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  • A sculpted cross appears on a larger sculpted cross along with a small bottle on its left, a ladder inset on the right and an open text on the bottom part. All is hung on a white gallery wall and dimensions are written above the sculpture in pencil.
    A sculpted cross appears on a larger sculpted cross along with a small bottle on its left, a ladder inset on the right and an open text on the bottom part. All is hung on a white gallery wall and dimensions are written above the sculpture in pencil.
    Jerry Beck, Red Earth Cross, 1985. [A sculpted cross appears on a larger sculpted cross along with a small bottle on its left, a ladder inset on the right and an open text on the bottom part. All is hung on a white gallery wall and dimensions are written above the sculpture in pencil.]
    Caption Jerry Beck, Red Earth Cross, 1985.
    Image description A sculpted cross appears on a larger sculpted cross along with a small bottle on its left, a ladder inset on the right and an open text on the bottom part. All is hung on a white gallery wall and dimensions are written above the sculpture in pencil.
    Year
    Related pages U.S. Projects
  • A angled view of a grey wall with documents displayed behind glass. The closest image depicts a colorful illustration of shapes, with two, green, square documents to the left of it.
    A angled view of a grey wall with documents displayed behind glass. The closest image depicts a colorful illustration of shapes, with two, green, square documents to the left of it.
    Living with Pop. A Reproduction of Capitalist Realism. Installation view of the section "Galerie h (1966),” Artists Space, 2014. [A angled view of a grey wall with documents displayed behind glass. The closest image depicts a colorful illustration of shapes, with two, green, square documents to the left of it.]
    Caption Living with Pop. A Reproduction of Capitalist Realism. Installation view of the section "Galerie h (1966),” Artists Space, 2014.
    Image description A angled view of a grey wall with documents displayed behind glass. The closest image depicts a colorful illustration of shapes, with two, green, square documents to the left of it.
    Year 2014
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • A photo in a black frame shows a person in military uniform, leaning against a concrete wall looking at a person who faces away from the camera with a patterned headscarf, red sweater, and light-yellow blanket.
    A photo in a black frame shows a person in military uniform, leaning against a concrete wall looking at a person who faces away from the camera with a patterned headscarf, red sweater, and light-yellow blanket.
    Emily Jacir, woman to woman, 2003/2009, C-Print, Sheet size: 12 x 16 inches (30.5 x 41 cm), Framed size: 14 3/4 x 18 1/2 inches (37.5 x 47 cm), Printed by Laumont. [A photo in a black frame shows a person in military uniform, leaning against a concrete wall looking at a person who faces away from the camera with a patterned headscarf, red sweater, and light-yellow blanket.]
    Caption Emily Jacir, woman to woman, 2003/2009, C-Print, Sheet size: 12 x 16 inches (30.5 x 41 cm), Framed size: 14 3/4 x 18 1/2 inches (37.5 x 47 cm), Printed by Laumont.
    Image description A photo in a black frame shows a person in military uniform, leaning against a concrete wall looking at a person who faces away from the camera with a patterned headscarf, red sweater, and light-yellow blanket.
    Year 2003.2009
    Related pages Editions
  • Drawing of a globe figure bisected with long vertical rectangle, overlaid with line grid.
    Drawing of a globe figure bisected with long vertical rectangle, overlaid with line grid.
    Michael Kalil, an analytical study for Osmotic Membrane (detail), 1986. [Drawing of a globe figure bisected with long vertical rectangle, overlaid with line grid.]
    Caption Michael Kalil, an analytical study for Osmotic Membrane (detail), 1986.
    Image description Drawing of a globe figure bisected with long vertical rectangle, overlaid with line grid.
    Year
    Related pages From Here to Eternity: Fact and Fiction in Recent Architectural Projects
  • A performer plays a stringed instrument on stage. The performer and stage are bathed in pink and blue light.
    A performer plays a stringed instrument on stage. The performer and stage are bathed in pink and blue light.
    Abasement #80. Performance documentation, September 22nd, 2025, Artists Space. Photo: Joshua Wildman. [A performer plays a stringed instrument on stage. The performer and stage are bathed in pink and blue light.]
    Caption Abasement #80. Performance documentation, September 22nd, 2025, Artists Space. Photo: Joshua Wildman.
    Image description A performer plays a stringed instrument on stage. The performer and stage are bathed in pink and blue light.
    Year
    Related pages Abasement #80
  • A figure dances on stage against an orange and blue projection.
    A figure dances on stage against an orange and blue projection.
    Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [A figure dances on stage against an orange and blue projection.]
    Caption Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure dances on stage against an orange and blue projection.
    Year 2022
    Related pages Abasement #61
  • An animation of a black and white clock whose hands move backwards. The clock is positioned on a silhouette of a head in profile. Sans-serif text below the graphic reads,
    An animation of a black and white clock whose hands move backwards. The clock is positioned on a silhouette of a head in profile. Sans-serif text below the graphic reads,
    [An animation of a black and white clock whose hands move backwards. The clock is positioned on a silhouette of a head in profile. Sans-serif text below the graphic reads, "The Fainnie Azul Horologe."]
    Caption
    Image description An animation of a black and white clock whose hands move backwards. The clock is positioned on a silhouette of a head in profile. Sans-serif text below the graphic reads, "The Fainnie Azul Horologe."
    Year 2014
    Related pages HOROLOGICS
  • Dirt can be seeng lining the walls on the floor and also in the clear cases above them. There is stark lighting of the walls in this gallery setting.
    Dirt can be seeng lining the walls on the floor and also in the clear cases above them. There is stark lighting of the walls in this gallery setting.
    Installation View from Recent Art From Chicago, Artists Space, March 8, 1986 - April 5, 1986. [Dirt can be seeng lining the walls on the floor and also in the clear cases above them. There is stark lighting of the walls in this gallery setting.]
    Caption Installation View from Recent Art From Chicago, Artists Space, March 8, 1986 - April 5, 1986.
    Image description Dirt can be seeng lining the walls on the floor and also in the clear cases above them. There is stark lighting of the walls in this gallery setting.
    Year
    Related pages Recent Art from Chicago
  • A head-on view of six figures, each standing before a music stand in front of a seated audience. They are arranged side by side in a horizontal line, illuminated by overhead lights.
    A head-on view of six figures, each standing before a music stand in front of a seated audience. They are arranged side by side in a horizontal line, illuminated by overhead lights.
    Adrienne Kennedy, The Owl Answers. Performance documentation, Artists Space, February 29, 2020. Photo ©️ Filip Wolak. [A head-on view of six figures, each standing before a music stand in front of a seated audience. They are arranged side by side in a horizontal line, illuminated by overhead lights.]
    Caption Adrienne Kennedy, The Owl Answers. Performance documentation, Artists Space, February 29, 2020. Photo ©️ Filip Wolak.
    Image description A head-on view of six figures, each standing before a music stand in front of a seated audience. They are arranged side by side in a horizontal line, illuminated by overhead lights.
    Year 2020
    Related pages
  • A photograph of a large gallery space with multiple rooms visible. In the foreground, the floor is covered with flooring, except for a silhouette of a human figure which has been cut out of the flooring, through which the concrete below is visible.
    A photograph of a large gallery space with multiple rooms visible. In the foreground, the floor is covered with flooring, except for a silhouette of a human figure which has been cut out of the flooring, through which the concrete below is visible.
    Selections from the Artists File. Installation view, Artists Space, 1989. [A photograph of a large gallery space with multiple rooms visible. In the foreground, the floor is covered with flooring, except for a silhouette of a human figure which has been cut out of the flooring, through which the concrete below is visible.]
    Caption Selections from the Artists File. Installation view, Artists Space, 1989.
    Image description A photograph of a large gallery space with multiple rooms visible. In the foreground, the floor is covered with flooring, except for a silhouette of a human figure which has been cut out of the flooring, through which the concrete below is visible.
    Year 1989
    Related pages Selections from the Artist File
  • A black-and-white photograph depicting three men equally distanced from one another. They hold their hands up to the ceiling with their palms out and stand near a floral printed wall.
    A black-and-white photograph depicting three men equally distanced from one another. They hold their hands up to the ceiling with their palms out and stand near a floral printed wall.
    Yara in the dojo, c. 1970s. Courtesy the Estate of Milford Graves [A black-and-white photograph depicting three men equally distanced from one another. They hold their hands up to the ceiling with their palms out and stand near a floral printed wall.]
    Caption Yara in the dojo, c. 1970s. Courtesy the Estate of Milford Graves
    Image description A black-and-white photograph depicting three men equally distanced from one another. They hold their hands up to the ceiling with their palms out and stand near a floral printed wall.
    Year 1970
    Related pages Milford Graves: Fundamental Frequency
  • Inside a pink-hued room are three tanker desks and three rolling office chairs in a single-file line. Security monitors with color videos sit on each desk alongside small pieces of clay. In the distance, tree trunks wrapped in fabric rest on the floor and construction nets hang from the ceiling. A wooden structure and an aquarium with purple-colored lights are positioned behind the tree trunks.
    Inside a pink-hued room are three tanker desks and three rolling office chairs in a single-file line. Security monitors with color videos sit on each desk alongside small pieces of clay. In the distance, tree trunks wrapped in fabric rest on the floor and construction nets hang from the ceiling. A wooden structure and an aquarium with purple-colored lights are positioned behind the tree trunks.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022. [Inside a pink-hued room are three tanker desks and three rolling office chairs in a single-file line. Security monitors with color videos sit on each desk alongside small pieces of clay. In the distance, tree trunks wrapped in fabric rest on the floor and construction nets hang from the ceiling. A wooden structure and an aquarium with purple-colored lights are positioned behind the tree trunks.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022.
    Image description Inside a pink-hued room are three tanker desks and three rolling office chairs in a single-file line. Security monitors with color videos sit on each desk alongside small pieces of clay. In the distance, tree trunks wrapped in fabric rest on the floor and construction nets hang from the ceiling. A wooden structure and an aquarium with purple-colored lights are positioned behind the tree trunks.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • Color photograph of a gallery space. On the left wall is a projected black-and-white video. On the right wall are various scores, posters, and photographs, and a vitrine.
    Color photograph of a gallery space. On the left wall is a projected black-and-white video. On the right wall are various scores, posters, and photographs, and a vitrine.
    Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a gallery space. On the left wall is a projected black-and-white video. On the right wall are various scores, posters, and photographs, and a vitrine.]
    Caption Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photograph of a gallery space. On the left wall is a projected black-and-white video. On the right wall are various scores, posters, and photographs, and a vitrine.
    Year 2023
    Related pages Yasunao Tone: Region of Paramedia
  • A painting with orange and neutral hues is hung on a white wall with nails around the perimeter of the canvas.
    A painting with orange and neutral hues is hung on a white wall with nails around the perimeter of the canvas.
    Miyoko Ito, Heart of Hearts Basking, 1973. Oil on canvas, 44 x 31 7/8 inches. Courtesy Collection Matthew Marks Gallery. Photo: Daniel Peréz. [A painting with orange and neutral hues is hung on a white wall with nails around the perimeter of the canvas.]
    Caption Miyoko Ito, Heart of Hearts Basking, 1973. Oil on canvas, 44 x 31 7/8 inches. Courtesy Collection Matthew Marks Gallery. Photo: Daniel Peréz.
    Image description A painting with orange and neutral hues is hung on a white wall with nails around the perimeter of the canvas.
    Year 1973
    Related pages Miyoko Ito: Heart of Hearts
  • White gallery wall in foreground features two framed works on paper. The closer work features a diptych of delicately pencil-drawn crosses, while the further work is densely filled with calligraphic lines. Additional clusters of small framed works on paper hang on the wall in the background.
    White gallery wall in foreground features two framed works on paper. The closer work features a diptych of delicately pencil-drawn crosses, while the further work is densely filled with calligraphic lines. Additional clusters of small framed works on paper hang on the wall in the background.
    Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak. [White gallery wall in foreground features two framed works on paper. The closer work features a diptych of delicately pencil-drawn crosses, while the further work is densely filled with calligraphic lines. Additional clusters of small framed works on paper hang on the wall in the background.]
    Caption Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak.
    Image description White gallery wall in foreground features two framed works on paper. The closer work features a diptych of delicately pencil-drawn crosses, while the further work is densely filled with calligraphic lines. Additional clusters of small framed works on paper hang on the wall in the background.
    Year
    Related pages Dream Lines: Drawings by Marian Zazeela
  • Three people posing and smiling for the camera in front of a small crowd.
    Three people posing and smiling for the camera in front of a small crowd.
    Friends of Artists Space Annual Dinner, 2018. [Three people posing and smiling for the camera in front of a small crowd.]
    Caption Friends of Artists Space Annual Dinner, 2018.
    Image description Three people posing and smiling for the camera in front of a small crowd.
    Year 2018
    Related pages Support
  • A number of sculptures on pedestals can be seen in the foreground with paintings and sculptures behind them in a gallery setting.
    A number of sculptures on pedestals can be seen in the foreground with paintings and sculptures behind them in a gallery setting.
    We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [A number of sculptures on pedestals can be seen in the foreground with paintings and sculptures behind them in a gallery setting.]
    Caption We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987.
    Image description A number of sculptures on pedestals can be seen in the foreground with paintings and sculptures behind them in a gallery setting.
    Year
    Related pages We the People
  • Three large display cases exhibit various objects. The case most within sight displays drawings, posters, photogrpahs, newspaper clippings, and a small sculpture.
    Three large display cases exhibit various objects. The case most within sight displays drawings, posters, photogrpahs, newspaper clippings, and a small sculpture.
    Ralston Farina: Time // Time. Installation view, Artists Space, 2025. Photo: Carter Seddon. [Three large display cases exhibit various objects. The case most within sight displays drawings, posters, photogrpahs, newspaper clippings, and a small sculpture.]
    Caption Ralston Farina: Time // Time. Installation view, Artists Space, 2025. Photo: Carter Seddon.
    Image description Three large display cases exhibit various objects. The case most within sight displays drawings, posters, photogrpahs, newspaper clippings, and a small sculpture.
    Year
    Related pages Ralston Farina: Time // Time
  • Three paper bags photographed at an angle sit on pedestals. Closest to the camera, the bag has been painted with white and blue foliage, and collaged with a drawing of Africa. The two, farther bags portray drawn portraits of men.
    Three paper bags photographed at an angle sit on pedestals. Closest to the camera, the bag has been painted with white and blue foliage, and collaged with a drawing of Africa. The two, farther bags portray drawn portraits of men.
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [Three paper bags photographed at an angle sit on pedestals. Closest to the camera, the bag has been painted with white and blue foliage, and collaged with a drawing of Africa. The two, farther bags portray drawn portraits of men.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description Three paper bags photographed at an angle sit on pedestals. Closest to the camera, the bag has been painted with white and blue foliage, and collaged with a drawing of Africa. The two, farther bags portray drawn portraits of men.
    Year 2018
    Related pages Unholding
  • An Elegoo microcontroller is affixed to the side of a brownish sculpture sitting on a white base. Two blue wires are plugged into a lemon and an onion on a platform, each connected to the microcontroller.
    An Elegoo microcontroller is affixed to the side of a brownish sculpture sitting on a white base. Two blue wires are plugged into a lemon and an onion on a platform, each connected to the microcontroller.
    Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $5,000
    [An Elegoo microcontroller is affixed to the side of a brownish sculpture sitting on a white base. Two blue wires are plugged into a lemon and an onion on a platform, each connected to the microcontroller.]
    Caption Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $5,000
    Image description An Elegoo microcontroller is affixed to the side of a brownish sculpture sitting on a white base. Two blue wires are plugged into a lemon and an onion on a platform, each connected to the microcontroller.
    Year 2019
    Related pages Trisha Baga Edition
  • Color image of four individuals holding hands and dancing in a circle energetically. The background depicts a dimly lit venue with a glowing discoball and a variety of guests.
    Color image of four individuals holding hands and dancing in a circle energetically. The background depicts a dimly lit venue with a glowing discoball and a variety of guests.
    Friends of Artists Space Dinner, 2023. Photo: Destiny Mata. [Color image of four individuals holding hands and dancing in a circle energetically. The background depicts a dimly lit venue with a glowing discoball and a variety of guests.]
    Caption Friends of Artists Space Dinner, 2023. Photo: Destiny Mata.
    Image description Color image of four individuals holding hands and dancing in a circle energetically. The background depicts a dimly lit venue with a glowing discoball and a variety of guests.
    Year
    Related pages Support
  • A view of a wall mural displaying multiple cartoon vultures resting on black scaffolding.
    A view of a wall mural displaying multiple cartoon vultures resting on black scaffolding.
    ART CLUB2000 Gli Avvoltoi (The Vultures), detail, 1995 Vinyl paint and newsprint flyer Image courtesy Artists Space, New York Photo: Filip Wolak [A view of a wall mural displaying multiple cartoon vultures resting on black scaffolding.]
    Caption ART CLUB2000 Gli Avvoltoi (The Vultures), detail, 1995 Vinyl paint and newsprint flyer Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description A view of a wall mural displaying multiple cartoon vultures resting on black scaffolding.
    Year 2021
    Related pages ART CLUB2000
  • A dimly lit gallery space with wooden flooring. Three large, rectangular photographs of various buildings’ architectural details are suspended from the ceiling, hanging on thin wires. Two of the images have been printed on a tarp-like material, while the image on the far left is suspended within a large sheet of transparent plexiglass.
    A dimly lit gallery space with wooden flooring. Three large, rectangular photographs of various buildings’ architectural details are suspended from the ceiling, hanging on thin wires. Two of the images have been printed on a tarp-like material, while the image on the far left is suspended within a large sheet of transparent plexiglass.
    Zaha Hadid. Installation view, Artists Space, 2003. [A dimly lit gallery space with wooden flooring. Three large, rectangular photographs of various buildings’ architectural details are suspended from the ceiling, hanging on thin wires. Two of the images have been printed on a tarp-like material, while the image on the far left is suspended within a large sheet of transparent plexiglass.]
    Caption Zaha Hadid. Installation view, Artists Space, 2003.
    Image description A dimly lit gallery space with wooden flooring. Three large, rectangular photographs of various buildings’ architectural details are suspended from the ceiling, hanging on thin wires. Two of the images have been printed on a tarp-like material, while the image on the far left is suspended within a large sheet of transparent plexiglass.
    Year 2003
    Related pages Mainspace Architecture & Design Project Series: Zaha Hadid
  • Two figures play music on a stage, the left figure plays a keyboard. Washes of blue and green light are projected onto them.
    Two figures play music on a stage, the left figure plays a keyboard. Washes of blue and green light are projected onto them.
    Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [Two figures play music on a stage, the left figure plays a keyboard. Washes of blue and green light are projected onto them.]
    Caption Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman
    Image description Two figures play music on a stage, the left figure plays a keyboard. Washes of blue and green light are projected onto them.
    Year 2022
    Related pages Abasement #61
  • Two figures in dark clothing stand before two music stands. The figure on the right speaks and gazes forward. One of their hands rests on the music stand, the other reaches out in front of themselves, their fingers extended.
    Two figures in dark clothing stand before two music stands. The figure on the right speaks and gazes forward. One of their hands rests on the music stand, the other reaches out in front of themselves, their fingers extended.
    Passages from People Who Led to My Plays. Performance documentation, March 1, 2020, Artists Space. Photo ©️ 2020 Paula Court. [Two figures in dark clothing stand before two music stands. The figure on the right speaks and gazes forward. One of their hands rests on the music stand, the other reaches out in front of themselves, their fingers extended.]
    Caption Passages from People Who Led to My Plays. Performance documentation, March 1, 2020, Artists Space. Photo ©️ 2020 Paula Court.
    Image description Two figures in dark clothing stand before two music stands. The figure on the right speaks and gazes forward. One of their hands rests on the music stand, the other reaches out in front of themselves, their fingers extended.
    Year 2020
    Related pages Passages from People Who Led to My Plays
  • A performer plays a stringed instrument with a bow. The stage and wall behind it are bathed in blue light, created from projections of a geometric pattern.
    A performer plays a stringed instrument with a bow. The stage and wall behind it are bathed in blue light, created from projections of a geometric pattern.
    Abasement #80. Performance documentation, September 22nd, 2025, Artists Space. Photo: Joshua Wildman. [A performer plays a stringed instrument with a bow. The stage and wall behind it are bathed in blue light, created from projections of a geometric pattern.]
    Caption Abasement #80. Performance documentation, September 22nd, 2025, Artists Space. Photo: Joshua Wildman.
    Image description A performer plays a stringed instrument with a bow. The stage and wall behind it are bathed in blue light, created from projections of a geometric pattern.
    Year
    Related pages Abasement #80
  • Light blue text overlays a dark blue background. The top left corner reads:
    Light blue text overlays a dark blue background. The top left corner reads:
    Flyer for Segue Reading Series featuring Wo Chan and Ronaldo V. Wilson. October 29, 2022, Artists Space. [Light blue text overlays a dark blue background. The top left corner reads: "Wo Chan & Ronaldo V. Wilson / October 29, 5pm." The middle reads: "Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519."]
    Caption Flyer for Segue Reading Series featuring Wo Chan and Ronaldo V. Wilson. October 29, 2022, Artists Space.
    Image description Light blue text overlays a dark blue background. The top left corner reads: "Wo Chan & Ronaldo V. Wilson / October 29, 5pm." The middle reads: "Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519."
    Year
    Related pages Segue Reading Series: Wo Chan & Ronaldo V. Wilson
  • In a large, open gallery space, several photographs hang on walls to the right. To the left, multiple small monitors mounted to a colorful gallery wall play video works. In front of the monitors, there are wooden stools with headphones resting upon them.
    In a large, open gallery space, several photographs hang on walls to the right. To the left, multiple small monitors mounted to a colorful gallery wall play video works. In front of the monitors, there are wooden stools with headphones resting upon them.
    Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose. Installation view, Artists Space, 2012. Photo: Daniel Pérez.. [In a large, open gallery space, several photographs hang on walls to the right. To the left, multiple small monitors mounted to a colorful gallery wall play video works. In front of the monitors, there are wooden stools with headphones resting upon them.]
    Caption Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose. Installation view, Artists Space, 2012. Photo: Daniel Pérez..
    Image description In a large, open gallery space, several photographs hang on walls to the right. To the left, multiple small monitors mounted to a colorful gallery wall play video works. In front of the monitors, there are wooden stools with headphones resting upon them.
    Year 2012
    Related pages Radical Localism: Art, Video and Culture from Pueblo Nuevo’s Mexicali Rose
  • White text arranged in two columns on a black background. Film roles, such as
    White text arranged in two columns on a black background. Film roles, such as
    Lise Soskolne, Film Still: Characters, 1999. Oil on canvas, 66 x 108 inches. [White text arranged in two columns on a black background. Film roles, such as "Desk Clerk" and "Beauty Queen" are listed on the left, with names of actors on the right.]
    Caption Lise Soskolne, Film Still: Characters, 1999. Oil on canvas, 66 x 108 inches.
    Image description White text arranged in two columns on a black background. Film roles, such as "Desk Clerk" and "Beauty Queen" are listed on the left, with names of actors on the right.
    Year 1999
    Related pages Lise Soskolne
  • Black-and-white drawing of a cluster of black curled lines organized into a square shape in the middle of a white page. Handwritten text in faint pencil along the bottom of the page reads
    Black-and-white drawing of a cluster of black curled lines organized into a square shape in the middle of a white page. Handwritten text in faint pencil along the bottom of the page reads
    Marian Zazeela, 19 XI 66/2, 1966, India ink on card. Courtesy of the artist. [Black-and-white drawing of a cluster of black curled lines organized into a square shape in the middle of a white page. Handwritten text in faint pencil along the bottom of the page reads "© Marian Zazeela 1988."]
    Caption Marian Zazeela, 19 XI 66/2, 1966, India ink on card. Courtesy of the artist.
    Image description Black-and-white drawing of a cluster of black curled lines organized into a square shape in the middle of a white page. Handwritten text in faint pencil along the bottom of the page reads "© Marian Zazeela 1988."
    Year
    Related pages Dream Lines: Drawings by Marian Zazeela
  • Several geometric, silver metal sculptures sit on a wooden gallery floor in a light-filled exhibition space. The sculptures are modular, hollow, and consist of cube-like and triangular metal components. At the photo's center, a long roll of crinkled brown paper enfurls across the floor of the gallery, resting in between the sculptures.
    Several geometric, silver metal sculptures sit on a wooden gallery floor in a light-filled exhibition space. The sculptures are modular, hollow, and consist of cube-like and triangular metal components. At the photo's center, a long roll of crinkled brown paper enfurls across the floor of the gallery, resting in between the sculptures.
    Charlotte Posenenske. Configured by Ei Arakawa. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [Several geometric, silver metal sculptures sit on a wooden gallery floor in a light-filled exhibition space. The sculptures are modular, hollow, and consist of cube-like and triangular metal components. At the photo's center, a long roll of crinkled brown paper enfurls across the floor of the gallery, resting in between the sculptures.]
    Caption Charlotte Posenenske. Configured by Ei Arakawa. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description Several geometric, silver metal sculptures sit on a wooden gallery floor in a light-filled exhibition space. The sculptures are modular, hollow, and consist of cube-like and triangular metal components. At the photo's center, a long roll of crinkled brown paper enfurls across the floor of the gallery, resting in between the sculptures.
    Year 2010
    Related pages Charlotte Posenenske
  • A bed with a mountain at its center in a partially constructed room with a floor and a single wall. Surrounding it are several framed paintings and empty frames, a bench with fabric piled on it, and a high shelf with a skull.
    A bed with a mountain at its center in a partially constructed room with a floor and a single wall. Surrounding it are several framed paintings and empty frames, a bench with fabric piled on it, and a high shelf with a skull.
    Eileen Neff, Cezanne's Dream, 1992. Mixed media installation. Photo: Erik Landsberg. [A bed with a mountain at its center in a partially constructed room with a floor and a single wall. Surrounding it are several framed paintings and empty frames, a bench with fabric piled on it, and a high shelf with a skull.]
    Caption Eileen Neff, Cezanne's Dream, 1992. Mixed media installation. Photo: Erik Landsberg.
    Image description A bed with a mountain at its center in a partially constructed room with a floor and a single wall. Surrounding it are several framed paintings and empty frames, a bench with fabric piled on it, and a high shelf with a skull.
    Year
    Related pages The Mountain A Bed and A Chair
  • A figure in overalls reaches up to pin a dark tarp along the length of a wall. Behind them, another figure adjusts a camera on a tripod.
    A figure in overalls reaches up to pin a dark tarp along the length of a wall. Behind them, another figure adjusts a camera on a tripod.
    Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [A figure in overalls reaches up to pin a dark tarp along the length of a wall. Behind them, another figure adjusts a camera on a tripod.]
    Caption Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description A figure in overalls reaches up to pin a dark tarp along the length of a wall. Behind them, another figure adjusts a camera on a tripod.
    Year 2019
    Related pages Speaker Music: drape over another
  • A print illustration of a suburban house. In the foreground, a pink flower cuts across the right frame from top to bottom.
    A print illustration of a suburban house. In the foreground, a pink flower cuts across the right frame from top to bottom.
    Sigmar Polke, Wochenendhaus, 1967. 80 copies + 40 artists proofs, signed and numbered screen print on cardboard, 59,5 x 84 cm. Courtesy of Edition Block, Berlin. [A print illustration of a suburban house. In the foreground, a pink flower cuts across the right frame from top to bottom.]
    Caption Sigmar Polke, Wochenendhaus, 1967. 80 copies + 40 artists proofs, signed and numbered screen print on cardboard, 59,5 x 84 cm. Courtesy of Edition Block, Berlin.
    Image description A print illustration of a suburban house. In the foreground, a pink flower cuts across the right frame from top to bottom.
    Year 1967
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • A color image of audience members sitting on the floor looking towards the stage. Blue light dots are projected onto them.
    A color image of audience members sitting on the floor looking towards the stage. Blue light dots are projected onto them.
    Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman. [A color image of audience members sitting on the floor looking towards the stage. Blue light dots are projected onto them.]
    Caption Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman.
    Image description A color image of audience members sitting on the floor looking towards the stage. Blue light dots are projected onto them.
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    Related pages Abasement #65
  • Various framed works on paper hang on two facing white gallery walls. Each features small looping ornamental symbols, drawn with pencil within the individual boxes of gridded paper, to form larger shapes and structures. The large work on the right wall features repeated ornamental symbols in gold on pink ground.
    Various framed works on paper hang on two facing white gallery walls. Each features small looping ornamental symbols, drawn with pencil within the individual boxes of gridded paper, to form larger shapes and structures. The large work on the right wall features repeated ornamental symbols in gold on pink ground.
    Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak. [Various framed works on paper hang on two facing white gallery walls. Each features small looping ornamental symbols, drawn with pencil within the individual boxes of gridded paper, to form larger shapes and structures. The large work on the right wall features repeated ornamental symbols in gold on pink ground.]
    Caption Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak.
    Image description Various framed works on paper hang on two facing white gallery walls. Each features small looping ornamental symbols, drawn with pencil within the individual boxes of gridded paper, to form larger shapes and structures. The large work on the right wall features repeated ornamental symbols in gold on pink ground.
    Year
    Related pages Dream Lines: Drawings by Marian Zazeela
  • A miniature home crafted out of printed and handwritten material is displayed on a vitrine. At the front of the house above the doorway reads,
    A miniature home crafted out of printed and handwritten material is displayed on a vitrine. At the front of the house above the doorway reads,
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A miniature home crafted out of printed and handwritten material is displayed on a vitrine. At the front of the house above the doorway reads, "CHEROKEE PHEONIX & INDIAN ADVOCATE." Two other homes can be seen in the background.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description A miniature home crafted out of printed and handwritten material is displayed on a vitrine. At the front of the house above the doorway reads, "CHEROKEE PHEONIX & INDIAN ADVOCATE." Two other homes can be seen in the background.
    Year 2017
    Related pages Unholding
  • Image of a basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    Image of a basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.]
    Caption SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    Year 2022
    Related pages SCRAAATCH 11-18
  • Several framed posters, photographs, and ephemera varying sizes hang on a white gallery wall. On the right side of the wall hangs a photographic portrait of a figure in a striped shirt standing against a striped wall.
