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Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [A figure smiles and stands behind a music stand and microphone.] -
Superstudio, still from Supersurface: An Alternative Model For Life On The Earth, 1972. 26min. [Six people are seated and lounging in a digitally rendered landscape.] -
In The Poem About Love You Don't Write The Word Love. Installation view, Artists Space, 2006. Photo: Bill Orcutt. [Two TV monitors installed in a gallery space with wooden flooring. One monitor is installed in the image's foreground on a white plinth and displays an image of a figure walking along a sidewalk. The other monitor can be seen through a hallway at the image's center and is installed on the gallery wall. A third video plays on a gallery wall on the image's right side, showing an image of two hands.] -
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Lyndon Barrois Jr.: Mirage Collar. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of a gallery space with several dark columns. A small wooden chest with a red piece of fabric and three white objects on top along with a small wooden stool are visible in the foreground. Further in the background are a yellow couch and a large wicker pannier..] -
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Nandi Loaf, WÜNDERBAR, 2025. Artifical tree (monument), custom 4-4-0 model locomotive + semi-autonomous rail system, re-routed grid hardware, ornaments, site-specific electrical circulation. Photo: Carter Seddon [A black Christmas tree stands in the room, adorned with white twinkling lights. A black toy train circulates around the shiny black base of the tree.] -
Not yet titled, 2019
Clay, glaze, metal antenna
3 1/2 x 13 x 12 inches (variable)
$3,500
[A multicolored object sits on a white base. A metal antenna extends out on a diagonal.] -
SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement with a table made of wood and a fresnel lens tabletop on the right side of the space. Along the top of the image the basement windows are tinted blue.] -
The Owl Answers. Performance documentation, February 29, 2020, Artists Space. Photo ©️ 2020 Filip Wolak. [Close up shot of four music stands arranged side by side. The torsos and hands of three figures are pictured beside the stands. They leaf through the pages of scripts held in black binders, supported by the music stands.] -
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Those Lost Trees by Viola Yesiltac (2005). [A woman stands, facing away from the camera. She is standing on a photo backdrop of trees in a forest, which covers part of the floor and is raised into the air by stand. Studio lights surround her, casting a slight glare off the backdrop.] -
Flyer for Segue Reading Series featuring Lila Zemborain and Justin Allen. Saturday, December 4, 2021, Artists Space. [Black text overlays a mauve background. The top left corner reads: "Lila Zemborain & Justin Allen." The center right reads: "Segue Reading Series & ARTISTS SPACE." The bottom left reads: "Saturday December 4 - 5pm, 11 Cortland Alley + Zoom". The image of a 5 dollar bill is placed within the text.] -
Metahaven, WikiLeaks, 2011, Scarf. Photo: Meinke Klein. [A portrait of a woman whose face is covered by a colorful cloth that extends over her entire top body. Only the top of her ear and hair are visible.] -
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Social Surfaces. Installation view, Alexander and Bonin, 2017. Photo: Ron Amstutz. [A wooden platform on wheels surrounded by a border of small poppy red brick-like sculptures, that continue to surround the base of a white pole. Sculptures and paintings are visible on the back wall behind the wooden platform.] -
Living with Pop. A Reproduction of Capitalist Realism. Installation view of the section “Düsseldorf and the Rhineland (1957–1964)," Artists Space, 2014. [An angled view of two adjacent gray walls displaying various paper material, documents, and photographs.] -
Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak. [A cluster of four works on paper against a white gallery wall. The works feature swooping, abstract calligraphic strokes in black and light green ink.] -
Till They Listen: Bill Gunn Directs America. Installation view, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A wide angle image of a beige wall lined with multiple tv monitors and glass display cases filled with ephemera, hanging on the wall are four black and white contact sheets.] -
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Yasunao Tone performing Music for 2 CD Players at Experimental Intermedia Foundation, New York, 1986. [Black-and-white photograph of a blurred figure in motion sitting behind a wooden desk surrounded by audio equipment in a sparse room.] -
