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  • Poster with a red-filtered image of a colonialist painting. In green and yellow font at the top of the image it reads,
    Poster with a red-filtered image of a colonialist painting. In green and yellow font at the top of the image it reads,
    [Poster with a red-filtered image of a colonialist painting. In green and yellow font at the top of the image it reads, "Land Mass / 18 December 2017 7pm" and at the bottom in the same font, "Natalie Diaz / Demian Dineyazhi / Sonia Guinansaca / Artists Space 55 Walker Street New York, NY 10013.]
    Caption
    Image description Poster with a red-filtered image of a colonialist painting. In green and yellow font at the top of the image it reads, "Land Mass / 18 December 2017 7pm" and at the bottom in the same font, "Natalie Diaz / Demian Dineyazhi / Sonia Guinansaca / Artists Space 55 Walker Street New York, NY 10013.
    Year 2017
    Related pages LAND MASS
  • Magazine cutouts of faces printed in green ink, with red dots and accents, overlay a yellow and red printed background that has also been collaged together and drawn over with red and blue abstract lines. A block of black typewritten text on a white background is placed upside down in the bottom left of the image, and reads
    Magazine cutouts of faces printed in green ink, with red dots and accents, overlay a yellow and red printed background that has also been collaged together and drawn over with red and blue abstract lines. A block of black typewritten text on a white background is placed upside down in the bottom left of the image, and reads
    Flyer by Joe Frivaldi. [Magazine cutouts of faces printed in green ink, with red dots and accents, overlay a yellow and red printed background that has also been collaged together and drawn over with red and blue abstract lines. A block of black typewritten text on a white background is placed upside down in the bottom left of the image, and reads "ABASEMENT 65" and then the list of performers. On the right side of the image is text that reads the time and place of the event.]
    Caption Flyer by Joe Frivaldi.
    Image description Magazine cutouts of faces printed in green ink, with red dots and accents, overlay a yellow and red printed background that has also been collaged together and drawn over with red and blue abstract lines. A block of black typewritten text on a white background is placed upside down in the bottom left of the image, and reads "ABASEMENT 65" and then the list of performers. On the right side of the image is text that reads the time and place of the event.
    Year
    Related pages Abasement #65
  • A color installation view of a gallery space with several dark columns. A yellow brocade couch, wooden nightstand, wicker pannier, and police tape outlining a rectangle on the wall with three additional strips extending from the wall to the floor are visible.
    A color installation view of a gallery space with several dark columns. A yellow brocade couch, wooden nightstand, wicker pannier, and police tape outlining a rectangle on the wall with three additional strips extending from the wall to the floor are visible.
    Lyndon Barrois Jr.: Mirage Collar. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color installation view of a gallery space with several dark columns. A yellow brocade couch, wooden nightstand, wicker pannier, and police tape outlining a rectangle on the wall with three additional strips extending from the wall to the floor are visible.]
    Caption Lyndon Barrois Jr.: Mirage Collar. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color installation view of a gallery space with several dark columns. A yellow brocade couch, wooden nightstand, wicker pannier, and police tape outlining a rectangle on the wall with three additional strips extending from the wall to the floor are visible.
    Year 2022
    Related pages Lyndon Barrois Jr.: Mirage Collar
  • Two performers sitting on stage. The musician in the foreground is lit with blue and purple light. They are leaning forward and playing the guitar. The musician in the back is out of focus. They are bathed in red light and they also are playing guitar.
    Two performers sitting on stage. The musician in the foreground is lit with blue and purple light. They are leaning forward and playing the guitar. The musician in the back is out of focus. They are bathed in red light and they also are playing guitar.
    Abasement #73. Performance documentation, November 4th, 2024, Artists Space. Photo: Joshua Wildman. [Two performers sitting on stage. The musician in the foreground is lit with blue and purple light. They are leaning forward and playing the guitar. The musician in the back is out of focus. They are bathed in red light and they also are playing guitar.]
    Caption Abasement #73. Performance documentation, November 4th, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Two performers sitting on stage. The musician in the foreground is lit with blue and purple light. They are leaning forward and playing the guitar. The musician in the back is out of focus. They are bathed in red light and they also are playing guitar.
    Year
    Related pages Abasement #73
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Image of a gallery space installed with multiple sculptures. On the right, two large painted wooden boxes by Matthew Langan-Peck are slightly open and have headphones hanging on their sides. The boxes are painted light blue with yellow shooting stars and dark blue with traffic light-esque designs, respectively. On the left, two of Ruben Ulises Rodriguez Montoya's large biomorphic sculptures, composed of found materials, hang from the ceiling. In the background, Isabelle Frances McGuire's three large pink fabric banners emblazoned with silver stars hang from ceiling to floor.
    Image of a gallery space installed with multiple sculptures. On the right, two large painted wooden boxes by Matthew Langan-Peck are slightly open and have headphones hanging on their sides. The boxes are painted light blue with yellow shooting stars and dark blue with traffic light-esque designs, respectively. On the left, two of Ruben Ulises Rodriguez Montoya's large biomorphic sculptures, composed of found materials, hang from the ceiling. In the background, Isabelle Frances McGuire's three large pink fabric banners emblazoned with silver stars hang from ceiling to floor.
    Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon. [Image of a gallery space installed with multiple sculptures. On the right, two large painted wooden boxes by Matthew Langan-Peck are slightly open and have headphones hanging on their sides. The boxes are painted light blue with yellow shooting stars and dark blue with traffic light-esque designs, respectively. On the left, two of Ruben Ulises Rodriguez Montoya's large biomorphic sculptures, composed of found materials, hang from the ceiling. In the background, Isabelle Frances McGuire's three large pink fabric banners emblazoned with silver stars hang from ceiling to floor.]
    Caption Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon.
    Image description Image of a gallery space installed with multiple sculptures. On the right, two large painted wooden boxes by Matthew Langan-Peck are slightly open and have headphones hanging on their sides. The boxes are painted light blue with yellow shooting stars and dark blue with traffic light-esque designs, respectively. On the left, two of Ruben Ulises Rodriguez Montoya's large biomorphic sculptures, composed of found materials, hang from the ceiling. In the background, Isabelle Frances McGuire's three large pink fabric banners emblazoned with silver stars hang from ceiling to floor.
    Year
    Related pages Doris Guo Matthew Langan-Peck Isabelle Frances McGuire Ruben Ulises Rodriguez Montoya
  • On a white wall two artworks on paper and of the same size hang side-by-side. On the left, nine pencil drawings in no order depict the same figure from different angles. On the right, nine small blocks of text with white letters on a black background sit in orderly 3 x 3 rows.
    On a white wall two artworks on paper and of the same size hang side-by-side. On the left, nine pencil drawings in no order depict the same figure from different angles. On the right, nine small blocks of text with white letters on a black background sit in orderly 3 x 3 rows.
    Danica Barboza, Omnia - Mercurial, Interposition. Installation view Galerie Buchholz, Cologne 2019. [On a white wall two artworks on paper and of the same size hang side-by-side. On the left, nine pencil drawings in no order depict the same figure from different angles. On the right, nine small blocks of text with white letters on a black background sit in orderly 3 x 3 rows.]
    Caption Danica Barboza, Omnia - Mercurial, Interposition. Installation view Galerie Buchholz, Cologne 2019.
    Image description On a white wall two artworks on paper and of the same size hang side-by-side. On the left, nine pencil drawings in no order depict the same figure from different angles. On the right, nine small blocks of text with white letters on a black background sit in orderly 3 x 3 rows.
    Year 2019
    Related pages Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater
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    Related pages Abasement #82
  • Contact sheet of installation images taken during exhibition opening.
    Contact sheet of installation images taken during exhibition opening.
    Gary Burnley, Martin Cohen, Candace Hill-Montgomery, Louis Stein, and Haim Steinbach. Contact sheet of photos from exhibition opening, Artists Space, 1979. Photos by Gary Burnley. [Contact sheet of installation images taken during exhibition opening.]
    Caption Gary Burnley, Martin Cohen, Candace Hill-Montgomery, Louis Stein, and Haim Steinbach. Contact sheet of photos from exhibition opening, Artists Space, 1979. Photos by Gary Burnley.
    Image description Contact sheet of installation images taken during exhibition opening.
    Year 1979
    Related pages Martin Cohen
  • A black-and-white photo depicting a behind the scenes view of a movie in production. A man holds the camera on the right - a cage is on the left, and two men speak in the center of the image, one facing the camera and one facing away.
    A black-and-white photo depicting a behind the scenes view of a movie in production. A man holds the camera on the right - a cage is on the left, and two men speak in the center of the image, one facing the camera and one facing away.
    Storm de Hirsch, still from Newsreel: Jonas in The Brig, 1964. Courtesy Anthology Film Archives. [A black-and-white photo depicting a behind the scenes view of a movie in production. A man holds the camera on the right - a cage is on the left, and two men speak in the center of the image, one facing the camera and one facing away.]
    Caption Storm de Hirsch, still from Newsreel: Jonas in The Brig, 1964. Courtesy Anthology Film Archives.
    Image description A black-and-white photo depicting a behind the scenes view of a movie in production. A man holds the camera on the right - a cage is on the left, and two men speak in the center of the image, one facing the camera and one facing away.
    Year 1964
    Related pages Jonas In The Brig
  • A color photograph of a human hand holding a blue booklet in front of a background of green leaves as well as red and purple flowers. On the booklet slow and soft and righteous, improvising at the end of the world (and how we make a new one) / By Sonia Louise Davis" is written in black text over a black and white photograph of a figure leaning against a wall.." />
    A color photograph of a human hand holding a blue booklet in front of a background of green leaves as well as red and purple flowers. On the booklet slow and soft and righteous, improvising at the end of the world (and how we make a new one) / By Sonia Louise Davis" is written in black text over a black and white photograph of a figure leaning against a wall.." />
    Image of slow and soft and righteous, improvising at the end of the world (and how we make a new one) by Sonia Louise Davis, 2022. [A color photograph of a human hand holding a blue booklet in front of a background of green leaves as well as red and purple flowers. On the booklet "slow and soft and righteous, improvising at the end of the world (and how we make a new one) / By Sonia Louise Davis" is written in black text over a black and white photograph of a figure leaning against a wall..]
    Caption Image of slow and soft and righteous, improvising at the end of the world (and how we make a new one) by Sonia Louise Davis, 2022.
    Image description A color photograph of a human hand holding a blue booklet in front of a background of green leaves as well as red and purple flowers. On the booklet "slow and soft and righteous, improvising at the end of the world (and how we make a new one) / By Sonia Louise Davis" is written in black text over a black and white photograph of a figure leaning against a wall..
    Year 2022
    Related pages If improvisation could serve as a manual, if gesture could serve as a guide
  • On an elevated walkway that overlooks a cityscape, three wooden rods form a teepee in a green space. A white rope hangs from where the structure is tied together, the other end suspends a large rock very close to the ground.
    On an elevated walkway that overlooks a cityscape, three wooden rods form a teepee in a green space. A white rope hangs from where the structure is tied together, the other end suspends a large rock very close to the ground.
    Duane Linklater, pêyakotênaw, 2018. Mixed media. Installation view, Agora, High Line Art, New York, 2018. [On an elevated walkway that overlooks a cityscape, three wooden rods form a teepee in a green space. A white rope hangs from where the structure is tied together, the other end suspends a large rock very close to the ground.]
    Caption Duane Linklater, pêyakotênaw, 2018. Mixed media. Installation view, Agora, High Line Art, New York, 2018.
    Image description On an elevated walkway that overlooks a cityscape, three wooden rods form a teepee in a green space. A white rope hangs from where the structure is tied together, the other end suspends a large rock very close to the ground.
    Year 2018
    Related pages Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater
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    Related pages David Armstrong: Portraits
  • Two figures perform in front of large projected images.
    Two figures perform in front of large projected images.
    SCRAAATCH, Tower of Babel, 2019, Les Urbaines. Photo: Mathilda Olmi [Two figures perform in front of large projected images.]
    Caption SCRAAATCH, Tower of Babel, 2019, Les Urbaines. Photo: Mathilda Olmi
    Image description Two figures perform in front of large projected images.
    Year
    Related pages SCRAAATCH 11-18
  • People standing around a gallery space with various globes surrounding them and frame images hanging on the wall to the right.
    People standing around a gallery space with various globes surrounding them and frame images hanging on the wall to the right.
    Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Gary Burnley. [People standing around a gallery space with various globes surrounding them and frame images hanging on the wall to the right.]
    Caption Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Gary Burnley.
    Image description People standing around a gallery space with various globes surrounding them and frame images hanging on the wall to the right.
    Year 1979
    Related pages Gary Burnley
  • Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon.
    Caption Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon.
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    Related pages Michael Asher
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    Related pages Segue Reading Series
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    Related pages Welcome
  • Three sculptures grouped together in the corner of a gallery, with a street in Manhattan visible through large windows at the rear of the room. The largest sculpture stands behind the other two; clustered pieces of wood, string, cardboard, paper, metal, and plastic are propped up, arranged on top of one another, all standing on a large cardboard base. A humanoid white bust lies on top of the structure, its face cut in half. The two smaller sculptures also depict humanoid faces - one in white, the other with skin and hair - and both appear to grow out of masses of misshapen cardboard and wood standing on the floor.
    Three sculptures grouped together in the corner of a gallery, with a street in Manhattan visible through large windows at the rear of the room. The largest sculpture stands behind the other two; clustered pieces of wood, string, cardboard, paper, metal, and plastic are propped up, arranged on top of one another, all standing on a large cardboard base. A humanoid white bust lies on top of the structure, its face cut in half. The two smaller sculptures also depict humanoid faces - one in white, the other with skin and hair - and both appear to grow out of masses of misshapen cardboard and wood standing on the floor.
    Danica Barboza, From a Chapter in Acclimatization, 2019, hand-modeled clay, acrylic paint, rope, yarn, wood, plastic clothing hangers, condensed foam, PVC piping, newspaper, plastic bottle, orange plastic crates, black plastic shipping crate, signature tape-binding with protective gloss, shower curtains, child’s wooden chair, plastic child’s toy, white shelving unit, metal table leg, wooden shipping crate, cherry wood stained card-table top, Insignia TV monitor, wooden pole, metal pole, painted silicone, natural hair, painted glass. Photo: Daniel Pérez [Three sculptures grouped together in the corner of a gallery, with a street in Manhattan visible through large windows at the rear of the room. The largest sculpture stands behind the other two; clustered pieces of wood, string, cardboard, paper, metal, and plastic are propped up, arranged on top of one another, all standing on a large cardboard base. A humanoid white bust lies on top of the structure, its face cut in half. The two smaller sculptures also depict humanoid faces - one in white, the other with skin and hair - and both appear to grow out of masses of misshapen cardboard and wood standing on the floor.]
    Caption Danica Barboza, From a Chapter in Acclimatization, 2019, hand-modeled clay, acrylic paint, rope, yarn, wood, plastic clothing hangers, condensed foam, PVC piping, newspaper, plastic bottle, orange plastic crates, black plastic shipping crate, signature tape-binding with protective gloss, shower curtains, child’s wooden chair, plastic child’s toy, white shelving unit, metal table leg, wooden shipping crate, cherry wood stained card-table top, Insignia TV monitor, wooden pole, metal pole, painted silicone, natural hair, painted glass. Photo: Daniel Pérez
    Image description Three sculptures grouped together in the corner of a gallery, with a street in Manhattan visible through large windows at the rear of the room. The largest sculpture stands behind the other two; clustered pieces of wood, string, cardboard, paper, metal, and plastic are propped up, arranged on top of one another, all standing on a large cardboard base. A humanoid white bust lies on top of the structure, its face cut in half. The two smaller sculptures also depict humanoid faces - one in white, the other with skin and hair - and both appear to grow out of masses of misshapen cardboard and wood standing on the floor.
    Year 2019
    Related pages Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater
  • Sheets of text hang on a white wall. Text is too small to be legible.
