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  • A projected image on a standing screen shows a bumper-to-bumper view of two shiny silver cars with a third car in the background.
    A projected image on a standing screen shows a bumper-to-bumper view of two shiny silver cars with a third car in the background.
    Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A projected image on a standing screen shows a bumper-to-bumper view of two shiny silver cars with a third car in the background.]
    Caption Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description A projected image on a standing screen shows a bumper-to-bumper view of two shiny silver cars with a third car in the background.
    Year 2010
    Related pages Duncan Campbell: Make It New John
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    Year
    Related pages Support
  • Color photograph of a figure in a red suit performing in a darkly lit room with LED light sculptures in the background. The figure holds their left hand out in a gesture, and with their right hand holds a mask in front of their face.
    Color photograph of a figure in a red suit performing in a darkly lit room with LED light sculptures in the background. The figure holds their left hand out in a gesture, and with their right hand holds a mask in front of their face.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a figure in a red suit performing in a darkly lit room with LED light sculptures in the background. The figure holds their left hand out in a gesture, and with their right hand holds a mask in front of their face.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of a figure in a red suit performing in a darkly lit room with LED light sculptures in the background. The figure holds their left hand out in a gesture, and with their right hand holds a mask in front of their face.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
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    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • Color image of a gallery space with large panels of adobe with paintings of various figures on them. Adobe bricks are laid out on the floor to create a small walkway.
    Color image of a gallery space with large panels of adobe with paintings of various figures on them. Adobe bricks are laid out on the floor to create a small walkway.
    rafa esparza: Camino. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color image of a gallery space with large panels of adobe with paintings of various figures on them. Adobe bricks are laid out on the floor to create a small walkway.]
    Caption rafa esparza: Camino. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color image of a gallery space with large panels of adobe with paintings of various figures on them. Adobe bricks are laid out on the floor to create a small walkway.
    Year
    Related pages rafa esparza: Camino
  • A side view of a large video monitor screen, sitting on the ground, with a large ramp extending from the base including large pillows for seating. The room is tinted blue. On the screen, there is a man in a mask, infront of a map of Europe and Eastern Asia. A text bubble is infront of him that reads,
    A side view of a large video monitor screen, sitting on the ground, with a large ramp extending from the base including large pillows for seating. The room is tinted blue. On the screen, there is a man in a mask, infront of a map of Europe and Eastern Asia. A text bubble is infront of him that reads,
    Hito Steyerl, Liquidity, Inc., 2014. HD video with sound, 30 mins. Courtesy the artist and Andrew Kreps, New York. [A side view of a large video monitor screen, sitting on the ground, with a large ramp extending from the base including large pillows for seating. The room is tinted blue. On the screen, there is a man in a mask, infront of a map of Europe and Eastern Asia. A text bubble is infront of him that reads, "because huge quantities of data are raining down from their cloud storage over Scandinavia."]
    Caption Hito Steyerl, Liquidity, Inc., 2014. HD video with sound, 30 mins. Courtesy the artist and Andrew Kreps, New York.
    Image description A side view of a large video monitor screen, sitting on the ground, with a large ramp extending from the base including large pillows for seating. The room is tinted blue. On the screen, there is a man in a mask, infront of a map of Europe and Eastern Asia. A text bubble is infront of him that reads, "because huge quantities of data are raining down from their cloud storage over Scandinavia."
    Year 2014
    Related pages Hito Steyerl
  • White text overlays a color-scheme grid background. The text reads: “Nov 11 / Dior J. Stephens / Dawn Lundy Martin.
    White text overlays a color-scheme grid background. The text reads: “Nov 11 / Dior J. Stephens / Dawn Lundy Martin.
    [White text overlays a color-scheme grid background. The text reads: “Nov 11 / Dior J. Stephens / Dawn Lundy Martin." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description White text overlays a color-scheme grid background. The text reads: “Nov 11 / Dior J. Stephens / Dawn Lundy Martin." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year
    Related pages Segue Reading Series: Dior J. Stephens & Dawn Lundy Martin
  • Color image of an individual seated at a table with a variety of musical and electronic equipment and gear in front of him. The individual stares with focus at a computer screen, which illuminates his face in the darkened performance space. A variety of guests can been seen seated all around the musician's work table.
    Color image of an individual seated at a table with a variety of musical and electronic equipment and gear in front of him. The individual stares with focus at a computer screen, which illuminates his face in the darkened performance space. A variety of guests can been seen seated all around the musician's work table.
    Abasement #63. Performance documentation, July 17, 2023, Artists Space. Photo: Joshua Wildman. [Color image of an individual seated at a table with a variety of musical and electronic equipment and gear in front of him. The individual stares with focus at a computer screen, which illuminates his face in the darkened performance space. A variety of guests can been seen seated all around the musician's work table.]
    Caption Abasement #63. Performance documentation, July 17, 2023, Artists Space. Photo: Joshua Wildman.
    Image description Color image of an individual seated at a table with a variety of musical and electronic equipment and gear in front of him. The individual stares with focus at a computer screen, which illuminates his face in the darkened performance space. A variety of guests can been seen seated all around the musician's work table.
    Year
    Related pages Abasement #63
  • An oblique plan drawing of an exhibition layout.
    An oblique plan drawing of an exhibition layout.
    Seth Weinhardt, Immanent Madness Exhibition Layout, Artists Space [An oblique plan drawing of an exhibition layout.]
    Caption Seth Weinhardt, Immanent Madness Exhibition Layout, Artists Space
    Image description An oblique plan drawing of an exhibition layout.
    Year
    Related pages Immanent Madness
  • White text on a black screen reads: “An additional interpreter was needed to translate my father’s Korean into English.”
    White text on a black screen reads: “An additional interpreter was needed to translate my father’s Korean into English.”
    Caroline Key. Still from Speech Memory, 2007. 16mm film on video, color, sound; 23 minutes. Courtesy the artist. [White text on a black screen reads: “An additional interpreter was needed to translate my father’s Korean into English.”]
    Caption Caroline Key. Still from Speech Memory, 2007. 16mm film on video, color, sound; 23 minutes. Courtesy the artist.
    Image description White text on a black screen reads: “An additional interpreter was needed to translate my father’s Korean into English.”
    Year 2007
    Related pages Whitney ISP Archive
  • Detail view of the smaller display case, looking through a narrow glass window. Five mugs are stacked in a corner, and a short pipe curls around the center of the case. A black-and-white image of a shirtless man wearing ripped jeans and boots is printed on the surface.
    Detail view of the smaller display case, looking through a narrow glass window. Five mugs are stacked in a corner, and a short pipe curls around the center of the case. A black-and-white image of a shirtless man wearing ripped jeans and boots is printed on the surface.
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Detail view of the smaller display case, looking through a narrow glass window. Five mugs are stacked in a corner, and a short pipe curls around the center of the case. A black-and-white image of a shirtless man wearing ripped jeans and boots is printed on the surface.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Detail view of the smaller display case, looking through a narrow glass window. Five mugs are stacked in a corner, and a short pipe curls around the center of the case. A black-and-white image of a shirtless man wearing ripped jeans and boots is printed on the surface.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • A photo of the bookstore at 55 Walker Street - the front half is a bookstore, while the back half is an empty exhibition/performance space. Both have white walls and a light wood floor. They are divided by a temporary wall with a large doorway, which leaves a large gap between the top of the temporary wall and the ceiling. The back half is empty, with windows letting in light on the furthest wall. The front half has bookshelves adorning the walls, with a lower shelf to keep some books on display. A red pipe runs floor-to-ceiling between two columns of shelves.
    A photo of the bookstore at 55 Walker Street - the front half is a bookstore, while the back half is an empty exhibition/performance space. Both have white walls and a light wood floor. They are divided by a temporary wall with a large doorway, which leaves a large gap between the top of the temporary wall and the ceiling. The back half is empty, with windows letting in light on the furthest wall. The front half has bookshelves adorning the walls, with a lower shelf to keep some books on display. A red pipe runs floor-to-ceiling between two columns of shelves.
    Bookstore at 55 Walker Street. [A photo of the bookstore at 55 Walker Street - the front half is a bookstore, while the back half is an empty exhibition/performance space. Both have white walls and a light wood floor. They are divided by a temporary wall with a large doorway, which leaves a large gap between the top of the temporary wall and the ceiling. The back half is empty, with windows letting in light on the furthest wall. The front half has bookshelves adorning the walls, with a lower shelf to keep some books on display. A red pipe runs floor-to-ceiling between two columns of shelves.]
    Caption Bookstore at 55 Walker Street.
    Image description A photo of the bookstore at 55 Walker Street - the front half is a bookstore, while the back half is an empty exhibition/performance space. Both have white walls and a light wood floor. They are divided by a temporary wall with a large doorway, which leaves a large gap between the top of the temporary wall and the ceiling. The back half is empty, with windows letting in light on the furthest wall. The front half has bookshelves adorning the walls, with a lower shelf to keep some books on display. A red pipe runs floor-to-ceiling between two columns of shelves.
    Year 2018
    Related pages Bookstore
  • Color image of the entrance into a gallery space. A blue wall juts out to create a small entrance on the righthand side. Along the floor is a walkway made of plywood. In the center of the room is a projected video onto the floor.
    Color image of the entrance into a gallery space. A blue wall juts out to create a small entrance on the righthand side. Along the floor is a walkway made of plywood. In the center of the room is a projected video onto the floor.
    Crystal Z Campbell: Ode to the Underloved. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color image of the entrance into a gallery space. A blue wall juts out to create a small entrance on the righthand side. Along the floor is a walkway made of plywood. In the center of the room is a projected video onto the floor.]
    Caption Crystal Z Campbell: Ode to the Underloved. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color image of the entrance into a gallery space. A blue wall juts out to create a small entrance on the righthand side. Along the floor is a walkway made of plywood. In the center of the room is a projected video onto the floor.
    Year
    Related pages Crystal Z Campbell
  • A flyer for Slideshow/Cloakroom at Artists Space featuring information about the event in black text. At the bottom there is a line drawing of a hanger with decibel readings within it.
    A flyer for Slideshow/Cloakroom at Artists Space featuring information about the event in black text. At the bottom there is a line drawing of a hanger with decibel readings within it.
    [A flyer for Slideshow/Cloakroom at Artists Space featuring information about the event in black text. At the bottom there is a line drawing of a hanger with decibel readings within it.]
    Caption
    Image description A flyer for Slideshow/Cloakroom at Artists Space featuring information about the event in black text. At the bottom there is a line drawing of a hanger with decibel readings within it.
    Year 2009
    Related pages Slideshow/Cloakroom with Pierre Leguillon
  • Close up of two figures standing before a set of music stands, their hands turning the pages of a script. They gaze at each other while the figure on the right speaks, their arm raised towards their chest in a small gesture. This figure wears glasses and an elaborate, gold and black collar piece.
    Close up of two figures standing before a set of music stands, their hands turning the pages of a script. They gaze at each other while the figure on the right speaks, their arm raised towards their chest in a small gesture. This figure wears glasses and an elaborate, gold and black collar piece.
    The Owl Answers. Performance documentation, February 29, 2020, Artists Space. Photo ©️ 2020 Filip Wolak. [Close up of two figures standing before a set of music stands, their hands turning the pages of a script. They gaze at each other while the figure on the right speaks, their arm raised towards their chest in a small gesture. This figure wears glasses and an elaborate, gold and black collar piece.]
    Caption The Owl Answers. Performance documentation, February 29, 2020, Artists Space. Photo ©️ 2020 Filip Wolak.
    Image description Close up of two figures standing before a set of music stands, their hands turning the pages of a script. They gaze at each other while the figure on the right speaks, their arm raised towards their chest in a small gesture. This figure wears glasses and an elaborate, gold and black collar piece.
    Year 2020
    Related pages The Owl Answers
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  • A black-and-white photo of a woman wearing a large black hat, holding her hand loosely to her neck, against a black background.
    A black-and-white photo of a woman wearing a large black hat, holding her hand loosely to her neck, against a black background.
    Still from Werner Schroeter, Maria Callas Portrait, 1968 [A black-and-white photo of a woman wearing a large black hat, holding her hand loosely to her neck, against a black background.]
    Caption Still from Werner Schroeter, Maria Callas Portrait, 1968
    Image description A black-and-white photo of a woman wearing a large black hat, holding her hand loosely to her neck, against a black background.
    Year 1968
    Related pages Raúl de Nieves & Werner Schroeter
  • A symmetrical image of windowless houses rendered in inverted colors with tones of purple, yellow, and pink.
    A symmetrical image of windowless houses rendered in inverted colors with tones of purple, yellow, and pink.
    Darren Wardle, Jailbreak, 2002. [A symmetrical image of windowless houses rendered in inverted colors with tones of purple, yellow, and pink.]
    Caption Darren Wardle, Jailbreak, 2002.
    Image description A symmetrical image of windowless houses rendered in inverted colors with tones of purple, yellow, and pink.
    Year 2002
    Related pages Painting as Paradox
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    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
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  • Color photograph of a figure, wearing reflective one-way mirror film around their body, hanging off the ledge of an open doorway entrance.
    Color photograph of a figure, wearing reflective one-way mirror film around their body, hanging off the ledge of an open doorway entrance.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure, wearing reflective one-way mirror film around their body, hanging off the ledge of an open doorway entrance.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a figure, wearing reflective one-way mirror film around their body, hanging off the ledge of an open doorway entrance.
    Year 2022
    Related pages keyon gaskin 12-18
  • Black text overlays a color-scheme grid background. The text reads: “Jan 13 / isaiah a. hines / Elizabeth Robinson.
    Black text overlays a color-scheme grid background. The text reads: “Jan 13 / isaiah a. hines / Elizabeth Robinson.
    [Black text overlays a color-scheme grid background. The text reads: “Jan 13 / isaiah a. hines / Elizabeth Robinson." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description Black text overlays a color-scheme grid background. The text reads: “Jan 13 / isaiah a. hines / Elizabeth Robinson." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year
    Related pages Segue Reading Series: isaiah a. hines & Elizabeth Robinson
  • Color photograph of a white gallery wall with three vitrines containing musical scores built into the wall. On top of the vitrine is a manipulated flute, and a series of black-and-white images. Two black-and-white photographs are hung to the right of the vitrine.
    Color photograph of a white gallery wall with three vitrines containing musical scores built into the wall. On top of the vitrine is a manipulated flute, and a series of black-and-white images. Two black-and-white photographs are hung to the right of the vitrine.
    Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a white gallery wall with three vitrines containing musical scores built into the wall. On top of the vitrine is a manipulated flute, and a series of black-and-white images. Two black-and-white photographs are hung to the right of the vitrine.]
    Caption Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photograph of a white gallery wall with three vitrines containing musical scores built into the wall. On top of the vitrine is a manipulated flute, and a series of black-and-white images. Two black-and-white photographs are hung to the right of the vitrine.
