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  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Photographs hung on a wall in two rows. The top row photographs are outlined in black and show images of people inside an apartment. The bottom row photographs show people on a subway.
    Photographs hung on a wall in two rows. The top row photographs are outlined in black and show images of people inside an apartment. The bottom row photographs show people on a subway.
    Salad Days. Installation view, Artists Space, 2004. [Photographs hung on a wall in two rows. The top row photographs are outlined in black and show images of people inside an apartment. The bottom row photographs show people on a subway.]
    Caption Salad Days. Installation view, Artists Space, 2004.
    Image description Photographs hung on a wall in two rows. The top row photographs are outlined in black and show images of people inside an apartment. The bottom row photographs show people on a subway.
    Year 2004
    Related pages Salad Days
  • Two white walls are suspended on six vertical poles and are arranged so that they form a right corner. A large grid-like composition composed of many small squares is mounted on the left wall. On the right wall there are many photographs and printed video stills either mounted in grid patterns or one above the other.
    Two white walls are suspended on six vertical poles and are arranged so that they form a right corner. A large grid-like composition composed of many small squares is mounted on the left wall. On the right wall there are many photographs and printed video stills either mounted in grid patterns or one above the other.
    Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Two white walls are suspended on six vertical poles and are arranged so that they form a right corner. A large grid-like composition composed of many small squares is mounted on the left wall. On the right wall there are many photographs and printed video stills either mounted in grid patterns or one above the other.]
    Caption Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Two white walls are suspended on six vertical poles and are arranged so that they form a right corner. A large grid-like composition composed of many small squares is mounted on the left wall. On the right wall there are many photographs and printed video stills either mounted in grid patterns or one above the other.
    Year 2012
    Related pages Radical Localism: Art, Video and Culture from Pueblo Nuevo’s Mexicali Rose
  • A figure plays the saxophone into a microphone. Red and purple light are cast onto them.
    A figure plays the saxophone into a microphone. Red and purple light are cast onto them.
    Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman [A figure plays the saxophone into a microphone. Red and purple light are cast onto them.]
    Caption Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure plays the saxophone into a microphone. Red and purple light are cast onto them.
    Year 2022
    Related pages Abasement: #62
  • A dark room with a video projection on the wall and several benches. The image shows a crowd of people, some children and some adults, sitting on grass and watching a guitar player.
    A dark room with a video projection on the wall and several benches. The image shows a crowd of people, some children and some adults, sitting on grass and watching a guitar player.
    The columns held us up. Installation view, Artists Space, 2009. Photo: Adam Reich. [A dark room with a video projection on the wall and several benches. The image shows a crowd of people, some children and some adults, sitting on grass and watching a guitar player.]
    Caption The columns held us up. Installation view, Artists Space, 2009. Photo: Adam Reich.
    Image description A dark room with a video projection on the wall and several benches. The image shows a crowd of people, some children and some adults, sitting on grass and watching a guitar player.
    Year 2009
    Related pages The columns held us up
  • A black and white image of electrical towers stretching into the distance.
    A black and white image of electrical towers stretching into the distance.
    Jolene Rickard, from Corn Blue Room, 2000. [A black and white image of electrical towers stretching into the distance.]
    Caption Jolene Rickard, from Corn Blue Room, 2000.
    Image description A black and white image of electrical towers stretching into the distance.
    Year 2017
    Related pages Unholding
  • An angled view of 4 book stands perpendicular to a wall, all displaying various books, documents, and papers.
    An angled view of 4 book stands perpendicular to a wall, all displaying various books, documents, and papers.
    Richard Hollis. Installation view, Artists Space, 2013. [An angled view of 4 book stands perpendicular to a wall, all displaying various books, documents, and papers.]
    Caption Richard Hollis. Installation view, Artists Space, 2013.
    Image description An angled view of 4 book stands perpendicular to a wall, all displaying various books, documents, and papers.
    Year 2013
    Related pages Richard Hollis
  • A seven shelf, white, book case is housed full of various colorful and sized books.
    A seven shelf, white, book case is housed full of various colorful and sized books.
    The Library Vaccine. Installation view, Artists Space, 2014. [A seven shelf, white, book case is housed full of various colorful and sized books.]
    Caption The Library Vaccine. Installation view, Artists Space, 2014.
    Image description A seven shelf, white, book case is housed full of various colorful and sized books.
    Year 2014
    Related pages The Library Vaccine
  • Three panels with animal-like figure outlines appear on the floor opened out with a black background.
    Three panels with animal-like figure outlines appear on the floor opened out with a black background.
    Gerome Kamrowski. Hopeful Monster, 1980. [Three panels with animal-like figure outlines appear on the floor opened out with a black background.]
    Caption Gerome Kamrowski. Hopeful Monster, 1980.
    Image description Three panels with animal-like figure outlines appear on the floor opened out with a black background.
    Year
    Related pages Moderns in Mind
  • Image of a dimly lit basement. Along the back wall, on the right, a shadow of a figure in profile is cast onto a blue and purple projected screen.
    Image of a dimly lit basement. Along the back wall, on the right, a shadow of a figure in profile is cast onto a blue and purple projected screen.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Image of a dimly lit basement. Along the back wall, on the right, a shadow of a figure in profile is cast onto a blue and purple projected screen.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a dimly lit basement. Along the back wall, on the right, a shadow of a figure in profile is cast onto a blue and purple projected screen.
    Year 2022
    Related pages SCRAAATCH 11-18
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • An imprint of pink pursed lips on off-white ground.
    An imprint of pink pursed lips on off-white ground.
    Maggie Lee, 100 Kisses for Artists Space, 2016, Lipstick on paper, each unique 10 x 8 ½ in / 25,4 x 21,6 cm, Signed and Numbered. [An imprint of pink pursed lips on off-white ground.]
    Caption Maggie Lee, 100 Kisses for Artists Space, 2016, Lipstick on paper, each unique 10 x 8 ½ in / 25,4 x 21,6 cm, Signed and Numbered.
    Image description An imprint of pink pursed lips on off-white ground.
    Year 2017
    Related pages Artists Space Annual Edition Portfolio 2017
  • Photographs hang on a white wall. On the left, two black and white portraits are stacked vertically. In the center, a row of five color photographs includes a person sitting in a lounge chair and a person in a hospital bed. On the right, the edge of a painting in visible.
    Photographs hang on a white wall. On the left, two black and white portraits are stacked vertically. In the center, a row of five color photographs includes a person sitting in a lounge chair and a person in a hospital bed. On the right, the edge of a painting in visible.
    Works by Philip-Lorca diCorcia. Witnesses: Against Our Vanishing. Installation view, Artists Space, 1989. [Photographs hang on a white wall. On the left, two black and white portraits are stacked vertically. In the center, a row of five color photographs includes a person sitting in a lounge chair and a person in a hospital bed. On the right, the edge of a painting in visible.]
    Caption Works by Philip-Lorca diCorcia. Witnesses: Against Our Vanishing. Installation view, Artists Space, 1989.
    Image description Photographs hang on a white wall. On the left, two black and white portraits are stacked vertically. In the center, a row of five color photographs includes a person sitting in a lounge chair and a person in a hospital bed. On the right, the edge of a painting in visible.
    Year 1989
    Related pages Witnesses: Against Our Vanishing
  • Two large, orange slug sculptures forming a circular ring shape around separate cast iron columns suspended by black elastic chords in a white walled gallery space with a square painting in the background.
    Two large, orange slug sculptures forming a circular ring shape around separate cast iron columns suspended by black elastic chords in a white walled gallery space with a square painting in the background.
    Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez. [Two large, orange slug sculptures forming a circular ring shape around separate cast iron columns suspended by black elastic chords in a white walled gallery space with a square painting in the background.]
    Caption Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez.
    Image description Two large, orange slug sculptures forming a circular ring shape around separate cast iron columns suspended by black elastic chords in a white walled gallery space with a square painting in the background.
    Year 2020
    Related pages Jana Euler
  • Caption
    Image description
    Year
    Related pages Arnold J. Kemp
  • A portrait-oriented screen is mounted on two metal floor to ceiling poles. The screen is split to show two different images of shadows on the ground. At a 90-degree angle facing left, another screen is mounted on two metal floor to ceiling poles. A third screen is visible in the background, facing away, mounted on two metal poles atop a wheeled base.
    A portrait-oriented screen is mounted on two metal floor to ceiling poles. The screen is split to show two different images of shadows on the ground. At a 90-degree angle facing left, another screen is mounted on two metal floor to ceiling poles. A third screen is visible in the background, facing away, mounted on two metal poles atop a wheeled base.
    Hilary Lloyd. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A portrait-oriented screen is mounted on two metal floor to ceiling poles. The screen is split to show two different images of shadows on the ground. At a 90-degree angle facing left, another screen is mounted on two metal floor to ceiling poles. A third screen is visible in the background, facing away, mounted on two metal poles atop a wheeled base.]
    Caption Hilary Lloyd. Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description A portrait-oriented screen is mounted on two metal floor to ceiling poles. The screen is split to show two different images of shadows on the ground. At a 90-degree angle facing left, another screen is mounted on two metal floor to ceiling poles. A third screen is visible in the background, facing away, mounted on two metal poles atop a wheeled base.
    Year 2011
    Related pages Hilary Lloyd
  • A bright yellow poster for Top Hat (1935) features a man in a black tuxedo with coattails and a woman in a long white dress with a full skirt, captured in exuberant dance atop a black top hat. Orange rays radiate from around the woman, while around them are smaller illustrated vignettes of the dancing couple in various poses amidst music notes. Text at the top of the poster reads
    A bright yellow poster for Top Hat (1935) features a man in a black tuxedo with coattails and a woman in a long white dress with a full skirt, captured in exuberant dance atop a black top hat. Orange rays radiate from around the woman, while around them are smaller illustrated vignettes of the dancing couple in various poses amidst music notes. Text at the top of the poster reads
    Poster for Top Hat, 1935. [A bright yellow poster for Top Hat (1935) features a man in a black tuxedo with coattails and a woman in a long white dress with a full skirt, captured in exuberant dance atop a black top hat. Orange rays radiate from around the woman, while around them are smaller illustrated vignettes of the dancing couple in various poses amidst music notes. Text at the top of the poster reads "They're dancing cheek-to-cheek again!" and bold type listing the featured actors' names, Fred Astaire and Ginger Rogers. The movie title is superimposed on the top hat in red type. Further film credits include Irving Berlin (music and lyrics), and supporting cast (Edward Everett Horton, Helen Broderick, Erick Rhodes, and Eric Blore), with direction by Mark Sandrich.]
    Caption Poster for Top Hat, 1935.
    Image description A bright yellow poster for Top Hat (1935) features a man in a black tuxedo with coattails and a woman in a long white dress with a full skirt, captured in exuberant dance atop a black top hat. Orange rays radiate from around the woman, while around them are smaller illustrated vignettes of the dancing couple in various poses amidst music notes. Text at the top of the poster reads "They're dancing cheek-to-cheek again!" and bold type listing the featured actors' names, Fred Astaire and Ginger Rogers. The movie title is superimposed on the top hat in red type. Further film credits include Irving Berlin (music and lyrics), and supporting cast (Edward Everett Horton, Helen Broderick, Erick Rhodes, and Eric Blore), with direction by Mark Sandrich.
    Year 1935
    Related pages Top Hat
  • Caption
    Image description
    Year
    Related pages Carolyn Lazard
  • Two rooms in a large gallery space are visible, with artworks hung on the walls and sculptures in the center of the further room.
    Two rooms in a large gallery space are visible, with artworks hung on the walls and sculptures in the center of the further room.
    Witnesses: Against Our Vanishing. Installation View, Artists Space, 1989. Photo: Frances Miller Smith. [Two rooms in a large gallery space are visible, with artworks hung on the walls and sculptures in the center of the further room.]
    Caption Witnesses: Against Our Vanishing. Installation View, Artists Space, 1989. Photo: Frances Miller Smith.
    Image description Two rooms in a large gallery space are visible, with artworks hung on the walls and sculptures in the center of the further room.
    Year 1989
    Related pages Witnesses: Against Our Vanishing
  • A small rectangle outlined in a thick black border sits inside the larger rectangle of the paper. The interior rectangle contains a cropped image of a pink colored man with his pants pulled down. In his right hand he holds a gun, pointing towards the ground against a washy abstracted black background.
    A small rectangle outlined in a thick black border sits inside the larger rectangle of the paper. The interior rectangle contains a cropped image of a pink colored man with his pants pulled down. In his right hand he holds a gun, pointing towards the ground against a washy abstracted black background.
    Carroll Dunham Untitled, 2006, 4 Color etching with aquatint, 14 1/4 x 11 inches (36.2 x 27.9 cm), Edition of 30 Signed & numbered, Edition of 30, Signed & numbered, Published by Two Palms Press. [A small rectangle outlined in a thick black border sits inside the larger rectangle of the paper. The interior rectangle contains a cropped image of a pink colored man with his pants pulled down. In his right hand he holds a gun, pointing towards the ground against a washy abstracted black background.]
    Caption Carroll Dunham Untitled, 2006, 4 Color etching with aquatint, 14 1/4 x 11 inches (36.2 x 27.9 cm), Edition of 30 Signed & numbered, Edition of 30, Signed & numbered, Published by Two Palms Press.
    Image description A small rectangle outlined in a thick black border sits inside the larger rectangle of the paper. The interior rectangle contains a cropped image of a pink colored man with his pants pulled down. In his right hand he holds a gun, pointing towards the ground against a washy abstracted black background.
    Year 2006
    Related pages Editions
  • A figure standing in front of a black square canvas in a gallery space.
    A figure standing in front of a black square canvas in a gallery space.
    Joseph Marioni pictured with his work. Installation view, Joseph Marioni, Andrew Ginzel, Barbara Schwartz, Artists Space, 1975. [A figure standing in front of a black square canvas in a gallery space.]
    Caption Joseph Marioni pictured with his work. Installation view, Joseph Marioni, Andrew Ginzel, Barbara Schwartz, Artists Space, 1975.
    Image description A figure standing in front of a black square canvas in a gallery space.
    Year 1975
    Related pages Joseph Marioni, Andrew Ginzel, Barbara Schwartz
  • A group of people sit on the floor of a dimly-lit gallery. The audience is facing towards a wall on the left side of the image where a projection of live transcription text is projected. On the right side a performer bathed in green light holds their hands together as they stand infront of a mic. The audience member in the foreground is lit with red light, as well as an exit sign on the back wall. The rest of the gallery walls are blue and purple tinted.
    A group of people sit on the floor of a dimly-lit gallery. The audience is facing towards a wall on the left side of the image where a projection of live transcription text is projected. On the right side a performer bathed in green light holds their hands together as they stand infront of a mic. The audience member in the foreground is lit with red light, as well as an exit sign on the back wall. The rest of the gallery walls are blue and purple tinted.
    Heist Divination (fwiw remix). Performance documentation, October 25th, 2024, Artists Space. Photo: Destiny Mata. [A group of people sit on the floor of a dimly-lit gallery. The audience is facing towards a wall on the left side of the image where a projection of live transcription text is projected. On the right side a performer bathed in green light holds their hands together as they stand infront of a mic. The audience member in the foreground is lit with red light, as well as an exit sign on the back wall. The rest of the gallery walls are blue and purple tinted.]
    Caption Heist Divination (fwiw remix). Performance documentation, October 25th, 2024, Artists Space. Photo: Destiny Mata.
    Image description A group of people sit on the floor of a dimly-lit gallery. The audience is facing towards a wall on the left side of the image where a projection of live transcription text is projected. On the right side a performer bathed in green light holds their hands together as they stand infront of a mic. The audience member in the foreground is lit with red light, as well as an exit sign on the back wall. The rest of the gallery walls are blue and purple tinted.
