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  • A black audio cassette tape with accents of grey and red on the cover. Handwritten text on the tape reads
    A black audio cassette tape with accents of grey and red on the cover. Handwritten text on the tape reads
    Audio cassette tape for Echo Chamber, Sharon Hayes & Brooke O'Harra. [A black audio cassette tape with accents of grey and red on the cover. Handwritten text on the tape reads "ECHO CHAMBER." Behind the tape is a wooden background.]
    Caption Audio cassette tape for Echo Chamber, Sharon Hayes & Brooke O'Harra.
    Image description A black audio cassette tape with accents of grey and red on the cover. Handwritten text on the tape reads "ECHO CHAMBER." Behind the tape is a wooden background.
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    Related pages Sharon Hayes and Brooke O'Harra 2
  • A black and white photograph of two figures standing in front of a wall of framed silhouettes.
    A black and white photograph of two figures standing in front of a wall of framed silhouettes.
    Pictures. Opening Reception, Artists Space, September 23, 1977. Photo: D. James Dee. [A black and white photograph of two figures standing in front of a wall of framed silhouettes.]
    Caption Pictures. Opening Reception, Artists Space, September 23, 1977. Photo: D. James Dee.
    Image description A black and white photograph of two figures standing in front of a wall of framed silhouettes.
    Year 1977
    Related pages Pictures
  • Installation view of several cast concrete blocks arranged on top of one another and leaning against each other, in two groups, standing on a wood floor.
    Installation view of several cast concrete blocks arranged on top of one another and leaning against each other, in two groups, standing on a wood floor.
    Beverly Buchanan, slab works, c. 1978–1980. Cast concrete sculptures with acrylic paint. Dimensions unknown. Courtesy the Frances Mulhall Achiles Library, Artist File, Whitney Museum of American Art. [Installation view of several cast concrete blocks arranged on top of one another and leaning against each other, in two groups, standing on a wood floor.]
    Caption Beverly Buchanan, slab works, c. 1978–1980. Cast concrete sculptures with acrylic paint. Dimensions unknown. Courtesy the Frances Mulhall Achiles Library, Artist File, Whitney Museum of American Art.
    Image description Installation view of several cast concrete blocks arranged on top of one another and leaning against each other, in two groups, standing on a wood floor.
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    Related pages Beverly Buchanan, 1978 – 1981
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    Related pages All These Different Things Are Sculpture
  • A performer sitting down with their eyes closed playing the cello. They are using one hand to play with a bow and the other hand is on the strings. They are tinted red from the lighting, the back wall is lit with white and purple light.
    A performer sitting down with their eyes closed playing the cello. They are using one hand to play with a bow and the other hand is on the strings. They are tinted red from the lighting, the back wall is lit with white and purple light.
    Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman. [A performer sitting down with their eyes closed playing the cello. They are using one hand to play with a bow and the other hand is on the strings. They are tinted red from the lighting, the back wall is lit with white and purple light.]
    Caption Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman.
    Image description A performer sitting down with their eyes closed playing the cello. They are using one hand to play with a bow and the other hand is on the strings. They are tinted red from the lighting, the back wall is lit with white and purple light.
    Year
    Related pages Abasement #74
  • A painting of a black, rectangular object on an orange backdrop. Below is text in black reading
    A painting of a black, rectangular object on an orange backdrop. Below is text in black reading
    The Mind/Body Problem. Installation view, Artists Space, 2006. Photo: Alan Wiener. [A painting of a black, rectangular object on an orange backdrop. Below is text in black reading "ENTERTAINMENT CENTER." Red text on a yellow background in zigzagged circles reads "Fully Assembled" and "$199."]
    Caption The Mind/Body Problem. Installation view, Artists Space, 2006. Photo: Alan Wiener.
    Image description A painting of a black, rectangular object on an orange backdrop. Below is text in black reading "ENTERTAINMENT CENTER." Red text on a yellow background in zigzagged circles reads "Fully Assembled" and "$199."
    Year 2006
    Related pages The Mind/Body Problem
  • Two performers stand and move on stage. On the right, a performer is playing the saxophone. The stage is illuminated in blue and white lights, as well as a colorful, patterned projection.
    Two performers stand and move on stage. On the right, a performer is playing the saxophone. The stage is illuminated in blue and white lights, as well as a colorful, patterned projection.
    Abasement #85. Performance documentation, March 2nd, 2026, Artists Space. Photo: Joshua Wildman. [Two performers stand and move on stage. On the right, a performer is playing the saxophone. The stage is illuminated in blue and white lights, as well as a colorful, patterned projection.]
    Caption Abasement #85. Performance documentation, March 2nd, 2026, Artists Space. Photo: Joshua Wildman.
    Image description Two performers stand and move on stage. On the right, a performer is playing the saxophone. The stage is illuminated in blue and white lights, as well as a colorful, patterned projection.
    Year
    Related pages Abasement #85
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  • A sculpture of a man holding a book is leaning against a column in an empty, open room. He is wearing a purple shirt, patterned blue shorts, and is crossing his legs, wearing white sneakers.
    A sculpture of a man holding a book is leaning against a column in an empty, open room. He is wearing a purple shirt, patterned blue shorts, and is crossing his legs, wearing white sneakers.
    Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013. [A sculpture of a man holding a book is leaning against a column in an empty, open room. He is wearing a purple shirt, patterned blue shorts, and is crossing his legs, wearing white sneakers.]
    Caption Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013.
    Image description A sculpture of a man holding a book is leaning against a column in an empty, open room. He is wearing a purple shirt, patterned blue shorts, and is crossing his legs, wearing white sneakers.
    Year 2013
    Related pages Pride Goes Before a Fall
  • A black and white image of a column-like sculpture displayed in the exhibition space.
    A black and white image of a column-like sculpture displayed in the exhibition space.
    Installation view from International Projects: Belgium, featuring Didier Vermeiren, Artists Space, 1984 [A black and white image of a column-like sculpture displayed in the exhibition space.]
    Caption Installation view from International Projects: Belgium, featuring Didier Vermeiren, Artists Space, 1984
    Image description A black and white image of a column-like sculpture displayed in the exhibition space.
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    Related pages International Projects: Belgium
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  • Students in front of Ana González work at Sean Kelly, 2025
    Caption Students in front of Ana González work at Sean Kelly, 2025
    Image description
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    Related pages BRIDGE Photography
  • Three performers stand on stage in front of an audience. Two performers operate at a table with musical equipment while the third plays an electric string instrument. The room is bathed in red light.
    Three performers stand on stage in front of an audience. Two performers operate at a table with musical equipment while the third plays an electric string instrument. The room is bathed in red light.
    Abasement #86. Performance documentation, April 6th, 2026, Artists Space. Photo: Joshua Wildman. [Three performers stand on stage in front of an audience. Two performers operate at a table with musical equipment while the third plays an electric string instrument. The room is bathed in red light.]
    Caption Abasement #86. Performance documentation, April 6th, 2026, Artists Space. Photo: Joshua Wildman.
    Image description Three performers stand on stage in front of an audience. Two performers operate at a table with musical equipment while the third plays an electric string instrument. The room is bathed in red light.
    Year
    Related pages Abasement #86
  • A framed photograph with a red border of a naked man on a blue shag carpet. The man is seated, leaning slightly back on his hands with his legs extended. He is bald with a full grey beard.
    A framed photograph with a red border of a naked man on a blue shag carpet. The man is seated, leaning slightly back on his hands with his legs extended. He is bald with a full grey beard.
    Flipside. Installation view, Artists Space, 2004. [A framed photograph with a red border of a naked man on a blue shag carpet. The man is seated, leaning slightly back on his hands with his legs extended. He is bald with a full grey beard.]
    Caption Flipside. Installation view, Artists Space, 2004.
    Image description A framed photograph with a red border of a naked man on a blue shag carpet. The man is seated, leaning slightly back on his hands with his legs extended. He is bald with a full grey beard.
    Year 2004
    Related pages Flipside
  • An individual TV monitor with three wooden chairs placed in front of it, each holding headphones. Edward Snowden appears speaking to the camera onscreen.
    An individual TV monitor with three wooden chairs placed in front of it, each holding headphones. Edward Snowden appears speaking to the camera onscreen.
    Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [An individual TV monitor with three wooden chairs placed in front of it, each holding headphones. Edward Snowden appears speaking to the camera onscreen.]
    Caption Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez.
    Image description An individual TV monitor with three wooden chairs placed in front of it, each holding headphones. Edward Snowden appears speaking to the camera onscreen.
    Year 2014
    Related pages Laura Poitras: 9/11 Trilogy
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  • A crowd if people sit on wooden chairs in a large gallery space. The crowd forms a semi-circle around a portion of the gallery floor covered in a brown, dirt-like material. A woman in a white suit stands amonst the debris and speaks into a microphone in front of a sculpture composed of a large pane of glass.
    A crowd if people sit on wooden chairs in a large gallery space. The crowd forms a semi-circle around a portion of the gallery floor covered in a brown, dirt-like material. A woman in a white suit stands amonst the debris and speaks into a microphone in front of a sculpture composed of a large pane of glass.
    Fifth Season Act, Apotheosically. Performance documentation, May 31, 2012, Artists Space. [A crowd if people sit on wooden chairs in a large gallery space. The crowd forms a semi-circle around a portion of the gallery floor covered in a brown, dirt-like material. A woman in a white suit stands amonst the debris and speaks into a microphone in front of a sculpture composed of a large pane of glass.]
    Caption Fifth Season Act, Apotheosically. Performance documentation, May 31, 2012, Artists Space.
    Image description A crowd if people sit on wooden chairs in a large gallery space. The crowd forms a semi-circle around a portion of the gallery floor covered in a brown, dirt-like material. A woman in a white suit stands amonst the debris and speaks into a microphone in front of a sculpture composed of a large pane of glass.
    Year 2012
    Related pages Fifth Season Act, Apotheosically
  • Color photograph of video work installed on a wooden desk. Visible on the wall in the background is a work on paper mounted on a mirror.
    Color photograph of video work installed on a wooden desk. Visible on the wall in the background is a work on paper mounted on a mirror.
    Left: Jazmín López, You don’t have to tell him, he knows what you want, 2022. Art Magazine. Right: Scott Cottingham, CHAIN-LINK,, 2022. Single-channel video with sound, comprising machinima, 3D animation, and found footage elements, 89 minutes. Photo: Steven Cottingham. [Color photograph of video work installed on a wooden desk. Visible on the wall in the background is a work on paper mounted on a mirror.]
    Caption Left: Jazmín López, You don’t have to tell him, he knows what you want, 2022. Art Magazine. Right: Scott Cottingham, CHAIN-LINK,, 2022. Single-channel video with sound, comprising machinima, 3D animation, and found footage elements, 89 minutes. Photo: Steven Cottingham.
    Image description Color photograph of video work installed on a wooden desk. Visible on the wall in the background is a work on paper mounted on a mirror.
    Year
    Related pages Whitney Independent Study: Everything is Common
  • Black & white photograph of a room with black walls. A figure stands behind a harp, next to a stool and music stand. A spotlight shines on the harp. In the middle of the space is a hanging screen that plays a projected video of a close-up of a face.
    Black & white photograph of a room with black walls. A figure stands behind a harp, next to a stool and music stand. A spotlight shines on the harp. In the middle of the space is a hanging screen that plays a projected video of a close-up of a face.
    Shala Miller performs Genesis: Medley. Performance documentation, May 11, 2023, Artists Space. Photo: Roy Baizan. [Black & white photograph of a room with black walls. A figure stands behind a harp, next to a stool and music stand. A spotlight shines on the harp. In the middle of the space is a hanging screen that plays a projected video of a close-up of a face.]
    Caption Shala Miller performs Genesis: Medley. Performance documentation, May 11, 2023, Artists Space. Photo: Roy Baizan.
    Image description Black & white photograph of a room with black walls. A figure stands behind a harp, next to a stool and music stand. A spotlight shines on the harp. In the middle of the space is a hanging screen that plays a projected video of a close-up of a face.
    Year 2023
    Related pages Genesis: Medley
  • A figure in a blue morph suit kneels down next to a wooden table and looks off to the right. Audience members sit along the floor in the background.
    A figure in a blue morph suit kneels down next to a wooden table and looks off to the right. Audience members sit along the floor in the background.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [A figure in a blue morph suit kneels down next to a wooden table and looks off to the right. Audience members sit along the floor in the background.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description A figure in a blue morph suit kneels down next to a wooden table and looks off to the right. Audience members sit along the floor in the background.
    Year 2022
    Related pages SCRAAATCH 12-3
  • An abstract image featuring monotone areas of green, red, orange, and blue color. A large green rectangle stretches across the image's center. Three red shapes resembling falling figures are arranged within the green shape. To the left of the green shape, the composition is covered with a blue checkerboard pattern. Across the top portion of the image, amorphous, pipe-like red and orange forms twist and connect on a pale green backdrop.
    An abstract image featuring monotone areas of green, red, orange, and blue color. A large green rectangle stretches across the image's center. Three red shapes resembling falling figures are arranged within the green shape. To the left of the green shape, the composition is covered with a blue checkerboard pattern. Across the top portion of the image, amorphous, pipe-like red and orange forms twist and connect on a pale green backdrop.
    [An abstract image featuring monotone areas of green, red, orange, and blue color. A large green rectangle stretches across the image's center. Three red shapes resembling falling figures are arranged within the green shape. To the left of the green shape, the composition is covered with a blue checkerboard pattern. Across the top portion of the image, amorphous, pipe-like red and orange forms twist and connect on a pale green backdrop.]
    Caption
    Image description An abstract image featuring monotone areas of green, red, orange, and blue color. A large green rectangle stretches across the image's center. Three red shapes resembling falling figures are arranged within the green shape. To the left of the green shape, the composition is covered with a blue checkerboard pattern. Across the top portion of the image, amorphous, pipe-like red and orange forms twist and connect on a pale green backdrop.
    Year 2003
    Related pages Abstruction
  • A figure stands behind a microphone, smiling and looking off into the audience.
    A figure stands behind a microphone, smiling and looking off into the audience.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure stands behind a microphone, smiling and looking off into the audience.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure stands behind a microphone, smiling and looking off into the audience.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
  • Color image of a watercolor painting. Against a purple and brown background, emerge flowers with bright blue petals opening up in the middle of the composition. In the background, other blue flowers, and plants surround them. A pair of eyes, nose and mouth are painted over the largest blue flower placed in the middle.
    Color image of a watercolor painting. Against a purple and brown background, emerge flowers with bright blue petals opening up in the middle of the composition. In the background, other blue flowers, and plants surround them. A pair of eyes, nose and mouth are painted over the largest blue flower placed in the middle.
    Sanya Kantarovsky, Growth VI, 2023. Photo: Filip Wolak. [Color image of a watercolor painting. Against a purple and brown background, emerge flowers with bright blue petals opening up in the middle of the composition. In the background, other blue flowers, and plants surround them. A pair of eyes, nose and mouth are painted over the largest blue flower placed in the middle.]
    Caption Sanya Kantarovsky, Growth VI, 2023. Photo: Filip Wolak.
    Image description Color image of a watercolor painting. Against a purple and brown background, emerge flowers with bright blue petals opening up in the middle of the composition. In the background, other blue flowers, and plants surround them. A pair of eyes, nose and mouth are painted over the largest blue flower placed in the middle.
