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  • Split-screen image of a monkey dressed in sports gear with a soccer ball on a field hung on a white gallery wall. Both images in photograph appear identical.
    Split-screen image of a monkey dressed in sports gear with a soccer ball on a field hung on a white gallery wall. Both images in photograph appear identical.
    Julie Wachtel. Installation View. Artists Space. 1985-86. [Split-screen image of a monkey dressed in sports gear with a soccer ball on a field hung on a white gallery wall. Both images in photograph appear identical.]
    Caption Julie Wachtel. Installation View. Artists Space. 1985-86.
    Image description Split-screen image of a monkey dressed in sports gear with a soccer ball on a field hung on a white gallery wall. Both images in photograph appear identical.
    Year
    Related pages Split/Vision
  • The back of one figured centered in the image as another figure appears in front of him alongisde a young shirtless child to the right and a seated audience is seen in the background. Scan lines in the image and the outer box of a CRT monitor are visible.
    The back of one figured centered in the image as another figure appears in front of him alongisde a young shirtless child to the right and a seated audience is seen in the background. Scan lines in the image and the outer box of a CRT monitor are visible.
    Sistema Sandinista de Television. Still from Aqui En Esta Esquina (Here On This Corner), 1983. Video (sound, black and white). 30 minutes (excerpted). Spanish with English subtitles. [The back of one figured centered in the image as another figure appears in front of him alongisde a young shirtless child to the right and a seated audience is seen in the background. Scan lines in the image and the outer box of a CRT monitor are visible.]
    Caption Sistema Sandinista de Television. Still from Aqui En Esta Esquina (Here On This Corner), 1983. Video (sound, black and white). 30 minutes (excerpted). Spanish with English subtitles.
    Image description The back of one figured centered in the image as another figure appears in front of him alongisde a young shirtless child to the right and a seated audience is seen in the background. Scan lines in the image and the outer box of a CRT monitor are visible.
    Year 1983
    Related pages TV Sandino
  • Two performers sit at tables facing eachother on stage. Each performer operates a mixing board abundant with cables. The tables are lit from a single bulb above.
    Two performers sit at tables facing eachother on stage. Each performer operates a mixing board abundant with cables. The tables are lit from a single bulb above.
    Abasement #83. Performance documentation, January 5th, 2026, Artists Space. Photo: Joshua Wildman. [Two performers sit at tables facing eachother on stage. Each performer operates a mixing board abundant with cables. The tables are lit from a single bulb above. ]
    Caption Abasement #83. Performance documentation, January 5th, 2026, Artists Space. Photo: Joshua Wildman.
    Image description Two performers sit at tables facing eachother on stage. Each performer operates a mixing board abundant with cables. The tables are lit from a single bulb above.
    Year
    Related pages Abasement #83
  • Five framed works on paper, one individual work on the left and a cluster of four on the right, hang on a white gallery wall. Works feature abstract, calligraphic strokes in black ink on paper. Individual work on the left includes hand-painted text reading
    Five framed works on paper, one individual work on the left and a cluster of four on the right, hang on a white gallery wall. Works feature abstract, calligraphic strokes in black ink on paper. Individual work on the left includes hand-painted text reading
    Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak. [Five framed works on paper, one individual work on the left and a cluster of four on the right, hang on a white gallery wall. Works feature abstract, calligraphic strokes in black ink on paper. Individual work on the left includes hand-painted text reading "3 concerts, improvised music. La Monte Young - sopranino saxophone, Angus MacLise - hand drums, drone, 8-12pm Sundays - August 12, 19, 26, 10-4 Group Gallery, 73 4th Avenue, contribution $1.50" ]
    Caption Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak.
    Image description Five framed works on paper, one individual work on the left and a cluster of four on the right, hang on a white gallery wall. Works feature abstract, calligraphic strokes in black ink on paper. Individual work on the left includes hand-painted text reading "3 concerts, improvised music. La Monte Young - sopranino saxophone, Angus MacLise - hand drums, drone, 8-12pm Sundays - August 12, 19, 26, 10-4 Group Gallery, 73 4th Avenue, contribution $1.50"
    Year
    Related pages Dream Lines: Drawings by Marian Zazeela
  • A hand reaches toward the black-gloved hand of a person dressed in a black mask and jester-style costume, complete with a black and white pattern and a ruff around the neck.
    A hand reaches toward the black-gloved hand of a person dressed in a black mask and jester-style costume, complete with a black and white pattern and a ruff around the neck.
    Still from The Last Days of Jack Sheppard (2009). [A hand reaches toward the black-gloved hand of a person dressed in a black mask and jester-style costume, complete with a black and white pattern and a ruff around the neck.]
    Caption Still from The Last Days of Jack Sheppard (2009).
    Image description A hand reaches toward the black-gloved hand of a person dressed in a black mask and jester-style costume, complete with a black and white pattern and a ruff around the neck.
    Year 2009
    Related pages The Last Days of Jack Sheppard
  • A man is shown in front of a Jackson Pollock painting wearing a frilly baby bonnet, sunglasses, a pacifier, a white t-shirt and a white cloth that resembles a diaper.
    A man is shown in front of a Jackson Pollock painting wearing a frilly baby bonnet, sunglasses, a pacifier, a white t-shirt and a white cloth that resembles a diaper.
    Union Gaucha Productions Still from As Long As it Lasts , 2010 Digital video on six screens (silent, color), 191 min Film production and editing assistance: Francisca Caporali and Lior Shvil Originally commissioned by The Museum of Modern Art Courtesy of Union Gaucha Productions and The Museum of Modern Art [A man is shown in front of a Jackson Pollock painting wearing a frilly baby bonnet, sunglasses, a pacifier, a white t-shirt and a white cloth that resembles a diaper.]
    Caption Union Gaucha Productions Still from As Long As it Lasts , 2010 Digital video on six screens (silent, color), 191 min Film production and editing assistance: Francisca Caporali and Lior Shvil Originally commissioned by The Museum of Modern Art Courtesy of Union Gaucha Productions and The Museum of Modern Art
    Image description A man is shown in front of a Jackson Pollock painting wearing a frilly baby bonnet, sunglasses, a pacifier, a white t-shirt and a white cloth that resembles a diaper.
    Year 2010
    Related pages Union Gaucha Productions
  • A chair and desk face a white wall which has a grid of cards in varying colors on it. A notebook, stacks of cards, and pens are on the desk.
    A chair and desk face a white wall which has a grid of cards in varying colors on it. A notebook, stacks of cards, and pens are on the desk.
    Las Nietas de Nonó, el flow oculto de agua / the hidden flow of water, 2022, cards, QR codes, desk, chair, notebook, pencils, colored markers, quote by Audre Lorde; Dimensions variable. Photo: Filip Wolak [A chair and desk face a white wall which has a grid of cards in varying colors on it. A notebook, stacks of cards, and pens are on the desk.]
    Caption Las Nietas de Nonó, el flow oculto de agua / the hidden flow of water, 2022, cards, QR codes, desk, chair, notebook, pencils, colored markers, quote by Audre Lorde; Dimensions variable. Photo: Filip Wolak
    Image description A chair and desk face a white wall which has a grid of cards in varying colors on it. A notebook, stacks of cards, and pens are on the desk.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • A photograph, taken from above, of rows of school desks facing a television with a map behind it.
    A photograph, taken from above, of rows of school desks facing a television with a map behind it.
    Joel Katz, History Lessons, 1990. Installation view, Artists Space, 1990. [A photograph, taken from above, of rows of school desks facing a television with a map behind it.]
    Caption Joel Katz, History Lessons, 1990. Installation view, Artists Space, 1990.
    Image description A photograph, taken from above, of rows of school desks facing a television with a map behind it.
    Year 1990
    Related pages Project: History Lessons
  • Black and white photograph of a city street: a man stands, holding a lit cigarette in his mouth. He is flanked on one side by a staircase and on the other by a portable toilet. A large truck is parked behind him with its headlights on.
    Black and white photograph of a city street: a man stands, holding a lit cigarette in his mouth. He is flanked on one side by a staircase and on the other by a portable toilet. A large truck is parked behind him with its headlights on.
    Viv Latta, Fresh Air, digital photograph, 2020 [Black and white photograph of a city street: a man stands, holding a lit cigarette in his mouth. He is flanked on one side by a staircase and on the other by a portable toilet. A large truck is parked behind him with its headlights on.]
    Caption Viv Latta, Fresh Air, digital photograph, 2020
    Image description Black and white photograph of a city street: a man stands, holding a lit cigarette in his mouth. He is flanked on one side by a staircase and on the other by a portable toilet. A large truck is parked behind him with its headlights on.
    Year 2020
    Related pages Scholastic Art and Writing Awards
  • Color photograph of three figures, wearing all white, performing in a dark gallery space. The leftmost figure lays on the floor with their legs spread and hands pushing their chest up. On the right, a figure with a flashlight around their hips stands with their shoulders and head flung back. The third figure contorts their body on the floor in the rightmost corner.
    Color photograph of three figures, wearing all white, performing in a dark gallery space. The leftmost figure lays on the floor with their legs spread and hands pushing their chest up. On the right, a figure with a flashlight around their hips stands with their shoulders and head flung back. The third figure contorts their body on the floor in the rightmost corner.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of three figures, wearing all white, performing in a dark gallery space. The leftmost figure lays on the floor with their legs spread and hands pushing their chest up. On the right, a figure with a flashlight around their hips stands with their shoulders and head flung back. The third figure contorts their body on the floor in the rightmost corner.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of three figures, wearing all white, performing in a dark gallery space. The leftmost figure lays on the floor with their legs spread and hands pushing their chest up. On the right, a figure with a flashlight around their hips stands with their shoulders and head flung back. The third figure contorts their body on the floor in the rightmost corner.
    Year 2022
    Related pages keyon gaskin 12-18
  • A large screen in a dark room, showing an image of a pair of bare legs from the knees down.
    A large screen in a dark room, showing an image of a pair of bare legs from the knees down.
    The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich. [A large screen in a dark room, showing an image of a pair of bare legs from the knees down.]
    Caption The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich.
    Image description A large screen in a dark room, showing an image of a pair of bare legs from the knees down.
    Year 2008
    Related pages The New Normal
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A performer sitting down with their eyes closed playing the cello. They are using one hand to play with a bow and the other hand is on the strings. They are tinted red from the lighting, the back wall is lit with white and purple light.
    A performer sitting down with their eyes closed playing the cello. They are using one hand to play with a bow and the other hand is on the strings. They are tinted red from the lighting, the back wall is lit with white and purple light.
    Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman. [A performer sitting down with their eyes closed playing the cello. They are using one hand to play with a bow and the other hand is on the strings. They are tinted red from the lighting, the back wall is lit with white and purple light.]
    Caption Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman.
    Image description A performer sitting down with their eyes closed playing the cello. They are using one hand to play with a bow and the other hand is on the strings. They are tinted red from the lighting, the back wall is lit with white and purple light.
    Year
    Related pages Abasement #74
  • A black and white photograph of a performance. Three figures stand in a cleared portion of a room, each one balancing on their right foot. A crowd looks on.
    A black and white photograph of a performance. Three figures stand in a cleared portion of a room, each one balancing on their right foot. A crowd looks on.
    Jill Kroesen, Previews of Lou and Walter. Performance documentation, November 12, 1977, Artists Space. [A black and white photograph of a performance. Three figures stand in a cleared portion of a room, each one balancing on their right foot. A crowd looks on.]
    Caption Jill Kroesen, Previews of Lou and Walter. Performance documentation, November 12, 1977, Artists Space.
    Image description A black and white photograph of a performance. Three figures stand in a cleared portion of a room, each one balancing on their right foot. A crowd looks on.
    Year 1977
    Related pages Artists Performance Series
  • Visit to Artists Space to see exhibition Zoo or an Orchestra, Char Jaré, 2024
    Caption Visit to Artists Space to see exhibition Zoo or an Orchestra, Char Jaré, 2024
    Image description
    Year
    Related pages Listening to the LES
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A gallery space with a wooden camper structure placed in the left corner. Two wooden ramps lead to the front and side of the structure. A freedstanding walls juts out from the right wall. A white projector hangs from the ceiling on the right side of the space.
    A gallery space with a wooden camper structure placed in the left corner. Two wooden ramps lead to the front and side of the structure. A freedstanding walls juts out from the right wall. A white projector hangs from the ceiling on the right side of the space.
    Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Malcolm Peacock, How to address the full capacity of our will, 2023), Artists Space, 2023. Photo: Filip Wolak. [A gallery space with a wooden camper structure placed in the left corner. Two wooden ramps lead to the front and side of the structure. A freedstanding walls juts out from the right wall. A white projector hangs from the ceiling on the right side of the space.]
    Caption Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Malcolm Peacock, How to address the full capacity of our will, 2023), Artists Space, 2023. Photo: Filip Wolak.
    Image description A gallery space with a wooden camper structure placed in the left corner. Two wooden ramps lead to the front and side of the structure. A freedstanding walls juts out from the right wall. A white projector hangs from the ceiling on the right side of the space.
    Year 2023
    Related pages Shala Miller, Malcolm Peacock, Amiri Baraka
  • Two men walking inside a large inflatable sphere being followed by a crowd of people, some who are filming them, outside in a grassy and paved area.
    Two men walking inside a large inflatable sphere being followed by a crowd of people, some who are filming them, outside in a grassy and paved area.
    Tilo Schulz, Remake Performance, Artists Space, 2004. [Two men walking inside a large inflatable sphere being followed by a crowd of people, some who are filming them, outside in a grassy and paved area.]
    Caption Tilo Schulz, Remake Performance, Artists Space, 2004.
    Image description Two men walking inside a large inflatable sphere being followed by a crowd of people, some who are filming them, outside in a grassy and paved area.
    Year 2004
    Related pages Repeat Performance
  • A figure sits behind a table, a microphone in front of their face, as they close their laptop and grab a stack of papers on the table.
    A figure sits behind a table, a microphone in front of their face, as they close their laptop and grab a stack of papers on the table.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure sits behind a table, a microphone in front of their face, as they close their laptop and grab a stack of papers on the table.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure sits behind a table, a microphone in front of their face, as they close their laptop and grab a stack of papers on the table.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
  • An installation shot of two gallery walls, one white and one unpainted wood, meeting in a corner. The white wall displays nine images with accompanying text. The wood wall has an old television on a metal stand, showing a cartoon image.
