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Cindy Sherman. Work unknown. [Black and white photo of various figures in an office space. The set and costumes are in the style of the 1950s. One woman sits at a desk looking through papers, one woman sits at a typewriter. Three other figures are also in the space in casual poses.] -
Flyer for Segue Reading Series featuring John Yau & Patrick Rosal. April 30, 2022, Artists Space. [Black text overlays a white background with two bunches of pink flowers in the upper right and lower left corners. The top left corner reads: “John Yau / & Patrick Rosal / April 30, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”] -
Drake Carr: Housecalls. Performance documentation, September 9, 2023, Artists Space at the Armory Show. Photo: Joshua Wildman. -
Richard Hollis. Installation view, Artists Space, 2013. [A view of a book stand perpendicular to a wall in which staggered posters are hung. The book stand displays various documents and materials.] -
Andy Robert, Pocket Money (a little pocket money; a chase, a bill, away—to runaround), 2021. Photo: Filip Wolak. [Color image of a small framed white envelope, folded in half, with an abstract pen drawing of a face on it.] -
The Library Vaccine. Installation view, Artists Space, 2014. [A cluster of metal book shelves sit in the middle of the room. Visible are the cubbies of three structures, populated with books of various sizes and colors.] -
Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photo of a installation and sound work. In the right foreground, two lab tables contain a lab equipment such as beakers, distilling chambers, jars, hot plate and two blenders. On the left midground, an antique cabinet with its doors open, reveals shelves and drawers filled with more lab equipment, such as a microscope and household items such as a dustpan. In the background, two box television screens sit on top of wooden lab tables. A posterboard with a periodic table rests on top of the televisions. Each "element" of the periodic table features a small lightbulb that glows.] -
Storm de Hirsch, still from Newsreel: Jonas in The Brig, 1964. Courtesy Anthology Film Archives. [A black-and-white photo depicting a behind the scenes view of a movie in production. A man holds the camera on the right - a cage is on the left, and two men speak in the center of the image, one facing the camera and one facing away.] -
G. Peter Jemison, Apple Blossom Furry (Daffodils), 2000. Photo: Filip Wolak. [Color image of a painting, done on a paper bag, placed on a white pedestal. The painting features an apple blossom tree, with a light blue sky in the background, and green grass. The tree is painted over a blue square in the middle of the bag that reads "Mikasa."] -
See Around. Installation view, Artists Space, 2008. Photo: Adam Reich. [A dimmed room with three projections, one casting purple light, the other two depicting stills of shorelines. In the corner, a small, round seat is visible.] -
Ei Arakawa: WEWORK BABIES. Performance documentation, December 8, 2019, Artists Space. Photo © 2019 Paula Court. [Several people hold a makeshift metal structure upright, fastening additional metal poles onto the structure. A small crowd stands behind them watching.] -
Witnesses: Against Our Vanishing. Installation View, Artists Space, 1989. Photo: Frances Miller Smith. [A close up view of two abstract, earth-toned paintings hanging on a wall. Beyond them a doorway and another room with more painting is visible.] -
Clocking Out: Time Beyond Management. Installation view, Artists Space, 2023. Photo: Greg Carideo. [Photograph of a corner of a gallery, with printed and woven works along one wall, next to a row of TV flatscreens on another wall. In the center of the space is a large wooden platform.] -
Marcos Lutyens: Hypnotic Show. [A pencil-drawn portrait of a person with curly hair, the bones of the forehead well-defined.] -
Shala Miller, Genesis. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color documentation image of Shala Miller's Genesis, 2023. Three monochrome projection panels float equidistantly in a dark room, with vinyls on blacks walls.] -
Robert Hall. Babalu, 1986-87. Painted Construction, oil on plywood. 48 inches x 34 inches. [A black and white photograph of a painted construction.] -
Traditions: Five Painters. Installation View, Artists Space, 1978. [Various paintings hang on the walls as guests enjoy the exhibition opening.] -
New Red Order with Ashley Byler and Jeremy Pheiffer / Kate August and Enver Chakartash Urge 2 Merge, 2021 3 channel video, color 12 minutes (loop) Image courtesy Artists Space, New York Photo: Filip Wolak [An image of a dark exhibition space with three video projections projected on to a wall.] -
Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [A crowd of people fill a dimly lit red room, some sitting and some standing. Abstract images are projected on the space’s walls.] -
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Sherry Markovitz, Danny Boy, 1985. [A crafted deer head with horns appears on the wall with various drawn patterns on it.] -
Kenji Kanesaka, still from Hop Scotch, 1967 [Black-and-white image of a figure in a long black coat bending down and drawing a hop scotch pattern in an alleyway using white chalk.] -
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A Strategy Hinted At. Installation view, Artists Space, 1996. [Five works depicting wood patterns in various tones are arranged in a horizontal line on a white wall.] -
