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  • A large red carpet extends across the length of an exhibition space next to a windowed wall. A long line of framed photographs lean against the windowed wall. Two figures examine the photographs and additional artworks displayed in the space's background.
    A large red carpet extends across the length of an exhibition space next to a windowed wall. A long line of framed photographs lean against the windowed wall. Two figures examine the photographs and additional artworks displayed in the space's background.
    Frozen Lakes. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A large red carpet extends across the length of an exhibition space next to a windowed wall. A long line of framed photographs lean against the windowed wall. Two figures examine the photographs and additional artworks displayed in the space's background.]
    Caption Frozen Lakes. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description A large red carpet extends across the length of an exhibition space next to a windowed wall. A long line of framed photographs lean against the windowed wall. Two figures examine the photographs and additional artworks displayed in the space's background.
    Year 2013
    Related pages Frozen Lakes
  • A number of sculptures appear on pedestals with paintings on walls behind them with columns bisecting the image in a gallery setting.
    A number of sculptures appear on pedestals with paintings on walls behind them with columns bisecting the image in a gallery setting.
    We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [A number of sculptures appear on pedestals with paintings on walls behind them with columns bisecting the image in a gallery setting.]
    Caption We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987.
    Image description A number of sculptures appear on pedestals with paintings on walls behind them with columns bisecting the image in a gallery setting.
    Year
    Related pages We the People
  • A color installation photograph of a gallery space bisected by a row of dark metal columns. Two wooden chairs are placed near a piece of semi-transparent grey and blue fabric partially hung from a grey metal scaffold. A large piece of grey and yellow vinyl hangs from the wall on the right.
    A color installation photograph of a gallery space bisected by a row of dark metal columns. Two wooden chairs are placed near a piece of semi-transparent grey and blue fabric partially hung from a grey metal scaffold. A large piece of grey and yellow vinyl hangs from the wall on the right.
    virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color installation photograph of a gallery space bisected by a row of dark metal columns. Two wooden chairs are placed near a piece of semi-transparent grey and blue fabric partially hung from a grey metal scaffold. A large piece of grey and yellow vinyl hangs from the wall on the right.]
    Caption virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color installation photograph of a gallery space bisected by a row of dark metal columns. Two wooden chairs are placed near a piece of semi-transparent grey and blue fabric partially hung from a grey metal scaffold. A large piece of grey and yellow vinyl hangs from the wall on the right.
    Year 2022
    Related pages virgil b/g taylor: Minor Publics
  • Three framed photographs installed in the corner of a gallery space with white walls and wooden flooring. Two darker, square photographs with large white frames are installed on the corner's left wall, while a lighter photograph of a gate-like structure is installed in a slim black frame on the corner's right wall.
    Three framed photographs installed in the corner of a gallery space with white walls and wooden flooring. Two darker, square photographs with large white frames are installed on the corner's left wall, while a lighter photograph of a gate-like structure is installed in a slim black frame on the corner's right wall.
    Urban Pornography. Installation view, Artists Space, 2001. [Three framed photographs installed in the corner of a gallery space with white walls and wooden flooring. Two darker, square photographs with large white frames are installed on the corner's left wall, while a lighter photograph of a gate-like structure is installed in a slim black frame on the corner's right wall.]
    Caption Urban Pornography. Installation view, Artists Space, 2001.
    Image description Three framed photographs installed in the corner of a gallery space with white walls and wooden flooring. Two darker, square photographs with large white frames are installed on the corner's left wall, while a lighter photograph of a gate-like structure is installed in a slim black frame on the corner's right wall.
    Year 2001
    Related pages Urban Pornography
  • A photograph of three paintings hanging in a row on a white gallery wall. The closest to the camera, on the right, shows a ship at sea, the center shows a fountain, and the painting on the left is an abstract composition of black diagonal lines.
    A photograph of three paintings hanging in a row on a white gallery wall. The closest to the camera, on the right, shows a ship at sea, the center shows a fountain, and the painting on the left is an abstract composition of black diagonal lines.
    Selections from the Artists File. Installation view, Artists Space, 1989. [A photograph of three paintings hanging in a row on a white gallery wall. The closest to the camera, on the right, shows a ship at sea, the center shows a fountain, and the painting on the left is an abstract composition of black diagonal lines.]
    Caption Selections from the Artists File. Installation view, Artists Space, 1989.
    Image description A photograph of three paintings hanging in a row on a white gallery wall. The closest to the camera, on the right, shows a ship at sea, the center shows a fountain, and the painting on the left is an abstract composition of black diagonal lines.
    Year 1989
    Related pages Selections from the Artist File
  • Color image of the corner of a gallery space. On the right side is a large adobe panel that rests on a steel armature. Painted onto the adobe is a portrait of a figure with a bicycle, and around the armature are adobe bricks laid out on the floor. On the lefthand wall is another adobe panel painting depicting the entrance into a freeway tunnel.
    Color image of the corner of a gallery space. On the right side is a large adobe panel that rests on a steel armature. Painted onto the adobe is a portrait of a figure with a bicycle, and around the armature are adobe bricks laid out on the floor. On the lefthand wall is another adobe panel painting depicting the entrance into a freeway tunnel.
    rafa esparza: Camino. Installation view (110 North Bound, 2023; Jaime, 2023), Artists Space, 2023. Photo: Filip Wolak. [Color image of the corner of a gallery space. On the right side is a large adobe panel that rests on a steel armature. Painted onto the adobe is a portrait of a figure with a bicycle, and around the armature are adobe bricks laid out on the floor. On the lefthand wall is another adobe panel painting depicting the entrance into a freeway tunnel.]
    Caption rafa esparza: Camino. Installation view (110 North Bound, 2023; Jaime, 2023), Artists Space, 2023. Photo: Filip Wolak.
    Image description Color image of the corner of a gallery space. On the right side is a large adobe panel that rests on a steel armature. Painted onto the adobe is a portrait of a figure with a bicycle, and around the armature are adobe bricks laid out on the floor. On the lefthand wall is another adobe panel painting depicting the entrance into a freeway tunnel.
    Year
    Related pages rafa esparza: Camino
  • Close up shot of four music stands arranged side by side. The torsos and hands of three figures are pictured beside the stands. They leaf through the pages of scripts held in black binders, supported by the music stands.
    Close up shot of four music stands arranged side by side. The torsos and hands of three figures are pictured beside the stands. They leaf through the pages of scripts held in black binders, supported by the music stands.
    The Owl Answers. Performance documentation, February 29, 2020, Artists Space. Photo ©️ 2020 Filip Wolak. [Close up shot of four music stands arranged side by side. The torsos and hands of three figures are pictured beside the stands. They leaf through the pages of scripts held in black binders, supported by the music stands.]
    Caption The Owl Answers. Performance documentation, February 29, 2020, Artists Space. Photo ©️ 2020 Filip Wolak.
    Image description Close up shot of four music stands arranged side by side. The torsos and hands of three figures are pictured beside the stands. They leaf through the pages of scripts held in black binders, supported by the music stands.
    Year 2020
    Related pages The Owl Answers
  • A black-and-white film still of hazy and ghostly tonal modulations. A disembodied arm and hand with extended fingers is captured in mid-motion, floating within the nondescript tonal atmosphere.
    A black-and-white film still of hazy and ghostly tonal modulations. A disembodied arm and hand with extended fingers is captured in mid-motion, floating within the nondescript tonal atmosphere.
    Shala Miller, Genesis, 2023 [A black-and-white film still of hazy and ghostly tonal modulations. A disembodied arm and hand with extended fingers is captured in mid-motion, floating within the nondescript tonal atmosphere.]
    Caption Shala Miller, Genesis, 2023
    Image description A black-and-white film still of hazy and ghostly tonal modulations. A disembodied arm and hand with extended fingers is captured in mid-motion, floating within the nondescript tonal atmosphere.
    Year
    Related pages Genesis: Medley
  • A woman sits in front of a typewriter inserting a piece of paper. She is dressed in 1950s fashion.
    A woman sits in front of a typewriter inserting a piece of paper. She is dressed in 1950s fashion.
    Cindy Sherman. Work unknown. [A woman sits in front of a typewriter inserting a piece of paper. She is dressed in 1950s fashion.]
    Caption Cindy Sherman. Work unknown.
    Image description A woman sits in front of a typewriter inserting a piece of paper. She is dressed in 1950s fashion.
    Year
    Related pages ______ , Louise Lawler, Adrian Piper & Cindy Sherman Have Agreed to Participate in an Exhibition Organized by Janelle Reiring at Artists Space, September 23 through October 28, 1978.
  • A red book cover with white text superimposed on a black palm print.
    A red book cover with white text superimposed on a black palm print.
    Artists Space, Witnesses: Against Our Vanishing, 1989. [A red book cover with white text superimposed on a black palm print.]
    Caption Artists Space, Witnesses: Against Our Vanishing, 1989.
    Image description A red book cover with white text superimposed on a black palm print.
    Year 1989
    Related pages Book Sale!
  • A painting in color of two Black Queer people in a red interior setting. One of them, wearing gray underpants, gazes out of the picture plane, while another profile of their head turned to the right is superimposed. The barber on their right is shaping the seated person’s hair with clippers. The rounded edge of a tabletop with a mirror, comb, and shears atop of it is pictured to the left of the image. A single window depicting snowfall at night can be seen behind the two Black Queer figures.
    A painting in color of two Black Queer people in a red interior setting. One of them, wearing gray underpants, gazes out of the picture plane, while another profile of their head turned to the right is superimposed. The barber on their right is shaping the seated person’s hair with clippers. The rounded edge of a tabletop with a mirror, comb, and shears atop of it is pictured to the left of the image. A single window depicting snowfall at night can be seen behind the two Black Queer figures.
    Jonathan Lyndon Chase, The Shape Up, 2023. Courtesy of the artist and Company Gallery, New York. [A painting in color of two Black Queer people in a red interior setting. One of them, wearing gray underpants, gazes out of the picture plane, while another profile of their head turned to the right is superimposed. The barber on their right is shaping the seated person’s hair with clippers. The rounded edge of a tabletop with a mirror, comb, and shears atop of it is pictured to the left of the image. A single window depicting snowfall at night can be seen behind the two Black Queer figures.]
    Caption Jonathan Lyndon Chase, The Shape Up, 2023. Courtesy of the artist and Company Gallery, New York.
    Image description A painting in color of two Black Queer people in a red interior setting. One of them, wearing gray underpants, gazes out of the picture plane, while another profile of their head turned to the right is superimposed. The barber on their right is shaping the seated person’s hair with clippers. The rounded edge of a tabletop with a mirror, comb, and shears atop of it is pictured to the left of the image. A single window depicting snowfall at night can be seen behind the two Black Queer figures.
    Year
    Related pages Jonathan Lyndon Chase
  • Color image a performer in a bald cap with both of their hands raised with elbows at shoulder height. The performer occupies the center of the image wearing a blue dress covered in a square and circle pattern. From the left, bottom corner, a microphone on a stand rises to meet the performer in the center. In the lower, right hand corner, another bald performer, dressed in a red top bends down towards the performer in the center of the image. The wall behind both the performers is filled with a projected image in hues of yellow, brown and white.
    Color image a performer in a bald cap with both of their hands raised with elbows at shoulder height. The performer occupies the center of the image wearing a blue dress covered in a square and circle pattern. From the left, bottom corner, a microphone on a stand rises to meet the performer in the center. In the lower, right hand corner, another bald performer, dressed in a red top bends down towards the performer in the center of the image. The wall behind both the performers is filled with a projected image in hues of yellow, brown and white.
    Abasement #68. Performance documentation, February 12, 2024, Artists Space. Photo: Joshua Wildman. [Color image a performer in a bald cap with both of their hands raised with elbows at shoulder height. The performer occupies the center of the image wearing a blue dress covered in a square and circle pattern. From the left, bottom corner, a microphone on a stand rises to meet the performer in the center. In the lower, right hand corner, another bald performer, dressed in a red top bends down towards the performer in the center of the image. The wall behind both the performers is filled with a projected image in hues of yellow, brown and white. ]
    Caption Abasement #68. Performance documentation, February 12, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Color image a performer in a bald cap with both of their hands raised with elbows at shoulder height. The performer occupies the center of the image wearing a blue dress covered in a square and circle pattern. From the left, bottom corner, a microphone on a stand rises to meet the performer in the center. In the lower, right hand corner, another bald performer, dressed in a red top bends down towards the performer in the center of the image. The wall behind both the performers is filled with a projected image in hues of yellow, brown and white.
    Year
    Related pages Abasement #68
  • A grim reaper shrouded in deep red light pulls back a black curtain, beckoning one into a seperate vacant room.
    A grim reaper shrouded in deep red light pulls back a black curtain, beckoning one into a seperate vacant room.
    ART CLUB2000 Untitled (Grim Reaper), 1999 Wood, galvanized netting, black fabric, chain, plastic scythe, and rubber skeleton hand Image courtesy Artists Space, New York Photo: Filip Wolak [A grim reaper shrouded in deep red light pulls back a black curtain, beckoning one into a seperate vacant room.]
    Caption ART CLUB2000 Untitled (Grim Reaper), 1999 Wood, galvanized netting, black fabric, chain, plastic scythe, and rubber skeleton hand Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description A grim reaper shrouded in deep red light pulls back a black curtain, beckoning one into a seperate vacant room.
    Year 2021
    Related pages ART CLUB2000
  • Color photo of three musicians captured mid-performance on stage in a dark venue space. The performer in the middle plays the trumpet and is flanked at either side by two men playing clarinets. The musicians are illuminated by green and blue abstract projections that are cast on the wall behind them.
    Color photo of three musicians captured mid-performance on stage in a dark venue space. The performer in the middle plays the trumpet and is flanked at either side by two men playing clarinets. The musicians are illuminated by green and blue abstract projections that are cast on the wall behind them.
    Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman. [Color photo of three musicians captured mid-performance on stage in a dark venue space. The performer in the middle plays the trumpet and is flanked at either side by two men playing clarinets. The musicians are illuminated by green and blue abstract projections that are cast on the wall behind them.]
    Caption Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman.
    Image description Color photo of three musicians captured mid-performance on stage in a dark venue space. The performer in the middle plays the trumpet and is flanked at either side by two men playing clarinets. The musicians are illuminated by green and blue abstract projections that are cast on the wall behind them.
    Year
    Related pages Abasement #64
  • Postcard from Robert Morgan. Artists Space, 1977
    Caption Postcard from Robert Morgan. Artists Space, 1977
    Image description
    Year
    Related pages Robert Morgan
  • A wide cyclindrical glass bottle with a lightbulb inserted at its opening.
    A wide cyclindrical glass bottle with a lightbulb inserted at its opening.
    Paper Exhibition. Installation view, Artists Space, 2009. Photo: Adam Reich. [A wide cyclindrical glass bottle with a lightbulb inserted at its opening.]
    Caption Paper Exhibition. Installation view, Artists Space, 2009. Photo: Adam Reich.
    Image description A wide cyclindrical glass bottle with a lightbulb inserted at its opening.
    Year 2009
    Related pages Paper Exhibition
  • Various photographs of athletes and other personal images are arranged on a light wooden wall to the left. A wooden shelf sits against the right wall, shown in profile. A frisbee and two loofahs hang off the side of the shelf, with other stickers and printed images arranged on the walls.
    Various photographs of athletes and other personal images are arranged on a light wooden wall to the left. A wooden shelf sits against the right wall, shown in profile. A frisbee and two loofahs hang off the side of the shelf, with other stickers and printed images arranged on the walls.
    Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Malcolm Peacock, How to address the full capacity of our will, 2023), Artists Space, 2023. Photo: Filip Wolak. [Various photographs of athletes and other personal images are arranged on a light wooden wall to the left. A wooden shelf sits against the right wall, shown in profile. A frisbee and two loofahs hang off the side of the shelf, with other stickers and printed images arranged on the walls.]
    Caption Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Malcolm Peacock, How to address the full capacity of our will, 2023), Artists Space, 2023. Photo: Filip Wolak.
    Image description Various photographs of athletes and other personal images are arranged on a light wooden wall to the left. A wooden shelf sits against the right wall, shown in profile. A frisbee and two loofahs hang off the side of the shelf, with other stickers and printed images arranged on the walls.
    Year 2023
    Related pages Shala Miller, Malcolm Peacock, Amiri Baraka
  • Constantina Zavitsanos, LEAVE - A - PENNY / TAKE - A - PENNY, 2024, Bronze, 4.5 in. x 4.25 in. x 1.5 in.
    Caption Constantina Zavitsanos, LEAVE - A - PENNY / TAKE - A - PENNY, 2024, Bronze, 4.5 in. x 4.25 in. x 1.5 in.
    Image description
    Year
    Related pages fwiw
  • Two rooms in a large gallery space are visible, with artworks hung on the walls and sculptures in the center of the further room.
    Two rooms in a large gallery space are visible, with artworks hung on the walls and sculptures in the center of the further room.
    Witnesses: Against Our Vanishing. Installation View, Artists Space, 1989. Photo: Frances Miller Smith. [Two rooms in a large gallery space are visible, with artworks hung on the walls and sculptures in the center of the further room.]
    Caption Witnesses: Against Our Vanishing. Installation View, Artists Space, 1989. Photo: Frances Miller Smith.
