-
Yellow. Performance view, Artists Space, 2008. [A woman is seated wearing a long, yellow dress with a full skirt that has extra fabric at the bottom. She is holding up soapsuds, which are dripping down onto the front of her skirt.] -
-
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. [Color photograph of a corner space in a gallery, below a staircase, that is bathed in red light. At the bottom of the stairs are a group of performers wearing conical costumes made of reflective one-way mirror film.] -
[White text overlays a color-scheme grid background. The text reads: “Nov 11 / Dior J. Stephens / Dawn Lundy Martin." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)] -
Traci Tullius, Some People Never Learn, 2001. [A figure with long brown hair wearing a gray sweater over a light pink and white button-down shirt clenches their eyes shut as a red ball hits their face.] -
Abasement #78. Performance documentation, June 16th, 2025, Artists Space. Photo: Joshua Wildman. [Color image of a performer on stage with a guitar. They are singing into a microphone, with another microphone facing the guitar. Japanese and English text are projected on the performer and the wall behind them. The performer is lit with orange-tinted lights, and white dots of light from a discoball decorate the wall.] -
Group Exhibition. Installation view, Artists Space, 1974. [A color installation photograph of a gallery space with a central opening. A black canvas hangs on the wall on the left, and several yellow sculptures are visible on the right.] -
[Black, lowecase text that reads, "edition hansjörg mayer."] -
-
Jolene Rickard, Leadership (detail), 1987. [A black and white photo of an antler.] -
Edin Velez, still from The Meaning of the Interval, 1987. Video (color, sound). [A distorted video still of a woman wearing pale makeup and lipstick. Her hair is carefully swept up and decorated with a hairpiece. A double of her image is positioned to her right. The background behind her displays several blurred kanji characters.] -
Abasement #75. Performance documentation, February 3rd, 2025, Artists Space. Photo: Joshua Wildman. [Color image of a performer sitting on a stage. Their right arm is reaching out to the side with their hand open, and their left arm is bent in towards their heart with a closed fist. They are wearing a white dress. Their hair and dress are tined by a green light. The wall and column in the background are patterned with multicolored abstract projections.] -
[Black text overlays a color-scheme grid background. The text reads: “Jan 20 / Bahaar Ahsan / Uche Nduka." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)] -
Ei Arakawa: WEWORK BABIES. Performance documentation, December 8, 2019, Artists Space. Photo © 2019 Paula Court. [A crowd of people standing outside in Cortlandt Alley surrounding several performers. The performers are mixed in with the crowd, holding metal poles, some looking at a baby doll which is photographed in midair after being thrown upwards.] -
Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. [A color photograph of a figure standing behind audio mixing equipment and a microphone in an orange-lit space. A crowd looks on.] -
rafa esparza: Camino. Installation view (110 North Bound, 2023; Jaime, 2023), Artists Space, 2023. Photo: Filip Wolak. [Color image of the corner of a gallery space. On the right side is a large adobe panel that rests on a steel armature. Painted onto the adobe is a portrait of a figure with a bicycle, and around the armature are adobe bricks laid out on the floor. On the lefthand wall is another adobe panel painting depicting the entrance into a freeway tunnel.] -
Installation view of Barbara Bloom's Solution. From Barbara Bloom, David Salle, Artists Space, 1976 [A group of people seated around a table in an empty room. In front of them are various cups and papers, they appear to be in deep thought.] -
Pictures. Opening Reception, Artists Space, September 23, 1977. Photo: D. James Dee. [A black and white photograph of two figures standing in front of a wall of framed silhouettes.] -
Marvin Torffield. Sesondo, 1974. Three coat plaster on wire lathe with nova ply and Masonite. Installation view, Artists Space, 1974. Credit: Marvin Torffield. [A color installation photograph of a figure in front of a curved white wall in a gallery space.] -
Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon. [Color image of a darkened gallery space with three sculptures. On the left, a pinhole projector wrapped in foam and bound with red string sits on a pedestal. It projects an image of an ornamental golden metal pin and four small pink and green strawberries onto the left wall. A golden egg sculpture sits on the floor in the corner of the gallery. To the right, another pinhole projector inside a plaid vinyl bag with straps sits on a pedestal. On the right wall, an image of a green square with a small crenellated metal opening to the upper left, is projected.] -
Dean Blunt, The Redeemer. [A cartoon outline of two hands pressed together.] -
Lukas Duwenhögger: Undoolay. Installation view, Artists Space, 2016. Photo credit: Jean Vong. [An off-white curtain hangs from a wooden four-poster bed frame. One side of the curtain is partially open, revealing a patterned chaise lounge and a framed image on a blue chain.] -
