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  • Four copper squares embedded with images and text lean against a white wall. The squares sit on a tan carpet.
    Four copper squares embedded with images and text lean against a white wall. The squares sit on a tan carpet.
    The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich. [Four copper squares embedded with images and text lean against a white wall. The squares sit on a tan carpet.]
    Caption The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich.
    Image description Four copper squares embedded with images and text lean against a white wall. The squares sit on a tan carpet.
    Year 2014
    Related pages The Issues of Our Time
  • An image of a multicolored wall filled with multiple tv monitors and info graphics. Black, red and yellow beach balls are scattered along the floor.
    An image of a multicolored wall filled with multiple tv monitors and info graphics. Black, red and yellow beach balls are scattered along the floor.
    New Red Order with Virgil B/G Taylor Progenerator, 2020 – Ongoing Painted mural with dibond prints, five televisions, flag, plate, Improved Order of Red Men ephemera, and mixed media 14 x 40 feet Image courtesy Artists Space, New York Photo: Filip Wolak [An image of a multicolored wall filled with multiple tv monitors and info graphics. Black, red and yellow beach balls are scattered along the floor.]
    Caption New Red Order with Virgil B/G Taylor Progenerator, 2020 – Ongoing Painted mural with dibond prints, five televisions, flag, plate, Improved Order of Red Men ephemera, and mixed media 14 x 40 feet Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description An image of a multicolored wall filled with multiple tv monitors and info graphics. Black, red and yellow beach balls are scattered along the floor.
    Year 2021
    Related pages New Red Order: Feel at Home Here
  • An image of a dark exhibition space, a film projector projects a sepia tone image onto the wall.
    An image of a dark exhibition space, a film projector projects a sepia tone image onto the wall.
    New Red Order with Laura Gardin Fraser Teddy’s Touchdown, 1938/2021 16mm film, black and white 14 minutes (loop) Image courtesy Artists Space, New York Photo: Filip Wolak [An image of a dark exhibition space, a film projector projects a sepia tone image onto the wall.]
    Caption New Red Order with Laura Gardin Fraser Teddy’s Touchdown, 1938/2021 16mm film, black and white 14 minutes (loop) Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description An image of a dark exhibition space, a film projector projects a sepia tone image onto the wall.
    Year 2021
    Related pages New Red Order: Feel at Home Here
  • A projection on the wall displaying two posters, one that reads
    A projection on the wall displaying two posters, one that reads
    “Palestine, BLM & Boycott in the Arts.” Artists Space Books & Talks, Friday, November 4, 2016. Courtesy Decolonize This Place and Artists Space, New York. Photo: Andrés Rodriguez [A projection on the wall displaying two posters, one that reads "Black Lives Matter" featuring an upside down image of the Empire State building, and to its right, one that reads "Palestine, BLM & Boycott in the Arts" with a yellow background, orange lightining-style graphic, and Arabic text.]
    Caption “Palestine, BLM & Boycott in the Arts.” Artists Space Books & Talks, Friday, November 4, 2016. Courtesy Decolonize This Place and Artists Space, New York. Photo: Andrés Rodriguez
    Image description A projection on the wall displaying two posters, one that reads "Black Lives Matter" featuring an upside down image of the Empire State building, and to its right, one that reads "Palestine, BLM & Boycott in the Arts" with a yellow background, orange lightining-style graphic, and Arabic text.
    Year 2016
    Related pages Decolonize This Place
  • A color image of a gallery space, taken from a wide angle. There is a checkerboard floor, with three large sculptures placed down the center. A large red painting is hung on the left wall. On the right wall are a series of paintings and durags.
    A color image of a gallery space, taken from a wide angle. There is a checkerboard floor, with three large sculptures placed down the center. A large red painting is hung on the left wall. On the right wall are a series of paintings and durags.
    Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of a gallery space, taken from a wide angle. There is a checkerboard floor, with three large sculptures placed down the center. A large red painting is hung on the left wall. On the right wall are a series of paintings and durags.]
    Caption Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A color image of a gallery space, taken from a wide angle. There is a checkerboard floor, with three large sculptures placed down the center. A large red painting is hung on the left wall. On the right wall are a series of paintings and durags.
    Year
    Related pages Jonathan Lyndon Chase
  • A person sits on a wooden chair and looks off into the distance. His right elbow rests on a table partially visible in the photograph.
    A person sits on a wooden chair and looks off into the distance. His right elbow rests on a table partially visible in the photograph.
    Portrait of Bill Gunn. [A person sits on a wooden chair and looks off into the distance. His right elbow rests on a table partially visible in the photograph.]
    Caption Portrait of Bill Gunn.
    Image description A person sits on a wooden chair and looks off into the distance. His right elbow rests on a table partially visible in the photograph.
    Year 1981
    Related pages Till They Listen: Bill Gunn Directs America
  • A red leather armchair with a coffee table on a gray rug in the corner of a room. On the coffee table, there are several books, a lamp, and an old radio. On the opposite wall, there are three photographs each showing the view out of three different windows.
    A red leather armchair with a coffee table on a gray rug in the corner of a room. On the coffee table, there are several books, a lamp, and an old radio. On the opposite wall, there are three photographs each showing the view out of three different windows.
    Flipside. Installation view, Artists Space, 2004. [A red leather armchair with a coffee table on a gray rug in the corner of a room. On the coffee table, there are several books, a lamp, and an old radio. On the opposite wall, there are three photographs each showing the view out of three different windows.]
    Caption Flipside. Installation view, Artists Space, 2004.
    Image description A red leather armchair with a coffee table on a gray rug in the corner of a room. On the coffee table, there are several books, a lamp, and an old radio. On the opposite wall, there are three photographs each showing the view out of three different windows.
    Year 2004
    Related pages Flipside
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    Related pages Arnold J. Kemp
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    Related pages Exhibitions and Events
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    Related pages Cold Drink: Film and Video Festival
  • Detail view of a camel's head against a palm tree and blue sky.
    Detail view of a camel's head against a palm tree and blue sky.
    Heji Shin, Camp Habibi II, 2013, C-print, 20 x 16 inches, Signed edition of 100, 5APs, Courtesy of the artist. [Detail view of a camel's head against a palm tree and blue sky.]
    Caption Heji Shin, Camp Habibi II, 2013, C-print, 20 x 16 inches, Signed edition of 100, 5APs, Courtesy of the artist.
    Image description Detail view of a camel's head against a palm tree and blue sky.
    Year 2013
    Related pages Annual Edition Portfolio
  • Three large metal rectangular scuptures, hinging at an angle off the floor. A large photographic print of deer in woods hangs on the wall directly behind the sculptures.
    Three large metal rectangular scuptures, hinging at an angle off the floor. A large photographic print of deer in woods hangs on the wall directly behind the sculptures.
    Underground: Jose Gabriel Fernandez. Installation view, Artists Space, 1991. [Three large metal rectangular scuptures, hinging at an angle off the floor. A large photographic print of deer in woods hangs on the wall directly behind the sculptures.]
    Caption Underground: Jose Gabriel Fernandez. Installation view, Artists Space, 1991.
    Image description Three large metal rectangular scuptures, hinging at an angle off the floor. A large photographic print of deer in woods hangs on the wall directly behind the sculptures.
    Year 1991
    Related pages Underground: Jose Gabriel Fernandez
  • White gallery wall in foreground features two framed works on paper. The closer work features a diptych of delicately pencil-drawn crosses, while the further work is densely filled with calligraphic lines. Additional clusters of small framed works on paper hang on the wall in the background.
    White gallery wall in foreground features two framed works on paper. The closer work features a diptych of delicately pencil-drawn crosses, while the further work is densely filled with calligraphic lines. Additional clusters of small framed works on paper hang on the wall in the background.
    Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak. [White gallery wall in foreground features two framed works on paper. The closer work features a diptych of delicately pencil-drawn crosses, while the further work is densely filled with calligraphic lines. Additional clusters of small framed works on paper hang on the wall in the background.]
    Caption Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak.
    Image description White gallery wall in foreground features two framed works on paper. The closer work features a diptych of delicately pencil-drawn crosses, while the further work is densely filled with calligraphic lines. Additional clusters of small framed works on paper hang on the wall in the background.
    Year
    Related pages Dream Lines: Drawings by Marian Zazeela
  • An upside-down wooden stool is cast in a glowing, neon light. In the background, a rocking chair with decorative pillows appears out of focus.
    An upside-down wooden stool is cast in a glowing, neon light. In the background, a rocking chair with decorative pillows appears out of focus.
    [An upside-down wooden stool is cast in a glowing, neon light. In the background, a rocking chair with decorative pillows appears out of focus.]
    Caption
    Image description An upside-down wooden stool is cast in a glowing, neon light. In the background, a rocking chair with decorative pillows appears out of focus.
    Year 2025
    Related pages Brad Kronz
  • A man in a white shirt and pinstriped vest and pants casually holds a black jacket over one shoulder.
    A man in a white shirt and pinstriped vest and pants casually holds a black jacket over one shoulder.
    [A man in a white shirt and pinstriped vest and pants casually holds a black jacket over one shoulder. "Undoolay" is in pink script on the bottom of the image, crossing over "Elective Affinities".]
    Caption
    Image description A man in a white shirt and pinstriped vest and pants casually holds a black jacket over one shoulder. "Undoolay" is in pink script on the bottom of the image, crossing over "Elective Affinities".
    Year 2016
    Related pages Lukas Duwenhögger: Undoolay
  • A woman interviews Francisco Weffort, the Brazilian Minister of culture, holding out a TV microphone.
    A woman interviews Francisco Weffort, the Brazilian Minister of culture, holding out a TV microphone.
    Andrea Fraser, Reporting from São Paulo, I'm from the United States, 1998. Courtesy the artist and Galerie Nagel Draxler. [A woman interviews Francisco Weffort, the Brazilian Minister of culture, holding out a TV microphone.]
    Caption Andrea Fraser, Reporting from São Paulo, I'm from the United States, 1998. Courtesy the artist and Galerie Nagel Draxler.
    Image description A woman interviews Francisco Weffort, the Brazilian Minister of culture, holding out a TV microphone.
    Year 1998
    Related pages Artists Space Dialogues: Andrea Fraser and Gregg Bordowitz
  • A performer plays the theremin on stage, bathed in pink and blue light.
    A performer plays the theremin on stage, bathed in pink and blue light.
    Abasement #82. Performance documentation, November 17th, 2025, Artists Space. Photo: Joshua Wildman. [A performer plays the theremin on stage, bathed in pink and blue light. ]
    Caption Abasement #82. Performance documentation, November 17th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description A performer plays the theremin on stage, bathed in pink and blue light.
    Year
    Related pages Abasement #82
  • View down a hallway with framed images on the wall.
    View down a hallway with framed images on the wall.
    Young Fluxus. Installation view, Artists Space, 1982. [View down a hallway with framed images on the wall.]
    Caption Young Fluxus. Installation view, Artists Space, 1982.
    Image description View down a hallway with framed images on the wall.
    Year
    Related pages Young Fluxus
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    Related pages Sharon Hayes and Brooke O'Harra 2
  • Six pornographic illustrations of men near trees are framed on a wall.
    Six pornographic illustrations of men near trees are framed on a wall.
    Tom of Finland: The Pleasure of Play. Installation view, Artists Space, 2015. [Six pornographic illustrations of men near trees are framed on a wall.]
    Caption Tom of Finland: The Pleasure of Play. Installation view, Artists Space, 2015.
    Image description Six pornographic illustrations of men near trees are framed on a wall.
    Year 2015
    Related pages Tom of Finland: The Pleasure of Play
  • Two illustrations framed on a wall. On the left, two men, dressed in suits, engage in intercource behind a women sat in a chair. On the right, a half naked man sits on a bench in a cell above a man licking his leg, and an exposed butt that is plugged.
    Two illustrations framed on a wall. On the left, two men, dressed in suits, engage in intercource behind a women sat in a chair. On the right, a half naked man sits on a bench in a cell above a man licking his leg, and an exposed butt that is plugged.
    Tom of Finland: The Pleasure of Play. Installation view, Artists Space, 2015. [Two illustrations framed on a wall. On the left, two men, dressed in suits, engage in intercource behind a women sat in a chair. On the right, a half naked man sits on a bench in a cell above a man licking his leg, and an exposed butt that is plugged.]
    Caption Tom of Finland: The Pleasure of Play. Installation view, Artists Space, 2015.
    Image description Two illustrations framed on a wall. On the left, two men, dressed in suits, engage in intercource behind a women sat in a chair. On the right, a half naked man sits on a bench in a cell above a man licking his leg, and an exposed butt that is plugged.
    Year 2015
    Related pages Tom of Finland: The Pleasure of Play
  • A bottle of wine sits on a set dining table covered in a red tablecloth, surrounded by wine glasses. The wine label features an irregular curved white semi-oval, overlaid with a smaller burgundy red shape, and the embossed text
    A bottle of wine sits on a set dining table covered in a red tablecloth, surrounded by wine glasses. The wine label features an irregular curved white semi-oval, overlaid with a smaller burgundy red shape, and the embossed text
    Friends of Artists Space Dinner 2024. Wine sponsor Vivanterre. Photo: Jenna Bascom [A bottle of wine sits on a set dining table covered in a red tablecloth, surrounded by wine glasses. The wine label features an irregular curved white semi-oval, overlaid with a smaller burgundy red shape, and the embossed text "Vivanterre"]
    Caption Friends of Artists Space Dinner 2024. Wine sponsor Vivanterre. Photo: Jenna Bascom
    Image description A bottle of wine sits on a set dining table covered in a red tablecloth, surrounded by wine glasses. The wine label features an irregular curved white semi-oval, overlaid with a smaller burgundy red shape, and the embossed text "Vivanterre"
    Year
    Related pages Friends of Artists Space Dinner
  • A table with red cover that reads
    A table with red cover that reads
    New Red Order with Maiingan “iNDiO1763” Wiikwedong, Gaile Pranckunaite, and Inpatient Press. Conscientious Conscripture, 2018 - Ongoing Polyester knit feather flag, polyester knit fabric step-and-repeat, table, tablecloth, chair, vinyl retractable banner, dibond print on easel, three televisions, red phone, newspaper box, and childrens activity book. Image courtesy Artists Space, New York Photo: Filip Wolak [A table with red cover that reads "NEW RED ORDER" sits in between three tv monitors. On either side of the tv monitors sits a banner and a newspaper dispenser.]
    Caption New Red Order with Maiingan “iNDiO1763” Wiikwedong, Gaile Pranckunaite, and Inpatient Press. Conscientious Conscripture, 2018 - Ongoing Polyester knit feather flag, polyester knit fabric step-and-repeat, table, tablecloth, chair, vinyl retractable banner, dibond print on easel, three televisions, red phone, newspaper box, and childrens activity book. Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description A table with red cover that reads "NEW RED ORDER" sits in between three tv monitors. On either side of the tv monitors sits a banner and a newspaper dispenser.
