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  • An angled view of the external corner of two walls. On the left are monitors, displaying various images. On the right large paintings and images are hung on all surface area of the wall.
    An angled view of the external corner of two walls. On the left are monitors, displaying various images. On the right large paintings and images are hung on all surface area of the wall.
    Living with Pop. A Reproduction of Capitalist Realism. Installation view, Artists Space, 2014. [An angled view of the external corner of two walls. On the left are monitors, displaying various images. On the right large paintings and images are hung on all surface area of the wall.]
    Caption Living with Pop. A Reproduction of Capitalist Realism. Installation view, Artists Space, 2014.
    Image description An angled view of the external corner of two walls. On the left are monitors, displaying various images. On the right large paintings and images are hung on all surface area of the wall.
    Year 2014
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • A number of abstract lines and shapes appear in a star-like nature with a black background.
    A number of abstract lines and shapes appear in a star-like nature with a black background.
    Gordon Onslow-Ford, Being Space, 1985. [A number of abstract lines and shapes appear in a star-like nature with a black background.]
    Caption Gordon Onslow-Ford, Being Space, 1985.
    Image description A number of abstract lines and shapes appear in a star-like nature with a black background.
    Year
    Related pages Moderns in Mind
  • A figure sits nexts to a window with light shining through the shades, making an evident striped shadown on them and the seats next to them, one of which includes a purse.
    A figure sits nexts to a window with light shining through the shades, making an evident striped shadown on them and the seats next to them, one of which includes a purse.
    Charles Harbutt. Le Mistral in France, 1975. [A figure sits nexts to a window with light shining through the shades, making an evident striped shadown on them and the seats next to them, one of which includes a purse.]
    Caption Charles Harbutt. Le Mistral in France, 1975.
    Image description A figure sits nexts to a window with light shining through the shades, making an evident striped shadown on them and the seats next to them, one of which includes a purse.
    Year 1975
    Related pages Three Exhibitions Sponsored by the Mark Rothko Foundation
  • A block of horizontal, very small cursive text is written in white on a black background.
    A block of horizontal, very small cursive text is written in white on a black background.
    Renee Gladman, Prose, 2019. Pigment on paper, 30 x 40 inches. Courtesy of the Artist [A block of horizontal, very small cursive text is written in white on a black background.]
    Caption Renee Gladman, Prose, 2019. Pigment on paper, 30 x 40 inches. Courtesy of the Artist
    Image description A block of horizontal, very small cursive text is written in white on a black background.
    Year 2019
    Related pages Renee Gladman
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Color image of five performers on stage. From left to right, they are playing guitar, saxophone, drums, and trumpet. The room is lit up with pink and white projections. The backs of multiple audience members are visible in the bottom of the frame. A few of the performers are lit with yellow light, as well as some of the audience.
    Color image of five performers on stage. From left to right, they are playing guitar, saxophone, drums, and trumpet. The room is lit up with pink and white projections. The backs of multiple audience members are visible in the bottom of the frame. A few of the performers are lit with yellow light, as well as some of the audience.
    Abasement #76. Performance documentation, March 3rd, 2025, Artists Space. Photo: Joshua Wildman. [Color image of five performers on stage. From left to right, they are playing guitar, saxophone, drums, and trumpet. The room is lit up with pink and white projections. The backs of multiple audience members are visible in the bottom of the frame. A few of the performers are lit with yellow light, as well as some of the audience.]
    Caption Abasement #76. Performance documentation, March 3rd, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Color image of five performers on stage. From left to right, they are playing guitar, saxophone, drums, and trumpet. The room is lit up with pink and white projections. The backs of multiple audience members are visible in the bottom of the frame. A few of the performers are lit with yellow light, as well as some of the audience.
    Year
    Related pages Abasement #76
  • Magazine cut-outs and ink drawings are collaged together on a beige background, with red accents throughout. Pieces of yellow paper featuring typewritten text listing the performers and event details are cut out and scattered throughout the flier.
    Magazine cut-outs and ink drawings are collaged together on a beige background, with red accents throughout. Pieces of yellow paper featuring typewritten text listing the performers and event details are cut out and scattered throughout the flier.
    Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a beige background, with red accents throughout. Pieces of yellow paper featuring typewritten text listing the performers and event details are cut out and scattered throughout the flier.]
    Caption Flyer by Joe Frivaldi.
    Image description Magazine cut-outs and ink drawings are collaged together on a beige background, with red accents throughout. Pieces of yellow paper featuring typewritten text listing the performers and event details are cut out and scattered throughout the flier.
    Year
    Related pages Abasement #68
  • Close-up color photograph of a vocalist and a musician playing a bass at the edge of the stage. The vocalist has long curly black hair and wears an army-green cargo jacket. They are kneeling down as they hold the microphone up to the mouth. To the right of the vocalist, the bassist looks out to the crowd as picks the strings. The drums and the drummer are visible behind them. The wall behind the stage is illuminated by a bright white light emitted from a projector. 
    Close-up color photograph of a vocalist and a musician playing a bass at the edge of the stage. The vocalist has long curly black hair and wears an army-green cargo jacket. They are kneeling down as they hold the microphone up to the mouth. To the right of the vocalist, the bassist looks out to the crowd as picks the strings. The drums and the drummer are visible behind them. The wall behind the stage is illuminated by a bright white light emitted from a projector. 
    Abasement #68. Performance documentation, February 12, 2024, Artists Space. Photo: Joshua Wildman. [Close-up color photograph of a vocalist and a musician playing a bass at the edge of the stage. The vocalist has long curly black hair and wears an army-green cargo jacket. They are kneeling down as they hold the microphone up to the mouth. To the right of the vocalist, the bassist looks out to the crowd as picks the strings. The drums and the drummer are visible behind them. The wall behind the stage is illuminated by a bright white light emitted from a projector. ]
    Caption Abasement #68. Performance documentation, February 12, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Close-up color photograph of a vocalist and a musician playing a bass at the edge of the stage. The vocalist has long curly black hair and wears an army-green cargo jacket. They are kneeling down as they hold the microphone up to the mouth. To the right of the vocalist, the bassist looks out to the crowd as picks the strings. The drums and the drummer are visible behind them. The wall behind the stage is illuminated by a bright white light emitted from a projector. 
    Year
    Related pages Abasement #68
  • A view of a large window with the facade of other buildings, a restaurant is visible on the left. Graffiti text is visible above the length of the horizontal window and lights appear hanging from the ceiling directed to opposite sides.
    A view of a large window with the facade of other buildings, a restaurant is visible on the left. Graffiti text is visible above the length of the horizontal window and lights appear hanging from the ceiling directed to opposite sides.
    New Galleries of the Lower East Side. Installation View. Artists Space, 1984. Photo: Kenji Fujita. [A view of a large window with the facade of other buildings, a restaurant is visible on the left. Graffiti text is visible above the length of the horizontal window and lights appear hanging from the ceiling directed to opposite sides.]
    Caption New Galleries of the Lower East Side. Installation View. Artists Space, 1984. Photo: Kenji Fujita.
    Image description A view of a large window with the facade of other buildings, a restaurant is visible on the left. Graffiti text is visible above the length of the horizontal window and lights appear hanging from the ceiling directed to opposite sides.
    Year 1984
    Related pages New Galleries of the Lower East Side
  • Two rectangular cards arranged on a white background. Large black text printed on each card reads,
    Two rectangular cards arranged on a white background. Large black text printed on each card reads,
    [Two rectangular cards arranged on a white background. Large black text printed on each card reads, "LADYLAND" and is framed by a pattern of swirls. The top card is blue, and the bottom card is yellow.]
    Caption
    Image description Two rectangular cards arranged on a white background. Large black text printed on each card reads, "LADYLAND" and is framed by a pattern of swirls. The top card is blue, and the bottom card is yellow.
    Year 1993
    Related pages Ladyland
  • Color photo of a large gathering of audience members seated and standing in a dimly lit performance space. The venue is illuminated by white spotted lights from a discoball out of view and soft, pink projections.
    Color photo of a large gathering of audience members seated and standing in a dimly lit performance space. The venue is illuminated by white spotted lights from a discoball out of view and soft, pink projections.
    Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman. [Color photo of a large gathering of audience members seated and standing in a dimly lit performance space. The venue is illuminated by white spotted lights from a discoball out of view and soft, pink projections.]
    Caption Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman.
    Image description Color photo of a large gathering of audience members seated and standing in a dimly lit performance space. The venue is illuminated by white spotted lights from a discoball out of view and soft, pink projections.
    Year
    Related pages Abasement #64
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    Related pages Abasement #77
  • A performer plays the drums on stage, bathed in red light, while colorful geometric patterns are projected on the wall behind.
    A performer plays the drums on stage, bathed in red light, while colorful geometric patterns are projected on the wall behind.
    Abasement #85. Performance documentation, March 2nd, 2026, Artists Space. Photo: Joshua Wildman. [A performer plays the drums on stage, bathed in red light, while colorful geometric patterns are projected on the wall behind.]
    Caption Abasement #85. Performance documentation, March 2nd, 2026, Artists Space. Photo: Joshua Wildman.
    Image description A performer plays the drums on stage, bathed in red light, while colorful geometric patterns are projected on the wall behind.
    Year
    Related pages Abasement #85
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    Related pages Milford Graves: Fundamental Frequency
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Portrait of a musician playing the cello with a bow.
    Portrait of a musician playing the cello with a bow.
    Axine M: Sold Licker Glass, 2024, Artists Space. Courtesy of ISSUE Project Room. Photography by Cameron Kelly McLeod. [Portrait of a musician playing the cello with a bow.]
    Caption Axine M: Sold Licker Glass, 2024, Artists Space. Courtesy of ISSUE Project Room. Photography by Cameron Kelly McLeod.
    Image description Portrait of a musician playing the cello with a bow.
    Year
    Related pages Axine M: Sold Licker Glass
  • Magazine cut-outs and ink drawings are collaged together on a background of beige, yellow, orange, green, and red paper. Small pieces of paper with red typewritten text listing the performers and event details are scattered around the flyer.
    Magazine cut-outs and ink drawings are collaged together on a background of beige, yellow, orange, green, and red paper. Small pieces of paper with red typewritten text listing the performers and event details are scattered around the flyer.
    Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a background of beige, yellow, orange, green, and red paper. Small pieces of paper with red typewritten text listing the performers and event details are scattered around the flyer.]
    Caption Flyer by Joe Frivaldi.
    Image description Magazine cut-outs and ink drawings are collaged together on a background of beige, yellow, orange, green, and red paper. Small pieces of paper with red typewritten text listing the performers and event details are scattered around the flyer.
    Year
    Related pages Abasement #83
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    Related pages John Mendelsohn and Donald Sultan
  • A marionette wearing a black suit, collared shirt, and white Nike Air Force 1s is positioned laying prone on a windowsill. Red curtains cover half of the window behind the marionette. In the corner, a small stage lights is directed at the marionette. Outside of the window is an alleyway with graffiti.
    A marionette wearing a black suit, collared shirt, and white Nike Air Force 1s is positioned laying prone on a windowsill. Red curtains cover half of the window behind the marionette. In the corner, a small stage lights is directed at the marionette. Outside of the window is an alleyway with graffiti.
    Aristotelis Nikolas Mochloulis, Aristotelis Nikolas Mochloulis, 2025. Marionette. Photo: Carter Seddon. [A marionette wearing a black suit, collared shirt, and white Nike Air Force 1s is positioned laying prone on a windowsill. Red curtains cover half of the window behind the marionette. In the corner, a small stage lights is directed at the marionette. Outside of the window is an alleyway with graffiti.]
    Caption Aristotelis Nikolas Mochloulis, Aristotelis Nikolas Mochloulis, 2025. Marionette. Photo: Carter Seddon.
    Image description A marionette wearing a black suit, collared shirt, and white Nike Air Force 1s is positioned laying prone on a windowsill. Red curtains cover half of the window behind the marionette. In the corner, a small stage lights is directed at the marionette. Outside of the window is an alleyway with graffiti.
    Year
    Related pages Aristotelis Nikolas Mochloulis Tour 2
  • A color film still of two figures at a table. Only their lower torsos and hands are visible. The figure on the right wears a watch and shuffles a deck of red playing cards next to several green bills.
    A color film still of two figures at a table. Only their lower torsos and hands are visible. The figure on the right wears a watch and shuffles a deck of red playing cards next to several green bills.
    Film still from Mo’ Money, 1992, Columbia Pictures. [A color film still of two figures at a table. Only their lower torsos and hands are visible. The figure on the right wears a watch and shuffles a deck of red playing cards next to several green bills.]
    Caption Film still from Mo’ Money, 1992, Columbia Pictures.
    Image description A color film still of two figures at a table. Only their lower torsos and hands are visible. The figure on the right wears a watch and shuffles a deck of red playing cards next to several green bills.
    Year 1992
    Related pages Lyndon Barrois Jr.: Mirage Collar
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    Related pages DRAFT IMAGE PAGE_NEVER DELETE
  • Color image of a figure sitting behind a reed organ covered in a sheet of clear plastic. A clock sits on a music stannd with instructions behind the organ. The figure positions their hands on a large block of ice that sits on top of the keys of the organ.
    Color image of a figure sitting behind a reed organ covered in a sheet of clear plastic. A clock sits on a music stannd with instructions behind the organ. The figure positions their hands on a large block of ice that sits on top of the keys of the organ.
    Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata [Color image of a figure sitting behind a reed organ covered in a sheet of clear plastic. A clock sits on a music stannd with instructions behind the organ. The figure positions their hands on a large block of ice that sits on top of the keys of the organ.]
    Caption Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata
    Image description Color image of a figure sitting behind a reed organ covered in a sheet of clear plastic. A clock sits on a music stannd with instructions behind the organ. The figure positions their hands on a large block of ice that sits on top of the keys of the organ.
    Year 2023
    Related pages Yasunao Tone Concert #2
  • A color photograph of a figure in a pointed hat with a wide brim and wearing a black and white robe. The figure is pictured amid tree branches and vines. They hold a twisted vine in their left hand.
    A color photograph of a figure in a pointed hat with a wide brim and wearing a black and white robe. The figure is pictured amid tree branches and vines. They hold a twisted vine in their left hand.
    Portrait of Eiko Ishibashi [A color photograph of a figure in a pointed hat with a wide brim and wearing a black and white robe. The figure is pictured amid tree branches and vines. They hold a twisted vine in their left hand.]
    Caption Portrait of Eiko Ishibashi
    Image description A color photograph of a figure in a pointed hat with a wide brim and wearing a black and white robe. The figure is pictured amid tree branches and vines. They hold a twisted vine in their left hand.
    Year 2022
    Related pages Eiko Ishibashi in Concert
  • A wide wooden worktable sits in a gallery space with various models, books, and papers displayed on its surface. One of the models located closest to the viewer is yellow and has an amorphous shape. A series of black and white photographs of buildings hang on the wall to the right of the table.
    A wide wooden worktable sits in a gallery space with various models, books, and papers displayed on its surface. One of the models located closest to the viewer is yellow and has an amorphous shape. A series of black and white photographs of buildings hang on the wall to the right of the table.
    Elephant Cemetery. Installation view, Artists Space, 2007. [A wide wooden worktable sits in a gallery space with various models, books, and papers displayed on its surface. One of the models located closest to the viewer is yellow and has an amorphous shape. A series of black and white photographs of buildings hang on the wall to the right of the table.]
    Caption Elephant Cemetery. Installation view, Artists Space, 2007.
    Image description A wide wooden worktable sits in a gallery space with various models, books, and papers displayed on its surface. One of the models located closest to the viewer is yellow and has an amorphous shape. A series of black and white photographs of buildings hang on the wall to the right of the table.
