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  • A color image of the corner of a gallery space. The two walls have been painted black, and various paintings depicting Black Queer figures are depicted. White and yellow drawings are painted onto the wall itself, moving through and around the artworks.
    A color image of the corner of a gallery space. The two walls have been painted black, and various paintings depicting Black Queer figures are depicted. White and yellow drawings are painted onto the wall itself, moving through and around the artworks.
    Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of the corner of a gallery space. The two walls have been painted black, and various paintings depicting Black Queer figures are depicted. White and yellow drawings are painted onto the wall itself, moving through and around the artworks.]
    Caption Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A color image of the corner of a gallery space. The two walls have been painted black, and various paintings depicting Black Queer figures are depicted. White and yellow drawings are painted onto the wall itself, moving through and around the artworks.
    Year
    Related pages Jonathan Lyndon Chase
  • A view of Chinatown at night, with a projection onto a side of the building that reads, in handwritten text,
    A view of Chinatown at night, with a projection onto a side of the building that reads, in handwritten text,
    Chinatown Art Brigade and The Illuminator Here to Stay, September 24, 2016 Courtesy Chinatown Art Brigade. Photo: KahEan Chang [A view of Chinatown at night, with a projection onto a side of the building that reads, in handwritten text, "Gentrification Is Modern Colonialism! #ChinatownNot4Sale". The top of a BigBus tour bus is partially visible at the right corner of the frame.]
    Caption Chinatown Art Brigade and The Illuminator Here to Stay, September 24, 2016 Courtesy Chinatown Art Brigade. Photo: KahEan Chang
    Image description A view of Chinatown at night, with a projection onto a side of the building that reads, in handwritten text, "Gentrification Is Modern Colonialism! #ChinatownNot4Sale". The top of a BigBus tour bus is partially visible at the right corner of the frame.
    Year 2016
    Related pages Decolonize This Place
  • A view down an isle, between theater seating and blue track lighting, to a projected video screen. On the back wall, a still image of a man, in a pilots uniform, gestures toward the viewers with two fingers. Hito Stereyl stands behind him with her arm outstretched.
    A view down an isle, between theater seating and blue track lighting, to a projected video screen. On the back wall, a still image of a man, in a pilots uniform, gestures toward the viewers with two fingers. Hito Stereyl stands behind him with her arm outstretched.
    Hito Steyerl, In Free Fall, 2010. HD video with sound, 30 mins. Courtesy of the artist and Andrew Kreps, New York. [A view down an isle, between theater seating and blue track lighting, to a projected video screen. On the back wall, a still image of a man, in a pilots uniform, gestures toward the viewers with two fingers. Hito Stereyl stands behind him with her arm outstretched.]
    Caption Hito Steyerl, In Free Fall, 2010. HD video with sound, 30 mins. Courtesy of the artist and Andrew Kreps, New York.
    Image description A view down an isle, between theater seating and blue track lighting, to a projected video screen. On the back wall, a still image of a man, in a pilots uniform, gestures toward the viewers with two fingers. Hito Stereyl stands behind him with her arm outstretched.
    Year 2015
    Related pages Hito Steyerl
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    Image description
    Year
    Related pages Milford Graves: Fundamental Frequency
  • A painting appears on the wall of figures dancing and two sculptures can be seen on pedestals in the foreground in a gallery setting.
    A painting appears on the wall of figures dancing and two sculptures can be seen on pedestals in the foreground in a gallery setting.
    We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [A painting appears on the wall of figures dancing and two sculptures can be seen on pedestals in the foreground in a gallery setting.]
    Caption We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987.
    Image description A painting appears on the wall of figures dancing and two sculptures can be seen on pedestals in the foreground in a gallery setting.
    Year
    Related pages We the People
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A blue flyer with the word
    A blue flyer with the word
    Richard Hollis, Whitechapel Gallery advertisement, 1980. [A blue flyer with the word "OPEN." printed in yellow.]
    Caption Richard Hollis, Whitechapel Gallery advertisement, 1980.
    Image description A blue flyer with the word "OPEN." printed in yellow.
    Year
    Related pages A Video Lecture by Richard Hollis
  • Two figures perform on a stage in front of a projection.
    Two figures perform on a stage in front of a projection.
    Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [Two figures perform on a stage in front of a projection.]
    Caption Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman
    Image description Two figures perform on a stage in front of a projection.
    Year 2022
    Related pages Abasement #61
  • A black-and-white film still depicting a nude figure, her body is turned two-thirds of the way. Several smoky duplicates of the figure's body and face are superimposed over the original image. A cloudy and blooming, nondescript atmosphere serves as the background.
    A black-and-white film still depicting a nude figure, her body is turned two-thirds of the way. Several smoky duplicates of the figure's body and face are superimposed over the original image. A cloudy and blooming, nondescript atmosphere serves as the background.
    Shala Miller, Genesis, 2023. [A black-and-white film still depicting a nude figure, her body is turned two-thirds of the way. Several smoky duplicates of the figure's body and face are superimposed over the original image. A cloudy and blooming, nondescript atmosphere serves as the background.]
    Caption Shala Miller, Genesis, 2023.
    Image description A black-and-white film still depicting a nude figure, her body is turned two-thirds of the way. Several smoky duplicates of the figure's body and face are superimposed over the original image. A cloudy and blooming, nondescript atmosphere serves as the background.
    Year
    Related pages Shala Miller, Malcolm Peacock, Amiri Baraka
  • A man and a woman sit at a kitchen table for breakfast. The table is crowded with dishes and items like orange juice and a box of Raisin Bran.
    A man and a woman sit at a kitchen table for breakfast. The table is crowded with dishes and items like orange juice and a box of Raisin Bran.
    Still from Personal Problems picturing Walter Cotton and Vertamae Smart-Grosvenor, 1980. [A man and a woman sit at a kitchen table for breakfast. The table is crowded with dishes and items like orange juice and a box of Raisin Bran.]
    Caption Still from Personal Problems picturing Walter Cotton and Vertamae Smart-Grosvenor, 1980.
    Image description A man and a woman sit at a kitchen table for breakfast. The table is crowded with dishes and items like orange juice and a box of Raisin Bran.
    Year 1980
    Related pages Personal Problems
  • Individual self-portraits, Untitled, 2021, collage and sequins on paper
    Caption Individual self-portraits, Untitled, 2021, collage and sequins on paper
    Image description
    Year 2021
    Related pages Threads of History
  • A performer with long blonde hair and a black baseball cap sits on stage at a table covered in electronic instruments. Their face is lit with red light. The background is dark, but a few audience members are visible.
    A performer with long blonde hair and a black baseball cap sits on stage at a table covered in electronic instruments. Their face is lit with red light. The background is dark, but a few audience members are visible.
    Abasement #73. Performance documentation, November 4th, 2024, Artists Space. Photo: Joshua Wildman. [A performer with long blonde hair and a black baseball cap sits on stage at a table covered in electronic instruments. Their face is lit with red light. The background is dark, but a few audience members are visible. ]
    Caption Abasement #73. Performance documentation, November 4th, 2024, Artists Space. Photo: Joshua Wildman.
    Image description A performer with long blonde hair and a black baseball cap sits on stage at a table covered in electronic instruments. Their face is lit with red light. The background is dark, but a few audience members are visible.
    Year
    Related pages Abasement #73
  • A series of books sit at eye level on a wall that displays a black and white photographic collage graphic behind them.
    A series of books sit at eye level on a wall that displays a black and white photographic collage graphic behind them.
    The Library Vaccine. Installation view, Artists Space, 2014. [A series of books sit at eye level on a wall that displays a black and white photographic collage graphic behind them.]
    Caption The Library Vaccine. Installation view, Artists Space, 2014.
    Image description A series of books sit at eye level on a wall that displays a black and white photographic collage graphic behind them.
    Year 2014
    Related pages The Library Vaccine
  • Three photographs are mounted next to one another on a colorful gallery wall, which is covered with a photo decal of a mosaic. Each of the photographs show different urban walls covered in grafitti. Graffiti on a city wall shown in the far right photograph reads,
    Three photographs are mounted next to one another on a colorful gallery wall, which is covered with a photo decal of a mosaic. Each of the photographs show different urban walls covered in grafitti. Graffiti on a city wall shown in the far right photograph reads,
    Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Three photographs are mounted next to one another on a colorful gallery wall, which is covered with a photo decal of a mosaic. Each of the photographs show different urban walls covered in grafitti. Graffiti on a city wall shown in the far right photograph reads, "pueblo nueva."]
    Caption Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Three photographs are mounted next to one another on a colorful gallery wall, which is covered with a photo decal of a mosaic. Each of the photographs show different urban walls covered in grafitti. Graffiti on a city wall shown in the far right photograph reads, "pueblo nueva."
    Year 2012
    Related pages Radical Localism: Art, Video and Culture from Pueblo Nuevo’s Mexicali Rose
  • An installation view of several works in a gallery space. Twelve long wooden poles are mounted on a white gallery wall in a circular formation, projecting out from the wall and intersecting a line of black columns, forming a teepee shape. A large piece of brown linen stained with various black, white, and rust-colors hangs from the poles. Part of the linen drapes on the ground below the teepee structure. A wooden wardrobe stands against a wall in front of the structure. Several bottles filled with urine stand in a line behind the structure, in front of an abstract sculpture in the corner of the room. The sculpture contains a humanoid head, a TV monitor, and haphazard pieces of wooden and cardboard.
    An installation view of several works in a gallery space. Twelve long wooden poles are mounted on a white gallery wall in a circular formation, projecting out from the wall and intersecting a line of black columns, forming a teepee shape. A large piece of brown linen stained with various black, white, and rust-colors hangs from the poles. Part of the linen drapes on the ground below the teepee structure. A wooden wardrobe stands against a wall in front of the structure. Several bottles filled with urine stand in a line behind the structure, in front of an abstract sculpture in the corner of the room. The sculpture contains a humanoid head, a TV monitor, and haphazard pieces of wooden and cardboard.
    Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater. Installation view, Artists Space, 2019. Photo: Daniel Pérez. [An installation view of several works in a gallery space. Twelve long wooden poles are mounted on a white gallery wall in a circular formation, projecting out from the wall and intersecting a line of black columns, forming a teepee shape. A large piece of brown linen stained with various black, white, and rust-colors hangs from the poles. Part of the linen drapes on the ground below the teepee structure. A wooden wardrobe stands against a wall in front of the structure. Several bottles filled with urine stand in a line behind the structure, in front of an abstract sculpture in the corner of the room. The sculpture contains a humanoid head, a TV monitor, and haphazard pieces of wooden and cardboard.]
    Caption Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater. Installation view, Artists Space, 2019. Photo: Daniel Pérez.
    Image description An installation view of several works in a gallery space. Twelve long wooden poles are mounted on a white gallery wall in a circular formation, projecting out from the wall and intersecting a line of black columns, forming a teepee shape. A large piece of brown linen stained with various black, white, and rust-colors hangs from the poles. Part of the linen drapes on the ground below the teepee structure. A wooden wardrobe stands against a wall in front of the structure. Several bottles filled with urine stand in a line behind the structure, in front of an abstract sculpture in the corner of the room. The sculpture contains a humanoid head, a TV monitor, and haphazard pieces of wooden and cardboard.
    Year 2019
    Related pages
  • A black and white installation photograph of a gallery space. Placed on the floor, pairs of dark squares lean against a white wall.
    A black and white installation photograph of a gallery space. Placed on the floor, pairs of dark squares lean against a white wall.
    Mel Kendrick, Dinnever Hill. Installation view, Artists Space, 1974. [A black and white installation photograph of a gallery space. Placed on the floor, pairs of dark squares lean against a white wall.]
    Caption Mel Kendrick, Dinnever Hill. Installation view, Artists Space, 1974.
    Image description A black and white installation photograph of a gallery space. Placed on the floor, pairs of dark squares lean against a white wall.
    Year 1974
    Related pages Mel Kendrick, Lois Lane, Christopher Shelton
  • Black, lowecase text that reads,
    Black, lowecase text that reads,
    [Black, lowecase text that reads, "edition hansjörg mayer."]
    Caption
    Image description Black, lowecase text that reads, "edition hansjörg mayer."
    Year 2014
    Related pages The Library Vaccine
  • Five framed drawings hang on white panel, suspended on a wooden frame that extends into and across the room.
    Five framed drawings hang on white panel, suspended on a wooden frame that extends into and across the room.
    Welcome to My World. Installation view, Artists Space, 2014. [Five framed drawings hang on white panel, suspended on a wooden frame that extends into and across the room.]
    Caption Welcome to My World. Installation view, Artists Space, 2014.
    Image description Five framed drawings hang on white panel, suspended on a wooden frame that extends into and across the room.
    Year 2014
    Related pages Welcome To My World
  • Audience members are seated along a back wall, with a figure in a blue morph suit seated on a rectangular wooden frame alongside them. Blue light is projected onto a screen in the background.
    Audience members are seated along a back wall, with a figure in a blue morph suit seated on a rectangular wooden frame alongside them. Blue light is projected onto a screen in the background.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Audience members are seated along a back wall, with a figure in a blue morph suit seated on a rectangular wooden frame alongside them. Blue light is projected onto a screen in the background.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Audience members are seated along a back wall, with a figure in a blue morph suit seated on a rectangular wooden frame alongside them. Blue light is projected onto a screen in the background.
    Year 2022
    Related pages SCRAAATCH 11-18
  • A black and white photograph of the base of a monument in a city square. Steps lead up to a pedastal surrounded by three large spheres connected by a metal chain.
    A black and white photograph of the base of a monument in a city square. Steps lead up to a pedastal surrounded by three large spheres connected by a metal chain.
    Bases of the equestrian monument to Kaiser Wilhem which was destroyed by the British occupation in Münster after World War II. The photographs were printed as post cards in the early 20th century and collected from eBay and oldthing.de in 2021. [A black and white photograph of the base of a monument in a city square. Steps lead up to a pedastal surrounded by three large spheres connected by a metal chain.]
    Caption Bases of the equestrian monument to Kaiser Wilhem which was destroyed by the British occupation in Münster after World War II. The photographs were printed as post cards in the early 20th century and collected from eBay and oldthing.de in 2021.
    Image description A black and white photograph of the base of a monument in a city square. Steps lead up to a pedastal surrounded by three large spheres connected by a metal chain.
    Year 2022
    Related pages virgil b/g taylor: Minor Publics
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    Year
    Related pages New Red Times Magazine
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    Year
    Related pages DRAFT IMAGE PAGE_NEVER DELETE
  • A fully furnished miniature living room containing a couch, midcentury television set, antique radio, rug, and paintings hung on the walls. A doll made to look like a woman sits on the couch.
