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  • The outline of a bird in black is visible on white walls with black text on the left that reads,
    The outline of a bird in black is visible on white walls with black text on the left that reads,
    Young Fluxus. Installation view, Artists Space, 1982. [The outline of a bird in black is visible on white walls with black text on the left that reads, "If you are very intelligent you've got to find the connection between the drawing and the text." And black text on the right that reads, "If you look to the left, that is the left drawing, if you look to the right, that's the right drawing, but if you don't look anywhere that's the no drawing."]
    Caption Young Fluxus. Installation view, Artists Space, 1982.
    Image description The outline of a bird in black is visible on white walls with black text on the left that reads, "If you are very intelligent you've got to find the connection between the drawing and the text." And black text on the right that reads, "If you look to the left, that is the left drawing, if you look to the right, that's the right drawing, but if you don't look anywhere that's the no drawing."
    Year
    Related pages Young Fluxus
  • A black wall that reads
    A black wall that reads
    New Red Order with Virgil B/G Taylor. Native New Yorker: Sigillum Civitatis Novi Eboraci, 2021 Painted wall with cut vinyl, historical newspapers, television, and postcard 10 x 10 feet. Photo: Filip Wolak [A black wall that reads "Sigillum Civitatis Novi Eboraci 1625". Layered on the wall are multiple printed drawings and tv monitors, below sits a red beach ball.]
    Caption New Red Order with Virgil B/G Taylor. Native New Yorker: Sigillum Civitatis Novi Eboraci, 2021 Painted wall with cut vinyl, historical newspapers, television, and postcard 10 x 10 feet. Photo: Filip Wolak
    Image description A black wall that reads "Sigillum Civitatis Novi Eboraci 1625". Layered on the wall are multiple printed drawings and tv monitors, below sits a red beach ball.
    Year 2021
    Related pages New Red Order: Feel at Home Here
  • A black and white image of a blank frame on a white wall. At the center of the frame, a sculptural mold of a brain protrudes out from the canvas.
    A black and white image of a blank frame on a white wall. At the center of the frame, a sculptural mold of a brain protrudes out from the canvas.
    AIDS Forum: Danny Dries - Generic Memorial (for WM. Schwedler, 1942-1982). Installation view, Artists Space, 1992. [A black and white image of a blank frame on a white wall. At the center of the frame, a sculptural mold of a brain protrudes out from the canvas.]
    Caption AIDS Forum: Danny Dries - Generic Memorial (for WM. Schwedler, 1942-1982). Installation view, Artists Space, 1992.
    Image description A black and white image of a blank frame on a white wall. At the center of the frame, a sculptural mold of a brain protrudes out from the canvas.
    Year 1992
    Related pages AIDS FORUM: Generic Memorial (for WM. Schwedler, 1942-1982)
  • A photograph of a black table next to a black chair. The end of a long sheet of white paper on the table rests on the chair.
    A photograph of a black table next to a black chair. The end of a long sheet of white paper on the table rests on the chair.
    Tiffany Sia, The Bastard Scroll (detail view), 2021. Photo: Filip Wolak [A photograph of a black table next to a black chair. The end of a long sheet of white paper on the table rests on the chair.]
    Caption Tiffany Sia, The Bastard Scroll (detail view), 2021. Photo: Filip Wolak
    Image description A photograph of a black table next to a black chair. The end of a long sheet of white paper on the table rests on the chair.
    Year 2021
    Related pages Tiffany Sia: Slippery When Wet
  • A table covered with a red tablecloth. The tablecloth is decorated with two white images: a person riding a horse and stylized text reading
    A table covered with a red tablecloth. The tablecloth is decorated with two white images: a person riding a horse and stylized text reading
    New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court. [A table covered with a red tablecloth. The tablecloth is decorated with two white images: a person riding a horse and stylized text reading "THE URGE TO MERGE." Lying on the table, there is a magazine with a green cover with a figure holding an axe. The cover text reads, "NEVER SETTLE" and "SPECIAL Future Recruits Issue".]
    Caption New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court.
    Image description A table covered with a red tablecloth. The tablecloth is decorated with two white images: a person riding a horse and stylized text reading "THE URGE TO MERGE." Lying on the table, there is a magazine with a green cover with a figure holding an axe. The cover text reads, "NEVER SETTLE" and "SPECIAL Future Recruits Issue".
    Year 2020
    Related pages New Red Order: Informants Get Paid!
  • Against the left hand wall is a glass display case, above which and above on the right hang various ephemera.
    Against the left hand wall is a glass display case, above which and above on the right hang various ephemera.
    Attention Line. Installation view, Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [Against the left hand wall is a glass display case, above which and above on the right hang various ephemera.]
    Caption Attention Line. Installation view, Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak
    Image description Against the left hand wall is a glass display case, above which and above on the right hang various ephemera.
    Year 2022
    Related pages Attention Line
  • On the lefthand side of the image is a television monitor; on the righthand side, two paintings hang from the wall.
    On the lefthand side of the image is a television monitor; on the righthand side, two paintings hang from the wall.
    Attention Line. Installation view, Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [On the lefthand side of the image is a television monitor; on the righthand side, two paintings hang from the wall.]
    Caption Attention Line. Installation view, Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak
    Image description On the lefthand side of the image is a television monitor; on the righthand side, two paintings hang from the wall.
    Year 2022
    Related pages Attention Line
  • The artist devynn emory in their grandmother's fleece jacket covered in polar bears, standing in front of a silver sterile table. In the background is collaborator Joseph and cinematographer Jorge discussing where the ancestor forms draped in yellow fabric should be placed.
    The artist devynn emory in their grandmother's fleece jacket covered in polar bears, standing in front of a silver sterile table. In the background is collaborator Joseph and cinematographer Jorge discussing where the ancestor forms draped in yellow fabric should be placed.
    Photo: Reilly Horan [The artist devynn emory in their grandmother's fleece jacket covered in polar bears, standing in front of a silver sterile table. In the background is collaborator Joseph and cinematographer Jorge discussing where the ancestor forms draped in yellow fabric should be placed.]
    Caption Photo: Reilly Horan
    Image description The artist devynn emory in their grandmother's fleece jacket covered in polar bears, standing in front of a silver sterile table. In the background is collaborator Joseph and cinematographer Jorge discussing where the ancestor forms draped in yellow fabric should be placed.
    Year
    Related pages Grandmother Cindy
  • Objects are cluttered on the floor of a room lit with a warm, yellow hue. There is a low-hanging disco ball, two standing lights, and a small television showing white static mounted on a stand. There are two vases with plants and a string of white lights.
    Objects are cluttered on the floor of a room lit with a warm, yellow hue. There is a low-hanging disco ball, two standing lights, and a small television showing white static mounted on a stand. There are two vases with plants and a string of white lights.
    Enough Tiranny Recalled, 1972–2009. Installation view, Artists Space, 2009. Photo: Daniel Pérez. [Objects are cluttered on the floor of a room lit with a warm, yellow hue. There is a low-hanging disco ball, two standing lights, and a small television showing white static mounted on a stand. There are two vases with plants and a string of white lights.]
    Caption Enough Tiranny Recalled, 1972–2009. Installation view, Artists Space, 2009. Photo: Daniel Pérez.
    Image description Objects are cluttered on the floor of a room lit with a warm, yellow hue. There is a low-hanging disco ball, two standing lights, and a small television showing white static mounted on a stand. There are two vases with plants and a string of white lights.
    Year 2009
    Related pages Marc Camille Chaimowicz: Enough Tiranny Recalled, 1972 – 2009
  • Caption
    Image description
    Year
    Related pages Christopher D'Arcangelo
  • A black and white installation photograph of a gallery space. Placed on the floor pairs of dark squares lean against a white wall on the far end.
    A black and white installation photograph of a gallery space. Placed on the floor pairs of dark squares lean against a white wall on the far end.
    Mel Kendrick, Dinnever Hill. Installation view, Artists Space, 1974. [A black and white installation photograph of a gallery space. Placed on the floor pairs of dark squares lean against a white wall on the far end.]
    Caption Mel Kendrick, Dinnever Hill. Installation view, Artists Space, 1974.
    Image description A black and white installation photograph of a gallery space. Placed on the floor pairs of dark squares lean against a white wall on the far end.
    Year 1974
    Related pages Mel Kendrick, Lois Lane, Christopher Shelton
  • A metal form sits on a sloped gray slap on top of a low, rectangular plinth. The 3D form is composed of thin metal sheets that together form an amorphous shape that casts a series of shadows on the surface below it.
    A metal form sits on a sloped gray slap on top of a low, rectangular plinth. The 3D form is composed of thin metal sheets that together form an amorphous shape that casts a series of shadows on the surface below it.
