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Michael Brewster. Text and documentation of installations, Inside, Outside, Down and Soliloquies, 1977. [A speaker balances on its side on the top of a step ladder in a gallery space. Directly above the ladder are four large window panes which look out onto trees.] -
Visit to Artists Space to see exhibition Zoo or an Orchestra, Char Jaré, 2024 -
“Decolonize This Museum” protest outside the American Museum of Natural History, October 10, 2016. Photo: Andrés Rodriguez [Two children holding up black signs with white text in front of a building covered by an opaque plastic material, one sign reads "WAKE" and the other reads "Remember."] -
Social Surfaces. Installation view, Pearl River Mart, 2017. Photo: Ron Amstutz. [A diagonal view of photographs, paintings, sculptures, and prints against two walls. In the corner rests a TV displaying a person with their back turned.] -
Dress for Virgil Abloh and Stuart Davis, Gigi Sanchez, acrylic on paper, Silver Key in Painting -
Jessica, the imagination of being in the rocks, digital photograph, 2023 -
Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Two video monitors are mounted on a colorful gallery wall covered with a photo decal of large, white letters and a ram's head. Four stools sit in front of the monitors. A pair of headphones rests on each stool, connected to the monitors.] -
New Galleries of the Lower East Side. Installation View. Artists Space, 1984. Photo: Kenji Fujita. [A view of a large window with the facade of other buildings, a restaurant is visible on the left. Graffiti text is visible above the length of the horizontal window and lights appear hanging from the ceiling directed to opposite sides.] -
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Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Three television screens installed on a gallery wall. Two screens are positioned in a portrait orientation and the third in a landscape orientation. Their cords loosely fall to the ground below and run beneath a door. Each screen displays images of one or several figures mid-speech or mid-movement.] -
Zaha Hadid. Installation view, Artists Space, 2003. [A dimly lit gallery space with wooden flooring. Three large, rectangular photographs of various buildings’ architectural details are suspended from the ceiling, hanging on thin wires. Two of the images have been printed on a tarp-like material, while the image on the far left is suspended within a large sheet of transparent plexiglass.] -
Nina in Position. Installation view, Artists Space, 2008. Photo: Bill Orcutt. [Close up of a small sculpture resting on a square wooden support jutting out from a white gallery wall next to a window. The sculpture has a metallic color and an irregular, round shape, with a tree-bark like texture. A similar sculpture and support are mounted on the other side of the gallery window.] -
James Coleman. Still from Seeing for Oneself, 1987-88. Slideshow (black and white), 40 min. [A black and white film still of four people in period dress standing in from of an ornately carved fireplace. The people stand in two pairs, apparently engaged in conversation.] -
Charles Simonds. Still from Mythologies, 1974. From Thomas Lanigan-Schmidt, James Biederman, Charles Simonds, Artists Space, 1974. [A black and white film still of an apartment building, taken from the street. In front of the building is an empty lot. Two cars are parked on the street.] -
Abasement #83. Performance documentation, January 5th, 2026, Artists Space. Photo: Joshua Wildman. [A performer plays an electric guitar on stage. The performer and stage are bathed in blue light and geometric patterns. ] -
ART CLUB2000 Untitled (Old Navy - November 1996), 1996 Vinyl signs and glass wax Image courtesy Artists Space, New York Photo: Filip Wolak [A close up of glazed over windows displaying the Old Navy logo and the date "November 1996"] -
Cave of Animals: Cave of the Future, site recording, 2024 -
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UniBodies. Installation view, Artists Space, 2006. Photo: Bill Ocrutt. [In the foreground, a clear and grey sculpture rests on top of a white pedestal. In the background, four additional sculptures in arranged from light to dark tones, hang in a row.] -
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Installation view, Wyn Geleynse film installation, Artists Space, May 24, 1986 - June 28, 1986. [On the left one can see a bright image of a man standing profile view and on the right appears a photograph of a naked woman shielding her face. Blackness surrounds these two images.] -
Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Detail view of a table filled with several stacks of a book titled *EINE PINOT GRIGIO BITTE*. The book covers appear in various shades of orange, pink, blue, yellow, and green, and are stamped with the same ornate Latin emblem. Some are comb bound and others are side stitched.] -
Craig Baldwin, Spectres of the Spectrum (still), 1999. [A black and white photo of three figures. The faint circular outline of a clock face surrounds the middle one, who is wearing a suit and a helmet.] -