    Sheets of text hang on a white wall. Text is too small to be legible.
    _____, Louise Lawler, Adrian Piper & Cindy Sherman Have Agreed to Participate in an Exhibition Organized by Janelle Reiring at Artists Space, September 23 through October 28, 1978, Artists Space, 1978. Installation view, Artists Space, 1978. [Sheets of text hang on a white wall. Text is too small to be legible.]
    Caption _____, Louise Lawler, Adrian Piper & Cindy Sherman Have Agreed to Participate in an Exhibition Organized by Janelle Reiring at Artists Space, September 23 through October 28, 1978, Artists Space, 1978. Installation view, Artists Space, 1978.
    Image description Sheets of text hang on a white wall. Text is too small to be legible.
    Year 1978
    Related pages ______ , Louise Lawler, Adrian Piper & Cindy Sherman Have Agreed to Participate in an Exhibition Organized by Janelle Reiring at Artists Space, September 23 through October 28, 1978.
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    Related pages Carolyn Lazard
  • Dirt can be seeng lining the walls on the floor and also in the clear cases above them. There is stark lighting of the walls in this gallery setting.
    Dirt can be seeng lining the walls on the floor and also in the clear cases above them. There is stark lighting of the walls in this gallery setting.
    Installation View from Recent Art From Chicago, Artists Space, March 8, 1986 - April 5, 1986. [Dirt can be seeng lining the walls on the floor and also in the clear cases above them. There is stark lighting of the walls in this gallery setting.]
    Caption Installation View from Recent Art From Chicago, Artists Space, March 8, 1986 - April 5, 1986.
    Image description Dirt can be seeng lining the walls on the floor and also in the clear cases above them. There is stark lighting of the walls in this gallery setting.
    Year
    Related pages Recent Art from Chicago
  • A head-on view of six figures, each standing before a music stand in front of a seated audience. They are arranged side by side in a horizontal line, illuminated by overhead lights.
    A head-on view of six figures, each standing before a music stand in front of a seated audience. They are arranged side by side in a horizontal line, illuminated by overhead lights.
    Adrienne Kennedy, The Owl Answers. Performance documentation, Artists Space, February 29, 2020. Photo ©️ Filip Wolak. [A head-on view of six figures, each standing before a music stand in front of a seated audience. They are arranged side by side in a horizontal line, illuminated by overhead lights.]
    Caption Adrienne Kennedy, The Owl Answers. Performance documentation, Artists Space, February 29, 2020. Photo ©️ Filip Wolak.
    Image description A head-on view of six figures, each standing before a music stand in front of a seated audience. They are arranged side by side in a horizontal line, illuminated by overhead lights.
    Year 2020
    Related pages
  • A lamp pole, left of center, in an upward angled view of a sunny, cloud covered sky. The pole has a coiled wire running upward to a security camera mounted on its top.
    A lamp pole, left of center, in an upward angled view of a sunny, cloud covered sky. The pole has a coiled wire running upward to a security camera mounted on its top.
    [A lamp pole, left of center, in an upward angled view of a sunny, cloud covered sky. The pole has a coiled wire running upward to a security camera mounted on its top.]
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    Image description A lamp pole, left of center, in an upward angled view of a sunny, cloud covered sky. The pole has a coiled wire running upward to a security camera mounted on its top.
    Year 2014
    Related pages Laura Poitras: 9/11 Trilogy
  • A color image of a white wall with windows and black and white curtains with pink flowers. Through the windows, a figure is seen laying down on a sofa. Only the legs are visible.
    A color image of a white wall with windows and black and white curtains with pink flowers. Through the windows, a figure is seen laying down on a sofa. Only the legs are visible.
    Drake Carr: Housecalls. Performance documentation, September 7, 2023, Artists Space at the Armory Show. Photo: Joshua Wildman. [A color image of a white wall with windows and black and white curtains with pink flowers. Through the windows, a figure is seen laying down on a sofa. Only the legs are visible.]
    Caption Drake Carr: Housecalls. Performance documentation, September 7, 2023, Artists Space at the Armory Show. Photo: Joshua Wildman.
    Image description A color image of a white wall with windows and black and white curtains with pink flowers. Through the windows, a figure is seen laying down on a sofa. Only the legs are visible.
    Year
    Related pages Drake Carr: Housecalls
  • A color installation photograph of a gallery space with a painted drum set, a hanging gong. A television monitor is placed on the floor to the right with several LP covers hanging above.
    A color installation photograph of a gallery space with a painted drum set, a hanging gong. A television monitor is placed on the floor to the right with several LP covers hanging above.
    Milford Graves: Fundamental Frequency. Installation view, Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak. [A color installation photograph of a gallery space with a painted drum set, a hanging gong. A television monitor is placed on the floor to the right with several LP covers hanging above.]
    Caption Milford Graves: Fundamental Frequency. Installation view, Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak.
    Image description A color installation photograph of a gallery space with a painted drum set, a hanging gong. A television monitor is placed on the floor to the right with several LP covers hanging above.
    Year 2021
    Related pages Milford Graves: Fundamental Frequency
  • A figure in a blue shirt kneels down on stage, they look down and hold a microphone to their face. Red light is cast onto the stage.
    A figure in a blue shirt kneels down on stage, they look down and hold a microphone to their face. Red light is cast onto the stage.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure in a blue shirt kneels down on stage, they look down and hold a microphone to their face. Red light is cast onto the stage.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure in a blue shirt kneels down on stage, they look down and hold a microphone to their face. Red light is cast onto the stage.
    Year
    Related pages Chorus: A Sound Poetry Festival 11-11
  • Staggered metal shelves that are filled with books of various color and sizes.
    Staggered metal shelves that are filled with books of various color and sizes.
    The Colin de Land Library Collection Alexander Schroeder, Berlin [Staggered metal shelves that are filled with books of various color and sizes.]
    Caption The Colin de Land Library Collection Alexander Schroeder, Berlin
    Image description Staggered metal shelves that are filled with books of various color and sizes.
    Year 2014
    Related pages The Library Vaccine
  • A corner of a gallery space with wooden floors. Two framed works on paper hang on the left wall. A light blue color has also been imprinted on the central portion of the wall. A long scroll of paper stretches horizontally across the wall to the right. The paper is covered with black and pastel-colored markings.
    A corner of a gallery space with wooden floors. Two framed works on paper hang on the left wall. A light blue color has also been imprinted on the central portion of the wall. A long scroll of paper stretches horizontally across the wall to the right. The paper is covered with black and pastel-colored markings.
    You Are The Everything and The Everything Is In You. Installation view, Artists Space, 2005. [A corner of a gallery space with wooden floors. Two framed works on paper hang on the left wall. A light blue color has also been imprinted on the central portion of the wall. A long scroll of paper stretches horizontally across the wall to the right. The paper is covered with black and pastel-colored markings.]
    Caption You Are The Everything and The Everything Is In You. Installation view, Artists Space, 2005.
    Image description A corner of a gallery space with wooden floors. Two framed works on paper hang on the left wall. A light blue color has also been imprinted on the central portion of the wall. A long scroll of paper stretches horizontally across the wall to the right. The paper is covered with black and pastel-colored markings.
    Year 2005
    Related pages You Are The Everything and The Everything Is In You
  • Color image of a gallery space. To the left, a tree trunk sits on the pedestal. On top of the tree trunk there is a taxidermied crow covered in porcupine quills. Behind the tree trunk, there are more sculptures featuring taxidermied birds, tree logs, and shovels.
    Color image of a gallery space. To the left, a tree trunk sits on the pedestal. On top of the tree trunk there is a taxidermied crow covered in porcupine quills. Behind the tree trunk, there are more sculptures featuring taxidermied birds, tree logs, and shovels.
    Andy Robert: PAPALOKO. Installation view, Artists Space, 2024. Photo: Carter Seddon. [Color image of a gallery space. To the left, a tree trunk sits on the pedestal. On top of the tree trunk there is a taxidermied crow covered in porcupine quills. Behind the tree trunk, there are more sculptures featuring taxidermied birds, tree logs, and shovels.]
    Caption Andy Robert: PAPALOKO. Installation view, Artists Space, 2024. Photo: Carter Seddon.
    Image description Color image of a gallery space. To the left, a tree trunk sits on the pedestal. On top of the tree trunk there is a taxidermied crow covered in porcupine quills. Behind the tree trunk, there are more sculptures featuring taxidermied birds, tree logs, and shovels.
    Year
    Related pages Andy Robert: Papaloko
  • On a muted pink background with a wavy green line running across the page, text in a darker pink and black reads: segue X artists space virtual readings / Zoom meeting ID: 378 232 567 / $5 suggested virtual door: / PayPal/seguefoundation / all proceeds go directly to readers.
    On a muted pink background with a wavy green line running across the page, text in a darker pink and black reads: segue X artists space virtual readings / Zoom meeting ID: 378 232 567 / $5 suggested virtual door: / PayPal/seguefoundation / all proceeds go directly to readers.
    [On a muted pink background with a wavy green line running across the page, text in a darker pink and black reads: segue X artists space virtual readings / Zoom meeting ID: 378 232 567 / $5 suggested virtual door: / PayPal/seguefoundation / all proceeds go directly to readers.]
    Caption
    Image description On a muted pink background with a wavy green line running across the page, text in a darker pink and black reads: segue X artists space virtual readings / Zoom meeting ID: 378 232 567 / $5 suggested virtual door: / PayPal/seguefoundation / all proceeds go directly to readers.
    Year 2020
    Related pages Segue Reading Series: Lonely Christopher & zakia henderson-brown
  • Two performers on stage with a few audience members in the foreground. The performer on the left is sitting, looking down, and playing guitar. The performer on the right is standing and holding a bow. The audience and musicians are tinted with orange and red toned lights. An abstract orange and green projection covers the back wall.
    Two performers on stage with a few audience members in the foreground. The performer on the left is sitting, looking down, and playing guitar. The performer on the right is standing and holding a bow. The audience and musicians are tinted with orange and red toned lights. An abstract orange and green projection covers the back wall.
    Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman. [Two performers on stage with a few audience members in the foreground. The performer on the left is sitting, looking down, and playing guitar. The performer on the right is standing and holding a bow. The audience and musicians are tinted with orange and red toned lights. An abstract orange and green projection covers the back wall.]
    Caption Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Two performers on stage with a few audience members in the foreground. The performer on the left is sitting, looking down, and playing guitar. The performer on the right is standing and holding a bow. The audience and musicians are tinted with orange and red toned lights. An abstract orange and green projection covers the back wall.
    Year
    Related pages Abasement #74
  • A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of the Hamdan vs. Rumsfield Supreme Court Case.
    A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of the Hamdan vs. Rumsfield Supreme Court Case.
    Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of the Hamdan vs. Rumsfield Supreme Court Case.]
    Caption Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez.
    Image description A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of the Hamdan vs. Rumsfield Supreme Court Case.
    Year 2014
    Related pages Laura Poitras: 9/11 Trilogy
  • A black and white drawing of a chair inside of a circle. Above the illustration, text announces an audio-visual installation by Bradley Wester, with details noting the collaborators, time, and place. Under the illustration, text reads,
    A black and white drawing of a chair inside of a circle. Above the illustration, text announces an audio-visual installation by Bradley Wester, with details noting the collaborators, time, and place. Under the illustration, text reads,
    [A black and white drawing of a chair inside of a circle. Above the illustration, text announces an audio-visual installation by Bradley Wester, with details noting the collaborators, time, and place. Under the illustration, text reads, "Still Sitting / He reads to me. My blood rises to leave, to escape the underneath. I am dead. I am new. I was safe in his arms asleep to the sound of the chair creaking with the turn of each page, a story. I am still sitting. Where will I go?"]
    Caption
    Image description A black and white drawing of a chair inside of a circle. Above the illustration, text announces an audio-visual installation by Bradley Wester, with details noting the collaborators, time, and place. Under the illustration, text reads, "Still Sitting / He reads to me. My blood rises to leave, to escape the underneath. I am dead. I am new. I was safe in his arms asleep to the sound of the chair creaking with the turn of each page, a story. I am still sitting. Where will I go?"
    Year 1992
    Related pages AIDS FORUM: Bradley Wester with Eric Latzky
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A black and white image of a woman painting on a three-dimensional canvas. She holds a paintbrush in her right hand and a jar of paint in her left hand while leaning over the canvas.
    A black and white image of a woman painting on a three-dimensional canvas. She holds a paintbrush in her right hand and a jar of paint in her left hand while leaning over the canvas.
    [A black and white image of a woman painting on a three-dimensional canvas. She holds a paintbrush in her right hand and a jar of paint in her left hand while leaning over the canvas.]
    Caption
    Image description A black and white image of a woman painting on a three-dimensional canvas. She holds a paintbrush in her right hand and a jar of paint in her left hand while leaning over the canvas.
    Year 2013
    Related pages Zilia Sánchez
  • A black and white image of the back of a chair in front of a man in front of a train car, in which a man exits the door.
    A black and white image of the back of a chair in front of a man in front of a train car, in which a man exits the door.
    Installation view at Kaiserstraße 31A, Düsseldorf May 11, 1963 Courtesy Archiv Kuttner, Erkrath Photo: Manfred Kuttner [A black and white image of the back of a chair in front of a man in front of a train car, in which a man exits the door.]
    Caption Installation view at Kaiserstraße 31A, Düsseldorf May 11, 1963 Courtesy Archiv Kuttner, Erkrath Photo: Manfred Kuttner
    Image description A black and white image of the back of a chair in front of a man in front of a train car, in which a man exits the door.
    Year 1963
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • A color image of the stair landing inside a gallery. The whole image is illuminated in blue, and in the corner rests a large soft sculpture of hair clippers. A long cord connected to the clippers runs vertically up the wall and is draped to the other side. The outlet rests in the air, next to a windowsill.
    A color image of the stair landing inside a gallery. The whole image is illuminated in blue, and in the corner rests a large soft sculpture of hair clippers. A long cord connected to the clippers runs vertically up the wall and is draped to the other side. The outlet rests in the air, next to a windowsill.
    Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view (clippers, 2023), Artists Space, 2023. Photo: Filip Wolak. [A color image of the stair landing inside a gallery. The whole image is illuminated in blue, and in the corner rests a large soft sculpture of hair clippers. A long cord connected to the clippers runs vertically up the wall and is draped to the other side. The outlet rests in the air, next to a windowsill.]
    Caption Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view (clippers, 2023), Artists Space, 2023. Photo: Filip Wolak.
    Image description A color image of the stair landing inside a gallery. The whole image is illuminated in blue, and in the corner rests a large soft sculpture of hair clippers. A long cord connected to the clippers runs vertically up the wall and is draped to the other side. The outlet rests in the air, next to a windowsill.
    Year
    Related pages Jonathan Lyndon Chase
  • An image of three seperate glass display cases, with various ephemera hanging on the walls behind them.
    An image of three seperate glass display cases, with various ephemera hanging on the walls behind them.
    Attention Line. Installation view, Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [An image of three seperate glass display cases, with various ephemera hanging on the walls behind them.]
    Caption Attention Line. Installation view, Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak
    Image description An image of three seperate glass display cases, with various ephemera hanging on the walls behind them.
    Year 2022
    Related pages Attention Line
  • Four green rectangles arranged in a pinwheel formation on a white background.
    Four green rectangles arranged in a pinwheel formation on a white background.
    Carmen Herrera, Green's Way, 1988. Acrylic on canvas, 42 x 42 inches. Courtesy the artist. [Four green rectangles arranged in a pinwheel formation on a white background.]
    Caption Carmen Herrera, Green's Way, 1988. Acrylic on canvas, 42 x 42 inches. Courtesy the artist.
    Image description Four green rectangles arranged in a pinwheel formation on a white background.
    Year 1988
    Related pages Tony Bechara, Carmen Herrera, Tom Murrin, Mac Wells
  • Two photographs are mounted on a white gallery wall.
    Two photographs are mounted on a white gallery wall.
    Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979. [Two photographs are mounted on a white gallery wall.]