Clocking Out: Time Beyond Management. Installation view (Simon Gush, Clocking In, 2013), Artists Space, 2023. Photo: Greg Carideo. [Photograph of the hallway entrance into a basement gallery space. Along the left wall is a clock card machine and time card rack, vinyl text, and a pedestal with printed materials placed on top of it.] -
Enough Tiranny Recalled, 1972–2009. Installation view, Artists Space, 2009. Photo: Daniel Pérez. [A installation wide shot of a room with five silver columns. In the foreground, there is a rectangular pool filled with water with two spouts spraying water in fountains. A second pool built from wood is visible in the background. Between the two, there are various objects including a low-hanging disco ball, a vase with flowers, strands of string lights, and more. On the back wall, the word "TIRANNY" is handwritten in block letters, partially obscured by one of the columns. The room is lit by standing colorful lights with pink and blue tones.] -
Not yet titled, 2019
Clay, glaze, mixed media
7 x 12 x 17 inches (variable)
$5,000
[A green object with a processing chip embedded in its front sits on a white base. On top of the object sit a red potato with a wire attached, false teeth, and a telephone cord.] -
Jack Smith, Untitled (Plaster Foundation of Atlantis), 35mm slide, c. 1970. Copyright: Jack Smith Archive. Courtesy Gladstone Gallery, New York and Brussels. [An assortment of fake flowers, tinsel, a disfigured mannequin's leg, used tissues, empty whiskey bottles, and other festive detritus.] -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure dressed in white, laying on the floor of a dark room. The figure has one leg raised in the air, shining a light from their pelvic area onto the floor and wall across from them. A small TV monitor sits in the corner.] -
The Low Riders: Meridel Rubenstein. Postcard, Artists Space, 1981. [A black and white image of three individuals, one sitting inside a car and the others standing against it.] -
Selections from the Artists File. Installation view, Artists Space, 1989. [A photograph of two walls of a gallery space. On one, photographs hang in an uneven row. On the other, two sculptures protrude from the wall.] -
Nina in Position. Installation view, Artists Space, 2008. Photo: Bill Orcutt. [Two shelves and several artworks sit in a gallery space with wooden floors. To the right, there are two empty wooden bookshelves placed at right angles to one another. Above a bookshelf positioned against the gallery wall, there is text that reads "ARTISTS SPACE." To the left of the shelves is a figurine with rectangular torso, arms, and legs and a more naturalistic face made of a brown, clay-like material. Four small monitors are installed on the gallery wall behind the figurine, while a larger monitor rests on the gallery floor to the image's far left.] -
Poor Man's Expression - Technology, Experimental Film, Conceptual Art, edited by Martin Ebner and Florian Zeyfang, published by Sternberg Press, 2011. [A book cover design displaying an image of a series of triangular shapes of varying colors arranged in an abstract comoposition. Some of the triangles are semi-transparent and are overlaid over others. Large block lettering situated above and below the composition reads, "POOR MAN'S EXPRESSION Technology, Experimental Film, Conceptual Art."] -
Till They Listen: Bill Gunn Directs America. Installation view, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [An image of a dark room with two spotlights, one pointed at wall text, and the other at a wall projection and glass display case.] -
Installation View from Recent Art From Chicago, Artists Space, March 8, 1986 - April 5, 1986. [Cutouts seen placed in front of drawing on wall. Paintings and sculptures can be seen in the area around it in a gallery setting.] -
Milford Graves: Fundamental Frequency. Installation view (ephemera c. 1965-1987), Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak. [A color photograph of a vitrine containing ephemeral material, including pamphlets, photographs, and a blue flyer.] -
Krzysztof Wodiczko: Guidelines. Installation View, Artists Space, 1978. [An image is projected onto a white wall.] -
Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979. [Two photographs are mounted on a white gallery wall.] -
-
Salad Days. Installation view, Artists Space, 2004. [A white wall with orange and yellow lollipops arranged in lines. In front of the wall is a small television on a white plinth.] -
Abasement #75. Performance documentation, February 3rd, 2025, Artists Space. Photo: Joshua Wildman. [Color image of a performer on stage playing the electric guitar. A couple rows of audience members are visible in the bottom edge, with their backs facing the camera. The performer and the wall behind them are bathed in blue light. An image resembling a galaxy is projected on the wall.] -
Not yet titled, 2019
Clay, glaze, metal antenna
3 1/2 x 13 x 12 inches (variable)
$2,500
[A green object with a cracked, black surface sits on a white base. A metal antenna extends out on a diagonal.] -