    Year
    Related pages S*an D. Henry-Smith
  • An illustration of a row of figures holding bagpipes on either side of a large grey square.
    An illustration of a row of figures holding bagpipes on either side of a large grey square.
    Four Scottish Artists. Installation view, Artists Space, 1979. [An illustration of a row of figures holding bagpipes on either side of a large grey square.]
    Caption Four Scottish Artists. Installation view, Artists Space, 1979.
    Image description An illustration of a row of figures holding bagpipes on either side of a large grey square.
    Year 1979
    Related pages Four Scottish Artists
  • A fanciful drawn landscape of hunters following deer next to a figure in front of their desk next to a window and fireplace.
    A fanciful drawn landscape of hunters following deer next to a figure in front of their desk next to a window and fireplace.
    David Kroll. The Intrusion of Fear, the Fear of Knowing, 1985. [A fanciful drawn landscape of hunters following deer next to a figure in front of their desk next to a window and fireplace.]
    Caption David Kroll. The Intrusion of Fear, the Fear of Knowing, 1985.
    Image description A fanciful drawn landscape of hunters following deer next to a figure in front of their desk next to a window and fireplace.
    Year
    Related pages Recent Art from Chicago
  • A figure reads into a microphone, glancing at their phone.
    A figure reads into a microphone, glancing at their phone.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure reads into a microphone, glancing at their phone.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure reads into a microphone, glancing at their phone.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
  • Color photograph of the side of an oscillator box, with various notes written next to all of the controls.
    Color photograph of the side of an oscillator box, with various notes written next to all of the controls.
    Yasunao Tone: Region of Paramedia. Installation view (Device for Paramedia, 1990), Artists Space, 2023. Photo: Filip Wolak. [Color photograph of the side of an oscillator box, with various notes written next to all of the controls.]
    Caption Yasunao Tone: Region of Paramedia. Installation view (Device for Paramedia, 1990), Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photograph of the side of an oscillator box, with various notes written next to all of the controls.
    Year 2023
    Related pages Yasunao Tone: Region of Paramedia
  • Color photograph of three figures dressed in white, embracing each other as they run across an empty basement.
    Color photograph of three figures dressed in white, embracing each other as they run across an empty basement.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of three figures dressed in white, embracing each other as they run across an empty basement.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of three figures dressed in white, embracing each other as they run across an empty basement.
    Year 2022
    Related pages keyon gaskin 12-16
  • VHS-distorted image of Wonder Woman holding up her fist, from which emanates a burst of energy.
    VHS-distorted image of Wonder Woman holding up her fist, from which emanates a burst of energy.
    Dara Birnbaum, Technology/Transformation: Wonder Woman, 1978/9. Videotape still. [VHS-distorted image of Wonder Woman holding up her fist, from which emanates a burst of energy.]
    Caption Dara Birnbaum, Technology/Transformation: Wonder Woman, 1978/9. Videotape still.
    Image description VHS-distorted image of Wonder Woman holding up her fist, from which emanates a burst of energy.
    Year
    Related pages How to be a wo(man)
  • A dense graphic background of yellow circles and green dots on red ground is layered with text that reads
    A dense graphic background of yellow circles and green dots on red ground is layered with text that reads
    Juliana Huxtable, Train, 2018, Sound recording on compact disc housed in four-panel sleeve featuring original artwork, Recording: 14 min 17 seconds, sleeve: 5 x 10 inches, Signed and numbered. [A dense graphic background of yellow circles and green dots on red ground is layered with text that reads "close your eyes" in a variety of fonts and colors.]
    Caption Juliana Huxtable, Train, 2018, Sound recording on compact disc housed in four-panel sleeve featuring original artwork, Recording: 14 min 17 seconds, sleeve: 5 x 10 inches, Signed and numbered.
    Image description A dense graphic background of yellow circles and green dots on red ground is layered with text that reads "close your eyes" in a variety of fonts and colors.
    Year 2018
    Related pages Artists Space Annual Edition Portfolio 2018
  • Jaylynn Reyna, 31 Years of Glory, 2021, digital photography
    Caption Jaylynn Reyna, 31 Years of Glory, 2021, digital photography
    Image description
    Year 2021
    Related pages BRIDGE Photography
  • A photograph depicting a street in New York. A fire hydrant with some graffiti supports a leaning concrete pole, which has fallen over, lifting up a piece of the sidewalk
    A photograph depicting a street in New York. A fire hydrant with some graffiti supports a leaning concrete pole, which has fallen over, lifting up a piece of the sidewalk
    Asia Negron, untitled, digital print, 2019 [A photograph depicting a street in New York. A fire hydrant with some graffiti supports a leaning concrete pole, which has fallen over, lifting up a piece of the sidewalk]
    Caption Asia Negron, untitled, digital print, 2019
    Image description A photograph depicting a street in New York. A fire hydrant with some graffiti supports a leaning concrete pole, which has fallen over, lifting up a piece of the sidewalk
    Year 2019
    Related pages Scholastic Art and Writing Awards
  • A color photograph of a door with multiple nested smaller doors within the doorframe. Each individual doorway is framed with a gold outline. To the left are several empty picture frames and two studio lights. In front of dark green curtains is a painting set in a gold frame.
    A color photograph of a door with multiple nested smaller doors within the doorframe. Each individual doorway is framed with a gold outline. To the left are several empty picture frames and two studio lights. In front of dark green curtains is a painting set in a gold frame.
    Lyndon Barrois Jr., Guardians Gate (Farfanicchio), 2022; Masters of Fine Arts, 2011/2022. Wood, latex paint, antique brass elements, cast iron, oil paint, twigs, brass, burlap, packing felt; oil on canvas, artist frame, solvent transfer, plywood, curtains, frames, lights, easels, conservators coat, headlamp. Dimensions variable. Photo: Filip Wolak [A color photograph of a door with multiple nested smaller doors within the doorframe. Each individual doorway is framed with a gold outline. To the left are several empty picture frames and two studio lights. In front of dark green curtains is a painting set in a gold frame.]
    Caption Lyndon Barrois Jr., Guardians Gate (Farfanicchio), 2022; Masters of Fine Arts, 2011/2022. Wood, latex paint, antique brass elements, cast iron, oil paint, twigs, brass, burlap, packing felt; oil on canvas, artist frame, solvent transfer, plywood, curtains, frames, lights, easels, conservators coat, headlamp. Dimensions variable. Photo: Filip Wolak
    Image description A color photograph of a door with multiple nested smaller doors within the doorframe. Each individual doorway is framed with a gold outline. To the left are several empty picture frames and two studio lights. In front of dark green curtains is a painting set in a gold frame.
    Year 2022
    Related pages Lyndon Barrois Jr.: Mirage Collar
  • A color photograph of a gallery space. Blue posters hang from the left and rear walls. A large grey table with red chairs is in the center with stacks of yellow and grey posters. To the right of a row of dark metal columns, a large piece of grey and yellow vinyl partially hangs from the wall.
    A color photograph of a gallery space. Blue posters hang from the left and rear walls. A large grey table with red chairs is in the center with stacks of yellow and grey posters. To the right of a row of dark metal columns, a large piece of grey and yellow vinyl partially hangs from the wall.
    virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of a gallery space. Blue posters hang from the left and rear walls. A large grey table with red chairs is in the center with stacks of yellow and grey posters. To the right of a row of dark metal columns, a large piece of grey and yellow vinyl partially hangs from the wall.]
    Caption virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color photograph of a gallery space. Blue posters hang from the left and rear walls. A large grey table with red chairs is in the center with stacks of yellow and grey posters. To the right of a row of dark metal columns, a large piece of grey and yellow vinyl partially hangs from the wall.
    Year 2022
    Related pages virgil b/g taylor: Minor Publics
  • Several sculptures, video works, and other artworks installed in a gallery space with wooden flooring. A large sculpture on the image's right side is composed of a series of wooden rifles gathered to form two, pole-like structures, between which a quilt-like blanket is wrapped around a supporting pole. To the left of this sculpture, a second, long structure composed of a series of white tiles runs diagonally across the gallery floor, forming a long line. Several TV monitors and 2D works are installed on the gallery walls behind the two sculptures.
    Several sculptures, video works, and other artworks installed in a gallery space with wooden flooring. A large sculpture on the image's right side is composed of a series of wooden rifles gathered to form two, pole-like structures, between which a quilt-like blanket is wrapped around a supporting pole. To the left of this sculpture, a second, long structure composed of a series of white tiles runs diagonally across the gallery floor, forming a long line. Several TV monitors and 2D works are installed on the gallery walls behind the two sculptures.
    Log Cabin. Installation view, Artists Space, 2005. [Several sculptures, video works, and other artworks installed in a gallery space with wooden flooring. A large sculpture on the image's right side is composed of a series of wooden rifles gathered to form two, pole-like structures, between which a quilt-like blanket is wrapped around a supporting pole. To the left of this sculpture, a second, long structure composed of a series of white tiles runs diagonally across the gallery floor, forming a long line. Several TV monitors and 2D works are installed on the gallery walls behind the two sculptures.]
    Caption Log Cabin. Installation view, Artists Space, 2005.
    Image description Several sculptures, video works, and other artworks installed in a gallery space with wooden flooring. A large sculpture on the image's right side is composed of a series of wooden rifles gathered to form two, pole-like structures, between which a quilt-like blanket is wrapped around a supporting pole. To the left of this sculpture, a second, long structure composed of a series of white tiles runs diagonally across the gallery floor, forming a long line. Several TV monitors and 2D works are installed on the gallery walls behind the two sculptures.
    Year 2005
    Related pages Log Cabin
  • Three adjacent panels, reading
    Three adjacent panels, reading
    "Identity". Installation View, Artists Space, 2011. Photo: Daniel Pérez. [Three adjacent panels, reading "pompidou", "moma", and "tate" in black text against a luminous white background hang in a dimly-lit exhibition space.]
    Caption "Identity". Installation View, Artists Space, 2011. Photo: Daniel Pérez.
    Image description Three adjacent panels, reading "pompidou", "moma", and "tate" in black text against a luminous white background hang in a dimly-lit exhibition space.
    Year 2011
    Related pages Dexter Sinister: "Identity"
  • A figure stands behind a microphone, their hands placed together in front of them and looking off.
    A figure stands behind a microphone, their hands placed together in front of them and looking off.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure stands behind a microphone, their hands placed together in front of them and looking off.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure stands behind a microphone, their hands placed together in front of them and looking off.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
  • An off-white curtain hangs from a wooden four-poster bed frame. One side of the curtain is partially open, revealing a patterned chaise lounge and a framed image on a blue chain.
    An off-white curtain hangs from a wooden four-poster bed frame. One side of the curtain is partially open, revealing a patterned chaise lounge and a framed image on a blue chain.
    Lukas Duwenhögger: Undoolay. Installation view, Artists Space, 2016. Photo credit: Jean Vong. [An off-white curtain hangs from a wooden four-poster bed frame. One side of the curtain is partially open, revealing a patterned chaise lounge and a framed image on a blue chain.]
    Caption Lukas Duwenhögger: Undoolay. Installation view, Artists Space, 2016. Photo credit: Jean Vong.
    Image description An off-white curtain hangs from a wooden four-poster bed frame. One side of the curtain is partially open, revealing a patterned chaise lounge and a framed image on a blue chain.
    Year 2016
    Related pages Lukas Duwenhögger: Undoolay
  • A close-up of a vitrine housing several postcards which have been drawn and collaged upon.
    A close-up of a vitrine housing several postcards which have been drawn and collaged upon.
    Attention Line. Installation view (various envelopes by Blaster Al Ackerman, c. 1970s-2000s, Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [A close-up of a vitrine housing several postcards which have been drawn and collaged upon.]
    Caption Attention Line. Installation view (various envelopes by Blaster Al Ackerman, c. 1970s-2000s, Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak
    Image description A close-up of a vitrine housing several postcards which have been drawn and collaged upon.
    Year 2022
    Related pages Attention Line
  • Color photo of a installation and sound work. In the right foreground, two lab tables contain a lab equipment such as beakers, distilling chambers, jars, hot plate and two blenders. On the left midground, an antique cabinet with its doors open, reveals shelves and drawers filled with more lab equipment, such as a microscope and household items such as a dustpan. In the background, two box television screens sit on top of wooden lab tables. A posterboard with a periodic table rests on top of the televisions. Each
    Color photo of a installation and sound work. In the right foreground, two lab tables contain a lab equipment such as beakers, distilling chambers, jars, hot plate and two blenders. On the left midground, an antique cabinet with its doors open, reveals shelves and drawers filled with more lab equipment, such as a microscope and household items such as a dustpan. In the background, two box television screens sit on top of wooden lab tables. A posterboard with a periodic table rests on top of the televisions. Each
    Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photo of a installation and sound work. In the right foreground, two lab tables contain a lab equipment such as beakers, distilling chambers, jars, hot plate and two blenders. On the left midground, an antique cabinet with its doors open, reveals shelves and drawers filled with more lab equipment, such as a microscope and household items such as a dustpan. In the background, two box television screens sit on top of wooden lab tables. A posterboard with a periodic table rests on top of the televisions. Each "element" of the periodic table features a small lightbulb that glows.]
    Caption Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photo of a installation and sound work. In the right foreground, two lab tables contain a lab equipment such as beakers, distilling chambers, jars, hot plate and two blenders. On the left midground, an antique cabinet with its doors open, reveals shelves and drawers filled with more lab equipment, such as a microscope and household items such as a dustpan. In the background, two box television screens sit on top of wooden lab tables. A posterboard with a periodic table rests on top of the televisions. Each "element" of the periodic table features a small lightbulb that glows.
    Year
    Related pages Char Jeré: Zoo or an Orchestra
  • Red and green text overlay an orange background with abstract lines and a drawing of a male figure riding a horse in the bottom left corner. The text in the middle reads
    Red and green text overlay an orange background with abstract lines and a drawing of a male figure riding a horse in the bottom left corner. The text in the middle reads
    Flyer for Segue Reading Series featuring erica kaufman and M. Lamar. January 28, 2023, Artists Space. [Red and green text overlay an orange background with abstract lines and a drawing of a male figure riding a horse in the bottom left corner. The text in the middle reads "erica kaufman / Segue Reading Series / M. Lamar."]
    Caption Flyer for Segue Reading Series featuring erica kaufman and M. Lamar. January 28, 2023, Artists Space.
    Image description Red and green text overlay an orange background with abstract lines and a drawing of a male figure riding a horse in the bottom left corner. The text in the middle reads "erica kaufman / Segue Reading Series / M. Lamar."
    Year
    Related pages Segue Reading Series: erica kaufman & M. Lamar
  • Three paper bags featuring collaged and drawn embellishments sit in a row on three pedastals of varying heights in ascending order.
    Three paper bags featuring collaged and drawn embellishments sit in a row on three pedastals of varying heights in ascending order.
    Unholding. Installation view, Artists Space, November 19, 2017 - January 21, 2018. Photo: Daniel Pérez. [Three paper bags featuring collaged and drawn embellishments sit in a row on three pedastals of varying heights in ascending order.]
    Caption Unholding. Installation view, Artists Space, November 19, 2017 - January 21, 2018. Photo: Daniel Pérez.
    Image description Three paper bags featuring collaged and drawn embellishments sit in a row on three pedastals of varying heights in ascending order.
    Year 2018
    Related pages
  • A red image, portraying a window squeege at the bottom left of frame, of which the section of it's width above is a darker red.