    Matters of Sensation. Installation view, Artists Space, 2008. Photo: Adam Reich. [A metal form sits on a sloped gray slap on top of a low, rectangular plinth. The 3D form is composed of thin metal sheets that together form an amorphous shape that casts a series of shadows on the surface below it.]
    Caption Matters of Sensation. Installation view, Artists Space, 2008. Photo: Adam Reich.
    Image description A metal form sits on a sloped gray slap on top of a low, rectangular plinth. The 3D form is composed of thin metal sheets that together form an amorphous shape that casts a series of shadows on the surface below it.
    Year 2008
    Related pages Matters of Sensation
  • A color image of the corner of a gallery space. A row of four small speakers, evenly spaced and held on small wooden shelves, span the left wall. On the right wall, a collection of six framed black and white photographs are arranged in a grid. Each frame is black, with three on the top and three on the bottom.
    A color image of the corner of a gallery space. A row of four small speakers, evenly spaced and held on small wooden shelves, span the left wall. On the right wall, a collection of six framed black and white photographs are arranged in a grid. Each frame is black, with three on the top and three on the bottom.
    Terry Fox: All These Different Things Are Sculpture. Installation view, Artists Space, 2024. Photo: Filip Wolak [ A color image of the corner of a gallery space. A row of four small speakers, evenly spaced and held on small wooden shelves, span the left wall. On the right wall, a collection of six framed black and white photographs are arranged in a grid. Each frame is black, with three on the top and three on the bottom. ]
    Caption Terry Fox: All These Different Things Are Sculpture. Installation view, Artists Space, 2024. Photo: Filip Wolak
    Image description A color image of the corner of a gallery space. A row of four small speakers, evenly spaced and held on small wooden shelves, span the left wall. On the right wall, a collection of six framed black and white photographs are arranged in a grid. Each frame is black, with three on the top and three on the bottom.
    Year
    Related pages All These Different Things Are Sculpture
  • A view of paintings and photographs across three walls in the space. Black columns divide the room; to the left, a sculpture is displayed on the ground.
    A view of paintings and photographs across three walls in the space. Black columns divide the room; to the left, a sculpture is displayed on the ground.
    Social Surfaces. Installation view, Pearl River Mart, 2017. Photo: Ron Amstutz. [A view of paintings and photographs across three walls in the space. Black columns divide the room; to the left, a sculpture is displayed on the ground.]
    Caption Social Surfaces. Installation view, Pearl River Mart, 2017. Photo: Ron Amstutz.
    Image description A view of paintings and photographs across three walls in the space. Black columns divide the room; to the left, a sculpture is displayed on the ground.
    Year 2017
    Related pages Social Surfaces
  • Caption
    Image description
    Year
    Related pages Book launch for Top Stories
  • Eleven beige sacks of various sizes, depicting text and illustrations, are arranged on a wall.
    Eleven beige sacks of various sizes, depicting text and illustrations, are arranged on a wall.
    Alan Michelson, Permanent Title, 1993. [Eleven beige sacks of various sizes, depicting text and illustrations, are arranged on a wall.]
    Caption Alan Michelson, Permanent Title, 1993.
    Image description Eleven beige sacks of various sizes, depicting text and illustrations, are arranged on a wall.
    Year 2017
    Related pages Unholding
  • A color image of two tree logs, placed on brown pedestals. The pedestal in the back features a taxidermied griffon vulture.
    A color image of two tree logs, placed on brown pedestals. The pedestal in the back features a taxidermied griffon vulture.
    Andy Robert: PAPALOKO. Installation view (bwa, 2023; Ruin, 2023), Artists Space, 2024. Photo: Carter Seddon. [A color image of two tree logs, placed on brown pedestals. The pedestal in the back features a taxidermied griffon vulture.]
    Caption Andy Robert: PAPALOKO. Installation view (bwa, 2023; Ruin, 2023), Artists Space, 2024. Photo: Carter Seddon.
    Image description A color image of two tree logs, placed on brown pedestals. The pedestal in the back features a taxidermied griffon vulture.
    Year
    Related pages Andy Robert: Papaloko
  • An opened gate is visible on the right with tables and chairs set up on a cement floor and decorative steel windows visible at the top.
    An opened gate is visible on the right with tables and chairs set up on a cement floor and decorative steel windows visible at the top.
    Audrey Glassman, Untitled. Cibachrome, 28 x 42 inches. [An opened gate is visible on the right with tables and chairs set up on a cement floor and decorative steel windows visible at the top.]
    Caption Audrey Glassman, Untitled. Cibachrome, 28 x 42 inches.
    Image description An opened gate is visible on the right with tables and chairs set up on a cement floor and decorative steel windows visible at the top.
    Year
    Related pages U.S. Projects
  • Drawing of a muscular man with a combover and handlebar mustache, grappling the Earth and grinning as he inserts his penis into the planet.
    Drawing of a muscular man with a combover and handlebar mustache, grappling the Earth and grinning as he inserts his penis into the planet.
    Tom of Finland, Untitled, 1976. Graphite on paper. Courtesy Collection Ulrich Tangermann, Hamburg. [Drawing of a muscular man with a combover and handlebar mustache, grappling the Earth and grinning as he inserts his penis into the planet.]
    Caption Tom of Finland, Untitled, 1976. Graphite on paper. Courtesy Collection Ulrich Tangermann, Hamburg.
    Image description Drawing of a muscular man with a combover and handlebar mustache, grappling the Earth and grinning as he inserts his penis into the planet.
    Year 1976
    Related pages Tom of Finland: The Pleasure of Play
  • A person working in a small space enclosed by walls, painted red with white text. At the top of the wall, large letters read
    A person working in a small space enclosed by walls, painted red with white text. At the top of the wall, large letters read
    Activated Walls. Installation view, Artists Space, 1993. [A person working in a small space enclosed by walls, painted red with white text. At the top of the wall, large letters read "AZT=DEATH", with a paragraph of text stretching across three walls. Underneath, there are a dozen white pieces of a paper taped up.]
    Caption Activated Walls. Installation view, Artists Space, 1993.
    Image description A person working in a small space enclosed by walls, painted red with white text. At the top of the wall, large letters read "AZT=DEATH", with a paragraph of text stretching across three walls. Underneath, there are a dozen white pieces of a paper taped up.
    Year 1993
    Related pages Activated Walls
  • A brown paper bag, placed on a shelf at an angle, an illustration, in colored pencil, of a man wearing a ten-gallon hat, in which his strands of black hair stick out from the bottom. A graphic that reads,
    A brown paper bag, placed on a shelf at an angle, an illustration, in colored pencil, of a man wearing a ten-gallon hat, in which his strands of black hair stick out from the bottom. A graphic that reads,
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A brown paper bag, placed on a shelf at an angle, an illustration, in colored pencil, of a man wearing a ten-gallon hat, in which his strands of black hair stick out from the bottom. A graphic that reads, "Pioneer," across his hat. In the background and the side of the bag are small detailed multicolored line patterns. A single cannabis leaf, facing sideways amongst the line pattern.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description A brown paper bag, placed on a shelf at an angle, an illustration, in colored pencil, of a man wearing a ten-gallon hat, in which his strands of black hair stick out from the bottom. A graphic that reads, "Pioneer," across his hat. In the background and the side of the bag are small detailed multicolored line patterns. A single cannabis leaf, facing sideways amongst the line pattern.
    Year 2017
    Related pages Unholding
  • A man and a woman sit at a kitchen table for breakfast. The table is crowded with dishes and items like orange juice and a box of Raisin Bran.
    A man and a woman sit at a kitchen table for breakfast. The table is crowded with dishes and items like orange juice and a box of Raisin Bran.
    Still from Personal Problems picturing Walter Cotton and Vertamae Smart-Grosvenor, 1980. [A man and a woman sit at a kitchen table for breakfast. The table is crowded with dishes and items like orange juice and a box of Raisin Bran.]
    Caption Still from Personal Problems picturing Walter Cotton and Vertamae Smart-Grosvenor, 1980.
    Image description A man and a woman sit at a kitchen table for breakfast. The table is crowded with dishes and items like orange juice and a box of Raisin Bran.
    Year 1980
    Related pages Personal Problems
  • Book cover design featuring a blue-tinged photograph of a woman in a white blouse resting casually against an armchair, her left hand reaching up towards her face and her fingers curling in a relaxed position. She appears contemplative, as if she is about to speak. Text superimposed over the top left hand corner of the image reads
    Book cover design featuring a blue-tinged photograph of a woman in a white blouse resting casually against an armchair, her left hand reaching up towards her face and her fingers curling in a relaxed position. She appears contemplative, as if she is about to speak. Text superimposed over the top left hand corner of the image reads
    Piecing Together Los Angeles: An Esther McCoy Reader, edited by Susan Morgan, published by East of Borneo Books, 2012. [Book cover design featuring a blue-tinged photograph of a woman in a white blouse resting casually against an armchair, her left hand reaching up towards her face and her fingers curling in a relaxed position. She appears contemplative, as if she is about to speak. Text superimposed over the top left hand corner of the image reads "Piecing Together Los Angeles: An Esther McCoy Reader."]