    Several framed posters, photographs, and ephemera varying sizes hang on a white gallery wall. On the right side of the wall hangs a photographic portrait of a figure in a striped shirt standing against a striped wall.
    The Serving Library. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [Several framed posters, photographs, and ephemera varying sizes hang on a white gallery wall. On the right side of the wall hangs a photographic portrait of a figure in a striped shirt standing against a striped wall.]
    Caption The Serving Library. Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description Several framed posters, photographs, and ephemera varying sizes hang on a white gallery wall. On the right side of the wall hangs a photographic portrait of a figure in a striped shirt standing against a striped wall.
    Year 2011
    Related pages The Serving Library
  • A barrel, converted into a grill, sits horizontally on a wheeled cart. It is opened, with a silver metallic interior, in the center of the room. On the left, three long planks of glass lean onto the wall. To the right, photographs displayed in a pane of glass sit at eye-level on the wall.
    A barrel, converted into a grill, sits horizontally on a wheeled cart. It is opened, with a silver metallic interior, in the center of the room. On the left, three long planks of glass lean onto the wall. To the right, photographs displayed in a pane of glass sit at eye-level on the wall.
    Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A barrel, converted into a grill, sits horizontally on a wheeled cart. It is opened, with a silver metallic interior, in the center of the room. On the left, three long planks of glass lean onto the wall. To the right, photographs displayed in a pane of glass sit at eye-level on the wall.]
    Caption Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description A barrel, converted into a grill, sits horizontally on a wheeled cart. It is opened, with a silver metallic interior, in the center of the room. On the left, three long planks of glass lean onto the wall. To the right, photographs displayed in a pane of glass sit at eye-level on the wall.
    Year 2018
    Related pages Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff
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  • A gallery space with two columns. On the right side of the columns is a small platform from which two black curtains hang. Behind that are two stools underneath a mirror mounted on the wall. On the other side of the columns, four paintings hang on a white wall in a line. Just visible beyond the end of the wall is another space with additional paintings hung on that wall.
    A gallery space with two columns. On the right side of the columns is a small platform from which two black curtains hang. Behind that are two stools underneath a mirror mounted on the wall. On the other side of the columns, four paintings hang on a white wall in a line. Just visible beyond the end of the wall is another space with additional paintings hung on that wall.
    The Mind/Body Problem. Installation view, Artists Space, 2006. Photo: Alan Wiener. [A gallery space with two columns. On the right side of the columns is a small platform from which two black curtains hang. Behind that are two stools underneath a mirror mounted on the wall. On the other side of the columns, four paintings hang on a white wall in a line. Just visible beyond the end of the wall is another space with additional paintings hung on that wall.]
    Caption The Mind/Body Problem. Installation view, Artists Space, 2006. Photo: Alan Wiener.
    Image description A gallery space with two columns. On the right side of the columns is a small platform from which two black curtains hang. Behind that are two stools underneath a mirror mounted on the wall. On the other side of the columns, four paintings hang on a white wall in a line. Just visible beyond the end of the wall is another space with additional paintings hung on that wall.
    Year 2006
    Related pages The Mind/Body Problem
  • Black text on an orange background. The text reads: “Oct 19 / Xavier Cavazos / Pamela Booker.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on an orange background. The text reads: “Oct 19 / Xavier Cavazos / Pamela Booker.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on an orange background. The text reads: “Oct 19 / Xavier Cavazos / Pamela Booker.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on an orange background. The text reads: “Oct 19 / Xavier Cavazos / Pamela Booker.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Pamela Booker & Xavier Cavazos
  • A figure in a blue shirt kneels down on stage, they look down and hold a microphone to their face. Red light is cast onto the stage.
    A figure in a blue shirt kneels down on stage, they look down and hold a microphone to their face. Red light is cast onto the stage.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure in a blue shirt kneels down on stage, they look down and hold a microphone to their face. Red light is cast onto the stage.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure in a blue shirt kneels down on stage, they look down and hold a microphone to their face. Red light is cast onto the stage.
    Year
    Related pages Chorus: A Sound Poetry Festival 11-11
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  • A microphone and lights are set up in a field, with trees along the horizon line.
    A microphone and lights are set up in a field, with trees along the horizon line.
    SCRAAATCH, Untitled July 4th Performance, 2022. Photo: Mo Costello. [A microphone and lights are set up in a field, with trees along the horizon line.]
    Caption SCRAAATCH, Untitled July 4th Performance, 2022. Photo: Mo Costello.
    Image description A microphone and lights are set up in a field, with trees along the horizon line.
    Year
    Related pages SCRAAATCH 11-18
  • A photo taken on a diagonal of two people sitting on black chairs in a dimly lit room with a projection on the wall. The projection features a person with red hair looking at themself in a vanity mirror.
    A photo taken on a diagonal of two people sitting on black chairs in a dimly lit room with a projection on the wall. The projection features a person with red hair looking at themself in a vanity mirror.
    Laura Cottingham & The Anita Pallenberg Story. Installation view, Artists Space, 2017. Photo: Daniel Pérez. [A photo taken on a diagonal of two people sitting on black chairs in a dimly lit room with a projection on the wall. The projection features a person with red hair looking at themself in a vanity mirror.]
    Caption Laura Cottingham & The Anita Pallenberg Story. Installation view, Artists Space, 2017. Photo: Daniel Pérez.
    Image description A photo taken on a diagonal of two people sitting on black chairs in a dimly lit room with a projection on the wall. The projection features a person with red hair looking at themself in a vanity mirror.
    Year 2017
    Related pages Laura Cottingham & The Anita Pallenberg Story
  • A green poster with white text giving information about a virtual reading event. There is an image at the bottom of a person looking into digital, VR-style goggles with large headphones. Smaller white text in the bottom corner reads,
    A green poster with white text giving information about a virtual reading event. There is an image at the bottom of a person looking into digital, VR-style goggles with large headphones. Smaller white text in the bottom corner reads,
    [A green poster with white text giving information about a virtual reading event. There is an image at the bottom of a person looking into digital, VR-style goggles with large headphones. Smaller white text in the bottom corner reads, "stay well & be good to each other."]
    Caption
    Image description A green poster with white text giving information about a virtual reading event. There is an image at the bottom of a person looking into digital, VR-style goggles with large headphones. Smaller white text in the bottom corner reads, "stay well & be good to each other."
    Year 2020
    Related pages Segue Reading Series: Tongo Eisen-Martin & Jennifer Soong
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    Related pages ARTstudio
  • A color photo of several individuals seated at banquet-style dining tables. Individuals are clapping and looking around the large reception space.
    A color photo of several individuals seated at banquet-style dining tables. Individuals are clapping and looking around the large reception space.
    The Founders Dinner, 2019. [A color photo of several individuals seated at banquet-style dining tables. Individuals are clapping and looking around the large reception space.]
    Caption The Founders Dinner, 2019.
    Image description A color photo of several individuals seated at banquet-style dining tables. Individuals are clapping and looking around the large reception space.
    Year 2019
    Related pages Support
  • A television set sits in the corner on a pedestal with framed images on the two walls surrounding it.
    A television set sits in the corner on a pedestal with framed images on the two walls surrounding it.
    Young Fluxus. Installation view, Artists Space, 1982. [A television set sits in the corner on a pedestal with framed images on the two walls surrounding it.]
    Caption Young Fluxus. Installation view, Artists Space, 1982.
    Image description A television set sits in the corner on a pedestal with framed images on the two walls surrounding it.
    Year
    Related pages Young Fluxus
  • Color photograph of a fgure wearing a conical sheath of reflective one-way mirror film that covers their entire body. They squat down next to a viewer sitting in a wooden chair. The performer shines a bright light against their face, making their face visible from under the mirror film.
    Color photograph of a fgure wearing a conical sheath of reflective one-way mirror film that covers their entire body. They squat down next to a viewer sitting in a wooden chair. The performer shines a bright light against their face, making their face visible from under the mirror film.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a fgure wearing a conical sheath of reflective one-way mirror film that covers their entire body. They squat down next to a viewer sitting in a wooden chair. The performer shines a bright light against their face, making their face visible from under the mirror film.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a fgure wearing a conical sheath of reflective one-way mirror film that covers their entire body. They squat down next to a viewer sitting in a wooden chair. The performer shines a bright light against their face, making their face visible from under the mirror film.
    Year 2022
    Related pages keyon gaskin 12-14
  • A brown and tan object stands on a white base. On the flat surface of the object, an onion and a lemon sit connected by a rainbow wire. In the base of the object, a processing chip is embedded.
    A brown and tan object stands on a white base. On the flat surface of the object, an onion and a lemon sit connected by a rainbow wire. In the base of the object, a processing chip is embedded.
    Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $5,000
    [A brown and tan object stands on a white base. On the flat surface of the object, an onion and a lemon sit connected by a rainbow wire. In the base of the object, a processing chip is embedded.]
    Caption Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $5,000
    Image description A brown and tan object stands on a white base. On the flat surface of the object, an onion and a lemon sit connected by a rainbow wire. In the base of the object, a processing chip is embedded.
    Year 2019
    Related pages Trisha Baga Edition
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    Related pages Milford Graves: Fundamental Frequency
  • A small strip of pixeled colors is displayed left of center above a large window looking out onto a building.
    A small strip of pixeled colors is displayed left of center above a large window looking out onto a building.
    Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A small strip of pixeled colors is displayed left of center above a large window looking out onto a building.]
    Caption Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description A small strip of pixeled colors is displayed left of center above a large window looking out onto a building.
    Year 2013
    Related pages Documenting Cadere: 1972 - 1978
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  • Black text overlays a light blue background. The top left corner reads: hannah baer / Cyrus Dunham. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, March 12, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5.
    Black text overlays a light blue background. The top left corner reads: hannah baer / Cyrus Dunham. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, March 12, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5.
    Flyer for Segue Reading Series featuring hannah baer and Cyrus Dunham. March 12, 2022, Artists Space. [Black text overlays a light blue background. The top left corner reads: hannah baer / Cyrus Dunham. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, March 12, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5."]
    Caption Flyer for Segue Reading Series featuring hannah baer and Cyrus Dunham. March 12, 2022, Artists Space.
    Image description Black text overlays a light blue background. The top left corner reads: hannah baer / Cyrus Dunham. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, March 12, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5."
    Year 2022
    Related pages Segue Reading Series: hannah baer & Cyrus Dunham
  • Image of a basement with a rectangular shaped sculpture made of a wooden frame with fresnel lenses placed along the top and sides. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    Image of a basement with a rectangular shaped sculpture made of a wooden frame with fresnel lenses placed along the top and sides. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement with a rectangular shaped sculpture made of a wooden frame with fresnel lenses placed along the top and sides. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.]
    Caption SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a basement with a rectangular shaped sculpture made of a wooden frame with fresnel lenses placed along the top and sides. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    Year 2022
    Related pages SCRAAATCH 11-19
  • Four framed drawings on a wall depicting chaotic, colorful scenes of crowds.
    Four framed drawings on a wall depicting chaotic, colorful scenes of crowds.
    [Four framed drawings on a wall depicting chaotic, colorful scenes of crowds.]
    Caption
    Image description Four framed drawings on a wall depicting chaotic, colorful scenes of crowds.
    Year 2013
    Related pages Peter Wächtler
  • Color photograph of two works with white, black, brown and grey hues hanging on the wall side-by-side.
    Color photograph of two works with white, black, brown and grey hues hanging on the wall side-by-side.
    Left: Andrew Siedenburg, Material Support, 2022. Masking tape, charcoal, and construction fasteners on gessoed luan. Right: Andrew Siedenburg, Doghouse with Tin Snips, 2022. Masking tape, charcoal and constructions fasteners on gessoed watercolor paper over masonite. Photo: Steven Cottingham. [Color photograph of two works with white, black, brown and grey hues hanging on the wall side-by-side.]
    Caption Left: Andrew Siedenburg, Material Support, 2022. Masking tape, charcoal, and construction fasteners on gessoed luan. Right: Andrew Siedenburg, Doghouse with Tin Snips, 2022. Masking tape, charcoal and constructions fasteners on gessoed watercolor paper over masonite. Photo: Steven Cottingham.
    Image description Color photograph of two works with white, black, brown and grey hues hanging on the wall side-by-side.
    Year
    Related pages Whitney Independent Study: Everything is Common
  • A dark illustration featuring a small, white dog at the composition's lower left edge. A black, inky background vaguely resembling a forest surrounds the dog, who pauses mid stride to glance behind itself.
    A dark illustration featuring a small, white dog at the composition's lower left edge. A black, inky background vaguely resembling a forest surrounds the dog, who pauses mid stride to glance behind itself.
    [A dark illustration featuring a small, white dog at the composition's lower left edge. A black, inky background vaguely resembling a forest surrounds the dog, who pauses mid stride to glance behind itself.]
    Caption
    Image description A dark illustration featuring a small, white dog at the composition's lower left edge. A black, inky background vaguely resembling a forest surrounds the dog, who pauses mid stride to glance behind itself.
    Year 1992
    Related pages I Thought I Had Time
  • View through a doorway with photographs and a black text on a poster on the foreground wall and a clock along with a propeller of fan upholstered to the wall on the back wall through the doorway.
    View through a doorway with photographs and a black text on a poster on the foreground wall and a clock along with a propeller of fan upholstered to the wall on the back wall through the doorway.
    Young Fluxus. Installation view, Artists Space, 1982. [View through a doorway with photographs and a black text on a poster on the foreground wall and a clock along with a propeller of fan upholstered to the wall on the back wall through the doorway.]
    Caption Young Fluxus. Installation view, Artists Space, 1982.
    Image description View through a doorway with photographs and a black text on a poster on the foreground wall and a clock along with a propeller of fan upholstered to the wall on the back wall through the doorway.
    Year
    Related pages Young Fluxus
  • Detail view of the smaller display case, looking through a narrow glass window. Five mugs are stacked in a corner, and a short pipe curls around the center of the case. A black-and-white image of a shirtless man wearing ripped jeans and boots is printed on the surface.
    Detail view of the smaller display case, looking through a narrow glass window. Five mugs are stacked in a corner, and a short pipe curls around the center of the case. A black-and-white image of a shirtless man wearing ripped jeans and boots is printed on the surface.
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Detail view of the smaller display case, looking through a narrow glass window. Five mugs are stacked in a corner, and a short pipe curls around the center of the case. A black-and-white image of a shirtless man wearing ripped jeans and boots is printed on the surface.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Detail view of the smaller display case, looking through a narrow glass window. Five mugs are stacked in a corner, and a short pipe curls around the center of the case. A black-and-white image of a shirtless man wearing ripped jeans and boots is printed on the surface.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • A black and white installation photo of a gallery space. An illuminated low pedastal on the floor holds a crescent shaped object.
    A black and white installation photo of a gallery space. An illuminated low pedastal on the floor holds a crescent shaped object.
    Pictures. Installation view, Artists Space, 1977. Photo: D. James Dee. [A black and white installation photo of a gallery space. An illuminated low pedastal on the floor holds a crescent shaped object.]
    Caption Pictures. Installation view, Artists Space, 1977. Photo: D. James Dee.
    Image description A black and white installation photo of a gallery space. An illuminated low pedastal on the floor holds a crescent shaped object.