    Year 2007
    Related pages Elephant Cemetery
  • [A tan colored background features black text in the top half of the image that reads,
    [A tan colored background features black text in the top half of the image that reads,
    Flyer for Segue Reading Series featuring Benjamin Krusling & Momtaza Mehri. Saturday February 13, 2021, Artists Space. [[A tan colored background features black text in the top half of the image that reads, "Segue Reading Series / Benjamin Krusling & Momtaza Mehri / February 13 / 5pm on Zoom / Suggested donation: Five dollars / Zoom ID: 830 2698 4031." Black text in the bottom right corner reads, "Artists Space."]]
    Caption Flyer for Segue Reading Series featuring Benjamin Krusling & Momtaza Mehri. Saturday February 13, 2021, Artists Space.
    Image description [A tan colored background features black text in the top half of the image that reads, "Segue Reading Series / Benjamin Krusling & Momtaza Mehri / February 13 / 5pm on Zoom / Suggested donation: Five dollars / Zoom ID: 830 2698 4031." Black text in the bottom right corner reads, "Artists Space."]
    Year
    Related pages Segue Reading Series: Benjamin Krusling & Momtaza Mehri
  • Sculpted boots appear wih leaves on a leaf-covered section of the floor surrounded by a picket fence. In the background a white door opens up with a stack behind it. Nearby tree branches and other rustic constructions populate the gallery space.
    Sculpted boots appear wih leaves on a leaf-covered section of the floor surrounded by a picket fence. In the background a white door opens up with a stack behind it. Nearby tree branches and other rustic constructions populate the gallery space.
    Installation view from Six Sculptors, Artists Space, January 25 ,1986 - February 22, 1986. [Sculpted boots appear wih leaves on a leaf-covered section of the floor surrounded by a picket fence. In the background a white door opens up with a stack behind it. Nearby tree branches and other rustic constructions populate the gallery space.]
    Caption Installation view from Six Sculptors, Artists Space, January 25 ,1986 - February 22, 1986.
    Image description Sculpted boots appear wih leaves on a leaf-covered section of the floor surrounded by a picket fence. In the background a white door opens up with a stack behind it. Nearby tree branches and other rustic constructions populate the gallery space.
    Year 1986
    Related pages Six Sculptors
  • Black text on a light green background. The text reads: “April 11 / Blake Butler / Ariana Reines.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on a light green background. The text reads: “April 11 / Blake Butler / Ariana Reines.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on a light green background. The text reads: “April 11 / Blake Butler / Ariana Reines.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on a light green background. The text reads: “April 11 / Blake Butler / Ariana Reines.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Blake Butler & Ariana Reines
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    Year
    Related pages fwiw
  • A horizontal image with a flat, light blue background. On the right side is a pink, cotton candy-like image of a cloud. The word,
    A horizontal image with a flat, light blue background. On the right side is a pink, cotton candy-like image of a cloud. The word,
    Flyer for Segue Reading Series featuring Kamden Hilliard and E.J. McAdams. Saturday, November 13, 2021, Artists Space. Artist: Lonely Christopher & Venn Daniel [A horizontal image with a flat, light blue background. On the right side is a pink, cotton candy-like image of a cloud. The word, "Segue" appears in pink text on the top left side. The name, "Kamden Hilliard," is written on the center-left in large red text, while the name, "Laura Elrick," appears in purple on the center-right.]
    Caption Flyer for Segue Reading Series featuring Kamden Hilliard and E.J. McAdams. Saturday, November 13, 2021, Artists Space. Artist: Lonely Christopher & Venn Daniel
    Image description A horizontal image with a flat, light blue background. On the right side is a pink, cotton candy-like image of a cloud. The word, "Segue" appears in pink text on the top left side. The name, "Kamden Hilliard," is written on the center-left in large red text, while the name, "Laura Elrick," appears in purple on the center-right.
    Year 2021
    Related pages Segue Reading Series: Laura Elrick & E.J. McAdams
  • A man in a white shirt and pinstriped vest and pants casually holds a black jacket over one shoulder.
    A man in a white shirt and pinstriped vest and pants casually holds a black jacket over one shoulder.
    [A man in a white shirt and pinstriped vest and pants casually holds a black jacket over one shoulder. "Undoolay" is in pink script on the bottom of the image, crossing over "Elective Affinities".]
    Caption
    Image description A man in a white shirt and pinstriped vest and pants casually holds a black jacket over one shoulder. "Undoolay" is in pink script on the bottom of the image, crossing over "Elective Affinities".
    Year 2016
    Related pages Lukas Duwenhögger: Undoolay
  • Color image of a band of performers playing music on a stage together, colorful and patterned projections illuminate the group and the wall behind them. In order: group includes a keyboardist, a bass player, a drummer, a trumpet player and two saxaphone players.
    Color image of a band of performers playing music on a stage together, colorful and patterned projections illuminate the group and the wall behind them. In order: group includes a keyboardist, a bass player, a drummer, a trumpet player and two saxaphone players.
    Abasement #63. Performance documentation, July 17, 2023, Artists Space. Photo: Joshua Wildman. [Color image of a band of performers playing music on a stage together, colorful and patterned projections illuminate the group and the wall behind them. In order: group includes a keyboardist, a bass player, a drummer, a trumpet player and two saxaphone players.]
    Caption Abasement #63. Performance documentation, July 17, 2023, Artists Space. Photo: Joshua Wildman.
    Image description Color image of a band of performers playing music on a stage together, colorful and patterned projections illuminate the group and the wall behind them. In order: group includes a keyboardist, a bass player, a drummer, a trumpet player and two saxaphone players.
    Year
    Related pages Abasement #63
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    Related pages fwiw
  • An imprint of pink pursed lips on off-white ground.
    An imprint of pink pursed lips on off-white ground.
    Maggie Lee, 100 Kisses for Artists Space, 2016, Lipstick on paper, each unique 10 x 8 ½ in / 25,4 x 21,6 cm, Signed and Numbered. [An imprint of pink pursed lips on off-white ground.]
    Caption Maggie Lee, 100 Kisses for Artists Space, 2016, Lipstick on paper, each unique 10 x 8 ½ in / 25,4 x 21,6 cm, Signed and Numbered.
    Image description An imprint of pink pursed lips on off-white ground.
    Year 2017
    Related pages Artists Space Annual Edition Portfolio 2017
  • A color photograph of a painting in a gallery space. The canvas is mostly dark, featuring a set of hands with cards in the lower left corner. In the background, some wall text is visible next to a door with a red exit sign above.
    A color photograph of a painting in a gallery space. The canvas is mostly dark, featuring a set of hands with cards in the lower left corner. In the background, some wall text is visible next to a door with a red exit sign above.
    Lyndon Barrois Jr., Comedy Production, 2022. Oil on canvas, cardboard, chiseled nails, copper pigment. 24 x 36 inches. Photo: Filip Wolak. [A color photograph of a painting in a gallery space. The canvas is mostly dark, featuring a set of hands with cards in the lower left corner. In the background, some wall text is visible next to a door with a red exit sign above.]
    Caption Lyndon Barrois Jr., Comedy Production, 2022. Oil on canvas, cardboard, chiseled nails, copper pigment. 24 x 36 inches. Photo: Filip Wolak.
    Image description A color photograph of a painting in a gallery space. The canvas is mostly dark, featuring a set of hands with cards in the lower left corner. In the background, some wall text is visible next to a door with a red exit sign above.
    Year 2022
    Related pages Lyndon Barrois Jr.: Mirage Collar
  • A book cover featuring a vertical stack of disabled-access grab bars mounted on a black wall. White text across the center reads
    A book cover featuring a vertical stack of disabled-access grab bars mounted on a black wall. White text across the center reads
    Cover of FWIW. [A book cover featuring a vertical stack of disabled-access grab bars mounted on a black wall. White text across the center reads "FWIW: Constantina Zavitsanos / Danielle A. Jackson." Along the right edge of the book seven tabs each read a different keyword: "Infinity / Ouroboros / Stop-time / Cipher / Caption / Specter / Epilogue." The book is set on a black background.]
    Caption Cover of FWIW.
    Image description A book cover featuring a vertical stack of disabled-access grab bars mounted on a black wall. White text across the center reads "FWIW: Constantina Zavitsanos / Danielle A. Jackson." Along the right edge of the book seven tabs each read a different keyword: "Infinity / Ouroboros / Stop-time / Cipher / Caption / Specter / Epilogue." The book is set on a black background.
    Year
    Related pages FWIW
  • A black woman stands, smiling, with her arms crossed in front of her. Behind her is a small fountain inside a courtyard.
    A black woman stands, smiling, with her arms crossed in front of her. Behind her is a small fountain inside a courtyard.
    Portrait of Dorothy E. Roberts. [A black woman stands, smiling, with her arms crossed in front of her. Behind her is a small fountain inside a courtyard.]
    Caption Portrait of Dorothy E. Roberts.
    Image description A black woman stands, smiling, with her arms crossed in front of her. Behind her is a small fountain inside a courtyard.
    Year
    Related pages Carolyn Lazard with Dorothy E. Roberts
  • A small constructed dancing figurine appears on a pedestal with light shining on it from the right creating a shadow on its left.
    A small constructed dancing figurine appears on a pedestal with light shining on it from the right creating a shadow on its left.
    Neraldo de la Paz. Melania's Thigh, 1982. [A small constructed dancing figurine appears on a pedestal with light shining on it from the right creating a shadow on its left.]
    Caption Neraldo de la Paz. Melania's Thigh, 1982.
    Image description A small constructed dancing figurine appears on a pedestal with light shining on it from the right creating a shadow on its left.
    Year
    Related pages Recent Art from Chicago
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A color installation photograph of a gallery space bisected by a row of dark metal columns. Two wooden chairs are placed near a piece of semi-transparent grey and blue fabric partially hung from a grey metal scaffold. A large piece of grey and yellow vinyl hangs from the wall on the right.
    A color installation photograph of a gallery space bisected by a row of dark metal columns. Two wooden chairs are placed near a piece of semi-transparent grey and blue fabric partially hung from a grey metal scaffold. A large piece of grey and yellow vinyl hangs from the wall on the right.
    virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color installation photograph of a gallery space bisected by a row of dark metal columns. Two wooden chairs are placed near a piece of semi-transparent grey and blue fabric partially hung from a grey metal scaffold. A large piece of grey and yellow vinyl hangs from the wall on the right.]
    Caption virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color installation photograph of a gallery space bisected by a row of dark metal columns. Two wooden chairs are placed near a piece of semi-transparent grey and blue fabric partially hung from a grey metal scaffold. A large piece of grey and yellow vinyl hangs from the wall on the right.
    Year 2022
    Related pages virgil b/g taylor: Minor Publics
  • A gallery space with a chalk drawing on the top section of a wall and chairs underneath. Framed images on the adjacent wall are near a doorway into another space.
    A gallery space with a chalk drawing on the top section of a wall and chairs underneath. Framed images on the adjacent wall are near a doorway into another space.
    Young Fluxus. Installation view, Artists Space, 1982. [A gallery space with a chalk drawing on the top section of a wall and chairs underneath. Framed images on the adjacent wall are near a doorway into another space.]
    Caption Young Fluxus. Installation view, Artists Space, 1982.
    Image description A gallery space with a chalk drawing on the top section of a wall and chairs underneath. Framed images on the adjacent wall are near a doorway into another space.
    Year
    Related pages Young Fluxus
  • Two painted portraits sit on the ground of a gallery space to the left of several other artworks. A kite hangs from the ceiling of the exhibition space in the center of the image. Various small documents are tacked across a wall to the right of the kite with red thumbtacks.
    Two painted portraits sit on the ground of a gallery space to the left of several other artworks. A kite hangs from the ceiling of the exhibition space in the center of the image. Various small documents are tacked across a wall to the right of the kite with red thumbtacks.
    Whitney Museum of American Art Independent Study Program Studio Exhibition. Installation view, Artists Space, 2018. Photo: Gustavo Murillo Fernández-Valdés. [Two painted portraits sit on the ground of a gallery space to the left of several other artworks. A kite hangs from the ceiling of the exhibition space in the center of the image. Various small documents are tacked across a wall to the right of the kite with red thumbtacks.]
    Caption Whitney Museum of American Art Independent Study Program Studio Exhibition. Installation view, Artists Space, 2018. Photo: Gustavo Murillo Fernández-Valdés.
    Image description Two painted portraits sit on the ground of a gallery space to the left of several other artworks. A kite hangs from the ceiling of the exhibition space in the center of the image. Various small documents are tacked across a wall to the right of the kite with red thumbtacks.
    Year 2018
    Related pages Whitney Museum of American Art Independent Study Program Studio Exhibition
  • A hand is writing in German on a chalkboard with white chalk.
    A hand is writing in German on a chalkboard with white chalk.
    Still from The Empty Plan (2010). [A hand is writing in German on a chalkboard with white chalk.]
    Caption Still from The Empty Plan (2010).
    Image description A hand is writing in German on a chalkboard with white chalk.
    Year 2010
    Related pages The Empty Plan
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A variety of images of covers and photographs of nude and semi-nude people is displayed on a white background.
    A variety of images of covers and photographs of nude and semi-nude people is displayed on a white background.
    Mark Morrisroe: From This Moment On. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A variety of images of covers and photographs of nude and semi-nude people is displayed on a white background.]
    Caption Mark Morrisroe: From This Moment On. Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description A variety of images of covers and photographs of nude and semi-nude people is displayed on a white background.
    Year 2011
    Related pages Mark Morrisroe: From This Moment On
  • Color photograph of a piano from above. Six solenoids are placed along the piano's strings, and are attached by wires to a device placed on a chair next to the piano.
    Color photograph of a piano from above. Six solenoids are placed along the piano's strings, and are attached by wires to a device placed on a chair next to the piano.
    Yasunao Tone: Region of Paramedia. Installation view (Instrument for Aleitheia, 1987), Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a piano from above. Six solenoids are placed along the piano's strings, and are attached by wires to a device placed on a chair next to the piano.]
    Caption Yasunao Tone: Region of Paramedia. Installation view (Instrument for Aleitheia, 1987), Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photograph of a piano from above. Six solenoids are placed along the piano's strings, and are attached by wires to a device placed on a chair next to the piano.
    Year 2023
    Related pages Yasunao Tone: Region of Paramedia
  • A color installation photograph of a gallery with two sculptures visible. The sculpture closer to the camera features an anatomical sculpture of a human body and hand, several wires, and a small water wheel. In the background, a punching bag and other boxing equipment are suspended from a rectangular wooden frame.
    A color installation photograph of a gallery with two sculptures visible. The sculpture closer to the camera features an anatomical sculpture of a human body and hand, several wires, and a small water wheel. In the background, a punching bag and other boxing equipment are suspended from a rectangular wooden frame.
    Milford Graves: Fundamental Frequency. Installation view (Pathways of Infinite Possibilities: Yara, 2017; Yara Training Bag, c. 1990), Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak. [A color installation photograph of a gallery with two sculptures visible. The sculpture closer to the camera features an anatomical sculpture of a human body and hand, several wires, and a small water wheel. In the background, a punching bag and other boxing equipment are suspended from a rectangular wooden frame.]
    Caption Milford Graves: Fundamental Frequency. Installation view (Pathways of Infinite Possibilities: Yara, 2017; Yara Training Bag, c. 1990), Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak.
    Image description A color installation photograph of a gallery with two sculptures visible. The sculpture closer to the camera features an anatomical sculpture of a human body and hand, several wires, and a small water wheel. In the background, a punching bag and other boxing equipment are suspended from a rectangular wooden frame.
    Year 2021
    Related pages Milford Graves: Fundamental Frequency
  • Many colorful documents, photographs, and posters installed on a white wall in an exhibition space. A small television monitor displaying a green image sits on the ground beneath the posters and other artworks.
    Many colorful documents, photographs, and posters installed on a white wall in an exhibition space. A small television monitor displaying a green image sits on the ground beneath the posters and other artworks.
    Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [Many colorful documents, photographs, and posters installed on a white wall in an exhibition space. A small television monitor displaying a green image sits on the ground beneath the posters and other artworks.]
    Caption Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description Many colorful documents, photographs, and posters installed on a white wall in an exhibition space. A small television monitor displaying a green image sits on the ground beneath the posters and other artworks.