    A red image, portraying a window squeege at the bottom left of frame, of which the section of it's width above is a darker red.
    KH Hödicke Magic Window Cleaner II , 1967 80 copies + 40 artists proofs, signed and numbered screen print on Plexiglas, 83 x 59 cm Courtesy of Edition Block, Berlin [A red image, portraying a window squeege at the bottom left of frame, of which the section of it's width above is a darker red.]
    Caption KH Hödicke Magic Window Cleaner II , 1967 80 copies + 40 artists proofs, signed and numbered screen print on Plexiglas, 83 x 59 cm Courtesy of Edition Block, Berlin
    Image description A red image, portraying a window squeege at the bottom left of frame, of which the section of it's width above is a darker red.
    Year 1967
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • A sideways image of a photograph sitting on top of an open book. The photographs shows four people sitting next to each other. The book page is split with a column of text and a black and white image of a billboard that reads,
    A sideways image of a photograph sitting on top of an open book. The photographs shows four people sitting next to each other. The book page is split with a column of text and a black and white image of a billboard that reads,
    [A sideways image of a photograph sitting on top of an open book. The photographs shows four people sitting next to each other. The book page is split with a column of text and a black and white image of a billboard that reads, "Growing with Birmingham!"]
    Caption
    Image description A sideways image of a photograph sitting on top of an open book. The photographs shows four people sitting next to each other. The book page is split with a column of text and a black and white image of a billboard that reads, "Growing with Birmingham!"
    Year 2007
    Related pages Replica of a Lost Original
  • Cave of Animals, Listening Room project, May 2024
    Caption Cave of Animals, Listening Room project, May 2024
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    Related pages Exhibitions and Events
  • Color image of a performer on stage holding a microphone close to their mouth. They are holding a drum stick in one hand, standing next to a cymbal and a drum set on a stand. They are bathed in red and pink light, and the background is lit with blue, red, and purple light. Small white dots of light from a disco ball fill the room.
    Color image of a performer on stage holding a microphone close to their mouth. They are holding a drum stick in one hand, standing next to a cymbal and a drum set on a stand. They are bathed in red and pink light, and the background is lit with blue, red, and purple light. Small white dots of light from a disco ball fill the room.
    Abasement #77. Performance documentation, April 7th, 2025, Artists Space. Photo: Joshua Wildman. [Color image of a performer on stage holding a microphone close to their mouth. They are holding a drum stick in one hand, standing next to a cymbal and a drum set on a stand. They are bathed in red and pink light, and the background is lit with blue, red, and purple light. Small white dots of light from a disco ball fill the room.]
    Caption Abasement #77. Performance documentation, April 7th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Color image of a performer on stage holding a microphone close to their mouth. They are holding a drum stick in one hand, standing next to a cymbal and a drum set on a stand. They are bathed in red and pink light, and the background is lit with blue, red, and purple light. Small white dots of light from a disco ball fill the room.
    Year
    Related pages Abasement #77
  • White text on a black screen reads: “From there, he learned to speak in sign…”
    White text on a black screen reads: “From there, he learned to speak in sign…”
    Caroline Key. Still from Speech Memory, 2007. 16mm film on video, color, sound; 23 minutes. Courtesy the artist. [White text on a black screen reads: “From there, he learned to speak in sign…”]
    Caption Caroline Key. Still from Speech Memory, 2007. 16mm film on video, color, sound; 23 minutes. Courtesy the artist.
    Image description White text on a black screen reads: “From there, he learned to speak in sign…”
    Year
    Related pages Whitney ISP Archive
  • A view of multiple works including CRT monitors, a vending machine, a tulip chair against a seafoam colored wall, and a glass display table backed by tiled photographs.
    A view of multiple works including CRT monitors, a vending machine, a tulip chair against a seafoam colored wall, and a glass display table backed by tiled photographs.
    ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A view of multiple works including CRT monitors, a vending machine, a tulip chair against a seafoam colored wall, and a glass display table backed by tiled photographs.]
    Caption ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A view of multiple works including CRT monitors, a vending machine, a tulip chair against a seafoam colored wall, and a glass display table backed by tiled photographs.
    Year 2021
    Related pages ART CLUB2000
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    Related pages Genesis: Medley
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • In the foreground is a low sculpture made of folding metal framework that contains blue and white geometric prints as well as boxes. In the background are stacks of boxes that are printed with the words
    In the foreground is a low sculpture made of folding metal framework that contains blue and white geometric prints as well as boxes. In the background are stacks of boxes that are printed with the words
    New Economy. Installation view, Artists Space, 2007. [In the foreground is a low sculpture made of folding metal framework that contains blue and white geometric prints as well as boxes. In the background are stacks of boxes that are printed with the words "Das Kapital." Behind them are black and white posters with identical graphs that are titled "The Wealth of Nations."]
    Caption New Economy. Installation view, Artists Space, 2007.
    Image description In the foreground is a low sculpture made of folding metal framework that contains blue and white geometric prints as well as boxes. In the background are stacks of boxes that are printed with the words "Das Kapital." Behind them are black and white posters with identical graphs that are titled "The Wealth of Nations."
    Year
    Related pages New Economy
  • Several black and white images collaged on a black background. Some of the images are photographs of various buildings, bridges, and other structures—some in the process of construction. At the bottom of the composition is an alien-like image of a man with dark eyes and a large nose.
    Several black and white images collaged on a black background. Some of the images are photographs of various buildings, bridges, and other structures—some in the process of construction. At the bottom of the composition is an alien-like image of a man with dark eyes and a large nose.
    Ben van Berkel: Mobile Forces banner detail, Artists Space, 1997. [Several black and white images collaged on a black background. Some of the images are photographs of various buildings, bridges, and other structures—some in the process of construction. At the bottom of the composition is an alien-like image of a man with dark eyes and a large nose.]
    Caption Ben van Berkel: Mobile Forces banner detail, Artists Space, 1997.
    Image description Several black and white images collaged on a black background. Some of the images are photographs of various buildings, bridges, and other structures—some in the process of construction. At the bottom of the composition is an alien-like image of a man with dark eyes and a large nose.
    Year 1997
    Related pages Mobile Forces
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Color photograph of a gallery wall. A video is projected onto it. Next to the projection is a shelf holding an audio device consisting of a machine, speakers, and light sensors. A black-and-white photograph also hangs on the wall.
    Color photograph of a gallery wall. A video is projected onto it. Next to the projection is a shelf holding an audio device consisting of a machine, speakers, and light sensors. A black-and-white photograph also hangs on the wall.
    Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a gallery wall. A video is projected onto it. Next to the projection is a shelf holding an audio device consisting of a machine, speakers, and light sensors. A black-and-white photograph also hangs on the wall.]
    Caption Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photograph of a gallery wall. A video is projected onto it. Next to the projection is a shelf holding an audio device consisting of a machine, speakers, and light sensors. A black-and-white photograph also hangs on the wall.
    Year 2023
    Related pages Yasunao Tone: Region of Paramedia
  • Nuestro Reflejo exhibition at Morris Jumel Mansion, Washington Heights, 2025
    Caption Nuestro Reflejo exhibition at Morris Jumel Mansion, Washington Heights, 2025
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    Year
    Related pages Threads of History
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • An irreverant cartoon promotional poster with text in grafitti.
    An irreverant cartoon promotional poster with text in grafitti.
    Bill Hayden, It's Get Better. [An irreverant cartoon promotional poster with text in grafitti.]
    Caption Bill Hayden, It's Get Better.
    Image description An irreverant cartoon promotional poster with text in grafitti.
    Year 2013
    Related pages It's Get Better Presented by Stewart Uoo
  • A green colored background features black text in the top half of the image that reads,
    A green colored background features black text in the top half of the image that reads,
    Flyer for Segue Reading Series featuring Amber Dawn & Kai Cheng Thom. Saturday March 13, 2021, Artists Space. [A green colored background features black text in the top half of the image that reads, "Segue Reading Series / Amber Dawn & Kai Cheng Thom / March 13 / 5pm on Zoom / Suggested donation: Five dollars / Zoom ID: 830 2698 4031." Black text in the bottom right corner reads, "Artists Space."]
    Caption Flyer for Segue Reading Series featuring Amber Dawn & Kai Cheng Thom. Saturday March 13, 2021, Artists Space.
    Image description A green colored background features black text in the top half of the image that reads, "Segue Reading Series / Amber Dawn & Kai Cheng Thom / March 13 / 5pm on Zoom / Suggested donation: Five dollars / Zoom ID: 830 2698 4031." Black text in the bottom right corner reads, "Artists Space."
    Year 2021
    Related pages Segue Reading Series: Amber Dawn & Kai Cheng Thom
  • White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Feb 10 / Bernadette Van-Huy / Richard Maxwell
    White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Feb 10 / Bernadette Van-Huy / Richard Maxwell
    [White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Feb 10 / Bernadette Van-Huy / Richard Maxwell" Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Feb 10 / Bernadette Van-Huy / Richard Maxwell" Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year
    Related pages Segue Reading Series: Bernadette Van-Huy & Richard Maxwell
  • A seated figure in a black hoodie and black beanie plays the guitar with red and purple light cast onto them.
    A seated figure in a black hoodie and black beanie plays the guitar with red and purple light cast onto them.
    Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman [A seated figure in a black hoodie and black beanie plays the guitar with red and purple light cast onto them.]
    Caption Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman
    Image description A seated figure in a black hoodie and black beanie plays the guitar with red and purple light cast onto them.
    Year 2022
    Related pages Abasement: #62
  • Color image of a performer on stage playing the cello. They are facing sideways to the audience, wearing sunglasses and a purple jacket. To their side there is a collection of audio equipment, as well as a music stand and a speaker. The audience is sitting down facing the stage. The room is dark, except for a projected image of a disco ball on the back wall.
    Color image of a performer on stage playing the cello. They are facing sideways to the audience, wearing sunglasses and a purple jacket. To their side there is a collection of audio equipment, as well as a music stand and a speaker. The audience is sitting down facing the stage. The room is dark, except for a projected image of a disco ball on the back wall.
    Abasement #76. Performance documentation, March 3rd, 2025, Artists Space. Photo: Joshua Wildman. [Color image of a performer on stage playing the cello. They are facing sideways to the audience, wearing sunglasses and a purple jacket. To their side there is a collection of audio equipment, as well as a music stand and a speaker. The audience is sitting down facing the stage. The room is dark, except for a projected image of a disco ball on the back wall.]
    Caption Abasement #76. Performance documentation, March 3rd, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Color image of a performer on stage playing the cello. They are facing sideways to the audience, wearing sunglasses and a purple jacket. To their side there is a collection of audio equipment, as well as a music stand and a speaker. The audience is sitting down facing the stage. The room is dark, except for a projected image of a disco ball on the back wall.
    Year
    Related pages Abasement #76
  • Video still of a figure in glasses wearing a pink dress with black tulle fabric on a small stage. An overturned, white table is siutated to their right, and papers are strewn across the ground. The figure hunches over, looking out towards the audience. Their left hand is bent at their chest and points upwards, while their right hand touches the back of their head.
    Video still of a figure in glasses wearing a pink dress with black tulle fabric on a small stage. An overturned, white table is siutated to their right, and papers are strewn across the ground. The figure hunches over, looking out towards the audience. Their left hand is bent at their chest and points upwards, while their right hand touches the back of their head.
    [Video still of a figure in glasses wearing a pink dress with black tulle fabric on a small stage. An overturned, white table is siutated to their right, and papers are strewn across the ground. The figure hunches over, looking out towards the audience. Their left hand is bent at their chest and points upwards, while their right hand touches the back of their head.]
    Caption
    Image description Video still of a figure in glasses wearing a pink dress with black tulle fabric on a small stage. An overturned, white table is siutated to their right, and papers are strewn across the ground. The figure hunches over, looking out towards the audience. Their left hand is bent at their chest and points upwards, while their right hand touches the back of their head.
    Year 2004
    Related pages eRacism
  • Color image of a darkly lit room. A figure sits behind a white table filled with audio equipment and two standing microphones are placed above the table. Light sensors are attached to the wall behind the figure where a projection of images plays.
    Color image of a darkly lit room. A figure sits behind a white table filled with audio equipment and two standing microphones are placed above the table. Light sensors are attached to the wall behind the figure where a projection of images plays.
    Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata [Color image of a darkly lit room. A figure sits behind a white table filled with audio equipment and two standing microphones are placed above the table. Light sensors are attached to the wall behind the figure where a projection of images plays.]
    Caption Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata
    Image description Color image of a darkly lit room. A figure sits behind a white table filled with audio equipment and two standing microphones are placed above the table. Light sensors are attached to the wall behind the figure where a projection of images plays.
    Annotation 2023
    Year
    Related pages Yasunao Tone Concert #2
  • Circular sculptural forms hang from the ceiling and touch the floor in a white-walled gallery space.
    Circular sculptural forms hang from the ceiling and touch the floor in a white-walled gallery space.
    Four Artists: An Exhibition of Painting and Sculpture. Installation View. Artists Space, 1985. [Circular sculptural forms hang from the ceiling and touch the floor in a white-walled gallery space.]
    Caption Four Artists: An Exhibition of Painting and Sculpture. Installation View. Artists Space, 1985.
    Image description Circular sculptural forms hang from the ceiling and touch the floor in a white-walled gallery space.
    Year
    Related pages Four Artists: An Exhibition of Painting and Sculpture
  • Four clusters of photographs are mounted on a white gallery wall. Some of the photographs are black and white, while others are in color. All show images of a single or groups of figures. On the far right, a small projection of a man in a white shirt illuminates the wall.
    Four clusters of photographs are mounted on a white gallery wall. Some of the photographs are black and white, while others are in color. All show images of a single or groups of figures. On the far right, a small projection of a man in a white shirt illuminates the wall.
    Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Four clusters of photographs are mounted on a white gallery wall. Some of the photographs are black and white, while others are in color. All show images of a single or groups of figures. On the far right, a small projection of a man in a white shirt illuminates the wall.]
    Caption Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Four clusters of photographs are mounted on a white gallery wall. Some of the photographs are black and white, while others are in color. All show images of a single or groups of figures. On the far right, a small projection of a man in a white shirt illuminates the wall.
    Year 2012
    Related pages Radical Localism: Art, Video and Culture from Pueblo Nuevo’s Mexicali Rose
  • Audience members sit and stand alongside a ramp in a gallery. They are facing a performer who is framed in between columns to the left of the image. The audience members are bathed in red light, with a bright blue light coming from under a platform on the floor. The performer is lit with green light and the background is blue-tinted.
    Audience members sit and stand alongside a ramp in a gallery. They are facing a performer who is framed in between columns to the left of the image. The audience members are bathed in red light, with a bright blue light coming from under a platform on the floor. The performer is lit with green light and the background is blue-tinted.
    Heist Divination (fwiw remix). Performance documentation, October 25th, 2024, Artists Space. Photo: Destiny Mata. [Audience members sit and stand alongside a ramp in a gallery. They are facing a performer who is framed in between columns to the left of the image. The audience members are bathed in red light, with a bright blue light coming from under a platform on the floor. The performer is lit with green light and the background is blue-tinted.]
    Caption Heist Divination (fwiw remix). Performance documentation, October 25th, 2024, Artists Space. Photo: Destiny Mata.
    Image description Audience members sit and stand alongside a ramp in a gallery. They are facing a performer who is framed in between columns to the left of the image. The audience members are bathed in red light, with a bright blue light coming from under a platform on the floor. The performer is lit with green light and the background is blue-tinted.
    Year
    Related pages S*an D. Henry-Smith
  • A woman in a mask smoking a cigarette standing over a person lying on blankets on the street wearing cardboard heels.
