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Andy Robert: PAPALOKO. Installation view, Artists Space, 2024. Photo: Carter Seddon. [A color image of a gallery space features two shovels, standing upright on pedestals, a radiator sitting on its side; In the forground, a divining rod attached to a pedestal is placed on the floor.] -
Composition with Sol LeWitt's "Black Form (Dedicated to the Missing Jews)", (1987) as seen from the Rathaus Altona, Hamburg, DE, October 2021 [A color photograph of a garden with green hedges, large road which appears as a stone path, and trees. Some plant branches are visible directly in the foreground. Centered in the image over the branches is the black outline of a rectangle. The left side of the rectangle is filled in to create a black square.] -
[Four multicolored tarot cards arranged in a line on a white background. The cards read "3," "7," "21-Die Stimme," and "Rat-der Nerven." Each of the cards features a different black and white illustration or image.] -
Living with Pop. A Reproduction of Capitalist Realism. Installation view, Artists Space, 2014. [Two walls form an entry way to the exhibition space. Both present black and white photos across their entire surface area. On the left, two men sit in a living room; on the right a man stands outside a store with a neon light sign.] -
Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [An entryway with layered, decorative carpets and black-and-white images displayed across the height and length of the wall. A small school desk sits on the left in front of a large bookshelf.] -
Lukas Duwenhögger: Undoolay. Installation view, Artists Space, 2016. Photo credit: Jean Vong. [Two unframed paintings are hung on a foldable room divider in a gallery. The larger painting depicts the interior of a classroom with four ambiguous figures. The smaller painting shows a man poised mid-dance.] -
Five Spanish Artists. Installation View, Artists Space, 1985. [A large painting appears in a white-gallery space with various drawings of city architecture around a large amorphous black section in the middle. White columns and other paintings are visible in the surrounding area.] -
[A rendering of a head with two faces, one positioned head-on and the other seen in profile, is made from gradient strips of red, orange and yellow color. Dissecting lines and geometric shapes define the face's blocky features. The top lips are blue and the bottom red, while the left eye is black with a white dial and the right eye is a hazy blue with yellow lightning coming out of it. Under the image, text in red, white, blue serif font reads: the segue reading series and artists space present / a reading by David Larsen and Sara Larsen / saturday, may 9, 5 pm nyc time / zoom id: 378 232 567.] -
Don Gummer. Installation view, Artists Space, 1974. [A color installation view of a gallery space with a white column, and three white tables.] -
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Young Fluxus. Installation view, Artists Space, 1982. [A number of trays of items appear around a flickering light beam over a white sheet on the ground.] -
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Leaflet cover for Extended Definitions, Artists Space, 1989. [A black and white close-up photograph of an eye. Text at the top reads, "Extended Definitions: Video Experiments in Perception." Text at the bottom reads, "September 28-November 4, Artists Space."] -
Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Haim Steinbach. [View of colorful panelled designed wall with shelves holding plants and other items. A blue desk with pamphlets on them is visible in the front left corner which is near a doorway into another room.] -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure dressed in white, laying on the floor of a dark room. The figure has one leg raised in the air, shining a light from their pelvic area onto the floor and wall across from them. A small TV monitor sits in the corner.] -
Program schedule for Sigrid Burton, Bruce Colvin, Ellen Phelan, Artists Space, 1976 -
Kayla, digital photograph, 2023 -
Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A green, blue, and yellow abstract landscape painting hangs on a white wall. A purple buffalo painting is hanging on the wall to the left. To the right, a tall paper is pinned into a purple section of wall.] -
Keeph Little, Artists Space construction site no.1, 2020, digital photograph Keeph Little, Artists Space construction site no.1, 2020, digital photograph [A window sill with cups, cans and cloth is visible and a crane can be seen outside of the window with the text: "New Holland" written on it. Circular green graffitti is visible on the facade of the building behind the crane.] -
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Hito Steyerl. Installation view, Artists Space, 2015. [A monitor facing a seating arrangement constructed of stacked pillows. Two pairs of monitors are suspended on poles in the background. An image of Hito Steyerl is seen in both pairs; next to an image of a pile of cigarettes and an image of shipping containers.] -
Executive Director & Chief Curator Jay Sanders. Photo: Jenna Bascom [Jay Sanders stands at a podium in front of a microphone, smiling while mid-speech. Various gala attendees clap from their seats at circular tables arranged around the podium.] -
Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman [Black-and-white image of three figures standing and performing on stage. Each figure holds a microphone to their face, their eyes closed in concentration. The figure in the middle is wearing a guitar while the other two on the left and right stand behind tables full of audio equipment.] -
Rirkrit Tiravanija, untitled, 2011 (print mo’ money), 2011, Copper etching plate, Signed certificate. [A printing plate for a $100,000 bill, featuring a portrait of Woodrow Wilson.] -
Four Artists: An Exhibition of Painting and Sculpture. Installation View. Artists Space, 1985. [Figurative paintings are hanging on a wall in a white-walled gallery setting.] -
Pool Show. Installation view, Artists Space, 1980. [Frame photographs and text hang on the wall in a gallery space.] -
Flyer by Joe Frivaldi. [Magazine cutouts and printed images overlay a colorful background with red, white, blue and yellow pieces collaged together. A cutout of an eye is placed in the center, and to the right of it is text that reads "ABASEMENT 66." Along the bottom right is a cutout of yellow paper has handwritten text in red ink, listing the performers and date of the performance.] -
Richard Hollis. Installation view, Artists Space, 2013. [A small television on top of a vitrine shows John Berger looking at the viewer. In the vitrine, several books and documents are opened for display.] -
Installation view at Kaiserstraße 31A, Düsseldorf May 11, 1963 Courtesy Archiv Kuttner, Erkrath Photo: Manfred Kuttner [A black and white image of a man looking at documents through a window on a street sidewalk. Behind him, a women in a hat looks at him. People are present walking on the street surrounding them.] -
[A catalogue cover design featuring a black and white illustration of the head of a bear. Large, black serif text above the bear's head reads, "Art's Mouth," while smaller white text positioned underneath the bear's head reads, "May 16-June 29, 1991 ARTISTS SPACE"] -
ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A view of multiple works including a vending machine against a glazed over window, a glass display table backed by tiled photographs, a lightbox with an image of sitting individuals and a colorful shack structure.] -
Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [A figure plays the violin in front of a microphone.] -
Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure plays a bell into three microphones.] -
[Black and white cropped image of an animal-like figure. An eye is located on the upper right corner. Feathers and fur fill the frame.] -
Spring Exhibitions. Installation view, Artists Space, 2009. [A large gallery wall covered with wallpaper printed with tropical birds in colorful trees on a white background. There are assorted black-framed, colorful images hung on the wall, positioned in both portrait and landscape orientations.] -
Warnung vor einer heiligen Nutte (Beware of a Holy Whore). Dir. Rainer Werner Fassbinder. 1971. [A man and a woman sit in two low wooden chairs. The man wears a brown hat and striped suit, while the woman wears a white top with a low v-neck. Her hair is blonde and stylishly curled. She stares ahead, her left hand gently resting on her chin. The man stares sideways at her.] -
Sam Pulitzer: A Colony for “Them”. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A section of wooden flooring is displayed on the ground near four windows on adjacent walls of an exhibition space. A small bed, a candle on a night table, a metal stove, and a several chests stacked on top of one another are arranged on the wooden boards.] -
SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.] -
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_____, Louise Lawler, Adrian Piper & Cindy Sherman Have Agreed to Participate in an Exhibition Organized by Janelle Reiring at Artists Space, September 23 through October 28, 1978, Artists Space, 1978. Installation view, Artists Space, 1978. Artwork by Louise Lawler. [A painting of a horse in a gold frame hangs on a wall.] -
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Shala Miller performs Genesis: Medley at Artists Space, co-presented with Frieze New York 2023. Performance documentation, May 19th. Photo by Vanessa Diaz/CKA. Courtesy of Frieze. [Color photograph of two performers, seated side by side, singing into a microphone stand. Next to them can be seen the corner of a hanging screen positioned in the center of the room. Behind and around the performers audience members sit on the floor or stand.] -
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[Red background with white text and border which reads: "DUMP THE FINE ART OF GENTRIFICATION," with the Decolonize This Place logo positioned underneath.] -
Salad Days 2. Installation view, Artists Space, 2006. Photo: Bill Ocrutt. [A slide projector sits in a dimly lit corner of a gallery space. The device projects an image of rocks and other debris onto a poster hung on the wall, which lists various statistics related to The Letchworth Village, a residential commuinty in Rockland County, New York. A second poster hangs on a wall to the left of the slide projector. A stack of papers rests on a small support below the poster.] -