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SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [A figure in a blue morph suit kneels down on one knee, placing their hands on top of a table made of wood and fresnel lenses while audience members watch in the background.] -
John Neff, Authorization Sessions Set 2018: Manhattan Project, 2018. Photo: Daniel Pérez [A monitor on a wheeled stand is displayed in the corner of two white walls. The monitor projects an image of a whiteboard with hand written text that reads, "People think because, People lie others..., People ignore..." circled in red, green and blue. A green office swivel chair with headphones is placed in front.] -
[The facade of a cast-iron building with three double door entrances. Real estate listings are illuminated within the windows inside each door. In red tinted transoms above the doors are the letters N, R, O in eccentric white lettering.] -
Zilia Sánchez. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A grid of four drawings on paper displayed on a light, mauve-colored wall. The drawings contain organic shapes and linework depicting abstract forms.] -
Traditions: Five Painters. Installation View, Artists Space, 1978. [Various paintings hang on the walls to the left and right.] -
Peggy Ahwesh, Paranormal Intelligence (Part 2 of The Pittsburgh Trilogy), (1983). [A crowd of people seated in a dark room, facing a screen. On screen, there is an image of a person wearing a striped shirt, holding a towel around their neck.] -
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keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of three figures dressed in white, embracing each other as they run across an empty basement.] -
Viv Latta, from NYC streets portfolio, 2020, digital photograph [A figure centered in the image stares at the viewer wearing a backwards cap. The background appears as a monochrome gray.] -
Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon. [The text "MICHAEL ASHER" is handpainted in black onto a white gallery wall. To the right of the text are two identical plinths made of MDF. The plinths are low to the ground, and display checker board sets.] -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure dressed in white, laying on the floor of a dark room. The figure has one leg raised in the air, shining a light from their pelvic area onto the floor and wall across from them. A small TV monitor sits in the corner.] -
[A pair of leather boots and a power strip rest underneath a blue, wooden chair on a concrete floor.] -
Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a pale yellow background, with red and orange accents throughout. Cut up pieces of light pink paper are scattered throughout the image, and feature typewritten text listing the performers and event details.] -
Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court [A crowd watches two figures in medical scrubs, facing each other on opposite sides of a table with wheels.] -
[A dark illustration featuring a small, white dog at the composition's lower left edge. A black, inky background vaguely resembling a forest surrounds the dog, who pauses mid stride to glance behind itself.] -
Four Artists: An Exhibition of Painting and Sculpture. Installation View. Artists Space, 1985. [Three paintings appear on two adjacent walls in a white-walled gallery space.] -
Susan Eder, c. 1976. From Susan Eder, Matt Mullican, Artists Space, 1976. [A black and white image of two photgraphs on a white surface. The picture on the left is of a pair of swans and the one on the right is of two potted cacti.] -
Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of a gallery space, taken from a wide angle. There is a checkerboard floor, with three large sculptures placed down the center. A large red painting is hung on the left wall. On the right wall are a series of paintings and durags.] -
Portrait of Bill Gunn. [A person sits on a wooden chair and looks off into the distance. His right elbow rests on a table partially visible in the photograph.] -
Model Modernisms. Installation view, Artists Space, 2005. [The corner of a gallery space. At the base of the corner, where both walls meet the floor, a small area of the wall has been removed and replaced with the materials from another building's wall, displayed in a cross-section. Several black and white, framed photo-collages hang on the wall to the right of the corner.] -
Everything is common. Installation view, Artists Space, 2022. Photo: Steven Cottingham. [A color photograph of a galllery space with several dark columns. In between two columns in the foreground is a large fabric projector screen, with a video being projected onto it. In front of the screen are several fabric-wrapped stools. Further in the background a painting is visible on one wall, and a tv screen with a video work is visible on another.] -
[A person wearing a blue jacket and headphones sits at a table, surrounded by windows with view to a rocky, dry terrain.] -
Johanna Went performing at The Whiskey, Los Angeles. Photo: Ed Colver [Black and white image of a performance. The artist is shown standing in front of a microphone, but their face is completely covered in a mask with criss-crossing white stripes. Their upper body is wrapped in a large sheet of thick paper with repeating images pasted onto its surface, and a square cone hat sits at an angle on their head.] -