    Year 2021
    Related pages New Red Order: Feel at Home Here
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Color photograph of two figures performing in a dark gallery space, lit only by an installation of LED lights covered in dried SCOBY material. One figure wearing black leans down in front of one of the LED lights. Partly hidden behind a column, another figure stands wearing a red suit.
    Color photograph of two figures performing in a dark gallery space, lit only by an installation of LED lights covered in dried SCOBY material. One figure wearing black leans down in front of one of the LED lights. Partly hidden behind a column, another figure stands wearing a red suit.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata [Color photograph of two figures performing in a dark gallery space, lit only by an installation of LED lights covered in dried SCOBY material. One figure wearing black leans down in front of one of the LED lights. Partly hidden behind a column, another figure stands wearing a red suit.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of two figures performing in a dark gallery space, lit only by an installation of LED lights covered in dried SCOBY material. One figure wearing black leans down in front of one of the LED lights. Partly hidden behind a column, another figure stands wearing a red suit.
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    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • Two figures behind music stands perform before a seated audience. One of the figures wears a striped shirt and has turned away from the figure beside them, who gazes out towards the audience as they speak.
    Two figures behind music stands perform before a seated audience. One of the figures wears a striped shirt and has turned away from the figure beside them, who gazes out towards the audience as they speak.
    The Owl Answers. Performance documentation, February 29, 2020, Artists Space. Photo ©️ 2020 Filip Wolak. [Two figures behind music stands perform before a seated audience. One of the figures wears a striped shirt and has turned away from the figure beside them, who gazes out towards the audience as they speak.]
    Caption The Owl Answers. Performance documentation, February 29, 2020, Artists Space. Photo ©️ 2020 Filip Wolak.
    Image description Two figures behind music stands perform before a seated audience. One of the figures wears a striped shirt and has turned away from the figure beside them, who gazes out towards the audience as they speak.
    Year 2020
    Related pages The Owl Answers
  • *Jordan Lord: Prophetic Memory," Installation view, Artists Space (55 Walker Street), 2021.
    Caption *Jordan Lord: Prophetic Memory," Installation view, Artists Space (55 Walker Street), 2021.
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    Related pages Jordan Lord: Prophetic Memory
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  • A small constructed dancing figurine appears on a pedestal with light shining on it from the right creating a shadow on its left.
    A small constructed dancing figurine appears on a pedestal with light shining on it from the right creating a shadow on its left.
    Neraldo de la Paz. Melania's Thigh, 1982. [A small constructed dancing figurine appears on a pedestal with light shining on it from the right creating a shadow on its left.]
    Caption Neraldo de la Paz. Melania's Thigh, 1982.
    Image description A small constructed dancing figurine appears on a pedestal with light shining on it from the right creating a shadow on its left.
    Year
    Related pages Recent Art from Chicago
  • A negative exposure of several people standing or walking in a hallway with an arched ceiling.
    A negative exposure of several people standing or walking in a hallway with an arched ceiling.
    Angie Eng, still from Undersites, 1996. Video. [A negative exposure of several people standing or walking in a hallway with an arched ceiling.]
    Caption Angie Eng, still from Undersites, 1996. Video.
    Image description A negative exposure of several people standing or walking in a hallway with an arched ceiling.
    Year 1996
    Related pages Safety Belt
  • A low futon couch on a wooden platform with multicolored pillows is fit into the corner of a room with two windows. There is a short table with two placemats and brochures, and a television. In the foreground, there is a white plinth with a glass top housing an orange object.
    A low futon couch on a wooden platform with multicolored pillows is fit into the corner of a room with two windows. There is a short table with two placemats and brochures, and a television. In the foreground, there is a white plinth with a glass top housing an orange object.
    The columns held us up. Installation view, Artists Space, 2009. Photo: Adam Reich. [A low futon couch on a wooden platform with multicolored pillows is fit into the corner of a room with two windows. There is a short table with two placemats and brochures, and a television. In the foreground, there is a white plinth with a glass top housing an orange object.]
    Caption The columns held us up. Installation view, Artists Space, 2009. Photo: Adam Reich.
    Image description A low futon couch on a wooden platform with multicolored pillows is fit into the corner of a room with two windows. There is a short table with two placemats and brochures, and a television. In the foreground, there is a white plinth with a glass top housing an orange object.
    Year 2009
    Related pages The columns held us up
  • A city street with a concrete median and wall made from gray metal supported by wooden planks. The median has the words
    A city street with a concrete median and wall made from gray metal supported by wooden planks. The median has the words
    Valerie Tevere, UNITED STATES, 1996. [A city street with a concrete median and wall made from gray metal supported by wooden planks. The median has the words "Property of LACTC" printed on it. Hanging just above that are four postered portraits displayed in a horizontal line. Each poster features three letters below its portrait image that together spell out "UNI/TED/STA/TES". The portraits are framed by traffic signs that say, "WRONG WAY" and "USE SIDEWALK."]
    Caption Valerie Tevere, UNITED STATES, 1996.
    Image description A city street with a concrete median and wall made from gray metal supported by wooden planks. The median has the words "Property of LACTC" printed on it. Hanging just above that are four postered portraits displayed in a horizontal line. Each poster features three letters below its portrait image that together spell out "UNI/TED/STA/TES". The portraits are framed by traffic signs that say, "WRONG WAY" and "USE SIDEWALK."
    Year 1996
    Related pages When Artists Say We
  • A color photograph of a floorbound television monitor, showing a figure in a snow bank. Above is an annotated drawing of a human figure.
    A color photograph of a floorbound television monitor, showing a figure in a snow bank. Above is an annotated drawing of a human figure.
    Milford Graves: Fundamental Frequency. Installation view (Movements in the Snow, 1990, Herbal Chart, c. 1980), Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak. [A color photograph of a floorbound television monitor, showing a figure in a snow bank. Above is an annotated drawing of a human figure.]
    Caption Milford Graves: Fundamental Frequency. Installation view (Movements in the Snow, 1990, Herbal Chart, c. 1980), Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak.
    Image description A color photograph of a floorbound television monitor, showing a figure in a snow bank. Above is an annotated drawing of a human figure.
    Year 2021
    Related pages Milford Graves: Fundamental Frequency
  • A red deflated balloon, folded at the neck, with white text that reads,
    A red deflated balloon, folded at the neck, with white text that reads,
    [A red deflated balloon, folded at the neck, with white text that reads, "Living with Pop."]
    Caption
    Image description A red deflated balloon, folded at the neck, with white text that reads, "Living with Pop."
    Year 2014
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • A close up image of hands holding a film camera in black and white on a white background. Below the hands, a small, black silhouette of a figure walking.
    A close up image of hands holding a film camera in black and white on a white background. Below the hands, a small, black silhouette of a figure walking.
    Vanalyne Green, Still from A Spy in the House That Ruth Built, 1989. 29 minutes. [A close up image of hands holding a film camera in black and white on a white background. Below the hands, a small, black silhouette of a figure walking.]
    Caption Vanalyne Green, Still from A Spy in the House That Ruth Built, 1989. 29 minutes.
    Image description A close up image of hands holding a film camera in black and white on a white background. Below the hands, a small, black silhouette of a figure walking.
    Year 1989
    Related pages Reframing the Family
  • A color image of a gallery space. A sculpture featuring a shovel with a cast iron claw foot sits upright on a pedestal. To the right of the shovel, three framed ink drawings on paper are hung on the wall.
    A color image of a gallery space. A sculpture featuring a shovel with a cast iron claw foot sits upright on a pedestal. To the right of the shovel, three framed ink drawings on paper are hung on the wall.
    Andy Robert: PAPALOKO. Installation view, Artists Space, 2024. Photo: Carter Seddon. [A color image of a gallery space. A sculpture featuring a shovel with a cast iron claw foot sits upright on a pedestal. To the right of the shovel, three framed ink drawings on paper are hung on the wall.]
    Caption Andy Robert: PAPALOKO. Installation view, Artists Space, 2024. Photo: Carter Seddon.
    Image description A color image of a gallery space. A sculpture featuring a shovel with a cast iron claw foot sits upright on a pedestal. To the right of the shovel, three framed ink drawings on paper are hung on the wall.
    Year
    Related pages Andy Robert: Papaloko
  • Magazine cut-outs and ink drawings are collaged together on a background of beige, yellow, orange, green, and red paper. Small pieces of paper with red typewritten text listing the performers and event details are scattered around the flyer.
    Magazine cut-outs and ink drawings are collaged together on a background of beige, yellow, orange, green, and red paper. Small pieces of paper with red typewritten text listing the performers and event details are scattered around the flyer.
    Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a background of beige, yellow, orange, green, and red paper. Small pieces of paper with red typewritten text listing the performers and event details are scattered around the flyer.]
    Caption Flyer by Joe Frivaldi.
    Image description Magazine cut-outs and ink drawings are collaged together on a background of beige, yellow, orange, green, and red paper. Small pieces of paper with red typewritten text listing the performers and event details are scattered around the flyer.
    Year
    Related pages Abasement #83
  • Black and white photograph of cursive white text on a black background on the floor.
    Black and white photograph of cursive white text on a black background on the floor.
    Margia Kramer. Installation view, Artists Space, 1980. [Black and white photograph of cursive white text on a black background on the floor.]
    Caption Margia Kramer. Installation view, Artists Space, 1980.
    Image description Black and white photograph of cursive white text on a black background on the floor.
    Year
    Related pages Margia Kramer
  • A gallery space with a large circle of decals on the wall on the right. In the far left corner, a projector sits on a pedestal.
    A gallery space with a large circle of decals on the wall on the right. In the far left corner, a projector sits on a pedestal.
    Installation view, Robert Morgan. Artists Space, 1977. [A gallery space with a large circle of decals on the wall on the right. In the far left corner, a projector sits on a pedestal.]
    Caption Installation view, Robert Morgan. Artists Space, 1977.
    Image description A gallery space with a large circle of decals on the wall on the right. In the far left corner, a projector sits on a pedestal.
    Year 1977
    Related pages Robert Morgan
  • A teal circle on a white background with several names written around the perimeter, circling the midpoint of the circle. White text on the right side of the circle reads,
    A teal circle on a white background with several names written around the perimeter, circling the midpoint of the circle. White text on the right side of the circle reads,
    Poster for No Total Weekend, May 29-31, 2015, Artists Space. [A teal circle on a white background with several names written around the perimeter, circling the midpoint of the circle. White text on the right side of the circle reads, "May 29-31. 2015 / No Total Weekend." The rest of the text spells out the schedule of the event.]
    Caption Poster for No Total Weekend, May 29-31, 2015, Artists Space.
    Image description A teal circle on a white background with several names written around the perimeter, circling the midpoint of the circle. White text on the right side of the circle reads, "May 29-31. 2015 / No Total Weekend." The rest of the text spells out the schedule of the event.
    Year 2015
    Related pages No Total Weekend
  • A figure in overalls leans forward to paint broad strokes of lighter paint on a black tarp hung on a wall. Painting supplies sit on a table directly behind them.
    A figure in overalls leans forward to paint broad strokes of lighter paint on a black tarp hung on a wall. Painting supplies sit on a table directly behind them.
    Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [A figure in overalls leans forward to paint broad strokes of lighter paint on a black tarp hung on a wall. Painting supplies sit on a table directly behind them.]
    Caption Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description A figure in overalls leans forward to paint broad strokes of lighter paint on a black tarp hung on a wall. Painting supplies sit on a table directly behind them.
    Year 2019
    Related pages Speaker Music: drape over another
  • Black and white photographs hang in a horizontal line across a dark wall descending into an exhibition space. On the right, a video monitor sits on the ground. In the background is a free-standing wall featuring a series of framed photographs. A mannequin dressed in orange and green fabric is displayed in front of the photographs.
    Black and white photographs hang in a horizontal line across a dark wall descending into an exhibition space. On the right, a video monitor sits on the ground. In the background is a free-standing wall featuring a series of framed photographs. A mannequin dressed in orange and green fabric is displayed in front of the photographs.
    Jack Smith: Art Crust of Spiritual Oasis. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [Black and white photographs hang in a horizontal line across a dark wall descending into an exhibition space. On the right, a video monitor sits on the ground. In the background is a free-standing wall featuring a series of framed photographs. A mannequin dressed in orange and green fabric is displayed in front of the photographs.]
    Caption Jack Smith: Art Crust of Spiritual Oasis. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description Black and white photographs hang in a horizontal line across a dark wall descending into an exhibition space. On the right, a video monitor sits on the ground. In the background is a free-standing wall featuring a series of framed photographs. A mannequin dressed in orange and green fabric is displayed in front of the photographs.
    Year 2018
    Related pages Jack Smith: Art Crust of Spiritual Oasis
  • Trees in a dense forest captured at nightfall.
    Trees in a dense forest captured at nightfall.
    James Benning, still from Nightfall, 2011. Digital HD, 97 min. [Trees in a dense forest captured at nightfall.]
    Caption James Benning, still from Nightfall, 2011. Digital HD, 97 min.
    Image description Trees in a dense forest captured at nightfall.
    Year 2011
    Related pages Film and Video Program | Macho Man, Tell It To My Heart: Collected by Julie Ault | February 20
  • Two glass display cases holding ephemera sit on either side of a tv monitor, on the wall are four black and white contact sheets.
    Two glass display cases holding ephemera sit on either side of a tv monitor, on the wall are four black and white contact sheets.
    Till They Listen: Bill Gunn Directs America. Installation view, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [Two glass display cases holding ephemera sit on either side of a tv monitor, on the wall are four black and white contact sheets.]
    Caption Till They Listen: Bill Gunn Directs America. Installation view, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description Two glass display cases holding ephemera sit on either side of a tv monitor, on the wall are four black and white contact sheets.
    Year 2021
    Related pages Till They Listen: Bill Gunn Directs America
  • A grainy image of a person's face in striped tones of blue, orange, pink, and green.
    A grainy image of a person's face in striped tones of blue, orange, pink, and green.
    Kristin Lucas, still from Cable Xcess, 1996. [A grainy image of a person's face in striped tones of blue, orange, pink, and green.]
    Caption Kristin Lucas, still from Cable Xcess, 1996.
    Image description A grainy image of a person's face in striped tones of blue, orange, pink, and green.
    Year 1996
    Related pages Station to Station
  • A smooth, white branch extends up from the floor vertically. Behind it is a wall, papered with a pattern of tropical birds in trees on a white background.
    A smooth, white branch extends up from the floor vertically. Behind it is a wall, papered with a pattern of tropical birds in trees on a white background.
    Spring Exhibitions. Installation view, Artists Space, 2009. [A smooth, white branch extends up from the floor vertically. Behind it is a wall, papered with a pattern of tropical birds in trees on a white background.]
    Caption Spring Exhibitions. Installation view, Artists Space, 2009.
    Image description A smooth, white branch extends up from the floor vertically. Behind it is a wall, papered with a pattern of tropical birds in trees on a white background.
