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  • Caption
    Image description
    Year
    Related pages Friends of Artists Space Dinner
  • A dim photograph of dark curtains and sculptures in a gallery space.
    A dim photograph of dark curtains and sculptures in a gallery space.
    Gary Falk, Brigid Kennedy, Ladd Kessler, Peggy Yunque. Installation view, Artists Space, 1981. [A dim photograph of dark curtains and sculptures in a gallery space.]
    Caption Gary Falk, Brigid Kennedy, Ladd Kessler, Peggy Yunque. Installation view, Artists Space, 1981.
    Image description A dim photograph of dark curtains and sculptures in a gallery space.
    Year
    Related pages Gary Falk, Brigid Kennedy, Ladd Kessler, Peggy Yunque
  • A color image of the corner of a gallery space. On the left white wall, a collection of six framed black and white photographs are arranged in a grid. Each frame is black, with three on the top and three on the bottom. On the right wall are four paper-based items hung in a row. The right-most item is an enlarged map, next to it are three smaller pieces of paper with handwritten notes and drawings.
    A color image of the corner of a gallery space. On the left white wall, a collection of six framed black and white photographs are arranged in a grid. Each frame is black, with three on the top and three on the bottom. On the right wall are four paper-based items hung in a row. The right-most item is an enlarged map, next to it are three smaller pieces of paper with handwritten notes and drawings.
    Terry Fox: All These Different Things Are Sculpture. Installation view, Artists Space, 2024. Photo: Filip Wolak. [A color image of the corner of a gallery space. On the left white wall, a collection of six framed black and white photographs are arranged in a grid. Each frame is black, with three on the top and three on the bottom. On the right wall are four paper-based items hung in a row. The right-most item is an enlarged map, next to it are three smaller pieces of paper with handwritten notes and drawings. ]
    Caption Terry Fox: All These Different Things Are Sculpture. Installation view, Artists Space, 2024. Photo: Filip Wolak.
    Image description A color image of the corner of a gallery space. On the left white wall, a collection of six framed black and white photographs are arranged in a grid. Each frame is black, with three on the top and three on the bottom. On the right wall are four paper-based items hung in a row. The right-most item is an enlarged map, next to it are three smaller pieces of paper with handwritten notes and drawings.
    Year
    Related pages All These Different Things Are Sculpture
  • Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They wave a red object in the air.
    Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They wave a red object in the air.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They wave a red object in the air.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They wave a red object in the air.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • A small cylindrical ceramic figure, with curly filamented wings and a round head studded with horns and cowrie shell eyes, sits atop a reflective blue pool of resin with orange tints at the edges. Various other sculptures are are seen, including small metal balls, two morning stars, and two wrought iron sugar cane factory rollers with amber-colored glass ovals at the ends. On the wall, an orange stain appears to emerge from the floor.
    A small cylindrical ceramic figure, with curly filamented wings and a round head studded with horns and cowrie shell eyes, sits atop a reflective blue pool of resin with orange tints at the edges. Various other sculptures are are seen, including small metal balls, two morning stars, and two wrought iron sugar cane factory rollers with amber-colored glass ovals at the ends. On the wall, an orange stain appears to emerge from the floor.
    Shani Strand: Everything Must Be Returned. Installation view, June 12 - August 15, 2026, Artists Space. Photo: Carter Seddon [A small cylindrical ceramic figure, with curly filamented wings and a round head studded with horns and cowrie shell eyes, sits atop a reflective blue pool of resin with orange tints at the edges. Various other sculptures are are seen, including small metal balls, two morning stars, and two wrought iron sugar cane factory rollers with amber-colored glass ovals at the ends. On the wall, an orange stain appears to emerge from the floor.]
    Caption Shani Strand: Everything Must Be Returned. Installation view, June 12 - August 15, 2026, Artists Space. Photo: Carter Seddon
    Image description A small cylindrical ceramic figure, with curly filamented wings and a round head studded with horns and cowrie shell eyes, sits atop a reflective blue pool of resin with orange tints at the edges. Various other sculptures are are seen, including small metal balls, two morning stars, and two wrought iron sugar cane factory rollers with amber-colored glass ovals at the ends. On the wall, an orange stain appears to emerge from the floor.
    Year
    Related pages Shani Strand: Everything Must Be Returned
  • A black and white photograph of four framed mixed media collages installed on a gallery wall with light shining on them from above.
    A black and white photograph of four framed mixed media collages installed on a gallery wall with light shining on them from above.
    Too Black, Too Strong! Installation View, Artists Space, 1988. [A black and white photograph of four framed mixed media collages installed on a gallery wall with light shining on them from above.]
    Caption Too Black, Too Strong! Installation View, Artists Space, 1988.
    Image description A black and white photograph of four framed mixed media collages installed on a gallery wall with light shining on them from above.
    Year 1988
    Related pages Too Black, Too Strong!
  • A photograph with a wood frame hangs on a wall. The photo sits on a white background, centered in the top half of the page. The photo shows a person's nose and mouth, with mouth agape.
    A photograph with a wood frame hangs on a wall. The photo sits on a white background, centered in the top half of the page. The photo shows a person's nose and mouth, with mouth agape.
    Ann Hamilton, Mirrim, 1999, Iris print, 30 x 22 inches (76.2 x 55.9 cm), Edition of 40, Signed & numbered. [A photograph with a wood frame hangs on a wall. The photo sits on a white background, centered in the top half of the page. The photo shows a person's nose and mouth, with mouth agape.]
    Caption Ann Hamilton, Mirrim, 1999, Iris print, 30 x 22 inches (76.2 x 55.9 cm), Edition of 40, Signed & numbered.
    Image description A photograph with a wood frame hangs on a wall. The photo sits on a white background, centered in the top half of the page. The photo shows a person's nose and mouth, with mouth agape.
    Year 1999
    Related pages Editions
  • Color photo of two men sitting at a work table that holds various electronic and musical equipment. The man seated closest to the camera is playing a trumpet, while the other performer at his side actively works at a computer. The performance venue is dimly lit while a projection and some pink overhead lights provide some illumination.
    Color photo of two men sitting at a work table that holds various electronic and musical equipment. The man seated closest to the camera is playing a trumpet, while the other performer at his side actively works at a computer. The performance venue is dimly lit while a projection and some pink overhead lights provide some illumination.
    Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman. [Color photo of two men sitting at a work table that holds various electronic and musical equipment. The man seated closest to the camera is playing a trumpet, while the other performer at his side actively works at a computer. The performance venue is dimly lit while a projection and some pink overhead lights provide some illumination.]
    Caption Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman.
    Image description Color photo of two men sitting at a work table that holds various electronic and musical equipment. The man seated closest to the camera is playing a trumpet, while the other performer at his side actively works at a computer. The performance venue is dimly lit while a projection and some pink overhead lights provide some illumination.
    Year
    Related pages Abasement #64
  • A brown object stands on a white base. On the flat surface of the object, an onion and a lemon are connected by a red and orange wire. In the base of the object, a processing chip is embedded.
    A brown object stands on a white base. On the flat surface of the object, an onion and a lemon are connected by a red and orange wire. In the base of the object, a processing chip is embedded.
    Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $5,000
    [A brown object stands on a white base. On the flat surface of the object, an onion and a lemon are connected by a red and orange wire. In the base of the object, a processing chip is embedded.]
    Caption Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $5,000
    Image description A brown object stands on a white base. On the flat surface of the object, an onion and a lemon are connected by a red and orange wire. In the base of the object, a processing chip is embedded.
    Year 2019
    Related pages Trisha Baga Edition
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A color photograph of three wooden cafe chairs with green cushions next to a metal elevator door. One chair is stacked upside down on another on the left, and two pillows with black backs and sequined gold-silver fronts are placed between the chair's upturned legs. Another pillow rests on the cushion of the chair on the right.
    A color photograph of three wooden cafe chairs with green cushions next to a metal elevator door. One chair is stacked upside down on another on the left, and two pillows with black backs and sequined gold-silver fronts are placed between the chair's upturned legs. Another pillow rests on the cushion of the chair on the right.
    Nicole-Antonia Spagnola, Untitled, 2022. Raw Power, Raw Power; Kollettivo, Lotta per il potere; Antigenesi, Una donna non e’ merda; Negazione, Tutti Pazzi; RAF Punk, Contro la pace Contro la guerra; Peggio Punx, Scemo. 8mm to MP4 transfer (color, sound), monitors, chairs. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of three wooden cafe chairs with green cushions next to a metal elevator door. One chair is stacked upside down on another on the left, and two pillows with black backs and sequined gold-silver fronts are placed between the chair's upturned legs. Another pillow rests on the cushion of the chair on the right.]
    Caption Nicole-Antonia Spagnola, Untitled, 2022. Raw Power, Raw Power; Kollettivo, Lotta per il potere; Antigenesi, Una donna non e’ merda; Negazione, Tutti Pazzi; RAF Punk, Contro la pace Contro la guerra; Peggio Punx, Scemo. 8mm to MP4 transfer (color, sound), monitors, chairs. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color photograph of three wooden cafe chairs with green cushions next to a metal elevator door. One chair is stacked upside down on another on the left, and two pillows with black backs and sequined gold-silver fronts are placed between the chair's upturned legs. Another pillow rests on the cushion of the chair on the right.
    Year 2022
    Related pages Nicole-Antonia Spagnola: Anti-Genesis
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    Year
    Related pages Shala Miller, Malcolm Peacock, Amiri Baraka
  • Color image of an abstract oil painting. Along the edges of the composition are large patches of purple, with green and black patterns running through it. Along the top edge is a white background, with a small black dot on one side. Below that running through the middle is a thickly applied area of black paint, with a small white dot in the center of the top.
    Color image of an abstract oil painting. Along the edges of the composition are large patches of purple, with green and black patterns running through it. Along the top edge is a white background, with a small black dot on one side. Below that running through the middle is a thickly applied area of black paint, with a small white dot in the center of the top.
    Richard Hawkins, Perineal purple, 2022. Photo: Filip Wolak. [Color image of an abstract oil painting. Along the edges of the composition are large patches of purple, with green and black patterns running through it. Along the top edge is a white background, with a small black dot on one side. Below that running through the middle is a thickly applied area of black paint, with a small white dot in the center of the top.]
    Caption Richard Hawkins, Perineal purple, 2022. Photo: Filip Wolak.
    Image description Color image of an abstract oil painting. Along the edges of the composition are large patches of purple, with green and black patterns running through it. Along the top edge is a white background, with a small black dot on one side. Below that running through the middle is a thickly applied area of black paint, with a small white dot in the center of the top.
    Year 2023
    Related pages Artists for Artists Space
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    Related pages Artists Space: Artists Fund
  • A cartoon drawing of a bedroom with a purple bed, chair, and window
    A cartoon drawing of a bedroom with a purple bed, chair, and window
    Courtesy No Total. [A cartoon drawing of a bedroom with a purple bed, chair, and window]
    Caption Courtesy No Total.
    Image description A cartoon drawing of a bedroom with a purple bed, chair, and window
    Year 2017
    Related pages You Should Wake Up Earlier
  • A black and white film still of two figures on a sidewalk, one stands against a stone wall looking through a small opening in the stone.
    A black and white film still of two figures on a sidewalk, one stands against a stone wall looking through a small opening in the stone.
    Charles Simonds. Still from Mythologies, 1974. From Thomas Lanigan-Schmidt, James Biederman, Charles Simonds, Artists Space, 1974. [A black and white film still of two figures on a sidewalk, one stands against a stone wall looking through a small opening in the stone.]
    Caption Charles Simonds. Still from Mythologies, 1974. From Thomas Lanigan-Schmidt, James Biederman, Charles Simonds, Artists Space, 1974.
    Image description A black and white film still of two figures on a sidewalk, one stands against a stone wall looking through a small opening in the stone.
    Year 1974
    Related pages Thomas Lanigan Schmidt, James Biederman, Charles Simonds
  • A line drawing of an ashtray containing a book of matches with
    A line drawing of an ashtray containing a book of matches with
    Louise Lawler, Why Pictures Now (traced); Red, Yellow, Blue, Green, Sometimes Silver or Gold, 1981/2013, Archival pigment print with hand painted gouache in multiple colors, 3 x 6 in / 7,6 x 15,2 cm (image size), 10 x 8 in / 25,4 x 20 cm (paper size), Signed and Numbered [A line drawing of an ashtray containing a book of matches with "WHY PICTURES NOW" written on the front.]
    Caption Louise Lawler, Why Pictures Now (traced); Red, Yellow, Blue, Green, Sometimes Silver or Gold, 1981/2013, Archival pigment print with hand painted gouache in multiple colors, 3 x 6 in / 7,6 x 15,2 cm (image size), 10 x 8 in / 25,4 x 20 cm (paper size), Signed and Numbered
    Image description A line drawing of an ashtray containing a book of matches with "WHY PICTURES NOW" written on the front.
    Year 2014
    Related pages Artists Space Annual Edition Portfolio 2014
  • An audience looks at a mannequin on a table.
    An audience looks at a mannequin on a table.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York. [An audience looks at a mannequin on a table.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York.
    Image description An audience looks at a mannequin on a table.
    Year
    Related pages Grandmother Cindy
  • A gray cross made from wire on a white background, with a small, red square held in the center.
    A gray cross made from wire on a white background, with a small, red square held in the center.
    Steve Carter, Tile Series (detail), 1994. [A gray cross made from wire on a white background, with a small, red square held in the center.]
    Caption Steve Carter, Tile Series (detail), 1994.
    Image description A gray cross made from wire on a white background, with a small, red square held in the center.
    Year 1994
    Related pages A Strategy Hinted At: New Conceptual Artists
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
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    Related pages THE SECOND ANNUAL CONFERENCE ABOUT ARTIST-CURATED EXHIBITIONS
  • A figure, sitting in profile and centered within the frame, speaks into a microphone.
    A figure, sitting in profile and centered within the frame, speaks into a microphone.
    Portrait of Ciarán Finlayson. [A figure, sitting in profile and centered within the frame, speaks into a microphone.]
    Caption Portrait of Ciarán Finlayson.
    Image description A figure, sitting in profile and centered within the frame, speaks into a microphone.
    Year 2021
    Related pages Artists Space Dialogues Spring 2021
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    Related pages Performance People
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Close up of three rows of pre-packaged salads in plastic containers on the shelves of a grocery store refrigerator.
    Close up of three rows of pre-packaged salads in plastic containers on the shelves of a grocery store refrigerator.
    Photo: Mirelle Borra. [Close up of three rows of pre-packaged salads in plastic containers on the shelves of a grocery store refrigerator.]
    Caption Photo: Mirelle Borra.
    Image description Close up of three rows of pre-packaged salads in plastic containers on the shelves of a grocery store refrigerator.
    Year 2008
    Related pages Salad Days 3
  • Color photograph of a large empty room bathed in a red light. Along one wall, a performer dressed in white stands against the wall, bending over and looking to their left. A bright white light shines from their hips and a sheath of crinkly, reflective one-way mirror film lays on the ground in front of them.
    Color photograph of a large empty room bathed in a red light. Along one wall, a performer dressed in white stands against the wall, bending over and looking to their left. A bright white light shines from their hips and a sheath of crinkly, reflective one-way mirror film lays on the ground in front of them.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a large empty room bathed in a red light. Along one wall, a performer dressed in white stands against the wall, bending over and looking to their left. A bright white light shines from their hips and a sheath of crinkly, reflective one-way mirror film lays on the ground in front of them.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a large empty room bathed in a red light. Along one wall, a performer dressed in white stands against the wall, bending over and looking to their left. A bright white light shines from their hips and a sheath of crinkly, reflective one-way mirror film lays on the ground in front of them.