    A woman in a mask smoking a cigarette standing over a person lying on blankets on the street wearing cardboard heels.
    Marie Karlberg. Still from Belongz to me, 2010. [A woman in a mask smoking a cigarette standing over a person lying on blankets on the street wearing cardboard heels.]
    Caption Marie Karlberg. Still from Belongz to me, 2010.
    Image description A woman in a mask smoking a cigarette standing over a person lying on blankets on the street wearing cardboard heels.
    Year 2010
    Related pages Marie Karlberg Videos
  • Two foldable room dividers are installed in a large gallery. Multiple paintings are hung on the dividers, each depicting a scene of men in public and private spaces, engaged in various activities of work and leisure.
    Two foldable room dividers are installed in a large gallery. Multiple paintings are hung on the dividers, each depicting a scene of men in public and private spaces, engaged in various activities of work and leisure.
    Lukas Duwenhögger: Undoolay. Installation view, Artists Space, 2016. Photo credit: Jean Vong. [Two foldable room dividers are installed in a large gallery. Multiple paintings are hung on the dividers, each depicting a scene of men in public and private spaces, engaged in various activities of work and leisure.]
    Caption Lukas Duwenhögger: Undoolay. Installation view, Artists Space, 2016. Photo credit: Jean Vong.
    Image description Two foldable room dividers are installed in a large gallery. Multiple paintings are hung on the dividers, each depicting a scene of men in public and private spaces, engaged in various activities of work and leisure.
    Year 2016
    Related pages Lukas Duwenhögger: Undoolay
  • Color photograph of a gallery space with two dark columns. In the foreground, a cornhole board is visible resting on the floor. In the background, a work on a video monitor is installed on a desk that has two chairs in front of it. A chandelier hangs from the ceiling near the furthermost column and rests on the floor. In the left side of the background, a wall is filled with images and has a mounted monitor with a video work.
    Color photograph of a gallery space with two dark columns. In the foreground, a cornhole board is visible resting on the floor. In the background, a work on a video monitor is installed on a desk that has two chairs in front of it. A chandelier hangs from the ceiling near the furthermost column and rests on the floor. In the left side of the background, a wall is filled with images and has a mounted monitor with a video work.
    Everything is common. Installation view, Artists Space, 2022. Photo: Steven Cottingham. [Color photograph of a gallery space with two dark columns. In the foreground, a cornhole board is visible resting on the floor. In the background, a work on a video monitor is installed on a desk that has two chairs in front of it. A chandelier hangs from the ceiling near the furthermost column and rests on the floor. In the left side of the background, a wall is filled with images and has a mounted monitor with a video work.]
    Caption Everything is common. Installation view, Artists Space, 2022. Photo: Steven Cottingham.
    Image description Color photograph of a gallery space with two dark columns. In the foreground, a cornhole board is visible resting on the floor. In the background, a work on a video monitor is installed on a desk that has two chairs in front of it. A chandelier hangs from the ceiling near the furthermost column and rests on the floor. In the left side of the background, a wall is filled with images and has a mounted monitor with a video work.
    Year
    Related pages Whitney Independent Study: Everything is Common
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    Related pages Artists Space: Artists Fund
  • White gallery wall featuring various small framed works on paper, one on pink ground.
    White gallery wall featuring various small framed works on paper, one on pink ground.
    Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak. [White gallery wall featuring various small framed works on paper, one on pink ground.]
    Caption Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak.
    Image description White gallery wall featuring various small framed works on paper, one on pink ground.
    Year
    Related pages Dream Lines: Drawings by Marian Zazeela
  • Several students sit on the edge of a wooden stage holding printed sheets of paper. One girl reads from her paper while holding a microphone
    Several students sit on the edge of a wooden stage holding printed sheets of paper. One girl reads from her paper while holding a microphone
    YAP (Young Artist Perform), P.S. 140, 2019 [Several students sit on the edge of a wooden stage holding printed sheets of paper. One girl reads from her paper while holding a microphone]
    Caption YAP (Young Artist Perform), P.S. 140, 2019
    Image description Several students sit on the edge of a wooden stage holding printed sheets of paper. One girl reads from her paper while holding a microphone
    Year 2019
    Related pages Exhibitions and Events
  • A dimmed room with three projections, one casting purple light, the other two depicting stills of shorelines. In the corner, a small, round seat is visible.
    A dimmed room with three projections, one casting purple light, the other two depicting stills of shorelines. In the corner, a small, round seat is visible.
    See Around. Installation view, Artists Space, 2008. Photo: Adam Reich. [A dimmed room with three projections, one casting purple light, the other two depicting stills of shorelines. In the corner, a small, round seat is visible.]
    Caption See Around. Installation view, Artists Space, 2008. Photo: Adam Reich.
    Image description A dimmed room with three projections, one casting purple light, the other two depicting stills of shorelines. In the corner, a small, round seat is visible.
    Year 2008
    Related pages See Around
  • A split screen of two people, each visible between their nose and their chest. Both are extremely excited, with their hands raised up.
    A split screen of two people, each visible between their nose and their chest. Both are extremely excited, with their hands raised up.
    Catherine Ross, still from Fingering and Footing, 2005. [A split screen of two people, each visible between their nose and their chest. Both are extremely excited, with their hands raised up.]
    Caption Catherine Ross, still from Fingering and Footing, 2005.
    Image description A split screen of two people, each visible between their nose and their chest. Both are extremely excited, with their hands raised up.
    Year 2005
    Related pages The Mind/Body Problem
  • A stack of large papers filled with text sit on a low, white plank on the ground. To the right of the paper stack, a newspaper clipping is displayed on a white wall. A small glass filled with rubber bands sits on the ground to the right of the paper stack.
    A stack of large papers filled with text sit on a low, white plank on the ground. To the right of the paper stack, a newspaper clipping is displayed on a white wall. A small glass filled with rubber bands sits on the ground to the right of the paper stack.
    Frozen Lakes. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A stack of large papers filled with text sit on a low, white plank on the ground. To the right of the paper stack, a newspaper clipping is displayed on a white wall. A small glass filled with rubber bands sits on the ground to the right of the paper stack.]
    Caption Frozen Lakes. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description A stack of large papers filled with text sit on a low, white plank on the ground. To the right of the paper stack, a newspaper clipping is displayed on a white wall. A small glass filled with rubber bands sits on the ground to the right of the paper stack.
    Year 2013
    Related pages Frozen Lakes
  • Magazine cut-outs and ink drawings are collaged together on a background of yellow, pink, and orange paper. Pieces of paper with typewritten text listing the performers and event details are scattered around the flyer.
    Magazine cut-outs and ink drawings are collaged together on a background of yellow, pink, and orange paper. Pieces of paper with typewritten text listing the performers and event details are scattered around the flyer.
    Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a background of yellow, pink, and orange paper. Pieces of paper with typewritten text listing the performers and event details are scattered around the flyer.]
    Caption Flyer by Joe Frivaldi.
    Image description Magazine cut-outs and ink drawings are collaged together on a background of yellow, pink, and orange paper. Pieces of paper with typewritten text listing the performers and event details are scattered around the flyer.
    Year
    Related pages Abasement #73
  • *Jordan Lord: Prophetic Memory," Installation view, Artists Space (55 Walker Street), 2021.
    Caption *Jordan Lord: Prophetic Memory," Installation view, Artists Space (55 Walker Street), 2021.
    Image description
    Year
    Related pages Jordan Lord: Prophetic Memory
  • Color photo of the enterance into the exhibition. A sign reading:
    Color photo of the enterance into the exhibition. A sign reading:
    Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photo of the enterance into the exhibition. A sign reading: "J.D. Grocery" is placed above a doorway. A wooden awning meant to look like a roof of a building goes across the width of the partition wall. The doorway is flanked by a cardboard fire hydrant and a box television on a small wooden chair. Through the doorway, three bar stools and a bookshelf with books and home goods are visable.]
    Caption Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photo of the enterance into the exhibition. A sign reading: "J.D. Grocery" is placed above a doorway. A wooden awning meant to look like a roof of a building goes across the width of the partition wall. The doorway is flanked by a cardboard fire hydrant and a box television on a small wooden chair. Through the doorway, three bar stools and a bookshelf with books and home goods are visable.
    Year
    Related pages Char Jeré: Zoo or an Orchestra
  • Two black and white images displayed on a pedestal in front of a column in an exhibition space. Behind the column, several photographs in white frames lean against a gallery wall with many windows. A long red carpet stretches across the floor underneath the framed images.
    Two black and white images displayed on a pedestal in front of a column in an exhibition space. Behind the column, several photographs in white frames lean against a gallery wall with many windows. A long red carpet stretches across the floor underneath the framed images.
    Frozen Lakes. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [Two black and white images displayed on a pedestal in front of a column in an exhibition space. Behind the column, several photographs in white frames lean against a gallery wall with many windows. A long red carpet stretches across the floor underneath the framed images.]
    Caption Frozen Lakes. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description Two black and white images displayed on a pedestal in front of a column in an exhibition space. Behind the column, several photographs in white frames lean against a gallery wall with many windows. A long red carpet stretches across the floor underneath the framed images.
    Year 2013
    Related pages Frozen Lakes
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Roughly two dozen stuffed laundry bags, piled up against a wall. The bags are white and are each imprinted with a large black dollar sign.
    Roughly two dozen stuffed laundry bags, piled up against a wall. The bags are white and are each imprinted with a large black dollar sign.
    When Time Becomes Form: The Money Mountain. Installation view, Artists Space, 2008. [Roughly two dozen stuffed laundry bags, piled up against a wall. The bags are white and are each imprinted with a large black dollar sign.]
    Caption When Time Becomes Form: The Money Mountain. Installation view, Artists Space, 2008.
    Image description Roughly two dozen stuffed laundry bags, piled up against a wall. The bags are white and are each imprinted with a large black dollar sign.
    Year 2008
    Related pages When Time Becomes Form: The Money Mountain and A Letter for the Girl Chewing Gum
  • A sink structure on wheels sits atop a tilted wooden table top with legs of varying sizes. Light from the ceiling is seen emanating onto the structure in the white-walled gallery space.
    A sink structure on wheels sits atop a tilted wooden table top with legs of varying sizes. Light from the ceiling is seen emanating onto the structure in the white-walled gallery space.
    U.S. Projects: Howard Fried. Installation view, Artists Space, 1983. [A sink structure on wheels sits atop a tilted wooden table top with legs of varying sizes. Light from the ceiling is seen emanating onto the structure in the white-walled gallery space.]
    Caption U.S. Projects: Howard Fried. Installation view, Artists Space, 1983.
    Image description A sink structure on wheels sits atop a tilted wooden table top with legs of varying sizes. Light from the ceiling is seen emanating onto the structure in the white-walled gallery space.
    Year
    Related pages U.S. Projects: Howard Fried
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Caption
    Image description
    Year
    Related pages Scholastic Art and Writing Awards
  • A black and white photograph of a figure standing in a gallery space, looking towards the camera. On the wall behind them, several canvases with no discernable markings hang.
    A black and white photograph of a figure standing in a gallery space, looking towards the camera. On the wall behind them, several canvases with no discernable markings hang.
    Jim Pavlicovic. Installation view featuring Jim Pavlicovic, from Gerry Morehead, Jim Pavlicovic, Artists Space, 1976. [A black and white photograph of a figure standing in a gallery space, looking towards the camera. On the wall behind them, several canvases with no discernable markings hang.]
    Caption Jim Pavlicovic. Installation view featuring Jim Pavlicovic, from Gerry Morehead, Jim Pavlicovic, Artists Space, 1976.
    Image description A black and white photograph of a figure standing in a gallery space, looking towards the camera. On the wall behind them, several canvases with no discernable markings hang.
    Year 1976
    Related pages Gerry Morehead, Jim Pavlicovic
  • Aluminum foil, partially unrolled, with a pile of pennies is dramatically lit in a darkened room.
    Aluminum foil, partially unrolled, with a pile of pennies is dramatically lit in a darkened room.
    Clegg & Guttmann, Change, 2015, C-print , 24 x 20 in
/ 61 x 50,8 cm, Signed and Numbered Certificate. [Aluminum foil, partially unrolled, with a pile of pennies is dramatically lit in a darkened room.]
    Caption Clegg & Guttmann, Change, 2015, C-print , 24 x 20 in
/ 61 x 50,8 cm, Signed and Numbered Certificate.
    Image description Aluminum foil, partially unrolled, with a pile of pennies is dramatically lit in a darkened room.
    Year 2016
    Related pages Artists Space Annual Edition Portfolio 2016
  • Abasement #72. Performance documentation, October 7th, 2024, Artists Space. Photo: Joshua Wildman.
    Caption Abasement #72. Performance documentation, October 7th, 2024, Artists Space. Photo: Joshua Wildman.
    Image description
    Year
    Related pages Support
  • Close-up color image of a persons hands on a red audio mixing device. Various blue and red cords stick out of the machine. A camera on a tripod sits on top of the machine. The background is blurred, with a few audience members visible. The scene is lit with soft pink light.
    Close-up color image of a persons hands on a red audio mixing device. Various blue and red cords stick out of the machine. A camera on a tripod sits on top of the machine. The background is blurred, with a few audience members visible. The scene is lit with soft pink light.
    Abasement #77. Performance documentation, April 7th, 2025, Artists Space. Photo: Joshua Wildman. [Close-up color image of a persons hands on a red audio mixing device. Various blue and red cords stick out of the machine. A camera on a tripod sits on top of the machine. The background is blurred, with a few audience members visible. The scene is lit with soft pink light.]
    Caption Abasement #77. Performance documentation, April 7th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Close-up color image of a persons hands on a red audio mixing device. Various blue and red cords stick out of the machine. A camera on a tripod sits on top of the machine. The background is blurred, with a few audience members visible. The scene is lit with soft pink light.
    Year
    Related pages Abasement #77
  • Partial view of two large orange slug sculptures forming a circular ring shape around cast-iron columns suspended by black elastic cords and two square paintings of the human form are on adjacent walls in a white-walled gallery space.
    Partial view of two large orange slug sculptures forming a circular ring shape around cast-iron columns suspended by black elastic cords and two square paintings of the human form are on adjacent walls in a white-walled gallery space.
    Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez. [Partial view of two large orange slug sculptures forming a circular ring shape around cast-iron columns suspended by black elastic cords and two square paintings of the human form are on adjacent walls in a white-walled gallery space.]
    Caption Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez.
    Image description Partial view of two large orange slug sculptures forming a circular ring shape around cast-iron columns suspended by black elastic cords and two square paintings of the human form are on adjacent walls in a white-walled gallery space.
    Year 2020
    Related pages Jana Euler
  • Caption
    Image description
    Year
    Related pages Lonnie Holley
  • White and dark blue text overlay a light blue background with abstract lines and a drawing of a male bust in the bottom left corner. The text in the middle reads
    White and dark blue text overlay a light blue background with abstract lines and a drawing of a male bust in the bottom left corner. The text in the middle reads
    Flyer for Segue Reading Series featuring Jacob Kahn and Erica Hunt. January 28, 2023, Artists Space. [White and dark blue text overlay a light blue background with abstract lines and a drawing of a male bust in the bottom left corner. The text in the middle reads "Jacob Kahn / Segue Reading Series / Erica Hunt."]
    Caption Flyer for Segue Reading Series featuring Jacob Kahn and Erica Hunt. January 28, 2023, Artists Space.
    Image description White and dark blue text overlay a light blue background with abstract lines and a drawing of a male bust in the bottom left corner. The text in the middle reads "Jacob Kahn / Segue Reading Series / Erica Hunt."