    Year 2009
    Related pages Spring Exhibitions
  • A animated cartoon in tones of black, blue, and grey depicting a silhouette of a prisoner with a chain on his leg and hands in the air, facing a large door with multiple locks.
    A animated cartoon in tones of black, blue, and grey depicting a silhouette of a prisoner with a chain on his leg and hands in the air, facing a large door with multiple locks.
    Still from The Last Days of Jack Sheppard (2009). [A animated cartoon in tones of black, blue, and grey depicting a silhouette of a prisoner with a chain on his leg and hands in the air, facing a large door with multiple locks.]
    Caption Still from The Last Days of Jack Sheppard (2009).
    Image description A animated cartoon in tones of black, blue, and grey depicting a silhouette of a prisoner with a chain on his leg and hands in the air, facing a large door with multiple locks.
    Year 2009
    Related pages The Last Days of Jack Sheppard
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    Related pages Artists Space Dialogues: Huey Copeland, Michelle Kuo
  • A color image of a gallery space features two shovels, standing upright on pedestals, a radiator sitting on its side; In the forground, a divining rod attached to a pedestal is placed on the floor.
    A color image of a gallery space features two shovels, standing upright on pedestals, a radiator sitting on its side; In the forground, a divining rod attached to a pedestal is placed on the floor.
    Andy Robert: PAPALOKO. Installation view, Artists Space, 2024. Photo: Carter Seddon. [A color image of a gallery space features two shovels, standing upright on pedestals, a radiator sitting on its side; In the forground, a divining rod attached to a pedestal is placed on the floor.]
    Caption Andy Robert: PAPALOKO. Installation view, Artists Space, 2024. Photo: Carter Seddon.
    Image description A color image of a gallery space features two shovels, standing upright on pedestals, a radiator sitting on its side; In the forground, a divining rod attached to a pedestal is placed on the floor.
    Year
    Related pages Andy Robert: Papaloko
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    Related pages Abasement #83
  • Four geometric, silver metal sculptures are installed on the floors of a light-filled gallery space. The sculptures are modular, hollow, and consist of cube-like and triangular metal components.
    Four geometric, silver metal sculptures are installed on the floors of a light-filled gallery space. The sculptures are modular, hollow, and consist of cube-like and triangular metal components.
    Charlotte Posenenske. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [Four geometric, silver metal sculptures are installed on the floors of a light-filled gallery space. The sculptures are modular, hollow, and consist of cube-like and triangular metal components.]
    Caption Charlotte Posenenske. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description Four geometric, silver metal sculptures are installed on the floors of a light-filled gallery space. The sculptures are modular, hollow, and consist of cube-like and triangular metal components.
    Year 2010
    Related pages Charlotte Posenenske
  • A drained inground swimming pool surrounded by greenery.
    A drained inground swimming pool surrounded by greenery.
    Maltz, Russell. 1979. [A drained inground swimming pool surrounded by greenery.]
    Caption Maltz, Russell. 1979.
    Image description A drained inground swimming pool surrounded by greenery.
    Year
    Related pages Pool Show
  • A drawing of shadowy unrecognizable forms.
    A drawing of shadowy unrecognizable forms.
    Mark West, Welcome to the Neighborhood (detail), 1986. [A drawing of shadowy unrecognizable forms.]
    Caption Mark West, Welcome to the Neighborhood (detail), 1986.
    Image description A drawing of shadowy unrecognizable forms.
    Year
    Related pages From Here to Eternity: Fact and Fiction in Recent Architectural Projects
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    Related pages Doris Guo Matthew Langan-Peck Isabelle Frances McGuire Ruben Ulises Rodriguez Montoya
  • Two white walls are suspended on six vertical poles and are arranged so that they form a right corner. A large grid-like composition composed of many small squares is mounted on the left wall. On the right wall there are many photographs and printed video stills either mounted in grid patterns or one above the other.
    Two white walls are suspended on six vertical poles and are arranged so that they form a right corner. A large grid-like composition composed of many small squares is mounted on the left wall. On the right wall there are many photographs and printed video stills either mounted in grid patterns or one above the other.
    Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Two white walls are suspended on six vertical poles and are arranged so that they form a right corner. A large grid-like composition composed of many small squares is mounted on the left wall. On the right wall there are many photographs and printed video stills either mounted in grid patterns or one above the other.]
    Caption Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Two white walls are suspended on six vertical poles and are arranged so that they form a right corner. A large grid-like composition composed of many small squares is mounted on the left wall. On the right wall there are many photographs and printed video stills either mounted in grid patterns or one above the other.
    Year 2012
    Related pages Radical Localism: Art, Video and Culture from Pueblo Nuevo’s Mexicali Rose
  • Inside a pink-hued room are three tanker desks and three rolling office chairs in a single-file line. Security monitors with color videos sit on each desk alongside small pieces of clay. In the distance, tree trunks wrapped in fabric rest on the floor and construction nets hang from the ceiling. A wooden structure and an aquarium with purple-colored lights are positioned behind the tree trunks.
    Inside a pink-hued room are three tanker desks and three rolling office chairs in a single-file line. Security monitors with color videos sit on each desk alongside small pieces of clay. In the distance, tree trunks wrapped in fabric rest on the floor and construction nets hang from the ceiling. A wooden structure and an aquarium with purple-colored lights are positioned behind the tree trunks.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022. [Inside a pink-hued room are three tanker desks and three rolling office chairs in a single-file line. Security monitors with color videos sit on each desk alongside small pieces of clay. In the distance, tree trunks wrapped in fabric rest on the floor and construction nets hang from the ceiling. A wooden structure and an aquarium with purple-colored lights are positioned behind the tree trunks.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022.
    Image description Inside a pink-hued room are three tanker desks and three rolling office chairs in a single-file line. Security monitors with color videos sit on each desk alongside small pieces of clay. In the distance, tree trunks wrapped in fabric rest on the floor and construction nets hang from the ceiling. A wooden structure and an aquarium with purple-colored lights are positioned behind the tree trunks.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • A girl lays on a dark background. She wears a white leotard. Her arms are stretched straight out on either side, with her palms facing upwards. She gazes upwards, illuminated by a soft light.
    A girl lays on a dark background. She wears a white leotard. Her arms are stretched straight out on either side, with her palms facing upwards. She gazes upwards, illuminated by a soft light.
    Sarah Michelson. Devotion, 2011. Photo: Paula Court. [A girl lays on a dark background. She wears a white leotard. Her arms are stretched straight out on either side, with her palms facing upwards. She gazes upwards, illuminated by a soft light.]
    Caption Sarah Michelson. Devotion, 2011. Photo: Paula Court.
    Image description A girl lays on a dark background. She wears a white leotard. Her arms are stretched straight out on either side, with her palms facing upwards. She gazes upwards, illuminated by a soft light.
    Year 2011
    Related pages Performing Institution
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  • A yellow stamp reading,
    A yellow stamp reading,
    [A yellow stamp reading, "W.A.G.E." overlaid with pink text reading, "Working Artists and the Greater Economy."]
    Caption
    Image description A yellow stamp reading, "W.A.G.E." overlaid with pink text reading, "Working Artists and the Greater Economy."
    Year 2012
    Related pages Marion Von Osten: Be Creative!
  • Two dynamic images of a group of individuals pinned by large push pins on a green gallery wall.
    Two dynamic images of a group of individuals pinned by large push pins on a green gallery wall.
    ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [Two dynamic images of a group of individuals pinned by large push pins on a green gallery wall.]
    Caption ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak
    Image description Two dynamic images of a group of individuals pinned by large push pins on a green gallery wall.
    Year 2021
    Related pages ART CLUB2000
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  • Students create cyanotypes from gathered and found materials, 2022
    Caption Students create cyanotypes from gathered and found materials, 2022
    Image description
    Year 2022
    Related pages Listening to the LES
  • A rough sketch of a gallery with names in specific zones, done in blue ink
    A rough sketch of a gallery with names in specific zones, done in blue ink
    Floor plan sketch for Group Show, Artists Space, 1975. [A rough sketch of a gallery with names in specific zones, done in blue ink]
    Caption Floor plan sketch for Group Show, Artists Space, 1975.
    Image description A rough sketch of a gallery with names in specific zones, done in blue ink
    Year 1975
    Related pages Group Show
  • A brown object stands on a white base. On the flat surface of the object, an onion and a lemon are connected with blue and green wires. In the base of the object a processing chip is embedded.
    A brown object stands on a white base. On the flat surface of the object, an onion and a lemon are connected with blue and green wires. In the base of the object a processing chip is embedded.
    Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $5,000
    [A brown object stands on a white base. On the flat surface of the object, an onion and a lemon are connected with blue and green wires. In the base of the object a processing chip is embedded.]
    Caption Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $5,000
    Image description A brown object stands on a white base. On the flat surface of the object, an onion and a lemon are connected with blue and green wires. In the base of the object a processing chip is embedded.
    Year 2019
    Related pages Trisha Baga Edition
  • A black cube-shaped speaker sits, tilted upwards, in the middle of a room with wooden floors and white walls. On a wall to the left of the image is a printed image of a fragment of a face with an open mouth, the skin painted in red, blue, and yellow. On a wall to the right are two printed works, one an illustration of a figure in black and white but with a section of the image above the figure's head blocked out with white space, another is a red and blue polka dot pattern in a hand-cut shape. On the wall in the middle of the room is a small white shelf with a small flat object on top of it.
    A black cube-shaped speaker sits, tilted upwards, in the middle of a room with wooden floors and white walls. On a wall to the left of the image is a printed image of a fragment of a face with an open mouth, the skin painted in red, blue, and yellow. On a wall to the right are two printed works, one an illustration of a figure in black and white but with a section of the image above the figure's head blocked out with white space, another is a red and blue polka dot pattern in a hand-cut shape. On the wall in the middle of the room is a small white shelf with a small flat object on top of it.
    Aloïs Godinat: New Works. Installation view, Artists Space, 2007. Photo: Bill Orcutt. [A black cube-shaped speaker sits, tilted upwards, in the middle of a room with wooden floors and white walls. On a wall to the left of the image is a printed image of a fragment of a face with an open mouth, the skin painted in red, blue, and yellow. On a wall to the right are two printed works, one an illustration of a figure in black and white but with a section of the image above the figure's head blocked out with white space, another is a red and blue polka dot pattern in a hand-cut shape. On the wall in the middle of the room is a small white shelf with a small flat object on top of it.]
    Caption Aloïs Godinat: New Works. Installation view, Artists Space, 2007. Photo: Bill Orcutt.
    Image description A black cube-shaped speaker sits, tilted upwards, in the middle of a room with wooden floors and white walls. On a wall to the left of the image is a printed image of a fragment of a face with an open mouth, the skin painted in red, blue, and yellow. On a wall to the right are two printed works, one an illustration of a figure in black and white but with a section of the image above the figure's head blocked out with white space, another is a red and blue polka dot pattern in a hand-cut shape. On the wall in the middle of the room is a small white shelf with a small flat object on top of it.
    Year 2007
    Related pages New Works
  • White text on a bright fuchsia background. The text reads: “Oct 4 / Sophia Dahlin / Bianca Rae Messinger.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    White text on a bright fuchsia background. The text reads: “Oct 4 / Sophia Dahlin / Bianca Rae Messinger.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [White text on a bright fuchsia background. The text reads: “Oct 4 / Sophia Dahlin / Bianca Rae Messinger.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description White text on a bright fuchsia background. The text reads: “Oct 4 / Sophia Dahlin / Bianca Rae Messinger.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Sophia Dahlin & Bianca Rae Messinger
  • An image of a multicolored exhibition space consisting of beach paraphernalia, a real estate lawn sign, and a mural wall collaged with images and drawings.
    An image of a multicolored exhibition space consisting of beach paraphernalia, a real estate lawn sign, and a mural wall collaged with images and drawings.
    New Red Order Cover the Earth, detail, 2021 Painted mural with cut vinyl, dibond prints, kiddie pool, sod, inflatable alligator, turtle sandbox, beach towels, towel racks, beach balls, beach chairs, beach umbrella, real estate lawn sign, cooler, and pool noodles. Photo: Filip Wolak [An image of a multicolored exhibition space consisting of beach paraphernalia, a real estate lawn sign, and a mural wall collaged with images and drawings.]
    Caption New Red Order Cover the Earth, detail, 2021 Painted mural with cut vinyl, dibond prints, kiddie pool, sod, inflatable alligator, turtle sandbox, beach towels, towel racks, beach balls, beach chairs, beach umbrella, real estate lawn sign, cooler, and pool noodles. Photo: Filip Wolak
    Image description An image of a multicolored exhibition space consisting of beach paraphernalia, a real estate lawn sign, and a mural wall collaged with images and drawings.
    Year 2021
    Related pages New Red Order: Feel at Home Here
  • A color image of the corner of a gallery space with two columns. Across the two white walls, six framed abstract drawings on black paper are displayed in a horizontal line.
    A color image of the corner of a gallery space with two columns. Across the two white walls, six framed abstract drawings on black paper are displayed in a horizontal line.
    Renee Gladman: Narratives of Magnitude. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of the corner of a gallery space with two columns. Across the two white walls, six framed abstract drawings on black paper are displayed in a horizontal line.]
    Caption Renee Gladman: Narratives of Magnitude. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A color image of the corner of a gallery space with two columns. Across the two white walls, six framed abstract drawings on black paper are displayed in a horizontal line.
    Year
    Related pages Renee Gladman
  • Two seated musicians are pictured with a mic stand in between them. One is playing a horn and one is playing a flute.
    Two seated musicians are pictured with a mic stand in between them. One is playing a horn and one is playing a flute.
    Axine M: Sold Licker Glass, 2024, Artists Space. Courtesy of ISSUE Project Room. Photography by Cameron Kelly McLeod. [Two seated musicians are pictured with a mic stand in between them. One is playing a horn and one is playing a flute. ]
    Caption Axine M: Sold Licker Glass, 2024, Artists Space. Courtesy of ISSUE Project Room. Photography by Cameron Kelly McLeod.
    Image description Two seated musicians are pictured with a mic stand in between them. One is playing a horn and one is playing a flute.
    Year
    Related pages Axine M: Sold Licker Glass
  • A color photograph of a blye and white ceramic jug on a small wooden stool. Next to the jug is a color control strip.
    A color photograph of a blye and white ceramic jug on a small wooden stool. Next to the jug is a color control strip.
    Lyndon Barrois Jr.: Mirage Collar. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of a blye and white ceramic jug on a small wooden stool. Next to the jug is a color control strip.]
    Caption Lyndon Barrois Jr.: Mirage Collar. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color photograph of a blye and white ceramic jug on a small wooden stool. Next to the jug is a color control strip.
    Year 2022
    Related pages Lyndon Barrois Jr.: Mirage Collar
  • A long rectangular wooden table with three TV monitors facing outwards on different sides. Six small wooden seats with wired headphones resting on them are arranged in front of the monitors. One visible screen displays an image of a man sitting at a table.