[Black text overlays a color-scheme grid background. The text reads: “Jan 13 / isaiah a. hines / Elizabeth Robinson." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)] -
Flyer for Segue Reading Series featuring Sueyeun Juliette Lee and Brian Teare. November 19, 2022, Artists Space. [Light blue text overlays a dark blue background. The top left corner reads: "Sueyeun Juliette Lee & Brian Teare / November 19, 5pm." The middle reads: "Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519."] -
Artists Performance Series. Installation view, Artists Space, 1977. [A black and white photograph of a gallery space. On the left, a window casts soft light onto a table and two chairs. On the right, a television monitor is positioned on a low bench.] -
Young Fluxus. Installation view, Artists Space, 1982. [A gallery space with a chalk drawing on the top section of a wall and chairs underneath. Framed images on the adjacent wall are near a doorway into another space.] -
Hanno Ahrens. Selections from the Artists File, installation view, Artists Space, 1986. [A photograph of one large painting divided evenly diagonally across in black and white above a smller painting that does the same.] -
[Red background with white text and border which reads: "DUMP THE FINE ART OF GENTRIFICATION," with the Decolonize This Place logo positioned underneath.] -
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Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A document that reads, "1976," next to several newspaper and magazine articles organized on a white surface.] -
ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A view of multiple works including an orange wall that reads "Wandering with no specific intent or has something specific in mind but doesn't tell what it is." met with a tower of gap shoe boxes. Near the gallery wall are life like cutouts of individuals dressed in animal costumes.] -
Sam Pulitzer: A Colony for “Them”. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A section of wooden flooring is displayed on the ground near four windows on adjacent walls of an exhibition space. A small bed, a candle on a night table, a metal stove, and a several chests stacked on top of one another are arranged on the wooden boards.] -
Jayline Quiles, Landscape, 2018 [A colorful painting of a landscape, with a river running through the center of the image, a mountain across the river and a cloudy sky] -
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SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.] -
Till They Listen: Bill Gunn Directs America. Installation view featuring various ephemera from Stop, c. 1970, c. 1973, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A floating glass display case holding a black and white image, and multiple booklets of text.] -
Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [Several black-and-white magazines and documents opened and organized on a white surface.] -
Christa Blatchford, still from See Around, 2008. [Four images arranged horizontally. From left to right: solid gray-blue, a gray-blue toned image of a shoreline, a gray toned image of a shoreline, and a gray toned image of a shoreline with a subtle pink sunrise in the sky.] -
Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Amiri Baraka, Cellar Vigil (Experimental Death Unit #2), 1966), Artists Space, 2023. Photo: Filip Wolak. [The entrance to a gallery space. Two video stills are projected on the wall facing the entrance. The left projector shows a black-and-white film image of two figures in trench coats with paper bags over their heads doing pushups. On the right is a black-and-white film image of a pair of black shoes hanging over a wooden ledge.] -
Traditions: Five Painters. Installation View, Artists Space, 1978. [5 paintings hang in a corner with 3 on the wall to the left and 2 on the wall to the right.] -
J.B. Cobb, Optical, 1973. From J.B. Cobb, Martha Edelheit, Ree Morton, Artists Space, 1973. [A black and white photograph of a television set upon a wooden side table in front of a window in a gallery space.] -
Event Poster, Topical Cream Presents, 2016. [Event poster with performers and time information on the right. On the left, an image of a person putting on full protective medical gear and a white facemask.] -
[White text overlays a green and sandw background. The text reads: “April 22 / Adjua Gargi Nzinga Greaves / Alexis Pauline Gumbs." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)] -
Ed Levine. Installation view, Artists Space, 1980. [View of a wall construction in a gallery setting.] -
Charlotte Posenenske. Configured by Rirkrit Tiravanija. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [Six geometric, silver metal sculptures installed on low dolleys with wheels sit, scattered, across a wooden gallery floor. The sculptures are modular, hollow, and consist of cube-like and triangular metal components. Long arrows of colorful tape are installed on the gallery floors.] -
David Armstrong: Portraits. Installation view, March 10 – May 23, 2026, Artists Space. Photo: Carter Seddon [Four black and white photographs hang on a gallery wall. The floor is speckled with light, and the photographs, mainly portraits, are dramatic yet soft. ] -