Pictures. Installation view, Artists Space, 1977. Photo: D. James Dee. [A black and white installation view of two square black panels on a white wall. The hazy outline of a circle with a figure behidn can be discerned in each canvas.] -
Jeremy Deller, Together 4 Ever, 1995. Silkscreen on paper, 27 x 19 inches. Edition of 4. 2 of 4 AP. Courtesy the artist and Gavin Brown's Enterprise, New York. [A rainbow-hued poster of the Queen. Black serif text positioned above and below her image reads, "Together 4 Ever".] -
Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman [A figure stands on the stage with a mic, speaking to the crowd.] -
[A flyer for the event depicting a stylized green marshland. Light green and red text positioned at the top of the flyer reads, "A CELEBRATION OF OUR STRUGGLES / THREE MONTHS COME TO A CLOSE / DECOLONIZE / THIS PLACE / DEC. 17TH AT 6PM / 55 WALKER] -
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Ruben Ulises Rodriguez Montoya, Gloria Gloria, Balenciaga 2010 FW/RTW by Nicolas Ghesquiere, and Kate Moss as a hologram for Alexander McQueen, 2022 [Color image of the corner of a gallery space with three hanging sculptures. The sculptures are made of pigmented silicone, old clothes, zip ties and various other found materials. The sculptures are mainly made of white materials, and feature anthropormorphic and abstracted forms.] -
[White text on a blue and grey ombré background. The text reads: “March 15 / Elise Duryee-Browner / Allen Ruppersberg.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
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Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, September 16, 2022 - December 3, 2022. Photo: Filip Wolak [Image of a gallery space with a metal locker, mirrored wooden base, and some tree stumps and plants. A large light and construction nets hang from the ceiling, and on the wall in the back a video is projected onto a screen.] -
Mr. Dead & Mrs. Free: A History of Squat Theatre. Installation view, Artists Space, 1996. [A gallery space with two white columns bisecting the room. There are black and white images on the wall and a large sign suspended from the ceiling with red letters reading "squat." Behind the sign, a large seated baby with glowing eyes is visible through a paned window.] -
John Torreano. Untitled, 1974. Oil and glass jewels on canvas. Artists Space, 1974. [A black and white photograph of a square white canvas covered in shiny and textured black splotches.] -
Susan Eder. Installation view, Artists Space, 1976. [A black and white installation view of a rectangular photographic work with wide white matting.] -
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[Black, capitlized text that reads, "The Colin de Land Library."] -
Susan Cianciolo, Flowers, 2018, 25 x 21 x 1 1/2 inches, Silkscreen on book cloth on bespoke archival box, Signed edition of 100, 5APs Courtesy of the artist [A portfolio box with a flowered pattern on the lid is shown on a white ground with the lid slightly askew.] -
[Black text on a green background. The text reads: “Jan 25 / Ted Rees / Jimin Seo.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court [A group of figures dressed as firefighters spread out a tarp. Behind them is a cardboard set illustrated to look like a fire.] -
Shala Miller, Genesis, 2023. [A black-and-white film still of hazy and ghostly tonal modulations. Within the tonal atmosphere, fragments of a person's face and body can be made out in the right half of the image.] -
Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon. [A view of a gallery installed with multiple sculptures by Matthew Langan-Peck, Ruben Ulises Rodriguez Montoya, and Isabelle Frances McGuire. In the center foreground sits a wooden box sculpture painted light blue, with a pair of headphones hanging from a small peg on the side facing us. Another wooden box, painted dark blue with a repeated traffic light motif, sits in the distance behind and partially occluded by the box in the foreground. To the left, a large biomorphic sculpture composed of found materials hangs from the ceiling. In the background, three large pink banners emblazoned with silver stars hang from ceiling to floor.] -
El Bosque Luminoso Baja El Mar, Threads of History Presentations at M.S. 324, May 23, 2022 -
Warnung vor einer heiligen Nutte (Beware of a Holy Whore). Dir. Rainer Werner Fassbinder. 1971. [A man and a woman sit in two low wooden chairs. The man wears a brown hat and striped suit, while the woman wears a white top with a low v-neck. Her hair is blonde and stylishly curled. She stares ahead, her left hand gently resting on her chin. The man stares sideways at her.] -
Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [Eleven tan sacks of various sizes hang on a while wall. Each is illustrated with individual imagery and/or text. A long one, hanging at the top left, reads "CHASE" in block letters. A painting is hung in the background on a wall.] -
