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keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure, wearing reflective one-way mirror film around their body, hanging off the ledge of an open doorway entrance.] -
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Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979. [Two photographs are mounted on a white gallery wall.] -
We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [Glowing bottles in a box are sitting in a darkened gallery space.] -
Andrea Callard, still from Standard Adult Wheelchair; Temporary participation for an analogous situation. Black and white video, 6 min, c. 1977. [A black and white video still of a group of people in a street. One is sitting on a bicycle, another to the right leans against a trash can and looks down at their shoes.] -
Clarke, Kevin. From Americans on a Red Velvet Couch (Project). 1979. [A four-paneled view of a figure on a couch, or in one case without a figure, in an empty inground dwelling place.] -
H_edge. Installation view, Artists Space, 2006. Photo: Whitney Cox. [A large gallery space full of hundreds of metal cutouts shaped like curved "x"'s hanging from lengths of metal chainlinks. The cutouts are arranged in the gallery so that they form a hedge-like landscape of varying heights. Visible through the cutouts is a black and gray composition installed on a gallery wall.] -
Amiri Baraka, Cellar Vigil (Experimental Death Unit #2), 1966. Permission by Chris Calhoun Agency, © Estate of Amiri Baraka [Black-and-white image of two figures, each wearing white shirts. The figure on the right sits with their knees against their chest and looks attentively at the figure to their left, who engages with someone out of the right-side of the frame.] -
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New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court. [Several silhouetted figures backlit by a red glow stand among columns. The figure in the center holds a white-lit object in the air.] -
Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [A figure dressed in leather performs on stage with a purple projection on them.] -
Shayla Aviles, Untitled, 2018 [A mostly black-and-white image depicting the façades of two buildings - one is light grey with a turquoise fire escape, and the other is dark grey with a black fire escape. On the lighter building, the street-level storefront says "Mazeish"] -
YAP (Young Artist Perform), PS 140, 2017 [A photograph of a group of students standing onstage, holding printed paper, and many smiling] -
Richard Klauber. Installation view, Ruth Hardinger, Richard Klauber, Artists Space, 1975. [A color installation photograph of a black abstract painting on a white wall.] -
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Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013. [A side view of a sculpture of a man leaning against a white column. He holds a book in his right hand. He is wearing a purple shirt, blue patterned shorts, and white sneakers.] -
[A basement gallery is filled with red light and disco lights. On the far wall is projected a book cover featuring a painting of a naked body with body parts squished together. Fake chairs drawn in black outline are placed around the space.] -
SCRAAATCH, Tower of Babel, 2019, Les Urbaines. Photo: Mathilda Olmi [In front of a large colorful projection, a figure wearing headphones around their neck leans down over musical technology.] -
Amelia Bande. Stills from El estallido / The Outbreak, 2020. Recording of a live performance held over Zoom on August 7, 2020. Stage design and camera collaboration with Rachel Higgins. Courtesy the artist. [Amelia Bande stands in front of wall covered with posters and gestures towards her eyes as she says, “We wore masks and protective eyewear at the protests in Santiago.”] -
Matt Mullican, Wall labels, 1976. From Susan Eder, Matt Mullican, Artists Space, 1976. [A black and white photograph of black silhouetted forms on a white wall, including a heart, a peace sign, a cross, an eye, and a clock.] -
Ralph Paquin and Ann Stoddard, ERAWA - ERA WAS, 1990. Installation view, Artists Space, 1990. [A large, hollow paper mache head is seen from below in a black and white photograph. The head is held up by a metal armature and scaffold.] -
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Five Spanish Artists. Installation View, Artists Space, 1985. [A large painting appears in a white-gallery space with various drawings of city architecture around a large amorphous black section in the middle. White columns and other paintings are visible in the surrounding area.] -
Production still from Black Picture Show, 1978. Photo: Marshall Johnson. Image courtesy of the artist. [Two people sit at a table while a third person places a plate of food in front of them.] -
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Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of four large paintings hanging on a white wall. In the paintings, queer black bodies interact with each other in different settings, such as a hair supply store. Drawn directly on the wall, roses, a hand, a ring and other elements surround the paintings. At the center of the image, hair accesories sit on the floor.] -
