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  • An image of a multicolored exhibition space consisting of beach paraphernalia, a real estate lawn sign, and a mural wall collaged with images and drawings
    An image of a multicolored exhibition space consisting of beach paraphernalia, a real estate lawn sign, and a mural wall collaged with images and drawings
    New Red Order Cover the Earth, detail, 2021 Painted mural with cut vinyl, dibond prints, kiddie pool, sod, inflatable alligator, turtle sandbox, beach towels, towel racks, beach balls, beach chairs, beach umbrella, real estate lawn sign, cooler, and pool noodles. Image courtesy Artists Space, New York Photo: Filip Wolak [An image of a multicolored exhibition space consisting of beach paraphernalia, a real estate lawn sign, and a mural wall collaged with images and drawings]
    Caption New Red Order Cover the Earth, detail, 2021 Painted mural with cut vinyl, dibond prints, kiddie pool, sod, inflatable alligator, turtle sandbox, beach towels, towel racks, beach balls, beach chairs, beach umbrella, real estate lawn sign, cooler, and pool noodles. Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description An image of a multicolored exhibition space consisting of beach paraphernalia, a real estate lawn sign, and a mural wall collaged with images and drawings
    Year 2021
    Related pages New Red Order: Feel at Home Here
  • Color image of two performers on stage, both seated in chairs. The musician on the left plays a violin while the musician on the right plays a guitar that is placed across their lap. Each musician has several pedals placed on the floor that they control with their feet. Two amps flank the pair of musicians. The musicians and the entire stage is cast in a light pinkish purple light emitted from a projector. A design of overlapping circles with a triangle in the center are projected onto the back wall.
    Color image of two performers on stage, both seated in chairs. The musician on the left plays a violin while the musician on the right plays a guitar that is placed across their lap. Each musician has several pedals placed on the floor that they control with their feet. Two amps flank the pair of musicians. The musicians and the entire stage is cast in a light pinkish purple light emitted from a projector. A design of overlapping circles with a triangle in the center are projected onto the back wall.
    Abasement #67. Performance documentation, January 15, 2024, Artists Space. Photo: Joshua Wildman. [Color image of two performers on stage, both seated in chairs. The musician on the left plays a violin while the musician on the right plays a guitar that is placed across their lap. Each musician has several pedals placed on the floor that they control with their feet. Two amps flank the pair of musicians. The musicians and the entire stage is cast in a light pinkish purple light emitted from a projector. A design of overlapping circles with a triangle in the center are projected onto the back wall.]
    Caption Abasement #67. Performance documentation, January 15, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Color image of two performers on stage, both seated in chairs. The musician on the left plays a violin while the musician on the right plays a guitar that is placed across their lap. Each musician has several pedals placed on the floor that they control with their feet. Two amps flank the pair of musicians. The musicians and the entire stage is cast in a light pinkish purple light emitted from a projector. A design of overlapping circles with a triangle in the center are projected onto the back wall.
    Year
    Related pages Abasement #67
  • A black and white close-up photograph of an eye. Text at the top reads,
    A black and white close-up photograph of an eye. Text at the top reads,
    Leaflet cover for Extended Definitions, Artists Space, 1989. [A black and white close-up photograph of an eye. Text at the top reads, "Extended Definitions: Video Experiments in Perception." Text at the bottom reads, "September 28-November 4, Artists Space."]
    Caption Leaflet cover for Extended Definitions, Artists Space, 1989.
    Image description A black and white close-up photograph of an eye. Text at the top reads, "Extended Definitions: Video Experiments in Perception." Text at the bottom reads, "September 28-November 4, Artists Space."
    Year 1989
    Related pages Extended Definitions: Video Experiments in Perception
  • A book cover design consisting of a pattern of bright red, green, and blue letter tiles spelling out
    A book cover design consisting of a pattern of bright red, green, and blue letter tiles spelling out
    General Idea: Image Virus, by Gregg Bordowitz, published by Afterall Books, 2010. [A book cover design consisting of a pattern of bright red, green, and blue letter tiles spelling out "AIDS" in square formations. White text overlaid on top of the patterning in the cover's upper left corner reads "General Idea Imagevirus Gregg Bordowitz"]
    Caption General Idea: Image Virus, by Gregg Bordowitz, published by Afterall Books, 2010.
    Image description A book cover design consisting of a pattern of bright red, green, and blue letter tiles spelling out "AIDS" in square formations. White text overlaid on top of the patterning in the cover's upper left corner reads "General Idea Imagevirus Gregg Bordowitz"
    Year 2010
    Related pages General Idea: Imagevirus
  • A red leather armchair with a coffee table on a gray rug in the corner of a room. On the coffee table, there are several books, a lamp, and an old radio. On the opposite wall, there are three photographs each showing the view out of three different windows.
    A red leather armchair with a coffee table on a gray rug in the corner of a room. On the coffee table, there are several books, a lamp, and an old radio. On the opposite wall, there are three photographs each showing the view out of three different windows.
    Flipside. Installation view, Artists Space, 2004. [A red leather armchair with a coffee table on a gray rug in the corner of a room. On the coffee table, there are several books, a lamp, and an old radio. On the opposite wall, there are three photographs each showing the view out of three different windows.]
    Caption Flipside. Installation view, Artists Space, 2004.
    Image description A red leather armchair with a coffee table on a gray rug in the corner of a room. On the coffee table, there are several books, a lamp, and an old radio. On the opposite wall, there are three photographs each showing the view out of three different windows.
    Year 2004
    Related pages Flipside
  • A color photograph of two cardboard boxes stacked on a printer and resting against a dark column in a gallery space. The top box is narrow and open at the top, and the second box is large with blue text and detailing.
    A color photograph of two cardboard boxes stacked on a printer and resting against a dark column in a gallery space. The top box is narrow and open at the top, and the second box is large with blue text and detailing.
    Lyndon Barrois Jr., Primary Magi, 2021. Solvent transfers on gessoed copper, MagiColor 1600 printer and box, cardboard. 38 x 22 x 19 inches. Photo: Filip Wolak. [A color photograph of two cardboard boxes stacked on a printer and resting against a dark column in a gallery space. The top box is narrow and open at the top, and the second box is large with blue text and detailing.]
    Caption Lyndon Barrois Jr., Primary Magi, 2021. Solvent transfers on gessoed copper, MagiColor 1600 printer and box, cardboard. 38 x 22 x 19 inches. Photo: Filip Wolak.
    Image description A color photograph of two cardboard boxes stacked on a printer and resting against a dark column in a gallery space. The top box is narrow and open at the top, and the second box is large with blue text and detailing.
    Year 2022
    Related pages Lyndon Barrois Jr.: Mirage Collar
  • On a black platform, assorted pieces of wood, cardboard, and wire prop up a disembodied humanoid head. The figure’s head is misshapen, as if melting, obscuring the eyes but leaving the nose and open mouth visible.
    On a black platform, assorted pieces of wood, cardboard, and wire prop up a disembodied humanoid head. The figure’s head is misshapen, as if melting, obscuring the eyes but leaving the nose and open mouth visible.
    Danica Barboza, Anima of a Relationship [The ‘SV’ Edition] (Section B), 2019 (detail view), hand-modeled clay, white acrylic paint, textured paint, paper, metal, newspaper, Rooibos tea bags, gloss, wooden blocks, Mac computer. Photo: Daniel Pérez [On a black platform, assorted pieces of wood, cardboard, and wire prop up a disembodied humanoid head. The figure’s head is misshapen, as if melting, obscuring the eyes but leaving the nose and open mouth visible.]
    Caption Danica Barboza, Anima of a Relationship [The ‘SV’ Edition] (Section B), 2019 (detail view), hand-modeled clay, white acrylic paint, textured paint, paper, metal, newspaper, Rooibos tea bags, gloss, wooden blocks, Mac computer. Photo: Daniel Pérez
    Image description On a black platform, assorted pieces of wood, cardboard, and wire prop up a disembodied humanoid head. The figure’s head is misshapen, as if melting, obscuring the eyes but leaving the nose and open mouth visible.
    Year 2019
    Related pages Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater
  • Close-up image of a peep hole installed in a light mauve wall. Through the peep hole, a figure wearing a blue shirt and black pants is visible in profile. Their image is warped by the surface of the peep hole, swirling and reflecting around the hole.
    Close-up image of a peep hole installed in a light mauve wall. Through the peep hole, a figure wearing a blue shirt and black pants is visible in profile. Their image is warped by the surface of the peep hole, swirling and reflecting around the hole.
    Julianne Swartz, Line Drawing, 2002. Site-specific installation, dimensions variable. [Close-up image of a peep hole installed in a light mauve wall. Through the peep hole, a figure wearing a blue shirt and black pants is visible in profile. Their image is warped by the surface of the peep hole, swirling and reflecting around the hole.]
    Caption Julianne Swartz, Line Drawing, 2002. Site-specific installation, dimensions variable.
    Image description Close-up image of a peep hole installed in a light mauve wall. Through the peep hole, a figure wearing a blue shirt and black pants is visible in profile. Their image is warped by the surface of the peep hole, swirling and reflecting around the hole.
    Year 2003
    Related pages Main Space = Project Spaces
  • A man holding a clipboard at his side walks past a large, columned white wall with palm trees on either end.
    A man holding a clipboard at his side walks past a large, columned white wall with palm trees on either end.
    Still from The Empty Plan (2010). [A man holding a clipboard at his side walks past a large, columned white wall with palm trees on either end.]
    Caption Still from The Empty Plan (2010).
    Image description A man holding a clipboard at his side walks past a large, columned white wall with palm trees on either end.
    Year 2010
    Related pages The Empty Plan
  • Portrait of a seated musician holding a microphone and a guitar.
    Portrait of a seated musician holding a microphone and a guitar.
    Axine M: Sold Licker Glass, 2024, Artists Space. Courtesy of ISSUE Project Room. Photography by Cameron Kelly McLeod. [Portrait of a seated musician holding a microphone and a guitar.]
    Caption Axine M: Sold Licker Glass, 2024, Artists Space. Courtesy of ISSUE Project Room. Photography by Cameron Kelly McLeod.
    Image description Portrait of a seated musician holding a microphone and a guitar.
    Year
    Related pages Axine M: Sold Licker Glass
  • Image of a large white canvas displayed on a white wall. The canvas is rectangular and two faint lines bisect each of its four sides, separating the canvas into four equal quadrants. A black
    Image of a large white canvas displayed on a white wall. The canvas is rectangular and two faint lines bisect each of its four sides, separating the canvas into four equal quadrants. A black
    Wade Guyton, Untitled (WG3521, 2015), 2020, 23.5 x 16.5 inches [Image of a large white canvas displayed on a white wall. The canvas is rectangular and two faint lines bisect each of its four sides, separating the canvas into four equal quadrants. A black "X" shape is emblazoned across the canvas' center, with the lower left leg of the "X" removed from the shape's figure. The floor below the canvas is a deep black color. Small, gray text at the image's lower right corner reads, " 2020Solidarity - Wade Guyton."]
    Caption Wade Guyton, Untitled (WG3521, 2015), 2020, 23.5 x 16.5 inches
    Image description Image of a large white canvas displayed on a white wall. The canvas is rectangular and two faint lines bisect each of its four sides, separating the canvas into four equal quadrants. A black "X" shape is emblazoned across the canvas' center, with the lower left leg of the "X" removed from the shape's figure. The floor below the canvas is a deep black color. Small, gray text at the image's lower right corner reads, " 2020Solidarity - Wade Guyton."
    Year 2020
    Related pages 2020Solidarity
  • Black, lowecase text that reads,
    Black, lowecase text that reads,
    [Black, lowecase text that reads, "edition hansjörg mayer."]
    Caption
    Image description Black, lowecase text that reads, "edition hansjörg mayer."
    Year 2014
    Related pages The Library Vaccine
  • A man stands, motioning towards at an LED light sculpture hung on the wall. A woman sits on one of three benches circling the man, and the audience is seated on the floor behind them.
    A man stands, motioning towards at an LED light sculpture hung on the wall. A woman sits on one of three benches circling the man, and the audience is seated on the floor behind them.
    Guilt for Shame. Performance documentation, August 22, 2013, Artists Space. Photo: Lyndsy Welgos. [A man stands, motioning towards at an LED light sculpture hung on the wall. A woman sits on one of three benches circling the man, and the audience is seated on the floor behind them.]
    Caption Guilt for Shame. Performance documentation, August 22, 2013, Artists Space. Photo: Lyndsy Welgos.
    Image description A man stands, motioning towards at an LED light sculpture hung on the wall. A woman sits on one of three benches circling the man, and the audience is seated on the floor behind them.
    Year 2013
    Related pages Guilt For Shame
  • Three dark-colored objects are arranged on a wooden surface. The solid, organic forms curl and fold up towards their portruding tops.
    Three dark-colored objects are arranged on a wooden surface. The solid, organic forms curl and fold up towards their portruding tops.
    [Three dark-colored objects are arranged on a wooden surface. The solid, organic forms curl and fold up towards their portruding tops.]
    Caption
    Image description Three dark-colored objects are arranged on a wooden surface. The solid, organic forms curl and fold up towards their portruding tops.
    Year 2025
    Related pages Brad Kronz
  • A picture of a man in a coat sits above a series of books on a shelf.
    A picture of a man in a coat sits above a series of books on a shelf.
    She Who Is: Adrienne Kennedy and the Drama of Difference. Installation view, Artists Space, February 29 – September 19, 2020. Photo: Filip Wolak. [A picture of a man in a coat sits above a series of books on a shelf.]
    Caption She Who Is: Adrienne Kennedy and the Drama of Difference. Installation view, Artists Space, February 29 – September 19, 2020. Photo: Filip Wolak.
    Image description A picture of a man in a coat sits above a series of books on a shelf.
    Year 2020
    Related pages She Who Is: Adrienne Kennedy and the Drama of Difference
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Color photograph of two figures preparing to perform. In the foreground, out of focus, is the side profile of a figure playing a white keyboard, with music sheets in front of them. To the right, in focus, another figure sits on a wooden chair, eyes closed in concentration and behind a microphone stand.
    Color photograph of two figures preparing to perform. In the foreground, out of focus, is the side profile of a figure playing a white keyboard, with music sheets in front of them. To the right, in focus, another figure sits on a wooden chair, eyes closed in concentration and behind a microphone stand.
    Shala Miller performs Genesis: Medley at Artists Space, co-presented with Frieze New York 2023. Performance documentation, May 19th. Photo by Vanessa Diaz/CKA. Courtesy of Frieze. [Color photograph of two figures preparing to perform. In the foreground, out of focus, is the side profile of a figure playing a white keyboard, with music sheets in front of them. To the right, in focus, another figure sits on a wooden chair, eyes closed in concentration and behind a microphone stand.]
    Caption Shala Miller performs Genesis: Medley at Artists Space, co-presented with Frieze New York 2023. Performance documentation, May 19th. Photo by Vanessa Diaz/CKA. Courtesy of Frieze.
    Image description Color photograph of two figures preparing to perform. In the foreground, out of focus, is the side profile of a figure playing a white keyboard, with music sheets in front of them. To the right, in focus, another figure sits on a wooden chair, eyes closed in concentration and behind a microphone stand.
    Year 2023
    Related pages Genesis: Medley
  • A figure stands behind a music stand, playing a flute.
    A figure stands behind a music stand, playing a flute.
    Yasunao Tone in Concert with Barbara Held. Performance documentation, January 19, 2023, Artists Space. Photo: Destiny Mata [A figure stands behind a music stand, playing a flute.]
    Caption Yasunao Tone in Concert with Barbara Held. Performance documentation, January 19, 2023, Artists Space. Photo: Destiny Mata
    Image description A figure stands behind a music stand, playing a flute.
    Year 2023
    Related pages Yasunao Tone in Concert with Barbara Held
  • An image of a multicolored wall filled with multiple tv monitors and info graphics. Black, red and yellow beach balls are scattered along the floor.
    An image of a multicolored wall filled with multiple tv monitors and info graphics. Black, red and yellow beach balls are scattered along the floor.
    New Red Order with Virgil B/G Taylor Progenerator, 2020 – Ongoing Painted mural with dibond prints, five televisions, flag, plate, Improved Order of Red Men ephemera, and mixed media 14 x 40 feet Image courtesy Artists Space, New York Photo: Filip Wolak [An image of a multicolored wall filled with multiple tv monitors and info graphics. Black, red and yellow beach balls are scattered along the floor.]
    Caption New Red Order with Virgil B/G Taylor Progenerator, 2020 – Ongoing Painted mural with dibond prints, five televisions, flag, plate, Improved Order of Red Men ephemera, and mixed media 14 x 40 feet Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description An image of a multicolored wall filled with multiple tv monitors and info graphics. Black, red and yellow beach balls are scattered along the floor.
