused readmission. Hornsey is to stay closed for six weeks; Haringey has asked local authorities to pay grants monthly." Red text at the bottom reads, "MoRADE seeks positive action."
    Year 1968
    Related pages Richard Hollis
  • A view of five vitrines, displaying various documents, arranged in columns in the middle of a room. On either wall, book cases used for display.
    A view of five vitrines, displaying various documents, arranged in columns in the middle of a room. On either wall, book cases used for display.
    Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A view of five vitrines, displaying various documents, arranged in columns in the middle of a room. On either wall, book cases used for display.]
    Caption Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description A view of five vitrines, displaying various documents, arranged in columns in the middle of a room. On either wall, book cases used for display.
    Year 2013
    Related pages Documenting Cadere: 1972 - 1978
  • M.S. 324 Grade 7 Threads of History students with Teaching Artist, Esperanza Cortés and M.S. 324 Science teacher Mary Guerrero, June 2021
    Caption M.S. 324 Grade 7 Threads of History students with Teaching Artist, Esperanza Cortés and M.S. 324 Science teacher Mary Guerrero, June 2021
    Image description
    Year 2021
    Related pages Threads of History
  • White text overlays a green and sandw background. The text reads: “April 22 / Adjua Gargi Nzinga Greaves / Alexis Pauline Gumbs.
    White text overlays a green and sandw background. The text reads: “April 22 / Adjua Gargi Nzinga Greaves / Alexis Pauline Gumbs.
    [White text overlays a green and sandw background. The text reads: “April 22 / Adjua Gargi Nzinga Greaves / Alexis Pauline Gumbs." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description White text overlays a green and sandw background. The text reads: “April 22 / Adjua Gargi Nzinga Greaves / Alexis Pauline Gumbs." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year
    Related pages Segue Reading Series: Adjua Gargi Nzinga Greaves & Alexis Pauline Gumbs
  • Two men wearing identical white shirts and blue jeans crouch outdoors at night. The figure on the right grasps two tree branches with both hands. His pants have been dropped to the ground and he sticks his bare rear out. The second figure on the left is fully clothed and crouches behind the other figure, shining a flashlight at his rear end.
    Two men wearing identical white shirts and blue jeans crouch outdoors at night. The figure on the right grasps two tree branches with both hands. His pants have been dropped to the ground and he sticks his bare rear out. The second figure on the left is fully clothed and crouches behind the other figure, shining a flashlight at his rear end.
    Dave Burns, SEACH FOR TRUTH, 2003. Digital photograph, archival light jet print. Courtesy the artist. [Two men wearing identical white shirts and blue jeans crouch outdoors at night. The figure on the right grasps two tree branches with both hands. His pants have been dropped to the ground and he sticks his bare rear out. The second figure on the left is fully clothed and crouches behind the other figure, shining a flashlight at his rear end.]
    Caption Dave Burns, SEACH FOR TRUTH, 2003. Digital photograph, archival light jet print. Courtesy the artist.
    Image description Two men wearing identical white shirts and blue jeans crouch outdoors at night. The figure on the right grasps two tree branches with both hands. His pants have been dropped to the ground and he sticks his bare rear out. The second figure on the left is fully clothed and crouches behind the other figure, shining a flashlight at his rear end.
    Year 2005
    Related pages Log Cabin
  • Two suits of armor face one another, with a medieval-style battle scene in the background. The words
    Two suits of armor face one another, with a medieval-style battle scene in the background. The words
    Ken Aptekar, Fuck Me? Fuck You, 1990. Oil on wood, sandblasted glass, bolts, polyptych, 60 x 60 inches overall. [Two suits of armor face one another, with a medieval-style battle scene in the background. The words "FUCK ME? FUCK YOU FUCK ME? FUCK YOU" form a circle on top of the scene.]
    Caption Ken Aptekar, Fuck Me? Fuck You, 1990. Oil on wood, sandblasted glass, bolts, polyptych, 60 x 60 inches overall.
    Image description Two suits of armor face one another, with a medieval-style battle scene in the background. The words "FUCK ME? FUCK YOU FUCK ME? FUCK YOU" form a circle on top of the scene.
    Year 1990
    Related pages Post-Boys&Girls: Nine Painters
  • Close-up image of a peep hole installed in a light mauve wall. Through the peep hole, a figure wearing a blue shirt and black pants is visible in profile. Their image is warped by the surface of the peep hole, swirling and reflecting around the hole.
