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Adjua Gargi Nzinga Greaves, For Aricka, Ayana, Ayodele, Bernice, Chantelle, Charmaine, Cynthia Ch., Cynthia Co., Daphne, Davina, Dawn, Dina, Emily, Erica, Evadne, Frances, Gail, Gwen, Hara, Heather, Imanei, Imani, Janet, Jenny, Kadija, Kahdeidra, kale, Kelly, Kenya (R), LesLes, Lois, Lynnette, Madeleine, Mahogany, Marsha, Maiya, Najela, Nontsi, Ola, Pilar, Queen, RaFia, Ro-Ro, Sandra, Sasha, Serenity, Shana, Simone L, Simone W, Tabitha, Taiyi, Trinity, Uchenna, Vivian, Wangechi, X, Yvette, Zuri, detail, 2021. Living plants: Hannibal (Epipremnum aureum) with rose quartz, Gertrude Deuxieme (Tillandsia xerographica), Leonie (Philodendron totem), Eversley Deuxieme (Tillandsia xerographica), Melford (Epipremnum aureum) with amethyst; dessicated floral matter (eucalyptus, grass, willow, palm), knight on horseback figurine, brass candlesticks, polystyrene, porcelain and 18 karat gold plates, crystals (various), bamboo earrings, jade, cremains, leather, cork, glass, dragon figurine, sandalwood incense and ceramic holder, palo santo (Bursera graveolens), and window, overall dimensions variable. Courtesy Artists SPace, New York. Photo: Filip Wolak [Potted plants and small figurines line the windowsill. Beneath the window are four framed works on paper.] -
Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979. [Two photographs are mounted on a white gallery wall.] -
Jordan Kantor, Untitled (Pasolini), 2004. Oil on canvas, 52 x 96 inches. Courtesy the artist. [A black and white oil painting depicting a person lying facedown on asphalt.] -
Group Material: Primer (for Raymond Williams). Artists Space, 1982. [A large taxidermied eagle hangs upside down from the ceiling holding line tape that repeats "A GOVERNMENT FOR THE RICH BY THE RICH". Posters and drawings on the wall are visible around the eagle.] -
Robert Gero, Untitled, 1989. Lead, straw, wax. [An inverted triangle of straw held together with wax supports an X made of lead.] -
Carol Haerer. Installation view, Artists Space, 1990. Media and dimensions unknown. [A black and white photograph of a tall, narrow rectangle-shaped painting of abstract swirls hanging on a white wall.] -
Susan Eder, c. 1976. From Susan Eder, Matt Mullican, Artists Space, 1976. [A black and white photograph of a figure with long hair. They raise their left hand up to brush away their hair from their face.] -
Nicole-Antonia Spagnola, Untitled, 2022. Raw Power, Raw Power; Kollettivo, Lotta per il potere; Antigenesi, Una donna non e’ merda; Negazione, Tutti Pazzi; RAF Punk, Contro la pace Contro la guerra; Peggio Punx, Scemo. 8mm to MP4 transfer (color, sound), monitors, chairs. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of a wooden cafe chair with a green cushion in a gallery space. The chair is placed in front of a small seam in the wall. A television screen rests on top of the chair.] -
ART CLUB2000 Seven Black and White Photographs (Untitled), detail, 1993 Silver gelatin prints 11 x 14 inches each Image courtesy Artists Space, New York Photo: Filip Wolak [A display of Gap shoe boxes that meet an intersecting wall. Behind them, on the gallery wall is a series of images showing found documents. Above the images is a yellow band that wraps to the adjacent wall with text that reads "A youngboy might start crying, a middle aged housewife".] -
Sarah Morris, still from Strange Magic, 2014. REDCODE HD digital video, 45 min 8 sec. Courtesy the artist. [Close-up of a bottle of golden Dior perfume decorated with a black bow resting on a white surface.] -
Traditions: Five Painters. Installation View, Artists Space, 1978. [5 paintings hang in a corner with 3 on the wall to the left and 2 on the wall to the right.] -
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Bert Carpenter. The Great Bouquet, 1979. [A paintings of a few bloomed white and dark flowers appear inside a vase with a white background.] -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure dressed in white, laying on the floor of a dark room. The figure has one leg raised in the air, shining a light from their pelvic area onto the floor and wall across from them. A small TV monitor sits in the corner.] -
H_edge. Installation view, Artists Space, 2006. Photo: Whitney Cox. [A large gallery space full of hundreds of metal cutouts shaped like curved "x"'s hanging from lengths of metal chainlinks. The cutouts are arranged in the gallery so that they form a hedge-like landscape of varying heights. Visible through the cutouts is a black and gray composition installed on a gallery wall.] -
Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [Two square paintings adjacent to eachother.] -
See Around. Installation view, Artists Space, 2008. Photo: Adam Reich. [A dimmed room with three projections casting purple, gray, and aqua light against the walls. In the corner of the image is a small, circular seat.] -
Adjua Gargi Nzinga Greaves: The x in florxal is silent when spoken. Installation view, Artists Space, 2021. Photo: Filip Wolak. Courtesy Artists Space, New York. [Two prints, of books with annotations written on the side, are hung on a white gallery wall.] -
Metahaven, WikiLeaks, 2011, Scarf. Photo: Meinke Klein. [A portrait of a woman whose face is covered by a colorful cloth that extends over her entire top body. Only the top of her ear and hair are visible.] -
Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artist Space, 2013. Photo: Daniel Pérez. [An exhibition wall filled with colorful posters, prints and magazine covers, a tv monitor sits on the floor.] -
A New World Order II: Remapping Tales of Desire. Installation view, Artists Space, 1992. [A fractured image of a person hung on a white wall next to a tall stack of suitcases painted gold.] -
Crystal Z Campbell: Ode to the Underloved. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color image of a video installation in the center of the floor of a gallery space. A walkway made of plywood runs along the edges of the room, around the projection. The projection depicts a negative film image that has been mirrored along the center. Hands reach out and manipulate objects that are placed on a blue background.] -
Nick Mauss, This afternoon, 2012, 5-color, hand-stenciled gouache on paper, each unique 24 x 18 inches, Signed and numbered. [A gestural line drawing of two figures embracing set against a geomatric pattern of blue, teal, brown, red, and pink rectangular forms.] -
[Two cars sitting on a city street in front of a dumpster covered with a tarp.] -
Photo Wall at P.S. 140, Nathan Straus, 2017. [A tile wall with a grid of assorted photographs against a white background. A title to the left of the grid states "Artists Space P.S. 140 Photography Club".] -
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Kelly Poe, Untitled (Chaemaea fasciata, Wrentit caught in mist net. Monitoring Avian Productivity Survivorship, Canada Gobernadora, Rancho Mission Viejo, California), 2003. Courtesy the artist and Anna Helwing Gallery, Los Angeles. [A small grey bird with its head and feet caught in a net.] -
Photo: Mirelle Borra. [Close up of three rows of pre-packaged salads in plastic containers on the shelves of a grocery store refrigerator.] -
[Six books in different colors fanned out. Each book's cover has a solid color with black text that spells out a person's name.] -
Charles Harbutt. East Liverpool, Ohio, 1984. [An image of a town setting with advertising on a building that reads, "Crook's Easy Terms of Credit" in white letters on black background on the left and "Crook" in large white letters with white background on the right. Telephone poles and lines can be seen in the image as well. Store names "Pietche's Print & Paper Place" and "Tile Town" can be identified on the two building adjacent to one another.] -
Frank Dimario, Octavius Neveaux. [A yellow print of a person with glasses leaning over and looking forward. Next to him is another person, his hands holding his chest, looking down.] -
Flyer by Gee Vaucher. [Event flyer with black and brown text on a beige background of distressed paper. The text contains the event details.] -
Frozen Lakes. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A white speaker displayed on a three-legged stand in an exhibition space. To the right of the stand, a television monitor rests on the ground. An image of gravel and dirt is pictured on its screen.] -
Carol Sun, Journey to Gold Mountain. [A slide of a painting of a pyramid of stairs with a ladder extending upwards, connected to several gold mountains by a railroad track.] -
Eiko Ishibashi, Two New York Nights. Performance documentation, June 8, 2022, Artists Space [A figure lit with red light is sitting at a table holding a microphone to their mouth. On the table are a desk lamp and a laptop computer.] -
The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich. [A bedroom scene set up in the middle of an open room, seen between two white poles. There is a beige rug, with a chrome lamp and matching bed frame. The bed has blue sheets with a dark blue comforter cover and a red blanket. There is a wooden chair facing in, and a brown table with assorted bottles on top. On the far side of the bed is a coffee machine, microwave, and television. In the background, various framed images are hung on white gallery walls.] -
Freya Hansell. Installation view, Artists Space, 1980. [A black and white photograph of various objects hanging in a white-walled gallery space.] -
Martin Beck, An Organized System of Instructions (Carpenter Center for the Visual Arts and Sternberg Press, 2017). [A hardcover book depicting a blueish outdoor park obscured by several grey sheets.] -
New Art Auction and Exhibition. Installation view, Artists Space, 1977. [A black and white installation view of a gallery space with windows and a doorframe. Several artworks hang from the walls.] -
Scavenger Hunt, Serena Booth, City-As-School high school student, 2021, digital photograph. -
Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court [Two figures wearing medical scrubs gaze into the distance.] -
Individual self-portraits, Untitled, 2021, collage and sequins on paper -
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Social Surfaces. Installation view, 55 Walker Street, 2017. Photo: Ron Amstutz. [A wooden bench with a white, dome-like structure attached to its corner. Two framed drawings hang on the wall in the background.] -
Gillian Wearing, All I Ever Wanted Was Love, 1992/93, 23.5 x 16.5 inches [Photograph of a youthful figure with short brown hair wearing blue jeans and a dark shirt with a green jacket tossed over their left shoulder. A black bandana covers their mouth, obscuring the lower half of their face. They hold a sign in front of their chest with both hands. The phrase, "ALL I EVER WANTED WAS LOVE" is scrawled across the sign in handwritten text. A hand-drawn image of a sun and palm tree decorate the right side of the poster. The figure stares directly at the viewer and poses against a dark wall. Small white text placed at the image's lower left corner reads, "2020Solidarity - Gillian Wearing."] -