    Year 2021
    Related pages New Red Order: Feel at Home Here
  • A color photograph of a gallery space with several columns. In between two columns, a large fabric work is stretched with an image of cows lying on the ground. To the right, in between two other columns, a painting on fabric that depicts two people on a green background is hanging. Further in the background, a painting is visible hanging on the wall. In the foreground, one board from a cornhole set is resting on the floor.
    A color photograph of a gallery space with several columns. In between two columns, a large fabric work is stretched with an image of cows lying on the ground. To the right, in between two other columns, a painting on fabric that depicts two people on a green background is hanging. Further in the background, a painting is visible hanging on the wall. In the foreground, one board from a cornhole set is resting on the floor.
    Everything is common. Installation view, Artists Space, 2022. Photo: Steven Cottingham. [A color photograph of a gallery space with several columns. In between two columns, a large fabric work is stretched with an image of cows lying on the ground. To the right, in between two other columns, a painting on fabric that depicts two people on a green background is hanging. Further in the background, a painting is visible hanging on the wall. In the foreground, one board from a cornhole set is resting on the floor.]
    Caption Everything is common. Installation view, Artists Space, 2022. Photo: Steven Cottingham.
    Image description A color photograph of a gallery space with several columns. In between two columns, a large fabric work is stretched with an image of cows lying on the ground. To the right, in between two other columns, a painting on fabric that depicts two people on a green background is hanging. Further in the background, a painting is visible hanging on the wall. In the foreground, one board from a cornhole set is resting on the floor.
    Year
    Related pages Whitney Independent Study: Everything is Common
  • Small red sculptures of octopi and squids arranged in an oval shape on a white wall.
    Small red sculptures of octopi and squids arranged in an oval shape on a white wall.
    Flipside. Installation view, Artists Space, 2004. [Small red sculptures of octopi and squids arranged in an oval shape on a white wall.]
    Caption Flipside. Installation view, Artists Space, 2004.
    Image description Small red sculptures of octopi and squids arranged in an oval shape on a white wall.
    Year 2004
    Related pages Flipside
  • Two performers pictured in front of soft pink, blue, and white light projected onto the wall behind them. Performer on left is smiling and pointing at the performer on right, who is seated in front of a mixing board and microphone.
    Two performers pictured in front of soft pink, blue, and white light projected onto the wall behind them. Performer on left is smiling and pointing at the performer on right, who is seated in front of a mixing board and microphone.
    Abasement #70. Performance documentation, July 1st, 2024, Artists Space. Photo: Joshua Wildman. [Two performers pictured in front of soft pink, blue, and white light projected onto the wall behind them. Performer on left is smiling and pointing at the performer on right, who is seated in front of a mixing board and microphone.]
    Caption Abasement #70. Performance documentation, July 1st, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Two performers pictured in front of soft pink, blue, and white light projected onto the wall behind them. Performer on left is smiling and pointing at the performer on right, who is seated in front of a mixing board and microphone.
    Year
    Related pages Abasement #70
  • A color image of the outside of a brick building. Three large windows running along the wall are each illuminated with neon lights. On the left side is a door to a gallery space, through which can be seen some large, colorful paintings hanging inside.
    A color image of the outside of a brick building. Three large windows running along the wall are each illuminated with neon lights. On the left side is a door to a gallery space, through which can be seen some large, colorful paintings hanging inside.
    Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of the outside of a brick building. Three large windows running along the wall are each illuminated with neon lights. On the left side is a door to a gallery space, through which can be seen some large, colorful paintings hanging inside.]
    Caption Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A color image of the outside of a brick building. Three large windows running along the wall are each illuminated with neon lights. On the left side is a door to a gallery space, through which can be seen some large, colorful paintings hanging inside.
    Year
    Related pages Jonathan Lyndon Chase
  • Black and white installation photograph of a gallery space. Black circles are attached to the wall and a figure is visible standing in the space.
    Black and white installation photograph of a gallery space. Black circles are attached to the wall and a figure is visible standing in the space.
    Gerry Morehead. Installation view, Gerry Morehead, Jim Pavlicovic, Artists Space, 1976. [Black and white installation photograph of a gallery space. Black circles are attached to the wall and a figure is visible standing in the space.]
    Caption Gerry Morehead. Installation view, Gerry Morehead, Jim Pavlicovic, Artists Space, 1976.
    Image description Black and white installation photograph of a gallery space. Black circles are attached to the wall and a figure is visible standing in the space.
    Year 1976
    Related pages Gerry Morehead, Jim Pavlicovic
  • A view of a large window with the facade of other buildings, a restaurant is visible on the left. Graffiti text is visible above the length of the horizontal window and lights appear hanging from the ceiling directed to opposite sides.
    A view of a large window with the facade of other buildings, a restaurant is visible on the left. Graffiti text is visible above the length of the horizontal window and lights appear hanging from the ceiling directed to opposite sides.
    New Galleries of the Lower East Side. Installation View. Artists Space, 1984. Photo: Kenji Fujita. [A view of a large window with the facade of other buildings, a restaurant is visible on the left. Graffiti text is visible above the length of the horizontal window and lights appear hanging from the ceiling directed to opposite sides.]
    Caption New Galleries of the Lower East Side. Installation View. Artists Space, 1984. Photo: Kenji Fujita.
    Image description A view of a large window with the facade of other buildings, a restaurant is visible on the left. Graffiti text is visible above the length of the horizontal window and lights appear hanging from the ceiling directed to opposite sides.
    Year 1984
    Related pages New Galleries of the Lower East Side
  • A close up of a glass display case holding images and multiple booklets of text.
    A close up of a glass display case holding images and multiple booklets of text.
    Till They Listen: Bill Gunn Directs America. Installation view featuring various ephemera from Personal Problems, c. 1980, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A close up of a glass display case holding images and multiple booklets of text.]
    Caption Till They Listen: Bill Gunn Directs America. Installation view featuring various ephemera from Personal Problems, c. 1980, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A close up of a glass display case holding images and multiple booklets of text.
    Year 2021
    Related pages Till They Listen: Bill Gunn Directs America
  • A color photograph of an installation. In front of dark green curtains, a painting in a gold frame is illuminated. To the left, a conservator's coat hangs from an easel. Several empty frames and a studio light are visible on the right.
    A color photograph of an installation. In front of dark green curtains, a painting in a gold frame is illuminated. To the left, a conservator's coat hangs from an easel. Several empty frames and a studio light are visible on the right.
    Lyndon Barrois Jr., Masters of Fine Arts, 2011/2022. Oil on canvas, artist frame, solvent transfer, plywood, curtains, frames, lights, easels, conservators coat, headlamp. Dimensions variable. Photo: Filip Wolak. [A color photograph of an installation. In front of dark green curtains, a painting in a gold frame is illuminated. To the left, a conservator's coat hangs from an easel. Several empty frames and a studio light are visible on the right.]
    Caption Lyndon Barrois Jr., Masters of Fine Arts, 2011/2022. Oil on canvas, artist frame, solvent transfer, plywood, curtains, frames, lights, easels, conservators coat, headlamp. Dimensions variable. Photo: Filip Wolak.
    Image description A color photograph of an installation. In front of dark green curtains, a painting in a gold frame is illuminated. To the left, a conservator's coat hangs from an easel. Several empty frames and a studio light are visible on the right.
    Year 2022
    Related pages Lyndon Barrois Jr.: Mirage Collar
  • A large black display case with several books arranged in a small viewing window. One book is titled *MOBY-DICK*, while another displays japanese text and a woman on its cover.
    A large black display case with several books arranged in a small viewing window. One book is titled *MOBY-DICK*, while another displays japanese text and a woman on its cover.
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [A large black display case with several books arranged in a small viewing window. One book is titled *MOBY-DICK*, while another displays japanese text and a woman on its cover.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description A large black display case with several books arranged in a small viewing window. One book is titled *MOBY-DICK*, while another displays japanese text and a woman on its cover.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • Three figures perform in a basement. On the left a figure in a blue morph suit wears a pair of wings made of fresnel lenses. On the right another figure in a blue morph suit stands behind a rolling table made of wood and fresnel lenses. Another figure to the far right takes video footage.
    Three figures perform in a basement. On the left a figure in a blue morph suit wears a pair of wings made of fresnel lenses. On the right another figure in a blue morph suit stands behind a rolling table made of wood and fresnel lenses. Another figure to the far right takes video footage.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Three figures perform in a basement. On the left a figure in a blue morph suit wears a pair of wings made of fresnel lenses. On the right another figure in a blue morph suit stands behind a rolling table made of wood and fresnel lenses. Another figure to the far right takes video footage.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Three figures perform in a basement. On the left a figure in a blue morph suit wears a pair of wings made of fresnel lenses. On the right another figure in a blue morph suit stands behind a rolling table made of wood and fresnel lenses. Another figure to the far right takes video footage.
    Year 2022
    Related pages SCRAAATCH 11-19
  • A swirling cloud of grey mist covers most of a figures face. Slivers of their eyes and mouth are revealed through holes in the blanket of grey.
    A swirling cloud of grey mist covers most of a figures face. Slivers of their eyes and mouth are revealed through holes in the blanket of grey.
    Tameca Cole, Locked in a Dark Calm, 2016. Courtesy of the artist and Ellen Driscoll [A swirling cloud of grey mist covers most of a figures face. Slivers of their eyes and mouth are revealed through holes in the blanket of grey.]
    Caption Tameca Cole, Locked in a Dark Calm, 2016. Courtesy of the artist and Ellen Driscoll
    Image description A swirling cloud of grey mist covers most of a figures face. Slivers of their eyes and mouth are revealed through holes in the blanket of grey.
    Year 2020
    Related pages Artists Space Dialogues: Jackie Wang with Nicole R. Fleetwood
  • A closed room; in the foreground is a white table with varoius documents. On the back wall hangs a black and white portrait of a man on a blue patterened wall. To the right adjacent wall, hang a grid of photogrpahs.
    A closed room; in the foreground is a white table with varoius documents. On the back wall hangs a black and white portrait of a man on a blue patterened wall. To the right adjacent wall, hang a grid of photogrpahs.
    Living with Pop. A Reproduction of Capitalist Realism. Installation view of the section “Galerie Schmela (1966),” Artists Space, 2014. [A closed room; in the foreground is a white table with varoius documents. On the back wall hangs a black and white portrait of a man on a blue patterened wall. To the right adjacent wall, hang a grid of photogrpahs.]
    Caption Living with Pop. A Reproduction of Capitalist Realism. Installation view of the section “Galerie Schmela (1966),” Artists Space, 2014.
    Image description A closed room; in the foreground is a white table with varoius documents. On the back wall hangs a black and white portrait of a man on a blue patterened wall. To the right adjacent wall, hang a grid of photogrpahs.
    Year 2014
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • A black and white image of a person sitting on a pedestal, performing in front of a crowd.
    A black and white image of a person sitting on a pedestal, performing in front of a crowd.
    Laurie Anderson; PersonA. Performance documentation, April 25, 1974, Artists Space. [A black and white image of a person sitting on a pedestal, performing in front of a crowd.]
    Caption Laurie Anderson; PersonA. Performance documentation, April 25, 1974, Artists Space.
    Image description A black and white image of a person sitting on a pedestal, performing in front of a crowd.
    Year 1974
    Related pages
  • Color image of three individuals captured amidst lively conversation. Two individuals in the group have their backs facing the camera, attention focused on a woman in the center. A variety of party guests seated at different tables in an elegant venue can be seen in the background.
    Color image of three individuals captured amidst lively conversation. Two individuals in the group have their backs facing the camera, attention focused on a woman in the center. A variety of party guests seated at different tables in an elegant venue can be seen in the background.
    Friends of Artists Space Dinner, 2023. Photo: Joshua Wildman. [Color image of three individuals captured amidst lively conversation. Two individuals in the group have their backs facing the camera, attention focused on a woman in the center. A variety of party guests seated at different tables in an elegant venue can be seen in the background.]
    Caption Friends of Artists Space Dinner, 2023. Photo: Joshua Wildman.
    Image description Color image of three individuals captured amidst lively conversation. Two individuals in the group have their backs facing the camera, attention focused on a woman in the center. A variety of party guests seated at different tables in an elegant venue can be seen in the background.
    Year
    Related pages Support
  • Several geometric, silver metal sculptures sit on a wooden gallery floor in a light-filled exhibition space. The sculptures are modular, hollow, and consist of cube-like and triangular metal components. At the photo's center, a long roll of crinkled brown paper enfurls across the floor of the gallery, resting in between the sculptures.
    Several geometric, silver metal sculptures sit on a wooden gallery floor in a light-filled exhibition space. The sculptures are modular, hollow, and consist of cube-like and triangular metal components. At the photo's center, a long roll of crinkled brown paper enfurls across the floor of the gallery, resting in between the sculptures.
    Charlotte Posenenske. Configured by Ei Arakawa. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [Several geometric, silver metal sculptures sit on a wooden gallery floor in a light-filled exhibition space. The sculptures are modular, hollow, and consist of cube-like and triangular metal components. At the photo's center, a long roll of crinkled brown paper enfurls across the floor of the gallery, resting in between the sculptures.]
    Caption Charlotte Posenenske. Configured by Ei Arakawa. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description Several geometric, silver metal sculptures sit on a wooden gallery floor in a light-filled exhibition space. The sculptures are modular, hollow, and consist of cube-like and triangular metal components. At the photo's center, a long roll of crinkled brown paper enfurls across the floor of the gallery, resting in between the sculptures.
    Year 2010
    Related pages Charlotte Posenenske
  • Image of a basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    Image of a basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.]
    Caption SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    Year 2022
    Related pages SCRAAATCH 12-3
  • A grid of fifteen black and white monitors, each displaying a unique text that names objects, phenomena, or other nouns characterizing an unidentified subject, such as
    A grid of fifteen black and white monitors, each displaying a unique text that names objects, phenomena, or other nouns characterizing an unidentified subject, such as
    Felix Gonzalez-Torres, “Untitled” (A Portrait), 1991. 5 min. [A grid of fifteen black and white monitors, each displaying a unique text that names objects, phenomena, or other nouns characterizing an unidentified subject, such as "a silver sea," "civil disobedience," and "a new lesion."]
    Caption Felix Gonzalez-Torres, “Untitled” (A Portrait), 1991. 5 min.
    Image description A grid of fifteen black and white monitors, each displaying a unique text that names objects, phenomena, or other nouns characterizing an unidentified subject, such as "a silver sea," "civil disobedience," and "a new lesion."
    Year 1991
    Related pages Film and Video Program | Macho Man, Tell It To My Heart: Collected by Julie Ault | January 23
  • Two screens hung on either side of the top of a support beam in a gallery. The room is otherwise empty. One screen depicts a woman walking down a fashion runway, wearing a black jacket and shorts with a sheer top.
    Two screens hung on either side of the top of a support beam in a gallery. The room is otherwise empty. One screen depicts a woman walking down a fashion runway, wearing a black jacket and shorts with a sheer top.
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Two screens hung on either side of the top of a support beam in a gallery. The room is otherwise empty. One screen depicts a woman walking down a fashion runway, wearing a black jacket and shorts with a sheer top.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Two screens hung on either side of the top of a support beam in a gallery. The room is otherwise empty. One screen depicts a woman walking down a fashion runway, wearing a black jacket and shorts with a sheer top.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • A figure in a red sweater sits in a chair on stage. Two microphones are positioned around them. They hold a wooden stick and a red bell up.
    A figure in a red sweater sits in a chair on stage. Two microphones are positioned around them. They hold a wooden stick and a red bell up.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure in a red sweater sits in a chair on stage. Two microphones are positioned around them. They hold a wooden stick and a red bell up.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure in a red sweater sits in a chair on stage. Two microphones are positioned around them. They hold a wooden stick and a red bell up.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
  • A figure points a microphone towards an audience, while various figures wearing white costumes and balancing plants on their heads can be seen just out of focus in the background.
    A figure points a microphone towards an audience, while various figures wearing white costumes and balancing plants on their heads can be seen just out of focus in the background.
    Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court [A figure points a microphone towards an audience, while various figures wearing white costumes and balancing plants on their heads can be seen just out of focus in the background.]
    Caption Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court
    Image description A figure points a microphone towards an audience, while various figures wearing white costumes and balancing plants on their heads can be seen just out of focus in the background.
    Year 2022
    Related pages Circus Amok
  • A moving image of a man, dressed in a pilot uniform, in front of a panning image of Earth from space, holding a laptop. The camera zooms in on the video playing on the laptop screen of a man releasing his parachute while skydiving.
    A moving image of a man, dressed in a pilot uniform, in front of a panning image of Earth from space, holding a laptop. The camera zooms in on the video playing on the laptop screen of a man releasing his parachute while skydiving.
