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  • A bar with four wooden stools positioned in the corner of a room. A neon sign hangs above to the left of a fiber sculpture. On the left wall, a monitor is displayed on top of plastered posters.
    A bar with four wooden stools positioned in the corner of a room. A neon sign hangs above to the left of a fiber sculpture. On the left wall, a monitor is displayed on top of plastered posters.
    Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013. [A bar with four wooden stools positioned in the corner of a room. A neon sign hangs above to the left of a fiber sculpture. On the left wall, a monitor is displayed on top of plastered posters.]
    Caption Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013.
    Image description A bar with four wooden stools positioned in the corner of a room. A neon sign hangs above to the left of a fiber sculpture. On the left wall, a monitor is displayed on top of plastered posters.
    Year 2013
    Related pages Pride Goes Before a Fall
  • Ann Goldstein has been a museum professional for over forty years. She currently serves as Deputy Director and Senior Curator at Large at the Art Institute of Chicago and on the board of directors and as President of the Michael Asher Foundation. Goldsstein joined the Art Institute in 2016 as Deputy Director, and Chair and Dittmer Curator of Modern and Contemporary Art. Prior to joining the museum, she served as Director of the Stedelijk Museum in Amsterdam from 2010–2013, and as Senior Curator at The Museum of Contemporary Art in Los Angeles (MOCA) from 1983–2009. She is recognized for such large-scale historical survey exhibitions as A Minimal Future? Art as Object 1958-1968, 1965-1975: Reconsidering the Object of Art, and A Forest of Signs: Art in the Crisis of Representation, as well as numerous solo exhibitions and projects over the years with Jo Baer, stanley brouwn, Judy Fiskin, Felix Gonzalez-Torres, Roni Horn, Richard Hunt, Mike Kelley, Martin Kippenberger, Barbara Kruger, William Leavitt, Steve McQueen, Cady Noland, Pope.L, Josephine Pryde, Nancy Rubins, Lawrence Weiner, and Christopher Wool, among others. In addition to the Asher Foundation, Goldstein serves as a member of The Felix Gonzalez-Torres Foundation Fellows Forum, on the board of trustees of the Richard Hunt Legacy Foundation, and as a member of the Serralves Museum Advisory Committee. In recognition of her work, the Center for Curatorial Studies at Bard College presented her with the Audrey Irmas Award for Curatorial Excellence in 2012.
    Caption Ann Goldstein has been a museum professional for over forty years. She currently serves as Deputy Director and Senior Curator at Large at the Art Institute of Chicago and on the board of directors and as President of the Michael Asher Foundation. Goldsstein joined the Art Institute in 2016 as Deputy Director, and Chair and Dittmer Curator of Modern and Contemporary Art. Prior to joining the museum, she served as Director of the Stedelijk Museum in Amsterdam from 2010–2013, and as Senior Curator at The Museum of Contemporary Art in Los Angeles (MOCA) from 1983–2009. She is recognized for such large-scale historical survey exhibitions as A Minimal Future? Art as Object 1958-1968, 1965-1975: Reconsidering the Object of Art, and A Forest of Signs: Art in the Crisis of Representation, as well as numerous solo exhibitions and projects over the years with Jo Baer, stanley brouwn, Judy Fiskin, Felix Gonzalez-Torres, Roni Horn, Richard Hunt, Mike Kelley, Martin Kippenberger, Barbara Kruger, William Leavitt, Steve McQueen, Cady Noland, Pope.L, Josephine Pryde, Nancy Rubins, Lawrence Weiner, and Christopher Wool, among others. In addition to the Asher Foundation, Goldstein serves as a member of The Felix Gonzalez-Torres Foundation Fellows Forum, on the board of trustees of the Richard Hunt Legacy Foundation, and as a member of the Serralves Museum Advisory Committee. In recognition of her work, the Center for Curatorial Studies at Bard College presented her with the Audrey Irmas Award for Curatorial Excellence in 2012.
    Image description
    Year
    Related pages Friends of Artists Space Dinner
  • Roughly two dozen stuffed laundry bags, piled up against a wall. The bags are white and are each imprinted with a large black dollar sign.
    Roughly two dozen stuffed laundry bags, piled up against a wall. The bags are white and are each imprinted with a large black dollar sign.
    When Time Becomes Form: The Money Mountain. Installation view, Artists Space, 2008. [Roughly two dozen stuffed laundry bags, piled up against a wall. The bags are white and are each imprinted with a large black dollar sign.]
    Caption When Time Becomes Form: The Money Mountain. Installation view, Artists Space, 2008.
    Image description Roughly two dozen stuffed laundry bags, piled up against a wall. The bags are white and are each imprinted with a large black dollar sign.
    Year 2008
    Related pages When Time Becomes Form: The Money Mountain and A Letter for the Girl Chewing Gum
  • Various paintings hang on the walls to the left and right.
    Various paintings hang on the walls to the left and right.
    Traditions: Five Painters. Installation View, Artists Space, 1978. [Various paintings hang on the walls to the left and right.]
    Caption Traditions: Five Painters. Installation View, Artists Space, 1978.
    Image description Various paintings hang on the walls to the left and right.
    Year
    Related pages Traditions: Five Painters, Charles Clough, William Fares, Sidney Goldberg, John Lees, Ann Thornycroft
  • An adult figure stands in the foreground while a smaller figure stands in the background in a corner. Above the figures reads:
    An adult figure stands in the foreground while a smaller figure stands in the background in a corner. Above the figures reads:
    Jenny Snider. It's a Sin to Tell a Lie, 1985. [An adult figure stands in the foreground while a smaller figure stands in the background in a corner. Above the figures reads: "It's a sin to tell a lie."]
    Caption Jenny Snider. It's a Sin to Tell a Lie, 1985.
    Image description An adult figure stands in the foreground while a smaller figure stands in the background in a corner. Above the figures reads: "It's a sin to tell a lie."
    Year
    Related pages Four Artists: An Exhibition of Painting and Sculpture
  • Magazine cut-outs and ink drawings are collaged together on a colorful background, with blue, pink, yellow and beige paper. Cut up pieces of beige paper are scattered throughout the image, and feature typewritten text listing the performers and event details.
    Magazine cut-outs and ink drawings are collaged together on a colorful background, with blue, pink, yellow and beige paper. Cut up pieces of beige paper are scattered throughout the image, and feature typewritten text listing the performers and event details.
    Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a colorful background, with blue, pink, yellow and beige paper. Cut up pieces of beige paper are scattered throughout the image, and feature typewritten text listing the performers and event details.]
    Caption Flyer by Joe Frivaldi.
    Image description Magazine cut-outs and ink drawings are collaged together on a colorful background, with blue, pink, yellow and beige paper. Cut up pieces of beige paper are scattered throughout the image, and feature typewritten text listing the performers and event details.
    Year
    Related pages Abasement #71
  • A yellow paper bag with handles, detailed illustrations across its sides. At the front is a drawing of two large crows. Intricate line designs in the background and along the handles. On the side of the bag is a barren tree, with small dots indicating snowfall, and a fence that stretches in the background.
    A yellow paper bag with handles, detailed illustrations across its sides. At the front is a drawing of two large crows. Intricate line designs in the background and along the handles. On the side of the bag is a barren tree, with small dots indicating snowfall, and a fence that stretches in the background.
    Peter Jemison, Crows in Winter (Paris), 1980s. [A yellow paper bag with handles, detailed illustrations across its sides. At the front is a drawing of two large crows. Intricate line designs in the background and along the handles. On the side of the bag is a barren tree, with small dots indicating snowfall, and a fence that stretches in the background.]
    Caption Peter Jemison, Crows in Winter (Paris), 1980s.
    Image description A yellow paper bag with handles, detailed illustrations across its sides. At the front is a drawing of two large crows. Intricate line designs in the background and along the handles. On the side of the bag is a barren tree, with small dots indicating snowfall, and a fence that stretches in the background.
    Year 2017
    Related pages Unholding
  • A figure's hands are shown, standing at the edge of a white table, unfolding a small book as another figure on the other side of the table holds part of the book and reads off of it.
    A figure's hands are shown, standing at the edge of a white table, unfolding a small book as another figure on the other side of the table holds part of the book and reads off of it.
    Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang. [A figure's hands are shown, standing at the edge of a white table, unfolding a small book as another figure on the other side of the table holds part of the book and reads off of it.]
    Caption Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang.
    Image description A figure's hands are shown, standing at the edge of a white table, unfolding a small book as another figure on the other side of the table holds part of the book and reads off of it.
    Year 2023
    Related pages Chang Yuchen: Coral Dictionary Vol. 1, 2019-2022
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    Year
    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • Color photograph of a figure dressed in white, laying on the floor of a dark room. The figure has one leg raised in the air, shining a light from their pelvic area onto the floor and wall across from them. A small TV monitor sits in the corner.
    Color photograph of a figure dressed in white, laying on the floor of a dark room. The figure has one leg raised in the air, shining a light from their pelvic area onto the floor and wall across from them. A small TV monitor sits in the corner.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure dressed in white, laying on the floor of a dark room. The figure has one leg raised in the air, shining a light from their pelvic area onto the floor and wall across from them. A small TV monitor sits in the corner.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a figure dressed in white, laying on the floor of a dark room. The figure has one leg raised in the air, shining a light from their pelvic area onto the floor and wall across from them. A small TV monitor sits in the corner.
    Year 2022
    Related pages keyon gaskin 12-16
  • Caption
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    Year
    Related pages Christopher D'Arcangelo
  • Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “Segue Reading Series & ARTISTS SPACE / Winter/Spring 2024 Season / April/May Curated by Futurepoem” Text in the bottom left corner reads: “Saturdays at 5pm: 11 Cortlandt Alley + Zoom
    Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “Segue Reading Series & ARTISTS SPACE / Winter/Spring 2024 Season / April/May Curated by Futurepoem” Text in the bottom left corner reads: “Saturdays at 5pm: 11 Cortlandt Alley + Zoom
    [Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “Segue Reading Series & ARTISTS SPACE / Winter/Spring 2024 Season / April/May Curated by Futurepoem” Text in the bottom left corner reads: “Saturdays at 5pm: 11 Cortlandt Alley + Zoom"]
    Caption
    Image description Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “Segue Reading Series & ARTISTS SPACE / Winter/Spring 2024 Season / April/May Curated by Futurepoem” Text in the bottom left corner reads: “Saturdays at 5pm: 11 Cortlandt Alley + Zoom"
    Year
    Related pages Segue Reading Series
  • In a large dark room, a modular structure is recessed into a raised floor covered with black carpet. The structure is lit in bright blue light, and hosts open water. Behind, a projected image from a camera obscura displays the alley outside. Red light floods the back corner of the room.
    In a large dark room, a modular structure is recessed into a raised floor covered with black carpet. The structure is lit in bright blue light, and hosts open water. Behind, a projected image from a camera obscura displays the alley outside. Red light floods the back corner of the room.
    Constantina Zavitsanos: fwiw. Installation view (Wishing Well (Korpi), 2023/24; Days (Cortlandt Alley Crosswalk), 2024), Artists Space, 2024. Photo: Carter Seddon. [In a large dark room, a modular structure is recessed into a raised floor covered with black carpet. The structure is lit in bright blue light, and hosts open water. Behind, a projected image from a camera obscura displays the alley outside. Red light floods the back corner of the room.]
    Caption Constantina Zavitsanos: fwiw. Installation view (Wishing Well (Korpi), 2023/24; Days (Cortlandt Alley Crosswalk), 2024), Artists Space, 2024. Photo: Carter Seddon.
    Image description In a large dark room, a modular structure is recessed into a raised floor covered with black carpet. The structure is lit in bright blue light, and hosts open water. Behind, a projected image from a camera obscura displays the alley outside. Red light floods the back corner of the room.
    Year
    Related pages fwiw
  • A color photograph of a gallery space. Two small paintings hang on the wall between concrete columns set into the wall. In the foreground, a large wicker pannier is visible. Two strips of police tape can be seen in the right corner of the frame.
    A color photograph of a gallery space. Two small paintings hang on the wall between concrete columns set into the wall. In the foreground, a large wicker pannier is visible. Two strips of police tape can be seen in the right corner of the frame.
    Lyndon Barrois Jr., Divine Agent, 2022. Wicker pannier, plastic, copper, brass, conservation glove, moonshine jug, solvent transfers, plywood, brass, wooden owl figurine, dyed silk. Dimensions variable. Photo: Filip Wolak. [A color photograph of a gallery space. Two small paintings hang on the wall between concrete columns set into the wall. In the foreground, a large wicker pannier is visible. Two strips of police tape can be seen in the right corner of the frame.]
    Caption Lyndon Barrois Jr., Divine Agent, 2022. Wicker pannier, plastic, copper, brass, conservation glove, moonshine jug, solvent transfers, plywood, brass, wooden owl figurine, dyed silk. Dimensions variable. Photo: Filip Wolak.
    Image description A color photograph of a gallery space. Two small paintings hang on the wall between concrete columns set into the wall. In the foreground, a large wicker pannier is visible. Two strips of police tape can be seen in the right corner of the frame.
    Year 2022
    Related pages Lyndon Barrois Jr.: Mirage Collar
  • A photograph of two walls of a gallery space. On one, photographs hang in an uneven row. On the other, two sculptures protrude from the wall.
    A photograph of two walls of a gallery space. On one, photographs hang in an uneven row. On the other, two sculptures protrude from the wall.
    Selections from the Artists File. Installation view, Artists Space, 1989. [A photograph of two walls of a gallery space. On one, photographs hang in an uneven row. On the other, two sculptures protrude from the wall.]
    Caption Selections from the Artists File. Installation view, Artists Space, 1989.
    Image description A photograph of two walls of a gallery space. On one, photographs hang in an uneven row. On the other, two sculptures protrude from the wall.
    Year 1989
    Related pages Selections from the Artist File
  • A color installation photograph of a black and white abstract painting on a white wall.
    A color installation photograph of a black and white abstract painting on a white wall.
    Richard Klauber. Installation view, Ruth Hardinger, Richard Klauber, Artists Space, 1975. [A color installation photograph of a black and white abstract painting on a white wall.]
    Caption Richard Klauber. Installation view, Ruth Hardinger, Richard Klauber, Artists Space, 1975.
    Image description A color installation photograph of a black and white abstract painting on a white wall.
    Year 1975
    Related pages Ruth Hardinger, Richard Klauber
  • A room with two chairs facing toward a low table with a small monitor and assorted bottles. There are two windows, both blotted out with smears of paint. A large sculpture of a person with crouched legs and their arms above their head is suspended from the ceiling, with a second smaller head emerging from between the squatting legs.
    A room with two chairs facing toward a low table with a small monitor and assorted bottles. There are two windows, both blotted out with smears of paint. A large sculpture of a person with crouched legs and their arms above their head is suspended from the ceiling, with a second smaller head emerging from between the squatting legs.
    Mr. Dead & Mrs. Free: A History of Squat Theatre. Installation view, Artists Space, 1996. [A room with two chairs facing toward a low table with a small monitor and assorted bottles. There are two windows, both blotted out with smears of paint. A large sculpture of a person with crouched legs and their arms above their head is suspended from the ceiling, with a second smaller head emerging from between the squatting legs.]
    Caption Mr. Dead & Mrs. Free: A History of Squat Theatre. Installation view, Artists Space, 1996.
    Image description A room with two chairs facing toward a low table with a small monitor and assorted bottles. There are two windows, both blotted out with smears of paint. A large sculpture of a person with crouched legs and their arms above their head is suspended from the ceiling, with a second smaller head emerging from between the squatting legs.
    Year 1996
    Related pages Mr. Dead & Mrs. Free: A History of Squat Theatre (1969 – 1991)
  • Cropped cutout photographs of a face are collaged together, forming an irregular shape. Purple text over the image reads
    Cropped cutout photographs of a face are collaged together, forming an irregular shape. Purple text over the image reads
    Flyer for Segue Reading Series featuring Trisha Low and Alisha Mascarenhas. Saturday, November 14, 2020, Artists Space. Artist: Keith Higginbotham [Cropped cutout photographs of a face are collaged together, forming an irregular shape. Purple text over the image reads "Trisha Low / Alisha Mascarenhas / Segue."]
    Caption Flyer for Segue Reading Series featuring Trisha Low and Alisha Mascarenhas. Saturday, November 14, 2020, Artists Space. Artist: Keith Higginbotham
    Image description Cropped cutout photographs of a face are collaged together, forming an irregular shape. Purple text over the image reads "Trisha Low / Alisha Mascarenhas / Segue."
    Year 2020
    Related pages Segue Reading Series: Trisha Low & Alisha Mascarenhas
  • A figure performs on stage behind a music stand.
    A figure performs on stage behind a music stand.
    Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [A figure performs on stage behind a music stand.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure performs on stage behind a music stand.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-10
  • A series of amorphous, basket-like objects sit on a series of plinths of varying heights in a gallery space. The baskets are composed of a variety of materials, including wood, grass, gourd, and paper.
