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  • Sculpture of an alien spaceship made out of sheet metal, with a red and blue LED light, sitting in a gallery.
    Sculpture of an alien spaceship made out of sheet metal, with a red and blue LED light, sitting in a gallery.
    George Clinton, Peter Larkin and Jules Fisher, The Mothership, 1990s. Collection of the Smithsonian National Museum of African American History and Culture. Gift of Love to the planet. [Sculpture of an alien spaceship made out of sheet metal, with a red and blue LED light, sitting in a gallery.]
    Caption George Clinton, Peter Larkin and Jules Fisher, The Mothership, 1990s. Collection of the Smithsonian National Museum of African American History and Culture. Gift of Love to the planet.
    Image description Sculpture of an alien spaceship made out of sheet metal, with a red and blue LED light, sitting in a gallery.
    Year
    Related pages Artists Space Dialogues: Huey Copeland, Michelle Kuo
  • A darkened gallery space with dark blue walls and dark blue carpeting with a large wall projection. The projection depicts a black patient in a blue hospital gown laying down on an examination table. A white doctor holds a stethoscope to the patient’s stomach.
    A darkened gallery space with dark blue walls and dark blue carpeting with a large wall projection. The projection depicts a black patient in a blue hospital gown laying down on an examination table. A white doctor holds a stethoscope to the patient’s stomach.
    Carolyn Lazard: Two-way. Installation view (Vital, 2025), Artists Space, 2025. Photo: Greg Carideo. [A darkened gallery space with dark blue walls and dark blue carpeting with a large wall projection. The projection depicts a black patient in a blue hospital gown laying down on an examination table. A white doctor holds a stethoscope to the patient’s stomach.]
    Caption Carolyn Lazard: Two-way. Installation view (Vital, 2025), Artists Space, 2025. Photo: Greg Carideo.
    Image description A darkened gallery space with dark blue walls and dark blue carpeting with a large wall projection. The projection depicts a black patient in a blue hospital gown laying down on an examination table. A white doctor holds a stethoscope to the patient’s stomach.
    Year
    Related pages Carolyn Lazard
  • A photograph of a group of students standing onstage, holding printed paper, and many smiling
    A photograph of a group of students standing onstage, holding printed paper, and many smiling
    YAP (Young Artist Perform), PS 140, 2017 [A photograph of a group of students standing onstage, holding printed paper, and many smiling]
    Caption YAP (Young Artist Perform), PS 140, 2017
    Image description A photograph of a group of students standing onstage, holding printed paper, and many smiling
    Year 2017
    Related pages Exhibitions and Events
  • Color image of five performers on stage. From left to right, they are playing guitar, saxophone, drums, and trumpet. The room is lit up with pink and white projections. The backs of multiple audience members are visible in the bottom of the frame. A few of the performers are lit with yellow light, as well as some of the audience.
    Color image of five performers on stage. From left to right, they are playing guitar, saxophone, drums, and trumpet. The room is lit up with pink and white projections. The backs of multiple audience members are visible in the bottom of the frame. A few of the performers are lit with yellow light, as well as some of the audience.
    Abasement #76. Performance documentation, March 3rd, 2025, Artists Space. Photo: Joshua Wildman. [Color image of five performers on stage. From left to right, they are playing guitar, saxophone, drums, and trumpet. The room is lit up with pink and white projections. The backs of multiple audience members are visible in the bottom of the frame. A few of the performers are lit with yellow light, as well as some of the audience.]
    Caption Abasement #76. Performance documentation, March 3rd, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Color image of five performers on stage. From left to right, they are playing guitar, saxophone, drums, and trumpet. The room is lit up with pink and white projections. The backs of multiple audience members are visible in the bottom of the frame. A few of the performers are lit with yellow light, as well as some of the audience.
    Year
    Related pages Abasement #76
  • A picture of a man in a coat sits above a series of books on a shelf.
    A picture of a man in a coat sits above a series of books on a shelf.
    She Who Is: Adrienne Kennedy and the Drama of Difference. Installation view, Artists Space, February 29 – September 19, 2020. Photo: Filip Wolak. [A picture of a man in a coat sits above a series of books on a shelf.]
    Caption She Who Is: Adrienne Kennedy and the Drama of Difference. Installation view, Artists Space, February 29 – September 19, 2020. Photo: Filip Wolak.
    Image description A picture of a man in a coat sits above a series of books on a shelf.
    Year 2020
    Related pages She Who Is: Adrienne Kennedy and the Drama of Difference
  • A wooden chair sits against a white wall. Above it, an image of flowers on a patterned background with a border hangs on the wall. A fragment of the the flower image is missing, and it is affixed to two wooden poles that lean against the wall, placing it level with the flower image.
    A wooden chair sits against a white wall. Above it, an image of flowers on a patterned background with a border hangs on the wall. A fragment of the the flower image is missing, and it is affixed to two wooden poles that lean against the wall, placing it level with the flower image.
    Craig Pleasants, A House in the Tropics, 1988. [A wooden chair sits against a white wall. Above it, an image of flowers on a patterned background with a border hangs on the wall. A fragment of the the flower image is missing, and it is affixed to two wooden poles that lean against the wall, placing it level with the flower image.]
    Caption Craig Pleasants, A House in the Tropics, 1988.
    Image description A wooden chair sits against a white wall. Above it, an image of flowers on a patterned background with a border hangs on the wall. A fragment of the the flower image is missing, and it is affixed to two wooden poles that lean against the wall, placing it level with the flower image.
    Year 1988
    Related pages Selections from the Artist File
  • An assortment of artworks are seen in the large gallery space. On the left, an assemblage of materials affixed to the wall on floor connected through a metal thread. Behind are framed works and a plinth displaying colorful sculptures. In the right of the gallery are red, white, and blue wax candles spelling
    An assortment of artworks are seen in the large gallery space. On the left, an assemblage of materials affixed to the wall on floor connected through a metal thread. Behind are framed works and a plinth displaying colorful sculptures. In the right of the gallery are red, white, and blue wax candles spelling
    LIFE—a group show, curated by Arnold J. Kemp. Installation view, Artists Space, 2025. Photo: Carter Seddon [An assortment of artworks are seen in the large gallery space. On the left, an assemblage of materials affixed to the wall on floor connected through a metal thread. Behind are framed works and a plinth displaying colorful sculptures. In the right of the gallery are red, white, and blue wax candles spelling "LOVE" sitting abundantly on metal armatures. Further to the right is a colorful artwork forming the Star of David, and behind on the gallery walls are glimpses of assemblage artworks.]
    Caption LIFE—a group show, curated by Arnold J. Kemp. Installation view, Artists Space, 2025. Photo: Carter Seddon
    Image description An assortment of artworks are seen in the large gallery space. On the left, an assemblage of materials affixed to the wall on floor connected through a metal thread. Behind are framed works and a plinth displaying colorful sculptures. In the right of the gallery are red, white, and blue wax candles spelling "LOVE" sitting abundantly on metal armatures. Further to the right is a colorful artwork forming the Star of David, and behind on the gallery walls are glimpses of assemblage artworks.
    Year 2025
    Related pages Arnold J. Kemp
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A photo of the exterior of a building, with several colorful portrait paintings lying on the wooden porch. One has text stating
    A photo of the exterior of a building, with several colorful portrait paintings lying on the wooden porch. One has text stating
    Alza Tu Voz, back porch, exhibition at Dykeman Farmhouse Museum, 2017 [A photo of the exterior of a building, with several colorful portrait paintings lying on the wooden porch. One has text stating "no te dejes oprimir." A large poster hangs on the door to the building, with the title "Alza tu Voz"]
    Caption Alza Tu Voz, back porch, exhibition at Dykeman Farmhouse Museum, 2017
    Image description A photo of the exterior of a building, with several colorful portrait paintings lying on the wooden porch. One has text stating "no te dejes oprimir." A large poster hangs on the door to the building, with the title "Alza tu Voz"
    Year 2017
    Related pages Exhibitions and Events
  • A color photograph of a figure standing in an orange-lit space filled with various audio equipment and a stereo player. They crouch down to press adjust a dial on an audio mixer.
    A color photograph of a figure standing in an orange-lit space filled with various audio equipment and a stereo player. They crouch down to press adjust a dial on an audio mixer.
    Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. [A color photograph of a figure standing in an orange-lit space filled with various audio equipment and a stereo player. They crouch down to press adjust a dial on an audio mixer.]
    Caption Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space.
    Image description A color photograph of a figure standing in an orange-lit space filled with various audio equipment and a stereo player. They crouch down to press adjust a dial on an audio mixer.
    Year 2022
    Related pages Yuji Agematsu
  • Jutta Koether is a painter, performance artist, musician, critic, and theoretician based in New York and Berlin. Her work with Artists Space began in 2012 with her performance fifth season act and most recently Analogue Drive (2024) performed in Hong Kong for Artists Space and Empty Gallery. In her live works, Koether enacts a highly specific form of entangled action centering on and around specific artworks. Embedded with performative possibility, these objects – positioned in a room, a situation, a city – circuit together in a network of language, duration, and the artist's active negotiation between producer and produced. As a painter, Koether challenges the viewer’s understanding of the medium’s terms and histories, often appropriating and retooling elements from the work of male masters. Engaging a range of motifs and materials—such as grids, X-marks, and red paint—she cultivates painting’s ability to yield something unanticipated, vital, and feminine. Koether studied art and philosophy at the University of Cologne and the Whitney ISP. In 1981 she joined the editorial staff of the music and art journal Spex. She is the author of several books and has written for such publications as Eau de Cologne, Artforum, Texte zur Kunst, and Flash Art. From 2010 to 2024 Koether was Professor for Painting and Drawing at the University of Fine Arts Hamburg. She has had major solo exhibitions at the Museum Brandhorst, Munich, Mudam Luxembourg – Musée d’Art Moderne Grand-Duc Jean; Museum Abteiberg, Mönchengladbach; Artium Museoa, Vitoria-Gasteiz; PRAXES Center for Contemporary Art, Berlin; Moderna Museet, Stockholm; Van Abbemuseum, Eindhoven; Kunsthalle Bern, Switzerland; Academy of Fine Arts Vienna; and Kölnischer Kunstverein, Cologne, among other venues. [Photo: Empty Gallery, Hong Kong, 2024]
    Caption Jutta Koether is a painter, performance artist, musician, critic, and theoretician based in New York and Berlin. Her work with Artists Space began in 2012 with her performance fifth season act and most recently Analogue Drive (2024) performed in Hong Kong for Artists Space and Empty Gallery. In her live works, Koether enacts a highly specific form of entangled action centering on and around specific artworks. Embedded with performative possibility, these objects – positioned in a room, a situation, a city – circuit together in a network of language, duration, and the artist's active negotiation between producer and produced. As a painter, Koether challenges the viewer’s understanding of the medium’s terms and histories, often appropriating and retooling elements from the work of male masters. Engaging a range of motifs and materials—such as grids, X-marks, and red paint—she cultivates painting’s ability to yield something unanticipated, vital, and feminine. Koether studied art and philosophy at the University of Cologne and the Whitney ISP. In 1981 she joined the editorial staff of the music and art journal Spex. She is the author of several books and has written for such publications as Eau de Cologne, Artforum, Texte zur Kunst, and Flash Art. From 2010 to 2024 Koether was Professor for Painting and Drawing at the University of Fine Arts Hamburg. She has had major solo exhibitions at the Museum Brandhorst, Munich, Mudam Luxembourg – Musée d’Art Moderne Grand-Duc Jean; Museum Abteiberg, Mönchengladbach; Artium Museoa, Vitoria-Gasteiz; PRAXES Center for Contemporary Art, Berlin; Moderna Museet, Stockholm; Van Abbemuseum, Eindhoven; Kunsthalle Bern, Switzerland; Academy of Fine Arts Vienna; and Kölnischer Kunstverein, Cologne, among other venues. [Photo: Empty Gallery, Hong Kong, 2024]
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    Year
    Related pages Friends of Artists Space Dinner
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    Related pages Support
  • A wall of pornographic illustrations displayed in frames at eye level.
    A wall of pornographic illustrations displayed in frames at eye level.
    Tom of Finland: The Pleasure of Play. Installation view, Artists Space, 2015. [A wall of pornographic illustrations displayed in frames at eye level.]
    Caption Tom of Finland: The Pleasure of Play. Installation view, Artists Space, 2015.
    Image description A wall of pornographic illustrations displayed in frames at eye level.
    Year 2015
    Related pages Tom of Finland: The Pleasure of Play
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A color photograph of a figure in a pointed hat with a wide brim, wearing a black and white robe. The figure is pictured amid tree branches and vines that block their face. They hold a twisted vine in their left hand.
    A color photograph of a figure in a pointed hat with a wide brim, wearing a black and white robe. The figure is pictured amid tree branches and vines that block their face. They hold a twisted vine in their left hand.
    Portrait of Eiko Ishibashi [A color photograph of a figure in a pointed hat with a wide brim, wearing a black and white robe. The figure is pictured amid tree branches and vines that block their face. They hold a twisted vine in their left hand.]
    Caption Portrait of Eiko Ishibashi
    Image description A color photograph of a figure in a pointed hat with a wide brim, wearing a black and white robe. The figure is pictured amid tree branches and vines that block their face. They hold a twisted vine in their left hand.
    Year 2022
    Related pages Eiko Ishibashi in Concert
  • A marionette wearing a black suit, collared shirt, and white Nike Air Force 1s is positioned laying prone on a windowsill. Red curtains cover half of the window behind the marionette. In the corner, a small stage lights is directed at the marionette. Outside of the window is an alleyway with graffiti.
    A marionette wearing a black suit, collared shirt, and white Nike Air Force 1s is positioned laying prone on a windowsill. Red curtains cover half of the window behind the marionette. In the corner, a small stage lights is directed at the marionette. Outside of the window is an alleyway with graffiti.
    Aristotelis Nikolas Mochloulis, Aristotelis Nikolas Mochloulis, 2025. Marionette. Photo: Carter Seddon. [A marionette wearing a black suit, collared shirt, and white Nike Air Force 1s is positioned laying prone on a windowsill. Red curtains cover half of the window behind the marionette. In the corner, a small stage lights is directed at the marionette. Outside of the window is an alleyway with graffiti.]
    Caption Aristotelis Nikolas Mochloulis, Aristotelis Nikolas Mochloulis, 2025. Marionette. Photo: Carter Seddon.
    Image description A marionette wearing a black suit, collared shirt, and white Nike Air Force 1s is positioned laying prone on a windowsill. Red curtains cover half of the window behind the marionette. In the corner, a small stage lights is directed at the marionette. Outside of the window is an alleyway with graffiti.
    Year
    Related pages Aristotelis Nikolas Mochloulis Tour 3
  • Flyer featuring three computer-generated shapes: a sphere, a curved plane, and a flat plane. Each of the shapes is black, covered in a white grid pattern, and features a warped image of a red triangle. The shapes sit on a blue and yellow gradient background. Red sans-serif text positioned at the top and bottom of the image reads, “artists space & / the segue series / present a / reading by / Dia Felix / and / Jeremy / Hoevenaar / saturday, may 16 / 5pm nyc time / zoom id: / 378 232 567 / be there or be non-euclidean.”
    Flyer featuring three computer-generated shapes: a sphere, a curved plane, and a flat plane. Each of the shapes is black, covered in a white grid pattern, and features a warped image of a red triangle. The shapes sit on a blue and yellow gradient background. Red sans-serif text positioned at the top and bottom of the image reads, “artists space & / the segue series / present a / reading by / Dia Felix / and / Jeremy / Hoevenaar / saturday, may 16 / 5pm nyc time / zoom id: / 378 232 567 / be there or be non-euclidean.”