    Year
    Related pages Segue Reading Series: Erica Hunt & Jacob Kahn
  • A line of people marching forward hold up signs reading
    A line of people marching forward hold up signs reading
    Demonstrations outside Artists Space during the opening of Witnesses: Against Our Vanishing, November 16, 1989. [A line of people marching forward hold up signs reading "replace frony" and "Keep 1st amendment, stop helms," among other phrases.]
    Caption Demonstrations outside Artists Space during the opening of Witnesses: Against Our Vanishing, November 16, 1989.
    Image description A line of people marching forward hold up signs reading "replace frony" and "Keep 1st amendment, stop helms," among other phrases.
    Year 1989
    Related pages Witnesses: Against Our Vanishing
  • A photograph showing a row of text-based paintings hanging on a gallery wall. Beyond them, another gallery space with other artworks is visible.
    A photograph showing a row of text-based paintings hanging on a gallery wall. Beyond them, another gallery space with other artworks is visible.
    Selections from the Artists File. Installation view, Artists Space, 1989. [A photograph showing a row of text-based paintings hanging on a gallery wall. Beyond them, another gallery space with other artworks is visible.]
    Caption Selections from the Artists File. Installation view, Artists Space, 1989.
    Image description A photograph showing a row of text-based paintings hanging on a gallery wall. Beyond them, another gallery space with other artworks is visible.
    Year
    Related pages Selections from the Artist File
  • A color photograph of a vitrine containing an EKG printout and several black and white photographs.
    A color photograph of a vitrine containing an EKG printout and several black and white photographs.
    Milford Graves: Fundamental Frequency. Installation view (ephemera c. 1970s), Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak. [A color photograph of a vitrine containing an EKG printout and several black and white photographs.]
    Caption Milford Graves: Fundamental Frequency. Installation view (ephemera c. 1970s), Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak.
    Image description A color photograph of a vitrine containing an EKG printout and several black and white photographs.
    Year 2021
    Related pages Milford Graves: Fundamental Frequency
  • A view of a column like display planter and multiple images on a white gallery wall. Above the images is a yellow band that wraps around to the adjacent wall with text that reads
    A view of a column like display planter and multiple images on a white gallery wall. Above the images is a yellow band that wraps around to the adjacent wall with text that reads
    ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A view of a column like display planter and multiple images on a white gallery wall. Above the images is a yellow band that wraps around to the adjacent wall with text that reads "A young boy cries, a middle aged housewife may become indignant, a group may become belligerent and/or".]
    Caption ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A view of a column like display planter and multiple images on a white gallery wall. Above the images is a yellow band that wraps around to the adjacent wall with text that reads "A young boy cries, a middle aged housewife may become indignant, a group may become belligerent and/or".
    Year 2021
    Related pages ART CLUB2000
  • A black and white image of a figure in profile with long, wispy hair and a mustache holding a guitar.
    A black and white image of a figure in profile with long, wispy hair and a mustache holding a guitar.
    Tisziji Muñoz [A black and white image of a figure in profile with long, wispy hair and a mustache holding a guitar.]
    Caption Tisziji Muñoz
    Image description A black and white image of a figure in profile with long, wispy hair and a mustache holding a guitar.
    Year
    Related pages Tisziji Muñoz with Francisco Mora Catlett and AfroHORN
  • Caption
    Image description
    Year
    Related pages Abasement #72
  • A gray wall with dozens of drawings arranged in rows of four. The drawings depict single buildings in black on white paper. In front of the wall, a gray object stands on a white plinth.
    A gray wall with dozens of drawings arranged in rows of four. The drawings depict single buildings in black on white paper. In front of the wall, a gray object stands on a white plinth.
    Local Transit. Installation view, Artists Space, 2006. [A gray wall with dozens of drawings arranged in rows of four. The drawings depict single buildings in black on white paper. In front of the wall, a gray object stands on a white plinth.]
    Caption Local Transit. Installation view, Artists Space, 2006.
    Image description A gray wall with dozens of drawings arranged in rows of four. The drawings depict single buildings in black on white paper. In front of the wall, a gray object stands on a white plinth.
    Year 2006
    Related pages Local Transit: An Exhibition in Two Parts
  • A distorted video still of a woman wearing pale makeup and lipstick. Her hair is carefully swept up and decorated with a hairpiece. A double of her image is positioned to her right. The background behind her displays several blurred kanji characters.
    A distorted video still of a woman wearing pale makeup and lipstick. Her hair is carefully swept up and decorated with a hairpiece. A double of her image is positioned to her right. The background behind her displays several blurred kanji characters.
    Edin Velez, still from The Meaning of the Interval, 1987. Video (color, sound). [A distorted video still of a woman wearing pale makeup and lipstick. Her hair is carefully swept up and decorated with a hairpiece. A double of her image is positioned to her right. The background behind her displays several blurred kanji characters.]
    Caption Edin Velez, still from The Meaning of the Interval, 1987. Video (color, sound).
    Image description A distorted video still of a woman wearing pale makeup and lipstick. Her hair is carefully swept up and decorated with a hairpiece. A double of her image is positioned to her right. The background behind her displays several blurred kanji characters.
    Year 1987
    Related pages Japan: Outside/Inside/In Between. Part 1: Outside Looking In
  • A color installation photograph of a black and white abstract painting on a white wall.
    A color installation photograph of a black and white abstract painting on a white wall.
    Richard Klauber. Small Black Painting, 1975. Installation view, Ruth Hardinger, Richard Klauber, Artists Space, 1975. [A color installation photograph of a black and white abstract painting on a white wall.]
    Caption Richard Klauber. Small Black Painting, 1975. Installation view, Ruth Hardinger, Richard Klauber, Artists Space, 1975.
    Image description A color installation photograph of a black and white abstract painting on a white wall.
    Year 1975
    Related pages Ruth Hardinger, Richard Klauber
  • A series of sculptures in a large gallery space with wooden floors. In the center of the image, a dark sculpture forming an hourglass shape rests on a white plinth, while three potted ferns rest on another, low plinth to the right. A long chain with white appendages hangs from the gallery ceiling.
    A series of sculptures in a large gallery space with wooden floors. In the center of the image, a dark sculpture forming an hourglass shape rests on a white plinth, while three potted ferns rest on another, low plinth to the right. A long chain with white appendages hangs from the gallery ceiling.
    Nina in Position. Installation view, Artists Space, 2008. Photo: Bill Orcutt. [A series of sculptures in a large gallery space with wooden floors. In the center of the image, a dark sculpture forming an hourglass shape rests on a white plinth, while three potted ferns rest on another, low plinth to the right. A long chain with white appendages hangs from the gallery ceiling.]
    Caption Nina in Position. Installation view, Artists Space, 2008. Photo: Bill Orcutt.
    Image description A series of sculptures in a large gallery space with wooden floors. In the center of the image, a dark sculpture forming an hourglass shape rests on a white plinth, while three potted ferns rest on another, low plinth to the right. A long chain with white appendages hangs from the gallery ceiling.
    Year 2008
    Related pages Nina in Position
  • Two small tomatoes arranged side-by-side against a blank, white backdrop. Text placed directly underneath the tomatoes reads,
    Two small tomatoes arranged side-by-side against a blank, white backdrop. Text placed directly underneath the tomatoes reads,
    [Two small tomatoes arranged side-by-side against a blank, white backdrop. Text placed directly underneath the tomatoes reads, "Salad Days 2006 ~Second Course~."]
    Caption
    Image description Two small tomatoes arranged side-by-side against a blank, white backdrop. Text placed directly underneath the tomatoes reads, "Salad Days 2006 ~Second Course~."
    Year 2006
    Related pages Salad Days 2
  • Image of a basement with a table made of wood and a fresnel lens tabletop on the right side of the space. Along the top of the image the basement windows are tinted blue.
    Image of a basement with a table made of wood and a fresnel lens tabletop on the right side of the space. Along the top of the image the basement windows are tinted blue.
    SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement with a table made of wood and a fresnel lens tabletop on the right side of the space. Along the top of the image the basement windows are tinted blue.]
    Caption SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a basement with a table made of wood and a fresnel lens tabletop on the right side of the space. Along the top of the image the basement windows are tinted blue.
    Year 2022
    Related pages SCRAAATCH 11-18
  • Black and white image of a crowd of people gathered in a large open space. Several hollow, metal sculptures composed of geometric components are installed in the space. Some performers interact with the sculptures—one figure walks across one of the metal forms that lays on the ground.
    Black and white image of a crowd of people gathered in a large open space. Several hollow, metal sculptures composed of geometric components are installed in the space. Some performers interact with the sculptures—one figure walks across one of the metal forms that lays on the ground.
    Dies alles Herzchen wird einmal dir gehören (All This Darling Will Once Belong To You). Performance organized by Paul Maenz and Peter Roehr, Galerie Dorothea Loehr, September 9, 1967. DVD transfer, 6 mins, 55 secs. [Black and white image of a crowd of people gathered in a large open space. Several hollow, metal sculptures composed of geometric components are installed in the space. Some performers interact with the sculptures—one figure walks across one of the metal forms that lays on the ground.]
    Caption Dies alles Herzchen wird einmal dir gehören (All This Darling Will Once Belong To You). Performance organized by Paul Maenz and Peter Roehr, Galerie Dorothea Loehr, September 9, 1967. DVD transfer, 6 mins, 55 secs.
    Image description Black and white image of a crowd of people gathered in a large open space. Several hollow, metal sculptures composed of geometric components are installed in the space. Some performers interact with the sculptures—one figure walks across one of the metal forms that lays on the ground.
    Year 1967
    Related pages An evening of films surrounding the work of Charlotte Posenenske
  • Color image of a figure reading into a microphone, sitting behind a music stand.
    Color image of a figure reading into a microphone, sitting behind a music stand.
    Yasunao Tone Concert #3. Performance documentation, March 16, 2023, Artists Space. Photo: Destiny Mata [Color image of a figure reading into a microphone, sitting behind a music stand.]
    Caption Yasunao Tone Concert #3. Performance documentation, March 16, 2023, Artists Space. Photo: Destiny Mata
    Image description Color image of a figure reading into a microphone, sitting behind a music stand.
    Year 2023
    Related pages Yasunao Tone Concert #3
  • A large red pole with matching brackets stretches from floor to ceiling, holding up an spread of Artists Space's 1987 *We The People* exhibition catalog. To the left of the pole, a brown paper bag with an illustration of an Indigenous man wearing a ten-gallon hat sits on top of a white desk. To the left of the pole, a bookshelf with floating shelves is partially visible, holding many colorful books.
    A large red pole with matching brackets stretches from floor to ceiling, holding up an spread of Artists Space's 1987 *We The People* exhibition catalog. To the left of the pole, a brown paper bag with an illustration of an Indigenous man wearing a ten-gallon hat sits on top of a white desk. To the left of the pole, a bookshelf with floating shelves is partially visible, holding many colorful books.
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A large red pole with matching brackets stretches from floor to ceiling, holding up an spread of Artists Space's 1987 *We The People* exhibition catalog. To the left of the pole, a brown paper bag with an illustration of an Indigenous man wearing a ten-gallon hat sits on top of a white desk. To the left of the pole, a bookshelf with floating shelves is partially visible, holding many colorful books.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description A large red pole with matching brackets stretches from floor to ceiling, holding up an spread of Artists Space's 1987 *We The People* exhibition catalog. To the left of the pole, a brown paper bag with an illustration of an Indigenous man wearing a ten-gallon hat sits on top of a white desk. To the left of the pole, a bookshelf with floating shelves is partially visible, holding many colorful books.
    Year 2017
    Related pages Unholding
  • Color photograph of a piano. Six solenoids are placed along the piano's strings.
    Color photograph of a piano. Six solenoids are placed along the piano's strings.
    Yasunao Tone: Region of Paramedia. Installation view (Instrument for Aleitheia, 1987), Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a piano. Six solenoids are placed along the piano's strings.]
    Caption Yasunao Tone: Region of Paramedia. Installation view (Instrument for Aleitheia, 1987), Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photograph of a piano. Six solenoids are placed along the piano's strings.
    Year 2023
    Related pages Yasunao Tone: Region of Paramedia
  • The entrance to a gallery space. Two video stills are projected on the wall facing the entrance. The left projector shows a black-and-white film image of two figures in trench coats with paper bags over their heads doing pushups. On the right is a black-and-white film image of a pair of black shoes hanging over a wooden ledge.
    The entrance to a gallery space. Two video stills are projected on the wall facing the entrance. The left projector shows a black-and-white film image of two figures in trench coats with paper bags over their heads doing pushups. On the right is a black-and-white film image of a pair of black shoes hanging over a wooden ledge.
    Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Amiri Baraka, Cellar Vigil (Experimental Death Unit #2), 1966), Artists Space, 2023. Photo: Filip Wolak. [The entrance to a gallery space. Two video stills are projected on the wall facing the entrance. The left projector shows a black-and-white film image of two figures in trench coats with paper bags over their heads doing pushups. On the right is a black-and-white film image of a pair of black shoes hanging over a wooden ledge.]
    Caption Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Amiri Baraka, Cellar Vigil (Experimental Death Unit #2), 1966), Artists Space, 2023. Photo: Filip Wolak.
    Image description The entrance to a gallery space. Two video stills are projected on the wall facing the entrance. The left projector shows a black-and-white film image of two figures in trench coats with paper bags over their heads doing pushups. On the right is a black-and-white film image of a pair of black shoes hanging over a wooden ledge.
    Year 2023
    Related pages Shala Miller, Malcolm Peacock, Amiri Baraka
  • Color photograph of three figures, wearing all white, performing in a dark gallery space. The leftmost figure lays on the floor with their legs spread and hands pushing their chest up. On the right, a figure with a flashlight around their hips stands with their shoulders and head flung back. The third figure contorts their body on the floor in the rightmost corner.
    Color photograph of three figures, wearing all white, performing in a dark gallery space. The leftmost figure lays on the floor with their legs spread and hands pushing their chest up. On the right, a figure with a flashlight around their hips stands with their shoulders and head flung back. The third figure contorts their body on the floor in the rightmost corner.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of three figures, wearing all white, performing in a dark gallery space. The leftmost figure lays on the floor with their legs spread and hands pushing their chest up. On the right, a figure with a flashlight around their hips stands with their shoulders and head flung back. The third figure contorts their body on the floor in the rightmost corner.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of three figures, wearing all white, performing in a dark gallery space. The leftmost figure lays on the floor with their legs spread and hands pushing their chest up. On the right, a figure with a flashlight around their hips stands with their shoulders and head flung back. The third figure contorts their body on the floor in the rightmost corner.
    Year 2022
    Related pages keyon gaskin 12-18
  • White text overlays a rose-colored background with a geometric design. The text reads:
    White text overlays a rose-colored background with a geometric design. The text reads:
    [White text overlays a rose-colored background with a geometric design. The text reads: "Annual Friends of Artists Space Dinner / Celebrating 50 Years / Honoring / Kathy Halbreich/ Yasunao Tone / Monday, May 8, 7pm / The Doubles Club, New York City." Text in the bottom left corner reads: "Festive attire."]
    Caption
    Image description White text overlays a rose-colored background with a geometric design. The text reads: "Annual Friends of Artists Space Dinner / Celebrating 50 Years / Honoring / Kathy Halbreich/ Yasunao Tone / Monday, May 8, 7pm / The Doubles Club, New York City." Text in the bottom left corner reads: "Festive attire."
    Year
    Related pages Support
  • A color image of nine framed works displayed as a grid against a white wall. The drawings are done on black paper and depict abstract compositions made up of colorful shapes and strokes, and white lines and arrows.
