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Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [A figure in a suit performs on stage, reading into a microphone off sheets on a music stand in front of them.] -
Laurie Hawkinson, CineTrain, 1986. [A black and white photograph of a linear model consisting of many elements.] -
James Biederman. Installation view, Thomas Lanigan-Schmidt, James Biederman, Charles Simonds, Artists Space, 1974. [A color installation of three black tiered sculptures, placed on a wooden floor in a gallery space.] -
Donna Nelson. Piles of Snow, 1983. [Figures appear on the street with street lamps and a car coming in the center back part of the image.] -
Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A person sits on a wooden chair where there are three arranged, wearing headphones and looks at a TV monitor. The monitor displays a construction landscape in the Middle East.] -
ArtpArkArtIII. Exhibition Postcard, Artists Space, 1978. [An image of rocky terrain with a cliff in the forefront. Near the lower left corner of the photograph are some shrubs and a tiny human figure in the distance. Below the image is text reading: "ArtpArkArt III / Artists Space / March 18-April 1."] -
We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [Paintings and collages appear on a white gallery wall and a scultpure on a pedestal sits in the foreground.] -
Log Cabin. Installation view, Artists Space, 2005. [Several sculptures, paintings, video works, and photographs installed in a gallery space with wooden flooring. A sculpture consisting of a white panel affixed to a wooden board upon which two striped rocks rest is installed on the ground. A TV monitor is installed in the room's corner directly behind the sculpture. The portion of the wall directly behind the TV monitor has been covered with a grid of poster-like images. Three color photographs and two paintings with muted purple and gray tones frame the monitor on its left and right sides.] -
Marie Karlberg. Still from Belongz to me, 2010. [A woman in a mask smoking a cigarette standing over a person lying on blankets on the street wearing cardboard heels.] -
Other Minds, San Francisco. Photo: John Fago [Black-and-white photograph of a figure, walking in the middle of the frame between two sets of suspended wires that run from across the room. The figures hands manipulate the wires on each side of them.] -
Milford Graves: Fundamental Frequency. Installation view, Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak. [A color installation photograph of two sculptures in a gallery space. The sculpture closer to the camera is composed of a human skeleton, and anatomical models of human heads, a brain, and a spine. The sculpture in the background features several monitors, and is topped by a sculpture of an eagle in mid-flight.] -
ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A view of multiple works including an orange wall that reads "Wandering with no specific intent or has something specific in mind but doesn't tell what it is." met with a tower of gap shoe boxes. Near the gallery wall are life like cutouts of individuals dressed in animal costumes.] -
Nicole-Antonia Spagnola, Untitled, 2022. Raw Power, Raw Power; Kollettivo, Lotta per il potere; Antigenesi, Una donna non e’ merda; Negazione, Tutti Pazzi; RAF Punk, Contro la pace Contro la guerra; Peggio Punx, Scemo. 8mm to MP4 transfer (color, sound), monitors, chairs. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of two wooden cafe chairs with green cushions in a gallery space with a dark metal column. A television screen with a cord extending down to an outlet in the floor rests upon each chair.] -
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Benje LaRico. Prova, 1986. Enamel, Plastic, Wood, Linoleum. 63.5 inches x 84.5 inches x 2.75 inches. [A black and white image of a painted abstract figure.] -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of three figures dressed in white, embracing each other as they run across an empty basement.] -
Aristotelis Nikolas Mochloulis, Frog Man & Baby Frog, 2025. Michigan J. Frog plushies, miniature directors chairs, ARRI 150 Junior light, Manfrotto Nano light stand, speakers, audio excerpts from movies. Photo: Carter Seddon. [Two pieces of wood are joined to create a miniature stage set. In the center, sitting in a miniature director's chair are two cartoon frog plushies wearing black top hats. The larger frog plushy cradles the smaller frog in it's arms. Two more director's chairs are positioned facing the plushies, along with a miniature stage light and stand that shines a spotlight on the plushies.] -
Barbara Levy: Photographs. Postcard, Artists Space, 1979. [A view of a city street and the tail end of a bicycle is obscured by window blinds.] -
Abstraction in Process. Installation view, Artists Space, March 26, 1987 - May 2, 1987. [On the right abstract paintings on rectangular wooden blocks, a column bisects the frame centrally and painted wood constructions are visible on the walls in the background in a white-walled gallery setting.] -
Selections from the Artists File. Installation view, Artists Space, 1989. [A photograph of three paintings hanging in a row on a white gallery wall. The closest to the camera, on the right, shows a ship at sea, the center shows a fountain, and the painting on the left is an abstract composition of black diagonal lines.] -
Gordon Onslow-Ford, Play, 1985. [Various abstract star-like symbols appear wih a black background.] -
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SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Audience members are seated along a back wall, with a figure in a blue morph suit seated on a rectangular wooden frame alongside them. Blue light is projected onto a screen in the background.] -
Dean Blunt, The Redeemer. [A cartoon outline of two hands pressed together.] -
