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[A black and white, vintage photograph of a male figure leaning casually against a low wall by a river. The figure's long back faces the viewer, and we cannot see his face. He wears a short piece of cloth at his waist, while his upper body is bare.] -
[White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Feb 3 / Coco Gordon Moore / Tongo Eisen-Martin" Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)] -
Louisa Chase. Installation view, Louisa Chase, Ted Stamm, Meryl Vladimer, Artists Space, 1975. [A black and white installation photograph of a sculpture. The work features two wooden rods, connected to form an obtuse angle in the center. The end of each rod has a set of wheels, and the piece rests on a sling-like piece of sturdy fabric.] -
Nicole Eisenman, Never Forget Kissing in Bars, 2020, 23.4 x 16.5 inches [Black and white illustration of two people sitting at a square table, their bodies leaning forward, cheeks pressed to the tabletop while kissing. A half-empty bottle of wine and two wine glasses are positioned on the corner of the table. Below, sans serif text reads "Never Forget Kissing in Bars", "Spring 2020." Purple text at the bottom of the poster reads "2020Solidarity - Nicole Eisenman". Along the bottom right, a vertically oriented text reads "A Project by Between Bridges."] -
David Kroll. The Aftermath of Columbus' Coming, 1985. [A drawing of various animals running or flying around in an indoor dwelling with three figures in states of disarray around them.] -
Axine M: Sold Licker Glass, 2024, Artists Space. Courtesy of ISSUE Project Room. Photography by Cameron Kelly McLeod. [Portrait of a seated musician holding a microphone and a guitar.] -
Pictures. Opening Reception, Artists Space, September 23, 1977. Photo: D. James Dee. [A black and white photograph of a crowded gallery space. In the background, several large black and white wall hangings are visible.] -
Installation view from Six Sculptors, Artists Space, January 25 ,1986 - February 22, 1986. [Sculpted boots appear wih leaves on a leaf-covered section of the floor surrounded by a picket fence. In the background a white door opens up with a stack behind it. Nearby tree branches and other rustic constructions populate the gallery space.] -
Flyer for The Rapture, Sunday, December 6, 2020, Artists Space. [A drawing of a group of skeletons, dancing and playing instruments. In the center of the image, a red banner features black text that reads "The Rapture".] -
Neraldo de la Paz. Melania's Thigh, 1982. [A small constructed dancing figurine appears on a pedestal with light shining on it from the right creating a shadow on its left.] -
[An offwhite poster with black letters framed two bands of a cropped watercolor painting announces a sound poetry festival entitled "Chorus."] -
[Fuel prices listed in white numbers separated by red lines on a dark blue display sign.] -
Establishing Shot Exhibition Catalogue, Artists Space, 2004. [A grid of slightly distorted portraits; the left side all in black and white and the right side in light blue and white. Arranged along the border between the two colors text reads vertically "ARTISTS SPACE." Additional text reads, "ESTABLISHING SHOT / 03.09 - 05.01.2004 / MAIN SPACE."] -
Crystal Colon, Cherish Atlas, 2014 [An artwork depicting a long pier with checkered black floor, splitting a waterway, with the outline of a city skyline in the distance. Two long cream-colored couches appear in the foreground, alongside a round and rectangular red table. The top left corner of the image contains an empty white circle] -
[Poster with a red-filtered image of a colonialist painting. In green and yellow font at the top of the image it reads, "Land Mass / 18 December 2017 7pm" and at the bottom in the same font, "Natalie Diaz / Demian Dineyazhi / Sonia Guinansaca / Artists Space 55 Walker Street New York, NY 10013.] -
Frozen Lakes. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A white speaker displayed on a three-legged stand in an exhibition space. To the right of the stand, a television monitor rests on the ground. An image of gravel and dirt is pictured on its screen.] -
Cover of Miyoko Ito: Heart of Hearts, Pre-Echo Press. (Miyoko Ito, Island in the Sun, 1978) [Color image of a book cover, placed against a flat white background. The cover features an oil painting with gradients of red and green that make up geometric shapes which are stacked and placed in varying configurations.] -
Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A gallery space with three columns running down the right side. Projected onto a wall on the left is a video still of a woman in a red blanket hunched over. Two projector screens can be seen on the far left wall. In the back is a ramp which leads to the doorway of a wooden camper structure.] -
Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman. [A color image of a figure, seen from behind, performing on stage. The figure sits on a chair and plays the guitar, and the audience is on the background. Red, and purple light fills the room.] -
