• pages
  • images
  • texts
  • videos
  • artists
  • A brochure cover for <i>The New World Order III: The Curio Shop at Artists Space</i>. There are collaged images of various photographs and restaurant marquees, and additional information about the location and time of the exhibition.
    A brochure cover for <i>The New World Order III: The Curio Shop at Artists Space</i>. There are collaged images of various photographs and restaurant marquees, and additional information about the location and time of the exhibition.
    [A brochure cover for The New World Order III: The Curio Shop at Artists Space. There are collaged images of various photographs and restaurant marquees, and additional information about the location and time of the exhibition.]
    Caption
    Image description A brochure cover for The New World Order III: The Curio Shop at Artists Space. There are collaged images of various photographs and restaurant marquees, and additional information about the location and time of the exhibition.
    Year 1993
    Related pages A New World Order III: The Curio Shop
  • A figure in a blue morph suit stands, their hands on their waist, and looks to the left. A figure behind them films them. Blue video footage is projected onto the back wall.
    A figure in a blue morph suit stands, their hands on their waist, and looks to the left. A figure behind them films them. Blue video footage is projected onto the back wall.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [A figure in a blue morph suit stands, their hands on their waist, and looks to the left. A figure behind them films them. Blue video footage is projected onto the back wall.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description A figure in a blue morph suit stands, their hands on their waist, and looks to the left. A figure behind them films them. Blue video footage is projected onto the back wall.
    Year 2022
    Related pages SCRAAATCH 11-18
  • A grid of fifteen black and white monitors, each displaying a unique text that names objects, phenomena, or other nouns characterizing an unidentified subject, such as
    A grid of fifteen black and white monitors, each displaying a unique text that names objects, phenomena, or other nouns characterizing an unidentified subject, such as
    Felix Gonzalez-Torres, “Untitled” (A Portrait), 1991. 5 min. [A grid of fifteen black and white monitors, each displaying a unique text that names objects, phenomena, or other nouns characterizing an unidentified subject, such as "a silver sea," "civil disobedience," and "a new lesion."]
    Caption Felix Gonzalez-Torres, “Untitled” (A Portrait), 1991. 5 min.
    Image description A grid of fifteen black and white monitors, each displaying a unique text that names objects, phenomena, or other nouns characterizing an unidentified subject, such as "a silver sea," "civil disobedience," and "a new lesion."
    Year 1991
    Related pages Film and Video Program | Macho Man, Tell It To My Heart: Collected by Julie Ault | January 23
  • Close up image of a series of black shelves mounted to a white wall. Various wooden blocks painted with scenes of crowds, witches, and other characters are placed on the shelves, alongside smaller blocks decorated with white letters that spell out words including
    Close up image of a series of black shelves mounted to a white wall. Various wooden blocks painted with scenes of crowds, witches, and other characters are placed on the shelves, alongside smaller blocks decorated with white letters that spell out words including
    [Close up image of a series of black shelves mounted to a white wall. Various wooden blocks painted with scenes of crowds, witches, and other characters are placed on the shelves, alongside smaller blocks decorated with white letters that spell out words including "stooge," "atheist," and "traitor." At the center of the shelves sits a black figurine of a goat.]
    Caption
    Image description Close up image of a series of black shelves mounted to a white wall. Various wooden blocks painted with scenes of crowds, witches, and other characters are placed on the shelves, alongside smaller blocks decorated with white letters that spell out words including "stooge," "atheist," and "traitor." At the center of the shelves sits a black figurine of a goat.
    Year 1991
    Related pages Project: Our Bodice, Our Selves
  • A small wooden stool is presented on a white pedestal.
    A small wooden stool is presented on a white pedestal.
    Brad Kronz. Installation view, Artists Space, 2025. Photo: Carter Seddon [A small wooden stool is presented on a white pedestal. ]
    Caption Brad Kronz. Installation view, Artists Space, 2025. Photo: Carter Seddon
    Image description A small wooden stool is presented on a white pedestal.
    Year
    Related pages Brad Kronz
  • A film still of a woman, captured from the shoulders up, standing in an outdoor field. The white subtitle reads
    A film still of a woman, captured from the shoulders up, standing in an outdoor field. The white subtitle reads
    Anton Vidokle, still from This Is Cosmos, 2014. [A film still of a woman, captured from the shoulders up, standing in an outdoor field. The white subtitle reads "that death is a mistake."]
    Caption Anton Vidokle, still from This Is Cosmos, 2014.
    Image description A film still of a woman, captured from the shoulders up, standing in an outdoor field. The white subtitle reads "that death is a mistake."
    Year 2014
    Related pages This Is Cosmos
  • A closed room; in the foreground is a white table with varoius documents. On the back wall hangs a black and white portrait of a man on a blue patterened wall. To the right adjacent wall, hang a grid of photogrpahs.
    A closed room; in the foreground is a white table with varoius documents. On the back wall hangs a black and white portrait of a man on a blue patterened wall. To the right adjacent wall, hang a grid of photogrpahs.
    Living with Pop. A Reproduction of Capitalist Realism. Installation view of the section “Galerie Schmela (1966),” Artists Space, 2014. [A closed room; in the foreground is a white table with varoius documents. On the back wall hangs a black and white portrait of a man on a blue patterened wall. To the right adjacent wall, hang a grid of photogrpahs.]
    Caption Living with Pop. A Reproduction of Capitalist Realism. Installation view of the section “Galerie Schmela (1966),” Artists Space, 2014.
    Image description A closed room; in the foreground is a white table with varoius documents. On the back wall hangs a black and white portrait of a man on a blue patterened wall. To the right adjacent wall, hang a grid of photogrpahs.
    Year 2014
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • An angled view of three light, mauve-colored and parallel walls displaying drawings and paneled canvases in an exhibition space with wooden flooring. The canvases are slightly three-dimensional, with elements that stretch in or out from their surfaces.
    An angled view of three light, mauve-colored and parallel walls displaying drawings and paneled canvases in an exhibition space with wooden flooring. The canvases are slightly three-dimensional, with elements that stretch in or out from their surfaces.
    Zilia Sánchez. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [An angled view of three light, mauve-colored and parallel walls displaying drawings and paneled canvases in an exhibition space with wooden flooring. The canvases are slightly three-dimensional, with elements that stretch in or out from their surfaces.]
    Caption Zilia Sánchez. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description An angled view of three light, mauve-colored and parallel walls displaying drawings and paneled canvases in an exhibition space with wooden flooring. The canvases are slightly three-dimensional, with elements that stretch in or out from their surfaces.
    Year 2013
    Related pages Zilia Sánchez
  • Detail view of the smaller display case, looking through a narrow glass window. Five mugs are stacked in a corner, and a short pipe curls around the center of the case. A black-and-white image of a shirtless man wearing ripped jeans and boots is printed on the surface.
    Detail view of the smaller display case, looking through a narrow glass window. Five mugs are stacked in a corner, and a short pipe curls around the center of the case. A black-and-white image of a shirtless man wearing ripped jeans and boots is printed on the surface.
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Detail view of the smaller display case, looking through a narrow glass window. Five mugs are stacked in a corner, and a short pipe curls around the center of the case. A black-and-white image of a shirtless man wearing ripped jeans and boots is printed on the surface.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Detail view of the smaller display case, looking through a narrow glass window. Five mugs are stacked in a corner, and a short pipe curls around the center of the case. A black-and-white image of a shirtless man wearing ripped jeans and boots is printed on the surface.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • An installation consisting of a series of readymade objects displayed on a wooden gallery floor. To the right, an open book rests on a wooden folding chair. One metal clamp light is attached to the chair, while a second light is attached to a reclining, green lounge chair on the left of the gallery space. Two additional clamp lights rest on the floor between the chairs. An ashy material is scattered on the ground between the chairs.
    An installation consisting of a series of readymade objects displayed on a wooden gallery floor. To the right, an open book rests on a wooden folding chair. One metal clamp light is attached to the chair, while a second light is attached to a reclining, green lounge chair on the left of the gallery space. Two additional clamp lights rest on the floor between the chairs. An ashy material is scattered on the ground between the chairs.
    Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt. [An installation consisting of a series of readymade objects displayed on a wooden gallery floor. To the right, an open book rests on a wooden folding chair. One metal clamp light is attached to the chair, while a second light is attached to a reclining, green lounge chair on the left of the gallery space. Two additional clamp lights rest on the floor between the chairs. An ashy material is scattered on the ground between the chairs.]
    Caption Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt.
    Image description An installation consisting of a series of readymade objects displayed on a wooden gallery floor. To the right, an open book rests on a wooden folding chair. One metal clamp light is attached to the chair, while a second light is attached to a reclining, green lounge chair on the left of the gallery space. Two additional clamp lights rest on the floor between the chairs. An ashy material is scattered on the ground between the chairs.
    Year 1997
    Related pages Lines of Loss
  • Two men walking inside a large inflatable sphere being followed by a crowd of people, some who are filming them, outside in a grassy and paved area.
    Two men walking inside a large inflatable sphere being followed by a crowd of people, some who are filming them, outside in a grassy and paved area.
    Tilo Schulz, Remake Performance, Artists Space, 2004. [Two men walking inside a large inflatable sphere being followed by a crowd of people, some who are filming them, outside in a grassy and paved area.]
    Caption Tilo Schulz, Remake Performance, Artists Space, 2004.
    Image description Two men walking inside a large inflatable sphere being followed by a crowd of people, some who are filming them, outside in a grassy and paved area.
    Year 2004
    Related pages Repeat Performance
  • A black and white image of a woman looking into the camera. She has a wide-brimmed hat with a sheer veil over her face, and dark makeup.
    A black and white image of a woman looking into the camera. She has a wide-brimmed hat with a sheer veil over her face, and dark makeup.
    Film still from Now Voyager, 1942. [A black and white image of a woman looking into the camera. She has a wide-brimmed hat with a sheer veil over her face, and dark makeup.]
    Caption Film still from Now Voyager, 1942.
    Image description A black and white image of a woman looking into the camera. She has a wide-brimmed hat with a sheer veil over her face, and dark makeup.
    Year 1942
    Related pages Now, Voyager
  • Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 20 / Imani Elizabeth Jackson / Emily Simon.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 20 / Imani Elizabeth Jackson / Emily Simon.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 20 / Imani Elizabeth Jackson / Emily Simon.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 20 / Imani Elizabeth Jackson / Emily Simon.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Imani Elizabeth Jackson & Emily Simon
  • Caption
    Image description
    Year
    Related pages Abasement #83
  • A black and white image of person in a coverall jumpsuit and backwards baseball cap reading aloud from a music stand. Behind them, a pair of sunglasses is shown on a white background.
    A black and white image of person in a coverall jumpsuit and backwards baseball cap reading aloud from a music stand. Behind them, a pair of sunglasses is shown on a white background.
    Joelle de la Casiniere. Still from La Grimoire Magnetique, 1983. 26 minutes. Photo: Micki McGee. [A black and white image of person in a coverall jumpsuit and backwards baseball cap reading aloud from a music stand. Behind them, a pair of sunglasses is shown on a white background.]
    Caption Joelle de la Casiniere. Still from La Grimoire Magnetique, 1983. 26 minutes. Photo: Micki McGee.
    Image description A black and white image of person in a coverall jumpsuit and backwards baseball cap reading aloud from a music stand. Behind them, a pair of sunglasses is shown on a white background.
    Year 1983
    Related pages Body Language: Studies in Female Expression
  • Two photographs are mounted on a white gallery wall.
    Two photographs are mounted on a white gallery wall.
    Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979. [Two photographs are mounted on a white gallery wall.]
    Caption Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979.
    Image description Two photographs are mounted on a white gallery wall.
    Year 1979
    Related pages Place, (title to be determined), for a Participant: Ken Feingold
  • Two figures behind music stands perform before a seated audience. One of the figures wears a striped shirt and has turned away from the figure beside them, who gazes out towards the audience as they speak.
    Two figures behind music stands perform before a seated audience. One of the figures wears a striped shirt and has turned away from the figure beside them, who gazes out towards the audience as they speak.
    The Owl Answers. Performance documentation, February 29, 2020, Artists Space. Photo ©️ 2020 Filip Wolak. [Two figures behind music stands perform before a seated audience. One of the figures wears a striped shirt and has turned away from the figure beside them, who gazes out towards the audience as they speak.]
    Caption The Owl Answers. Performance documentation, February 29, 2020, Artists Space. Photo ©️ 2020 Filip Wolak.
    Image description Two figures behind music stands perform before a seated audience. One of the figures wears a striped shirt and has turned away from the figure beside them, who gazes out towards the audience as they speak.
    Year 2020
    Related pages The Owl Answers
  • Black-and-white photograph of a blurred figure in motion sitting behind a wooden desk surrounded by audio equipment in a sparse room.
    Black-and-white photograph of a blurred figure in motion sitting behind a wooden desk surrounded by audio equipment in a sparse room.
    Yasunao Tone performing Music for 2 CD Players at Experimental Intermedia Foundation, New York, 1986. [Black-and-white photograph of a blurred figure in motion sitting behind a wooden desk surrounded by audio equipment in a sparse room.]
    Caption Yasunao Tone performing Music for 2 CD Players at Experimental Intermedia Foundation, New York, 1986.
    Image description Black-and-white photograph of a blurred figure in motion sitting behind a wooden desk surrounded by audio equipment in a sparse room.
    Year 1986
    Related pages Yasunao Tone: Region of Paramedia
  • Caption
    Image description
    Year
    Related pages Christopher D'Arcangelo
  • A performer plays the drums on stage. The stage and the wall behind it are bathed in blue, pink, and orange light.
    A performer plays the drums on stage. The stage and the wall behind it are bathed in blue, pink, and orange light.
    Abasement #80. Performance documentation, September 22nd, 2025, Artists Space. Photo: Joshua Wildman. [A performer plays the drums on stage. The stage and the wall behind it are bathed in blue, pink, and orange light. ]
    Caption Abasement #80. Performance documentation, September 22nd, 2025, Artists Space. Photo: Joshua Wildman.
    Image description A performer plays the drums on stage. The stage and the wall behind it are bathed in blue, pink, and orange light.
    Year
    Related pages Abasement #80
  • Two figures dressed in blue morph suits walk around a basement space. One figure on the right stands behind a semi-circular rolling table made of wood and fresnel lenses. Along the back wall blue and purple live CCTV video footage is projected.
    Two figures dressed in blue morph suits walk around a basement space. One figure on the right stands behind a semi-circular rolling table made of wood and fresnel lenses. Along the back wall blue and purple live CCTV video footage is projected.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Two figures dressed in blue morph suits walk around a basement space. One figure on the right stands behind a semi-circular rolling table made of wood and fresnel lenses. Along the back wall blue and purple live CCTV video footage is projected.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Two figures dressed in blue morph suits walk around a basement space. One figure on the right stands behind a semi-circular rolling table made of wood and fresnel lenses. Along the back wall blue and purple live CCTV video footage is projected.
    Year 2022
    Related pages SCRAAATCH 11-18
  • A brown and green object with a processing chip imbedded in its front sits on a white base. There is a battery with two wires sticking out the left side, and a small, silver crank device sitting on top.
    A brown and green object with a processing chip imbedded in its front sits on a white base. There is a battery with two wires sticking out the left side, and a small, silver crank device sitting on top.
    Not yet titled, 2019
    Clay, glaze, mixed media
    7 x 12 x 17 inches (variable)
    $5,000
    [A brown and green object with a processing chip imbedded in its front sits on a white base. There is a battery with two wires sticking out the left side, and a small, silver crank device sitting on top.]
