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[A series of booklets with monochrome covers sit in stacks on the interior of a windowsill. Each of the booklets' covers displays thin text spelling out various names, including "Ian Wallace," "Carolyn Christov-Bakargiev," and "G. M. Tamás."] -
Elephant Cemetery. Installation view, Artists Space, 2007. [A wide wooden worktable is installed in a gallery space. Various papers, books, models, and a small television set are displayed on the table. A series of black and white photographs are installed on the two gallery walls that surround the table.] -
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Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photo of an installation work. A row of structural columns cut through the installation. In the foreground, a kinetic scutlpure featuring a sock being dipped into a pot sit on the floor next to a column. Behind the first column, two windows with images painted on the glass hang from the ceiling. Behind the windows, ceramic sculptures and kinetic sculptures featuring branches surround another column. To the right of the ceramic sculptures and branch sculptures, large paper-mache sculptures rest on the floor and hang on the walls. In the right forground, a large drawing done on craft paper featuring a cow hangs on the wall. In the background, two large drawings done on cardboard are hung from a wooden partition wall.] -
[Stamped yellow text spelling out "W.A.G.E" at a slight angle. Underneath that, typed pink text reads, "Working Artists and the Greater Economy."] -
Critical Art Ensemble, Disturbances (London: Four Corners Books, 2012). [The front and back cover of a book; on the front, the title in white and red - on the back, two people in hazmat suits walking through a foggy field.] -
Lizbeth Marano. Third Circle, 1985. [Circular bricolage sculpture in a white-walled gallery space.] -
Amalia Soto, My Apology, 2022. Single-Channel video, 23:59 minutes, wall vinyl. Photo: Steven Cottingham. [Color installation image showing a video monitor mounted on a wall which is covered in tiled images of YouTube pages. A pair of wired headphones is hanging to the right of the monitor.] -
Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Shala Miller, Genesis, 2023), Artists Space, 2023. Photo: Filip Wolak. [Three hanging projector screens surround the middle of a darkened gallery space. The two screens on the right and left side depict a black-and-white video still of a figures face, illuminated on one side by a bright flash of light. The third screen in the middle shows a black-and-white film still of hazy and ghostly tonal modulations.] -
Urban Pornography. Installation view, Artists Space, 2001. [Three framed photographs installed in a gallery space with white walls and wooden flooring. Two lighter photographs of white, industrial buildings are installed one above the other on a freestanding wall on the image's left side. Visible behind and to the right of the freestanding wall is a third, color photograph of a city skyscraper rising out of an urban landscape.] -
Attention Line. Installation view (various flyers and photographs by Johanna Went, c. 1970s-90s), Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [A wall that has various posters, photographs, and collages hanging from it.] -
General Idea: Image Virus, by Gregg Bordowitz, published by Afterall Books, 2010. [A book cover design consisting of a pattern of bright red, green, and blue letter tiles spelling out "AIDS" in square formations. White text overlaid on top of the patterning in the cover's upper left corner reads "General Idea Imagevirus Gregg Bordowitz"] -
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Danica Barboza, Omnia - Mercurial, Interposition. Installation view Galerie Buchholz, Cologne 2019. [On a white wall two artworks on paper and of the same size hang side-by-side. On the left, nine pencil drawings in no order depict the same figure from different angles. On the right, nine small blocks of text with white letters on a black background sit in orderly 3 x 3 rows.] -
Nandi Loaf, WÜNDERBAR, 2025. Artifical tree (monument), custom 4-4-0 model locomotive + semi-autonomous rail system, re-routed grid hardware, ornaments, site-specific electrical circulation. Photo: Carter Seddon [A red light beams from a black toy train as it moves along the train track. Smoke emits from the chimney of the toy train.] -
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Camilo, headline poem, 2019 [A monkey's head is pasted above a drawing of a suit with other pencil markings throughout the image on lined notebook paper. Below the figure is a collaged phrase from newspaper clippings that says "Monkey goes to Harvard."] -
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Shadi Habib Allah, still from S/N: 8F1GNA0021, 2012, single channel HD Video. Courtesy the artist and Green Art Gallery, Dubai. [A side view of two men, facing eachother, in a workshop space. On the left, the man holds a metal object to place it onto the machine sitting inbetween them.] -
Milford Graves: Fundamental Frequency. Installation view (Movements in the Snow, 1990, Herbal Chart, c. 1980), Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak. [A color photograph of a floorbound television monitor, showing a figure in a snow bank. Above is an annotated drawing of a human figure.] -
Hilary Lloyd. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [Two screens are mounted vertically on metal poles that stretch floor to ceiling. The screens show black images with white light spots.] -
The Owl Answers. Performance documentation, February 29, 2020, Artists Space. Photo ©️ 2020 Filip Wolak. [Close up of three figures standing side by side. The figure on the right raises a fist in the air and appears to shout towards the figures on their left. They wear glasses and an intricate, gold and black collar piece. The figure directly to their left gazes downwards, pressing their fingers to their temples.] -