[Black text on a light green background. The text reads: “April 18 / Shane Kowalski / Suzie Bovenzi.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of three figures, wearing conical costumes made of reflective one-way mirror film, standing at the doorways of a gallery space.] -
Richard Kennedy, Both, Artists Space, 2017. [A photo of three performers standing in the middle of a room, surrounded by the audience. Two performers linked hands, and the third stands in between them, arms raised.] -
Edgar Oliver reading at Marble Cemetery. Photo: © Paula Court, 2018. [Man standing outside at a microphone in front of a large silver inflatable penis, reading from a purple folder.] -
Vito Acconci. Installation View. Artists Space, 1986. [A piece of landscaping appears on the gallery floor with flowers and plants coming up from it in a stair-like fashion. A painting appears in the background in a white-walled gallery space.] -
Abasement #66. Performance documentation, October 9, 2023, Artists Space. Photo: Joshua Wildman. [A color image of two figures performing. The figure on the left plays the saxophone. There is a standing microphone in front of them. The figure on the right, has their eyes closed, and is playing the guitar. Blue and red light is projected onto them.] -
Art Day, Blue Sky Gallery, 2017 [Eight colorful paintings are exhibited in a grid pattern on a wall with a small didactic. "Blue Sky Gallery - P.S. 140 and Artists Space Expanded Art Ideas" is printed on the wall.] -
Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view (Matthew Langan-Peck, Player 3, 2024; Matthew Langan-Peck, Box 7, 2024), Artists Space, 2024. Photo: Carter Seddon. [Closeup view of two wooden box sculptures sitting side by side in a gallery. The box on the left is painted light yellow and has a pair of headphones hanging from its side; its lid is slightly ajar. The closed box on the right is covered completely in imitation gold leaf.] -
Meryl Vladimer. Installation view, Louisa Chase, Ted Stamm, Meryl Vladimer, Artists Space, 1975. [A black and white photograph of a sculpture comprised of nine dark orbs on a dark circular backgroun.] -
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Ralston Farina: Time // Time. Installation view, Artists Space, 2025. Photo: Carter Seddon. [Three black-and-white photographs of a young Ralston Farina, mounted on a black wall, hang above a display case.] -
Tiffany Sia, The Bastard Tongue (detail view), 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A long sheet of paper is suspended over the gallery floor. Handrails for the stairs are visible on each side of the photograph.] -
ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A close up of low windows on a brick facade covered in layered black and yellow film.] -
YAP (Young Artist Perform), P.S. 140, May 11, 2022 -
Abasement #82. Performance documentation, November 17th, 2025, Artists Space. Photo: Joshua Wildman. [A group of performers plays various instruments on stage while bathed in pink, red, and blue light. ] -
Shala Miller, Genesis. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color documentation image of Shala Miller's Genesis, 2023. Three monochrome projection panels float equidistantly in a dark room, with vinyls on blacks walls.] -
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Cover of FWIW: Constantina Zavitsanos. -
The Colin de Land Library Collection Alexander Schroeder, Berlin [Staggered metal shelves that are filled with books of various color and sizes.] -
[White text on a bright fuchsia background. The text reads: “Nov 15 / Lauren Cook / Funto Omojola.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
Andy Robert: PAPALOKO. Installation view, Artists Space, 2024. Photo: Carter Seddon. [Color image of a gallery space with several sculptures placed on the floor. To the left, a shovel is attached to a child's chair. In the center, a taxidermied griffon vulture is perched upon a pile of concrete rubble that sits in between two shovels standing upright on pedestals. To the far right, a radiator lays flat on the ground.] -
New Red Order Give it Back, detail, 2020 Acrylic LED displays with cut vinyl, water cooler, poster, couch, desk, chairs, magazine rack, The New Red Times Magazine, and three televisions. Image courtesy Artists Space, New York Photo: Filip Wolak [A wide angle image of a mockup real estate office consisiting of a table,chairs, a water coolor, and multiple tv monitors. The windows are lined with real estate listings and on the wall reads "New Red Order"..] -
[A paper clipping announcing Parasite's event offerings from 1998, with a dark image of a person looking at a book.] -
Clocking Out: Time Beyond Management. Installation view (Time Zone Protocols, Black Quantum Futurism, 2022; vitrine of archival time-banking materials), Artists Space, 2023. Photo: Greg Carideo. [Photograph of a glass vitrine sitting against a wall, containing ephemera, and a graphic poster on the left that reads "Dissolve the Arrow of Progress! Recreate Local Space-Times!"] -
Friends of Artists Space Dinner 2024. Executive Director & Chief Curator Jay Sanders. Photo: Jenna Bascom -
Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979. [A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.] -
Michael Robinson. Still from Victory Over the Sun, 2007. [An empty pool with weeds growing out of cracks. There are trees and bushes in the background, and a pink glow on the righthand edge, as if from a sunspot.] -