    A fully furnished miniature living room containing a couch, midcentury television set, antique radio, rug, and paintings hung on the walls. A doll made to look like a woman sits on the couch.
    Laurie Simmons: Photographs. Postcard, Artists Space, 1979. [A fully furnished miniature living room containing a couch, midcentury television set, antique radio, rug, and paintings hung on the walls. A doll made to look like a woman sits on the couch.]
    Caption Laurie Simmons: Photographs. Postcard, Artists Space, 1979.
    Image description A fully furnished miniature living room containing a couch, midcentury television set, antique radio, rug, and paintings hung on the walls. A doll made to look like a woman sits on the couch.
    Year 1979
    Related pages Photographs: Laurie Simmons
  • A black and white image of two couches set in front of a TV monitor on a pedestal and two speakers installed on either side of it. The TV screen is on, but no clear image is visible on it. A door to exit is visible in the background.
    A black and white image of two couches set in front of a TV monitor on a pedestal and two speakers installed on either side of it. The TV screen is on, but no clear image is visible on it. A door to exit is visible in the background.
    Too Black, Too Strong! Installation View, Artists Space, 1988. [A black and white image of two couches set in front of a TV monitor on a pedestal and two speakers installed on either side of it. The TV screen is on, but no clear image is visible on it. A door to exit is visible in the background.]
    Caption Too Black, Too Strong! Installation View, Artists Space, 1988.
    Image description A black and white image of two couches set in front of a TV monitor on a pedestal and two speakers installed on either side of it. The TV screen is on, but no clear image is visible on it. A door to exit is visible in the background.
    Year 1988
    Related pages Too Black, Too Strong!
  • White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Mar 9 / Harmony Holiday / Taylor Johnson
    White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Mar 9 / Harmony Holiday / Taylor Johnson
    [White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Mar 9 / Harmony Holiday / Taylor Johnson" Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Mar 9 / Harmony Holiday / Taylor Johnson" Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year
    Related pages Segue Reading Series: Harmony Holiday & Taylor Johnson
  • Audience members are seated along a back wall, with a figure in a blue morph suit seated on a rectangular wooden frame alongside them. Blue light is projected onto a screen in the background.
    Audience members are seated along a back wall, with a figure in a blue morph suit seated on a rectangular wooden frame alongside them. Blue light is projected onto a screen in the background.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Audience members are seated along a back wall, with a figure in a blue morph suit seated on a rectangular wooden frame alongside them. Blue light is projected onto a screen in the background.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Audience members are seated along a back wall, with a figure in a blue morph suit seated on a rectangular wooden frame alongside them. Blue light is projected onto a screen in the background.
    Year 2022
    Related pages SCRAAATCH 12-3
  • Collage project on mapping and migration
    Caption Collage project on mapping and migration
    Image description
    Year
    Related pages Listening to the LES
  • A color image of a gallery space features two shovels, standing upright on pedestals, a radiator sitting on its side; In the forground, a divining rod attached to a pedestal is placed on the floor.
    A color image of a gallery space features two shovels, standing upright on pedestals, a radiator sitting on its side; In the forground, a divining rod attached to a pedestal is placed on the floor.
    Andy Robert: PAPALOKO. Installation view, Artists Space, 2024. Photo: Carter Seddon. [A color image of a gallery space features two shovels, standing upright on pedestals, a radiator sitting on its side; In the forground, a divining rod attached to a pedestal is placed on the floor.]
    Caption Andy Robert: PAPALOKO. Installation view, Artists Space, 2024. Photo: Carter Seddon.
    Image description A color image of a gallery space features two shovels, standing upright on pedestals, a radiator sitting on its side; In the forground, a divining rod attached to a pedestal is placed on the floor.
    Year
    Related pages Andy Robert: Papaloko
  • Multi-wall drawing of various figures visible in gallery space.
    Multi-wall drawing of various figures visible in gallery space.
    Wall Drawing. Installation view, Artists Space, 1981. [Multi-wall drawing of various figures visible in gallery space.]
    Caption Wall Drawing. Installation view, Artists Space, 1981.
    Image description Multi-wall drawing of various figures visible in gallery space.
    Year
    Related pages Wall Drawing
  • Several figures sit on the ground, legs crossed.
    Several figures sit on the ground, legs crossed.
    Eiko Ishibashi: Two New York Nights. Performance documentation, June 8, 2022, 8pm. Artists Space, New York. [Several figures sit on the ground, legs crossed.]
    Caption Eiko Ishibashi: Two New York Nights. Performance documentation, June 8, 2022, 8pm. Artists Space, New York.
    Image description Several figures sit on the ground, legs crossed.
    Year
    Related pages Eiko Ishibashi in Concert
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    Year
    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • Color image of a closeup of a figure, in profile, holding up a small radio to their ear.
    Color image of a closeup of a figure, in profile, holding up a small radio to their ear.
    Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata [Color image of a closeup of a figure, in profile, holding up a small radio to their ear.]
    Caption Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata
    Image description Color image of a closeup of a figure, in profile, holding up a small radio to their ear.
    Year 2023
    Related pages Yasunao Tone Concert #2
  • Two pieces of wood are joined to create a miniature stage set. In the center, sitting in a miniature director's chair are two cartoon frog plushies wearing black top hats. The larger frog plushy cradles the smaller frog in it's arms. Two more director's chairs are positioned facing the plushies, along with a miniature stage light and stand that shines a spotlight on the plushies.
    Two pieces of wood are joined to create a miniature stage set. In the center, sitting in a miniature director's chair are two cartoon frog plushies wearing black top hats. The larger frog plushy cradles the smaller frog in it's arms. Two more director's chairs are positioned facing the plushies, along with a miniature stage light and stand that shines a spotlight on the plushies.
    Aristotelis Nikolas Mochloulis, Frog Man & Baby Frog, 2025. Michigan J. Frog plushies, miniature directors chairs, ARRI 150 Junior light, Manfrotto Nano light stand, speakers, audio excerpts from movies. Photo: Carter Seddon. [Two pieces of wood are joined to create a miniature stage set. In the center, sitting in a miniature director's chair are two cartoon frog plushies wearing black top hats. The larger frog plushy cradles the smaller frog in it's arms. Two more director's chairs are positioned facing the plushies, along with a miniature stage light and stand that shines a spotlight on the plushies.]
    Caption Aristotelis Nikolas Mochloulis, Frog Man & Baby Frog, 2025. Michigan J. Frog plushies, miniature directors chairs, ARRI 150 Junior light, Manfrotto Nano light stand, speakers, audio excerpts from movies. Photo: Carter Seddon.
    Image description Two pieces of wood are joined to create a miniature stage set. In the center, sitting in a miniature director's chair are two cartoon frog plushies wearing black top hats. The larger frog plushy cradles the smaller frog in it's arms. Two more director's chairs are positioned facing the plushies, along with a miniature stage light and stand that shines a spotlight on the plushies.
    Year
    Related pages Aristotelis Nikolas Mochloulis Tour
  • The exterior of a Soho building at night. Inside the third floor are two glowing blue neon quotation marks visible from outside.
    The exterior of a Soho building at night. Inside the third floor are two glowing blue neon quotation marks visible from outside.
    Laurel Woodcock, (Untitled), Neon Quote, 2005. Neon sculptures. Courtesy the artist. [The exterior of a Soho building at night. Inside the third floor are two glowing blue neon quotation marks visible from outside.]
    Caption Laurel Woodcock, (Untitled), Neon Quote, 2005. Neon sculptures. Courtesy the artist.
    Image description The exterior of a Soho building at night. Inside the third floor are two glowing blue neon quotation marks visible from outside.
    Year 2007
    Related pages On Being an Exhibition
  • In the foreground a plushie of a cartoon mouse leans on a beaten up Nike Air Force One shoe, and sits on a white carpet. In the background, two panels of white wood, some director's chairs, and a stage light are arranged like a movie set. At the center of the set are two green frog plushies.
    In the foreground a plushie of a cartoon mouse leans on a beaten up Nike Air Force One shoe, and sits on a white carpet. In the background, two panels of white wood, some director's chairs, and a stage light are arranged like a movie set. At the center of the set are two green frog plushies.
    Nandi Loaf, Aristotelis Nikolas Mochloulis, ricardo nagaoka, Sydney Schrader. Installation view, Artists Space, 2025. Photo: Carter Seddon [In the foreground a plushie of a cartoon mouse leans on a beaten up Nike Air Force One shoe, and sits on a white carpet. In the background, two panels of white wood, some director's chairs, and a stage light are arranged like a movie set. At the center of the set are two green frog plushies. ]
    Caption Nandi Loaf, Aristotelis Nikolas Mochloulis, ricardo nagaoka, Sydney Schrader. Installation view, Artists Space, 2025. Photo: Carter Seddon
    Image description In the foreground a plushie of a cartoon mouse leans on a beaten up Nike Air Force One shoe, and sits on a white carpet. In the background, two panels of white wood, some director's chairs, and a stage light are arranged like a movie set. At the center of the set are two green frog plushies.
    Year
    Related pages Nandi Loaf Aristotelis Nikolas Mochloulis Ricardo Nagaoka Sydney Schrader
  • A wooden reception desk with piles of various materials on it. A person sits at the desk smiling, and behind them, mounted on the wall, are two glowing neon quotation marks.
    A wooden reception desk with piles of various materials on it. A person sits at the desk smiling, and behind them, mounted on the wall, are two glowing neon quotation marks.
    Lee Walton, Hillary Wiedemann: Living Record, 2007. Performance. Courtesy the artist. Photo: Bill Orcutt. [A wooden reception desk with piles of various materials on it. A person sits at the desk smiling, and behind them, mounted on the wall, are two glowing neon quotation marks.]
    Caption Lee Walton, Hillary Wiedemann: Living Record, 2007. Performance. Courtesy the artist. Photo: Bill Orcutt.
    Image description A wooden reception desk with piles of various materials on it. A person sits at the desk smiling, and behind them, mounted on the wall, are two glowing neon quotation marks.
    Year 2007
    Related pages On Being an Exhibition
  • A black and white image of the back of a chair in front of a man in front of a train car, in which a man exits the door.
    A black and white image of the back of a chair in front of a man in front of a train car, in which a man exits the door.
    Installation view at Kaiserstraße 31A, Düsseldorf May 11, 1963 Courtesy Archiv Kuttner, Erkrath Photo: Manfred Kuttner [A black and white image of the back of a chair in front of a man in front of a train car, in which a man exits the door.]
    Caption Installation view at Kaiserstraße 31A, Düsseldorf May 11, 1963 Courtesy Archiv Kuttner, Erkrath Photo: Manfred Kuttner
    Image description A black and white image of the back of a chair in front of a man in front of a train car, in which a man exits the door.
    Year 1963
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • A sculpted pedestal with a black object on it is visible on a wooden floor below a sculpted multilayered cross hanging on a white gallery wall. Numbers are visible above the image.
    A sculpted pedestal with a black object on it is visible on a wooden floor below a sculpted multilayered cross hanging on a white gallery wall. Numbers are visible above the image.
    Jerry Beck, Cryptic Cross, 1985. [A sculpted pedestal with a black object on it is visible on a wooden floor below a sculpted multilayered cross hanging on a white gallery wall. Numbers are visible above the image.]
    Caption Jerry Beck, Cryptic Cross, 1985.
    Image description A sculpted pedestal with a black object on it is visible on a wooden floor below a sculpted multilayered cross hanging on a white gallery wall. Numbers are visible above the image.
    Year
    Related pages U.S. Projects
  • An open black wallet supported upright on a white surface by four binder clips attached to its left side and bottom edge.
    An open black wallet supported upright on a white surface by four binder clips attached to its left side and bottom edge.
    Daniel Joglar, Untitled, 2005. Courtesy the artist. [An open black wallet supported upright on a white surface by four binder clips attached to its left side and bottom edge.]
    Caption Daniel Joglar, Untitled, 2005. Courtesy the artist.
    Image description An open black wallet supported upright on a white surface by four binder clips attached to its left side and bottom edge.
    Year 2005
    Related pages Cosas Sin Hacer. Cosas Para Hacer Mañana
  • Color image of three performers on stage. In the foreground, in the lower right corner a musician wearing headphones plays drums. To the left hand side in the midground, two bald performers look at one another. One of the performers wears a red robe and holds a microphone. The other performer wears a blue tunic and faces the performer in the red robe. Stage lights shine down on all three performers. 
    Color image of three performers on stage. In the foreground, in the lower right corner a musician wearing headphones plays drums. To the left hand side in the midground, two bald performers look at one another. One of the performers wears a red robe and holds a microphone. The other performer wears a blue tunic and faces the performer in the red robe. Stage lights shine down on all three performers. 
    Abasement #68. Performance documentation, February 12, 2024, Artists Space. Photo: Joshua Wildman. [Color image of three performers on stage. In the foreground, in the lower right corner a musician wearing headphones plays drums. To the left hand side in the midground, two bald performers look at one another. One of the performers wears a red robe and holds a microphone. The other performer wears a blue tunic and faces the performer in the red robe. Stage lights shine down on all three performers. ]
    Caption Abasement #68. Performance documentation, February 12, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Color image of three performers on stage. In the foreground, in the lower right corner a musician wearing headphones plays drums. To the left hand side in the midground, two bald performers look at one another. One of the performers wears a red robe and holds a microphone. The other performer wears a blue tunic and faces the performer in the red robe. Stage lights shine down on all three performers. 
    Year
    Related pages Abasement #68
  • A figure in a white graphic T-shirt has their eyes closed, while they stand and hold two cymbals over their head. Yellow and blue projections are cast onto them on stage.
    A figure in a white graphic T-shirt has their eyes closed, while they stand and hold two cymbals over their head. Yellow and blue projections are cast onto them on stage.
    Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman [A figure in a white graphic T-shirt has their eyes closed, while they stand and hold two cymbals over their head. Yellow and blue projections are cast onto them on stage.]
    Caption Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure in a white graphic T-shirt has their eyes closed, while they stand and hold two cymbals over their head. Yellow and blue projections are cast onto them on stage.
    Year
    Related pages Abasement: #62
  • Multicolored circles, torii (donut shapes), and a cylinder are on a yellow-orange gradient background. The image is overlaid with the text,
    Multicolored circles, torii (donut shapes), and a cylinder are on a yellow-orange gradient background. The image is overlaid with the text,
    Flyer for Segue Reading Series featuring Joey Yearous-Algozin and Filip Marinovich. Saturday, April 24, 2021, Artists Space. [Multicolored circles, torii (donut shapes), and a cylinder are on a yellow-orange gradient background. The image is overlaid with the text, "artists space & the segue reading series / merrily invite you to an online reading by / Joey Yearous-Algozin / and / Filip Marinovich / saturday 4.24.21 5pm eastern / $5 suggested it'll be terrific / zoom id: 830 2698 4031]
    Caption Flyer for Segue Reading Series featuring Joey Yearous-Algozin and Filip Marinovich. Saturday, April 24, 2021, Artists Space.