Clocking Out: Time Beyond Management. Installation view, Artists Space, 2023. Photo: Greg Carideo. [Photograph of a basement gallery space with various multimedia works on display. In the left back corner is a reading room, and in the center is a large wooden platform, a wooden bench painted blue, and a woven hanging.] -
Young Fluxus. Installation view, Artists Space, 1982. [A number of trays of items appear around a flickering light beam over a white sheet on the ground.] -
Murray Reich. Zapping for Zeke, 1988. [A red grid of punched-out circles overlays a background of yellow, orange, white, and black rectangles.] -
Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979. [A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.] -
[A color photographic picturing two figures who sit watching a television screen, their backs facing the camera.] -
Louise Lawler, Why Pictures Now (traced); Red, Yellow, Blue, Green, Sometimes Silver or Gold, 1981/2013, Archival pigment print with hand painted gouache in multiple colors, 3 x 6 in / 7,6 x 15,2 cm (image size), 10 x 8 in / 25,4 x 20 cm (paper size), Signed and Numbered [A line drawing of an ashtray containing a book of matches with "WHY PICTURES NOW" written on the front.] -
Flyer for Segue Reading Series featuring Ted Rees and Jean Day. January 21, 2023, Artists Space. [Purple and dark gray text overlay a light gray background with abstract patterns and a drawing of a male figure smoking a pipe in the bottom left corner. The text in the middle reads "Ted Rees / Segue Reading Series / Jean Day."] -
Till They Listen: Bill Gunn Directs America. Installation view, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [Along the wall are two glass display cases holding ephemera, in the center of them three images hang on the wall, on the left sits a tv monitor on a shelf.] -
The Friends of Artists Space Dinner, May 8, 2010. Michael Clark & Company's performance. [A woman in a nude leotard-like top and silver leggings stands facing forward with her hand on her hip in a gallery space. Behind her, a figure in a black skirt and white collared shirt stands in a similar position, with his back to the former performer.] -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure dressed in white, laying face down across two ledges of a raised desk.] -
Warnung vor einer heiligen Nutte (Beware of a Holy Whore). Dir. Rainer Werner Fassbinder. 1971. [A man and a woman sit in two low wooden chairs. The man wears a brown hat and striped suit, while the woman wears a white top with a low v-neck. Her hair is blonde and stylishly curled. She stares ahead, her left hand gently resting on her chin. The man stares sideways at her.] -
The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich. [A white gallery wall with several components. On the floor, there is a television with a cracked screen. Above that, a protruding shelf holds several booklets. There is a framed image with white text written on a black background, in the style of subway text, with the F and J train symbols below. Next to that, there is a standing white plinth with a glass covered top, housing a single tiny object. On the far righthand side, there are three framed photographs. One is a single image of a person wearing a blue shirt divided into two frames, and the other a hand holding out a holstered gun.] -
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Miyoko Ito, Heart of Hearts Basking, 1973. Oil on canvas, 44 x 31 7/8 inches. Courtesy Collection Matthew Marks Gallery. Photo: Daniel Peréz. [A painting with orange and neutral hues is hung on a white wall with nails around the perimeter of the canvas.] -
“Palestine, BLM & Boycott in the Arts.” Artists Space Books & Talks, Friday, November 4, 2016. Courtesy Decolonize This Place and Artists Space, New York. Photo: Andrés Rodriguez [View of the audience members from the Artists Space and Decolonize this Place event, featuring black, white, red, and yellow banners on the wall with slogans for global resistance.] -
Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a gallery space with an installation consisting of a large mirrored pond, made from a wooden base with a reflective lining on top, that is surrounded by tree trunks, plants, fish tanks, and a phone booth. A large lamp hangs from the ceiling, and an orange construction net is placed over the pond.] -
Flyer for Segue Reading Series featuring Kimberly Alidio and Joyelle McSweeney. Saturday, November 7, 2020, Artists Space. Artist: Keith Higginbotham [A group of basketball players sit on a bench, a cutout photograph of a pink flower collaged over each of their heads. On top of the lower half of the image, black text reads "Kimberly Alidio / Joyelle McSweeney" and the lower left corner pink text reads "Segue."] -
Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman. [An image of three performers on stage facing each other. The musician in the middle is standing and playing an upright bass with a bow. On their right side a musician is sitting and playing violin. On the other side a musician is sitting playing an instrument similar to a mandolin. They are all bathed in red light and projections of white angular shapes cover the musicians and the wall.] -