Collier Schorr, Traitor, 2001-2004. Courtesy Modern Art, London. [A black-and-white photograph of a man sitting down against a gray background wearing a Nazi uniform, holding a basket of apples.] -
The Gentrification of the Mind: Witness To A Lost Imagination. Sarah Schulman. Univ. of California Press, 2012. Paperback, 192 pages. $20. at the Artists Space Bookstore [An an angled view of resident entrances from a street view with white text at the bottom that reads, "Sarah Schulman." Red text underneath reads, "The Gentrification of the Mind, Witness to a Lost Imagination."] -
Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [Portrait of a figure dancing on stage with purple projections cast onto them.] -
Milford Graves: Fundamental Frequency. Installation view (ephemera c. 1965-1987), Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak. [A color photograph of a vitrine containing ephemeral material, including pamphlets, photographs, and a blue flyer.] -
Union Gaucha Productions. Installation view, Artists Space, 2015. Photo: Daniel Pérez. [A dimly lit room with a projection facing the front. The projection displays neon words that are slightly distorted, the legible text reads "Removes.....eight straight...."] -
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Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court [Two figures wearing medical scrubs suspend a piece of red fabric between themselves.] -
Detail of the flyer for the performance "Fun With Time Time," Ralston Farina, May 22, 1977, Artists Space. [A black and white drawing forms an image puzzle featuring broken-up text and a clock. A handwritten date appears in the bottom right corner: "5.22.77."] -
Untitled, c. 1970s, 35mm slide, Copyright Jack Smith Archive, Courtesy Gladstone Gallery, New York and Brussels [Two people in a mountainous, desert location face each other. One, dressed in an orange and green cloak, sits at a green desk. The other is posed with a mirror aimed at the clear sky.] -
[Books packed on two adjacent metal shelving units.] -
Richard Hollis. Installation view, Artists Space, 2013. [A view of a book stand perpendicular to a wall in which staggered posters are hung. The book stand displays various documents and materials.] -
Ei Arakawa, Mega Please Draw Freely, 2021 (The artist wears Uniqlo Roger Federer) [A person in a red shirt, white cap, and multicolored pants smiles and poses with a tennis racquet, standing atop a large piece of paper with colorful drawings on it. In the background are people sitting on the ground and printed images of trees.] -
Artists Performance Series. Installation view, Artists Space, 1977. [A bends at the waist, resting their head on the side of a television monitor. The monitor's screen shows two figures, facing away from the camera.] -
Flyer for Segue Reading Series featuring Kay Gabriel and Paolo Javier. January 14, 2023, Artists Space. [Yellow and red text overlay a pink background with a drawing of a male bust in the bottom left corner. The text in the middle reads "Kay Gabriel / Segue Reading Series / Paolo Javier."] -
Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [A figure smiles and stands behind a music stand and microphone.] -
Mark Morrisroe. Untitled (1988). © The Estate of Mark Morrisroe (Ringier Collection) at Fotomuseum Winterthur. [A yellow-toned close-up of a person's bare chest. There is a hummingbird tattoo on the person's right breast, and they are wearing two chain necklaces.] -
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Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A black and white image of a man working intently on a machine is projected on a standing screen in an open room.] -
[Black text on a light yellow background. The text reads: “May 17 / Nazareth Hassan / Karla Kelsey.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
Michael Bewster, An Acoustic Sculpture, A Clicker Drawing. Installation view, Artists Space, 1977. [A black and white photograph looking through a doorframe onto several barely illuminated rectangular shapes. A microphone hangs from the top right corner of the doorframe, pointed down towards the floor.] -
Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon. [Image of a gallery space installed with multiple sculptures. On the right, two large painted wooden boxes by Matthew Langan-Peck are slightly open and have headphones hanging on their sides. The boxes are painted light blue with yellow shooting stars and dark blue with traffic light-esque designs, respectively. On the left, two of Ruben Ulises Rodriguez Montoya's large biomorphic sculptures, composed of found materials, hang from the ceiling. In the background, Isabelle Frances McGuire's three large pink fabric banners emblazoned with silver stars hang from ceiling to floor.] -
[White text overlayed on a rose-colored background with a geometric pattern. The text reads: "Annual Friends of Artists Space Dinner / Celebrating 50 Years / Honoring / Kathy Halbreich / Yasunao Tone / Monday, May 8, 7pm / The Doubles Club, New York City." Text in the lower left corner reads: "Festive Attire."] -
