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  • A color photograph of a vitrine containing an EKG printout and several black and white photographs.
    A color photograph of a vitrine containing an EKG printout and several black and white photographs.
    Milford Graves: Fundamental Frequency. Installation view (ephemera c. 1970s), Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak. [A color photograph of a vitrine containing an EKG printout and several black and white photographs.]
    Caption Milford Graves: Fundamental Frequency. Installation view (ephemera c. 1970s), Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak.
    Image description A color photograph of a vitrine containing an EKG printout and several black and white photographs.
    Year 2021
    Related pages Milford Graves: Fundamental Frequency
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A large room with wooden floors. In the right corner, there is a wall creating a corner that is covered in colorful wallpaper with images of tropical birds on trees. Several framed pictures are displayed on one side of the wall, partially obscured by a white column. To the left, there are three standing plinths with glass tops, housing dried brown plants.
    A large room with wooden floors. In the right corner, there is a wall creating a corner that is covered in colorful wallpaper with images of tropical birds on trees. Several framed pictures are displayed on one side of the wall, partially obscured by a white column. To the left, there are three standing plinths with glass tops, housing dried brown plants.
    Spring Exhibitions. Installation view, Artists Space, 2009. [A large room with wooden floors. In the right corner, there is a wall creating a corner that is covered in colorful wallpaper with images of tropical birds on trees. Several framed pictures are displayed on one side of the wall, partially obscured by a white column. To the left, there are three standing plinths with glass tops, housing dried brown plants.]
    Caption Spring Exhibitions. Installation view, Artists Space, 2009.
    Image description A large room with wooden floors. In the right corner, there is a wall creating a corner that is covered in colorful wallpaper with images of tropical birds on trees. Several framed pictures are displayed on one side of the wall, partially obscured by a white column. To the left, there are three standing plinths with glass tops, housing dried brown plants.
    Year 2009
    Related pages Spring Exhibitions
  • A painting of two figures, one in the foreground and the other in the background. Towards the top of the painting reads,
    A painting of two figures, one in the foreground and the other in the background. Towards the top of the painting reads,
    Jenny Snider. It's a Sin to Tell a Lie, 1985. [A painting of two figures, one in the foreground and the other in the background. Towards the top of the painting reads, "IT'S A SIN TO TELL A LIE".]
    Caption Jenny Snider. It's a Sin to Tell a Lie, 1985.
    Image description A painting of two figures, one in the foreground and the other in the background. Towards the top of the painting reads, "IT'S A SIN TO TELL A LIE".
    Year 1985
    Related pages Four Artists: An Exhibition of Painting and Sculpture
  • Light blue text overlays a dark blue background. The top left corner reads:
    Light blue text overlays a dark blue background. The top left corner reads:
    Flyer for Segue Reading Series featuring Emily Lee Luan & imogen xtian smith. November 5, 2022, Artists Space. [Light blue text overlays a dark blue background. The top left corner reads: "Emily Lee Luan & imogen xtian smith / November 5, 5pm." The middle reads: "Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519."]
    Caption Flyer for Segue Reading Series featuring Emily Lee Luan & imogen xtian smith. November 5, 2022, Artists Space.
    Image description Light blue text overlays a dark blue background. The top left corner reads: "Emily Lee Luan & imogen xtian smith / November 5, 5pm." The middle reads: "Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519."
    Year
    Related pages Segue Reading Series: Emily Lee Luan & imogen xtian smith
  • Color image of a figure in profile, seated behind a reed organ covered in a sheet of clear plastic. A clock sits on a music stand behind the organ. The figure reaches their arm under the plastic and holds the arm of the organ.
    Color image of a figure in profile, seated behind a reed organ covered in a sheet of clear plastic. A clock sits on a music stand behind the organ. The figure reaches their arm under the plastic and holds the arm of the organ.
    Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata [Color image of a figure in profile, seated behind a reed organ covered in a sheet of clear plastic. A clock sits on a music stand behind the organ. The figure reaches their arm under the plastic and holds the arm of the organ.]
    Caption Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata
    Image description Color image of a figure in profile, seated behind a reed organ covered in a sheet of clear plastic. A clock sits on a music stand behind the organ. The figure reaches their arm under the plastic and holds the arm of the organ.
    Year 2023
    Related pages Yasunao Tone Concert #2
  • A silhouetted figure of a person speaking into a microphone. They are backlit by an image of an upside down American flag.
    A silhouetted figure of a person speaking into a microphone. They are backlit by an image of an upside down American flag.
    New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court. [A silhouetted figure of a person speaking into a microphone. They are backlit by an image of an upside down American flag.]
    Caption New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court.
    Image description A silhouetted figure of a person speaking into a microphone. They are backlit by an image of an upside down American flag.
    Year 2020
    Related pages New Red Order: Informants Get Paid!
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    Year
    Related pages LAND MASS
  • Two figures dressed in blue morph suits walk around a basement space. One figure on the right stands behind a semi-circular rolling table made of wood and fresnel lenses. Along the back wall blue and purple live CCTV video footage is projected.
    Two figures dressed in blue morph suits walk around a basement space. One figure on the right stands behind a semi-circular rolling table made of wood and fresnel lenses. Along the back wall blue and purple live CCTV video footage is projected.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Two figures dressed in blue morph suits walk around a basement space. One figure on the right stands behind a semi-circular rolling table made of wood and fresnel lenses. Along the back wall blue and purple live CCTV video footage is projected.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Two figures dressed in blue morph suits walk around a basement space. One figure on the right stands behind a semi-circular rolling table made of wood and fresnel lenses. Along the back wall blue and purple live CCTV video footage is projected.
    Year 2022
    Related pages SCRAAATCH 11-18
  • Two maps, one of Asia and one of the Western United States, on red backgrounds positioned side by side. Black and white photographs are overlaid on particular cities in each map.
    Two maps, one of Asia and one of the Western United States, on red backgrounds positioned side by side. Black and white photographs are overlaid on particular cities in each map.
    A New World Order II: Remapping Tales of Desire. Installation view, Artists Space, 1992. [Two maps, one of Asia and one of the Western United States, on red backgrounds positioned side by side. Black and white photographs are overlaid on particular cities in each map.]
    Caption A New World Order II: Remapping Tales of Desire. Installation view, Artists Space, 1992.
    Image description Two maps, one of Asia and one of the Western United States, on red backgrounds positioned side by side. Black and white photographs are overlaid on particular cities in each map.
    Year 1992
    Related pages A New World Order II: Remapping Tales of Desire
  • A pile of trash, including Starbucks cups, empty packs of cigarettes, newspaper, and food remnants, is strewn across the ground.
    A pile of trash, including Starbucks cups, empty packs of cigarettes, newspaper, and food remnants, is strewn across the ground.
    ART CLUB2000, Untitled (Starbucks Trash), 1995, 11 x 14 inches, black and white photograph. [A pile of trash, including Starbucks cups, empty packs of cigarettes, newspaper, and food remnants, is strewn across the ground.]
    Caption ART CLUB2000, Untitled (Starbucks Trash), 1995, 11 x 14 inches, black and white photograph.
    Image description A pile of trash, including Starbucks cups, empty packs of cigarettes, newspaper, and food remnants, is strewn across the ground.
    Year 1995
    Related pages ART CLUB2000
  • Two men, Drake Carr and George Wells, sit around a circular dining table, both gazing out while listening to a speaker who is out of frame. Carr rests his elbow on the back of his chair.
    Two men, Drake Carr and George Wells, sit around a circular dining table, both gazing out while listening to a speaker who is out of frame. Carr rests his elbow on the back of his chair.
    Drake Carr and George Wells. Photo: Jenna Bascom [Two men, Drake Carr and George Wells, sit around a circular dining table, both gazing out while listening to a speaker who is out of frame. Carr rests his elbow on the back of his chair.]
    Caption Drake Carr and George Wells. Photo: Jenna Bascom
    Image description Two men, Drake Carr and George Wells, sit around a circular dining table, both gazing out while listening to a speaker who is out of frame. Carr rests his elbow on the back of his chair.
    Year
    Related pages Support
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    Year
    Related pages Takuma Nakahira: Encounters
  • Black, capitlized text that reads,
    Black, capitlized text that reads,
    [Black, capitlized text that reads, "The Colin de Land Library."]
    Caption
    Image description Black, capitlized text that reads, "The Colin de Land Library."
    Year 2014
    Related pages The Library Vaccine
  • A projection of a close-up image of an unidentified figure's mouth and chin is displayed on a wall of a light-filled gallery space. Two small speakers sit above the projection at its top right and left corners. A series of yellow cards sit in a clear container mounted on the wall to the right of the projector. Bold text printed on the front of the cards reads:
    A projection of a close-up image of an unidentified figure's mouth and chin is displayed on a wall of a light-filled gallery space. Two small speakers sit above the projection at its top right and left corners. A series of yellow cards sit in a clear container mounted on the wall to the right of the projector. Bold text printed on the front of the cards reads:
    Rip It Up and Start Again. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A projection of a close-up image of an unidentified figure's mouth and chin is displayed on a wall of a light-filled gallery space. Two small speakers sit above the projection at its top right and left corners. A series of yellow cards sit in a clear container mounted on the wall to the right of the projector. Bold text printed on the front of the cards reads: "I'M SORRY, BUT THIS IS HOW I LEARN."]
    Caption Rip It Up and Start Again. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description A projection of a close-up image of an unidentified figure's mouth and chin is displayed on a wall of a light-filled gallery space. Two small speakers sit above the projection at its top right and left corners. A series of yellow cards sit in a clear container mounted on the wall to the right of the projector. Bold text printed on the front of the cards reads: "I'M SORRY, BUT THIS IS HOW I LEARN."
    Year 2010
    Related pages Rip It Up and Start Again: William S. Burroughs, Charles Henri Ford, Ray Johnson, Philippe Thomas, Arthur Russell
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    Year
    Related pages Segue Reading Series
  • Into an outlet socket on a wall is plugged a large black adapter with two USBs plugged into it. Screens on the USBs flash text that reads
    Into an outlet socket on a wall is plugged a large black adapter with two USBs plugged into it. Screens on the USBs flash text that reads
    Nandi Loaf, ???., 2025. Hardware. Photo: Carter Seddon. [Into an outlet socket on a wall is plugged a large black adapter with two USBs plugged into it. Screens on the USBs flash text that reads "TEMP 12 / Lucky miner 00:13." In the outlet above the USBs is a black plastic cover.]
    Caption Nandi Loaf, ???., 2025. Hardware. Photo: Carter Seddon.
    Image description Into an outlet socket on a wall is plugged a large black adapter with two USBs plugged into it. Screens on the USBs flash text that reads "TEMP 12 / Lucky miner 00:13." In the outlet above the USBs is a black plastic cover.
    Year
    Related pages Nandi Loaf Aristotelis Nikolas Mochloulis Ricardo Nagaoka Sydney Schrader
  • A wide shot of a gallery space with three columns. At the base of one column is a colorful, flat piece. On the large wall behind that column, three paintings hang in a horizontal line. To left of that, several framed drawings are arranged in a horizontal line. Against the perpendicular wall, there is a plinth with a television and several headphones.
    A wide shot of a gallery space with three columns. At the base of one column is a colorful, flat piece. On the large wall behind that column, three paintings hang in a horizontal line. To left of that, several framed drawings are arranged in a horizontal line. Against the perpendicular wall, there is a plinth with a television and several headphones.
    Based on a True Story. Installation view, Artists Space, 2004. [A wide shot of a gallery space with three columns. At the base of one column is a colorful, flat piece. On the large wall behind that column, three paintings hang in a horizontal line. To left of that, several framed drawings are arranged in a horizontal line. Against the perpendicular wall, there is a plinth with a television and several headphones.]
    Caption Based on a True Story. Installation view, Artists Space, 2004.
    Image description A wide shot of a gallery space with three columns. At the base of one column is a colorful, flat piece. On the large wall behind that column, three paintings hang in a horizontal line. To left of that, several framed drawings are arranged in a horizontal line. Against the perpendicular wall, there is a plinth with a television and several headphones.
    Year 2004
    Related pages Based on a True Story
  • Trip to Artists Space to see fwiw Constantina Zavitsanos exhibition, 2024
    Caption Trip to Artists Space to see fwiw Constantina Zavitsanos exhibition, 2024
    Image description
    Year
    Related pages Listening to the LES
  • A figure in a blue morph suit leans their arms on top of a rolling table made of wood and fresnel lenses, pushing it toward another figure that stands in front of them filming them. In the background a third figure in a blue morph suit sits and leans down on top of a rectangular wooden frame. Blue footage is projected onto the back wall.
    A figure in a blue morph suit leans their arms on top of a rolling table made of wood and fresnel lenses, pushing it toward another figure that stands in front of them filming them. In the background a third figure in a blue morph suit sits and leans down on top of a rectangular wooden frame. Blue footage is projected onto the back wall.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [A figure in a blue morph suit leans their arms on top of a rolling table made of wood and fresnel lenses, pushing it toward another figure that stands in front of them filming them. In the background a third figure in a blue morph suit sits and leans down on top of a rectangular wooden frame. Blue footage is projected onto the back wall.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description A figure in a blue morph suit leans their arms on top of a rolling table made of wood and fresnel lenses, pushing it toward another figure that stands in front of them filming them. In the background a third figure in a blue morph suit sits and leans down on top of a rectangular wooden frame. Blue footage is projected onto the back wall.
    Year 2022
    Related pages SCRAAATCH 12-3
  • Two people in the middle of a conversation. The woman is wearing a red cardigan, a white collared shirt, and has short gray hair with square black glasses. The man is wearing a checked blue and white collared shirt and has gray facial hair and round black glasses.
    Two people in the middle of a conversation. The woman is wearing a red cardigan, a white collared shirt, and has short gray hair with square black glasses. The man is wearing a checked blue and white collared shirt and has gray facial hair and round black glasses.
    Still from video interview with Naomi and Stephen Antonakos, conducted by Dean Inkster and Sébastien Pluot, 2010. [Two people in the middle of a conversation. The woman is wearing a red cardigan, a white collared shirt, and has short gray hair with square black glasses. The man is wearing a checked blue and white collared shirt and has gray facial hair and round black glasses.]
    Caption Still from video interview with Naomi and Stephen Antonakos, conducted by Dean Inkster and Sébastien Pluot, 2010.
    Image description Two people in the middle of a conversation. The woman is wearing a red cardigan, a white collared shirt, and has short gray hair with square black glasses. The man is wearing a checked blue and white collared shirt and has gray facial hair and round black glasses.
    Year 2011
    Related pages Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979)
  • A color photograph of a gallery space with two partial views of windows. In between the windows, two blue posters are attached to the wall. Directly in front of the posters is a large grey table with four red chairs. The table holds a stack of yellow posters and two stacks of smaller grey handouts.
    A color photograph of a gallery space with two partial views of windows. In between the windows, two blue posters are attached to the wall. Directly in front of the posters is a large grey table with four red chairs. The table holds a stack of yellow posters and two stacks of smaller grey handouts.
    virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of a gallery space with two partial views of windows. In between the windows, two blue posters are attached to the wall. Directly in front of the posters is a large grey table with four red chairs. The table holds a stack of yellow posters and two stacks of smaller grey handouts.]