Unnaturally Yours: Selected by Willie Cole. Installation view, Artists Space, 1996. [Two sculptures installed in a gallery space with wooden flooring. A large sculpture consisting of a suspended, orange tarp pulled in different directions by various wires sits in the cetner of the room. Small, tan mounds and a white side table are arranged around the orange tarp. On the gallery wall behind the large sculpture hangs a smaller sculpture that resembles a set of pink lungs.] -
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It's Just Art, Adrian Piper, April 29, 1981 [Adrian Piper, dressed in black with sunglasses and holding her arms aloft in mid-motion, stands in front of a projected image showing a photo of herself in sunglasses, and a thought bubble that reads, "14. WE DEFEND EACH OTHER / (YOU CERTAINLY DIDN'T COME TO AN ART PERFORMANCE TO HEAR A LECTURE ON CURRENT EVENTS)"] -
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Laura Cottingham & The Anita Pallenberg Story. Installation view, Artists Space, 2017. Photo: Daniel Pérez. [An empty dim-lit room with chairs with a projection on the wall. The projection features a close-up image of a person with wavy brown hair covering their face, lying facedown on a fluffy white carpet.] -
Tom of Finland, Untitled, 1987. Graphite on paper. Courtesy Tom of Finland Foundation. [A naked man lays across the frame, resting on his elbows reading a book. Another man sits in between his open legs, reading a book that is resting on his glutes.] -
Michael Brewster, An Acoustic Sculpture, A Clicker Drawing. View from Opening, April 2, 1977, Artists Space. [A black and white photograph of a person standing in a doorframe. On the left, a broom rests against the wall. A circular window behind a radiator is visible on the right. Buckets of paint and painting rollers are scattered across the floor.] -
Scott Burton, Performance Portrait of the Artist with Cothurni and Ithyphallus, 25 April 1974. Documentation of performance at Artists Space. Courtesy Estate of Scott Burton. [Black and white scan of a photograph of a figure standing on a tall square plinth in a gallery space, in front of an obscured crowd of viewers. The figure poses like a statue with their hands on their hips, wearing a pair of overalls and high, blocky heels, and a phallic strap-on around their waist.] -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure dressed in white, laying on the floor of a dark room. The figure has one leg raised in the air, shining a light from their pelvic area onto the floor and wall across from them. A small TV monitor sits in the corner.] -
Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [Several figures fill a dimly lit, basement room. Some figures sit and talk on large couches, while others stand and talk to each other. Video projections play on two of the space’s walls.] -
Alejandro Berlin, Artificial Spring, 1995. Balloons, artificial leaves, accordion bellows, wood, motor. [A sculpture resembling a pair of lungs installed on a white background. A stick covered with leaves forms the sculpture's treachea-like structure, while two bundles of uninflated, pink balloons form two lung-like shapes.] -
Zilia Sánchez. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A light, mauve-colored wall in an exhibition space displays a pink and white canvas. The canvas is slightly three-dimensional, with elements that stretch in or out from its surface. In the background, a cool-toned canvas of a similar style hangs on a wall.] -
Abasement #86. Performance documentation, April 6th, 2026, Artists Space. Photo: Joshua Wildman. [A performer caught in motion dances with their hands above their head, hanging at an angle. The performer is dappled in white lights. ] -
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Group Material: Primer (for Raymond Williams). Artists Space, 1982. [A large taxidermied eagle hangs upside down from the ceiling holding line tape that repeats "A GOVERNMENT FOR THE RICH BY THE RICH". Posters and drawings on the wall are visible around the eagle.] -
Flyer by Joe Frivaldi. [Magazine cutouts of scattered blocky letters (reading ABASEMENT) and a series of people's heads overlay a light yellow background. A chunk of upside down text lists the performers, as well as the time and place of the event.] -
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Aristotelis Nikolas Mochloulis, Aristotelis Nikolas Mochloulis, 2025. Marionette. Photo: Carter Seddon. [A marionette wearing a black suit, collared shirt, and white Nike Air Force 1s is positioned laying prone on a windowsill. Red curtains cover half of the window behind the marionette. In the corner, a small stage lights is directed at the marionette. Outside of the window is an alleyway with graffiti.] -
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Richard Klauber. Installation view,Ruth Hardinger, Richard Klauber, Artists Space, 1975. [A color installation photograph of a black and white abstract painting on a white wall.] -
