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Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photo of an installation work in a gallery. Two windows with images painted on the glass hang from the ceiling. A branch emerges from the left edge of the image. Behind the windows, a colorful drawing on craft paper hangs on the wall.] -
Traditions: Five Painters. Installation View, Artists Space, 1978. [Various paintings hang on the walls to the left and right.] -
Yasunao Tone in Concert with Barbara Held. Performance documentation, January 19, 2023, Artists Space. Photo: Destiny Mata [A figure stands behind a music stand, playing a flute.] -
[Black text on a green background. The text reads: “Jan 11 / Charles Bernstein / Sol Cabrini.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
[Black, lowecase text that reads, "edition hansjörg mayer."] -
Jon Rubin. *Alice Underwater. Installation view from Dark Rooms, Artists Space, 1985. [A figure sits in front of a two screens next to each other with impressionistic forest imagery. The light from the projection spills out onto the walls and ceiling while the figure and the floor is shrouded in darkness.] -
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Tom of Finland: The Pleasure of Play. Installation view, Artists Space, 2015. [Two illustrations framed on a wall. On the left, two men, dressed in suits, engage in intercource behind a women sat in a chair. On the right, a half naked man sits on a bench in a cell above a man licking his leg, and an exposed butt that is plugged.] -
Jean-Michel Wicker. wee willy wanted (la rivoluzione siamo me), 2013 [A black-and-white image of a man, a white bar with text, that reads "WANTED," covers his face. Below, a white bar with text that reads, "wee willy."] -
I Thought I Had Time. Installation view, Artists Space, 1992. [A series of rectangular panels and tiles of varying dimensions installed on a white wall. The installed elements are positioned adjacent to one another, forming a larger irregular shape. The panels feature black, white, and muted colors. Some feature abstract painted compositions and color blocks, others include text or line drawings.] -
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Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A person sits on a wooden chair where there are three arranged, wearing headphones and looks at a TV monitor. The monitor displays a construction landscape in the Middle East.] -
The Mind/Body Problem. Installation view, Artists Space, 2006. Photo: Alan Wiener. [A painting of a black, rectangular object on an orange backdrop. Below is text in black reading "ENTERTAINMENT CENTER." Red text on a yellow background in zigzagged circles reads "Fully Assembled" and "$199."] -
Tilo Schulz, Remake Performance, Artists Space, 2004. [Two men walking inside a large inflatable sphere being followed by a crowd of people, some who are filming them, outside in a grassy and paved area.] -
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Jerry Beck, Cryptic Cross, 1985. [A sculpted pedestal with a black object on it is visible on a wooden floor below a sculpted multilayered cross hanging on a white gallery wall. Numbers are visible above the image.] -
Artists Draw. Installation view, Artists Space, 1979. [Various drawings are hung up on white walls. The drawings consist of simple shapes and lines.] -
Judy Rifka. Installation view, Deborah S. Freedman, Judy Rifka, Ernest Silva, Artists Space, 1975. [A black and white installation photograph of six paintings with dark geometric forms in a gallery space.] -
Michael Kalil, an analytical study for Osmotic Membrane (detail), 1986. [A scan of a constructed line drawing using different architectural notations like dashed and construction lines.] -
Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a beige background, with red accents throughout. Pieces of yellow paper featuring typewritten text listing the performers and event details are cut out and scattered throughout the flier.] -
Jeff Koons. Installation View, Artists Space, 1983. [In the foreground a vacuum can be seen on a plexiglass shelf case with a fluorescent light underneath and above it. Behind it is an image on a white wall of an automobile with text visible that reads, "ROOOMY!" on the top left and "TOYOTA" on the bottom left and "NEW FAMILY CAMRY" on the bottom right.] -
Group Material: Primer (for Raymond Williams). Artists Space, 1982. [A somewhat indistinguishable image is on a wall above black letter that reads "teach" which is above an electrical outlet on a wall.] -
Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Six artworks are mounted to a white gallery wall. On the far left and right are three black and white compositions, followed by a photograph of the back of a walking figure. At the center are two colorful, abstract compositions on paper.] -
Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman [A figure in a black hoodie and an LED light stapped on their chest performs on a stage, behind a table full of audio equipment. A green light projection is cast onto the stage.] -
Witnesses: Against Our Vanishing. Installation View, Artists Space, 1989. Photo: Frances Miller Smith. [A wide view of a gallery featuring an array of paintings, sculptures, and photographs hung along a wall and wrapping around a corner.] -
