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  • Christopher Williams. Bouquet for Bas Jan Ader and Christopher D’Arcangelo, 1991. . Archival corrugated board, archival photocorners, compound, 4-py conservamat, 8-ply conservamat, drywall, dye transfer print, glass lacquer-based finish, linen tape, nails, Northern maple, plastic set back strips, primer, screws, seaming tape, paint and wood.. Print: 16 x 20 inches [40,6 x 50,8 cm]; 29 x 32 5/8 inches [73,7 x 82,9] (framed). Wall: 120 x 180 x 4 ? inches [304.8 x 457,2 x 12 cm]. Overall: 120 x 180 x 6 ? inches [304.8 x 457,2 x 17,2 cm]. Edition: 1/8. Edition size: 8 and 3 artist’s proofs.. Private collection, Berlin. Courtesy: Galerie Gisela Capitain, Cologne. . Installation view from Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979), Artists Space, 2011. . Photo: Daniel Pérez
    Caption Christopher Williams. Bouquet for Bas Jan Ader and Christopher D’Arcangelo, 1991. . Archival corrugated board, archival photocorners, compound, 4-py conservamat, 8-ply conservamat, drywall, dye transfer print, glass lacquer-based finish, linen tape, nails, Northern maple, plastic set back strips, primer, screws, seaming tape, paint and wood.. Print: 16 x 20 inches [40,6 x 50,8 cm]; 29 x 32 5/8 inches [73,7 x 82,9] (framed). Wall: 120 x 180 x 4 ? inches [304.8 x 457,2 x 12 cm]. Overall: 120 x 180 x 6 ? inches [304.8 x 457,2 x 17,2 cm]. Edition: 1/8. Edition size: 8 and 3 artist’s proofs.. Private collection, Berlin. Courtesy: Galerie Gisela Capitain, Cologne. . Installation view from Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979), Artists Space, 2011. . Photo: Daniel Pérez
    Image description
    Year
    Related pages Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979)
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    Image description
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    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • A black and white image of two photgraphs on a white surface. The picture on the left is of a pair of swans and the one on the right is of two potted cacti.
    A black and white image of two photgraphs on a white surface. The picture on the left is of a pair of swans and the one on the right is of two potted cacti.
    Susan Eder, c. 1976. From Susan Eder, Matt Mullican, Artists Space, 1976. [A black and white image of two photgraphs on a white surface. The picture on the left is of a pair of swans and the one on the right is of two potted cacti.]
    Caption Susan Eder, c. 1976. From Susan Eder, Matt Mullican, Artists Space, 1976.
    Image description A black and white image of two photgraphs on a white surface. The picture on the left is of a pair of swans and the one on the right is of two potted cacti.
    Year 1976
    Related pages Susan Eder, Matt Mullican
  • Two women stand close together and smile at the camera. Barbara Gladstone, who stands on the left, is wearing a black long-sleeved cowl-neck gown. Emily Wei Rales, who is on the right, wears a dark eggplant dress with fringe accents and trim.
    Two women stand close together and smile at the camera. Barbara Gladstone, who stands on the left, is wearing a black long-sleeved cowl-neck gown. Emily Wei Rales, who is on the right, wears a dark eggplant dress with fringe accents and trim.
    Barbara Gladstone and Emily Wei Rales. Photo: Jenna Bascom [Two women stand close together and smile at the camera. Barbara Gladstone, who stands on the left, is wearing a black long-sleeved cowl-neck gown. Emily Wei Rales, who is on the right, wears a dark eggplant dress with fringe accents and trim.]
    Caption Barbara Gladstone and Emily Wei Rales. Photo: Jenna Bascom
    Image description Two women stand close together and smile at the camera. Barbara Gladstone, who stands on the left, is wearing a black long-sleeved cowl-neck gown. Emily Wei Rales, who is on the right, wears a dark eggplant dress with fringe accents and trim.
    Year
    Related pages Support
  • Close-up color photograph of a vocalist and a musician playing a bass at the edge of the stage. The vocalist has long curly black hair and wears an army-green cargo jacket. They are kneeling down as they hold the microphone up to the mouth. To the right of the vocalist, the bassist looks out to the crowd as picks the strings. The drums and the drummer are visible behind them. The wall behind the stage is illuminated by a bright white light emitted from a projector. 
    Close-up color photograph of a vocalist and a musician playing a bass at the edge of the stage. The vocalist has long curly black hair and wears an army-green cargo jacket. They are kneeling down as they hold the microphone up to the mouth. To the right of the vocalist, the bassist looks out to the crowd as picks the strings. The drums and the drummer are visible behind them. The wall behind the stage is illuminated by a bright white light emitted from a projector. 
    Abasement #68. Performance documentation, February 12, 2024, Artists Space. Photo: Joshua Wildman. [Close-up color photograph of a vocalist and a musician playing a bass at the edge of the stage. The vocalist has long curly black hair and wears an army-green cargo jacket. They are kneeling down as they hold the microphone up to the mouth. To the right of the vocalist, the bassist looks out to the crowd as picks the strings. The drums and the drummer are visible behind them. The wall behind the stage is illuminated by a bright white light emitted from a projector. ]
    Caption Abasement #68. Performance documentation, February 12, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Close-up color photograph of a vocalist and a musician playing a bass at the edge of the stage. The vocalist has long curly black hair and wears an army-green cargo jacket. They are kneeling down as they hold the microphone up to the mouth. To the right of the vocalist, the bassist looks out to the crowd as picks the strings. The drums and the drummer are visible behind them. The wall behind the stage is illuminated by a bright white light emitted from a projector. 
    Year
    Related pages Abasement #68
  • A bedroom scene set up in the middle of an open room. There is a beige rug, with a chrome lamp and matching bed frame. The bed has blue sheets with a dark blue comforter cover and a red blanket. There is a wooden chair facing in, and a brown table with assorted bottles on top. On the far side of the bed is a coffee machine, microwave, and television. In the background, various framed images are hung on white gallery walls.
    A bedroom scene set up in the middle of an open room. There is a beige rug, with a chrome lamp and matching bed frame. The bed has blue sheets with a dark blue comforter cover and a red blanket. There is a wooden chair facing in, and a brown table with assorted bottles on top. On the far side of the bed is a coffee machine, microwave, and television. In the background, various framed images are hung on white gallery walls.
    The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich. [A bedroom scene set up in the middle of an open room. There is a beige rug, with a chrome lamp and matching bed frame. The bed has blue sheets with a dark blue comforter cover and a red blanket. There is a wooden chair facing in, and a brown table with assorted bottles on top. On the far side of the bed is a coffee machine, microwave, and television. In the background, various framed images are hung on white gallery walls.]
    Caption The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich.
    Image description A bedroom scene set up in the middle of an open room. There is a beige rug, with a chrome lamp and matching bed frame. The bed has blue sheets with a dark blue comforter cover and a red blanket. There is a wooden chair facing in, and a brown table with assorted bottles on top. On the far side of the bed is a coffee machine, microwave, and television. In the background, various framed images are hung on white gallery walls.
    Year 2008
    Related pages The New Normal
  • Three figurative paintings hang side-by-side in a white-walled gallery space.
    Three figurative paintings hang side-by-side in a white-walled gallery space.
    Group Exhibition. Installation view, Artists Space, 1981. Photo credit: Anne Turyn. [Three figurative paintings hang side-by-side in a white-walled gallery space.]
    Caption Group Exhibition. Installation view, Artists Space, 1981. Photo credit: Anne Turyn.
    Image description Three figurative paintings hang side-by-side in a white-walled gallery space.
    Year
    Related pages Group Exhibition
  • Two performers leaning over tables use electronic instruments. The performer in the foreground and a column behind them is bathed in orange light. A single red colored light bulb is visble on the ceiling.
    Two performers leaning over tables use electronic instruments. The performer in the foreground and a column behind them is bathed in orange light. A single red colored light bulb is visble on the ceiling.
    Abasement #72. Performance documentation, October 7th, 2024, Artists Space. Photo: Joshua Wildman. [Two performers leaning over tables use electronic instruments. The performer in the foreground and a column behind them is bathed in orange light. A single red colored light bulb is visble on the ceiling.]
    Caption Abasement #72. Performance documentation, October 7th, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Two performers leaning over tables use electronic instruments. The performer in the foreground and a column behind them is bathed in orange light. A single red colored light bulb is visble on the ceiling.
    Year
    Related pages Abasement #72
  • A color image of a gallery space. On the left wall hangs a framed work that consists of a colorful abstract drawing made on white paper, with pencil strokes surrounding the colored shapes. On the right wall, three framed works hang on a horizontal line. The three abstract works are made on black paper, and depict colorful compositions.
    A color image of a gallery space. On the left wall hangs a framed work that consists of a colorful abstract drawing made on white paper, with pencil strokes surrounding the colored shapes. On the right wall, three framed works hang on a horizontal line. The three abstract works are made on black paper, and depict colorful compositions.
    Renee Gladman: Narratives of Magnitude. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of a gallery space. On the left wall hangs a framed work that consists of a colorful abstract drawing made on white paper, with pencil strokes surrounding the colored shapes. On the right wall, three framed works hang on a horizontal line. The three abstract works are made on black paper, and depict colorful compositions.]
    Caption Renee Gladman: Narratives of Magnitude. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A color image of a gallery space. On the left wall hangs a framed work that consists of a colorful abstract drawing made on white paper, with pencil strokes surrounding the colored shapes. On the right wall, three framed works hang on a horizontal line. The three abstract works are made on black paper, and depict colorful compositions.
    Year
    Related pages Renee Gladman
  • An image of a woman riding a bull through a green bank note. One hand holds on to the reins of the bull, the other scatters bills. She wears a yellow dress that is opening at the top.
    An image of a woman riding a bull through a green bank note. One hand holds on to the reins of the bull, the other scatters bills. She wears a yellow dress that is opening at the top.
    [An image of a woman riding a bull through a green bank note. One hand holds on to the reins of the bull, the other scatters bills. She wears a yellow dress that is opening at the top.]
    Caption
    Image description An image of a woman riding a bull through a green bank note. One hand holds on to the reins of the bull, the other scatters bills. She wears a yellow dress that is opening at the top.
    Year 2009
    Related pages Spending in 2008
  • The inside of a room with a window looking out onto a view of Manhattan. The rightmost third of the image has been digitally altered such that it appears to warp and glitch.
    The inside of a room with a window looking out onto a view of Manhattan. The rightmost third of the image has been digitally altered such that it appears to warp and glitch.
    [The inside of a room with a window looking out onto a view of Manhattan. The rightmost third of the image has been digitally altered such that it appears to warp and glitch.]
    Caption
    Image description The inside of a room with a window looking out onto a view of Manhattan. The rightmost third of the image has been digitally altered such that it appears to warp and glitch.
    Year 2018
    Related pages PRACTICE x Wind
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • An image of a multicolored exhibition space consisting of beach paraphernalia, a real estate lawn sign, and a mural wall collaged with images and drawings.
    An image of a multicolored exhibition space consisting of beach paraphernalia, a real estate lawn sign, and a mural wall collaged with images and drawings.
    New Red Order Cover the Earth, detail, 2021 Painted mural with cut vinyl, dibond prints, kiddie pool, sod, inflatable alligator, turtle sandbox, beach towels, towel racks, beach balls, beach chairs, beach umbrella, real estate lawn sign, cooler, and pool noodles. Photo: Filip Wolak [An image of a multicolored exhibition space consisting of beach paraphernalia, a real estate lawn sign, and a mural wall collaged with images and drawings.]
    Caption New Red Order Cover the Earth, detail, 2021 Painted mural with cut vinyl, dibond prints, kiddie pool, sod, inflatable alligator, turtle sandbox, beach towels, towel racks, beach balls, beach chairs, beach umbrella, real estate lawn sign, cooler, and pool noodles. Photo: Filip Wolak
    Image description An image of a multicolored exhibition space consisting of beach paraphernalia, a real estate lawn sign, and a mural wall collaged with images and drawings.
    Year 2021
    Related pages New Red Order: Feel at Home Here
  • Draped fabric that reads
    Draped fabric that reads
    [Draped fabric that reads "American Express World Service" in an all-over pattern.]
    Caption
    Image description Draped fabric that reads "American Express World Service" in an all-over pattern.
    Year 2014
    Related pages Folklore U.S.
  • Color photograph of three figures, wearing all white, performing in a dark gallery space. The leftmost figure lays on the floor with their legs spread and hands pushing their chest up. On the right, a figure with a flashlight around their hips stands with their shoulders and head flung back. The third figure contorts their body on the floor in the rightmost corner.
    Color photograph of three figures, wearing all white, performing in a dark gallery space. The leftmost figure lays on the floor with their legs spread and hands pushing their chest up. On the right, a figure with a flashlight around their hips stands with their shoulders and head flung back. The third figure contorts their body on the floor in the rightmost corner.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of three figures, wearing all white, performing in a dark gallery space. The leftmost figure lays on the floor with their legs spread and hands pushing their chest up. On the right, a figure with a flashlight around their hips stands with their shoulders and head flung back. The third figure contorts their body on the floor in the rightmost corner.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of three figures, wearing all white, performing in a dark gallery space. The leftmost figure lays on the floor with their legs spread and hands pushing their chest up. On the right, a figure with a flashlight around their hips stands with their shoulders and head flung back. The third figure contorts their body on the floor in the rightmost corner.
    Year 2022
    Related pages keyon gaskin 12-16
  • El Bosque Luminoso Bajo El Mar, M.S. 324 exhibition, Threads of History, May 2023
    Caption El Bosque Luminoso Bajo El Mar, M.S. 324 exhibition, Threads of History, May 2023
    Image description
    Year
    Related pages Exhibitions and Events
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Image of a white desk on a black stage. Layed across the desk is a laptop and a control pad, along with a paper with printed instructions and diagrams.
    Image of a white desk on a black stage. Layed across the desk is a laptop and a control pad, along with a paper with printed instructions and diagrams.
    Yasunao Tone Concert #3. Performance documentation, March 16, 2023, Artists Space. Photo: Destiny Mata [Image of a white desk on a black stage. Layed across the desk is a laptop and a control pad, along with a paper with printed instructions and diagrams.]
    Caption Yasunao Tone Concert #3. Performance documentation, March 16, 2023, Artists Space. Photo: Destiny Mata
    Image description Image of a white desk on a black stage. Layed across the desk is a laptop and a control pad, along with a paper with printed instructions and diagrams.
    Year 2023
    Related pages Yasunao Tone Concert #3
  • Aluminum foil, partially unrolled, with a pile of pennies is dramatically lit in a darkened room.
    Aluminum foil, partially unrolled, with a pile of pennies is dramatically lit in a darkened room.
    Clegg & Guttmann, Change, 2015, C-print , 24 x 20 in
/ 61 x 50,8 cm, Signed and Numbered Certificate. [Aluminum foil, partially unrolled, with a pile of pennies is dramatically lit in a darkened room.]
    Caption Clegg & Guttmann, Change, 2015, C-print , 24 x 20 in
/ 61 x 50,8 cm, Signed and Numbered Certificate.
    Image description Aluminum foil, partially unrolled, with a pile of pennies is dramatically lit in a darkened room.
    Year 2016
    Related pages Artists Space Annual Edition Portfolio 2016
  • Lonnie Holley with his painting The Hand of My Grandfather (1984), 1987. Photo: William Arnett. © Lonnie Holley / Artists Rights Society (ARS), New York. Courtesy of the artist and BLUM Los Angeles, Tokyo, New York
    Caption Lonnie Holley with his painting The Hand of My Grandfather (1984), 1987. Photo: William Arnett. © Lonnie Holley / Artists Rights Society (ARS), New York. Courtesy of the artist and BLUM Los Angeles, Tokyo, New York
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    Related pages Lonnie Holley
  • Color photograph of a gallery space with white walls. Two vitrines are built out of the walls, and contain various ephemera. Above the left vitrine hang black-and-white photographs. Above the right vitrine, placed over a window, is a blown-up image of a man kneeling with his head to the floor.