    A color image of nine framed works displayed as a grid against a white wall. The drawings are done on black paper and depict abstract compositions made up of colorful shapes and strokes, and white lines and arrows.
    Renee Gladman, Slowly We Have the Feeling: Scores, 2019–22, pastel and pigment on paper (grid of nine), dimensions variable. Image courtesy Artists Space, New York.  Photo: Filip Wolak. [A color image of nine framed works displayed as a grid against a white wall. The drawings are done on black paper and depict abstract compositions made up of colorful shapes and strokes, and white lines and arrows.]
    Caption Renee Gladman, Slowly We Have the Feeling: Scores, 2019–22, pastel and pigment on paper (grid of nine), dimensions variable. Image courtesy Artists Space, New York.  Photo: Filip Wolak.
    Image description A color image of nine framed works displayed as a grid against a white wall. The drawings are done on black paper and depict abstract compositions made up of colorful shapes and strokes, and white lines and arrows.
    Year
    Related pages Renee Gladman
  • Color image of two performers on stage playing the guitar and drums. The performer on the left is wearing round sunglasses with a music stand in front of them. The back wall is lit with small white dots from a disco ball.
    Color image of two performers on stage playing the guitar and drums. The performer on the left is wearing round sunglasses with a music stand in front of them. The back wall is lit with small white dots from a disco ball.
    Abasement #78. Performance documentation, June 16th, 2025, Artists Space. Photo: Joshua Wildman. [Color image of two performers on stage playing the guitar and drums. The performer on the left is wearing round sunglasses with a music stand in front of them. The back wall is lit with small white dots from a disco ball.]
    Caption Abasement #78. Performance documentation, June 16th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Color image of two performers on stage playing the guitar and drums. The performer on the left is wearing round sunglasses with a music stand in front of them. The back wall is lit with small white dots from a disco ball.
    Year
    Related pages Abasement #78
  • A figure in side profile plays the tuba which has been fitted with a microphone at the bell's opening.
    A figure in side profile plays the tuba which has been fitted with a microphone at the bell's opening.
    Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman [A figure in side profile plays the tuba which has been fitted with a microphone at the bell's opening.]
    Caption Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure in side profile plays the tuba which has been fitted with a microphone at the bell's opening.
    Year 2022
    Related pages Tisziji Muñoz with Francisco Mora Catlett and AfroHORN
  • A blue and yellow promotional flyer with text in Spanish.
    A blue and yellow promotional flyer with text in Spanish.
    Zona. Carga y Descarga, Issue 3, 1973. Courtesy Rosario Ferré. [A blue and yellow promotional flyer with text in Spanish.]
    Caption Zona. Carga y Descarga, Issue 3, 1973. Courtesy Rosario Ferré.
    Image description A blue and yellow promotional flyer with text in Spanish.
    Year 1973
    Related pages “Zona. Carga y Descarga” – Minor Literature in a Penal Colony
  • Along the wall is a glass display case holding ephemera, hanging above are two black and white contact sheets.
    Along the wall is a glass display case holding ephemera, hanging above are two black and white contact sheets.
    Till They Listen: Bill Gunn Directs America. Installation view, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [Along the wall is a glass display case holding ephemera, hanging above are two black and white contact sheets.]
    Caption Till They Listen: Bill Gunn Directs America. Installation view, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description Along the wall is a glass display case holding ephemera, hanging above are two black and white contact sheets.
    Year 2021
    Related pages Till They Listen: Bill Gunn Directs America
  • Caption
    Image description
    Year 2019
    Related pages Editions
  • A photograph of a large gallery space with white walls and columns in the center of the room and artworks lining the walls. In the center of the image, visible through the columns, are many small photographs hung in the shape of the letters
    A photograph of a large gallery space with white walls and columns in the center of the room and artworks lining the walls. In the center of the image, visible through the columns, are many small photographs hung in the shape of the letters
    Min Joong Art. Installation view, Artists Space, 1988. [A photograph of a large gallery space with white walls and columns in the center of the room and artworks lining the walls. In the center of the image, visible through the columns, are many small photographs hung in the shape of the letters "DMZ."]
    Caption Min Joong Art. Installation view, Artists Space, 1988.
    Image description A photograph of a large gallery space with white walls and columns in the center of the room and artworks lining the walls. In the center of the image, visible through the columns, are many small photographs hung in the shape of the letters "DMZ."
    Year 1988
    Related pages Min Joong Art: A New Cultural Moment from Korea
  • A person in a red shirt, white cap, and multicolored pants smiles and poses with a tennis racquet, standing atop a large piece of paper with colorful drawings on it. In the background are people sitting on the ground and printed images of trees.
    A person in a red shirt, white cap, and multicolored pants smiles and poses with a tennis racquet, standing atop a large piece of paper with colorful drawings on it. In the background are people sitting on the ground and printed images of trees.
    Ei Arakawa, Mega Please Draw Freely, 2021 (The artist wears Uniqlo Roger Federer) [A person in a red shirt, white cap, and multicolored pants smiles and poses with a tennis racquet, standing atop a large piece of paper with colorful drawings on it. In the background are people sitting on the ground and printed images of trees.]
    Caption Ei Arakawa, Mega Please Draw Freely, 2021 (The artist wears Uniqlo Roger Federer)
    Image description A person in a red shirt, white cap, and multicolored pants smiles and poses with a tennis racquet, standing atop a large piece of paper with colorful drawings on it. In the background are people sitting on the ground and printed images of trees.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab (outdoor performance)
  • Color photograph of two performers, seated side by side, singing into a microphone stand. Next to them can be seen the corner of a hanging screen positioned in the center of the room. Behind and around the performers audience members sit on the floor or stand.
    Color photograph of two performers, seated side by side, singing into a microphone stand. Next to them can be seen the corner of a hanging screen positioned in the center of the room. Behind and around the performers audience members sit on the floor or stand.
    Shala Miller performs Genesis: Medley at Artists Space, co-presented with Frieze New York 2023. Performance documentation, May 19th. Photo by Vanessa Diaz/CKA. Courtesy of Frieze. [Color photograph of two performers, seated side by side, singing into a microphone stand. Next to them can be seen the corner of a hanging screen positioned in the center of the room. Behind and around the performers audience members sit on the floor or stand.]
    Caption Shala Miller performs Genesis: Medley at Artists Space, co-presented with Frieze New York 2023. Performance documentation, May 19th. Photo by Vanessa Diaz/CKA. Courtesy of Frieze.
    Image description Color photograph of two performers, seated side by side, singing into a microphone stand. Next to them can be seen the corner of a hanging screen positioned in the center of the room. Behind and around the performers audience members sit on the floor or stand.
    Year 2023
    Related pages Genesis: Medley
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A television sits on the floor, encaged by a wooden structure extending at an angle into the air. On the walls opposite, there are assorted photographs of varying sizes, showing primarily landscapes.
    A television sits on the floor, encaged by a wooden structure extending at an angle into the air. On the walls opposite, there are assorted photographs of varying sizes, showing primarily landscapes.
    The columns held us up. Installation view, Artists Space, 2009. Photo: Adam Reich. [A television sits on the floor, encaged by a wooden structure extending at an angle into the air. On the walls opposite, there are assorted photographs of varying sizes, showing primarily landscapes.]
    Caption The columns held us up. Installation view, Artists Space, 2009. Photo: Adam Reich.
    Image description A television sits on the floor, encaged by a wooden structure extending at an angle into the air. On the walls opposite, there are assorted photographs of varying sizes, showing primarily landscapes.
    Year 2009
    Related pages The columns held us up
  • Color image of two performers on stage, both seated in chairs. The musician on the left plays a violin while the musician on the right plays a guitar that is placed across their lap. Each musician has several pedals placed on the floor that they control with their feet. Two amps flank the pair of musicians. The musicians and the entire stage is cast in a light pinkish purple light emitted from a projector. A design of overlapping circles with a triangle in the center are projected onto the back wall.
    Color image of two performers on stage, both seated in chairs. The musician on the left plays a violin while the musician on the right plays a guitar that is placed across their lap. Each musician has several pedals placed on the floor that they control with their feet. Two amps flank the pair of musicians. The musicians and the entire stage is cast in a light pinkish purple light emitted from a projector. A design of overlapping circles with a triangle in the center are projected onto the back wall.
    Abasement #67. Performance documentation, January 15, 2024, Artists Space. Photo: Joshua Wildman. [Color image of two performers on stage, both seated in chairs. The musician on the left plays a violin while the musician on the right plays a guitar that is placed across their lap. Each musician has several pedals placed on the floor that they control with their feet. Two amps flank the pair of musicians. The musicians and the entire stage is cast in a light pinkish purple light emitted from a projector. A design of overlapping circles with a triangle in the center are projected onto the back wall.]
    Caption Abasement #67. Performance documentation, January 15, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Color image of two performers on stage, both seated in chairs. The musician on the left plays a violin while the musician on the right plays a guitar that is placed across their lap. Each musician has several pedals placed on the floor that they control with their feet. Two amps flank the pair of musicians. The musicians and the entire stage is cast in a light pinkish purple light emitted from a projector. A design of overlapping circles with a triangle in the center are projected onto the back wall.
    Year
    Related pages Abasement #67
  • A black and white installation photograph of a sculpture. The work features two wooden rods, connected to form an obtuse angle in the center. The end of each rod has a set of wheels, and the piece rests on a sling-like piece of sturdy fabric.
    A black and white installation photograph of a sculpture. The work features two wooden rods, connected to form an obtuse angle in the center. The end of each rod has a set of wheels, and the piece rests on a sling-like piece of sturdy fabric.
    Louisa Chase. Installation view, Louisa Chase, Ted Stamm, Meryl Vladimer, Artists Space, 1975. [A black and white installation photograph of a sculpture. The work features two wooden rods, connected to form an obtuse angle in the center. The end of each rod has a set of wheels, and the piece rests on a sling-like piece of sturdy fabric.]
    Caption Louisa Chase. Installation view, Louisa Chase, Ted Stamm, Meryl Vladimer, Artists Space, 1975.
    Image description A black and white installation photograph of a sculpture. The work features two wooden rods, connected to form an obtuse angle in the center. The end of each rod has a set of wheels, and the piece rests on a sling-like piece of sturdy fabric.
    Year 1975
    Related pages Louisa Chase, Ted Stamm, Meryl Vladimer
  • A metal statue is being lifted from its platform by a crane via ropes around its neck and feet. A large building is visible behind it.
    A metal statue is being lifted from its platform by a crane via ropes around its neck and feet. A large building is visible behind it.
    [A metal statue is being lifted from its platform by a crane via ropes around its neck and feet. A large building is visible behind it.]
    Caption
    Image description A metal statue is being lifted from its platform by a crane via ropes around its neck and feet. A large building is visible behind it.
    Year 1991
    Related pages Western Agenda
  • Circular bricolage sculpture in a white-walled gallery space.
    Circular bricolage sculpture in a white-walled gallery space.
    Lizbeth Marano. Third Circle, 1985. [Circular bricolage sculpture in a white-walled gallery space.]
    Caption Lizbeth Marano. Third Circle, 1985.
    Image description Circular bricolage sculpture in a white-walled gallery space.
    Year
    Related pages Four Artists: An Exhibition of Painting and Sculpture
  • A bulbous light-hued pink sphere-like object rests upon a white plinth. When in use, a red light on the object blinks to signal that the object is functioning correctly.
    A bulbous light-hued pink sphere-like object rests upon a white plinth. When in use, a red light on the object blinks to signal that the object is functioning correctly.
    Cici Wu, Foreign Object #1 Fluffy Light (anonymous), 2018. Handmade opalescent glass, CDS photo-reflectors, white and orange LED indicator, switch, chargeable battery, electronic board, memory cardboard. 4.5 × 4.5 × 4.5 in. (11.43 × 11.43 × 11.43 cm). Courtesy the artist and 47 Canal Gallery. Photo by Joerg Lohse. [A bulbous light-hued pink sphere-like object rests upon a white plinth. When in use, a red light on the object blinks to signal that the object is functioning correctly.]
    Caption Cici Wu, Foreign Object #1 Fluffy Light (anonymous), 2018. Handmade opalescent glass, CDS photo-reflectors, white and orange LED indicator, switch, chargeable battery, electronic board, memory cardboard. 4.5 × 4.5 × 4.5 in. (11.43 × 11.43 × 11.43 cm). Courtesy the artist and 47 Canal Gallery. Photo by Joerg Lohse.
    Image description A bulbous light-hued pink sphere-like object rests upon a white plinth. When in use, a red light on the object blinks to signal that the object is functioning correctly.
    Year 2018
    Related pages Whitney ISP Archive
  • The artist devynn emory in their grandmother's fleece jacket covered in polar bears, standing in front of a silver sterile table. In the background is collaborator Joseph and cinematographer Jorge discussing where the ancestor forms draped in yellow fabric should be placed.
    The artist devynn emory in their grandmother's fleece jacket covered in polar bears, standing in front of a silver sterile table. In the background is collaborator Joseph and cinematographer Jorge discussing where the ancestor forms draped in yellow fabric should be placed.
    Photo: Reily Horan [The artist devynn emory in their grandmother's fleece jacket covered in polar bears, standing in front of a silver sterile table. In the background is collaborator Joseph and cinematographer Jorge discussing where the ancestor forms draped in yellow fabric should be placed.]
    Caption Photo: Reily Horan
    Image description The artist devynn emory in their grandmother's fleece jacket covered in polar bears, standing in front of a silver sterile table. In the background is collaborator Joseph and cinematographer Jorge discussing where the ancestor forms draped in yellow fabric should be placed.
    Year
    Related pages Grandmother Cindy
  • A photograph of a gallery space with a long rectangular table and chair in the background. In the foreground is a bookshelf with a row of books with silver covers.
    A photograph of a gallery space with a long rectangular table and chair in the background. In the foreground is a bookshelf with a row of books with silver covers.
    Tiffany Sia: Slippery When Wet. Installation view, Artists Space, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A photograph of a gallery space with a long rectangular table and chair in the background. In the foreground is a bookshelf with a row of books with silver covers.]
    Caption Tiffany Sia: Slippery When Wet. Installation view, Artists Space, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A photograph of a gallery space with a long rectangular table and chair in the background. In the foreground is a bookshelf with a row of books with silver covers.
    Year 2021
    Related pages Tiffany Sia: Slippery When Wet
  • Seven small, color photographic prints installed in light wooden frames on a white gallery wall. The photographs are displayed side-by-side in a horizontal line, some displayed in a landscape and some in a portrait orientation. All display images of various buildings in sunny environments.
    Seven small, color photographic prints installed in light wooden frames on a white gallery wall. The photographs are displayed side-by-side in a horizontal line, some displayed in a landscape and some in a portrait orientation. All display images of various buildings in sunny environments.
    Urban Pornography. Installation view, Artists Space, 2001. [Seven small, color photographic prints installed in light wooden frames on a white gallery wall. The photographs are displayed side-by-side in a horizontal line, some displayed in a landscape and some in a portrait orientation. All display images of various buildings in sunny environments.]
    Caption Urban Pornography. Installation view, Artists Space, 2001.
    Image description Seven small, color photographic prints installed in light wooden frames on a white gallery wall. The photographs are displayed side-by-side in a horizontal line, some displayed in a landscape and some in a portrait orientation. All display images of various buildings in sunny environments.
    Year 2001
    Related pages Urban Pornography
  • A book cover with an old car vertically arranged next to Arabic writing.
    A book cover with an old car vertically arranged next to Arabic writing.