Charlotte Posenenske. Configured by the staff of Artists Space. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A geometric, silver metal sculpture sits on a wooden gallery floor. The sculpture is modular and hollow and consists of rectangular and triangular metal components arranged in a long form that snakes across the ground before arching up and down, forming a large U-shaped archway.] -
Book cover for Disordered Attention: How We Look at Art and Performance Today by Claire Bishop. [White text overlay on two photographs of people in bathing suits and summer clothing lounging on a beach.] -
View of Vigilance: An Exhibition of Artists Books Exploring Strategies for Social Concern , Curated by Lucy R. Lippard and Mike Glier Franklin Furnace, 1979 Courtesy Mike Glier [A woman sits, left of center, at a table filled with books. On the wall behind her, a banner with red text that reads, "...Pessimism of the intellect, Optimism of the will... Gramsic," is displayed.] -
Flyer by Joe Frivaldi. [Magazine cutouts and printed images overlay a colorful background with red, white, blue and yellow pieces collaged together. A cutout of an eye is placed in the center, and to the right of it is text that reads "ABASEMENT 66." Along the bottom right is a cutout of yellow paper has handwritten text in red ink, listing the performers and date of the performance.] -
H_edge. Installation view, Artists Space, 2006. Photo: Whitney Cox. [A large gallery space full of hundreds of metal cutouts shaped like curved "x"'s hanging from lengths of metal chainlinks. The cutouts are arranged in the gallery so that they form a hedge-like landscape of varying heights.] -
Installation View from Moderns in Mind, Artists Space, April 12, 1986 - May 10, 1986. [A long rectangular sculptue lies on the floor in front of paintings hanging on adjacent walls in a gallery setting.] -
DUOX: DUOX4Larkin. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [A brown object housed in a mirrored glass case. An inscription on the case's surface reads, "BRAINWASH 408-983-2800." The case itself is enclosed in a larger glass vitrine supported by a white and orange table.] -
Milford Graves: Fundamental Frequency. Installation view, Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak. [A color installation photograph of a gallery space. A collage hangs from the wall on the right, and two mixed-media sculptures are visible in the background along with a wall hanging.] -
Combined Faulty Acts. Installation view, Artists Space, 2008. Photo: Bill Ocrutt. [Five rows of bleachers built from wood, with dozens and dozens of assorted sculptures of gray, painted pigs. The pigs are reflected in a mirror opposite them, which is framed by columns. On a wall on the left side is an image of hanging scales. The right wall is painted yellow.] -
The Friends of Artists Space Dinner, May 8, 2010. Michael Clark & Company's performance. [A man with a shaved head stands in front of a crowd seated at a long table in a large gallery space. He stares in front of him with one hand resting at his hip and wears a white collared shirt and a black, knee-length skirt.] -
Freya Hansell. Installation view, Artists Space, 1980. [A black and white photograph of various objects hanging in a white-walled gallery space.] -
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Living with Pop. A Reproduction of Capitalist Realism. Installation view of the section “Düsseldorf and the Rhineland (1957–1964)," Artists Space, 2014. [An angled view of two adjacent gray walls displaying various paper material, documents, and photographs.] -
Union Gaucha Productions. Still from Phantom Limb, 1998. 16mm film (silent, black and white), 21 min 45 sec. Courtesy of Union Gaucha Productions. [A black and white still of a hallway with a patterned balcony, which descends into stairs. Three geometric paintings are hung along the walls.] -
Michael Brewster, An Acoustic Sculpture, 1977. Negatives of Installation views from An Acoustic Sculpture, A Clicker Drawing. Artists Space, 1977. [A strip of black and white film negatives of a cavernous gallery space.] -
[Black text on a light yellow background. The text reads: “May 17 / Nazareth Hassan / Karla Kelsey.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
Yasunao Tone and Suzanne Fletcher performing Voice and Phenomenon, Experimental Intermedia Foundation, New York, 1976. [Black-and-white photograph of a TV against a brick wall, connected to a camera recording directly above a spotlighted chair and desk. A figure sits across the empty chair at the desk, while another figure kneels down to the left side of the desk working on something.] -
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Jon Rubin. *Alice Underwater. Installation view from Dark Rooms, Artists Space, 1985. [A figure sits in front of a two screens next to each other with impressionistic forest imagery. The light from the projection spills out onto the walls and ceiling while the figure and the floor is shrouded in darkness.] -