Young Fluxus. Installation view, Artists Space, 1982. [A number of sculpted objects lie suspended from the ceiling in front of a wall with other sculpted works and a nearby drawing is also visible.] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Audience members are seated along a back wall, with a figure in a blue morph suit seated on a rectangular wooden frame alongside them. Blue light is projected onto a screen in the background.] -
Flipside. Installation view, Artists Space, 2004. [A gallery space with a large metal structure in the middle of the floor. Four straw brooms are suspended from the top of the structure such that they just brush the floor. On the surrounding white walls, there are several pieces of art. One is a colorful canvas with geometric shapes, sharing a wall with several small objects arranged in an oval. On the other wall, there are series of framed depictions of nude figures in various poses.] -
Sidewalk Archives, Artists Space, April 2023 -
Abasement #70. Performance documentation, July 1st, 2024, Artists Space. Photo: Joshua Wildman. [View of 3 performers on stage from center left. Performers pictured in front of soft pink, blue, and white light against a wall. Leftmost performers is seated, speaking into a microphone and manipulating a tape machine with hands. Performer in center is drinking from a blue water bottle. Rightmost performer is making sound through cupped hands into microphone. Sharply defined shadows against back wall. ] -
Attention Line. Installation view (masks, scripts, and videos by Tom Murrin, c. late 1970s-2000s), Artists Space, June 11, 2022 - August 20, 2022. Photo: Filip Wolak [An image of a wall mounted with various colorful masks and cardboard paintings. Below them is a glass display case.] -
Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a gallery space. Various musical instruments and audio devices are placed around the back room, photographs and vitrines hang on the walls, and various television monitors and projections are placed along the sides of the room.] -
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Sonic Godiva Music Fest. Performance documentation, November 19, 2005, Artists Space. [A naked woman with long, brown hair rides on a saddled brown and white horse down a cobbled urban street. One green and one red car are parked on the side of the street directly behind her, and various passerby look up towards her as she passes by. A red flag with white text reading, "UNIQLO" hangs from a rightmost building behind the horse.] -
Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of the corner of a gallery space. The walls are painted with blue accents, and there is a checkerboard floor. Large, vibrant paintings of Black Queer figures hang on the walls. Blue neon lights run along the frame of the window in the corner.] -
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Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a colorful background, with blue, pink, yellow and beige paper. Cut up pieces of beige paper are scattered throughout the image, and feature typewritten text listing the performers and event details.] -
Jean-Michel Wicker. wee willy wanted (la rivoluzione siamo me), 2013 [A black-and-white image of a man, a white bar with text, that reads "WANTED," covers his face. Below, a white bar with text that reads, "wee willy."] -
[Black text on an orange background. The text reads: “Nov 23 / Anne Waldman / No Land / Joey De Jesus.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
Ann Goldstein has been a museum professional for over forty years. She currently serves as Deputy Director and Senior Curator at Large at the Art Institute of Chicago and on the board of directors and as President of the Michael Asher Foundation. Goldsstein joined the Art Institute in 2016 as Deputy Director, and Chair and Dittmer Curator of Modern and Contemporary Art. Prior to joining the museum, she served as Director of the Stedelijk Museum in Amsterdam from 2010–2013, and as Senior Curator at The Museum of Contemporary Art in Los Angeles (MOCA) from 1983–2009. She is recognized for such large-scale historical survey exhibitions as A Minimal Future? Art as Object 1958-1968, 1965-1975: Reconsidering the Object of Art, and A Forest of Signs: Art in the Crisis of Representation, as well as numerous solo exhibitions and projects over the years with Jo Baer, stanley brouwn, Judy Fiskin, Felix Gonzalez-Torres, Roni Horn, Richard Hunt, Mike Kelley, Martin Kippenberger, Barbara Kruger, William Leavitt, Steve McQueen, Cady Noland, Pope.L, Josephine Pryde, Nancy Rubins, Lawrence Weiner, and Christopher Wool, among others. In addition to the Asher Foundation, Goldstein serves as a member of The Felix Gonzalez-Torres Foundation Fellows Forum, on the board of trustees of the Richard Hunt Legacy Foundation, and as a member of the Serralves Museum Advisory Committee. In recognition of her work, the Center for Curatorial Studies at Bard College presented her with the Audrey Irmas Award for Curatorial Excellence in 2012. -
[A red background with white text which reads: "BDS IS THE FLOOR NOT THE CEILING", followed by the Decolonize This Place Logo.] -
Abasement #81. Performance documentation, October 20th, 2025, Artists Space. Photo: Joshua Wildman. [A painted cardboard structure sits on stage. The audience, stage, and wall behind it are bathed in yellow, blue, and green light created by a patterned projection.] -