    Caption virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color photograph of a gallery space with two partial views of windows. In between the windows, two blue posters are attached to the wall. Directly in front of the posters is a large grey table with four red chairs. The table holds a stack of yellow posters and two stacks of smaller grey handouts.
    Year 2022
    Related pages virgil b/g taylor: Minor Publics
  • Two performers on stage in front of a seated audience. The musician on the left is playing the violin, and the musician on the right is playing the drums. The room is bathed in red and blue light. The wall behind the performers is projected with blue and purple graphics.
    Two performers on stage in front of a seated audience. The musician on the left is playing the violin, and the musician on the right is playing the drums. The room is bathed in red and blue light. The wall behind the performers is projected with blue and purple graphics.
    Abasement #73. Performance documentation, November 4th, 2024, Artists Space. Photo: Joshua Wildman. [Two performers on stage in front of a seated audience. The musician on the left is playing the violin, and the musician on the right is playing the drums. The room is bathed in red and blue light. The wall behind the performers is projected with blue and purple graphics.]
    Caption Abasement #73. Performance documentation, November 4th, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Two performers on stage in front of a seated audience. The musician on the left is playing the violin, and the musician on the right is playing the drums. The room is bathed in red and blue light. The wall behind the performers is projected with blue and purple graphics.
    Year
    Related pages Abasement #73
  • Several people seated on a couch watch a monitor set on a pedestal in front of them. A large speaker is placed to the right of the screen, and on the wall alongside this are two rows of black and white photographs.
    Several people seated on a couch watch a monitor set on a pedestal in front of them. A large speaker is placed to the right of the screen, and on the wall alongside this are two rows of black and white photographs.
    Min Joong Art. Installation view, Artists Space, 1988. [Several people seated on a couch watch a monitor set on a pedestal in front of them. A large speaker is placed to the right of the screen, and on the wall alongside this are two rows of black and white photographs.]
    Caption Min Joong Art. Installation view, Artists Space, 1988.
    Image description Several people seated on a couch watch a monitor set on a pedestal in front of them. A large speaker is placed to the right of the screen, and on the wall alongside this are two rows of black and white photographs.
    Year 1988
    Related pages Min Joong Art: A New Cultural Moment from Korea
  • Black and white photograph of Jean Fisher looking to the right.
    Black and white photograph of Jean Fisher looking to the right.
    [Black and white photograph of Jean Fisher looking to the right.]
    Caption
    Image description Black and white photograph of Jean Fisher looking to the right.
    Year 2018
    Related pages The Work Between Us: Reflections on Jean Fisher
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    Related pages Ralston Farina: Time // Time
  • A black and white photograph with two images of faces illuminated in the darkness and text underneath.
    A black and white photograph with two images of faces illuminated in the darkness and text underneath.
    John Knecht. I'm Glad To The Brink Of Fear, 1986. Video Installation. [A black and white photograph with two images of faces illuminated in the darkness and text underneath.]
    Caption John Knecht. I'm Glad To The Brink Of Fear, 1986. Video Installation.
    Image description A black and white photograph with two images of faces illuminated in the darkness and text underneath.
    Year 1987
    Related pages Dark Rooms
  • A black monitor sits on a wooden table. The image onscreen shows a hand holding a black and white paper with text. A stack of photographs lay underneath the paper.
    A black monitor sits on a wooden table. The image onscreen shows a hand holding a black and white paper with text. A stack of photographs lay underneath the paper.
    Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979). Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A black monitor sits on a wooden table. The image onscreen shows a hand holding a black and white paper with text. A stack of photographs lay underneath the paper.]
    Caption Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979). Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description A black monitor sits on a wooden table. The image onscreen shows a hand holding a black and white paper with text. A stack of photographs lay underneath the paper.
    Year 2011
    Related pages Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979)
  • A black and white oil painting depicting a person lying facedown on asphalt.
    A black and white oil painting depicting a person lying facedown on asphalt.
    Jordan Kantor, Untitled (Pasolini), 2004. Oil on canvas, 52 x 96 inches. Courtesy the artist. [A black and white oil painting depicting a person lying facedown on asphalt.]
    Caption Jordan Kantor, Untitled (Pasolini), 2004. Oil on canvas, 52 x 96 inches. Courtesy the artist.
    Image description A black and white oil painting depicting a person lying facedown on asphalt.
    Year 2004
    Related pages Recent Paintings
  • The facade of a cast-iron building with three double door entrances. Real estate listings are illuminated within the windows inside each door. In red tinted transoms above the doors are the letters N, R, O in eccentric white lettering.
    The facade of a cast-iron building with three double door entrances. Real estate listings are illuminated within the windows inside each door. In red tinted transoms above the doors are the letters N, R, O in eccentric white lettering.
    [The facade of a cast-iron building with three double door entrances. Real estate listings are illuminated within the windows inside each door. In red tinted transoms above the doors are the letters N, R, O in eccentric white lettering.]
    Caption
    Image description The facade of a cast-iron building with three double door entrances. Real estate listings are illuminated within the windows inside each door. In red tinted transoms above the doors are the letters N, R, O in eccentric white lettering.
    Year 2021
    Related pages Welcome
  • Two cars sitting on a city street in front of a dumpster covered with a tarp.
    Two cars sitting on a city street in front of a dumpster covered with a tarp.
    [Two cars sitting on a city street in front of a dumpster covered with a tarp.]
    Caption
    Image description Two cars sitting on a city street in front of a dumpster covered with a tarp.
    Year 2016
    Related pages No Total
  • A pink pamphlet with black text announcing
    A pink pamphlet with black text announcing
    [A pink pamphlet with black text announcing "Artists Space Presents: PUTT-MODERNISM", an "artist created 18-hole fully playable minature golf course." There is an illustrated map showing the location of the event, and additional printed information on the location and hours.]
    Caption
    Image description A pink pamphlet with black text announcing "Artists Space Presents: PUTT-MODERNISM", an "artist created 18-hole fully playable minature golf course." There is an illustrated map showing the location of the event, and additional printed information on the location and hours.
    Year 1994
    Related pages Putt-Modernism (Fulton Market)
  • A figure looks into the viewfinder of a camera. In the background, an abstract image is projected onto a wall.
    A figure looks into the viewfinder of a camera. In the background, an abstract image is projected onto a wall.
    Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [A figure looks into the viewfinder of a camera. In the background, an abstract image is projected onto a wall.]
    Caption Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description A figure looks into the viewfinder of a camera. In the background, an abstract image is projected onto a wall.
    Year 2019
    Related pages Speaker Music: drape over another
  • Photograph of a corner of a basement gallery space with large columns along the back. Behind the columns are benches placed in front of video displays. On the right is a CRT TV monitor, and to the left is a projected video.
    Photograph of a corner of a basement gallery space with large columns along the back. Behind the columns are benches placed in front of video displays. On the right is a CRT TV monitor, and to the left is a projected video.
    Clocking Out: Time Beyond Management. Installation view (Simon Gush, Sunday Light, 2013 / Without Light, 2016; Victor Masayesva Jr., Itam Hakim, Hopiit. 1984; ektor garcia, portal DF/SF, 2021; ektor garcia, textile bronceado, 2023), Artists Space, 2023. Photo: Greg Carideo. [Photograph of a corner of a basement gallery space with large columns along the back. Behind the columns are benches placed in front of video displays. On the right is a CRT TV monitor, and to the left is a projected video.]
    Caption Clocking Out: Time Beyond Management. Installation view (Simon Gush, Sunday Light, 2013 / Without Light, 2016; Victor Masayesva Jr., Itam Hakim, Hopiit. 1984; ektor garcia, portal DF/SF, 2021; ektor garcia, textile bronceado, 2023), Artists Space, 2023. Photo: Greg Carideo.
    Image description Photograph of a corner of a basement gallery space with large columns along the back. Behind the columns are benches placed in front of video displays. On the right is a CRT TV monitor, and to the left is a projected video.
    Year 2023
    Related pages Whitney Independent Study: Clocking Out: Time Beyond Management
  • A black and white image of a figure wearing all black, with a black hat, facing to the wall and slightly illuminated by a light in their hands. In the foreground, there is a partially visible metal grid with several plastic-covered white lights.
    A black and white image of a figure wearing all black, with a black hat, facing to the wall and slightly illuminated by a light in their hands. In the foreground, there is a partially visible metal grid with several plastic-covered white lights.
    The Heart of Your Mother for my Dogs. Performance view, Artists Space, 2009. [A black and white image of a figure wearing all black, with a black hat, facing to the wall and slightly illuminated by a light in their hands. In the foreground, there is a partially visible metal grid with several plastic-covered white lights.]
    Caption The Heart of Your Mother for my Dogs. Performance view, Artists Space, 2009.
    Image description A black and white image of a figure wearing all black, with a black hat, facing to the wall and slightly illuminated by a light in their hands. In the foreground, there is a partially visible metal grid with several plastic-covered white lights.
    Year 2009
    Related pages When Time Becomes Form: The Heart of Your Mother for My Dogs
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    Year
    Related pages Dream Lines: Drawings by Marian Zazeela
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A large square edifice with an opening in its center bottom held up off the floor with numerous steel rods on its sides in a gallery setting. A shadow of a human figure appears/disappears in front of the work.
    A large square edifice with an opening in its center bottom held up off the floor with numerous steel rods on its sides in a gallery setting. A shadow of a human figure appears/disappears in front of the work.
    U.S. Projects: Peter Shelton. Installation view, Artists Space, 1982. [A large square edifice with an opening in its center bottom held up off the floor with numerous steel rods on its sides in a gallery setting. A shadow of a human figure appears/disappears in front of the work.]
    Caption U.S. Projects: Peter Shelton. Installation view, Artists Space, 1982.
    Image description A large square edifice with an opening in its center bottom held up off the floor with numerous steel rods on its sides in a gallery setting. A shadow of a human figure appears/disappears in front of the work.
    Year
    Related pages U.S.. Projects: Peter Shelton
  • An image of a sculpture made out of bicycle parts, as well as other materials. Behind the sculpture is a projection.
    An image of a sculpture made out of bicycle parts, as well as other materials. Behind the sculpture is a projection.
    James Luna, In My Dreams: A Surreal, Post-Indian, Subterranean Blues Experience, 1996, exercise bike, crutches, beaded shoes, video projection, dimensions variable. Photo: Filip Wolak [An image of a sculpture made out of bicycle parts, as well as other materials. Behind the sculpture is a projection.]
    Caption James Luna, In My Dreams: A Surreal, Post-Indian, Subterranean Blues Experience, 1996, exercise bike, crutches, beaded shoes, video projection, dimensions variable. Photo: Filip Wolak
    Image description An image of a sculpture made out of bicycle parts, as well as other materials. Behind the sculpture is a projection.
    Year 2022
    Related pages Attention Line
  • 3 large paintings hang on the wall to the right. The foremost is rectangular, then further away is a rhombus shaped painting and lastly a circular piece.
    3 large paintings hang on the wall to the right. The foremost is rectangular, then further away is a rhombus shaped painting and lastly a circular piece.
    Traditions: Five Painters. Installation View, Artists Space, 1978. [3 large paintings hang on the wall to the right. The foremost is rectangular, then further away is a rhombus shaped painting and lastly a circular piece.]
    Caption Traditions: Five Painters. Installation View, Artists Space, 1978.
    Image description 3 large paintings hang on the wall to the right. The foremost is rectangular, then further away is a rhombus shaped painting and lastly a circular piece.
    Year
    Related pages Traditions: Five Painters, Charles Clough, William Fares, Sidney Goldberg, John Lees, Ann Thornycroft
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
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    Related pages Artists Space: Artists Fund
  • A crafted deer head with horns appears on the wall with various drawn patterns on it.
    A crafted deer head with horns appears on the wall with various drawn patterns on it.
    Sherry Markovitz, Danny Boy, 1985. [A crafted deer head with horns appears on the wall with various drawn patterns on it.]
    Caption Sherry Markovitz, Danny Boy, 1985.
    Image description A crafted deer head with horns appears on the wall with various drawn patterns on it.
    Year
    Related pages U.S. Projects
  • A large gallery space houses a variety of plinths made of MDF, atop of which are displayed archival objects such as journals and postcards. On the right wall in the foreground is a large photograph affixed to the wall which depicts a wooden museum bench with a box housing red deaccession catalogs made available within The Museum of Modern Art‘s exhibition space.
    A large gallery space houses a variety of plinths made of MDF, atop of which are displayed archival objects such as journals and postcards. On the right wall in the foreground is a large photograph affixed to the wall which depicts a wooden museum bench with a box housing red deaccession catalogs made available within The Museum of Modern Art‘s exhibition space.
    Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon. [A large gallery space houses a variety of plinths made of MDF, atop of which are displayed archival objects such as journals and postcards. On the right wall in the foreground is a large photograph affixed to the wall which depicts a wooden museum bench with a box housing red deaccession catalogs made available within The Museum of Modern Art‘s exhibition space.]
    Caption Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon.
    Image description A large gallery space houses a variety of plinths made of MDF, atop of which are displayed archival objects such as journals and postcards. On the right wall in the foreground is a large photograph affixed to the wall which depicts a wooden museum bench with a box housing red deaccession catalogs made available within The Museum of Modern Art‘s exhibition space.
    Year
    Related pages Michael Asher
  • A gray television sits on a rectangular wooden board. There is a mass of wires extending from the back of it snaking towards a pile of nearby photographs. On one white wall opposite, there are two identical images. Leaning on the other white wall is a framed photograph of two books, a wooden rectangle, and a photograph stacked vertically on each other. There is a second photograph offset to the right.
    A gray television sits on a rectangular wooden board. There is a mass of wires extending from the back of it snaking towards a pile of nearby photographs. On one white wall opposite, there are two identical images. Leaning on the other white wall is a framed photograph of two books, a wooden rectangle, and a photograph stacked vertically on each other. There is a second photograph offset to the right.
    Replica of a Lost Original. Installation view, Artists Space, 2007. Photo: Bill Orcutt. [A gray television sits on a rectangular wooden board. There is a mass of wires extending from the back of it snaking towards a pile of nearby photographs. On one white wall opposite, there are two identical images. Leaning on the other white wall is a framed photograph of two books, a wooden rectangle, and a photograph stacked vertically on each other. There is a second photograph offset to the right.]
    Caption Replica of a Lost Original. Installation view, Artists Space, 2007. Photo: Bill Orcutt.
    Image description A gray television sits on a rectangular wooden board. There is a mass of wires extending from the back of it snaking towards a pile of nearby photographs. On one white wall opposite, there are two identical images. Leaning on the other white wall is a framed photograph of two books, a wooden rectangle, and a photograph stacked vertically on each other. There is a second photograph offset to the right.
    Year 2007
    Related pages Replica of a Lost Original
  • A plaque with text is hung up next to an open doorframe. Through the doorframe, a continuous strip extending around the perimeter of the room is visible. The strip on the walls alternates between photographic stills and black boxes overlaid with white text.