Student prototyping design, 2018 [A student sitting at a science room desk with a sink, drawing with a pencil on several sheets of paper. One sheet, foregrounded, has an outline of an airplane] -
Lyndon Barrois Jr., Sinner Man, 2022; Double Appear (After Vuillard), 2013. Police tape, laser prints, museum board, MagiColor manual; oil on board, artist frame, solvent transfer, plywood. Dimensions variable. Photo: Filip Wolak. [A color photograph of a gallery space. Hanging from the wall is a printer manual, police tape outlining a rectangle with three additional strips extending from the wall to the floor, and a wooden rectangular painting.] -
Sixth Anniversary Exhibition. Installation view, Artists Space, 1979. Artwork by Ree Morton. [View of drawings mounted to white walls. Small labels accompany each drawing, taped to the walls.] -
Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [A female mannequin stands in a gallery space. It is wearing blue trousers and a grey fur coat over a blue checkered shirt. The shirt and jacket are left unbuttoned, exposing the mannequin's breasts, obscured by a large bone necklace.] -
Anja Kirschner and David Panos, still from Living Truthfully Under Imaginary Circumstances, 2011. [A man and a woman in a split screen view with a black space between them. The man's face is turned to the side; the woman is facing towards him, her eyes cast downwards, with two fingers pointing.] -
Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A miniature log cabin constructed of handwritten documents is displayed in a vitrine. The roof on the left side reads, "By the President of the United States of America, A Proclimation."] -
ART CLUB2000 Kaputtmachen im Graz, 1994 Printed vinyl, carpet, and boombox Image courtesy Artists Space, New York Photo: Filip Wolak [A view of a large image of multiple individuals sitting and standing in a defaced bedroom. A yellow boombox sits on a black carpet.] -
Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang. [A figure in a blue dress stands behind a white table, they slowly unfold a book as another figure in the audience stands and reaches over to read off of the paper.] -
Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [Two figures perform on a stage with a keyboard. Washes of blue, green, orange and pink light are projected onto them.] -
Constantina Zavitsanos, LEAVE - A - PENNY / TAKE - A - PENNY, 2024, Bronze, 4.5 in. x 4.25 in. x 1.5 in. Photo: Destiny Mata [A hand reaches into a bronze penny-share dish filled with coins.] -
Installation view at Kaiserstraße 31A, Düsseldorf May 11, 1963 Courtesy Archiv Kuttner, Erkrath Photo: Manfred Kuttner [A black and white image of the back of a chair in front of a man in front of a train car, in which a man exits the door.] -
Keeph Little, Artists Space construction site no. 2, 2020, digital photograph [One figure is looking at the ground with their back facing the camera and another painted figure appears frontally looking down. They both are around a bright light emerging from below. A black wall covers the right half of the image.] -
Tiffany Sia, The Bastard Tongue (detail view), 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A long sheet of paper is suspended over the gallery floor. Handrails for the stairs are visible on each side of the photograph.] -
Louise Bourgeois Jitterbug, 1998 Lithograph, 18 x 24 in / 46 x 61 cm, Signed & Numbered. [Two red and blue spidery forms interlace, floating in the center of the page atop a blank sheet of staff paper.] -
Artists Draw. Installation view, Artists Space, 1979. [A large open space with drawings hung up on the walls. One drawing shows a woman surrounded by musical notes. Another shows a woman's profile with a pipe in her mouth.] -
Jutta Koether: xxapollo. Performance documentation, January 5, 2020, Artists Space. Photo © 2020 Paula Court. [A person dressed in all pink steps over a mass of wires. She is illuminated from behind by a bright, white wall. In the foreground, dimly lit figures face varying directions.] -
SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement with a rectangular shaped sculpture made of a wooden frame with fresnel lenses placed along the top and sides. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.] -
Photo: Reily Horan [The artist devynn emory in their grandmother's fleece jacket covered in polar bears, standing in front of a silver sterile table. In the background is collaborator Joseph and cinematographer Jorge discussing where the ancestor forms draped in yellow fabric should be placed.] -
The Founders Dinner, 2019. [A color photo of two smiling individuals seated at a banquet table, the person to the right has her hand on another guest's shoulder. The background depicts several other guests out of focus.] -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of three figures, wearing all white, performing in a dark gallery space. The leftmost figure lays on the floor with their legs spread and hands pushing their chest up. On the right, a figure with a flashlight around their hips stands with their shoulders and head flung back. The third figure contorts their body on the floor in the rightmost corner.] -
Frozen Lakes. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A large red carpet extends across the length of an exhibition space next to a windowed wall. A long line of framed photographs lean against the windowed wall. Two figures examine the photographs and additional artworks displayed in the space's background.] -