    [Flyer featuring three computer-generated shapes: a sphere, a curved plane, and a flat plane. Each of the shapes is black, covered in a white grid pattern, and features a warped image of a red triangle. The shapes sit on a blue and yellow gradient background. Red sans-serif text positioned at the top and bottom of the image reads, “artists space & / the segue series / present a / reading by / Dia Felix / and / Jeremy / Hoevenaar / saturday, may 16 / 5pm nyc time / zoom id: / 378 232 567 / be there or be non-euclidean.”]
    Caption
    Image description Flyer featuring three computer-generated shapes: a sphere, a curved plane, and a flat plane. Each of the shapes is black, covered in a white grid pattern, and features a warped image of a red triangle. The shapes sit on a blue and yellow gradient background. Red sans-serif text positioned at the top and bottom of the image reads, “artists space & / the segue series / present a / reading by / Dia Felix / and / Jeremy / Hoevenaar / saturday, may 16 / 5pm nyc time / zoom id: / 378 232 567 / be there or be non-euclidean.”
    Year 2020
    Related pages Segue Reading Series: Dia Felix & Jeremy Hoevenaar
  • An image of people in a circle wearing white ponchos holding white streamers and a large red balloon is superimposed on top of a city street, rendered in shades of black and grey.
    An image of people in a circle wearing white ponchos holding white streamers and a large red balloon is superimposed on top of a city street, rendered in shades of black and grey.
    [An image of people in a circle wearing white ponchos holding white streamers and a large red balloon is superimposed on top of a city street, rendered in shades of black and grey.]
    Caption
    Image description An image of people in a circle wearing white ponchos holding white streamers and a large red balloon is superimposed on top of a city street, rendered in shades of black and grey.
    Year 2019
    Related pages Ei Arakawa: WEWORK BABIES (11 Cortlandt Alley)
  • Several geometric structures of varying sizes are displayed in close, overlapping clusters in a gallery space. The largest structure of the group nearly touches the gallery ceiling is composed of an array of flat pentagons that form circular, symmetrical patterns. Behind this structure is a large archway-shaped wall decal showing further colorful arrays and patterns. Several other, smaller pieces with similar geometric forms cluster on the floor around these structures.
    Several geometric structures of varying sizes are displayed in close, overlapping clusters in a gallery space. The largest structure of the group nearly touches the gallery ceiling is composed of an array of flat pentagons that form circular, symmetrical patterns. Behind this structure is a large archway-shaped wall decal showing further colorful arrays and patterns. Several other, smaller pieces with similar geometric forms cluster on the floor around these structures.
    Salad Days 3. Installation view, Artists Space, 2008. Photo: Jeremy Ross. [Several geometric structures of varying sizes are displayed in close, overlapping clusters in a gallery space. The largest structure of the group nearly touches the gallery ceiling is composed of an array of flat pentagons that form circular, symmetrical patterns. Behind this structure is a large archway-shaped wall decal showing further colorful arrays and patterns. Several other, smaller pieces with similar geometric forms cluster on the floor around these structures.]
    Caption Salad Days 3. Installation view, Artists Space, 2008. Photo: Jeremy Ross.
    Image description Several geometric structures of varying sizes are displayed in close, overlapping clusters in a gallery space. The largest structure of the group nearly touches the gallery ceiling is composed of an array of flat pentagons that form circular, symmetrical patterns. Behind this structure is a large archway-shaped wall decal showing further colorful arrays and patterns. Several other, smaller pieces with similar geometric forms cluster on the floor around these structures.
    Year 2008
    Related pages Salad Days 3
  • Several blank, white walls in a large gallery space with wooden flooring. An opening emerges at the corner of two intersecting walls at the image's center, leading into a dark space. Rows of windows line the right wall of the gallery.
    Several blank, white walls in a large gallery space with wooden flooring. An opening emerges at the corner of two intersecting walls at the image's center, leading into a dark space. Rows of windows line the right wall of the gallery.
    Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [Several blank, white walls in a large gallery space with wooden flooring. An opening emerges at the corner of two intersecting walls at the image's center, leading into a dark space. Rows of windows line the right wall of the gallery.]
    Caption Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez.
    Image description Several blank, white walls in a large gallery space with wooden flooring. An opening emerges at the corner of two intersecting walls at the image's center, leading into a dark space. Rows of windows line the right wall of the gallery.
    Year 2014
    Related pages Laura Poitras: 9/11 Trilogy
  • A black and white image of four paintings of various sizes displayed against a fence with a thin layer of snow, marked with footprints, beneath them.
    A black and white image of four paintings of various sizes displayed against a fence with a thin layer of snow, marked with footprints, beneath them.
    Front Yard Exhibition Galerie Parnass, Villa Jährling, Moltkestraße 67 February 1964 Photo: Rolf Jährling, Zentralarchiv des internationalen Kunsthandels ZADIK [A black and white image of four paintings of various sizes displayed against a fence with a thin layer of snow, marked with footprints, beneath them.]
    Caption Front Yard Exhibition Galerie Parnass, Villa Jährling, Moltkestraße 67 February 1964 Photo: Rolf Jährling, Zentralarchiv des internationalen Kunsthandels ZADIK
    Image description A black and white image of four paintings of various sizes displayed against a fence with a thin layer of snow, marked with footprints, beneath them.
    Year 1964
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 27 / Stephon Lawrence / Manuel Paul López.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 27 / Stephon Lawrence / Manuel Paul López.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 27 / Stephon Lawrence / Manuel Paul López.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 27 / Stephon Lawrence / Manuel Paul López.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Stephon Lawrence & Manuel Paul López
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Two white walls are suspended on six vertical poles and are arranged so that they form a right corner. A large grid-like composition composed of many small squares is mounted on the left wall. On the right wall there are many photographs and printed video stills either mounted in grid patterns or one above the other.
    Two white walls are suspended on six vertical poles and are arranged so that they form a right corner. A large grid-like composition composed of many small squares is mounted on the left wall. On the right wall there are many photographs and printed video stills either mounted in grid patterns or one above the other.
    Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Two white walls are suspended on six vertical poles and are arranged so that they form a right corner. A large grid-like composition composed of many small squares is mounted on the left wall. On the right wall there are many photographs and printed video stills either mounted in grid patterns or one above the other.]
    Caption Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Two white walls are suspended on six vertical poles and are arranged so that they form a right corner. A large grid-like composition composed of many small squares is mounted on the left wall. On the right wall there are many photographs and printed video stills either mounted in grid patterns or one above the other.
    Year 2012
    Related pages Radical Localism: Art, Video and Culture from Pueblo Nuevo’s Mexicali Rose
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Image of a white desk on a black stage. Layed across the desk is a laptop and a control pad, along with a paper with printed instructions and diagrams.
    Image of a white desk on a black stage. Layed across the desk is a laptop and a control pad, along with a paper with printed instructions and diagrams.
    Yasunao Tone Concert #3. Performance documentation, March 16, 2023, Artists Space. Photo: Destiny Mata [Image of a white desk on a black stage. Layed across the desk is a laptop and a control pad, along with a paper with printed instructions and diagrams.]
    Caption Yasunao Tone Concert #3. Performance documentation, March 16, 2023, Artists Space. Photo: Destiny Mata
    Image description Image of a white desk on a black stage. Layed across the desk is a laptop and a control pad, along with a paper with printed instructions and diagrams.
    Year 2023
    Related pages Yasunao Tone Concert #3
  • Image of a basement with a sculpture made of two fresnel lenses cut in the shape of wings hung on the back of a pillar to the left of the image. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    Image of a basement with a sculpture made of two fresnel lenses cut in the shape of wings hung on the back of a pillar to the left of the image. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement with a sculpture made of two fresnel lenses cut in the shape of wings hung on the back of a pillar to the left of the image. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.]
    Caption SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a basement with a sculpture made of two fresnel lenses cut in the shape of wings hung on the back of a pillar to the left of the image. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    Year 2022
    Related pages SCRAAATCH 12-3
  • Color image of a performer on stage, standing in front of various types of electronic audio equipment. They are wearing a monochromatic purple outfit and glasses. The wall behind them is decorated with blue, orange, and purple projections. The left side of the room is lit with small blue dots reflecting from a disco ball. A few audience members are visible in the bottom edge of the image.
    Color image of a performer on stage, standing in front of various types of electronic audio equipment. They are wearing a monochromatic purple outfit and glasses. The wall behind them is decorated with blue, orange, and purple projections. The left side of the room is lit with small blue dots reflecting from a disco ball. A few audience members are visible in the bottom edge of the image.
    Abasement #76. Performance documentation, March 3rd, 2025, Artists Space. Photo: Joshua Wildman. [Color image of a performer on stage, standing in front of various types of electronic audio equipment. They are wearing a monochromatic purple outfit and glasses. The wall behind them is decorated with blue, orange, and purple projections. The left side of the room is lit with small blue dots reflecting from a disco ball. A few audience members are visible in the bottom edge of the image.]
    Caption Abasement #76. Performance documentation, March 3rd, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Color image of a performer on stage, standing in front of various types of electronic audio equipment. They are wearing a monochromatic purple outfit and glasses. The wall behind them is decorated with blue, orange, and purple projections. The left side of the room is lit with small blue dots reflecting from a disco ball. A few audience members are visible in the bottom edge of the image.
    Year
    Related pages Abasement #76
  • A white speaker displayed on a three-legged stand in an exhibition space. To the right of the stand, a television monitor rests on the ground. An image of gravel and dirt is pictured on its screen.
    A white speaker displayed on a three-legged stand in an exhibition space. To the right of the stand, a television monitor rests on the ground. An image of gravel and dirt is pictured on its screen.
    Frozen Lakes. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A white speaker displayed on a three-legged stand in an exhibition space. To the right of the stand, a television monitor rests on the ground. An image of gravel and dirt is pictured on its screen.]
    Caption Frozen Lakes. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description A white speaker displayed on a three-legged stand in an exhibition space. To the right of the stand, a television monitor rests on the ground. An image of gravel and dirt is pictured on its screen.
    Year 2013
    Related pages Frozen Lakes
  • A painted cardboard structure sits on stage. The audience, stage, and wall behind it are bathed in yellow, blue, and green light created by a patterned projection.
    A painted cardboard structure sits on stage. The audience, stage, and wall behind it are bathed in yellow, blue, and green light created by a patterned projection.
    Abasement #81. Performance documentation, October 20th, 2025, Artists Space. Photo: Joshua Wildman. [A painted cardboard structure sits on stage. The audience, stage, and wall behind it are bathed in yellow, blue, and green light created by a patterned projection.]
    Caption Abasement #81. Performance documentation, October 20th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description A painted cardboard structure sits on stage. The audience, stage, and wall behind it are bathed in yellow, blue, and green light created by a patterned projection.
    Year
    Related pages Abasement #81
  • A seated performer plays the electric guitar on stage while bathed in pink light. Colorful patterns are projected onto the wall behind the stage.
    A seated performer plays the electric guitar on stage while bathed in pink light. Colorful patterns are projected onto the wall behind the stage.
    Abasement #85. Performance documentation, March 2nd, 2026, Artists Space. Photo: Joshua Wildman. [A seated performer plays the electric guitar on stage while bathed in pink light. Colorful patterns are projected onto the wall behind the stage. ]
    Caption Abasement #85. Performance documentation, March 2nd, 2026, Artists Space. Photo: Joshua Wildman.
    Image description A seated performer plays the electric guitar on stage while bathed in pink light. Colorful patterns are projected onto the wall behind the stage.
    Year
    Related pages Abasement #85
  • A flyer featuring a vintage orange and black computer with a small monitor and chunky keyboard set against a saturated yellow background. White, stylized text on a faded computer screen reads:
    A flyer featuring a vintage orange and black computer with a small monitor and chunky keyboard set against a saturated yellow background. White, stylized text on a faded computer screen reads:
    [A flyer featuring a vintage orange and black computer with a small monitor and chunky keyboard set against a saturated yellow background. White, stylized text on a faded computer screen reads: "A READING BY ALAN FELSENTHAL AND BETSY FAGIN." Red text on the yellow background in the upper left corner reads: "Artists Space & the Segue Reading Series present" and in the lower right corner: "Saturday May 23rd / 5 pm NYC time / Zoom ID 378 232 567”]
    Caption
    Image description A flyer featuring a vintage orange and black computer with a small monitor and chunky keyboard set against a saturated yellow background. White, stylized text on a faded computer screen reads: "A READING BY ALAN FELSENTHAL AND BETSY FAGIN." Red text on the yellow background in the upper left corner reads: "Artists Space & the Segue Reading Series present" and in the lower right corner: "Saturday May 23rd / 5 pm NYC time / Zoom ID 378 232 567”
    Year 2020
    Related pages Segue Reading Series: Betsy Fagin & Alan Felsenthal
  • Color image of a performance space illuminnated with blue and red light. On the left, a figure on a stage plays the double bass, there is a large black speaker to their right. Abstract images are projected onto the wall. Below the projections, audience members sit on chairs.
    Color image of a performance space illuminnated with blue and red light. On the left, a figure on a stage plays the double bass, there is a large black speaker to their right. Abstract images are projected onto the wall. Below the projections, audience members sit on chairs.
    Abasement #66. Performance documentation, October 9, 2023, Artists Space. Photo: Joshua Wildman. [Color image of a performance space illuminnated with blue and red light. On the left, a figure on a stage plays the double bass, there is a large black speaker to their right. Abstract images are projected onto the wall. Below the projections, audience members sit on chairs.]
    Caption Abasement #66. Performance documentation, October 9, 2023, Artists Space. Photo: Joshua Wildman.
    Image description Color image of a performance space illuminnated with blue and red light. On the left, a figure on a stage plays the double bass, there is a large black speaker to their right. Abstract images are projected onto the wall. Below the projections, audience members sit on chairs.
    Year
    Related pages Abasement #66
  • The exterior of a Soho building at night. Inside the third floor are two glowing blue neon quotation marks visible from outside.
    The exterior of a Soho building at night. Inside the third floor are two glowing blue neon quotation marks visible from outside.
    Laurel Woodcock, (Untitled), Neon Quote, 2005. Neon sculptures. Courtesy the artist. [The exterior of a Soho building at night. Inside the third floor are two glowing blue neon quotation marks visible from outside.]
    Caption Laurel Woodcock, (Untitled), Neon Quote, 2005. Neon sculptures. Courtesy the artist.
    Image description The exterior of a Soho building at night. Inside the third floor are two glowing blue neon quotation marks visible from outside.
    Year 2007
    Related pages On Being an Exhibition
  • Detail view of white lettering on a black glossy structure:
    Detail view of white lettering on a black glossy structure:
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Detail view of white lettering on a black glossy structure: "SMASH FALSE DREAMLANDS".]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Detail view of white lettering on a black glossy structure: "SMASH FALSE DREAMLANDS".
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • Caption
    Image description
    Year
    Related pages Of Forests and of Farms: On Faculty and Failure
  • A geometric, silver metal sculpture sits on a wooden gallery floor in front of a large, light-filled window. The sculpture is modular, hollow, and consists of rectangular and triangular metal components. Two vent-like openings in the sculpture face the viewer, while the opposite side of the sculpture bends towards the gallery window.
    A geometric, silver metal sculpture sits on a wooden gallery floor in front of a large, light-filled window. The sculpture is modular, hollow, and consists of rectangular and triangular metal components. Two vent-like openings in the sculpture face the viewer, while the opposite side of the sculpture bends towards the gallery window.
    Charlotte Posenenske. Configured by the staff of Artists Space. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A geometric, silver metal sculpture sits on a wooden gallery floor in front of a large, light-filled window. The sculpture is modular, hollow, and consists of rectangular and triangular metal components. Two vent-like openings in the sculpture face the viewer, while the opposite side of the sculpture bends towards the gallery window.]
    Caption Charlotte Posenenske. Configured by the staff of Artists Space. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description A geometric, silver metal sculpture sits on a wooden gallery floor in front of a large, light-filled window. The sculpture is modular, hollow, and consists of rectangular and triangular metal components. Two vent-like openings in the sculpture face the viewer, while the opposite side of the sculpture bends towards the gallery window.