    A plaque with text is hung up next to an open doorframe. Through the doorframe, a continuous strip extending around the perimeter of the room is visible. The strip on the walls alternates between photographic stills and black boxes overlaid with white text.
    Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979. [A plaque with text is hung up next to an open doorframe. Through the doorframe, a continuous strip extending around the perimeter of the room is visible. The strip on the walls alternates between photographic stills and black boxes overlaid with white text.]
    Caption Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979.
    Image description A plaque with text is hung up next to an open doorframe. Through the doorframe, a continuous strip extending around the perimeter of the room is visible. The strip on the walls alternates between photographic stills and black boxes overlaid with white text.
    Year 1979
    Related pages Patricia Hearst - A Second Reading
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  • Color photo of two men sitting at a worktable that holds various musical and electronic equipment. In the background, various audience members sit and observe the performers within a dimly lit space. Yellow projections shine on the wall behind the performers along with blue and pink spotted lights.
    Color photo of two men sitting at a worktable that holds various musical and electronic equipment. In the background, various audience members sit and observe the performers within a dimly lit space. Yellow projections shine on the wall behind the performers along with blue and pink spotted lights.
    Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman. [Color photo of two men sitting at a worktable that holds various musical and electronic equipment. In the background, various audience members sit and observe the performers within a dimly lit space. Yellow projections shine on the wall behind the performers along with blue and pink spotted lights.]
    Caption Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman.
    Image description Color photo of two men sitting at a worktable that holds various musical and electronic equipment. In the background, various audience members sit and observe the performers within a dimly lit space. Yellow projections shine on the wall behind the performers along with blue and pink spotted lights.
    Year
    Related pages Abasement #64
  • A view of a white-walled gallery with large abstract paintings hanging on the walls and a small pedestal display case on the right.
    A view of a white-walled gallery with large abstract paintings hanging on the walls and a small pedestal display case on the right.
    Benito Huerta: Attempted, Not Known. Installation view, Artists Space, 1989. [A view of a white-walled gallery with large abstract paintings hanging on the walls and a small pedestal display case on the right.]
    Caption Benito Huerta: Attempted, Not Known. Installation view, Artists Space, 1989.
    Image description A view of a white-walled gallery with large abstract paintings hanging on the walls and a small pedestal display case on the right.
    Year 1989
    Related pages Project: Attempted, Not Known
  • Two figures on stilts appear in motion.
    Two figures on stilts appear in motion.
    Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court [Two figures on stilts appear in motion.]
    Caption Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court
    Image description Two figures on stilts appear in motion.
    Year 2022
    Related pages Circus Amok
  • A glossy black frame surrounds a painting of a man in a grey suit seated at a table. The man is wearing a white earpiece and is leaning forward towards a microphone. His fingers are tented on top of the table in an emphatic gesture.
    A glossy black frame surrounds a painting of a man in a grey suit seated at a table. The man is wearing a white earpiece and is leaning forward towards a microphone. His fingers are tented on top of the table in an emphatic gesture.
    Lukas Duwenhögger: Undoolay. Installation view, Artists Space, 2016. Photo credit: Jean Vong. [A glossy black frame surrounds a painting of a man in a grey suit seated at a table. The man is wearing a white earpiece and is leaning forward towards a microphone. His fingers are tented on top of the table in an emphatic gesture.]
    Caption Lukas Duwenhögger: Undoolay. Installation view, Artists Space, 2016. Photo credit: Jean Vong.
    Image description A glossy black frame surrounds a painting of a man in a grey suit seated at a table. The man is wearing a white earpiece and is leaning forward towards a microphone. His fingers are tented on top of the table in an emphatic gesture.
    Year 2016
    Related pages Lukas Duwenhögger: Undoolay
  • A black and white, vintage photograph of a male figure leaning casually against a low wall by a river. The figure's long back faces the viewer, and we cannot see his face. He wears a short piece of cloth at his waist, while his upper body is bare.
    A black and white, vintage photograph of a male figure leaning casually against a low wall by a river. The figure's long back faces the viewer, and we cannot see his face. He wears a short piece of cloth at his waist, while his upper body is bare.
    [A black and white, vintage photograph of a male figure leaning casually against a low wall by a river. The figure's long back faces the viewer, and we cannot see his face. He wears a short piece of cloth at his waist, while his upper body is bare.]
    Caption
    Image description A black and white, vintage photograph of a male figure leaning casually against a low wall by a river. The figure's long back faces the viewer, and we cannot see his face. He wears a short piece of cloth at his waist, while his upper body is bare.
    Year 2010
    Related pages Danh Vo: Autoerotic Asphyxiation
  • Student Presentations at Artists Space, 2021
    Caption Student Presentations at Artists Space, 2021
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    Year 2021
    Related pages BRIDGE Photography
  • Audience members sit and stand alongside a ramp in a gallery. They are facing a performer who is framed in between columns to the left of the image. The audience members are bathed in red light, with a bright blue light coming from under a platform on the floor. The performer is lit with green light and the background is blue-tinted.
    Audience members sit and stand alongside a ramp in a gallery. They are facing a performer who is framed in between columns to the left of the image. The audience members are bathed in red light, with a bright blue light coming from under a platform on the floor. The performer is lit with green light and the background is blue-tinted.
    Heist Divination (fwiw remix). Performance documentation, October 25th, 2024, Artists Space. Photo: Destiny Mata. [Audience members sit and stand alongside a ramp in a gallery. They are facing a performer who is framed in between columns to the left of the image. The audience members are bathed in red light, with a bright blue light coming from under a platform on the floor. The performer is lit with green light and the background is blue-tinted.]
    Caption Heist Divination (fwiw remix). Performance documentation, October 25th, 2024, Artists Space. Photo: Destiny Mata.
    Image description Audience members sit and stand alongside a ramp in a gallery. They are facing a performer who is framed in between columns to the left of the image. The audience members are bathed in red light, with a bright blue light coming from under a platform on the floor. The performer is lit with green light and the background is blue-tinted.
    Year
    Related pages S*an D. Henry-Smith
  • On a muted pink background with a wavy green line running across the page, text in a darker pink and black reads: segue X artists space virtual readings / Zoom meeting ID: 378 232 567 / $5 suggested virtual door: / PayPal/seguefoundation / all proceeds go directly to readers.
    On a muted pink background with a wavy green line running across the page, text in a darker pink and black reads: segue X artists space virtual readings / Zoom meeting ID: 378 232 567 / $5 suggested virtual door: / PayPal/seguefoundation / all proceeds go directly to readers.
    [On a muted pink background with a wavy green line running across the page, text in a darker pink and black reads: segue X artists space virtual readings / Zoom meeting ID: 378 232 567 / $5 suggested virtual door: / PayPal/seguefoundation / all proceeds go directly to readers.]
    Caption
    Image description On a muted pink background with a wavy green line running across the page, text in a darker pink and black reads: segue X artists space virtual readings / Zoom meeting ID: 378 232 567 / $5 suggested virtual door: / PayPal/seguefoundation / all proceeds go directly to readers.
    Year 2020
    Related pages Segue Reading Series: Lonely Christopher & zakia henderson-brown
  • Heist Divination (fwiw remix). Performance documentation, October 25th, 2024, Artists Space. Photo: Destiny Mata.
    Caption Heist Divination (fwiw remix). Performance documentation, October 25th, 2024, Artists Space. Photo: Destiny Mata.
    Image description
    Year
    Related pages Support
  • A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979. [A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.]
    Caption Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979.
    Image description A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    Year 1979
    Related pages Patricia Hearst - A Second Reading
  • Dark image of the upper torso of a woman with liquid dripping in the foreground of the image.
    Dark image of the upper torso of a woman with liquid dripping in the foreground of the image.
    Jenny Holzer. Video still of Re-Make, 1982. [Dark image of the upper torso of a woman with liquid dripping in the foreground of the image.]
    Caption Jenny Holzer. Video still of Re-Make, 1982.
    Image description Dark image of the upper torso of a woman with liquid dripping in the foreground of the image.
    Year
    Related pages Eating Friends
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  • A color photograph of a white framed vitrine containing ephemera such as newsprint and several photographs.
    A color photograph of a white framed vitrine containing ephemera such as newsprint and several photographs.
    Milford Graves: Fundamental Frequency. Installation view (ephemera from FESTAC, c. 1977), Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak. [A color photograph of a white framed vitrine containing ephemera such as newsprint and several photographs.]
    Caption Milford Graves: Fundamental Frequency. Installation view (ephemera from FESTAC, c. 1977), Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak.
    Image description A color photograph of a white framed vitrine containing ephemera such as newsprint and several photographs.
    Year 2021
    Related pages Milford Graves: Fundamental Frequency
  • Fishing for sound in the East River, 2022
    Caption Fishing for sound in the East River, 2022
    Image description
    Year 2022
    Related pages Listening to the LES
  • A performer caught in motion dances with their hands above their head, hanging at an angle. The performer is dappled in white lights.
    A performer caught in motion dances with their hands above their head, hanging at an angle. The performer is dappled in white lights.
    Abasement #86. Performance documentation, April 6th, 2026, Artists Space. Photo: Joshua Wildman. [A performer caught in motion dances with their hands above their head, hanging at an angle. The performer is dappled in white lights. ]
    Caption Abasement #86. Performance documentation, April 6th, 2026, Artists Space. Photo: Joshua Wildman.
    Image description A performer caught in motion dances with their hands above their head, hanging at an angle. The performer is dappled in white lights.
    Year
    Related pages Abasement #86
  • A black and white installation photograph. Four black rectangular panels hang on the wall. Each one is filled with white silhouetted shapes of human figures, and objects.
    A black and white installation photograph. Four black rectangular panels hang on the wall. Each one is filled with white silhouetted shapes of human figures, and objects.
    Pictures. Installation view, Artists Space, 1977. Photo: D. James Dee. [A black and white installation photograph. Four black rectangular panels hang on the wall. Each one is filled with white silhouetted shapes of human figures, and objects.]
    Caption Pictures. Installation view, Artists Space, 1977. Photo: D. James Dee.
    Image description A black and white installation photograph. Four black rectangular panels hang on the wall. Each one is filled with white silhouetted shapes of human figures, and objects.
    Year 1977
    Related pages Pictures
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  • A blue, black, and grey image of a cluster of wires, an equestrian sculpture, and an orb, surrounded by amorphous forms. At the bottom of the graphic, the word
    A blue, black, and grey image of a cluster of wires, an equestrian sculpture, and an orb, surrounded by amorphous forms. At the bottom of the graphic, the word
    [A blue, black, and grey image of a cluster of wires, an equestrian sculpture, and an orb, surrounded by amorphous forms. At the bottom of the graphic, the word "CAPITAL" is written in dripping, painted letters while bubbles and silhouettes rise to the top of the image.]
    Caption
    Image description A blue, black, and grey image of a cluster of wires, an equestrian sculpture, and an orb, surrounded by amorphous forms. At the bottom of the graphic, the word "CAPITAL" is written in dripping, painted letters while bubbles and silhouettes rise to the top of the image.
    Year 2014
    Related pages John Russell
  • Black text on a light blue-grey and yellow ombré background. The text reads: “April 19 / Jennifer Firestone / Matvei Yankelevich.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on a light blue-grey and yellow ombré background. The text reads: “April 19 / Jennifer Firestone / Matvei Yankelevich.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on a light blue-grey and yellow ombré background. The text reads: “April 19 / Jennifer Firestone / Matvei Yankelevich.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on a light blue-grey and yellow ombré background. The text reads: “April 19 / Jennifer Firestone / Matvei Yankelevich.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Jennifer Firestone & Matvei Yankelevich
  • A view of a built shack structure displaying a colorful cartoon face and a graphic sign that reads
    A view of a built shack structure displaying a colorful cartoon face and a graphic sign that reads
    ART CLUB2000 Untitled (Sharf Shack) after Kenny Scharfs “Scharf Schak,” 1996 Wood, vinyl coated wood paneling, paint, glitter, and hardware 8 x 8 x 3 feet Image courtesy Artists Space, New York Photo: Filip Wolak [A view of a built shack structure displaying a colorful cartoon face and a graphic sign that reads "Sharf Shack".]
    Caption ART CLUB2000 Untitled (Sharf Shack) after Kenny Scharfs “Scharf Schak,” 1996 Wood, vinyl coated wood paneling, paint, glitter, and hardware 8 x 8 x 3 feet Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description A view of a built shack structure displaying a colorful cartoon face and a graphic sign that reads "Sharf Shack".
    Year 2021
    Related pages ART CLUB2000
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • An angled view of the illuminated stage of a overhead projector. A red flashlight descends from the lamp onto a flat pile of objects including photographs, drawings, transparents material, and more.
    An angled view of the illuminated stage of a overhead projector. A red flashlight descends from the lamp onto a flat pile of objects including photographs, drawings, transparents material, and more.
    Devin Kenny, Stop following me/follow me, 2016. Photo: Daniel Pérez. [An angled view of the illuminated stage of a overhead projector. A red flashlight descends from the lamp onto a flat pile of objects including photographs, drawings, transparents material, and more.]
    Caption Devin Kenny, Stop following me/follow me, 2016. Photo: Daniel Pérez.
    Image description An angled view of the illuminated stage of a overhead projector. A red flashlight descends from the lamp onto a flat pile of objects including photographs, drawings, transparents material, and more.
    Year 2016
    Related pages Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
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    Year
    Related pages Editions
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    Related pages David Armstrong: Portraits
  • VHS-distorted image of Wonder Woman holding up her fist, from which emanates a burst of energy.
    VHS-distorted image of Wonder Woman holding up her fist, from which emanates a burst of energy.
    Dara Birnbaum, Technology/Transformation: Wonder Woman, 1978/9. Videotape still. [VHS-distorted image of Wonder Woman holding up her fist, from which emanates a burst of energy.]
    Caption Dara Birnbaum, Technology/Transformation: Wonder Woman, 1978/9. Videotape still.
    Image description VHS-distorted image of Wonder Woman holding up her fist, from which emanates a burst of energy.
    Year
    Related pages How to be a wo(man)
  • White text against black background, landscape orientation poisitioned in portrait with words reading from bottom to top. The large title reads
    White text against black background, landscape orientation poisitioned in portrait with words reading from bottom to top. The large title reads
    Wolf Vostell idécollage No. 3, Bulletin aktueller Ideen , Cologne, December 1962 Collection Andersch [White text against black background, landscape orientation poisitioned in portrait with words reading from bottom to top. The large title reads "dé collage."]
    Caption Wolf Vostell idécollage No. 3, Bulletin aktueller Ideen , Cologne, December 1962 Collection Andersch
    Image description White text against black background, landscape orientation poisitioned in portrait with words reading from bottom to top. The large title reads "dé collage."