Not yet titled, 2019
Clay, glaze, mixed media
12 x 13 x 5 inches (variable)
$5,000
[A brown and gold object stands on a white base. On the flat surface of the object sit an onion and a lemon, each connected to a wire. In the base of the object a processing chip is embedded. Under the lemon, a gold earring hangs down.] -
Devin Kenny, Stop following me/follow me, 2016. Photo: Daniel Pérez. [An angled view of the illuminated stage of a overhead projector. A red flashlight descends from the lamp onto a flat pile of objects including photographs, drawings, transparents material, and more.] -
-
[Dark blue text overlays red-pink background. The text reads: “March 25 / Ralph Lemon / Tracie Morris." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)] -
Friends of Artists Space Dinner 2024. Honoree LaToya Ruby Frazier. Photo: Joshua Wildman [LaToya Ruby Frazier smiles while seated at a dinner table, holding hands with someone whose body is out of frame. She wears an orange suit jacket, a purple collared shirt, and a pocket square bearing a print of various orange flowers.] -
Abstraction in Process. Installation view, Artists Space, March 26, 1987 - May 2, 1987. [intermezzo?] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [A figure in a blue morph suit kneels down on one knee, placing their hands on top of a table made of wood and fresnel lenses while audience members watch in the background.] -
Asia Negron, Untitled, 2018. [A photo of a crosswalk with a red car standing halfway in it, and a small puddle of water in the foreground.] -
Robert Gero, Untitled, 1989. Sandstone, salt, aluminum, 60 x 9 x 9 inches. [A rectangular column of rough, brown material is capped by a smooth cube of white stone.] -
Till They Listen: Bill Gunn Directs America. Installation view featuring various ephemera from Personal Problems, c. 1980, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A close up of a glass display case holding images and multiple booklets of text.] -
Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a corner of a gallery space. On the left wall are two black-and-white photographs, and on the right wall is a black-and-white silhouette of a figure smoking. In the corner, a television monitor sits on a shelf.] -
Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [Audio equipment is arranged in stacks across a desk.] -
-
Reenactment of Chris Burden's Shoot (Synthetic Performance in Second Life), 2007. Courtesy of Postmasters Gallery, New York. [A digital rendering of two people in a room with white walls. One avatar has long blonde hair and is pointing a gun at the other avatar, who stands up against the wall.] -
-
Not yet titled, 2019
Clay, glaze, metal antenna
3 1/2 x 13 x 12 inches (variable)
$3,500
[A multicolored object sits on a white base. A metal antenna extends out on a diagonal.] -
Abasement #76. Performance documentation, March 3rd, 2025, Artists Space. Photo: Joshua Wildman. [Close up color image of two performers on stage. In the center of the image a musician is sitting down playing the bass flute into a microphone. Out of focus in the background, another musician is playing the violin. The scene is tinted by yellow light.] -
Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure in a red sweater stands on stage, with three microphones placed around them. They hold a white conch shell in their hands, their mouth is open.] -
-
Oto Gillen, Daisy (Perry Street), March 19, 2023, 2023. Photo: Filip Wolak. [Color image of a large print of a close-up photograph of a fake daisy, with white woven petals and a yellow center.] -
-
Viv Latta, Fresh Air, digital photograph, 2020 [Black and white photograph of a city street: a man stands, holding a lit cigarette in his mouth. He is flanked on one side by a staircase and on the other by a portable toilet. A large truck is parked behind him with its headlights on.] -
Danh Vo, Chevrolet Suburban, 2010, Digital C-print, 16 x 24 in / 40,6 x 61 cm Photo, credit: Thomas Cato Signed and numbered sales receipt. [A close-up photo of the front grille of a car, depicting the bottom half of the Chevrolet logo and a section of the front metal grille. Several bugs are visible, dead and stuck to the grille.] -
Richard Aldrich, Untitled, 2022. Photo: Filip Wolak. [Color image of an abstract oil and wax work on panel, featuring various layers of light blue, green, yellow, and red swatches of paint, done in geometric shapes.] -
[Black text on an orange background. The text reads: “Nov 16 / Jee Leong Koh / Thaddeus Rutkowski.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
35 Artists Return to Artists Space. Installation view, Artists Space, 1981. [Sculptural and painted works appear in a white-walled gallery space.] -
Holly Morse, Bringing Home the Bacon, 1989. Oil on linen, 24 x 24 inches. [A slice of bacon on a red background, with the words "bringing home the B." spiraling on top of it in black text.] -
Gary Burnley, Martin Cohen, Candace Hill-Montgomery, Louis Stein, and Haim Steinbach. Contact sheet of photos from exhibition opening, Artists Space, 1979. Photos by Gary Burnley. [Contact sheet of installation images taken during exhibition opening.] -
Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [Two figures perform next to each other on stage. One stands, hands out, singing in front of a microphone. The other sits down, playing the guitar.] -
David Winter. Selections for the Artists File, installation view, Artists Space, 1986. [A number of wooden block constructions appear together in various forms in an installation in a gallery space with framed works on the wall behind them.] -
Hito Steyerl, Liquidity, Inc., 2014 HD video with sound, 30 mins. Courtesy the artist and Andrew Kreps, New York. Installation view from Hito Steyerl, Artists Space, 2015 [An angled view of a large video monitor screen positioned on the ground behind a collumn. The room is tinted blue. Three pairs of pipe-frame panels visible in the front and both sides of the screen, which projects a video-still of a composited frame that includes computer generated images of the ocean.] -
Mike Kelley, Untitled, 1992, Beech wood paddle with screen print and leather strap, 23 1/4 in x 6 in x 3/4 in / 59.1 cm x 15.2 cm x 1.9 cm, Edition of 50. [The image shows a wooden paddle with the preamble for the U.S. Constitution reproduced on it. It says, "We the People of the United States, in Order to form a more perfect Union, establish Justice, insure domestic Tranquility, provide for the common defence, promote the general Welfare, and secure the Blessings of Liberty to ourselves and our Posterity, do ordain and establish this Constitution for the United States of America."] -
[Close up image of a series of black shelves mounted to a white wall. Various wooden blocks painted with scenes of crowds, witches, and other characters are placed on the shelves, alongside smaller blocks decorated with white letters that spell out words including "stooge," "atheist," and "traitor." At the center of the shelves sits a black figurine of a goat.] -
Jack Smith: Art Crust of Spiritual Oasis. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [An angled view of a display case containing several framed drawings. To the left of the display case, three vintage television sets rest a white support and play video footage. Framed documents and photographs hang along the back wall on either side of a doorway.] -
Friends of Artists Space Dinner, 2023. Photo: Destiny Mata. [Color image of two individuals smiling jovially towards the camera. A dimly lit interior space with red flocking on the walls can be seen in the background.] -
Shala Miller, Genesis. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color documentation image of Shala Miller's Genesis, 2023. Three monochrome projection panels float equidistantly in a dark room, with vinyls on blacks walls.] -
-
Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Malcolm Peacock, How to address the full capacity of our will, 2023), Artists Space, 2023. Photo: Filip Wolak. [A gallery space with a wooden camper structure placed in the left corner. Two wooden ramps lead to the front and side of the structure. A freedstanding walls juts out from the right wall. A white projector hangs from the ceiling on the right side of the space.] -
[Divided into two section, left featuring an upside-down dot matrix of the Empire State Building. At the top, handwritten text reads, "Decolonization is **not** a metaphor. Triangulation of indigenous struggle, black liberation, and a free Palestine produce a re-arrangement of relationshps that make empire look like this." Below reads, "Black Lives Matter." The left section contains a bright yellow back ground, red illustration, and black text that reads, "PALESTINE, BLM & BOYCOTT IN THE ARTS," and arabic text below.] -
John Mendelsohn and Donald Sultan, Installation view, Artists Space, 1977. [A photograph of a rectangular, abstract black-and-white work mounted on a white wall. The pattern resembles a geometric face on a checkerboard.] -
Four Scottish Artists. Installation view, Artists Space, 1979. [An illustration of a row of figures holding bagpipes on either side of a large grey square.] -
Andre Cadere, 11 December, 1976, David Ebony Gallery, New York, 13.00 to 17.30, Photograph by Gianfranco Gorgoni Digital print Image size: 10 x 8 in / 25,4 x 20,3 cm Paper size: 11 x 8 in / 27,9 x 21,6 cm Signed and numbered certificate [Black and white photo of Andre Cadere holding a striped stick over one shoulder and crossing the street in New York City.] -
Cover of Christopher D'Arcangelo, Kunstverein Publishing and Artists Space. Photo: Cathy Weiner. [Scan of the cover and back cover of a book. On the front cover, black text on a white background reads "Christopher D'Arcangelo." The back cover features a black-and-white photograph of a figure doing a headstand, their back facing the viewer. The figure is shirtless, exposing black text written on their skin.] -
-
Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of the Hamdan vs. Rumsfield Supreme Court Case.] -
7th Grade students from M.S. 324 meeting online to present their El Ábol de la Familia collage projects, 2020 [A screenshot of a video call. Several students are smiling while holding up artwork that depicts their respective family trees. The art varies in size, shape, and medium.] -