    Caption Piecing Together Los Angeles: An Esther McCoy Reader, edited by Susan Morgan, published by East of Borneo Books, 2012.
    Image description Book cover design featuring a blue-tinged photograph of a woman in a white blouse resting casually against an armchair, her left hand reaching up towards her face and her fingers curling in a relaxed position. She appears contemplative, as if she is about to speak. Text superimposed over the top left hand corner of the image reads "Piecing Together Los Angeles: An Esther McCoy Reader."
    Year 2012
    Related pages Piecing Together Los Angeles: An Esther McCoy Reader
  • An illustrated black and white poster titled,
    An illustrated black and white poster titled,
    [An illustrated black and white poster titled, "Artists Space Presents / Doug & Mike's Adult Entertainment." There are two hand puppets labelled Doug and Mike, with smaller portraits of assorted characters arranged around them. Additional text at the bottom notes the location and admission information.]
    Caption
    Image description An illustrated black and white poster titled, "Artists Space Presents / Doug & Mike's Adult Entertainment." There are two hand puppets labelled Doug and Mike, with smaller portraits of assorted characters arranged around them. Additional text at the bottom notes the location and admission information.
    Year 1993
    Related pages Doug and Mike's Adult Entertainment
  • Many colorful documents, photographs, and posters installed on a white wall in an exhibition space. A small television monitor displaying a green image sits on the ground beneath the posters and other artworks.
    Many colorful documents, photographs, and posters installed on a white wall in an exhibition space. A small television monitor displaying a green image sits on the ground beneath the posters and other artworks.
    Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [Many colorful documents, photographs, and posters installed on a white wall in an exhibition space. A small television monitor displaying a green image sits on the ground beneath the posters and other artworks.]
    Caption Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description Many colorful documents, photographs, and posters installed on a white wall in an exhibition space. A small television monitor displaying a green image sits on the ground beneath the posters and other artworks.
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • An aerial view of a naked woman with long, brown hair riding on a saddled brown and white horse down a cobbled urban street. There are parked cars on either side of her, a single lampost, and a few pedestrians looking on. She casts a long shadow onto the cobbled street.
    An aerial view of a naked woman with long, brown hair riding on a saddled brown and white horse down a cobbled urban street. There are parked cars on either side of her, a single lampost, and a few pedestrians looking on. She casts a long shadow onto the cobbled street.
    Sonic Godiva Music Fest. Performance documentation, November 19, 2005, Artists Space. [An aerial view of a naked woman with long, brown hair riding on a saddled brown and white horse down a cobbled urban street. There are parked cars on either side of her, a single lampost, and a few pedestrians looking on. She casts a long shadow onto the cobbled street.]
    Caption Sonic Godiva Music Fest. Performance documentation, November 19, 2005, Artists Space.
    Image description An aerial view of a naked woman with long, brown hair riding on a saddled brown and white horse down a cobbled urban street. There are parked cars on either side of her, a single lampost, and a few pedestrians looking on. She casts a long shadow onto the cobbled street.
    Year 2005
    Related pages Empty Space With Exciting Events
  • Grade 7 students with collage self-portraits, 2021
    Caption Grade 7 students with collage self-portraits, 2021
    Image description
    Year 2021
    Related pages Threads of History
  • An image of a figure with slightly grey hair who is wearing black sunglasses. They rest their head on their hand while staring downwards.
    An image of a figure with slightly grey hair who is wearing black sunglasses. They rest their head on their hand while staring downwards.
    James Luna, still from The History of the Luiseño People, 1993. Video, color, sound, 27 min [An image of a figure with slightly grey hair who is wearing black sunglasses. They rest their head on their hand while staring downwards.]
    Caption James Luna, still from The History of the Luiseño People, 1993. Video, color, sound, 27 min
    Image description An image of a figure with slightly grey hair who is wearing black sunglasses. They rest their head on their hand while staring downwards.
    Year 1993
    Related pages Attention Line Cinema Series: James Luna
  • White text on a bright fuchsia background. The text reads: “Oct 25 / Wo Chan / Kay Gabriel.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    White text on a bright fuchsia background. The text reads: “Oct 25 / Wo Chan / Kay Gabriel.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [White text on a bright fuchsia background. The text reads: “Oct 25 / Wo Chan / Kay Gabriel.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description White text on a bright fuchsia background. The text reads: “Oct 25 / Wo Chan / Kay Gabriel.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Wo Chan & Kay Gabriel
  • A shallow white cylinder sitting on a dark wooden floor. A small green light glows from inside the cylinder.
    A shallow white cylinder sitting on a dark wooden floor. A small green light glows from inside the cylinder.
    Sam Pulitzer: A Colony for “Them”. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A shallow white cylinder sitting on a dark wooden floor. A small green light glows from inside the cylinder.]
    Caption Sam Pulitzer: A Colony for “Them”. Installation view, Artists Space, 2014. Photo: Daniel Pérez.
    Image description A shallow white cylinder sitting on a dark wooden floor. A small green light glows from inside the cylinder.
    Year 2014
    Related pages Sam Pulitzer: A Colony for "Them"
  • A black and white installation view of a gallery space with a set of six large window panes. Various pieces of artwork hang from the walls.
    A black and white installation view of a gallery space with a set of six large window panes. Various pieces of artwork hang from the walls.
    New Art Auction and Exhibition. Installation view, Artists Space, 1977. [A black and white installation view of a gallery space with a set of six large window panes. Various pieces of artwork hang from the walls.]
    Caption New Art Auction and Exhibition. Installation view, Artists Space, 1977.
    Image description A black and white installation view of a gallery space with a set of six large window panes. Various pieces of artwork hang from the walls.
    Year 1977
    Related pages New Art Auction and Exhibition
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Close-up of an upright black birthing mannequin reclined on a hospital bed in a blue patient room. A newborn mannequin swaddled in a hospital receiving blanket lays on the birthing mannequin’s chest.
    Close-up of an upright black birthing mannequin reclined on a hospital bed in a blue patient room. A newborn mannequin swaddled in a hospital receiving blanket lays on the birthing mannequin’s chest.
    Still from Fiction Contract, 2025 [Close-up of an upright black birthing mannequin reclined on a hospital bed in a blue patient room. A newborn mannequin swaddled in a hospital receiving blanket lays on the birthing mannequin’s chest.]
    Caption Still from Fiction Contract, 2025
    Image description Close-up of an upright black birthing mannequin reclined on a hospital bed in a blue patient room. A newborn mannequin swaddled in a hospital receiving blanket lays on the birthing mannequin’s chest.
    Year
    Related pages Carolyn Lazard
  • A black and white photograph of a square white canvas covered in shiny and textured black splotches.
    A black and white photograph of a square white canvas covered in shiny and textured black splotches.
    John Torreano. Untitled, 1974. Oil and glass jewels on canvas. Artists Space, 1974. [A black and white photograph of a square white canvas covered in shiny and textured black splotches.]
    Caption John Torreano. Untitled, 1974. Oil and glass jewels on canvas. Artists Space, 1974.
    Image description A black and white photograph of a square white canvas covered in shiny and textured black splotches.
    Year 1974
    Related pages Sidney Geist, Marvin Torffield, John Torreano
  • On the right, a figure speaking into a microphone appears to be in conversation with two humanoid blue birds.
    On the right, a figure speaking into a microphone appears to be in conversation with two humanoid blue birds.
    Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court [On the right, a figure speaking into a microphone appears to be in conversation with two humanoid blue birds.]
    Caption Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court
    Image description On the right, a figure speaking into a microphone appears to be in conversation with two humanoid blue birds.
    Year 2022
    Related pages Circus Amok
  • A black and white installation photograph of a gallery space. Placed on the floor, pairs of dark squares lean against a white wall.
    A black and white installation photograph of a gallery space. Placed on the floor, pairs of dark squares lean against a white wall.
    Mel Kendrick, Dinnever Hill. Installation view, Artists Space, 1974. [A black and white installation photograph of a gallery space. Placed on the floor, pairs of dark squares lean against a white wall.]
    Caption Mel Kendrick, Dinnever Hill. Installation view, Artists Space, 1974.
    Image description A black and white installation photograph of a gallery space. Placed on the floor, pairs of dark squares lean against a white wall.