    Caption Not yet titled, 2019
    Clay, glaze, mixed media
    7 x 12 x 17 inches (variable)
    $5,000
    Image description A brown and green object with a processing chip imbedded in its front sits on a white base. There is a battery with two wires sticking out the left side, and a small, silver crank device sitting on top.
    Year 2019
    Related pages Trisha Baga Edition
  • A figure wearing a red hoodie pours oil into a cooking pan on a stove while a figure wearing a T-shirt and jeans in the background chops a produce item. Another pot is visible on the stove along and a cabinet and light appear above the stove.
    A figure wearing a red hoodie pours oil into a cooking pan on a stove while a figure wearing a T-shirt and jeans in the background chops a produce item. Another pot is visible on the stove along and a cabinet and light appear above the stove.
    Isa Suero, from Help, 2020, portfolio, digital photograph [A figure wearing a red hoodie pours oil into a cooking pan on a stove while a figure wearing a T-shirt and jeans in the background chops a produce item. Another pot is visible on the stove along and a cabinet and light appear above the stove.]
    Caption Isa Suero, from Help, 2020, portfolio, digital photograph
    Image description A figure wearing a red hoodie pours oil into a cooking pan on a stove while a figure wearing a T-shirt and jeans in the background chops a produce item. Another pot is visible on the stove along and a cabinet and light appear above the stove.
    Year 2020
    Related pages BRIDGE Photography
  • A doubled arrow points to the top left corner of the image. In the bottom left, a diagonal yellow stripe outlined with red lines is overlaid with curving text that reads
    A doubled arrow points to the top left corner of the image. In the bottom left, a diagonal yellow stripe outlined with red lines is overlaid with curving text that reads
    Lawrence Weiner. WITH A SHIFT, 2013, Silkscreen on archival box, 24 ½ x 20 ½ x 1 ½ in 62 x 52 x 4 cm, Signed and Numbered. [A doubled arrow points to the top left corner of the image. In the bottom left, a diagonal yellow stripe outlined with red lines is overlaid with curving text that reads "WITH A SHIFT SIMULTANEOUS REALITIES COLLIDE"]
    Caption Lawrence Weiner. WITH A SHIFT, 2013, Silkscreen on archival box, 24 ½ x 20 ½ x 1 ½ in 62 x 52 x 4 cm, Signed and Numbered.
    Image description A doubled arrow points to the top left corner of the image. In the bottom left, a diagonal yellow stripe outlined with red lines is overlaid with curving text that reads "WITH A SHIFT SIMULTANEOUS REALITIES COLLIDE"
    Year 2014
    Related pages Artists Space Annual Edition Portfolio 2014
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A red leather armchair with a coffee table on a gray rug in the corner of a room. On the coffee table, there are several books, a lamp, and an old radio. On the opposite wall, there are three photographs each showing the view out of three different windows.
    A red leather armchair with a coffee table on a gray rug in the corner of a room. On the coffee table, there are several books, a lamp, and an old radio. On the opposite wall, there are three photographs each showing the view out of three different windows.
    Flipside. Installation view, Artists Space, 2004. [A red leather armchair with a coffee table on a gray rug in the corner of a room. On the coffee table, there are several books, a lamp, and an old radio. On the opposite wall, there are three photographs each showing the view out of three different windows.]
    Caption Flipside. Installation view, Artists Space, 2004.
    Image description A red leather armchair with a coffee table on a gray rug in the corner of a room. On the coffee table, there are several books, a lamp, and an old radio. On the opposite wall, there are three photographs each showing the view out of three different windows.
    Year 2004
    Related pages Flipside
  • A greyscale Polaroid of two shirtless men looking into each other's eyes.
    A greyscale Polaroid of two shirtless men looking into each other's eyes.
    Mark Morrisroe, Untitled [Stephen and Mark], c. 1984. Courtesy The Estate of Mark Morrisroe (Ringier Collection) at Fotomuseum Winterthur. [A greyscale Polaroid of two shirtless men looking into each other's eyes.]
    Caption Mark Morrisroe, Untitled [Stephen and Mark], c. 1984. Courtesy The Estate of Mark Morrisroe (Ringier Collection) at Fotomuseum Winterthur.
    Image description A greyscale Polaroid of two shirtless men looking into each other's eyes.
    Year 2011
    Related pages Mark Morrisroe: From This Moment On
  • White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Feb 3 / Coco Gordon Moore / Tongo Eisen-Martin
    White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Feb 3 / Coco Gordon Moore / Tongo Eisen-Martin
    [White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Feb 3 / Coco Gordon Moore / Tongo Eisen-Martin" Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Feb 3 / Coco Gordon Moore / Tongo Eisen-Martin" Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year
    Related pages Segue Reading Series: Coco Gordon Moore & Tongo Eisen-Martin
  • Jose, Plant observation, drawing, 2025
    Caption Jose, Plant observation, drawing, 2025
    Image description
    Year
    Related pages Threads of History
  • Two photographs are mounted on a white gallery wall.
    Two photographs are mounted on a white gallery wall.
    Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979. [Two photographs are mounted on a white gallery wall.]
    Caption Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979.
    Image description Two photographs are mounted on a white gallery wall.
    Year 1979
    Related pages Place, (title to be determined), for a Participant: Ken Feingold
  • Image of a dimly lit basement. Along the back wall, on the left, a shadow of a figure in profile is cast onto a blue and purple projected screen.
    Image of a dimly lit basement. Along the back wall, on the left, a shadow of a figure in profile is cast onto a blue and purple projected screen.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Image of a dimly lit basement. Along the back wall, on the left, a shadow of a figure in profile is cast onto a blue and purple projected screen.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a dimly lit basement. Along the back wall, on the left, a shadow of a figure in profile is cast onto a blue and purple projected screen.
    Year 2022
    Related pages SCRAAATCH 12-3
  • Five framed works on paper, one individual work on the left and a cluster of four on the right, hang on a white gallery wall. Works feature abstract, calligraphic strokes in black ink on paper. Individual work on the left includes hand-painted text reading
    Five framed works on paper, one individual work on the left and a cluster of four on the right, hang on a white gallery wall. Works feature abstract, calligraphic strokes in black ink on paper. Individual work on the left includes hand-painted text reading
    Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak. [Five framed works on paper, one individual work on the left and a cluster of four on the right, hang on a white gallery wall. Works feature abstract, calligraphic strokes in black ink on paper. Individual work on the left includes hand-painted text reading "3 concerts, improvised music. La Monte Young - sopranino saxophone, Angus MacLise - hand drums, drone, 8-12pm Sundays - August 12, 19, 26, 10-4 Group Gallery, 73 4th Avenue, contribution $1.50" ]
    Caption Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak.
    Image description Five framed works on paper, one individual work on the left and a cluster of four on the right, hang on a white gallery wall. Works feature abstract, calligraphic strokes in black ink on paper. Individual work on the left includes hand-painted text reading "3 concerts, improvised music. La Monte Young - sopranino saxophone, Angus MacLise - hand drums, drone, 8-12pm Sundays - August 12, 19, 26, 10-4 Group Gallery, 73 4th Avenue, contribution $1.50"
    Year
    Related pages Dream Lines: Drawings by Marian Zazeela
  • Three wine glasses sit next to each other on a glass shelf with a black background. Each glass has text lasered into the front. From left to right the first says,
    Three wine glasses sit next to each other on a glass shelf with a black background. Each glass has text lasered into the front. From left to right the first says,
    Louise Lawler, Who Says, Who Shows, Who Counts, 1990, Three chablis glasses with glass shelf, 8 1/2 x 14 x 4 1/4 in (21,6 x 35,6 x 10,8 cm), Edition of 50, Signed & numbered. [Three wine glasses sit next to each other on a glass shelf with a black background. Each glass has text lasered into the front. From left to right the first says, "who says," the second, "who shows," and the third, "who counts."]
    Caption Louise Lawler, Who Says, Who Shows, Who Counts, 1990, Three chablis glasses with glass shelf, 8 1/2 x 14 x 4 1/4 in (21,6 x 35,6 x 10,8 cm), Edition of 50, Signed & numbered.
    Image description Three wine glasses sit next to each other on a glass shelf with a black background. Each glass has text lasered into the front. From left to right the first says, "who says," the second, "who shows," and the third, "who counts."
    Year 1990
    Related pages Editions
  • A collection of posters, drawings, paintings, photographs, and collages hang in clusters on a white gallery wall. On the right of the wall is a closed doorway. A long, multicolored poll wedged into a wood stump sits on the gallery floor.
    A collection of posters, drawings, paintings, photographs, and collages hang in clusters on a white gallery wall. On the right of the wall is a closed doorway. A long, multicolored poll wedged into a wood stump sits on the gallery floor.
    Apartment Show: If the dogs are barking. Installation view, Artists Space, 2009. [A collection of posters, drawings, paintings, photographs, and collages hang in clusters on a white gallery wall. On the right of the wall is a closed doorway. A long, multicolored poll wedged into a wood stump sits on the gallery floor.]
    Caption Apartment Show: If the dogs are barking. Installation view, Artists Space, 2009.
    Image description A collection of posters, drawings, paintings, photographs, and collages hang in clusters on a white gallery wall. On the right of the wall is a closed doorway. A long, multicolored poll wedged into a wood stump sits on the gallery floor.
    Year 2009
    Related pages Apartment Show: If the dogs are barking
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Color photograph of a five person band on stage. To the left, a musician playing a guitar wears a black and white vertically striped shirt and a black conductor hat. They sing into a microphone. To the left of the musician playing guitar, another musician holds a guitar while wearing a white button up and black leather pants. Behind the guitarist, a musician in a black tee shirt plays a set of drums. On the right side of the image, a musician plays a bass in a black tee shirt and jeans. To the left of the bassists, a vocalist in a cargo jacket and black beanie prepares to vocalize into the microphone. The stage and the wall behind the stage are illuminated by a colorful projection. Some of the band's shadows appear in the projection. 
    Color photograph of a five person band on stage. To the left, a musician playing a guitar wears a black and white vertically striped shirt and a black conductor hat. They sing into a microphone. To the left of the musician playing guitar, another musician holds a guitar while wearing a white button up and black leather pants. Behind the guitarist, a musician in a black tee shirt plays a set of drums. On the right side of the image, a musician plays a bass in a black tee shirt and jeans. To the left of the bassists, a vocalist in a cargo jacket and black beanie prepares to vocalize into the microphone. The stage and the wall behind the stage are illuminated by a colorful projection. Some of the band's shadows appear in the projection. 
    Abasement #68. Performance documentation, February 12, 2024, Artists Space. Photo: Joshua Wildman. [Color photograph of a five person band on stage. To the left, a musician playing a guitar wears a black and white vertically striped shirt and a black conductor hat. They sing into a microphone. To the left of the musician playing guitar, another musician holds a guitar while wearing a white button up and black leather pants. Behind the guitarist, a musician in a black tee shirt plays a set of drums. On the right side of the image, a musician plays a bass in a black tee shirt and jeans. To the left of the bassists, a vocalist in a cargo jacket and black beanie prepares to vocalize into the microphone. The stage and the wall behind the stage are illuminated by a colorful projection. Some of the band's shadows appear in the projection. ]
    Caption Abasement #68. Performance documentation, February 12, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Color photograph of a five person band on stage. To the left, a musician playing a guitar wears a black and white vertically striped shirt and a black conductor hat. They sing into a microphone. To the left of the musician playing guitar, another musician holds a guitar while wearing a white button up and black leather pants. Behind the guitarist, a musician in a black tee shirt plays a set of drums. On the right side of the image, a musician plays a bass in a black tee shirt and jeans. To the left of the bassists, a vocalist in a cargo jacket and black beanie prepares to vocalize into the microphone. The stage and the wall behind the stage are illuminated by a colorful projection. Some of the band's shadows appear in the projection. 
    Year
    Related pages Abasement #68
  • Color image of three individuals standing together outside in front of a wall covered in graffiti. Two women with red hair and vibrant outfits flank and engage with an individual in the middle.
    Color image of three individuals standing together outside in front of a wall covered in graffiti. Two women with red hair and vibrant outfits flank and engage with an individual in the middle.
    Abasement #63. Performance documentation, July 17, 2023, Artists Space. Photo: Joshua Wildman. [Color image of three individuals standing together outside in front of a wall covered in graffiti. Two women with red hair and vibrant outfits flank and engage with an individual in the middle.]
    Caption Abasement #63. Performance documentation, July 17, 2023, Artists Space. Photo: Joshua Wildman.
    Image description Color image of three individuals standing together outside in front of a wall covered in graffiti. Two women with red hair and vibrant outfits flank and engage with an individual in the middle.
    Year
    Related pages Abasement #63
  • A pink colored background features black text in the top half of the image that reads,
    A pink colored background features black text in the top half of the image that reads,
    Flyer for Segue Reading Series featuring Nicholas Glastonbury & John Keene. Saturday March 6, 2021, Artists Space. [A pink colored background features black text in the top half of the image that reads, "Segue Reading Series / Nicholas Glastonbury & John Keene / March 6 / 5-6:30pm on Zoom / Suggested donation: Five dollars / Zoom ID: 830 2698 4031." Black text in the bottom right corner reads, "Artists Space."]
    Caption Flyer for Segue Reading Series featuring Nicholas Glastonbury & John Keene. Saturday March 6, 2021, Artists Space.
    Image description A pink colored background features black text in the top half of the image that reads, "Segue Reading Series / Nicholas Glastonbury & John Keene / March 6 / 5-6:30pm on Zoom / Suggested donation: Five dollars / Zoom ID: 830 2698 4031." Black text in the bottom right corner reads, "Artists Space."
    Year 2021
    Related pages Segue Reading Series: Nicholas Glastonbury & John Keene
  • A black-and-white photograph of a man crouching and speaking in front of a spotlight. The outlines of two people in front of the speaker are faintly visible.
    A black-and-white photograph of a man crouching and speaking in front of a spotlight. The outlines of two people in front of the speaker are faintly visible.
    Served Up! R.M. Fischer, Postcard, Artists Space, 1979. [A black-and-white photograph of a man crouching and speaking in front of a spotlight. The outlines of two people in front of the speaker are faintly visible.]
    Caption Served Up! R.M. Fischer, Postcard, Artists Space, 1979.
    Image description A black-and-white photograph of a man crouching and speaking in front of a spotlight. The outlines of two people in front of the speaker are faintly visible.
    Year 1979
    Related pages Served Up! R. M. Fischer
  • A brown object housed in a mirrored glass case. An inscription on the case's surface reads,
    A brown object housed in a mirrored glass case. An inscription on the case's surface reads,
    DUOX: DUOX4Larkin. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [A brown object housed in a mirrored glass case. An inscription on the case's surface reads, "BRAINWASH 408-983-2800." The case itself is enclosed in a larger glass vitrine supported by a white and orange table.]
    Caption DUOX: DUOX4Larkin. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description A brown object housed in a mirrored glass case. An inscription on the case's surface reads, "BRAINWASH 408-983-2800." The case itself is enclosed in a larger glass vitrine supported by a white and orange table.
    Year 2012
    Related pages DUOX: DUOX4Larkin
  • An image of a mixed-media sculpture.
    An image of a mixed-media sculpture.
    James Luna, High-Tech-Peace-Pipe, 2000, mixed media, touch-tone phone, pipe, dimensions variable. Photo: Filip Wolak [An image of a mixed-media sculpture.]
    Caption James Luna, High-Tech-Peace-Pipe, 2000, mixed media, touch-tone phone, pipe, dimensions variable. Photo: Filip Wolak
    Image description An image of a mixed-media sculpture.