    A series of amorphous, basket-like objects sit on a series of plinths of varying heights in a gallery space. The baskets are composed of a variety of materials, including wood, grass, gourd, and paper.
    Baskets. Installation view, Artists Space, 2006. [A series of amorphous, basket-like objects sit on a series of plinths of varying heights in a gallery space. The baskets are composed of a variety of materials, including wood, grass, gourd, and paper.]
    Caption Baskets. Installation view, Artists Space, 2006.
    Image description A series of amorphous, basket-like objects sit on a series of plinths of varying heights in a gallery space. The baskets are composed of a variety of materials, including wood, grass, gourd, and paper.
    Year 2006
    Related pages Architecture & Design Project Series: Baskets
  • Dr Andrew Torres, Teaching Artist leading a poetry class for Grade 8 students (detail), 2022
    Caption Dr Andrew Torres, Teaching Artist leading a poetry class for Grade 8 students (detail), 2022
    Image description
    Year 2022
    Related pages Art and Literacy: Poetry
  • Color image of a performer and a small white tent on a stage. The performer is on the left, wearing all white, with a bouquet of flowers in their hand and a stick of insense in their mouth. On the right side of the stage, the tent is lit up with multicolored projections. The top of the tent is decorated with colorful stars. The walls in the background, as well as the audience in the foreground, are lit by patterned projections and blue lights.
    Color image of a performer and a small white tent on a stage. The performer is on the left, wearing all white, with a bouquet of flowers in their hand and a stick of insense in their mouth. On the right side of the stage, the tent is lit up with multicolored projections. The top of the tent is decorated with colorful stars. The walls in the background, as well as the audience in the foreground, are lit by patterned projections and blue lights.
    Abasement #75. Performance documentation, February 3rd, 2025, Artists Space. Photo: Joshua Wildman. [Color image of a performer and a small white tent on a stage. The performer is on the left, wearing all white, with a bouquet of flowers in their hand and a stick of insense in their mouth. On the right side of the stage, the tent is lit up with multicolored projections. The top of the tent is decorated with colorful stars. The walls in the background, as well as the audience in the foreground, are lit by patterned projections and blue lights.]
    Caption Abasement #75. Performance documentation, February 3rd, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Color image of a performer and a small white tent on a stage. The performer is on the left, wearing all white, with a bouquet of flowers in their hand and a stick of insense in their mouth. On the right side of the stage, the tent is lit up with multicolored projections. The top of the tent is decorated with colorful stars. The walls in the background, as well as the audience in the foreground, are lit by patterned projections and blue lights.
    Year
    Related pages Abasement #75
  • A black and white image of a girl sitting sideways on stone steps against a wall reading a book. Several more books are piled in front of her.
    A black and white image of a girl sitting sideways on stone steps against a wall reading a book. Several more books are piled in front of her.
    [A black and white image of a girl sitting sideways on stone steps against a wall reading a book. Several more books are piled in front of her.]
    Caption
    Image description A black and white image of a girl sitting sideways on stone steps against a wall reading a book. Several more books are piled in front of her.
    Year 2012
    Related pages Teenage
  • A small television set sits in front of a glass window with bars. Behind the window, grafitti can be seen.
    A small television set sits in front of a glass window with bars. Behind the window, grafitti can be seen.
    Attention Line. Installation view (compilation of seven New York subway performances by Tamio Shiraishi c. 2010-2020), Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [A small television set sits in front of a glass window with bars. Behind the window, grafitti can be seen.]
    Caption Attention Line. Installation view (compilation of seven New York subway performances by Tamio Shiraishi c. 2010-2020), Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak
    Image description A small television set sits in front of a glass window with bars. Behind the window, grafitti can be seen.
    Year 2022
    Related pages Attention Line
  • Image of a basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    Image of a basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.]
    Caption SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    Year 2022
    Related pages SCRAAATCH 12-3
  • Caption
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A green colored background features black text in the top half of the image that reads,
    A green colored background features black text in the top half of the image that reads,
    Flyer for Segue Reading Series featuring Amber Dawn & Kai Cheng Thom. Saturday March 13, 2021, Artists Space. [A green colored background features black text in the top half of the image that reads, "Segue Reading Series / Amber Dawn & Kai Cheng Thom / March 13 / 5pm on Zoom / Suggested donation: Five dollars / Zoom ID: 830 2698 4031." Black text in the bottom right corner reads, "Artists Space."]
    Caption Flyer for Segue Reading Series featuring Amber Dawn & Kai Cheng Thom. Saturday March 13, 2021, Artists Space.
    Image description A green colored background features black text in the top half of the image that reads, "Segue Reading Series / Amber Dawn & Kai Cheng Thom / March 13 / 5pm on Zoom / Suggested donation: Five dollars / Zoom ID: 830 2698 4031." Black text in the bottom right corner reads, "Artists Space."
    Year 2021
    Related pages Segue Reading Series: Amber Dawn & Kai Cheng Thom
  • Detail view of a display case with two screens, one resting partially on another. A person's smiling face is visible on the bottom monitor.
    Detail view of a display case with two screens, one resting partially on another. A person's smiling face is visible on the bottom monitor.
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Detail view of a display case with two screens, one resting partially on another. A person's smiling face is visible on the bottom monitor.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Detail view of a display case with two screens, one resting partially on another. A person's smiling face is visible on the bottom monitor.
    Year
    Related pages Bernadette Corporation: 2000 Wasted Years
  • Three desks are lined up in front of each other, each desktop has a TV monitor and clay rocks. In the back is a dark room with yellow LED light sculptures.
    Three desks are lined up in front of each other, each desktop has a TV monitor and clay rocks. In the back is a dark room with yellow LED light sculptures.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, September 16, 2022 - December 3, 2022. Photo: Filip Wolak [Three desks are lined up in front of each other, each desktop has a TV monitor and clay rocks. In the back is a dark room with yellow LED light sculptures.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, September 16, 2022 - December 3, 2022. Photo: Filip Wolak
    Image description Three desks are lined up in front of each other, each desktop has a TV monitor and clay rocks. In the back is a dark room with yellow LED light sculptures.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • Portrait of a seated musician holding a microphone and a guitar.
    Portrait of a seated musician holding a microphone and a guitar.
    Axine M: Sold Licker Glass, 2024, Artists Space. Courtesy of ISSUE Project Room. Photography by Cameron Kelly McLeod. [Portrait of a seated musician holding a microphone and a guitar.]
    Caption Axine M: Sold Licker Glass, 2024, Artists Space. Courtesy of ISSUE Project Room. Photography by Cameron Kelly McLeod.
    Image description Portrait of a seated musician holding a microphone and a guitar.
    Year
    Related pages Axine M: Sold Licker Glass
  • Jubilee Aponte, Untitled, 2021, digital photography
    Caption Jubilee Aponte, Untitled, 2021, digital photography
    Image description
    Year 2021
    Related pages BRIDGE Photography
  • A stone-walled lawn filled with people watching Kembra Pfahler.
    A stone-walled lawn filled with people watching Kembra Pfahler.
    Kembra Pfahler performing with the Girls of Karen Black. Photo: © Paula Court, 2018. [A stone-walled lawn filled with people watching Kembra Pfahler.]
    Caption Kembra Pfahler performing with the Girls of Karen Black. Photo: © Paula Court, 2018.
    Image description A stone-walled lawn filled with people watching Kembra Pfahler.
    Year 2018
    Related pages Garden Party at Marble Cemetery
  • Several paintings and sculptures installed on two walls that form a corner in a gallery space. A square painting featuring large, bold yellow text that reads,
    Several paintings and sculptures installed on two walls that form a corner in a gallery space. A square painting featuring large, bold yellow text that reads,
    AIDS Forum: John Giorno - FABULOUS SEX/COMPASSION. Installation view, Artists Space, 1993. [Several paintings and sculptures installed on two walls that form a corner in a gallery space. A square painting featuring large, bold yellow text that reads, "LIFE IS A KILLER" hangs on the right wall. On the left wall, a block of large black text has been painted on the wall, from ceiling to floor. It reads, "THE WORLD IS GETTING EMPTY OF / EVERYONE I KNOW / ONE BY ONE / IN EVERY DIRECTION / THEY ARE LEAVING / THIS WORLD / FOR SOME PEOPLE / EVERYONE THEY KNOW HAS DIED."]
    Caption AIDS Forum: John Giorno - FABULOUS SEX/COMPASSION. Installation view, Artists Space, 1993.
    Image description Several paintings and sculptures installed on two walls that form a corner in a gallery space. A square painting featuring large, bold yellow text that reads, "LIFE IS A KILLER" hangs on the right wall. On the left wall, a block of large black text has been painted on the wall, from ceiling to floor. It reads, "THE WORLD IS GETTING EMPTY OF / EVERYONE I KNOW / ONE BY ONE / IN EVERY DIRECTION / THEY ARE LEAVING / THIS WORLD / FOR SOME PEOPLE / EVERYONE THEY KNOW HAS DIED."
    Year 1993
    Related pages AIDS FORUM: John Giorno
  • Two screens are mounted, one above the other, on two metal poles. They show a single image split across the two screens of a black fabric with white dots, zigzags, and lines. In the background, there are two more screens mounted vertically on two metal poles. They show a black image with white light spots.
    Two screens are mounted, one above the other, on two metal poles. They show a single image split across the two screens of a black fabric with white dots, zigzags, and lines. In the background, there are two more screens mounted vertically on two metal poles. They show a black image with white light spots.
    Hilary Lloyd. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [Two screens are mounted, one above the other, on two metal poles. They show a single image split across the two screens of a black fabric with white dots, zigzags, and lines. In the background, there are two more screens mounted vertically on two metal poles. They show a black image with white light spots.]
    Caption Hilary Lloyd. Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description Two screens are mounted, one above the other, on two metal poles. They show a single image split across the two screens of a black fabric with white dots, zigzags, and lines. In the background, there are two more screens mounted vertically on two metal poles. They show a black image with white light spots.
    Year 2011
    Related pages Hilary Lloyd
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Three floor-standing, backlit images of a woman wearing a white Adidas soccer jersey decorated with a
    Three floor-standing, backlit images of a woman wearing a white Adidas soccer jersey decorated with a
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Three floor-standing, backlit images of a woman wearing a white Adidas soccer jersey decorated with a "bc" logo. The images are identical and are arranged one behind the other. Paragraphs of text are superimposed across two of the photos.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Three floor-standing, backlit images of a woman wearing a white Adidas soccer jersey decorated with a "bc" logo. The images are identical and are arranged one behind the other. Paragraphs of text are superimposed across two of the photos.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • A color photograph of a red poster with three faces and Japanese captions. The poster is beneath other ephemeral material, including an open book, a pamphlet, and a black and white photograph.
    A color photograph of a red poster with three faces and Japanese captions. The poster is beneath other ephemeral material, including an open book, a pamphlet, and a black and white photograph.
    Milford Graves: Fundamental Frequency. Installation view (ephemera c. 1980-1998), Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak. [A color photograph of a red poster with three faces and Japanese captions. The poster is beneath other ephemeral material, including an open book, a pamphlet, and a black and white photograph.]
    Caption Milford Graves: Fundamental Frequency. Installation view (ephemera c. 1980-1998), Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak.
    Image description A color photograph of a red poster with three faces and Japanese captions. The poster is beneath other ephemeral material, including an open book, a pamphlet, and a black and white photograph.
    Year 2021
    Related pages Milford Graves: Fundamental Frequency
  • Magazine cut-outs and ink drawings are collaged together on a background of bright yellow paper. Pieces of paper with typewritten text listing the performers and event details are scattered around the flyer.
    Magazine cut-outs and ink drawings are collaged together on a background of bright yellow paper. Pieces of paper with typewritten text listing the performers and event details are scattered around the flyer.
    Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a background of bright yellow paper. Pieces of paper with typewritten text listing the performers and event details are scattered around the flyer.]
    Caption Flyer by Joe Frivaldi.
    Image description Magazine cut-outs and ink drawings are collaged together on a background of bright yellow paper. Pieces of paper with typewritten text listing the performers and event details are scattered around the flyer.
    Year
    Related pages Abasement #74
  • Event flyer with black and brown text on a beige background of distressed paper. The text contains the event details.
    Event flyer with black and brown text on a beige background of distressed paper. The text contains the event details.
    Flyer by Gee Vaucher. [Event flyer with black and brown text on a beige background of distressed paper. The text contains the event details.]
    Caption Flyer by Gee Vaucher.
    Image description Event flyer with black and brown text on a beige background of distressed paper. The text contains the event details.
    Year
    Related pages Arthur Rimbaud in Verdun
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon.
    Caption Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon.
    Image description
    Year
    Related pages Michael Asher
  • Constantina Zavitsanos: fwiw. Installation view (Specific Objects (Swing), 2024), Artists Space, 2024. Photo: Carter Seddon.
    Caption Constantina Zavitsanos: fwiw. Installation view (Specific Objects (Swing), 2024), Artists Space, 2024. Photo: Carter Seddon.
    Image description
    Year
    Related pages fwiw
  • Drawing of a globe figure bisected with long vertical rectangle, overlaid with line grid.
    Drawing of a globe figure bisected with long vertical rectangle, overlaid with line grid.
    Michael Kalil, an analytical study for Osmotic Membrane (detail), 1986. [Drawing of a globe figure bisected with long vertical rectangle, overlaid with line grid.]
    Caption Michael Kalil, an analytical study for Osmotic Membrane (detail), 1986.
    Image description Drawing of a globe figure bisected with long vertical rectangle, overlaid with line grid.
    Year
    Related pages From Here to Eternity: Fact and Fiction in Recent Architectural Projects
  • A rectangular, abstract painting is mounted on a black frame at an angle to the white gallery wall.
    A rectangular, abstract painting is mounted on a black frame at an angle to the white gallery wall.
    John Mendelsohn and Donald Sultan, Installation view, Artists Space, 1977. [A rectangular, abstract painting is mounted on a black frame at an angle to the white gallery wall.]
    Caption John Mendelsohn and Donald Sultan, Installation view, Artists Space, 1977.
    Image description A rectangular, abstract painting is mounted on a black frame at an angle to the white gallery wall.
    Year 1977
    Related pages John Mendelsohn and Donald Sultan
  • A color image of a white wall with two works made out of cut-out panel. The work on the left is cut in the shape of curtains, which are yellow with pink ruffles. The work on the right is a male-presenting figure posing with one hand above its head, and the other one in its pocket. It's wearing a white jacket, black shorts, pink tights, and black shoes.
    A color image of a white wall with two works made out of cut-out panel. The work on the left is cut in the shape of curtains, which are yellow with pink ruffles. The work on the right is a male-presenting figure posing with one hand above its head, and the other one in its pocket. It's wearing a white jacket, black shorts, pink tights, and black shoes.
    Drake Carr: Housecalls. Installation View (Window Treatment, 2023; Untitled, 2023), Artists Space at the Armory Show, 2023. Photo: Filip Wolak. [A color image of a white wall with two works made out of cut-out panel. The work on the left is cut in the shape of curtains, which are yellow with pink ruffles. The work on the right is a male-presenting figure posing with one hand above its head, and the other one in its pocket. It's wearing a white jacket, black shorts, pink tights, and black shoes.]
    Caption Drake Carr: Housecalls. Installation View (Window Treatment, 2023; Untitled, 2023), Artists Space at the Armory Show, 2023. Photo: Filip Wolak.
    Image description A color image of a white wall with two works made out of cut-out panel. The work on the left is cut in the shape of curtains, which are yellow with pink ruffles. The work on the right is a male-presenting figure posing with one hand above its head, and the other one in its pocket. It's wearing a white jacket, black shorts, pink tights, and black shoes.
    Year
    Related pages Drake Carr: Housecalls
  • Contact sheet of installation images taken during exhibition opening.
    Contact sheet of installation images taken during exhibition opening.
    Gary Burnley, Martin Cohen, Candace Hill-Montgomery, Louis Stein, and Haim Steinbach. Contact sheet of photos from exhibition opening, Artists Space, 1979. Photos by Gary Burnley. [Contact sheet of installation images taken during exhibition opening.]
    Caption Gary Burnley, Martin Cohen, Candace Hill-Montgomery, Louis Stein, and Haim Steinbach. Contact sheet of photos from exhibition opening, Artists Space, 1979. Photos by Gary Burnley.
    Image description Contact sheet of installation images taken during exhibition opening.
    Year 1979
    Related pages Lewis Stein
  • Two performers stand in the middle of a crowd in a darkened basement. A white light emanates from the table in between the performers, which also holds all of their audio equipment. The performers are bent over the table, manipulating the equipment.
    Two performers stand in the middle of a crowd in a darkened basement. A white light emanates from the table in between the performers, which also holds all of their audio equipment. The performers are bent over the table, manipulating the equipment.
    Abasement #79. Performance documentation, August 11th, 2025, Artists Space. Photo: Joshua Wildman. [Two performers stand in the middle of a crowd in a darkened basement. A white light emanates from the table in between the performers, which also holds all of their audio equipment. The performers are bent over the table, manipulating the equipment.]