Angela Bulloch, Rules of the Space, 2012, from the Rules Series, Silkscreen print on record sleeve, 12 3/8 x 12 3/8 inches, Signed and numbered [A numbered list of rules is arranged on white ground in various black fonts. Text reads: "Rules of the Space / 1. This SPACE is OCCUPIED. Anyone CAN SLEEP HERE / 2. NO Police (Pigs) and NO Informants (Rats) / 3. No Press OR Photos / 4. This is a Safer SPACE No Bullshit / 5. NO Peacekeepers or WANNA-BE POLICE / 6. INVITE EVERYONE (Except the aforementioned pigs and rats) / 7. create the world you want to see in the future (occupy the future) / 8. The HISTORICAL BREAK / 9. SEQUESTER THE BOSSES / 10. SHUT IT DOWN!!! / 11. Flush the toilet - don't shit on the floor.. this isn't Zucotti. / 12. PANTS ARE OPTIONAL / 13. DEMAND NO. 1 CATS (AND WE WANT THEM MEOW!) / 14. Louder! Louder!! LOUDER!!! If You Wanna Exploit LABOR you havta be you have to be 15ft from the door / 15. Rock & Roll ALL NIIIGHT AND PARTY EV-ERY DAY! / 16. CREATE MYTHS TO SUSTAIN CATASTROPHE] -
ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [Four dynamic images of a group of individuals pinned by large push pins on a blue gallery wall.] -
Pictures. Installation view, Artists Space, 1977. Photo: D. James Dee. [A black and white photograph of an artwork. Over a black background are the silhouetted outlines of several human figures standing and sitting.] -
Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Candice Hill-Montgomery. [Black and white photograph of white picket fence with dark painted background behind it.] -
Abasement #67. Performance documentation, January 15, 2024, Artists Space. Photo: Joshua Wildman. [Color image of a performer standing in the midground of the image with their back towards the audience. They are dressed in all black including a black beret. Both of their arms are raised with a bend at the elbows. In their right hand, they hold a straight object, perhaps a conductor's baton or drumstick. They grasp an oblong object in their left hand as well. Speckled purple, green and blue light is projected onto the performer and the back wall, their shadow with their arms raised appears on the back wall. In the center foreground of the image there is a microphone on a stand and to the right side, a black speaker on a stand. ] -
Still from Memories of Underdevelopment, 1968. Tomás Gutiérrez Alea, 97min, 35mm -
Charlotte Posenenske. Configured by the staff of Artists Space. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A geometric, silver metal sculpture sits on a wooden gallery floor. The sculpture is modular and hollow and consists of rectangular and triangular metal components arranged in a long form that snakes across the ground before arching up and down, forming a large U-shaped archway.] -
Beverly Semmes, Eel Mat (detail), 1989. Copper, aluminum, hay, and chicken wire. Dimensions variable. [Long, thin bundles of hay are arranged one over the other, mimicking the woven pattern of a textile.] -
AIDS Forum: John Giorno - FABULOUS SEX/COMPASSION. Installation view, Artists Space, 1993. [Several paintings and sculptures installed on two walls that form a corner in a gallery space. A square painting featuring large, bold yellow text that reads, "LIFE IS A KILLER" hangs on the right wall. On the left wall, a block of large black text has been painted on the wall, from ceiling to floor. It reads, "THE WORLD IS GETTING EMPTY OF / EVERYONE I KNOW / ONE BY ONE / IN EVERY DIRECTION / THEY ARE LEAVING / THIS WORLD / FOR SOME PEOPLE / EVERYONE THEY KNOW HAS DIED."] -
Michael Bullock, Roman Catholic Jacuzzi (New York: Karma Publishing, 2012). [A blue and teal book cover depicting the title and author against a flat background.] -
Metaphysical Visions. Installation view, Artists Space, 1989. [An abstract sculpture made of sticks, cords, and a textile sits in the center of a gallery space. Three large paintings hang on the walls around it, all blending abstract, painterly designs with latin text.] -
Milford Graves: Fundamental Frequency. Installation view, Artists Space, October 8, 2021 – January 15, 2022. Image courtesy Artists Space, New York. Photo: Filip Wolak. [A color installation view of a gallery space. On the left wall are six black and white photographs and a television monitor positioned on the floor. In the background, another wall-mounted television monitor is visible along with a large wall hanging and two sculptures. The space is bisected by three dark columns.] -
Jenny Snider. A Solitude Encompassing the World, 1985. -
Traditions: Five Painters. Installation View, Artists Space, 1978. [Various paintings hang in a row on a wall. The paintings are composed of bold lines and blocks of color.] -
Ei Arakawa: WEWORK BABIES. Performance documentation, December 8, 2019, Artists Space. Photo © 2019 Paula Court. [A man gazes up at a baby doll mid-flight, holding out his right hand towards it. A group of people gaze towards the doll, smiling.] -
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New Galleries of the Lower East Side. Installation View. Artists Space, 1984. Photo: Kenji Fujita. [A view of a large window with the facade of other buildings, a restaurant is visible on the left. Graffiti text is visible above the length of the horizontal window and lights appear hanging from the ceiling directed to opposite sides.] -
Abasement #71. Performance documentation, August 5th, 2024, Artists Space. Photo: Joshua Wildman. [Close up of a solo musician sitting on stage playing a string instrument in their lap with a bow. They are looking to the side and they are covered in red light. The wall behind them is blue-tinted with patterned image projections.] -