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • A large space with a wooden floor and white walls. On one wall is a black and white floorplan with 3D structures. On the other wall, there are a series of photographs with several small street signs arranged in a clump. To the right of that, there is a block of wall text with four frames below. Two of the frames hold *Time Magazine* covers.
    A large space with a wooden floor and white walls. On one wall is a black and white floorplan with 3D structures. On the other wall, there are a series of photographs with several small street signs arranged in a clump. To the right of that, there is a block of wall text with four frames below. Two of the frames hold *Time Magazine* covers.
    Establishing Shot. Installation view, Artists Space, 2004. [A large space with a wooden floor and white walls. On one wall is a black and white floorplan with 3D structures. On the other wall, there are a series of photographs with several small street signs arranged in a clump. To the right of that, there is a block of wall text with four frames below. Two of the frames hold *Time Magazine* covers.]
    Caption Establishing Shot. Installation view, Artists Space, 2004.
    Image description A large space with a wooden floor and white walls. On one wall is a black and white floorplan with 3D structures. On the other wall, there are a series of photographs with several small street signs arranged in a clump. To the right of that, there is a block of wall text with four frames below. Two of the frames hold *Time Magazine* covers.
    Year 2004
    Related pages Establishing Shot
  • Three figures perform in a basement. On the left a figure in a blue morph suit wears a pair of wings made of fresnel lenses. On the right another figure in a blue morph suit stands behind a rolling table made of wood and fresnel lenses. Another figure to the far right takes video footage.
    Three figures perform in a basement. On the left a figure in a blue morph suit wears a pair of wings made of fresnel lenses. On the right another figure in a blue morph suit stands behind a rolling table made of wood and fresnel lenses. Another figure to the far right takes video footage.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Three figures perform in a basement. On the left a figure in a blue morph suit wears a pair of wings made of fresnel lenses. On the right another figure in a blue morph suit stands behind a rolling table made of wood and fresnel lenses. Another figure to the far right takes video footage.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Three figures perform in a basement. On the left a figure in a blue morph suit wears a pair of wings made of fresnel lenses. On the right another figure in a blue morph suit stands behind a rolling table made of wood and fresnel lenses. Another figure to the far right takes video footage.
    Year 2022
    Related pages SCRAAATCH 11-18
  • A series of amorphous, basket-like objects sit on a series of plinths of varying heights in a gallery space. The baskets are composed of a variety of materials, including wood, grass, gourd, and paper.
    A series of amorphous, basket-like objects sit on a series of plinths of varying heights in a gallery space. The baskets are composed of a variety of materials, including wood, grass, gourd, and paper.
    Baskets. Installation view, Artists Space, 2006. [A series of amorphous, basket-like objects sit on a series of plinths of varying heights in a gallery space. The baskets are composed of a variety of materials, including wood, grass, gourd, and paper.]
    Caption Baskets. Installation view, Artists Space, 2006.
    Image description A series of amorphous, basket-like objects sit on a series of plinths of varying heights in a gallery space. The baskets are composed of a variety of materials, including wood, grass, gourd, and paper.
    Year 2006
    Related pages Architecture & Design Project Series: Baskets
  • Detail view of a table filled with several stacks of a book titled *EINE PINOT GRIGIO BITTE*. The book covers appear in various shades of orange, pink, blue, yellow, and green, and are stamped with the same ornate Latin emblem. Some are comb bound and others are side stitched.
    Detail view of a table filled with several stacks of a book titled *EINE PINOT GRIGIO BITTE*. The book covers appear in various shades of orange, pink, blue, yellow, and green, and are stamped with the same ornate Latin emblem. Some are comb bound and others are side stitched.
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Detail view of a table filled with several stacks of a book titled *EINE PINOT GRIGIO BITTE*. The book covers appear in various shades of orange, pink, blue, yellow, and green, and are stamped with the same ornate Latin emblem. Some are comb bound and others are side stitched.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Detail view of a table filled with several stacks of a book titled *EINE PINOT GRIGIO BITTE*. The book covers appear in various shades of orange, pink, blue, yellow, and green, and are stamped with the same ornate Latin emblem. Some are comb bound and others are side stitched.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
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    Related pages Arnold J. Kemp
  • Four upright bags with images on them sit on two different leveled shelves on a white gallery wall.
    Four upright bags with images on them sit on two different leveled shelves on a white gallery wall.
    We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [Four upright bags with images on them sit on two different leveled shelves on a white gallery wall.]
    Caption We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987.
    Image description Four upright bags with images on them sit on two different leveled shelves on a white gallery wall.
    Year
    Related pages We the People
  • A black and white photograph of three forms over a wooden background. The forms are vaguely triangular and are white, grey, and black.
    A black and white photograph of three forms over a wooden background. The forms are vaguely triangular and are white, grey, and black.
    Judy Rifka. Installation view, Deborah S. Freedman, Judy Rifka and Ernest Silva. Artists Space, 1975. [A black and white photograph of three forms over a wooden background. The forms are vaguely triangular and are white, grey, and black.]
    Caption Judy Rifka. Installation view, Deborah S. Freedman, Judy Rifka and Ernest Silva. Artists Space, 1975.
    Image description A black and white photograph of three forms over a wooden background. The forms are vaguely triangular and are white, grey, and black.
    Year 1975
    Related pages Deborah S. Freedman, Judy Rifka, Ernest Silva
  • Color image of a video installation in the center of the floor of a gallery. A walkway made of plywood runs along the edges of the room, encircling the projection. The projection depicts a mirrored negative film image. The image features an assortment of abstracted objects arranged on a blue background.
    Color image of a video installation in the center of the floor of a gallery. A walkway made of plywood runs along the edges of the room, encircling the projection. The projection depicts a mirrored negative film image. The image features an assortment of abstracted objects arranged on a blue background.
    Crystal Z Campbell: Ode to the Underloved. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color image of a video installation in the center of the floor of a gallery. A walkway made of plywood runs along the edges of the room, encircling the projection. The projection depicts a mirrored negative film image. The image features an assortment of abstracted objects arranged on a blue background.]
    Caption Crystal Z Campbell: Ode to the Underloved. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color image of a video installation in the center of the floor of a gallery. A walkway made of plywood runs along the edges of the room, encircling the projection. The projection depicts a mirrored negative film image. The image features an assortment of abstracted objects arranged on a blue background.
    Year
    Related pages Crystal Z Campbell
  • A green poster with white text giving information about a virtual reading event. There is an image at the bottom of a person looking into digital, VR-style goggles with large headphones. Smaller white text in the bottom corner reads,
    A green poster with white text giving information about a virtual reading event. There is an image at the bottom of a person looking into digital, VR-style goggles with large headphones. Smaller white text in the bottom corner reads,
    [A green poster with white text giving information about a virtual reading event. There is an image at the bottom of a person looking into digital, VR-style goggles with large headphones. Smaller white text in the bottom corner reads, "stay well & be good to each other."]
    Caption
    Image description A green poster with white text giving information about a virtual reading event. There is an image at the bottom of a person looking into digital, VR-style goggles with large headphones. Smaller white text in the bottom corner reads, "stay well & be good to each other."
    Year 2020
    Related pages Segue Reading Series: Tongo Eisen-Martin & Jennifer Soong
  • Color image of a figure seated behind a white desk on a stage. They face out into the audience, and controls a laptop that also faces out into the audience. Members of the audience wave their arms in the air so the laptop will capture their movement.
    Color image of a figure seated behind a white desk on a stage. They face out into the audience, and controls a laptop that also faces out into the audience. Members of the audience wave their arms in the air so the laptop will capture their movement.
    Yasunao Tone Concert #3. Performance documentation, March 16, 2023, Artists Space. Photo: Destiny Mata [Color image of a figure seated behind a white desk on a stage. They face out into the audience, and controls a laptop that also faces out into the audience. Members of the audience wave their arms in the air so the laptop will capture their movement.]
    Caption Yasunao Tone Concert #3. Performance documentation, March 16, 2023, Artists Space. Photo: Destiny Mata
    Image description Color image of a figure seated behind a white desk on a stage. They face out into the audience, and controls a laptop that also faces out into the audience. Members of the audience wave their arms in the air so the laptop will capture their movement.
    Year 2023
    Related pages Yasunao Tone Concert #3
  • A white book cover with black text in English and Hindi.
    A white book cover with black text in English and Hindi.
    Ed. Mario Pfeifer, A Formal Film In Nine Episodes, Prologue and Epilogue – A Critical Reader (Spector Books, 2013). [A white book cover with black text in English and Hindi.]
    Caption Ed. Mario Pfeifer, A Formal Film In Nine Episodes, Prologue and Epilogue – A Critical Reader (Spector Books, 2013).
    Image description A white book cover with black text in English and Hindi.
    Year 2013
    Related pages 1-800-SUC-CESS
  • A black and white film still of a person lying against embroidered pillows. Another person sits alongside her and holds a mirror up to her face, reflecting it towards the camera.
    A black and white film still of a person lying against embroidered pillows. Another person sits alongside her and holds a mirror up to her face, reflecting it towards the camera.
    James Coleman. Still from Seeing for Oneself, 1987-88. Slideshow (black and white), 40 min. [A black and white film still of a person lying against embroidered pillows. Another person sits alongside her and holds a mirror up to her face, reflecting it towards the camera.]
    Caption James Coleman. Still from Seeing for Oneself, 1987-88. Slideshow (black and white), 40 min.
    Image description A black and white film still of a person lying against embroidered pillows. Another person sits alongside her and holds a mirror up to her face, reflecting it towards the camera.
    Year 1988
    Related pages Michael Asher / James Coleman
  • A close up view of a sculpture of a man holding a book. The man's hand holds the spine of a book close to his purple shirt.
    A close up view of a sculpture of a man holding a book. The man's hand holds the spine of a book close to his purple shirt.
    Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013. [A close up view of a sculpture of a man holding a book. The man's hand holds the spine of a book close to his purple shirt.]
    Caption Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013.
    Image description A close up view of a sculpture of a man holding a book. The man's hand holds the spine of a book close to his purple shirt.
    Year 2013
    Related pages Pride Goes Before a Fall
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A figure stands central raising their arms while others have their back turned towards the viewer as they face an audience seated in the background. Scan lines and the surrounding box of the CRT monitor are visible in the image.
    A figure stands central raising their arms while others have their back turned towards the viewer as they face an audience seated in the background. Scan lines and the surrounding box of the CRT monitor are visible in the image.
    Sistema Sandinista de Television. Still from Aqui En Esta Esquina (Here on This Corner), 1983. Video (sound, black and white). Spanish with English subtitles. [A figure stands central raising their arms while others have their back turned towards the viewer as they face an audience seated in the background. Scan lines and the surrounding box of the CRT monitor are visible in the image.]
    Caption Sistema Sandinista de Television. Still from Aqui En Esta Esquina (Here on This Corner), 1983. Video (sound, black and white). Spanish with English subtitles.
    Image description A figure stands central raising their arms while others have their back turned towards the viewer as they face an audience seated in the background. Scan lines and the surrounding box of the CRT monitor are visible in the image.
    Year 1983
    Related pages TV Sandino
  • A black and white photograph of a figure sitting on a table. They hold a microphone in their right hand, and extend their left hand down behind a dark object on the surface of the table.
    A black and white photograph of a figure sitting on a table. They hold a microphone in their right hand, and extend their left hand down behind a dark object on the surface of the table.
    Jill Kroesen, Previews of Lou and Walter. Performance documentation, November 12, 1977, Artists Space. [A black and white photograph of a figure sitting on a table. They hold a microphone in their right hand, and extend their left hand down behind a dark object on the surface of the table.]
    Caption Jill Kroesen, Previews of Lou and Walter. Performance documentation, November 12, 1977, Artists Space.
    Image description A black and white photograph of a figure sitting on a table. They hold a microphone in their right hand, and extend their left hand down behind a dark object on the surface of the table.
    Year 1977
    Related pages Artists Performance Series
  • A black and white photograph of various objects hanging and standing in a white-walled gallery space.
    A black and white photograph of various objects hanging and standing in a white-walled gallery space.
    Freya Hansell. Installation view, Artists Space, 1980. [A black and white photograph of various objects hanging and standing in a white-walled gallery space.]
    Caption Freya Hansell. Installation view, Artists Space, 1980.
    Image description A black and white photograph of various objects hanging and standing in a white-walled gallery space.
    Year
    Related pages Freya Hansell
  • A black and white photograph of a gallery space. Several film reels and projectors are positioned on tables and stands.
    A black and white photograph of a gallery space. Several film reels and projectors are positioned on tables and stands.
    Super 8 Film Exposition. Installation view, Artists Space, New York, 1977. [A black and white photograph of a gallery space. Several film reels and projectors are positioned on tables and stands.]
    Caption Super 8 Film Exposition. Installation view, Artists Space, New York, 1977.
    Image description A black and white photograph of a gallery space. Several film reels and projectors are positioned on tables and stands.
    Year
    Related pages Artists Super 8 Film Exposition
  • A performer operates a soundboard on stage. A shadow is cast on the wall behind, resembling another performer dancing with their hands thrown above their head.
    A performer operates a soundboard on stage. A shadow is cast on the wall behind, resembling another performer dancing with their hands thrown above their head.
    Abasement #86. Performance documentation, April 6th, 2026, Artists Space. Photo: Joshua Wildman. [A performer operates a soundboard on stage. A shadow is cast on the wall behind, resembling another performer dancing with their hands thrown above their head. ]
    Caption Abasement #86. Performance documentation, April 6th, 2026, Artists Space. Photo: Joshua Wildman.
    Image description A performer operates a soundboard on stage. A shadow is cast on the wall behind, resembling another performer dancing with their hands thrown above their head.
    Year
    Related pages Abasement #86
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    Year
    Related pages Abasement #84
  • Three adjacent panels, reading
    Three adjacent panels, reading
    "Identity". Installation View, Artists Space, 2011. Photo: Daniel Pérez. [Three adjacent panels, reading "pompidou", "moma", and "tate" in black text against a luminous white background hang in a dimly-lit exhibition space.]
    Caption "Identity". Installation View, Artists Space, 2011. Photo: Daniel Pérez.
    Image description Three adjacent panels, reading "pompidou", "moma", and "tate" in black text against a luminous white background hang in a dimly-lit exhibition space.
    Year 2011
    Related pages Dexter Sinister: "Identity"
  • A screenshot of the google images search results for the query
    A screenshot of the google images search results for the query
    [A screenshot of the google images search results for the query "exit not escape."]
    Caption
    Image description A screenshot of the google images search results for the query "exit not escape."
    Year 2013
    Related pages Exit not Escape
  • A black and white image of person in a coverall jumpsuit and backwards baseball cap reading aloud from a music stand. Behind them, a pair of sunglasses is shown on a white background.
    A black and white image of person in a coverall jumpsuit and backwards baseball cap reading aloud from a music stand. Behind them, a pair of sunglasses is shown on a white background.
    Joelle de la Casiniere. Still from La Grimoire Magnetique, 1983. 26 minutes. Photo: Micki McGee. [A black and white image of person in a coverall jumpsuit and backwards baseball cap reading aloud from a music stand. Behind them, a pair of sunglasses is shown on a white background.]
    Caption Joelle de la Casiniere. Still from La Grimoire Magnetique, 1983. 26 minutes. Photo: Micki McGee.
    Image description A black and white image of person in a coverall jumpsuit and backwards baseball cap reading aloud from a music stand. Behind them, a pair of sunglasses is shown on a white background.
    Year 1983
    Related pages Body Language: Studies in Female Expression
  • Two people in the middle of a conversation. The woman is wearing a red cardigan, a white collared shirt, and has short gray hair with square black glasses. The man is wearing a checked blue and white collared shirt and has gray facial hair and round black glasses.
    Two people in the middle of a conversation. The woman is wearing a red cardigan, a white collared shirt, and has short gray hair with square black glasses. The man is wearing a checked blue and white collared shirt and has gray facial hair and round black glasses.