    Caption Abasement #79. Performance documentation, August 11th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Two performers stand in the middle of a crowd in a darkened basement. A white light emanates from the table in between the performers, which also holds all of their audio equipment. The performers are bent over the table, manipulating the equipment.
    Year
    Related pages Abasement #79
  • A painted cardboard structure sits on stage. The audience, stage, and wall behind it are bathed in yellow, blue, and green light created by a patterned projection.
    A painted cardboard structure sits on stage. The audience, stage, and wall behind it are bathed in yellow, blue, and green light created by a patterned projection.
    Abasement #81. Performance documentation, October 20th, 2025, Artists Space. Photo: Joshua Wildman. [A painted cardboard structure sits on stage. The audience, stage, and wall behind it are bathed in yellow, blue, and green light created by a patterned projection.]
    Caption Abasement #81. Performance documentation, October 20th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description A painted cardboard structure sits on stage. The audience, stage, and wall behind it are bathed in yellow, blue, and green light created by a patterned projection.
    Year
    Related pages Abasement #81
  • Five dice float at the top of a container of water, which is tinted blue. There are small ripples created across the surface of the water and the frame of structure containing the water is slightly visible through the ripple distortion.
    Five dice float at the top of a container of water, which is tinted blue. There are small ripples created across the surface of the water and the frame of structure containing the water is slightly visible through the ripple distortion.
    Heist Divination (fwiw remix). Performance documentation, October 25th, 2024, Artists Space. Photo: Destiny Mata. [Five dice float at the top of a container of water, which is tinted blue. There are small ripples created across the surface of the water and the frame of structure containing the water is slightly visible through the ripple distortion.]
    Caption Heist Divination (fwiw remix). Performance documentation, October 25th, 2024, Artists Space. Photo: Destiny Mata.
    Image description Five dice float at the top of a container of water, which is tinted blue. There are small ripples created across the surface of the water and the frame of structure containing the water is slightly visible through the ripple distortion.
    Year
    Related pages S*an D. Henry-Smith
  • Three figures perform in a basement. Two figures in blue morph suits act out a scene together. The figure on the right scratches a fresnel lens attached to a wooden rolling table while the left figure walks toward the table. A third figure takes video footage of the scene.
    Three figures perform in a basement. Two figures in blue morph suits act out a scene together. The figure on the right scratches a fresnel lens attached to a wooden rolling table while the left figure walks toward the table. A third figure takes video footage of the scene.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Three figures perform in a basement. Two figures in blue morph suits act out a scene together. The figure on the right scratches a fresnel lens attached to a wooden rolling table while the left figure walks toward the table. A third figure takes video footage of the scene.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Three figures perform in a basement. Two figures in blue morph suits act out a scene together. The figure on the right scratches a fresnel lens attached to a wooden rolling table while the left figure walks toward the table. A third figure takes video footage of the scene.
    Year 2022
    Related pages SCRAAATCH 11-18
  • A wide view of an installation in a large exhibition space. Four images of figures posing in various outfits hang from the ceiling in diagonally decreasing proximity. To the right of the space, an abstract sculptural piece is displayed. To the left are several orange tables and two orange, transparent rectangles supported by metal frames.
    A wide view of an installation in a large exhibition space. Four images of figures posing in various outfits hang from the ceiling in diagonally decreasing proximity. To the right of the space, an abstract sculptural piece is displayed. To the left are several orange tables and two orange, transparent rectangles supported by metal frames.
    DUOX: DUOX4Larkin. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [A wide view of an installation in a large exhibition space. Four images of figures posing in various outfits hang from the ceiling in diagonally decreasing proximity. To the right of the space, an abstract sculptural piece is displayed. To the left are several orange tables and two orange, transparent rectangles supported by metal frames.]
    Caption DUOX: DUOX4Larkin. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description A wide view of an installation in a large exhibition space. Four images of figures posing in various outfits hang from the ceiling in diagonally decreasing proximity. To the right of the space, an abstract sculptural piece is displayed. To the left are several orange tables and two orange, transparent rectangles supported by metal frames.
    Year 2012
    Related pages DUOX: DUOX4Larkin
  • Two figures in dark clothing stand before two music stands in front of a seated audience. The figure on the right looks towards the figure on the left, who looks down at their two hands. Their hands are turned, palms up, towards the sky, as if miming holding something.
    Two figures in dark clothing stand before two music stands in front of a seated audience. The figure on the right looks towards the figure on the left, who looks down at their two hands. Their hands are turned, palms up, towards the sky, as if miming holding something.
    Passages from People Who Led to My Plays. Performance documentation, March 1, 2020, Artists Space. Photo ©️ 2020 Paula Court. [Two figures in dark clothing stand before two music stands in front of a seated audience. The figure on the right looks towards the figure on the left, who looks down at their two hands. Their hands are turned, palms up, towards the sky, as if miming holding something.]
    Caption Passages from People Who Led to My Plays. Performance documentation, March 1, 2020, Artists Space. Photo ©️ 2020 Paula Court.
    Image description Two figures in dark clothing stand before two music stands in front of a seated audience. The figure on the right looks towards the figure on the left, who looks down at their two hands. Their hands are turned, palms up, towards the sky, as if miming holding something.
    Year 2020
    Related pages Passages from People Who Led to My Plays
  • Photograph of a reading room, with graphic posters and shelves displaying reading materials along the walls. In the center is a long table with seats around it.
    Photograph of a reading room, with graphic posters and shelves displaying reading materials along the walls. In the center is a long table with seats around it.
    Clocking Out: Time Beyond Management. Installation view, Artists Space, 2023. Photo: Greg Carideo. [Photograph of a reading room, with graphic posters and shelves displaying reading materials along the walls. In the center is a long table with seats around it.]
    Caption Clocking Out: Time Beyond Management. Installation view, Artists Space, 2023. Photo: Greg Carideo.
    Image description Photograph of a reading room, with graphic posters and shelves displaying reading materials along the walls. In the center is a long table with seats around it.
    Year 2023
    Related pages Whitney Independent Study: Clocking Out: Time Beyond Management
  • Close up of the torso and legs of a figure with long hair wearing nylon tights and a blue silk jacket on their bare chest. They are illuminated by red stage lights and appear to stand on a stage in front of a drum set and speakers.
    Close up of the torso and legs of a figure with long hair wearing nylon tights and a blue silk jacket on their bare chest. They are illuminated by red stage lights and appear to stand on a stage in front of a drum set and speakers.
    [Close up of the torso and legs of a figure with long hair wearing nylon tights and a blue silk jacket on their bare chest. They are illuminated by red stage lights and appear to stand on a stage in front of a drum set and speakers.]
    Caption
    Image description Close up of the torso and legs of a figure with long hair wearing nylon tights and a blue silk jacket on their bare chest. They are illuminated by red stage lights and appear to stand on a stage in front of a drum set and speakers.
    Year 2012
    Related pages Sandy Relief Dance Party
  • An installation consisting of a series of readymade objects displayed on a wooden gallery floor. To the right, an open book rests on a wooden folding chair. One metal clamp light is attached to the chair, while a second light is attached to a reclining, green lounge chair on the left of the gallery space. Two additional clamp lights rest on the floor between the chairs. An ashy material is scattered on the ground between the chairs.
    An installation consisting of a series of readymade objects displayed on a wooden gallery floor. To the right, an open book rests on a wooden folding chair. One metal clamp light is attached to the chair, while a second light is attached to a reclining, green lounge chair on the left of the gallery space. Two additional clamp lights rest on the floor between the chairs. An ashy material is scattered on the ground between the chairs.
    Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt. [An installation consisting of a series of readymade objects displayed on a wooden gallery floor. To the right, an open book rests on a wooden folding chair. One metal clamp light is attached to the chair, while a second light is attached to a reclining, green lounge chair on the left of the gallery space. Two additional clamp lights rest on the floor between the chairs. An ashy material is scattered on the ground between the chairs.]
    Caption Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt.
    Image description An installation consisting of a series of readymade objects displayed on a wooden gallery floor. To the right, an open book rests on a wooden folding chair. One metal clamp light is attached to the chair, while a second light is attached to a reclining, green lounge chair on the left of the gallery space. Two additional clamp lights rest on the floor between the chairs. An ashy material is scattered on the ground between the chairs.
    Year 1997
    Related pages Lines of Loss
  • A color image of the corner of a gallery space. Half of the right wall has been painted blue, and a yellow painting of Black Queer figures in a barbershop is hung on the wall. Three soft sculptures are placed, evenly spaced apart along the floor, all depicting different figures.
    A color image of the corner of a gallery space. Half of the right wall has been painted blue, and a yellow painting of Black Queer figures in a barbershop is hung on the wall. Three soft sculptures are placed, evenly spaced apart along the floor, all depicting different figures.
    Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of the corner of a gallery space. Half of the right wall has been painted blue, and a yellow painting of Black Queer figures in a barbershop is hung on the wall. Three soft sculptures are placed, evenly spaced apart along the floor, all depicting different figures.]
    Caption Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A color image of the corner of a gallery space. Half of the right wall has been painted blue, and a yellow painting of Black Queer figures in a barbershop is hung on the wall. Three soft sculptures are placed, evenly spaced apart along the floor, all depicting different figures.
    Year
    Related pages Jonathan Lyndon Chase
  • A band plays on stage in front of a seated crowd. From left to right, a figure is sitting and playing the piano, another figure stands and plays the saxophone, another figure in the back plays the drums, and the fourth figure stands and plays the guitar.
    A band plays on stage in front of a seated crowd. From left to right, a figure is sitting and playing the piano, another figure stands and plays the saxophone, another figure in the back plays the drums, and the fourth figure stands and plays the guitar.
    Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman [A band plays on stage in front of a seated crowd. From left to right, a figure is sitting and playing the piano, another figure stands and plays the saxophone, another figure in the back plays the drums, and the fourth figure stands and plays the guitar.]
    Caption Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman
    Image description A band plays on stage in front of a seated crowd. From left to right, a figure is sitting and playing the piano, another figure stands and plays the saxophone, another figure in the back plays the drums, and the fourth figure stands and plays the guitar.
    Year 2022
    Related pages Tisziji Muñoz with Francisco Mora Catlett and AfroHORN
  • A black, sans-serif A on a white background, with a black outlined square positioned at once in front and behind the letter, intersecting it at all three corners.
    A black, sans-serif A on a white background, with a black outlined square positioned at once in front and behind the letter, intersecting it at all three corners.
    Artists Space logo, 1980s. [A black, sans-serif A on a white background, with a black outlined square positioned at once in front and behind the letter, intersecting it at all three corners.]
    Caption Artists Space logo, 1980s.
    Image description A black, sans-serif A on a white background, with a black outlined square positioned at once in front and behind the letter, intersecting it at all three corners.
    Year
    Related pages About
  • A figure in overalls reaches up to pin a dark tarp along the length of a wall. Behind them, another figure adjusts a camera on a tripod.
    A figure in overalls reaches up to pin a dark tarp along the length of a wall. Behind them, another figure adjusts a camera on a tripod.
    Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [A figure in overalls reaches up to pin a dark tarp along the length of a wall. Behind them, another figure adjusts a camera on a tripod.]
    Caption Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description A figure in overalls reaches up to pin a dark tarp along the length of a wall. Behind them, another figure adjusts a camera on a tripod.
    Year 2019
    Related pages Speaker Music: drape over another
  • A woman with a hood looks diagonally upward, away from the camera. Behind her, a large building is on fire and the sky is dark.
    A woman with a hood looks diagonally upward, away from the camera. Behind her, a large building is on fire and the sky is dark.
    Still from Polly II - A Plan for a Revolution in Docklands (2006). [A woman with a hood looks diagonally upward, away from the camera. Behind her, a large building is on fire and the sky is dark.]
    Caption Still from Polly II - A Plan for a Revolution in Docklands (2006).
    Image description A woman with a hood looks diagonally upward, away from the camera. Behind her, a large building is on fire and the sky is dark.
    Year 2006
    Related pages Polly II - A Plan for a Revolution in Docklands
  • A bottle of wine sits on a set dining table covered in a red tablecloth, surrounded by wine glasses. The wine label features an irregular curved white semi-oval, overlaid with a smaller burgundy red shape, and the embossed text
    A bottle of wine sits on a set dining table covered in a red tablecloth, surrounded by wine glasses. The wine label features an irregular curved white semi-oval, overlaid with a smaller burgundy red shape, and the embossed text
    Wine sponsor Vivanterre. Photo: Jenna Bascom [A bottle of wine sits on a set dining table covered in a red tablecloth, surrounded by wine glasses. The wine label features an irregular curved white semi-oval, overlaid with a smaller burgundy red shape, and the embossed text "Vivanterre"]
    Caption Wine sponsor Vivanterre. Photo: Jenna Bascom
    Image description A bottle of wine sits on a set dining table covered in a red tablecloth, surrounded by wine glasses. The wine label features an irregular curved white semi-oval, overlaid with a smaller burgundy red shape, and the embossed text "Vivanterre"
    Year
    Related pages Support
  • An internet browser displaying artistsspace.org/stream with two videos shown side-by-side, streaming from Ustream. On the left, a camera near the floor shows an empty room and a wall with the words
    An internet browser displaying artistsspace.org/stream with two videos shown side-by-side, streaming from Ustream. On the left, a camera near the floor shows an empty room and a wall with the words
    Still from livestream Foam Party Cancelled. [An internet browser displaying artistsspace.org/stream with two videos shown side-by-side, streaming from Ustream. On the left, a camera near the floor shows an empty room and a wall with the words "FOAM PARTY CANCELLED" drawn on. On the right, a close-up image of a bird sculpture and two candles, with a person's face and painting in the background.]
    Caption Still from livestream Foam Party Cancelled.
    Image description An internet browser displaying artistsspace.org/stream with two videos shown side-by-side, streaming from Ustream. On the left, a camera near the floor shows an empty room and a wall with the words "FOAM PARTY CANCELLED" drawn on. On the right, a close-up image of a bird sculpture and two candles, with a person's face and painting in the background.
    Year 2013
    Related pages FOAM PARTY CANCELLED & EMILY SUNDBLAD TV LIVE FROM NEW YORK AND SKARA
  • A sink structure on wheels sits atop a tilted wooden table top with legs of varying sizes. Light from the ceiling is seen emanating onto the structure in the white-walled gallery space.
    A sink structure on wheels sits atop a tilted wooden table top with legs of varying sizes. Light from the ceiling is seen emanating onto the structure in the white-walled gallery space.
    U.S. Projects: Howard Fried. Installation view, Artists Space, 1983. [A sink structure on wheels sits atop a tilted wooden table top with legs of varying sizes. Light from the ceiling is seen emanating onto the structure in the white-walled gallery space.]
    Caption U.S. Projects: Howard Fried. Installation view, Artists Space, 1983.
    Image description A sink structure on wheels sits atop a tilted wooden table top with legs of varying sizes. Light from the ceiling is seen emanating onto the structure in the white-walled gallery space.
    Year
    Related pages U.S. Projects: Howard Fried
  • Image of a dimly lit basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    Image of a dimly lit basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Image of a dimly lit basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a dimly lit basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    Year 2022
    Related pages SCRAAATCH 11-18
  • The entrance to a gallery space. Two video stills are projected on the wall facing the entrance. The left projector shows a black-and-white film image of two figures in trench coats with paper bags over their heads doing pushups. On the right is a black-and-white film image of a pair of black shoes hanging over a wooden ledge.
    The entrance to a gallery space. Two video stills are projected on the wall facing the entrance. The left projector shows a black-and-white film image of two figures in trench coats with paper bags over their heads doing pushups. On the right is a black-and-white film image of a pair of black shoes hanging over a wooden ledge.
    Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Amiri Baraka, Cellar Vigil (Experimental Death Unit #2), 1966), Artists Space, 2023. Photo: Filip Wolak. [The entrance to a gallery space. Two video stills are projected on the wall facing the entrance. The left projector shows a black-and-white film image of two figures in trench coats with paper bags over their heads doing pushups. On the right is a black-and-white film image of a pair of black shoes hanging over a wooden ledge.]
    Caption Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Amiri Baraka, Cellar Vigil (Experimental Death Unit #2), 1966), Artists Space, 2023. Photo: Filip Wolak.
    Image description The entrance to a gallery space. Two video stills are projected on the wall facing the entrance. The left projector shows a black-and-white film image of two figures in trench coats with paper bags over their heads doing pushups. On the right is a black-and-white film image of a pair of black shoes hanging over a wooden ledge.
    Year 2023
    Related pages Shala Miller, Malcolm Peacock, Amiri Baraka
  • Color photograph of two figures performing in a dark gallery space, lit only by an installation of LED lights covered in dried SCOBY material. One figure wearing black leans down in front of one of the LED lights. Partly hidden behind a column, another figure stands wearing a red suit.