Heist Divination (fwiw remix). Performance documentation, October 25th, 2024, Artists Space. Photo: Destiny Mata. [Five dice float at the top of a container of water, which is tinted blue. There are small ripples created across the surface of the water and the frame of structure containing the water is slightly visible through the ripple distortion.] -
Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of a gallery space, with large paintings of Black Queer figures placed on white walls. Drawings in black accent the walls and complement the paintings. Past the left wall is a corridor leading into the next room. In the distance is a white sign on the floor, reading "BARBER SHOP."] -
Still from Losing Ground, picturing Bill Gunn and Seret Scott, 1982. [On the right, a woman wearing a purple dress lies down on a couch with her eyes closed. To the left, a man sits on the floor in front of her, wearing a yellow t-shirt and overalls.] -
Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. [A color photograph of a figure with raised arms and in motion in an orange-lit space next to a small piece of audio equipment with a wire on the floor. A crowd looks on in the background.] -
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Konrad Lueg Boxer , 1964 (Boxers) © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Photo: Daniela Steinfeld [A painting of two boxers engaged in a match. The bodies of both figures are depicted in grey monochrome with colorful attire. The figure on the left wears orange shorts with blue piping while the one on the right wears green shorts with yellow trim. Both are wearing red and white boxing gloves.] -
Cover of Exit Interview, Benjamin H. D. Buchloh & Hal Foster, no place press. [Book cover featuring a red background with white text that reads, from top to bottom, "Exit Interview / Benjamin H.D. Buchloh / Hal Foster / no place press"] -
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Sam Pulitzer: A Colony for “Them”. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A shallow white cylinder sitting on a dark wooden floor. A small green light glows from inside the cylinder.] -
Nina in Position. Installation view, Artists Space, 2008. Photo: Bill Orcutt. [Three screens and a metallic sculpture are installed in a gallery space with wooden floors. The three screens are arranged next to each other, with the screen closest to the viewer displaying a series of figures with three bright forms attached to their torsos. The other two screens show increasingly blurry renderings of the same image. To the right of the screens, a tall, shiny and metallic sculpture sits on the gallery floor. A pocket-sized image of a figure is pasted to the sculpture's left sides.] -
Mark Morrisroe. Still from Hello from Bertha (1983). [A person is seen in profile, speaking to someone out of frame. They are wearing a glittery gold top with a pink fur neckline and beaded necklaces of different colors. They have large flower-shaped earrings and colorful makeup, including blue, shiny eyeshadow. Their dark hair appears to be covered by a bleached wig.] -
Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. [A color photograph of a figure standing behind audio mixing equipment and a microphone in front of an orange background. A white light shines down on them from the left.] -
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Activated Walls. Installation view, Artists Space, 1993. [A wooden ladder standing in the corner of a room with half-finished paintings on the wall. On the left wall, there is a colorful mural composed of swirls and circles. On the other wall, there is a sketch of a ballerina with dozens of black and white portraits of a woman's head with various words including "CUNT" and "CUTIE."] -
Program for ‘At The Whitechapel Art Gallery, September – November 1981’ . Designed by Richard Hollis, 1981. Courtesy Richard Hollis [A nude statue of a woman in a headdress. To the left, sideways text reads, "At the Whitechapel Art Gallery."] -
[An equilateral triangle filled with a white and purple gradient. The triangle's bottom right corner is a dark purple color, while its bottom left corner is a bright white color.] -
Sean Snyder. Installation view, Artists Space, 2010-11. Photo: Daniel Peréz. [A makeshift screening room enclosed by unpainted wooden walls. There are two wooden benches arranged to face a projector screen. The screen displays an image of a luxury pool surrounded by palm trees, with the sun shining.] -
Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak. [White gallery wall in foreground features two framed works on paper. The closer work features a diptych of delicately pencil-drawn crosses, while the further work is densely filled with calligraphic lines. Additional clusters of small framed works on paper hang on the wall in the background.] -
Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman. [Color photo of two men sitting at a worktable that holds various musical and electronic equipment. In the background, various audience members sit and observe the performers within a dimly lit space. Yellow projections shine on the wall behind the performers along with blue and pink spotted lights.] -
Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure in a red sweater stands on stage, behind three microphones placed around them, their left hand held up to their mouth.] -