    Year 1962
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • Color image of a framed piece of notebook graph paper, with a pen and ink drawing of a rectangle with various lines and dots. In the bottom-center of the paper is the word
    Color image of a framed piece of notebook graph paper, with a pen and ink drawing of a rectangle with various lines and dots. In the bottom-center of the paper is the word
    Andy Robert, The Terrain, 2021. Photo: Filip Wolak. [Color image of a framed piece of notebook graph paper, with a pen and ink drawing of a rectangle with various lines and dots. In the bottom-center of the paper is the word "TERRAIN."]
    Caption Andy Robert, The Terrain, 2021. Photo: Filip Wolak.
    Image description Color image of a framed piece of notebook graph paper, with a pen and ink drawing of a rectangle with various lines and dots. In the bottom-center of the paper is the word "TERRAIN."
    Year 2023
    Related pages Artists for Artists Space
  • Faded photograph of artist Miyoko Ito standing with her arms crossed in front of two of her paintings.
    Faded photograph of artist Miyoko Ito standing with her arms crossed in front of two of her paintings.
    Miyoko Ito at the opening of Miyoko Ito: A Review, The Renaissance Society at the University of Chicago, 1980. [Faded photograph of artist Miyoko Ito standing with her arms crossed in front of two of her paintings.]
    Caption Miyoko Ito at the opening of Miyoko Ito: A Review, The Renaissance Society at the University of Chicago, 1980.
    Image description Faded photograph of artist Miyoko Ito standing with her arms crossed in front of two of her paintings.
    Year 1980
    Related pages Miyoko Ito: Heart of Hearts
  • A woman looking at herself in a handheld mirror while getting a haircut at a barbershop
    A woman looking at herself in a handheld mirror while getting a haircut at a barbershop
    Deborah Willis. From Embracing Eatonville: A Photographic Survey, 2010 [A woman looking at herself in a handheld mirror while getting a haircut at a barbershop]
    Caption Deborah Willis. From Embracing Eatonville: A Photographic Survey, 2010
    Image description A woman looking at herself in a handheld mirror while getting a haircut at a barbershop
    Year 2010
    Related pages Justin Allen, Rin Johnson, Diamond Stingily, Deborah Willis
  • A view of multiple works including CRT monitors, a vending machine, a tulip chair against a seafoam colored wall, and a glass display table backed by tiled photographs.
    A view of multiple works including CRT monitors, a vending machine, a tulip chair against a seafoam colored wall, and a glass display table backed by tiled photographs.
    ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A view of multiple works including CRT monitors, a vending machine, a tulip chair against a seafoam colored wall, and a glass display table backed by tiled photographs.]
    Caption ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A view of multiple works including CRT monitors, a vending machine, a tulip chair against a seafoam colored wall, and a glass display table backed by tiled photographs.
    Year 2021
    Related pages ART CLUB2000
  • A figure plays the guitar sitting down, while another figure stands behind him playing the bass.
    A figure plays the guitar sitting down, while another figure stands behind him playing the bass.
    Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman [A figure plays the guitar sitting down, while another figure stands behind him playing the bass.]
    Caption Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure plays the guitar sitting down, while another figure stands behind him playing the bass.
    Year 2022
    Related pages Tisziji Muñoz with Francisco Mora Catlett and AfroHORN
  • Color image of a musician on stage, seated in a chair, holding an instrument that appears to be a guitar across their lap. To their right, a microphone is positioned close to an amp. Their feet control several pedals placed on the floor. Their long blonde-brown hair falls down over their chest and back as they gaze down in deep focus at the instrument in their lap. Behind the musician, a diamond-shaped, geometric pattern, outlined in bright pink is projected on the back wall. 
    Color image of a musician on stage, seated in a chair, holding an instrument that appears to be a guitar across their lap. To their right, a microphone is positioned close to an amp. Their feet control several pedals placed on the floor. Their long blonde-brown hair falls down over their chest and back as they gaze down in deep focus at the instrument in their lap. Behind the musician, a diamond-shaped, geometric pattern, outlined in bright pink is projected on the back wall. 
    Abasement #67. Performance documentation, January 15, 2024, Artists Space. Photo: Joshua Wildman. [Color image of a musician on stage, seated in a chair, holding an instrument that appears to be a guitar across their lap. To their right, a microphone is positioned close to an amp. Their feet control several pedals placed on the floor. Their long blonde-brown hair falls down over their chest and back as they gaze down in deep focus at the instrument in their lap. Behind the musician, a diamond-shaped, geometric pattern, outlined in bright pink is projected on the back wall. ]
    Caption Abasement #67. Performance documentation, January 15, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Color image of a musician on stage, seated in a chair, holding an instrument that appears to be a guitar across their lap. To their right, a microphone is positioned close to an amp. Their feet control several pedals placed on the floor. Their long blonde-brown hair falls down over their chest and back as they gaze down in deep focus at the instrument in their lap. Behind the musician, a diamond-shaped, geometric pattern, outlined in bright pink is projected on the back wall. 
    Year
    Related pages Abasement #67
  • Color photograph of a large empty room bathed in a red light. Along one wall, a performer dressed in white stands against the wall, bending over and looking to their left. A bright white light shines from their hips and a sheath of crinkly, reflective one-way mirror film lays on the ground in front of them.
    Color photograph of a large empty room bathed in a red light. Along one wall, a performer dressed in white stands against the wall, bending over and looking to their left. A bright white light shines from their hips and a sheath of crinkly, reflective one-way mirror film lays on the ground in front of them.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a large empty room bathed in a red light. Along one wall, a performer dressed in white stands against the wall, bending over and looking to their left. A bright white light shines from their hips and a sheath of crinkly, reflective one-way mirror film lays on the ground in front of them.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a large empty room bathed in a red light. Along one wall, a performer dressed in white stands against the wall, bending over and looking to their left. A bright white light shines from their hips and a sheath of crinkly, reflective one-way mirror film lays on the ground in front of them.
    Year 2022
    Related pages keyon gaskin 12-16
  • A performer stands behind a table operating a sound system in front of an audience. The wall behind the stage is lit with white geometric patterns.
    A performer stands behind a table operating a sound system in front of an audience. The wall behind the stage is lit with white geometric patterns.
    Abasement #84. Performance documentation, February 16th, 2026, Artists Space. Photo: Joshua Wildman. [A performer stands behind a table operating a sound system in front of an audience. The wall behind the stage is lit with white geometric patterns. ]
    Caption Abasement #84. Performance documentation, February 16th, 2026, Artists Space. Photo: Joshua Wildman.
    Image description A performer stands behind a table operating a sound system in front of an audience. The wall behind the stage is lit with white geometric patterns.
    Year
    Related pages Abasement #84
  • Assorted Delorean paraphernalia displayed on a white background, including several images of cars and a binder filled with a user manual.
    Assorted Delorean paraphernalia displayed on a white background, including several images of cars and a binder filled with a user manual.
    Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [Assorted Delorean paraphernalia displayed on a white background, including several images of cars and a binder filled with a user manual.]
    Caption Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description Assorted Delorean paraphernalia displayed on a white background, including several images of cars and a binder filled with a user manual.
    Year 2010
    Related pages Duncan Campbell: Make It New John
  • Two hanging projector screens are placed in the middle of a darkened gallery room. They both show the same black-and-white video still of a figures face, illuminated on one side by a bright flash of light.
    Two hanging projector screens are placed in the middle of a darkened gallery room. They both show the same black-and-white video still of a figures face, illuminated on one side by a bright flash of light.
    Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Shala Miller, Genesis, 2023), Artists Space, 2023. Photo: Filip Wolak. [Two hanging projector screens are placed in the middle of a darkened gallery room. They both show the same black-and-white video still of a figures face, illuminated on one side by a bright flash of light.]
    Caption Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Shala Miller, Genesis, 2023), Artists Space, 2023. Photo: Filip Wolak.
    Image description Two hanging projector screens are placed in the middle of a darkened gallery room. They both show the same black-and-white video still of a figures face, illuminated on one side by a bright flash of light.
    Year 2023
    Related pages Shala Miller, Malcolm Peacock, Amiri Baraka
  • Three large pink fabric banners by Isabelle Frances McGuire, each bearing three silver star patches, hang from the ceiling to rest on the floor.
    Three large pink fabric banners by Isabelle Frances McGuire, each bearing three silver star patches, hang from the ceiling to rest on the floor.
    Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon. [Three large pink fabric banners by Isabelle Frances McGuire, each bearing three silver star patches, hang from the ceiling to rest on the floor.]
    Caption Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon.
    Image description Three large pink fabric banners by Isabelle Frances McGuire, each bearing three silver star patches, hang from the ceiling to rest on the floor.
    Year
    Related pages Doris Guo Matthew Langan-Peck Isabelle Frances McGuire Ruben Ulises Rodriguez Montoya
  • A moving image of a person, dressed in black, side stepping slowly in the gallery as the camera pans over to them.
    A moving image of a person, dressed in black, side stepping slowly in the gallery as the camera pans over to them.
    Excerpt from Hito Stereyl, Guards, 2012, HD video on freestanding screen with sound, 20 mins. Courtesy of the artist and Andrew Kreps, New York. [A moving image of a person, dressed in black, side stepping slowly in the gallery as the camera pans over to them.]
    Caption Excerpt from Hito Stereyl, Guards, 2012, HD video on freestanding screen with sound, 20 mins. Courtesy of the artist and Andrew Kreps, New York.
    Image description A moving image of a person, dressed in black, side stepping slowly in the gallery as the camera pans over to them.
    Year 2012
    Related pages Hito Steyerl
  • Photo of a person in a white robe and headdress carrying a pole in their right hand, standing outdoors against a grey sky
    Photo of a person in a white robe and headdress carrying a pole in their right hand, standing outdoors against a grey sky
    Film still from The Whirled (aka The Four Shorts of Jack Smith), dir. Ken Jacobs, 1956-63 [Photo of a person in a white robe and headdress carrying a pole in their right hand, standing outdoors against a grey sky]
    Caption Film still from The Whirled (aka The Four Shorts of Jack Smith), dir. Ken Jacobs, 1956-63
    Image description Photo of a person in a white robe and headdress carrying a pole in their right hand, standing outdoors against a grey sky
    Year
    Related pages Not Even Acting
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    Image description
    Year
    Related pages Abasement #83
  • Black & white photograph of the corner of a gallery room. Against a black wall stands a performer, who speaks into a microphone while holding a book. On the other wall is a life-size vinyl depicting a body in motion. Sitting on the floor around the performer is the audience.
    Black & white photograph of the corner of a gallery room. Against a black wall stands a performer, who speaks into a microphone while holding a book. On the other wall is a life-size vinyl depicting a body in motion. Sitting on the floor around the performer is the audience.
    Shala Miller performs Genesis: Medley. Performance documentation, May 11, 2023, Artists Space. Photo: Roy Baizan. [Black & white photograph of the corner of a gallery room. Against a black wall stands a performer, who speaks into a microphone while holding a book. On the other wall is a life-size vinyl depicting a body in motion. Sitting on the floor around the performer is the audience.]
    Caption Shala Miller performs Genesis: Medley. Performance documentation, May 11, 2023, Artists Space. Photo: Roy Baizan.
    Image description Black & white photograph of the corner of a gallery room. Against a black wall stands a performer, who speaks into a microphone while holding a book. On the other wall is a life-size vinyl depicting a body in motion. Sitting on the floor around the performer is the audience.
    Year 2023
    Related pages Genesis: Medley
  • An image of a wall mounted with various colorful masks and cardboard paintings. Below them is a glass display case.
    An image of a wall mounted with various colorful masks and cardboard paintings. Below them is a glass display case.
    Attention Line. Installation view (masks, scripts, and videos by Tom Murrin, c. late 1970s-2000s), Artists Space, June 11, 2022 - August 20, 2022. Photo: Filip Wolak [An image of a wall mounted with various colorful masks and cardboard paintings. Below them is a glass display case.]
    Caption Attention Line. Installation view (masks, scripts, and videos by Tom Murrin, c. late 1970s-2000s), Artists Space, June 11, 2022 - August 20, 2022. Photo: Filip Wolak
    Image description An image of a wall mounted with various colorful masks and cardboard paintings. Below them is a glass display case.
    Year 2022
    Related pages Attention Line
  • An angled view of a display case containing several framed drawings. To the left of the display case, three vintage television sets rest a white support and play video footage. Framed documents and photographs hang along the back wall on either side of a doorway.
    An angled view of a display case containing several framed drawings. To the left of the display case, three vintage television sets rest a white support and play video footage. Framed documents and photographs hang along the back wall on either side of a doorway.
    Jack Smith: Art Crust of Spiritual Oasis. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [An angled view of a display case containing several framed drawings. To the left of the display case, three vintage television sets rest a white support and play video footage. Framed documents and photographs hang along the back wall on either side of a doorway.]
    Caption Jack Smith: Art Crust of Spiritual Oasis. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description An angled view of a display case containing several framed drawings. To the left of the display case, three vintage television sets rest a white support and play video footage. Framed documents and photographs hang along the back wall on either side of a doorway.
    Year 2018
    Related pages Jack Smith: Art Crust of Spiritual Oasis
  • Black text on a light green background. The text reads: “May 16 / Patricio Ferrari / Stella Santamaría.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on a light green background. The text reads: “May 16 / Patricio Ferrari / Stella Santamaría.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on a light green background. The text reads: “May 16 / Patricio Ferrari / Stella Santamaría.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on a light green background. The text reads: “May 16 / Patricio Ferrari / Stella Santamaría.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Patricio Ferrari & Stella Santamaría
  • A slightly grainy, black and white image of a deer standing on snowy ground in front of woods. There are two detached antlers on the ground in front of the deer.
    A slightly grainy, black and white image of a deer standing on snowy ground in front of woods. There are two detached antlers on the ground in front of the deer.
    Association Apsolutno, still from a.trophy, 2002. [A slightly grainy, black and white image of a deer standing on snowy ground in front of woods. There are two detached antlers on the ground in front of the deer.]
    Caption Association Apsolutno, still from a.trophy, 2002.
    Image description A slightly grainy, black and white image of a deer standing on snowy ground in front of woods. There are two detached antlers on the ground in front of the deer.
    Year 2002
    Related pages Flipside
  • Several geometric, silver metal sculptures sit on a wooden gallery floor in a light-filled exhibition space. The sculptures are modular, hollow, and consist of cube-like and triangular metal components. At the photo's center, a long roll of crinkled brown paper enfurls across the floor of the gallery, resting in between the sculptures.
    Several geometric, silver metal sculptures sit on a wooden gallery floor in a light-filled exhibition space. The sculptures are modular, hollow, and consist of cube-like and triangular metal components. At the photo's center, a long roll of crinkled brown paper enfurls across the floor of the gallery, resting in between the sculptures.
    Charlotte Posenenske. Configured by Ei Arakawa. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [Several geometric, silver metal sculptures sit on a wooden gallery floor in a light-filled exhibition space. The sculptures are modular, hollow, and consist of cube-like and triangular metal components. At the photo's center, a long roll of crinkled brown paper enfurls across the floor of the gallery, resting in between the sculptures.]
    Caption Charlotte Posenenske. Configured by Ei Arakawa. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description Several geometric, silver metal sculptures sit on a wooden gallery floor in a light-filled exhibition space. The sculptures are modular, hollow, and consist of cube-like and triangular metal components. At the photo's center, a long roll of crinkled brown paper enfurls across the floor of the gallery, resting in between the sculptures.