    Color photograph of a gallery space with white walls. Two vitrines are built out of the walls, and contain various ephemera. Above the left vitrine hang black-and-white photographs. Above the right vitrine, placed over a window, is a blown-up image of a man kneeling with his head to the floor.
    Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a gallery space with white walls. Two vitrines are built out of the walls, and contain various ephemera. Above the left vitrine hang black-and-white photographs. Above the right vitrine, placed over a window, is a blown-up image of a man kneeling with his head to the floor.]
    Caption Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photograph of a gallery space with white walls. Two vitrines are built out of the walls, and contain various ephemera. Above the left vitrine hang black-and-white photographs. Above the right vitrine, placed over a window, is a blown-up image of a man kneeling with his head to the floor.
    Year 2023
    Related pages Yasunao Tone: Region of Paramedia
  • Color photograph of a room used to store medical props and devices, including hospital beds, catheters, and three medical test dummies stacked on top of one another on a shelf. The walls are painted a blue-grey color.
    Color photograph of a room used to store medical props and devices, including hospital beds, catheters, and three medical test dummies stacked on top of one another on a shelf. The walls are painted a blue-grey color.
    Untitled, 2024. [Color photograph of a room used to store medical props and devices, including hospital beds, catheters, and three medical test dummies stacked on top of one another on a shelf. The walls are painted a blue-grey color.]
    Caption Untitled, 2024.
    Image description Color photograph of a room used to store medical props and devices, including hospital beds, catheters, and three medical test dummies stacked on top of one another on a shelf. The walls are painted a blue-grey color.
    Year
    Related pages Carolyn Lazard
  • A color photograph of a figure in motion in an orange-lit space next to a small piece of audio equipment with a wire on the floor. A crowd looks on in the background.
    A color photograph of a figure in motion in an orange-lit space next to a small piece of audio equipment with a wire on the floor. A crowd looks on in the background.
    Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. [A color photograph of a figure in motion in an orange-lit space next to a small piece of audio equipment with a wire on the floor. A crowd looks on in the background.]
    Caption Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space.
    Image description A color photograph of a figure in motion in an orange-lit space next to a small piece of audio equipment with a wire on the floor. A crowd looks on in the background.
    Year 2022
    Related pages Yuji Agematsu
  • A black and white photograph of a canvas filled with black and white abstract angular forms that are reminiscent of tables.
    A black and white photograph of a canvas filled with black and white abstract angular forms that are reminiscent of tables.
    John Mendelsohn. Installation view from John Mendelsohn and Donald Sultan. Artists Space, 1977. [A black and white photograph of a canvas filled with black and white abstract angular forms that are reminiscent of tables.]
    Caption John Mendelsohn. Installation view from John Mendelsohn and Donald Sultan. Artists Space, 1977.
    Image description A black and white photograph of a canvas filled with black and white abstract angular forms that are reminiscent of tables.
    Year 1977
    Related pages John Mendelsohn and Donald Sultan
  • A photograph of a construction site, with several steel beams and a sign titled
    A photograph of a construction site, with several steel beams and a sign titled
    Shaylene Viera, Revolution, photography, 2016 [A photograph of a construction site, with several steel beams and a sign titled "RAISE PLOW" lying on the ground]
    Caption Shaylene Viera, Revolution, photography, 2016
    Image description A photograph of a construction site, with several steel beams and a sign titled "RAISE PLOW" lying on the ground
    Year 2016
    Related pages Scholastic Art and Writing Awards
  • The outline of a bird in black is visible on white walls with black text on the left that reads,
    The outline of a bird in black is visible on white walls with black text on the left that reads,
    Young Fluxus. Installation view, Artists Space, 1982. [The outline of a bird in black is visible on white walls with black text on the left that reads, "If you are very intelligent you've got to find the connection between the drawing and the text." And black text on the right that reads, "If you look to the left, that is the left drawing, if you look to the right, that's the right drawing, but if you don't look anywhere that's the no drawing."]
    Caption Young Fluxus. Installation view, Artists Space, 1982.
    Image description The outline of a bird in black is visible on white walls with black text on the left that reads, "If you are very intelligent you've got to find the connection between the drawing and the text." And black text on the right that reads, "If you look to the left, that is the left drawing, if you look to the right, that's the right drawing, but if you don't look anywhere that's the no drawing."
    Year
    Related pages Young Fluxus
  • A musician standing on stage playing a small wooden instrument. They are looking down and wearing a headlamp. In front of them are multiple electronic instruments and cords. The wall in the background is scattered with white dots reflected from a disco ball.
    A musician standing on stage playing a small wooden instrument. They are looking down and wearing a headlamp. In front of them are multiple electronic instruments and cords. The wall in the background is scattered with white dots reflected from a disco ball.
    Abasement #71. Performance documentation, August 5th, 2024, Artists Space. Photo: Joshua Wildman. [A musician standing on stage playing a small wooden instrument. They are looking down and wearing a headlamp. In front of them are multiple electronic instruments and cords. The wall in the background is scattered with white dots reflected from a disco ball.]
    Caption Abasement #71. Performance documentation, August 5th, 2024, Artists Space. Photo: Joshua Wildman.
    Image description A musician standing on stage playing a small wooden instrument. They are looking down and wearing a headlamp. In front of them are multiple electronic instruments and cords. The wall in the background is scattered with white dots reflected from a disco ball.
    Year
    Related pages Abasement #71
  • A performer plays a stringed instrument with a bow. The stage and wall behind it are bathed in blue light, created from projections of a geometric pattern.
    A performer plays a stringed instrument with a bow. The stage and wall behind it are bathed in blue light, created from projections of a geometric pattern.
    Abasement #80. Performance documentation, September 22nd, 2025, Artists Space. Photo: Joshua Wildman. [A performer plays a stringed instrument with a bow. The stage and wall behind it are bathed in blue light, created from projections of a geometric pattern.]
    Caption Abasement #80. Performance documentation, September 22nd, 2025, Artists Space. Photo: Joshua Wildman.
    Image description A performer plays a stringed instrument with a bow. The stage and wall behind it are bathed in blue light, created from projections of a geometric pattern.
    Year
    Related pages Abasement #80
  • Small sculptures on pedestals are lined up diagonally in front of a map and various images.
    Small sculptures on pedestals are lined up diagonally in front of a map and various images.
    We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [Small sculptures on pedestals are lined up diagonally in front of a map and various images.]
    Caption We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987.
    Image description Small sculptures on pedestals are lined up diagonally in front of a map and various images.
    Year
    Related pages We the People
  • An image of a woman with frizzy hair, smiling and looking past the viewer. The image is slightly distorted, as if from a VHS tape.
    An image of a woman with frizzy hair, smiling and looking past the viewer. The image is slightly distorted, as if from a VHS tape.
    T.J. Wilcox, I Fell in Love With Vanessa Redgrave, 2010, Perfect bound flip book 4-page cover plus 100 pages, 50 in color, with a text by the artist 3 x 6 1/2 x 3/4 inches, Signed and numbered [An image of a woman with frizzy hair, smiling and looking past the viewer. The image is slightly distorted, as if from a VHS tape.]
    Caption T.J. Wilcox, I Fell in Love With Vanessa Redgrave, 2010, Perfect bound flip book 4-page cover plus 100 pages, 50 in color, with a text by the artist 3 x 6 1/2 x 3/4 inches, Signed and numbered
    Image description An image of a woman with frizzy hair, smiling and looking past the viewer. The image is slightly distorted, as if from a VHS tape.
    Year 2010
    Related pages Artists Space Annual Edition Portfolio 2011
  • Color image of a sculpture of a human body, laying face up, placed on a concrete floor. The figure is dressed in French military apparel and their head rests on a large glittery, red bow.
    Color image of a sculpture of a human body, laying face up, placed on a concrete floor. The figure is dressed in French military apparel and their head rests on a large glittery, red bow.
    Isabelle Frances McGuire, Death of Napoleon, 2024 [Color image of a sculpture of a human body, laying face up, placed on a concrete floor. The figure is dressed in French military apparel and their head rests on a large glittery, red bow.]
    Caption Isabelle Frances McGuire, Death of Napoleon, 2024
    Image description Color image of a sculpture of a human body, laying face up, placed on a concrete floor. The figure is dressed in French military apparel and their head rests on a large glittery, red bow.
    Year 2024
    Related pages Doris Guo Matthew Langan-Peck Isabelle Frances McGuire Ruben Ulises Rodriguez Montoya
  • A figure performs on stage, standing behind a microphone with a shocked expression and their hands up.
    A figure performs on stage, standing behind a microphone with a shocked expression and their hands up.
    Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [A figure performs on stage, standing behind a microphone with a shocked expression and their hands up.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure performs on stage, standing behind a microphone with a shocked expression and their hands up.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-10
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    Related pages fwiw
  • A shallow white cylinder sitting on a dark wooden floor. A small green light glows from inside the cylinder.
    A shallow white cylinder sitting on a dark wooden floor. A small green light glows from inside the cylinder.
    Sam Pulitzer: A Colony for “Them”. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A shallow white cylinder sitting on a dark wooden floor. A small green light glows from inside the cylinder.]
    Caption Sam Pulitzer: A Colony for “Them”. Installation view, Artists Space, 2014. Photo: Daniel Pérez.
    Image description A shallow white cylinder sitting on a dark wooden floor. A small green light glows from inside the cylinder.
    Year 2014
    Related pages Sam Pulitzer: A Colony for "Them"
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    Related pages Dream Lines: Drawings by Marian Zazeela
  • A close-up photo of the front grille of a car, depicting the bottom half of the Chevrolet logo and a section of the front metal grille. Several bugs are visible, dead and stuck to the grille.
    A close-up photo of the front grille of a car, depicting the bottom half of the Chevrolet logo and a section of the front metal grille. Several bugs are visible, dead and stuck to the grille.
    Danh Vo, Chevrolet Suburban, 2010, Digital C-print, 16 x 24 in / 40,6 x 61 cm Photo, credit: Thomas Cato Signed and numbered sales receipt. [A close-up photo of the front grille of a car, depicting the bottom half of the Chevrolet logo and a section of the front metal grille. Several bugs are visible, dead and stuck to the grille.]
    Caption Danh Vo, Chevrolet Suburban, 2010, Digital C-print, 16 x 24 in / 40,6 x 61 cm Photo, credit: Thomas Cato Signed and numbered sales receipt.
    Image description A close-up photo of the front grille of a car, depicting the bottom half of the Chevrolet logo and a section of the front metal grille. Several bugs are visible, dead and stuck to the grille.
    Year 2010
    Related pages Artists Space Annual Edition Portfolio 2011
  • Black text on a grey background. The text reads: “March 21 / Dave Morse / Anahid Nersessian.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on a grey background. The text reads: “March 21 / Dave Morse / Anahid Nersessian.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on a grey background. The text reads: “March 21 / Dave Morse / Anahid Nersessian.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on a grey background. The text reads: “March 21 / Dave Morse / Anahid Nersessian.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Dave Morse & Anahid Nersessian
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Two cars sitting on a city street in front of a dumpster covered with a tarp.
    Two cars sitting on a city street in front of a dumpster covered with a tarp.
    [Two cars sitting on a city street in front of a dumpster covered with a tarp.]
    Caption
    Image description Two cars sitting on a city street in front of a dumpster covered with a tarp.
    Year 2016
    Related pages No Total
  • Color photograph of a vitrine from above. Various ephemera including magazines and fliers are placed inside.
    Color photograph of a vitrine from above. Various ephemera including magazines and fliers are placed inside.
    Yasunao Tone: Region of Paramedia. Installation view (ephemera c. 1960s), Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a vitrine from above. Various ephemera including magazines and fliers are placed inside.]
    Caption Yasunao Tone: Region of Paramedia. Installation view (ephemera c. 1960s), Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photograph of a vitrine from above. Various ephemera including magazines and fliers are placed inside.
    Year 2023
    Related pages Yasunao Tone: Region of Paramedia
  • A table covered with a red tablecloth. The tablecloth is decorated with two white images: a person riding a horse and stylized text reading
    A table covered with a red tablecloth. The tablecloth is decorated with two white images: a person riding a horse and stylized text reading
    New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court. [A table covered with a red tablecloth. The tablecloth is decorated with two white images: a person riding a horse and stylized text reading "THE URGE TO MERGE." Lying on the table, there is a magazine with a green cover with a figure holding an axe. The cover text reads, "NEVER SETTLE" and "SPECIAL Future Recruits Issue".]
    Caption New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court.
    Image description A table covered with a red tablecloth. The tablecloth is decorated with two white images: a person riding a horse and stylized text reading "THE URGE TO MERGE." Lying on the table, there is a magazine with a green cover with a figure holding an axe. The cover text reads, "NEVER SETTLE" and "SPECIAL Future Recruits Issue".
    Year 2020
    Related pages New Red Order: Informants Get Paid!
  • A black, sans-serif A on a white background, with a black outlined square positioned at once in front and behind the letter, intersecting it at all three corners.
    A black, sans-serif A on a white background, with a black outlined square positioned at once in front and behind the letter, intersecting it at all three corners.
    Artists Space logo, 1980s. [A black, sans-serif A on a white background, with a black outlined square positioned at once in front and behind the letter, intersecting it at all three corners.]
    Caption Artists Space logo, 1980s.
    Image description A black, sans-serif A on a white background, with a black outlined square positioned at once in front and behind the letter, intersecting it at all three corners.
    Year
    Related pages About
  • A color photograph of an installation in a gallery. Several dark metal columns line the left side of the space, and on the right a punching bag and other boxing equipment hang from a rectangular wooden frame. In the background, several more mixed-media sculptures are visible.
    A color photograph of an installation in a gallery. Several dark metal columns line the left side of the space, and on the right a punching bag and other boxing equipment hang from a rectangular wooden frame. In the background, several more mixed-media sculptures are visible.
    Milford Graves: Fundamental Frequency. Installation view, Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak. [A color photograph of an installation in a gallery. Several dark metal columns line the left side of the space, and on the right a punching bag and other boxing equipment hang from a rectangular wooden frame. In the background, several more mixed-media sculptures are visible.]
    Caption Milford Graves: Fundamental Frequency. Installation view, Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak.
    Image description A color photograph of an installation in a gallery. Several dark metal columns line the left side of the space, and on the right a punching bag and other boxing equipment hang from a rectangular wooden frame. In the background, several more mixed-media sculptures are visible.
    Year 2021
    Related pages Milford Graves: Fundamental Frequency
  • Close-up of an upright black birthing mannequin reclined on a hospital bed in a blue patient room. A newborn mannequin swaddled in a hospital receiving blanket lays on the birthing mannequin’s chest.
    Close-up of an upright black birthing mannequin reclined on a hospital bed in a blue patient room. A newborn mannequin swaddled in a hospital receiving blanket lays on the birthing mannequin’s chest.
    Still from Fiction Contract, 2025 [Close-up of an upright black birthing mannequin reclined on a hospital bed in a blue patient room. A newborn mannequin swaddled in a hospital receiving blanket lays on the birthing mannequin’s chest.]
    Caption Still from Fiction Contract, 2025
    Image description Close-up of an upright black birthing mannequin reclined on a hospital bed in a blue patient room. A newborn mannequin swaddled in a hospital receiving blanket lays on the birthing mannequin’s chest.
    Year
    Related pages Carolyn Lazard
  • A black and white photograph of a sculpture, which sits on the ground near the corner of a room, its wiry frame covered by a transparent mesh material.
    A black and white photograph of a sculpture, which sits on the ground near the corner of a room, its wiry frame covered by a transparent mesh material.
    Beverly Semmes, Tree Net, 1989. [A black and white photograph of a sculpture, which sits on the ground near the corner of a room, its wiry frame covered by a transparent mesh material.]
    Caption Beverly Semmes, Tree Net, 1989.
    Image description A black and white photograph of a sculpture, which sits on the ground near the corner of a room, its wiry frame covered by a transparent mesh material.
    Year 1989
    Related pages Beverly Semmes
  • Yellow text on a brown background reading
    Yellow text on a brown background reading
    Kelly Poe, Leave, Take, Kill, 2004. Courtesy the artist and Anna Helwing Gallery, Los Angeles. [Yellow text on a brown background reading "LEAVE NOTHING BUT FOOTPRINTS / TAKE NOTHING BUT PICTURES / KILL NOTHING BUT TIME."]