    Close-up image of a peep hole installed in a light mauve wall. Through the peep hole, a figure wearing a blue shirt and black pants is visible in profile. Their image is warped by the surface of the peep hole, swirling and reflecting around the hole.
    Julianne Swartz, Line Drawing, 2002. Site-specific installation, dimensions variable. [Close-up image of a peep hole installed in a light mauve wall. Through the peep hole, a figure wearing a blue shirt and black pants is visible in profile. Their image is warped by the surface of the peep hole, swirling and reflecting around the hole.]
    Caption Julianne Swartz, Line Drawing, 2002. Site-specific installation, dimensions variable.
    Image description Close-up image of a peep hole installed in a light mauve wall. Through the peep hole, a figure wearing a blue shirt and black pants is visible in profile. Their image is warped by the surface of the peep hole, swirling and reflecting around the hole.
    Year 2003
    Related pages Main Space = Project Spaces
  • Caption
    Image description
    Year
    Related pages Abasement #83
  • An installation view of two rows of photographic portraits tacked to the walls. In the background is a red, white and black print that says
    An installation view of two rows of photographic portraits tacked to the walls. In the background is a red, white and black print that says
    New Economy. Installation view, Artists Space, 2007. [An installation view of two rows of photographic portraits tacked to the walls. In the background is a red, white and black print that says "Imagine that capitalist revelations are overcome by local economic federations of grassroots groups that produce according to regional demand."]
    Caption New Economy. Installation view, Artists Space, 2007.
    Image description An installation view of two rows of photographic portraits tacked to the walls. In the background is a red, white and black print that says "Imagine that capitalist revelations are overcome by local economic federations of grassroots groups that produce according to regional demand."
    Year
    Related pages New Economy
  • Caption
    Image description
    Year
    Related pages Joo-Hyun Kim, Ted Rees, Oki Sogumi
  • A woman in a white dress with gold bracelets and red lipstick leans against a tree. Her left arms rests on a tree branch, and her right hand is on her hip.
    A woman in a white dress with gold bracelets and red lipstick leans against a tree. Her left arms rests on a tree branch, and her right hand is on her hip.
    Film Still for Leave Her to Heaven, 1945. [A woman in a white dress with gold bracelets and red lipstick leans against a tree. Her left arms rests on a tree branch, and her right hand is on her hip.]
    Caption Film Still for Leave Her to Heaven, 1945.
    Image description A woman in a white dress with gold bracelets and red lipstick leans against a tree. Her left arms rests on a tree branch, and her right hand is on her hip.
    Year 1945
    Related pages Leave Her to Heaven
  • A white book cover with black text in English and Hindi.
    A white book cover with black text in English and Hindi.
    Ed. Mario Pfeifer, A Formal Film In Nine Episodes, Prologue and Epilogue – A Critical Reader (Spector Books, 2013). [A white book cover with black text in English and Hindi.]
    Caption Ed. Mario Pfeifer, A Formal Film In Nine Episodes, Prologue and Epilogue – A Critical Reader (Spector Books, 2013).
    Image description A white book cover with black text in English and Hindi.
    Year 2013
    Related pages 1-800-SUC-CESS
  • Caption
    Image description
    Year
    Related pages BRIDGE Photography
  • A yellowish image of a fireplace with paintings, a mirror and a TV monitor next to a line of text that reads:
    A yellowish image of a fireplace with paintings, a mirror and a TV monitor next to a line of text that reads:
    Louise Lawler. Installation View. Artists Space, 1986 [A yellowish image of a fireplace with paintings, a mirror and a TV monitor next to a line of text that reads: "Once there was a little boy and everything turned out alright. The End."]
    Caption Louise Lawler. Installation View. Artists Space, 1986
    Image description A yellowish image of a fireplace with paintings, a mirror and a TV monitor next to a line of text that reads: "Once there was a little boy and everything turned out alright. The End."
    Year 1984
    Related pages The Fairy Tale: Politics, Desire, and Everyday Life
  • A close up black and white image of a slide projection with two figures.
    A close up black and white image of a slide projection with two figures.
    Daniel Tilsdale. Still from Contacts, Ponytails, Noses and Bleach, 1988. Graphite on Xerox (presented in slide format). [A close up black and white image of a slide projection with two figures.]