    Caption Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979.
    Image description Two photographs are mounted on a white gallery wall.
    Year 1979
    Related pages Place, (title to be determined), for a Participant: Ken Feingold
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    Related pages Dream Lines: Drawings by Marian Zazeela
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    Year
    Related pages Jonathan Lyndon Chase
  • A gallery space with a chalk drawing on the top section of a wall and chairs underneath. Framed images on the adjacent wall are near a doorway into another space.
    A gallery space with a chalk drawing on the top section of a wall and chairs underneath. Framed images on the adjacent wall are near a doorway into another space.
    Young Fluxus. Installation view, Artists Space, 1982. [A gallery space with a chalk drawing on the top section of a wall and chairs underneath. Framed images on the adjacent wall are near a doorway into another space.]
    Caption Young Fluxus. Installation view, Artists Space, 1982.
    Image description A gallery space with a chalk drawing on the top section of a wall and chairs underneath. Framed images on the adjacent wall are near a doorway into another space.
    Year
    Related pages Young Fluxus
  • Color image of a wall of a gallery space. Hanging in the center of the wall is an adobe panel painting of the entrance to a freeway tunnel.
    Color image of a wall of a gallery space. Hanging in the center of the wall is an adobe panel painting of the entrance to a freeway tunnel.
    rafa esparza: Camino. Installation view (110 North Bound, 2023), Artists Space, 2023. Photo: Filip Wolak. [Color image of a wall of a gallery space. Hanging in the center of the wall is an adobe panel painting of the entrance to a freeway tunnel.]
    Caption rafa esparza: Camino. Installation view (110 North Bound, 2023), Artists Space, 2023. Photo: Filip Wolak.
    Image description Color image of a wall of a gallery space. Hanging in the center of the wall is an adobe panel painting of the entrance to a freeway tunnel.
    Year
    Related pages rafa esparza: Camino
  • Black and white installation shot of a gallery corner. Attached to the wall are nine square black pieces on the left, and two dark circles on the right.
    Black and white installation shot of a gallery corner. Attached to the wall are nine square black pieces on the left, and two dark circles on the right.
    Pictures. Installation view, Artists Space, 1977. Photo: D. James Dee. [Black and white installation shot of a gallery corner. Attached to the wall are nine square black pieces on the left, and two dark circles on the right.]
    Caption Pictures. Installation view, Artists Space, 1977. Photo: D. James Dee.
    Image description Black and white installation shot of a gallery corner. Attached to the wall are nine square black pieces on the left, and two dark circles on the right.
    Year 1977
    Related pages Pictures
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    Related pages Segue Reading Series
  • A wide shot of a person sitting at a table with a computer. The table is covered in a red tablecloth with white lettering that reads,
    A wide shot of a person sitting at a table with a computer. The table is covered in a red tablecloth with white lettering that reads,
    New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court. [A wide shot of a person sitting at a table with a computer. The table is covered in a red tablecloth with white lettering that reads, "WHAT ARE SAVAGES FOR?" and "THE URGE TO MERGE." Lighter red, stylized text reads "NEW RED ORDER" and "NEVER SETTLE." Behind the table, a projected image shows a man with one hand outstretched superimposed on a city skyline. On either side of the table are informational posters with printed text.]
    Caption New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court.
    Image description A wide shot of a person sitting at a table with a computer. The table is covered in a red tablecloth with white lettering that reads, "WHAT ARE SAVAGES FOR?" and "THE URGE TO MERGE." Lighter red, stylized text reads "NEW RED ORDER" and "NEVER SETTLE." Behind the table, a projected image shows a man with one hand outstretched superimposed on a city skyline. On either side of the table are informational posters with printed text.
    Year 2020
    Related pages New Red Order: Informants Get Paid!
  • A figure plays the guitar sitting down, while another figure stands behind him playing the bass.
    A figure plays the guitar sitting down, while another figure stands behind him playing the bass.
    Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman [A figure plays the guitar sitting down, while another figure stands behind him playing the bass.]
    Caption Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure plays the guitar sitting down, while another figure stands behind him playing the bass.
    Year 2022
    Related pages Tisziji Muñoz with Francisco Mora Catlett and AfroHORN
  • A projection of elongated, yellow-gold figures.
    A projection of elongated, yellow-gold figures.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court [A projection of elongated, yellow-gold figures.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court
    Image description A projection of elongated, yellow-gold figures.
    Year 2022
    Related pages Grandmother Cindy
  • A red grid of punched-out circles overlays a background of yellow, orange, white, and black rectangles.
    A red grid of punched-out circles overlays a background of yellow, orange, white, and black rectangles.
    Murray Reich. Zapping for Zeke, 1988. [A red grid of punched-out circles overlays a background of yellow, orange, white, and black rectangles.]
    Caption Murray Reich. Zapping for Zeke, 1988.
    Image description A red grid of punched-out circles overlays a background of yellow, orange, white, and black rectangles.
    Year 1988
    Related pages Shirley Jaffe and Murray Reich
  • Two figures in dark clothing stand before two music stands in front of a seated audience. The figure on the right appears to read from a text propped on the stand, while the figure on the left looks towards the audience, speaking and gesturing towards them with one hand.
    Two figures in dark clothing stand before two music stands in front of a seated audience. The figure on the right appears to read from a text propped on the stand, while the figure on the left looks towards the audience, speaking and gesturing towards them with one hand.
    Passages from People Who Led to My Plays. Performance documentation, March 1, 2020, Artists Space. Photo ©️ 2020 Paula Court. [Two figures in dark clothing stand before two music stands in front of a seated audience. The figure on the right appears to read from a text propped on the stand, while the figure on the left looks towards the audience, speaking and gesturing towards them with one hand.]
    Caption Passages from People Who Led to My Plays. Performance documentation, March 1, 2020, Artists Space. Photo ©️ 2020 Paula Court.
    Image description Two figures in dark clothing stand before two music stands in front of a seated audience. The figure on the right appears to read from a text propped on the stand, while the figure on the left looks towards the audience, speaking and gesturing towards them with one hand.
    Year 2020
    Related pages Passages from People Who Led to My Plays
  • A monkey's head is pasted above a drawing of a suit with other pencil markings throughout the image on lined notebook paper. Below the figure is a collaged phrase from newspaper clippings that says
    A monkey's head is pasted above a drawing of a suit with other pencil markings throughout the image on lined notebook paper. Below the figure is a collaged phrase from newspaper clippings that says
    Camilo, headline poem, 2019 [A monkey's head is pasted above a drawing of a suit with other pencil markings throughout the image on lined notebook paper. Below the figure is a collaged phrase from newspaper clippings that says "Monkey goes to Harvard."]
    Caption Camilo, headline poem, 2019
    Image description A monkey's head is pasted above a drawing of a suit with other pencil markings throughout the image on lined notebook paper. Below the figure is a collaged phrase from newspaper clippings that says "Monkey goes to Harvard."
    Year 2019
    Related pages Art and Literacy: Poetry
  • View of 3 performers on stage from center left. Performers pictured in front of soft pink, blue, and white light against a wall. Leftmost performers is seated, speaking into a microphone and manipulating a tape machine with hands. Performer in center is drinking from a blue water bottle. Rightmost performer is making sound through cupped hands into microphone. Sharply defined shadows against back wall.
    View of 3 performers on stage from center left. Performers pictured in front of soft pink, blue, and white light against a wall. Leftmost performers is seated, speaking into a microphone and manipulating a tape machine with hands. Performer in center is drinking from a blue water bottle. Rightmost performer is making sound through cupped hands into microphone. Sharply defined shadows against back wall.
    Abasement #70. Performance documentation, July 1st, 2024, Artists Space. Photo: Joshua Wildman. [View of 3 performers on stage from center left. Performers pictured in front of soft pink, blue, and white light against a wall. Leftmost performers is seated, speaking into a microphone and manipulating a tape machine with hands. Performer in center is drinking from a blue water bottle. Rightmost performer is making sound through cupped hands into microphone. Sharply defined shadows against back wall. ]
    Caption Abasement #70. Performance documentation, July 1st, 2024, Artists Space. Photo: Joshua Wildman.
    Image description View of 3 performers on stage from center left. Performers pictured in front of soft pink, blue, and white light against a wall. Leftmost performers is seated, speaking into a microphone and manipulating a tape machine with hands. Performer in center is drinking from a blue water bottle. Rightmost performer is making sound through cupped hands into microphone. Sharply defined shadows against back wall.
    Year
    Related pages Abasement #70
  • A performer stands on stage, operating a sound system. The performer and the wall behind the stage are illuminated in red light.
    A performer stands on stage, operating a sound system. The performer and the wall behind the stage are illuminated in red light.
    Abasement #82. Performance documentation, November 17th, 2025, Artists Space. Photo: Joshua Wildman. [A performer stands on stage, operating a sound system. The performer and the wall behind the stage are illuminated in red light.]
    Caption Abasement #82. Performance documentation, November 17th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description A performer stands on stage, operating a sound system. The performer and the wall behind the stage are illuminated in red light.
    Year
    Related pages Abasement #82
  • A black and white photograph of a textured wall with white and grey splotches.
    A black and white photograph of a textured wall with white and grey splotches.
    Pamela Jenrette. Lavalava, 1974. From Scott Burton, Pamela Jenrette, Artists Space,1975. [A black and white photograph of a textured wall with white and grey splotches.]
    Caption Pamela Jenrette. Lavalava, 1974. From Scott Burton, Pamela Jenrette, Artists Space,1975.
    Image description A black and white photograph of a textured wall with white and grey splotches.
    Year 1975
    Related pages Scott Burton, Pamela Jenrette
  • Two glass display cases holding ephemera sit on either side of a tv monitor, on the wall are four black and white contact sheets.
    Two glass display cases holding ephemera sit on either side of a tv monitor, on the wall are four black and white contact sheets.
    Till They Listen: Bill Gunn Directs America. Installation view, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [Two glass display cases holding ephemera sit on either side of a tv monitor, on the wall are four black and white contact sheets.]
    Caption Till They Listen: Bill Gunn Directs America. Installation view, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description Two glass display cases holding ephemera sit on either side of a tv monitor, on the wall are four black and white contact sheets.
    Year 2021
    Related pages Till They Listen: Bill Gunn Directs America
  • A slightly grainy image of a man standing shirtless with his arms crossed. He has a large, floral tattoo spanning from shoulder to shoulder across his chest, and a cigarette in his mouth.
    A slightly grainy image of a man standing shirtless with his arms crossed. He has a large, floral tattoo spanning from shoulder to shoulder across his chest, and a cigarette in his mouth.
    Samuel Steward [A slightly grainy image of a man standing shirtless with his arms crossed. He has a large, floral tattoo spanning from shoulder to shoulder across his chest, and a cigarette in his mouth.]
    Caption Samuel Steward
    Image description A slightly grainy image of a man standing shirtless with his arms crossed. He has a large, floral tattoo spanning from shoulder to shoulder across his chest, and a cigarette in his mouth.
    Year 2012
    Related pages Secret Historian
  • El Bosque Luminoso Bajo El Mar, M.S. 324 exhibition, Threads of History, May 2023
    Caption El Bosque Luminoso Bajo El Mar, M.S. 324 exhibition, Threads of History, May 2023
    Image description
    Year
    Related pages Exhibitions and Events
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    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • A black audio cassette tape with accents of grey and red on the cover. Handwritten text on the tape reads
    A black audio cassette tape with accents of grey and red on the cover. Handwritten text on the tape reads
    Audio cassette tape for Echo Chamber, Sharon Hayes & Brooke O'Harra. [A black audio cassette tape with accents of grey and red on the cover. Handwritten text on the tape reads "ECHO CHAMBER." Behind the tape is a wooden background.]
    Caption Audio cassette tape for Echo Chamber, Sharon Hayes & Brooke O'Harra.
    Image description A black audio cassette tape with accents of grey and red on the cover. Handwritten text on the tape reads "ECHO CHAMBER." Behind the tape is a wooden background.
    Year
    Related pages Sharon Hayes and Brooke O'Harra
  • A series of reproduced photographic stills are displayed in a row along a white gallery wall. The stills are taken from a television broadcast and depict graphics from commercials, and the inside of a television studio. In the foreground is a magazine, displayed open on a plinth made from MDF.
    A series of reproduced photographic stills are displayed in a row along a white gallery wall. The stills are taken from a television broadcast and depict graphics from commercials, and the inside of a television studio. In the foreground is a magazine, displayed open on a plinth made from MDF.
    Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon. [A series of reproduced photographic stills are displayed in a row along a white gallery wall. The stills are taken from a television broadcast and depict graphics from commercials, and the inside of a television studio. In the foreground is a magazine, displayed open on a plinth made from MDF. ]
    Caption Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon.
    Image description A series of reproduced photographic stills are displayed in a row along a white gallery wall. The stills are taken from a television broadcast and depict graphics from commercials, and the inside of a television studio. In the foreground is a magazine, displayed open on a plinth made from MDF.
    Year
    Related pages Michael Asher
  • A figure in a blue dress sits behind a white table, facing an audeince and reading into a microphone. On the wall behind the presenter are two projected screens. The right screen depicts a table with a notebook, someone's hand turning the pages of the notebook, and an array of dried coral pieces. On the left screen is an image of the ocean and sky.
    A figure in a blue dress sits behind a white table, facing an audeince and reading into a microphone. On the wall behind the presenter are two projected screens. The right screen depicts a table with a notebook, someone's hand turning the pages of the notebook, and an array of dried coral pieces. On the left screen is an image of the ocean and sky.
    Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang. [A figure in a blue dress sits behind a white table, facing an audeince and reading into a microphone. On the wall behind the presenter are two projected screens. The right screen depicts a table with a notebook, someone's hand turning the pages of the notebook, and an array of dried coral pieces. On the left screen is an image of the ocean and sky.]
    Caption Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang.
    Image description A figure in a blue dress sits behind a white table, facing an audeince and reading into a microphone. On the wall behind the presenter are two projected screens. The right screen depicts a table with a notebook, someone's hand turning the pages of the notebook, and an array of dried coral pieces. On the left screen is an image of the ocean and sky.
    Year
    Related pages Chang Yuchen: Coral Dictionary Vol. 1, 2019-2022
  • An individual performing while standing in front of a projection of themselves and a child. A thought bubble on the right side of the projection reads
    An individual performing while standing in front of a projection of themselves and a child. A thought bubble on the right side of the projection reads
    Adrian Piper: It's Just Art. Performance documentation, 1981, Artists Space. [An individual performing while standing in front of a projection of themselves and a child. A thought bubble on the right side of the projection reads "14. WE DEFEND EACH OTHER (YOU CERTAINLY DIDN'T COME TO AN ART PERFORMANCE TO HEAR A LECTURE ON CURRENT EVENTS).]
    Caption Adrian Piper: It's Just Art. Performance documentation, 1981, Artists Space.
    Image description An individual performing while standing in front of a projection of themselves and a child. A thought bubble on the right side of the projection reads "14. WE DEFEND EACH OTHER (YOU CERTAINLY DIDN'T COME TO AN ART PERFORMANCE TO HEAR A LECTURE ON CURRENT EVENTS).
    Year 1981
    Related pages
  • A figure in a baseball cap stands beside a table covered in scattered drinks and a laptop, typing on the computer’s keys.
    A figure in a baseball cap stands beside a table covered in scattered drinks and a laptop, typing on the computer’s keys.
    Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [A figure in a baseball cap stands beside a table covered in scattered drinks and a laptop, typing on the computer’s keys.]
    Caption Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description A figure in a baseball cap stands beside a table covered in scattered drinks and a laptop, typing on the computer’s keys.
    Year 2019
    Related pages Speaker Music: drape over another
  • Large black straps wrap around some cast-iron columns, an orange, slug skins covers one of the cast-iron columns and other large, orange slug forms interact with the white-walled gallery space in the background. A black table sits in the corner and a figurative painting of an upright shark is in the back left corner.