    Year 2010
    Related pages Charlotte Posenenske
  • A pink tote bag with the black Louise Lawler-designed Artists Space logo in the middle - A black circle around a black
    A pink tote bag with the black Louise Lawler-designed Artists Space logo in the middle - A black circle around a black
    Louise Lawler Tote Bag. Produced by Artists Space. 2017. $20 [A pink tote bag with the black Louise Lawler-designed Artists Space logo in the middle - A black circle around a black "A", with small, pink, all-caps text, "ARTISTS SPACE" in the middle of the A.]
    Caption Louise Lawler Tote Bag. Produced by Artists Space. 2017. $20
    Image description A pink tote bag with the black Louise Lawler-designed Artists Space logo in the middle - A black circle around a black "A", with small, pink, all-caps text, "ARTISTS SPACE" in the middle of the A.
    Year
    Related pages Artists Space Items
  • A table covered with a red tablecloth. The tablecloth is decorated with two white images: a person riding a horse and stylized text reading
    A table covered with a red tablecloth. The tablecloth is decorated with two white images: a person riding a horse and stylized text reading
    New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court. [A table covered with a red tablecloth. The tablecloth is decorated with two white images: a person riding a horse and stylized text reading "THE URGE TO MERGE." Lying on the table, there is a magazine with a green cover with a figure holding an axe. The cover text reads, "NEVER SETTLE" and "SPECIAL Future Recruits Issue".]
    Caption New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court.
    Image description A table covered with a red tablecloth. The tablecloth is decorated with two white images: a person riding a horse and stylized text reading "THE URGE TO MERGE." Lying on the table, there is a magazine with a green cover with a figure holding an axe. The cover text reads, "NEVER SETTLE" and "SPECIAL Future Recruits Issue".
    Year 2020
    Related pages New Red Order: Informants Get Paid!
  • A color photograph of a garden with green hedges, large road which appears as a stone path, and trees. Some plant branches are visible directly in the foreground. Centered in the image over the branches is the black outline of a rectangle. The left side of the rectangle is filled in to create a black square.
    A color photograph of a garden with green hedges, large road which appears as a stone path, and trees. Some plant branches are visible directly in the foreground. Centered in the image over the branches is the black outline of a rectangle. The left side of the rectangle is filled in to create a black square.
    Composition with Sol LeWitt's "Black Form (Dedicated to the Missing Jews)", (1987) as seen from the Rathaus Altona, Hamburg, DE, October 2021 [A color photograph of a garden with green hedges, large road which appears as a stone path, and trees. Some plant branches are visible directly in the foreground. Centered in the image over the branches is the black outline of a rectangle. The left side of the rectangle is filled in to create a black square.]
    Caption Composition with Sol LeWitt's "Black Form (Dedicated to the Missing Jews)", (1987) as seen from the Rathaus Altona, Hamburg, DE, October 2021
    Image description A color photograph of a garden with green hedges, large road which appears as a stone path, and trees. Some plant branches are visible directly in the foreground. Centered in the image over the branches is the black outline of a rectangle. The left side of the rectangle is filled in to create a black square.
    Year 2021
    Related pages virgil b/g taylor: Minor Publics
  • Two figures are seated on stage. The figure on the left plays the violin and the figure on the right holds a briefcase full of audio equipment.
    Two figures are seated on stage. The figure on the left plays the violin and the figure on the right holds a briefcase full of audio equipment.
    Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman [Two figures are seated on stage. The figure on the left plays the violin and the figure on the right holds a briefcase full of audio equipment.]
    Caption Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman
    Image description Two figures are seated on stage. The figure on the left plays the violin and the figure on the right holds a briefcase full of audio equipment.
    Year
    Related pages Abasement: #62
  • Two black and white images of the faces of two women projected side-by-side. The woman on the left is in profile and appears to speak in both frames, while the woman to her right appears to glance towards her companion in the first frame, and speak in the second.
    Two black and white images of the faces of two women projected side-by-side. The woman on the left is in profile and appears to speak in both frames, while the woman to her right appears to glance towards her companion in the first frame, and speak in the second.
    OUTER AND INNER SPACE. Andy Warhol, 1965. 16mm film (sound, black and white, double-screen projection), 33 minutes. [Two black and white images of the faces of two women projected side-by-side. The woman on the left is in profile and appears to speak in both frames, while the woman to her right appears to glance towards her companion in the first frame, and speak in the second.]
    Caption OUTER AND INNER SPACE. Andy Warhol, 1965. 16mm film (sound, black and white, double-screen projection), 33 minutes.
    Image description Two black and white images of the faces of two women projected side-by-side. The woman on the left is in profile and appears to speak in both frames, while the woman to her right appears to glance towards her companion in the first frame, and speak in the second.
    Year 1965
    Related pages In The Poem About Love You Don't Write The Word Love Film Series at Anthology Film Archives
  • A figure in a blue morph suit kneels down on one knee, placing their hands on top of a table made of wood and fresnel lenses while audience members watch in the background.
    A figure in a blue morph suit kneels down on one knee, placing their hands on top of a table made of wood and fresnel lenses while audience members watch in the background.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [A figure in a blue morph suit kneels down on one knee, placing their hands on top of a table made of wood and fresnel lenses while audience members watch in the background.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description A figure in a blue morph suit kneels down on one knee, placing their hands on top of a table made of wood and fresnel lenses while audience members watch in the background.
    Year 2022
    Related pages SCRAAATCH 12-3
  • Black text on paper introducing the book. The top text reads,
    Black text on paper introducing the book. The top text reads,
    John Berger, Ways of Seeing (London: BBC and Penguin Books, 1972). [Black text on paper introducing the book. The top text reads, "A Pelican Original, Ways of Seeing, Based on the BBC television series with John Berger."]
    Caption John Berger, Ways of Seeing (London: BBC and Penguin Books, 1972).
    Image description Black text on paper introducing the book. The top text reads, "A Pelican Original, Ways of Seeing, Based on the BBC television series with John Berger."
    Year 1972
    Related pages Richard Hollis
  • White text on a grey ombré background. The text reads: “March 1 / Marina Abramović / William Parker.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    White text on a grey ombré background. The text reads: “March 1 / Marina Abramović / William Parker.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [White text on a grey ombré background. The text reads: “March 1 / Marina Abramović / William Parker.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description White text on a grey ombré background. The text reads: “March 1 / Marina Abramović / William Parker.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Marina Abramović & William Parker
  • Long, thin bundles of hay are arranged one over the other, mimicking the woven pattern of a textile.
    Long, thin bundles of hay are arranged one over the other, mimicking the woven pattern of a textile.
    Beverly Semmes, Eel Mat (detail), 1989. Copper, aluminum, hay, and chicken wire. Dimensions variable. [Long, thin bundles of hay are arranged one over the other, mimicking the woven pattern of a textile.]
    Caption Beverly Semmes, Eel Mat (detail), 1989. Copper, aluminum, hay, and chicken wire. Dimensions variable.
    Image description Long, thin bundles of hay are arranged one over the other, mimicking the woven pattern of a textile.
    Year 1989
    Related pages Beverly Semmes
  • A figure stands on stage behind a table with a laptop, preparing to perform.
    A figure stands on stage behind a table with a laptop, preparing to perform.
    Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [A figure stands on stage behind a table with a laptop, preparing to perform.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure stands on stage behind a table with a laptop, preparing to perform.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-10
  • A color photograph of a grey and blue piece of semi-transparent fabric, partially hung from a grey metal scaffold in a gallery space.
    A color photograph of a grey and blue piece of semi-transparent fabric, partially hung from a grey metal scaffold in a gallery space.
    virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of a grey and blue piece of semi-transparent fabric, partially hung from a grey metal scaffold in a gallery space.]
    Caption virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color photograph of a grey and blue piece of semi-transparent fabric, partially hung from a grey metal scaffold in a gallery space.
    Year 2022
    Related pages virgil b/g taylor: Minor Publics
  • Inside a pink-hued room are three tanker desks and three rolling office chairs in a single-file line. Security monitors with color videos sit on each desk alongside small pieces of clay. In the distance, tree trunks wrapped in fabric rest on the floor and construction nets hang from the ceiling. A wooden structure and an aquarium with purple-colored lights are positioned behind the tree trunks.
    Inside a pink-hued room are three tanker desks and three rolling office chairs in a single-file line. Security monitors with color videos sit on each desk alongside small pieces of clay. In the distance, tree trunks wrapped in fabric rest on the floor and construction nets hang from the ceiling. A wooden structure and an aquarium with purple-colored lights are positioned behind the tree trunks.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022. [Inside a pink-hued room are three tanker desks and three rolling office chairs in a single-file line. Security monitors with color videos sit on each desk alongside small pieces of clay. In the distance, tree trunks wrapped in fabric rest on the floor and construction nets hang from the ceiling. A wooden structure and an aquarium with purple-colored lights are positioned behind the tree trunks.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022.
    Image description Inside a pink-hued room are three tanker desks and three rolling office chairs in a single-file line. Security monitors with color videos sit on each desk alongside small pieces of clay. In the distance, tree trunks wrapped in fabric rest on the floor and construction nets hang from the ceiling. A wooden structure and an aquarium with purple-colored lights are positioned behind the tree trunks.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • A small drum set lit by a spotlight sits underneath a demolished wall.
    A small drum set lit by a spotlight sits underneath a demolished wall.
    ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A small drum set lit by a spotlight sits underneath a demolished wall.]
    Caption ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A small drum set lit by a spotlight sits underneath a demolished wall.
    Year 2021
    Related pages ART CLUB2000
  • A white postcard with purple text announcing fall 1990 exhibitions at Artists Space, including <i>Selections: Aljira & Artists Space</i>.
    A white postcard with purple text announcing fall 1990 exhibitions at Artists Space, including <i>Selections: Aljira & Artists Space</i>.
    Selections: Aljira & Artists Space Announcement Postcard [A white postcard with purple text announcing fall 1990 exhibitions at Artists Space, including Selections: Aljira & Artists Space.]
    Caption Selections: Aljira & Artists Space Announcement Postcard
    Image description A white postcard with purple text announcing fall 1990 exhibitions at Artists Space, including Selections: Aljira & Artists Space.
    Year 1990
    Related pages Selections: Aljira & Artists Space
  • Caption
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    Year 2019
    Related pages About this Website
  • Caption
    Image description
    Year
    Related pages Sidewalk Archives
  • A sculpture of a man holding a book is leaning against a column in an empty, open room. He is wearing a purple shirt, patterned blue shorts, and is crossing his legs, wearing white sneakers.
    A sculpture of a man holding a book is leaning against a column in an empty, open room. He is wearing a purple shirt, patterned blue shorts, and is crossing his legs, wearing white sneakers.
    Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013. [A sculpture of a man holding a book is leaning against a column in an empty, open room. He is wearing a purple shirt, patterned blue shorts, and is crossing his legs, wearing white sneakers.]
    Caption Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013.
    Image description A sculpture of a man holding a book is leaning against a column in an empty, open room. He is wearing a purple shirt, patterned blue shorts, and is crossing his legs, wearing white sneakers.
    Year 2013
    Related pages Pride Goes Before a Fall
  • A person dressed in all pink grips a heart-shaped canvas in front of her, while her eyes look past the camera. She is surrounded by rapt audience members behind her. There are light spots reflected at even intervals patterning the room.
    A person dressed in all pink grips a heart-shaped canvas in front of her, while her eyes look past the camera. She is surrounded by rapt audience members behind her. There are light spots reflected at even intervals patterning the room.
    Jutta Koether, xxapollo. Performance documentation, Artists Space, January 5, 2020. Photo © Paula Court. [A person dressed in all pink grips a heart-shaped canvas in front of her, while her eyes look past the camera. She is surrounded by rapt audience members behind her. There are light spots reflected at even intervals patterning the room.]
    Caption Jutta Koether, xxapollo. Performance documentation, Artists Space, January 5, 2020. Photo © Paula Court.
    Image description A person dressed in all pink grips a heart-shaped canvas in front of her, while her eyes look past the camera. She is surrounded by rapt audience members behind her. There are light spots reflected at even intervals patterning the room.
    Year 2020
    Related pages
  • A book shelf displays paper documents containing black and white images. Above, smaller documents, and a similar paper displayed in a white frame.
    A book shelf displays paper documents containing black and white images. Above, smaller documents, and a similar paper displayed in a white frame.
    Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A book shelf displays paper documents containing black and white images. Above, smaller documents, and a similar paper displayed in a white frame.]
    Caption Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description A book shelf displays paper documents containing black and white images. Above, smaller documents, and a similar paper displayed in a white frame.
    Year 2013
    Related pages Documenting Cadere: 1972 - 1978
  • A cluster of four works on paper against a white gallery wall. The works feature swooping, abstract calligraphic strokes in black and light green ink.
    A cluster of four works on paper against a white gallery wall. The works feature swooping, abstract calligraphic strokes in black and light green ink.
    Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak. [A cluster of four works on paper against a white gallery wall. The works feature swooping, abstract calligraphic strokes in black and light green ink.]
    Caption Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak.
    Image description A cluster of four works on paper against a white gallery wall. The works feature swooping, abstract calligraphic strokes in black and light green ink.
    Year
    Related pages Support
  • A series of small rectangular abstract paintings hang above one another on the walls of a white-walled gallery setting with two columns visible in front.
    A series of small rectangular abstract paintings hang above one another on the walls of a white-walled gallery setting with two columns visible in front.
    Abstraction in Process. Installation view, Artists Space, March 26, 2020 - May 2, 2020. [A series of small rectangular abstract paintings hang above one another on the walls of a white-walled gallery setting with two columns visible in front.]
    Caption Abstraction in Process. Installation view, Artists Space, March 26, 2020 - May 2, 2020.
    Image description A series of small rectangular abstract paintings hang above one another on the walls of a white-walled gallery setting with two columns visible in front.
    Year 1987
    Related pages Abstraction in Process
  • Close-up photo of a person with red hair, leaning against a wall while looking away from the camera.
    Close-up photo of a person with red hair, leaning against a wall while looking away from the camera.
    Jeff Preiss, still from STOP, 2012. 16mm film transferred to digital video. [Close-up photo of a person with red hair, leaning against a wall while looking away from the camera.]
    Caption Jeff Preiss, still from STOP, 2012. 16mm film transferred to digital video.
    Image description Close-up photo of a person with red hair, leaning against a wall while looking away from the camera.
    Year 2012
    Related pages Jeff Preiss and Union Gaucha Productions
  • Color image of a performer inside a handmade costume, decorated with pink paper tissue branded “Miu Miu”. The hand of the performer reaches out over the audience, holding a tube with tassels made of paper. The tops of heads of audience members are visible in the edges of the image. Multiple phones are facing the performer while recording. The background is decorated with multicolor abstract projections.