The Queen's Rules Suspended and Brachiating Installations. Postcard, Artists Space, 1978. [Two figures are in silhouette on a white background, separated by a black diagonal line. The figure on the left appears to be crouching, while the figure on the right is standing with one leg raised.] -
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ART CLUB2000 Untitled (What Ever Happened to the Drawing Center Planters/Proposal for Two Semi-Permanent Planters), 1996 Painted wood, vinyl lettering, silk flowers, mulch Image courtesy Artists Space, New York Photo: Filip Wolak [An off white planter reading "The Drawing Center" sits beneath a glazed over window displaying the Old Navy logo.] -
Drake Carr and George Wells. Photo: Jenna Bascom [Two men, Drake Carr and George Wells, sit around a circular dining table, both gazing out while listening to a speaker who is out of frame. Carr rests his elbow on the back of his chair.] -
Artists Performance Series. Installation view, Artists Space, 1977. [A black and white photograph of a gallery space. On the wall, seven framed works are hung, each featuring a grid of small black and white images.] -
Audrey Glassman, Untitled, 1983. Cibachrome, 28 x 42 inches. [A nude figure is seen sitting in a pool of water in the corner with ceramic tile wall paneling behind them. Sharp lighting accentuates the top half of the image where the face of the figure is, staring into the camera.] -
[A yellow stamp reading, "W.A.G.E." overlaid with pink text reading, "Working Artists and the Greater Economy."] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Image of a dimly lit basement. Along the back wall, on the left, a shadow of a figure in profile is cast onto a blue and purple projected screen.] -
Establishing Shot. Installation view, Artists Space, 2004. [A profile of a man in a jacket on a gray and white background. Painted streaks of color are superimposed over the man's profile. The whole image is slightly blurry.] -
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Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater. Installation view, Artists Space, 2019. Photo: Daniel Pérez. [Twelve long wooden poles are mounted on a white gallery wall in a circular formation, projecting out from the wall and intersecting a line of black columns, forming a teepee shape. A large piece of brown linen stained with various black, white, and rust-colors hangs from the poles. Part of the linen drapes on the ground below the teepee structure. Several sculptures are visible behind the structure, containing disembodied humanoid heads arranged among platforms and pieces of wood, cardboard, and other materials.] -
Lyndon Barrois Jr., Balthazar (After Bresson), 2021. Blue graphite on paper, antique brass frame. 10 x 8 inches. Photo: Filip Wolak. [A small framed drawing of a donkey head in blue, resting on a white shelf against the wall of a gallery space.] -
[A digital rendering of a large structure composed of suspended sheets of red material installed in a gray room. The red sheets are stacked on top of one another, suspended from lengths of wire that run from ceiling to floor. The sheets bend amorphously and are arranged such that they resemble irregular layers of sedimentary rock or strata. Three digitally-rendered figures observe the structure.] -
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[Black text overlays a color-scheme grid background. The text reads: “Jan 6 / Pierre Joris / Tyrone Williams." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)] -
Flyer for Segue Reading Series featuring Michael Gottlieb and Duriel E. Harris. Saturday, October 3, 2020, Artists Space. Artist: Keith Higginbotham [A cut-out reproduction of a painting depicting a figure being beheaded is collaged over a black and white photograph of a renaissance style interior. Black text over the top half of the image reads "Michael Gottlieb / Duriel E. Harris," and in the bottom corner black text reads "Segue."] -
Arabic Cover of the catalogue for The International Art Exhibition for Palestine. Beirut, 1978. published by the PLO Unified Information Office [A white, square, cover with arabic text and a rainbow color grid.] -
[White text overlays a color-scheme grid background. The text reads: “Oct 14 / Cyrée Jarelle Johnson / Eric Sneathen." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)] -
Benje LaRico. Goa VI, 1987. Enamel, Plastic, Wood, Wallpaper on plywood. 52 inches x 8.5 inches x 1 inch. -
[A blue, black, and grey image of a cluster of wires, an equestrian sculpture, and an orb, surrounded by amorphous forms. At the bottom of the graphic, the word "CAPITAL" is written in dripping, painted letters while bubbles and silhouettes rise to the top of the image.] -
Abasement #73. Performance documentation, November 4th, 2024, Artists Space. Photo: Joshua Wildman. [Two musicians sit on stage. The musician on the left is leaning over a table and using electronic instruments. The musician on the right is looking down and playing the guitar. The stage is lit with red and white lights and projected with a patchworks of patterns.] -
McArthur Binion, Jonathan Borofsky, Mary Obering. Installation view, Artists Space, 1973. [A black and white installation photograph of a tall stack of papers in a gallery space.] -