    Year 2022
    Related pages Attention Line
  • White text on a blue and grey ombré background. The text reads: “Feb 1 / Shelley Hirsch / Maggie Lee.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    White text on a blue and grey ombré background. The text reads: “Feb 1 / Shelley Hirsch / Maggie Lee.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [White text on a blue and grey ombré background. The text reads: “Feb 1 / Shelley Hirsch / Maggie Lee.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description White text on a blue and grey ombré background. The text reads: “Feb 1 / Shelley Hirsch / Maggie Lee.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Shelley Hirsch & Maggie Lee
  • A slightly grainy image of a man standing shirtless with his arms crossed. He has a large, floral tattoo spanning from shoulder to shoulder across his chest, and a cigarette in his mouth.
    A slightly grainy image of a man standing shirtless with his arms crossed. He has a large, floral tattoo spanning from shoulder to shoulder across his chest, and a cigarette in his mouth.
    Samuel Steward [A slightly grainy image of a man standing shirtless with his arms crossed. He has a large, floral tattoo spanning from shoulder to shoulder across his chest, and a cigarette in his mouth.]
    Caption Samuel Steward
    Image description A slightly grainy image of a man standing shirtless with his arms crossed. He has a large, floral tattoo spanning from shoulder to shoulder across his chest, and a cigarette in his mouth.
    Year 2012
    Related pages Secret Historian
  • A large red pole with matching brackets stretches from floor to ceiling, holding up an spread of Artists Space's 1987 *We The People* exhibition catalog. To the left of the pole, a brown paper bag with an illustration of an Indigenous man wearing a ten-gallon hat sits on top of a white desk. To the left of the pole, a bookshelf with floating shelves is partially visible, holding many colorful books.
    A large red pole with matching brackets stretches from floor to ceiling, holding up an spread of Artists Space's 1987 *We The People* exhibition catalog. To the left of the pole, a brown paper bag with an illustration of an Indigenous man wearing a ten-gallon hat sits on top of a white desk. To the left of the pole, a bookshelf with floating shelves is partially visible, holding many colorful books.
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A large red pole with matching brackets stretches from floor to ceiling, holding up an spread of Artists Space's 1987 *We The People* exhibition catalog. To the left of the pole, a brown paper bag with an illustration of an Indigenous man wearing a ten-gallon hat sits on top of a white desk. To the left of the pole, a bookshelf with floating shelves is partially visible, holding many colorful books.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description A large red pole with matching brackets stretches from floor to ceiling, holding up an spread of Artists Space's 1987 *We The People* exhibition catalog. To the left of the pole, a brown paper bag with an illustration of an Indigenous man wearing a ten-gallon hat sits on top of a white desk. To the left of the pole, a bookshelf with floating shelves is partially visible, holding many colorful books.
    Year 2017
    Related pages Unholding
  • Two children holding up black signs with white text in front of a building covered by an opaque plastic material, one sign reads
    Two children holding up black signs with white text in front of a building covered by an opaque plastic material, one sign reads
    “Decolonize This Museum” protest outside the American Museum of Natural History, October 10, 2016. Photo: Andrés Rodriguez [Two children holding up black signs with white text in front of a building covered by an opaque plastic material, one sign reads "WAKE" and the other reads "Remember."]
    Caption “Decolonize This Museum” protest outside the American Museum of Natural History, October 10, 2016. Photo: Andrés Rodriguez
    Image description Two children holding up black signs with white text in front of a building covered by an opaque plastic material, one sign reads "WAKE" and the other reads "Remember."
    Year 2016
    Related pages Decolonize This Place
  • Colorful animal figures appear in space with a black background.
    Colorful animal figures appear in space with a black background.
    Gerome Kamrowski. Trinity, 1978. [Colorful animal figures appear in space with a black background.]
    Caption Gerome Kamrowski. Trinity, 1978.
    Image description Colorful animal figures appear in space with a black background.
    Year
    Related pages Moderns in Mind
  • Collage featuring a color image of the Mr. Peanut brand logo surrounded by black-and-white imagery, including a boy carrying a bindle.
    Collage featuring a color image of the Mr. Peanut brand logo surrounded by black-and-white imagery, including a boy carrying a bindle.
    Frederick Weston, SoBar, 2018. Collage. [Collage featuring a color image of the Mr. Peanut brand logo surrounded by black-and-white imagery, including a boy carrying a bindle.]
    Caption Frederick Weston, SoBar, 2018. Collage.
    Image description Collage featuring a color image of the Mr. Peanut brand logo surrounded by black-and-white imagery, including a boy carrying a bindle.
    Year 2018
    Related pages Fag, Stag, or Drag?
  • In a large, open gallery space, several photographs hang on walls to the right. To the left, multiple small monitors mounted to a colorful gallery wall play video works. In front of the monitors, there are wooden stools with headphones resting upon them.
    In a large, open gallery space, several photographs hang on walls to the right. To the left, multiple small monitors mounted to a colorful gallery wall play video works. In front of the monitors, there are wooden stools with headphones resting upon them.
    Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose. Installation view, Artists Space, 2012. Photo: Daniel Pérez.. [In a large, open gallery space, several photographs hang on walls to the right. To the left, multiple small monitors mounted to a colorful gallery wall play video works. In front of the monitors, there are wooden stools with headphones resting upon them.]
    Caption Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose. Installation view, Artists Space, 2012. Photo: Daniel Pérez..
    Image description In a large, open gallery space, several photographs hang on walls to the right. To the left, multiple small monitors mounted to a colorful gallery wall play video works. In front of the monitors, there are wooden stools with headphones resting upon them.
    Year 2012
    Related pages Radical Localism: Art, Video and Culture from Pueblo Nuevo’s Mexicali Rose
  • Color image of front view of a booth inside an art fair. On the right wall hangs a colorful drawing. At the center of the booth, an installation shows the corner of a domestic space, with a window on each side and black and white curtains with pink flowers. Through the windows, the leg of a chair, a lamp, an easel, and some drawings can be seen.
    Color image of front view of a booth inside an art fair. On the right wall hangs a colorful drawing. At the center of the booth, an installation shows the corner of a domestic space, with a window on each side and black and white curtains with pink flowers. Through the windows, the leg of a chair, a lamp, an easel, and some drawings can be seen.
    Drake Carr: Housecalls. Installation view, Artists Space at the Armory Show, 2023. Photo: Filip Wolak. [Color image of front view of a booth inside an art fair. On the right wall hangs a colorful drawing. At the center of the booth, an installation shows the corner of a domestic space, with a window on each side and black and white curtains with pink flowers. Through the windows, the leg of a chair, a lamp, an easel, and some drawings can be seen.]
    Caption Drake Carr: Housecalls. Installation view, Artists Space at the Armory Show, 2023. Photo: Filip Wolak.
    Image description Color image of front view of a booth inside an art fair. On the right wall hangs a colorful drawing. At the center of the booth, an installation shows the corner of a domestic space, with a window on each side and black and white curtains with pink flowers. Through the windows, the leg of a chair, a lamp, an easel, and some drawings can be seen.
    Year
    Related pages Drake Carr: Housecalls
  • Text superimposed across a deep green and blue image of architectural blueprints depicting both structures and topography. Small white text on the center right side of the image reads,
    Text superimposed across a deep green and blue image of architectural blueprints depicting both structures and topography. Small white text on the center right side of the image reads,
    [Text superimposed across a deep green and blue image of architectural blueprints depicting both structures and topography. Small white text on the center right side of the image reads, "L.E.FT : SQUATVILLE / 03.09 - 05.01.2004 / ARCHITECTURE + DESIGN PROJECT SERIES." Large yellow text running up the left side of the image and arranged such that it reads from the bottom to the top of the image reads, "ARTISTS SPACE."]
    Caption
    Image description Text superimposed across a deep green and blue image of architectural blueprints depicting both structures and topography. Small white text on the center right side of the image reads, "L.E.FT : SQUATVILLE / 03.09 - 05.01.2004 / ARCHITECTURE + DESIGN PROJECT SERIES." Large yellow text running up the left side of the image and arranged such that it reads from the bottom to the top of the image reads, "ARTISTS SPACE."
    Year 2004
    Related pages L.E.F T: Squatville, 2004
  • Cave of Animals, Listening Room project, May 2024
    Caption Cave of Animals, Listening Room project, May 2024
    Image description
    Year
    Related pages Exhibitions and Events
  • A geometric, silver metal sculpture sits on a wooden gallery floor in a brightly-lit gallery space. The sculpture is modular and consists of rectangular and triangular metal components arranged in a tall, ring-shaped structure.
    A geometric, silver metal sculpture sits on a wooden gallery floor in a brightly-lit gallery space. The sculpture is modular and consists of rectangular and triangular metal components arranged in a tall, ring-shaped structure.
    Charlotte Posenenske. Configured by the staff of Artists Space. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A geometric, silver metal sculpture sits on a wooden gallery floor in a brightly-lit gallery space. The sculpture is modular and consists of rectangular and triangular metal components arranged in a tall, ring-shaped structure.]
    Caption Charlotte Posenenske. Configured by the staff of Artists Space. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description A geometric, silver metal sculpture sits on a wooden gallery floor in a brightly-lit gallery space. The sculpture is modular and consists of rectangular and triangular metal components arranged in a tall, ring-shaped structure.
    Year 2010
    Related pages Charlotte Posenenske
  • A glossy black frame surrounds a painting of a man in a grey suit seated at a table. The man is wearing a white earpiece and is leaning forward towards a microphone. His fingers are tented on top of the table in an emphatic gesture.
    A glossy black frame surrounds a painting of a man in a grey suit seated at a table. The man is wearing a white earpiece and is leaning forward towards a microphone. His fingers are tented on top of the table in an emphatic gesture.
    Lukas Duwenhögger: Undoolay. Installation view, Artists Space, 2016. Photo credit: Jean Vong. [A glossy black frame surrounds a painting of a man in a grey suit seated at a table. The man is wearing a white earpiece and is leaning forward towards a microphone. His fingers are tented on top of the table in an emphatic gesture.]
    Caption Lukas Duwenhögger: Undoolay. Installation view, Artists Space, 2016. Photo credit: Jean Vong.
    Image description A glossy black frame surrounds a painting of a man in a grey suit seated at a table. The man is wearing a white earpiece and is leaning forward towards a microphone. His fingers are tented on top of the table in an emphatic gesture.
    Year 2016
    Related pages Lukas Duwenhögger: Undoolay
  • White text on a black background spells out
    White text on a black background spells out
    [White text on a black background spells out "THEHEARTOFYOURMOTHERFORMYDOGS"]
    Caption
    Image description White text on a black background spells out "THEHEARTOFYOURMOTHERFORMYDOGS"
    Year 2009
    Related pages When Time Becomes Form: The Heart of Your Mother for My Dogs
  • A brick on the bround with black text on it that reads,
    A brick on the bround with black text on it that reads,
    Group Material: Primer (for Raymond Williams). Artists Space, 1982. [A brick on the bround with black text on it that reads, "No heat." Above this brick in black lettering on the wall is text that reads from left to right, "born brick burn."]
    Caption Group Material: Primer (for Raymond Williams). Artists Space, 1982.
    Image description A brick on the bround with black text on it that reads, "No heat." Above this brick in black lettering on the wall is text that reads from left to right, "born brick burn."
    Year
    Related pages Group Material: Primer (for Raymond Williams)
  • A color image of a white wall with windows and black and white curtains with pink flowers. Through the windows, a figure is seen laying down on a sofa. Only the legs are visible.
    A color image of a white wall with windows and black and white curtains with pink flowers. Through the windows, a figure is seen laying down on a sofa. Only the legs are visible.
    Drake Carr: Housecalls. Performance documentation, September 7, 2023, Artists Space at the Armory Show. Photo: Joshua Wildman. [A color image of a white wall with windows and black and white curtains with pink flowers. Through the windows, a figure is seen laying down on a sofa. Only the legs are visible.]
    Caption Drake Carr: Housecalls. Performance documentation, September 7, 2023, Artists Space at the Armory Show. Photo: Joshua Wildman.
    Image description A color image of a white wall with windows and black and white curtains with pink flowers. Through the windows, a figure is seen laying down on a sofa. Only the legs are visible.
    Year
    Related pages Drake Carr: Housecalls
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Color image of a video installation in the center of the floor of a gallery space. A walkway made of plywood runs along the edges of the room, around the projection. The projection depicts a negative film image that has been mirrored along the center. Objects are arranged on a blue background to create vaguely recognizable images.
    Color image of a video installation in the center of the floor of a gallery space. A walkway made of plywood runs along the edges of the room, around the projection. The projection depicts a negative film image that has been mirrored along the center. Objects are arranged on a blue background to create vaguely recognizable images.
    Crystal Z Campbell: Ode to the Underloved. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color image of a video installation in the center of the floor of a gallery space. A walkway made of plywood runs along the edges of the room, around the projection. The projection depicts a negative film image that has been mirrored along the center. Objects are arranged on a blue background to create vaguely recognizable images.]
    Caption Crystal Z Campbell: Ode to the Underloved. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color image of a video installation in the center of the floor of a gallery space. A walkway made of plywood runs along the edges of the room, around the projection. The projection depicts a negative film image that has been mirrored along the center. Objects are arranged on a blue background to create vaguely recognizable images.
    Year
    Related pages Crystal Z Campbell
  • Bold, black text of varying sizes arranged in a rectangular block on a white background reads,
    Bold, black text of varying sizes arranged in a rectangular block on a white background reads,
    [Bold, black text of varying sizes arranged in a rectangular block on a white background reads, "TREAT A COMPLETE STRANGER / AS A LOVER, HUG THEM / AS GOOD FRIENDS, AS THEY ARE / OR AS 10 YEARS AGO YOU MIGHT HAVE HAD / FABULOUS SEX / WITH ABSOLUTE ABANDON / WITH THE SAME STRANGER. / NOW LIFE IS RAVAGED / AND WE OFFER LOVE FROM THE SAME ROOT OF BOUNDLESS / COMPASSION."]
    Caption
    Image description Bold, black text of varying sizes arranged in a rectangular block on a white background reads, "TREAT A COMPLETE STRANGER / AS A LOVER, HUG THEM / AS GOOD FRIENDS, AS THEY ARE / OR AS 10 YEARS AGO YOU MIGHT HAVE HAD / FABULOUS SEX / WITH ABSOLUTE ABANDON / WITH THE SAME STRANGER. / NOW LIFE IS RAVAGED / AND WE OFFER LOVE FROM THE SAME ROOT OF BOUNDLESS / COMPASSION."
    Year 1993
    Related pages AIDS FORUM: John Giorno
  • A flyer featuring a vintage orange and black computer with a small monitor and chunky keyboard set against a saturated yellow background. White, stylized text on a faded computer screen reads:
    A flyer featuring a vintage orange and black computer with a small monitor and chunky keyboard set against a saturated yellow background. White, stylized text on a faded computer screen reads:
    [A flyer featuring a vintage orange and black computer with a small monitor and chunky keyboard set against a saturated yellow background. White, stylized text on a faded computer screen reads: "A READING BY ALAN FELSENTHAL AND BETSY FAGIN." Red text on the yellow background in the upper left corner reads: "Artists Space & the Segue Reading Series present" and in the lower right corner: "Saturday May 23rd / 5 pm NYC time / Zoom ID 378 232 567”]
    Caption
    Image description A flyer featuring a vintage orange and black computer with a small monitor and chunky keyboard set against a saturated yellow background. White, stylized text on a faded computer screen reads: "A READING BY ALAN FELSENTHAL AND BETSY FAGIN." Red text on the yellow background in the upper left corner reads: "Artists Space & the Segue Reading Series present" and in the lower right corner: "Saturday May 23rd / 5 pm NYC time / Zoom ID 378 232 567”
    Year 2020
    Related pages Segue Reading Series: Betsy Fagin & Alan Felsenthal
  • A view of Chinatown at night, with a projection onto the side of a building which reads
    A view of Chinatown at night, with a projection onto the side of a building which reads
    Chinatown Art Brigade and The Illuminator Here to Stay, September 24, 2016 Courtesy Chinatown Art Brigade. Photo: KahEan Chang [A view of Chinatown at night, with a projection onto the side of a building which reads "Save Chinatown" with its own image of Chinatown storefronts underneath.]