    Caption Daniel Tilsdale. Still from Contacts, Ponytails, Noses and Bleach, 1988. Graphite on Xerox (presented in slide format).
    Image description A close up black and white image of a slide projection with two figures.
    Year 1988
    Related pages Too Black, Too Strong!
  • Color photograph of a figure dressed in white, laying down on a window ledge facing the street. They raise on arm up and a white light shines from their pelvic area.
    Color photograph of a figure dressed in white, laying down on a window ledge facing the street. They raise on arm up and a white light shines from their pelvic area.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure dressed in white, laying down on a window ledge facing the street. They raise on arm up and a white light shines from their pelvic area.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a figure dressed in white, laying down on a window ledge facing the street. They raise on arm up and a white light shines from their pelvic area.
    Year 2022
    Related pages keyon gaskin 12-14
  • A woman holding a large blue bag. To her right, vertical black text reads,
    A woman holding a large blue bag. To her right, vertical black text reads,
    [A woman holding a large blue bag. To her right, vertical black text reads, "HAUST."]
    Caption
    Image description A woman holding a large blue bag. To her right, vertical black text reads, "HAUST."
    Year
    Related pages Haust
  • Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 20 / Imani Elizabeth Jackson / Emily Simon.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 20 / Imani Elizabeth Jackson / Emily Simon.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 20 / Imani Elizabeth Jackson / Emily Simon.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 20 / Imani Elizabeth Jackson / Emily Simon.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Imani Elizabeth Jackson & Emily Simon
  • A black and white video still of a painting hanging on a decorative wall. The image in the painting has been burned and is illegibly white.
    A black and white video still of a painting hanging on a decorative wall. The image in the painting has been burned and is illegibly white.
    Union Gaucha Productions in collaboration with Fabio Kacero. Still from Totloop, 2003. 16mm film (silent, color), 4 min 49 sec. Courtesy of Union Gaucha Productions. [A black and white video still of a painting hanging on a decorative wall. The image in the painting has been burned and is illegibly white.]
    Caption Union Gaucha Productions in collaboration with Fabio Kacero. Still from Totloop, 2003. 16mm film (silent, color), 4 min 49 sec. Courtesy of Union Gaucha Productions.
    Image description A black and white video still of a painting hanging on a decorative wall. The image in the painting has been burned and is illegibly white.
    Year 2003
    Related pages Union Gaucha Productions
  • A black and white close-up image of an adolescent girl, smiling at the camera. She is holding up a scrub brush in one hand and a bottle of Soft Scrub in the other and is wearing a bathrobe and a shower cap.
    A black and white close-up image of an adolescent girl, smiling at the camera. She is holding up a scrub brush in one hand and a bottle of Soft Scrub in the other and is wearing a bathrobe and a shower cap.
    Mindy Faber. Still from Identity Crisis, 1989. 3 min. Photo: Micki McGee. [A black and white close-up image of an adolescent girl, smiling at the camera. She is holding up a scrub brush in one hand and a bottle of Soft Scrub in the other and is wearing a bathrobe and a shower cap.]
    Caption Mindy Faber. Still from Identity Crisis, 1989. 3 min. Photo: Micki McGee.
    Image description A black and white close-up image of an adolescent girl, smiling at the camera. She is holding up a scrub brush in one hand and a bottle of Soft Scrub in the other and is wearing a bathrobe and a shower cap.
    Year 1989
    Related pages Body Language: Studies in Female Expression
  • A darkened gallery space with dark blue walls and dark blue carpeting with a large wall projection. The projection depicts a black patient in a blue hospital gown laying down on an examination table. A white doctor holds a stethoscope to the patient’s stomach.
    A darkened gallery space with dark blue walls and dark blue carpeting with a large wall projection. The projection depicts a black patient in a blue hospital gown laying down on an examination table. A white doctor holds a stethoscope to the patient’s stomach.
    Carolyn Lazard: Two-way. Installation view (Vital, 2025), Artists Space, 2025. Photo: Greg Carideo. [A darkened gallery space with dark blue walls and dark blue carpeting with a large wall projection. The projection depicts a black patient in a blue hospital gown laying down on an examination table. A white doctor holds a stethoscope to the patient’s stomach.]