    An installation shot of two gallery walls, one white and one unpainted wood, meeting in a corner. The white wall displays nine images with accompanying text. The wood wall has an old television on a metal stand, showing a cartoon image.
    Sean Snyder. Installation view, Artists Space, 2010-11. Photo: Daniel Peréz. [An installation shot of two gallery walls, one white and one unpainted wood, meeting in a corner. The white wall displays nine images with accompanying text. The wood wall has an old television on a metal stand, showing a cartoon image.]
    Caption Sean Snyder. Installation view, Artists Space, 2010-11. Photo: Daniel Peréz.
    Image description An installation shot of two gallery walls, one white and one unpainted wood, meeting in a corner. The white wall displays nine images with accompanying text. The wood wall has an old television on a metal stand, showing a cartoon image.
    Year 2010
    Related pages Sean Snyder
  • Color photograph of a hand, fingers outstretched and manipulating a group of suspended wires that run across the frame.
    Color photograph of a hand, fingers outstretched and manipulating a group of suspended wires that run across the frame.
    New Music Circle, St. Louis. Photo: Theo R. Welling [Color photograph of a hand, fingers outstretched and manipulating a group of suspended wires that run across the frame.]
    Caption New Music Circle, St. Louis. Photo: Theo R. Welling
    Image description Color photograph of a hand, fingers outstretched and manipulating a group of suspended wires that run across the frame.
    Year
    Related pages Ellen Fullman
  • Photograph of a wooden table covered in a plethora of audio equipment, a tambourine, and wiring. Around the table are three microphone stands, that point at the empty space above a black chair behind the table. Next to the chair is a camera and tripod.
    Photograph of a wooden table covered in a plethora of audio equipment, a tambourine, and wiring. Around the table are three microphone stands, that point at the empty space above a black chair behind the table. Next to the chair is a camera and tripod.
    S*an D. Henry Smith, stringency principle of the looking drum, presented at 47 Canal, New York, February 17, 2023. Photo: S*an D. Henry Smith [Photograph of a wooden table covered in a plethora of audio equipment, a tambourine, and wiring. Around the table are three microphone stands, that point at the empty space above a black chair behind the table. Next to the chair is a camera and tripod.]
    Caption S*an D. Henry Smith, stringency principle of the looking drum, presented at 47 Canal, New York, February 17, 2023. Photo: S*an D. Henry Smith
    Image description Photograph of a wooden table covered in a plethora of audio equipment, a tambourine, and wiring. Around the table are three microphone stands, that point at the empty space above a black chair behind the table. Next to the chair is a camera and tripod.
    Year
    Related pages S*an D. Henry-Smith
  • A bright yellow object with a cracked surface is embedded with a computer chipboard on its front, and a multicolored fidget spinner on the top.
    A bright yellow object with a cracked surface is embedded with a computer chipboard on its front, and a multicolored fidget spinner on the top.
    Not yet titled, 2019
    Clay, glaze, mixed media
    7 x 12 x 17 inches (variable)
    $5,000
    [A bright yellow object with a cracked surface is embedded with a computer chipboard on its front, and a multicolored fidget spinner on the top.]
    Caption Not yet titled, 2019
    Clay, glaze, mixed media
    7 x 12 x 17 inches (variable)
    $5,000
    Image description A bright yellow object with a cracked surface is embedded with a computer chipboard on its front, and a multicolored fidget spinner on the top.
    Year 2019
    Related pages Trisha Baga Edition
  • A color image of a gallery space with two columns in the middle. Framed drawings depicting colorful abstract compositions hang on the white walls. Five of the drawings are made on black paper, and two on white paper.
    A color image of a gallery space with two columns in the middle. Framed drawings depicting colorful abstract compositions hang on the white walls. Five of the drawings are made on black paper, and two on white paper.
    Renee Gladman: Narratives of Magnitude. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of a gallery space with two columns in the middle. Framed drawings depicting colorful abstract compositions hang on the white walls. Five of the drawings are made on black paper, and two on white paper.]
    Caption Renee Gladman: Narratives of Magnitude. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A color image of a gallery space with two columns in the middle. Framed drawings depicting colorful abstract compositions hang on the white walls. Five of the drawings are made on black paper, and two on white paper.
    Year
    Related pages Renee Gladman
  • Two individuals seated in two wooden chairs while a third in between them holds a single headphone. They are seated in front of a TV monitor displaying Edward Snowden's image.
    Two individuals seated in two wooden chairs while a third in between them holds a single headphone. They are seated in front of a TV monitor displaying Edward Snowden's image.
    Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [Two individuals seated in two wooden chairs while a third in between them holds a single headphone. They are seated in front of a TV monitor displaying Edward Snowden's image.]
    Caption Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez.
    Image description Two individuals seated in two wooden chairs while a third in between them holds a single headphone. They are seated in front of a TV monitor displaying Edward Snowden's image.
    Year 2014
    Related pages Laura Poitras: 9/11 Trilogy
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    Year
    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • A figure unpacks various audio and projection equipment onto a table. Blue, purple and pink washes of light are projected onto them.
    A figure unpacks various audio and projection equipment onto a table. Blue, purple and pink washes of light are projected onto them.
    Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [A figure unpacks various audio and projection equipment onto a table. Blue, purple and pink washes of light are projected onto them.]
    Caption Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure unpacks various audio and projection equipment onto a table. Blue, purple and pink washes of light are projected onto them.
    Year 2022
    Related pages Abasement #61
  • A figure wearing a suit plays guitar, their feet dangling over a pedal.
    A figure wearing a suit plays guitar, their feet dangling over a pedal.
    Eiko Ishibashi: Two New York Nights. Performance documentation, June 9, 2022, 8pm. Artists Space, New York. Photo: Paula Court [A figure wearing a suit plays guitar, their feet dangling over a pedal.]
    Caption Eiko Ishibashi: Two New York Nights. Performance documentation, June 9, 2022, 8pm. Artists Space, New York. Photo: Paula Court
    Image description A figure wearing a suit plays guitar, their feet dangling over a pedal.
    Year 2022
    Related pages Eiko Ishibashi in Concert
  • A yellow industrial machine rests atop a pile of rubble and stone. Across the clear blue sky, sky-typers write “MI DIOS ES MERIDA” in white smoke-dots.
    A yellow industrial machine rests atop a pile of rubble and stone. Across the clear blue sky, sky-typers write “MI DIOS ES MERIDA” in white smoke-dots.
    Raúl Zurita, La vida nueva, 1982. Video, color, sound; 27 minutes 42 seconds. Videography by Juan Downey. Courtesy the artist. [A yellow industrial machine rests atop a pile of rubble and stone. Across the clear blue sky, sky-typers write “MI DIOS ES MERIDA” in white smoke-dots.]
    Caption Raúl Zurita, La vida nueva, 1982. Video, color, sound; 27 minutes 42 seconds. Videography by Juan Downey. Courtesy the artist.
    Image description A yellow industrial machine rests atop a pile of rubble and stone. Across the clear blue sky, sky-typers write “MI DIOS ES MERIDA” in white smoke-dots.
    Year 1982
    Related pages Whitney ISP Archive
  • Jaylynn Reyna, Legendary, 2022, digital photograph
    Caption Jaylynn Reyna, Legendary, 2022, digital photograph
    Image description
    Year 2022
    Related pages Scholastic Art and Writing Awards
  • Color photograph of visitors standing around a gallery space, conversing and studying the works on the wall.
    Color photograph of visitors standing around a gallery space, conversing and studying the works on the wall.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of visitors standing around a gallery space, conversing and studying the works on the wall.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of visitors standing around a gallery space, conversing and studying the works on the wall.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • A close up of low windows on a brick facade covered in layered black and yellow film.
    A close up of low windows on a brick facade covered in layered black and yellow film.
    ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A close up of low windows on a brick facade covered in layered black and yellow film.]
    Caption ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A close up of low windows on a brick facade covered in layered black and yellow film.
    Year 2021
    Related pages ART CLUB2000
  • A room with white walls, with two windows on the back wall with shades pulled halfway down. The wall to the left of the windows has three framed photographs, and a white plinth with a glass top. In front of the windows, a television on a low table faces sideways toward a low black couch. On the far right side, a protruding corner of a wall has white text projected on it reading
    A room with white walls, with two windows on the back wall with shades pulled halfway down. The wall to the left of the windows has three framed photographs, and a white plinth with a glass top. In front of the windows, a television on a low table faces sideways toward a low black couch. On the far right side, a protruding corner of a wall has white text projected on it reading
    The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich. [A room with white walls, with two windows on the back wall with shades pulled halfway down. The wall to the left of the windows has three framed photographs, and a white plinth with a glass top. In front of the windows, a television on a low table faces sideways toward a low black couch. On the far right side, a protruding corner of a wall has white text projected on it reading "cupholder mount vaio."]
    Caption The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich.
    Image description A room with white walls, with two windows on the back wall with shades pulled halfway down. The wall to the left of the windows has three framed photographs, and a white plinth with a glass top. In front of the windows, a television on a low table faces sideways toward a low black couch. On the far right side, a protruding corner of a wall has white text projected on it reading "cupholder mount vaio."
    Year 2008
    Related pages The New Normal
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    Related pages Carolyn Lazard
  • A clay sculpture of a person, outstretched on a sofa, with miscellaneous items around them, is displayed on a wooden floor.
    A clay sculpture of a person, outstretched on a sofa, with miscellaneous items around them, is displayed on a wooden floor.
    The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich. [A clay sculpture of a person, outstretched on a sofa, with miscellaneous items around them, is displayed on a wooden floor.]
    Caption The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich.
    Image description A clay sculpture of a person, outstretched on a sofa, with miscellaneous items around them, is displayed on a wooden floor.
    Year 2014
    Related pages The Issues of Our Time
  • Brad Kronz. Installation view, Artists Space, 2025. Photo: Carter Seddon
    Caption Brad Kronz. Installation view, Artists Space, 2025. Photo: Carter Seddon
    Image description
    Year
    Related pages Brad Kronz
  • A view of low windows on a brick facade covered in layered black and yellow film.
    A view of low windows on a brick facade covered in layered black and yellow film.
    ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A view of low windows on a brick facade covered in layered black and yellow film.]
    Caption ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A view of low windows on a brick facade covered in layered black and yellow film.
    Year 2021
    Related pages ART CLUB2000
  • Detail view of a camel's head against a palm tree and blue sky.
    Detail view of a camel's head against a palm tree and blue sky.
    Heji Shin, Camp Habibi II, 2013, C-print, 20 x 16 inches, Signed edition of 100, 5APs, Courtesy of the artist. [Detail view of a camel's head against a palm tree and blue sky.]
    Caption Heji Shin, Camp Habibi II, 2013, C-print, 20 x 16 inches, Signed edition of 100, 5APs, Courtesy of the artist.
    Image description Detail view of a camel's head against a palm tree and blue sky.
    Year 2013
    Related pages Annual Edition Portfolio
  • A number of colorful animal-like figures appear in space with a white background.
    A number of colorful animal-like figures appear in space with a white background.
    Gerome Kamrowski. Hopeful Monster, 1980. [A number of colorful animal-like figures appear in space with a white background.]
    Caption Gerome Kamrowski. Hopeful Monster, 1980.
    Image description A number of colorful animal-like figures appear in space with a white background.
    Year
    Related pages Moderns in Mind
  • A darkened room with several wooden platforms with white pads on top facing a wide screen. The screen shows the image of a pond surrounded by trees.
    A darkened room with several wooden platforms with white pads on top facing a wide screen. The screen shows the image of a pond surrounded by trees.
    Kerry Tribe. Installation view of Florida, 2003. Video (sound). [A darkened room with several wooden platforms with white pads on top facing a wide screen. The screen shows the image of a pond surrounded by trees.]
    Caption Kerry Tribe. Installation view of Florida, 2003. Video (sound).
    Image description A darkened room with several wooden platforms with white pads on top facing a wide screen. The screen shows the image of a pond surrounded by trees.
    Year 2007
    Related pages Elephant Cemetery
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Image of a basement with a sculpture made of two fresnel lenses cut in the shape of wings hung on the back of a pillar to the left of the image. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    Image of a basement with a sculpture made of two fresnel lenses cut in the shape of wings hung on the back of a pillar to the left of the image. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement with a sculpture made of two fresnel lenses cut in the shape of wings hung on the back of a pillar to the left of the image. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.]
    Caption SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a basement with a sculpture made of two fresnel lenses cut in the shape of wings hung on the back of a pillar to the left of the image. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    Year 2022
    Related pages SCRAAATCH 12-3
  • A dimly lit gallery space with wooden flooring. Several sheets of thin gray board hang from the gallery ceiling by thin wires such that they form a set of suspended display walls. The boards are arranged such that they face one another and form a hallway-like area that one can walk through. Various photographs and architectural renderings of buildings are displayed on the walls. A wall arranged to the far right of the others displays black san-serif wall text. Large header text on the wall reads, “ZAHA HADID.”
    A dimly lit gallery space with wooden flooring. Several sheets of thin gray board hang from the gallery ceiling by thin wires such that they form a set of suspended display walls. The boards are arranged such that they face one another and form a hallway-like area that one can walk through. Various photographs and architectural renderings of buildings are displayed on the walls. A wall arranged to the far right of the others displays black san-serif wall text. Large header text on the wall reads, “ZAHA HADID.”
    Zaha Hadid. Installation view, Artists Space, 2003. [A dimly lit gallery space with wooden flooring. Several sheets of thin gray board hang from the gallery ceiling by thin wires such that they form a set of suspended display walls. The boards are arranged such that they face one another and form a hallway-like area that one can walk through. Various photographs and architectural renderings of buildings are displayed on the walls. A wall arranged to the far right of the others displays black san-serif wall text. Large header text on the wall reads, “ZAHA HADID.”]
    Caption Zaha Hadid. Installation view, Artists Space, 2003.
    Image description A dimly lit gallery space with wooden flooring. Several sheets of thin gray board hang from the gallery ceiling by thin wires such that they form a set of suspended display walls. The boards are arranged such that they face one another and form a hallway-like area that one can walk through. Various photographs and architectural renderings of buildings are displayed on the walls. A wall arranged to the far right of the others displays black san-serif wall text. Large header text on the wall reads, “ZAHA HADID.”
    Year 2003
    Related pages Mainspace Architecture & Design Project Series: Zaha Hadid
  • A figure dressed in leather performs on stage with a purple projection on them.