Cover of Christopher D'Arcangelo, Kunstverein Publishing and Artists Space. Photo: Cathy Weiner. [Scan of the cover and back cover of a book. On the front cover, black text on a white background reads "Christopher D'Arcangelo." The back cover features a black-and-white photograph of a figure doing a headstand, their back facing the viewer. The figure is shirtless, exposing black text written on their skin.] -
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[Black text on an orange background. The text reads: “Nov 9 / Norman Fischer / The New York Neo-Futurists.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
Threads of History students presentation to Principal Guzman and MS324, May 2025 -
Abasement #79. Performance documentation, August 11th, 2025, Artists Space. Photo: Joshua Wildman. [A performer sits on stage, playing a double-neck guitar. ] -
Arnold Dreyblatt. Photo: Cécile Braneyre [Black-and-white photograph of a figure performing on stage. The figure is standing, manipulating the bow of a string instrument. Layed out on the table in front of him is a laptop and various audio devices.] -
Margia Kramer. Installation view, Artists Space, 1980. [Black and white photograph of cursive white text on a black background on the floor.] -
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Apartment Show: If the dogs are barking. Installation view, Artists Space, 2009. [A long, thin metal pole attached to a round base sticks into the air at a jaunty angle in a gallery space. Several metal clamps are attached to the bottom third of the pole. A collection of photographs, drawings, and paintings are framed and hung on the gallery wall behind the metal pole.] -
Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [A figure leans into a microphone from the side with blue, purple, and pink projections cast onto them.] -
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Murray Reich. Zapping for Zeke, 1988. [A red grid of punched-out circles overlays a background of yellow, orange, white, and black rectangles.] -
Crystal Colon, Cherish Atlas, 2014 [An artwork depicting a long pier with checkered black floor, splitting a waterway, with the outline of a city skyline in the distance. Two long cream-colored couches appear in the foreground, alongside a round and rectangular red table. The top left corner of the image contains an empty white circle] -
Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak. [A cluster of four works on paper against a white gallery wall. The works feature swooping, abstract calligraphic strokes in black and light green ink.] -
Sixth Anniversary Exhibition. Installation view, Artists Space, 1979. Artwork by Scott Burton and John Torreano. [In the foreground, a podium displays a curvy white object. Miniature doors and windows are attached to the top edges of the podium facing inward towards the tube-like white object.] -
Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [Miniature houses constructed of documents are displayed in vitrines in the middle of the room. Various photographs utilizing the wall and floor are displayed to the left on a purple section of wall. Tan, illustrated sacks of variable sizes hang on a white wall to the right.] -
Konrad Lueg Boxer , 1964 (Boxers) © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Photo: Daniela Steinfeld [A painting of two boxers engaged in a match. The bodies of both figures are depicted in grey monochrome with colorful attire. The figure on the left wears orange shorts with blue piping while the one on the right wears green shorts with yellow trim. Both are wearing red and white boxing gloves.] -
Abasement #73. Performance documentation, November 4th, 2024, Artists Space. Photo: Joshua Wildman. [Two performers on stage in front of a seated audience. The musician on the left is holding a violin in the air as they use audio equipment on the table in front of them. The musician on the right is sitting playing the drums. The room is red-tinted, and white dots reflected from a disco ball cover the walls.] -
[A slightly weathered sepia photograph of a sculpture of a white cup and saucer. Printed on the cup is the text "HOT COFFEE." The sculpture is set in a desert landscape with low brush plants and brown hills in the background.] -
New Red Order: Feel at Home Here. Installation view, Artists Space, May 19 – August 21, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A wide angle image of a multicolored exhibition space consisting of scattered beach balls, an inflatable pool, a beach umbrella, a beach chair, numerous wall graphics and tv monitors.] -
Rent check envelope prop, c.1970s. Copyright Jack Smith Archive. Courtesy Gladstone Gallery, New York and Brussels [A discolored envolope, stained and frayed, with cursive handwriting that reads "The Lobster Lucky Landlord Paradise".] -
Tiffany Sia, The Bastard Tongue (detail view), 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A long sheet of paper is suspended over the gallery floor. Handrails for the stairs are visible on each side of the photograph.] -
Frank Palaia, When Will We Learn?, 1990. Automobile hood, paint, 48 x 58 inches. [A car hood is shown hanging on a white wall, painted with small, silhouetted figures of people and animals,] -
Sistema Sandinista de Television. Still from Aqui En Esta Esquina (Here On This Corner), 1983. Video (sound, black and white). 30 minutes (excerpted). Spanish with English subtitles. [The back of one figured centered in the image as another figure appears in front of him alongisde a young shirtless child to the right and a seated audience is seen in the background. Scan lines in the image and the outer box of a CRT monitor are visible.] -