    Color photograph of two figures performing in a dark gallery space, lit only by an installation of LED lights covered in dried SCOBY material. One figure wearing black leans down in front of one of the LED lights. Partly hidden behind a column, another figure stands wearing a red suit.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata [Color photograph of two figures performing in a dark gallery space, lit only by an installation of LED lights covered in dried SCOBY material. One figure wearing black leans down in front of one of the LED lights. Partly hidden behind a column, another figure stands wearing a red suit.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of two figures performing in a dark gallery space, lit only by an installation of LED lights covered in dried SCOBY material. One figure wearing black leans down in front of one of the LED lights. Partly hidden behind a column, another figure stands wearing a red suit.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • A man holds a woman over his shoulder as looks to the right. Writing can be seen on the wall behind them. Subtitles are burned into the bottom of the screen that read,
    A man holds a woman over his shoulder as looks to the right. Writing can be seen on the wall behind them. Subtitles are burned into the bottom of the screen that read,
    Sistema Sandinista de Television. Still from Golpes de la Corazon (Blows of the Heart)*, 1983. Video (sound, black and white). Spanish with English Subtitles. [A man holds a woman over his shoulder as looks to the right. Writing can be seen on the wall behind them. Subtitles are burned into the bottom of the screen that read, "I'm the boss in my house...stay here!" Scan lines are in the image and the box of the CRT monitor is visible.]
    Caption Sistema Sandinista de Television. Still from Golpes de la Corazon (Blows of the Heart)*, 1983. Video (sound, black and white). Spanish with English Subtitles.
    Image description A man holds a woman over his shoulder as looks to the right. Writing can be seen on the wall behind them. Subtitles are burned into the bottom of the screen that read, "I'm the boss in my house...stay here!" Scan lines are in the image and the box of the CRT monitor is visible.
    Year 1983
    Related pages TV Sandino
  • A figure sits in a dimly lit corner in profile, gazing forward. They flip through pages of a script displayed in front of them. An open laptop sits to their left.
    A figure sits in a dimly lit corner in profile, gazing forward. They flip through pages of a script displayed in front of them. An open laptop sits to their left.
    Passages from People Who Led to My Plays. Performance documentation, March 1, 2020, Artists Space. Photo ©️ 2020 Paula Court. [A figure sits in a dimly lit corner in profile, gazing forward. They flip through pages of a script displayed in front of them. An open laptop sits to their left.]
    Caption Passages from People Who Led to My Plays. Performance documentation, March 1, 2020, Artists Space. Photo ©️ 2020 Paula Court.
    Image description A figure sits in a dimly lit corner in profile, gazing forward. They flip through pages of a script displayed in front of them. An open laptop sits to their left.
    Year 2020
    Related pages Passages from People Who Led to My Plays
  • Half-eaten fruit, chocolate, and candles sit on a low, stone tabletop under dim lighting.
    Half-eaten fruit, chocolate, and candles sit on a low, stone tabletop under dim lighting.
    Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [Half-eaten fruit, chocolate, and candles sit on a low, stone tabletop under dim lighting.]
    Caption Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description Half-eaten fruit, chocolate, and candles sit on a low, stone tabletop under dim lighting.
    Year 2019
    Related pages Speaker Music: drape over another
  • A grayscale image of two naked people, kneeling on the ground of an untidy room. They are embracing, with their foreheads pressed together. Behind them there is a window and a typewriter on a stand.
    A grayscale image of two naked people, kneeling on the ground of an untidy room. They are embracing, with their foreheads pressed together. Behind them there is a window and a typewriter on a stand.
    Whatever Happened to Sex in Scandinavia (2011). Knut Ove Arntzen, Stan Brakhage, Marta Kuzma and Pablo LaFuente. [A grayscale image of two naked people, kneeling on the ground of an untidy room. They are embracing, with their foreheads pressed together. Behind them there is a window and a typewriter on a stand.]
    Caption Whatever Happened to Sex in Scandinavia (2011). Knut Ove Arntzen, Stan Brakhage, Marta Kuzma and Pablo LaFuente.
    Image description A grayscale image of two naked people, kneeling on the ground of an untidy room. They are embracing, with their foreheads pressed together. Behind them there is a window and a typewriter on a stand.
    Year 2011
    Related pages Whatever Happened to Sex in Scandinavia?
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A color photograph of two wooden cafe chairs with green cushions in a gallery space with a dark metal column. A television screen with a cord extending down to an outlet in the floor rests upon each chair.
    A color photograph of two wooden cafe chairs with green cushions in a gallery space with a dark metal column. A television screen with a cord extending down to an outlet in the floor rests upon each chair.
    Nicole-Antonia Spagnola, Untitled, 2022. Raw Power, Raw Power; Kollettivo, Lotta per il potere; Antigenesi, Una donna non e’ merda; Negazione, Tutti Pazzi; RAF Punk, Contro la pace Contro la guerra; Peggio Punx, Scemo. 8mm to MP4 transfer (color, sound), monitors, chairs. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of two wooden cafe chairs with green cushions in a gallery space with a dark metal column. A television screen with a cord extending down to an outlet in the floor rests upon each chair.]
    Caption Nicole-Antonia Spagnola, Untitled, 2022. Raw Power, Raw Power; Kollettivo, Lotta per il potere; Antigenesi, Una donna non e’ merda; Negazione, Tutti Pazzi; RAF Punk, Contro la pace Contro la guerra; Peggio Punx, Scemo. 8mm to MP4 transfer (color, sound), monitors, chairs. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color photograph of two wooden cafe chairs with green cushions in a gallery space with a dark metal column. A television screen with a cord extending down to an outlet in the floor rests upon each chair.
    Year
    Related pages Nicole-Antonia Spagnola: Anti-Genesis
  • A black and white image of a dimly lit room with a TV monitor on the floor and mechanized mop leaning over it.
    A black and white image of a dimly lit room with a TV monitor on the floor and mechanized mop leaning over it.
    Dark Rooms Photograph of Carolee Schneemann's War Mop, mechanized mop, plexiglass fulcrum, TV monitor. Sculpture/Video Installation, 1985. [A black and white image of a dimly lit room with a TV monitor on the floor and mechanized mop leaning over it.]
    Caption Dark Rooms Photograph of Carolee Schneemann's War Mop, mechanized mop, plexiglass fulcrum, TV monitor. Sculpture/Video Installation, 1985.
    Image description A black and white image of a dimly lit room with a TV monitor on the floor and mechanized mop leaning over it.
    Year 1985
    Related pages
  • Black-and-white photograph of a figure, walking in the middle of the frame between two sets of suspended wires that run from across the room. The figures hands manipulate the wires on each side of them.
    Black-and-white photograph of a figure, walking in the middle of the frame between two sets of suspended wires that run from across the room. The figures hands manipulate the wires on each side of them.
    Other Minds, San Francisco. Photo: John Fago [Black-and-white photograph of a figure, walking in the middle of the frame between two sets of suspended wires that run from across the room. The figures hands manipulate the wires on each side of them.]
    Caption Other Minds, San Francisco. Photo: John Fago
    Image description Black-and-white photograph of a figure, walking in the middle of the frame between two sets of suspended wires that run from across the room. The figures hands manipulate the wires on each side of them.
    Year
    Related pages Ellen Fullman
  • A woman dressed in a suit sits among clouds in a blue sky, smiling, with six arms. Each hand is holding two phones, an alarm clock, globe, laptop, and folder.
    A woman dressed in a suit sits among clouds in a blue sky, smiling, with six arms. Each hand is holding two phones, an alarm clock, globe, laptop, and folder.
    [A woman dressed in a suit sits among clouds in a blue sky, smiling, with six arms. Each hand is holding two phones, an alarm clock, globe, laptop, and folder.]
    Caption
    Image description A woman dressed in a suit sits among clouds in a blue sky, smiling, with six arms. Each hand is holding two phones, an alarm clock, globe, laptop, and folder.
    Year
    Related pages Women Inc. Lexicon
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A black and white video still of a group of people in a street. One is sitting on a bicycle, another to the right leans against a trash can and looks down at their shoes.
    A black and white video still of a group of people in a street. One is sitting on a bicycle, another to the right leans against a trash can and looks down at their shoes.
    Andrea Callard, still from Standard Adult Wheelchair; Temporary participation for an analogous situation. Black and white video, 6 min, c. 1977. [A black and white video still of a group of people in a street. One is sitting on a bicycle, another to the right leans against a trash can and looks down at their shoes.]
    Caption Andrea Callard, still from Standard Adult Wheelchair; Temporary participation for an analogous situation. Black and white video, 6 min, c. 1977.
    Image description A black and white video still of a group of people in a street. One is sitting on a bicycle, another to the right leans against a trash can and looks down at their shoes.
    Year 1977
    Related pages Artists Super 8 Film Exposition
  • A trash can is filled to the brim with various objects including a binder, a circuit board, a film strip, a CD, and stacks of paper forms. Yellow text on a black background reads
    A trash can is filled to the brim with various objects including a binder, a circuit board, a film strip, a CD, and stacks of paper forms. Yellow text on a black background reads
    [A trash can is filled to the brim with various objects including a binder, a circuit board, a film strip, a CD, and stacks of paper forms. Yellow text on a black background reads "Your Trash... / Coul be an Adversary's / Treasure! / Remember / OPSEC / Operations Security."]
    Caption
    Image description A trash can is filled to the brim with various objects including a binder, a circuit board, a film strip, a CD, and stacks of paper forms. Yellow text on a black background reads "Your Trash... / Coul be an Adversary's / Treasure! / Remember / OPSEC / Operations Security."
    Year
    Related pages Digital Security and the Legal Framework of Surveillance
  • Trip to Artists Space to see Renee Gladman exhibition, 2023
    Caption Trip to Artists Space to see Renee Gladman exhibition, 2023
    Image description
    Year
    Related pages Art and Literacy: Poetry
  • Color image of a performance space illuminnated with blue and red light. On the left, a figure on a stage plays the double bass, there is a large black speaker to their right. Abstract images are projected onto the wall. Below the projections, audience members sit on chairs.
    Color image of a performance space illuminnated with blue and red light. On the left, a figure on a stage plays the double bass, there is a large black speaker to their right. Abstract images are projected onto the wall. Below the projections, audience members sit on chairs.
    Abasement #66. Performance documentation, October 9, 2023, Artists Space. Photo: Joshua Wildman. [Color image of a performance space illuminnated with blue and red light. On the left, a figure on a stage plays the double bass, there is a large black speaker to their right. Abstract images are projected onto the wall. Below the projections, audience members sit on chairs.]
    Caption Abasement #66. Performance documentation, October 9, 2023, Artists Space. Photo: Joshua Wildman.
    Image description Color image of a performance space illuminnated with blue and red light. On the left, a figure on a stage plays the double bass, there is a large black speaker to their right. Abstract images are projected onto the wall. Below the projections, audience members sit on chairs.
    Year
    Related pages Abasement #66
  • Blurry view of a painting hanging on a wall in gallery space.
    Blurry view of a painting hanging on a wall in gallery space.
    Allan McCollum. Installation view, Artists Space, 1980. [Blurry view of a painting hanging on a wall in gallery space.]
    Caption Allan McCollum. Installation view, Artists Space, 1980.
    Image description Blurry view of a painting hanging on a wall in gallery space.
    Year
    Related pages Allan McCollum
  • A figure dressed in leather performs on stage with a purple projection on them.
    A figure dressed in leather performs on stage with a purple projection on them.
    Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [A figure dressed in leather performs on stage with a purple projection on them.]
    Caption Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure dressed in leather performs on stage with a purple projection on them.
    Year 2022
    Related pages Abasement #61
  • An image of a multicolored exhibition space consisting of beach paraphernalia.
    An image of a multicolored exhibition space consisting of beach paraphernalia.
    New Red Order Cover the Earth, detail, 2021 Painted mural with cut vinyl, dibond prints, kiddie pool, sod, inflatable alligator, turtle sandbox, beach towels, towel racks, beach balls, beach chairs, beach umbrella, real estate lawn sign, cooler, and pool noodles. Image courtesy Artists Space, New York Photo: Filip Wolak [An image of a multicolored exhibition space consisting of beach paraphernalia.]
    Caption New Red Order Cover the Earth, detail, 2021 Painted mural with cut vinyl, dibond prints, kiddie pool, sod, inflatable alligator, turtle sandbox, beach towels, towel racks, beach balls, beach chairs, beach umbrella, real estate lawn sign, cooler, and pool noodles. Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description An image of a multicolored exhibition space consisting of beach paraphernalia.
    Year 2021
    Related pages New Red Order: Feel at Home Here
  • A person smiles widely in close up, facing the viewer. They are lying on their side so their head is horizontal.
    A person smiles widely in close up, facing the viewer. They are lying on their side so their head is horizontal.
    Marina Grzinic and Aina Smid, still from Axis of Life, 1987. 6 minutes. [A person smiles widely in close up, facing the viewer. They are lying on their side so their head is horizontal.]
    Caption Marina Grzinic and Aina Smid, still from Axis of Life, 1987. 6 minutes.
    Image description A person smiles widely in close up, facing the viewer. They are lying on their side so their head is horizontal.
    Year 1987
    Related pages Deconstruction, Quotation, & Subversion: Video from Yugoslavia
  • A color photograph of an installation in a gallery. Several dark metal columns line the left side of the space, and on the right a punching bag and other boxing equipment hang from a rectangular wooden frame. In the background, several more mixed-media sculptures are visible.
    A color photograph of an installation in a gallery. Several dark metal columns line the left side of the space, and on the right a punching bag and other boxing equipment hang from a rectangular wooden frame. In the background, several more mixed-media sculptures are visible.
    Milford Graves: Fundamental Frequency. Installation view, Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak. [A color photograph of an installation in a gallery. Several dark metal columns line the left side of the space, and on the right a punching bag and other boxing equipment hang from a rectangular wooden frame. In the background, several more mixed-media sculptures are visible.]
    Caption Milford Graves: Fundamental Frequency. Installation view, Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak.
    Image description A color photograph of an installation in a gallery. Several dark metal columns line the left side of the space, and on the right a punching bag and other boxing equipment hang from a rectangular wooden frame. In the background, several more mixed-media sculptures are visible.
    Year 2021
    Related pages Milford Graves: Fundamental Frequency
  • Five framed works on paper, one individual work on the left and a cluster of four on the right, hang on a white gallery wall. Works feature abstract, calligraphic strokes in black ink on paper. Individual work on the left includes hand-painted text reading
    Five framed works on paper, one individual work on the left and a cluster of four on the right, hang on a white gallery wall. Works feature abstract, calligraphic strokes in black ink on paper. Individual work on the left includes hand-painted text reading
    Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak. [Five framed works on paper, one individual work on the left and a cluster of four on the right, hang on a white gallery wall. Works feature abstract, calligraphic strokes in black ink on paper. Individual work on the left includes hand-painted text reading "3 concerts, improvised music. La Monte Young - sopranino saxophone, Angus MacLise - hand drums, drone, 8-12pm Sundays - August 12, 19, 26, 10-4 Group Gallery, 73 4th Avenue, contribution $1.50" ]
    Caption Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak.
    Image description Five framed works on paper, one individual work on the left and a cluster of four on the right, hang on a white gallery wall. Works feature abstract, calligraphic strokes in black ink on paper. Individual work on the left includes hand-painted text reading "3 concerts, improvised music. La Monte Young - sopranino saxophone, Angus MacLise - hand drums, drone, 8-12pm Sundays - August 12, 19, 26, 10-4 Group Gallery, 73 4th Avenue, contribution $1.50"
    Year
    Related pages Dream Lines: Drawings by Marian Zazeela
  • A nude figure is seen sitting in a pool of water in the corner with ceramic tile wall paneling behind them. Sharp lighting accentuates the top half of the image where the face of the figure is, staring into the camera.
    A nude figure is seen sitting in a pool of water in the corner with ceramic tile wall paneling behind them. Sharp lighting accentuates the top half of the image where the face of the figure is, staring into the camera.
    Audrey Glassman, Untitled, 1983. Cibachrome, 28 x 42 inches. [A nude figure is seen sitting in a pool of water in the corner with ceramic tile wall paneling behind them. Sharp lighting accentuates the top half of the image where the face of the figure is, staring into the camera.]
    Caption Audrey Glassman, Untitled, 1983. Cibachrome, 28 x 42 inches.
    Image description A nude figure is seen sitting in a pool of water in the corner with ceramic tile wall paneling behind them. Sharp lighting accentuates the top half of the image where the face of the figure is, staring into the camera.
    Year
    Related pages U.S. Projects
  • Three vitrines are displayed in a light-filled gallery space with light wooden floors. The vitrines sit in between three white columns to the image's left side. On the right, a series of large, colorful prints featuring graphic, abstracted letters overlaid over various abstract shapes, patterns, and printed figures are displayed on a gallery wall.
    Three vitrines are displayed in a light-filled gallery space with light wooden floors. The vitrines sit in between three white columns to the image's left side. On the right, a series of large, colorful prints featuring graphic, abstracted letters overlaid over various abstract shapes, patterns, and printed figures are displayed on a gallery wall.
    Rip It Up and Start Again. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [Three vitrines are displayed in a light-filled gallery space with light wooden floors. The vitrines sit in between three white columns to the image's left side. On the right, a series of large, colorful prints featuring graphic, abstracted letters overlaid over various abstract shapes, patterns, and printed figures are displayed on a gallery wall.]
