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[Black text on a light green background. The text reads: “May 23 / Kathryn Cowles / Brandon Downing.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
Phillippe Demontaut, Annette Messager, Tom Wolf 1981. Annette Messager, Postcard, 1981. [A black and white photo of an eye cropped with a heavy black border.] -
[Black type text the reads, "The Defaced Books of Kenneth Halliwell and Joe Ortron"] -
Gary Burnley, Martin Cohen, Candace Hill-Montgomery, Louis Stein, and Haim Steinbach. Contact sheet of photos from exhibition opening, Artists Space, 1979. Photos by Gary Burnley. [Contact sheet of installation images taken during exhibition opening.] -
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Martha Wallner and Miriam Loaisiga. Still from Con Guerra O Sin Guerra (With or Without War), 1987. Video (sound, black and white). Spanish with English subtitles. [One figure on the left looks towards the camera and the other looks to the left. Outdoor suburban environment behind them. Subtitles burned into the bottom of the screen read, "She should know how to keep house and be attentive." Video scan lines and outside edges of CRT monitor visible in the image.] -
Abasement #63. Performance documentation, July 17, 2023, Artists Space. Photo: Joshua Wildman. [Close-up color image of a musician holding a saxaphone to his body. One hand holds the instrument while the other hand is held up to his face in a contemplative gesture. Hues from diffused rainbow and bright purple lights are cast against the performer and in the interior space.] -
Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A gallery space with three columns running down the right side. Projected onto a wall on the left is a video still of a woman in a red blanket hunched over. Two projector screens can be seen on the far left wall. In the back is a ramp which leads to the doorway of a wooden camper structure.] -
Nicole-Antonia Spagnola, Untitled, 2022. Raw Power, Raw Power; Kollettivo, Lotta per il potere; Antigenesi, Una donna non e’ merda; Negazione, Tutti Pazzi; RAF Punk, Contro la pace Contro la guerra; Peggio Punx, Scemo. 8mm to MP4 transfer (color, sound), monitors, chairs. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of three wooden cafe chairs with green cushions. One chair is stacked upside down on another on the left, and two pillows with black backs and sequined gold-silver fronts are placed between the chair's upturned legs. Another pillow rests on the cushion of the chair on the right.] -
Still from Expressions, Jordan Lord with Annette Carter and Deborah Lord, HD video, 36 min. looped, 2021. [A set of stairs leads down to the entrance to Artists Space; the stair railings are cast in shadow on the wall. Through the door are two people and fake smoke. A caption appears over the image that reads: “And do you see there are people? There’s actually a film crew.”] -
Drake Carr: Housecalls. Installation View (Window Treatment, 2023; Untitled, 2023), Artists Space at the Armory Show, 2023. Photo: Filip Wolak. [A color image of a white wall with two works made out of cut-out panel. The work on the left is cut in the shape of curtains, which are yellow with pink ruffles. The work on the right is a male-presenting figure posing with one hand above its head, and the other one in its pocket. It's wearing a white jacket, black shorts, pink tights, and black shoes.] -
James Sheehan, Halcyon Days, 2000. [An oil painting of a colorful city crowded with buildings.] -
[A man and woman hold hands while running, captured as though suspended above the ground. The woman pushes a red baby stroller in front of her. The scene is backlit, with the sun over a body of water behind them. On the upper right hand corner is the logo for "WeWork," offset on a diagonal.] -
Julie Wachtel. Installation View. Artists Space, 1985-86. [A split-screen image of a kitten sleeping with a pink blanket hanging on a white wall. Both images appear identical in photograph.] -
[A red background with white text which reads: "BDS IS THE FLOOR NOT THE CEILING", followed by the Decolonize This Place Logo.] -
Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Detail view of a display case. Several mugs are stacked on top of each other on the left side of the case, while five others are placed haphazardly across its surface. Each white mug is decorated with black text that reads, *STANCHION*. Several photos of a nude woman are arranged across the surface of the case.] -
Hito Steyerl. Installation view, Artists Space, 2015. [A monitor facing a seating arrangement constructed of stacked pillows. Two pairs of monitors are suspended on poles in the background. An image of Hito Steyerl is seen in both pairs; next to an image of a pile of cigarettes and an image of shipping containers.] -
Abasement #66. Performance documentation, October 9, 2023, Artists Space. Photo: Joshua Wildman. [Color image of a performance space illuminated by red light. In the center, two figures standing next to each other are playing the violin. Behind them is a white projector screen and a speaker.] -
[A poster design with a light, gradated purple background with cloud-like, blue patterns laid overtop it. The cloud forms partially obstruct a large, digital rainbow wheel and extremely elongated text that reads "WikiLeaks." Small text at the poster's bottom spells out the event details.] -