    Year 1974
    Related pages Mel Kendrick, Lois Lane, Christopher Shelton
  • Two illustrations hung on a wall. On the right, a naked man inserts his penis into the a globe. On the left, a man gazes up at a rendering of Michealangelo's
    Two illustrations hung on a wall. On the right, a naked man inserts his penis into the a globe. On the left, a man gazes up at a rendering of Michealangelo's
    Tom of Finland: The Pleasure of Play. Installation view, Artists Space, 2015. [Two illustrations hung on a wall. On the right, a naked man inserts his penis into the a globe. On the left, a man gazes up at a rendering of Michealangelo's "David."]
    Caption Tom of Finland: The Pleasure of Play. Installation view, Artists Space, 2015.
    Image description Two illustrations hung on a wall. On the right, a naked man inserts his penis into the a globe. On the left, a man gazes up at a rendering of Michealangelo's "David."
    Year 2015
    Related pages Tom of Finland: The Pleasure of Play
  • A sheet with painted black figures on it hangs suspended in a front of lighted windows in a gallery space.
    A sheet with painted black figures on it hangs suspended in a front of lighted windows in a gallery space.
    Patricia Caire. Installation view, Artists Space, 1980. [A sheet with painted black figures on it hangs suspended in a front of lighted windows in a gallery space.]
    Caption Patricia Caire. Installation view, Artists Space, 1980.
    Image description A sheet with painted black figures on it hangs suspended in a front of lighted windows in a gallery space.
    Year
    Related pages Patricia Caire
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  • Two figures move a table on wheels.
    Two figures move a table on wheels.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York. [Two figures move a table on wheels.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York.
    Image description Two figures move a table on wheels.
    Year
    Related pages Grandmother Cindy
  • A conical shape extends from a planet on the right side of the image towards a glowing orange sphere to the left. This basic image is repeated directly below with slight variations. The image is overlaid with text that reads “the segue reading series and artists space / present / Brenda Iijima / Simone White / saturday, 4-17 / 5pm eastern / $5 suggested / zoom id: 830 2698 4031.
    A conical shape extends from a planet on the right side of the image towards a glowing orange sphere to the left. This basic image is repeated directly below with slight variations. The image is overlaid with text that reads “the segue reading series and artists space / present / Brenda Iijima / Simone White / saturday, 4-17 / 5pm eastern / $5 suggested / zoom id: 830 2698 4031.
    Flyer for Segue Reading Series featuring Brenda Iijima & Simone White. Saturday April 17, 2021, Artists Space. [A conical shape extends from a planet on the right side of the image towards a glowing orange sphere to the left. This basic image is repeated directly below with slight variations. The image is overlaid with text that reads “the segue reading series and artists space / present / Brenda Iijima / Simone White / saturday, 4-17 / 5pm eastern / $5 suggested / zoom id: 830 2698 4031."]
    Caption Flyer for Segue Reading Series featuring Brenda Iijima & Simone White. Saturday April 17, 2021, Artists Space.
    Image description A conical shape extends from a planet on the right side of the image towards a glowing orange sphere to the left. This basic image is repeated directly below with slight variations. The image is overlaid with text that reads “the segue reading series and artists space / present / Brenda Iijima / Simone White / saturday, 4-17 / 5pm eastern / $5 suggested / zoom id: 830 2698 4031."
    Year 2021
    Related pages Segue Reading Series: Brenda Iijima & Simone White
  • An image of a large number
    An image of a large number
    DUOX: DUOX4Larkin. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [An image of a large number "9" printed across a series of rectangular pieces of paper that are linked together by metal rings such that they form a large, draping sheet. The sheet of linked papers is held in the air by four poles supporting each of its four corners. The poles are mounted in silver buckets filled with multicolored objects.]
    Caption DUOX: DUOX4Larkin. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description An image of a large number "9" printed across a series of rectangular pieces of paper that are linked together by metal rings such that they form a large, draping sheet. The sheet of linked papers is held in the air by four poles supporting each of its four corners. The poles are mounted in silver buckets filled with multicolored objects.
    Year 2012
    Related pages DUOX: DUOX4Larkin
  • A figure performs on stage, standing behind a microphone with a shocked expression and their hands up.
    A figure performs on stage, standing behind a microphone with a shocked expression and their hands up.
    Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [A figure performs on stage, standing behind a microphone with a shocked expression and their hands up.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure performs on stage, standing behind a microphone with a shocked expression and their hands up.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-10
  • Three figures lie on the floor in a room painted with white walls. A figure dressed in all black watched on in the background. The image is repeated in a dyptich.
    Three figures lie on the floor in a room painted with white walls. A figure dressed in all black watched on in the background. The image is repeated in a dyptich.
    Eric Mitchell, Mass Homocide. Performance documentation, November 19, 1977, Artists Space. [Three figures lie on the floor in a room painted with white walls. A figure dressed in all black watched on in the background. The image is repeated in a dyptich.]
    Caption Eric Mitchell, Mass Homocide. Performance documentation, November 19, 1977, Artists Space.
    Image description Three figures lie on the floor in a room painted with white walls. A figure dressed in all black watched on in the background. The image is repeated in a dyptich.
    Year 1977
    Related pages Artists Performance Series
  • Contact sheet of stills depicting numerous installation views.
    Contact sheet of stills depicting numerous installation views.
    Sixth Anniversary Exhibition. Installation views, Artists Space, 1979. [Contact sheet of stills depicting numerous installation views.]
    Caption Sixth Anniversary Exhibition. Installation views, Artists Space, 1979.
    Image description Contact sheet of stills depicting numerous installation views.
    Year 1979
    Related pages Sixth Anniversary Exhibition
  • White text overlays a color-scheme grid background. The text reads: “Oct 28 / A celebration of the poems of Mark Hyatt with Sam Ladkin, Luke Roberts, et al.
    White text overlays a color-scheme grid background. The text reads: “Oct 28 / A celebration of the poems of Mark Hyatt with Sam Ladkin, Luke Roberts, et al.
    [White text overlays a color-scheme grid background. The text reads: “Oct 28 / A celebration of the poems of Mark Hyatt with Sam Ladkin, Luke Roberts, et al." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description White text overlays a color-scheme grid background. The text reads: “Oct 28 / A celebration of the poems of Mark Hyatt with Sam Ladkin, Luke Roberts, et al." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year
    Related pages Segue Reading Series: A celebration of the poems of Mark Hyatt, with Sam Ladkin & Luke Roberts
  • Photograph of a basement gallery space with various multimedia works on display. In the center is a large wooden platform that reads along one side
    Photograph of a basement gallery space with various multimedia works on display. In the center is a large wooden platform that reads along one side
    Clocking Out: Time Beyond Management. Installation view, Artists Space, 2023. Photo: Greg Carideo. [Photograph of a basement gallery space with various multimedia works on display. In the center is a large wooden platform that reads along one side "Imagine/ Without Fear/ What is tomorrow?", to the left is a wooden bench painted blue on the surface sitting next to a woven hanging piece. Along the walls are various projected videos.]
    Caption Clocking Out: Time Beyond Management. Installation view, Artists Space, 2023. Photo: Greg Carideo.
    Image description Photograph of a basement gallery space with various multimedia works on display. In the center is a large wooden platform that reads along one side "Imagine/ Without Fear/ What is tomorrow?", to the left is a wooden bench painted blue on the surface sitting next to a woven hanging piece. Along the walls are various projected videos.
    Year 2023
    Related pages Whitney Independent Study: Clocking Out: Time Beyond Management
  • A figure leans into a microphone from the side with blue, purple, and pink projections cast onto them.
    A figure leans into a microphone from the side with blue, purple, and pink projections cast onto them.
    Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [A figure leans into a microphone from the side with blue, purple, and pink projections cast onto them.]
    Caption Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure leans into a microphone from the side with blue, purple, and pink projections cast onto them.
    Year 2022
    Related pages Abasement #61
  • A black and white closeup of a person's face. They have blunt bangs and dark, dramatic eye makeup and lipstick.
    A black and white closeup of a person's face. They have blunt bangs and dark, dramatic eye makeup and lipstick.
    DJ Princess Julia. [A black and white closeup of a person's face. They have blunt bangs and dark, dramatic eye makeup and lipstick.]
    Caption DJ Princess Julia.
    Image description A black and white closeup of a person's face. They have blunt bangs and dark, dramatic eye makeup and lipstick.