    Caption Rip It Up and Start Again. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description Three vitrines are displayed in a light-filled gallery space with light wooden floors. The vitrines sit in between three white columns to the image's left side. On the right, a series of large, colorful prints featuring graphic, abstracted letters overlaid over various abstract shapes, patterns, and printed figures are displayed on a gallery wall.
    Year 2010
    Related pages Rip It Up and Start Again: William S. Burroughs, Charles Henri Ford, Ray Johnson, Philippe Thomas, Arthur Russell
  • Filler Episode in New York, no. 2, Ricky Luckey, Honorable mention
    Caption Filler Episode in New York, no. 2, Ricky Luckey, Honorable mention
    Image description
    Year
    Related pages Scholastic Art and Writing Awards
  • Color image of an ice block sitting on top of the keys of a reed organ. The reedorgan is covered in a sheet of clear plastic. A clock and instructions sit on a music stand behind the organ.
    Color image of an ice block sitting on top of the keys of a reed organ. The reedorgan is covered in a sheet of clear plastic. A clock and instructions sit on a music stand behind the organ.
    Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata [Color image of an ice block sitting on top of the keys of a reed organ. The reedorgan is covered in a sheet of clear plastic. A clock and instructions sit on a music stand behind the organ.]
    Caption Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata
    Image description Color image of an ice block sitting on top of the keys of a reed organ. The reedorgan is covered in a sheet of clear plastic. A clock and instructions sit on a music stand behind the organ.
    Year 2023
    Related pages Yasunao Tone Concert #2
  • A figure sits on a piano bench, holding a guitar vertically against the figure's body.
    A figure sits on a piano bench, holding a guitar vertically against the figure's body.
    Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman [A figure sits on a piano bench, holding a guitar vertically against the figure's body.]
    Caption Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure sits on a piano bench, holding a guitar vertically against the figure's body.
    Year 2022
    Related pages Tisziji Muñoz with Francisco Mora Catlett and AfroHORN
  • A color photograph of a figure standing behind audio mixing equipment and a microphone in an orange-lit space. A crowd looks on.
    A color photograph of a figure standing behind audio mixing equipment and a microphone in an orange-lit space. A crowd looks on.
    Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. [A color photograph of a figure standing behind audio mixing equipment and a microphone in an orange-lit space. A crowd looks on.]
    Caption Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space.
    Image description A color photograph of a figure standing behind audio mixing equipment and a microphone in an orange-lit space. A crowd looks on.
    Year 2022
    Related pages Yuji Agematsu
  • A large paper-maché head lays face-up on a metal scaffolding. Above it, green cursive text reads,
    A large paper-maché head lays face-up on a metal scaffolding. Above it, green cursive text reads,
    Ralph Paquin and Ann Stoddard, ERAWA - ERA WAS, 1990. Installation view, Artists Space, 1990. [A large paper-maché head lays face-up on a metal scaffolding. Above it, green cursive text reads, "ring is worn out by constant use."]
    Caption Ralph Paquin and Ann Stoddard, ERAWA - ERA WAS, 1990. Installation view, Artists Space, 1990.
    Image description A large paper-maché head lays face-up on a metal scaffolding. Above it, green cursive text reads, "ring is worn out by constant use."
    Year 1990
    Related pages Project: ERAWA - ERA WAS
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    Year
    Related pages Membership
  • Caption
    Image description
    Year
    Related pages Listening to the LES
  • A black and white photograph of a metal rod with the word
    A black and white photograph of a metal rod with the word
    Robert Longo, Burning Word: Device for Young Artists, c. 1977. Cast metal. [A black and white photograph of a metal rod with the word "believe" attached to the end. A shadow spelling out "believe" is cast onto a white background.]
    Caption Robert Longo, Burning Word: Device for Young Artists, c. 1977. Cast metal.
    Image description A black and white photograph of a metal rod with the word "believe" attached to the end. A shadow spelling out "believe" is cast onto a white background.
    Year 1977
    Related pages New Art Auction and Exhibition
  • A brown object stands on a white base. On the flat surface of the object, an onion and a lemon are connected by a red and orange wire. In the base of the object, a processing chip is embedded.
    A brown object stands on a white base. On the flat surface of the object, an onion and a lemon are connected by a red and orange wire. In the base of the object, a processing chip is embedded.
    Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $5,000
    [A brown object stands on a white base. On the flat surface of the object, an onion and a lemon are connected by a red and orange wire. In the base of the object, a processing chip is embedded.]
    Caption Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $5,000
    Image description A brown object stands on a white base. On the flat surface of the object, an onion and a lemon are connected by a red and orange wire. In the base of the object, a processing chip is embedded.
    Year 2019
    Related pages Trisha Baga Edition
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Book cover design featuring an image of a large room with red walls. A banner of colorful flags hangs from the ceiling. A large collection of objects is scattered on the floor, including coca-cola bottles, posters, chip bags, paint cans, detergent bottles, and other assorted items.
    Book cover design featuring an image of a large room with red walls. A banner of colorful flags hangs from the ceiling. A large collection of objects is scattered on the floor, including coca-cola bottles, posters, chip bags, paint cans, detergent bottles, and other assorted items.
    Show and Tell: A Chronicle of Group Material, edited by Julie Ault, published by Four Corners Books, 2010. [Book cover design featuring an image of a large room with red walls. A banner of colorful flags hangs from the ceiling. A large collection of objects is scattered on the floor, including coca-cola bottles, posters, chip bags, paint cans, detergent bottles, and other assorted items.]
    Caption Show and Tell: A Chronicle of Group Material, edited by Julie Ault, published by Four Corners Books, 2010.
    Image description Book cover design featuring an image of a large room with red walls. A banner of colorful flags hangs from the ceiling. A large collection of objects is scattered on the floor, including coca-cola bottles, posters, chip bags, paint cans, detergent bottles, and other assorted items.
    Year 2010
    Related pages Show & Tell: A Chronicle of Group Material
  • A printing plate for a $100,000 bill, featuring a portrait of Woodrow Wilson.
    A printing plate for a $100,000 bill, featuring a portrait of Woodrow Wilson.
    Rirkrit Tiravanija, untitled, 2011 (print mo’ money), 2011, Copper etching plate, Signed certificate. [A printing plate for a $100,000 bill, featuring a portrait of Woodrow Wilson.]
    Caption Rirkrit Tiravanija, untitled, 2011 (print mo’ money), 2011, Copper etching plate, Signed certificate.
    Image description A printing plate for a $100,000 bill, featuring a portrait of Woodrow Wilson.
    Year 2011
    Related pages Artists Space Annual Edition Portfolio 2012
  • Paintings and collages appear on a white gallery wall and a scultpure on a pedestal sits in the foreground.
    Paintings and collages appear on a white gallery wall and a scultpure on a pedestal sits in the foreground.
    We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [Paintings and collages appear on a white gallery wall and a scultpure on a pedestal sits in the foreground.]
    Caption We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987.
    Image description Paintings and collages appear on a white gallery wall and a scultpure on a pedestal sits in the foreground.
    Year
    Related pages We the People
  • A window sill with cups, cans and cloth is visible and a crane can be seen outside of the window with the text:
    A window sill with cups, cans and cloth is visible and a crane can be seen outside of the window with the text:
    Keeph Little, Artists Space construction site no.1, 2020, digital photograph Keeph Little, Artists Space construction site no.1, 2020, digital photograph [A window sill with cups, cans and cloth is visible and a crane can be seen outside of the window with the text: "New Holland" written on it. Circular green graffitti is visible on the facade of the building behind the crane.]
    Caption Keeph Little, Artists Space construction site no.1, 2020, digital photograph Keeph Little, Artists Space construction site no.1, 2020, digital photograph
    Image description A window sill with cups, cans and cloth is visible and a crane can be seen outside of the window with the text: "New Holland" written on it. Circular green graffitti is visible on the facade of the building behind the crane.
    Year 2020
    Related pages Sidewalk Archives
  • A simple graphic of words forming the shape of a triangle reads,
    A simple graphic of words forming the shape of a triangle reads,
    [A simple graphic of words forming the shape of a triangle reads, "A NEW SYMBOL PROPOSED & PROJECTED INSIDE THIS SPACE IS (LIKE EVERY LOGO) ALL SURFACE: A BUBBLE BLOWN AROUND NOTHING INFLATED TO BURSTING POINT BY THE LAZY ASSUMPTION THAT WHAT WE LOOK LIKE IS WHO WE ARE IN OTHER WORDS, 'IDENTITY' = IDENTITY."]
    Caption
    Image description A simple graphic of words forming the shape of a triangle reads, "A NEW SYMBOL PROPOSED & PROJECTED INSIDE THIS SPACE IS (LIKE EVERY LOGO) ALL SURFACE: A BUBBLE BLOWN AROUND NOTHING INFLATED TO BURSTING POINT BY THE LAZY ASSUMPTION THAT WHAT WE LOOK LIKE IS WHO WE ARE IN OTHER WORDS, 'IDENTITY' = IDENTITY."
    Year 2011
    Related pages Dexter Sinister: "Identity"
  • An image of an exhibition space consisting of a mock up bedroom, a bed, table, chair, lamp, television, microwave, and coffee maker sit on a large beige rug.
    An image of an exhibition space consisting of a mock up bedroom, a bed, table, chair, lamp, television, microwave, and coffee maker sit on a large beige rug.
    The New Normal. Installation view, Artists Space, 2008. [An image of an exhibition space consisting of a mock up bedroom, a bed, table, chair, lamp, television, microwave, and coffee maker sit on a large beige rug.]
    Caption The New Normal. Installation view, Artists Space, 2008.
    Image description An image of an exhibition space consisting of a mock up bedroom, a bed, table, chair, lamp, television, microwave, and coffee maker sit on a large beige rug.
    Year 2008
    Related pages
  • A color installation photograph of a gallery space with a row of dark metal columns on the left, an exposed interior of a drywall with one grey panel in the center, and a large swath of partially hung grey and yellow vinyl on the right.
    A color installation photograph of a gallery space with a row of dark metal columns on the left, an exposed interior of a drywall with one grey panel in the center, and a large swath of partially hung grey and yellow vinyl on the right.
    virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color installation photograph of a gallery space with a row of dark metal columns on the left, an exposed interior of a drywall with one grey panel in the center, and a large swath of partially hung grey and yellow vinyl on the right.]
    Caption virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color installation photograph of a gallery space with a row of dark metal columns on the left, an exposed interior of a drywall with one grey panel in the center, and a large swath of partially hung grey and yellow vinyl on the right.
    Year 2022
    Related pages virgil b/g taylor: Minor Publics
  • Two people with hats, sunglasses, and long straight hair. One looks into the camera, the other diagonally past.
    Two people with hats, sunglasses, and long straight hair. One looks into the camera, the other diagonally past.
    Cecilia Dougherty. Still from Grapefruit, 1989. Video. [Two people with hats, sunglasses, and long straight hair. One looks into the camera, the other diagonally past.]
    Caption Cecilia Dougherty. Still from Grapefruit, 1989. Video.
    Image description Two people with hats, sunglasses, and long straight hair. One looks into the camera, the other diagonally past.
    Year 1989
    Related pages Remapping Boundaries: Video Art and Popular Culture
  • Black text overlays a color-scheme grid background. The text reads: “Dec 16 / Laura Henriksen / Celina Su.
    Black text overlays a color-scheme grid background. The text reads: “Dec 16 / Laura Henriksen / Celina Su.
    [Black text overlays a color-scheme grid background. The text reads: “Dec 16 / Laura Henriksen / Celina Su." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description Black text overlays a color-scheme grid background. The text reads: “Dec 16 / Laura Henriksen / Celina Su." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year
    Related pages Segue Reading Series: Laura Henricksen & Celina Su
  • Two screens hung on either side of the top of a support beam in a gallery. The room is otherwise empty. One screen depicts a woman walking down a fashion runway, wearing a black jacket and shorts with a sheer top.
    Two screens hung on either side of the top of a support beam in a gallery. The room is otherwise empty. One screen depicts a woman walking down a fashion runway, wearing a black jacket and shorts with a sheer top.
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Two screens hung on either side of the top of a support beam in a gallery. The room is otherwise empty. One screen depicts a woman walking down a fashion runway, wearing a black jacket and shorts with a sheer top.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Two screens hung on either side of the top of a support beam in a gallery. The room is otherwise empty. One screen depicts a woman walking down a fashion runway, wearing a black jacket and shorts with a sheer top.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • A gold helix sculpture.
    A gold helix sculpture.
    Tauba Auerbach, Reciprocal Helix (Z), 2014, 3D printed matte gold steel, 5 1/2 x 1 1/4 x 2/5 in / 14 x 3,2 x 1,1 cm, Signed and Numbered Certificate. [A gold helix sculpture.]
    Caption Tauba Auerbach, Reciprocal Helix (Z), 2014, 3D printed matte gold steel, 5 1/2 x 1 1/4 x 2/5 in / 14 x 3,2 x 1,1 cm, Signed and Numbered Certificate.
    Image description A gold helix sculpture.
    Year 2015
    Related pages Artists Space Annual Edition Portfolio 2015
  • Image of a dimly lit basement. Along the back wall, on the left, a shadow of a figure in profile is cast onto a blue and purple projected screen.
    Image of a dimly lit basement. Along the back wall, on the left, a shadow of a figure in profile is cast onto a blue and purple projected screen.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Image of a dimly lit basement. Along the back wall, on the left, a shadow of a figure in profile is cast onto a blue and purple projected screen.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a dimly lit basement. Along the back wall, on the left, a shadow of a figure in profile is cast onto a blue and purple projected screen.
    Year 2022
    Related pages SCRAAATCH 11-18
  • A black and white photograph of a dark geometric painting over a wooden background.
    A black and white photograph of a dark geometric painting over a wooden background.
    Judy Rifka. Installation view, Deborah S. Freedman, Judy Rifka and Ernest Silva, Artists Space, 1975. [A black and white photograph of a dark geometric painting over a wooden background.]
    Caption Judy Rifka. Installation view, Deborah S. Freedman, Judy Rifka and Ernest Silva, Artists Space, 1975.
    Image description A black and white photograph of a dark geometric painting over a wooden background.
    Year 1975
    Related pages Deborah S. Freedman, Judy Rifka, Ernest Silva
  • A painting of a bald man with glasses looking off to the side. He wears a red Lacoste polo shirt.
    A painting of a bald man with glasses looking off to the side. He wears a red Lacoste polo shirt.
    Tim Doud, 2001. [A painting of a bald man with glasses looking off to the side. He wears a red Lacoste polo shirt.]
    Caption Tim Doud, 2001.
    Image description A painting of a bald man with glasses looking off to the side. He wears a red Lacoste polo shirt.
    Year 2001
    Related pages Painting as Paradox
  • A dim photograph of mulitple artworks hanging on a white wall in the exhibition space.
    A dim photograph of mulitple artworks hanging on a white wall in the exhibition space.
    Gary Falk, Brigid Kennedy, Ladd Kessler, Peggy Yunque. Installation view, Artists Space, 1981. [A dim photograph of mulitple artworks hanging on a white wall in the exhibition space.]
    Caption Gary Falk, Brigid Kennedy, Ladd Kessler, Peggy Yunque. Installation view, Artists Space, 1981.
    Image description A dim photograph of mulitple artworks hanging on a white wall in the exhibition space.
    Year
    Related pages Gary Falk, Brigid Kennedy, Ladd Kessler, Peggy Yunque
  • A close-up, black and white photo of a person mid-speech, looking off-center.
    A close-up, black and white photo of a person mid-speech, looking off-center.
    Lyn Blumenthal and Kate Horsfield, still from Nancy Spero: An Interview, 1982. 35 min. [A close-up, black and white photo of a person mid-speech, looking off-center.]
    Caption Lyn Blumenthal and Kate Horsfield, still from Nancy Spero: An Interview, 1982. 35 min.
    Image description A close-up, black and white photo of a person mid-speech, looking off-center.
    Year 1982
    Related pages Film and Video Program | Macho Man, Tell It To My Heart: Collected by Julie Ault | January 16
  • A figure stands on the stage with a mic, speaking to the crowd.
    A figure stands on the stage with a mic, speaking to the crowd.
    Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman [A figure stands on the stage with a mic, speaking to the crowd.]
    Caption Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure stands on the stage with a mic, speaking to the crowd.