    Year 2022
    Related pages keyon gaskin 12-14
  • A figurative painting shows a cat-like figure drooping down to grab a long mushroom-like object. Painting appears in a white-walled gallery space.
    A figurative painting shows a cat-like figure drooping down to grab a long mushroom-like object. Painting appears in a white-walled gallery space.
    Five Spanish Artists. Installation view, Artists Space, 1985. [A figurative painting shows a cat-like figure drooping down to grab a long mushroom-like object. Painting appears in a white-walled gallery space.]
    Caption Five Spanish Artists. Installation view, Artists Space, 1985.
    Image description A figurative painting shows a cat-like figure drooping down to grab a long mushroom-like object. Painting appears in a white-walled gallery space.
    Year
    Related pages Five Spanish Artists
  • Against an urban landscape, a metal pinhole camera tin is mounted to a roof post.
    Against an urban landscape, a metal pinhole camera tin is mounted to a roof post.
    Constantina Zavitsanos: fwiw. Installation view (∞, 2024), Artists Space, 2024. Photo: Carter Seddon. [Against an urban landscape, a metal pinhole camera tin is mounted to a roof post.]
    Caption Constantina Zavitsanos: fwiw. Installation view (∞, 2024), Artists Space, 2024. Photo: Carter Seddon.
    Image description Against an urban landscape, a metal pinhole camera tin is mounted to a roof post.
    Year
    Related pages fwiw
  • A color photo of three individuals standing together amidst conversation and festivities. The individual to the left and the person in the center both look towards the camera jovially.
    A color photo of three individuals standing together amidst conversation and festivities. The individual to the left and the person in the center both look towards the camera jovially.
    The Founders Dinner, 2019. [A color photo of three individuals standing together amidst conversation and festivities. The individual to the left and the person in the center both look towards the camera jovially.]
    Caption The Founders Dinner, 2019.
    Image description A color photo of three individuals standing together amidst conversation and festivities. The individual to the left and the person in the center both look towards the camera jovially.
    Year 2019
    Related pages Support
  • Two figures perform on stage. The figure on the right stands behind a music stand and plays the flute while the figure on the left sits behind a microphone and reads off a piece of paper.
    Two figures perform on stage. The figure on the right stands behind a music stand and plays the flute while the figure on the left sits behind a microphone and reads off a piece of paper.
    Yasunao Tone in Concert with Barbara Held. Performance documentation, January 19, 2023, Artists Space. Photo: Destiny Mata [Two figures perform on stage. The figure on the right stands behind a music stand and plays the flute while the figure on the left sits behind a microphone and reads off a piece of paper.]
    Caption Yasunao Tone in Concert with Barbara Held. Performance documentation, January 19, 2023, Artists Space. Photo: Destiny Mata
    Image description Two figures perform on stage. The figure on the right stands behind a music stand and plays the flute while the figure on the left sits behind a microphone and reads off a piece of paper.
    Year 2023
    Related pages Yasunao Tone in Concert with Barbara Held
  • Ann Goldstein has been a museum professional for over forty years. She currently serves as Deputy Director and Senior Curator at Large at the Art Institute of Chicago and on the board of directors and as President of the Michael Asher Foundation. Goldstein joined the Art Institute in 2016 as Deputy Director, and Chair and Dittmer Curator of Modern and Contemporary Art. Prior to joining the museum, she served as Director of the Stedelijk Museum in Amsterdam from 2010–2013, and as Senior Curator at The Museum of Contemporary Art in Los Angeles (MOCA) from 1983–2009. She is recognized for such large-scale historical survey exhibitions as A Minimal Future? Art as Object 1958-1968, 1965-1975: Reconsidering the Object of Art, and A Forest of Signs: Art in the Crisis of Representation, as well as numerous solo exhibitions and projects over the years with Jo Baer, stanley brouwn, Judy Fiskin, Felix Gonzalez-Torres, Roni Horn, Richard Hunt, Mike Kelley, Martin Kippenberger, Barbara Kruger, William Leavitt, Steve McQueen, Cady Noland, Pope.L, Josephine Pryde, Nancy Rubins, Lawrence Weiner, and Christopher Wool, among others. In addition to the Asher Foundation, Goldstein serves as a member of The Felix Gonzalez-Torres Foundation Fellows Forum, on the board of trustees of the Richard Hunt Legacy Foundation, the board of directors of Primary Information, and as a member of the Serralves Museum Advisory Committee. In recognition of her work, the Center for Curatorial Studies at Bard College presented her with the Audrey Irmas Award for Curatorial Excellence in 2012. [Photo: Christopher Williams, 2024]
    Caption Ann Goldstein has been a museum professional for over forty years. She currently serves as Deputy Director and Senior Curator at Large at the Art Institute of Chicago and on the board of directors and as President of the Michael Asher Foundation. Goldstein joined the Art Institute in 2016 as Deputy Director, and Chair and Dittmer Curator of Modern and Contemporary Art. Prior to joining the museum, she served as Director of the Stedelijk Museum in Amsterdam from 2010–2013, and as Senior Curator at The Museum of Contemporary Art in Los Angeles (MOCA) from 1983–2009. She is recognized for such large-scale historical survey exhibitions as A Minimal Future? Art as Object 1958-1968, 1965-1975: Reconsidering the Object of Art, and A Forest of Signs: Art in the Crisis of Representation, as well as numerous solo exhibitions and projects over the years with Jo Baer, stanley brouwn, Judy Fiskin, Felix Gonzalez-Torres, Roni Horn, Richard Hunt, Mike Kelley, Martin Kippenberger, Barbara Kruger, William Leavitt, Steve McQueen, Cady Noland, Pope.L, Josephine Pryde, Nancy Rubins, Lawrence Weiner, and Christopher Wool, among others. In addition to the Asher Foundation, Goldstein serves as a member of The Felix Gonzalez-Torres Foundation Fellows Forum, on the board of trustees of the Richard Hunt Legacy Foundation, the board of directors of Primary Information, and as a member of the Serralves Museum Advisory Committee. In recognition of her work, the Center for Curatorial Studies at Bard College presented her with the Audrey Irmas Award for Curatorial Excellence in 2012. [Photo: Christopher Williams, 2024]
    Image description
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    Related pages Friends of Artists Space Dinner
  • A crowd sitting down watching a performer on stage leaning over a table with electronic instruments, holding a mic close to their mouth. The audience is bathed in red light, and the wall behind the performer is covered with multicolored abstract projections.
    A crowd sitting down watching a performer on stage leaning over a table with electronic instruments, holding a mic close to their mouth. The audience is bathed in red light, and the wall behind the performer is covered with multicolored abstract projections.
    Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman. [A crowd sitting down watching a performer on stage leaning over a table with electronic instruments, holding a mic close to their mouth. The audience is bathed in red light, and the wall behind the performer is covered with multicolored abstract projections. ]
    Caption Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman.
    Image description A crowd sitting down watching a performer on stage leaning over a table with electronic instruments, holding a mic close to their mouth. The audience is bathed in red light, and the wall behind the performer is covered with multicolored abstract projections.
    Year
    Related pages Abasement #74
  • A wide shot of a person sitting at a table with a computer. The table is covered in a red tablecloth with white lettering that reads,
    A wide shot of a person sitting at a table with a computer. The table is covered in a red tablecloth with white lettering that reads,
    New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court. [A wide shot of a person sitting at a table with a computer. The table is covered in a red tablecloth with white lettering that reads, "WHAT ARE SAVAGES FOR?" and "THE URGE TO MERGE." Lighter red, stylized text reads "NEW RED ORDER" and "NEVER SETTLE." Behind the table, a projected image shows a man with one hand outstretched superimposed on a city skyline. On either side of the table are informational posters with printed text.]
    Caption New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court.
    Image description A wide shot of a person sitting at a table with a computer. The table is covered in a red tablecloth with white lettering that reads, "WHAT ARE SAVAGES FOR?" and "THE URGE TO MERGE." Lighter red, stylized text reads "NEW RED ORDER" and "NEVER SETTLE." Behind the table, a projected image shows a man with one hand outstretched superimposed on a city skyline. On either side of the table are informational posters with printed text.
    Year 2020
    Related pages New Red Order: Informants Get Paid!
  • A performer operates a soundboard on stage. A shadow is cast on the wall behind, resembling another performer dancing with their hands thrown above their head.
    A performer operates a soundboard on stage. A shadow is cast on the wall behind, resembling another performer dancing with their hands thrown above their head.
    Abasement #86. Performance documentation, April 6th, 2026, Artists Space. Photo: Joshua Wildman. [A performer operates a soundboard on stage. A shadow is cast on the wall behind, resembling another performer dancing with their hands thrown above their head. ]
    Caption Abasement #86. Performance documentation, April 6th, 2026, Artists Space. Photo: Joshua Wildman.
    Image description A performer operates a soundboard on stage. A shadow is cast on the wall behind, resembling another performer dancing with their hands thrown above their head.
    Year
    Related pages Abasement #86
  • Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 6 / Wendy Lotterman / Joe Milutis.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 6 / Wendy Lotterman / Joe Milutis.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 6 / Wendy Lotterman / Joe Milutis.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 6 / Wendy Lotterman / Joe Milutis.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Wendy Lotterman & Joe Milutis
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • This painting depicts a figure comprised of geometric shapes in saturated pinks, greens, yellows, and blues on a purple background. The arms, neck, and parts of the face are decorated with blue swirls and a brown, broken heart-like shape lies on top of the figure's chest.
    This painting depicts a figure comprised of geometric shapes in saturated pinks, greens, yellows, and blues on a purple background. The arms, neck, and parts of the face are decorated with blue swirls and a brown, broken heart-like shape lies on top of the figure's chest.
    Dionis Diaz, self portrait, acrylic on paper, 2019 [This painting depicts a figure comprised of geometric shapes in saturated pinks, greens, yellows, and blues on a purple background. The arms, neck, and parts of the face are decorated with blue swirls and a brown, broken heart-like shape lies on top of the figure's chest.]
    Caption Dionis Diaz, self portrait, acrylic on paper, 2019
    Image description This painting depicts a figure comprised of geometric shapes in saturated pinks, greens, yellows, and blues on a purple background. The arms, neck, and parts of the face are decorated with blue swirls and a brown, broken heart-like shape lies on top of the figure's chest.
    Year 2019
    Related pages Portfolio Development
  • Black text on a light blue-grey and yellow ombré background. The text reads: “April 19 / Jennifer Firestone / Matvei Yankelevich.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on a light blue-grey and yellow ombré background. The text reads: “April 19 / Jennifer Firestone / Matvei Yankelevich.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on a light blue-grey and yellow ombré background. The text reads: “April 19 / Jennifer Firestone / Matvei Yankelevich.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on a light blue-grey and yellow ombré background. The text reads: “April 19 / Jennifer Firestone / Matvei Yankelevich.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Jennifer Firestone & Matvei Yankelevich
  • A red background with white text which reads:
    A red background with white text which reads:
    [A red background with white text which reads: "DUMP THE FINE ART OF GENTRIFICATION", followed by the Decolonize This Place Logo.]
    Caption
    Image description A red background with white text which reads: "DUMP THE FINE ART OF GENTRIFICATION", followed by the Decolonize This Place Logo.
    Year 2016
    Related pages Decolonize This Place
  • Caption
    Image description
    Year
    Related pages LAND MASS
  • A graph showing a typical stock price increasing in value, digitally manipulated to show it going back in time and continuing to increase, once above a certain threshold.
    A graph showing a typical stock price increasing in value, digitally manipulated to show it going back in time and continuing to increase, once above a certain threshold.
    [A graph showing a typical stock price increasing in value, digitally manipulated to show it going back in time and continuing to increase, once above a certain threshold.]
    Caption
    Image description A graph showing a typical stock price increasing in value, digitally manipulated to show it going back in time and continuing to increase, once above a certain threshold.
    Year 2018
    Related pages Code is LAWL: Diversifying the Crypto Demographic
  • Four images arranged horizontally. From left to right: solid gray-blue, a gray-blue toned image of a shoreline, a gray toned image of a shoreline, and a gray toned image of a shoreline with a subtle pink sunrise in the sky.
    Four images arranged horizontally. From left to right: solid gray-blue, a gray-blue toned image of a shoreline, a gray toned image of a shoreline, and a gray toned image of a shoreline with a subtle pink sunrise in the sky.
    Christa Blatchford, still from See Around, 2008. [Four images arranged horizontally. From left to right: solid gray-blue, a gray-blue toned image of a shoreline, a gray toned image of a shoreline, and a gray toned image of a shoreline with a subtle pink sunrise in the sky.]
    Caption Christa Blatchford, still from See Around, 2008.
    Image description Four images arranged horizontally. From left to right: solid gray-blue, a gray-blue toned image of a shoreline, a gray toned image of a shoreline, and a gray toned image of a shoreline with a subtle pink sunrise in the sky.
    Year 2008
    Related pages See Around
  • Two performers are on a stage, batehd in purple light. On the left, a performer plays the guitar and on the right, someone else plays the drums.
    Two performers are on a stage, batehd in purple light. On the left, a performer plays the guitar and on the right, someone else plays the drums.
    Abasement #79. Performance documentation, August 11th, 2025, Artists Space. Photo: Joshua Wildman. [Two performers are on a stage, batehd in purple light. On the left, a performer plays the guitar and on the right, someone else plays the drums.]
    Caption Abasement #79. Performance documentation, August 11th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Two performers are on a stage, batehd in purple light. On the left, a performer plays the guitar and on the right, someone else plays the drums.
    Year
    Related pages Abasement #79
  • Black & white photograph of a gallery room with black walls. Around the center of the room are three hanging screens. Around the edges of the room, performers wearing all black stand under spotlights. Along the back wall sit a cellist and harpist with their instruments. The audience sit on the floor in front of the performers.
    Black & white photograph of a gallery room with black walls. Around the center of the room are three hanging screens. Around the edges of the room, performers wearing all black stand under spotlights. Along the back wall sit a cellist and harpist with their instruments. The audience sit on the floor in front of the performers.
    Shala Miller performs Genesis: Medley. Performance documentation, May 11, 2023, Artists Space. Photo: Roy Baizan. [Black & white photograph of a gallery room with black walls. Around the center of the room are three hanging screens. Around the edges of the room, performers wearing all black stand under spotlights. Along the back wall sit a cellist and harpist with their instruments. The audience sit on the floor in front of the performers.]
    Caption Shala Miller performs Genesis: Medley. Performance documentation, May 11, 2023, Artists Space. Photo: Roy Baizan.
    Image description Black & white photograph of a gallery room with black walls. Around the center of the room are three hanging screens. Around the edges of the room, performers wearing all black stand under spotlights. Along the back wall sit a cellist and harpist with their instruments. The audience sit on the floor in front of the performers.
    Year 2023
    Related pages Genesis: Medley
  • A white book cover with black text in English and Hindi.
    A white book cover with black text in English and Hindi.
    Ed. Mario Pfeifer, A Formal Film In Nine Episodes, Prologue and Epilogue – A Critical Reader (Spector Books, 2013). [A white book cover with black text in English and Hindi.]