    Year 2010
    Related pages Charlotte Posenenske
  • A series of paintings made with brown and red paint against a white background are hung on a wall.
    A series of paintings made with brown and red paint against a white background are hung on a wall.
    Nandi Loaf, Aristotelis Nikolas Mochloulis, rio nagaoka, Sydney Schrader. Installation view, Artists Space, 2025. Photo: Carter Seddon [A series of paintings made with brown and red paint against a white background are hung on a wall.]
    Caption Nandi Loaf, Aristotelis Nikolas Mochloulis, rio nagaoka, Sydney Schrader. Installation view, Artists Space, 2025. Photo: Carter Seddon
    Image description A series of paintings made with brown and red paint against a white background are hung on a wall.
    Year
    Related pages Nandi Loaf Aristotelis Nikolas Mochloulis rio nagaoka Sydney Schrader
  • A figure stands in front of an orange and blue projection and performs with audio equipment.
    A figure stands in front of an orange and blue projection and performs with audio equipment.
    Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [A figure stands in front of an orange and blue projection and performs with audio equipment.]
    Caption Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure stands in front of an orange and blue projection and performs with audio equipment.
    Year 2022
    Related pages Abasement #61
  • A gallery space with two large black treadmills placed on the right side of the room. Along the back and side are doors with large window panes that show the street outside. The edge of a wooden railing can be seen to the left of the treadmills.
    A gallery space with two large black treadmills placed on the right side of the room. Along the back and side are doors with large window panes that show the street outside. The edge of a wooden railing can be seen to the left of the treadmills.
    Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Malcolm Peacock, How to address the full capacity of our will, 2023), Artists Space, 2023. Photo: Filip Wolak. [A gallery space with two large black treadmills placed on the right side of the room. Along the back and side are doors with large window panes that show the street outside. The edge of a wooden railing can be seen to the left of the treadmills.]
    Caption Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Malcolm Peacock, How to address the full capacity of our will, 2023), Artists Space, 2023. Photo: Filip Wolak.
    Image description A gallery space with two large black treadmills placed on the right side of the room. Along the back and side are doors with large window panes that show the street outside. The edge of a wooden railing can be seen to the left of the treadmills.
    Year 2023
    Related pages Shala Miller, Malcolm Peacock, Amiri Baraka
  • A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays a courtroom depiction of two individuals, one with blonde hair and fair skin wearing a suit, the other tan with dark facial hair wearing a keffiyeh. Behind the seated men is an image of a man sitting on the floor, in what appears to be solitary confinement.
    A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays a courtroom depiction of two individuals, one with blonde hair and fair skin wearing a suit, the other tan with dark facial hair wearing a keffiyeh. Behind the seated men is an image of a man sitting on the floor, in what appears to be solitary confinement.
    Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays a courtroom depiction of two individuals, one with blonde hair and fair skin wearing a suit, the other tan with dark facial hair wearing a keffiyeh. Behind the seated men is an image of a man sitting on the floor, in what appears to be solitary confinement.]
    Caption Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez.
    Image description A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays a courtroom depiction of two individuals, one with blonde hair and fair skin wearing a suit, the other tan with dark facial hair wearing a keffiyeh. Behind the seated men is an image of a man sitting on the floor, in what appears to be solitary confinement.
    Year 2014
    Related pages Laura Poitras: 9/11 Trilogy
  • A yellow stamp reading,
    A yellow stamp reading,
    [A yellow stamp reading, "W.A.G.E." overlaid with pink text reading, "Working Artists and the Greater Economy."]
    Caption
    Image description A yellow stamp reading, "W.A.G.E." overlaid with pink text reading, "Working Artists and the Greater Economy."
    Year 2012
    Related pages Marion Von Osten: Be Creative!
  • Color photo of an installation work. A row of structural columns cut through the installation. In the foreground, a kinetic scutlpure featuring a sock being dipped into a pot sit on the floor next to a column. Behind the first column, two windows with images painted on the glass hang from the ceiling. Behind the windows, ceramic sculptures and kinetic sculptures featuring branches surround another column. To the right of the ceramic sculptures and branch sculptures, large paper-mache sculptures rest on the floor and hang on the walls. In the right forground, a large drawing done on craft paper featuring a cow hangs on the wall. In the background, two large drawings done on cardboard are hung from a wooden partition wall.
    Color photo of an installation work. A row of structural columns cut through the installation. In the foreground, a kinetic scutlpure featuring a sock being dipped into a pot sit on the floor next to a column. Behind the first column, two windows with images painted on the glass hang from the ceiling. Behind the windows, ceramic sculptures and kinetic sculptures featuring branches surround another column. To the right of the ceramic sculptures and branch sculptures, large paper-mache sculptures rest on the floor and hang on the walls. In the right forground, a large drawing done on craft paper featuring a cow hangs on the wall. In the background, two large drawings done on cardboard are hung from a wooden partition wall.
    Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photo of an installation work. A row of structural columns cut through the installation. In the foreground, a kinetic scutlpure featuring a sock being dipped into a pot sit on the floor next to a column. Behind the first column, two windows with images painted on the glass hang from the ceiling. Behind the windows, ceramic sculptures and kinetic sculptures featuring branches surround another column. To the right of the ceramic sculptures and branch sculptures, large paper-mache sculptures rest on the floor and hang on the walls. In the right forground, a large drawing done on craft paper featuring a cow hangs on the wall. In the background, two large drawings done on cardboard are hung from a wooden partition wall.]
    Caption Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photo of an installation work. A row of structural columns cut through the installation. In the foreground, a kinetic scutlpure featuring a sock being dipped into a pot sit on the floor next to a column. Behind the first column, two windows with images painted on the glass hang from the ceiling. Behind the windows, ceramic sculptures and kinetic sculptures featuring branches surround another column. To the right of the ceramic sculptures and branch sculptures, large paper-mache sculptures rest on the floor and hang on the walls. In the right forground, a large drawing done on craft paper featuring a cow hangs on the wall. In the background, two large drawings done on cardboard are hung from a wooden partition wall.
    Year
    Related pages Char Jeré: Zoo or an Orchestra
  • A wide shot of a gallery space with three columns. At the base of one column is a colorful, flat piece. On the large wall behind that column, three paintings hang in a horizontal line. To left of that, several framed drawings are arranged in a horizontal line. Against the perpendicular wall, there is a plinth with a television and several headphones.
    A wide shot of a gallery space with three columns. At the base of one column is a colorful, flat piece. On the large wall behind that column, three paintings hang in a horizontal line. To left of that, several framed drawings are arranged in a horizontal line. Against the perpendicular wall, there is a plinth with a television and several headphones.
    Based on a True Story. Installation view, Artists Space, 2004. [A wide shot of a gallery space with three columns. At the base of one column is a colorful, flat piece. On the large wall behind that column, three paintings hang in a horizontal line. To left of that, several framed drawings are arranged in a horizontal line. Against the perpendicular wall, there is a plinth with a television and several headphones.]
    Caption Based on a True Story. Installation view, Artists Space, 2004.
    Image description A wide shot of a gallery space with three columns. At the base of one column is a colorful, flat piece. On the large wall behind that column, three paintings hang in a horizontal line. To left of that, several framed drawings are arranged in a horizontal line. Against the perpendicular wall, there is a plinth with a television and several headphones.
    Year 2004
    Related pages Based on a True Story
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A black and white installation photograph of a gallery space. Several rectangular forms are on the floor, and a large voluminous black rectangle is attached to the wall on the left.
    A black and white installation photograph of a gallery space. Several rectangular forms are on the floor, and a large voluminous black rectangle is attached to the wall on the left.
    Pictures. Installation view, Artists Space, 1977. Photo: D. James Dee. [A black and white installation photograph of a gallery space. Several rectangular forms are on the floor, and a large voluminous black rectangle is attached to the wall on the left.]
    Caption Pictures. Installation view, Artists Space, 1977. Photo: D. James Dee.
    Image description A black and white installation photograph of a gallery space. Several rectangular forms are on the floor, and a large voluminous black rectangle is attached to the wall on the left.
    Year 1977
    Related pages Pictures
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Several students sit, looking down towards printed sheets of paper, in front of colorful silk banners with writing stating
    Several students sit, looking down towards printed sheets of paper, in front of colorful silk banners with writing stating
    YAP (Young Artists Perform), P.S. 140, 2018 [Several students sit, looking down towards printed sheets of paper, in front of colorful silk banners with writing stating "Your dreams can become a reality," "like a cheetah in a snail's race," "bridge can just go like boom bom boom BOOM," "I see a light it's so BRIGHT -Destiny" and others.]
    Caption YAP (Young Artists Perform), P.S. 140, 2018
    Image description Several students sit, looking down towards printed sheets of paper, in front of colorful silk banners with writing stating "Your dreams can become a reality," "like a cheetah in a snail's race," "bridge can just go like boom bom boom BOOM," "I see a light it's so BRIGHT -Destiny" and others.
    Year 2018
    Related pages Education
  • A black and white composite photo showing a close-up of an eye superimposed under an illustration of a sunset over a sea horizon.
    A black and white composite photo showing a close-up of an eye superimposed under an illustration of a sunset over a sea horizon.
    Laura Ortman, cover artwork for My Soul Remainer, 2017. [A black and white composite photo showing a close-up of an eye superimposed under an illustration of a sunset over a sea horizon.]
    Caption Laura Ortman, cover artwork for My Soul Remainer, 2017.
    Image description A black and white composite photo showing a close-up of an eye superimposed under an illustration of a sunset over a sea horizon.
    Year 2017
    Related pages Laura Ortman & Jennifer Kreisberg
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A black and white painting of five people, dressed in party attire, smiling at the camera. Red paint conveys cuts, stitches, and injuries across their neck, face, and limbs. The woman second to the right of the frame is portrayed with red-toned legs.
    A black and white painting of five people, dressed in party attire, smiling at the camera. Red paint conveys cuts, stitches, and injuries across their neck, face, and limbs. The woman second to the right of the frame is portrayed with red-toned legs.
    Gerhard Richter Party , 1963 © Atelier Gerhard Richter [A black and white painting of five people, dressed in party attire, smiling at the camera. Red paint conveys cuts, stitches, and injuries across their neck, face, and limbs. The woman second to the right of the frame is portrayed with red-toned legs.]
    Caption Gerhard Richter Party , 1963 © Atelier Gerhard Richter
    Image description A black and white painting of five people, dressed in party attire, smiling at the camera. Red paint conveys cuts, stitches, and injuries across their neck, face, and limbs. The woman second to the right of the frame is portrayed with red-toned legs.
    Year 1963
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • An installation view of multiple sewing stations and a clothing rack of red and white sweatshirts.
    An installation view of multiple sewing stations and a clothing rack of red and white sweatshirts.
    New Economy. Installation view, Artists Space, 2007. [An installation view of multiple sewing stations and a clothing rack of red and white sweatshirts.]
    Caption New Economy. Installation view, Artists Space, 2007.
    Image description An installation view of multiple sewing stations and a clothing rack of red and white sweatshirts.
    Year
    Related pages New Economy
  • [Artworks hang on walls on the left and right. In the background, a neighboring building is visible through the window.]
    [Artworks hang on walls on the left and right. In the background, a neighboring building is visible through the window.]
    Pictures. Installation view, Artists Space, 1977. Photo: D. James Dee. [[Artworks hang on walls on the left and right. In the background, a neighboring building is visible through the window.]]
    Caption Pictures. Installation view, Artists Space, 1977. Photo: D. James Dee.
    Image description [Artworks hang on walls on the left and right. In the background, a neighboring building is visible through the window.]
    Year 1977
    Related pages Pictures
  • A figure stands in front of a music stand speaking into a microphone. They are backlit by an image of a rippling upside down American flag.
    A figure stands in front of a music stand speaking into a microphone. They are backlit by an image of a rippling upside down American flag.
    New Red Order, Informants Get Paid! Performance documentation, Artists Space, January 23, 2020. Photo © Paula Court. [A figure stands in front of a music stand speaking into a microphone. They are backlit by an image of a rippling upside down American flag.]
    Caption New Red Order, Informants Get Paid! Performance documentation, Artists Space, January 23, 2020. Photo © Paula Court.
    Image description A figure stands in front of a music stand speaking into a microphone. They are backlit by an image of a rippling upside down American flag.
    Year 2020
    Related pages
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • White text overlays a gray, purple and light blue gradient background. The text at the top reads: “Segue Reading Series & ARTISTS SPACE / Winter 2025 Season / February/March curated by Stella Cilman and / Jay Sanders of ARTISTS SPACE / Saturdays at 5pm: 11 Cortlandt Alley + Zoom
    White text overlays a gray, purple and light blue gradient background. The text at the top reads: “Segue Reading Series & ARTISTS SPACE / Winter 2025 Season / February/March curated by Stella Cilman and / Jay Sanders of ARTISTS SPACE / Saturdays at 5pm: 11 Cortlandt Alley + Zoom
    [White text overlays a gray, purple and light blue gradient background. The text at the top reads: “Segue Reading Series & ARTISTS SPACE / Winter 2025 Season / February/March curated by Stella Cilman and / Jay Sanders of ARTISTS SPACE / Saturdays at 5pm: 11 Cortlandt Alley + Zoom"]
    Caption
    Image description White text overlays a gray, purple and light blue gradient background. The text at the top reads: “Segue Reading Series & ARTISTS SPACE / Winter 2025 Season / February/March curated by Stella Cilman and / Jay Sanders of ARTISTS SPACE / Saturdays at 5pm: 11 Cortlandt Alley + Zoom"
    Year
    Related pages Segue Reading Series
  • Color image of a four-person band on stage. The left-most musician wears a green baseball cap, black tee-shirt and jeans while playing a guitar. Slightly behind him to the right, a musician in a black tee shirt and blue jeans is seemingly playing an alto and tenor saxophone at the same time. To the right of the saxophonist, a musician with grey hair, mustache and beard plays the drums. To the right of the drummer, closer to the front of the stage, a singer stand upright, vocalizing into the microphone with their eyes closed. The singer grasps a sheet of paper in their right hand. The entire stage and back wall is illuminated by bright bluish-green light emitted from a projector. 
    Color image of a four-person band on stage. The left-most musician wears a green baseball cap, black tee-shirt and jeans while playing a guitar. Slightly behind him to the right, a musician in a black tee shirt and blue jeans is seemingly playing an alto and tenor saxophone at the same time. To the right of the saxophonist, a musician with grey hair, mustache and beard plays the drums. To the right of the drummer, closer to the front of the stage, a singer stand upright, vocalizing into the microphone with their eyes closed. The singer grasps a sheet of paper in their right hand. The entire stage and back wall is illuminated by bright bluish-green light emitted from a projector. 
    Abasement #67. Performance documentation, January 15, 2024, Artists Space. Photo: Joshua Wildman. [Color image of a four-person band on stage. The left-most musician wears a green baseball cap, black tee-shirt and jeans while playing a guitar. Slightly behind him to the right, a musician in a black tee shirt and blue jeans is seemingly playing an alto and tenor saxophone at the same time. To the right of the saxophonist, a musician with grey hair, mustache and beard plays the drums. To the right of the drummer, closer to the front of the stage, a singer stand upright, vocalizing into the microphone with their eyes closed. The singer grasps a sheet of paper in their right hand. The entire stage and back wall is illuminated by bright bluish-green light emitted from a projector. ]
    Caption Abasement #67. Performance documentation, January 15, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Color image of a four-person band on stage. The left-most musician wears a green baseball cap, black tee-shirt and jeans while playing a guitar. Slightly behind him to the right, a musician in a black tee shirt and blue jeans is seemingly playing an alto and tenor saxophone at the same time. To the right of the saxophonist, a musician with grey hair, mustache and beard plays the drums. To the right of the drummer, closer to the front of the stage, a singer stand upright, vocalizing into the microphone with their eyes closed. The singer grasps a sheet of paper in their right hand. The entire stage and back wall is illuminated by bright bluish-green light emitted from a projector. 