Liberalism at Large: The World According to the Economist, by Alexander Zevin, published by Verso Books, 2019. [A digital image of a red book title, overlaid several times on top of itself. A world map centered on the Atlantic ocean is visible in orange beneath the title.] -
The Library Vaccine. Installation view, Artists Space, 2014. [An angled view of a room with a set of two tables and chairs, books resting on the tables, in the center. On the back wall hangs a banner in red painted text, reads "...Pessimism of the intellect, Optimism of the will... Gramsci." On the right adjacent wall, text covers the whole height, the title reading, "Vigilance:"] -
The New Normal. Installation view, Artists Space, 2008. [An image of an exhibition space consisting of a mock up bedroom, a bed, table, chair, lamp, television, microwave, and coffee maker sit on a large beige rug.] -
Karl Holmqvist, oxoxbox, 2012, Bespoke archival box wrapped in cotton book cloth with silkscreen, 24 1/2 x 20 1/2 x 1 1/2 inches, Signed and numbered certificate [An all-over black and white pattern of "oxox"] -
LIFE—a group show, curated by Arnold J. Kemp. Installation view (Catherine Sullivan in collaboration with George Lewis and Sean Griffin, Afterword via Fantasia, 2015; Nick Raffel, No title, 2025), Artists Space, 2025. Photo: Carter Seddon [On the left gallery wall is a sheet of paper listing the credits of Catherine Sullivan's film "Afterword Via Fantasia." On the right gallery wall is a still image from this film featuring Pope L wearing a suit.] -
Carolyn Lazard: Two-way. Installation view, Artists Space, 2025. Photo: Greg Carideo. [A brightly painted red wall with the phrase “TWO-WAY” centered in large white text. The floor in front of the wall, and to the side is covered in a pattern of light blue linoleum tiles. Brown columns stretch into the darkness behind the wall.] -
-
Shala Miller performs Genesis: Medley at Artists Space, co-presented with Frieze New York 2023. Performance documentation, May 19th. Photo by Vanessa Diaz/CKA. Courtesy of Frieze. [Color photograph of the center of a gallery room, in which performers are seated in wooden chairs around the center, alongside three hanging screens that project a video still of a figure's face against a dark background. All around the room, audience members sit on the floor or stand.] -
Jordan Kantor, Untitled (Pasolini), 2004. Oil on canvas, 52 x 96 inches. Courtesy the artist. [A black and white oil painting depicting a person lying facedown on asphalt.] -
Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman. [A close-up image of a musician surrounded by three microphones is sitting on the floor playing the violin. Three other violins lay on the stage before her. Abstract images are projected onto the back.] -
Min Joong Art. Installation view, Artists Space, 1988. [A photograph of building facades in Manhattan. Hanging on the central facade is a piece of white fabric the length of two stories. On the white fabric, there is a gestural painting of in a figure grapsing another figure from behind. Below them is a line of text in Korean.] -
Abasement #75. Performance documentation, February 3rd, 2025, Artists Space. Photo: Joshua Wildman. [Color image of a performer and a small white tent on a stage. The performer is on the left, wearing all white, with a bouquet of flowers in their hand and a stick of insense in their mouth. On the right side of the stage, the tent is lit up with multicolored projections. The top of the tent is decorated with colorful stars. The walls in the background, as well as the audience in the foreground, are lit by patterned projections and blue lights.] -
rafa esparza: Camino. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color image of a gallery space. Along the lefthand wall are two adobe panel paintings, each depicting different parts of a freeway. In the middle of the space is a pile of freeway rubble on which sits a sculpture of a bird. Along the right side of the room are adobe bricks laid out on the floor, along with steel armatures that hold adobe panels.] -
ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A view of multiple works displayed in a multilevel gallery space. An old tv monitor, a coffee machine, and an artificial seagull are placed near a yellow boombox sitting on a black rug. Beside the boombox is a large image of a group of individuals in a defaced bedroom.] -
Pictures. Installation view, Artists Space, 1977. Photo: D. James Dee. [A black and white installation photograph of a gallery space. Several large framed pieces hang on the left and right walls.] -
Reinventado, Word Up Community Bookshop and MS 324 students, 2019 [An exhibition view of various artworks. Several stylized portraits hang on the right; in the middle, a large didactic titled "REINVENTADO." On the left, several small photos of students in a classroom hang underneath a red-white-and blue airplane suspended from the ceiling] -
Eating Friends. Installation view, Artists Space, 1982. Photo courtesy of Anne Turyn. [Four lined up rectangular panels jutting out from the gallery walls.] -