    Image description Two rooms in a large gallery space are visible, with artworks hung on the walls and sculptures in the center of the further room.
    Year 1989
    Related pages Witnesses: Against Our Vanishing
  • Color image of two performers on stage, both seated in chairs. The musician on the left plays a violin while the musician on the right plays a guitar that is placed across their lap. Each musician has several pedals placed on the floor that they control with their feet. Two amps flank the pair of musicians. The musicians and the entire stage is cast in a light pinkish purple light emitted from a projector. A design of overlapping circles with a triangle in the center are projected onto the back wall.
    Color image of two performers on stage, both seated in chairs. The musician on the left plays a violin while the musician on the right plays a guitar that is placed across their lap. Each musician has several pedals placed on the floor that they control with their feet. Two amps flank the pair of musicians. The musicians and the entire stage is cast in a light pinkish purple light emitted from a projector. A design of overlapping circles with a triangle in the center are projected onto the back wall.
    Abasement #67. Performance documentation, January 15, 2024, Artists Space. Photo: Joshua Wildman. [Color image of two performers on stage, both seated in chairs. The musician on the left plays a violin while the musician on the right plays a guitar that is placed across their lap. Each musician has several pedals placed on the floor that they control with their feet. Two amps flank the pair of musicians. The musicians and the entire stage is cast in a light pinkish purple light emitted from a projector. A design of overlapping circles with a triangle in the center are projected onto the back wall.]
    Caption Abasement #67. Performance documentation, January 15, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Color image of two performers on stage, both seated in chairs. The musician on the left plays a violin while the musician on the right plays a guitar that is placed across their lap. Each musician has several pedals placed on the floor that they control with their feet. Two amps flank the pair of musicians. The musicians and the entire stage is cast in a light pinkish purple light emitted from a projector. A design of overlapping circles with a triangle in the center are projected onto the back wall.
    Year
    Related pages Abasement #67
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A color photograph of an arepa placed on a purple tablecloth.
    A color photograph of an arepa placed on a purple tablecloth.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata [A color photograph of an arepa placed on a purple tablecloth.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata
    Image description A color photograph of an arepa placed on a purple tablecloth.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • Alternating clusters and individual small framed works on paper hang on a white gallery wall. The works feature swooping, abstract calligraphic lines that resemble text.
    Alternating clusters and individual small framed works on paper hang on a white gallery wall. The works feature swooping, abstract calligraphic lines that resemble text.
    Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak. [Alternating clusters and individual small framed works on paper hang on a white gallery wall. The works feature swooping, abstract calligraphic lines that resemble text.]
    Caption Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak.
    Image description Alternating clusters and individual small framed works on paper hang on a white gallery wall. The works feature swooping, abstract calligraphic lines that resemble text.
    Year
    Related pages Dream Lines: Drawings by Marian Zazeela
  • A color image of a pink-hued room inside which an irregularly shaped platform with a reflective surface sits on the ground. Objects such as plants, a fish tank, and tree stumps sit on and around the platform.
    A color image of a pink-hued room inside which an irregularly shaped platform with a reflective surface sits on the ground. Objects such as plants, a fish tank, and tree stumps sit on and around the platform.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022. [A color image of a pink-hued room inside which an irregularly shaped platform with a reflective surface sits on the ground. Objects such as plants, a fish tank, and tree stumps sit on and around the platform.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022.
    Image description A color image of a pink-hued room inside which an irregularly shaped platform with a reflective surface sits on the ground. Objects such as plants, a fish tank, and tree stumps sit on and around the platform.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • Color photograph of a gallery space. Various musical instruments and audio devices are placed around the middle of the room, photographs and vitrines hang on the walls, and various television monitors and projected images are placed along the sides of the room.
    Color photograph of a gallery space. Various musical instruments and audio devices are placed around the middle of the room, photographs and vitrines hang on the walls, and various television monitors and projected images are placed along the sides of the room.
    Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a gallery space. Various musical instruments and audio devices are placed around the middle of the room, photographs and vitrines hang on the walls, and various television monitors and projected images are placed along the sides of the room.]
    Caption Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photograph of a gallery space. Various musical instruments and audio devices are placed around the middle of the room, photographs and vitrines hang on the walls, and various television monitors and projected images are placed along the sides of the room.
    Year 2023
    Related pages Yasunao Tone: Region of Paramedia
  • A black and white photograph of the base of a monument in a city square. Steps lead up to a pedastal surrounded by three large spheres connected by a metal chain.
    A black and white photograph of the base of a monument in a city square. Steps lead up to a pedastal surrounded by three large spheres connected by a metal chain.
    Bases of the equestrian monument to Kaiser Wilhem which was destroyed by the British occupation in Münster after World War II. The photographs were printed as post cards in the early 20th century and collected from eBay and oldthing.de in 2021. [A black and white photograph of the base of a monument in a city square. Steps lead up to a pedastal surrounded by three large spheres connected by a metal chain.]
    Caption Bases of the equestrian monument to Kaiser Wilhem which was destroyed by the British occupation in Münster after World War II. The photographs were printed as post cards in the early 20th century and collected from eBay and oldthing.de in 2021.
    Image description A black and white photograph of the base of a monument in a city square. Steps lead up to a pedastal surrounded by three large spheres connected by a metal chain.
    Year 2022
    Related pages virgil b/g taylor: Minor Publics
  • Rows of audio cassette tapes are tightly packed together. Many of the tapes have handwritten labels describing what is on the tape.
    Rows of audio cassette tapes are tightly packed together. Many of the tapes have handwritten labels describing what is on the tape.
    Audio cassette tapes for Echo Chamber, Sharon Hayes & Brooke O'Harra. [Rows of audio cassette tapes are tightly packed together. Many of the tapes have handwritten labels describing what is on the tape. ]
    Caption Audio cassette tapes for Echo Chamber, Sharon Hayes & Brooke O'Harra.
    Image description Rows of audio cassette tapes are tightly packed together. Many of the tapes have handwritten labels describing what is on the tape.
    Year
    Related pages Sharon Hayes and Brooke O'Harra 2
  • Black-and-white photograph of a figure sitting in a chair on stage, with their hands behind their head. They are sitting behind a reed organ covered in a plastic sheet with an ice cube placed on top of the keyboard. Behind the reed organ is a clock on a music stand.
    Black-and-white photograph of a figure sitting in a chair on stage, with their hands behind their head. They are sitting behind a reed organ covered in a plastic sheet with an ice cube placed on top of the keyboard. Behind the reed organ is a clock on a music stand.
    Yasunao Tone performing Music for Reed Organ (1962), Repetition and Structures, Mills College, Oakland, California, 1972 [Black-and-white photograph of a figure sitting in a chair on stage, with their hands behind their head. They are sitting behind a reed organ covered in a plastic sheet with an ice cube placed on top of the keyboard. Behind the reed organ is a clock on a music stand.]
    Caption Yasunao Tone performing Music for Reed Organ (1962), Repetition and Structures, Mills College, Oakland, California, 1972
    Image description Black-and-white photograph of a figure sitting in a chair on stage, with their hands behind their head. They are sitting behind a reed organ covered in a plastic sheet with an ice cube placed on top of the keyboard. Behind the reed organ is a clock on a music stand.
    Year
    Related pages Yasunao Tone Concert #2
  • A color image of a gallery space. From left to right: a shovel standing upright on a pedestal, a shovel with an iron claw at the base, a tree log on a pedestal and another tree log on pedestal, with a griffon vulture perched on the branch.
    A color image of a gallery space. From left to right: a shovel standing upright on a pedestal, a shovel with an iron claw at the base, a tree log on a pedestal and another tree log on pedestal, with a griffon vulture perched on the branch.
    Andy Robert: PAPALOKO. Installation view, Artists Space, 2024. Photo: Carter Seddon. [A color image of a gallery space. From left to right: a shovel standing upright on a pedestal, a shovel with an iron claw at the base, a tree log on a pedestal and another tree log on pedestal, with a griffon vulture perched on the branch.]
    Caption Andy Robert: PAPALOKO. Installation view, Artists Space, 2024. Photo: Carter Seddon.
    Image description A color image of a gallery space. From left to right: a shovel standing upright on a pedestal, a shovel with an iron claw at the base, a tree log on a pedestal and another tree log on pedestal, with a griffon vulture perched on the branch.
    Year
    Related pages Andy Robert: Papaloko
  • A dimly lit gallery space with wooden flooring, white walls, and white columns. A large, amorphous brown structure with curved sides and a smooth surface is displayed on the gallery floor closest to the viewer. Behind this structure, three columns run diagonally across the gallery space. A gray plinth is located behind the leftmost column and supports several small models. Further back behind the columns and stretching out across the wide gallery space are various photographs of a variety of buildings and building complexes. These images are screenprinted on sheets of tarp that hang from the gallery ceiling.
    A dimly lit gallery space with wooden flooring, white walls, and white columns. A large, amorphous brown structure with curved sides and a smooth surface is displayed on the gallery floor closest to the viewer. Behind this structure, three columns run diagonally across the gallery space. A gray plinth is located behind the leftmost column and supports several small models. Further back behind the columns and stretching out across the wide gallery space are various photographs of a variety of buildings and building complexes. These images are screenprinted on sheets of tarp that hang from the gallery ceiling.
    Zaha Hadid. Installation view, Artists Space, 2003. [A dimly lit gallery space with wooden flooring, white walls, and white columns. A large, amorphous brown structure with curved sides and a smooth surface is displayed on the gallery floor closest to the viewer. Behind this structure, three columns run diagonally across the gallery space. A gray plinth is located behind the leftmost column and supports several small models. Further back behind the columns and stretching out across the wide gallery space are various photographs of a variety of buildings and building complexes. These images are screenprinted on sheets of tarp that hang from the gallery ceiling.]
    Caption Zaha Hadid. Installation view, Artists Space, 2003.
    Image description A dimly lit gallery space with wooden flooring, white walls, and white columns. A large, amorphous brown structure with curved sides and a smooth surface is displayed on the gallery floor closest to the viewer. Behind this structure, three columns run diagonally across the gallery space. A gray plinth is located behind the leftmost column and supports several small models. Further back behind the columns and stretching out across the wide gallery space are various photographs of a variety of buildings and building complexes. These images are screenprinted on sheets of tarp that hang from the gallery ceiling.
    Year 2003
    Related pages Mainspace Architecture & Design Project Series: Zaha Hadid
  • On a white wall two artworks on paper and of the same size hang side-by-side. On the left, nine pencil drawings in no order depict the same figure from different angles. On the right, nine small blocks of text with white letters on a black background sit in orderly 3 x 3 rows.
    On a white wall two artworks on paper and of the same size hang side-by-side. On the left, nine pencil drawings in no order depict the same figure from different angles. On the right, nine small blocks of text with white letters on a black background sit in orderly 3 x 3 rows.
    Danica Barboza, Omnia - Mercurial, Interposition. Installation view Galerie Buchholz, Cologne 2019. [On a white wall two artworks on paper and of the same size hang side-by-side. On the left, nine pencil drawings in no order depict the same figure from different angles. On the right, nine small blocks of text with white letters on a black background sit in orderly 3 x 3 rows.]
    Caption Danica Barboza, Omnia - Mercurial, Interposition. Installation view Galerie Buchholz, Cologne 2019.
    Image description On a white wall two artworks on paper and of the same size hang side-by-side. On the left, nine pencil drawings in no order depict the same figure from different angles. On the right, nine small blocks of text with white letters on a black background sit in orderly 3 x 3 rows.
    Year 2019
    Related pages Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater
  • The English translation of the poem “When everything—including this cell phone—fails…/Cuando todo—incluyendo este teléfono móvil—faile...” appears above the Spanish translation. Two grey lines of different thicknesses cross to form an X-shape on the right of the page.
    The English translation of the poem “When everything—including this cell phone—fails…/Cuando todo—incluyendo este teléfono móvil—faile...” appears above the Spanish translation. Two grey lines of different thicknesses cross to form an X-shape on the right of the page.
    Electronic Disturbance Theater 2.0/b.a.n.g. lab. The Transborder Immigrant Tool, 2007–ongoing. Pages excerpted from The Transborder Immigrant Tool publication. Courtesy the artist, University of Michigan Ann Arbor, and University of California, San Diego. [The English translation of the poem “When everything—including this cell phone—fails…/Cuando todo—incluyendo este teléfono móvil—faile...” appears above the Spanish translation. Two grey lines of different thicknesses cross to form an X-shape on the right of the page.]
    Caption Electronic Disturbance Theater 2.0/b.a.n.g. lab. The Transborder Immigrant Tool, 2007–ongoing. Pages excerpted from The Transborder Immigrant Tool publication. Courtesy the artist, University of Michigan Ann Arbor, and University of California, San Diego.
    Image description The English translation of the poem “When everything—including this cell phone—fails…/Cuando todo—incluyendo este teléfono móvil—faile...” appears above the Spanish translation. Two grey lines of different thicknesses cross to form an X-shape on the right of the page.
    Year 2007
    Related pages Whitney ISP Archive
  • A microphone and lights are set up in a field, with trees along the horizon line.
    A microphone and lights are set up in a field, with trees along the horizon line.
    SCRAAATCH, Untitled July 4th Performance, 2022. Photo: Mo Costello. [A microphone and lights are set up in a field, with trees along the horizon line.]
    Caption SCRAAATCH, Untitled July 4th Performance, 2022. Photo: Mo Costello.
    Image description A microphone and lights are set up in a field, with trees along the horizon line.
    Year
    Related pages SCRAAATCH 11-18
  • Graphic image with five horizontal black bands going across the top, against an off-white background. In large font across the center is text that reads
    Graphic image with five horizontal black bands going across the top, against an off-white background. In large font across the center is text that reads
    [Graphic image with five horizontal black bands going across the top, against an off-white background. In large font across the center is text that reads "Housecalls." Along the bottom additional small text reads "Drake Carr presented by Artists Space at the Armory Art Show."]
    Caption
    Image description Graphic image with five horizontal black bands going across the top, against an off-white background. In large font across the center is text that reads "Housecalls." Along the bottom additional small text reads "Drake Carr presented by Artists Space at the Armory Art Show."
    Year
    Related pages Drake Carr: Housecalls
  • Two figures perform on stage. The figure on the right stands behind a music stand and plays the flute while the figure on the left sits behind a microphone and reads off a piece of paper.
    Two figures perform on stage. The figure on the right stands behind a music stand and plays the flute while the figure on the left sits behind a microphone and reads off a piece of paper.
    Yasunao Tone in Concert with Barbara Held. Performance documentation, January 19, 2023, Artists Space. Photo: Destiny Mata [Two figures perform on stage. The figure on the right stands behind a music stand and plays the flute while the figure on the left sits behind a microphone and reads off a piece of paper.]
    Caption Yasunao Tone in Concert with Barbara Held. Performance documentation, January 19, 2023, Artists Space. Photo: Destiny Mata
    Image description Two figures perform on stage. The figure on the right stands behind a music stand and plays the flute while the figure on the left sits behind a microphone and reads off a piece of paper.
    Year 2023
    Related pages Yasunao Tone in Concert with Barbara Held
  • Constantina Zavitsanos: fwiw. Installation view, Artists Space, 2024. Photo: Carter Seddon.
    Caption Constantina Zavitsanos: fwiw. Installation view, Artists Space, 2024. Photo: Carter Seddon.
    Image description
    Year
    Related pages fwiw
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    Related pages Abasement #77
  • Dolls with photos adjacaent to them hangon the wall on protruding nails and black text is also visible around them. An object can be seen on the floor and a text-based painting is on a wall adjacent to the dolls in this white-walled gallery setting.
    Dolls with photos adjacaent to them hangon the wall on protruding nails and black text is also visible around them. An object can be seen on the floor and a text-based painting is on a wall adjacent to the dolls in this white-walled gallery setting.
    We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [Dolls with photos adjacaent to them hangon the wall on protruding nails and black text is also visible around them. An object can be seen on the floor and a text-based painting is on a wall adjacent to the dolls in this white-walled gallery setting.]
    Caption We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987.
    Image description Dolls with photos adjacaent to them hangon the wall on protruding nails and black text is also visible around them. An object can be seen on the floor and a text-based painting is on a wall adjacent to the dolls in this white-walled gallery setting.
    Year
    Related pages We the People
  • Five photographic collages installed in white frames arranged in a horizontal row along a blank wall.
    Five photographic collages installed in white frames arranged in a horizontal row along a blank wall.
    Salad Days 2. Installation view, Artists Space, 2006. Photo: Bill Ocrutt. [Five photographic collages installed in white frames arranged in a horizontal row along a blank wall.]
    Caption Salad Days 2. Installation view, Artists Space, 2006. Photo: Bill Ocrutt.
    Image description Five photographic collages installed in white frames arranged in a horizontal row along a blank wall.
    Year 2006
    Related pages Salad Days 2
  • Potted plants and small figurines line the windowsill. Beneath the window are four framed works on paper.
    Potted plants and small figurines line the windowsill. Beneath the window are four framed works on paper.
