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  • A black and white image of a man working intently on a machine is projected on a standing screen in an open room.
    A black and white image of a man working intently on a machine is projected on a standing screen in an open room.
    Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A black and white image of a man working intently on a machine is projected on a standing screen in an open room.]
    Caption Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description A black and white image of a man working intently on a machine is projected on a standing screen in an open room.
    Year 2010
    Related pages Duncan Campbell: Make It New John
  • A sculpture of a man holding a book, right leg crossed over left, standing, against a white background. He is wearing a purple shirt, patterned blue shorts, and white sneakers.
    A sculpture of a man holding a book, right leg crossed over left, standing, against a white background. He is wearing a purple shirt, patterned blue shorts, and white sneakers.
    [A sculpture of a man holding a book, right leg crossed over left, standing, against a white background. He is wearing a purple shirt, patterned blue shorts, and white sneakers.]
    Caption
    Image description A sculpture of a man holding a book, right leg crossed over left, standing, against a white background. He is wearing a purple shirt, patterned blue shorts, and white sneakers.
    Year 2013
    Related pages Pride Goes Before a Fall
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    Related pages Membership
  • Four drawings are hung in a row on a white wall. The leftmost drawing shows two women sitting in a living room. The next shows a figure holding their head in their hands. The next depicts two men sitting at a table. The drawing on the far right depicts a man and a woman looking out a window through window blinds.
    Four drawings are hung in a row on a white wall. The leftmost drawing shows two women sitting in a living room. The next shows a figure holding their head in their hands. The next depicts two men sitting at a table. The drawing on the far right depicts a man and a woman looking out a window through window blinds.
    Artists Draw. Installation view, Artists Space, 1979. [Four drawings are hung in a row on a white wall. The leftmost drawing shows two women sitting in a living room. The next shows a figure holding their head in their hands. The next depicts two men sitting at a table. The drawing on the far right depicts a man and a woman looking out a window through window blinds.]
    Caption Artists Draw. Installation view, Artists Space, 1979.
    Image description Four drawings are hung in a row on a white wall. The leftmost drawing shows two women sitting in a living room. The next shows a figure holding their head in their hands. The next depicts two men sitting at a table. The drawing on the far right depicts a man and a woman looking out a window through window blinds.
    Year 1979
    Related pages Artists Draw: Tom Martin, Auste Peciura, Alan Saret, Patti Smith, Nancy Spero
  • A man with a shaved head wearing black pants and a striped collared shirt reads from sheets of paper, speaking into a standing microphone. Two figures sitting at a table behind him turn to gaze towards him as he speaks.
    A man with a shaved head wearing black pants and a striped collared shirt reads from sheets of paper, speaking into a standing microphone. Two figures sitting at a table behind him turn to gaze towards him as he speaks.
    The Friends of Artists Space Dinner, May 8, 2010. Wolfgang Tillmans's laudation. [A man with a shaved head wearing black pants and a striped collared shirt reads from sheets of paper, speaking into a standing microphone. Two figures sitting at a table behind him turn to gaze towards him as he speaks.]
    Caption The Friends of Artists Space Dinner, May 8, 2010. Wolfgang Tillmans's laudation.
    Image description A man with a shaved head wearing black pants and a striped collared shirt reads from sheets of paper, speaking into a standing microphone. Two figures sitting at a table behind him turn to gaze towards him as he speaks.
    Year 2010
    Related pages The Friends of Artists Space Dinner
  • Multiple small, rectangular collages hung in two rows on a gallery wall. The collages are displayed in black frames and feature images of people as well as text fragments. Most are black and white or contain minimal color.
    Multiple small, rectangular collages hung in two rows on a gallery wall. The collages are displayed in black frames and feature images of people as well as text fragments. Most are black and white or contain minimal color.
    Log Cabin. Installation view, Artists Space, 2005. [Multiple small, rectangular collages hung in two rows on a gallery wall. The collages are displayed in black frames and feature images of people as well as text fragments. Most are black and white or contain minimal color.]
    Caption Log Cabin. Installation view, Artists Space, 2005.
    Image description Multiple small, rectangular collages hung in two rows on a gallery wall. The collages are displayed in black frames and feature images of people as well as text fragments. Most are black and white or contain minimal color.
    Year
    Related pages Log Cabin
  • A photograph of a black table next to a black chair. The end of a long sheet of white paper on the table rests on the chair.
    A photograph of a black table next to a black chair. The end of a long sheet of white paper on the table rests on the chair.
    Tiffany Sia, The Bastard Scroll (detail view), 2021. Photo: Filip Wolak [A photograph of a black table next to a black chair. The end of a long sheet of white paper on the table rests on the chair.]
    Caption Tiffany Sia, The Bastard Scroll (detail view), 2021. Photo: Filip Wolak
    Image description A photograph of a black table next to a black chair. The end of a long sheet of white paper on the table rests on the chair.
    Year 2021
    Related pages Tiffany Sia: Slippery When Wet
  • An image of two figures in blue scrubs standing on opposite ends of a sterile table. A medical mannequin on the table is covered in shiny red silk fabric. In the background, there are projections and forms draped in yellow fabric.
    An image of two figures in blue scrubs standing on opposite ends of a sterile table. A medical mannequin on the table is covered in shiny red silk fabric. In the background, there are projections and forms draped in yellow fabric.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court [An image of two figures in blue scrubs standing on opposite ends of a sterile table. A medical mannequin on the table is covered in shiny red silk fabric. In the background, there are projections and forms draped in yellow fabric.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court
    Image description An image of two figures in blue scrubs standing on opposite ends of a sterile table. A medical mannequin on the table is covered in shiny red silk fabric. In the background, there are projections and forms draped in yellow fabric.
    Year 2022
    Related pages Grandmother Cindy
  • A free-standing wall with paintings on it is placed in the middle of a gallery. Iron columnds run down the center of the gallery, and in the background past the wall is a christmas tree decorated with lights.
    A free-standing wall with paintings on it is placed in the middle of a gallery. Iron columnds run down the center of the gallery, and in the background past the wall is a christmas tree decorated with lights.
    Nandi Loaf, Aristotelis Nikolas Mochloulis, ricardo nagaoka, Sydney Schrader. Installation view, Artists Space, 2025. Photo: Carter Seddon [A free-standing wall with paintings on it is placed in the middle of a gallery. Iron columnds run down the center of the gallery, and in the background past the wall is a christmas tree decorated with lights. ]
    Caption Nandi Loaf, Aristotelis Nikolas Mochloulis, ricardo nagaoka, Sydney Schrader. Installation view, Artists Space, 2025. Photo: Carter Seddon
    Image description A free-standing wall with paintings on it is placed in the middle of a gallery. Iron columnds run down the center of the gallery, and in the background past the wall is a christmas tree decorated with lights.
    Year
    Related pages Nandi Loaf Aristotelis Nikolas Mochloulis Ricardo Nagaoka Sydney Schrader
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A black and white image of a girl sitting sideways on stone steps against a wall reading a book. Several more books are piled in front of her.
    A black and white image of a girl sitting sideways on stone steps against a wall reading a book. Several more books are piled in front of her.
    [A black and white image of a girl sitting sideways on stone steps against a wall reading a book. Several more books are piled in front of her.]
    Caption
    Image description A black and white image of a girl sitting sideways on stone steps against a wall reading a book. Several more books are piled in front of her.
    Year 2012
    Related pages Teenage
  • A floating glass display case holding a black and white image, and multiple booklets of text.
    A floating glass display case holding a black and white image, and multiple booklets of text.
    Till They Listen: Bill Gunn Directs America. Installation view featuring various ephemera from Stop, c. 1970, c. 1973, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A floating glass display case holding a black and white image, and multiple booklets of text.]
    Caption Till They Listen: Bill Gunn Directs America. Installation view featuring various ephemera from Stop, c. 1970, c. 1973, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A floating glass display case holding a black and white image, and multiple booklets of text.
    Year 2021
    Related pages Till They Listen: Bill Gunn Directs America
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    Related pages Char Jeré: Zoo or an Orchestra
  • A projection of a close-up image of an unidentified figure's mouth and chin is displayed on a wall of a light-filled gallery space. Two small speakers sit above the projection at its top right and left corners. A series of yellow cards sit in a clear container mounted on the wall to the right of the projector. Bold text printed on the front of the cards reads:
    A projection of a close-up image of an unidentified figure's mouth and chin is displayed on a wall of a light-filled gallery space. Two small speakers sit above the projection at its top right and left corners. A series of yellow cards sit in a clear container mounted on the wall to the right of the projector. Bold text printed on the front of the cards reads:
    Rip It Up and Start Again. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A projection of a close-up image of an unidentified figure's mouth and chin is displayed on a wall of a light-filled gallery space. Two small speakers sit above the projection at its top right and left corners. A series of yellow cards sit in a clear container mounted on the wall to the right of the projector. Bold text printed on the front of the cards reads: "I'M SORRY, BUT THIS IS HOW I LEARN."]
    Caption Rip It Up and Start Again. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description A projection of a close-up image of an unidentified figure's mouth and chin is displayed on a wall of a light-filled gallery space. Two small speakers sit above the projection at its top right and left corners. A series of yellow cards sit in a clear container mounted on the wall to the right of the projector. Bold text printed on the front of the cards reads: "I'M SORRY, BUT THIS IS HOW I LEARN."
    Year 2010
    Related pages Rip It Up and Start Again: William S. Burroughs, Charles Henri Ford, Ray Johnson, Philippe Thomas, Arthur Russell
  • A metal cutout of a hand, holding up its middle finger with others curled back, is installed on a white wall. The hand holds a stack of neon cards. Black text on the front of the top card reads,
    A metal cutout of a hand, holding up its middle finger with others curled back, is installed on a white wall. The hand holds a stack of neon cards. Black text on the front of the top card reads,
    The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich. [A metal cutout of a hand, holding up its middle finger with others curled back, is installed on a white wall. The hand holds a stack of neon cards. Black text on the front of the top card reads, "High five, girls earned the point, they have a good feel."]
    Caption The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich.
    Image description A metal cutout of a hand, holding up its middle finger with others curled back, is installed on a white wall. The hand holds a stack of neon cards. Black text on the front of the top card reads, "High five, girls earned the point, they have a good feel."
    Year 2014
    Related pages The Issues of Our Time
  • A black and white photograph of various objects hanging in a white-walled gallery space.
    A black and white photograph of various objects hanging in a white-walled gallery space.
    Freya Hansell. Installation view, Artists Space, 1980. [A black and white photograph of various objects hanging in a white-walled gallery space.]
    Caption Freya Hansell. Installation view, Artists Space, 1980.
    Image description A black and white photograph of various objects hanging in a white-walled gallery space.
    Year
    Related pages Freya Hansell
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  • A person with their face painted blue, framed by a large black mane of hair.
    A person with their face painted blue, framed by a large black mane of hair.
    Kembra Pfahler. Photo: © Paula Court, 2018. [A person with their face painted blue, framed by a large black mane of hair.]
    Caption Kembra Pfahler. Photo: © Paula Court, 2018.
    Image description A person with their face painted blue, framed by a large black mane of hair.
    Year 2018
    Related pages Garden Party at Marble Cemetery
  • Two figures hold a table with a mannequin on it.
    Two figures hold a table with a mannequin on it.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York. [Two figures hold a table with a mannequin on it.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York.
    Image description Two figures hold a table with a mannequin on it.
    Year
    Related pages Grandmother Cindy
  • Color photograph of the center of a gallery room, in which performers are seated in wooden chairs around the center, alongside three hanging screens that project a video still of a figure's face against a dark background. All around the room, audience members sit on the floor or stand.
    Color photograph of the center of a gallery room, in which performers are seated in wooden chairs around the center, alongside three hanging screens that project a video still of a figure's face against a dark background. All around the room, audience members sit on the floor or stand.
    Shala Miller performs Genesis: Medley at Artists Space, co-presented with Frieze New York 2023. Performance documentation, May 19th. Photo by Vanessa Diaz/CKA. Courtesy of Frieze. [Color photograph of the center of a gallery room, in which performers are seated in wooden chairs around the center, alongside three hanging screens that project a video still of a figure's face against a dark background. All around the room, audience members sit on the floor or stand.]
    Caption Shala Miller performs Genesis: Medley at Artists Space, co-presented with Frieze New York 2023. Performance documentation, May 19th. Photo by Vanessa Diaz/CKA. Courtesy of Frieze.
    Image description Color photograph of the center of a gallery room, in which performers are seated in wooden chairs around the center, alongside three hanging screens that project a video still of a figure's face against a dark background. All around the room, audience members sit on the floor or stand.
    Year 2023
    Related pages Genesis: Medley
  • A bed with a mountain at its center in a partially constructed room with a floor and a single wall. Surrounding it are several framed paintings and empty frames, a bench with fabric piled on it, and a high shelf with a skull.
    A bed with a mountain at its center in a partially constructed room with a floor and a single wall. Surrounding it are several framed paintings and empty frames, a bench with fabric piled on it, and a high shelf with a skull.
    Eileen Neff, Cezanne's Dream, 1992. Mixed media installation. Photo: Erik Landsberg. [A bed with a mountain at its center in a partially constructed room with a floor and a single wall. Surrounding it are several framed paintings and empty frames, a bench with fabric piled on it, and a high shelf with a skull.]
    Caption Eileen Neff, Cezanne's Dream, 1992. Mixed media installation. Photo: Erik Landsberg.
    Image description A bed with a mountain at its center in a partially constructed room with a floor and a single wall. Surrounding it are several framed paintings and empty frames, a bench with fabric piled on it, and a high shelf with a skull.
    Year
    Related pages The Mountain A Bed and A Chair
  • A display of multiple images on a white gallery wall.
    A display of multiple images on a white gallery wall.
    ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A display of multiple images on a white gallery wall.]
    Caption ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A display of multiple images on a white gallery wall.
    Year 2021
    Related pages ART CLUB2000
  • Two figures wearing scrubs hold a piece of red fabric between them.
    Two figures wearing scrubs hold a piece of red fabric between them.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York. [Two figures wearing scrubs hold a piece of red fabric between them.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York.
    Image description Two figures wearing scrubs hold a piece of red fabric between them.
    Year
    Related pages Grandmother Cindy
  • A color image of a white wall with two works made out of cut-out panel. The work on the left is cut in the shape of curtains, which are yellow with pink ruffles. The work on the right is a male-presenting figure posing with one hand above its head, and the other one in its pocket. It's wearing a white jacket, black shorts, pink tights, and black shoes.
    A color image of a white wall with two works made out of cut-out panel. The work on the left is cut in the shape of curtains, which are yellow with pink ruffles. The work on the right is a male-presenting figure posing with one hand above its head, and the other one in its pocket. It's wearing a white jacket, black shorts, pink tights, and black shoes.
    Drake Carr: Housecalls. Installation View (Window Treatment, 2023; Untitled, 2023), Artists Space at the Armory Show, 2023. Photo: Filip Wolak. [A color image of a white wall with two works made out of cut-out panel. The work on the left is cut in the shape of curtains, which are yellow with pink ruffles. The work on the right is a male-presenting figure posing with one hand above its head, and the other one in its pocket. It's wearing a white jacket, black shorts, pink tights, and black shoes.]
    Caption Drake Carr: Housecalls. Installation View (Window Treatment, 2023; Untitled, 2023), Artists Space at the Armory Show, 2023. Photo: Filip Wolak.
    Image description A color image of a white wall with two works made out of cut-out panel. The work on the left is cut in the shape of curtains, which are yellow with pink ruffles. The work on the right is a male-presenting figure posing with one hand above its head, and the other one in its pocket. It's wearing a white jacket, black shorts, pink tights, and black shoes.