    Year 2023
    Related pages Artists for Artists Space
  • A photocollage of the same image, a man opening a car hood, repeated 14 x 4 times includes has been altered with white, yellow, and black paint in individual photographs. These include scenes such as fire, melting, and the addition of new characters.
    A photocollage of the same image, a man opening a car hood, repeated 14 x 4 times includes has been altered with white, yellow, and black paint in individual photographs. These include scenes such as fire, melting, and the addition of new characters.
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A photocollage of the same image, a man opening a car hood, repeated 14 x 4 times includes has been altered with white, yellow, and black paint in individual photographs. These include scenes such as fire, melting, and the addition of new characters.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description A photocollage of the same image, a man opening a car hood, repeated 14 x 4 times includes has been altered with white, yellow, and black paint in individual photographs. These include scenes such as fire, melting, and the addition of new characters.
    Year 2017
    Related pages Unholding
  • A person bends over an electric piano, her hair falling over her face. She is illuminated from behind by a brightly lit wall.
    A person bends over an electric piano, her hair falling over her face. She is illuminated from behind by a brightly lit wall.
    Jutta Koether: xxapollo. Performance documentation, January 5, 2020, Artists Space. Photo © 2020 Paula Court. [A person bends over an electric piano, her hair falling over her face. She is illuminated from behind by a brightly lit wall.]
    Caption Jutta Koether: xxapollo. Performance documentation, January 5, 2020, Artists Space. Photo © 2020 Paula Court.
    Image description A person bends over an electric piano, her hair falling over her face. She is illuminated from behind by a brightly lit wall.
    Year 2020
    Related pages Jutta Koether
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  • Several sculptures and 2D works installed in a gallery space with wooden flooring. Two walls emerge on the left and right sides of the image, creating a doorway through which another area of the gallery is visible. The wall on the left is painted black, while all other walls are painted white. Several photographs—including two picturing nude figures bound in rope—and works on paper hang on either wall. In the far gallery space, three sculptures sit on the floor and a single TV monitor is installed on the farthest wall.
    Several sculptures and 2D works installed in a gallery space with wooden flooring. Two walls emerge on the left and right sides of the image, creating a doorway through which another area of the gallery is visible. The wall on the left is painted black, while all other walls are painted white. Several photographs—including two picturing nude figures bound in rope—and works on paper hang on either wall. In the far gallery space, three sculptures sit on the floor and a single TV monitor is installed on the farthest wall.
    Log Cabin. Installation view, Artists Space, 2005. [Several sculptures and 2D works installed in a gallery space with wooden flooring. Two walls emerge on the left and right sides of the image, creating a doorway through which another area of the gallery is visible. The wall on the left is painted black, while all other walls are painted white. Several photographs—including two picturing nude figures bound in rope—and works on paper hang on either wall. In the far gallery space, three sculptures sit on the floor and a single TV monitor is installed on the farthest wall.]
    Caption Log Cabin. Installation view, Artists Space, 2005.
    Image description Several sculptures and 2D works installed in a gallery space with wooden flooring. Two walls emerge on the left and right sides of the image, creating a doorway through which another area of the gallery is visible. The wall on the left is painted black, while all other walls are painted white. Several photographs—including two picturing nude figures bound in rope—and works on paper hang on either wall. In the far gallery space, three sculptures sit on the floor and a single TV monitor is installed on the farthest wall.
    Year 2005
    Related pages Log Cabin
  • Two screens are mounted vertically on metal poles that stretch floor to ceiling. The screens show black images with white light spots.
    Two screens are mounted vertically on metal poles that stretch floor to ceiling. The screens show black images with white light spots.
    Hilary Lloyd. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [Two screens are mounted vertically on metal poles that stretch floor to ceiling. The screens show black images with white light spots.]
    Caption Hilary Lloyd. Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description Two screens are mounted vertically on metal poles that stretch floor to ceiling. The screens show black images with white light spots.
    Year 2011
    Related pages Hilary Lloyd
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  • Photograph of a basement gallery space with various multimedia works on display. In the left back corner is a reading room, and in the center is a large wooden platform, a wooden bench painted blue, and a woven hanging.
    Photograph of a basement gallery space with various multimedia works on display. In the left back corner is a reading room, and in the center is a large wooden platform, a wooden bench painted blue, and a woven hanging.
    Clocking Out: Time Beyond Management. Installation view, Artists Space, 2023. Photo: Greg Carideo. [Photograph of a basement gallery space with various multimedia works on display. In the left back corner is a reading room, and in the center is a large wooden platform, a wooden bench painted blue, and a woven hanging.]
    Caption Clocking Out: Time Beyond Management. Installation view, Artists Space, 2023. Photo: Greg Carideo.
    Image description Photograph of a basement gallery space with various multimedia works on display. In the left back corner is a reading room, and in the center is a large wooden platform, a wooden bench painted blue, and a woven hanging.
    Year 2023
    Related pages Whitney Independent Study: Clocking Out: Time Beyond Management
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  • A black and white image of a painted abstract figure. In the left corner is sharp black line that consists of multiple ninety degree angles. Towards the right is a black figure collaged with multiple materals.
    A black and white image of a painted abstract figure. In the left corner is sharp black line that consists of multiple ninety degree angles. Towards the right is a black figure collaged with multiple materals.
    Benje LaRico. Goa VI, 1987. Enamel, Plastic, Wood, Wallpaper on plywood. 52 inches x 8.5 inches x 1 inch. [A black and white image of a painted abstract figure. In the left corner is sharp black line that consists of multiple ninety degree angles. Towards the right is a black figure collaged with multiple materals.]
    Caption Benje LaRico. Goa VI, 1987. Enamel, Plastic, Wood, Wallpaper on plywood. 52 inches x 8.5 inches x 1 inch.
    Image description A black and white image of a painted abstract figure. In the left corner is sharp black line that consists of multiple ninety degree angles. Towards the right is a black figure collaged with multiple materals.
    Year 1987
    Related pages Abstraction in Process
  • Large black straps wrap around some cast-iron columns, an orange, slug skins covers one of the cast-iron columns and other large, orange slug forms interact with the white-walled gallery space in the background. A black table sits in the corner and a figurative painting of an upright shark is in the back left corner.
    Large black straps wrap around some cast-iron columns, an orange, slug skins covers one of the cast-iron columns and other large, orange slug forms interact with the white-walled gallery space in the background. A black table sits in the corner and a figurative painting of an upright shark is in the back left corner.
    Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez. [Large black straps wrap around some cast-iron columns, an orange, slug skins covers one of the cast-iron columns and other large, orange slug forms interact with the white-walled gallery space in the background. A black table sits in the corner and a figurative painting of an upright shark is in the back left corner.]
    Caption Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez.
    Image description Large black straps wrap around some cast-iron columns, an orange, slug skins covers one of the cast-iron columns and other large, orange slug forms interact with the white-walled gallery space in the background. A black table sits in the corner and a figurative painting of an upright shark is in the back left corner.
    Year 2020
    Related pages Jana Euler
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    Related pages Dream Lines: Drawings by Marian Zazeela
  • Two figures in blue morph suits face off, with one figure sitting down on a wooden box looking up at the other figure who stands above them wearing wings made of fresnel lenses. All the way on the right a figure takes video footage of the scene.
    Two figures in blue morph suits face off, with one figure sitting down on a wooden box looking up at the other figure who stands above them wearing wings made of fresnel lenses. All the way on the right a figure takes video footage of the scene.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Two figures in blue morph suits face off, with one figure sitting down on a wooden box looking up at the other figure who stands above them wearing wings made of fresnel lenses. All the way on the right a figure takes video footage of the scene.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Two figures in blue morph suits face off, with one figure sitting down on a wooden box looking up at the other figure who stands above them wearing wings made of fresnel lenses. All the way on the right a figure takes video footage of the scene.
    Year 2022
    Related pages SCRAAATCH 11-18
  • A color photograph of a a punching bag, other boxing equipment, and a sculpture of a human figure suspended from a rectangular wooden panel. In the background, three television monitors are stacked in a column, each playing a color video of figures in movement.
    A color photograph of a a punching bag, other boxing equipment, and a sculpture of a human figure suspended from a rectangular wooden panel. In the background, three television monitors are stacked in a column, each playing a color video of figures in movement.
    Milford Graves: Fundamental Frequency. Installation view (Yara Training Bag, c. 1990; Three Monitors with Yara Videos, c. 1980s and 90s), Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak. [A color photograph of a a punching bag, other boxing equipment, and a sculpture of a human figure suspended from a rectangular wooden panel. In the background, three television monitors are stacked in a column, each playing a color video of figures in movement.]
    Caption Milford Graves: Fundamental Frequency. Installation view (Yara Training Bag, c. 1990; Three Monitors with Yara Videos, c. 1980s and 90s), Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak.
    Image description A color photograph of a a punching bag, other boxing equipment, and a sculpture of a human figure suspended from a rectangular wooden panel. In the background, three television monitors are stacked in a column, each playing a color video of figures in movement.
    Year 2021
    Related pages Milford Graves: Fundamental Frequency
  • A red and grey minimal book cover.
    A red and grey minimal book cover.
    Eds. Hugues Decointet, François Piron, Marilou Thiébault, Guy de Cointet: The Complete Plays (Paraguay Press, 2017). [A red and grey minimal book cover.]
    Caption Eds. Hugues Decointet, François Piron, Marilou Thiébault, Guy de Cointet: The Complete Plays (Paraguay Press, 2017).
    Image description A red and grey minimal book cover.
    Year 2017
    Related pages Guy de Cointet: The Complete Plays
  • A color image of a gallery space. In the corner of a gallery space, a taxidermied crow is perched atop an iron axe that is decorated with bottle caps. The crow and the iron axe are placed upon a tall pedestal about four feet tall, so that the crow is at, or above the viewers eye level. Entangled in the birds feathers and wings are strands of black hair.
    A color image of a gallery space. In the corner of a gallery space, a taxidermied crow is perched atop an iron axe that is decorated with bottle caps. The crow and the iron axe are placed upon a tall pedestal about four feet tall, so that the crow is at, or above the viewers eye level. Entangled in the birds feathers and wings are strands of black hair.
    Andy Robert, Favorite Perch, 2023. Taxidermy crow, hair, bottle caps, iron nails, iron axe. Image courtesy Artists Space, New York. Photo: Carter Seddon. [A color image of a gallery space. In the corner of a gallery space, a taxidermied crow is perched atop an iron axe that is decorated with bottle caps. The crow and the iron axe are placed upon a tall pedestal about four feet tall, so that the crow is at, or above the viewers eye level. Entangled in the birds feathers and wings are strands of black hair.]
    Caption Andy Robert, Favorite Perch, 2023. Taxidermy crow, hair, bottle caps, iron nails, iron axe. Image courtesy Artists Space, New York. Photo: Carter Seddon.
    Image description A color image of a gallery space. In the corner of a gallery space, a taxidermied crow is perched atop an iron axe that is decorated with bottle caps. The crow and the iron axe are placed upon a tall pedestal about four feet tall, so that the crow is at, or above the viewers eye level. Entangled in the birds feathers and wings are strands of black hair.
    Year
    Related pages Andy Robert: Papaloko
  • Color photograph of a figure dressed in white, laying down on a window ledge facing the street. They raise on arm up and a white light shines from their pelvic area.
    Color photograph of a figure dressed in white, laying down on a window ledge facing the street. They raise on arm up and a white light shines from their pelvic area.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure dressed in white, laying down on a window ledge facing the street. They raise on arm up and a white light shines from their pelvic area.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a figure dressed in white, laying down on a window ledge facing the street. They raise on arm up and a white light shines from their pelvic area.
    Year 2022
    Related pages keyon gaskin 12-18
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A painting hanging next to a bag behind a cross with light shining on it. A lighted ball is seen in one corner and lighted bottles in a box are seen in another corner.
    A painting hanging next to a bag behind a cross with light shining on it. A lighted ball is seen in one corner and lighted bottles in a box are seen in another corner.
    We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [A painting hanging next to a bag behind a cross with light shining on it. A lighted ball is seen in one corner and lighted bottles in a box are seen in another corner.]
    Caption We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987.
    Image description A painting hanging next to a bag behind a cross with light shining on it. A lighted ball is seen in one corner and lighted bottles in a box are seen in another corner.
    Year
    Related pages We the People
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A box-like structure made of wooden boards casts a shadow. The top of the structure is open, revealing an interior lining.
    A box-like structure made of wooden boards casts a shadow. The top of the structure is open, revealing an interior lining.
    Brad Kronz, Thank the Poet, 2025. Wood, stain, marker, screws, carpet, fabric, board. Photo: Carter Seddon [A box-like structure made of wooden boards casts a shadow. The top of the structure is open, revealing an interior lining. ]
    Caption Brad Kronz, Thank the Poet, 2025. Wood, stain, marker, screws, carpet, fabric, board. Photo: Carter Seddon
    Image description A box-like structure made of wooden boards casts a shadow. The top of the structure is open, revealing an interior lining.
    Year
    Related pages Brad Kronz
  • Sculptural and painted works appear in a white-walled gallery space.
    Sculptural and painted works appear in a white-walled gallery space.
    35 Artists Return to Artists Space. Installation view, Artists Space, 1981. [Sculptural and painted works appear in a white-walled gallery space.]
    Caption 35 Artists Return to Artists Space. Installation view, Artists Space, 1981.
    Image description Sculptural and painted works appear in a white-walled gallery space.
    Year
    Related pages 35 Artists Return to Artists Space: A Benefit Exhibition
  • A figure in a baseball cap stands beside a table covered in scattered drinks and a laptop, typing on the computer’s keys.
    A figure in a baseball cap stands beside a table covered in scattered drinks and a laptop, typing on the computer’s keys.
    Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [A figure in a baseball cap stands beside a table covered in scattered drinks and a laptop, typing on the computer’s keys.]
    Caption Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description A figure in a baseball cap stands beside a table covered in scattered drinks and a laptop, typing on the computer’s keys.
    Year 2019
    Related pages Speaker Music: drape over another
  • Two hanging projector screens are placed in the middle of a darkened gallery room. They both show the same black-and-white video still of a figures face, illuminated on one side by a bright flash of light.
    Two hanging projector screens are placed in the middle of a darkened gallery room. They both show the same black-and-white video still of a figures face, illuminated on one side by a bright flash of light.
    Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Shala Miller, Genesis, 2023), Artists Space, 2023. Photo: Filip Wolak. [Two hanging projector screens are placed in the middle of a darkened gallery room. They both show the same black-and-white video still of a figures face, illuminated on one side by a bright flash of light.]
    Caption Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Shala Miller, Genesis, 2023), Artists Space, 2023. Photo: Filip Wolak.
    Image description Two hanging projector screens are placed in the middle of a darkened gallery room. They both show the same black-and-white video still of a figures face, illuminated on one side by a bright flash of light.
    Year 2023
    Related pages Shala Miller, Malcolm Peacock, Amiri Baraka
  • A black and white image of the exterior of a modern house standing on stilts.
    A black and white image of the exterior of a modern house standing on stilts.
    Eileen Gray, E. 1027, 1926-29. Exterior. [A black and white image of the exterior of a modern house standing on stilts.]
    Caption Eileen Gray, E. 1027, 1926-29. Exterior.
    Image description A black and white image of the exterior of a modern house standing on stilts.
    Year
    Related pages Presence and Absence
  • A black and white photo of an exhibition space, four sculptures on pedestals line the room diagonally with a mural painting behind them.
