Artists Space

Compensation (1999) with Zeinabu irene Davis and Michelle A. Banks

Online Screening
August 17, 2021, 8pm

Standing on a beach, a Black woman holds up her hand, signing to a Black man. A caption at the bottom of the screen reads: “You’re speaking my language.”
Still from Compensation, Zeinabu irene Davis, 1999 [Standing on a beach, a Black woman holds up her hand, signing to a Black man. A caption at the bottom of the screen reads: “You’re speaking my language.”]

Compensation, directed by Zeinabu irene Davis, tells two versions of the same story across two distinct historical moments––one in the 1910s, the other in the 1990s––in which a Black Deaf woman and a Black hearing man fall in love. In each distinct moment, they deal with shared but different obstacles to being together: the language barrier between ASL and English, pandemics, labor conditions, racism, audism, and cleavages between Black Deaf and hearing cultures. The film then models the ways in which access itself means finding a way of meeting up together: using silent film tropes to imagine a bilingual film form across Deaf and hearing audiences, ASL and English, through captions and intertitles that are distinct based on who is speaking and in what form. In rendering the ongoing presence of the past in the present, the film not only retells aspects of the same story but also animates archival photographs into dynamic living images through atmospheric sound. Throughout the film, the past repeats itself with a difference, becoming live.

The screening of the film will be followed by a Q&A between Davis and the film’s lead actress Michelle A. Banks.

This event is part of the screening program for Jordan Lord: Prophetic Memory.

The film will be screened virtually over Zoom. It contains integrated captions and ASL. It will also be shown with optional live audio description in English. The post-screening Q&A will be ASL interpreted and live captioned in English.

Zeinabu irene Davis is a director and producer who has received numerous awards for her work with film and video. Born in 1961 in Philadelphia, she received a M.A. in African Studies in 1985 at UCLA, where she also earned her M.F.A. in Film and Television production in 1989. She has received acclaim for her representation of the African American female perspective through a variety of works, which include documentaries, short narratives and experimental films.

Davis directed the film Cycles (1989), an experimental short which earned her an awards from the Black Filmmakers Hall of Fame and the National Black Programming Consortium. Her following works, A Period Piece (1991), A Powerful Thang (1991), Mother of a River (1995) and Compensation (1999) continued to garner her awards from numerous organizations and festivals, including the Gordon Parks Award for Best Director from the Independent Feature Project. Her latest project, Spirits of Rebellion (2011), is a documentary work-in-progress which gathers fellow L.A. Rebellion filmmakers and explores topics in African American film.

Davis has been awarded grants and fellowships from the Rockefeller Foundation, the American Film Institute and the National Endowment for the Arts for her film work. After holding teaching positions at Antioch College and Northwestern University, Davis moved to teach at UC San Diego, where she currently serves as Professor of Communications.


Michelle A. Banks is an award-winning actress, writer, director, producer, choreographer, motivational speaker, and teacher from Washington, DC. Her television appearances include a YAHOO! Commercial, the ABC’s 10-8, the Showtime Series SOUL FOOD, GIRLFRIENDS (UPN), Lifetime’s STRONG MEDICINE, and a T.V. pilot, SOLE. She has also starred in the movie COMPENSATION, directed by Zeinabu Davis. It has received rave reviews at film festivals worldwide, including Sundance, Burkina Faso’s FESPACO, and the Toronto International Film Festival. The film ran on BET-Black Starz and Sundance cable channels as well. She also had a cameo appearance in Hilari Scarl’s documentary about the Deaf Entertainers, SEE WHAT I’M SAYING. Michelle credits Jadolphus CW Fraser, an independent filmmaker, to introduce her to filmmaking and co-directed his feature debut, ALWAYS CHASING LOVE.
Michelle participated as one of 13 actors for NYC’s 2008 ABC Diversity Talent Showcase. Her theatrical appearances include THE C.A. LYONS PROJECT at Alliance Theatre in Atlanta, GA; STORY THEATRE with Open Circle Theatre; BIG RIVER at the Mark Taper Forum in Los Angeles, CA, and Ford’s Theatre in Washington, DC. She also performed in FOR COLORED GIRLS WHO HAVE CONSIDERED SUICIDE WHEN THE RAINBOW IS ENUF at the Henry Street Settlement Playhouse (New York City) and the Globe Playhouse (Los Angeles). Her FOR COLORED GIRLS ensemble in Los Angeles won the 2003 NAACP Theatre award for “Best Ensemble”. Michelle was one of the first two Deaf African-American actresses to interpret for the Broadway play, HAVING OUR SAY by Emily Mann.

As a writer, she co-wrote plays such as THERE’S BUTTER, BUT NO BREAD, an adaption of WAITING FOR GODOT, and BLACK WOMEN STORIES: ONE DEAF EXPERIENCE for Onyx Theatre Company. She wrote her original one-woman show, REFLECTIONS OF A BLACK DEAF WOMAN, and received The Christopher Reeve Acting Scholarship in 2002 to produce it in Los Angeles, CA. Her one-woman show has continued to receive rave reviews at venues throughout the country, including Victory Theatre Center, National Black Theatre Festival, the Los Angeles' Women's Theater Festival, Ohio Wesleyan University, and the John F. Kennedy Center for the Performing Arts. In addition to this, Michelle has ongoing writing projects under her belt.

After Michelle received her Bachelor of Arts degree in Drama Studies from the State University of New York at Purchase, she founded Onyx Theatre Company in New York City, the first deaf theater company in the United States for people of color. Her work with Onyx for eleven years earned the Cultural Enrichment Award from Gallaudet University and the Distinguished Service Award from New York Deaf Theatre. Her other achievements include a featured article in the February 1998 issue of ESSENCE magazine, Program Coordinator for Deaf West Theatre’s Professional Acting Summer School, Director of American Sign Language for Arena Stage, Broadway, and Centerstage, the Outstanding Achievement Recognition Resolution of 1996 from the Council of the District of Columbia, an Individual Achievement Award from the National Council on Communicative Disorders, and the Laurent Clerc Award from Gallaudet University for her social contributions to the Deaf community.

Michelle completed her Master’s degree in Organizational Management, specializing in Organizational Leadership from Ashford University in 2015. Michelle’s producing and directing credits include A RAISIN IN THE SUN, LOOK THROUGH MY EYES, SILENT SCREAM, Z: A CHRISTMAS STORY, WHAT IT’S LIKE? (One Man Show) and IN SIGHT AND SOUND: DE(A)F POETRY I, II, & III. Currently, she is the Artistic Director of Visionaries of the Creative Arts (VOCA) based in Washington, DC. www.visionariesofthecreativearts.org.

Program support for Artists Space is provided by The Friends of Artists Space, Lambent Foundation Fund of Tides Foundation, The Cowles Charitable Trust, The Cy Twombly Foundation, The David Teiger Foundation, The Helen Frankenthaler Foundation, The Horace W. Goldsmith Foundation, The New York Community Trust, The New York City Department of Cultural Affairs, The New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature, Robert Rauschenberg Foundation, The Stavros Niarchos Foundation, The Willem de Kooning Foundation, The Danielson Foundation, The Fox Aarons Foundation, Herman Goldman Foundation, The Destina Foundation, The Luce Foundation, May and Samuel Rudin Family Foundation, The Milton and Sally Avery Arts Foundation, VIA Art Fund, Arison Arts Foundation, The Chicago Community Fund, The David Rockefeller Fund, The Jacques and Natasha Gelman Foundation, The Jill and Peter Kraus Foundation, The Richard Pousette-Dart Foundation.