    Caption Kelly Poe, Leave, Take, Kill, 2004. Courtesy the artist and Anna Helwing Gallery, Los Angeles.
    Image description Yellow text on a brown background reading "LEAVE NOTHING BUT FOOTPRINTS / TAKE NOTHING BUT PICTURES / KILL NOTHING BUT TIME."
    Year 2004
    Related pages International Geographic
  • Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Caption Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description
    Year 2023
    Related pages Shala Miller, Malcolm Peacock, Amiri Baraka
  • A projection of a close-up image of an unidentified figure's mouth and chin is displayed on a wall of a light-filled gallery space. Two small speakers sit above the projection at its top right and left corners. A series of yellow cards sit in a clear container mounted on the wall to the right of the projector. Bold text printed on the front of the cards reads:
    A projection of a close-up image of an unidentified figure's mouth and chin is displayed on a wall of a light-filled gallery space. Two small speakers sit above the projection at its top right and left corners. A series of yellow cards sit in a clear container mounted on the wall to the right of the projector. Bold text printed on the front of the cards reads:
    Rip It Up and Start Again. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A projection of a close-up image of an unidentified figure's mouth and chin is displayed on a wall of a light-filled gallery space. Two small speakers sit above the projection at its top right and left corners. A series of yellow cards sit in a clear container mounted on the wall to the right of the projector. Bold text printed on the front of the cards reads: "I'M SORRY, BUT THIS IS HOW I LEARN."]
    Caption Rip It Up and Start Again. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description A projection of a close-up image of an unidentified figure's mouth and chin is displayed on a wall of a light-filled gallery space. Two small speakers sit above the projection at its top right and left corners. A series of yellow cards sit in a clear container mounted on the wall to the right of the projector. Bold text printed on the front of the cards reads: "I'M SORRY, BUT THIS IS HOW I LEARN."
    Year 2010
    Related pages Rip It Up and Start Again: William S. Burroughs, Charles Henri Ford, Ray Johnson, Philippe Thomas, Arthur Russell
  • A figure kneels beside a table and traces their finger along the screen of an iPad. They wear a baseball cap that reads “MAKE TECHNO BLACK AGAIN.”
    A figure kneels beside a table and traces their finger along the screen of an iPad. They wear a baseball cap that reads “MAKE TECHNO BLACK AGAIN.”
    Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [A figure kneels beside a table and traces their finger along the screen of an iPad. They wear a baseball cap that reads “MAKE TECHNO BLACK AGAIN.”]
    Caption Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description A figure kneels beside a table and traces their finger along the screen of an iPad. They wear a baseball cap that reads “MAKE TECHNO BLACK AGAIN.”
    Year 2019
    Related pages Speaker Music: drape over another
  • Dress for Virgil Abloh and Stuart Davis, Gigi Sanchez, acrylic on paper, Silver Key in Painting
    Caption Dress for Virgil Abloh and Stuart Davis, Gigi Sanchez, acrylic on paper, Silver Key in Painting
    Image description
    Year
    Related pages Scholastic Art and Writing Awards
  • Several small planks of wood of different sizes, shapes, and colors lean against a white gallery wall. Different words have been painted across the length of each plank, including
    Several small planks of wood of different sizes, shapes, and colors lean against a white gallery wall. Different words have been painted across the length of each plank, including
    Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [Several small planks of wood of different sizes, shapes, and colors lean against a white gallery wall. Different words have been painted across the length of each plank, including "rhythm," "grace," "love," and "warmth." Above the planks hang two framed, green paintings.]
    Caption Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description Several small planks of wood of different sizes, shapes, and colors lean against a white gallery wall. Different words have been painted across the length of each plank, including "rhythm," "grace," "love," and "warmth." Above the planks hang two framed, green paintings.
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • An irreverant cartoon promotional poster with text in grafitti.
    An irreverant cartoon promotional poster with text in grafitti.
    Bill Hayden, It's Get Better. [An irreverant cartoon promotional poster with text in grafitti.]
    Caption Bill Hayden, It's Get Better.
    Image description An irreverant cartoon promotional poster with text in grafitti.
    Year 2013
    Related pages It's Get Better Presented by Stewart Uoo
  • A close-up of a vitrine housing several postcards which have been drawn and collaged upon.
    A close-up of a vitrine housing several postcards which have been drawn and collaged upon.
    Attention Line. Installation view (various envelopes by Blaster Al Ackerman, c. 1970s-2000s, Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [A close-up of a vitrine housing several postcards which have been drawn and collaged upon.]
    Caption Attention Line. Installation view (various envelopes by Blaster Al Ackerman, c. 1970s-2000s, Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak
    Image description A close-up of a vitrine housing several postcards which have been drawn and collaged upon.
    Year 2022
    Related pages Attention Line
  • Photograph of a glass vitrine containing various archival time-banking ephemera.
    Photograph of a glass vitrine containing various archival time-banking ephemera.
    Clocking Out: Time Beyond Management. Installation view, Artists Space, 2023. Photo: Greg Carideo. [Photograph of a glass vitrine containing various archival time-banking ephemera.]
    Caption Clocking Out: Time Beyond Management. Installation view, Artists Space, 2023. Photo: Greg Carideo.
    Image description Photograph of a glass vitrine containing various archival time-banking ephemera.
    Annotation 2023
    Year
    Related pages Whitney Independent Study: Clocking Out: Time Beyond Management
  • Four images arranged horizontally. From left to right: solid gray-blue, a gray-blue toned image of a shoreline, a gray toned image of a shoreline, and a gray toned image of a shoreline with a subtle pink sunrise in the sky.
    Four images arranged horizontally. From left to right: solid gray-blue, a gray-blue toned image of a shoreline, a gray toned image of a shoreline, and a gray toned image of a shoreline with a subtle pink sunrise in the sky.
    Christa Blatchford, still from See Around, 2008. [Four images arranged horizontally. From left to right: solid gray-blue, a gray-blue toned image of a shoreline, a gray toned image of a shoreline, and a gray toned image of a shoreline with a subtle pink sunrise in the sky.]
    Caption Christa Blatchford, still from See Around, 2008.
    Image description Four images arranged horizontally. From left to right: solid gray-blue, a gray-blue toned image of a shoreline, a gray toned image of a shoreline, and a gray toned image of a shoreline with a subtle pink sunrise in the sky.
    Year 2008
    Related pages See Around
  • Eight people sit in a row on a wooden stage in front of a navy blue curtain. They are holding pieces of paper, one speaks into a microphone.
    Eight people sit in a row on a wooden stage in front of a navy blue curtain. They are holding pieces of paper, one speaks into a microphone.
    P.S. 140 students performing at YAP (Young Artists Perform), 2019 [Eight people sit in a row on a wooden stage in front of a navy blue curtain. They are holding pieces of paper, one speaks into a microphone.]
    Caption P.S. 140 students performing at YAP (Young Artists Perform), 2019
    Image description Eight people sit in a row on a wooden stage in front of a navy blue curtain. They are holding pieces of paper, one speaks into a microphone.
    Year 2019
    Related pages Art and Literacy: Poetry
  • A hand drawn pen and ink perspectival image of shallow inclined ramps leading to a short platform are mirrored and doubled on tracing papers and graph paper that stretch wide.
    A hand drawn pen and ink perspectival image of shallow inclined ramps leading to a short platform are mirrored and doubled on tracing papers and graph paper that stretch wide.
    Constantina Zavitsanos, Sketch for ramps and platform, 2024. Pencil, pen, and ink on papers. 8 x 17 in. [A hand drawn pen and ink perspectival image of shallow inclined ramps leading to a short platform are mirrored and doubled on tracing papers and graph paper that stretch wide.]
    Caption Constantina Zavitsanos, Sketch for ramps and platform, 2024. Pencil, pen, and ink on papers. 8 x 17 in.
    Image description A hand drawn pen and ink perspectival image of shallow inclined ramps leading to a short platform are mirrored and doubled on tracing papers and graph paper that stretch wide.
    Year
    Related pages fwiw
  • A figure unpacks various audio and projection equipment onto a table. Blue, purple and pink washes of light are projected onto them.
    A figure unpacks various audio and projection equipment onto a table. Blue, purple and pink washes of light are projected onto them.
    Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [A figure unpacks various audio and projection equipment onto a table. Blue, purple and pink washes of light are projected onto them.]
    Caption Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure unpacks various audio and projection equipment onto a table. Blue, purple and pink washes of light are projected onto them.
    Year 2022
    Related pages Abasement #61
  • A color image of one wall of a gallery space, shot head-on. The wall is painted black, and six colorful, and intimate paintings of Black Queer figures are arranged across it. White and yellow drawings are pained onto the wall, complementing and placed around the artworks.
    A color image of one wall of a gallery space, shot head-on. The wall is painted black, and six colorful, and intimate paintings of Black Queer figures are arranged across it. White and yellow drawings are pained onto the wall, complementing and placed around the artworks.
    Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of one wall of a gallery space, shot head-on. The wall is painted black, and six colorful, and intimate paintings of Black Queer figures are arranged across it. White and yellow drawings are pained onto the wall, complementing and placed around the artworks.]
    Caption Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A color image of one wall of a gallery space, shot head-on. The wall is painted black, and six colorful, and intimate paintings of Black Queer figures are arranged across it. White and yellow drawings are pained onto the wall, complementing and placed around the artworks.
    Year
    Related pages Jonathan Lyndon Chase
  • A painting appears on the wall of figures dancing and two sculptures can be seen on pedestals in the foreground in a gallery setting.
    A painting appears on the wall of figures dancing and two sculptures can be seen on pedestals in the foreground in a gallery setting.
    We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [A painting appears on the wall of figures dancing and two sculptures can be seen on pedestals in the foreground in a gallery setting.]
    Caption We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987.
    Image description A painting appears on the wall of figures dancing and two sculptures can be seen on pedestals in the foreground in a gallery setting.
    Year
    Related pages We the People
  • A black and white photograph of an artwork. Over a black background are the silhouetted outlines of several human figures standing and sitting.
    A black and white photograph of an artwork. Over a black background are the silhouetted outlines of several human figures standing and sitting.
    Pictures. Installation view, Artists Space, 1977. Photo: D. James Dee. [A black and white photograph of an artwork. Over a black background are the silhouetted outlines of several human figures standing and sitting.]
    Caption Pictures. Installation view, Artists Space, 1977. Photo: D. James Dee.
    Image description A black and white photograph of an artwork. Over a black background are the silhouetted outlines of several human figures standing and sitting.
    Year 1977
    Related pages Pictures
  • A chalk drawing appears above two chairs on the left and in the corner is a television monitor on a pedestal with framed drawings behind it. A doorway leads into the next space.
    A chalk drawing appears above two chairs on the left and in the corner is a television monitor on a pedestal with framed drawings behind it. A doorway leads into the next space.
    Young Fluxus. Installation view, Artists Space, 1982. [A chalk drawing appears above two chairs on the left and in the corner is a television monitor on a pedestal with framed drawings behind it. A doorway leads into the next space.]
    Caption Young Fluxus. Installation view, Artists Space, 1982.
    Image description A chalk drawing appears above two chairs on the left and in the corner is a television monitor on a pedestal with framed drawings behind it. A doorway leads into the next space.
    Year
    Related pages Young Fluxus
  • A postcard depicting a black-and-white photograph of the facade of a factory in Belgium sits on a plinth.
    A postcard depicting a black-and-white photograph of the facade of a factory in Belgium sits on a plinth.
    Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon. [A postcard depicting a black-and-white photograph of the facade of a factory in Belgium sits on a plinth. ]
    Caption Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon.
    Image description A postcard depicting a black-and-white photograph of the facade of a factory in Belgium sits on a plinth.
    Year
    Related pages Michael Asher
  • Color photograph of a gallery space. Various musical instruments and audio devices are placed around the middle of the room, photographs and vitrines hang on the walls, and various television monitors are placed along the sides of the room.
    Color photograph of a gallery space. Various musical instruments and audio devices are placed around the middle of the room, photographs and vitrines hang on the walls, and various television monitors are placed along the sides of the room.
    Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a gallery space. Various musical instruments and audio devices are placed around the middle of the room, photographs and vitrines hang on the walls, and various television monitors are placed along the sides of the room.]
    Caption Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photograph of a gallery space. Various musical instruments and audio devices are placed around the middle of the room, photographs and vitrines hang on the walls, and various television monitors are placed along the sides of the room.
    Year 2023
    Related pages Yasunao Tone: Region of Paramedia
  • Tasneem, 2020, charcoal self-portrait
    Caption Tasneem, 2020, charcoal self-portrait
    Image description
    Year
    Related pages ARTstudio
  • Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 27 / Stephon Lawrence / Manuel Paul López.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 27 / Stephon Lawrence / Manuel Paul López.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 27 / Stephon Lawrence / Manuel Paul López.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 27 / Stephon Lawrence / Manuel Paul López.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Stephon Lawrence & Manuel Paul López
  • Caption
    Image description
    Year
    Related pages Whitney Independent Study: Everything is Common
  • Close-up of a rectangular, silver metal plaque hanging on a white gallery wall. The plaque is inscribed with a diagram of an exhibition space. Numbers note the location of the artworks, while a key next to the diagram notes the titles and other tombstone information of the works.
    Close-up of a rectangular, silver metal plaque hanging on a white gallery wall. The plaque is inscribed with a diagram of an exhibition space. Numbers note the location of the artworks, while a key next to the diagram notes the titles and other tombstone information of the works.
    Danh Vo: Autoerotic Asphyxiation. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [Close-up of a rectangular, silver metal plaque hanging on a white gallery wall. The plaque is inscribed with a diagram of an exhibition space. Numbers note the location of the artworks, while a key next to the diagram notes the titles and other tombstone information of the works.]
    Caption Danh Vo: Autoerotic Asphyxiation. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description Close-up of a rectangular, silver metal plaque hanging on a white gallery wall. The plaque is inscribed with a diagram of an exhibition space. Numbers note the location of the artworks, while a key next to the diagram notes the titles and other tombstone information of the works.
    Year 2010
    Related pages Danh Vo: Autoerotic Asphyxiation
  • A band of three performers sit on stage. From left to right the performers play: a double-neck guitar, drums, and a bass of guitar. The room and stage is bathed in a green and white light, created from a projection.
    A band of three performers sit on stage. From left to right the performers play: a double-neck guitar, drums, and a bass of guitar. The room and stage is bathed in a green and white light, created from a projection.
    Abasement #79. Performance documentation, August 11th, 2025, Artists Space. Photo: Joshua Wildman. [A band of three performers sit on stage. From left to right the performers play: a double-neck guitar, drums, and a bass of guitar. The room and stage is bathed in a green and white light, created from a projection.]
    Caption Abasement #79. Performance documentation, August 11th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description A band of three performers sit on stage. From left to right the performers play: a double-neck guitar, drums, and a bass of guitar. The room and stage is bathed in a green and white light, created from a projection.
    Year
    Related pages Abasement #79
  • dissolving city, digital photographs, 2024
    Caption dissolving city, digital photographs, 2024
    Image description
    Year
    Related pages BRIDGE Photography
  • Lissette and Ruby, Las Avenida de los Gigantes, acrylic paint on paper, 2024
    Caption Lissette and Ruby, Las Avenida de los Gigantes, acrylic paint on paper, 2024
    Image description
    Year
    Related pages Threads of History
  • Three wine glasses sit next to each other on a glass shelf with a black background. Each glass has text lasered into the front. From left to right the first says,
    Three wine glasses sit next to each other on a glass shelf with a black background. Each glass has text lasered into the front. From left to right the first says,
    Louise Lawler, Who Says, Who Shows, Who Counts, 1990, Three chablis glasses with glass shelf, 8 1/2 x 14 x 4 1/4 in (21,6 x 35,6 x 10,8 cm), Edition of 50, Signed & numbered. [Three wine glasses sit next to each other on a glass shelf with a black background. Each glass has text lasered into the front. From left to right the first says, "who says," the second, "who shows," and the third, "who counts."]