    Year 1977
    Related pages Pictures
  • A color photograph of a figure standing behind audio mixing equipment and a microphone in front of an orange background. A white light shines down on them from the left.
    A color photograph of a figure standing behind audio mixing equipment and a microphone in front of an orange background. A white light shines down on them from the left.
    Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. [A color photograph of a figure standing behind audio mixing equipment and a microphone in front of an orange background. A white light shines down on them from the left.]
    Caption Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space.
    Image description A color photograph of a figure standing behind audio mixing equipment and a microphone in front of an orange background. A white light shines down on them from the left.
    Year 2022
    Related pages Yuji Agematsu
  • A dimly lit gallery space with wooden flooring. Several sheets of thin gray board hang from the gallery ceiling by thin wires such that they form a set of suspended display walls. The boards are arranged such that they face one another and form a hallway-like area that one can walk through. Various photographs and architectural renderings of buildings are displayed on the walls. A wall arranged to the far right of the others displays black san-serif wall text. Large header text on the wall reads, “ZAHA HADID.”
    A dimly lit gallery space with wooden flooring. Several sheets of thin gray board hang from the gallery ceiling by thin wires such that they form a set of suspended display walls. The boards are arranged such that they face one another and form a hallway-like area that one can walk through. Various photographs and architectural renderings of buildings are displayed on the walls. A wall arranged to the far right of the others displays black san-serif wall text. Large header text on the wall reads, “ZAHA HADID.”
    Zaha Hadid. Installation view, Artists Space, 2003. [A dimly lit gallery space with wooden flooring. Several sheets of thin gray board hang from the gallery ceiling by thin wires such that they form a set of suspended display walls. The boards are arranged such that they face one another and form a hallway-like area that one can walk through. Various photographs and architectural renderings of buildings are displayed on the walls. A wall arranged to the far right of the others displays black san-serif wall text. Large header text on the wall reads, “ZAHA HADID.”]
    Caption Zaha Hadid. Installation view, Artists Space, 2003.
    Image description A dimly lit gallery space with wooden flooring. Several sheets of thin gray board hang from the gallery ceiling by thin wires such that they form a set of suspended display walls. The boards are arranged such that they face one another and form a hallway-like area that one can walk through. Various photographs and architectural renderings of buildings are displayed on the walls. A wall arranged to the far right of the others displays black san-serif wall text. Large header text on the wall reads, “ZAHA HADID.”
    Year 2003
    Related pages Mainspace Architecture & Design Project Series: Zaha Hadid
  • A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays a courtroom depiction of two individuals, one with blonde hair and fair skin wearing a suit, the other tan with dark facial hair wearing a keffiyeh. Behind the seated men is an image of a man sitting on the floor, in what appears to be solitary confinement.
    A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays a courtroom depiction of two individuals, one with blonde hair and fair skin wearing a suit, the other tan with dark facial hair wearing a keffiyeh. Behind the seated men is an image of a man sitting on the floor, in what appears to be solitary confinement.
    Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays a courtroom depiction of two individuals, one with blonde hair and fair skin wearing a suit, the other tan with dark facial hair wearing a keffiyeh. Behind the seated men is an image of a man sitting on the floor, in what appears to be solitary confinement.]
    Caption Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez.
    Image description A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays a courtroom depiction of two individuals, one with blonde hair and fair skin wearing a suit, the other tan with dark facial hair wearing a keffiyeh. Behind the seated men is an image of a man sitting on the floor, in what appears to be solitary confinement.
    Year 2014
    Related pages Laura Poitras: 9/11 Trilogy
  • A figure faces towards a microphone and red light, playing some sort of instrument that is out of focus.
    A figure faces towards a microphone and red light, playing some sort of instrument that is out of focus.
    Eiko Ishibashi: Two New York Nights. Performance documentation, June 8, 2022, 8pm. Artists Space, New York. [A figure faces towards a microphone and red light, playing some sort of instrument that is out of focus.]
    Caption Eiko Ishibashi: Two New York Nights. Performance documentation, June 8, 2022, 8pm. Artists Space, New York.
    Image description A figure faces towards a microphone and red light, playing some sort of instrument that is out of focus.
    Year
    Related pages Eiko Ishibashi in Concert
  • Two white walls meeting in a corner. The wall on the right has three large black and white photographs of people on winter streets with their small dogs. The wall on the left features a canvas covered in a red, green, and peach colored plaid pattern.
    Two white walls meeting in a corner. The wall on the right has three large black and white photographs of people on winter streets with their small dogs. The wall on the left features a canvas covered in a red, green, and peach colored plaid pattern.
    Flipside. Installation view, Artists Space, 2004. [Two white walls meeting in a corner. The wall on the right has three large black and white photographs of people on winter streets with their small dogs. The wall on the left features a canvas covered in a red, green, and peach colored plaid pattern.]
    Caption Flipside. Installation view, Artists Space, 2004.
    Image description Two white walls meeting in a corner. The wall on the right has three large black and white photographs of people on winter streets with their small dogs. The wall on the left features a canvas covered in a red, green, and peach colored plaid pattern.
    Year 2004
    Related pages Flipside
  • An angled view of scattered video projection stills at various heights and sizes on a wooden wall. The wooden wall is displayed in a room with white walls and faux-grass flooring.
    An angled view of scattered video projection stills at various heights and sizes on a wooden wall. The wooden wall is displayed in a room with white walls and faux-grass flooring.
    Union Gaucha Productions. Installation view, Artists Space, 2015. Photo: Daniel Pérez. [An angled view of scattered video projection stills at various heights and sizes on a wooden wall. The wooden wall is displayed in a room with white walls and faux-grass flooring.]
    Caption Union Gaucha Productions. Installation view, Artists Space, 2015. Photo: Daniel Pérez.
    Image description An angled view of scattered video projection stills at various heights and sizes on a wooden wall. The wooden wall is displayed in a room with white walls and faux-grass flooring.
    Year 2015
    Related pages Union Gaucha Productions
  • Abstract white paintings with black smudges dispersed throughout.
    Abstract white paintings with black smudges dispersed throughout.
    Cynthia Hawkins. Untitled, 1987. [Abstract white paintings with black smudges dispersed throughout.]
    Caption Cynthia Hawkins. Untitled, 1987.
    Image description Abstract white paintings with black smudges dispersed throughout.
    Year
    Related pages Selections from the Artists File
  • Two figures perform on a stage in front of a projection.
    Two figures perform on a stage in front of a projection.
    Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [Two figures perform on a stage in front of a projection.]
    Caption Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman
    Image description Two figures perform on a stage in front of a projection.
    Year 2022
    Related pages Abasement #61
  • Wide view of a white-walled gallery space with various artworks visible on the walls.
    Wide view of a white-walled gallery space with various artworks visible on the walls.
    Young Fluxus. Installation view, Artists Space, 1982. [Wide view of a white-walled gallery space with various artworks visible on the walls.]
    Caption Young Fluxus. Installation view, Artists Space, 1982.
    Image description Wide view of a white-walled gallery space with various artworks visible on the walls.
    Year
    Related pages Young Fluxus
  • A figure performs on stage using a microphone and an audio mixer, with the audience in the back left of the image.
    A figure performs on stage using a microphone and an audio mixer, with the audience in the back left of the image.
    Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [A figure performs on stage using a microphone and an audio mixer, with the audience in the back left of the image.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure performs on stage using a microphone and an audio mixer, with the audience in the back left of the image.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-10
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    Related pages Support
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    Related pages David Armstrong: Portraits
  • A figure in side profile studies sheet music placed on a piano.
    A figure in side profile studies sheet music placed on a piano.
    Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman [A figure in side profile studies sheet music placed on a piano.]
    Caption Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure in side profile studies sheet music placed on a piano.
    Year 2022
    Related pages Tisziji Muñoz with Francisco Mora Catlett and AfroHORN
  • A figure in a baseball cap stands beside a table covered in scattered drinks and a laptop, typing on the computer’s keys.
    A figure in a baseball cap stands beside a table covered in scattered drinks and a laptop, typing on the computer’s keys.
    Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [A figure in a baseball cap stands beside a table covered in scattered drinks and a laptop, typing on the computer’s keys.]
    Caption Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description A figure in a baseball cap stands beside a table covered in scattered drinks and a laptop, typing on the computer’s keys.
    Year 2019
    Related pages Speaker Music: drape over another
  • A seated figure in a black hoodie and black beanie plays the guitar with red and purple light cast onto them.
    A seated figure in a black hoodie and black beanie plays the guitar with red and purple light cast onto them.
    Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman [A seated figure in a black hoodie and black beanie plays the guitar with red and purple light cast onto them.]
    Caption Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman
    Image description A seated figure in a black hoodie and black beanie plays the guitar with red and purple light cast onto them.
    Year 2022
    Related pages Abasement: #62
  • Two people stand in the foreground: one person holds a notebook and points to a page while the other looks on.
    Two people stand in the foreground: one person holds a notebook and points to a page while the other looks on.
    Artists Space Curator Jamie Stevens speaking with P.S. 140 Portfolio Students [Two people stand in the foreground: one person holds a notebook and points to a page while the other looks on.]
    Caption Artists Space Curator Jamie Stevens speaking with P.S. 140 Portfolio Students
    Image description Two people stand in the foreground: one person holds a notebook and points to a page while the other looks on.
    Year 2018
    Related pages Portfolio Development
  • A nightime view of a truck driving past a parking lot. In the top left of the image is a superimposed video of a blond woman. The words
    A nightime view of a truck driving past a parking lot. In the top left of the image is a superimposed video of a blond woman. The words
    Ursula Biemann, still from Writing Desire, 2000. Video, 23 minutes. Courtesy the artist. [A nightime view of a truck driving past a parking lot. In the top left of the image is a superimposed video of a blond woman. The words "Hello I'm Natascha" appear in red to the right of the woman.]
    Caption Ursula Biemann, still from Writing Desire, 2000. Video, 23 minutes. Courtesy the artist.
    Image description A nightime view of a truck driving past a parking lot. In the top left of the image is a superimposed video of a blond woman. The words "Hello I'm Natascha" appear in red to the right of the woman.
    Year 2000
    Related pages New Economy
  • A performer is surrounded by equipment, playing on stage. The stage is bathed in green and blue light patterns created by a projection.
    A performer is surrounded by equipment, playing on stage. The stage is bathed in green and blue light patterns created by a projection.
    Abasement #81. Performance documentation, October 20th, 2025, Artists Space. Photo: Joshua Wildman. [A performer is surrounded by equipment, playing on stage. The stage is bathed in green and blue light patterns created by a projection.]
    Caption Abasement #81. Performance documentation, October 20th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description A performer is surrounded by equipment, playing on stage. The stage is bathed in green and blue light patterns created by a projection.
    Year
    Related pages Abasement #81
  • A black cord sticks out from underneath a tan carpet. Wires are visible running underneath the carpeted floor throughout the frame.
    A black cord sticks out from underneath a tan carpet. Wires are visible running underneath the carpeted floor throughout the frame.
    The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich. [A black cord sticks out from underneath a tan carpet. Wires are visible running underneath the carpeted floor throughout the frame.]
    Caption The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich.
    Image description A black cord sticks out from underneath a tan carpet. Wires are visible running underneath the carpeted floor throughout the frame.
    Year 2014
    Related pages The Issues of Our Time
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Color photograph of a figure, wearing reflective one-way mirror film around their body, hanging off the ledge of an open doorway entrance.
    Color photograph of a figure, wearing reflective one-way mirror film around their body, hanging off the ledge of an open doorway entrance.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure, wearing reflective one-way mirror film around their body, hanging off the ledge of an open doorway entrance.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a figure, wearing reflective one-way mirror film around their body, hanging off the ledge of an open doorway entrance.
    Year 2022
    Related pages keyon gaskin 12-18
  • In the foreground a vacuum can be seen on a plexiglass shelf case with a fluorescent light underneath and above it. Behind it is an image on a white wall of an automobile with text visible that reads,
    In the foreground a vacuum can be seen on a plexiglass shelf case with a fluorescent light underneath and above it. Behind it is an image on a white wall of an automobile with text visible that reads,
    Jeff Koons. Installation View, Artists Space, 1983. [In the foreground a vacuum can be seen on a plexiglass shelf case with a fluorescent light underneath and above it. Behind it is an image on a white wall of an automobile with text visible that reads, "ROOOMY!" on the top left and "TOYOTA" on the bottom left and "NEW FAMILY CAMRY" on the bottom right.]
    Caption Jeff Koons. Installation View, Artists Space, 1983.
    Image description In the foreground a vacuum can be seen on a plexiglass shelf case with a fluorescent light underneath and above it. Behind it is an image on a white wall of an automobile with text visible that reads, "ROOOMY!" on the top left and "TOYOTA" on the bottom left and "NEW FAMILY CAMRY" on the bottom right.
    Year
    Related pages Los Angeles/New York Exchange
  • A geometric, silver metal sculpture sits on a low dolley with wheels on a wooden gallery floor. The sculpture is modular, hollow, and consists of a cube-like metal component. Under the sculpture, long arrows of colorful tape are installed on the gallery floors.
    A geometric, silver metal sculpture sits on a low dolley with wheels on a wooden gallery floor. The sculpture is modular, hollow, and consists of a cube-like metal component. Under the sculpture, long arrows of colorful tape are installed on the gallery floors.
    Charlotte Posenenske. Configured by Rirkrit Tiravanija. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A geometric, silver metal sculpture sits on a low dolley with wheels on a wooden gallery floor. The sculpture is modular, hollow, and consists of a cube-like metal component. Under the sculpture, long arrows of colorful tape are installed on the gallery floors.]
    Caption Charlotte Posenenske. Configured by Rirkrit Tiravanija. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description A geometric, silver metal sculpture sits on a low dolley with wheels on a wooden gallery floor. The sculpture is modular, hollow, and consists of a cube-like metal component. Under the sculpture, long arrows of colorful tape are installed on the gallery floors.
    Year 2010
    Related pages Charlotte Posenenske
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    Related pages Abasement #82
  • A black and white installation view of a gallery space with a set of six large window panes. Various pieces of artwork hang from the walls.
    A black and white installation view of a gallery space with a set of six large window panes. Various pieces of artwork hang from the walls.
    New Art Auction and Exhibition. Installation view, Artists Space, 1977. [A black and white installation view of a gallery space with a set of six large window panes. Various pieces of artwork hang from the walls.]
    Caption New Art Auction and Exhibition. Installation view, Artists Space, 1977.
    Image description A black and white installation view of a gallery space with a set of six large window panes. Various pieces of artwork hang from the walls.
    Year 1977
    Related pages New Art Auction and Exhibition
  • Color image of a framed piece of notebook graph paper, with a pen and ink drawing of a rectangle with various lines and dots. In the bottom-center of the paper is the word
    Color image of a framed piece of notebook graph paper, with a pen and ink drawing of a rectangle with various lines and dots. In the bottom-center of the paper is the word
    Andy Robert, The Terrain, 2021. Photo: Filip Wolak. [Color image of a framed piece of notebook graph paper, with a pen and ink drawing of a rectangle with various lines and dots. In the bottom-center of the paper is the word "TERRAIN."]
    Caption Andy Robert, The Terrain, 2021. Photo: Filip Wolak.