Fifth Season Act, Apotheosically. Performance documentation, May 31, 2012, Artists Space. [A sculpture composed of a large glass pane wedged into the center of a square concrete block sits in a gallery space. A painted canvas is installed in the pane, displaying a large number "5" on its surface, surrounded by peach and pink hues. Various ornaments are installed on the painting or drip from it, such as red string, golden tassles, necklaces, and other ornaments. A brown, dirt-like material is spread on the floor around the sculpture.] -
Entrance to Marble Cemetery. © Paula Court Photography, 2018. [A black metal gate with raised letters that read "New York Marble Cemetery, Incorporated 1831" with several inflatable lobsters attached to the gate.] -
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Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [An entryway with layered, decorative carpets and black-and-white images displayed across the height and length of the wall. A small school desk sits on the left in front of a large bookshelf.] -
Students create cyanotypes from gathered and found materials, 2022 -
Not yet titled, 2019
Clay, glaze, mixed media
7 x 12 x 17 inches (variable)
$5,000
[A brown object with a processing chip imbedded in its front sits on a white base. On top of the object, a small potato sits with a wire attached.] -
Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They have papers taped and placed over their face.] -
Zona. Carga y Descarga, Issue 3, 1973. Courtesy Rosario Ferré. [A blue and yellow promotional flyer with text in Spanish.] -
Listening Room, recorded compositions, collage and ceramics 2025 -
Abasement #72. Performance documentation, October 7th, 2024, Artists Space. Photo: Joshua Wildman. -
Min Joong Art. Installation view, Artists Space, 1988. [A photograph of a gallery space. The right half of the image is taken up by a wall with printed text identifying the exhibitions, "Min Joong Art: A New Cultural Movement from Korea," and, "I Miss the Revolution."] -
Drake Carr: Housecalls. Performance documentation, September 8, 2023, Artists Space at the Armory Show. Photo: Joshua Wildman. [A color image of two figures. The figure in the foreground is blurry, and is looking towards the lower right corner. The figure in the background is focused and is looking straight at the viewer. There is a wooden column on the right.] -
Salad Days. Installation view, Artists Space, 2004. [A rectangular, 3x5 grid hung on a white wall, comprised of close-up photographs of the inside of people's mouths. Just in front of the wall to the left of the photographs, there is a white plinth with a black Converse shoe, a false shin extending out of it, with a metal bone coming out of the top.] -
Hani Rashid, The Early 17th Century, 1985. Mixed media with ink, old paints, acids, chalks, 33 x 24 inches. [Drawing of upside down Christian iconography along with pyramid, desert landscape with white surrouding the images.] -
Abasement #81. Performance documentation, October 20th, 2025, Artists Space. Photo: Joshua Wildman. [An illuminated performer sings into a microphone. ] -
Americo Rossi, Untitled, 2021, digital photography -
Flipside. Installation view, Artists Space, 2004. [A red leather armchair with a coffee table on a gray rug in the corner of a room. On the coffee table, there are several books, a lamp, and an old radio. On the opposite wall, there are three photographs each showing the view out of three different windows.] -
Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure is shown in profile speaking into a microphone, sitting behind a table and working on a laptop.] -
Alaa, Nature Dress, 2022, acrylic on paper -
Brad Kronz. Installation view, Artists Space, 2025. Photo: Carter Seddon -
Michael Asher, Untitled. Installation view, Artists Space, 1988. [In the corner of a room, close to the ceiling, is an industrial light fixture. The lightbulb is on and faces up towards the ceiling.] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [A figure in a blue morph suit kneels down on one knee, placing their hands on top of a table made of wood and fresnel lenses while audience members watch in the background.] -
Artists Draw. Installation view, Artists Space, 1979. [Six framed drawings are hung in a row on a white wall.] -
Terry Fox: All These Different Things Are Sculpture. Installation view, Artists Space, 2024. Photo: Filip Wolak. [A color image of the corner of a gallery space. On the left wall there is a line of nine polaroid photographs, evenly spaced and hung about five feet from the light wooden floor. The right wall features a frame from a video being played from a projector. The black and white film frame shows the interior of an industrial space, the exposed ceiling rafters and brick wall. ] -
[Black text on a grey background. The text reads: “Dec 13 / Michael Gottlieb / Susan Landers.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
Flyer for Segue Reading Series featuring Jesse Darling and Fiona Alison Duncan. February 19, 2022, Artists Space. [Black text overlays a blue background. The top left corner reads: Jesse Darling / Fiona Alison Duncan. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, February 19, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5."] -
Whatever Happened to Sex in Scandinavia (2011). Knut Ove Arntzen, Stan Brakhage, Marta Kuzma and Pablo LaFuente. [A grayscale image of two naked people, kneeling on the ground of an untidy room. They are embracing, with their foreheads pressed together. Behind them there is a window and a typewriter on a stand.] -