U.S. Projects: Peter Shelton. Installation view, Artists Space, 1982. [A large square edifice with an opening in its center bottom held up off the floor with numerous steel rods on its sides in a gallery setting. A shadow of a human figure appears/disappears in front of the work.] -
Nick Relph, A List of Incorrect Things, 2010, Offset print 6 2/3 x 11 inches, Signed and numbered by Stuart Bailey and David Reinfurt, Text by Nick Relph. [Two pages of red sans-serif text on a white background, titled "Notes:"] -
Laurie Anderson, Whirlwind, 1996. Disk, 48 speakers, electronics, computer program. [A black and white image of a large room with a round black disk suspended from the ceiling over a gray circle in the floor. It is lit from above by mounted lights.] -
Served Up! R.M. Fischer, Postcard, Artists Space, 1979. [A black-and-white photograph of a man crouching and speaking in front of a spotlight. The outlines of two people in front of the speaker are faintly visible.] -
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Renee Gladman, Black Wandering, 2022, oil pastel, pigment, and gouache on paper, 30 x 44 inches. Image courtesy Artists Space, New York. Photo: Filip Wolak. [An abstract drawing consisting of two white circles and two grey rectangles, from where lines and shapes emerge. Blurred white lines, and illegible text complement the composition. On both sides, green strokes, and a continuous white line create other abstract figures.] -
[Pablo Picasso looking at an image of Joseph Stalin.] -
[The letters "JA" written in black, stylized text on a white background.] -
Brad Kronz. Installation view, Artists Space, 2025. Photo: Carter Seddon [Placed at an angle between two iron columns are two box-like structures made of wooden boards. Behind the closer box, a pedestal presents a small wooden stool. ] -
[Two small tomatoes arranged side-by-side against a blank, white backdrop. Text placed directly underneath the tomatoes reads, "Salad Days 2006 ~Second Course~."] -
Theresa Hak Kyung Cha, Dictée (New York: Tanam Press, 1982), 74 - 75. [A two-page spread from the novel Dictée shows four diagrams of a human larynx and neck on the left-hand page and a page of writing from the novel on the right.] -
Friends of Artists Space Dinner, 2023. Photo: Joshua Wildman. [Color image of a man standing at a podium, reading from a program. The individual is flanked on both sides by guests seated at dinner tables within an elegant and decorative venue.] -
Milford Graves: Fundamental Frequency. Installation view, Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak. [A color photograph of an installation in a gallery. Several dark metal columns line the left side of the space, and on the right a punching bag and other boxing equipment hang from a rectangular wooden frame. In the background, several more mixed-media sculptures are visible.] -
Zilia Sánchez. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [Two half-circle canvases, positioned together to create a full circular shape, displayed on a light mauve wall. The canvases are filled with neutral blue and pale pink colors as well as sweeping, black line illustrations. At the center of the composition, the canvases stretch outward in mirrored c-curve shapes.] -
Leslie Hewitt, Make it Plain, 2006. C-print. [A large, framed photograph of two books, a wooden rectangle, and a photograph stacked vertically on each other. There is a second photograph offset to the right in the image.] -
Traditions: Five Painters. Installation View, Artists Space, 1978. [3 large paintings hang on the wall to the right. The foremost is rectangular, then further away is a rhombus shaped painting and lastly a circular piece.] -
[White and yellow text on a green background reads "THE SECOND ANNUAL CONFERENCE ABOUT ARTIST-CURATED EXHIBITION," and other details about the events.] -
[White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Mar 2 / Ron Padgett / Charles North" Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)] -
Herman Wallace. Drawing. [A colored pencil rendering of a prison cell is contained inside a rectangular box with rounded edges, floating on a white lined sheet of paper. A pink heart in motion extends beyond the confines of the cell and onto lined paper.] -
Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022. [A color image of a pink-hued room inside which an irregularly shaped platform with a reflective surface sits on the ground. Objects such as plants, a fish tank, and tree stumps sit on and around the platform.] -
Angela Bulloch, Rules of the Space, 2012, from the Rules Series, Silkscreen print on record sleeve, 12 3/8 x 12 3/8 inches, Signed and numbered [A numbered list of rules is arranged on white ground in various black fonts. Text reads: "Rules of the Space / 1. This SPACE is OCCUPIED. Anyone CAN SLEEP HERE / 2. NO Police (Pigs) and NO Informants (Rats) / 3. No Press OR Photos / 4. This is a Safer SPACE No Bullshit / 5. NO Peacekeepers or WANNA-BE POLICE / 6. INVITE EVERYONE (Except the aforementioned pigs and rats) / 7. create the world you want to see in the future (occupy the future) / 8. The HISTORICAL BREAK / 9. SEQUESTER THE BOSSES / 10. SHUT IT DOWN!!! / 11. Flush the toilet - don't shit on the floor.. this isn't Zucotti. / 12. PANTS ARE OPTIONAL / 13. DEMAND NO. 1 CATS (AND WE WANT THEM MEOW!) / 14. Louder! Louder!! LOUDER!!! If You Wanna Exploit LABOR you havta be you have to be 15ft from the door / 15. Rock & Roll ALL NIIIGHT AND PARTY EV-ERY DAY! / 16. CREATE MYTHS TO SUSTAIN CATASTROPHE] -