Abasement #66. Performance documentation, October 9, 2023, Artists Space. Photo: Joshua Wildman. [A color image of two figures performing. The figure on the left plays the saxophone. There is a standing microphone in front of them. The figure on the right, has their eyes closed, and is playing the guitar. Blue and red light is projected onto them.] -
Honoree LaToya Ruby Frazier. Photo: Joshua Wildman [LaToya Ruby Frazier smiles while seated at a dinner table, holding hands with someone whose body is out of frame. She wears an orange suit jacket, a purple collared shirt, and a pocket square bearing a print of various orange flowers.] -
Installation view, Robert Morgan. Artists Space, 1977. [A black-and-white photograph of a gallery space with multiple works, framed and unframed, on the walls.] -
Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a gallery space. Various musical instruments and audio devices are placed around the middle of the room, photographs and vitrines hang on the walls, and various television monitors are placed along the sides of the room.] -
Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman [Three figures stand on a stage cast in red and purple light from a projector. They each hold a microphone to their face, their eyes closed in concentration. The figure in the middle wears a guitar, and the figure all the way on the right leans forward on a table with audio equipment.] -
Carolee Schneemann. Installation View of War Mop, 1985. Video sculpture and installation with mechanized mop, plexiglas fulcrum, TV monitor. [A black and white photograph of a mop on top of a working CRT television in a gallery setting.] -
[An abstract image featuring monotone areas of green, red, orange, and blue color. A large green rectangle stretches across the image's center. Three red shapes resembling falling figures are arranged within the green shape. To the left of the green shape, the composition is covered with a blue checkerboard pattern. Across the top portion of the image, amorphous, pipe-like red and orange forms twist and connect on a pale green backdrop.] -
Laurie Simmons: Photographs. Postcard, Artists Space, 1979. [A black and white image of a dollhouse living room, a doll is sitting in the right corner, on a couch, next to a side table with radio on it.] -
Ian Bader. Spalation Clock, 1977. Section 2. [Drawing of architectural section in center of paper with white surrouding it.] -
Prince Grace, Of Black, 2021. [Over a black background, “terminology / BLACK** / adj. / 1. Having the very dark color of the night sky or the eye’s pupil / 2. Of or relating to any various population groups of especially African ancestry often considered as having dark pigmentation of the skin but in fact having a wide range of skin colors / 3. Of or relating to Black people / 4. Dirty, soiled / 5. Characterized by the absence of light / 6. Served without milk or cream / 7. Indicative of condemnation or discredit / 8. Heavy / 9. Connected with or invoking the supernatural and especially the devil” is written in white text. Certain words are underlined and appear in grey.] -
[An orange flyer features black sans serif text that reads: "Artists for ARTISTS SPACE / a benefit exhibition / April 27–May 13, 2023." Underneath is the list of participating artists: "Richard Aldrich, Ei Arakawa, Oto Gillen, Renee Gladman, Robert Gober, Richard Hawkins, G. Peter Jemison, Sanya Kantarovsky, Danny McDonald, Julie Mehretu, Jill Mulleady, Ulrike Müller, Yoshitomo Nara, Elizabeth Peyton, Pope.L, Andy Robert, Julia Rommel, Cosima von Bonin."] -
Installation view from John Mendelsohn and Donald Sultan. Artists Space, 1977 -
Nicole-Antonia Spagnola: Italian Hardcore. Installation view, Commercial Street, Los Angeles, 2021 [A color photograph of a television screen resting on a wooden chair with a red cushion. The screen displays a black and white image of several masked figures.] -
Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata [Color image of a figure sitting behind a white desk, manipulating an audio machine with their hands. A lamp illuminates the machines controls and speakers are placed in front of the machine.] -
The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich. [20 photographs arranged in 5 rows of 4 on a white wall. The photos show various shots taken under beds. There is descriptive wall text to the right of the photos.] -
Demonstrations outside the opening of Witnesses: Against Our Vanishing, Artists Space, 1989 [Protesters standing in a line hold a variety of signs with statements such as "Helms impedes the 1st Amendment," "Obscene Art?", "I have no taste," and "No taxation without artistic representation"] -
Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork: All is Pretty Andy Warhol!, Martin Cohen. [People standing around a gallery space with various globes surrounding them and frame images hanging on the wall to the right.] -
Anonymous action at the Solomon R. Guggenheim Museum, October 10, 2016. [An image of a gold public bathroom toilet with a red Decolonize This Place sticker placed at the top of the toilet seat.] -
Nick Mauss, So long, 2013. Ceramic plaque, 11 x 15 inches. Courtesy the artist and 303 Gallery, New York. [An abstract painting composed of central strokes of light orange paint framed from above and below by two stripes of blue paint at the composition's top and bottom edges. Black paint markings punctuate the wash of orange color.] -
Stephon Davis making the drawing 90’s dress, 2022, acrylic on paper -