    Color image of a performer inside a handmade costume, decorated with pink paper tissue branded “Miu Miu”. The hand of the performer reaches out over the audience, holding a tube with tassels made of paper. The tops of heads of audience members are visible in the edges of the image. Multiple phones are facing the performer while recording. The background is decorated with multicolor abstract projections.
    Abasement #76. Performance documentation, March 3rd, 2025, Artists Space. Photo: Joshua Wildman. [Color image of a performer inside a handmade costume, decorated with pink paper tissue branded “Miu Miu”. The hand of the performer reaches out over the audience, holding a tube with tassels made of paper. The tops of heads of audience members are visible in the edges of the image. Multiple phones are facing the performer while recording. The background is decorated with multicolor abstract projections.]
    Caption Abasement #76. Performance documentation, March 3rd, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Color image of a performer inside a handmade costume, decorated with pink paper tissue branded “Miu Miu”. The hand of the performer reaches out over the audience, holding a tube with tassels made of paper. The tops of heads of audience members are visible in the edges of the image. Multiple phones are facing the performer while recording. The background is decorated with multicolor abstract projections.
    Year
    Related pages Abasement #76
  • A 30-cm ruler.
    A 30-cm ruler.
    [A 30-cm ruler.]
    Caption
    Image description A 30-cm ruler.
    Year 2013
    Related pages Jean-Michel Wicker
  • Caption
    Image description
    Year
    Related pages David Armstrong: Portraits
  • Three figures stand on a stage cast in red and purple light from a projector. They each hold a microphone to their face, their eyes closed in concentration. The figure in the middle wears a guitar, and the figure all the way on the right leans forward on a table with audio equipment.
    Three figures stand on a stage cast in red and purple light from a projector. They each hold a microphone to their face, their eyes closed in concentration. The figure in the middle wears a guitar, and the figure all the way on the right leans forward on a table with audio equipment.
    Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman [Three figures stand on a stage cast in red and purple light from a projector. They each hold a microphone to their face, their eyes closed in concentration. The figure in the middle wears a guitar, and the figure all the way on the right leans forward on a table with audio equipment.]
    Caption Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman
    Image description Three figures stand on a stage cast in red and purple light from a projector. They each hold a microphone to their face, their eyes closed in concentration. The figure in the middle wears a guitar, and the figure all the way on the right leans forward on a table with audio equipment.
    Year
    Related pages Abasement: #62
  • A black tote bag against a white background. Small white, all-caps sans-serif text in the middle states
    A black tote bag against a white background. Small white, all-caps sans-serif text in the middle states
    11 Cortlandt Alley Tote Bag. Produced by Artists Space. Edition of 150. 2019. $24 [A black tote bag against a white background. Small white, all-caps sans-serif text in the middle states "ARTISTS SPACE"]
    Caption 11 Cortlandt Alley Tote Bag. Produced by Artists Space. Edition of 150. 2019. $24
    Image description A black tote bag against a white background. Small white, all-caps sans-serif text in the middle states "ARTISTS SPACE"
    Year 2019
    Related pages Artists Space Items
  • A woman is seated wearing a long, yellow dress with a full skirt. She has the front of the skirt held in her teeth, with her hands on her knees. There are some soap suds on her hands, near her mouth, and on the front of the skirt.
    A woman is seated wearing a long, yellow dress with a full skirt. She has the front of the skirt held in her teeth, with her hands on her knees. There are some soap suds on her hands, near her mouth, and on the front of the skirt.
    Yellow. Performance view, Artists Space, 2008. [A woman is seated wearing a long, yellow dress with a full skirt. She has the front of the skirt held in her teeth, with her hands on her knees. There are some soap suds on her hands, near her mouth, and on the front of the skirt.]
    Caption Yellow. Performance view, Artists Space, 2008.
    Image description A woman is seated wearing a long, yellow dress with a full skirt. She has the front of the skirt held in her teeth, with her hands on her knees. There are some soap suds on her hands, near her mouth, and on the front of the skirt.
    Year 2008
    Related pages When Time Becomes Form: Yellow
  • A sideways image of a photograph sitting on top of an open book. The photographs shows four people sitting next to each other. The book page is split with a column of text and a black and white image of a billboard that reads,
    A sideways image of a photograph sitting on top of an open book. The photographs shows four people sitting next to each other. The book page is split with a column of text and a black and white image of a billboard that reads,
    [A sideways image of a photograph sitting on top of an open book. The photographs shows four people sitting next to each other. The book page is split with a column of text and a black and white image of a billboard that reads, "Growing with Birmingham!"]
    Caption
    Image description A sideways image of a photograph sitting on top of an open book. The photographs shows four people sitting next to each other. The book page is split with a column of text and a black and white image of a billboard that reads, "Growing with Birmingham!"
    Year 2007
    Related pages Replica of a Lost Original
  • Color image of four figures seated in a row on a stage. Each figure sits behind a music stand.
    Color image of four figures seated in a row on a stage. Each figure sits behind a music stand.
    Yasunao Tone Concert #3. Performance documentation, March 16, 2023, Artists Space. Photo: Destiny Mata [Color image of four figures seated in a row on a stage. Each figure sits behind a music stand.]
    Caption Yasunao Tone Concert #3. Performance documentation, March 16, 2023, Artists Space. Photo: Destiny Mata
    Image description Color image of four figures seated in a row on a stage. Each figure sits behind a music stand.
    Year 2023
    Related pages Yasunao Tone Concert #3
  • A color image of a gallery space. To the left of the image, on the foreground, a white wall with a window and a drawing of a parked car. The driver is speaking with a figure that leans on the car. Through the window, a painting of three figures is visible. In the background, four works hang on a black wall. In the center of the room, a black couch and a table in the shape of a body.
    A color image of a gallery space. To the left of the image, on the foreground, a white wall with a window and a drawing of a parked car. The driver is speaking with a figure that leans on the car. Through the window, a painting of three figures is visible. In the background, four works hang on a black wall. In the center of the room, a black couch and a table in the shape of a body.
    Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of a gallery space. To the left of the image, on the foreground, a white wall with a window and a drawing of a parked car. The driver is speaking with a figure that leans on the car. Through the window, a painting of three figures is visible. In the background, four works hang on a black wall. In the center of the room, a black couch and a table in the shape of a body.]
    Caption Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A color image of a gallery space. To the left of the image, on the foreground, a white wall with a window and a drawing of a parked car. The driver is speaking with a figure that leans on the car. Through the window, a painting of three figures is visible. In the background, four works hang on a black wall. In the center of the room, a black couch and a table in the shape of a body.
    Year
    Related pages Jonathan Lyndon Chase
  • Collaged image of two naked figures crouching on the shore of a beach as the sun sets. One reaches out to grasp the other’s arm as they stare into each other’s eyes. Below them is a collaged image of a metal, machine-like contraption with looping wires sitting on the ground next to a craggy rock.
    Collaged image of two naked figures crouching on the shore of a beach as the sun sets. One reaches out to grasp the other’s arm as they stare into each other’s eyes. Below them is a collaged image of a metal, machine-like contraption with looping wires sitting on the ground next to a craggy rock.
    [Collaged image of two naked figures crouching on the shore of a beach as the sun sets. One reaches out to grasp the other’s arm as they stare into each other’s eyes. Below them is a collaged image of a metal, machine-like contraption with looping wires sitting on the ground next to a craggy rock.]
    Caption
    Image description Collaged image of two naked figures crouching on the shore of a beach as the sun sets. One reaches out to grasp the other’s arm as they stare into each other’s eyes. Below them is a collaged image of a metal, machine-like contraption with looping wires sitting on the ground next to a craggy rock.
    Year 2003
    Related pages Superstudio: Life Without Objects
  • A sculpture composed of a large glass pane wedged into the center of a square concrete block sits in a gallery space. A painted canvas is installed in the pane, displaying a large number
    A sculpture composed of a large glass pane wedged into the center of a square concrete block sits in a gallery space. A painted canvas is installed in the pane, displaying a large number
    Fifth Season Act, Apotheosically. Performance documentation, May 31, 2012, Artists Space. [A sculpture composed of a large glass pane wedged into the center of a square concrete block sits in a gallery space. A painted canvas is installed in the pane, displaying a large number "5" on its surface, surrounded by peach and pink hues. Various ornaments are installed on the painting or drip from it, such as red string, golden tassles, necklaces, and other ornaments. A brown, dirt-like material is spread on the floor around the sculpture.]
    Caption Fifth Season Act, Apotheosically. Performance documentation, May 31, 2012, Artists Space.
    Image description A sculpture composed of a large glass pane wedged into the center of a square concrete block sits in a gallery space. A painted canvas is installed in the pane, displaying a large number "5" on its surface, surrounded by peach and pink hues. Various ornaments are installed on the painting or drip from it, such as red string, golden tassles, necklaces, and other ornaments. A brown, dirt-like material is spread on the floor around the sculpture.
    Year 2012
    Related pages Fifth Season Act, Apotheosically
  • A grainy image of a woman looking to her left. She is leaning against the back of a chair, one arm outstretched while the other is bent and holds a cigarette.
    A grainy image of a woman looking to her left. She is leaning against the back of a chair, one arm outstretched while the other is bent and holds a cigarette.
    Still from Resonating Surfaces, 2005. Courtesy of Manon de Boer, Auguste Orts and Jan Mot Gallery, Brussels. [A grainy image of a woman looking to her left. She is leaning against the back of a chair, one arm outstretched while the other is bent and holds a cigarette.]
    Caption Still from Resonating Surfaces, 2005. Courtesy of Manon de Boer, Auguste Orts and Jan Mot Gallery, Brussels.
    Image description A grainy image of a woman looking to her left. She is leaning against the back of a chair, one arm outstretched while the other is bent and holds a cigarette.
    Year 2005
    Related pages Film Trilogy: Manon de Boer
  • Color photograph of a corner space in a gallery, below a staircase, that is bathed in red light. At the bottom of the stairs are a group of performers wearing conical costumes made of reflective one-way mirror film.
    Color photograph of a corner space in a gallery, below a staircase, that is bathed in red light. At the bottom of the stairs are a group of performers wearing conical costumes made of reflective one-way mirror film.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. [Color photograph of a corner space in a gallery, below a staircase, that is bathed in red light. At the bottom of the stairs are a group of performers wearing conical costumes made of reflective one-way mirror film.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space.
    Image description Color photograph of a corner space in a gallery, below a staircase, that is bathed in red light. At the bottom of the stairs are a group of performers wearing conical costumes made of reflective one-way mirror film.
    Year 2022
    Related pages keyon gaskin 12-16
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Photographs mounted to black backgrounds are hung up in a row on a white wall.
    Photographs mounted to black backgrounds are hung up in a row on a white wall.
    Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979. [Photographs mounted to black backgrounds are hung up in a row on a white wall.]
    Caption Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979.
    Image description Photographs mounted to black backgrounds are hung up in a row on a white wall.
    Year 1979
    Related pages Patricia Hearst - A Second Reading
  • Black text overlays a color-scheme grid background. The text reads: “Dec 2 / Anselm Berrigan / Kit Robinson.
    Black text overlays a color-scheme grid background. The text reads: “Dec 2 / Anselm Berrigan / Kit Robinson.
    [Black text overlays a color-scheme grid background. The text reads: “Dec 2 / Anselm Berrigan / Kit Robinson." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description Black text overlays a color-scheme grid background. The text reads: “Dec 2 / Anselm Berrigan / Kit Robinson." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year
    Related pages Segue Reading Series: Anselm Berrigan & Kit Robinson
  • A lightbox displaying a group of sitting and standing individuals. Behind them is a wall of small photographs and artworks.
    A lightbox displaying a group of sitting and standing individuals. Behind them is a wall of small photographs and artworks.
    Untitled (Dealers in a round table dialogue, Basilico Fine Arts, July 18, 1996), 1996 Duratran lightbox 3 x 8 feet Image courtesy Artists Space, New York Photo: Filip Wolak [A lightbox displaying a group of sitting and standing individuals. Behind them is a wall of small photographs and artworks.]
    Caption Untitled (Dealers in a round table dialogue, Basilico Fine Arts, July 18, 1996), 1996 Duratran lightbox 3 x 8 feet Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description A lightbox displaying a group of sitting and standing individuals. Behind them is a wall of small photographs and artworks.
    Year 2021
    Related pages ART CLUB2000
  • A color image of four large paintings hanging on a white wall. In the paintings, queer black bodies interact with each other in different settings, such as a hair supply store. Drawn directly on the wall, roses, a hand, a ring and other elements surround the paintings. At the center of the image, hair accesories sit on the floor.
    A color image of four large paintings hanging on a white wall. In the paintings, queer black bodies interact with each other in different settings, such as a hair supply store. Drawn directly on the wall, roses, a hand, a ring and other elements surround the paintings. At the center of the image, hair accesories sit on the floor.
    Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of four large paintings hanging on a white wall. In the paintings, queer black bodies interact with each other in different settings, such as a hair supply store. Drawn directly on the wall, roses, a hand, a ring and other elements surround the paintings. At the center of the image, hair accesories sit on the floor.]
    Caption Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A color image of four large paintings hanging on a white wall. In the paintings, queer black bodies interact with each other in different settings, such as a hair supply store. Drawn directly on the wall, roses, a hand, a ring and other elements surround the paintings. At the center of the image, hair accesories sit on the floor.
    Year
    Related pages Jonathan Lyndon Chase
  • A wooden table with two chairs arranged in a gallery space. A kite hangs from the ceiling to the right of the chair and table set. Behind the kite is a large, blue carpet spread across the floor, several colorful plastic chairs lined up against the wall, and a video monitor.
    A wooden table with two chairs arranged in a gallery space. A kite hangs from the ceiling to the right of the chair and table set. Behind the kite is a large, blue carpet spread across the floor, several colorful plastic chairs lined up against the wall, and a video monitor.
    Whitney Museum of American Art Independent Study Program Studio Exhibition. Installation view, Artists Space, 2018. Photo: Gustavo Murillo Fernández-Valdés. [A wooden table with two chairs arranged in a gallery space. A kite hangs from the ceiling to the right of the chair and table set. Behind the kite is a large, blue carpet spread across the floor, several colorful plastic chairs lined up against the wall, and a video monitor.]
    Caption Whitney Museum of American Art Independent Study Program Studio Exhibition. Installation view, Artists Space, 2018. Photo: Gustavo Murillo Fernández-Valdés.
    Image description A wooden table with two chairs arranged in a gallery space. A kite hangs from the ceiling to the right of the chair and table set. Behind the kite is a large, blue carpet spread across the floor, several colorful plastic chairs lined up against the wall, and a video monitor.
    Year 2018
    Related pages Whitney Museum of American Art Independent Study Program Studio Exhibition
  • Color image of a book cover, placed against a flat white background. The cover features an oil painting with gradients of red and green that make up geometric shapes which are stacked and placed in varying configurations.
    Color image of a book cover, placed against a flat white background. The cover features an oil painting with gradients of red and green that make up geometric shapes which are stacked and placed in varying configurations.
    Cover of Miyoko Ito: Heart of Hearts, Pre-Echo Press. (Miyoko Ito, Island in the Sun, 1978) [Color image of a book cover, placed against a flat white background. The cover features an oil painting with gradients of red and green that make up geometric shapes which are stacked and placed in varying configurations.]