    A figure dressed in leather performs on stage with a purple projection on them.
    Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [A figure dressed in leather performs on stage with a purple projection on them.]
    Caption Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure dressed in leather performs on stage with a purple projection on them.
    Year 2022
    Related pages Abasement #61
  • A bottle of wine sits on a set dining table covered in a red tablecloth, surrounded by wine glasses. The wine label features an irregular curved white semi-oval, overlaid with a smaller burgundy red shape, and the embossed text
    A bottle of wine sits on a set dining table covered in a red tablecloth, surrounded by wine glasses. The wine label features an irregular curved white semi-oval, overlaid with a smaller burgundy red shape, and the embossed text
    Friends of Artists Space Dinner 2024. Wine sponsor Vivanterre. Photo: Jenna Bascom [A bottle of wine sits on a set dining table covered in a red tablecloth, surrounded by wine glasses. The wine label features an irregular curved white semi-oval, overlaid with a smaller burgundy red shape, and the embossed text "Vivanterre"]
    Caption Friends of Artists Space Dinner 2024. Wine sponsor Vivanterre. Photo: Jenna Bascom
    Image description A bottle of wine sits on a set dining table covered in a red tablecloth, surrounded by wine glasses. The wine label features an irregular curved white semi-oval, overlaid with a smaller burgundy red shape, and the embossed text "Vivanterre"
    Year
    Related pages Friends of Artists Space Dinner
  • A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979. [A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.]
    Caption Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979.
    Image description A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    Year 1979
    Related pages Patricia Hearst - A Second Reading
  • Color image of a wall of a gallery space. Hanging in the center of the wall is an adobe panel painting of the entrance to a freeway tunnel.
    Color image of a wall of a gallery space. Hanging in the center of the wall is an adobe panel painting of the entrance to a freeway tunnel.
    rafa esparza: Camino. Installation view (110 North Bound, 2023), Artists Space, 2023. Photo: Filip Wolak. [Color image of a wall of a gallery space. Hanging in the center of the wall is an adobe panel painting of the entrance to a freeway tunnel.]
    Caption rafa esparza: Camino. Installation view (110 North Bound, 2023), Artists Space, 2023. Photo: Filip Wolak.
    Image description Color image of a wall of a gallery space. Hanging in the center of the wall is an adobe panel painting of the entrance to a freeway tunnel.
    Year
    Related pages rafa esparza: Camino
  • A folding wall is erected in the center of a gallery space. Its top features painted portraits of eight people from the waist up. Below them, the lower half of the wall is covered in white, handpainted text on a black background. The text extends onto the floor, and its bottom edge is bordered by a row of votive candles. Behind this wall, other artworks are partially visible.
    A folding wall is erected in the center of a gallery space. Its top features painted portraits of eight people from the waist up. Below them, the lower half of the wall is covered in white, handpainted text on a black background. The text extends onto the floor, and its bottom edge is bordered by a row of votive candles. Behind this wall, other artworks are partially visible.
    Vidas Perdidas. Installation view, Artists Space, 1989. [A folding wall is erected in the center of a gallery space. Its top features painted portraits of eight people from the waist up. Below them, the lower half of the wall is covered in white, handpainted text on a black background. The text extends onto the floor, and its bottom edge is bordered by a row of votive candles. Behind this wall, other artworks are partially visible.]
    Caption Vidas Perdidas. Installation view, Artists Space, 1989.
    Image description A folding wall is erected in the center of a gallery space. Its top features painted portraits of eight people from the waist up. Below them, the lower half of the wall is covered in white, handpainted text on a black background. The text extends onto the floor, and its bottom edge is bordered by a row of votive candles. Behind this wall, other artworks are partially visible.
    Year 1989
    Related pages Vidas Perdidas/Lost Lives: Border Art/Workshop/Taller de Arte Fronterizo
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    Related pages David Armstrong: Portraits
  • A color installation view of a gallery space. Several handpainted LPs line the left wall. A television monitor is visible in the back corner with two chairs in front. A red tunic hangs above the monitor.
    A color installation view of a gallery space. Several handpainted LPs line the left wall. A television monitor is visible in the back corner with two chairs in front. A red tunic hangs above the monitor.
    Milford Graves: Fundamental Frequency. Installation view, Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak. [A color installation view of a gallery space. Several handpainted LPs line the left wall. A television monitor is visible in the back corner with two chairs in front. A red tunic hangs above the monitor.]
    Caption Milford Graves: Fundamental Frequency. Installation view, Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak.
    Image description A color installation view of a gallery space. Several handpainted LPs line the left wall. A television monitor is visible in the back corner with two chairs in front. A red tunic hangs above the monitor.
    Year 2021
    Related pages Milford Graves: Fundamental Frequency
  • Two juxtaposted images of two sets of thighs. In both images, a bright light illuminates the space between the figures' thighs. Light spots appear across the images.
    Two juxtaposted images of two sets of thighs. In both images, a bright light illuminates the space between the figures' thighs. Light spots appear across the images.
    Hilary Lloyd, Thighs, 2011. [Two juxtaposted images of two sets of thighs. In both images, a bright light illuminates the space between the figures' thighs. Light spots appear across the images.]
    Caption Hilary Lloyd, Thighs, 2011.
    Image description Two juxtaposted images of two sets of thighs. In both images, a bright light illuminates the space between the figures' thighs. Light spots appear across the images.
    Year 2011
    Related pages Hilary Lloyd
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    Related pages Abasement #85
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Five people's hands work on a colorful, abstract drawing with the drawing at the center of the image on a wooden table.
    Five people's hands work on a colorful, abstract drawing with the drawing at the center of the image on a wooden table.
    MS 324 group work, collaborative drawing, 2019 [Five people's hands work on a colorful, abstract drawing with the drawing at the center of the image on a wooden table.]
    Caption MS 324 group work, collaborative drawing, 2019
    Image description Five people's hands work on a colorful, abstract drawing with the drawing at the center of the image on a wooden table.
    Year 2019
    Related pages Portfolio Development
  • A color photograph of a galllery space with several dark columns. In between two columns in the foreground is a large fabric projector screen, with a video being projected onto it. In front of the screen are several fabric-wrapped stools. Further in the background a painting is visible on one wall, and a tv screen with a video work is visible on another.
    A color photograph of a galllery space with several dark columns. In between two columns in the foreground is a large fabric projector screen, with a video being projected onto it. In front of the screen are several fabric-wrapped stools. Further in the background a painting is visible on one wall, and a tv screen with a video work is visible on another.
    Everything is common. Installation view, Artists Space, 2022. Photo: Steven Cottingham. [A color photograph of a galllery space with several dark columns. In between two columns in the foreground is a large fabric projector screen, with a video being projected onto it. In front of the screen are several fabric-wrapped stools. Further in the background a painting is visible on one wall, and a tv screen with a video work is visible on another.]
    Caption Everything is common. Installation view, Artists Space, 2022. Photo: Steven Cottingham.
    Image description A color photograph of a galllery space with several dark columns. In between two columns in the foreground is a large fabric projector screen, with a video being projected onto it. In front of the screen are several fabric-wrapped stools. Further in the background a painting is visible on one wall, and a tv screen with a video work is visible on another.
    Year
    Related pages Whitney Independent Study: Everything is Common
  • 19 thinly outlined boxes arranged in columns of decreasing height on a black background. Each box contains a glowing, symmetrical, orange and purple geometric shape of varying complexity. In each box's lower right corner, white text lists three coordinates. There is a gradient key from purple through orange and yellow to white, with a minus sign at one end and a plus sign at the other, and above that, a complex mathematical formula. In the upper righthand corner, white text reads,
    19 thinly outlined boxes arranged in columns of decreasing height on a black background. Each box contains a glowing, symmetrical, orange and purple geometric shape of varying complexity. In each box's lower right corner, white text lists three coordinates. There is a gradient key from purple through orange and yellow to white, with a minus sign at one end and a plus sign at the other, and above that, a complex mathematical formula. In the upper righthand corner, white text reads,
    [19 thinly outlined boxes arranged in columns of decreasing height on a black background. Each box contains a glowing, symmetrical, orange and purple geometric shape of varying complexity. In each box's lower right corner, white text lists three coordinates. There is a gradient key from purple through orange and yellow to white, with a minus sign at one end and a plus sign at the other, and above that, a complex mathematical formula. In the upper righthand corner, white text reads, "Betsy Fagin and Alan Felsenthal" and "sat, 5/23 / 5pm nyc time / zoom id: 378 232 567."]
    Caption
    Image description 19 thinly outlined boxes arranged in columns of decreasing height on a black background. Each box contains a glowing, symmetrical, orange and purple geometric shape of varying complexity. In each box's lower right corner, white text lists three coordinates. There is a gradient key from purple through orange and yellow to white, with a minus sign at one end and a plus sign at the other, and above that, a complex mathematical formula. In the upper righthand corner, white text reads, "Betsy Fagin and Alan Felsenthal" and "sat, 5/23 / 5pm nyc time / zoom id: 378 232 567."
    Year 2020
    Related pages Segue Reading Series: Betsy Fagin & Alan Felsenthal
  • Color photograph of three figures dressed in white, embracing each other as they run across an empty basement.
    Color photograph of three figures dressed in white, embracing each other as they run across an empty basement.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of three figures dressed in white, embracing each other as they run across an empty basement.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of three figures dressed in white, embracing each other as they run across an empty basement.
    Year 2022
    Related pages keyon gaskin 12-16
  • A line drawing of an ashtray containing a book of matches with
    A line drawing of an ashtray containing a book of matches with
    Louise Lawler, Why Pictures Now (traced); Red, Yellow, Blue, Green, Sometimes Silver or Gold, 1981/2013, Archival pigment print with hand painted gouache in multiple colors, 3 x 6 in / 7,6 x 15,2 cm (image size), 10 x 8 in / 25,4 x 20 cm (paper size), Signed and Numbered [A line drawing of an ashtray containing a book of matches with "WHY PICTURES NOW" written on the front.]
    Caption Louise Lawler, Why Pictures Now (traced); Red, Yellow, Blue, Green, Sometimes Silver or Gold, 1981/2013, Archival pigment print with hand painted gouache in multiple colors, 3 x 6 in / 7,6 x 15,2 cm (image size), 10 x 8 in / 25,4 x 20 cm (paper size), Signed and Numbered
    Image description A line drawing of an ashtray containing a book of matches with "WHY PICTURES NOW" written on the front.
    Year 2014
    Related pages Artists Space Annual Edition Portfolio 2014
  • A woman stands in front of a micrphone and computer. Her face and hands are illuminated by red light.
    A woman stands in front of a micrphone and computer. Her face and hands are illuminated by red light.
    Eiko Ishibashi: Two New York Nights. Performance documentation, June 8, 2022, 8pm. Artists Space, New York. [A woman stands in front of a micrphone and computer. Her face and hands are illuminated by red light.]
    Caption Eiko Ishibashi: Two New York Nights. Performance documentation, June 8, 2022, 8pm. Artists Space, New York.
    Image description A woman stands in front of a micrphone and computer. Her face and hands are illuminated by red light.
    Year
    Related pages Eiko Ishibashi in Concert
  • A black and white image of a large room with a round black disk suspended from the ceiling over a gray circle in the floor. It is lit from above by mounted lights.
    A black and white image of a large room with a round black disk suspended from the ceiling over a gray circle in the floor. It is lit from above by mounted lights.
    Laurie Anderson, Whirlwind, 1996. Disk, 48 speakers, electronics, computer program. [A black and white image of a large room with a round black disk suspended from the ceiling over a gray circle in the floor. It is lit from above by mounted lights.]
    Caption Laurie Anderson, Whirlwind, 1996. Disk, 48 speakers, electronics, computer program.
    Image description A black and white image of a large room with a round black disk suspended from the ceiling over a gray circle in the floor. It is lit from above by mounted lights.
    Year 1996
    Related pages Laurie Anderson: Whirlwind
  • A dimly lit room with green turf-like carpet and exposed wooden walls. On the left, 9 images of different sizes are mounting, and luminous. On the right, projectors and movie cameras are placed on a horizontal shelf. On the far end of the floor towards the wall is a small square tv monitor with headphones placed in front of it. Behind the monitor are three medium-sized white windows.
    A dimly lit room with green turf-like carpet and exposed wooden walls. On the left, 9 images of different sizes are mounting, and luminous. On the right, projectors and movie cameras are placed on a horizontal shelf. On the far end of the floor towards the wall is a small square tv monitor with headphones placed in front of it. Behind the monitor are three medium-sized white windows.
    Union Gaucha Productions. Installation view, Artists Space, 2015. Photo: Daniel Pérez. [A dimly lit room with green turf-like carpet and exposed wooden walls. On the left, 9 images of different sizes are mounting, and luminous. On the right, projectors and movie cameras are placed on a horizontal shelf. On the far end of the floor towards the wall is a small square tv monitor with headphones placed in front of it. Behind the monitor are three medium-sized white windows.]
    Caption Union Gaucha Productions. Installation view, Artists Space, 2015. Photo: Daniel Pérez.
    Image description A dimly lit room with green turf-like carpet and exposed wooden walls. On the left, 9 images of different sizes are mounting, and luminous. On the right, projectors and movie cameras are placed on a horizontal shelf. On the far end of the floor towards the wall is a small square tv monitor with headphones placed in front of it. Behind the monitor are three medium-sized white windows.
    Year 2015
    Related pages Union Gaucha Productions
  • A small square of illegible text, an abstract image of two black squares on grey, and a painting of a person in period dress and a top hat all hang on a blue wall.
    A small square of illegible text, an abstract image of two black squares on grey, and a painting of a person in period dress and a top hat all hang on a blue wall.
    Millie Wilson, The Painter Who is Not One, 1990, detail. Acrylic on canvas, text, type, photos, wall paint, 13 by 25 feet, variable. [A small square of illegible text, an abstract image of two black squares on grey, and a painting of a person in period dress and a top hat all hang on a blue wall.]
    Caption Millie Wilson, The Painter Who is Not One, 1990, detail. Acrylic on canvas, text, type, photos, wall paint, 13 by 25 feet, variable.
    Image description A small square of illegible text, an abstract image of two black squares on grey, and a painting of a person in period dress and a top hat all hang on a blue wall.
    Year 1990
    Related pages Post-Boys&Girls: Nine Painters
  • Two figures stand on stage next to each other, holding hands and smiling at the audience.