    Adjua Gargi Nzinga Greaves, For Aricka, Ayana, Ayodele, Bernice, Chantelle, Charmaine, Cynthia Ch., Cynthia Co., Daphne, Davina, Dawn, Dina, Emily, Erica, Evadne, Frances, Gail, Gwen, Hara, Heather, Imanei, Imani, Janet, Jenny, Kadija, Kahdeidra, kale, Kelly, Kenya (R), LesLes, Lois, Lynnette, Madeleine, Mahogany, Marsha, Maiya, Najela, Nontsi, Ola, Pilar, Queen, RaFia, Ro-Ro, Sandra, Sasha, Serenity, Shana, Simone L, Simone W, Tabitha, Taiyi, Trinity, Uchenna, Vivian, Wangechi, X, Yvette, Zuri, detail, 2021. Living plants: Hannibal (Epipremnum aureum) with rose quartz, Gertrude Deuxieme (Tillandsia xerographica), Leonie (Philodendron totem), Eversley Deuxieme (Tillandsia xerographica), Melford (Epipremnum aureum) with amethyst; dessicated floral matter (eucalyptus, grass, willow, palm), knight on horseback figurine, brass candlesticks, polystyrene, porcelain and 18 karat gold plates, crystals (various), bamboo earrings, jade, cremains, leather, cork, glass, dragon figurine, sandalwood incense and ceramic holder, palo santo (Bursera graveolens), and window, overall dimensions variable. Courtesy Artists SPace, New York. Photo: Filip Wolak [Potted plants and small figurines line the windowsill. Beneath the window are four framed works on paper.]
    Caption Adjua Gargi Nzinga Greaves, For Aricka, Ayana, Ayodele, Bernice, Chantelle, Charmaine, Cynthia Ch., Cynthia Co., Daphne, Davina, Dawn, Dina, Emily, Erica, Evadne, Frances, Gail, Gwen, Hara, Heather, Imanei, Imani, Janet, Jenny, Kadija, Kahdeidra, kale, Kelly, Kenya (R), LesLes, Lois, Lynnette, Madeleine, Mahogany, Marsha, Maiya, Najela, Nontsi, Ola, Pilar, Queen, RaFia, Ro-Ro, Sandra, Sasha, Serenity, Shana, Simone L, Simone W, Tabitha, Taiyi, Trinity, Uchenna, Vivian, Wangechi, X, Yvette, Zuri, detail, 2021. Living plants: Hannibal (Epipremnum aureum) with rose quartz, Gertrude Deuxieme (Tillandsia xerographica), Leonie (Philodendron totem), Eversley Deuxieme (Tillandsia xerographica), Melford (Epipremnum aureum) with amethyst; dessicated floral matter (eucalyptus, grass, willow, palm), knight on horseback figurine, brass candlesticks, polystyrene, porcelain and 18 karat gold plates, crystals (various), bamboo earrings, jade, cremains, leather, cork, glass, dragon figurine, sandalwood incense and ceramic holder, palo santo (Bursera graveolens), and window, overall dimensions variable. Courtesy Artists SPace, New York. Photo: Filip Wolak
    Image description Potted plants and small figurines line the windowsill. Beneath the window are four framed works on paper.
    Year 2021
    Related pages Adjua Gargi Nzinga Greaves
  • This painting depicts a figure comprised of geometric shapes in saturated pinks, greens, yellows, and blues on a purple background. The arms, neck, and parts of the face are decorated with blue swirls and a brown, broken heart-like shape lies on top of the figure's chest.
    This painting depicts a figure comprised of geometric shapes in saturated pinks, greens, yellows, and blues on a purple background. The arms, neck, and parts of the face are decorated with blue swirls and a brown, broken heart-like shape lies on top of the figure's chest.
    Dionis Diaz, self portrait, acrylic on paper, 2019 [This painting depicts a figure comprised of geometric shapes in saturated pinks, greens, yellows, and blues on a purple background. The arms, neck, and parts of the face are decorated with blue swirls and a brown, broken heart-like shape lies on top of the figure's chest.]
    Caption Dionis Diaz, self portrait, acrylic on paper, 2019
    Image description This painting depicts a figure comprised of geometric shapes in saturated pinks, greens, yellows, and blues on a purple background. The arms, neck, and parts of the face are decorated with blue swirls and a brown, broken heart-like shape lies on top of the figure's chest.
    Year 2019
    Related pages Portfolio Development
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    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • Yellow rectangles with cropped black text are arranged haphardly on a white background. Black text over the top and bottom of the image reads
    Yellow rectangles with cropped black text are arranged haphardly on a white background. Black text over the top and bottom of the image reads
    Flyer for Segue Reading Series featuring Dazie Grego-Sykes and Douglas A. Martin. Saturday, October 24, 2020, Artists Space. Artist: Keith Higginbotham [Yellow rectangles with cropped black text are arranged haphardly on a white background. Black text over the top and bottom of the image reads "Dazie Grego-Sykes / Douglas A. Martin," and positioned in the center vertically, black text reads "Segue."]
    Caption Flyer for Segue Reading Series featuring Dazie Grego-Sykes and Douglas A. Martin. Saturday, October 24, 2020, Artists Space. Artist: Keith Higginbotham
    Image description Yellow rectangles with cropped black text are arranged haphardly on a white background. Black text over the top and bottom of the image reads "Dazie Grego-Sykes / Douglas A. Martin," and positioned in the center vertically, black text reads "Segue."
    Year 2020
    Related pages Segue Reading Series: Douglas A. Martin & Dazié Grego- Sykes
  • Color image of a closeup of a figure, in profile, holding up a small radio to their ear.
    Color image of a closeup of a figure, in profile, holding up a small radio to their ear.
    Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata [Color image of a closeup of a figure, in profile, holding up a small radio to their ear.]
    Caption Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata
    Image description Color image of a closeup of a figure, in profile, holding up a small radio to their ear.
    Year 2023
    Related pages Yasunao Tone Concert #2
  • A woman is seated wearing a long, yellow dress with a full skirt that has extra fabric at the bottom. She is washing the front of her dress with soap suds, some of which are dripping down the front of the skirt.
    A woman is seated wearing a long, yellow dress with a full skirt that has extra fabric at the bottom. She is washing the front of her dress with soap suds, some of which are dripping down the front of the skirt.
    Yellow. Performance view, Artists Space, 2008. [A woman is seated wearing a long, yellow dress with a full skirt that has extra fabric at the bottom. She is washing the front of her dress with soap suds, some of which are dripping down the front of the skirt.]
    Caption Yellow. Performance view, Artists Space, 2008.
    Image description A woman is seated wearing a long, yellow dress with a full skirt that has extra fabric at the bottom. She is washing the front of her dress with soap suds, some of which are dripping down the front of the skirt.
    Year 2008
    Related pages When Time Becomes Form: Yellow
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A close up image of vinyl text installed on a gallery wall. The header of the text reads,
    A close up image of vinyl text installed on a gallery wall. The header of the text reads,
    She Who Is: Adrienne Kennedy and the Drama of Difference. February 29, 2020–September 19,2020. Image courtesy of Artists Space, New York. Photo: Filip Wolak [A close up image of vinyl text installed on a gallery wall. The header of the text reads, "She Who Is / Adrienne Kennedy and the Drama of Difference." Past this gallery wall, a large exhibition space is visible. Several old Hollywood films are projected on the space's far gallery walls.]
    Caption She Who Is: Adrienne Kennedy and the Drama of Difference. February 29, 2020–September 19,2020. Image courtesy of Artists Space, New York. Photo: Filip Wolak
    Image description A close up image of vinyl text installed on a gallery wall. The header of the text reads, "She Who Is / Adrienne Kennedy and the Drama of Difference." Past this gallery wall, a large exhibition space is visible. Several old Hollywood films are projected on the space's far gallery walls.
    Year 2020
    Related pages She Who Is: Adrienne Kennedy and the Drama of Difference
  • A series of rectangular panels and tiles of varying dimensions installed on a white wall. The installed elements are positioned adjacent to one another, forming a larger irregular shape. The panels feature black, white, and muted colors. Some feature abstract painted compositions and color blocks, others include text or line drawings.
    A series of rectangular panels and tiles of varying dimensions installed on a white wall. The installed elements are positioned adjacent to one another, forming a larger irregular shape. The panels feature black, white, and muted colors. Some feature abstract painted compositions and color blocks, others include text or line drawings.
    I Thought I Had Time. Installation view, Artists Space, 1992. [A series of rectangular panels and tiles of varying dimensions installed on a white wall. The installed elements are positioned adjacent to one another, forming a larger irregular shape. The panels feature black, white, and muted colors. Some feature abstract painted compositions and color blocks, others include text or line drawings.]
    Caption I Thought I Had Time. Installation view, Artists Space, 1992.
    Image description A series of rectangular panels and tiles of varying dimensions installed on a white wall. The installed elements are positioned adjacent to one another, forming a larger irregular shape. The panels feature black, white, and muted colors. Some feature abstract painted compositions and color blocks, others include text or line drawings.
    Year 1992
    Related pages I Thought I Had Time
  • A geometric composition of red, purple, black, yellow, blue, and green flat shapes on a white background.
    A geometric composition of red, purple, black, yellow, blue, and green flat shapes on a white background.
    Shirley Jaffe. White Begonia, 1986. Oil on canvas, 86x70 inches. [A geometric composition of red, purple, black, yellow, blue, and green flat shapes on a white background.]
    Caption Shirley Jaffe. White Begonia, 1986. Oil on canvas, 86x70 inches.
    Image description A geometric composition of red, purple, black, yellow, blue, and green flat shapes on a white background.
    Year 1986
    Related pages Shirley Jaffe and Murray Reich
  • Two screens are mounted, one above the other, on two metal poles. They show a single image split across the two screens of a black fabric with white dots, zigzags, and lines. In the background, there are two more screens mounted vertically on two metal poles. They show a black image with white light spots.
    Two screens are mounted, one above the other, on two metal poles. They show a single image split across the two screens of a black fabric with white dots, zigzags, and lines. In the background, there are two more screens mounted vertically on two metal poles. They show a black image with white light spots.
    Hilary Lloyd. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [Two screens are mounted, one above the other, on two metal poles. They show a single image split across the two screens of a black fabric with white dots, zigzags, and lines. In the background, there are two more screens mounted vertically on two metal poles. They show a black image with white light spots.]
    Caption Hilary Lloyd. Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description Two screens are mounted, one above the other, on two metal poles. They show a single image split across the two screens of a black fabric with white dots, zigzags, and lines. In the background, there are two more screens mounted vertically on two metal poles. They show a black image with white light spots.
    Year 2011
    Related pages Hilary Lloyd
  • A figure, silhouetted by the sun, pushes a bike with a wooden contraption anchored across its handlebars, upon which various obscured objects hang. The figure is situated on a dirt road next to a body of water, which stretches out behind them in the distance. Urban buildings are visible in the far distance.
    A figure, silhouetted by the sun, pushes a bike with a wooden contraption anchored across its handlebars, upon which various obscured objects hang. The figure is situated on a dirt road next to a body of water, which stretches out behind them in the distance. Urban buildings are visible in the far distance.
    [A figure, silhouetted by the sun, pushes a bike with a wooden contraption anchored across its handlebars, upon which various obscured objects hang. The figure is situated on a dirt road next to a body of water, which stretches out behind them in the distance. Urban buildings are visible in the far distance.]
    Caption
    Image description A figure, silhouetted by the sun, pushes a bike with a wooden contraption anchored across its handlebars, upon which various obscured objects hang. The figure is situated on a dirt road next to a body of water, which stretches out behind them in the distance. Urban buildings are visible in the far distance.
    Year 2007
    Related pages Program 6 - In The Poem About Love You Don't Write The Word Love Film Series at Anthology Film Archives
  • Black, lowecase text that reads,
    Black, lowecase text that reads,
    [Black, lowecase text that reads, "edition hansjörg mayer."]
    Caption
    Image description Black, lowecase text that reads, "edition hansjörg mayer."
    Year 2014
    Related pages The Library Vaccine
  • Photograph of a performer, standing next to a table covered in a black cloth. The background is bathed in purple light. A white spotlight shines on the table, highlighting the performer's hands as they pour liquid from one teacup into another teacup held below.
    Photograph of a performer, standing next to a table covered in a black cloth. The background is bathed in purple light. A white spotlight shines on the table, highlighting the performer's hands as they pour liquid from one teacup into another teacup held below.
    S*an D. Henry Smith in Constantina Zavitsanos’ Entropy (2023), a set of three performances (on-site and online) for If I Can’t Dance, I Don’t Want to Be a Part of Your Revolution. Performers and co-creators of the score: Angelo Custódio and Pedro Matias, S*an D. Henry-Smith and Geo Wyex. Photo: Prins de Vos [Photograph of a performer, standing next to a table covered in a black cloth. The background is bathed in purple light. A white spotlight shines on the table, highlighting the performer's hands as they pour liquid from one teacup into another teacup held below.]
    Caption S*an D. Henry Smith in Constantina Zavitsanos’ Entropy (2023), a set of three performances (on-site and online) for If I Can’t Dance, I Don’t Want to Be a Part of Your Revolution. Performers and co-creators of the score: Angelo Custódio and Pedro Matias, S*an D. Henry-Smith and Geo Wyex. Photo: Prins de Vos
    Image description Photograph of a performer, standing next to a table covered in a black cloth. The background is bathed in purple light. A white spotlight shines on the table, highlighting the performer's hands as they pour liquid from one teacup into another teacup held below.
    Year
    Related pages S*an D. Henry-Smith
  • From below, a musician is seen manipulating electronics housed inside of a lunchbox that pictures a schoolbus painted with different colored rectangles that have sharp black borders. Above the schoolbus is text that reads "The Partridge Family". The walls behind the musician are bathed in soft green light.
    Caption From below, a musician is seen manipulating electronics housed inside of a lunchbox that pictures a schoolbus painted with different colored rectangles that have sharp black borders. Above the schoolbus is text that reads "The Partridge Family". The walls behind the musician are bathed in soft green light.
    Image description
    Year
    Related pages Abasement #70
  • A two-page spread from the novel Dictée shows four diagrams of a human larynx and neck on the left-hand page and a page of writing from the novel on the right.
    A two-page spread from the novel Dictée shows four diagrams of a human larynx and neck on the left-hand page and a page of writing from the novel on the right.
    Theresa Hak Kyung Cha, Dictée (New York: Tanam Press, 1982), 74 - 75. [A two-page spread from the novel Dictée shows four diagrams of a human larynx and neck on the left-hand page and a page of writing from the novel on the right.]
    Caption Theresa Hak Kyung Cha, Dictée (New York: Tanam Press, 1982), 74 - 75.
    Image description A two-page spread from the novel Dictée shows four diagrams of a human larynx and neck on the left-hand page and a page of writing from the novel on the right.
    Year 1982
    Related pages Whitney ISP Archive
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Many colorful documents, photographs, and posters installed on a white wall in an exhibition space. A small television monitor displaying a green image sits on the ground beneath the posters and other artworks.
    Many colorful documents, photographs, and posters installed on a white wall in an exhibition space. A small television monitor displaying a green image sits on the ground beneath the posters and other artworks.
    Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [Many colorful documents, photographs, and posters installed on a white wall in an exhibition space. A small television monitor displaying a green image sits on the ground beneath the posters and other artworks.]
    Caption Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description Many colorful documents, photographs, and posters installed on a white wall in an exhibition space. A small television monitor displaying a green image sits on the ground beneath the posters and other artworks.
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • White gallery wall in foreground features two framed works on paper. The closer work features a diptych of delicately pencil-drawn crosses, while the further work is densely filled with calligraphic lines. Additional clusters of small framed works on paper hang on the wall in the background.
    White gallery wall in foreground features two framed works on paper. The closer work features a diptych of delicately pencil-drawn crosses, while the further work is densely filled with calligraphic lines. Additional clusters of small framed works on paper hang on the wall in the background.
    Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak. [White gallery wall in foreground features two framed works on paper. The closer work features a diptych of delicately pencil-drawn crosses, while the further work is densely filled with calligraphic lines. Additional clusters of small framed works on paper hang on the wall in the background.]
    Caption Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak.
    Image description White gallery wall in foreground features two framed works on paper. The closer work features a diptych of delicately pencil-drawn crosses, while the further work is densely filled with calligraphic lines. Additional clusters of small framed works on paper hang on the wall in the background.
    Year
    Related pages Dream Lines: Drawings by Marian Zazeela
  • A person holding caution tape over a patch of wet cement with the words <i>Everything is common</i> written in it.
    A person holding caution tape over a patch of wet cement with the words <i>Everything is common</i> written in it.
    Cover for Everything is common catalogue by Jack Hogan [A person holding caution tape over a patch of wet cement with the words Everything is common written in it.]
    Caption Cover for Everything is common catalogue by Jack Hogan
    Image description A person holding caution tape over a patch of wet cement with the words Everything is common written in it.
    Year 2022
    Related pages Whitney Independent Study: Everything is Common
  • A flyer for Concert's tour, ending at Artists Space on June 30. The yellow flyer features two black speakers mounted on stands.
    A flyer for Concert's tour, ending at Artists Space on June 30. The yellow flyer features two black speakers mounted on stands.
    [A flyer for Concert's tour, ending at Artists Space on June 30. The yellow flyer features two black speakers mounted on stands.]
    Caption
    Image description A flyer for Concert's tour, ending at Artists Space on June 30. The yellow flyer features two black speakers mounted on stands.