Minako Iwamur, Family, 1978. [A painting of five figures seated for a portrait. Their faces are blurred out, and the entire image has been similarly rendered in soft, blurred strokes] -
In The Poem About Love You Don't Write The Word Love. Installation view, Artists Space, 2006. Photo: Bill Orcutt. [Three free-standing walls supporting a series of shelves are arranged at right angles around a pole in a gallery space. The shelves display a series of pieces of paper containing both images and text. The shelves are yellow, and a portion of the center of the column has also been painted yellow.] -
Charlotte Posenenske. Configured by the staff of Artists Space. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A geometric, silver metal sculpture sits on a wooden gallery floor in a brightly-lit gallery space. The sculpture is modular and consists of rectangular and triangular metal components arranged in a tall, ring-shaped structure.] -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a fgure wearing a conical sheath of reflective one-way mirror film that covers their entire body. They squat down next to a viewer sitting in a wooden chair. The performer shines a bright light against their face, making their face visible from under the mirror film.] -
Model Modernisms. Installation view, Artists Space, 2005. [Several small, model-like black sculptural forms displayed on low wooden supports in the center of a large gallery space with wooden flooring. A large wall decal featuring eye-like forms and swirling, dripping stripes of color covers the wall to the left of the sculptures. Additionally, several framed 2D works hang on the back gallery walls behind the displayed sculptures.] -
Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. [A color photograph of a figure standing in an orange-lit space filled with various audio equipment. They lean down to press adjust a dial on an audio mixer.] -
Francesco Simeti: Volatili. Installation view, Artists Space, 2009. [A painting of a woman with blonde hair and a cape hangs on a wallpapered wall. The wallpaper is white and decorated with colorful images of tropical birds in trees.] -
Ed. Mario Pfeifer, A Formal Film In Nine Episodes, Prologue and Epilogue – A Critical Reader (Spector Books, 2013). [A white book cover with black text in English and Hindi.] -
Eiko Ishibashi: Two New York Nights. Performance documentation, June 9, 2022, 8pm. Artists Space, New York. Photo: Paula Court [A seated figure plays a guitar that lies in his lap.] -
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Till They Listen: Bill Gunn Directs America. Installation view, c. 1973, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [An image of a projection in a dark room above a glass display case holding ephemera.] -
Abasement #86. Performance documentation, April 6th, 2026, Artists Space. Photo: Joshua Wildman. [Three performers stand on stage in front of an audience. Two performers operate at a table with musical equipment while the third plays an electric string instrument. The room is bathed in red light.] -
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Martine Flor, Echoes From A Scene IV, 2022. Part of a larger series, spatial photogram on polyester textile (diptych), and text. Photo: Steven Cottingham. [Color photograph of a work consisting of two large sheets of textile with shades of white and grey, suspended from the ceiling. The work casts a shadow on the wall behind it.] -
Trisha Donnelly, Untitled, 2010, 3 1/2 x 5 in / 8,9 x 12,7 cm, C print, Signed and numbered certificate. [An inverted color-like green, black, and white, overexposed image of a person wearing a hat, holding thier hands to their face. Most of their facial features are overexposed and not visible. In the bottom right of the image, a grey image is overlaid, as if cut-out, depicting various unidentifiable objects.] -
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Edgar Oliver reading at Marble Cemetery. Photo: © Paula Court, 2018. [Man standing outside at a microphone in front of a large silver inflatable penis, reading from a purple folder.] -
Still from The Last Days of Jack Sheppard (2009). [A hand reaches toward the black-gloved hand of a person dressed in a black mask and jester-style costume, complete with a black and white pattern and a ruff around the neck.] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Two figures perform in a basement. On the left a figure with a video camera and shoulder rig takes footage of another figure on the right, dressed in a blue morph suit, and pushing a semicircular rolling table made of wood and fresnel lenses. Along the back wall blue and purple tinted live CCTV video footage is projected.] -
"Identity". Installation View, Artists Space, 2011. Photo: Daniel Pérez. [In a dimly lit room with light wood flooring and white pillars, three illuminated panels are suspended from the ceiling in the distance. The panels each display a single word—"tri", "angu", and "late"—in a cursive font.] -
Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [A figure in overalls leans forward to paint broad strokes of lighter paint on a black tarp hung on a wall. Painting supplies sit on a table directly behind them.] -
Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [Two paper bags with handles sit on a white shelf. The left bag is red and decorated with two illustrated portraits, one of which is a Native American man. The bag to the right has a larger portrait of a Native American man next to illustrative fish on a colorful background.] -
DUOX: DUOX4Larkin. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Two sculptures installed in a gallery space featuring rectangular sheets of laminated, paper rectangles held together by metal rings. The sheets are suspended at their four corners by metal poles mounted in silver buckets.] -
Beverly Semmes, Woven Photograph, 1989. [A black and white photograph of a field with trees in the background has been cut into strips and woven back together.] -
[A person walking down a city street, speaking into a megaphone. Behind her are several cars and a truck, and she is surrounded by loft buildings.] -
Lou Cantor and Clamens Jahn (eds.), Turning Inward (Berlin: Sternberg Press, 2015). [A book cover depicting an upside-down photo of a section of Manhattan, taken from above.] -
Margia Kramer. Installation view, Artists Space, 1980. [Black and white photograph of cursive white text on a black background on the floor.] -
The Low Riders: Meridel Rubenstein. Postcard, Artists Space, 1981. [A black and white image of three individuals, one sitting inside a car and the others standing against it.] -
Jonathan Lyndon Chase, The Shape Up, 2023. Courtesy of the artist and Company Gallery, New York. [A painting in color of two Black Queer people in a red interior setting. One of them, wearing gray underpants, gazes out of the picture plane, while another profile of their head turned to the right is superimposed. The barber on their right is shaping the seated person’s hair with clippers. The rounded edge of a tabletop with a mirror, comb, and shears atop of it is pictured to the left of the image. A single window depicting snowfall at night can be seen behind the two Black Queer figures.] -
Cover of Common Ruin, Win McCarthy, 2023. [Scanned image of a white page featuring a geometric drawing of a building divided into squares. Some of the squares are colored in charcoal and others are lightly filled in with pencil. Light smudges of black charcoal appear across the page. In the upper-center of the page, text reads: "Win McCarthy / Common Ruin".] -
Kevin Labadie. Installation view. Artists Space, 1983. [A number of dark paper-thin objects are visible in the foreground and a netted covering with small pieces of string dispersed around it with light emanating from behind can be seen in the upper section of the image.] -
Social Surfaces. Installation view, Alexander and Bonin, 2017. Photo: Ron Amstutz. [A wide blue mop with a yellow handle is tethered to a white pillar by a black cord, and is stretched with the handle angled forward. Resting against the pillar is a tv, angled and facing slightly leftwards, displaying a sculpture in a parking lot.] -
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Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A purple square on a white wall with various photographic media displayed.] -
David Armstrong, Enrique, 2003, Silver Gelatin Print. © David Armstrong; Courtesy of the David Armstrong Estate -
Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata [Color image of a dark basement room. On the back wall is projected an image with Chinese characters, and English characters that read "Three Poems of The Tong Dynasty."] -
Abasement #79. Performance documentation, August 11th, 2025, Artists Space. Photo: Joshua Wildman. [Two performers stand in the middle of a crowd, in a darkened basement. A red light casts a glow over the performers from their audio set-up in the middle of the room. ] -
Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [Two figures stand on stage next to each other, holding hands and smiling at the audience.] -
Marc Blane, c. 1975. From Marc Blane, Ken Hubbell, Carole Stein, Artists Space, 1975. [A color photograph of four sculptures resembling miniature theatre sets.] -
LIFE—a group show, curated by Arnold J. Kemp. Installation view, Artists Space, 2025. Photo: Carter Seddon [An assortment of artworks are seen in the large gallery space. On the left wall, a painting reading "NIGHTMARE" at a vertical angle with images of skulls, stars, and abstracted forms superimposed on top, as well as a framed painting to the right. In the center of the room is a gridded artwork with letters inside, a table behind displaying two ceramic works, and metal armatures with red, white, and blue wax candles spelling "LOVE." The space is divided by a row of columns with both framed and hung paintings behind.] -
Leila Torres, Self Portrait, 2015 [The bust of a teenage girl looking up and away from the viewer's perspective, with a green, grey and yellow background. On the green section, white text reads, "We have lingered in the chamber of seas. With seaweed both red and brown. Till Human Voices Wake us. And we drown"] -
[A sculpture of a man holding a book, right leg crossed over left, standing, against a white background. He is wearing a purple shirt, patterned blue shorts, and white sneakers.] -