    Caption Ed. Mario Pfeifer, A Formal Film In Nine Episodes, Prologue and Epilogue – A Critical Reader (Spector Books, 2013).
    Image description A white book cover with black text in English and Hindi.
    Year 2013
    Related pages 1-800-SUC-CESS
  • Three red-orange panels in white frames hang on a white wall in an open space.
    Three red-orange panels in white frames hang on a white wall in an open space.
    Hito Steyerl, Red Alert, 2007. Installation on 3 computer monitors. Courtesy of the artist. [Three red-orange panels in white frames hang on a white wall in an open space.]
    Caption Hito Steyerl, Red Alert, 2007. Installation on 3 computer monitors. Courtesy of the artist.
    Image description Three red-orange panels in white frames hang on a white wall in an open space.
    Year 2015
    Related pages Hito Steyerl
  • A number of wooden block constructions appear together in various forms in an installation in a gallery space with framed works on the wall behind them.
    A number of wooden block constructions appear together in various forms in an installation in a gallery space with framed works on the wall behind them.
    David Winter. Selections for the Artists File, installation view, Artists Space, 1986. [A number of wooden block constructions appear together in various forms in an installation in a gallery space with framed works on the wall behind them.]
    Caption David Winter. Selections for the Artists File, installation view, Artists Space, 1986.
    Image description A number of wooden block constructions appear together in various forms in an installation in a gallery space with framed works on the wall behind them.
    Year
    Related pages Selections from the Artists File
  • A geometric composition of black, blue, yellow, red, and orange flat shapes on a white background.
    A geometric composition of black, blue, yellow, red, and orange flat shapes on a white background.
    Shirley Jaffe. The Blue Daisy, 1988-89. [A geometric composition of black, blue, yellow, red, and orange flat shapes on a white background.]
    Caption Shirley Jaffe. The Blue Daisy, 1988-89.
    Image description A geometric composition of black, blue, yellow, red, and orange flat shapes on a white background.
    Year
    Related pages Shirley Jaffe and Murray Reich
  • A figure in overalls reaches up to pin a dark tarp along the length of a wall. Behind them, another figure adjusts a camera on a tripod.
    A figure in overalls reaches up to pin a dark tarp along the length of a wall. Behind them, another figure adjusts a camera on a tripod.
    Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [A figure in overalls reaches up to pin a dark tarp along the length of a wall. Behind them, another figure adjusts a camera on a tripod.]
    Caption Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description A figure in overalls reaches up to pin a dark tarp along the length of a wall. Behind them, another figure adjusts a camera on a tripod.
    Year 2019
    Related pages Speaker Music: drape over another
  • The letters
    The letters
    [The letters "JA" written in black, stylized text on a white background.]
    Caption
    Image description The letters "JA" written in black, stylized text on a white background.
    Year 2011
    Related pages Junior Aspirin Records
  • An angled view from a ledge containing household items, into a bedroom. Above the doorway black text reads,
    An angled view from a ledge containing household items, into a bedroom. Above the doorway black text reads,
    [An angled view from a ledge containing household items, into a bedroom. Above the doorway black text reads, "Macho Man, Tell it to My Heart."]
    Caption
    Image description An angled view from a ledge containing household items, into a bedroom. Above the doorway black text reads, "Macho Man, Tell it to My Heart."
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • An empty dim-lit room with chairs with a projection on the wall. The projection features a close-up image of a person with wavy brown hair covering their face, lying facedown on a fluffy white carpet.
    An empty dim-lit room with chairs with a projection on the wall. The projection features a close-up image of a person with wavy brown hair covering their face, lying facedown on a fluffy white carpet.
    Laura Cottingham & The Anita Pallenberg Story. Installation view, Artists Space, 2017. Photo: Daniel Pérez. [An empty dim-lit room with chairs with a projection on the wall. The projection features a close-up image of a person with wavy brown hair covering their face, lying facedown on a fluffy white carpet.]
    Caption Laura Cottingham & The Anita Pallenberg Story. Installation view, Artists Space, 2017. Photo: Daniel Pérez.
    Image description An empty dim-lit room with chairs with a projection on the wall. The projection features a close-up image of a person with wavy brown hair covering their face, lying facedown on a fluffy white carpet.
    Year 2017
    Related pages Laura Cottingham & The Anita Pallenberg Story
  • Black and white photograph of white picket fence with dark painted background behind it.
    Black and white photograph of white picket fence with dark painted background behind it.
    Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Candice Hill-Montgomery. [Black and white photograph of white picket fence with dark painted background behind it.]
    Caption Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Candice Hill-Montgomery.
    Image description Black and white photograph of white picket fence with dark painted background behind it.
    Year 1979
    Related pages Candance Hill-Montgomery
  • One figure stands in a small square construction waist high and a nearby child stands inside another square construction with their head peeking out at the other figure. A figure stands behind them by a washbasin with clothes hanging from a clothesline in front of them. Bushes and trees appear behind them along with another edifice in the background. Video scan lines and black edges of CRT monitor are visible.
    One figure stands in a small square construction waist high and a nearby child stands inside another square construction with their head peeking out at the other figure. A figure stands behind them by a washbasin with clothes hanging from a clothesline in front of them. Bushes and trees appear behind them along with another edifice in the background. Video scan lines and black edges of CRT monitor are visible.
    Sistema Sandinista de Television. Still from Golpes de la Corazon (Blows of the Heart), 1983. Video (sound, black and white). Spanish with English subtitles. [One figure stands in a small square construction waist high and a nearby child stands inside another square construction with their head peeking out at the other figure. A figure stands behind them by a washbasin with clothes hanging from a clothesline in front of them. Bushes and trees appear behind them along with another edifice in the background. Video scan lines and black edges of CRT monitor are visible.]
    Caption Sistema Sandinista de Television. Still from Golpes de la Corazon (Blows of the Heart), 1983. Video (sound, black and white). Spanish with English subtitles.
    Image description One figure stands in a small square construction waist high and a nearby child stands inside another square construction with their head peeking out at the other figure. A figure stands behind them by a washbasin with clothes hanging from a clothesline in front of them. Bushes and trees appear behind them along with another edifice in the background. Video scan lines and black edges of CRT monitor are visible.
    Year 1983
    Related pages TV Sandino
  • A black and white image of a painting. Two triangular shapes are painted on either side of the canvas. The hypotenuse of each triangle is tiered, appearing like stairs. The space between the triangles is painted in a darker shade.
    A black and white image of a painting. Two triangular shapes are painted on either side of the canvas. The hypotenuse of each triangle is tiered, appearing like stairs. The space between the triangles is painted in a darker shade.
    Fontaine Dunn, Untitled, 1976. From Gary Bower, Fontaine Dunn, Hermine Ford</>, Artists Space, 1976. [A black and white image of a painting. Two triangular shapes are painted on either side of the canvas. The hypotenuse of each triangle is tiered, appearing like stairs. The space between the triangles is painted in a darker shade.]
    Caption Fontaine Dunn, Untitled, 1976. From Gary Bower, Fontaine Dunn, Hermine Ford</>, Artists Space, 1976.
    Image description A black and white image of a painting. Two triangular shapes are painted on either side of the canvas. The hypotenuse of each triangle is tiered, appearing like stairs. The space between the triangles is painted in a darker shade.
    Year 1976
    Related pages Gary Bower, Fontaine Dunn, Hermine Ford
  • A monitor facing a seating arrangement constructed of stacked pillows. Two pairs of monitors are suspended on poles in the background. An image of Hito Steyerl is seen in both pairs; next to an image of a pile of cigarettes and an image of shipping containers.
    A monitor facing a seating arrangement constructed of stacked pillows. Two pairs of monitors are suspended on poles in the background. An image of Hito Steyerl is seen in both pairs; next to an image of a pile of cigarettes and an image of shipping containers.
    Hito Steyerl. Installation view, Artists Space, 2015. [A monitor facing a seating arrangement constructed of stacked pillows. Two pairs of monitors are suspended on poles in the background. An image of Hito Steyerl is seen in both pairs; next to an image of a pile of cigarettes and an image of shipping containers.]
    Caption Hito Steyerl. Installation view, Artists Space, 2015.
    Image description A monitor facing a seating arrangement constructed of stacked pillows. Two pairs of monitors are suspended on poles in the background. An image of Hito Steyerl is seen in both pairs; next to an image of a pile of cigarettes and an image of shipping containers.
    Year 2015
    Related pages Hito Steyerl
  • Color image of a performer playing the drums. Their eyes are closed and their mouth is open, they are wearing a black t-shirt and glasses. The face of the performer and the wall in the background are decorated with colorful pattern projections.
    Color image of a performer playing the drums. Their eyes are closed and their mouth is open, they are wearing a black t-shirt and glasses. The face of the performer and the wall in the background are decorated with colorful pattern projections.
    Abasement #75. Performance documentation, February 3rd, 2025, Artists Space. Photo: Joshua Wildman. [Color image of a performer playing the drums. Their eyes are closed and their mouth is open, they are wearing a black t-shirt and glasses. The face of the performer and the wall in the background are decorated with colorful pattern projections.]
    Caption Abasement #75. Performance documentation, February 3rd, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Color image of a performer playing the drums. Their eyes are closed and their mouth is open, they are wearing a black t-shirt and glasses. The face of the performer and the wall in the background are decorated with colorful pattern projections.
    Year
    Related pages Abasement #75
  • Three large wall text pieces appear in a white-walled gallery space.
    Three large wall text pieces appear in a white-walled gallery space.
    Young Fluxus. Installation view, Artists Space, 1982. [Three large wall text pieces appear in a white-walled gallery space.]
    Caption Young Fluxus. Installation view, Artists Space, 1982.
    Image description Three large wall text pieces appear in a white-walled gallery space.
    Year
    Related pages Young Fluxus
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A large painting illuminated by lights hangs on a wall behind two black columns. A small sculpture sits on the ground in front of it. Smaller artworks are visible on the connecting walls.
    A large painting illuminated by lights hangs on a wall behind two black columns. A small sculpture sits on the ground in front of it. Smaller artworks are visible on the connecting walls.
    Social Surfaces. Installation view, Bortolami, 2017. Photo: Ron Amstutz. [A large painting illuminated by lights hangs on a wall behind two black columns. A small sculpture sits on the ground in front of it. Smaller artworks are visible on the connecting walls.]
    Caption Social Surfaces. Installation view, Bortolami, 2017. Photo: Ron Amstutz.
    Image description A large painting illuminated by lights hangs on a wall behind two black columns. A small sculpture sits on the ground in front of it. Smaller artworks are visible on the connecting walls.
    Year 2017
    Related pages Social Surfaces
  • A large room with white walls. Artworks hang on the right and left walls, covering most of the surface area. There is a door open towards the back of the room.
    A large room with white walls. Artworks hang on the right and left walls, covering most of the surface area. There is a door open towards the back of the room.
    Pictures. Installation view, Artists Space, 1977. [A large room with white walls. Artworks hang on the right and left walls, covering most of the surface area. There is a door open towards the back of the room.]
    Caption Pictures. Installation view, Artists Space, 1977.
    Image description A large room with white walls. Artworks hang on the right and left walls, covering most of the surface area. There is a door open towards the back of the room.
    Year 1977
    Related pages Pictures
  • On a white table, to the left, sits a flutter book with a dot illustration increasing in density through the pages. To the right, a TV monitor displays a black and white image of a finger pressing the space bar on a type writer.
    On a white table, to the left, sits a flutter book with a dot illustration increasing in density through the pages. To the right, a TV monitor displays a black and white image of a finger pressing the space bar on a type writer.
    The Library Vaccine. Installation view, Artists Space, 2014. [On a white table, to the left, sits a flutter book with a dot illustration increasing in density through the pages. To the right, a TV monitor displays a black and white image of a finger pressing the space bar on a type writer.]
    Caption The Library Vaccine. Installation view, Artists Space, 2014.
    Image description On a white table, to the left, sits a flutter book with a dot illustration increasing in density through the pages. To the right, a TV monitor displays a black and white image of a finger pressing the space bar on a type writer.
    Year 2014
    Related pages The Library Vaccine
  • A series of photographs are installed on a white gallery wall above a series of pipes that run horizontally along the wall. The photographs depict figures superimposed by saturated imagery.
    A series of photographs are installed on a white gallery wall above a series of pipes that run horizontally along the wall. The photographs depict figures superimposed by saturated imagery.
    Rip It Up and Start Again. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A series of photographs are installed on a white gallery wall above a series of pipes that run horizontally along the wall. The photographs depict figures superimposed by saturated imagery.]
    Caption Rip It Up and Start Again. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description A series of photographs are installed on a white gallery wall above a series of pipes that run horizontally along the wall. The photographs depict figures superimposed by saturated imagery.
    Year 2010
    Related pages Rip It Up and Start Again: William S. Burroughs, Charles Henri Ford, Ray Johnson, Philippe Thomas, Arthur Russell
  • A sculpted cross with two scale readings on either side of it along with bullets lined in formation on the top half and some undefinited black marks on the bottom half and two unidentified objects hanging underneath. It hangs on a white brick wall.
    A sculpted cross with two scale readings on either side of it along with bullets lined in formation on the top half and some undefinited black marks on the bottom half and two unidentified objects hanging underneath. It hangs on a white brick wall.
    Jerry Beck, Bird of Destruction, 1985. [A sculpted cross with two scale readings on either side of it along with bullets lined in formation on the top half and some undefinited black marks on the bottom half and two unidentified objects hanging underneath. It hangs on a white brick wall.]
    Caption Jerry Beck, Bird of Destruction, 1985.
    Image description A sculpted cross with two scale readings on either side of it along with bullets lined in formation on the top half and some undefinited black marks on the bottom half and two unidentified objects hanging underneath. It hangs on a white brick wall.
    Year
    Related pages U.S. Projects
  • Long, thin bundles of hay are arranged one over the other, mimicking the woven pattern of a textile.
    Long, thin bundles of hay are arranged one over the other, mimicking the woven pattern of a textile.
    Beverly Semmes, Eel Mat (detail), 1989. Copper, aluminum, hay, and chicken wire. Dimensions variable. [Long, thin bundles of hay are arranged one over the other, mimicking the woven pattern of a textile.]
    Caption Beverly Semmes, Eel Mat (detail), 1989. Copper, aluminum, hay, and chicken wire. Dimensions variable.
    Image description Long, thin bundles of hay are arranged one over the other, mimicking the woven pattern of a textile.
    Year 1989
    Related pages Beverly Semmes
  • Four abstract sculptures constructed from neutral-toned materials are displayed atop white virtrines. Three more sculptures are hung in a row against a white wall.
    Four abstract sculptures constructed from neutral-toned materials are displayed atop white virtrines. Three more sculptures are hung in a row against a white wall.
    UniBodies. Installation view, Artists Space, 2006. Photo: Bill Ocrutt. [Four abstract sculptures constructed from neutral-toned materials are displayed atop white virtrines. Three more sculptures are hung in a row against a white wall.]
    Caption UniBodies. Installation view, Artists Space, 2006. Photo: Bill Ocrutt.
    Image description Four abstract sculptures constructed from neutral-toned materials are displayed atop white virtrines. Three more sculptures are hung in a row against a white wall.