    Year
    Related pages Behave Like an Audience
  • Color image of a side view of a booth inside an art fair. On the outside of the left wall, three works made of cut-out panels can be seen. One is in the shape of curtains, and two are human figures. Inside the booth, a window with balck and white curtains with pink flowers can be seen. On the right wall hangs a colorful drawing with two figures sitting on a couch.
    Color image of a side view of a booth inside an art fair. On the outside of the left wall, three works made of cut-out panels can be seen. One is in the shape of curtains, and two are human figures. Inside the booth, a window with balck and white curtains with pink flowers can be seen. On the right wall hangs a colorful drawing with two figures sitting on a couch.
    Drake Carr: Housecalls. Installation view, Artists Space at the Armory Show, 2023. Photo: Filip Wolak. [Color image of a side view of a booth inside an art fair. On the outside of the left wall, three works made of cut-out panels can be seen. One is in the shape of curtains, and two are human figures. Inside the booth, a window with balck and white curtains with pink flowers can be seen. On the right wall hangs a colorful drawing with two figures sitting on a couch.]
    Caption Drake Carr: Housecalls. Installation view, Artists Space at the Armory Show, 2023. Photo: Filip Wolak.
    Image description Color image of a side view of a booth inside an art fair. On the outside of the left wall, three works made of cut-out panels can be seen. One is in the shape of curtains, and two are human figures. Inside the booth, a window with balck and white curtains with pink flowers can be seen. On the right wall hangs a colorful drawing with two figures sitting on a couch.
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    Related pages Drake Carr: Housecalls
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  • In the foreground is one dark painting image and in the background is a painting of a figure coming out of a square brick chimney-like structure with marking above them. These two paintings appear in a white-walled gallery space.
    In the foreground is one dark painting image and in the background is a painting of a figure coming out of a square brick chimney-like structure with marking above them. These two paintings appear in a white-walled gallery space.
    Five Spanish Artists. Installation View, Artists Space, 1985. [In the foreground is one dark painting image and in the background is a painting of a figure coming out of a square brick chimney-like structure with marking above them. These two paintings appear in a white-walled gallery space.]
    Caption Five Spanish Artists. Installation View, Artists Space, 1985.
    Image description In the foreground is one dark painting image and in the background is a painting of a figure coming out of a square brick chimney-like structure with marking above them. These two paintings appear in a white-walled gallery space.
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    Related pages Five Spanish Artists
  • Contact sheet of installation images taken during exhibition opening.
    Contact sheet of installation images taken during exhibition opening.
    Gary Burnley, Martin Cohen, Candace Hill-Montgomery, Louis Stein, and Haim Steinbach. Contact sheet of photos from exhibition opening, Artists Space, 1979. Photos by Gary Burnley. [Contact sheet of installation images taken during exhibition opening.]
    Caption Gary Burnley, Martin Cohen, Candace Hill-Montgomery, Louis Stein, and Haim Steinbach. Contact sheet of photos from exhibition opening, Artists Space, 1979. Photos by Gary Burnley.
    Image description Contact sheet of installation images taken during exhibition opening.
    Year 1979
    Related pages Gary Burnley
  • A crowd watches two figures in medical scrubs, facing each other on opposite sides of a table with wheels.
    A crowd watches two figures in medical scrubs, facing each other on opposite sides of a table with wheels.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court [A crowd watches two figures in medical scrubs, facing each other on opposite sides of a table with wheels.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court
    Image description A crowd watches two figures in medical scrubs, facing each other on opposite sides of a table with wheels.
    Year 2022
    Related pages Grandmother Cindy
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  • Various posters, ephemera, and other printed matter hang on a wall with a light pink background.
    Various posters, ephemera, and other printed matter hang on a wall with a light pink background.
    Attention Line. Installation view (various ephemera surrounding the works of Vaginal Davis, c. 1990s), Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [Various posters, ephemera, and other printed matter hang on a wall with a light pink background.]
    Caption Attention Line. Installation view (various ephemera surrounding the works of Vaginal Davis, c. 1990s), Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak
    Image description Various posters, ephemera, and other printed matter hang on a wall with a light pink background.
    Year 2022
    Related pages Attention Line
  • Drawing of a muscular man with a combover and handlebar mustache, grappling the Earth and grinning as he inserts his penis into the planet.
    Drawing of a muscular man with a combover and handlebar mustache, grappling the Earth and grinning as he inserts his penis into the planet.
    Tom of Finland, Untitled, 1976. Graphite on paper. Courtesy Collection Ulrich Tangermann, Hamburg. [Drawing of a muscular man with a combover and handlebar mustache, grappling the Earth and grinning as he inserts his penis into the planet.]
    Caption Tom of Finland, Untitled, 1976. Graphite on paper. Courtesy Collection Ulrich Tangermann, Hamburg.
    Image description Drawing of a muscular man with a combover and handlebar mustache, grappling the Earth and grinning as he inserts his penis into the planet.
    Year 1976
    Related pages Tom of Finland: The Pleasure of Play
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  • Two figures crouch next to two abstract artworks standing on the floor of a gallery space. Both people have dyed hair and half-blue facepaint.
    Two figures crouch next to two abstract artworks standing on the floor of a gallery space. Both people have dyed hair and half-blue facepaint.
    CaptionKari Altmann, still from XOMIA, 2015. Courtesy the artist and Ellis King Gallery. [Two figures crouch next to two abstract artworks standing on the floor of a gallery space. Both people have dyed hair and half-blue facepaint.]
    Caption CaptionKari Altmann, still from XOMIA, 2015. Courtesy the artist and Ellis King Gallery.
    Image description Two figures crouch next to two abstract artworks standing on the floor of a gallery space. Both people have dyed hair and half-blue facepaint.
    Year 2015
    Related pages Kari Altmann & Ruth Saxelby
  • A classroom with several students, each at their own desk, painting with primary-color watercolors
    A classroom with several students, each at their own desk, painting with primary-color watercolors
    Community Listening event, Painting Sound, Listening to the LES, P.S. 140, 2019 [A classroom with several students, each at their own desk, painting with primary-color watercolors]
    Caption Community Listening event, Painting Sound, Listening to the LES, P.S. 140, 2019
    Image description A classroom with several students, each at their own desk, painting with primary-color watercolors
    Year
    Related pages Exhibitions and Events
  • Several photographs and sculptures in a large gallery space with wooden floors and white columns. To the left of the space is a white sculpture forming a rig-like structure, with two wing-like appendages at its top. A large animal skull rests on a triangular support mounted to the gallery wall on the left. Glass panes with red liquid spread across them rest on the gallery floor in the image's center.
    Several photographs and sculptures in a large gallery space with wooden floors and white columns. To the left of the space is a white sculpture forming a rig-like structure, with two wing-like appendages at its top. A large animal skull rests on a triangular support mounted to the gallery wall on the left. Glass panes with red liquid spread across them rest on the gallery floor in the image's center.
    Nina in Position. Installation view, Artists Space, 2008. Photo: Bill Orcutt. [Several photographs and sculptures in a large gallery space with wooden floors and white columns. To the left of the space is a white sculpture forming a rig-like structure, with two wing-like appendages at its top. A large animal skull rests on a triangular support mounted to the gallery wall on the left. Glass panes with red liquid spread across them rest on the gallery floor in the image's center.]
    Caption Nina in Position. Installation view, Artists Space, 2008. Photo: Bill Orcutt.
    Image description Several photographs and sculptures in a large gallery space with wooden floors and white columns. To the left of the space is a white sculpture forming a rig-like structure, with two wing-like appendages at its top. A large animal skull rests on a triangular support mounted to the gallery wall on the left. Glass panes with red liquid spread across them rest on the gallery floor in the image's center.
    Year 2008
    Related pages Nina in Position
  • A dark grey background with black silhouettes of leaves and foliage. In the top left corner,
    A dark grey background with black silhouettes of leaves and foliage. In the top left corner,
    Flyer for Palm-Lined with Potience. April 28, 2022, Artists Space. [A dark grey background with black silhouettes of leaves and foliage. In the top left corner, "Artists Space / Ugly Duckling Presse / present the launch:" is written in yellow-orange text. In the center "Palm-Lined with Potience / Fury Young / Jaylen Strong / Alex Tatarsky / Benjamin Krusling / Adjua Gargi Nzinga Greaves / JJJJJerome Ellis / x / Basie Allen" appears in yellow text. In the bottom right corner "Thursday, April 28 / 7:00pm 11 Cortlandt Alley" is written in yellow-orange text.]
    Caption Flyer for Palm-Lined with Potience. April 28, 2022, Artists Space.
    Image description A dark grey background with black silhouettes of leaves and foliage. In the top left corner, "Artists Space / Ugly Duckling Presse / present the launch:" is written in yellow-orange text. In the center "Palm-Lined with Potience / Fury Young / Jaylen Strong / Alex Tatarsky / Benjamin Krusling / Adjua Gargi Nzinga Greaves / JJJJJerome Ellis / x / Basie Allen" appears in yellow text. In the bottom right corner "Thursday, April 28 / 7:00pm 11 Cortlandt Alley" is written in yellow-orange text.
    Year 2022
    Related pages Palm-Lined with Potience Book Launch
  • Draped fabric that reads
    Draped fabric that reads
    [Draped fabric that reads "American Express World Service" in an all-over pattern.]
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    Image description Draped fabric that reads "American Express World Service" in an all-over pattern.
    Year 2014
    Related pages Folklore U.S.
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  • Various people having conversations and looking around at the art during the exhibition opening.
    Various people having conversations and looking around at the art during the exhibition opening.
    Artists Draw. Installation view, Artists Space, 1979. [Various people having conversations and looking around at the art during the exhibition opening.]
    Caption Artists Draw. Installation view, Artists Space, 1979.
    Image description Various people having conversations and looking around at the art during the exhibition opening.
    Year 1979
    Related pages Artists Draw: Tom Martin, Auste Peciura, Alan Saret, Patti Smith, Nancy Spero
  • A flowing figure with a circle underneath and small shapes covering head and hand with a white background.
    A flowing figure with a circle underneath and small shapes covering head and hand with a white background.
    Lisa Hoke, View, 1985. [A flowing figure with a circle underneath and small shapes covering head and hand with a white background.]
    Caption Lisa Hoke, View, 1985.
    Image description A flowing figure with a circle underneath and small shapes covering head and hand with a white background.
    Year
    Related pages Six Sculptors
  • Dark blue text overlays red-pink background. The text reads: “February 25 / Steffani Jemison / Anne Waldman.
    Dark blue text overlays red-pink background. The text reads: “February 25 / Steffani Jemison / Anne Waldman.
    [Dark blue text overlays red-pink background. The text reads: “February 25 / Steffani Jemison / Anne Waldman." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
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    Image description Dark blue text overlays red-pink background. The text reads: “February 25 / Steffani Jemison / Anne Waldman." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year 2023
    Related pages Segue Reading Series: Steffani Jemison & Anne Waldman
  • A display of four black and white photographs on a beige gallery wall.
    A display of four black and white photographs on a beige gallery wall.
    ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A display of four black and white photographs on a beige gallery wall.]
    Caption ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A display of four black and white photographs on a beige gallery wall.
    Year 2021
    Related pages ART CLUB2000
  • An image of three performers on stage facing each other. The musician in the middle is standing and playing an upright bass with a bow. On their right side a musician is sitting and playing violin. On the other side a musician is sitting playing an instrument similar to a mandolin. They are all bathed in red light and projections of white angular shapes cover the musicians and the wall.
    An image of three performers on stage facing each other. The musician in the middle is standing and playing an upright bass with a bow. On their right side a musician is sitting and playing violin. On the other side a musician is sitting playing an instrument similar to a mandolin. They are all bathed in red light and projections of white angular shapes cover the musicians and the wall.
    Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman. [An image of three performers on stage facing each other. The musician in the middle is standing and playing an upright bass with a bow. On their right side a musician is sitting and playing violin. On the other side a musician is sitting playing an instrument similar to a mandolin. They are all bathed in red light and projections of white angular shapes cover the musicians and the wall.]
    Caption Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman.
    Image description An image of three performers on stage facing each other. The musician in the middle is standing and playing an upright bass with a bow. On their right side a musician is sitting and playing violin. On the other side a musician is sitting playing an instrument similar to a mandolin. They are all bathed in red light and projections of white angular shapes cover the musicians and the wall.
    Year
    Related pages Abasement #74
  • A close-up photo of a variety of books standing across several metal shelves.
    A close-up photo of a variety of books standing across several metal shelves.
    [A close-up photo of a variety of books standing across several metal shelves.]
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    Image description A close-up photo of a variety of books standing across several metal shelves.
    Year
    Related pages Revisiting de Land's Books
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  • A collage-style image of a person sitting on a square object, perhaps a floor mat, viewed from the top-down. Black-and-white, aside from the person's exposed tan collar, hands and forearms, and feet. They are wearing a black-and-white checkered dress, and have black hair. The figure is looking at an upside-down text, reading
    A collage-style image of a person sitting on a square object, perhaps a floor mat, viewed from the top-down. Black-and-white, aside from the person's exposed tan collar, hands and forearms, and feet. They are wearing a black-and-white checkered dress, and have black hair. The figure is looking at an upside-down text, reading
    Frances Stark, Consider the following again: Why should you not be able to assemble yourself and write?, 2010, Giclée and silkscreen on Somerset Enhanced Velvet, 330 gsm 18 1/2 x 14 1/2 in / 47 x 36,8 cm, Signed and numbered. [A collage-style image of a person sitting on a square object, perhaps a floor mat, viewed from the top-down. Black-and-white, aside from the person's exposed tan collar, hands and forearms, and feet. They are wearing a black-and-white checkered dress, and have black hair. The figure is looking at an upside-down text, reading "why should you not be able to assemble yourself and write?"]
    Caption Frances Stark, Consider the following again: Why should you not be able to assemble yourself and write?, 2010, Giclée and silkscreen on Somerset Enhanced Velvet, 330 gsm 18 1/2 x 14 1/2 in / 47 x 36,8 cm, Signed and numbered.
    Image description A collage-style image of a person sitting on a square object, perhaps a floor mat, viewed from the top-down. Black-and-white, aside from the person's exposed tan collar, hands and forearms, and feet. They are wearing a black-and-white checkered dress, and have black hair. The figure is looking at an upside-down text, reading "why should you not be able to assemble yourself and write?"
    Year 2010
    Related pages Artists Space Annual Edition Portfolio 2010
  • Color image of a man standing at a podium, reading from a program. The individual is flanked on both sides by guests seated at dinner tables within an elegant and decorative venue.
    Color image of a man standing at a podium, reading from a program. The individual is flanked on both sides by guests seated at dinner tables within an elegant and decorative venue.
    Friends of Artists Space Dinner, 2023. Photo: Joshua Wildman. [Color image of a man standing at a podium, reading from a program. The individual is flanked on both sides by guests seated at dinner tables within an elegant and decorative venue.]
    Caption Friends of Artists Space Dinner, 2023. Photo: Joshua Wildman.
    Image description Color image of a man standing at a podium, reading from a program. The individual is flanked on both sides by guests seated at dinner tables within an elegant and decorative venue.
    Year
    Related pages Support
  • Two toys, sitting on a white rug and propped up by white sneakers, face a TV screen. The TV screen between them displays a scene from the cartoon *Hercules*
    Two toys, sitting on a white rug and propped up by white sneakers, face a TV screen. The TV screen between them displays a scene from the cartoon *Hercules*
    Aristotelis Nikolas Mochloulis, The Baby & The Mouse, 2025. Hercules plushie, Fievel Mousekewitz plushie, Nike Air Force shoes, TV, speakers, recordings from DVD of the animated musical Hercules (1997), recordings from the DVD of the animated musical An American Tail (1986), voice acting. Photo: Carter Seddon [Two toys, sitting on a white rug and propped up by white sneakers, face a TV screen. The TV screen between them displays a scene from the cartoon *Hercules*]
    Caption Aristotelis Nikolas Mochloulis, The Baby & The Mouse, 2025. Hercules plushie, Fievel Mousekewitz plushie, Nike Air Force shoes, TV, speakers, recordings from DVD of the animated musical Hercules (1997), recordings from the DVD of the animated musical An American Tail (1986), voice acting. Photo: Carter Seddon
    Image description Two toys, sitting on a white rug and propped up by white sneakers, face a TV screen. The TV screen between them displays a scene from the cartoon *Hercules*
    Year
    Related pages Nandi Loaf Aristotelis Nikolas Mochloulis Ricardo Nagaoka Sydney Schrader
  • Two performers on stage, the one on the right is playing the drums and using electronic audio equipment, and the performer on the left is leaning over a large case on top of a table. The room is bathed in yellow, pink, red, and purple light. The wall behind them is projected with abstract patterns.
    Two performers on stage, the one on the right is playing the drums and using electronic audio equipment, and the performer on the left is leaning over a large case on top of a table. The room is bathed in yellow, pink, red, and purple light. The wall behind them is projected with abstract patterns.
    Abasement #73. Performance documentation, November 4th, 2024, Artists Space. Photo: Joshua Wildman. [Two performers on stage, the one on the right is playing the drums and using electronic audio equipment, and the performer on the left is leaning over a large case on top of a table. The room is bathed in yellow, pink, red, and purple light. The wall behind them is projected with abstract patterns.]