Activated Walls. Installation view, Artists Space, 1993. [A wooden chair facing the corner of a room. Painted on one wall is an empty red frame. On the perpendicular wall, there are several half-finished paintings of children.] -
[Fuel prices listed in white numbers separated by red lines on a dark blue display sign.] -
Neil Goldberg, Fortune 500 Dream Fax Project, 1996. [A pink piece of paper with the typed text "Dream Fax Transmission Sheet" positioned at its top edge. Underneath, there is a handwritten account of the artist's dream from 3/26/96.] -
[A closed rectangular box with a black cover sits on a white backdrop. Large, white text reading "Avalanche" runs along the top of the box's right side.] -
Adam Putnam, Magic Lanterns, 2004. [A sketch of a projector on a stand, projecting a black hole into a wall.] -
University of Colorado, still from On Art and Artists Series. Andres Serrano: What Follows…, 1991. 31 min. [Andres Serrano wearing a dark blue shirt and looking at an off-camera interviewer mid-speech.] -
The Serving Library. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A red, glowing neon light installed on a gallery wall just above eye-level is visible through a doorway opening in a white-walled space. To the left of the opening is a block of faint text on the gallery wall.] -
Axine M by Jeremiah M. Carter. [Color photograph of a figure standing in a field of wheats. Their face is obscured as they look downwards, and by wheats in front of the camera. ] -
Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [A figure in a baseball cap stands beside a table covered in scattered drinks and a laptop, typing on the computer’s keys.] -
Flipside. Installation view, Artists Space, 2004. [A red leather armchair with a coffee table on a gray rug in the corner of a room. On the coffee table, there are several books, a lamp, and an old radio. On the opposite wall, there are three photographs each showing the view out of three different windows.] -
Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman [A figure in side profile plays the tuba which has been fitted with a microphone at the bell's opening.] -
Paul Lamantia. Paper Doll Lounge, 1985. [Two figures appear entangled on a pedestal in front of other figures along with another figure in the background hanging upside down.] -
Drake Carr: Housecalls. Performance documentation, September 9, 2023, Artists Space at the Armory Show. Photo: Joshua Wildman. [A color image of a white wall with two windows with black and white curtains with pink flowers. Through the right window, a figure is seen sitting on a chair. Through the left window, a figure is seen standing in front of an easel with a canvas, holding a color pencil.] -
David Salle. Untitled, 1976. Mixed media on paper. From Barbara Bloom, David Salle, Artists Space, 1976 [A black and white photograph of two windows is set into a background of various abstract paint dripss and drawings of figures wearing suits.] -
Yuki Kimura, The Circle, 2019, 21 stainless steel round trays. Photo: Daniel Pérez [21 silver, round, stainless steel trays sit nested on a wood floor.] -
Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [A figure dances on stage against an orange and blue projection.] -
Axine M: Sold Licker Glass, 2024, Artists Space. Courtesy of ISSUE Project Room. Photography by Cameron Kelly McLeod. [Portrait of a musician playing the cello with a bow.] -
Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court [Two figures wearing medical scrubs move a table with wheels, on which a mannequin lies.] -
Laura Cottingham & Leslie Singer, still from The Anita Pallenburg Story, 2000. Digital Video, 76 min. [An upward angled view of two people performing with a gray curtain behind them. One person, with black hair and a yellow jacket, is playing an electric guitar, the other, with red hair and wearing a black sequin top and blue scarf with matching eyeshadow, is singing into a mic.] -
Gordon Onslow-Ford, Play, 1985. [Various abstract star-like symbols appear wih a black background.] -
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Nicole-Antonia Spagnola, Untitled, 2022. Raw Power, Raw Power; Kollettivo, Lotta per il potere; Antigenesi, Una donna non e’ merda; Negazione, Tutti Pazzi; RAF Punk, Contro la pace Contro la guerra; Peggio Punx, Scemo. 8mm to MP4 transfer (color, sound), monitors, chairs. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color installation photograph of five chairs spread out in a gallery space bisected by two dark columns. The chairs have tv screens resting on their green cushions.] -
The Library Vaccine. Installation view, Artists Space, 2014. [An angled view of table's length, on which are various organized documents, books, and papers displaying images and text. In the background are bookshelves and tables.] -
[Black text that reads, "9/11, TRILOGY, Laura Poitras."] -
Pictures. Opening Reception, Artists Space, September 23, 1977. Photo: D. James Dee. [A black and white photograph of a crowded gallery space. In the background, several large black and white wall hangings are visible.] -
Cass Bird, I Look Like My Daddy, 2004. C-print, 30 x 40 inches. Courtesy the artist. [Photographic portrait of a youthful figure leaning against a white brick wall. They wear a partially unbuttoned, blue and black plaid shirt and a trucker hat. Large black text emblazoned across the front of the hat reads, "I LOOK JUST LIKE MY DADDY." A miniature gun token has been attached to the hat, to the left of the text. The figure stares ahead, the right side of their face illuminated by daylight.] -