    Caption Louise Lawler, Who Says, Who Shows, Who Counts, 1990, Three chablis glasses with glass shelf, 8 1/2 x 14 x 4 1/4 in (21,6 x 35,6 x 10,8 cm), Edition of 50, Signed & numbered.
    Image description Three wine glasses sit next to each other on a glass shelf with a black background. Each glass has text lasered into the front. From left to right the first says, "who says," the second, "who shows," and the third, "who counts."
    Year 1990
    Related pages Editions
  • Black and white printed images are collaged over a yellow and beige background, with scribbles of red and white ink. In the bottom middle a torn piece of paper reads sideways:
    Black and white printed images are collaged over a yellow and beige background, with scribbles of red and white ink. In the bottom middle a torn piece of paper reads sideways:
    Flyer for Abasement: #60. October 3, 2022, Artists Space. [Black and white printed images are collaged over a yellow and beige background, with scribbles of red and white ink. In the bottom middle a torn piece of paper reads sideways: "ABASEMENT 60 / abasement 60." In the bottom right corner upside down text reads "ARTISTS SPACE / october 3."]
    Caption Flyer for Abasement: #60. October 3, 2022, Artists Space.
    Image description Black and white printed images are collaged over a yellow and beige background, with scribbles of red and white ink. In the bottom middle a torn piece of paper reads sideways: "ABASEMENT 60 / abasement 60." In the bottom right corner upside down text reads "ARTISTS SPACE / october 3."
    Year
    Related pages Abasement #60
  • Caption
    Image description
    Year
    Related pages fwiw
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A color image of a dark room featuring illuminated yellow and orange shapes floating on the wall and reflected on the floor.
    A color image of a dark room featuring illuminated yellow and orange shapes floating on the wall and reflected on the floor.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022. [A color image of a dark room featuring illuminated yellow and orange shapes floating on the wall and reflected on the floor.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022.
    Image description A color image of a dark room featuring illuminated yellow and orange shapes floating on the wall and reflected on the floor.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • Black text on an orange background. The text reads: “Oct 12 / Nancy Mercado / Sloppi Chulo.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on an orange background. The text reads: “Oct 12 / Nancy Mercado / Sloppi Chulo.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on an orange background. The text reads: “Oct 12 / Nancy Mercado / Sloppi Chulo.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on an orange background. The text reads: “Oct 12 / Nancy Mercado / Sloppi Chulo.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Sloppi Chulo & Nancy Mercado
  • Color image of a seated musician playing an oboe into a microphone. The musician is dressed in all black and has medium length black hair. The image catches the musician with their eyes downturned, just a moment before blowing air into the oboe. The musician and the back wall are flooded with a circle of yellow light, in the top corners, the yellow turns into blue.
    Color image of a seated musician playing an oboe into a microphone. The musician is dressed in all black and has medium length black hair. The image catches the musician with their eyes downturned, just a moment before blowing air into the oboe. The musician and the back wall are flooded with a circle of yellow light, in the top corners, the yellow turns into blue.
    Abasement #68. Performance documentation, February 12, 2024, Artists Space. Photo: Joshua Wildman. [Color image of a seated musician playing an oboe into a microphone. The musician is dressed in all black and has medium length black hair. The image catches the musician with their eyes downturned, just a moment before blowing air into the oboe. The musician and the back wall are flooded with a circle of yellow light, in the top corners, the yellow turns into blue. ]
    Caption Abasement #68. Performance documentation, February 12, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Color image of a seated musician playing an oboe into a microphone. The musician is dressed in all black and has medium length black hair. The image catches the musician with their eyes downturned, just a moment before blowing air into the oboe. The musician and the back wall are flooded with a circle of yellow light, in the top corners, the yellow turns into blue.
    Year
    Related pages Abasement #68
  • A figure to the left plays the saxophone while another figure sitting in the middle of the frame watches with a guitar in his lap, another figure in the back right plays the bass.
    A figure to the left plays the saxophone while another figure sitting in the middle of the frame watches with a guitar in his lap, another figure in the back right plays the bass.
    Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman [A figure to the left plays the saxophone while another figure sitting in the middle of the frame watches with a guitar in his lap, another figure in the back right plays the bass.]
    Caption Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure to the left plays the saxophone while another figure sitting in the middle of the frame watches with a guitar in his lap, another figure in the back right plays the bass.
    Year 2022
    Related pages Tisziji Muñoz with Francisco Mora Catlett and AfroHORN
  • A still from Totloop, set during the twilight, featuring an empty model house being lit on fire, with a small tree visible to its left.
    A still from Totloop, set during the twilight, featuring an empty model house being lit on fire, with a small tree visible to its left.
    Union Gaucha Productions in collaboration with Fabio Kacero. Still from Totloop, 2003. 16mm film (silent, color), 4 min 49 sec. Courtesy of Union Gaucha Productions. [A still from Totloop, set during the twilight, featuring an empty model house being lit on fire, with a small tree visible to its left.]
    Caption Union Gaucha Productions in collaboration with Fabio Kacero. Still from Totloop, 2003. 16mm film (silent, color), 4 min 49 sec. Courtesy of Union Gaucha Productions.
    Image description A still from Totloop, set during the twilight, featuring an empty model house being lit on fire, with a small tree visible to its left.
    Year 2003
    Related pages Union Gaucha Productions
  • A white bust with a plaque reading
    A white bust with a plaque reading
    Still from The Last Days of Jack Sheppard (2009). [A white bust with a plaque reading "DEFOE" below it. Slightly offset and partially in shadow is a man seen in profile, dressed identically to the bust with a powdered wig.]
    Caption Still from The Last Days of Jack Sheppard (2009).
    Image description A white bust with a plaque reading "DEFOE" below it. Slightly offset and partially in shadow is a man seen in profile, dressed identically to the bust with a powdered wig.
    Year 2009
    Related pages The Last Days of Jack Sheppard
  • William Carlos Williams' poem
    William Carlos Williams' poem
    [William Carlos Williams' poem "For Eleanor and Bill Monahan" written in black text on a white background.]
    Caption
    Image description William Carlos Williams' poem "For Eleanor and Bill Monahan" written in black text on a white background.
    Year 2011
    Related pages Simon Amstell's Do Nothing, read by Will Holder
  • A view of a gallery space with concrete floors, white walls, and white columns. In the foreground, a grouping of five striped cylinders of varying sizes are placed on the floor. Other works are visible in the background.
    A view of a gallery space with concrete floors, white walls, and white columns. In the foreground, a grouping of five striped cylinders of varying sizes are placed on the floor. Other works are visible in the background.
    Selections from the Artists File. Installation view, Artists Space, 1988. [A view of a gallery space with concrete floors, white walls, and white columns. In the foreground, a grouping of five striped cylinders of varying sizes are placed on the floor. Other works are visible in the background.]
    Caption Selections from the Artists File. Installation view, Artists Space, 1988.
    Image description A view of a gallery space with concrete floors, white walls, and white columns. In the foreground, a grouping of five striped cylinders of varying sizes are placed on the floor. Other works are visible in the background.
    Year 1988
    Related pages Selections from the Artist File
  • Close-up color image of two performers. Occupying most of the image is a performer in a red robe with only one button buttoned so the middle of their chest is exposed. A necklace with chunky white beads and a silver pendant with a black tassel hangs around their neck and down their bare chest. The performer's right hand is raised up, their head turned down, looking over their left shoulder to the second performer who stands behind them. The performer dressed in red with a bald head holds a microphone in their left hand. On the red-dressed performer's left shoulder, another performer, wearing a bald cap looks up at them. Their right hand is raised, touching the red performer's forearm. Their faces and the wall behind them is illuminated by the bright white light of the projected image. --
    Close-up color image of two performers. Occupying most of the image is a performer in a red robe with only one button buttoned so the middle of their chest is exposed. A necklace with chunky white beads and a silver pendant with a black tassel hangs around their neck and down their bare chest. The performer's right hand is raised up, their head turned down, looking over their left shoulder to the second performer who stands behind them. The performer dressed in red with a bald head holds a microphone in their left hand. On the red-dressed performer's left shoulder, another performer, wearing a bald cap looks up at them. Their right hand is raised, touching the red performer's forearm. Their faces and the wall behind them is illuminated by the bright white light of the projected image. --
    Abasement #68. Performance documentation, February 12, 2024, Artists Space. Photo: Joshua Wildman. [Close-up color image of two performers. Occupying most of the image is a performer in a red robe with only one button buttoned so the middle of their chest is exposed. A necklace with chunky white beads and a silver pendant with a black tassel hangs around their neck and down their bare chest. The performer's right hand is raised up, their head turned down, looking over their left shoulder to the second performer who stands behind them. The performer dressed in red with a bald head holds a microphone in their left hand. On the red-dressed performer's left shoulder, another performer, wearing a bald cap looks up at them. Their right hand is raised, touching the red performer's forearm. Their faces and the wall behind them is illuminated by the bright white light of the projected image. --]
    Caption Abasement #68. Performance documentation, February 12, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Close-up color image of two performers. Occupying most of the image is a performer in a red robe with only one button buttoned so the middle of their chest is exposed. A necklace with chunky white beads and a silver pendant with a black tassel hangs around their neck and down their bare chest. The performer's right hand is raised up, their head turned down, looking over their left shoulder to the second performer who stands behind them. The performer dressed in red with a bald head holds a microphone in their left hand. On the red-dressed performer's left shoulder, another performer, wearing a bald cap looks up at them. Their right hand is raised, touching the red performer's forearm. Their faces and the wall behind them is illuminated by the bright white light of the projected image. --
    Year
    Related pages Abasement #68
  • Three walls hung with small works on paper and photographs are visible. There is a window on the right.
    Three walls hung with small works on paper and photographs are visible. There is a window on the right.
    Art From the British Left. Installation view, Artists Space, 1979. Artwork by Mary Kelly. Courtesy Artists Space. [Three walls hung with small works on paper and photographs are visible. There is a window on the right.]
    Caption Art From the British Left. Installation view, Artists Space, 1979. Artwork by Mary Kelly. Courtesy Artists Space.
    Image description Three walls hung with small works on paper and photographs are visible. There is a window on the right.
    Year 1979
    Related pages Art From the British Left
  • Color image of 5 musicians performing in front of blue, pink and yellow projected swirling visuals. From left to right instruments shown are clarinet, vibraphone, trumpet, cello and violin. A small group of audience members are shown in front of the stage.
    Color image of 5 musicians performing in front of blue, pink and yellow projected swirling visuals. From left to right instruments shown are clarinet, vibraphone, trumpet, cello and violin. A small group of audience members are shown in front of the stage.
    Abasement #70. Performance documentation, July 1st, 2024, Artists Space. Photo: Joshua Wildman. [Color image of 5 musicians performing in front of blue, pink and yellow projected swirling visuals. From left to right instruments shown are clarinet, vibraphone, trumpet, cello and violin. A small group of audience members are shown in front of the stage.]
    Caption Abasement #70. Performance documentation, July 1st, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Color image of 5 musicians performing in front of blue, pink and yellow projected swirling visuals. From left to right instruments shown are clarinet, vibraphone, trumpet, cello and violin. A small group of audience members are shown in front of the stage.
    Year
    Related pages Abasement #70
  • A black and white image of a man and woman looking out beyond the camera with expressions of fear and concern. They each cradle a child in their arms. A young boy gazes up at the woman's face, clutching onto her arm with one hand. The man holds a girl close, his hand protectively bringing her head against his chest.
    A black and white image of a man and woman looking out beyond the camera with expressions of fear and concern. They each cradle a child in their arms. A young boy gazes up at the woman's face, clutching onto her arm with one hand. The man holds a girl close, his hand protectively bringing her head against his chest.
    Still from Mrs. Miniver, 1942. [A black and white image of a man and woman looking out beyond the camera with expressions of fear and concern. They each cradle a child in their arms. A young boy gazes up at the woman's face, clutching onto her arm with one hand. The man holds a girl close, his hand protectively bringing her head against his chest.]
    Caption Still from Mrs. Miniver, 1942.
    Image description A black and white image of a man and woman looking out beyond the camera with expressions of fear and concern. They each cradle a child in their arms. A young boy gazes up at the woman's face, clutching onto her arm with one hand. The man holds a girl close, his hand protectively bringing her head against his chest.
    Year 1942
    Related pages Mrs. Miniver
  • A sculpted pedestal with a black object on it is visible on a wooden floor below a sculpted multilayered cross hanging on a white gallery wall. Numbers are visible above the image.
    A sculpted pedestal with a black object on it is visible on a wooden floor below a sculpted multilayered cross hanging on a white gallery wall. Numbers are visible above the image.
    Jerry Beck, Cryptic Cross, 1985. [A sculpted pedestal with a black object on it is visible on a wooden floor below a sculpted multilayered cross hanging on a white gallery wall. Numbers are visible above the image.]
    Caption Jerry Beck, Cryptic Cross, 1985.
    Image description A sculpted pedestal with a black object on it is visible on a wooden floor below a sculpted multilayered cross hanging on a white gallery wall. Numbers are visible above the image.
    Year
    Related pages U.S. Projects
  • An empty dim-lit room with chairs with a projection on the wall. The projection features a close-up image of a person with wavy brown hair covering their face, lying facedown on a fluffy white carpet.
    An empty dim-lit room with chairs with a projection on the wall. The projection features a close-up image of a person with wavy brown hair covering their face, lying facedown on a fluffy white carpet.
    Laura Cottingham & The Anita Pallenberg Story. Installation view, Artists Space, 2017. Photo: Daniel Pérez. [An empty dim-lit room with chairs with a projection on the wall. The projection features a close-up image of a person with wavy brown hair covering their face, lying facedown on a fluffy white carpet.]
    Caption Laura Cottingham & The Anita Pallenberg Story. Installation view, Artists Space, 2017. Photo: Daniel Pérez.
    Image description An empty dim-lit room with chairs with a projection on the wall. The projection features a close-up image of a person with wavy brown hair covering their face, lying facedown on a fluffy white carpet.
    Year 2017
    Related pages Laura Cottingham & The Anita Pallenberg Story
  • In a dark room with a black wall and wood floor, there is a spotlight shining on two frog plushies. One sits horizontally in the lap of another who is seated in a director's chair. Two more director's chairs, not illuminated, sit facing the frogs. The spotlight, the chairs, and the frogs all appear miniature-sized.
    In a dark room with a black wall and wood floor, there is a spotlight shining on two frog plushies. One sits horizontally in the lap of another who is seated in a director's chair. Two more director's chairs, not illuminated, sit facing the frogs. The spotlight, the chairs, and the frogs all appear miniature-sized.
    Aristotelis Nikolas Mochloulis, Frog Man and Baby Frog, 2025, Michigan J. Frog plushies, miniature directors chairs, ARRI 150W light, Manfrotto Nano light stand. [In a dark room with a black wall and wood floor, there is a spotlight shining on two frog plushies. One sits horizontally in the lap of another who is seated in a director's chair. Two more director's chairs, not illuminated, sit facing the frogs. The spotlight, the chairs, and the frogs all appear miniature-sized.]
    Caption Aristotelis Nikolas Mochloulis, Frog Man and Baby Frog, 2025, Michigan J. Frog plushies, miniature directors chairs, ARRI 150W light, Manfrotto Nano light stand.
    Image description In a dark room with a black wall and wood floor, there is a spotlight shining on two frog plushies. One sits horizontally in the lap of another who is seated in a director's chair. Two more director's chairs, not illuminated, sit facing the frogs. The spotlight, the chairs, and the frogs all appear miniature-sized.
    Year 2024
    Related pages Nandi Loaf Aristotelis Nikolas Mochloulis Ricardo Nagaoka Sydney Schrader
  • Black-and-white photograph of a reed organ covered in plastic with an ice cube placed on top of the keyboard, a microphone stand, and a music stand with a clock resting on it. In the background is a stage with chairs set up.
    Black-and-white photograph of a reed organ covered in plastic with an ice cube placed on top of the keyboard, a microphone stand, and a music stand with a clock resting on it. In the background is a stage with chairs set up.
    Yasunao Tone performing Genealogy and Music, Event 201, Merce Cunningham Studio, New York, 1978 [Black-and-white photograph of a reed organ covered in plastic with an ice cube placed on top of the keyboard, a microphone stand, and a music stand with a clock resting on it. In the background is a stage with chairs set up.]