    Year 2023
    Related pages Yasunao Tone: Region of Paramedia
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  • Lissette and Ruby, Las Avenida de los Gigantes, acrylic paint on paper, 2024
    Caption Lissette and Ruby, Las Avenida de los Gigantes, acrylic paint on paper, 2024
    Image description
    Year
    Related pages Threads of History
  • A color film still of an individual curled against a worn beige headboard as they lean into a candle. They don a red beanie and a checkered shawl, covered by a vintage coat emblazoned with a Howard University logo. The immediate background depicts a dilapidated green wall behind the headboard.
    A color film still of an individual curled against a worn beige headboard as they lean into a candle. They don a red beanie and a checkered shawl, covered by a vintage coat emblazoned with a Howard University logo. The immediate background depicts a dilapidated green wall behind the headboard.
    [A color film still of an individual curled against a worn beige headboard as they lean into a candle. They don a red beanie and a checkered shawl, covered by a vintage coat emblazoned with a Howard University logo. The immediate background depicts a dilapidated green wall behind the headboard.]
    Caption
    Image description A color film still of an individual curled against a worn beige headboard as they lean into a candle. They don a red beanie and a checkered shawl, covered by a vintage coat emblazoned with a Howard University logo. The immediate background depicts a dilapidated green wall behind the headboard.
    Year
    Related pages Shala Miller, Malcolm Peacock, Amiri Baraka
  • A gray-toned illustration of multiple, military missles, lined up next to one another.
    A gray-toned illustration of multiple, military missles, lined up next to one another.
    Wolf Vostell Starfighter , 1967 80 copies + 40 artists proofs, signed and numbered screen print with glitter, 53 x 81,5 cm Courtesy of Edition Block, Berlin [A gray-toned illustration of multiple, military missles, lined up next to one another.]
    Caption Wolf Vostell Starfighter , 1967 80 copies + 40 artists proofs, signed and numbered screen print with glitter, 53 x 81,5 cm Courtesy of Edition Block, Berlin
    Image description A gray-toned illustration of multiple, military missles, lined up next to one another.
    Year 1967
    Related pages Living with Pop. A Reproduction of Capitalist Realism
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    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • Three abstract sculptures in the foreground of a white-walled gallery space with white columns. In the background, there are other gallery spaces with artworks hanging on the walls.
    Three abstract sculptures in the foreground of a white-walled gallery space with white columns. In the background, there are other gallery spaces with artworks hanging on the walls.
    Metaphysical Visions. Installation view, Artists Space, 1989. [Three abstract sculptures in the foreground of a white-walled gallery space with white columns. In the background, there are other gallery spaces with artworks hanging on the walls.]
    Caption Metaphysical Visions. Installation view, Artists Space, 1989.
    Image description Three abstract sculptures in the foreground of a white-walled gallery space with white columns. In the background, there are other gallery spaces with artworks hanging on the walls.
    Year
    Related pages Metaphysical Visions: Middle Europe
  • A view of a built shack structure displaying a colorful cartoon face and a graphic sign that reads
    A view of a built shack structure displaying a colorful cartoon face and a graphic sign that reads
    ART CLUB2000 Untitled (Sharf Shack) after Kenny Scharfs “Scharf Schak,” 1996 Wood, vinyl coated wood paneling, paint, glitter, and hardware 8 x 8 x 3 feet Image courtesy Artists Space, New York Photo: Filip Wolak [A view of a built shack structure displaying a colorful cartoon face and a graphic sign that reads "Sharf Shack".]
    Caption ART CLUB2000 Untitled (Sharf Shack) after Kenny Scharfs “Scharf Schak,” 1996 Wood, vinyl coated wood paneling, paint, glitter, and hardware 8 x 8 x 3 feet Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description A view of a built shack structure displaying a colorful cartoon face and a graphic sign that reads "Sharf Shack".
    Year 2021
    Related pages ART CLUB2000
  • Magazine cut-outs and ink drawings are collaged together on a background of beige, yellow, pink, turqoise and red paper. Small pieces of paper with red typewritten text listing the performers and event details are scattered around the flyer.
    Magazine cut-outs and ink drawings are collaged together on a background of beige, yellow, pink, turqoise and red paper. Small pieces of paper with red typewritten text listing the performers and event details are scattered around the flyer.
    Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a background of beige, yellow, pink, turqoise and red paper. Small pieces of paper with red typewritten text listing the performers and event details are scattered around the flyer.]
    Caption Flyer by Joe Frivaldi.
    Image description Magazine cut-outs and ink drawings are collaged together on a background of beige, yellow, pink, turqoise and red paper. Small pieces of paper with red typewritten text listing the performers and event details are scattered around the flyer.
    Year
    Related pages Abasement #81
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  • A black and white photograph of a black pipe sticking through a large white shape coming from a large book. A wrinkled curtain is visible behind the construction.
    A black and white photograph of a black pipe sticking through a large white shape coming from a large book. A wrinkled curtain is visible behind the construction.
    William Harvey, Pipe Dream, 1985. [A black and white photograph of a black pipe sticking through a large white shape coming from a large book. A wrinkled curtain is visible behind the construction.]
    Caption William Harvey, Pipe Dream, 1985.
    Image description A black and white photograph of a black pipe sticking through a large white shape coming from a large book. A wrinkled curtain is visible behind the construction.
    Year
    Related pages Six Sculptors
  • The audience faces the stage in the background, next to a projected graphic of an psychedelic-style eye and a red exit sign. The backs of two musicians are blurred in the foreground. The musicians are lit with soft blue and green lights. The room is dimly lit, and audience members are also tinted with multicolored lights.
    The audience faces the stage in the background, next to a projected graphic of an psychedelic-style eye and a red exit sign. The backs of two musicians are blurred in the foreground. The musicians are lit with soft blue and green lights. The room is dimly lit, and audience members are also tinted with multicolored lights.
    Abasement #71. Performance documentation, August 5th, 2024, Artists Space. Photo: Joshua Wildman. [The audience faces the stage in the background, next to a projected graphic of an psychedelic-style eye and a red exit sign. The backs of two musicians are blurred in the foreground. The musicians are lit with soft blue and green lights. The room is dimly lit, and audience members are also tinted with multicolored lights.]
    Caption Abasement #71. Performance documentation, August 5th, 2024, Artists Space. Photo: Joshua Wildman.
    Image description The audience faces the stage in the background, next to a projected graphic of an psychedelic-style eye and a red exit sign. The backs of two musicians are blurred in the foreground. The musicians are lit with soft blue and green lights. The room is dimly lit, and audience members are also tinted with multicolored lights.
    Year
    Related pages Abasement #71
  • A black and white image with an organic border features Jack Smith in a white cloak standing in front of a wall. To the left of him are two posters that read,
    A black and white image with an organic border features Jack Smith in a white cloak standing in front of a wall. To the left of him are two posters that read,
    Jack Smith in Jack Smith’s Fear Ritual of Shark Museum, Cologne, 1974 Photograph © Gwenn Thomas. Courtesy Exile Gallery, Berlin and Southfirst, New York Courtesy New York University, Fales Library and Special Collections [A black and white image with an organic border features Jack Smith in a white cloak standing in front of a wall. To the left of him are two posters that read, "Krone," at the top in block letters. Behind him are large, white block letters that read, "R O N." A ghost-like figure with multiple arms is pictured above him.]
    Caption Jack Smith in Jack Smith’s Fear Ritual of Shark Museum, Cologne, 1974 Photograph © Gwenn Thomas. Courtesy Exile Gallery, Berlin and Southfirst, New York Courtesy New York University, Fales Library and Special Collections
    Image description A black and white image with an organic border features Jack Smith in a white cloak standing in front of a wall. To the left of him are two posters that read, "Krone," at the top in block letters. Behind him are large, white block letters that read, "R O N." A ghost-like figure with multiple arms is pictured above him.
    Year 1974
    Related pages Jack Smith: Art Crust of Spiritual Oasis
  • Color photograph of a fgure wearing a conical sheath of reflective one-way mirror film that covers their entire body. They squat down next to a viewer sitting in a wooden chair. The performer shines a bright light against their face, making their face visible from under the mirror film.
    Color photograph of a fgure wearing a conical sheath of reflective one-way mirror film that covers their entire body. They squat down next to a viewer sitting in a wooden chair. The performer shines a bright light against their face, making their face visible from under the mirror film.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a fgure wearing a conical sheath of reflective one-way mirror film that covers their entire body. They squat down next to a viewer sitting in a wooden chair. The performer shines a bright light against their face, making their face visible from under the mirror film.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a fgure wearing a conical sheath of reflective one-way mirror film that covers their entire body. They squat down next to a viewer sitting in a wooden chair. The performer shines a bright light against their face, making their face visible from under the mirror film.
    Year 2022
    Related pages keyon gaskin 12-16
  • White text on a blue and grey ombré background. The text reads: “March 15 / Elise Duryee-Browner / Allen Ruppersberg.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    White text on a blue and grey ombré background. The text reads: “March 15 / Elise Duryee-Browner / Allen Ruppersberg.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [White text on a blue and grey ombré background. The text reads: “March 15 / Elise Duryee-Browner / Allen Ruppersberg.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description White text on a blue and grey ombré background. The text reads: “March 15 / Elise Duryee-Browner / Allen Ruppersberg.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Elise Duryee-Browner & Allen Ruppersberg
  • A photograph of a gallery space with dark grey walls. Eight photographs and print-outs are hung on the walls, and to the right of them is a wooden bench.
    A photograph of a gallery space with dark grey walls. Eight photographs and print-outs are hung on the walls, and to the right of them is a wooden bench.
    Tiffany Sia, The Bastard Scroll (detail view), 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A photograph of a gallery space with dark grey walls. Eight photographs and print-outs are hung on the walls, and to the right of them is a wooden bench.]
    Caption Tiffany Sia, The Bastard Scroll (detail view), 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A photograph of a gallery space with dark grey walls. Eight photographs and print-outs are hung on the walls, and to the right of them is a wooden bench.
    Year 2021
    Related pages Tiffany Sia: Slippery When Wet
  • Caption
    Image description
    Year
    Related pages Dream Lines: Drawings by Marian Zazeela
  • Caption
    Image description
    Year
    Related pages All These Different Things Are Sculpture
  • Close up of a small sculpture resting on a square wooden support jutting out from a white gallery wall next to a window. The sculpture has a metallic color and an irregular, round shape, with a tree-bark like texture. A similar sculpture and support are mounted on the other side of the gallery window.
    Close up of a small sculpture resting on a square wooden support jutting out from a white gallery wall next to a window. The sculpture has a metallic color and an irregular, round shape, with a tree-bark like texture. A similar sculpture and support are mounted on the other side of the gallery window.
    Nina in Position. Installation view, Artists Space, 2008. Photo: Bill Orcutt. [Close up of a small sculpture resting on a square wooden support jutting out from a white gallery wall next to a window. The sculpture has a metallic color and an irregular, round shape, with a tree-bark like texture. A similar sculpture and support are mounted on the other side of the gallery window.]
    Caption Nina in Position. Installation view, Artists Space, 2008. Photo: Bill Orcutt.
    Image description Close up of a small sculpture resting on a square wooden support jutting out from a white gallery wall next to a window. The sculpture has a metallic color and an irregular, round shape, with a tree-bark like texture. A similar sculpture and support are mounted on the other side of the gallery window.
    Year 2008
    Related pages Nina in Position
  • A pink tote bag with the black Louise Lawler-designed Artists Space logo in the middle - A black circle around a black
    A pink tote bag with the black Louise Lawler-designed Artists Space logo in the middle - A black circle around a black
    Louise Lawler Tote Bag. Produced by Artists Space. 2017. $20 [A pink tote bag with the black Louise Lawler-designed Artists Space logo in the middle - A black circle around a black "A", with small, pink, all-caps text, "ARTISTS SPACE" in the middle of the A.]
    Caption Louise Lawler Tote Bag. Produced by Artists Space. 2017. $20
    Image description A pink tote bag with the black Louise Lawler-designed Artists Space logo in the middle - A black circle around a black "A", with small, pink, all-caps text, "ARTISTS SPACE" in the middle of the A.
    Year
    Related pages Artists Space Items
  • The word
    The word
    Enough Tiranny Recalled, 1972–2009. Installation view, Artists Space, 2009. Photo: Daniel Pérez. [The word "TIRANNY" is handwritten in block letters on a wall. In front of it, there is a low-hanging disco ball, surrounded by various objects set on the floor, including a vase with flowers, a silver ball, a brown box, and more. The room is lit with a green hue.]
    Caption Enough Tiranny Recalled, 1972–2009. Installation view, Artists Space, 2009. Photo: Daniel Pérez.
    Image description The word "TIRANNY" is handwritten in block letters on a wall. In front of it, there is a low-hanging disco ball, surrounded by various objects set on the floor, including a vase with flowers, a silver ball, a brown box, and more. The room is lit with a green hue.
    Year 2009
    Related pages Marc Camille Chaimowicz: Enough Tiranny Recalled, 1972 – 2009
  • A moving image of a person, dressed in black, side stepping slowly in the gallery as the camera pans over to them.
    A moving image of a person, dressed in black, side stepping slowly in the gallery as the camera pans over to them.
    Excerpt from Hito Stereyl, Guards, 2012, HD video on freestanding screen with sound, 20 mins. Courtesy of the artist and Andrew Kreps, New York. [A moving image of a person, dressed in black, side stepping slowly in the gallery as the camera pans over to them.]
    Caption Excerpt from Hito Stereyl, Guards, 2012, HD video on freestanding screen with sound, 20 mins. Courtesy of the artist and Andrew Kreps, New York.
    Image description A moving image of a person, dressed in black, side stepping slowly in the gallery as the camera pans over to them.
    Year 2012
    Related pages Hito Steyerl
  • Yellow text on a blurry black-and-white photograph. The photograph features a figure standing against a background of trees. The text contains the event details.
    Yellow text on a blurry black-and-white photograph. The photograph features a figure standing against a background of trees. The text contains the event details.
    Flyer for Basie Allen: Palm-Lined with Potience (2nd Edition) Book Launch. [Yellow text on a blurry black-and-white photograph. The photograph features a figure standing against a background of trees. The text contains the event details.]
    Caption Flyer for Basie Allen: Palm-Lined with Potience (2nd Edition) Book Launch.
    Image description Yellow text on a blurry black-and-white photograph. The photograph features a figure standing against a background of trees. The text contains the event details.
    Year
    Related pages Palm-Lined with Potience (2nd Edition)
  • Book cover featuring a grainy close-up image of a flower. Black text across the center of the cover reads
    Book cover featuring a grainy close-up image of a flower. Black text across the center of the cover reads
    Cover of BIOTA: A discourse between Art and Architecture from the 1970s to the present, co-published by Gregory R. Miller & Co. and Hunter College Art Galleries, 2025. [Book cover featuring a grainy close-up image of a flower. Black text across the center of the cover reads "biota."]
    Caption Cover of BIOTA: A discourse between Art and Architecture from the 1970s to the present, co-published by Gregory R. Miller & Co. and Hunter College Art Galleries, 2025.