    Year
    Related pages Drake Carr: Housecalls
  • A small television on top of a vitrine shows John Berger looking at the viewer. In the vitrine, several books and documents are opened for display.
    A small television on top of a vitrine shows John Berger looking at the viewer. In the vitrine, several books and documents are opened for display.
    Richard Hollis. Installation view, Artists Space, 2013. [A small television on top of a vitrine shows John Berger looking at the viewer. In the vitrine, several books and documents are opened for display.]
    Caption Richard Hollis. Installation view, Artists Space, 2013.
    Image description A small television on top of a vitrine shows John Berger looking at the viewer. In the vitrine, several books and documents are opened for display.
    Year 2013
    Related pages Richard Hollis
  • A black and white image of the exterior of a modern house standing on stilts.
    A black and white image of the exterior of a modern house standing on stilts.
    Eileen Gray, E. 1027, 1926-29. Exterior. [A black and white image of the exterior of a modern house standing on stilts.]
    Caption Eileen Gray, E. 1027, 1926-29. Exterior.
    Image description A black and white image of the exterior of a modern house standing on stilts.
    Year
    Related pages Presence and Absence
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    Related pages Membership
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Malaika Villamizar, Untitled, 2021, digital photography
    Caption Malaika Villamizar, Untitled, 2021, digital photography
    Image description
    Year 2021
    Related pages BRIDGE Photography
  • Color photograph of two framed works that are hung on the wall. The piece on the left contains typed instructions for a musical performance, and the piece on the left contains hand-written notes for another performance.
    Color photograph of two framed works that are hung on the wall. The piece on the left contains typed instructions for a musical performance, and the piece on the left contains hand-written notes for another performance.
    Yasunao Tone: Region of Paramedia. Installation view (Music for Several Composers, Solo for Several Composers, Music for Every Tablaux, and Music for Footpeddal Organ, 1962-64; Diagram for Music for Footpeddal, 1962-64), Artists Space, 2023. Photo: Filip Wolak. [Color photograph of two framed works that are hung on the wall. The piece on the left contains typed instructions for a musical performance, and the piece on the left contains hand-written notes for another performance.]
    Caption Yasunao Tone: Region of Paramedia. Installation view (Music for Several Composers, Solo for Several Composers, Music for Every Tablaux, and Music for Footpeddal Organ, 1962-64; Diagram for Music for Footpeddal, 1962-64), Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photograph of two framed works that are hung on the wall. The piece on the left contains typed instructions for a musical performance, and the piece on the left contains hand-written notes for another performance.
    Year 2023
    Related pages Yasunao Tone: Region of Paramedia
  • A black-and-white photograph of a figure sitting in front of a microphone. The left side of their face and body is in shadow.
    A black-and-white photograph of a figure sitting in front of a microphone. The left side of their face and body is in shadow.
    Production still from Black Picture Show, 1978, picturing Sam Waymon. Photo: Marshall Johnson. Image courtesy of the artist. [A black-and-white photograph of a figure sitting in front of a microphone. The left side of their face and body is in shadow.]
    Caption Production still from Black Picture Show, 1978, picturing Sam Waymon. Photo: Marshall Johnson. Image courtesy of the artist.
    Image description A black-and-white photograph of a figure sitting in front of a microphone. The left side of their face and body is in shadow.
    Year 1975
    Related pages Sam Waymon in Concert
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    Related pages Abasement #77
  • Two figures in dark clothing stand before two music stands in front of a seated audience. The figure on the left speaks, raising up both hands by her face, her fingers making
    Two figures in dark clothing stand before two music stands in front of a seated audience. The figure on the left speaks, raising up both hands by her face, her fingers making
    Passages from People Who Led to My Plays. Performance documentation, March 1, 2020, Artists Space. Photo ©️ 2020 Paula Court. [Two figures in dark clothing stand before two music stands in front of a seated audience. The figure on the left speaks, raising up both hands by her face, her fingers making "air quotes."]
    Caption Passages from People Who Led to My Plays. Performance documentation, March 1, 2020, Artists Space. Photo ©️ 2020 Paula Court.
    Image description Two figures in dark clothing stand before two music stands in front of a seated audience. The figure on the left speaks, raising up both hands by her face, her fingers making "air quotes."
    Year 2020
    Related pages Passages from People Who Led to My Plays
  • A photograph of the exhibition opening reception. A group of visitors look around at the art.
    A photograph of the exhibition opening reception. A group of visitors look around at the art.
    Four Scottish Artists. Opening Reception, Artists Space, 1979. [A photograph of the exhibition opening reception. A group of visitors look around at the art.]
    Caption Four Scottish Artists. Opening Reception, Artists Space, 1979.
    Image description A photograph of the exhibition opening reception. A group of visitors look around at the art.
    Year 1979
    Related pages Four Scottish Artists
  • A darkened gallery space with dark blue walls, dark blue carpeting, and light blue linoleum tiling. In the foreground a bench is centered in front of a large wall projection. The projection depicts a close-up of a newborn black mannequin laying down, being tended to by medical professionals.
    A darkened gallery space with dark blue walls, dark blue carpeting, and light blue linoleum tiling. In the foreground a bench is centered in front of a large wall projection. The projection depicts a close-up of a newborn black mannequin laying down, being tended to by medical professionals.
    Carolyn Lazard: Two-way. Installation view (Fiction Contract, 2025; Borne, 2025), Artists Space, 2025. Photo: Greg Carideo. [A darkened gallery space with dark blue walls, dark blue carpeting, and light blue linoleum tiling. In the foreground a bench is centered in front of a large wall projection. The projection depicts a close-up of a newborn black mannequin laying down, being tended to by medical professionals.]
    Caption Carolyn Lazard: Two-way. Installation view (Fiction Contract, 2025; Borne, 2025), Artists Space, 2025. Photo: Greg Carideo.
    Image description A darkened gallery space with dark blue walls, dark blue carpeting, and light blue linoleum tiling. In the foreground a bench is centered in front of a large wall projection. The projection depicts a close-up of a newborn black mannequin laying down, being tended to by medical professionals.
    Year
    Related pages Carolyn Lazard
  • Contact sheet of installation and opening photos from the exhibition.
    Contact sheet of installation and opening photos from the exhibition.
    Selections from the Unaffiliated Artists File. Installation view, Artists Space, 1982. [Contact sheet of installation and opening photos from the exhibition.]
    Caption Selections from the Unaffiliated Artists File. Installation view, Artists Space, 1982.
    Image description Contact sheet of installation and opening photos from the exhibition.
    Year
    Related pages Selections from the Unaffiliated Artists File
  • A panoramic image of the audience at Artists Space and Decolonize This Place's event, featuring colorful banners on the wall that read
    A panoramic image of the audience at Artists Space and Decolonize This Place's event, featuring colorful banners on the wall that read
    “Chinatown Is Not for Sale.” Artists Space Books & Talks, Saturday, October 22, 2016. Courtesy Decolonize This Place and Artists Space, New York. Photo: Marz Saffore [A panoramic image of the audience at Artists Space and Decolonize This Place's event, featuring colorful banners on the wall that read "ABOLISH WHITE SUPREMACY," "Black Lives Matter", "Don't Play with Apartheid #BDS".]
    Caption “Chinatown Is Not for Sale.” Artists Space Books & Talks, Saturday, October 22, 2016. Courtesy Decolonize This Place and Artists Space, New York. Photo: Marz Saffore
    Image description A panoramic image of the audience at Artists Space and Decolonize This Place's event, featuring colorful banners on the wall that read "ABOLISH WHITE SUPREMACY," "Black Lives Matter", "Don't Play with Apartheid #BDS".
    Year 2016
    Related pages Decolonize This Place
  • A drawing of a multilayered circle. The inner circle reading
    A drawing of a multilayered circle. The inner circle reading
    Immanent Madness. Installation View. Artists Space, 1985-86. [A drawing of a multilayered circle. The inner circle reading "Imminent Madness", the second layer reading " academies, forest, huts, villages, cities," and the outer layer reading, "pleasure, luxury, neccesity, utility, comfort."]
    Caption Immanent Madness. Installation View. Artists Space, 1985-86.
    Image description A drawing of a multilayered circle. The inner circle reading "Imminent Madness", the second layer reading " academies, forest, huts, villages, cities," and the outer layer reading, "pleasure, luxury, neccesity, utility, comfort."
    Year
    Related pages Immanent Madness
  • Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 13 / Alexis Almeida / makalani bandele.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 13 / Alexis Almeida / makalani bandele.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 13 / Alexis Almeida / makalani bandele.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 13 / Alexis Almeida / makalani bandele.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Alexis Almeida & makalani bandele
  • A person working in a small space enclosed by walls, painted red with white text. At the top of the wall, large letters read
    A person working in a small space enclosed by walls, painted red with white text. At the top of the wall, large letters read
    Activated Walls. Installation view, Artists Space, 1993. [A person working in a small space enclosed by walls, painted red with white text. At the top of the wall, large letters read "AZT=DEATH", with a paragraph of text stretching across three walls. Underneath, there are a dozen white pieces of a paper taped up.]
    Caption Activated Walls. Installation view, Artists Space, 1993.
    Image description A person working in a small space enclosed by walls, painted red with white text. At the top of the wall, large letters read "AZT=DEATH", with a paragraph of text stretching across three walls. Underneath, there are a dozen white pieces of a paper taped up.
    Year 1993
    Related pages Activated Walls
  • A figure reads into a microphone, glancing at their phone.
    A figure reads into a microphone, glancing at their phone.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure reads into a microphone, glancing at their phone.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure reads into a microphone, glancing at their phone.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
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  • A magazine cover depicting a grid of international stamps.
    A magazine cover depicting a grid of international stamps.
    The Happy Hypocrite - Freedom Issue 6. [A magazine cover depicting a grid of international stamps.]
    Caption The Happy Hypocrite - Freedom Issue 6.
    Image description A magazine cover depicting a grid of international stamps.
    Year 2013
    Related pages The Happy Hypocrite - Freedom Issue 6, Edited by Lynne Tillman
  • El Bosque Luminoso Baja El Mar, Threads of History Presentations at M.S. 324, May 23, 2022
    Caption El Bosque Luminoso Baja El Mar, Threads of History Presentations at M.S. 324, May 23, 2022
    Image description
    Year 2022
    Related pages Exhibitions and Events
  • Color photograph of a figure dressed in white, laying face down across two ledges of a raised desk.
    Color photograph of a figure dressed in white, laying face down across two ledges of a raised desk.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure dressed in white, laying face down across two ledges of a raised desk.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a figure dressed in white, laying face down across two ledges of a raised desk.
    Year 2022
    Related pages keyon gaskin 12-16
  • A black and white photograph, taken from above, of rows of school desks facing a television with a map behind it.
    A black and white photograph, taken from above, of rows of school desks facing a television with a map behind it.
    Catalogue cover of History Lessons, Joel Katz. [A black and white photograph, taken from above, of rows of school desks facing a television with a map behind it.]
    Caption Catalogue cover of History Lessons, Joel Katz.
    Image description A black and white photograph, taken from above, of rows of school desks facing a television with a map behind it.
    Year 1990
    Related pages Project: History Lessons
  • Black-and-white image of a figure in a long black coat bending down and drawing a hop scotch pattern in an alleyway using white chalk.
    Black-and-white image of a figure in a long black coat bending down and drawing a hop scotch pattern in an alleyway using white chalk.
    Kenji Kanesaka, still from Hop Scotch, 1967 [Black-and-white image of a figure in a long black coat bending down and drawing a hop scotch pattern in an alleyway using white chalk.]
    Caption Kenji Kanesaka, still from Hop Scotch, 1967
    Image description Black-and-white image of a figure in a long black coat bending down and drawing a hop scotch pattern in an alleyway using white chalk.
    Year
    Related pages Yasunao Tone Weekend
  • A view of multiple works displayed in a multilevel gallery space. An old tv monitor, a coffee machine, and an artificial seagull are placed near a yellow boombox sitting on a black rug. Beside the boombox is a large image of a group of individuals in a defaced bedroom.
    A view of multiple works displayed in a multilevel gallery space. An old tv monitor, a coffee machine, and an artificial seagull are placed near a yellow boombox sitting on a black rug. Beside the boombox is a large image of a group of individuals in a defaced bedroom.
    ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A view of multiple works displayed in a multilevel gallery space. An old tv monitor, a coffee machine, and an artificial seagull are placed near a yellow boombox sitting on a black rug. Beside the boombox is a large image of a group of individuals in a defaced bedroom.]
    Caption ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A view of multiple works displayed in a multilevel gallery space. An old tv monitor, a coffee machine, and an artificial seagull are placed near a yellow boombox sitting on a black rug. Beside the boombox is a large image of a group of individuals in a defaced bedroom.
    Year 2021
    Related pages ART CLUB2000
  • A red background with white text which reads:
    A red background with white text which reads:
    [A red background with white text which reads: "WE ARE NOT TOOLS FOR WHITE-WASHING OCCUPATION", followed by the Decolonize This Place Logo.]
    Caption
    Image description A red background with white text which reads: "WE ARE NOT TOOLS FOR WHITE-WASHING OCCUPATION", followed by the Decolonize This Place Logo.
    Year 2016
    Related pages Decolonize This Place
  • Color image of 5 musicians performing in front of blue, pink and yellow projected swirling visuals. From left to right instruments shown are clarinet, vibraphone, trumpet, cello and violin. A small group of audience members are shown in front of the stage.
    Color image of 5 musicians performing in front of blue, pink and yellow projected swirling visuals. From left to right instruments shown are clarinet, vibraphone, trumpet, cello and violin. A small group of audience members are shown in front of the stage.
    Abasement #70. Performance documentation, July 1st, 2024, Artists Space. Photo: Joshua Wildman. [Color image of 5 musicians performing in front of blue, pink and yellow projected swirling visuals. From left to right instruments shown are clarinet, vibraphone, trumpet, cello and violin. A small group of audience members are shown in front of the stage.]
    Caption Abasement #70. Performance documentation, July 1st, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Color image of 5 musicians performing in front of blue, pink and yellow projected swirling visuals. From left to right instruments shown are clarinet, vibraphone, trumpet, cello and violin. A small group of audience members are shown in front of the stage.
    Year
    Related pages Abasement #70
  • A black and white image of four paintings of various sizes displayed against a fence with a thin layer of snow, marked with footprints, beneath them.
    A black and white image of four paintings of various sizes displayed against a fence with a thin layer of snow, marked with footprints, beneath them.
    Front Yard Exhibition Galerie Parnass, Villa Jährling, Moltkestraße 67 February 1964 Photo: Rolf Jährling, Zentralarchiv des internationalen Kunsthandels ZADIK [A black and white image of four paintings of various sizes displayed against a fence with a thin layer of snow, marked with footprints, beneath them.]
    Caption Front Yard Exhibition Galerie Parnass, Villa Jährling, Moltkestraße 67 February 1964 Photo: Rolf Jährling, Zentralarchiv des internationalen Kunsthandels ZADIK
    Image description A black and white image of four paintings of various sizes displayed against a fence with a thin layer of snow, marked with footprints, beneath them.
    Year 1964
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • A photograph features two boxers entangled in front of a faded photo of a house. Blue text on top of the image reads
    A photograph features two boxers entangled in front of a faded photo of a house. Blue text on top of the image reads
    Flyer for Segue Reading Series featuring Zach Haber and Jubi Arriola-Headley. Saturday, October 10, 2020, Artists Space. Artist: Keith Higginbotham [A photograph features two boxers entangled in front of a faded photo of a house. Blue text on top of the image reads "Zack Haber / Jubi Arriola-Headley / Segue."]