Mark Morrisroe. Still from Nymph-O-Maniac (1984). [Three people wearing facemasks. One is dressed in an ultra-feminine mask, nightgown and open robe, facing the camera. The other two are facing the first figure, dressed casually in t-shirts and a denim vest.] -
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Min Joong Art. Installation view, Artists Space, 1988. [Several people seated on a couch watch a monitor set on a pedestal in front of them. A large speaker is placed to the right of the screen, and on the wall alongside this are two rows of black and white photographs.] -
Marie Karlberg. Still from Belongz to me, 2010. [A woman in a mask smoking a cigarette standing over a person lying on blankets on the street wearing cardboard heels.] -
Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [A figure in a baseball cap stands beside a table covered in scattered drinks and a laptop, typing on the computer’s keys.] -
Served Up! R.M. Fischer. Installation view, Artists Space, 1979. [A black-and-white photograph of a gallery space with several floor lamps installed throughout.] -
Pictures. Opening Reception, Artists Space, September 23, 1977. Maureen McFadden of National Distillers and Chemical Corporation (sponsor), (left), Irving Sandler (middle), Helene Winer (right). Photo: D. James Dee. [A black and white photograph of three figures standing in a gallery space. They each hold a drink in their hand and are smiling.] -
Mindy Faber. Still from Identity Crisis, 1989. 3 min. Photo: Micki McGee. [A black and white close-up image of an adolescent girl, smiling at the camera. She is holding up a scrub brush in one hand and a bottle of Soft Scrub in the other and is wearing a bathrobe and a shower cap.] -
Yasunao Tone: Region of Paramedia. Installation view (Social Eclipse, 1997), Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a framed artwork. Various images of people, the sun, and other objects are cut-out and in red ink over them are japanese characters.] -
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Gerhard Richter Volker Bradke , December 13, 1966 From the exhibition Hommage an Schmela (Homage to Schmela), December 9 – 15, 1966. Galerie Schmela, Düsseldorf Courtesy Archiv Reiner Ruthenbeck, Ratingen © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Photo: Reiner Ruthenbeck [A black and white image of four people, one sitting, three standing in a patterned room displaying a large photograph on the left wall. On the right wall, two men stand underneath large block text, that reads, "Volker Bradk."] -
Five Spanish Artists. Installation View, Artists Space, 1985. [A few indistinguishable paintings appear on adjacent walls in a white-walled gallery space.] -
Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a background of red and yellow paper. Pieces of beige paper with typewritten text listing the performers and event details are scattered around the flyer.] -
Freya Hansell. Installation view, Artists Space, 1980. [A black and white photograph of various objects hanging in a white-walled gallery space with a spotlight in center of the image.] -
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Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon. [The text "MICHAEL ASHER" is handpainted in black onto a white gallery wall. To the right of the text are two identical plinths made of MDF. The plinths are low to the ground, and display checker board sets.] -
Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a white gallery wall with three vitrines containing musical scores built into the wall. On top of the vitrine is a manipulated flute, and a series of black-and-white images. Two black-and-white photographs are hung to the right of the vitrine.] -
Carol Sun. Prospect Park Series - Winter, 1987. [Dark drawing with branch-like figures appear from a twirling white line surrounded by black, fuzzy lines.] -
The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich. [Four copper squares embedded with images and text lean against a white wall. The squares sit on a tan carpet.] -
Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon. -
Adam and Zack Khalil, still from INAATE/SE/ [it shines a certain way. to a certain place./it flies. falls./], 2016. [An image of a person with long brown hair pointing a pistol at the camera is superimposed on top of an image of a picturesque lake.] -
Sonic Godiva Music Fest. Performance documentation, November 19, 2005, Artists Space. [A naked woman with long, brown hair rides on a saddled brown and white horse down a cobbled urban street. One green and one red car are parked on the side of the street directly behind her, and various passerby look up towards her as she passes by. A red flag with white text reading, "UNIQLO" hangs from a rightmost building behind the horse.] -
Morton Livingston Shamberg and Elsa von Freytag-Loringhoven. God, 1917. Philadelphia Museum of Art [A black pipe coming out of a concrete slab beneath it, twisting around, pointed up and cut off, against a whitish slab behind it, as if to frame the pipe.] -