Susan Cianciolo, Flowers, 2018, 25 x 21 x 1 1/2 inches, Silkscreen on book cloth on bespoke archival box, Signed edition of 100, 5APs Courtesy of the artist. [A portfolio box with a flowered pattern on the lid is shown on a white ground with the lid slightly askew.] -
Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure in a red sweater stands on stage, behind three microphones placed around them, their left hand held up to their mouth.] -
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Louise Lawler, Who Says, Who Shows, Who Counts, 1990. [Three empty wine glasses in row, each engraved with two words: "who says," "who shows," "who counts."] -
Hilary Kliros. Installation View. Artists Space, 1986. [A sculpture of a woman stands on a pedestal looking into a glass window pyrimidal construction with a large bug on top and a TV monitor underneath.] -
Doris Guo, angst, 2023 [Color image of a small pinhole projector, sitting on a pedestal and facing a wall to the left of the image. On the wall, an image of a red pearlescent ball, with a small white pearlescant ball attached on top, is projected.] -
SCRAAATCH, Tower of Babel, 2019, Les Urbaines. Photo: Mathilda Olmi [In front of a large colorful projection, a figure wearing headphones around their neck leans down over musical technology.] -
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Students visiting Sleepwalk at Parasol Projects, LES, 2022 -
Mark Morrisroe: From This Moment On. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [Two framed collaged images on a white wall. Both display a central image of two dogs.] -
Paul Chan, Wht is the nture of lw, 2011, Inkjet print and silkscreen on paper, 19 1/3 x 16 1/8 in / 49 x 48,6 cm, Signed and numbered. [A collage-style image. The background is a 19th century-style painting titled "Start of the Famous Race between the Natchez & Robt," drawing from an actual race between two steamboats named the Nachez and the Robert E. Lee in 1870 New Orleans. The painting depicts a maritime scene. It appears slightly ripped at the top, with a black background, and black, blue, and yellow opaque squares appearing in each corner. At the bottom, "THE END" is printed in a square formation. In the center, a printed, black, numbered list is overlaid on top of the painting, with 20 elements. The text reads: "1. Dylan quote: To be just, one has to be against the law / 2. Artist are "natural" lawbreakers / 3. Art synonymous with freedom (against law) / But art is not lawless, it simply followed another law (law as tendency) / 5. Expression is the following of a more natural law (perhaps higher law in line with nature and non-man made law / 6. Diotima? Marcus Aurelius? Hardot / Natural law, nature) / 7. Artmaking is when one discovers a law that one already follows (science) / 8. In the end, it is law against law. / 9. But still, law is sin (St. Paul) and death. / 10. Petrified unrest / manic energy / overproduction / 11. What is truly against the law? / 12. Duchamp / against one's taste / contranatural / (perverse) / 13. Kant = Contranatural is Anti-Christ / 14. His anti-art was in fact a private pleasure forced to live on for others. / 15. Crime and pleasure (≠ happiness) / 16. Crime is what is pleasing only to onself? / 17. Real art is what is pleasing to oneself? / 18. Real art is a real crime? / 19. Adorno quote as Nietzschean bluster / 20. The real crime is that what we do for ourselves is pleasing"] -
New Red Order with Virgil B/G Taylor Progenerator, 2020 – Ongoing Painted mural with dibond prints, five televisions, flag, plate, Improved Order of Red Men ephemera, and mixed media 14 x 40 feet Image courtesy Artists Space, New York Photo: Filip Wolak [An image of a multicolored wall filled with multiple tv monitors and info graphics. Black, red and yellow beach balls are scattered along the floor.] -
Young Fluxus. Installation view, Artists Space, 1982. [A chalk drawing appears above two chairs on the left and in the corner is a television monitor on a pedestal with framed drawings behind it. A doorway leads into the next space.] -
[Red text reading “New Red Order” and white text reading “1-888-NEW- RED1 newredorder.org” are overlaid on an image of a face obscured with white plaster.] -
Julie Wachtel. Installation View. Artists Space. 1985-86. [Split-screen image of a monkey dressed in sports gear with a soccer ball on a field hung on a white gallery wall. Both images in photograph appear identical.] -
Eiko Ishibashi: Two New York Nights. Performance documentation, June 8, 2022, 8pm. Artists Space, New York. [A figure facing a microphone looks upon a computer with audio software open.] -
Not yet titled, 2019
Clay, glaze, mixed media
7 x 12 x 17 inches (variable)
$5,000
[An abstract, multicolored squareish sculpture standing on a white base. A potato sits on top of the sculpture with a wire plugged into the top. A 9v battery is affixed to the side of the sculpture, connected to two comptuer chips affixed to the front.] -
Passages from People Who Led to My Plays. Performance documentation, March 1, 2020, Artists Space. Photo ©️ 2020 Paula Court. [Two figures in dark clothing stand before two music stands in front of a seated audience. The figure on the right appears to read from a text propped on the stand, while the figure on the left looks towards the audience, speaking and gesturing towards them with one hand.] -
Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman. [A close-up image of a musician sitting on the floor playing the violin. Three other violins lay on the stage before her.] -
Ian Bader. Spalation Clock, 1977. Section 2. [Drawing of architectural section in center of paper with white surrouding it.] -
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Terry Fox, Yield, University Art Museum, Berkeley, California, September 4, 1973. Photo: Larry Fox. Courtesy Marilyn Bogerd. [Black-and-white film photograph of a mound of flour on a concrete floor. A figure's hands are shown along the right and top side of the composition. The figure's right hand is poised above the center of the flour mound, pouring yeast into it from a small packet.] -
Association Apsolutno, still from a.trophy, 2002. [A slightly grainy, black and white image of a deer standing on snowy ground in front of woods. There are two detached antlers on the ground in front of the deer.] -
Scanned slide from an untitled photo shoot featuring Smith as the Lobster, c. 1970s - 1980s. Copyright Jack Smith Archive. Courtesy Gladstone Gallery, New York and Brussels [A film photograph of a person in a black dress and red cape, advancing across a checkered floor towards a small plastic penguin wearing beaded jewelry and a red feathery crown.] -
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Jeff Francis, 1996. Photo: Gordon Munro. [A chandelier-like structure with clear crystals at its top and bottom, and green jewels arranged in increasing tiers at its center.] -
Speaker Music, still from a finesse, 2019, (filmed at 11 Cortlandt Alley). [An image is reproduced from three different angles: two in landscape with the third, vertical and upside down. Two people stand in a red-lit room, one looks at a camera and the other stands beside them. A double exposure overlays the image with the same two people, the former holding up the camera and the latter posing for a photo.] -
Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a gallery space with white walls. Two vitrines are built out of the walls, and contain various ephemera. Above the left vitrine hang black-and-white photographs. Above the right vitrine, placed over a window, is a blown-up image of a man kneeling with his head to the floor.] -
Yasunao Tone in Concert with Barbara Held. Performance documentation, January 19, 2023, Artists Space. Photo: Destiny Mata [A figure sits in front of a microphone and reads a story off of a piece of paper.] -
[A sculpture of a man holding a book, right leg crossed over left, standing, against a white background. He is wearing a purple shirt, patterned blue shorts, and white sneakers.] -
Social Surfaces. Installation view, Alexander and Bonin, 2017. Photo: Ron Amstutz. [A wooden platform on wheels surrounded by a border of small poppy red brick-like sculptures, that continue to surround the base of a white pole. Sculptures and paintings are visible on the back wall behind the wooden platform.] -
Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak. [Two facing gallery walls featuring framed drawings on white and black paper. The work on the left wall features small pencil lines arranged in a square shape, with negative space forming the shape of a large spiral. The works on the right wall feature various ornamental lines that form large circles.] -
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Young Fluxus. Installation view, Artists Space, 1982. [Numerous plastic bags of objects appear together on a white gallery wall.] -
The Library Vaccine. Installation view, Artists Space, 2014. [On a white table, to the left, sits a flutter book with a dot illustration increasing in density through the pages. To the right, a TV monitor displays a black and white image of a finger pressing the space bar on a type writer.] -
Sherry Markovitz, Danny Boy, 1985. [A crafted deer head with horns appears on the wall with various drawn patterns on it.] -
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Elisabeth Sussman, © David Armstrong -
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New Red Order Beginning of the End of the Trail, detail, 2021 Wet-plate collodion glass negatives with LED lightboxes, pipes, and extension cords. Image courtesy Artists Space, New York Photo: Filip Wolak [An image of photograph negatives with LED lightboxes hanging off a wall.] -
Pena Bonita, Stalled, 1987. Color photograph. [A man lifts up the hood of a white car on the side of the road amidst a sprawling open landscape. The front doors on both sides of the vehicle are open.] -
In The Poem About Love You Don't Write The Word Love. Installation view, Artists Space, 2006. Photo: Bill Orcutt. [Two newspaper clippings and a sheet of written correspondence are installed in black frames on a gallery wall above a small vitrine. The vitrine displays a series of open, vintage magazines.] -
Tilo Schulz, Remake Performance, Artists Space, 2004. [Two men walking inside a large inflatable sphere being followed by a crowd of people, some who are filming them, outside in a grassy and paved area.] -
Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman [A band plays on stage, with a figure playing the piano in the foreground of the image, while another plays congas behind him. A third figure plays the tuba in the background.] -
Marc Handelman, 2001. [A blue-toned image of a room with dozens of beds arranged in rows on platforms surrounded by floor grates. Spots of sunlight filter in through skylights in the ceiling.] -