    Caption Flyer for Segue Reading Series featuring Zach Haber and Jubi Arriola-Headley. Saturday, October 10, 2020, Artists Space. Artist: Keith Higginbotham
    Image description A photograph features two boxers entangled in front of a faded photo of a house. Blue text on top of the image reads "Zack Haber / Jubi Arriola-Headley / Segue."
    Year 2020
    Related pages Segue Reading Series: Jubi Arriola-Headley & Zack Haber
  • A darkened gallery space with dark blue walls and dark blue carpeting with a large wall projection. The projection depicts a black patient in a blue hospital gown laying down on an examination table. A white doctor holds a stethoscope to the patient’s stomach.
    A darkened gallery space with dark blue walls and dark blue carpeting with a large wall projection. The projection depicts a black patient in a blue hospital gown laying down on an examination table. A white doctor holds a stethoscope to the patient’s stomach.
    Carolyn Lazard: Two-way. Installation view (Vital, 2025), Artists Space, 2025. Photo: Greg Carideo. [A darkened gallery space with dark blue walls and dark blue carpeting with a large wall projection. The projection depicts a black patient in a blue hospital gown laying down on an examination table. A white doctor holds a stethoscope to the patient’s stomach.]
    Caption Carolyn Lazard: Two-way. Installation view (Vital, 2025), Artists Space, 2025. Photo: Greg Carideo.
    Image description A darkened gallery space with dark blue walls and dark blue carpeting with a large wall projection. The projection depicts a black patient in a blue hospital gown laying down on an examination table. A white doctor holds a stethoscope to the patient’s stomach.
    Year
    Related pages Carolyn Lazard
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  • Eight large film stills are mounted on a wall, in two rows of four, leading into a dark hallway where a film projection is playing.
    Eight large film stills are mounted on a wall, in two rows of four, leading into a dark hallway where a film projection is playing.
    Laura Cottingham & The Anita Pallenberg Story. Installation view, Artists Space, 2017. Photo: Daniel Pérez. [Eight large film stills are mounted on a wall, in two rows of four, leading into a dark hallway where a film projection is playing.]
    Caption Laura Cottingham & The Anita Pallenberg Story. Installation view, Artists Space, 2017. Photo: Daniel Pérez.
    Image description Eight large film stills are mounted on a wall, in two rows of four, leading into a dark hallway where a film projection is playing.
    Year 2017
    Related pages Laura Cottingham & The Anita Pallenberg Story
  • Photograph of the left wall of a basement gallery space. In the back nook is a reading room with reading materials displayed on a shelf and a table with seats around it. Further down the wall are multiple projected videos, the projectors are placed on shelves of varying height in a row.
    Photograph of the left wall of a basement gallery space. In the back nook is a reading room with reading materials displayed on a shelf and a table with seats around it. Further down the wall are multiple projected videos, the projectors are placed on shelves of varying height in a row.
    Clocking Out: Time Beyond Management. Installation view, Artists Space, 2023. Photo: Greg Carideo. [Photograph of the left wall of a basement gallery space. In the back nook is a reading room with reading materials displayed on a shelf and a table with seats around it. Further down the wall are multiple projected videos, the projectors are placed on shelves of varying height in a row.]
    Caption Clocking Out: Time Beyond Management. Installation view, Artists Space, 2023. Photo: Greg Carideo.
    Image description Photograph of the left wall of a basement gallery space. In the back nook is a reading room with reading materials displayed on a shelf and a table with seats around it. Further down the wall are multiple projected videos, the projectors are placed on shelves of varying height in a row.
    Year 2023
    Related pages Whitney Independent Study: Clocking Out: Time Beyond Management
  • A large exhibition space with light wood flooring, wide windows, and white columns fills with gentle daylight. The far windows and walls the space are covered in white, semi-translucent curtains, which gently glow.
    A large exhibition space with light wood flooring, wide windows, and white columns fills with gentle daylight. The far windows and walls the space are covered in white, semi-translucent curtains, which gently glow.
    Danh Vo: Autoerotic Asphyxiation. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A large exhibition space with light wood flooring, wide windows, and white columns fills with gentle daylight. The far windows and walls the space are covered in white, semi-translucent curtains, which gently glow.]
    Caption Danh Vo: Autoerotic Asphyxiation. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description A large exhibition space with light wood flooring, wide windows, and white columns fills with gentle daylight. The far windows and walls the space are covered in white, semi-translucent curtains, which gently glow.
    Year 2010
    Related pages Danh Vo: Autoerotic Asphyxiation
  • A color photo of two smiling individuals seated at a banquet table, the person to the right has her hand on another guest's shoulder. The background depicts several other guests out of focus.
    A color photo of two smiling individuals seated at a banquet table, the person to the right has her hand on another guest's shoulder. The background depicts several other guests out of focus.
    The Founders Dinner, 2019. [A color photo of two smiling individuals seated at a banquet table, the person to the right has her hand on another guest's shoulder. The background depicts several other guests out of focus.]
    Caption The Founders Dinner, 2019.
    Image description A color photo of two smiling individuals seated at a banquet table, the person to the right has her hand on another guest's shoulder. The background depicts several other guests out of focus.
    Year 2019
    Related pages Support
  • In a gallery space, a large white overhead LED-style sign acts as both a drop ceiling and overhead lighting. It displays two numbers, a 2 and a 3. Below are a black sofa and, facing it, a small television on a wooden pedestal.
    In a gallery space, a large white overhead LED-style sign acts as both a drop ceiling and overhead lighting. It displays two numbers, a 2 and a 3. Below are a black sofa and, facing it, a small television on a wooden pedestal.
    Contemporary Architecture - an installation by realities:united. Installation view, Artists Space, 2007. Photo: Bill Orcutt. [In a gallery space, a large white overhead LED-style sign acts as both a drop ceiling and overhead lighting. It displays two numbers, a 2 and a 3. Below are a black sofa and, facing it, a small television on a wooden pedestal.]
    Caption Contemporary Architecture - an installation by realities:united. Installation view, Artists Space, 2007. Photo: Bill Orcutt.
    Image description In a gallery space, a large white overhead LED-style sign acts as both a drop ceiling and overhead lighting. It displays two numbers, a 2 and a 3. Below are a black sofa and, facing it, a small television on a wooden pedestal.
    Year 2007
    Related pages Contemporary Architecture - an installation by realities:united
  • A digital print of four books with annotations on each side.
    A digital print of four books with annotations on each side.
    Adjua Gargi Nzinga Greaves, SELF, 2021. Chromogenic print with pigment ink pen, 41 ½ x 41 ½ inches. Courtesy Artists Space, New York. Photo: Filip Wolak [A digital print of four books with annotations on each side.]
    Caption Adjua Gargi Nzinga Greaves, SELF, 2021. Chromogenic print with pigment ink pen, 41 ½ x 41 ½ inches. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A digital print of four books with annotations on each side.
    Year 2021
    Related pages Adjua Gargi Nzinga Greaves
  • A black cord sticks out from underneath a tan carpet. Wires are visible running underneath the carpeted floor throughout the frame.
    A black cord sticks out from underneath a tan carpet. Wires are visible running underneath the carpeted floor throughout the frame.
    The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich. [A black cord sticks out from underneath a tan carpet. Wires are visible running underneath the carpeted floor throughout the frame.]
    Caption The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich.
    Image description A black cord sticks out from underneath a tan carpet. Wires are visible running underneath the carpeted floor throughout the frame.
    Year 2014
    Related pages The Issues of Our Time
  • A collage of eucalyptus sprigs, other plants, and human figures attached to a framed map.
    A collage of eucalyptus sprigs, other plants, and human figures attached to a framed map.
    Adjua Gargi Nzinga Greaves, Autotelemachy, 2017. Collage, 59 x 68 inches. Photo: Filip Wolak [A collage of eucalyptus sprigs, other plants, and human figures attached to a framed map.]
    Caption Adjua Gargi Nzinga Greaves, Autotelemachy, 2017. Collage, 59 x 68 inches. Photo: Filip Wolak
    Image description A collage of eucalyptus sprigs, other plants, and human figures attached to a framed map.
    Year 2021
    Related pages Adjua Gargi Nzinga Greaves
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    Year
    Related pages Performance People
  • A flyer for the event depicting an anti-DAPL protest
    A flyer for the event depicting an anti-DAPL protest
    MTL+. Water Is Life, 2016. Image courtesy the artists [A flyer for the event depicting an anti-DAPL protest]
    Caption MTL+. Water Is Life, 2016. Image courtesy the artists
    Image description A flyer for the event depicting an anti-DAPL protest
    Year 2016
    Related pages Water Is Life
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A gif depicting a person dressed in black with arms outstretched and clasped, moving slowly through a room.
    A gif depicting a person dressed in black with arms outstretched and clasped, moving slowly through a room.
    Hito Stereyl, excerpt from Guards, 2012, HD video on freestanding screen with sound, 20 mins. Courtesy of the artist and Andrew Kreps, New York. [A gif depicting a person dressed in black with arms outstretched and clasped, moving slowly through a room.]
    Caption Hito Stereyl, excerpt from Guards, 2012, HD video on freestanding screen with sound, 20 mins. Courtesy of the artist and Andrew Kreps, New York.
    Image description A gif depicting a person dressed in black with arms outstretched and clasped, moving slowly through a room.
    Year 2012
    Related pages Hito Steyerl
  • Drawing of large square architectural development with half circle surrouding it and a small development above it to the right.
    Drawing of large square architectural development with half circle surrouding it and a small development above it to the right.
    Ian Bader. Spalation Clock, 1977. Axonometric. [Drawing of large square architectural development with half circle surrouding it and a small development above it to the right.]
    Caption Ian Bader. Spalation Clock, 1977. Axonometric.
    Image description Drawing of large square architectural development with half circle surrouding it and a small development above it to the right.
    Year 1977
    Related pages Architecture Project
  • The corner of a small white room features elements implying that it's a bathroom: a sink, a blue trash bin, and a hot-water heater are below while a wall-mounted paper towel holder and a non-reversing mirror hang above.
    The corner of a small white room features elements implying that it's a bathroom: a sink, a blue trash bin, and a hot-water heater are below while a wall-mounted paper towel holder and a non-reversing mirror hang above.
    Beth Campbell, Four Eyes Are Better Than One, 2007. Site-specific installation. Courtesy the artist. Photo: Bill Orcutt. [The corner of a small white room features elements implying that it's a bathroom: a sink, a blue trash bin, and a hot-water heater are below while a wall-mounted paper towel holder and a non-reversing mirror hang above.]
    Caption Beth Campbell, Four Eyes Are Better Than One, 2007. Site-specific installation. Courtesy the artist. Photo: Bill Orcutt.
    Image description The corner of a small white room features elements implying that it's a bathroom: a sink, a blue trash bin, and a hot-water heater are below while a wall-mounted paper towel holder and a non-reversing mirror hang above.
    Year 2007
    Related pages On Being an Exhibition
  • A figure wearing all black lies on their back on a concrete floor. Their hips and knees are lifted off the floor, with their hand holding a dangling microphone by the cord. There is a crowd of people arranged in a semi-circle behind the performer, and disordered empty chairs in the foreground.
    A figure wearing all black lies on their back on a concrete floor. Their hips and knees are lifted off the floor, with their hand holding a dangling microphone by the cord. There is a crowd of people arranged in a semi-circle behind the performer, and disordered empty chairs in the foreground.
    New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court. [A figure wearing all black lies on their back on a concrete floor. Their hips and knees are lifted off the floor, with their hand holding a dangling microphone by the cord. There is a crowd of people arranged in a semi-circle behind the performer, and disordered empty chairs in the foreground.]
    Caption New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court.
    Image description A figure wearing all black lies on their back on a concrete floor. Their hips and knees are lifted off the floor, with their hand holding a dangling microphone by the cord. There is a crowd of people arranged in a semi-circle behind the performer, and disordered empty chairs in the foreground.
    Year 2020
    Related pages New Red Order: Informants Get Paid!
  • A person sits on a wooden chair where there are three arranged, wearing headphones and looks at a TV monitor. The monitor displays a construction landscape in the Middle East.
    A person sits on a wooden chair where there are three arranged, wearing headphones and looks at a TV monitor. The monitor displays a construction landscape in the Middle East.
    Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A person sits on a wooden chair where there are three arranged, wearing headphones and looks at a TV monitor. The monitor displays a construction landscape in the Middle East.]
    Caption Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez.
    Image description A person sits on a wooden chair where there are three arranged, wearing headphones and looks at a TV monitor. The monitor displays a construction landscape in the Middle East.
    Year 2014
    Related pages Laura Poitras: 9/11 Trilogy
  • Two figures dance on stage in black-and-white.
    Two figures dance on stage in black-and-white.
    Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [Two figures dance on stage in black-and-white.]
    Caption Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman
    Image description Two figures dance on stage in black-and-white.
    Year 2022
    Related pages Abasement #61
  • A wide cyclindrical glass bottle with a lightbulb inserted at its opening.
    A wide cyclindrical glass bottle with a lightbulb inserted at its opening.
    Paper Exhibition. Installation view, Artists Space, 2009. Photo: Adam Reich. [A wide cyclindrical glass bottle with a lightbulb inserted at its opening.]
    Caption Paper Exhibition. Installation view, Artists Space, 2009. Photo: Adam Reich.
    Image description A wide cyclindrical glass bottle with a lightbulb inserted at its opening.
    Year 2009
    Related pages Paper Exhibition
  • Color photo of two performers sitting on the ground in a dark venue space that is illuminated by deep red overhead lights. The performers are holding up clear, geometric objects against a neon yellow and blue projection on a wall.
    Color photo of two performers sitting on the ground in a dark venue space that is illuminated by deep red overhead lights. The performers are holding up clear, geometric objects against a neon yellow and blue projection on a wall.
    Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman. [Color photo of two performers sitting on the ground in a dark venue space that is illuminated by deep red overhead lights. The performers are holding up clear, geometric objects against a neon yellow and blue projection on a wall.]
    Caption Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman.
    Image description Color photo of two performers sitting on the ground in a dark venue space that is illuminated by deep red overhead lights. The performers are holding up clear, geometric objects against a neon yellow and blue projection on a wall.
    Year
    Related pages Abasement #64
  • A figure sits behind a table, looking at a laptop, and speaking into a microphone.
    A figure sits behind a table, looking at a laptop, and speaking into a microphone.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure sits behind a table, looking at a laptop, and speaking into a microphone.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure sits behind a table, looking at a laptop, and speaking into a microphone.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
  • A granulated image of a figure's face resembling the Statue of Liberty.
    A granulated image of a figure's face resembling the Statue of Liberty.
    Robert Longo, c. 1976. From Exchange Show: Hallwalls, Buffalo, NY, Artists Space, 1976. [A granulated image of a figure's face resembling the Statue of Liberty.]
    Caption Robert Longo, c. 1976. From Exchange Show: Hallwalls, Buffalo, NY, Artists Space, 1976.
    Image description A granulated image of a figure's face resembling the Statue of Liberty.
    Year 1976
    Related pages Exchange Show: Hallwalls, Buffalo, NY
  • Photograph of the hallway entrance into a basement gallery space. Along the left wall is a clock card machine and time card rack, vinyl text, and a pedestal with printed materials placed on top of it.
    Photograph of the hallway entrance into a basement gallery space. Along the left wall is a clock card machine and time card rack, vinyl text, and a pedestal with printed materials placed on top of it.
    Clocking Out: Time Beyond Management. Installation view (Simon Gush, Clocking In, 2013), Artists Space, 2023. Photo: Greg Carideo. [Photograph of the hallway entrance into a basement gallery space. Along the left wall is a clock card machine and time card rack, vinyl text, and a pedestal with printed materials placed on top of it.]