    Year
    Related pages Abasement #67
  • A large, square, sheet of paper, which has been folded into a 4x4 grid, unfolded, and hung on a white wall, leaving the creases. It is covered in a four-color gradient, from dark red, green, blue, to black, left to right, roughly not overlapping with the creases.
    A large, square, sheet of paper, which has been folded into a 4x4 grid, unfolded, and hung on a white wall, leaving the creases. It is covered in a four-color gradient, from dark red, green, blue, to black, left to right, roughly not overlapping with the creases.
    Wolfgang Tillmans, Speedmaster #2, 2011, Offset print on paper, 47 1/4 x 48 3/8 in / 120 x 122,9 cm, Hung with two metal brackets, Edition of 170, Signed and numbered, Printed on LuxoArt Velvet 200 gsm paper with Speedmaster XL by Dr. Cantz’sche Printshop, Ostfildern [A large, square, sheet of paper, which has been folded into a 4x4 grid, unfolded, and hung on a white wall, leaving the creases. It is covered in a four-color gradient, from dark red, green, blue, to black, left to right, roughly not overlapping with the creases.]
    Caption Wolfgang Tillmans, Speedmaster #2, 2011, Offset print on paper, 47 1/4 x 48 3/8 in / 120 x 122,9 cm, Hung with two metal brackets, Edition of 170, Signed and numbered, Printed on LuxoArt Velvet 200 gsm paper with Speedmaster XL by Dr. Cantz’sche Printshop, Ostfildern
    Image description A large, square, sheet of paper, which has been folded into a 4x4 grid, unfolded, and hung on a white wall, leaving the creases. It is covered in a four-color gradient, from dark red, green, blue, to black, left to right, roughly not overlapping with the creases.
    Year 2011
    Related pages Artists Space Annual Edition Portfolio 2012
  • Two colorful drawings are exhibited on a black wall. On the left, a series of open boxes is drawn in red. To the right, the drawing is crowded with the depiction of an open book, airplanes, and multicolored boxes. Both drawings are signed with F-.
    Two colorful drawings are exhibited on a black wall. On the left, a series of open boxes is drawn in red. To the right, the drawing is crowded with the depiction of an open book, airplanes, and multicolored boxes. Both drawings are signed with F-.
    Ralston Farina: Time // Time. Installation view, Artists Space, 2025. Photo: Carter Seddon. [Two colorful drawings are exhibited on a black wall. On the left, a series of open boxes is drawn in red. To the right, the drawing is crowded with the depiction of an open book, airplanes, and multicolored boxes. Both drawings are signed with F-.]
    Caption Ralston Farina: Time // Time. Installation view, Artists Space, 2025. Photo: Carter Seddon.
    Image description Two colorful drawings are exhibited on a black wall. On the left, a series of open boxes is drawn in red. To the right, the drawing is crowded with the depiction of an open book, airplanes, and multicolored boxes. Both drawings are signed with F-.
    Year
    Related pages Ralston Farina: Time // Time
  • A figure is shown in profile performing on stage into a microphone, with a music stand placed in front of them.
    A figure is shown in profile performing on stage into a microphone, with a music stand placed in front of them.
    Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [A figure is shown in profile performing on stage into a microphone, with a music stand placed in front of them.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure is shown in profile performing on stage into a microphone, with a music stand placed in front of them.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-10
  • A line of people marching forward hold up signs reading,
    A line of people marching forward hold up signs reading,
    Demonstrations outside Artists Space during the opening of Witnesses: Against Our Vanishing, November 16, 1989. [A line of people marching forward hold up signs reading, "NO TAXATION WITHOUT ARTISTIC REPRESENTATION" and "FASCISM BEGINS WITH CENSORSHIP,' among other messages.]
    Caption Demonstrations outside Artists Space during the opening of Witnesses: Against Our Vanishing, November 16, 1989.
    Image description A line of people marching forward hold up signs reading, "NO TAXATION WITHOUT ARTISTIC REPRESENTATION" and "FASCISM BEGINS WITH CENSORSHIP,' among other messages.
    Year 1989
    Related pages Witnesses: Against Our Vanishing
  • A color image of a gallery space taken from a wide angle with several framed works hanging on the wall. On the wall on the left, four drawings made on white paper are displayed in a horizontal line. On the perpendicular wall, three works made on black paper are displayed in two columns. The left column is a single work, the right column has two works. On the right wall, nine works are displayed as a grid. All drawings depict diagrammatic systems.
    A color image of a gallery space taken from a wide angle with several framed works hanging on the wall. On the wall on the left, four drawings made on white paper are displayed in a horizontal line. On the perpendicular wall, three works made on black paper are displayed in two columns. The left column is a single work, the right column has two works. On the right wall, nine works are displayed as a grid. All drawings depict diagrammatic systems.
    Renee Gladman: Narratives of Magnitude. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of a gallery space taken from a wide angle with several framed works hanging on the wall. On the wall on the left, four drawings made on white paper are displayed in a horizontal line. On the perpendicular wall, three works made on black paper are displayed in two columns. The left column is a single work, the right column has two works. On the right wall, nine works are displayed as a grid. All drawings depict diagrammatic systems.]
    Caption Renee Gladman: Narratives of Magnitude. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A color image of a gallery space taken from a wide angle with several framed works hanging on the wall. On the wall on the left, four drawings made on white paper are displayed in a horizontal line. On the perpendicular wall, three works made on black paper are displayed in two columns. The left column is a single work, the right column has two works. On the right wall, nine works are displayed as a grid. All drawings depict diagrammatic systems.
    Year
    Related pages Renee Gladman
  • A book cover design. The title
    A book cover design. The title
    Der symbolische Auftraggeber/The Symbolic Commissioner, edited Søren Grammel, published by Sternberg Press, 2011. [A book cover design. The title "Der symbolische Auftraggeber/The Symbolic Commissioner" is situated at the top of the cover. Below it is an image of two sculptures made of large rectangular panels affixed in midair by metal poles that reach floor to ceiling. To the right of the sculptures is a white plinth, and in front of that, a television on the ground.]
    Caption Der symbolische Auftraggeber/The Symbolic Commissioner, edited Søren Grammel, published by Sternberg Press, 2011.
    Image description A book cover design. The title "Der symbolische Auftraggeber/The Symbolic Commissioner" is situated at the top of the cover. Below it is an image of two sculptures made of large rectangular panels affixed in midair by metal poles that reach floor to ceiling. To the right of the sculptures is a white plinth, and in front of that, a television on the ground.
    Year 2011
    Related pages The Symbolic Commissioner
  • A man holds a photograph up to his face with a microphone directly in front of him.
    A man holds a photograph up to his face with a microphone directly in front of him.
    Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979. [A man holds a photograph up to his face with a microphone directly in front of him.]
    Caption Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979.
    Image description A man holds a photograph up to his face with a microphone directly in front of him.
    Year 1979
    Related pages Patricia Hearst - A Second Reading
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    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • A photograph of a lightbox, mounted on the wall, of four books with annotations on each side.
    A photograph of a lightbox, mounted on the wall, of four books with annotations on each side.
    Adjua Gargi Nzinga Greaves, INDEX, 2021. C-trans print mounted on lightbox, 41 ½ x 41 ½ x 5 inches. Courtesy Artists Space, New York. Photo: Filip Wolak [A photograph of a lightbox, mounted on the wall, of four books with annotations on each side.]
    Caption Adjua Gargi Nzinga Greaves, INDEX, 2021. C-trans print mounted on lightbox, 41 ½ x 41 ½ x 5 inches. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A photograph of a lightbox, mounted on the wall, of four books with annotations on each side.
    Year 2021
    Related pages Adjua Gargi Nzinga Greaves
  • A black and white photograph of various objects hanging in a white-walled gallery space.
    A black and white photograph of various objects hanging in a white-walled gallery space.
    Freya Hansell. Installation view, Artists Space, 1980. [A black and white photograph of various objects hanging in a white-walled gallery space.]
    Caption Freya Hansell. Installation view, Artists Space, 1980.
    Image description A black and white photograph of various objects hanging in a white-walled gallery space.
    Year
    Related pages Freya Hansell
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    Year
    Related pages Membership
  • Color installation image showing a video monitor mounted on a wall which is covered in tiled images of YouTube pages. A pair of wired headphones is hanging to the right of the monitor.
    Color installation image showing a video monitor mounted on a wall which is covered in tiled images of YouTube pages. A pair of wired headphones is hanging to the right of the monitor.
    Amalia Soto, My Apology, 2022. Single-Channel video, 23:59 minutes, wall vinyl. Photo: Steven Cottingham. [Color installation image showing a video monitor mounted on a wall which is covered in tiled images of YouTube pages. A pair of wired headphones is hanging to the right of the monitor.]
    Caption Amalia Soto, My Apology, 2022. Single-Channel video, 23:59 minutes, wall vinyl. Photo: Steven Cottingham.
    Image description Color installation image showing a video monitor mounted on a wall which is covered in tiled images of YouTube pages. A pair of wired headphones is hanging to the right of the monitor.
    Year
    Related pages Whitney Independent Study: Everything is Common
  • Two gold picture frames with black and white portraits of a woman (left) and a man (right) face each other on a shelf.
    Two gold picture frames with black and white portraits of a woman (left) and a man (right) face each other on a shelf.
    Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [Two gold picture frames with black and white portraits of a woman (left) and a man (right) face each other on a shelf.]
    Caption Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description Two gold picture frames with black and white portraits of a woman (left) and a man (right) face each other on a shelf.
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • Two square paintings adjacent to each other, the left one depicting a lush mountain view in hues of burgundy, green, and blue, and the right one depicting a vertical slit in the ground, slightly parted, revealing a light brown interior crust surrounded by a dark, rippled exterior.
    Two square paintings adjacent to each other, the left one depicting a lush mountain view in hues of burgundy, green, and blue, and the right one depicting a vertical slit in the ground, slightly parted, revealing a light brown interior crust surrounded by a dark, rippled exterior.
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [Two square paintings adjacent to each other, the left one depicting a lush mountain view in hues of burgundy, green, and blue, and the right one depicting a vertical slit in the ground, slightly parted, revealing a light brown interior crust surrounded by a dark, rippled exterior.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description Two square paintings adjacent to each other, the left one depicting a lush mountain view in hues of burgundy, green, and blue, and the right one depicting a vertical slit in the ground, slightly parted, revealing a light brown interior crust surrounded by a dark, rippled exterior.
    Year 2017
    Related pages Unholding
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    Related pages Artists Space Venue
  • Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “May 4 / Nature Theater of Oklahoma / Violet Spurlock.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “May 4 / Nature Theater of Oklahoma / Violet Spurlock.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “May 4 / Nature Theater of Oklahoma / Violet Spurlock.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “May 4 / Nature Theater of Oklahoma / Violet Spurlock.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Nature Theater of Oklahoma & Violet Spurlock
  • Photgraphic print of a low, blue and red building situated next to an empty multi-lane road on a sunny day. The building has a low blue facade with many windows, which face the street, and is decorated with two angular blue stripes. The building has a low, curved red roof. Text running along the side of the roof reads,
    Photgraphic print of a low, blue and red building situated next to an empty multi-lane road on a sunny day. The building has a low blue facade with many windows, which face the street, and is decorated with two angular blue stripes. The building has a low, curved red roof. Text running along the side of the roof reads,
    Lourdes Grobet, Untitled Olmayaztec Series, 1992. C-print, 11 x 14 inches. Courtesy the artist. [Photgraphic print of a low, blue and red building situated next to an empty multi-lane road on a sunny day. The building has a low blue facade with many windows, which face the street, and is decorated with two angular blue stripes. The building has a low, curved red roof. Text running along the side of the roof reads, "RESTAURANTE." A tall, pyramid-like structure is visible in the distance behind the restaurant.]
    Caption Lourdes Grobet, Untitled Olmayaztec Series, 1992. C-print, 11 x 14 inches. Courtesy the artist.
    Image description Photgraphic print of a low, blue and red building situated next to an empty multi-lane road on a sunny day. The building has a low blue facade with many windows, which face the street, and is decorated with two angular blue stripes. The building has a low, curved red roof. Text running along the side of the roof reads, "RESTAURANTE." A tall, pyramid-like structure is visible in the distance behind the restaurant.
    Year 2001
    Related pages Urban Pornography
  • Two photographs are mounted on a white gallery wall.
    Two photographs are mounted on a white gallery wall.
    Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979. [Two photographs are mounted on a white gallery wall.]
    Caption Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979.
    Image description Two photographs are mounted on a white gallery wall.
    Year 1979
    Related pages Place, (title to be determined), for a Participant: Ken Feingold
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A figure looks into the viewfinder of a camera. In the background, an abstract image is projected onto a wall.
    A figure looks into the viewfinder of a camera. In the background, an abstract image is projected onto a wall.
    Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [A figure looks into the viewfinder of a camera. In the background, an abstract image is projected onto a wall.]
    Caption Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description A figure looks into the viewfinder of a camera. In the background, an abstract image is projected onto a wall.
    Year 2019
    Related pages Speaker Music: drape over another
  • Black background with a white outline of an amorphous white figure.
    Black background with a white outline of an amorphous white figure.
    David Gesualdi. Placeredii, 1987. [Black background with a white outline of an amorphous white figure.]
    Caption David Gesualdi. Placeredii, 1987.
    Image description Black background with a white outline of an amorphous white figure.
    Year
    Related pages Selections from the Artists File
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    Related pages Ralston Farina: Time // Time
  • A crowd of people seated in a dark room, facing a screen. On screen, there is an image of a person wearing a striped shirt, holding a towel around their neck.
    A crowd of people seated in a dark room, facing a screen. On screen, there is an image of a person wearing a striped shirt, holding a towel around their neck.
    Peggy Ahwesh, Paranormal Intelligence (Part 2 of The Pittsburgh Trilogy), (1983). [A crowd of people seated in a dark room, facing a screen. On screen, there is an image of a person wearing a striped shirt, holding a towel around their neck.]
    Caption Peggy Ahwesh, Paranormal Intelligence (Part 2 of The Pittsburgh Trilogy), (1983).
    Image description A crowd of people seated in a dark room, facing a screen. On screen, there is an image of a person wearing a striped shirt, holding a towel around their neck.
    Year 2011
    Related pages Mark Morrisroe: Super 8
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A figure stands facing a black tarp tacked to the wall. A second figure holds a camera, photographing the tarp. An image is projected on the back wall.
    A figure stands facing a black tarp tacked to the wall. A second figure holds a camera, photographing the tarp. An image is projected on the back wall.
    Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [A figure stands facing a black tarp tacked to the wall. A second figure holds a camera, photographing the tarp. An image is projected on the back wall.]
    Caption Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description A figure stands facing a black tarp tacked to the wall. A second figure holds a camera, photographing the tarp. An image is projected on the back wall.
    Year 2019
    Related pages Speaker Music: drape over another
  • A wide blue mop with a yellow handle is tethered to a white pillar by a black cord, and is stretched with the handle angled forward. Resting against the pillar is a tv, angled and facing slightly leftwards, displaying a sculpture in a parking lot.
    A wide blue mop with a yellow handle is tethered to a white pillar by a black cord, and is stretched with the handle angled forward. Resting against the pillar is a tv, angled and facing slightly leftwards, displaying a sculpture in a parking lot.
    Social Surfaces. Installation view, Alexander and Bonin, 2017. Photo: Ron Amstutz. [A wide blue mop with a yellow handle is tethered to a white pillar by a black cord, and is stretched with the handle angled forward. Resting against the pillar is a tv, angled and facing slightly leftwards, displaying a sculpture in a parking lot.]
    Caption Social Surfaces. Installation view, Alexander and Bonin, 2017. Photo: Ron Amstutz.