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Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman [A seated figure in a black hoodie and black beanie plays the guitar with red and purple light cast onto them.] -
A New World Order III: The Curio Shop. Installation view, Artists Space, 1993. [A black and white photograph of a room filled with plinths of varying heights, several objects suspended from the ceiling, and a pile of small fans with a mess of wires sitting on the floor.] -
Peter Saville, Bespoke archival box with hand-marbled paper and band, 24 1/2 x 20 1/2 x 1 1/2 in / 62,2 x 52 x 3,8 cm, Signed and Numbered. [A print of marbled, amorphous forms in blue, grey, and white is centrally intersected by a horizontal orange band.] -
Las Nietas de Nonó, Especie: archivo natural, 2022, sounds, lamp, phone booth, phone booth hotline, fish tanks, atmospheric water, yucca, corn, dracaena, snake plant, dragon tree, tree trunks, handmade lyca garments for tree trunks, mirror pond; Dimensions variable. Photo: Filip Wolak [A large mirrored pond made of a wooden base with a reflective lining on top is surrounded by three tree trunks, plants, fish tanks, and a phone booth. A large lamp hangs from the ceiling with a metal locker in the back.] -
[Flyer featuring a drawing of a face in black ink with accents of pink and green on the mouth, cheeks, and eyelids. Handwritten text on the top reads "The worst is over / well it hasn't even / started by at least / I know." Text on the bottom provides the place and time of the event.] -
Colin MacCabe, Godard: Images, Sounds, Politics (Macmillan, 1980). [A bifold book cover. A picture of a woman singing into a microphone bleeds across the front and back cover and the title of the book is written in a blocky yellow font.] -
Milford Graves, Untitled Drawing, 2020. Ink, Sharpie, acrylic paint, collage elements on paper. Photo: Filip Wolak. [A color photograph of a mixed media collage with various drawings and handwritten text in a white frame.] -
We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [A cloth image is emerging from the darkness.] -
Artists Space, Witnesses: Against Our Vanishing, 1989. [A red book cover with white text superimposed on a black palm print.] -
Super 8 Film Exposition. Installation view, Artists Space, New York, 1977. [A black and white photograph of a gallery space. Several film reels and projectors are positioned on tables and stands.] -
Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [Two side-by-side magazine advertisements mounted on a white wall. On the left, a portrait-oriented multicolored image is titled, "One out of every 100 new business succeeds. Here's to those who take the odds." There is a short written blurb below. On the right, a landscape-oriented spread shows an image of a car with its doors open on the left page. On the right page, large text reads, "The Delorean. Live the dream." An additional image of a car and a single column of text is positioned to the right of this headline.] -
Lukas Duwenhögger: Undoolay. Installation view, Artists Space, 2016. Photo credit: Jean Vong. [Multiple paintings are hung on white walls, some in rounded frames, depicting various people in outdoor settings. Suspended from the ceiling is a sculpture in the shape of an inverted cone and covered in artificial plants. Multicolored streamers hang from the base of the sculpture.] -
Wesley Kimler. Untitled (blindfolded), 1984. [A nude figure with a darkened face appears moving an art and directing their gaze towards the viewer.] -
James Coleman. Still from Seeing for Oneself, 1987-88. Slideshow (black and white), 40 min. [A black and white film still of a person lying against embroidered pillows. Another person sits alongside her and holds a mirror up to her face, reflecting it towards the camera.] -
Crystal Z Campbell: Ode to the Underloved. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color image of the entrance into a gallery space. A blue wall juts out to create a small entrance on the righthand side. Along the floor is a walkway made of plywood. In the center of the room is a projected video onto the floor.] -
Opening at the Tanager Gallery, NY, 1959. [A black and white photograph of a crowded room filled with people conversing.] -
Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A miniature log cabin constructed of handwritten documents is displayed in a vitrine. The roof on the left side reads, "By the President of the United States of America, A Proclimation."] -
virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of a gallery space featuring two large windows on the left and a row of dark metal columns in the center. A pile of grey posters, a table with red chairs, hanging framed images, and blue posters are visible in the space. A large grey and yellow vinyl partially hangs from the wall on the right, cascading down to the ground in the far right corner.] -
John Salvest, Cipher, 1989. Wood, brass, plexiglass, alphabet noodles, 80 x 24 x 6 inches. [A narrow, white door with the number "0" on it is partially open against a white wall, obscuring what is behind it.] -