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Benje LaRico. Prova, 1986. Enamel, Plastic, Wood, Linoleum. 63.5 inches x 84.5 inches x 2.75 inches. [A black and white image of a painted abstract figure.] -
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The Serving Library. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A red, glowing neon light installed on a gallery wall just above eye-level is visible through a doorway opening in a white-walled space. To the left of the opening is a block of faint text on the gallery wall.] -
New Red Order Give it Back, detail, 2020 Acrylic LED displays with cut vinyl, water cooler, poster, couch, desk, chairs, magazine rack, The New Red Times Magazine, and three televisions. Image courtesy Artists Space, New York Photo: Filip Wolak [A wide angle image of a mockup real estate office consisiting of a table,chairs, a water coolor, and multiple tv monitors. The windows are lined with real estate listings and on the wall reads "New Red Order"..] -
Book cover for The Stagnant Society by Michael Shanks. Design by Richard Hollis. Published by Penguin Books, London, 1961. Courtesy Richard Hollis [A red background, half the Union Jack poisitoned behind sillhouette's of five men and a car, and text that reads, "The Stagnant Society, Michael Shanks."] -
Filler Episode in New York, no. 2, Ricky Luckey, Honorable mention -
Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure sits behind a table, looking at a laptop, and speaking into a microphone.] -
devynn emory, Grandmother Cindy. Performance documentation, May 18, 2022, Artists Space [A person dressed in blue stands next to a mannequin draped in red fabric lying on a rolling table. To the left is an IV stand and people seated in the background.] -
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Sistema Sandinista de Television. Still from Golpes de la Corazon (Blows of the Heart), 1983. Video (sound, black and white). Spanish with English subtitles. [One figure stands in a small square construction waist high and a nearby child stands inside another square construction with their head peeking out at the other figure. A figure stands behind them by a washbasin with clothes hanging from a clothesline in front of them. Bushes and trees appear behind them along with another edifice in the background. Video scan lines and black edges of CRT monitor are visible.] -
Living with Pop. A Reproduction of Capitalist Realism. Installation view, Artists Space, 2014. [Two walls form an entry way to the exhibition space. Both present black and white photos across their entire surface area. On the left, two men sit in a living room; on the right a man stands outside a store with a neon light sign.] -
We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [Painting of figures with Native American headdresses on a white gallery wall with a sculpture appearing in front of it.] -
Andrea Zittel, Perfected Pillow, 1995, Pair of fringed velvet pillows, 80 x 40 inches (203 x 102 cm); 18 x 36 in (46 x 91 cm), Edition of 39. [The image shows a rectangular bed-like cushion with a black pillow that lays diagonally across the image patterned with two green and two black triangles of fabric.] -
MTL+. Our Uprisings, 2016. [A poster with yellow text on a red and black background, stating "OUR UPRISINGS ARE QUEER TRANS BLACK BROWN PALESTINIAN IMMIGRANT INDIGENOUS AND GLOBAL".] -
[A room with wooden walls and bright, open window. A red couch sits on the right of the frame. A lamp with sphere light bulbs sits on the floor to the right. To the left of the frame next to the doorway sits a rolling bar cart.] -
[A woman dressed in a suit sits among clouds in a blue sky, smiling, with six arms. Each hand is holding two phones, an alarm clock, globe, laptop, and folder.] -
Artists Space, Richard Massey: Caution: Five hungry Soviet cows are in the garden (New York: Artists Space, 2007). [White text on a neutral green ground lists exhibition information. "Artists Space" is outlined in all capital letters aligned to the spine of the catalogue. In the upper left corner, "Caution: Five hungry Soviet cows are in the Garden" is rendered in sans serif font, some letters appearing smudged. The center right of the cover reads "Richard Massey, 03.30–05.12.2007, Project Space."] -
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BGL, Elevator, 2007. Site-specific installation. Courtesy the artists. Photo: Bill Orcutt. [A third floor entrance off of an elevator. Beyond its black-floored vestibule is a large object standing at an angle inside the doorway. It emulates the interior panels of an elevator. A partially obscured sign saying "ARTISTS SPACE" is visible in the room beyond the doorway on its far wall.] -
[An image of rocks, trees and coastline overlooking a large body of water. Collaged on top of the photograph are cutouts of flowers, carved stones, and a mosaic. Gray text gives details about a virtual reading event, with zoom meeting information written in yellow at the bottom.] -
Flyer for Segue Reading Series featuring Dazie Grego-Sykes and Douglas A. Martin. Saturday, October 24, 2020, Artists Space. Artist: Keith Higginbotham [Yellow rectangles with cropped black text are arranged haphardly on a white background. Black text over the top and bottom of the image reads "Dazie Grego-Sykes / Douglas A. Martin," and positioned in the center vertically, black text reads "Segue."] -
Abasement #71. Performance documentation, August 5th, 2024, Artists Space. Photo: Joshua Wildman. [Close up of a solo musician sitting on stage playing a string instrument in their lap with a bow. They are looking to the side and they are covered in red light. The wall behind them is blue-tinted with patterned image projections.] -