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Replica of a Lost Original. Installation view, Artists Space, 2007. Photo: Bill Orcutt. [A gray television sits on a rectangular wooden board. There is a mass of wires next to it that snakes towards a pile of nearby photographs.] -
Constantina Zavitsanos: fwiw. Installation view (Days (Cortlandt Alley Crosswalk), 2024), Artists Space, 2024. Photo: Carter Seddon. [In the corner of a darkened room, a blacked out window hosts a small lens, which projects an image of the crosswalk outside the building onto the wall and ceiling inside.] -
Mara Korkola, No Place, 2002. [Two paintings arranged side by side, both depicting highways with a blur of car lights and tailights.] -
See Around. Installation view, Artists Space, 2008. Photo: Adam Reich. [An image of a shoreline is projected on a trifold screen.] -
Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. Photo: Filip Wolak [A color photograph of a figure standing in an orange-lit space filled with various audio equipment and a stereo player. They lean down to press adjust a dial on an audio mixer.] -
Witnesses: Against Our Vanishing. Installation View, Artists Space, 1989. Photo: Frances Miller Smith. [A wide view of a gallery featuring an array of paintings, sculptures, and photographs hung along a wall and wrapping around a corner.] -
Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata [Color photograph of two figures performing in a dark gallery space, lit only by an installation of LED lights covered in dried SCOBY material. One figure wearing black leans down in front of one of the LED lights. Partly hidden behind a column, another figure stands wearing a red suit.] -
Cover of FWIW: Constantina Zavitsanos. -
[An orange flyer features black sans serif text that reads: "Artists for ARTISTS SPACE / a benefit exhibition / April 27–May 13, 2023." Underneath is the list of participating artists: "Richard Aldrich, Ei Arakawa, Oto Gillen, Renee Gladman, Robert Gober, Richard Hawkins, G. Peter Jemison, Sanya Kantarovsky, Danny McDonald, Julie Mehretu, Jill Mulleady, Ulrike Müller, Yoshitomo Nara, Elizabeth Peyton, Pope.L, Andy Robert, Julia Rommel, Cosima von Bonin."] -
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Flyer by Joe Frivaldi. [Magazine cutouts and printed images overlay a colorful background with red, white, blue and yellow pieces collaged together. A cutout of an eye is placed in the center, and to the right of it is text that reads "ABASEMENT 66." Along the bottom right is a cutout of yellow paper has handwritten text in red ink, listing the performers and date of the performance.] -
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Abasement #72. Performance documentation, October 7th, 2024, Artists Space. Photo: Joshua Wildman. [Nine musicians sitting side by side at tables use electronic instruments. The wall behind them is covered with blue tinted lights. There are a few audience members visible in the foreground.] -
Flyer for Segue Reading Series featuring Nicholas Glastonbury & John Keene. Saturday March 6, 2021, Artists Space. [A pink colored background features black text in the top half of the image that reads, "Segue Reading Series / Nicholas Glastonbury & John Keene / March 6 / 5-6:30pm on Zoom / Suggested donation: Five dollars / Zoom ID: 830 2698 4031." Black text in the bottom right corner reads, "Artists Space."] -
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Whitney Museum of American Art Independent Study Program Studio Exhibition. Installation view, Artists Space, 2018. Photo: Gustavo Murillo Fernández-Valdés. [Two painted portraits sit on the ground of a gallery space to the left of several other artworks. A kite hangs from the ceiling of the exhibition space in the center of the image. Various small documents are tacked across a wall to the right of the kite with red thumbtacks.] -
Jenny Snider. A Solitude Encompassing the World, 1985. -
Guyton\Walker, Fruit Stickers for Artists Space, 2010. Set of 15 inkset printed stickers. [A grid of citrus fruits and coconuts, each cut in half to reveal the interior flesh, is presented in a variety of high contrast colors against a white ground.] -
Camila, watercolor, acrylic and hand stamping, 2024 -
BAS, Istanbul. [A wide shot of an interior space. Several books and pamphlets rest on metal shelving to the image's left and right. A low wall separates the foreground of the image from the background, in which a figure sits at a long desk with their back to the viewer. More pamplets and books are strewn about and propped upon this desk. Several gray square and rectangular canvases hang on the walls.] -
Eniya Alonzia, The Sky, 2018. [A skewed black-and-white image looking up at the façade of a building and the sky. An LED sign spelling "DINER" hangs from the left side of the building.] -
Yasunao Tone: Region of Paramedia. Installation view (ephemera, c. 1980s), Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a vitrine from above. Various ephemera including press releases, photographs, and notes are placed inside.] -
Friends of Artists Space Annual Dinner, 2022. -
Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [An audience watches a performance, smoke and an orange light fill the room.] -
Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court [Two figures wearing medical scrubs hold a mannequin over a table.] -
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Scott Billingsley, still from Hold Up, c. 1977. Color video, 10 min. [A color photograph of two figures in a dark space. The figure on the left wears a mask and points a gun at the figure on the right who is behind a bar.] -
Margo Machida, Altered Fates, 1990. Acrylic on canvas, 48 x 56 inches. [Two faces on a black background, with a black and red patterned rectangle dividing them. The left face is upside-down, and a skeltal hand overlaps the face. The right is upright, and is looking back over their shoulder.] -
Replica of a Lost Original. Installation view, Artists Space, 2007. Photo: Bill Orcutt. [A gray television sits on a rectangular wooden board. There is a mass of wires next to it. In the background, a white paper with black text hangs on a white wall.] -
Installation View from Recent Art From Chicago, Artists Space, March 8, 1986 - April 5, 1986. [Dirt can be seeng lining the walls on the floor and also in the clear cases above them. There is stark lighting of the walls in this gallery setting.] -
Frozen Lakes. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A red metal sculpture displayed on a pedestal in front of a monitor installed on a freestanding wall. The monitor's screen displays an image of three people gathered around the displayed sculpture as it is pieced together.] -
Zilia Sánchez. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A light, mauve-colored wall in an exhibition space displays a pink and white canvas. The canvas is slightly three-dimensional, with elements that stretch in or out from its surface. In the background, a cool-toned canvas of a similar style hangs on a wall.] -
Colin MacCabe, Godard: Images, Sounds, Politics (Macmillan, 1980). [A bifold book cover. A picture of a woman singing into a microphone bleeds across the front and back cover and the title of the book is written in a blocky yellow font.] -
“Decolonize This Museum” protest outside the American Museum of Natural History, October 10, 2016. Photo: Andrés Rodriguez [Two children holding up black signs with white text in front of a building covered by an opaque plastic material, one sign reads "WAKE" and the other reads "Remember."] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Two figures dressed in blue morph suits walk around a basement space. One figure on the right stands behind a semi-circular rolling table made of wood and fresnel lenses. Along the back wall blue and purple live CCTV video footage is projected.] -
Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Malcolm Peacock, How to address the full capacity of our will, 2023), Artists Space, 2023. Photo: Filip Wolak. [A gallery space with two large black treadmills placed on the right side of the room. Along the back and side are doors with large window panes that show the street outside. The edge of a wooden railing can be seen to the left of the treadmills.] -
UniBodies. Installation view, Artists Space, 2006. Photo: Bill Ocrutt. [In the foreground, a clear and grey sculpture rests on top of a white pedestal. In the background, four additional sculptures in arranged from light to dark tones, hang in a row.] -
Cover of Common Ruin, Win McCarthy, 2023. [Scanned image of a white page featuring a geometric drawing of a building divided into squares. Some of the squares are colored in charcoal and others are lightly filled in with pencil. Light smudges of black charcoal appear across the page. In the upper-center of the page, text reads: "Win McCarthy / Common Ruin".] -
Kristin Lucas, a common object has special powers unbeknownst to the players..., 1996. [A poem titled, "a common object has special powers unbeknownst to the players..." printed on a blue and white marbled background. There is a stencil of lines and dots at the bottom of the page.] -
[A person walking down a city street, speaking into a megaphone. Behind her are several cars and a small crowd of onlookers.] -
Richard Klauber. Installation view, Ruth Hardinger, Richard Klauber, Artists Space, 1975. [A color installation photograph of a black, grey, and white abstract painting on a white wall.] -
Individual self-portraits, Untitled, 2021, collage and sequins on paper -
Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [A figure dressed in leather performs on stage with a purple projection on them.] -
Louise Lawler, Who Says, Who Shows, Who Counts, 1990, Three chablis glasses with glass shelf, 8 1/2 x 14 x 4 1/4 in (21,6 x 35,6 x 10,8 cm), Edition of 50, Signed & numbered. [Three wine glasses sit next to each other on a glass shelf with a black background. Each glass has text lasered into the front. From left to right the first says, "who says," the second, "who shows," and the third, "who counts."] -
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Flyer for Segue Reading Series featuring hannah baer and Cyrus Dunham. March 12, 2022, Artists Space. [Black text overlays a light blue background. The top left corner reads: hannah baer / Cyrus Dunham. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, March 12, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5."] -
Tiffany Sia, A Wet Finger in the Air, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A photograph of three TV screens stacked on top of each other. Two small speakers are visible on either side of the TV screens.] -