    Year 2022
    Related pages Tisziji Muñoz with Francisco Mora Catlett and AfroHORN
  • A collage-style image. The background is a 19th century-style painting titled
    A collage-style image. The background is a 19th century-style painting titled
    Paul Chan, Wht is the nture of lw, 2011, Inkjet print and silkscreen on paper, 19 1/3 x 16 1/8 in / 49 x 48,6 cm, Signed and numbered. [A collage-style image. The background is a 19th century-style painting titled "Start of the Famous Race between the Natchez & Robt," drawing from an actual race between two steamboats named the Nachez and the Robert E. Lee in 1870 New Orleans. The painting depicts a maritime scene. It appears slightly ripped at the top, with a black background, and black, blue, and yellow opaque squares appearing in each corner. At the bottom, "THE END" is printed in a square formation. In the center, a printed, black, numbered list is overlaid on top of the painting, with 20 elements. The text reads: "1. Dylan quote: To be just, one has to be against the law / 2. Artist are "natural" lawbreakers / 3. Art synonymous with freedom (against law) / But art is not lawless, it simply followed another law (law as tendency) / 5. Expression is the following of a more natural law (perhaps higher law in line with nature and non-man made law / 6. Diotima? Marcus Aurelius? Hardot / Natural law, nature) / 7. Artmaking is when one discovers a law that one already follows (science) / 8. In the end, it is law against law. / 9. But still, law is sin (St. Paul) and death. / 10. Petrified unrest / manic energy / overproduction / 11. What is truly against the law? / 12. Duchamp / against one's taste / contranatural / (perverse) / 13. Kant = Contranatural is Anti-Christ / 14. His anti-art was in fact a private pleasure forced to live on for others. / 15. Crime and pleasure (≠ happiness) / 16. Crime is what is pleasing only to onself? / 17. Real art is what is pleasing to oneself? / 18. Real art is a real crime? / 19. Adorno quote as Nietzschean bluster / 20. The real crime is that what we do for ourselves is pleasing"]
    Caption Paul Chan, Wht is the nture of lw, 2011, Inkjet print and silkscreen on paper, 19 1/3 x 16 1/8 in / 49 x 48,6 cm, Signed and numbered.
    Image description A collage-style image. The background is a 19th century-style painting titled "Start of the Famous Race between the Natchez & Robt," drawing from an actual race between two steamboats named the Nachez and the Robert E. Lee in 1870 New Orleans. The painting depicts a maritime scene. It appears slightly ripped at the top, with a black background, and black, blue, and yellow opaque squares appearing in each corner. At the bottom, "THE END" is printed in a square formation. In the center, a printed, black, numbered list is overlaid on top of the painting, with 20 elements. The text reads: "1. Dylan quote: To be just, one has to be against the law / 2. Artist are "natural" lawbreakers / 3. Art synonymous with freedom (against law) / But art is not lawless, it simply followed another law (law as tendency) / 5. Expression is the following of a more natural law (perhaps higher law in line with nature and non-man made law / 6. Diotima? Marcus Aurelius? Hardot / Natural law, nature) / 7. Artmaking is when one discovers a law that one already follows (science) / 8. In the end, it is law against law. / 9. But still, law is sin (St. Paul) and death. / 10. Petrified unrest / manic energy / overproduction / 11. What is truly against the law? / 12. Duchamp / against one's taste / contranatural / (perverse) / 13. Kant = Contranatural is Anti-Christ / 14. His anti-art was in fact a private pleasure forced to live on for others. / 15. Crime and pleasure (≠ happiness) / 16. Crime is what is pleasing only to onself? / 17. Real art is what is pleasing to oneself? / 18. Real art is a real crime? / 19. Adorno quote as Nietzschean bluster / 20. The real crime is that what we do for ourselves is pleasing"
    Year 2011
    Related pages Artists Space Annual Edition Portfolio 2012
  • A brown object stands on a white base. On the flat surface of the object, an onion and a lemon are connected with blue and green wires. In the base of the object a processing chip is embedded.
    A brown object stands on a white base. On the flat surface of the object, an onion and a lemon are connected with blue and green wires. In the base of the object a processing chip is embedded.
    Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $5,000
    [A brown object stands on a white base. On the flat surface of the object, an onion and a lemon are connected with blue and green wires. In the base of the object a processing chip is embedded.]
    Caption Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $5,000
    Image description A brown object stands on a white base. On the flat surface of the object, an onion and a lemon are connected with blue and green wires. In the base of the object a processing chip is embedded.
    Year 2019
    Related pages Trisha Baga Edition
  • A pile of trash, including Starbucks cups, empty packs of cigarettes, newspaper, and food remnants, is strewn across the ground.
    A pile of trash, including Starbucks cups, empty packs of cigarettes, newspaper, and food remnants, is strewn across the ground.
    ART CLUB2000, Untitled (Starbucks Trash), 1995, 11 x 14 inches, black and white photograph. [A pile of trash, including Starbucks cups, empty packs of cigarettes, newspaper, and food remnants, is strewn across the ground.]
    Caption ART CLUB2000, Untitled (Starbucks Trash), 1995, 11 x 14 inches, black and white photograph.
    Image description A pile of trash, including Starbucks cups, empty packs of cigarettes, newspaper, and food remnants, is strewn across the ground.
    Year 1995
    Related pages ART CLUB2000
  • Nuestro Reflejo exhibition at Morris Jumel Mansion, Washington Heights, 2025
    Caption Nuestro Reflejo exhibition at Morris Jumel Mansion, Washington Heights, 2025
    Image description
    Year
    Related pages Threads of History
  • A figure wearing all black lies on their back on a concrete floor. Their hips and knees are lifted off the floor, with their hand holding a dangling microphone by the cord. There is a crowd of people arranged in a semi-circle behind the performer, and disordered empty chairs in the foreground.
    A figure wearing all black lies on their back on a concrete floor. Their hips and knees are lifted off the floor, with their hand holding a dangling microphone by the cord. There is a crowd of people arranged in a semi-circle behind the performer, and disordered empty chairs in the foreground.
    New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court. [A figure wearing all black lies on their back on a concrete floor. Their hips and knees are lifted off the floor, with their hand holding a dangling microphone by the cord. There is a crowd of people arranged in a semi-circle behind the performer, and disordered empty chairs in the foreground.]
    Caption New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court.
    Image description A figure wearing all black lies on their back on a concrete floor. Their hips and knees are lifted off the floor, with their hand holding a dangling microphone by the cord. There is a crowd of people arranged in a semi-circle behind the performer, and disordered empty chairs in the foreground.
    Year 2020
    Related pages New Red Order: Informants Get Paid!
  • A figure reads into a microphone, glancing at their phone.
    A figure reads into a microphone, glancing at their phone.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure reads into a microphone, glancing at their phone.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure reads into a microphone, glancing at their phone.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
  • Caption
    Image description
    Year
    Related pages Editions
  • A series of amorphous, basket-like objects sit on a series of plinths of varying heights in a gallery space. Two additional scultural forms composed of sticks and grasses, as well as metallic materials, hang from the ceiling behind the plinths.
    A series of amorphous, basket-like objects sit on a series of plinths of varying heights in a gallery space. Two additional scultural forms composed of sticks and grasses, as well as metallic materials, hang from the ceiling behind the plinths.
    Baskets. Installation view, Artists Space, 2006. [A series of amorphous, basket-like objects sit on a series of plinths of varying heights in a gallery space. Two additional scultural forms composed of sticks and grasses, as well as metallic materials, hang from the ceiling behind the plinths.]
    Caption Baskets. Installation view, Artists Space, 2006.
    Image description A series of amorphous, basket-like objects sit on a series of plinths of varying heights in a gallery space. Two additional scultural forms composed of sticks and grasses, as well as metallic materials, hang from the ceiling behind the plinths.
    Year 2006
    Related pages Architecture & Design Project Series: Baskets
  • A view of a large image of multiple individuals sitting and standing in a defaced bedroom. A yellow boombox sits on a black carpet.
    A view of a large image of multiple individuals sitting and standing in a defaced bedroom. A yellow boombox sits on a black carpet.
    ART CLUB2000 Kaputtmachen im Graz, 1994 Printed vinyl, carpet, and boombox Image courtesy Artists Space, New York Photo: Filip Wolak [A view of a large image of multiple individuals sitting and standing in a defaced bedroom. A yellow boombox sits on a black carpet.]
    Caption ART CLUB2000 Kaputtmachen im Graz, 1994 Printed vinyl, carpet, and boombox Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description A view of a large image of multiple individuals sitting and standing in a defaced bedroom. A yellow boombox sits on a black carpet.
    Year 2021
    Related pages ART CLUB2000
  • Two figures in dark clothing stand before two music stands. The figure on the right speaks and gazes forward. One of their hands rests on the music stand, the other reaches out in front of themselves, their fingers extended.
    Two figures in dark clothing stand before two music stands. The figure on the right speaks and gazes forward. One of their hands rests on the music stand, the other reaches out in front of themselves, their fingers extended.
    Passages from People Who Led to My Plays. Performance documentation, March 1, 2020, Artists Space. Photo ©️ 2020 Paula Court. [Two figures in dark clothing stand before two music stands. The figure on the right speaks and gazes forward. One of their hands rests on the music stand, the other reaches out in front of themselves, their fingers extended.]
    Caption Passages from People Who Led to My Plays. Performance documentation, March 1, 2020, Artists Space. Photo ©️ 2020 Paula Court.
    Image description Two figures in dark clothing stand before two music stands. The figure on the right speaks and gazes forward. One of their hands rests on the music stand, the other reaches out in front of themselves, their fingers extended.
    Year 2020
    Related pages Passages from People Who Led to My Plays
  • An abstract, black and white geometric image.
    An abstract, black and white geometric image.
    Union Gaucha Produtions, still from Phantom Limb, 1998. Courtesy Union Gaucha Productions. [An abstract, black and white geometric image.]
    Caption Union Gaucha Produtions, still from Phantom Limb, 1998. Courtesy Union Gaucha Productions.
    Image description An abstract, black and white geometric image.
    Year 1998
    Related pages Phantom Limb with music performance by Lukas Ligeti
  • Two televisons sit on the wall, bisected with hung grocery dividers. The television on the left displays a video of a news anchor with the bottom text
    Two televisons sit on the wall, bisected with hung grocery dividers. The television on the left displays a video of a news anchor with the bottom text
    LIFE—a group show, curated by Arnold J. Kemp. Installation view (Carolyn Castaño, The Female Report, 2011; D’Talentz, The Secret Garden, 2020), Artists Space, 2025. Photo: Carter Seddon [Two televisons sit on the wall, bisected with hung grocery dividers. The television on the left displays a video of a news anchor with the bottom text "A descendant of Evita." The television on the right displays a video of four squares with people surrounded in foliage. These squares are superimposed on a backdrop of more foliage.]
    Caption LIFE—a group show, curated by Arnold J. Kemp. Installation view (Carolyn Castaño, The Female Report, 2011; D’Talentz, The Secret Garden, 2020), Artists Space, 2025. Photo: Carter Seddon
    Image description Two televisons sit on the wall, bisected with hung grocery dividers. The television on the left displays a video of a news anchor with the bottom text "A descendant of Evita." The television on the right displays a video of four squares with people surrounded in foliage. These squares are superimposed on a backdrop of more foliage.
    Year 2025
    Related pages Arnold J. Kemp
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • dissolving city, digital photographs, 2024
    Caption dissolving city, digital photographs, 2024
    Image description
    Year
    Related pages BRIDGE Photography
  • Several framed artworks hanging on a black gallery wall. A large yellow frame hangs on the left side of the wall while on the right, four smaller anthropomorphic drawings are displayed.
    Several framed artworks hanging on a black gallery wall. A large yellow frame hangs on the left side of the wall while on the right, four smaller anthropomorphic drawings are displayed.
    Jack Smith: Art Crust of Spiritual Oasis. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [Several framed artworks hanging on a black gallery wall. A large yellow frame hangs on the left side of the wall while on the right, four smaller anthropomorphic drawings are displayed.]
    Caption Jack Smith: Art Crust of Spiritual Oasis. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description Several framed artworks hanging on a black gallery wall. A large yellow frame hangs on the left side of the wall while on the right, four smaller anthropomorphic drawings are displayed.
    Year 2018
    Related pages Jack Smith: Art Crust of Spiritual Oasis
  • A corner of a white ceiling is crossed by silver electrical tubing. A single lightbulb is affixed to one tube and is aimed at the ceiling, illuminating a circle of the ceiling only a few inches above it.
    A corner of a white ceiling is crossed by silver electrical tubing. A single lightbulb is affixed to one tube and is aimed at the ceiling, illuminating a circle of the ceiling only a few inches above it.
    Michael Asher, Installation view, Artists Space, 1988. [A corner of a white ceiling is crossed by silver electrical tubing. A single lightbulb is affixed to one tube and is aimed at the ceiling, illuminating a circle of the ceiling only a few inches above it.]
    Caption Michael Asher, Installation view, Artists Space, 1988.
    Image description A corner of a white ceiling is crossed by silver electrical tubing. A single lightbulb is affixed to one tube and is aimed at the ceiling, illuminating a circle of the ceiling only a few inches above it.
    Year 1988
    Related pages Michael Asher / James Coleman
  • Two rectangular boxes lying next to each other on a white background, with a small shadow. The left box is black. The right is white paper, with a black border, and it has two columns of very small red text, offset to the bottom left of the page.
    Two rectangular boxes lying next to each other on a white background, with a small shadow. The left box is black. The right is white paper, with a black border, and it has two columns of very small red text, offset to the bottom left of the page.
    Dexter Sinister (Stuart Bailey and David Reinfurt): Cover Material, 2010 Custom archival box, 24 1/2 x 20 1/2 x 1 1/2 in / 62 x 52 x 4 cm, Wrapped in “Cialux 1580,” manufactured from direct dyes in aqueous solution by Manifattura del Seveso, Osio Sotto, Italy, Accompanied by: A List of Incorrect Things, 2010 Nick Relph Offset print 6 2/3 x 11 in / 17 x 28 cm, Signed and numbered by Stuart Bailey and David Reinfurt. [Two rectangular boxes lying next to each other on a white background, with a small shadow. The left box is black. The right is white paper, with a black border, and it has two columns of very small red text, offset to the bottom left of the page.]
    Caption Dexter Sinister (Stuart Bailey and David Reinfurt): Cover Material, 2010 Custom archival box, 24 1/2 x 20 1/2 x 1 1/2 in / 62 x 52 x 4 cm, Wrapped in “Cialux 1580,” manufactured from direct dyes in aqueous solution by Manifattura del Seveso, Osio Sotto, Italy, Accompanied by: A List of Incorrect Things, 2010 Nick Relph Offset print 6 2/3 x 11 in / 17 x 28 cm, Signed and numbered by Stuart Bailey and David Reinfurt.
    Image description Two rectangular boxes lying next to each other on a white background, with a small shadow. The left box is black. The right is white paper, with a black border, and it has two columns of very small red text, offset to the bottom left of the page.
    Year 2010
    Related pages Artists Space Annual Edition Portfolio 2011
  • Three large metal rectangular scuptures, hinging at an angle off the floor. A large photographic print of deer in woods hangs on the wall directly behind the sculptures.
    Three large metal rectangular scuptures, hinging at an angle off the floor. A large photographic print of deer in woods hangs on the wall directly behind the sculptures.
    Underground: Jose Gabriel Fernandez. Installation view, Artists Space, 1991. [Three large metal rectangular scuptures, hinging at an angle off the floor. A large photographic print of deer in woods hangs on the wall directly behind the sculptures.]
    Caption Underground: Jose Gabriel Fernandez. Installation view, Artists Space, 1991.
    Image description Three large metal rectangular scuptures, hinging at an angle off the floor. A large photographic print of deer in woods hangs on the wall directly behind the sculptures.
    Year 1991
    Related pages Underground: Jose Gabriel Fernandez
  • A room with white walls, with two windows on the back wall with shades pulled halfway down. The wall to the left of the windows has three framed photographs, and a white plinth with a glass top. In front of the windows, a television on a low table faces sideways toward a low black couch. On the far right side, a protruding corner of a wall has white text projected on it reading
    A room with white walls, with two windows on the back wall with shades pulled halfway down. The wall to the left of the windows has three framed photographs, and a white plinth with a glass top. In front of the windows, a television on a low table faces sideways toward a low black couch. On the far right side, a protruding corner of a wall has white text projected on it reading
    The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich. [A room with white walls, with two windows on the back wall with shades pulled halfway down. The wall to the left of the windows has three framed photographs, and a white plinth with a glass top. In front of the windows, a television on a low table faces sideways toward a low black couch. On the far right side, a protruding corner of a wall has white text projected on it reading "cupholder mount vaio."]
    Caption The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich.
    Image description A room with white walls, with two windows on the back wall with shades pulled halfway down. The wall to the left of the windows has three framed photographs, and a white plinth with a glass top. In front of the windows, a television on a low table faces sideways toward a low black couch. On the far right side, a protruding corner of a wall has white text projected on it reading "cupholder mount vaio."