    Caption Chinatown Art Brigade and The Illuminator Here to Stay, September 24, 2016 Courtesy Chinatown Art Brigade. Photo: KahEan Chang
    Image description A view of Chinatown at night, with a projection onto the side of a building which reads "Save Chinatown" with its own image of Chinatown storefronts underneath.
    Year 2016
    Related pages Decolonize This Place
  • Caption
    Image description
    Year
    Related pages Anne Gardiner: Through the Tulips and The Red Red Rose - May 2
  • Three performers, from left to right, sit singing, playing the drums, and operating a sound board on stage.
    Three performers, from left to right, sit singing, playing the drums, and operating a sound board on stage.
    Abasement #84. Performance documentation, February 16th, 2026, Artists Space. Photo: Joshua Wildman. [Three performers, from left to right, sit singing, playing the drums, and operating a sound board on stage. ]
    Caption Abasement #84. Performance documentation, February 16th, 2026, Artists Space. Photo: Joshua Wildman.
    Image description Three performers, from left to right, sit singing, playing the drums, and operating a sound board on stage.
    Year
    Related pages Abasement #84
  • Portrait of a musician playing the cello with a bow.
    Portrait of a musician playing the cello with a bow.
    Axine M: Sold Licker Glass, 2024, Artists Space. Courtesy of ISSUE Project Room. Photography by Cameron Kelly McLeod. [Portrait of a musician playing the cello with a bow.]
    Caption Axine M: Sold Licker Glass, 2024, Artists Space. Courtesy of ISSUE Project Room. Photography by Cameron Kelly McLeod.
    Image description Portrait of a musician playing the cello with a bow.
    Year
    Related pages Axine M: Sold Licker Glass
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • A film still of a crowd of people sitting in rows of seats. Some wear sunglasses. Most do not speak to one another but gaze forward or glance around themselves.
    A film still of a crowd of people sitting in rows of seats. Some wear sunglasses. Most do not speak to one another but gaze forward or glance around themselves.
    Still from Eli Noyes and Claudia Weill's IDCA 1970, 1970. [A film still of a crowd of people sitting in rows of seats. Some wear sunglasses. Most do not speak to one another but gaze forward or glance around themselves.]
    Caption Still from Eli Noyes and Claudia Weill's IDCA 1970, 1970.
    Image description A film still of a crowd of people sitting in rows of seats. Some wear sunglasses. Most do not speak to one another but gaze forward or glance around themselves.
    Year 1970
    Related pages The Aspen Complex
  • Color photograph of a gallery space. A free-standing wall sits in the middle of the space, holding framed CDs, a projected image of a man and a truck, and an audio device. On the floor in front of the wall sits a television monitor.
    Color photograph of a gallery space. A free-standing wall sits in the middle of the space, holding framed CDs, a projected image of a man and a truck, and an audio device. On the floor in front of the wall sits a television monitor.
    Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a gallery space. A free-standing wall sits in the middle of the space, holding framed CDs, a projected image of a man and a truck, and an audio device. On the floor in front of the wall sits a television monitor.]
    Caption Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photograph of a gallery space. A free-standing wall sits in the middle of the space, holding framed CDs, a projected image of a man and a truck, and an audio device. On the floor in front of the wall sits a television monitor.
    Year 2023
    Related pages Yasunao Tone: Region of Paramedia
  • Two girls stand, cutting threads, while working on a handmade chandelier. The chandelier has a small number of flower petals, with a purple rose in the center
    Two girls stand, cutting threads, while working on a handmade chandelier. The chandelier has a small number of flower petals, with a purple rose in the center
    Collaborative team working on chandelier, 2018 [Two girls stand, cutting threads, while working on a handmade chandelier. The chandelier has a small number of flower petals, with a purple rose in the center]
    Caption Collaborative team working on chandelier, 2018
    Image description Two girls stand, cutting threads, while working on a handmade chandelier. The chandelier has a small number of flower petals, with a purple rose in the center
    Year 2018
    Related pages Threads of History
  • Black-and-white photograph of a reed organ covered in plastic with an ice cube placed on top of the keyboard, a microphone stand, and a music stand with a clock resting on it. In the background is a stage with chairs set up.
    Black-and-white photograph of a reed organ covered in plastic with an ice cube placed on top of the keyboard, a microphone stand, and a music stand with a clock resting on it. In the background is a stage with chairs set up.
    Yasunao Tone performing Genealogy and Music, Event 201, Merce Cunningham Studio, New York, 1978 [Black-and-white photograph of a reed organ covered in plastic with an ice cube placed on top of the keyboard, a microphone stand, and a music stand with a clock resting on it. In the background is a stage with chairs set up.]
    Caption Yasunao Tone performing Genealogy and Music, Event 201, Merce Cunningham Studio, New York, 1978
    Image description Black-and-white photograph of a reed organ covered in plastic with an ice cube placed on top of the keyboard, a microphone stand, and a music stand with a clock resting on it. In the background is a stage with chairs set up.
    Year
    Related pages Yasunao Tone Concert #2
  • A series of rectangular panels and tiles of varying dimensions installed on a white wall. The installed elements are positioned adjacent to one another, forming a larger irregular shape. The panels feature black, white, and muted colors. Some feature abstract painted compositions and color blocks, others include text or line drawings.
    A series of rectangular panels and tiles of varying dimensions installed on a white wall. The installed elements are positioned adjacent to one another, forming a larger irregular shape. The panels feature black, white, and muted colors. Some feature abstract painted compositions and color blocks, others include text or line drawings.
    I Thought I Had Time. Installation view, Artists Space, 1992. [A series of rectangular panels and tiles of varying dimensions installed on a white wall. The installed elements are positioned adjacent to one another, forming a larger irregular shape. The panels feature black, white, and muted colors. Some feature abstract painted compositions and color blocks, others include text or line drawings.]
    Caption I Thought I Had Time. Installation view, Artists Space, 1992.
    Image description A series of rectangular panels and tiles of varying dimensions installed on a white wall. The installed elements are positioned adjacent to one another, forming a larger irregular shape. The panels feature black, white, and muted colors. Some feature abstract painted compositions and color blocks, others include text or line drawings.
    Year 1992
    Related pages I Thought I Had Time
  • Fishing for sound in the East River, 2022
    Caption Fishing for sound in the East River, 2022
    Image description
    Year 2022
    Related pages Listening to the LES
  • Photograph of a framed work on paper. In the work, a figure with back turned to the viewer sinks into a plié. The figure is repeated four times in the work.
    Photograph of a framed work on paper. In the work, a figure with back turned to the viewer sinks into a plié. The figure is repeated four times in the work.
    Installation view, Robert Morgan. Artists Space, 1977. [Photograph of a framed work on paper. In the work, a figure with back turned to the viewer sinks into a plié. The figure is repeated four times in the work.]
    Caption Installation view, Robert Morgan. Artists Space, 1977.
    Image description Photograph of a framed work on paper. In the work, a figure with back turned to the viewer sinks into a plié. The figure is repeated four times in the work.
    Year 1977
    Related pages Robert Morgan
  • Caption
    Image description
    Year
    Related pages fwiw
  • A black and white installation photograph of a sculpture. The work features two wooden rods, connected to form an obtuse angle in the center. The end of each rod has a set of wheels, and the piece rests on a sling-like piece of sturdy fabric.
    A black and white installation photograph of a sculpture. The work features two wooden rods, connected to form an obtuse angle in the center. The end of each rod has a set of wheels, and the piece rests on a sling-like piece of sturdy fabric.
    Louisa Chase. Installation view, Louisa Chase, Ted Stamm, Meryl Vladimer, Artists Space, 1975. [A black and white installation photograph of a sculpture. The work features two wooden rods, connected to form an obtuse angle in the center. The end of each rod has a set of wheels, and the piece rests on a sling-like piece of sturdy fabric.]
    Caption Louisa Chase. Installation view, Louisa Chase, Ted Stamm, Meryl Vladimer, Artists Space, 1975.
    Image description A black and white installation photograph of a sculpture. The work features two wooden rods, connected to form an obtuse angle in the center. The end of each rod has a set of wheels, and the piece rests on a sling-like piece of sturdy fabric.
    Year 1975
    Related pages Louisa Chase, Ted Stamm, Meryl Vladimer
  • Three figures appear in distinctive dress flowing through space around each other as if in a duel amongst themselves with a black background.
    Three figures appear in distinctive dress flowing through space around each other as if in a duel amongst themselves with a black background.
    Installations by Jurgen Partenheimer and Stuart Wilson. Installation view, Artists Space, 1982. [Three figures appear in distinctive dress flowing through space around each other as if in a duel amongst themselves with a black background.]
    Caption Installations by Jurgen Partenheimer and Stuart Wilson. Installation view, Artists Space, 1982.
    Image description Three figures appear in distinctive dress flowing through space around each other as if in a duel amongst themselves with a black background.
    Year
    Related pages Installations by Jürgen Partenheimer and Stuart Wilson
  • Color photograph of a gallery space with two dark columns. In the foreground, a cornhole board is visible resting on the floor. In the background, a work on a video monitor is installed on a desk that has two chairs in front of it. A chandelier hangs from the ceiling near the furthermost column and rests on the floor. In the left side of the background, a wall is filled with images and has a mounted monitor with a video work.
    Color photograph of a gallery space with two dark columns. In the foreground, a cornhole board is visible resting on the floor. In the background, a work on a video monitor is installed on a desk that has two chairs in front of it. A chandelier hangs from the ceiling near the furthermost column and rests on the floor. In the left side of the background, a wall is filled with images and has a mounted monitor with a video work.
    Everything is common. Installation view, Artists Space, 2022. Photo: Steven Cottingham. [Color photograph of a gallery space with two dark columns. In the foreground, a cornhole board is visible resting on the floor. In the background, a work on a video monitor is installed on a desk that has two chairs in front of it. A chandelier hangs from the ceiling near the furthermost column and rests on the floor. In the left side of the background, a wall is filled with images and has a mounted monitor with a video work.]
    Caption Everything is common. Installation view, Artists Space, 2022. Photo: Steven Cottingham.
    Image description Color photograph of a gallery space with two dark columns. In the foreground, a cornhole board is visible resting on the floor. In the background, a work on a video monitor is installed on a desk that has two chairs in front of it. A chandelier hangs from the ceiling near the furthermost column and rests on the floor. In the left side of the background, a wall is filled with images and has a mounted monitor with a video work.
    Year
    Related pages Whitney Independent Study: Everything is Common
  • Black and white scan of a photograph of a figure standing on a tall square plinth in a gallery space, in front of an obscured crowd of viewers. The figure poses like a statue with their hands on their hips, wearing a pair of overalls and high, blocky heels, and a phallic strap-on around their waist.
    Black and white scan of a photograph of a figure standing on a tall square plinth in a gallery space, in front of an obscured crowd of viewers. The figure poses like a statue with their hands on their hips, wearing a pair of overalls and high, blocky heels, and a phallic strap-on around their waist.
    Scott Burton, Performance Portrait of the Artist with Cothurni and Ithyphallus, 25 April 1974. Documentation of performance at Artists Space. Courtesy Estate of Scott Burton. [Black and white scan of a photograph of a figure standing on a tall square plinth in a gallery space, in front of an obscured crowd of viewers. The figure poses like a statue with their hands on their hips, wearing a pair of overalls and high, blocky heels, and a phallic strap-on around their waist.]
    Caption Scott Burton, Performance Portrait of the Artist with Cothurni and Ithyphallus, 25 April 1974. Documentation of performance at Artists Space. Courtesy Estate of Scott Burton.
    Image description Black and white scan of a photograph of a figure standing on a tall square plinth in a gallery space, in front of an obscured crowd of viewers. The figure poses like a statue with their hands on their hips, wearing a pair of overalls and high, blocky heels, and a phallic strap-on around their waist.
    Year
    Related pages Queer Behavior: Scott Burton and Performance Art.
  • Caption
    Image description
    Year
    Related pages Milford Graves: Fundamental Frequency
  • A hand extends its fingers admist a shower of droplets of liquid. A bright light shines on the hand and droplets.
    A hand extends its fingers admist a shower of droplets of liquid. A bright light shines on the hand and droplets.
    [A hand extends its fingers admist a shower of droplets of liquid. A bright light shines on the hand and droplets.]
    Caption
    Image description A hand extends its fingers admist a shower of droplets of liquid. A bright light shines on the hand and droplets.
    Year 2008
    Related pages Nina in Position
  • An assortment of fake flowers, tinsel, a disfigured mannequin's leg, used tissues, empty whiskey bottles, and other festive detritus.
    An assortment of fake flowers, tinsel, a disfigured mannequin's leg, used tissues, empty whiskey bottles, and other festive detritus.
    Jack Smith, Untitled (Plaster Foundation of Atlantis), 35mm slide, c. 1970. Copyright: Jack Smith Archive. Courtesy Gladstone Gallery, New York and Brussels. [An assortment of fake flowers, tinsel, a disfigured mannequin's leg, used tissues, empty whiskey bottles, and other festive detritus.]
    Caption Jack Smith, Untitled (Plaster Foundation of Atlantis), 35mm slide, c. 1970. Copyright: Jack Smith Archive. Courtesy Gladstone Gallery, New York and Brussels.
    Image description An assortment of fake flowers, tinsel, a disfigured mannequin's leg, used tissues, empty whiskey bottles, and other festive detritus.
    Year 1970
    Related pages Jack Smith: Art Crust of Spiritual Oasis
  • Three metal cutouts of hands hold neon green cards displayed on a white wall. The hand on the rightmost side of the wall is holding up its middle finger.
    Three metal cutouts of hands hold neon green cards displayed on a white wall. The hand on the rightmost side of the wall is holding up its middle finger.
    The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich. [Three metal cutouts of hands hold neon green cards displayed on a white wall. The hand on the rightmost side of the wall is holding up its middle finger.]
    Caption The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich.
    Image description Three metal cutouts of hands hold neon green cards displayed on a white wall. The hand on the rightmost side of the wall is holding up its middle finger.
    Year 2014
    Related pages The Issues of Our Time
  • A monitor on a wheeled stand is displayed in the corner of two white walls. The monitor projects an image of a whiteboard with hand written text that reads,
    A monitor on a wheeled stand is displayed in the corner of two white walls. The monitor projects an image of a whiteboard with hand written text that reads,
    John Neff, Authorization Sessions Set 2018: Manhattan Project, 2018. Photo: Daniel Pérez [A monitor on a wheeled stand is displayed in the corner of two white walls. The monitor projects an image of a whiteboard with hand written text that reads, "People think because, People lie others..., People ignore..." circled in red, green and blue. A green office swivel chair with headphones is placed in front.]
    Caption John Neff, Authorization Sessions Set 2018: Manhattan Project, 2018. Photo: Daniel Pérez
    Image description A monitor on a wheeled stand is displayed in the corner of two white walls. The monitor projects an image of a whiteboard with hand written text that reads, "People think because, People lie others..., People ignore..." circled in red, green and blue. A green office swivel chair with headphones is placed in front.
    Year 2018
    Related pages Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff
  • An image of a woman riding a bull through a green bank note. One hand holds on to the reins of the bull, the other scatters bills. She wears a yellow dress that is opening at the top.