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Jutta Koether is a painter, performance artist, musician, critic, and theoretician based in New York and Berlin. Her work with Artists Space began in 2012 with her performance fifth season act and most recently Analogue Drive (2024) performed in Hong Kong for Artists Space and Empty Gallery. In her live works, Koether enacts a highly specific form of entangled action centering on and around specific artworks. Embedded with performative possibility, these objects – positioned in a room, a situation, a city – circuit together in a network of language, duration, and the artist's active negotiation between producer and produced. As a painter, Koether challenges the viewer’s understanding of the medium’s terms and histories, often appropriating and retooling elements from the work of male masters. Engaging a range of motifs and materials—such as grids, X-marks, and red paint—she cultivates painting’s ability to yield something unanticipated, vital, and feminine. Koether studied art and philosophy at the University of Cologne and the Whitney ISP. In 1981 she joined the editorial staff of the music and art journal Spex. She is the author of several books and has written for such publications as Eau de Cologne, Artforum, Texte zur Kunst, and Flash Art. From 2010 to 2024 Koether was Professor for Painting and Drawing at the University of Fine Arts Hamburg. She has had major solo exhibitions at the Museum Brandhorst, Munich, Mudam Luxembourg – Musée d’Art Moderne Grand-Duc Jean; Museum Abteiberg, Mönchengladbach; Artium Museoa, Vitoria-Gasteiz; PRAXES Center for Contemporary Art, Berlin; Moderna Museet, Stockholm; Van Abbemuseum, Eindhoven; Kunsthalle Bern, Switzerland; Academy of Fine Arts Vienna; and Kölnischer Kunstverein, Cologne, among other venues. [Photo: Empty Gallery, Hong Kong, 2024] -
Selections: Aljira & Artists Space Announcement Postcard [A white postcard with purple text announcing fall 1990 exhibitions at Artists Space, including Selections: Aljira & Artists Space.] -
Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Detail view of a black display case depicting an image of woman printed on a white cloth, with the title *2000 WASTED YEARS*. She is sitting down in an antique chair, one foot up, wearing a full-body black-and-white suit adorned with black English and Japanese lettering.] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Two figures perform in a basement. On the left a figure with a video camera and shoulder rig takes footage of another figure on the right, dressed in a blue morph suit, and pushing a semicircular rolling table made of wood and fresnel lenses. Along the back wall blue and purple tinted live CCTV video footage is projected.] -
Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt. [Black and green sans-serif text decorating a white gallery wall. Large, green text stacked vertically reads, "lines of loss." Smaller, black text superimposed over each of the green lettered words reads, "gabriel kuri damian ortega manuel rocha mauricio rocha guillermo santamarina." A small wall label below the text notes the exhibition's sponsors.] -
rafa esparza: Camino. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color image of a gallery space. Along the lefthand wall are two adobe panel paintings, each depicting different parts of a freeway. In the middle of the space is a pile of freeway rubble on which sits a sculpture of a bird. Along the right side of the room are adobe bricks laid out on the floor, along with steel armatures that hold adobe panels.] -
Abasement #79. Performance documentation, August 11th, 2025, Artists Space. Photo: Joshua Wildman. [A performer sits on stage, playing a double-neck guitar. ] -
Union Gaucha Productions Still from Totloop , 2003 16mm film (silent, color), 4 min 49 sec Collaboration with Fabio Kacero Courtesy of Union Gaucha Productions [An overexposed image of a person looking at the camera, their face partially obscured by the exposure.] -
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[White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Mar 16 / Frances Stark / Richard Foreman" Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)] -
Jack Smith, still from Yellow Sequence, 1963. 16mm, (sound, color), 20 minutes. [A faded image of a silhouette holding an umbrella outdoors] -
Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon. [Three large pink fabric banners by Isabelle Frances McGuire, each bearing three silver star patches, hang from the ceiling to rest on the floor.] -
Shelley Hirsch, It's Get Better IV, organized by Stewart Uoo, Artists Space, 2016. [A woman stands in the middle of a room, surrounded by a crowd of people. She is speaking on a microphone, gesturing with her left arm, and standing on a carpet covering a raised section of the floor.] -
New Red Order with Virgil B/G Taylor Progenerator, 2020 – Ongoing Painted mural with dibond prints, five televisions, flag, plate, Improved Order of Red Men ephemera, and mixed media 14 x 40 feet Image courtesy Artists Space, New York Photo: Filip Wolak [An image of a multicolored wall filled with multiple tv monitors and info graphics. Black, red and yellow beach balls are scattered along the floor.] -
Guyton\Walker, Fruit Stickers for Artists Space, 2010, Set of 15 Inkset printed stickers, 6 in / 15,2 cm each, Signed and numbered certificate. [A 3x5 grid of false-color stickers. The top four rows depict fruits cut in half resembling a grapefruit or orange. The last row depicts a coconut cut in half. A handful of stickers have a think line of black and white checkerboard pattern added to the perimeter of the fruit.] -
[Dark blue text overlays red-pink background. The text reads: “March 11 / Yuko Otomo / Ed Steck." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)] -
[A man in a white shirt and pinstriped vest and pants casually holds a black jacket over one shoulder. "Undoolay" is in pink script on the bottom of the image, crossing over "Elective Affinities".] -
Metaphysical Visions. Installation view, Artists Space, 1989. [An abstract sculpture made of sticks, cords, and a textile sits in the center of a gallery space. Three large paintings hang on the walls around it, all blending abstract, painterly designs with latin text.] -
Cosima von Bonin
Le Chic, 2023
Enamel on wood
(Two color options: red & grey or red & white)
25 x 4 ½ x 4 ½ inches
Edition of 20 with 5 APs
Introductory price: $5,000 each -
The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich. [A bedroom scene set up in the middle of an open room. There is a beige rug, with a chrome lamp and matching bed frame. The bed has blue sheets with a dark blue comforter cover and a red blanket. There is a wooden chair facing in, and a brown table with assorted bottles on top. On the far side of the bed is a coffee machine, microwave, and television. In the background, various framed images are hung on white gallery walls.] -