    Two figures stand on stage next to each other, holding hands and smiling at the audience.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [Two figures stand on stage next to each other, holding hands and smiling at the audience.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description Two figures stand on stage next to each other, holding hands and smiling at the audience.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
  • Mousetraps on a wooden floor in motion, snapping to capture ping pong balls resting atop them.
    Mousetraps on a wooden floor in motion, snapping to capture ping pong balls resting atop them.
    Ethan Crenson, Fission, 1996. Mixed media installation. [Mousetraps on a wooden floor in motion, snapping to capture ping pong balls resting atop them.]
    Caption Ethan Crenson, Fission, 1996. Mixed media installation.
    Image description Mousetraps on a wooden floor in motion, snapping to capture ping pong balls resting atop them.
    Year 1996
    Related pages Station to Station
  • A grid of photographs displaying candid portraiture is arranged in a white frame.
    A grid of photographs displaying candid portraiture is arranged in a white frame.
    Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A grid of photographs displaying candid portraiture is arranged in a white frame.]
    Caption Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description A grid of photographs displaying candid portraiture is arranged in a white frame.
    Year 2013
    Related pages Documenting Cadere: 1972 - 1978
  • A grainy color image of two performers facing each other on a stage, with a large audience observing in a dark room. One individual on stage is sitting and faces the camera, watching her performance partner. The other individual has their back turned to the camera, as they crouch over musical equipment on the stage floor. A pinkish-red hue from some spotlights illuminates the on-stage performers.
    A grainy color image of two performers facing each other on a stage, with a large audience observing in a dark room. One individual on stage is sitting and faces the camera, watching her performance partner. The other individual has their back turned to the camera, as they crouch over musical equipment on the stage floor. A pinkish-red hue from some spotlights illuminates the on-stage performers.
    Abasement #63. Performance documentation, July 17, 2023, Artists Space. Photo: Joshua Wildman. [A grainy color image of two performers facing each other on a stage, with a large audience observing in a dark room. One individual on stage is sitting and faces the camera, watching her performance partner. The other individual has their back turned to the camera, as they crouch over musical equipment on the stage floor. A pinkish-red hue from some spotlights illuminates the on-stage performers.]
    Caption Abasement #63. Performance documentation, July 17, 2023, Artists Space. Photo: Joshua Wildman.
    Image description A grainy color image of two performers facing each other on a stage, with a large audience observing in a dark room. One individual on stage is sitting and faces the camera, watching her performance partner. The other individual has their back turned to the camera, as they crouch over musical equipment on the stage floor. A pinkish-red hue from some spotlights illuminates the on-stage performers.
    Year
    Related pages Abasement #63
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • An angled view from a ledge containing household items, into a bedroom. Above the doorway black text reads,
    An angled view from a ledge containing household items, into a bedroom. Above the doorway black text reads,
    [An angled view from a ledge containing household items, into a bedroom. Above the doorway black text reads, "Macho Man, Tell it to My Heart."]
    Caption
    Image description An angled view from a ledge containing household items, into a bedroom. Above the doorway black text reads, "Macho Man, Tell it to My Heart."
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • A sculpted cross with two scale readings on either side of it along with bullets lined in formation on the top half and some undefinited black marks on the bottom half and two unidentified objects hanging underneath. It hangs on a white brick wall.
    A sculpted cross with two scale readings on either side of it along with bullets lined in formation on the top half and some undefinited black marks on the bottom half and two unidentified objects hanging underneath. It hangs on a white brick wall.
    Jerry Beck, Bird of Destruction, 1985. [A sculpted cross with two scale readings on either side of it along with bullets lined in formation on the top half and some undefinited black marks on the bottom half and two unidentified objects hanging underneath. It hangs on a white brick wall.]
    Caption Jerry Beck, Bird of Destruction, 1985.
    Image description A sculpted cross with two scale readings on either side of it along with bullets lined in formation on the top half and some undefinited black marks on the bottom half and two unidentified objects hanging underneath. It hangs on a white brick wall.
    Year
    Related pages U.S. Projects
  • A screenshot of the google images results page for the search query
    A screenshot of the google images results page for the search query
    [A screenshot of the google images results page for the search query "institution".]
    Caption
    Image description A screenshot of the google images results page for the search query "institution".
    Year 2013
    Related pages Institution
  • A twinkling black Christmas tree stands in the foreground as the gallery walls recede. A few paintings hang on the more distant walls.
    A twinkling black Christmas tree stands in the foreground as the gallery walls recede. A few paintings hang on the more distant walls.
    Nandi Loaf, Aristotelis Nikolas Mochloulis, ricardo nagaoka, Sydney Schrader. Installation view, Artists Space, 2025. Photo: Carter Seddon [A twinkling black Christmas tree stands in the foreground as the gallery walls recede. A few paintings hang on the more distant walls. ]
    Caption Nandi Loaf, Aristotelis Nikolas Mochloulis, ricardo nagaoka, Sydney Schrader. Installation view, Artists Space, 2025. Photo: Carter Seddon
    Image description A twinkling black Christmas tree stands in the foreground as the gallery walls recede. A few paintings hang on the more distant walls.
    Year
    Related pages Nandi Loaf Aristotelis Nikolas Mochloulis Ricardo Nagaoka Sydney Schrader
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    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • Color photograph of a corner space in a gallery, below a staircase, that is bathed in red light. At the bottom of the stairs are a group of performers wearing conical costumes made of reflective one-way mirror film.
    Color photograph of a corner space in a gallery, below a staircase, that is bathed in red light. At the bottom of the stairs are a group of performers wearing conical costumes made of reflective one-way mirror film.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. [Color photograph of a corner space in a gallery, below a staircase, that is bathed in red light. At the bottom of the stairs are a group of performers wearing conical costumes made of reflective one-way mirror film.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space.
    Image description Color photograph of a corner space in a gallery, below a staircase, that is bathed in red light. At the bottom of the stairs are a group of performers wearing conical costumes made of reflective one-way mirror film.
    Year 2022
    Related pages keyon gaskin 12-16
  • Color photograph of three figures, wearing conical costumes made of reflective one-way mirror film, standing at the doorways of a gallery space.
    Color photograph of three figures, wearing conical costumes made of reflective one-way mirror film, standing at the doorways of a gallery space.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of three figures, wearing conical costumes made of reflective one-way mirror film, standing at the doorways of a gallery space.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of three figures, wearing conical costumes made of reflective one-way mirror film, standing at the doorways of a gallery space.
    Year 2022
    Related pages keyon gaskin 12-14
  • Contact sheet of stills depicting numerous installation views.
    Contact sheet of stills depicting numerous installation views.
    Sixth Anniversary Exhibition. Installation views, Artists Space, 1979. [Contact sheet of stills depicting numerous installation views.]
    Caption Sixth Anniversary Exhibition. Installation views, Artists Space, 1979.
    Image description Contact sheet of stills depicting numerous installation views.
    Year 1979
    Related pages Sixth Anniversary Exhibition
  • Small house-like wooden sculptures appear on a table with a large white image on the ground between them. A video monitor and framed images are visible in the background.
    Small house-like wooden sculptures appear on a table with a large white image on the ground between them. A video monitor and framed images are visible in the background.
    Young Fluxus. Installation view, Artists Space, 1982. [Small house-like wooden sculptures appear on a table with a large white image on the ground between them. A video monitor and framed images are visible in the background.]
    Caption Young Fluxus. Installation view, Artists Space, 1982.
    Image description Small house-like wooden sculptures appear on a table with a large white image on the ground between them. A video monitor and framed images are visible in the background.
    Year
    Related pages Young Fluxus
  • A black and white photograph of a wooden bust of a horned deer like animal, attached to a white wall.
    A black and white photograph of a wooden bust of a horned deer like animal, attached to a white wall.
    Gwynn Murrill, Impala, laminated wood blocks, 1972. From Don Wynn, Judy Pfaff, Gwynn Murrill, Artists Space, 1974. [A black and white photograph of a wooden bust of a horned deer like animal, attached to a white wall.]
    Caption Gwynn Murrill, Impala, laminated wood blocks, 1972. From Don Wynn, Judy Pfaff, Gwynn Murrill, Artists Space, 1974.
    Image description A black and white photograph of a wooden bust of a horned deer like animal, attached to a white wall.
    Year 1974
    Related pages Don Wynn, Judy Pfaff, Gwynn Murrill
  • William S. Burroughs. Target #5 (July 29, 1997), 1997 Courtesy John Giorno. . Photo: Adam Reich
    Caption William S. Burroughs. Target #5 (July 29, 1997), 1997 Courtesy John Giorno. . Photo: Adam Reich
    Image description
    Year
    Related pages Rip It Up and Start Again: William S. Burroughs, Charles Henri Ford, Ray Johnson, Philippe Thomas, Arthur Russell
  • Sculptural pieces are mounted on the right wall. Three square canvases and one larger rectangular canvas dotted with a dark material hang on the left wall. Large windows line the back wall.
    Sculptural pieces are mounted on the right wall. Three square canvases and one larger rectangular canvas dotted with a dark material hang on the left wall. Large windows line the back wall.
    Sixth Anniversary Exhibition. Installation view, Artists Space, 1979. Artwork by John Torreano and Barbara Schwartz. [Sculptural pieces are mounted on the right wall. Three square canvases and one larger rectangular canvas dotted with a dark material hang on the left wall. Large windows line the back wall.]
    Caption Sixth Anniversary Exhibition. Installation view, Artists Space, 1979. Artwork by John Torreano and Barbara Schwartz.
    Image description Sculptural pieces are mounted on the right wall. Three square canvases and one larger rectangular canvas dotted with a dark material hang on the left wall. Large windows line the back wall.
    Year 1979
    Related pages Sixth Anniversary Exhibition
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    Related pages Stone's Throw: Television from Cuba, Island in Goliath's Sea
  • A painting of a person with red hair, cross-shaped earings, and black paint under their eyes.
    A painting of a person with red hair, cross-shaped earings, and black paint under their eyes.
    Tom Murrin, Johanna Went, 1985. Acrylic on foam core, 14.75 x 20 inches. Courtesy the artist. Photo: Patty Wallace. [A painting of a person with red hair, cross-shaped earings, and black paint under their eyes.]
    Caption Tom Murrin, Johanna Went, 1985. Acrylic on foam core, 14.75 x 20 inches. Courtesy the artist. Photo: Patty Wallace.
    Image description A painting of a person with red hair, cross-shaped earings, and black paint under their eyes.
    Year 1985
    Related pages Tony Bechara, Carmen Herrera, Tom Murrin, Mac Wells
  • Two televisons sit on the wall, bisected with hung grocery dividers. The television on the left displays a video of a news anchor with the bottom text
    Two televisons sit on the wall, bisected with hung grocery dividers. The television on the left displays a video of a news anchor with the bottom text
    LIFE—a group show, curated by Arnold J. Kemp. Installation view (Carolyn Castaño, The Female Report, 2011; D’Talentz, The Secret Garden, 2020), Artists Space, 2025. Photo: Carter Seddon [Two televisons sit on the wall, bisected with hung grocery dividers. The television on the left displays a video of a news anchor with the bottom text "A descendant of Evita." The television on the right displays a video of four squares with people surrounded in foliage. These squares are superimposed on a backdrop of more foliage.]
    Caption LIFE—a group show, curated by Arnold J. Kemp. Installation view (Carolyn Castaño, The Female Report, 2011; D’Talentz, The Secret Garden, 2020), Artists Space, 2025. Photo: Carter Seddon
    Image description Two televisons sit on the wall, bisected with hung grocery dividers. The television on the left displays a video of a news anchor with the bottom text "A descendant of Evita." The television on the right displays a video of four squares with people surrounded in foliage. These squares are superimposed on a backdrop of more foliage.
    Year 2025
    Related pages Arnold J. Kemp
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    Related pages BRIDGE Photography
  • Color photograph of a gallery space with an installation consisting of a large mirrored pond, made from a wooden base with a reflective lining on top, that is surrounded by tree trunks, plants, fish tanks, and a phone booth. A large lamp hangs from the ceiling, and an orange construction net is placed over the pond.
    Color photograph of a gallery space with an installation consisting of a large mirrored pond, made from a wooden base with a reflective lining on top, that is surrounded by tree trunks, plants, fish tanks, and a phone booth. A large lamp hangs from the ceiling, and an orange construction net is placed over the pond.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a gallery space with an installation consisting of a large mirrored pond, made from a wooden base with a reflective lining on top, that is surrounded by tree trunks, plants, fish tanks, and a phone booth. A large lamp hangs from the ceiling, and an orange construction net is placed over the pond.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of a gallery space with an installation consisting of a large mirrored pond, made from a wooden base with a reflective lining on top, that is surrounded by tree trunks, plants, fish tanks, and a phone booth. A large lamp hangs from the ceiling, and an orange construction net is placed over the pond.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • A close-up icolor mage of a musician playing the guitar. Red light cast onto them. A disco ball hangs from the ceiling, projecting white dots onto the room.
    A close-up icolor mage of a musician playing the guitar. Red light cast onto them. A disco ball hangs from the ceiling, projecting white dots onto the room.
    Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman. [A close-up icolor mage of a musician playing the guitar. Red light cast onto them. A disco ball hangs from the ceiling, projecting white dots onto the room.]
    Caption Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman.
    Image description A close-up icolor mage of a musician playing the guitar. Red light cast onto them. A disco ball hangs from the ceiling, projecting white dots onto the room.
    Year
    Related pages Abasement #65
  • Three performers from left to right play cymbals, drums, and a cello on stage. The wall behind the stage is lit with blue and white lights.
    Three performers from left to right play cymbals, drums, and a cello on stage. The wall behind the stage is lit with blue and white lights.
    Abasement #84. Performance documentation, February 16th, 2026, Artists Space. Photo: Joshua Wildman. [Three performers from left to right play cymbals, drums, and a cello on stage. The wall behind the stage is lit with blue and white lights. ]
    Caption Abasement #84. Performance documentation, February 16th, 2026, Artists Space. Photo: Joshua Wildman.
    Image description Three performers from left to right play cymbals, drums, and a cello on stage. The wall behind the stage is lit with blue and white lights.
    Year
    Related pages Abasement #84
  • Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They wave a red object in the air.
    Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They wave a red object in the air.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They wave a red object in the air.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They wave a red object in the air.
    Year
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • A black and white photograph of a television set upon a wooden side table in front of a window in a gallery space.