    Large black straps wrap around some cast-iron columns, an orange, slug skins covers one of the cast-iron columns and other large, orange slug forms interact with the white-walled gallery space in the background. A black table sits in the corner and a figurative painting of an upright shark is in the back left corner.
    Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez. [Large black straps wrap around some cast-iron columns, an orange, slug skins covers one of the cast-iron columns and other large, orange slug forms interact with the white-walled gallery space in the background. A black table sits in the corner and a figurative painting of an upright shark is in the back left corner.]
    Caption Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez.
    Image description Large black straps wrap around some cast-iron columns, an orange, slug skins covers one of the cast-iron columns and other large, orange slug forms interact with the white-walled gallery space in the background. A black table sits in the corner and a figurative painting of an upright shark is in the back left corner.
    Year 2020
    Related pages Jana Euler
  • Color photograph of two figures performing in a dark gallery space, lit only by an installation of LED lights covered in dried SCOBY material. One figure wearing black leans down in front of one of the LED lights. Partly hidden behind a column, another figure stands wearing a red suit.
    Color photograph of two figures performing in a dark gallery space, lit only by an installation of LED lights covered in dried SCOBY material. One figure wearing black leans down in front of one of the LED lights. Partly hidden behind a column, another figure stands wearing a red suit.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata [Color photograph of two figures performing in a dark gallery space, lit only by an installation of LED lights covered in dried SCOBY material. One figure wearing black leans down in front of one of the LED lights. Partly hidden behind a column, another figure stands wearing a red suit.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of two figures performing in a dark gallery space, lit only by an installation of LED lights covered in dried SCOBY material. One figure wearing black leans down in front of one of the LED lights. Partly hidden behind a column, another figure stands wearing a red suit.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • A painting of a black, rectangular object on an orange backdrop. Below is text in black reading
    A painting of a black, rectangular object on an orange backdrop. Below is text in black reading
    The Mind/Body Problem. Installation view, Artists Space, 2006. Photo: Alan Wiener. [A painting of a black, rectangular object on an orange backdrop. Below is text in black reading "ENTERTAINMENT CENTER." Red text on a yellow background in zigzagged circles reads "Fully Assembled" and "$199."]
    Caption The Mind/Body Problem. Installation view, Artists Space, 2006. Photo: Alan Wiener.
    Image description A painting of a black, rectangular object on an orange backdrop. Below is text in black reading "ENTERTAINMENT CENTER." Red text on a yellow background in zigzagged circles reads "Fully Assembled" and "$199."
    Year 2006
    Related pages The Mind/Body Problem
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Four framed drawings on a wall depicting chaotic, colorful scenes of crowds.
    Four framed drawings on a wall depicting chaotic, colorful scenes of crowds.
    [Four framed drawings on a wall depicting chaotic, colorful scenes of crowds.]
    Caption
    Image description Four framed drawings on a wall depicting chaotic, colorful scenes of crowds.
    Year 2013
    Related pages Peter Wächtler
  • Collage project on mapping and migration
    Caption Collage project on mapping and migration
    Image description
    Year
    Related pages Listening to the LES
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    Related pages Genesis: Medley
  • A gallery space with two white columns bisecting the room. There are black and white images on the wall and a large sign suspended from the ceiling with red letters reading
    A gallery space with two white columns bisecting the room. There are black and white images on the wall and a large sign suspended from the ceiling with red letters reading
    Mr. Dead & Mrs. Free: A History of Squat Theatre. Installation view, Artists Space, 1996. [A gallery space with two white columns bisecting the room. There are black and white images on the wall and a large sign suspended from the ceiling with red letters reading "squat." Behind the sign, a large seated baby with glowing eyes is visible through a paned window.]
    Caption Mr. Dead & Mrs. Free: A History of Squat Theatre. Installation view, Artists Space, 1996.
    Image description A gallery space with two white columns bisecting the room. There are black and white images on the wall and a large sign suspended from the ceiling with red letters reading "squat." Behind the sign, a large seated baby with glowing eyes is visible through a paned window.
    Year 1996
    Related pages Mr. Dead & Mrs. Free: A History of Squat Theatre (1969 – 1991)
  • Color image of a large print of a close-up photograph of a fake daisy, with white woven petals and a yellow center.
    Color image of a large print of a close-up photograph of a fake daisy, with white woven petals and a yellow center.
    Oto Gillen, Daisy (Perry Street), March 19, 2023, 2023. Photo: Filip Wolak. [Color image of a large print of a close-up photograph of a fake daisy, with white woven petals and a yellow center.]
    Caption Oto Gillen, Daisy (Perry Street), March 19, 2023, 2023. Photo: Filip Wolak.
    Image description Color image of a large print of a close-up photograph of a fake daisy, with white woven petals and a yellow center.
    Year 2023
    Related pages Artists for Artists Space
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Color image of a drawing of a cartoon girl, standing on a black hill, against a gold background. The girl holds up her middle finger, and above it in the top-right corner is text that reads
    Color image of a drawing of a cartoon girl, standing on a black hill, against a gold background. The girl holds up her middle finger, and above it in the top-right corner is text that reads
    Yoshitomo Nara, No War Girl, 2023. Photo: Filip Wolak. [Color image of a drawing of a cartoon girl, standing on a black hill, against a gold background. The girl holds up her middle finger, and above it in the top-right corner is text that reads "FUCK YOU WAR."]
    Caption Yoshitomo Nara, No War Girl, 2023. Photo: Filip Wolak.
    Image description Color image of a drawing of a cartoon girl, standing on a black hill, against a gold background. The girl holds up her middle finger, and above it in the top-right corner is text that reads "FUCK YOU WAR."
    Year 2023
    Related pages Artists for Artists Space
  • A postcard depicting a black-and-white photograph of the facade of a factory in Belgium sits on a plinth.
    A postcard depicting a black-and-white photograph of the facade of a factory in Belgium sits on a plinth.
    Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon. [A postcard depicting a black-and-white photograph of the facade of a factory in Belgium sits on a plinth. ]
    Caption Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon.
    Image description A postcard depicting a black-and-white photograph of the facade of a factory in Belgium sits on a plinth.
    Year
    Related pages Michael Asher
  • A city skyline on fire behind black and white waves. Above that are four circular portraits of people and a title decal with the words
    A city skyline on fire behind black and white waves. Above that are four circular portraits of people and a title decal with the words
    Poster from Polly II - A Plan for a Revolution in Docklands (2006). [A city skyline on fire behind black and white waves. Above that are four circular portraits of people and a title decal with the words "POLLY II: Plan for a Revolution in Docklands."]
    Caption Poster from Polly II - A Plan for a Revolution in Docklands (2006).
    Image description A city skyline on fire behind black and white waves. Above that are four circular portraits of people and a title decal with the words "POLLY II: Plan for a Revolution in Docklands."
    Year 2006
    Related pages Polly II - A Plan for a Revolution in Docklands
  • An angled view of a large ramp leading to a large video monitor screen. The room is tinted blue. On the screen, an iPhone 4 sits on a glass table, it's lock screen on view; the time reads,
    An angled view of a large ramp leading to a large video monitor screen. The room is tinted blue. On the screen, an iPhone 4 sits on a glass table, it's lock screen on view; the time reads,
    Hito Steyerl, Liquidity, Inc., 2014, HD video with sound, 30 mins. Courtesy the artist and Andrew Kreps, New York. Installation view from Hito Steyerl, Artists Space, 2015. [An angled view of a large ramp leading to a large video monitor screen. The room is tinted blue. On the screen, an iPhone 4 sits on a glass table, it's lock screen on view; the time reads, "4:39"]
    Caption Hito Steyerl, Liquidity, Inc., 2014, HD video with sound, 30 mins. Courtesy the artist and Andrew Kreps, New York. Installation view from Hito Steyerl, Artists Space, 2015.
    Image description An angled view of a large ramp leading to a large video monitor screen. The room is tinted blue. On the screen, an iPhone 4 sits on a glass table, it's lock screen on view; the time reads, "4:39"
    Year 2015
    Related pages Hito Steyerl
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    Related pages Carolyn Lazard
  • Image of a basement with a rectangular shaped sculpture made of a wooden frame with fresnel lenses placed along the top and sides. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    Image of a basement with a rectangular shaped sculpture made of a wooden frame with fresnel lenses placed along the top and sides. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement with a rectangular shaped sculpture made of a wooden frame with fresnel lenses placed along the top and sides. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.]
    Caption SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a basement with a rectangular shaped sculpture made of a wooden frame with fresnel lenses placed along the top and sides. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    Year 2022
    Related pages SCRAAATCH 12-3
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    Related pages fwiw
  • Color photo of an installation work. A large, paper-mache sculpture of a cow-like creature stands next to a crocheted blanket laid on the floor. On top of the blanket there is a red thermos with two red mugs and a miniature white couch. On the back wall behind the paper-mache sculpture and blanket is a round mirror. The mirror contains a reflection of a large box TV with a static screen. On the left-side background, behind the paper-mache sculpture, two blow-dryers hang from a freestanding metal fixture.
    Color photo of an installation work. A large, paper-mache sculpture of a cow-like creature stands next to a crocheted blanket laid on the floor. On top of the blanket there is a red thermos with two red mugs and a miniature white couch. On the back wall behind the paper-mache sculpture and blanket is a round mirror. The mirror contains a reflection of a large box TV with a static screen. On the left-side background, behind the paper-mache sculpture, two blow-dryers hang from a freestanding metal fixture.
    Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photo of an installation work. A large, paper-mache sculpture of a cow-like creature stands next to a crocheted blanket laid on the floor. On top of the blanket there is a red thermos with two red mugs and a miniature white couch. On the back wall behind the paper-mache sculpture and blanket is a round mirror. The mirror contains a reflection of a large box TV with a static screen. On the left-side background, behind the paper-mache sculpture, two blow-dryers hang from a freestanding metal fixture.]
    Caption Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photo of an installation work. A large, paper-mache sculpture of a cow-like creature stands next to a crocheted blanket laid on the floor. On top of the blanket there is a red thermos with two red mugs and a miniature white couch. On the back wall behind the paper-mache sculpture and blanket is a round mirror. The mirror contains a reflection of a large box TV with a static screen. On the left-side background, behind the paper-mache sculpture, two blow-dryers hang from a freestanding metal fixture.
    Year
    Related pages Char Jeré: Zoo or an Orchestra
  • A figure with long brown hair wearing a gray sweater over a light pink and white button-down shirt closes their eyes as a thrown book flies towards their face.
    A figure with long brown hair wearing a gray sweater over a light pink and white button-down shirt closes their eyes as a thrown book flies towards their face.
    Traci Tullius, Some People Never Learn, 2001. [A figure with long brown hair wearing a gray sweater over a light pink and white button-down shirt closes their eyes as a thrown book flies towards their face.]
    Caption Traci Tullius, Some People Never Learn, 2001.
    Image description A figure with long brown hair wearing a gray sweater over a light pink and white button-down shirt closes their eyes as a thrown book flies towards their face.
    Year 2005
    Related pages Open Video Call
  • Black and white print includes details of a branch and a willow tree with a bird sitting on a key. Text reads
    Black and white print includes details of a branch and a willow tree with a bird sitting on a key. Text reads
    Sam Pulitzer, Spirit the Key & Stake the Door, 2014, Photo toner on colored paper, 17 x 11 in / 43,2 x 27,9 cm, Signed and Numbered [Black and white print includes details of a branch and a willow tree with a bird sitting on a key. Text reads "& Stake The Door"]
    Caption Sam Pulitzer, Spirit the Key & Stake the Door, 2014, Photo toner on colored paper, 17 x 11 in / 43,2 x 27,9 cm, Signed and Numbered
    Image description Black and white print includes details of a branch and a willow tree with a bird sitting on a key. Text reads "& Stake The Door"
    Year 2015
    Related pages Artists Space Annual Edition Portfolio 2015
  • Various photographs of athletes and other personal images are arranged on a light wooden wall to the left. A wooden shelf sits against the right wall, shown in profile. A frisbee and two loofahs hang off the side of the shelf, with other stickers and printed images arranged on the walls.
    Various photographs of athletes and other personal images are arranged on a light wooden wall to the left. A wooden shelf sits against the right wall, shown in profile. A frisbee and two loofahs hang off the side of the shelf, with other stickers and printed images arranged on the walls.
    Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Malcolm Peacock, How to address the full capacity of our will, 2023), Artists Space, 2023. Photo: Filip Wolak. [Various photographs of athletes and other personal images are arranged on a light wooden wall to the left. A wooden shelf sits against the right wall, shown in profile. A frisbee and two loofahs hang off the side of the shelf, with other stickers and printed images arranged on the walls.]
    Caption Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Malcolm Peacock, How to address the full capacity of our will, 2023), Artists Space, 2023. Photo: Filip Wolak.
    Image description Various photographs of athletes and other personal images are arranged on a light wooden wall to the left. A wooden shelf sits against the right wall, shown in profile. A frisbee and two loofahs hang off the side of the shelf, with other stickers and printed images arranged on the walls.
    Year 2023
    Related pages Shala Miller, Malcolm Peacock, Amiri Baraka
  • Detail view of a camel's head against a palm tree and blue sky.
    Detail view of a camel's head against a palm tree and blue sky.
    Heji Shin, Camp Habibi II, 2013, C-print, 20 x 16 inches, Signed edition of 100, 5APs, Courtesy of the artist. [Detail view of a camel's head against a palm tree and blue sky.]
    Caption Heji Shin, Camp Habibi II, 2013, C-print, 20 x 16 inches, Signed edition of 100, 5APs, Courtesy of the artist.
    Image description Detail view of a camel's head against a palm tree and blue sky.
    Year 2013
    Related pages Annual Edition Portfolio
  • In the foreground is a set of vacuum cleaners on display vertically above each other on a plexiglass shelf rack with fluourescent lights underneath each one. Behind it on a wall is a Duratrans on a lightbox with text that reads:
    In the foreground is a set of vacuum cleaners on display vertically above each other on a plexiglass shelf rack with fluourescent lights underneath each one. Behind it on a wall is a Duratrans on a lightbox with text that reads:
    Installation view. Artists Space, 1983. Foreground: Jeff Koons. New Wet/Dry Triple Decker, 1982. Plexiglass, fluorescent light, new vacuum cleaners. 124 1/2 x 28 x 28 inches. [In the foreground is a set of vacuum cleaners on display vertically above each other on a plexiglass shelf rack with fluourescent lights underneath each one. Behind it on a wall is a Duratrans on a lightbox with text that reads: "New 100% Meri Ultra-lights" and a picture of a pack of ciagrettes appears next to the text. These works appear in a white-walled gallery space with a window in the far left back and a fluorescent light visible above.]
    Caption Installation view. Artists Space, 1983. Foreground: Jeff Koons. New Wet/Dry Triple Decker, 1982. Plexiglass, fluorescent light, new vacuum cleaners. 124 1/2 x 28 x 28 inches.
    Image description In the foreground is a set of vacuum cleaners on display vertically above each other on a plexiglass shelf rack with fluourescent lights underneath each one. Behind it on a wall is a Duratrans on a lightbox with text that reads: "New 100% Meri Ultra-lights" and a picture of a pack of ciagrettes appears next to the text. These works appear in a white-walled gallery space with a window in the far left back and a fluorescent light visible above.
    Year 1983
    Related pages Los Angeles/New York Exchange
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A white translucent chiffon curtain cascades over a set of five framed images mounted on a wall.
    A white translucent chiffon curtain cascades over a set of five framed images mounted on a wall.
    Danh Vo: Autoerotic Asphyxiation. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A white translucent chiffon curtain cascades over a set of five framed images mounted on a wall.]
    Caption Danh Vo: Autoerotic Asphyxiation. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description A white translucent chiffon curtain cascades over a set of five framed images mounted on a wall.
    Year 2010
    Related pages Danh Vo: Autoerotic Asphyxiation
  • Color photograph of a group of performers, seated in a circle around a gallery room. The performers include a choruse of singers, a pianist, and a harpist with their instruments. They sit underneath three hanging screens that surround the center of the room. The screens depict a video still of a figure's face, obscured by a bright light in one corner.