    Caption Abasement #73. Performance documentation, November 4th, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Two performers on stage, the one on the right is playing the drums and using electronic audio equipment, and the performer on the left is leaning over a large case on top of a table. The room is bathed in yellow, pink, red, and purple light. The wall behind them is projected with abstract patterns.
    Year
    Related pages Abasement #73
  • Dr Andrew Torres, Teaching Artist leading a poetry class for Grade 8 students, 2022
    Caption Dr Andrew Torres, Teaching Artist leading a poetry class for Grade 8 students, 2022
    Image description
    Year 2022
    Related pages Art and Literacy: Poetry
  • Screenshot of an Instagram image posted 18 minutes ago by an account named
    Screenshot of an Instagram image posted 18 minutes ago by an account named
    [Screenshot of an Instagram image posted 18 minutes ago by an account named "tusetamer." The photo depicts an outdoor concrete wall with an air conditioner unit visible in the background. Red text spray painted across the wall reads, "Tayyip / WINTER IS / COMING."]
    Caption
    Image description Screenshot of an Instagram image posted 18 minutes ago by an account named "tusetamer." The photo depicts an outdoor concrete wall with an air conditioner unit visible in the background. Red text spray painted across the wall reads, "Tayyip / WINTER IS / COMING."
    Year 2104
    Related pages Notes on the Anthropocene
  • Color photograph of a gallery space with an installation consisting of a large mirrored pond, made from a wooden base with a reflective lining on top, that is surrounded by tree trunks, plants, fish tanks, and a phone booth. A large lamp hangs from the ceiling, and an orange construction net is placed over the pond.
    Color photograph of a gallery space with an installation consisting of a large mirrored pond, made from a wooden base with a reflective lining on top, that is surrounded by tree trunks, plants, fish tanks, and a phone booth. A large lamp hangs from the ceiling, and an orange construction net is placed over the pond.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a gallery space with an installation consisting of a large mirrored pond, made from a wooden base with a reflective lining on top, that is surrounded by tree trunks, plants, fish tanks, and a phone booth. A large lamp hangs from the ceiling, and an orange construction net is placed over the pond.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of a gallery space with an installation consisting of a large mirrored pond, made from a wooden base with a reflective lining on top, that is surrounded by tree trunks, plants, fish tanks, and a phone booth. A large lamp hangs from the ceiling, and an orange construction net is placed over the pond.
    Year
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
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    Related pages Christopher D'Arcangelo
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  • A collaged image featuring a black and white photograph of a figure with short, dark hair wearing a partially unbuttoned shirt against a white background. The figure crosses their arms casually in front of their chest, their right hand holding a lit cigarette. Bright red and yellow strokes of paint resembling fire flames have been painted over the photograph, emerging from the figure's right side. Fragments of a world map have been collaged over the left side of the figure's face. Additionally, an illustration of the Earth and several small illustrations of clocks are collaged along the figure's right arm. A small illustration of a running figure, engulfed by flames, is positioned next to the figure's right elbow. Small black text running along the image's bottom edge reads,
    A collaged image featuring a black and white photograph of a figure with short, dark hair wearing a partially unbuttoned shirt against a white background. The figure crosses their arms casually in front of their chest, their right hand holding a lit cigarette. Bright red and yellow strokes of paint resembling fire flames have been painted over the photograph, emerging from the figure's right side. Fragments of a world map have been collaged over the left side of the figure's face. Additionally, an illustration of the Earth and several small illustrations of clocks are collaged along the figure's right arm. A small illustration of a running figure, engulfed by flames, is positioned next to the figure's right elbow. Small black text running along the image's bottom edge reads,
    David Wojnarowicz with Tom Warren, Self-Portrait of David Wojnarowicz, 1983/84, 23.5 x 16.5 inches [A collaged image featuring a black and white photograph of a figure with short, dark hair wearing a partially unbuttoned shirt against a white background. The figure crosses their arms casually in front of their chest, their right hand holding a lit cigarette. Bright red and yellow strokes of paint resembling fire flames have been painted over the photograph, emerging from the figure's right side. Fragments of a world map have been collaged over the left side of the figure's face. Additionally, an illustration of the Earth and several small illustrations of clocks are collaged along the figure's right arm. A small illustration of a running figure, engulfed by flames, is positioned next to the figure's right elbow. Small black text running along the image's bottom edge reads, "2020Solidarity - David Wojnarowicz with Tom Warren / A project by Between Bridges."]
    Caption David Wojnarowicz with Tom Warren, Self-Portrait of David Wojnarowicz, 1983/84, 23.5 x 16.5 inches
    Image description A collaged image featuring a black and white photograph of a figure with short, dark hair wearing a partially unbuttoned shirt against a white background. The figure crosses their arms casually in front of their chest, their right hand holding a lit cigarette. Bright red and yellow strokes of paint resembling fire flames have been painted over the photograph, emerging from the figure's right side. Fragments of a world map have been collaged over the left side of the figure's face. Additionally, an illustration of the Earth and several small illustrations of clocks are collaged along the figure's right arm. A small illustration of a running figure, engulfed by flames, is positioned next to the figure's right elbow. Small black text running along the image's bottom edge reads, "2020Solidarity - David Wojnarowicz with Tom Warren / A project by Between Bridges."
    Year 1983
    Related pages 2020Solidarity
  • A square, gray canvas with a large white circle centered towards its bottom edge hangs on a light, mauve-colored wall. At the bottom center of the circle, the canvas stretches outward in a verticle line.
    A square, gray canvas with a large white circle centered towards its bottom edge hangs on a light, mauve-colored wall. At the bottom center of the circle, the canvas stretches outward in a verticle line.
    Zilia Sánchez. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A square, gray canvas with a large white circle centered towards its bottom edge hangs on a light, mauve-colored wall. At the bottom center of the circle, the canvas stretches outward in a verticle line.]
    Caption Zilia Sánchez. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description A square, gray canvas with a large white circle centered towards its bottom edge hangs on a light, mauve-colored wall. At the bottom center of the circle, the canvas stretches outward in a verticle line.
    Year 2013
    Related pages Zilia Sánchez
  • Along two white walls a series of paintings are arranged. Many of the paintings loosely depict human figures or abstracted body parts in brown and red toned paint against white backgrounds.
    Along two white walls a series of paintings are arranged. Many of the paintings loosely depict human figures or abstracted body parts in brown and red toned paint against white backgrounds.
    Nandi Loaf, Aristotelis Nikolas Mochloulis, ricardo nagaoka, Sydney Schrader. Installation view, Artists Space, 2025. Photo: Carter Seddon [Along two white walls a series of paintings are arranged. Many of the paintings loosely depict human figures or abstracted body parts in brown and red toned paint against white backgrounds.]
    Caption Nandi Loaf, Aristotelis Nikolas Mochloulis, ricardo nagaoka, Sydney Schrader. Installation view, Artists Space, 2025. Photo: Carter Seddon
    Image description Along two white walls a series of paintings are arranged. Many of the paintings loosely depict human figures or abstracted body parts in brown and red toned paint against white backgrounds.
    Year
    Related pages Nandi Loaf Aristotelis Nikolas Mochloulis Ricardo Nagaoka Sydney Schrader
  • Black-and-white print featuring multiple photographs of a naked body, spotlighted against a black background and collaged together. Flashes of white light across the print obscure parts of the image, bringing the body in and out of focus.
    Black-and-white print featuring multiple photographs of a naked body, spotlighted against a black background and collaged together. Flashes of white light across the print obscure parts of the image, bringing the body in and out of focus.
    Shala Miller, Modern-Day Sisyphus I, 2023. Courtesy the artist [Black-and-white print featuring multiple photographs of a naked body, spotlighted against a black background and collaged together. Flashes of white light across the print obscure parts of the image, bringing the body in and out of focus.]
    Caption Shala Miller, Modern-Day Sisyphus I, 2023. Courtesy the artist
    Image description Black-and-white print featuring multiple photographs of a naked body, spotlighted against a black background and collaged together. Flashes of white light across the print obscure parts of the image, bringing the body in and out of focus.
    Year
    Related pages Shala Miller, Malcolm Peacock, Amiri Baraka
  • A color photograph of a figure in motion in an orange-lit space next to a small piece of audio equipment with a wire on the floor. A crowd looks on in the background.
    A color photograph of a figure in motion in an orange-lit space next to a small piece of audio equipment with a wire on the floor. A crowd looks on in the background.
    Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. [A color photograph of a figure in motion in an orange-lit space next to a small piece of audio equipment with a wire on the floor. A crowd looks on in the background.]
    Caption Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space.
    Image description A color photograph of a figure in motion in an orange-lit space next to a small piece of audio equipment with a wire on the floor. A crowd looks on in the background.
    Year 2022
    Related pages Yuji Agematsu
  • Musician holding a microphone stand with both hands. Their eyes are closed and they are wearing glasses. A blue guitar is around their body. The background and the musicians face are decorated with green, blue, red, and yellow abstract patterns.
    Musician holding a microphone stand with both hands. Their eyes are closed and they are wearing glasses. A blue guitar is around their body. The background and the musicians face are decorated with green, blue, red, and yellow abstract patterns.
    Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman. [Musician holding a microphone stand with both hands. Their eyes are closed and they are wearing glasses. A blue guitar is around their body. The background and the musicians face are decorated with green, blue, red, and yellow abstract patterns.]
    Caption Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Musician holding a microphone stand with both hands. Their eyes are closed and they are wearing glasses. A blue guitar is around their body. The background and the musicians face are decorated with green, blue, red, and yellow abstract patterns.
    Year
    Related pages Abasement #74
  • Color image of a corner in a darkened gallery space. A large golden egg sculpture sits on the floor in the corner.
    Color image of a corner in a darkened gallery space. A large golden egg sculpture sits on the floor in the corner.
    Matthew Langan-Peck, Golden Egg 1, 2024. Photo: Carter Seddon. [Color image of a corner in a darkened gallery space. A large golden egg sculpture sits on the floor in the corner.]
    Caption Matthew Langan-Peck, Golden Egg 1, 2024. Photo: Carter Seddon.
    Image description Color image of a corner in a darkened gallery space. A large golden egg sculpture sits on the floor in the corner.
    Year
    Related pages Doris Guo Matthew Langan-Peck Isabelle Frances McGuire Ruben Ulises Rodriguez Montoya
  • A red background with white text which reads:
    A red background with white text which reads:
    [A red background with white text which reads: "WE ARE NOT TOOLS FOR WHITE-WASHING OCCUPATION", followed by the Decolonize This Place Logo.]
    Caption
    Image description A red background with white text which reads: "WE ARE NOT TOOLS FOR WHITE-WASHING OCCUPATION", followed by the Decolonize This Place Logo.
    Year 2016
    Related pages Decolonize This Place
  • A gallery space with a large metal structure in the middle of the floor. Four straw brooms are suspended from the top of the structure such that they just brush the floor. On the surrounding white walls, there are several pieces of art. One is a colorful canvas with geometric shapes, sharing a wall with several small objects arranged in an oval. On the other wall, there are series of framed depictions of nude figures in various poses.
    A gallery space with a large metal structure in the middle of the floor. Four straw brooms are suspended from the top of the structure such that they just brush the floor. On the surrounding white walls, there are several pieces of art. One is a colorful canvas with geometric shapes, sharing a wall with several small objects arranged in an oval. On the other wall, there are series of framed depictions of nude figures in various poses.
    Flipside. Installation view, Artists Space, 2004. [A gallery space with a large metal structure in the middle of the floor. Four straw brooms are suspended from the top of the structure such that they just brush the floor. On the surrounding white walls, there are several pieces of art. One is a colorful canvas with geometric shapes, sharing a wall with several small objects arranged in an oval. On the other wall, there are series of framed depictions of nude figures in various poses.]
    Caption Flipside. Installation view, Artists Space, 2004.
    Image description A gallery space with a large metal structure in the middle of the floor. Four straw brooms are suspended from the top of the structure such that they just brush the floor. On the surrounding white walls, there are several pieces of art. One is a colorful canvas with geometric shapes, sharing a wall with several small objects arranged in an oval. On the other wall, there are series of framed depictions of nude figures in various poses.
    Year 2004
    Related pages Flipside
  • Color photograph of a corner of a gallery space. On the left wall hang various framed posters, and black-and-white photographs. A small window in the wall leads to the front of the gallery. On the right wall are more photographs and posters, and a vitrine. On the floor sits a television monitor displaying a black-and-white image of a pocketwatch.
    Color photograph of a corner of a gallery space. On the left wall hang various framed posters, and black-and-white photographs. A small window in the wall leads to the front of the gallery. On the right wall are more photographs and posters, and a vitrine. On the floor sits a television monitor displaying a black-and-white image of a pocketwatch.
    Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a corner of a gallery space. On the left wall hang various framed posters, and black-and-white photographs. A small window in the wall leads to the front of the gallery. On the right wall are more photographs and posters, and a vitrine. On the floor sits a television monitor displaying a black-and-white image of a pocketwatch.]
    Caption Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photograph of a corner of a gallery space. On the left wall hang various framed posters, and black-and-white photographs. A small window in the wall leads to the front of the gallery. On the right wall are more photographs and posters, and a vitrine. On the floor sits a television monitor displaying a black-and-white image of a pocketwatch.
    Year 2023
    Related pages Yasunao Tone: Region of Paramedia
  • Two identical large wooden sculptures on a black and white checkered floor. The sculptures have rounded, semi-circle shaped bases with rectangular pieces set crosswise atop that.
    Two identical large wooden sculptures on a black and white checkered floor. The sculptures have rounded, semi-circle shaped bases with rectangular pieces set crosswise atop that.
    John Monti, Rocker Variation, 1991. [Two identical large wooden sculptures on a black and white checkered floor. The sculptures have rounded, semi-circle shaped bases with rectangular pieces set crosswise atop that.]
    Caption John Monti, Rocker Variation, 1991.
    Image description Two identical large wooden sculptures on a black and white checkered floor. The sculptures have rounded, semi-circle shaped bases with rectangular pieces set crosswise atop that.
    Year 1991
    Related pages Western Agenda
  • Black-and-white photograph that has been double exposed. The dominant image shows a portrait of two smiling figures, standing side-by-side. Imposed on top of that is a faint image of a building and lights.
    Black-and-white photograph that has been double exposed. The dominant image shows a portrait of two smiling figures, standing side-by-side. Imposed on top of that is a faint image of a building and lights.
    [Black-and-white photograph that has been double exposed. The dominant image shows a portrait of two smiling figures, standing side-by-side. Imposed on top of that is a faint image of a building and lights.]
    Caption
    Image description Black-and-white photograph that has been double exposed. The dominant image shows a portrait of two smiling figures, standing side-by-side. Imposed on top of that is a faint image of a building and lights.
    Year
    Related pages The Suzanne Langille Songbook
  • A brown object with a processing chip imbedded in its front sits on a white base. On top of the object, a small potato sits with a wire attached.
    A brown object with a processing chip imbedded in its front sits on a white base. On top of the object, a small potato sits with a wire attached.
    Not yet titled, 2019
    Clay, glaze, mixed media
    7 x 12 x 17 inches (variable)
    $5,000
    [A brown object with a processing chip imbedded in its front sits on a white base. On top of the object, a small potato sits with a wire attached.]
    Caption Not yet titled, 2019
    Clay, glaze, mixed media
    7 x 12 x 17 inches (variable)
    $5,000
    Image description A brown object with a processing chip imbedded in its front sits on a white base. On top of the object, a small potato sits with a wire attached.
    Year 2019
    Related pages Trisha Baga Edition
  • A grey object with brown surface sits on a white base. A metal antenna extends out on a diagonal.
    A grey object with brown surface sits on a white base. A metal antenna extends out on a diagonal.
    Not yet titled, 2019
    Clay, glaze, metal antenna
    3 1/2 x 13 x 12 inches (variable)
    $2,500
    [A grey object with brown surface sits on a white base. A metal antenna extends out on a diagonal.]
    Caption Not yet titled, 2019
    Clay, glaze, metal antenna
    3 1/2 x 13 x 12 inches (variable)
    $2,500
    Image description A grey object with brown surface sits on a white base. A metal antenna extends out on a diagonal.
    Year 2019
    Related pages Trisha Baga Edition
  • Black text at the top of a white background reads,
    Black text at the top of a white background reads,
    ‘MoRADE Seeks Positive Action’ poster. Design by Richard Hollis, 1968. Courtesy Richard Hollis [Black text at the top of a white background reads, "At Guilford 40 part-time staff have been dismissed, 7 full-time staff suspended, 5 full-time staff threatened, some students are in danger of being refused readmission. Hornsey is to stay closed for six weeks; Haringey has asked local authorities to pay grants monthly." Red text at the bottom reads, "MoRADE seeks positive action."]
    Caption ‘MoRADE Seeks Positive Action’ poster. Design by Richard Hollis, 1968. Courtesy Richard Hollis
    Image description Black text at the top of a white background reads, "At Guilford 40 part-time staff have been dismissed, 7 full-time staff suspended, 5 full-time staff threatened, some students are in danger of being refused readmission. Hornsey is to stay closed for six weeks; Haringey has asked local authorities to pay grants monthly." Red text at the bottom reads, "MoRADE seeks positive action."