[Black text on a grey background. The text reads: “Jan 24 / Carrie Hunter / John Yau.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
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[Black text on a grey background. The text reads: “Jan 31 / Bruce Andrews / Christopher Knowles.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
Laurie Anderson, Whirlwind, 1996. Disk, 48 speakers, electronics, computer program. [A black and white image of a large room with a round black disk suspended from the ceiling over a gray circle in the floor. It is lit from above by mounted lights.] -
rafa esparza: Camino. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color image of a gallery space with large paintings made on adobe panels and resting on steel armatures that are organized in various configurations. Some paintings are also hung on the wall, and adobe bricks are laid out to create a walkway in the middle of the room.] -
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Anicka Yi, Flirting Is An Algorithm, 2015, Silkscreen on archival box, 24½ x 20½ x 1½ in / 62,2 x 52 x 3,8 cm, Signed and Numbered. [A spotted pattern against a white ground, with each spot having a unique stain, splatter, or drops of ink.] -
Whitney Museum of American Art Independent Study Program Studio Exhibition. Installation view, Artists Space, 2018. Photo: Gustavo Murillo Fernández-Valdés. [A wooden table with two chairs arranged in a gallery space. A kite hangs from the ceiling to the right of the chair and table set. Behind the kite is a large, blue carpet spread across the floor, several colorful plastic chairs lined up against the wall, and a video monitor.] -
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[White text on a blue and grey ombré background. The text reads: “Feb 8 / Rae Armantrout / John Kelsey.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
Artists Space, Richard Massey: Caution: Five hungry Soviet cows are in the garden (New York: Artists Space, 2007). [White text on a neutral green ground lists exhibition information. "Artists Space" is outlined in all capital letters aligned to the spine of the catalogue. In the upper left corner, "Caution: Five hungry Soviet cows are in the Garden" is rendered in sans serif font, some letters appearing smudged. The center right of the cover reads "Richard Massey, 03.30–05.12.2007, Project Space."] -
Gerome Kamrowski. Paintings on the Surface of a Dome, 1960. [A black and white photograph of a large constructed rock dome in a galelry space.] -
Laura Cottingham & The Anita Pallenberg Story. Installation view, Artists Space, 2017. Photo: Daniel Pérez. [Eight, framed, color photographs arranged into a grid on a white wall.] -
Collaborative team working on chandelier, 2018 [Two girls stand, cutting threads, while working on a handmade chandelier. The chandelier has a small number of flower petals, with a purple rose in the center] -
Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court [Two figures wearing medical scrubs stand on pieces of red fabric, stretching outwards toward the audience.] -
Michael Asher, Musée d'Art Contemporain de Montreal, Montreal, Canada, l'art conceptuel, une perspective, August 5–October 21, 1990. Art journals with advertisements for the exhibition placed by Michael Asher displayed in the museum’s bookstore. Photograph by Denis Farley. Michael Asher Archive, © Michael Asher Foundation. [Photograph of a white magazine stand with black trim. Along the top of the stand, four stacks of black-and-white journals rest on acrylic stands. A selection of art journals in a variety of shapes and colors sit along the stand's two rows.] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Two figures perform in a basement. On the left a figure with a video camera and shoulder rig takes footage of another figure on the right, dressed in a blue morph suit, and pushing a semicircular rolling table made of wood and fresnel lenses. Along the back wall blue and purple tinted live CCTV video footage is projected.] -
Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979. [A woman sits at a desk covered with notebooks and documents. She looks off to the side holding a pen by a mug. Behind her, a round window allows light to enter the room.] -
Too Black, Too Strong! Installation View, Artists Space, 1988. [A black and white photograph of a mixed media collage hanging on a gallery wall hanging opposite of four mixed media collaged in frames with a back-projected slide image of two faces centerd in the image with a dark curtain covering its surroundings.] -
Alan Ruiz, Hunter Green 1390, 2016. Courtesy the artist. [Installation view of a mechanical wall covering a window in a gallery space, with a diamond-shaped glass pane in the center letting light through.] -
The Founders Dinner, 2019. [A color photo of several individuals seated at banquet-style dining tables. Individuals are clapping and looking around the large reception space.] -
Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979. [A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.] -
The columns held us up. Installation view, Artists Space, 2009. Photo: Adam Reich. [A television sits on the floor, encaged by a wooden structure extending at an angle into the air. On the walls opposite, there are assorted photographs of varying sizes, showing primarily landscapes.] -
David Schafer: Western Agenda. Installation view, Artists Space, 1991. [A black and white photograph of a tall metal sculpture in an otherwise empty room, surrounded by white columns. The sculpture has a tall platform with a narrow ladder and has several support wires.] -
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Miyoko Ito, Island in the Sun, 1978. Oil on canvas, 38 x 33 inches. Courtesy John B. Pittman. [Gradient red and green, curved and cusped shades. A red pointed mound sits atop a pale green inverted triangle inside angular red and green rectangles.] -
Young Fluxus. Installation view, Artists Space, 1982. [A gallery space with a chalk drawing on the top section of a wall and chairs underneath. Framed images on the adjacent wall are near a doorway into another space.] -
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rafa esparza: Camino. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color image of the entrance into a gallery space, with columns running down the hallway. At the forefront of the image are two large paintings made of adobe, and resting on steel armatures. Each painting features a representation of a person walking slowly. In between the armatures are adobe bricks layed out into a walkway on the floor.] -
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Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [Two side-by-side magazine advertisements mounted on a white wall. On the left, a portrait-oriented multicolored image is titled, "One out of every 100 new business succeeds. Here's to those who take the odds." There is a short written blurb below. On the right, a landscape-oriented spread shows an image of a car with its doors open on the left page. On the right page, large text reads, "The Delorean. Live the dream." An additional image of a car and a single column of text is positioned to the right of this headline.] -
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Caroline Key. Still from Speech Memory, 2007. 16mm film on video, color, sound; 23 minutes. Courtesy the artist. [White text on a black screen reads: “An additional interpreter was needed to translate my father’s Korean into English.”] -
Audio cassette tape for Echo Chamber, Sharon Hayes & Brooke O'Harra. [A black audio cassette tape with accents of grey and red on the cover. Handwritten text on the tape reads "ECHO CHAMBER." Behind the tape is a wooden background.] -
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Shala Miller performs Genesis: Medley. Performance documentation, May 11, 2023, Artists Space. Photo: Roy Baizan. [Black & white photograph of one side and the entrance into a gallery room. The walls are painted black, and at the corner of the entrance stands a performer singing into a microphone stand. Around him and along the wall audience members sit on the floor or stand.] -
S*an D. Henry Smith in Constantina Zavitsanos’ Entropy (2023), a set of three performances (on-site and online) for If I Can’t Dance, I Don’t Want to Be a Part of Your Revolution. Performers and co-creators of the score: Angelo Custódio and Pedro Matias, S*an D. Henry-Smith and Geo Wyex. Photo: Prins de Vos [Photograph of a performer, standing next to a table covered in a black cloth. The background is bathed in purple light. A white spotlight shines on the table, highlighting the performer's hands as they pour liquid from one teacup into another teacup held below.] -
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Too Black, Too Strong! Installation View, Artists Space, 1988. [A black and white image of two couches set in front of a TV monitor on a pedestal and two speakers installed on either side of it. The TV screen is on, but no clear image is visible on it. A door to exit is visible in the background.] -
Exchange Show: Hallwalls, Buffalo, NY. Performance, Artists Space, 1976. Photo: Robert Longo. [An close up black and white image of an individual with their fingers crossed behind their back.] -
Visit to Artists Space to see exhibition Zoo or an Orchestra, Char Jaré, 2024 -
Tom of Finland Untitled , 1947 Gouache on paper Tom of Finland Foundation, Permanent Collection [An illustration including two men, wearing blazers and dress hats, gazing downwards next to another man. This man, dressed in dungarees and a baseball cap, is holding his penis.] -
Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court [A figure wearing blue clothing uses the body of another person beneath them to hold their weight up.] -
Portrait of Dorothy E. Roberts [Portrait of a black woman, looking forward with her face resting in her left hand, and her right arm placed on a table. Behind her is a dark grey background.] -