    Image description Multicolored circles, torii (donut shapes), and a cylinder are on a yellow-orange gradient background. The image is overlaid with the text, "artists space & the segue reading series / merrily invite you to an online reading by / Joey Yearous-Algozin / and / Filip Marinovich / saturday 4.24.21 5pm eastern / $5 suggested it'll be terrific / zoom id: 830 2698 4031
    Year 2021
    Related pages Segue Reading Series: Filip Marinovich & Joey Yearous-Algozin
  • A group of people sit on the floor of a dimly-lit gallery. The audience is facing towards a wall on the left side of the image where a projection of live transcription text is projected. On the right side a performer bathed in green light holds their hands together as they stand infront of a mic. The audience member in the foreground is lit with red light, as well as an exit sign on the back wall. The rest of the gallery walls are blue and purple tinted.
    A group of people sit on the floor of a dimly-lit gallery. The audience is facing towards a wall on the left side of the image where a projection of live transcription text is projected. On the right side a performer bathed in green light holds their hands together as they stand infront of a mic. The audience member in the foreground is lit with red light, as well as an exit sign on the back wall. The rest of the gallery walls are blue and purple tinted.
    Heist Divination (fwiw remix). Performance documentation, October 25th, 2024, Artists Space. Photo: Destiny Mata. [A group of people sit on the floor of a dimly-lit gallery. The audience is facing towards a wall on the left side of the image where a projection of live transcription text is projected. On the right side a performer bathed in green light holds their hands together as they stand infront of a mic. The audience member in the foreground is lit with red light, as well as an exit sign on the back wall. The rest of the gallery walls are blue and purple tinted.]
    Caption Heist Divination (fwiw remix). Performance documentation, October 25th, 2024, Artists Space. Photo: Destiny Mata.
    Image description A group of people sit on the floor of a dimly-lit gallery. The audience is facing towards a wall on the left side of the image where a projection of live transcription text is projected. On the right side a performer bathed in green light holds their hands together as they stand infront of a mic. The audience member in the foreground is lit with red light, as well as an exit sign on the back wall. The rest of the gallery walls are blue and purple tinted.
    Year
    Related pages S*an D. Henry-Smith
  • Magazine cutouts of scattered blocky letters (reading ABASEMENT) and a series of people's heads overlay a light yellow background. A chunk of upside down text lists the performers, as well as the time and place of the event.
    Magazine cutouts of scattered blocky letters (reading ABASEMENT) and a series of people's heads overlay a light yellow background. A chunk of upside down text lists the performers, as well as the time and place of the event.
    Flyer by Joe Frivaldi. [Magazine cutouts of scattered blocky letters (reading ABASEMENT) and a series of people's heads overlay a light yellow background. A chunk of upside down text lists the performers, as well as the time and place of the event.]
    Caption Flyer by Joe Frivaldi.
    Image description Magazine cutouts of scattered blocky letters (reading ABASEMENT) and a series of people's heads overlay a light yellow background. A chunk of upside down text lists the performers, as well as the time and place of the event.
    Year
    Related pages Abasement #64
  • A color photographic picturing two figures who sit watching a television screen, their backs facing the camera.
    A color photographic picturing two figures who sit watching a television screen, their backs facing the camera.
    [A color photographic picturing two figures who sit watching a television screen, their backs facing the camera.]
    Caption
    Image description A color photographic picturing two figures who sit watching a television screen, their backs facing the camera.
    Year 1990
    Related pages Stone's Throw: Television from Cuba, Island in Goliath's Sea
  • A color photograph of a mixed media collage with various drawings and handwritten text in a white frame.
    A color photograph of a mixed media collage with various drawings and handwritten text in a white frame.
    Milford Graves, Untitled Drawing, 2020. Ink, Sharpie, acrylic paint, collage elements on paper. Photo: Filip Wolak. [A color photograph of a mixed media collage with various drawings and handwritten text in a white frame.]
    Caption Milford Graves, Untitled Drawing, 2020. Ink, Sharpie, acrylic paint, collage elements on paper. Photo: Filip Wolak.
    Image description A color photograph of a mixed media collage with various drawings and handwritten text in a white frame.
    Year 2021
    Related pages Milford Graves: Fundamental Frequency
  • A stylized map of SoHo and TriBeCa, stretching in latitude from West Houston Street to White Street, and in longitude from Hudson Street/West Broadway to Broadway. Each past location is marked by a red dot, indicating its address and years active, alongside a photo of the space's exterior.
    A stylized map of SoHo and TriBeCa, stretching in latitude from West Houston Street to White Street, and in longitude from Hudson Street/West Broadway to Broadway. Each past location is marked by a red dot, indicating its address and years active, alongside a photo of the space's exterior.
    Artists Space's locations, 1973-2019. [A stylized map of SoHo and TriBeCa, stretching in latitude from West Houston Street to White Street, and in longitude from Hudson Street/West Broadway to Broadway. Each past location is marked by a red dot, indicating its address and years active, alongside a photo of the space's exterior.]
    Caption Artists Space's locations, 1973-2019.
    Image description A stylized map of SoHo and TriBeCa, stretching in latitude from West Houston Street to White Street, and in longitude from Hudson Street/West Broadway to Broadway. Each past location is marked by a red dot, indicating its address and years active, alongside a photo of the space's exterior.
    Year 2019
    Related pages About
  • A book cover opened so the front and back are visible. There is a black rectangle with white text reading,
    A book cover opened so the front and back are visible. There is a black rectangle with white text reading,
    [A book cover opened so the front and back are visible. There is a black rectangle with white text reading, "Whose Choice" with a handprint and an illustration of internal organs. Small text at the bottom of the image reads, "...prior to quickening..." / "...suffer imprisonment..." / "...right to privacy..."]
    Caption
    Image description A book cover opened so the front and back are visible. There is a black rectangle with white text reading, "Whose Choice" with a handprint and an illustration of internal organs. Small text at the bottom of the image reads, "...prior to quickening..." / "...suffer imprisonment..." / "...right to privacy..."
    Year 1992
    Related pages A New World Order I: Choice Histories: Framing Abortion
  • A plywood board with rows of circular holes cut out of it overlays a black rectangle with blue and yellow lines on it.
    A plywood board with rows of circular holes cut out of it overlays a black rectangle with blue and yellow lines on it.
    Murray Reich. Two Ply, 1989. [A plywood board with rows of circular holes cut out of it overlays a black rectangle with blue and yellow lines on it.]
    Caption Murray Reich. Two Ply, 1989.
    Image description A plywood board with rows of circular holes cut out of it overlays a black rectangle with blue and yellow lines on it.
    Year 1989
    Related pages Shirley Jaffe and Murray Reich
  • Two large, orange slug sculptures forming circular ring shapes around cast-iron columns suspended by elastic cords are visible inside a white-walled gallery space along with square paintings on walls in the background.
    Two large, orange slug sculptures forming circular ring shapes around cast-iron columns suspended by elastic cords are visible inside a white-walled gallery space along with square paintings on walls in the background.
    Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez. [Two large, orange slug sculptures forming circular ring shapes around cast-iron columns suspended by elastic cords are visible inside a white-walled gallery space along with square paintings on walls in the background.]
    Caption Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez.
    Image description Two large, orange slug sculptures forming circular ring shapes around cast-iron columns suspended by elastic cords are visible inside a white-walled gallery space along with square paintings on walls in the background.
    Year 2020
    Related pages Jana Euler
  • Color photograph of three figures dressed in white, embracing each other as they run across an empty basement.
    Color photograph of three figures dressed in white, embracing each other as they run across an empty basement.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of three figures dressed in white, embracing each other as they run across an empty basement.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of three figures dressed in white, embracing each other as they run across an empty basement.
    Year 2022
    Related pages keyon gaskin 12-18
  • An angled view of 4 book stands perpendicular to a wall, all displaying various books, documents, and papers.
    An angled view of 4 book stands perpendicular to a wall, all displaying various books, documents, and papers.
    Richard Hollis. Installation view, Artists Space, 2013. [An angled view of 4 book stands perpendicular to a wall, all displaying various books, documents, and papers.]
    Caption Richard Hollis. Installation view, Artists Space, 2013.
    Image description An angled view of 4 book stands perpendicular to a wall, all displaying various books, documents, and papers.
    Year 2013
    Related pages Richard Hollis
  • Book cover design featuring a blue-tinged photograph of a woman in a white blouse resting casually against an armchair, her left hand reaching up towards her face and her fingers curling in a relaxed position. She appears contemplative, as if she is about to speak. Text superimposed over the top left hand corner of the image reads
    Book cover design featuring a blue-tinged photograph of a woman in a white blouse resting casually against an armchair, her left hand reaching up towards her face and her fingers curling in a relaxed position. She appears contemplative, as if she is about to speak. Text superimposed over the top left hand corner of the image reads
    Piecing Together Los Angeles: An Esther McCoy Reader, edited by Susan Morgan, published by East of Borneo Books, 2012. [Book cover design featuring a blue-tinged photograph of a woman in a white blouse resting casually against an armchair, her left hand reaching up towards her face and her fingers curling in a relaxed position. She appears contemplative, as if she is about to speak. Text superimposed over the top left hand corner of the image reads "Piecing Together Los Angeles: An Esther McCoy Reader."]
    Caption Piecing Together Los Angeles: An Esther McCoy Reader, edited by Susan Morgan, published by East of Borneo Books, 2012.
    Image description Book cover design featuring a blue-tinged photograph of a woman in a white blouse resting casually against an armchair, her left hand reaching up towards her face and her fingers curling in a relaxed position. She appears contemplative, as if she is about to speak. Text superimposed over the top left hand corner of the image reads "Piecing Together Los Angeles: An Esther McCoy Reader."
    Year 2012
    Related pages Piecing Together Los Angeles: An Esther McCoy Reader
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A musician standing on stage playing a small wooden instrument. They are looking down and wearing a headlamp. In front of them are multiple electronic instruments and cords. The wall in the background is scattered with white dots reflected from a disco ball.
    A musician standing on stage playing a small wooden instrument. They are looking down and wearing a headlamp. In front of them are multiple electronic instruments and cords. The wall in the background is scattered with white dots reflected from a disco ball.
    Abasement #71. Performance documentation, August 5th, 2024, Artists Space. Photo: Joshua Wildman. [A musician standing on stage playing a small wooden instrument. They are looking down and wearing a headlamp. In front of them are multiple electronic instruments and cords. The wall in the background is scattered with white dots reflected from a disco ball.]
    Caption Abasement #71. Performance documentation, August 5th, 2024, Artists Space. Photo: Joshua Wildman.
    Image description A musician standing on stage playing a small wooden instrument. They are looking down and wearing a headlamp. In front of them are multiple electronic instruments and cords. The wall in the background is scattered with white dots reflected from a disco ball.
    Year
    Related pages Abasement #71
  • A photo of three performers standing in the middle of a room, surrounded by the audience. Two performers linked hands, and the third stands in between them, arms raised.
    A photo of three performers standing in the middle of a room, surrounded by the audience. Two performers linked hands, and the third stands in between them, arms raised.
    Richard Kennedy, Both, Artists Space, 2017. [A photo of three performers standing in the middle of a room, surrounded by the audience. Two performers linked hands, and the third stands in between them, arms raised.]
    Caption Richard Kennedy, Both, Artists Space, 2017.
    Image description A photo of three performers standing in the middle of a room, surrounded by the audience. Two performers linked hands, and the third stands in between them, arms raised.
    Year 2017
    Related pages About
  • Black & white photograph of a music score and handwritten lyrics on a music stand, with a cello bow.
    Black & white photograph of a music score and handwritten lyrics on a music stand, with a cello bow.
    Shala Miller performs Genesis: Medley. Performance documentation, May 11, 2023, Artists Space. Photo: Roy Baizan. [Black & white photograph of a music score and handwritten lyrics on a music stand, with a cello bow.]
    Caption Shala Miller performs Genesis: Medley. Performance documentation, May 11, 2023, Artists Space. Photo: Roy Baizan.
    Image description Black & white photograph of a music score and handwritten lyrics on a music stand, with a cello bow.
    Year 2023
    Related pages Genesis: Medley
  • Black text on a light yellow background. The text reads: “May 17 / Nazareth Hassan / Karla Kelsey.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on a light yellow background. The text reads: “May 17 / Nazareth Hassan / Karla Kelsey.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on a light yellow background. The text reads: “May 17 / Nazareth Hassan / Karla Kelsey.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on a light yellow background. The text reads: “May 17 / Nazareth Hassan / Karla Kelsey.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Nazareth Hassan & Karla Kelsey
  • A figure is shown in profile speaking into a microphone, sitting behind a table and working on a laptop.
    A figure is shown in profile speaking into a microphone, sitting behind a table and working on a laptop.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure is shown in profile speaking into a microphone, sitting behind a table and working on a laptop.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure is shown in profile speaking into a microphone, sitting behind a table and working on a laptop.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
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    Year
    Related pages Michael Asher
  • Low res image of two men, with tan skin and curly hair, kissing profusely.
    Low res image of two men, with tan skin and curly hair, kissing profusely.
    Julio Torres, Search Results: Drunks Kissing, 2010. [Low res image of two men, with tan skin and curly hair, kissing profusely.]
    Caption Julio Torres, Search Results: Drunks Kissing, 2010.
    Image description Low res image of two men, with tan skin and curly hair, kissing profusely.
    Year 2010
    Related pages Radical Localism: Art, Video and Culture from Pueblo Nuevo’s Mexicali Rose
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    Image description
    Year
    Related pages Abasement #77
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Color image of a performer captured in the middle of a bassoon performance. The musician stands in the middle of a crowd of seated guests who are observing her in a dimly lit performance venue.
    Color image of a performer captured in the middle of a bassoon performance. The musician stands in the middle of a crowd of seated guests who are observing her in a dimly lit performance venue.
    Abasement #63. Performance documentation, July 17, 2023, Artists Space. Photo: Joshua Wildman. [Color image of a performer captured in the middle of a bassoon performance. The musician stands in the middle of a crowd of seated guests who are observing her in a dimly lit performance venue.]
    Caption Abasement #63. Performance documentation, July 17, 2023, Artists Space. Photo: Joshua Wildman.
    Image description Color image of a performer captured in the middle of a bassoon performance. The musician stands in the middle of a crowd of seated guests who are observing her in a dimly lit performance venue.