Left: Andrew Siedenburg, Material Support, 2022. Masking tape, charcoal, and construction fasteners on gessoed luan. Right: Andrew Siedenburg, Doghouse with Tin Snips, 2022. Masking tape, charcoal and constructions fasteners on gessoed watercolor paper over masonite. Photo: Steven Cottingham. [Color photograph of two works with white, black, brown and grey hues hanging on the wall side-by-side.] -
Enough Tiranny Recalled, 1972–2009. Installation view, Artists Space, 2009. Photo: Daniel Pérez. [A installation wide shot of a room with five silver columns. In the foreground, there is a rectangular pool filled with water with two spouts spraying water in fountains. A second pool built from wood is visible in the background. Between the two, there are various objects including a low-hanging disco ball, a vase with flowers, strands of string lights, and more. On the back wall, the word "TIRANNY" is handwritten in block letters, partially obscured by one of the columns. The room is lit by standing colorful lights with pink and blue tones.] -
Ei Arakawa: WEWORK BABIES. Performance documentation, December 8, 2019, Artists Space. Photo © 2019 Paula Court. [Several people hold a makeshift metal structure upright, fastening additional metal poles onto the structure. A small crowd stands behind them watching.] -
Susan Eder. Installation view, Artists Space, 1976. [A black and white installation view of small photographs with wide white matting, affixed in a grid formation on a wall in a gallery.] -
Abasement #77. Performance documentation, April 7th, 2025, Artists Space. Photo: Joshua Wildman. [Color image of a performer on stage holding a microphone close to their mouth. They are holding a drum stick in one hand, standing next to a cymbal and a drum set on a stand. They are bathed in red and pink light, and the background is lit with blue, red, and purple light. Small white dots of light from a disco ball fill the room.] -
Installation view, Robert Morgan. Artists Space, 1977. [A black-and-white photograph of a gallery space with multiple works, framed and unframed, on the walls.] -
Flyer for Segue Reading Series featuring Kamden Hilliard and E.J. McAdams. Saturday, November 13, 2021, Artists Space. Artist: Lonely Christopher & Venn Daniel [A horizontal image with a flat, light blue background. On the right side is a pink, cotton candy-like image of a cloud. The word, "Segue" appears in pink text on the top left side. The name, "Kamden Hilliard," is written on the center-left in large red text, while the name, "Laura Elrick," appears in purple on the center-right.] -
Aristotelis Nikolas Mochloulis, Frog Man & Baby Frog, 2025. Michigan J. Frog plushies, miniature directors chairs, ARRI 150 Junior light, Manfrotto Nano light stand, speakers, audio excerpts from movies. Photo: Carter Seddon. [Two pieces of wood are joined to create a miniature stage set. In the center, sitting in a miniature director's chair are two cartoon frog plushies wearing black top hats. The larger frog plushy cradles the smaller frog in it's arms. Two more director's chairs are positioned facing the plushies, along with a miniature stage light and stand that shines a spotlight on the plushies.] -
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Postcards from John Mendelsohn, Donald Sultan. Artists Space, 1977 -
Flyer for If improvisation could serve as a manual, if gesture could serve as a guide. May 26, 2022, Artists Space. [Digitally manipulated image of a cypress knee on a pink background. In the top left corner, "artists space / vleeshal center for contemporary art" is written in black text. In the centre “If improvisation could serve as a manual, if gesture could serve as a guide” is written in black text. In the bottom right corner “Thursday May 26 / 7:30pm 11 Cortlandt Alley” is written in black text.] -
Salad Days. Installation view, Artists Space, 2004. [Two white models of large buildings sitting on a wooden floor. Between the two models is a large mound of dirt.] -
Sam Pulitzer: A Colony for “Them”. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [An angled view of a freestanding white wall displaying vinyl wall text in an exhibition space. The first sentence of the text reads, "A plea for funds seems to come again." An adjacent wall is covered with a large, abstract image of a figure's portrait. It is rendered such that the figure's face appears to be emerging from a cloud in a night sky.] -
Don Baum. Au Train Lake House, 1982. [Legs and feet appear from a small wooden dwelling with a black background.] -
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Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure reads into a microphone, glancing at their phone.] -
Friends of Artists Space Dinner, 2023. Photo: Joshua Wildman. [Color image of three individuals captured as they engage with other guests at their table. A dimly lit and elegant dinner venue can be seen in the background.] -
Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman [Two figures are seated on stage. The figure on the left plays the violin and the figure on the right holds a briefcase full of audio equipment.] -
Beverly Semmes, Tree Net, 1989. [A black and white photograph of a sculpture, which sits on the ground near the corner of a room, its wiry frame covered by a transparent mesh material.] -
Jayline Quiles, Landscape, 2018 [A colorful painting of a landscape, with a river running through the center of the image, a mountain across the river and a cloudy sky] -
Lynn Yamamoto. [An round, orange object with protruding spikes is set inside a brown box. The box's lid is set on the black floor next to it.] -
Ian Bader. Spalation Clock, 1977. Axonometric. [Drawing of large square architectural development with half circle surrouding it and a small development above it to the right.] -