    Color photograph of a group of performers, seated in a circle around a gallery room. The performers include a choruse of singers, a pianist, and a harpist with their instruments. They sit underneath three hanging screens that surround the center of the room. The screens depict a video still of a figure's face, obscured by a bright light in one corner.
    Shala Miller performs Genesis: Medley at Artists Space, co-presented with Frieze New York 2023. Performance documentation, May 19th. Photo by Vanessa Diaz/CKA. Courtesy of Frieze. [Color photograph of a group of performers, seated in a circle around a gallery room. The performers include a choruse of singers, a pianist, and a harpist with their instruments. They sit underneath three hanging screens that surround the center of the room. The screens depict a video still of a figure's face, obscured by a bright light in one corner.]
    Caption Shala Miller performs Genesis: Medley at Artists Space, co-presented with Frieze New York 2023. Performance documentation, May 19th. Photo by Vanessa Diaz/CKA. Courtesy of Frieze.
    Image description Color photograph of a group of performers, seated in a circle around a gallery room. The performers include a choruse of singers, a pianist, and a harpist with their instruments. They sit underneath three hanging screens that surround the center of the room. The screens depict a video still of a figure's face, obscured by a bright light in one corner.
    Year 2023
    Related pages Genesis: Medley
  • Color photograph of a fgure wearing a conical sheath of reflective one-way mirror film that covers their entire body. They squat down next to a viewer sitting in a wooden chair. The performer shines a bright light against their face, making their face visible from under the mirror film.
    Color photograph of a fgure wearing a conical sheath of reflective one-way mirror film that covers their entire body. They squat down next to a viewer sitting in a wooden chair. The performer shines a bright light against their face, making their face visible from under the mirror film.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a fgure wearing a conical sheath of reflective one-way mirror film that covers their entire body. They squat down next to a viewer sitting in a wooden chair. The performer shines a bright light against their face, making their face visible from under the mirror film.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a fgure wearing a conical sheath of reflective one-way mirror film that covers their entire body. They squat down next to a viewer sitting in a wooden chair. The performer shines a bright light against their face, making their face visible from under the mirror film.
    Year 2022
    Related pages keyon gaskin 12-14
  • Image of a dimly lit basement, a figure holding a video camera with a rig on their shoulder takes footage of the back wall, which has blue and purple light projected onto it.
    Image of a dimly lit basement, a figure holding a video camera with a rig on their shoulder takes footage of the back wall, which has blue and purple light projected onto it.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Image of a dimly lit basement, a figure holding a video camera with a rig on their shoulder takes footage of the back wall, which has blue and purple light projected onto it.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a dimly lit basement, a figure holding a video camera with a rig on their shoulder takes footage of the back wall, which has blue and purple light projected onto it.
    Year 2022
    Related pages SCRAAATCH 11-19
  • One man takes off an orange sweater while another man watches.
    One man takes off an orange sweater while another man watches.
    Ken Okiishi. Still from Telly & Casper, 2000. Digital video (sound, color), 27 min. Courtesy the artist. [One man takes off an orange sweater while another man watches.]
    Caption Ken Okiishi. Still from Telly & Casper, 2000. Digital video (sound, color), 27 min. Courtesy the artist.
    Image description One man takes off an orange sweater while another man watches.
    Year 2000
    Related pages Ken Okiishi
  • Color image of an ice block sitting on top of the keys of a reed organ. The reedorgan is covered in a sheet of clear plastic. A clock and instructions sit on a music stand behind the organ.
    Color image of an ice block sitting on top of the keys of a reed organ. The reedorgan is covered in a sheet of clear plastic. A clock and instructions sit on a music stand behind the organ.
    Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata [Color image of an ice block sitting on top of the keys of a reed organ. The reedorgan is covered in a sheet of clear plastic. A clock and instructions sit on a music stand behind the organ.]
    Caption Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata
    Image description Color image of an ice block sitting on top of the keys of a reed organ. The reedorgan is covered in a sheet of clear plastic. A clock and instructions sit on a music stand behind the organ.
    Year 2023
    Related pages Yasunao Tone Concert #2
  • Color photo of two musicians captured mid-performance in a dark venue space. Both musicians have their back turned to the camera; the man to the right plays the trumpet while the performer on the left plays the clarinet. Some seated audience members can be seen observing the musicians and are illuminated by deep red overhead lights and the glow from a bright yellow projection light being shone at the performers.
    Color photo of two musicians captured mid-performance in a dark venue space. Both musicians have their back turned to the camera; the man to the right plays the trumpet while the performer on the left plays the clarinet. Some seated audience members can be seen observing the musicians and are illuminated by deep red overhead lights and the glow from a bright yellow projection light being shone at the performers.
    Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman. [Color photo of two musicians captured mid-performance in a dark venue space. Both musicians have their back turned to the camera; the man to the right plays the trumpet while the performer on the left plays the clarinet. Some seated audience members can be seen observing the musicians and are illuminated by deep red overhead lights and the glow from a bright yellow projection light being shone at the performers.]
    Caption Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman.
    Image description Color photo of two musicians captured mid-performance in a dark venue space. Both musicians have their back turned to the camera; the man to the right plays the trumpet while the performer on the left plays the clarinet. Some seated audience members can be seen observing the musicians and are illuminated by deep red overhead lights and the glow from a bright yellow projection light being shone at the performers.
    Year
    Related pages Abasement #64
  • Magazine cut-outs and ink drawings are collaged together on a background of bright yellow paper. Pieces of paper with typewritten text listing the performers and event details are scattered around the flyer.
    Magazine cut-outs and ink drawings are collaged together on a background of bright yellow paper. Pieces of paper with typewritten text listing the performers and event details are scattered around the flyer.
    Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a background of bright yellow paper. Pieces of paper with typewritten text listing the performers and event details are scattered around the flyer.]
    Caption Flyer by Joe Frivaldi.
    Image description Magazine cut-outs and ink drawings are collaged together on a background of bright yellow paper. Pieces of paper with typewritten text listing the performers and event details are scattered around the flyer.
    Year
    Related pages Abasement #75
  • Dark photograph of a plywood sculpture in a gallery space.
    Dark photograph of a plywood sculpture in a gallery space.
    Selections from the Unaffiliated Artists File. Installation view, Artists Space, 1981. [Dark photograph of a plywood sculpture in a gallery space.]
    Caption Selections from the Unaffiliated Artists File. Installation view, Artists Space, 1981.
    Image description Dark photograph of a plywood sculpture in a gallery space.
    Year
    Related pages Selections from the Unaffiliated Artists File
  • Image of a basement with a rectangular shaped sculpture made of a wooden frame with fresnel lenses placed along the top and sides. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    Image of a basement with a rectangular shaped sculpture made of a wooden frame with fresnel lenses placed along the top and sides. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement with a rectangular shaped sculpture made of a wooden frame with fresnel lenses placed along the top and sides. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.]
    Caption SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a basement with a rectangular shaped sculpture made of a wooden frame with fresnel lenses placed along the top and sides. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    Year 2022
    Related pages SCRAAATCH 11-19
  • A color photograph of a white framed vitrine containing ephemera such as newsprint and several photographs.
    A color photograph of a white framed vitrine containing ephemera such as newsprint and several photographs.
    Milford Graves: Fundamental Frequency. Installation view (ephemera from FESTAC, c. 1977), Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak. [A color photograph of a white framed vitrine containing ephemera such as newsprint and several photographs.]
    Caption Milford Graves: Fundamental Frequency. Installation view (ephemera from FESTAC, c. 1977), Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak.
    Image description A color photograph of a white framed vitrine containing ephemera such as newsprint and several photographs.
    Year 2021
    Related pages Milford Graves: Fundamental Frequency
  • A figure sits behind a table, a microphone in front of their face, as they close their laptop and grab a stack of papers on the table.
    A figure sits behind a table, a microphone in front of their face, as they close their laptop and grab a stack of papers on the table.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure sits behind a table, a microphone in front of their face, as they close their laptop and grab a stack of papers on the table.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure sits behind a table, a microphone in front of their face, as they close their laptop and grab a stack of papers on the table.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
  • Installation view in a room with white walls and blue floors. In the middle of the wall there is votive candle stand filled with dark blue prayer candles. Above it there is a rectangular artwork with a black and white abstract image in the shape of a circle printed on metal. In the right edge of the image there is a white radiator.
    Installation view in a room with white walls and blue floors. In the middle of the wall there is votive candle stand filled with dark blue prayer candles. Above it there is a rectangular artwork with a black and white abstract image in the shape of a circle printed on metal. In the right edge of the image there is a white radiator.
    Photo: Ricardo Estanislao Zulueta. [Installation view in a room with white walls and blue floors. In the middle of the wall there is votive candle stand filled with dark blue prayer candles. Above it there is a rectangular artwork with a black and white abstract image in the shape of a circle printed on metal. In the right edge of the image there is a white radiator.]
    Caption Photo: Ricardo Estanislao Zulueta.
    Image description Installation view in a room with white walls and blue floors. In the middle of the wall there is votive candle stand filled with dark blue prayer candles. Above it there is a rectangular artwork with a black and white abstract image in the shape of a circle printed on metal. In the right edge of the image there is a white radiator.
    Year
    Related pages AIDS FORUM: In Memoriam
  • A black and white photo captures a New York City postal service box.
    A black and white photo captures a New York City postal service box.
    Klara Lidén, Untitled (mailbox), 2012, Archival inkjet print, 24 x 18 inches, Signed and numbered certificate. [A black and white photo captures a New York City postal service box.]
    Caption Klara Lidén, Untitled (mailbox), 2012, Archival inkjet print, 24 x 18 inches, Signed and numbered certificate.
    Image description A black and white photo captures a New York City postal service box.
    Year 2013
    Related pages Annual Edition Portfolio
  • A color image of a gallery space with two columns running across the room. On the left wall, four framed abstract drawings on black paper are displayed in a horizontal line. On the right wall, three framed abstract drawings on white paper are shown in a horizontal line.
    A color image of a gallery space with two columns running across the room. On the left wall, four framed abstract drawings on black paper are displayed in a horizontal line. On the right wall, three framed abstract drawings on white paper are shown in a horizontal line.
    Renee Gladman: Narratives of Magnitude. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of a gallery space with two columns running across the room. On the left wall, four framed abstract drawings on black paper are displayed in a horizontal line. On the right wall, three framed abstract drawings on white paper are shown in a horizontal line.]
    Caption Renee Gladman: Narratives of Magnitude. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A color image of a gallery space with two columns running across the room. On the left wall, four framed abstract drawings on black paper are displayed in a horizontal line. On the right wall, three framed abstract drawings on white paper are shown in a horizontal line.
    Year
    Related pages Renee Gladman
  • A group of human figures made of clay are seated on benches around a long table, which extends to the length of a dark room. The walls of the room are patterned with handprints.
    A group of human figures made of clay are seated on benches around a long table, which extends to the length of a dark room. The walls of the room are patterned with handprints.
    Underground: Gail Rothschild. Installation view, Artists Space, 1990. [A group of human figures made of clay are seated on benches around a long table, which extends to the length of a dark room. The walls of the room are patterned with handprints.]
    Caption Underground: Gail Rothschild. Installation view, Artists Space, 1990.
    Image description A group of human figures made of clay are seated on benches around a long table, which extends to the length of a dark room. The walls of the room are patterned with handprints.
    Year 1990
    Related pages Underground: Gail Rothschild
  • Several figures sit on the ground, legs crossed.
    Several figures sit on the ground, legs crossed.
    Eiko Ishibashi: Two New York Nights. Performance documentation, June 8, 2022, 8pm. Artists Space, New York. [Several figures sit on the ground, legs crossed.]
    Caption Eiko Ishibashi: Two New York Nights. Performance documentation, June 8, 2022, 8pm. Artists Space, New York.
    Image description Several figures sit on the ground, legs crossed.
    Year
    Related pages Eiko Ishibashi in Concert
  • A view from behind an angled bar with blue walls. Shelves full of Coca-Cola, liquor, and glasses are visible. On the counter, more Coca-Cola bottles, glassware, and an esspresso machine. A palm leaf is positioned beyond the counter top.
    A view from behind an angled bar with blue walls. Shelves full of Coca-Cola, liquor, and glasses are visible. On the counter, more Coca-Cola bottles, glassware, and an esspresso machine. A palm leaf is positioned beyond the counter top.
    Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013. [A view from behind an angled bar with blue walls. Shelves full of Coca-Cola, liquor, and glasses are visible. On the counter, more Coca-Cola bottles, glassware, and an esspresso machine. A palm leaf is positioned beyond the counter top.]
    Caption Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013.
    Image description A view from behind an angled bar with blue walls. Shelves full of Coca-Cola, liquor, and glasses are visible. On the counter, more Coca-Cola bottles, glassware, and an esspresso machine. A palm leaf is positioned beyond the counter top.
    Year 2013
    Related pages Pride Goes Before a Fall
  • A color image of four framed works displayed in a horizontal line on a white wall. The drawings, made on black paper, depict abstract compositions made up of white lines, arrows, circles, and illegible textlines.
    A color image of four framed works displayed in a horizontal line on a white wall. The drawings, made on black paper, depict abstract compositions made up of white lines, arrows, circles, and illegible textlines.
    Renee Gladman: Narratives of Magnitude. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of four framed works displayed in a horizontal line on a white wall. The drawings, made on black paper, depict abstract compositions made up of white lines, arrows, circles, and illegible textlines.]
    Caption Renee Gladman: Narratives of Magnitude. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A color image of four framed works displayed in a horizontal line on a white wall. The drawings, made on black paper, depict abstract compositions made up of white lines, arrows, circles, and illegible textlines.
    Year
    Related pages Renee Gladman
  • A large number of framed posters, photographs, and other ephemera of varying sizes hang on a white gallery wall. A poster hung on the left side of the wall has large black lettering that reads:
    A large number of framed posters, photographs, and other ephemera of varying sizes hang on a white gallery wall. A poster hung on the left side of the wall has large black lettering that reads:
    The Serving Library. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A large number of framed posters, photographs, and other ephemera of varying sizes hang on a white gallery wall. A poster hung on the left side of the wall has large black lettering that reads: "THE TEMPERAMENTAL BAROMETRIC CONTORTIONIST!" A white pole is situated at the center of the space, in front of the exhibition wall.]
    Caption The Serving Library. Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description A large number of framed posters, photographs, and other ephemera of varying sizes hang on a white gallery wall. A poster hung on the left side of the wall has large black lettering that reads: "THE TEMPERAMENTAL BAROMETRIC CONTORTIONIST!" A white pole is situated at the center of the space, in front of the exhibition wall.
    Year 2011
    Related pages The Serving Library
  • Two figures perform on a stage with a keyboard. Washes of blue, green, orange and pink light are projected onto them.
    Two figures perform on a stage with a keyboard. Washes of blue, green, orange and pink light are projected onto them.
    Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [Two figures perform on a stage with a keyboard. Washes of blue, green, orange and pink light are projected onto them.]
    Caption Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman
    Image description Two figures perform on a stage with a keyboard. Washes of blue, green, orange and pink light are projected onto them.
    Year 2022
    Related pages Abasement #61
  • A color image of two tree logs, placed on brown pedestals. The pedestal in the back features a taxidermied griffon vulture.
    A color image of two tree logs, placed on brown pedestals. The pedestal in the back features a taxidermied griffon vulture.
    Andy Robert: PAPALOKO. Installation view (bwa, 2023; Ruin, 2023), Artists Space, 2024. Photo: Carter Seddon. [A color image of two tree logs, placed on brown pedestals. The pedestal in the back features a taxidermied griffon vulture.]
    Caption Andy Robert: PAPALOKO. Installation view (bwa, 2023; Ruin, 2023), Artists Space, 2024. Photo: Carter Seddon.