    Image description Book cover featuring a grainy close-up image of a flower. Black text across the center of the cover reads "biota."
    Year
    Related pages Andrea Blum: Biota
  • A pile of multicolored string lights sits on a wooden floor, surrounded by assorted objects including a disco ball, a candlestick, and two pitchers. There is a pink glow over the objects, with another strand of white lights weaving through the objects.
    A pile of multicolored string lights sits on a wooden floor, surrounded by assorted objects including a disco ball, a candlestick, and two pitchers. There is a pink glow over the objects, with another strand of white lights weaving through the objects.
    Enough Tiranny Recalled, 1972–2009. Installation view, Artists Space, 2009. Photo: Daniel Pérez. [A pile of multicolored string lights sits on a wooden floor, surrounded by assorted objects including a disco ball, a candlestick, and two pitchers. There is a pink glow over the objects, with another strand of white lights weaving through the objects.]
    Caption Enough Tiranny Recalled, 1972–2009. Installation view, Artists Space, 2009. Photo: Daniel Pérez.
    Image description A pile of multicolored string lights sits on a wooden floor, surrounded by assorted objects including a disco ball, a candlestick, and two pitchers. There is a pink glow over the objects, with another strand of white lights weaving through the objects.
    Year 2009
    Related pages Marc Camille Chaimowicz: Enough Tiranny Recalled, 1972 – 2009
  • A figure in a blue dress stands behind a white table, and holds the end of a small folded up book. On the other side of the table, a row of people sitting on wooden chairs hold different sections of the book and read off of it.
    A figure in a blue dress stands behind a white table, and holds the end of a small folded up book. On the other side of the table, a row of people sitting on wooden chairs hold different sections of the book and read off of it.
    Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang. [A figure in a blue dress stands behind a white table, and holds the end of a small folded up book. On the other side of the table, a row of people sitting on wooden chairs hold different sections of the book and read off of it.]
    Caption Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang.
    Image description A figure in a blue dress stands behind a white table, and holds the end of a small folded up book. On the other side of the table, a row of people sitting on wooden chairs hold different sections of the book and read off of it.
    Year 2023
    Related pages Chang Yuchen: Coral Dictionary Vol. 1, 2019-2022
  • Color image of a closeup of a figure, in profile, holding up a small radio to their ear.
    Color image of a closeup of a figure, in profile, holding up a small radio to their ear.
    Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata [Color image of a closeup of a figure, in profile, holding up a small radio to their ear.]
    Caption Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata
    Image description Color image of a closeup of a figure, in profile, holding up a small radio to their ear.
    Year 2023
    Related pages Yasunao Tone Concert #2
  • A figure whose face is illuminated by red light plays flute into a microphone.
    A figure whose face is illuminated by red light plays flute into a microphone.
    Eiko Ishibashi: Two New York Nights. Performance documentation, June 9, 2022, 8pm. Artists Space, New York. Photo: Paula Court [A figure whose face is illuminated by red light plays flute into a microphone.]
    Caption Eiko Ishibashi: Two New York Nights. Performance documentation, June 9, 2022, 8pm. Artists Space, New York. Photo: Paula Court
    Image description A figure whose face is illuminated by red light plays flute into a microphone.
    Year 2022
    Related pages Eiko Ishibashi in Concert
  • Black text on a light blue background. The text reads: “April 26 / Peter Gizzi / Susana Plotts-Pineda.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on a light blue background. The text reads: “April 26 / Peter Gizzi / Susana Plotts-Pineda.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on a light blue background. The text reads: “April 26 / Peter Gizzi / Susana Plotts-Pineda.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on a light blue background. The text reads: “April 26 / Peter Gizzi / Susana Plotts-Pineda.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Peter Gizzi & Susana Plotts-Pineda
  • A black and white photograph of a linear model consisting of many elements.
    A black and white photograph of a linear model consisting of many elements.
    Laurie Hawkinson, CineTrain, 1986. [A black and white photograph of a linear model consisting of many elements.]
    Caption Laurie Hawkinson, CineTrain, 1986.
    Image description A black and white photograph of a linear model consisting of many elements.
    Year
    Related pages From Here to Eternity: Fact and Fiction in Recent Architectural Projects
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    Year
    Related pages Axine M: Sold Licker Glass
  • Black and white photograph of white picket fence opening with dark painted background behind it.
    Black and white photograph of white picket fence opening with dark painted background behind it.
    Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Candice Hill-Montgomery. [Black and white photograph of white picket fence opening with dark painted background behind it.]
    Caption Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Candice Hill-Montgomery.
    Image description Black and white photograph of white picket fence opening with dark painted background behind it.
    Year
    Related pages Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach
  • Two figures wearing medical scrubs hold a mannequin over a table.
    Two figures wearing medical scrubs hold a mannequin over a table.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York. [Two figures wearing medical scrubs hold a mannequin over a table.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York.
    Image description Two figures wearing medical scrubs hold a mannequin over a table.
    Year
    Related pages Grandmother Cindy
  • A brown and tan object stands on a white base. On the flat surface of the object, an onion and a lemon sit connected by a rainbow wire. In the base of the object, a processing chip is embedded.
    A brown and tan object stands on a white base. On the flat surface of the object, an onion and a lemon sit connected by a rainbow wire. In the base of the object, a processing chip is embedded.
    Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $5,000
    [A brown and tan object stands on a white base. On the flat surface of the object, an onion and a lemon sit connected by a rainbow wire. In the base of the object, a processing chip is embedded.]
    Caption Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $5,000
    Image description A brown and tan object stands on a white base. On the flat surface of the object, an onion and a lemon sit connected by a rainbow wire. In the base of the object, a processing chip is embedded.
    Year 2019
    Related pages Trisha Baga Edition
  • Rows of audio cassette tapes are tightly packed together. Many of the tapes have handwritten labels describing what is on the tape.
    Rows of audio cassette tapes are tightly packed together. Many of the tapes have handwritten labels describing what is on the tape.
    Audio cassette tapes for Echo Chamber, Sharon Hayes & Brooke O'Harra. [Rows of audio cassette tapes are tightly packed together. Many of the tapes have handwritten labels describing what is on the tape. ]
    Caption Audio cassette tapes for Echo Chamber, Sharon Hayes & Brooke O'Harra.
    Image description Rows of audio cassette tapes are tightly packed together. Many of the tapes have handwritten labels describing what is on the tape.
    Year
    Related pages Sharon Hayes and Brooke O'Harra
  • A construction net hangs from the ceiling to the floor with four tree trunks placed on top of it on the floor. Colorful fabrics are placed on top of the tree trunks. A wooden bench sits behind the trunks and faces a video projection in front of the wall.
    A construction net hangs from the ceiling to the floor with four tree trunks placed on top of it on the floor. Colorful fabrics are placed on top of the tree trunks. A wooden bench sits behind the trunks and faces a video projection in front of the wall.
    Las Nietas de Nonó, FOODTOPIA: en el suelo aspero, 2022, digital video, tree trunks, bench, construction net; Dimensions variable, Image courtesy Artists Space, New York, Photo: Filip Wolak [A construction net hangs from the ceiling to the floor with four tree trunks placed on top of it on the floor. Colorful fabrics are placed on top of the tree trunks. A wooden bench sits behind the trunks and faces a video projection in front of the wall.]
    Caption Las Nietas de Nonó, FOODTOPIA: en el suelo aspero, 2022, digital video, tree trunks, bench, construction net; Dimensions variable, Image courtesy Artists Space, New York, Photo: Filip Wolak
    Image description A construction net hangs from the ceiling to the floor with four tree trunks placed on top of it on the floor. Colorful fabrics are placed on top of the tree trunks. A wooden bench sits behind the trunks and faces a video projection in front of the wall.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • In front of a large colorful projection, a figure wearing headphones around their neck leans down over musical technology.
    In front of a large colorful projection, a figure wearing headphones around their neck leans down over musical technology.
    SCRAAATCH, Tower of Babel, 2019, Les Urbaines. Photo: Mathilda Olmi [In front of a large colorful projection, a figure wearing headphones around their neck leans down over musical technology.]
    Caption SCRAAATCH, Tower of Babel, 2019, Les Urbaines. Photo: Mathilda Olmi
    Image description In front of a large colorful projection, a figure wearing headphones around their neck leans down over musical technology.
    Year 2019
    Related pages SCRAAATCH 11-19
  • Black & white photograph of a performer singing into a microphone stand, positioned along the center of the wall. The audience sits on the floor around the center of the room, where hanging screens depict a projected video of a close-up of a figure's face with a bright light coming from one side of the image.
    Black & white photograph of a performer singing into a microphone stand, positioned along the center of the wall. The audience sits on the floor around the center of the room, where hanging screens depict a projected video of a close-up of a figure's face with a bright light coming from one side of the image.
    Shala Miller performs Genesis: Medley. Performance documentation, May 11, 2023, Artists Space. Photo: Roy Baizan. [Black & white photograph of a performer singing into a microphone stand, positioned along the center of the wall. The audience sits on the floor around the center of the room, where hanging screens depict a projected video of a close-up of a figure's face with a bright light coming from one side of the image.]
    Caption Shala Miller performs Genesis: Medley. Performance documentation, May 11, 2023, Artists Space. Photo: Roy Baizan.
    Image description Black & white photograph of a performer singing into a microphone stand, positioned along the center of the wall. The audience sits on the floor around the center of the room, where hanging screens depict a projected video of a close-up of a figure's face with a bright light coming from one side of the image.
    Year 2023
    Related pages Genesis: Medley
  • Caption
    Image description
    Year
    Related pages All These Different Things Are Sculpture
  • Image of a dimly lit basement. Along the back wall, on the left, a shadow of a figure in profile is cast onto a blue and purple projected screen.
    Image of a dimly lit basement. Along the back wall, on the left, a shadow of a figure in profile is cast onto a blue and purple projected screen.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Image of a dimly lit basement. Along the back wall, on the left, a shadow of a figure in profile is cast onto a blue and purple projected screen.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a dimly lit basement. Along the back wall, on the left, a shadow of a figure in profile is cast onto a blue and purple projected screen.
    Year 2022
    Related pages SCRAAATCH 11-19
  • Contact sheet of installation images taken during exhibition opening.
    Contact sheet of installation images taken during exhibition opening.
    Gary Burnley, Martin Cohen, Candace Hill-Montgomery, Louis Stein, and Haim Steinbach. Contact sheet of photos from exhibition opening, Artists Space, 1979. Photos by Gary Burnley. [Contact sheet of installation images taken during exhibition opening.]
    Caption Gary Burnley, Martin Cohen, Candace Hill-Montgomery, Louis Stein, and Haim Steinbach. Contact sheet of photos from exhibition opening, Artists Space, 1979. Photos by Gary Burnley.
    Image description Contact sheet of installation images taken during exhibition opening.
    Year 1979
    Related pages Gary Burnley
  • Close up image of a series of black shelves mounted to a white wall. Various wooden blocks painted with scenes of crowds, witches, and other characters are placed on the shelves, alongside smaller blocks decorated with white letters that spell out words including
    Close up image of a series of black shelves mounted to a white wall. Various wooden blocks painted with scenes of crowds, witches, and other characters are placed on the shelves, alongside smaller blocks decorated with white letters that spell out words including
    [Close up image of a series of black shelves mounted to a white wall. Various wooden blocks painted with scenes of crowds, witches, and other characters are placed on the shelves, alongside smaller blocks decorated with white letters that spell out words including "stooge," "atheist," and "traitor." At the center of the shelves sits a black figurine of a goat.]
    Caption
    Image description Close up image of a series of black shelves mounted to a white wall. Various wooden blocks painted with scenes of crowds, witches, and other characters are placed on the shelves, alongside smaller blocks decorated with white letters that spell out words including "stooge," "atheist," and "traitor." At the center of the shelves sits a black figurine of a goat.
    Year 1991
    Related pages Project: Our Bodice, Our Selves
  • Installation view from Four Artists: An Exhibition of Painting and Sculpture, Artists Space, 1985
    Caption Installation view from Four Artists: An Exhibition of Painting and Sculpture, Artists Space, 1985
    Image description
    Year
    Related pages Four Artists: An Exhibition of Painting and Sculpture
  • Caption
    Image description
    Year
    Related pages Editions
  • A portrait oriented video is projected in a dark narrow space. A bench sits in front of the video. An image-still of a man, standing next to a frame on a wall that contains a seperate video of a man in a street, is on the back wall.
    A portrait oriented video is projected in a dark narrow space. A bench sits in front of the video. An image-still of a man, standing next to a frame on a wall that contains a seperate video of a man in a street, is on the back wall.
    Hito Steyerl, Guards, 2012, HD video on freestanding screen with sound, 20 mins, Courtesy of the artist and Andrew Kreps, New York. Installation view from Hito Steyerl, Artists Space, 2015. [A portrait oriented video is projected in a dark narrow space. A bench sits in front of the video. An image-still of a man, standing next to a frame on a wall that contains a seperate video of a man in a street, is on the back wall.]
    Caption Hito Steyerl, Guards, 2012, HD video on freestanding screen with sound, 20 mins, Courtesy of the artist and Andrew Kreps, New York. Installation view from Hito Steyerl, Artists Space, 2015.
    Image description A portrait oriented video is projected in a dark narrow space. A bench sits in front of the video. An image-still of a man, standing next to a frame on a wall that contains a seperate video of a man in a street, is on the back wall.
    Year 2015
    Related pages Hito Steyerl
  • The exterior of a Soho building at night from the opposite street corner. Inside the third floor are two glowing blue neon quotation marks visible from outside.
    The exterior of a Soho building at night from the opposite street corner. Inside the third floor are two glowing blue neon quotation marks visible from outside.
    Laurel Woodcock, (Untitled), Neon Quote, 2005. Neon sculptures. Courtesy the artist. [The exterior of a Soho building at night from the opposite street corner. Inside the third floor are two glowing blue neon quotation marks visible from outside.]
    Caption Laurel Woodcock, (Untitled), Neon Quote, 2005. Neon sculptures. Courtesy the artist.
    Image description The exterior of a Soho building at night from the opposite street corner. Inside the third floor are two glowing blue neon quotation marks visible from outside.
    Year 2007
    Related pages On Being an Exhibition
  • An audience looks at a mannequin on a table.
    An audience looks at a mannequin on a table.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York. [An audience looks at a mannequin on a table.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York.
    Image description An audience looks at a mannequin on a table.
    Year
    Related pages Grandmother Cindy
  • Two framed artworks side-by-side. One has a white background and features a collage of photographs, showing two people with their faces obscured by other images of nature and currency. The other artwork features a black background and two smaller photos arranged one on top of the other. The top image depicts a woman looking back at the camera, and the lower image depicts a forest.
    Two framed artworks side-by-side. One has a white background and features a collage of photographs, showing two people with their faces obscured by other images of nature and currency. The other artwork features a black background and two smaller photos arranged one on top of the other. The top image depicts a woman looking back at the camera, and the lower image depicts a forest.