    A long rectangular wooden table with three TV monitors facing outwards on different sides. Six small wooden seats with wired headphones resting on them are arranged in front of the monitors. One visible screen displays an image of a man sitting at a table.
    Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979). Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A long rectangular wooden table with three TV monitors facing outwards on different sides. Six small wooden seats with wired headphones resting on them are arranged in front of the monitors. One visible screen displays an image of a man sitting at a table.]
    Caption Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979). Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description A long rectangular wooden table with three TV monitors facing outwards on different sides. Six small wooden seats with wired headphones resting on them are arranged in front of the monitors. One visible screen displays an image of a man sitting at a table.
    Year 2011
    Related pages Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979)
  • A photo of three performers standing in the middle of a room, surrounded by the audience. Two performers linked hands, and the third stands in between them, arms raised.
    A photo of three performers standing in the middle of a room, surrounded by the audience. Two performers linked hands, and the third stands in between them, arms raised.
    Richard Kennedy, Both, Artists Space, 2017. [A photo of three performers standing in the middle of a room, surrounded by the audience. Two performers linked hands, and the third stands in between them, arms raised.]
    Caption Richard Kennedy, Both, Artists Space, 2017.
    Image description A photo of three performers standing in the middle of a room, surrounded by the audience. Two performers linked hands, and the third stands in between them, arms raised.
    Year 2017
    Related pages About
  • A close up image of vinyl text installed on a gallery wall. The header of the text reads,
    A close up image of vinyl text installed on a gallery wall. The header of the text reads,
    She Who Is: Adrienne Kennedy and the Drama of Difference. February 29, 2020–September 19,2020. Image courtesy of Artists Space, New York. Photo: Filip Wolak [A close up image of vinyl text installed on a gallery wall. The header of the text reads, "She Who Is / Adrienne Kennedy and the Drama of Difference." Past this gallery wall, a large exhibition space is visible. Several old Hollywood films are projected on the space's far gallery walls.]
    Caption She Who Is: Adrienne Kennedy and the Drama of Difference. February 29, 2020–September 19,2020. Image courtesy of Artists Space, New York. Photo: Filip Wolak
    Image description A close up image of vinyl text installed on a gallery wall. The header of the text reads, "She Who Is / Adrienne Kennedy and the Drama of Difference." Past this gallery wall, a large exhibition space is visible. Several old Hollywood films are projected on the space's far gallery walls.
    Year 2020
    Related pages She Who Is: Adrienne Kennedy and the Drama of Difference
  • A performer on stage leaning over a table with electronic instruments, holding a mic close to their mouth. They are bathed in yellow abstract projections, which also cover the wall.
    A performer on stage leaning over a table with electronic instruments, holding a mic close to their mouth. They are bathed in yellow abstract projections, which also cover the wall.
    Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman. [A performer on stage leaning over a table with electronic instruments, holding a mic close to their mouth. They are bathed in yellow abstract projections, which also cover the wall.]
    Caption Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman.
    Image description A performer on stage leaning over a table with electronic instruments, holding a mic close to their mouth. They are bathed in yellow abstract projections, which also cover the wall.
    Year
    Related pages Abasement #74
  • A man wearing a grey polo shirt sitting in front of a sky blue wall signs in Japanese sign language.
    A man wearing a grey polo shirt sitting in front of a sky blue wall signs in Japanese sign language.
    Caroline Key. Still from Speech Memory, 2007. 16mm film on video, color, sound; 23 minutes. Courtesy the artist. [A man wearing a grey polo shirt sitting in front of a sky blue wall signs in Japanese sign language.]
    Caption Caroline Key. Still from Speech Memory, 2007. 16mm film on video, color, sound; 23 minutes. Courtesy the artist.
    Image description A man wearing a grey polo shirt sitting in front of a sky blue wall signs in Japanese sign language.
    Year 2007
    Related pages Whitney ISP Archive
  • Students at Irving Penn exhibition at Pace, 2025 Students
    Caption Students at Irving Penn exhibition at Pace, 2025 Students
    Image description
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    Related pages BRIDGE Photography
  • A black and white image of a crowd of people gathered around a dinner table. The walls of the room are patterned, and there is a portrait of a bearded man hanging on the wall above the guest at the head of the table.
    A black and white image of a crowd of people gathered around a dinner table. The walls of the room are patterned, and there is a portrait of a bearded man hanging on the wall above the guest at the head of the table.
    Konrad Lueg Kaffee und Kuchen (Coffee and Cake), 1966. Courtesy Hommage an Schmela (Homage to Schmela), Galerie Schmela, Düsseldorf Courtesy Archiv Reiner Ruthenbeck, Ratingen © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn. Photo: Reiner Ruthenbeck. [A black and white image of a crowd of people gathered around a dinner table. The walls of the room are patterned, and there is a portrait of a bearded man hanging on the wall above the guest at the head of the table.]
    Caption Konrad Lueg Kaffee und Kuchen (Coffee and Cake), 1966. Courtesy Hommage an Schmela (Homage to Schmela), Galerie Schmela, Düsseldorf Courtesy Archiv Reiner Ruthenbeck, Ratingen © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn. Photo: Reiner Ruthenbeck.
    Image description A black and white image of a crowd of people gathered around a dinner table. The walls of the room are patterned, and there is a portrait of a bearded man hanging on the wall above the guest at the head of the table.
    Year 1966
    Related pages Living with Pop. A Reproduction of Capitalist Realism
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    Related pages Friends of Artists Space Dinner 2025
  • A woman looks down and opens a package in her hands while a man looks at her. Peep show neon signs can be viewed in the background.
    A woman looks down and opens a package in her hands while a man looks at her. Peep show neon signs can be viewed in the background.
    The Fairy Tale: Politics, Desire and Everyday Life. Installation View. Artists Space, 1986. [A woman looks down and opens a package in her hands while a man looks at her. Peep show neon signs can be viewed in the background.]
    Caption The Fairy Tale: Politics, Desire and Everyday Life. Installation View. Artists Space, 1986.
    Image description A woman looks down and opens a package in her hands while a man looks at her. Peep show neon signs can be viewed in the background.
    Year
    Related pages The Fairy Tale: Politics, Desire, and Everyday Life
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  • A dense graphic background of yellow circles and green dots on red ground is layered with text that reads
    A dense graphic background of yellow circles and green dots on red ground is layered with text that reads
    Juliana Huxtable, Train, 2018, Sound recording on compact disc housed in four-panel sleeve featuring original artwork, Recording: 14 min 17 seconds, sleeve: 5 x 10 inches, Signed and numbered. [A dense graphic background of yellow circles and green dots on red ground is layered with text that reads "close your eyes" in a variety of fonts and colors.]
    Caption Juliana Huxtable, Train, 2018, Sound recording on compact disc housed in four-panel sleeve featuring original artwork, Recording: 14 min 17 seconds, sleeve: 5 x 10 inches, Signed and numbered.
    Image description A dense graphic background of yellow circles and green dots on red ground is layered with text that reads "close your eyes" in a variety of fonts and colors.
    Year 2018
    Related pages Artists Space Annual Edition Portfolio 2018
  • A small statue of a bird sits on the floor of a dimly-lit gallery space. A long black wire runs from the sculpture to the ceiling. Several square holes have been removed from several spots on the gallery wall behind the sculpture, through which a space on the other side of the wall is visible.
    A small statue of a bird sits on the floor of a dimly-lit gallery space. A long black wire runs from the sculpture to the ceiling. Several square holes have been removed from several spots on the gallery wall behind the sculpture, through which a space on the other side of the wall is visible.
    Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt. [A small statue of a bird sits on the floor of a dimly-lit gallery space. A long black wire runs from the sculpture to the ceiling. Several square holes have been removed from several spots on the gallery wall behind the sculpture, through which a space on the other side of the wall is visible.]
    Caption Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt.
    Image description A small statue of a bird sits on the floor of a dimly-lit gallery space. A long black wire runs from the sculpture to the ceiling. Several square holes have been removed from several spots on the gallery wall behind the sculpture, through which a space on the other side of the wall is visible.
    Year 1997
    Related pages Lines of Loss
  • A sink structure on wheels sits atop a tilted wooden table top with legs of varying sizes. Light from the ceiling is seen emanating onto the structure in the white-walled gallery space.
    A sink structure on wheels sits atop a tilted wooden table top with legs of varying sizes. Light from the ceiling is seen emanating onto the structure in the white-walled gallery space.
    U.S. Projects: Howard Fried. Installation view, Artists Space, 1983. [A sink structure on wheels sits atop a tilted wooden table top with legs of varying sizes. Light from the ceiling is seen emanating onto the structure in the white-walled gallery space.]
    Caption U.S. Projects: Howard Fried. Installation view, Artists Space, 1983.
    Image description A sink structure on wheels sits atop a tilted wooden table top with legs of varying sizes. Light from the ceiling is seen emanating onto the structure in the white-walled gallery space.
    Year
    Related pages U.S. Projects: Howard Fried
  • The hallway of a gallery, leading into a large gallery space. On the left wall is a large black-and-white photograph is affixed to the wall, depicting the process of casting the iron objects displayed on the opposite wall on a tall plinth made of MDF. In the room in the back ground are more plinths and archival objects and documentation.
    The hallway of a gallery, leading into a large gallery space. On the left wall is a large black-and-white photograph is affixed to the wall, depicting the process of casting the iron objects displayed on the opposite wall on a tall plinth made of MDF. In the room in the back ground are more plinths and archival objects and documentation.
    Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon. [The hallway of a gallery, leading into a large gallery space. On the left wall is a large black-and-white photograph is affixed to the wall, depicting the process of casting the iron objects displayed on the opposite wall on a tall plinth made of MDF. In the room in the back ground are more plinths and archival objects and documentation.]
    Caption Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon.
    Image description The hallway of a gallery, leading into a large gallery space. On the left wall is a large black-and-white photograph is affixed to the wall, depicting the process of casting the iron objects displayed on the opposite wall on a tall plinth made of MDF. In the room in the back ground are more plinths and archival objects and documentation.
    Year
    Related pages Michael Asher
  • A blue shirt sits folded on a table with a book inside its pocket. Next to it, a book with text on the cover that reads,
    A blue shirt sits folded on a table with a book inside its pocket. Next to it, a book with text on the cover that reads,
    Richard Hollis. Installation view, Artists Space, 2013. [A blue shirt sits folded on a table with a book inside its pocket. Next to it, a book with text on the cover that reads, "The Hazards of Work: How to Fight Them."]
    Caption Richard Hollis. Installation view, Artists Space, 2013.
    Image description A blue shirt sits folded on a table with a book inside its pocket. Next to it, a book with text on the cover that reads, "The Hazards of Work: How to Fight Them."
    Year 2013
    Related pages Richard Hollis
  • A color photograph of a yellow couch in a gallery space. A cane with a white glove rests on the couch cushions and a rope extends from its base. In the background, police tape demarcates a rectangle on a wall, and three strips of police tape extend from the wall to the floor.
    A color photograph of a yellow couch in a gallery space. A cane with a white glove rests on the couch cushions and a rope extends from its base. In the background, police tape demarcates a rectangle on a wall, and three strips of police tape extend from the wall to the floor.
    Lyndon Barrois Jr., Unseen Hand (Fall Guy); Sinner Man, 2022. Couch, jute, antique cane, plastic, copper, brass, conservation glove; police tape, laser prints, museum board, MagiColor manual. Dimensions variable. Photo: Filip Wolak. [A color photograph of a yellow couch in a gallery space. A cane with a white glove rests on the couch cushions and a rope extends from its base. In the background, police tape demarcates a rectangle on a wall, and three strips of police tape extend from the wall to the floor.]
    Caption Lyndon Barrois Jr., Unseen Hand (Fall Guy); Sinner Man, 2022. Couch, jute, antique cane, plastic, copper, brass, conservation glove; police tape, laser prints, museum board, MagiColor manual. Dimensions variable. Photo: Filip Wolak.
    Image description A color photograph of a yellow couch in a gallery space. A cane with a white glove rests on the couch cushions and a rope extends from its base. In the background, police tape demarcates a rectangle on a wall, and three strips of police tape extend from the wall to the floor.
    Year 2022
    Related pages Lyndon Barrois Jr.: Mirage Collar
  • Two silhouetted figures kissing behind a microphone. They are backlit by a white projection with black capitalized text reading
    Two silhouetted figures kissing behind a microphone. They are backlit by a white projection with black capitalized text reading
    New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court. [Two silhouetted figures kissing behind a microphone. They are backlit by a white projection with black capitalized text reading "RENUNCIATION KISSING STATION".]
    Caption New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court.
    Image description Two silhouetted figures kissing behind a microphone. They are backlit by a white projection with black capitalized text reading "RENUNCIATION KISSING STATION".
    Year 2020
    Related pages New Red Order: Informants Get Paid!
  • A black and white photo of a nude person in profile with arms crossed.
    A black and white photo of a nude person in profile with arms crossed.
    Collier Schorr, D., 2012, Archival pigment ink print, 14 x 11 inches, Signed and numbered [A black and white photo of a nude person in profile with arms crossed.]
    Caption Collier Schorr, D., 2012, Archival pigment ink print, 14 x 11 inches, Signed and numbered
    Image description A black and white photo of a nude person in profile with arms crossed.
    Year 2014
    Related pages Artists Space Annual Edition Portfolio 2013
  • Detail view of a black platform with a black screen at the end, depicting a person wearing a shirt
    Detail view of a black platform with a black screen at the end, depicting a person wearing a shirt
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Detail view of a black platform with a black screen at the end, depicting a person wearing a shirt]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Detail view of a black platform with a black screen at the end, depicting a person wearing a shirt
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • Rows of audio cassette tapes are tightly packed together. Many of the tapes have handwritten labels describing what is on the tape.
    Rows of audio cassette tapes are tightly packed together. Many of the tapes have handwritten labels describing what is on the tape.
    Audio cassette tapes for Echo Chamber, Sharon Hayes & Brooke O'Harra. [Rows of audio cassette tapes are tightly packed together. Many of the tapes have handwritten labels describing what is on the tape. ]
    Caption Audio cassette tapes for Echo Chamber, Sharon Hayes & Brooke O'Harra.
    Image description Rows of audio cassette tapes are tightly packed together. Many of the tapes have handwritten labels describing what is on the tape.
    Year
    Related pages Sharon Hayes and Brooke O'Harra
  • An onlooking audience watches a performer play an electric guitar on stage. The audience is bathed in red light, and projections are present on the left wall.
    An onlooking audience watches a performer play an electric guitar on stage. The audience is bathed in red light, and projections are present on the left wall.
    Abasement #83. Performance documentation, January 5th, 2026, Artists Space. Photo: Joshua Wildman. [An onlooking audience watches a performer play an electric guitar on stage. The audience is bathed in red light, and projections are present on the left wall. ]
    Caption Abasement #83. Performance documentation, January 5th, 2026, Artists Space. Photo: Joshua Wildman.