    Image description A color image of two tree logs, placed on brown pedestals. The pedestal in the back features a taxidermied griffon vulture.
    Year
    Related pages Andy Robert: Papaloko
  • Two juxtaposted images of two sets of thighs. In both images, a bright light illuminates the space between the figures' thighs. Light spots appear across the images.
    Two juxtaposted images of two sets of thighs. In both images, a bright light illuminates the space between the figures' thighs. Light spots appear across the images.
    Hilary Lloyd, Thighs, 2011. [Two juxtaposted images of two sets of thighs. In both images, a bright light illuminates the space between the figures' thighs. Light spots appear across the images.]
    Caption Hilary Lloyd, Thighs, 2011.
    Image description Two juxtaposted images of two sets of thighs. In both images, a bright light illuminates the space between the figures' thighs. Light spots appear across the images.
    Year 2011
    Related pages Hilary Lloyd
  • Twelve long wooden poles are mounted on a white gallery wall in a circular formation, projecting out from the wall and intersecting a line of black columns, forming a teepee shape. A large piece of brown linen stained with various black, white, and rust-colors hangs from the poles. Part of the linen drapes on the ground below the teepee structure. Several sculptures are visible behind the structure, containing disembodied humanoid heads arranged among platforms and pieces of wood, cardboard, and other materials.
    Twelve long wooden poles are mounted on a white gallery wall in a circular formation, projecting out from the wall and intersecting a line of black columns, forming a teepee shape. A large piece of brown linen stained with various black, white, and rust-colors hangs from the poles. Part of the linen drapes on the ground below the teepee structure. Several sculptures are visible behind the structure, containing disembodied humanoid heads arranged among platforms and pieces of wood, cardboard, and other materials.
    Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater. Installation view, Artists Space, 2019. Photo: Daniel Pérez. [Twelve long wooden poles are mounted on a white gallery wall in a circular formation, projecting out from the wall and intersecting a line of black columns, forming a teepee shape. A large piece of brown linen stained with various black, white, and rust-colors hangs from the poles. Part of the linen drapes on the ground below the teepee structure. Several sculptures are visible behind the structure, containing disembodied humanoid heads arranged among platforms and pieces of wood, cardboard, and other materials.]
    Caption Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater. Installation view, Artists Space, 2019. Photo: Daniel Pérez.
    Image description Twelve long wooden poles are mounted on a white gallery wall in a circular formation, projecting out from the wall and intersecting a line of black columns, forming a teepee shape. A large piece of brown linen stained with various black, white, and rust-colors hangs from the poles. Part of the linen drapes on the ground below the teepee structure. Several sculptures are visible behind the structure, containing disembodied humanoid heads arranged among platforms and pieces of wood, cardboard, and other materials.
    Year 2019
    Related pages Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater
  • Glowing bottles in a box are sitting in a darkened gallery space.
    Glowing bottles in a box are sitting in a darkened gallery space.
    We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [Glowing bottles in a box are sitting in a darkened gallery space.]
    Caption We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987.
    Image description Glowing bottles in a box are sitting in a darkened gallery space.
    Year
    Related pages We the People
  • A small statue of a bird sits on the floor of a dimly-lit gallery space. A long black wire runs from the sculpture to the ceiling. Several square holes have been removed from several spots on the gallery wall behind the sculpture, through which a space on the other side of the wall is visible.
    A small statue of a bird sits on the floor of a dimly-lit gallery space. A long black wire runs from the sculpture to the ceiling. Several square holes have been removed from several spots on the gallery wall behind the sculpture, through which a space on the other side of the wall is visible.
    Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt. [A small statue of a bird sits on the floor of a dimly-lit gallery space. A long black wire runs from the sculpture to the ceiling. Several square holes have been removed from several spots on the gallery wall behind the sculpture, through which a space on the other side of the wall is visible.]
    Caption Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt.
    Image description A small statue of a bird sits on the floor of a dimly-lit gallery space. A long black wire runs from the sculpture to the ceiling. Several square holes have been removed from several spots on the gallery wall behind the sculpture, through which a space on the other side of the wall is visible.
    Year 1997
    Related pages Lines of Loss
  • A black and white photograph of a large constructed rock dome in a galelry space.
    A black and white photograph of a large constructed rock dome in a galelry space.
    Gerome Kamrowski. Paintings on the Surface of a Dome, 1960. [A black and white photograph of a large constructed rock dome in a galelry space.]
    Caption Gerome Kamrowski. Paintings on the Surface of a Dome, 1960.
    Image description A black and white photograph of a large constructed rock dome in a galelry space.
    Year
    Related pages Moderns in Mind
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Elisabeth Sussman, © David Armstrong
    Caption Elisabeth Sussman, © David Armstrong
    Image description
    Year
    Related pages Friends of Artists Space Dinner
  • Friends of Artists Space Annual Dinner, 2022.
    Caption Friends of Artists Space Annual Dinner, 2022.
    Image description
    Year 2022
    Related pages Support
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    Related pages Carolyn Lazard
  • A painting in color depicting five Black Queer people within an abstract barbershop environment. The barber to the left of the scene holds clippers to the scalp of one of them positioned in the center. Another barber pictured in the upper right quadrant holds up a pair of shears between two other Black Queer figures with smocked patterning on their barber capes. Sgraffito-like swaths of grid serve as a tiled floor, shown in a floating perspective.
    A painting in color depicting five Black Queer people within an abstract barbershop environment. The barber to the left of the scene holds clippers to the scalp of one of them positioned in the center. Another barber pictured in the upper right quadrant holds up a pair of shears between two other Black Queer figures with smocked patterning on their barber capes. Sgraffito-like swaths of grid serve as a tiled floor, shown in a floating perspective.
    Jonathan Lyndon Chase, City of Beauty, 2023. Courtesy of the artist and Company Gallery, New York. [A painting in color depicting five Black Queer people within an abstract barbershop environment. The barber to the left of the scene holds clippers to the scalp of one of them positioned in the center. Another barber pictured in the upper right quadrant holds up a pair of shears between two other Black Queer figures with smocked patterning on their barber capes. Sgraffito-like swaths of grid serve as a tiled floor, shown in a floating perspective.]
    Caption Jonathan Lyndon Chase, City of Beauty, 2023. Courtesy of the artist and Company Gallery, New York.
    Image description A painting in color depicting five Black Queer people within an abstract barbershop environment. The barber to the left of the scene holds clippers to the scalp of one of them positioned in the center. Another barber pictured in the upper right quadrant holds up a pair of shears between two other Black Queer figures with smocked patterning on their barber capes. Sgraffito-like swaths of grid serve as a tiled floor, shown in a floating perspective.
    Year
    Related pages Jonathan Lyndon Chase
  • A color photograph of a mixed media collage with various drawings and handwritten text in a white frame.
    A color photograph of a mixed media collage with various drawings and handwritten text in a white frame.
    Milford Graves, Untitled Drawing, 2020. Ink, Sharpie, acrylic paint, collage elements on paper. Photo: Filip Wolak. [A color photograph of a mixed media collage with various drawings and handwritten text in a white frame.]
    Caption Milford Graves, Untitled Drawing, 2020. Ink, Sharpie, acrylic paint, collage elements on paper. Photo: Filip Wolak.
    Image description A color photograph of a mixed media collage with various drawings and handwritten text in a white frame.
    Year 2021
    Related pages Milford Graves: Fundamental Frequency
  • A yellowish image of a fireplace with paintings, a mirror and a TV monitor next to a line of text that reads:
    A yellowish image of a fireplace with paintings, a mirror and a TV monitor next to a line of text that reads:
    Louise Lawler. Installation View. Artists Space, 1986 [A yellowish image of a fireplace with paintings, a mirror and a TV monitor next to a line of text that reads: "Once there was a little boy and everything turned out alright. The End."]
    Caption Louise Lawler. Installation View. Artists Space, 1986
    Image description A yellowish image of a fireplace with paintings, a mirror and a TV monitor next to a line of text that reads: "Once there was a little boy and everything turned out alright. The End."
    Year 1984
    Related pages The Fairy Tale: Politics, Desire, and Everyday Life
  • Three figurative, red and black gestural paintings hang on a white wall. On the left, a vertical work shows the exterior of a building with a ladder leading to a window. On the right, two horizontal works hung one above the other feature pairs of chairs, each connected by a circle.
    Three figurative, red and black gestural paintings hang on a white wall. On the left, a vertical work shows the exterior of a building with a ladder leading to a window. On the right, two horizontal works hung one above the other feature pairs of chairs, each connected by a circle.
    Works by Robert Vitale. Witnesses: Against Our Vanishing. Installation view, Artists Space, 1989. [Three figurative, red and black gestural paintings hang on a white wall. On the left, a vertical work shows the exterior of a building with a ladder leading to a window. On the right, two horizontal works hung one above the other feature pairs of chairs, each connected by a circle.]
    Caption Works by Robert Vitale. Witnesses: Against Our Vanishing. Installation view, Artists Space, 1989.
    Image description Three figurative, red and black gestural paintings hang on a white wall. On the left, a vertical work shows the exterior of a building with a ladder leading to a window. On the right, two horizontal works hung one above the other feature pairs of chairs, each connected by a circle.
    Year 1989
    Related pages Witnesses: Against Our Vanishing
  • A crowd watches a large humanoid blue bird turn around.
    A crowd watches a large humanoid blue bird turn around.
    Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court [A crowd watches a large humanoid blue bird turn around.]
    Caption Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court
    Image description A crowd watches a large humanoid blue bird turn around.
    Year 2022
    Related pages Circus Amok
  • A collection of posters, drawings, paintings, photographs, and collages hang in clusters on a white gallery wall. On the right of the wall is a closed doorway. A long, multicolored poll wedged into a wood stump sits on the gallery floor.
    A collection of posters, drawings, paintings, photographs, and collages hang in clusters on a white gallery wall. On the right of the wall is a closed doorway. A long, multicolored poll wedged into a wood stump sits on the gallery floor.
    Apartment Show: If the dogs are barking. Installation view, Artists Space, 2009. [A collection of posters, drawings, paintings, photographs, and collages hang in clusters on a white gallery wall. On the right of the wall is a closed doorway. A long, multicolored poll wedged into a wood stump sits on the gallery floor.]
    Caption Apartment Show: If the dogs are barking. Installation view, Artists Space, 2009.
    Image description A collection of posters, drawings, paintings, photographs, and collages hang in clusters on a white gallery wall. On the right of the wall is a closed doorway. A long, multicolored poll wedged into a wood stump sits on the gallery floor.
    Year 2009
    Related pages Apartment Show: If the dogs are barking
  • Detail view of a
    Detail view of a
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Detail view of a "bc" logo printed on a black glossy structure.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Detail view of a "bc" logo printed on a black glossy structure.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • A figure smiles and stands behind a music stand and microphone.
    A figure smiles and stands behind a music stand and microphone.
    Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [A figure smiles and stands behind a music stand and microphone.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure smiles and stands behind a music stand and microphone.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-10
  • A photograph of a gallery space with a black rectangular table and a chair in the foreground. There are eight photographs and print-outs hung on the back walls, and a row of floor-to-ceiling columns is visible in the background.
    A photograph of a gallery space with a black rectangular table and a chair in the foreground. There are eight photographs and print-outs hung on the back walls, and a row of floor-to-ceiling columns is visible in the background.
    Tiffany Sia: Slippery When Wet. Installation view, Artists Space, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A photograph of a gallery space with a black rectangular table and a chair in the foreground. There are eight photographs and print-outs hung on the back walls, and a row of floor-to-ceiling columns is visible in the background.]
    Caption Tiffany Sia: Slippery When Wet. Installation view, Artists Space, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A photograph of a gallery space with a black rectangular table and a chair in the foreground. There are eight photographs and print-outs hung on the back walls, and a row of floor-to-ceiling columns is visible in the background.
    Year 2021
    Related pages Tiffany Sia: Slippery When Wet
  • Black and white video still of a figure in a packed crowd, speaking into a microphone. A date and time stamp at the bottom left corner of the still read,
    Black and white video still of a figure in a packed crowd, speaking into a microphone. A date and time stamp at the bottom left corner of the still read,
    Black Cat Collective. Still from Many Faces of Paper, 1989. [Black and white video still of a figure in a packed crowd, speaking into a microphone. A date and time stamp at the bottom left corner of the still read, "PM 1:11" and "FEB. 15 1988."]
    Caption Black Cat Collective. Still from Many Faces of Paper, 1989.
    Image description Black and white video still of a figure in a packed crowd, speaking into a microphone. A date and time stamp at the bottom left corner of the still read, "PM 1:11" and "FEB. 15 1988."
    Year 1989
    Related pages Video Witnesses: Festival of New Journalism
  • Flyer featuring densely collaged images of food in metal trays, renaissance-era images of saints and angels, Cookie Monster and other puppets, electric keyboards and vintage video game consoles, images of people holding vegetables and plates of food, and tree-filled landscapes. Below the collage, white sans-serif text is superimposed over an image of stars in space. The text reads: “artists space & the segue reading series invite you to a virtual reading by / Steven Seinberg / and / Darcie Dennigan / saturday, may 2nd, 5pm nyc time, zoom id: 378 232 567 / it will be robust.
    Flyer featuring densely collaged images of food in metal trays, renaissance-era images of saints and angels, Cookie Monster and other puppets, electric keyboards and vintage video game consoles, images of people holding vegetables and plates of food, and tree-filled landscapes. Below the collage, white sans-serif text is superimposed over an image of stars in space. The text reads: “artists space & the segue reading series invite you to a virtual reading by / Steven Seinberg / and / Darcie Dennigan / saturday, may 2nd, 5pm nyc time, zoom id: 378 232 567 / it will be robust.
    [Flyer featuring densely collaged images of food in metal trays, renaissance-era images of saints and angels, Cookie Monster and other puppets, electric keyboards and vintage video game consoles, images of people holding vegetables and plates of food, and tree-filled landscapes. Below the collage, white sans-serif text is superimposed over an image of stars in space. The text reads: “artists space & the segue reading series invite you to a virtual reading by / Steven Seinberg / and / Darcie Dennigan / saturday, may 2nd, 5pm nyc time, zoom id: 378 232 567 / it will be robust.]
    Caption
    Image description Flyer featuring densely collaged images of food in metal trays, renaissance-era images of saints and angels, Cookie Monster and other puppets, electric keyboards and vintage video game consoles, images of people holding vegetables and plates of food, and tree-filled landscapes. Below the collage, white sans-serif text is superimposed over an image of stars in space. The text reads: “artists space & the segue reading series invite you to a virtual reading by / Steven Seinberg / and / Darcie Dennigan / saturday, may 2nd, 5pm nyc time, zoom id: 378 232 567 / it will be robust.
    Year 2020
    Related pages Segue Reading Series: Darcie Dennigan & Steven Seidenberg
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    Related pages DRAFT IMAGE PAGE_NEVER DELETE
  • Two white walls meeting in a corner. The wall on the right has three large black and white photographs of people on winter streets with their small dogs. The wall on the left features a canvas covered in a red, green, and peach colored plaid pattern.
    Two white walls meeting in a corner. The wall on the right has three large black and white photographs of people on winter streets with their small dogs. The wall on the left features a canvas covered in a red, green, and peach colored plaid pattern.
    Flipside. Installation view, Artists Space, 2004. [Two white walls meeting in a corner. The wall on the right has three large black and white photographs of people on winter streets with their small dogs. The wall on the left features a canvas covered in a red, green, and peach colored plaid pattern.]
    Caption Flipside. Installation view, Artists Space, 2004.
    Image description Two white walls meeting in a corner. The wall on the right has three large black and white photographs of people on winter streets with their small dogs. The wall on the left features a canvas covered in a red, green, and peach colored plaid pattern.
    Year 2004
    Related pages Flipside
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
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    Related pages Michael Asher
  • A woman in a dark dress with shoulder-length auburn hair stands before a microphone in a gallery space, reading from a sheet of paper. She looks up from the paper to gaze in front of her.