Abasement #76. Performance documentation, March 3rd, 2025, Artists Space. Photo: Joshua Wildman. [Color image of 3 performers on stage. The musician on the left is standing over electronic audio equipment while looking down. To their side a musician is sitting down holding a microphone close to their mouth. On the right side of the image a musician is sitting down playing the violin. In the middle of the stage there is a drum kit. The backs of audience members are visible in the bottom of the image. There is an abstract orange projection on the back wall, which also covers one of the musicians.] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Image of a dimly-lit basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.] -
Flyer by Bill Hayden. [A woman vaping in profile against a black background. An image of another woman and a child are visible in her exhaled smoke.] -
Image courtesy Anne Gillis and Blank Forms. [Photo of a woman partially obscured by a white umbrella. A light shining on the umbrella casts a large shadow of the woman's hand on its curved surface.] -
[White LEDs hung on a white wall spelling "SPRITZ".] -
Blaster Al Ackerman, Untitled, n.d., painted album cover, 12 x 12 inches. Courtesy of Stewart Mostofsky. [A painted image of a white push-button telephone sitting atop a brown surface with a yellow wall behind it. At the top right is a 10 cent postage stamp depicting a face with missing teeth and a text that says "The GIGGLER."] -
See Around. Installation view, Artists Space, 2008. Photo: Adam Reich. [A corner of a wall imposed with the text, "Christa Blatchford: See Around."] -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure dressed in white, laying on the floor of a dark room. The figure has one leg raised in the air, shining a light from their pelvic area onto the floor and wall across from them. A small TV monitor sits in the corner.] -
Abasement #63. Performance documentation, July 17, 2023, Artists Space. Photo: Joshua Wildman. [Color image of two performers sitting on a stage, with a variety of musical gear between them. The backs of heads from audience members observing the performers can be seen at the bottom of the image. A pinkish-red spotlight illuminates the dark performance space and the individuals on the stage.] -
Pictures. Opening Reception, Artists Space, September 23, 1977. Sherrie Levine (left), Irving Sandler (right). Photo: D. James Dee. [A black and white photograph of two figures standing in a gallery space. The figure on the left looks at the one on the right. In the background, a crowd of people and se veral large wall hangings are visible.] -
Las Nietas de Nonó, Still from FOODTOPIA: en el suelo áspero, 2022. [A woman wearing a gold headdress, hoop earring, and necklace stares off into the distance. The background is filled with trees and vegetation.] -
Michael Asher, Untitled. Installation view, Artists Space, 1988. [In the corner of a room, close to the ceiling, is an industrial light fixture. The lightbulb is on and faces up towards the ceiling.] -
Benito Huerta, Attempted, Not Known. Media unknown, dimesions unknown. [A wooden ornament with a string attached at its top, is carved with the outlines of the worlds continents, becoming a miniature globe.] -
Coop Fund, 2018. Photo: Daniel Pérez. [An angled view of a long white table with eight wooden chairs. A galvanized bucket, an iPad, and two stacks of paper sit on the surface.] -
Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They have papers taped and placed over their face.] -
ART CLUB2000, Untitled (Starbucks Trash), 1995, 11 x 14 inches, black and white photograph. [A pile of trash, including Starbucks cups, empty packs of cigarettes, newspaper, and food remnants, is strewn across the ground.] -
Moderns in Mind. Installation view, Artists Space, April 12, 1986 - May 10, 1986. [Two sculptures appear on pedestals in the foreground and a painting is visible in the background in a white-walled gallery space.] -
New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court. [A figure wearing all black lies on their back on a concrete floor. Their hips and knees are lifted off the floor, with their hand holding a dangling microphone by the cord. There is a crowd of people arranged in a semi-circle behind the performer, and disordered empty chairs in the foreground.] -
AIDS Forum: Danny Dries - Generic Memorial (for WM. Schwedler, 1942-1982). Installation view, Artists Space, 1992. [A black and white image of an antique wooden chair with a plush seat. A mold of a human brain emerges from the center of the chair's cushion.] -
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Manuel DeLanda, Raw Nerves: A Lacanian Thriller (still), 1980, 16mm-to-digital, Color, Sound, 30 minutes. [A figure wearing a trenchcoat stands in a psychadelically lit bathroom while smoking a cigarette.] -
UniBodies. Installation view, Artists Space, 2006. Photo: Bill Ocrutt. [Four abstract sculptures constructed from neutral-toned materials are displayed atop white virtrines. Three more sculptures are hung in a row against a white wall.] -
Pictures. Installation view, Artists Space, 1977. Photo: D. James Dee. [A black and white installation photo of a gallery space. An illuminated low pedastal on the floor holds a crescent shaped object.] -