    Still from video interview with Naomi and Stephen Antonakos, conducted by Dean Inkster and Sébastien Pluot, 2010. [Two people in the middle of a conversation. The woman is wearing a red cardigan, a white collared shirt, and has short gray hair with square black glasses. The man is wearing a checked blue and white collared shirt and has gray facial hair and round black glasses.]
    Caption Still from video interview with Naomi and Stephen Antonakos, conducted by Dean Inkster and Sébastien Pluot, 2010.
    Image description Two people in the middle of a conversation. The woman is wearing a red cardigan, a white collared shirt, and has short gray hair with square black glasses. The man is wearing a checked blue and white collared shirt and has gray facial hair and round black glasses.
    Year 2011
    Related pages Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979)
  • Aerial view of three long dining tables with rows of candlebras running down the middle of each. Rows of seated guests on each side of the tables are chatting and having dinner.
    Aerial view of three long dining tables with rows of candlebras running down the middle of each. Rows of seated guests on each side of the tables are chatting and having dinner.
    Hall of Records, Friends of Artists Space Dinner, 2025. Photo: Jenna Bascom. [Aerial view of three long dining tables with rows of candlebras running down the middle of each. Rows of seated guests on each side of the tables are chatting and having dinner. ]
    Caption Hall of Records, Friends of Artists Space Dinner, 2025. Photo: Jenna Bascom.
    Image description Aerial view of three long dining tables with rows of candlebras running down the middle of each. Rows of seated guests on each side of the tables are chatting and having dinner.
    Year
    Related pages Friends of Artists Space Dinner
  • A black and white photo of a man standing on a cobblestone street in New York, with the Twin Towers in the background.
    A black and white photo of a man standing on a cobblestone street in New York, with the Twin Towers in the background.
    Gianfranco Gorgoni, André Cadere, 1976. Courtesy Galleria Minini. [A black and white photo of a man standing on a cobblestone street in New York, with the Twin Towers in the background.]
    Caption Gianfranco Gorgoni, André Cadere, 1976. Courtesy Galleria Minini.
    Image description A black and white photo of a man standing on a cobblestone street in New York, with the Twin Towers in the background.
    Year 1976
    Related pages Unconcealed: The International Network of Conceptual Artists 1967-77 –Dealers, Exhibitions and Public Collections Lynda Morris
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    Year
    Related pages Brad Kronz
  • Three paper bags, decorated in collage and drawing, sit on pedestals of varying heights. An abstract lanscape painting hangs on a wall behind them. To the left, a purple painting of an buffalo hangs on another wall.
    Three paper bags, decorated in collage and drawing, sit on pedestals of varying heights. An abstract lanscape painting hangs on a wall behind them. To the left, a purple painting of an buffalo hangs on another wall.
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [Three paper bags, decorated in collage and drawing, sit on pedestals of varying heights. An abstract lanscape painting hangs on a wall behind them. To the left, a purple painting of an buffalo hangs on another wall.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description Three paper bags, decorated in collage and drawing, sit on pedestals of varying heights. An abstract lanscape painting hangs on a wall behind them. To the left, a purple painting of an buffalo hangs on another wall.
    Year 2017
    Related pages Unholding
  • A dim photograph of dark curtains and sculptures in a gallery space.
    A dim photograph of dark curtains and sculptures in a gallery space.
    Gary Falk, Brigid Kennedy, Ladd Kessler, Peggy Yunque. Installation view, Artists Space, 1981. [A dim photograph of dark curtains and sculptures in a gallery space.]
    Caption Gary Falk, Brigid Kennedy, Ladd Kessler, Peggy Yunque. Installation view, Artists Space, 1981.
    Image description A dim photograph of dark curtains and sculptures in a gallery space.
    Year
    Related pages Gary Falk, Brigid Kennedy, Ladd Kessler, Peggy Yunque
  • Black text affixed to a white wall reads:
    Black text affixed to a white wall reads:
    _____, Louise Lawler, Adrian Piper & Cindy Sherman Have Agreed to Participate in an Exhibition Organized by Janelle Reiring at Artists Space, September 23 through October 28, 1978, Artists Space, 1978. Installation view, Artists Space, 1978. [Black text affixed to a white wall reads: "Christopher D'Arcangelo / Louise Lawler / Adrian Piper / Cindy Sherman."]
    Caption _____, Louise Lawler, Adrian Piper & Cindy Sherman Have Agreed to Participate in an Exhibition Organized by Janelle Reiring at Artists Space, September 23 through October 28, 1978, Artists Space, 1978. Installation view, Artists Space, 1978.
    Image description Black text affixed to a white wall reads: "Christopher D'Arcangelo / Louise Lawler / Adrian Piper / Cindy Sherman."
    Year 1978
    Related pages ______ , Louise Lawler, Adrian Piper & Cindy Sherman Have Agreed to Participate in an Exhibition Organized by Janelle Reiring at Artists Space, September 23 through October 28, 1978.
  • Audience members are seated along a back wall, with a figure in a blue morph suit seated on a rectangular wooden frame alongside them. Blue light is projected onto a screen in the background.
    Audience members are seated along a back wall, with a figure in a blue morph suit seated on a rectangular wooden frame alongside them. Blue light is projected onto a screen in the background.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Audience members are seated along a back wall, with a figure in a blue morph suit seated on a rectangular wooden frame alongside them. Blue light is projected onto a screen in the background.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Audience members are seated along a back wall, with a figure in a blue morph suit seated on a rectangular wooden frame alongside them. Blue light is projected onto a screen in the background.
    Year 2022
    Related pages SCRAAATCH 11-19
  • A color image of a gallery space. From left to right: a shovel standing upright on a pedestal, a shovel with an iron claw at the base, a tree log on a pedestal and another tree log on pedestal, with a griffon vulture perched on the branch.
    A color image of a gallery space. From left to right: a shovel standing upright on a pedestal, a shovel with an iron claw at the base, a tree log on a pedestal and another tree log on pedestal, with a griffon vulture perched on the branch.
    Andy Robert: PAPALOKO. Installation view, Artists Space, 2024. Photo: Carter Seddon. [A color image of a gallery space. From left to right: a shovel standing upright on a pedestal, a shovel with an iron claw at the base, a tree log on a pedestal and another tree log on pedestal, with a griffon vulture perched on the branch.]
    Caption Andy Robert: PAPALOKO. Installation view, Artists Space, 2024. Photo: Carter Seddon.
    Image description A color image of a gallery space. From left to right: a shovel standing upright on a pedestal, a shovel with an iron claw at the base, a tree log on a pedestal and another tree log on pedestal, with a griffon vulture perched on the branch.
    Year
    Related pages Andy Robert: Papaloko
  • White and dark blue text overlay a light blue background with abstract lines and a drawing of a male bust in the bottom left corner. The text in the middle reads
    White and dark blue text overlay a light blue background with abstract lines and a drawing of a male bust in the bottom left corner. The text in the middle reads
    Flyer for Segue Reading Series featuring Jacob Kahn and Erica Hunt. January 28, 2023, Artists Space. [White and dark blue text overlay a light blue background with abstract lines and a drawing of a male bust in the bottom left corner. The text in the middle reads "Jacob Kahn / Segue Reading Series / Erica Hunt."]
    Caption Flyer for Segue Reading Series featuring Jacob Kahn and Erica Hunt. January 28, 2023, Artists Space.
    Image description White and dark blue text overlay a light blue background with abstract lines and a drawing of a male bust in the bottom left corner. The text in the middle reads "Jacob Kahn / Segue Reading Series / Erica Hunt."
    Year
    Related pages Segue Reading Series: Erica Hunt & Jacob Kahn
  • Two photographs mounted on a white gallery wall.
    Two photographs mounted on a white gallery wall.
    Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979. [Two photographs mounted on a white gallery wall.]
    Caption Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979.
    Image description Two photographs mounted on a white gallery wall.
    Year 1979
    Related pages Place, (title to be determined), for a Participant: Ken Feingold
  • A dim room with four benches in front of a large video screen. A black and white image of a woman in front of a red star and a wreath is projected.
    A dim room with four benches in front of a large video screen. A black and white image of a woman in front of a red star and a wreath is projected.
    Hito Steyerl, November, 2004. Digital video with sound, 25 mins. Courtesy of the artist and Andrew Kreps, New York. [A dim room with four benches in front of a large video screen. A black and white image of a woman in front of a red star and a wreath is projected.]
    Caption Hito Steyerl, November, 2004. Digital video with sound, 25 mins. Courtesy of the artist and Andrew Kreps, New York.
    Image description A dim room with four benches in front of a large video screen. A black and white image of a woman in front of a red star and a wreath is projected.
    Year 2015
    Related pages Hito Steyerl
  • Image of a dimly lit basement, a figure holding a video camera with a rig on their shoulder takes footage of the back wall, which has blue and purple light projected onto it.
    Image of a dimly lit basement, a figure holding a video camera with a rig on their shoulder takes footage of the back wall, which has blue and purple light projected onto it.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Image of a dimly lit basement, a figure holding a video camera with a rig on their shoulder takes footage of the back wall, which has blue and purple light projected onto it.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a dimly lit basement, a figure holding a video camera with a rig on their shoulder takes footage of the back wall, which has blue and purple light projected onto it.
    Year 2022
    Related pages SCRAAATCH 11-18
  • Red text reading “we cover for you / new red order / 1-888-NEW-RED1 / newredorder.org” is overlaid on an image of a person in a black shirt holding a rock in front of their face.
    Red text reading “we cover for you / new red order / 1-888-NEW-RED1 / newredorder.org” is overlaid on an image of a person in a black shirt holding a rock in front of their face.
    [Red text reading “we cover for you / new red order / 1-888-NEW-RED1 / newredorder.org” is overlaid on an image of a person in a black shirt holding a rock in front of their face.]
    Caption
    Image description Red text reading “we cover for you / new red order / 1-888-NEW-RED1 / newredorder.org” is overlaid on an image of a person in a black shirt holding a rock in front of their face.
    Year
    Related pages New Red Order: Informants Get Paid!
  • Photograph of a performer standing behind a small desk that holds audio equipment. The performer stands upright with their head down and their hands held together in front of their face. To the performer's right a music stand holds a score. The background is bathed in blue and red light with the silhouettes of audience members visible. In the bottom left corner a recessed structure filled with water is illuminated.
    Photograph of a performer standing behind a small desk that holds audio equipment. The performer stands upright with their head down and their hands held together in front of their face. To the performer's right a music stand holds a score. The background is bathed in blue and red light with the silhouettes of audience members visible. In the bottom left corner a recessed structure filled with water is illuminated.
    Heist Divination (fwiw remix). Performance documentation, October 25th, 2024, Artists Space. Photo: Destiny Mata. [Photograph of a performer standing behind a small desk that holds audio equipment. The performer stands upright with their head down and their hands held together in front of their face. To the performer's right a music stand holds a score. The background is bathed in blue and red light with the silhouettes of audience members visible. In the bottom left corner a recessed structure filled with water is illuminated. ]
    Caption Heist Divination (fwiw remix). Performance documentation, October 25th, 2024, Artists Space. Photo: Destiny Mata.
    Image description Photograph of a performer standing behind a small desk that holds audio equipment. The performer stands upright with their head down and their hands held together in front of their face. To the performer's right a music stand holds a score. The background is bathed in blue and red light with the silhouettes of audience members visible. In the bottom left corner a recessed structure filled with water is illuminated.
    Year
    Related pages S*an D. Henry-Smith
  • A man sits partially undressed on a toilet, holding a red notebook while peering through a hole in the tile wall.
    A man sits partially undressed on a toilet, holding a red notebook while peering through a hole in the tile wall.
    Frank Ripploh, still from Taxi zum Klo, 1981. 95min. [A man sits partially undressed on a toilet, holding a red notebook while peering through a hole in the tile wall.]
    Caption Frank Ripploh, still from Taxi zum Klo, 1981. 95min.
    Image description A man sits partially undressed on a toilet, holding a red notebook while peering through a hole in the tile wall.
    Year 1981
    Related pages Tom of Finland Film Evening
  • A piece of white paper with perforated edges displays vertical black Chinese calligraphy. English text in black above the calligraphy reads
    A piece of white paper with perforated edges displays vertical black Chinese calligraphy. English text in black above the calligraphy reads
    Tiffany Sia, The Bastard Scroll (detail), 2020. Ink on paper. [A piece of white paper with perforated edges displays vertical black Chinese calligraphy. English text in black above the calligraphy reads "Too Salty" and below "Too Wet."]
    Caption Tiffany Sia, The Bastard Scroll (detail), 2020. Ink on paper.
    Image description A piece of white paper with perforated edges displays vertical black Chinese calligraphy. English text in black above the calligraphy reads "Too Salty" and below "Too Wet."
    Year 2020
    Related pages Tiffany Sia: Slippery When Wet
  • Color photograph of a figure dressed in white, laying down on a window ledge facing the street. They raise on arm up and a white light shines from their pelvic area.
    Color photograph of a figure dressed in white, laying down on a window ledge facing the street. They raise on arm up and a white light shines from their pelvic area.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure dressed in white, laying down on a window ledge facing the street. They raise on arm up and a white light shines from their pelvic area.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a figure dressed in white, laying down on a window ledge facing the street. They raise on arm up and a white light shines from their pelvic area.
    Year 2022
    Related pages keyon gaskin 12-14
  • A pink tote bag with the black Louise Lawler-designed Artists Space logo in the middle - A black circle around a black
    A pink tote bag with the black Louise Lawler-designed Artists Space logo in the middle - A black circle around a black
    Louise Lawler Tote Bag. Produced by Artists Space. 2017. $20 [A pink tote bag with the black Louise Lawler-designed Artists Space logo in the middle - A black circle around a black "A", with small, pink, all-caps text, "ARTISTS SPACE" in the middle of the A.]
    Caption Louise Lawler Tote Bag. Produced by Artists Space. 2017. $20
    Image description A pink tote bag with the black Louise Lawler-designed Artists Space logo in the middle - A black circle around a black "A", with small, pink, all-caps text, "ARTISTS SPACE" in the middle of the A.
    Year
    Related pages Artists Space Items
  • A microphone connected to a stand and an amp sit on the floor of a gallery space. The microphone stand has been adjusted such that the microphone is pointed down and hovers directly over a small answering machine on the ground. Wall vinyl installed on the wall directly behind the microphone stand displays a phone number:
    A microphone connected to a stand and an amp sit on the floor of a gallery space. The microphone stand has been adjusted such that the microphone is pointed down and hovers directly over a small answering machine on the ground. Wall vinyl installed on the wall directly behind the microphone stand displays a phone number:
    Salad Days 2. Installation view, Artists Space, 2006. Photo: Bill Ocrutt. [A microphone connected to a stand and an amp sit on the floor of a gallery space. The microphone stand has been adjusted such that the microphone is pointed down and hovers directly over a small answering machine on the ground. Wall vinyl installed on the wall directly behind the microphone stand displays a phone number: "+1 (212) 226-2786)."]
    Caption Salad Days 2. Installation view, Artists Space, 2006. Photo: Bill Ocrutt.
    Image description A microphone connected to a stand and an amp sit on the floor of a gallery space. The microphone stand has been adjusted such that the microphone is pointed down and hovers directly over a small answering machine on the ground. Wall vinyl installed on the wall directly behind the microphone stand displays a phone number: "+1 (212) 226-2786)."
    Year 2006
    Related pages Salad Days 2
  • A Samsung television monitor displaying Benjamin Buchloh, in a black sweater and thin rectangular glasses, being interviewed.
    A Samsung television monitor displaying Benjamin Buchloh, in a black sweater and thin rectangular glasses, being interviewed.
    Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979). Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A Samsung television monitor displaying Benjamin Buchloh, in a black sweater and thin rectangular glasses, being interviewed.]
    Caption Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979). Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description A Samsung television monitor displaying Benjamin Buchloh, in a black sweater and thin rectangular glasses, being interviewed.