    A black and white photo of an exhibition space, four sculptures on pedestals line the room diagonally with a mural painting behind them.
    We the People. Installation view, Artists Space. 1987 [A black and white photo of an exhibition space, four sculptures on pedestals line the room diagonally with a mural painting behind them.]
    Caption We the People. Installation view, Artists Space. 1987
    Image description A black and white photo of an exhibition space, four sculptures on pedestals line the room diagonally with a mural painting behind them.
    Year 1987
    Related pages
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    Related pages David Armstrong: Portraits
  • Several drawings and small paintings pinnned to the outside of a cabinet depicting city scenes, portraits, and still life images.
    Several drawings and small paintings pinnned to the outside of a cabinet depicting city scenes, portraits, and still life images.
    Classroom wall at PS140 Nathan Straus, with work from students in the Portfolio Development program. [Several drawings and small paintings pinnned to the outside of a cabinet depicting city scenes, portraits, and still life images.]
    Caption Classroom wall at PS140 Nathan Straus, with work from students in the Portfolio Development program.
    Image description Several drawings and small paintings pinnned to the outside of a cabinet depicting city scenes, portraits, and still life images.
    Year 2014
    Related pages The Importance of Art Education
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    Related pages THE SECOND ANNUAL CONFERENCE ABOUT ARTIST-CURATED EXHIBITIONS
  • A portrait of Jonas Mekas in Rembrandt lighting looking directly into the camera, wearing his signature fedora and standing against a black background.
    A portrait of Jonas Mekas in Rembrandt lighting looking directly into the camera, wearing his signature fedora and standing against a black background.
    Union Gaucha Productions in collaboration with Fabio Kacero. Still from Totloop, 2003. 16mm film (silent, color), 4 min 49 sec. Courtesy of Union Gaucha Productions. [A portrait of Jonas Mekas in Rembrandt lighting looking directly into the camera, wearing his signature fedora and standing against a black background.]
    Caption Union Gaucha Productions in collaboration with Fabio Kacero. Still from Totloop, 2003. 16mm film (silent, color), 4 min 49 sec. Courtesy of Union Gaucha Productions.
    Image description A portrait of Jonas Mekas in Rembrandt lighting looking directly into the camera, wearing his signature fedora and standing against a black background.
    Year 2003
    Related pages Union Gaucha Productions
  • Color image of two performers on stage. The musician on the left is in profile, standing up, while playing the guitar. On the right side of the frame a musician is sitting down, out of focus, playing the drums.
    Color image of two performers on stage. The musician on the left is in profile, standing up, while playing the guitar. On the right side of the frame a musician is sitting down, out of focus, playing the drums.
    Abasement #76. Performance documentation, March 3rd, 2025, Artists Space. Photo: Joshua Wildman. [Color image of two performers on stage. The musician on the left is in profile, standing up, while playing the guitar. On the right side of the frame a musician is sitting down, out of focus, playing the drums.]
    Caption Abasement #76. Performance documentation, March 3rd, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Color image of two performers on stage. The musician on the left is in profile, standing up, while playing the guitar. On the right side of the frame a musician is sitting down, out of focus, playing the drums.
    Year
    Related pages Abasement #76
  • A projection of a close-up image of an unidentified figure's mouth and chin is displayed on a wall of a light-filled gallery space. Two small speakers sit above the projection at its top right and left corners. A series of yellow cards sit in a clear container mounted on the wall to the right of the projector. Bold text printed on the front of the cards reads:
    A projection of a close-up image of an unidentified figure's mouth and chin is displayed on a wall of a light-filled gallery space. Two small speakers sit above the projection at its top right and left corners. A series of yellow cards sit in a clear container mounted on the wall to the right of the projector. Bold text printed on the front of the cards reads:
    Rip It Up and Start Again. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A projection of a close-up image of an unidentified figure's mouth and chin is displayed on a wall of a light-filled gallery space. Two small speakers sit above the projection at its top right and left corners. A series of yellow cards sit in a clear container mounted on the wall to the right of the projector. Bold text printed on the front of the cards reads: "I'M SORRY, BUT THIS IS HOW I LEARN."]
    Caption Rip It Up and Start Again. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description A projection of a close-up image of an unidentified figure's mouth and chin is displayed on a wall of a light-filled gallery space. Two small speakers sit above the projection at its top right and left corners. A series of yellow cards sit in a clear container mounted on the wall to the right of the projector. Bold text printed on the front of the cards reads: "I'M SORRY, BUT THIS IS HOW I LEARN."
    Year 2010
    Related pages Rip It Up and Start Again: William S. Burroughs, Charles Henri Ford, Ray Johnson, Philippe Thomas, Arthur Russell
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Catalogue cover design featuring an architectural sketch of an abstract contraption. A silhouette of a figure is transposed on top of the rendering. Black sans-serif text at the top and bottom edges of the cover reads,
    Catalogue cover design featuring an architectural sketch of an abstract contraption. A silhouette of a figure is transposed on top of the rendering. Black sans-serif text at the top and bottom edges of the cover reads,
    [Catalogue cover design featuring an architectural sketch of an abstract contraption. A silhouette of a figure is transposed on top of the rendering. Black sans-serif text at the top and bottom edges of the cover reads, "Joel Saunders & Scott Sherk / SIGHTING THE GALLERY / Artists Space / December 12, 1992 - January 30, 1993."]
    Caption
    Image description Catalogue cover design featuring an architectural sketch of an abstract contraption. A silhouette of a figure is transposed on top of the rendering. Black sans-serif text at the top and bottom edges of the cover reads, "Joel Saunders & Scott Sherk / SIGHTING THE GALLERY / Artists Space / December 12, 1992 - January 30, 1993."
    Year 1992
    Related pages Sighting the Gallery
  • A color image that depicts a bird's eye view of a vitrine. Held within the vitrine is a photobook open to a two-page spread of black and white photographs. The left image is of a man on his knees in a white shirt and black pants with long, dark hair, leaning backwards. The right page is of the same man kneeling in front of a small, low-lying stool. The top of the stool is covered in a white, powdery substance and the man appears to be blowing into a long instrument onto the substance. To the right of the table is a spool of wire. In his free hand, the man holds a string of wire. Below the open photobook is another black and white photograph of the man with dark hair holding his head back and to the left of that image is a two page magazine spread, open to an article titled
    A color image that depicts a bird's eye view of a vitrine. Held within the vitrine is a photobook open to a two-page spread of black and white photographs. The left image is of a man on his knees in a white shirt and black pants with long, dark hair, leaning backwards. The right page is of the same man kneeling in front of a small, low-lying stool. The top of the stool is covered in a white, powdery substance and the man appears to be blowing into a long instrument onto the substance. To the right of the table is a spool of wire. In his free hand, the man holds a string of wire. Below the open photobook is another black and white photograph of the man with dark hair holding his head back and to the left of that image is a two page magazine spread, open to an article titled
    Terry Fox: All These Different Things Are Sculpture. Installation view, Artists Space, 2024. Photo: Filip Wolak. [ A color image that depicts a bird's eye view of a vitrine. Held within the vitrine is a photobook open to a two-page spread of black and white photographs. The left image is of a man on his knees in a white shirt and black pants with long, dark hair, leaning backwards. The right page is of the same man kneeling in front of a small, low-lying stool. The top of the stool is covered in a white, powdery substance and the man appears to be blowing into a long instrument onto the substance. To the right of the table is a spool of wire. In his free hand, the man holds a string of wire. Below the open photobook is another black and white photograph of the man with dark hair holding his head back and to the left of that image is a two page magazine spread, open to an article titled "A Discussion with Terry Fox, Vito Acconci, and Dennis Oppenhiem." ]
    Caption Terry Fox: All These Different Things Are Sculpture. Installation view, Artists Space, 2024. Photo: Filip Wolak.
    Image description A color image that depicts a bird's eye view of a vitrine. Held within the vitrine is a photobook open to a two-page spread of black and white photographs. The left image is of a man on his knees in a white shirt and black pants with long, dark hair, leaning backwards. The right page is of the same man kneeling in front of a small, low-lying stool. The top of the stool is covered in a white, powdery substance and the man appears to be blowing into a long instrument onto the substance. To the right of the table is a spool of wire. In his free hand, the man holds a string of wire. Below the open photobook is another black and white photograph of the man with dark hair holding his head back and to the left of that image is a two page magazine spread, open to an article titled "A Discussion with Terry Fox, Vito Acconci, and Dennis Oppenhiem."
    Year
    Related pages All These Different Things Are Sculpture
  • A large potted fern sits to the right of an elevator door in a light-filled gallery space. To the right of the fern is a low, round table with a pen and open booklet on top of it. A large black and white image installed on the gallery wall behind the fern shows several art books lined up next to one another on a blank surface. Text above the books reads,
    A large potted fern sits to the right of an elevator door in a light-filled gallery space. To the right of the fern is a low, round table with a pen and open booklet on top of it. A large black and white image installed on the gallery wall behind the fern shows several art books lined up next to one another on a blank surface. Text above the books reads,
    Rip It Up and Start Again. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A large potted fern sits to the right of an elevator door in a light-filled gallery space. To the right of the fern is a low, round table with a pen and open booklet on top of it. A large black and white image installed on the gallery wall behind the fern shows several art books lined up next to one another on a blank surface. Text above the books reads, "histoire de l'art cherche personnages."]
    Caption Rip It Up and Start Again. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description A large potted fern sits to the right of an elevator door in a light-filled gallery space. To the right of the fern is a low, round table with a pen and open booklet on top of it. A large black and white image installed on the gallery wall behind the fern shows several art books lined up next to one another on a blank surface. Text above the books reads, "histoire de l'art cherche personnages."
    Year 2010
    Related pages Rip It Up and Start Again: William S. Burroughs, Charles Henri Ford, Ray Johnson, Philippe Thomas, Arthur Russell
  • A rectangle of gold foil laying flat on a wooden floor. Light descending from a nearby window illuminates the foil.
    A rectangle of gold foil laying flat on a wooden floor. Light descending from a nearby window illuminates the foil.
    Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A rectangle of gold foil laying flat on a wooden floor. Light descending from a nearby window illuminates the foil.]
    Caption Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description A rectangle of gold foil laying flat on a wooden floor. Light descending from a nearby window illuminates the foil.
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • A black, sans-serif A on a white background, with a black outlined square positioned at once in front and behind the letter, intersecting it at all three corners.
    A black, sans-serif A on a white background, with a black outlined square positioned at once in front and behind the letter, intersecting it at all three corners.
    Artists Space logo, 1980s. [A black, sans-serif A on a white background, with a black outlined square positioned at once in front and behind the letter, intersecting it at all three corners.]
    Caption Artists Space logo, 1980s.
    Image description A black, sans-serif A on a white background, with a black outlined square positioned at once in front and behind the letter, intersecting it at all three corners.
    Year
    Related pages About
  • In front of a large colorful projection, a figure wearing headphones around their neck leans down over musical technology.
    In front of a large colorful projection, a figure wearing headphones around their neck leans down over musical technology.
    SCRAAATCH, Tower of Babel, 2019, Les Urbaines. Photo: Mathilda Olmi [In front of a large colorful projection, a figure wearing headphones around their neck leans down over musical technology.]
    Caption SCRAAATCH, Tower of Babel, 2019, Les Urbaines. Photo: Mathilda Olmi
    Image description In front of a large colorful projection, a figure wearing headphones around their neck leans down over musical technology.
    Year 2019
    Related pages SCRAAATCH 11-19
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    Related pages Abasement #83
  • A seven shelf, white, book case is housed full of various colorful and sized books.
    A seven shelf, white, book case is housed full of various colorful and sized books.
    The Library Vaccine. Installation view, Artists Space, 2014. [A seven shelf, white, book case is housed full of various colorful and sized books.]
    Caption The Library Vaccine. Installation view, Artists Space, 2014.
    Image description A seven shelf, white, book case is housed full of various colorful and sized books.
    Year 2014
    Related pages The Library Vaccine
  • A black and white photograph of dark silhouetted shapes pasted on a wall, including a tree, a television set, a phone, a lightbulb, and a place setting.
    A black and white photograph of dark silhouetted shapes pasted on a wall, including a tree, a television set, a phone, a lightbulb, and a place setting.
    Matt Mullican, Wall Labels, 1976. From Susan Eder, Matt Mullican, Artists Space, 1976. [A black and white photograph of dark silhouetted shapes pasted on a wall, including a tree, a television set, a phone, a lightbulb, and a place setting.]
    Caption Matt Mullican, Wall Labels, 1976. From Susan Eder, Matt Mullican, Artists Space, 1976.
    Image description A black and white photograph of dark silhouetted shapes pasted on a wall, including a tree, a television set, a phone, a lightbulb, and a place setting.
    Year 1976
    Related pages Susan Eder, Matt Mullican
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    Related pages Sidewalk Archives
  • Black-and-white image of a figure performing on stage. They hold a microphone to their mouth and the other hand plays a synthesizer.
    Black-and-white image of a figure performing on stage. They hold a microphone to their mouth and the other hand plays a synthesizer.
    Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman [Black-and-white image of a figure performing on stage. They hold a microphone to their mouth and the other hand plays a synthesizer.]
    Caption Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman
    Image description Black-and-white image of a figure performing on stage. They hold a microphone to their mouth and the other hand plays a synthesizer.
    Year 2022
    Related pages Abasement: #62
  • Five figures wearing masks and pearl necklaces tied in a looped knot stand in a row amidst a landscape at dusk.
    Five figures wearing masks and pearl necklaces tied in a looped knot stand in a row amidst a landscape at dusk.
    The Otolith Group. Film still from O Horizon, 2018 (4k video, color, sound), 90 minutes. [Five figures wearing masks and pearl necklaces tied in a looped knot stand in a row amidst a landscape at dusk.]
    Caption The Otolith Group. Film still from O Horizon, 2018 (4k video, color, sound), 90 minutes.
    Image description Five figures wearing masks and pearl necklaces tied in a looped knot stand in a row amidst a landscape at dusk.
    Year 2018
    Related pages Artists Space Dialogues: Ciarán Finlayson with The Otolith Group
  • A dimmed room with three projections casting purple, gray, and aqua light against the walls. In the corner of the image is a small, circular seat.
    A dimmed room with three projections casting purple, gray, and aqua light against the walls. In the corner of the image is a small, circular seat.
    See Around. Installation view, Artists Space, 2008. Photo: Adam Reich. [A dimmed room with three projections casting purple, gray, and aqua light against the walls. In the corner of the image is a small, circular seat.]
    Caption See Around. Installation view, Artists Space, 2008. Photo: Adam Reich.
    Image description A dimmed room with three projections casting purple, gray, and aqua light against the walls. In the corner of the image is a small, circular seat.
    Year 2008
    Related pages See Around
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • White gallery wall in foreground features two framed works on paper. The closer work features a diptych of delicately pencil-drawn crosses, while the further work is densely filled with calligraphic lines. Additional clusters of small framed works on paper hang on the wall in the background.
    White gallery wall in foreground features two framed works on paper. The closer work features a diptych of delicately pencil-drawn crosses, while the further work is densely filled with calligraphic lines. Additional clusters of small framed works on paper hang on the wall in the background.
    Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak. [White gallery wall in foreground features two framed works on paper. The closer work features a diptych of delicately pencil-drawn crosses, while the further work is densely filled with calligraphic lines. Additional clusters of small framed works on paper hang on the wall in the background.]
    Caption Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak.