    Caption Cover of Miyoko Ito: Heart of Hearts, Pre-Echo Press. (Miyoko Ito, Island in the Sun, 1978)
    Image description Color image of a book cover, placed against a flat white background. The cover features an oil painting with gradients of red and green that make up geometric shapes which are stacked and placed in varying configurations.
    Year
    Related pages Miyoko Ito: Heart of Hearts
  • A dim photograph of dark curtains and sculptures in a gallery space.
    A dim photograph of dark curtains and sculptures in a gallery space.
    Gary Falk, Brigid Kennedy, Ladd Kessler, Peggy Yunque. Installation view, Artists Space, 1981. [A dim photograph of dark curtains and sculptures in a gallery space.]
    Caption Gary Falk, Brigid Kennedy, Ladd Kessler, Peggy Yunque. Installation view, Artists Space, 1981.
    Image description A dim photograph of dark curtains and sculptures in a gallery space.
    Year
    Related pages Gary Falk, Brigid Kennedy, Ladd Kessler, Peggy Yunque
  • A color photo of an installation and sound work in a gallery space. Wooden tables with black table tops are stacked upon eachother, creating a structure of tables about 20 feet high. The tables are densely packed and populated by a variety of insturments, automated sound objects and other found items such as hair care products and medicine bottles. Behind the stack of tables, a large piece of cardboard hangs on the wall, filled with drawings and collaged elements.
    A color photo of an installation and sound work in a gallery space. Wooden tables with black table tops are stacked upon eachother, creating a structure of tables about 20 feet high. The tables are densely packed and populated by a variety of insturments, automated sound objects and other found items such as hair care products and medicine bottles. Behind the stack of tables, a large piece of cardboard hangs on the wall, filled with drawings and collaged elements.
    Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color photo of an installation and sound work in a gallery space. Wooden tables with black table tops are stacked upon eachother, creating a structure of tables about 20 feet high. The tables are densely packed and populated by a variety of insturments, automated sound objects and other found items such as hair care products and medicine bottles. Behind the stack of tables, a large piece of cardboard hangs on the wall, filled with drawings and collaged elements.]
    Caption Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A color photo of an installation and sound work in a gallery space. Wooden tables with black table tops are stacked upon eachother, creating a structure of tables about 20 feet high. The tables are densely packed and populated by a variety of insturments, automated sound objects and other found items such as hair care products and medicine bottles. Behind the stack of tables, a large piece of cardboard hangs on the wall, filled with drawings and collaged elements.
    Year
    Related pages Char Jeré: Zoo or an Orchestra
  • Three musicians sit on stage together. From left to right the instruments they are playing include saxophone, violin, and guitar. There are cords around the stage and a plant behind the performers.
    Three musicians sit on stage together. From left to right the instruments they are playing include saxophone, violin, and guitar. There are cords around the stage and a plant behind the performers.
    Abasement #71. Performance documentation, August 5th, 2024, Artists Space. Photo: Joshua Wildman. [Three musicians sit on stage together. From left to right the instruments they are playing include saxophone, violin, and guitar. There are cords around the stage and a plant behind the performers.]
    Caption Abasement #71. Performance documentation, August 5th, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Three musicians sit on stage together. From left to right the instruments they are playing include saxophone, violin, and guitar. There are cords around the stage and a plant behind the performers.
    Year
    Related pages Abasement #71
  • A person bends over an electric piano, her hair falling over her face. She is illuminated from behind by a brightly lit wall.
    A person bends over an electric piano, her hair falling over her face. She is illuminated from behind by a brightly lit wall.
    Jutta Koether: xxapollo. Performance documentation, January 5, 2020, Artists Space. Photo © 2020 Paula Court. [A person bends over an electric piano, her hair falling over her face. She is illuminated from behind by a brightly lit wall.]
    Caption Jutta Koether: xxapollo. Performance documentation, January 5, 2020, Artists Space. Photo © 2020 Paula Court.
    Image description A person bends over an electric piano, her hair falling over her face. She is illuminated from behind by a brightly lit wall.
    Year 2020
    Related pages Jutta Koether
  • A woman wearing headphones stands in front of a horizontal monitor displaying an image of two illustrated eyes and a nose. Behind the monitor, several framed photographs lean against a wall. A long, red carpet runs across the floor underneath the photographs.
    A woman wearing headphones stands in front of a horizontal monitor displaying an image of two illustrated eyes and a nose. Behind the monitor, several framed photographs lean against a wall. A long, red carpet runs across the floor underneath the photographs.
    Frozen Lakes. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A woman wearing headphones stands in front of a horizontal monitor displaying an image of two illustrated eyes and a nose. Behind the monitor, several framed photographs lean against a wall. A long, red carpet runs across the floor underneath the photographs.]
    Caption Frozen Lakes. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description A woman wearing headphones stands in front of a horizontal monitor displaying an image of two illustrated eyes and a nose. Behind the monitor, several framed photographs lean against a wall. A long, red carpet runs across the floor underneath the photographs.
    Year 2013
    Related pages Frozen Lakes
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Eleven beige sacks of various sizes, depicting text and illustrations, are arranged on a wall.
    Eleven beige sacks of various sizes, depicting text and illustrations, are arranged on a wall.
    Alan Michelson, Permanent Title, 1993. [Eleven beige sacks of various sizes, depicting text and illustrations, are arranged on a wall.]
    Caption Alan Michelson, Permanent Title, 1993.
    Image description Eleven beige sacks of various sizes, depicting text and illustrations, are arranged on a wall.
    Year 2017
    Related pages Unholding
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A black and white installation photograph of a sculpture. The piece features various triangular ramps, wooden square blocks, and curved wooden pieces with wheels, all placed on a wooden floor.
    A black and white installation photograph of a sculpture. The piece features various triangular ramps, wooden square blocks, and curved wooden pieces with wheels, all placed on a wooden floor.
    Louisa Chase. Installation view, Louisa Chase, Ted Stamm, Meryl Vladimer, Artists Space, 1975. [A black and white installation photograph of a sculpture. The piece features various triangular ramps, wooden square blocks, and curved wooden pieces with wheels, all placed on a wooden floor.]
    Caption Louisa Chase. Installation view, Louisa Chase, Ted Stamm, Meryl Vladimer, Artists Space, 1975.
    Image description A black and white installation photograph of a sculpture. The piece features various triangular ramps, wooden square blocks, and curved wooden pieces with wheels, all placed on a wooden floor.
    Year 1975
    Related pages Louisa Chase, Ted Stamm, Meryl Vladimer
  • Assorted animals, including tropical fish, birds, reptiles, a cat, dog, and rabbit are drawn in black marker on yellow paper.
    Assorted animals, including tropical fish, birds, reptiles, a cat, dog, and rabbit are drawn in black marker on yellow paper.
    Gedi Sibony Animal Scramble, 2013, Archival inkjet print, 14 1/4 x 13 1/2 in / 36,2 x 34,3 cm (image size), 24 x 20 in / 61 x 51 cm (paper size), Signed and Numbered [Assorted animals, including tropical fish, birds, reptiles, a cat, dog, and rabbit are drawn in black marker on yellow paper.]
    Caption Gedi Sibony Animal Scramble, 2013, Archival inkjet print, 14 1/4 x 13 1/2 in / 36,2 x 34,3 cm (image size), 24 x 20 in / 61 x 51 cm (paper size), Signed and Numbered
    Image description Assorted animals, including tropical fish, birds, reptiles, a cat, dog, and rabbit are drawn in black marker on yellow paper.
    Year 2014
    Related pages Artists Space Annual Edition Portfolio 2014
  • Color photograph of a vitrine set into a wall. Placed inside are various works including a book, stacks of printed imitation yen sheets, film cannisters, and a mask made of printed imitation yen sheets.
    Color photograph of a vitrine set into a wall. Placed inside are various works including a book, stacks of printed imitation yen sheets, film cannisters, and a mask made of printed imitation yen sheets.
    Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a vitrine set into a wall. Placed inside are various works including a book, stacks of printed imitation yen sheets, film cannisters, and a mask made of printed imitation yen sheets.]
    Caption Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photograph of a vitrine set into a wall. Placed inside are various works including a book, stacks of printed imitation yen sheets, film cannisters, and a mask made of printed imitation yen sheets.
    Year 2023
    Related pages Yasunao Tone: Region of Paramedia
  • A black and white photograph of gray benches with black on top, the front one with legs the back one without. Tape appears on the top of the image.
    A black and white photograph of gray benches with black on top, the front one with legs the back one without. Tape appears on the top of the image.
    Bonnie Rycheck. Elegantly Contained, 1986. [A black and white photograph of gray benches with black on top, the front one with legs the back one without. Tape appears on the top of the image.]
    Caption Bonnie Rycheck. Elegantly Contained, 1986.
    Image description A black and white photograph of gray benches with black on top, the front one with legs the back one without. Tape appears on the top of the image.
    Year
    Related pages Selections from the Artists File
  • An abstract painting littered with dots, black shapes and line forms.
    An abstract painting littered with dots, black shapes and line forms.
    Lee Mullican, Four Musicians, 1984. [An abstract painting littered with dots, black shapes and line forms.]
    Caption Lee Mullican, Four Musicians, 1984.
    Image description An abstract painting littered with dots, black shapes and line forms.
    Year
    Related pages Moderns in Mind
  • A photograph taken from a low angle, looking up at a performer whose hand is poised on top of a long set of instrumental wires that run across the image.
    A photograph taken from a low angle, looking up at a performer whose hand is poised on top of a long set of instrumental wires that run across the image.
    Ellen Fullman. Performance documentation, May 3rd, 2024, Artists Space. Photo: Casey Kelbaugh. Courtesy of Frieze and CKA. [A photograph taken from a low angle, looking up at a performer whose hand is poised on top of a long set of instrumental wires that run across the image.]
    Caption Ellen Fullman. Performance documentation, May 3rd, 2024, Artists Space. Photo: Casey Kelbaugh. Courtesy of Frieze and CKA.
    Image description A photograph taken from a low angle, looking up at a performer whose hand is poised on top of a long set of instrumental wires that run across the image.
    Year
    Related pages Support
  • A black and white, portrait photograph of a woman at the beach. She wears sunglasses and has short, curled hair.
    A black and white, portrait photograph of a woman at the beach. She wears sunglasses and has short, curled hair.
    [A black and white, portrait photograph of a woman at the beach. She wears sunglasses and has short, curled hair.]
    Caption
    Image description A black and white, portrait photograph of a woman at the beach. She wears sunglasses and has short, curled hair.
    Year 2006
    Related pages But it was all green
  • A digital print of four books with annotations on each side.
    A digital print of four books with annotations on each side.
    Adjua Gargi Nzinga Greaves, SELF, 2021. Chromogenic print with pigment ink pen, 41 ½ x 41 ½ inches. Courtesy Artists Space, New York. Photo: Filip Wolak [A digital print of four books with annotations on each side.]
    Caption Adjua Gargi Nzinga Greaves, SELF, 2021. Chromogenic print with pigment ink pen, 41 ½ x 41 ½ inches. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A digital print of four books with annotations on each side.
    Year 2021
    Related pages Adjua Gargi Nzinga Greaves
  • Two paintings arranged side by side, both depicting highways with a blur of car lights and tailights.
    Two paintings arranged side by side, both depicting highways with a blur of car lights and tailights.
    Mara Korkola, No Place, 2002. [Two paintings arranged side by side, both depicting highways with a blur of car lights and tailights.]
    Caption Mara Korkola, No Place, 2002.
    Image description Two paintings arranged side by side, both depicting highways with a blur of car lights and tailights.
    Year 2002
    Related pages Painting as Paradox
  • Three unmatching bottles filled with urine surround the base of a black column. Two lie horizontal, one stands upright.
    Three unmatching bottles filled with urine surround the base of a black column. Two lie horizontal, one stands upright.
    Jason Hirata, Why Not Lie?, 2020 (detail view), plastic bottles, urine. Photo: Daniel Pérez [Three unmatching bottles filled with urine surround the base of a black column. Two lie horizontal, one stands upright.]
    Caption Jason Hirata, Why Not Lie?, 2020 (detail view), plastic bottles, urine. Photo: Daniel Pérez
    Image description Three unmatching bottles filled with urine surround the base of a black column. Two lie horizontal, one stands upright.
    Year 2019
    Related pages Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater
  • A close-up detail of a large assemblage sculpture.
    A close-up detail of a large assemblage sculpture.
    Ed Bereal, Miss America: Manufacturing Consent: Upside Down and Backwards (detail), 2000-2014, mixed media and found objects, dimensions variable. Photo: Filip Wolak [A close-up detail of a large assemblage sculpture.]
    Caption Ed Bereal, Miss America: Manufacturing Consent: Upside Down and Backwards (detail), 2000-2014, mixed media and found objects, dimensions variable. Photo: Filip Wolak
    Image description A close-up detail of a large assemblage sculpture.
    Year 2022
    Related pages Attention Line
  • Caption
    Image description
    Year
    Related pages Abasement #83
  • White and dark blue text overlay a light blue background with abstract lines and a drawing of a male bust in the bottom left corner. The text in the middle reads
    White and dark blue text overlay a light blue background with abstract lines and a drawing of a male bust in the bottom left corner. The text in the middle reads
    Flyer for Segue Reading Series featuring Jacob Kahn and Erica Hunt. January 28, 2023, Artists Space. [White and dark blue text overlay a light blue background with abstract lines and a drawing of a male bust in the bottom left corner. The text in the middle reads "Jacob Kahn / Segue Reading Series / Erica Hunt."]
    Caption Flyer for Segue Reading Series featuring Jacob Kahn and Erica Hunt. January 28, 2023, Artists Space.
    Image description White and dark blue text overlay a light blue background with abstract lines and a drawing of a male bust in the bottom left corner. The text in the middle reads "Jacob Kahn / Segue Reading Series / Erica Hunt."
    Year
    Related pages Segue Reading Series: Erica Hunt & Jacob Kahn
  • Black text overlays a mauve background. The top left corner reads:
    Black text overlays a mauve background. The top left corner reads:
    Flyer for Segue Reading Series featuring Norman Fischer and Farnoosh Fathi. Saturday, January 15, 2021, Artists Space. [Black text overlays a mauve background. The top left corner reads: "Norman Fischer & Farnoosh Fathi." The center right reads: "Segue Reading Series & ARTISTS SPACE." The bottom left reads: "Saturday January 15 - 5pm, Zoom ID: 893 9594 7519, Suggested donation $5". The image of a 5 dollar bill is placed within the text.]
    Caption Flyer for Segue Reading Series featuring Norman Fischer and Farnoosh Fathi. Saturday, January 15, 2021, Artists Space.
    Image description Black text overlays a mauve background. The top left corner reads: "Norman Fischer & Farnoosh Fathi." The center right reads: "Segue Reading Series & ARTISTS SPACE." The bottom left reads: "Saturday January 15 - 5pm, Zoom ID: 893 9594 7519, Suggested donation $5". The image of a 5 dollar bill is placed within the text.