    An image of a woman riding a bull through a green bank note. One hand holds on to the reins of the bull, the other scatters bills. She wears a yellow dress that is opening at the top.
    [An image of a woman riding a bull through a green bank note. One hand holds on to the reins of the bull, the other scatters bills. She wears a yellow dress that is opening at the top.]
    Caption
    Image description An image of a woman riding a bull through a green bank note. One hand holds on to the reins of the bull, the other scatters bills. She wears a yellow dress that is opening at the top.
    Year 2009
    Related pages Spending in 2008
  • A collection of drawings, paintings, tote bags, and posters hang on a gallery wall. Two geometric, carpet-like shapes are spread across the floor before the wall.
    A collection of drawings, paintings, tote bags, and posters hang on a gallery wall. Two geometric, carpet-like shapes are spread across the floor before the wall.
    Apartment Show: If the dogs are barking. Installation view, Artists Space, 2009. [A collection of drawings, paintings, tote bags, and posters hang on a gallery wall. Two geometric, carpet-like shapes are spread across the floor before the wall.]
    Caption Apartment Show: If the dogs are barking. Installation view, Artists Space, 2009.
    Image description A collection of drawings, paintings, tote bags, and posters hang on a gallery wall. Two geometric, carpet-like shapes are spread across the floor before the wall.
    Year 2009
    Related pages Apartment Show: If the dogs are barking
  • A large white MDF board rests against a gray wall. A series of metal sardine cans are placed across the MDF board in a loose grid.
    A large white MDF board rests against a gray wall. A series of metal sardine cans are placed across the MDF board in a loose grid.
    William Pope.L, Maybe, 2009-2010. MDF board, sardine cans, plastic bag, cardboard box, nails, electrical extension cord, paint, graphite. 96 x 96 x 18 inches. [A large white MDF board rests against a gray wall. A series of metal sardine cans are placed across the MDF board in a loose grid. ]
    Caption William Pope.L, Maybe, 2009-2010. MDF board, sardine cans, plastic bag, cardboard box, nails, electrical extension cord, paint, graphite. 96 x 96 x 18 inches.
    Image description A large white MDF board rests against a gray wall. A series of metal sardine cans are placed across the MDF board in a loose grid.
    Year
    Related pages Arnold Kemp
  • Caption
    Image description
    Year
    Related pages fwiw
  • An aerial view of a hand painted drumset on a wooden floor.
    An aerial view of a hand painted drumset on a wooden floor.
    Milford Graves, Hand-painted Drums, c. 1970s. Wood and metal bass drums, toms, snares, acrylic paint, and mixed media. Dimensions variable. Photo: Filip Wolak. [An aerial view of a hand painted drumset on a wooden floor.]
    Caption Milford Graves, Hand-painted Drums, c. 1970s. Wood and metal bass drums, toms, snares, acrylic paint, and mixed media. Dimensions variable. Photo: Filip Wolak.
    Image description An aerial view of a hand painted drumset on a wooden floor.
    Year 2021
    Related pages Milford Graves: Fundamental Frequency
  • A person working in a small space enclosed by walls, painted red with white text. At the top of the wall, large letters read
    A person working in a small space enclosed by walls, painted red with white text. At the top of the wall, large letters read
    Activated Walls. Installation view, Artists Space, 1993. [A person working in a small space enclosed by walls, painted red with white text. At the top of the wall, large letters read "AZT=DEATH", with a paragraph of text stretching across three walls. Underneath, there are a dozen white pieces of a paper taped up.]
    Caption Activated Walls. Installation view, Artists Space, 1993.
    Image description A person working in a small space enclosed by walls, painted red with white text. At the top of the wall, large letters read "AZT=DEATH", with a paragraph of text stretching across three walls. Underneath, there are a dozen white pieces of a paper taped up.
    Year 1993
    Related pages Activated Walls
  • Black-and-white print featuring multiple photographs of a naked body, spotlighted against a black background and collaged together. Flashes of white light across the print obscure parts of the image, bringing the body in and out of focus.
    Black-and-white print featuring multiple photographs of a naked body, spotlighted against a black background and collaged together. Flashes of white light across the print obscure parts of the image, bringing the body in and out of focus.
    Shala Miller, Modern-Day Sisyphus I, 2023. Courtesy the artist [Black-and-white print featuring multiple photographs of a naked body, spotlighted against a black background and collaged together. Flashes of white light across the print obscure parts of the image, bringing the body in and out of focus.]
    Caption Shala Miller, Modern-Day Sisyphus I, 2023. Courtesy the artist
    Image description Black-and-white print featuring multiple photographs of a naked body, spotlighted against a black background and collaged together. Flashes of white light across the print obscure parts of the image, bringing the body in and out of focus.
    Year
    Related pages Shala Miller, Malcolm Peacock, Amiri Baraka
  • Five performers sitting in a row playing various wind, string, and percussion instruments. They are facing microphone and sheet music stands. There is a pink-tint covering the musicians and the wall behind them.
    Five performers sitting in a row playing various wind, string, and percussion instruments. They are facing microphone and sheet music stands. There is a pink-tint covering the musicians and the wall behind them.
    Abasement #72. Performance documentation, October 7th, 2024, Artists Space. Photo: Joshua Wildman. [Five performers sitting in a row playing various wind, string, and percussion instruments. They are facing microphone and sheet music stands. There is a pink-tint covering the musicians and the wall behind them.]
    Caption Abasement #72. Performance documentation, October 7th, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Five performers sitting in a row playing various wind, string, and percussion instruments. They are facing microphone and sheet music stands. There is a pink-tint covering the musicians and the wall behind them.
    Year
    Related pages Abasement #72
  • Caption
    Image description
    Year
    Related pages Abasement #72
  • A white table holds a white model of a house. Behind it, a television on a stand displays an image of a large, white house. There is a white wall with five color photographs arranged in a cross formation with images of a large house and yard.
    A white table holds a white model of a house. Behind it, a television on a stand displays an image of a large, white house. There is a white wall with five color photographs arranged in a cross formation with images of a large house and yard.
    Sean Snyder. Installation view, Artists Space, 2010-11. Photo: Daniel Peréz. [A white table holds a white model of a house. Behind it, a television on a stand displays an image of a large, white house. There is a white wall with five color photographs arranged in a cross formation with images of a large house and yard.]
    Caption Sean Snyder. Installation view, Artists Space, 2010-11. Photo: Daniel Peréz.
    Image description A white table holds a white model of a house. Behind it, a television on a stand displays an image of a large, white house. There is a white wall with five color photographs arranged in a cross formation with images of a large house and yard.
    Year 2010
    Related pages Sean Snyder
  • Six glass vitrines displaying books, photographs, and other paper ephemera are installed in the center of a gallery space. A series of old Hollywood films are projected on the back wall of the exhibition space.
    Six glass vitrines displaying books, photographs, and other paper ephemera are installed in the center of a gallery space. A series of old Hollywood films are projected on the back wall of the exhibition space.
    She Who Is: Adrienne Kennedy and the Drama of Difference. Installation view, Artists Space, February 29 – September 19, 2020. Photo: Filip Wolak. [Six glass vitrines displaying books, photographs, and other paper ephemera are installed in the center of a gallery space. A series of old Hollywood films are projected on the back wall of the exhibition space.]
    Caption She Who Is: Adrienne Kennedy and the Drama of Difference. Installation view, Artists Space, February 29 – September 19, 2020. Photo: Filip Wolak.
    Image description Six glass vitrines displaying books, photographs, and other paper ephemera are installed in the center of a gallery space. A series of old Hollywood films are projected on the back wall of the exhibition space.
    Year 2020
    Related pages She Who Is: Adrienne Kennedy and the Drama of Difference
  • Caption
    Image description
    Year
    Related pages David Armstrong: Portraits
  • In the foreground is a slug sculpture leaning against a cast-iron column in a white-walled gallery space. In the background slug sculptures forming circular ring shapes can be partially visible around columns and two square paintings are visible on walls adjacent to one another.
    In the foreground is a slug sculpture leaning against a cast-iron column in a white-walled gallery space. In the background slug sculptures forming circular ring shapes can be partially visible around columns and two square paintings are visible on walls adjacent to one another.
    Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez. [In the foreground is a slug sculpture leaning against a cast-iron column in a white-walled gallery space. In the background slug sculptures forming circular ring shapes can be partially visible around columns and two square paintings are visible on walls adjacent to one another.]
    Caption Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez.
    Image description In the foreground is a slug sculpture leaning against a cast-iron column in a white-walled gallery space. In the background slug sculptures forming circular ring shapes can be partially visible around columns and two square paintings are visible on walls adjacent to one another.
    Year 2020
    Related pages Jana Euler
  • A black and white image of an antique wooden chair with a plush seat. A mold of a human brain emerges from the center of the chair's cushion.
    A black and white image of an antique wooden chair with a plush seat. A mold of a human brain emerges from the center of the chair's cushion.
    AIDS Forum: Danny Dries - Generic Memorial (for WM. Schwedler, 1942-1982). Installation view, Artists Space, 1992. [A black and white image of an antique wooden chair with a plush seat. A mold of a human brain emerges from the center of the chair's cushion.]
    Caption AIDS Forum: Danny Dries - Generic Memorial (for WM. Schwedler, 1942-1982). Installation view, Artists Space, 1992.
    Image description A black and white image of an antique wooden chair with a plush seat. A mold of a human brain emerges from the center of the chair's cushion.
    Year
    Related pages AIDS FORUM: Generic Memorial (for WM. Schwedler, 1942-1982)
  • Close-up color image of a persons hands on a red audio mixing device. Various blue and red cords stick out of the machine. A camera on a tripod sits on top of the machine. The background is blurred, with a few audience members visible. The scene is lit with soft pink light.
    Close-up color image of a persons hands on a red audio mixing device. Various blue and red cords stick out of the machine. A camera on a tripod sits on top of the machine. The background is blurred, with a few audience members visible. The scene is lit with soft pink light.
    Abasement #77. Performance documentation, April 7th, 2025, Artists Space. Photo: Joshua Wildman. [Close-up color image of a persons hands on a red audio mixing device. Various blue and red cords stick out of the machine. A camera on a tripod sits on top of the machine. The background is blurred, with a few audience members visible. The scene is lit with soft pink light.]
    Caption Abasement #77. Performance documentation, April 7th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Close-up color image of a persons hands on a red audio mixing device. Various blue and red cords stick out of the machine. A camera on a tripod sits on top of the machine. The background is blurred, with a few audience members visible. The scene is lit with soft pink light.
    Year
    Related pages Abasement #77
  • An individual performing while standing in front of a projection of themselves and a child. A thought bubble on the right side of the projection reads
    An individual performing while standing in front of a projection of themselves and a child. A thought bubble on the right side of the projection reads
    Adrian Piper: It's Just Art. Performance documentation, 1981, Artists Space. [An individual performing while standing in front of a projection of themselves and a child. A thought bubble on the right side of the projection reads "14. WE DEFEND EACH OTHER (YOU CERTAINLY DIDN'T COME TO AN ART PERFORMANCE TO HEAR A LECTURE ON CURRENT EVENTS).]
    Caption Adrian Piper: It's Just Art. Performance documentation, 1981, Artists Space.
    Image description An individual performing while standing in front of a projection of themselves and a child. A thought bubble on the right side of the projection reads "14. WE DEFEND EACH OTHER (YOU CERTAINLY DIDN'T COME TO AN ART PERFORMANCE TO HEAR A LECTURE ON CURRENT EVENTS).
    Year 1981
    Related pages
  • Trip to Artists Space to see fwiw Constantina Zavitsanos exhibition, 2024
    Caption Trip to Artists Space to see fwiw Constantina Zavitsanos exhibition, 2024
    Image description
    Year
    Related pages Listening to the LES
  • Collaged images of pairs of half-naked men in various poses and positions.
    Collaged images of pairs of half-naked men in various poses and positions.
    Tom of Finland Untitled , ca. 1968 Collage on paper Tom of Finland Foundation, Permanent Collection [Collaged images of pairs of half-naked men in various poses and positions.]
    Caption Tom of Finland Untitled , ca. 1968 Collage on paper Tom of Finland Foundation, Permanent Collection
    Image description Collaged images of pairs of half-naked men in various poses and positions.
    Year 1968
    Related pages Tom of Finland: The Pleasure of Play
  • Caption
    Image description
    Year
    Related pages Ralston Farina: Time // Time
  • A photograph showing a row of text-based paintings hanging on a gallery wall. Beyond them, another gallery space with other artworks is visible.
    A photograph showing a row of text-based paintings hanging on a gallery wall. Beyond them, another gallery space with other artworks is visible.
    Selections from the Artists File. Installation view, Artists Space, 1989. [A photograph showing a row of text-based paintings hanging on a gallery wall. Beyond them, another gallery space with other artworks is visible.]
    Caption Selections from the Artists File. Installation view, Artists Space, 1989.
    Image description A photograph showing a row of text-based paintings hanging on a gallery wall. Beyond them, another gallery space with other artworks is visible.
    Year
    Related pages Selections from the Artist File
  • An illustration takes up the whole frame depicting a yellow house with one rectangular door, one square window, and an orange roof. The house sits in an ambiguous space of slanted red ovals without any perspectival grounding.
    An illustration takes up the whole frame depicting a yellow house with one rectangular door, one square window, and an orange roof. The house sits in an ambiguous space of slanted red ovals without any perspectival grounding.
    Sydney Schrader [An illustration takes up the whole frame depicting a yellow house with one rectangular door, one square window, and an orange roof. The house sits in an ambiguous space of slanted red ovals without any perspectival grounding.]
    Caption Sydney Schrader
    Image description An illustration takes up the whole frame depicting a yellow house with one rectangular door, one square window, and an orange roof. The house sits in an ambiguous space of slanted red ovals without any perspectival grounding.
    Year
    Related pages Nandi Loaf Aristotelis Nikolas Mochloulis Ricardo Nagaoka Sydney Schrader
  • A color installation photograph of a hand painted LP in a glass frame and a small photograph in a plastic bag in a gallery space.
    A color installation photograph of a hand painted LP in a glass frame and a small photograph in a plastic bag in a gallery space.
    Milford Graves: Fundamental Frequency. Installation view (Hand painted LP, 1966; Photograph of Milford Graves and Don Pullen, c. 1970s), Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak. [A color installation photograph of a hand painted LP in a glass frame and a small photograph in a plastic bag in a gallery space.]
    Caption Milford Graves: Fundamental Frequency. Installation view (Hand painted LP, 1966; Photograph of Milford Graves and Don Pullen, c. 1970s), Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak.
    Image description A color installation photograph of a hand painted LP in a glass frame and a small photograph in a plastic bag in a gallery space.
    Year 2021
    Related pages Milford Graves: Fundamental Frequency
  • A figure plays the keyboard in front of a microphone.
    A figure plays the keyboard in front of a microphone.
    Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [A figure plays the keyboard in front of a microphone.]
    Caption Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure plays the keyboard in front of a microphone.
    Year 2022
    Related pages Abasement #61
  • Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 6 / Wendy Lotterman / Joe Milutis.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 6 / Wendy Lotterman / Joe Milutis.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 6 / Wendy Lotterman / Joe Milutis.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 6 / Wendy Lotterman / Joe Milutis.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Wendy Lotterman & Joe Milutis
  • A person's hand holding up a Decolonize This Place sticker in front of the White House, with a security guard visible in the background.
    A person's hand holding up a Decolonize This Place sticker in front of the White House, with a security guard visible in the background.
    “Decolonize This Place” sticker outside of The White House [A person's hand holding up a Decolonize This Place sticker in front of the White House, with a security guard visible in the background.]