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Yasunao Tone performing Paramedia, Experimental Intermedia Foundation, 1990 [Black-and-white photograph of two figures sitting behind tables filled with audio equipment. They are focused on manipulating the audio machines in front of them.] -
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Nicole-Antonia Spagnola, Untitled, 2022. Raw Power, Raw Power; Kollettivo, Lotta per il potere; Antigenesi, Una donna non e’ merda; Negazione, Tutti Pazzi; RAF Punk, Contro la pace Contro la guerra; Peggio Punx, Scemo. 8mm to MP4 transfer (color, sound), monitors, chairs. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of a gallery space with a row of dark columns on the left side. Several wooden cafe chairs with green cushions are visible. Upon the chairs rest gold-silver sequined pillows or television screens.] -
Not yet titled, 2019
Clay, glaze, metal antenna
3 1/2 x 13 x 12 inches (variable)
$3,500
[An object with tones of tan, blue, pink, and grey sits on a white base. A metal antenna extends out on a diagonal.] -
Porcelain Lenin figures from DADALENIN Limited Special Edition, 2013. [Black busts of Vladimir Lenin arranged in a grid formation on a table.] -
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The Mind/Body Problem. Installation view, Artists Space, 2006. Photo: Alan Wiener. [Six watercolor paintings affixed to a white wall with pins. The paintings are various sizes, five depicting the sky and landscapes at various times of day. In the center, a man is depicted facing backwards, pulling down his pants to expose a tattoo of a triangle.] -
Flyer for Segue Reading Series featuring Julian Louis Phillips and LA Warman. February 26, 2022, Artists Space. [Black text overlays a blue background. The top left corner reads: Julian Louis Phillips / LA Warman. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, February 26, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5."] -
William S. Burroughs. Target #5 (July 29, 1997), 1997 Courtesy John Giorno. . Photo: Adam Reich -
Hilary Lloyd. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A portrait-oriented screen is mounted on two metal floor to ceiling poles. The screen is split to show two different images of shadows on the ground. At a 90-degree angle facing left, another screen is mounted on two metal floor to ceiling poles. A third screen is visible in the background, facing away, mounted on two metal poles atop a wheeled base.] -
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Jutta Koether: xxapollo. Performance documentation, January 5, 2020, Artists Space. Photo © 2020 Paula Court. [A person dressed in all pink, holding a microphone and piece of paper, stands surrounded by a crowd of audience members arranged in a circle. The room is lit with a slightly pink light and light spots are reflected at even intervals.] -
[Video still of a figure in glasses wearing a pink dress with black tulle fabric on a small stage. An overturned, white table is siutated to their right, and papers are strewn across the ground. The figure hunches over, looking out towards the audience. Their left hand is bent at their chest and points upwards, while their right hand touches the back of their head.] -
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Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979). Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A long rectangular wooden table supporting three television monitors facing outwards on different sides. Two small wooden seats with wired headphones resting on them are arranged in front of the leftmost monitor.] -
Masao Adachi, Galaxy, 1967 [Sepia toned image of a figure leaning over and biting the neck and shoulder of another figure that leans back, their face contorted in pain.] -
Baskets. Installation view, Artists Space, 2006. [A series of amorphous, basket-like objects sit on a series of plinths of varying heights in a gallery space. Two additional scultural forms composed of sticks and grasses, as well as metallic materials, hang from the ceiling behind the plinths.] -
Valerie Hegarty, Cracked Canyon (Poster), 2007. Site-specific installation. Courtesy the artist. Photo: Bill Orcutt. [The corner of a loft space. A printed image of a canyon is affixed to the wall. The image is torn in half and the tear extends off of the paper onto the wall itself, continuing from floor to ceiling.] -
Danh Vo, Chevrolet Suburban, 2010, Digital C-print, 16 x 24 in / 40,6 x 61 cm Photo, credit: Thomas Cato Signed and numbered sales receipt. [A close-up photo of the front grille of a car, depicting the bottom half of the Chevrolet logo and a section of the front metal grille. Several bugs are visible, dead and stuck to the grille.] -
Renee Gladman, Slowly We Have the Feeling: Scores, 2019–22, pastel and pigment on paper (grid of nine), dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak. [A color image of nine framed works displayed as a grid against a white wall. The drawings are done on black paper and depict abstract compositions made up of colorful shapes and strokes, and white lines and arrows.] -