Ethan Crenson, Fission, 1996. Mixed media installation. [A corner of a room filled with ping pong balls set atop mousetraps. They are lit from the side by a fluorescent tube light.] -
Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman [Black-and-white image of a figure performing on stage. They hold a microphone to their mouth and the other hand plays a synthesizer.] -
[Black typewriter text, underlined, reads, "Vigilance: An Exhibition of Artit's Books Exploring Strategies for Social Concern," text with no font alteration reads, "after an exhibition curated by Mike Glier and Lucy R. Lippard."] -
Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court [Various figures in glittery costumes pose in front of a circus backdrop, holding out open fans.] -
Abasement #81. Performance documentation, October 20th, 2025, Artists Space. Photo: Joshua Wildman. [A band performs on stage, bathed in white light. The guitarist and drummer play alongside a singer, performing between them.] -
Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [Assorted Delorean paraphernalia displayed on a white background, including several images of cars and a binder filled with a user manual.] -
Caitlin Keogh, Interiors, 2016, Silkscreen on paper, 24 x 18 in / 61 x 45,7 cm, Signed and Numbered. [A graphic illustration of a headless female mannequin is seated against a checkered background. Her arms suggest the motion of tightening a sash around her waist, but the implied fabric around her body is missing from the image, leaving an empty space that divides her body in two halves.] -
[A person wearing a blue jacket and headphones sits at a table, surrounded by windows with view to a rocky, dry terrain.] -
[An angled view from a ledge containing household items, into a bedroom. Above the doorway black text reads, "Macho Man, Tell it to My Heart."] -
[A black and white scan of an invoice from Corcraft Products issued to Artists Space at 38 Greene Street. The customer number reads "9102000". The invoice details a net purchase of $1470.00] -
Artists Space Curator Jamie Stevens speaking with P.S. 140 Portfolio Students [Two people stand in the foreground: one person holds a notebook and points to a page while the other looks on.] -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a corner space in a gallery, below a staircase, that is bathed in red light. At the bottom of the stairs are a group of performers wearing conical costumes made of reflective one-way mirror film.] -
Abasement #81. Performance documentation, October 20th, 2025, Artists Space. Photo: Joshua Wildman. [A performer on stage surrounded by equipment plays for an onlooking audience.] -
Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman [A figure in side profile plays the tuba which has been fitted with a microphone at the bell's opening.] -
Sarah Morris, still from Strange Magic, 2014. REDCODE HD digital video, 45 min 8 sec. Courtesy the artist. [Close-up of a bottle of golden Dior perfume decorated with a black bow resting on a white surface.] -
Abasement #66. Performance documentation, October 9, 2023, Artists Space. Photo: Joshua Wildman. [A close-up color image of two figures performing. One plays the drums, and the second figure plays the double bass. To their right, a large black speaker, and a microphone. Images are projected onto the back wall. The room is illuminated with red and blue light.] -
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Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater. Installation view, Artists Space, 2019. Photo: Daniel Pérez. [An installation view of several works in a gallery space. Twelve long wooden poles are mounted on a white gallery wall in a circular formation, projecting out from the wall and intersecting a line of black columns, forming a teepee shape. A large piece of brown linen stained with various black, white, and rust-colors hangs from the poles. Part of the linen drapes on the ground below the teepee structure. A wooden wardrobe stands against a wall in front of the structure. Several bottles filled with urine stand in a line behind the structure, in front of an abstract sculpture in the corner of the room. The sculpture contains a humanoid head, a TV monitor, and haphazard pieces of wooden and cardboard.] -
Matters of Sensation. Installation view, Artists Space, 2008. Photo: Adam Reich. [Several sculptures and models sit in a gallery space with wooden floors. To the left of the image, there are several shining metalic forms supported by long, spider-like legs standing at hip height. On the image's right is a large model of a futuristic building. Hanging from the ceiling behind the metal sculptures is a shiny, white rectangular sculpture with sleek, ribbon-like forms.] -