Still from Werner Schroeter, Maria Callas Portrait, 1968 [A black-and-white photo of a woman wearing a large black hat, holding her hand loosely to her neck, against a black background.] -
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Attention Line. Installation view, Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [An image of a glass display case, above which several drawings hang from the wall.] -
ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A view of multiple works including a black and white image on a beige wall, CRT monitors displaying individuals in a bluish hue, a tulip chair against a seafoam colored wall, and a single viewing station.] -
MS 324 group work, collaborative drawing, 2019 [Five people's hands work on a colorful, abstract drawing with the drawing at the center of the image on a wooden table.] -
Judy Rifka. Installation view, Deborah S. Freedman, Judy Rifka and Ernest Silva, Artists Space, 1975. [A black and white photograph of a dark geometric painting over a wooden background.] -
Flyer for The Rapture, Sunday, December 6, 2020, Artists Space. [A drawing of a group of skeletons, dancing and playing instruments. In the center of the image, a red banner features black text that reads "The Rapture".] -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure dressed in white, laying down on a window ledge facing the street. They raise on arm up and a white light shines from their pelvic area.] -
Carolyn Lazard. Still from Untitled, 2020. [A gas fireplace turned on is framed with a strip of faux white marble on either side. The flames are yellow and white with glowing orange embers at their base. A yellow caption appears at the base of the fireplace with the following text in between musical notes: Where my dreams await someone to share.] -
Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979. [Two photographs are mounted on a white gallery wall.] -
Chinatown Art Brigade and The Illuminator Here to Stay, September 24, 2016 Courtesy Chinatown Art Brigade. Photo: KahEan Chang [A view of Chinatown at night, with a projection onto a side of the building that reads, in handwritten text, "Gentrification Is Modern Colonialism! #ChinatownNot4Sale". The top of a BigBus tour bus is partially visible at the right corner of the frame.] -
I Thought I Had Time. Installation view, Artists Space, 1992. [A cross-shaped panel installed on a white wall. The left arm of the panel is painted gray, while its vertical bisector is painted a dark black color. The right arm of the panel features a collage of three identical black and white images of a doctor wearing protective gloves while injecting a figure's arm with a syringe.] -
Abasement #66. Performance documentation, October 9, 2023, Artists Space. Photo: Joshua Wildman. [Color image of two figures facing each other, performing. The figure on the left holds a ramrod on his left hand, and is sitting on a chair. In front of the figure, there is a table with unusual instruments made of wood. The second figure is on the right. They are holding a microphone. In the background, audience members face the performers. The room is illuminated by red light.] -
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Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure stands behind a microphone, smiling and looking off into the audience.] -
Flyer for Segue Reading Series featuring Lauren Russell & Teri Cross Davis. May 14, 2022, Artists Space. [Black text overlays a white background with purple bunches of flowers in the upper left and bottom right corners. The top left corner reads: “Lauren Russell / & Teri Cross Davis / May 14, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”] -
[A fruit salad with watermelon, oranges, berries, and more in a metal dish, as if at a deli station. Overlaid white text in script reads "Salad Days."] -
Pictures. Installation view, Artists Space, 1977. Photo: D. James Dee. [A black and white installation photograph of three framed drawings on a white wall. The center frame is a pared down sketch of a column, and the flanking frames feature feature a simple croshatch of four lines, topped with a fifth.] -
Demonstrations outside the opening of Witnesses: Against Our Vanishing, Artists Space, 1989 [Protesters standing in a line hold a variety of signs with statements such as "Helms impedes the 1st Amendment," "Obscene Art?", "I have no taste," and "No taxation without artistic representation"] -
Abasement #76. Performance documentation, March 3rd, 2025, Artists Space. Photo: Joshua Wildman. [Color image of two performers, shot from behind the stage looking out to the audience. The musician on the left is bent down with their arms out and their back is facing the camera. The musician on their right is signing into a microphone. Multiple rows of audience members are facing the stage. A bright light from the back of the room creates a glare in the image. The room is dark and it is tinted yellow and pink.] -
Yasunao Tone Concert #3. Performance documentation, March 16, 2023, Artists Space. Photo: Destiny Mata [Color image of a figure on a black stage, seated behind a white desk. They are looking attentively at a laptop screen in front of them which is open to a computer program.] -
Flyer for Segue Reading Series featuring Evan Kennedy and Jennifer Nelson. Saturday, November 28, 2020, Artists Space. Artist: Keith Higginbotham [Two figures are pictured side by side in matching clothes. A cutout picture of a head, its mouth wide open, is collaged on top of the figure on the left side. White and black text over the image reads "Evan Kennedy / Jennifer Nelson / Segue."] -