    Year 2006
    Related pages UniBodies
  • Caption
    Image description
    Year
    Related pages Brad Kronz
  • Protruding clusters of dots and triangles form designs in a gray surface.
    Protruding clusters of dots and triangles form designs in a gray surface.
    Ilana Halperin: Physical Geology (slow time). Installation view, Artists Space, 2009. [Protruding clusters of dots and triangles form designs in a gray surface.]
    Caption Ilana Halperin: Physical Geology (slow time). Installation view, Artists Space, 2009.
    Image description Protruding clusters of dots and triangles form designs in a gray surface.
    Year 2009
    Related pages Spring Exhibitions
  • A photograph of a gallery space with a black rectangular table and a chair in the foreground. There are eight photographs and print-outs hung on the back walls, and a row of floor-to-ceiling columns is visible in the background.
    A photograph of a gallery space with a black rectangular table and a chair in the foreground. There are eight photographs and print-outs hung on the back walls, and a row of floor-to-ceiling columns is visible in the background.
    Tiffany Sia: Slippery When Wet. Installation view, Artists Space, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A photograph of a gallery space with a black rectangular table and a chair in the foreground. There are eight photographs and print-outs hung on the back walls, and a row of floor-to-ceiling columns is visible in the background.]
    Caption Tiffany Sia: Slippery When Wet. Installation view, Artists Space, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A photograph of a gallery space with a black rectangular table and a chair in the foreground. There are eight photographs and print-outs hung on the back walls, and a row of floor-to-ceiling columns is visible in the background.
    Year 2021
    Related pages Tiffany Sia: Slippery When Wet
  • Color image of two performers on stage playing the guitar and drums. The performer on the left is wearing round sunglasses with a music stand in front of them. The back wall is lit with small white dots from a disco ball.
    Color image of two performers on stage playing the guitar and drums. The performer on the left is wearing round sunglasses with a music stand in front of them. The back wall is lit with small white dots from a disco ball.
    Abasement #78. Performance documentation, June 16th, 2025, Artists Space. Photo: Joshua Wildman. [Color image of two performers on stage playing the guitar and drums. The performer on the left is wearing round sunglasses with a music stand in front of them. The back wall is lit with small white dots from a disco ball.]
    Caption Abasement #78. Performance documentation, June 16th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Color image of two performers on stage playing the guitar and drums. The performer on the left is wearing round sunglasses with a music stand in front of them. The back wall is lit with small white dots from a disco ball.
    Year
    Related pages Abasement #78
  • A black and white image of a man photographing a plastic penguin in front of a decorative gate. Sideways text on the right reads,
    A black and white image of a man photographing a plastic penguin in front of a decorative gate. Sideways text on the right reads,
    Exhibition Catalogue [A black and white image of a man photographing a plastic penguin in front of a decorative gate. Sideways text on the right reads, "Jack Smith, Art Crust of Spiritual Oasis, June 22 - September 9, 2018, Artists Space."]
    Caption Exhibition Catalogue
    Image description A black and white image of a man photographing a plastic penguin in front of a decorative gate. Sideways text on the right reads, "Jack Smith, Art Crust of Spiritual Oasis, June 22 - September 9, 2018, Artists Space."
    Year 2018
    Related pages Jack Smith: Art Crust of Spiritual Oasis
  • A sculpture is seen on the left leaning on a platform and on the right is a painter's palette lying next to it.
    A sculpture is seen on the left leaning on a platform and on the right is a painter's palette lying next to it.
    Goodman, Ken. [A sculpture is seen on the left leaning on a platform and on the right is a painter's palette lying next to it.]
    Caption Goodman, Ken.
    Image description A sculpture is seen on the left leaning on a platform and on the right is a painter's palette lying next to it.
    Year
    Related pages Ken Goodman
  • A photograph of a group of students standing onstage, holding printed paper, and many smiling
    A photograph of a group of students standing onstage, holding printed paper, and many smiling
    YAP (Young Artist Perform), PS 140, 2017 [A photograph of a group of students standing onstage, holding printed paper, and many smiling]
    Caption YAP (Young Artist Perform), PS 140, 2017
    Image description A photograph of a group of students standing onstage, holding printed paper, and many smiling
    Year 2017
    Related pages Exhibitions and Events
  • A man in a suit, black shirt, and glasses strums a guitar while singing into a microphone in a white-walled gallery space.
    A man in a suit, black shirt, and glasses strums a guitar while singing into a microphone in a white-walled gallery space.
    The Friends of Artists Space Dinner, May 8, 2010. Stephen Prina's performance. [A man in a suit, black shirt, and glasses strums a guitar while singing into a microphone in a white-walled gallery space.]
    Caption The Friends of Artists Space Dinner, May 8, 2010. Stephen Prina's performance.
    Image description A man in a suit, black shirt, and glasses strums a guitar while singing into a microphone in a white-walled gallery space.
    Year 2010
    Related pages The Friends of Artists Space Dinner
  • Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon.
    Caption Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon.
    Image description
    Year
    Related pages Michael Asher
  • An angled view of a large ramp leading to a large video monitor screen. The room is tinted blue. On the screen, an iPhone 4 sits on a glass table, it's lock screen on view; the time reads,
    An angled view of a large ramp leading to a large video monitor screen. The room is tinted blue. On the screen, an iPhone 4 sits on a glass table, it's lock screen on view; the time reads,
    Hito Steyerl, Liquidity, Inc., 2014, HD video with sound, 30 mins. Courtesy the artist and Andrew Kreps, New York. Installation view from Hito Steyerl, Artists Space, 2015. [An angled view of a large ramp leading to a large video monitor screen. The room is tinted blue. On the screen, an iPhone 4 sits on a glass table, it's lock screen on view; the time reads, "4:39"]
    Caption Hito Steyerl, Liquidity, Inc., 2014, HD video with sound, 30 mins. Courtesy the artist and Andrew Kreps, New York. Installation view from Hito Steyerl, Artists Space, 2015.
    Image description An angled view of a large ramp leading to a large video monitor screen. The room is tinted blue. On the screen, an iPhone 4 sits on a glass table, it's lock screen on view; the time reads, "4:39"
    Year 2015
    Related pages Hito Steyerl
  • A book shelf, of the center are four shelves, filled with books whose covers contain small printed text. In the center of the second from the bottom shelf, a book sits horizontal.
    A book shelf, of the center are four shelves, filled with books whose covers contain small printed text. In the center of the second from the bottom shelf, a book sits horizontal.
    The Library Vaccine. Installation view, Artists Space, 2014. [A book shelf, of the center are four shelves, filled with books whose covers contain small printed text. In the center of the second from the bottom shelf, a book sits horizontal.]
    Caption The Library Vaccine. Installation view, Artists Space, 2014.
    Image description A book shelf, of the center are four shelves, filled with books whose covers contain small printed text. In the center of the second from the bottom shelf, a book sits horizontal.
    Year 2014
    Related pages The Library Vaccine
  • A symmetrical image of windowless houses rendered in inverted colors with tones of purple, yellow, and pink.
    A symmetrical image of windowless houses rendered in inverted colors with tones of purple, yellow, and pink.
    Darren Wardle, Jailbreak, 2002. [A symmetrical image of windowless houses rendered in inverted colors with tones of purple, yellow, and pink.]
    Caption Darren Wardle, Jailbreak, 2002.
    Image description A symmetrical image of windowless houses rendered in inverted colors with tones of purple, yellow, and pink.
    Year 2002
    Related pages Painting as Paradox
  • A painting of a black, rectangular object on an orange backdrop. Below is text in black reading
    A painting of a black, rectangular object on an orange backdrop. Below is text in black reading
    The Mind/Body Problem. Installation view, Artists Space, 2006. Photo: Alan Wiener. [A painting of a black, rectangular object on an orange backdrop. Below is text in black reading "ENTERTAINMENT CENTER." Red text on a yellow background in zigzagged circles reads "Fully Assembled" and "$199."]
    Caption The Mind/Body Problem. Installation view, Artists Space, 2006. Photo: Alan Wiener.
    Image description A painting of a black, rectangular object on an orange backdrop. Below is text in black reading "ENTERTAINMENT CENTER." Red text on a yellow background in zigzagged circles reads "Fully Assembled" and "$199."
    Year 2006
    Related pages The Mind/Body Problem
  • A color image of an unframed colorful drawing reasting on a wooden easel. The drawing shows a figure elagantly sitting cross-legged on a black chair. In the background, two painting are on the floor laying against the wall.
    A color image of an unframed colorful drawing reasting on a wooden easel. The drawing shows a figure elagantly sitting cross-legged on a black chair. In the background, two painting are on the floor laying against the wall.
    Drake Carr, Tonne Goodman, 2023. Colored pencil on paper. 40 1/8 x 30 1/8 inches. Image courtesy Artists Space, New York. Photo: Filip Wolak. [A color image of an unframed colorful drawing reasting on a wooden easel. The drawing shows a figure elagantly sitting cross-legged on a black chair. In the background, two painting are on the floor laying against the wall.]
    Caption Drake Carr, Tonne Goodman, 2023. Colored pencil on paper. 40 1/8 x 30 1/8 inches. Image courtesy Artists Space, New York. Photo: Filip Wolak.
    Image description A color image of an unframed colorful drawing reasting on a wooden easel. The drawing shows a figure elagantly sitting cross-legged on a black chair. In the background, two painting are on the floor laying against the wall.
    Year
    Related pages Drake Carr: Housecalls
  • A small, tan bandage lying face-down on a white background.
    A small, tan bandage lying face-down on a white background.
    Allora & Calzadilla, Bandage, 2011, Painted cast white metal, 3 x 3/4 x 1/16 in / 7,6 x 2 x .16 cm, Signed certificate. [A small, tan bandage lying face-down on a white background.]
    Caption Allora & Calzadilla, Bandage, 2011, Painted cast white metal, 3 x 3/4 x 1/16 in / 7,6 x 2 x .16 cm, Signed certificate.
    Image description A small, tan bandage lying face-down on a white background.
    Year 2011
    Related pages Artists Space Annual Edition Portfolio 2012
  • Two figures are seated on stage. The figure on the left plays the violin and the figure on the right holds a briefcase full of audio equipment.
    Two figures are seated on stage. The figure on the left plays the violin and the figure on the right holds a briefcase full of audio equipment.
    Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman [Two figures are seated on stage. The figure on the left plays the violin and the figure on the right holds a briefcase full of audio equipment.]
    Caption Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman
    Image description Two figures are seated on stage. The figure on the left plays the violin and the figure on the right holds a briefcase full of audio equipment.
    Year
    Related pages Abasement: #62
  • A variety of plinths made of MDF are arranged around a large gallery space. Along the left wall, a low, angled plinth displays a series of annotated utility maps. On the back wall a large photograph is affixed to the wall and depicts the snowy landscape of Neuenkirchen, Germany.
    A variety of plinths made of MDF are arranged around a large gallery space. Along the left wall, a low, angled plinth displays a series of annotated utility maps. On the back wall a large photograph is affixed to the wall and depicts the snowy landscape of Neuenkirchen, Germany.
    Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon. [A variety of plinths made of MDF are arranged around a large gallery space. Along the left wall, a low, angled plinth displays a series of annotated utility maps. On the back wall a large photograph is affixed to the wall and depicts the snowy landscape of Neuenkirchen, Germany. ]
    Caption Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon.
    Image description A variety of plinths made of MDF are arranged around a large gallery space. Along the left wall, a low, angled plinth displays a series of annotated utility maps. On the back wall a large photograph is affixed to the wall and depicts the snowy landscape of Neuenkirchen, Germany.
    Year
    Related pages Michael Asher
  • A small ruler held up to a man's face, measuring a bruise on his cheek.
    A small ruler held up to a man's face, measuring a bruise on his cheek.
    Photograph released by St. Louis County prosecuting attorney of police officer Darren Wilson after he fatally shot Michael Brown on Aug. 9, 2014 in Ferguson, Missouri. [A small ruler held up to a man's face, measuring a bruise on his cheek.]
    Caption Photograph released by St. Louis County prosecuting attorney of police officer Darren Wilson after he fatally shot Michael Brown on Aug. 9, 2014 in Ferguson, Missouri.
    Image description A small ruler held up to a man's face, measuring a bruise on his cheek.
    Year 2014
    Related pages Auditing Black Pain: The Affective Economy of the Prison Industrial Complex
  • A book cover with an old car vertically arranged next to Arabic writing.
    A book cover with an old car vertically arranged next to Arabic writing.
    Peter Osborne, Anywhere or Not At All (Verso Books, 2013). [A book cover with an old car vertically arranged next to Arabic writing.]
    Caption Peter Osborne, Anywhere or Not At All (Verso Books, 2013).
    Image description A book cover with an old car vertically arranged next to Arabic writing.
    Year 2013
    Related pages Anywhere or Not at All
  • Drawing of architectural section in center of paper with white surrouding it.
    Drawing of architectural section in center of paper with white surrouding it.
    Ian Bader. Spalation Clock, 1977. Section 2. [Drawing of architectural section in center of paper with white surrouding it.]
    Caption Ian Bader. Spalation Clock, 1977. Section 2.
    Image description Drawing of architectural section in center of paper with white surrouding it.
    Year 1977
    Related pages Architecture Project
  • Book cover featuring two illustrated nude men, one is laying down along the bottom of the cover, and the other stands and frames the right side. In the center is a smaller illustration of buildings. Text reads
    Book cover featuring two illustrated nude men, one is laying down along the bottom of the cover, and the other stands and frames the right side. In the center is a smaller illustration of buildings. Text reads
    Cover of Jack the Modernist, New York Review Books, 2025. Cover by Louis Fratino. [Book cover featuring two illustrated nude men, one is laying down along the bottom of the cover, and the other stands and frames the right side. In the center is a smaller illustration of buildings. Text reads "JACK THE MODERNIST / ROBERT GLÜCK."]
    Caption Cover of Jack the Modernist, New York Review Books, 2025. Cover by Louis Fratino.
    Image description Book cover featuring two illustrated nude men, one is laying down along the bottom of the cover, and the other stands and frames the right side. In the center is a smaller illustration of buildings. Text reads "JACK THE MODERNIST / ROBERT GLÜCK."
    Year
    Related pages Robert Glück Jack the Modernist
  • A band of three performers plays on stage. From left to right, the performers play: a guitar, drums, and a violin. The room and stage are bathed in blue, pink, and orange light created by a live video projection of the performance.
    A band of three performers plays on stage. From left to right, the performers play: a guitar, drums, and a violin. The room and stage are bathed in blue, pink, and orange light created by a live video projection of the performance.
    Abasement #80. Performance documentation, September 22nd, 2025, Artists Space. Photo: Joshua Wildman. [A band of three performers plays on stage. From left to right, the performers play: a guitar, drums, and a violin. The room and stage are bathed in blue, pink, and orange light created by a live video projection of the performance.]
    Caption Abasement #80. Performance documentation, September 22nd, 2025, Artists Space. Photo: Joshua Wildman.
    Image description A band of three performers plays on stage. From left to right, the performers play: a guitar, drums, and a violin. The room and stage are bathed in blue, pink, and orange light created by a live video projection of the performance.
    Year
    Related pages Abasement #80
  • 3 paintings hang on a wall. The painting to the left is circular, the center painting is rhombus shaped. The painting to the right is square.
    3 paintings hang on a wall. The painting to the left is circular, the center painting is rhombus shaped. The painting to the right is square.