Salad Days 3. Installation view, Artists Space, 2008. Photo: Jeremy Ross. [A large structure resembling a well is displayed in a gallery space with wooden floors. The sides of the well are constructed from spray-painted cinder blocks. Supported above the well's opening and a hanging, red bucket is a structure resembling the top portion of a house roof. Behind the well, three large paintings composed of colorful, gestural marks are installed on the gallery wall.] -
Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Shala Miller, Genesis, 2023), Artists Space, 2023. Photo: Filip Wolak. [Two hanging projector screens are placed in the middle of a darkened gallery room. They both show the same black-and-white video still of a figures face, illuminated on one side by a bright flash of light.] -
Richard Weise and Harald Vizenor. Still from Harold of Orange, 1983. 16mm film (sound, color). 33 min 21 sec. [A black and white portrait photograph of seven individuals looking at the camera with text partially visible behind them.] -
Log Cabin. Installation view, Artists Space, 2005. [Multiple small, rectangular collages hung in two rows on a gallery wall. The collages are displayed in black frames and feature images of people as well as text fragments. Most are black and white or contain minimal color.] -
A seated musician wearing a white t-shirt with the name Xenakis printed above an image manipulates electronics on top of a small table. The wall behind features swirling white, purple, and orange light. -
Tom of Finland Untitled , ca. 1975 Collage on paper Tom of Finland Foundation, Permanent Collection [Several portraits of men in various shapes, sizes, and colors, layered on top of eachother.] -
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[A black and white scan of an invoice from Corcraft Products issued to Artists Space at 38 Greene Street. The customer number reads "9102000". The invoice details a net purchase of $1470.00] -
Andrea Fraser, Reporting from São Paulo, I'm from the United States, 1998. Courtesy the artist and Galerie Nagel Draxler. [A woman interviews Francisco Weffort, the Brazilian Minister of culture, holding out a TV microphone.] -
Ed Bereal, Miss America: Manufacturing Consent: Upside Down and Backwards, 2000-2014, mixed media and found objects, dimensions variable. Photo: Filip Wolak [An image of a large assemblage sculpture with various posed and costumed mannequins.] -
Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Two screens installed on either side of the top portion a white column in a gallery space. The front screen displays a logo consisting of a large letter "b" and small letter "c" conjoined together. The room is otherwise empty.] -
Gerry Morehead. Installation view from Gerry Morehead, Jim Pavlicovic, Artists Space, 1976. [A black and white image of a black circle with a fish painted on it.] -
Andrea Zittel, Perfected Pillow, 1995, Pair of fringed velvet pillows, 80 x 40 inches (203 x 102 cm); 18 x 36 in (46 x 91 cm), Edition of 39. [The image shows a rectangular bed-like cushion with a black pillow that lays diagonally across the image patterned with two green and two black triangles of fabric.] -
Frozen Lakes. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [Two video monitors installed on a freestanding wall in an exhibition space. A woman stands in front of the leftmost monitor, which displays a bright, red image. A larger monitor to the right displays a cool-toned scene of an ocean. White text superimposed over the image reads, "Death Mask III."] -
[White text on a grey ombré background. The text reads: “March 29 / Mei-Mei Berssenbrugge / James Sherry.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
Super 8 Films Exposition. Installation view, Artists Space, New York, 1977. [A black and white photograph of a room with several rows of chairs. Along the back wall, two projectors stand on pedastals and a figure on the right adjusts a film reel.] -
Garreth Adorna, Afterschool Icies, 2018. [A boy and two adults standing around an italian ice street cart in front of an SUV.] -
Hito Steyerl, Liquidity, Inc., 2014. HD video with sound, 30 mins. Courtesy the artist and Andrew Kreps, New York. [A side view of a large video monitor screen, sitting on the ground, with a large ramp extending from the base including large pillows for seating. The room is tinted blue. On the screen, there is a man in a mask, infront of a map of Europe and Eastern Asia. A text bubble is infront of him that reads, "because huge quantities of data are raining down from their cloud storage over Scandinavia."] -
Rummana Hussain, Living on the Margins, 1995. Video, color, sound; 28 minutes. Courtesy Rummana Hussain Family Collection. [Rummana Hussain stands in an open courtyard cradling half a papaya in her hands, her mouth wide open in a silent scream. Behind her, indigo powder is scattered across the pavement.] -
The Library Vaccine. Installation view, Artists Space, 2014. [An angled view of table's length, on which are various organized documents, books, and papers displaying images and text. In the background are bookshelves and tables.] -
David Kroll. The Intrusion of Fear, the Fear of Knowing, 1985. [A fanciful drawn landscape of hunters following deer next to a figure in front of their desk next to a window and fireplace.] -
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The Fairy Tale: Politics, Desire and Everyday Life. Installation View. Artists Space, 1986. [A glass vitrine appears in the center with headphones and seats placed around it in a circle. Behind it is another glass vitrine sculpture as well as paintings and sculptural objects on the gallery walls.] -
