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Installation view from Four Artists: An Exhibition of Painting and Sculpture, Artists Space, 1985 -
Emily Garcia, Princess Swan, 2013 [An abstract, colorful drawing, with several geometric patterns overlaid with freehand flowing shapes.] -
Gary Falk, Brigid Kennedy, Ladd Kessler, Peggy Yunque. Installation view, Artists Space, 1981. [A dim photograph of dark curtains and sculptures in a gallery space.] -
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ART CLUB2000, Untitled (Starbucks Trash), 1995, 11 x 14 inches, black and white photograph. [A pile of trash, including Starbucks cups, empty packs of cigarettes, newspaper, and food remnants, is strewn across the ground.] -
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El Bosque Luminoso Bajo El Mar, M.S. 324 exhibition, Threads of History, May 2023 -
Abasement #66. Performance documentation, October 9, 2023, Artists Space. Photo: Joshua Wildman. [A color image of two figures performing on a stage. Various electronic equipment, such as speakers, cables, an monitors surround the performers. One of the figures is playing the saxophone. The other one is playing the guitar and has their eyes closed. An image of the figure playing the saxophone is projected onto the back wall. In the background, a row of audience members sit looking towards the performers.] -
Theresa Hak Kyung Cha, still from Mouth to Mouth, 1975. Video, black and white; 8 minutes. Courtesy University of California, Berkeley Art Museum and Pacific Film Archive. [A mouth silently forms the shape of the eight Korean vowel graphemes while video noise or ‘snow’ threatens to drown it out.] -
ART CLUB2000 Untitled (What Ever Happened to the Drawing Center Planters/Proposal for Two Semi-Permanent Planters), 1996 Painted wood, vinyl lettering, silk flowers, mulch Image courtesy Artists Space, New York Photo: Filip Wolak [An off white planter reading "The Drawing Center" sits beneath a glazed over window displaying the Old Navy logo.] -
Nayland Blake, Rafts (detail), 2019. Wax and aluminum. 3 aluminum shelves, each: 8 x 20 x 60 inches. 60 wax candles, each: 7 1/2 x 7 x 1 7/8 inches. ©Nayland Blake, Courtesy Matthew Marks Gallery. [A series of candles, each made of layers of red, white, and blue wax, are placed on an aluminum shelf. From the front, the shape of the candles spell out "LOVE." ] -
Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. [A color photograph of a figure standing behind audio mixing equipment and a microphone in an orange-lit space. A seated observer watches in the foreground.] -
Louisa Chase. Installation view, Louisa Chase, Ted Stamm, Meryl Vladimer, Artists Space, 1975. [A black and white installation photograph of a gallery space. Two floor bound sculptures are visible in the foreground, and in the background a few framed works hangfrom the wall.] -
SCRAAATCH, Untitled July 4th Performance, 2022. Photo: Mo Costello. [A microphone and lights are set up in a field, with trees along the horizon line.] -
Konrad Lueg Kaffee und Kuchen (Coffee and Cake), 1966. Courtesy Hommage an Schmela (Homage to Schmela), Galerie Schmela, Düsseldorf Courtesy Archiv Reiner Ruthenbeck, Ratingen © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn. Photo: Reiner Ruthenbeck. [A black and white image of a crowd of people gathered around a dinner table. The walls of the room are patterned, and there is a portrait of a bearded man hanging on the wall above the guest at the head of the table.] -
In The Poem About Love You Don't Write The Word Love. Installation view, Artists Space, 2006. Photo: Bill Orcutt. [Several rectangular sheets of cream colored paper hang side-by-side on a gallery wall. The papers are arranged in clusters of three or more and appear blank, with faint creases visible on their surfaces.] -
Still from Werner Schroeter, Maria Callas Portrait, 1968 [A black-and-white photo of a woman wearing a large black hat, holding her hand loosely to her neck, against a black background.] -
Americo Rossi, Untitled, 2021, digital photography -
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keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure dressed in white, laying face down across two ledges of a raised desk.] -
Brad Kronz. Installation view, Artists Space, 2025. Photo: Carter Seddon [A transparent sheet suspends from the ceiling, framing three large white balls and a selection of drawings. Protruding from the wall is a wooden ladder. ] -
Vivienne Dick. Still from She Had Her Gun All Ready, 1978. [Close-up of the face of a figure with short, light hair. The figure looks downwards. They are illuminated by a dim red light.] -