    Hito Stereyl, excerpt from In Free Fall, 2010, HD video with sound, 30 mins. Courtesy of the artist and Andrew Kreps, New York. [A moving image of a man, dressed in a pilot uniform, in front of a panning image of Earth from space, holding a laptop. The camera zooms in on the video playing on the laptop screen of a man releasing his parachute while skydiving.]
    Caption Hito Stereyl, excerpt from In Free Fall, 2010, HD video with sound, 30 mins. Courtesy of the artist and Andrew Kreps, New York.
    Image description A moving image of a man, dressed in a pilot uniform, in front of a panning image of Earth from space, holding a laptop. The camera zooms in on the video playing on the laptop screen of a man releasing his parachute while skydiving.
    Year 2010
    Related pages Hito Steyerl
  • A black and white image of person in a coverall jumpsuit and backwards baseball cap reading aloud from a music stand. Behind them, a pair of sunglasses is shown on a white background.
    A black and white image of person in a coverall jumpsuit and backwards baseball cap reading aloud from a music stand. Behind them, a pair of sunglasses is shown on a white background.
    Joelle de la Casiniere. Still from La Grimoire Magnetique, 1983. 26 minutes. Photo: Micki McGee. [A black and white image of person in a coverall jumpsuit and backwards baseball cap reading aloud from a music stand. Behind them, a pair of sunglasses is shown on a white background.]
    Caption Joelle de la Casiniere. Still from La Grimoire Magnetique, 1983. 26 minutes. Photo: Micki McGee.
    Image description A black and white image of person in a coverall jumpsuit and backwards baseball cap reading aloud from a music stand. Behind them, a pair of sunglasses is shown on a white background.
    Year 1983
    Related pages Body Language: Studies in Female Expression
  • A color photo of two smiling individuals seated at a banquet table, the person to the right has her hand on another guest's shoulder. The background depicts several other guests out of focus.
    A color photo of two smiling individuals seated at a banquet table, the person to the right has her hand on another guest's shoulder. The background depicts several other guests out of focus.
    The Founders Dinner, 2019. [A color photo of two smiling individuals seated at a banquet table, the person to the right has her hand on another guest's shoulder. The background depicts several other guests out of focus.]
    Caption The Founders Dinner, 2019.
    Image description A color photo of two smiling individuals seated at a banquet table, the person to the right has her hand on another guest's shoulder. The background depicts several other guests out of focus.
    Year 2019
    Related pages Support
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • An image of three seperate glass display cases, with various ephemera hanging on the walls behind them.
    An image of three seperate glass display cases, with various ephemera hanging on the walls behind them.
    Attention Line. Installation view, Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [An image of three seperate glass display cases, with various ephemera hanging on the walls behind them.]
    Caption Attention Line. Installation view, Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak
    Image description An image of three seperate glass display cases, with various ephemera hanging on the walls behind them.
    Year 2022
    Related pages Attention Line
  • A person dressed in all pink extends a pink heart-shaped canvas over her head in front of a rapt audience. There are light spots reflected at even intervals patterning the room.
    A person dressed in all pink extends a pink heart-shaped canvas over her head in front of a rapt audience. There are light spots reflected at even intervals patterning the room.
    Jutta Koether, xxapollo. Performance documentation, Artists Space, January 5, 2020. Photo © 2020 Paula Court. [A person dressed in all pink extends a pink heart-shaped canvas over her head in front of a rapt audience. There are light spots reflected at even intervals patterning the room.]
    Caption Jutta Koether, xxapollo. Performance documentation, Artists Space, January 5, 2020. Photo © 2020 Paula Court.
    Image description A person dressed in all pink extends a pink heart-shaped canvas over her head in front of a rapt audience. There are light spots reflected at even intervals patterning the room.
    Year 2020
    Related pages
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • Color image of the entrance into a gallery space. A blue wall juts out to create a small entrance on the righthand side. Along the floor is a walkway made of plywood. In the center of the room is a projected video onto the floor.
    Color image of the entrance into a gallery space. A blue wall juts out to create a small entrance on the righthand side. Along the floor is a walkway made of plywood. In the center of the room is a projected video onto the floor.
    Crystal Z Campbell: Ode to the Underloved. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color image of the entrance into a gallery space. A blue wall juts out to create a small entrance on the righthand side. Along the floor is a walkway made of plywood. In the center of the room is a projected video onto the floor.]
    Caption Crystal Z Campbell: Ode to the Underloved. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color image of the entrance into a gallery space. A blue wall juts out to create a small entrance on the righthand side. Along the floor is a walkway made of plywood. In the center of the room is a projected video onto the floor.
    Year
    Related pages Crystal Z Campbell
  • Two figures play music on a stage, the left figure plays a keyboard. Washes of blue and green light are projected onto them.
    Two figures play music on a stage, the left figure plays a keyboard. Washes of blue and green light are projected onto them.
    Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [Two figures play music on a stage, the left figure plays a keyboard. Washes of blue and green light are projected onto them.]
    Caption Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman
    Image description Two figures play music on a stage, the left figure plays a keyboard. Washes of blue and green light are projected onto them.
    Year 2022
    Related pages Abasement #61
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    Year
    Related pages Project: Me and My Mink
  • Two white walls forming a corner in an exhibition space. Displayed on the left wall is a large a photograph of an eye visible through a round hole in a white fabric hood. Displayed on the right wall is a photograph of a figure in a green KKK hood against a black background.
    Two white walls forming a corner in an exhibition space. Displayed on the left wall is a large a photograph of an eye visible through a round hole in a white fabric hood. Displayed on the right wall is a photograph of a figure in a green KKK hood against a black background.
    Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [Two white walls forming a corner in an exhibition space. Displayed on the left wall is a large a photograph of an eye visible through a round hole in a white fabric hood. Displayed on the right wall is a photograph of a figure in a green KKK hood against a black background.]
    Caption Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description Two white walls forming a corner in an exhibition space. Displayed on the left wall is a large a photograph of an eye visible through a round hole in a white fabric hood. Displayed on the right wall is a photograph of a figure in a green KKK hood against a black background.
    Year 2014
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
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    Related pages Of Forests and of Farms: On Faculty and Failure
  • Black text on a light blue-grey and yellow ombré background. The text reads: “April 19 / Jennifer Firestone / Matvei Yankelevich.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on a light blue-grey and yellow ombré background. The text reads: “April 19 / Jennifer Firestone / Matvei Yankelevich.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on a light blue-grey and yellow ombré background. The text reads: “April 19 / Jennifer Firestone / Matvei Yankelevich.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on a light blue-grey and yellow ombré background. The text reads: “April 19 / Jennifer Firestone / Matvei Yankelevich.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Jennifer Firestone & Matvei Yankelevich
  • A color image of a pink-hued room inside which an irregularly shaped platform with a reflective surface sits on the ground. Objects such as plants, a fish tank, and tree stumps sit on and around the platform.
    A color image of a pink-hued room inside which an irregularly shaped platform with a reflective surface sits on the ground. Objects such as plants, a fish tank, and tree stumps sit on and around the platform.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022. [A color image of a pink-hued room inside which an irregularly shaped platform with a reflective surface sits on the ground. Objects such as plants, a fish tank, and tree stumps sit on and around the platform.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022.
    Image description A color image of a pink-hued room inside which an irregularly shaped platform with a reflective surface sits on the ground. Objects such as plants, a fish tank, and tree stumps sit on and around the platform.
    Year
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • A figure in a red sweater stands on stage, behind three microphones placed around them, their left hand held up to their mouth.
    A figure in a red sweater stands on stage, behind three microphones placed around them, their left hand held up to their mouth.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure in a red sweater stands on stage, behind three microphones placed around them, their left hand held up to their mouth.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure in a red sweater stands on stage, behind three microphones placed around them, their left hand held up to their mouth.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
  • Along the gallery wall is an assemblage of objects hanging off the wall and to the floor connected by metal thread. Further down the wall is a painting, a plinth of colorful sculptures, a framed artwork, and a television playing a video in the corner. In the back is a glimpse of an alcove with three artworks appearing as colorful stripes, grey and yellow on the wall, and black on the floor.
    Along the gallery wall is an assemblage of objects hanging off the wall and to the floor connected by metal thread. Further down the wall is a painting, a plinth of colorful sculptures, a framed artwork, and a television playing a video in the corner. In the back is a glimpse of an alcove with three artworks appearing as colorful stripes, grey and yellow on the wall, and black on the floor.
    LIFE—a group show, curated by Arnold J. Kemp. Installation view, Artists Space, 2025. Photo: Carter Seddon [Along the gallery wall is an assemblage of objects hanging off the wall and to the floor connected by metal thread. Further down the wall is a painting, a plinth of colorful sculptures, a framed artwork, and a television playing a video in the corner. In the back is a glimpse of an alcove with three artworks appearing as colorful stripes, grey and yellow on the wall, and black on the floor. ]
    Caption LIFE—a group show, curated by Arnold J. Kemp. Installation view, Artists Space, 2025. Photo: Carter Seddon
    Image description Along the gallery wall is an assemblage of objects hanging off the wall and to the floor connected by metal thread. Further down the wall is a painting, a plinth of colorful sculptures, a framed artwork, and a television playing a video in the corner. In the back is a glimpse of an alcove with three artworks appearing as colorful stripes, grey and yellow on the wall, and black on the floor.
    Year 2025
    Related pages Arnold J. Kemp
  • A composited image of a gallery scene, building from a street view, hand gun, and a blue rose against a yellow back ground, distorted through buldges and pulls.
    A composited image of a gallery scene, building from a street view, hand gun, and a blue rose against a yellow back ground, distorted through buldges and pulls.
    Louise Lawler, Egg and Gun (distorted for the times, dire), 2008/2017. [A composited image of a gallery scene, building from a street view, hand gun, and a blue rose against a yellow back ground, distorted through buldges and pulls.]
    Caption Louise Lawler, Egg and Gun (distorted for the times, dire), 2008/2017.
    Image description A composited image of a gallery scene, building from a street view, hand gun, and a blue rose against a yellow back ground, distorted through buldges and pulls.
    Year 2008
    Related pages Social Surfaces
  • A stack of large papers filled with text sit on a low, white plank on the ground. To the right of the paper stack, a newspaper clipping is displayed on a white wall. A small glass filled with rubber bands sits on the ground to the right of the paper stack.
    A stack of large papers filled with text sit on a low, white plank on the ground. To the right of the paper stack, a newspaper clipping is displayed on a white wall. A small glass filled with rubber bands sits on the ground to the right of the paper stack.
    Frozen Lakes. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A stack of large papers filled with text sit on a low, white plank on the ground. To the right of the paper stack, a newspaper clipping is displayed on a white wall. A small glass filled with rubber bands sits on the ground to the right of the paper stack.]
    Caption Frozen Lakes. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description A stack of large papers filled with text sit on a low, white plank on the ground. To the right of the paper stack, a newspaper clipping is displayed on a white wall. A small glass filled with rubber bands sits on the ground to the right of the paper stack.
    Year 2013
    Related pages Frozen Lakes
  • Black and white installation photograph of a gallery corner. On the floor, a crescent shaped object rests on a pedastal. Above, several black panels are attached to the wall.
    Black and white installation photograph of a gallery corner. On the floor, a crescent shaped object rests on a pedastal. Above, several black panels are attached to the wall.
    Pictures. Installation view, Artists Space, 1977. Photo: D. James Dee. [Black and white installation photograph of a gallery corner. On the floor, a crescent shaped object rests on a pedastal. Above, several black panels are attached to the wall.]
    Caption Pictures. Installation view, Artists Space, 1977. Photo: D. James Dee.
    Image description Black and white installation photograph of a gallery corner. On the floor, a crescent shaped object rests on a pedastal. Above, several black panels are attached to the wall.
    Year 1977
    Related pages Pictures
  • Color image of a wall of a gallery space. Hanging in the center of the wall is an adobe panel painting of the entrance to a freeway tunnel.
    Color image of a wall of a gallery space. Hanging in the center of the wall is an adobe panel painting of the entrance to a freeway tunnel.
    rafa esparza: Camino. Installation view (110 North Bound, 2023), Artists Space, 2023. Photo: Filip Wolak. [Color image of a wall of a gallery space. Hanging in the center of the wall is an adobe panel painting of the entrance to a freeway tunnel.]
    Caption rafa esparza: Camino. Installation view (110 North Bound, 2023), Artists Space, 2023. Photo: Filip Wolak.
    Image description Color image of a wall of a gallery space. Hanging in the center of the wall is an adobe panel painting of the entrance to a freeway tunnel.
    Year
    Related pages rafa esparza: Camino
  • The phrase
    The phrase
    Duncan Campbell Big Fires Start Small, 2010, 3 color screenprint on poster, 25 1/2 x 16 1/2 inches (64,8 x 41,9 cm), Edition of 100, Signed and numbered. [The phrase "big fires start small" is written diagonally against a black background. "Big fires" appears in large bubble text surrounded by flames and "start small" appreas below in white blocky type.]
    Caption Duncan Campbell Big Fires Start Small, 2010, 3 color screenprint on poster, 25 1/2 x 16 1/2 inches (64,8 x 41,9 cm), Edition of 100, Signed and numbered.
    Image description The phrase "big fires start small" is written diagonally against a black background. "Big fires" appears in large bubble text surrounded by flames and "start small" appreas below in white blocky type.
    Year 2010
    Related pages Editions
  • Two screens installed on either side of the top portion a white column in a gallery space. The front screen displays a logo consisting of a large letter
    Two screens installed on either side of the top portion a white column in a gallery space. The front screen displays a logo consisting of a large letter
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Two screens installed on either side of the top portion a white column in a gallery space. The front screen displays a logo consisting of a large letter "b" and small letter "c" conjoined together. The room is otherwise empty.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Two screens installed on either side of the top portion a white column in a gallery space. The front screen displays a logo consisting of a large letter "b" and small letter "c" conjoined together. The room is otherwise empty.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • Close-up color photograph of a musician holding a guitar. The musician wears a white-button up with a black tie and black leather pants. Medium-length red-and-black streaked hair falls around their face as they look down at the guitar. The musician and the wall behind them is illuminated by a projected image that is mostly white, but features large black letters at the top of the projection. 
    Close-up color photograph of a musician holding a guitar. The musician wears a white-button up with a black tie and black leather pants. Medium-length red-and-black streaked hair falls around their face as they look down at the guitar. The musician and the wall behind them is illuminated by a projected image that is mostly white, but features large black letters at the top of the projection. 
    Abasement #68. Performance documentation, February 12, 2024, Artists Space. Photo: Joshua Wildman. [Close-up color photograph of a musician holding a guitar. The musician wears a white-button up with a black tie and black leather pants. Medium-length red-and-black streaked hair falls around their face as they look down at the guitar. The musician and the wall behind them is illuminated by a projected image that is mostly white, but features large black letters at the top of the projection. ]
    Caption Abasement #68. Performance documentation, February 12, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Close-up color photograph of a musician holding a guitar. The musician wears a white-button up with a black tie and black leather pants. Medium-length red-and-black streaked hair falls around their face as they look down at the guitar. The musician and the wall behind them is illuminated by a projected image that is mostly white, but features large black letters at the top of the projection. 
    Year
    Related pages Abasement #68
  • A room with a large set of drawers set against the wall. Above the drawers are the words
    A room with a large set of drawers set against the wall. Above the drawers are the words
    Audio Works. Installation view, Artists Space, 1978. [A room with a large set of drawers set against the wall. Above the drawers are the words "Audio Works Archive / Please Ask At The Front Desk To Have The Drawers Opened." On the right wall hang several papers and print-outs.]
    Caption Audio Works. Installation view, Artists Space, 1978.
    Image description A room with a large set of drawers set against the wall. Above the drawers are the words "Audio Works Archive / Please Ask At The Front Desk To Have The Drawers Opened." On the right wall hang several papers and print-outs.
    Year 1978
    Related pages Audio Works
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    Image description
    Year
    Related pages Support
  • Light blue text overlays a dark blue background. The top left corner reads:
    Light blue text overlays a dark blue background. The top left corner reads:
    Flyer for Segue Reading Series featuring Andrea Abi-Karam, Eduardo Kac and Montana Ray. October 15, 2022, Artists Space. [Light blue text overlays a dark blue background. The top left corner reads: "Andrea Abi-Karam / Eduardo Kac & Montana Ray / October 15, 5pm." The middle reads: "Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519."]
    Caption Flyer for Segue Reading Series featuring Andrea Abi-Karam, Eduardo Kac and Montana Ray. October 15, 2022, Artists Space.
    Image description Light blue text overlays a dark blue background. The top left corner reads: "Andrea Abi-Karam / Eduardo Kac & Montana Ray / October 15, 5pm." The middle reads: "Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519."