    Caption Yasunao Tone performing Genealogy and Music, Event 201, Merce Cunningham Studio, New York, 1978
    Image description Black-and-white photograph of a reed organ covered in plastic with an ice cube placed on top of the keyboard, a microphone stand, and a music stand with a clock resting on it. In the background is a stage with chairs set up.
    Year
    Related pages Yasunao Tone Concert #2
  • A poster design featuring two figures—a child and an older man—superimposed on a dark backdrop. The child's image has a blue hue and takes the shape of a circular cut-out, while the older man's image has a yellow hue. Above both figures, white text superimposed against a towering city skyline reads,
    A poster design featuring two figures—a child and an older man—superimposed on a dark backdrop. The child's image has a blue hue and takes the shape of a circular cut-out, while the older man's image has a yellow hue. Above both figures, white text superimposed against a towering city skyline reads,
    [A poster design featuring two figures—a child and an older man—superimposed on a dark backdrop. The child's image has a blue hue and takes the shape of a circular cut-out, while the older man's image has a yellow hue. Above both figures, white text superimposed against a towering city skyline reads, "DER ANGRIFF DER GEGENWART AUF DIE UBRIGE ZEIT / EIN FILM VON ALEXANDER KLUGE."]
    Caption
    Image description A poster design featuring two figures—a child and an older man—superimposed on a dark backdrop. The child's image has a blue hue and takes the shape of a circular cut-out, while the older man's image has a yellow hue. Above both figures, white text superimposed against a towering city skyline reads, "DER ANGRIFF DER GEGENWART AUF DIE UBRIGE ZEIT / EIN FILM VON ALEXANDER KLUGE."
    Year 2007
    Related pages Program 1 - In The Poem About Love You Don't Write The Word Love Film Series at Anthology Film Archives
  • A flyer with an abstract, colorful artwork on the left and exhibition information on the right.
    A flyer with an abstract, colorful artwork on the left and exhibition information on the right.
    Exterior of exhibition invitation. International Art Exhibition for Palestine. Beirut, 1978. Courtesy Mona Saudi. [A flyer with an abstract, colorful artwork on the left and exhibition information on the right.]
    Caption Exterior of exhibition invitation. International Art Exhibition for Palestine. Beirut, 1978. Courtesy Mona Saudi.
    Image description A flyer with an abstract, colorful artwork on the left and exhibition information on the right.
    Year 1978
    Related pages Past Disquiet
  • A photo in a black frame shows a person in military uniform, leaning against a concrete wall looking at a person who faces away from the camera with a patterned headscarf, red sweater, and light-yellow blanket.
    A photo in a black frame shows a person in military uniform, leaning against a concrete wall looking at a person who faces away from the camera with a patterned headscarf, red sweater, and light-yellow blanket.
    Emily Jacir, woman to woman, 2003/2009, C-Print, Sheet size: 12 x 16 inches (30.5 x 41 cm), Framed size: 14 3/4 x 18 1/2 inches (37.5 x 47 cm), Printed by Laumont. [A photo in a black frame shows a person in military uniform, leaning against a concrete wall looking at a person who faces away from the camera with a patterned headscarf, red sweater, and light-yellow blanket.]
    Caption Emily Jacir, woman to woman, 2003/2009, C-Print, Sheet size: 12 x 16 inches (30.5 x 41 cm), Framed size: 14 3/4 x 18 1/2 inches (37.5 x 47 cm), Printed by Laumont.
    Image description A photo in a black frame shows a person in military uniform, leaning against a concrete wall looking at a person who faces away from the camera with a patterned headscarf, red sweater, and light-yellow blanket.
    Year 2003.2009
    Related pages Editions
  • A black and white image of a building. A black flag hangs that reads,
    A black and white image of a building. A black flag hangs that reads,
    Artists Space, 38 Greene Street, 1993 – 2016. [A black and white image of a building. A black flag hangs that reads, "ARTISTS SPACE."]
    Caption Artists Space, 38 Greene Street, 1993 – 2016.
    Image description A black and white image of a building. A black flag hangs that reads, "ARTISTS SPACE."
    Year 2016
    Related pages Social Surfaces
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A color photograph of a drawer positioned vertically on plywood in the corner of a gallery space. In front of the drawer is a ceramic jug and several other obkects including a wand.
    A color photograph of a drawer positioned vertically on plywood in the corner of a gallery space. In front of the drawer is a ceramic jug and several other obkects including a wand.
    Lyndon Barrois Jr., Diverses Expériences par la Baguette, 2022. Plastic, copper, brass, divination wand, drawer, ceramic jug, solvent transfers, plywood, brass. 35 x 26.5 x 19.5 inches. Photo: Filip Wolak. [A color photograph of a drawer positioned vertically on plywood in the corner of a gallery space. In front of the drawer is a ceramic jug and several other obkects including a wand.]
    Caption Lyndon Barrois Jr., Diverses Expériences par la Baguette, 2022. Plastic, copper, brass, divination wand, drawer, ceramic jug, solvent transfers, plywood, brass. 35 x 26.5 x 19.5 inches. Photo: Filip Wolak.
    Image description A color photograph of a drawer positioned vertically on plywood in the corner of a gallery space. In front of the drawer is a ceramic jug and several other obkects including a wand.
    Year 2022
    Related pages Lyndon Barrois Jr.: Mirage Collar
  • A sideways image of a photograph sitting on top of an open book. The photographs shows four people sitting next to each other. The book page is split with a column of text and a black and white image of a billboard that reads,
    A sideways image of a photograph sitting on top of an open book. The photographs shows four people sitting next to each other. The book page is split with a column of text and a black and white image of a billboard that reads,
    [A sideways image of a photograph sitting on top of an open book. The photographs shows four people sitting next to each other. The book page is split with a column of text and a black and white image of a billboard that reads, "Growing with Birmingham!"]
    Caption
    Image description A sideways image of a photograph sitting on top of an open book. The photographs shows four people sitting next to each other. The book page is split with a column of text and a black and white image of a billboard that reads, "Growing with Birmingham!"
    Year 2007
    Related pages Replica of a Lost Original
  • Two screens are mounted, one above the other, on two metal poles. They show a single image split across the two screens of a black fabric with white dots, zigzags, and lines. In the background, there are two more screens mounted vertically on two metal poles. They show a black image with white light spots.
    Two screens are mounted, one above the other, on two metal poles. They show a single image split across the two screens of a black fabric with white dots, zigzags, and lines. In the background, there are two more screens mounted vertically on two metal poles. They show a black image with white light spots.
    Hilary Lloyd. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [Two screens are mounted, one above the other, on two metal poles. They show a single image split across the two screens of a black fabric with white dots, zigzags, and lines. In the background, there are two more screens mounted vertically on two metal poles. They show a black image with white light spots.]
    Caption Hilary Lloyd. Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description Two screens are mounted, one above the other, on two metal poles. They show a single image split across the two screens of a black fabric with white dots, zigzags, and lines. In the background, there are two more screens mounted vertically on two metal poles. They show a black image with white light spots.
    Year 2011
    Related pages Hilary Lloyd
  • Image of a basement with two sculptures made of wood and fresnel lenses placed on either side of the image. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    Image of a basement with two sculptures made of wood and fresnel lenses placed on either side of the image. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement with two sculptures made of wood and fresnel lenses placed on either side of the image. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.]
    Caption SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a basement with two sculptures made of wood and fresnel lenses placed on either side of the image. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    Year 2022
    Related pages SCRAAATCH 11-18
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A close-up image of an assemblage with a figure on the left-hand side in a white suit holding a microphone.
    A close-up image of an assemblage with a figure on the left-hand side in a white suit holding a microphone.
    Jutta Koether, Fifth Season Act, Apotheosically, Artists Space, 2012. [A close-up image of an assemblage with a figure on the left-hand side in a white suit holding a microphone.]
    Caption Jutta Koether, Fifth Season Act, Apotheosically, Artists Space, 2012.
    Image description A close-up image of an assemblage with a figure on the left-hand side in a white suit holding a microphone.
    Year 2012
    Related pages Jutta Koether
  • Cindy Sherman, Jack Hanley, Claudia Gould, and Alexandra Audler stand together and smile at the camera in front of a red wall with an illusionistic landscape view inside a painted pointed arch window.
    Cindy Sherman, Jack Hanley, Claudia Gould, and Alexandra Audler stand together and smile at the camera in front of a red wall with an illusionistic landscape view inside a painted pointed arch window.
    Cindy Sherman, Jack Hanley, Claudia Gould, Alexandra Auder. Photo: Jenna Bascom [Cindy Sherman, Jack Hanley, Claudia Gould, and Alexandra Audler stand together and smile at the camera in front of a red wall with an illusionistic landscape view inside a painted pointed arch window. ]
    Caption Cindy Sherman, Jack Hanley, Claudia Gould, Alexandra Auder. Photo: Jenna Bascom
    Image description Cindy Sherman, Jack Hanley, Claudia Gould, and Alexandra Audler stand together and smile at the camera in front of a red wall with an illusionistic landscape view inside a painted pointed arch window.
    Year
    Related pages Support
  • A black-and-white image of Batman fighting another man facing away from the camera overlaid with a translucent façade of walkup apartment buildings in Manhattan
    A black-and-white image of Batman fighting another man facing away from the camera overlaid with a translucent façade of walkup apartment buildings in Manhattan
    Catily Dominici, Untitled, photography, 2016 [A black-and-white image of Batman fighting another man facing away from the camera overlaid with a translucent façade of walkup apartment buildings in Manhattan]
    Caption Catily Dominici, Untitled, photography, 2016
    Image description A black-and-white image of Batman fighting another man facing away from the camera overlaid with a translucent façade of walkup apartment buildings in Manhattan
    Year 2016
    Related pages Scholastic Art and Writing Awards
  • View of 3 performers on stage from center left. Performers pictured in front of soft pink, blue, and white light against a wall. Leftmost performers is seated, speaking into a microphone and manipulating a tape machine with hands. Performer in center is drinking from a blue water bottle. Rightmost performer is making sound through cupped hands into microphone. Sharply defined shadows against back wall.
    View of 3 performers on stage from center left. Performers pictured in front of soft pink, blue, and white light against a wall. Leftmost performers is seated, speaking into a microphone and manipulating a tape machine with hands. Performer in center is drinking from a blue water bottle. Rightmost performer is making sound through cupped hands into microphone. Sharply defined shadows against back wall.
    Abasement #70. Performance documentation, July 1st, 2024, Artists Space. Photo: Joshua Wildman. [View of 3 performers on stage from center left. Performers pictured in front of soft pink, blue, and white light against a wall. Leftmost performers is seated, speaking into a microphone and manipulating a tape machine with hands. Performer in center is drinking from a blue water bottle. Rightmost performer is making sound through cupped hands into microphone. Sharply defined shadows against back wall. ]
    Caption Abasement #70. Performance documentation, July 1st, 2024, Artists Space. Photo: Joshua Wildman.
    Image description View of 3 performers on stage from center left. Performers pictured in front of soft pink, blue, and white light against a wall. Leftmost performers is seated, speaking into a microphone and manipulating a tape machine with hands. Performer in center is drinking from a blue water bottle. Rightmost performer is making sound through cupped hands into microphone. Sharply defined shadows against back wall.
    Year
    Related pages Abasement #70
  • A black and white image of three people wearing winter coats and scarves, observing something to the left of the camera.
    A black and white image of three people wearing winter coats and scarves, observing something to the left of the camera.
    Jo Anstey and Julie Zando. Still from The Bus Stops Here, 1990. 27 min. Photo: Micki McGee. [A black and white image of three people wearing winter coats and scarves, observing something to the left of the camera.]
    Caption Jo Anstey and Julie Zando. Still from The Bus Stops Here, 1990. 27 min. Photo: Micki McGee.
    Image description A black and white image of three people wearing winter coats and scarves, observing something to the left of the camera.
    Year 1990
    Related pages Body Language: Studies in Female Expression
  • The Spanish translation of the poem “La cholla, o cactus saltador, se agarra.../Cholla, or jumping cactus, attaches...” is shown above a thin grey horizontal line, below which appears the English translation of the same poem.
    The Spanish translation of the poem “La cholla, o cactus saltador, se agarra.../Cholla, or jumping cactus, attaches...” is shown above a thin grey horizontal line, below which appears the English translation of the same poem.
    Electronic Disturbance Theater 2.0/b.a.n.g. lab. The Transborder Immigrant Tool, 2007–ongoing. Pages excerpted from The Transborder Immigrant Tool publication. Courtesy the artist, University of Michigan Ann Arbor, and University of California, San Diego. [The Spanish translation of the poem “La cholla, o cactus saltador, se agarra.../Cholla, or jumping cactus, attaches...” is shown above a thin grey horizontal line, below which appears the English translation of the same poem.]
    Caption Electronic Disturbance Theater 2.0/b.a.n.g. lab. The Transborder Immigrant Tool, 2007–ongoing. Pages excerpted from The Transborder Immigrant Tool publication. Courtesy the artist, University of Michigan Ann Arbor, and University of California, San Diego.
    Image description The Spanish translation of the poem “La cholla, o cactus saltador, se agarra.../Cholla, or jumping cactus, attaches...” is shown above a thin grey horizontal line, below which appears the English translation of the same poem.
    Year 2007
    Related pages Whitney ISP Archive
  • A color photo of two smiling individuals seated at a banquet table, the person to the right has her hand on another guest's shoulder. The background depicts several other guests out of focus.
    A color photo of two smiling individuals seated at a banquet table, the person to the right has her hand on another guest's shoulder. The background depicts several other guests out of focus.
    The Founders Dinner, 2019. [A color photo of two smiling individuals seated at a banquet table, the person to the right has her hand on another guest's shoulder. The background depicts several other guests out of focus.]
    Caption The Founders Dinner, 2019.
    Image description A color photo of two smiling individuals seated at a banquet table, the person to the right has her hand on another guest's shoulder. The background depicts several other guests out of focus.
    Year 2019
    Related pages Support
  • Black text on a grey background. The text reads: “Jan 31 / Bruce Andrews / Christopher Knowles.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on a grey background. The text reads: “Jan 31 / Bruce Andrews / Christopher Knowles.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on a grey background. The text reads: “Jan 31 / Bruce Andrews / Christopher Knowles.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on a grey background. The text reads: “Jan 31 / Bruce Andrews / Christopher Knowles.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Bruce Andrews & Christopher Knowles
  • The photo shows steel rods that make a curved pyramid shape laying on its side with an LED light-strip running along one of the rods. The sculpture lies on a wooden floor against a white wall.
    The photo shows steel rods that make a curved pyramid shape laying on its side with an LED light-strip running along one of the rods. The sculpture lies on a wooden floor against a white wall.
    Joan Jonas, Night Light, 2013, Steel and LEDs, 37 x 15 x 10 inches (94 x 38 x 25 cm), Edition of 10 + 1 AP, Signed certificate. [The photo shows steel rods that make a curved pyramid shape laying on its side with an LED light-strip running along one of the rods. The sculpture lies on a wooden floor against a white wall.]
    Caption Joan Jonas, Night Light, 2013, Steel and LEDs, 37 x 15 x 10 inches (94 x 38 x 25 cm), Edition of 10 + 1 AP, Signed certificate.
    Image description The photo shows steel rods that make a curved pyramid shape laying on its side with an LED light-strip running along one of the rods. The sculpture lies on a wooden floor against a white wall.
    Year 2013
    Related pages Editions
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
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    Year
    Related pages Abasement #88
  • Detail view of four sculptures hung on the wall. The sculptures are ordered in neutral tones ranging from light to dark. Their shapes are approximately rectangular, each divided into quadrant segments.
    Detail view of four sculptures hung on the wall. The sculptures are ordered in neutral tones ranging from light to dark. Their shapes are approximately rectangular, each divided into quadrant segments.
    UniBodies. Installation view, Artists Space, 2006. Photo: Bill Ocrutt. [Detail view of four sculptures hung on the wall. The sculptures are ordered in neutral tones ranging from light to dark. Their shapes are approximately rectangular, each divided into quadrant segments.]