    Image description An onlooking audience watches a performer play an electric guitar on stage. The audience is bathed in red light, and projections are present on the left wall.
    Year
    Related pages Abasement #83
  • In the foreground a musician is playing a clarinet, slightly bent forward. Behind them are two other performers on stage at rest. The wall behind is lit with soft green light and the lights from a disco ball.
    In the foreground a musician is playing a clarinet, slightly bent forward. Behind them are two other performers on stage at rest. The wall behind is lit with soft green light and the lights from a disco ball.
    Abasement #70. Performance documentation, July 1st, 2024, Artists Space. Photo: Joshua Wildman. [In the foreground a musician is playing a clarinet, slightly bent forward. Behind them are two other performers on stage at rest. The wall behind is lit with soft green light and the lights from a disco ball.]
    Caption Abasement #70. Performance documentation, July 1st, 2024, Artists Space. Photo: Joshua Wildman.
    Image description In the foreground a musician is playing a clarinet, slightly bent forward. Behind them are two other performers on stage at rest. The wall behind is lit with soft green light and the lights from a disco ball.
    Year
    Related pages Abasement #70
  • Two rectangular works are hung next to each other on a wall. The left is solid grey, the right is a photograph of an outstretched forearm against a black background.
    Two rectangular works are hung next to each other on a wall. The left is solid grey, the right is a photograph of an outstretched forearm against a black background.
    Barbara Steinman, Of a Space, Solitary/Of a Sound, Mute, 1989. Installation view, Artists Space, 1989. [Two rectangular works are hung next to each other on a wall. The left is solid grey, the right is a photograph of an outstretched forearm against a black background.]
    Caption Barbara Steinman, Of a Space, Solitary/Of a Sound, Mute, 1989. Installation view, Artists Space, 1989.
    Image description Two rectangular works are hung next to each other on a wall. The left is solid grey, the right is a photograph of an outstretched forearm against a black background.
    Year 1989
    Related pages Project: Of a Space, Solitary/Of a Sound, Mute
  • A color photograph of a figure in an orange and white-lit space, leaning forward slightly to adjust a dial on a piece of audio equipment.
    A color photograph of a figure in an orange and white-lit space, leaning forward slightly to adjust a dial on a piece of audio equipment.
    Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. [A color photograph of a figure in an orange and white-lit space, leaning forward slightly to adjust a dial on a piece of audio equipment.]
    Caption Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space.
    Image description A color photograph of a figure in an orange and white-lit space, leaning forward slightly to adjust a dial on a piece of audio equipment.
    Year 2022
    Related pages Yuji Agematsu
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A silhouette of a human head in profile is filled with a photograph of a woman looking directly at the camera, her arms outstretched either side of a dark scultpure of child's head. Text situated above the image reads,
    A silhouette of a human head in profile is filled with a photograph of a woman looking directly at the camera, her arms outstretched either side of a dark scultpure of child's head. Text situated above the image reads,
    REALLIFE Magazine, First issue, March 1979. Artwork by Sherrie Levine. [A silhouette of a human head in profile is filled with a photograph of a woman looking directly at the camera, her arms outstretched either side of a dark scultpure of child's head. Text situated above the image reads, "REALLIFE Magazine, March 1979, $1."]
    Caption REALLIFE Magazine, First issue, March 1979. Artwork by Sherrie Levine.
    Image description A silhouette of a human head in profile is filled with a photograph of a woman looking directly at the camera, her arms outstretched either side of a dark scultpure of child's head. Text situated above the image reads, "REALLIFE Magazine, March 1979, $1."
    Year
    Related pages REALLIFE Magazine: 1979–1990
  • Two figures perform in a basement. On the left a figure with a video camera and shoulder rig takes footage of another figure on the right, dressed in a blue morph suit, and pushing a semicircular rolling table made of wood and fresnel lenses. Along the back wall blue and purple tinted live CCTV video footage is projected.
    Two figures perform in a basement. On the left a figure with a video camera and shoulder rig takes footage of another figure on the right, dressed in a blue morph suit, and pushing a semicircular rolling table made of wood and fresnel lenses. Along the back wall blue and purple tinted live CCTV video footage is projected.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Two figures perform in a basement. On the left a figure with a video camera and shoulder rig takes footage of another figure on the right, dressed in a blue morph suit, and pushing a semicircular rolling table made of wood and fresnel lenses. Along the back wall blue and purple tinted live CCTV video footage is projected.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Two figures perform in a basement. On the left a figure with a video camera and shoulder rig takes footage of another figure on the right, dressed in a blue morph suit, and pushing a semicircular rolling table made of wood and fresnel lenses. Along the back wall blue and purple tinted live CCTV video footage is projected.
    Year 2022
    Related pages SCRAAATCH 12-3
  • Collaged image of two naked figures crouching on the shore of a beach as the sun sets. One reaches out to grasp the other’s arm as they stare into each other’s eyes. Below them is a collaged image of a metal, machine-like contraption with looping wires sitting on the ground next to a craggy rock.
    Collaged image of two naked figures crouching on the shore of a beach as the sun sets. One reaches out to grasp the other’s arm as they stare into each other’s eyes. Below them is a collaged image of a metal, machine-like contraption with looping wires sitting on the ground next to a craggy rock.
    [Collaged image of two naked figures crouching on the shore of a beach as the sun sets. One reaches out to grasp the other’s arm as they stare into each other’s eyes. Below them is a collaged image of a metal, machine-like contraption with looping wires sitting on the ground next to a craggy rock.]
    Caption
    Image description Collaged image of two naked figures crouching on the shore of a beach as the sun sets. One reaches out to grasp the other’s arm as they stare into each other’s eyes. Below them is a collaged image of a metal, machine-like contraption with looping wires sitting on the ground next to a craggy rock.
    Year 2003
    Related pages Superstudio: Life Without Objects
  • A rendering of a head with two faces, one positioned head-on and the other seen in profile, is made from gradient strips of red, orange and yellow color. Dissecting lines and geometric shapes define the face's blocky features. The top lips are blue and the bottom red, while the left eye is black with a white dial and the right eye is a hazy blue with yellow lightning coming out of it. Under the image, text in red, white, blue serif font reads: the segue reading series and artists space present / a reading by David Larsen and Sara Larsen / saturday, may 9, 5 pm nyc time / zoom id: 378 232 567.
    A rendering of a head with two faces, one positioned head-on and the other seen in profile, is made from gradient strips of red, orange and yellow color. Dissecting lines and geometric shapes define the face's blocky features. The top lips are blue and the bottom red, while the left eye is black with a white dial and the right eye is a hazy blue with yellow lightning coming out of it. Under the image, text in red, white, blue serif font reads: the segue reading series and artists space present / a reading by David Larsen and Sara Larsen / saturday, may 9, 5 pm nyc time / zoom id: 378 232 567.
    [A rendering of a head with two faces, one positioned head-on and the other seen in profile, is made from gradient strips of red, orange and yellow color. Dissecting lines and geometric shapes define the face's blocky features. The top lips are blue and the bottom red, while the left eye is black with a white dial and the right eye is a hazy blue with yellow lightning coming out of it. Under the image, text in red, white, blue serif font reads: the segue reading series and artists space present / a reading by David Larsen and Sara Larsen / saturday, may 9, 5 pm nyc time / zoom id: 378 232 567.]
    Caption
    Image description A rendering of a head with two faces, one positioned head-on and the other seen in profile, is made from gradient strips of red, orange and yellow color. Dissecting lines and geometric shapes define the face's blocky features. The top lips are blue and the bottom red, while the left eye is black with a white dial and the right eye is a hazy blue with yellow lightning coming out of it. Under the image, text in red, white, blue serif font reads: the segue reading series and artists space present / a reading by David Larsen and Sara Larsen / saturday, may 9, 5 pm nyc time / zoom id: 378 232 567.
    Year 2020
    Related pages Segue Reading Series: David Larsen and Sara Larsen
  • A figure wearing a suit plays guitar, their feet dangling over a pedal.
    A figure wearing a suit plays guitar, their feet dangling over a pedal.
    Eiko Ishibashi: Two New York Nights. Performance documentation, June 9, 2022, 8pm. Artists Space, New York. Photo: Paula Court [A figure wearing a suit plays guitar, their feet dangling over a pedal.]
    Caption Eiko Ishibashi: Two New York Nights. Performance documentation, June 9, 2022, 8pm. Artists Space, New York. Photo: Paula Court
    Image description A figure wearing a suit plays guitar, their feet dangling over a pedal.
    Year 2022
    Related pages Eiko Ishibashi in Concert
  • Photographic portrait of a youthful figure leaning against a white brick wall. They wear a partially unbuttoned, blue and black plaid shirt and a trucker hat. Large black text emblazoned across the front of the hat reads,
    Photographic portrait of a youthful figure leaning against a white brick wall. They wear a partially unbuttoned, blue and black plaid shirt and a trucker hat. Large black text emblazoned across the front of the hat reads,
    Cass Bird, I Look Like My Daddy, 2004. C-print, 30 x 40 inches. Courtesy the artist. [Photographic portrait of a youthful figure leaning against a white brick wall. They wear a partially unbuttoned, blue and black plaid shirt and a trucker hat. Large black text emblazoned across the front of the hat reads, "I LOOK JUST LIKE MY DADDY." A miniature gun token has been attached to the hat, to the left of the text. The figure stares ahead, the right side of their face illuminated by daylight.]
    Caption Cass Bird, I Look Like My Daddy, 2004. C-print, 30 x 40 inches. Courtesy the artist.
    Image description Photographic portrait of a youthful figure leaning against a white brick wall. They wear a partially unbuttoned, blue and black plaid shirt and a trucker hat. Large black text emblazoned across the front of the hat reads, "I LOOK JUST LIKE MY DADDY." A miniature gun token has been attached to the hat, to the left of the text. The figure stares ahead, the right side of their face illuminated by daylight.
    Year 2004
    Related pages Log Cabin
  • Close-up of Annette Peacock wearing a beret, looking off to the left.
    Close-up of Annette Peacock wearing a beret, looking off to the left.
    Photo: Alistair Thain. [Close-up of Annette Peacock wearing a beret, looking off to the left.]
    Caption Photo: Alistair Thain.
    Image description Close-up of Annette Peacock wearing a beret, looking off to the left.
    Year
    Related pages Annette Peacock
  • Photograph of a reading room, with graphic posters and shelves displaying reading materials along the walls. In the center is a long table with seats around it.
    Photograph of a reading room, with graphic posters and shelves displaying reading materials along the walls. In the center is a long table with seats around it.
    Clocking Out: Time Beyond Management. Installation view, Artists Space, 2023. Photo: Greg Carideo. [Photograph of a reading room, with graphic posters and shelves displaying reading materials along the walls. In the center is a long table with seats around it.]
    Caption Clocking Out: Time Beyond Management. Installation view, Artists Space, 2023. Photo: Greg Carideo.
    Image description Photograph of a reading room, with graphic posters and shelves displaying reading materials along the walls. In the center is a long table with seats around it.
    Year 2023
    Related pages Whitney Independent Study: Clocking Out: Time Beyond Management
  • A black and white image of the exterior of a modern house standing on stilts.
    A black and white image of the exterior of a modern house standing on stilts.
    Eileen Gray, E. 1027, 1926-29. Exterior. [A black and white image of the exterior of a modern house standing on stilts.]
    Caption Eileen Gray, E. 1027, 1926-29. Exterior.
    Image description A black and white image of the exterior of a modern house standing on stilts.
    Year
    Related pages Presence and Absence
  • Close up image of a rectangular panel installed on a white wall. The canvas is covered in color block washes of black, gray, and white paint. Left-aligned, serif text positioned at the upper half of the canvas reads,
    Close up image of a rectangular panel installed on a white wall. The canvas is covered in color block washes of black, gray, and white paint. Left-aligned, serif text positioned at the upper half of the canvas reads,
    I Thought I Had Time. Installation view, Artists Space, 1992. [Close up image of a rectangular panel installed on a white wall. The canvas is covered in color block washes of black, gray, and white paint. Left-aligned, serif text positioned at the upper half of the canvas reads, "she said it's gone too far. I thought I had time. / I thought I had more time. / Room 409 / Memorial Sloan-Kettering / 1990 A.D."]
    Caption I Thought I Had Time. Installation view, Artists Space, 1992.
    Image description Close up image of a rectangular panel installed on a white wall. The canvas is covered in color block washes of black, gray, and white paint. Left-aligned, serif text positioned at the upper half of the canvas reads, "she said it's gone too far. I thought I had time. / I thought I had more time. / Room 409 / Memorial Sloan-Kettering / 1990 A.D."
    Year 1992
    Related pages I Thought I Had Time
  • Two black and white portraits appear in blue circles atop a salmon-colored background. A text panel near the left portrait says
    Two black and white portraits appear in blue circles atop a salmon-colored background. A text panel near the left portrait says
    [Two black and white portraits appear in blue circles atop a salmon-colored background. A text panel near the left portrait says "MAKING WATER, LAURA JARAMILLO." A text panel near the right portrait says "Mirene Arsanios, The Autobiography of a Language: Essays and Stories."]
    Caption
    Image description Two black and white portraits appear in blue circles atop a salmon-colored background. A text panel near the left portrait says "MAKING WATER, LAURA JARAMILLO." A text panel near the right portrait says "Mirene Arsanios, The Autobiography of a Language: Essays and Stories."
    Year 2022
    Related pages Futurepoem: Mirene Arsanios & Laura Jaramillo
    Double Book Launch
  • A crowd of people fill a dimly lit red room, some sitting and some standing. Abstract images are projected on the space’s walls.
    A crowd of people fill a dimly lit red room, some sitting and some standing. Abstract images are projected on the space’s walls.
    Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [A crowd of people fill a dimly lit red room, some sitting and some standing. Abstract images are projected on the space’s walls.]
    Caption Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description A crowd of people fill a dimly lit red room, some sitting and some standing. Abstract images are projected on the space’s walls.
    Year 2019
    Related pages Speaker Music: drape over another
  • A white ceiling with penciled text reading
    A white ceiling with penciled text reading
    Mark Hamilton: Echoplex. Installation view, Artists Space, 2006. [A white ceiling with penciled text reading "ROAD TO RUN."]
    Caption Mark Hamilton: Echoplex. Installation view, Artists Space, 2006.
    Image description A white ceiling with penciled text reading "ROAD TO RUN."
    Year 2006
    Related pages Echoplex
  • A black and white image of a man photographing a plastic penguin in front of a decorative gate. Sideways text on the right reads,
    A black and white image of a man photographing a plastic penguin in front of a decorative gate. Sideways text on the right reads,
    Exhibition Catalogue [A black and white image of a man photographing a plastic penguin in front of a decorative gate. Sideways text on the right reads, "Jack Smith, Art Crust of Spiritual Oasis, June 22 - September 9, 2018, Artists Space."]