Aristotelis Nikolas Mochloulis, Frog Man & Baby Frog, 2025. Michigan J. Frog plushies, miniature directors chairs, ARRI 150 Junior light, Manfrotto Nano light stand, speakers, audio excerpts from movies. Photo: Carter Seddon. [Two pieces of wood are joined to create a miniature stage set. In the center, sitting in a miniature director's chair are two cartoon frog plushies wearing black top hats. The larger frog plushy cradles the smaller frog in it's arms. Two more director's chairs are positioned facing the plushies, along with a miniature stage light and stand that shines a spotlight on the plushies.] -
Jose Miguel Salcido, Sin Titulo (Nhsr), 2009. [A man spray paints a large piece of abstract blue graffiti against a white city wall below a graphic emblem of an eagle. The street is dark, but he is illuminated by the flash of the camera.] -
Witnesses: Against Our Vanishing. Installation View, Artists Space, 1989. Photo: Frances Miller Smith. [Various paintings, drawings, and sculptures of torsos hang along a wall. In the corner, a bust with an upturned face sits on a pedestal.] -
Jim Hodges, Untitled, 1999, Etching and aquatint with chine-collé, 22 x 30 inches (55.9 x 76.2 cm), Edition of 30, Signed & numbered. [A white image with a faint grey line that bisects the page lengthwise. In small text, the word "with" Iies at the center of the image.] -
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Gerhard Richter Volker Bradke , December 13, 1966 From the exhibition Hommage an Schmela (Homage to Schmela), December 9 – 15, 1966. Galerie Schmela, Düsseldorf Courtesy Archiv Reiner Ruthenbeck, Ratingen © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Photo: Reiner Ruthenbeck [A black and white image of four people, one sitting, three standing in a patterned room displaying a large photograph on the left wall. On the right wall, two men stand underneath large block text, that reads, "Volker Bradk."] -
Tisziji Muñoz [A black and white image of a figure with long, wispy hair and a mustache playing guitar.] -
When Time Becomes Form: The Money Mountain. Installation view, Artists Space, 2008. [Roughly two dozen stuffed laundry bags, piled up against a wall. The bags are white and are each imprinted with a large black dollar sign.] -
Kent Monkman. Still from Dance to Miss Chief, 2010. [Two skewed images of Native American men holding drums on either side of a person in a sheer red dress and mask, posing for the camera.] -
Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. [A color photograph of a figure with raised arms in an orange-lit space.] -
Viv Latta, from NYC streets portfolio, 2020, digital photograph [A figure centered in the image stares at the viewer wearing a backwards cap. The background appears as a monochrome gray.] -
Abasement #72. Performance documentation, October 7th, 2024, Artists Space. Photo: Joshua Wildman. [Two musicians on stage use various instruments. The musician in the foreground plays a mandolin. The musician behind them is using electronic instruments on a table. There are yellow and pink patterned projections, a red light bulb, and reflections from a disco ball around the room. ] -
Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York. [Two figures wearing medical scrubs hold a mannequin over a table.] -
SCRAAATCH, Untitled July 4th Performance, 2022. Photo: Mo Costello. [A microphone and lights are set up in a field, with trees along the horizon line.] -
Jutta Koether, The Seasons ("Summer," Seasons set #3, Reena Spaulings, Frieze New York), 2012. [A sculpture consisting of a large rectangular pane of glass, its bottom edge wedged into the center of a square block, is installed in a white-walled gallery space. A small canvas is attached to the center of the glass pane with its wooden backing facing the viewer. String and an orange, mesh-like object hang and drip from the canvas's lower edge. Three figures are visible behind the sculpture, talking in a small cluster.] -
Zilia Sánchez. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [Two white panels of canvas positioned together to form a square shape. Both canvases display an organic pink form. Parts of the canvas within the pink shapes stretch outwards to form protruding circular and ovular, knob-like shapes.] -
[Black text overlays a color-scheme grid background. The text reads: “Dec 2 / Anselm Berrigan / Kit Robinson." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)] -
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Students visiting Sleepwalk at Parasol Projects, LES, 2022 -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Three figures perform in front of an audience. Two figures in blue morph suits face off with a wooden table between them, while a third figure takes video footage of the scene.] -
We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [A number of sculptures appear on pedestals with paintings on walls behind them with columns bisecting the image in a gallery setting.] -
Hilary Lloyd. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [Two portrait-oriented screens are each mounted on two floor to ceiling metal poles. The screens face outward at a 90-degree angle to each other and show abstract images.] -