LIFE—a group show, curated by Arnold J. Kemp. Installation view, Artists Space, 2025. Photo: Carter Seddon [Along the gallery wall is an assemblage of objects hanging off the wall and to the floor connected by metal thread. Further down the wall is a painting, a plinth of colorful sculptures, a framed artwork, and a television playing a video in the corner. In the back is a glimpse of an alcove with three artworks appearing as colorful stripes, grey and yellow on the wall, and black on the floor. ] -
Milford Graves, Cosmos 2 - 5, 2020. Wood, copper netting, hand-painted drum, lights, metal, casters, acupuncture head, figurines, artifact, turntable, printed label, metal, glue, copper netting tubing, hand-painted drum, plasma globe, tree branch, model brain, lights, printed label, stones, transducer, amplifier, wires, wooden crate, metal bracket, anatomical model, copper pipe, outdoor house lamp, transducer, amplifier, printed label. Dimensions variable. Photo: Filip Wolak. [A color photograph of four sculptures mounted on wooden pedastals. The sculptures are connected by copper netting and are composed of objects including a model of a human head, a plasma globe, a drum, lights, and wires.] -
Flyer for Segue Reading Series featuring Kamden Hilliard and E.J. McAdams. Saturday, November 13, 2021, Artists Space. Artist: Lonely Christopher & Venn Daniel [A horizontal image with a flat, light blue background. On the right side is a pink, cotton candy-like image of a cloud. The word, "Segue" appears in pink text on the top left side. The name, "Kamden Hilliard," is written on the center-left in large red text, while the name, "Laura Elrick," appears in purple on the center-right.] -
The Oath. Dir. Laura Poitras. 2010. Courtesy Zeitgeist Films. [Foregrounded military tents with a pink sky in the background.] -
Whitney Museum of American Art Independent Study Program Studio Exhibition. Installation view, Artists Space, 2018. Photo: Gustavo Murillo Fernández-Valdés. [Two painted portraits sit on the ground of a gallery space to the left of several other artworks. A kite hangs from the ceiling of the exhibition space in the center of the image. Various small documents are tacked across a wall to the right of the kite with red thumbtacks.] -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure, wearing reflective one-way mirror film around their body, hanging off the ledge of an open doorway entrance.] -
Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. [A color photograph of a figure standing behind audio mixing equipment and a microphone in front of an orange background.] -
[Dark blue text overlays red-pink background. The text reads: “March 11 / Yuko Otomo / Ed Steck." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)] -
Renee Gladman, Slowly We Have the Feeling: Score, 2019-2022. Pastel and pigment on paper. Courtesy of the Artist [Drawing done on black paper of a white line with shapes and marks on it, along with three circles. One circle is colored in green with a red line extending from the top right and across the page intersecting with the white line. A green triangle sits below a small line of white text on the upper left of the composition.] -
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Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a background of yellow, pink, and orange paper. A piece of green paper at the bottom reads "A/BA/SEME/N/T." Other pieces of typewritten text list the performers and event details.] -
Drum Suit, 1983. Illustration. [An outline drawing of a figure in motion with one leg raised. Handwritten text notates points on the figure, reading, "Drum suit: sensors are attached and played remote" as well as "bass drum," "high hat," "snare," and "drum claps."] -
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Yasunao Tone: Region of Paramedia. Installation view (Instrument and Diagram for Music for Reed Organ, 1963), Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a gallery space. In the foreground is a small reed organ, with a music stand holding a clock device behind it. In the background are vitrines holding other audio devices and ephemera. On the window to the right is a blown-up image of a man kneeling with his head to the floor. Black-and-white photographs hang on the wall.] -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a corner space in a gallery, below a staircase, that is bathed in red light. At the bottom of the stairs are a group of performers wearing conical costumes made of reflective one-way mirror film.] -
Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Overview of a large black glossy structure built in a gallery. The "bc" logo is visible, printed in white on one of the structure's walls. A TV depicting an abstract, colorful image and the word "EVERYWHERE" is hung on an upright rolling stand, visible through an opening in the structure.] -
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We the People. Installation view, Artists Space. 1987. [A black and white image of an exhibtion space, sculptures sit on three pedestals in front a wall of paintings.] -
Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view (Matthew Langan-Peck, Player 3, 2024; Matthew Langan-Peck, Box 7, 2024), Artists Space, 2024. Photo: Carter Seddon. [Closeup view of two wooden box sculptures sitting side by side in a gallery. The box on the left is painted light yellow and has a pair of headphones hanging from its side; its lid is slightly ajar. The closed box on the right is covered completely in imitation gold leaf.] -