    Year
    Related pages Segue Reading Series: Andrea Abi-Karam, Eduardo Kac & Montana Ray
  • Color installation image showing a video monitor mounted on a wall which is covered in tiled images of YouTube pages. A pair of wired headphones is hanging to the right of the monitor.
    Color installation image showing a video monitor mounted on a wall which is covered in tiled images of YouTube pages. A pair of wired headphones is hanging to the right of the monitor.
    Amalia Soto, My Apology, 2022. Single-Channel video, 23:59 minutes, wall vinyl. Photo: Steven Cottingham. [Color installation image showing a video monitor mounted on a wall which is covered in tiled images of YouTube pages. A pair of wired headphones is hanging to the right of the monitor.]
    Caption Amalia Soto, My Apology, 2022. Single-Channel video, 23:59 minutes, wall vinyl. Photo: Steven Cottingham.
    Image description Color installation image showing a video monitor mounted on a wall which is covered in tiled images of YouTube pages. A pair of wired headphones is hanging to the right of the monitor.
    Year
    Related pages Whitney Independent Study: Everything is Common
  • Color image of a performer standing up playing the violin. They are standing in front of a mic stand with their eyes closed. A drum kit is barely visible in the right corner of the image. The wall in the background is tinted with green and blue lights.
    Color image of a performer standing up playing the violin. They are standing in front of a mic stand with their eyes closed. A drum kit is barely visible in the right corner of the image. The wall in the background is tinted with green and blue lights.
    Abasement #75. Performance documentation, February 3rd, 2025, Artists Space. Photo: Joshua Wildman. [Color image of a performer standing up playing the violin. They are standing in front of a mic stand with their eyes closed. A drum kit is barely visible in the right corner of the image. The wall in the background is tinted with green and blue lights.]
    Caption Abasement #75. Performance documentation, February 3rd, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Color image of a performer standing up playing the violin. They are standing in front of a mic stand with their eyes closed. A drum kit is barely visible in the right corner of the image. The wall in the background is tinted with green and blue lights.
    Year
    Related pages Abasement #75
  • A performer playing a blue retro-style guitar stands in front of a large audience. The crowd faces the musician, some of them are sitting closer to the stage and others stand in the background. A red stage light on the ceiling illuminates the room. White dots reflect around the room from a disco ball.
    A performer playing a blue retro-style guitar stands in front of a large audience. The crowd faces the musician, some of them are sitting closer to the stage and others stand in the background. A red stage light on the ceiling illuminates the room. White dots reflect around the room from a disco ball.
    Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman. [A performer playing a blue retro-style guitar stands in front of a large audience. The crowd faces the musician, some of them are sitting closer to the stage and others stand in the background. A red stage light on the ceiling illuminates the room. White dots reflect around the room from a disco ball. ]
    Caption Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman.
    Image description A performer playing a blue retro-style guitar stands in front of a large audience. The crowd faces the musician, some of them are sitting closer to the stage and others stand in the background. A red stage light on the ceiling illuminates the room. White dots reflect around the room from a disco ball.
    Year
    Related pages Abasement #74
  • A black and white image of a sculpture resembling a rectangular prism displayed in the exhibition space.
    A black and white image of a sculpture resembling a rectangular prism displayed in the exhibition space.
    Installation view from International Projects: Belgium, featuring Didier Vermeiren, Artists Space, 1984 [A black and white image of a sculpture resembling a rectangular prism displayed in the exhibition space.]
    Caption Installation view from International Projects: Belgium, featuring Didier Vermeiren, Artists Space, 1984
    Image description A black and white image of a sculpture resembling a rectangular prism displayed in the exhibition space.
    Year
    Related pages International Projects: Belgium
  • A person with pink nail polish hold up a Canon AE-1 film camera.
    A person with pink nail polish hold up a Canon AE-1 film camera.
    Aisha Rodriguez, Click, 2013. [A person with pink nail polish hold up a Canon AE-1 film camera.]
    Caption Aisha Rodriguez, Click, 2013.
    Image description A person with pink nail polish hold up a Canon AE-1 film camera.
    Year 2013
    Related pages Welcome To My World
  • Four drawings are hung in a row on a white wall. The leftmost drawing shows two women sitting in a living room. The next shows a figure holding their head in their hands. The next depicts two men sitting at a table. The drawing on the far right depicts a man and a woman looking out a window through window blinds.
    Four drawings are hung in a row on a white wall. The leftmost drawing shows two women sitting in a living room. The next shows a figure holding their head in their hands. The next depicts two men sitting at a table. The drawing on the far right depicts a man and a woman looking out a window through window blinds.
    Artists Draw. Installation view, Artists Space, 1979. [Four drawings are hung in a row on a white wall. The leftmost drawing shows two women sitting in a living room. The next shows a figure holding their head in their hands. The next depicts two men sitting at a table. The drawing on the far right depicts a man and a woman looking out a window through window blinds.]
    Caption Artists Draw. Installation view, Artists Space, 1979.
    Image description Four drawings are hung in a row on a white wall. The leftmost drawing shows two women sitting in a living room. The next shows a figure holding their head in their hands. The next depicts two men sitting at a table. The drawing on the far right depicts a man and a woman looking out a window through window blinds.
    Year 1979
    Related pages Artists Draw: Tom Martin, Auste Peciura, Alan Saret, Patti Smith, Nancy Spero
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    Related pages LAND MASS
  • Yellow text on a blurry black-and-white photograph. The photograph features a figure standing against a background of trees. The text contains the event details.
    Yellow text on a blurry black-and-white photograph. The photograph features a figure standing against a background of trees. The text contains the event details.
    Flyer for Basie Allen: Palm-Lined with Potience (2nd Edition) Book Launch. [Yellow text on a blurry black-and-white photograph. The photograph features a figure standing against a background of trees. The text contains the event details.]
    Caption Flyer for Basie Allen: Palm-Lined with Potience (2nd Edition) Book Launch.
    Image description Yellow text on a blurry black-and-white photograph. The photograph features a figure standing against a background of trees. The text contains the event details.
    Year
    Related pages Palm-Lined with Potience (2nd Edition)
  • A room, view from above a stair case, with a group of men sat scatted around the area.
    A room, view from above a stair case, with a group of men sat scatted around the area.
    Waiting room view of Leben mit Pop - Eine Demonstration für den kapitalistischen Realismus , 1963 (Living with Pop – A Demonstration for Capitalist Realism) © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Photo: Reiner Ruthenbeck [A room, view from above a stair case, with a group of men sat scatted around the area.]
    Caption Waiting room view of Leben mit Pop - Eine Demonstration für den kapitalistischen Realismus , 1963 (Living with Pop – A Demonstration for Capitalist Realism) © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Photo: Reiner Ruthenbeck
    Image description A room, view from above a stair case, with a group of men sat scatted around the area.
    Year 1963
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • A close up image of a glass display case holding images, text, and newspaper clippings.
    A close up image of a glass display case holding images, text, and newspaper clippings.
    Till They Listen: Bill Gunn Directs America. Installation view, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A close up image of a glass display case holding images, text, and newspaper clippings.]
    Caption Till They Listen: Bill Gunn Directs America. Installation view, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A close up image of a glass display case holding images, text, and newspaper clippings.
    Year 2021
    Related pages Till They Listen: Bill Gunn Directs America
  • A pink piece of paper with the typed text
    A pink piece of paper with the typed text
    Neil Goldberg, Fortune 500 Dream Fax Project, 1996. [A pink piece of paper with the typed text "Dream Fax Transmission Sheet" positioned at its top edge. Underneath, there is a handwritten account of the artist's dream from 3/26/96.]
    Caption Neil Goldberg, Fortune 500 Dream Fax Project, 1996.
    Image description A pink piece of paper with the typed text "Dream Fax Transmission Sheet" positioned at its top edge. Underneath, there is a handwritten account of the artist's dream from 3/26/96.
    Year 1996
    Related pages A Strategy Hinted At: New Conceptual Artists
  • Three figures stand in front of a large banner bearing a portrait.
    Three figures stand in front of a large banner bearing a portrait.
    Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court [Three figures stand in front of a large banner bearing a portrait.]
    Caption Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court
    Image description Three figures stand in front of a large banner bearing a portrait.
    Year 2022
    Related pages Circus Amok
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    Related pages Doris Guo Matthew Langan-Peck Isabelle Frances McGuire Ruben Ulises Rodriguez Montoya
  • William S. Burroughs. Target #5 (July 29, 1997), 1997 Courtesy John Giorno. . Photo: Adam Reich
    Caption William S. Burroughs. Target #5 (July 29, 1997), 1997 Courtesy John Giorno. . Photo: Adam Reich
    Image description
    Year
    Related pages Rip It Up and Start Again: William S. Burroughs, Charles Henri Ford, Ray Johnson, Philippe Thomas, Arthur Russell
  • A classroom setting with several students and adults sitting across the room at desks and tables, looking at a teacher speaking to them in a corner of the room
    A classroom setting with several students and adults sitting across the room at desks and tables, looking at a teacher speaking to them in a corner of the room
    Arts and Family Engagement evening, student panel on high school portfolio preparation, P.S. 140, 2017 [A classroom setting with several students and adults sitting across the room at desks and tables, looking at a teacher speaking to them in a corner of the room]
    Caption Arts and Family Engagement evening, student panel on high school portfolio preparation, P.S. 140, 2017
    Image description A classroom setting with several students and adults sitting across the room at desks and tables, looking at a teacher speaking to them in a corner of the room
    Year 2017
    Related pages Exhibitions and Events
  • A large black biomorphic sculpture hangs in the foreground. In the distance, various biomorphic sculptures hang from the ceiling, sit on pedestals, or hang from the walls, receding deeper into the gallery. Three large pink banners emblazoned with silver stars hang from the ceiling in the background.
    A large black biomorphic sculpture hangs in the foreground. In the distance, various biomorphic sculptures hang from the ceiling, sit on pedestals, or hang from the walls, receding deeper into the gallery. Three large pink banners emblazoned with silver stars hang from the ceiling in the background.
    Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon. [A large black biomorphic sculpture hangs in the foreground. In the distance, various biomorphic sculptures hang from the ceiling, sit on pedestals, or hang from the walls, receding deeper into the gallery. Three large pink banners emblazoned with silver stars hang from the ceiling in the background.]
    Caption Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon.
    Image description A large black biomorphic sculpture hangs in the foreground. In the distance, various biomorphic sculptures hang from the ceiling, sit on pedestals, or hang from the walls, receding deeper into the gallery. Three large pink banners emblazoned with silver stars hang from the ceiling in the background.
    Year
    Related pages Doris Guo Matthew Langan-Peck Isabelle Frances McGuire Ruben Ulises Rodriguez Montoya
  • An abstract sculpture with a chrome finish is displayed on a white pedestal. The sculpture's form includes amorphous voids alongside somewhat rectangular structures.
    An abstract sculpture with a chrome finish is displayed on a white pedestal. The sculpture's form includes amorphous voids alongside somewhat rectangular structures.
    UniBodies. Installation view, Artists Space, 2006. Photo: Bill Ocrutt. [An abstract sculpture with a chrome finish is displayed on a white pedestal. The sculpture's form includes amorphous voids alongside somewhat rectangular structures.]
    Caption UniBodies. Installation view, Artists Space, 2006. Photo: Bill Ocrutt.
    Image description An abstract sculpture with a chrome finish is displayed on a white pedestal. The sculpture's form includes amorphous voids alongside somewhat rectangular structures.
    Year 2006
    Related pages UniBodies
  • A visit to Federico Herrera exhibition at James Cohan.
    Caption A visit to Federico Herrera exhibition at James Cohan.
    Image description
    Year
    Related pages Portfolio Development
  • Color image of a video installation in the center of the floor of a gallery. A walkway made of plywood runs along the edges of the room, encircling the projection. The projection depicts a mirrored negative film image. The image features an assortment of abstracted objects arranged on a blue background.
    Color image of a video installation in the center of the floor of a gallery. A walkway made of plywood runs along the edges of the room, encircling the projection. The projection depicts a mirrored negative film image. The image features an assortment of abstracted objects arranged on a blue background.
    Crystal Z Campbell: Ode to the Underloved. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color image of a video installation in the center of the floor of a gallery. A walkway made of plywood runs along the edges of the room, encircling the projection. The projection depicts a mirrored negative film image. The image features an assortment of abstracted objects arranged on a blue background.]
    Caption Crystal Z Campbell: Ode to the Underloved. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color image of a video installation in the center of the floor of a gallery. A walkway made of plywood runs along the edges of the room, encircling the projection. The projection depicts a mirrored negative film image. The image features an assortment of abstracted objects arranged on a blue background.
    Year
    Related pages Crystal Z Campbell
  • Color image of an abstract oil painting. Along the edges of the composition are large patches of purple, with green and black patterns running through it. Along the top edge is a white background, with a small black dot on one side. Below that running through the middle is a thickly applied area of black paint, with a small white dot in the center of the top.
    Color image of an abstract oil painting. Along the edges of the composition are large patches of purple, with green and black patterns running through it. Along the top edge is a white background, with a small black dot on one side. Below that running through the middle is a thickly applied area of black paint, with a small white dot in the center of the top.
    Richard Hawkins, Perineal purple, 2022. Photo: Filip Wolak. [Color image of an abstract oil painting. Along the edges of the composition are large patches of purple, with green and black patterns running through it. Along the top edge is a white background, with a small black dot on one side. Below that running through the middle is a thickly applied area of black paint, with a small white dot in the center of the top.]
    Caption Richard Hawkins, Perineal purple, 2022. Photo: Filip Wolak.
    Image description Color image of an abstract oil painting. Along the edges of the composition are large patches of purple, with green and black patterns running through it. Along the top edge is a white background, with a small black dot on one side. Below that running through the middle is a thickly applied area of black paint, with a small white dot in the center of the top.
    Year 2023
    Related pages Artists for Artists Space
  • A black and white image of a man, standing in a doorway, coving his torso with a small white blanket.
    A black and white image of a man, standing in a doorway, coving his torso with a small white blanket.
    Photograph from the catalogue for polke / richter , 1966 galerie h, Hannover Courtesy August Haseke [A black and white image of a man, standing in a doorway, coving his torso with a small white blanket.]
    Caption Photograph from the catalogue for polke / richter , 1966 galerie h, Hannover Courtesy August Haseke
    Image description A black and white image of a man, standing in a doorway, coving his torso with a small white blanket.
    Year 1966
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • A halftone image of the Statue of Liberty printed in bright green and red ink. A cut-out of a black and white photograph of an older man's face has been pasted over the statue's face. The words
    A halftone image of the Statue of Liberty printed in bright green and red ink. A cut-out of a black and white photograph of an older man's face has been pasted over the statue's face. The words
    André Breton, Young Cherry Trees Secured Against Hares (New York: View Editions, 1946). Collection of Daniel Buchholz and Christopher Müller, Cologne. [A halftone image of the Statue of Liberty printed in bright green and red ink. A cut-out of a black and white photograph of an older man's face has been pasted over the statue's face. The words "Young Cherry Trees Secured Against Hares André Breton" are printed around the body of the statue in green ink.]
    Caption André Breton, Young Cherry Trees Secured Against Hares (New York: View Editions, 1946). Collection of Daniel Buchholz and Christopher Müller, Cologne.
    Image description A halftone image of the Statue of Liberty printed in bright green and red ink. A cut-out of a black and white photograph of an older man's face has been pasted over the statue's face. The words "Young Cherry Trees Secured Against Hares André Breton" are printed around the body of the statue in green ink.
    Year 2010
    Related pages Rip It Up and Start Again: William S. Burroughs, Charles Henri Ford, Ray Johnson, Philippe Thomas, Arthur Russell
  • A series of amorphous, basket-like objects sit on a series of plinths of varying heights in a gallery space. Two additional scultural forms composed of sticks and grasses, as well as metallic materials, hang from the ceiling behind the plinths.
    A series of amorphous, basket-like objects sit on a series of plinths of varying heights in a gallery space. Two additional scultural forms composed of sticks and grasses, as well as metallic materials, hang from the ceiling behind the plinths.
    Baskets. Installation view, Artists Space, 2006. [A series of amorphous, basket-like objects sit on a series of plinths of varying heights in a gallery space. Two additional scultural forms composed of sticks and grasses, as well as metallic materials, hang from the ceiling behind the plinths.]
    Caption Baskets. Installation view, Artists Space, 2006.
    Image description A series of amorphous, basket-like objects sit on a series of plinths of varying heights in a gallery space. Two additional scultural forms composed of sticks and grasses, as well as metallic materials, hang from the ceiling behind the plinths.