    Image description White gallery wall in foreground features two framed works on paper. The closer work features a diptych of delicately pencil-drawn crosses, while the further work is densely filled with calligraphic lines. Additional clusters of small framed works on paper hang on the wall in the background.
    Year
    Related pages Dream Lines: Drawings by Marian Zazeela
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A photo of the exterior of a building, with several colorful portrait paintings lying on the wooden porch. One has text stating
    A photo of the exterior of a building, with several colorful portrait paintings lying on the wooden porch. One has text stating
    Alza Tu Voz, back porch, exhibition at Dykeman Farmhouse Museum, 2017 [A photo of the exterior of a building, with several colorful portrait paintings lying on the wooden porch. One has text stating "no te dejes oprimir." A large poster hangs on the door to the building, with the title "Alza tu Voz"]
    Caption Alza Tu Voz, back porch, exhibition at Dykeman Farmhouse Museum, 2017
    Image description A photo of the exterior of a building, with several colorful portrait paintings lying on the wooden porch. One has text stating "no te dejes oprimir." A large poster hangs on the door to the building, with the title "Alza tu Voz"
    Year 2017
    Related pages Exhibitions and Events
  • Color photograph of a gallery wall. On the left, four black-and-white photographs are hung vertically, and on the right is a shelf with a television monitor placed on it.
    Color photograph of a gallery wall. On the left, four black-and-white photographs are hung vertically, and on the right is a shelf with a television monitor placed on it.
    Yasunao Tone: Region of Paramedia. Installation view (Peter Moore, Concert at The Kitchen, 1979; Paramedia Music, 1990), Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a gallery wall. On the left, four black-and-white photographs are hung vertically, and on the right is a shelf with a television monitor placed on it.]
    Caption Yasunao Tone: Region of Paramedia. Installation view (Peter Moore, Concert at The Kitchen, 1979; Paramedia Music, 1990), Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photograph of a gallery wall. On the left, four black-and-white photographs are hung vertically, and on the right is a shelf with a television monitor placed on it.
    Year 2023
    Related pages Yasunao Tone: Region of Paramedia
  • Magazine cut-outs and ink drawings are collaged together on a background of red and yellow paper. Pieces of beige paper with typewritten text listing the performers and event details are scattered around the flyer.
    Magazine cut-outs and ink drawings are collaged together on a background of red and yellow paper. Pieces of beige paper with typewritten text listing the performers and event details are scattered around the flyer.
    Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a background of red and yellow paper. Pieces of beige paper with typewritten text listing the performers and event details are scattered around the flyer.]
    Caption Flyer by Joe Frivaldi.
    Image description Magazine cut-outs and ink drawings are collaged together on a background of red and yellow paper. Pieces of beige paper with typewritten text listing the performers and event details are scattered around the flyer.
    Year
    Related pages Abasement #78
  • A black and white image of a black circle with a fish painted on it.
    A black and white image of a black circle with a fish painted on it.
    Gerry Morehead. Installation view from Gerry Morehead, Jim Pavlicovic, Artists Space, 1976. [A black and white image of a black circle with a fish painted on it.]
    Caption Gerry Morehead. Installation view from Gerry Morehead, Jim Pavlicovic, Artists Space, 1976.
    Image description A black and white image of a black circle with a fish painted on it.
    Year 1976
    Related pages Gerry Morehead, Jim Pavlicovic
  • A brass outlet plug against a wooden floor has a cable plugged into one socket, and the other socket is covered by a flat brass circle with the text
    A brass outlet plug against a wooden floor has a cable plugged into one socket, and the other socket is covered by a flat brass circle with the text
    Nandi Loaf, 的1-9, 2025. Reclaimed electrical infrastructure, branded site-specific hardware, standardized socket covers, branded overlays. Photo: Carter Seddon. [A brass outlet plug against a wooden floor has a cable plugged into one socket, and the other socket is covered by a flat brass circle with the text "8...Blitze(nn)" engraved on it.]
    Caption Nandi Loaf, 的1-9, 2025. Reclaimed electrical infrastructure, branded site-specific hardware, standardized socket covers, branded overlays. Photo: Carter Seddon.
    Image description A brass outlet plug against a wooden floor has a cable plugged into one socket, and the other socket is covered by a flat brass circle with the text "8...Blitze(nn)" engraved on it.
    Year
    Related pages Nandi Loaf Aristotelis Nikolas Mochloulis Ricardo Nagaoka Sydney Schrader
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A color photograph of two wooden cafe chairs with green cushions in a gallery space. A television screen with a cord extending down to an outlet in the floor rests upon the chair closest to the camera. A pillow with black backing and a gold-silver sequined front rests on the chair in the background.
    A color photograph of two wooden cafe chairs with green cushions in a gallery space. A television screen with a cord extending down to an outlet in the floor rests upon the chair closest to the camera. A pillow with black backing and a gold-silver sequined front rests on the chair in the background.
    Nicole-Antonia Spagnola, Untitled, 2022. Raw Power, Raw Power; Kollettivo, Lotta per il potere; Antigenesi, Una donna non e’ merda; Negazione, Tutti Pazzi; RAF Punk, Contro la pace Contro la guerra; Peggio Punx, Scemo. 8mm to MP4 transfer (color, sound), monitors, chairs. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of two wooden cafe chairs with green cushions in a gallery space. A television screen with a cord extending down to an outlet in the floor rests upon the chair closest to the camera. A pillow with black backing and a gold-silver sequined front rests on the chair in the background.]
    Caption Nicole-Antonia Spagnola, Untitled, 2022. Raw Power, Raw Power; Kollettivo, Lotta per il potere; Antigenesi, Una donna non e’ merda; Negazione, Tutti Pazzi; RAF Punk, Contro la pace Contro la guerra; Peggio Punx, Scemo. 8mm to MP4 transfer (color, sound), monitors, chairs. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color photograph of two wooden cafe chairs with green cushions in a gallery space. A television screen with a cord extending down to an outlet in the floor rests upon the chair closest to the camera. A pillow with black backing and a gold-silver sequined front rests on the chair in the background.
    Year 2022
    Related pages Nicole-Antonia Spagnola: Anti-Genesis
  • A portrait-oriented screen is mounted on two metal floor to ceiling poles. The screen is split to show two different images of shadows on the ground. At a 90-degree angle facing left, another screen is mounted on two metal floor to ceiling poles. A third screen is visible in the background, facing away, mounted on two metal poles atop a wheeled base.
    A portrait-oriented screen is mounted on two metal floor to ceiling poles. The screen is split to show two different images of shadows on the ground. At a 90-degree angle facing left, another screen is mounted on two metal floor to ceiling poles. A third screen is visible in the background, facing away, mounted on two metal poles atop a wheeled base.
    Hilary Lloyd. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A portrait-oriented screen is mounted on two metal floor to ceiling poles. The screen is split to show two different images of shadows on the ground. At a 90-degree angle facing left, another screen is mounted on two metal floor to ceiling poles. A third screen is visible in the background, facing away, mounted on two metal poles atop a wheeled base.]
    Caption Hilary Lloyd. Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description A portrait-oriented screen is mounted on two metal floor to ceiling poles. The screen is split to show two different images of shadows on the ground. At a 90-degree angle facing left, another screen is mounted on two metal floor to ceiling poles. A third screen is visible in the background, facing away, mounted on two metal poles atop a wheeled base.
    Year 2011
    Related pages Hilary Lloyd
  • A sink structure on wheels sits atop a tilted wooden table top with legs of varying sizes. Light from the ceiling is seen emanating onto the structure in the white-walled gallery space.
    A sink structure on wheels sits atop a tilted wooden table top with legs of varying sizes. Light from the ceiling is seen emanating onto the structure in the white-walled gallery space.
    U.S. Projects: Howard Fried. Installation view, Artists Space, 1983. [A sink structure on wheels sits atop a tilted wooden table top with legs of varying sizes. Light from the ceiling is seen emanating onto the structure in the white-walled gallery space.]
    Caption U.S. Projects: Howard Fried. Installation view, Artists Space, 1983.
    Image description A sink structure on wheels sits atop a tilted wooden table top with legs of varying sizes. Light from the ceiling is seen emanating onto the structure in the white-walled gallery space.
    Year
    Related pages U.S. Projects: Howard Fried
  • Two beds appear on the floor with a mirror and a picture hanging on the walls along with a clock in the right corner. Light is shining onto the wall from an area not visible to the viewer.
    Two beds appear on the floor with a mirror and a picture hanging on the walls along with a clock in the right corner. Light is shining onto the wall from an area not visible to the viewer.
    Audrey Glassman, Untitled, 1983. Cibachrome, 28 x 42 inches. [Two beds appear on the floor with a mirror and a picture hanging on the walls along with a clock in the right corner. Light is shining onto the wall from an area not visible to the viewer.]
    Caption Audrey Glassman, Untitled, 1983. Cibachrome, 28 x 42 inches.
    Image description Two beds appear on the floor with a mirror and a picture hanging on the walls along with a clock in the right corner. Light is shining onto the wall from an area not visible to the viewer.
    Year
    Related pages U.S. Projects
  • In this photograph, eleven people pose for a picture in front of drawings and paintings that hang on the wall. Most stand while three kneel.
    In this photograph, eleven people pose for a picture in front of drawings and paintings that hang on the wall. Most stand while three kneel.
    Blue Sky Gallery exhibition P.S. 140, 2019 [In this photograph, eleven people pose for a picture in front of drawings and paintings that hang on the wall. Most stand while three kneel.]
    Caption Blue Sky Gallery exhibition P.S. 140, 2019
    Image description In this photograph, eleven people pose for a picture in front of drawings and paintings that hang on the wall. Most stand while three kneel.
    Year 2019
    Related pages Portfolio Development
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    Related pages Listening to the LES
  • A figure, sitting in profile and centered within the frame, speaks into a microphone.
    A figure, sitting in profile and centered within the frame, speaks into a microphone.
    Portrait of Ciarán Finlayson. [A figure, sitting in profile and centered within the frame, speaks into a microphone.]
    Caption Portrait of Ciarán Finlayson.
    Image description A figure, sitting in profile and centered within the frame, speaks into a microphone.
    Year 2021
    Related pages Artists Space Dialogues Spring 2021
  • A darkened classroom, lit dimly with overhead orange lights. Three rows of chairs and desks face an image projected on a screen. The image is a blurred figure with a pale face enveloped in a black cape.
    A darkened classroom, lit dimly with overhead orange lights. Three rows of chairs and desks face an image projected on a screen. The image is a blurred figure with a pale face enveloped in a black cape.
    [A darkened classroom, lit dimly with overhead orange lights. Three rows of chairs and desks face an image projected on a screen. The image is a blurred figure with a pale face enveloped in a black cape.]
    Caption
    Image description A darkened classroom, lit dimly with overhead orange lights. Three rows of chairs and desks face an image projected on a screen. The image is a blurred figure with a pale face enveloped in a black cape.
    Year 2009
    Related pages Alexandre Singh
  • Semi-translucent, white cloth material embroidered with thin black and yellow linework. A cluster of embroidered black lines gather at the top of the fabric. At their center is a group of words that have been embroidered onto the fabric. They overlap with such density that they are illegible. Small embroidered yellow circles decorate the lower half and right corner of the fabric.
    Semi-translucent, white cloth material embroidered with thin black and yellow linework. A cluster of embroidered black lines gather at the top of the fabric. At their center is a group of words that have been embroidered onto the fabric. They overlap with such density that they are illegible. Small embroidered yellow circles decorate the lower half and right corner of the fabric.
    [Semi-translucent, white cloth material embroidered with thin black and yellow linework. A cluster of embroidered black lines gather at the top of the fabric. At their center is a group of words that have been embroidered onto the fabric. They overlap with such density that they are illegible. Small embroidered yellow circles decorate the lower half and right corner of the fabric.]
    Caption
    Image description Semi-translucent, white cloth material embroidered with thin black and yellow linework. A cluster of embroidered black lines gather at the top of the fabric. At their center is a group of words that have been embroidered onto the fabric. They overlap with such density that they are illegible. Small embroidered yellow circles decorate the lower half and right corner of the fabric.
    Year 2003
    Related pages Abstruction
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    Year
    Related pages Michael Asher
  • A small rectangle outlined in a thick black border sits inside the larger rectangle of the paper. The interior rectangle contains a cropped image of a pink colored man with his pants pulled down. In his right hand he holds a gun, pointing towards the ground against a washy abstracted black background.
    A small rectangle outlined in a thick black border sits inside the larger rectangle of the paper. The interior rectangle contains a cropped image of a pink colored man with his pants pulled down. In his right hand he holds a gun, pointing towards the ground against a washy abstracted black background.
    Carroll Dunham Untitled, 2006, 4 Color etching with aquatint, 14 1/4 x 11 inches (36.2 x 27.9 cm), Edition of 30 Signed & numbered, Edition of 30, Signed & numbered, Published by Two Palms Press. [A small rectangle outlined in a thick black border sits inside the larger rectangle of the paper. The interior rectangle contains a cropped image of a pink colored man with his pants pulled down. In his right hand he holds a gun, pointing towards the ground against a washy abstracted black background.]
    Caption Carroll Dunham Untitled, 2006, 4 Color etching with aquatint, 14 1/4 x 11 inches (36.2 x 27.9 cm), Edition of 30 Signed & numbered, Edition of 30, Signed & numbered, Published by Two Palms Press.
    Image description A small rectangle outlined in a thick black border sits inside the larger rectangle of the paper. The interior rectangle contains a cropped image of a pink colored man with his pants pulled down. In his right hand he holds a gun, pointing towards the ground against a washy abstracted black background.
    Year 2006
    Related pages Editions
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    Related pages Jack Smith Film Retrospective
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    Related pages Artists Space Venue
  • An image of a magazine rack with numerous copies of a magazine with a city-scape is positioned upside down, the point of the skyscraper reaching towards the bottom of the image. Googley eyes, eyebrows, and a mouth are drawn near the top of the building. Red serif font across the top of the image reads
    An image of a magazine rack with numerous copies of a magazine with a city-scape is positioned upside down, the point of the skyscraper reaching towards the bottom of the image. Googley eyes, eyebrows, and a mouth are drawn near the top of the building. Red serif font across the top of the image reads
    New Red Order Give it Back, detail, 2020 Acrylic LED displays with cut vinyl, water cooler, poster, couch, desk, chairs, magazine rack, The New Red Times Magazine, and three televisions. Image courtesy Artists Space, New York [An image of a magazine rack with numerous copies of a magazine with a city-scape is positioned upside down, the point of the skyscraper reaching towards the bottom of the image. Googley eyes, eyebrows, and a mouth are drawn near the top of the building. Red serif font across the top of the image reads "The New Red Times Magazine." White serif font in the bottom left corner reads "TIRED OF LIVING ON STOLEN LAND?" Below, red serif font reads "GIVE IT BACK."]
    Caption New Red Order Give it Back, detail, 2020 Acrylic LED displays with cut vinyl, water cooler, poster, couch, desk, chairs, magazine rack, The New Red Times Magazine, and three televisions. Image courtesy Artists Space, New York
    Image description An image of a magazine rack with numerous copies of a magazine with a city-scape is positioned upside down, the point of the skyscraper reaching towards the bottom of the image. Googley eyes, eyebrows, and a mouth are drawn near the top of the building. Red serif font across the top of the image reads "The New Red Times Magazine." White serif font in the bottom left corner reads "TIRED OF LIVING ON STOLEN LAND?" Below, red serif font reads "GIVE IT BACK."