    Traditions: Five Painters. Installation View, Artists Space, 1978. [3 paintings hang on a wall. The painting to the left is circular, the center painting is rhombus shaped. The painting to the right is square.]
    Caption Traditions: Five Painters. Installation View, Artists Space, 1978.
    Image description 3 paintings hang on a wall. The painting to the left is circular, the center painting is rhombus shaped. The painting to the right is square.
    Year
    Related pages Traditions: Five Painters, Charles Clough, William Fares, Sidney Goldberg, John Lees, Ann Thornycroft
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A bends at the waist, resting their head on the side of a television monitor. The monitor's screen shows two figures, facing away from the camera.
    A bends at the waist, resting their head on the side of a television monitor. The monitor's screen shows two figures, facing away from the camera.
    Artists Performance Series. Installation view, Artists Space, 1977. [A bends at the waist, resting their head on the side of a television monitor. The monitor's screen shows two figures, facing away from the camera.]
    Caption Artists Performance Series. Installation view, Artists Space, 1977.
    Image description A bends at the waist, resting their head on the side of a television monitor. The monitor's screen shows two figures, facing away from the camera.
    Year 1977
    Related pages Artists Performance Series
  • Two neon lights on a wooden floor. One light is coiled within a silver box, while the other rests directly on the floor, attached to a black cord.
    Two neon lights on a wooden floor. One light is coiled within a silver box, while the other rests directly on the floor, attached to a black cord.
    Underground: Jose Gabriel Fernandez. Installation view, Artists Space, 1991. [Two neon lights on a wooden floor. One light is coiled within a silver box, while the other rests directly on the floor, attached to a black cord.]
    Caption Underground: Jose Gabriel Fernandez. Installation view, Artists Space, 1991.
    Image description Two neon lights on a wooden floor. One light is coiled within a silver box, while the other rests directly on the floor, attached to a black cord.
    Year 1991
    Related pages Underground: Jose Gabriel Fernandez
  • A black and white film still of two people in period dress engaged in conversation at the far end of an ornate allway lit by candlelight. In the foreground, a person in a maid's costume peeks around one end of a colonnade, observing.
    A black and white film still of two people in period dress engaged in conversation at the far end of an ornate allway lit by candlelight. In the foreground, a person in a maid's costume peeks around one end of a colonnade, observing.
    James Coleman. Still from Seeing for Oneself, 1987-88. Slideshow (black and white), 40 min. [A black and white film still of two people in period dress engaged in conversation at the far end of an ornate allway lit by candlelight. In the foreground, a person in a maid's costume peeks around one end of a colonnade, observing.]
    Caption James Coleman. Still from Seeing for Oneself, 1987-88. Slideshow (black and white), 40 min.
    Image description A black and white film still of two people in period dress engaged in conversation at the far end of an ornate allway lit by candlelight. In the foreground, a person in a maid's costume peeks around one end of a colonnade, observing.
    Year 1988
    Related pages Michael Asher / James Coleman
  • Color image of a performer on stage playing the cello. They are facing sideways to the audience, wearing sunglasses and a purple jacket. To their side there is a collection of audio equipment, as well as a music stand and a speaker. The audience is sitting down facing the stage. The room is dark, except for a projected image of a disco ball on the back wall.
    Color image of a performer on stage playing the cello. They are facing sideways to the audience, wearing sunglasses and a purple jacket. To their side there is a collection of audio equipment, as well as a music stand and a speaker. The audience is sitting down facing the stage. The room is dark, except for a projected image of a disco ball on the back wall.
    Abasement #76. Performance documentation, March 3rd, 2025, Artists Space. Photo: Joshua Wildman. [Color image of a performer on stage playing the cello. They are facing sideways to the audience, wearing sunglasses and a purple jacket. To their side there is a collection of audio equipment, as well as a music stand and a speaker. The audience is sitting down facing the stage. The room is dark, except for a projected image of a disco ball on the back wall.]
    Caption Abasement #76. Performance documentation, March 3rd, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Color image of a performer on stage playing the cello. They are facing sideways to the audience, wearing sunglasses and a purple jacket. To their side there is a collection of audio equipment, as well as a music stand and a speaker. The audience is sitting down facing the stage. The room is dark, except for a projected image of a disco ball on the back wall.
    Year
    Related pages Abasement #76
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    Related pages Scholastic Art and Writing Awards
  • A close-up icolor mage of a musician playing the guitar. Red light cast onto them. A disco ball hangs from the ceiling, projecting white dots onto the room.
    A close-up icolor mage of a musician playing the guitar. Red light cast onto them. A disco ball hangs from the ceiling, projecting white dots onto the room.
    Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman. [A close-up icolor mage of a musician playing the guitar. Red light cast onto them. A disco ball hangs from the ceiling, projecting white dots onto the room.]
    Caption Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman.
    Image description A close-up icolor mage of a musician playing the guitar. Red light cast onto them. A disco ball hangs from the ceiling, projecting white dots onto the room.
    Year
    Related pages Abasement #65
  • A black and white photograph of the base of a monument in a city square. Steps lead up to a pedastal surrounded by three large spheres connected by a metal chain.
    A black and white photograph of the base of a monument in a city square. Steps lead up to a pedastal surrounded by three large spheres connected by a metal chain.
    Bases of the equestrian monument to Kaiser Wilhem which was destroyed by the British occupation in Münster after World War II. The photographs were printed as post cards in the early 20th century and collected from eBay and oldthing.de in 2021. [A black and white photograph of the base of a monument in a city square. Steps lead up to a pedastal surrounded by three large spheres connected by a metal chain.]
    Caption Bases of the equestrian monument to Kaiser Wilhem which was destroyed by the British occupation in Münster after World War II. The photographs were printed as post cards in the early 20th century and collected from eBay and oldthing.de in 2021.
    Image description A black and white photograph of the base of a monument in a city square. Steps lead up to a pedastal surrounded by three large spheres connected by a metal chain.
    Year 2022
    Related pages virgil b/g taylor: Minor Publics
  • A red and grey minimal book cover.
    A red and grey minimal book cover.
    Eds. Hugues Decointet, François Piron, Marilou Thiébault, Guy de Cointet: The Complete Plays (Paraguay Press, 2017). [A red and grey minimal book cover.]
    Caption Eds. Hugues Decointet, François Piron, Marilou Thiébault, Guy de Cointet: The Complete Plays (Paraguay Press, 2017).
    Image description A red and grey minimal book cover.
    Year 2017
    Related pages Guy de Cointet: The Complete Plays
  • A color installation view of a gallery space. A poster with a drawing of a human body hangs on the left, a television monitor with two chairs is in the center of the image. Above the monitor, a red tunic hangs from the wall.
    A color installation view of a gallery space. A poster with a drawing of a human body hangs on the left, a television monitor with two chairs is in the center of the image. Above the monitor, a red tunic hangs from the wall.
    Milford Graves: Fundamental Frequency. Installation view, Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak. [A color installation view of a gallery space. A poster with a drawing of a human body hangs on the left, a television monitor with two chairs is in the center of the image. Above the monitor, a red tunic hangs from the wall.]
    Caption Milford Graves: Fundamental Frequency. Installation view, Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak.
    Image description A color installation view of a gallery space. A poster with a drawing of a human body hangs on the left, a television monitor with two chairs is in the center of the image. Above the monitor, a red tunic hangs from the wall.
    Year 2021
    Related pages Milford Graves: Fundamental Frequency
  • A dark illustration featuring a small, white dog at the composition's lower left edge. A black, inky background vaguely resembling a forest surrounds the dog, who pauses mid stride to glance behind itself.
    A dark illustration featuring a small, white dog at the composition's lower left edge. A black, inky background vaguely resembling a forest surrounds the dog, who pauses mid stride to glance behind itself.
    [A dark illustration featuring a small, white dog at the composition's lower left edge. A black, inky background vaguely resembling a forest surrounds the dog, who pauses mid stride to glance behind itself.]
    Caption
    Image description A dark illustration featuring a small, white dog at the composition's lower left edge. A black, inky background vaguely resembling a forest surrounds the dog, who pauses mid stride to glance behind itself.
    Year 1992
    Related pages I Thought I Had Time
  • Terry Fox: All These Different Things Are Sculpture. Installation view, Artists Space, 2024. Photo: Filip Wolak
    Caption Terry Fox: All These Different Things Are Sculpture. Installation view, Artists Space, 2024. Photo: Filip Wolak
    Image description
    Year
    Related pages All These Different Things Are Sculpture
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
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  • A performer plays the saxophone into a microphone on stage for an audience. Speckled white lights appear around the room.
    A performer plays the saxophone into a microphone on stage for an audience. Speckled white lights appear around the room.
    Abasement #84. Performance documentation, February 16th, 2026, Artists Space. Photo: Joshua Wildman. [A performer plays the saxophone into a microphone on stage for an audience. Speckled white lights appear around the room. ]
    Caption Abasement #84. Performance documentation, February 16th, 2026, Artists Space. Photo: Joshua Wildman.
    Image description A performer plays the saxophone into a microphone on stage for an audience. Speckled white lights appear around the room.
    Year
    Related pages Abasement #84
  • Silver, italic text displayed across the top edge of a white gallery wall reads,
    Silver, italic text displayed across the top edge of a white gallery wall reads,
    Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [Silver, italic text displayed across the top edge of a white gallery wall reads, "Tier 3 1980 Dallas 1963 Cabins 2007 Color TV 1954 TITMH 2013 Alexis de Tocqueville 1992." An image of the moon in a black sky and a small letter are displayed side-by-side on the gallery wall beneath the silver text.]
    Caption Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description Silver, italic text displayed across the top edge of a white gallery wall reads, "Tier 3 1980 Dallas 1963 Cabins 2007 Color TV 1954 TITMH 2013 Alexis de Tocqueville 1992." An image of the moon in a black sky and a small letter are displayed side-by-side on the gallery wall beneath the silver text.
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • White text on a black screen reads: “An additional interpreter was needed to translate my father’s Korean into English.”
    White text on a black screen reads: “An additional interpreter was needed to translate my father’s Korean into English.”
    Caroline Key. Still from Speech Memory, 2007. 16mm film on video, color, sound; 23 minutes. Courtesy the artist. [White text on a black screen reads: “An additional interpreter was needed to translate my father’s Korean into English.”]
    Caption Caroline Key. Still from Speech Memory, 2007. 16mm film on video, color, sound; 23 minutes. Courtesy the artist.
    Image description White text on a black screen reads: “An additional interpreter was needed to translate my father’s Korean into English.”
    Year 2007
    Related pages Whitney ISP Archive
  • A painting with blue, yellow, and neutral tones is hung on a white wall. Another painting is visible in the background with bright yellow and orange hues.
    A painting with blue, yellow, and neutral tones is hung on a white wall. Another painting is visible in the background with bright yellow and orange hues.
    Miyoko Ito: Heart of Hearts. Installation view, Artists Space, 2018. Photo: Daniel Peréz. [A painting with blue, yellow, and neutral tones is hung on a white wall. Another painting is visible in the background with bright yellow and orange hues.]
    Caption Miyoko Ito: Heart of Hearts. Installation view, Artists Space, 2018. Photo: Daniel Peréz.
    Image description A painting with blue, yellow, and neutral tones is hung on a white wall. Another painting is visible in the background with bright yellow and orange hues.
    Year 1959
    Related pages Miyoko Ito: Heart of Hearts
  • A metal plaque engraved with text is displayed on a white gallery wall that extends into the left half of the image's frame. Past and to the right of the wall, a series of colorful panels are staggered around a white column in front of a red wall. Some of the panels are decorated with cartoonish illustrations of animals and forests. Large text on one of the visible panels reads,
    A metal plaque engraved with text is displayed on a white gallery wall that extends into the left half of the image's frame. Past and to the right of the wall, a series of colorful panels are staggered around a white column in front of a red wall. Some of the panels are decorated with cartoonish illustrations of animals and forests. Large text on one of the visible panels reads,
    Sam Pulitzer: A Colony for “Them”. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A metal plaque engraved with text is displayed on a white gallery wall that extends into the left half of the image's frame. Past and to the right of the wall, a series of colorful panels are staggered around a white column in front of a red wall. Some of the panels are decorated with cartoonish illustrations of animals and forests. Large text on one of the visible panels reads, "We're all going to really miss doing your work for you."]
    Caption Sam Pulitzer: A Colony for “Them”. Installation view, Artists Space, 2014. Photo: Daniel Pérez.
    Image description A metal plaque engraved with text is displayed on a white gallery wall that extends into the left half of the image's frame. Past and to the right of the wall, a series of colorful panels are staggered around a white column in front of a red wall. Some of the panels are decorated with cartoonish illustrations of animals and forests. Large text on one of the visible panels reads, "We're all going to really miss doing your work for you."
    Year 2014
    Related pages Sam Pulitzer: A Colony for "Them"
  • A black and white image of a painted abstract figure.
    A black and white image of a painted abstract figure.
    Benje LaRico. Prova, 1986. Enamel, Plastic, Wood, Linoleum. 63.5 inches x 84.5 inches x 2.75 inches. [A black and white image of a painted abstract figure.]
    Caption Benje LaRico. Prova, 1986. Enamel, Plastic, Wood, Linoleum. 63.5 inches x 84.5 inches x 2.75 inches.
    Image description A black and white image of a painted abstract figure.
    Year 1986
    Related pages Abstraction in Process
  • A flyer for the event, depicting a Manhattan city block with neon-hued clouds in the background.
    A flyer for the event, depicting a Manhattan city block with neon-hued clouds in the background.
    It's Get Better IV, 2016. [A flyer for the event, depicting a Manhattan city block with neon-hued clouds in the background.]
    Caption It's Get Better IV, 2016.
    Image description A flyer for the event, depicting a Manhattan city block with neon-hued clouds in the background.
    Year 2016
    Related pages It's Get Better IV
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  • Several sculptures, video works, and other artworks installed in a gallery space with wooden flooring. A large sculpture on the image's right side is composed of a series of wooden rifles gathered to form two, pole-like structures, between which a quilt-like blanket is wrapped around a supporting pole. To the left of this sculpture, a second, long structure composed of a series of white tiles runs diagonally across the gallery floor, forming a long line. Several TV monitors and 2D works are installed on the gallery walls behind the two sculptures.
    Several sculptures, video works, and other artworks installed in a gallery space with wooden flooring. A large sculpture on the image's right side is composed of a series of wooden rifles gathered to form two, pole-like structures, between which a quilt-like blanket is wrapped around a supporting pole. To the left of this sculpture, a second, long structure composed of a series of white tiles runs diagonally across the gallery floor, forming a long line. Several TV monitors and 2D works are installed on the gallery walls behind the two sculptures.
    Log Cabin. Installation view, Artists Space, 2005. [Several sculptures, video works, and other artworks installed in a gallery space with wooden flooring. A large sculpture on the image's right side is composed of a series of wooden rifles gathered to form two, pole-like structures, between which a quilt-like blanket is wrapped around a supporting pole. To the left of this sculpture, a second, long structure composed of a series of white tiles runs diagonally across the gallery floor, forming a long line. Several TV monitors and 2D works are installed on the gallery walls behind the two sculptures.]
    Caption Log Cabin. Installation view, Artists Space, 2005.