Drake Carr, Colin and Brandi at Home, 2023. Colored pencil, ink, acrylic on paper. 48 x 60 inches. Image courtesy Artists Space, New York. Photo: Filip Wolak. [A colorful drawing depicts an image with blue and yellow background, and two elegant figures sitting on a red couch. They are both looking towards the viewer. On the right, a female-presenting figure wearing a pink suit has her legs up on the couch. The male-presenting figure is on the left. He is cross-legged and wearing a black suit. At their feet, a cat stretches.] -
Liz Deschenes Ibry's timetable 1878 (Paris - Lyon), 2018, UV print on photogram, 8 x 14 inches, Signed edition of 100, 5APs, Courtesy of the artist. [Black and white chart tracking the movement of trains through major cities in France. Text at the bottom of the chart reads "Fig. 7. Graphique de la marche des trains sur un chemin de fer, d'après la méthode de Ibry."] -
Social Surfaces. Installation view, Pearl River Mart, 2017. Photo: Ron Amstutz. [A view of paintings and photographs across three walls in the space. Black columns divide the room; to the left, a sculpture is displayed on the ground.] -
Laurie Anderson, Whirlwind, 1996. Disk, 48 speakers, electronics, computer program. [A black and white image of a large room with a round black disk suspended from the ceiling over a gray circle in the floor. It is lit from above by mounted lights.] -
Adjua Gargi Nzinga Greaves, For Aricka, Ayana, Ayodele, Bernice, Chantelle, Charmaine, Cynthia Ch., Cynthia Co., Daphne, Davina, Dawn, Dina, Emily, Erica, Evadne, Frances, Gail, Gwen, Hara, Heather, Imanei, Imani, Janet, Jenny, Kadija, Kahdeidra, kale, Kelly, Kenya (R), LesLes, Lois, Lynnette, Madeleine, Mahogany, Marsha, Maiya, Najela, Nontsi, Ola, Pilar, Queen, RaFia, Ro-Ro, Sandra, Sasha, Serenity, Shana, Simone L, Simone W, Tabitha, Taiyi, Trinity, Uchenna, Vivian, Wangechi, X, Yvette, Zuri, detail, 2021. Living plants: Hannibal (Epipremnum aureum) with rose quartz, Gertrude Deuxieme (Tillandsia xerographica), Leonie (Philodendron totem), Eversley Deuxieme (Tillandsia xerographica), Melford (Epipremnum aureum) with amethyst; dessicated floral matter (eucalyptus, grass, willow, palm), knight on horseback figurine, brass candlesticks, polystyrene, porcelain and 18 karat gold plates, crystals (various), bamboo earrings, jade, cremains, leather, cork, glass, dragon figurine, sandalwood incense and ceramic holder, palo santo (Bursera graveolens), and window, overall dimensions variable. Courtesy Artists SPace, New York. Photo: Filip Wolak [A candlestick holder, a small glass box and a plate with rocks and leaves sit on a windowsill.] -
Nan Goldin, Suzanne and Phillippe on the train, Long Island, 1992, Framed C-print, 16 x 20 in / 41 x 51 cm, Edition 1 of 100, Signed & Numbered. [Two people sit with a dark blue seat back behind them. One, on the right of the image, looks to the camera with the other lays asleep on their lap across the bottom of the image.] -
Guyton\Walker, Fruit Stickers for Artists Space, 2010, Set of 15 Inkset printed stickers, 6 in / 15,2 cm each, Signed and numbered certificate. [A 3x5 grid of false-color stickers. The top four rows depict fruits cut in half resembling a grapefruit or orange. The last row depicts a coconut cut in half. A handful of stickers have a think line of black and white checkerboard pattern added to the perimeter of the fruit.] -
Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [A figure unpacks various audio and projection equipment onto a table. Blue, purple and pink washes of light are projected onto them.] -
Ed Levine. Installation view, Artists Space, 1980. [View of a wall construction in a gallery setting.] -
Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata [Color photograph of two figures performing in a dark gallery space, lit only by an installation of LED lights covered in dried SCOBY material. One figure wearing black leans down in front of one of the LED lights. Partly hidden behind a column, another figure stands wearing a red suit.] -
Abasement #67. Performance documentation, January 15, 2024, Artists Space. Photo: Joshua Wildman. [Color image of a musician on stage, seated in a chair, holding an instrument that appears to be a guitar across their lap. To their right, a microphone is positioned close to an amp. Their feet control several pedals placed on the floor. Their long blonde-brown hair falls down over their chest and back as they gaze down in deep focus at the instrument in their lap. Behind the musician, a diamond-shaped, geometric pattern, outlined in bright pink is projected on the back wall. ] -
Irene Fortuyn and Robert O'Brien. Atlantis, 1984. [A sculpture with a large pointy top appears on a black pedestal appear in a white-walled gallery space.] -
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Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A string of light bulbs decends from the celing of an exhibition space, with the end of its wiring resting on the ground below. A framed image of a figure's face is installed high on the wall directly behind the light string. A small cardboard box with gold details sits on the ground to the right of the light string.] -
[A woman dressed in a suit sits among clouds in a blue sky, smiling, with six arms. Each hand is holding two phones, an alarm clock, globe, laptop, and folder.] -
[A warm-colored living space littered with discarded wrapping paper and boxes. A champagne bottle sits on a side table next to an orange couch.] -
Goodman, Ken. [A sculpture is seen on the left leaning on a platform and on the right is a painter's palette lying next to it.] -
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Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure kneels down on all fours on the stage, setting up audio equipment. Blue and red lights are cast onto them.] -
Ruben Ulises Rodriguez Montoya, Gloria Gloria, Balenciaga 2010 FW/RTW by Nicolas Ghesquiere, and Kate Moss as a hologram for Alexander McQueen, 2022 [Color image of the corner of a gallery space with three hanging sculptures. The sculptures are made of pigmented silicone, old clothes, zip ties and various other found materials. The sculptures are mainly made of white materials, and feature anthropormorphic and abstracted forms.] -