    Year 2021
    Related pages New Red Order: Feel at Home Here
  • A color image of a gallery space. Three shovels placed upright on pedestals are placed on the floor. To the left, a raditator on its side, partially covered in snake skin, lies on the floor. To the right of the shovels, a wooden divining rod attached to a pedestal sits upright on the floor.
    A color image of a gallery space. Three shovels placed upright on pedestals are placed on the floor. To the left, a raditator on its side, partially covered in snake skin, lies on the floor. To the right of the shovels, a wooden divining rod attached to a pedestal sits upright on the floor.
    Andy Robert: PAPALOKO. Installation view, Artists Space, 2024. Photo: Carter Seddon. [A color image of a gallery space. Three shovels placed upright on pedestals are placed on the floor. To the left, a raditator on its side, partially covered in snake skin, lies on the floor. To the right of the shovels, a wooden divining rod attached to a pedestal sits upright on the floor.]
    Caption Andy Robert: PAPALOKO. Installation view, Artists Space, 2024. Photo: Carter Seddon.
    Image description A color image of a gallery space. Three shovels placed upright on pedestals are placed on the floor. To the left, a raditator on its side, partially covered in snake skin, lies on the floor. To the right of the shovels, a wooden divining rod attached to a pedestal sits upright on the floor.
    Year
    Related pages Andy Robert: Papaloko
  • A drained inground swimming pool surrounded by greenery.
    A drained inground swimming pool surrounded by greenery.
    Maltz, Russell. 1979. [A drained inground swimming pool surrounded by greenery.]
    Caption Maltz, Russell. 1979.
    Image description A drained inground swimming pool surrounded by greenery.
    Year
    Related pages Pool Show
  • Yellow cursive text superimposed over an array of plush, blue diamonds. The text is slightly hazy and reads,
    Yellow cursive text superimposed over an array of plush, blue diamonds. The text is slightly hazy and reads,
    Mike Parker, This Town Needs an Enema, 1990. Oil on canvas. [Yellow cursive text superimposed over an array of plush, blue diamonds. The text is slightly hazy and reads, "Let's Broaden Our Minds."]
    Caption Mike Parker, This Town Needs an Enema, 1990. Oil on canvas.
    Image description Yellow cursive text superimposed over an array of plush, blue diamonds. The text is slightly hazy and reads, "Let's Broaden Our Minds."
    Year 1990
    Related pages A Living Testament of the Blood Fairies
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    Related pages fwiw
  • A figure in dark, loose clothing pulls on a glass door, their mirror image reflected back through the glass. They are lit from behind by a pink glow.
    A figure in dark, loose clothing pulls on a glass door, their mirror image reflected back through the glass. They are lit from behind by a pink glow.
    Emily Wardill. Still from Basking in What Feels Like ‘An Ocean of Grace’ I Soon Realise That I’m Not Looking at It, but Rather I Am It, Recognising Myself, 2006. [A figure in dark, loose clothing pulls on a glass door, their mirror image reflected back through the glass. They are lit from behind by a pink glow.]
    Caption Emily Wardill. Still from Basking in What Feels Like ‘An Ocean of Grace’ I Soon Realise That I’m Not Looking at It, but Rather I Am It, Recognising Myself, 2006.
    Image description A figure in dark, loose clothing pulls on a glass door, their mirror image reflected back through the glass. They are lit from behind by a pink glow.
    Year 2006
    Related pages Summer Knowledge: Emily Wardill
  • A film projector is set up in the middle of a darkened room, facing a blank wall. A rectangular grey image is projected onto the wall. A group of seated spectators are backlit by the projected image.
    A film projector is set up in the middle of a darkened room, facing a blank wall. A rectangular grey image is projected onto the wall. A group of seated spectators are backlit by the projected image.
    A film by Michael Asher. Documentation, January 23rd, 2025, Artists Space. Photo: John Miller. [A film projector is set up in the middle of a darkened room, facing a blank wall. A rectangular grey image is projected onto the wall. A group of seated spectators are backlit by the projected image.]
    Caption A film by Michael Asher. Documentation, January 23rd, 2025, Artists Space. Photo: John Miller.
    Image description A film projector is set up in the middle of a darkened room, facing a blank wall. A rectangular grey image is projected onto the wall. A group of seated spectators are backlit by the projected image.
    Year
    Related pages A film by Michael Asher
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A few indistinguishable paintings appear on adjacent walls in a white-walled gallery space.
    A few indistinguishable paintings appear on adjacent walls in a white-walled gallery space.
    Five Spanish Artists. Installation View, Artists Space, 1985. [A few indistinguishable paintings appear on adjacent walls in a white-walled gallery space.]
    Caption Five Spanish Artists. Installation View, Artists Space, 1985.
    Image description A few indistinguishable paintings appear on adjacent walls in a white-walled gallery space.
    Year
    Related pages Five Spanish Artists
  • Color photograph of a figure wearing a conical sheath of reflective one-way mirror film. They stand in the corner of a dark room, shining a bright light against the wall behind them. Their silhouette can be vaguely seen under the mirror film.
    Color photograph of a figure wearing a conical sheath of reflective one-way mirror film. They stand in the corner of a dark room, shining a bright light against the wall behind them. Their silhouette can be vaguely seen under the mirror film.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure wearing a conical sheath of reflective one-way mirror film. They stand in the corner of a dark room, shining a bright light against the wall behind them. Their silhouette can be vaguely seen under the mirror film.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a figure wearing a conical sheath of reflective one-way mirror film. They stand in the corner of a dark room, shining a bright light against the wall behind them. Their silhouette can be vaguely seen under the mirror film.
    Year 2022
    Related pages keyon gaskin 12-14
  • A black and white image of a painting. Two triangular shapes are painted on either side of the canvas. The hypotenuse of each triangle is tiered, appearing like stairs. The space between the triangles is painted in a darker shade.
    A black and white image of a painting. Two triangular shapes are painted on either side of the canvas. The hypotenuse of each triangle is tiered, appearing like stairs. The space between the triangles is painted in a darker shade.
    Fontaine Dunn, Untitled, 1976. From Gary Bower, Fontaine Dunn, Hermine Ford</>, Artists Space, 1976. [A black and white image of a painting. Two triangular shapes are painted on either side of the canvas. The hypotenuse of each triangle is tiered, appearing like stairs. The space between the triangles is painted in a darker shade.]
    Caption Fontaine Dunn, Untitled, 1976. From Gary Bower, Fontaine Dunn, Hermine Ford</>, Artists Space, 1976.
    Image description A black and white image of a painting. Two triangular shapes are painted on either side of the canvas. The hypotenuse of each triangle is tiered, appearing like stairs. The space between the triangles is painted in a darker shade.
    Year 1976
    Related pages Gary Bower, Fontaine Dunn, Hermine Ford
  • An image of a hand holding a yellow golf ball projected onto the wall of a dimly-lit gallery space. Several square holes have been removed from several spots on the gallery wall, through which a space on the other side of the wall is visible.
    An image of a hand holding a yellow golf ball projected onto the wall of a dimly-lit gallery space. Several square holes have been removed from several spots on the gallery wall, through which a space on the other side of the wall is visible.
    Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt. [An image of a hand holding a yellow golf ball projected onto the wall of a dimly-lit gallery space. Several square holes have been removed from several spots on the gallery wall, through which a space on the other side of the wall is visible.]
    Caption Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt.
    Image description An image of a hand holding a yellow golf ball projected onto the wall of a dimly-lit gallery space. Several square holes have been removed from several spots on the gallery wall, through which a space on the other side of the wall is visible.
    Year 1997
    Related pages Lines of Loss
  • A man with a bald head wearing wire frame glasses strums an electric guitar by a set of microphones. A potted plant and a large sculpture of a baby with glowing, blue eyes are situated behind him.
    A man with a bald head wearing wire frame glasses strums an electric guitar by a set of microphones. A potted plant and a large sculpture of a baby with glowing, blue eyes are situated behind him.
    Eva Buchmüller selects Bern Nix and his trio. Performance documentation, May 7, 1996, Squat Café at Artists Space. [A man with a bald head wearing wire frame glasses strums an electric guitar by a set of microphones. A potted plant and a large sculpture of a baby with glowing, blue eyes are situated behind him.]
    Caption Eva Buchmüller selects Bern Nix and his trio. Performance documentation, May 7, 1996, Squat Café at Artists Space.
    Image description A man with a bald head wearing wire frame glasses strums an electric guitar by a set of microphones. A potted plant and a large sculpture of a baby with glowing, blue eyes are situated behind him.
    Year 1996
    Related pages Eva Buchmüller selects Bern Nix and his trio
  • A photograph of the exhibition opening reception. A group of visitors look around at the art.
    A photograph of the exhibition opening reception. A group of visitors look around at the art.
    Four Scottish Artists. Opening Reception, Artists Space, 1979. [A photograph of the exhibition opening reception. A group of visitors look around at the art.]
    Caption Four Scottish Artists. Opening Reception, Artists Space, 1979.
    Image description A photograph of the exhibition opening reception. A group of visitors look around at the art.
    Year 1979
    Related pages Four Scottish Artists
  • Two dogs face each other at an angle on eggshell colored sand.
    Two dogs face each other at an angle on eggshell colored sand.
    Malachi Sherrill, from Dogs portfolio, 2020, digital photograph [Two dogs face each other at an angle on eggshell colored sand.]
    Caption Malachi Sherrill, from Dogs portfolio, 2020, digital photograph
    Image description Two dogs face each other at an angle on eggshell colored sand.
    Year 2020
    Related pages BRIDGE Photography
  • A dim photograph of dark curtains and sculptures in a gallery space.
    A dim photograph of dark curtains and sculptures in a gallery space.
    Gary Falk, Brigid Kennedy, Ladd Kessler, Peggy Yunque. Installation view, Artists Space, 1981. [A dim photograph of dark curtains and sculptures in a gallery space.]
    Caption Gary Falk, Brigid Kennedy, Ladd Kessler, Peggy Yunque. Installation view, Artists Space, 1981.
    Image description A dim photograph of dark curtains and sculptures in a gallery space.
    Year
    Related pages Gary Falk, Brigid Kennedy, Ladd Kessler, Peggy Yunque
  • A bookshelf constructed from cardboard boxes sits slightly raised off the ground on a low platform. The top two rows face away from the camera, while the bottom two face out, filled with books. Opposite that is a white wall with blue text reading
    A bookshelf constructed from cardboard boxes sits slightly raised off the ground on a low platform. The top two rows face away from the camera, while the bottom two face out, filled with books. Opposite that is a white wall with blue text reading
    The columns held us up. Installation view, Artists Space, 2009. Photo: Adam Reich. [A bookshelf constructed from cardboard boxes sits slightly raised off the ground on a low platform. The top two rows face away from the camera, while the bottom two face out, filled with books. Opposite that is a white wall with blue text reading "Artists Space."]
    Caption The columns held us up. Installation view, Artists Space, 2009. Photo: Adam Reich.
    Image description A bookshelf constructed from cardboard boxes sits slightly raised off the ground on a low platform. The top two rows face away from the camera, while the bottom two face out, filled with books. Opposite that is a white wall with blue text reading "Artists Space."
    Year 2009
    Related pages The columns held us up
  • A black and white photograph of various objects hanging in a white-walled gallery space with a spotlight in center of the image.
    A black and white photograph of various objects hanging in a white-walled gallery space with a spotlight in center of the image.
    Freya Hansell. Installation view, Artists Space, 1980. [A black and white photograph of various objects hanging in a white-walled gallery space with a spotlight in center of the image.]
    Caption Freya Hansell. Installation view, Artists Space, 1980.
    Image description A black and white photograph of various objects hanging in a white-walled gallery space with a spotlight in center of the image.
    Year
    Related pages Freya Hansell
  • A person with a long braid is sitting on one of many brightly colored bundles of objects. The bundles are sitting on the dirt ground.
    A person with a long braid is sitting on one of many brightly colored bundles of objects. The bundles are sitting on the dirt ground.
    [A person with a long braid is sitting on one of many brightly colored bundles of objects. The bundles are sitting on the dirt ground.]
    Caption
    Image description A person with a long braid is sitting on one of many brightly colored bundles of objects. The bundles are sitting on the dirt ground.
    Year 2011
    Related pages Where Do We Migrate To?
  • A fully furnished miniature living room containing a couch, midcentury television set, antique radio, rug, and paintings hung on the walls. A doll made to look like a woman sits on the couch.
    A fully furnished miniature living room containing a couch, midcentury television set, antique radio, rug, and paintings hung on the walls. A doll made to look like a woman sits on the couch.
    Laurie Simmons: Photographs. Postcard, Artists Space, 1979. [A fully furnished miniature living room containing a couch, midcentury television set, antique radio, rug, and paintings hung on the walls. A doll made to look like a woman sits on the couch.]
    Caption Laurie Simmons: Photographs. Postcard, Artists Space, 1979.
    Image description A fully furnished miniature living room containing a couch, midcentury television set, antique radio, rug, and paintings hung on the walls. A doll made to look like a woman sits on the couch.
    Year 1979
    Related pages Photographs: Laurie Simmons
  • A figure on the left sings into a microphone, while on thhe right, a figure sitting down and wearing a baseball cap plays the guitar.
    A figure on the left sings into a microphone, while on thhe right, a figure sitting down and wearing a baseball cap plays the guitar.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure on the left sings into a microphone, while on thhe right, a figure sitting down and wearing a baseball cap plays the guitar.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure on the left sings into a microphone, while on thhe right, a figure sitting down and wearing a baseball cap plays the guitar.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
  • A profile of a man in a jacket on a gray and white background. Painted streaks of color are superimposed over the man's profile. The whole image is slightly blurry.
    A profile of a man in a jacket on a gray and white background. Painted streaks of color are superimposed over the man's profile. The whole image is slightly blurry.
    Establishing Shot. Installation view, Artists Space, 2004. [A profile of a man in a jacket on a gray and white background. Painted streaks of color are superimposed over the man's profile. The whole image is slightly blurry.]
    Caption Establishing Shot. Installation view, Artists Space, 2004.
    Image description A profile of a man in a jacket on a gray and white background. Painted streaks of color are superimposed over the man's profile. The whole image is slightly blurry.
    Year 2004
    Related pages Establishing Shot
  • Color photograph of a figure wearing a conical sheath of reflective one-way mirror film that covers most of their body. They lay on the floor and spread one arm out from under the mirror film. A bright light shines from under the film.
    Color photograph of a figure wearing a conical sheath of reflective one-way mirror film that covers most of their body. They lay on the floor and spread one arm out from under the mirror film. A bright light shines from under the film.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure wearing a conical sheath of reflective one-way mirror film that covers most of their body. They lay on the floor and spread one arm out from under the mirror film. A bright light shines from under the film.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a figure wearing a conical sheath of reflective one-way mirror film that covers most of their body. They lay on the floor and spread one arm out from under the mirror film. A bright light shines from under the film.
    Year 2022
    Related pages keyon gaskin 12-18
  • Bright mint green colored background with black text in the top half of the image that reads,
    Bright mint green colored background with black text in the top half of the image that reads,
    Flyer for Segue Reading Series featuring Hannah Black and Tongo Eisen-Martin. [Bright mint green colored background with black text in the top half of the image that reads, "Segue Reading Series / Hannah Black & Tongo Eisen-Martin / February 6 / 5-6:30pm on Zoom / Suggested donation: Five dollars / Zoom ID: 830 2698 4031." Black text in the bottom right corner reads, "Artists Space."]