    Image description Color image of a framed piece of notebook graph paper, with a pen and ink drawing of a rectangle with various lines and dots. In the bottom-center of the paper is the word "TERRAIN."
    Year 2023
    Related pages Artists for Artists Space
  • Various figures stand around a table with a mannequin on it. The mannequin is obscured by foliage and flowers.
    Various figures stand around a table with a mannequin on it. The mannequin is obscured by foliage and flowers.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York. [Various figures stand around a table with a mannequin on it. The mannequin is obscured by foliage and flowers.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York.
    Image description Various figures stand around a table with a mannequin on it. The mannequin is obscured by foliage and flowers.
    Year
    Related pages Grandmother Cindy
  • A book cover depicting a a desert with a hollowed-out egg shaped rock in the foreground and a tank in the background.
    A book cover depicting a a desert with a hollowed-out egg shaped rock in the foreground and a tank in the background.
    John Miller, The Ruin of Exchange and Other Writings on Art (JRP Ringier, 2012). [A book cover depicting a a desert with a hollowed-out egg shaped rock in the foreground and a tank in the background.]
    Caption John Miller, The Ruin of Exchange and Other Writings on Art (JRP Ringier, 2012).
    Image description A book cover depicting a a desert with a hollowed-out egg shaped rock in the foreground and a tank in the background.
    Year 2012
    Related pages The Ruin of Exchange: John Miller
  • Detail of diamond-shaped sculpted object in its square container.
    Detail of diamond-shaped sculpted object in its square container.
    Young Fluxus. Installation view, Artists Space, 1982. [Detail of diamond-shaped sculpted object in its square container.]
    Caption Young Fluxus. Installation view, Artists Space, 1982.
    Image description Detail of diamond-shaped sculpted object in its square container.
    Year
    Related pages Young Fluxus
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Two large, orange slug sculptures forming a circular ring shape around separate cast iron columns suspended by black elastic chords in a white walled gallery space with a square painting in the background.
    Two large, orange slug sculptures forming a circular ring shape around separate cast iron columns suspended by black elastic chords in a white walled gallery space with a square painting in the background.
    Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez. [Two large, orange slug sculptures forming a circular ring shape around separate cast iron columns suspended by black elastic chords in a white walled gallery space with a square painting in the background.]
    Caption Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez.
    Image description Two large, orange slug sculptures forming a circular ring shape around separate cast iron columns suspended by black elastic chords in a white walled gallery space with a square painting in the background.
    Year 2020
    Related pages Jana Euler
  • Color photograph of a figure wearing a conical sheath of reflective one-way mirror film that covers most of their body. They lay on the floor and spread one arm out from under the mirror film. A bright light shines from under the film.
    Color photograph of a figure wearing a conical sheath of reflective one-way mirror film that covers most of their body. They lay on the floor and spread one arm out from under the mirror film. A bright light shines from under the film.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure wearing a conical sheath of reflective one-way mirror film that covers most of their body. They lay on the floor and spread one arm out from under the mirror film. A bright light shines from under the film.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a figure wearing a conical sheath of reflective one-way mirror film that covers most of their body. They lay on the floor and spread one arm out from under the mirror film. A bright light shines from under the film.
    Year 2022
    Related pages keyon gaskin 12-14
  • White text on a blue and grey ombré background. The text reads: “Feb 8 / Rae Armantrout / John Kelsey.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    White text on a blue and grey ombré background. The text reads: “Feb 8 / Rae Armantrout / John Kelsey.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [White text on a blue and grey ombré background. The text reads: “Feb 8 / Rae Armantrout / John Kelsey.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description White text on a blue and grey ombré background. The text reads: “Feb 8 / Rae Armantrout / John Kelsey.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Rae Armantrout & John Kelsey
  • A figure in a suit stands on stage, behind a music stand and speaks into a microphone.
    A figure in a suit stands on stage, behind a music stand and speaks into a microphone.
    Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [A figure in a suit stands on stage, behind a music stand and speaks into a microphone.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure in a suit stands on stage, behind a music stand and speaks into a microphone.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-10
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    Related pages Abasement #72
  • An object with tones of tan, blue, pink, and grey sits on a white base. A metal antenna extends out on a diagonal.
    An object with tones of tan, blue, pink, and grey sits on a white base. A metal antenna extends out on a diagonal.
    Not yet titled, 2019
    Clay, glaze, metal antenna
    3 1/2 x 13 x 12 inches (variable)
    $3,500
    [An object with tones of tan, blue, pink, and grey sits on a white base. A metal antenna extends out on a diagonal.]
    Caption Not yet titled, 2019
    Clay, glaze, metal antenna
    3 1/2 x 13 x 12 inches (variable)
    $3,500
    Image description An object with tones of tan, blue, pink, and grey sits on a white base. A metal antenna extends out on a diagonal.
    Year 2019
    Related pages Trisha Baga Edition
  • 21 silver, round, stainless steel trays sit nested on a wood floor.
    21 silver, round, stainless steel trays sit nested on a wood floor.
    Yuki Kimura, The Circle, 2019, 21 stainless steel round trays. Photo: Daniel Pérez [21 silver, round, stainless steel trays sit nested on a wood floor.]
    Caption Yuki Kimura, The Circle, 2019, 21 stainless steel round trays. Photo: Daniel Pérez
    Image description 21 silver, round, stainless steel trays sit nested on a wood floor.
    Year 2019
    Related pages Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater
  • A female mannequin stands in a gallery space. It is wearing blue trousers and a grey fur coat over a blue checkered shirt. The shirt and jacket are left unbuttoned, exposing the mannequin's breasts, obscured by a large bone necklace.
    A female mannequin stands in a gallery space. It is wearing blue trousers and a grey fur coat over a blue checkered shirt. The shirt and jacket are left unbuttoned, exposing the mannequin's breasts, obscured by a large bone necklace.
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [A female mannequin stands in a gallery space. It is wearing blue trousers and a grey fur coat over a blue checkered shirt. The shirt and jacket are left unbuttoned, exposing the mannequin's breasts, obscured by a large bone necklace.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description A female mannequin stands in a gallery space. It is wearing blue trousers and a grey fur coat over a blue checkered shirt. The shirt and jacket are left unbuttoned, exposing the mannequin's breasts, obscured by a large bone necklace.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
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    Related pages Dream Lines: Drawings by Marian Zazeela
  • In the foreground, one side of a book stand displaying various posters and documents. Two more in the background include more items. Two people congregate in a coversation around a bookstand in the background.
    In the foreground, one side of a book stand displaying various posters and documents. Two more in the background include more items. Two people congregate in a coversation around a bookstand in the background.
    Richard Hollis. Installation view, Artists Space, 2013. [In the foreground, one side of a book stand displaying various posters and documents. Two more in the background include more items. Two people congregate in a coversation around a bookstand in the background.]
    Caption Richard Hollis. Installation view, Artists Space, 2013.
    Image description In the foreground, one side of a book stand displaying various posters and documents. Two more in the background include more items. Two people congregate in a coversation around a bookstand in the background.
    Year 2013
    Related pages Richard Hollis
  • A painting of the basin of a dam. The water is surrounded by rock formations, with people standing scattered around on rocks.
    A painting of the basin of a dam. The water is surrounded by rock formations, with people standing scattered around on rocks.
    The Mind/Body Problem. Installation view, Artists Space, 2006. Photo: Alan Wiener. [A painting of the basin of a dam. The water is surrounded by rock formations, with people standing scattered around on rocks.]
    Caption The Mind/Body Problem. Installation view, Artists Space, 2006. Photo: Alan Wiener.
    Image description A painting of the basin of a dam. The water is surrounded by rock formations, with people standing scattered around on rocks.
    Year 2006
    Related pages The Mind/Body Problem
  • The entrance to a gallery space. Two video stills are projected on the wall facing the entrance. The left projector shows a black-and-white film image of two figures in trench coats with paper bags over their heads doing pushups. On the right is a black-and-white film image of a pair of black shoes hanging over a wooden ledge.
    The entrance to a gallery space. Two video stills are projected on the wall facing the entrance. The left projector shows a black-and-white film image of two figures in trench coats with paper bags over their heads doing pushups. On the right is a black-and-white film image of a pair of black shoes hanging over a wooden ledge.
    Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Amiri Baraka, Cellar Vigil (Experimental Death Unit #2), 1966), Artists Space, 2023. Photo: Filip Wolak. [The entrance to a gallery space. Two video stills are projected on the wall facing the entrance. The left projector shows a black-and-white film image of two figures in trench coats with paper bags over their heads doing pushups. On the right is a black-and-white film image of a pair of black shoes hanging over a wooden ledge.]
    Caption Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Amiri Baraka, Cellar Vigil (Experimental Death Unit #2), 1966), Artists Space, 2023. Photo: Filip Wolak.
    Image description The entrance to a gallery space. Two video stills are projected on the wall facing the entrance. The left projector shows a black-and-white film image of two figures in trench coats with paper bags over their heads doing pushups. On the right is a black-and-white film image of a pair of black shoes hanging over a wooden ledge.
    Year 2023
    Related pages Shala Miller, Malcolm Peacock, Amiri Baraka
  • A black and white image of a painted spiral.
    A black and white image of a painted spiral.
    Fontaine Dunn, Everything's Always Just the Same, Only Different, 1976. From Gary Bower, Fontaine Dunn, Hermine Ford, Artists Space, 1976. [A black and white image of a painted spiral.]
    Caption Fontaine Dunn, Everything's Always Just the Same, Only Different, 1976. From Gary Bower, Fontaine Dunn, Hermine Ford, Artists Space, 1976.
    Image description A black and white image of a painted spiral.
    Year 1976
    Related pages Gary Bower, Fontaine Dunn, Hermine Ford
  • Color image of the corner of a gallery space. On the right side is a large adobe panel that rests on a steel armature. Painted onto the adobe is a portrait of a figure with a bicycle, and around the armature are adobe bricks laid out on the floor. On the lefthand wall is another adobe panel painting depicting the entrance into a freeway tunnel.
    Color image of the corner of a gallery space. On the right side is a large adobe panel that rests on a steel armature. Painted onto the adobe is a portrait of a figure with a bicycle, and around the armature are adobe bricks laid out on the floor. On the lefthand wall is another adobe panel painting depicting the entrance into a freeway tunnel.
    rafa esparza: Camino. Installation view (110 North Bound, 2023; Jaime, 2023), Artists Space, 2023. Photo: Filip Wolak. [Color image of the corner of a gallery space. On the right side is a large adobe panel that rests on a steel armature. Painted onto the adobe is a portrait of a figure with a bicycle, and around the armature are adobe bricks laid out on the floor. On the lefthand wall is another adobe panel painting depicting the entrance into a freeway tunnel.]
    Caption rafa esparza: Camino. Installation view (110 North Bound, 2023; Jaime, 2023), Artists Space, 2023. Photo: Filip Wolak.
    Image description Color image of the corner of a gallery space. On the right side is a large adobe panel that rests on a steel armature. Painted onto the adobe is a portrait of a figure with a bicycle, and around the armature are adobe bricks laid out on the floor. On the lefthand wall is another adobe panel painting depicting the entrance into a freeway tunnel.
    Year
    Related pages rafa esparza: Camino
  • The letters
    The letters
    [The letters "JA" written in black, stylized text on a white background.]
    Caption
    Image description The letters "JA" written in black, stylized text on a white background.
    Year 2011
    Related pages Junior Aspirin Records
  • A room with white walls, with two windows on the back wall with shades pulled halfway down. The wall to the left of the windows has three framed photographs, and a white plinth with a glass top. In front of the windows, a television on a low table faces sideways toward a low black couch. On the far right side, a protruding corner of a wall has white text projected on it reading
    A room with white walls, with two windows on the back wall with shades pulled halfway down. The wall to the left of the windows has three framed photographs, and a white plinth with a glass top. In front of the windows, a television on a low table faces sideways toward a low black couch. On the far right side, a protruding corner of a wall has white text projected on it reading
    The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich. [A room with white walls, with two windows on the back wall with shades pulled halfway down. The wall to the left of the windows has three framed photographs, and a white plinth with a glass top. In front of the windows, a television on a low table faces sideways toward a low black couch. On the far right side, a protruding corner of a wall has white text projected on it reading "cupholder mount vaio."]
    Caption The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich.
    Image description A room with white walls, with two windows on the back wall with shades pulled halfway down. The wall to the left of the windows has three framed photographs, and a white plinth with a glass top. In front of the windows, a television on a low table faces sideways toward a low black couch. On the far right side, a protruding corner of a wall has white text projected on it reading "cupholder mount vaio."
    Year 2008
    Related pages The New Normal
  • A color image of two figures before a table filled with electronic equipment such as cables, cameras, and monitors. The figure on the left is sitting down, and the figure on the right is standing up. They are both looking at something outside of the frame. Their faces are illuminated by red light.
    A color image of two figures before a table filled with electronic equipment such as cables, cameras, and monitors. The figure on the left is sitting down, and the figure on the right is standing up. They are both looking at something outside of the frame. Their faces are illuminated by red light.
    Abasement #66. Performance documentation, October 9, 2023, Artists Space. Photo: Joshua Wildman. [A color image of two figures before a table filled with electronic equipment such as cables, cameras, and monitors. The figure on the left is sitting down, and the figure on the right is standing up. They are both looking at something outside of the frame. Their faces are illuminated by red light.]
    Caption Abasement #66. Performance documentation, October 9, 2023, Artists Space. Photo: Joshua Wildman.
    Image description A color image of two figures before a table filled with electronic equipment such as cables, cameras, and monitors. The figure on the left is sitting down, and the figure on the right is standing up. They are both looking at something outside of the frame. Their faces are illuminated by red light.
    Year
    Related pages Abasement #66
  • Color photograph of a figure dressed in white, laying down on a window ledge facing the street. They raise on arm up and a white light shines from their pelvic area.
    Color photograph of a figure dressed in white, laying down on a window ledge facing the street. They raise on arm up and a white light shines from their pelvic area.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure dressed in white, laying down on a window ledge facing the street. They raise on arm up and a white light shines from their pelvic area.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a figure dressed in white, laying down on a window ledge facing the street. They raise on arm up and a white light shines from their pelvic area.
    Year 2022
    Related pages keyon gaskin 12-16
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  • An abstract painting depicting several geometric figures against a turquoise background, arranged on either side of the canvas. Each figure has a green or brown outline and various colored patterns inside. Several outlined circles and squares grid across the background of the image
    An abstract painting depicting several geometric figures against a turquoise background, arranged on either side of the canvas. Each figure has a green or brown outline and various colored patterns inside. Several outlined circles and squares grid across the background of the image
    Mariselis Rivera, Abstract Painting, 2015 [An abstract painting depicting several geometric figures against a turquoise background, arranged on either side of the canvas. Each figure has a green or brown outline and various colored patterns inside. Several outlined circles and squares grid across the background of the image]
    Caption Mariselis Rivera, Abstract Painting, 2015
    Image description An abstract painting depicting several geometric figures against a turquoise background, arranged on either side of the canvas. Each figure has a green or brown outline and various colored patterns inside. Several outlined circles and squares grid across the background of the image
    Year 2015
    Related pages Scholastic Art and Writing Awards
  • A figure sits nexts to a window with light shining through the shades, making an evident striped shadown on them and the seats next to them, one of which includes a purse.