    Year
    Related pages Abasement #63
  • A flyer for the event depicting a stylized map of Israel in red, on a yellow background. Text reads
    A flyer for the event depicting a stylized map of Israel in red, on a yellow background. Text reads
    MTL+. Palestine, BLM and Boycott in the Arts, 2016. [A flyer for the event depicting a stylized map of Israel in red, on a yellow background. Text reads "Palestine, BLM & Boycott In the Arts: A conversation with Robin D.G. Kelley, Jasbir K. Puar, Amin Husain & Marz Saffore / Friday Nov. 4th 7pm."]
    Caption MTL+. Palestine, BLM and Boycott in the Arts, 2016.
    Image description A flyer for the event depicting a stylized map of Israel in red, on a yellow background. Text reads "Palestine, BLM & Boycott In the Arts: A conversation with Robin D.G. Kelley, Jasbir K. Puar, Amin Husain & Marz Saffore / Friday Nov. 4th 7pm."
    Year 2016
    Related pages Palestine, BLM and Boycott in the Arts
  • Photographs hanging on a wall in a gallery space.
    Photographs hanging on a wall in a gallery space.
    David Kulik, Frank Majore, Kevin Noble, Ken Pelka, Pat Place, Rene Santos, and Brian Weil. Installation view, Artists Space, 1980. [Photographs hanging on a wall in a gallery space.]
    Caption David Kulik, Frank Majore, Kevin Noble, Ken Pelka, Pat Place, Rene Santos, and Brian Weil. Installation view, Artists Space, 1980.
    Image description Photographs hanging on a wall in a gallery space.
    Year
    Related pages David Kulik, Frank Majore, Kevin Noble, Ken Pelka, Pat Place, Rene Santos, and Brian Weil
  • A large gallery space full of hundreds of metal cutouts shaped like curved
    A large gallery space full of hundreds of metal cutouts shaped like curved
    H_edge. Installation view, Artists Space, 2006. Photo: Whitney Cox. [A large gallery space full of hundreds of metal cutouts shaped like curved "x"'s hanging from lengths of metal chainlinks. The cutouts are arranged in the gallery so that they form a hedge-like landscape of varying heights. Visible through the cutouts is a black and gray composition installed on a gallery wall.]
    Caption H_edge. Installation view, Artists Space, 2006. Photo: Whitney Cox.
    Image description A large gallery space full of hundreds of metal cutouts shaped like curved "x"'s hanging from lengths of metal chainlinks. The cutouts are arranged in the gallery so that they form a hedge-like landscape of varying heights. Visible through the cutouts is a black and gray composition installed on a gallery wall.
    Year 2006
    Related pages H_edge
  • A black and white installation photograph of a gallery space. Placed on the floor, canvasses of dark rectangles on white backgrounds lean against a white wall.
    A black and white installation photograph of a gallery space. Placed on the floor, canvasses of dark rectangles on white backgrounds lean against a white wall.
    Mel Kendrick, Dinnever Hill. Installation view, Artists Space, 1974. [A black and white installation photograph of a gallery space. Placed on the floor, canvasses of dark rectangles on white backgrounds lean against a white wall.]
    Caption Mel Kendrick, Dinnever Hill. Installation view, Artists Space, 1974.
    Image description A black and white installation photograph of a gallery space. Placed on the floor, canvasses of dark rectangles on white backgrounds lean against a white wall.
    Year 1974
    Related pages Mel Kendrick, Lois Lane, Christopher Shelton
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Three screens and a metallic sculpture are installed in a gallery space with wooden floors. The three screens are arranged next to each other, with the screen closest to the viewer displaying a series of figures with three bright forms attached to their torsos. The other two screens show increasingly blurry renderings of the same image. To the right of the screens, a tall, shiny and metallic sculpture sits on the gallery floor. A pocket-sized image of a figure is pasted to the sculpture's left sides.
    Three screens and a metallic sculpture are installed in a gallery space with wooden floors. The three screens are arranged next to each other, with the screen closest to the viewer displaying a series of figures with three bright forms attached to their torsos. The other two screens show increasingly blurry renderings of the same image. To the right of the screens, a tall, shiny and metallic sculpture sits on the gallery floor. A pocket-sized image of a figure is pasted to the sculpture's left sides.
    Nina in Position. Installation view, Artists Space, 2008. Photo: Bill Orcutt. [Three screens and a metallic sculpture are installed in a gallery space with wooden floors. The three screens are arranged next to each other, with the screen closest to the viewer displaying a series of figures with three bright forms attached to their torsos. The other two screens show increasingly blurry renderings of the same image. To the right of the screens, a tall, shiny and metallic sculpture sits on the gallery floor. A pocket-sized image of a figure is pasted to the sculpture's left sides.]
    Caption Nina in Position. Installation view, Artists Space, 2008. Photo: Bill Orcutt.
    Image description Three screens and a metallic sculpture are installed in a gallery space with wooden floors. The three screens are arranged next to each other, with the screen closest to the viewer displaying a series of figures with three bright forms attached to their torsos. The other two screens show increasingly blurry renderings of the same image. To the right of the screens, a tall, shiny and metallic sculpture sits on the gallery floor. A pocket-sized image of a figure is pasted to the sculpture's left sides.
    Year 2008
    Related pages Nina in Position
  • A color photograph of an installation in a gallery. Several dark metal columns line the left side of the space, and on the right a punching bag and other boxing equipment hang from a rectangular wooden frame. In the background, several more mixed-media sculptures are visible.
    A color photograph of an installation in a gallery. Several dark metal columns line the left side of the space, and on the right a punching bag and other boxing equipment hang from a rectangular wooden frame. In the background, several more mixed-media sculptures are visible.
    Milford Graves: Fundamental Frequency. Installation view, Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak. [A color photograph of an installation in a gallery. Several dark metal columns line the left side of the space, and on the right a punching bag and other boxing equipment hang from a rectangular wooden frame. In the background, several more mixed-media sculptures are visible.]
    Caption Milford Graves: Fundamental Frequency. Installation view, Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak.
    Image description A color photograph of an installation in a gallery. Several dark metal columns line the left side of the space, and on the right a punching bag and other boxing equipment hang from a rectangular wooden frame. In the background, several more mixed-media sculptures are visible.
    Year 2021
    Related pages Milford Graves: Fundamental Frequency
  • Caption
    Image description
    Year
    Related pages All These Different Things Are Sculpture
  • A group of people sitting in chairs arranged in a circle, all facing inwards. Drawings are hung on the walls.
    A group of people sitting in chairs arranged in a circle, all facing inwards. Drawings are hung on the walls.
    Artists Draw. Installation view, Artists Space, 1979. [A group of people sitting in chairs arranged in a circle, all facing inwards. Drawings are hung on the walls.]
    Caption Artists Draw. Installation view, Artists Space, 1979.
    Image description A group of people sitting in chairs arranged in a circle, all facing inwards. Drawings are hung on the walls.
    Year 1979
    Related pages Artists Draw: Tom Martin, Auste Peciura, Alan Saret, Patti Smith, Nancy Spero
  • Photograph of a white magazine stand with black trim. Along the top of the stand, four stacks of black-and-white journals rest on acrylic stands. A selection of art journals in a variety of shapes and colors sit along the stand's two rows.
    Photograph of a white magazine stand with black trim. Along the top of the stand, four stacks of black-and-white journals rest on acrylic stands. A selection of art journals in a variety of shapes and colors sit along the stand's two rows.
    Michael Asher, Musée d'Art Contemporain de Montreal, Montreal, Canada, l'art conceptuel, une perspective, August 5–October 21, 1990. Art journals with advertisements for the exhibition placed by Michael Asher displayed in the museum’s bookstore. Photograph by Denis Farley. Michael Asher Archive, © Michael Asher Foundation. [Photograph of a white magazine stand with black trim. Along the top of the stand, four stacks of black-and-white journals rest on acrylic stands. A selection of art journals in a variety of shapes and colors sit along the stand's two rows.]
    Caption Michael Asher, Musée d'Art Contemporain de Montreal, Montreal, Canada, l'art conceptuel, une perspective, August 5–October 21, 1990. Art journals with advertisements for the exhibition placed by Michael Asher displayed in the museum’s bookstore. Photograph by Denis Farley. Michael Asher Archive, © Michael Asher Foundation.
    Image description Photograph of a white magazine stand with black trim. Along the top of the stand, four stacks of black-and-white journals rest on acrylic stands. A selection of art journals in a variety of shapes and colors sit along the stand's two rows.
    Year 1990
    Related pages Michael Asher
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    Year
    Related pages Artists Space Venue
  • Caption
    Image description
    Year
    Related pages Artists Space Venue
  • Black text on a grey background. The text reads: “April 5 / Marie Buck / Matthew Walker / Simone White.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on a grey background. The text reads: “April 5 / Marie Buck / Matthew Walker / Simone White.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on a grey background. The text reads: “April 5 / Marie Buck / Matthew Walker / Simone White.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on a grey background. The text reads: “April 5 / Marie Buck / Matthew Walker / Simone White.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Marie Buck and Matthew Walker & Simone White
  • A color photograph of a figure in a pointed hat with a wide brim, wearing a black and white robe. The figure is pictured amid tree branches and vines that block their face. They hold a twisted vine in their left hand.
    A color photograph of a figure in a pointed hat with a wide brim, wearing a black and white robe. The figure is pictured amid tree branches and vines that block their face. They hold a twisted vine in their left hand.
    Portrait of Eiko Ishibashi [A color photograph of a figure in a pointed hat with a wide brim, wearing a black and white robe. The figure is pictured amid tree branches and vines that block their face. They hold a twisted vine in their left hand.]
    Caption Portrait of Eiko Ishibashi
    Image description A color photograph of a figure in a pointed hat with a wide brim, wearing a black and white robe. The figure is pictured amid tree branches and vines that block their face. They hold a twisted vine in their left hand.
    Year 2022
    Related pages Eiko Ishibashi in Concert
  • Photograph of a framed work on paper. In the work, a figure with back turned to the viewer sinks into a plié. The figure is repeated four times in the work.
    Photograph of a framed work on paper. In the work, a figure with back turned to the viewer sinks into a plié. The figure is repeated four times in the work.
    Installation view, Robert Morgan. Artists Space, 1977. [Photograph of a framed work on paper. In the work, a figure with back turned to the viewer sinks into a plié. The figure is repeated four times in the work.]
    Caption Installation view, Robert Morgan. Artists Space, 1977.
    Image description Photograph of a framed work on paper. In the work, a figure with back turned to the viewer sinks into a plié. The figure is repeated four times in the work.
    Year 1977
    Related pages Robert Morgan
  • A color photograph of a figure standing in an orange-lit space next to a small piece of audio equipment with a wire on the floor. A speaker is visible in the background.
    A color photograph of a figure standing in an orange-lit space next to a small piece of audio equipment with a wire on the floor. A speaker is visible in the background.
    Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. [A color photograph of a figure standing in an orange-lit space next to a small piece of audio equipment with a wire on the floor. A speaker is visible in the background.]
    Caption Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space.
    Image description A color photograph of a figure standing in an orange-lit space next to a small piece of audio equipment with a wire on the floor. A speaker is visible in the background.
    Year 2022
    Related pages Yuji Agematsu
  • Faded photograph of artist Miyoko Ito standing with her arms crossed in front of two of her paintings.
    Faded photograph of artist Miyoko Ito standing with her arms crossed in front of two of her paintings.
    Miyoko Ito at the opening of Miyoko Ito: A Review, The Renaissance Society at the University of Chicago, 1980. [Faded photograph of artist Miyoko Ito standing with her arms crossed in front of two of her paintings.]
    Caption Miyoko Ito at the opening of Miyoko Ito: A Review, The Renaissance Society at the University of Chicago, 1980.
    Image description Faded photograph of artist Miyoko Ito standing with her arms crossed in front of two of her paintings.
    Year 1980
    Related pages Miyoko Ito: Heart of Hearts
  • The image shows a white t-shirt in a frame with text printed on top in a wavy text that says,
    The image shows a white t-shirt in a frame with text printed on top in a wavy text that says,
    Richard Prince, Oedipus Schmedipus, 1994, Screenprint on white T-shirt Stretched over canvas in white lacquer frame, 25 1/4 x 19 1/2 in (64.1 x 49.5 cm), Edition of 26, Signed & numbered. [The image shows a white t-shirt in a frame with text printed on top in a wavy text that says, "A mother is having a very tense relationship / with her fourteen year old son. Screaming and / fighting are constantly going on in the house. / She finally brings him to a psychoanalyst. After / two sessions, the doctor calls the mother into / the office. / "Your son," he tells her, "has an Oedipus / complex." / "Oedipus, Schmedipus," the woman answers. / "as long as he loves his mother."]
    Caption Richard Prince, Oedipus Schmedipus, 1994, Screenprint on white T-shirt Stretched over canvas in white lacquer frame, 25 1/4 x 19 1/2 in (64.1 x 49.5 cm), Edition of 26, Signed & numbered.
    Image description The image shows a white t-shirt in a frame with text printed on top in a wavy text that says, "A mother is having a very tense relationship / with her fourteen year old son. Screaming and / fighting are constantly going on in the house. / She finally brings him to a psychoanalyst. After / two sessions, the doctor calls the mother into / the office. / "Your son," he tells her, "has an Oedipus / complex." / "Oedipus, Schmedipus," the woman answers. / "as long as he loves his mother."
    Year 1994
    Related pages Editions
  • A black and white flyer displaying a large, square box. Positioned at the top edge of the interior of the box is large, sans-serif text that reads,
    A black and white flyer displaying a large, square box. Positioned at the top edge of the interior of the box is large, sans-serif text that reads,
    [A black and white flyer displaying a large, square box. Positioned at the top edge of the interior of the box is large, sans-serif text that reads, "SCOPE." Smaller black text above the box reads, "Number 5 / Voume 4 New York City / Artists Space / summer video festival / June 4 - July 17, 1998."]
    Caption
    Image description A black and white flyer displaying a large, square box. Positioned at the top edge of the interior of the box is large, sans-serif text that reads, "SCOPE." Smaller black text above the box reads, "Number 5 / Voume 4 New York City / Artists Space / summer video festival / June 4 - July 17, 1998."
    Year 1998
    Related pages SCOPE
  • Caption
    Image description
    Year
    Related pages Dream Lines: Drawings by Marian Zazeela
  • A rectangular television sits on the wooden floor near the wall. The high-contrast image on the TV shows another room with a long table upon which are computers, phones, and other office equipment. There are chairs at the desk and images hung on the wall.
    A rectangular television sits on the wooden floor near the wall. The high-contrast image on the TV shows another room with a long table upon which are computers, phones, and other office equipment. There are chairs at the desk and images hung on the wall.