    Year 2006
    Related pages Architecture & Design Project Series: Baskets
  • Light blue text overlays a dark blue background. The top left corner reads:
    Light blue text overlays a dark blue background. The top left corner reads:
    Flyer for Segue Reading Series featuring Chia-Lun Chang and Rosie Stockton. November 12, 2022, Artists Space. [Light blue text overlays a dark blue background. The top left corner reads: "Chia-Lun Chang & Rosie Stockton / November 12, 5 pm." The middle reads: "Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519."]
    Caption Flyer for Segue Reading Series featuring Chia-Lun Chang and Rosie Stockton. November 12, 2022, Artists Space.
    Image description Light blue text overlays a dark blue background. The top left corner reads: "Chia-Lun Chang & Rosie Stockton / November 12, 5 pm." The middle reads: "Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519."
    Year
    Related pages Segue Reading Series: Chia-Lun Chang & Rosie Stockton
  • A color photograph of a figure standing behind audio mixing equipment and a microphone in front of an orange background. A white light shines down on them from the left.
    A color photograph of a figure standing behind audio mixing equipment and a microphone in front of an orange background. A white light shines down on them from the left.
    Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. [A color photograph of a figure standing behind audio mixing equipment and a microphone in front of an orange background. A white light shines down on them from the left.]
    Caption Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space.
    Image description A color photograph of a figure standing behind audio mixing equipment and a microphone in front of an orange background. A white light shines down on them from the left.
    Year 2022
    Related pages Yuji Agematsu
  • The image shows a figure's face composed of black lines and etch-marks on top of a transluscent background. The image rests on a wooden shelf.
    The image shows a figure's face composed of black lines and etch-marks on top of a transluscent background. The image rests on a wooden shelf.
    Kiki Smith, Untitled, 1991, Fired enamel on glass with shelf, Glass: 18 x 18 in / 45,7 x 45,7 cm Shelf: 4 1/2 x 20 15/16 x 5 in / 11,5 x 52,9 x 12,7 cm, Edition of 50. [The image shows a figure's face composed of black lines and etch-marks on top of a transluscent background. The image rests on a wooden shelf.]
    Caption Kiki Smith, Untitled, 1991, Fired enamel on glass with shelf, Glass: 18 x 18 in / 45,7 x 45,7 cm Shelf: 4 1/2 x 20 15/16 x 5 in / 11,5 x 52,9 x 12,7 cm, Edition of 50.
    Image description The image shows a figure's face composed of black lines and etch-marks on top of a transluscent background. The image rests on a wooden shelf.
    Year 1991
    Related pages Editions
  • An abstract image featuring monotone areas of green, red, orange, and blue color. A large green rectangle stretches across the image's center. Three red shapes resembling falling figures are arranged within the green shape. To the left of the green shape, the composition is covered with a blue checkerboard pattern. Across the top portion of the image, amorphous, pipe-like red and orange forms twist and connect on a pale green backdrop.
    An abstract image featuring monotone areas of green, red, orange, and blue color. A large green rectangle stretches across the image's center. Three red shapes resembling falling figures are arranged within the green shape. To the left of the green shape, the composition is covered with a blue checkerboard pattern. Across the top portion of the image, amorphous, pipe-like red and orange forms twist and connect on a pale green backdrop.
    [An abstract image featuring monotone areas of green, red, orange, and blue color. A large green rectangle stretches across the image's center. Three red shapes resembling falling figures are arranged within the green shape. To the left of the green shape, the composition is covered with a blue checkerboard pattern. Across the top portion of the image, amorphous, pipe-like red and orange forms twist and connect on a pale green backdrop.]
    Caption
    Image description An abstract image featuring monotone areas of green, red, orange, and blue color. A large green rectangle stretches across the image's center. Three red shapes resembling falling figures are arranged within the green shape. To the left of the green shape, the composition is covered with a blue checkerboard pattern. Across the top portion of the image, amorphous, pipe-like red and orange forms twist and connect on a pale green backdrop.
    Year 2003
    Related pages Abstruction
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • The audience faces the stage in the background, next to a projected graphic of an psychedelic-style eye and a red exit sign. The backs of two musicians are blurred in the foreground. The musicians are lit with soft blue and green lights. The room is dimly lit, and audience members are also tinted with multicolored lights.
    The audience faces the stage in the background, next to a projected graphic of an psychedelic-style eye and a red exit sign. The backs of two musicians are blurred in the foreground. The musicians are lit with soft blue and green lights. The room is dimly lit, and audience members are also tinted with multicolored lights.
    Abasement #71. Performance documentation, August 5th, 2024, Artists Space. Photo: Joshua Wildman. [The audience faces the stage in the background, next to a projected graphic of an psychedelic-style eye and a red exit sign. The backs of two musicians are blurred in the foreground. The musicians are lit with soft blue and green lights. The room is dimly lit, and audience members are also tinted with multicolored lights.]
    Caption Abasement #71. Performance documentation, August 5th, 2024, Artists Space. Photo: Joshua Wildman.
    Image description The audience faces the stage in the background, next to a projected graphic of an psychedelic-style eye and a red exit sign. The backs of two musicians are blurred in the foreground. The musicians are lit with soft blue and green lights. The room is dimly lit, and audience members are also tinted with multicolored lights.
    Year
    Related pages Abasement #71
  • Six rows of six small, faded images of a child in various poses, positioned at left center of frame.
    Six rows of six small, faded images of a child in various poses, positioned at left center of frame.
    Konrad Lueg Babies , 1967 80 copies + 40 artists proofs, signed and numbered screen print on cardboard, 59 x 83 cm Courtesy of Edition Block, Berlin [Six rows of six small, faded images of a child in various poses, positioned at left center of frame.]
    Caption Konrad Lueg Babies , 1967 80 copies + 40 artists proofs, signed and numbered screen print on cardboard, 59 x 83 cm Courtesy of Edition Block, Berlin
    Image description Six rows of six small, faded images of a child in various poses, positioned at left center of frame.
    Year 1967
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • A classroom with several students, each at their own desk, painting with primary-color watercolors
    A classroom with several students, each at their own desk, painting with primary-color watercolors
    Community Listening event, Painting Sound, Listening to the LES, P.S. 140, 2019 [A classroom with several students, each at their own desk, painting with primary-color watercolors]
    Caption Community Listening event, Painting Sound, Listening to the LES, P.S. 140, 2019
    Image description A classroom with several students, each at their own desk, painting with primary-color watercolors
    Year
    Related pages Exhibitions and Events
  • Sixty images with dark backgrounds and a white, pixelated spot emanating from their centers arranged in a grid formation on an indigo blue gallery wall.
    Sixty images with dark backgrounds and a white, pixelated spot emanating from their centers arranged in a grid formation on an indigo blue gallery wall.
    Whitney Museum of American Art Independent Study Program Studio Exhibition. Installation view, Artists Space, 2018. [Sixty images with dark backgrounds and a white, pixelated spot emanating from their centers arranged in a grid formation on an indigo blue gallery wall.]
    Caption Whitney Museum of American Art Independent Study Program Studio Exhibition. Installation view, Artists Space, 2018.
    Image description Sixty images with dark backgrounds and a white, pixelated spot emanating from their centers arranged in a grid formation on an indigo blue gallery wall.
    Year 2018
    Related pages Whitney Museum of American Art Independent Study Program Studio Exhibition
  • A color image of the corner of a gallery space. The two walls have been painted black, and various paintings depicting Black Queer figures are depicted. White and yellow drawings are painted onto the wall itself, moving through and around the artworks.
    A color image of the corner of a gallery space. The two walls have been painted black, and various paintings depicting Black Queer figures are depicted. White and yellow drawings are painted onto the wall itself, moving through and around the artworks.
    Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of the corner of a gallery space. The two walls have been painted black, and various paintings depicting Black Queer figures are depicted. White and yellow drawings are painted onto the wall itself, moving through and around the artworks.]
    Caption Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A color image of the corner of a gallery space. The two walls have been painted black, and various paintings depicting Black Queer figures are depicted. White and yellow drawings are painted onto the wall itself, moving through and around the artworks.
    Year
    Related pages Jonathan Lyndon Chase
  • A large, orange slug sculpture forming a circular ring shape around a cast-iron column suspended by eight elastic cords such that it encircles the column and rests at its vertical center. This is next to a square painting of a partially nude human figure in a white-walled gallery space. In the foreground the viewer can identify a partial view of a large, orange slug forming a circular ring near the ceiling.
    A large, orange slug sculpture forming a circular ring shape around a cast-iron column suspended by eight elastic cords such that it encircles the column and rests at its vertical center. This is next to a square painting of a partially nude human figure in a white-walled gallery space. In the foreground the viewer can identify a partial view of a large, orange slug forming a circular ring near the ceiling.
    Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez. [A large, orange slug sculpture forming a circular ring shape around a cast-iron column suspended by eight elastic cords such that it encircles the column and rests at its vertical center. This is next to a square painting of a partially nude human figure in a white-walled gallery space. In the foreground the viewer can identify a partial view of a large, orange slug forming a circular ring near the ceiling.]
    Caption Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez.
    Image description A large, orange slug sculpture forming a circular ring shape around a cast-iron column suspended by eight elastic cords such that it encircles the column and rests at its vertical center. This is next to a square painting of a partially nude human figure in a white-walled gallery space. In the foreground the viewer can identify a partial view of a large, orange slug forming a circular ring near the ceiling.
    Year 2020
    Related pages Jana Euler
  • A city street is visible with a items and people driving by and a motorcyclist. On the sidewalk are people walking toward the camera, but looking in different directions. On the building behind the road is writing that reads,
    A city street is visible with a items and people driving by and a motorcyclist. On the sidewalk are people walking toward the camera, but looking in different directions. On the building behind the road is writing that reads,
    Charles Harbutt. Calle 59, Merida, Yucatan, 1982. [A city street is visible with a items and people driving by and a motorcyclist. On the sidewalk are people walking toward the camera, but looking in different directions. On the building behind the road is writing that reads, "Estufas Peninsulares, S.A.".]
    Caption Charles Harbutt. Calle 59, Merida, Yucatan, 1982.
    Image description A city street is visible with a items and people driving by and a motorcyclist. On the sidewalk are people walking toward the camera, but looking in different directions. On the building behind the road is writing that reads, "Estufas Peninsulares, S.A.".
    Year
    Related pages Three Exhibitions Sponsored by the Mark Rothko Foundation
  • Color image of two individuals smiling jovially towards the camera. A dimly lit interior space with red flocking on the walls can be seen in the background.
    Color image of two individuals smiling jovially towards the camera. A dimly lit interior space with red flocking on the walls can be seen in the background.
    Friends of Artists Space Dinner, 2023. Photo: Destiny Mata. [Color image of two individuals smiling jovially towards the camera. A dimly lit interior space with red flocking on the walls can be seen in the background.]
    Caption Friends of Artists Space Dinner, 2023. Photo: Destiny Mata.
    Image description Color image of two individuals smiling jovially towards the camera. A dimly lit interior space with red flocking on the walls can be seen in the background.
    Year
    Related pages Support
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Collage project on mapping and migration
    Caption Collage project on mapping and migration
    Image description
    Year
    Related pages Listening to the LES
  • In an otherwise empty, white-walled room a wooden folding chair faces a wooden bookshelf with three shelves. Several clusters of colorful books rest on the bookshelf. To the left of the bookshelf is a square white bin which holds several more folding chairs.
    In an otherwise empty, white-walled room a wooden folding chair faces a wooden bookshelf with three shelves. Several clusters of colorful books rest on the bookshelf. To the left of the bookshelf is a square white bin which holds several more folding chairs.
    [In an otherwise empty, white-walled room a wooden folding chair faces a wooden bookshelf with three shelves. Several clusters of colorful books rest on the bookshelf. To the left of the bookshelf is a square white bin which holds several more folding chairs.]
    Caption
    Image description In an otherwise empty, white-walled room a wooden folding chair faces a wooden bookshelf with three shelves. Several clusters of colorful books rest on the bookshelf. To the left of the bookshelf is a square white bin which holds several more folding chairs.
    Year 2011
    Related pages The Serving Library
  • A screenshot of the google images search results page for the query
    A screenshot of the google images search results page for the query
    [A screenshot of the google images search results page for the query "a history of negations."]
    Caption
    Image description A screenshot of the google images search results page for the query "a history of negations."
    Year
    Related pages A History of Negations
  • Various sculpted insects appear on the white gallery wall and the word
    Various sculpted insects appear on the white gallery wall and the word
    Young Fluxus. Installation view, Artists Space, 1982. [Various sculpted insects appear on the white gallery wall and the word "Bread" appears in the center of the right section and the word "Queen" appears in both parts of the image.]
    Caption Young Fluxus. Installation view, Artists Space, 1982.
    Image description Various sculpted insects appear on the white gallery wall and the word "Bread" appears in the center of the right section and the word "Queen" appears in both parts of the image.
    Year
    Related pages Young Fluxus
  • Four pages of a magazine displayed on a white background. The pages contain text and black and white as well as blue and yellow collaged images.
    Four pages of a magazine displayed on a white background. The pages contain text and black and white as well as blue and yellow collaged images.
    Zona. Carga Y Descarga, Issue 3, January - February 1973. Editor and Publisher: Rosario Ferré. Design and Photomontage: Zilia Sánchez. [Four pages of a magazine displayed on a white background. The pages contain text and black and white as well as blue and yellow collaged images.]
    Caption Zona. Carga Y Descarga, Issue 3, January - February 1973. Editor and Publisher: Rosario Ferré. Design and Photomontage: Zilia Sánchez.
    Image description Four pages of a magazine displayed on a white background. The pages contain text and black and white as well as blue and yellow collaged images.
    Year 2013
    Related pages Zilia Sánchez
  • Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They have papers taped and placed over their face.
    Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They have papers taped and placed over their face.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They have papers taped and placed over their face.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They have papers taped and placed over their face.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • A greyscale Polaroid of two shirtless men looking into each other's eyes.
    A greyscale Polaroid of two shirtless men looking into each other's eyes.
    Mark Morrisroe, Untitled [Stephen and Mark], c. 1984. Courtesy The Estate of Mark Morrisroe (Ringier Collection) at Fotomuseum Winterthur. [A greyscale Polaroid of two shirtless men looking into each other's eyes.]
    Caption Mark Morrisroe, Untitled [Stephen and Mark], c. 1984. Courtesy The Estate of Mark Morrisroe (Ringier Collection) at Fotomuseum Winterthur.
    Image description A greyscale Polaroid of two shirtless men looking into each other's eyes.
    Year 2011
    Related pages Mark Morrisroe: From This Moment On
  • An adult figure stands in the foreground while a smaller figure stands in the background in a corner. Above the figures reads:
    An adult figure stands in the foreground while a smaller figure stands in the background in a corner. Above the figures reads:
    Jenny Snider. It's a Sin to Tell a Lie, 1985. [An adult figure stands in the foreground while a smaller figure stands in the background in a corner. Above the figures reads: "It's a sin to tell a lie."]
    Caption Jenny Snider. It's a Sin to Tell a Lie, 1985.
    Image description An adult figure stands in the foreground while a smaller figure stands in the background in a corner. Above the figures reads: "It's a sin to tell a lie."
    Year
    Related pages Four Artists: An Exhibition of Painting and Sculpture
  • A color photograph of a galllery space with several dark columns. In between two columns in the foreground is a large fabric projector screen, with a video being projected onto it. In front of the screen are several fabric-wrapped stools. Further in the background a painting is visible on one wall, and a tv screen with a video work is visible on another.
    A color photograph of a galllery space with several dark columns. In between two columns in the foreground is a large fabric projector screen, with a video being projected onto it. In front of the screen are several fabric-wrapped stools. Further in the background a painting is visible on one wall, and a tv screen with a video work is visible on another.
    Everything is common. Installation view, Artists Space, 2022. Photo: Steven Cottingham. [A color photograph of a galllery space with several dark columns. In between two columns in the foreground is a large fabric projector screen, with a video being projected onto it. In front of the screen are several fabric-wrapped stools. Further in the background a painting is visible on one wall, and a tv screen with a video work is visible on another.]
    Caption Everything is common. Installation view, Artists Space, 2022. Photo: Steven Cottingham.
    Image description A color photograph of a galllery space with several dark columns. In between two columns in the foreground is a large fabric projector screen, with a video being projected onto it. In front of the screen are several fabric-wrapped stools. Further in the background a painting is visible on one wall, and a tv screen with a video work is visible on another.
    Year
    Related pages Whitney Independent Study: Everything is Common
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Color image of a pile of freeway rubble arranged on the floor, with a sculpture of a bird made of a deconstructed Nike sneaker perched on top of the pile, with its wings spread.