    Image description A wide blue mop with a yellow handle is tethered to a white pillar by a black cord, and is stretched with the handle angled forward. Resting against the pillar is a tv, angled and facing slightly leftwards, displaying a sculpture in a parking lot.
    Year 2017
    Related pages Social Surfaces
  • A photograph of a white walled gallery space densely hung with figurative paintings.
    A photograph of a white walled gallery space densely hung with figurative paintings.
    Min Joong Art. Installation view, Artists Space, 1988. [A photograph of a white walled gallery space densely hung with figurative paintings.]
    Caption Min Joong Art. Installation view, Artists Space, 1988.
    Image description A photograph of a white walled gallery space densely hung with figurative paintings.
    Year 1988
    Related pages Min Joong Art: A New Cultural Moment from Korea
  • A brown object with a processing chip imbedded in its front sits on a white base. On top of the object, a small potato sits with a wire attached.
    A brown object with a processing chip imbedded in its front sits on a white base. On top of the object, a small potato sits with a wire attached.
    Not yet titled, 2019
    Clay, glaze, mixed media
    7 x 12 x 17 inches (variable)
    $5,000
    [A brown object with a processing chip imbedded in its front sits on a white base. On top of the object, a small potato sits with a wire attached.]
    Caption Not yet titled, 2019
    Clay, glaze, mixed media
    7 x 12 x 17 inches (variable)
    $5,000
    Image description A brown object with a processing chip imbedded in its front sits on a white base. On top of the object, a small potato sits with a wire attached.
    Year 2019
    Related pages Trisha Baga Edition
  • Four pages of a magazine displayed on a white background. The pages contain text and black and white as well as blue and yellow collaged images.
    Four pages of a magazine displayed on a white background. The pages contain text and black and white as well as blue and yellow collaged images.
    Zona. Carga Y Descarga, Issue 3, January - February 1973. Editor and Publisher: Rosario Ferré. Design and Photomontage: Zilia Sánchez. [Four pages of a magazine displayed on a white background. The pages contain text and black and white as well as blue and yellow collaged images.]
    Caption Zona. Carga Y Descarga, Issue 3, January - February 1973. Editor and Publisher: Rosario Ferré. Design and Photomontage: Zilia Sánchez.
    Image description Four pages of a magazine displayed on a white background. The pages contain text and black and white as well as blue and yellow collaged images.
    Year 2013
    Related pages Zilia Sánchez
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    Related pages Milford Graves: Fundamental Frequency
  • Five framed photographs and documents displayed on freestanding, white panels in an exhibition space.
    Five framed photographs and documents displayed on freestanding, white panels in an exhibition space.
    Ken Okiishi, Wish I Were Here, 1997 – 2001. pigmented inkjet prints. Courtesy the artist [Five framed photographs and documents displayed on freestanding, white panels in an exhibition space.]
    Caption Ken Okiishi, Wish I Were Here, 1997 – 2001. pigmented inkjet prints. Courtesy the artist
    Image description Five framed photographs and documents displayed on freestanding, white panels in an exhibition space.
    Year 2013
    Related pages Frozen Lakes
  • A pile of trash, including Starbucks cups, empty packs of cigarettes, newspaper, and food remnants, is strewn across the ground.
    A pile of trash, including Starbucks cups, empty packs of cigarettes, newspaper, and food remnants, is strewn across the ground.
    ART CLUB2000, Untitled (Starbucks Trash), 1995, 11 x 14 inches, black and white photograph. [A pile of trash, including Starbucks cups, empty packs of cigarettes, newspaper, and food remnants, is strewn across the ground.]
    Caption ART CLUB2000, Untitled (Starbucks Trash), 1995, 11 x 14 inches, black and white photograph.
    Image description A pile of trash, including Starbucks cups, empty packs of cigarettes, newspaper, and food remnants, is strewn across the ground.
    Year 1995
    Related pages ART CLUB2000
  • Color photograph of a vitrine from above. Various ephemera, including magazines, posters, press releases and photocopied images are placed inside.
    Color photograph of a vitrine from above. Various ephemera, including magazines, posters, press releases and photocopied images are placed inside.
    Yasunao Tone: Region of Paramedia. Installation view (ephemera c. 1970s), Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a vitrine from above. Various ephemera, including magazines, posters, press releases and photocopied images are placed inside.]
    Caption Yasunao Tone: Region of Paramedia. Installation view (ephemera c. 1970s), Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photograph of a vitrine from above. Various ephemera, including magazines, posters, press releases and photocopied images are placed inside.
    Year 2023
    Related pages Yasunao Tone: Region of Paramedia
  • A figure sits in front of a microphone and reads a story off of a piece of paper.
    A figure sits in front of a microphone and reads a story off of a piece of paper.
    Yasunao Tone in Concert with Barbara Held. Performance documentation, January 19, 2023, Artists Space. Photo: Destiny Mata [A figure sits in front of a microphone and reads a story off of a piece of paper.]
    Caption Yasunao Tone in Concert with Barbara Held. Performance documentation, January 19, 2023, Artists Space. Photo: Destiny Mata
    Image description A figure sits in front of a microphone and reads a story off of a piece of paper.
    Year 2023
    Related pages Yasunao Tone in Concert with Barbara Held
  • A color image of a white wall with two windows with black and white curtains with pink flowers. Through the right window, a figure is seen sitting on a chair. Through the left window, a figure is seen standing in front of an easel with a canvas, holding a color pencil.
    A color image of a white wall with two windows with black and white curtains with pink flowers. Through the right window, a figure is seen sitting on a chair. Through the left window, a figure is seen standing in front of an easel with a canvas, holding a color pencil.
    Drake Carr: Housecalls. Performance documentation, September 9, 2023, Artists Space at the Armory Show. Photo: Joshua Wildman. [A color image of a white wall with two windows with black and white curtains with pink flowers. Through the right window, a figure is seen sitting on a chair. Through the left window, a figure is seen standing in front of an easel with a canvas, holding a color pencil.]
    Caption Drake Carr: Housecalls. Performance documentation, September 9, 2023, Artists Space at the Armory Show. Photo: Joshua Wildman.
    Image description A color image of a white wall with two windows with black and white curtains with pink flowers. Through the right window, a figure is seen sitting on a chair. Through the left window, a figure is seen standing in front of an easel with a canvas, holding a color pencil.
    Year
    Related pages Drake Carr: Housecalls
  • Three people, bent over each other looking at an open door.
    Three people, bent over each other looking at an open door.
    Guy de Cointet, Tell Me, 1979. Performance at MoMA, New York. Performed by Helen Mendez, Jane Zingale, Denise Domergue. Courtesy Guy de Cointet Society and Air de Paris, Paris. Photo: Kira Perov. [Three people, bent over each other looking at an open door.]
    Caption Guy de Cointet, Tell Me, 1979. Performance at MoMA, New York. Performed by Helen Mendez, Jane Zingale, Denise Domergue. Courtesy Guy de Cointet Society and Air de Paris, Paris. Photo: Kira Perov.
    Image description Three people, bent over each other looking at an open door.
    Year 1980
    Related pages Guy de Cointet: The Complete Plays
  • A young boy with his arms outstretched leans against a wall. The wall is covered with a larger than life photograph of a crowd of people holding flags and signs, as in a protest or a rally.
    A young boy with his arms outstretched leans against a wall. The wall is covered with a larger than life photograph of a crowd of people holding flags and signs, as in a protest or a rally.
    Wish I Were Here. Photo: Alexandra Stock. [A young boy with his arms outstretched leans against a wall. The wall is covered with a larger than life photograph of a crowd of people holding flags and signs, as in a protest or a rally.]
    Caption Wish I Were Here. Photo: Alexandra Stock.
    Image description A young boy with his arms outstretched leans against a wall. The wall is covered with a larger than life photograph of a crowd of people holding flags and signs, as in a protest or a rally.
    Year 2011
    Related pages Bidoun Issue #25
  • Three wine glasses sit next to each other on a glass shelf with a black background. Each glass has text lasered into the front. From left to right the first says,
    Three wine glasses sit next to each other on a glass shelf with a black background. Each glass has text lasered into the front. From left to right the first says,
    Louise Lawler, Who Says, Who Shows, Who Counts, 1990, Three chablis glasses with glass shelf, 8 1/2 x 14 x 4 1/4 in (21,6 x 35,6 x 10,8 cm), Edition of 50, Signed & numbered. [Three wine glasses sit next to each other on a glass shelf with a black background. Each glass has text lasered into the front. From left to right the first says, "who says," the second, "who shows," and the third, "who counts."]
    Caption Louise Lawler, Who Says, Who Shows, Who Counts, 1990, Three chablis glasses with glass shelf, 8 1/2 x 14 x 4 1/4 in (21,6 x 35,6 x 10,8 cm), Edition of 50, Signed & numbered.
    Image description Three wine glasses sit next to each other on a glass shelf with a black background. Each glass has text lasered into the front. From left to right the first says, "who says," the second, "who shows," and the third, "who counts."
    Year 1990
    Related pages Editions
  • Color photograph of visitors standing around a gallery space, conversing and studying the works on the wall.
    Color photograph of visitors standing around a gallery space, conversing and studying the works on the wall.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of visitors standing around a gallery space, conversing and studying the works on the wall.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of visitors standing around a gallery space, conversing and studying the works on the wall.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • A computer rendering of a purple and amorphous form composed of long, extending tube shapes on a white background.
    A computer rendering of a purple and amorphous form composed of long, extending tube shapes on a white background.
    [A computer rendering of a purple and amorphous form composed of long, extending tube shapes on a white background.]
    Caption
    Image description A computer rendering of a purple and amorphous form composed of long, extending tube shapes on a white background.
    Year 2008
    Related pages Matters of Sensation
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A color installation photograph of two sculptures in a gallery space. The sculpture closer to the camera is composed of a human skeleton, and anatomical models of human heads, a brain, and a spine. The sculpture in the background features several monitors, and is topped by a sculpture of an eagle in mid-flight.
    A color installation photograph of two sculptures in a gallery space. The sculpture closer to the camera is composed of a human skeleton, and anatomical models of human heads, a brain, and a spine. The sculpture in the background features several monitors, and is topped by a sculpture of an eagle in mid-flight.
    Milford Graves: Fundamental Frequency. Installation view, Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak. [A color installation photograph of two sculptures in a gallery space. The sculpture closer to the camera is composed of a human skeleton, and anatomical models of human heads, a brain, and a spine. The sculpture in the background features several monitors, and is topped by a sculpture of an eagle in mid-flight.]
    Caption Milford Graves: Fundamental Frequency. Installation view, Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak.
    Image description A color installation photograph of two sculptures in a gallery space. The sculpture closer to the camera is composed of a human skeleton, and anatomical models of human heads, a brain, and a spine. The sculpture in the background features several monitors, and is topped by a sculpture of an eagle in mid-flight.
    Year 2021
    Related pages Milford Graves: Fundamental Frequency
  • Cave of Animals: Cave of the Future, site recording, 2024
    Caption Cave of Animals: Cave of the Future, site recording, 2024
    Image description
    Year
    Related pages Listening to the LES
  • Two figures in medical scrubs stare into the distance.
    Two figures in medical scrubs stare into the distance.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York. [Two figures in medical scrubs stare into the distance.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York.
    Image description Two figures in medical scrubs stare into the distance.
    Year
    Related pages Grandmother Cindy
  • Terry Fox: All These Different Things Are Sculpture. Installation view, Artists Space, 2024. Photo: Filip Wolak
    Caption Terry Fox: All These Different Things Are Sculpture. Installation view, Artists Space, 2024. Photo: Filip Wolak
    Image description
    Year
    Related pages All These Different Things Are Sculpture
  • Black busts of Vladimir Lenin arranged in a grid formation on a table.
    Black busts of Vladimir Lenin arranged in a grid formation on a table.
    Porcelain Lenin figures from DADALENIN Limited Special Edition, 2013. [Black busts of Vladimir Lenin arranged in a grid formation on a table.]
    Caption Porcelain Lenin figures from DADALENIN Limited Special Edition, 2013.
    Image description Black busts of Vladimir Lenin arranged in a grid formation on a table.
    Year 2013
    Related pages DADALENIN
  • A screenshot of the google images search results page for the query
    A screenshot of the google images search results page for the query
    [A screenshot of the google images search results page for the query "the problem with contemporary art is not the contemporary."]
    Caption
    Image description A screenshot of the google images search results page for the query "the problem with contemporary art is not the contemporary."
    Year
    Related pages The Problem with Contemporary Art is not the Contemporary
  • A digital greyscale rendering of a loose spiral made from flexible bricks.
    A digital greyscale rendering of a loose spiral made from flexible bricks.
    [A digital greyscale rendering of a loose spiral made from flexible bricks.]
    Caption
    Image description A digital greyscale rendering of a loose spiral made from flexible bricks.
    Year 2000
    Related pages Defective Brick Project
  • A classroom with several adults sitting around the perimeter. In the center, colorful student artworks are arranged across several desks.
    A classroom with several adults sitting around the perimeter. In the center, colorful student artworks are arranged across several desks.
    Arts and Family Engagement evening, student and parent panel on high school portfolio preparation, P.S. 140, 2019 [A classroom with several adults sitting around the perimeter. In the center, colorful student artworks are arranged across several desks.]
    Caption Arts and Family Engagement evening, student and parent panel on high school portfolio preparation, P.S. 140, 2019
    Image description A classroom with several adults sitting around the perimeter. In the center, colorful student artworks are arranged across several desks.
    Year
    Related pages Exhibitions and Events
  • A long piece of plexiglass hangs vertically from the cieling in a gallery. Eight postcards are mounted onto the plexiglass. All of the postcards depict different garbage trucks, shown from the exact same angle.
    A long piece of plexiglass hangs vertically from the cieling in a gallery. Eight postcards are mounted onto the plexiglass. All of the postcards depict different garbage trucks, shown from the exact same angle.
    Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon. [A long piece of plexiglass hangs vertically from the cieling in a gallery. Eight postcards are mounted onto the plexiglass. All of the postcards depict different garbage trucks, shown from the exact same angle. ]
    Caption Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon.
    Image description A long piece of plexiglass hangs vertically from the cieling in a gallery. Eight postcards are mounted onto the plexiglass. All of the postcards depict different garbage trucks, shown from the exact same angle.
    Year
    Related pages Michael Asher
  • A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of a man holding up the Iraqi flag.
    A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of a man holding up the Iraqi flag.
    Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of a man holding up the Iraqi flag.]
    Caption Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez.
    Image description A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of a man holding up the Iraqi flag.
    Year 2014
    Related pages Laura Poitras: 9/11 Trilogy
  • Color photograph, taken from a low angle, looking up at three hanging screens positioned around the center of a gallery room. Below the screens, performers are seated in wooden chairs, singing into microphones. A performer in the background stands and waves his hands to conduct the group. All around the performers, audience members fill the room.
    Color photograph, taken from a low angle, looking up at three hanging screens positioned around the center of a gallery room. Below the screens, performers are seated in wooden chairs, singing into microphones. A performer in the background stands and waves his hands to conduct the group. All around the performers, audience members fill the room.
    Shala Miller performs Genesis: Medley at Artists Space, co-presented with Frieze New York 2023. Performance documentation, May 19th. Photo by Vanessa Diaz/CKA. Courtesy of Frieze. [Color photograph, taken from a low angle, looking up at three hanging screens positioned around the center of a gallery room. Below the screens, performers are seated in wooden chairs, singing into microphones. A performer in the background stands and waves his hands to conduct the group. All around the performers, audience members fill the room.]
    Caption Shala Miller performs Genesis: Medley at Artists Space, co-presented with Frieze New York 2023. Performance documentation, May 19th. Photo by Vanessa Diaz/CKA. Courtesy of Frieze.
    Image description Color photograph, taken from a low angle, looking up at three hanging screens positioned around the center of a gallery room. Below the screens, performers are seated in wooden chairs, singing into microphones. A performer in the background stands and waves his hands to conduct the group. All around the performers, audience members fill the room.