Milford Graves: Fundamental Frequency. Installation view (ephemera c. 1980-1998), Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak. [A color photograph of a red poster with three faces and Japanese captions. The poster is beneath other ephemeral material, including an open book, a pamphlet, and a black and white photograph.] -
We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [Small sculptures on pedestals are lined up diagonally in front of a map and various images.] -
Pictures. Installation view, Artists Space, 1977. Photo: D. James Dee. [A black and white installation photo of a gallery space. An illuminated low pedastal on the floor holds a crescent shaped object.] -
Eiko Ishibashi, Two New York Nights. Performance documentation, June 8, 2022, Artists Space [A figure lit with red light is sitting at a table holding a microphone to their mouth. On the table are a desk lamp and a laptop computer.] -
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rafa esparza: Camino. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color image of a gallery space with large paintings made on adobe panels and resting on steel armatures that are organized in various configurations. Some paintings are also hung on the wall, and adobe bricks are laid out to create a walkway in the middle of the room.] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Image of a dimly lit basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.] -
[White text overlays a color-scheme grid background. The text reads: “Nov 4 / Gabriel Ojeda-Sagué / Xan Forest Phillips." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)] -
Elephant Cemetery. Installation view, Artists Space, 2007. [Two slide projectors sit on a table, projecting small images onto perpendicular walls. On one wall, there is a paper lamp and three framed photographs: two black and white images of folded paper, and one color image.] -
Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [A figure kneels beside a table and traces their finger along the screen of an iPad. They wear a baseball cap that reads “MAKE TECHNO BLACK AGAIN.”] -
[Black text on a light green background. The text reads: “May 2 / Darcie Dennigan / Tess Brown-Lavoie.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
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Constantina Zavitsanos: fwiw. Installation view (Wishing Well (Korpi), 2023/24), Artists Space, 2024. Photo: Carter Seddon. [In the dark, a modular structure set in the floor hosts open water that shows several distinct ripple patterns in motion on its surface.] -
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Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon. -
[An image of people in a circle wearing white ponchos holding white streamers and a large red balloon is superimposed on top of a city street, rendered in shades of black and grey.] -
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Mark Morrisroe. Still from The Laziest Girl in Town (1981). [Two people with wigs and highly made up faces. The front figure is holding a cob of corn with the end in their mouth, looking suggestively at the camera. Behind them, a second figure holds a small eggplant with the end in their open mouth.] -
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Selections from the Artists File. Installation view, Artists Space, 1989. [A photograph of a large painting of vines and water hanging on a white gallery wall. Beyond it, more painting and sculptures are visible in an adjacent gallery.] -
Nandi Loaf, WÜNDERBAR, 2025. Artifical tree (monument), custom 4-4-0 model locomotive + semi-autonomous rail system, re-routed grid hardware, ornaments, site-specific electrical circulation. Photo: Carter Seddon [A black Christmas tree stands in the room, adorned with white twinkling lights. A black toy train circulates around the shiny black base of the tree.] -
[Video still of a figure in glasses wearing a pink dress with black tulle fabric on a small stage. An overturned, white table is siutated to their right, and papers are strewn across the ground. The figure hunches over, looking out towards the audience. Their left hand is bent at their chest and points upwards, while their right hand touches the back of their head.] -
Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [Several small planks of wood of different sizes, shapes, and colors lean against a white gallery wall. Different words have been painted across the length of each plank, including "rhythm," "grace," "love," and "warmth." Above the planks hang two framed, green paintings.] -
Carolyn Lazard: Two-way. Installation view (Fiction Contract, 2025), Artists Space, 2025. Photo: Greg Carideo. [A darkened gallery space with a video projection centered on a dark blue wall. The projection depicts a close-up of a black birthing mannequin reclined on a hospital bed in a blue patient room. A newborn mannequin swaddled in a hospital receiving blanket lays on the birthing mannequin’s chest.] -