Still from Spectres. Dir. Sven Augustijnen (2011). [A person in white pants and a blue shirt with the sleeves rolled up to the elbows is walking through a jungle. Their face is obscured by leaves.] -
Nina in Position. Installation view, Artists Space, 2008. Photo: Bill Orcutt. [Close up of a small sculpture resting on a square wooden support jutting out from a white gallery wall next to a window. The sculpture has a metallic color and an irregular, round shape, with a tree-bark like texture. A similar sculpture and support are mounted on the other side of the gallery window.] -
Keith J. Sanborn, A Public Appearance and a Statement, 1987. 18.5 minutes, 3/4" (original format 16mm), black and white. Film still. [A dense crowd of people surrond a casket being carried into the back of a hearse.] -
New Red Order Beginning of the End of the Trail, detail, 2021 Wet-plate collodion glass negatives with LED lightboxes, pipes, and extension cords. Image courtesy Artists Space, New York Photo: Filip Wolak [An image of photograph negatives with LED lightboxes hanging off a wall.] -
Union Gaucha Productions Still from As Long As it Lasts , 2010 Digital video on six screens (silent, color), 191 min Film production and editing assistance: Francisca Caporali and Lior Shvil Originally commissioned by The Museum of Modern Art Courtesy of Union Gaucha Productions and The Museum of Modern Art [A man is shown in front of a Jackson Pollock painting wearing a frilly baby bonnet, sunglasses, a pacifier, a white t-shirt and a white cloth that resembles a diaper.] -
Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court [A projection of elongated, yellow-gold figures.] -
Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman [An audience watches a performance, some are seated on the floor or chairs, while others stand behind them.] -
We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [A cloth image is emerging from the darkness.] -
Living with Pop. A Reproduction of Capitalist Realism. Installation view of the section “Galerie Schmela (1966),” Artists Space, 2014. [A closed room; in the foreground is a white table with varoius documents. On the back wall hangs a black and white portrait of a man on a blue patterened wall. To the right adjacent wall, hang a grid of photogrpahs.] -
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Metahaven, WikiLeaks, 2011, Scarf. Photo: Meinke Klein. [A portrait of a woman whose face is covered by a colorful cloth that extends over her entire top body. Only the top of her ear and hair are visible.] -
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Too Black, Too Strong! Installation View, Artists Space, 1988. [A black and white photograph of mixed media collage work hanging on gallery walls.] -
Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose. Installation view, Artists Space, 2012. Photo: Daniel Pérez.. [In a large, open gallery space, several photographs hang on walls to the right. To the left, multiple small monitors mounted to a colorful gallery wall play video works. In front of the monitors, there are wooden stools with headphones resting upon them.] -
Attention Line. Installation view (posters and ephemera from Other Cinema, c. 1970s-80s), Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [An image of a brightly lit wall, upon which various ephemera are mounted.] -
Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A book shelf displays paper documents containing black and white images. Above, smaller documents, and a similar paper displayed in a white frame.] -
Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [Several black and white photographs and documents organized into a grid on a white surface.] -
Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York. [Two figures wearing scrubs hold a piece of red fabric between them.] -
ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A view of multiple works including a vending machine against a glazed over window, a glass display table backed by tiled photographs, a lightbox with an image of sitting individuals and a colorful shack structure.] -
[A grid of blue hearts on a yellow background.] -
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Renee Gladman, Untitled (black city), 2022, oil pastel and pigment on paper, 30 x 44 inches. Image courtesy Artists Space, New York. Photo: Filip Wolak. [A color image of a drawing consisting of green, purple, yellow, and red lines and shapes that form an abstract composition. Single line white drawings complement the composition.] -
Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt. [An image of a hand holding a yellow golf ball projected onto the wall of a dimly-lit gallery space. Several square holes have been removed from several spots on the gallery wall, through which a space on the other side of the wall is visible.] -
Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang. [A figure in a blue dress sits behind a white table, with speakers and projectors on either side of them. The figure leans over and opens a small book.] -
Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak. [View of various framed works on paper on white gallery walls featuring abstract calligraphic strokes.] -