Tom of Finland, Reference Pages, ca.1966 – 90. Collage on paper. Courtesy Tom of Finland Foundation. [A book case displaying 5 paper collages of men's portraits.] -
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McArthur Binion, Jonathan Borofsky, Mary Obering. Installation view, Artists Space, 1973. [A black and white installation photograph of a tall stack of papers in a gallery space.] -
She Who Is: Adrienne Kennedy and the Drama of Difference. February 29, 2020–September 19,2020. Image courtesy of Artists Space, New York. Photo: Filip Wolak [A close up image of vinyl text installed on a gallery wall. The header of the text reads, "She Who Is / Adrienne Kennedy and the Drama of Difference." Past this gallery wall, a large exhibition space is visible. Several old Hollywood films are projected on the space's far gallery walls.] -
Traditions: Five Painters. Installation View, Artists Space, 1978. [Two pieces hang on a wall.] -
Left: Andrew Siedenburg, Material Support, 2022. Masking tape, charcoal, and construction fasteners on gessoed luan. Right: Andrew Siedenburg, Doghouse with Tin Snips, 2022. Masking tape, charcoal and constructions fasteners on gessoed watercolor paper over masonite. Photo: Steven Cottingham. [Color photograph of two works with white, black, brown and grey hues hanging on the wall side-by-side.] -
[A posterr with the silhouette of a man in the middle, dressed like a cowboy. Before him appear blue scan-lines, as if on a television set, which are boxed off into several rectangles.] -
Hito Steyerl, Liquidity, Inc., 2014 HD video with sound, 30 mins. Courtesy the artist and Andrew Kreps, New York. Installation view from Hito Steyerl, Artists Space, 2015 [An angled view of a large video monitor screen positioned on the ground behind a collumn. The room is tinted blue. Three pairs of pipe-frame panels visible in the front and both sides of the screen, which projects a video-still of a composited frame that includes computer generated images of the ocean.] -
Martin Beck, An Organized System of Instructions (Carpenter Center for the Visual Arts and Sternberg Press, 2017). [A hardcover book depicting a blueish outdoor park obscured by several grey sheets.] -
Abasement #76. Performance documentation, March 3rd, 2025, Artists Space. Photo: Joshua Wildman. [Color image of three performers on stage. In the foreground a performer is sitting down, blowing into a device, in front of various types of audio technology. Their face is tinted with pink light. Behind them two performers are out of focus, one of them is wearing a costume, the other is facing the camera. In the background there are audience members and projections on the walls.] -
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Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013. [A close up view of a sculpture of a man holding a book. The man's hand holds the spine of a book close to his purple shirt.] -
John Neff, Tony Greene Movie, 2016. Photo: Daniel Pérez. [Two blue chairs face a monitor that displays a still image of framed windows in which three curtains have been tied to look like bodies in dresses.] -
Lyndon Barrois Jr., Guardians Gate (Farfanicchio), 2022; Masters of Fine Arts, 2011/2022. Wood, latex paint, antique brass elements, cast iron, oil paint, twigs, brass, burlap, packing felt; oil on canvas, artist frame, solvent transfer, plywood, curtains, frames, lights, easels, conservators coat, headlamp. Dimensions variable. Photo: Filip Wolak [A color photograph of a door with multiple nested smaller doors within the doorframe. Each individual doorway is framed with a gold outline. To the left are several empty picture frames and two studio lights. In front of dark green curtains is a painting set in a gold frame.] -
Abasement #81. Performance documentation, October 20th, 2025, Artists Space. Photo: Joshua Wildman. [A performer wears a suit adorned with large appendages and plays a stringed instrument. The stage and wall behind it are bathed in blue light. ] -
Konrad Lueg Babies , 1967 80 copies + 40 artists proofs, signed and numbered screen print on cardboard, 59 x 83 cm Courtesy of Edition Block, Berlin [Six rows of six small, faded images of a child in various poses, positioned at left center of frame.] -
Model Modernisms. Installation view, Artists Space, 2005. [The corner of a gallery space. At the base of the corner, where both walls meet the floor, a small area of the wall has been removed and replaced with the materials from another building's wall, displayed in a cross-section. Several black and white, framed photo-collages hang on the wall to the right of the corner.] -
Photo: Stephen Barker. [A male figure sits inside a crowded room with lots of wooden chairs, and large paintings and posters hung on the walls. Light streams in from the windows in the back.] -
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Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A brown paper bag, opened and placed at an angle, with colored pencil illustrations of a balding man wearing sunglasses and a blue collared shirt, face slightly covered by a translucent red figurative silhouette, and along the other side of the bag, a white daisy with a long green stem.] -
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Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Overview of a gallery space depicting three plexiglass timelines, 1993-1995, and one black display case.] -
The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich. [Three metal cutouts of hands hold neon green cards displayed on a white wall. The hand on the rightmost side of the wall is holding up its middle finger.] -