    Year 2008
    Related pages The New Normal
  • Black and white pen drawing featuring a cartoonish rendering of Manhattan and the surrounding boroughs that resembles a grassy mini-golf course. Golf holes are scattered across Manhattan amidst larger-than-life cut-out figures, convoluted structures, palm trees, and other quirky obstacles. Stray golf balls are scattered across the surrounding boroughs. A cluster of golf balls in New Jersey are arranged such that they spell out the words,
    Black and white pen drawing featuring a cartoonish rendering of Manhattan and the surrounding boroughs that resembles a grassy mini-golf course. Golf holes are scattered across Manhattan amidst larger-than-life cut-out figures, convoluted structures, palm trees, and other quirky obstacles. Stray golf balls are scattered across the surrounding boroughs. A cluster of golf balls in New Jersey are arranged such that they spell out the words,
    [Black and white pen drawing featuring a cartoonish rendering of Manhattan and the surrounding boroughs that resembles a grassy mini-golf course. Golf holes are scattered across Manhattan amidst larger-than-life cut-out figures, convoluted structures, palm trees, and other quirky obstacles. Stray golf balls are scattered across the surrounding boroughs. A cluster of golf balls in New Jersey are arranged such that they spell out the words, "PUTT-MODERNISM."]
    Caption
    Image description Black and white pen drawing featuring a cartoonish rendering of Manhattan and the surrounding boroughs that resembles a grassy mini-golf course. Golf holes are scattered across Manhattan amidst larger-than-life cut-out figures, convoluted structures, palm trees, and other quirky obstacles. Stray golf balls are scattered across the surrounding boroughs. A cluster of golf balls in New Jersey are arranged such that they spell out the words, "PUTT-MODERNISM."
    Year 1992
    Related pages Putt-Modernism
  • Image of a basement window that has been tinted with blue paint, streaming in blue light.
    Image of a basement window that has been tinted with blue paint, streaming in blue light.
    SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement window that has been tinted with blue paint, streaming in blue light.]
    Caption SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a basement window that has been tinted with blue paint, streaming in blue light.
    Year 2022
    Related pages SCRAAATCH 12-3
  • A color image of a white wall with windows and black and white curtains with pink flowers. Through the windows, a figure is seen sitting cross-legged on a chair. They are wearing a yellow dress.
    A color image of a white wall with windows and black and white curtains with pink flowers. Through the windows, a figure is seen sitting cross-legged on a chair. They are wearing a yellow dress.
    Drake Carr: Housecalls. Performance documentation, September 8, 2023, Artists Space at the Armory Show. Photo: Joshua Wildman. [A color image of a white wall with windows and black and white curtains with pink flowers. Through the windows, a figure is seen sitting cross-legged on a chair. They are wearing a yellow dress.]
    Caption Drake Carr: Housecalls. Performance documentation, September 8, 2023, Artists Space at the Armory Show. Photo: Joshua Wildman.
    Image description A color image of a white wall with windows and black and white curtains with pink flowers. Through the windows, a figure is seen sitting cross-legged on a chair. They are wearing a yellow dress.
    Year
    Related pages Drake Carr: Housecalls
  • Black text on a light yellow background. The text reads: “April 12 / Isabel Sobral Campos / Ronaldo V. Wilson” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on a light yellow background. The text reads: “April 12 / Isabel Sobral Campos / Ronaldo V. Wilson” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on a light yellow background. The text reads: “April 12 / Isabel Sobral Campos / Ronaldo V. Wilson” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on a light yellow background. The text reads: “April 12 / Isabel Sobral Campos / Ronaldo V. Wilson” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Isabel Sobral Campos & Ronaldo V. Wilson
  • A color photograph of a drawer positioned vertically on plywood in the corner of a gallery space. In front of the drawer is a ceramic jug and several other obkects including a wand.
    A color photograph of a drawer positioned vertically on plywood in the corner of a gallery space. In front of the drawer is a ceramic jug and several other obkects including a wand.
    Lyndon Barrois Jr., Diverses Expériences par la Baguette, 2022. Plastic, copper, brass, divination wand, drawer, ceramic jug, solvent transfers, plywood, brass. 35 x 26.5 x 19.5 inches. Photo: Filip Wolak. [A color photograph of a drawer positioned vertically on plywood in the corner of a gallery space. In front of the drawer is a ceramic jug and several other obkects including a wand.]
    Caption Lyndon Barrois Jr., Diverses Expériences par la Baguette, 2022. Plastic, copper, brass, divination wand, drawer, ceramic jug, solvent transfers, plywood, brass. 35 x 26.5 x 19.5 inches. Photo: Filip Wolak.
    Image description A color photograph of a drawer positioned vertically on plywood in the corner of a gallery space. In front of the drawer is a ceramic jug and several other obkects including a wand.
    Year 2022
    Related pages Lyndon Barrois Jr.: Mirage Collar
  • Contact sheet of installation images taken during exhibition opening.
    Contact sheet of installation images taken during exhibition opening.
    Gary Burnley, Martin Cohen, Candace Hill-Montgomery, Louis Stein, and Haim Steinbach. Contact sheet of photos from exhibition opening, Artists Space, 1979. Photos by Gary Burnley. [Contact sheet of installation images taken during exhibition opening.]
    Caption Gary Burnley, Martin Cohen, Candace Hill-Montgomery, Louis Stein, and Haim Steinbach. Contact sheet of photos from exhibition opening, Artists Space, 1979. Photos by Gary Burnley.
    Image description Contact sheet of installation images taken during exhibition opening.
    Year 1979
    Related pages Gary Burnley
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Magazine cut-outs and ink drawings are collaged together on a background of red, green, and yellow paper. Pieces of beige paper with typewritten text listing the performers and event details are scattered around the flyer.
    Magazine cut-outs and ink drawings are collaged together on a background of red, green, and yellow paper. Pieces of beige paper with typewritten text listing the performers and event details are scattered around the flyer.
    Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a background of red, green, and yellow paper. Pieces of beige paper with typewritten text listing the performers and event details are scattered around the flyer.]
    Caption Flyer by Joe Frivaldi.
    Image description Magazine cut-outs and ink drawings are collaged together on a background of red, green, and yellow paper. Pieces of beige paper with typewritten text listing the performers and event details are scattered around the flyer.
    Year
    Related pages Abasement 77
  • Black and white depiction of two figures in the woods at night. One is is hammering a fence post by the light of the lantern held by the second person.
    Black and white depiction of two figures in the woods at night. One is is hammering a fence post by the light of the lantern held by the second person.
    Peter Wächtler, Untitled (Nightly Scene Forest), 2015 Black and white linocut on paper, 19 x 23 ½ in / 50,2 x 59,7 cm, Signed and Numbered. [Black and white depiction of two figures in the woods at night. One is is hammering a fence post by the light of the lantern held by the second person.]
    Caption Peter Wächtler, Untitled (Nightly Scene Forest), 2015 Black and white linocut on paper, 19 x 23 ½ in / 50,2 x 59,7 cm, Signed and Numbered.
    Image description Black and white depiction of two figures in the woods at night. One is is hammering a fence post by the light of the lantern held by the second person.
    Year 2016
    Related pages Artists Space Annual Edition Portfolio 2016
  • A swirling cloud of grey mist covers most of a figures face. Slivers of their eyes and mouth are revealed through holes in the blanket of grey.
    A swirling cloud of grey mist covers most of a figures face. Slivers of their eyes and mouth are revealed through holes in the blanket of grey.
    Tameca Cole, Locked in a Dark Calm, 2016. Courtesy of the artist and Ellen Driscoll [A swirling cloud of grey mist covers most of a figures face. Slivers of their eyes and mouth are revealed through holes in the blanket of grey.]
    Caption Tameca Cole, Locked in a Dark Calm, 2016. Courtesy of the artist and Ellen Driscoll
    Image description A swirling cloud of grey mist covers most of a figures face. Slivers of their eyes and mouth are revealed through holes in the blanket of grey.
    Year 2020
    Related pages Artists Space Dialogues: Jackie Wang with Nicole R. Fleetwood
  • A seated figure in a black hoodie and black beanie plays the guitar with red and purple light cast onto them.
    A seated figure in a black hoodie and black beanie plays the guitar with red and purple light cast onto them.
    Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman [A seated figure in a black hoodie and black beanie plays the guitar with red and purple light cast onto them.]
    Caption Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman
    Image description A seated figure in a black hoodie and black beanie plays the guitar with red and purple light cast onto them.
    Year 2022
    Related pages Abasement: #62
  • A black and white close of of a person, with slightly scraggly hair and amblyopia, looking into the camera.
    A black and white close of of a person, with slightly scraggly hair and amblyopia, looking into the camera.
    Union Gaucha Productions. Still from A Vida de Infra - Tunga, 1999. 16mm film (sound, black and white), 10 min 17 sec. Courtesy of Union Gaucha Productions. [A black and white close of of a person, with slightly scraggly hair and amblyopia, looking into the camera.]
    Caption Union Gaucha Productions. Still from A Vida de Infra - Tunga, 1999. 16mm film (sound, black and white), 10 min 17 sec. Courtesy of Union Gaucha Productions.
    Image description A black and white close of of a person, with slightly scraggly hair and amblyopia, looking into the camera.
    Year 1999
    Related pages Union Gaucha Productions
  • Installation view of three cast concrete blocks - the middle one leaning against the last one - standing on a wood floor.
    Installation view of three cast concrete blocks - the middle one leaning against the last one - standing on a wood floor.
    Slab works, c. 1978–1980. Cast concrete sculptures with acrylic paint. Dimensions unknown. Courtesy of the Frances Mulhall Achiles Library, Artist File, Whitney Museum of American Art [Installation view of three cast concrete blocks - the middle one leaning against the last one - standing on a wood floor.]
    Caption Slab works, c. 1978–1980. Cast concrete sculptures with acrylic paint. Dimensions unknown. Courtesy of the Frances Mulhall Achiles Library, Artist File, Whitney Museum of American Art
    Image description Installation view of three cast concrete blocks - the middle one leaning against the last one - standing on a wood floor.
    Year
    Related pages Beverly Buchanan, 1978 – 1981
  • A rectangular column of rough, brown material is capped by a smooth cube of white stone.
    A rectangular column of rough, brown material is capped by a smooth cube of white stone.
    Robert Gero, Untitled, 1989. Sandstone, salt, aluminum, 60 x 9 x 9 inches. [A rectangular column of rough, brown material is capped by a smooth cube of white stone.]
    Caption Robert Gero, Untitled, 1989. Sandstone, salt, aluminum, 60 x 9 x 9 inches.
    Image description A rectangular column of rough, brown material is capped by a smooth cube of white stone.
    Year 1989
    Related pages Energeia
  • Two human arms and one robotic arm are writing the partially formed word
    Two human arms and one robotic arm are writing the partially formed word
    [Two human arms and one robotic arm are writing the partially formed word "EVOLUTION" in tandem on a white piece of paper.]
    Caption
    Image description Two human arms and one robotic arm are writing the partially formed word "EVOLUTION" in tandem on a white piece of paper.
    Year 2012
    Related pages Exits to the Posthuman Future
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • Several figures stand along a wall illuminated by red light. One figure, seated, uses a computer at a small round table.
    Several figures stand along a wall illuminated by red light. One figure, seated, uses a computer at a small round table.
    Eiko Ishibashi: Two New York Nights. Performance documentation, June 8, 2022, 8pm. Artists Space, New York. [Several figures stand along a wall illuminated by red light. One figure, seated, uses a computer at a small round table.]
    Caption Eiko Ishibashi: Two New York Nights. Performance documentation, June 8, 2022, 8pm. Artists Space, New York.
    Image description Several figures stand along a wall illuminated by red light. One figure, seated, uses a computer at a small round table.
    Year
    Related pages Eiko Ishibashi in Concert
  • Two figures crouch next to two abstract artworks standing on the floor of a gallery space. Both people have dyed hair and half-blue facepaint.
    Two figures crouch next to two abstract artworks standing on the floor of a gallery space. Both people have dyed hair and half-blue facepaint.
    CaptionKari Altmann, still from XOMIA, 2015. Courtesy the artist and Ellis King Gallery. [Two figures crouch next to two abstract artworks standing on the floor of a gallery space. Both people have dyed hair and half-blue facepaint.]
    Caption CaptionKari Altmann, still from XOMIA, 2015. Courtesy the artist and Ellis King Gallery.
    Image description Two figures crouch next to two abstract artworks standing on the floor of a gallery space. Both people have dyed hair and half-blue facepaint.
    Year 2015
    Related pages Kari Altmann & Ruth Saxelby
  • A black and white line illustration of a person shaking in the middle of room. The open windows depict a wind blowing papers into the space.
    A black and white line illustration of a person shaking in the middle of room. The open windows depict a wind blowing papers into the space.
    Mélanie Matranga, Not, 2014 [A black and white line illustration of a person shaking in the middle of room. The open windows depict a wind blowing papers into the space.]
    Caption Mélanie Matranga, Not, 2014
    Image description A black and white line illustration of a person shaking in the middle of room. The open windows depict a wind blowing papers into the space.
    Year 2014
    Related pages The Issues of Our Time
  • On the left, a framed photograph hangs on the wall. In the center, a sculpture built around a red electric guitar hangs from the wall. In the distance on the right, various posters and ephemera adorn the wall.
    On the left, a framed photograph hangs on the wall. In the center, a sculpture built around a red electric guitar hangs from the wall. In the distance on the right, various posters and ephemera adorn the wall.
    Attention Line. Installation view (James as Jimmy, 2001, Guitar from the exhibit All Indian All the Time, 2005), Artists Space, June 11, 2022 - August 20, 2022. Photo: Filip Wolak [On the left, a framed photograph hangs on the wall. In the center, a sculpture built around a red electric guitar hangs from the wall. In the distance on the right, various posters and ephemera adorn the wall.]
    Caption Attention Line. Installation view (James as Jimmy, 2001, Guitar from the exhibit All Indian All the Time, 2005), Artists Space, June 11, 2022 - August 20, 2022. Photo: Filip Wolak
    Image description On the left, a framed photograph hangs on the wall. In the center, a sculpture built around a red electric guitar hangs from the wall. In the distance on the right, various posters and ephemera adorn the wall.
    Year 2022
    Related pages Attention Line
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    Image description
    Year
    Related pages Friends of Artists Space Dinner
  • Black and white photograph of white picket fence with dark painted background behind it.
    Black and white photograph of white picket fence with dark painted background behind it.
    Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Candice Hill-Montgomery. [Black and white photograph of white picket fence with dark painted background behind it.]
    Caption Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Candice Hill-Montgomery.
    Image description Black and white photograph of white picket fence with dark painted background behind it.
    Year 1979
    Related pages Candance Hill-Montgomery
  • Color photograph of two works with white, black, brown and grey hues hanging on the wall side-by-side.
    Color photograph of two works with white, black, brown and grey hues hanging on the wall side-by-side.
    Left: Andrew Siedenburg, Material Support, 2022. Masking tape, charcoal, and construction fasteners on gessoed luan. Right: Andrew Siedenburg, Doghouse with Tin Snips, 2022. Masking tape, charcoal and constructions fasteners on gessoed watercolor paper over masonite. Photo: Steven Cottingham. [Color photograph of two works with white, black, brown and grey hues hanging on the wall side-by-side.]
    Caption Left: Andrew Siedenburg, Material Support, 2022. Masking tape, charcoal, and construction fasteners on gessoed luan. Right: Andrew Siedenburg, Doghouse with Tin Snips, 2022. Masking tape, charcoal and constructions fasteners on gessoed watercolor paper over masonite. Photo: Steven Cottingham.
    Image description Color photograph of two works with white, black, brown and grey hues hanging on the wall side-by-side.
    Year
    Related pages Whitney Independent Study: Everything is Common
  • A line of people marching forward hold up signs reading,
    A line of people marching forward hold up signs reading,
    Demonstrations outside Artists Space during the opening of Witnesses: Against Our Vanishing, November 16, 1989. [A line of people marching forward hold up signs reading, "NO TAXATION WITHOUT ARTISTIC REPRESENTATION" and "FASCISM BEGINS WITH CENSORSHIP,' among other messages.]
    Caption Demonstrations outside Artists Space during the opening of Witnesses: Against Our Vanishing, November 16, 1989.
    Image description A line of people marching forward hold up signs reading, "NO TAXATION WITHOUT ARTISTIC REPRESENTATION" and "FASCISM BEGINS WITH CENSORSHIP,' among other messages.
    Year 1989
    Related pages Witnesses: Against Our Vanishing
  • A color image depicts five figures performing on the street. The five figures are wearing blue or red American flag patterned skirts with different shirts. The center figure holds two shopping bags with the text
    A color image depicts five figures performing on the street. The five figures are wearing blue or red American flag patterned skirts with different shirts. The center figure holds two shopping bags with the text
    Circus Amok, The Patriot Act, 2002, performed for the Summer Parks Tour at Housing Plaza (Harlem). Image courtesy Jennifer Miller [A color image depicts five figures performing on the street. The five figures are wearing blue or red American flag patterned skirts with different shirts. The center figure holds two shopping bags with the text "America: Open for Business" on the front surfaces. The other four figures surround and reach toward the middle figure and the tote bags. A band is playing music in the background.]
    Caption Circus Amok, The Patriot Act, 2002, performed for the Summer Parks Tour at Housing Plaza (Harlem). Image courtesy Jennifer Miller
    Image description A color image depicts five figures performing on the street. The five figures are wearing blue or red American flag patterned skirts with different shirts. The center figure holds two shopping bags with the text "America: Open for Business" on the front surfaces. The other four figures surround and reach toward the middle figure and the tote bags. A band is playing music in the background.