    Year 2023
    Related pages Genesis: Medley
  • Two images hang on a white wall, far apart.
    Two images hang on a white wall, far apart.
    _____, Louise Lawler, Adrian Piper & Cindy Sherman Have Agreed to Participate in an Exhibition Organized by Janelle Reiring at Artists Space, September 23 through October 28, 1978, Artists Space, 1978. Installation view, Artists Space, 1978. [Two images hang on a white wall, far apart.]
    Caption _____, Louise Lawler, Adrian Piper & Cindy Sherman Have Agreed to Participate in an Exhibition Organized by Janelle Reiring at Artists Space, September 23 through October 28, 1978, Artists Space, 1978. Installation view, Artists Space, 1978.
    Image description Two images hang on a white wall, far apart.
    Year 1978
    Related pages ______ , Louise Lawler, Adrian Piper & Cindy Sherman Have Agreed to Participate in an Exhibition Organized by Janelle Reiring at Artists Space, September 23 through October 28, 1978.
  • An overhead view of a very modern building with a dark, bulbous, skin-like facade. Protruding from its top are tuberous skylights all facing the same direction, and at left is a long elevated walkway.
    An overhead view of a very modern building with a dark, bulbous, skin-like facade. Protruding from its top are tuberous skylights all facing the same direction, and at left is a long elevated walkway.
    realities:united, BIX Comminicative Display Skin, 2003. Photo: H. Schiffer. [An overhead view of a very modern building with a dark, bulbous, skin-like facade. Protruding from its top are tuberous skylights all facing the same direction, and at left is a long elevated walkway.]
    Caption realities:united, BIX Comminicative Display Skin, 2003. Photo: H. Schiffer.
    Image description An overhead view of a very modern building with a dark, bulbous, skin-like facade. Protruding from its top are tuberous skylights all facing the same direction, and at left is a long elevated walkway.
    Year
    Related pages Contemporary Architecture - an installation by realities:united
  • A view of five vitrines, displaying various documents, arranged in columns in the middle of a room. On either wall, book cases used for display.
    A view of five vitrines, displaying various documents, arranged in columns in the middle of a room. On either wall, book cases used for display.
    Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A view of five vitrines, displaying various documents, arranged in columns in the middle of a room. On either wall, book cases used for display.]
    Caption Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description A view of five vitrines, displaying various documents, arranged in columns in the middle of a room. On either wall, book cases used for display.
    Year 2013
    Related pages Documenting Cadere: 1972 - 1978
  • Image of a dimly lit basement. Along the back wall, on the left, a shadow of a figure in profile is cast onto a blue and purple projected screen.
    Image of a dimly lit basement. Along the back wall, on the left, a shadow of a figure in profile is cast onto a blue and purple projected screen.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Image of a dimly lit basement. Along the back wall, on the left, a shadow of a figure in profile is cast onto a blue and purple projected screen.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a dimly lit basement. Along the back wall, on the left, a shadow of a figure in profile is cast onto a blue and purple projected screen.
    Year 2022
    Related pages SCRAAATCH 12-3
  • Sidewalk Archives, Artists Space, April 2023
    Caption Sidewalk Archives, Artists Space, April 2023
    Image description
    Year
    Related pages Exhibitions and Events
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    Related pages Abasement #77
  • A page ripped from a planner, with a header reading,
    A page ripped from a planner, with a header reading,
    Untitled (note), date unknown, Copyright Jack Smith Archive, Courtesy Gladstone Gallery, New York and Brussels [A page ripped from a planner, with a header reading, "for week beginning Monday ...., Thursday, Friday, Saturday, Sunday." Handwritten red cursive text, written over divided sections reads, "Capitalism lends to expectation to be manipulated but politely and a horror of ordinary usage between people."]
    Caption Untitled (note), date unknown, Copyright Jack Smith Archive, Courtesy Gladstone Gallery, New York and Brussels
    Image description A page ripped from a planner, with a header reading, "for week beginning Monday ...., Thursday, Friday, Saturday, Sunday." Handwritten red cursive text, written over divided sections reads, "Capitalism lends to expectation to be manipulated but politely and a horror of ordinary usage between people."
    Year
    Related pages Jack Smith: Art Crust of Spiritual Oasis
  • A close-up of a vitrine housing several postcards which have been drawn and collaged upon.
    A close-up of a vitrine housing several postcards which have been drawn and collaged upon.
    Attention Line. Installation view (various envelopes by Blaster Al Ackerman, c. 1970s-2000s, Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [A close-up of a vitrine housing several postcards which have been drawn and collaged upon.]
    Caption Attention Line. Installation view (various envelopes by Blaster Al Ackerman, c. 1970s-2000s, Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak
    Image description A close-up of a vitrine housing several postcards which have been drawn and collaged upon.
    Year 2022
    Related pages Attention Line
  • A figure performs on the stage. He is sitting on a chair playing a guitar. To the right, there is another chair with an amp on the seat. Nature images are projected onto the stage, and back wall.
    A figure performs on the stage. He is sitting on a chair playing a guitar. To the right, there is another chair with an amp on the seat. Nature images are projected onto the stage, and back wall.
    Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman. [A figure performs on the stage. He is sitting on a chair playing a guitar. To the right, there is another chair with an amp on the seat. Nature images are projected onto the stage, and back wall.]
    Caption Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman.
    Image description A figure performs on the stage. He is sitting on a chair playing a guitar. To the right, there is another chair with an amp on the seat. Nature images are projected onto the stage, and back wall.
    Year
    Related pages Abasement #65
  • A figure in a suit stands on stage, behind a music stand and speaks into a microphone.
    A figure in a suit stands on stage, behind a music stand and speaks into a microphone.
    Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [A figure in a suit stands on stage, behind a music stand and speaks into a microphone.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure in a suit stands on stage, behind a music stand and speaks into a microphone.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-10
  • White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Mar 9 / Harmony Holiday / Taylor Johnson
    White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Mar 9 / Harmony Holiday / Taylor Johnson
    [White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Mar 9 / Harmony Holiday / Taylor Johnson" Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Mar 9 / Harmony Holiday / Taylor Johnson" Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year
    Related pages Segue Reading Series: Harmony Holiday & Taylor Johnson
  • Color photograph of a large group of people standing around a gallery space. Chairs, and tanker desks with TV monitors on them are placed in the space. The audience watches a figure in a red suit that stands next to a column, holding their hand to their mouth.
    Color photograph of a large group of people standing around a gallery space. Chairs, and tanker desks with TV monitors on them are placed in the space. The audience watches a figure in a red suit that stands next to a column, holding their hand to their mouth.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a large group of people standing around a gallery space. Chairs, and tanker desks with TV monitors on them are placed in the space. The audience watches a figure in a red suit that stands next to a column, holding their hand to their mouth.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of a large group of people standing around a gallery space. Chairs, and tanker desks with TV monitors on them are placed in the space. The audience watches a figure in a red suit that stands next to a column, holding their hand to their mouth.
    Year
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
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  • A woman with a hood looks diagonally upward, away from the camera. Behind her, a large building is on fire and the sky is dark.
    A woman with a hood looks diagonally upward, away from the camera. Behind her, a large building is on fire and the sky is dark.
    Still from Polly II - A Plan for a Revolution in Docklands (2006). [A woman with a hood looks diagonally upward, away from the camera. Behind her, a large building is on fire and the sky is dark.]
    Caption Still from Polly II - A Plan for a Revolution in Docklands (2006).
    Image description A woman with a hood looks diagonally upward, away from the camera. Behind her, a large building is on fire and the sky is dark.
    Year 2006
    Related pages Polly II - A Plan for a Revolution in Docklands
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    Related pages Artists from the Studio in a School
  • Color image of a gallery space. To the left, a taxidermied griffon vulture rests on a branch protuding from a section of a tree. Rusted, chain link fence is interwoven into the bark of the tree. Off to the right, a small shovel afixed to a childs chair is placed on the ground.
    Color image of a gallery space. To the left, a taxidermied griffon vulture rests on a branch protuding from a section of a tree. Rusted, chain link fence is interwoven into the bark of the tree. Off to the right, a small shovel afixed to a childs chair is placed on the ground.
    Andy Robert: PAPALOKO. Installation view(Ruin, 2023; Untitled, 2023), Artists Space, 2024. Photo: Carter Seddon. [Color image of a gallery space. To the left, a taxidermied griffon vulture rests on a branch protuding from a section of a tree. Rusted, chain link fence is interwoven into the bark of the tree. Off to the right, a small shovel afixed to a childs chair is placed on the ground.]
    Caption Andy Robert: PAPALOKO. Installation view(Ruin, 2023; Untitled, 2023), Artists Space, 2024. Photo: Carter Seddon.
    Image description Color image of a gallery space. To the left, a taxidermied griffon vulture rests on a branch protuding from a section of a tree. Rusted, chain link fence is interwoven into the bark of the tree. Off to the right, a small shovel afixed to a childs chair is placed on the ground.
    Year
    Related pages Andy Robert: Papaloko
  • View of a wall construction in a gallery setting.
    View of a wall construction in a gallery setting.
    Ed Levine. Installation view, Artists Space, 1980. [View of a wall construction in a gallery setting.]
    Caption Ed Levine. Installation view, Artists Space, 1980.
    Image description View of a wall construction in a gallery setting.
    Year
    Related pages Ed Levine
  • Two newspaper clippings and a sheet of written correspondence are installed in black frames on a gallery wall above a small vitrine. The vitrine displays a series of open, vintage magazines.
    Two newspaper clippings and a sheet of written correspondence are installed in black frames on a gallery wall above a small vitrine. The vitrine displays a series of open, vintage magazines.
    In The Poem About Love You Don't Write The Word Love. Installation view, Artists Space, 2006. Photo: Bill Orcutt. [Two newspaper clippings and a sheet of written correspondence are installed in black frames on a gallery wall above a small vitrine. The vitrine displays a series of open, vintage magazines.]
    Caption In The Poem About Love You Don't Write The Word Love. Installation view, Artists Space, 2006. Photo: Bill Orcutt.
    Image description Two newspaper clippings and a sheet of written correspondence are installed in black frames on a gallery wall above a small vitrine. The vitrine displays a series of open, vintage magazines.
    Year 2006
    Related pages In The Poem About Love You Don't Write The Word Love
  • White text overlays a background of a close-up picture of grass and grey rocks. The text reads: “April 15 / hannah baer / Early Shinada.
    White text overlays a background of a close-up picture of grass and grey rocks. The text reads: “April 15 / hannah baer / Early Shinada.
    [White text overlays a background of a close-up picture of grass and grey rocks. The text reads: “April 15 / hannah baer / Early Shinada." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description White text overlays a background of a close-up picture of grass and grey rocks. The text reads: “April 15 / hannah baer / Early Shinada." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year
    Related pages Segue Reading Series: hannah baer & Early Shinada
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    Related pages David Armstrong: Portraits
  • Drake Carr: Housecalls. Performance documentation, September 9, 2023, Artists Space at the Armory Show. Photo: Joshua Wildman.
    Caption Drake Carr: Housecalls. Performance documentation, September 9, 2023, Artists Space at the Armory Show. Photo: Joshua Wildman.
    Image description
    Year
    Related pages Drake Carr: Housecalls
  • A black and white photograph of a figure with long hair. They raise their left hand up to brush away their hair from their face.
    A black and white photograph of a figure with long hair. They raise their left hand up to brush away their hair from their face.
    Susan Eder, c. 1976. From Susan Eder, Matt Mullican, Artists Space, 1976. [A black and white photograph of a figure with long hair. They raise their left hand up to brush away their hair from their face.]
    Caption Susan Eder, c. 1976. From Susan Eder, Matt Mullican, Artists Space, 1976.
    Image description A black and white photograph of a figure with long hair. They raise their left hand up to brush away their hair from their face.
    Year 1976
    Related pages Susan Eder, Matt Mullican
  • Magazine cutouts and red and blue squigly lines overlay a yellow background. Text in the upper left corner an upside down text reads
    Magazine cutouts and red and blue squigly lines overlay a yellow background. Text in the upper left corner an upside down text reads
    Flyer by Joe Frivaldi. [Magazine cutouts and red and blue squigly lines overlay a yellow background. Text in the upper left corner an upside down text reads "ABASEMENT 63" and lists the performers. Text on the lower lefthand corners list the time and place of the event.]
    Caption Flyer by Joe Frivaldi.
    Image description Magazine cutouts and red and blue squigly lines overlay a yellow background. Text in the upper left corner an upside down text reads "ABASEMENT 63" and lists the performers. Text on the lower lefthand corners list the time and place of the event.
    Year
    Related pages Abasement #63
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    Related pages Friends of Artists Space Dinner
  • A photograph taken from a low angle, looking up at a performer whose hand is poised on top of a long set of instrumental wires that run across the image.
    A photograph taken from a low angle, looking up at a performer whose hand is poised on top of a long set of instrumental wires that run across the image.
    Ellen Fullman. Performance documentation, May 3rd, 2024, Artists Space. Photo: Casey Kelbaugh. Courtesy of Frieze and CKA. [A photograph taken from a low angle, looking up at a performer whose hand is poised on top of a long set of instrumental wires that run across the image.]
    Caption Ellen Fullman. Performance documentation, May 3rd, 2024, Artists Space. Photo: Casey Kelbaugh. Courtesy of Frieze and CKA.
    Image description A photograph taken from a low angle, looking up at a performer whose hand is poised on top of a long set of instrumental wires that run across the image.
    Year
    Related pages Support
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    Related pages Exhibitions and Events
  • A wide view of an installation in a large exhibition space. Four images of figures posing in various outfits hang from the ceiling in diagonally decreasing proximity. To the right of the space, an abstract sculptural piece is displayed. To the left are several orange tables and two orange, transparent rectangles supported by metal frames.
    A wide view of an installation in a large exhibition space. Four images of figures posing in various outfits hang from the ceiling in diagonally decreasing proximity. To the right of the space, an abstract sculptural piece is displayed. To the left are several orange tables and two orange, transparent rectangles supported by metal frames.
    DUOX: DUOX4Larkin. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [A wide view of an installation in a large exhibition space. Four images of figures posing in various outfits hang from the ceiling in diagonally decreasing proximity. To the right of the space, an abstract sculptural piece is displayed. To the left are several orange tables and two orange, transparent rectangles supported by metal frames.]
    Caption DUOX: DUOX4Larkin. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description A wide view of an installation in a large exhibition space. Four images of figures posing in various outfits hang from the ceiling in diagonally decreasing proximity. To the right of the space, an abstract sculptural piece is displayed. To the left are several orange tables and two orange, transparent rectangles supported by metal frames.
    Year 2012
    Related pages DUOX: DUOX4Larkin
  • A figure and a microphone are silhouetted in front of an image projection. The image shows a face obscured with white plaster, overlaid with red text reading “New Red Order” and white text reading “1-888-NEW- RED1 newredorder.org.
    A figure and a microphone are silhouetted in front of an image projection. The image shows a face obscured with white plaster, overlaid with red text reading “New Red Order” and white text reading “1-888-NEW- RED1 newredorder.org.
    New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court. [A figure and a microphone are silhouetted in front of an image projection. The image shows a face obscured with white plaster, overlaid with red text reading “New Red Order” and white text reading “1-888-NEW- RED1 newredorder.org."]
    Caption New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court.
    Image description A figure and a microphone are silhouetted in front of an image projection. The image shows a face obscured with white plaster, overlaid with red text reading “New Red Order” and white text reading “1-888-NEW- RED1 newredorder.org."
    Year 2020
    Related pages New Red Order: Informants Get Paid!
  • Black-and-white photograph that has been double exposed. The dominant image shows a portrait of two smiling figures, standing side-by-side. Imposed on top of that is a faint image of a building and lights.
    Black-and-white photograph that has been double exposed. The dominant image shows a portrait of two smiling figures, standing side-by-side. Imposed on top of that is a faint image of a building and lights.