    Leigh Ledare, Double Bind (Diptych #6/25), 2010. Courtesy the artist and Mitchell-Innes & Nash, New York. [Two framed artworks side-by-side. One has a white background and features a collage of photographs, showing two people with their faces obscured by other images of nature and currency. The other artwork features a black background and two smaller photos arranged one on top of the other. The top image depicts a woman looking back at the camera, and the lower image depicts a forest.]
    Caption Leigh Ledare, Double Bind (Diptych #6/25), 2010. Courtesy the artist and Mitchell-Innes & Nash, New York.
    Image description Two framed artworks side-by-side. One has a white background and features a collage of photographs, showing two people with their faces obscured by other images of nature and currency. The other artwork features a black background and two smaller photos arranged one on top of the other. The top image depicts a woman looking back at the camera, and the lower image depicts a forest.
    Year 2010
    Related pages Double Bind
  • A series of paintings made with brown and red paint against a white background are hung on a wall.
    A series of paintings made with brown and red paint against a white background are hung on a wall.
    Nandi Loaf, Aristotelis Nikolas Mochloulis, ricardo nagaoka, Sydney Schrader. Installation view, Artists Space, 2025. Photo: Carter Seddon [A series of paintings made with brown and red paint against a white background are hung on a wall.]
    Caption Nandi Loaf, Aristotelis Nikolas Mochloulis, ricardo nagaoka, Sydney Schrader. Installation view, Artists Space, 2025. Photo: Carter Seddon
    Image description A series of paintings made with brown and red paint against a white background are hung on a wall.
    Year
    Related pages Nandi Loaf Aristotelis Nikolas Mochloulis Ricardo Nagaoka Sydney Schrader
  • Two figures in blue morph suits face off, with one figure sitting down on a wooden box looking up at the other figure who stands above them wearing wings made of fresnel lenses. All the way on the right a figure takes video footage of the scene.
    Two figures in blue morph suits face off, with one figure sitting down on a wooden box looking up at the other figure who stands above them wearing wings made of fresnel lenses. All the way on the right a figure takes video footage of the scene.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Two figures in blue morph suits face off, with one figure sitting down on a wooden box looking up at the other figure who stands above them wearing wings made of fresnel lenses. All the way on the right a figure takes video footage of the scene.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Two figures in blue morph suits face off, with one figure sitting down on a wooden box looking up at the other figure who stands above them wearing wings made of fresnel lenses. All the way on the right a figure takes video footage of the scene.
    Year 2022
    Related pages SCRAAATCH 12-3
  • A green object with a processing chip embedded in its front sits on a white base. On top of the object sit a red potato with a wire attached, false teeth, and a telephone cord.
    A green object with a processing chip embedded in its front sits on a white base. On top of the object sit a red potato with a wire attached, false teeth, and a telephone cord.
    Not yet titled, 2019
    Clay, glaze, mixed media
    7 x 12 x 17 inches (variable)
    $5,000
    [A green object with a processing chip embedded in its front sits on a white base. On top of the object sit a red potato with a wire attached, false teeth, and a telephone cord.]
    Caption Not yet titled, 2019
    Clay, glaze, mixed media
    7 x 12 x 17 inches (variable)
    $5,000
    Image description A green object with a processing chip embedded in its front sits on a white base. On top of the object sit a red potato with a wire attached, false teeth, and a telephone cord.
    Year 2019
    Related pages Trisha Baga Edition
  • A color installation photograph of a gallery space with a row of dark metal columns on the left, an exposed interior of a drywall with one grey panel in the center, and a large swath of partially hung grey and yellow vinyl on the right.
    A color installation photograph of a gallery space with a row of dark metal columns on the left, an exposed interior of a drywall with one grey panel in the center, and a large swath of partially hung grey and yellow vinyl on the right.
    virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color installation photograph of a gallery space with a row of dark metal columns on the left, an exposed interior of a drywall with one grey panel in the center, and a large swath of partially hung grey and yellow vinyl on the right.]
    Caption virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color installation photograph of a gallery space with a row of dark metal columns on the left, an exposed interior of a drywall with one grey panel in the center, and a large swath of partially hung grey and yellow vinyl on the right.
    Year 2022
    Related pages virgil b/g taylor: Minor Publics
  • A group of people gathered on a city sidewalk, looking into a parked car. Above them, the text Recycling L.A., May 31-June 30, 1990, Artists Space" appears in a black square." />
    A group of people gathered on a city sidewalk, looking into a parked car. Above them, the text Recycling L.A., May 31-June 30, 1990, Artists Space" appears in a black square." />
    Recycling L.A., Newspaper cover, May 1990. [A group of people gathered on a city sidewalk, looking into a parked car. Above them, the text "Recycling L.A., May 31-June 30, 1990, Artists Space" appears in a black square.]
    Caption Recycling L.A., Newspaper cover, May 1990.
    Image description A group of people gathered on a city sidewalk, looking into a parked car. Above them, the text "Recycling L.A., May 31-June 30, 1990, Artists Space" appears in a black square.
    Year 1990
    Related pages Recycling L.A.
  • Caption
    Image description
    Year
    Related pages Dream Lines: Drawings by Marian Zazeela
  • The word
    The word
    [The word "WAGE" with periods seperating each letter appears on a multi-colored background. The "A" in "WAGE" is colored yellow.]
    Caption
    Image description The word "WAGE" with periods seperating each letter appears on a multi-colored background. The "A" in "WAGE" is colored yellow.
    Year 2018
    Related pages W.A.G.E. RAGER. 10-year womAnniversary *Not-a-Gala* Party!
  • Visiting Hana Yilma Godine exhibition Rachel Uffner Gallery, Lower East Side, 2024
    Caption Visiting Hana Yilma Godine exhibition Rachel Uffner Gallery, Lower East Side, 2024
    Image description
    Year
    Related pages ARTstudio
  • 19 thinly outlined boxes arranged in columns of decreasing height on a black background. Each box contains a glowing, symmetrical, orange and purple geometric shape of varying complexity. In each box's lower right corner, white text lists three coordinates. There is a gradient key from purple through orange and yellow to white, with a minus sign at one end and a plus sign at the other, and above that, a complex mathematical formula. In the upper righthand corner, white text reads,
    19 thinly outlined boxes arranged in columns of decreasing height on a black background. Each box contains a glowing, symmetrical, orange and purple geometric shape of varying complexity. In each box's lower right corner, white text lists three coordinates. There is a gradient key from purple through orange and yellow to white, with a minus sign at one end and a plus sign at the other, and above that, a complex mathematical formula. In the upper righthand corner, white text reads,
    [19 thinly outlined boxes arranged in columns of decreasing height on a black background. Each box contains a glowing, symmetrical, orange and purple geometric shape of varying complexity. In each box's lower right corner, white text lists three coordinates. There is a gradient key from purple through orange and yellow to white, with a minus sign at one end and a plus sign at the other, and above that, a complex mathematical formula. In the upper righthand corner, white text reads, "Betsy Fagin and Alan Felsenthal" and "sat, 5/23 / 5pm nyc time / zoom id: 378 232 567."]
    Caption
    Image description 19 thinly outlined boxes arranged in columns of decreasing height on a black background. Each box contains a glowing, symmetrical, orange and purple geometric shape of varying complexity. In each box's lower right corner, white text lists three coordinates. There is a gradient key from purple through orange and yellow to white, with a minus sign at one end and a plus sign at the other, and above that, a complex mathematical formula. In the upper righthand corner, white text reads, "Betsy Fagin and Alan Felsenthal" and "sat, 5/23 / 5pm nyc time / zoom id: 378 232 567."
    Year 2020
    Related pages Segue Reading Series: Betsy Fagin & Alan Felsenthal
  • A color photograph of a gallery space. Behind three dark columns a large vinyl printed with text is attached to the wall, falling to the ground on the left side. In the center a large grey table with four red chairs and stacks of yellow and grey posters is visible.
    A color photograph of a gallery space. Behind three dark columns a large vinyl printed with text is attached to the wall, falling to the ground on the left side. In the center a large grey table with four red chairs and stacks of yellow and grey posters is visible.
    virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of a gallery space. Behind three dark columns a large vinyl printed with text is attached to the wall, falling to the ground on the left side. In the center a large grey table with four red chairs and stacks of yellow and grey posters is visible.]
    Caption virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color photograph of a gallery space. Behind three dark columns a large vinyl printed with text is attached to the wall, falling to the ground on the left side. In the center a large grey table with four red chairs and stacks of yellow and grey posters is visible.
    Year 2022
    Related pages virgil b/g taylor: Minor Publics
  • Two people wearing large sun hats look up towards an empty blue sky framed by scattered palm trees. Faint, white text written in dotted cloud formations is visible in the sky.
    Two people wearing large sun hats look up towards an empty blue sky framed by scattered palm trees. Faint, white text written in dotted cloud formations is visible in the sky.
    David Antin, Sky Poem, La Jolla, CA, Santa Monica, 1987. Courtesy Getty Research Institute, Los Angeles. [Two people wearing large sun hats look up towards an empty blue sky framed by scattered palm trees. Faint, white text written in dotted cloud formations is visible in the sky.]
    Caption David Antin, Sky Poem, La Jolla, CA, Santa Monica, 1987. Courtesy Getty Research Institute, Los Angeles.
    Image description Two people wearing large sun hats look up towards an empty blue sky framed by scattered palm trees. Faint, white text written in dotted cloud formations is visible in the sky.
    Year 1987
    Related pages Talking About David Antin
  • A color photograph of a figure with raised arms and in motion in an orange-lit space next to a small piece of audio equipment with a wire on the floor. A crowd looks on in the background.
    A color photograph of a figure with raised arms and in motion in an orange-lit space next to a small piece of audio equipment with a wire on the floor. A crowd looks on in the background.
    Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. [A color photograph of a figure with raised arms and in motion in an orange-lit space next to a small piece of audio equipment with a wire on the floor. A crowd looks on in the background.]
    Caption Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space.
    Image description A color photograph of a figure with raised arms and in motion in an orange-lit space next to a small piece of audio equipment with a wire on the floor. A crowd looks on in the background.
    Year 2022
    Related pages Yuji Agematsu
  • Color image of a performance space illuminated by red light. In the center, two standing figures play the violin. On the left, audience members look towards the performers. On the right, a stage filled with music equipment, such as speakers, cables and microphones. In the background, a table filled with electronic equipment, and a man looking at a computer monitor.
    Color image of a performance space illuminated by red light. In the center, two standing figures play the violin. On the left, audience members look towards the performers. On the right, a stage filled with music equipment, such as speakers, cables and microphones. In the background, a table filled with electronic equipment, and a man looking at a computer monitor.
    Abasement #66. Performance documentation, October 9, 2023, Artists Space. Photo: Joshua Wildman. [Color image of a performance space illuminated by red light. In the center, two standing figures play the violin. On the left, audience members look towards the performers. On the right, a stage filled with music equipment, such as speakers, cables and microphones. In the background, a table filled with electronic equipment, and a man looking at a computer monitor.]
    Caption Abasement #66. Performance documentation, October 9, 2023, Artists Space. Photo: Joshua Wildman.
    Image description Color image of a performance space illuminated by red light. In the center, two standing figures play the violin. On the left, audience members look towards the performers. On the right, a stage filled with music equipment, such as speakers, cables and microphones. In the background, a table filled with electronic equipment, and a man looking at a computer monitor.
    Year
    Related pages Abasement #66
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A crowd of people standing outside in Cortlandt Alley surrounding several performers. The performers are mixed in with the crowd, holding metal poles, some looking at a baby doll which is photographed in midair after being thrown upwards.
    A crowd of people standing outside in Cortlandt Alley surrounding several performers. The performers are mixed in with the crowd, holding metal poles, some looking at a baby doll which is photographed in midair after being thrown upwards.
    Ei Arakawa: WEWORK BABIES. Performance documentation, December 8, 2019, Artists Space. Photo © 2019 Paula Court. [A crowd of people standing outside in Cortlandt Alley surrounding several performers. The performers are mixed in with the crowd, holding metal poles, some looking at a baby doll which is photographed in midair after being thrown upwards.]
    Caption Ei Arakawa: WEWORK BABIES. Performance documentation, December 8, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description A crowd of people standing outside in Cortlandt Alley surrounding several performers. The performers are mixed in with the crowd, holding metal poles, some looking at a baby doll which is photographed in midair after being thrown upwards.
    Year 2019
    Related pages Ei Arakawa: WEWORK BABIES (11 Cortlandt Alley)
  • A color image of a white wall with windows and black and white curtains. Through the window, a cross-legged figure is partially seen sitting on a chair. Only the legs and hands are visible.
    A color image of a white wall with windows and black and white curtains. Through the window, a cross-legged figure is partially seen sitting on a chair. Only the legs and hands are visible.
    Drake Carr: Housecalls. Performance documentation, September 10, 2023, Artists Space at the Armory Show. Photo: Joshua Wildman. [A color image of a white wall with windows and black and white curtains. Through the window, a cross-legged figure is partially seen sitting on a chair. Only the legs and hands are visible.]
    Caption Drake Carr: Housecalls. Performance documentation, September 10, 2023, Artists Space at the Armory Show. Photo: Joshua Wildman.
    Image description A color image of a white wall with windows and black and white curtains. Through the window, a cross-legged figure is partially seen sitting on a chair. Only the legs and hands are visible.
    Year
    Related pages Drake Carr: Housecalls
  • A long sheet of white paper is suspended across multiple floors. Handrails for the second floor are visible in the background.
    A long sheet of white paper is suspended across multiple floors. Handrails for the second floor are visible in the background.
    Tiffany Sia, The Bastard Tongue (detail view), 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A long sheet of white paper is suspended across multiple floors. Handrails for the second floor are visible in the background.]
    Caption Tiffany Sia, The Bastard Tongue (detail view), 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A long sheet of white paper is suspended across multiple floors. Handrails for the second floor are visible in the background.
    Year 2021
    Related pages Tiffany Sia: Slippery When Wet
  • A marionette wearing a black suit, collared shirt, and white Nike Air Force 1s is positioned laying prone on a windowsill. Red curtains cover half of the window behind the marionette. In the corner, a small stage lights is directed at the marionette. Outside of the window is an alleyway with graffiti.
    A marionette wearing a black suit, collared shirt, and white Nike Air Force 1s is positioned laying prone on a windowsill. Red curtains cover half of the window behind the marionette. In the corner, a small stage lights is directed at the marionette. Outside of the window is an alleyway with graffiti.
    Aristotelis Nikolas Mochloulis, Aristotelis Nikolas Mochloulis, 2025. Marionette. Photo: Carter Seddon. [A marionette wearing a black suit, collared shirt, and white Nike Air Force 1s is positioned laying prone on a windowsill. Red curtains cover half of the window behind the marionette. In the corner, a small stage lights is directed at the marionette. Outside of the window is an alleyway with graffiti.]
    Caption Aristotelis Nikolas Mochloulis, Aristotelis Nikolas Mochloulis, 2025. Marionette. Photo: Carter Seddon.