    Caption UniBodies. Installation view, Artists Space, 2006. Photo: Bill Ocrutt.
    Image description Detail view of four sculptures hung on the wall. The sculptures are ordered in neutral tones ranging from light to dark. Their shapes are approximately rectangular, each divided into quadrant segments.
    Year 2006
    Related pages UniBodies
  • Margit Lewczuk. For Freda, 1985.
    Caption Margit Lewczuk. For Freda, 1985.
    Image description
    Year
    Related pages Four Artists: An Exhibition of Painting and Sculpture
  • Screenshot of an Instagram image posted 18 minutes ago by an account named
    Screenshot of an Instagram image posted 18 minutes ago by an account named
    [Screenshot of an Instagram image posted 18 minutes ago by an account named "tusetamer." The photo depicts an outdoor concrete wall with an air conditioner unit visible in the background. Red text spray painted across the wall reads, "Tayyip / WINTER IS / COMING."]
    Caption
    Image description Screenshot of an Instagram image posted 18 minutes ago by an account named "tusetamer." The photo depicts an outdoor concrete wall with an air conditioner unit visible in the background. Red text spray painted across the wall reads, "Tayyip / WINTER IS / COMING."
    Year 2104
    Related pages Notes on the Anthropocene
  • A person working in a small space enclosed by walls, painted red with white text. At the top of the wall, large letters read
    A person working in a small space enclosed by walls, painted red with white text. At the top of the wall, large letters read
    Activated Walls. Installation view, Artists Space, 1993. [A person working in a small space enclosed by walls, painted red with white text. At the top of the wall, large letters read "AZT=DEATH", with a paragraph of text stretching across three walls. Underneath, there are a dozen white pieces of a paper taped up.]
    Caption Activated Walls. Installation view, Artists Space, 1993.
    Image description A person working in a small space enclosed by walls, painted red with white text. At the top of the wall, large letters read "AZT=DEATH", with a paragraph of text stretching across three walls. Underneath, there are a dozen white pieces of a paper taped up.
    Year 1993
    Related pages Activated Walls
  • A large, framed photograph of two books, a wooden rectangle, and a photograph stacked vertically on each other. There is a second photograph offset to the right in the image.
    A large, framed photograph of two books, a wooden rectangle, and a photograph stacked vertically on each other. There is a second photograph offset to the right in the image.
    Leslie Hewitt, Make it Plain, 2006. C-print. [A large, framed photograph of two books, a wooden rectangle, and a photograph stacked vertically on each other. There is a second photograph offset to the right in the image.]
    Caption Leslie Hewitt, Make it Plain, 2006. C-print.
    Image description A large, framed photograph of two books, a wooden rectangle, and a photograph stacked vertically on each other. There is a second photograph offset to the right in the image.
    Year 2006
    Related pages Replica of a Lost Original
  • An ant is mounted on a white surface by a white pin through its center. Its shadow is visible underneath it.
    An ant is mounted on a white surface by a white pin through its center. Its shadow is visible underneath it.
    Mark Morrisroe, Untitled, 1986. Courtesy The Estate of Mark Morrisroe (Ringier Collection) at Fotomuseum Winterthur. [An ant is mounted on a white surface by a white pin through its center. Its shadow is visible underneath it.]
    Caption Mark Morrisroe, Untitled, 1986. Courtesy The Estate of Mark Morrisroe (Ringier Collection) at Fotomuseum Winterthur.
    Image description An ant is mounted on a white surface by a white pin through its center. Its shadow is visible underneath it.
    Year 2011
    Related pages Mark Morrisroe: From This Moment On
  • A hand reaches into a bronze penny-share dish filled with coins.
    A hand reaches into a bronze penny-share dish filled with coins.
    Constantina Zavitsanos, LEAVE - A - PENNY / TAKE - A - PENNY, 2024, Bronze, 4.5 in. x 4.25 in. x 1.5 in. Photo: Destiny Mata [A hand reaches into a bronze penny-share dish filled with coins.]
    Caption Constantina Zavitsanos, LEAVE - A - PENNY / TAKE - A - PENNY, 2024, Bronze, 4.5 in. x 4.25 in. x 1.5 in. Photo: Destiny Mata
    Image description A hand reaches into a bronze penny-share dish filled with coins.
    Year
    Related pages fwiw
  • Two figures hold medical instruments over a table with a manneuqin and an IV.
    Two figures hold medical instruments over a table with a manneuqin and an IV.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York. [Two figures hold medical instruments over a table with a manneuqin and an IV.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York.
    Image description Two figures hold medical instruments over a table with a manneuqin and an IV.
    Year
    Related pages Grandmother Cindy
  • Ana Vieira-Gerbracht, Untitled, 2021, digital photography
    Caption Ana Vieira-Gerbracht, Untitled, 2021, digital photography
    Image description
    Year 2021
    Related pages BRIDGE Photography
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A small black table leans at an angle, one corner resting on a white wall and one leg resting on an inflated balloon with a face printed on it. Coming out of the ballon is a flowered dress, attached to a fan by an inflation tube. Beyond that, visible behind a half wall, are two red shades with holes covering two windows.
    A small black table leans at an angle, one corner resting on a white wall and one leg resting on an inflated balloon with a face printed on it. Coming out of the ballon is a flowered dress, attached to a fan by an inflation tube. Beyond that, visible behind a half wall, are two red shades with holes covering two windows.
    Flipside. Installation view, Artists Space, 2004. [A small black table leans at an angle, one corner resting on a white wall and one leg resting on an inflated balloon with a face printed on it. Coming out of the ballon is a flowered dress, attached to a fan by an inflation tube. Beyond that, visible behind a half wall, are two red shades with holes covering two windows.]
    Caption Flipside. Installation view, Artists Space, 2004.
    Image description A small black table leans at an angle, one corner resting on a white wall and one leg resting on an inflated balloon with a face printed on it. Coming out of the ballon is a flowered dress, attached to a fan by an inflation tube. Beyond that, visible behind a half wall, are two red shades with holes covering two windows.
    Year 2004
    Related pages Flipside
  • A person suspended as if swimming or floating, with large headphones, a silver bikini top, and loose, blue pants and bangles up her arms on a blue background. Red text above her reads,
    A person suspended as if swimming or floating, with large headphones, a silver bikini top, and loose, blue pants and bangles up her arms on a blue background. Red text above her reads,
    Mr. Dead & Mrs. Free invitation, 1996. [A person suspended as if swimming or floating, with large headphones, a silver bikini top, and loose, blue pants and bangles up her arms on a blue background. Red text above her reads, "from back out to south came / the King of the Gestapoes / Lord of the Sabotage / Ruler of the Astronauts..." and white text below reads, "Mr. DEAD & Mrs. FREE."]
    Caption Mr. Dead & Mrs. Free invitation, 1996.
    Image description A person suspended as if swimming or floating, with large headphones, a silver bikini top, and loose, blue pants and bangles up her arms on a blue background. Red text above her reads, "from back out to south came / the King of the Gestapoes / Lord of the Sabotage / Ruler of the Astronauts..." and white text below reads, "Mr. DEAD & Mrs. FREE."
    Year 1996
    Related pages Mr. Dead & Mrs. Free: A History of Squat Theatre (1969 – 1991)
  • A pink tote bag with the black Louise Lawler-designed Artists Space logo in the middle - A black circle around a black
    A pink tote bag with the black Louise Lawler-designed Artists Space logo in the middle - A black circle around a black
    Louise Lawler Tote Bag. Produced by Artists Space. 2017. $20 [A pink tote bag with the black Louise Lawler-designed Artists Space logo in the middle - A black circle around a black "A", with small, pink, all-caps text, "ARTISTS SPACE" in the middle of the A.]
    Caption Louise Lawler Tote Bag. Produced by Artists Space. 2017. $20
    Image description A pink tote bag with the black Louise Lawler-designed Artists Space logo in the middle - A black circle around a black "A", with small, pink, all-caps text, "ARTISTS SPACE" in the middle of the A.
    Year
    Related pages Artists Space Items
  • Color photograph of a performer dressed in white, kneeling on all fours. A bright light from their pelvic area shines onto the floor, as viewers stand around the figure.
    Color photograph of a performer dressed in white, kneeling on all fours. A bright light from their pelvic area shines onto the floor, as viewers stand around the figure.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a performer dressed in white, kneeling on all fours. A bright light from their pelvic area shines onto the floor, as viewers stand around the figure.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a performer dressed in white, kneeling on all fours. A bright light from their pelvic area shines onto the floor, as viewers stand around the figure.
    Year 2022
    Related pages keyon gaskin 12-16
  • A photograph of a gallery space with white walls hung with artworks. In the foreground is a large painting that takes the form of a map of Korea. In the background, another gallery with more artworks is visible.
    A photograph of a gallery space with white walls hung with artworks. In the foreground is a large painting that takes the form of a map of Korea. In the background, another gallery with more artworks is visible.
    Min Joong Art. Installation view, Artists Space, 1988. [A photograph of a gallery space with white walls hung with artworks. In the foreground is a large painting that takes the form of a map of Korea. In the background, another gallery with more artworks is visible.]
    Caption Min Joong Art. Installation view, Artists Space, 1988.
    Image description A photograph of a gallery space with white walls hung with artworks. In the foreground is a large painting that takes the form of a map of Korea. In the background, another gallery with more artworks is visible.
    Year 1988
    Related pages Min Joong Art: A New Cultural Moment from Korea
  • A gray television sits on a rectangular wooden board. There is a mass of wires extending from the back of it snaking towards a pile of nearby photographs. On one white wall opposite, there are two identical images. Leaning on the other white wall is a framed photograph of two books, a wooden rectangle, and a photograph stacked vertically on each other. There is a second photograph offset to the right.
    A gray television sits on a rectangular wooden board. There is a mass of wires extending from the back of it snaking towards a pile of nearby photographs. On one white wall opposite, there are two identical images. Leaning on the other white wall is a framed photograph of two books, a wooden rectangle, and a photograph stacked vertically on each other. There is a second photograph offset to the right.
    Replica of a Lost Original. Installation view, Artists Space, 2007. Photo: Bill Orcutt. [A gray television sits on a rectangular wooden board. There is a mass of wires extending from the back of it snaking towards a pile of nearby photographs. On one white wall opposite, there are two identical images. Leaning on the other white wall is a framed photograph of two books, a wooden rectangle, and a photograph stacked vertically on each other. There is a second photograph offset to the right.]
    Caption Replica of a Lost Original. Installation view, Artists Space, 2007. Photo: Bill Orcutt.
    Image description A gray television sits on a rectangular wooden board. There is a mass of wires extending from the back of it snaking towards a pile of nearby photographs. On one white wall opposite, there are two identical images. Leaning on the other white wall is a framed photograph of two books, a wooden rectangle, and a photograph stacked vertically on each other. There is a second photograph offset to the right.
    Year 2007
    Related pages Replica of a Lost Original
  • Color image of a gallery space with large panels of adobe with paintings of various figures on them. Adobe bricks are laid out on the floor to create a small walkway. Paintings are also hung on either side of the wall, each depicting different views of a freeway.
    Color image of a gallery space with large panels of adobe with paintings of various figures on them. Adobe bricks are laid out on the floor to create a small walkway. Paintings are also hung on either side of the wall, each depicting different views of a freeway.
    rafa esparza: Camino. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color image of a gallery space with large panels of adobe with paintings of various figures on them. Adobe bricks are laid out on the floor to create a small walkway. Paintings are also hung on either side of the wall, each depicting different views of a freeway.]
    Caption rafa esparza: Camino. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color image of a gallery space with large panels of adobe with paintings of various figures on them. Adobe bricks are laid out on the floor to create a small walkway. Paintings are also hung on either side of the wall, each depicting different views of a freeway.
    Year
    Related pages rafa esparza: Camino
  • A framed image installed on a white gallery wall that extends into an exhibition space. A glass wall framed by black, metal paneling is positioned to the left of the white wall. Through it, several freestanding, colorful panels decorated with cartoonish illustrations of pinwheels and forests are displayed in an open room.
    A framed image installed on a white gallery wall that extends into an exhibition space. A glass wall framed by black, metal paneling is positioned to the left of the white wall. Through it, several freestanding, colorful panels decorated with cartoonish illustrations of pinwheels and forests are displayed in an open room.
    Sam Pulitzer: A Colony for “Them”. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A framed image installed on a white gallery wall that extends into an exhibition space. A glass wall framed by black, metal paneling is positioned to the left of the white wall. Through it, several freestanding, colorful panels decorated with cartoonish illustrations of pinwheels and forests are displayed in an open room.]
    Caption Sam Pulitzer: A Colony for “Them”. Installation view, Artists Space, 2014. Photo: Daniel Pérez.
    Image description A framed image installed on a white gallery wall that extends into an exhibition space. A glass wall framed by black, metal paneling is positioned to the left of the white wall. Through it, several freestanding, colorful panels decorated with cartoonish illustrations of pinwheels and forests are displayed in an open room.
    Year 2014
    Related pages Sam Pulitzer: A Colony for "Them"
  • A figure plays the guitar sitting down, while another figure stands behind him playing the bass.
    A figure plays the guitar sitting down, while another figure stands behind him playing the bass.
    Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman [A figure plays the guitar sitting down, while another figure stands behind him playing the bass.]
    Caption Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure plays the guitar sitting down, while another figure stands behind him playing the bass.
    Year 2022
    Related pages Tisziji Muñoz with Francisco Mora Catlett and AfroHORN
  • An installation view shows a darkened space flooded in red light. Between two ornate columns, a projector is mounted close to the ground on a short stand. An iridescent blue glows around a shadow cast by a scientific experiment on the left wall behind, while the ceiling is covered in warm crescent silhouettes. On the back black wall, lines of projected text overlap in varying directions.
    An installation view shows a darkened space flooded in red light. Between two ornate columns, a projector is mounted close to the ground on a short stand. An iridescent blue glows around a shadow cast by a scientific experiment on the left wall behind, while the ceiling is covered in warm crescent silhouettes. On the back black wall, lines of projected text overlap in varying directions.
    Constantina Zavitsanos: fwiw. Installation view, Artists Space, 2024. Photo: Carter Seddon. [An installation view shows a darkened space flooded in red light. Between two ornate columns, a projector is mounted close to the ground on a short stand. An iridescent blue glows around a shadow cast by a scientific experiment on the left wall behind, while the ceiling is covered in warm crescent silhouettes. On the back black wall, lines of projected text overlap in varying directions.]
    Caption Constantina Zavitsanos: fwiw. Installation view, Artists Space, 2024. Photo: Carter Seddon.
    Image description An installation view shows a darkened space flooded in red light. Between two ornate columns, a projector is mounted close to the ground on a short stand. An iridescent blue glows around a shadow cast by a scientific experiment on the left wall behind, while the ceiling is covered in warm crescent silhouettes. On the back black wall, lines of projected text overlap in varying directions.
    Year
    Related pages fwiw
  • A drawing shows a man reading a magazine while sitting on the couch. A shirtless man leans on the couch behind him, reading the magazine over the seated man's shoulder.
    A drawing shows a man reading a magazine while sitting on the couch. A shirtless man leans on the couch behind him, reading the magazine over the seated man's shoulder.
    Tom of Finland, Untitled, 1985. Graphite on paper. Tom of Finland Foundation, Permanent Collection. [A drawing shows a man reading a magazine while sitting on the couch. A shirtless man leans on the couch behind him, reading the magazine over the seated man's shoulder.]
    Caption Tom of Finland, Untitled, 1985. Graphite on paper. Tom of Finland Foundation, Permanent Collection.
    Image description A drawing shows a man reading a magazine while sitting on the couch. A shirtless man leans on the couch behind him, reading the magazine over the seated man's shoulder.
    Year 1985
    Related pages Touko Laaksonen (Tom of Finland)
  • A cartoon drawing of a bedroom with a purple bed, chair, and window
    A cartoon drawing of a bedroom with a purple bed, chair, and window
    Courtesy No Total. [A cartoon drawing of a bedroom with a purple bed, chair, and window]
    Caption Courtesy No Total.