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[Black text on a grey background. The text reads: “Dec 20 / Robert Fitterman / Theodore Harris.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
Jutta Koether: xxapollo. Performance documentation, January 5, 2020, Artists Space. Photo © 2020 Paula Court. [Various objects sit on a concrete floor, including a miniature disco ball, a painted heart-shaped canvas, and a tangle of cords.] -
John Neff, Authorization Sessions Set 2018: Manhattan Project, 2018. Photo: Daniel Pérez [A monitor on a wheeled stand is displayed in the corner of two white walls. The monitor projects an image of a whiteboard with hand written text that reads, "People think because, People lie others..., People ignore..." circled in red, green and blue. A green office swivel chair with headphones is placed in front.] -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure, wearing reflective one-way mirror film around their body, hanging off the ledge of an open doorway entrance.] -
Flyer for Segue Reading Series featuring Lauren Whitehead & Miles Champion, Saturday, December 19, 2020 Artists Space. [A collaged graphic background of a video with an overlay of green animated turtle shells. Black text over the top half of the image reads "Lauren Whitehead / Miles Champion." Black text over the middle reads "Segue" and black text on the lower half of the image reads, "19 December / 5 pm EST".] -
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Ei Arakawa: WEWORK BABIES. Performance documentation, December 8, 2019, Artists Space. Photo © 2019 Paula Court. [A man stands on one foot on a half-rolled yoga mat, holding out a baby doll as if to throw it. Two people behind him are bent over yoga mats, mid-movement. A crowd of people stands around the group watching.] -
Milford Graves: Fundamental Frequency. Installation view (Hand-painted Drums, c.1970s; Earth Resonance, 2020; Untitled painting, c. 1980s), Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak. [A color photograph of a hand painted drumset in a gallery space. A circular gong hangs above, and a painting done on a wooden panel is attached to the wall in the background.] -
Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman. [Color photo of two men sitting at a work table that holds various electronic and musical equipment. The man seated closest to the camera is playing a trumpet, while the other performer at his side actively works at a computer. The performance venue is dimly lit while a projection and some pink overhead lights provide some illumination.] -
The columns held us up. Installation view, Artists Space, 2009. Photo: Adam Reich. [A low futon couch on a wooden platform with multicolored pillows is fit into the corner of a room with two windows. There is a short table with two placemats and brochures, and a television. In the foreground, there is a white plinth with a glass top housing an orange object.] -
Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Shala Miller, Genesis, 2023), Artists Space, 2023. Photo: Filip Wolak. [Three hanging projector screens surround the middle of a darkened gallery space. The two screens on the right and left side depict a black-and-white video still of a figures face, illuminated on one side by a bright flash of light. The third screen in the middle shows a black-and-white film still of hazy and ghostly tonal modulations.] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Three figures perform in a basement. On the left a figure in a blue morph suit wears a pair of wings made of fresnel lenses. On the right another figure in a blue morph suit stands behind a rolling table made of wood and fresnel lenses. Another figure to the far right takes video footage.] -
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Audrey Glassman, Untitled. Cibachrome, 28 x 42 inches. [Two figures sitting at opposite ends of a couch looking outside of the image to the right. A telephone sits on a table next to the couch on the right.] -
Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [Three wooden chairs with headphones on top of them face a television monitor, which displays a figure wearing a keffiyeh. White text underneath the figure's face reads: "Mahyoob Abdul Latif, Adnan Latif's uncle."] -
Reese Williams. Installation view, Artists Space, 1980. [A number of framed photographs and texts are hung on walls in a gallery space.] -
Shala Miller, Genesis. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color documentation image of Shala Miller's Genesis, 2023. Three monochrome projection panels float equidistantly in a dark room, with vinyls on black walls.] -
Installation view from Six Sculptors, Artists Space, January 25, 1986 - February 22, 1986. [A number of flat-paneled works appear hanging on the gallery wall while various sculptural forms are on pedestals or on the floor in front of them.] -
Moroharu Jonouchi, Shelter Plan, 1964 [Black-and-white image of a figure in black standing straight against a wall. On either side of them are life-size printed images of a naked figure from behind.] -
Audrey Glassman, Untitled, 1983. Cibachrome, 28 x 42 inches. [A cropped face of a figure is seen on the right with the image of a lantern light perched on a tree branch filling the left side of the image.] -