Susan Eder. Installation view, Artists Space, 1976. [A black and white installation view of small photographs with wide white matting, affixed in a grid formation on a wall in a gallery.] -
The Serving Library. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A large number of framed posters, photographs, and other ephemera of varying sizes hang on a white gallery wall. A poster hung on the left side of the wall has large black lettering that reads: "THE TEMPERAMENTAL BAROMETRIC CONTORTIONIST!" A white pole is situated at the center of the space, in front of the exhibition wall.] -
Still from The Last Days of Jack Sheppard (2009). [A white bust with a plaque reading "DEFOE" below it. Slightly offset and partially in shadow is a man seen in profile, dressed identically to the bust with a powdered wig.] -
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Ken Aptekar, Fuck Me? Fuck You, 1990. Oil on wood, sandblasted glass, bolts, polyptych, 60 x 60 inches overall. [Two suits of armor face one another, with a medieval-style battle scene in the background. The words "FUCK ME? FUCK YOU FUCK ME? FUCK YOU" form a circle on top of the scene.] -
Eric Mitchell, Mass Homocide, 1977. Advertisement, Artists Space. [A polaroid photo depicts a figure pointing a gun at another figure, who is kneeling on the ground with their head down. On the right, handwritten in red ink are the words "Oct/Nov 77 / Mass Homocide / Eric Mitchell / 206 E 10 st / NY, NY 10003.] -
When Time Becomes Form: The Money Mountain. Installation view, Artists Space, 2008. [Roughly two dozen stuffed laundry bags, piled up against a wall. The bags are white and are each imprinted with a large black dollar sign.] -
Tiffany Sia, In Plain Sight (detail view), 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A photograph of a gallery space with eight photographs and print-outs hung on the walls next to a wooden bench. In the foreground, there is an orange LED light on the floor.] -
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David Armstrong, Enrique, 2003, Silver Gelatin Print. © David Armstrong; Courtesy of the David Armstrong Estate -
Nicole Eisenman, Never Forget Kissing in Bars, 2020, 23.4 x 16.5 inches [Black and white illustration of two people sitting at a square table, their bodies leaning forward, cheeks pressed to the tabletop while kissing. A half-empty bottle of wine and two wine glasses are positioned on the corner of the table. Below, sans serif text reads "Never Forget Kissing in Bars", "Spring 2020." Purple text at the bottom of the poster reads "2020Solidarity - Nicole Eisenman". Along the bottom right, a vertically oriented text reads "A Project by Between Bridges."] -
LIFE—a group show, curated by Arnold J. Kemp. Installation view, Artists Space, 2025. Photo: Carter Seddon [Along the gallery wall is an assemblage of objects hanging off the wall and to the floor connected by metal thread. Further down the wall is a painting, a plinth of colorful sculptures, a framed artwork, and a television playing a video in the corner. In the back is a glimpse of an alcove with three artworks appearing as colorful stripes, grey and yellow on the wall, and black on the floor. ] -
virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of a gallery space. On the left, a large piece of grey and white vinyl hangs from the wall. A row of dark metal columns occupies the center of the space, extending back to a perpendicular section of grey metal scaffolding. On the right of the space there is a large grey table with four red chairs. The table holds a stack of yellow posters and two smaller stacks of grey handouts. The wall on the right has a large window and a blue poster.] -
Abasement #85. Performance documentation, March 2nd, 2026, Artists Space. Photo: Joshua Wildman. [Three performers play various instruments on stage in front of an audience. The stage and wall behind it are bathed in a blue and red striped pattern. ] -
Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Amiri Baraka, Cellar Vigil (Experimental Death Unit #2), 1966), Artists Space, 2023. Photo: Filip Wolak. [The entrance to a gallery space. Two video stills are projected on the wall facing the entrance. The left projector shows a black-and-white film image of two figures in trench coats with paper bags over their heads doing pushups. On the right is a black-and-white film image of a pair of black shoes hanging over a wooden ledge.] -
Danh Vo: Autoerotic Asphyxiation. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A large exhibition space with light wood flooring, wide windows, and white columns fills with gentle daylight. The far windows and walls the space are covered in white, semi-translucent curtains, which gently glow.] -
The Library Vaccine. Installation view, Artists Space, 2014. [A cluster of metal book shelves sit in the middle of the room. Visible are the cubbies of three structures, populated with books of various sizes and colors.] -
Moderns in Mind. Installation view, Artists Space, April 12, 1986 - May 10, 1986. [Two sculptures appear on pedestals in the foreground and a painting is visible in the background in a white-walled gallery space.] -
A New World Order II: Remapping Tales of Desire. Installation view, Artists Space, 1992. [Two maps, one of Asia and one of the Western United States, on red backgrounds positioned side by side. Black and white photographs are overlaid on particular cities in each map.] -
Ralston Farina: Time // Time. Installation view, Artists Space, 2025. Photo: Carter Seddon. [Two colorful drawings are exhibited on a black wall. On the left, a series of open boxes is drawn in red. To the right, the drawing is crowded with the depiction of an open book, airplanes, and multicolored boxes. Both drawings are signed with F-.] -