Yasunao Tone in Concert with Barbara Held. Performance documentation, January 19, 2023, Artists Space. Photo: Destiny Mata [A figure sits in front of a microphone and reads a story off of a piece of paper.] -
Shirley Jaffe. The Blue Daisy, 1988-89. [A geometric composition of black, blue, yellow, red, and orange flat shapes on a white background.] -
[A screenshot of the google images search results page for the query "the problem with contemporary art is not the contemporary."] -
Sam Pulitzer: A Colony for “Them”. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A metal plaque engraved with text is displayed on a white gallery wall that extends into the left half of the image's frame. Past and to the right of the wall, a series of colorful panels are staggered around a white column in front of a red wall. Some of the panels are decorated with cartoonish illustrations of animals and forests. Large text on one of the visible panels reads, "We're all going to really miss doing your work for you."] -
New Art Auction and Exhibition. Installation view, Artists Space, 1977. [A black and white installation view of a gallery space with windows and a doorframe. Several artworks hang from the walls.] -
Porcelain Lenin figures from DADALENIN Limited Special Edition, 2013. [Black busts of Vladimir Lenin arranged in a grid formation on a table.] -
Scanned slide from an untitled photo shoot featuring Smith as the Lobster, c. 1970s - 1980s. Copyright Jack Smith Archive. Courtesy Gladstone Gallery, New York and Brussels [A film photograph of a person in a black dress and red cape, advancing across a checkered floor towards a small plastic penguin wearing beaded jewelry and a red feathery crown.] -
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[Black text listing the collection's featured. From top to bottom, it reads, "The Defaced Library Books of Kenneth Halliwell and Joe Orton," "edition hansjörg mayer," "Vigilance: An Exhibition Of Artist’s Books Exploring Strategies for Social Concern After an exhibition curated by Mike Grier and Lucy R. Lippard," "The Colin De Land Library," "Everything is About to Happen: An ongoing archive of artists’ books selected by Gregorio Magnani," and "The Library of Helen DeWitt."] -
Milford Graves: Fundamental Frequency. Installation view, Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak. [A color installation view of a gallery space. A poster with a drawing of a human body hangs on the left, a television monitor with two chairs is in the center of the image. Above the monitor, a red tunic hangs from the wall.] -
Donna Nelson. Piles of Snow, 1983. [Figures appear on the street with street lamps and a car coming in the center back part of the image.] -
Local Transit. Installation view, Artists Space, 2006. [A large pile of string connected at one end to a tin can sits on a wooden gallery floor. On the wall to the right are two framed world maps in black and white.] -
Hito Steyerl, Guards, 2012, HD video on freestanding screen with sound, 20 mins. Courtesy the artist and Andrew Kreps, New York. Installation view from Hito Steyerl, Artists Space, 2015. [A portrait oriented video is projected in a dark narrow space. A bench sits in front of the video. An image-still of a man, hands clasped at his waist as he faces the viewer, is on the back wall.] -
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Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak. [White gallery wall featuring various small framed works on paper, one on pink ground.] -
Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [Two square paintings adjacent to eachother.] -
Abasement #71. Performance documentation, August 5th, 2024, Artists Space. Photo: Joshua Wildman. [Three musicians sit on stage together. From left to right the instruments they are playing include saxophone, violin, and guitar. There are cords around the stage and a plant behind the performers.] -
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Enough Tiranny Recalled, 1972–2009. Installation view, Artists Space, 2009. Photo: Daniel Pérez. [A disco ball reflects multicolored light spots across a room lit by pink and yellow hues. On the floor sit a second disco ball, a silver glittery hat, a silver chain, and a white convertable toy car.] -
Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013. [A sculpture of a man holding a book is leaning against a column in an empty, open room. He is wearing a purple shirt, patterned blue shorts, and is crossing his legs, wearing white sneakers.] -