    Year 2011
    Related pages Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979)
  • A view of a gallery space with concrete floors, white walls, and white columns. In the foreground, a grouping of five striped cylinders of varying sizes are placed on the floor. Other works are visible in the background.
    A view of a gallery space with concrete floors, white walls, and white columns. In the foreground, a grouping of five striped cylinders of varying sizes are placed on the floor. Other works are visible in the background.
    Selections from the Artists File. Installation view, Artists Space, 1988. [A view of a gallery space with concrete floors, white walls, and white columns. In the foreground, a grouping of five striped cylinders of varying sizes are placed on the floor. Other works are visible in the background.]
    Caption Selections from the Artists File. Installation view, Artists Space, 1988.
    Image description A view of a gallery space with concrete floors, white walls, and white columns. In the foreground, a grouping of five striped cylinders of varying sizes are placed on the floor. Other works are visible in the background.
    Year 1988
    Related pages Selections from the Artist File
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Photographic portrait of a youthful figure leaning against a white brick wall. They wear a partially unbuttoned, blue and black plaid shirt and a trucker hat. Large black text emblazoned across the front of the hat reads,
    Photographic portrait of a youthful figure leaning against a white brick wall. They wear a partially unbuttoned, blue and black plaid shirt and a trucker hat. Large black text emblazoned across the front of the hat reads,
    Cass Bird, I Look Like My Daddy, 2004. C-print, 30 x 40 inches. Courtesy the artist. [Photographic portrait of a youthful figure leaning against a white brick wall. They wear a partially unbuttoned, blue and black plaid shirt and a trucker hat. Large black text emblazoned across the front of the hat reads, "I LOOK JUST LIKE MY DADDY." A miniature gun token has been attached to the hat, to the left of the text. The figure stares ahead, the right side of their face illuminated by daylight.]
    Caption Cass Bird, I Look Like My Daddy, 2004. C-print, 30 x 40 inches. Courtesy the artist.
    Image description Photographic portrait of a youthful figure leaning against a white brick wall. They wear a partially unbuttoned, blue and black plaid shirt and a trucker hat. Large black text emblazoned across the front of the hat reads, "I LOOK JUST LIKE MY DADDY." A miniature gun token has been attached to the hat, to the left of the text. The figure stares ahead, the right side of their face illuminated by daylight.
    Year 2004
    Related pages Log Cabin
  • Several empty food containers and milk boxes on a hardwood floor, with milk spilled out all over the floor.
    Several empty food containers and milk boxes on a hardwood floor, with milk spilled out all over the floor.
    INFESTED. Installation view, Arists Space, 2013. Photo: Lyndsy Welgos. [Several empty food containers and milk boxes on a hardwood floor, with milk spilled out all over the floor.]
    Caption INFESTED. Installation view, Arists Space, 2013. Photo: Lyndsy Welgos.
    Image description Several empty food containers and milk boxes on a hardwood floor, with milk spilled out all over the floor.
    Year 2013
    Related pages INFESTED
  • Collaged images of pairs of half-naked men in various poses and positions.
    Collaged images of pairs of half-naked men in various poses and positions.
    Tom of Finland Untitled , ca. 1968 Collage on paper Tom of Finland Foundation, Permanent Collection [Collaged images of pairs of half-naked men in various poses and positions.]
    Caption Tom of Finland Untitled , ca. 1968 Collage on paper Tom of Finland Foundation, Permanent Collection
    Image description Collaged images of pairs of half-naked men in various poses and positions.
    Year 1968
    Related pages Tom of Finland: The Pleasure of Play
  • Color photograph of a gallery space. Along the middle of the space are placed various television monitors and musical instruments and audio devices. To the right on the wall are a series of photographs and prints, and two vitrines hang on the wall.
    Color photograph of a gallery space. Along the middle of the space are placed various television monitors and musical instruments and audio devices. To the right on the wall are a series of photographs and prints, and two vitrines hang on the wall.
    Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a gallery space. Along the middle of the space are placed various television monitors and musical instruments and audio devices. To the right on the wall are a series of photographs and prints, and two vitrines hang on the wall.]
    Caption Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photograph of a gallery space. Along the middle of the space are placed various television monitors and musical instruments and audio devices. To the right on the wall are a series of photographs and prints, and two vitrines hang on the wall.
    Year 2023
    Related pages Yasunao Tone: Region of Paramedia
  • A room with white walls, with two windows on the back wall with shades pulled halfway down. The wall to the left of the windows has three framed photographs, and a white plinth with a glass top. In front of the windows, a television on a low table faces sideways toward a low black couch. On the far right side, a protruding corner of a wall has white text projected on it reading
    A room with white walls, with two windows on the back wall with shades pulled halfway down. The wall to the left of the windows has three framed photographs, and a white plinth with a glass top. In front of the windows, a television on a low table faces sideways toward a low black couch. On the far right side, a protruding corner of a wall has white text projected on it reading
    The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich. [A room with white walls, with two windows on the back wall with shades pulled halfway down. The wall to the left of the windows has three framed photographs, and a white plinth with a glass top. In front of the windows, a television on a low table faces sideways toward a low black couch. On the far right side, a protruding corner of a wall has white text projected on it reading "cupholder mount vaio."]
    Caption The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich.
    Image description A room with white walls, with two windows on the back wall with shades pulled halfway down. The wall to the left of the windows has three framed photographs, and a white plinth with a glass top. In front of the windows, a television on a low table faces sideways toward a low black couch. On the far right side, a protruding corner of a wall has white text projected on it reading "cupholder mount vaio."
    Year 2008
    Related pages The New Normal
  • Close up detail of a sculpture composed of a large glass pane with a painted canvas installed in the pane's center. The back of the canvas faces the viewer, and faint words are penciled onto its surface. A golden tassle and necklce cluster and hang around the canvas' edge.
    Close up detail of a sculpture composed of a large glass pane with a painted canvas installed in the pane's center. The back of the canvas faces the viewer, and faint words are penciled onto its surface. A golden tassle and necklce cluster and hang around the canvas' edge.
    Fifth Season Act, Apotheosically. Performance documentation, May 31, 2012, Artists Space. [Close up detail of a sculpture composed of a large glass pane with a painted canvas installed in the pane's center. The back of the canvas faces the viewer, and faint words are penciled onto its surface. A golden tassle and necklce cluster and hang around the canvas' edge.]
    Caption Fifth Season Act, Apotheosically. Performance documentation, May 31, 2012, Artists Space.
    Image description Close up detail of a sculpture composed of a large glass pane with a painted canvas installed in the pane's center. The back of the canvas faces the viewer, and faint words are penciled onto its surface. A golden tassle and necklce cluster and hang around the canvas' edge.
    Year 2012
    Related pages Fifth Season Act, Apotheosically
  • The Cortlandt Alley main entrance to Artists Space shows two grab bars blocking the staircase entrance to the gallery.
    The Cortlandt Alley main entrance to Artists Space shows two grab bars blocking the staircase entrance to the gallery.
    Constantina Zavitsanos: fwiw. Installation view (Specific Objects (Swing), 2024), Artists Space, 2024. Photo: Carter Seddon. [The Cortlandt Alley main entrance to Artists Space shows two grab bars blocking the staircase entrance to the gallery.]
    Caption Constantina Zavitsanos: fwiw. Installation view (Specific Objects (Swing), 2024), Artists Space, 2024. Photo: Carter Seddon.
    Image description The Cortlandt Alley main entrance to Artists Space shows two grab bars blocking the staircase entrance to the gallery.
    Year
    Related pages fwiw
  • Lining the wall are multiple glass display cased filled with ephemera, text and images hang on the wall above them, in the corner sits a tv monitor on a shelf.
    Lining the wall are multiple glass display cased filled with ephemera, text and images hang on the wall above them, in the corner sits a tv monitor on a shelf.
    Till They Listen: Bill Gunn Directs America. Installation view, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [Lining the wall are multiple glass display cased filled with ephemera, text and images hang on the wall above them, in the corner sits a tv monitor on a shelf.]
    Caption Till They Listen: Bill Gunn Directs America. Installation view, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description Lining the wall are multiple glass display cased filled with ephemera, text and images hang on the wall above them, in the corner sits a tv monitor on a shelf.
    Year 2021
    Related pages Till They Listen: Bill Gunn Directs America
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A color image of two figures performing on a stage. Various electronic equipment, such as speakers, cables, an monitors surround the performers. One of the figures is playing the saxophone. The other one is playing the guitar and has their eyes closed. An image of the figure playing the saxophone is projected onto the back wall. In the background, a row of audience members sit looking towards the performers.
    A color image of two figures performing on a stage. Various electronic equipment, such as speakers, cables, an monitors surround the performers. One of the figures is playing the saxophone. The other one is playing the guitar and has their eyes closed. An image of the figure playing the saxophone is projected onto the back wall. In the background, a row of audience members sit looking towards the performers.
    Abasement #66. Performance documentation, October 9, 2023, Artists Space. Photo: Joshua Wildman. [A color image of two figures performing on a stage. Various electronic equipment, such as speakers, cables, an monitors surround the performers. One of the figures is playing the saxophone. The other one is playing the guitar and has their eyes closed. An image of the figure playing the saxophone is projected onto the back wall. In the background, a row of audience members sit looking towards the performers.]
    Caption Abasement #66. Performance documentation, October 9, 2023, Artists Space. Photo: Joshua Wildman.
    Image description A color image of two figures performing on a stage. Various electronic equipment, such as speakers, cables, an monitors surround the performers. One of the figures is playing the saxophone. The other one is playing the guitar and has their eyes closed. An image of the figure playing the saxophone is projected onto the back wall. In the background, a row of audience members sit looking towards the performers.
    Year
    Related pages Abasement #66
  • The façade of a building adorned with a large, metal frame sculpture of the face of Che Guevara.
    The façade of a building adorned with a large, metal frame sculpture of the face of Che Guevara.
    Ministry of Interior building in Plaza de la Revolución, Havana, Cuba. [The façade of a building adorned with a large, metal frame sculpture of the face of Che Guevara.]
    Caption Ministry of Interior building in Plaza de la Revolución, Havana, Cuba.
    Image description The façade of a building adorned with a large, metal frame sculpture of the face of Che Guevara.
    Year 2013
    Related pages Rebecca Gordon-Nesbitt
  • A figure in a red sweater stands on stage, with three microphones placed around them. They are blowing into a white conch shell.
    A figure in a red sweater stands on stage, with three microphones placed around them. They are blowing into a white conch shell.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure in a red sweater stands on stage, with three microphones placed around them. They are blowing into a white conch shell.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure in a red sweater stands on stage, with three microphones placed around them. They are blowing into a white conch shell.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
  • A figure wearing all black clothing, a black hood, heavy eyeshadow, and a fake mustache looks at the floor.
    A figure wearing all black clothing, a black hood, heavy eyeshadow, and a fake mustache looks at the floor.
    Jack Smith, still from Hamlet in the Rented World (A Fragment), 1970-73. 16mm transferred to video, (sound, color), 27 minutes. [A figure wearing all black clothing, a black hood, heavy eyeshadow, and a fake mustache looks at the floor.]
    Caption Jack Smith, still from Hamlet in the Rented World (A Fragment), 1970-73. 16mm transferred to video, (sound, color), 27 minutes.
    Image description A figure wearing all black clothing, a black hood, heavy eyeshadow, and a fake mustache looks at the floor.
    Year 1970
    Related pages Reconstructing Performance
  • Solo performer on stage next to a small table with a silver metal box on top. The walls are bathed in soft pink and purple light, to the right of the performer an image of a man in the style of a lithograph is projected. The performer has a green eyeball attached to their head amidst long flowing blonde hair.
    Solo performer on stage next to a small table with a silver metal box on top. The walls are bathed in soft pink and purple light, to the right of the performer an image of a man in the style of a lithograph is projected. The performer has a green eyeball attached to their head amidst long flowing blonde hair.
    Abasement #70. Performance documentation, July 1st, 2024, Artists Space. Photo: Joshua Wildman. [Solo performer on stage next to a small table with a silver metal box on top. The walls are bathed in soft pink and purple light, to the right of the performer an image of a man in the style of a lithograph is projected. The performer has a green eyeball attached to their head amidst long flowing blonde hair. ]
    Caption Abasement #70. Performance documentation, July 1st, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Solo performer on stage next to a small table with a silver metal box on top. The walls are bathed in soft pink and purple light, to the right of the performer an image of a man in the style of a lithograph is projected. The performer has a green eyeball attached to their head amidst long flowing blonde hair.
    Year
    Related pages Abasement #70
  • A black and white photograph with two projectors hanging central with projections on one wall and another hanging screen in a gallery space.
    A black and white photograph with two projectors hanging central with projections on one wall and another hanging screen in a gallery space.
    Anne Bray. Man on First and Third, 1987. Slide/Sound Installation. [A black and white photograph with two projectors hanging central with projections on one wall and another hanging screen in a gallery space.]
    Caption Anne Bray. Man on First and Third, 1987. Slide/Sound Installation.
    Image description A black and white photograph with two projectors hanging central with projections on one wall and another hanging screen in a gallery space.
    Year 1987
    Related pages Dark Rooms
  • Photograph of a basement gallery space with various multimedia works on display. In the left back corner is a reading room, and in the center is a large wooden platform, a wooden bench painted blue, and a woven hanging.
    Photograph of a basement gallery space with various multimedia works on display. In the left back corner is a reading room, and in the center is a large wooden platform, a wooden bench painted blue, and a woven hanging.
    Clocking Out: Time Beyond Management. Installation view, Artists Space, 2023. Photo: Greg Carideo. [Photograph of a basement gallery space with various multimedia works on display. In the left back corner is a reading room, and in the center is a large wooden platform, a wooden bench painted blue, and a woven hanging.]
    Caption Clocking Out: Time Beyond Management. Installation view, Artists Space, 2023. Photo: Greg Carideo.
    Image description Photograph of a basement gallery space with various multimedia works on display. In the left back corner is a reading room, and in the center is a large wooden platform, a wooden bench painted blue, and a woven hanging.
    Year 2023
    Related pages Whitney Independent Study: Clocking Out: Time Beyond Management
  • An installation view of two abstract wall works made of wood and a water fountain sculpture in the background.
    An installation view of two abstract wall works made of wood and a water fountain sculpture in the background.
    New Economy. Installation view, Artists Space, 2007. [An installation view of two abstract wall works made of wood and a water fountain sculpture in the background.]
    Caption New Economy. Installation view, Artists Space, 2007.
    Image description An installation view of two abstract wall works made of wood and a water fountain sculpture in the background.
    Year
    Related pages New Economy
  • Color image of five performers on stage. They are playing bass, violin, guitars, and drums. A row of audience members are visible in the foreground, with their backs to the camera. A blue projection covers the performers and the back wall.
    Color image of five performers on stage. They are playing bass, violin, guitars, and drums. A row of audience members are visible in the foreground, with their backs to the camera. A blue projection covers the performers and the back wall.
    Abasement #78. Performance documentation, June 16th, 2025, Artists Space. Photo: Joshua Wildman. [Color image of five performers on stage. They are playing bass, violin, guitars, and drums. A row of audience members are visible in the foreground, with their backs to the camera. A blue projection covers the performers and the back wall.]
    Caption Abasement #78. Performance documentation, June 16th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Color image of five performers on stage. They are playing bass, violin, guitars, and drums. A row of audience members are visible in the foreground, with their backs to the camera. A blue projection covers the performers and the back wall.
    Year
    Related pages Abasement #78
  • A figure wearing blue clothing uses the body of another person beneath them to hold their weight up.
    A figure wearing blue clothing uses the body of another person beneath them to hold their weight up.
    Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court [A figure wearing blue clothing uses the body of another person beneath them to hold their weight up.]
    Caption Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court
    Image description A figure wearing blue clothing uses the body of another person beneath them to hold their weight up.