    A figure sits nexts to a window with light shining through the shades, making an evident striped shadown on them and the seats next to them, one of which includes a purse.
    Charles Harbutt. Le Mistral in France, 1975. [A figure sits nexts to a window with light shining through the shades, making an evident striped shadown on them and the seats next to them, one of which includes a purse.]
    Caption Charles Harbutt. Le Mistral in France, 1975.
    Image description A figure sits nexts to a window with light shining through the shades, making an evident striped shadown on them and the seats next to them, one of which includes a purse.
    Year 1975
    Related pages Three Exhibitions Sponsored by the Mark Rothko Foundation
  • Two figures wearing medical scrubs hold a mannequin over a table.
    Two figures wearing medical scrubs hold a mannequin over a table.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York. [Two figures wearing medical scrubs hold a mannequin over a table.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York.
    Image description Two figures wearing medical scrubs hold a mannequin over a table.
    Year
    Related pages Grandmother Cindy
  • A video plays on a monitor installed on the wall of a gallery space. Two pairs of headphones attached to the monitor rest on a wooden bench facing the screen. The front pages of several newspapers are displayed on a gallery wall to the left of the monitor, while to the right, a paragraph of wall vinyl is installed on the lower half of the gallery wall.
    A video plays on a monitor installed on the wall of a gallery space. Two pairs of headphones attached to the monitor rest on a wooden bench facing the screen. The front pages of several newspapers are displayed on a gallery wall to the left of the monitor, while to the right, a paragraph of wall vinyl is installed on the lower half of the gallery wall.
    In The Poem About Love You Don't Write The Word Love. Installation view, Artists Space, 2006. Photo: Bill Orcutt. [A video plays on a monitor installed on the wall of a gallery space. Two pairs of headphones attached to the monitor rest on a wooden bench facing the screen. The front pages of several newspapers are displayed on a gallery wall to the left of the monitor, while to the right, a paragraph of wall vinyl is installed on the lower half of the gallery wall.]
    Caption In The Poem About Love You Don't Write The Word Love. Installation view, Artists Space, 2006. Photo: Bill Orcutt.
    Image description A video plays on a monitor installed on the wall of a gallery space. Two pairs of headphones attached to the monitor rest on a wooden bench facing the screen. The front pages of several newspapers are displayed on a gallery wall to the left of the monitor, while to the right, a paragraph of wall vinyl is installed on the lower half of the gallery wall.
    Year 2006
    Related pages In The Poem About Love You Don't Write The Word Love
  • A sculpture composed of a large glass pane wedged into the center of a square concrete block sits in a gallery space. A painted canvas is installed in the pane, displaying a large number
    A sculpture composed of a large glass pane wedged into the center of a square concrete block sits in a gallery space. A painted canvas is installed in the pane, displaying a large number
    Fifth Season Act, Apotheosically. Performance documentation, May 31, 2012, Artists Space. [A sculpture composed of a large glass pane wedged into the center of a square concrete block sits in a gallery space. A painted canvas is installed in the pane, displaying a large number "5" on its surface, surrounded by peach and pink hues. Various ornaments are installed on the painting or drip from it, such as red string, golden tassles, necklaces, and other ornaments. A brown, dirt-like material is spread on the floor around the sculpture.]
    Caption Fifth Season Act, Apotheosically. Performance documentation, May 31, 2012, Artists Space.
    Image description A sculpture composed of a large glass pane wedged into the center of a square concrete block sits in a gallery space. A painted canvas is installed in the pane, displaying a large number "5" on its surface, surrounded by peach and pink hues. Various ornaments are installed on the painting or drip from it, such as red string, golden tassles, necklaces, and other ornaments. A brown, dirt-like material is spread on the floor around the sculpture.
    Year 2012
    Related pages Fifth Season Act, Apotheosically
  • A black and white photograph of four sculptures resting on slightly elevated rectangular plinths. The sculptures are constructed of metal molded into headless and limbless humanoid body shapes.
    A black and white photograph of four sculptures resting on slightly elevated rectangular plinths. The sculptures are constructed of metal molded into headless and limbless humanoid body shapes.
    The Body Politic. Installation view, Artists Space, 1991. [A black and white photograph of four sculptures resting on slightly elevated rectangular plinths. The sculptures are constructed of metal molded into headless and limbless humanoid body shapes.]
    Caption The Body Politic. Installation view, Artists Space, 1991.
    Image description A black and white photograph of four sculptures resting on slightly elevated rectangular plinths. The sculptures are constructed of metal molded into headless and limbless humanoid body shapes.
    Year
    Related pages The Body Politic
  • White text on a neutral green ground lists exhibition information.
    White text on a neutral green ground lists exhibition information.
    Artists Space, Richard Massey: Caution: Five hungry Soviet cows are in the garden (New York: Artists Space, 2007). [White text on a neutral green ground lists exhibition information. "Artists Space" is outlined in all capital letters aligned to the spine of the catalogue. In the upper left corner, "Caution: Five hungry Soviet cows are in the Garden" is rendered in sans serif font, some letters appearing smudged. The center right of the cover reads "Richard Massey, 03.30–05.12.2007, Project Space."]
    Caption Artists Space, Richard Massey: Caution: Five hungry Soviet cows are in the garden (New York: Artists Space, 2007).
    Image description White text on a neutral green ground lists exhibition information. "Artists Space" is outlined in all capital letters aligned to the spine of the catalogue. In the upper left corner, "Caution: Five hungry Soviet cows are in the Garden" is rendered in sans serif font, some letters appearing smudged. The center right of the cover reads "Richard Massey, 03.30–05.12.2007, Project Space."
    Year 2007
    Related pages Richard Massey: Caution Five Hungry Soviet Cows are in the Garden
  • Projections of elongated gold figures.
    Projections of elongated gold figures.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York. [Projections of elongated gold figures.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York.
    Image description Projections of elongated gold figures.
    Year
    Related pages Grandmother Cindy
  • Color image of a gallery space. To the left, a tree trunk sits on the pedestal. On top of the tree trunk there is a taxidermied crow covered in porcupine quills. Behind the tree trunk, there are more sculptures featuring taxidermied birds, tree logs, and shovels.
    Color image of a gallery space. To the left, a tree trunk sits on the pedestal. On top of the tree trunk there is a taxidermied crow covered in porcupine quills. Behind the tree trunk, there are more sculptures featuring taxidermied birds, tree logs, and shovels.
    Andy Robert: PAPALOKO. Installation view, Artists Space, 2024. Photo: Carter Seddon. [Color image of a gallery space. To the left, a tree trunk sits on the pedestal. On top of the tree trunk there is a taxidermied crow covered in porcupine quills. Behind the tree trunk, there are more sculptures featuring taxidermied birds, tree logs, and shovels.]
    Caption Andy Robert: PAPALOKO. Installation view, Artists Space, 2024. Photo: Carter Seddon.
    Image description Color image of a gallery space. To the left, a tree trunk sits on the pedestal. On top of the tree trunk there is a taxidermied crow covered in porcupine quills. Behind the tree trunk, there are more sculptures featuring taxidermied birds, tree logs, and shovels.
    Year
    Related pages Andy Robert: Papaloko
  • A figure wearing all black lies on their back on a concrete floor. Their hips and knees are lifted off the floor, with their hand holding a dangling microphone by the cord. There is a crowd of people arranged in a semi-circle behind the performer, and disordered empty chairs in the foreground.
    A figure wearing all black lies on their back on a concrete floor. Their hips and knees are lifted off the floor, with their hand holding a dangling microphone by the cord. There is a crowd of people arranged in a semi-circle behind the performer, and disordered empty chairs in the foreground.
    New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court. [A figure wearing all black lies on their back on a concrete floor. Their hips and knees are lifted off the floor, with their hand holding a dangling microphone by the cord. There is a crowd of people arranged in a semi-circle behind the performer, and disordered empty chairs in the foreground.]
    Caption New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court.
    Image description A figure wearing all black lies on their back on a concrete floor. Their hips and knees are lifted off the floor, with their hand holding a dangling microphone by the cord. There is a crowd of people arranged in a semi-circle behind the performer, and disordered empty chairs in the foreground.
    Year 2020
    Related pages New Red Order: Informants Get Paid!
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  • Various paintings hang in a row on a wall. The paintings are composed of bold lines and blocks of color.
    Various paintings hang in a row on a wall. The paintings are composed of bold lines and blocks of color.
    Traditions: Five Painters. Installation View, Artists Space, 1978. [Various paintings hang in a row on a wall. The paintings are composed of bold lines and blocks of color.]
    Caption Traditions: Five Painters. Installation View, Artists Space, 1978.
    Image description Various paintings hang in a row on a wall. The paintings are composed of bold lines and blocks of color.
    Year
    Related pages Traditions: Five Painters, Charles Clough, William Fares, Sidney Goldberg, John Lees, Ann Thornycroft
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    Related pages All These Different Things Are Sculpture
  • A color image of two figures performing on a stage. Various electronic equipment, such as speakers, cables, an monitors surround the performers. One of the figures is playing the saxophone. The other one is playing the guitar and has their eyes closed. An image of the figure playing the saxophone is projected onto the back wall. In the background, a row of audience members sit looking towards the performers.
    A color image of two figures performing on a stage. Various electronic equipment, such as speakers, cables, an monitors surround the performers. One of the figures is playing the saxophone. The other one is playing the guitar and has their eyes closed. An image of the figure playing the saxophone is projected onto the back wall. In the background, a row of audience members sit looking towards the performers.
    Abasement #66. Performance documentation, October 9, 2023, Artists Space. Photo: Joshua Wildman. [A color image of two figures performing on a stage. Various electronic equipment, such as speakers, cables, an monitors surround the performers. One of the figures is playing the saxophone. The other one is playing the guitar and has their eyes closed. An image of the figure playing the saxophone is projected onto the back wall. In the background, a row of audience members sit looking towards the performers.]
    Caption Abasement #66. Performance documentation, October 9, 2023, Artists Space. Photo: Joshua Wildman.
    Image description A color image of two figures performing on a stage. Various electronic equipment, such as speakers, cables, an monitors surround the performers. One of the figures is playing the saxophone. The other one is playing the guitar and has their eyes closed. An image of the figure playing the saxophone is projected onto the back wall. In the background, a row of audience members sit looking towards the performers.
    Year
    Related pages Abasement #66
  • Cave of Animals: Cave of the Future, site recording, 2024
    Caption Cave of Animals: Cave of the Future, site recording, 2024
    Image description
    Year
    Related pages Listening to the LES
  • Three light, mauve-colored walls in an exhibition space each display several canvases. The three walls are arranged such that they are parallel to each other. Each of the canvases are slightly three-dimensional, with elements that stretch in or out from their surfaces.
    Three light, mauve-colored walls in an exhibition space each display several canvases. The three walls are arranged such that they are parallel to each other. Each of the canvases are slightly three-dimensional, with elements that stretch in or out from their surfaces.
    Zilia Sánchez. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [Three light, mauve-colored walls in an exhibition space each display several canvases. The three walls are arranged such that they are parallel to each other. Each of the canvases are slightly three-dimensional, with elements that stretch in or out from their surfaces.]
    Caption Zilia Sánchez. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description Three light, mauve-colored walls in an exhibition space each display several canvases. The three walls are arranged such that they are parallel to each other. Each of the canvases are slightly three-dimensional, with elements that stretch in or out from their surfaces.
    Year 2013
    Related pages Zilia Sánchez
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    Related pages All These Different Things Are Sculpture
  • A color photograph of a wooden nightstand with a red hankerchief, ceramic frog, wand, and enamel tumblers. On the right side of the nightstand, a brass hoop rests on the floor, propped up against the nightstand.
    A color photograph of a wooden nightstand with a red hankerchief, ceramic frog, wand, and enamel tumblers. On the right side of the nightstand, a brass hoop rests on the floor, propped up against the nightstand.
    Lyndon Barrois Jr., The Conjuror (After Bosch) f/ Addoley Dzegede, 2022. Enamel tumblers, ceramic frog, wooden wand, foam, graphite, batik dyed handkerchief, electroformed ink cartridge, copper, night stand. Dimensions variable. Photo: Filip Wolak. [A color photograph of a wooden nightstand with a red hankerchief, ceramic frog, wand, and enamel tumblers. On the right side of the nightstand, a brass hoop rests on the floor, propped up against the nightstand.]
    Caption Lyndon Barrois Jr., The Conjuror (After Bosch) f/ Addoley Dzegede, 2022. Enamel tumblers, ceramic frog, wooden wand, foam, graphite, batik dyed handkerchief, electroformed ink cartridge, copper, night stand. Dimensions variable. Photo: Filip Wolak.
    Image description A color photograph of a wooden nightstand with a red hankerchief, ceramic frog, wand, and enamel tumblers. On the right side of the nightstand, a brass hoop rests on the floor, propped up against the nightstand.
    Year 2022
    Related pages Lyndon Barrois Jr.: Mirage Collar
  • Close-up of a bottle of golden Dior perfume decorated with a black bow resting on a white surface.
    Close-up of a bottle of golden Dior perfume decorated with a black bow resting on a white surface.
    Sarah Morris, still from Strange Magic, 2014. REDCODE HD digital video, 45 min 8 sec. Courtesy the artist. [Close-up of a bottle of golden Dior perfume decorated with a black bow resting on a white surface.]
    Caption Sarah Morris, still from Strange Magic, 2014. REDCODE HD digital video, 45 min 8 sec. Courtesy the artist.
    Image description Close-up of a bottle of golden Dior perfume decorated with a black bow resting on a white surface.
    Year 2014
    Related pages Artists Space Dialogues: Sarah Morris and Bettina Funcke
  • Still image with VHS distortion depicting the exterior of a building, and a sign with the Artists Space logo: white text on a black background with a large
    Still image with VHS distortion depicting the exterior of a building, and a sign with the Artists Space logo: white text on a black background with a large
    Still from CNN’s coverage of the NEA controversy surrounding the exhibition Witnesses: Against Our Vanishing, recorded by Marion Stokes. Aired on 11/09/1989. [Still image with VHS distortion depicting the exterior of a building, and a sign with the Artists Space logo: white text on a black background with a large "A" on top of a thin white square, with "ARTISTS SPACE" written below. The sign marks a red door on a dark building façade.]
    Caption Still from CNN’s coverage of the NEA controversy surrounding the exhibition Witnesses: Against Our Vanishing, recorded by Marion Stokes. Aired on 11/09/1989.
    Image description Still image with VHS distortion depicting the exterior of a building, and a sign with the Artists Space logo: white text on a black background with a large "A" on top of a thin white square, with "ARTISTS SPACE" written below. The sign marks a red door on a dark building façade.