    Caption Flyer for Segue Reading Series featuring Hannah Black and Tongo Eisen-Martin.
    Image description Bright mint green colored background with black text in the top half of the image that reads, "Segue Reading Series / Hannah Black & Tongo Eisen-Martin / February 6 / 5-6:30pm on Zoom / Suggested donation: Five dollars / Zoom ID: 830 2698 4031." Black text in the bottom right corner reads, "Artists Space."
    Year 2021
    Related pages Segue Reading Series: Hannah Black & Tongo Eisen-Martin
  • In the foreground, a podium displays a curvy white object. Miniature doors and windows are attached to the top edges of the podium facing inward towards the tube-like white object.
    In the foreground, a podium displays a curvy white object. Miniature doors and windows are attached to the top edges of the podium facing inward towards the tube-like white object.
    Sixth Anniversary Exhibition. Installation view, Artists Space, 1979. Artwork by Scott Burton and John Torreano. [In the foreground, a podium displays a curvy white object. Miniature doors and windows are attached to the top edges of the podium facing inward towards the tube-like white object.]
    Caption Sixth Anniversary Exhibition. Installation view, Artists Space, 1979. Artwork by Scott Burton and John Torreano.
    Image description In the foreground, a podium displays a curvy white object. Miniature doors and windows are attached to the top edges of the podium facing inward towards the tube-like white object.
    Year 1979
    Related pages Sixth Anniversary Exhibition
  • A color image of a close-up of a floating vitrine on a red wall, with four small paintings hung in a series above the vitrine. Inside the vitrine are six pages, with poems written on them and drawings of flowers decorating the pages. Thefour paintings above the poems depict Black Queer figures in darkened environments with gold, and colorful accents.
    A color image of a close-up of a floating vitrine on a red wall, with four small paintings hung in a series above the vitrine. Inside the vitrine are six pages, with poems written on them and drawings of flowers decorating the pages. Thefour paintings above the poems depict Black Queer figures in darkened environments with gold, and colorful accents.
    Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view (memory of barbers touch, 2022; Poems 1 -6, 2023), Artists Space, 2023. Photo: Filip Wolak. [A color image of a close-up of a floating vitrine on a red wall, with four small paintings hung in a series above the vitrine. Inside the vitrine are six pages, with poems written on them and drawings of flowers decorating the pages. Thefour paintings above the poems depict Black Queer figures in darkened environments with gold, and colorful accents.]
    Caption Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view (memory of barbers touch, 2022; Poems 1 -6, 2023), Artists Space, 2023. Photo: Filip Wolak.
    Image description A color image of a close-up of a floating vitrine on a red wall, with four small paintings hung in a series above the vitrine. Inside the vitrine are six pages, with poems written on them and drawings of flowers decorating the pages. Thefour paintings above the poems depict Black Queer figures in darkened environments with gold, and colorful accents.
    Year
    Related pages Jonathan Lyndon Chase
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    Image description
    Year
    Related pages Dream Lines: Drawings by Marian Zazeela
  • The text
    The text
    Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon. [The text "MICHAEL ASHER" is handpainted in black onto a white gallery wall. To the right of the text are two identical plinths made of MDF. The plinths are low to the ground, and display checker board sets.]
    Caption Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon.
    Image description The text "MICHAEL ASHER" is handpainted in black onto a white gallery wall. To the right of the text are two identical plinths made of MDF. The plinths are low to the ground, and display checker board sets.
    Year
    Related pages Michael Asher
  • A group of eight figures with beaks for noses, and dressed in red and white outfits and helmets, stand in an imposing formation against a yellow background.
    A group of eight figures with beaks for noses, and dressed in red and white outfits and helmets, stand in an imposing formation against a yellow background.
    Craig Baldwin, Tribulation 99: Alien Anomalies Under America (still), 1992. [A group of eight figures with beaks for noses, and dressed in red and white outfits and helmets, stand in an imposing formation against a yellow background.]
    Caption Craig Baldwin, Tribulation 99: Alien Anomalies Under America (still), 1992.
    Image description A group of eight figures with beaks for noses, and dressed in red and white outfits and helmets, stand in an imposing formation against a yellow background.
    Year 1992
    Related pages Attention Line Cinema Series: The Films of Craig Baldwin
  • Three sculptural forms sit and hang in a large gallery space. A large gray form with anemone-like tendrils is spread across the floor. Behind it on the gallery wall there is a large, shiny orange sculpture covered in bud-like forms. To the left of the space hangs a yellow sculpture with metal spikes protruding from its surface.
    Three sculptural forms sit and hang in a large gallery space. A large gray form with anemone-like tendrils is spread across the floor. Behind it on the gallery wall there is a large, shiny orange sculpture covered in bud-like forms. To the left of the space hangs a yellow sculpture with metal spikes protruding from its surface.
    Matters of Sensation. Installation view, Artists Space, 2008. Photo: Adam Reich. [Three sculptural forms sit and hang in a large gallery space. A large gray form with anemone-like tendrils is spread across the floor. Behind it on the gallery wall there is a large, shiny orange sculpture covered in bud-like forms. To the left of the space hangs a yellow sculpture with metal spikes protruding from its surface.]
    Caption Matters of Sensation. Installation view, Artists Space, 2008. Photo: Adam Reich.
    Image description Three sculptural forms sit and hang in a large gallery space. A large gray form with anemone-like tendrils is spread across the floor. Behind it on the gallery wall there is a large, shiny orange sculpture covered in bud-like forms. To the left of the space hangs a yellow sculpture with metal spikes protruding from its surface.
    Year 2008
    Related pages Matters of Sensation
  • Photograph of a framed work on paper. In the work, a figure with back turned to the viewer sinks into a plié. The figure is repeated four times in the work.
    Photograph of a framed work on paper. In the work, a figure with back turned to the viewer sinks into a plié. The figure is repeated four times in the work.
    Installation view, Robert Morgan. Artists Space, 1977. [Photograph of a framed work on paper. In the work, a figure with back turned to the viewer sinks into a plié. The figure is repeated four times in the work.]
    Caption Installation view, Robert Morgan. Artists Space, 1977.
    Image description Photograph of a framed work on paper. In the work, a figure with back turned to the viewer sinks into a plié. The figure is repeated four times in the work.
    Year 1977
    Related pages Robert Morgan
  • A wide shot of a person sitting at a table with a computer. The table is covered in a red tablecloth with white lettering that reads,
    A wide shot of a person sitting at a table with a computer. The table is covered in a red tablecloth with white lettering that reads,
    New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court. [A wide shot of a person sitting at a table with a computer. The table is covered in a red tablecloth with white lettering that reads, "WHAT ARE SAVAGES FOR?" and "THE URGE TO MERGE." Lighter red, stylized text reads "NEW RED ORDER" and "NEVER SETTLE." Behind the table, a projected image shows a man with one hand outstretched superimposed on a city skyline. On either side of the table are informational posters with printed text.]
    Caption New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court.
    Image description A wide shot of a person sitting at a table with a computer. The table is covered in a red tablecloth with white lettering that reads, "WHAT ARE SAVAGES FOR?" and "THE URGE TO MERGE." Lighter red, stylized text reads "NEW RED ORDER" and "NEVER SETTLE." Behind the table, a projected image shows a man with one hand outstretched superimposed on a city skyline. On either side of the table are informational posters with printed text.
    Year 2020
    Related pages New Red Order: Informants Get Paid!
  • A color image of two figures performing. The figure on the left plays the saxophone. There is a standing microphone in front of them. The figure on the right, has their eyes closed, and is playing the guitar. Blue and red light is projected onto them.
    A color image of two figures performing. The figure on the left plays the saxophone. There is a standing microphone in front of them. The figure on the right, has their eyes closed, and is playing the guitar. Blue and red light is projected onto them.
    Abasement #66. Performance documentation, October 9, 2023, Artists Space. Photo: Joshua Wildman. [A color image of two figures performing. The figure on the left plays the saxophone. There is a standing microphone in front of them. The figure on the right, has their eyes closed, and is playing the guitar. Blue and red light is projected onto them.]
    Caption Abasement #66. Performance documentation, October 9, 2023, Artists Space. Photo: Joshua Wildman.
    Image description A color image of two figures performing. The figure on the left plays the saxophone. There is a standing microphone in front of them. The figure on the right, has their eyes closed, and is playing the guitar. Blue and red light is projected onto them.
    Year
    Related pages Abasement #66
  • Several wooden chairs placed in front of three monitors installed on two walls of an exhibition space. Each of the monitors displays a film.
    Several wooden chairs placed in front of three monitors installed on two walls of an exhibition space. Each of the monitors displays a film.
    Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [Several wooden chairs placed in front of three monitors installed on two walls of an exhibition space. Each of the monitors displays a film.]
    Caption Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez.
    Image description Several wooden chairs placed in front of three monitors installed on two walls of an exhibition space. Each of the monitors displays a film.
    Year 2014
    Related pages Laura Poitras: 9/11 Trilogy
  • A performer plays the violin on stage. The stage and the wall behind it are bathed in orange light.
    A performer plays the violin on stage. The stage and the wall behind it are bathed in orange light.
    Abasement #80. Performance documentation, September 22nd, 2025, Artists Space. Photo: Joshua Wildman. [A performer plays the violin on stage. The stage and the wall behind it are bathed in orange light. ]
    Caption Abasement #80. Performance documentation, September 22nd, 2025, Artists Space. Photo: Joshua Wildman.
    Image description A performer plays the violin on stage. The stage and the wall behind it are bathed in orange light.
    Year
    Related pages Abasement #80
  • A color image of two figures performing on a stage. Various electronic equipment, such as speakers, cables, an monitors surround the performers. One of the figures is playing the saxophone. The other one is playing the guitar and has their eyes closed. An image of the figure playing the saxophone is projected onto the back wall. In the background, a row of audience members sit looking towards the performers.
    A color image of two figures performing on a stage. Various electronic equipment, such as speakers, cables, an monitors surround the performers. One of the figures is playing the saxophone. The other one is playing the guitar and has their eyes closed. An image of the figure playing the saxophone is projected onto the back wall. In the background, a row of audience members sit looking towards the performers.
    Abasement #66. Performance documentation, October 9, 2023, Artists Space. Photo: Joshua Wildman. [A color image of two figures performing on a stage. Various electronic equipment, such as speakers, cables, an monitors surround the performers. One of the figures is playing the saxophone. The other one is playing the guitar and has their eyes closed. An image of the figure playing the saxophone is projected onto the back wall. In the background, a row of audience members sit looking towards the performers.]
    Caption Abasement #66. Performance documentation, October 9, 2023, Artists Space. Photo: Joshua Wildman.
    Image description A color image of two figures performing on a stage. Various electronic equipment, such as speakers, cables, an monitors surround the performers. One of the figures is playing the saxophone. The other one is playing the guitar and has their eyes closed. An image of the figure playing the saxophone is projected onto the back wall. In the background, a row of audience members sit looking towards the performers.
    Year
    Related pages Abasement #66
  • Color photograph of a hand, fingers outstretched and manipulating a group of suspended wires that run across the frame.
    Color photograph of a hand, fingers outstretched and manipulating a group of suspended wires that run across the frame.
    New Music Circle, St. Louis. Photo: Theo R. Welling [Color photograph of a hand, fingers outstretched and manipulating a group of suspended wires that run across the frame.]
    Caption New Music Circle, St. Louis. Photo: Theo R. Welling
    Image description Color photograph of a hand, fingers outstretched and manipulating a group of suspended wires that run across the frame.
    Year
    Related pages Ellen Fullman & JACK Quartet
  • In the foreground is a low sculpture made of folding metal framework that contains blue and white geometric prints as well as boxes. In the background are stacks of boxes that are printed with the words
    In the foreground is a low sculpture made of folding metal framework that contains blue and white geometric prints as well as boxes. In the background are stacks of boxes that are printed with the words
    New Economy. Installation view, Artists Space, 2007. [In the foreground is a low sculpture made of folding metal framework that contains blue and white geometric prints as well as boxes. In the background are stacks of boxes that are printed with the words "Das Kapital." Behind them are black and white posters with identical graphs that are titled "The Wealth of Nations."]
    Caption New Economy. Installation view, Artists Space, 2007.
    Image description In the foreground is a low sculpture made of folding metal framework that contains blue and white geometric prints as well as boxes. In the background are stacks of boxes that are printed with the words "Das Kapital." Behind them are black and white posters with identical graphs that are titled "The Wealth of Nations."
    Year
    Related pages New Economy
  • A figure plays the violin in front of a microphone.
    A figure plays the violin in front of a microphone.
    Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [A figure plays the violin in front of a microphone.]
    Caption Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure plays the violin in front of a microphone.
    Year 2022
    Related pages Abasement #61
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    Related pages Nandi Loaf Aristotelis Nikolas Mochloulis Ricardo Nagaoka Sydney Schrader
  • Three figurative paintings hang side-by-side in a white-walled gallery space.
    Three figurative paintings hang side-by-side in a white-walled gallery space.
    Group Exhibition. Installation view, Artists Space, 1981. Photo credit: Anne Turyn. [Three figurative paintings hang side-by-side in a white-walled gallery space.]
    Caption Group Exhibition. Installation view, Artists Space, 1981. Photo credit: Anne Turyn.
    Image description Three figurative paintings hang side-by-side in a white-walled gallery space.
    Year
    Related pages Group Exhibition
  • Two people sit at a table while a third person places a plate of food in front of them.
    Two people sit at a table while a third person places a plate of food in front of them.
    Production still from Black Picture Show, 1978. Photo: Marshall Johnson. Image courtesy of the artist. [Two people sit at a table while a third person places a plate of food in front of them.]
    Caption Production still from Black Picture Show, 1978. Photo: Marshall Johnson. Image courtesy of the artist.
    Image description Two people sit at a table while a third person places a plate of food in front of them.
    Year 1975
    Related pages Black Picture Show
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Color photograph of three figures, wearing all white, performing in a dark gallery space. The leftmost figure lays on the floor with their legs spread and hands pushing their chest up. On the right, a figure with a flashlight around their hips stands with their shoulders and head flung back. The third figure contorts their body on the floor in the rightmost corner.
    Color photograph of three figures, wearing all white, performing in a dark gallery space. The leftmost figure lays on the floor with their legs spread and hands pushing their chest up. On the right, a figure with a flashlight around their hips stands with their shoulders and head flung back. The third figure contorts their body on the floor in the rightmost corner.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of three figures, wearing all white, performing in a dark gallery space. The leftmost figure lays on the floor with their legs spread and hands pushing their chest up. On the right, a figure with a flashlight around their hips stands with their shoulders and head flung back. The third figure contorts their body on the floor in the rightmost corner.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of three figures, wearing all white, performing in a dark gallery space. The leftmost figure lays on the floor with their legs spread and hands pushing their chest up. On the right, a figure with a flashlight around their hips stands with their shoulders and head flung back. The third figure contorts their body on the floor in the rightmost corner.
    Year 2022
    Related pages keyon gaskin 12-14
  • The title and table of contents page of an essay published in the Harvard Law Review.
    The title and table of contents page of an essay published in the Harvard Law Review.
    Harris, Cheryl I, "Whiteness as Property." Harvard Law Review. Vol. 106, No. 8, June 1993. [The title and table of contents page of an essay published in the Harvard Law Review.]