[Several students listen to a woman speaking, while standing in an exhibition space. Several materials are arranged in a vatrine and several framed artworks hang on the opposite wall. Behind the students are large open windows opening to a cityscape, and one of the windows has the word "PRINT" in large back letters] -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure wearing a conical sheath of reflective one-way mirror film. They stand in the corner of a dark room, shining a bright light against the wall behind them. Their silhouette can be vaguely seen under the mirror film.] -
I Thought I Had Time. Installation view, Artists Space, 1992. [Close up image of a rectangular panel installed on a white wall. The canvas is covered in color block washes of black, gray, and white paint. Left-aligned, serif text positioned at the upper half of the canvas reads, "she said it's gone too far. I thought I had time. / I thought I had more time. / Room 409 / Memorial Sloan-Kettering / 1990 A.D."] -
Metaphysical Visions. Installation view, Artists Space, 1989. [An abstract sculpture made of sticks, cords, and a textile sits in the center of a gallery space. Three large paintings hang on the walls around it, all blending abstract, painterly designs with latin text.] -
Joseph Hilton, Beside the Sleeping Guards (of Cairo) Day and Night, 1986. [A diptych drawing of one figure sitting cross-legged on the left and another figure lying down next to flowers in a vase depicted on the right.] -
Jutta Koether, xxapollo. Performance documentation, Artists Space, January 5, 2020. Photo © Paula Court. [A person dressed in all pink holds a colorful heart-shaped canvas in her right hand while extending her left arm in the air. She is surrounded by rapt audience, who carefully track her movements.] -
SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a TV screen playing blue-tinted video footage of the performance with a fresnel lens placed in front of the screen, distorting the image.] -
Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak. [Closeup view of three small framed works on paper hanging on a white gallery wall. The works feature detailed, abstract calligraphic strokes in black, orange, and chartreuse.] -
Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a gallery space. Various musical instruments and audio devices are placed around the middle of the room, photographs and vitrines hang on the walls, and various television monitors are placed along the sides of the room.] -
Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt. [A flower arrangement consisting of white flowers and green leaves displayed on a slated, wooden floor. The arrangement is shaped such that it forms a lowercase, italicized letter "a."] -
[Black text on a grey background. The text reads: “Jan 17 / Cody-Rose Clevidence / Marcella Durand.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
-
Matthew Langan-Peck. Installation view, Au feu rouge, Edouard Montassut, 2024 [Color image of a white gallery space, with three large boxes placed throughout. On the left, one side of a box is shown with a painted landscape of green hills against a blue sky, and a black fence in front of it. In the background, another wooden box is painted with a dark finish, and a pair of headphones are hung on the box. In the foreground, to the right of the room, sits a beige box.] -
[White text overlays a green and pink marbled background. The text reads: “April 1 / Fiel Guhit / Tianyi Sun." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
Richard Klauber. Small Black Painting, 1975. Installation view, Ruth Hardinger, Richard Klauber, Artists Space, 1975. [A color installation photograph of a black and white abstract painting on a white wall.] -
Frank Ripploh, still from Taxi zum Klo, 1981. 95min. [A man sits partially undressed on a toilet, holding a red notebook while peering through a hole in the tile wall.] -
Apartment Show: If the dogs are barking. Installation view, Artists Space, 2009. [A ceramic figure of a headless gray dog sits on the top of a shining metal barrel in an open gallery space. A garland of sausages connected to the ceramic dog drapes over the sides of the barrel. A wooden chair sits behind and to the right of the barrel. Many paintings, drawings, photographs, and posters hang on the gallery walls.] -
[White Xs on an orange background forming an image of 'K.] -
Jack Smith, still from Song for Rent, 1969. 16mm, (sound, color), 8 minutes. [The profile of a person with orange hair wearing heavy makeup.] -
Traditions: Five Painters. Installation View, Artists Space, 1978. [Various paintings hang on the walls as guests enjoy the exhibition opening.] -
[A digitally-produced image featuring a series of translucent, yellow forms that resemble topographical renderings superimposed over a series of white grids.] -
Abasement #79. Performance documentation, August 11th, 2025, Artists Space. Photo: Joshua Wildman. [A performer sits behind a white desk, on top of which are piled various audio equipment. ] -
Yasunao Tone: Region of Paramedia. Installation view (Instrument for Aleitheia, 1987), Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a piano. Six solenoids are placed along the piano's strings.] -