Trip to Artists Space to see Renee Gladman exhibition, 2023 -
Ei Arakawa. Social Muscle Rehab (early edit for exhibition), 2021. 5:19 minutes. With Dan Chen, Danielle A. Jackson, K.O. Nnamdie, Masako Shiba, Kenneth Teng, Ivanny Pagan, Britnie Williams. Camera by Lazar Bozic (Ortvi.com). Image courtesy Artists Space, New York. Photo: Filip Wolak [View of a florbound television screen and speaker next to a brown pole. The edge of a black net is visible on the left.] -
Renee Gladman: Narratives of Magnitude. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of four framed works displayed against a white wall. The drawings depict abstract compositions made up of colorful shapes and lines, and pencil strokes.] -
Michael Asher, Musée d'Art Contemporain de Montreal, Montreal, Canada, l'art conceptuel, une perspective, August 5–October 21, 1990. Art journals with advertisements for the exhibition placed by Michael Asher displayed in the museum’s bookstore. Photograph by Denis Farley. Michael Asher Archive, © Michael Asher Foundation. [Photograph of a white magazine stand with black trim. Along the top of the stand, four stacks of black-and-white journals rest on acrylic stands. A selection of art journals in a variety of shapes and colors sit along the stand's two rows.] -
Sherry Markovitz. Installation view. Artists Space, 1985. [One sculpted deer head is seen in the foreground with a paper mache design and a darker deer head sculpture is seen in the background with horns. Both are hung in a white-walled gallery space.] -
Amalle Dublon & Constantina Zavitsanos, Mach Zehnder Interferometer, 2018. [Detail view of an interferometer emitting a green light onto a white wall.] -
[A pink pamphlet with black text announcing "Artists Space Presents: PUTT-MODERNISM", an "artist created 18-hole fully playable minature golf course." There is an illustrated map showing the location of the event, and additional printed information on the location and hours.] -
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dissolving city, digital photographs, 2024 -
Installation view from International Projects: Belgium, featuring Didier Vermeiren, Artists Space, 1984 [A black and white image of a sculpture resembling a rectangular prism displayed in the exhibition space.] -
Clocking Out: Time Beyond Management. Installation view, Artists Space, 2023. Photo: Greg Carideo. [Photograph of a glass vitrine containing various archival time-banking ephemera.] -
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Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court [A crowd watches two figures in medical scrubs, facing each other on opposite sides of a table with wheels.] -
LIFE—a group show, curated by Arnold J. Kemp. Installation view, Artists Space, 2025. Photo: Carter Seddon [An assortment of artworks are seen in the large gallery space. On the left wall, a painting reading "NIGHTMARE" at a vertical angle with images of skulls, stars, and abstracted forms superimposed on top, as well as a framed painting to the right. In the center of the room is a gridded artwork with letters inside, a table behind displaying two ceramic works, and metal armatures with red, white, and blue wax candles spelling "LOVE." The space is divided by a row of columns with both framed and hung paintings behind.] -
Abasement #79. Performance documentation, August 11th, 2025, Artists Space. Photo: Joshua Wildman. [Two performers stand in the middle of a crowd, in a darkened basement. A red light casts a glow over the performers from their audio set-up in the middle of the room. ] -
DUOX: DUOX4Larkin. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [A brown object housed in a mirrored glass case. An inscription on the case's surface reads, "BRAINWASH 408-983-2800." The case itself is enclosed in a larger glass vitrine supported by a white and orange table.] -
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[A lamp pole, left of center, in an upward angled view of a sunny, cloud covered sky. The pole has a coiled wire running upward to a security camera mounted on its top.] -
[A pattern consisting of blue prints of delicate flowers repeats across a white surface. The image resembles wallpaper.] -
Traditions: Five Painters. Installation View, Artists Space, 1978. [Various paintings hang on the walls to the left and right.] -
Tom of Finland Untitled , 1967 Graphite on paper Tom of Finland Foundation, Permanent Collection [A man wearing only a leather jacket thrusts his pelvis forward as he ejaculates in front of seven enthusiastic men.] -
Pictures. Opening Reception, Artists Space, September 23, 1977. Photo: D. James Dee. [A black and white photograph of a crowded gallery space. In the background, several large black and white wall hangings are visible.] -
Donald Sultan. Installation view from John Mendelsohn and Donald Sultan. Artists Space, 1977. [A black and white photograph of a wall featuring twelve black and white photographs, arranged in a grid. The images on the wall are of various human figures.] -
El Nascimiento De La Tierra, Recirculation, Word-Up Community Book Store pop-up, May 2024 -
Laura Cottingham & The Anita Pallenberg Story. Installation view, Artists Space, 2017. Photo: Daniel Pérez. [An empty dim-lit room with chairs with a projection on the wall. The projection features a close-up image of a person with wavy brown hair covering their face, lying facedown on a fluffy white carpet.]