Ian Bader. Spalation Clock, 1977. Section 1. [Architectural drawing on center of page with white surrounding it.] -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure dressed in white, laying down on a window ledge facing the street. They raise on arm up and a white light shines from their pelvic area.] -
Julie Wachtel. Installation View. Artists Space. 1985-86. [Split-screen image of a monkey dressed in sports gear with a soccer ball on a field hung on a white gallery wall. Both images in photograph appear identical.] -
[Pink cursive text at an ascending angle which reads "Undoolay," with horizontal green text underneath that reads "Lucas Duwenhogger."] -
Abasement #78. Performance documentation, June 16th, 2025, Artists Space. Photo: Joshua Wildman. [Color image of a performer on stage playing the electric guitar. They are leaning over a table, with one arm streched out. Their guitar and jacket are both white. Green and blue lights bathe the columns and walls of the room.] -
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[A person walking down a city street, speaking into a megaphone. Behind her are several cars and a small crowd of onlookers.] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [A figure in a blue morph suit leans over a wooden box placed on the floor, while another figure to the left films them. Blue light is projected onto the back wall to the right.] -
Claire Fontaine, Please God Make Tomorrow Better, 2010, Silkscreen on archival box, 24 1/2 x 20 1/2 x 1 1/2 inches, Signed and numbered certificate [A rectangular image, opaque and black. In black, all-caps, sans-serif font, outlined in white, text reads "PLEASE GOD MAKE TOMORROW BETTER." The text appears slightly above the center of the image and center justified.] -
John Torreano. Untitled, 1974. Oil and glass jewels on canvas. Artists Space, 1974. [A black and white photograph of a square white canvas covered in shiny and textured black splotches.] -
Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure in a red sweater stands on stage, with three microphones placed around them. They hold a white conch shell in their hands, their mouth is open.] -
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Friends of Artists Space Dinner 2024. Wine sponsor Vivanterre. Photo: Jenna Bascom [A bottle of wine sits on a set dining table covered in a red tablecloth, surrounded by wine glasses. The wine label features an irregular curved white semi-oval, overlaid with a smaller burgundy red shape, and the embossed text "Vivanterre"] -
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Video from Sidi El Asphalt's Mulid. Dir. Wael Shawky. 2003. [Two figures' faces positioned close to one another. The woman on the left looks away from the camera, while the man on the right closes his eyes and opens his mouth. The image is blurred, as though the figures are in motion.] -
Nina in Position. Installation view, Artists Space, 2008. Photo: Bill Orcutt. [A series of sculptures in a large gallery space with wooden floors. In the center of the image, a dark sculpture forming an hourglass shape rests on a white plinth, while three potted ferns rest on another, low plinth to the right. A long chain with white appendages hangs from the gallery ceiling.] -
Adjua Gargi Nzinga Greaves, 1741 Honey Locust, 2020. Inkjet print, 44 x 58 inches. Edition of 2. Courtesy Artists Space, New York. Photo: Filip Wolak [An inkjet print mounted on a pink wall. The print includes a woman standing behind a desk and in front of several rainbow-colored bookshelves. Above the bookshelves hang several flags.] -
[The facade of a cast-iron building with three double door entrances. Real estate listings are illuminated within the windows inside each door. In red tinted transoms above the doors are the letters N, R, O in eccentric white lettering.] -
Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [A figure dances on stage against an orange and blue projection.] -
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Crystal Z Campbell: Ode to the Underloved. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color image of the entrance into a gallery space. A blue wall juts out to create a small entrance on the righthand side. Along the floor is a walkway made of plywood. In the center of the room is a projected video onto the floor.] -
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Vaginal Davis, The White to Be Angry (still), 1999. [A grainy black and white photo of a woman craning her head and shoulders, looking into a large camera. In the background there are trees with leaves.] -
Group Material: Primer (for Raymond Williams). Artists Space, 1982. [Sculptural white lettering appears on a shelf starting with 'b', but then a figure's torso appears and then the letters "n" and "t". Next to this shelf is a photograph on a wall of a figure touching another person's back. There is an indistinguishable object under the shelf.] -