    Caption Clocking Out: Time Beyond Management. Installation view (Simon Gush, Clocking In, 2013), Artists Space, 2023. Photo: Greg Carideo.
    Image description Photograph of the hallway entrance into a basement gallery space. Along the left wall is a clock card machine and time card rack, vinyl text, and a pedestal with printed materials placed on top of it.
    Year 2023
    Related pages Whitney Independent Study: Clocking Out: Time Beyond Management
  • A color image depicts five figures performing on the street. The five figures are wearing blue or red American flag patterned skirts with different shirts. The center figure holds two shopping bags with the text
    A color image depicts five figures performing on the street. The five figures are wearing blue or red American flag patterned skirts with different shirts. The center figure holds two shopping bags with the text
    Circus Amok, The Patriot Act, 2002, performed for the Summer Parks Tour at Housing Plaza (Harlem). Image courtesy Jennifer Miller [A color image depicts five figures performing on the street. The five figures are wearing blue or red American flag patterned skirts with different shirts. The center figure holds two shopping bags with the text "America: Open for Business" on the front surfaces. The other four figures surround and reach toward the middle figure and the tote bags. A band is playing music in the background.]
    Caption Circus Amok, The Patriot Act, 2002, performed for the Summer Parks Tour at Housing Plaza (Harlem). Image courtesy Jennifer Miller
    Image description A color image depicts five figures performing on the street. The five figures are wearing blue or red American flag patterned skirts with different shirts. The center figure holds two shopping bags with the text "America: Open for Business" on the front surfaces. The other four figures surround and reach toward the middle figure and the tote bags. A band is playing music in the background.
    Year 2002
    Related pages Circus Amok
  • Three metal cutouts of hands hold neon green cards displayed on a white wall. The hand on the rightmost side of the wall is holding up its middle finger.
    Three metal cutouts of hands hold neon green cards displayed on a white wall. The hand on the rightmost side of the wall is holding up its middle finger.
    The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich. [Three metal cutouts of hands hold neon green cards displayed on a white wall. The hand on the rightmost side of the wall is holding up its middle finger.]
    Caption The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich.
    Image description Three metal cutouts of hands hold neon green cards displayed on a white wall. The hand on the rightmost side of the wall is holding up its middle finger.
    Year 2014
    Related pages The Issues of Our Time
  • An assortment of fake flowers, tinsel, a disfigured mannequin's leg, used tissues, empty whiskey bottles, and other festive detritus.
    An assortment of fake flowers, tinsel, a disfigured mannequin's leg, used tissues, empty whiskey bottles, and other festive detritus.
    Jack Smith, Untitled (Plaster Foundation of Atlantis), 35mm slide, c. 1970. Copyright: Jack Smith Archive. Courtesy Gladstone Gallery, New York and Brussels. [An assortment of fake flowers, tinsel, a disfigured mannequin's leg, used tissues, empty whiskey bottles, and other festive detritus.]
    Caption Jack Smith, Untitled (Plaster Foundation of Atlantis), 35mm slide, c. 1970. Copyright: Jack Smith Archive. Courtesy Gladstone Gallery, New York and Brussels.
    Image description An assortment of fake flowers, tinsel, a disfigured mannequin's leg, used tissues, empty whiskey bottles, and other festive detritus.
    Year 1970
    Related pages Jack Smith: Art Crust of Spiritual Oasis
  • People sitting on small wooden planks at the end of a pier. A large hole is visible in the side of the pier.
    People sitting on small wooden planks at the end of a pier. A large hole is visible in the side of the pier.
    Alvin Baltrop, The Piers (exterior view of day's end), 1975-8. Courtesy The Alvin Baltrop Trust and Third Streaming, New York. [People sitting on small wooden planks at the end of a pier. A large hole is visible in the side of the pier.]
    Caption Alvin Baltrop, The Piers (exterior view of day's end), 1975-8. Courtesy The Alvin Baltrop Trust and Third Streaming, New York.
    Image description People sitting on small wooden planks at the end of a pier. A large hole is visible in the side of the pier.
    Year 1975
    Related pages Artists Space Dialogues: Douglas Crimp and Bettina Funcke
  • A darkened gallery space with dark blue walls and dark blue carpeting. On the left sits a bench, which faces a large wall projection on the right. The projection depicts a black patient in a blue hospital gown sitting on an examination table.
    A darkened gallery space with dark blue walls and dark blue carpeting. On the left sits a bench, which faces a large wall projection on the right. The projection depicts a black patient in a blue hospital gown sitting on an examination table.
    Carolyn Lazard: Two-way. Installation view (Vital, 2025), Artists Space, 2025. Photo: Greg Carideo. [A darkened gallery space with dark blue walls and dark blue carpeting. On the left sits a bench, which faces a large wall projection on the right. The projection depicts a black patient in a blue hospital gown sitting on an examination table.]
    Caption Carolyn Lazard: Two-way. Installation view (Vital, 2025), Artists Space, 2025. Photo: Greg Carideo.
    Image description A darkened gallery space with dark blue walls and dark blue carpeting. On the left sits a bench, which faces a large wall projection on the right. The projection depicts a black patient in a blue hospital gown sitting on an examination table.
    Year
    Related pages Carolyn Lazard
  • A figure wearing a blue shirt kneels down onto the stage, working on audio equipment. Red light is cast onto them.
    A figure wearing a blue shirt kneels down onto the stage, working on audio equipment. Red light is cast onto them.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure wearing a blue shirt kneels down onto the stage, working on audio equipment. Red light is cast onto them.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure wearing a blue shirt kneels down onto the stage, working on audio equipment. Red light is cast onto them.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
  • Three paintings appear on two adjacent walls in a white-walled gallery space.
    Three paintings appear on two adjacent walls in a white-walled gallery space.
    Four Artists: An Exhibition of Painting and Sculpture. Installation View. Artists Space, 1985. [Three paintings appear on two adjacent walls in a white-walled gallery space.]
    Caption Four Artists: An Exhibition of Painting and Sculpture. Installation View. Artists Space, 1985.
    Image description Three paintings appear on two adjacent walls in a white-walled gallery space.
    Year
    Related pages Four Artists: An Exhibition of Painting and Sculpture
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A marionette wearing a black suit, collared shirt, and white Nike Air Force 1s is positioned laying prone on a windowsill. Red curtains cover half of the window behind the marionette. In the corner, a small stage lights is directed at the marionette. Outside of the window is an alleyway with graffiti.
    A marionette wearing a black suit, collared shirt, and white Nike Air Force 1s is positioned laying prone on a windowsill. Red curtains cover half of the window behind the marionette. In the corner, a small stage lights is directed at the marionette. Outside of the window is an alleyway with graffiti.
    Aristotelis Nikolas Mochloulis, Aristotelis Nikolas Mochloulis, 2025. Marionette. Photo: Carter Seddon. [A marionette wearing a black suit, collared shirt, and white Nike Air Force 1s is positioned laying prone on a windowsill. Red curtains cover half of the window behind the marionette. In the corner, a small stage lights is directed at the marionette. Outside of the window is an alleyway with graffiti.]
    Caption Aristotelis Nikolas Mochloulis, Aristotelis Nikolas Mochloulis, 2025. Marionette. Photo: Carter Seddon.
    Image description A marionette wearing a black suit, collared shirt, and white Nike Air Force 1s is positioned laying prone on a windowsill. Red curtains cover half of the window behind the marionette. In the corner, a small stage lights is directed at the marionette. Outside of the window is an alleyway with graffiti.
    Year
    Related pages Aristotelis Nikolas Mochloulis Tour 3
  • A close up view of two abstract, earth-toned paintings hanging on a wall. Beyond them a doorway and another room with more painting is visible.
    A close up view of two abstract, earth-toned paintings hanging on a wall. Beyond them a doorway and another room with more painting is visible.
    Witnesses: Against Our Vanishing. Installation View, Artists Space, 1989. Photo: Frances Miller Smith. [A close up view of two abstract, earth-toned paintings hanging on a wall. Beyond them a doorway and another room with more painting is visible.]
    Caption Witnesses: Against Our Vanishing. Installation View, Artists Space, 1989. Photo: Frances Miller Smith.
    Image description A close up view of two abstract, earth-toned paintings hanging on a wall. Beyond them a doorway and another room with more painting is visible.
    Year 1989
    Related pages Witnesses: Against Our Vanishing
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Black and white installation photograph of a gallery space. Black circles are attached to the wall and a figure is visible standing in the space.
    Black and white installation photograph of a gallery space. Black circles are attached to the wall and a figure is visible standing in the space.
    Gerry Morehead. Installation view, Gerry Morehead, Jim Pavlicovic, Artists Space, 1976. [Black and white installation photograph of a gallery space. Black circles are attached to the wall and a figure is visible standing in the space.]
    Caption Gerry Morehead. Installation view, Gerry Morehead, Jim Pavlicovic, Artists Space, 1976.
    Image description Black and white installation photograph of a gallery space. Black circles are attached to the wall and a figure is visible standing in the space.
    Year 1976
    Related pages Gerry Morehead, Jim Pavlicovic
  • A black and white photograph of a gallery space. A television monitor is placed on a bench on the left, and two figures look on from a couch directly across from the screen. Hanging on the wall to their right are four framed works.
    A black and white photograph of a gallery space. A television monitor is placed on a bench on the left, and two figures look on from a couch directly across from the screen. Hanging on the wall to their right are four framed works.
    Artists Performance Series. Installation view, Artists Space, 1977. [A black and white photograph of a gallery space. A television monitor is placed on a bench on the left, and two figures look on from a couch directly across from the screen. Hanging on the wall to their right are four framed works.]
    Caption Artists Performance Series. Installation view, Artists Space, 1977.
    Image description A black and white photograph of a gallery space. A television monitor is placed on a bench on the left, and two figures look on from a couch directly across from the screen. Hanging on the wall to their right are four framed works.
    Year 1977
    Related pages Artists Performance Series
  • Three free-standing walls supporting a series of shelves are arranged at right angles around a pole in a gallery space. The shelves display a series of pieces of paper containing both images and text. The shelves are yellow, and a portion of the center of the column has also been painted yellow.
    Three free-standing walls supporting a series of shelves are arranged at right angles around a pole in a gallery space. The shelves display a series of pieces of paper containing both images and text. The shelves are yellow, and a portion of the center of the column has also been painted yellow.
    In The Poem About Love You Don't Write The Word Love. Installation view, Artists Space, 2006. Photo: Bill Orcutt. [Three free-standing walls supporting a series of shelves are arranged at right angles around a pole in a gallery space. The shelves display a series of pieces of paper containing both images and text. The shelves are yellow, and a portion of the center of the column has also been painted yellow.]
    Caption In The Poem About Love You Don't Write The Word Love. Installation view, Artists Space, 2006. Photo: Bill Orcutt.
    Image description Three free-standing walls supporting a series of shelves are arranged at right angles around a pole in a gallery space. The shelves display a series of pieces of paper containing both images and text. The shelves are yellow, and a portion of the center of the column has also been painted yellow.
    Year 2006
    Related pages In The Poem About Love You Don't Write The Word Love
  • A black-and-white image of a woman wearing a striped dress and clip-on hat, eyes closed, arms stretched behind her. She stands in a room with several linens pinned to the walls and floor
    A black-and-white image of a woman wearing a striped dress and clip-on hat, eyes closed, arms stretched behind her. She stands in a room with several linens pinned to the walls and floor
    The Baroness Elsa von Freytag-Loringhoven, 1915 [A black-and-white image of a woman wearing a striped dress and clip-on hat, eyes closed, arms stretched behind her. She stands in a room with several linens pinned to the walls and floor]
    Caption The Baroness Elsa von Freytag-Loringhoven, 1915
    Image description A black-and-white image of a woman wearing a striped dress and clip-on hat, eyes closed, arms stretched behind her. She stands in a room with several linens pinned to the walls and floor
    Year 1915
    Related pages Presence and Absence
  • The hallway of a gallery, leading into a large gallery space. On the left wall is a large black-and-white photograph is affixed to the wall, depicting the process of casting the iron objects displayed on the opposite wall on a tall plinth made of MDF. In the room in the back ground are more plinths and archival objects and documentation.
    The hallway of a gallery, leading into a large gallery space. On the left wall is a large black-and-white photograph is affixed to the wall, depicting the process of casting the iron objects displayed on the opposite wall on a tall plinth made of MDF. In the room in the back ground are more plinths and archival objects and documentation.
    Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon. [The hallway of a gallery, leading into a large gallery space. On the left wall is a large black-and-white photograph is affixed to the wall, depicting the process of casting the iron objects displayed on the opposite wall on a tall plinth made of MDF. In the room in the back ground are more plinths and archival objects and documentation.]
    Caption Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon.
    Image description The hallway of a gallery, leading into a large gallery space. On the left wall is a large black-and-white photograph is affixed to the wall, depicting the process of casting the iron objects displayed on the opposite wall on a tall plinth made of MDF. In the room in the back ground are more plinths and archival objects and documentation.
    Year
    Related pages Michael Asher
  • Two drawings hung up on adjacent walls. On the left is a nude headless figure with a star covering its groin and smaller figures walking along the top. On the right is a nude headless figure with two disembodied heads floating nearby with long extended tongues.
    Two drawings hung up on adjacent walls. On the left is a nude headless figure with a star covering its groin and smaller figures walking along the top. On the right is a nude headless figure with two disembodied heads floating nearby with long extended tongues.
    Artists Draw. Installation view, Artists Space, 1979. [Two drawings hung up on adjacent walls. On the left is a nude headless figure with a star covering its groin and smaller figures walking along the top. On the right is a nude headless figure with two disembodied heads floating nearby with long extended tongues.]
    Caption Artists Draw. Installation view, Artists Space, 1979.
    Image description Two drawings hung up on adjacent walls. On the left is a nude headless figure with a star covering its groin and smaller figures walking along the top. On the right is a nude headless figure with two disembodied heads floating nearby with long extended tongues.
    Year 1979
    Related pages Artists Draw: Tom Martin, Auste Peciura, Alan Saret, Patti Smith, Nancy Spero
  • A small strip of pixeled colors is displayed left of center above a large window looking out onto a building.
    A small strip of pixeled colors is displayed left of center above a large window looking out onto a building.
    Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A small strip of pixeled colors is displayed left of center above a large window looking out onto a building.]
    Caption Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description A small strip of pixeled colors is displayed left of center above a large window looking out onto a building.
    Year 2013
    Related pages Documenting Cadere: 1972 - 1978
  • A Frida Kahlo painting and portrait of woman against a black background.
    A Frida Kahlo painting and portrait of woman against a black background.
    [A Frida Kahlo painting and portrait of woman against a black background.]
    Caption
    Image description A Frida Kahlo painting and portrait of woman against a black background.
    Year 2013
    Related pages Richard Hollis
  • Untitled, Taro Quirk, City-As-School high school student, 2021, digital photograph.
    Caption Untitled, Taro Quirk, City-As-School high school student, 2021, digital photograph.
    Image description
    Year
    Related pages BRIDGE Photography
  • A white wall displaying exhibition text next to two, life size paper mache sculptures. Left is John F. Kennedy and right is gallerist Alfred Schmela. To the right is text thanking the Artists Space suppoters.
    A white wall displaying exhibition text next to two, life size paper mache sculptures. Left is John F. Kennedy and right is gallerist Alfred Schmela. To the right is text thanking the Artists Space suppoters.
    Living with Pop. A Reproduction of Capitalist Realism. Installation view, Artists Space, 2014. [A white wall displaying exhibition text next to two, life size paper mache sculptures. Left is John F. Kennedy and right is gallerist Alfred Schmela. To the right is text thanking the Artists Space suppoters.]