    Image description A marionette wearing a black suit, collared shirt, and white Nike Air Force 1s is positioned laying prone on a windowsill. Red curtains cover half of the window behind the marionette. In the corner, a small stage lights is directed at the marionette. Outside of the window is an alleyway with graffiti.
    Year
    Related pages Aristotelis Nikolas Mochloulis Tour 3
  • Two figures perform on stage. The figure on the right stands behind a music stand and plays the flute while the figure on the left sits behind a microphone and reads off a piece of paper.
    Two figures perform on stage. The figure on the right stands behind a music stand and plays the flute while the figure on the left sits behind a microphone and reads off a piece of paper.
    Yasunao Tone in Concert with Barbara Held. Performance documentation, January 19, 2023, Artists Space. Photo: Destiny Mata [Two figures perform on stage. The figure on the right stands behind a music stand and plays the flute while the figure on the left sits behind a microphone and reads off a piece of paper.]
    Caption Yasunao Tone in Concert with Barbara Held. Performance documentation, January 19, 2023, Artists Space. Photo: Destiny Mata
    Image description Two figures perform on stage. The figure on the right stands behind a music stand and plays the flute while the figure on the left sits behind a microphone and reads off a piece of paper.
    Year 2023
    Related pages Yasunao Tone in Concert with Barbara Held
  • Image of a basement with two sculptures made of wood and fresnel lenses placed on either side of the image. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    Image of a basement with two sculptures made of wood and fresnel lenses placed on either side of the image. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement with two sculptures made of wood and fresnel lenses placed on either side of the image. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.]
    Caption SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a basement with two sculptures made of wood and fresnel lenses placed on either side of the image. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    Year 2022
    Related pages SCRAAATCH 11-18
  • Dr Andrew Torres, Teaching Artist leading a poetry class for Grade 8 students (detail), 2022
    Caption Dr Andrew Torres, Teaching Artist leading a poetry class for Grade 8 students (detail), 2022
    Image description
    Year 2022
    Related pages Art and Literacy: Poetry
  • A photograph of a large gallery space with multiple rooms visible. In the foreground, the floor is covered with flooring, except for a silhouette of a human figure which has been cut out of the flooring, through which the concrete below is visible. Two geometric abstract paintings hang on the wall above.
    A photograph of a large gallery space with multiple rooms visible. In the foreground, the floor is covered with flooring, except for a silhouette of a human figure which has been cut out of the flooring, through which the concrete below is visible. Two geometric abstract paintings hang on the wall above.
    Selections from the Artists File. Installation view, Artists Space, 1989. [A photograph of a large gallery space with multiple rooms visible. In the foreground, the floor is covered with flooring, except for a silhouette of a human figure which has been cut out of the flooring, through which the concrete below is visible. Two geometric abstract paintings hang on the wall above.]
    Caption Selections from the Artists File. Installation view, Artists Space, 1989.
    Image description A photograph of a large gallery space with multiple rooms visible. In the foreground, the floor is covered with flooring, except for a silhouette of a human figure which has been cut out of the flooring, through which the concrete below is visible. Two geometric abstract paintings hang on the wall above.
    Year 1989
    Related pages Selections from the Artist File
  • Image of a basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    Image of a basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.]
    Caption SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    Year 2022
    Related pages SCRAAATCH 11-18
  • Caption
    Image description
    Year
    Related pages Artists from the Studio in a School
  • A color photograph of four sculptures mounted on wooden pedastals. The sculptures are connected by copper netting and are composed of objects including a model of a human head, a plasma globe, a drum, lights, and wires.
    A color photograph of four sculptures mounted on wooden pedastals. The sculptures are connected by copper netting and are composed of objects including a model of a human head, a plasma globe, a drum, lights, and wires.
    Milford Graves, Cosmos 2 - 5, 2020. Wood, copper netting, hand-painted drum, lights, metal, casters, acupuncture head, figurines, artifact, turntable, printed label, metal, glue, copper netting tubing, hand-painted drum, plasma globe, tree branch, model brain, lights, printed label, stones, transducer, amplifier, wires, wooden crate, metal bracket, anatomical model, copper pipe, outdoor house lamp, transducer, amplifier, printed label. Dimensions variable. Photo: Filip Wolak. [A color photograph of four sculptures mounted on wooden pedastals. The sculptures are connected by copper netting and are composed of objects including a model of a human head, a plasma globe, a drum, lights, and wires.]
    Caption Milford Graves, Cosmos 2 - 5, 2020. Wood, copper netting, hand-painted drum, lights, metal, casters, acupuncture head, figurines, artifact, turntable, printed label, metal, glue, copper netting tubing, hand-painted drum, plasma globe, tree branch, model brain, lights, printed label, stones, transducer, amplifier, wires, wooden crate, metal bracket, anatomical model, copper pipe, outdoor house lamp, transducer, amplifier, printed label. Dimensions variable. Photo: Filip Wolak.
    Image description A color photograph of four sculptures mounted on wooden pedastals. The sculptures are connected by copper netting and are composed of objects including a model of a human head, a plasma globe, a drum, lights, and wires.
    Year 2021
    Related pages Milford Graves: Fundamental Frequency
  • A looseleaf sheet of paper with
    A looseleaf sheet of paper with
    [A looseleaf sheet of paper with "Spring 2012 F.R. DAVID" printed on the top in red type. The page is filled with handwritten black text.]
    Caption
    Image description A looseleaf sheet of paper with "Spring 2012 F.R. DAVID" printed on the top in red type. The page is filled with handwritten black text.
    Year 2012
    Related pages F.R.DAVID, Issue #9
  • A photo of a crosswalk with a red car standing halfway in it, and a small puddle of water in the foreground.
    A photo of a crosswalk with a red car standing halfway in it, and a small puddle of water in the foreground.
    Asia Negron, Untitled, 2018. [A photo of a crosswalk with a red car standing halfway in it, and a small puddle of water in the foreground.]
    Caption Asia Negron, Untitled, 2018.
    Image description A photo of a crosswalk with a red car standing halfway in it, and a small puddle of water in the foreground.
    Year 2018
    Related pages BRIDGE Photography
  • Beneath the Surface, BRIDGE photography presentation at City-As-School, November 5, 2021
    Caption Beneath the Surface, BRIDGE photography presentation at City-As-School, November 5, 2021
    Image description
    Year 2021
    Related pages Exhibitions and Events
  • A black and white photograph with two projectors hanging central with projections on one wall and another hanging screen in a gallery space.
    A black and white photograph with two projectors hanging central with projections on one wall and another hanging screen in a gallery space.
    Anne Bray. Man on First and Third, 1987. Slide/Sound Installation. [A black and white photograph with two projectors hanging central with projections on one wall and another hanging screen in a gallery space.]
    Caption Anne Bray. Man on First and Third, 1987. Slide/Sound Installation.
    Image description A black and white photograph with two projectors hanging central with projections on one wall and another hanging screen in a gallery space.
    Year 1987
    Related pages Dark Rooms
  • A figure performs on stage, holding their iPhone up to a microphone.
    A figure performs on stage, holding their iPhone up to a microphone.
    Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [A figure performs on stage, holding their iPhone up to a microphone.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure performs on stage, holding their iPhone up to a microphone.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-10
  • Black text on an orange background. The text reads: “Oct 19 / Xavier Cavazos / Pamela Booker.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on an orange background. The text reads: “Oct 19 / Xavier Cavazos / Pamela Booker.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on an orange background. The text reads: “Oct 19 / Xavier Cavazos / Pamela Booker.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on an orange background. The text reads: “Oct 19 / Xavier Cavazos / Pamela Booker.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Pamela Booker & Xavier Cavazos
  • Caption
    Image description
    Year
    Related pages Carolyn Lazard
  • Black, Arial text, reads,
    Black, Arial text, reads,
    [Black, Arial text, reads, "The Library of Helen DeWitt."]
    Caption
    Image description Black, Arial text, reads, "The Library of Helen DeWitt."
    Year 2014
    Related pages The Library Vaccine
  • A cartoon drawing of a bedroom with a purple bed, chair, and window
    A cartoon drawing of a bedroom with a purple bed, chair, and window
    Courtesy No Total. [A cartoon drawing of a bedroom with a purple bed, chair, and window]
    Caption Courtesy No Total.
    Image description A cartoon drawing of a bedroom with a purple bed, chair, and window
    Year 2017
    Related pages You Should Wake Up Earlier
  • Two figures in dark clothing stand before two music stands in front of a seated audience. The figure on the right is speaking, her hand pinched in a small gesture at her torso.
    Two figures in dark clothing stand before two music stands in front of a seated audience. The figure on the right is speaking, her hand pinched in a small gesture at her torso.
    Passages from People Who Led to My Plays. Performance documentation, March 1, 2020, Artists Space. Photo ©️ 2020 Paula Court. [Two figures in dark clothing stand before two music stands in front of a seated audience. The figure on the right is speaking, her hand pinched in a small gesture at her torso.]
    Caption Passages from People Who Led to My Plays. Performance documentation, March 1, 2020, Artists Space. Photo ©️ 2020 Paula Court.
    Image description Two figures in dark clothing stand before two music stands in front of a seated audience. The figure on the right is speaking, her hand pinched in a small gesture at her torso.
    Year 2020
    Related pages Passages from People Who Led to My Plays
  • An image of a display case with several letters, and a television sitting on top.
    An image of a display case with several letters, and a television sitting on top.
    Attention Line. Installation view (exceprts from Clairvoyant Journal, 1974, Clairvoyant Journal cassette tape, 1974, If Workshop, c. 1990 ), Artists Space, June 11 - August 20, 2022. Image courtesy Artists Space, New York. Photo: Filip Wolak [An image of a display case with several letters, and a television sitting on top.]
    Caption Attention Line. Installation view (exceprts from Clairvoyant Journal, 1974, Clairvoyant Journal cassette tape, 1974, If Workshop, c. 1990 ), Artists Space, June 11 - August 20, 2022. Image courtesy Artists Space, New York. Photo: Filip Wolak
    Image description An image of a display case with several letters, and a television sitting on top.
    Year 2022
    Related pages Attention Line
  • A black-and-white photograph of a man sitting down against a gray background wearing a Nazi uniform, holding a basket of apples.
    A black-and-white photograph of a man sitting down against a gray background wearing a Nazi uniform, holding a basket of apples.
    Collier Schorr, Traitor, 2001-2004. Courtesy Modern Art, London. [A black-and-white photograph of a man sitting down against a gray background wearing a Nazi uniform, holding a basket of apples.]
    Caption Collier Schorr, Traitor, 2001-2004. Courtesy Modern Art, London.
    Image description A black-and-white photograph of a man sitting down against a gray background wearing a Nazi uniform, holding a basket of apples.
    Year
    Related pages Drawing In A Straight Line
  • A black and white image of two blurry figures talking to each other in a dark room.
    A black and white image of two blurry figures talking to each other in a dark room.
    Jack Smith, Jack Smith at University of Colorado, 1980. Video, (sound, black and white), 100 minutes. [A black and white image of two blurry figures talking to each other in a dark room.]
    Caption Jack Smith, Jack Smith at University of Colorado, 1980. Video, (sound, black and white), 100 minutes.
    Image description A black and white image of two blurry figures talking to each other in a dark room.
    Year 1980
    Related pages Performance Premiere
  • A performer plays a clarinet on stage, bathed in blue and pink light.
    A performer plays a clarinet on stage, bathed in blue and pink light.
    Abasement #80. Performance documentation, September 22nd, 2025, Artists Space. Photo: Joshua Wildman. [A performer plays a clarinet on stage, bathed in blue and pink light.]
    Caption Abasement #80. Performance documentation, September 22nd, 2025, Artists Space. Photo: Joshua Wildman.
    Image description A performer plays a clarinet on stage, bathed in blue and pink light.
    Year
    Related pages Abasement #80
  • Six figures stand before a set of music stands in front of a seated audience in an interior space with industrial columns. They stand side by side in a horizontal line and are illuminated by overhead lights. A figure at the group's center looks up towards the audience, speaking. Their outstretched hand gestures towards the crowd.
    Six figures stand before a set of music stands in front of a seated audience in an interior space with industrial columns. They stand side by side in a horizontal line and are illuminated by overhead lights. A figure at the group's center looks up towards the audience, speaking. Their outstretched hand gestures towards the crowd.
    The Owl Answers. Performance documentation, February 29, 2020, Artists Space. Photo ©️ 2020 Filip Wolak. [Six figures stand before a set of music stands in front of a seated audience in an interior space with industrial columns. They stand side by side in a horizontal line and are illuminated by overhead lights. A figure at the group's center looks up towards the audience, speaking. Their outstretched hand gestures towards the crowd.]
    Caption The Owl Answers. Performance documentation, February 29, 2020, Artists Space. Photo ©️ 2020 Filip Wolak.
    Image description Six figures stand before a set of music stands in front of a seated audience in an interior space with industrial columns. They stand side by side in a horizontal line and are illuminated by overhead lights. A figure at the group's center looks up towards the audience, speaking. Their outstretched hand gestures towards the crowd.
    Year 2020
    Related pages The Owl Answers
  • Various posters, ephemera, and other printed matter hang on a wall with a light pink background.
    Various posters, ephemera, and other printed matter hang on a wall with a light pink background.
    Attention Line. Installation view (various ephemera surrounding the works of Vaginal Davis, c. 1990s), Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [Various posters, ephemera, and other printed matter hang on a wall with a light pink background.]
    Caption Attention Line. Installation view (various ephemera surrounding the works of Vaginal Davis, c. 1990s), Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak
    Image description Various posters, ephemera, and other printed matter hang on a wall with a light pink background.
    Year 2022
    Related pages Attention Line
  • A woman vaping in profile against a black background. An image of another woman and a child are visible in her exhaled smoke.
    A woman vaping in profile against a black background. An image of another woman and a child are visible in her exhaled smoke.
    Flyer by Bill Hayden. [A woman vaping in profile against a black background. An image of another woman and a child are visible in her exhaled smoke.]
    Caption Flyer by Bill Hayden.
    Image description A woman vaping in profile against a black background. An image of another woman and a child are visible in her exhaled smoke.
    Year 2014
    Related pages It's Get Better II / Bernadette Corporation: 2000 Wasted Years Book Launch
  • Color image of an abstract oil and wax work on panel, featuring various layers of light blue, green, yellow, and red swatches of paint, done in geometric shapes.
    Color image of an abstract oil and wax work on panel, featuring various layers of light blue, green, yellow, and red swatches of paint, done in geometric shapes.
    Richard Aldrich, Untitled, 2022. Photo: Filip Wolak. [Color image of an abstract oil and wax work on panel, featuring various layers of light blue, green, yellow, and red swatches of paint, done in geometric shapes.]
    Caption Richard Aldrich, Untitled, 2022. Photo: Filip Wolak.
    Image description Color image of an abstract oil and wax work on panel, featuring various layers of light blue, green, yellow, and red swatches of paint, done in geometric shapes.