Mr. Dead & Mrs. Free: A History of Squat Theatre. Installation view, Artists Space, 1996. [A gallery space with two white columns bisecting the room. There are black and white images on the wall and a large sign suspended from the ceiling with red letters reading "squat." Behind the sign, a large seated baby with glowing eyes is visible through a paned window.] -
Photograph released by St. Louis County prosecuting attorney of police officer Darren Wilson after he fatally shot Michael Brown on Aug. 9, 2014 in Ferguson, Missouri. [A small ruler held up to a man's face, measuring a bruise on his cheek.] -
Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court [A group of figures dressed as firefighters spread out a tarp. Behind them is a cardboard set illustrated to look like a fire.] -
Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater. Installation view, Artists Space, 2019. Photo: Daniel Pérez. [Three unmatching plastic bottles filled with urine are sitting in a line on a wood floor. In the background, a mixed-media installation piece sits in front of the gallery doors. Wooden poles project into the frame through two standing columns.] -
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Yasunao Tone: Region of Paramedia. Installation view (Peter Moore, Concert at The Kitchen, 1979; Paramedia Music, 1990), Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a gallery wall. On the left, four black-and-white photographs are hung vertically, and on the right is a shelf with a television monitor placed on it.] -
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Joseph Marioni pictured with his work. Installation view, Joseph Marioni, Andrew Ginzel, Barbara Schwartz, Artists Space, 1975. [A figure standing in front of a black square canvas in a gallery space.] -
Four Scottish Artists. Opening Reception, Artists Space, 1979. [A photograph of the exhibition opening reception. A group of visitors look around at the art.] -
Jack Smith: Art Crust of Spiritual Oasis. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A gallery space with high ceilings and wooden flooring. On the left, three paper collages hang on a two-toned wall. Two videos are projected onto the right wall side-by-side. In the background, a doorway frames a black and white, projected image of a man's face.] -
Still from Personal Problems picturing Walter Cotton and Vertamae Smart-Grosvenor, 1980. [A man and a woman sit at a kitchen table for breakfast. The table is crowded with dishes and items like orange juice and a box of Raisin Bran.] -
Yasunao Tone: Region of Paramedia. Installation view (ephemera c. 1970s), Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a vitrine from above. Various ephemera, including magazines, correspondence, and photocopied photographs in black-and-white are placed inside.] -
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Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt. [A small statue of a bird sits on the floor of a dimly-lit gallery space. A long black wire runs from the sculpture to the ceiling. Several square holes have been removed from several spots on the gallery wall behind the sculpture, through which a space on the other side of the wall is visible.] -
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Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman. [A close-up image of a musician surrounded by three microphones is sitting on the floor playing the violin. Three other violins lay on the stage before her. Abstract images are projected onto the back.] -
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Michio Okabe, Crazy Love, 1968 [Black-and-white image of nine figures sitting around a small table. One figure is playing a hand drum while the others chat and smoke.] -
[White text on a bright fuchsia background. The text reads: “Nov 22 / Rosamond S. King / Noa Micaela Fields.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
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Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman. [Color photo of two musicians captured mid-performance in a dark venue space. Both musicians have their back turned to the camera; the man to the right plays the trumpet while the performer on the left plays the clarinet. Some seated audience members can be seen observing the musicians and are illuminated by deep red overhead lights and the glow from a bright yellow projection light being shone at the performers.] -
Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman [A figure plays the saxophone into a microphone. Red and purple light are cast onto them.] -