    Caption Living with Pop. A Reproduction of Capitalist Realism. Installation view, Artists Space, 2014.
    Image description A white wall displaying exhibition text next to two, life size paper mache sculptures. Left is John F. Kennedy and right is gallerist Alfred Schmela. To the right is text thanking the Artists Space suppoters.
    Year 2014
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • A display of nine CRT monitors showing nine individuals in a bluish hue.
    A display of nine CRT monitors showing nine individuals in a bluish hue.
    ART CLUB2000 Untitled (Individual Viewing Station for Interviews with Artists on the Year 1970), 1997 CRT monitor with videos of Vito Acconci, Simon Cerigo, Henry Flynt, Isa Genzken, Alex Katz, Les Levine, Niki Logis, Olivier Mosset, and Carolee Schneemann Image courtesy Artists Space, New York Photo: Filip Wolak [A display of nine CRT monitors showing nine individuals in a bluish hue.]
    Caption ART CLUB2000 Untitled (Individual Viewing Station for Interviews with Artists on the Year 1970), 1997 CRT monitor with videos of Vito Acconci, Simon Cerigo, Henry Flynt, Isa Genzken, Alex Katz, Les Levine, Niki Logis, Olivier Mosset, and Carolee Schneemann Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description A display of nine CRT monitors showing nine individuals in a bluish hue.
    Year 2021
    Related pages ART CLUB2000
  • A black and white image of two blurry figures talking to each other in a dark room.
    A black and white image of two blurry figures talking to each other in a dark room.
    Jack Smith, Jack Smith at University of Colorado, 1980. Video, (sound, black and white), 100 minutes. [A black and white image of two blurry figures talking to each other in a dark room.]
    Caption Jack Smith, Jack Smith at University of Colorado, 1980. Video, (sound, black and white), 100 minutes.
    Image description A black and white image of two blurry figures talking to each other in a dark room.
    Year 1980
    Related pages Performance Premiere
  • Twizzy, Juan Reyes, Silver Key in Photography
    Caption Twizzy, Juan Reyes, Silver Key in Photography
    Image description
    Year
    Related pages Scholastic Art and Writing Awards
  • A view of a bedroom with various imagery on the walls along with a line and clothespins and a dotted line cloth on a matress lying on the floor.
    A view of a bedroom with various imagery on the walls along with a line and clothespins and a dotted line cloth on a matress lying on the floor.
    Group Material: Primer (for Raymond Williams). Artists Space, 1982. [A view of a bedroom with various imagery on the walls along with a line and clothespins and a dotted line cloth on a matress lying on the floor.]
    Caption Group Material: Primer (for Raymond Williams). Artists Space, 1982.
    Image description A view of a bedroom with various imagery on the walls along with a line and clothespins and a dotted line cloth on a matress lying on the floor.
    Year
    Related pages Group Material: Primer (for Raymond Williams)
  • A blue shirt sits folded on a table with a book inside its pocket. Next to it, a book with text on the cover that reads,
    A blue shirt sits folded on a table with a book inside its pocket. Next to it, a book with text on the cover that reads,
    Richard Hollis. Installation view, Artists Space, 2013. [A blue shirt sits folded on a table with a book inside its pocket. Next to it, a book with text on the cover that reads, "The Hazards of Work: How to Fight Them."]
    Caption Richard Hollis. Installation view, Artists Space, 2013.
    Image description A blue shirt sits folded on a table with a book inside its pocket. Next to it, a book with text on the cover that reads, "The Hazards of Work: How to Fight Them."
    Year 2013
    Related pages Richard Hollis
  • White text overlays a bright fuchsia background. The text at the top reads: “Segue Reading Series & ARTISTS SPACE / Fall 2025 Season / October/November curated by / Nightboat Books
    White text overlays a bright fuchsia background. The text at the top reads: “Segue Reading Series & ARTISTS SPACE / Fall 2025 Season / October/November curated by / Nightboat Books
    [White text overlays a bright fuchsia background. The text at the top reads: “Segue Reading Series & ARTISTS SPACE / Fall 2025 Season / October/November curated by / Nightboat Books"]
    Caption
    Image description White text overlays a bright fuchsia background. The text at the top reads: “Segue Reading Series & ARTISTS SPACE / Fall 2025 Season / October/November curated by / Nightboat Books"
    Year
    Related pages Segue Reading Series
  • In a darkened space, a person dressed in blue faces to the right holding red fabric behind them. On the back wall are images of figures draped in yellow fabric.
    In a darkened space, a person dressed in blue faces to the right holding red fabric behind them. On the back wall are images of figures draped in yellow fabric.
    devynn emory, Grandmother Cindy. Performance documentation, May 18, 2022, Artists Space [In a darkened space, a person dressed in blue faces to the right holding red fabric behind them. On the back wall are images of figures draped in yellow fabric.]
    Caption devynn emory, Grandmother Cindy. Performance documentation, May 18, 2022, Artists Space
    Image description In a darkened space, a person dressed in blue faces to the right holding red fabric behind them. On the back wall are images of figures draped in yellow fabric.
    Year
    Related pages Artists Space Venue
  • A color image of the corner of a gallery space. Two pillars run down the side of the space, inbetween them is a black leather couch with a soft sculpture of a figure laying down, wearing a durag, with a red PlayStation controller. In front of the couch is a table, comprised of a glass panel and a sculpture of a figure laying down with their backside raised. On the left wall is an arrangement of framed drawings. On the right wall is a large red painting, alongside more framed drawings.
    A color image of the corner of a gallery space. Two pillars run down the side of the space, inbetween them is a black leather couch with a soft sculpture of a figure laying down, wearing a durag, with a red PlayStation controller. In front of the couch is a table, comprised of a glass panel and a sculpture of a figure laying down with their backside raised. On the left wall is an arrangement of framed drawings. On the right wall is a large red painting, alongside more framed drawings.
    Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of the corner of a gallery space. Two pillars run down the side of the space, inbetween them is a black leather couch with a soft sculpture of a figure laying down, wearing a durag, with a red PlayStation controller. In front of the couch is a table, comprised of a glass panel and a sculpture of a figure laying down with their backside raised. On the left wall is an arrangement of framed drawings. On the right wall is a large red painting, alongside more framed drawings.]
    Caption Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A color image of the corner of a gallery space. Two pillars run down the side of the space, inbetween them is a black leather couch with a soft sculpture of a figure laying down, wearing a durag, with a red PlayStation controller. In front of the couch is a table, comprised of a glass panel and a sculpture of a figure laying down with their backside raised. On the left wall is an arrangement of framed drawings. On the right wall is a large red painting, alongside more framed drawings.
    Year
    Related pages Jonathan Lyndon Chase
  • A book cover design featuring large pink text that reads,
    A book cover design featuring large pink text that reads,
    LaTasha N. Nevada Diggs, Twerk (New York: Belladonna Books, 2015). [A book cover design featuring large pink text that reads, "TWERK" against an abstract turquoise background. Parts of the letter "K" and "T" extend off the page and have been overlaid with a lacy ribbon pattern.]
    Caption LaTasha N. Nevada Diggs, Twerk (New York: Belladonna Books, 2015).
    Image description A book cover design featuring large pink text that reads, "TWERK" against an abstract turquoise background. Parts of the letter "K" and "T" extend off the page and have been overlaid with a lacy ribbon pattern.
    Year 2015
    Related pages In Visible Architectures: Juliana Huxtable & LaTasha N. Nevada Diggs
  • LaToya Ruby Frazier, A Message In Nestle Water Bottles from Shea Cobb and Amber Hasan at Sussex Drive and West Pierson Road, Flint, MI, 2017/2023, set of three archival pigment prints on Canson Platine Fibre Rag, 16 x 24 inches (40.6 x 61 cm)
    Caption LaToya Ruby Frazier, A Message In Nestle Water Bottles from Shea Cobb and Amber Hasan at Sussex Drive and West Pierson Road, Flint, MI, 2017/2023, set of three archival pigment prints on Canson Platine Fibre Rag, 16 x 24 inches (40.6 x 61 cm)
    Image description
    Year
    Related pages Artists Space: Artists Fund
  • A black and white photograph of a gallery with paintinfs on the wll and several figures milling and chatting.
    A black and white photograph of a gallery with paintinfs on the wll and several figures milling and chatting.
    Opening reception for J.B. Cobb, Martha Edelheit, Ree Morton, Artists Space, 1973 [A black and white photograph of a gallery with paintinfs on the wll and several figures milling and chatting.]
    Caption Opening reception for J.B. Cobb, Martha Edelheit, Ree Morton, Artists Space, 1973
    Image description A black and white photograph of a gallery with paintinfs on the wll and several figures milling and chatting.
    Year 1973
    Related pages J.B. Cobb, Martha Edelheit, Ree Morton
  • A photograph of the exhibition opening reception. A group of visitors look around at the art.
    A photograph of the exhibition opening reception. A group of visitors look around at the art.
    Four Scottish Artists. Opening Reception, Artists Space, 1979. [A photograph of the exhibition opening reception. A group of visitors look around at the art.]
    Caption Four Scottish Artists. Opening Reception, Artists Space, 1979.
    Image description A photograph of the exhibition opening reception. A group of visitors look around at the art.
    Year 1979
    Related pages Four Scottish Artists
  • An abstract, colorful drawing, with several geometric patterns overlaid with freehand flowing shapes.
    An abstract, colorful drawing, with several geometric patterns overlaid with freehand flowing shapes.
    Emily Garcia, Princess Swan, 2013 [An abstract, colorful drawing, with several geometric patterns overlaid with freehand flowing shapes.]
    Caption Emily Garcia, Princess Swan, 2013
    Image description An abstract, colorful drawing, with several geometric patterns overlaid with freehand flowing shapes.
    Year 2013
    Related pages Scholastic Art and Writing Awards
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • Magazine cut-outs and ink drawings are collaged together on a background of red and yellow paper. Pieces of beige paper with typewritten text listing the performers and event details are scattered around the flyer.
    Magazine cut-outs and ink drawings are collaged together on a background of red and yellow paper. Pieces of beige paper with typewritten text listing the performers and event details are scattered around the flyer.
    Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a background of red and yellow paper. Pieces of beige paper with typewritten text listing the performers and event details are scattered around the flyer.]
    Caption Flyer by Joe Frivaldi.
    Image description Magazine cut-outs and ink drawings are collaged together on a background of red and yellow paper. Pieces of beige paper with typewritten text listing the performers and event details are scattered around the flyer.
    Year
    Related pages Abasement #79
  • Caption
    Image description
    Year
    Related pages fwiw
  • Black text on an orange background. The text reads: “Oct 12 / Nancy Mercado / Sloppi Chulo.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on an orange background. The text reads: “Oct 12 / Nancy Mercado / Sloppi Chulo.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on an orange background. The text reads: “Oct 12 / Nancy Mercado / Sloppi Chulo.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on an orange background. The text reads: “Oct 12 / Nancy Mercado / Sloppi Chulo.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Sloppi Chulo & Nancy Mercado
  • Book cover featuring a grainy close-up image of a flower. Black text across the center of the cover reads
    Book cover featuring a grainy close-up image of a flower. Black text across the center of the cover reads
    Cover of BIOTA: A discourse between Art and Architecture from the 1970s to the present, co-published by Gregory R. Miller & Co. and Hunter College Art Galleries, 2025. [Book cover featuring a grainy close-up image of a flower. Black text across the center of the cover reads "biota."]
    Caption Cover of BIOTA: A discourse between Art and Architecture from the 1970s to the present, co-published by Gregory R. Miller & Co. and Hunter College Art Galleries, 2025.
    Image description Book cover featuring a grainy close-up image of a flower. Black text across the center of the cover reads "biota."
    Year
    Related pages Andrea Blum: Biota
  • A rectangular, abstract painting is mounted on a black frame at an angle to the white gallery wall.
    A rectangular, abstract painting is mounted on a black frame at an angle to the white gallery wall.
    John Mendelsohn and Donald Sultan, Installation view, Artists Space, 1977. [A rectangular, abstract painting is mounted on a black frame at an angle to the white gallery wall.]
    Caption John Mendelsohn and Donald Sultan, Installation view, Artists Space, 1977.
    Image description A rectangular, abstract painting is mounted on a black frame at an angle to the white gallery wall.
    Year 1977
    Related pages John Mendelsohn and Donald Sultan
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Three framed photographs installed in a gallery space with white walls and wooden flooring. Two lighter photographs of white, industrial buildings are installed one above the other on a freestanding wall on the image's left side. Visible behind and to the right of the freestanding wall is a third, color photograph of a city skyscraper rising out of an urban landscape.
    Three framed photographs installed in a gallery space with white walls and wooden flooring. Two lighter photographs of white, industrial buildings are installed one above the other on a freestanding wall on the image's left side. Visible behind and to the right of the freestanding wall is a third, color photograph of a city skyscraper rising out of an urban landscape.
    Urban Pornography. Installation view, Artists Space, 2001. [Three framed photographs installed in a gallery space with white walls and wooden flooring. Two lighter photographs of white, industrial buildings are installed one above the other on a freestanding wall on the image's left side. Visible behind and to the right of the freestanding wall is a third, color photograph of a city skyscraper rising out of an urban landscape.]
    Caption Urban Pornography. Installation view, Artists Space, 2001.
    Image description Three framed photographs installed in a gallery space with white walls and wooden flooring. Two lighter photographs of white, industrial buildings are installed one above the other on a freestanding wall on the image's left side. Visible behind and to the right of the freestanding wall is a third, color photograph of a city skyscraper rising out of an urban landscape.
    Year 2001
    Related pages Urban Pornography
  • Black and white cropped image of an animal-like figure. An eye is located on the upper right corner. Feathers and fur fill the frame.
    Black and white cropped image of an animal-like figure. An eye is located on the upper right corner. Feathers and fur fill the frame.
    [Black and white cropped image of an animal-like figure. An eye is located on the upper right corner. Feathers and fur fill the frame.]
    Caption
    Image description Black and white cropped image of an animal-like figure. An eye is located on the upper right corner. Feathers and fur fill the frame.
    Year
    Related pages Andy Robert: Papaloko
  • A vertical rectangle of straw on a white background. The top of the rectangle is covered by an inverted triangle made of black tar.
    A vertical rectangle of straw on a white background. The top of the rectangle is covered by an inverted triangle made of black tar.
    Robert Gero, Untitled, 1989. Straw, tar. [A vertical rectangle of straw on a white background. The top of the rectangle is covered by an inverted triangle made of black tar.]
    Caption Robert Gero, Untitled, 1989. Straw, tar.
    Image description A vertical rectangle of straw on a white background. The top of the rectangle is covered by an inverted triangle made of black tar.
    Year 1989
    Related pages Energeia
  • Trip to Artists Space to see Renee Gladman exhibition, 2023
    Caption Trip to Artists Space to see Renee Gladman exhibition, 2023
    Image description
    Year
    Related pages Art and Literacy: Poetry
  • Over a black background, “terminology / BLACK** / adj. / 1. Having the very dark color of the night sky or the eye’s pupil / 2. Of or relating to any various population groups of especially African ancestry often considered as having dark pigmentation of the skin but in fact having a wide range of skin colors / 3. Of or relating to Black people / 4. Dirty, soiled / 5. Characterized by the absence of light / 6. Served without milk or cream / 7. Indicative of condemnation or discredit / 8. Heavy / 9. Connected with or invoking the supernatural and especially the devil” is written in white text. Certain words are underlined and appear in grey.