    Year 2023
    Related pages Artists for Artists Space
  • A brown object stands on a white base. On the flat surface of the object, an onion and a lemon are connected by a wire. In the base of the object, a processing chip is embedded.
    A brown object stands on a white base. On the flat surface of the object, an onion and a lemon are connected by a wire. In the base of the object, a processing chip is embedded.
    Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $5,000
    [A brown object stands on a white base. On the flat surface of the object, an onion and a lemon are connected by a wire. In the base of the object, a processing chip is embedded.]
    Caption Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $5,000
    Image description A brown object stands on a white base. On the flat surface of the object, an onion and a lemon are connected by a wire. In the base of the object, a processing chip is embedded.
    Year 2019
    Related pages Trisha Baga Edition
  • Three vitrines are displayed in a light-filled gallery space with light wooden floors. The vitrines sit in between three white columns to the image's left side. On the right, a series of large, colorful prints featuring graphic, abstracted letters overlaid over various abstract shapes, patterns, and printed figures are displayed on a gallery wall.
    Three vitrines are displayed in a light-filled gallery space with light wooden floors. The vitrines sit in between three white columns to the image's left side. On the right, a series of large, colorful prints featuring graphic, abstracted letters overlaid over various abstract shapes, patterns, and printed figures are displayed on a gallery wall.
    Rip It Up and Start Again. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [Three vitrines are displayed in a light-filled gallery space with light wooden floors. The vitrines sit in between three white columns to the image's left side. On the right, a series of large, colorful prints featuring graphic, abstracted letters overlaid over various abstract shapes, patterns, and printed figures are displayed on a gallery wall.]
    Caption Rip It Up and Start Again. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description Three vitrines are displayed in a light-filled gallery space with light wooden floors. The vitrines sit in between three white columns to the image's left side. On the right, a series of large, colorful prints featuring graphic, abstracted letters overlaid over various abstract shapes, patterns, and printed figures are displayed on a gallery wall.
    Year 2010
    Related pages Rip It Up and Start Again: William S. Burroughs, Charles Henri Ford, Ray Johnson, Philippe Thomas, Arthur Russell
  • An offwhite poster with black letters framed two bands of a cropped watercolor painting announces a sound poetry festival entitled
    An offwhite poster with black letters framed two bands of a cropped watercolor painting announces a sound poetry festival entitled
    [An offwhite poster with black letters framed two bands of a cropped watercolor painting announces a sound poetry festival entitled "Chorus."]
    Caption
    Image description An offwhite poster with black letters framed two bands of a cropped watercolor painting announces a sound poetry festival entitled "Chorus."
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-10
  • A life-size foam sculpture of a naked human form in the likeness of Abraham Lincoln rests supine on a low white platform.
    A life-size foam sculpture of a naked human form in the likeness of Abraham Lincoln rests supine on a low white platform.
    Isabelle Frances McGuire, The Death of a Giant, 2024. Photo: Carter Seddon. [A life-size foam sculpture of a naked human form in the likeness of Abraham Lincoln rests supine on a low white platform.]
    Caption Isabelle Frances McGuire, The Death of a Giant, 2024. Photo: Carter Seddon.
    Image description A life-size foam sculpture of a naked human form in the likeness of Abraham Lincoln rests supine on a low white platform.
    Year
    Related pages Doris Guo Matthew Langan-Peck Isabelle Frances McGuire Ruben Ulises Rodriguez Montoya
  • Photographs of an opulant room are collaged together, creating a view of a single space with multiple perspectives. White text centered on the image reads
    Photographs of an opulant room are collaged together, creating a view of a single space with multiple perspectives. White text centered on the image reads
    Flyer for Segue Reading Series featuring Sasha Banks and Derek McCormack. Saturday, October 31, 2020, Artists Space. Artist: Keith Higginbotham [Photographs of an opulant room are collaged together, creating a view of a single space with multiple perspectives. White text centered on the image reads "Sasha Banks / Derek McCormack," and black text below reads "Segue."]
    Caption Flyer for Segue Reading Series featuring Sasha Banks and Derek McCormack. Saturday, October 31, 2020, Artists Space. Artist: Keith Higginbotham
    Image description Photographs of an opulant room are collaged together, creating a view of a single space with multiple perspectives. White text centered on the image reads "Sasha Banks / Derek McCormack," and black text below reads "Segue."
    Year 2020
    Related pages Segue Reading Series: Derek McCormack & Sasha Banks
  • A close-up shot of black fabric patterned with white dots, stripes, and zigzags.
    A close-up shot of black fabric patterned with white dots, stripes, and zigzags.
    Hilary Lloyd, Shirt, 2011. [A close-up shot of black fabric patterned with white dots, stripes, and zigzags.]
    Caption Hilary Lloyd, Shirt, 2011.
    Image description A close-up shot of black fabric patterned with white dots, stripes, and zigzags.
    Year 2011
    Related pages Hilary Lloyd
  • Four gallery walls sit at various angles in a bright-lit exhibition space. One of the walls is decorated with colorful vertical stripes. Another wall is covered in many small, square grid-like compositions. A wall at the photograph's center is decorated with a composition of abstract, smooth shapes and various figures rendered in black and white.
    Four gallery walls sit at various angles in a bright-lit exhibition space. One of the walls is decorated with colorful vertical stripes. Another wall is covered in many small, square grid-like compositions. A wall at the photograph's center is decorated with a composition of abstract, smooth shapes and various figures rendered in black and white.
    Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Four gallery walls sit at various angles in a bright-lit exhibition space. One of the walls is decorated with colorful vertical stripes. Another wall is covered in many small, square grid-like compositions. A wall at the photograph's center is decorated with a composition of abstract, smooth shapes and various figures rendered in black and white.]
    Caption Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Four gallery walls sit at various angles in a bright-lit exhibition space. One of the walls is decorated with colorful vertical stripes. Another wall is covered in many small, square grid-like compositions. A wall at the photograph's center is decorated with a composition of abstract, smooth shapes and various figures rendered in black and white.
    Year 2012
    Related pages Radical Localism: Art, Video and Culture from Pueblo Nuevo’s Mexicali Rose
  • Two figures perform on a stage with a keyboard. Washes of blue, green, orange and pink light are projected onto them.
    Two figures perform on a stage with a keyboard. Washes of blue, green, orange and pink light are projected onto them.
    Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [Two figures perform on a stage with a keyboard. Washes of blue, green, orange and pink light are projected onto them.]
    Caption Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman
    Image description Two figures perform on a stage with a keyboard. Washes of blue, green, orange and pink light are projected onto them.
    Year 2022
    Related pages Abasement #61
  • A black box screening room featuring a a video of a bespecaled white haired man with glasses speaking to the camera in front of rows of books.
    A black box screening room featuring a a video of a bespecaled white haired man with glasses speaking to the camera in front of rows of books.
    New Economy. Installation view, Artists Space, 2007. [A black box screening room featuring a a video of a bespecaled white haired man with glasses speaking to the camera in front of rows of books.]
    Caption New Economy. Installation view, Artists Space, 2007.
    Image description A black box screening room featuring a a video of a bespecaled white haired man with glasses speaking to the camera in front of rows of books.
    Year 2007
    Related pages New Economy
  • A model of a geometric, folded object with one mirrored side within an open white rectangle.
    A model of a geometric, folded object with one mirrored side within an open white rectangle.
    Sensual Hyper Tension. Installation view, Artists Space, 2004. [A model of a geometric, folded object with one mirrored side within an open white rectangle.]
    Caption Sensual Hyper Tension. Installation view, Artists Space, 2004.
    Image description A model of a geometric, folded object with one mirrored side within an open white rectangle.
    Year 2004
    Related pages Architecture & Design Project Series: Sensual Hyper Tension
  • Miniature houses constructed of documents are displayed on vitrines in the foreground. Behind them, tan, illustrated sacks of various sizes hang on a while wall. A purple painting of a buffalo with photo collage hangs on a wall to the right.
    Miniature houses constructed of documents are displayed on vitrines in the foreground. Behind them, tan, illustrated sacks of various sizes hang on a while wall. A purple painting of a buffalo with photo collage hangs on a wall to the right.
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [Miniature houses constructed of documents are displayed on vitrines in the foreground. Behind them, tan, illustrated sacks of various sizes hang on a while wall. A purple painting of a buffalo with photo collage hangs on a wall to the right.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description Miniature houses constructed of documents are displayed on vitrines in the foreground. Behind them, tan, illustrated sacks of various sizes hang on a while wall. A purple painting of a buffalo with photo collage hangs on a wall to the right.
    Year 2017
    Related pages Unholding
  • Black-and-white photograph of a TV against a brick wall, connected to a camera recording directly above a spotlighted chair and desk. A figure sits across the empty chair at the desk, while another figure kneels down to the left side of the desk working on something.
    Black-and-white photograph of a TV against a brick wall, connected to a camera recording directly above a spotlighted chair and desk. A figure sits across the empty chair at the desk, while another figure kneels down to the left side of the desk working on something.
    Yasunao Tone and Suzanne Fletcher performing Voice and Phenomenon, Experimental Intermedia Foundation, New York, 1976. [Black-and-white photograph of a TV against a brick wall, connected to a camera recording directly above a spotlighted chair and desk. A figure sits across the empty chair at the desk, while another figure kneels down to the left side of the desk working on something.]
    Caption Yasunao Tone and Suzanne Fletcher performing Voice and Phenomenon, Experimental Intermedia Foundation, New York, 1976.
    Image description Black-and-white photograph of a TV against a brick wall, connected to a camera recording directly above a spotlighted chair and desk. A figure sits across the empty chair at the desk, while another figure kneels down to the left side of the desk working on something.
    Year
    Related pages Yasunao Tone: Region of Paramedia
  • White text overlays a green and pink marbled background. The text reads: “April 1 / Fiel Guhit / Tianyi Sun.
    White text overlays a green and pink marbled background. The text reads: “April 1 / Fiel Guhit / Tianyi Sun.
    [White text overlays a green and pink marbled background. The text reads: “April 1 / Fiel Guhit / Tianyi Sun." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description White text overlays a green and pink marbled background. The text reads: “April 1 / Fiel Guhit / Tianyi Sun." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Fiel Guhit & Tianyi Sun
  • A photograph of the exhibition opening reception. A group of visitors look around at the art.
    A photograph of the exhibition opening reception. A group of visitors look around at the art.
    Four Scottish Artists. Opening Reception, Artists Space, 1979. [A photograph of the exhibition opening reception. A group of visitors look around at the art.]
    Caption Four Scottish Artists. Opening Reception, Artists Space, 1979.
    Image description A photograph of the exhibition opening reception. A group of visitors look around at the art.
    Year 1979
    Related pages Four Scottish Artists
  • A twinkling black Christmas tree stands in the foreground as the gallery walls recede. A few paintings hang on the more distant walls.
    A twinkling black Christmas tree stands in the foreground as the gallery walls recede. A few paintings hang on the more distant walls.
    Nandi Loaf, Aristotelis Nikolas Mochloulis, ricardo nagaoka, Sydney Schrader. Installation view, Artists Space, 2025. Photo: Carter Seddon [A twinkling black Christmas tree stands in the foreground as the gallery walls recede. A few paintings hang on the more distant walls. ]
    Caption Nandi Loaf, Aristotelis Nikolas Mochloulis, ricardo nagaoka, Sydney Schrader. Installation view, Artists Space, 2025. Photo: Carter Seddon
    Image description A twinkling black Christmas tree stands in the foreground as the gallery walls recede. A few paintings hang on the more distant walls.
    Year
    Related pages Nandi Loaf Aristotelis Nikolas Mochloulis Ricardo Nagaoka Sydney Schrader
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • An angled view of two adjacent walls, in between sit vitrines with minature houses constructed from documents. From left to right on the wall: colorful paper bags, a monitor with a video still, a purple section of wall with various photographic objects.
    An angled view of two adjacent walls, in between sit vitrines with minature houses constructed from documents. From left to right on the wall: colorful paper bags, a monitor with a video still, a purple section of wall with various photographic objects.
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [An angled view of two adjacent walls, in between sit vitrines with minature houses constructed from documents. From left to right on the wall: colorful paper bags, a monitor with a video still, a purple section of wall with various photographic objects.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description An angled view of two adjacent walls, in between sit vitrines with minature houses constructed from documents. From left to right on the wall: colorful paper bags, a monitor with a video still, a purple section of wall with various photographic objects.
    Year 2017
    Related pages Unholding
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • An imprint of pink pursed lips on off-white ground.
    An imprint of pink pursed lips on off-white ground.
    Maggie Lee, 100 Kisses for Artists Space, 2016, Lipstick on paper, each unique 10 x 8 ½ in / 25,4 x 21,6 cm, Signed and Numbered. [An imprint of pink pursed lips on off-white ground.]
    Caption Maggie Lee, 100 Kisses for Artists Space, 2016, Lipstick on paper, each unique 10 x 8 ½ in / 25,4 x 21,6 cm, Signed and Numbered.
    Image description An imprint of pink pursed lips on off-white ground.
    Year 2017
    Related pages Artists Space Annual Edition Portfolio 2017
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    Image description
    Year
    Related pages Performance People
  • White text on a grey ombré background. The text reads: “March 29 / Mei-Mei Berssenbrugge / James Sherry.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    White text on a grey ombré background. The text reads: “March 29 / Mei-Mei Berssenbrugge / James Sherry.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [White text on a grey ombré background. The text reads: “March 29 / Mei-Mei Berssenbrugge / James Sherry.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description White text on a grey ombré background. The text reads: “March 29 / Mei-Mei Berssenbrugge / James Sherry.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Mei-Mei Berssenbrugge & James Sherry
  • A figure in side profile studies sheet music placed on a piano.
    A figure in side profile studies sheet music placed on a piano.
    Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman [A figure in side profile studies sheet music placed on a piano.]
    Caption Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure in side profile studies sheet music placed on a piano.
    Year 2022
    Related pages Tisziji Muñoz with Francisco Mora Catlett and AfroHORN
  • A black and white photograph of a multicolored globe sitting on a wooden floor.
    A black and white photograph of a multicolored globe sitting on a wooden floor.
    Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Gary Burnley. [A black and white photograph of a multicolored globe sitting on a wooden floor.]
    Caption Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Gary Burnley.
    Image description A black and white photograph of a multicolored globe sitting on a wooden floor.
    Year 1979
    Related pages Gary Burnley
  • A side projector projects an image of a figure in an elaborate dress onto a freestanding wall in the middle of a gallery space. A mannequin wearing a decorative orange costumes stands to the left of the projection. In the background, a video monitor sits on a table and framed documents hang on the walls.
    A side projector projects an image of a figure in an elaborate dress onto a freestanding wall in the middle of a gallery space. A mannequin wearing a decorative orange costumes stands to the left of the projection. In the background, a video monitor sits on a table and framed documents hang on the walls.
    Jack Smith: Art Crust of Spiritual Oasis. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A side projector projects an image of a figure in an elaborate dress onto a freestanding wall in the middle of a gallery space. A mannequin wearing a decorative orange costumes stands to the left of the projection. In the background, a video monitor sits on a table and framed documents hang on the walls.]