Friends of Artists Space Annual Dinner, 2016. [A large room with numerous people seated at long, rectangular tables. Many are eating, talking, and drinking wine. Several waiters walk between the tables.] -
Judith Barry. In the Shadow of the City (Vampry...). Installation view. Artists Space, 1985. [A video projection on a scrim of an urban environment with a store and a park lot visible with buildings in the background. A standing box with a wire coming from the back is visible and another box with a wire from the back is visible on the right wall. All of this is set up in a gallery setting.] -
Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak. [Closeup view of three small framed works on paper hanging on a white gallery wall. The works feature detailed, abstract calligraphic strokes in black, orange, and chartreuse.] -
Composition with Sol LeWitt's "Black Form (Dedicated to the Missing Jews)", (1987) as seen from the Rathaus Altona, Hamburg, DE, October 2021 [A color photograph of a garden with green hedges, large road which appears as a stone path, and trees. Some plant branches are visible directly in the foreground. Centered in the image over the branches is the black outline of a rectangle. The left side of the rectangle is filled in to create a black square.] -
Shala Miller, Genesis, 2023. [A black-and-white film still of hazy and ghostly tonal modulations. A disembodied arm and hand with extended fingers is captured in mid-motion, floating within the nondescript tonal atmosphere.] -
Margia Kramer. Installation view, Artists Space, 1980. [Black and white photograph of cursive white text on a black background on the floor.] -
Ei Arakawa: WEWORK BABIES. Performance documentation, December 8, 2019, Artists Space. Photo © 2019 Paula Court. [A man stands in the center of a room holding numerous baby dolls, surrounded by several performers striking yoga poses and a small crowd. A makeshift geometric metal structure stands next to him, with a baby doll sitting in a crease of the structure.] -
Urban Pornography. Installation view, Artists Space, 2001. [A dimly lit, color photograph of a desert installed on a white gallery wall. The desert ground is a bright orange color and includes many large rock features. The sky above is slightly blue and filled with clouds.] -
Bruce Colvin . Invisible Structures (Dates of Writing), 1976. From Sigrid Burton, Bruce Colvin, Ellen Phelan, Artists Space, 1976 -
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Photograph of Arthur Russell. Photo courtesy of Audika. [A vintage photograph of a man wearing black headphones, sitting behind a table in a cluttered room full of music equipment. A keyboard leans against the table, which is covered in AV equipment and snaking wires.] -
[Two women in dresses and matching shoes are splayed up against a screen with their arms raised. There is an image projected over them, with a white background and black geometric pattern, and two splotches of red over their bodies.] -
Adjua Gargi Nzinga Greaves, Better homes and gardens back by popular demand, detail, 2021. Magazine, artists tape, overall dimensions variable. Courtesy Artists Space, New York. Photo: Filip Wolak [A photograph of several works on yellow paper hung on a white gallery wall.] -
S*an D. Henry Smith in Constantina Zavitsanos’ Entropy (2023), a set of three performances (on-site and online) for If I Can’t Dance, I Don’t Want to Be a Part of Your Revolution. Performers and co-creators of the score: Angelo Custódio and Pedro Matias, S*an D. Henry-Smith and Geo Wyex. Photo: Prins de Vos [Photograph of a performer, standing next to a table covered in a black cloth. The background is bathed in purple light. A white spotlight shines on the table, highlighting the performer's hands as they pour liquid from one teacup into another teacup held below.] -
[Black text overlays a solid orange background. The text at the top reads: “Segue Reading Series & ARTISTS SPACE / Fall/Winter 2024 Season / October/November curated by A Gathering of the Tribes / Saturdays at 5pm: 11 Cortlandt Alley + Zoom"] -
Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [A figure performs on stage, speaking into a microphone and holding papers in their hands.] -
[A white text logo reads, "Union Gaucha Productions."] -
Marlon Riggs, still from Tongues Untied, 55 min, 1989. Credit: Signiyin' Works. [Two men embrace in the background, while a man wearing a black top hat stands in the foreground gazing at the camera.] -
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Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata [A color photograph of an arepa placed on a purple tablecloth.] -
Jerry Beck, Red Earth Cross, 1985. [A sculpted cross appears on a larger sculpted cross along with a small bottle on its left, a ladder inset on the right and an open text on the bottom part. All is hung on a white gallery wall and dimensions are written above the sculpture in pencil.] -
David Armstrong: Portraits. Installation view, March 10 – May 23, 2026, Artists Space. Photo: Carter Seddon [Toile curtains gather around the gallery windows, producing a soft, glowing white light. A glass-topped vitrine stands parallel to the windows, displaying small open books.] -
The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich. [Three metal cutouts of hands hold neon green cards displayed on a white wall. The hand on the rightmost side of the wall is holding up its middle finger.] -