Eiko Ishibashi: Two New York Nights. Performance documentation, June 8, 2022, 8pm. Artists Space, New York. [Several figures sit on the ground, legs crossed.] -
Brad Kronz. Installation view, Artists Space, 2025. Photo: Carter Seddon [Iron columns run down the center of the open gallery. To the left sits a pair of wooden boards adorned with maroon and striped carpet. On the wall opposite hangs a smaller wooden square. A stool-like structure stands to the right of the iron columns. ] -
Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure in a blue shirt kneels down on stage, they look down and hold a microphone to their face. Red light is cast onto the stage.] -
Milford Graves, Hand-painted Drums, c. 1970s. Wood and metal bass drums, toms, snares, acrylic paint, and mixed media. Dimensions variable. Photo: Filip Wolak. [An aerial view of a hand painted drumset on a wooden floor.] -
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I ♥ John Giorno. Reading documentation, Artists Space, 2017. [Photo of John Giorno wearing a navy blue t-shirt and black framed glasses, standing in front of a microphone and reading from loose pages held in his left hand.] -
Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata [Color image of the silhouette of a figure on the right, they are bent over with a small radio in their hands. To the left is a standing microphone placed over speakers on a desk, with light sensors dangling on the wall behind.] -
Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak. [White gallery wall featuring various small framed works on paper, one on pink ground.] -
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We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [A number of sculptures appear on pedestals with paintings on walls behind them with columns bisecting the image in a gallery setting.] -
SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.] -
Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [A figure performs on stage using a microphone and an audio mixer, with the audience in the back left of the image.] -
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Constantina Zavitsanos: fwiw. Installation view (Wishing Well (Korpi), 2023/24; Days (Cortlandt Alley Crosswalk), 2024), Artists Space, 2024. Photo: Carter Seddon. [In a large dark room, a modular structure is recessed into a raised floor covered with black carpet. The structure is lit in bright blue light, and hosts open water. Behind, a projected image from a camera obscura displays the alley outside. Red light floods the back corner of the room.] -
Superstudio, still from Supersurface: An Alternative Model For Life On The Earth, 1972. 26min. [Six people are seated and lounging in a digitally rendered landscape.] -
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Julio Torres, Search Results: Drunks Kissing, 2010. [Low res image of two men, with tan skin and curly hair, kissing profusely.] -
Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court [Two figures stand back to back, juggling clubs above their heads.] -
Artists Draw. Installation view, Artists Space, 1979. [A group of people sitting in chairs arranged in a circle, all facing inwards. Drawings are hung on the walls.] -
Robert Longo. Performance documentation, Exchange Show: Hallwalls, Buffalo, NY, Artists Space, 1976. [A black and white image of two hands behind a figure's back. They cross their index and middle finger on each hand.] -
Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court [A crowd watches two figures in medical scrubs, facing each other on opposite sides of a table with wheels.] -
El Nascimiento De La Tierra exhibition at Recirculation, WordUp Community Book Store, 2024 -
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[A black and white image of a girl sitting sideways on stone steps against a wall reading a book. Several more books are piled in front of her.] -
Photography and the City attendance sheets. Courtesy Harvard University Archives. [College-ruled paper with numerous tallies in different colors and orientations] -
Jutta Koether: xxapollo. Performance documentation, January 5, 2020, Artists Space. Photo © 2020 Paula Court. [Various objects sit on a concrete floor, including a miniature disco ball, a painted heart-shaped canvas, and a tangle of cords.] -
Geanet Rogers, Rosy Boom, photography, 2016 [A teenage girl holds a film camera obscuring her face, and takes a photo of her reflection in a small, round mirror. The background is blurred but suggests a retail environment.] -
Jose Miguel Salcido, Sin Titulo (Nhsr), 2009. [A man spray paints a large piece of abstract blue graffiti against a white city wall below a graphic emblem of an eagle. The street is dark, but he is illuminated by the flash of the camera.] -
Jack Smith: Art Crust of Spiritual Oasis. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A gallery space with high ceilings and wooden flooring. On the left, three paper collages hang on a two-toned wall. Two videos are projected onto the right wall side-by-side. In the background, a doorway frames a black and white, projected image of a man's face.] -