Aristotelis Nikolas Mochloulis, Aristotelis Nikolas Mochloulis, 2025. Marionette. Photo: Carter Seddon. [A marionette wearing a black suit, collared shirt, and white Nike Air Force 1s is positioned laying prone on a windowsill. Red curtains cover half of the window behind the marionette. In the corner, a small stage lights is directed at the marionette. Outside of the window is an alleyway with graffiti.] -
Flyer for Segue Reading Series featuring Lila Zemborain and Justin Allen. Saturday, December 4, 2021, Artists Space. [Black text overlays a mauve background. The top left corner reads: "Lila Zemborain & Justin Allen." The center right reads: "Segue Reading Series & ARTISTS SPACE." The bottom left reads: "Saturday December 4 - 5pm, 11 Cortland Alley + Zoom". The image of a 5 dollar bill is placed within the text.] -
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Nina in Position. Installation view, Artists Space, 2008. Photo: Bill Orcutt. [Close up of a small sculpture resting on a square wooden support jutting out from a white gallery wall next to a window. The sculpture has a metallic color and an irregular, round shape, with a tree-bark like texture. A similar sculpture and support are mounted on the other side of the gallery window.] -
Richard Klauber. Installation view, Ruth Hardinger, Richard Klauber, Artists Space, 1975. [A color installation photograph of a black, grey, and white abstract painting on a white wall.] -
Art Day, Photo Club exhibition, PS 140, 2017. [A tile wall with a grid of assorted photographs against a white background. A title to the left of the grid states "Artists Space P.S. 140 Photography Club".] -
Kelly Poe, Leave, Take, Kill, 2004. Courtesy the artist and Anna Helwing Gallery, Los Angeles. [Yellow text on a brown background reading "LEAVE NOTHING BUT FOOTPRINTS / TAKE NOTHING BUT PICTURES / KILL NOTHING BUT TIME."] -
Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a background of pink, green, and yellowed paper. Pieces of yellow paper with typewritten text listing the performers and event details are scattered around the flyer.] -
Susan Eder, c. 1976. From Susan Eder, Matt Mullican, Artists Space, 1976. [A black and white image of two photgraphs on a white surface. The picture on the left is of a pair of swans and the one on the right is of two potted cacti.] -
SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.] -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure dressed in all white, dancing in a corridor bathed in red light.] -
Devin Kenny, Not This, 2018. Single channel video. [A screencapture from a video taken on a phone in Times Square, depicting a person facedown beside a car, still in motion, in the street.] -
Sam Pulitzer: A Colony for “Them”. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A gif of installation images from Sam Pulitzer's, A Colony for "Them."] -
A New World Order III: The Curio Shop. Installation view, Artists Space, 1993. [A black and white photograph of two shelves, each with several Quaker Oats canisters and vases of assorted shapes. Beyond the shelves are several plinths housing objects, and a metal rack with dozens of glass jars.] -
[A paper clipping announcing Parasite's event offerings from 1998, with a dark image of a person looking at a book.] -
Susan Eder, c. 1976. From Susan Eder, Matt Mullican, Artists Space, 1976. [A photograph of a figure with long hair, placed aboce a photograph of several squash.] -
Danh Vo. Installation view from Autoerotic Asphyxiation, 2010. Photo: Daniel Pérez. [A vintage, framed black and white photograph of five priests dressed in all black stiffly pose before the camera for a portrait. The two men sitting closest to the viewer hold hands.] -
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Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [Several wooden chairs placed in front of three monitors installed on two walls of an exhibition space. Each of the monitors displays a film.] -
Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022. [Inside a pink-hued room are three tanker desks and three rolling office chairs in a single-file line. Security monitors with color videos sit on each desk alongside small pieces of clay. In the distance, tree trunks wrapped in fabric rest on the floor and construction nets hang from the ceiling. A wooden structure and an aquarium with purple-colored lights are positioned behind the tree trunks.] -
David Armstrong: Portraits. Installation view, March 10 – May 23, 2026, Artists Space. Photo: Carter Seddon [In an open gallery space, three vitirnes stand surrounded by walls displaying large color photographs with thick black borders. The inner display of a vitrine reveals smaller color photographs.] -
Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt. [A flower arrangement consisting of white flowers and green leaves displayed on a slated, wooden floor. The arrangement is shaped such that it forms a lowercase, italicized letter "a."] -
[A pink trifolded pamphlet with black text opened fully to display information about "Putt-Modernism", an "artist created 18-hole fully playable minature golf course," including a list of participating artists.] -
Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez. [A square painting of a partially nude human figure is visible next to large, orange slug installations attached with black elastic cords onto cast iron columns.] -
Jack Smith, still from Hamlet in the Rented World (A Fragment), 1970-73. 16mm transferred to video, (sound, color), 27 minutes. [A figure wearing all black clothing, a black hood, heavy eyeshadow, and a fake mustache looks at the floor.] -