Young Fluxus. Installation view, Artists Space, 1982. Frames 31-36: Installation views of Tad Savinar’s “Rock” in Room 207. [Contact sheet of photos from the exhibition.] -
Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman [A figure plays the saxophone into a microphone. Red and purple light are cast onto them.] -
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Adjua Gargi Nzinga Greaves: The x in florxal is silent when spoken. Installation view, Artists Space, 2021. Photo: Filip Wolak. Courtesy Artists Space, New York. [A gallery wall painted pink with a window in the middle. On the windowsill are several potted plants. Works on paper and a collage are hung on the wall.] -
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Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979). Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A Samsung television monitor displaying Benjamin Buchloh, in a black sweater and thin rectangular glasses, being interviewed.] -
Benkert, Ernst. Bars, 1981. [A painting with 5 black vertical rectangles in the center srrounded by indvidually outlined white squares inside a larger black rectangular outline on a white canvas hanging on a white wall.] -
David Armstrong, Jefferson Avenue, Brooklyn, 1997, Cibachrome
© David Armstrong. Courtesy of the Estate of David Armstrong
[An out-of-focus photograph of a wooden chair in a golden-lit room decorated with curtains, a carpet, and a framed artwork leaning against the back wall.] -
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[Two human arms and one robotic arm are writing the partially formed word "EVOLUTION" in tandem on a white piece of paper.] -
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Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon. [Three large pink fabric banners by Isabelle Frances McGuire, each bearing three silver star patches, hang from the ceiling to rest on the floor.] -
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Till They Listen: Bill Gunn Directs America. Installation view, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [Lining the wall are multiple glass display cased filled with ephemera, text and images hang on the wall above them, in the corner sits a tv monitor on a shelf.] -
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Sharon Halliday, Shaded Times, 2014 [A black-and-white image depicting several translucent photos overlaid, some of natural plant life and others of industrial scenes, with power lines and bridge spokes] -
Laurie Simmons: Photographs. Postcard, Artists Space, 1979. [A black and white image of a dollhouse living room, a doll is sitting in the right corner, on a couch, next to a side table with radio on it.] -
The columns held us up. Installation view, Artists Space, 2009. Photo: Adam Reich. [A white cloth banner hangs vertically from the ceiling, with text which reads "KARA-KUM, area 350000, disposed in Middle Asia." Below the text are drawings resembling Turkish architecture. To the right of the banner, a slide projector sits on a short wooden bench, projecting a small image onto a white wall.] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Two figures in blue morph suits engage in an argument, standing on either side of a wooden table with a fresnel lens as the tabletop. A third figure to the right films their encounter, while audience members watch in the background.] -
Based on a True Story. Installation view, Artists Space, 2004. [A wide shot of a gallery space with three columns. At the base of one column is a colorful, flat piece. On the large wall behind that column, three paintings hang in a horizontal line. To left of that, several framed drawings are arranged in a horizontal line. Against the perpendicular wall, there is a plinth with a television and several headphones.] -
Michael Brewster. Text and documentation of installations, Inside, Outside, Down and Soliloquies, 1977. [A speaker balances on its side on the top of a step ladder in a gallery space. Directly above the ladder are four large window panes which look out onto trees.] -
Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a gallery space with an installation consisting of a large mirrored pond, made from a wooden base with a reflective lining on top, that is surrounded by tree trunks, plants, fish tanks, and a phone booth. A large lamp hangs from the ceiling, and an orange construction net is placed over the pond.] -
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DUOX: DUOX4Larkin. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [A brown object housed in a mirrored glass case. An inscription on the case's surface reads, "BRAINWASH 408-983-2800." The case itself is enclosed in a larger glass vitrine supported by a white and orange table.] -
Matthew Langan-Peck. Installation view, Au feu rouge, Edouard Montassut, 2024 [Color image of a white gallery space, with three large boxes placed throughout. On the left, one side of a box is shown with a painted landscape of green hills against a blue sky, and a black fence in front of it. In the background, another wooden box is painted with a dark finish, and a pair of headphones are hung on the box. In the foreground, to the right of the room, sits a beige box.] -
Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [Miniature houses constructed of documents are displayed on vitrines in the foreground. Behind them, tan, illustrated sacks of various sizes hang on a while wall. A purple painting of a buffalo with photo collage hangs on a wall to the right.] -