    Image description Several sculptures, video works, and other artworks installed in a gallery space with wooden flooring. A large sculpture on the image's right side is composed of a series of wooden rifles gathered to form two, pole-like structures, between which a quilt-like blanket is wrapped around a supporting pole. To the left of this sculpture, a second, long structure composed of a series of white tiles runs diagonally across the gallery floor, forming a long line. Several TV monitors and 2D works are installed on the gallery walls behind the two sculptures.
    Year 2005
    Related pages Log Cabin
  • A black and white photograph with two images of faces illuminated in the darkness and text underneath.
    A black and white photograph with two images of faces illuminated in the darkness and text underneath.
    John Knecht. I'm Glad To The Brink Of Fear, 1986. Video Installation. [A black and white photograph with two images of faces illuminated in the darkness and text underneath.]
    Caption John Knecht. I'm Glad To The Brink Of Fear, 1986. Video Installation.
    Image description A black and white photograph with two images of faces illuminated in the darkness and text underneath.
    Year 1987
    Related pages Dark Rooms
  • A trough sits between two iron columns, liquid spouts out from the belly button of a torso-like sculpture hanging above the trough.
    A trough sits between two iron columns, liquid spouts out from the belly button of a torso-like sculpture hanging above the trough.
    rio nagaoka, Fountain II, 2025. Steel, hydrocal, urine. Photo: Carter Seddon [A trough sits between two iron columns, liquid spouts out from the belly button of a torso-like sculpture hanging above the trough.]
    Caption rio nagaoka, Fountain II, 2025. Steel, hydrocal, urine. Photo: Carter Seddon
    Image description A trough sits between two iron columns, liquid spouts out from the belly button of a torso-like sculpture hanging above the trough.
    Year
    Related pages Nandi Loaf Aristotelis Nikolas Mochloulis rio nagaoka Sydney Schrader
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  • A close-up image of a musician surrounded by three microphones is sitting on the floor playing the violin. Three other violins lay on the stage before her. Abstract images are projected onto the back.
    A close-up image of a musician surrounded by three microphones is sitting on the floor playing the violin. Three other violins lay on the stage before her. Abstract images are projected onto the back.
    Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman. [A close-up image of a musician surrounded by three microphones is sitting on the floor playing the violin. Three other violins lay on the stage before her. Abstract images are projected onto the back.]
    Caption Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman.
    Image description A close-up image of a musician surrounded by three microphones is sitting on the floor playing the violin. Three other violins lay on the stage before her. Abstract images are projected onto the back.
    Year
    Related pages Abasement #65
  • White text on a bright fuchsia background. The text reads: “Oct 18 / Laura Moriarty / Kevin Holden” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    White text on a bright fuchsia background. The text reads: “Oct 18 / Laura Moriarty / Kevin Holden” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [White text on a bright fuchsia background. The text reads: “Oct 18 / Laura Moriarty / Kevin Holden” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description White text on a bright fuchsia background. The text reads: “Oct 18 / Laura Moriarty / Kevin Holden” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Laura Moriarty & Kevin Holden
  • Color photograph of a figure in a red suit performing in a darkly lit room with LED light sculptures in the background. The figure holds their left hand out in a gesture, and with their right hand holds a mask in front of their face.
    Color photograph of a figure in a red suit performing in a darkly lit room with LED light sculptures in the background. The figure holds their left hand out in a gesture, and with their right hand holds a mask in front of their face.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a figure in a red suit performing in a darkly lit room with LED light sculptures in the background. The figure holds their left hand out in a gesture, and with their right hand holds a mask in front of their face.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of a figure in a red suit performing in a darkly lit room with LED light sculptures in the background. The figure holds their left hand out in a gesture, and with their right hand holds a mask in front of their face.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • A wide angle image of a dark exhibition space, on the left a large projection is shown on a long wall, on the right photograph negatives hang off a wall.
    A wide angle image of a dark exhibition space, on the left a large projection is shown on a long wall, on the right photograph negatives hang off a wall.
    New Red Order: Feel at Home Here. Installation view, Artists Space, May 19 – August 21, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A wide angle image of a dark exhibition space, on the left a large projection is shown on a long wall, on the right photograph negatives hang off a wall.]
    Caption New Red Order: Feel at Home Here. Installation view, Artists Space, May 19 – August 21, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A wide angle image of a dark exhibition space, on the left a large projection is shown on a long wall, on the right photograph negatives hang off a wall.
    Year 2021
    Related pages New Red Order: Feel at Home Here
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    Year
    Related pages Support
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    Year
    Related pages OCTOBER Files: *Glenn Ligon*
  • White text overlays a color-scheme grid background. The text reads: “Nov 18 / Eileen Myles / Jackie Wang.
    White text overlays a color-scheme grid background. The text reads: “Nov 18 / Eileen Myles / Jackie Wang.
    [White text overlays a color-scheme grid background. The text reads: “Nov 18 / Eileen Myles / Jackie Wang." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description White text overlays a color-scheme grid background. The text reads: “Nov 18 / Eileen Myles / Jackie Wang." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year
    Related pages Segue Reading Series: Eileen Myles & Jackie Wang
  • A black and white photograph of a crowded room filled with people conversing.
    A black and white photograph of a crowded room filled with people conversing.
    Opening at the Tanager Gallery, NY, 1959. [A black and white photograph of a crowded room filled with people conversing.]
    Caption Opening at the Tanager Gallery, NY, 1959.
    Image description A black and white photograph of a crowded room filled with people conversing.
    Year 1959
    Related pages Goodbye to Tenth Street, A Novel by Irving Sandler
  • Americo Rossi, Untitled, 2021, digital photography
    Caption Americo Rossi, Untitled, 2021, digital photography
    Image description
    Year
    Related pages BRIDGE Photography
  • An arrangement of 10 colored photos, each showing a different outdoor and indoor settings, including settings of nature, animals, a red trailer, an overexposed lecture hall, and a portrait of a woman.
    An arrangement of 10 colored photos, each showing a different outdoor and indoor settings, including settings of nature, animals, a red trailer, an overexposed lecture hall, and a portrait of a woman.
    Michaela Eichwald, Ten Top Photographs for Artists Space, 2015, Series of ten inkjet prints, Assorted dimensions range from 5 x 7 in to 5 x 7 ½ in / 12,7 x 17,8 cm to 12,7 x 19 cm, each Signed and Numbered Certificate [An arrangement of 10 colored photos, each showing a different outdoor and indoor settings, including settings of nature, animals, a red trailer, an overexposed lecture hall, and a portrait of a woman.]
    Caption Michaela Eichwald, Ten Top Photographs for Artists Space, 2015, Series of ten inkjet prints, Assorted dimensions range from 5 x 7 in to 5 x 7 ½ in / 12,7 x 17,8 cm to 12,7 x 19 cm, each Signed and Numbered Certificate
    Image description An arrangement of 10 colored photos, each showing a different outdoor and indoor settings, including settings of nature, animals, a red trailer, an overexposed lecture hall, and a portrait of a woman.
    Year 2016
    Related pages Artists Space Annual Edition Portfolio 2016
  • A gallery with an L-shaped bench covered in fabric, plus several video projections and artworks adorning the walls.
    A gallery with an L-shaped bench covered in fabric, plus several video projections and artworks adorning the walls.
    Marie Karlberg Videos. Installation view, Artists Space, 2013. [A gallery with an L-shaped bench covered in fabric, plus several video projections and artworks adorning the walls.]
    Caption Marie Karlberg Videos. Installation view, Artists Space, 2013.
    Image description A gallery with an L-shaped bench covered in fabric, plus several video projections and artworks adorning the walls.
    Year 2013
    Related pages Marie Karlberg Videos
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    Related pages Ralston Farina: Time // Time
  • 3 large paintings hang on the wall to the right. The foremost is rectangular, then further away is a rhombus shaped painting and lastly a circular piece.
    3 large paintings hang on the wall to the right. The foremost is rectangular, then further away is a rhombus shaped painting and lastly a circular piece.
    Traditions: Five Painters. Installation View, Artists Space, 1978. [3 large paintings hang on the wall to the right. The foremost is rectangular, then further away is a rhombus shaped painting and lastly a circular piece.]
    Caption Traditions: Five Painters. Installation View, Artists Space, 1978.
    Image description 3 large paintings hang on the wall to the right. The foremost is rectangular, then further away is a rhombus shaped painting and lastly a circular piece.
    Year
    Related pages Traditions: Five Painters, Charles Clough, William Fares, Sidney Goldberg, John Lees, Ann Thornycroft
  • An image of two figures in blue scrubs standing on opposite ends of a sterile table. A medical mannequin on the table is covered in shiny red silk fabric. In the background, there are projections and forms draped in yellow fabric.
    An image of two figures in blue scrubs standing on opposite ends of a sterile table. A medical mannequin on the table is covered in shiny red silk fabric. In the background, there are projections and forms draped in yellow fabric.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court [An image of two figures in blue scrubs standing on opposite ends of a sterile table. A medical mannequin on the table is covered in shiny red silk fabric. In the background, there are projections and forms draped in yellow fabric.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court
    Image description An image of two figures in blue scrubs standing on opposite ends of a sterile table. A medical mannequin on the table is covered in shiny red silk fabric. In the background, there are projections and forms draped in yellow fabric.
    Year 2022
    Related pages Grandmother Cindy
  • Audience members are seated along a back wall, with a figure in a blue morph suit seated on a rectangular wooden frame alongside them. Blue light is projected onto a screen in the background.
    Audience members are seated along a back wall, with a figure in a blue morph suit seated on a rectangular wooden frame alongside them. Blue light is projected onto a screen in the background.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Audience members are seated along a back wall, with a figure in a blue morph suit seated on a rectangular wooden frame alongside them. Blue light is projected onto a screen in the background.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Audience members are seated along a back wall, with a figure in a blue morph suit seated on a rectangular wooden frame alongside them. Blue light is projected onto a screen in the background.
    Year 2022
    Related pages SCRAAATCH 11-19
  • Five performers sitting in a row playing various wind, string, and percussion instruments. They are facing microphone and sheet music stands. Multicolored patterned projections and disco ball reflections cover the two walls and musicians. Audience members are visible around the stage.
    Five performers sitting in a row playing various wind, string, and percussion instruments. They are facing microphone and sheet music stands. Multicolored patterned projections and disco ball reflections cover the two walls and musicians. Audience members are visible around the stage.
    Abasement #72. Performance documentation, October 7th, 2024, Artists Space. Photo: Joshua Wildman. [Five performers sitting in a row playing various wind, string, and percussion instruments. They are facing microphone and sheet music stands. Multicolored patterned projections and disco ball reflections cover the two walls and musicians. Audience members are visible around the stage.]
    Caption Abasement #72. Performance documentation, October 7th, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Five performers sitting in a row playing various wind, string, and percussion instruments. They are facing microphone and sheet music stands. Multicolored patterned projections and disco ball reflections cover the two walls and musicians. Audience members are visible around the stage.
    Year
    Related pages Abasement #72
  • A red book cover with white text superimposed on a black palm print.
    A red book cover with white text superimposed on a black palm print.
    Artists Space, Witnesses: Against Our Vanishing, 1989. [A red book cover with white text superimposed on a black palm print.]
    Caption Artists Space, Witnesses: Against Our Vanishing, 1989.
    Image description A red book cover with white text superimposed on a black palm print.
    Year 1989
    Related pages Book Sale!
  • Five people dressed in white, carefully looking down and stepping around an otherwise empty room.
    Five people dressed in white, carefully looking down and stepping around an otherwise empty room.
    Performance at Artists Space, 1980s [Five people dressed in white, carefully looking down and stepping around an otherwise empty room.]
    Caption Performance at Artists Space, 1980s
    Image description Five people dressed in white, carefully looking down and stepping around an otherwise empty room.
    Year
    Related pages History
  • A poster showing a silver car driving through a selection of press clippings from newspapers on a blue background. At the top of the image, there is white text that reads,
    A poster showing a silver car driving through a selection of press clippings from newspapers on a blue background. At the top of the image, there is white text that reads,
    Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A poster showing a silver car driving through a selection of press clippings from newspapers on a blue background. At the top of the image, there is white text that reads, "PRESENTING AMERICA'S MOST TALKED ABOUT CAR!" At the bottom, white text reads, "DELOREAN."]
    Caption Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description A poster showing a silver car driving through a selection of press clippings from newspapers on a blue background. At the top of the image, there is white text that reads, "PRESENTING AMERICA'S MOST TALKED ABOUT CAR!" At the bottom, white text reads, "DELOREAN."
    Year 2010
    Related pages Duncan Campbell: Make It New John
  • Photograph of a performer standing behind a small desk that holds audio equipment. The performer stands upright with their hands held together in front of their face. To the performer's right a music stand holds a score. The background is bathed in blue and red light.
    Photograph of a performer standing behind a small desk that holds audio equipment. The performer stands upright with their hands held together in front of their face. To the performer's right a music stand holds a score. The background is bathed in blue and red light.
    Heist Divination (fwiw remix). Performance documentation, October 25th, 2024, Artists Space. Photo: Destiny Mata. [Photograph of a performer standing behind a small desk that holds audio equipment. The performer stands upright with their hands held together in front of their face. To the performer's right a music stand holds a score. The background is bathed in blue and red light. ]
    Caption Heist Divination (fwiw remix). Performance documentation, October 25th, 2024, Artists Space. Photo: Destiny Mata.
    Image description Photograph of a performer standing behind a small desk that holds audio equipment. The performer stands upright with their hands held together in front of their face. To the performer's right a music stand holds a score. The background is bathed in blue and red light.
    Year
    Related pages S*an D. Henry-Smith
  • Black and white image of a gallery enclave. The walls are covered with long lists of individual signatures that form several rows from floor to ceiling.
    Black and white image of a gallery enclave. The walls are covered with long lists of individual signatures that form several rows from floor to ceiling.
    Kathe Burkhart and Chrysanne Stathacos: Abortion Project. Installation view, Artists Space, 1991. [Black and white image of a gallery enclave. The walls are covered with long lists of individual signatures that form several rows from floor to ceiling.]
    Caption Kathe Burkhart and Chrysanne Stathacos: Abortion Project. Installation view, Artists Space, 1991.
    Image description Black and white image of a gallery enclave. The walls are covered with long lists of individual signatures that form several rows from floor to ceiling.
    Year 1991
    Related pages Abortion Project
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    Related pages Carolyn Lazard
  • Color photograph of an audio device placed on a shelf. The device consists of a machine, speakers, and light sensors. A paper containing notes and instructions on the controls is placed on top of the machine.
    Color photograph of an audio device placed on a shelf. The device consists of a machine, speakers, and light sensors. A paper containing notes and instructions on the controls is placed on top of the machine.
    Yasunao Tone: Region of Paramedia. Installation view (Device for Molecular Music, 1982), Artists Space, 2023. Photo: Filip Wolak. [Color photograph of an audio device placed on a shelf. The device consists of a machine, speakers, and light sensors. A paper containing notes and instructions on the controls is placed on top of the machine.]
    Caption Yasunao Tone: Region of Paramedia. Installation view (Device for Molecular Music, 1982), Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photograph of an audio device placed on a shelf. The device consists of a machine, speakers, and light sensors. A paper containing notes and instructions on the controls is placed on top of the machine.