Nayland Blake, Rafts (detail), 2019. Wax and aluminum. 3 aluminum shelves, each: 8 x 20 x 60 inches. 60 wax candles, each: 7 1/2 x 7 x 1 7/8 inches. ©Nayland Blake, Courtesy Matthew Marks Gallery. [A series of candles, each made of layers of red, white, and blue wax, are placed on an aluminum shelf. From the front, the shape of the candles spell out "LOVE." ] -
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Richard Klauber. Installation view,Ruth Hardinger, Richard Klauber, Artists Space, 1975. [A color installation photograph of a black and white abstract painting on a white wall.] -
Nick Mauss, This afternoon, 2012, 5-color, hand-stenciled gouache on paper, each unique 24 x 18 inches, Signed and numbered. [A gestural line drawing of two figures embracing set against a geomatric pattern of blue, teal, brown, red, and pink rectangular forms.] -
Still from CNN’s coverage of the NEA controversy surrounding the exhibition Witnesses: Against Our Vanishing, recorded by Marion Stokes. Aired on 11/09/1989. [Still image with VHS distortion depicting the exterior of a building, and a sign with the Artists Space logo: white text on a black background with a large "A" on top of a thin white square, with "ARTISTS SPACE" written below. The sign marks a red door on a dark building façade.] -
Yasunao Tone, Molecular Music, 1984-85 [Color image of a bird sculpture placed in an ornately decorated room.] -
LaTasha N. Nevada Diggs, Twerk (New York: Belladonna Books, 2015). [A book cover design featuring large pink text that reads, "TWERK" against an abstract turquoise background. Parts of the letter "K" and "T" extend off the page and have been overlaid with a lacy ribbon pattern.] -
Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman [Three figures stand on a stage cast in red and purple light from a projector. They each hold a microphone to their face, their eyes closed in concentration. The figure in the middle wears a guitar, and the figure all the way on the right leans forward on a table with audio equipment.] -
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[A crowd of people standing outside a brick building, mingling and talking.] -
virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph looking down an alleyway. Sets of grey and yellow posters hang from the brick wall of the alleyway.] -
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Andrea Fraser, Reporting from São Paulo, I'm from the United States, 1998. Courtesy the artist and Galerie Nagel Draxler. [A woman interviews Francisco Weffort, the Brazilian Minister of culture, holding out a TV microphone.] -
Édouard Manet, A Bar at the Folies-Bergère, 1882. [A painting of a female bartender standing behind a bar, facing the viewer. A large mirror directly behind her reflects the space of the crowded bar before her. Another woman behind and to the right of the bartender, her back to the viewer, turns to speak to a man with a top hat and mustache.] -
Flyer for Segue Reading Series featuring Tyrone Williams and Joselia Rebekah Hughes. Saturday, December 11, 2021, Artists Space. [Black text overlays a mauve background. The top left corner reads: "Tyrone Williams & Joselia Rebekah Hughes." The center right reads: "Segue Reading Series & ARTISTS SPACE." The bottom left reads: "Saturday December 11 - 5pm, 11 Cortland Alley + Zoom". The image of a 5 dollar bill is placed within the text.] -
Abasement #83. Performance documentation, January 5th, 2026, Artists Space. Photo: Joshua Wildman. [The stage is dark except for a red glow, and a single bulb illuminating two performers sitting at tables facing each other on stage. Each performer operates a mixing board abundant with cables.] -
[An animation of a black and white clock whose hands move backwards. The clock is positioned on a silhouette of a head in profile. Sans-serif text below the graphic reads, "The Fainnie Azul Horologe."] -
Yasunao Tone in Concert with Barbara Held. Performance documentation, January 19, 2023, Artists Space. Photo: Destiny Mata [A figure sits in front of a microphone and reads a story off of a piece of paper.] -
Eiko Ishibashi: Two New York Nights. Performance documentation, June 8, 2022, 8pm. Artists Space, New York. [A figure faces towards a microphone and red light, playing some sort of instrument that is out of focus.] -
Flyer for Inquiry & Investigation, 2018. [A piece of stretched cloth covered with painted words reading, "Inquiry" and "Investigation," along with digitally superimposed event information.] -
Attention Line. Installation view, Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [An image of a room with several display cases and a projection, with bright lights cast against the wall.] -