    Year 1968
    Related pages Richard Hollis
  • A seated figure in a black hoodie and black beanie plays the guitar with red and purple light cast onto them.
    A seated figure in a black hoodie and black beanie plays the guitar with red and purple light cast onto them.
    Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman [A seated figure in a black hoodie and black beanie plays the guitar with red and purple light cast onto them.]
    Caption Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman
    Image description A seated figure in a black hoodie and black beanie plays the guitar with red and purple light cast onto them.
    Year 2022
    Related pages Abasement: #62
  • On an elevated walkway that overlooks a cityscape, three wooden rods form a teepee in a green space. A white rope hangs from where the structure is tied together, the other end suspends a large rock very close to the ground.
    On an elevated walkway that overlooks a cityscape, three wooden rods form a teepee in a green space. A white rope hangs from where the structure is tied together, the other end suspends a large rock very close to the ground.
    Duane Linklater, pêyakotênaw, 2018. Mixed media. Installation view, Agora, High Line Art, New York, 2018. [On an elevated walkway that overlooks a cityscape, three wooden rods form a teepee in a green space. A white rope hangs from where the structure is tied together, the other end suspends a large rock very close to the ground.]
    Caption Duane Linklater, pêyakotênaw, 2018. Mixed media. Installation view, Agora, High Line Art, New York, 2018.
    Image description On an elevated walkway that overlooks a cityscape, three wooden rods form a teepee in a green space. A white rope hangs from where the structure is tied together, the other end suspends a large rock very close to the ground.
    Year 2018
    Related pages Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater
  • To the right, a gray silhouette of a woman with her hands on her hips is installed on a white wall. Exposed wires run from an electrical socket to the left of her legs to a box on the ground. A television monitor sits on the ground in front of the back of a projection screen positioned between two standing speakers.
    To the right, a gray silhouette of a woman with her hands on her hips is installed on a white wall. Exposed wires run from an electrical socket to the left of her legs to a box on the ground. A television monitor sits on the ground in front of the back of a projection screen positioned between two standing speakers.
    The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich. [To the right, a gray silhouette of a woman with her hands on her hips is installed on a white wall. Exposed wires run from an electrical socket to the left of her legs to a box on the ground. A television monitor sits on the ground in front of the back of a projection screen positioned between two standing speakers.]
    Caption The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich.
    Image description To the right, a gray silhouette of a woman with her hands on her hips is installed on a white wall. Exposed wires run from an electrical socket to the left of her legs to a box on the ground. A television monitor sits on the ground in front of the back of a projection screen positioned between two standing speakers.
    Year 2014
    Related pages The Issues of Our Time
  • Color photograph of a gallery wall. On the left, four black-and-white photographs are hung vertically, and on the right is a shelf with a television monitor placed on it.
    Color photograph of a gallery wall. On the left, four black-and-white photographs are hung vertically, and on the right is a shelf with a television monitor placed on it.
    Yasunao Tone: Region of Paramedia. Installation view (Peter Moore, Concert at The Kitchen, 1979; Paramedia Music, 1990), Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a gallery wall. On the left, four black-and-white photographs are hung vertically, and on the right is a shelf with a television monitor placed on it.]
    Caption Yasunao Tone: Region of Paramedia. Installation view (Peter Moore, Concert at The Kitchen, 1979; Paramedia Music, 1990), Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photograph of a gallery wall. On the left, four black-and-white photographs are hung vertically, and on the right is a shelf with a television monitor placed on it.
    Year 2023
    Related pages Yasunao Tone: Region of Paramedia
  • A color image of two figures performing on a stage. Various electronic equipment, such as speakers, cables, an monitors surround the performers. One of the figures is playing the saxophone. The other one is playing the guitar and has their eyes closed. An image of the figure playing the saxophone is projected onto the back wall. In the background, a row of audience members sit looking towards the performers.
    A color image of two figures performing on a stage. Various electronic equipment, such as speakers, cables, an monitors surround the performers. One of the figures is playing the saxophone. The other one is playing the guitar and has their eyes closed. An image of the figure playing the saxophone is projected onto the back wall. In the background, a row of audience members sit looking towards the performers.
    Abasement #66. Performance documentation, October 9, 2023, Artists Space. Photo: Joshua Wildman. [A color image of two figures performing on a stage. Various electronic equipment, such as speakers, cables, an monitors surround the performers. One of the figures is playing the saxophone. The other one is playing the guitar and has their eyes closed. An image of the figure playing the saxophone is projected onto the back wall. In the background, a row of audience members sit looking towards the performers.]
    Caption Abasement #66. Performance documentation, October 9, 2023, Artists Space. Photo: Joshua Wildman.
    Image description A color image of two figures performing on a stage. Various electronic equipment, such as speakers, cables, an monitors surround the performers. One of the figures is playing the saxophone. The other one is playing the guitar and has their eyes closed. An image of the figure playing the saxophone is projected onto the back wall. In the background, a row of audience members sit looking towards the performers.
    Year
    Related pages Abasement #66
  • Two figures are in silhouette on a white background, separated by a black diagonal line. The figure on the left appears to be crouching, while the figure on the right is standing with one leg raised.
    Two figures are in silhouette on a white background, separated by a black diagonal line. The figure on the left appears to be crouching, while the figure on the right is standing with one leg raised.
    The Queen's Rules Suspended and Brachiating Installations. Postcard, Artists Space, 1978. [Two figures are in silhouette on a white background, separated by a black diagonal line. The figure on the left appears to be crouching, while the figure on the right is standing with one leg raised.]
    Caption The Queen's Rules Suspended and Brachiating Installations. Postcard, Artists Space, 1978.
    Image description Two figures are in silhouette on a white background, separated by a black diagonal line. The figure on the left appears to be crouching, while the figure on the right is standing with one leg raised.
    Year 1978
    Related pages The Queen's Rules Suspended and Brachiating Installations
  • Color image of a framed piece of notebook graph paper, with a pen and ink drawing of a rectangle with various lines and dots. In the bottom-center of the paper is the word
    Color image of a framed piece of notebook graph paper, with a pen and ink drawing of a rectangle with various lines and dots. In the bottom-center of the paper is the word
    Andy Robert, The Terrain, 2021. Photo: Filip Wolak. [Color image of a framed piece of notebook graph paper, with a pen and ink drawing of a rectangle with various lines and dots. In the bottom-center of the paper is the word "TERRAIN."]
    Caption Andy Robert, The Terrain, 2021. Photo: Filip Wolak.
    Image description Color image of a framed piece of notebook graph paper, with a pen and ink drawing of a rectangle with various lines and dots. In the bottom-center of the paper is the word "TERRAIN."
    Year 2023
    Related pages Artists for Artists Space
  • A collage-style image. The background is a 19th century-style painting titled
    A collage-style image. The background is a 19th century-style painting titled
    Paul Chan, Wht is the nture of lw, 2011, Inkjet print and silkscreen on paper, 19 1/3 x 16 1/8 in / 49 x 48,6 cm, Signed and numbered. [A collage-style image. The background is a 19th century-style painting titled "Start of the Famous Race between the Natchez & Robt," drawing from an actual race between two steamboats named the Nachez and the Robert E. Lee in 1870 New Orleans. The painting depicts a maritime scene. It appears slightly ripped at the top, with a black background, and black, blue, and yellow opaque squares appearing in each corner. At the bottom, "THE END" is printed in a square formation. In the center, a printed, black, numbered list is overlaid on top of the painting, with 20 elements. The text reads: "1. Dylan quote: To be just, one has to be against the law / 2. Artist are "natural" lawbreakers / 3. Art synonymous with freedom (against law) / But art is not lawless, it simply followed another law (law as tendency) / 5. Expression is the following of a more natural law (perhaps higher law in line with nature and non-man made law / 6. Diotima? Marcus Aurelius? Hardot / Natural law, nature) / 7. Artmaking is when one discovers a law that one already follows (science) / 8. In the end, it is law against law. / 9. But still, law is sin (St. Paul) and death. / 10. Petrified unrest / manic energy / overproduction / 11. What is truly against the law? / 12. Duchamp / against one's taste / contranatural / (perverse) / 13. Kant = Contranatural is Anti-Christ / 14. His anti-art was in fact a private pleasure forced to live on for others. / 15. Crime and pleasure (≠ happiness) / 16. Crime is what is pleasing only to onself? / 17. Real art is what is pleasing to oneself? / 18. Real art is a real crime? / 19. Adorno quote as Nietzschean bluster / 20. The real crime is that what we do for ourselves is pleasing"]
    Caption Paul Chan, Wht is the nture of lw, 2011, Inkjet print and silkscreen on paper, 19 1/3 x 16 1/8 in / 49 x 48,6 cm, Signed and numbered.
    Image description A collage-style image. The background is a 19th century-style painting titled "Start of the Famous Race between the Natchez & Robt," drawing from an actual race between two steamboats named the Nachez and the Robert E. Lee in 1870 New Orleans. The painting depicts a maritime scene. It appears slightly ripped at the top, with a black background, and black, blue, and yellow opaque squares appearing in each corner. At the bottom, "THE END" is printed in a square formation. In the center, a printed, black, numbered list is overlaid on top of the painting, with 20 elements. The text reads: "1. Dylan quote: To be just, one has to be against the law / 2. Artist are "natural" lawbreakers / 3. Art synonymous with freedom (against law) / But art is not lawless, it simply followed another law (law as tendency) / 5. Expression is the following of a more natural law (perhaps higher law in line with nature and non-man made law / 6. Diotima? Marcus Aurelius? Hardot / Natural law, nature) / 7. Artmaking is when one discovers a law that one already follows (science) / 8. In the end, it is law against law. / 9. But still, law is sin (St. Paul) and death. / 10. Petrified unrest / manic energy / overproduction / 11. What is truly against the law? / 12. Duchamp / against one's taste / contranatural / (perverse) / 13. Kant = Contranatural is Anti-Christ / 14. His anti-art was in fact a private pleasure forced to live on for others. / 15. Crime and pleasure (≠ happiness) / 16. Crime is what is pleasing only to onself? / 17. Real art is what is pleasing to oneself? / 18. Real art is a real crime? / 19. Adorno quote as Nietzschean bluster / 20. The real crime is that what we do for ourselves is pleasing"
    Year 2011
    Related pages Artists Space Annual Edition Portfolio 2012
  • Caption
    Image description
    Year
    Related pages Artists Space: Artists Fund
  • A figure holding a sword in the middle of a man and woman with a car visible behind them. Subtitles burned onto the bottom of the image read,
    A figure holding a sword in the middle of a man and woman with a car visible behind them. Subtitles burned onto the bottom of the image read,
    Sistema Sandinista de Television. Still from Golpes de la Corazon (Blows of the Heart), 1983. Video (sound, black and white). 30 minutes (excerpted). Spanish with English subtitles. [A figure holding a sword in the middle of a man and woman with a car visible behind them. Subtitles burned onto the bottom of the image read, "Aha, I found you." Scan lines in the image and the outer box of a CRT monitor are visible.]
    Caption Sistema Sandinista de Television. Still from Golpes de la Corazon (Blows of the Heart), 1983. Video (sound, black and white). 30 minutes (excerpted). Spanish with English subtitles.
    Image description A figure holding a sword in the middle of a man and woman with a car visible behind them. Subtitles burned onto the bottom of the image read, "Aha, I found you." Scan lines in the image and the outer box of a CRT monitor are visible.
    Year 1983
    Related pages TV Sandino
  • Tennis players stand in an alleyway, ready to hit balls from an automatic ballfeeder. A crowd watches intently in the background. Suspended above them the words
    Tennis players stand in an alleyway, ready to hit balls from an automatic ballfeeder. A crowd watches intently in the background. Suspended above them the words
    Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [Tennis players stand in an alleyway, ready to hit balls from an automatic ballfeeder. A crowd watches intently in the background. Suspended above them the words "Social Muscle Rehab" are painted in white capitalized text on black and green signs.]
    Caption Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak.
    Image description Tennis players stand in an alleyway, ready to hit balls from an automatic ballfeeder. A crowd watches intently in the background. Suspended above them the words "Social Muscle Rehab" are painted in white capitalized text on black and green signs.
    Year
    Related pages Welcome
  • A color photograph of three handpainted LPs in a wall mounted vitrine.
    A color photograph of three handpainted LPs in a wall mounted vitrine.
    Milford Graves: Fundamental Frequency. Installation view (handpainted LPs, 1966), Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak. [A color photograph of three handpainted LPs in a wall mounted vitrine.]
    Caption Milford Graves: Fundamental Frequency. Installation view (handpainted LPs, 1966), Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak.
    Image description A color photograph of three handpainted LPs in a wall mounted vitrine.
    Year 1991
    Related pages Milford Graves: Fundamental Frequency
  • Cindy Sherman, Jack Hanley, Claudia Gould, and Alexandra Audler stand together and smile at the camera in front of a red wall with an illusionistic landscape view inside a painted pointed arch window.
    Cindy Sherman, Jack Hanley, Claudia Gould, and Alexandra Audler stand together and smile at the camera in front of a red wall with an illusionistic landscape view inside a painted pointed arch window.
    Cindy Sherman, Jack Hanley, Claudia Gould, Alexandra Auder. Photo: Jenna Bascom [Cindy Sherman, Jack Hanley, Claudia Gould, and Alexandra Audler stand together and smile at the camera in front of a red wall with an illusionistic landscape view inside a painted pointed arch window. ]
    Caption Cindy Sherman, Jack Hanley, Claudia Gould, Alexandra Auder. Photo: Jenna Bascom
    Image description Cindy Sherman, Jack Hanley, Claudia Gould, and Alexandra Audler stand together and smile at the camera in front of a red wall with an illusionistic landscape view inside a painted pointed arch window.
    Year
    Related pages Support
  • A performer plays a clarinet on stage, bathed in blue and pink light.
    A performer plays a clarinet on stage, bathed in blue and pink light.
    Abasement #80. Performance documentation, September 22nd, 2025, Artists Space. Photo: Joshua Wildman. [A performer plays a clarinet on stage, bathed in blue and pink light.]
    Caption Abasement #80. Performance documentation, September 22nd, 2025, Artists Space. Photo: Joshua Wildman.
    Image description A performer plays a clarinet on stage, bathed in blue and pink light.
    Year
    Related pages Abasement #80
  • Color image of a portrait of a man's face, done in purple, orange, and pink colored pencil and pastel on beige paper. Half of the man's face is detailed, while his other faetures are left undefined.
    Color image of a portrait of a man's face, done in purple, orange, and pink colored pencil and pastel on beige paper. Half of the man's face is detailed, while his other faetures are left undefined.
    Elizabeth Peyton, TC (Timothée), 2022-2023. Photo: Filip Wolak. [Color image of a portrait of a man's face, done in purple, orange, and pink colored pencil and pastel on beige paper. Half of the man's face is detailed, while his other faetures are left undefined.]
    Caption Elizabeth Peyton, TC (Timothée), 2022-2023. Photo: Filip Wolak.
    Image description Color image of a portrait of a man's face, done in purple, orange, and pink colored pencil and pastel on beige paper. Half of the man's face is detailed, while his other faetures are left undefined.
    Year 2023
    Related pages Artists for Artists Space
  • A monitor facing a seating arrangement constructed of stacked pillows. Two pairs of monitors are suspended on poles in the background. An image of Hito Steyerl is seen in both pairs; next to an image of a pile of cigarettes and an image of shipping containers.
    A monitor facing a seating arrangement constructed of stacked pillows. Two pairs of monitors are suspended on poles in the background. An image of Hito Steyerl is seen in both pairs; next to an image of a pile of cigarettes and an image of shipping containers.
    Hito Steyerl. Installation view, Artists Space, 2015. [A monitor facing a seating arrangement constructed of stacked pillows. Two pairs of monitors are suspended on poles in the background. An image of Hito Steyerl is seen in both pairs; next to an image of a pile of cigarettes and an image of shipping containers.]
    Caption Hito Steyerl. Installation view, Artists Space, 2015.
    Image description A monitor facing a seating arrangement constructed of stacked pillows. Two pairs of monitors are suspended on poles in the background. An image of Hito Steyerl is seen in both pairs; next to an image of a pile of cigarettes and an image of shipping containers.
    Year 2015
    Related pages Hito Steyerl
  • Caption
    Image description
    Year
    Related pages Doris Guo Matthew Langan-Peck Isabelle Frances McGuire Ruben Ulises Rodriguez Montoya
  • Color image of a performer leaning over a record player with headphones on. One of their hands is partly out of frame while touching the machine. The background is out of focus, and bathed in bright blue light. A small portable light is placed on top of the record player, illuminating both it and the performer.
    Color image of a performer leaning over a record player with headphones on. One of their hands is partly out of frame while touching the machine. The background is out of focus, and bathed in bright blue light. A small portable light is placed on top of the record player, illuminating both it and the performer.
    Abasement #77. Performance documentation, April 7th, 2025, Artists Space. Photo: Joshua Wildman. [Color image of a performer leaning over a record player with headphones on. One of their hands is partly out of frame while touching the machine. The background is out of focus, and bathed in bright blue light. A small portable light is placed on top of the record player, illuminating both it and the performer. ]
    Caption Abasement #77. Performance documentation, April 7th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Color image of a performer leaning over a record player with headphones on. One of their hands is partly out of frame while touching the machine. The background is out of focus, and bathed in bright blue light. A small portable light is placed on top of the record player, illuminating both it and the performer.