    Year 2002
    Related pages Circus Amok
  • An image of a shoreline is projected on a trifold screen.
    An image of a shoreline is projected on a trifold screen.
    See Around. Installation view, Artists Space, 2008. Photo: Adam Reich. [An image of a shoreline is projected on a trifold screen.]
    Caption See Around. Installation view, Artists Space, 2008. Photo: Adam Reich.
    Image description An image of a shoreline is projected on a trifold screen.
    Year 2008
    Related pages See Around
  • A gallery room filled with various sculptures and objects. There are four plinths of varying heights with black, white, silver, and mirrored surfaces. There are three televisions sitting on the floor against a white wall. On the other side, there are two projectors sitting on a table projecting small images on white walls. In the foreground, a rectangular cube painted like bricks is wrapped around a column.
    A gallery room filled with various sculptures and objects. There are four plinths of varying heights with black, white, silver, and mirrored surfaces. There are three televisions sitting on the floor against a white wall. On the other side, there are two projectors sitting on a table projecting small images on white walls. In the foreground, a rectangular cube painted like bricks is wrapped around a column.
    Elephant Cemetery. Installation view, Artists Space, 2007. [A gallery room filled with various sculptures and objects. There are four plinths of varying heights with black, white, silver, and mirrored surfaces. There are three televisions sitting on the floor against a white wall. On the other side, there are two projectors sitting on a table projecting small images on white walls. In the foreground, a rectangular cube painted like bricks is wrapped around a column.]
    Caption Elephant Cemetery. Installation view, Artists Space, 2007.
    Image description A gallery room filled with various sculptures and objects. There are four plinths of varying heights with black, white, silver, and mirrored surfaces. There are three televisions sitting on the floor against a white wall. On the other side, there are two projectors sitting on a table projecting small images on white walls. In the foreground, a rectangular cube painted like bricks is wrapped around a column.
    Year 2007
    Related pages Elephant Cemetery
  • A woman screams as a trail of blood runs down her chin.
    A woman screams as a trail of blood runs down her chin.
    Still from Ganja & Hess, picturing Marlene Clarke, 1973. [A woman screams as a trail of blood runs down her chin.]
    Caption Still from Ganja & Hess, picturing Marlene Clarke, 1973.
    Image description A woman screams as a trail of blood runs down her chin.
    Year 1973
    Related pages Ganja & Hess
  • A dimly lit room where two people are seated in chairs on the right, looking at a projection. The projection displays a yellow-hued image of a city skyline.
    A dimly lit room where two people are seated in chairs on the right, looking at a projection. The projection displays a yellow-hued image of a city skyline.
    Union Gaucha Productions. Installation view, Artists Space, 2015. Photo: Daniel Pérez. [A dimly lit room where two people are seated in chairs on the right, looking at a projection. The projection displays a yellow-hued image of a city skyline.]
    Caption Union Gaucha Productions. Installation view, Artists Space, 2015. Photo: Daniel Pérez.
    Image description A dimly lit room where two people are seated in chairs on the right, looking at a projection. The projection displays a yellow-hued image of a city skyline.
    Year 2015
    Related pages Union Gaucha Productions
  • A brown object with a processing chip imbedded in its front sits on a white base. On top of the object, a small potato sits with two wires attached.
    A brown object with a processing chip imbedded in its front sits on a white base. On top of the object, a small potato sits with two wires attached.
    Not yet titled, 2019
    Clay, glaze, mixed media
    7 x 12 x 17 inches (variable)
    $5,000
    [A brown object with a processing chip imbedded in its front sits on a white base. On top of the object, a small potato sits with two wires attached.]
    Caption Not yet titled, 2019
    Clay, glaze, mixed media
    7 x 12 x 17 inches (variable)
    $5,000
    Image description A brown object with a processing chip imbedded in its front sits on a white base. On top of the object, a small potato sits with two wires attached.
    Year 2019
    Related pages Trisha Baga Edition
  • A large decorative panel painting with sculptural elements hangs on the back wall adjacent to photographic images on the wall. In between two columns are two glass covered cases.
    A large decorative panel painting with sculptural elements hangs on the back wall adjacent to photographic images on the wall. In between two columns are two glass covered cases.
    We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [A large decorative panel painting with sculptural elements hangs on the back wall adjacent to photographic images on the wall. In between two columns are two glass covered cases.]
    Caption We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987.
    Image description A large decorative panel painting with sculptural elements hangs on the back wall adjacent to photographic images on the wall. In between two columns are two glass covered cases.
    Year
    Related pages We the People
  • Color photo of a performer wearing a quilted suit with a variety of equipment strapped to his body. A bright blue glowing projection emantes from the performer's gear. He is surrounded by seated audience members who observe the performance in a dimly lit venue.
    Color photo of a performer wearing a quilted suit with a variety of equipment strapped to his body. A bright blue glowing projection emantes from the performer's gear. He is surrounded by seated audience members who observe the performance in a dimly lit venue.
    Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman. [Color photo of a performer wearing a quilted suit with a variety of equipment strapped to his body. A bright blue glowing projection emantes from the performer's gear. He is surrounded by seated audience members who observe the performance in a dimly lit venue.]
    Caption Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman.
    Image description Color photo of a performer wearing a quilted suit with a variety of equipment strapped to his body. A bright blue glowing projection emantes from the performer's gear. He is surrounded by seated audience members who observe the performance in a dimly lit venue.
    Year
    Related pages Abasement #64
  • A black, kayak-shaped sculpture is suspended from the ceiling in a gallery space. On either wall, there are black and white prints mimicking the structure of the boat.
    A black, kayak-shaped sculpture is suspended from the ceiling in a gallery space. On either wall, there are black and white prints mimicking the structure of the boat.
    Local Transit. Installation view, Artists Space, 2006. [A black, kayak-shaped sculpture is suspended from the ceiling in a gallery space. On either wall, there are black and white prints mimicking the structure of the boat.]
    Caption Local Transit. Installation view, Artists Space, 2006.
    Image description A black, kayak-shaped sculpture is suspended from the ceiling in a gallery space. On either wall, there are black and white prints mimicking the structure of the boat.
    Year 2006
    Related pages Local Transit: An Exhibition in Two Parts
  • A cartoon drawing of a bedroom with a purple bed, chair, and window
    A cartoon drawing of a bedroom with a purple bed, chair, and window
    Courtesy No Total. [A cartoon drawing of a bedroom with a purple bed, chair, and window]
    Caption Courtesy No Total.
    Image description A cartoon drawing of a bedroom with a purple bed, chair, and window
    Year 2017
    Related pages You Should Wake Up Earlier
  • Various framed works on paper hang on two facing white gallery walls. Each features small looping ornamental symbols, drawn with pencil within the individual boxes of gridded paper, to form larger shapes and structures. The large work on the right wall features repeated ornamental symbols in gold on pink ground.
    Various framed works on paper hang on two facing white gallery walls. Each features small looping ornamental symbols, drawn with pencil within the individual boxes of gridded paper, to form larger shapes and structures. The large work on the right wall features repeated ornamental symbols in gold on pink ground.
    Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak. [Various framed works on paper hang on two facing white gallery walls. Each features small looping ornamental symbols, drawn with pencil within the individual boxes of gridded paper, to form larger shapes and structures. The large work on the right wall features repeated ornamental symbols in gold on pink ground.]
    Caption Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak.
    Image description Various framed works on paper hang on two facing white gallery walls. Each features small looping ornamental symbols, drawn with pencil within the individual boxes of gridded paper, to form larger shapes and structures. The large work on the right wall features repeated ornamental symbols in gold on pink ground.
    Year
    Related pages Dream Lines: Drawings by Marian Zazeela
  • The busts of two figures are drawn in black ink in front of a grey background. Below each figure is a text bubble that read: [below figure on left]
    The busts of two figures are drawn in black ink in front of a grey background. Below each figure is a text bubble that read: [below figure on left]
    Amy Sillman, Turtlenecks, 2007, Archival ink jet on Somerset Paper, 11 1/4 x 17 1/2 inches (28.6 x 44.5 cm), Edition of 17, 10 AP, 1 BAT, Courtesy the artist and Sikkema Jenkins & Co., Printed by Jean-Yves Noblet Contemporary Prints. [The busts of two figures are drawn in black ink in front of a grey background. Below each figure is a text bubble that read: [below figure on left] "When did you get here?" [below figure on right] "Are you going to Basel?" At the bottom, center of the page is written "Turtlenecks."]
    Caption Amy Sillman, Turtlenecks, 2007, Archival ink jet on Somerset Paper, 11 1/4 x 17 1/2 inches (28.6 x 44.5 cm), Edition of 17, 10 AP, 1 BAT, Courtesy the artist and Sikkema Jenkins & Co., Printed by Jean-Yves Noblet Contemporary Prints.
    Image description The busts of two figures are drawn in black ink in front of a grey background. Below each figure is a text bubble that read: [below figure on left] "When did you get here?" [below figure on right] "Are you going to Basel?" At the bottom, center of the page is written "Turtlenecks."
    Year 2007
    Related pages Editions
  • A headless woman in a white dress slumps next to a bust of a man's head lying on the floor. A fuzzy television screen background appears the figure.
    A headless woman in a white dress slumps next to a bust of a man's head lying on the floor. A fuzzy television screen background appears the figure.
    The Fairy Tale: Politics, Desire and Everyday Life. Installation View. Artists Space, 1986. [A headless woman in a white dress slumps next to a bust of a man's head lying on the floor. A fuzzy television screen background appears the figure.]
    Caption The Fairy Tale: Politics, Desire and Everyday Life. Installation View. Artists Space, 1986.
    Image description A headless woman in a white dress slumps next to a bust of a man's head lying on the floor. A fuzzy television screen background appears the figure.
    Year
    Related pages The Fairy Tale: Politics, Desire, and Everyday Life
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A black and white photo of an eye cropped with a heavy black border.
    A black and white photo of an eye cropped with a heavy black border.
    Phillippe Demontaut, Annette Messager, Tom Wolf 1981. Annette Messager, Postcard, 1981. [A black and white photo of an eye cropped with a heavy black border.]
    Caption Phillippe Demontaut, Annette Messager, Tom Wolf 1981. Annette Messager, Postcard, 1981.
    Image description A black and white photo of an eye cropped with a heavy black border.
    Year 1981
    Related pages
  • A wooden bar with four chairs and a palm tree in a pot is displayed against a white wall.
    A wooden bar with four chairs and a palm tree in a pot is displayed against a white wall.
    Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013. [A wooden bar with four chairs and a palm tree in a pot is displayed against a white wall.]
    Caption Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013.
    Image description A wooden bar with four chairs and a palm tree in a pot is displayed against a white wall.
    Year 2013
    Related pages Pride Goes Before a Fall
  • A white cloth banner hangs vertically from the ceiling, with text which reads
    A white cloth banner hangs vertically from the ceiling, with text which reads
    The columns held us up. Installation view, Artists Space, 2009. Photo: Adam Reich. [A white cloth banner hangs vertically from the ceiling, with text which reads "KARA-KUM, area 350000, disposed in Middle Asia." Below the text are drawings resembling Turkish architecture. To the right of the banner, a slide projector sits on a short wooden bench, projecting a small image onto a white wall.]
    Caption The columns held us up. Installation view, Artists Space, 2009. Photo: Adam Reich.
    Image description A white cloth banner hangs vertically from the ceiling, with text which reads "KARA-KUM, area 350000, disposed in Middle Asia." Below the text are drawings resembling Turkish architecture. To the right of the banner, a slide projector sits on a short wooden bench, projecting a small image onto a white wall.
    Year 2009
    Related pages The columns held us up
  • Contact sheet of installation and opening photos from the exhibition.
    Contact sheet of installation and opening photos from the exhibition.
    Selections from the Unaffiliated Artists File. Installation view, Artists Space, 1982. [Contact sheet of installation and opening photos from the exhibition.]
    Caption Selections from the Unaffiliated Artists File. Installation view, Artists Space, 1982.
    Image description Contact sheet of installation and opening photos from the exhibition.
    Year
    Related pages Selections from the Unaffiliated Artists File
  • Installation view in a room with white walls and blue floors. In the middle of the wall there is votive candle stand filled with dark blue prayer candles. Above it there is a rectangular artwork with a black and white abstract image in the shape of a circle printed on metal. In the right edge of the image there is a white radiator.
    Installation view in a room with white walls and blue floors. In the middle of the wall there is votive candle stand filled with dark blue prayer candles. Above it there is a rectangular artwork with a black and white abstract image in the shape of a circle printed on metal. In the right edge of the image there is a white radiator.
    Photo: Ricardo Estanislao Zulueta. [Installation view in a room with white walls and blue floors. In the middle of the wall there is votive candle stand filled with dark blue prayer candles. Above it there is a rectangular artwork with a black and white abstract image in the shape of a circle printed on metal. In the right edge of the image there is a white radiator.]
    Caption Photo: Ricardo Estanislao Zulueta.
    Image description Installation view in a room with white walls and blue floors. In the middle of the wall there is votive candle stand filled with dark blue prayer candles. Above it there is a rectangular artwork with a black and white abstract image in the shape of a circle printed on metal. In the right edge of the image there is a white radiator.
    Year
    Related pages AIDS FORUM: In Memoriam
  • Flyer featuring three computer-generated shapes: a sphere, a curved plane, and a flat plane. Each of the shapes is black, covered in a white grid pattern, and features a warped image of a red triangle. The shapes sit on a blue and yellow gradient background. Red sans-serif text positioned at the top and bottom of the image reads, “artists space & / the segue series / present a / reading by / Dia Felix / and / Jeremy / Hoevenaar / saturday, may 16 / 5pm nyc time / zoom id: / 378 232 567 / be there or be non-euclidean.”
    Flyer featuring three computer-generated shapes: a sphere, a curved plane, and a flat plane. Each of the shapes is black, covered in a white grid pattern, and features a warped image of a red triangle. The shapes sit on a blue and yellow gradient background. Red sans-serif text positioned at the top and bottom of the image reads, “artists space & / the segue series / present a / reading by / Dia Felix / and / Jeremy / Hoevenaar / saturday, may 16 / 5pm nyc time / zoom id: / 378 232 567 / be there or be non-euclidean.”
    [Flyer featuring three computer-generated shapes: a sphere, a curved plane, and a flat plane. Each of the shapes is black, covered in a white grid pattern, and features a warped image of a red triangle. The shapes sit on a blue and yellow gradient background. Red sans-serif text positioned at the top and bottom of the image reads, “artists space & / the segue series / present a / reading by / Dia Felix / and / Jeremy / Hoevenaar / saturday, may 16 / 5pm nyc time / zoom id: / 378 232 567 / be there or be non-euclidean.”]
    Caption
    Image description Flyer featuring three computer-generated shapes: a sphere, a curved plane, and a flat plane. Each of the shapes is black, covered in a white grid pattern, and features a warped image of a red triangle. The shapes sit on a blue and yellow gradient background. Red sans-serif text positioned at the top and bottom of the image reads, “artists space & / the segue series / present a / reading by / Dia Felix / and / Jeremy / Hoevenaar / saturday, may 16 / 5pm nyc time / zoom id: / 378 232 567 / be there or be non-euclidean.”
    Year 2020
    Related pages Segue Reading Series: Dia Felix & Jeremy Hoevenaar
  • Close-up color photograph of a musician holding a guitar. The musician wears a white-button up with a black tie and black leather pants. Medium-length red-and-black streaked hair falls around their face as they look down at the guitar. The musician and the wall behind them is illuminated by a projected image that is mostly white, but features large black letters at the top of the projection. 
    Close-up color photograph of a musician holding a guitar. The musician wears a white-button up with a black tie and black leather pants. Medium-length red-and-black streaked hair falls around their face as they look down at the guitar. The musician and the wall behind them is illuminated by a projected image that is mostly white, but features large black letters at the top of the projection. 
    Abasement #68. Performance documentation, February 12, 2024, Artists Space. Photo: Joshua Wildman. [Close-up color photograph of a musician holding a guitar. The musician wears a white-button up with a black tie and black leather pants. Medium-length red-and-black streaked hair falls around their face as they look down at the guitar. The musician and the wall behind them is illuminated by a projected image that is mostly white, but features large black letters at the top of the projection. ]
    Caption Abasement #68. Performance documentation, February 12, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Close-up color photograph of a musician holding a guitar. The musician wears a white-button up with a black tie and black leather pants. Medium-length red-and-black streaked hair falls around their face as they look down at the guitar. The musician and the wall behind them is illuminated by a projected image that is mostly white, but features large black letters at the top of the projection. 
    Year
    Related pages Abasement #68
  • Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 6 / Wendy Lotterman / Joe Milutis.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 6 / Wendy Lotterman / Joe Milutis.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 6 / Wendy Lotterman / Joe Milutis.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 6 / Wendy Lotterman / Joe Milutis.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Wendy Lotterman & Joe Milutis
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