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Program schedule for Sigrid Burton, Bruce Colvin, Ellen Phelan, Artists Space, 1976 -
Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979. [Two photographs are mounted on a white gallery wall.] -
Joseph Hilton, Beside the Sleeping Guards (of Cairo) Day and Night, 1986. [A diptych drawing of one figure sitting cross-legged on the left and another figure lying down next to flowers in a vase depicted on the right.] -
[White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Feb 10 / Bernadette Van-Huy / Richard Maxwell" Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)] -
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Abasement #76. Performance documentation, March 3rd, 2025, Artists Space. Photo: Joshua Wildman. [Close-up color image of a performer holding red lights with a shirt wrapped around their head. Behind them, in the left side of the frame, a handmade paper costume is out of focus. On the right side of the frame there are two performers, one of them is standing with their back to the camera, and the other is sitting down at a table.] -
Masao Adachi, Galaxy, 1967 [Sepia toned image of three figures standing in the middle of the street. The figure on the left wears a white dress that flows in the wind, while the middle figure wears a button down shirt and stands in a pool of white liquid spilled on the ground. The third figure on the right wears a striped cloth over their body.] -
Jutta Koether, xxapollo. Performance documentation, Artists Space, January 5, 2020. Photo © 2020 Paula Court. [A person dressed in all pink extends a pink heart-shaped canvas over her head in front of a rapt audience. There are light spots reflected at even intervals patterning the room.] -
[White text on a bright fuchsia background. The text reads: “Nov 15 / Lauren Cook / Funto Omojola.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
Julia Rommel, Back Channel, 2023. Photo: Filip Wolak. [Color image of a painting, done on linen. The left edge is painting a light blue, and the bottom edge is painting orange, with a large rectangle of dark blue paint covering the rest of the work. Accents of light blue paint run through the center and around the edges.] -
Yasunao Tone: Region of Paramedia. Installation view (Clockwork Video a la MAGRITTE, 1974), Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a gallery space. In the corner are three stacked television monitors, displaying videos taken at different speeds. On the top monitor is an image of part of a wall in a room, with a mirror and framed images. The middle monitor shows an empty image. The bottom monitor shows part of a woman's leg.] -
The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich. [A miniature clay sculpture sitting on a gray table. The sculpture depicts a woman folding over, cross-legged, on carpet. Miscelaneous items are dispersed across the carpets.] -
Ralston Farina: Time // Time. Installation view, Artists Space, 2025. Photo: Carter Seddon. [Two drawings are exhibited on a black wall. On the left, a colorful drawing of a cowboy is accompanied by a grid of numbers and titled Random Cowboy. On the right, abstracted numbered houses are drawn in thick black marker and surround a grid of faces.] -
Carolyn Lazard: Two-way. Installation view (Vital, 2025), Artists Space, 2025. Photo: Greg Carideo. [A darkened gallery space with dark blue walls and dark blue carpeting with a large wall projection. The projection depicts a black patient in a blue hospital gown laying down on an examination table. A white doctor holds a stethoscope to the patient’s stomach.] -
[Black text on a light yellow background. The text reads: “April 12 / Isabel Sobral Campos / Ronaldo V. Wilson” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
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SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [A figure in a blue morph suit kneels down next to a wooden table and looks off to the right. Audience members sit along the floor in the background.] -
Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang. [figure in a blue dress sits behind a white table, facing an audience. On the wall behind the presenter is a projected video that depicts an array of dried coral pieces on the left, and next to them a hand places a paper with illustrations of coral and a chart with notes underneath.] -
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Michael Robinson. Still from Victory Over the Sun, 2007. [An empty pool with weeds growing out of cracks. There are trees and bushes in the background, and a pink glow on the righthand edge, as if from a sunspot.] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Image of a dimly lit basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.] -