    Year
    Related pages Abasement #77
  • Along the gallery wall is an assemblage of objects hanging off the wall and to the floor connected by metal thread. Further down the wall is a painting, a plinth of colorful sculptures, a framed artwork, and a television playing a video in the corner. In the back is a glimpse of an alcove with three artworks appearing as colorful stripes, grey and yellow on the wall, and black on the floor.
    Along the gallery wall is an assemblage of objects hanging off the wall and to the floor connected by metal thread. Further down the wall is a painting, a plinth of colorful sculptures, a framed artwork, and a television playing a video in the corner. In the back is a glimpse of an alcove with three artworks appearing as colorful stripes, grey and yellow on the wall, and black on the floor.
    LIFE—a group show, curated by Arnold J. Kemp. Installation view, Artists Space, 2025. Photo: Carter Seddon [Along the gallery wall is an assemblage of objects hanging off the wall and to the floor connected by metal thread. Further down the wall is a painting, a plinth of colorful sculptures, a framed artwork, and a television playing a video in the corner. In the back is a glimpse of an alcove with three artworks appearing as colorful stripes, grey and yellow on the wall, and black on the floor. ]
    Caption LIFE—a group show, curated by Arnold J. Kemp. Installation view, Artists Space, 2025. Photo: Carter Seddon
    Image description Along the gallery wall is an assemblage of objects hanging off the wall and to the floor connected by metal thread. Further down the wall is a painting, a plinth of colorful sculptures, a framed artwork, and a television playing a video in the corner. In the back is a glimpse of an alcove with three artworks appearing as colorful stripes, grey and yellow on the wall, and black on the floor.
    Year 2025
    Related pages Arnold J. Kemp
  • A black-and-white photograph of a gallery space with a video projected on the wall. There appear to be multiple bodies in the video.
    A black-and-white photograph of a gallery space with a video projected on the wall. There appear to be multiple bodies in the video.
    Installation view, Robert Morgan. Artists Space, 1977. [A black-and-white photograph of a gallery space with a video projected on the wall. There appear to be multiple bodies in the video.]
    Caption Installation view, Robert Morgan. Artists Space, 1977.
    Image description A black-and-white photograph of a gallery space with a video projected on the wall. There appear to be multiple bodies in the video.
    Year 1977
    Related pages Robert Morgan
  • Projections of elongated gold figures.
    Projections of elongated gold figures.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York. [Projections of elongated gold figures.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York.
    Image description Projections of elongated gold figures.
    Year
    Related pages Grandmother Cindy
  • A person dressed in all pink bends at the waist over her extended leg, over a heart-shaped canvas. She is surrounded by a crowd of audience members. There are light spots are reflected at even intervals over the performer and the crowd.
    A person dressed in all pink bends at the waist over her extended leg, over a heart-shaped canvas. She is surrounded by a crowd of audience members. There are light spots are reflected at even intervals over the performer and the crowd.
    Jutta Koether: xxapollo. Performance documentation, January 5, 2020, Artists Space. Photo © 2020 Paula Court. [A person dressed in all pink bends at the waist over her extended leg, over a heart-shaped canvas. She is surrounded by a crowd of audience members. There are light spots are reflected at even intervals over the performer and the crowd.]
    Caption Jutta Koether: xxapollo. Performance documentation, January 5, 2020, Artists Space. Photo © 2020 Paula Court.
    Image description A person dressed in all pink bends at the waist over her extended leg, over a heart-shaped canvas. She is surrounded by a crowd of audience members. There are light spots are reflected at even intervals over the performer and the crowd.
    Year 2020
    Related pages Jutta Koether
  • A stage set with a blue curtain, in front of which sit 6 chairs facing different directions.
    A stage set with a blue curtain, in front of which sit 6 chairs facing different directions.
    Scott Burton, Pastoral Chair Tableau, 1971 – 1974. [A stage set with a blue curtain, in front of which sit 6 chairs facing different directions.]
    Caption Scott Burton, Pastoral Chair Tableau, 1971 – 1974.
    Image description A stage set with a blue curtain, in front of which sit 6 chairs facing different directions.
    Year 1975
    Related pages
  • Black text overlays a white background with a blue bunch of flowers in the lower right corner. The top left corner reads: “Sheila Maldonado / & Rick Snyder / April 9, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”
    Black text overlays a white background with a blue bunch of flowers in the lower right corner. The top left corner reads: “Sheila Maldonado / & Rick Snyder / April 9, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”
    Flyer for Segue Reading Series featuring Sheila Maldonado & Rick Snyder. April 9, 2022, Artists Space. [Black text overlays a white background with a blue bunch of flowers in the lower right corner. The top left corner reads: “Sheila Maldonado / & Rick Snyder / April 9, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”]
    Caption Flyer for Segue Reading Series featuring Sheila Maldonado & Rick Snyder. April 9, 2022, Artists Space.
    Image description Black text overlays a white background with a blue bunch of flowers in the lower right corner. The top left corner reads: “Sheila Maldonado / & Rick Snyder / April 9, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”
    Year 2022
    Related pages Segue Reading Series: Sheila Maldonado & Rick Snyder
  • Caption
    Image description
    Year
    Related pages Carolyn Lazard
  • A long rectangular sculptue lies on the floor in front of paintings hanging on adjacent walls in a gallery setting.
    A long rectangular sculptue lies on the floor in front of paintings hanging on adjacent walls in a gallery setting.
    Installation View from Moderns in Mind, Artists Space, April 12, 1986 - May 10, 1986. [A long rectangular sculptue lies on the floor in front of paintings hanging on adjacent walls in a gallery setting.]
    Caption Installation View from Moderns in Mind, Artists Space, April 12, 1986 - May 10, 1986.
    Image description A long rectangular sculptue lies on the floor in front of paintings hanging on adjacent walls in a gallery setting.
    Year
    Related pages Moderns in Mind
  • A dim, twilight image of a city on a coastline. Bright, turquoise blue streetlights dot the photograph.
    A dim, twilight image of a city on a coastline. Bright, turquoise blue streetlights dot the photograph.
    Establishing Shot. Installation view, Artists Space, 2004. [A dim, twilight image of a city on a coastline. Bright, turquoise blue streetlights dot the photograph.]
    Caption Establishing Shot. Installation view, Artists Space, 2004.
    Image description A dim, twilight image of a city on a coastline. Bright, turquoise blue streetlights dot the photograph.
    Year 2004
    Related pages Establishing Shot
  • Color image of two performers, the performer on the left is standing over a 4-track tape teck on a table, the performer on the right is sitting playing the cello. A mic stand in the foreground splits the frame. A blue and yellow water-like image is projected on the wall.
    Color image of two performers, the performer on the left is standing over a 4-track tape teck on a table, the performer on the right is sitting playing the cello. A mic stand in the foreground splits the frame. A blue and yellow water-like image is projected on the wall.
    Abasement #78. Performance documentation, June 16th, 2025, Artists Space. Photo: Joshua Wildman. [Color image of two performers, the performer on the left is standing over a 4-track tape teck on a table, the performer on the right is sitting playing the cello. A mic stand in the foreground splits the frame. A blue and yellow water-like image is projected on the wall.]
    Caption Abasement #78. Performance documentation, June 16th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Color image of two performers, the performer on the left is standing over a 4-track tape teck on a table, the performer on the right is sitting playing the cello. A mic stand in the foreground splits the frame. A blue and yellow water-like image is projected on the wall.
    Year
    Related pages Abasement #78
  • A black and white image of a painted abstract figure.
    A black and white image of a painted abstract figure.
    Benje LaRico. Prova, 1986. Enamel, Plastic, Wood, Linoleum. 63.5 inches x 84.5 inches x 2.75 inches. [A black and white image of a painted abstract figure.]
    Caption Benje LaRico. Prova, 1986. Enamel, Plastic, Wood, Linoleum. 63.5 inches x 84.5 inches x 2.75 inches.
    Image description A black and white image of a painted abstract figure.
    Year 1986
    Related pages Abstraction in Process
  • Several figures fill a dimly lit, basement room. Some figures sit and talk on large couches, while others stand and talk to each other. Video projections play on two of the space’s walls.
    Several figures fill a dimly lit, basement room. Some figures sit and talk on large couches, while others stand and talk to each other. Video projections play on two of the space’s walls.
    Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [Several figures fill a dimly lit, basement room. Some figures sit and talk on large couches, while others stand and talk to each other. Video projections play on two of the space’s walls.]
    Caption Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description Several figures fill a dimly lit, basement room. Some figures sit and talk on large couches, while others stand and talk to each other. Video projections play on two of the space’s walls.
    Year 2019
    Related pages Speaker Music: drape over another
  • Color image of performer using their left hand to control a soundboard resting on a circular table while their left hand grasps a microphone. Next the performer is an empty music stand. The performer's serious face peeks out from their long brown hair. To stage left, audience members hold their hands up in applause. The performer is illuminated by the colorful light of a projector, which casts red and blue light on the wall behind the performer.
    Color image of performer using their left hand to control a soundboard resting on a circular table while their left hand grasps a microphone. Next the performer is an empty music stand. The performer's serious face peeks out from their long brown hair. To stage left, audience members hold their hands up in applause. The performer is illuminated by the colorful light of a projector, which casts red and blue light on the wall behind the performer.
    Abasement #67. Performance documentation, January 15, 2024, Artists Space. Photo: Joshua Wildman. [Color image of performer using their left hand to control a soundboard resting on a circular table while their left hand grasps a microphone. Next the performer is an empty music stand. The performer's serious face peeks out from their long brown hair. To stage left, audience members hold their hands up in applause. The performer is illuminated by the colorful light of a projector, which casts red and blue light on the wall behind the performer.]
    Caption Abasement #67. Performance documentation, January 15, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Color image of performer using their left hand to control a soundboard resting on a circular table while their left hand grasps a microphone. Next the performer is an empty music stand. The performer's serious face peeks out from their long brown hair. To stage left, audience members hold their hands up in applause. The performer is illuminated by the colorful light of a projector, which casts red and blue light on the wall behind the performer.
    Year
    Related pages Abasement #67
  • A color image of an unframed colorful drawing of a male-presenting figure. The figure is crossed-arm and sitting back in whats seems like a sofa. A cup of coffee sits on his right, and a potted plant and a vintage-looking radio are on his left.
    A color image of an unframed colorful drawing of a male-presenting figure. The figure is crossed-arm and sitting back in whats seems like a sofa. A cup of coffee sits on his right, and a potted plant and a vintage-looking radio are on his left.
    Drake Carr, Mel Ottenberg, 2023. Colored pencil on paper. 26 x 21 inches. Image courtesy Artists Space, New York. Photo: Filip Wolak. [A color image of an unframed colorful drawing of a male-presenting figure. The figure is crossed-arm and sitting back in whats seems like a sofa. A cup of coffee sits on his right, and a potted plant and a vintage-looking radio are on his left.]
    Caption Drake Carr, Mel Ottenberg, 2023. Colored pencil on paper. 26 x 21 inches. Image courtesy Artists Space, New York. Photo: Filip Wolak.
    Image description A color image of an unframed colorful drawing of a male-presenting figure. The figure is crossed-arm and sitting back in whats seems like a sofa. A cup of coffee sits on his right, and a potted plant and a vintage-looking radio are on his left.
    Year
    Related pages Drake Carr: Housecalls
  • Three large metal rectangular scuptures, hinging at an angle off the floor. A large photographic print of deer in woods hangs on the wall directly behind the sculptures.
    Three large metal rectangular scuptures, hinging at an angle off the floor. A large photographic print of deer in woods hangs on the wall directly behind the sculptures.
    Underground: Jose Gabriel Fernandez. Installation view, Artists Space, 1991. [Three large metal rectangular scuptures, hinging at an angle off the floor. A large photographic print of deer in woods hangs on the wall directly behind the sculptures.]
    Caption Underground: Jose Gabriel Fernandez. Installation view, Artists Space, 1991.
    Image description Three large metal rectangular scuptures, hinging at an angle off the floor. A large photographic print of deer in woods hangs on the wall directly behind the sculptures.
    Year 1991
    Related pages Underground: Jose Gabriel Fernandez
  • Close-up color photograph of a musician holding a guitar. The musician wears a white-button up with a black tie and black leather pants. Medium-length red-and-black streaked hair falls around their face as they look down at the guitar. The musician and the wall behind them is illuminated by a projected image that is mostly white, but features large black letters at the top of the projection. 
    Close-up color photograph of a musician holding a guitar. The musician wears a white-button up with a black tie and black leather pants. Medium-length red-and-black streaked hair falls around their face as they look down at the guitar. The musician and the wall behind them is illuminated by a projected image that is mostly white, but features large black letters at the top of the projection. 
    Abasement #68. Performance documentation, February 12, 2024, Artists Space. Photo: Joshua Wildman. [Close-up color photograph of a musician holding a guitar. The musician wears a white-button up with a black tie and black leather pants. Medium-length red-and-black streaked hair falls around their face as they look down at the guitar. The musician and the wall behind them is illuminated by a projected image that is mostly white, but features large black letters at the top of the projection. ]
    Caption Abasement #68. Performance documentation, February 12, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Close-up color photograph of a musician holding a guitar. The musician wears a white-button up with a black tie and black leather pants. Medium-length red-and-black streaked hair falls around their face as they look down at the guitar. The musician and the wall behind them is illuminated by a projected image that is mostly white, but features large black letters at the top of the projection. 
    Year
    Related pages Abasement #68
  • A color photograph of a grey and blue piece of semi-transparent fabric, partially hung from a grey metal scaffold in a gallery space.
    A color photograph of a grey and blue piece of semi-transparent fabric, partially hung from a grey metal scaffold in a gallery space.
    virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of a grey and blue piece of semi-transparent fabric, partially hung from a grey metal scaffold in a gallery space.]
    Caption virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color photograph of a grey and blue piece of semi-transparent fabric, partially hung from a grey metal scaffold in a gallery space.
    Year 2022
    Related pages virgil b/g taylor: Minor Publics
  • Four geometric, silver metal sculptures are installed on the floors of a light-filled gallery space. The sculptures are modular, hollow, and consist of cube-like and triangular metal components.
    Four geometric, silver metal sculptures are installed on the floors of a light-filled gallery space. The sculptures are modular, hollow, and consist of cube-like and triangular metal components.
    Charlotte Posenenske. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [Four geometric, silver metal sculptures are installed on the floors of a light-filled gallery space. The sculptures are modular, hollow, and consist of cube-like and triangular metal components.]
    Caption Charlotte Posenenske. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description Four geometric, silver metal sculptures are installed on the floors of a light-filled gallery space. The sculptures are modular, hollow, and consist of cube-like and triangular metal components.
    Year 2010
    Related pages Charlotte Posenenske
  • An archway made of cardboard boxes connected to a bookcase and curved desk, also made of cardboard. A white lucky waving cat is placed at the bottom left side of the desk. The desk and bookcase are supported by a platform, underneath of which a pair of slippers are visible.
    An archway made of cardboard boxes connected to a bookcase and curved desk, also made of cardboard. A white lucky waving cat is placed at the bottom left side of the desk. The desk and bookcase are supported by a platform, underneath of which a pair of slippers are visible.
    The columns held us up. Installation view, Artists Space, 2009. Photo: Adam Reich. [An archway made of cardboard boxes connected to a bookcase and curved desk, also made of cardboard. A white lucky waving cat is placed at the bottom left side of the desk. The desk and bookcase are supported by a platform, underneath of which a pair of slippers are visible.]
    Caption The columns held us up. Installation view, Artists Space, 2009. Photo: Adam Reich.
    Image description An archway made of cardboard boxes connected to a bookcase and curved desk, also made of cardboard. A white lucky waving cat is placed at the bottom left side of the desk. The desk and bookcase are supported by a platform, underneath of which a pair of slippers are visible.
    Year 2009
    Related pages The columns held us up
  • Pink cursive text at an ascending angle which reads
    Pink cursive text at an ascending angle which reads
    [Pink cursive text at an ascending angle which reads "Undoolay," with horizontal green text underneath that reads "Lucas Duwenhogger."]
    Caption
    Image description Pink cursive text at an ascending angle which reads "Undoolay," with horizontal green text underneath that reads "Lucas Duwenhogger."
    Year 2016
    Related pages Lukas Duwenhögger: Undoolay
  • Black busts of Vladimir Lenin arranged in a grid formation on a table.
    Black busts of Vladimir Lenin arranged in a grid formation on a table.
    Porcelain Lenin figures from DADALENIN Limited Special Edition, 2013. [Black busts of Vladimir Lenin arranged in a grid formation on a table.]
    Caption Porcelain Lenin figures from DADALENIN Limited Special Edition, 2013.
    Image description Black busts of Vladimir Lenin arranged in a grid formation on a table.
    Year 2013
    Related pages DADALENIN
  • A figure, sitting in profile and centered within the frame, speaks into a microphone.
    A figure, sitting in profile and centered within the frame, speaks into a microphone.
    Portrait of Ciarán Finlayson. [A figure, sitting in profile and centered within the frame, speaks into a microphone.]