Local Transit. Installation view, Artists Space, 2006. [A black, kayak-shaped sculpture is suspended from the ceiling in a gallery space. On either wall, there are black and white prints mimicking the structure of the boat.] -
I Thought I Had Time. Installation view, Artists Space, 1992. [Close up image of a rectangular panel installed on a white wall. The canvas is covered in color block washes of black, gray, and white paint. Left-aligned, serif text positioned at the upper half of the canvas reads, "she said it's gone too far. I thought I had time. / I thought I had more time. / Room 409 / Memorial Sloan-Kettering / 1990 A.D."] -
U.S. Projects: Howard Fried. Installation view, Artists Space, 1983. [A sink structure on wheels sits atop a tilted wooden table top with legs of varying sizes. Light from the ceiling is seen emanating onto the structure in the white-walled gallery space.] -
Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A small strip of pixeled colors is displayed left of center above a large window looking out onto a building.] -
Bonnie Rycheck. Black and Gray Benches, 1980. [A black and white image of a black bench with two distinct black drapery on both sides behind it.] -
Jim Hodges, Untitled, 1999, Etching and aquatint with chine-collé, 22 x 30 inches (55.9 x 76.2 cm), Edition of 30, Signed & numbered. [A white image with a faint grey line that bisects the page lengthwise. In small text, the word "with" Iies at the center of the image.] -
Establishing Shot. Installation view, Artists Space, 2004. [A profile of a man in a jacket on a gray and white background. Painted streaks of color are superimposed over the man's profile. The whole image is slightly blurry.] -
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Flyer for Segue Reading Series featuring Lila Zemborain and Justin Allen. Saturday, December 4, 2021, Artists Space. [Black text overlays a mauve background. The top left corner reads: "Lila Zemborain & Justin Allen." The center right reads: "Segue Reading Series & ARTISTS SPACE." The bottom left reads: "Saturday December 4 - 5pm, 11 Cortland Alley + Zoom". The image of a 5 dollar bill is placed within the text.] -
Social Surfaces. Installation view, Pearl River Mart, 2017. Photo: Ron Amstutz. [A view of paintings and photographs across three walls in the space. Black columns divide the room; to the left, a sculpture is displayed on the ground.] -
[A black and white image of a woman painting on a three-dimensional canvas. She holds a paintbrush in her right hand and a jar of paint in her left hand while leaning over the canvas.] -
Robert Mangold, Untitled, 1995, Etching with aquatint, 24 x 30 inches (61 x 76.2 cm), Editions of 50, Signed & numbered. [The image shows a quarter of a circle on a white background that is colored half-brown, half-blue with two black ovals of different sizes etched on top.] -
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Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979. [Two photographs are mounted on a white gallery wall.] -
Portrait of Jackie Wang. [A figure, centered within the frame, leans against a beige tiled wall and stares directly into the camera.] -
Lyndon Barrois Jr., Divine Agent, 2022; Balthazar (After Bresson), 2021. Wicker pannier, plastic, copper, brass, conservation glove, moonshine jug, solvent transfers, plywood, brass, wooden owl figurine, dyed silk.; blue graphite on paper, antique brass frame. Dimensions variable. Photo: Filip Wolak. [A color photograph of a gallery space. In the foreground is a large wicker pannier with a white glove, small wooden stool, and ceramic jug on top. In the background a small portrait of a donkey in blue is visible.] -
Susan Cianciolo, Flowers, 2018, 25 x 21 x 1 1/2 inches, Silkscreen on book cloth on bespoke archival box, Signed edition of 100, 5APs Courtesy of the artist. [A portfolio box with a flowered pattern on the lid is shown on a white ground with the lid slightly askew.] -
Sam Pulitzer: A Colony for “Them”. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A shallow white cylinder sitting on a dark wooden floor. A small green light glows from inside the cylinder.] -
Still from Personal Problems picturing Walter Cotton and Vertamae Smart-Grosvenor, 1980. [A man and a woman sit at a kitchen table for breakfast. The table is crowded with dishes and items like orange juice and a box of Raisin Bran.] -
Abasement #71. Performance documentation, August 5th, 2024, Artists Space. Photo: Joshua Wildman. [Close up of a solo musician sitting on stage playing a string instrument in their lap with a bow. They are looking to the side and they are covered in red light. The wall behind them is blue-tinted with patterned image projections.] -
Murray Reich. Two Ply, 1989. [A plywood board with rows of circular holes cut out of it overlays a black rectangle with blue and yellow lines on it.] -
Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman. [A room full of audience members in a pink-tinted room. The people in the front are sitting, and the ones behind are standing close together. Many people are clapping. The room is filled with patterns of white dots reflecting from a disco ball.] -
Friends of Artists Space Dinner 2024. Honoree LaToya Ruby Frazier. Photo: Joshua Wildman [LaToya Ruby Frazier smiles while seated at a dinner table, holding hands with someone whose body is out of frame. She wears an orange suit jacket, a purple collared shirt, and a pocket square bearing a print of various orange flowers.] -
[A black and white scan of an invoice from Corcraft Products issued to Artists Space at 38 Greene Street. The customer number reads "9102000". The invoice details a net purchase of $603.10] -
P.S. 140 students performing at YAP (Young Artists Perform), 2019 [Eight people sit in a row on a wooden stage in front of a navy blue curtain. They are holding pieces of paper, one speaks into a microphone.] -
Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata [Color image of a figure sitting behind a reed organ covered in a sheet of clear plastic. A clock sits on a music stannd with instructions behind the organ. The figure positions their hands on a large block of ice that sits on top of the keys of the organ.] -
Installation view, Wyn Geleynse film installation, Artists Space, May 24, 1986 - June 28, 1986. [On the left one can see a bright image of a man standing profile view and on the right appears a photograph of a naked woman shielding her face. Blackness surrounds these two images.] -
SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a TV screen playing blue-tinted video footage of the performance with a fresnel lens placed in front of the screen, distorting the image.] -
[Catalogue cover design featuring a black and white photograph of a series of animal skulls arranged on a back backdrop. The skulls vary in size and shape, and many have large, fang-like teeth. Small white text running along the cover's lower edge reads, "reconstructions Jim Rittimann march 14 - may 4, 1991 Artists Space."] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Three figures perform in a basement. Two figures in blue morph suits act out a scene together. The figure on the right scratches a fresnel lens attached to a wooden rolling table while the left figure walks toward the table. A third figure takes video footage of the scene.] -
Ed Atkins, Death Mask II: The Scent, 2010. HD video with sound, 8 minutes 19 seconds. Courtesy the artist, Cabinet Gallery, London and Isabella Bortolozzi Galerie, Berlin. [An open folding calculator, turned on its side and illuminated by bright green, peach, and pink lights.] -
[An image of a woman riding a bull through a green bank note. One hand holds on to the reins of the bull, the other scatters bills. She wears a yellow dress that is opening at the top.] -
Frozen Lakes. Installation view, Artists Space, 2013. Photo: Meinke Klein. [Several parallel dividers constructed from metal fencing positioned between black metal frames are arranged in an exhibition space. Colorful textiles and t-shirts are displayed on the fencing.] -
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Kristin Lucas, a common object has special powers unbeknownst to the players..., 1996. [A poem titled, "a common object has special powers unbeknownst to the players..." printed on a blue and white marbled background. There is a stencil of lines and dots at the bottom of the page.] -
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Daniel Tilsdale. Still from Contacts, Ponytails, Noses and Bleach, 1988. Graphite on Xerox (presented in slide format). [A close up black and white image of a slide projection with two figures.] -
Claire Fontaine, Please God Make Tomorrow Better, 2010, Silkscreen on archival box, 24 1/2 x 20 1/2 x 1 1/2 inches, Signed and numbered certificate [A rectangular image, opaque and black. In black, all-caps, sans-serif font, outlined in white, text reads "PLEASE GOD MAKE TOMORROW BETTER." The text appears slightly above the center of the image and center justified.] -
Audio cassette tape for Echo Chamber, Sharon Hayes & Brooke O'Harra. [A black audio cassette tape with accents of grey and red on the cover. Handwritten text on the tape reads "ECHO CHAMBER." Behind the tape is a wooden background.] -
Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Detail view of a display case. Several mugs are stacked on top of each other on the left side of the case, while five others are placed haphazardly across its surface. Each white mug is decorated with black text that reads, *STANCHION*. Several photos of a nude woman are arranged across the surface of the case.] -
Marz Saffore speaking at “Palestine, BLM & Boycott in the Arts.” Artists Space Books & Talks, Friday, November 4, 2016. Courtesy Decolonize This Place and Artists Space, New York. Photo: Andrés Rodriguez [Marz Saffore, dressed in a beige argyle swearer, a polka dot button up, jeans, and a green cap, sits and speaks into a microphone.] -
Passages from People Who Led to My Plays. Performance documentation, March 1, 2020, Artists Space. Photo ©️ 2020 Paula Court. [Two figures in dark clothing stand before two music stands in front of a seated audience. The figure on the left speaks, raising up both hands by her face, her fingers making "air quotes."] -
Sherry Markovitz, Carmine, 1985. [A moose head with antlers is designed with a decorative flower pattern with a white background.] -
Hani Rashid, The Early 17th Century, 1985. Mixed media with ink, old paints, acids, chalks, 33 x 24 inches. [Drawing of upside down Christian iconography along with pyramid, desert landscape with white surrouding the images.] -
ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A view of multiple works including a black and white image on a beige wall, CRT monitors displaying individuals in a bluish hue, a tulip chair against a seafoam colored wall, and a single viewing station.] -
Lee Mullican. Source Sketch, 1981. [Various black and white obal shapes appear with lines throughout this abstract work.] -
New Red Order Give it Back, detail, 2020 Acrylic LED displays with cut vinyl, water cooler, poster, couch, desk, chairs, magazine rack, The New Red Times Magazine, and three televisions. Image courtesy Artists Space, New York [An image of a magazine rack with numerous copies of a magazine with a city-scape is positioned upside down, the point of the skyscraper reaching towards the bottom of the image. Googley eyes, eyebrows, and a mouth are drawn near the top of the building. Red serif font across the top of the image reads "The New Red Times Magazine." White serif font in the bottom left corner reads "TIRED OF LIVING ON STOLEN LAND?" Below, red serif font reads "GIVE IT BACK."] -
Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view (Doris Guo, Doorstop 1, 2024; Doris Guo, Doorstop 2, 2024), Artists Space, 2024. Photo: Carter Seddon. [Color image of two small doorstop sculptures on the floor of the gallery space landing. The sculpture in the foreground consists of a short column of aluminum, banded with black rubber near the top. In the background sits another sculpture, a squat column of concentric stainless steel rings with a black rubber core.] -
Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979. [A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.] -
Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak. [View of various framed works on paper on white gallery walls featuring abstract calligraphic strokes.] -
Abasement #67. Performance documentation, January 15, 2024, Artists Space. Photo: Joshua Wildman. [Color image of performer using their left hand to control a soundboard resting on a circular table while their left hand grasps a microphone. Next the performer is an empty music stand. The performer's serious face peeks out from their long brown hair. To stage left, audience members hold their hands up in applause. The performer is illuminated by the colorful light of a projector, which casts red and blue light on the wall behind the performer.] -
Combined Faulty Acts. Installation view, Artists Space, 2008. Photo: Bill Ocrutt. [Five rows of bleachers built from wood, with dozens and dozens of assorted sculptures of gray, painted pigs. The pigs are reflected in a mirror opposite them, which is framed by columns. On a wall on the left side is an image of hanging scales. The right wall is painted yellow.] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Audience members are seated along a back wall, with a figure in a blue morph suit seated on a rectangular wooden frame alongside them. Blue light is projected onto a screen in the background.] -
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[The inside of a room with a window looking out onto a view of Manhattan. The rightmost third of the image has been digitally altered such that it appears to warp and glitch.] -
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Lyndon Barrois Jr.: Mirage Collar. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color installation view of a gallery space with three dark columns. A wicker pannier and a yellow brocade couch are visible in the foreground. In the background, a multi-tiered door, several paintings, a wooden stool and nightstand are also visible.] -
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[A black logo consisting of a lowercase letter "b" connected to a smaller, lowercase letter "c" on a white background.] -
The House that Herman Built. Installation view, Artists Space, 2007. [A freestanding room, constructed from wood and resembling a prison cell, sits in the center of a gallery space, its door ajar. A model of a building sits on a pedestal to the left of the wooden prison cell. On the wall, a vinyl quote reads: WHAT KIND OF HOUSE DOES / A MAN WHO HAS LIVED IN A / SIX-FOOT BY NINE-FOOT CELL / FOR OVER 35 YEARS DREAM OF?] -
[Video still of a figure in glasses wearing a pink dress with black tulle fabric on a small stage. An overturned, white table is siutated to their right, and papers are strewn across the ground. The figure hunches over, looking out towards the audience. Their left hand is bent at their chest and points upwards, while their right hand touches the back of their head.] -
[A figure with dark, short hair wearing a brown shirt and white pants looks into the viewfinder of a large videocamera. They appear to stand on a precipice above the ocean, and their camera is aimed at the water below them.] -
Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata [Color image of an ice block sitting on top of the keys of a reed organ. The reedorgan is covered in a sheet of clear plastic. A clock and instructions sit on a music stand behind the organ.] -
Unstretched, bound, outside mission, 2020, acrylic on linen, bubble wrap, ratchet strap, chicken wire, dimensions variable. [A large, orange and brown stuffed slug sculpture is strapped around a Greco-Roman style columns on the facade of a cast iron building. The slug’s antennae point towards the blue sky. Further down the street are additional buildings, parked cars, and a Detour sign.] -
Flyer for Segue Reading Series featuring Jacob Kahn and Erica Hunt. January 28, 2023, Artists Space. [White and dark blue text overlay a light blue background with abstract lines and a drawing of a male bust in the bottom left corner. The text in the middle reads "Jacob Kahn / Segue Reading Series / Erica Hunt."] -
Young Fluxus. Installation view, Artists Space, 1982. [Wide view of a white-walled gallery space with various artworks visible on the walls.] -
[A red background with white text which reads: "SETTLER COLONIALISM OUT OF BROOKLYN", followed by the Decolonize This Place Logo.] -
Tom Rubnitz. Installation view, Artists Space, 1981. [Painted objects attached to the wall in a white-walled gallery space.] -
Chinatown Art Brigade and The Illuminator Here to Stay, September 24, 2016 Courtesy Chinatown Art Brigade. Photo: KahEan Chang [A view of Chinatown at night, with a projection onto the side of a building which reads "Save Chinatown" with its own image of Chinatown storefronts underneath.] -
rafa esparza: Camino. Installation view (110 North Bound, 2023; Jaime, 2023), Artists Space, 2023. Photo: Filip Wolak. [Color image of the corner of a gallery space. On the right side is a large adobe panel that rests on a steel armature. Painted onto the adobe is a portrait of a figure with a bicycle, and around the armature are adobe bricks laid out on the floor. On the lefthand wall is another adobe panel painting depicting the entrance into a freeway tunnel.] -
Young Fluxus. Installation view, Artists Space, 1982. [Numerous plastic bags of objects appear together on a white gallery wall.] -
Visit to Artists Space to see exhibition Zoo or an Orchestra, Char Jaré, 2024 -
Louisa Chase. Installation view, Louisa Chase, Ted Stamm, Meryl Vladimer, Artists Space, 1975. [A black and white installation photograph of a gallery space. Two floor bound sculptures are visible in the foreground, and in the background a few framed works hangfrom the wall.] -