    [Black-and-white photograph that has been double exposed. The dominant image shows a portrait of two smiling figures, standing side-by-side. Imposed on top of that is a faint image of a building and lights.]
    Caption
    Image description Black-and-white photograph that has been double exposed. The dominant image shows a portrait of two smiling figures, standing side-by-side. Imposed on top of that is a faint image of a building and lights.
    Year
    Related pages The Suzanne Langille Songbook
  • The interior of a Soho loft space. In the foreground, a plastic bucket hands from a red rope attached to an overhead pulley that is suspended from a wooden plank hanging overhead. '
    The interior of a Soho loft space. In the foreground, a plastic bucket hands from a red rope attached to an overhead pulley that is suspended from a wooden plank hanging overhead. '
    On Being an Exhibition. Installation view, Artists Space, 2007. Photo: Bill Orcutt. [The interior of a Soho loft space. In the foreground, a plastic bucket hands from a red rope attached to an overhead pulley that is suspended from a wooden plank hanging overhead. '"ARTISTS SPACE" is written on the far wall, and a number of bookcases, a white pedestal with a clear plastic hood, and a front desk populate the room. Behind the front desk are two neon quotation marks.]
    Caption On Being an Exhibition. Installation view, Artists Space, 2007. Photo: Bill Orcutt.
    Image description The interior of a Soho loft space. In the foreground, a plastic bucket hands from a red rope attached to an overhead pulley that is suspended from a wooden plank hanging overhead. '"ARTISTS SPACE" is written on the far wall, and a number of bookcases, a white pedestal with a clear plastic hood, and a front desk populate the room. Behind the front desk are two neon quotation marks.
    Year 2007
    Related pages On Being an Exhibition
  • Color photograph of a corner space in a gallery, below a staircase, that is bathed in red light. At the bottom of the stairs are a group of performers wearing conical costumes made of reflective one-way mirror film.
    Color photograph of a corner space in a gallery, below a staircase, that is bathed in red light. At the bottom of the stairs are a group of performers wearing conical costumes made of reflective one-way mirror film.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. [Color photograph of a corner space in a gallery, below a staircase, that is bathed in red light. At the bottom of the stairs are a group of performers wearing conical costumes made of reflective one-way mirror film.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space.
    Image description Color photograph of a corner space in a gallery, below a staircase, that is bathed in red light. At the bottom of the stairs are a group of performers wearing conical costumes made of reflective one-way mirror film.
    Year 2022
    Related pages keyon gaskin 12-16
  • Books packed on two adjacent metal shelving units.
    Books packed on two adjacent metal shelving units.
    [Books packed on two adjacent metal shelving units.]
    Caption
    Image description Books packed on two adjacent metal shelving units.
    Year 2014
    Related pages Going Down the Market
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  • A color image of a person sitting on a pedestal, speaking into a standing microphone.
    A color image of a person sitting on a pedestal, speaking into a standing microphone.
    Laurie Anderson; PersonA. Performance documentation, April 25, 1974, Artists Space. [A color image of a person sitting on a pedestal, speaking into a standing microphone.]
    Caption Laurie Anderson; PersonA. Performance documentation, April 25, 1974, Artists Space.
    Image description A color image of a person sitting on a pedestal, speaking into a standing microphone.
    Year 1974
    Related pages
  • Assorted Delorean paraphernalia displayed on a white background, including several images of cars and a binder filled with a user manual.
    Assorted Delorean paraphernalia displayed on a white background, including several images of cars and a binder filled with a user manual.
    Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [Assorted Delorean paraphernalia displayed on a white background, including several images of cars and a binder filled with a user manual.]
    Caption Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description Assorted Delorean paraphernalia displayed on a white background, including several images of cars and a binder filled with a user manual.
    Year 2010
    Related pages Duncan Campbell: Make It New John
  • A view of a small store display shelf stuffed with Gap clothing store bags and a small palm tree. On the wall, a blue band wraps around to the adjacent wall with text that reads
    A view of a small store display shelf stuffed with Gap clothing store bags and a small palm tree. On the wall, a blue band wraps around to the adjacent wall with text that reads
    ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21 – January 30, 2021. Photo: Filip Wolak [A view of a small store display shelf stuffed with Gap clothing store bags and a small palm tree. On the wall, a blue band wraps around to the adjacent wall with text that reads "Every customer will have their needs determined and merchandise suggested to meet those needs." A group of life like cutouts of individuals dressed in animal costumes are clustered together near the gallery wall.]
    Caption ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21 – January 30, 2021. Photo: Filip Wolak
    Image description A view of a small store display shelf stuffed with Gap clothing store bags and a small palm tree. On the wall, a blue band wraps around to the adjacent wall with text that reads "Every customer will have their needs determined and merchandise suggested to meet those needs." A group of life like cutouts of individuals dressed in animal costumes are clustered together near the gallery wall.
    Year 2021
    Related pages ART CLUB2000
  • Black text on a grey background. The text reads: “Jan 10 / Erica Hunt / Aditi Machado.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on a grey background. The text reads: “Jan 10 / Erica Hunt / Aditi Machado.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on a grey background. The text reads: “Jan 10 / Erica Hunt / Aditi Machado.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on a grey background. The text reads: “Jan 10 / Erica Hunt / Aditi Machado.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Erica Hunt & Aditi Machado
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    Related pages Project: Me and My Mink
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A green star featuring the image of a figure with their hands up and the text
    A green star featuring the image of a figure with their hands up and the text
    Shani Strand, R.I.P. He Deserves It, 2026, 10 min 32 seconds, Video and sound. [A green star featuring the image of a figure with their hands up and the text "Colonization / in REVERSE" is superimposed on top of an image of a figure standing in a parking lot, which has been reflected four times.]
    Caption Shani Strand, R.I.P. He Deserves It, 2026, 10 min 32 seconds, Video and sound.
    Image description A green star featuring the image of a figure with their hands up and the text "Colonization / in REVERSE" is superimposed on top of an image of a figure standing in a parking lot, which has been reflected four times.
    Year
    Related pages Shani Strand: Everything Must Be Returned
  • Characteristic, expressive handwriting on a page spells out phrases such as “All Power to the People!” and ”Seize the Time!” in both English and Spanish.
    Characteristic, expressive handwriting on a page spells out phrases such as “All Power to the People!” and ”Seize the Time!” in both English and Spanish.
    Third World Gay Revolution, “Come Out in Third World Lingo,” back cover of Come Out! 1, no. 7, (December/January 1970 – 7). Courtesy Archivo Moléculas Malucas. [Characteristic, expressive handwriting on a page spells out phrases such as “All Power to the People!” and ”Seize the Time!” in both English and Spanish.]
    Caption Third World Gay Revolution, “Come Out in Third World Lingo,” back cover of Come Out! 1, no. 7, (December/January 1970 – 7). Courtesy Archivo Moléculas Malucas.
    Image description Characteristic, expressive handwriting on a page spells out phrases such as “All Power to the People!” and ”Seize the Time!” in both English and Spanish.
    Year
    Related pages Whitney ISP Archive
  • An abstract, black and white geometric image.
    An abstract, black and white geometric image.
    Union Gaucha Produtions, still from Phantom Limb, 1998. Courtesy Union Gaucha Productions. [An abstract, black and white geometric image.]
    Caption Union Gaucha Produtions, still from Phantom Limb, 1998. Courtesy Union Gaucha Productions.
    Image description An abstract, black and white geometric image.
    Year 1998
    Related pages Phantom Limb with music performance by Lukas Ligeti
  • Two TV monitors installed in a gallery space with wooden flooring. One monitor is installed in the image's foreground on a white plinth and displays an image of a figure walking along a sidewalk. The other monitor can be seen through a hallway at the image's center and is installed on the gallery wall. A third video plays on a gallery wall on the image's right side, showing an image of two hands.
    Two TV monitors installed in a gallery space with wooden flooring. One monitor is installed in the image's foreground on a white plinth and displays an image of a figure walking along a sidewalk. The other monitor can be seen through a hallway at the image's center and is installed on the gallery wall. A third video plays on a gallery wall on the image's right side, showing an image of two hands.
    In The Poem About Love You Don't Write The Word Love. Installation view, Artists Space, 2006. Photo: Bill Orcutt. [Two TV monitors installed in a gallery space with wooden flooring. One monitor is installed in the image's foreground on a white plinth and displays an image of a figure walking along a sidewalk. The other monitor can be seen through a hallway at the image's center and is installed on the gallery wall. A third video plays on a gallery wall on the image's right side, showing an image of two hands.]
    Caption In The Poem About Love You Don't Write The Word Love. Installation view, Artists Space, 2006. Photo: Bill Orcutt.
    Image description Two TV monitors installed in a gallery space with wooden flooring. One monitor is installed in the image's foreground on a white plinth and displays an image of a figure walking along a sidewalk. The other monitor can be seen through a hallway at the image's center and is installed on the gallery wall. A third video plays on a gallery wall on the image's right side, showing an image of two hands.
    Year 2006
    Related pages In The Poem About Love You Don't Write The Word Love
  • A trash can is filled to the brim with various objects including a binder, a circuit board, a film strip, a CD, and stacks of paper forms. Yellow text on a black background reads
    A trash can is filled to the brim with various objects including a binder, a circuit board, a film strip, a CD, and stacks of paper forms. Yellow text on a black background reads
    [A trash can is filled to the brim with various objects including a binder, a circuit board, a film strip, a CD, and stacks of paper forms. Yellow text on a black background reads "Your Trash... / Coul be an Adversary's / Treasure! / Remember / OPSEC / Operations Security."]
    Caption
    Image description A trash can is filled to the brim with various objects including a binder, a circuit board, a film strip, a CD, and stacks of paper forms. Yellow text on a black background reads "Your Trash... / Coul be an Adversary's / Treasure! / Remember / OPSEC / Operations Security."
    Year
    Related pages Digital Security and the Legal Framework of Surveillance
  • A black-and-white photograph of a gallery space with several floor lamps installed throughout.
    A black-and-white photograph of a gallery space with several floor lamps installed throughout.
    Served Up! R.M. Fischer. Installation view, Artists Space, 1979. [A black-and-white photograph of a gallery space with several floor lamps installed throughout.]
    Caption Served Up! R.M. Fischer. Installation view, Artists Space, 1979.
    Image description A black-and-white photograph of a gallery space with several floor lamps installed throughout.
    Year
    Related pages Served Up! R. M. Fischer
  • Dark blue text overlays red-pink background. The text reads: “February 4 / Dodie Bellamy / Paige K. B.
    Dark blue text overlays red-pink background. The text reads: “February 4 / Dodie Bellamy / Paige K. B.
    [Dark blue text overlays red-pink background. The text reads: “February 4 / Dodie Bellamy / Paige K. B." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description Dark blue text overlays red-pink background. The text reads: “February 4 / Dodie Bellamy / Paige K. B." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year 2023
    Related pages Segue Reading Series: Dodie Bellamy & Paige K. B.
  • A photograph of several works on yellow paper hung on a white gallery wall.
    A photograph of several works on yellow paper hung on a white gallery wall.
    Adjua Gargi Nzinga Greaves, Better homes and gardens back by popular demand, detail, 2021. Magazine, artists tape, overall dimensions variable. Courtesy Artists Space, New York. Photo: Filip Wolak [A photograph of several works on yellow paper hung on a white gallery wall.]
    Caption Adjua Gargi Nzinga Greaves, Better homes and gardens back by popular demand, detail, 2021. Magazine, artists tape, overall dimensions variable. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A photograph of several works on yellow paper hung on a white gallery wall.
    Year 2021
    Related pages Adjua Gargi Nzinga Greaves
  • In the corner of a room, a group of six brooms and mops is held free-standing off of a wall by a shelf which allows the handles to pass through it, holding them in place in a line. Near the adjacent wall, a metal dustbin stands facing the brooms, dust both within the dustbin and nearby.
    In the corner of a room, a group of six brooms and mops is held free-standing off of a wall by a shelf which allows the handles to pass through it, holding them in place in a line. Near the adjacent wall, a metal dustbin stands facing the brooms, dust both within the dustbin and nearby.
    Isola & Norzi, Mama, 2006. Installation. Courtesy the artists. Photo: Bill Orcutt. [In the corner of a room, a group of six brooms and mops is held free-standing off of a wall by a shelf which allows the handles to pass through it, holding them in place in a line. Near the adjacent wall, a metal dustbin stands facing the brooms, dust both within the dustbin and nearby.]
    Caption Isola & Norzi, Mama, 2006. Installation. Courtesy the artists. Photo: Bill Orcutt.
    Image description In the corner of a room, a group of six brooms and mops is held free-standing off of a wall by a shelf which allows the handles to pass through it, holding them in place in a line. Near the adjacent wall, a metal dustbin stands facing the brooms, dust both within the dustbin and nearby.
    Year 2007
    Related pages On Being an Exhibition
  • Over a black background, “terminology / BLACK** / adj. / 1. Having the very dark color of the night sky or the eye’s pupil / 2. Of or relating to any various population groups of especially African ancestry often considered as having dark pigmentation of the skin but in fact having a wide range of skin colors / 3. Of or relating to Black people / 4. Dirty, soiled / 5. Characterized by the absence of light / 6. Served without milk or cream / 7. Indicative of condemnation or discredit / 8. Heavy / 9. Connected with or invoking the supernatural and especially the devil” is written in white text. Certain words are underlined and appear in grey.
    Over a black background, “terminology / BLACK** / adj. / 1. Having the very dark color of the night sky or the eye’s pupil / 2. Of or relating to any various population groups of especially African ancestry often considered as having dark pigmentation of the skin but in fact having a wide range of skin colors / 3. Of or relating to Black people / 4. Dirty, soiled / 5. Characterized by the absence of light / 6. Served without milk or cream / 7. Indicative of condemnation or discredit / 8. Heavy / 9. Connected with or invoking the supernatural and especially the devil” is written in white text. Certain words are underlined and appear in grey.
    Prince Grace, Of Black, 2021. [Over a black background, “terminology / BLACK** / adj. / 1. Having the very dark color of the night sky or the eye’s pupil / 2. Of or relating to any various population groups of especially African ancestry often considered as having dark pigmentation of the skin but in fact having a wide range of skin colors / 3. Of or relating to Black people / 4. Dirty, soiled / 5. Characterized by the absence of light / 6. Served without milk or cream / 7. Indicative of condemnation or discredit / 8. Heavy / 9. Connected with or invoking the supernatural and especially the devil” is written in white text. Certain words are underlined and appear in grey.]
    Caption Prince Grace, Of Black, 2021.
    Image description Over a black background, “terminology / BLACK** / adj. / 1. Having the very dark color of the night sky or the eye’s pupil / 2. Of or relating to any various population groups of especially African ancestry often considered as having dark pigmentation of the skin but in fact having a wide range of skin colors / 3. Of or relating to Black people / 4. Dirty, soiled / 5. Characterized by the absence of light / 6. Served without milk or cream / 7. Indicative of condemnation or discredit / 8. Heavy / 9. Connected with or invoking the supernatural and especially the devil” is written in white text. Certain words are underlined and appear in grey.
    Year 2022
    Related pages If improvisation could serve as a manual, if gesture could serve as a guide
  • Color image of a performer captured in the middle of a bassoon performance. The musician stands in the middle of a crowd of seated guests who are observing her in a dimly lit performance venue.
    Color image of a performer captured in the middle of a bassoon performance. The musician stands in the middle of a crowd of seated guests who are observing her in a dimly lit performance venue.
    Abasement #63. Performance documentation, July 17, 2023, Artists Space. Photo: Joshua Wildman. [Color image of a performer captured in the middle of a bassoon performance. The musician stands in the middle of a crowd of seated guests who are observing her in a dimly lit performance venue.]
    Caption Abasement #63. Performance documentation, July 17, 2023, Artists Space. Photo: Joshua Wildman.