    Caption Jack Smith: Art Crust of Spiritual Oasis. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description A side projector projects an image of a figure in an elaborate dress onto a freestanding wall in the middle of a gallery space. A mannequin wearing a decorative orange costumes stands to the left of the projection. In the background, a video monitor sits on a table and framed documents hang on the walls.
    Year 2018
    Related pages Jack Smith: Art Crust of Spiritual Oasis
  • A fractured image of a person hung on a white wall next to a tall stack of suitcases painted gold.
    A fractured image of a person hung on a white wall next to a tall stack of suitcases painted gold.
    A New World Order II: Remapping Tales of Desire. Installation view, Artists Space, 1992. [A fractured image of a person hung on a white wall next to a tall stack of suitcases painted gold.]
    Caption A New World Order II: Remapping Tales of Desire. Installation view, Artists Space, 1992.
    Image description A fractured image of a person hung on a white wall next to a tall stack of suitcases painted gold.
    Year 1992
    Related pages A New World Order II: Remapping Tales of Desire
  • Two performers stand side by side on stage. One performer plays a brass instrument and the other a woodwind instrument. They are bathed in a red-orange light, created from a projection.
    Two performers stand side by side on stage. One performer plays a brass instrument and the other a woodwind instrument. They are bathed in a red-orange light, created from a projection.
    Abasement #79. Performance documentation, August 11th, 2025, Artists Space. Photo: Joshua Wildman. [Two performers stand side by side on stage. One performer plays a brass instrument and the other a woodwind instrument. They are bathed in a red-orange light, created from a projection.]
    Caption Abasement #79. Performance documentation, August 11th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Two performers stand side by side on stage. One performer plays a brass instrument and the other a woodwind instrument. They are bathed in a red-orange light, created from a projection.
    Year
    Related pages Abasement #79
  • A brightly lit photograph of three human-sized costumes in front of a wall.
    A brightly lit photograph of three human-sized costumes in front of a wall.
    Attention Line. Installation view (costumes worn by Johanna Went, 1970s-2000s), Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [A brightly lit photograph of three human-sized costumes in front of a wall.]
    Caption Attention Line. Installation view (costumes worn by Johanna Went, 1970s-2000s), Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak
    Image description A brightly lit photograph of three human-sized costumes in front of a wall.
    Year 2022
    Related pages Attention Line
  • A color image of a drawing consisting of green, purple, yellow, and red lines and shapes that form an abstract composition. Single line white drawings complement the composition.
    A color image of a drawing consisting of green, purple, yellow, and red lines and shapes that form an abstract composition. Single line white drawings complement the composition.
    Renee Gladman, Untitled (black city), 2022, oil pastel and pigment on paper, 30 x 44 inches. Image courtesy Artists Space, New York. Photo: Filip Wolak. [A color image of a drawing consisting of green, purple, yellow, and red lines and shapes that form an abstract composition. Single line white drawings complement the composition.]
    Caption Renee Gladman, Untitled (black city), 2022, oil pastel and pigment on paper, 30 x 44 inches. Image courtesy Artists Space, New York. Photo: Filip Wolak.
    Image description A color image of a drawing consisting of green, purple, yellow, and red lines and shapes that form an abstract composition. Single line white drawings complement the composition.
    Year
    Related pages Renee Gladman
  • Several black-and-white magazines and documents opened and organized on a white surface.
    Several black-and-white magazines and documents opened and organized on a white surface.
    Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [Several black-and-white magazines and documents opened and organized on a white surface.]
    Caption Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description Several black-and-white magazines and documents opened and organized on a white surface.
    Year 2013
    Related pages Documenting Cadere: 1972 - 1978
  • An opened gate is visible on the right with tables and chairs set up on a cement floor and decorative steel windows visible at the top.
    An opened gate is visible on the right with tables and chairs set up on a cement floor and decorative steel windows visible at the top.
    Audrey Glassman, Untitled. Cibachrome, 28 x 42 inches. [An opened gate is visible on the right with tables and chairs set up on a cement floor and decorative steel windows visible at the top.]
    Caption Audrey Glassman, Untitled. Cibachrome, 28 x 42 inches.
    Image description An opened gate is visible on the right with tables and chairs set up on a cement floor and decorative steel windows visible at the top.
    Year
    Related pages U.S. Projects
  • A glossy object with dark tones showing glimpses of bright blue and purple throughout is pictured on a white base. The object has a lemon and an onion balanced on either end, with electrical cords running from the produce to a chipboard at the object's center.
    A glossy object with dark tones showing glimpses of bright blue and purple throughout is pictured on a white base. The object has a lemon and an onion balanced on either end, with electrical cords running from the produce to a chipboard at the object's center.
    Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $5,000
    [A glossy object with dark tones showing glimpses of bright blue and purple throughout is pictured on a white base. The object has a lemon and an onion balanced on either end, with electrical cords running from the produce to a chipboard at the object's center.]
    Caption Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $5,000
    Image description A glossy object with dark tones showing glimpses of bright blue and purple throughout is pictured on a white base. The object has a lemon and an onion balanced on either end, with electrical cords running from the produce to a chipboard at the object's center.
    Year
    Related pages Trisha Baga Edition
  • Two unframed paintings are hung on a foldable room divider in a gallery. The larger painting depicts the interior of a classroom with four ambiguous figures. The smaller painting shows a man poised mid-dance.
    Two unframed paintings are hung on a foldable room divider in a gallery. The larger painting depicts the interior of a classroom with four ambiguous figures. The smaller painting shows a man poised mid-dance.
    Lukas Duwenhögger: Undoolay. Installation view, Artists Space, 2016. Photo credit: Jean Vong. [Two unframed paintings are hung on a foldable room divider in a gallery. The larger painting depicts the interior of a classroom with four ambiguous figures. The smaller painting shows a man poised mid-dance.]
    Caption Lukas Duwenhögger: Undoolay. Installation view, Artists Space, 2016. Photo credit: Jean Vong.
    Image description Two unframed paintings are hung on a foldable room divider in a gallery. The larger painting depicts the interior of a classroom with four ambiguous figures. The smaller painting shows a man poised mid-dance.
    Year 2016
    Related pages Lukas Duwenhögger: Undoolay
  • In a basement space, an audience watches as a figure sitting behind a white table reads into a microphone. On the back wall behind the figure are two projected videos featuring a notebook, pieces of coral, and an image of the ocean.
    In a basement space, an audience watches as a figure sitting behind a white table reads into a microphone. On the back wall behind the figure are two projected videos featuring a notebook, pieces of coral, and an image of the ocean.
    Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang. [In a basement space, an audience watches as a figure sitting behind a white table reads into a microphone. On the back wall behind the figure are two projected videos featuring a notebook, pieces of coral, and an image of the ocean.]
    Caption Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang.
    Image description In a basement space, an audience watches as a figure sitting behind a white table reads into a microphone. On the back wall behind the figure are two projected videos featuring a notebook, pieces of coral, and an image of the ocean.
    Year
    Related pages Chang Yuchen: Coral Dictionary Vol. 1, 2019-2022
  • A color photograph of a white glove resting on a wicker pannier in a gallery space. The glove cups a multicolored card. Further in the background, an illuminated painting in a gold frame and a multi-tiered door are visible.
    A color photograph of a white glove resting on a wicker pannier in a gallery space. The glove cups a multicolored card. Further in the background, an illuminated painting in a gold frame and a multi-tiered door are visible.
    Lyndon Barrois Jr.: Mirage Collar. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of a white glove resting on a wicker pannier in a gallery space. The glove cups a multicolored card. Further in the background, an illuminated painting in a gold frame and a multi-tiered door are visible.]
    Caption Lyndon Barrois Jr.: Mirage Collar. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color photograph of a white glove resting on a wicker pannier in a gallery space. The glove cups a multicolored card. Further in the background, an illuminated painting in a gold frame and a multi-tiered door are visible.
    Year 2022
    Related pages Lyndon Barrois Jr.: Mirage Collar
  • Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They have papers taped and placed over their face.
    Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They have papers taped and placed over their face.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They have papers taped and placed over their face.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They have papers taped and placed over their face.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Several sculptures, video works, and models are installed in a gallery space with wooden flooring. Situated closest to the viewer is a geometric, white model installed in an acrylic box, which in turn is displayed on a large wooden table.
    Several sculptures, video works, and models are installed in a gallery space with wooden flooring. Situated closest to the viewer is a geometric, white model installed in an acrylic box, which in turn is displayed on a large wooden table.
    In The Poem About Love You Don't Write The Word Love. Installation view, Artists Space, 2006. Photo: Bill Orcutt. [Several sculptures, video works, and models are installed in a gallery space with wooden flooring. Situated closest to the viewer is a geometric, white model installed in an acrylic box, which in turn is displayed on a large wooden table.]
    Caption In The Poem About Love You Don't Write The Word Love. Installation view, Artists Space, 2006. Photo: Bill Orcutt.
    Image description Several sculptures, video works, and models are installed in a gallery space with wooden flooring. Situated closest to the viewer is a geometric, white model installed in an acrylic box, which in turn is displayed on a large wooden table.
    Year 2006
    Related pages In The Poem About Love You Don't Write The Word Love
  • A black and white image of a man and woman looking out beyond the camera with expressions of fear and concern. They each cradle a child in their arms. A young boy gazes up at the woman's face, clutching onto her arm with one hand. The man holds a girl close, his hand protectively bringing her head against his chest.
    A black and white image of a man and woman looking out beyond the camera with expressions of fear and concern. They each cradle a child in their arms. A young boy gazes up at the woman's face, clutching onto her arm with one hand. The man holds a girl close, his hand protectively bringing her head against his chest.
    Still from Mrs. Miniver, 1942. [A black and white image of a man and woman looking out beyond the camera with expressions of fear and concern. They each cradle a child in their arms. A young boy gazes up at the woman's face, clutching onto her arm with one hand. The man holds a girl close, his hand protectively bringing her head against his chest.]
    Caption Still from Mrs. Miniver, 1942.
    Image description A black and white image of a man and woman looking out beyond the camera with expressions of fear and concern. They each cradle a child in their arms. A young boy gazes up at the woman's face, clutching onto her arm with one hand. The man holds a girl close, his hand protectively bringing her head against his chest.
    Year 1942
    Related pages Mrs. Miniver
  • Color photo of an installation work in a gallery space. In the left foreground, two windows with images painted on the glass are hung from the ceiling. In the center midground, ceramic sculptures and kinetic sculptures made of branches surround a structural column. To the right of the column, a large paper-mache sculpture rests atop Comet cleaner bottles. In the background, two large drawings done on carbaord hang from a wooden partition wall.
    Color photo of an installation work in a gallery space. In the left foreground, two windows with images painted on the glass are hung from the ceiling. In the center midground, ceramic sculptures and kinetic sculptures made of branches surround a structural column. To the right of the column, a large paper-mache sculpture rests atop Comet cleaner bottles. In the background, two large drawings done on carbaord hang from a wooden partition wall.
    Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photo of an installation work in a gallery space. In the left foreground, two windows with images painted on the glass are hung from the ceiling. In the center midground, ceramic sculptures and kinetic sculptures made of branches surround a structural column. To the right of the column, a large paper-mache sculpture rests atop Comet cleaner bottles. In the background, two large drawings done on carbaord hang from a wooden partition wall.]
    Caption Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photo of an installation work in a gallery space. In the left foreground, two windows with images painted on the glass are hung from the ceiling. In the center midground, ceramic sculptures and kinetic sculptures made of branches surround a structural column. To the right of the column, a large paper-mache sculpture rests atop Comet cleaner bottles. In the background, two large drawings done on carbaord hang from a wooden partition wall.
    Year
    Related pages Char Jeré: Zoo or an Orchestra
  • A book cover design featuring large, sans-serif orange text on a white background. The text varies in size and reads
    A book cover design featuring large, sans-serif orange text on a white background. The text varies in size and reads
    Be Nice Share Everything Have Fun, ed. Stefan Kalmár and Daniel Pies. Kunstverein München, 2010. [A book cover design featuring large, sans-serif orange text on a white background. The text varies in size and reads "BE NICE SHARE EVERYTHING HAVE FUN."]
    Caption Be Nice Share Everything Have Fun, ed. Stefan Kalmár and Daniel Pies. Kunstverein München, 2010.
    Image description A book cover design featuring large, sans-serif orange text on a white background. The text varies in size and reads "BE NICE SHARE EVERYTHING HAVE FUN."
    Year 2010
    Related pages Be Nice Share Everything Have Fun
  • Magazine cut-outs and ink drawings are collaged together on a background of bright yellow paper. Pieces of paper with typewritten text listing the performers and event details are scattered around the flyer.
    Magazine cut-outs and ink drawings are collaged together on a background of bright yellow paper. Pieces of paper with typewritten text listing the performers and event details are scattered around the flyer.
    Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a background of bright yellow paper. Pieces of paper with typewritten text listing the performers and event details are scattered around the flyer.]
    Caption Flyer by Joe Frivaldi.
    Image description Magazine cut-outs and ink drawings are collaged together on a background of bright yellow paper. Pieces of paper with typewritten text listing the performers and event details are scattered around the flyer.
    Year
    Related pages Abasement #75
  • A black and white photograph of a small photograph against a white surface. The image pictured features the faces of two figures.
    A black and white photograph of a small photograph against a white surface. The image pictured features the faces of two figures.
    Work by Susan Eder. From Susan Eder, Matt Mullican Artists Space, 1976. [A black and white photograph of a small photograph against a white surface. The image pictured features the faces of two figures.]
    Caption Work by Susan Eder. From Susan Eder, Matt Mullican Artists Space, 1976.
    Image description A black and white photograph of a small photograph against a white surface. The image pictured features the faces of two figures.
    Year 1976
    Related pages Susan Eder, Matt Mullican
  • A fanciful drawn landscape of hunters following deer next to a figure in front of their desk next to a window and fireplace.
    A fanciful drawn landscape of hunters following deer next to a figure in front of their desk next to a window and fireplace.
    David Kroll. The Intrusion of Fear, the Fear of Knowing, 1985. [A fanciful drawn landscape of hunters following deer next to a figure in front of their desk next to a window and fireplace.]
    Caption David Kroll. The Intrusion of Fear, the Fear of Knowing, 1985.
    Image description A fanciful drawn landscape of hunters following deer next to a figure in front of their desk next to a window and fireplace.
    Year
    Related pages Recent Art from Chicago
  • An advertisement split down the middle with text and image. On the left text reads,
    An advertisement split down the middle with text and image. On the left text reads,
    Exhibition poster for ‘The Sights and Sounds of the Jewish East End’ at The Whitechapel Gallery, London. Design by Richard Hollis, 1980. Courtesy Richard Hollis [An advertisement split down the middle with text and image. On the left text reads, "The Sights and Sounds of the Jewing East End at the Whitechapel Gallery." On the right, a portrait of a family outside a corner shop of which the window reads, "John Jameson Whiskey."]