    Year 2021
    Related pages Segue Reading Series: Norman Fischer & Farnoosh Fathi
  • Two photographs are mounted on a white gallery wall.
    Two photographs are mounted on a white gallery wall.
    Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979. [Two photographs are mounted on a white gallery wall.]
    Caption Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979.
    Image description Two photographs are mounted on a white gallery wall.
    Year 1979
    Related pages Place, (title to be determined), for a Participant: Ken Feingold
  • Stamped yellow text spelling out
    Stamped yellow text spelling out
    [Stamped yellow text spelling out "W.A.G.E" at a slight angle. Underneath that, typed pink text reads, "Working Artists and the Greater Economy."]
    Caption
    Image description Stamped yellow text spelling out "W.A.G.E" at a slight angle. Underneath that, typed pink text reads, "Working Artists and the Greater Economy."
    Year 2012
    Related pages W.A.G.E.: Feeling the Shape of the Arts Economy
  • A darkened gallery space with a video projection centered on a dark blue wall. The projection depicts a close-up of a black birthing mannequin reclined on a hospital bed in a blue patient room. A newborn mannequin swaddled in a hospital receiving blanket lays on the birthing mannequin’s chest.
    A darkened gallery space with a video projection centered on a dark blue wall. The projection depicts a close-up of a black birthing mannequin reclined on a hospital bed in a blue patient room. A newborn mannequin swaddled in a hospital receiving blanket lays on the birthing mannequin’s chest.
    Carolyn Lazard: Two-way. Installation view (Fiction Contract, 2025), Artists Space, 2025. Photo: Greg Carideo. [A darkened gallery space with a video projection centered on a dark blue wall. The projection depicts a close-up of a black birthing mannequin reclined on a hospital bed in a blue patient room. A newborn mannequin swaddled in a hospital receiving blanket lays on the birthing mannequin’s chest.]
    Caption Carolyn Lazard: Two-way. Installation view (Fiction Contract, 2025), Artists Space, 2025. Photo: Greg Carideo.
    Image description A darkened gallery space with a video projection centered on a dark blue wall. The projection depicts a close-up of a black birthing mannequin reclined on a hospital bed in a blue patient room. A newborn mannequin swaddled in a hospital receiving blanket lays on the birthing mannequin’s chest.
    Year
    Related pages Carolyn Lazard
  • A miniature clay sculpture of a man sitting, cross-legged, in an armchair is displayed on a carpeted floor. A curled wire extends from underneath the edge of the carpet where it meets the wooden floor below it.
    A miniature clay sculpture of a man sitting, cross-legged, in an armchair is displayed on a carpeted floor. A curled wire extends from underneath the edge of the carpet where it meets the wooden floor below it.
    The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich. [A miniature clay sculpture of a man sitting, cross-legged, in an armchair is displayed on a carpeted floor. A curled wire extends from underneath the edge of the carpet where it meets the wooden floor below it.]
    Caption The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich.
    Image description A miniature clay sculpture of a man sitting, cross-legged, in an armchair is displayed on a carpeted floor. A curled wire extends from underneath the edge of the carpet where it meets the wooden floor below it.
    Year 2014
    Related pages The Issues of Our Time
  • Two square images of paper. Top reads,
    Two square images of paper. Top reads,
    Invitation for Leben mit Pop - Eine Demonstration für den kapitalistischen Realismus (Living with Pop. A Demonstration for Capitalist Realism) October 1963 Estate Konrad Lueg [Two square images of paper. Top reads, "Leben mit Pop." Bottom contains a green image of a deflated baloon that reads, "Pop."]
    Caption Invitation for Leben mit Pop - Eine Demonstration für den kapitalistischen Realismus (Living with Pop. A Demonstration for Capitalist Realism) October 1963 Estate Konrad Lueg
    Image description Two square images of paper. Top reads, "Leben mit Pop." Bottom contains a green image of a deflated baloon that reads, "Pop."
    Year 1963
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • Red and blue text overlay a yellow background with abstract lines and a drawing of a male face in side profile. The text in the middle reads
    Red and blue text overlay a yellow background with abstract lines and a drawing of a male face in side profile. The text in the middle reads
    Flyer for Segue Reading Series featuring Kyle Dacuyan and Judith Goldman. January 7, 2023, Artists Space. [Red and blue text overlay a yellow background with abstract lines and a drawing of a male face in side profile. The text in the middle reads "Kyle Dacuyan / Segue Reading Series / Judith Goldman."]
    Caption Flyer for Segue Reading Series featuring Kyle Dacuyan and Judith Goldman. January 7, 2023, Artists Space.
    Image description Red and blue text overlay a yellow background with abstract lines and a drawing of a male face in side profile. The text in the middle reads "Kyle Dacuyan / Segue Reading Series / Judith Goldman."
    Year
    Related pages Segue Reading Series: Kyle Dacuyan & Judith Goldman
  • A color photograph of four sculptures resembling miniature theatre sets.
    A color photograph of four sculptures resembling miniature theatre sets.
    Marc Blane, c. 1975. From Marc Blane, Ken Hubbell, Carole Stein, Artists Space, 1975. [A color photograph of four sculptures resembling miniature theatre sets.]
    Caption Marc Blane, c. 1975. From Marc Blane, Ken Hubbell, Carole Stein, Artists Space, 1975.
    Image description A color photograph of four sculptures resembling miniature theatre sets.
    Year 1974
    Related pages Marc Blane, Ken Hubbell, Carole Stein
  • Color image of three performers on stage. In the foreground a performer is sitting down, blowing into a device, in front of various types of audio technology. Their face is tinted with pink light. Behind them two performers are out of focus, one of them is wearing a costume, the other is facing the camera. In the background there are audience members and projections on the walls.
    Color image of three performers on stage. In the foreground a performer is sitting down, blowing into a device, in front of various types of audio technology. Their face is tinted with pink light. Behind them two performers are out of focus, one of them is wearing a costume, the other is facing the camera. In the background there are audience members and projections on the walls.
    Abasement #76. Performance documentation, March 3rd, 2025, Artists Space. Photo: Joshua Wildman. [Color image of three performers on stage. In the foreground a performer is sitting down, blowing into a device, in front of various types of audio technology. Their face is tinted with pink light. Behind them two performers are out of focus, one of them is wearing a costume, the other is facing the camera. In the background there are audience members and projections on the walls.]
    Caption Abasement #76. Performance documentation, March 3rd, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Color image of three performers on stage. In the foreground a performer is sitting down, blowing into a device, in front of various types of audio technology. Their face is tinted with pink light. Behind them two performers are out of focus, one of them is wearing a costume, the other is facing the camera. In the background there are audience members and projections on the walls.
    Year
    Related pages Abasement #76
  • White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Feb 24 / Alexandra Auder / Stephanie LaCava
    White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Feb 24 / Alexandra Auder / Stephanie LaCava
    [White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Feb 24 / Alexandra Auder / Stephanie LaCava" Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Feb 24 / Alexandra Auder / Stephanie LaCava" Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year
    Related pages Segues Reading Series: Alexandra Auder & Stephanie LaCava
  • A figurative painting shows a cat-like figure drooping down to grab a long mushroom-like object. Painting appears in a white-walled gallery space.
    A figurative painting shows a cat-like figure drooping down to grab a long mushroom-like object. Painting appears in a white-walled gallery space.
    Five Spanish Artists. Installation view, Artists Space, 1985. [A figurative painting shows a cat-like figure drooping down to grab a long mushroom-like object. Painting appears in a white-walled gallery space.]
    Caption Five Spanish Artists. Installation view, Artists Space, 1985.
    Image description A figurative painting shows a cat-like figure drooping down to grab a long mushroom-like object. Painting appears in a white-walled gallery space.
    Year
    Related pages Five Spanish Artists
  • A figure wearing a trenchcoat stands in a psychadelically lit bathroom while smoking a cigarette.
    A figure wearing a trenchcoat stands in a psychadelically lit bathroom while smoking a cigarette.
    Manuel DeLanda, Raw Nerves: A Lacanian Thriller (still), 1980, 16mm-to-digital, Color, Sound, 30 minutes. [A figure wearing a trenchcoat stands in a psychadelically lit bathroom while smoking a cigarette.]
    Caption Manuel DeLanda, Raw Nerves: A Lacanian Thriller (still), 1980, 16mm-to-digital, Color, Sound, 30 minutes.
    Image description A figure wearing a trenchcoat stands in a psychadelically lit bathroom while smoking a cigarette.
    Year
    Related pages Manuel DeLanda Screening & Lecture
  • A darkened hallway with dark blue walls and light blue linoleum tiling leads into an open gallery space with dark blue carpeting. On the left sits a bench, which faces a large wall projection on the right. The projection depicts a black patient in a blue hospital gown sitting in a chair. The projection is partially obscured by a wall.
    A darkened hallway with dark blue walls and light blue linoleum tiling leads into an open gallery space with dark blue carpeting. On the left sits a bench, which faces a large wall projection on the right. The projection depicts a black patient in a blue hospital gown sitting in a chair. The projection is partially obscured by a wall.
    Carolyn Lazard: Two-way. Installation view (Vital, 2025; Borne, 2025), Artists Space, 2025. Photo: Greg Carideo. [A darkened hallway with dark blue walls and light blue linoleum tiling leads into an open gallery space with dark blue carpeting. On the left sits a bench, which faces a large wall projection on the right. The projection depicts a black patient in a blue hospital gown sitting in a chair. The projection is partially obscured by a wall.]
    Caption Carolyn Lazard: Two-way. Installation view (Vital, 2025; Borne, 2025), Artists Space, 2025. Photo: Greg Carideo.
    Image description A darkened hallway with dark blue walls and light blue linoleum tiling leads into an open gallery space with dark blue carpeting. On the left sits a bench, which faces a large wall projection on the right. The projection depicts a black patient in a blue hospital gown sitting in a chair. The projection is partially obscured by a wall.
    Year
    Related pages Carolyn Lazard
  • Several silhouetted figures backlit by a red glow stand among columns. The figure in the center holds a white-lit object in the air.
    Several silhouetted figures backlit by a red glow stand among columns. The figure in the center holds a white-lit object in the air.
    New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court. [Several silhouetted figures backlit by a red glow stand among columns. The figure in the center holds a white-lit object in the air.]
    Caption New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court.
    Image description Several silhouetted figures backlit by a red glow stand among columns. The figure in the center holds a white-lit object in the air.
    Year 2020
    Related pages New Red Order: Informants Get Paid!
  • Color photograph of a figure dressed in all white, dancing in a corridor bathed in red light.
    Color photograph of a figure dressed in all white, dancing in a corridor bathed in red light.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure dressed in all white, dancing in a corridor bathed in red light.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a figure dressed in all white, dancing in a corridor bathed in red light.
    Year 2022
    Related pages keyon gaskin 12-14
  • A black wall that reads
    A black wall that reads
    New Red Order with Virgil B/G Taylor. Native New Yorker: Sigillum Civitatis Novi Eboraci, 2021 Painted wall with cut vinyl, historical newspapers, television, and postcard 10 x 10 feet. Photo: Filip Wolak [A black wall that reads "Sigillum Civitatis Novi Eboraci 1625". Layered on the wall are multiple printed drawings and tv monitors, below sits a red beach ball.]
    Caption New Red Order with Virgil B/G Taylor. Native New Yorker: Sigillum Civitatis Novi Eboraci, 2021 Painted wall with cut vinyl, historical newspapers, television, and postcard 10 x 10 feet. Photo: Filip Wolak
    Image description A black wall that reads "Sigillum Civitatis Novi Eboraci 1625". Layered on the wall are multiple printed drawings and tv monitors, below sits a red beach ball.
    Year 2021
    Related pages New Red Order: Feel at Home Here
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Light blue text overlays a dark blue background. The top left corner reads:
    Light blue text overlays a dark blue background. The top left corner reads:
    Flyer for Segue Reading Series featuring Sueyeun Juliette Lee and Brian Teare. November 19, 2022, Artists Space. [Light blue text overlays a dark blue background. The top left corner reads: "Sueyeun Juliette Lee & Brian Teare / November 19, 5pm." The middle reads: "Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519."]
    Caption Flyer for Segue Reading Series featuring Sueyeun Juliette Lee and Brian Teare. November 19, 2022, Artists Space.
    Image description Light blue text overlays a dark blue background. The top left corner reads: "Sueyeun Juliette Lee & Brian Teare / November 19, 5pm." The middle reads: "Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519."
    Year
    Related pages Segue Reading Series: Sueyeun Juliette Lee & Brian Teare
  • A drawing of an amorphous shape with a trail of black extending out the bottom and billowing upward. There are several lines of handwritten cursive text on the lefthand side of the drawing.
    A drawing of an amorphous shape with a trail of black extending out the bottom and billowing upward. There are several lines of handwritten cursive text on the lefthand side of the drawing.
    David Maljkovic, Scene for a New Heritage - New Possibilities, 2004. Mixed media on paper. Courtesy Annet Gelink Gallery, Amsterdam. [A drawing of an amorphous shape with a trail of black extending out the bottom and billowing upward. There are several lines of handwritten cursive text on the lefthand side of the drawing.]
    Caption David Maljkovic, Scene for a New Heritage - New Possibilities, 2004. Mixed media on paper. Courtesy Annet Gelink Gallery, Amsterdam.
    Image description A drawing of an amorphous shape with a trail of black extending out the bottom and billowing upward. There are several lines of handwritten cursive text on the lefthand side of the drawing.
    Year 2004
    Related pages Elephant Cemetery
  • Visiting Hana Yilma Godine exhibition Rachel Uffner Gallery, Lower East Side, 2024
    Caption Visiting Hana Yilma Godine exhibition Rachel Uffner Gallery, Lower East Side, 2024
    Image description
    Year
    Related pages ARTstudio
  • A black and white photograph of a multicolored globe sitting on a wooden floor.
    A black and white photograph of a multicolored globe sitting on a wooden floor.
    Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Gary Burnley. [A black and white photograph of a multicolored globe sitting on a wooden floor.]
    Caption Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Gary Burnley.
    Image description A black and white photograph of a multicolored globe sitting on a wooden floor.
    Year
    Related pages Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach
  • A large group of people photographed from above, stading in Cortlandt Alley, forming a small circle in the middle. Some people standing near the center hold baby dolls.
    A large group of people photographed from above, stading in Cortlandt Alley, forming a small circle in the middle. Some people standing near the center hold baby dolls.
    Ei Arakawa: WEWORK BABIES. Performance documentation, December 8, 2019, Artists Space. Photo © 2019 Paula Court. [A large group of people photographed from above, stading in Cortlandt Alley, forming a small circle in the middle. Some people standing near the center hold baby dolls.]
    Caption Ei Arakawa: WEWORK BABIES. Performance documentation, December 8, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description A large group of people photographed from above, stading in Cortlandt Alley, forming a small circle in the middle. Some people standing near the center hold baby dolls.
    Year 2019
    Related pages Ei Arakawa: WEWORK BABIES (11 Cortlandt Alley)
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