    Peter Osborne, Anywhere or Not At All (Verso Books, 2013). [A book cover with an old car vertically arranged next to Arabic writing.]
    Caption Peter Osborne, Anywhere or Not At All (Verso Books, 2013).
    Image description A book cover with an old car vertically arranged next to Arabic writing.
    Year 2013
    Related pages Anywhere or Not at All
  • Black text overlays a color-scheme grid background. The text reads: “Dec 9 / Jessica Laser / Jillian McManemin
    Black text overlays a color-scheme grid background. The text reads: “Dec 9 / Jessica Laser / Jillian McManemin
    [Black text overlays a color-scheme grid background. The text reads: “Dec 9 / Jessica Laser / Jillian McManemin" Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description Black text overlays a color-scheme grid background. The text reads: “Dec 9 / Jessica Laser / Jillian McManemin" Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year
    Related pages Segue Reading Series: Jessica Laser & Jillian McManemin
  • Cosima von Bonin
    Le Chic, 2023
    Enamel on wood
    (Two color options: red & grey or red & white)
    25 x 4 ½ x 4 ½ inches
    Edition of 20 with 5 APs
    Introductory price: $5,000 each
    Caption Cosima von Bonin
    Le Chic, 2023
    Enamel on wood
    (Two color options: red & grey or red & white)
    25 x 4 ½ x 4 ½ inches
    Edition of 20 with 5 APs
    Introductory price: $5,000 each
    Image description
    Year 2023
    Related pages Cosima von Bonin
  • A photograph of a print mounted on a pink gallery wall next to wall text. Below the wall text is a table with papers stacked on top.
    A photograph of a print mounted on a pink gallery wall next to wall text. Below the wall text is a table with papers stacked on top.
    Adjua Gargi Nzinga Greaves: The x in florxal is silent when spoken. Installation view, Artists Space, 2021. Photo: Filip Wolak. Courtesy Artists Space, New York. [A photograph of a print mounted on a pink gallery wall next to wall text. Below the wall text is a table with papers stacked on top.]
    Caption Adjua Gargi Nzinga Greaves: The x in florxal is silent when spoken. Installation view, Artists Space, 2021. Photo: Filip Wolak. Courtesy Artists Space, New York.
    Image description A photograph of a print mounted on a pink gallery wall next to wall text. Below the wall text is a table with papers stacked on top.
    Year 2021
    Related pages Adjua Gargi Nzinga Greaves
  • A seated figure plays a guitar that lies in his lap.
    A seated figure plays a guitar that lies in his lap.
    Eiko Ishibashi: Two New York Nights. Performance documentation, June 9, 2022, 8pm. Artists Space, New York. Photo: Paula Court [A seated figure plays a guitar that lies in his lap.]
    Caption Eiko Ishibashi: Two New York Nights. Performance documentation, June 9, 2022, 8pm. Artists Space, New York. Photo: Paula Court
    Image description A seated figure plays a guitar that lies in his lap.
    Year 2022
    Related pages Eiko Ishibashi in Concert
  • Color image of a figure on a black stage, seated behind a white desk. They are looking attentively at a laptop screen in front of them which is open to a computer program.
    Color image of a figure on a black stage, seated behind a white desk. They are looking attentively at a laptop screen in front of them which is open to a computer program.
    Yasunao Tone Concert #3. Performance documentation, March 16, 2023, Artists Space. Photo: Destiny Mata [Color image of a figure on a black stage, seated behind a white desk. They are looking attentively at a laptop screen in front of them which is open to a computer program.]
    Caption Yasunao Tone Concert #3. Performance documentation, March 16, 2023, Artists Space. Photo: Destiny Mata
    Image description Color image of a figure on a black stage, seated behind a white desk. They are looking attentively at a laptop screen in front of them which is open to a computer program.
    Year 2023
    Related pages Yasunao Tone Concert #3
  • A gallery space with two columns. One column is wrapped in an off-white fabric, the other in bright pink. There are four white plinths of various heights with gray objects on top. One of the surrounding walls has a long sheet of paper with a drawing of highway signs and a gas station on it; the other has colorful framed images.
    A gallery space with two columns. One column is wrapped in an off-white fabric, the other in bright pink. There are four white plinths of various heights with gray objects on top. One of the surrounding walls has a long sheet of paper with a drawing of highway signs and a gas station on it; the other has colorful framed images.
    Local Transit. Installation view, Artists Space, 2006. [A gallery space with two columns. One column is wrapped in an off-white fabric, the other in bright pink. There are four white plinths of various heights with gray objects on top. One of the surrounding walls has a long sheet of paper with a drawing of highway signs and a gas station on it; the other has colorful framed images.]
    Caption Local Transit. Installation view, Artists Space, 2006.
    Image description A gallery space with two columns. One column is wrapped in an off-white fabric, the other in bright pink. There are four white plinths of various heights with gray objects on top. One of the surrounding walls has a long sheet of paper with a drawing of highway signs and a gas station on it; the other has colorful framed images.
    Year 2006
    Related pages Local Transit: An Exhibition in Two Parts
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Five framed works on paper, one individual work on the left and a cluster of four on the right, hang on a white gallery wall. Works feature abstract, calligraphic strokes in black ink on paper. Individual work on the left includes hand-painted text reading
    Five framed works on paper, one individual work on the left and a cluster of four on the right, hang on a white gallery wall. Works feature abstract, calligraphic strokes in black ink on paper. Individual work on the left includes hand-painted text reading
    Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak. [Five framed works on paper, one individual work on the left and a cluster of four on the right, hang on a white gallery wall. Works feature abstract, calligraphic strokes in black ink on paper. Individual work on the left includes hand-painted text reading "3 concerts, improvised music. La Monte Young - sopranino saxophone, Angus MacLise - hand drums, drone, 8-12pm Sundays - August 12, 19, 26, 10-4 Group Gallery, 73 4th Avenue, contribution $1.50" ]
    Caption Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak.
    Image description Five framed works on paper, one individual work on the left and a cluster of four on the right, hang on a white gallery wall. Works feature abstract, calligraphic strokes in black ink on paper. Individual work on the left includes hand-painted text reading "3 concerts, improvised music. La Monte Young - sopranino saxophone, Angus MacLise - hand drums, drone, 8-12pm Sundays - August 12, 19, 26, 10-4 Group Gallery, 73 4th Avenue, contribution $1.50"
    Year
    Related pages Dream Lines: Drawings by Marian Zazeela
  • A discolored envolope, stained and frayed, with cursive handwriting that reads
    A discolored envolope, stained and frayed, with cursive handwriting that reads
    Rent check envelope prop, c.1970s. Copyright Jack Smith Archive. Courtesy Gladstone Gallery, New York and Brussels [A discolored envolope, stained and frayed, with cursive handwriting that reads "The Lobster Lucky Landlord Paradise".]
    Caption Rent check envelope prop, c.1970s. Copyright Jack Smith Archive. Courtesy Gladstone Gallery, New York and Brussels
    Image description A discolored envolope, stained and frayed, with cursive handwriting that reads "The Lobster Lucky Landlord Paradise".
    Year
    Related pages Jack Smith: Art Crust of Spiritual Oasis
  • A photograph made in a two mirror Schlieren system with knife edge shows the silhouette of a hand holding a small lit flame in front of a round mirror, staged in a black surround. Typically invisible, heat waves are visible along the golden shadowy gradient of a telescope mirror. At the bottom a candle’s wick and its mirror image break the circle.
    A photograph made in a two mirror Schlieren system with knife edge shows the silhouette of a hand holding a small lit flame in front of a round mirror, staged in a black surround. Typically invisible, heat waves are visible along the golden shadowy gradient of a telescope mirror. At the bottom a candle’s wick and its mirror image break the circle.
    Constantina Zavitsanos, the one who knows may show the one who knows (detail), 2024. Digital print on dibond. 30 x 30 in. [A photograph made in a two mirror Schlieren system with knife edge shows the silhouette of a hand holding a small lit flame in front of a round mirror, staged in a black surround. Typically invisible, heat waves are visible along the golden shadowy gradient of a telescope mirror. At the bottom a candle’s wick and its mirror image break the circle.]
    Caption Constantina Zavitsanos, the one who knows may show the one who knows (detail), 2024. Digital print on dibond. 30 x 30 in.
    Image description A photograph made in a two mirror Schlieren system with knife edge shows the silhouette of a hand holding a small lit flame in front of a round mirror, staged in a black surround. Typically invisible, heat waves are visible along the golden shadowy gradient of a telescope mirror. At the bottom a candle’s wick and its mirror image break the circle.
    Year
    Related pages fwiw
  • White text on a bright fuchsia background. The text reads: “Nov 1 / Terrence Arjoon / Laura Henriksen.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    White text on a bright fuchsia background. The text reads: “Nov 1 / Terrence Arjoon / Laura Henriksen.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [White text on a bright fuchsia background. The text reads: “Nov 1 / Terrence Arjoon / Laura Henriksen.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description White text on a bright fuchsia background. The text reads: “Nov 1 / Terrence Arjoon / Laura Henriksen.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Terrence Arjoon & Laura Henriksen
  • Color photograph of a figure dressed in white, laying on the floor of a dark room. The figure has one leg raised in the air, shining a light from their pelvic area onto the floor and wall across from them. A small TV monitor sits in the corner.
    Color photograph of a figure dressed in white, laying on the floor of a dark room. The figure has one leg raised in the air, shining a light from their pelvic area onto the floor and wall across from them. A small TV monitor sits in the corner.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure dressed in white, laying on the floor of a dark room. The figure has one leg raised in the air, shining a light from their pelvic area onto the floor and wall across from them. A small TV monitor sits in the corner.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a figure dressed in white, laying on the floor of a dark room. The figure has one leg raised in the air, shining a light from their pelvic area onto the floor and wall across from them. A small TV monitor sits in the corner.
    Year 2022
    Related pages keyon gaskin 12-16
  • A grainy, black and white image of a vintage automobile driving on a winding, deserted road through a set of mountains. The car is in the foreground of the image, with part of its body cut off by the image's frame.
    A grainy, black and white image of a vintage automobile driving on a winding, deserted road through a set of mountains. The car is in the foreground of the image, with part of its body cut off by the image's frame.
    [A grainy, black and white image of a vintage automobile driving on a winding, deserted road through a set of mountains. The car is in the foreground of the image, with part of its body cut off by the image's frame.]
    Caption
    Image description A grainy, black and white image of a vintage automobile driving on a winding, deserted road through a set of mountains. The car is in the foreground of the image, with part of its body cut off by the image's frame.
    Year 2007
    Related pages Program 4 - In The Poem About Love You Don't Write The Word Love Film Series at Anthology Film Archives
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Fuel prices listed in white numbers separated by red lines on a dark blue display sign.
    Fuel prices listed in white numbers separated by red lines on a dark blue display sign.
    [Fuel prices listed in white numbers separated by red lines on a dark blue display sign.]
    Caption
    Image description Fuel prices listed in white numbers separated by red lines on a dark blue display sign.
    Year
    Related pages Contemporary Architecture - an installation by realities:united
  • A text banner with a warm pastel yellow and green border, which reads
    A text banner with a warm pastel yellow and green border, which reads
    [A text banner with a warm pastel yellow and green border, which reads "IT CLOSES AT SUNSET", in a rounded-word Art style font. The shadows behind each letter are visible.]
    Caption
    Image description A text banner with a warm pastel yellow and green border, which reads "IT CLOSES AT SUNSET", in a rounded-word Art style font. The shadows behind each letter are visible.
    Year 2016
    Related pages Lukas Duwenhögger: Undoolay
  • A figure to the right stands on stage and performs in front of an audience, shown to the left.
    A figure to the right stands on stage and performs in front of an audience, shown to the left.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure to the right stands on stage and performs in front of an audience, shown to the left.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure to the right stands on stage and performs in front of an audience, shown to the left.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
  • Two people on a city street in front of a graffitied brick wall. One faces the camera, holding a megaphone and a piece of paper at his sides. The other is walking, facing the side, and speaking into her megaphone and reading off a sheet of paper.
    Two people on a city street in front of a graffitied brick wall. One faces the camera, holding a megaphone and a piece of paper at his sides. The other is walking, facing the side, and speaking into her megaphone and reading off a sheet of paper.
    [Two people on a city street in front of a graffitied brick wall. One faces the camera, holding a megaphone and a piece of paper at his sides. The other is walking, facing the side, and speaking into her megaphone and reading off a sheet of paper.]
    Caption
    Image description Two people on a city street in front of a graffitied brick wall. One faces the camera, holding a megaphone and a piece of paper at his sides. The other is walking, facing the side, and speaking into her megaphone and reading off a sheet of paper.
    Year 2009
    Related pages Adam Pendleton
  • Two paintings hung on white walls meeting in a corner. The paintings are colorful, predominantly pink and red.
    Two paintings hung on white walls meeting in a corner. The paintings are colorful, predominantly pink and red.
    Salad Days. Installation view, Artists Space, 2004. [Two paintings hung on white walls meeting in a corner. The paintings are colorful, predominantly pink and red.]
    Caption Salad Days. Installation view, Artists Space, 2004.
    Image description Two paintings hung on white walls meeting in a corner. The paintings are colorful, predominantly pink and red.
    Year 2004
    Related pages Salad Days
  • A white wall displaying nine framed photographs of people. In the foreground, there is a vitrine with papers encased in glass.
    A white wall displaying nine framed photographs of people. In the foreground, there is a vitrine with papers encased in glass.
    Mark Morrisroe: From This Moment On. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A white wall displaying nine framed photographs of people. In the foreground, there is a vitrine with papers encased in glass.]
    Caption Mark Morrisroe: From This Moment On. Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description A white wall displaying nine framed photographs of people. In the foreground, there is a vitrine with papers encased in glass.
    Year 2011
    Related pages Mark Morrisroe: From This Moment On
  • Nine fanned announcement cards in assorted colors. Black text on each card announces the Lise Soskolne exhibition at Artists Space, noting the time and exhibition location.
    Nine fanned announcement cards in assorted colors. Black text on each card announces the Lise Soskolne exhibition at Artists Space, noting the time and exhibition location.
    Exhibition announcements (assorted). Artists Space, 1999. Graphic Design: Sara Soskolne. [Nine fanned announcement cards in assorted colors. Black text on each card announces the Lise Soskolne exhibition at Artists Space, noting the time and exhibition location.]
    Caption Exhibition announcements (assorted). Artists Space, 1999. Graphic Design: Sara Soskolne.
    Image description Nine fanned announcement cards in assorted colors. Black text on each card announces the Lise Soskolne exhibition at Artists Space, noting the time and exhibition location.
    Year 1999
    Related pages Lise Soskolne
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    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • The front and back flaps of a book cover design featuring an image of a gallery installation. Various artworks, one floorstanding case, and a column are visible in the space.
    The front and back flaps of a book cover design featuring an image of a gallery installation. Various artworks, one floorstanding case, and a column are visible in the space.
    Edited by Julie Ault, Martin Beck and Richard Birkett, Macho Man, Tell It To My Heart: Collected by Julie Ault Vol. 2 (Berlin: Hatje Cantz, 2016). [The front and back flaps of a book cover design featuring an image of a gallery installation. Various artworks, one floorstanding case, and a column are visible in the space.]
    Caption Edited by Julie Ault, Martin Beck and Richard Birkett, Macho Man, Tell It To My Heart: Collected by Julie Ault Vol. 2 (Berlin: Hatje Cantz, 2016).
    Image description The front and back flaps of a book cover design featuring an image of a gallery installation. Various artworks, one floorstanding case, and a column are visible in the space.