    Color image of a pile of freeway rubble arranged on the floor, with a sculpture of a bird made of a deconstructed Nike sneaker perched on top of the pile, with its wings spread.
    rafa esparza, NH1, 2023, 1 pair of US mens size 11 black and white Nike Cortez, chicken wire, and black Nike socks, freeway rubble. Image courtesy Artists Space, New York. Photo: Filip Wolak. [Color image of a pile of freeway rubble arranged on the floor, with a sculpture of a bird made of a deconstructed Nike sneaker perched on top of the pile, with its wings spread.]
    Caption rafa esparza, NH1, 2023, 1 pair of US mens size 11 black and white Nike Cortez, chicken wire, and black Nike socks, freeway rubble. Image courtesy Artists Space, New York. Photo: Filip Wolak.
    Image description Color image of a pile of freeway rubble arranged on the floor, with a sculpture of a bird made of a deconstructed Nike sneaker perched on top of the pile, with its wings spread.
    Year
    Related pages rafa esparza: Camino
  • Projectors placed across a wood floor project variegated hues of white light onto a wall.
    Projectors placed across a wood floor project variegated hues of white light onto a wall.
    Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater. Installation view, Artists Space, 2019. Photo: Daniel Pérez. [Projectors placed across a wood floor project variegated hues of white light onto a wall.]
    Caption Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater. Installation view, Artists Space, 2019. Photo: Daniel Pérez.
    Image description Projectors placed across a wood floor project variegated hues of white light onto a wall.
    Year 2019
    Related pages
  • Crystal Z Campbell, Revolver, 2022. 16mm film transferred to Digital Video, Stereo, Sound. 17:27 min. Courtesy the artist
    Caption Crystal Z Campbell, Revolver, 2022. 16mm film transferred to Digital Video, Stereo, Sound. 17:27 min. Courtesy the artist
    Image description
    Year
    Related pages Crystal Z Campbell
  • White text overlays a color-scheme grid background. The text reads: “Nov 11 / Dior J. Stephens / Dawn Lundy Martin.
    White text overlays a color-scheme grid background. The text reads: “Nov 11 / Dior J. Stephens / Dawn Lundy Martin.
    [White text overlays a color-scheme grid background. The text reads: “Nov 11 / Dior J. Stephens / Dawn Lundy Martin." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description White text overlays a color-scheme grid background. The text reads: “Nov 11 / Dior J. Stephens / Dawn Lundy Martin." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year
    Related pages Segue Reading Series: Dior J. Stephens & Dawn Lundy Martin
  • A black and white image of a painted abstract figure. The figure consists of multiple materials and line qualities.
    A black and white image of a painted abstract figure. The figure consists of multiple materials and line qualities.
    Benje LaRico. Goa IV (JEM), 1987. Enamel, Wood, Plastic on plywood. 48 inches x 96 inches x 6.75 inches. [A black and white image of a painted abstract figure. The figure consists of multiple materials and line qualities.]
    Caption Benje LaRico. Goa IV (JEM), 1987. Enamel, Wood, Plastic on plywood. 48 inches x 96 inches x 6.75 inches.
    Image description A black and white image of a painted abstract figure. The figure consists of multiple materials and line qualities.
    Year 1987
    Related pages Abstraction in Process
  • A rectangular, abstract painting is mounted on a black frame at an angle to the white gallery wall.
    A rectangular, abstract painting is mounted on a black frame at an angle to the white gallery wall.
    John Mendelsohn and Donald Sultan, Installation view, Artists Space, 1977. [A rectangular, abstract painting is mounted on a black frame at an angle to the white gallery wall.]
    Caption John Mendelsohn and Donald Sultan, Installation view, Artists Space, 1977.
    Image description A rectangular, abstract painting is mounted on a black frame at an angle to the white gallery wall.
    Year 1977
    Related pages John Mendelsohn and Donald Sultan
  • Several photographs installed in a gallery space with white walls and wooden flooring. Four color photographs are arranged in a vertical line on a wall to the right side of the image. The wall terminates to the left of the displayed photographs, and a second wall extends into the gallery space directly behind it. Two large images comprised of pink and purple hues hang on a far gallery wall in the background of the image. The image on the left displays a futuristic looking, interior space.
    Several photographs installed in a gallery space with white walls and wooden flooring. Four color photographs are arranged in a vertical line on a wall to the right side of the image. The wall terminates to the left of the displayed photographs, and a second wall extends into the gallery space directly behind it. Two large images comprised of pink and purple hues hang on a far gallery wall in the background of the image. The image on the left displays a futuristic looking, interior space.
    Urban Pornography. Installation view, Artists Space, 2001. [Several photographs installed in a gallery space with white walls and wooden flooring. Four color photographs are arranged in a vertical line on a wall to the right side of the image. The wall terminates to the left of the displayed photographs, and a second wall extends into the gallery space directly behind it. Two large images comprised of pink and purple hues hang on a far gallery wall in the background of the image. The image on the left displays a futuristic looking, interior space.]
    Caption Urban Pornography. Installation view, Artists Space, 2001.
    Image description Several photographs installed in a gallery space with white walls and wooden flooring. Four color photographs are arranged in a vertical line on a wall to the right side of the image. The wall terminates to the left of the displayed photographs, and a second wall extends into the gallery space directly behind it. Two large images comprised of pink and purple hues hang on a far gallery wall in the background of the image. The image on the left displays a futuristic looking, interior space.
    Year 2001
    Related pages Urban Pornography
  • A performer's hand adjusts the dials of audio equipment which is placed on top of a small desk. Their hands are adorned with rings and bracelets, and the scene is bathed in green light. The background is blue and purple tinted, and there are blurred silhouettes of audience members behind the performer.
    A performer's hand adjusts the dials of audio equipment which is placed on top of a small desk. Their hands are adorned with rings and bracelets, and the scene is bathed in green light. The background is blue and purple tinted, and there are blurred silhouettes of audience members behind the performer.
    Heist Divination (fwiw remix). Performance documentation, October 25th, 2024, Artists Space. Photo: Destiny Mata. [A performer's hand adjusts the dials of audio equipment which is placed on top of a small desk. Their hands are adorned with rings and bracelets, and the scene is bathed in green light. The background is blue and purple tinted, and there are blurred silhouettes of audience members behind the performer.]
    Caption Heist Divination (fwiw remix). Performance documentation, October 25th, 2024, Artists Space. Photo: Destiny Mata.
    Image description A performer's hand adjusts the dials of audio equipment which is placed on top of a small desk. Their hands are adorned with rings and bracelets, and the scene is bathed in green light. The background is blue and purple tinted, and there are blurred silhouettes of audience members behind the performer.
    Year
    Related pages S*an D. Henry-Smith
  • Into an outlet socket on a wall is plugged a large black adapter with two USBs plugged into it. Screens on the USBs flash text that reads
    Into an outlet socket on a wall is plugged a large black adapter with two USBs plugged into it. Screens on the USBs flash text that reads
    Nandi Loaf, ???., 2025. Hardware. Photo: Carter Seddon. [Into an outlet socket on a wall is plugged a large black adapter with two USBs plugged into it. Screens on the USBs flash text that reads "TEMP 12 / Lucky miner 00:13." In the outlet above the USBs is a black plastic cover.]
    Caption Nandi Loaf, ???., 2025. Hardware. Photo: Carter Seddon.
    Image description Into an outlet socket on a wall is plugged a large black adapter with two USBs plugged into it. Screens on the USBs flash text that reads "TEMP 12 / Lucky miner 00:13." In the outlet above the USBs is a black plastic cover.
    Year
    Related pages Nandi Loaf Aristotelis Nikolas Mochloulis Ricardo Nagaoka Sydney Schrader
  • A crowd watches two figures in medical scrubs, facing each other on opposite sides of a table with wheels.
    A crowd watches two figures in medical scrubs, facing each other on opposite sides of a table with wheels.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court [A crowd watches two figures in medical scrubs, facing each other on opposite sides of a table with wheels.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court
    Image description A crowd watches two figures in medical scrubs, facing each other on opposite sides of a table with wheels.
    Year 2022
    Related pages Grandmother Cindy
  • An arrangement of 10 colored photos, each showing a different outdoor and indoor settings, including settings of nature, animals, a red trailer, an overexposed lecture hall, and a portrait of a woman.
    An arrangement of 10 colored photos, each showing a different outdoor and indoor settings, including settings of nature, animals, a red trailer, an overexposed lecture hall, and a portrait of a woman.
    Michaela Eichwald, Ten Top Photographs for Artists Space, 2015, Series of ten inkjet prints, Assorted dimensions range from 5 x 7 in to 5 x 7 ½ in / 12,7 x 17,8 cm to 12,7 x 19 cm, each Signed and Numbered Certificate [An arrangement of 10 colored photos, each showing a different outdoor and indoor settings, including settings of nature, animals, a red trailer, an overexposed lecture hall, and a portrait of a woman.]
    Caption Michaela Eichwald, Ten Top Photographs for Artists Space, 2015, Series of ten inkjet prints, Assorted dimensions range from 5 x 7 in to 5 x 7 ½ in / 12,7 x 17,8 cm to 12,7 x 19 cm, each Signed and Numbered Certificate
    Image description An arrangement of 10 colored photos, each showing a different outdoor and indoor settings, including settings of nature, animals, a red trailer, an overexposed lecture hall, and a portrait of a woman.
    Year 2016
    Related pages Artists Space Annual Edition Portfolio 2016
  • Color photograph of a figure dressed in black performing in front of an audience in the background. The room is dark, with LED light sculptures made from dried SCOBY in the background. The figure sits on the floor, looking off to the right and holding a mask in front of their face.
    Color photograph of a figure dressed in black performing in front of an audience in the background. The room is dark, with LED light sculptures made from dried SCOBY in the background. The figure sits on the floor, looking off to the right and holding a mask in front of their face.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a figure dressed in black performing in front of an audience in the background. The room is dark, with LED light sculptures made from dried SCOBY in the background. The figure sits on the floor, looking off to the right and holding a mask in front of their face.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of a figure dressed in black performing in front of an audience in the background. The room is dark, with LED light sculptures made from dried SCOBY in the background. The figure sits on the floor, looking off to the right and holding a mask in front of their face.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • A large photo decal runs along the entire length of a long, horizontal wall in a light-filled gallery space with wooden floors. The photo decal depicts a to-scale, warmly-lit domestic space. A wooden chest of drawers, radiators, various shelves, and a low bed covered in a quilt fill the space. A dart board hangs on the wall, along with various paintings.
    A large photo decal runs along the entire length of a long, horizontal wall in a light-filled gallery space with wooden floors. The photo decal depicts a to-scale, warmly-lit domestic space. A wooden chest of drawers, radiators, various shelves, and a low bed covered in a quilt fill the space. A dart board hangs on the wall, along with various paintings.
    Rip It Up and Start Again. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A large photo decal runs along the entire length of a long, horizontal wall in a light-filled gallery space with wooden floors. The photo decal depicts a to-scale, warmly-lit domestic space. A wooden chest of drawers, radiators, various shelves, and a low bed covered in a quilt fill the space. A dart board hangs on the wall, along with various paintings.]
    Caption Rip It Up and Start Again. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description A large photo decal runs along the entire length of a long, horizontal wall in a light-filled gallery space with wooden floors. The photo decal depicts a to-scale, warmly-lit domestic space. A wooden chest of drawers, radiators, various shelves, and a low bed covered in a quilt fill the space. A dart board hangs on the wall, along with various paintings.
    Year 2010
    Related pages Rip It Up and Start Again: William S. Burroughs, Charles Henri Ford, Ray Johnson, Philippe Thomas, Arthur Russell
  • A projection on the wall displaying two posters, one that reads
    A projection on the wall displaying two posters, one that reads
    “Palestine, BLM & Boycott in the Arts.” Artists Space Books & Talks, Friday, November 4, 2016. Courtesy Decolonize This Place and Artists Space, New York. Photo: Andrés Rodriguez [A projection on the wall displaying two posters, one that reads "Black Lives Matter" featuring an upside down image of the Empire State building, and to its right, one that reads "Palestine, BLM & Boycott in the Arts" with a yellow background, orange lightining-style graphic, and Arabic text.]
    Caption “Palestine, BLM & Boycott in the Arts.” Artists Space Books & Talks, Friday, November 4, 2016. Courtesy Decolonize This Place and Artists Space, New York. Photo: Andrés Rodriguez
    Image description A projection on the wall displaying two posters, one that reads "Black Lives Matter" featuring an upside down image of the Empire State building, and to its right, one that reads "Palestine, BLM & Boycott in the Arts" with a yellow background, orange lightining-style graphic, and Arabic text.
    Year 2016
    Related pages Decolonize This Place
  • Color photograph of a figure dressed in white, laying down on a window ledge facing the street. They raise on arm up and a white light shines from their pelvic area.
    Color photograph of a figure dressed in white, laying down on a window ledge facing the street. They raise on arm up and a white light shines from their pelvic area.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure dressed in white, laying down on a window ledge facing the street. They raise on arm up and a white light shines from their pelvic area.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a figure dressed in white, laying down on a window ledge facing the street. They raise on arm up and a white light shines from their pelvic area.
    Year 2022
    Related pages keyon gaskin 12-16
  • Caption
    Image description
    Year
    Related pages Michael Asher
  • Various paintings hang on the walls as guests enjoy the exhibition opening.
    Various paintings hang on the walls as guests enjoy the exhibition opening.
    Traditions: Five Painters. Installation View, Artists Space, 1978. [Various paintings hang on the walls as guests enjoy the exhibition opening.]
    Caption Traditions: Five Painters. Installation View, Artists Space, 1978.
    Image description Various paintings hang on the walls as guests enjoy the exhibition opening.
    Year
    Related pages Traditions: Five Painters, Charles Clough, William Fares, Sidney Goldberg, John Lees, Ann Thornycroft
  • A rectangular image, opaque and black. In black, all-caps, sans-serif font, outlined in white, text reads
    A rectangular image, opaque and black. In black, all-caps, sans-serif font, outlined in white, text reads
    Claire Fontaine, Please God Make Tomorrow Better, 2010, Silkscreen on archival box, 24 1/2 x 20 1/2 x 1 1/2 inches, Signed and numbered certificate [A rectangular image, opaque and black. In black, all-caps, sans-serif font, outlined in white, text reads "PLEASE GOD MAKE TOMORROW BETTER." The text appears slightly above the center of the image and center justified.]
    Caption Claire Fontaine, Please God Make Tomorrow Better, 2010, Silkscreen on archival box, 24 1/2 x 20 1/2 x 1 1/2 inches, Signed and numbered certificate
    Image description A rectangular image, opaque and black. In black, all-caps, sans-serif font, outlined in white, text reads "PLEASE GOD MAKE TOMORROW BETTER." The text appears slightly above the center of the image and center justified.
    Year
    Related pages Artists Space Annual Edition Portfolio 2010
  • Caption
    Image description
    Year
    Related pages Segue Reading Series
  • Two photographs are mounted on a white gallery wall.
    Two photographs are mounted on a white gallery wall.
    Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979. [Two photographs are mounted on a white gallery wall.]
    Caption Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979.
    Image description Two photographs are mounted on a white gallery wall.
    Year 1979
    Related pages Place, (title to be determined), for a Participant: Ken Feingold
  • Two figures are sitting at the table with one hand tightly gripped to the other. Four men stand behind them looking on and partial text on the wall is visible in the background. Subtiltes burned onto the bottom of the image read,
    Two figures are sitting at the table with one hand tightly gripped to the other. Four men stand behind them looking on and partial text on the wall is visible in the background. Subtiltes burned onto the bottom of the image read,
    Martha Wallner and Miriam Loaisiga. Still from Con Guerra O Sin Guerra (With or Without War), 1987. Video (sound, black and white). 20 minutes. Spanish with English subtitles. [Two figures are sitting at the table with one hand tightly gripped to the other. Four men stand behind them looking on and partial text on the wall is visible in the background. Subtiltes burned onto the bottom of the image read,"I'm sorry, I mean Mercedes won and Solis lost." Scan lines in the image and the outer box of a CRT monitor are visible.]
    Caption Martha Wallner and Miriam Loaisiga. Still from Con Guerra O Sin Guerra (With or Without War), 1987. Video (sound, black and white). 20 minutes. Spanish with English subtitles.
    Image description Two figures are sitting at the table with one hand tightly gripped to the other. Four men stand behind them looking on and partial text on the wall is visible in the background. Subtiltes burned onto the bottom of the image read,"I'm sorry, I mean Mercedes won and Solis lost." Scan lines in the image and the outer box of a CRT monitor are visible.
    Year 1987
    Related pages TV Sandino
  • A white, square, cover with arabic text and a rainbow color grid.
    A white, square, cover with arabic text and a rainbow color grid.
    Arabic Cover of the catalogue for The International Art Exhibition for Palestine. Beirut, 1978. published by the PLO Unified Information Office [A white, square, cover with arabic text and a rainbow color grid.]