    Over a black background, “terminology / BLACK** / adj. / 1. Having the very dark color of the night sky or the eye’s pupil / 2. Of or relating to any various population groups of especially African ancestry often considered as having dark pigmentation of the skin but in fact having a wide range of skin colors / 3. Of or relating to Black people / 4. Dirty, soiled / 5. Characterized by the absence of light / 6. Served without milk or cream / 7. Indicative of condemnation or discredit / 8. Heavy / 9. Connected with or invoking the supernatural and especially the devil” is written in white text. Certain words are underlined and appear in grey.
    Prince Grace, Of Black, 2021. [Over a black background, “terminology / BLACK** / adj. / 1. Having the very dark color of the night sky or the eye’s pupil / 2. Of or relating to any various population groups of especially African ancestry often considered as having dark pigmentation of the skin but in fact having a wide range of skin colors / 3. Of or relating to Black people / 4. Dirty, soiled / 5. Characterized by the absence of light / 6. Served without milk or cream / 7. Indicative of condemnation or discredit / 8. Heavy / 9. Connected with or invoking the supernatural and especially the devil” is written in white text. Certain words are underlined and appear in grey.]
    Caption Prince Grace, Of Black, 2021.
    Image description Over a black background, “terminology / BLACK** / adj. / 1. Having the very dark color of the night sky or the eye’s pupil / 2. Of or relating to any various population groups of especially African ancestry often considered as having dark pigmentation of the skin but in fact having a wide range of skin colors / 3. Of or relating to Black people / 4. Dirty, soiled / 5. Characterized by the absence of light / 6. Served without milk or cream / 7. Indicative of condemnation or discredit / 8. Heavy / 9. Connected with or invoking the supernatural and especially the devil” is written in white text. Certain words are underlined and appear in grey.
    Year 2022
    Related pages If improvisation could serve as a manual, if gesture could serve as a guide
  • A postcard showing an image of sheets of paper, books, chains, a teapot, and other assorted objects on a checkerboard.
    A postcard showing an image of sheets of paper, books, chains, a teapot, and other assorted objects on a checkerboard.
    Carol Sun, Herstory, 1991. Acrylic on canvas, 100 x 76 inches. [A postcard showing an image of sheets of paper, books, chains, a teapot, and other assorted objects on a checkerboard.]
    Caption Carol Sun, Herstory, 1991. Acrylic on canvas, 100 x 76 inches.
    Image description A postcard showing an image of sheets of paper, books, chains, a teapot, and other assorted objects on a checkerboard.
    Year 1991
    Related pages The China Mary Series
  • A figure in a red sweater stands on stage, behind three microphones placed around them, their left hand held up to their mouth.
    A figure in a red sweater stands on stage, behind three microphones placed around them, their left hand held up to their mouth.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure in a red sweater stands on stage, behind three microphones placed around them, their left hand held up to their mouth.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure in a red sweater stands on stage, behind three microphones placed around them, their left hand held up to their mouth.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
  • Color image of five performers on stage. They are playing bass, violin, guitars, and drums. A row of audience members are visible in the foreground, with their backs to the camera. A blue projection covers the performers and the back wall.
    Color image of five performers on stage. They are playing bass, violin, guitars, and drums. A row of audience members are visible in the foreground, with their backs to the camera. A blue projection covers the performers and the back wall.
    Abasement #78. Performance documentation, June 16th, 2025, Artists Space. Photo: Joshua Wildman. [Color image of five performers on stage. They are playing bass, violin, guitars, and drums. A row of audience members are visible in the foreground, with their backs to the camera. A blue projection covers the performers and the back wall.]
    Caption Abasement #78. Performance documentation, June 16th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Color image of five performers on stage. They are playing bass, violin, guitars, and drums. A row of audience members are visible in the foreground, with their backs to the camera. A blue projection covers the performers and the back wall.
    Year
    Related pages Abasement #78
  • A spotlight shines on a photograph hanging on a white wall framed by string and electrical wire hanging around it and falling to the black floor underneath.
    A spotlight shines on a photograph hanging on a white wall framed by string and electrical wire hanging around it and falling to the black floor underneath.
    Patricia Thornley. Untitled (detail), 1985. Electrical wire, string, fans, photograph, spotlight, wood, wax, dirt, water. Dimensions variable. [A spotlight shines on a photograph hanging on a white wall framed by string and electrical wire hanging around it and falling to the black floor underneath.]
    Caption Patricia Thornley. Untitled (detail), 1985. Electrical wire, string, fans, photograph, spotlight, wood, wax, dirt, water. Dimensions variable.
    Image description A spotlight shines on a photograph hanging on a white wall framed by string and electrical wire hanging around it and falling to the black floor underneath.
    Year
    Related pages U.S. Projects
  • Closeup view of two wooden box sculptures sitting side by side in a gallery. The box on the left is painted light yellow and has a pair of headphones hanging from its side; its lid is slightly ajar. The closed box on the right is covered completely in imitation gold leaf.
    Closeup view of two wooden box sculptures sitting side by side in a gallery. The box on the left is painted light yellow and has a pair of headphones hanging from its side; its lid is slightly ajar. The closed box on the right is covered completely in imitation gold leaf.
    Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view (Matthew Langan-Peck, Player 3, 2024; Matthew Langan-Peck, Box 7, 2024), Artists Space, 2024. Photo: Carter Seddon. [Closeup view of two wooden box sculptures sitting side by side in a gallery. The box on the left is painted light yellow and has a pair of headphones hanging from its side; its lid is slightly ajar. The closed box on the right is covered completely in imitation gold leaf.]
    Caption Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view (Matthew Langan-Peck, Player 3, 2024; Matthew Langan-Peck, Box 7, 2024), Artists Space, 2024. Photo: Carter Seddon.
    Image description Closeup view of two wooden box sculptures sitting side by side in a gallery. The box on the left is painted light yellow and has a pair of headphones hanging from its side; its lid is slightly ajar. The closed box on the right is covered completely in imitation gold leaf.
    Year
    Related pages Doris Guo Matthew Langan-Peck Isabelle Frances McGuire Ruben Ulises Rodriguez Montoya
  • A black and white postcard with an image of a bed with a mountain in the middle of it and a dilapidated chair with the back hollowed out. Text underneath the images reads,
    A black and white postcard with an image of a bed with a mountain in the middle of it and a dilapidated chair with the back hollowed out. Text underneath the images reads,
    [A black and white postcard with an image of a bed with a mountain in the middle of it and a dilapidated chair with the back hollowed out. Text underneath the images reads, "A Bed / And A Chair / Eileen Neff / April 9 - May 23, 1992 / Artists Space."]
    Caption
    Image description A black and white postcard with an image of a bed with a mountain in the middle of it and a dilapidated chair with the back hollowed out. Text underneath the images reads, "A Bed / And A Chair / Eileen Neff / April 9 - May 23, 1992 / Artists Space."
    Year 1992
    Related pages The Mountain A Bed and A Chair
  • A figure in a white suit—the artist Jutta Koether—stands with her back to the viewer in front of a sculpture composed of a large glass pane with a painted canvas installed in the panel's center. Her left hand gestures in the air and grasps a metal wand with a butterfly ornament as well as papers with handwritten text.
    A figure in a white suit—the artist Jutta Koether—stands with her back to the viewer in front of a sculpture composed of a large glass pane with a painted canvas installed in the panel's center. Her left hand gestures in the air and grasps a metal wand with a butterfly ornament as well as papers with handwritten text.
    Fifth Season Act, Apotheosically. Performance documentation, May 31, 2012, Artists Space. [A figure in a white suit—the artist Jutta Koether—stands with her back to the viewer in front of a sculpture composed of a large glass pane with a painted canvas installed in the panel's center. Her left hand gestures in the air and grasps a metal wand with a butterfly ornament as well as papers with handwritten text.]
    Caption Fifth Season Act, Apotheosically. Performance documentation, May 31, 2012, Artists Space.
    Image description A figure in a white suit—the artist Jutta Koether—stands with her back to the viewer in front of a sculpture composed of a large glass pane with a painted canvas installed in the panel's center. Her left hand gestures in the air and grasps a metal wand with a butterfly ornament as well as papers with handwritten text.
    Year 2012
    Related pages Fifth Season Act, Apotheosically
  • dissolving city, digital photographs, 2024
    Caption dissolving city, digital photographs, 2024
    Image description
    Year
    Related pages BRIDGE Photography
  • A crowd of people standing outside in Cortlandt Alley surrounding several performers. The performers are mixed in with the crowd, holding metal poles, some looking at a baby doll which is photographed in midair after being thrown upwards.
    A crowd of people standing outside in Cortlandt Alley surrounding several performers. The performers are mixed in with the crowd, holding metal poles, some looking at a baby doll which is photographed in midair after being thrown upwards.
    Ei Arakawa: WEWORK BABIES. Performance documentation, December 8, 2019, Artists Space. Photo © 2019 Paula Court. [A crowd of people standing outside in Cortlandt Alley surrounding several performers. The performers are mixed in with the crowd, holding metal poles, some looking at a baby doll which is photographed in midair after being thrown upwards.]
    Caption Ei Arakawa: WEWORK BABIES. Performance documentation, December 8, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description A crowd of people standing outside in Cortlandt Alley surrounding several performers. The performers are mixed in with the crowd, holding metal poles, some looking at a baby doll which is photographed in midair after being thrown upwards.
    Year 2019
    Related pages Ei Arakawa: WEWORK BABIES (11 Cortlandt Alley)
  • Caption
    Image description
    Year
    Related pages Carolyn Lazard
  • The profile of a person with orange hair wearing heavy makeup.
    The profile of a person with orange hair wearing heavy makeup.
    Jack Smith, still from Song for Rent, 1969. 16mm, (sound, color), 8 minutes. [The profile of a person with orange hair wearing heavy makeup.]
    Caption Jack Smith, still from Song for Rent, 1969. 16mm, (sound, color), 8 minutes.
    Image description The profile of a person with orange hair wearing heavy makeup.
    Year 1969
    Related pages Critical Americana
  • Color photo of a performer wearing a quilted suit with a variety of equipment strapped to his body. A bright blue glowing projection emantes from the performer's gear. He is surrounded by seated audience members who observe the performance in a dimly lit venue.
    Color photo of a performer wearing a quilted suit with a variety of equipment strapped to his body. A bright blue glowing projection emantes from the performer's gear. He is surrounded by seated audience members who observe the performance in a dimly lit venue.
    Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman. [Color photo of a performer wearing a quilted suit with a variety of equipment strapped to his body. A bright blue glowing projection emantes from the performer's gear. He is surrounded by seated audience members who observe the performance in a dimly lit venue.]
    Caption Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman.
    Image description Color photo of a performer wearing a quilted suit with a variety of equipment strapped to his body. A bright blue glowing projection emantes from the performer's gear. He is surrounded by seated audience members who observe the performance in a dimly lit venue.
    Year
    Related pages Abasement #64
  • A black and white film still of two figures on a sidewalk, one stands against a stone wall looking through a small opening in the stone.
    A black and white film still of two figures on a sidewalk, one stands against a stone wall looking through a small opening in the stone.
    Charles Simonds. Still from Mythologies, 1974. From Thomas Lanigan-Schmidt, James Biederman, Charles Simonds, Artists Space, 1974. [A black and white film still of two figures on a sidewalk, one stands against a stone wall looking through a small opening in the stone.]
    Caption Charles Simonds. Still from Mythologies, 1974. From Thomas Lanigan-Schmidt, James Biederman, Charles Simonds, Artists Space, 1974.
    Image description A black and white film still of two figures on a sidewalk, one stands against a stone wall looking through a small opening in the stone.
    Year 1974
    Related pages Thomas Lanigan Schmidt, James Biederman, Charles Simonds
  • A white poster giving information about a virtual reading event. There are overlaid gray and white images of a statue of an angel with a sword, and two figures in beak masks. Orange texts reads “Frederic Tuten/Vi Khi Nat/Virtual Reading/18 April 2020/5:00 PM E.T./Artists Space x Segue Series/Zoom Meeting ID 378 232 576
    A white poster giving information about a virtual reading event. There are overlaid gray and white images of a statue of an angel with a sword, and two figures in beak masks. Orange texts reads “Frederic Tuten/Vi Khi Nat/Virtual Reading/18 April 2020/5:00 PM E.T./Artists Space x Segue Series/Zoom Meeting ID 378 232 576
    [A white poster giving information about a virtual reading event. There are overlaid gray and white images of a statue of an angel with a sword, and two figures in beak masks. Orange texts reads “Frederic Tuten/Vi Khi Nat/Virtual Reading/18 April 2020/5:00 PM E.T./Artists Space x Segue Series/Zoom Meeting ID 378 232 576]
    Caption
    Image description A white poster giving information about a virtual reading event. There are overlaid gray and white images of a statue of an angel with a sword, and two figures in beak masks. Orange texts reads “Frederic Tuten/Vi Khi Nat/Virtual Reading/18 April 2020/5:00 PM E.T./Artists Space x Segue Series/Zoom Meeting ID 378 232 576
    Year 2020
    Related pages Segue Reading Series: Frederic Tuten & Vi Khi Nao
  • Color image of a dark room, illuminated only by a projection of blue and orange amorphous shapes on a wall. The shadow of a table with dj equipment and gear is cast against the colorful projected image.
    Color image of a dark room, illuminated only by a projection of blue and orange amorphous shapes on a wall. The shadow of a table with dj equipment and gear is cast against the colorful projected image.
    Abasement #63. Performance documentation, July 17, 2023, Artists Space. Photo: Joshua Wildman. [Color image of a dark room, illuminated only by a projection of blue and orange amorphous shapes on a wall. The shadow of a table with dj equipment and gear is cast against the colorful projected image.]
    Caption Abasement #63. Performance documentation, July 17, 2023, Artists Space. Photo: Joshua Wildman.
    Image description Color image of a dark room, illuminated only by a projection of blue and orange amorphous shapes on a wall. The shadow of a table with dj equipment and gear is cast against the colorful projected image.
    Year
    Related pages Abasement #63
  • A color image of three framed works against a white wall. The drawings are done on black paper and depict abstract compositions made up of white, and colorful shapes, lines and strokes.
    A color image of three framed works against a white wall. The drawings are done on black paper and depict abstract compositions made up of white, and colorful shapes, lines and strokes.
    Renee Gladman: Narratives of Magnitude. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of three framed works against a white wall. The drawings are done on black paper and depict abstract compositions made up of white, and colorful shapes, lines and strokes.]
    Caption Renee Gladman: Narratives of Magnitude. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A color image of three framed works against a white wall. The drawings are done on black paper and depict abstract compositions made up of white, and colorful shapes, lines and strokes.
    Year
    Related pages Renee Gladman
  • A portrait oriented video is projected in a dark narrow space. A bench sits in front of the video. An image-still of a man, standing next to a frame on a wall that contains a seperate video of a man in a street, is on the back wall.
    A portrait oriented video is projected in a dark narrow space. A bench sits in front of the video. An image-still of a man, standing next to a frame on a wall that contains a seperate video of a man in a street, is on the back wall.
    Hito Steyerl, Guards, 2012, HD video on freestanding screen with sound, 20 mins, Courtesy of the artist and Andrew Kreps, New York. Installation view from Hito Steyerl, Artists Space, 2015. [A portrait oriented video is projected in a dark narrow space. A bench sits in front of the video. An image-still of a man, standing next to a frame on a wall that contains a seperate video of a man in a street, is on the back wall.]
    Caption Hito Steyerl, Guards, 2012, HD video on freestanding screen with sound, 20 mins, Courtesy of the artist and Andrew Kreps, New York. Installation view from Hito Steyerl, Artists Space, 2015.
    Image description A portrait oriented video is projected in a dark narrow space. A bench sits in front of the video. An image-still of a man, standing next to a frame on a wall that contains a seperate video of a man in a street, is on the back wall.