    Caption “Decolonize This Place” sticker outside of The White House
    Image description A person's hand holding up a Decolonize This Place sticker in front of the White House, with a security guard visible in the background.
    Year 2016
    Related pages Decolonize This Place
  • Two figures move a table on wheels.
    Two figures move a table on wheels.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York. [Two figures move a table on wheels.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York.
    Image description Two figures move a table on wheels.
    Year
    Related pages Grandmother Cindy
  • Drawing of a muscular man with a combover and handlebar mustache, grappling the Earth and grinning as he inserts his penis into the planet.
    Drawing of a muscular man with a combover and handlebar mustache, grappling the Earth and grinning as he inserts his penis into the planet.
    Tom of Finland, Untitled, 1976. Graphite on paper. Courtesy Collection Ulrich Tangermann, Hamburg. [Drawing of a muscular man with a combover and handlebar mustache, grappling the Earth and grinning as he inserts his penis into the planet.]
    Caption Tom of Finland, Untitled, 1976. Graphite on paper. Courtesy Collection Ulrich Tangermann, Hamburg.
    Image description Drawing of a muscular man with a combover and handlebar mustache, grappling the Earth and grinning as he inserts his penis into the planet.
    Year 1976
    Related pages Tom of Finland: The Pleasure of Play
  • Two shirtless men doing the splits on top of large boulders outdoors.
    Two shirtless men doing the splits on top of large boulders outdoors.
    [Two shirtless men doing the splits on top of large boulders outdoors.]
    Caption
    Image description Two shirtless men doing the splits on top of large boulders outdoors.
    Year
    Related pages Re: Re: Re: Homos and Light
  • Color photograph of a corner space in a gallery, below a staircase, that is bathed in red light. At the bottom of the stairs are a group of performers wearing conical costumes made of reflective one-way mirror film.
    Color photograph of a corner space in a gallery, below a staircase, that is bathed in red light. At the bottom of the stairs are a group of performers wearing conical costumes made of reflective one-way mirror film.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a corner space in a gallery, below a staircase, that is bathed in red light. At the bottom of the stairs are a group of performers wearing conical costumes made of reflective one-way mirror film.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a corner space in a gallery, below a staircase, that is bathed in red light. At the bottom of the stairs are a group of performers wearing conical costumes made of reflective one-way mirror film.
    Year 2022
    Related pages keyon gaskin 12-18
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • A large rectangular painting hangs on a wall to the left.
    A large rectangular painting hangs on a wall to the left.
    Traditions: Five Painters. Installation View, Artists Space, 1978. [A large rectangular painting hangs on a wall to the left.]
    Caption Traditions: Five Painters. Installation View, Artists Space, 1978.
    Image description A large rectangular painting hangs on a wall to the left.
    Year
    Related pages Traditions: Five Painters, Charles Clough, William Fares, Sidney Goldberg, John Lees, Ann Thornycroft
  • Caption
    Image description
    Year
    Related pages Abasement #77
  • Cutouts seen placed in front of drawing on wall. Paintings and sculptures can be seen in the area around it in a gallery setting.
    Cutouts seen placed in front of drawing on wall. Paintings and sculptures can be seen in the area around it in a gallery setting.
    Installation View from Recent Art From Chicago, Artists Space, March 8, 1986 - April 5, 1986. [Cutouts seen placed in front of drawing on wall. Paintings and sculptures can be seen in the area around it in a gallery setting.]
    Caption Installation View from Recent Art From Chicago, Artists Space, March 8, 1986 - April 5, 1986.
    Image description Cutouts seen placed in front of drawing on wall. Paintings and sculptures can be seen in the area around it in a gallery setting.
    Year
    Related pages Recent Art from Chicago
  • Black-and-white image of two figures performing on stage. On the right a figure looks down and manipulates audio equipment held in a briefcase. To the left and behind another figure is out of focus and plays the violin.
    Black-and-white image of two figures performing on stage. On the right a figure looks down and manipulates audio equipment held in a briefcase. To the left and behind another figure is out of focus and plays the violin.
    Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman [Black-and-white image of two figures performing on stage. On the right a figure looks down and manipulates audio equipment held in a briefcase. To the left and behind another figure is out of focus and plays the violin.]
    Caption Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman
    Image description Black-and-white image of two figures performing on stage. On the right a figure looks down and manipulates audio equipment held in a briefcase. To the left and behind another figure is out of focus and plays the violin.
    Year
    Related pages Abasement: #62
  • Light blue text overlays a dark blue background. The top left corner reads:
    Light blue text overlays a dark blue background. The top left corner reads:
    Flyer for Segue Reading Series featuring Wo Chan and Ronaldo V. Wilson. October 29, 2022, Artists Space. [Light blue text overlays a dark blue background. The top left corner reads: "Wo Chan & Ronaldo V. Wilson / October 29, 5pm." The middle reads: "Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519."]
    Caption Flyer for Segue Reading Series featuring Wo Chan and Ronaldo V. Wilson. October 29, 2022, Artists Space.
    Image description Light blue text overlays a dark blue background. The top left corner reads: "Wo Chan & Ronaldo V. Wilson / October 29, 5pm." The middle reads: "Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519."
    Year
    Related pages Segue Reading Series: Wo Chan & Ronaldo V. Wilson
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Black-and-white image of a figure in black standing straight against a wall. On either side of them are life-size printed images of a naked figure from behind.
    Black-and-white image of a figure in black standing straight against a wall. On either side of them are life-size printed images of a naked figure from behind.
    Moroharu Jonouchi, Shelter Plan, 1964 [Black-and-white image of a figure in black standing straight against a wall. On either side of them are life-size printed images of a naked figure from behind.]
    Caption Moroharu Jonouchi, Shelter Plan, 1964
    Image description Black-and-white image of a figure in black standing straight against a wall. On either side of them are life-size printed images of a naked figure from behind.
    Year
    Related pages Yasunao Tone Film Screening #2
  • A large glass container filled with golden honey sits on a white surface against a dark backdrop. Serif text inscribed across the center of the jar reads,
    A large glass container filled with golden honey sits on a white surface against a dark backdrop. Serif text inscribed across the center of the jar reads,
    Elliott Linwood, Initiation, 1993. 200 lbs. of honey, sandblasted glass, syringes. [A large glass container filled with golden honey sits on a white surface against a dark backdrop. Serif text inscribed across the center of the jar reads, "INITIATION." Several syringes float within the honey. A small glass lid seals the top of the jar.]
    Caption Elliott Linwood, Initiation, 1993. 200 lbs. of honey, sandblasted glass, syringes.
    Image description A large glass container filled with golden honey sits on a white surface against a dark backdrop. Serif text inscribed across the center of the jar reads, "INITIATION." Several syringes float within the honey. A small glass lid seals the top of the jar.
    Year
    Related pages A Living Testament of the Blood Fairies
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Caption
    Image description
    Year
    Related pages David Armstrong: Portraits
  • A number of sculptures on pedestals can be seen in the foreground with paintings and sculptures behind them in a gallery setting.
    A number of sculptures on pedestals can be seen in the foreground with paintings and sculptures behind them in a gallery setting.
    We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [A number of sculptures on pedestals can be seen in the foreground with paintings and sculptures behind them in a gallery setting.]
    Caption We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987.
    Image description A number of sculptures on pedestals can be seen in the foreground with paintings and sculptures behind them in a gallery setting.
    Year
    Related pages We the People
  • A close up image of a glass display case holding artworks in gouache and watercolor.
    A close up image of a glass display case holding artworks in gouache and watercolor.
    Till They Listen: Bill Gunn Directs America. Installation view featuring artworks by Gunn, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A close up image of a glass display case holding artworks in gouache and watercolor.]
    Caption Till They Listen: Bill Gunn Directs America. Installation view featuring artworks by Gunn, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A close up image of a glass display case holding artworks in gouache and watercolor.
    Year 2021
    Related pages Till They Listen: Bill Gunn Directs America
  • A black and white image of a man looking at documents through a window on a street sidewalk. Behind him, a women in a hat looks at him. People are present walking on the street surrounding them.
    A black and white image of a man looking at documents through a window on a street sidewalk. Behind him, a women in a hat looks at him. People are present walking on the street surrounding them.
    Installation view at Kaiserstraße 31A, Düsseldorf May 11, 1963 Courtesy Archiv Kuttner, Erkrath Photo: Manfred Kuttner [A black and white image of a man looking at documents through a window on a street sidewalk. Behind him, a women in a hat looks at him. People are present walking on the street surrounding them.]
    Caption Installation view at Kaiserstraße 31A, Düsseldorf May 11, 1963 Courtesy Archiv Kuttner, Erkrath Photo: Manfred Kuttner
    Image description A black and white image of a man looking at documents through a window on a street sidewalk. Behind him, a women in a hat looks at him. People are present walking on the street surrounding them.
    Year 1963
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • Three figures perform in front of an audience. Two figures in blue morph suits face off with a wooden table between them, while a third figure takes video footage of the scene.
    Three figures perform in front of an audience. Two figures in blue morph suits face off with a wooden table between them, while a third figure takes video footage of the scene.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Three figures perform in front of an audience. Two figures in blue morph suits face off with a wooden table between them, while a third figure takes video footage of the scene.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Three figures perform in front of an audience. Two figures in blue morph suits face off with a wooden table between them, while a third figure takes video footage of the scene.
    Year 2022
    Related pages SCRAAATCH 11-19
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Four collages, framed in a grid on a wall. Each collage features the same backdrop of a man stopped in the middle of the road opening the hood a car, the drivers seat door opened. Each collage features a different colored filter, arranged with images of various Indigenous people on reservations, European historical paintings, animals, gags, signs, objects, and detritus.
    Four collages, framed in a grid on a wall. Each collage features the same backdrop of a man stopped in the middle of the road opening the hood a car, the drivers seat door opened. Each collage features a different colored filter, arranged with images of various Indigenous people on reservations, European historical paintings, animals, gags, signs, objects, and detritus.
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [Four collages, framed in a grid on a wall. Each collage features the same backdrop of a man stopped in the middle of the road opening the hood a car, the drivers seat door opened. Each collage features a different colored filter, arranged with images of various Indigenous people on reservations, European historical paintings, animals, gags, signs, objects, and detritus.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description Four collages, framed in a grid on a wall. Each collage features the same backdrop of a man stopped in the middle of the road opening the hood a car, the drivers seat door opened. Each collage features a different colored filter, arranged with images of various Indigenous people on reservations, European historical paintings, animals, gags, signs, objects, and detritus.
    Year 2017
    Related pages Unholding
  • A geometric composition of black, blue, yellow, red, and orange flat shapes on a white background.
    A geometric composition of black, blue, yellow, red, and orange flat shapes on a white background.
    Shirley Jaffe. The Blue Daisy, 1988-89. [A geometric composition of black, blue, yellow, red, and orange flat shapes on a white background.]
    Caption Shirley Jaffe. The Blue Daisy, 1988-89.
    Image description A geometric composition of black, blue, yellow, red, and orange flat shapes on a white background.
    Year
    Related pages Shirley Jaffe and Murray Reich
  • White text on a blue and grey ombré background. The text reads: “March 22 / Sibyl Kempson / Timmy Straw.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    White text on a blue and grey ombré background. The text reads: “March 22 / Sibyl Kempson / Timmy Straw.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [White text on a blue and grey ombré background. The text reads: “March 22 / Sibyl Kempson / Timmy Straw.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description White text on a blue and grey ombré background. The text reads: “March 22 / Sibyl Kempson / Timmy Straw.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Sibyl Kempson & Timmy Straw
  • An archway made of cardboard boxes connected to a bookcase and curved desk, also made of cardboard. A white lucky waving cat is placed at the bottom left side of the desk. The desk and bookcase are supported by a platform, underneath of which a pair of slippers are visible.
    An archway made of cardboard boxes connected to a bookcase and curved desk, also made of cardboard. A white lucky waving cat is placed at the bottom left side of the desk. The desk and bookcase are supported by a platform, underneath of which a pair of slippers are visible.
    The columns held us up. Installation view, Artists Space, 2009. Photo: Adam Reich. [An archway made of cardboard boxes connected to a bookcase and curved desk, also made of cardboard. A white lucky waving cat is placed at the bottom left side of the desk. The desk and bookcase are supported by a platform, underneath of which a pair of slippers are visible.]
    Caption The columns held us up. Installation view, Artists Space, 2009. Photo: Adam Reich.
    Image description An archway made of cardboard boxes connected to a bookcase and curved desk, also made of cardboard. A white lucky waving cat is placed at the bottom left side of the desk. The desk and bookcase are supported by a platform, underneath of which a pair of slippers are visible.
    Year 2009
    Related pages The columns held us up
  • Two figures wearing scrubs hold a piece of red fabric between them.
    Two figures wearing scrubs hold a piece of red fabric between them.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York. [Two figures wearing scrubs hold a piece of red fabric between them.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York.
    Image description Two figures wearing scrubs hold a piece of red fabric between them.
    Year
    Related pages Grandmother Cindy
  • A digital rendering of a large structure composed of suspended sheets of red material installed in a gray room. The red sheets are stacked on top of one another, suspended from lengths of wire that run from ceiling to floor. The sheets bend amorphously and are arranged such that they resemble irregular layers of sedimentary rock or strata. Three digitally-rendered figures observe the structure.
    A digital rendering of a large structure composed of suspended sheets of red material installed in a gray room. The red sheets are stacked on top of one another, suspended from lengths of wire that run from ceiling to floor. The sheets bend amorphously and are arranged such that they resemble irregular layers of sedimentary rock or strata. Three digitally-rendered figures observe the structure.
    [A digital rendering of a large structure composed of suspended sheets of red material installed in a gray room. The red sheets are stacked on top of one another, suspended from lengths of wire that run from ceiling to floor. The sheets bend amorphously and are arranged such that they resemble irregular layers of sedimentary rock or strata. Three digitally-rendered figures observe the structure.]
    Caption
    Image description A digital rendering of a large structure composed of suspended sheets of red material installed in a gray room. The red sheets are stacked on top of one another, suspended from lengths of wire that run from ceiling to floor. The sheets bend amorphously and are arranged such that they resemble irregular layers of sedimentary rock or strata. Three digitally-rendered figures observe the structure.
    Year 2005
    Related pages nARCHITECTS: Party Wall
  • Green fluorescent strips arranged in gridded, triangle-shaped sections.
    Green fluorescent strips arranged in gridded, triangle-shaped sections.
    [Green fluorescent strips arranged in gridded, triangle-shaped sections.]
    Caption
    Image description Green fluorescent strips arranged in gridded, triangle-shaped sections.
    Year 2004
    Related pages Architecture & Design Project Series: Flux Room
  • An upwards-angeled view of an audience member, wearing a dark denim shirt, with a poster in the background that reads
    An upwards-angeled view of an audience member, wearing a dark denim shirt, with a poster in the background that reads
    An audience member speaks at “Palestine, BLM & Boycott in the Arts.” Artists Space Books & Talks, Friday, November 4, 2016. Courtesy Decolonize This Place and Artists Space, New York. Photo: Andrés Rodriguez [An upwards-angeled view of an audience member, wearing a dark denim shirt, with a poster in the background that reads "mourning for all those massacred in GAZA".]
    Caption An audience member speaks at “Palestine, BLM & Boycott in the Arts.” Artists Space Books & Talks, Friday, November 4, 2016. Courtesy Decolonize This Place and Artists Space, New York. Photo: Andrés Rodriguez
    Image description An upwards-angeled view of an audience member, wearing a dark denim shirt, with a poster in the background that reads "mourning for all those massacred in GAZA".