    Caption Harris, Cheryl I, "Whiteness as Property." Harvard Law Review. Vol. 106, No. 8, June 1993.
    Image description The title and table of contents page of an essay published in the Harvard Law Review.
    Year 1993
    Related pages The Afterlife of Slavery: Markets, Property and Race
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A black and white photograph of various floating constructed fish-like objects in space.
    A black and white photograph of various floating constructed fish-like objects in space.
    Gerome Kamrowski. Metaphysical Menagerie, 1986. [A black and white photograph of various floating constructed fish-like objects in space.]
    Caption Gerome Kamrowski. Metaphysical Menagerie, 1986.
    Image description A black and white photograph of various floating constructed fish-like objects in space.
    Year
    Related pages Moderns in Mind
  • Twelve performers play various instruments on stage for an audience. The stage and performers are bathed in red and orange light. A member sitting in the front row videotapes the performance.
    Twelve performers play various instruments on stage for an audience. The stage and performers are bathed in red and orange light. A member sitting in the front row videotapes the performance.
    Abasement #82. Performance documentation, November 17th, 2025, Artists Space. Photo: Joshua Wildman. [Twelve performers play various instruments on stage for an audience. The stage and performers are bathed in red and orange light. A member sitting in the front row videotapes the performance.]
    Caption Abasement #82. Performance documentation, November 17th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Twelve performers play various instruments on stage for an audience. The stage and performers are bathed in red and orange light. A member sitting in the front row videotapes the performance.
    Year
    Related pages Abasement #82
  • Two sculptures installed in a gallery space featuring rectangular sheets of laminated, paper rectangles held together by metal rings. The sheets are suspended at their four corners by metal poles mounted in silver buckets.
    Two sculptures installed in a gallery space featuring rectangular sheets of laminated, paper rectangles held together by metal rings. The sheets are suspended at their four corners by metal poles mounted in silver buckets.
    DUOX: DUOX4Larkin. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Two sculptures installed in a gallery space featuring rectangular sheets of laminated, paper rectangles held together by metal rings. The sheets are suspended at their four corners by metal poles mounted in silver buckets.]
    Caption DUOX: DUOX4Larkin. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Two sculptures installed in a gallery space featuring rectangular sheets of laminated, paper rectangles held together by metal rings. The sheets are suspended at their four corners by metal poles mounted in silver buckets.
    Year 2012
    Related pages DUOX: DUOX4Larkin
  • Color image of a band of performers playing music on a stage together, colorful and patterned projections illuminate the group and the wall behind them. In order: group includes a keyboardist, a bass player, a drummer, a trumpet player and two saxaphone players.
    Color image of a band of performers playing music on a stage together, colorful and patterned projections illuminate the group and the wall behind them. In order: group includes a keyboardist, a bass player, a drummer, a trumpet player and two saxaphone players.
    Abasement #63. Performance documentation, July 17, 2023, Artists Space. Photo: Joshua Wildman. [Color image of a band of performers playing music on a stage together, colorful and patterned projections illuminate the group and the wall behind them. In order: group includes a keyboardist, a bass player, a drummer, a trumpet player and two saxaphone players.]
    Caption Abasement #63. Performance documentation, July 17, 2023, Artists Space. Photo: Joshua Wildman.
    Image description Color image of a band of performers playing music on a stage together, colorful and patterned projections illuminate the group and the wall behind them. In order: group includes a keyboardist, a bass player, a drummer, a trumpet player and two saxaphone players.
    Year
    Related pages Abasement #63
  • A color installation photograph of a black, grey, and white abstract painting on a white wall.
    A color installation photograph of a black, grey, and white abstract painting on a white wall.
    Richard Klauber. Installation view, Ruth Hardinger, Richard Klauber, Artists Space, 1975. [A color installation photograph of a black, grey, and white abstract painting on a white wall.]
    Caption Richard Klauber. Installation view, Ruth Hardinger, Richard Klauber, Artists Space, 1975.
    Image description A color installation photograph of a black, grey, and white abstract painting on a white wall.
    Year 1975
    Related pages Ruth Hardinger, Richard Klauber
  • Photo of a woman partially obscured by a white umbrella. A light shining on the umbrella casts a large shadow of the woman's hand on its curved surface.
    Photo of a woman partially obscured by a white umbrella. A light shining on the umbrella casts a large shadow of the woman's hand on its curved surface.
    Image courtesy Anne Gillis and Blank Forms. [Photo of a woman partially obscured by a white umbrella. A light shining on the umbrella casts a large shadow of the woman's hand on its curved surface.]
    Caption Image courtesy Anne Gillis and Blank Forms.
    Image description Photo of a woman partially obscured by a white umbrella. A light shining on the umbrella casts a large shadow of the woman's hand on its curved surface.
    Year 2016
    Related pages Blank Forms presents Anne Gillis
  • Postcard from Robert Morgan. Artists Space, 1977
    Caption Postcard from Robert Morgan. Artists Space, 1977
    Image description
    Year
    Related pages Robert Morgan
  • Color image of a corner in a darkened gallery space. A large golden egg sculpture sits on the floor in the corner.
    Color image of a corner in a darkened gallery space. A large golden egg sculpture sits on the floor in the corner.
    Matthew Langan-Peck, Golden Egg 1, 2024. Photo: Carter Seddon. [Color image of a corner in a darkened gallery space. A large golden egg sculpture sits on the floor in the corner.]
    Caption Matthew Langan-Peck, Golden Egg 1, 2024. Photo: Carter Seddon.
    Image description Color image of a corner in a darkened gallery space. A large golden egg sculpture sits on the floor in the corner.
    Year
    Related pages Doris Guo Matthew Langan-Peck Isabelle Frances McGuire Ruben Ulises Rodriguez Montoya
  • Color photograph of a figure dressed in white, laying on the floor of a dark room. The figure has one leg raised in the air, shining a light from their pelvic area onto the floor and wall across from them. A small TV monitor sits in the corner.
    Color photograph of a figure dressed in white, laying on the floor of a dark room. The figure has one leg raised in the air, shining a light from their pelvic area onto the floor and wall across from them. A small TV monitor sits in the corner.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure dressed in white, laying on the floor of a dark room. The figure has one leg raised in the air, shining a light from their pelvic area onto the floor and wall across from them. A small TV monitor sits in the corner.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a figure dressed in white, laying on the floor of a dark room. The figure has one leg raised in the air, shining a light from their pelvic area onto the floor and wall across from them. A small TV monitor sits in the corner.
    Year 2022
    Related pages keyon gaskin 12-18
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    Image description
    Year
    Related pages Milford Graves: Fundamental Frequency
  • On the far wall is a triptych of photographic posters that show piles of logs with a bottom text,
    On the far wall is a triptych of photographic posters that show piles of logs with a bottom text,
    New Economy. Installation view, Artists Space, 2007. [On the far wall is a triptych of photographic posters that show piles of logs with a bottom text, "Nothing is real, Everything is Possiblem." In the corner of the room are stacks of red crates with cola bottles and on the opposit wall is a sculpture resembling a part of bicycle that is attached to the wall.]
    Caption New Economy. Installation view, Artists Space, 2007.
    Image description On the far wall is a triptych of photographic posters that show piles of logs with a bottom text, "Nothing is real, Everything is Possiblem." In the corner of the room are stacks of red crates with cola bottles and on the opposit wall is a sculpture resembling a part of bicycle that is attached to the wall.
    Year
    Related pages New Economy
  • Close-up of a black person leaning over a black birthing mannequin laying on a hospital bed in a patient room.
    Close-up of a black person leaning over a black birthing mannequin laying on a hospital bed in a patient room.
    Still from Fiction Contract, 2025. [Close-up of a black person leaning over a black birthing mannequin laying on a hospital bed in a patient room.]
    Caption Still from Fiction Contract, 2025.
    Image description Close-up of a black person leaning over a black birthing mannequin laying on a hospital bed in a patient room.
    Year
    Related pages Carolyn Lazard with Dorothy E. Roberts
  • A portfolio box with a flowered pattern on the lid is shown on a white ground with the lid slightly askew.
    A portfolio box with a flowered pattern on the lid is shown on a white ground with the lid slightly askew.
    Susan Cianciolo, Flowers, 2018, 25 x 21 x 1 1/2 inches, Silkscreen on book cloth on bespoke archival box, Signed edition of 100, 5APs Courtesy of the artist. [A portfolio box with a flowered pattern on the lid is shown on a white ground with the lid slightly askew.]
    Caption Susan Cianciolo, Flowers, 2018, 25 x 21 x 1 1/2 inches, Silkscreen on book cloth on bespoke archival box, Signed edition of 100, 5APs Courtesy of the artist.
    Image description A portfolio box with a flowered pattern on the lid is shown on a white ground with the lid slightly askew.
    Year 2018
    Related pages Store
  • A black and white image of two blurry figures talking to each other in a dark room.
    A black and white image of two blurry figures talking to each other in a dark room.
    Jack Smith, Jack Smith at University of Colorado, 1980. Video, (sound, black and white), 100 minutes. [A black and white image of two blurry figures talking to each other in a dark room.]
    Caption Jack Smith, Jack Smith at University of Colorado, 1980. Video, (sound, black and white), 100 minutes.
    Image description A black and white image of two blurry figures talking to each other in a dark room.
    Year 1980
    Related pages Performance Premiere
  • A life-size off-white foam sculpture of a naked human form, in the likeness of Abraham Lincoln, rests supine on a low white platform.
    A life-size off-white foam sculpture of a naked human form, in the likeness of Abraham Lincoln, rests supine on a low white platform.
    Isabelle Frances McGuire, The Death of a Giant, 2024. Photo: Carter Seddon. [A life-size off-white foam sculpture of a naked human form, in the likeness of Abraham Lincoln, rests supine on a low white platform.]
    Caption Isabelle Frances McGuire, The Death of a Giant, 2024. Photo: Carter Seddon.
    Image description A life-size off-white foam sculpture of a naked human form, in the likeness of Abraham Lincoln, rests supine on a low white platform.
    Year
    Related pages Doris Guo Matthew Langan-Peck Isabelle Frances McGuire Ruben Ulises Rodriguez Montoya
  • Standing on a beach, a Black woman holds up her hand, signing to a Black man. A caption at the bottom of the screen reads: “You’re speaking my language.”
    Standing on a beach, a Black woman holds up her hand, signing to a Black man. A caption at the bottom of the screen reads: “You’re speaking my language.”
    Still from Compensation, Zeinabu irene Davis, 1999 [Standing on a beach, a Black woman holds up her hand, signing to a Black man. A caption at the bottom of the screen reads: “You’re speaking my language.”]
    Caption Still from Compensation, Zeinabu irene Davis, 1999
    Image description Standing on a beach, a Black woman holds up her hand, signing to a Black man. A caption at the bottom of the screen reads: “You’re speaking my language.”
    Year
    Related pages Compensation (1999) with Zeinabu irene Davis and Michelle A. Banks
  • Two performers on stage, the one on the right is playing the drums and using electronic audio equipment, and the performer on the left is leaning over a large case on top of a table. The room is bathed in yellow, pink, red, and purple light. The wall behind them is projected with abstract patterns.
    Two performers on stage, the one on the right is playing the drums and using electronic audio equipment, and the performer on the left is leaning over a large case on top of a table. The room is bathed in yellow, pink, red, and purple light. The wall behind them is projected with abstract patterns.
    Abasement #73. Performance documentation, November 4th, 2024, Artists Space. Photo: Joshua Wildman. [Two performers on stage, the one on the right is playing the drums and using electronic audio equipment, and the performer on the left is leaning over a large case on top of a table. The room is bathed in yellow, pink, red, and purple light. The wall behind them is projected with abstract patterns.]
    Caption Abasement #73. Performance documentation, November 4th, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Two performers on stage, the one on the right is playing the drums and using electronic audio equipment, and the performer on the left is leaning over a large case on top of a table. The room is bathed in yellow, pink, red, and purple light. The wall behind them is projected with abstract patterns.
    Year
    Related pages Abasement #73
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    Year
    Related pages David Armstrong: Portraits
  • A installation wide shot of a room with five silver columns. In the foreground, there is a rectangular pool filled with water with two spouts spraying water in fountains. A second pool built from wood is visible in the background. Between the two, there are various objects including a low-hanging disco ball, a vase with flowers, strands of string lights, and more. On the back wall, the word
    A installation wide shot of a room with five silver columns. In the foreground, there is a rectangular pool filled with water with two spouts spraying water in fountains. A second pool built from wood is visible in the background. Between the two, there are various objects including a low-hanging disco ball, a vase with flowers, strands of string lights, and more. On the back wall, the word
    Enough Tiranny Recalled, 1972–2009. Installation view, Artists Space, 2009. Photo: Daniel Pérez. [A installation wide shot of a room with five silver columns. In the foreground, there is a rectangular pool filled with water with two spouts spraying water in fountains. A second pool built from wood is visible in the background. Between the two, there are various objects including a low-hanging disco ball, a vase with flowers, strands of string lights, and more. On the back wall, the word "TIRANNY" is handwritten in block letters, partially obscured by one of the columns. The room is lit by standing colorful lights with pink and blue tones.]
    Caption Enough Tiranny Recalled, 1972–2009. Installation view, Artists Space, 2009. Photo: Daniel Pérez.
    Image description A installation wide shot of a room with five silver columns. In the foreground, there is a rectangular pool filled with water with two spouts spraying water in fountains. A second pool built from wood is visible in the background. Between the two, there are various objects including a low-hanging disco ball, a vase with flowers, strands of string lights, and more. On the back wall, the word "TIRANNY" is handwritten in block letters, partially obscured by one of the columns. The room is lit by standing colorful lights with pink and blue tones.
    Year 2009
    Related pages Marc Camille Chaimowicz: Enough Tiranny Recalled, 1972 – 2009
  • A student holds up artwork depicting her family tree.
    A student holds up artwork depicting her family tree.
    7th grade Threads of History student at M.S. 324, 2020 [A student holds up artwork depicting her family tree.]
    Caption 7th grade Threads of History student at M.S. 324, 2020
    Image description A student holds up artwork depicting her family tree.
    Year 2020
    Related pages Threads of History
  • A color image of the outside of a brick building. Three large windows running along the wall are each illuminated with neon lights. On the left side is a door to a gallery space, through which can be seen some large, colorful paintings hanging inside.
    A color image of the outside of a brick building. Three large windows running along the wall are each illuminated with neon lights. On the left side is a door to a gallery space, through which can be seen some large, colorful paintings hanging inside.
    Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of the outside of a brick building. Three large windows running along the wall are each illuminated with neon lights. On the left side is a door to a gallery space, through which can be seen some large, colorful paintings hanging inside.]
    Caption Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A color image of the outside of a brick building. Three large windows running along the wall are each illuminated with neon lights. On the left side is a door to a gallery space, through which can be seen some large, colorful paintings hanging inside.
    Year
    Related pages Jonathan Lyndon Chase
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A color image of the corner of a gallery space. Two pillars run down the side of the space, inbetween them is a black leather couch with a soft sculpture of a figure laying down, wearing a durag, with a red PlayStation controller. In front of the couch is a table, comprised of a glass panel and a sculpture of a figure laying down with their backside raised. On the left wall is an arrangement of framed drawings. On the right wall is a large red painting, alongside more framed drawings.