    Year 2012
    Related pages Club Nights NEIN POP
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    Image description
    Year
    Related pages Abasement #77
  • A view of a column like display planter and multiple images on a white gallery wall. Above the images is a yellow band that wraps around to the adjacent wall with text that reads
    A view of a column like display planter and multiple images on a white gallery wall. Above the images is a yellow band that wraps around to the adjacent wall with text that reads
    ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A view of a column like display planter and multiple images on a white gallery wall. Above the images is a yellow band that wraps around to the adjacent wall with text that reads "A young boy cries, a middle aged housewife may become indignant, a group may become belligerent and/or".]
    Caption ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A view of a column like display planter and multiple images on a white gallery wall. Above the images is a yellow band that wraps around to the adjacent wall with text that reads "A young boy cries, a middle aged housewife may become indignant, a group may become belligerent and/or".
    Year 2021
    Related pages ART CLUB2000
  • A black and white photograph of a sculpture comprised of nine dark orbs on a dark circular backgroun.
    A black and white photograph of a sculpture comprised of nine dark orbs on a dark circular backgroun.
    Meryl Vladimer. Installation view, Louisa Chase, Ted Stamm, Meryl Vladimer, Artists Space, 1975. [A black and white photograph of a sculpture comprised of nine dark orbs on a dark circular backgroun.]
    Caption Meryl Vladimer. Installation view, Louisa Chase, Ted Stamm, Meryl Vladimer, Artists Space, 1975.
    Image description A black and white photograph of a sculpture comprised of nine dark orbs on a dark circular backgroun.
    Year 1975
    Related pages Louisa Chase, Ted Stamm, Meryl Vladimer
  • Red and blue text overlay a yellow background with abstract lines and a drawing of a male face in side profile. The text in the middle reads
    Red and blue text overlay a yellow background with abstract lines and a drawing of a male face in side profile. The text in the middle reads
    Flyer for Segue Reading Series featuring Kyle Dacuyan and Judith Goldman. January 7, 2023, Artists Space. [Red and blue text overlay a yellow background with abstract lines and a drawing of a male face in side profile. The text in the middle reads "Kyle Dacuyan / Segue Reading Series / Judith Goldman."]
    Caption Flyer for Segue Reading Series featuring Kyle Dacuyan and Judith Goldman. January 7, 2023, Artists Space.
    Image description Red and blue text overlay a yellow background with abstract lines and a drawing of a male face in side profile. The text in the middle reads "Kyle Dacuyan / Segue Reading Series / Judith Goldman."
    Year
    Related pages Segue Reading Series: Kyle Dacuyan & Judith Goldman
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    Image description
    Year
    Related pages Till They Listen: Bill Gunn Directs America
  • A black and white photo captures a New York City postal service box.
    A black and white photo captures a New York City postal service box.
    Klara Lidén, Untitled (mailbox), 2012, Archival inkjet print, 24 x 18 inches, Signed and numbered certificate [A black and white photo captures a New York City postal service box.]
    Caption Klara Lidén, Untitled (mailbox), 2012, Archival inkjet print, 24 x 18 inches, Signed and numbered certificate
    Image description A black and white photo captures a New York City postal service box.
    Year 2014
    Related pages Artists Space Annual Edition Portfolio 2013
  • A close up image of a glass display case holding, images, books, and handwritten text. On the wall above is a paragraph of text that reads,
    A close up image of a glass display case holding, images, books, and handwritten text. On the wall above is a paragraph of text that reads,
    Till They Listen: Bill Gunn Directs America. Installation view, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A close up image of a glass display case holding, images, books, and handwritten text. On the wall above is a paragraph of text that reads, " Anyway, dear Taylor, I will visit all the soft and dark spots in our town. I will walk backwards on old Endleman's fence, I will stare at the old books and try to place what words went with which conversation about whatever it was you said. I'll go to church and eat fruitcake, sweep the pavement, water the flowers, hose out the garage and tell our fathers about the big city, I might even have a few drinks to show them how much I have changed. And I will come to the cemetery and tell you how different it all is, and what it's like up here hanging on year after year."]
    Caption Till They Listen: Bill Gunn Directs America. Installation view, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A close up image of a glass display case holding, images, books, and handwritten text. On the wall above is a paragraph of text that reads, " Anyway, dear Taylor, I will visit all the soft and dark spots in our town. I will walk backwards on old Endleman's fence, I will stare at the old books and try to place what words went with which conversation about whatever it was you said. I'll go to church and eat fruitcake, sweep the pavement, water the flowers, hose out the garage and tell our fathers about the big city, I might even have a few drinks to show them how much I have changed. And I will come to the cemetery and tell you how different it all is, and what it's like up here hanging on year after year."
    Year 2021
    Related pages Till They Listen: Bill Gunn Directs America
  • A wooden bar with four chairs and a palm tree in a pot is displayed against a white wall.
    A wooden bar with four chairs and a palm tree in a pot is displayed against a white wall.
    Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013. [A wooden bar with four chairs and a palm tree in a pot is displayed against a white wall.]
    Caption Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013.
    Image description A wooden bar with four chairs and a palm tree in a pot is displayed against a white wall.
    Year 2013
    Related pages Pride Goes Before a Fall
  • A corner installation view of red crates containing glass bottles of cola on a wood floor.
    A corner installation view of red crates containing glass bottles of cola on a wood floor.
    Mike Bouchet, My Cola LITE, 2007. Cola bottles in plastic cases, dimensions variable. [A corner installation view of red crates containing glass bottles of cola on a wood floor.]
    Caption Mike Bouchet, My Cola LITE, 2007. Cola bottles in plastic cases, dimensions variable.
    Image description A corner installation view of red crates containing glass bottles of cola on a wood floor.
    Year 2007
    Related pages New Economy
  • A horizontal image with a flat, light blue background. On the right side is a pink, cotton candy-like image of a cloud. The word,
    A horizontal image with a flat, light blue background. On the right side is a pink, cotton candy-like image of a cloud. The word,
    Flyer for Segue Reading Series featuring Kamden Hilliard and E.J. McAdams. Saturday, November 13, 2021, Artists Space. Artist: Lonely Christopher & Venn Daniel [A horizontal image with a flat, light blue background. On the right side is a pink, cotton candy-like image of a cloud. The word, "Segue" appears in pink text on the top left side. The name, "Kamden Hilliard," is written on the center-left in large red text, while the name, "Laura Elrick," appears in purple on the center-right.]
    Caption Flyer for Segue Reading Series featuring Kamden Hilliard and E.J. McAdams. Saturday, November 13, 2021, Artists Space. Artist: Lonely Christopher & Venn Daniel
    Image description A horizontal image with a flat, light blue background. On the right side is a pink, cotton candy-like image of a cloud. The word, "Segue" appears in pink text on the top left side. The name, "Kamden Hilliard," is written on the center-left in large red text, while the name, "Laura Elrick," appears in purple on the center-right.
    Year 2021
    Related pages Segue Reading Series: Laura Elrick & E.J. McAdams
  • Color image of the audience. In the foreground, audience members are seated in chairs and in the background, folks stand and watch the performance. Almost all of their eyes are attuned towards the stage, which is out of frame to the right. Many of the audience members wear smiling, joyful faces as they watch the show. The audience sits in the dark of the seating area, small specks of bright white light reflecting from a disco ball scatter on their bodies and the walls behind them. 
    Color image of the audience. In the foreground, audience members are seated in chairs and in the background, folks stand and watch the performance. Almost all of their eyes are attuned towards the stage, which is out of frame to the right. Many of the audience members wear smiling, joyful faces as they watch the show. The audience sits in the dark of the seating area, small specks of bright white light reflecting from a disco ball scatter on their bodies and the walls behind them. 
    Abasement #67. Performance documentation, January 15, 2024, Artists Space. Photo: Joshua Wildman. [Color image of the audience. In the foreground, audience members are seated in chairs and in the background, folks stand and watch the performance. Almost all of their eyes are attuned towards the stage, which is out of frame to the right. Many of the audience members wear smiling, joyful faces as they watch the show. The audience sits in the dark of the seating area, small specks of bright white light reflecting from a disco ball scatter on their bodies and the walls behind them. ]
    Caption Abasement #67. Performance documentation, January 15, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Color image of the audience. In the foreground, audience members are seated in chairs and in the background, folks stand and watch the performance. Almost all of their eyes are attuned towards the stage, which is out of frame to the right. Many of the audience members wear smiling, joyful faces as they watch the show. The audience sits in the dark of the seating area, small specks of bright white light reflecting from a disco ball scatter on their bodies and the walls behind them. 
    Year
    Related pages Abasement #67
  • Two slide projectors sit on a table, projecting small images onto perpendicular walls. On one wall, there is a paper lamp and three framed photographs: two black and white images of folded paper, and one color image.
    Two slide projectors sit on a table, projecting small images onto perpendicular walls. On one wall, there is a paper lamp and three framed photographs: two black and white images of folded paper, and one color image.