    Chadwick Rantanen, Untitled, 2007. Video animation. Courtesy the artist. Photo: Bill Orcutt. [A rectangular television sits on the wooden floor near the wall. The high-contrast image on the TV shows another room with a long table upon which are computers, phones, and other office equipment. There are chairs at the desk and images hung on the wall.]
    Caption Chadwick Rantanen, Untitled, 2007. Video animation. Courtesy the artist. Photo: Bill Orcutt.
    Image description A rectangular television sits on the wooden floor near the wall. The high-contrast image on the TV shows another room with a long table upon which are computers, phones, and other office equipment. There are chairs at the desk and images hung on the wall.
    Year 2007
    Related pages On Being an Exhibition
  • A black and white image of three figures. All three of them attentively look to the right of the image, towards the same direction. The figure in the center, holds a ladder, which has a projector taped to the top, with their right hand.
    A black and white image of three figures. All three of them attentively look to the right of the image, towards the same direction. The figure in the center, holds a ladder, which has a projector taped to the top, with their right hand.
    Abasement #66. Performance documentation, October 9, 2023, Artists Space. Photo: Joshua Wildman. [A black and white image of three figures. All three of them attentively look to the right of the image, towards the same direction. The figure in the center, holds a ladder, which has a projector taped to the top, with their right hand.]
    Caption Abasement #66. Performance documentation, October 9, 2023, Artists Space. Photo: Joshua Wildman.
    Image description A black and white image of three figures. All three of them attentively look to the right of the image, towards the same direction. The figure in the center, holds a ladder, which has a projector taped to the top, with their right hand.
    Year
    Related pages Abasement #66
  • Caption
    Image description
    Year 2019
    Related pages Editions
  • Two figures perform next to each other on stage. One stands, hands out, singing in front of a microphone. The other sits down, playing the guitar.
    Two figures perform next to each other on stage. One stands, hands out, singing in front of a microphone. The other sits down, playing the guitar.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [Two figures perform next to each other on stage. One stands, hands out, singing in front of a microphone. The other sits down, playing the guitar.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description Two figures perform next to each other on stage. One stands, hands out, singing in front of a microphone. The other sits down, playing the guitar.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
  • An image of a wall with a poster hanging on the left, and and a brown and white jacket hanging on the right.
    An image of a wall with a poster hanging on the left, and and a brown and white jacket hanging on the right.
    Attention Line. Installation view (James Luna with the High Cheekbones, 2006, Jacket from the exhibit All Indian All the Time, 2005), Artists Space, June 11, 2022 - August 20, 2022. Photo: Filip Wolak [An image of a wall with a poster hanging on the left, and and a brown and white jacket hanging on the right.]
    Caption Attention Line. Installation view (James Luna with the High Cheekbones, 2006, Jacket from the exhibit All Indian All the Time, 2005), Artists Space, June 11, 2022 - August 20, 2022. Photo: Filip Wolak
    Image description An image of a wall with a poster hanging on the left, and and a brown and white jacket hanging on the right.
    Year 2022
    Related pages Attention Line
  • Two performers on stage with a few audience members in the foreground. The performer on the left is sitting, looking down, and playing guitar. The performer on the right is standing and holding a bow. The audience and musicians are tinted with orange and red toned lights. An abstract orange and green projection covers the back wall.
    Two performers on stage with a few audience members in the foreground. The performer on the left is sitting, looking down, and playing guitar. The performer on the right is standing and holding a bow. The audience and musicians are tinted with orange and red toned lights. An abstract orange and green projection covers the back wall.
    Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman. [Two performers on stage with a few audience members in the foreground. The performer on the left is sitting, looking down, and playing guitar. The performer on the right is standing and holding a bow. The audience and musicians are tinted with orange and red toned lights. An abstract orange and green projection covers the back wall.]
    Caption Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Two performers on stage with a few audience members in the foreground. The performer on the left is sitting, looking down, and playing guitar. The performer on the right is standing and holding a bow. The audience and musicians are tinted with orange and red toned lights. An abstract orange and green projection covers the back wall.
    Year
    Related pages Abasement #74
  • A metal cutout of a hand, holding up its middle finger with others curled back, is installed on a white wall. The hand holds a stack of neon cards. Black text on the front of the top card reads,
    A metal cutout of a hand, holding up its middle finger with others curled back, is installed on a white wall. The hand holds a stack of neon cards. Black text on the front of the top card reads,
    The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich. [A metal cutout of a hand, holding up its middle finger with others curled back, is installed on a white wall. The hand holds a stack of neon cards. Black text on the front of the top card reads, "High five, girls earned the point, they have a good feel."]
    Caption The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich.
    Image description A metal cutout of a hand, holding up its middle finger with others curled back, is installed on a white wall. The hand holds a stack of neon cards. Black text on the front of the top card reads, "High five, girls earned the point, they have a good feel."
    Year 2014
    Related pages The Issues of Our Time
  • Overview of a large black glossy structure built in a gallery. The
    Overview of a large black glossy structure built in a gallery. The
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Overview of a large black glossy structure built in a gallery. The "bc" logo is visible, printed in white on one of the structure's walls. A TV depicting an abstract, colorful image and the word "EVERYWHERE" is hung on an upright rolling stand, visible through an opening in the structure.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Overview of a large black glossy structure built in a gallery. The "bc" logo is visible, printed in white on one of the structure's walls. A TV depicting an abstract, colorful image and the word "EVERYWHERE" is hung on an upright rolling stand, visible through an opening in the structure.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • Color image of the corner of a darkened gallery space with two small pinhole projector sculpture installations. The pinhole projector on the left is housed in a polka-dot patterned gift-wrapped box. On the wall, an image of a white ceramic teacup with a radial swirl pattern is projected. On the right, the projector is wrapped in white foam padding and secured with red string. On the wall, it projects an image of a square containing an golden metal hoop and pin along with four small, glittering pink and green strawberry ornaments.
    Color image of the corner of a darkened gallery space with two small pinhole projector sculpture installations. The pinhole projector on the left is housed in a polka-dot patterned gift-wrapped box. On the wall, an image of a white ceramic teacup with a radial swirl pattern is projected. On the right, the projector is wrapped in white foam padding and secured with red string. On the wall, it projects an image of a square containing an golden metal hoop and pin along with four small, glittering pink and green strawberry ornaments.
    Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view (Doris Guo, Bathroom Kitchen Confusion, 2023; Doris Guo, Fruit Basket, 2024), Artists Space, 2024. Photo: Carter Seddon. [Color image of the corner of a darkened gallery space with two small pinhole projector sculpture installations. The pinhole projector on the left is housed in a polka-dot patterned gift-wrapped box. On the wall, an image of a white ceramic teacup with a radial swirl pattern is projected. On the right, the projector is wrapped in white foam padding and secured with red string. On the wall, it projects an image of a square containing an golden metal hoop and pin along with four small, glittering pink and green strawberry ornaments.]
    Caption Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view (Doris Guo, Bathroom Kitchen Confusion, 2023; Doris Guo, Fruit Basket, 2024), Artists Space, 2024. Photo: Carter Seddon.
    Image description Color image of the corner of a darkened gallery space with two small pinhole projector sculpture installations. The pinhole projector on the left is housed in a polka-dot patterned gift-wrapped box. On the wall, an image of a white ceramic teacup with a radial swirl pattern is projected. On the right, the projector is wrapped in white foam padding and secured with red string. On the wall, it projects an image of a square containing an golden metal hoop and pin along with four small, glittering pink and green strawberry ornaments.
    Year
    Related pages Doris Guo Matthew Langan-Peck Isabelle Frances McGuire Ruben Ulises Rodriguez Montoya
  • A black and white film still of an apartment building, taken from the street. In front of the building is a sculpted landscape of rolling green grass. Two cars are parked on the street.
    A black and white film still of an apartment building, taken from the street. In front of the building is a sculpted landscape of rolling green grass. Two cars are parked on the street.
    Charles Simonds. Still from Mythologies, 1974. From Thomas Lanigan-Schmidt, James Biederman, Charles Simonds, Artists Space, 1974. [A black and white film still of an apartment building, taken from the street. In front of the building is a sculpted landscape of rolling green grass. Two cars are parked on the street.]
    Caption Charles Simonds. Still from Mythologies, 1974. From Thomas Lanigan-Schmidt, James Biederman, Charles Simonds, Artists Space, 1974.
    Image description A black and white film still of an apartment building, taken from the street. In front of the building is a sculpted landscape of rolling green grass. Two cars are parked on the street.
    Year 1974
    Related pages Thomas Lanigan Schmidt, James Biederman, Charles Simonds
  • A vintage, black and white photograph of the interior of a shop window, which looks out upon a city street. Two men stand to the left side of the window, casually leaning against a pole and talking. Various metal vases, cutlery, and ornaments are displayed on the shelves within the window.
    A vintage, black and white photograph of the interior of a shop window, which looks out upon a city street. Two men stand to the left side of the window, casually leaning against a pole and talking. Various metal vases, cutlery, and ornaments are displayed on the shelves within the window.
    [A vintage, black and white photograph of the interior of a shop window, which looks out upon a city street. Two men stand to the left side of the window, casually leaning against a pole and talking. Various metal vases, cutlery, and ornaments are displayed on the shelves within the window.]
    Caption
    Image description A vintage, black and white photograph of the interior of a shop window, which looks out upon a city street. Two men stand to the left side of the window, casually leaning against a pole and talking. Various metal vases, cutlery, and ornaments are displayed on the shelves within the window.
    Year 2010
    Related pages Danh Vo: Autoerotic Asphyxiation
  • On the left wall of the gallery space sits of shelf containing a display case of photographs and jars. In the corner of the walls sits a televion on the floor playing a video. On the right wall is a painting vertically reading
    On the left wall of the gallery space sits of shelf containing a display case of photographs and jars. In the corner of the walls sits a televion on the floor playing a video. On the right wall is a painting vertically reading
    LIFE—a group show, curated by Arnold J. Kemp. Installation view, Artists Space, 2025. Photo: Carter Seddon [On the left wall of the gallery space sits of shelf containing a display case of photographs and jars. In the corner of the walls sits a televion on the floor playing a video. On the right wall is a painting vertically reading "NIGHTMARE" with skulls, stars, and abstracted forms superimposed on top. To the right of this is a framed landscape. A painted ceramic sits on a table in the foreground.]
    Caption LIFE—a group show, curated by Arnold J. Kemp. Installation view, Artists Space, 2025. Photo: Carter Seddon
    Image description On the left wall of the gallery space sits of shelf containing a display case of photographs and jars. In the corner of the walls sits a televion on the floor playing a video. On the right wall is a painting vertically reading "NIGHTMARE" with skulls, stars, and abstracted forms superimposed on top. To the right of this is a framed landscape. A painted ceramic sits on a table in the foreground.
    Year 2025
    Related pages Arnold J. Kemp
  • A color image of the corner of a gallery space with two columns. Across the two white walls, six framed abstract drawings on black paper are displayed in a horizontal line.
    A color image of the corner of a gallery space with two columns. Across the two white walls, six framed abstract drawings on black paper are displayed in a horizontal line.
    Renee Gladman: Narratives of Magnitude. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of the corner of a gallery space with two columns. Across the two white walls, six framed abstract drawings on black paper are displayed in a horizontal line.]
    Caption Renee Gladman: Narratives of Magnitude. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A color image of the corner of a gallery space with two columns. Across the two white walls, six framed abstract drawings on black paper are displayed in a horizontal line.
    Year
    Related pages Renee Gladman
  • Plastic bags of objects appear on a white gallery wall.
    Plastic bags of objects appear on a white gallery wall.
    Young Fluxus. Installation view, Artists Space, 1982. [Plastic bags of objects appear on a white gallery wall.]
    Caption Young Fluxus. Installation view, Artists Space, 1982.
    Image description Plastic bags of objects appear on a white gallery wall.
    Year
    Related pages Young Fluxus
  • A figure reads into a microphone, glancing at their phone.
    A figure reads into a microphone, glancing at their phone.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure reads into a microphone, glancing at their phone.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure reads into a microphone, glancing at their phone.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
  • Red text reading “we cover for you / new red order / 1-888-NEW-RED1 / newredorder.org” is overlaid on an image of a person in a black shirt holding a rock in front of their face.
    Red text reading “we cover for you / new red order / 1-888-NEW-RED1 / newredorder.org” is overlaid on an image of a person in a black shirt holding a rock in front of their face.
    [Red text reading “we cover for you / new red order / 1-888-NEW-RED1 / newredorder.org” is overlaid on an image of a person in a black shirt holding a rock in front of their face.]
    Caption
    Image description Red text reading “we cover for you / new red order / 1-888-NEW-RED1 / newredorder.org” is overlaid on an image of a person in a black shirt holding a rock in front of their face.
    Year
    Related pages New Red Order: Informants Get Paid!
  • A black and white image of a sculpture resembling a rectangular prism displayed in the exhibition space.
    A black and white image of a sculpture resembling a rectangular prism displayed in the exhibition space.
    Installation view from International Projects: Belgium, featuring Didier Vermeiren, Artists Space, 1984 [A black and white image of a sculpture resembling a rectangular prism displayed in the exhibition space.]
    Caption Installation view from International Projects: Belgium, featuring Didier Vermeiren, Artists Space, 1984
    Image description A black and white image of a sculpture resembling a rectangular prism displayed in the exhibition space.
    Year
    Related pages International Projects: Belgium
  • Nuestro Reflejo exhibition at Morris Jumel Mansion, Washington Heights, 2025
    Caption Nuestro Reflejo exhibition at Morris Jumel Mansion, Washington Heights, 2025
    Image description
    Year
    Related pages Threads of History
  • An image of photograph negatives with LED lightboxes hanging off a wall.
    An image of photograph negatives with LED lightboxes hanging off a wall.
    New Red Order Beginning of the End of the Trail, detail, 2021 Wet-plate collodion glass negatives with LED lightboxes, pipes, and extension cords. Image courtesy Artists Space, New York Photo: Filip Wolak [An image of photograph negatives with LED lightboxes hanging off a wall.]
    Caption New Red Order Beginning of the End of the Trail, detail, 2021 Wet-plate collodion glass negatives with LED lightboxes, pipes, and extension cords. Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description An image of photograph negatives with LED lightboxes hanging off a wall.
    Year 2021
    Related pages New Red Order: Feel at Home Here
  • Magazine cut-outs and ink drawings are collaged together on a background of bright yellow paper. Pieces of paper with typewritten text listing the performers and event details are scattered around the flyer.
    Magazine cut-outs and ink drawings are collaged together on a background of bright yellow paper. Pieces of paper with typewritten text listing the performers and event details are scattered around the flyer.
    Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a background of bright yellow paper. Pieces of paper with typewritten text listing the performers and event details are scattered around the flyer.]
    Caption Flyer by Joe Frivaldi.
    Image description Magazine cut-outs and ink drawings are collaged together on a background of bright yellow paper. Pieces of paper with typewritten text listing the performers and event details are scattered around the flyer.
    Year
    Related pages Abasement #74
  • A corner of a room filled with ping pong balls set atop mousetraps. They are lit from the side by a fluorescent tube light.
    A corner of a room filled with ping pong balls set atop mousetraps. They are lit from the side by a fluorescent tube light.
    Ethan Crenson, Fission, 1996. Mixed media installation. [A corner of a room filled with ping pong balls set atop mousetraps. They are lit from the side by a fluorescent tube light.]
    Caption Ethan Crenson, Fission, 1996. Mixed media installation.
    Image description A corner of a room filled with ping pong balls set atop mousetraps. They are lit from the side by a fluorescent tube light.
    Year 1996
    Related pages Station to Station
  • Trip to Artists Space to see Renee Gladman exhibition, 2023
    Caption Trip to Artists Space to see Renee Gladman exhibition, 2023
    Image description
    Year
    Related pages Art and Literacy: Poetry
  • Pink and yellow flyer announcing book launch for Disordered Attention by Claire Bishop, Thursday, May 30th, 6-8pm at Artists Space, 11 Cortlandt Alley. Additional accent text reads:
    Pink and yellow flyer announcing book launch for Disordered Attention by Claire Bishop, Thursday, May 30th, 6-8pm at Artists Space, 11 Cortlandt Alley. Additional accent text reads:
    Flyer for Disordered Attention: How We Look at Art and Performance Today by Claire Bishop Book Launch. Image design: Nikki Columbus. [Pink and yellow flyer announcing book launch for Disordered Attention by Claire Bishop, Thursday, May 30th, 6-8pm at Artists Space, 11 Cortlandt Alley. Additional accent text reads: "Bring your own iPhone"; "Bring your own Adderall!"; "No purchase necessary... but it wouldn't hurt."]
    Caption Flyer for Disordered Attention: How We Look at Art and Performance Today by Claire Bishop Book Launch. Image design: Nikki Columbus.
    Image description Pink and yellow flyer announcing book launch for Disordered Attention by Claire Bishop, Thursday, May 30th, 6-8pm at Artists Space, 11 Cortlandt Alley. Additional accent text reads: "Bring your own iPhone"; "Bring your own Adderall!"; "No purchase necessary... but it wouldn't hurt."
    Year
    Related pages Disordered Attention
  • A large white MDF board rests against a gray wall. A series of metal sardine cans are placed across the MDF board in a loose grid.
    A large white MDF board rests against a gray wall. A series of metal sardine cans are placed across the MDF board in a loose grid.
    William Pope.L, Maybe, 2009-2010. MDF board, sardine cans, plastic bag, cardboard box, nails, electrical extension cord, paint, graphite. 96 x 96 x 18 inches. [A large white MDF board rests against a gray wall. A series of metal sardine cans are placed across the MDF board in a loose grid. ]
    Caption William Pope.L, Maybe, 2009-2010. MDF board, sardine cans, plastic bag, cardboard box, nails, electrical extension cord, paint, graphite. 96 x 96 x 18 inches.
    Image description A large white MDF board rests against a gray wall. A series of metal sardine cans are placed across the MDF board in a loose grid.
    Year
    Related pages Arnold Kemp
  • Image of a basement window that has been tinted with blue paint, streaming in blue light.
    Image of a basement window that has been tinted with blue paint, streaming in blue light.
    SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement window that has been tinted with blue paint, streaming in blue light.]
    Caption SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a basement window that has been tinted with blue paint, streaming in blue light.
    Year 2022
    Related pages SCRAAATCH 12-3
  • Two figures perform in front of large projected images.
    Two figures perform in front of large projected images.
    SCRAAATCH, Tower of Babel, 2019, Les Urbaines. Photo: Mathilda Olmi [Two figures perform in front of large projected images.]
    Caption SCRAAATCH, Tower of Babel, 2019, Les Urbaines. Photo: Mathilda Olmi
    Image description Two figures perform in front of large projected images.
    Year
    Related pages SCRAAATCH 11-18
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Caption
    Image description
    Year
    Related pages Education Publications
  • Detail view of four sculptures hung on the wall. The sculptures are ordered in neutral tones ranging from light to dark. Their shapes are approximately rectangular, each divided into quadrant segments.
    Detail view of four sculptures hung on the wall. The sculptures are ordered in neutral tones ranging from light to dark. Their shapes are approximately rectangular, each divided into quadrant segments.
    UniBodies. Installation view, Artists Space, 2006. Photo: Bill Ocrutt. [Detail view of four sculptures hung on the wall. The sculptures are ordered in neutral tones ranging from light to dark. Their shapes are approximately rectangular, each divided into quadrant segments.]
    Caption UniBodies. Installation view, Artists Space, 2006. Photo: Bill Ocrutt.
    Image description Detail view of four sculptures hung on the wall. The sculptures are ordered in neutral tones ranging from light to dark. Their shapes are approximately rectangular, each divided into quadrant segments.
    Year 2006
    Related pages UniBodies
  • A person looks over an exhibition of photography arranged in a grid pattern on a wall
    A person looks over an exhibition of photography arranged in a grid pattern on a wall
    Light and Shadow, City-As-School photography student exhibition, 2018 [A person looks over an exhibition of photography arranged in a grid pattern on a wall]
    Caption Light and Shadow, City-As-School photography student exhibition, 2018
    Image description A person looks over an exhibition of photography arranged in a grid pattern on a wall
    Year 2018
    Related pages Exhibitions and Events
  • A close up of a dramatically lit small drum kit that reads
    A close up of a dramatically lit small drum kit that reads
    ART CLUB2000 Untitled (Drum kit), 1994 Miniature drum kit and spotlight Image courtesy Artists Space, New York Photo: Filip Wolak [A close up of a dramatically lit small drum kit that reads "art club 2000".]
    Caption ART CLUB2000 Untitled (Drum kit), 1994 Miniature drum kit and spotlight Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description A close up of a dramatically lit small drum kit that reads "art club 2000".
    Year 2021
    Related pages ART CLUB2000
  • An image of a man with black material painted around his eyes projected onto a black gallery wall. A portion of a red Coca-Cola sign reading
    An image of a man with black material painted around his eyes projected onto a black gallery wall. A portion of a red Coca-Cola sign reading
    Jack Smith: Art Crust of Spiritual Oasis. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [An image of a man with black material painted around his eyes projected onto a black gallery wall. A portion of a red Coca-Cola sign reading "Trink Coca-Cola" is superimposed over the man's image. To the right of the video projection, an amorphous black sculpture with red feathers is displayed on a small shelf.]
    Caption Jack Smith: Art Crust of Spiritual Oasis. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description An image of a man with black material painted around his eyes projected onto a black gallery wall. A portion of a red Coca-Cola sign reading "Trink Coca-Cola" is superimposed over the man's image. To the right of the video projection, an amorphous black sculpture with red feathers is displayed on a small shelf.
    Year 2018
    Related pages Jack Smith: Art Crust of Spiritual Oasis
  • Black & white photograph of a room with black walls. A figure stands behind a harp, next to a stool and music stand. A spotlight shines on the harp. In the middle of the space is a hanging screen that plays a projected video of a close-up of a face.
    Black & white photograph of a room with black walls. A figure stands behind a harp, next to a stool and music stand. A spotlight shines on the harp. In the middle of the space is a hanging screen that plays a projected video of a close-up of a face.
    Shala Miller performs Genesis: Medley. Performance documentation, May 11, 2023, Artists Space. Photo: Roy Baizan. [Black & white photograph of a room with black walls. A figure stands behind a harp, next to a stool and music stand. A spotlight shines on the harp. In the middle of the space is a hanging screen that plays a projected video of a close-up of a face.]
    Caption Shala Miller performs Genesis: Medley. Performance documentation, May 11, 2023, Artists Space. Photo: Roy Baizan.
    Image description Black & white photograph of a room with black walls. A figure stands behind a harp, next to a stool and music stand. A spotlight shines on the harp. In the middle of the space is a hanging screen that plays a projected video of a close-up of a face.
    Year 2023
    Related pages Genesis: Medley
  • Several black and white photographs and documents organized into a grid on a white surface.
    Several black and white photographs and documents organized into a grid on a white surface.
    Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [Several black and white photographs and documents organized into a grid on a white surface.]
    Caption Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description Several black and white photographs and documents organized into a grid on a white surface.
    Year 2013
    Related pages Documenting Cadere: 1972 - 1978
  • Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They wave a red object in the air.
    Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They wave a red object in the air.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They wave a red object in the air.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They wave a red object in the air.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
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    Related pages Christopher D'Arcangelo
  • Two people seated at a table covered with assorted art supplies. They talk to each other as they paint or prepare to draw.
    Two people seated at a table covered with assorted art supplies. They talk to each other as they paint or prepare to draw.
    Dayna Goldfine and Dan Geller, still from Kids of Survival: The Art and Life of Tim Rollins & K.O.S., 1996. 87 min. [Two people seated at a table covered with assorted art supplies. They talk to each other as they paint or prepare to draw.]
    Caption Dayna Goldfine and Dan Geller, still from Kids of Survival: The Art and Life of Tim Rollins & K.O.S., 1996. 87 min.
    Image description Two people seated at a table covered with assorted art supplies. They talk to each other as they paint or prepare to draw.
    Year 1996
    Related pages Film and Video Program | Macho Man, Tell It To My Heart: Collected by Julie Ault | December 19
  • What Do We Carry? Coil pots and coiled personal timelines, December 2024
    Caption What Do We Carry? Coil pots and coiled personal timelines, December 2024
    Image description
    Year
    Related pages Listening to the LES
  • Several neutral, blue toned books, propped up by a red book stand, fill the frame on the shelf they sit in.
    Several neutral, blue toned books, propped up by a red book stand, fill the frame on the shelf they sit in.
    The Library of Helen DeWitt Kitchen view, Courtesy Helen DeWitt. [Several neutral, blue toned books, propped up by a red book stand, fill the frame on the shelf they sit in.]
    Caption The Library of Helen DeWitt Kitchen view, Courtesy Helen DeWitt.
    Image description Several neutral, blue toned books, propped up by a red book stand, fill the frame on the shelf they sit in.
    Year 2014
    Related pages The Library Vaccine
  • A looseleaf sheet of paper with
    A looseleaf sheet of paper with
    [A looseleaf sheet of paper with "Spring 2012 F.R. DAVID" printed on the top in red type. The page is filled with handwritten black text.]
    Caption
    Image description A looseleaf sheet of paper with "Spring 2012 F.R. DAVID" printed on the top in red type. The page is filled with handwritten black text.
    Year 2012
    Related pages F.R.DAVID, Issue #9
  • Color image of a figure working on a laptop, seated behind a white desk.
    Color image of a figure working on a laptop, seated behind a white desk.
    Yasunao Tone Concert #3. Performance documentation, March 16, 2023, Artists Space. Photo: Destiny Mata [Color image of a figure working on a laptop, seated behind a white desk.]
    Caption Yasunao Tone Concert #3. Performance documentation, March 16, 2023, Artists Space. Photo: Destiny Mata
    Image description Color image of a figure working on a laptop, seated behind a white desk.
    Year 2023
    Related pages Yasunao Tone Concert #3
  • A pink piece of paper with the typed text
    A pink piece of paper with the typed text
    Neil Goldberg, Fortune 500 Dream Fax Project, 1996. [A pink piece of paper with the typed text "Dream Fax Transmission Sheet" positioned at its top edge. Underneath, there is a handwritten account of the artist's dream from 3/26/96.]
    Caption Neil Goldberg, Fortune 500 Dream Fax Project, 1996.
    Image description A pink piece of paper with the typed text "Dream Fax Transmission Sheet" positioned at its top edge. Underneath, there is a handwritten account of the artist's dream from 3/26/96.
    Year 1996
    Related pages A Strategy Hinted At: New Conceptual Artists
  • A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979. [A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.]
    Caption Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979.
    Image description A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    Year 1979
    Related pages Patricia Hearst - A Second Reading
  • White text composed into a circle against a black background reads “A TRIBE CALLED QUEST” across the center of a book spread. The text appears handwritten, and between each word is an ankh symbol. Four stick figures move across the page, each one performing a different motion.
    White text composed into a circle against a black background reads “A TRIBE CALLED QUEST” across the center of a book spread. The text appears handwritten, and between each word is an ankh symbol. Four stick figures move across the page, each one performing a different motion.
    Book spread from FWIW, Constantina Zavitsanos and Artists Space, 2024. [White text composed into a circle against a black background reads “A TRIBE CALLED QUEST” across the center of a book spread. The text appears handwritten, and between each word is an ankh symbol. Four stick figures move across the page, each one performing a different motion.]
    Caption Book spread from FWIW, Constantina Zavitsanos and Artists Space, 2024.
    Image description White text composed into a circle against a black background reads “A TRIBE CALLED QUEST” across the center of a book spread. The text appears handwritten, and between each word is an ankh symbol. Four stick figures move across the page, each one performing a different motion.
    Year
    Related pages FWIW
  • Four clusters of photographs are mounted on a white gallery wall. Some of the photographs are black and white, while others are in color. All show images of a single or groups of figures. On the far right, a small projection of a man in a white shirt illuminates the wall.
    Four clusters of photographs are mounted on a white gallery wall. Some of the photographs are black and white, while others are in color. All show images of a single or groups of figures. On the far right, a small projection of a man in a white shirt illuminates the wall.
    Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Four clusters of photographs are mounted on a white gallery wall. Some of the photographs are black and white, while others are in color. All show images of a single or groups of figures. On the far right, a small projection of a man in a white shirt illuminates the wall.]
    Caption Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Four clusters of photographs are mounted on a white gallery wall. Some of the photographs are black and white, while others are in color. All show images of a single or groups of figures. On the far right, a small projection of a man in a white shirt illuminates the wall.
    Year 2012
    Related pages Radical Localism: Art, Video and Culture from Pueblo Nuevo’s Mexicali Rose
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Three large pink fabric banners by Isabelle Frances McGuire, each bearing three silver star patches, hang from the ceiling to rest on the floor.
    Three large pink fabric banners by Isabelle Frances McGuire, each bearing three silver star patches, hang from the ceiling to rest on the floor.
    Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon. [Three large pink fabric banners by Isabelle Frances McGuire, each bearing three silver star patches, hang from the ceiling to rest on the floor.]
    Caption Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon.