    A color image of the corner of a gallery space. Two pillars run down the side of the space, inbetween them is a black leather couch with a soft sculpture of a figure laying down, wearing a durag, with a red PlayStation controller. In front of the couch is a table, comprised of a glass panel and a sculpture of a figure laying down with their backside raised. On the left wall is an arrangement of framed drawings. On the right wall is a large red painting, alongside more framed drawings.
    Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of the corner of a gallery space. Two pillars run down the side of the space, inbetween them is a black leather couch with a soft sculpture of a figure laying down, wearing a durag, with a red PlayStation controller. In front of the couch is a table, comprised of a glass panel and a sculpture of a figure laying down with their backside raised. On the left wall is an arrangement of framed drawings. On the right wall is a large red painting, alongside more framed drawings.]
    Caption Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A color image of the corner of a gallery space. Two pillars run down the side of the space, inbetween them is a black leather couch with a soft sculpture of a figure laying down, wearing a durag, with a red PlayStation controller. In front of the couch is a table, comprised of a glass panel and a sculpture of a figure laying down with their backside raised. On the left wall is an arrangement of framed drawings. On the right wall is a large red painting, alongside more framed drawings.
    Year
    Related pages Jonathan Lyndon Chase
  • Four copper squares embedded with images and text lean against a white wall. The squares sit on a tan carpet.
    Four copper squares embedded with images and text lean against a white wall. The squares sit on a tan carpet.
    The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich. [Four copper squares embedded with images and text lean against a white wall. The squares sit on a tan carpet.]
    Caption The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich.
    Image description Four copper squares embedded with images and text lean against a white wall. The squares sit on a tan carpet.
    Year 2014
    Related pages The Issues of Our Time
  • White text on a blue and grey ombré background. The text reads: “March 15 / Elise Duryee-Browner / Allen Ruppersberg.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    White text on a blue and grey ombré background. The text reads: “March 15 / Elise Duryee-Browner / Allen Ruppersberg.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [White text on a blue and grey ombré background. The text reads: “March 15 / Elise Duryee-Browner / Allen Ruppersberg.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description White text on a blue and grey ombré background. The text reads: “March 15 / Elise Duryee-Browner / Allen Ruppersberg.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Elise Duryee-Browner & Allen Ruppersberg
  • Black text on a grey background. The text reads: “May 3 / John Keene / Laura Mullen.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on a grey background. The text reads: “May 3 / John Keene / Laura Mullen.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on a grey background. The text reads: “May 3 / John Keene / Laura Mullen.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on a grey background. The text reads: “May 3 / John Keene / Laura Mullen.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: John Keene & Laura Mullen
  • An empty dim-lit room with chairs with a projection on the wall. The projection features a close-up image of a person with wavy brown hair covering their face, lying facedown on a fluffy white carpet.
    An empty dim-lit room with chairs with a projection on the wall. The projection features a close-up image of a person with wavy brown hair covering their face, lying facedown on a fluffy white carpet.
    Laura Cottingham & The Anita Pallenberg Story. Installation view, Artists Space, 2017. Photo: Daniel Pérez. [An empty dim-lit room with chairs with a projection on the wall. The projection features a close-up image of a person with wavy brown hair covering their face, lying facedown on a fluffy white carpet.]
    Caption Laura Cottingham & The Anita Pallenberg Story. Installation view, Artists Space, 2017. Photo: Daniel Pérez.
    Image description An empty dim-lit room with chairs with a projection on the wall. The projection features a close-up image of a person with wavy brown hair covering their face, lying facedown on a fluffy white carpet.
    Year 2017
    Related pages Laura Cottingham & The Anita Pallenberg Story
  • Color image of a booth at an art fair. At the center of the image, there is a white wall with three works made out of cut-out panel. The one on the left is cut in the shape of curtains, which are yellow with pink ruffles. The work in the center is a male-presenting figure with one hand above its head, and the other one in its pocket. It's wearing a white jacket, black shorts, pink tights, and black shoes. The work on the right is a woman-presenting figure, with short blond hair. It has its arms crossed over the chest, and is dramatically looking up. It's wearing a black suit and a single red glove.
    Color image of a booth at an art fair. At the center of the image, there is a white wall with three works made out of cut-out panel. The one on the left is cut in the shape of curtains, which are yellow with pink ruffles. The work in the center is a male-presenting figure with one hand above its head, and the other one in its pocket. It's wearing a white jacket, black shorts, pink tights, and black shoes. The work on the right is a woman-presenting figure, with short blond hair. It has its arms crossed over the chest, and is dramatically looking up. It's wearing a black suit and a single red glove.
    Drake Carr: Housecalls. Installation view, Artists Space at the Armory Show, 2023. Photo: Filip Wolak. [Color image of a booth at an art fair. At the center of the image, there is a white wall with three works made out of cut-out panel. The one on the left is cut in the shape of curtains, which are yellow with pink ruffles. The work in the center is a male-presenting figure with one hand above its head, and the other one in its pocket. It's wearing a white jacket, black shorts, pink tights, and black shoes. The work on the right is a woman-presenting figure, with short blond hair. It has its arms crossed over the chest, and is dramatically looking up. It's wearing a black suit and a single red glove.]
    Caption Drake Carr: Housecalls. Installation view, Artists Space at the Armory Show, 2023. Photo: Filip Wolak.
    Image description Color image of a booth at an art fair. At the center of the image, there is a white wall with three works made out of cut-out panel. The one on the left is cut in the shape of curtains, which are yellow with pink ruffles. The work in the center is a male-presenting figure with one hand above its head, and the other one in its pocket. It's wearing a white jacket, black shorts, pink tights, and black shoes. The work on the right is a woman-presenting figure, with short blond hair. It has its arms crossed over the chest, and is dramatically looking up. It's wearing a black suit and a single red glove.
    Year
    Related pages Drake Carr: Housecalls
  • Color image of three performers on stage. In the middle a performer is standing up with their hands on their shoulders. To the right, a performer is hidden behind a large collection of tissue paper. In the back left side, a performer is sitting down in front of audio equipment. A few audience members heads are visible in the foreground. The wall behind the stage is projected on with blurry images of a crowd.
    Color image of three performers on stage. In the middle a performer is standing up with their hands on their shoulders. To the right, a performer is hidden behind a large collection of tissue paper. In the back left side, a performer is sitting down in front of audio equipment. A few audience members heads are visible in the foreground. The wall behind the stage is projected on with blurry images of a crowd.
    Abasement #76. Performance documentation, March 3rd, 2025, Artists Space. Photo: Joshua Wildman. [Color image of three performers on stage. In the middle a performer is standing up with their hands on their shoulders. To the right, a performer is hidden behind a large collection of tissue paper. In the back left side, a performer is sitting down in front of audio equipment. A few audience members heads are visible in the foreground. The wall behind the stage is projected on with blurry images of a crowd. ]
    Caption Abasement #76. Performance documentation, March 3rd, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Color image of three performers on stage. In the middle a performer is standing up with their hands on their shoulders. To the right, a performer is hidden behind a large collection of tissue paper. In the back left side, a performer is sitting down in front of audio equipment. A few audience members heads are visible in the foreground. The wall behind the stage is projected on with blurry images of a crowd.
    Year
    Related pages Abasement #76
  • A color photograph of a gallery space with several dark columns. A small wooden chest with a red piece of fabric and three white objects on top along with a small wooden stool are visible in the foreground. Further in the background are a yellow couch and a large wicker pannier..
    A color photograph of a gallery space with several dark columns. A small wooden chest with a red piece of fabric and three white objects on top along with a small wooden stool are visible in the foreground. Further in the background are a yellow couch and a large wicker pannier..
    Lyndon Barrois Jr.: Mirage Collar. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of a gallery space with several dark columns. A small wooden chest with a red piece of fabric and three white objects on top along with a small wooden stool are visible in the foreground. Further in the background are a yellow couch and a large wicker pannier..]
    Caption Lyndon Barrois Jr.: Mirage Collar. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color photograph of a gallery space with several dark columns. A small wooden chest with a red piece of fabric and three white objects on top along with a small wooden stool are visible in the foreground. Further in the background are a yellow couch and a large wicker pannier..
    Year 2022
    Related pages Lyndon Barrois Jr.: Mirage Collar
  • A large mirrored pond made of a wooden base with a reflective lining on top is surrounded by three tree trunks, plants, fish tanks, and a phone booth. A large lamp hangs from the ceiling with a metal locker in the back.
    A large mirrored pond made of a wooden base with a reflective lining on top is surrounded by three tree trunks, plants, fish tanks, and a phone booth. A large lamp hangs from the ceiling with a metal locker in the back.
    Las Nietas de Nonó, Especie: archivo natural, 2022, sounds, lamp, phone booth, phone booth hotline, fish tanks, atmospheric water, yucca, corn, dracaena, snake plant, dragon tree, tree trunks, handmade lyca garments for tree trunks, mirror pond; Dimensions variable. Photo: Filip Wolak [A large mirrored pond made of a wooden base with a reflective lining on top is surrounded by three tree trunks, plants, fish tanks, and a phone booth. A large lamp hangs from the ceiling with a metal locker in the back.]
    Caption Las Nietas de Nonó, Especie: archivo natural, 2022, sounds, lamp, phone booth, phone booth hotline, fish tanks, atmospheric water, yucca, corn, dracaena, snake plant, dragon tree, tree trunks, handmade lyca garments for tree trunks, mirror pond; Dimensions variable. Photo: Filip Wolak
    Image description A large mirrored pond made of a wooden base with a reflective lining on top is surrounded by three tree trunks, plants, fish tanks, and a phone booth. A large lamp hangs from the ceiling with a metal locker in the back.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • White text on a black background spells out
    White text on a black background spells out
    [White text on a black background spells out "THEHEARTOFYOURMOTHERFORMYDOGS"]
    Caption
    Image description White text on a black background spells out "THEHEARTOFYOURMOTHERFORMYDOGS"
    Year 2009
    Related pages When Time Becomes Form: The Heart of Your Mother for My Dogs
  • A black and white image of a painted abstract figure. The figure consists of multiple materials and line qualities.
    A black and white image of a painted abstract figure. The figure consists of multiple materials and line qualities.
    Benje LaRico. Goa IV (JEM), 1987. Enamel, Wood, Plastic on plywood. 48 inches x 96 inches x 6.75 inches. [A black and white image of a painted abstract figure. The figure consists of multiple materials and line qualities.]
    Caption Benje LaRico. Goa IV (JEM), 1987. Enamel, Wood, Plastic on plywood. 48 inches x 96 inches x 6.75 inches.
    Image description A black and white image of a painted abstract figure. The figure consists of multiple materials and line qualities.
    Year 1987
    Related pages Abstraction in Process
  • Caption
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    Year
    Related pages Ralston Farina: Time // Time
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A photo of a room full of people seated at three long, rectangular tables. Each table has numerous glasses of wine, sparkling water, candles, and empty plates of food. In the foreground, people are talking to each other and smiling.
    A photo of a room full of people seated at three long, rectangular tables. Each table has numerous glasses of wine, sparkling water, candles, and empty plates of food. In the foreground, people are talking to each other and smiling.
    Friends of Artists Space Annual Dinner, 2017. [A photo of a room full of people seated at three long, rectangular tables. Each table has numerous glasses of wine, sparkling water, candles, and empty plates of food. In the foreground, people are talking to each other and smiling.]
    Caption Friends of Artists Space Annual Dinner, 2017.
    Image description A photo of a room full of people seated at three long, rectangular tables. Each table has numerous glasses of wine, sparkling water, candles, and empty plates of food. In the foreground, people are talking to each other and smiling.
    Year 2017
    Related pages Support
  • Nuestro Reflejo exhibition at Morris Jumel Mansion, Washington Heights, 2025
    Caption Nuestro Reflejo exhibition at Morris Jumel Mansion, Washington Heights, 2025
    Image description
    Year
    Related pages Threads of History
  • Three television screens installed on a gallery wall. Two screens are positioned in a portrait orientation and the third in a landscape orientation. Their cords loosely fall to the ground below and run beneath a door. Each screen displays images of one or several figures mid-speech or mid-movement.
    Three television screens installed on a gallery wall. Two screens are positioned in a portrait orientation and the third in a landscape orientation. Their cords loosely fall to the ground below and run beneath a door. Each screen displays images of one or several figures mid-speech or mid-movement.
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Three television screens installed on a gallery wall. Two screens are positioned in a portrait orientation and the third in a landscape orientation. Their cords loosely fall to the ground below and run beneath a door. Each screen displays images of one or several figures mid-speech or mid-movement.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Three television screens installed on a gallery wall. Two screens are positioned in a portrait orientation and the third in a landscape orientation. Their cords loosely fall to the ground below and run beneath a door. Each screen displays images of one or several figures mid-speech or mid-movement.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • Color photo of a woman captured mid-performance in a dimly lit venue. The performer is situated before a microphone and a music stand, while a crowd of seated and standing audience members attentively watch. Bright spotted lights from a disco ball out of view sparsely illuminate the environment.
    Color photo of a woman captured mid-performance in a dimly lit venue. The performer is situated before a microphone and a music stand, while a crowd of seated and standing audience members attentively watch. Bright spotted lights from a disco ball out of view sparsely illuminate the environment.
    Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman. [Color photo of a woman captured mid-performance in a dimly lit venue. The performer is situated before a microphone and a music stand, while a crowd of seated and standing audience members attentively watch. Bright spotted lights from a disco ball out of view sparsely illuminate the environment.]
    Caption Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman.
    Image description Color photo of a woman captured mid-performance in a dimly lit venue. The performer is situated before a microphone and a music stand, while a crowd of seated and standing audience members attentively watch. Bright spotted lights from a disco ball out of view sparsely illuminate the environment.
    Year
    Related pages Abasement #64
  • An orange water dispenser sits on a low metal stool in a gallery space. Encircling the top portion of the dispenser is a round glass table, with a wedge-shaped cut-out removed from its right side. A photo of a woman sits on top of the glass surface.
    An orange water dispenser sits on a low metal stool in a gallery space. Encircling the top portion of the dispenser is a round glass table, with a wedge-shaped cut-out removed from its right side. A photo of a woman sits on top of the glass surface.
    DUOX: DUOX4Larkin. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [An orange water dispenser sits on a low metal stool in a gallery space. Encircling the top portion of the dispenser is a round glass table, with a wedge-shaped cut-out removed from its right side. A photo of a woman sits on top of the glass surface.]
    Caption DUOX: DUOX4Larkin. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description An orange water dispenser sits on a low metal stool in a gallery space. Encircling the top portion of the dispenser is a round glass table, with a wedge-shaped cut-out removed from its right side. A photo of a woman sits on top of the glass surface.
    Year 2012
    Related pages DUOX: DUOX4Larkin
  • Framed works on paper hang on a white gallery wall. Some feature large circles composed of smaller ornamental swooping lines. Others feature abstract calligraphic strokes that resemble text.
    Framed works on paper hang on a white gallery wall. Some feature large circles composed of smaller ornamental swooping lines. Others feature abstract calligraphic strokes that resemble text.
    Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak. [Framed works on paper hang on a white gallery wall. Some feature large circles composed of smaller ornamental swooping lines. Others feature abstract calligraphic strokes that resemble text.]
    Caption Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak.
    Image description Framed works on paper hang on a white gallery wall. Some feature large circles composed of smaller ornamental swooping lines. Others feature abstract calligraphic strokes that resemble text.
    Year
    Related pages Dream Lines: Drawings by Marian Zazeela
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