Hito Steyerl, Guards, 2012, HD video on freestanding screen with sound, 20 mins, Courtesy of the artist and Andrew Kreps, New York. Installation view from Hito Steyerl, Artists Space, 2015. [A portrait oriented video is projected in a dark narrow space. A bench sits in front of the video. An image-still of a man, standing next to a frame on a wall that contains a seperate video of a man in a street, is on the back wall.] -
Alternative Art New York, 1965 - 1985. Julie Ault. Univ. of Minnesota Press, 2002. Paperback, 408 pages. $30. at the Artists Space Bookstore. [White painted brick wall; a black plate with white text that reads, "Title: Alternative Art New York Date: 1965-1985 Editor: Julie Ault."] -
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Excerpt from Hito Stereyl, Guards, 2012, HD video on freestanding screen with sound, 20 mins. Courtesy of the artist and Andrew Kreps, New York. [A moving image of a person, dressed in black, side stepping slowly in the gallery as the camera pans over to them.] -
Charlotte Posenenske. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [Four geometric, silver metal sculptures are installed on the floors of a light-filled gallery space. The sculptures are modular, hollow, and consist of cube-like and triangular metal components.] -
Yasunao Tone performing Music for 2 CD Players at Experimental Intermedia Foundation, New York, 1986. [Black-and-white photograph of a blurred figure in motion sitting behind a wooden desk surrounded by audio equipment in a sparse room.] -
Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photo of an installation work. A large, paper-mache sculpture of a cow-like creature stands next to a crocheted blanket laid on the floor. On top of the blanket there is a red thermos with two red mugs and a miniature white couch. On the back wall behind the paper-mache sculpture and blanket is a round mirror. The mirror contains a reflection of a large box TV with a static screen. On the left-side background, behind the paper-mache sculpture, two blow-dryers hang from a freestanding metal fixture.] -
Not yet titled, 2019
Clay, glaze, mixed media
12 x 13 x 5 inches (variable)
$5,000
[A brown object stands on a white base. On the flat surface of the object, an onion and a lemon are connected by a rainbow wire.] -
Ethan Crenson, Fission, 1996. Mixed media installation. [A corner of a room filled with ping pong balls set atop mousetraps. They are lit from the side by a fluorescent tube light.] -
Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez. [A square painting of a partially nude human figure is visible next to large, orange slug installations attached with black elastic cords onto cast iron columns.] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [A figure in a blue morph suit kneels down on one knee, placing their hands on top of a table made of wood and fresnel lenses while audience members watch in the background.] -
Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court [On the right, a figure speaking into a microphone appears to be in conversation with two humanoid blue birds.] -
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Flyer for Segue Reading Series featuring Andrea Abi-Karam, Eduardo Kac and Montana Ray. October 15, 2022, Artists Space. [Light blue text overlays a dark blue background. The top left corner reads: "Andrea Abi-Karam / Eduardo Kac & Montana Ray / October 15, 5pm." The middle reads: "Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519."] -
Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view (Ruben Ulises Rodriguez Montoya, The Lil Rat that Made it on Board the Ship, 2021; Ruben Ulises Rodriguez Montoya, Goyas lil bat from “sueño de la razón produce monstruos”, 2022), Artists Space, 2024. Photo: Carter Seddon. [A hulking biomorphic black sculpture, composed of car parts and a large black t-shirt smeared with pigmented dragon skin silicone, hangs from the ceiling. To the right, a small sculpture of scuffed white plastic, brown fur, and various jutting animal teeth sits on a shelf.] -
Attention Line. Installation view (compilation of seven New York subway performances by Tamio Shiraishi c. 2010-2020), Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [A small television set sits in front of a glass window with bars. Behind the window, grafitti can be seen.] -
Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A green, blue, and yellow abstract landscape painting hangs on a white wall. A purple buffalo painting is hanging on the wall to the left. To the right, a tall paper is pinned into a purple section of wall.] -
[An angled view from a ledge containing household items, into a bedroom. Above the doorway black text reads, "Macho Man, Tell it to My Heart."] -
Abasement #66. Performance documentation, October 9, 2023, Artists Space. Photo: Joshua Wildman. [Close-up color image of a figure with a violin bow on their left hand. A thin, long piece of wood hangs from the ceiling, and the figure is using the bow to play it like a intrument string. The bow and the wood make a cross, which falls exactly in front of the face of a second figure. Also a performer, they are holding a white object in their hands. In the background, audience members. The space is illuminated by red light.] -
Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view, Artists Space, 2023. Photo: Filip Wolak. [The corner of a gallery space with a wooden camper structure placed there. Two ramps lead to doorways along the front and side of the structure. The edge of a free-standing white wall sits to the left of the camper..] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [A figure in a blue morph suit leans over a wooden box placed on the floor, while another figure to the left films them. Blue light is projected onto the back wall to the right.] -
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Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon. [Image of a gallery space installed with multiple sculptures. On the right, two large painted wooden boxes by Matthew Langan-Peck are slightly open and have headphones hanging on their sides. The boxes are painted light blue with yellow shooting stars and dark blue with traffic light-esque designs, respectively. On the left, two of Ruben Ulises Rodriguez Montoya's large biomorphic sculptures, composed of found materials, hang from the ceiling. In the background, Isabelle Frances McGuire's three large pink fabric banners emblazoned with silver stars hang from ceiling to floor.] -
Chinatown Art Brigade and The Illuminator Here to Stay, September 24, 2016 Courtesy Chinatown Art Brigade. Photo: KahEan Chang [A view of Chinatown at night, with a projection onto the side of a building which reads "Save Chinatown" with its own image of Chinatown storefronts underneath.] -
Margia Kramer. Installation view, Artists Space, 1980. [Black and white photograph of cursive white text on a black background on the floor of a room with an upside down chair in the foreground and a heater in the background.] -
Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view (Doris Guo, Bathroom Kitchen Confusion, 2023; Doris Guo, Fruit Basket, 2024), Artists Space, 2024. Photo: Carter Seddon. [Color image of the corner of a darkened gallery space with two small pinhole projector sculpture installations. The pinhole projector on the left is housed in a polka-dot patterned gift-wrapped box. On the wall, an image of a white ceramic teacup with a radial swirl pattern is projected. On the right, the projector is wrapped in white foam padding and secured with red string. On the wall, it projects an image of a square containing an golden metal hoop and pin along with four small, glittering pink and green strawberry ornaments.] -
Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [A black display case in the corner of a gallery, surrounded by windows looking out into Manhattan. A mannequin faces away from the camera, and three backlit texts are placed across the floor, in sequence. Each text is superimposed on a photo of a metal pipe looking similar to a gun. On the back viewer, the image is visible alone with no superimposition.] -
Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman. [A close-up color image of a musician sitting on a chair playing an electric guitar in an unusual way. The guitar is laying on his legs and he is using a metal stick to play the chords. Blue and purple projections cast onto him.] -
Praydoliub Ivanov, Pessimism No More (detail), 2002. [A block of cheese sitting on a white plate on a wooden table. There are several Band-Aids covering the holes on the block of cheese.] -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure dressed in white, laying down on a window ledge facing the street. They raise on arm up and a white light shines from their pelvic area.] -
Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a white gallery wall with three vitrines containing musical scores built into the wall. On top of the vitrine is a manipulated flute, and a series of black-and-white images. Two black-and-white photographs are hung to the right of the vitrine.] -
Charles Long. Installation view of Gnomons' Land, 1987. Film Installation. [A black and white photograph of two projected images emerging from darkness.] -
Flyer for Segue Reading Series featuring Julian Louis Phillips and LA Warman. February 26, 2022, Artists Space. [Black text overlays a blue background. The top left corner reads: Julian Louis Phillips / LA Warman. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, February 26, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5."] -
Milford Graves: Fundamental Frequency. Installation view, Artists Space, October 8, 2021 – January 15, 2022. Image courtesy Artists Space, New York. Photo: Filip Wolak. [A color installation view of a gallery space. On the left wall are six black and white photographs and a television monitor positioned on the floor. In the background, another wall-mounted television monitor is visible along with a large wall hanging and two sculptures. The space is bisected by three dark columns.] -
Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York. [An audience looks at a mannequin on a table.] -
Oto Gillen, Daisy (Perry Street), March 19, 2023, 2023. Photo: Filip Wolak. [Color image of a large print of a close-up photograph of a fake daisy, with white woven petals and a yellow center.] -
Performace by Matt Mullican From Susan Eder. Susan Eder, Matt Mullican. Performace by Matt Mullican, Artists Space, 1976. [A black and white image of a performance by two individuals tugging on opposite ends of fabric.] -
Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [A figure plays the violin in front of a microphone.] -
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Joel Katz. Still from History Lessons, 1990. [A close-up mage of a person wearing large glasses in front of a world map.]