Deven Golden. Drawing for Death of Pompey, 1986. [A drawing with seven figures without appendages where six of them are carry a large figure and one follow behind. The outline of an urban landscape is visible behind them.] -
Alaa, Nature Dress, 2022, acrylic on paper -
Chang Yuchen, Coral Dictionary Vol.1: 2019-2022, 2022. Published by Gong Press, 2023. [A color image of a hand holding up a small blue book, in front of a solid grey background. White handwritten text is overlayed the image, the text reads: "Coral Dictionary Vol.1: 2019-2022 / book launch and performance / April 28 2023 / 8pm / Artists Space / 11 Cortlandt Alley / Published by Gong Press.] -
Abasement #76. Performance documentation, March 3rd, 2025, Artists Space. Photo: Joshua Wildman. [Color image of a performer on stage playing the cello. They are facing sideways to the audience, wearing sunglasses and a purple jacket. To their side there is a collection of audio equipment, as well as a music stand and a speaker. The audience is sitting down facing the stage. The room is dark, except for a projected image of a disco ball on the back wall.] -
Not yet titled, 2019
Clay, glaze, metal antenna
3 1/2 x 13 x 12 inches (variable)
$2,500
[A pink object with a white, cracked surface sits on a white base. A flat green surface is attached to the left side, and a metal antenna extends out on a diagonal.] -
Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court [Two figures wearing medical scrubs move a table with wheels, on which a mannequin lies.] -
-
Nina in Position. Installation view, Artists Space, 2008. Photo: Bill Orcutt. [A series of sculptures in a large gallery space with wooden floors. In the center of the image, a dark sculpture forming an hourglass shape rests on a white plinth, while three potted ferns rest on another, low plinth to the right. A long chain with white appendages hangs from the gallery ceiling.] -
Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure reads into a microphone, glancing at their phone.] -
Marian Zazeela, 19 XI 66/2, 1966, India ink on card. Courtesy of the artist. [Black-and-white drawing of a cluster of black curled lines organized into a square shape in the middle of a white page. Handwritten text in faint pencil along the bottom of the page reads "© Marian Zazeela 1988."] -
Clocking Out: Time Beyond Management. Installation view (Simon Gush, Sunday Light, 2013 / Without Light, 2016; Victor Masayesva Jr., Itam Hakim, Hopiit. 1984; ektor garcia, portal DF/SF, 2021; ektor garcia, textile bronceado, 2023), Artists Space, 2023. Photo: Greg Carideo. [Photograph of a corner of a basement gallery space with large columns along the back. Behind the columns are benches placed in front of video displays. On the right is a CRT TV monitor, and to the left is a projected video.] -
Cave of Animals: Cave of the Future, site recording, 2024 -
Adjua Gargi Nzinga Greaves, Autotelemachy, 2017. Collage, 59 x 68 inches. Photo: Filip Wolak [A collage of eucalyptus sprigs, other plants, and human figures attached to a framed map.] -
Drake Carr: Housecalls. Installation view, Artists Space at the Armory Show, 2023. Photo: Filip Wolak. [Color image of a booth at an art fair. At the center of the image, there is a white wall with three works made out of cut-out panel. The one on the left is cut in the shape of curtains, which are yellow with pink ruffles. The work in the center is a male-presenting figure with one hand above its head, and the other one in its pocket. It's wearing a white jacket, black shorts, pink tights, and black shoes. The work on the right is a woman-presenting figure, with short blond hair. It has its arms crossed over the chest, and is dramatically looking up. It's wearing a black suit and a single red glove.] -
[Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 6 / Tilghman Goldsborough / Holly Melgard.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
Abstruction. Installation view, Artists Space, 2003. [Several artworks installed in a large gallery space with white walls and wooden flooring. A television monitor rests on a low acrylic box on the floor to the room's right side. A warped purple and pink image resembling a kaleidoscopic star shape is displayed on its screen. There are white columns to the left of the monitor. Hanging on a gallery wall on the image's far left side is a large piece of translucent, white cloth embroidered with amorphous red and blue linework. The far gallery wall behind the twinned columns has been painted with slanted, striped areas of peach, yellow, and ochre color.] -
-
[Black text on a grey background. The text reads: “Dec 13 / Michael Gottlieb / Susan Landers.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
[Black and white photograph of Jean Fisher looking to the right.] -
Artists Draw. Installation view, Artists Space, 1979. [Four drawings are hung in a row on a white wall. The leftmost drawing shows two women sitting in a living room. The next shows a figure holding their head in their hands. The next depicts two men sitting at a table. The drawing on the far right depicts a man and a woman looking out a window through window blinds.] -
-
-
Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A grid of photographs displaying candid portraiture is arranged in a white frame.] -
Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979. [A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.] -
Samuel Steward [A slightly grainy image of a man standing shirtless with his arms crossed. He has a large, floral tattoo spanning from shoulder to shoulder across his chest, and a cigarette in his mouth.] -
Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [Portrait of a figure in a blue shirt looking into the camera.] -
-
Video from Sidi El Asphalt's Mulid. Dir. Wael Shawky. 2003. [Two figures' faces positioned close to one another. The woman on the left looks away from the camera, while the man on the right closes his eyes and opens his mouth. The image is blurred, as though the figures are in motion.] -
-
-
-
-
-
New Economy. Installation view, Artists Space, 2007. [In the foreground of the installation view is a corridor wall with a large black and white drawing of farm architecture and in the background are monitor based works as well as sculptures of a skateboard on a pedestal and red crates of cola bottles.] -
[Black, typed text that reads, " Everything is About to Happen: An ongoing archive of artists’ books selected by Gregorio Magnani."] -
Everything is common. Installation view, Artists Space, 2022. Photo: Steven Cottingham. [A color photograph of a gallery space with several columns. In between two columns, a large fabric work is stretched with an image of cows lying on the ground. To the right, in between two other columns, a painting on fabric that depicts two people on a green background is hanging. Further in the background, a painting is visible hanging on the wall. In the foreground, one board from a cornhole set is resting on the floor.] -
-
Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez. [Two large, orange slug sculptures forming a circular ring shape around separate cast iron columns suspended by black elastic chords in a white walled gallery space with a square painting in the background.] -
Passages from People Who Led to My Plays. Performance documentation, March 1, 2020, Artists Space. Photo ©️ 2020 Paula Court. [A figure sits in a dimly lit corner in profile, gazing forward. They flip through pages of a script displayed in front of them. An open laptop sits to their left.] -
Hiroshi Araki, still from Mechanic and Angel, 1990. [Black and white photograph of a doll lying on a wooden surface. To the left of the doll, white text on a metal surface reads, "GOD POWER." A cross is situated between the two words.] -
Lizbeth Marano. Third Circle, 1985. [Circular bricolage sculpture in a white-walled gallery space.] -
[Black and white image of an unmade bed under a wall covered with small images of people and idols.] -
[An older man in a white collared shirt, pink tie, and black vest leans against a shining countertop—perhaps a bar—with both hands. A restaurant interior and fishtank gleam behind him.] -
-
Reinventado, exhibition at Word Up Community Bookshop, 2018 [An exhibition view of various artworks. Several stylized portraits hang on the right; in the middle, a large didactic titled "REINVENTADO." On the left, several small photos of students in a classroom hang underneath a red-white-and blue airplane suspended from the ceiling] -
[A graph showing a typical stock price increasing in value, digitally manipulated to show it going back in time and continuing to increase, once above a certain threshold.] -
-
Porcelain Lenin figures from DADALENIN Limited Special Edition, 2013. [Black busts of Vladimir Lenin arranged in a grid formation on a table.] -
Lukas Duwenhögger: Undoolay. Installation view, Artists Space, 2016. Photo credit: Jean Vong. [Two paintings and several sculptural elements are installed in a corner. The paintings, one in an oval frame and the other rectangular, have figurative subjects of humans and animals. A whimsical end table is illuminated by a light fixture shaped like a flowering plant whose stem extends from a patterned curtain hung against the wall.] -
We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [Four upright bags with images on them sit on two different leveled shelves on a white gallery wall.] -
Poster for the original production of The Owl Answers at The White Barn Theatre in Westport, Connecticut, 1965. Courtesy the Harry Ransom Archives at UT Austin, Texas. [A light pink paper with black typeface announcing the premiere of two plays, AM by Otis Bigelow and The Owl Answers by Adrienne Kennedy. Other printed information includes the time, date and location of the show, the board of directors, and the director.] -
Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A purple square on a white wall with various photographic media displayed.] -
Gary Falk, Brigid Kennedy, Ladd Kessler, Peggy Yunque. Installation view, Artists Space, 1981. [A dim photograph of mulitple sculptures placed in the exhibtion space. A couple of black curtains are hung in the gallery.] -
Installation view from International Projects: Belgium, featuring Didier Vermeiren, Artists Space, 1984 [A black and white image of a sculpture resembling a rectangular prism displayed in the exhibition space.]