Jason Simon, still from Vera, 2003. 25 min. [A woman seated on a couch wearing a green button-down shirt captured mid-laughter.] -
Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman [A figure plays the drums in the background with an out of focus piano in the foreground.] -
Abasement #80. Performance documentation, September 22nd, 2025, Artists Space. Photo: Joshua Wildman. [A performer plays the drums on stage. The stage and the wall behind it are bathed in blue, pink, and orange light. ] -
[White text overlays a color-scheme grid background. The text reads: “Oct 28 / A celebration of the poems of Mark Hyatt with Sam Ladkin, Luke Roberts, et al." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)] -
Aristotelis Nikolas Mochloulis, The Baby & The Mouse, 2025. Hercules plushie, Fievel Mousekewitz plushie, Nike Air Force shoes, TV, speakers, recordings from DVD of the animated musical Hercules (1997), recordings from the DVD of the animated musical An American Tail (1986), voice acting. Photo: Carter Seddon [Two toys, sitting on a white rug and propped up by white sneakers, face a TV screen. The TV screen between them displays a scene from the cartoon *Hercules*] -
Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [A figure performs on stage, standing behind a microphone with a shocked expression and their hands up.] -
Abasement #76. Performance documentation, March 3rd, 2025, Artists Space. Photo: Joshua Wildman. [Close-up color image of a performer holding red lights with a shirt wrapped around their head. Behind them, in the left side of the frame, a handmade paper costume is out of focus. On the right side of the frame there are two performers, one of them is standing with their back to the camera, and the other is sitting down at a table.] -
Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photo of a installation and sound work. In the right foreground, two lab tables contain a lab equipment such as beakers, distilling chambers, jars, hot plate and two blenders. On the left midground, an antique cabinet with its doors open, reveals shelves and drawers filled with more lab equipment, such as a microscope and household items such as a dustpan. In the background, two box television screens sit on top of wooden lab tables. A posterboard with a periodic table rests on top of the televisions. Each "element" of the periodic table features a small lightbulb that glows.] -
Spread from Harun Farocki Diagrams. Images from Ten Films, stills from Images of the World and the Inscription of War, 1988. [Fifteen images arranged in a grid, depicting close-ups of human faces and arial views of war.] -
Susan Cianciolo, Flowers, 2018, 25 x 21 x 1 1/2 inches, Silkscreen on book cloth on bespoke archival box, Signed edition of 100, 5APs Courtesy of the artist. [A portfolio box with a flowered pattern on the lid is shown on a white ground with the lid slightly askew.] -
Flyer for Segue Reading Series featuring Richard Loranger and Yanyi. Saturday, November 21, 2020, Artists Space. Artist: Keith Higginbotham [Two cropped photographs of figures cut into irregular shapes are laid over a light blue background. White and blue text on the image reads "Richard Loranger / Yanyi / Segue."] -
ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21 – January 30, 2021. Photo: Filip Wolak [A view of a small store display shelf stuffed with Gap clothing store bags and a small palm tree. On the wall, a blue band wraps around to the adjacent wall with text that reads "Every customer will have their needs determined and merchandise suggested to meet those needs." A group of life like cutouts of individuals dressed in animal costumes are clustered together near the gallery wall.] -
Terry Fox: All These Different Things Are Sculpture. Installation view, Artists Space, 2024. Photo: Filip Wolak [ A color image of the corner of a gallery space. A row of four small speakers, evenly spaced and held on small wooden shelves, span the left wall. On the right wall, a collection of six framed black and white photographs are arranged in a grid. Each frame is black, with three on the top and three on the bottom. ] -
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Untitled, Taro Quirk, City-As-School high school student, 2021, digital photograph. -
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[Black text on a grey background. The text reads: “Feb 28 / Nick Mauss / Lola Sinreich.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
Mike Parker, This Town Needs an Enema, 1990. Oil on canvas. [Yellow cursive text superimposed over an array of plush, blue diamonds. The text is slightly hazy and reads, "Let's Broaden Our Minds."] -
Richard Klauber. Installation view, Ruth Hardinger, Richard Klauber, Artists Space, 1975. [A color installation photograph of a black, grey, and white abstract painting on a white wall.] -
Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [Two paper bags with handles sit on a white shelf. The left bag is red and decorated with two illustrated portraits, one of which is a Native American man. The bag to the right has a larger portrait of a Native American man next to illustrative fish on a colorful background.] -
[A black and white scan of an invoice from Corcraft Products issued to Artists Space at 38 Greene Street. The customer number reads "9102000". The invoice details a net purchase of $1470.00] -