    A black and white photograph of a television set upon a wooden side table in front of a window in a gallery space.
    J.B. Cobb, Optical, 1973. From J.B. Cobb, Martha Edelheit, Ree Morton, Artists Space, 1973. [A black and white photograph of a television set upon a wooden side table in front of a window in a gallery space.]
    Caption J.B. Cobb, Optical, 1973. From J.B. Cobb, Martha Edelheit, Ree Morton, Artists Space, 1973.
    Image description A black and white photograph of a television set upon a wooden side table in front of a window in a gallery space.
    Year 1973
    Related pages J.B. Cobb, Martha Edelheit, Ree Morton
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    Related pages Artists Space Dialogues: Sarah Morris and Bettina Funcke
  • A performer sings into a microphone. The performer and stage are bathed in psychedelic, colorful patterns.
    A performer sings into a microphone. The performer and stage are bathed in psychedelic, colorful patterns.
    Abasement #85. Performance documentation, March 2nd, 2026, Artists Space. Photo: Joshua Wildman. [A performer sings into a microphone. The performer and stage are bathed in psychedelic, colorful patterns. ]
    Caption Abasement #85. Performance documentation, March 2nd, 2026, Artists Space. Photo: Joshua Wildman.
    Image description A performer sings into a microphone. The performer and stage are bathed in psychedelic, colorful patterns.
    Year
    Related pages Abasement #85
  • Black and white image of a performance. The artist is shown standing in front of a microphone, but their face is completely covered in a mask with criss-crossing white stripes. Their upper body is wrapped in a large sheet of thick paper with repeating images pasted onto its surface, and a square cone hat sits at an angle on their head.
    Black and white image of a performance. The artist is shown standing in front of a microphone, but their face is completely covered in a mask with criss-crossing white stripes. Their upper body is wrapped in a large sheet of thick paper with repeating images pasted onto its surface, and a square cone hat sits at an angle on their head.
    Johanna Went performing at The Whiskey, Los Angeles. Photo: Ed Colver [Black and white image of a performance. The artist is shown standing in front of a microphone, but their face is completely covered in a mask with criss-crossing white stripes. Their upper body is wrapped in a large sheet of thick paper with repeating images pasted onto its surface, and a square cone hat sits at an angle on their head.]
    Caption Johanna Went performing at The Whiskey, Los Angeles. Photo: Ed Colver
    Image description Black and white image of a performance. The artist is shown standing in front of a microphone, but their face is completely covered in a mask with criss-crossing white stripes. Their upper body is wrapped in a large sheet of thick paper with repeating images pasted onto its surface, and a square cone hat sits at an angle on their head.
    Year
    Related pages Attention Line
  • Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon.
    Caption Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon.
    Image description
    Year
    Related pages Michael Asher
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    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • Black text on a light yellow background. The text reads: “April 12 / Isabel Sobral Campos / Ronaldo V. Wilson” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on a light yellow background. The text reads: “April 12 / Isabel Sobral Campos / Ronaldo V. Wilson” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on a light yellow background. The text reads: “April 12 / Isabel Sobral Campos / Ronaldo V. Wilson” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on a light yellow background. The text reads: “April 12 / Isabel Sobral Campos / Ronaldo V. Wilson” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Isabel Sobral Campos & Ronaldo V. Wilson
  • A man stands, motioning towards at an LED light sculpture hung on the wall. A woman sits on one of three benches circling the man, and the audience is seated on the floor behind them.
    A man stands, motioning towards at an LED light sculpture hung on the wall. A woman sits on one of three benches circling the man, and the audience is seated on the floor behind them.
    Guilt for Shame. Performance documentation, August 22, 2013, Artists Space. Photo: Lyndsy Welgos. [A man stands, motioning towards at an LED light sculpture hung on the wall. A woman sits on one of three benches circling the man, and the audience is seated on the floor behind them.]
    Caption Guilt for Shame. Performance documentation, August 22, 2013, Artists Space. Photo: Lyndsy Welgos.
    Image description A man stands, motioning towards at an LED light sculpture hung on the wall. A woman sits on one of three benches circling the man, and the audience is seated on the floor behind them.
    Year 2013
    Related pages Guilt For Shame
  • An image of three paintings hanging on a wall.
    An image of three paintings hanging on a wall.
    Attention Line. Installation view, Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [An image of three paintings hanging on a wall.]
    Caption Attention Line. Installation view, Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak
    Image description An image of three paintings hanging on a wall.
    Year
    Related pages Attention Line
  • Painting of figures with Native American headdresses on a white gallery wall with a sculpture appearing in front of it.
    Painting of figures with Native American headdresses on a white gallery wall with a sculpture appearing in front of it.
    We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [Painting of figures with Native American headdresses on a white gallery wall with a sculpture appearing in front of it.]
    Caption We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987.
    Image description Painting of figures with Native American headdresses on a white gallery wall with a sculpture appearing in front of it.
    Year
    Related pages We the People
  • A bedroom scene set up in the middle of an open room. There is a beige rug, with a chrome lamp and matching bed frame. The bed has blue sheets with a dark blue comforter cover and a red blanket. There is a wooden chair facing in, and a brown table with assorted bottles on top. On the far side of the bed is a coffee machine, microwave, and television. In the background, various framed images are hung on white gallery walls.
    A bedroom scene set up in the middle of an open room. There is a beige rug, with a chrome lamp and matching bed frame. The bed has blue sheets with a dark blue comforter cover and a red blanket. There is a wooden chair facing in, and a brown table with assorted bottles on top. On the far side of the bed is a coffee machine, microwave, and television. In the background, various framed images are hung on white gallery walls.
    The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich. [A bedroom scene set up in the middle of an open room. There is a beige rug, with a chrome lamp and matching bed frame. The bed has blue sheets with a dark blue comforter cover and a red blanket. There is a wooden chair facing in, and a brown table with assorted bottles on top. On the far side of the bed is a coffee machine, microwave, and television. In the background, various framed images are hung on white gallery walls.]
    Caption The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich.
    Image description A bedroom scene set up in the middle of an open room. There is a beige rug, with a chrome lamp and matching bed frame. The bed has blue sheets with a dark blue comforter cover and a red blanket. There is a wooden chair facing in, and a brown table with assorted bottles on top. On the far side of the bed is a coffee machine, microwave, and television. In the background, various framed images are hung on white gallery walls.
    Year 2008
    Related pages The New Normal
  • Two maps, one of Asia and one of the Western United States, on red backgrounds positioned side by side. Black and white photographs are overlaid on particular cities in each map.
    Two maps, one of Asia and one of the Western United States, on red backgrounds positioned side by side. Black and white photographs are overlaid on particular cities in each map.
    A New World Order II: Remapping Tales of Desire. Installation view, Artists Space, 1992. [Two maps, one of Asia and one of the Western United States, on red backgrounds positioned side by side. Black and white photographs are overlaid on particular cities in each map.]
    Caption A New World Order II: Remapping Tales of Desire. Installation view, Artists Space, 1992.
    Image description Two maps, one of Asia and one of the Western United States, on red backgrounds positioned side by side. Black and white photographs are overlaid on particular cities in each map.
    Year 1992
    Related pages A New World Order II: Remapping Tales of Desire
  • A color photograph of a white framed vitrine containing ephemera such as newsprint and several photographs.
    A color photograph of a white framed vitrine containing ephemera such as newsprint and several photographs.
    Milford Graves: Fundamental Frequency. Installation view (ephemera from FESTAC, c. 1977), Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak. [A color photograph of a white framed vitrine containing ephemera such as newsprint and several photographs.]
    Caption Milford Graves: Fundamental Frequency. Installation view (ephemera from FESTAC, c. 1977), Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak.
    Image description A color photograph of a white framed vitrine containing ephemera such as newsprint and several photographs.
    Year 2021
    Related pages Milford Graves: Fundamental Frequency
  • A man holds a photograph up to his face with a microphone directly in front of him.
    A man holds a photograph up to his face with a microphone directly in front of him.
    Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979. [A man holds a photograph up to his face with a microphone directly in front of him.]
    Caption Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979.
    Image description A man holds a photograph up to his face with a microphone directly in front of him.
    Year 1979
    Related pages Patricia Hearst - A Second Reading
  • Image of a dimly lit basement. Along the back wall, on the left, a shadow of a figure in profile is cast onto a blue and purple projected screen.
    Image of a dimly lit basement. Along the back wall, on the left, a shadow of a figure in profile is cast onto a blue and purple projected screen.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Image of a dimly lit basement. Along the back wall, on the left, a shadow of a figure in profile is cast onto a blue and purple projected screen.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a dimly lit basement. Along the back wall, on the left, a shadow of a figure in profile is cast onto a blue and purple projected screen.
    Year 2022
    Related pages SCRAAATCH 12-3
  • Dark blue text overlays red-pink background. The text reads: “February 18 / Natalie Diaz / Tiffany Sia.
    Dark blue text overlays red-pink background. The text reads: “February 18 / Natalie Diaz / Tiffany Sia.
    [Dark blue text overlays red-pink background. The text reads: “February 18 / Natalie Diaz / Tiffany Sia." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description Dark blue text overlays red-pink background. The text reads: “February 18 / Natalie Diaz / Tiffany Sia." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year 2023
    Related pages Segue Reading Series: Natalie Diaz & Tiffany Sia
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    Related pages Membership
  • Still from Memories of Underdevelopment, 1968. Tomás Gutiérrez Alea, 97min, 35mm
    Caption Still from Memories of Underdevelopment, 1968. Tomás Gutiérrez Alea, 97min, 35mm
    Image description
    Year
    Related pages Film and Video Program | Macho Man, Tell It To My Heart: Collected by Julie Ault | January 23
  • A performer sitting down playing the guitar is bathed in colorful light. They are wearing a geometric print shirt and a blue, green, and white projected pattern covers their face and the wall behind. There are two mic stands to their right.
    A performer sitting down playing the guitar is bathed in colorful light. They are wearing a geometric print shirt and a blue, green, and white projected pattern covers their face and the wall behind. There are two mic stands to their right.
    Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman. [A performer sitting down playing the guitar is bathed in colorful light. They are wearing a geometric print shirt and a blue, green, and white projected pattern covers their face and the wall behind. There are two mic stands to their right.]
    Caption Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman.
    Image description A performer sitting down playing the guitar is bathed in colorful light. They are wearing a geometric print shirt and a blue, green, and white projected pattern covers their face and the wall behind. There are two mic stands to their right.
    Year
    Related pages Abasement #74
  • Program schedule for Sigrid Burton, Bruce Colvin, Ellen Phelan, Artists Space, 1976
    Caption Program schedule for Sigrid Burton, Bruce Colvin, Ellen Phelan, Artists Space, 1976
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    Related pages Sigrid Burton, Bruce Colvin, Ellen Phelan
  • Nuestro Reflejo, Threads of History exhibition, Morris Jumel Mansion, March, 2025
    Caption Nuestro Reflejo, Threads of History exhibition, Morris Jumel Mansion, March, 2025
    Image description
    Year
    Related pages Exhibitions and Events
  • Black text on an orange background. The text reads: “Nov 9 / Norman Fischer / The New York Neo-Futurists.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on an orange background. The text reads: “Nov 9 / Norman Fischer / The New York Neo-Futurists.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on an orange background. The text reads: “Nov 9 / Norman Fischer / The New York Neo-Futurists.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on an orange background. The text reads: “Nov 9 / Norman Fischer / The New York Neo-Futurists.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Norman Fischer & The New York Neo-Futurists
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    Related pages fwiw
  • Black and white photograph of white picket fence with dark painted background behind it.
    Black and white photograph of white picket fence with dark painted background behind it.
    Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Candice Hill-Montgomery. [Black and white photograph of white picket fence with dark painted background behind it.]
    Caption Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Candice Hill-Montgomery.
    Image description Black and white photograph of white picket fence with dark painted background behind it.
    Year 1979
    Related pages Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach
  • An image of a large number
    An image of a large number
    DUOX: DUOX4Larkin. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [An image of a large number "9" printed across a series of rectangular pieces of paper that are linked together by metal rings such that they form a large, draping sheet. The sheet of linked papers is held in the air by four poles supporting each of its four corners. The poles are mounted in silver buckets filled with multicolored objects.]
    Caption DUOX: DUOX4Larkin. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description An image of a large number "9" printed across a series of rectangular pieces of paper that are linked together by metal rings such that they form a large, draping sheet. The sheet of linked papers is held in the air by four poles supporting each of its four corners. The poles are mounted in silver buckets filled with multicolored objects.
    Year 2012
    Related pages DUOX: DUOX4Larkin
  • Color photograph of the center of a gallery room, in which performers are seated in wooden chairs around the center, alongside three hanging screens that project a video still of a figure's face against a dark background. All around the room, audience members sit on the floor or stand.
    Color photograph of the center of a gallery room, in which performers are seated in wooden chairs around the center, alongside three hanging screens that project a video still of a figure's face against a dark background. All around the room, audience members sit on the floor or stand.
    Shala Miller performs Genesis: Medley at Artists Space, co-presented with Frieze New York 2023. Performance documentation, May 19th. Photo by Vanessa Diaz/CKA. Courtesy of Frieze. [Color photograph of the center of a gallery room, in which performers are seated in wooden chairs around the center, alongside three hanging screens that project a video still of a figure's face against a dark background. All around the room, audience members sit on the floor or stand.]
    Caption Shala Miller performs Genesis: Medley at Artists Space, co-presented with Frieze New York 2023. Performance documentation, May 19th. Photo by Vanessa Diaz/CKA. Courtesy of Frieze.
    Image description Color photograph of the center of a gallery room, in which performers are seated in wooden chairs around the center, alongside three hanging screens that project a video still of a figure's face against a dark background. All around the room, audience members sit on the floor or stand.
    Year 2023
    Related pages Genesis: Medley
  • Close up detail of a sculpture composed of a large glass pane with a painted canvas installed in the pane's center. The back of the canvas faces the viewer, and faint words are penciled onto its surface. A golden tassle and necklce cluster and hang around the canvas' edge.
    Close up detail of a sculpture composed of a large glass pane with a painted canvas installed in the pane's center. The back of the canvas faces the viewer, and faint words are penciled onto its surface. A golden tassle and necklce cluster and hang around the canvas' edge.
    Fifth Season Act, Apotheosically. Performance documentation, May 31, 2012, Artists Space. [Close up detail of a sculpture composed of a large glass pane with a painted canvas installed in the pane's center. The back of the canvas faces the viewer, and faint words are penciled onto its surface. A golden tassle and necklce cluster and hang around the canvas' edge.]