    Image description Color image of a performer captured in the middle of a bassoon performance. The musician stands in the middle of a crowd of seated guests who are observing her in a dimly lit performance venue.
    Year
    Related pages Abasement #63
  • Three figures pose for a photograph in a gallery space crowded with milling people who talk amongst each other. They hold drink glasses in their hands and are illuminated by the camera's flash.
    Three figures pose for a photograph in a gallery space crowded with milling people who talk amongst each other. They hold drink glasses in their hands and are illuminated by the camera's flash.
    The Friends of Artists Space Dinner, May 8, 2010. Executive Director & Curator, Stefan Kalmár, and friends of Artists Space. [Three figures pose for a photograph in a gallery space crowded with milling people who talk amongst each other. They hold drink glasses in their hands and are illuminated by the camera's flash.]
    Caption The Friends of Artists Space Dinner, May 8, 2010. Executive Director & Curator, Stefan Kalmár, and friends of Artists Space.
    Image description Three figures pose for a photograph in a gallery space crowded with milling people who talk amongst each other. They hold drink glasses in their hands and are illuminated by the camera's flash.
    Year 2010
    Related pages The Friends of Artists Space Dinner
  • In a corner of a gallery space, a small black and white photograph hangs in a black frame on the left wall. On the right, a small white panel of black text hangs above a sign attached to a glass box that protrudes from the wall. Inside the box are what appear to be bloodied white linens, and on the sign above them the words
    In a corner of a gallery space, a small black and white photograph hangs in a black frame on the left wall. On the right, a small white panel of black text hangs above a sign attached to a glass box that protrudes from the wall. Inside the box are what appear to be bloodied white linens, and on the sign above them the words
    Works by Mark Morrisroe. Witnesses: Against Our Vanishing. Installation view, Artists Space, 1989. [In a corner of a gallery space, a small black and white photograph hangs in a black frame on the left wall. On the right, a small white panel of black text hangs above a sign attached to a glass box that protrudes from the wall. Inside the box are what appear to be bloodied white linens, and on the sign above them the words "AM I DEAD YET" are written in blood.]
    Caption Works by Mark Morrisroe. Witnesses: Against Our Vanishing. Installation view, Artists Space, 1989.
    Image description In a corner of a gallery space, a small black and white photograph hangs in a black frame on the left wall. On the right, a small white panel of black text hangs above a sign attached to a glass box that protrudes from the wall. Inside the box are what appear to be bloodied white linens, and on the sign above them the words "AM I DEAD YET" are written in blood.
    Year 1989
    Related pages Witnesses: Against Our Vanishing
  • Fibe book covers displayed in a line against a white background. Each one has been illustrated over with various colos of marker and pen.
    Fibe book covers displayed in a line against a white background. Each one has been illustrated over with various colos of marker and pen.
    Works by Dieter Roth Published by Edition Hansjörg Mayer [Fibe book covers displayed in a line against a white background. Each one has been illustrated over with various colos of marker and pen.]
    Caption Works by Dieter Roth Published by Edition Hansjörg Mayer
    Image description Fibe book covers displayed in a line against a white background. Each one has been illustrated over with various colos of marker and pen.
    Year 2014
    Related pages The Library Vaccine
  • Black-and-white photograph of three figures performing together. On the left, a figure in a striped shirt and glasses sits down in front of a table full of audio equipment, wearing headphones. In the middle, a figure in a graphic shirt stands and reads off a piece of paper. The rightmost figure wears a glitter and mesh top and plays the flute standing.
    Black-and-white photograph of three figures performing together. On the left, a figure in a striped shirt and glasses sits down in front of a table full of audio equipment, wearing headphones. In the middle, a figure in a graphic shirt stands and reads off a piece of paper. The rightmost figure wears a glitter and mesh top and plays the flute standing.
    Yasunao Tone, Carles Hac Mor, and Barbara Held performing Música desterritorialitzada at Metronom, Barcelona, Spain, 1997. [Black-and-white photograph of three figures performing together. On the left, a figure in a striped shirt and glasses sits down in front of a table full of audio equipment, wearing headphones. In the middle, a figure in a graphic shirt stands and reads off a piece of paper. The rightmost figure wears a glitter and mesh top and plays the flute standing.]
    Caption Yasunao Tone, Carles Hac Mor, and Barbara Held performing Música desterritorialitzada at Metronom, Barcelona, Spain, 1997.
    Image description Black-and-white photograph of three figures performing together. On the left, a figure in a striped shirt and glasses sits down in front of a table full of audio equipment, wearing headphones. In the middle, a figure in a graphic shirt stands and reads off a piece of paper. The rightmost figure wears a glitter and mesh top and plays the flute standing.
    Year
    Related pages Yasunao Tone in Concert with Barbara Held
  • A figure's hands are shown, standing at the edge of a white table, unfolding a small book as another figure on the other side of the table holds part of the book and reads off of it.
    A figure's hands are shown, standing at the edge of a white table, unfolding a small book as another figure on the other side of the table holds part of the book and reads off of it.
    Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang. [A figure's hands are shown, standing at the edge of a white table, unfolding a small book as another figure on the other side of the table holds part of the book and reads off of it.]
    Caption Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang.
    Image description A figure's hands are shown, standing at the edge of a white table, unfolding a small book as another figure on the other side of the table holds part of the book and reads off of it.
    Year 2023
    Related pages Chang Yuchen: Coral Dictionary Vol. 1, 2019-2022
  • Two televisons sit on the wall, bisected with hung grocery dividers. The television on the left displays a video of a news anchor with the bottom text
    Two televisons sit on the wall, bisected with hung grocery dividers. The television on the left displays a video of a news anchor with the bottom text
    LIFE—a group show, curated by Arnold J. Kemp. Installation view (Carolyn Castaño, The Female Report, 2011; D’Talentz, The Secret Garden, 2020), Artists Space, 2025. Photo: Carter Seddon [Two televisons sit on the wall, bisected with hung grocery dividers. The television on the left displays a video of a news anchor with the bottom text "A descendant of Evita." The television on the right displays a video of four squares with people surrounded in foliage. These squares are superimposed on a backdrop of more foliage.]
    Caption LIFE—a group show, curated by Arnold J. Kemp. Installation view (Carolyn Castaño, The Female Report, 2011; D’Talentz, The Secret Garden, 2020), Artists Space, 2025. Photo: Carter Seddon
    Image description Two televisons sit on the wall, bisected with hung grocery dividers. The television on the left displays a video of a news anchor with the bottom text "A descendant of Evita." The television on the right displays a video of four squares with people surrounded in foliage. These squares are superimposed on a backdrop of more foliage.
    Year 2025
    Related pages Arnold J. Kemp
  • Color photo of an installation work in a gallery. Two windows with images painted on the glass hang from the ceiling. A branch emerges from the left edge of the image. Behind the windows, a colorful drawing on craft paper hangs on the wall.
    Color photo of an installation work in a gallery. Two windows with images painted on the glass hang from the ceiling. A branch emerges from the left edge of the image. Behind the windows, a colorful drawing on craft paper hangs on the wall.
    Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photo of an installation work in a gallery. Two windows with images painted on the glass hang from the ceiling. A branch emerges from the left edge of the image. Behind the windows, a colorful drawing on craft paper hangs on the wall.]
    Caption Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photo of an installation work in a gallery. Two windows with images painted on the glass hang from the ceiling. A branch emerges from the left edge of the image. Behind the windows, a colorful drawing on craft paper hangs on the wall.
    Year
    Related pages Char Jeré: Zoo or an Orchestra
  • An arrangement of 10 colored photos, each showing a different outdoor and indoor settings, including settings of nature, animals, a red trailer, an overexposed lecture hall, and a portrait of a woman.
    An arrangement of 10 colored photos, each showing a different outdoor and indoor settings, including settings of nature, animals, a red trailer, an overexposed lecture hall, and a portrait of a woman.
    Michaela Eichwald, Ten Top Photographs for Artists Space, 2015, Series of ten inkjet prints, Assorted dimensions range from 5 x 7 in to 5 x 7 ½ in / 12,7 x 17,8 cm to 12,7 x 19 cm, each Signed and Numbered Certificate [An arrangement of 10 colored photos, each showing a different outdoor and indoor settings, including settings of nature, animals, a red trailer, an overexposed lecture hall, and a portrait of a woman.]
    Caption Michaela Eichwald, Ten Top Photographs for Artists Space, 2015, Series of ten inkjet prints, Assorted dimensions range from 5 x 7 in to 5 x 7 ½ in / 12,7 x 17,8 cm to 12,7 x 19 cm, each Signed and Numbered Certificate
    Image description An arrangement of 10 colored photos, each showing a different outdoor and indoor settings, including settings of nature, animals, a red trailer, an overexposed lecture hall, and a portrait of a woman.
    Year 2016
    Related pages Artists Space Annual Edition Portfolio 2016
  • A red and grey minimal book cover.
    A red and grey minimal book cover.
    Eds. Hugues Decointet, François Piron, Marilou Thiébault, Guy de Cointet: The Complete Plays (Paraguay Press, 2017). [A red and grey minimal book cover.]
    Caption Eds. Hugues Decointet, François Piron, Marilou Thiébault, Guy de Cointet: The Complete Plays (Paraguay Press, 2017).
    Image description A red and grey minimal book cover.
    Year 2017
    Related pages Guy de Cointet: The Complete Plays
  • A brightly lit photograph of three human-sized costumes in front of a wall.
    A brightly lit photograph of three human-sized costumes in front of a wall.
    Attention Line. Installation view (costumes worn by Johanna Went, 1970s-2000s), Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [A brightly lit photograph of three human-sized costumes in front of a wall.]
    Caption Attention Line. Installation view (costumes worn by Johanna Went, 1970s-2000s), Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak
    Image description A brightly lit photograph of three human-sized costumes in front of a wall.
    Year 2022
    Related pages Attention Line
  • Close up shot of four music stands arranged side by side. The torsos and hands of three figures are pictured beside the stands. They leaf through the pages of scripts held in black binders, supported by the music stands.
    Close up shot of four music stands arranged side by side. The torsos and hands of three figures are pictured beside the stands. They leaf through the pages of scripts held in black binders, supported by the music stands.
    The Owl Answers. Performance documentation, February 29, 2020, Artists Space. Photo ©️ 2020 Filip Wolak. [Close up shot of four music stands arranged side by side. The torsos and hands of three figures are pictured beside the stands. They leaf through the pages of scripts held in black binders, supported by the music stands.]
    Caption The Owl Answers. Performance documentation, February 29, 2020, Artists Space. Photo ©️ 2020 Filip Wolak.
    Image description Close up shot of four music stands arranged side by side. The torsos and hands of three figures are pictured beside the stands. They leaf through the pages of scripts held in black binders, supported by the music stands.
    Year 2020
    Related pages The Owl Answers
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Black text on a grey background. The text reads: “March 7 / Forrest Gander / with Eiko Otake / Jennifer Scappettone.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on a grey background. The text reads: “March 7 / Forrest Gander / with Eiko Otake / Jennifer Scappettone.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on a grey background. The text reads: “March 7 / Forrest Gander / with Eiko Otake / Jennifer Scappettone.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on a grey background. The text reads: “March 7 / Forrest Gander / with Eiko Otake / Jennifer Scappettone.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Forrest Gander with Eiko Otake & Jennifer Scappettone
  • A color image of audience members sitting on the floor looking towards the stage. Blue light dots are projected onto them.
    A color image of audience members sitting on the floor looking towards the stage. Blue light dots are projected onto them.
    Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman. [A color image of audience members sitting on the floor looking towards the stage. Blue light dots are projected onto them.]
    Caption Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman.
    Image description A color image of audience members sitting on the floor looking towards the stage. Blue light dots are projected onto them.
    Year
    Related pages Abasement #65
  • An abstract painting depicting several geometric figures against a turquoise background, arranged on either side of the canvas. Each figure has a green or brown outline and various colored patterns inside. Several outlined circles and squares grid across the background of the image
    An abstract painting depicting several geometric figures against a turquoise background, arranged on either side of the canvas. Each figure has a green or brown outline and various colored patterns inside. Several outlined circles and squares grid across the background of the image
    Mariselis Rivera, Abstract Painting, 2015 [An abstract painting depicting several geometric figures against a turquoise background, arranged on either side of the canvas. Each figure has a green or brown outline and various colored patterns inside. Several outlined circles and squares grid across the background of the image]
    Caption Mariselis Rivera, Abstract Painting, 2015
    Image description An abstract painting depicting several geometric figures against a turquoise background, arranged on either side of the canvas. Each figure has a green or brown outline and various colored patterns inside. Several outlined circles and squares grid across the background of the image
    Year 2015
    Related pages Scholastic Art and Writing Awards
  • Three works are seen in the gallery space. To the far left, five rectangular wooden boards stand stacked on top of each other. Central is a tall box made of similar wood boards. To the right sits an eagle-headed sculpture and an object resembling a modem.
    Three works are seen in the gallery space. To the far left, five rectangular wooden boards stand stacked on top of each other. Central is a tall box made of similar wood boards. To the right sits an eagle-headed sculpture and an object resembling a modem.
    Brad Kronz. Installation view, Artists Space, 2025. Photo: Carter Seddon [Three works are seen in the gallery space. To the far left, five rectangular wooden boards stand stacked on top of each other. Central is a tall box made of similar wood boards. To the right sits an eagle-headed sculpture and an object resembling a modem. ]
    Caption Brad Kronz. Installation view, Artists Space, 2025. Photo: Carter Seddon
    Image description Three works are seen in the gallery space. To the far left, five rectangular wooden boards stand stacked on top of each other. Central is a tall box made of similar wood boards. To the right sits an eagle-headed sculpture and an object resembling a modem.
    Year
    Related pages Brad Kronz
  • A portrait-oriented view of a home interior. On the left, a doorway leads to a kitchen. On the right, the room opens to a living space with stacks of books on the floor and decor on the wall.
    A portrait-oriented view of a home interior. On the left, a doorway leads to a kitchen. On the right, the room opens to a living space with stacks of books on the floor and decor on the wall.
    [A portrait-oriented view of a home interior. On the left, a doorway leads to a kitchen. On the right, the room opens to a living space with stacks of books on the floor and decor on the wall.]
    Caption
    Image description A portrait-oriented view of a home interior. On the left, a doorway leads to a kitchen. On the right, the room opens to a living space with stacks of books on the floor and decor on the wall.
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • A black and white photograph of a canvas filled with black and white abstract angular forms that are reminiscent of tables.
    A black and white photograph of a canvas filled with black and white abstract angular forms that are reminiscent of tables.
    John Mendelsohn. Installation view from John Mendelsohn and Donald Sultan. Artists Space, 1977. [A black and white photograph of a canvas filled with black and white abstract angular forms that are reminiscent of tables.]
    Caption John Mendelsohn. Installation view from John Mendelsohn and Donald Sultan. Artists Space, 1977.
    Image description A black and white photograph of a canvas filled with black and white abstract angular forms that are reminiscent of tables.
    Year 1977
    Related pages John Mendelsohn and Donald Sultan
  • Installation view from John Mendelsohn and Donald Sultan. Artists Space, 1977
    Caption Installation view from John Mendelsohn and Donald Sultan. Artists Space, 1977
    Image description
    Year
    Related pages John Mendelsohn and Donald Sultan
  • A moving image of a hand appearing in front of a black background. It's fingers positioned upwards in a wide pinch.
    A moving image of a hand appearing in front of a black background. It's fingers positioned upwards in a wide pinch.
    Hito Steyerl, excerpt from Duty-Free Art, 2015. [A moving image of a hand appearing in front of a black background. It's fingers positioned upwards in a wide pinch.]
    Caption Hito Steyerl, excerpt from Duty-Free Art, 2015.
    Image description A moving image of a hand appearing in front of a black background. It's fingers positioned upwards in a wide pinch.
    Year 2015
    Related pages Hito Steyerl
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