LaTasha N. Nevada Diggs, Twerk (New York: Belladonna Books, 2015). [A book cover design featuring large pink text that reads, "TWERK" against an abstract turquoise background. Parts of the letter "K" and "T" extend off the page and have been overlaid with a lacy ribbon pattern.] -
*Jordan Lord: Prophetic Memory," Installation view, Artists Space (55 Walker Street), 2021. -
Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater. Installation view, Artists Space, 2019. Photo: Daniel Pérez. [An installation view of several works in a gallery space. Twelve long wooden poles are mounted on a white gallery wall in a circular formation, projecting out from the wall and intersecting a line of black columns, forming a teepee shape. A large piece of brown linen stained with various black, white, and rust-colors hangs from the poles. Part of the linen drapes on the ground below the teepee structure. A wooden wardrobe stands against a wall in front of the structure. Several bottles filled with urine stand in a line behind the structure, in front of an abstract sculpture in the corner of the room. The sculpture contains a humanoid head, a TV monitor, and haphazard pieces of wooden and cardboard.] -
[Collaged atop a blue, beige, and orange field is a series of abstract graphic and typewritten elements, including a womans face placed sideways with green tape over it. In the middle, on a piece of blue paper, is the list of performers and text reading "aBASEmEnt 62 at ArTists SpACe" along with the location and time of the event.] -
ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A view of a life like cutout of an individual dressed in an animal costume placed against a gallery column. Behind the cutout is a series of seven images displayed on a white gallery wall] -
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Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A purple square on a white wall with various photographic media displayed.] -
Abasement #77. Performance documentation, April 7th, 2025, Artists Space. Photo: Joshua Wildman. [Color image of two performers on standing on stage. The performer in the foreground is lit with pink light. They are holding their arm out touching a cymbal with a red drum stock in hand. They are looking down with their eyes closed. The performer in the background is out of focus, they are bathed in blue light. Drums surround the stage. A seated audience is out of focus in the background. The back wall features two projections, one is an abstract arrangement of shades of blue. The other has sharp geometric shapes in red, green, and yellow.] -
Four Scottish Artists. Opening Reception, Artists Space, 1979. [A photograph of the exhibition opening reception. A group of visitors look around at the art.] -
Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [Two monitors are hung on a white wall. On the left, an image of a man crouching in a room with a chair sitting on the ground behind him. On the right, a purple, pink, and red graph is displayed next to a column of indicating numbers.] -
Young Fluxus. Installation view, Artists Space, 1982. [View down a hallway with framed images on the wall.] -
Yasunao Tone: Region of Paramedia. Installation view (ephemera c. 1970s), Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a vitrine from above. Various ephemera, including magazines, posters, press releases and photocopied images are placed inside.] -
Richard Hollis. Installation view, Artists Space, 2013. [A view between two book stands, perpendicular to the wall, displaying books, documents, and papers. On the wall, posters are staggered including various text and images.] -
Ellen Fullman. Performance documentation, April 26th, 2024, Artists Space. [Color photograph of a hand, fingers outstretched and manipulating a group of suspended wires that run across the frame.] -
New Galleries of the Lower East Side. Installation view, Artist Space, 1984. Photo: Kenji Fujita. [A black and white photograph of an exhibition space with multiple art works.] -
Abasement #72. Performance documentation, October 7th, 2024, Artists Space. Photo: Joshua Wildman. [Eleven musicians using electronic instruments sit at tables behind a stage. The room is dimly lit with blue lights on the wall. A performer stands on stage facing the musicians with a finger up in the air. In the foreground there are audience members.] -
ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [Four dynamic images of a group of individuals pinned by large push pins on a blue gallery wall.] -
[Pablo Picasso looking at an image of Joseph Stalin.] -
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Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [A figure leans over to arranges audio equipment on a desk using a flashlight held in their mouth. Red light fills the background.] -
Production still from Black Picture Show, 1978, picturing Sam Waymon. Photo: Marshall Johnson. Image courtesy of the artist. [A black-and-white photograph of a figure sitting in front of a microphone. The left side of their face and body is in shadow.] -
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Abasement #68. Performance documentation, February 12, 2024, Artists Space. Photo: Joshua Wildman. [Color image of a seated musician playing a tenor saxophone on a stage. In the foreground of the image, there is the blurred back of the heads of seated audience members. In the center midground of the image, the musician is basked in green and yellow light being emitted from a projector. The projection covers the back wall behind the musician and the stage. ] -