    Elephant Cemetery. Installation view, Artists Space, 2007. [Two slide projectors sit on a table, projecting small images onto perpendicular walls. On one wall, there is a paper lamp and three framed photographs: two black and white images of folded paper, and one color image.]
    Caption Elephant Cemetery. Installation view, Artists Space, 2007.
    Image description Two slide projectors sit on a table, projecting small images onto perpendicular walls. On one wall, there is a paper lamp and three framed photographs: two black and white images of folded paper, and one color image.
    Year 2007
    Related pages Elephant Cemetery
  • A few people standing in a gallery space with a picket fence and drapery on the walls behind them.
    A few people standing in a gallery space with a picket fence and drapery on the walls behind them.
    Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork: Candace Hill-Montgomery. [A few people standing in a gallery space with a picket fence and drapery on the walls behind them.]
    Caption Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork: Candace Hill-Montgomery.
    Image description A few people standing in a gallery space with a picket fence and drapery on the walls behind them.
    Year 1979
    Related pages Candance Hill-Montgomery
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Black text on a grey background. The text reads: “May 3 / John Keene / Laura Mullen.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on a grey background. The text reads: “May 3 / John Keene / Laura Mullen.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on a grey background. The text reads: “May 3 / John Keene / Laura Mullen.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on a grey background. The text reads: “May 3 / John Keene / Laura Mullen.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: John Keene & Laura Mullen
  • Catalogue cover design featuring an architectural sketch of an abstract contraption. A silhouette of a figure is transposed on top of the rendering. Black sans-serif text at the top and bottom edges of the cover reads,
    Catalogue cover design featuring an architectural sketch of an abstract contraption. A silhouette of a figure is transposed on top of the rendering. Black sans-serif text at the top and bottom edges of the cover reads,
    [Catalogue cover design featuring an architectural sketch of an abstract contraption. A silhouette of a figure is transposed on top of the rendering. Black sans-serif text at the top and bottom edges of the cover reads, "Joel Saunders & Scott Sherk / SIGHTING THE GALLERY / Artists Space / December 12, 1992 - January 30, 1993."]
    Caption
    Image description Catalogue cover design featuring an architectural sketch of an abstract contraption. A silhouette of a figure is transposed on top of the rendering. Black sans-serif text at the top and bottom edges of the cover reads, "Joel Saunders & Scott Sherk / SIGHTING THE GALLERY / Artists Space / December 12, 1992 - January 30, 1993."
    Year 1992
    Related pages Sighting the Gallery
  • A installation wide shot of a room with five silver columns. In the foreground, there is a rectangular pool filled with water with two spouts spraying water in fountains. A second pool built from wood is visible in the background. Between the two, there are various objects including a low-hanging disco ball, a vase with flowers, strands of string lights, and more. On the back wall, the word
    A installation wide shot of a room with five silver columns. In the foreground, there is a rectangular pool filled with water with two spouts spraying water in fountains. A second pool built from wood is visible in the background. Between the two, there are various objects including a low-hanging disco ball, a vase with flowers, strands of string lights, and more. On the back wall, the word
    Enough Tiranny Recalled, 1972–2009. Installation view, Artists Space, 2009. Photo: Daniel Pérez. [A installation wide shot of a room with five silver columns. In the foreground, there is a rectangular pool filled with water with two spouts spraying water in fountains. A second pool built from wood is visible in the background. Between the two, there are various objects including a low-hanging disco ball, a vase with flowers, strands of string lights, and more. On the back wall, the word "TIRANNY" is handwritten in block letters, partially obscured by one of the columns. The room is lit by standing colorful lights with pink and blue tones.]
    Caption Enough Tiranny Recalled, 1972–2009. Installation view, Artists Space, 2009. Photo: Daniel Pérez.
    Image description A installation wide shot of a room with five silver columns. In the foreground, there is a rectangular pool filled with water with two spouts spraying water in fountains. A second pool built from wood is visible in the background. Between the two, there are various objects including a low-hanging disco ball, a vase with flowers, strands of string lights, and more. On the back wall, the word "TIRANNY" is handwritten in block letters, partially obscured by one of the columns. The room is lit by standing colorful lights with pink and blue tones.
    Year 2009
    Related pages Marc Camille Chaimowicz: Enough Tiranny Recalled, 1972 – 2009
  • A flyer for the event depicting MTA subway routes in white on a red background. Event title reads
    A flyer for the event depicting MTA subway routes in white on a red background. Event title reads
    MTL+, Artists: NYC Not for Sale, 2016. [A flyer for the event depicting MTA subway routes in white on a red background. Event title reads "ARTISTS: NYC NOT FOR SALE" with a strikethrough on the alternative subtitle "IN THE BUSINESS OF GENTRIFICATION."]
    Caption MTL+, Artists: NYC Not for Sale, 2016.
    Image description A flyer for the event depicting MTA subway routes in white on a red background. Event title reads "ARTISTS: NYC NOT FOR SALE" with a strikethrough on the alternative subtitle "IN THE BUSINESS OF GENTRIFICATION."
    Year 2016
    Related pages Artists: NYC Is Not for Sale
  • Image of a basement with a table made of wood and a fresnel lens tabletop on the right side of the space. Along the top of the image the basement windows are tinted blue.
    Image of a basement with a table made of wood and a fresnel lens tabletop on the right side of the space. Along the top of the image the basement windows are tinted blue.
    SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement with a table made of wood and a fresnel lens tabletop on the right side of the space. Along the top of the image the basement windows are tinted blue.]
    Caption SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a basement with a table made of wood and a fresnel lens tabletop on the right side of the space. Along the top of the image the basement windows are tinted blue.
    Year 2022
    Related pages SCRAAATCH 11-18
  • A hallway with one gray wall and one white. On the gray wall, there are a series of drawings on white paper arranged in a 4x7 grid. On the white wall, there are four frames. Light is refracted on a third wall at the end of the hallway.
    A hallway with one gray wall and one white. On the gray wall, there are a series of drawings on white paper arranged in a 4x7 grid. On the white wall, there are four frames. Light is refracted on a third wall at the end of the hallway.
    Local Transit. Installation view, Artists Space, 2006. [A hallway with one gray wall and one white. On the gray wall, there are a series of drawings on white paper arranged in a 4x7 grid. On the white wall, there are four frames. Light is refracted on a third wall at the end of the hallway.]
    Caption Local Transit. Installation view, Artists Space, 2006.
    Image description A hallway with one gray wall and one white. On the gray wall, there are a series of drawings on white paper arranged in a 4x7 grid. On the white wall, there are four frames. Light is refracted on a third wall at the end of the hallway.
    Year
    Related pages Local Transit: An Exhibition in Two Parts
  • View of the audience members from the Artists Space and Decolonize this Place event, featuring black, white, red, and yellow banners on the wall with slogans for global resistance.
    View of the audience members from the Artists Space and Decolonize this Place event, featuring black, white, red, and yellow banners on the wall with slogans for global resistance.
    “Palestine, BLM & Boycott in the Arts.” Artists Space Books & Talks, Friday, November 4, 2016. Courtesy Decolonize This Place and Artists Space, New York. Photo: Andrés Rodriguez [View of the audience members from the Artists Space and Decolonize this Place event, featuring black, white, red, and yellow banners on the wall with slogans for global resistance.]
    Caption “Palestine, BLM & Boycott in the Arts.” Artists Space Books & Talks, Friday, November 4, 2016. Courtesy Decolonize This Place and Artists Space, New York. Photo: Andrés Rodriguez
    Image description View of the audience members from the Artists Space and Decolonize this Place event, featuring black, white, red, and yellow banners on the wall with slogans for global resistance.
    Year 2016
    Related pages Decolonize This Place
  • A figure wearing a baseball cap sits in a chair and plays the guitar.
    A figure wearing a baseball cap sits in a chair and plays the guitar.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure wearing a baseball cap sits in a chair and plays the guitar.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure wearing a baseball cap sits in a chair and plays the guitar.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A color photograph of a wooden cafe chair with a green cushion in a gallery space. A television screen rests on top of the chair.
    A color photograph of a wooden cafe chair with a green cushion in a gallery space. A television screen rests on top of the chair.
    Nicole-Antonia Spagnola, Untitled, 2022. Raw Power, Raw Power; Kollettivo, Lotta per il potere; Antigenesi, Una donna non e’ merda; Negazione, Tutti Pazzi; RAF Punk, Contro la pace Contro la guerra; Peggio Punx, Scemo. 8mm to MP4 transfer (color, sound), monitors, chairs. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of a wooden cafe chair with a green cushion in a gallery space. A television screen rests on top of the chair.]