    Caption Fifth Season Act, Apotheosically. Performance documentation, May 31, 2012, Artists Space.
    Image description Close up detail of a sculpture composed of a large glass pane with a painted canvas installed in the pane's center. The back of the canvas faces the viewer, and faint words are penciled onto its surface. A golden tassle and necklce cluster and hang around the canvas' edge.
    Year 2012
    Related pages Fifth Season Act, Apotheosically
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Black text on a light blue-grey and yellow ombré background. The text reads: “April 19 / Jennifer Firestone / Matvei Yankelevich.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on a light blue-grey and yellow ombré background. The text reads: “April 19 / Jennifer Firestone / Matvei Yankelevich.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on a light blue-grey and yellow ombré background. The text reads: “April 19 / Jennifer Firestone / Matvei Yankelevich.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on a light blue-grey and yellow ombré background. The text reads: “April 19 / Jennifer Firestone / Matvei Yankelevich.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Jennifer Firestone & Matvei Yankelevich
  • A photograph of six index cards with typed up clues.
    A photograph of six index cards with typed up clues.
    Playing cards from Barbara Bloom's Solution. From Barbara Bloom, David Salle, Artists Space, 1976. [A photograph of six index cards with typed up clues.]
    Caption Playing cards from Barbara Bloom's Solution. From Barbara Bloom, David Salle, Artists Space, 1976.
    Image description A photograph of six index cards with typed up clues.
    Year
    Related pages Barbara Bloom, David Salle
  • Screenshot of an unnamed Financial Times video, depicting an upward-trajectory chart titled
    Screenshot of an unnamed Financial Times video, depicting an upward-trajectory chart titled
    [Screenshot of an unnamed Financial Times video, depicting an upward-trajectory chart titled "seven lean years for value."]
    Caption
    Image description Screenshot of an unnamed Financial Times video, depicting an upward-trajectory chart titled "seven lean years for value."
    Year 2015
    Related pages On value
  • Color image of a dark room, illuminated only by a projection of blue and orange amorphous shapes on a wall. The shadow of a table with dj equipment and gear is cast against the colorful projected image.
    Color image of a dark room, illuminated only by a projection of blue and orange amorphous shapes on a wall. The shadow of a table with dj equipment and gear is cast against the colorful projected image.
    Abasement #63. Performance documentation, July 17, 2023, Artists Space. Photo: Joshua Wildman. [Color image of a dark room, illuminated only by a projection of blue and orange amorphous shapes on a wall. The shadow of a table with dj equipment and gear is cast against the colorful projected image.]
    Caption Abasement #63. Performance documentation, July 17, 2023, Artists Space. Photo: Joshua Wildman.
    Image description Color image of a dark room, illuminated only by a projection of blue and orange amorphous shapes on a wall. The shadow of a table with dj equipment and gear is cast against the colorful projected image.
    Year
    Related pages Abasement #63
  • The upper body of a figure appears in front of a microphone, into which they play the flute.
    The upper body of a figure appears in front of a microphone, into which they play the flute.
    Eiko Ishibashi: Two New York Nights. Performance documentation, June 8, 2022, 8pm. Artists Space, New York. [The upper body of a figure appears in front of a microphone, into which they play the flute.]
    Caption Eiko Ishibashi: Two New York Nights. Performance documentation, June 8, 2022, 8pm. Artists Space, New York.
    Image description The upper body of a figure appears in front of a microphone, into which they play the flute.
    Year
    Related pages Eiko Ishibashi in Concert
  • Low res image of two men, with tan skin and curly hair, kissing profusely.
    Low res image of two men, with tan skin and curly hair, kissing profusely.
    Julio Torres, Search Results: Drunks Kissing, 2010. [Low res image of two men, with tan skin and curly hair, kissing profusely.]
    Caption Julio Torres, Search Results: Drunks Kissing, 2010.
    Image description Low res image of two men, with tan skin and curly hair, kissing profusely.
    Year 2010
    Related pages Radical Localism: Art, Video and Culture from Pueblo Nuevo’s Mexicali Rose
  • A detail view of a dim, stark forest with minimal sunlight.
    A detail view of a dim, stark forest with minimal sunlight.
    Metahaven, The Sprawl (in development), 2015. Video still. Courtesy Lighthouse / The Space. [A detail view of a dim, stark forest with minimal sunlight.]
    Caption Metahaven, The Sprawl (in development), 2015. Video still. Courtesy Lighthouse / The Space.
    Image description A detail view of a dim, stark forest with minimal sunlight.
    Year 2015
    Related pages After Effects
  • LaToya Ruby Frazier, A Message In Nestle Water Bottles from Shea Cobb and Amber Hasan at Sussex Drive and West Pierson Road, Flint, MI, 2017/2023, set of three archival pigment prints on Canson Platine Fibre Rag, 16 x 24 inches (40.6 x 61 cm)
    Caption LaToya Ruby Frazier, A Message In Nestle Water Bottles from Shea Cobb and Amber Hasan at Sussex Drive and West Pierson Road, Flint, MI, 2017/2023, set of three archival pigment prints on Canson Platine Fibre Rag, 16 x 24 inches (40.6 x 61 cm)
    Image description
    Year
    Related pages Artists Space: Artists Fund
  • Caption
    Image description
    Year
    Related pages Ralston Farina: Time // Time
  • Yellow text on a brown background reading
    Yellow text on a brown background reading
    Kelly Poe, Leave, Take, Kill, 2004. Courtesy the artist and Anna Helwing Gallery, Los Angeles. [Yellow text on a brown background reading "LEAVE NOTHING BUT FOOTPRINTS / TAKE NOTHING BUT PICTURES / KILL NOTHING BUT TIME."]
    Caption Kelly Poe, Leave, Take, Kill, 2004. Courtesy the artist and Anna Helwing Gallery, Los Angeles.
    Image description Yellow text on a brown background reading "LEAVE NOTHING BUT FOOTPRINTS / TAKE NOTHING BUT PICTURES / KILL NOTHING BUT TIME."
    Year 2004
    Related pages International Geographic
  • A seated figure plays the violin on stage with red and purple lights cast onto them.
    A seated figure plays the violin on stage with red and purple lights cast onto them.
    Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman [A seated figure plays the violin on stage with red and purple lights cast onto them.]
    Caption Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman
    Image description A seated figure plays the violin on stage with red and purple lights cast onto them.
    Year
    Related pages Abasement: #62
  • Four book covers, arranged into a grid. Titles, from left to right, beginning with the top, read,
    Four book covers, arranged into a grid. Titles, from left to right, beginning with the top, read,
    [Four book covers, arranged into a grid. Titles, from left to right, beginning with the top, read, "Pride and Prejudice," "Negotiating for Dummies," "Revenge," and "Token Gestures."]
    Caption
    Image description Four book covers, arranged into a grid. Titles, from left to right, beginning with the top, read, "Pride and Prejudice," "Negotiating for Dummies," "Revenge," and "Token Gestures."
    Year 2014
    Related pages The Library Vaccine
  • Several artworks installed in a gallery space with white walls. On a wall to the left of the image, three yellow toned paintings are installed at eye level. On a wall at the far center of the image, four black viewing boxes are installed on the wall in a diamond formation. On the gallery wall to the right, two painted portraits sit on the ground.
    Several artworks installed in a gallery space with white walls. On a wall to the left of the image, three yellow toned paintings are installed at eye level. On a wall at the far center of the image, four black viewing boxes are installed on the wall in a diamond formation. On the gallery wall to the right, two painted portraits sit on the ground.
    Whitney Museum of American Art Independent Study Program Studio Exhibition. Installation view, Artists Space, 2018. Photo: Stephen Sewell. [Several artworks installed in a gallery space with white walls. On a wall to the left of the image, three yellow toned paintings are installed at eye level. On a wall at the far center of the image, four black viewing boxes are installed on the wall in a diamond formation. On the gallery wall to the right, two painted portraits sit on the ground.]
    Caption Whitney Museum of American Art Independent Study Program Studio Exhibition. Installation view, Artists Space, 2018. Photo: Stephen Sewell.
    Image description Several artworks installed in a gallery space with white walls. On a wall to the left of the image, three yellow toned paintings are installed at eye level. On a wall at the far center of the image, four black viewing boxes are installed on the wall in a diamond formation. On the gallery wall to the right, two painted portraits sit on the ground.
    Year 2018
    Related pages Whitney Museum of American Art Independent Study Program Studio Exhibition
  • An upwards-angeled view of an audience member, wearing a dark denim shirt, with a poster in the background that reads
    An upwards-angeled view of an audience member, wearing a dark denim shirt, with a poster in the background that reads
    An audience member speaks at “Palestine, BLM & Boycott in the Arts.” Artists Space Books & Talks, Friday, November 4, 2016. Courtesy Decolonize This Place and Artists Space, New York. Photo: Andrés Rodriguez [An upwards-angeled view of an audience member, wearing a dark denim shirt, with a poster in the background that reads "mourning for all those massacred in GAZA".]
    Caption An audience member speaks at “Palestine, BLM & Boycott in the Arts.” Artists Space Books & Talks, Friday, November 4, 2016. Courtesy Decolonize This Place and Artists Space, New York. Photo: Andrés Rodriguez
    Image description An upwards-angeled view of an audience member, wearing a dark denim shirt, with a poster in the background that reads "mourning for all those massacred in GAZA".
    Year 2016
    Related pages Decolonize This Place
  • Caption
    Image description
    Year
    Related pages Milford Graves: Fundamental Frequency
  • A large red pole with matching brackets stretches from floor to ceiling, holding up an spread of Artists Space's 1987 *We The People* exhibition catalog. To the left of the pole, a brown paper bag with an illustration of an Indigenous man wearing a ten-gallon hat sits on top of a white desk. To the left of the pole, a bookshelf with floating shelves is partially visible, holding many colorful books.
    A large red pole with matching brackets stretches from floor to ceiling, holding up an spread of Artists Space's 1987 *We The People* exhibition catalog. To the left of the pole, a brown paper bag with an illustration of an Indigenous man wearing a ten-gallon hat sits on top of a white desk. To the left of the pole, a bookshelf with floating shelves is partially visible, holding many colorful books.
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A large red pole with matching brackets stretches from floor to ceiling, holding up an spread of Artists Space's 1987 *We The People* exhibition catalog. To the left of the pole, a brown paper bag with an illustration of an Indigenous man wearing a ten-gallon hat sits on top of a white desk. To the left of the pole, a bookshelf with floating shelves is partially visible, holding many colorful books.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description A large red pole with matching brackets stretches from floor to ceiling, holding up an spread of Artists Space's 1987 *We The People* exhibition catalog. To the left of the pole, a brown paper bag with an illustration of an Indigenous man wearing a ten-gallon hat sits on top of a white desk. To the left of the pole, a bookshelf with floating shelves is partially visible, holding many colorful books.
    Year 2017
    Related pages Unholding
  • A miniature clay sculpture sitting on a gray table. The sculpture depicts a woman folding over, cross-legged, on carpet. Miscelaneous items are dispersed across the carpets.
    A miniature clay sculpture sitting on a gray table. The sculpture depicts a woman folding over, cross-legged, on carpet. Miscelaneous items are dispersed across the carpets.
    The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich. [A miniature clay sculpture sitting on a gray table. The sculpture depicts a woman folding over, cross-legged, on carpet. Miscelaneous items are dispersed across the carpets.]
    Caption The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich.
    Image description A miniature clay sculpture sitting on a gray table. The sculpture depicts a woman folding over, cross-legged, on carpet. Miscelaneous items are dispersed across the carpets.
    Year 2014
    Related pages The Issues of Our Time
  • Various paintings hang on the walls as guests enjoy the exhibition opening.
    Various paintings hang on the walls as guests enjoy the exhibition opening.
    Traditions: Five Painters. Installation View, Artists Space, 1978. [Various paintings hang on the walls as guests enjoy the exhibition opening.]
    Caption Traditions: Five Painters. Installation View, Artists Space, 1978.
    Image description Various paintings hang on the walls as guests enjoy the exhibition opening.
    Year
    Related pages Traditions: Five Painters, Charles Clough, William Fares, Sidney Goldberg, John Lees, Ann Thornycroft
  • A slightly chipped painting of a face with downcast eyes and a medieval-style crown. The word
    A slightly chipped painting of a face with downcast eyes and a medieval-style crown. The word
    Ken Aptekar, Oversensitive, 1987-1990. Oil on wood, sandblasted glass, bolts, 30 x 30 inches. [A slightly chipped painting of a face with downcast eyes and a medieval-style crown. The word "Oversensitive" is overlaid across the top part of the face.]
    Caption Ken Aptekar, Oversensitive, 1987-1990. Oil on wood, sandblasted glass, bolts, 30 x 30 inches.
    Image description A slightly chipped painting of a face with downcast eyes and a medieval-style crown. The word "Oversensitive" is overlaid across the top part of the face.
    Year
    Related pages Post-Boys&Girls: Nine Painters
  • A digitally-produced image featuring a series of translucent, yellow forms that resemble topographical renderings superimposed over a series of white grids.
    A digitally-produced image featuring a series of translucent, yellow forms that resemble topographical renderings superimposed over a series of white grids.
    [A digitally-produced image featuring a series of translucent, yellow forms that resemble topographical renderings superimposed over a series of white grids.]
    Caption
    Image description A digitally-produced image featuring a series of translucent, yellow forms that resemble topographical renderings superimposed over a series of white grids.
    Year 1998
    Related pages Digital Mapping: Architecture as Media
  • A yellow-toned close-up of a person's bare chest. There is a hummingbird tattoo on the person's right breast, and they are wearing two chain necklaces.
    A yellow-toned close-up of a person's bare chest. There is a hummingbird tattoo on the person's right breast, and they are wearing two chain necklaces.
    Mark Morrisroe. Untitled (1988). © The Estate of Mark Morrisroe (Ringier Collection) at Fotomuseum Winterthur. [A yellow-toned close-up of a person's bare chest. There is a hummingbird tattoo on the person's right breast, and they are wearing two chain necklaces.]
    Caption Mark Morrisroe. Untitled (1988). © The Estate of Mark Morrisroe (Ringier Collection) at Fotomuseum Winterthur.
    Image description A yellow-toned close-up of a person's bare chest. There is a hummingbird tattoo on the person's right breast, and they are wearing two chain necklaces.