Julia Rommel, Back Channel, 2023. Photo: Filip Wolak. [Color image of a painting, done on linen. The left edge is painting a light blue, and the bottom edge is painting orange, with a large rectangle of dark blue paint covering the rest of the work. Accents of light blue paint run through the center and around the edges.] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Image of a dimly lit basement. Along the back wall, on the right, a shadow of a figure in profile is cast onto a blue and purple projected screen.] -
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Ralston Farina: Time // Time. Installation view, Artists Space, 2025. Photo: Carter Seddon. [Three black-and-white photographs of a young Ralston Farina, mounted on a black wall, hang above a display case.] -
Combined Faulty Acts. Installation view, Artists Space, 2008. Photo: Bill Ocrutt. [Five rows of bleachers built from wood, with dozens and dozens of assorted sculptures of gray, painted pigs arranged in decreasing size from the top bleacher to the bottom. Two flying pigs are hung on the wall directly behind the bleachers. Several feet away, across from the pigs, is a side view of a frame made of columns. On the wall between the pigs and the columns is a poster of hanging scales.] -
Robert Gero, Untitled, 1989. Sandstone, salt, aluminum, 60 x 9 x 9 inches. [A rectangular column of rough, brown material is capped by a smooth cube of white stone.] -
Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman. [Color photo of two performers kneeling on the floor of a dark performance venue. A deep red glowing light emanating from between the performers serves as the only source of illumination. The crouching individuals are wearing quilted pants and have a variety of nightvision gear attached to their legs and torsos.] -
Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York. [Two figures hold medical instruments over a table with a manneuqin and an IV.] -
Hito Steyerl, Liquidity, Inc., 2014. HD video with sound, 30 mins. Courtesy the artist and Andrew Kreps, New York. [A side view of a large video monitor screen, sitting on the ground, with a large ramp extending from the base including large pillows for seating. The room is tinted blue. On the screen, there is a man in a mask, infront of a map of Europe and Eastern Asia. A text bubble is infront of him that reads, "because huge quantities of data are raining down from their cloud storage over Scandinavia."] -
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[Black text on an orange background. The text reads: “Oct 26 / Cheryl Boyce-Taylor / Thomas Fucaloro.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
[Dark blue text overlays red-pink background. The text reads: “March 11 / Yuko Otomo / Ed Steck." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)] -
Andy Robert: PAPALOKO. Installation view, Artists Space, 2024. Photo: Carter Seddon. [A color image of a gallery space. Three shovels placed upright on pedestals are placed on the floor. To the left, a raditator on its side, partially covered in snake skin, lies on the floor. To the right of the shovels, a wooden divining rod attached to a pedestal sits upright on the floor.] -
Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. [A color photograph of a figure in motion in an orange-lit space next to a small piece of audio equipment with a wire on the floor. A crowd looks on in the background.] -
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Felix Gonzalez-Torres. Julie Ault, Miwon Kwon, Robert Storr. steidldangin, 2008. Hardcover, 400 pages. $200. at the Artists Space Bookstore [A blue book cover that reads, "Felix Gonzalez-Torres, Julie Ault."] -
Susan Eder, c. 1976. From Susan Eder, Matt Mullican, Artists Space, 1976. [A black and white photograph of a figure with long hair. They raise their left hand up to brush away their hair from their face.] -
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Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York. [Two figures in medical scrubs stare into the distance.] -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a large empty room bathed in a red light. Along one wall, a performer dressed in white stands against the wall, bending over and looking to their left. A bright white light shines from their hips and a sheath of crinkly, reflective one-way mirror film lays on the ground in front of them.] -
[A low-angled view of an empty gallery space with wooden flooring and white walls.] -
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Installation view from Four Artists: An Exhibition of Painting and Sculpture, Artists Space, 1985 -