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Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Malcolm Peacock, How to address the full capacity of our will, 2023), Artists Space, 2023. Photo: Filip Wolak. [A gallery space with a wooden camper structure placed in the left corner. Two wooden ramps lead to the front and side of the structure. A freedstanding walls juts out from the right wall. A white projector hangs from the ceiling on the right side of the space.] -
Fontaine Dunn, Untitled, 1976. From Gary Bower, Fontaine Dunn, Hermine Ford</>, Artists Space, 1976. [A black and white image of a painting. Two triangular shapes are painted on either side of the canvas. The hypotenuse of each triangle is tiered, appearing like stairs. The space between the triangles is painted in a darker shade.] -
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Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of visitors standing around a gallery space, conversing and studying the works on the wall.] -
T.J. Wilcox, I Fell in Love With Vanessa Redgrave, 2010, Perfect bound flip book 4-page cover plus 100 pages, 50 in color, with a text by the artist 3 x 6 1/2 x 3/4 inches, Signed and numbered [An image of a woman with frizzy hair, smiling and looking past the viewer. The image is slightly distorted, as if from a VHS tape.] -
Abasement #68. Performance documentation, February 12, 2024, Artists Space. Photo: Joshua Wildman. [Close-up color image of two performers. Occupying most of the image is a performer in a red robe with only one button buttoned so the middle of their chest is exposed. A necklace with chunky white beads and a silver pendant with a black tassel hangs around their neck and down their bare chest. The performer's right hand is raised up, their head turned down, looking over their left shoulder to the second performer who stands behind them. The performer dressed in red with a bald head holds a microphone in their left hand. On the red-dressed performer's left shoulder, another performer, wearing a bald cap looks up at them. Their right hand is raised, touching the red performer's forearm. Their faces and the wall behind them is illuminated by the bright white light of the projected image. --] -
Judith Barry. In the Shadow of the City (Vampry...). Installation view. Artists Space, 1985. [A video projection on a scrim of an urban environment with a store and a park lot visible with buildings in the background. A standing box with a wire coming from the back is visible and another box with a wire from the back is visible on the right wall. All of this is set up in a gallery setting.] -
Zilia Sánchez. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A light, mauve-colored wall in an exhibition space displays a pink and white canvas. The canvas is slightly three-dimensional, with elements that stretch in or out from its surface. In the background, a cool-toned canvas of a similar style hangs on a wall.] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [A figure in a blue morph suit leans their arms on top of a rolling table made of wood and fresnel lenses, pushing it toward another figure that stands in front of them filming them. In the background a third figure in a blue morph suit sits and leans down on top of a rectangular wooden frame. Blue footage is projected onto the back wall.] -
Robert Gero, Untitled, 1989. Straw, tar. [A vertical rectangle of straw on a white background. The top of the rectangle is covered by an inverted triangle made of black tar.] -
Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman. [Color photo of a large gathering of audience members seated and standing in a dimly lit performance space. The venue is illuminated by white spotted lights from a discoball out of view and soft, pink projections.] -
David Armstrong: Portraits. Installation view, March 10 – May 23, 2026, Artists Space. Photo: Carter Seddon -
The Mind/Body Problem. Installation view, Artists Space, 2006. Photo: Alan Wiener. [A gallery space with two columns. On the right side of the columns is a small platform from which two black curtains hang. Behind that are two stools underneath a mirror mounted on the wall. On the other side of the columns, four paintings hang on a white wall in a line. Just visible beyond the end of the wall is another space with additional paintings hung on that wall.] -
Wolf Vostell Starfighter , 1967 80 copies + 40 artists proofs, signed and numbered screen print with glitter, 53 x 81,5 cm Courtesy of Edition Block, Berlin [A gray-toned illustration of multiple, military missles, lined up next to one another.] -
Keeph Little, Artists Space construction site no.1, 2020, digital photograph Keeph Little, Artists Space construction site no.1, 2020, digital photograph [A window sill with cups, cans and cloth is visible and a crane can be seen outside of the window with the text: "New Holland" written on it. Circular green graffitti is visible on the facade of the building behind the crane.] -
Gedi Sibony Animal Scramble, 2013, Archival inkjet print, 14 1/4 x 13 1/2 in / 36,2 x 34,3 cm (image size), 24 x 20 in / 61 x 51 cm (paper size), Signed and Numbered. [Assorted animals, including tropical fish, birds, reptiles, a cat, dog, and rabbit are drawn in black marker on yellow paper.] -
Audio Works. Installation view, Artists Space, 1978. [A dimly lit room with a black couch against the far wall and a houseplant in the left hand corner. Above the couch are the words "AUDIO WORKS."] -
Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [Tennis players stand in an alleyway, ready to hit balls from an automatic ballfeeder. A crowd watches intently in the background. Suspended above them the words "Social Muscle Rehab" are painted in white capitalized text on black and green signs.] -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a corner space in a gallery, below a staircase, that is bathed in red light. At the bottom of the stairs are a group of performers wearing conical costumes made of reflective one-way mirror film.]