    Image description Three large pink fabric banners by Isabelle Frances McGuire, each bearing three silver star patches, hang from the ceiling to rest on the floor.
    Year
    Related pages Doris Guo Matthew Langan-Peck Isabelle Frances McGuire Ruben Ulises Rodriguez Montoya
  • An angled view of two adjacent walls, in between sit vitrines with minature houses constructed from documents. From left to right on the wall: colorful paper bags, a monitor with a video still, a purple section of wall with various photographic objects.
    An angled view of two adjacent walls, in between sit vitrines with minature houses constructed from documents. From left to right on the wall: colorful paper bags, a monitor with a video still, a purple section of wall with various photographic objects.
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [An angled view of two adjacent walls, in between sit vitrines with minature houses constructed from documents. From left to right on the wall: colorful paper bags, a monitor with a video still, a purple section of wall with various photographic objects.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description An angled view of two adjacent walls, in between sit vitrines with minature houses constructed from documents. From left to right on the wall: colorful paper bags, a monitor with a video still, a purple section of wall with various photographic objects.
    Year 2017
    Related pages Unholding
  • A black and white film still of a person lying against embroidered pillows. Another person sits alongside her and holds a mirror up to her face, reflecting it towards the camera.
    A black and white film still of a person lying against embroidered pillows. Another person sits alongside her and holds a mirror up to her face, reflecting it towards the camera.
    James Coleman. Still from Seeing for Oneself, 1987-88. Slideshow (black and white), 40 min. [A black and white film still of a person lying against embroidered pillows. Another person sits alongside her and holds a mirror up to her face, reflecting it towards the camera.]
    Caption James Coleman. Still from Seeing for Oneself, 1987-88. Slideshow (black and white), 40 min.
    Image description A black and white film still of a person lying against embroidered pillows. Another person sits alongside her and holds a mirror up to her face, reflecting it towards the camera.
    Year 1988
    Related pages Michael Asher / James Coleman
  • Dress for Virgil Abloh and Stuart Davis, Gigi Sanchez, acrylic on paper, Silver Key in Painting
    Caption Dress for Virgil Abloh and Stuart Davis, Gigi Sanchez, acrylic on paper, Silver Key in Painting
    Image description
    Year
    Related pages Scholastic Art and Writing Awards
  • A figure plays a bell into three microphones.
    A figure plays a bell into three microphones.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure plays a bell into three microphones.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure plays a bell into three microphones.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
  • Image taken between two curtains of a TV affixed to a wall on the right, displaying blue-tinted video footage of the performance with a fresnel lens hanging in front of the TV display.
    Image taken between two curtains of a TV affixed to a wall on the right, displaying blue-tinted video footage of the performance with a fresnel lens hanging in front of the TV display.
    SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image taken between two curtains of a TV affixed to a wall on the right, displaying blue-tinted video footage of the performance with a fresnel lens hanging in front of the TV display.]
    Caption SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata
    Image description Image taken between two curtains of a TV affixed to a wall on the right, displaying blue-tinted video footage of the performance with a fresnel lens hanging in front of the TV display.
    Year 2022
    Related pages SCRAAATCH 12-3
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    Related pages Exhibitions and Events
  • A life-size vinyl against a black wall depicting a black-and-white image of a body in motion, multiple images are overlayed on top of each other to create a ghostly atmosphere.
    A life-size vinyl against a black wall depicting a black-and-white image of a body in motion, multiple images are overlayed on top of each other to create a ghostly atmosphere.
    Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Shala Miller, Genesis, 2023), Artists Space, 2023. Photo: Filip Wolak. [A life-size vinyl against a black wall depicting a black-and-white image of a body in motion, multiple images are overlayed on top of each other to create a ghostly atmosphere.]
    Caption Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Shala Miller, Genesis, 2023), Artists Space, 2023. Photo: Filip Wolak.
    Image description A life-size vinyl against a black wall depicting a black-and-white image of a body in motion, multiple images are overlayed on top of each other to create a ghostly atmosphere.
    Year 2023
    Related pages Shala Miller, Malcolm Peacock, Amiri Baraka
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Caption
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A figure stands in the center, speaking into a microphone. To their right, two figures wear tall, pointy hats. To their left, a figure waves a flag while running.
    A figure stands in the center, speaking into a microphone. To their right, two figures wear tall, pointy hats. To their left, a figure waves a flag while running.
    Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court [A figure stands in the center, speaking into a microphone. To their right, two figures wear tall, pointy hats. To their left, a figure waves a flag while running.]
    Caption Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court
    Image description A figure stands in the center, speaking into a microphone. To their right, two figures wear tall, pointy hats. To their left, a figure waves a flag while running.
    Year 2022
    Related pages Circus Amok
  • Chinatown anti-gentrification paraphrenelia posted on the wall, with phrases like
    Chinatown anti-gentrification paraphrenelia posted on the wall, with phrases like
    “Chinatown Is Not for Sale.” Installation by Chinatown Art Brigade. Artists Space Books & Talks, Saturday, October 22, 2016. Courtesy Chinatown Art Brigade, Decolonize This Place and Artists Space, New York. Photo: Marz Saffore [Chinatown anti-gentrification paraphrenelia posted on the wall, with phrases like "Tenants Unite!", "Housing is a Human Right!", "Stop Gentrification Now!" and "Who did you Displace to open your Gallery?", written in English and Mandarin. A monitor displaying a person holding a megaphone at a protest is fixed on the wall, the handouts surrounding it.]
    Caption “Chinatown Is Not for Sale.” Installation by Chinatown Art Brigade. Artists Space Books & Talks, Saturday, October 22, 2016. Courtesy Chinatown Art Brigade, Decolonize This Place and Artists Space, New York. Photo: Marz Saffore
    Image description Chinatown anti-gentrification paraphrenelia posted on the wall, with phrases like "Tenants Unite!", "Housing is a Human Right!", "Stop Gentrification Now!" and "Who did you Displace to open your Gallery?", written in English and Mandarin. A monitor displaying a person holding a megaphone at a protest is fixed on the wall, the handouts surrounding it.
    Year 2016
    Related pages Decolonize This Place
  • Close up of an illuminated white curtain, which reveals small, delicate embroidery of various flowers and herbs.
    Close up of an illuminated white curtain, which reveals small, delicate embroidery of various flowers and herbs.
    Danh Vo: Autoerotic Asphyxiation. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [Close up of an illuminated white curtain, which reveals small, delicate embroidery of various flowers and herbs.]
    Caption Danh Vo: Autoerotic Asphyxiation. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description Close up of an illuminated white curtain, which reveals small, delicate embroidery of various flowers and herbs.
    Year 2010
    Related pages Danh Vo: Autoerotic Asphyxiation
  • Close-up image of the faces of a man and a woman, both of their figures cut off by the frame. The woman stands slightly in front of the man, who stands directly behind her shoulder. She wears lipstick, jewelry, and has short hair, while the man is older and wears a suit with a stiff collar. Neither figure looks at each other, gazing elsewhere.
    Close-up image of the faces of a man and a woman, both of their figures cut off by the frame. The woman stands slightly in front of the man, who stands directly behind her shoulder. She wears lipstick, jewelry, and has short hair, while the man is older and wears a suit with a stiff collar. Neither figure looks at each other, gazing elsewhere.
    [Close-up image of the faces of a man and a woman, both of their figures cut off by the frame. The woman stands slightly in front of the man, who stands directly behind her shoulder. She wears lipstick, jewelry, and has short hair, while the man is older and wears a suit with a stiff collar. Neither figure looks at each other, gazing elsewhere.]
    Caption
    Image description Close-up image of the faces of a man and a woman, both of their figures cut off by the frame. The woman stands slightly in front of the man, who stands directly behind her shoulder. She wears lipstick, jewelry, and has short hair, while the man is older and wears a suit with a stiff collar. Neither figure looks at each other, gazing elsewhere.
    Year 2007
    Related pages Program 5 - In The Poem About Love You Don't Write The Word Love Film Series at Anthology Film Archives
  • A woman in a pink dress sitting at a table in a yard surrounded by stuffed animals and a tea set.
    A woman in a pink dress sitting at a table in a yard surrounded by stuffed animals and a tea set.
    Photo: Gabe Hoot. [A woman in a pink dress sitting at a table in a yard surrounded by stuffed animals and a tea set.]
    Caption Photo: Gabe Hoot.
    Image description A woman in a pink dress sitting at a table in a yard surrounded by stuffed animals and a tea set.
    Year 2014
    Related pages Whatever you do, I want you to do it here.
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    Year
    Related pages Abasement #71
  • A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979. [A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.]
    Caption Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979.
    Image description A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    Year 1979
    Related pages Patricia Hearst - A Second Reading
  • A grid of pink hearts on a green background.
    A grid of pink hearts on a green background.
    [A grid of pink hearts on a green background.]
    Caption
    Image description A grid of pink hearts on a green background.
    Year 2017
    Related pages I ❤ John Giorno: Welcoming The Flowers
  • A performer plays a stringed instrument with a bow. The stage and wall behind it are bathed in blue light, created from projections of a geometric pattern.
    A performer plays a stringed instrument with a bow. The stage and wall behind it are bathed in blue light, created from projections of a geometric pattern.
    Abasement #80. Performance documentation, September 22nd, 2025, Artists Space. Photo: Joshua Wildman. [A performer plays a stringed instrument with a bow. The stage and wall behind it are bathed in blue light, created from projections of a geometric pattern.]
    Caption Abasement #80. Performance documentation, September 22nd, 2025, Artists Space. Photo: Joshua Wildman.
    Image description A performer plays a stringed instrument with a bow. The stage and wall behind it are bathed in blue light, created from projections of a geometric pattern.
    Year
    Related pages Abasement #80
  • A drawing of a hanging figure supported by weighted straps.
    A drawing of a hanging figure supported by weighted straps.
    Elizabeth Diller and Ricardo Scofidio, Bed for the Condemned Man, 1986. [A drawing of a hanging figure supported by weighted straps.]
    Caption Elizabeth Diller and Ricardo Scofidio, Bed for the Condemned Man, 1986.
    Image description A drawing of a hanging figure supported by weighted straps.
    Year
    Related pages From Here to Eternity: Fact and Fiction in Recent Architectural Projects
  • White text on a black background spells out
    White text on a black background spells out
    [White text on a black background spells out "THEHEARTOFYOURMOTHERFORMYDOGS"]
    Caption
    Image description White text on a black background spells out "THEHEARTOFYOURMOTHERFORMYDOGS"
    Year 2009
    Related pages When Time Becomes Form: The Heart of Your Mother for My Dogs
  • Various sculpted insects appear on the white gallery wall and the word
    Various sculpted insects appear on the white gallery wall and the word
    Young Fluxus. Installation view, Artists Space, 1982. [Various sculpted insects appear on the white gallery wall and the word "Bread" appears in the center of the right section and the word "Queen" appears in both parts of the image.]
    Caption Young Fluxus. Installation view, Artists Space, 1982.
    Image description Various sculpted insects appear on the white gallery wall and the word "Bread" appears in the center of the right section and the word "Queen" appears in both parts of the image.
    Year
    Related pages Young Fluxus
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Color image of a performer standing in the midground of the image with their back towards the audience. They are dressed in all black including a black beret. Both of their arms are raised with a bend at the elbows. In their right hand, they hold a straight object, perhaps a conductor's baton or drumstick. They grasp an oblong object in their left hand as well. Speckled purple, green and blue light is projected onto the performer and the back wall, their shadow with their arms raised appears on the back wall. In the center foreground of the image there is a microphone on a stand and to the right side, a black speaker on a stand.
    Color image of a performer standing in the midground of the image with their back towards the audience. They are dressed in all black including a black beret. Both of their arms are raised with a bend at the elbows. In their right hand, they hold a straight object, perhaps a conductor's baton or drumstick. They grasp an oblong object in their left hand as well. Speckled purple, green and blue light is projected onto the performer and the back wall, their shadow with their arms raised appears on the back wall. In the center foreground of the image there is a microphone on a stand and to the right side, a black speaker on a stand.
    Abasement #67. Performance documentation, January 15, 2024, Artists Space. Photo: Joshua Wildman. [Color image of a performer standing in the midground of the image with their back towards the audience. They are dressed in all black including a black beret. Both of their arms are raised with a bend at the elbows. In their right hand, they hold a straight object, perhaps a conductor's baton or drumstick. They grasp an oblong object in their left hand as well. Speckled purple, green and blue light is projected onto the performer and the back wall, their shadow with their arms raised appears on the back wall. In the center foreground of the image there is a microphone on a stand and to the right side, a black speaker on a stand. ]
    Caption Abasement #67. Performance documentation, January 15, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Color image of a performer standing in the midground of the image with their back towards the audience. They are dressed in all black including a black beret. Both of their arms are raised with a bend at the elbows. In their right hand, they hold a straight object, perhaps a conductor's baton or drumstick. They grasp an oblong object in their left hand as well. Speckled purple, green and blue light is projected onto the performer and the back wall, their shadow with their arms raised appears on the back wall. In the center foreground of the image there is a microphone on a stand and to the right side, a black speaker on a stand.
    Year
    Related pages Abasement #67
  • Color image of a figure looking to the left and leaning over a table filled with audio equipment. The figure holds sheets of paper with instructions, and manipulates an audio machine.
    Color image of a figure looking to the left and leaning over a table filled with audio equipment. The figure holds sheets of paper with instructions, and manipulates an audio machine.
    Still from video of Yasunao Tone performing Paramedia, Experimental Intermedia Foundation, 1990 [Color image of a figure looking to the left and leaning over a table filled with audio equipment. The figure holds sheets of paper with instructions, and manipulates an audio machine.]
    Caption Still from video of Yasunao Tone performing Paramedia, Experimental Intermedia Foundation, 1990
    Image description Color image of a figure looking to the left and leaning over a table filled with audio equipment. The figure holds sheets of paper with instructions, and manipulates an audio machine.
    Year
    Related pages Yasunao Tone Concert #3
  • Inside a pink-hued room are three tanker desks and three rolling office chairs in a single-file line. Security monitors with color videos sit on each desk alongside small pieces of clay. In the distance, tree trunks wrapped in fabric rest on the floor and construction nets hang from the ceiling. A wooden structure and an aquarium with purple-colored lights are positioned behind the tree trunks.
    Inside a pink-hued room are three tanker desks and three rolling office chairs in a single-file line. Security monitors with color videos sit on each desk alongside small pieces of clay. In the distance, tree trunks wrapped in fabric rest on the floor and construction nets hang from the ceiling. A wooden structure and an aquarium with purple-colored lights are positioned behind the tree trunks.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022. [Inside a pink-hued room are three tanker desks and three rolling office chairs in a single-file line. Security monitors with color videos sit on each desk alongside small pieces of clay. In the distance, tree trunks wrapped in fabric rest on the floor and construction nets hang from the ceiling. A wooden structure and an aquarium with purple-colored lights are positioned behind the tree trunks.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022.