    Caption Exhibition Catalogue
    Image description A black and white image of a man photographing a plastic penguin in front of a decorative gate. Sideways text on the right reads, "Jack Smith, Art Crust of Spiritual Oasis, June 22 - September 9, 2018, Artists Space."
    Year 2018
    Related pages Jack Smith: Art Crust of Spiritual Oasis
  • Caption
    Image description
    Year
    Related pages Abasement #84
  • Color photograph of a corner of a gallery space. On the left wall hang various framed posters, and black-and-white photographs. A small window in the wall leads to the front of the gallery. On the right wall are more photographs and posters, and a vitrine. On the floor sits a television monitor displaying a black-and-white image of a pocketwatch.
    Color photograph of a corner of a gallery space. On the left wall hang various framed posters, and black-and-white photographs. A small window in the wall leads to the front of the gallery. On the right wall are more photographs and posters, and a vitrine. On the floor sits a television monitor displaying a black-and-white image of a pocketwatch.
    Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a corner of a gallery space. On the left wall hang various framed posters, and black-and-white photographs. A small window in the wall leads to the front of the gallery. On the right wall are more photographs and posters, and a vitrine. On the floor sits a television monitor displaying a black-and-white image of a pocketwatch.]
    Caption Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photograph of a corner of a gallery space. On the left wall hang various framed posters, and black-and-white photographs. A small window in the wall leads to the front of the gallery. On the right wall are more photographs and posters, and a vitrine. On the floor sits a television monitor displaying a black-and-white image of a pocketwatch.
    Year 2023
    Related pages Yasunao Tone: Region of Paramedia
  • A small stack of papers sits on a white, square tile in a gallery space with wooden floors. Directly behind the stack of papers, a black couch sits back-to-back against a wooden reception desk and counter. Several framed and unframed drawings, photographs, tote bags, and posters hang on the wall behind the reception desk.
    A small stack of papers sits on a white, square tile in a gallery space with wooden floors. Directly behind the stack of papers, a black couch sits back-to-back against a wooden reception desk and counter. Several framed and unframed drawings, photographs, tote bags, and posters hang on the wall behind the reception desk.
    Apartment Show: If the dogs are barking. Installation view, Artists Space, 2009. [A small stack of papers sits on a white, square tile in a gallery space with wooden floors. Directly behind the stack of papers, a black couch sits back-to-back against a wooden reception desk and counter. Several framed and unframed drawings, photographs, tote bags, and posters hang on the wall behind the reception desk.]
    Caption Apartment Show: If the dogs are barking. Installation view, Artists Space, 2009.
    Image description A small stack of papers sits on a white, square tile in a gallery space with wooden floors. Directly behind the stack of papers, a black couch sits back-to-back against a wooden reception desk and counter. Several framed and unframed drawings, photographs, tote bags, and posters hang on the wall behind the reception desk.
    Year 2009
    Related pages Apartment Show: If the dogs are barking
  • A red metal sculpture displayed on a pedestal in front of a monitor installed on a freestanding wall. The monitor's screen displays an image of three people gathered around the displayed sculpture as it is pieced together.
    A red metal sculpture displayed on a pedestal in front of a monitor installed on a freestanding wall. The monitor's screen displays an image of three people gathered around the displayed sculpture as it is pieced together.
    Frozen Lakes. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A red metal sculpture displayed on a pedestal in front of a monitor installed on a freestanding wall. The monitor's screen displays an image of three people gathered around the displayed sculpture as it is pieced together.]
    Caption Frozen Lakes. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description A red metal sculpture displayed on a pedestal in front of a monitor installed on a freestanding wall. The monitor's screen displays an image of three people gathered around the displayed sculpture as it is pieced together.
    Year 2013
    Related pages Frozen Lakes
  • A variety of plinths made of MDF are arranged around a large gallery space. Along the left wall, a low, angled plinth displays a series of annotated utility maps. On the back wall a large photograph is affixed to the wall and depicts the snowy landscape of Neuenkirchen, Germany.
    A variety of plinths made of MDF are arranged around a large gallery space. Along the left wall, a low, angled plinth displays a series of annotated utility maps. On the back wall a large photograph is affixed to the wall and depicts the snowy landscape of Neuenkirchen, Germany.
    Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon. [A variety of plinths made of MDF are arranged around a large gallery space. Along the left wall, a low, angled plinth displays a series of annotated utility maps. On the back wall a large photograph is affixed to the wall and depicts the snowy landscape of Neuenkirchen, Germany. ]
    Caption Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon.
    Image description A variety of plinths made of MDF are arranged around a large gallery space. Along the left wall, a low, angled plinth displays a series of annotated utility maps. On the back wall a large photograph is affixed to the wall and depicts the snowy landscape of Neuenkirchen, Germany.
    Year
    Related pages Michael Asher
  • Color photograph of a figure dressed in all white, dancing in a corridor bathed in red light.
    Color photograph of a figure dressed in all white, dancing in a corridor bathed in red light.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure dressed in all white, dancing in a corridor bathed in red light.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a figure dressed in all white, dancing in a corridor bathed in red light.
    Year 2022
    Related pages keyon gaskin 12-18
  • A figure wearing a blue shirt kneels down onto the stage, working on audio equipment. Red light is cast onto them.
    A figure wearing a blue shirt kneels down onto the stage, working on audio equipment. Red light is cast onto them.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure wearing a blue shirt kneels down onto the stage, working on audio equipment. Red light is cast onto them.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure wearing a blue shirt kneels down onto the stage, working on audio equipment. Red light is cast onto them.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
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    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
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    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • Individual self-portraits, Untitled, 2021, collage and sequins on paper
    Caption Individual self-portraits, Untitled, 2021, collage and sequins on paper
    Image description
    Year 2021
    Related pages Threads of History
  • A pink object with a white, cracked surface sits on a white base. A flat green surface is attached to the left side, and a metal antenna extends out on a diagonal.
    A pink object with a white, cracked surface sits on a white base. A flat green surface is attached to the left side, and a metal antenna extends out on a diagonal.
    Not yet titled, 2019
    Clay, glaze, metal antenna
    3 1/2 x 13 x 12 inches (variable)
    $2,500
    [A pink object with a white, cracked surface sits on a white base. A flat green surface is attached to the left side, and a metal antenna extends out on a diagonal.]
    Caption Not yet titled, 2019
    Clay, glaze, metal antenna
    3 1/2 x 13 x 12 inches (variable)
    $2,500
    Image description A pink object with a white, cracked surface sits on a white base. A flat green surface is attached to the left side, and a metal antenna extends out on a diagonal.
    Year 2019
    Related pages Trisha Baga Edition
  • Two foldable room dividers are installed in a large gallery. Multiple paintings are hung on the dividers, each depicting a scene of men in public and private spaces, engaged in various activities of work and leisure.
    Two foldable room dividers are installed in a large gallery. Multiple paintings are hung on the dividers, each depicting a scene of men in public and private spaces, engaged in various activities of work and leisure.
    Lukas Duwenhögger: Undoolay. Installation view, Artists Space, 2016. Photo credit: Jean Vong. [Two foldable room dividers are installed in a large gallery. Multiple paintings are hung on the dividers, each depicting a scene of men in public and private spaces, engaged in various activities of work and leisure.]
    Caption Lukas Duwenhögger: Undoolay. Installation view, Artists Space, 2016. Photo credit: Jean Vong.
    Image description Two foldable room dividers are installed in a large gallery. Multiple paintings are hung on the dividers, each depicting a scene of men in public and private spaces, engaged in various activities of work and leisure.
    Year 2016
    Related pages Lukas Duwenhögger: Undoolay
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    Related pages Milford Graves: Fundamental Frequency
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A black and white photgraph of four square paintings of clocks in a horizontal line, each showing a different time.
    A black and white photgraph of four square paintings of clocks in a horizontal line, each showing a different time.
    Mike Henderson, Four Clocks, 1990. Installation view, Artists Space, 1990. Four panels, encaustic on masonite, 19 x 18.5 inches. [A black and white photgraph of four square paintings of clocks in a horizontal line, each showing a different time.]
    Caption Mike Henderson, Four Clocks, 1990. Installation view, Artists Space, 1990. Four panels, encaustic on masonite, 19 x 18.5 inches.
    Image description A black and white photgraph of four square paintings of clocks in a horizontal line, each showing a different time.
    Year 1990
    Related pages Mike Henderson
  • A woman in a white dress with gold bracelets and red lipstick leans against a tree. Her left arms rests on a tree branch, and her right hand is on her hip.
    A woman in a white dress with gold bracelets and red lipstick leans against a tree. Her left arms rests on a tree branch, and her right hand is on her hip.
    Film Still for Leave Her to Heaven, 1945. [A woman in a white dress with gold bracelets and red lipstick leans against a tree. Her left arms rests on a tree branch, and her right hand is on her hip.]
    Caption Film Still for Leave Her to Heaven, 1945.
    Image description A woman in a white dress with gold bracelets and red lipstick leans against a tree. Her left arms rests on a tree branch, and her right hand is on her hip.
    Year 1945
    Related pages Leave Her to Heaven
  • A room, view from above a stair case, with a group of men sat scatted around the area.
    A room, view from above a stair case, with a group of men sat scatted around the area.
    Waiting room view of Leben mit Pop - Eine Demonstration für den kapitalistischen Realismus , 1963 (Living with Pop – A Demonstration for Capitalist Realism) © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Photo: Reiner Ruthenbeck [A room, view from above a stair case, with a group of men sat scatted around the area.]
    Caption Waiting room view of Leben mit Pop - Eine Demonstration für den kapitalistischen Realismus , 1963 (Living with Pop – A Demonstration for Capitalist Realism) © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Photo: Reiner Ruthenbeck
    Image description A room, view from above a stair case, with a group of men sat scatted around the area.
    Year 1963
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • A portfolio box with a flowered pattern on the lid is shown on a white ground with the lid slightly askew.
    A portfolio box with a flowered pattern on the lid is shown on a white ground with the lid slightly askew.
    Susan Cianciolo, Flowers, 2018, 25 x 21 x 1 1/2 inches, Silkscreen on book cloth on bespoke archival box, Signed edition of 100, 5APs Courtesy of the artist [A portfolio box with a flowered pattern on the lid is shown on a white ground with the lid slightly askew.]
    Caption Susan Cianciolo, Flowers, 2018, 25 x 21 x 1 1/2 inches, Silkscreen on book cloth on bespoke archival box, Signed edition of 100, 5APs Courtesy of the artist
    Image description A portfolio box with a flowered pattern on the lid is shown on a white ground with the lid slightly askew.
    Year 2018
    Related pages Artists Space Annual Edition Portfolio 2018
  • A group of performers plays various instruments on stage while bathed in pink, red, and blue light.
    A group of performers plays various instruments on stage while bathed in pink, red, and blue light.
    Abasement #82. Performance documentation, November 17th, 2025, Artists Space. Photo: Joshua Wildman. [A group of performers plays various instruments on stage while bathed in pink, red, and blue light. ]
    Caption Abasement #82. Performance documentation, November 17th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description A group of performers plays various instruments on stage while bathed in pink, red, and blue light.
    Year
    Related pages Abasement #82
  • A transparent cone-shaped structure set in a bare room with wooden floors. There is a small hole in the wall just behind the structure.
    A transparent cone-shaped structure set in a bare room with wooden floors. There is a small hole in the wall just behind the structure.
    Underground: Jose Gabriel Fernandez. Installation view, Artists Space, 1991. [A transparent cone-shaped structure set in a bare room with wooden floors. There is a small hole in the wall just behind the structure.]
    Caption Underground: Jose Gabriel Fernandez. Installation view, Artists Space, 1991.
    Image description A transparent cone-shaped structure set in a bare room with wooden floors. There is a small hole in the wall just behind the structure.
    Year 1991
    Related pages Underground: Jose Gabriel Fernandez
  • Photographs of different housing interiors hang in a white-walled gallery space.
    Photographs of different housing interiors hang in a white-walled gallery space.
    Split/Vision. Installation View. Artists Space, 1985-86. [Photographs of different housing interiors hang in a white-walled gallery space.]
    Caption Split/Vision. Installation View. Artists Space, 1985-86.
    Image description Photographs of different housing interiors hang in a white-walled gallery space.
    Year
    Related pages Split/Vision
  • A black-and-white film still depicting a nude figure, her body is turned two-thirds of the way. Several smoky duplicates of the figure's body and face are superimposed over the original image. A cloudy and blooming, nondescript atmosphere serves as the background.
    A black-and-white film still depicting a nude figure, her body is turned two-thirds of the way. Several smoky duplicates of the figure's body and face are superimposed over the original image. A cloudy and blooming, nondescript atmosphere serves as the background.
    Shala Miller, Genesis, 2023. [A black-and-white film still depicting a nude figure, her body is turned two-thirds of the way. Several smoky duplicates of the figure's body and face are superimposed over the original image. A cloudy and blooming, nondescript atmosphere serves as the background.]
    Caption Shala Miller, Genesis, 2023.
    Image description A black-and-white film still depicting a nude figure, her body is turned two-thirds of the way. Several smoky duplicates of the figure's body and face are superimposed over the original image. A cloudy and blooming, nondescript atmosphere serves as the background.
    Year
    Related pages Shala Miller, Malcolm Peacock, Amiri Baraka
  • A figure in dark, loose clothing pulls on a glass door, their mirror image reflected back through the glass. They are lit from behind by a pink glow.
    A figure in dark, loose clothing pulls on a glass door, their mirror image reflected back through the glass. They are lit from behind by a pink glow.
    Emily Wardill. Still from Basking in What Feels Like ‘An Ocean of Grace’ I Soon Realise That I’m Not Looking at It, but Rather I Am It, Recognising Myself, 2006. [A figure in dark, loose clothing pulls on a glass door, their mirror image reflected back through the glass. They are lit from behind by a pink glow.]
    Caption Emily Wardill. Still from Basking in What Feels Like ‘An Ocean of Grace’ I Soon Realise That I’m Not Looking at It, but Rather I Am It, Recognising Myself, 2006.
    Image description A figure in dark, loose clothing pulls on a glass door, their mirror image reflected back through the glass. They are lit from behind by a pink glow.
    Year 2006
    Related pages Summer Knowledge: Emily Wardill
  • A number of framed images appear on the wall, on the left there is an organized section of 16 and 8 are hung horizontally next to that grouping.
    A number of framed images appear on the wall, on the left there is an organized section of 16 and 8 are hung horizontally next to that grouping.
    Split/Vision. Installation View. Artists Space, 1985-86. [A number of framed images appear on the wall, on the left there is an organized section of 16 and 8 are hung horizontally next to that grouping.]
    Caption Split/Vision. Installation View. Artists Space, 1985-86.
    Image description A number of framed images appear on the wall, on the left there is an organized section of 16 and 8 are hung horizontally next to that grouping.