    Year 2022
    Related pages Circus Amok
  • Color image of audience members watching a performance out of the left side of the frame. On the left side of the image, there are two rows of seated audience members in shadow. In the center of the image, audience members stand against a wall. The upper half of the standing audience members is cast in orange and red light emitted from a projector. Behind the standing audience, an image of a figure rendered in red, yellow and blue is projected on the wall. On the right edge of the image, there is a table with clear glasses and bottles of wine. 
    Color image of audience members watching a performance out of the left side of the frame. On the left side of the image, there are two rows of seated audience members in shadow. In the center of the image, audience members stand against a wall. The upper half of the standing audience members is cast in orange and red light emitted from a projector. Behind the standing audience, an image of a figure rendered in red, yellow and blue is projected on the wall. On the right edge of the image, there is a table with clear glasses and bottles of wine. 
    Abasement #68. Performance documentation, February 12, 2024, Artists Space. Photo: Joshua Wildman. [Color image of audience members watching a performance out of the left side of the frame. On the left side of the image, there are two rows of seated audience members in shadow. In the center of the image, audience members stand against a wall. The upper half of the standing audience members is cast in orange and red light emitted from a projector. Behind the standing audience, an image of a figure rendered in red, yellow and blue is projected on the wall. On the right edge of the image, there is a table with clear glasses and bottles of wine. ]
    Caption Abasement #68. Performance documentation, February 12, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Color image of audience members watching a performance out of the left side of the frame. On the left side of the image, there are two rows of seated audience members in shadow. In the center of the image, audience members stand against a wall. The upper half of the standing audience members is cast in orange and red light emitted from a projector. Behind the standing audience, an image of a figure rendered in red, yellow and blue is projected on the wall. On the right edge of the image, there is a table with clear glasses and bottles of wine. 
    Annotation Color image of a seated musician playing a tenor saxophone on a stage. In the foreground of the image, there is the blurred back of the heads of seated audience members. In the center midground of the image, the musician is basked in green and yellow light being emitted from a projector. The projection covers the back wall behind the musician and the stage. 
    Year
    Related pages Abasement #68
  • Two drawings hung up on adjacent walls. On the left is a nude headless figure with a star covering its groin and smaller figures walking along the top. On the right is a nude headless figure with two disembodied heads floating nearby with long extended tongues.
    Two drawings hung up on adjacent walls. On the left is a nude headless figure with a star covering its groin and smaller figures walking along the top. On the right is a nude headless figure with two disembodied heads floating nearby with long extended tongues.
    Artists Draw. Installation view, Artists Space, 1979. [Two drawings hung up on adjacent walls. On the left is a nude headless figure with a star covering its groin and smaller figures walking along the top. On the right is a nude headless figure with two disembodied heads floating nearby with long extended tongues.]
    Caption Artists Draw. Installation view, Artists Space, 1979.
    Image description Two drawings hung up on adjacent walls. On the left is a nude headless figure with a star covering its groin and smaller figures walking along the top. On the right is a nude headless figure with two disembodied heads floating nearby with long extended tongues.
    Year 1979
    Related pages Artists Draw: Tom Martin, Auste Peciura, Alan Saret, Patti Smith, Nancy Spero
  • A person dressed in all pink, holding several sheets of paper, speaks into a microphone. Her arms are draped with masses of cords. A crowd of audience members surrounds her, some seated and some standing.
    A person dressed in all pink, holding several sheets of paper, speaks into a microphone. Her arms are draped with masses of cords. A crowd of audience members surrounds her, some seated and some standing.
    Jutta Koether: xxapollo. Performance documentation, January 5, 2020, Artists Space. Photo © 2020 Paula Court. [A person dressed in all pink, holding several sheets of paper, speaks into a microphone. Her arms are draped with masses of cords. A crowd of audience members surrounds her, some seated and some standing.]
    Caption Jutta Koether: xxapollo. Performance documentation, January 5, 2020, Artists Space. Photo © 2020 Paula Court.
    Image description A person dressed in all pink, holding several sheets of paper, speaks into a microphone. Her arms are draped with masses of cords. A crowd of audience members surrounds her, some seated and some standing.
    Year 2020
    Related pages Jutta Koether
  • Trip to Artists Space to see fwiw Constantina Zavitsanos exhibition, 2024
    Caption Trip to Artists Space to see fwiw Constantina Zavitsanos exhibition, 2024
    Image description
    Year
    Related pages Listening to the LES
  • Color photograph of a gallery space with white walls. Two vitrines are built out of the walls, and contain various ephemera. Above the left vitrine hang black-and-white photographs. Above the right vitrine, placed over a window, is a blown-up image of a man kneeling with his head to the floor.
    Color photograph of a gallery space with white walls. Two vitrines are built out of the walls, and contain various ephemera. Above the left vitrine hang black-and-white photographs. Above the right vitrine, placed over a window, is a blown-up image of a man kneeling with his head to the floor.
    Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a gallery space with white walls. Two vitrines are built out of the walls, and contain various ephemera. Above the left vitrine hang black-and-white photographs. Above the right vitrine, placed over a window, is a blown-up image of a man kneeling with his head to the floor.]
    Caption Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photograph of a gallery space with white walls. Two vitrines are built out of the walls, and contain various ephemera. Above the left vitrine hang black-and-white photographs. Above the right vitrine, placed over a window, is a blown-up image of a man kneeling with his head to the floor.
    Year 2023
    Related pages Yasunao Tone: Region of Paramedia
  • A rainbow-hued poster of the Queen. Black serif text positioned above and below her image reads,
    A rainbow-hued poster of the Queen. Black serif text positioned above and below her image reads,
    Jeremy Deller, Together 4 Ever, 1995. Silkscreen on paper, 27 x 19 inches. Edition of 4. 2 of 4 AP. Courtesy the artist and Gavin Brown's Enterprise, New York. [A rainbow-hued poster of the Queen. Black serif text positioned above and below her image reads, "Together 4 Ever".]
    Caption Jeremy Deller, Together 4 Ever, 1995. Silkscreen on paper, 27 x 19 inches. Edition of 4. 2 of 4 AP. Courtesy the artist and Gavin Brown's Enterprise, New York.
    Image description A rainbow-hued poster of the Queen. Black serif text positioned above and below her image reads, "Together 4 Ever".
    Year 1995
    Related pages Artists Space Program Fund
  • Black text overlays a mauve background. The top left corner reads:
    Black text overlays a mauve background. The top left corner reads:
    Flyer for Segue Reading Series featuring Holly Melgard and Trey. Saturday, January 22, 2021, Artists Space. [Black text overlays a mauve background. The top left corner reads: "Holly Melgard and Trey (also known as Vernon Keeve III)" The center right reads: "Segue Reading Series & ARTISTS SPACE." The bottom left reads: "Saturday January 22, 5pm, Zoom ID: 893 9594 7519, Suggested donation $5". The image of a 5 dollar bill is placed within the text.]
    Caption Flyer for Segue Reading Series featuring Holly Melgard and Trey. Saturday, January 22, 2021, Artists Space.
    Image description Black text overlays a mauve background. The top left corner reads: "Holly Melgard and Trey (also known as Vernon Keeve III)" The center right reads: "Segue Reading Series & ARTISTS SPACE." The bottom left reads: "Saturday January 22, 5pm, Zoom ID: 893 9594 7519, Suggested donation $5". The image of a 5 dollar bill is placed within the text.
    Year 2021
    Related pages Segue Reading Series: Trey & Holly Melgard
  • A figure performs on stage behind a music stand.
    A figure performs on stage behind a music stand.
    Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [A figure performs on stage behind a music stand.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure performs on stage behind a music stand.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-10
  • A painting of a black, rectangular object on an orange backdrop. Below is text in black reading
    A painting of a black, rectangular object on an orange backdrop. Below is text in black reading
    The Mind/Body Problem. Installation view, Artists Space, 2006. Photo: Alan Wiener. [A painting of a black, rectangular object on an orange backdrop. Below is text in black reading "ENTERTAINMENT CENTER." Red text on a yellow background in zigzagged circles reads "Fully Assembled" and "$199."]
    Caption The Mind/Body Problem. Installation view, Artists Space, 2006. Photo: Alan Wiener.
    Image description A painting of a black, rectangular object on an orange backdrop. Below is text in black reading "ENTERTAINMENT CENTER." Red text on a yellow background in zigzagged circles reads "Fully Assembled" and "$199."
    Year 2006
    Related pages The Mind/Body Problem
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    Related pages Brad Kronz
  • A color photograph of an abstract painting, composed of curving blue, teal, purple and pink forms.
    A color photograph of an abstract painting, composed of curving blue, teal, purple and pink forms.
    Ernest Silva, Artist's Suitcase, 1975. Installation view, Deborah S. Freedman, Judy Rifka, Ernest Silva, Artists Space, 1975. [A color photograph of an abstract painting, composed of curving blue, teal, purple and pink forms.]
    Caption Ernest Silva, Artist's Suitcase, 1975. Installation view, Deborah S. Freedman, Judy Rifka, Ernest Silva, Artists Space, 1975.
    Image description A color photograph of an abstract painting, composed of curving blue, teal, purple and pink forms.
    Year 1974
    Related pages Deborah S. Freedman, Judy Rifka, Ernest Silva
  • A photograph of a large, open gallery space. The visible walls feature a continuous painting that wraps around the room, showing human figures on saturated blue, yellow, and red backgrounds. A single person stands int he room and looks at the painting.
    A photograph of a large, open gallery space. The visible walls feature a continuous painting that wraps around the room, showing human figures on saturated blue, yellow, and red backgrounds. A single person stands int he room and looks at the painting.
    Min Joong Art. Installation view, Artists Space, 1988. [A photograph of a large, open gallery space. The visible walls feature a continuous painting that wraps around the room, showing human figures on saturated blue, yellow, and red backgrounds. A single person stands int he room and looks at the painting.]
    Caption Min Joong Art. Installation view, Artists Space, 1988.
    Image description A photograph of a large, open gallery space. The visible walls feature a continuous painting that wraps around the room, showing human figures on saturated blue, yellow, and red backgrounds. A single person stands int he room and looks at the painting.
    Year 1988
    Related pages Min Joong Art: A New Cultural Moment from Korea
  • A gallery wall with six framed images of passport copies. On the right side of the images, a television stands on a white plinth, showing a black and white image. On the left side, wall text lists the exhibition title and artists.
    A gallery wall with six framed images of passport copies. On the right side of the images, a television stands on a white plinth, showing a black and white image. On the left side, wall text lists the exhibition title and artists.
    The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich. [A gallery wall with six framed images of passport copies. On the right side of the images, a television stands on a white plinth, showing a black and white image. On the left side, wall text lists the exhibition title and artists.]
    Caption The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich.
    Image description A gallery wall with six framed images of passport copies. On the right side of the images, a television stands on a white plinth, showing a black and white image. On the left side, wall text lists the exhibition title and artists.
    Year 2008
    Related pages The New Normal
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    Related pages 2020Solidarity Gillian Wearing
  • Three sculptures grouped together in the corner of a gallery, with a street in Manhattan visible through large windows at the rear of the room. The largest sculpture stands behind the other two; clustered pieces of wood, string, cardboard, paper, metal, and plastic are propped up, arranged on top of one another, all standing on a large cardboard base. A humanoid white bust lies on top of the structure, its face cut in half. The two smaller sculptures also depict humanoid faces - one in white, the other with skin and hair - and both appear to grow out of masses of misshapen cardboard and wood standing on the floor.
    Three sculptures grouped together in the corner of a gallery, with a street in Manhattan visible through large windows at the rear of the room. The largest sculpture stands behind the other two; clustered pieces of wood, string, cardboard, paper, metal, and plastic are propped up, arranged on top of one another, all standing on a large cardboard base. A humanoid white bust lies on top of the structure, its face cut in half. The two smaller sculptures also depict humanoid faces - one in white, the other with skin and hair - and both appear to grow out of masses of misshapen cardboard and wood standing on the floor.
    Danica Barboza, From a Chapter in Acclimatization, 2019, hand-modeled clay, acrylic paint, rope, yarn, wood, plastic clothing hangers, condensed foam, PVC piping, newspaper, plastic bottle, orange plastic crates, black plastic shipping crate, signature tape-binding with protective gloss, shower curtains, child’s wooden chair, plastic child’s toy, white shelving unit, metal table leg, wooden shipping crate, cherry wood stained card-table top, Insignia TV monitor, wooden pole, metal pole, painted silicone, natural hair, painted glass. Photo: Daniel Pérez [Three sculptures grouped together in the corner of a gallery, with a street in Manhattan visible through large windows at the rear of the room. The largest sculpture stands behind the other two; clustered pieces of wood, string, cardboard, paper, metal, and plastic are propped up, arranged on top of one another, all standing on a large cardboard base. A humanoid white bust lies on top of the structure, its face cut in half. The two smaller sculptures also depict humanoid faces - one in white, the other with skin and hair - and both appear to grow out of masses of misshapen cardboard and wood standing on the floor.]
    Caption Danica Barboza, From a Chapter in Acclimatization, 2019, hand-modeled clay, acrylic paint, rope, yarn, wood, plastic clothing hangers, condensed foam, PVC piping, newspaper, plastic bottle, orange plastic crates, black plastic shipping crate, signature tape-binding with protective gloss, shower curtains, child’s wooden chair, plastic child’s toy, white shelving unit, metal table leg, wooden shipping crate, cherry wood stained card-table top, Insignia TV monitor, wooden pole, metal pole, painted silicone, natural hair, painted glass. Photo: Daniel Pérez
    Image description Three sculptures grouped together in the corner of a gallery, with a street in Manhattan visible through large windows at the rear of the room. The largest sculpture stands behind the other two; clustered pieces of wood, string, cardboard, paper, metal, and plastic are propped up, arranged on top of one another, all standing on a large cardboard base. A humanoid white bust lies on top of the structure, its face cut in half. The two smaller sculptures also depict humanoid faces - one in white, the other with skin and hair - and both appear to grow out of masses of misshapen cardboard and wood standing on the floor.
    Year 2019
    Related pages Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A figure leans into a microphone from the side with blue, purple, and pink projections cast onto them.
    A figure leans into a microphone from the side with blue, purple, and pink projections cast onto them.
    Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [A figure leans into a microphone from the side with blue, purple, and pink projections cast onto them.]
    Caption Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure leans into a microphone from the side with blue, purple, and pink projections cast onto them.
    Year 2022
    Related pages Abasement #61
  • A black-and-white image depicting several translucent photos overlaid, some of natural plant life and others of industrial scenes, with power lines and bridge spokes
    A black-and-white image depicting several translucent photos overlaid, some of natural plant life and others of industrial scenes, with power lines and bridge spokes
    Sharon Halliday, Shaded Times, 2014 [A black-and-white image depicting several translucent photos overlaid, some of natural plant life and others of industrial scenes, with power lines and bridge spokes]
    Caption Sharon Halliday, Shaded Times, 2014
    Image description A black-and-white image depicting several translucent photos overlaid, some of natural plant life and others of industrial scenes, with power lines and bridge spokes
    Year 2014
    Related pages Scholastic Art and Writing Awards
  • Four images arranged horizontally. From left to right: solid gray-blue, a gray-blue toned image of a shoreline, a gray toned image of a shoreline, and a gray toned image of a shoreline with a subtle pink sunrise in the sky.
    Four images arranged horizontally. From left to right: solid gray-blue, a gray-blue toned image of a shoreline, a gray toned image of a shoreline, and a gray toned image of a shoreline with a subtle pink sunrise in the sky.
    Christa Blatchford, still from See Around, 2008. [Four images arranged horizontally. From left to right: solid gray-blue, a gray-blue toned image of a shoreline, a gray toned image of a shoreline, and a gray toned image of a shoreline with a subtle pink sunrise in the sky.]
    Caption Christa Blatchford, still from See Around, 2008.
    Image description Four images arranged horizontally. From left to right: solid gray-blue, a gray-blue toned image of a shoreline, a gray toned image of a shoreline, and a gray toned image of a shoreline with a subtle pink sunrise in the sky.