Wolfgang Tillmans, Speedmaster #2, 2011, Offset print on paper, 47 1/4 x 48 3/8 in / 120 x 122,9 cm, Hung with two metal brackets, Edition of 170, Signed and numbered, Printed on LuxoArt Velvet 200 gsm paper with Speedmaster XL by Dr. Cantz’sche Printshop, Ostfildern [A large, square, sheet of paper, which has been folded into a 4x4 grid, unfolded, and hung on a white wall, leaving the creases. It is covered in a four-color gradient, from dark red, green, blue, to black, left to right, roughly not overlapping with the creases.] -
Crystal Colon, Cherish Atlas, 2014 [An artwork depicting a long pier with checkered black floor, splitting a waterway, with the outline of a city skyline in the distance. Two long cream-colored couches appear in the foreground, alongside a round and rectangular red table. The top left corner of the image contains an empty white circle] -
Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York. [Two figures holding a mannequin look at a projection on the wall.] -
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Abasement #68. Performance documentation, February 12, 2024, Artists Space. Photo: Joshua Wildman. [Close-up color photograph of a vocalist and a musician playing a bass at the edge of the stage. The vocalist has long curly black hair and wears an army-green cargo jacket. They are kneeling down as they hold the microphone up to the mouth. To the right of the vocalist, the bassist looks out to the crowd as picks the strings. The drums and the drummer are visible behind them. The wall behind the stage is illuminated by a bright white light emitted from a projector. ] -
New Red Order Give it Back, detail, 2020 Acrylic LED displays with cut vinyl, water cooler, poster, couch, desk, chairs, magazine rack, The New Red Times Magazine, and three televisions. Image courtesy Artists Space, New York [An image of a magazine rack with numerous copies of a magazine with a city-scape is positioned upside down, the point of the skyscraper reaching towards the bottom of the image. Googley eyes, eyebrows, and a mouth are drawn near the top of the building. Red serif font across the top of the image reads "The New Red Times Magazine." White serif font in the bottom left corner reads "TIRED OF LIVING ON STOLEN LAND?" Below, red serif font reads "GIVE IT BACK."] -
Joey De Jesus, NOCT: The Threshold of Madness, 2016. Ink on found book. Courtesy the artist. [A text titled "Before the Encounter" with a strikethrough on nearly every word - drawn over with abstract black symbols and shapes, circling some words.] -
Louisa Chase. Installation view, Louisa Chase, Ted Stamm, Meryl Vladimer, Artists Space, 1975. [A black and white installation photograph of a sculpture. The work features two wooden rods, connected to form an obtuse angle in the center. The end of each rod has a set of wheels, and the piece rests on a sling-like piece of sturdy fabric.] -
Too Black, Too Strong! Installation View, Artists Space, 1988. [A black and white photograph of mixed media collage work hanging on gallery walls.] -
Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [A figure stands next to a fold-out table in a dimly lit space. They look down at their feet while their hand rests at their hip.] -
Abasement #66. Performance documentation, October 9, 2023, Artists Space. Photo: Joshua Wildman. [Color image of a performance space illuminated by red light. In the center, two figures standing next to each other are playing the violin. Behind them is a white projector screen and a speaker.] -
Show and Tell: A Chronicle. of Group Material. Doug Ashford, Julie Ault, Sabrina Locks. Four Corners Books, 2010. Hardcover, 272 pages. $35 . $120 Signed. at the Artists Space Bookstore [A red room containing a pile of miscellaneous items. Yellow text that reads, "Show and Tell: A Chronical of Group Material, Edited by Julie Ault."] -
Duncan Campbell Big Fires Start Small, 2010, 3 color screenprint on poster, 25 1/2 x 16 1/2 inches (64,8 x 41,9 cm), Edition of 100, Signed and numbered. [The phrase "big fires start small" is written diagonally against a black background. "Big fires" appears in large bubble text surrounded by flames and "start small" appreas below in white blocky type.] -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of three figures, wearing conical costumes made of reflective one-way mirror film, standing at the doorways of a gallery space.] -
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Flipside. Installation view, Artists Space, 2004. [A small black table leans at an angle, one corner resting on a white wall and one leg resting on an inflated balloon with a face printed on it. Coming out of the ballon is a flowered dress, attached to a fan by an inflation tube. Beyond that, visible behind a half wall, are two red shades with holes covering two windows.] -
Lyndon Barrois Jr.: Mirage Collar. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of a doorstop shaped like a donkey. The donkey carries a bundle of sticks on its back and props open a brown door.] -