ART CLUB2000 Kaputtmachen im Graz, 1994 Printed vinyl, carpet, and boombox Image courtesy Artists Space, New York Photo: Filip Wolak [A view of a large image of multiple individuals sitting and standing in a defaced bedroom. A yellow boombox sits on a black carpet.] -
Flyer for Segue Reading Series featuring Robert Glück & Ted Rees. Saturday, October 17, 2020, Artists Space. Artist: Keith Higginbotham [A collaged image, depicting the upper body of a man, with his fists to his chin, overlaid with lower body of a horse. Blue text on top and bottom of image reads "Robert Glück / Ted Rees / Segue".] -
Terry Fox: All These Different Things Are Sculpture. Installation view, Artists Space, 2024. Photo: Filip Wolak [A color image of a gallery space. A freestanding white wall runs perpendicular into an existing white wall. On the right side, projected onto the existing wall, is a black and white image of a spoon resting next to a bowl of water. To the left of the projected image is a single black frame containing a black and white photograph, hung above a small floating vitrine. Installed in a single row on the freestanding wall, is a series of seven black and white photographs housed in black frames. Behind the freestanding walls, a sliver of window that faces the street outside is visible. Contained within the four transom windows are black and white enlargements of a white man smoking and blowing smoke rings. ] -
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Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A rectangle of gold foil laying flat on a wooden floor. Light descending from a nearby window illuminates the foil.] -
Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. [A color photograph of a figure standing in an orange-lit space filled with various audio equipment and a stereo player. They crouch down to press adjust a dial on an audio mixer.] -
Untitled (Business card), late 1970s. Copyright: Jack Smith Archive. Courtesy: Gladstone Gallery, New York and Brussels [A black and white illustration featuring a person in a black cat suit. A group of penguins, behind him, face towards the background. Text reads, "Jack Smith, Exotic Theatrical Genius!"] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Three figures perform in a basement. Two figures in blue morph suits act out a scene together. The figure on the right scratches a fresnel lens attached to a wooden rolling table while the left figure walks toward the table. A third figure takes video footage of the scene.] -
Still from Fiction Contract, 2025. [Close-up of a black person leaning over a black birthing mannequin laying on a hospital bed in a patient room.] -
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[A flyer for the event depicting a stylized green marshland. Light green and red text positioned at the top of the flyer reads, "A CELEBRATION OF OUR STRUGGLES / THREE MONTHS COME TO A CLOSE / DECOLONIZE / THIS PLACE / DEC. 17TH AT 6PM / 55 WALKER] -
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Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A miniature home crafted out of printed and handwritten material is displayed on a vitrine. At the front of the house above the doorway reads, "CHEROKEE PHEONIX & INDIAN ADVOCATE." Two other homes can be seen in the background.] -
Audrey Glassman, Untitled, 1983. Cibachrome, 28 x 42 inches. [A nude figure is seen sitting in a pool of water in the corner with ceramic tile wall paneling behind them. Sharp lighting accentuates the top half of the image where the face of the figure is, staring into the camera.] -
Jenny Snider. It's a Sin to Tell a Lie, 1985. [A painting of two figures, one in the foreground and the other in the background. Towards the top of the painting reads, "IT'S A SIN TO TELL A LIE".] -
Passages from People Who Led to My Plays. Performance documentation, March 1, 2020, Artists Space. Photo ©️ 2020 Paula Court. [Two figures in dark clothing stand before two music stands in front of a seated audience. The figure on the right is speaking, her hand pinched in a small gesture at her torso.] -
Attention Line. Installation view (exceprts from Clairvoyant Journal, 1974, Clairvoyant Journal cassette tape, 1974, If Workshop, c. 1990 ), Artists Space, June 11 - August 20, 2022. Image courtesy Artists Space, New York. Photo: Filip Wolak [An image of a display case with several letters, and a television sitting on top.] -
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Collage project on mapping and migration -
Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a corner of a gallery space. On the left wall hang various framed posters, and black-and-white photographs. A small window in the wall leads to the front of the gallery. On the right wall are more photographs and posters, and a vitrine. On the floor sits a television monitor displaying a black-and-white image of a pocketwatch.] -
Ei Arakawa: WEWORK BABIES. Performance documentation, December 8, 2019, Artists Space. Photo © 2019 Paula Court. [Several people hold a makeshift metal structure upright, fastening additional metal poles onto the structure. A small crowd stands behind them watching.] -
Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Shala Miller, Genesis, 2023), Artists Space, 2023. Photo: Filip Wolak. [Three hanging projector screens surround the middle of a darkened gallery space on three sides. The screens all show the same black-and-white video still of a figures face, illuminated on one side by a bright flash of light.] -