    Image description A cartoon drawing of a bedroom with a purple bed, chair, and window
    Year 2017
    Related pages You Should Wake Up Earlier
  • A two-toned wardrobe constructed from wood stands between two framed mirrors mounted on a yellow-orange wall above marble tiling. The reflection between the two mirrors causes the wardrobe's image to be repeated infinitely.
    A two-toned wardrobe constructed from wood stands between two framed mirrors mounted on a yellow-orange wall above marble tiling. The reflection between the two mirrors causes the wardrobe's image to be repeated infinitely.
    Yuki Kimura, Wardrobe Extensions Version 4, Oracle, Berlin, 2018. [A two-toned wardrobe constructed from wood stands between two framed mirrors mounted on a yellow-orange wall above marble tiling. The reflection between the two mirrors causes the wardrobe's image to be repeated infinitely.]
    Caption Yuki Kimura, Wardrobe Extensions Version 4, Oracle, Berlin, 2018.
    Image description A two-toned wardrobe constructed from wood stands between two framed mirrors mounted on a yellow-orange wall above marble tiling. The reflection between the two mirrors causes the wardrobe's image to be repeated infinitely.
    Year 2018
    Related pages Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater
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  • A man reclines while reading on a daybed draped with green linens. Behind him are four bookcases filled with vinyl records.
    A man reclines while reading on a daybed draped with green linens. Behind him are four bookcases filled with vinyl records.
    Moyra Davey, still from Fifty Minutes, 2011. 50 min. [A man reclines while reading on a daybed draped with green linens. Behind him are four bookcases filled with vinyl records.]
    Caption Moyra Davey, still from Fifty Minutes, 2011. 50 min.
    Image description A man reclines while reading on a daybed draped with green linens. Behind him are four bookcases filled with vinyl records.
    Year 2011
    Related pages Film and Video Program | Macho Man, Tell It To My Heart: Collected by Julie Ault | January 9
  • Brad Kronz, The Expert Thinks the Artist is a Fool, 2025. Wooden stool, felt, boiled wool, fabric, nails, screws, marker, pencil. Photo: Carter Seddon
    Caption Brad Kronz, The Expert Thinks the Artist is a Fool, 2025. Wooden stool, felt, boiled wool, fabric, nails, screws, marker, pencil. Photo: Carter Seddon
    Image description
    Year
    Related pages Brad Kronz
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Black and white photograph of white picket fence opening with dark painted background behind it.
    Black and white photograph of white picket fence opening with dark painted background behind it.
    Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Candice Hill-Montgomery. [Black and white photograph of white picket fence opening with dark painted background behind it.]
    Caption Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Candice Hill-Montgomery.
    Image description Black and white photograph of white picket fence opening with dark painted background behind it.
    Year
    Related pages Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach
  • A white book cover with patterned text reading,
    A white book cover with patterned text reading,
    Pop or Populus: Art Between High and Low, by Bettina Funcke, published by Sternberg Press, 2009. [A white book cover with patterned text reading, "Pop or Populus." In between these words, small black text reads, "Art between High and Low" and "Betinna Funcke".]
    Caption Pop or Populus: Art Between High and Low, by Bettina Funcke, published by Sternberg Press, 2009.
    Image description A white book cover with patterned text reading, "Pop or Populus." In between these words, small black text reads, "Art between High and Low" and "Betinna Funcke".
    Year 2009
    Related pages Pop or Populus: Art Between High and Low
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • An projection is present centrally in the image while strings and wire hang in the surrounding area of the work. All is hung in a white-walled and black floor gallery space.
    An projection is present centrally in the image while strings and wire hang in the surrounding area of the work. All is hung in a white-walled and black floor gallery space.
    Patricia Thornley. Untitled (detail), 1985. Electrical wire, string, fans, photograph, spotlight, wood, wax, dirt, water. [An projection is present centrally in the image while strings and wire hang in the surrounding area of the work. All is hung in a white-walled and black floor gallery space.]
    Caption Patricia Thornley. Untitled (detail), 1985. Electrical wire, string, fans, photograph, spotlight, wood, wax, dirt, water.
    Image description An projection is present centrally in the image while strings and wire hang in the surrounding area of the work. All is hung in a white-walled and black floor gallery space.
    Year
    Related pages U.S. Projects
  • Two musicians standing on stage use electronic instruments. In the foreground there various more cords and audio instruments on stands. Both musicians have microphones and one is wearing a woven hat. The wall behind them is projected with images of trees, and a red light illuminates the left side of the frame.
    Two musicians standing on stage use electronic instruments. In the foreground there various more cords and audio instruments on stands. Both musicians have microphones and one is wearing a woven hat. The wall behind them is projected with images of trees, and a red light illuminates the left side of the frame.
    Abasement #71. Performance documentation, August 5th, 2024, Artists Space. Photo: Joshua Wildman. [Two musicians standing on stage use electronic instruments. In the foreground there various more cords and audio instruments on stands. Both musicians have microphones and one is wearing a woven hat. The wall behind them is projected with images of trees, and a red light illuminates the left side of the frame.]
    Caption Abasement #71. Performance documentation, August 5th, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Two musicians standing on stage use electronic instruments. In the foreground there various more cords and audio instruments on stands. Both musicians have microphones and one is wearing a woven hat. The wall behind them is projected with images of trees, and a red light illuminates the left side of the frame.
    Year
    Related pages Abasement #71
  • Several figures fill a dimly lit, basement room. Some figures sit and talk on large couches, while others stand and talk to each other. Video projections play on two of the space’s walls.
    Several figures fill a dimly lit, basement room. Some figures sit and talk on large couches, while others stand and talk to each other. Video projections play on two of the space’s walls.
    Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [Several figures fill a dimly lit, basement room. Some figures sit and talk on large couches, while others stand and talk to each other. Video projections play on two of the space’s walls.]
    Caption Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description Several figures fill a dimly lit, basement room. Some figures sit and talk on large couches, while others stand and talk to each other. Video projections play on two of the space’s walls.
    Year 2019
    Related pages Speaker Music: drape over another
  • Black-and-white image of a figure in a long black coat bending down and drawing a hop scotch pattern in an alleyway using white chalk.
    Black-and-white image of a figure in a long black coat bending down and drawing a hop scotch pattern in an alleyway using white chalk.
    Kenji Kanesaka, still from Hop Scotch, 1967 [Black-and-white image of a figure in a long black coat bending down and drawing a hop scotch pattern in an alleyway using white chalk.]
    Caption Kenji Kanesaka, still from Hop Scotch, 1967
    Image description Black-and-white image of a figure in a long black coat bending down and drawing a hop scotch pattern in an alleyway using white chalk.
    Year
    Related pages Yasunao Tone Weekend
  • A wooden platform on wheels surrounded by a border of small poppy red brick-like sculptures, that continue to surround the base of a white pole. Sculptures and paintings are visible on the back wall behind the wooden platform.
    A wooden platform on wheels surrounded by a border of small poppy red brick-like sculptures, that continue to surround the base of a white pole. Sculptures and paintings are visible on the back wall behind the wooden platform.
    Social Surfaces. Installation view, Alexander and Bonin, 2017. Photo: Ron Amstutz. [A wooden platform on wheels surrounded by a border of small poppy red brick-like sculptures, that continue to surround the base of a white pole. Sculptures and paintings are visible on the back wall behind the wooden platform.]
    Caption Social Surfaces. Installation view, Alexander and Bonin, 2017. Photo: Ron Amstutz.
    Image description A wooden platform on wheels surrounded by a border of small poppy red brick-like sculptures, that continue to surround the base of a white pole. Sculptures and paintings are visible on the back wall behind the wooden platform.
    Year 2017
    Related pages Social Surfaces
  • Red text reading “we cover for you / new red order / 1-888-NEW-RED1 / newredorder.org” is overlaid on an image of a person in a black shirt holding a rock in front of their face.
    Red text reading “we cover for you / new red order / 1-888-NEW-RED1 / newredorder.org” is overlaid on an image of a person in a black shirt holding a rock in front of their face.
    [Red text reading “we cover for you / new red order / 1-888-NEW-RED1 / newredorder.org” is overlaid on an image of a person in a black shirt holding a rock in front of their face.]
    Caption
    Image description Red text reading “we cover for you / new red order / 1-888-NEW-RED1 / newredorder.org” is overlaid on an image of a person in a black shirt holding a rock in front of their face.
    Year
    Related pages New Red Order: Informants Get Paid!
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • Close up image of a series of black shelves mounted to a white wall. Various wooden blocks painted with scenes of crowds, witches, and other characters are placed on the shelves, alongside smaller blocks decorated with white letters that spell out words including
    Close up image of a series of black shelves mounted to a white wall. Various wooden blocks painted with scenes of crowds, witches, and other characters are placed on the shelves, alongside smaller blocks decorated with white letters that spell out words including
    [Close up image of a series of black shelves mounted to a white wall. Various wooden blocks painted with scenes of crowds, witches, and other characters are placed on the shelves, alongside smaller blocks decorated with white letters that spell out words including "stooge," "atheist," and "traitor." At the center of the shelves sits a black figurine of a goat.]
    Caption
    Image description Close up image of a series of black shelves mounted to a white wall. Various wooden blocks painted with scenes of crowds, witches, and other characters are placed on the shelves, alongside smaller blocks decorated with white letters that spell out words including "stooge," "atheist," and "traitor." At the center of the shelves sits a black figurine of a goat.
    Year 1991
    Related pages Project: Our Bodice, Our Selves
  • Caption
    Image description
    Year
    Related pages Tiffany Sia: Slippery When Wet
  • Contact sheet of photos from the opening reception of the exhibition.
    Contact sheet of photos from the opening reception of the exhibition.
    Young Fluxus. Installation view, Artists Space, 1982. [Contact sheet of photos from the opening reception of the exhibition.]
    Caption Young Fluxus. Installation view, Artists Space, 1982.
    Image description Contact sheet of photos from the opening reception of the exhibition.
    Year
    Related pages Young Fluxus
  • A blue-lit gallery space is filled with various sculptures arranged on the floor, including including morning stars with cow horn spikes; two bamboo and rebar spears shaped into rectangles; bricks wrapped in cowrie shells; sugar cane rollers; resin pools; and ceramic balls. On the wall, an orange stain appears to emerge from the floor.
    A blue-lit gallery space is filled with various sculptures arranged on the floor, including including morning stars with cow horn spikes; two bamboo and rebar spears shaped into rectangles; bricks wrapped in cowrie shells; sugar cane rollers; resin pools; and ceramic balls. On the wall, an orange stain appears to emerge from the floor.
    Shani Strand: Everything Must Be Returned. Installation view, June 12 - August 15, 2026, Artists Space. Photo: Carter Seddon [A blue-lit gallery space is filled with various sculptures arranged on the floor, including including morning stars with cow horn spikes; two bamboo and rebar spears shaped into rectangles; bricks wrapped in cowrie shells; sugar cane rollers; resin pools; and ceramic balls. On the wall, an orange stain appears to emerge from the floor.]
    Caption Shani Strand: Everything Must Be Returned. Installation view, June 12 - August 15, 2026, Artists Space. Photo: Carter Seddon
    Image description A blue-lit gallery space is filled with various sculptures arranged on the floor, including including morning stars with cow horn spikes; two bamboo and rebar spears shaped into rectangles; bricks wrapped in cowrie shells; sugar cane rollers; resin pools; and ceramic balls. On the wall, an orange stain appears to emerge from the floor.
    Year
    Related pages Shani Strand: Everything Must Be Returned
  • A construction net hangs from the ceiling to the floor with four tree trunks placed on top of it on the floor. Colorful fabrics are placed on top of the tree trunks. A wooden bench sits behind the trunks and faces a video projection in front of the wall.
    A construction net hangs from the ceiling to the floor with four tree trunks placed on top of it on the floor. Colorful fabrics are placed on top of the tree trunks. A wooden bench sits behind the trunks and faces a video projection in front of the wall.
    Las Nietas de Nonó, FOODTOPIA: en el suelo aspero, 2022, digital video, tree trunks, bench, construction net; Dimensions variable, Image courtesy Artists Space, New York, Photo: Filip Wolak [A construction net hangs from the ceiling to the floor with four tree trunks placed on top of it on the floor. Colorful fabrics are placed on top of the tree trunks. A wooden bench sits behind the trunks and faces a video projection in front of the wall.]
    Caption Las Nietas de Nonó, FOODTOPIA: en el suelo aspero, 2022, digital video, tree trunks, bench, construction net; Dimensions variable, Image courtesy Artists Space, New York, Photo: Filip Wolak
    Image description A construction net hangs from the ceiling to the floor with four tree trunks placed on top of it on the floor. Colorful fabrics are placed on top of the tree trunks. A wooden bench sits behind the trunks and faces a video projection in front of the wall.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • Color image of a gallery space with large panels of adobe with paintings of various figures on them. Adobe bricks are laid out on the floor to create a small walkway.
    Color image of a gallery space with large panels of adobe with paintings of various figures on them. Adobe bricks are laid out on the floor to create a small walkway.
    rafa esparza: Camino. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color image of a gallery space with large panels of adobe with paintings of various figures on them. Adobe bricks are laid out on the floor to create a small walkway.]
    Caption rafa esparza: Camino. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color image of a gallery space with large panels of adobe with paintings of various figures on them. Adobe bricks are laid out on the floor to create a small walkway.
    Year
    Related pages rafa esparza: Camino
  • A color photograph of a figure standing in an orange-lit space filled with various audio equipment and a stereo player. They lean down to press adjust a dial on an audio mixer.
    A color photograph of a figure standing in an orange-lit space filled with various audio equipment and a stereo player. They lean down to press adjust a dial on an audio mixer.
    Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. Photo: Filip Wolak [A color photograph of a figure standing in an orange-lit space filled with various audio equipment and a stereo player. They lean down to press adjust a dial on an audio mixer.]
    Caption Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. Photo: Filip Wolak
    Image description A color photograph of a figure standing in an orange-lit space filled with various audio equipment and a stereo player. They lean down to press adjust a dial on an audio mixer.
    Year 2022
    Related pages Yuji Agematsu
  • Color photograph of a figure wearing a conical sheath of reflective one-way mirror film. They stand in the corner of a dark room, shining a bright light against the wall behind them. Their silhouette can be vaguely seen under the mirror film.
    Color photograph of a figure wearing a conical sheath of reflective one-way mirror film. They stand in the corner of a dark room, shining a bright light against the wall behind them. Their silhouette can be vaguely seen under the mirror film.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure wearing a conical sheath of reflective one-way mirror film. They stand in the corner of a dark room, shining a bright light against the wall behind them. Their silhouette can be vaguely seen under the mirror film.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a figure wearing a conical sheath of reflective one-way mirror film. They stand in the corner of a dark room, shining a bright light against the wall behind them. Their silhouette can be vaguely seen under the mirror film.
    Year 2022
    Related pages keyon gaskin 12-16
  • Displayed on shelf, a framed poster, an open book, and book showing multiple images on cover.
    Displayed on shelf, a framed poster, an open book, and book showing multiple images on cover.
    She Who Is: Adrienne Kennedy and the Drama of Difference. Installation view, Artists Space, February 29 – September 19, 2020. Photo: Filip Wolak. [Displayed on shelf, a framed poster, an open book, and book showing multiple images on cover.]
    Caption She Who Is: Adrienne Kennedy and the Drama of Difference. Installation view, Artists Space, February 29 – September 19, 2020. Photo: Filip Wolak.
    Image description Displayed on shelf, a framed poster, an open book, and book showing multiple images on cover.
    Year 2020
    Related pages She Who Is: Adrienne Kennedy and the Drama of Difference
  • An expansive space with a grid of white columns, sheer curtains cover windows lining the back wall.
    An expansive space with a grid of white columns, sheer curtains cover windows lining the back wall.
    Danh Vo: Autoerotic Asphyxiation. Installation view, Artists Space. 2010 [An expansive space with a grid of white columns, sheer curtains cover windows lining the back wall.]
    Caption Danh Vo: Autoerotic Asphyxiation. Installation view, Artists Space. 2010
    Image description An expansive space with a grid of white columns, sheer curtains cover windows lining the back wall.