    Caption Nicole-Antonia Spagnola, Untitled, 2022. Raw Power, Raw Power; Kollettivo, Lotta per il potere; Antigenesi, Una donna non e’ merda; Negazione, Tutti Pazzi; RAF Punk, Contro la pace Contro la guerra; Peggio Punx, Scemo. 8mm to MP4 transfer (color, sound), monitors, chairs. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color photograph of a wooden cafe chair with a green cushion in a gallery space. A television screen rests on top of the chair.
    Year 2022
    Related pages Nicole-Antonia Spagnola: Anti-Genesis
  • Collaged atop a yellow and orange field is a series of abstract graphic elements and an upside down image of a face. In the bottom right corner an upside down text reads
    Collaged atop a yellow and orange field is a series of abstract graphic elements and an upside down image of a face. In the bottom right corner an upside down text reads
    [Collaged atop a yellow and orange field is a series of abstract graphic elements and an upside down image of a face. In the bottom right corner an upside down text reads "ABASEMENT 60."]
    Caption
    Image description Collaged atop a yellow and orange field is a series of abstract graphic elements and an upside down image of a face. In the bottom right corner an upside down text reads "ABASEMENT 60."
    Year 2022
    Related pages Abasement #60
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  • Malaika Villamizar, Untitled, 2021, digital photography
    Caption Malaika Villamizar, Untitled, 2021, digital photography
    Image description
    Year 2021
    Related pages BRIDGE Photography
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Two figures behind music stands perform before a seated audience. One of the figures wears a striped shirt and has turned away from the figure beside them, who gazes out towards the audience as they speak.
    Two figures behind music stands perform before a seated audience. One of the figures wears a striped shirt and has turned away from the figure beside them, who gazes out towards the audience as they speak.
    The Owl Answers. Performance documentation, February 29, 2020, Artists Space. Photo ©️ 2020 Filip Wolak. [Two figures behind music stands perform before a seated audience. One of the figures wears a striped shirt and has turned away from the figure beside them, who gazes out towards the audience as they speak.]
    Caption The Owl Answers. Performance documentation, February 29, 2020, Artists Space. Photo ©️ 2020 Filip Wolak.
    Image description Two figures behind music stands perform before a seated audience. One of the figures wears a striped shirt and has turned away from the figure beside them, who gazes out towards the audience as they speak.
    Year 2020
    Related pages The Owl Answers
  • A figure centered in the image stares at the viewer wearing a backwards cap. The background appears as a monochrome gray.
    A figure centered in the image stares at the viewer wearing a backwards cap. The background appears as a monochrome gray.
    Viv Latta, from NYC streets portfolio, 2020, digital photograph [A figure centered in the image stares at the viewer wearing a backwards cap. The background appears as a monochrome gray.]
    Caption Viv Latta, from NYC streets portfolio, 2020, digital photograph
    Image description A figure centered in the image stares at the viewer wearing a backwards cap. The background appears as a monochrome gray.
    Year 2020
    Related pages BRIDGE Photography
  • A dimly lit gallery space with wooden flooring. Several sheets of thin gray board hang from the gallery ceiling by thin wires such that they form a set of suspended display walls. The boards are arranged such that they face one another and form a hallway-like area that one can walk through. Various photographs and architectural renderings of buildings are displayed on the walls. A wall arranged to the far right of the others displays black san-serif wall text. Large header text on the wall reads, “ZAHA HADID.”
    A dimly lit gallery space with wooden flooring. Several sheets of thin gray board hang from the gallery ceiling by thin wires such that they form a set of suspended display walls. The boards are arranged such that they face one another and form a hallway-like area that one can walk through. Various photographs and architectural renderings of buildings are displayed on the walls. A wall arranged to the far right of the others displays black san-serif wall text. Large header text on the wall reads, “ZAHA HADID.”
    Zaha Hadid. Installation view, Artists Space, 2003. [A dimly lit gallery space with wooden flooring. Several sheets of thin gray board hang from the gallery ceiling by thin wires such that they form a set of suspended display walls. The boards are arranged such that they face one another and form a hallway-like area that one can walk through. Various photographs and architectural renderings of buildings are displayed on the walls. A wall arranged to the far right of the others displays black san-serif wall text. Large header text on the wall reads, “ZAHA HADID.”]
    Caption Zaha Hadid. Installation view, Artists Space, 2003.
    Image description A dimly lit gallery space with wooden flooring. Several sheets of thin gray board hang from the gallery ceiling by thin wires such that they form a set of suspended display walls. The boards are arranged such that they face one another and form a hallway-like area that one can walk through. Various photographs and architectural renderings of buildings are displayed on the walls. A wall arranged to the far right of the others displays black san-serif wall text. Large header text on the wall reads, “ZAHA HADID.”
    Year 2003
    Related pages Mainspace Architecture & Design Project Series: Zaha Hadid
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  • Black and white scan of a photograph of a figure standing on a tall square plinth in a gallery space, in front of an obscured crowd of viewers. The figure poses like a statue with their hands on their hips, wearing a pair of overalls and high, blocky heels, and a phallic strap-on around their waist.
    Black and white scan of a photograph of a figure standing on a tall square plinth in a gallery space, in front of an obscured crowd of viewers. The figure poses like a statue with their hands on their hips, wearing a pair of overalls and high, blocky heels, and a phallic strap-on around their waist.
    Scott Burton, Performance Portrait of the Artist with Cothurni and Ithyphallus, 25 April 1974. Documentation of performance at Artists Space. Courtesy Estate of Scott Burton. [Black and white scan of a photograph of a figure standing on a tall square plinth in a gallery space, in front of an obscured crowd of viewers. The figure poses like a statue with their hands on their hips, wearing a pair of overalls and high, blocky heels, and a phallic strap-on around their waist.]
    Caption Scott Burton, Performance Portrait of the Artist with Cothurni and Ithyphallus, 25 April 1974. Documentation of performance at Artists Space. Courtesy Estate of Scott Burton.
    Image description Black and white scan of a photograph of a figure standing on a tall square plinth in a gallery space, in front of an obscured crowd of viewers. The figure poses like a statue with their hands on their hips, wearing a pair of overalls and high, blocky heels, and a phallic strap-on around their waist.
    Year
    Related pages Queer Behavior: Scott Burton and Performance Art.
  • A black and white installation view of three square photographs with wide white matting attached to a wall.
    A black and white installation view of three square photographs with wide white matting attached to a wall.
    Susan Eder. Installation view, Artists Space, 1976. [A black and white installation view of three square photographs with wide white matting attached to a wall.]
    Caption Susan Eder. Installation view, Artists Space, 1976.
    Image description A black and white installation view of three square photographs with wide white matting attached to a wall.
    Year 1976
    Related pages Susan Eder, Matt Mullican
  • Close-up image of a peep hole installed in a light mauve wall. Through the peep hole, a figure wearing a blue shirt and black pants is visible in profile. Their image is warped by the surface of the peep hole, swirling and reflecting around the hole.
    Close-up image of a peep hole installed in a light mauve wall. Through the peep hole, a figure wearing a blue shirt and black pants is visible in profile. Their image is warped by the surface of the peep hole, swirling and reflecting around the hole.
    Julianne Swartz, Line Drawing, 2002. Site-specific installation, dimensions variable. [Close-up image of a peep hole installed in a light mauve wall. Through the peep hole, a figure wearing a blue shirt and black pants is visible in profile. Their image is warped by the surface of the peep hole, swirling and reflecting around the hole.]
    Caption Julianne Swartz, Line Drawing, 2002. Site-specific installation, dimensions variable.
    Image description Close-up image of a peep hole installed in a light mauve wall. Through the peep hole, a figure wearing a blue shirt and black pants is visible in profile. Their image is warped by the surface of the peep hole, swirling and reflecting around the hole.
    Year 2003
    Related pages Main Space = Project Spaces
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  • Color photograph of a large empty room bathed in a red light. Along one wall, a performer dressed in white stands against the wall, bending over and looking to their left. A bright white light shines from their hips and a sheath of crinkly, reflective one-way mirror film lays on the ground in front of them.
    Color photograph of a large empty room bathed in a red light. Along one wall, a performer dressed in white stands against the wall, bending over and looking to their left. A bright white light shines from their hips and a sheath of crinkly, reflective one-way mirror film lays on the ground in front of them.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a large empty room bathed in a red light. Along one wall, a performer dressed in white stands against the wall, bending over and looking to their left. A bright white light shines from their hips and a sheath of crinkly, reflective one-way mirror film lays on the ground in front of them.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a large empty room bathed in a red light. Along one wall, a performer dressed in white stands against the wall, bending over and looking to their left. A bright white light shines from their hips and a sheath of crinkly, reflective one-way mirror film lays on the ground in front of them.