    Year 1988
    Related pages Mark Morrisroe: Photographic Process and Psychic Structure
  • A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979. [A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.]
    Caption Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979.
    Image description A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    Year 1979
    Related pages Patricia Hearst - A Second Reading
  • An angled view of a room with a set of two tables and chairs, books resting on the tables, in the center. On the back wall hangs a banner in red painted text, reads
    An angled view of a room with a set of two tables and chairs, books resting on the tables, in the center. On the back wall hangs a banner in red painted text, reads
    The Library Vaccine. Installation view, Artists Space, 2014. [An angled view of a room with a set of two tables and chairs, books resting on the tables, in the center. On the back wall hangs a banner in red painted text, reads "...Pessimism of the intellect, Optimism of the will... Gramsci." On the right adjacent wall, text covers the whole height, the title reading, "Vigilance:"]
    Caption The Library Vaccine. Installation view, Artists Space, 2014.
    Image description An angled view of a room with a set of two tables and chairs, books resting on the tables, in the center. On the back wall hangs a banner in red painted text, reads "...Pessimism of the intellect, Optimism of the will... Gramsci." On the right adjacent wall, text covers the whole height, the title reading, "Vigilance:"
    Year 2014
    Related pages The Library Vaccine
  • Dolls and other sculptural items appea on the wall and the floor along with text in a gallery setting.
    Dolls and other sculptural items appea on the wall and the floor along with text in a gallery setting.
    We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [Dolls and other sculptural items appea on the wall and the floor along with text in a gallery setting.]
    Caption We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987.
    Image description Dolls and other sculptural items appea on the wall and the floor along with text in a gallery setting.
    Year
    Related pages We the People
  • Color image of a performer on stage playing the electric guitar. They are leaning over a table, with one arm streched out. Their guitar and jacket are both white. Green and blue lights bathe the columns and walls of the room.
    Color image of a performer on stage playing the electric guitar. They are leaning over a table, with one arm streched out. Their guitar and jacket are both white. Green and blue lights bathe the columns and walls of the room.
    Abasement #78. Performance documentation, June 16th, 2025, Artists Space. Photo: Joshua Wildman. [Color image of a performer on stage playing the electric guitar. They are leaning over a table, with one arm streched out. Their guitar and jacket are both white. Green and blue lights bathe the columns and walls of the room.]
    Caption Abasement #78. Performance documentation, June 16th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Color image of a performer on stage playing the electric guitar. They are leaning over a table, with one arm streched out. Their guitar and jacket are both white. Green and blue lights bathe the columns and walls of the room.
    Year
    Related pages Abasement #78
  • Color photograph of two figures performing in a dark gallery space, lit only by an installation of LED lights covered in dried SCOBY material. One figure wearing black leans down in front of one of the LED lights. Partly hidden behind a column, another figure stands wearing a red suit.
    Color photograph of two figures performing in a dark gallery space, lit only by an installation of LED lights covered in dried SCOBY material. One figure wearing black leans down in front of one of the LED lights. Partly hidden behind a column, another figure stands wearing a red suit.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata [Color photograph of two figures performing in a dark gallery space, lit only by an installation of LED lights covered in dried SCOBY material. One figure wearing black leans down in front of one of the LED lights. Partly hidden behind a column, another figure stands wearing a red suit.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of two figures performing in a dark gallery space, lit only by an installation of LED lights covered in dried SCOBY material. One figure wearing black leans down in front of one of the LED lights. Partly hidden behind a column, another figure stands wearing a red suit.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • Nine fanned announcement cards in assorted colors. Black text on each card announces the Lise Soskolne exhibition at Artists Space, noting the time and exhibition location.
    Nine fanned announcement cards in assorted colors. Black text on each card announces the Lise Soskolne exhibition at Artists Space, noting the time and exhibition location.
    Exhibition announcements (assorted). Artists Space, 1999. Graphic Design: Sara Soskolne. [Nine fanned announcement cards in assorted colors. Black text on each card announces the Lise Soskolne exhibition at Artists Space, noting the time and exhibition location.]
    Caption Exhibition announcements (assorted). Artists Space, 1999. Graphic Design: Sara Soskolne.
    Image description Nine fanned announcement cards in assorted colors. Black text on each card announces the Lise Soskolne exhibition at Artists Space, noting the time and exhibition location.
    Year 1999
    Related pages Lise Soskolne
  • In the foreground a plushie of a cartoon mouse leans on a beaten up Nike Air Force One shoe, and sits on a white carpet. In the background, two panels of white wood, some director's chairs, and a stage light are arranged like a movie set. At the center of the set are two green frog plushies.
    In the foreground a plushie of a cartoon mouse leans on a beaten up Nike Air Force One shoe, and sits on a white carpet. In the background, two panels of white wood, some director's chairs, and a stage light are arranged like a movie set. At the center of the set are two green frog plushies.
    Nandi Loaf, Aristotelis Nikolas Mochloulis, ricardo nagaoka, Sydney Schrader. Installation view, Artists Space, 2025. Photo: Carter Seddon [In the foreground a plushie of a cartoon mouse leans on a beaten up Nike Air Force One shoe, and sits on a white carpet. In the background, two panels of white wood, some director's chairs, and a stage light are arranged like a movie set. At the center of the set are two green frog plushies. ]
    Caption Nandi Loaf, Aristotelis Nikolas Mochloulis, ricardo nagaoka, Sydney Schrader. Installation view, Artists Space, 2025. Photo: Carter Seddon
    Image description In the foreground a plushie of a cartoon mouse leans on a beaten up Nike Air Force One shoe, and sits on a white carpet. In the background, two panels of white wood, some director's chairs, and a stage light are arranged like a movie set. At the center of the set are two green frog plushies.
    Year
    Related pages Nandi Loaf Aristotelis Nikolas Mochloulis Ricardo Nagaoka Sydney Schrader
  • On a muted pink background with a wavy green line running across the page, text in a darker pink and black reads: segue X artists space virtual readings / Zoom meeting ID: 378 232 567 / $5 suggested virtual door: / PayPal/seguefoundation / all proceeds go directly to readers.
    On a muted pink background with a wavy green line running across the page, text in a darker pink and black reads: segue X artists space virtual readings / Zoom meeting ID: 378 232 567 / $5 suggested virtual door: / PayPal/seguefoundation / all proceeds go directly to readers.
    [On a muted pink background with a wavy green line running across the page, text in a darker pink and black reads: segue X artists space virtual readings / Zoom meeting ID: 378 232 567 / $5 suggested virtual door: / PayPal/seguefoundation / all proceeds go directly to readers.]
    Caption
    Image description On a muted pink background with a wavy green line running across the page, text in a darker pink and black reads: segue X artists space virtual readings / Zoom meeting ID: 378 232 567 / $5 suggested virtual door: / PayPal/seguefoundation / all proceeds go directly to readers.
    Year 2020
    Related pages Segue Reading Series: Lonely Christopher & zakia henderson-brown
  • A figure in a suit stands on stage, behind a music stand and speaks into a microphone.
    A figure in a suit stands on stage, behind a music stand and speaks into a microphone.
    Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [A figure in a suit stands on stage, behind a music stand and speaks into a microphone.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure in a suit stands on stage, behind a music stand and speaks into a microphone.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-10
  • A slide projector sits in a dimly lit corner of a gallery space. The device projects an image of rocks and other debris onto a poster hung on the wall, which lists various statistics related to The Letchworth Village, a residential commuinty in Rockland County, New York. A second poster hangs on a wall to the left of the slide projector. A stack of papers rests on a small support below the poster.
    A slide projector sits in a dimly lit corner of a gallery space. The device projects an image of rocks and other debris onto a poster hung on the wall, which lists various statistics related to The Letchworth Village, a residential commuinty in Rockland County, New York. A second poster hangs on a wall to the left of the slide projector. A stack of papers rests on a small support below the poster.
    Salad Days 2. Installation view, Artists Space, 2006. Photo: Bill Ocrutt. [A slide projector sits in a dimly lit corner of a gallery space. The device projects an image of rocks and other debris onto a poster hung on the wall, which lists various statistics related to The Letchworth Village, a residential commuinty in Rockland County, New York. A second poster hangs on a wall to the left of the slide projector. A stack of papers rests on a small support below the poster.]
    Caption Salad Days 2. Installation view, Artists Space, 2006. Photo: Bill Ocrutt.
    Image description A slide projector sits in a dimly lit corner of a gallery space. The device projects an image of rocks and other debris onto a poster hung on the wall, which lists various statistics related to The Letchworth Village, a residential commuinty in Rockland County, New York. A second poster hangs on a wall to the left of the slide projector. A stack of papers rests on a small support below the poster.
    Year 2006
    Related pages Salad Days 2
  • A color image of a figure, seen from behind, performing on stage. The figure sits on a chair and plays the guitar, and the audience is on the background. Red, and purple light fills the room.
    A color image of a figure, seen from behind, performing on stage. The figure sits on a chair and plays the guitar, and the audience is on the background. Red, and purple light fills the room.
    Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman. [A color image of a figure, seen from behind, performing on stage. The figure sits on a chair and plays the guitar, and the audience is on the background. Red, and purple light fills the room.]
    Caption Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman.
    Image description A color image of a figure, seen from behind, performing on stage. The figure sits on a chair and plays the guitar, and the audience is on the background. Red, and purple light fills the room.
    Year
    Related pages Abasement #65
  • Two photographs mounted on a white gallery wall.
    Two photographs mounted on a white gallery wall.
    Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979. [Two photographs mounted on a white gallery wall.]
    Caption Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979.
    Image description Two photographs mounted on a white gallery wall.
    Year 1979
    Related pages Place, (title to be determined), for a Participant: Ken Feingold
  • Caption
    Image description
    Year
    Related pages Milford Graves: Fundamental Frequency
  • Multi-wall drawing of various figures visible in gallery space.
    Multi-wall drawing of various figures visible in gallery space.
    Wall Drawing. Installation view, Artists Space, 1981. [Multi-wall drawing of various figures visible in gallery space.]
    Caption Wall Drawing. Installation view, Artists Space, 1981.
    Image description Multi-wall drawing of various figures visible in gallery space.
    Year
    Related pages Wall Drawing
  • Caption
    Image description
    Year
    Related pages Artists Space: Artists Fund
  • A painting of a lamb figurine.
    A painting of a lamb figurine.
    Brett Reichman, Squeaker, 1991. Oil on canvas, 36 x 36 inches. Courtesy the artist. [A painting of a lamb figurine.]
    Caption Brett Reichman, Squeaker, 1991. Oil on canvas, 36 x 36 inches. Courtesy the artist.
    Image description A painting of a lamb figurine.
    Year 1991
    Related pages Writers Who Love Too Much
  • Four dynamic images of a group of individuals pinned by large push pins on a blue gallery wall.
    Four dynamic images of a group of individuals pinned by large push pins on a blue gallery wall.
    ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [Four dynamic images of a group of individuals pinned by large push pins on a blue gallery wall.]
    Caption ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak
    Image description Four dynamic images of a group of individuals pinned by large push pins on a blue gallery wall.
    Year 2021
    Related pages ART CLUB2000
  • From left to right, a chair rests in front of a glowing TV screen, two larger drawings hang parallel, and two small black-and-white photographs of Ralston Farina hang beside one another.
    From left to right, a chair rests in front of a glowing TV screen, two larger drawings hang parallel, and two small black-and-white photographs of Ralston Farina hang beside one another.
    Ralston Farina: Time // Time. Installation view, Artists Space, 2025. Photo: Carter Seddon. [From left to right, a chair rests in front of a glowing TV screen, two larger drawings hang parallel, and two small black-and-white photographs of Ralston Farina hang beside one another.]
    Caption Ralston Farina: Time // Time. Installation view, Artists Space, 2025. Photo: Carter Seddon.
    Image description From left to right, a chair rests in front of a glowing TV screen, two larger drawings hang parallel, and two small black-and-white photographs of Ralston Farina hang beside one another.
    Year
    Related pages Ralston Farina: Time // Time
  • A barrel, converted into a grill, sits horizontally on a wheeled cart. It is opened, with a silver metallic interior, in the center of the room. On the left, three long planks of glass lean onto the wall. To the right, photographs displayed in a pane of glass sit at eye-level on the wall.
    A barrel, converted into a grill, sits horizontally on a wheeled cart. It is opened, with a silver metallic interior, in the center of the room. On the left, three long planks of glass lean onto the wall. To the right, photographs displayed in a pane of glass sit at eye-level on the wall.
    Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A barrel, converted into a grill, sits horizontally on a wheeled cart. It is opened, with a silver metallic interior, in the center of the room. On the left, three long planks of glass lean onto the wall. To the right, photographs displayed in a pane of glass sit at eye-level on the wall.]
    Caption Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description A barrel, converted into a grill, sits horizontally on a wheeled cart. It is opened, with a silver metallic interior, in the center of the room. On the left, three long planks of glass lean onto the wall. To the right, photographs displayed in a pane of glass sit at eye-level on the wall.
    Year 2018
    Related pages Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff
  • Three performers, from left to right, sit singing, playing the drums, and operating a sound board on stage.
    Three performers, from left to right, sit singing, playing the drums, and operating a sound board on stage.
    Abasement #84. Performance documentation, February 16th, 2026, Artists Space. Photo: Joshua Wildman. [Three performers, from left to right, sit singing, playing the drums, and operating a sound board on stage. ]
    Caption Abasement #84. Performance documentation, February 16th, 2026, Artists Space. Photo: Joshua Wildman.
    Image description Three performers, from left to right, sit singing, playing the drums, and operating a sound board on stage.
    Year
    Related pages Abasement #84
  • A animated cartoon in tones of black, blue, and grey depicting a silhouette of a prisoner with a chain on his leg and hands in the air, facing a large door with multiple locks.
    A animated cartoon in tones of black, blue, and grey depicting a silhouette of a prisoner with a chain on his leg and hands in the air, facing a large door with multiple locks.
    Still from The Last Days of Jack Sheppard (2009). [A animated cartoon in tones of black, blue, and grey depicting a silhouette of a prisoner with a chain on his leg and hands in the air, facing a large door with multiple locks.]
    Caption Still from The Last Days of Jack Sheppard (2009).
    Image description A animated cartoon in tones of black, blue, and grey depicting a silhouette of a prisoner with a chain on his leg and hands in the air, facing a large door with multiple locks.