    Year 1989
    Related pages About
  • An exhibition view of various artworks. Several stylized portraits hang on the right; in the middle, a large didactic titled
    An exhibition view of various artworks. Several stylized portraits hang on the right; in the middle, a large didactic titled
    Reinventado, exhibition at Word Up Community Bookshop, 2018 [An exhibition view of various artworks. Several stylized portraits hang on the right; in the middle, a large didactic titled "REINVENTADO." On the left, several small photos of students in a classroom hang underneath a red-white-and blue airplane suspended from the ceiling]
    Caption Reinventado, exhibition at Word Up Community Bookshop, 2018
    Image description An exhibition view of various artworks. Several stylized portraits hang on the right; in the middle, a large didactic titled "REINVENTADO." On the left, several small photos of students in a classroom hang underneath a red-white-and blue airplane suspended from the ceiling
    Year 2018
    Related pages Threads of History
  • A figure stands behind a microphone, their hands placed together in front of them and looking off.
    A figure stands behind a microphone, their hands placed together in front of them and looking off.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure stands behind a microphone, their hands placed together in front of them and looking off.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure stands behind a microphone, their hands placed together in front of them and looking off.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
  • Three empty wine glasses in row, each engraved with two words:
    Three empty wine glasses in row, each engraved with two words:
    Louise Lawler, Who Says, Who Shows, Who Counts, 1990. [Three empty wine glasses in row, each engraved with two words: "who says," "who shows," "who counts."]
    Caption Louise Lawler, Who Says, Who Shows, Who Counts, 1990.
    Image description Three empty wine glasses in row, each engraved with two words: "who says," "who shows," "who counts."
    Year 1990
    Related pages
  • A drawing of a man's head cut off at the neck with horns made of hair. Text along the top reads
    A drawing of a man's head cut off at the neck with horns made of hair. Text along the top reads
    Artists Draw. Installation view, Artists Space, 1979. [A drawing of a man's head cut off at the neck with horns made of hair. Text along the top reads "flames of genius."]
    Caption Artists Draw. Installation view, Artists Space, 1979.
    Image description A drawing of a man's head cut off at the neck with horns made of hair. Text along the top reads "flames of genius."
    Year 1979
    Related pages Artists Draw: Tom Martin, Auste Peciura, Alan Saret, Patti Smith, Nancy Spero
  • A detail photograph shows a black scientific mount that holds a razor blade. A semicircle of bright blue light shines at the blade’s edge.
    A detail photograph shows a black scientific mount that holds a razor blade. A semicircle of bright blue light shines at the blade’s edge.
    Constantina Zavitsanos, Ace of Spades (detail), 2024. Z interferometer: two aluminized 6" diameter spherical mirrors, LED illumination source, knife edge on mounts; soldering iron, fan, infrared light, steel tables. Dimensions variable. Photo: Carter Seddon. [A detail photograph shows a black scientific mount that holds a razor blade. A semicircle of bright blue light shines at the blade’s edge.]
    Caption Constantina Zavitsanos, Ace of Spades (detail), 2024. Z interferometer: two aluminized 6" diameter spherical mirrors, LED illumination source, knife edge on mounts; soldering iron, fan, infrared light, steel tables. Dimensions variable. Photo: Carter Seddon.
    Image description A detail photograph shows a black scientific mount that holds a razor blade. A semicircle of bright blue light shines at the blade’s edge.
    Year
    Related pages fwiw
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  • In a large dark room, a modular structure is recessed into a raised floor covered with black carpet. The structure is lit in bright blue light, and hosts open water. Red light shines in the back room.
    In a large dark room, a modular structure is recessed into a raised floor covered with black carpet. The structure is lit in bright blue light, and hosts open water. Red light shines in the back room.
    Constantina Zavitsanos: fwiw. Installation view (Wishing Well (Korpi), 2023/24; There's something happening here, 2024), Artists Space, 2024. Photo: Carter Seddon. [In a large dark room, a modular structure is recessed into a raised floor covered with black carpet. The structure is lit in bright blue light, and hosts open water. Red light shines in the back room.]
    Caption Constantina Zavitsanos: fwiw. Installation view (Wishing Well (Korpi), 2023/24; There's something happening here, 2024), Artists Space, 2024. Photo: Carter Seddon.
    Image description In a large dark room, a modular structure is recessed into a raised floor covered with black carpet. The structure is lit in bright blue light, and hosts open water. Red light shines in the back room.
    Year
    Related pages fwiw
  • A color image of a room with white walls and pink carpet. A large painting depicting multiple fish leans on the left wall, along with a white canvas, and a cut-out of the picture of a potted plant. Across the room, a white table, a white lamp, a wooden easel and cushioned chair can be seen. Five colorful drawings of different sizes hang and lean on the back wall. A cut-out of a photograph of a piano with some sheet music hangs on the right wall.
    A color image of a room with white walls and pink carpet. A large painting depicting multiple fish leans on the left wall, along with a white canvas, and a cut-out of the picture of a potted plant. Across the room, a white table, a white lamp, a wooden easel and cushioned chair can be seen. Five colorful drawings of different sizes hang and lean on the back wall. A cut-out of a photograph of a piano with some sheet music hangs on the right wall.
    Drake Carr: Housecalls. Installation view, Artists Space at the Armory Show, 2023. Photo: Filip Wolak. [A color image of a room with white walls and pink carpet. A large painting depicting multiple fish leans on the left wall, along with a white canvas, and a cut-out of the picture of a potted plant. Across the room, a white table, a white lamp, a wooden easel and cushioned chair can be seen. Five colorful drawings of different sizes hang and lean on the back wall. A cut-out of a photograph of a piano with some sheet music hangs on the right wall.]
    Caption Drake Carr: Housecalls. Installation view, Artists Space at the Armory Show, 2023. Photo: Filip Wolak.
    Image description A color image of a room with white walls and pink carpet. A large painting depicting multiple fish leans on the left wall, along with a white canvas, and a cut-out of the picture of a potted plant. Across the room, a white table, a white lamp, a wooden easel and cushioned chair can be seen. Five colorful drawings of different sizes hang and lean on the back wall. A cut-out of a photograph of a piano with some sheet music hangs on the right wall.
    Year
    Related pages Drake Carr: Housecalls
  • Color photograph of a figure standing in a field of wheats. Their face is obscured as they look downwards, and by wheats in front of the camera.
    Color photograph of a figure standing in a field of wheats. Their face is obscured as they look downwards, and by wheats in front of the camera.
    Axine M by Jeremiah M. Carter. [Color photograph of a figure standing in a field of wheats. Their face is obscured as they look downwards, and by wheats in front of the camera. ]
    Caption Axine M by Jeremiah M. Carter.
    Image description Color photograph of a figure standing in a field of wheats. Their face is obscured as they look downwards, and by wheats in front of the camera.
    Year
    Related pages Axine M: Sold Licker Glass
  • Magazine cutouts and printed images overlay a colorful background with red, white, blue and yellow pieces collaged together. A cutout of an eye is placed in the center, and to the right of it is text that reads
    Magazine cutouts and printed images overlay a colorful background with red, white, blue and yellow pieces collaged together. A cutout of an eye is placed in the center, and to the right of it is text that reads
    Flyer by Joe Frivaldi. [Magazine cutouts and printed images overlay a colorful background with red, white, blue and yellow pieces collaged together. A cutout of an eye is placed in the center, and to the right of it is text that reads "ABASEMENT 66." Along the bottom right is a cutout of yellow paper has handwritten text in red ink, listing the performers and date of the performance.]
    Caption Flyer by Joe Frivaldi.
    Image description Magazine cutouts and printed images overlay a colorful background with red, white, blue and yellow pieces collaged together. A cutout of an eye is placed in the center, and to the right of it is text that reads "ABASEMENT 66." Along the bottom right is a cutout of yellow paper has handwritten text in red ink, listing the performers and date of the performance.
    Year 2023
    Related pages Abasement #66
  • Color image of a book cover, placed against a flat white background. The cover features an oil painting with gradients of red and green that make up geometric shapes which are stacked and placed in varying configurations.
    Color image of a book cover, placed against a flat white background. The cover features an oil painting with gradients of red and green that make up geometric shapes which are stacked and placed in varying configurations.
    Cover of Miyoko Ito: Heart of Hearts, Pre-Echo Press. (Miyoko Ito, Island in the Sun, 1978) [Color image of a book cover, placed against a flat white background. The cover features an oil painting with gradients of red and green that make up geometric shapes which are stacked and placed in varying configurations.]
    Caption Cover of Miyoko Ito: Heart of Hearts, Pre-Echo Press. (Miyoko Ito, Island in the Sun, 1978)
    Image description Color image of a book cover, placed against a flat white background. The cover features an oil painting with gradients of red and green that make up geometric shapes which are stacked and placed in varying configurations.
    Year
    Related pages Miyoko Ito: Heart of Hearts
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A photograph features two boxers entangled in front of a faded photo of a house. Blue text on top of the image reads
    A photograph features two boxers entangled in front of a faded photo of a house. Blue text on top of the image reads
    Flyer for Segue Reading Series featuring Zach Haber and Jubi Arriola-Headley. Saturday, October 10, 2020, Artists Space. Artist: Keith Higginbotham [A photograph features two boxers entangled in front of a faded photo of a house. Blue text on top of the image reads "Zack Haber / Jubi Arriola-Headley / Segue."]
    Caption Flyer for Segue Reading Series featuring Zach Haber and Jubi Arriola-Headley. Saturday, October 10, 2020, Artists Space. Artist: Keith Higginbotham
    Image description A photograph features two boxers entangled in front of a faded photo of a house. Blue text on top of the image reads "Zack Haber / Jubi Arriola-Headley / Segue."
    Year 2020
    Related pages Segue Reading Series: Jubi Arriola-Headley & Zack Haber
  • A line of eight paintings and blocks of illegible text in various sizes hang on a wall. Some are paintings abstract compositions of black squares, others show a person in period dress, and two show the Eiffel Tower.
    A line of eight paintings and blocks of illegible text in various sizes hang on a wall. Some are paintings abstract compositions of black squares, others show a person in period dress, and two show the Eiffel Tower.
    Millie Wilson, The Painter Who is Not One, 1990. Acrylic on canvas, text, type, photos, wall paint, 13 by 25 feet, variable. [A line of eight paintings and blocks of illegible text in various sizes hang on a wall. Some are paintings abstract compositions of black squares, others show a person in period dress, and two show the Eiffel Tower.]
    Caption Millie Wilson, The Painter Who is Not One, 1990. Acrylic on canvas, text, type, photos, wall paint, 13 by 25 feet, variable.
    Image description A line of eight paintings and blocks of illegible text in various sizes hang on a wall. Some are paintings abstract compositions of black squares, others show a person in period dress, and two show the Eiffel Tower.
    Year 1990
    Related pages Post-Boys&Girls: Nine Painters
  • A view of multiple works including a vending machine against a glazed over window, a glass display table backed by tiled photographs, a lightbox with an image of sitting individuals and a colorful shack structure.
    A view of multiple works including a vending machine against a glazed over window, a glass display table backed by tiled photographs, a lightbox with an image of sitting individuals and a colorful shack structure.
    ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A view of multiple works including a vending machine against a glazed over window, a glass display table backed by tiled photographs, a lightbox with an image of sitting individuals and a colorful shack structure.]
    Caption ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A view of multiple works including a vending machine against a glazed over window, a glass display table backed by tiled photographs, a lightbox with an image of sitting individuals and a colorful shack structure.
    Year 2021
    Related pages ART CLUB2000
  • A black and white photograph of a black pipe sticking through a large white shape coming from a large book. A wrinkled curtain is visible behind the construction.
    A black and white photograph of a black pipe sticking through a large white shape coming from a large book. A wrinkled curtain is visible behind the construction.
    William Harvey, Pipe Dream, 1985. [A black and white photograph of a black pipe sticking through a large white shape coming from a large book. A wrinkled curtain is visible behind the construction.]
    Caption William Harvey, Pipe Dream, 1985.
    Image description A black and white photograph of a black pipe sticking through a large white shape coming from a large book. A wrinkled curtain is visible behind the construction.
    Year
    Related pages Six Sculptors
  • The phrase
    The phrase
    Duncan Campbell Big Fires Start Small, 2010, 3 color screenprint on poster, 25 1/2 x 16 1/2 inches (64,8 x 41,9 cm), Edition of 100, Signed and numbered. [The phrase "big fires start small" is written diagonally against a black background. "Big fires" appears in large bubble text surrounded by flames and "start small" appreas below in white blocky type.]
    Caption Duncan Campbell Big Fires Start Small, 2010, 3 color screenprint on poster, 25 1/2 x 16 1/2 inches (64,8 x 41,9 cm), Edition of 100, Signed and numbered.
    Image description The phrase "big fires start small" is written diagonally against a black background. "Big fires" appears in large bubble text surrounded by flames and "start small" appreas below in white blocky type.
    Year 2010
    Related pages Editions
  • An extremely warped digital image of the interior of a messy office space facing a series of windows, through which the highly warped facades of city buildings are visible.
    An extremely warped digital image of the interior of a messy office space facing a series of windows, through which the highly warped facades of city buildings are visible.
    Julien de Smedt, Le Passe Muraille, 2006. Animation. Courtesy the artist. [An extremely warped digital image of the interior of a messy office space facing a series of windows, through which the highly warped facades of city buildings are visible.]
    Caption Julien de Smedt, Le Passe Muraille, 2006. Animation. Courtesy the artist.
    Image description An extremely warped digital image of the interior of a messy office space facing a series of windows, through which the highly warped facades of city buildings are visible.
    Year 2006
    Related pages Architecture & Design Project Series: Le Passe Muraille (The Walker-through-Walls)
  • Color image of an audience in a room. Some of them are seated, others in the background are standing up. A bright yellow light is pointing into the camera, creating a dramatic light flare. The wall in the background features an abstract image projection, resembling a piece of shattered glass. The atmosphere in the room is hazy, and white dots of light from a disco ball fill the room.
    Color image of an audience in a room. Some of them are seated, others in the background are standing up. A bright yellow light is pointing into the camera, creating a dramatic light flare. The wall in the background features an abstract image projection, resembling a piece of shattered glass. The atmosphere in the room is hazy, and white dots of light from a disco ball fill the room.
    Abasement #77. Performance documentation, April 7th, 2025, Artists Space. Photo: Joshua Wildman. [Color image of an audience in a room. Some of them are seated, others in the background are standing up. A bright yellow light is pointing into the camera, creating a dramatic light flare. The wall in the background features an abstract image projection, resembling a piece of shattered glass. The atmosphere in the room is hazy, and white dots of light from a disco ball fill the room.]
    Caption Abasement #77. Performance documentation, April 7th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Color image of an audience in a room. Some of them are seated, others in the background are standing up. A bright yellow light is pointing into the camera, creating a dramatic light flare. The wall in the background features an abstract image projection, resembling a piece of shattered glass. The atmosphere in the room is hazy, and white dots of light from a disco ball fill the room.
    Year
    Related pages Abasement #77
  • A woman sits at a desk covered with notebooks and documents. She looks off to the side holding a pen by a mug. Behind her, a round window allows light to enter the room.
    A woman sits at a desk covered with notebooks and documents. She looks off to the side holding a pen by a mug. Behind her, a round window allows light to enter the room.
    Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979. [A woman sits at a desk covered with notebooks and documents. She looks off to the side holding a pen by a mug. Behind her, a round window allows light to enter the room.]
    Caption Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979.
    Image description A woman sits at a desk covered with notebooks and documents. She looks off to the side holding a pen by a mug. Behind her, a round window allows light to enter the room.