    Year 2023
    Related pages Yasunao Tone: Region of Paramedia
  • A view of a dimly lit room with a video monitor sitting on the ground of the right wall. The monitor screen is black with white text reading,
    A view of a dimly lit room with a video monitor sitting on the ground of the right wall. The monitor screen is black with white text reading,
    Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A view of a dimly lit room with a video monitor sitting on the ground of the right wall. The monitor screen is black with white text reading, "[The Manhattans continue to sing 'Shining Star']." Towards the corner, an inferometer projects green dots onto adjacent walls.]
    Caption Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description A view of a dimly lit room with a video monitor sitting on the ground of the right wall. The monitor screen is black with white text reading, "[The Manhattans continue to sing 'Shining Star']." Towards the corner, an inferometer projects green dots onto adjacent walls.
    Year 2018
    Related pages Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff
  • A black and white image of a person sitting on a pedestal, performing in front of a crowd.
    A black and white image of a person sitting on a pedestal, performing in front of a crowd.
    Laurie Anderson; PersonA. Performance documentation, April 25, 1974, Artists Space. [A black and white image of a person sitting on a pedestal, performing in front of a crowd.]
    Caption Laurie Anderson; PersonA. Performance documentation, April 25, 1974, Artists Space.
    Image description A black and white image of a person sitting on a pedestal, performing in front of a crowd.
    Year 1974
    Related pages
  • A black-and-white photograph of a man sitting down against a gray background wearing a Nazi uniform, holding a basket of apples.
    A black-and-white photograph of a man sitting down against a gray background wearing a Nazi uniform, holding a basket of apples.
    Collier Schorr, Traitor, 2001-2004. Courtesy Modern Art, London. [A black-and-white photograph of a man sitting down against a gray background wearing a Nazi uniform, holding a basket of apples.]
    Caption Collier Schorr, Traitor, 2001-2004. Courtesy Modern Art, London.
    Image description A black-and-white photograph of a man sitting down against a gray background wearing a Nazi uniform, holding a basket of apples.
    Year
    Related pages Drawing In A Straight Line
  • A woman sits in front of a typewriter inserting a piece of paper. She is dressed in 1950s fashion.
    A woman sits in front of a typewriter inserting a piece of paper. She is dressed in 1950s fashion.
    Cindy Sherman. Work unknown. [A woman sits in front of a typewriter inserting a piece of paper. She is dressed in 1950s fashion.]
    Caption Cindy Sherman. Work unknown.
    Image description A woman sits in front of a typewriter inserting a piece of paper. She is dressed in 1950s fashion.
    Year
    Related pages ______ , Louise Lawler, Adrian Piper & Cindy Sherman Have Agreed to Participate in an Exhibition Organized by Janelle Reiring at Artists Space, September 23 through October 28, 1978.
  • The English translation of the poem “When everything—including this cell phone—fails…/Cuando todo—incluyendo este teléfono móvil—faile...” appears above the Spanish translation. Two grey lines of different thicknesses cross to form an X-shape on the right of the page.
    The English translation of the poem “When everything—including this cell phone—fails…/Cuando todo—incluyendo este teléfono móvil—faile...” appears above the Spanish translation. Two grey lines of different thicknesses cross to form an X-shape on the right of the page.
    Electronic Disturbance Theater 2.0/b.a.n.g. lab. The Transborder Immigrant Tool, 2007–ongoing. Pages excerpted from The Transborder Immigrant Tool publication. Courtesy the artist, University of Michigan Ann Arbor, and University of California, San Diego. [The English translation of the poem “When everything—including this cell phone—fails…/Cuando todo—incluyendo este teléfono móvil—faile...” appears above the Spanish translation. Two grey lines of different thicknesses cross to form an X-shape on the right of the page.]
    Caption Electronic Disturbance Theater 2.0/b.a.n.g. lab. The Transborder Immigrant Tool, 2007–ongoing. Pages excerpted from The Transborder Immigrant Tool publication. Courtesy the artist, University of Michigan Ann Arbor, and University of California, San Diego.
    Image description The English translation of the poem “When everything—including this cell phone—fails…/Cuando todo—incluyendo este teléfono móvil—faile...” appears above the Spanish translation. Two grey lines of different thicknesses cross to form an X-shape on the right of the page.
    Year 2007
    Related pages Whitney ISP Archive
  • A microphone connected to a stand and an amp sit on the floor of a gallery space. The microphone stand has been adjusted such that the microphone is pointed down and hovers directly over a small answering machine on the ground. Wall vinyl installed on the wall directly behind the microphone stand displays a phone number:
    A microphone connected to a stand and an amp sit on the floor of a gallery space. The microphone stand has been adjusted such that the microphone is pointed down and hovers directly over a small answering machine on the ground. Wall vinyl installed on the wall directly behind the microphone stand displays a phone number:
    Salad Days 2. Installation view, Artists Space, 2006. Photo: Bill Ocrutt. [A microphone connected to a stand and an amp sit on the floor of a gallery space. The microphone stand has been adjusted such that the microphone is pointed down and hovers directly over a small answering machine on the ground. Wall vinyl installed on the wall directly behind the microphone stand displays a phone number: "+1 (212) 226-2786)."]
    Caption Salad Days 2. Installation view, Artists Space, 2006. Photo: Bill Ocrutt.
    Image description A microphone connected to a stand and an amp sit on the floor of a gallery space. The microphone stand has been adjusted such that the microphone is pointed down and hovers directly over a small answering machine on the ground. Wall vinyl installed on the wall directly behind the microphone stand displays a phone number: "+1 (212) 226-2786)."
    Year 2006
    Related pages Salad Days 2
  • A color photo of three individuals smiling and posing together in an embrace for the camera. Other individuals engage with each other in the background of a dimly lit space.
    A color photo of three individuals smiling and posing together in an embrace for the camera. Other individuals engage with each other in the background of a dimly lit space.
    Friends of Artists Space Annual Dinner, 2018. [A color photo of three individuals smiling and posing together in an embrace for the camera. Other individuals engage with each other in the background of a dimly lit space.]
    Caption Friends of Artists Space Annual Dinner, 2018.
    Image description A color photo of three individuals smiling and posing together in an embrace for the camera. Other individuals engage with each other in the background of a dimly lit space.
    Year 2018
    Related pages Support
  • A color image of a gallery space. A sculpture featuring a shovel with a cast iron claw foot sits upright on a pedestal. To the right of the shovel, three framed ink drawings on paper are hung on the wall.
    A color image of a gallery space. A sculpture featuring a shovel with a cast iron claw foot sits upright on a pedestal. To the right of the shovel, three framed ink drawings on paper are hung on the wall.
    Andy Robert: PAPALOKO. Installation view, Artists Space, 2024. Photo: Carter Seddon. [A color image of a gallery space. A sculpture featuring a shovel with a cast iron claw foot sits upright on a pedestal. To the right of the shovel, three framed ink drawings on paper are hung on the wall.]
    Caption Andy Robert: PAPALOKO. Installation view, Artists Space, 2024. Photo: Carter Seddon.
    Image description A color image of a gallery space. A sculpture featuring a shovel with a cast iron claw foot sits upright on a pedestal. To the right of the shovel, three framed ink drawings on paper are hung on the wall.
    Year
    Related pages Andy Robert: Papaloko
  • Two figures wearing medical scrubs gaze into the distance.
    Two figures wearing medical scrubs gaze into the distance.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court [Two figures wearing medical scrubs gaze into the distance.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court
    Image description Two figures wearing medical scrubs gaze into the distance.
    Year 2022
    Related pages Grandmother Cindy
  • A color installation view of a gallery space with three dark columns. A wicker pannier and a yellow brocade couch are visible in the foreground. In the background, a multi-tiered door, several paintings, a wooden stool and nightstand are also visible.
    A color installation view of a gallery space with three dark columns. A wicker pannier and a yellow brocade couch are visible in the foreground. In the background, a multi-tiered door, several paintings, a wooden stool and nightstand are also visible.
    Lyndon Barrois Jr.: Mirage Collar. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color installation view of a gallery space with three dark columns. A wicker pannier and a yellow brocade couch are visible in the foreground. In the background, a multi-tiered door, several paintings, a wooden stool and nightstand are also visible.]
    Caption Lyndon Barrois Jr.: Mirage Collar. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color installation view of a gallery space with three dark columns. A wicker pannier and a yellow brocade couch are visible in the foreground. In the background, a multi-tiered door, several paintings, a wooden stool and nightstand are also visible.
    Year 2022
    Related pages Lyndon Barrois Jr.: Mirage Collar
  • Two figures in dark clothing stand before two music stands. The figure on the right speaks and gazes forward. One of their hands rests on the music stand, the other reaches out in front of themselves, their fingers extended.
    Two figures in dark clothing stand before two music stands. The figure on the right speaks and gazes forward. One of their hands rests on the music stand, the other reaches out in front of themselves, their fingers extended.
    Passages from People Who Led to My Plays. Performance documentation, March 1, 2020, Artists Space. Photo ©️ 2020 Paula Court. [Two figures in dark clothing stand before two music stands. The figure on the right speaks and gazes forward. One of their hands rests on the music stand, the other reaches out in front of themselves, their fingers extended.]
    Caption Passages from People Who Led to My Plays. Performance documentation, March 1, 2020, Artists Space. Photo ©️ 2020 Paula Court.
    Image description Two figures in dark clothing stand before two music stands. The figure on the right speaks and gazes forward. One of their hands rests on the music stand, the other reaches out in front of themselves, their fingers extended.
    Year 2020
    Related pages Passages from People Who Led to My Plays
  • Sidewalk Archives, Artists Space, April 2023
    Caption Sidewalk Archives, Artists Space, April 2023
    Image description
    Year
    Related pages Exhibitions and Events
  • A narrow, white door with the number
    A narrow, white door with the number
    John Salvest, Cipher, 1989. Wood, brass, plexiglass, alphabet noodles, 80 x 24 x 6 inches. [A narrow, white door with the number "0" on it is partially open against a white wall, obscuring what is behind it.]
    Caption John Salvest, Cipher, 1989. Wood, brass, plexiglass, alphabet noodles, 80 x 24 x 6 inches.
    Image description A narrow, white door with the number "0" on it is partially open against a white wall, obscuring what is behind it.
    Year 1989
    Related pages Selections: Aljira & Artists Space
  • A color image of two figures before a table filled with electronic equipment such as cables, cameras, and monitors. The figure on the left is sitting down, and the figure on the right is standing up. They are both looking at something outside of the frame. Their faces are illuminated by red light.
    A color image of two figures before a table filled with electronic equipment such as cables, cameras, and monitors. The figure on the left is sitting down, and the figure on the right is standing up. They are both looking at something outside of the frame. Their faces are illuminated by red light.
    Abasement #66. Performance documentation, October 9, 2023, Artists Space. Photo: Joshua Wildman. [A color image of two figures before a table filled with electronic equipment such as cables, cameras, and monitors. The figure on the left is sitting down, and the figure on the right is standing up. They are both looking at something outside of the frame. Their faces are illuminated by red light.]
    Caption Abasement #66. Performance documentation, October 9, 2023, Artists Space. Photo: Joshua Wildman.
    Image description A color image of two figures before a table filled with electronic equipment such as cables, cameras, and monitors. The figure on the left is sitting down, and the figure on the right is standing up. They are both looking at something outside of the frame. Their faces are illuminated by red light.
    Year
    Related pages Abasement #66
  • A bulbous light-hued pink sphere-like object rests upon a white plinth. When in use, a red light on the object blinks to signal that the object is functioning correctly.
    A bulbous light-hued pink sphere-like object rests upon a white plinth. When in use, a red light on the object blinks to signal that the object is functioning correctly.
    Cici Wu, Foreign Object #1 Fluffy Light (anonymous), 2018. Handmade opalescent glass, CDS photo-reflectors, white and orange LED indicator, switch, chargeable battery, electronic board, memory cardboard. 4.5 × 4.5 × 4.5 in. (11.43 × 11.43 × 11.43 cm). Courtesy the artist and 47 Canal Gallery. Photo by Joerg Lohse. [A bulbous light-hued pink sphere-like object rests upon a white plinth. When in use, a red light on the object blinks to signal that the object is functioning correctly.]
    Caption Cici Wu, Foreign Object #1 Fluffy Light (anonymous), 2018. Handmade opalescent glass, CDS photo-reflectors, white and orange LED indicator, switch, chargeable battery, electronic board, memory cardboard. 4.5 × 4.5 × 4.5 in. (11.43 × 11.43 × 11.43 cm). Courtesy the artist and 47 Canal Gallery. Photo by Joerg Lohse.
    Image description A bulbous light-hued pink sphere-like object rests upon a white plinth. When in use, a red light on the object blinks to signal that the object is functioning correctly.
    Year 2018
    Related pages Whitney ISP Archive
  • A crowd watches as a figure on stage sits behind a commodore computer while text is projected on the right wall that reads
    A crowd watches as a figure on stage sits behind a commodore computer while text is projected on the right wall that reads
    Yasunao Tone in Concert with Barbara Held. Performance documentation, January 19, 2023, Artists Space. Photo: Destiny Mata [A crowd watches as a figure on stage sits behind a commodore computer while text is projected on the right wall that reads "A cool star filled night / above the dark sea / though as a fire-fly's light."]
    Caption Yasunao Tone in Concert with Barbara Held. Performance documentation, January 19, 2023, Artists Space. Photo: Destiny Mata
    Image description A crowd watches as a figure on stage sits behind a commodore computer while text is projected on the right wall that reads "A cool star filled night / above the dark sea / though as a fire-fly's light."
    Year 2023
    Related pages Yasunao Tone in Concert with Barbara Held
  • [Black text overlays a mauve background. The top left corner reads:
    [Black text overlays a mauve background. The top left corner reads:
    Flyer for Segue Reading Series featuring Charles Alexander and Lonely Christopher. Saturday, January 29, 2021, Artists Space. [[Black text overlays a mauve background. The top left corner reads: "Charles Alexander & Lonely Christopher" The center right reads: "Segue Reading Series & ARTISTS SPACE." The bottom left reads: "Saturday January 29, 5pm, Zoom ID: 893 9594 7519, Suggested donation $5". The image of a 5 dollar bill is placed within the text.]]
    Caption Flyer for Segue Reading Series featuring Charles Alexander and Lonely Christopher. Saturday, January 29, 2021, Artists Space.
    Image description [Black text overlays a mauve background. The top left corner reads: "Charles Alexander & Lonely Christopher" The center right reads: "Segue Reading Series & ARTISTS SPACE." The bottom left reads: "Saturday January 29, 5pm, Zoom ID: 893 9594 7519, Suggested donation $5". The image of a 5 dollar bill is placed within the text.]
    Year 2021
    Related pages Segue Reading Series: Charles Alexander & Lonely Christopher
  • A white wall with three sets of multiple photographs of rooms. Each set of photographs has a framed accompanying text below.
    A white wall with three sets of multiple photographs of rooms. Each set of photographs has a framed accompanying text below.
    Sean Snyder. Installation view, Artists Space, 2010-11. Photo: Daniel Peréz. [A white wall with three sets of multiple photographs of rooms. Each set of photographs has a framed accompanying text below.]
    Caption Sean Snyder. Installation view, Artists Space, 2010-11. Photo: Daniel Peréz.
    Image description A white wall with three sets of multiple photographs of rooms. Each set of photographs has a framed accompanying text below.
    Year 2010
    Related pages Sean Snyder
  • A photograph of building facades in Manhattan. Hanging on the central facade is a piece of white fabric the length of two stories. On the white fabric, there is a gestural painting of in a figure grapsing another figure from behind. Below them is a line of text in Korean.