    A woman in a dark dress with shoulder-length auburn hair stands before a microphone in a gallery space, reading from a sheet of paper. She looks up from the paper to gaze in front of her.
    The Friends of Artists Space Dinner, May 8, 2010. Julie Ault's speech. [A woman in a dark dress with shoulder-length auburn hair stands before a microphone in a gallery space, reading from a sheet of paper. She looks up from the paper to gaze in front of her.]
    Caption The Friends of Artists Space Dinner, May 8, 2010. Julie Ault's speech.
    Image description A woman in a dark dress with shoulder-length auburn hair stands before a microphone in a gallery space, reading from a sheet of paper. She looks up from the paper to gaze in front of her.
    Year 2010
    Related pages The Friends of Artists Space Dinner
  • Close up image of a series of black shelves mounted to a white wall. Various wooden blocks painted with scenes of crowds, witches, and other characters are placed on the shelves, alongside smaller blocks decorated with white letters that spell out words including
    Close up image of a series of black shelves mounted to a white wall. Various wooden blocks painted with scenes of crowds, witches, and other characters are placed on the shelves, alongside smaller blocks decorated with white letters that spell out words including
    [Close up image of a series of black shelves mounted to a white wall. Various wooden blocks painted with scenes of crowds, witches, and other characters are placed on the shelves, alongside smaller blocks decorated with white letters that spell out words including "stooge," "atheist," and "traitor." At the center of the shelves sits a black figurine of a goat.]
    Caption
    Image description Close up image of a series of black shelves mounted to a white wall. Various wooden blocks painted with scenes of crowds, witches, and other characters are placed on the shelves, alongside smaller blocks decorated with white letters that spell out words including "stooge," "atheist," and "traitor." At the center of the shelves sits a black figurine of a goat.
    Year 1991
    Related pages Project: Our Bodice, Our Selves
  • A photograph showing mostly the concrete floor of a gallery. Sitting on the floor is a large plexiglass box, the bottom of which is lined with eggs arranged in neat rows.
    A photograph showing mostly the concrete floor of a gallery. Sitting on the floor is a large plexiglass box, the bottom of which is lined with eggs arranged in neat rows.
    Selections from the Artists File. Installation view, Artists Space, 1989. [A photograph showing mostly the concrete floor of a gallery. Sitting on the floor is a large plexiglass box, the bottom of which is lined with eggs arranged in neat rows.]
    Caption Selections from the Artists File. Installation view, Artists Space, 1989.
    Image description A photograph showing mostly the concrete floor of a gallery. Sitting on the floor is a large plexiglass box, the bottom of which is lined with eggs arranged in neat rows.
    Year 1989
    Related pages Selections from the Artist File
  • Color photograph of a corner space in a gallery, below a staircase, that is bathed in red light. At the bottom of the stairs are a group of performers wearing conical costumes made of reflective one-way mirror film.
    Color photograph of a corner space in a gallery, below a staircase, that is bathed in red light. At the bottom of the stairs are a group of performers wearing conical costumes made of reflective one-way mirror film.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a corner space in a gallery, below a staircase, that is bathed in red light. At the bottom of the stairs are a group of performers wearing conical costumes made of reflective one-way mirror film.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a corner space in a gallery, below a staircase, that is bathed in red light. At the bottom of the stairs are a group of performers wearing conical costumes made of reflective one-way mirror film.
    Year 2022
    Related pages keyon gaskin 12-14
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    Related pages Dream Lines: Drawings by Marian Zazeela
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    Related pages Abasement #72
  • Photograph of the hallway entrance into a basement gallery space. Along the left wall is a clock card machine and time card rack, vinyl text, and a pedestal with printed materials placed on top of it.
    Photograph of the hallway entrance into a basement gallery space. Along the left wall is a clock card machine and time card rack, vinyl text, and a pedestal with printed materials placed on top of it.
    Clocking Out: Time Beyond Management. Installation view (Simon Gush, Clocking In, 2013), Artists Space, 2023. Photo: Greg Carideo. [Photograph of the hallway entrance into a basement gallery space. Along the left wall is a clock card machine and time card rack, vinyl text, and a pedestal with printed materials placed on top of it.]
    Caption Clocking Out: Time Beyond Management. Installation view (Simon Gush, Clocking In, 2013), Artists Space, 2023. Photo: Greg Carideo.
    Image description Photograph of the hallway entrance into a basement gallery space. Along the left wall is a clock card machine and time card rack, vinyl text, and a pedestal with printed materials placed on top of it.
    Year 2023
    Related pages Whitney Independent Study: Clocking Out: Time Beyond Management
  • Color photograph of a piano. Six solenoids are placed along the piano's strings.
    Color photograph of a piano. Six solenoids are placed along the piano's strings.
    Yasunao Tone: Region of Paramedia. Installation view (Instrument for Aleitheia, 1987), Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a piano. Six solenoids are placed along the piano's strings.]
    Caption Yasunao Tone: Region of Paramedia. Installation view (Instrument for Aleitheia, 1987), Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photograph of a piano. Six solenoids are placed along the piano's strings.
    Year 2023
    Related pages Yasunao Tone: Region of Paramedia
  • A color photograph of a figure with raised arms in an orange-lit space.
    A color photograph of a figure with raised arms in an orange-lit space.
    Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. [A color photograph of a figure with raised arms in an orange-lit space.]
    Caption Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space.
    Image description A color photograph of a figure with raised arms in an orange-lit space.
    Year 2022
    Related pages Yuji Agematsu
  • A side projector projects an image of a figure in an elaborate dress onto a freestanding wall in the middle of a gallery space. A mannequin wearing a decorative orange costumes stands to the left of the projection. In the background, a video monitor sits on a table and framed documents hang on the walls.
    A side projector projects an image of a figure in an elaborate dress onto a freestanding wall in the middle of a gallery space. A mannequin wearing a decorative orange costumes stands to the left of the projection. In the background, a video monitor sits on a table and framed documents hang on the walls.
    Jack Smith: Art Crust of Spiritual Oasis. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A side projector projects an image of a figure in an elaborate dress onto a freestanding wall in the middle of a gallery space. A mannequin wearing a decorative orange costumes stands to the left of the projection. In the background, a video monitor sits on a table and framed documents hang on the walls.]
    Caption Jack Smith: Art Crust of Spiritual Oasis. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description A side projector projects an image of a figure in an elaborate dress onto a freestanding wall in the middle of a gallery space. A mannequin wearing a decorative orange costumes stands to the left of the projection. In the background, a video monitor sits on a table and framed documents hang on the walls.
    Year 2018
    Related pages Jack Smith: Art Crust of Spiritual Oasis
  • Cindy Sherman, Jack Hanley, Claudia Gould, and Alexandra Audler stand together and smile at the camera in front of a red wall with an illusionistic landscape view inside a painted pointed arch window.
    Cindy Sherman, Jack Hanley, Claudia Gould, and Alexandra Audler stand together and smile at the camera in front of a red wall with an illusionistic landscape view inside a painted pointed arch window.
    Friends of Artists Space Dinner 2024. Cindy Sherman, Jack Hanley, Claudia Gould, Alexandra Auder. Photo: Jenna Bascom [Cindy Sherman, Jack Hanley, Claudia Gould, and Alexandra Audler stand together and smile at the camera in front of a red wall with an illusionistic landscape view inside a painted pointed arch window.]
    Caption Friends of Artists Space Dinner 2024. Cindy Sherman, Jack Hanley, Claudia Gould, Alexandra Auder. Photo: Jenna Bascom
    Image description Cindy Sherman, Jack Hanley, Claudia Gould, and Alexandra Audler stand together and smile at the camera in front of a red wall with an illusionistic landscape view inside a painted pointed arch window.
    Year
    Related pages Friends of Artists Space Dinner
  • A rectangular image, opaque and black. In black, all-caps, sans-serif font, outlined in white, text reads
    A rectangular image, opaque and black. In black, all-caps, sans-serif font, outlined in white, text reads
    Claire Fontaine, Please God Make Tomorrow Better, 2010, Silkscreen on archival box, 24 1/2 x 20 1/2 x 1 1/2 inches, Signed and numbered certificate [A rectangular image, opaque and black. In black, all-caps, sans-serif font, outlined in white, text reads "PLEASE GOD MAKE TOMORROW BETTER." The text appears slightly above the center of the image and center justified.]
    Caption Claire Fontaine, Please God Make Tomorrow Better, 2010, Silkscreen on archival box, 24 1/2 x 20 1/2 x 1 1/2 inches, Signed and numbered certificate
    Image description A rectangular image, opaque and black. In black, all-caps, sans-serif font, outlined in white, text reads "PLEASE GOD MAKE TOMORROW BETTER." The text appears slightly above the center of the image and center justified.
    Year
    Related pages Artists Space Annual Edition Portfolio 2010
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • White text on a turquoise and grey ombré background. The text reads: “Feb 22 / Eszter Balint / Juliana Huxtable / Rezarta Seferi.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    White text on a turquoise and grey ombré background. The text reads: “Feb 22 / Eszter Balint / Juliana Huxtable / Rezarta Seferi.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [White text on a turquoise and grey ombré background. The text reads: “Feb 22 / Eszter Balint / Juliana Huxtable / Rezarta Seferi.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description White text on a turquoise and grey ombré background. The text reads: “Feb 22 / Eszter Balint / Juliana Huxtable / Rezarta Seferi.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Eszter Balint & Juliana Huxtable & Rezarta Seferi
  • Four overlapping photographs show a panorama of a crowd outside Artists Space at night. One group int he foreground files into the gallery through its double doors, while others on the sidewalk hold protest signs.
    Four overlapping photographs show a panorama of a crowd outside Artists Space at night. One group int he foreground files into the gallery through its double doors, while others on the sidewalk hold protest signs.
    Demonstrations outside Artists Space during the opening of Witnesses: Against Our Vanishing, November 16, 1989. [Four overlapping photographs show a panorama of a crowd outside Artists Space at night. One group int he foreground files into the gallery through its double doors, while others on the sidewalk hold protest signs.]
    Caption Demonstrations outside Artists Space during the opening of Witnesses: Against Our Vanishing, November 16, 1989.
    Image description Four overlapping photographs show a panorama of a crowd outside Artists Space at night. One group int he foreground files into the gallery through its double doors, while others on the sidewalk hold protest signs.
    Year 1989
    Related pages Witnesses: Against Our Vanishing
  • A graph showing a typical stock price increasing in value, digitally manipulated to show it going back in time and continuing to increase, once above a certain threshold.
    A graph showing a typical stock price increasing in value, digitally manipulated to show it going back in time and continuing to increase, once above a certain threshold.
    [A graph showing a typical stock price increasing in value, digitally manipulated to show it going back in time and continuing to increase, once above a certain threshold.]
    Caption
    Image description A graph showing a typical stock price increasing in value, digitally manipulated to show it going back in time and continuing to increase, once above a certain threshold.
    Year 2018
    Related pages Code is LAWL: Diversifying the Crypto Demographic
  • Contact sheet of installation images taken during exhibition opening.
    Contact sheet of installation images taken during exhibition opening.
    Gary Burnley, Martin Cohen, Candace Hill-Montgomery, Louis Stein, and Haim Steinbach. Contact sheet of photos from exhibition opening, Artists Space, 1979. Photos by Gary Burnley. [Contact sheet of installation images taken during exhibition opening.]
    Caption Gary Burnley, Martin Cohen, Candace Hill-Montgomery, Louis Stein, and Haim Steinbach. Contact sheet of photos from exhibition opening, Artists Space, 1979. Photos by Gary Burnley.
    Image description Contact sheet of installation images taken during exhibition opening.
    Year 1979
    Related pages Martin Cohen
  • Draped fabric that reads
    Draped fabric that reads
    [Draped fabric that reads "American Express World Service" in an all-over pattern.]
    Caption
    Image description Draped fabric that reads "American Express World Service" in an all-over pattern.
    Year 2014
    Related pages Folklore U.S.
  • A color photograph of a drawer positioned vertically on plywood in the corner of a gallery space. In front of the drawer is a ceramic jug and several other obkects including a wand.
    A color photograph of a drawer positioned vertically on plywood in the corner of a gallery space. In front of the drawer is a ceramic jug and several other obkects including a wand.
    Lyndon Barrois Jr., Diverses Expériences par la Baguette, 2022. Plastic, copper, brass, divination wand, drawer, ceramic jug, solvent transfers, plywood, brass. 35 x 26.5 x 19.5 inches. Photo: Filip Wolak. [A color photograph of a drawer positioned vertically on plywood in the corner of a gallery space. In front of the drawer is a ceramic jug and several other obkects including a wand.]
    Caption Lyndon Barrois Jr., Diverses Expériences par la Baguette, 2022. Plastic, copper, brass, divination wand, drawer, ceramic jug, solvent transfers, plywood, brass. 35 x 26.5 x 19.5 inches. Photo: Filip Wolak.
    Image description A color photograph of a drawer positioned vertically on plywood in the corner of a gallery space. In front of the drawer is a ceramic jug and several other obkects including a wand.
    Year 2022
    Related pages Lyndon Barrois Jr.: Mirage Collar
  • Black text overlays a blue background. The top left corner reads: Jesse Darling / Fiona Alison Duncan. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, February 19, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5.
    Black text overlays a blue background. The top left corner reads: Jesse Darling / Fiona Alison Duncan. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, February 19, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5.
    Flyer for Segue Reading Series featuring Jesse Darling and Fiona Alison Duncan. February 19, 2022, Artists Space. [Black text overlays a blue background. The top left corner reads: Jesse Darling / Fiona Alison Duncan. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, February 19, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5."]
    Caption Flyer for Segue Reading Series featuring Jesse Darling and Fiona Alison Duncan. February 19, 2022, Artists Space.
    Image description Black text overlays a blue background. The top left corner reads: Jesse Darling / Fiona Alison Duncan. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, February 19, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5."
    Year 2022
    Related pages Segue Reading Series: Jesse Darling & Fiona Alison Duncan
  • Book cover design featuring a blue-tinged photograph of a woman in a white blouse resting casually against an armchair, her left hand reaching up towards her face and her fingers curling in a relaxed position. She appears contemplative, as if she is about to speak. Text superimposed over the top left hand corner of the image reads
    Book cover design featuring a blue-tinged photograph of a woman in a white blouse resting casually against an armchair, her left hand reaching up towards her face and her fingers curling in a relaxed position. She appears contemplative, as if she is about to speak. Text superimposed over the top left hand corner of the image reads
    Piecing Together Los Angeles: An Esther McCoy Reader, edited by Susan Morgan, published by East of Borneo Books, 2012. [Book cover design featuring a blue-tinged photograph of a woman in a white blouse resting casually against an armchair, her left hand reaching up towards her face and her fingers curling in a relaxed position. She appears contemplative, as if she is about to speak. Text superimposed over the top left hand corner of the image reads "Piecing Together Los Angeles: An Esther McCoy Reader."]
    Caption Piecing Together Los Angeles: An Esther McCoy Reader, edited by Susan Morgan, published by East of Borneo Books, 2012.
    Image description Book cover design featuring a blue-tinged photograph of a woman in a white blouse resting casually against an armchair, her left hand reaching up towards her face and her fingers curling in a relaxed position. She appears contemplative, as if she is about to speak. Text superimposed over the top left hand corner of the image reads "Piecing Together Los Angeles: An Esther McCoy Reader."
    Year 2012
    Related pages Piecing Together Los Angeles: An Esther McCoy Reader
  • A red stripe is painted on a white wall. Hung in the red stripe are twenty sheets of white paper with a single figure drawn on each one.
    A red stripe is painted on a white wall. Hung in the red stripe are twenty sheets of white paper with a single figure drawn on each one.
    Salad Days. Installation view, Artists Space, 2004. [A red stripe is painted on a white wall. Hung in the red stripe are twenty sheets of white paper with a single figure drawn on each one.]
    Caption Salad Days. Installation view, Artists Space, 2004.