Masao Adachi, Galaxy, 1967 [Sepia toned image of three figures standing in the middle of the street. The figure on the left wears a white dress that flows in the wind, while the middle figure wears a button down shirt and stands in a pool of white liquid spilled on the ground. The third figure on the right wears a striped cloth over their body.] -
Gerry Morehead. Installation view from Gerry Morehead, Jim Pavlicovic, Artists Space, 1976. [A black and white image of a black circle with a fish painted on it.] -
Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022. [Inside an orange-hued room are four tree trunks sitting atop a striped construction net. Three trunks are adorned in purple, orange, blue, pink, yellow, and green fabrics. A fourth trunk sits without fabric.] -
The Owl Answers. Performance documentation, February 29, 2020, Artists Space. Photo ©️ 2020 Filip Wolak. [Six figures stand before a set of music stands in front of a seated audience in an interior space with industrial columns. They stand side by side in a horizontal line and are illuminated by overhead lights. A figure at the group's center looks up towards the audience, speaking. Their outstretched hand gestures towards the crowd.] -
Gary Burnley, Martin Cohen, Candace Hill-Montgomery, Louis Stein, and Haim Steinbach. Contact sheet of photos from exhibition opening, Artists Space, 1979. Photos by Gary Burnley. [Contact sheet of installation images taken during exhibition opening.] -
Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Three photographs are mounted next to one another on a colorful gallery wall, which is covered with a photo decal of a mosaic. Each of the photographs show different urban walls covered in grafitti. Graffiti on a city wall shown in the far right photograph reads, "pueblo nueva."] -
Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979. [Two photographs are mounted on a white gallery wall.] -
Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman. [Color photo of a large gathering of audience members seated and standing in a dimly lit performance space. The venue is illuminated by white spotted lights from a discoball out of view and soft, pink projections.] -
Alternative Art New York, 1965 - 1985. Julie Ault. Univ. of Minnesota Press, 2002. Paperback, 408 pages. $30. at the Artists Space Bookstore. [White painted brick wall; a black plate with white text that reads, "Title: Alternative Art New York Date: 1965-1985 Editor: Julie Ault."] -
James Luna, still from The History of the Luiseño People, 1993. Video, color, sound, 27 min [An image of a figure with slightly grey hair who is wearing black sunglasses. They rest their head on their hand while staring downwards.] -
Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979. [A man holds a photograph up to his face with a microphone directly in front of him.] -
Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [Two figures stand behind a table, setting up audio equipment.] -
[Close up of the torso and legs of a figure with long hair wearing nylon tights and a blue silk jacket on their bare chest. They are illuminated by red stage lights and appear to stand on a stage in front of a drum set and speakers.] -
Abasement #81. Performance documentation, October 20th, 2025, Artists Space. Photo: Joshua Wildman. [An illuminated performer sings into a microphone. ] -
Split/Vision. Installation View. Artists Space, 1985-86. [Framed square and rectangualar photographs are visible in a white-walled gallery space with white columns centered in the image.] -
[Dark blue text overlays red-pink background. The text reads: “February 4 / Dodie Bellamy / Paige K. B." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)] -
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Blue Sky Gallery exhibition P.S. 140, 2019 [In this photograph, eleven people pose for a picture in front of drawings and paintings that hang on the wall. Most stand while three kneel.] -
Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [A figure stands behind a microphone and table with audio equipment. They hold one hand over their mouth and the other around their neck.] -
Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Two screens hung on either side of the top of a support beam in a gallery. The room is otherwise empty. One screen depicts a woman walking down a fashion runway, wearing a black jacket and shorts with a sheer top.] -
Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [A figure performs on stage using a microphone and an audio mixer, with the audience in the back left of the image.] -
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Constantina Zavitsanos, Ace of Spades (detail), 2024. Z interferometer: two aluminized 6" diameter spherical mirrors, LED illumination source, knife edge on mounts; soldering iron, fan, infrared light, steel tables. Dimensions variable. -
Yellow. Performance view, Artists Space, 2008. [A woman is seated wearing a long, yellow dress with a full skirt that has extra fabric at the bottom. She is holding up soapsuds, which are dripping down onto the front of her skirt.] -