    A photograph of building facades in Manhattan. Hanging on the central facade is a piece of white fabric the length of two stories. On the white fabric, there is a gestural painting of in a figure grapsing another figure from behind. Below them is a line of text in Korean.
    Min Joong Art. Installation view, Artists Space, 1988. [A photograph of building facades in Manhattan. Hanging on the central facade is a piece of white fabric the length of two stories. On the white fabric, there is a gestural painting of in a figure grapsing another figure from behind. Below them is a line of text in Korean.]
    Caption Min Joong Art. Installation view, Artists Space, 1988.
    Image description A photograph of building facades in Manhattan. Hanging on the central facade is a piece of white fabric the length of two stories. On the white fabric, there is a gestural painting of in a figure grapsing another figure from behind. Below them is a line of text in Korean.
    Year 1988
    Related pages Min Joong Art: A New Cultural Moment from Korea
  • Constantina Zavitsanos: fwiw. Installation view (Specific Objects (Swing), 2024), Artists Space, 2024. Photo: Carter Seddon.
    Caption Constantina Zavitsanos: fwiw. Installation view (Specific Objects (Swing), 2024), Artists Space, 2024. Photo: Carter Seddon.
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  • Photograph of a basement gallery space with various multimedia works on display. In the center is a large wooden platform that reads along one side
    Photograph of a basement gallery space with various multimedia works on display. In the center is a large wooden platform that reads along one side
    Clocking Out: Time Beyond Management. Installation view, Artists Space, 2023. Photo: Greg Carideo. [Photograph of a basement gallery space with various multimedia works on display. In the center is a large wooden platform that reads along one side "Imagine/ Without Fear/ What is tomorrow?", to the left is a wooden bench painted blue on the surface sitting next to a woven hanging piece. Along the walls are various projected videos.]
    Caption Clocking Out: Time Beyond Management. Installation view, Artists Space, 2023. Photo: Greg Carideo.
    Image description Photograph of a basement gallery space with various multimedia works on display. In the center is a large wooden platform that reads along one side "Imagine/ Without Fear/ What is tomorrow?", to the left is a wooden bench painted blue on the surface sitting next to a woven hanging piece. Along the walls are various projected videos.
    Year 2023
    Related pages Whitney Independent Study: Clocking Out: Time Beyond Management
  • A city street with a concrete median and wall made from gray metal supported by wooden planks. The median has the words
    A city street with a concrete median and wall made from gray metal supported by wooden planks. The median has the words
    Valerie Tevere, UNITED STATES, 1996. [A city street with a concrete median and wall made from gray metal supported by wooden planks. The median has the words "Property of LACTC" printed on it. Hanging just above that are four postered portraits displayed in a horizontal line. Each poster features three letters below its portrait image that together spell out "UNI/TED/STA/TES". The portraits are framed by traffic signs that say, "WRONG WAY" and "USE SIDEWALK."]
    Caption Valerie Tevere, UNITED STATES, 1996.
    Image description A city street with a concrete median and wall made from gray metal supported by wooden planks. The median has the words "Property of LACTC" printed on it. Hanging just above that are four postered portraits displayed in a horizontal line. Each poster features three letters below its portrait image that together spell out "UNI/TED/STA/TES". The portraits are framed by traffic signs that say, "WRONG WAY" and "USE SIDEWALK."
    Year 1996
    Related pages When Artists Say We
  • Black text overlays a white background with a yellow bunch of flowers in the upper left corner. The top left corner reads: “Artress Bethany White / & Cait O’Kane / April 23, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”
    Black text overlays a white background with a yellow bunch of flowers in the upper left corner. The top left corner reads: “Artress Bethany White / & Cait O’Kane / April 23, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”
    Flyer for Segue Reading Series featuring Artress Bethany White & Cait O'Kane. April 23, 2022, Artists Space. [Black text overlays a white background with a yellow bunch of flowers in the upper left corner. The top left corner reads: “Artress Bethany White / & Cait O’Kane / April 23, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”]
    Caption Flyer for Segue Reading Series featuring Artress Bethany White & Cait O'Kane. April 23, 2022, Artists Space.
    Image description Black text overlays a white background with a yellow bunch of flowers in the upper left corner. The top left corner reads: “Artress Bethany White / & Cait O’Kane / April 23, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”
    Year 2022
    Related pages Segue Reading Series: Artress Bethany White & Cait O’Kane
  • A black and white image of a girl sitting sideways on stone steps against a wall reading a book. Several more books are piled in front of her.
    A black and white image of a girl sitting sideways on stone steps against a wall reading a book. Several more books are piled in front of her.
    [A black and white image of a girl sitting sideways on stone steps against a wall reading a book. Several more books are piled in front of her.]
    Caption
    Image description A black and white image of a girl sitting sideways on stone steps against a wall reading a book. Several more books are piled in front of her.
    Year 2012
    Related pages Teenage
  • A book cover depicting an upside-down photo of a section of Manhattan, taken from above.
    A book cover depicting an upside-down photo of a section of Manhattan, taken from above.
    Lou Cantor and Clamens Jahn (eds.), Turning Inward (Berlin: Sternberg Press, 2015). [A book cover depicting an upside-down photo of a section of Manhattan, taken from above.]
    Caption Lou Cantor and Clamens Jahn (eds.), Turning Inward (Berlin: Sternberg Press, 2015).
    Image description A book cover depicting an upside-down photo of a section of Manhattan, taken from above.
    Year 2015
    Related pages Turning Inward
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    Related pages Carolyn Lazard
  • An installation view of a brightly colored painting lodged into a rectangular sheet of glass which is made to stand upright by being wedged into a block of concrete which sits on a floor scattered with wood chips.
    An installation view of a brightly colored painting lodged into a rectangular sheet of glass which is made to stand upright by being wedged into a block of concrete which sits on a floor scattered with wood chips.
    Jutta Koether, Fifth Season Act, Apotheosically, Artists Space, 2012. [An installation view of a brightly colored painting lodged into a rectangular sheet of glass which is made to stand upright by being wedged into a block of concrete which sits on a floor scattered with wood chips.]
    Caption Jutta Koether, Fifth Season Act, Apotheosically, Artists Space, 2012.
    Image description An installation view of a brightly colored painting lodged into a rectangular sheet of glass which is made to stand upright by being wedged into a block of concrete which sits on a floor scattered with wood chips.
    Year 2012
    Related pages Jutta Koether
  • From below, a musician is seen manipulating electronics housed inside of a lunchbox that pictures a schoolbus painted with different colored rectangles that have sharp black borders. Above the schoolbus is text that reads "The Partridge Family". The walls behind the musician are bathed in soft green light.
    Caption From below, a musician is seen manipulating electronics housed inside of a lunchbox that pictures a schoolbus painted with different colored rectangles that have sharp black borders. Above the schoolbus is text that reads "The Partridge Family". The walls behind the musician are bathed in soft green light.
    Image description
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    Related pages Abasement #70
  • A color documentation image of Shala Miller's <i>Genesis</i>, 2023. Three monochrome projection panels float equidistantly in a dark room, with vinyls on black walls.
    A color documentation image of Shala Miller's <i>Genesis</i>, 2023. Three monochrome projection panels float equidistantly in a dark room, with vinyls on black walls.
    Shala Miller, Genesis. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color documentation image of Shala Miller's Genesis, 2023. Three monochrome projection panels float equidistantly in a dark room, with vinyls on black walls.]
    Caption Shala Miller, Genesis. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A color documentation image of Shala Miller's Genesis, 2023. Three monochrome projection panels float equidistantly in a dark room, with vinyls on black walls.
    Year 2023
    Related pages Genesis: Medley
  • A piece of landscaping appears on the gallery floor with flowers and plants coming up from it in a stair-like fashion. Paintings appear in the background in a white-walled gallery space.
    A piece of landscaping appears on the gallery floor with flowers and plants coming up from it in a stair-like fashion. Paintings appear in the background in a white-walled gallery space.
    Vito Acconci. Installation View. Artists Space, 1986. [A piece of landscaping appears on the gallery floor with flowers and plants coming up from it in a stair-like fashion. Paintings appear in the background in a white-walled gallery space.]
    Caption Vito Acconci. Installation View. Artists Space, 1986.
    Image description A piece of landscaping appears on the gallery floor with flowers and plants coming up from it in a stair-like fashion. Paintings appear in the background in a white-walled gallery space.
    Year
    Related pages The Fairy Tale: Politics, Desire, and Everyday Life
  • A color photograph of a wooden nightstand with a red hankerchief, ceramic frog, wand, and enamel tumblers. On the right side of the nightstand, a brass hoop rests on the floor, propped up against the nightstand.
    A color photograph of a wooden nightstand with a red hankerchief, ceramic frog, wand, and enamel tumblers. On the right side of the nightstand, a brass hoop rests on the floor, propped up against the nightstand.
    Lyndon Barrois Jr., The Conjuror (After Bosch) f/ Addoley Dzegede, 2022. Enamel tumblers, ceramic frog, wooden wand, foam, graphite, batik dyed handkerchief, electroformed ink cartridge, copper, night stand. Dimensions variable. Photo: Filip Wolak. [A color photograph of a wooden nightstand with a red hankerchief, ceramic frog, wand, and enamel tumblers. On the right side of the nightstand, a brass hoop rests on the floor, propped up against the nightstand.]
    Caption Lyndon Barrois Jr., The Conjuror (After Bosch) f/ Addoley Dzegede, 2022. Enamel tumblers, ceramic frog, wooden wand, foam, graphite, batik dyed handkerchief, electroformed ink cartridge, copper, night stand. Dimensions variable. Photo: Filip Wolak.
    Image description A color photograph of a wooden nightstand with a red hankerchief, ceramic frog, wand, and enamel tumblers. On the right side of the nightstand, a brass hoop rests on the floor, propped up against the nightstand.
    Year 2022
    Related pages Lyndon Barrois Jr.: Mirage Collar
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    Related pages Abasement #67
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    Related pages Abasement #85
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Color photo of an installation work in a gallery. On a wooden partition wall in the back of the space, two large carboard drawings hang. To the left, in front of the wooden parition, a paper-mache sculpture is placed on the floor. In the center of the image, ceramic works and kinetic sculptures made of branches surround a structural column. Behind the column, there are more paper-mache sculptures placed on the floor and hanging off the wall. In the right foreground, two windows with images painted on the glass hang from the ceiling.
    Color photo of an installation work in a gallery. On a wooden partition wall in the back of the space, two large carboard drawings hang. To the left, in front of the wooden parition, a paper-mache sculpture is placed on the floor. In the center of the image, ceramic works and kinetic sculptures made of branches surround a structural column. Behind the column, there are more paper-mache sculptures placed on the floor and hanging off the wall. In the right foreground, two windows with images painted on the glass hang from the ceiling.
    Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photo of an installation work in a gallery. On a wooden partition wall in the back of the space, two large carboard drawings hang. To the left, in front of the wooden parition, a paper-mache sculpture is placed on the floor. In the center of the image, ceramic works and kinetic sculptures made of branches surround a structural column. Behind the column, there are more paper-mache sculptures placed on the floor and hanging off the wall. In the right foreground, two windows with images painted on the glass hang from the ceiling.]
    Caption Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photo of an installation work in a gallery. On a wooden partition wall in the back of the space, two large carboard drawings hang. To the left, in front of the wooden parition, a paper-mache sculpture is placed on the floor. In the center of the image, ceramic works and kinetic sculptures made of branches surround a structural column. Behind the column, there are more paper-mache sculptures placed on the floor and hanging off the wall. In the right foreground, two windows with images painted on the glass hang from the ceiling.
    Year
    Related pages Char Jeré: Zoo or an Orchestra
  • A performer on stage faces the wall. Both the performer and wall are bathed in speckled blue and green lights.
    A performer on stage faces the wall. Both the performer and wall are bathed in speckled blue and green lights.
    Abasement #82. Performance documentation, November 17th, 2025, Artists Space. Photo: Joshua Wildman. [A performer on stage faces the wall. Both the performer and wall are bathed in speckled blue and green lights.]
    Caption Abasement #82. Performance documentation, November 17th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description A performer on stage faces the wall. Both the performer and wall are bathed in speckled blue and green lights.
    Year
    Related pages Abasement #82
  • In the left foreground of the image is a painting of a shark standing upright in water and in the right background of the image is a large, orange stuffed slug sculpture strapped to a cast-iron column in a white gallery space.
    In the left foreground of the image is a painting of a shark standing upright in water and in the right background of the image is a large, orange stuffed slug sculpture strapped to a cast-iron column in a white gallery space.
    Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez [In the left foreground of the image is a painting of a shark standing upright in water and in the right background of the image is a large, orange stuffed slug sculpture strapped to a cast-iron column in a white gallery space.]
    Caption Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez
    Image description In the left foreground of the image is a painting of a shark standing upright in water and in the right background of the image is a large, orange stuffed slug sculpture strapped to a cast-iron column in a white gallery space.
    Year 2020
    Related pages Jana Euler
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  • A pink piece of paper with the typed text
    A pink piece of paper with the typed text
    Neil Goldberg, Fortune 500 Dream Fax Project, 1996. [A pink piece of paper with the typed text "Dream Fax Transmission Sheet" positioned at its top edge. Underneath, there is a handwritten account of the artist's dream from 3/26/96.]
    Caption Neil Goldberg, Fortune 500 Dream Fax Project, 1996.
    Image description A pink piece of paper with the typed text "Dream Fax Transmission Sheet" positioned at its top edge. Underneath, there is a handwritten account of the artist's dream from 3/26/96.
    Year 1996
    Related pages A Strategy Hinted At: New Conceptual Artists
  • Color image of three large pink fabric banners by Isabelle Frances McGuire, each emblazoned with three silver stars, hanging from ceiling to floor. In the gallery space behind the banners, an off-white foam sculpture of a naked human form rests supine on a small white platform.
    Color image of three large pink fabric banners by Isabelle Frances McGuire, each emblazoned with three silver stars, hanging from ceiling to floor. In the gallery space behind the banners, an off-white foam sculpture of a naked human form rests supine on a small white platform.
    Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon. [Color image of three large pink fabric banners by Isabelle Frances McGuire, each emblazoned with three silver stars, hanging from ceiling to floor. In the gallery space behind the banners, an off-white foam sculpture of a naked human form rests supine on a small white platform.]
    Caption Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon.
    Image description Color image of three large pink fabric banners by Isabelle Frances McGuire, each emblazoned with three silver stars, hanging from ceiling to floor. In the gallery space behind the banners, an off-white foam sculpture of a naked human form rests supine on a small white platform.
    Year
    Related pages Doris Guo Matthew Langan-Peck Isabelle Frances McGuire Ruben Ulises Rodriguez Montoya
  • Two white models of large buildings sitting on a wooden floor. Between the two models is a large mound of dirt.
    Two white models of large buildings sitting on a wooden floor. Between the two models is a large mound of dirt.
    Salad Days. Installation view, Artists Space, 2004. [Two white models of large buildings sitting on a wooden floor. Between the two models is a large mound of dirt.]
    Caption Salad Days. Installation view, Artists Space, 2004.
    Image description Two white models of large buildings sitting on a wooden floor. Between the two models is a large mound of dirt.
    Year 2004
    Related pages Salad Days
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