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Abasement #85. Performance documentation, March 2nd, 2026, Artists Space. Photo: Joshua Wildman. [A performer sings into a microphone. The performer and stage are bathed in psychedelic, colorful patterns. ] -
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Tiffany Sia, The Bastard Scroll, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A photograph of a gallery space with a long rectangular table and a black chair. On the table is a long sheet of white paper. In the corner hangs eight photographs and print-outs next to a wooden bench.] -
Carolyn Lazard: Two-way. Installation view, Artists Space, 2025. Photo: Greg Carideo. [A brightly painted red wall with the phrase “TWO-WAY” centered in large white text. The floor in front of the wall, and to the side is covered in a pattern of light blue linoleum tiles. Brown columns stretch into the darkness behind the wall.] -
Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata [Color image of a reed organ with a sheet of clear plastic falling off the organ, and a block of ice fallen on its side on the floor of a black stage.] -
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Attention Line. Installation view, Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [An image of a monitor with two chairs in front of it. To the right of the monitor, a photocollage hangs on the wall.] -
Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman [A figure plays the saxophone on a stage.] -
Traditions: Five Painters. Installation View, Artists Space, 1978. [Two pieces hang on a wall.] -
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Zilia Sánchez. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A square, gray canvas with a large white circle centered towards its bottom edge hangs on a light, mauve-colored wall. At the bottom center of the circle, the canvas stretches outward in a verticle line.] -
Mark Morrisroe. Untitled (1988). © The Estate of Mark Morrisroe (Ringier Collection) at Fotomuseum Winterthur. [A yellow-toned close-up of a person's bare chest. There is a hummingbird tattoo on the person's right breast, and they are wearing two chain necklaces.] -
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virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of a gallery space. Behind three dark columns a large vinyl printed with text is attached to the wall, falling to the ground on the left side. In the center a large grey table with four red chairs and stacks of yellow and grey posters is visible.] -
Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman. [Color photo of three musicians captured mid-performance on stage in a low-lit venue space. The central musician plays the trumpet, and is flanked at either side by men playing clarinets. Abstract and fragmented projections in green and yellow-orange shine onto the musicians and cast onto the wall behind them.] -
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Charles Simonds. Still from Mythologies, 1974. From Thomas Lanigan-Schmidt, James Biederman, Charles Simonds, Artists Space, 1974. [A black and white film still of two figures on a sidewalk, one stands against a stone wall looking through a small opening in the stone.] -
A Rat’s Mass, 1976, La MaMa, 1 hour 47 minutes. Courtesy La MaMa Archives/The Ellen Stewart Private Collection. Photo: Filip Wolak. [A television displaying a grainy black and white image of a group of people.] -
Hito Steyerl, Liquidity, Inc., 2014. HD video with sound, 30 mins. Courtesy the artist and Andrew Kreps, New York. [An angled view of a large ramp looking on to a large video monitor screen positioned at the base. The room is tinted blue. On the screen, an iPhone 4 sits on a glass table, its lock screen on view; the time reads, "4:39."] -
Matthew Langan-Peck, Golden Egg 1, 2024. Photo: Carter Seddon. [Color image of a corner in a darkened gallery space. A large golden egg sculpture sits on the floor in the corner.] -
Richard Klauber. Installation view, Ruth Hardinger, Richard Klauber, Artists Space, 1975. [A color installation photograph of a white abstract painting with black lines on a white wall.] -
Underground: Gail Rothschild. Installation view, Artists Space, 1990. [A group of human figures made of clay are seated on benches around a long table, which extends to the length of a dark room. The walls of the room are patterned with handprints.] -
Hani Rashid, The Early 17th Century, 1985. Mixed media with ink, old paints, acids, chalks, 33 x 24 inches. [Drawing of upside down Christian iconography along with pyramid, desert landscape with white surrouding the images.] -
Catalog cover from polke / richter – richter / polke , 1966 galerie h, Hannover Courtesy August Haseke [Black lower case text on a red page reads, "richter/polke, polke/richter."] -