We Are The History of the Future: Listening to the LES online presentation, My Story Our Story Quilt, P.S. 140 7th grade students [A screenshot of a video call presentation. Two students are placing strips of white paper together; they are creating a paper quilt. They are flanked on the right side by the images of ten individuals who are joining the call remotely.] -
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SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement with two sculptures made of wood and fresnel lenses placed on either side of the image. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.] -
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Bases of the equestrian monument to Kaiser Wilhem which was destroyed by the British occupation in Münster after World War II. The photographs were printed as post cards in the early 20th century and collected from eBay and oldthing.de in 2021. [A black and white photograph of the base of a monument in a city square. Steps lead up to a pedastal surrounded by three large spheres connected by a metal chain.] -
Sidewalk Archives, Artists Space, April 2023 -
Charles Simonds. Still from Mythologies, 1974. From Thomas Lanigan-Schmidt, James Biederman, Charles Simonds, Artists Space, 1974. [A black and white film still of an apartment building, taken from the street. In front of the building is an empty lot. Two cars are parked on the street.] -
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Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photo of an installation work. A large, paper-mache sculpture of a cow-like creature stands next to a crocheted blanket laid on the floor. On top of the blanket there is a red thermos with two red mugs and a miniature white couch. On the back wall behind the paper-mache sculpture and blanket is a round mirror. The mirror contains a reflection of a large box TV with a static screen. On the left-side background, behind the paper-mache sculpture, two blow-dryers hang from a freestanding metal fixture.] -
Model Modernisms. Installation view, Artists Space, 2005. [Several small, model-like black sculptural forms displayed on low wooden supports in the center of a large gallery space with wooden flooring. A large wall decal featuring eye-like forms and swirling, dripping stripes of color covers the wall to the left of the sculptures. Additionally, several framed 2D works hang on the back gallery walls behind the displayed sculptures.] -
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Marian Zazeela, 19 XI 66/2, 1966, India ink on card. Courtesy of the artist. [Black-and-white drawing of a cluster of black curled lines organized into a square shape in the middle of a white page. Handwritten text in faint pencil along the bottom of the page reads "© Marian Zazeela 1988."] -
Constantina Zavitsanos: fwiw. Installation view (Wishing Well (Korpi), 2023/24; There's something happening here, 2024), Artists Space, 2024. Photo: Carter Seddon. [In a large dark room, a modular structure is recessed into a raised floor covered with black carpet. The structure is lit in bright blue light, and hosts open water. Red light shines in the back room.] -
Flyer for Segue Reading Series featuring Joey Yearous-Algozin and Filip Marinovich. Saturday, April 24, 2021, Artists Space. [Multicolored circles, torii (donut shapes), and a cylinder are on a yellow-orange gradient background. The image is overlaid with the text, "artists space & the segue reading series / merrily invite you to an online reading by / Joey Yearous-Algozin / and / Filip Marinovich / saturday 4.24.21 5pm eastern / $5 suggested it'll be terrific / zoom id: 830 2698 4031] -
Abasement #80. Performance documentation, September 22nd, 2025, Artists Space. Photo: Joshua Wildman. [A performer plays a stringed instrument with a bow. The stage and wall behind it are bathed in blue light, created from projections of a geometric pattern.] -
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Yasunao Tone Concert #3. Performance documentation, March 16, 2023, Artists Space. Photo: Destiny Mata [Color image of four figures seated in a row on a stage. Each figure sits behind a music stand.] -
Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt. [A large black disk installed on a white gallery wall. Bold gray text circling the circumfrence of the disk reads, "PROYECTO PARA MONUMENTO." Directly to the left of the disk, a square hole has been cut into the gallery wall. A horizontal metal bar and several planks of wood are visible through the hole.] -
Christopher Wool, untitled (wool poster between bridges), 2020, 23.5 x 16.5 inches [A black and white image featuring a large, dark shape that resembles a plus sign. The plus sign sits at the center of a white backdrop covered by various irregular markings, including a large ink blot and print markings. While the surface of the plus sign is opaque, the background markings are slightly transparent. Small black text placed at the image's lower left corner reads, "2020Solidarity - Christopher Wool," while text placed at the image's lower right corner reads, "A project by Between Bridges."] -