    Caption Carolyn Lazard: Two-way. Installation view (Vital, 2025), Artists Space, 2025. Photo: Greg Carideo.
    Image description A darkened gallery space with dark blue walls and dark blue carpeting with a large wall projection. The projection depicts a black patient in a blue hospital gown laying down on an examination table. A white doctor holds a stethoscope to the patient’s stomach.
    Year
    Related pages Carolyn Lazard
  • On a white gallery wall, a vinyl cut out of a black cross or
    On a white gallery wall, a vinyl cut out of a black cross or
    Nandi Loaf, +, 2025 [On a white gallery wall, a vinyl cut out of a black cross or "plus-sign" sits perfectly in the center.]
    Caption Nandi Loaf, +, 2025
    Image description On a white gallery wall, a vinyl cut out of a black cross or "plus-sign" sits perfectly in the center.
    Year
    Related pages Nandi Loaf Aristotelis Nikolas Mochloulis Ricardo Nagaoka Sydney Schrader
  • A black and white image with an organic border features Jack Smith in a white cloak standing in front of a wall. To the left of him are two posters that read,
    A black and white image with an organic border features Jack Smith in a white cloak standing in front of a wall. To the left of him are two posters that read,
    Jack Smith in Jack Smith’s Fear Ritual of Shark Museum, Cologne, 1974 Photograph © Gwenn Thomas. Courtesy Exile Gallery, Berlin and Southfirst, New York Courtesy New York University, Fales Library and Special Collections [A black and white image with an organic border features Jack Smith in a white cloak standing in front of a wall. To the left of him are two posters that read, "Krone," at the top in block letters. Behind him are large, white block letters that read, "R O N." A ghost-like figure with multiple arms is pictured above him.]
    Caption Jack Smith in Jack Smith’s Fear Ritual of Shark Museum, Cologne, 1974 Photograph © Gwenn Thomas. Courtesy Exile Gallery, Berlin and Southfirst, New York Courtesy New York University, Fales Library and Special Collections
    Image description A black and white image with an organic border features Jack Smith in a white cloak standing in front of a wall. To the left of him are two posters that read, "Krone," at the top in block letters. Behind him are large, white block letters that read, "R O N." A ghost-like figure with multiple arms is pictured above him.
    Year 1974
    Related pages Jack Smith: Art Crust of Spiritual Oasis
  • Portfolio Development, Blue Sky Gallery exhibition (an homage to Virgil Abloh), June 17, 2022
    Caption Portfolio Development, Blue Sky Gallery exhibition (an homage to Virgil Abloh), June 17, 2022
    Image description
    Year
    Related pages Exhibitions and Events
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Black text overlays a color-scheme grid background. The text reads: “Jan 13 / isaiah a. hines / Elizabeth Robinson.
    Black text overlays a color-scheme grid background. The text reads: “Jan 13 / isaiah a. hines / Elizabeth Robinson.
    [Black text overlays a color-scheme grid background. The text reads: “Jan 13 / isaiah a. hines / Elizabeth Robinson." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description Black text overlays a color-scheme grid background. The text reads: “Jan 13 / isaiah a. hines / Elizabeth Robinson." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year
    Related pages Segue Reading Series: isaiah a. hines & Elizabeth Robinson
  • A drawing of various nude human figures appearing in space with a white background.
    A drawing of various nude human figures appearing in space with a white background.
    Joseph Hilton, Beside the Sleeping Guards (of Cairo) Day and Night, 1986. [A drawing of various nude human figures appearing in space with a white background.]
    Caption Joseph Hilton, Beside the Sleeping Guards (of Cairo) Day and Night, 1986.
    Image description A drawing of various nude human figures appearing in space with a white background.
    Year
    Related pages Recent Art from Chicago
  • Various abstract star-like symbols appear wih a black background.
    Various abstract star-like symbols appear wih a black background.
    Gordon Onslow-Ford, Play, 1985. [Various abstract star-like symbols appear wih a black background.]
    Caption Gordon Onslow-Ford, Play, 1985.
    Image description Various abstract star-like symbols appear wih a black background.