Elephant Cemetery. Installation view, Artists Space, 2007. [A gallery room filled with various sculptures and objects. There are several cube and rectangular sculptures in various sizes, some solidly painted with black, white and silver, and some painted with a brick pattern. There is a table with two projectors projecting a small image on the wall. On the far wall, there are a series of framed drawings. On the righthand side of the room, there is a half-wall behind which a piece made of 7x4 rectangular images hangs on a wall.] -
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New Economy. Installation view, Artists Space, 2007. [An installation view of multiple sewing stations and a clothing rack of red and white sweatshirts.] -
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Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [Three planks of glass lean on a white wall. Etched displays read from left to right; "The more you teach the less you learn," a smiley-face,"But I swear dis beat go."] -
David Wojnarowicz with Tom Warren, Self-Portrait of David Wojnarowicz, 1983/84, 23.5 x 16.5 inches [A collaged image featuring a black and white photograph of a figure with short, dark hair wearing a partially unbuttoned shirt against a white background. The figure crosses their arms casually in front of their chest, their right hand holding a lit cigarette. Bright red and yellow strokes of paint resembling fire flames have been painted over the photograph, emerging from the figure's right side. Fragments of a world map have been collaged over the left side of the figure's face. Additionally, an illustration of the Earth and several small illustrations of clocks are collaged along the figure's right arm. A small illustration of a running figure, engulfed by flames, is positioned next to the figure's right elbow. Small black text running along the image's bottom edge reads, "2020Solidarity - David Wojnarowicz with Tom Warren / A project by Between Bridges."] -
Portrait of Eiko Ishibashi [A color photograph of a figure in a pointed hat with a wide brim, wearing a black and white robe. The figure is pictured amid tree branches and vines that block their face. They hold a twisted vine in their left hand.] -
Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang. [In a basement space, an audience watches as a figure sitting behind a white table reads into a microphone. On the back wall behind the figure are two projected videos featuring a notebook, pieces of coral, and an image of the ocean.] -
Ed Bereal, Miss America: Manufacturing Consent: Upside Down and Backwards (detail), 2000-2014, mixed media and found objects, dimensions variable. Photo: Filip Wolak [A close-up detail of a large assemblage sculpture.] -
Aristotelis Nikolas Mochloulis, Aristotelis Nikolas Mochloulis, 2025. Marionette. Photo: Carter Seddon. [A marionette wearing a black suit, collared shirt, and white Nike Air Force 1s is positioned laying prone on a windowsill. Red curtains cover half of the window behind the marionette. In the corner, a small stage lights is directed at the marionette. Outside of the window is an alleyway with graffiti.] -
Las Nietas de Nonó, Especie: archivo natural, 2022, sounds, lamp, phone booth, phone booth hotline, fish tanks, atmospheric water, yucca, corn, dracaena, snake plant, dragon tree, tree trunks, handmade lyca garments for tree trunks, mirror pond; Dimensions variable. Photo: Filip Wolak [A large mirrored pond made of a wooden base with a reflective lining on top is surrounded by three tree trunks, plants, fish tanks, and a phone booth. A large lamp hangs from the ceiling with a metal locker in the back.] -
Hanno Ahrens. Selections from the Artists File, installation view, Artists Space, 1986. [A photograph of one large painting divided evenly diagonally across in black and white above a smller painting that does the same.] -
Still from Shani Strand, No Telephone to Heaven (The Freedom of Unfreedom), 2023, 7 min 42 sec, Video and sound. [Two images are superimposed over each other. The background image features car lot with a sign reading "ZAKI'S AUTO." In the foreground two women wearing plastic masks dance horizontally while a third women, shown from the back, squats down.] -
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Hito Steyerl, Liquidity, Inc., 2014, HD video with sound, 30 mins. Courtesy the artist and Andrew Kreps, New York. Installation view from Hito Steyerl, Artists Space, 2015. [A side view of a large video monitor screen, sitting on the ground, with a large ramp extending from the base. Two viewers sit on large pillows at the curve of the ramp. The room is tinted blue. On the screen, there is a man in a sitting in an office with a note pad and a pen at the table in front of him.] -
Charlotte Posenenske. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [Four geometric, silver metal sculptures are installed on the floors of a light-filled gallery space. The sculptures are modular, hollow, and consist of cube-like and triangular metal components.]