Tom of Finland: The Pleasure of Play. Installation view, Artists Space, 2015. [Six pornographic illustrations of men near trees are framed on a wall.] -
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Nelissa Rodriguez, 2014 [A colorful drawing of a Goya can behind a package of canilla enriched rice, and an empty cap. Each object is lying on an orange surface, with a green background] -
Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Amiri Baraka, Cellar Vigil (Experimental Death Unit #2), 1966), Artists Space, 2023. Photo: Filip Wolak. [The entrance to a gallery space. Two video stills are projected on the wall facing the entrance. The left projector shows a black-and-white film image of two figures in trench coats with paper bags over their heads doing pushups. On the right is a black-and-white film image of a pair of black shoes hanging over a wooden ledge.] -
Artists Performance Series. Installation view, Artists Space, 1977. [A black and white photograph of a gallery space. A television monitor is placed on a bench on the left, and two figures look on from a couch directly across from the screen. Hanging on the wall to their right are four framed works.] -
Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez. [Two large, orange slug sculptures forming circular ring shapes around cast-iron columns suspended by elastic cords are visible inside a white-walled gallery space along with square paintings on walls in the background.] -
Tauba Auerbach, Reciprocal Helix (Z), 2014, 3D printed matte gold steel, 5 1/2 x 1 1/4 x 2/5 in / 14 x 3,2 x 1,1 cm, Signed and Numbered Certificate. [A gold helix sculpture.] -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure wearing a conical sheath of reflective one-way mirror film. They stand in the corner of a dark room, shining a bright light against the wall behind them. Their silhouette can be vaguely seen under the mirror film.] -
Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater. Installation view, Artists Space, 2019. Photo: Daniel Pérez. [Installation view of a gallery filled with projectors arranged on the floor around three large black columns in the middle of the room. Each projector is projecting a bright white test screen onto white walls, aligned so all play at the same height. A wooden wardrobe stands in the foreground of the image against a white wall.] -
Attention Line. Installation view, Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [The walls on either side of a large glass window have various ephemera hanging from them. On the ground stand four large humanoid costumes, with a TV monitor behind them.] -
Renee Gladman, Slowly We Have the Feeling: Score, 2019-2022. Pastel and pigment on paper. Courtesy of the Artist [A drawing of a diagram on black paper with a white circle in the center and arrows and angles pointing around the circle is accentuated by blocks and lines of orange, blue, pink and red that intersect with or fill in areas around the white lines.] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Three figures perform in front of an audience. Two figures in blue morph suits face off with a wooden table between them, while a third figure takes video footage of the scene.] -
SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a TV screen playing blue-tinted video footage of the performance with a fresnel lens placed in front of the screen, distorting the image.] -
Gary Burnley, Martin Cohen, Candace Hill-Montgomery, Louis Stein, and Haim Steinbach. Contact sheet of photos from exhibition opening, Artists Space, 1979. Photos by Gary Burnley. [Contact sheet of installation images taken during exhibition opening.] -
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Flyer for Segue Reading Series featuring Ron Silliman and Tonya Foster. Saturday, January 9, 2021, Artists Space. [An image of multiple abstract line drawings. The drawings on the left are depicted in black and the drawings on the right are depicted in a range of colors. Black text over the top half of the image reads "Ron Silliman/ Tonya Foster." Black and white text layed out vertically between drawings reads "Segue" and black text on the lower half of the image reads, "9 January / 5 pm".] -
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![The busts of two figures are drawn in black ink in front of a grey background. Below each figure is a text bubble that read: [below figure on left]](data:image/svg+xml,%3Csvg xmlns='http://www.w3.org/2000/svg' width='1500' height='1057'%3E%3C/svg%3E)
Amy Sillman, Turtlenecks, 2007, Archival ink jet on Somerset Paper, 11 1/4 x 17 1/2 inches (28.6 x 44.5 cm), Edition of 17, 10 AP, 1 BAT, Courtesy the artist and Sikkema Jenkins & Co., Printed by Jean-Yves Noblet Contemporary Prints. [The busts of two figures are drawn in black ink in front of a grey background. Below each figure is a text bubble that read: [below figure on left] "When did you get here?" [below figure on right] "Are you going to Basel?" At the bottom, center of the page is written "Turtlenecks."] -
Everything is common. Installation view, Artists Space, 2022. Photo: Steven Cottingham. [Color photograph of a gallery installation view. Two walls converge in a corner: on the left wall is a larger, colorful painting with a smaller one to its right. On the right wall, there is one smaller painting and one black and white image under plexiglass.] -