    Year 2016
    Related pages Decolonize This Place
  • A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of a man with tan skin and facial hair, wearing a aviator-style glasses. The caption underneath his image reads,
    A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of a man with tan skin and facial hair, wearing a aviator-style glasses. The caption underneath his image reads,
    Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of a man with tan skin and facial hair, wearing a aviator-style glasses. The caption underneath his image reads, "It was the Americans who did the killing, not the National Guard."]
    Caption Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez.
    Image description A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of a man with tan skin and facial hair, wearing a aviator-style glasses. The caption underneath his image reads, "It was the Americans who did the killing, not the National Guard."
    Year 2014
    Related pages Laura Poitras: 9/11 Trilogy
  • A close-up color image of a framed work displayed against a white wall. The drawing depicts a colorful abstract composition with a brown circle being the main figure from where trianagles and lines emerge. Soft pencil strokes complement the composition.
    A close-up color image of a framed work displayed against a white wall. The drawing depicts a colorful abstract composition with a brown circle being the main figure from where trianagles and lines emerge. Soft pencil strokes complement the composition.
    Renee Gladman, Grasses 2, 2022, graphite and oil pastel on paper, 22 x 30 inches. Image courtesy Artists Space, New York. Photo: Filip Wolak. [A close-up color image of a framed work displayed against a white wall. The drawing depicts a colorful abstract composition with a brown circle being the main figure from where trianagles and lines emerge. Soft pencil strokes complement the composition.]
    Caption Renee Gladman, Grasses 2, 2022, graphite and oil pastel on paper, 22 x 30 inches. Image courtesy Artists Space, New York. Photo: Filip Wolak.
    Image description A close-up color image of a framed work displayed against a white wall. The drawing depicts a colorful abstract composition with a brown circle being the main figure from where trianagles and lines emerge. Soft pencil strokes complement the composition.
    Year
    Related pages Renee Gladman
  • El Nascimiento De La Tierra exhibition at Recirculation, WordUp Community Book Store, 2024
    Caption El Nascimiento De La Tierra exhibition at Recirculation, WordUp Community Book Store, 2024
    Image description
    Year
    Related pages Threads of History
  • A large square edifice with an opening in its center bottom held up off the floor with numerous steel rods on its sides in a gallery setting. A shadow of a human figure appears/disappears in front of the work.
    A large square edifice with an opening in its center bottom held up off the floor with numerous steel rods on its sides in a gallery setting. A shadow of a human figure appears/disappears in front of the work.
    U.S. Projects: Peter Shelton. Installation view, Artists Space, 1982. [A large square edifice with an opening in its center bottom held up off the floor with numerous steel rods on its sides in a gallery setting. A shadow of a human figure appears/disappears in front of the work.]
    Caption U.S. Projects: Peter Shelton. Installation view, Artists Space, 1982.
    Image description A large square edifice with an opening in its center bottom held up off the floor with numerous steel rods on its sides in a gallery setting. A shadow of a human figure appears/disappears in front of the work.
    Year
    Related pages U.S.. Projects: Peter Shelton
  • Toile curtains gather around the gallery windows, producing a soft, glowing white light. A glass-topped vitrine stands parallel to the windows, displaying small open books.
    Toile curtains gather around the gallery windows, producing a soft, glowing white light. A glass-topped vitrine stands parallel to the windows, displaying small open books.
    David Armstrong: Portraits. Installation view, March 10 – May 23, 2026, Artists Space. Photo: Carter Seddon [Toile curtains gather around the gallery windows, producing a soft, glowing white light. A glass-topped vitrine stands parallel to the windows, displaying small open books.]
    Caption David Armstrong: Portraits. Installation view, March 10 – May 23, 2026, Artists Space. Photo: Carter Seddon
    Image description Toile curtains gather around the gallery windows, producing a soft, glowing white light. A glass-topped vitrine stands parallel to the windows, displaying small open books.
    Year
    Related pages David Armstrong: Portraits
  • Caption
    Image description
    Year
    Related pages Segue Reading Series
  • A color photograph of a figure in a pointed hat with a wide brim and wearing a black and white robe. The figure is pictured amid tree branches and vines. They hold a twisted vine in their left hand.
    A color photograph of a figure in a pointed hat with a wide brim and wearing a black and white robe. The figure is pictured amid tree branches and vines. They hold a twisted vine in their left hand.
    Portrait of Eiko Ishibashi [A color photograph of a figure in a pointed hat with a wide brim and wearing a black and white robe. The figure is pictured amid tree branches and vines. They hold a twisted vine in their left hand.]
    Caption Portrait of Eiko Ishibashi
    Image description A color photograph of a figure in a pointed hat with a wide brim and wearing a black and white robe. The figure is pictured amid tree branches and vines. They hold a twisted vine in their left hand.
    Year 2022
    Related pages Eiko Ishibashi in Concert
  • A framed photograph displayed on a white wall. The photograph shows multicolored flowers laying on a white surface with a black background.
    A framed photograph displayed on a white wall. The photograph shows multicolored flowers laying on a white surface with a black background.
    Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979). Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A framed photograph displayed on a white wall. The photograph shows multicolored flowers laying on a white surface with a black background.]
    Caption Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979). Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description A framed photograph displayed on a white wall. The photograph shows multicolored flowers laying on a white surface with a black background.
    Year 2011
    Related pages Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979)
  • A photograph of paintings hanging on the walls of a large gallery space with white walls. The work closest to the camera is a realistic painting of a baby, shown for the waist up.
    A photograph of paintings hanging on the walls of a large gallery space with white walls. The work closest to the camera is a realistic painting of a baby, shown for the waist up.
    Selections from the Artists File. Installation view, Artists Space, 1989. [A photograph of paintings hanging on the walls of a large gallery space with white walls. The work closest to the camera is a realistic painting of a baby, shown for the waist up.]
    Caption Selections from the Artists File. Installation view, Artists Space, 1989.
    Image description A photograph of paintings hanging on the walls of a large gallery space with white walls. The work closest to the camera is a realistic painting of a baby, shown for the waist up.
    Year 1989
    Related pages Selections from the Artist File
  • Two figures dance on stage in black-and-white.
    Two figures dance on stage in black-and-white.
    Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [Two figures dance on stage in black-and-white.]
    Caption Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman
    Image description Two figures dance on stage in black-and-white.
    Year 2022
    Related pages Abasement #61
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Black text on an orange background. The text reads: “Oct 12 / Nancy Mercado / Sloppi Chulo.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on an orange background. The text reads: “Oct 12 / Nancy Mercado / Sloppi Chulo.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on an orange background. The text reads: “Oct 12 / Nancy Mercado / Sloppi Chulo.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on an orange background. The text reads: “Oct 12 / Nancy Mercado / Sloppi Chulo.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Sloppi Chulo & Nancy Mercado
  • Two neon lights on a wooden floor. One light is coiled within a silver box, while the other rests directly on the floor, attached to a black cord.
    Two neon lights on a wooden floor. One light is coiled within a silver box, while the other rests directly on the floor, attached to a black cord.
    Underground: Jose Gabriel Fernandez. Installation view, Artists Space, 1991. [Two neon lights on a wooden floor. One light is coiled within a silver box, while the other rests directly on the floor, attached to a black cord.]
    Caption Underground: Jose Gabriel Fernandez. Installation view, Artists Space, 1991.
    Image description Two neon lights on a wooden floor. One light is coiled within a silver box, while the other rests directly on the floor, attached to a black cord.
    Year 1991
    Related pages Underground: Jose Gabriel Fernandez
  • A tile wall with a grid of assorted photographs against a white background. A title to the left of the grid states
    A tile wall with a grid of assorted photographs against a white background. A title to the left of the grid states
    Art Day, Photo Club exhibition, PS 140, 2017. [A tile wall with a grid of assorted photographs against a white background. A title to the left of the grid states "Artists Space P.S. 140 Photography Club"]
    Caption Art Day, Photo Club exhibition, PS 140, 2017.
    Image description A tile wall with a grid of assorted photographs against a white background. A title to the left of the grid states "Artists Space P.S. 140 Photography Club"
    Year 2017
    Related pages Education
  • A center-parted white chiffon curtain revealing a set of six framed images mounted on the wall. A white bar runs slightly right of center of the image.
    A center-parted white chiffon curtain revealing a set of six framed images mounted on the wall. A white bar runs slightly right of center of the image.
    Danh Vo: Autoerotic Asphyxiation. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A center-parted white chiffon curtain revealing a set of six framed images mounted on the wall. A white bar runs slightly right of center of the image.]
    Caption Danh Vo: Autoerotic Asphyxiation. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description A center-parted white chiffon curtain revealing a set of six framed images mounted on the wall. A white bar runs slightly right of center of the image.
    Year 2010
    Related pages Danh Vo: Autoerotic Asphyxiation
  • A large stick appears emerging from an image of reverberating water out of the image onto the upper lefthand corner of the gallery wall.
    A large stick appears emerging from an image of reverberating water out of the image onto the upper lefthand corner of the gallery wall.
    Five Spanish Artists. Installation View, Artists Space, 1985. [A large stick appears emerging from an image of reverberating water out of the image onto the upper lefthand corner of the gallery wall.]
    Caption Five Spanish Artists. Installation View, Artists Space, 1985.
    Image description A large stick appears emerging from an image of reverberating water out of the image onto the upper lefthand corner of the gallery wall.
    Year
    Related pages Five Spanish Artists
  • A glass case displaying archival documents and images
    A glass case displaying archival documents and images
    ART CLUB2000 Selections from ART CLUB2000 archive, detail, 1992–1999 Image courtesy Artists Space, New York Photo: Filip Wolak [A glass case displaying archival documents and images]
    Caption ART CLUB2000 Selections from ART CLUB2000 archive, detail, 1992–1999 Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description A glass case displaying archival documents and images
    Year 2021
    Related pages ART CLUB2000
  • A gray cross made from wire on a white background, with a small, red square held in the center.
    A gray cross made from wire on a white background, with a small, red square held in the center.
    Steve Carter, Tile Series (detail), 1994. [A gray cross made from wire on a white background, with a small, red square held in the center.]
    Caption Steve Carter, Tile Series (detail), 1994.
    Image description A gray cross made from wire on a white background, with a small, red square held in the center.
    Year 1994
    Related pages A Strategy Hinted At: New Conceptual Artists
  • Caption
    Image description
    Year
    Related pages Abasement #77
  • Two pieces of wood are joined to create a miniature stage set. In the center, sitting in a miniature director's chair are two cartoon frog plushies wearing black top hats. The larger frog plushy cradles the smaller frog in it's arms. Two more director's chairs are positioned facing the plushies, along with a miniature stage light and stand that shines a spotlight on the plushies.
    Two pieces of wood are joined to create a miniature stage set. In the center, sitting in a miniature director's chair are two cartoon frog plushies wearing black top hats. The larger frog plushy cradles the smaller frog in it's arms. Two more director's chairs are positioned facing the plushies, along with a miniature stage light and stand that shines a spotlight on the plushies.
    Aristotelis Nikolas Mochloulis, Frog Man & Baby Frog, 2025. Michigan J. Frog plushies, miniature directors chairs, ARRI 150 Junior light, Manfrotto Nano light stand, speakers, audio excerpts from movies. Photo: Carter Seddon. [Two pieces of wood are joined to create a miniature stage set. In the center, sitting in a miniature director's chair are two cartoon frog plushies wearing black top hats. The larger frog plushy cradles the smaller frog in it's arms. Two more director's chairs are positioned facing the plushies, along with a miniature stage light and stand that shines a spotlight on the plushies.]
    Caption Aristotelis Nikolas Mochloulis, Frog Man & Baby Frog, 2025. Michigan J. Frog plushies, miniature directors chairs, ARRI 150 Junior light, Manfrotto Nano light stand, speakers, audio excerpts from movies. Photo: Carter Seddon.
    Image description Two pieces of wood are joined to create a miniature stage set. In the center, sitting in a miniature director's chair are two cartoon frog plushies wearing black top hats. The larger frog plushy cradles the smaller frog in it's arms. Two more director's chairs are positioned facing the plushies, along with a miniature stage light and stand that shines a spotlight on the plushies.
    Year
    Related pages Aristotelis Nikolas Mochloulis Tour 2
  • Several black and white images collaged on a black background. Some of the images are photographs of various buildings, bridges, and other structures—some in the process of construction. At the bottom of the composition is an alien-like image of a man with dark eyes and a large nose.
    Several black and white images collaged on a black background. Some of the images are photographs of various buildings, bridges, and other structures—some in the process of construction. At the bottom of the composition is an alien-like image of a man with dark eyes and a large nose.
    Ben van Berkel: Mobile Forces banner detail, Artists Space, 1997. [Several black and white images collaged on a black background. Some of the images are photographs of various buildings, bridges, and other structures—some in the process of construction. At the bottom of the composition is an alien-like image of a man with dark eyes and a large nose.]
    Caption Ben van Berkel: Mobile Forces banner detail, Artists Space, 1997.
    Image description Several black and white images collaged on a black background. Some of the images are photographs of various buildings, bridges, and other structures—some in the process of construction. At the bottom of the composition is an alien-like image of a man with dark eyes and a large nose.
    Year 1997
    Related pages Mobile Forces
  • Black and white photo of Andre Cadere holding a striped stick over one shoulder and crossing the street in New York City.
    Black and white photo of Andre Cadere holding a striped stick over one shoulder and crossing the street in New York City.
    Andre Cadere, 11 December, 1976, David Ebony Gallery, New York, 13.00 to 17.30, Photograph by Gianfranco Gorgoni Digital print Image size: 10 x 8 in / 25,4 x 20,3 cm Paper size: 11 x 8 in / 27,9 x 21,6 cm Signed and numbered certificate [Black and white photo of Andre Cadere holding a striped stick over one shoulder and crossing the street in New York City.]
    Caption Andre Cadere, 11 December, 1976, David Ebony Gallery, New York, 13.00 to 17.30, Photograph by Gianfranco Gorgoni Digital print Image size: 10 x 8 in / 25,4 x 20,3 cm Paper size: 11 x 8 in / 27,9 x 21,6 cm Signed and numbered certificate
    Image description Black and white photo of Andre Cadere holding a striped stick over one shoulder and crossing the street in New York City.
    Year 2015
    Related pages Artists Space Annual Edition Portfolio 2015
  • Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They have papers taped and placed over their face.
    Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They have papers taped and placed over their face.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They have papers taped and placed over their face.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They have papers taped and placed over their face.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • Caption
    Image description
    Year
    Related pages fwiw
  • An open hallway in a window-filled exhibition space. A gallery wall on the left side of the room displays a sideways, brown and gold American flag as well as a black and red fleg. A monitor sits on the ground to the right of the exhibition space, near one of the windows. A visitor stands in the background, viewing artworks displayed in the hallway.
    An open hallway in a window-filled exhibition space. A gallery wall on the left side of the room displays a sideways, brown and gold American flag as well as a black and red fleg. A monitor sits on the ground to the right of the exhibition space, near one of the windows. A visitor stands in the background, viewing artworks displayed in the hallway.
    Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [An open hallway in a window-filled exhibition space. A gallery wall on the left side of the room displays a sideways, brown and gold American flag as well as a black and red fleg. A monitor sits on the ground to the right of the exhibition space, near one of the windows. A visitor stands in the background, viewing artworks displayed in the hallway.]
    Caption Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description An open hallway in a window-filled exhibition space. A gallery wall on the left side of the room displays a sideways, brown and gold American flag as well as a black and red fleg. A monitor sits on the ground to the right of the exhibition space, near one of the windows. A visitor stands in the background, viewing artworks displayed in the hallway.