    Year
    Related pages Split/Vision
  • Gift cards features Applebee's branded logo of a red apple. Verso of the card shows the apple design with an American flag and says
    Gift cards features Applebee's branded logo of a red apple. Verso of the card shows the apple design with an American flag and says
    Cory Arcangel, $10 Applebee’s Gift Card, 2013, Plastic gift card with $10 value, 2 x 3 in 5 x 7,6 cm, Signed and Numbered [Gift cards features Applebee's branded logo of a red apple. Verso of the card shows the apple design with an American flag and says "THANK YOU"]
    Caption Cory Arcangel, $10 Applebee’s Gift Card, 2013, Plastic gift card with $10 value, 2 x 3 in 5 x 7,6 cm, Signed and Numbered
    Image description Gift cards features Applebee's branded logo of a red apple. Verso of the card shows the apple design with an American flag and says "THANK YOU"
    Year
    Related pages Artists Space Annual Edition Portfolio 2014
  • A screenshot of a video call. Several students are smiling while holding up artwork that depicts their respective family trees. The art varies in size, shape, and medium.
    A screenshot of a video call. Several students are smiling while holding up artwork that depicts their respective family trees. The art varies in size, shape, and medium.
    7th Grade students from M.S. 324 meeting online to present their El Ábol de la Familia collage projects, 2020 [A screenshot of a video call. Several students are smiling while holding up artwork that depicts their respective family trees. The art varies in size, shape, and medium.]
    Caption 7th Grade students from M.S. 324 meeting online to present their El Ábol de la Familia collage projects, 2020
    Image description A screenshot of a video call. Several students are smiling while holding up artwork that depicts their respective family trees. The art varies in size, shape, and medium.
    Year 2020
    Related pages Threads of History
  • Two suits of armor face one another, with a medieval-style battle scene in the background. The words
    Two suits of armor face one another, with a medieval-style battle scene in the background. The words
    Ken Aptekar, Fuck Me? Fuck You, 1990. Oil on wood, sandblasted glass, bolts, polyptych, 60 x 60 inches overall. [Two suits of armor face one another, with a medieval-style battle scene in the background. The words "FUCK ME? FUCK YOU FUCK ME? FUCK YOU" form a circle on top of the scene.]
    Caption Ken Aptekar, Fuck Me? Fuck You, 1990. Oil on wood, sandblasted glass, bolts, polyptych, 60 x 60 inches overall.
    Image description Two suits of armor face one another, with a medieval-style battle scene in the background. The words "FUCK ME? FUCK YOU FUCK ME? FUCK YOU" form a circle on top of the scene.
    Year 1990
    Related pages Post-Boys&Girls: Nine Painters
  • A figure in a blue morph suit kneels down next to a wooden table and looks off to the right. Audience members sit along the floor in the background.
    A figure in a blue morph suit kneels down next to a wooden table and looks off to the right. Audience members sit along the floor in the background.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [A figure in a blue morph suit kneels down next to a wooden table and looks off to the right. Audience members sit along the floor in the background.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description A figure in a blue morph suit kneels down next to a wooden table and looks off to the right. Audience members sit along the floor in the background.
    Year 2022
    Related pages SCRAAATCH 12-3
  • In the left foreground of the image is a painting of a shark standing upright in water and in the right background of the image is a large, orange stuffed slug sculpture strapped to a cast-iron column in a white gallery space.
    In the left foreground of the image is a painting of a shark standing upright in water and in the right background of the image is a large, orange stuffed slug sculpture strapped to a cast-iron column in a white gallery space.
    Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez [In the left foreground of the image is a painting of a shark standing upright in water and in the right background of the image is a large, orange stuffed slug sculpture strapped to a cast-iron column in a white gallery space.]
    Caption Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez
    Image description In the left foreground of the image is a painting of a shark standing upright in water and in the right background of the image is a large, orange stuffed slug sculpture strapped to a cast-iron column in a white gallery space.
    Year 2020
    Related pages Jana Euler
  • A glass case displaying archival documents and images
    A glass case displaying archival documents and images
    ART CLUB2000 Selections from ART CLUB2000 archive, detail, 1992–1999 Image courtesy Artists Space, New York Photo: Filip Wolak [A glass case displaying archival documents and images]
    Caption ART CLUB2000 Selections from ART CLUB2000 archive, detail, 1992–1999 Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description A glass case displaying archival documents and images
    Year 2021
    Related pages ART CLUB2000
  • View of 5 musicians on stage performing under blue tinted lights with the audience in the foreground. From left to right the instruments played are the cello, clarinet, horn, flute, guitar, and vocals.
    View of 5 musicians on stage performing under blue tinted lights with the audience in the foreground. From left to right the instruments played are the cello, clarinet, horn, flute, guitar, and vocals.
    Axine M: Sold Licker Glass, 2024, Artists Space. Courtesy of ISSUE Project Room. Photography by Cameron Kelly McLeod. [View of 5 musicians on stage performing under blue tinted lights with the audience in the foreground. From left to right the instruments played are the cello, clarinet, horn, flute, guitar, and vocals.]
    Caption Axine M: Sold Licker Glass, 2024, Artists Space. Courtesy of ISSUE Project Room. Photography by Cameron Kelly McLeod.
    Image description View of 5 musicians on stage performing under blue tinted lights with the audience in the foreground. From left to right the instruments played are the cello, clarinet, horn, flute, guitar, and vocals.
    Year
    Related pages Axine M: Sold Licker Glass
  • Grainy photograph of a wall drawing in a gallery space.
    Grainy photograph of a wall drawing in a gallery space.
    Gary Falk, Brigid Kennedy, Ladd Kessler, Peggy Yunque. Installation view, Artists Space, 1981. [Grainy photograph of a wall drawing in a gallery space.]
    Caption Gary Falk, Brigid Kennedy, Ladd Kessler, Peggy Yunque. Installation view, Artists Space, 1981.
    Image description Grainy photograph of a wall drawing in a gallery space.
    Year
    Related pages Gary Falk, Brigid Kennedy, Ladd Kessler, Peggy Yunque
  • Two musicians sit on stage. The musician on the left is leaning over a table and using electronic instruments. The musician on the right is looking down and playing the guitar. The stage is lit with red and white lights and projected with a patchworks of patterns.
    Two musicians sit on stage. The musician on the left is leaning over a table and using electronic instruments. The musician on the right is looking down and playing the guitar. The stage is lit with red and white lights and projected with a patchworks of patterns.
    Abasement #73. Performance documentation, November 4th, 2024, Artists Space. Photo: Joshua Wildman. [Two musicians sit on stage. The musician on the left is leaning over a table and using electronic instruments. The musician on the right is looking down and playing the guitar. The stage is lit with red and white lights and projected with a patchworks of patterns.]
    Caption Abasement #73. Performance documentation, November 4th, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Two musicians sit on stage. The musician on the left is leaning over a table and using electronic instruments. The musician on the right is looking down and playing the guitar. The stage is lit with red and white lights and projected with a patchworks of patterns.
    Year
    Related pages Abasement #73
  • A set of five paintings, prints, and other works on paper hang in a horizontal line across a white gallery wall. The compositions each depict one or more figures. Some sit, as if for a portrait, while others appear to play basketball. One of the gallery columns is situated in the image's center.
    A set of five paintings, prints, and other works on paper hang in a horizontal line across a white gallery wall. The compositions each depict one or more figures. Some sit, as if for a portrait, while others appear to play basketball. One of the gallery columns is situated in the image's center.
    Salad Days 2. Installation view, Artists Space, 2006. Photo: Bill Ocrutt. [A set of five paintings, prints, and other works on paper hang in a horizontal line across a white gallery wall. The compositions each depict one or more figures. Some sit, as if for a portrait, while others appear to play basketball. One of the gallery columns is situated in the image's center.]
    Caption Salad Days 2. Installation view, Artists Space, 2006. Photo: Bill Ocrutt.
    Image description A set of five paintings, prints, and other works on paper hang in a horizontal line across a white gallery wall. The compositions each depict one or more figures. Some sit, as if for a portrait, while others appear to play basketball. One of the gallery columns is situated in the image's center.
    Year 2006
    Related pages Salad Days 2
  • Color image of the silhouette of a figure on the right, they are bent over with a small radio in their hands. To the left is a standing microphone placed over speakers on a desk, with light sensors dangling on the wall behind.
    Color image of the silhouette of a figure on the right, they are bent over with a small radio in their hands. To the left is a standing microphone placed over speakers on a desk, with light sensors dangling on the wall behind.
    Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata [Color image of the silhouette of a figure on the right, they are bent over with a small radio in their hands. To the left is a standing microphone placed over speakers on a desk, with light sensors dangling on the wall behind.]
    Caption Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata
    Image description Color image of the silhouette of a figure on the right, they are bent over with a small radio in their hands. To the left is a standing microphone placed over speakers on a desk, with light sensors dangling on the wall behind.
    Year 2023
    Related pages Yasunao Tone Concert #2
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    Year
    Related pages Listening to the LES
  • An animated gif of a rotating, square painting installed in a white-walled gallery space. The painting depicts four superimposed nude bodies in various positions (standing, crouching, extending their arms) in an amorphous yet contained space. The painting framed in a black wooden frame with handles on each of its four sides. The animation depicts the painting spinning clockwise, such that at every angle the figures appear to stand in a different position, carrying out a new action.
    An animated gif of a rotating, square painting installed in a white-walled gallery space. The painting depicts four superimposed nude bodies in various positions (standing, crouching, extending their arms) in an amorphous yet contained space. The painting framed in a black wooden frame with handles on each of its four sides. The animation depicts the painting spinning clockwise, such that at every angle the figures appear to stand in a different position, carrying out a new action.
    [An animated gif of a rotating, square painting installed in a white-walled gallery space. The painting depicts four superimposed nude bodies in various positions (standing, crouching, extending their arms) in an amorphous yet contained space. The painting framed in a black wooden frame with handles on each of its four sides. The animation depicts the painting spinning clockwise, such that at every angle the figures appear to stand in a different position, carrying out a new action.]
    Caption
    Image description An animated gif of a rotating, square painting installed in a white-walled gallery space. The painting depicts four superimposed nude bodies in various positions (standing, crouching, extending their arms) in an amorphous yet contained space. The painting framed in a black wooden frame with handles on each of its four sides. The animation depicts the painting spinning clockwise, such that at every angle the figures appear to stand in a different position, carrying out a new action.
    Year 2020
    Related pages Jana Euler
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    Image description
    Year
    Related pages Austin Sley Julian + Julia Santoli, Vida Vojić, Bromp Treb, Benjamin Kendall
  • A person in a red shirt, white cap, and multicolored pants smiles and poses with a tennis racquet, standing atop a large piece of paper with colorful drawings on it. In the background are people sitting on the ground and printed images of trees.
    A person in a red shirt, white cap, and multicolored pants smiles and poses with a tennis racquet, standing atop a large piece of paper with colorful drawings on it. In the background are people sitting on the ground and printed images of trees.
    Ei Arakawa, Mega Please Draw Freely, 2021 (The artist wears Uniqlo Roger Federer). [A person in a red shirt, white cap, and multicolored pants smiles and poses with a tennis racquet, standing atop a large piece of paper with colorful drawings on it. In the background are people sitting on the ground and printed images of trees.]
    Caption Ei Arakawa, Mega Please Draw Freely, 2021 (The artist wears Uniqlo Roger Federer).
    Image description A person in a red shirt, white cap, and multicolored pants smiles and poses with a tennis racquet, standing atop a large piece of paper with colorful drawings on it. In the background are people sitting on the ground and printed images of trees.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab (outdoor performance)
  • A color photograph of a grey and blue piece of semi-transparent fabric, partially hung from a grey metal scaffold in a gallery space.
    A color photograph of a grey and blue piece of semi-transparent fabric, partially hung from a grey metal scaffold in a gallery space.
    virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of a grey and blue piece of semi-transparent fabric, partially hung from a grey metal scaffold in a gallery space.]
    Caption virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color photograph of a grey and blue piece of semi-transparent fabric, partially hung from a grey metal scaffold in a gallery space.
    Year 2022
    Related pages virgil b/g taylor: Minor Publics
  • Color image of a gallery space with large panels of adobe with paintings of various figures on them. Adobe bricks are laid out on the floor to create a small walkway. Paintings are also hung on either side of the wall, each depicting different views of a freeway.
    Color image of a gallery space with large panels of adobe with paintings of various figures on them. Adobe bricks are laid out on the floor to create a small walkway. Paintings are also hung on either side of the wall, each depicting different views of a freeway.
    rafa esparza: Camino. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color image of a gallery space with large panels of adobe with paintings of various figures on them. Adobe bricks are laid out on the floor to create a small walkway. Paintings are also hung on either side of the wall, each depicting different views of a freeway.]
    Caption rafa esparza: Camino. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color image of a gallery space with large panels of adobe with paintings of various figures on them. Adobe bricks are laid out on the floor to create a small walkway. Paintings are also hung on either side of the wall, each depicting different views of a freeway.
    Year
    Related pages rafa esparza: Camino
  • Black and white printed images are collaged over a yellow and beige background, with scribbles of red and white ink. In the bottom middle a torn piece of paper reads sideways:
    Black and white printed images are collaged over a yellow and beige background, with scribbles of red and white ink. In the bottom middle a torn piece of paper reads sideways:
    Flyer for Abasement: #60. October 3, 2022, Artists Space. [Black and white printed images are collaged over a yellow and beige background, with scribbles of red and white ink. In the bottom middle a torn piece of paper reads sideways: "ABASEMENT 60 / abasement 60." In the bottom right corner upside down text reads "ARTISTS SPACE / october 3."]
    Caption Flyer for Abasement: #60. October 3, 2022, Artists Space.
    Image description Black and white printed images are collaged over a yellow and beige background, with scribbles of red and white ink. In the bottom middle a torn piece of paper reads sideways: "ABASEMENT 60 / abasement 60." In the bottom right corner upside down text reads "ARTISTS SPACE / october 3."
    Year
    Related pages Abasement #60
  • A framed photograph displayed on a white wall. The photograph shows multicolored flowers laying on a white surface with a black background.
    A framed photograph displayed on a white wall. The photograph shows multicolored flowers laying on a white surface with a black background.
    Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979). Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A framed photograph displayed on a white wall. The photograph shows multicolored flowers laying on a white surface with a black background.]
    Caption Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979). Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description A framed photograph displayed on a white wall. The photograph shows multicolored flowers laying on a white surface with a black background.
    Year 2011
    Related pages Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979)
  • Students visiting Sleepwalk at Parasol Projects, LES, 2022
    Caption Students visiting Sleepwalk at Parasol Projects, LES, 2022
    Image description
    Year 2022
    Related pages Portfolio Development
  • A black and white image of a dimly lit room with a TV monitor on the floor and mechanized mop leaning over it.
    A black and white image of a dimly lit room with a TV monitor on the floor and mechanized mop leaning over it.