    Caption Exhibition poster for ‘The Sights and Sounds of the Jewish East End’ at The Whitechapel Gallery, London. Design by Richard Hollis, 1980. Courtesy Richard Hollis
    Image description An advertisement split down the middle with text and image. On the left text reads, "The Sights and Sounds of the Jewing East End at the Whitechapel Gallery." On the right, a portrait of a family outside a corner shop of which the window reads, "John Jameson Whiskey."
    Year 1980
    Related pages Richard Hollis
  • A photograph showing mostly the concrete floor of a gallery. Sitting on the floor is a large plexiglass box, the bottom of which is lined with eggs arranged in neat rows.
    A photograph showing mostly the concrete floor of a gallery. Sitting on the floor is a large plexiglass box, the bottom of which is lined with eggs arranged in neat rows.
    Selections from the Artists File. Installation view, Artists Space, 1989. [A photograph showing mostly the concrete floor of a gallery. Sitting on the floor is a large plexiglass box, the bottom of which is lined with eggs arranged in neat rows.]
    Caption Selections from the Artists File. Installation view, Artists Space, 1989.
    Image description A photograph showing mostly the concrete floor of a gallery. Sitting on the floor is a large plexiglass box, the bottom of which is lined with eggs arranged in neat rows.
    Year 1989
    Related pages Selections from the Artist File
  • Two split screen image photographs hang on a white gallery wall, the one closer has an image of a monkey dressed in a sports suit with a soccer ball on a field. The other image in the background shows a kitten with its eyes closed under a blanket. Both images of figures appear identicial.
    Two split screen image photographs hang on a white gallery wall, the one closer has an image of a monkey dressed in a sports suit with a soccer ball on a field. The other image in the background shows a kitten with its eyes closed under a blanket. Both images of figures appear identicial.
    Julie Wachtel. Installation View. Artists Space, 1985-86. [Two split screen image photographs hang on a white gallery wall, the one closer has an image of a monkey dressed in a sports suit with a soccer ball on a field. The other image in the background shows a kitten with its eyes closed under a blanket. Both images of figures appear identicial.]
    Caption Julie Wachtel. Installation View. Artists Space, 1985-86.
    Image description Two split screen image photographs hang on a white gallery wall, the one closer has an image of a monkey dressed in a sports suit with a soccer ball on a field. The other image in the background shows a kitten with its eyes closed under a blanket. Both images of figures appear identicial.
    Year
    Related pages Split/Vision
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • In a darkened room lit softly by red light, overlapping lines of open captions are projected on two adjacent black walls. The text varies in color (in faint greens, yellows and blues) and size.
    In a darkened room lit softly by red light, overlapping lines of open captions are projected on two adjacent black walls. The text varies in color (in faint greens, yellows and blues) and size.
    Constantina Zavitsanos: fwiw. Installation view (Ms. Pac-Man, 2024), Artists Space, 2024. Photo: Carter Seddon. [In a darkened room lit softly by red light, overlapping lines of open captions are projected on two adjacent black walls. The text varies in color (in faint greens, yellows and blues) and size.]
    Caption Constantina Zavitsanos: fwiw. Installation view (Ms. Pac-Man, 2024), Artists Space, 2024. Photo: Carter Seddon.
    Image description In a darkened room lit softly by red light, overlapping lines of open captions are projected on two adjacent black walls. The text varies in color (in faint greens, yellows and blues) and size.
    Year
    Related pages fwiw
  • Contact sheet of installation and opening photos from the exhibition.
    Contact sheet of installation and opening photos from the exhibition.
    Selections from the Unaffiliated Artists File. Installation view, Artists Space, 1982. [Contact sheet of installation and opening photos from the exhibition.]
    Caption Selections from the Unaffiliated Artists File. Installation view, Artists Space, 1982.
    Image description Contact sheet of installation and opening photos from the exhibition.
    Year
    Related pages Selections from the Unaffiliated Artists File
  • Two figures wearing medical scrubs move a table with wheels, on which a mannequin lies.
    Two figures wearing medical scrubs move a table with wheels, on which a mannequin lies.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court [Two figures wearing medical scrubs move a table with wheels, on which a mannequin lies.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court
    Image description Two figures wearing medical scrubs move a table with wheels, on which a mannequin lies.
    Year 2022
    Related pages Grandmother Cindy
  • At the center of a page there is an image of a charcoal drawing of a foot overlapping a scrap of an architectural diagram on a black background. Above this image, text reads,
    At the center of a page there is an image of a charcoal drawing of a foot overlapping a scrap of an architectural diagram on a black background. Above this image, text reads,
    Perspective: The State of Existing in Space Before the Eye. Leaftlet cover, Artists Space, 1989. [At the center of a page there is an image of a charcoal drawing of a foot overlapping a scrap of an architectural diagram on a black background. Above this image, text reads, "Don Stinson, Perspective: The State of Existing in Space Before the Eye." Below the image, text reads, "September 28-November 4, Artists Space."]
    Caption Perspective: The State of Existing in Space Before the Eye. Leaftlet cover, Artists Space, 1989.
    Image description At the center of a page there is an image of a charcoal drawing of a foot overlapping a scrap of an architectural diagram on a black background. Above this image, text reads, "Don Stinson, Perspective: The State of Existing in Space Before the Eye." Below the image, text reads, "September 28-November 4, Artists Space."
    Year 1989
    Related pages Project: Perspective: The State of Existing in Space Before the Eye
  • Detail view of a camel's head in profile against a palm tree and blue sky.
    Detail view of a camel's head in profile against a palm tree and blue sky.
    Heji Shin, Camp Habibi II, 2013, C-print, 20 x 16 inches, Signed edition of 100, 5APs, Courtesy of the artist. [Detail view of a camel's head in profile against a palm tree and blue sky.]
    Caption Heji Shin, Camp Habibi II, 2013, C-print, 20 x 16 inches, Signed edition of 100, 5APs, Courtesy of the artist.
    Image description Detail view of a camel's head in profile against a palm tree and blue sky.
    Year 2018
    Related pages Artists Space Annual Edition Portfolio 2018
  • A red and grey minimal book cover.
    A red and grey minimal book cover.
    Eds. Hugues Decointet, François Piron, Marilou Thiébault, Guy de Cointet: The Complete Plays (Paraguay Press, 2017). [A red and grey minimal book cover.]
    Caption Eds. Hugues Decointet, François Piron, Marilou Thiébault, Guy de Cointet: The Complete Plays (Paraguay Press, 2017).
    Image description A red and grey minimal book cover.
    Year 2017
    Related pages Guy de Cointet: The Complete Plays
  • A number of paintbrushes and artists gloves appear inside a tin can next to other tin cans and paintbrushes lying on a canvas and table underneath.
    A number of paintbrushes and artists gloves appear inside a tin can next to other tin cans and paintbrushes lying on a canvas and table underneath.
    Bert Carpenter. Reflections, 1980. [A number of paintbrushes and artists gloves appear inside a tin can next to other tin cans and paintbrushes lying on a canvas and table underneath.]
    Caption Bert Carpenter. Reflections, 1980.
    Image description A number of paintbrushes and artists gloves appear inside a tin can next to other tin cans and paintbrushes lying on a canvas and table underneath.
    Year
    Related pages Three Exhibitions Sponsored by the Mark Rothko Foundation
  • Various abstract star-like symbols appear wih a black background.
    Various abstract star-like symbols appear wih a black background.
    Gordon Onslow-Ford, Play, 1985. [Various abstract star-like symbols appear wih a black background.]
    Caption Gordon Onslow-Ford, Play, 1985.
    Image description Various abstract star-like symbols appear wih a black background.
    Year
    Related pages Moderns in Mind
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Photograph of a corner of a basement gallery. A wooden bench, painted blue on the surface, sits between two columns. The back of the bench reads
    Photograph of a corner of a basement gallery. A wooden bench, painted blue on the surface, sits between two columns. The back of the bench reads
    Clocking Out: Time Beyond Management. Installation view (Samson Kambalu, Nyau Cinema, 2014 - ongoing; Finnegan Shannon, Do you want us here or not, 2018; Kevin Jerome Everson, Workers Leaving the Job Site, 2013; Clare Hu, Perimeter, 2022), Artists Space, 2023. Photo: Greg Carideo. [Photograph of a corner of a basement gallery. A wooden bench, painted blue on the surface, sits between two columns. The back of the bench reads "THIS EXHIBITION HAS ASKED / ME TO STAND FOR TOO LONG." A woven piece hangs from the ceiling to the right. Behind the bench are projectors facing the wall at varying heights.]
    Caption Clocking Out: Time Beyond Management. Installation view (Samson Kambalu, Nyau Cinema, 2014 - ongoing; Finnegan Shannon, Do you want us here or not, 2018; Kevin Jerome Everson, Workers Leaving the Job Site, 2013; Clare Hu, Perimeter, 2022), Artists Space, 2023. Photo: Greg Carideo.
    Image description Photograph of a corner of a basement gallery. A wooden bench, painted blue on the surface, sits between two columns. The back of the bench reads "THIS EXHIBITION HAS ASKED / ME TO STAND FOR TOO LONG." A woven piece hangs from the ceiling to the right. Behind the bench are projectors facing the wall at varying heights.
    Year 2023
    Related pages Whitney Independent Study: Clocking Out: Time Beyond Management
  • A photograph of paintings hanging on the walls of a large gallery space with white walls. The work closest to the camera is a realistic painting of a baby, shown for the waist up.
    A photograph of paintings hanging on the walls of a large gallery space with white walls. The work closest to the camera is a realistic painting of a baby, shown for the waist up.
    Selections from the Artists File. Installation view, Artists Space, 1989. [A photograph of paintings hanging on the walls of a large gallery space with white walls. The work closest to the camera is a realistic painting of a baby, shown for the waist up.]
    Caption Selections from the Artists File. Installation view, Artists Space, 1989.
    Image description A photograph of paintings hanging on the walls of a large gallery space with white walls. The work closest to the camera is a realistic painting of a baby, shown for the waist up.
    Year 1989
    Related pages Selections from the Artist File
  • White text overlays a color-scheme grid background. The text reads: “Nov 4 / Gabriel Ojeda-Sagué / Xan Forest Phillips.
    White text overlays a color-scheme grid background. The text reads: “Nov 4 / Gabriel Ojeda-Sagué / Xan Forest Phillips.
    [White text overlays a color-scheme grid background. The text reads: “Nov 4 / Gabriel Ojeda-Sagué / Xan Forest Phillips." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description White text overlays a color-scheme grid background. The text reads: “Nov 4 / Gabriel Ojeda-Sagué / Xan Forest Phillips." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year
    Related pages Segue Reading Series: Gabriel Ojeda-Sagué & Xan Forest Phillips
  • Video still of a figure in glasses wearing a pink dress with black tulle fabric on a small stage. An overturned, white table is siutated to their right, and papers are strewn across the ground. The figure hunches over, looking out towards the audience. Their left hand is bent at their chest and points upwards, while their right hand touches the back of their head.
    Video still of a figure in glasses wearing a pink dress with black tulle fabric on a small stage. An overturned, white table is siutated to their right, and papers are strewn across the ground. The figure hunches over, looking out towards the audience. Their left hand is bent at their chest and points upwards, while their right hand touches the back of their head.
    [Video still of a figure in glasses wearing a pink dress with black tulle fabric on a small stage. An overturned, white table is siutated to their right, and papers are strewn across the ground. The figure hunches over, looking out towards the audience. Their left hand is bent at their chest and points upwards, while their right hand touches the back of their head.]
    Caption
    Image description Video still of a figure in glasses wearing a pink dress with black tulle fabric on a small stage. An overturned, white table is siutated to their right, and papers are strewn across the ground. The figure hunches over, looking out towards the audience. Their left hand is bent at their chest and points upwards, while their right hand touches the back of their head.
    Year 2004
    Related pages eRacism
  • Wolfgang Tillmans exhibition at David Zwirner, 2024
    Caption Wolfgang Tillmans exhibition at David Zwirner, 2024
    Image description
    Year
    Related pages BRIDGE Photography
  • A close-up, black and white photo of a person mid-speech, looking off-center.
    A close-up, black and white photo of a person mid-speech, looking off-center.
    Lyn Blumenthal and Kate Horsfield, still from Nancy Spero: An Interview, 1982. 35 min. [A close-up, black and white photo of a person mid-speech, looking off-center.]
    Caption Lyn Blumenthal and Kate Horsfield, still from Nancy Spero: An Interview, 1982. 35 min.
    Image description A close-up, black and white photo of a person mid-speech, looking off-center.
    Year 1982
    Related pages Film and Video Program | Macho Man, Tell It To My Heart: Collected by Julie Ault | January 16
  • Image of a TV screen playing blue-tinted video footage of the performance with a fresnel lens placed in front of the screen, distorting the image.
    Image of a TV screen playing blue-tinted video footage of the performance with a fresnel lens placed in front of the screen, distorting the image.
    SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a TV screen playing blue-tinted video footage of the performance with a fresnel lens placed in front of the screen, distorting the image.]
    Caption SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a TV screen playing blue-tinted video footage of the performance with a fresnel lens placed in front of the screen, distorting the image.
    Year 2022
    Related pages SCRAAATCH 12-3
  • An exhibition wall with multiple posters hanging in between two large speakers and a tv on a pedestal in the center.
    An exhibition wall with multiple posters hanging in between two large speakers and a tv on a pedestal in the center.
    The AIDS Crisis Is Not Over. Installation view, Artists Space, 1988. [An exhibition wall with multiple posters hanging in between two large speakers and a tv on a pedestal in the center.]
    Caption The AIDS Crisis Is Not Over. Installation view, Artists Space, 1988.
    Image description An exhibition wall with multiple posters hanging in between two large speakers and a tv on a pedestal in the center.
    Year 1988
    Related pages
  • Two maps, one of Asia and one of the Western United States, on red backgrounds positioned side by side. Black and white photographs are overlaid on particular cities in each map.
    Two maps, one of Asia and one of the Western United States, on red backgrounds positioned side by side. Black and white photographs are overlaid on particular cities in each map.
    A New World Order II: Remapping Tales of Desire. Installation view, Artists Space, 1992. [Two maps, one of Asia and one of the Western United States, on red backgrounds positioned side by side. Black and white photographs are overlaid on particular cities in each map.]
    Caption A New World Order II: Remapping Tales of Desire. Installation view, Artists Space, 1992.
    Image description Two maps, one of Asia and one of the Western United States, on red backgrounds positioned side by side. Black and white photographs are overlaid on particular cities in each map.
    Year 1992
    Related pages A New World Order II: Remapping Tales of Desire
  • Frame photographs and text hang on the wall in a gallery space.
    Frame photographs and text hang on the wall in a gallery space.
    Pool Show. Installation view, Artists Space, 1980. [Frame photographs and text hang on the wall in a gallery space.]
    Caption Pool Show. Installation view, Artists Space, 1980.
    Image description Frame photographs and text hang on the wall in a gallery space.
    Year
    Related pages Pool Show
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