Judit Kurtág. Still from Episode, 2007. [A black and white image of a person's face against a white tiled wall, with water pouring down over her.] -
Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, September 16, 2022 - December 3, 2022. Photo: Filip Wolak [Three desks are lined up in front of each other, each desktop has a TV monitor and clay rocks. In the back is a dark room with yellow LED light sculptures.] -
Retrovizija (Peter Vezjak), still from Laibach: Sympathy for the Devil, 1988. 5 minutes, 40 seconds. [Seven people are in a courtyard in period dress, facing the camera. Some stand on a ladder, another leans against a colonnade in the background. Smoke billows out behind them from an unseen source.] -
Dress for Virgil Abloh and Stuart Davis, Gigi Sanchez, acrylic on paper, Silver Key in Painting -
Immanent Madness. Installation View. Artists Space, 1985-86. [Drawing of an axe attached to a tree branch. Line of the paper visible in the background. Written on upper left: "Forest/Nesescity". Written on the upper right: "Oct 31, 1985. G.W." Written on the bottom: "Axe-Tree. "Tranquility vs. Self Preservation = Survivor.""] -
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Margit Lewczuk. For Freda, 1985. -
Cover for Everything is common catalogue by Jack Hogan [A person holding caution tape over a patch of wet cement with the words Everything is common written in it.] -
Social Surfaces. Installation view, Pearl River Mart, 2017. Photo: Ron Amstutz. [An opened case, with camera equipment resting inside gray foam, is displayed in the center of a room. A large black and white painting with text is hung on a wall underneath a hanging sculpture. In the background, individual papers of beer logos are displayed behind glass, stretching across two connecting walls.] -
Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979. [A plaque with text is hung up next to an open doorframe. Through the doorframe, a continuous strip extending around the perimeter of the room is visible. The strip on the walls alternates between photographic stills and black boxes overlaid with white text.] -
Sean Snyder. Installation view, Artists Space, 2010-11. Photo: Daniel Peréz. [A television on a metal stand shows an image of a man in a cowboy hat. A white bar with black text on the bottom of the screen reads, "The actor said. He explains that thousands of bootleg copies."] -
ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A view of a vending machine against a glazed over window, tiled images on a white gallery wall, and a glass table surrounded by four wooden chairs.] -
Abasement #78. Performance documentation, June 16th, 2025, Artists Space. Photo: Joshua Wildman. [Color image of five performers on stage. They are playing bass, violin, guitars, and drums. A row of audience members are visible in the foreground, with their backs to the camera. A blue projection covers the performers and the back wall.] -
Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure plays a bell into three microphones.] -
Four Scottish Artists. Opening Reception, Artists Space, 1979. [A photograph of the exhibition opening reception. A group of visitors look around at the art.] -
Anicka Yi, Flirting Is An Algorithm, 2015, Silkscreen on archival box, 24½ x 20½ x 1½ in / 62,2 x 52 x 3,8 cm, Signed and Numbered. [A spotted pattern against a white ground, with each spot having a unique stain, splatter, or drops of ink.] -
Scott Burton, Modern American Artist, second version, early 1974. Photographic portrait of performance character shown at PersonA at Artists Space. Courtesy Estate of Scott Burton. [Black and white scan of a photograph featuring a figure, standing upright with their hand on their hips. Their face is starkly painted white with heavy makeup around the eyes and lips. They wear overalls and a strap-on around their hips.] -
Iliana Polanco, Curve, photography, 2016 [A close-up, black-and-white photo of a small dirt area surrounded by a metal fence. A large tree stands in the middle of the image, surrounded by short plants and a small flower] -
Flyer for Segue Reading Series featuring Amber Dawn & Kai Cheng Thom. Saturday March 13, 2021, Artists Space. [A green colored background features black text in the top half of the image that reads, "Segue Reading Series / Amber Dawn & Kai Cheng Thom / March 13 / 5pm on Zoom / Suggested donation: Five dollars / Zoom ID: 830 2698 4031." Black text in the bottom right corner reads, "Artists Space."] -
Log Cabin. Installation view, Artists Space, 2005. [Several sculptures, video works, and other artworks installed in a gallery space with wooden flooring. A large sculpture on the image's right side is composed of a series of wooden rifles gathered to form two, pole-like structures, between which a quilt-like blanket is wrapped around a supporting pole. To the left of this sculpture, a second, long structure composed of a series of white tiles runs diagonally across the gallery floor, forming a long line. Several TV monitors and 2D works are installed on the gallery walls behind the two sculptures.] -
[A metal statue is being lifted from its platform by a crane via ropes around its neck and feet. A large building is visible behind it.] -