Artists Draw. Installation view, Artists Space, 1979. [Six framed drawings are hung in a row on a white wall.] -
Flyer for Segue Reading Series featuring Jacob Kahn and Erica Hunt. January 28, 2023, Artists Space. [White and dark blue text overlay a light blue background with abstract lines and a drawing of a male bust in the bottom left corner. The text in the middle reads "Jacob Kahn / Segue Reading Series / Erica Hunt."] -
Elephant Cemetery. Installation view, Artists Space, 2007. [Two slide projectors sit on a table, projecting small images onto perpendicular walls. On one wall, there is a paper lamp and three framed photographs: two black and white images of folded paper, and one color image.] -
Joan Jonas. Organic Honey's Visual Telepathy, 1972 [A blurry black-and-white photo of someone wearing a large white headdress holding several unidentifiable objects.] -
Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Malcolm Peacock, How to address the full capacity of our will, 2023), Artists Space, 2023. Photo: Filip Wolak. [Various photographs of athletes and other personal images are arranged on a light wooden wall to the left. A wooden shelf sits against the right wall, shown in profile. A frisbee and two loofahs hang off the side of the shelf, with other stickers and printed images arranged on the walls.] -
Installation view from International Projects: Belgium, featuring Didier Vermeiren, Artists Space, 1984 [Black and white image of multiple sculptures displayed in the exhibition space.] -
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Johanna Went performing at The Whiskey, Los Angeles. Photo: Ed Colver [Black and white image of a performance. The artist is shown standing in front of a microphone, but their face is completely covered in a mask with criss-crossing white stripes. Their upper body is wrapped in a large sheet of thick paper with repeating images pasted onto its surface, and a square cone hat sits at an angle on their head.] -
Poster for Top Hat, 1935. [A bright yellow poster for Top Hat (1935) features a man in a black tuxedo with coattails and a woman in a long white dress with a full skirt, captured in exuberant dance atop a black top hat. Orange rays radiate from around the woman, while around them are smaller illustrated vignettes of the dancing couple in various poses amidst music notes. Text at the top of the poster reads "They're dancing cheek-to-cheek again!" and bold type listing the featured actors' names, Fred Astaire and Ginger Rogers. The movie title is superimposed on the top hat in red type. Further film credits include Irving Berlin (music and lyrics), and supporting cast (Edward Everett Horton, Helen Broderick, Erick Rhodes, and Eric Blore), with direction by Mark Sandrich.] -
Flyer for Segue Reading Series featuring Sarah Mangolf & Toni Simon. May 7, 2022. [Black text overlays a white background with an orange bunch of flowers in the upper right corner. The top left corner reads: “Sarah Mangold / & Toni Simon / May 7, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”] -
Emily Richardson, Redshift, 2001. DVD Projection, 4 min. [An outdoor landscape at night. Raindrops fall from the sky, and several dots of bright light are visible on the horizon over a great expanse of water, reflecting yellow light onto the water's surface.] -
Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure in a red sweater stands on stage, with three microphones placed around them. They are blowing into a white conch shell.] -
Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [Two people wearing headphones sit in three wooden chairs arranged in front of a TV monitor, where a person wearing a black and yellow polo speaks to the camera.] -
[A black and white drawing of a chair inside of a circle. Above the illustration, text announces an audio-visual installation by Bradley Wester, with details noting the collaborators, time, and place. Under the illustration, text reads, "Still Sitting / He reads to me. My blood rises to leave, to escape the underneath. I am dead. I am new. I was safe in his arms asleep to the sound of the chair creaking with the turn of each page, a story. I am still sitting. Where will I go?"] -
Excerpt from Hito Stereyl, Guards, 2012, HD video on freestanding screen with sound, 20 mins. Courtesy of the artist and Andrew Kreps, New York. [A moving image of a person, dressed in black, side stepping slowly in the gallery as the camera pans over to them.] -
Installation view at Kaiserstraße 31A, Düsseldorf May 11, 1963 Courtesy Archiv Kuttner, Erkrath Photo: Manfred Kuttner [A black and white image of the back of a chair in front of a man in front of a train car, in which a man exits the door.] -
[A woman dressed in a suit sits among clouds in a blue sky, smiling, with six arms. Each hand is holding two phones, an alarm clock, globe, laptop, and folder.] -
ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A view of two black leather stools in front of an LED sign crawl of a text.] -
We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [Dolls with photos adjacaent to them hangon the wall on protruding nails and black text is also visible around them. An object can be seen on the floor and a text-based painting is on a wall adjacent to the dolls in this white-walled gallery setting.] -
Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [Four collages, framed in a grid on a wall. Each collage features the same backdrop of a man stopped in the middle of the road opening the hood a car, the drivers seat door opened. Each collage features a different colored filter, arranged with images of various Indigenous people on reservations, European historical paintings, animals, gags, signs, objects, and detritus.] -
Cover of BIOTA: A discourse between Art and Architecture from the 1970s to the present, co-published by Gregory R. Miller & Co. and Hunter College Art Galleries, 2025. [Book cover featuring a grainy close-up image of a flower. Black text across the center of the cover reads "biota."] -
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Crystal Z Campbell: Ode to the Underloved. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color image of a video installation in the center of the floor of a gallery space. A walkway made of plywood runs along the edges of the room, around the projection. The projection depicts a negative film image that has been mirrored along the center. Objects are arranged on a blue background to create vaguely recognizable images.] -
Lyndon Barrois Jr., Double Appear (After Vuillard), 2013. Oil on board, artist frame, solvent transfer, plywood. 23.5 x 18.5 inches. Photo: Filip Wolak. [A gold framed painting of a seated figure with a grey beard in a tawny toned space.] -
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Friends of Artists Space Dinner, 2023. Photo: Destiny Mata. [Color image of four individuals holding hands and dancing in a circle energetically. The background depicts a dimly lit venue with a glowing discoball and a variety of guests.] -
Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a background of yellow, pink, and orange paper. A piece of green paper at the bottom reads "A/BA/SEME/N/T." Other pieces of typewritten text list the performers and event details.] -
Ralston Farina: Time // Time. Installation view, Artists Space, 2025. Photo: Carter Seddon. [Three black-and-white photographs of a young Ralston Farina, mounted on a black wall, hang above a display case.] -
El Bosque Luminoso Bajo El Mar, M.S. 324 exhibition, Threads of History, May 2023 -
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Gary Falk, Brigid Kennedy, Ladd Kessler, Peggy Yunque. Installation view, Artists Space, 1981. [A dim photograph of dark curtains and sculptures in a gallery space.] -
Yasunao Tone performing Molecular Music (1982–85) during a studio rehearsal, New York, c. 1990. [A black-and-white image shows a person seated behind a white desk, adjusting an audio device with their hands. The device is surrounded by replacement speakers with organically shaped wires. In the background, a projected video shows a landscape and a shadowy figure.] -
Abasement #68. Performance documentation, February 12, 2024, Artists Space. Photo: Joshua Wildman. [Close-up color photograph of a vocalist and a musician playing a bass at the edge of the stage. The vocalist has long curly black hair and wears an army-green cargo jacket. They are kneeling down as they hold the microphone up to the mouth. To the right of the vocalist, the bassist looks out to the crowd as picks the strings. The drums and the drummer are visible behind them. The wall behind the stage is illuminated by a bright white light emitted from a projector. ] -
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Rip It Up and Start Again. Installation view, Artists Space, 2010. Photo: Daniel Pérez. -
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[A yellow stamp reading, "W.A.G.E." overlaid with pink text reading, "Working Artists and the Greater Economy."] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Audience members are seated along a back wall, with a figure in a blue morph suit seated on a rectangular wooden frame alongside them. Blue light is projected onto a screen in the background.] -
Mona Hatoum, Birds of a Feather, 1997, Chromogenic print, 10 x 12 inches (25.4 x 30.5 cm), Edition of 50, Signed & numbered. [The image shows a wood-framed photograph hanging on a wall. The photo, taken from inside a room, shows a seagull on a window ledge beside a small bird figurine. Out the window is a blue sky and buildings.] -
Juan Downey, Hepewe, 1976 - 77. Photograph by Juan Downey. Courtesy the Juan Downey Estate, Marilys B. Downey. [A shirtless man holding a film camera outdoors.] -
UniBodies. Installation view, Artists Space, 2006. Photo: Bill Ocrutt. [Detail view of four sculptures hung on the wall. The sculptures are ordered in neutral tones ranging from light to dark. Their shapes are approximately rectangular, each divided into quadrant segments.] -
[A 30-cm ruler.] -
Richard Klauber. Installation view, Ruth Hardinger, Richard Klauber, Artists Space, 1975. [A color installation photograph of a black and white abstract painting on a white wall.] -
Lee Walton, Hillary Wiedemann: Living Record, 2007. Performance. Courtesy the artist. Photo: Bill Orcutt. [A wooden reception desk with piles of various materials on it. A person sits at the desk smiling, and behind them, mounted on the wall, are two glowing neon quotation marks.] -
Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure stands behind a microphone, their hands placed together in front of them and looking off.]