Frozen Lakes. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A man stands at a copy machine with the hood lifted and its light on. On a wall directly behind the copy machine, black fabric hangs from a small, horizontal pole to the right of the standing figure.] -
Production still from Black Picture Show, 1978. Photo: Marshall Johnson. Image courtesy of the artist. [Two people sit at a table while a third person places a plate of food in front of them.] -
Ei Arakawa, WEWORK BABIES. Performance documentation, Artists Space, December 8, 2019. Photo © Paula Court. [A crowd of people standing outdoors surround several performers. The performers intermingle with the crowd, holding metal poles, some looking at a baby doll which is photographed in midair after being thrown upwards.] -
Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a figure in a red suit performing in a darkly lit room with LED light sculptures in the background. The figure holds their left hand out in a gesture, and with their right hand holds a mask in front of their face.] -
Beverly Semmes, Still from Cornelia Walking Through the Formal Garden in the Pink Feather Coat and Hedge Hat, 1988. [A photograph of a figure in a long furry coat who walks along a path in a lush garden, their back facing the camera.] -
Flipside. Installation view, Artists Space, 2004. [A small black table leans at an angle, one corner resting on a white wall and one leg resting on an inflated balloon with a face printed on it. Coming out of the ballon is a flowered dress, attached to a fan by an inflation tube. Beyond that, visible behind a half wall, are two red shades with holes covering two windows.] -
David Schafer: Western Agenda. Installation view, Artists Space, 1991. [A black and white photograph of a tall metal sculpture in an otherwise empty room, surrounded by white columns. The sculpture has a tall platform with a narrow ladder and has several support wires.] -
Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013. [A bar with four wooden stools positioned in the corner of a room. A neon sign hangs above to the left of a fiber sculpture. On the left wall, a monitor is displayed on top of plastered posters.] -
Sherry Markovitz, Marmele Veiled, 1983. [A sculpted deer head with numerous designed drawn on it is viewed upright and with a veil hanging over it with a white background.] -
Sharon Hayes, Symbionese Liberation Army (SLA), 2002. [Stacks of labeled VHS tapes of varying heights arranged against a white wall.] -
SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement with two sculptures made of wood and fresnel lenses placed on either side of the image. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.] -
Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [Two figures dance on stage in black-and-white.] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Image of a dimly-lit basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.] -
Doris Guo, angst, 2023 [Color image of a small pinhole projector, sitting on a pedestal and facing a wall to the left of the image. On the wall, an image of a red pearlescent ball, with a small white pearlescant ball attached on top, is projected.] -
Rip It Up and Start Again. Installation view, Artists Space, 2010. Photo: Daniel Pérez. -
Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court [An image of two figures in blue scrubs standing on opposite ends of a sterile table. A medical mannequin on the table is covered in shiny red silk fabric. In the background, there are projections and forms draped in yellow fabric.] -
The columns held us up. Installation view, Artists Space, 2009. Photo: Adam Reich. [A dark room with a video projection on the wall and several benches. The image shows a crowd of people, some children and some adults, sitting on grass and watching a guitar player.] -
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Eiko Ishibashi: Two New York Nights. Performance documentation, June 8, 2022, 8pm. Artists Space, New York. [A figure facing a microphone looks upon a computer with audio software open.] -
Deven Golden. Drawing for Death of Pompey, 1986. [A drawing with seven figures without appendages where six of them are carry a large figure and one follow behind. The outline of an urban landscape is visible behind them.] -
ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A small store display shelf stuffed with Gap clothing store bags and a small palm tree. On the wall, a blue band wraps around to the adjacent wall with text that reads "Every customer will have their needs determined and merchandise suggested to meet those needs.". Above the text is a multilayered light display.] -
Sigmar Polke Das Palmen Bild , 1964 (Boxers) © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Photo: Daniela Steinfeld [An illustration of two green palm trees on a diagnal, sloped down to the bottom left corner, pale yellow triangle. The background contains a pattern of dark brown, gray, red, and yellow stripes.]
![The busts of two figures are drawn in black ink in front of a grey background. Below each figure is a text bubble that read: [below figure on left]](https://artistsspace.org/media/pages/store/editions/3365211628-1623172903/sillman-turtlenecks-lo-res-168x.jpg)
![The busts of two figures are drawn in black ink in front of a grey background. Below each figure is a text bubble that read: [below figure on left]](https://artistsspace.org/media/pages/store/editions/3365211628-1623172903/sillman-turtlenecks-lo-res.jpg)