    Year 2016
    Related pages Tell It To My Heart - Collected By Julie Ault, Volume 2
  • Contact sheet of installation images taken during exhibition opening.
    Contact sheet of installation images taken during exhibition opening.
    Gary Burnley, Martin Cohen, Candace Hill-Montgomery, Louis Stein, and Haim Steinbach. Contact sheet of photos from exhibition opening, Artists Space, 1979. Photos by Gary Burnley. [Contact sheet of installation images taken during exhibition opening.]
    Caption Gary Burnley, Martin Cohen, Candace Hill-Montgomery, Louis Stein, and Haim Steinbach. Contact sheet of photos from exhibition opening, Artists Space, 1979. Photos by Gary Burnley.
    Image description Contact sheet of installation images taken during exhibition opening.
    Year 1979
    Related pages Display #7, Haim Steinbach
  • A variety of images of covers and photographs of nude and semi-nude people is displayed on a white background.
    A variety of images of covers and photographs of nude and semi-nude people is displayed on a white background.
    Mark Morrisroe: From This Moment On. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A variety of images of covers and photographs of nude and semi-nude people is displayed on a white background.]
    Caption Mark Morrisroe: From This Moment On. Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description A variety of images of covers and photographs of nude and semi-nude people is displayed on a white background.
    Year 2011
    Related pages Mark Morrisroe: From This Moment On
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    Related pages Cold Drink: Film and Video Festival
  • A row of small folded blue books are displayed on a black table. A piece of white coral is also placed in the middle of the table.
    A row of small folded blue books are displayed on a black table. A piece of white coral is also placed in the middle of the table.
    Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang. [A row of small folded blue books are displayed on a black table. A piece of white coral is also placed in the middle of the table.]
    Caption Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang.
    Image description A row of small folded blue books are displayed on a black table. A piece of white coral is also placed in the middle of the table.
    Year 2023
    Related pages Chang Yuchen: Coral Dictionary Vol. 1, 2019-2022
  • A figure stands on stage speaking into a microphone.
    A figure stands on stage speaking into a microphone.
    Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [A figure stands on stage speaking into a microphone.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure stands on stage speaking into a microphone.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-10
  • An equilateral triangle filled with a white and purple gradient. The triangle's bottom right corner is a dark purple color, while its bottom left corner is a bright white color.
    An equilateral triangle filled with a white and purple gradient. The triangle's bottom right corner is a dark purple color, while its bottom left corner is a bright white color.
    [An equilateral triangle filled with a white and purple gradient. The triangle's bottom right corner is a dark purple color, while its bottom left corner is a bright white color.]
    Caption
    Image description An equilateral triangle filled with a white and purple gradient. The triangle's bottom right corner is a dark purple color, while its bottom left corner is a bright white color.
    Year 2013
    Related pages Frozen Lakes
  • A view of multiple works including an orange wall that reads
    A view of multiple works including an orange wall that reads
    ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A view of multiple works including an orange wall that reads "Wandering with no specific intent or has something specific in mind but doesn't tell what it is." met with a tower of gap shoe boxes. Near the gallery wall are life like cutouts of individuals dressed in animal costumes.]
    Caption ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A view of multiple works including an orange wall that reads "Wandering with no specific intent or has something specific in mind but doesn't tell what it is." met with a tower of gap shoe boxes. Near the gallery wall are life like cutouts of individuals dressed in animal costumes.
    Year 2021
    Related pages ART CLUB2000
  • Two black and white images of the faces of two women projected side-by-side. The woman on the left is in profile and appears to speak in both frames, while the woman to her right appears to glance towards her companion in the first frame, and speak in the second.
    Two black and white images of the faces of two women projected side-by-side. The woman on the left is in profile and appears to speak in both frames, while the woman to her right appears to glance towards her companion in the first frame, and speak in the second.
    OUTER AND INNER SPACE. Andy Warhol, 1965. 16mm film (sound, black and white, double-screen projection), 33 minutes. [Two black and white images of the faces of two women projected side-by-side. The woman on the left is in profile and appears to speak in both frames, while the woman to her right appears to glance towards her companion in the first frame, and speak in the second.]
    Caption OUTER AND INNER SPACE. Andy Warhol, 1965. 16mm film (sound, black and white, double-screen projection), 33 minutes.
    Image description Two black and white images of the faces of two women projected side-by-side. The woman on the left is in profile and appears to speak in both frames, while the woman to her right appears to glance towards her companion in the first frame, and speak in the second.
    Year 1965
    Related pages In The Poem About Love You Don't Write The Word Love Film Series at Anthology Film Archives
  • Detail view of a display case with two screens, one resting partially on another. A person's smiling face is visible on the bottom monitor.
    Detail view of a display case with two screens, one resting partially on another. A person's smiling face is visible on the bottom monitor.
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Detail view of a display case with two screens, one resting partially on another. A person's smiling face is visible on the bottom monitor.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Detail view of a display case with two screens, one resting partially on another. A person's smiling face is visible on the bottom monitor.
    Year
    Related pages Bernadette Corporation: 2000 Wasted Years
  • Constantina Zavitsanos, LEAVE - A - PENNY / TAKE - A - PENNY, 2024, Bronze, 4.5 in. x 4.25 in. x 1.5 in.
    Caption Constantina Zavitsanos, LEAVE - A - PENNY / TAKE - A - PENNY, 2024, Bronze, 4.5 in. x 4.25 in. x 1.5 in.
    Image description
    Year
    Related pages fwiw
  • Architectural drawing on center of page with white surrounding it.
    Architectural drawing on center of page with white surrounding it.
    Ian Bader. Spalation Clock, 1977. Section 1. [Architectural drawing on center of page with white surrounding it.]
    Caption Ian Bader. Spalation Clock, 1977. Section 1.
    Image description Architectural drawing on center of page with white surrounding it.
    Year 1977
    Related pages Architecture Project
  • Two figures stand on stage next to each other, holding hands and smiling at the audience.
    Two figures stand on stage next to each other, holding hands and smiling at the audience.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [Two figures stand on stage next to each other, holding hands and smiling at the audience.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description Two figures stand on stage next to each other, holding hands and smiling at the audience.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
  • Wolfgang Tillmans exhibition at David Zwirner, 2024
    Caption Wolfgang Tillmans exhibition at David Zwirner, 2024
    Image description
    Year
    Related pages BRIDGE Photography
  • In the foreground is a set of vacuum cleaners on display vertically above each other on a plexiglass shelf rack with fluourescent lights underneath each one. Behind it on a wall is a Duratrans on a lightbox with text that reads:
    In the foreground is a set of vacuum cleaners on display vertically above each other on a plexiglass shelf rack with fluourescent lights underneath each one. Behind it on a wall is a Duratrans on a lightbox with text that reads:
    Installation view. Artists Space, 1983. Foreground: Jeff Koons. New Wet/Dry Triple Decker, 1982. Plexiglass, fluorescent light, new vacuum cleaners. 124 1/2 x 28 x 28 inches. [In the foreground is a set of vacuum cleaners on display vertically above each other on a plexiglass shelf rack with fluourescent lights underneath each one. Behind it on a wall is a Duratrans on a lightbox with text that reads: "New 100% Meri Ultra-lights" and a picture of a pack of ciagrettes appears next to the text. These works appear in a white-walled gallery space with a window in the far left back and a fluorescent light visible above.]
    Caption Installation view. Artists Space, 1983. Foreground: Jeff Koons. New Wet/Dry Triple Decker, 1982. Plexiglass, fluorescent light, new vacuum cleaners. 124 1/2 x 28 x 28 inches.
    Image description In the foreground is a set of vacuum cleaners on display vertically above each other on a plexiglass shelf rack with fluourescent lights underneath each one. Behind it on a wall is a Duratrans on a lightbox with text that reads: "New 100% Meri Ultra-lights" and a picture of a pack of ciagrettes appears next to the text. These works appear in a white-walled gallery space with a window in the far left back and a fluorescent light visible above.
    Year 1983
    Related pages Los Angeles/New York Exchange
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    Related pages Milford Graves: Fundamental Frequency
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A color installation view of a gallery space. On the left wall are six black and white photographs and a television monitor positioned on the floor. In the background, another wall-mounted television monitor is visible along with a large wall hanging and two sculptures. The space is bisected by three dark columns.
    A color installation view of a gallery space. On the left wall are six black and white photographs and a television monitor positioned on the floor. In the background, another wall-mounted television monitor is visible along with a large wall hanging and two sculptures. The space is bisected by three dark columns.
    Milford Graves: Fundamental Frequency. Installation view, Artists Space, October 8, 2021 – January 15, 2022. Image courtesy Artists Space, New York. Photo: Filip Wolak. [A color installation view of a gallery space. On the left wall are six black and white photographs and a television monitor positioned on the floor. In the background, another wall-mounted television monitor is visible along with a large wall hanging and two sculptures. The space is bisected by three dark columns.]
    Caption Milford Graves: Fundamental Frequency. Installation view, Artists Space, October 8, 2021 – January 15, 2022. Image courtesy Artists Space, New York. Photo: Filip Wolak.
    Image description A color installation view of a gallery space. On the left wall are six black and white photographs and a television monitor positioned on the floor. In the background, another wall-mounted television monitor is visible along with a large wall hanging and two sculptures. The space is bisected by three dark columns.
    Year 2021
    Related pages Milford Graves: Fundamental Frequency
  • Three standing lights point to illuminate a white wall. Standing beside them facing the wall is a figure wearing a coat and a hat with her hands lightly clasped behind her back. Barely visible on the wall beside her are stenciled outlines of trees.
    Three standing lights point to illuminate a white wall. Standing beside them facing the wall is a figure wearing a coat and a hat with her hands lightly clasped behind her back. Barely visible on the wall beside her are stenciled outlines of trees.
    Beech Forest. Performance view, Artists Space, 2007. [Three standing lights point to illuminate a white wall. Standing beside them facing the wall is a figure wearing a coat and a hat with her hands lightly clasped behind her back. Barely visible on the wall beside her are stenciled outlines of trees.]
    Caption Beech Forest. Performance view, Artists Space, 2007.
    Image description Three standing lights point to illuminate a white wall. Standing beside them facing the wall is a figure wearing a coat and a hat with her hands lightly clasped behind her back. Barely visible on the wall beside her are stenciled outlines of trees.
    Year 2007
    Related pages When Time Becomes Form: Beech Forest
  • A picture of a man in a coat sits above a series of books on a shelf.
    A picture of a man in a coat sits above a series of books on a shelf.
    She Who Is: Adrienne Kennedy and the Drama of Difference. Installation view, Artists Space, February 29 – September 19, 2020. Photo: Filip Wolak. [A picture of a man in a coat sits above a series of books on a shelf.]
    Caption She Who Is: Adrienne Kennedy and the Drama of Difference. Installation view, Artists Space, February 29 – September 19, 2020. Photo: Filip Wolak.
    Image description A picture of a man in a coat sits above a series of books on a shelf.
    Year 2020
    Related pages She Who Is: Adrienne Kennedy and the Drama of Difference
  • Black-and-white photograph of a figure, walking in the middle of the frame between two sets of suspended wires that run from across the room. The figures hands manipulate the wires on each side of them.
    Black-and-white photograph of a figure, walking in the middle of the frame between two sets of suspended wires that run from across the room. The figures hands manipulate the wires on each side of them.
    Other Minds, San Francisco. Photo: John Fago [Black-and-white photograph of a figure, walking in the middle of the frame between two sets of suspended wires that run from across the room. The figures hands manipulate the wires on each side of them.]
    Caption Other Minds, San Francisco. Photo: John Fago
    Image description Black-and-white photograph of a figure, walking in the middle of the frame between two sets of suspended wires that run from across the room. The figures hands manipulate the wires on each side of them.
    Year
    Related pages Ellen Fullman
  • Color photograph of a white gallery wall with three vitrines containing musical scores built into the wall. On top of the vitrine is a manipulated flute, and a series of black-and-white images. Two black-and-white photographs are hung to the right of the vitrine.
    Color photograph of a white gallery wall with three vitrines containing musical scores built into the wall. On top of the vitrine is a manipulated flute, and a series of black-and-white images. Two black-and-white photographs are hung to the right of the vitrine.
    Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a white gallery wall with three vitrines containing musical scores built into the wall. On top of the vitrine is a manipulated flute, and a series of black-and-white images. Two black-and-white photographs are hung to the right of the vitrine.]
    Caption Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photograph of a white gallery wall with three vitrines containing musical scores built into the wall. On top of the vitrine is a manipulated flute, and a series of black-and-white images. Two black-and-white photographs are hung to the right of the vitrine.
    Year 2023
    Related pages Yasunao Tone: Region of Paramedia
  • A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979. [A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.]
    Caption Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979.
    Image description A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    Year 1979
    Related pages Patricia Hearst - A Second Reading
  • A moving image of a hand appearing in front of a black background. It's fingers positioned upwards in a wide pinch.
    A moving image of a hand appearing in front of a black background. It's fingers positioned upwards in a wide pinch.
    Hito Steyerl, excerpt from Duty-Free Art, 2015. [A moving image of a hand appearing in front of a black background. It's fingers positioned upwards in a wide pinch.]
    Caption Hito Steyerl, excerpt from Duty-Free Art, 2015.
    Image description A moving image of a hand appearing in front of a black background. It's fingers positioned upwards in a wide pinch.
    Year 2015
    Related pages Hito Steyerl
  • Two figures musicians perform on stage. On the foreground, a figure is playing the drums. On the background sits a guitar player. Blue and red lights are projected on the back wall.
    Two figures musicians perform on stage. On the foreground, a figure is playing the drums. On the background sits a guitar player. Blue and red lights are projected on the back wall.
    Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman. [Two figures musicians perform on stage. On the foreground, a figure is playing the drums. On the background sits a guitar player. Blue and red lights are projected on the back wall.]
    Caption Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman.
    Image description Two figures musicians perform on stage. On the foreground, a figure is playing the drums. On the background sits a guitar player. Blue and red lights are projected on the back wall.
    Year
    Related pages Abasement #65
  • A view of multiple glass cases displaying archival images and documents.
    A view of multiple glass cases displaying archival images and documents.
    ART CLUB2000 Selections from ART CLUB2000 archive, 1992–1999 Image courtesy Artists Space, New York Photo: Filip Wolak [A view of multiple glass cases displaying archival images and documents.]
    Caption ART CLUB2000 Selections from ART CLUB2000 archive, 1992–1999 Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description A view of multiple glass cases displaying archival images and documents.
    Year 2021
    Related pages ART CLUB2000
  • White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Mar 9 / Harmony Holiday / Taylor Johnson
    White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Mar 9 / Harmony Holiday / Taylor Johnson
    [White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Mar 9 / Harmony Holiday / Taylor Johnson" Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Mar 9 / Harmony Holiday / Taylor Johnson" Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year
    Related pages Segue Reading Series: Harmony Holiday & Taylor Johnson
  • A child's face with a blurred white body stands next to a figure driving a car with one hand on the wheel and another outside of the window. The outside of the car is also white in appearance.
    A child's face with a blurred white body stands next to a figure driving a car with one hand on the wheel and another outside of the window. The outside of the car is also white in appearance.
    Audtrey Glassman, Untitled, 1984. Cibachrome, 40 x 60 inches. [A child's face with a blurred white body stands next to a figure driving a car with one hand on the wheel and another outside of the window. The outside of the car is also white in appearance.]
    Caption Audtrey Glassman, Untitled, 1984. Cibachrome, 40 x 60 inches.
    Image description A child's face with a blurred white body stands next to a figure driving a car with one hand on the wheel and another outside of the window. The outside of the car is also white in appearance.
    Year
    Related pages U.S. Projects
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