    Year
    Related pages Moderns in Mind
  • Image of a gallery space installed with multiple sculptures. On the right, two large painted wooden boxes by Matthew Langan-Peck are slightly open and have headphones hanging on their sides. The boxes are painted light blue with yellow shooting stars and dark blue with traffic light-esque designs, respectively. On the left, two of Ruben Ulises Rodriguez Montoya's large biomorphic sculptures, composed of found materials, hang from the ceiling. In the background, Isabelle Frances McGuire's three large pink fabric banners emblazoned with silver stars hang from ceiling to floor.
    Image of a gallery space installed with multiple sculptures. On the right, two large painted wooden boxes by Matthew Langan-Peck are slightly open and have headphones hanging on their sides. The boxes are painted light blue with yellow shooting stars and dark blue with traffic light-esque designs, respectively. On the left, two of Ruben Ulises Rodriguez Montoya's large biomorphic sculptures, composed of found materials, hang from the ceiling. In the background, Isabelle Frances McGuire's three large pink fabric banners emblazoned with silver stars hang from ceiling to floor.
    Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon. [Image of a gallery space installed with multiple sculptures. On the right, two large painted wooden boxes by Matthew Langan-Peck are slightly open and have headphones hanging on their sides. The boxes are painted light blue with yellow shooting stars and dark blue with traffic light-esque designs, respectively. On the left, two of Ruben Ulises Rodriguez Montoya's large biomorphic sculptures, composed of found materials, hang from the ceiling. In the background, Isabelle Frances McGuire's three large pink fabric banners emblazoned with silver stars hang from ceiling to floor.]
    Caption Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon.
    Image description Image of a gallery space installed with multiple sculptures. On the right, two large painted wooden boxes by Matthew Langan-Peck are slightly open and have headphones hanging on their sides. The boxes are painted light blue with yellow shooting stars and dark blue with traffic light-esque designs, respectively. On the left, two of Ruben Ulises Rodriguez Montoya's large biomorphic sculptures, composed of found materials, hang from the ceiling. In the background, Isabelle Frances McGuire's three large pink fabric banners emblazoned with silver stars hang from ceiling to floor.
    Year
    Related pages Doris Guo Matthew Langan-Peck Isabelle Frances McGuire Ruben Ulises Rodriguez Montoya
  • Photograph of one wall of a gallery. In the center of the wall are three TV flatscreens playing different synchronized videos. In front of the flatscreens is a large wooden platform with a piece of marley floor on it that can be written on. To the right on the wall is a small vitrine with a matchbox.
    Photograph of one wall of a gallery. In the center of the wall are three TV flatscreens playing different synchronized videos. In front of the flatscreens is a large wooden platform with a piece of marley floor on it that can be written on. To the right on the wall is a small vitrine with a matchbox.
    Clocking Out: Time Beyond Management. Installation view (Brendan Fernandes, A Solo Until We Can Dance Again, 2021; Sky Hopinka, In Dreams & Autumn, 2021; Kobby Adi, Whiskey, 2022), Artists Space, 2023. Photo: Greg Carideo. [Photograph of one wall of a gallery. In the center of the wall are three TV flatscreens playing different synchronized videos. In front of the flatscreens is a large wooden platform with a piece of marley floor on it that can be written on. To the right on the wall is a small vitrine with a matchbox.]
    Caption Clocking Out: Time Beyond Management. Installation view (Brendan Fernandes, A Solo Until We Can Dance Again, 2021; Sky Hopinka, In Dreams & Autumn, 2021; Kobby Adi, Whiskey, 2022), Artists Space, 2023. Photo: Greg Carideo.
    Image description Photograph of one wall of a gallery. In the center of the wall are three TV flatscreens playing different synchronized videos. In front of the flatscreens is a large wooden platform with a piece of marley floor on it that can be written on. To the right on the wall is a small vitrine with a matchbox.
    Year 2023
    Related pages Whitney Independent Study: Clocking Out: Time Beyond Management
  • An image of a glass display case, above which hang various posters and epehemera. Behind the posters is a staircase.
    An image of a glass display case, above which hang various posters and epehemera. Behind the posters is a staircase.
    Attention Line. Installation view (posters and ephemera from Other Cinema, c. 1970s-80s), Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [An image of a glass display case, above which hang various posters and epehemera. Behind the posters is a staircase.]
    Caption Attention Line. Installation view (posters and ephemera from Other Cinema, c. 1970s-80s), Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak
    Image description An image of a glass display case, above which hang various posters and epehemera. Behind the posters is a staircase.
    Year
    Related pages Attention Line
page 4 of 29