    Year 2008
    Related pages See Around
  • Angled view of wooden table top covered with an organized assortment of cards, books, and paper materials, displaying images and texts, in various positions.
    Angled view of wooden table top covered with an organized assortment of cards, books, and paper materials, displaying images and texts, in various positions.
    View of Everything is About to Happen : An ongoing archive of artists’ books selected by Gregorio Magnani Courtesy Corvi-Mora, London and Greengrassi, London Photo: Marcus Leith [Angled view of wooden table top covered with an organized assortment of cards, books, and paper materials, displaying images and texts, in various positions.]
    Caption View of Everything is About to Happen : An ongoing archive of artists’ books selected by Gregorio Magnani Courtesy Corvi-Mora, London and Greengrassi, London Photo: Marcus Leith
    Image description Angled view of wooden table top covered with an organized assortment of cards, books, and paper materials, displaying images and texts, in various positions.
    Year 2014
    Related pages The Library Vaccine
  • Black text on a light yellow background. The text reads: “May 10 / Mirene Arsanios / Roberto Balò.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on a light yellow background. The text reads: “May 10 / Mirene Arsanios / Roberto Balò.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on a light yellow background. The text reads: “May 10 / Mirene Arsanios / Roberto Balò.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on a light yellow background. The text reads: “May 10 / Mirene Arsanios / Roberto Balò.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Mirene Arsanios & Roberto Balò
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    Related pages Abasement #83
  • Dark blue text overlays red-pink background. The text reads: “March 11 / Yuko Otomo / Ed Steck.
    Dark blue text overlays red-pink background. The text reads: “March 11 / Yuko Otomo / Ed Steck.
    [Dark blue text overlays red-pink background. The text reads: “March 11 / Yuko Otomo / Ed Steck." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description Dark blue text overlays red-pink background. The text reads: “March 11 / Yuko Otomo / Ed Steck." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year 2023
    Related pages Segue Reading Series: Yuko Otomo & Ed Steck
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A person walking down a city street, speaking into a megaphone. Around him are several cars and scattered onlookers.
    A person walking down a city street, speaking into a megaphone. Around him are several cars and scattered onlookers.
    [A person walking down a city street, speaking into a megaphone. Around him are several cars and scattered onlookers.]
    Caption
    Image description A person walking down a city street, speaking into a megaphone. Around him are several cars and scattered onlookers.
    Year 2009
    Related pages Adam Pendleton
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  • A crowd watches two figures in medical scrubs, facing each other on opposite sides of a table with wheels.
    A crowd watches two figures in medical scrubs, facing each other on opposite sides of a table with wheels.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court [A crowd watches two figures in medical scrubs, facing each other on opposite sides of a table with wheels.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court
    Image description A crowd watches two figures in medical scrubs, facing each other on opposite sides of a table with wheels.
    Year 2022
    Related pages Grandmother Cindy
  • A city street with a concrete median and wall made from gray metal supported by wooden planks. The median has the words
    A city street with a concrete median and wall made from gray metal supported by wooden planks. The median has the words
    Valerie Tevere, UNITED STATES, 1996. [A city street with a concrete median and wall made from gray metal supported by wooden planks. The median has the words "Property of LACTC" printed on it. Hanging just above that are four postered portraits displayed in a horizontal line. Each poster features three letters below its portrait image that together spell out "UNI/TED/STA/TES". The portraits are framed by traffic signs that say, "WRONG WAY" and "USE SIDEWALK."]
    Caption Valerie Tevere, UNITED STATES, 1996.
    Image description A city street with a concrete median and wall made from gray metal supported by wooden planks. The median has the words "Property of LACTC" printed on it. Hanging just above that are four postered portraits displayed in a horizontal line. Each poster features three letters below its portrait image that together spell out "UNI/TED/STA/TES". The portraits are framed by traffic signs that say, "WRONG WAY" and "USE SIDEWALK."
    Year 1996
    Related pages When Artists Say We
  • An assortment of artworks are seen in the large gallery space. On the left, an assemblage of materials affixed to the wall on floor connected through a metal thread. Behind are framed works and a plinth displaying colorful sculptures. In the right of the gallery are red, white, and blue wax candles spelling
    An assortment of artworks are seen in the large gallery space. On the left, an assemblage of materials affixed to the wall on floor connected through a metal thread. Behind are framed works and a plinth displaying colorful sculptures. In the right of the gallery are red, white, and blue wax candles spelling
    LIFE—a group show, curated by Arnold J. Kemp. Installation view, Artists Space, 2025. Photo: Carter Seddon [An assortment of artworks are seen in the large gallery space. On the left, an assemblage of materials affixed to the wall on floor connected through a metal thread. Behind are framed works and a plinth displaying colorful sculptures. In the right of the gallery are red, white, and blue wax candles spelling "LOVE" sitting abundantly on metal armatures. Further to the right is a colorful artwork forming the Star of David, and behind on the gallery walls are glimpses of assemblage artworks.]
    Caption LIFE—a group show, curated by Arnold J. Kemp. Installation view, Artists Space, 2025. Photo: Carter Seddon
    Image description An assortment of artworks are seen in the large gallery space. On the left, an assemblage of materials affixed to the wall on floor connected through a metal thread. Behind are framed works and a plinth displaying colorful sculptures. In the right of the gallery are red, white, and blue wax candles spelling "LOVE" sitting abundantly on metal armatures. Further to the right is a colorful artwork forming the Star of David, and behind on the gallery walls are glimpses of assemblage artworks.
    Year 2025
    Related pages Arnold J. Kemp
  • A figure leans into a microphone from the side with blue, purple, and pink projections cast onto them.
    A figure leans into a microphone from the side with blue, purple, and pink projections cast onto them.
    Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [A figure leans into a microphone from the side with blue, purple, and pink projections cast onto them.]
    Caption Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure leans into a microphone from the side with blue, purple, and pink projections cast onto them.
    Year 2022
    Related pages Abasement #61
  • A photograph of the exhibition opening reception. A group of visitors look around at the art.
    A photograph of the exhibition opening reception. A group of visitors look around at the art.
    Four Scottish Artists. Opening Reception, Artists Space, 1979. [A photograph of the exhibition opening reception. A group of visitors look around at the art.]
    Caption Four Scottish Artists. Opening Reception, Artists Space, 1979.
    Image description A photograph of the exhibition opening reception. A group of visitors look around at the art.
    Year 1979
    Related pages Four Scottish Artists
  • Two people in white face paint and fanciful dresses crowd around a crudely constructed wooden desk that sits off-kilter. One sits at the desk and applies makeup while the other stands to their left, gazing beyond the image.
    Two people in white face paint and fanciful dresses crowd around a crudely constructed wooden desk that sits off-kilter. One sits at the desk and applies makeup while the other stands to their left, gazing beyond the image.
    Adrienne Kennedy, Funnyhouse of a Negro, 1964 (East End Theater, New York, directed by Michael Kahn, produced by Barr, WIlder, and Albee). Pictured: Ellen Holly and Cynthia Belgrave. Photo: Frederick Eberstadt. [Two people in white face paint and fanciful dresses crowd around a crudely constructed wooden desk that sits off-kilter. One sits at the desk and applies makeup while the other stands to their left, gazing beyond the image.]
    Caption Adrienne Kennedy, Funnyhouse of a Negro, 1964 (East End Theater, New York, directed by Michael Kahn, produced by Barr, WIlder, and Albee). Pictured: Ellen Holly and Cynthia Belgrave. Photo: Frederick Eberstadt.
    Image description Two people in white face paint and fanciful dresses crowd around a crudely constructed wooden desk that sits off-kilter. One sits at the desk and applies makeup while the other stands to their left, gazing beyond the image.
    Year 1964
    Related pages She Who Is: Adrienne Kennedy and the Drama of Difference
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  • Photograph of the left wall of a basement gallery space. In the back nook is a reading room with reading materials displayed on a shelf and a table with seats around it. Further down the wall are multiple projected videos, the projectors are placed on shelves of varying height in a row.
    Photograph of the left wall of a basement gallery space. In the back nook is a reading room with reading materials displayed on a shelf and a table with seats around it. Further down the wall are multiple projected videos, the projectors are placed on shelves of varying height in a row.
    Clocking Out: Time Beyond Management. Installation view, Artists Space, 2023. Photo: Greg Carideo. [Photograph of the left wall of a basement gallery space. In the back nook is a reading room with reading materials displayed on a shelf and a table with seats around it. Further down the wall are multiple projected videos, the projectors are placed on shelves of varying height in a row.]
    Caption Clocking Out: Time Beyond Management. Installation view, Artists Space, 2023. Photo: Greg Carideo.
    Image description Photograph of the left wall of a basement gallery space. In the back nook is a reading room with reading materials displayed on a shelf and a table with seats around it. Further down the wall are multiple projected videos, the projectors are placed on shelves of varying height in a row.
    Year 2023
    Related pages Whitney Independent Study: Clocking Out: Time Beyond Management
  • Circular sculptural forms hang from the ceiling and touch the floor in a white-walled gallery space.
    Circular sculptural forms hang from the ceiling and touch the floor in a white-walled gallery space.
    Four Artists: An Exhibition of Painting and Sculpture. Installation View. Artists Space, 1985. [Circular sculptural forms hang from the ceiling and touch the floor in a white-walled gallery space.]
    Caption Four Artists: An Exhibition of Painting and Sculpture. Installation View. Artists Space, 1985.
    Image description Circular sculptural forms hang from the ceiling and touch the floor in a white-walled gallery space.
    Year
    Related pages Four Artists: An Exhibition of Painting and Sculpture
  • Various figures in glittery costumes pose in front of a circus backdrop, holding out open fans.
    Various figures in glittery costumes pose in front of a circus backdrop, holding out open fans.
    Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court [Various figures in glittery costumes pose in front of a circus backdrop, holding out open fans.]
    Caption Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court
    Image description Various figures in glittery costumes pose in front of a circus backdrop, holding out open fans.
    Year 2022
    Related pages Circus Amok
  • Two video monitors are mounted on a colorful gallery wall covered with a photo decal of large, white letters and a ram's head. Four stools sit in front of the monitors. A pair of headphones rests on each stool, connected to the monitors.
    Two video monitors are mounted on a colorful gallery wall covered with a photo decal of large, white letters and a ram's head. Four stools sit in front of the monitors. A pair of headphones rests on each stool, connected to the monitors.
    Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Two video monitors are mounted on a colorful gallery wall covered with a photo decal of large, white letters and a ram's head. Four stools sit in front of the monitors. A pair of headphones rests on each stool, connected to the monitors.]
    Caption Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Two video monitors are mounted on a colorful gallery wall covered with a photo decal of large, white letters and a ram's head. Four stools sit in front of the monitors. A pair of headphones rests on each stool, connected to the monitors.
    Year 2012
    Related pages Radical Localism: Art, Video and Culture from Pueblo Nuevo’s Mexicali Rose
  • A figure in a blue morph suit leans their arms on top of a rolling table made of wood and fresnel lenses, pushing it toward another figure that stands in front of them filming them. In the background a third figure in a blue morph suit sits and leans down on top of a rectangular wooden frame. Blue footage is projected onto the back wall.
    A figure in a blue morph suit leans their arms on top of a rolling table made of wood and fresnel lenses, pushing it toward another figure that stands in front of them filming them. In the background a third figure in a blue morph suit sits and leans down on top of a rectangular wooden frame. Blue footage is projected onto the back wall.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [A figure in a blue morph suit leans their arms on top of a rolling table made of wood and fresnel lenses, pushing it toward another figure that stands in front of them filming them. In the background a third figure in a blue morph suit sits and leans down on top of a rectangular wooden frame. Blue footage is projected onto the back wall.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description A figure in a blue morph suit leans their arms on top of a rolling table made of wood and fresnel lenses, pushing it toward another figure that stands in front of them filming them. In the background a third figure in a blue morph suit sits and leans down on top of a rectangular wooden frame. Blue footage is projected onto the back wall.
    Year 2022
    Related pages SCRAAATCH 12-3
  • Black-and-white photograph of a TV against a brick wall, connected to a camera recording directly above a spotlighted chair and desk.
    Black-and-white photograph of a TV against a brick wall, connected to a camera recording directly above a spotlighted chair and desk.
    Yasunao Tone, Voice and Phenomenon, Experimental Intermedia Foundation, New York, 1976. [Black-and-white photograph of a TV against a brick wall, connected to a camera recording directly above a spotlighted chair and desk.]
    Caption Yasunao Tone, Voice and Phenomenon, Experimental Intermedia Foundation, New York, 1976.
    Image description Black-and-white photograph of a TV against a brick wall, connected to a camera recording directly above a spotlighted chair and desk.
    Year
    Related pages Yasunao Tone: Region of Paramedia
  • Close-up image of the faces of a man and a woman, both of their figures cut off by the frame. The woman stands slightly in front of the man, who stands directly behind her shoulder. She wears lipstick, jewelry, and has short hair, while the man is older and wears a suit with a stiff collar. Neither figure looks at each other, gazing elsewhere.
    Close-up image of the faces of a man and a woman, both of their figures cut off by the frame. The woman stands slightly in front of the man, who stands directly behind her shoulder. She wears lipstick, jewelry, and has short hair, while the man is older and wears a suit with a stiff collar. Neither figure looks at each other, gazing elsewhere.
    [Close-up image of the faces of a man and a woman, both of their figures cut off by the frame. The woman stands slightly in front of the man, who stands directly behind her shoulder. She wears lipstick, jewelry, and has short hair, while the man is older and wears a suit with a stiff collar. Neither figure looks at each other, gazing elsewhere.]
    Caption
    Image description Close-up image of the faces of a man and a woman, both of their figures cut off by the frame. The woman stands slightly in front of the man, who stands directly behind her shoulder. She wears lipstick, jewelry, and has short hair, while the man is older and wears a suit with a stiff collar. Neither figure looks at each other, gazing elsewhere.
    Year 2007
    Related pages Program 5 - In The Poem About Love You Don't Write The Word Love Film Series at Anthology Film Archives
  • A photograph of a gallery space. The right half of the image is taken up by a wall with printed text identifying the exhibitions,
    A photograph of a gallery space. The right half of the image is taken up by a wall with printed text identifying the exhibitions,
    Min Joong Art. Installation view, Artists Space, 1988. [A photograph of a gallery space. The right half of the image is taken up by a wall with printed text identifying the exhibitions, "Min Joong Art: A New Cultural Movement from Korea," and, "I Miss the Revolution."]
    Caption Min Joong Art. Installation view, Artists Space, 1988.
    Image description A photograph of a gallery space. The right half of the image is taken up by a wall with printed text identifying the exhibitions, "Min Joong Art: A New Cultural Movement from Korea," and, "I Miss the Revolution."
    Year 1988
    Related pages Min Joong Art: A New Cultural Moment from Korea
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Color image of a musician standing behind a long table on a stage. The musician plays a large soundboard placed on the table. The musician wears a black long sleeve top and looks down at the soundboard as they play. They have short blond hair with bangs. A colorful image, almost like a close-up shot of a cell rendered in pink, red, blue and black is projected onto the stage and the wall behind the stage. A shadow of the musician appears on the back wall. 
    Color image of a musician standing behind a long table on a stage. The musician plays a large soundboard placed on the table. The musician wears a black long sleeve top and looks down at the soundboard as they play. They have short blond hair with bangs. A colorful image, almost like a close-up shot of a cell rendered in pink, red, blue and black is projected onto the stage and the wall behind the stage. A shadow of the musician appears on the back wall. 
    Abasement #68. Performance documentation, February 12, 2024, Artists Space. Photo: Joshua Wildman. [Color image of a musician standing behind a long table on a stage. The musician plays a large soundboard placed on the table. The musician wears a black long sleeve top and looks down at the soundboard as they play. They have short blond hair with bangs. A colorful image, almost like a close-up shot of a cell rendered in pink, red, blue and black is projected onto the stage and the wall behind the stage. A shadow of the musician appears on the back wall. ]
    Caption Abasement #68. Performance documentation, February 12, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Color image of a musician standing behind a long table on a stage. The musician plays a large soundboard placed on the table. The musician wears a black long sleeve top and looks down at the soundboard as they play. They have short blond hair with bangs. A colorful image, almost like a close-up shot of a cell rendered in pink, red, blue and black is projected onto the stage and the wall behind the stage. A shadow of the musician appears on the back wall. 