    Image description Inside a pink-hued room are three tanker desks and three rolling office chairs in a single-file line. Security monitors with color videos sit on each desk alongside small pieces of clay. In the distance, tree trunks wrapped in fabric rest on the floor and construction nets hang from the ceiling. A wooden structure and an aquarium with purple-colored lights are positioned behind the tree trunks.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
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    Related pages fwiw
  • Purgatory, Alexander Karpman, Silver Key in Photography
    Caption Purgatory, Alexander Karpman, Silver Key in Photography
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    Year
    Related pages Scholastic Art and Writing Awards
  • Along the gallery wall from left to right is an assemblage scultpure of found objects ranging from lightbulbs to racoon tails. To the right is a sculpture of chicken wings dangling from the wall. Further along is an offwhite square nearly flush with the wall. And on the floor sits a chair adorned with cloth and green onion.
    Along the gallery wall from left to right is an assemblage scultpure of found objects ranging from lightbulbs to racoon tails. To the right is a sculpture of chicken wings dangling from the wall. Further along is an offwhite square nearly flush with the wall. And on the floor sits a chair adorned with cloth and green onion.
    LIFE—a group show, curated by Arnold J. Kemp. Installation view, Artists Space, 2025. Photo: Carter Seddon [Along the gallery wall from left to right is an assemblage scultpure of found objects ranging from lightbulbs to racoon tails. To the right is a sculpture of chicken wings dangling from the wall. Further along is an offwhite square nearly flush with the wall. And on the floor sits a chair adorned with cloth and green onion.]
    Caption LIFE—a group show, curated by Arnold J. Kemp. Installation view, Artists Space, 2025. Photo: Carter Seddon
    Image description Along the gallery wall from left to right is an assemblage scultpure of found objects ranging from lightbulbs to racoon tails. To the right is a sculpture of chicken wings dangling from the wall. Further along is an offwhite square nearly flush with the wall. And on the floor sits a chair adorned with cloth and green onion.
    Year 2025
    Related pages Arnold J. Kemp
  • A color photograph of six chairs in front of a blue curtain.
    A color photograph of six chairs in front of a blue curtain.
    Scott Burton. Pastoral Chair Tableau, 1971—1974. Installation view, Scott Burton, Pamela Jenrette, Artists Space, 1975. [A color photograph of six chairs in front of a blue curtain.]
    Caption Scott Burton. Pastoral Chair Tableau, 1971—1974. Installation view, Scott Burton, Pamela Jenrette, Artists Space, 1975.
    Image description A color photograph of six chairs in front of a blue curtain.
    Year 1975
    Related pages Scott Burton, Pamela Jenrette
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A white translucent chiffon curtain cascades over a set of five framed images mounted on a wall.
    A white translucent chiffon curtain cascades over a set of five framed images mounted on a wall.
    Danh Vo: Autoerotic Asphyxiation. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A white translucent chiffon curtain cascades over a set of five framed images mounted on a wall.]
    Caption Danh Vo: Autoerotic Asphyxiation. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description A white translucent chiffon curtain cascades over a set of five framed images mounted on a wall.
    Year 2010
    Related pages Danh Vo: Autoerotic Asphyxiation
  • Color image of a white page with Chinese and English printed text on it. A brush with white paint is painting over the word
    Color image of a white page with Chinese and English printed text on it. A brush with white paint is painting over the word
    Yasunao Tone, Molecular Music, 1984-85 [Color image of a white page with Chinese and English printed text on it. A brush with white paint is painting over the word "Hundred" in English.]
    Caption Yasunao Tone, Molecular Music, 1984-85
    Image description Color image of a white page with Chinese and English printed text on it. A brush with white paint is painting over the word "Hundred" in English.
    Year
    Related pages Yasunao Tone Film Screening #5
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    Year 2019
    Related pages About this Website
  • A white wall displaying nine framed photographs of people. In the foreground, there is a vitrine with papers encased in glass.
    A white wall displaying nine framed photographs of people. In the foreground, there is a vitrine with papers encased in glass.
    Mark Morrisroe: From This Moment On. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A white wall displaying nine framed photographs of people. In the foreground, there is a vitrine with papers encased in glass.]
    Caption Mark Morrisroe: From This Moment On. Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description A white wall displaying nine framed photographs of people. In the foreground, there is a vitrine with papers encased in glass.
    Year 2011
    Related pages Mark Morrisroe: From This Moment On
  • A close-up icolor mage of a musician playing the guitar. Red light cast onto them. A disco ball hangs from the ceiling, projecting white dots onto the room.
    A close-up icolor mage of a musician playing the guitar. Red light cast onto them. A disco ball hangs from the ceiling, projecting white dots onto the room.
    Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman. [A close-up icolor mage of a musician playing the guitar. Red light cast onto them. A disco ball hangs from the ceiling, projecting white dots onto the room.]
    Caption Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman.
    Image description A close-up icolor mage of a musician playing the guitar. Red light cast onto them. A disco ball hangs from the ceiling, projecting white dots onto the room.
    Year
    Related pages Abasement #65
  • A figure in a blue morph suit kneels down next to a wooden table and looks off to the right. Audience members sit along the floor in the background.
    A figure in a blue morph suit kneels down next to a wooden table and looks off to the right. Audience members sit along the floor in the background.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [A figure in a blue morph suit kneels down next to a wooden table and looks off to the right. Audience members sit along the floor in the background.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description A figure in a blue morph suit kneels down next to a wooden table and looks off to the right. Audience members sit along the floor in the background.
    Year 2022
    Related pages SCRAAATCH 11-18
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    Related pages FWIW
  • Sculptural pieces are mounted on the right wall. Three square canvases and one larger rectangular canvas dotted with a dark material hang on the left wall. Large windows line the back wall.
    Sculptural pieces are mounted on the right wall. Three square canvases and one larger rectangular canvas dotted with a dark material hang on the left wall. Large windows line the back wall.
    Sixth Anniversary Exhibition. Installation view, Artists Space, 1979. Artwork by John Torreano and Barbara Schwartz. [Sculptural pieces are mounted on the right wall. Three square canvases and one larger rectangular canvas dotted with a dark material hang on the left wall. Large windows line the back wall.]
    Caption Sixth Anniversary Exhibition. Installation view, Artists Space, 1979. Artwork by John Torreano and Barbara Schwartz.
    Image description Sculptural pieces are mounted on the right wall. Three square canvases and one larger rectangular canvas dotted with a dark material hang on the left wall. Large windows line the back wall.
    Year 1979
    Related pages Sixth Anniversary Exhibition
  • Light teal and pink text overlay a dark teal background with abstract lines and drawings of a female portrait in the bottom left and a hand holding a phone in the top right corner. The text in the middle reads
    Light teal and pink text overlay a dark teal background with abstract lines and drawings of a female portrait in the bottom left and a hand holding a phone in the top right corner. The text in the middle reads
    Flyer for Segue Reading Series featuring David Rothenberg and Robert Fitterman. December 3, 2022, Artists Space. [Light teal and pink text overlay a dark teal background with abstract lines and drawings of a female portrait in the bottom left and a hand holding a phone in the top right corner. The text in the middle reads "David Rothenberg / Segue Reading Series / Robert Fitterman."]
    Caption Flyer for Segue Reading Series featuring David Rothenberg and Robert Fitterman. December 3, 2022, Artists Space.
    Image description Light teal and pink text overlay a dark teal background with abstract lines and drawings of a female portrait in the bottom left and a hand holding a phone in the top right corner. The text in the middle reads "David Rothenberg / Segue Reading Series / Robert Fitterman."
    Year
    Related pages Segue Reading Series: Robert Fitterman & David Rothenberg
  • A color installation photograph of a figure in front of a curved white wall in a gallery space.
    A color installation photograph of a figure in front of a curved white wall in a gallery space.
    Marvin Torffield. Sesondo, 1974. Three coat plaster on wire lathe with nova ply and Masonite. Installation view, Artists Space, 1974. Credit: Marvin Torffield. [A color installation photograph of a figure in front of a curved white wall in a gallery space.]
    Caption Marvin Torffield. Sesondo, 1974. Three coat plaster on wire lathe with nova ply and Masonite. Installation view, Artists Space, 1974. Credit: Marvin Torffield.
    Image description A color installation photograph of a figure in front of a curved white wall in a gallery space.
    Year 1974
    Related pages Sidney Geist, Marvin Torffield, John Torreano
  • A woman is seated wearing a long, yellow dress with a full skirt. She has the front of the skirt held in her teeth, with her hands on her knees. There are some soap suds on her hands, near her mouth, and on the front of the skirt.
    A woman is seated wearing a long, yellow dress with a full skirt. She has the front of the skirt held in her teeth, with her hands on her knees. There are some soap suds on her hands, near her mouth, and on the front of the skirt.
    Yellow. Performance view, Artists Space, 2008. [A woman is seated wearing a long, yellow dress with a full skirt. She has the front of the skirt held in her teeth, with her hands on her knees. There are some soap suds on her hands, near her mouth, and on the front of the skirt.]
    Caption Yellow. Performance view, Artists Space, 2008.
    Image description A woman is seated wearing a long, yellow dress with a full skirt. She has the front of the skirt held in her teeth, with her hands on her knees. There are some soap suds on her hands, near her mouth, and on the front of the skirt.
    Year 2008
    Related pages When Time Becomes Form: Yellow
  • A portrait oriented video is projected in a dark narrow space. A bench sits in front of the video. An image-still of a man, hands clasped at his waist as he faces the viewer, is on the back wall.
    A portrait oriented video is projected in a dark narrow space. A bench sits in front of the video. An image-still of a man, hands clasped at his waist as he faces the viewer, is on the back wall.
    Hito Steyerl, Guards, 2012, HD video on freestanding screen with sound, 20 mins. Courtesy the artist and Andrew Kreps, New York. Installation view from Hito Steyerl, Artists Space, 2015. [A portrait oriented video is projected in a dark narrow space. A bench sits in front of the video. An image-still of a man, hands clasped at his waist as he faces the viewer, is on the back wall.]
    Caption Hito Steyerl, Guards, 2012, HD video on freestanding screen with sound, 20 mins. Courtesy the artist and Andrew Kreps, New York. Installation view from Hito Steyerl, Artists Space, 2015.
    Image description A portrait oriented video is projected in a dark narrow space. A bench sits in front of the video. An image-still of a man, hands clasped at his waist as he faces the viewer, is on the back wall.
    Year 2015
    Related pages Hito Steyerl
  • A figure in a blue dress sits behind a white table, they are reading from a small book in front of them. Projectors on either side of the table face the back wall. An audience watches the reader from the right side of the image.
    A figure in a blue dress sits behind a white table, they are reading from a small book in front of them. Projectors on either side of the table face the back wall. An audience watches the reader from the right side of the image.
    Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang. [A figure in a blue dress sits behind a white table, they are reading from a small book in front of them. Projectors on either side of the table face the back wall. An audience watches the reader from the right side of the image.]
    Caption Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang.
    Image description A figure in a blue dress sits behind a white table, they are reading from a small book in front of them. Projectors on either side of the table face the back wall. An audience watches the reader from the right side of the image.
    Year 2023
    Related pages Chang Yuchen: Coral Dictionary Vol. 1, 2019-2022
  • An emanating, abstract blue and black circle on a teal backdrop.
    An emanating, abstract blue and black circle on a teal backdrop.
    Mark Fell, Isomorphism and Totality (projection still), 2010. [An emanating, abstract blue and black circle on a teal backdrop.]
    Caption Mark Fell, Isomorphism and Totality (projection still), 2010.
    Image description An emanating, abstract blue and black circle on a teal backdrop.
    Year 2010
    Related pages Mark Fell
  • A figure stands on the stage with a mic, speaking to the crowd.
    A figure stands on the stage with a mic, speaking to the crowd.
    Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman [A figure stands on the stage with a mic, speaking to the crowd.]
    Caption Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure stands on the stage with a mic, speaking to the crowd.
    Year 2022
    Related pages Tisziji Muñoz with Francisco Mora Catlett and AfroHORN
  • Several figures stand along a wall. One figure, seated, uses a computer at a small round table.
    Several figures stand along a wall. One figure, seated, uses a computer at a small round table.
    Eiko Ishibashi: Two New York Nights. Performance documentation, June 8, 2022, 8pm. Artists Space, New York. [Several figures stand along a wall. One figure, seated, uses a computer at a small round table.]
    Caption Eiko Ishibashi: Two New York Nights. Performance documentation, June 8, 2022, 8pm. Artists Space, New York.
    Image description Several figures stand along a wall. One figure, seated, uses a computer at a small round table.
    Year
    Related pages Eiko Ishibashi in Concert
  • A black and white photograph of a figure with long hair. They raise their left hand up to brush away their hair from their face.
    A black and white photograph of a figure with long hair. They raise their left hand up to brush away their hair from their face.
    Susan Eder, c. 1976. From Susan Eder, Matt Mullican, Artists Space, 1976. [A black and white photograph of a figure with long hair. They raise their left hand up to brush away their hair from their face.]
    Caption Susan Eder, c. 1976. From Susan Eder, Matt Mullican, Artists Space, 1976.
    Image description A black and white photograph of a figure with long hair. They raise their left hand up to brush away their hair from their face.
    Year 1976
    Related pages Susan Eder, Matt Mullican
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    Year
    Related pages Abasement #73
  • An angled view of a large ramp looking on to a large video monitor screen positioned at the base. The room is tinted blue. On the screen, an iPhone 4 sits on a glass table, its lock screen on view; the time reads,
    An angled view of a large ramp looking on to a large video monitor screen positioned at the base. The room is tinted blue. On the screen, an iPhone 4 sits on a glass table, its lock screen on view; the time reads,
    Hito Steyerl, Liquidity, Inc., 2014. HD video with sound, 30 mins. Courtesy the artist and Andrew Kreps, New York. [An angled view of a large ramp looking on to a large video monitor screen positioned at the base. The room is tinted blue. On the screen, an iPhone 4 sits on a glass table, its lock screen on view; the time reads, "4:39."]
    Caption Hito Steyerl, Liquidity, Inc., 2014. HD video with sound, 30 mins. Courtesy the artist and Andrew Kreps, New York.
    Image description An angled view of a large ramp looking on to a large video monitor screen positioned at the base. The room is tinted blue. On the screen, an iPhone 4 sits on a glass table, its lock screen on view; the time reads, "4:39."
    Year 2015
    Related pages Hito Steyerl
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