    Year 2015
    Related pages Hito Steyerl
  • A photograph of a woman looking into the camera with one hand raised to her cheek. She wears a striped white Adidas soccer jersey with the
    A photograph of a woman looking into the camera with one hand raised to her cheek. She wears a striped white Adidas soccer jersey with the
    Bernadette Corporation with Benjamin Alexander Huseby, BC Reloaded, 2012. [A photograph of a woman looking into the camera with one hand raised to her cheek. She wears a striped white Adidas soccer jersey with the "bc" logo in one corner, and her eyeshadow stops abruptly in the middle of her right eyelid, creating an artificial crease down her face.]
    Caption Bernadette Corporation with Benjamin Alexander Huseby, BC Reloaded, 2012.
    Image description A photograph of a woman looking into the camera with one hand raised to her cheek. She wears a striped white Adidas soccer jersey with the "bc" logo in one corner, and her eyeshadow stops abruptly in the middle of her right eyelid, creating an artificial crease down her face.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • A painting of five figures seated for a portrait. Their faces are blurred out, and the entire image has been similarly rendered in soft, blurred strokes
    A painting of five figures seated for a portrait. Their faces are blurred out, and the entire image has been similarly rendered in soft, blurred strokes
    Minako Iwamur, Family, 1978. [A painting of five figures seated for a portrait. Their faces are blurred out, and the entire image has been similarly rendered in soft, blurred strokes]
    Caption Minako Iwamur, Family, 1978.
    Image description A painting of five figures seated for a portrait. Their faces are blurred out, and the entire image has been similarly rendered in soft, blurred strokes
    Year 1978
    Related pages Painting as Paradox
  • A classroom setting with several students and adults sitting across the room at desks and tables, looking at a teacher speaking to them in a corner of the room
    A classroom setting with several students and adults sitting across the room at desks and tables, looking at a teacher speaking to them in a corner of the room
    Arts and Family Engagement evening, student panel on high school portfolio preparation, P.S. 140, 2017 [A classroom setting with several students and adults sitting across the room at desks and tables, looking at a teacher speaking to them in a corner of the room]
    Caption Arts and Family Engagement evening, student panel on high school portfolio preparation, P.S. 140, 2017
    Image description A classroom setting with several students and adults sitting across the room at desks and tables, looking at a teacher speaking to them in a corner of the room
    Year 2017
    Related pages Exhibitions and Events
  • A twinkling black Christmas tree stands in the foreground as the gallery walls recede. A few paintings hang on the more distant walls.
    A twinkling black Christmas tree stands in the foreground as the gallery walls recede. A few paintings hang on the more distant walls.
    Nandi Loaf, Aristotelis Nikolas Mochloulis, ricardo nagaoka, Sydney Schrader. Installation view, Artists Space, 2025. Photo: Carter Seddon [A twinkling black Christmas tree stands in the foreground as the gallery walls recede. A few paintings hang on the more distant walls. ]
    Caption Nandi Loaf, Aristotelis Nikolas Mochloulis, ricardo nagaoka, Sydney Schrader. Installation view, Artists Space, 2025. Photo: Carter Seddon
    Image description A twinkling black Christmas tree stands in the foreground as the gallery walls recede. A few paintings hang on the more distant walls.
    Year
    Related pages Nandi Loaf Aristotelis Nikolas Mochloulis Ricardo Nagaoka Sydney Schrader
  • A darkened classroom, lit dimly with overhead orange lights. Three rows of chairs and desks face an image projected on a screen. The image is a blurred figure with a pale face enveloped in a black cape.
    A darkened classroom, lit dimly with overhead orange lights. Three rows of chairs and desks face an image projected on a screen. The image is a blurred figure with a pale face enveloped in a black cape.
    [A darkened classroom, lit dimly with overhead orange lights. Three rows of chairs and desks face an image projected on a screen. The image is a blurred figure with a pale face enveloped in a black cape.]
    Caption
    Image description A darkened classroom, lit dimly with overhead orange lights. Three rows of chairs and desks face an image projected on a screen. The image is a blurred figure with a pale face enveloped in a black cape.
    Year 2009
    Related pages Alexandre Singh
  • A figure sits in front of a microphone and reads a story off of a piece of paper.
    A figure sits in front of a microphone and reads a story off of a piece of paper.
    Yasunao Tone in Concert with Barbara Held. Performance documentation, January 19, 2023, Artists Space. Photo: Destiny Mata [A figure sits in front of a microphone and reads a story off of a piece of paper.]
    Caption Yasunao Tone in Concert with Barbara Held. Performance documentation, January 19, 2023, Artists Space. Photo: Destiny Mata
    Image description A figure sits in front of a microphone and reads a story off of a piece of paper.
    Year 2023
    Related pages Yasunao Tone in Concert with Barbara Held
  • A color photograph of a figure from the chest up. Moore wears a green collared shirt and looks directly into the camera. He stands in front of a translucent glass background, in whose reflection buildings are faintly visible.
    A color photograph of a figure from the chest up. Moore wears a green collared shirt and looks directly into the camera. He stands in front of a translucent glass background, in whose reflection buildings are faintly visible.
    Portrait of Carman Moore. [A color photograph of a figure from the chest up. Moore wears a green collared shirt and looks directly into the camera. He stands in front of a translucent glass background, in whose reflection buildings are faintly visible.]
    Caption Portrait of Carman Moore.
    Image description A color photograph of a figure from the chest up. Moore wears a green collared shirt and looks directly into the camera. He stands in front of a translucent glass background, in whose reflection buildings are faintly visible.
    Year 2021
    Related pages Carman Moore Improvises Personal Problems
  • An close up black and white image of an individual with their fingers crossed behind their back.
    An close up black and white image of an individual with their fingers crossed behind their back.
    Exchange Show: Hallwalls, Buffalo, NY. Performance, Artists Space, 1976. Photo: Robert Longo. [An close up black and white image of an individual with their fingers crossed behind their back.]
    Caption Exchange Show: Hallwalls, Buffalo, NY. Performance, Artists Space, 1976. Photo: Robert Longo.
    Image description An close up black and white image of an individual with their fingers crossed behind their back.
    Year 1976
    Related pages
  • A man and a woman sit at a kitchen table for breakfast. The table is crowded with dishes and items like orange juice and a box of Raisin Bran.
    A man and a woman sit at a kitchen table for breakfast. The table is crowded with dishes and items like orange juice and a box of Raisin Bran.
    Still from Personal Problems picturing Walter Cotton and Vertamae Smart-Grosvenor, 1980. [A man and a woman sit at a kitchen table for breakfast. The table is crowded with dishes and items like orange juice and a box of Raisin Bran.]
    Caption Still from Personal Problems picturing Walter Cotton and Vertamae Smart-Grosvenor, 1980.
    Image description A man and a woman sit at a kitchen table for breakfast. The table is crowded with dishes and items like orange juice and a box of Raisin Bran.
    Year 1980
    Related pages Personal Problems
  • A framed photo of a hand in the lower left corner adjusting a skewed image of K8 Hardy partially undressed in a windowed room, looking over her shoulder with her left arm held aloft.
    A framed photo of a hand in the lower left corner adjusting a skewed image of K8 Hardy partially undressed in a windowed room, looking over her shoulder with her left arm held aloft.
    K8 Hardy
, Sharing 2014, 2014
, C-print,
 23 ½ x 18 ½ in / 59,7 x 47,1 cm (image size), 24 x 18 4/5 in / 60,1 x 47,8 cm (paper size), Signed and Numbered. [A framed photo of a hand in the lower left corner adjusting a skewed image of K8 Hardy partially undressed in a windowed room, looking over her shoulder with her left arm held aloft.]
    Caption K8 Hardy
, Sharing 2014, 2014
, C-print,
 23 ½ x 18 ½ in / 59,7 x 47,1 cm (image size), 24 x 18 4/5 in / 60,1 x 47,8 cm (paper size), Signed and Numbered.
    Image description A framed photo of a hand in the lower left corner adjusting a skewed image of K8 Hardy partially undressed in a windowed room, looking over her shoulder with her left arm held aloft.
    Year 2015
    Related pages Artists Space Annual Edition Portfolio 2015
  • A view of a white-walled gallery with large abstract paintings hanging on the walls and a small pedestal display case on the right.
    A view of a white-walled gallery with large abstract paintings hanging on the walls and a small pedestal display case on the right.
    Benito Huerta: Attempted, Not Known. Installation view, Artists Space, 1989. [A view of a white-walled gallery with large abstract paintings hanging on the walls and a small pedestal display case on the right.]
    Caption Benito Huerta: Attempted, Not Known. Installation view, Artists Space, 1989.
    Image description A view of a white-walled gallery with large abstract paintings hanging on the walls and a small pedestal display case on the right.
    Year 1989
    Related pages Project: Attempted, Not Known
  • A color photograph of a figure in a pointed hat with a wide brim, wearing a black and white robe. The figure is pictured amid tree branches and vines that block their face. They hold a twisted vine in their left hand.
    A color photograph of a figure in a pointed hat with a wide brim, wearing a black and white robe. The figure is pictured amid tree branches and vines that block their face. They hold a twisted vine in their left hand.
    Portrait of Eiko Ishibashi [A color photograph of a figure in a pointed hat with a wide brim, wearing a black and white robe. The figure is pictured amid tree branches and vines that block their face. They hold a twisted vine in their left hand.]
    Caption Portrait of Eiko Ishibashi
    Image description A color photograph of a figure in a pointed hat with a wide brim, wearing a black and white robe. The figure is pictured amid tree branches and vines that block their face. They hold a twisted vine in their left hand.
    Year 2022
    Related pages Eiko Ishibashi in Concert
  • Four images arranged horizontally. From left to right: solid gray-blue, a gray-blue toned image of a shoreline, a gray toned image of a shoreline, and a gray toned image of a shoreline with a subtle pink sunrise in the sky.
    Four images arranged horizontally. From left to right: solid gray-blue, a gray-blue toned image of a shoreline, a gray toned image of a shoreline, and a gray toned image of a shoreline with a subtle pink sunrise in the sky.
    Christa Blatchford, still from See Around, 2008. [Four images arranged horizontally. From left to right: solid gray-blue, a gray-blue toned image of a shoreline, a gray toned image of a shoreline, and a gray toned image of a shoreline with a subtle pink sunrise in the sky.]
    Caption Christa Blatchford, still from See Around, 2008.
    Image description Four images arranged horizontally. From left to right: solid gray-blue, a gray-blue toned image of a shoreline, a gray toned image of a shoreline, and a gray toned image of a shoreline with a subtle pink sunrise in the sky.
    Year 2008
    Related pages See Around
  • An anatomical, drawn figure of the interior of a human ear. Small lines of serif text placed below the image label the various parts and nerves on the ear, which are labeled with corresponding numbers on the drawing.
    An anatomical, drawn figure of the interior of a human ear. Small lines of serif text placed below the image label the various parts and nerves on the ear, which are labeled with corresponding numbers on the drawing.
    [An anatomical, drawn figure of the interior of a human ear. Small lines of serif text placed below the image label the various parts and nerves on the ear, which are labeled with corresponding numbers on the drawing.]
    Caption
    Image description An anatomical, drawn figure of the interior of a human ear. Small lines of serif text placed below the image label the various parts and nerves on the ear, which are labeled with corresponding numbers on the drawing.
    Year 1992
    Related pages The Talking Cure - March 8
  • An image of a figure with slightly grey hair who is wearing black sunglasses. They rest their head on their hand while staring downwards.
    An image of a figure with slightly grey hair who is wearing black sunglasses. They rest their head on their hand while staring downwards.
    James Luna, still from The History of the Luiseño People, 1993. Video, color, sound, 27 min [An image of a figure with slightly grey hair who is wearing black sunglasses. They rest their head on their hand while staring downwards.]
    Caption James Luna, still from The History of the Luiseño People, 1993. Video, color, sound, 27 min
    Image description An image of a figure with slightly grey hair who is wearing black sunglasses. They rest their head on their hand while staring downwards.
    Year 1993
    Related pages Attention Line Cinema Series: James Luna
  • A color image of two figures before a table filled with electronic equipment such as cables, cameras, and monitors. The figure on the left is sitting down, and the figure on the right is standing up. They are both looking at something outside of the frame. Their faces are illuminated by red light.
    A color image of two figures before a table filled with electronic equipment such as cables, cameras, and monitors. The figure on the left is sitting down, and the figure on the right is standing up. They are both looking at something outside of the frame. Their faces are illuminated by red light.
    Abasement #66. Performance documentation, October 9, 2023, Artists Space. Photo: Joshua Wildman. [A color image of two figures before a table filled with electronic equipment such as cables, cameras, and monitors. The figure on the left is sitting down, and the figure on the right is standing up. They are both looking at something outside of the frame. Their faces are illuminated by red light.]
    Caption Abasement #66. Performance documentation, October 9, 2023, Artists Space. Photo: Joshua Wildman.
    Image description A color image of two figures before a table filled with electronic equipment such as cables, cameras, and monitors. The figure on the left is sitting down, and the figure on the right is standing up. They are both looking at something outside of the frame. Their faces are illuminated by red light.
    Year
    Related pages Abasement #66
  • Two gray silhouettes displayed next to each other on a white wall. In front of them, a gray table displays colorful documents.
    Two gray silhouettes displayed next to each other on a white wall. In front of them, a gray table displays colorful documents.
    The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich. [Two gray silhouettes displayed next to each other on a white wall. In front of them, a gray table displays colorful documents.]
    Caption The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich.
    Image description Two gray silhouettes displayed next to each other on a white wall. In front of them, a gray table displays colorful documents.
    Year 2014
    Related pages The Issues of Our Time
  • Color photograph of a gallery space. Various musical instruments and audio devices are placed around the middle of the room, photographs and vitrines hang on the walls, and various television monitors and projected images are placed along the sides of the room.
    Color photograph of a gallery space. Various musical instruments and audio devices are placed around the middle of the room, photographs and vitrines hang on the walls, and various television monitors and projected images are placed along the sides of the room.
    Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a gallery space. Various musical instruments and audio devices are placed around the middle of the room, photographs and vitrines hang on the walls, and various television monitors and projected images are placed along the sides of the room.]
    Caption Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photograph of a gallery space. Various musical instruments and audio devices are placed around the middle of the room, photographs and vitrines hang on the walls, and various television monitors and projected images are placed along the sides of the room.
    Year 2023
    Related pages Yasunao Tone: Region of Paramedia
  • A black audio cassette tape with accents of grey and red on the cover. Handwritten text on the tape reads
    A black audio cassette tape with accents of grey and red on the cover. Handwritten text on the tape reads
    Audio cassette tape for Echo Chamber, Sharon Hayes & Brooke O'Harra. [A black audio cassette tape with accents of grey and red on the cover. Handwritten text on the tape reads "ECHO CHAMBER." Behind the tape is a wooden background.]
    Caption Audio cassette tape for Echo Chamber, Sharon Hayes & Brooke O'Harra.
    Image description A black audio cassette tape with accents of grey and red on the cover. Handwritten text on the tape reads "ECHO CHAMBER." Behind the tape is a wooden background.
    Year
    Related pages Sharon Hayes and Brooke O'Harra
  • A large piece of paper secured to a piece of cardboard leaning against a wall, slightly scuffed and unfurling from the cardboard. Handwritten, red block text on the paper reads,
    A large piece of paper secured to a piece of cardboard leaning against a wall, slightly scuffed and unfurling from the cardboard. Handwritten, red block text on the paper reads,
    Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A large piece of paper secured to a piece of cardboard leaning against a wall, slightly scuffed and unfurling from the cardboard. Handwritten, red block text on the paper reads, "HOW MANY MORE?"]