    Annotation Color image of a musician or DJ playing on a soundboard. The soundboard is surrounded by several panels, with many inputs and buttons lit up. The musician looks into a screen that contains colorful visuals used in the projections. The musician's hand is blurred as they move around pressing buttons and working with the visuals. The musician leans over the table with the equipment and has short dark hair, and wears a black jacket.
    Year
    Related pages Abasement #68
  • A color image of the outside of a brick building. Three large windows running along the wall are each illuminated with neon lights. On the left side is a door to a gallery space, through which can be seen some large, colorful paintings hanging inside.
    A color image of the outside of a brick building. Three large windows running along the wall are each illuminated with neon lights. On the left side is a door to a gallery space, through which can be seen some large, colorful paintings hanging inside.
    Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of the outside of a brick building. Three large windows running along the wall are each illuminated with neon lights. On the left side is a door to a gallery space, through which can be seen some large, colorful paintings hanging inside.]
    Caption Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A color image of the outside of a brick building. Three large windows running along the wall are each illuminated with neon lights. On the left side is a door to a gallery space, through which can be seen some large, colorful paintings hanging inside.
    Year
    Related pages Jonathan Lyndon Chase
  • A color photo advertisement for an Olympus OM-10 camera, depicting a woman holding the camera and smiling, looking just past the viewer. The image is titled
    A color photo advertisement for an Olympus OM-10 camera, depicting a woman holding the camera and smiling, looking just past the viewer. The image is titled
    Anne Collier, Tear Sheet, 2010, Digital C-print, 23 1/3 x 20 in / 59,2 x 50,8 cm, Signed and numbered certificate. [A color photo advertisement for an Olympus OM-10 camera, depicting a woman holding the camera and smiling, looking just past the viewer. The image is titled "CHERYL TIEGS PRAISES HER FAVORITE MODEL." A short interview is printed at the bottom right of the image, where Cheryl goes back and forth with an "interviewer" about her love of the camera.]
    Caption Anne Collier, Tear Sheet, 2010, Digital C-print, 23 1/3 x 20 in / 59,2 x 50,8 cm, Signed and numbered certificate.
    Image description A color photo advertisement for an Olympus OM-10 camera, depicting a woman holding the camera and smiling, looking just past the viewer. The image is titled "CHERYL TIEGS PRAISES HER FAVORITE MODEL." A short interview is printed at the bottom right of the image, where Cheryl goes back and forth with an "interviewer" about her love of the camera.
    Year 2010
    Related pages Artists Space Annual Edition Portfolio 2011
  • A flyer for the event, depicting a Manhattan city block with neon-hued clouds in the background.
    A flyer for the event, depicting a Manhattan city block with neon-hued clouds in the background.
    It's Get Better IV, 2016. [A flyer for the event, depicting a Manhattan city block with neon-hued clouds in the background.]
    Caption It's Get Better IV, 2016.
    Image description A flyer for the event, depicting a Manhattan city block with neon-hued clouds in the background.
    Year 2016
    Related pages It's Get Better IV
  • A color installation photograph of a black abstract painting on a white wall.
    A color installation photograph of a black abstract painting on a white wall.
    Richard Klauber. Installation view, Ruth Hardinger, Richard Klauber, Artists Space, 1975. [A color installation photograph of a black abstract painting on a white wall.]
    Caption Richard Klauber. Installation view, Ruth Hardinger, Richard Klauber, Artists Space, 1975.
    Image description A color installation photograph of a black abstract painting on a white wall.
    Year 1975
    Related pages Ruth Hardinger, Richard Klauber
  • A painting of five figures seated for a portrait. Their faces are blurred out, and the entire image has been similarly rendered in soft, blurred strokes
    A painting of five figures seated for a portrait. Their faces are blurred out, and the entire image has been similarly rendered in soft, blurred strokes
    Minako Iwamur, Family, 1978. [A painting of five figures seated for a portrait. Their faces are blurred out, and the entire image has been similarly rendered in soft, blurred strokes]
    Caption Minako Iwamur, Family, 1978.
    Image description A painting of five figures seated for a portrait. Their faces are blurred out, and the entire image has been similarly rendered in soft, blurred strokes
    Year 1978
    Related pages Painting as Paradox
  • Two paintings hung on white walls meeting in a corner. The paintings are colorful, predominantly pink and red.
    Two paintings hung on white walls meeting in a corner. The paintings are colorful, predominantly pink and red.
    Salad Days. Installation view, Artists Space, 2004. [Two paintings hung on white walls meeting in a corner. The paintings are colorful, predominantly pink and red.]
    Caption Salad Days. Installation view, Artists Space, 2004.
    Image description Two paintings hung on white walls meeting in a corner. The paintings are colorful, predominantly pink and red.
    Year 2004
    Related pages Salad Days
  • A white, graphic shirt sits on a piles of items next to nested wicker baskets in front of a wooden wall. On top of the baskets is a sign that reads,
    A white, graphic shirt sits on a piles of items next to nested wicker baskets in front of a wooden wall. On top of the baskets is a sign that reads,
    [A white, graphic shirt sits on a piles of items next to nested wicker baskets in front of a wooden wall. On top of the baskets is a sign that reads, "freedom club."]
    Caption
    Image description A white, graphic shirt sits on a piles of items next to nested wicker baskets in front of a wooden wall. On top of the baskets is a sign that reads, "freedom club."
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • In this photograph, eleven people pose for a picture in front of drawings and paintings that hang on the wall. Most stand while three kneel.
    In this photograph, eleven people pose for a picture in front of drawings and paintings that hang on the wall. Most stand while three kneel.
    Blue Sky Gallery exhibition P.S. 140, 2019 [In this photograph, eleven people pose for a picture in front of drawings and paintings that hang on the wall. Most stand while three kneel.]
    Caption Blue Sky Gallery exhibition P.S. 140, 2019
    Image description In this photograph, eleven people pose for a picture in front of drawings and paintings that hang on the wall. Most stand while three kneel.
    Year 2019
    Related pages Portfolio Development
  • A black and white photo of an exhibition space, four sculptures on pedestals line the room diagonally with a mural painting behind them.
    A black and white photo of an exhibition space, four sculptures on pedestals line the room diagonally with a mural painting behind them.
    We the People. Installation view, Artists Space. 1987 [A black and white photo of an exhibition space, four sculptures on pedestals line the room diagonally with a mural painting behind them.]
    Caption We the People. Installation view, Artists Space. 1987
    Image description A black and white photo of an exhibition space, four sculptures on pedestals line the room diagonally with a mural painting behind them.
    Year 1987
    Related pages
  • A flower arrangement consisting of white flowers and green leaves displayed on a slated, wooden floor. The arrangement is shaped such that it forms a lowercase, italicized letter
    A flower arrangement consisting of white flowers and green leaves displayed on a slated, wooden floor. The arrangement is shaped such that it forms a lowercase, italicized letter
    Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt. [A flower arrangement consisting of white flowers and green leaves displayed on a slated, wooden floor. The arrangement is shaped such that it forms a lowercase, italicized letter "a."]
    Caption Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt.
    Image description A flower arrangement consisting of white flowers and green leaves displayed on a slated, wooden floor. The arrangement is shaped such that it forms a lowercase, italicized letter "a."
    Year 1997
    Related pages Lines of Loss
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A small rectangle outlined in a thick black border sits inside the larger rectangle of the paper. The interior rectangle contains a cropped image of a pink colored man with his pants pulled down. In his right hand he holds a gun, pointing towards the ground against a washy abstracted black background.
    A small rectangle outlined in a thick black border sits inside the larger rectangle of the paper. The interior rectangle contains a cropped image of a pink colored man with his pants pulled down. In his right hand he holds a gun, pointing towards the ground against a washy abstracted black background.
    Carroll Dunham Untitled, 2006, 4 Color etching with aquatint, 14 1/4 x 11 inches (36.2 x 27.9 cm), Edition of 30 Signed & numbered, Edition of 30, Signed & numbered, Published by Two Palms Press. [A small rectangle outlined in a thick black border sits inside the larger rectangle of the paper. The interior rectangle contains a cropped image of a pink colored man with his pants pulled down. In his right hand he holds a gun, pointing towards the ground against a washy abstracted black background.]
    Caption Carroll Dunham Untitled, 2006, 4 Color etching with aquatint, 14 1/4 x 11 inches (36.2 x 27.9 cm), Edition of 30 Signed & numbered, Edition of 30, Signed & numbered, Published by Two Palms Press.
    Image description A small rectangle outlined in a thick black border sits inside the larger rectangle of the paper. The interior rectangle contains a cropped image of a pink colored man with his pants pulled down. In his right hand he holds a gun, pointing towards the ground against a washy abstracted black background.
    Year 2006
    Related pages Editions
  • In the center of the gallery space wall rests a large, square MDF wall with a grid of empty sardine cans. To the left of this MDF wall is a chair adorned with various objects, and in the forefront red, white, and blue wax candles spelling
    In the center of the gallery space wall rests a large, square MDF wall with a grid of empty sardine cans. To the left of this MDF wall is a chair adorned with various objects, and in the forefront red, white, and blue wax candles spelling
    LIFE—a group show, curated by Arnold J. Kemp. Installation view, Artists Space, 2025. Photo: Carter Seddon [In the center of the gallery space wall rests a large, square MDF wall with a grid of empty sardine cans. To the left of this MDF wall is a chair adorned with various objects, and in the forefront red, white, and blue wax candles spelling "LOVE." To the right of the MDF wall is an artwork on the floor in the spce of the Star of David with painted text on top. On the wall is a black and white painting and a framed text drawing. ]
    Caption LIFE—a group show, curated by Arnold J. Kemp. Installation view, Artists Space, 2025. Photo: Carter Seddon
    Image description In the center of the gallery space wall rests a large, square MDF wall with a grid of empty sardine cans. To the left of this MDF wall is a chair adorned with various objects, and in the forefront red, white, and blue wax candles spelling "LOVE." To the right of the MDF wall is an artwork on the floor in the spce of the Star of David with painted text on top. On the wall is a black and white painting and a framed text drawing.
    Year 2025
    Related pages Arnold J. Kemp
  • Image of a dimly lit basement, a figure holding a video camera with a rig on their shoulder takes footage of the back wall, which has blue and purple light projected onto it.
    Image of a dimly lit basement, a figure holding a video camera with a rig on their shoulder takes footage of the back wall, which has blue and purple light projected onto it.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Image of a dimly lit basement, a figure holding a video camera with a rig on their shoulder takes footage of the back wall, which has blue and purple light projected onto it.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a dimly lit basement, a figure holding a video camera with a rig on their shoulder takes footage of the back wall, which has blue and purple light projected onto it.
    Year 2022
    Related pages SCRAAATCH 11-19
  • Caption
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    Year
    Related pages Till They Listen: Bill Gunn Directs America
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A figure stands behind a table on a stage. Across the room, red light and small fragmented pieces of white light can be seen.
    A figure stands behind a table on a stage. Across the room, red light and small fragmented pieces of white light can be seen.
    Eiko Ishibashi: Two New York Nights. Performance documentation, June 9, 2022, 8pm. Artists Space, New York. Photo: Paula Court [A figure stands behind a table on a stage. Across the room, red light and small fragmented pieces of white light can be seen.]
    Caption Eiko Ishibashi: Two New York Nights. Performance documentation, June 9, 2022, 8pm. Artists Space, New York. Photo: Paula Court
    Image description A figure stands behind a table on a stage. Across the room, red light and small fragmented pieces of white light can be seen.
    Year 2022
    Related pages Eiko Ishibashi in Concert
  • Color photograph of a corner of a gallery space. On the left wall are two black-and-white photographs, and on the right wall is a black-and-white silhouette of a figure smoking. In the corner, a television monitor sits on a shelf.
    Color photograph of a corner of a gallery space. On the left wall are two black-and-white photographs, and on the right wall is a black-and-white silhouette of a figure smoking. In the corner, a television monitor sits on a shelf.
    Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a corner of a gallery space. On the left wall are two black-and-white photographs, and on the right wall is a black-and-white silhouette of a figure smoking. In the corner, a television monitor sits on a shelf.]
    Caption Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photograph of a corner of a gallery space. On the left wall are two black-and-white photographs, and on the right wall is a black-and-white silhouette of a figure smoking. In the corner, a television monitor sits on a shelf.
    Year 2023
    Related pages Yasunao Tone: Region of Paramedia
  • A person is standing at the end of a stage, dressed in a long coat, with a stern expression on her face. A man sits at a desk in the corner, his head in his hands. There is a white trifold screen behind them, with an extra chair, and a banner written in German.
    A person is standing at the end of a stage, dressed in a long coat, with a stern expression on her face. A man sits at a desk in the corner, his head in his hands. There is a white trifold screen behind them, with an extra chair, and a banner written in German.
    Still from The Empty Plan (2010). [A person is standing at the end of a stage, dressed in a long coat, with a stern expression on her face. A man sits at a desk in the corner, his head in his hands. There is a white trifold screen behind them, with an extra chair, and a banner written in German.]
    Caption Still from The Empty Plan (2010).
    Image description A person is standing at the end of a stage, dressed in a long coat, with a stern expression on her face. A man sits at a desk in the corner, his head in his hands. There is a white trifold screen behind them, with an extra chair, and a banner written in German.
    Year 2010
    Related pages The Empty Plan
  • A figure in a suit performs on stage, reading into a microphone off sheets on a music stand in front of them.
    A figure in a suit performs on stage, reading into a microphone off sheets on a music stand in front of them.
    Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [A figure in a suit performs on stage, reading into a microphone off sheets on a music stand in front of them.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure in a suit performs on stage, reading into a microphone off sheets on a music stand in front of them.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-10
  • A large, shiny black structure consisting of three columns supporting a large, irregularly shaped flat plane installed in a gallery space. A black-and-white image wraps around the rightmost, cylindrical column of the structure. The image depicts a person dressing a mannequin in an office.
    A large, shiny black structure consisting of three columns supporting a large, irregularly shaped flat plane installed in a gallery space. A black-and-white image wraps around the rightmost, cylindrical column of the structure. The image depicts a person dressing a mannequin in an office.
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [A large, shiny black structure consisting of three columns supporting a large, irregularly shaped flat plane installed in a gallery space. A black-and-white image wraps around the rightmost, cylindrical column of the structure. The image depicts a person dressing a mannequin in an office.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description A large, shiny black structure consisting of three columns supporting a large, irregularly shaped flat plane installed in a gallery space. A black-and-white image wraps around the rightmost, cylindrical column of the structure. The image depicts a person dressing a mannequin in an office.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A drawing of a hanging figure supported by weighted straps.
    A drawing of a hanging figure supported by weighted straps.
    Elizabeth Diller and Ricardo Scofidio, Bed for the Condemned Man, 1986. [A drawing of a hanging figure supported by weighted straps.]
    Caption Elizabeth Diller and Ricardo Scofidio, Bed for the Condemned Man, 1986.
    Image description A drawing of a hanging figure supported by weighted straps.
    Year
    Related pages From Here to Eternity: Fact and Fiction in Recent Architectural Projects
  • A black and white photo of an eye cropped with a heavy black border.
    A black and white photo of an eye cropped with a heavy black border.
    Phillippe Demontaut, Annette Messager, Tom Wolf 1981. Annette Messager, Postcard, 1981. [A black and white photo of an eye cropped with a heavy black border.]
    Caption Phillippe Demontaut, Annette Messager, Tom Wolf 1981. Annette Messager, Postcard, 1981.
    Image description A black and white photo of an eye cropped with a heavy black border.
    Year 1981
    Related pages
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