    Year 2010
    Related pages
  • A colorful drawing of a Goya can behind a package of canilla enriched rice, and an empty cap. Each object is lying on an orange surface, with a green background
    A colorful drawing of a Goya can behind a package of canilla enriched rice, and an empty cap. Each object is lying on an orange surface, with a green background
    Nelissa Rodriguez, 2014 [A colorful drawing of a Goya can behind a package of canilla enriched rice, and an empty cap. Each object is lying on an orange surface, with a green background]
    Caption Nelissa Rodriguez, 2014
    Image description A colorful drawing of a Goya can behind a package of canilla enriched rice, and an empty cap. Each object is lying on an orange surface, with a green background
    Year
    Related pages Scholastic Art and Writing Awards
  • The image shows a wooden paddle with the preamble for the U.S. Constitution reproduced on it. It says,
    The image shows a wooden paddle with the preamble for the U.S. Constitution reproduced on it. It says,
    Mike Kelley, Untitled, 1992, Beech wood paddle with screen print and leather strap, 23 1/4 in x 6 in x 3/4 in / 59.1 cm x 15.2 cm x 1.9 cm, Edition of 50. [The image shows a wooden paddle with the preamble for the U.S. Constitution reproduced on it. It says, "We the People of the United States, in Order to form a more perfect Union, establish Justice, insure domestic Tranquility, provide for the common defence, promote the general Welfare, and secure the Blessings of Liberty to ourselves and our Posterity, do ordain and establish this Constitution for the United States of America."]
    Caption Mike Kelley, Untitled, 1992, Beech wood paddle with screen print and leather strap, 23 1/4 in x 6 in x 3/4 in / 59.1 cm x 15.2 cm x 1.9 cm, Edition of 50.
    Image description The image shows a wooden paddle with the preamble for the U.S. Constitution reproduced on it. It says, "We the People of the United States, in Order to form a more perfect Union, establish Justice, insure domestic Tranquility, provide for the common defence, promote the general Welfare, and secure the Blessings of Liberty to ourselves and our Posterity, do ordain and establish this Constitution for the United States of America."
    Year 1992
    Related pages Editions
  • Color photograph of a gallery space with an installation consisting of a large mirrored pond, made from a wooden base with a reflective lining on top, that is surrounded by tree trunks, plants, fish tanks, and a phone booth. A large lamp hangs from the ceiling, and an orange construction net is placed over the pond.
    Color photograph of a gallery space with an installation consisting of a large mirrored pond, made from a wooden base with a reflective lining on top, that is surrounded by tree trunks, plants, fish tanks, and a phone booth. A large lamp hangs from the ceiling, and an orange construction net is placed over the pond.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a gallery space with an installation consisting of a large mirrored pond, made from a wooden base with a reflective lining on top, that is surrounded by tree trunks, plants, fish tanks, and a phone booth. A large lamp hangs from the ceiling, and an orange construction net is placed over the pond.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of a gallery space with an installation consisting of a large mirrored pond, made from a wooden base with a reflective lining on top, that is surrounded by tree trunks, plants, fish tanks, and a phone booth. A large lamp hangs from the ceiling, and an orange construction net is placed over the pond.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • Two portrait-oriented screens are each mounted on two floor to ceiling metal poles. The screens face outward at a 90-degree angle to each other and show abstract images.
    Two portrait-oriented screens are each mounted on two floor to ceiling metal poles. The screens face outward at a 90-degree angle to each other and show abstract images.
    Hilary Lloyd. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [Two portrait-oriented screens are each mounted on two floor to ceiling metal poles. The screens face outward at a 90-degree angle to each other and show abstract images.]
    Caption Hilary Lloyd. Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description Two portrait-oriented screens are each mounted on two floor to ceiling metal poles. The screens face outward at a 90-degree angle to each other and show abstract images.
    Year 2011
    Related pages Hilary Lloyd
  • A large, shiny black structure consisting of three columns supporting a large, irregularly shaped flat plane installed in a gallery space. A black-and-white image wraps around the rightmost, cylindrical column of the structure. The image depicts a person dressing a mannequin in an office.
    A large, shiny black structure consisting of three columns supporting a large, irregularly shaped flat plane installed in a gallery space. A black-and-white image wraps around the rightmost, cylindrical column of the structure. The image depicts a person dressing a mannequin in an office.
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [A large, shiny black structure consisting of three columns supporting a large, irregularly shaped flat plane installed in a gallery space. A black-and-white image wraps around the rightmost, cylindrical column of the structure. The image depicts a person dressing a mannequin in an office.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description A large, shiny black structure consisting of three columns supporting a large, irregularly shaped flat plane installed in a gallery space. A black-and-white image wraps around the rightmost, cylindrical column of the structure. The image depicts a person dressing a mannequin in an office.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • Two pieces of wood are joined to create a miniature stage set. In the center, sitting in a miniature director's chair are two cartoon frog plushies wearing black top hats. The larger frog plushy cradles the smaller frog in it's arms. Two more director's chairs are positioned facing the plushies, along with a miniature stage light and stand that shines a spotlight on the plushies.
    Two pieces of wood are joined to create a miniature stage set. In the center, sitting in a miniature director's chair are two cartoon frog plushies wearing black top hats. The larger frog plushy cradles the smaller frog in it's arms. Two more director's chairs are positioned facing the plushies, along with a miniature stage light and stand that shines a spotlight on the plushies.
    Aristotelis Nikolas Mochloulis, Frog Man & Baby Frog, 2025. Michigan J. Frog plushies, miniature directors chairs, ARRI 150 Junior light, Manfrotto Nano light stand, speakers, audio excerpts from movies. Photo: Carter Seddon. [Two pieces of wood are joined to create a miniature stage set. In the center, sitting in a miniature director's chair are two cartoon frog plushies wearing black top hats. The larger frog plushy cradles the smaller frog in it's arms. Two more director's chairs are positioned facing the plushies, along with a miniature stage light and stand that shines a spotlight on the plushies.]
    Caption Aristotelis Nikolas Mochloulis, Frog Man & Baby Frog, 2025. Michigan J. Frog plushies, miniature directors chairs, ARRI 150 Junior light, Manfrotto Nano light stand, speakers, audio excerpts from movies. Photo: Carter Seddon.
    Image description Two pieces of wood are joined to create a miniature stage set. In the center, sitting in a miniature director's chair are two cartoon frog plushies wearing black top hats. The larger frog plushy cradles the smaller frog in it's arms. Two more director's chairs are positioned facing the plushies, along with a miniature stage light and stand that shines a spotlight on the plushies.
    Year
    Related pages Aristotelis Nikolas Mochloulis Tour 3
  • A black and white photo of an exhibition space, four sculptures on pedestals line the room diagonally with a mural painting behind them.
    A black and white photo of an exhibition space, four sculptures on pedestals line the room diagonally with a mural painting behind them.
    We the People. Installation view, Artists Space. 1987 [A black and white photo of an exhibition space, four sculptures on pedestals line the room diagonally with a mural painting behind them.]
    Caption We the People. Installation view, Artists Space. 1987
    Image description A black and white photo of an exhibition space, four sculptures on pedestals line the room diagonally with a mural painting behind them.
    Year 1987
    Related pages
  • Two photographs displayed side-by-side on a white gallery wall. The photographs are of identical size and are installed in thin, dark frames. The photograph on the left depicts a nondescript industrial building, while a tall urban building is visible in the skyline of the image to the right.
    Two photographs displayed side-by-side on a white gallery wall. The photographs are of identical size and are installed in thin, dark frames. The photograph on the left depicts a nondescript industrial building, while a tall urban building is visible in the skyline of the image to the right.
    Urban Pornography. Installation view, Artists Space, 2001. [Two photographs displayed side-by-side on a white gallery wall. The photographs are of identical size and are installed in thin, dark frames. The photograph on the left depicts a nondescript industrial building, while a tall urban building is visible in the skyline of the image to the right.]
    Caption Urban Pornography. Installation view, Artists Space, 2001.
    Image description Two photographs displayed side-by-side on a white gallery wall. The photographs are of identical size and are installed in thin, dark frames. The photograph on the left depicts a nondescript industrial building, while a tall urban building is visible in the skyline of the image to the right.
    Year 2001
    Related pages Urban Pornography
  • Several black and white photographs and documents organized into a grid on a white surface.
    Several black and white photographs and documents organized into a grid on a white surface.
    Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [Several black and white photographs and documents organized into a grid on a white surface.]
    Caption Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description Several black and white photographs and documents organized into a grid on a white surface.
    Year 2013
    Related pages Documenting Cadere: 1972 - 1978
  • Stamped yellow text spelling out
    Stamped yellow text spelling out
    [Stamped yellow text spelling out "W.A.G.E" at a slight angle. Underneath that, typed pink text reads, "Working Artists and the Greater Economy."]
    Caption
    Image description Stamped yellow text spelling out "W.A.G.E" at a slight angle. Underneath that, typed pink text reads, "Working Artists and the Greater Economy."
    Year 2012
    Related pages W.A.G.E.: Feeling the Shape of the Arts Economy
  • An abstract sculpture made of sticks, cords, and a textile sits in the center of a gallery space. Three large paintings hang on the walls around it, all blending abstract, painterly designs with latin text.
    An abstract sculpture made of sticks, cords, and a textile sits in the center of a gallery space. Three large paintings hang on the walls around it, all blending abstract, painterly designs with latin text.
    Metaphysical Visions. Installation view, Artists Space, 1989. [An abstract sculpture made of sticks, cords, and a textile sits in the center of a gallery space. Three large paintings hang on the walls around it, all blending abstract, painterly designs with latin text.]
    Caption Metaphysical Visions. Installation view, Artists Space, 1989.
    Image description An abstract sculpture made of sticks, cords, and a textile sits in the center of a gallery space. Three large paintings hang on the walls around it, all blending abstract, painterly designs with latin text.
    Year 1989
    Related pages Metaphysical Visions: Middle Europe
  • Sculpted boots appear wih leaves on a leaf-covered section of the floor surrounded by a picket fence. In the background a white door opens up with a stack behind it. Nearby tree branches and other rustic constructions populate the gallery space.
    Sculpted boots appear wih leaves on a leaf-covered section of the floor surrounded by a picket fence. In the background a white door opens up with a stack behind it. Nearby tree branches and other rustic constructions populate the gallery space.
    Installation view from Six Sculptors, Artists Space, January 25 ,1986 - February 22, 1986. [Sculpted boots appear wih leaves on a leaf-covered section of the floor surrounded by a picket fence. In the background a white door opens up with a stack behind it. Nearby tree branches and other rustic constructions populate the gallery space.]
    Caption Installation view from Six Sculptors, Artists Space, January 25 ,1986 - February 22, 1986.
    Image description Sculpted boots appear wih leaves on a leaf-covered section of the floor surrounded by a picket fence. In the background a white door opens up with a stack behind it. Nearby tree branches and other rustic constructions populate the gallery space.
    Year 1986
    Related pages Six Sculptors
  • A close-up, black and white photo of a person mid-speech, looking off-center.
    A close-up, black and white photo of a person mid-speech, looking off-center.
    Lyn Blumenthal and Kate Horsfield, still from Nancy Spero: An Interview, 1982. 35 min. [A close-up, black and white photo of a person mid-speech, looking off-center.]
    Caption Lyn Blumenthal and Kate Horsfield, still from Nancy Spero: An Interview, 1982. 35 min.
    Image description A close-up, black and white photo of a person mid-speech, looking off-center.
    Year 1982
    Related pages Film and Video Program | Macho Man, Tell It To My Heart: Collected by Julie Ault | January 16
  • El Nascimiento De La Tierra, Recirculation, Word-Up Community Book Store pop-up, May 2024
    Caption El Nascimiento De La Tierra, Recirculation, Word-Up Community Book Store pop-up, May 2024
    Image description
    Year
    Related pages Exhibitions and Events
  • Two performers stand side by side on stage. One performer plays a brass instrument and the other a woodwind instrument. The performers and room are bathed in colorful light, created from a projection of a geometric pattern of green, blue, and red stripes.
    Two performers stand side by side on stage. One performer plays a brass instrument and the other a woodwind instrument. The performers and room are bathed in colorful light, created from a projection of a geometric pattern of green, blue, and red stripes.
    Abasement #79. Performance documentation, August 11th, 2025, Artists Space. Photo: Joshua Wildman. [Two performers stand side by side on stage. One performer plays a brass instrument and the other a woodwind instrument. The performers and room are bathed in colorful light, created from a projection of a geometric pattern of green, blue, and red stripes.]
    Caption Abasement #79. Performance documentation, August 11th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Two performers stand side by side on stage. One performer plays a brass instrument and the other a woodwind instrument. The performers and room are bathed in colorful light, created from a projection of a geometric pattern of green, blue, and red stripes.
    Year
    Related pages Abasement #79
  • Assorted animals, including tropical fish, birds, reptiles, a cat, dog, and rabbit are drawn in black marker on yellow paper.
    Assorted animals, including tropical fish, birds, reptiles, a cat, dog, and rabbit are drawn in black marker on yellow paper.
    Gedi Sibony Animal Scramble, 2013, Archival inkjet print, 14 1/4 x 13 1/2 in / 36,2 x 34,3 cm (image size), 24 x 20 in / 61 x 51 cm (paper size), Signed and Numbered. [Assorted animals, including tropical fish, birds, reptiles, a cat, dog, and rabbit are drawn in black marker on yellow paper.]
    Caption Gedi Sibony Animal Scramble, 2013, Archival inkjet print, 14 1/4 x 13 1/2 in / 36,2 x 34,3 cm (image size), 24 x 20 in / 61 x 51 cm (paper size), Signed and Numbered.
    Image description Assorted animals, including tropical fish, birds, reptiles, a cat, dog, and rabbit are drawn in black marker on yellow paper.
    Year 2013
    Related pages Annual Edition Portfolio
  • A black and white image of a woman painting on a three-dimensional canvas. She holds a paintbrush in her right hand and a jar of paint in her left hand while leaning over the canvas.
    A black and white image of a woman painting on a three-dimensional canvas. She holds a paintbrush in her right hand and a jar of paint in her left hand while leaning over the canvas.
    [A black and white image of a woman painting on a three-dimensional canvas. She holds a paintbrush in her right hand and a jar of paint in her left hand while leaning over the canvas.]
    Caption
    Image description A black and white image of a woman painting on a three-dimensional canvas. She holds a paintbrush in her right hand and a jar of paint in her left hand while leaning over the canvas.
    Year 2013
    Related pages Zilia Sánchez
  • A black and white photograph of a multicolored globe sitting on a wooden floor.
    A black and white photograph of a multicolored globe sitting on a wooden floor.
    Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Gary Burnley. [A black and white photograph of a multicolored globe sitting on a wooden floor.]
    Caption Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Gary Burnley.
    Image description A black and white photograph of a multicolored globe sitting on a wooden floor.
    Year 1979
    Related pages Gary Burnley
  • A cut-out reproduction of a painting depicting a figure being beheaded is collaged over a black and white photograph of a renaissance style interior. Black text over the top half of the image reads
    A cut-out reproduction of a painting depicting a figure being beheaded is collaged over a black and white photograph of a renaissance style interior. Black text over the top half of the image reads
    Flyer for Segue Reading Series featuring Michael Gottlieb and Duriel E. Harris. Saturday, October 3, 2020, Artists Space. Artist: Keith Higginbotham [A cut-out reproduction of a painting depicting a figure being beheaded is collaged over a black and white photograph of a renaissance style interior. Black text over the top half of the image reads "Michael Gottlieb / Duriel E. Harris," and in the bottom corner black text reads "Segue."]
    Caption Flyer for Segue Reading Series featuring Michael Gottlieb and Duriel E. Harris. Saturday, October 3, 2020, Artists Space. Artist: Keith Higginbotham
    Image description A cut-out reproduction of a painting depicting a figure being beheaded is collaged over a black and white photograph of a renaissance style interior. Black text over the top half of the image reads "Michael Gottlieb / Duriel E. Harris," and in the bottom corner black text reads "Segue."
    Year 2020
    Related pages Segue Reading Series: Michael Gottlieb & Duriel E. Harris
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