    Caption Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description A large piece of paper secured to a piece of cardboard leaning against a wall, slightly scuffed and unfurling from the cardboard. Handwritten, red block text on the paper reads, "HOW MANY MORE?"
    Year 2010
    Related pages Duncan Campbell: Make It New John
  • White text on a grey ombré background. The text reads: “March 1 / Marina Abramović / William Parker.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    White text on a grey ombré background. The text reads: “March 1 / Marina Abramović / William Parker.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [White text on a grey ombré background. The text reads: “March 1 / Marina Abramović / William Parker.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description White text on a grey ombré background. The text reads: “March 1 / Marina Abramović / William Parker.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Marina Abramović & William Parker
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A figure in a blue dress sits behind a white table, with speakers and projectors on either side of them. The figure leans over and opens a small book.
    A figure in a blue dress sits behind a white table, with speakers and projectors on either side of them. The figure leans over and opens a small book.
    Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang. [A figure in a blue dress sits behind a white table, with speakers and projectors on either side of them. The figure leans over and opens a small book.]
    Caption Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang.
    Image description A figure in a blue dress sits behind a white table, with speakers and projectors on either side of them. The figure leans over and opens a small book.
    Year 2023
    Related pages Chang Yuchen: Coral Dictionary Vol. 1, 2019-2022
  • A corner of a wall imposed with the text,
    A corner of a wall imposed with the text,
    See Around. Installation view, Artists Space, 2008. Photo: Adam Reich. [A corner of a wall imposed with the text, "Christa Blatchford: See Around."]
    Caption See Around. Installation view, Artists Space, 2008. Photo: Adam Reich.
    Image description A corner of a wall imposed with the text, "Christa Blatchford: See Around."
    Year 2008
    Related pages See Around
  • A close up image of a glass display case holding, images, books, and handwritten text. On the wall above is a paragraph of text that reads,
    A close up image of a glass display case holding, images, books, and handwritten text. On the wall above is a paragraph of text that reads,
    Till They Listen: Bill Gunn Directs America. Installation view, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A close up image of a glass display case holding, images, books, and handwritten text. On the wall above is a paragraph of text that reads, " Anyway, dear Taylor, I will visit all the soft and dark spots in our town. I will walk backwards on old Endleman's fence, I will stare at the old books and try to place what words went with which conversation about whatever it was you said. I'll go to church and eat fruitcake, sweep the pavement, water the flowers, hose out the garage and tell our fathers about the big city, I might even have a few drinks to show them how much I have changed. And I will come to the cemetery and tell you how different it all is, and what it's like up here hanging on year after year."]
    Caption Till They Listen: Bill Gunn Directs America. Installation view, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A close up image of a glass display case holding, images, books, and handwritten text. On the wall above is a paragraph of text that reads, " Anyway, dear Taylor, I will visit all the soft and dark spots in our town. I will walk backwards on old Endleman's fence, I will stare at the old books and try to place what words went with which conversation about whatever it was you said. I'll go to church and eat fruitcake, sweep the pavement, water the flowers, hose out the garage and tell our fathers about the big city, I might even have a few drinks to show them how much I have changed. And I will come to the cemetery and tell you how different it all is, and what it's like up here hanging on year after year."
    Year 2021
    Related pages Till They Listen: Bill Gunn Directs America
  • Black and white photograph of white picket fence with dark painted background behind it.
    Black and white photograph of white picket fence with dark painted background behind it.
    Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Candice Hill-Montgomery. [Black and white photograph of white picket fence with dark painted background behind it.]
    Caption Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Candice Hill-Montgomery.
    Image description Black and white photograph of white picket fence with dark painted background behind it.
    Year 1979
    Related pages Candance Hill-Montgomery
  • A color image of a gallery space. A freestanding white wall runs perpendicular into an existing white wall. On the right side, projected onto the existing wall, is a black and white image of a spoon resting next to a bowl of water. To the left of the projected image is a single black frame containing a black and white photograph, hung above a small floating vitrine. Installed in a single row on the freestanding wall, is a series of seven black and white photographs housed in black frames. Behind the freestanding walls, a sliver of window that faces the street outside is visible. Contained within the four transom windows are black and white enlargements of a white man smoking and blowing smoke rings.
    A color image of a gallery space. A freestanding white wall runs perpendicular into an existing white wall. On the right side, projected onto the existing wall, is a black and white image of a spoon resting next to a bowl of water. To the left of the projected image is a single black frame containing a black and white photograph, hung above a small floating vitrine. Installed in a single row on the freestanding wall, is a series of seven black and white photographs housed in black frames. Behind the freestanding walls, a sliver of window that faces the street outside is visible. Contained within the four transom windows are black and white enlargements of a white man smoking and blowing smoke rings.
    Terry Fox: All These Different Things Are Sculpture. Installation view, Artists Space, 2024. Photo: Filip Wolak [A color image of a gallery space. A freestanding white wall runs perpendicular into an existing white wall. On the right side, projected onto the existing wall, is a black and white image of a spoon resting next to a bowl of water. To the left of the projected image is a single black frame containing a black and white photograph, hung above a small floating vitrine. Installed in a single row on the freestanding wall, is a series of seven black and white photographs housed in black frames. Behind the freestanding walls, a sliver of window that faces the street outside is visible. Contained within the four transom windows are black and white enlargements of a white man smoking and blowing smoke rings. ]
    Caption Terry Fox: All These Different Things Are Sculpture. Installation view, Artists Space, 2024. Photo: Filip Wolak
    Image description A color image of a gallery space. A freestanding white wall runs perpendicular into an existing white wall. On the right side, projected onto the existing wall, is a black and white image of a spoon resting next to a bowl of water. To the left of the projected image is a single black frame containing a black and white photograph, hung above a small floating vitrine. Installed in a single row on the freestanding wall, is a series of seven black and white photographs housed in black frames. Behind the freestanding walls, a sliver of window that faces the street outside is visible. Contained within the four transom windows are black and white enlargements of a white man smoking and blowing smoke rings.
    Year
    Related pages All These Different Things Are Sculpture
  • A picture of a gallery space with a phonebooth in the foreground. Behind the phonebooth is a reflective wooden base, and some plants. There is a video projected on a wall in the back of the space.
    A picture of a gallery space with a phonebooth in the foreground. Behind the phonebooth is a reflective wooden base, and some plants. There is a video projected on a wall in the back of the space.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, September 16, 2022 - December 3, 2022. Photo: Filip Wolak [A picture of a gallery space with a phonebooth in the foreground. Behind the phonebooth is a reflective wooden base, and some plants. There is a video projected on a wall in the back of the space.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, September 16, 2022 - December 3, 2022. Photo: Filip Wolak
    Image description A picture of a gallery space with a phonebooth in the foreground. Behind the phonebooth is a reflective wooden base, and some plants. There is a video projected on a wall in the back of the space.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Color image of a video installation in the center of the floor of a gallery space. A walkway made of plywood runs along the edges of the room, around the projection. The projection depicts a negative film image that has been mirrored along the center. Objects are arranged on a blue background to create vaguely recognizable images.
    Color image of a video installation in the center of the floor of a gallery space. A walkway made of plywood runs along the edges of the room, around the projection. The projection depicts a negative film image that has been mirrored along the center. Objects are arranged on a blue background to create vaguely recognizable images.
    Crystal Z Campbell: Ode to the Underloved. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color image of a video installation in the center of the floor of a gallery space. A walkway made of plywood runs along the edges of the room, around the projection. The projection depicts a negative film image that has been mirrored along the center. Objects are arranged on a blue background to create vaguely recognizable images.]
    Caption Crystal Z Campbell: Ode to the Underloved. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color image of a video installation in the center of the floor of a gallery space. A walkway made of plywood runs along the edges of the room, around the projection. The projection depicts a negative film image that has been mirrored along the center. Objects are arranged on a blue background to create vaguely recognizable images.
    Year
    Related pages Crystal Z Campbell
  • Photograph of two figures, one in a suit, one in a suit and brown trenchcoat, striding across a city street. The facade of the buildings behind them is covered with a colorful mural and a long line of alternating, bright red and yellow posters. A large building sign above the posters reads
    Photograph of two figures, one in a suit, one in a suit and brown trenchcoat, striding across a city street. The facade of the buildings behind them is covered with a colorful mural and a long line of alternating, bright red and yellow posters. A large building sign above the posters reads
    [Photograph of two figures, one in a suit, one in a suit and brown trenchcoat, striding across a city street. The facade of the buildings behind them is covered with a colorful mural and a long line of alternating, bright red and yellow posters. A large building sign above the posters reads "S. KLEIN."]
    Caption
    Image description Photograph of two figures, one in a suit, one in a suit and brown trenchcoat, striding across a city street. The facade of the buildings behind them is covered with a colorful mural and a long line of alternating, bright red and yellow posters. A large building sign above the posters reads "S. KLEIN."
    Year 2010
    Related pages Group Material Show and Tell
  • A flyer titled
    A flyer titled
    Liz Moy, Chinatown Gallery Map, 2016. [A flyer titled "Sites of Mass Displacement," depicting a map of Chinatown with pins on every gallery in the neighborhood. It asks, "Is this what a neighborhood 'untouched' by gentrification looks like?" Text at the bottom of the flyer notes "There are currently over 100 galleries occupying Chinatown, Two Bridges, and the Lower East Side. Can a neighborhood be both a holdout to gentrification and the new art enclave?"]
    Caption Liz Moy, Chinatown Gallery Map, 2016.
    Image description A flyer titled "Sites of Mass Displacement," depicting a map of Chinatown with pins on every gallery in the neighborhood. It asks, "Is this what a neighborhood 'untouched' by gentrification looks like?" Text at the bottom of the flyer notes "There are currently over 100 galleries occupying Chinatown, Two Bridges, and the Lower East Side. Can a neighborhood be both a holdout to gentrification and the new art enclave?"
    Year 2016
    Related pages Chinatown Is Not for Sale
  • A yellow print of a person with glasses leaning over and looking forward. Next to him is another person, his hands holding his chest, looking down.
    A yellow print of a person with glasses leaning over and looking forward. Next to him is another person, his hands holding his chest, looking down.
    Frank Dimario, Octavius Neveaux. [A yellow print of a person with glasses leaning over and looking forward. Next to him is another person, his hands holding his chest, looking down.]
    Caption Frank Dimario, Octavius Neveaux.
    Image description A yellow print of a person with glasses leaning over and looking forward. Next to him is another person, his hands holding his chest, looking down.
    Year 2002
    Related pages Painting as Paradox
  • Close up of two rectangular plates of glass resting on top of a thin bed of white salt. A red, blood-like substance forms irregular patterns between the plates.
    Close up of two rectangular plates of glass resting on top of a thin bed of white salt. A red, blood-like substance forms irregular patterns between the plates.
    Nina in Position. Installation view, Artists Space, 2008. Photo: Bill Orcutt. [Close up of two rectangular plates of glass resting on top of a thin bed of white salt. A red, blood-like substance forms irregular patterns between the plates.]
    Caption Nina in Position. Installation view, Artists Space, 2008. Photo: Bill Orcutt.
    Image description Close up of two rectangular plates of glass resting on top of a thin bed of white salt. A red, blood-like substance forms irregular patterns between the plates.
    Year 2008
    Related pages Nina in Position
  • Caption
    Image description
    Year
    Related pages Christopher D'Arcangelo
  • A photo of a city alleyway acts as the background for this image. Superimposed on the photo are two groups of people in motion with right arms raised, holding cellphones. The group on the right faces toward the viewer, the group on the left faces away.
    A photo of a city alleyway acts as the background for this image. Superimposed on the photo are two groups of people in motion with right arms raised, holding cellphones. The group on the right faces toward the viewer, the group on the left faces away.
    [A photo of a city alleyway acts as the background for this image. Superimposed on the photo are two groups of people in motion with right arms raised, holding cellphones. The group on the right faces toward the viewer, the group on the left faces away.]
    Caption
    Image description A photo of a city alleyway acts as the background for this image. Superimposed on the photo are two groups of people in motion with right arms raised, holding cellphones. The group on the right faces toward the viewer, the group on the left faces away.
    Year 2019
    Related pages Ei Arakawa: WEWORK BABIES (11 Cortlandt Alley)
  • Colorful animal figures appear in space with a black background.
    Colorful animal figures appear in space with a black background.
    Gerome Kamrowski. Trinity, 1978. [Colorful animal figures appear in space with a black background.]
    Caption Gerome Kamrowski. Trinity, 1978.
    Image description Colorful animal figures appear in space with a black background.
    Year
    Related pages Moderns in Mind
  • Caption
    Image description
    Year
    Related pages Abasement #72
  • A color image of two figures performing. The figure on the left plays the saxophone. There is a standing microphone in front of them. The figure on the right, has their eyes closed, and is playing the guitar. Blue and red light is projected onto them.
    A color image of two figures performing. The figure on the left plays the saxophone. There is a standing microphone in front of them. The figure on the right, has their eyes closed, and is playing the guitar. Blue and red light is projected onto them.
    Abasement #66. Performance documentation, October 9, 2023, Artists Space. Photo: Joshua Wildman. [A color image of two figures performing. The figure on the left plays the saxophone. There is a standing microphone in front of them. The figure on the right, has their eyes closed, and is playing the guitar. Blue and red light is projected onto them.]
    Caption Abasement #66. Performance documentation, October 9, 2023, Artists Space. Photo: Joshua Wildman.
    Image description A color image of two figures performing. The figure on the left plays the saxophone. There is a standing microphone in front of them. The figure on the right, has their eyes closed, and is playing the guitar. Blue and red light is projected onto them.
    Year
    Related pages Abasement #66
  • Red text that reads,
    Red text that reads,
    Nam June Paik Young Penis Symphony from Wolf Vostell, décollage No. 3 , 1962 © Nam June Pak Estate Collection Peter Wenzel [Red text that reads, "Young Penis Symphony, -curtain up-, the audience sees only a huge piece of white paper stretched across the whole stage mouth, from the ceiling to the floor and from the left to the right wing. Behind this paper, on the stagem stand ten young men... ready, -after a while- The first sticks his penis out through the paper to the audience..., The second sticks his penis out through the paper to the audience..., The third sticks his penis out through the paper to the audience..., The fourth sticks his penis out throught the paper to the audience..., The fifth sticks his penis out through the paper to the audience..., The sixth sticks his penis out through the paper to the audience..., The seventh sticks his penis out through the paper to the audience..., The eight sticks his penis out through the paper to the audience..., The ninth sticks his penis out throught the paper to the audience..., The tenth sticks his penis out through the paper to the audience..., N.J. Paik, Expected world premier about 1984 A.D., ref. Taiyono Kisetza Ishihara"]
    Caption Nam June Paik Young Penis Symphony from Wolf Vostell, décollage No. 3 , 1962 © Nam June Pak Estate Collection Peter Wenzel
    Image description Red text that reads, "Young Penis Symphony, -curtain up-, the audience sees only a huge piece of white paper stretched across the whole stage mouth, from the ceiling to the floor and from the left to the right wing. Behind this paper, on the stagem stand ten young men... ready, -after a while- The first sticks his penis out through the paper to the audience..., The second sticks his penis out through the paper to the audience..., The third sticks his penis out through the paper to the audience..., The fourth sticks his penis out throught the paper to the audience..., The fifth sticks his penis out through the paper to the audience..., The sixth sticks his penis out through the paper to the audience..., The seventh sticks his penis out through the paper to the audience..., The eight sticks his penis out through the paper to the audience..., The ninth sticks his penis out throught the paper to the audience..., The tenth sticks his penis out through the paper to the audience..., N.J. Paik, Expected world premier about 1984 A.D., ref. Taiyono Kisetza Ishihara"
    Year 1962
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • Caption
    Image description
    Year
    Related pages fwiw
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