Flyer for Segue Reading Series featuring Robert Glück & Ted Rees. Saturday, October 17, 2020, Artists Space. Artist: Keith Higginbotham [A collaged image, depicting the upper body of a man, with his fists to his chin, overlaid with lower body of a horse. Blue text on top and bottom of image reads "Robert Glück / Ted Rees / Segue".] -
Tom of Finland Untitled , 1947 Gouache on paper Tom of Finland Foundation, Permanent Collection [An illustration including two men, wearing blazers and dress hats, gazing downwards next to another man. This man, dressed in dungarees and a baseball cap, is holding his penis.] -
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Honoree LaToya Ruby Frazier. Photo: Joshua Wildman [LaToya Ruby Frazier smiles while seated at a dinner table, holding hands with someone whose body is out of frame. She wears an orange suit jacket, a purple collared shirt, and a pocket square bearing a print of various orange flowers.] -
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Bill Gunn and Duane Jones on the set of Ganja & Hess. Image courtesy Tom Cummings. [A black-and-white photograph of a group of men shooting a scene on an outdoor film set. They are surrounded by trees and grass.] -
Axine M: Sold Licker Glass, 2024, Artists Space. Courtesy of ISSUE Project Room. Photography by Cameron Kelly McLeod. [Portrait of a seated musician holding a microphone and a guitar.] -
Zilia Sánchez. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [Two white panels of canvas positioned together to form a square shape. Both canvases display an organic pink form. Parts of the canvas within the pink shapes stretch outwards to form protruding circular and ovular, knob-like shapes.] -
ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A display of four black and white photographs on a beige gallery wall.] -
Aristotelis Nikolas Mochloulis, Frog Man & Baby Frog, 2025. Michigan J. Frog plushies, miniature directors chairs, ARRI 150 Junior light, Manfrotto Nano light stand, speakers, audio excerpts from movies. Photo: Carter Seddon. [Two pieces of wood are joined to create a miniature stage set. In the center, sitting in a miniature director's chair are two cartoon frog plushies wearing black top hats. The larger frog plushy cradles the smaller frog in it's arms. Two more director's chairs are positioned facing the plushies, along with a miniature stage light and stand that shines a spotlight on the plushies.] -
Portrait of Dorothy E. Roberts [Portrait of a black woman, looking forward with her face resting in her left hand, and her right arm placed on a table. Behind her is a dark grey background.] -
Not yet titled, 2019
Clay, glaze, mixed media
12 x 13 x 5 inches (variable)
$5,000
[A brown and tan object stands on a white base. On the flat surface of the object, an onion and a lemon sit connected by a rainbow wire. In the base of the object, a processing chip is embedded.] -
![The busts of two figures are drawn in black ink in front of a grey background. Below each figure is a text bubble that read: [below figure on left]](data:image/svg+xml,%3Csvg xmlns='http://www.w3.org/2000/svg' width='1500' height='1057'%3E%3C/svg%3E)
Amy Sillman, Turtlenecks, 2007, Archival ink jet on Somerset Paper, 11 1/4 x 17 1/2 inches (28.6 x 44.5 cm), Edition of 17, 10 AP, 1 BAT, Courtesy the artist and Sikkema Jenkins & Co., Printed by Jean-Yves Noblet Contemporary Prints. [The busts of two figures are drawn in black ink in front of a grey background. Below each figure is a text bubble that read: [below figure on left] "When did you get here?" [below figure on right] "Are you going to Basel?" At the bottom, center of the page is written "Turtlenecks."] -
The Library Vaccine. Installation view, Artists Space, 2014. [A seven shelf, white, book case is housed full of various colorful and sized books.] -
Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [A figure unpacks various audio and projection equipment onto a table. Blue, purple and pink washes of light are projected onto them.] -
Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon. [The text "MICHAEL ASHER" is handpainted in black onto a white gallery wall. To the right of the text are two identical plinths made of MDF. The plinths are low to the ground, and display checker board sets.] -
[Flyer design featuring a pile of pink hair against a lime green background. Large white text superimposed over the clump of hair at the top edge of the image reads, "DEMONCLOWNMONKEY." Several small, black and white icons are arranged in a line along the image's lower edge. The icons feature stylized depictions of a skull with horns, a clown, a rabbit, and other symbols.] -
Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Shala Miller, Genesis, 2023), Artists Space, 2023. Photo: Filip Wolak. [A life-size vinyl against a black wall depicting a black-and-white image of a body in motion, multiple images are overlayed on top of each other to create a ghostly atmosphere.] -
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Abasement #83. Performance documentation, January 5th, 2026, Artists Space. Photo: Joshua Wildman. [An audience observes two performers playing a keyboard and a bass on stage. The performers are seated at an angle towards each other, and the stage is bathed in orange light and blue cloud-like patterns. ] -
Lukas Duwenhögger: Undoolay. Installation view, Artists Space, 2016. Photo credit: Jean Vong. [A glossy black frame surrounds a painting of a man in a grey suit seated at a table. The man is wearing a white earpiece and is leaning forward towards a microphone. His fingers are tented on top of the table in an emphatic gesture.] -