    Caption Portrait of Ciarán Finlayson.
    Image description A figure, sitting in profile and centered within the frame, speaks into a microphone.
    Year 2021
    Related pages Artists Space Dialogues Spring 2021
  • Three figures perform in a basement. Two figures in blue morph suits act out a scene together. The figure on the right scratches a fresnel lens attached to a wooden rolling table while the left figure walks toward the table. A third figure takes video footage of the scene.
    Three figures perform in a basement. Two figures in blue morph suits act out a scene together. The figure on the right scratches a fresnel lens attached to a wooden rolling table while the left figure walks toward the table. A third figure takes video footage of the scene.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Three figures perform in a basement. Two figures in blue morph suits act out a scene together. The figure on the right scratches a fresnel lens attached to a wooden rolling table while the left figure walks toward the table. A third figure takes video footage of the scene.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Three figures perform in a basement. Two figures in blue morph suits act out a scene together. The figure on the right scratches a fresnel lens attached to a wooden rolling table while the left figure walks toward the table. A third figure takes video footage of the scene.
    Year 2022
    Related pages SCRAAATCH 11-18
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • Figures wearing partial face coverings stand in front of a projection that reads:
    Figures wearing partial face coverings stand in front of a projection that reads:
    New Red Order, Informants Get Paid! Performance documentation, Artists Space, January 23, 2020. Photo © Paula Court. [Figures wearing partial face coverings stand in front of a projection that reads: "We cover for you / new red order"]
    Caption New Red Order, Informants Get Paid! Performance documentation, Artists Space, January 23, 2020. Photo © Paula Court.
    Image description Figures wearing partial face coverings stand in front of a projection that reads: "We cover for you / new red order"
    Year 2020
    Related pages
  • Sidewalk Archives, Artists Space, April 2023
    Caption Sidewalk Archives, Artists Space, April 2023
    Image description
    Year
    Related pages Exhibitions and Events
  • A red background with white text which reads:
    A red background with white text which reads:
    [A red background with white text which reads: "BDS IS THE FLOOR NOT THE CEILING", followed by the Decolonize This Place Logo.]
    Caption
    Image description A red background with white text which reads: "BDS IS THE FLOOR NOT THE CEILING", followed by the Decolonize This Place Logo.
    Year 2016
    Related pages Decolonize This Place
  • A large room with numerous people seated at long, rectangular tables. Many are eating, talking, and drinking wine. Several waiters walk between the tables.
    A large room with numerous people seated at long, rectangular tables. Many are eating, talking, and drinking wine. Several waiters walk between the tables.
    Friends of Artists Space Annual Dinner, 2016. [A large room with numerous people seated at long, rectangular tables. Many are eating, talking, and drinking wine. Several waiters walk between the tables.]
    Caption Friends of Artists Space Annual Dinner, 2016.
    Image description A large room with numerous people seated at long, rectangular tables. Many are eating, talking, and drinking wine. Several waiters walk between the tables.
    Year 2016
    Related pages Support
  • A green object with a processing chip embedded in its front sits on a white base. On top of the object sit a red potato with a wire attached, false teeth, and a telephone cord.
    A green object with a processing chip embedded in its front sits on a white base. On top of the object sit a red potato with a wire attached, false teeth, and a telephone cord.
    Not yet titled, 2019
    Clay, glaze, mixed media
    7 x 12 x 17 inches (variable)
    $5,000
    [A green object with a processing chip embedded in its front sits on a white base. On top of the object sit a red potato with a wire attached, false teeth, and a telephone cord.]
    Caption Not yet titled, 2019
    Clay, glaze, mixed media
    7 x 12 x 17 inches (variable)
    $5,000
    Image description A green object with a processing chip embedded in its front sits on a white base. On top of the object sit a red potato with a wire attached, false teeth, and a telephone cord.
    Year 2019
    Related pages Trisha Baga Edition
  • A clay sculpture of a person, outstretched on a sofa, with miscellaneous items around them, is displayed on a wooden floor.
    A clay sculpture of a person, outstretched on a sofa, with miscellaneous items around them, is displayed on a wooden floor.
    The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich. [A clay sculpture of a person, outstretched on a sofa, with miscellaneous items around them, is displayed on a wooden floor.]
    Caption The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich.
    Image description A clay sculpture of a person, outstretched on a sofa, with miscellaneous items around them, is displayed on a wooden floor.
    Year 2014
    Related pages The Issues of Our Time
  • Color image of a dark basement room. On the back wall is projected an image with Chinese characters, and English characters that read
    Color image of a dark basement room. On the back wall is projected an image with Chinese characters, and English characters that read
    Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata [Color image of a dark basement room. On the back wall is projected an image with Chinese characters, and English characters that read "Three Poems of The Tong Dynasty."]
    Caption Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata
    Image description Color image of a dark basement room. On the back wall is projected an image with Chinese characters, and English characters that read "Three Poems of The Tong Dynasty."
    Year 2023
    Related pages Yasunao Tone Concert #2
  • A gallery space with high ceilings and wooden flooring. On the left, three paper collages hang on a two-toned wall. Two videos are projected onto the right wall side-by-side. In the background, a doorway frames a black and white, projected image of a man's face.
    A gallery space with high ceilings and wooden flooring. On the left, three paper collages hang on a two-toned wall. Two videos are projected onto the right wall side-by-side. In the background, a doorway frames a black and white, projected image of a man's face.
    Jack Smith: Art Crust of Spiritual Oasis. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A gallery space with high ceilings and wooden flooring. On the left, three paper collages hang on a two-toned wall. Two videos are projected onto the right wall side-by-side. In the background, a doorway frames a black and white, projected image of a man's face.]
    Caption Jack Smith: Art Crust of Spiritual Oasis. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description A gallery space with high ceilings and wooden flooring. On the left, three paper collages hang on a two-toned wall. Two videos are projected onto the right wall side-by-side. In the background, a doorway frames a black and white, projected image of a man's face.
    Year 2018
    Related pages Jack Smith: Art Crust of Spiritual Oasis
  • Two white panels of canvas positioned together to form a square shape. Both canvases display an organic pink form. Parts of the canvas within the pink shapes stretch outwards to form protruding circular and ovular, knob-like shapes.
    Two white panels of canvas positioned together to form a square shape. Both canvases display an organic pink form. Parts of the canvas within the pink shapes stretch outwards to form protruding circular and ovular, knob-like shapes.
    Zilia Sánchez. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [Two white panels of canvas positioned together to form a square shape. Both canvases display an organic pink form. Parts of the canvas within the pink shapes stretch outwards to form protruding circular and ovular, knob-like shapes.]
    Caption Zilia Sánchez. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description Two white panels of canvas positioned together to form a square shape. Both canvases display an organic pink form. Parts of the canvas within the pink shapes stretch outwards to form protruding circular and ovular, knob-like shapes.
    Year 2013
    Related pages Zilia Sánchez
  • A small constructed dancing figurine appears on a pedestal with light shining on it from the right creating a shadow on its left.
    A small constructed dancing figurine appears on a pedestal with light shining on it from the right creating a shadow on its left.
    Neraldo de la Paz. Melania's Thigh, 1982. [A small constructed dancing figurine appears on a pedestal with light shining on it from the right creating a shadow on its left.]
    Caption Neraldo de la Paz. Melania's Thigh, 1982.
    Image description A small constructed dancing figurine appears on a pedestal with light shining on it from the right creating a shadow on its left.
    Year
    Related pages Recent Art from Chicago
  • Drawing depicting an impoverished beggar and his child outside an auction house where the father's painting is being sold for large sums.
    Drawing depicting an impoverished beggar and his child outside an auction house where the father's painting is being sold for large sums.
    This drawing by Jean-Louis Forain, published on the front page of a Parisian newspaper in 1920, rallied support for the original Droit De Suite. [Drawing depicting an impoverished beggar and his child outside an auction house where the father's painting is being sold for large sums.]
    Caption This drawing by Jean-Louis Forain, published on the front page of a Parisian newspaper in 1920, rallied support for the original Droit De Suite.
    Image description Drawing depicting an impoverished beggar and his child outside an auction house where the father's painting is being sold for large sums.
    Year 1920
    Related pages The Artist's Resale Right
  • Lining the wall are multiple glass display cased filled with ephemera, text and images hang on the wall above them, in the corner sits a tv monitor on a shelf.
    Lining the wall are multiple glass display cased filled with ephemera, text and images hang on the wall above them, in the corner sits a tv monitor on a shelf.
    Till They Listen: Bill Gunn Directs America. Installation view, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [Lining the wall are multiple glass display cased filled with ephemera, text and images hang on the wall above them, in the corner sits a tv monitor on a shelf.]
    Caption Till They Listen: Bill Gunn Directs America. Installation view, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description Lining the wall are multiple glass display cased filled with ephemera, text and images hang on the wall above them, in the corner sits a tv monitor on a shelf.
    Year 2021
    Related pages Till They Listen: Bill Gunn Directs America
  • A black and white photograph of various objects hanging in a white-walled gallery space with a spotlight in center of the image.
    A black and white photograph of various objects hanging in a white-walled gallery space with a spotlight in center of the image.
    Freya Hansell. Installation view, Artists Space, 1980. [A black and white photograph of various objects hanging in a white-walled gallery space with a spotlight in center of the image.]
    Caption Freya Hansell. Installation view, Artists Space, 1980.
    Image description A black and white photograph of various objects hanging in a white-walled gallery space with a spotlight in center of the image.
    Year
    Related pages Freya Hansell
  • A grid of blue hearts on a yellow background.
    A grid of blue hearts on a yellow background.
    [A grid of blue hearts on a yellow background.]
    Caption
    Image description A grid of blue hearts on a yellow background.
    Year 2017
    Related pages I ❤ John Giorno: John Giorno, Fanny Howe, Mónica de la Torre
  • A person dressed in all pink reads from a sheet of paper into a microphone. She holds a small disco ball in her arm. She is surrounded by rapt audience members arranged in a semi-circle around her.
    A person dressed in all pink reads from a sheet of paper into a microphone. She holds a small disco ball in her arm. She is surrounded by rapt audience members arranged in a semi-circle around her.
    Jutta Koether: xxapollo. Performance documentation, January 5, 2020, Artists Space. Photo © 2020 Paula Court. [A person dressed in all pink reads from a sheet of paper into a microphone. She holds a small disco ball in her arm. She is surrounded by rapt audience members arranged in a semi-circle around her.]
    Caption Jutta Koether: xxapollo. Performance documentation, January 5, 2020, Artists Space. Photo © 2020 Paula Court.
    Image description A person dressed in all pink reads from a sheet of paper into a microphone. She holds a small disco ball in her arm. She is surrounded by rapt audience members arranged in a semi-circle around her.
    Year 2020
    Related pages Jutta Koether
  • Bruce Colvin . Invisible Structures (Dates of Writing), 1976. From Sigrid Burton, Bruce Colvin, Ellen Phelan, Artists Space, 1976
    Caption Bruce Colvin . Invisible Structures (Dates of Writing), 1976. From Sigrid Burton, Bruce Colvin, Ellen Phelan, Artists Space, 1976
    Image description
    Year
    Related pages Sigrid Burton, Bruce Colvin, Ellen Phelan
  • A symmetrical image of windowless houses rendered in inverted colors with tones of purple, yellow, and pink.
    A symmetrical image of windowless houses rendered in inverted colors with tones of purple, yellow, and pink.
    Darren Wardle, Jailbreak, 2002. [A symmetrical image of windowless houses rendered in inverted colors with tones of purple, yellow, and pink.]
    Caption Darren Wardle, Jailbreak, 2002.
    Image description A symmetrical image of windowless houses rendered in inverted colors with tones of purple, yellow, and pink.
    Year 2002
    Related pages Painting as Paradox
  • A black and white installation view of a rectangular photographic work with wide white matting.
    A black and white installation view of a rectangular photographic work with wide white matting.
    Susan Eder. Installation view, Artists Space, 1976. [A black and white installation view of a rectangular photographic work with wide white matting.]
    Caption Susan Eder. Installation view, Artists Space, 1976.
    Image description A black and white installation view of a rectangular photographic work with wide white matting.
    Year 1976
    Related pages Susan Eder, Matt Mullican
  • Solo performer on stage behind a table of electronic instruments with a large speaker to their right. The walls and musician are covered with pink and purple patterned projections. A group of audience members are visible in the foreground.
    Solo performer on stage behind a table of electronic instruments with a large speaker to their right. The walls and musician are covered with pink and purple patterned projections. A group of audience members are visible in the foreground.
    Abasement #72. Performance documentation, October 7th, 2024, Artists Space. Photo: Joshua Wildman. [Solo performer on stage behind a table of electronic instruments with a large speaker to their right. The walls and musician are covered with pink and purple patterned projections. A group of audience members are visible in the foreground.]
    Caption Abasement #72. Performance documentation, October 7th, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Solo performer on stage behind a table of electronic instruments with a large speaker to their right. The walls and musician are covered with pink and purple patterned projections. A group of audience members are visible in the foreground.
    Year
    Related pages Abasement #72
  • A video projection playing in a blue lit room with a large curved surface for viewing.
    A video projection playing in a blue lit room with a large curved surface for viewing.
    Hito Steyerl. Still from Liquidity, Inc., 2014. HD video with sound, 30 minutes. [A video projection playing in a blue lit room with a large curved surface for viewing.]
    Caption Hito Steyerl. Still from Liquidity, Inc., 2014. HD video with sound, 30 minutes.
    Image description A video projection playing in a blue lit room with a large curved surface for viewing.
    Year 2014
    Related pages
  • A classroom with several adults sitting around the perimeter. In the center, colorful student artworks are arranged across several desks.
    A classroom with several adults sitting around the perimeter. In the center, colorful student artworks are arranged across several desks.
    Arts and Family Engagement evening, student and parent panel on high school portfolio preparation, P.S. 140, 2019 [A classroom with several adults sitting around the perimeter. In the center, colorful student artworks are arranged across several desks.]
    Caption Arts and Family Engagement evening, student and parent panel on high school portfolio preparation, P.S. 140, 2019
    Image description A classroom with several adults sitting around the perimeter. In the center, colorful student artworks are arranged across several desks.
    Year
    Related pages Exhibitions and Events
  • Color photograph of a figure in a completely dark room, facing one wall and shining a light from their body against the wall.
    Color photograph of a figure in a completely dark room, facing one wall and shining a light from their body against the wall.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure in a completely dark room, facing one wall and shining a light from their body against the wall.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a figure in a completely dark room, facing one wall and shining a light from their body against the wall.
    Year 2022
    Related pages keyon gaskin 12-14
  • A blue and yellow promotional flyer with text in Spanish.
    A blue and yellow promotional flyer with text in Spanish.
    Zona. Carga y Descarga, Issue 3, 1973. Courtesy Rosario Ferré. [A blue and yellow promotional flyer with text in Spanish.]
    Caption Zona. Carga y Descarga, Issue 3, 1973. Courtesy Rosario Ferré.
    Image description A blue and yellow promotional flyer with text in Spanish.
    Year 1973
    Related pages “Zona. Carga y Descarga” – Minor Literature in a Penal Colony
  • A monkey's head is pasted above a drawing of a suit with other pencil markings throughout the image on lined notebook paper. Below the figure is a collaged phrase from newspaper clippings that says
    A monkey's head is pasted above a drawing of a suit with other pencil markings throughout the image on lined notebook paper. Below the figure is a collaged phrase from newspaper clippings that says
    Camilo, headline poem, 2019 [A monkey's head is pasted above a drawing of a suit with other pencil markings throughout the image on lined notebook paper. Below the figure is a collaged phrase from newspaper clippings that says "Monkey goes to Harvard."]
    Caption Camilo, headline poem, 2019
    Image description A monkey's head is pasted above a drawing of a suit with other pencil markings throughout the image on lined notebook paper. Below the figure is a collaged phrase from newspaper clippings that says "Monkey goes to Harvard."
    Year 2019
    Related pages Art and Literacy: Poetry
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • The corner of a gallery space. At the base of the corner, where both walls meet the floor, a small area of the wall has been removed and replaced with the materials from another building's wall, displayed in a cross-section. Several black and white, framed photo-collages hang on the wall to the right of the corner.
    The corner of a gallery space. At the base of the corner, where both walls meet the floor, a small area of the wall has been removed and replaced with the materials from another building's wall, displayed in a cross-section. Several black and white, framed photo-collages hang on the wall to the right of the corner.
    Model Modernisms. Installation view, Artists Space, 2005. [The corner of a gallery space. At the base of the corner, where both walls meet the floor, a small area of the wall has been removed and replaced with the materials from another building's wall, displayed in a cross-section. Several black and white, framed photo-collages hang on the wall to the right of the corner.]
    Caption Model Modernisms. Installation view, Artists Space, 2005.
    Image description The corner of a gallery space. At the base of the corner, where both walls meet the floor, a small area of the wall has been removed and replaced with the materials from another building's wall, displayed in a cross-section. Several black and white, framed photo-collages hang on the wall to the right of the corner.
    Year 2005
    Related pages Model Modernisms
  • Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Caption Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description
    Year 2023
    Related pages Shala Miller, Malcolm Peacock, Amiri Baraka
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