She Who Is: Adrienne Kennedy and the Drama of Difference. February 29, 2020–September 19,2020. Image courtesy of Artists Space, New York. Photo: Filip Wolak [A close up image of vinyl text installed on a gallery wall. The header of the text reads, "She Who Is / Adrienne Kennedy and the Drama of Difference." Past this gallery wall, a large exhibition space is visible. Several old Hollywood films are projected on the space's far gallery walls.] -
Dyonis, Underworld, 2020, collage, pastel and pen and ink -
Group Material: Primer (for Raymond Williams). Artists Space, 1982. [A view of a bedroom with various imagery on the walls along with a line and clothespins and a dotted line cloth on a matress lying on the floor.] -
Amalle Dublon & Constantina Zavitsanos, Interferometer (Quantum Eraser), 2018 (detail view). Photo: Daniel Pérez. [An inferometer in the foreground, bolted onto a black peg-board table, projects a green dot, through multiple lenses, onto a white wall.] -
Flyer for Segue Reading Series featuring John Yau & Patrick Rosal. April 30, 2022, Artists Space. [Black text overlays a white background with two bunches of pink flowers in the upper right and lower left corners. The top left corner reads: “John Yau / & Patrick Rosal / April 30, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”] -
Tom of Finland Untitled , ca. 1968 Collage on paper Tom of Finland Foundation, Permanent Collection [Collaged images of pairs of half-naked men in various poses and positions.] -
Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Candice Hill-Montgomery. [Black and white photograph of white picket fence with dark painted background behind it.] -
[A figure sits in a chair facing—and silhouetted by—a soft, sunset-bathed city skyline and river. Their back faces the viewer, and they appear to rest their head on their hand. The space around them resembles a corporate office space.] -
Waiting room view of Leben mit Pop - Eine Demonstration für den kapitalistischen Realismus , 1963 (Living with Pop – A Demonstration for Capitalist Realism) © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Photo: Reiner Ruthenbeck [A room, view from above a stair case, with a group of men sat scatted around the area.] -
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Flyer for Segue Reading Series featuring Artress Bethany White & Cait O'Kane. April 23, 2022, Artists Space. [Black text overlays a white background with a yellow bunch of flowers in the upper left corner. The top left corner reads: “Artress Bethany White / & Cait O’Kane / April 23, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”] -
What Do We Carry? Coil pots and coiled personal timelines, December 2024 -
Hito Steyerl, Guards, 2012, HD video on freestanding screen with sound, 20 mins, Courtesy of the artist and Andrew Kreps, New York. Installation view from Hito Steyerl, Artists Space, 2015. [A portrait oriented video is projected in a dark narrow space. A bench sits in front of the video. An image-still of a man, standing next to a frame on a wall that contains a seperate video of a man in a street, is on the back wall.] -
Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon. [A view of a gallery installed with multiple sculptures. In the center foreground sits a wooden box sculpture painted light blue,and another box painted dark blue with a repeated traffic light motif, sits in the distance behind. To the left, a large biomorphic sculpture composed of found materials hangs from the ceiling. In the background, three large pink banners emblazoned with silver stars hang from ceiling to floor.] -
Storm de Hirsch, still from Newsreel: Jonas in The Brig, 1964. Courtesy Anthology Film Archives. [A black-and-white photo depicting a behind the scenes view of a movie in production. A man holds the camera on the right - a cage is on the left, and two men speak in the center of the image, one facing the camera and one facing away.] -
Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A dimly lit, empty room filled with several low chairs. A projection illuminates a dark wall opposite the chairs. The projection displays an image of a figure, their index finger blotted purple, inserting a document written in Arabic into a machine.] -
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Abasement #63. Performance documentation, July 17, 2023, Artists Space. Photo: Joshua Wildman. [Color image of a dark room, illuminated only by a projection of blue and orange amorphous shapes on a wall. The shadow of a table with dj equipment and gear is cast against the colorful projected image.] -
_____, Louise Lawler, Adrian Piper & Cindy Sherman Have Agreed to Participate in an Exhibition Organized by Janelle Reiring at Artists Space, September 23 through October 28, 1978, Artists Space, 1978. Installation view, Artists Space, 1978. Artwork by Louise Lawler. [A painting of a horse in a gold frame hangs on a wall.] -
Hunter Reynolds, Patina du Prey’s Memorial Dress: 1997 to 2007. Historical performance documentation. Photo: Maxine Henryson. [A portrait of a heavily made-up standing person in a ballgown with outstretched arms in black evening gloves. The dark ballgown has rows of light names on it.]