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • A large gallery space full of hundreds of metal cutouts shaped like curved
    A large gallery space full of hundreds of metal cutouts shaped like curved
    H_edge. Installation view, Artists Space, 2006. Photo: Whitney Cox. [A large gallery space full of hundreds of metal cutouts shaped like curved "x"'s hanging from lengths of metal chainlinks. The cutouts are arranged in the gallery so that they form a hedge-like landscape of varying heights.]
    Caption H_edge. Installation view, Artists Space, 2006. Photo: Whitney Cox.
    Image description A large gallery space full of hundreds of metal cutouts shaped like curved "x"'s hanging from lengths of metal chainlinks. The cutouts are arranged in the gallery so that they form a hedge-like landscape of varying heights.
    Year 2006
    Related pages H_edge
  • Black and white photograph of white picket fence opening with dark painted background behind it.
    Black and white photograph of white picket fence opening with dark painted background behind it.
    Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Candice Hill-Montgomery. [Black and white photograph of white picket fence opening with dark painted background behind it.]
    Caption Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Candice Hill-Montgomery.
    Image description Black and white photograph of white picket fence opening with dark painted background behind it.
    Year
    Related pages Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach
  • Color image of a gallery space. To the left, a taxidermied griffon vulture rests on a branch protuding from a section of a tree. Rusted, chain link fence is interwoven into the bark of the tree. Off to the right, a small shovel afixed to a childs chair is placed on the ground.
    Color image of a gallery space. To the left, a taxidermied griffon vulture rests on a branch protuding from a section of a tree. Rusted, chain link fence is interwoven into the bark of the tree. Off to the right, a small shovel afixed to a childs chair is placed on the ground.
    Andy Robert: PAPALOKO. Installation view(Ruin, 2023; Untitled, 2023), Artists Space, 2024. Photo: Carter Seddon. [Color image of a gallery space. To the left, a taxidermied griffon vulture rests on a branch protuding from a section of a tree. Rusted, chain link fence is interwoven into the bark of the tree. Off to the right, a small shovel afixed to a childs chair is placed on the ground.]
    Caption Andy Robert: PAPALOKO. Installation view(Ruin, 2023; Untitled, 2023), Artists Space, 2024. Photo: Carter Seddon.
    Image description Color image of a gallery space. To the left, a taxidermied griffon vulture rests on a branch protuding from a section of a tree. Rusted, chain link fence is interwoven into the bark of the tree. Off to the right, a small shovel afixed to a childs chair is placed on the ground.
    Year
    Related pages Andy Robert: Papaloko
  • Several neutral, blue toned books, propped up by a red book stand, fill the frame on the shelf they sit in.
    Several neutral, blue toned books, propped up by a red book stand, fill the frame on the shelf they sit in.
    The Library of Helen DeWitt Kitchen view, Courtesy Helen DeWitt. [Several neutral, blue toned books, propped up by a red book stand, fill the frame on the shelf they sit in.]
    Caption The Library of Helen DeWitt Kitchen view, Courtesy Helen DeWitt.
    Image description Several neutral, blue toned books, propped up by a red book stand, fill the frame on the shelf they sit in.
    Year 2014
    Related pages The Library Vaccine
  • A series of photographs are installed on a white gallery wall above a series of pipes that run horizontally along the wall. The photographs depict figures superimposed by saturated imagery.
    A series of photographs are installed on a white gallery wall above a series of pipes that run horizontally along the wall. The photographs depict figures superimposed by saturated imagery.
    Rip It Up and Start Again. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A series of photographs are installed on a white gallery wall above a series of pipes that run horizontally along the wall. The photographs depict figures superimposed by saturated imagery.]
    Caption Rip It Up and Start Again. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description A series of photographs are installed on a white gallery wall above a series of pipes that run horizontally along the wall. The photographs depict figures superimposed by saturated imagery.
    Year 2010
    Related pages Rip It Up and Start Again: William S. Burroughs, Charles Henri Ford, Ray Johnson, Philippe Thomas, Arthur Russell
  • Color photograph of visitors standing around a gallery space, conversing and studying the works on the wall.
    Color photograph of visitors standing around a gallery space, conversing and studying the works on the wall.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of visitors standing around a gallery space, conversing and studying the works on the wall.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of visitors standing around a gallery space, conversing and studying the works on the wall.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • Color photograph of two figures preparing to perform. In the foreground, out of focus, is the side profile of a figure playing a white keyboard, with music sheets in front of them. To the right, in focus, another figure sits on a wooden chair, eyes closed in concentration and behind a microphone stand.
    Color photograph of two figures preparing to perform. In the foreground, out of focus, is the side profile of a figure playing a white keyboard, with music sheets in front of them. To the right, in focus, another figure sits on a wooden chair, eyes closed in concentration and behind a microphone stand.
    Shala Miller performs Genesis: Medley at Artists Space, co-presented with Frieze New York 2023. Performance documentation, May 19th. Photo by Vanessa Diaz/CKA. Courtesy of Frieze. [Color photograph of two figures preparing to perform. In the foreground, out of focus, is the side profile of a figure playing a white keyboard, with music sheets in front of them. To the right, in focus, another figure sits on a wooden chair, eyes closed in concentration and behind a microphone stand.]
    Caption Shala Miller performs Genesis: Medley at Artists Space, co-presented with Frieze New York 2023. Performance documentation, May 19th. Photo by Vanessa Diaz/CKA. Courtesy of Frieze.
    Image description Color photograph of two figures preparing to perform. In the foreground, out of focus, is the side profile of a figure playing a white keyboard, with music sheets in front of them. To the right, in focus, another figure sits on a wooden chair, eyes closed in concentration and behind a microphone stand.
    Year 2023
    Related pages Genesis: Medley
  • A black and white photograph with two projectors hanging central with projections on one wall and another hanging screen in a gallery space.
    A black and white photograph with two projectors hanging central with projections on one wall and another hanging screen in a gallery space.
    Anne Bray. Man on First and Third, 1987. Slide/Sound Installation. [A black and white photograph with two projectors hanging central with projections on one wall and another hanging screen in a gallery space.]
    Caption Anne Bray. Man on First and Third, 1987. Slide/Sound Installation.
    Image description A black and white photograph with two projectors hanging central with projections on one wall and another hanging screen in a gallery space.
    Year 1987
    Related pages Dark Rooms
  • A black-and-white image of a man, a white bar with text, that reads
    A black-and-white image of a man, a white bar with text, that reads
    Jean-Michel Wicker. wee willy wanted (la rivoluzione siamo me), 2013 [A black-and-white image of a man, a white bar with text, that reads "WANTED," covers his face. Below, a white bar with text that reads, "wee willy."]
    Caption Jean-Michel Wicker. wee willy wanted (la rivoluzione siamo me), 2013
    Image description A black-and-white image of a man, a white bar with text, that reads "WANTED," covers his face. Below, a white bar with text that reads, "wee willy."
    Year 2013
    Related pages Pride Goes Before a Fall
  • A black-and-white photograph of a gallery space with several floor lamps installed throughout.
    A black-and-white photograph of a gallery space with several floor lamps installed throughout.
    Served Up! R.M. Fischer. Installation view, Artists Space, 1979. [A black-and-white photograph of a gallery space with several floor lamps installed throughout.]
    Caption Served Up! R.M. Fischer. Installation view, Artists Space, 1979.
    Image description A black-and-white photograph of a gallery space with several floor lamps installed throughout.
    Year
    Related pages Served Up! R. M. Fischer
  • Painting depicting a close-up image of a figure's mouth licking the top side of a foot. A large thumb is pressed against the bottom of the foot, holding it up to the mouth. The painting is composed of soft, muted gray and purple hues. A white band stretches across the lower edge of the image. Black text running along the center of the image's bottom edge reads,
    Painting depicting a close-up image of a figure's mouth licking the top side of a foot. A large thumb is pressed against the bottom of the foot, holding it up to the mouth. The painting is composed of soft, muted gray and purple hues. A white band stretches across the lower edge of the image. Black text running along the center of the image's bottom edge reads,
    Betty Tompkins, Sex Painting #4, 2013, 23.5 x 16.5 inches [Painting depicting a close-up image of a figure's mouth licking the top side of a foot. A large thumb is pressed against the bottom of the foot, holding it up to the mouth. The painting is composed of soft, muted gray and purple hues. A white band stretches across the lower edge of the image. Black text running along the center of the image's bottom edge reads, "2020Solidarity - Betty Tompkins," while small, faint gray text running along the lower right edge of the image reads, "A project by Between Bridges."]
    Caption Betty Tompkins, Sex Painting #4, 2013, 23.5 x 16.5 inches
    Image description Painting depicting a close-up image of a figure's mouth licking the top side of a foot. A large thumb is pressed against the bottom of the foot, holding it up to the mouth. The painting is composed of soft, muted gray and purple hues. A white band stretches across the lower edge of the image. Black text running along the center of the image's bottom edge reads, "2020Solidarity - Betty Tompkins," while small, faint gray text running along the lower right edge of the image reads, "A project by Between Bridges."
    Year 2013
    Related pages 2020Solidarity
  • A woman wearing headphones stands in front of a horizontal monitor displaying an image of two illustrated eyes and a nose. Behind the monitor, several framed photographs lean against a wall. A long, red carpet runs across the floor underneath the photographs.
    A woman wearing headphones stands in front of a horizontal monitor displaying an image of two illustrated eyes and a nose. Behind the monitor, several framed photographs lean against a wall. A long, red carpet runs across the floor underneath the photographs.
    Frozen Lakes. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A woman wearing headphones stands in front of a horizontal monitor displaying an image of two illustrated eyes and a nose. Behind the monitor, several framed photographs lean against a wall. A long, red carpet runs across the floor underneath the photographs.]
    Caption Frozen Lakes. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description A woman wearing headphones stands in front of a horizontal monitor displaying an image of two illustrated eyes and a nose. Behind the monitor, several framed photographs lean against a wall. A long, red carpet runs across the floor underneath the photographs.
    Year 2013
    Related pages Frozen Lakes
  • Split-screen image of a monkey dressed in sports gear with a soccer ball on a field hung on a white gallery wall. Both images in photograph appear identical.
    Split-screen image of a monkey dressed in sports gear with a soccer ball on a field hung on a white gallery wall. Both images in photograph appear identical.
    Julie Wachtel. Installation View. Artists Space. 1985-86. [Split-screen image of a monkey dressed in sports gear with a soccer ball on a field hung on a white gallery wall. Both images in photograph appear identical.]
    Caption Julie Wachtel. Installation View. Artists Space. 1985-86.
    Image description Split-screen image of a monkey dressed in sports gear with a soccer ball on a field hung on a white gallery wall. Both images in photograph appear identical.
    Year
    Related pages Split/Vision
  • Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 13 / Alexis Almeida / makalani bandele.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 13 / Alexis Almeida / makalani bandele.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 13 / Alexis Almeida / makalani bandele.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 13 / Alexis Almeida / makalani bandele.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Alexis Almeida & makalani bandele
  • A common convenience store countertop coin share dish shines in solid bronze on a soft black velvet ledge. Its raised text reads: “LEAVE - A - PENNY / TAKE - A - PENNY”.
    A common convenience store countertop coin share dish shines in solid bronze on a soft black velvet ledge. Its raised text reads: “LEAVE - A - PENNY / TAKE - A - PENNY”.
    Constantina Zavitsanos, LEAVE - A - PENNY / TAKE - A - PENNY, 2024, Bronze, 4.5 in. x 4.25 in. x 1.5 in. [A common convenience store countertop coin share dish shines in solid bronze on a soft black velvet ledge. Its raised text reads: “LEAVE - A - PENNY / TAKE - A - PENNY”.]
    Caption Constantina Zavitsanos, LEAVE - A - PENNY / TAKE - A - PENNY, 2024, Bronze, 4.5 in. x 4.25 in. x 1.5 in.
    Image description A common convenience store countertop coin share dish shines in solid bronze on a soft black velvet ledge. Its raised text reads: “LEAVE - A - PENNY / TAKE - A - PENNY”.
    Year
    Related pages fwiw
  • Dyonis, Underworld, 2020, collage, pastel and pen and ink
    Caption Dyonis, Underworld, 2020, collage, pastel and pen and ink
    Image description
    Year
    Related pages ARTstudio
  • Scan of the cover and back cover of a book. On the front cover, black text on a white background reads
    Scan of the cover and back cover of a book. On the front cover, black text on a white background reads
    Cover of Christopher D'Arcangelo, Kunstverein Publishing and Artists Space. Photo: Cathy Weiner. [Scan of the cover and back cover of a book. On the front cover, black text on a white background reads "Christopher D'Arcangelo." The back cover features a black-and-white photograph of a figure doing a headstand, their back facing the viewer. The figure is shirtless, exposing black text written on their skin.]
    Caption Cover of Christopher D'Arcangelo, Kunstverein Publishing and Artists Space. Photo: Cathy Weiner.
    Image description Scan of the cover and back cover of a book. On the front cover, black text on a white background reads "Christopher D'Arcangelo." The back cover features a black-and-white photograph of a figure doing a headstand, their back facing the viewer. The figure is shirtless, exposing black text written on their skin.
    Year 2023
    Related pages Christopher D'Arcangelo
  • Photographs hung on a wall in two rows. The top row photographs are outlined in black and show images of people inside an apartment. The bottom row photographs show people on a subway.
    Photographs hung on a wall in two rows. The top row photographs are outlined in black and show images of people inside an apartment. The bottom row photographs show people on a subway.
    Salad Days. Installation view, Artists Space, 2004. [Photographs hung on a wall in two rows. The top row photographs are outlined in black and show images of people inside an apartment. The bottom row photographs show people on a subway.]
    Caption Salad Days. Installation view, Artists Space, 2004.
    Image description Photographs hung on a wall in two rows. The top row photographs are outlined in black and show images of people inside an apartment. The bottom row photographs show people on a subway.
    Year 2004
    Related pages Salad Days
  • A man in a white shirt and pinstriped vest and pants casually holds a black jacket over one shoulder.
    A man in a white shirt and pinstriped vest and pants casually holds a black jacket over one shoulder.
    [A man in a white shirt and pinstriped vest and pants casually holds a black jacket over one shoulder. "Undoolay" is in pink script on the bottom of the image, crossing over "Elective Affinities".]
    Caption
    Image description A man in a white shirt and pinstriped vest and pants casually holds a black jacket over one shoulder. "Undoolay" is in pink script on the bottom of the image, crossing over "Elective Affinities".
    Year 2016
    Related pages Lukas Duwenhögger: Undoolay
  • Black & white photograph of the corner of a gallery room. Against a black wall stands a performer, who speaks into a microphone while holding a book. On the other wall is a life-size vinyl depicting a body in motion. Sitting on the floor around the performer is the audience.
    Black & white photograph of the corner of a gallery room. Against a black wall stands a performer, who speaks into a microphone while holding a book. On the other wall is a life-size vinyl depicting a body in motion. Sitting on the floor around the performer is the audience.
    Shala Miller performs Genesis: Medley. Performance documentation, May 11, 2023, Artists Space. Photo: Roy Baizan. [Black & white photograph of the corner of a gallery room. Against a black wall stands a performer, who speaks into a microphone while holding a book. On the other wall is a life-size vinyl depicting a body in motion. Sitting on the floor around the performer is the audience.]
    Caption Shala Miller performs Genesis: Medley. Performance documentation, May 11, 2023, Artists Space. Photo: Roy Baizan.
    Image description Black & white photograph of the corner of a gallery room. Against a black wall stands a performer, who speaks into a microphone while holding a book. On the other wall is a life-size vinyl depicting a body in motion. Sitting on the floor around the performer is the audience.
    Year 2023
    Related pages Genesis: Medley
page 2 of 29