Portrait of Sammy Baloji. Photo: Sophie Nuytten [A figure in three-quarter profile, wearing a beaded necklace and a blue shirt, gazes outside the frame. In the background is a blurry window, and a partially decipherable city-scape.] -
Abasement #82. Performance documentation, November 17th, 2025, Artists Space. Photo: Joshua Wildman. [Twelve performers play various instruments on stage for an audience. The stage and performers are bathed in red and orange light. A member sitting in the front row videotapes the performance.] -
Apartment Show: If the dogs are barking. Installation view, Artists Space, 2009. [A sculpture consisting of a large, leaning metal pole installed in a gallery space in front of a wall of framed photographs, drawings, and other two-dimensional works. The pole is braced at the floor and leans to the left. Several metal clamps are attached to the bottom portion of the pole, near where it meets the floor. A stack of white papers is displayed on the ground in front of the sculpture.] -
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Witnesses: Against Our Vanishing. Installation View, Artists Space, 1989. Photo: Frances Miller Smith. [Various paintings, drawings, and sculptures of torsos hang along a wall. In the corner, a bust with an upturned face sits on a pedestal.] -
Hernan Bas, Needles (In Anticipation of the Fall), 2005, Single color hard ground etching, 26 1/4 x 21 inches (67 x 53 cm), Edition of 30, Courtesy the artist, Fredric Snitzer Gallery, Miami & Daniel Reich Gallery, New York, Printed by Julia D’Amario. [A wood framed drawing hangs on a wall. The pencil drawing depicts a youthful figure at the center of the page with abstract pencil markings surrounding them.] -
Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak. [White gallery wall featuring various small framed works on paper, some featuring abstract ornamental bands, large concentric shapes against black ground, clusters of curled black lines organized into a square shape, and pencil-shaded boxes on gridded paper in various geometric shapes and configurations.] -
Selections from the ART CLUB2000 archive. Photo: Nicole Eisenman. [A snowglobe with a portrait photograph inside sits on a surface next to three sheets of paper featuring typewritten and handwritten notes.] -
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Abstruction. Installation view, Artists Space, 2003. [Corner of a gallery space with white walls and wooden flooring. Two large rectangular lengths of translucent, white cloth embroidered with amorphous red and blue linework are installed on the corner's left and right walls.] -
New Economy. Installation view, Artists Space, 2007. [An installation view of two abstract wall works made of wood and a water fountain sculpture in the background.] -
Neil Goldberg, Fortune 500 Dream Fax Project, 1996. [A wall with pink pieces of paper arranged in long columns, floor to ceiling. In front of the wall there is a single white pole, and a metal stepladder.] -
Installation view of Social Disease and Two Possibilities, Artists Space, April 12, 1986 - May 10, 1986. [Two people sit on chairs in front of television monitors that are showing a black image. The television monitors are on pedestals in the gallery space.] -
The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich. [On the left, two cream-colored folding chairs sit underneath a clear lampshade descending from the ceiling. On the right, the back of a projection screen is positioned between two standing speakers. A monitor sits on the ground beneath the screen.] -
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The Library Vaccine. Installation view, Artists Space, 2014. [Nineteen books and documents, organized into a grid, sit against a white background. Two materials in the top center, and one on the top right, are opened to middle pages.] -
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Ralston Farina: Time // Time. Installation view, Artists Space, 2025. Photo: Carter Seddon. [Three black-and-white photographs of a young Ralston Farina, mounted on a black wall, hang above a display case.] -
Aristotelis Nikolas Mochloulis, Aristotelis Nikolas Mochloulis, 2025. Marionette. Photo: Carter Seddon. [A marionette wearing a black suit, collared shirt, and white Nike Air Force 1s is positioned laying prone on a windowsill. Red curtains cover half of the window behind the marionette. In the corner, a small stage lights is directed at the marionette. Outside of the window is an alleyway with graffiti.] -
City-As-School students critiquing images, 2019. [A photo of students sitting around a table, watching a YouTube video and speaking to one another.] -