Heji Shin, Camp Habibi II, 2013, C-print, 20 x 16 inches, Signed edition of 100, 5APs, Courtesy of the artist. [Detail view of a camel's head against a palm tree and blue sky.] -
Robert Gober, Untitled, 1992. Photo: Filip Wolak. [Color image of a framed fragment of newspaper. The headlines of the two articles featured read, "Bush Is Sent Forth as Champion of Family Values," and "Jury Convicts Man Who Locked His Children in Bronx Apartment." An image of steel pots and pans is placed on the bottom-left corner, and an image of a woman with her arms draped over a man in a suit is placed on the bottom-right corner.] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [A figure in a blue morph suit stands, their hands on their waist, and looks to the left. A figure behind them films them. Blue video footage is projected onto the back wall.] -
MS 324 group work, collaborative drawing, 2019 [Five people's hands work on a colorful, abstract drawing with the drawing at the center of the image on a wooden table.] -
Christopher Williams. Bouquet for Bas Jan Ader and Christopher D’Arcangelo, 1991. . Archival corrugated board, archival photocorners, compound, 4-py conservamat, 8-ply conservamat, drywall, dye transfer print, glass lacquer-based finish, linen tape, nails, Northern maple, plastic set back strips, primer, screws, seaming tape, paint and wood.. Print: 16 x 20 inches [40,6 x 50,8 cm]; 29 x 32 5/8 inches [73,7 x 82,9] (framed). Wall: 120 x 180 x 4 ? inches [304.8 x 457,2 x 12 cm]. Overall: 120 x 180 x 6 ? inches [304.8 x 457,2 x 17,2 cm]. Edition: 1/8. Edition size: 8 and 3 artist’s proofs.. Private collection, Berlin. Courtesy: Galerie Gisela Capitain, Cologne. . Installation view from Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979), Artists Space, 2011. . Photo: Daniel Pérez -
Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang. [A figure's hands are shown, standing at the edge of a white table, unfolding a small book as another figure on the other side of the table holds part of the book and reads off of it.] -
Ethan Crenson, Fission, 1996. Mixed media installation. [Mousetraps on a wooden floor in motion, snapping to capture ping pong balls resting atop them.] -
Renee Gladman, Untitled (black city), 2022, oil pastel and pigment on paper, 30 x 44 inches. Image courtesy Artists Space, New York. Photo: Filip Wolak. [A color image of a drawing consisting of green, purple, yellow, and red lines and shapes that form an abstract composition. Single line white drawings complement the composition.] -
Mark Leckey, A Changeling Can Change, 2020, 23.5 x 16.5 inches [An image featuring a cartoonish illustration of a purple bridge crossing over a stream in a fantasy landscape. Medieval houses dot the riverbank across the bridge, and mountains are visible in the distance. A black mass vaguely resembling two pant legs emerges below the illustration. The mass rests on a small highway underpass, underneath of which three figures stand or walk. Two large blue sneakers emerge from the right and left ends of the black mass, resting at the image's lower corners. A white band runs across the bottom of the image. Small black text running along the lower edge of the image reads, "2020Solidarity - Mark Leckey / A project by Between Bridges."] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Two figures in blue morph suits engage in an argument, standing on either side of a wooden table with a fresnel lens as the tabletop. A third figure to the right films their encounter, while audience members watch in the background.] -
Abasement #79. Performance documentation, August 11th, 2025, Artists Space. Photo: Joshua Wildman. [Two performers stand side by side on stage. One performer plays a brass instrument and the other a woodwind instrument. They are bathed in a red-orange light, created from a projection.] -
Eiko Ishibashi, Two New York Nights. Performance documentation, June 8, 2022, Artists Space [A figure lit with red light is sitting at a table holding a microphone to their mouth. On the table are a desk lamp and a laptop computer.] -
Abasement #79. Performance documentation, August 11th, 2025, Artists Space. Photo: Joshua Wildman. [Two performers are on stage, the performer on the left side blows into a long woodwind instrument. The performer on the right sits behind a desk on top of which is a large pile of audio equipment. The stage and wall behind it are bathed in blue light, created from projections of a geometric pattern.] -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure dressed in white, laying down on a window ledge facing the street. They raise on arm up and a white light shines from their pelvic area.] -
Still from Resonating Surfaces, 2005. Courtesy of Manon de Boer, Auguste Orts and Jan Mot Gallery, Brussels. [A grainy image of a woman looking to her left. She is leaning against the back of a chair, one arm outstretched while the other is bent and holds a cigarette.] -
Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022. [A color image of a pink-hued room inside which an irregularly shaped platform with a reflective surface sits on the ground. Objects such as plants, a fish tank, and tree stumps sit on and around the platform.] -
Abasement #73. Performance documentation, November 4th, 2024, Artists Space. Photo: Joshua Wildman. [A crowd faces a stage where a musician is sitting over various electronic instruments and audio equipment. The audience members are bathed in red light. The wall behind the musician is projected with monochromatic gradients.] -
[White text overlays a rose-colored background with a geometric design. The text reads: "Annual Friends of Artists Space Dinner / Celebrating 50 Years / Honoring / Kathy Halbreich/ Yasunao Tone / Monday, May 8, 7pm / The Doubles Club, New York City." Text in the bottom left corner reads: "Festive attire."]