Demonstrations outside the opening of Witnesses: Against Our Vanishing, Artists Space, 1989. [A black-and-white photo of a group of protestors holding various signs. One asks, "Obscene Art?" under a crucifixion image. Another states "Helms impedes the 1st amendment"] -
Liam Gillick, Thinking, 2010. Inkjet print on Sunset Cotton Etch 285 gsm. [A black and white graphic illustration of a primitive man with leaves encircling his head and his waist, leaning on a branch. The thought bubble above his head reads "Thinking more about production than consumption..."] -
Eds. Lisa Lee and Hal Foster, Critical Laboratory: The Writings of Thomas Hirschhorn (MIT Press, 2013). [The title of the book appears in white text atop an yellowed image of a room's interior. A plant, lamp, and some paper with notes cover the desk in the room.] -
Unnaturally Yours: Selected by Willie Cole. Installation view, Artists Space, 1996. [Two sculptures installed in a gallery space with wooden flooring. A large sculpture consisting of a suspended, orange tarp pulled in different directions by various wires sits in the cetner of the room. Small, tan mounds and a white side table are arranged around the orange tarp. On the gallery wall behind the large sculpture hangs a smaller sculpture that resembles a set of pink lungs.] -
Donna Nelson. Installation View. Artists Space, 1985. [A face appears on the right part of the image with one figure central without defining facial features and another in the background with their back towards the viewer. Windows appear in the background.] -
Wine sponsor Vivanterre. Photo: Jenna Bascom [A bottle of wine sits on a set dining table covered in a red tablecloth, surrounded by wine glasses. The wine label features an irregular curved white semi-oval, overlaid with a smaller burgundy red shape, and the embossed text "Vivanterre"] -
New Red Order, still from CULTURE CAPTURE: TERMINAL ADDITION, 2019. [A figure wearing a black, puffy coat and a white, waxy mask that covers their entire head stands beside a stone structure with an illegible inscription. Their hand rests on the stone next to a small, spherical surveillance camera as they look off into the distance.] -
Adam Putnam, Magic Lanterns, 2004. [A sketch of a projector on a stand, projecting a black hole into a wall.] -
Selections from the Artists File. Installation view, Artists Space, 1989. [A photograph of a large painting of vines and water hanging on a white gallery wall. Beyond it, more painting and sculptures are visible in an adjacent gallery.] -
Drake Carr: Housecalls. Performance documentation, September 8, 2023, Artists Space at the Armory Show. Photo: Joshua Wildman. [A color image of a white wall with windows and black and white curtains with pink flowers. Through the windows, a figure is seen sitting cross-legged on a chair. They are wearing a yellow dress.] -
Richard Klauber. Installation view,Ruth Hardinger, Richard Klauber, Artists Space, 1975. [A color installation photograph of a black and white abstract painting on a white wall.] -
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Yasunao Tone: Region of Paramedia. Installation view (Peter Moore, Concert at The Kitchen, 1979; Paramedia Music, 1990), Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a gallery wall. On the left, four black-and-white photographs are hung vertically, and on the right is a shelf with a television monitor placed on it.] -
Traditions: Five Painters. Installation View, Artists Space, 1978. [Two pieces hang on a wall.] -
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Jeff Francis, 1996. Photo: Gordon Munro. [A chandelier-like structure with clear crystals at its top and bottom, and green jewels arranged in increasing tiers at its center.] -
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Robert Giard, Homage to Joe Beam, 1992. 20 x 38 inches. [Two photographs arranged side by side. The left photograph displays a person sitting partially in shadow with a patterned background and a small object on her lap. The right photograph shows a framed photograph of a young man in a suit with the same object placed in front of the portrait.] -
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[Six books in different colors fanned out. Each book's cover has a solid color with black text that spells out a person's name.] -
Drake Carr, Mel Ottenberg, 2023. Colored pencil on paper. 26 x 21 inches. Image courtesy Artists Space, New York. Photo: Filip Wolak. [A color image of an unframed colorful drawing of a male-presenting figure. The figure is crossed-arm and sitting back in whats seems like a sofa. A cup of coffee sits on his right, and a potted plant and a vintage-looking radio are on his left.] -
Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure sits behind a table, looking at a laptop, and speaking into a microphone.] -
Whatever Happened to Sex in Scandinavia (2011). Knut Ove Arntzen, Stan Brakhage, Marta Kuzma and Pablo LaFuente. [A grayscale image of two naked people, kneeling on the ground of an untidy room. They are embracing, with their foreheads pressed together. Behind them there is a window and a typewriter on a stand.] -
[A circular shape with a textured fill on a blue background.] -