    Image description A red stripe is painted on a white wall. Hung in the red stripe are twenty sheets of white paper with a single figure drawn on each one.
    Year 2004
    Related pages Salad Days
  • Magazine cut-outs and ink drawings are collaged together on a background of red and yellow paper. Pieces of beige paper with typewritten text listing the performers and event details are scattered around the flyer.
    Magazine cut-outs and ink drawings are collaged together on a background of red and yellow paper. Pieces of beige paper with typewritten text listing the performers and event details are scattered around the flyer.
    Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a background of red and yellow paper. Pieces of beige paper with typewritten text listing the performers and event details are scattered around the flyer.]
    Caption Flyer by Joe Frivaldi.
    Image description Magazine cut-outs and ink drawings are collaged together on a background of red and yellow paper. Pieces of beige paper with typewritten text listing the performers and event details are scattered around the flyer.
    Year
    Related pages Abasement #78
  • Two performers pictured in front of soft pink, blue, and white light projected onto the wall behind them. Performer on left is smiling and pointing at the performer on right, who is seated in front of a mixing board and microphone.
    Two performers pictured in front of soft pink, blue, and white light projected onto the wall behind them. Performer on left is smiling and pointing at the performer on right, who is seated in front of a mixing board and microphone.
    Abasement #70. Performance documentation, July 1st, 2024, Artists Space. Photo: Joshua Wildman. [Two performers pictured in front of soft pink, blue, and white light projected onto the wall behind them. Performer on left is smiling and pointing at the performer on right, who is seated in front of a mixing board and microphone.]
    Caption Abasement #70. Performance documentation, July 1st, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Two performers pictured in front of soft pink, blue, and white light projected onto the wall behind them. Performer on left is smiling and pointing at the performer on right, who is seated in front of a mixing board and microphone.
    Year
    Related pages Abasement #70
  • Color photograph of three figures, wearing conical costumes made of reflective one-way mirror film, standing at the doorways of a gallery space.
    Color photograph of three figures, wearing conical costumes made of reflective one-way mirror film, standing at the doorways of a gallery space.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of three figures, wearing conical costumes made of reflective one-way mirror film, standing at the doorways of a gallery space.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of three figures, wearing conical costumes made of reflective one-way mirror film, standing at the doorways of a gallery space.
    Year 2022
    Related pages keyon gaskin 12-18
  • A black-and-white scan of a page of The New York Times newspaper, folded in half lengthwise. A translucent geometric pattern is visible across the image, with washed out pinks, greens, blues, and yellows. The visible story is a continuation from the story featured on the first arts page, titled
    A black-and-white scan of a page of The New York Times newspaper, folded in half lengthwise. A translucent geometric pattern is visible across the image, with washed out pinks, greens, blues, and yellows. The visible story is a continuation from the story featured on the first arts page, titled
    Rachel Harrison, What the world needs now, 2009, Inkjet print on Ilford Galerie Gold Fibre Silk, 310 gsm 22 x 17 in / 55,9 x 43,2 cm, Signed and numbered [A black-and-white scan of a page of The New York Times newspaper, folded in half lengthwise. A translucent geometric pattern is visible across the image, with washed out pinks, greens, blues, and yellows. The visible story is a continuation from the story featured on the first arts page, titled "Foundation's New Prize To Honor Artists Under 35." Above the title is a photo of Victor Pinchuk, a Ukrainian businessman and art collector. Below the title is six images of "artist-mentors:" Andreas Gursky, Jeff Koons, Damien Hirst, Takashi Murakami, and institutional board members Nicholas Serota and Glenn D. Lowry of the Tate and MoMA, respectively. Each of the six figures has a color wig, bright lipstick, and two have glasses, giving each a goofy appearance.]
    Caption Rachel Harrison, What the world needs now, 2009, Inkjet print on Ilford Galerie Gold Fibre Silk, 310 gsm 22 x 17 in / 55,9 x 43,2 cm, Signed and numbered
    Image description A black-and-white scan of a page of The New York Times newspaper, folded in half lengthwise. A translucent geometric pattern is visible across the image, with washed out pinks, greens, blues, and yellows. The visible story is a continuation from the story featured on the first arts page, titled "Foundation's New Prize To Honor Artists Under 35." Above the title is a photo of Victor Pinchuk, a Ukrainian businessman and art collector. Below the title is six images of "artist-mentors:" Andreas Gursky, Jeff Koons, Damien Hirst, Takashi Murakami, and institutional board members Nicholas Serota and Glenn D. Lowry of the Tate and MoMA, respectively. Each of the six figures has a color wig, bright lipstick, and two have glasses, giving each a goofy appearance.
    Year 2009
    Related pages Artists Space Annual Edition Portfolio 2010
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Black and white photograph of cursive white text on a black background on the floor of a room with an upside down chair in the foreground and a heater in the background.
    Black and white photograph of cursive white text on a black background on the floor of a room with an upside down chair in the foreground and a heater in the background.
    Margia Kramer. Installation view, Artists Space, 1980. [Black and white photograph of cursive white text on a black background on the floor of a room with an upside down chair in the foreground and a heater in the background.]
    Caption Margia Kramer. Installation view, Artists Space, 1980.
    Image description Black and white photograph of cursive white text on a black background on the floor of a room with an upside down chair in the foreground and a heater in the background.
    Year 1980
    Related pages Margia Kramer
  • A performer's hand adjusts the dials of audio equipment which is placed on top of a small desk. Their hands are adorned with rings and bracelets, and the scene is bathed in green light. The background is blue and purple tinted, and there are blurred silhouettes of audience members behind the performer.
    A performer's hand adjusts the dials of audio equipment which is placed on top of a small desk. Their hands are adorned with rings and bracelets, and the scene is bathed in green light. The background is blue and purple tinted, and there are blurred silhouettes of audience members behind the performer.
    Heist Divination (fwiw remix). Performance documentation, October 25th, 2024, Artists Space. Photo: Destiny Mata. [A performer's hand adjusts the dials of audio equipment which is placed on top of a small desk. Their hands are adorned with rings and bracelets, and the scene is bathed in green light. The background is blue and purple tinted, and there are blurred silhouettes of audience members behind the performer.]
    Caption Heist Divination (fwiw remix). Performance documentation, October 25th, 2024, Artists Space. Photo: Destiny Mata.
    Image description A performer's hand adjusts the dials of audio equipment which is placed on top of a small desk. Their hands are adorned with rings and bracelets, and the scene is bathed in green light. The background is blue and purple tinted, and there are blurred silhouettes of audience members behind the performer.
    Year
    Related pages S*an D. Henry-Smith
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A seated figure plays the violin on stage with red and purple lights cast onto them.
    A seated figure plays the violin on stage with red and purple lights cast onto them.
    Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman [A seated figure plays the violin on stage with red and purple lights cast onto them.]
    Caption Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman
    Image description A seated figure plays the violin on stage with red and purple lights cast onto them.
    Year
    Related pages Abasement: #62
  • Portrait view of solo performer, next to a small suitcase opening to show light bulbs and several small wires. The wall behind performer shows the lights from and the shadow of a disco ball. The performer has thick red lipstick and an eyeball on top of their head amidst long blonde hair.
    Portrait view of solo performer, next to a small suitcase opening to show light bulbs and several small wires. The wall behind performer shows the lights from and the shadow of a disco ball. The performer has thick red lipstick and an eyeball on top of their head amidst long blonde hair.
    Abasement #70. Performance documentation, July 1st, 2024, Artists Space. Photo: Joshua Wildman. [Portrait view of solo performer, next to a small suitcase opening to show light bulbs and several small wires. The wall behind performer shows the lights from and the shadow of a disco ball. The performer has thick red lipstick and an eyeball on top of their head amidst long blonde hair.]
    Caption Abasement #70. Performance documentation, July 1st, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Portrait view of solo performer, next to a small suitcase opening to show light bulbs and several small wires. The wall behind performer shows the lights from and the shadow of a disco ball. The performer has thick red lipstick and an eyeball on top of their head amidst long blonde hair.
    Year
    Related pages Abasement #70
  • A few people standing in a gallery space with a picket fence and drapery on the walls behind them.
    A few people standing in a gallery space with a picket fence and drapery on the walls behind them.
    Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork: Candace Hill-Montgomery. [A few people standing in a gallery space with a picket fence and drapery on the walls behind them.]
    Caption Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork: Candace Hill-Montgomery.
    Image description A few people standing in a gallery space with a picket fence and drapery on the walls behind them.
    Year 1979
    Related pages Candance Hill-Montgomery
  • A digital rendering of a large structure composed of suspended sheets of red material installed in a gray room. The red sheets are stacked on top of one another, suspended from lengths of wire that run from ceiling to floor. The sheets bend amorphously and are arranged such that they resemble irregular layers of sedimentary rock or strata. Three digitally-rendered figures observe the structure.
    A digital rendering of a large structure composed of suspended sheets of red material installed in a gray room. The red sheets are stacked on top of one another, suspended from lengths of wire that run from ceiling to floor. The sheets bend amorphously and are arranged such that they resemble irregular layers of sedimentary rock or strata. Three digitally-rendered figures observe the structure.
    [A digital rendering of a large structure composed of suspended sheets of red material installed in a gray room. The red sheets are stacked on top of one another, suspended from lengths of wire that run from ceiling to floor. The sheets bend amorphously and are arranged such that they resemble irregular layers of sedimentary rock or strata. Three digitally-rendered figures observe the structure.]
    Caption
    Image description A digital rendering of a large structure composed of suspended sheets of red material installed in a gray room. The red sheets are stacked on top of one another, suspended from lengths of wire that run from ceiling to floor. The sheets bend amorphously and are arranged such that they resemble irregular layers of sedimentary rock or strata. Three digitally-rendered figures observe the structure.
    Year 2005
    Related pages nARCHITECTS: Party Wall
  • A person in army camouflage and a military gun grabs a handful of packaged cookies from a stand selling assorted candies, snacks, sodas, and other food.
    A person in army camouflage and a military gun grabs a handful of packaged cookies from a stand selling assorted candies, snacks, sodas, and other food.
    Sean Snyder, still from Casio, Seiko, Sheraton, Toyota, Mars, 2004-5. Courtesy Lisson Gallery, London. [A person in army camouflage and a military gun grabs a handful of packaged cookies from a stand selling assorted candies, snacks, sodas, and other food.]
    Caption Sean Snyder, still from Casio, Seiko, Sheraton, Toyota, Mars, 2004-5. Courtesy Lisson Gallery, London.
    Image description A person in army camouflage and a military gun grabs a handful of packaged cookies from a stand selling assorted candies, snacks, sodas, and other food.
    Year 2005
    Related pages Sean Snyder
  • A solo performer with their hands up holds tuning forks. They are standing behind a mic stand. The performer and walls are covered with mulitcolored light projections.
    A solo performer with their hands up holds tuning forks. They are standing behind a mic stand. The performer and walls are covered with mulitcolored light projections.
    Abasement #72. Performance documentation, October 7th, 2024, Artists Space. Photo: Joshua Wildman. [A solo performer with their hands up holds tuning forks. They are standing behind a mic stand. The performer and walls are covered with mulitcolored light projections.]
    Caption Abasement #72. Performance documentation, October 7th, 2024, Artists Space. Photo: Joshua Wildman.
    Image description A solo performer with their hands up holds tuning forks. They are standing behind a mic stand. The performer and walls are covered with mulitcolored light projections.
    Year
    Related pages Abasement #72
  • A display of nine CRT monitors showing nine individuals in a bluish hue.
    A display of nine CRT monitors showing nine individuals in a bluish hue.
    ART CLUB2000 Untitled (Individual Viewing Station for Interviews with Artists on the Year 1970), 1997 CRT monitor with videos of Vito Acconci, Simon Cerigo, Henry Flynt, Isa Genzken, Alex Katz, Les Levine, Niki Logis, Olivier Mosset, and Carolee Schneemann Image courtesy Artists Space, New York Photo: Filip Wolak [A display of nine CRT monitors showing nine individuals in a bluish hue.]
    Caption ART CLUB2000 Untitled (Individual Viewing Station for Interviews with Artists on the Year 1970), 1997 CRT monitor with videos of Vito Acconci, Simon Cerigo, Henry Flynt, Isa Genzken, Alex Katz, Les Levine, Niki Logis, Olivier Mosset, and Carolee Schneemann Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description A display of nine CRT monitors showing nine individuals in a bluish hue.
    Year 2021
    Related pages ART CLUB2000
  • A sculpted cross appears on a larger sculpted cross along with a small bottle on its left, a ladder inset on the right and an open text on the bottom part. All is hung on a white gallery wall and dimensions are written above the sculpture in pencil.
    A sculpted cross appears on a larger sculpted cross along with a small bottle on its left, a ladder inset on the right and an open text on the bottom part. All is hung on a white gallery wall and dimensions are written above the sculpture in pencil.
    Jerry Beck, Red Earth Cross, 1985. [A sculpted cross appears on a larger sculpted cross along with a small bottle on its left, a ladder inset on the right and an open text on the bottom part. All is hung on a white gallery wall and dimensions are written above the sculpture in pencil.]
    Caption Jerry Beck, Red Earth Cross, 1985.
    Image description A sculpted cross appears on a larger sculpted cross along with a small bottle on its left, a ladder inset on the right and an open text on the bottom part. All is hung on a white gallery wall and dimensions are written above the sculpture in pencil.
    Year
    Related pages U.S. Projects
  • Johanna Went, still from Passion Container,The Whiskey, Los Angeles October 26, 1988 Video, Color, Sound, 35 minutes.
    Caption Johanna Went, still from Passion Container,The Whiskey, Los Angeles October 26, 1988 Video, Color, Sound, 35 minutes.
    Image description
    Year 1988
    Related pages Attention Line Cinema Series: Johanna Went
  • Three black-and-white photographs of a young Ralston Farina, mounted on a black wall, hang above a display case.
    Three black-and-white photographs of a young Ralston Farina, mounted on a black wall, hang above a display case.
    Ralston Farina: Time // Time. Installation view, Artists Space, 2025. Photo: Carter Seddon. [Three black-and-white photographs of a young Ralston Farina, mounted on a black wall, hang above a display case.]
    Caption Ralston Farina: Time // Time. Installation view, Artists Space, 2025. Photo: Carter Seddon.
    Image description Three black-and-white photographs of a young Ralston Farina, mounted on a black wall, hang above a display case.
    Year
    Related pages Ralston Farina: Time // Time
  • Installation view of white gallery wall featuring several small framed works on paper. Black wall featuring black text that reads
    Installation view of white gallery wall featuring several small framed works on paper. Black wall featuring black text that reads
    Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak. [Installation view of white gallery wall featuring several small framed works on paper. Black wall featuring black text that reads "DREAM LINES / MARIAN ZAZEELA."]
    Caption Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak.
    Image description Installation view of white gallery wall featuring several small framed works on paper. Black wall featuring black text that reads "DREAM LINES / MARIAN ZAZEELA."
    Year
    Related pages Dream Lines: Drawings by Marian Zazeela
  • An image of several students paitning with watercolors, each on their own desk
    An image of several students paitning with watercolors, each on their own desk
    P.S. 140 students painting sound, 2019 [An image of several students paitning with watercolors, each on their own desk]
    Caption P.S. 140 students painting sound, 2019
    Image description An image of several students paitning with watercolors, each on their own desk
    Year 2019
    Related pages Listening to the LES
  • Black and white image of an audience watching a performance. Some are sitting on chairs, and others stand.
    Black and white image of an audience watching a performance. Some are sitting on chairs, and others stand.
    Abasement #66. Performance documentation, October 9, 2023, Artists Space. Photo: Joshua Wildman. [Black and white image of an audience watching a performance. Some are sitting on chairs, and others stand.]
    Caption Abasement #66. Performance documentation, October 9, 2023, Artists Space. Photo: Joshua Wildman.
    Image description Black and white image of an audience watching a performance. Some are sitting on chairs, and others stand.
    Year
    Related pages Abasement #66
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