    Year 1979
    Related pages Patricia Hearst - A Second Reading
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A digitially generated image of a series of curved, x-shaped cutouts stacked one on top of the other in long rows. The rows are clustered around white text that reads
    A digitially generated image of a series of curved, x-shaped cutouts stacked one on top of the other in long rows. The rows are clustered around white text that reads
    [A digitially generated image of a series of curved, x-shaped cutouts stacked one on top of the other in long rows. The rows are clustered around white text that reads "h-edge." The shadows of the cutouts are visible on the ground directly below the text.]
    Caption
    Image description A digitially generated image of a series of curved, x-shaped cutouts stacked one on top of the other in long rows. The rows are clustered around white text that reads "h-edge." The shadows of the cutouts are visible on the ground directly below the text.
    Year 2006
    Related pages H_edge
  • Color photograph of a white gallery wall with three vitrines containing musical scores built into the wall. On top of the vitrine is a manipulated flute, and a series of black-and-white images. Two black-and-white photographs are hung to the right of the vitrine.
    Color photograph of a white gallery wall with three vitrines containing musical scores built into the wall. On top of the vitrine is a manipulated flute, and a series of black-and-white images. Two black-and-white photographs are hung to the right of the vitrine.
    Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a white gallery wall with three vitrines containing musical scores built into the wall. On top of the vitrine is a manipulated flute, and a series of black-and-white images. Two black-and-white photographs are hung to the right of the vitrine.]
    Caption Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photograph of a white gallery wall with three vitrines containing musical scores built into the wall. On top of the vitrine is a manipulated flute, and a series of black-and-white images. Two black-and-white photographs are hung to the right of the vitrine.
    Year 2023
    Related pages Yasunao Tone: Region of Paramedia
  • Book cover featuring a black background, and a sculpture resembling a cross, with the word
    Book cover featuring a black background, and a sculpture resembling a cross, with the word
    Cover of Lonnie Holley, Rizzoli Electa, 2025. [Book cover featuring a black background, and a sculpture resembling a cross, with the word "MITH" engraved into a block of stone. In the top right corner of the cover bold text reads "Lonnie Holley."]
    Caption Cover of Lonnie Holley, Rizzoli Electa, 2025.
    Image description Book cover featuring a black background, and a sculpture resembling a cross, with the word "MITH" engraved into a block of stone. In the top right corner of the cover bold text reads "Lonnie Holley."
    Year
    Related pages Lonnie Holley
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    Image description
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    Related pages Brad Kronz
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    Year
    Related pages Bookstore
  • An abstract, gestural drawing in neutral tones, with the names of metal elements at the bottom of the page.
    An abstract, gestural drawing in neutral tones, with the names of metal elements at the bottom of the page.
    Cheyney Thompson, Untitled, 2015, Offset and metal powders in acrylic binder on synthetic paper, with handwriting, 22 ½ x 19 in / 57,2 x 48,3 cm, Each unique with hand notation [An abstract, gestural drawing in neutral tones, with the names of metal elements at the bottom of the page.]
    Caption Cheyney Thompson, Untitled, 2015, Offset and metal powders in acrylic binder on synthetic paper, with handwriting, 22 ½ x 19 in / 57,2 x 48,3 cm, Each unique with hand notation
    Image description An abstract, gestural drawing in neutral tones, with the names of metal elements at the bottom of the page.
    Year 2016
    Related pages Artists Space Annual Edition Portfolio 2016
  • Color image of a sculpture sitting on a white pedestal. A beige couch is placed on its side, with a cowboy twinkie figurine sitting in the corner of the couch. Behind the side of the couch stands a grim reaper figure peering over. Beneath the couch is a small rug, with various items (play cards, popcorn, etc.) strewn across it.
    Color image of a sculpture sitting on a white pedestal. A beige couch is placed on its side, with a cowboy twinkie figurine sitting in the corner of the couch. Behind the side of the couch stands a grim reaper figure peering over. Beneath the couch is a small rug, with various items (play cards, popcorn, etc.) strewn across it.
    Danny McDonald, Midnight Snack Encounter, 2014. Photo: Filip Wolak. [Color image of a sculpture sitting on a white pedestal. A beige couch is placed on its side, with a cowboy twinkie figurine sitting in the corner of the couch. Behind the side of the couch stands a grim reaper figure peering over. Beneath the couch is a small rug, with various items (play cards, popcorn, etc.) strewn across it.]
    Caption Danny McDonald, Midnight Snack Encounter, 2014. Photo: Filip Wolak.
    Image description Color image of a sculpture sitting on a white pedestal. A beige couch is placed on its side, with a cowboy twinkie figurine sitting in the corner of the couch. Behind the side of the couch stands a grim reaper figure peering over. Beneath the couch is a small rug, with various items (play cards, popcorn, etc.) strewn across it.
    Year 2023
    Related pages Artists for Artists Space
  • In a darkened space, a person dressed in blue faces to the right holding red fabric behind them. On the back wall are images of figures draped in yellow fabric.
    In a darkened space, a person dressed in blue faces to the right holding red fabric behind them. On the back wall are images of figures draped in yellow fabric.
    devynn emory, Grandmother Cindy. Performance documentation, May 18, 2022, Artists Space [In a darkened space, a person dressed in blue faces to the right holding red fabric behind them. On the back wall are images of figures draped in yellow fabric.]
    Caption devynn emory, Grandmother Cindy. Performance documentation, May 18, 2022, Artists Space
    Image description In a darkened space, a person dressed in blue faces to the right holding red fabric behind them. On the back wall are images of figures draped in yellow fabric.
    Year
    Related pages Artists Space Venue
  • The image shows a figure's face composed of black lines and etch-marks on top of a transluscent background. The image rests on a wooden shelf.
    The image shows a figure's face composed of black lines and etch-marks on top of a transluscent background. The image rests on a wooden shelf.
    Kiki Smith, Untitled, 1991, Fired enamel on glass with shelf, Glass: 18 x 18 in / 45,7 x 45,7 cm Shelf: 4 1/2 x 20 15/16 x 5 in / 11,5 x 52,9 x 12,7 cm, Edition of 50. [The image shows a figure's face composed of black lines and etch-marks on top of a transluscent background. The image rests on a wooden shelf.]
    Caption Kiki Smith, Untitled, 1991, Fired enamel on glass with shelf, Glass: 18 x 18 in / 45,7 x 45,7 cm Shelf: 4 1/2 x 20 15/16 x 5 in / 11,5 x 52,9 x 12,7 cm, Edition of 50.
    Image description The image shows a figure's face composed of black lines and etch-marks on top of a transluscent background. The image rests on a wooden shelf.
    Year 1991
    Related pages Editions
  • Two furry, brown and mahogany moths stand back-to-back, behinds touching, on a green leaf. More leaves can be seen in the background.
    Two furry, brown and mahogany moths stand back-to-back, behinds touching, on a green leaf. More leaves can be seen in the background.
    Image provided by Oki Sogumi [Two furry, brown and mahogany moths stand back-to-back, behinds touching, on a green leaf. More leaves can be seen in the background.]
    Caption Image provided by Oki Sogumi
    Image description Two furry, brown and mahogany moths stand back-to-back, behinds touching, on a green leaf. More leaves can be seen in the background.
    Year
    Related pages Joo-Hyun Kim, Ted Rees, Oki Sogumi
  • Close-up of two hands holding a series of black and white photographs, as if presenting them to the viewer. The top photograph depicts the roof of a small home that has caved in, battered by a recent storm. Debris and fallen branches are strewn around the home.
    Close-up of two hands holding a series of black and white photographs, as if presenting them to the viewer. The top photograph depicts the roof of a small home that has caved in, battered by a recent storm. Debris and fallen branches are strewn around the home.
    [Close-up of two hands holding a series of black and white photographs, as if presenting them to the viewer. The top photograph depicts the roof of a small home that has caved in, battered by a recent storm. Debris and fallen branches are strewn around the home.]
    Caption
    Image description Close-up of two hands holding a series of black and white photographs, as if presenting them to the viewer. The top photograph depicts the roof of a small home that has caved in, battered by a recent storm. Debris and fallen branches are strewn around the home.
    Year 2006
    Related pages Saturday Events Series
  • A black and white image of sun shining through various stems and foliage.
    A black and white image of sun shining through various stems and foliage.
    Basie Allen, Palm-Lined with Potience. Book cover. 2022. [A black and white image of sun shining through various stems and foliage.]
    Caption Basie Allen, Palm-Lined with Potience. Book cover. 2022.
    Image description A black and white image of sun shining through various stems and foliage.
    Year
    Related pages Palm-Lined with Potience Book Launch
  • Closeup view of three small framed works on paper hanging on a white gallery wall. The works feature detailed, abstract calligraphic strokes in black, orange, and chartreuse.
    Closeup view of three small framed works on paper hanging on a white gallery wall. The works feature detailed, abstract calligraphic strokes in black, orange, and chartreuse.
    Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak. [Closeup view of three small framed works on paper hanging on a white gallery wall. The works feature detailed, abstract calligraphic strokes in black, orange, and chartreuse.]
    Caption Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak.
    Image description Closeup view of three small framed works on paper hanging on a white gallery wall. The works feature detailed, abstract calligraphic strokes in black, orange, and chartreuse.
    Year
    Related pages Dream Lines: Drawings by Marian Zazeela
  • A gallery space with two columns. One column is wrapped in an off-white fabric, the other in bright pink. There are four white plinths of various heights with gray objects on top. One of the surrounding walls has a long sheet of paper with a drawing of highway signs and a gas station on it; the other has colorful framed images.
    A gallery space with two columns. One column is wrapped in an off-white fabric, the other in bright pink. There are four white plinths of various heights with gray objects on top. One of the surrounding walls has a long sheet of paper with a drawing of highway signs and a gas station on it; the other has colorful framed images.
    Local Transit. Installation view, Artists Space, 2006. [A gallery space with two columns. One column is wrapped in an off-white fabric, the other in bright pink. There are four white plinths of various heights with gray objects on top. One of the surrounding walls has a long sheet of paper with a drawing of highway signs and a gas station on it; the other has colorful framed images.]
    Caption Local Transit. Installation view, Artists Space, 2006.
    Image description A gallery space with two columns. One column is wrapped in an off-white fabric, the other in bright pink. There are four white plinths of various heights with gray objects on top. One of the surrounding walls has a long sheet of paper with a drawing of highway signs and a gas station on it; the other has colorful framed images.
    Year 2006
    Related pages Local Transit: An Exhibition in Two Parts
  • A man in a white shirt and pinstriped vest and pants casually holds a black jacket over one shoulder.
    A man in a white shirt and pinstriped vest and pants casually holds a black jacket over one shoulder.
    [A man in a white shirt and pinstriped vest and pants casually holds a black jacket over one shoulder. "Undoolay" is in pink script on the bottom of the image, crossing over "Elective Affinities".]
    Caption
    Image description A man in a white shirt and pinstriped vest and pants casually holds a black jacket over one shoulder. "Undoolay" is in pink script on the bottom of the image, crossing over "Elective Affinities".
    Year 2016
    Related pages Lukas Duwenhögger: Undoolay
  • A black and white installation photograph of a gallery space. Placed on the floor pairs of dark squares lean against a white wall on the far end.
    A black and white installation photograph of a gallery space. Placed on the floor pairs of dark squares lean against a white wall on the far end.
    Mel Kendrick, Dinnever Hill. Installation view, Artists Space, 1974. [A black and white installation photograph of a gallery space. Placed on the floor pairs of dark squares lean against a white wall on the far end.]
    Caption Mel Kendrick, Dinnever Hill. Installation view, Artists Space, 1974.
    Image description A black and white installation photograph of a gallery space. Placed on the floor pairs of dark squares lean against a white wall on the far end.
    Year 1974
    Related pages Mel Kendrick, Lois Lane, Christopher Shelton
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Color photograph of a gallery space with an installation consisting of a large mirrored pond, made from a wooden base with a reflective lining on top, that is surrounded by tree trunks, plants, fish tanks, and a phone booth. A large lamp hangs from the ceiling, and an orange construction net is placed over the pond.
    Color photograph of a gallery space with an installation consisting of a large mirrored pond, made from a wooden base with a reflective lining on top, that is surrounded by tree trunks, plants, fish tanks, and a phone booth. A large lamp hangs from the ceiling, and an orange construction net is placed over the pond.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a gallery space with an installation consisting of a large mirrored pond, made from a wooden base with a reflective lining on top, that is surrounded by tree trunks, plants, fish tanks, and a phone booth. A large lamp hangs from the ceiling, and an orange construction net is placed over the pond.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of a gallery space with an installation consisting of a large mirrored pond, made from a wooden base with a reflective lining on top, that is surrounded by tree trunks, plants, fish tanks, and a phone booth. A large lamp hangs from the ceiling, and an orange construction net is placed over the pond.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • Several figures sit on the ground, legs crossed.
    Several figures sit on the ground, legs crossed.
    Eiko Ishibashi: Two New York Nights. Performance documentation, June 8, 2022, 8pm. Artists Space, New York. [Several figures sit on the ground, legs crossed.]
    Caption Eiko Ishibashi: Two New York Nights. Performance documentation, June 8, 2022, 8pm. Artists Space, New York.
    Image description Several figures sit on the ground, legs crossed.
    Year
    Related pages Eiko Ishibashi in Concert
  • Color image of a gallery space with several sculptures placed on the floor. To the left, a shovel is attached to a child's chair. In the center, a taxidermied griffon vulture is perched upon a pile of concrete rubble that sits in between two shovels standing upright on pedestals. To the far right, a radiator lays flat on the ground.
    Color image of a gallery space with several sculptures placed on the floor. To the left, a shovel is attached to a child's chair. In the center, a taxidermied griffon vulture is perched upon a pile of concrete rubble that sits in between two shovels standing upright on pedestals. To the far right, a radiator lays flat on the ground.
    Andy Robert: PAPALOKO. Installation view, Artists Space, 2024. Photo: Carter Seddon. [Color image of a gallery space with several sculptures placed on the floor. To the left, a shovel is attached to a child's chair. In the center, a taxidermied griffon vulture is perched upon a pile of concrete rubble that sits in between two shovels standing upright on pedestals. To the far right, a radiator lays flat on the ground.]
    Caption Andy Robert: PAPALOKO. Installation view, Artists Space, 2024. Photo: Carter Seddon.
    Image description Color image of a gallery space with several sculptures placed on the floor. To the left, a shovel is attached to a child's chair. In the center, a taxidermied griffon vulture is perched upon a pile of concrete rubble that sits in between two shovels standing upright on pedestals. To the far right, a radiator lays flat on the ground.
    Year
    Related pages Andy Robert: Papaloko
  • A close up view of a sculpture of a man holding a book. The man's hand holds the spine of a book close to his purple shirt.
    A close up view of a sculpture of a man holding a book. The man's hand holds the spine of a book close to his purple shirt.
    Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013. [A close up view of a sculpture of a man holding a book. The man's hand holds the spine of a book close to his purple shirt.]
    Caption Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013.
    Image description A close up view of a sculpture of a man holding a book. The man's hand holds the spine of a book close to his purple shirt.
    Year 2013
    Related pages Pride Goes Before a Fall
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    Related pages Support
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