    Dark Rooms Photograph of Carolee Schneemann's War Mop, mechanized mop, plexiglass fulcrum, TV monitor. Sculpture/Video Installation, 1985. [A black and white image of a dimly lit room with a TV monitor on the floor and mechanized mop leaning over it.]
    Caption Dark Rooms Photograph of Carolee Schneemann's War Mop, mechanized mop, plexiglass fulcrum, TV monitor. Sculpture/Video Installation, 1985.
    Image description A black and white image of a dimly lit room with a TV monitor on the floor and mechanized mop leaning over it.
    Year 1985
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  • Color image of a figure sitting behind a white desk, manipulating an audio machine with their hands. A lamp illuminates the machines controls and speakers are placed in front of the machine.
    Color image of a figure sitting behind a white desk, manipulating an audio machine with their hands. A lamp illuminates the machines controls and speakers are placed in front of the machine.
    Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata [Color image of a figure sitting behind a white desk, manipulating an audio machine with their hands. A lamp illuminates the machines controls and speakers are placed in front of the machine.]
    Caption Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata
    Image description Color image of a figure sitting behind a white desk, manipulating an audio machine with their hands. A lamp illuminates the machines controls and speakers are placed in front of the machine.
    Year 2023
    Related pages Yasunao Tone Concert #2
  • Seven vertical light blue panels, positioned side-by-side, displayed on a light mauve wall. Each panel contains a white circle positioned near its vertical center. Within each circle, the panel's canvas is stretched outward by a dowel.
    Seven vertical light blue panels, positioned side-by-side, displayed on a light mauve wall. Each panel contains a white circle positioned near its vertical center. Within each circle, the panel's canvas is stretched outward by a dowel.
    Zilia Sánchez. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [Seven vertical light blue panels, positioned side-by-side, displayed on a light mauve wall. Each panel contains a white circle positioned near its vertical center. Within each circle, the panel's canvas is stretched outward by a dowel.]
    Caption Zilia Sánchez. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description Seven vertical light blue panels, positioned side-by-side, displayed on a light mauve wall. Each panel contains a white circle positioned near its vertical center. Within each circle, the panel's canvas is stretched outward by a dowel.
    Year 2013
    Related pages Zilia Sánchez
  • Color photograph of a figure wearing a conical sheath of reflective one-way mirror film. They stand in the corner of a dark room, shining a bright light against the wall behind them. Their silhouette can be vaguely seen under the mirror film.
    Color photograph of a figure wearing a conical sheath of reflective one-way mirror film. They stand in the corner of a dark room, shining a bright light against the wall behind them. Their silhouette can be vaguely seen under the mirror film.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure wearing a conical sheath of reflective one-way mirror film. They stand in the corner of a dark room, shining a bright light against the wall behind them. Their silhouette can be vaguely seen under the mirror film.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a figure wearing a conical sheath of reflective one-way mirror film. They stand in the corner of a dark room, shining a bright light against the wall behind them. Their silhouette can be vaguely seen under the mirror film.
    Year 2022
    Related pages keyon gaskin 12-14
  • Light blue text overlays a dark blue background. The top left corner reads:
    Light blue text overlays a dark blue background. The top left corner reads:
    Flyer for Segue Reading Series featuring Andrea Abi-Karam, Eduardo Kac and Montana Ray. October 15, 2022, Artists Space. [Light blue text overlays a dark blue background. The top left corner reads: "Andrea Abi-Karam / Eduardo Kac & Montana Ray / October 15, 5pm." The middle reads: "Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519."]
    Caption Flyer for Segue Reading Series featuring Andrea Abi-Karam, Eduardo Kac and Montana Ray. October 15, 2022, Artists Space.
    Image description Light blue text overlays a dark blue background. The top left corner reads: "Andrea Abi-Karam / Eduardo Kac & Montana Ray / October 15, 5pm." The middle reads: "Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519."
    Year
    Related pages Segue Reading Series: Andrea Abi-Karam, Eduardo Kac & Montana Ray
  • Close-up of a bottle of golden Dior perfume decorated with a black bow resting on a white surface.
    Close-up of a bottle of golden Dior perfume decorated with a black bow resting on a white surface.
    Sarah Morris, still from Strange Magic, 2014. REDCODE HD digital video, 45 min 8 sec. Courtesy the artist. [Close-up of a bottle of golden Dior perfume decorated with a black bow resting on a white surface.]
    Caption Sarah Morris, still from Strange Magic, 2014. REDCODE HD digital video, 45 min 8 sec. Courtesy the artist.
    Image description Close-up of a bottle of golden Dior perfume decorated with a black bow resting on a white surface.
    Year 2014
    Related pages Artists Space Dialogues: Sarah Morris and Bettina Funcke
  • Several students sit, looking down towards printed sheets of paper, in front of colorful silk banners with writing stating
    Several students sit, looking down towards printed sheets of paper, in front of colorful silk banners with writing stating
    YAP (Young Artists Perform), P.S. 140, 2018 [Several students sit, looking down towards printed sheets of paper, in front of colorful silk banners with writing stating "Your dreams can become a reality," "like a cheetah in a snail's race," "bridge can just go like boom bom boom BOOM," "I see a light it's so BRIGHT -Destiny" and others.]
    Caption YAP (Young Artists Perform), P.S. 140, 2018
    Image description Several students sit, looking down towards printed sheets of paper, in front of colorful silk banners with writing stating "Your dreams can become a reality," "like a cheetah in a snail's race," "bridge can just go like boom bom boom BOOM," "I see a light it's so BRIGHT -Destiny" and others.
    Year 2018
    Related pages Education
  • Two rectangular cards arranged on a white background. Large black text printed on each card reads,
    Two rectangular cards arranged on a white background. Large black text printed on each card reads,
    [Two rectangular cards arranged on a white background. Large black text printed on each card reads, "LADYLAND" and is framed by a pattern of swirls. The top card is blue, and the bottom card is yellow.]
    Caption
    Image description Two rectangular cards arranged on a white background. Large black text printed on each card reads, "LADYLAND" and is framed by a pattern of swirls. The top card is blue, and the bottom card is yellow.
    Year 1993
    Related pages Ladyland
  • A black and white photograph of a number of unmounted 35mm slides on a lightbox is visible in the foreground with a computer and printer visible in the background in an office setting.
    A black and white photograph of a number of unmounted 35mm slides on a lightbox is visible in the foreground with a computer and printer visible in the background in an office setting.
    The Artists File at Artists Space, 1986. [A black and white photograph of a number of unmounted 35mm slides on a lightbox is visible in the foreground with a computer and printer visible in the background in an office setting.]
    Caption The Artists File at Artists Space, 1986.
    Image description A black and white photograph of a number of unmounted 35mm slides on a lightbox is visible in the foreground with a computer and printer visible in the background in an office setting.
    Year
    Related pages Selections from the Artists File
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  • A color photograph of a figure standing behind audio mixing equipment and a microphone in front of an orange background. A crowd looks on.
    A color photograph of a figure standing behind audio mixing equipment and a microphone in front of an orange background. A crowd looks on.
    Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. [A color photograph of a figure standing behind audio mixing equipment and a microphone in front of an orange background. A crowd looks on.]
    Caption Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space.
    Image description A color photograph of a figure standing behind audio mixing equipment and a microphone in front of an orange background. A crowd looks on.
    Year
    Related pages Yuji Agematsu
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    Related pages All These Different Things Are Sculpture
  • A black and white photograph of a figure sitting on a table. They hold a microphone in their right hand, and extend their left hand down behind a dark object on the surface of the table.
    A black and white photograph of a figure sitting on a table. They hold a microphone in their right hand, and extend their left hand down behind a dark object on the surface of the table.
    Jill Kroesen, Previews of Lou and Walter. Performance documentation, November 12, 1977, Artists Space. [A black and white photograph of a figure sitting on a table. They hold a microphone in their right hand, and extend their left hand down behind a dark object on the surface of the table.]
    Caption Jill Kroesen, Previews of Lou and Walter. Performance documentation, November 12, 1977, Artists Space.
    Image description A black and white photograph of a figure sitting on a table. They hold a microphone in their right hand, and extend their left hand down behind a dark object on the surface of the table.
    Year 1977
    Related pages Artists Performance Series
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    Related pages Lasse Marhaug, Eternities, Neuter
  • A projected image on a standing screen shows a bumper-to-bumper view of two shiny silver cars with a third car in the background.
    A projected image on a standing screen shows a bumper-to-bumper view of two shiny silver cars with a third car in the background.
    Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A projected image on a standing screen shows a bumper-to-bumper view of two shiny silver cars with a third car in the background.]
    Caption Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description A projected image on a standing screen shows a bumper-to-bumper view of two shiny silver cars with a third car in the background.
    Year 2010
    Related pages Duncan Campbell: Make It New John
  • A pink colored background features black text in the top half of the image that reads,
    A pink colored background features black text in the top half of the image that reads,
    Flyer for Segue Reading Series featuring Nicholas Glastonbury & John Keene. Saturday March 6, 2021, Artists Space. [A pink colored background features black text in the top half of the image that reads, "Segue Reading Series / Nicholas Glastonbury & John Keene / March 6 / 5-6:30pm on Zoom / Suggested donation: Five dollars / Zoom ID: 830 2698 4031." Black text in the bottom right corner reads, "Artists Space."]
    Caption Flyer for Segue Reading Series featuring Nicholas Glastonbury & John Keene. Saturday March 6, 2021, Artists Space.
    Image description A pink colored background features black text in the top half of the image that reads, "Segue Reading Series / Nicholas Glastonbury & John Keene / March 6 / 5-6:30pm on Zoom / Suggested donation: Five dollars / Zoom ID: 830 2698 4031." Black text in the bottom right corner reads, "Artists Space."
    Year 2021
    Related pages Segue Reading Series: Nicholas Glastonbury & John Keene
  • Close up image of a series of black shelves mounted to a white wall. Various wooden blocks painted with scenes of crowds, witches, and other characters are placed on the shelves, alongside smaller blocks decorated with white letters that spell out words including
    Close up image of a series of black shelves mounted to a white wall. Various wooden blocks painted with scenes of crowds, witches, and other characters are placed on the shelves, alongside smaller blocks decorated with white letters that spell out words including
    [Close up image of a series of black shelves mounted to a white wall. Various wooden blocks painted with scenes of crowds, witches, and other characters are placed on the shelves, alongside smaller blocks decorated with white letters that spell out words including "stooge," "atheist," and "traitor." At the center of the shelves sits a black figurine of a goat.]
    Caption
    Image description Close up image of a series of black shelves mounted to a white wall. Various wooden blocks painted with scenes of crowds, witches, and other characters are placed on the shelves, alongside smaller blocks decorated with white letters that spell out words including "stooge," "atheist," and "traitor." At the center of the shelves sits a black figurine of a goat.
    Year 1991
    Related pages Project: Our Bodice, Our Selves
  • A black and white photograph of various floating constructed fish-like objects in space.
    A black and white photograph of various floating constructed fish-like objects in space.
    Gerome Kamrowski. Metaphysical Menagerie, 1986. [A black and white photograph of various floating constructed fish-like objects in space.]
    Caption Gerome Kamrowski. Metaphysical Menagerie, 1986.
    Image description A black and white photograph of various floating constructed fish-like objects in space.
    Year
    Related pages Moderns in Mind
  • A series of candles, each made of layers of red, white, and blue wax, are placed on an aluminum shelf. From the front, the shape of the candles spell out
    A series of candles, each made of layers of red, white, and blue wax, are placed on an aluminum shelf. From the front, the shape of the candles spell out
    Nayland Blake, Rafts (detail), 2019. Wax and aluminum. 3 aluminum shelves, each: 8 x 20 x 60 inches. 60 wax candles, each: 7 1/2 x 7 x 1 7/8 inches. ©Nayland Blake, Courtesy Matthew Marks Gallery. [A series of candles, each made of layers of red, white, and blue wax, are placed on an aluminum shelf. From the front, the shape of the candles spell out "LOVE." ]
    Caption Nayland Blake, Rafts (detail), 2019. Wax and aluminum. 3 aluminum shelves, each: 8 x 20 x 60 inches. 60 wax candles, each: 7 1/2 x 7 x 1 7/8 inches. ©Nayland Blake, Courtesy Matthew Marks Gallery.
    Image description A series of candles, each made of layers of red, white, and blue wax, are placed on an aluminum shelf. From the front, the shape of the candles spell out "LOVE."
    Year
    Related pages Arnold Kemp
  • On a wooden floor in a white room are a pile of objects which emulate video projectors plugged into a power strip nearby. There is a remote control on the pile. On the otherwise empty facing white wall,
    On a wooden floor in a white room are a pile of objects which emulate video projectors plugged into a power strip nearby. There is a remote control on the pile. On the otherwise empty facing white wall,
    Conrad Bakker, Untitled Project: Projection [ARTISTS SPACE], 2007. Painted wood and mixed media. Courtesy the artist. Photo: Bill Orcutt [On a wooden floor in a white room are a pile of objects which emulate video projectors plugged into a power strip nearby. There is a remote control on the pile. On the otherwise empty facing white wall, "EPSON" is written in green letters.]
    Caption Conrad Bakker, Untitled Project: Projection [ARTISTS SPACE], 2007. Painted wood and mixed media. Courtesy the artist. Photo: Bill Orcutt
    Image description On a wooden floor in a white room are a pile of objects which emulate video projectors plugged into a power strip nearby. There is a remote control on the pile. On the otherwise empty facing white wall, "EPSON" is written in green letters.
    Year 2007
    Related pages On Being an Exhibition
  • A color image of a gallery space. In the foreground, a shovel sits upright on a pedestal. In the midground, a taxidermied griffon vulture is perched on top of concrete rubble. Next to the griffon vulture, another shovel sits upright on a pedestal. To the left side of the image, a shovel attached to a small child's chair is placed up against the back wall.
    A color image of a gallery space. In the foreground, a shovel sits upright on a pedestal. In the midground, a taxidermied griffon vulture is perched on top of concrete rubble. Next to the griffon vulture, another shovel sits upright on a pedestal. To the left side of the image, a shovel attached to a small child's chair is placed up against the back wall.
    Andy Robert: PAPALOKO. Installation view, Artists Space, 2024. Photo: Carter Seddon. [A color image of a gallery space. In the foreground, a shovel sits upright on a pedestal. In the midground, a taxidermied griffon vulture is perched on top of concrete rubble. Next to the griffon vulture, another shovel sits upright on a pedestal. To the left side of the image, a shovel attached to a small child's chair is placed up against the back wall.]
    Caption Andy Robert: PAPALOKO. Installation view, Artists Space, 2024. Photo: Carter Seddon.
    Image description A color image of a gallery space. In the foreground, a shovel sits upright on a pedestal. In the midground, a taxidermied griffon vulture is perched on top of concrete rubble. Next to the griffon vulture, another shovel sits upright on a pedestal. To the left side of the image, a shovel attached to a small child's chair is placed up against the back wall.
    Year
    Related pages Andy Robert: Papaloko
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