    Year 2009
    Related pages The Last Days of Jack Sheppard
  • A figure lays face up on a white mattress. His expression is languid and his hair falls over the edge of the mattress.
    A figure lays face up on a white mattress. His expression is languid and his hair falls over the edge of the mattress.
    David Armstrong, Koos, 2003, C-print
    © David Armstrong. Courtesy of the Estate of David Armstrong
    [A figure lays face up on a white mattress. His expression is languid and his hair falls over the edge of the mattress.]
    Caption David Armstrong, Koos, 2003, C-print
    © David Armstrong. Courtesy of the Estate of David Armstrong
    Image description A figure lays face up on a white mattress. His expression is languid and his hair falls over the edge of the mattress.
    Year
    Related pages David Armstrong: Portraits
  • A color image of a pink-hued room inside which an irregularly shaped platform with a reflective surface sits on the ground. Objects such as plants, a fish tank, and tree stumps sit on and around the platform.
    A color image of a pink-hued room inside which an irregularly shaped platform with a reflective surface sits on the ground. Objects such as plants, a fish tank, and tree stumps sit on and around the platform.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022. [A color image of a pink-hued room inside which an irregularly shaped platform with a reflective surface sits on the ground. Objects such as plants, a fish tank, and tree stumps sit on and around the platform.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022.
    Image description A color image of a pink-hued room inside which an irregularly shaped platform with a reflective surface sits on the ground. Objects such as plants, a fish tank, and tree stumps sit on and around the platform.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Caption
    Image description
    Year
    Related pages Exhibitions and Events
  • In front of a large colorful projection, a figure wearing headphones around their neck leans down over musical technology.
    In front of a large colorful projection, a figure wearing headphones around their neck leans down over musical technology.
    SCRAAATCH, Tower of Babel, 2019, Les Urbaines. Photo: Mathilda Olmi [In front of a large colorful projection, a figure wearing headphones around their neck leans down over musical technology.]
    Caption SCRAAATCH, Tower of Babel, 2019, Les Urbaines. Photo: Mathilda Olmi
    Image description In front of a large colorful projection, a figure wearing headphones around their neck leans down over musical technology.
    Year 2019
    Related pages SCRAAATCH 11-19
  • A black and white photograph of two figures standing in a gallery space. The figure on the left looks at the one on the right. In the background, a crowd of people and se veral large wall hangings are visible.
    A black and white photograph of two figures standing in a gallery space. The figure on the left looks at the one on the right. In the background, a crowd of people and se veral large wall hangings are visible.
    Pictures. Opening Reception, Artists Space, September 23, 1977. Sherrie Levine (left), Irving Sandler (right). Photo: D. James Dee. [A black and white photograph of two figures standing in a gallery space. The figure on the left looks at the one on the right. In the background, a crowd of people and se veral large wall hangings are visible.]
    Caption Pictures. Opening Reception, Artists Space, September 23, 1977. Sherrie Levine (left), Irving Sandler (right). Photo: D. James Dee.
    Image description A black and white photograph of two figures standing in a gallery space. The figure on the left looks at the one on the right. In the background, a crowd of people and se veral large wall hangings are visible.
    Year 1977
    Related pages Pictures
  • Black-and-white photograph of a figure, walking in the middle of the frame between two sets of suspended wires that run from across the room. The figures hands manipulate the wires on each side of them.
    Black-and-white photograph of a figure, walking in the middle of the frame between two sets of suspended wires that run from across the room. The figures hands manipulate the wires on each side of them.
    Other Minds, San Francisco. Photo: John Fago [Black-and-white photograph of a figure, walking in the middle of the frame between two sets of suspended wires that run from across the room. The figures hands manipulate the wires on each side of them.]
    Caption Other Minds, San Francisco. Photo: John Fago
    Image description Black-and-white photograph of a figure, walking in the middle of the frame between two sets of suspended wires that run from across the room. The figures hands manipulate the wires on each side of them.
    Year
    Related pages Ellen Fullman & JACK Quartet
  • A figure facing a microphone looks upon a computer with audio software open.
    A figure facing a microphone looks upon a computer with audio software open.
    Eiko Ishibashi: Two New York Nights. Performance documentation, June 8, 2022, 8pm. Artists Space, New York. [A figure facing a microphone looks upon a computer with audio software open.]
    Caption Eiko Ishibashi: Two New York Nights. Performance documentation, June 8, 2022, 8pm. Artists Space, New York.
    Image description A figure facing a microphone looks upon a computer with audio software open.
    Year
    Related pages Eiko Ishibashi in Concert
  • Three figurative paintings hanging on walls in a gallery space.
    Three figurative paintings hanging on walls in a gallery space.
    Patricia Caire. Installation view, Artists Space, 1980. [Three figurative paintings hanging on walls in a gallery space.]
    Caption Patricia Caire. Installation view, Artists Space, 1980.
    Image description Three figurative paintings hanging on walls in a gallery space.
    Year
    Related pages Patricia Caire
  • A photograph of a foggy gallery window. The words on the windowsill read
    A photograph of a foggy gallery window. The words on the windowsill read
    Tiffany Sia, Too Wet (detail view), 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A photograph of a foggy gallery window. The words on the windowsill read "THREAD VII (TOO WET)."]
    Caption Tiffany Sia, Too Wet (detail view), 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A photograph of a foggy gallery window. The words on the windowsill read "THREAD VII (TOO WET)."
    Year 2021
    Related pages Tiffany Sia: Slippery When Wet
  • Three pedestals, covered with fabric scarves and various objects, sit atop a dark floor covering. Framed images hang on the walls. Along the back wall, large windows are adorned with candlesticks.
    Three pedestals, covered with fabric scarves and various objects, sit atop a dark floor covering. Framed images hang on the walls. Along the back wall, large windows are adorned with candlesticks.
    Sixth Anniversary Exhibition. Installation view, Artists Space, 1979. Artwork by Thomas Laningan-Schmidt. [Three pedestals, covered with fabric scarves and various objects, sit atop a dark floor covering. Framed images hang on the walls. Along the back wall, large windows are adorned with candlesticks.]
    Caption Sixth Anniversary Exhibition. Installation view, Artists Space, 1979. Artwork by Thomas Laningan-Schmidt.
    Image description Three pedestals, covered with fabric scarves and various objects, sit atop a dark floor covering. Framed images hang on the walls. Along the back wall, large windows are adorned with candlesticks.
    Year 1979
    Related pages Sixth Anniversary Exhibition
  • In front of a large colorful projection, a figure wearing headphones around their neck leans down over musical technology.
    In front of a large colorful projection, a figure wearing headphones around their neck leans down over musical technology.
    SCRAAATCH, Tower of Babel, 2019, Les Urbaines. Photo: Mathilda Olmi [In front of a large colorful projection, a figure wearing headphones around their neck leans down over musical technology.]
    Caption SCRAAATCH, Tower of Babel, 2019, Les Urbaines. Photo: Mathilda Olmi
    Image description In front of a large colorful projection, a figure wearing headphones around their neck leans down over musical technology.
    Year 2019
    Related pages SCRAAATCH 11-18
  • A color image of a dark room featuring illuminated yellow and orange shapes floating on the wall and reflected on the floor.
    A color image of a dark room featuring illuminated yellow and orange shapes floating on the wall and reflected on the floor.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022. [A color image of a dark room featuring illuminated yellow and orange shapes floating on the wall and reflected on the floor.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022.
    Image description A color image of a dark room featuring illuminated yellow and orange shapes floating on the wall and reflected on the floor.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • An object with tones of tan, blue, pink, and grey sits on a white base. A metal antenna extends out on a diagonal.
    An object with tones of tan, blue, pink, and grey sits on a white base. A metal antenna extends out on a diagonal.
    Not yet titled, 2019
    Clay, glaze, metal antenna
    3 1/2 x 13 x 12 inches (variable)
    $3,500
    [An object with tones of tan, blue, pink, and grey sits on a white base. A metal antenna extends out on a diagonal.]
    Caption Not yet titled, 2019
    Clay, glaze, metal antenna
    3 1/2 x 13 x 12 inches (variable)
    $3,500
    Image description An object with tones of tan, blue, pink, and grey sits on a white base. A metal antenna extends out on a diagonal.
    Year 2019
    Related pages Trisha Baga Edition
  • Purple text against a black-and-white photograph reads
    Purple text against a black-and-white photograph reads
    [Purple text against a black-and-white photograph reads "Magic Episodes / The Letters of Scott Burton / and Eduardo Costa, 1970-1980 / a conversation with David J. Getsy / and Patrick Greaney."]
    Caption
    Image description Purple text against a black-and-white photograph reads "Magic Episodes / The Letters of Scott Burton / and Eduardo Costa, 1970-1980 / a conversation with David J. Getsy / and Patrick Greaney."
    Year
    Related pages Magic Episodes: The Letters of Scott Burton and Eduardo Costa, 1970–1980
  • A number of dark paper-thin objects are visible in the foreground and a netted covering with small pieces of string dispersed around it with light emanating from behind can be seen in the upper section of the image.
    A number of dark paper-thin objects are visible in the foreground and a netted covering with small pieces of string dispersed around it with light emanating from behind can be seen in the upper section of the image.
    Kevin Labadie. Installation view. Artists Space, 1983. [A number of dark paper-thin objects are visible in the foreground and a netted covering with small pieces of string dispersed around it with light emanating from behind can be seen in the upper section of the image.]
    Caption Kevin Labadie. Installation view. Artists Space, 1983.
    Image description A number of dark paper-thin objects are visible in the foreground and a netted covering with small pieces of string dispersed around it with light emanating from behind can be seen in the upper section of the image.
    Year
    Related pages Installation: Paul Hunter, Jonathan Kessler, Kevin Labadie, Tim Maul, Fred Szymanski, and Stephen Whisler
  • A black and white image of two couches set in front of a TV monitor on a pedestal and two speakers installed on either side of it. The TV screen is on, but no clear image is visible on it. A door to exit is visible in the background.
    A black and white image of two couches set in front of a TV monitor on a pedestal and two speakers installed on either side of it. The TV screen is on, but no clear image is visible on it. A door to exit is visible in the background.
    Too Black, Too Strong! Installation View, Artists Space, 1988. [A black and white image of two couches set in front of a TV monitor on a pedestal and two speakers installed on either side of it. The TV screen is on, but no clear image is visible on it. A door to exit is visible in the background.]
    Caption Too Black, Too Strong! Installation View, Artists Space, 1988.
    Image description A black and white image of two couches set in front of a TV monitor on a pedestal and two speakers installed on either side of it. The TV screen is on, but no clear image is visible on it. A door to exit is visible in the background.
    Year 1988
    Related pages Too Black, Too Strong!
  • Four green rectangles arranged in a pinwheel formation on a white background.
    Four green rectangles arranged in a pinwheel formation on a white background.
    Carmen Herrera, Green's Way, 1988. Acrylic on canvas, 42 x 42 inches. Courtesy the artist. [Four green rectangles arranged in a pinwheel formation on a white background.]
    Caption Carmen Herrera, Green's Way, 1988. Acrylic on canvas, 42 x 42 inches. Courtesy the artist.
    Image description Four green rectangles arranged in a pinwheel formation on a white background.
    Year 1988
    Related pages Tony Bechara, Carmen Herrera, Tom Murrin, Mac Wells
  • A man and a woman, facing each other. The woman is yelling, apparently in anger. There is overlaid text at the bottom.
    A man and a woman, facing each other. The woman is yelling, apparently in anger. There is overlaid text at the bottom.
    Michael Robinson. Still from Hold Me Now, 2008. [A man and a woman, facing each other. The woman is yelling, apparently in anger. There is overlaid text at the bottom. "Stay with me" in light blue, and "let lovin start" written twice in white.]
    Caption Michael Robinson. Still from Hold Me Now, 2008.
    Image description A man and a woman, facing each other. The woman is yelling, apparently in anger. There is overlaid text at the bottom. "Stay with me" in light blue, and "let lovin start" written twice in white.
    Year 2008
    Related pages Summer Knowledge: Michael Robinson
  • A figure kneels beside a table and traces their finger along the screen of an iPad. They wear a baseball cap that reads “MAKE TECHNO BLACK AGAIN.”
    A figure kneels beside a table and traces their finger along the screen of an iPad. They wear a baseball cap that reads “MAKE TECHNO BLACK AGAIN.”
    Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [A figure kneels beside a table and traces their finger along the screen of an iPad. They wear a baseball cap that reads “MAKE TECHNO BLACK AGAIN.”]
    Caption Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description A figure kneels beside a table and traces their finger along the screen of an iPad. They wear a baseball cap that reads “MAKE TECHNO BLACK AGAIN.”
    Year 2019
    Related pages Speaker Music: drape over another
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    Image description
    Year
    Related pages Abasement #82
  • Two girls stand, cutting threads, while working on a handmade chandelier. The chandelier has a small number of flower petals, with a purple rose in the center
    Two girls stand, cutting threads, while working on a handmade chandelier. The chandelier has a small number of flower petals, with a purple rose in the center
    Collaborative team working on chandelier, 2018 [Two girls stand, cutting threads, while working on a handmade chandelier. The chandelier has a small number of flower petals, with a purple rose in the center]
    Caption Collaborative team working on chandelier, 2018
    Image description Two girls stand, cutting threads, while working on a handmade chandelier. The chandelier has a small number of flower petals, with a purple rose in the center
    Year 2018
    Related pages Threads of History
  • A female mannequin stands upright in a gallery space. It wears a shiny black wig with bangs, a black polo shirt, and a red skirt with gold lacing that drapes onto its legs. A red, fabric cut-out hangs from the bottom edge of the skirt, draping against the mannequin's left leg.
    A female mannequin stands upright in a gallery space. It wears a shiny black wig with bangs, a black polo shirt, and a red skirt with gold lacing that drapes onto its legs. A red, fabric cut-out hangs from the bottom edge of the skirt, draping against the mannequin's left leg.
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [A female mannequin stands upright in a gallery space. It wears a shiny black wig with bangs, a black polo shirt, and a red skirt with gold lacing that drapes onto its legs. A red, fabric cut-out hangs from the bottom edge of the skirt, draping against the mannequin's left leg.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description A female mannequin stands upright in a gallery space. It wears a shiny black wig with bangs, a black polo shirt, and a red skirt with gold lacing that drapes onto its legs. A red, fabric cut-out hangs from the bottom edge of the skirt, draping against the mannequin's left leg.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
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