    Caption Arabic Cover of the catalogue for The International Art Exhibition for Palestine. Beirut, 1978. published by the PLO Unified Information Office
    Image description A white, square, cover with arabic text and a rainbow color grid.
    Year 1978
    Related pages Past Disquiet
  • Older man with microphone stands next to five small boys. The wall behind them reads
    Older man with microphone stands next to five small boys. The wall behind them reads
    Sistema Sandinista de Television. Still from Golpes de la Corazon (Blows of the Heart), 1983. Video (sound, black and white). Spanish with English subtitles. [Older man with microphone stands next to five small boys. The wall behind them reads "en esta esquina" in black letters on one side and "CDS" in white letters on the other. Subtitles burned into the image at the bottom read, "Our prizes are 2000, 1000 and 500!" Video scan lines and outer edges of CRT monitor are visible.]
    Caption Sistema Sandinista de Television. Still from Golpes de la Corazon (Blows of the Heart), 1983. Video (sound, black and white). Spanish with English subtitles.
    Image description Older man with microphone stands next to five small boys. The wall behind them reads "en esta esquina" in black letters on one side and "CDS" in white letters on the other. Subtitles burned into the image at the bottom read, "Our prizes are 2000, 1000 and 500!" Video scan lines and outer edges of CRT monitor are visible.
    Year 1983
    Related pages TV Sandino
  • Figures wearing partial face coverings stand in front of a projection that reads:
    Figures wearing partial face coverings stand in front of a projection that reads:
    New Red Order, Informants Get Paid! Performance documentation, Artists Space, January 23, 2020. Photo © Paula Court. [Figures wearing partial face coverings stand in front of a projection that reads: "We cover for you / new red order"]
    Caption New Red Order, Informants Get Paid! Performance documentation, Artists Space, January 23, 2020. Photo © Paula Court.
    Image description Figures wearing partial face coverings stand in front of a projection that reads: "We cover for you / new red order"
    Year 2020
    Related pages
  • A wooden platform on wheels surrounded by a border of small poppy red brick-like sculptures, that continue to surround the base of a white pole. Sculptures and paintings are visible on the back wall behind the wooden platform.
    A wooden platform on wheels surrounded by a border of small poppy red brick-like sculptures, that continue to surround the base of a white pole. Sculptures and paintings are visible on the back wall behind the wooden platform.
    Social Surfaces. Installation view, Alexander and Bonin, 2017. Photo: Ron Amstutz. [A wooden platform on wheels surrounded by a border of small poppy red brick-like sculptures, that continue to surround the base of a white pole. Sculptures and paintings are visible on the back wall behind the wooden platform.]
    Caption Social Surfaces. Installation view, Alexander and Bonin, 2017. Photo: Ron Amstutz.
    Image description A wooden platform on wheels surrounded by a border of small poppy red brick-like sculptures, that continue to surround the base of a white pole. Sculptures and paintings are visible on the back wall behind the wooden platform.
    Year 2017
    Related pages Social Surfaces
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • An image of a woman with frizzy hair, smiling and looking past the viewer. The image is slightly distorted, as if from a VHS tape.
    An image of a woman with frizzy hair, smiling and looking past the viewer. The image is slightly distorted, as if from a VHS tape.
    T.J. Wilcox, I Fell in Love With Vanessa Redgrave, 2010, Perfect bound flip book 4-page cover plus 100 pages, 50 in color, with a text by the artist 3 x 6 1/2 x 3/4 inches, Signed and numbered [An image of a woman with frizzy hair, smiling and looking past the viewer. The image is slightly distorted, as if from a VHS tape.]
    Caption T.J. Wilcox, I Fell in Love With Vanessa Redgrave, 2010, Perfect bound flip book 4-page cover plus 100 pages, 50 in color, with a text by the artist 3 x 6 1/2 x 3/4 inches, Signed and numbered
    Image description An image of a woman with frizzy hair, smiling and looking past the viewer. The image is slightly distorted, as if from a VHS tape.
    Year 2010
    Related pages Artists Space Annual Edition Portfolio 2011
  • A person dressed in all pink holds a colorful heart-shaped canvas in her right hand while extending her left arm in the air. She is surrounded by rapt audience, who carefully track her movements.
    A person dressed in all pink holds a colorful heart-shaped canvas in her right hand while extending her left arm in the air. She is surrounded by rapt audience, who carefully track her movements.
    Jutta Koether, xxapollo. Performance documentation, Artists Space, January 5, 2020. Photo © Paula Court. [A person dressed in all pink holds a colorful heart-shaped canvas in her right hand while extending her left arm in the air. She is surrounded by rapt audience, who carefully track her movements.]
    Caption Jutta Koether, xxapollo. Performance documentation, Artists Space, January 5, 2020. Photo © Paula Court.
    Image description A person dressed in all pink holds a colorful heart-shaped canvas in her right hand while extending her left arm in the air. She is surrounded by rapt audience, who carefully track her movements.
    Year 2020
    Related pages
  • A low-angled view of an empty gallery space with wooden flooring and white walls.
    A low-angled view of an empty gallery space with wooden flooring and white walls.
    [A low-angled view of an empty gallery space with wooden flooring and white walls.]
    Caption
    Image description A low-angled view of an empty gallery space with wooden flooring and white walls.
    Year 2016
    Related pages Richard Kennedy: Both
  • The image shows a white t-shirt in a frame with text printed on top in a wavy text that says,
    The image shows a white t-shirt in a frame with text printed on top in a wavy text that says,
    Richard Prince, Oedipus Schmedipus, 1994, Screenprint on white T-shirt Stretched over canvas in white lacquer frame, 25 1/4 x 19 1/2 in (64.1 x 49.5 cm), Edition of 26, Signed & numbered. [The image shows a white t-shirt in a frame with text printed on top in a wavy text that says, "A mother is having a very tense relationship / with her fourteen year old son. Screaming and / fighting are constantly going on in the house. / She finally brings him to a psychoanalyst. After / two sessions, the doctor calls the mother into / the office. / "Your son," he tells her, "has an Oedipus / complex." / "Oedipus, Schmedipus," the woman answers. / "as long as he loves his mother."]
    Caption Richard Prince, Oedipus Schmedipus, 1994, Screenprint on white T-shirt Stretched over canvas in white lacquer frame, 25 1/4 x 19 1/2 in (64.1 x 49.5 cm), Edition of 26, Signed & numbered.
    Image description The image shows a white t-shirt in a frame with text printed on top in a wavy text that says, "A mother is having a very tense relationship / with her fourteen year old son. Screaming and / fighting are constantly going on in the house. / She finally brings him to a psychoanalyst. After / two sessions, the doctor calls the mother into / the office. / "Your son," he tells her, "has an Oedipus / complex." / "Oedipus, Schmedipus," the woman answers. / "as long as he loves his mother."
    Year 1994
    Related pages Editions
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    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • Book cover featuring two illustrated nude men, one is laying down along the bottom of the cover, and the other stands and frames the right side. In the center is a smaller illustration of buildings. Text reads
    Book cover featuring two illustrated nude men, one is laying down along the bottom of the cover, and the other stands and frames the right side. In the center is a smaller illustration of buildings. Text reads
    Cover of Jack the Modernist, New York Review Books, 2025. Cover by Louis Fratino. [Book cover featuring two illustrated nude men, one is laying down along the bottom of the cover, and the other stands and frames the right side. In the center is a smaller illustration of buildings. Text reads "JACK THE MODERNIST / ROBERT GLÜCK."]
    Caption Cover of Jack the Modernist, New York Review Books, 2025. Cover by Louis Fratino.
    Image description Book cover featuring two illustrated nude men, one is laying down along the bottom of the cover, and the other stands and frames the right side. In the center is a smaller illustration of buildings. Text reads "JACK THE MODERNIST / ROBERT GLÜCK."
    Year
    Related pages Robert Glück Jack the Modernist
  • Several sculptures and 2D works installed in a gallery space with wooden flooring. Two walls emerge on the left and right sides of the image, creating a doorway through which another area of the gallery is visible. The wall on the left is painted black, while all other walls are painted white. Several photographs—including two picturing nude figures bound in rope—and works on paper hang on either wall. In the far gallery space, three sculptures sit on the floor and a single TV monitor is installed on the farthest wall.
    Several sculptures and 2D works installed in a gallery space with wooden flooring. Two walls emerge on the left and right sides of the image, creating a doorway through which another area of the gallery is visible. The wall on the left is painted black, while all other walls are painted white. Several photographs—including two picturing nude figures bound in rope—and works on paper hang on either wall. In the far gallery space, three sculptures sit on the floor and a single TV monitor is installed on the farthest wall.
    Log Cabin. Installation view, Artists Space, 2005. [Several sculptures and 2D works installed in a gallery space with wooden flooring. Two walls emerge on the left and right sides of the image, creating a doorway through which another area of the gallery is visible. The wall on the left is painted black, while all other walls are painted white. Several photographs—including two picturing nude figures bound in rope—and works on paper hang on either wall. In the far gallery space, three sculptures sit on the floor and a single TV monitor is installed on the farthest wall.]
    Caption Log Cabin. Installation view, Artists Space, 2005.
    Image description Several sculptures and 2D works installed in a gallery space with wooden flooring. Two walls emerge on the left and right sides of the image, creating a doorway through which another area of the gallery is visible. The wall on the left is painted black, while all other walls are painted white. Several photographs—including two picturing nude figures bound in rope—and works on paper hang on either wall. In the far gallery space, three sculptures sit on the floor and a single TV monitor is installed on the farthest wall.
    Year 2005
    Related pages Log Cabin
  • A view of a dimly lit room with a video monitor sitting on the ground of the right wall. The monitor screen is black with white text reading,
    A view of a dimly lit room with a video monitor sitting on the ground of the right wall. The monitor screen is black with white text reading,
    Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A view of a dimly lit room with a video monitor sitting on the ground of the right wall. The monitor screen is black with white text reading, "[The Manhattans continue to sing 'Shining Star']." Towards the corner, an inferometer projects green dots onto adjacent walls.]
    Caption Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description A view of a dimly lit room with a video monitor sitting on the ground of the right wall. The monitor screen is black with white text reading, "[The Manhattans continue to sing 'Shining Star']." Towards the corner, an inferometer projects green dots onto adjacent walls.
    Year 2018
    Related pages Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff
  • Black and white drawing of two cows. A tv sits on the floor between them, and a smoke column is seen in the background. A blue piece of tape with the words Moooo hurting is taped on top of the smoke column. A wooden structure, an electronic device, and a small canvas painted in blue with the word River written across it, cover part of the cow drawing on the left.
    Black and white drawing of two cows. A tv sits on the floor between them, and a smoke column is seen in the background. A blue piece of tape with the words Moooo hurting is taped on top of the smoke column. A wooden structure, an electronic device, and a small canvas painted in blue with the word River written across it, cover part of the cow drawing on the left.
    Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Black and white drawing of two cows. A tv sits on the floor between them, and a smoke column is seen in the background. A blue piece of tape with the words Moooo hurting is taped on top of the smoke column. A wooden structure, an electronic device, and a small canvas painted in blue with the word River written across it, cover part of the cow drawing on the left.]
    Caption Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Black and white drawing of two cows. A tv sits on the floor between them, and a smoke column is seen in the background. A blue piece of tape with the words Moooo hurting is taped on top of the smoke column. A wooden structure, an electronic device, and a small canvas painted in blue with the word River written across it, cover part of the cow drawing on the left.
    Year
    Related pages Char Jeré: Zoo or an Orchestra
  • Color photograph of a corner space in a gallery, below a staircase, that is bathed in red light. At the bottom of the stairs are a group of performers wearing conical costumes made of reflective one-way mirror film.
    Color photograph of a corner space in a gallery, below a staircase, that is bathed in red light. At the bottom of the stairs are a group of performers wearing conical costumes made of reflective one-way mirror film.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a corner space in a gallery, below a staircase, that is bathed in red light. At the bottom of the stairs are a group of performers wearing conical costumes made of reflective one-way mirror film.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a corner space in a gallery, below a staircase, that is bathed in red light. At the bottom of the stairs are a group of performers wearing conical costumes made of reflective one-way mirror film.
    Year 2022
    Related pages keyon gaskin 12-14
  • A green colored background features black text in the top half of the image that reads,
    A green colored background features black text in the top half of the image that reads,
    Flyer for Segue Reading Series featuring Amber Dawn & Kai Cheng Thom. Saturday March 13, 2021, Artists Space. [A green colored background features black text in the top half of the image that reads, "Segue Reading Series / Amber Dawn & Kai Cheng Thom / March 13 / 5pm on Zoom / Suggested donation: Five dollars / Zoom ID: 830 2698 4031." Black text in the bottom right corner reads, "Artists Space."]
    Caption Flyer for Segue Reading Series featuring Amber Dawn & Kai Cheng Thom. Saturday March 13, 2021, Artists Space.
    Image description A green colored background features black text in the top half of the image that reads, "Segue Reading Series / Amber Dawn & Kai Cheng Thom / March 13 / 5pm on Zoom / Suggested donation: Five dollars / Zoom ID: 830 2698 4031." Black text in the bottom right corner reads, "Artists Space."
    Year 2021
    Related pages Segue Reading Series: Amber Dawn & Kai Cheng Thom
  • A color photograph of a ceramic jub resting on a small wooden stool next to a color control strip. On the wall above and to the right is a painting of two hands. Another color control strip rests on top of the painting's frame.
    A color photograph of a ceramic jub resting on a small wooden stool next to a color control strip. On the wall above and to the right is a painting of two hands. Another color control strip rests on top of the painting's frame.
    Lyndon Barrois Jr., Breakaway Palm, 2022. Oil on linen-mounted board, brass, solvent transfers, raw linen panel, linoleum frame, plywood. 20.75 x 16.75 inches. Photo: Filip Wolak. [A color photograph of a ceramic jub resting on a small wooden stool next to a color control strip. On the wall above and to the right is a painting of two hands. Another color control strip rests on top of the painting's frame.]
    Caption Lyndon Barrois Jr., Breakaway Palm, 2022. Oil on linen-mounted board, brass, solvent transfers, raw linen panel, linoleum frame, plywood. 20.75 x 16.75 inches. Photo: Filip Wolak.
    Image description A color photograph of a ceramic jub resting on a small wooden stool next to a color control strip. On the wall above and to the right is a painting of two hands. Another color control strip rests on top of the painting's frame.
    Year 2022
    Related pages Lyndon Barrois Jr.: Mirage Collar
  • An exhibition view of various artworks. Several stylized portraits hang on the right; in the middle, a large didactic titled
    An exhibition view of various artworks. Several stylized portraits hang on the right; in the middle, a large didactic titled
    Reinventado, Word Up Community Bookshop and MS 324 students, 2019 [An exhibition view of various artworks. Several stylized portraits hang on the right; in the middle, a large didactic titled "REINVENTADO." On the left, several small photos of students in a classroom hang underneath a red-white-and blue airplane suspended from the ceiling]
    Caption Reinventado, Word Up Community Bookshop and MS 324 students, 2019
    Image description An exhibition view of various artworks. Several stylized portraits hang on the right; in the middle, a large didactic titled "REINVENTADO." On the left, several small photos of students in a classroom hang underneath a red-white-and blue airplane suspended from the ceiling
    Year
    Related pages Exhibitions and Events
  • A man with a shaved head stands in front of a crowd seated at a long table in a large gallery space. He stares in front of him with one hand resting at his hip and wears a white collared shirt and a black, knee-length skirt.
    A man with a shaved head stands in front of a crowd seated at a long table in a large gallery space. He stares in front of him with one hand resting at his hip and wears a white collared shirt and a black, knee-length skirt.
    The Friends of Artists Space Dinner, May 8, 2010. Michael Clark & Company's performance. [A man with a shaved head stands in front of a crowd seated at a long table in a large gallery space. He stares in front of him with one hand resting at his hip and wears a white collared shirt and a black, knee-length skirt.]
    Caption The Friends of Artists Space Dinner, May 8, 2010. Michael Clark & Company's performance.
    Image description A man with a shaved head stands in front of a crowd seated at a long table in a large gallery space. He stares in front of him with one hand resting at his hip and wears a white collared shirt and a black, knee-length skirt.
    Year 2010
    Related pages The Friends of Artists Space Dinner
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    Related pages Project: Me and My Mink
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    Related pages All These Different Things Are Sculpture
  • Artists Space logo, a capital letter 'A' inscribed in a circle
    Artists Space logo, a capital letter 'A' inscribed in a circle
    Artists Space logo designed by Louise Lawler, 1978 [Artists Space logo, a capital letter 'A' inscribed in a circle]
    Caption Artists Space logo designed by Louise Lawler, 1978
    Image description Artists Space logo, a capital letter 'A' inscribed in a circle
    Year
    Related pages History
  • Five performers sitting in a row playing various wind, string, and percussion instruments. They are facing microphone and sheet music stands. There is a pink-tint covering the musicians and the wall behind them.