New Red Order Give it Back, detail, 2020 Acrylic LED displays with cut vinyl, water cooler, poster, couch, desk, chairs, magazine rack, The New Red Times Magazine, and three televisions. Image courtesy Artists Space, New York Photo: Filip Wolak [A close up image of a white building facade with numerous real estate listings lining the windows.] -
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Artists Draw. Installation view, Artists Space, 1979. [Two drawings hung up on adjacent walls. On the left is a nude headless figure with a star covering its groin and smaller figures walking along the top. On the right is a nude headless figure with two disembodied heads floating nearby with long extended tongues.] -
Constantina Zavitsanos: fwiw. Installation view (∞, 2024), Artists Space, 2024. Photo: Carter Seddon. [Against an urban landscape, a metal pinhole camera tin is mounted to a roof post.] -
Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman. [Color photo of two performers sitting on the ground in a dark venue space that is illuminated by deep red overhead lights. The performers are holding up clear, geometric objects against a neon yellow and blue projection on a wall.] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Three figures perform in a basement. On the left a figure in a blue morph suit wears a pair of wings made of fresnel lenses. On the right another figure in a blue morph suit stands behind a rolling table made of wood and fresnel lenses. Another figure to the far right takes video footage.] -
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Abstruction. Installation view, Artists Space, 2003. [Corner of a gallery space with white walls and wooden flooring. Two large rectangular lengths of translucent, white cloth embroidered with amorphous red and blue linework are installed on the corner's left and right walls.] -
Rolando Politi, lets free the caps from being "bonded to the threads of a bottle." Image courtesy Rolando Politi. [A color image of a decorated waste container on the street. The container is adorned with bottle caps in different colors, sizes, and materials, nailed to the surface of the bin. The dense arrangement of the caps on its surface creates complex color patterns and textural accentuations.] -
Gerry Morehead. Installation view, Gerry Morehead, Jim Pavlicovic, Artists Space, 1976. [A black and white installation view of a large rectangular artwork featuring several dark portions, dots, and text.] -
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Witnesses: Against Our Vanishing. Installation View, Artists Space, 1989. Photo: Frances Miller Smith. [A wide view of a gallery. A sculpture including two small tables is next to a column in the center of the room. The far wall is hung with paintings and photographs, and a monochormatic white sculpture of a human figure hangs from the ceiling.] -
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[A grid of pink hearts on a green background.] -
Abasement #80. Performance documentation, September 22nd, 2025, Artists Space. Photo: Joshua Wildman. [A performer plays a stringed instrument on stage. The performer and stage are bathed in pink and blue light.] -
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Stashu Kybartas, Danny, 1986. 20 minutes, 3/4", color. Film still. [A person in a plaid shirt and jeans is seated with their hands in their lap in from of a plaid background, looking to the left of the camera.] -
Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak. [Various small drawings on paper in india ink and pencil hang on a white gallery wall. The works in pencil feature a looping ornamental symbol, drawn in various orientations within the individual box units of gridded paper to form larger structures.] -
[Black text on a light green background. The text reads: “May 23 / Amanda Deutch / Brandon Downing.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
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Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. [A color photograph of a figure standing in an orange-lit space next to a small piece of audio equipment with a wire on the floor. A speaker is visible in the background.] -
Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a background of bright yellow paper. Pieces of paper with typewritten text listing the performers and event details are scattered around the flyer.] -
Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They have papers taped and placed over their face.] -
Crystal Z Campbell, Revolver, 2022. 16mm film transferred to Digital Video, Stereo, Sound. 17:27 min. Courtesy the artist [Negative film image that has been mirrored across a diagonal line of symmetry, depicting a blue board with objects arranged on it to create vaguely recognizable patterns.]