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Der symbolische Auftraggeber/The Symbolic Commissioner, edited Søren Grammel, published by Sternberg Press, 2011. [A book cover design. The title "Der symbolische Auftraggeber/The Symbolic Commissioner" is situated at the top of the cover. Below it is an image of two sculptures made of large rectangular panels affixed in midair by metal poles that reach floor to ceiling. To the right of the sculptures is a white plinth, and in front of that, a television on the ground.] -
[Five book covers on a transparent background next to eachother in a line. From left to right the titles read, "The Abolition of Work," "Modern Dreams," "The Man Without Qualities," "Money," and "Power."] -
When Time Becomes Form: The Money Mountain. Installation view, Artists Space, 2008. [Roughly two dozen stuffed laundry bags, piled up against a wall. The bags are white and are each imprinted with a large black dollar sign.] -
[White text on a blue and grey ombré background. The text reads: “March 15 / Elise Duryee-Browner / Allen Ruppersberg.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
George Macunias Manifesto, 1963 Courtesy Billie Maciunas [A book page; at the top is handwritten text, "Manifesto." Following are alternating printed and handwritten paragraphs.] -
Johanna Went performing at The Hong Kong Cafe, Los Angeles. Photo: Ed Colver [Black and white image depicting a performance. The artist is standing in the center of the frame and wearing spotted tights and cowboy boots. The upper half of their body is enveloped in a large plastic foam fabric, which covers their torso, face, and arms. Affixed to the large fabric construction are clusters of plastic takeout containers. Audience members are visible in the foreground.] -
A Living Testament of the Blood Fairies. Installation view, Artists Space, 1996. [Black and white image of several sculptures and two-dimensional artworks installed in a gallery space bisected by three white columns. Behind the columns, a large dark tarp covers two gallery walls that form a small corner. To the right of the columns, a large glass container filled with honey rests on a plinth. To the left of the columns, a wide doorway opens up into another gallery room, where several chandelier-like sculptures hang from the ceiling, while three spindly structures are propped on the floor.] -
[Four multicolored tarot cards arranged in a line on a white background. The cards read "3," "7," "21-Die Stimme," and "Rat-der Nerven." Each of the cards features a different black and white illustration or image.] -
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Front Yard Exhibition Galerie Parnass, Villa Jährling, Moltkestraße 67 February 1964 Photo: Rolf Jährling, Zentralarchiv des internationalen Kunsthandels ZADIK [A black and white image of four men, dressed in coats, standing on a walk way leading to the door of a building. On the ground sit several painting leaning against walls and trees.] -
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The Fairy Tale: Politics, Desire and Everyday Life. Installation View. Artists Space, 1986. [A glass vitrine appears in the center with headphones and seats placed around it in a circle. Behind it is another glass vitrine sculpture as well as paintings and sculptural objects on the gallery walls.] -
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Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a corner of a gallery space. On the left wall hang various framed posters, and black-and-white photographs. A small window in the wall leads to the front of the gallery. On the right wall are more photographs and posters, and a vitrine. On the floor sits a television monitor displaying a black-and-white image of a pocketwatch.] -
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Invitation for the exhibition at Kaiserstraße 31A (two copies) Düsseldorf, May 11, 1963 Collection Tobias Kuttner, Berlin [Two panels of square images, of which are surrounded by text within sections.] -
Andy Robert, Inner Harbor, 2023. Photo: Filip Wolak. [Color image of a framed work of black graphite on paper. Black lines run throughout the composition, with a layer of white bumps creating a textured surface over the top, small patches of blue accent the piece.] -
Caroline Key. Still from Speech Memory, 2007. 16mm film on video, color, sound; 23 minutes. Courtesy the artist. [White text on a black screen reads: “An additional interpreter was needed to translate my father’s Korean into English.”] -
Azian Nurudin. Still from The Headhunters of Borneo, 1989. 10 min. Photo: Micki McGee. [A black and white image of a shirtless woman holding a baby, while another woman looks on from a doorway to the right.] -
Brad Kronz. Installation view, Artists Space, 2025. Photo: Carter Seddon