    Five performers sitting in a row playing various wind, string, and percussion instruments. They are facing microphone and sheet music stands. There is a pink-tint covering the musicians and the wall behind them.
    Abasement #72. Performance documentation, October 7th, 2024, Artists Space. Photo: Joshua Wildman. [Five performers sitting in a row playing various wind, string, and percussion instruments. They are facing microphone and sheet music stands. There is a pink-tint covering the musicians and the wall behind them.]
    Caption Abasement #72. Performance documentation, October 7th, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Five performers sitting in a row playing various wind, string, and percussion instruments. They are facing microphone and sheet music stands. There is a pink-tint covering the musicians and the wall behind them.
    Year
    Related pages Abasement #72
  • An image of a magazine rack with numerous copies of a magazine with a city-scape is positioned upside down, the point of the skyscraper reaching towards the bottom of the image. Googley eyes, eyebrows, and a mouth are drawn near the top of the building. Red serif font across the top of the image reads
    An image of a magazine rack with numerous copies of a magazine with a city-scape is positioned upside down, the point of the skyscraper reaching towards the bottom of the image. Googley eyes, eyebrows, and a mouth are drawn near the top of the building. Red serif font across the top of the image reads
    New Red Order Give it Back, detail, 2020 Acrylic LED displays with cut vinyl, water cooler, poster, couch, desk, chairs, magazine rack, The New Red Times Magazine, and three televisions. Image courtesy Artists Space, New York [An image of a magazine rack with numerous copies of a magazine with a city-scape is positioned upside down, the point of the skyscraper reaching towards the bottom of the image. Googley eyes, eyebrows, and a mouth are drawn near the top of the building. Red serif font across the top of the image reads "The New Red Times Magazine." White serif font in the bottom left corner reads "TIRED OF LIVING ON STOLEN LAND?" Below, red serif font reads "GIVE IT BACK."]
    Caption New Red Order Give it Back, detail, 2020 Acrylic LED displays with cut vinyl, water cooler, poster, couch, desk, chairs, magazine rack, The New Red Times Magazine, and three televisions. Image courtesy Artists Space, New York
    Image description An image of a magazine rack with numerous copies of a magazine with a city-scape is positioned upside down, the point of the skyscraper reaching towards the bottom of the image. Googley eyes, eyebrows, and a mouth are drawn near the top of the building. Red serif font across the top of the image reads "The New Red Times Magazine." White serif font in the bottom left corner reads "TIRED OF LIVING ON STOLEN LAND?" Below, red serif font reads "GIVE IT BACK."
    Year 2021
    Related pages New Red Order: Feel at Home Here
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    Related pages DRAFT IMAGE PAGE_NEVER DELETE
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    Related pages DRAFT IMAGE PAGE_NEVER DELETE
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    Year
    Related pages Carolyn Lazard
  • A color photograph of a gallery space. A large piece of grey and yellow vinyl hangs from the wall on the left, perpendicular to grey metal scaffolding with semi-transparent fabric on one side. A stack of grey a white posters are placed on the ground directly in front of the scaffold.
    A color photograph of a gallery space. A large piece of grey and yellow vinyl hangs from the wall on the left, perpendicular to grey metal scaffolding with semi-transparent fabric on one side. A stack of grey a white posters are placed on the ground directly in front of the scaffold.
    virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of a gallery space. A large piece of grey and yellow vinyl hangs from the wall on the left, perpendicular to grey metal scaffolding with semi-transparent fabric on one side. A stack of grey a white posters are placed on the ground directly in front of the scaffold.]
    Caption virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color photograph of a gallery space. A large piece of grey and yellow vinyl hangs from the wall on the left, perpendicular to grey metal scaffolding with semi-transparent fabric on one side. A stack of grey a white posters are placed on the ground directly in front of the scaffold.
    Year 2022
    Related pages virgil b/g taylor: Minor Publics
  • A receding row of columns lines our view into the far gallery space. In the foreground, several of Ruben Ulises Rodriguez Montoya's biomorphic sculptures are displayed on walls, resting on a pedestal, or hanging from the ceiling. In the distance, two of Matthew Langan-Peck's monumental painted toy box sculptures sit on the gallery floor; a set of headphones hangs on the side of each box. In the background, Isabelle Frances McGuire's three large pink banners emblazoned with silver stars hang from ceiling to floor.
    A receding row of columns lines our view into the far gallery space. In the foreground, several of Ruben Ulises Rodriguez Montoya's biomorphic sculptures are displayed on walls, resting on a pedestal, or hanging from the ceiling. In the distance, two of Matthew Langan-Peck's monumental painted toy box sculptures sit on the gallery floor; a set of headphones hangs on the side of each box. In the background, Isabelle Frances McGuire's three large pink banners emblazoned with silver stars hang from ceiling to floor.
    Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon. [A receding row of columns lines our view into the far gallery space. In the foreground, several of Ruben Ulises Rodriguez Montoya's biomorphic sculptures are displayed on walls, resting on a pedestal, or hanging from the ceiling. In the distance, two of Matthew Langan-Peck's monumental painted toy box sculptures sit on the gallery floor; a set of headphones hangs on the side of each box. In the background, Isabelle Frances McGuire's three large pink banners emblazoned with silver stars hang from ceiling to floor.]
    Caption Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon.
    Image description A receding row of columns lines our view into the far gallery space. In the foreground, several of Ruben Ulises Rodriguez Montoya's biomorphic sculptures are displayed on walls, resting on a pedestal, or hanging from the ceiling. In the distance, two of Matthew Langan-Peck's monumental painted toy box sculptures sit on the gallery floor; a set of headphones hangs on the side of each box. In the background, Isabelle Frances McGuire's three large pink banners emblazoned with silver stars hang from ceiling to floor.
    Year
    Related pages Doris Guo Matthew Langan-Peck Isabelle Frances McGuire Ruben Ulises Rodriguez Montoya
  • A large red pole with matching brackets stretches from floor to ceiling, holding up an spread of Artists Space's 1987 *We The People* exhibition catalog. To the left of the pole, a brown paper bag with an illustration of an Indigenous man wearing a ten-gallon hat sits on top of a white desk. To the left of the pole, a bookshelf with floating shelves is partially visible, holding many colorful books.
    A large red pole with matching brackets stretches from floor to ceiling, holding up an spread of Artists Space's 1987 *We The People* exhibition catalog. To the left of the pole, a brown paper bag with an illustration of an Indigenous man wearing a ten-gallon hat sits on top of a white desk. To the left of the pole, a bookshelf with floating shelves is partially visible, holding many colorful books.
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A large red pole with matching brackets stretches from floor to ceiling, holding up an spread of Artists Space's 1987 *We The People* exhibition catalog. To the left of the pole, a brown paper bag with an illustration of an Indigenous man wearing a ten-gallon hat sits on top of a white desk. To the left of the pole, a bookshelf with floating shelves is partially visible, holding many colorful books.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description A large red pole with matching brackets stretches from floor to ceiling, holding up an spread of Artists Space's 1987 *We The People* exhibition catalog. To the left of the pole, a brown paper bag with an illustration of an Indigenous man wearing a ten-gallon hat sits on top of a white desk. To the left of the pole, a bookshelf with floating shelves is partially visible, holding many colorful books.
    Year 2017
    Related pages Unholding
  • A close-up mage of a person wearing large glasses in front of a world map.
    A close-up mage of a person wearing large glasses in front of a world map.
    Joel Katz. Still from History Lessons, 1990. [A close-up mage of a person wearing large glasses in front of a world map.]
    Caption Joel Katz. Still from History Lessons, 1990.
    Image description A close-up mage of a person wearing large glasses in front of a world map.
    Year 1990
    Related pages Project: History Lessons
  • Students at the Schomberg Center, 2024
    Caption Students at the Schomberg Center, 2024
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    Related pages BRIDGE Photography
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    Related pages Membership
  • An image of a monitor with two chairs in front of it. To the right of the monitor, a photocollage hangs on the wall.
    An image of a monitor with two chairs in front of it. To the right of the monitor, a photocollage hangs on the wall.
    Attention Line. Installation view, Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [An image of a monitor with two chairs in front of it. To the right of the monitor, a photocollage hangs on the wall.]
    Caption Attention Line. Installation view, Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak
    Image description An image of a monitor with two chairs in front of it. To the right of the monitor, a photocollage hangs on the wall.
    Year 2022
    Related pages Attention Line
  • El Nascimiento De La Tierra, Recirculation, Word-Up Community Book Store pop-up, May 2024
    Caption El Nascimiento De La Tierra, Recirculation, Word-Up Community Book Store pop-up, May 2024
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    Year
    Related pages Exhibitions and Events
  • Color photograph of three figures, wearing conical costumes made of reflective one-way mirror film, standing at the doorways of a gallery space.
    Color photograph of three figures, wearing conical costumes made of reflective one-way mirror film, standing at the doorways of a gallery space.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of three figures, wearing conical costumes made of reflective one-way mirror film, standing at the doorways of a gallery space.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of three figures, wearing conical costumes made of reflective one-way mirror film, standing at the doorways of a gallery space.
    Year 2022
    Related pages keyon gaskin 12-18
  • Two figures wearing scrubs hold a piece of red fabric between them.
    Two figures wearing scrubs hold a piece of red fabric between them.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York. [Two figures wearing scrubs hold a piece of red fabric between them.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York.
    Image description Two figures wearing scrubs hold a piece of red fabric between them.
    Year
    Related pages Grandmother Cindy
  • A photo of the exterior of a building, with several colorful portrait paintings lying on the wooden porch. One has text stating
    A photo of the exterior of a building, with several colorful portrait paintings lying on the wooden porch. One has text stating
    Alza Tu Voz, back porch, exhibition at Dykeman Farmhouse Museum, 2017 [A photo of the exterior of a building, with several colorful portrait paintings lying on the wooden porch. One has text stating "no te dejes oprimir." A large poster hangs on the door to the building, with the title "Alza tu Voz"]
    Caption Alza Tu Voz, back porch, exhibition at Dykeman Farmhouse Museum, 2017
    Image description A photo of the exterior of a building, with several colorful portrait paintings lying on the wooden porch. One has text stating "no te dejes oprimir." A large poster hangs on the door to the building, with the title "Alza tu Voz"
    Year 2017
    Related pages Exhibitions and Events
  • A black and white photograph of black silhouettes on a white wall, including human figures, a car, a house, and a television set.
    A black and white photograph of black silhouettes on a white wall, including human figures, a car, a house, and a television set.
    Matt Mullican, Wall labels, 1976. From Susan Eder, Matt Mullican, Artists Space, 1976. [A black and white photograph of black silhouettes on a white wall, including human figures, a car, a house, and a television set.]
    Caption Matt Mullican, Wall labels, 1976. From Susan Eder, Matt Mullican, Artists Space, 1976.
    Image description A black and white photograph of black silhouettes on a white wall, including human figures, a car, a house, and a television set.
    Year 1976
    Related pages Susan Eder, Matt Mullican
  • A close up of a store display planter stuffed with Gap clothing store bags and crumpled documents.
    A close up of a store display planter stuffed with Gap clothing store bags and crumpled documents.
    ART CLUB2000 Plantar, 1993 Slatwall, mirror, spider plant, shopping bags Image courtesy Artists Space, New York Photo: Filip Wolak [A close up of a store display planter stuffed with Gap clothing store bags and crumpled documents.]
    Caption ART CLUB2000 Plantar, 1993 Slatwall, mirror, spider plant, shopping bags Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description A close up of a store display planter stuffed with Gap clothing store bags and crumpled documents.
    Year 2021
    Related pages ART CLUB2000
  • A color image of a gallery space with two columns in the middle. Framed drawings depicting colorful abstract compositions hang on the white walls. Five of the drawings are made on black paper, and two on white paper.
    A color image of a gallery space with two columns in the middle. Framed drawings depicting colorful abstract compositions hang on the white walls. Five of the drawings are made on black paper, and two on white paper.
    Renee Gladman: Narratives of Magnitude. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of a gallery space with two columns in the middle. Framed drawings depicting colorful abstract compositions hang on the white walls. Five of the drawings are made on black paper, and two on white paper.]
    Caption Renee Gladman: Narratives of Magnitude. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A color image of a gallery space with two columns in the middle. Framed drawings depicting colorful abstract compositions hang on the white walls. Five of the drawings are made on black paper, and two on white paper.
    Year
    Related pages Renee Gladman
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  • A view through a doorway into a white-walled gallery space with drawings on the walls and a banner on the windows.
    A view through a doorway into a white-walled gallery space with drawings on the walls and a banner on the windows.
    Young Fluxus. Installation view, Artists Space, 1982. [A view through a doorway into a white-walled gallery space with drawings on the walls and a banner on the windows.]
    Caption Young Fluxus. Installation view, Artists Space, 1982.
    Image description A view through a doorway into a white-walled gallery space with drawings on the walls and a banner on the windows.
    Year
    Related pages Young Fluxus
  • A black and white photograph of the base of a monument in a city square. Steps lead up to a pedastal surrounded by three large spheres connected by a metal chain.
    A black and white photograph of the base of a monument in a city square. Steps lead up to a pedastal surrounded by three large spheres connected by a metal chain.
    Bases of the equestrian monument to Kaiser Wilhem which was destroyed by the British occupation in Münster after World War II. The photographs were printed as post cards in the early 20th century and collected from eBay and oldthing.de in 2021. [A black and white photograph of the base of a monument in a city square. Steps lead up to a pedastal surrounded by three large spheres connected by a metal chain.]
    Caption Bases of the equestrian monument to Kaiser Wilhem which was destroyed by the British occupation in Münster after World War II. The photographs were printed as post cards in the early 20th century and collected from eBay and oldthing.de in 2021.
    Image description A black and white photograph of the base of a monument in a city square. Steps lead up to a pedastal surrounded by three large spheres connected by a metal chain.
    Year 2022
    Related pages virgil b/g taylor: Minor Publics
  • A black and white image with an organic border features Jack Smith in a white cloak standing in front of a wall. To the left of him are two posters that read,
    A black and white image with an organic border features Jack Smith in a white cloak standing in front of a wall. To the left of him are two posters that read,
    Jack Smith in Jack Smith’s Fear Ritual of Shark Museum, Cologne, 1974 Photograph © Gwenn Thomas. Courtesy Exile Gallery, Berlin and Southfirst, New York Courtesy New York University, Fales Library and Special Collections [A black and white image with an organic border features Jack Smith in a white cloak standing in front of a wall. To the left of him are two posters that read, "Krone," at the top in block letters. Behind him are large, white block letters that read, "R O N." A ghost-like figure with multiple arms is pictured above him.]
    Caption Jack Smith in Jack Smith’s Fear Ritual of Shark Museum, Cologne, 1974 Photograph © Gwenn Thomas. Courtesy Exile Gallery, Berlin and Southfirst, New York Courtesy New York University, Fales Library and Special Collections
    Image description A black and white image with an organic border features Jack Smith in a white cloak standing in front of a wall. To the left of him are two posters that read, "Krone," at the top in block letters. Behind him are large, white block letters that read, "R O N." A ghost-like figure with multiple arms is pictured above him.
    Year 1974
    Related pages Jack Smith: Art Crust of Spiritual Oasis
  • Event poster with performers and time information on the right. On the left, an image of a person putting on full protective medical gear and a white facemask.
    Event poster with performers and time information on the right. On the left, an image of a person putting on full protective medical gear and a white facemask.
    Event Poster, Topical Cream Presents, 2016. [Event poster with performers and time information on the right. On the left, an image of a person putting on full protective medical gear and a white facemask.]
    Caption Event Poster, Topical Cream Presents, 2016.
    Image description Event poster with performers and time information on the right. On the left, an image of a person putting on full protective medical gear and a white facemask.
    Year 2016
    Related pages Topical Cream Presents
  • A spotted pattern against a white ground, with each spot having a unique stain, splatter, or drops of ink.
    A spotted pattern against a white ground, with each spot having a unique stain, splatter, or drops of ink.
    Anicka Yi, Flirting Is An Algorithm, 2015, Silkscreen on archival box, 24½ x 20½ x 1½ in / 62,2 x 52 x 3,8 cm, Signed and Numbered. [A spotted pattern against a white ground, with each spot having a unique stain, splatter, or drops of ink.]
    Caption Anicka Yi, Flirting Is An Algorithm, 2015, Silkscreen on archival box, 24½ x 20½ x 1½ in / 62,2 x 52 x 3,8 cm, Signed and Numbered.
    Image description A spotted pattern against a white ground, with each spot having a unique stain, splatter, or drops of ink.
    Year 2015
    Related pages Annual Edition Portfolio
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