Gulf Labor action at the Solomon R. Guggenheim Museum, March 29, 2014. Image courtesy Global Ultra Luxury Faction/Gulf Labor. [A photo looking down from the top of the Guggenheim Museum's atrium, showing people crowded around an unfurling banner.] -
Selections from the Artists File. Installation View, Artists Space, October 1, 1987 - October 31, 1987. [A painting collage with three separate figures represented hanging in a white-walled gallery space with a clock above it right where a finger in painting is pointing.] -
Dave Burns, SEACH FOR TRUTH, 2003. Digital photograph, archival light jet print. Courtesy the artist. [Two men wearing identical white shirts and blue jeans crouch outdoors at night. The figure on the right grasps two tree branches with both hands. His pants have been dropped to the ground and he sticks his bare rear out. The second figure on the left is fully clothed and crouches behind the other figure, shining a flashlight at his rear end.] -
Abasement #84. Performance documentation, February 16th, 2026, Artists Space. Photo: Joshua Wildman. [A performer, bathed in purple light, plays a guitar on stage.] -
The Library Vaccine. Installation view, Artists Space, 2014. [An angled view of a wooden table containing various papers, books, and documents displaying text and images. Windows to the street surround the background.] -
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Drake Carr: Housecalls. Installation view, Artists Space at the Armory Show, 2023. Photo: Filip Wolak. [Color image of a booth at an art fair. At the center of the image, there is a white wall with three works made out of cut-out panel. The one on the left is cut in the shape of curtains, which are yellow with pink ruffles. The work in the center is a male-presenting figure with one hand above its head, and the other one in its pocket. It's wearing a white jacket, black shorts, pink tights, and black shoes. The work on the right is a woman-presenting figure, with short blond hair. It has its arms crossed over the chest, and is dramatically looking up. It's wearing a black suit and a single red glove.] -
Peter Saville, Bespoke archival box with hand-marbled paper and band, 24 1/2 x 20 1/2 x 1 1/2 in / 62,2 x 52 x 3,8 cm, Signed and Numbered. [A print of marbled, amorphous forms in blue, grey, and white is centrally intersected by a horizontal orange band.] -
Installation view from From Here to Eternity: Fact and Fiction in Recent Architectural Projects, Artists Space, May 24, 1986 - June 28, 1986. [A shell of an architectural edifice stands over a small moveable two-wheeled car in a gallery space.] -
Abasement #72. Performance documentation, October 7th, 2024, Artists Space. Photo: Joshua Wildman. [Eight musicians sitting side by side at tables use electronic instruments. Various colored lights emit from each audio board. There are audience members in front of and behind the musicians. The room is dimly lit with a strip of blue light on a wall.] -
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Abasement #72. Performance documentation, October 7th, 2024, Artists Space. Photo: Joshua Wildman. [A solo performer with their hands up holds tuning forks. They are standing behind a mic stand. The performer and walls are covered with mulitcolored light projections.] -
U.S. Projects: Howard Fried. Installation view, Artists Space, 1983. [A sink structure on wheels sits atop a tilted wooden table top with legs of varying sizes. Light from the ceiling is seen emanating onto the structure in the white-walled gallery space.] -
Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York. [Two figures hold a table with a mannequin on it.] -
[A digital greyscale rendering of a loose spiral made from flexible bricks.] -
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Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Black and white drawing of two cows. A tv sits on the floor between them, and a smoke column is seen in the background. A blue piece of tape with the words Moooo hurting is taped on top of the smoke column. A wooden structure, an electronic device, and a small canvas painted in blue with the word River written across it, cover part of the cow drawing on the left.] -
Felix Gonzalez-Torres. Julie Ault, Miwon Kwon, Robert Storr. steidldangin, 2008. Hardcover, 400 pages. $200. at the Artists Space Bookstore [A blue book cover that reads, "Felix Gonzalez-Torres, Julie Ault."] -
Jack Smith in Jack Smith’s Fear Ritual of Shark Museum, Cologne, 1974 Photograph © Gwenn Thomas. Courtesy Exile Gallery, Berlin and Southfirst, New York Courtesy New York University, Fales Library and Special Collections [A black and white image with an organic border features Jack Smith in a white cloak standing in front of a wall. To the left of him are two posters that read, "Krone," at the top in block letters. Behind him are large, white block letters that read, "R O N." A ghost-like figure with multiple arms is pictured above him.]
![The busts of two figures are drawn in black ink in front of a grey background. Below each figure is a text bubble that read: [below figure on left]](https://artistsspace.org/media/pages/store/editions/3365211628-1623172903/sillman-turtlenecks-lo-res-168x.jpg)
![The busts of two figures are drawn in black ink in front of a grey background. Below each figure is a text bubble that read: [below figure on left]](https://artistsspace.org/media/pages/store/editions/3365211628-1623172903/sillman-turtlenecks-lo-res.jpg)