    Year 2022
    Related pages keyon gaskin 12-14
  • Two skewed images of Native American men holding drums on either side of a person in a sheer red dress and mask, posing for the camera.
    Two skewed images of Native American men holding drums on either side of a person in a sheer red dress and mask, posing for the camera.
    Kent Monkman. Still from Dance to Miss Chief, 2010. [Two skewed images of Native American men holding drums on either side of a person in a sheer red dress and mask, posing for the camera.]
    Caption Kent Monkman. Still from Dance to Miss Chief, 2010.
    Image description Two skewed images of Native American men holding drums on either side of a person in a sheer red dress and mask, posing for the camera.
    Year 2010
    Related pages THE INFORMANTS
  • Two figures wearing medical scrubs stand across from each other, with a table with a mannequin on it in the middle.
    Two figures wearing medical scrubs stand across from each other, with a table with a mannequin on it in the middle.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court [Two figures wearing medical scrubs stand across from each other, with a table with a mannequin on it in the middle.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court
    Image description Two figures wearing medical scrubs stand across from each other, with a table with a mannequin on it in the middle.
    Year 2022
    Related pages Grandmother Cindy
  • A black and white image of a man and woman. The woman is pressed against a wall, looking with fear at the man who is grabbing her wrist. He is looking back at her sternly.
    A black and white image of a man and woman. The woman is pressed against a wall, looking with fear at the man who is grabbing her wrist. He is looking back at her sternly.
    Film Still from Gaslight, 1944. [A black and white image of a man and woman. The woman is pressed against a wall, looking with fear at the man who is grabbing her wrist. He is looking back at her sternly.]
    Caption Film Still from Gaslight, 1944.
    Image description A black and white image of a man and woman. The woman is pressed against a wall, looking with fear at the man who is grabbing her wrist. He is looking back at her sternly.
    Year 1944
    Related pages Gaslight
  • A wood framed drawing hangs on a wall. The pencil drawing depicts a youthful figure at the center of the page with abstract pencil markings surrounding them.
    A wood framed drawing hangs on a wall. The pencil drawing depicts a youthful figure at the center of the page with abstract pencil markings surrounding them.
    Hernan Bas, Needles (In Anticipation of the Fall), 2005, Single color hard ground etching, 26 1/4 x 21 inches (67 x 53 cm), Edition of 30, Courtesy the artist, Fredric Snitzer Gallery, Miami & Daniel Reich Gallery, New York, Printed by Julia D’Amario. [A wood framed drawing hangs on a wall. The pencil drawing depicts a youthful figure at the center of the page with abstract pencil markings surrounding them.]
    Caption Hernan Bas, Needles (In Anticipation of the Fall), 2005, Single color hard ground etching, 26 1/4 x 21 inches (67 x 53 cm), Edition of 30, Courtesy the artist, Fredric Snitzer Gallery, Miami & Daniel Reich Gallery, New York, Printed by Julia D’Amario.
    Image description A wood framed drawing hangs on a wall. The pencil drawing depicts a youthful figure at the center of the page with abstract pencil markings surrounding them.
    Year 2005
    Related pages Editions
  • Two figures wearing medical scrubs stand on the edge of pieces of red fabric, stretching their arms outward.
    Two figures wearing medical scrubs stand on the edge of pieces of red fabric, stretching their arms outward.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court [Two figures wearing medical scrubs stand on the edge of pieces of red fabric, stretching their arms outward.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court
    Image description Two figures wearing medical scrubs stand on the edge of pieces of red fabric, stretching their arms outward.
    Year 2022
    Related pages Grandmother Cindy
  • Five flower arrangements sit side-by-side on a gallery floor. The flowers have been arranged such that they form the shape of four italicized, lowercase letters and a period. From left to right, the arrangements spell
    Five flower arrangements sit side-by-side on a gallery floor. The flowers have been arranged such that they form the shape of four italicized, lowercase letters and a period. From left to right, the arrangements spell
    Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt. [Five flower arrangements sit side-by-side on a gallery floor. The flowers have been arranged such that they form the shape of four italicized, lowercase letters and a period. From left to right, the arrangements spell "abbr." White flowers form the letters' shapes, while green leaves frame the flowers.]
    Caption Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt.
    Image description Five flower arrangements sit side-by-side on a gallery floor. The flowers have been arranged such that they form the shape of four italicized, lowercase letters and a period. From left to right, the arrangements spell "abbr." White flowers form the letters' shapes, while green leaves frame the flowers.
    Year 1997
    Related pages Lines of Loss
  • A black and white installation photograph of a tall stack of papers in a gallery space.
    A black and white installation photograph of a tall stack of papers in a gallery space.
    McArthur Binion, Jonathan Borofsky, Mary Obering. Installation view, Artists Space, 1973. [A black and white installation photograph of a tall stack of papers in a gallery space.]
    Caption McArthur Binion, Jonathan Borofsky, Mary Obering. Installation view, Artists Space, 1973.
    Image description A black and white installation photograph of a tall stack of papers in a gallery space.
    Year 1973
    Related pages McArthur Binion, Jonathan Borofsky, Mary Obering
  • A pair of leather boots and a power strip rest underneath a blue, wooden chair on a concrete floor.
    A pair of leather boots and a power strip rest underneath a blue, wooden chair on a concrete floor.
    [A pair of leather boots and a power strip rest underneath a blue, wooden chair on a concrete floor.]
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    Image description A pair of leather boots and a power strip rest underneath a blue, wooden chair on a concrete floor.
    Year 2018
    Related pages What Are Our Questions?
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  • Yasunao Tone: Region of Paramedia. Installation view (Flute from Lyrictron for Flute, 1968; Score for Trio for a Flute Player, 1985), Artists Space, 2023. Photo: Filip Wolak.
    Caption Yasunao Tone: Region of Paramedia. Installation view (Flute from Lyrictron for Flute, 1968; Score for Trio for a Flute Player, 1985), Artists Space, 2023. Photo: Filip Wolak.
    Image description
    Year 2023
    Related pages Yasunao Tone: Region of Paramedia
  • An orange water dispenser sits on a low metal stool in a gallery space. Encircling the top portion of the dispenser is a round glass table, with a wedge-shaped cut-out removed from its right side. A photo of a woman sits on top of the glass surface.
    An orange water dispenser sits on a low metal stool in a gallery space. Encircling the top portion of the dispenser is a round glass table, with a wedge-shaped cut-out removed from its right side. A photo of a woman sits on top of the glass surface.
    DUOX: DUOX4Larkin. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [An orange water dispenser sits on a low metal stool in a gallery space. Encircling the top portion of the dispenser is a round glass table, with a wedge-shaped cut-out removed from its right side. A photo of a woman sits on top of the glass surface.]
    Caption DUOX: DUOX4Larkin. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description An orange water dispenser sits on a low metal stool in a gallery space. Encircling the top portion of the dispenser is a round glass table, with a wedge-shaped cut-out removed from its right side. A photo of a woman sits on top of the glass surface.
    Year 2012
    Related pages DUOX: DUOX4Larkin
  • A figure in a blue morph suit leans their arms on top of a rolling table made of wood and fresnel lenses, pushing it toward another figure that stands in front of them filming them. In the background a third figure in a blue morph suit sits and leans down on top of a rectangular wooden frame. Blue footage is projected onto the back wall.
    A figure in a blue morph suit leans their arms on top of a rolling table made of wood and fresnel lenses, pushing it toward another figure that stands in front of them filming them. In the background a third figure in a blue morph suit sits and leans down on top of a rectangular wooden frame. Blue footage is projected onto the back wall.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [A figure in a blue morph suit leans their arms on top of a rolling table made of wood and fresnel lenses, pushing it toward another figure that stands in front of them filming them. In the background a third figure in a blue morph suit sits and leans down on top of a rectangular wooden frame. Blue footage is projected onto the back wall.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description A figure in a blue morph suit leans their arms on top of a rolling table made of wood and fresnel lenses, pushing it toward another figure that stands in front of them filming them. In the background a third figure in a blue morph suit sits and leans down on top of a rectangular wooden frame. Blue footage is projected onto the back wall.
    Year 2022
    Related pages SCRAAATCH 11-18
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  • A group of figures dressed as firefighters spread out a tarp. Behind them is a cardboard set illustrated to look like a fire.
    A group of figures dressed as firefighters spread out a tarp. Behind them is a cardboard set illustrated to look like a fire.
    Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court [A group of figures dressed as firefighters spread out a tarp. Behind them is a cardboard set illustrated to look like a fire.]
    Caption Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court
    Image description A group of figures dressed as firefighters spread out a tarp. Behind them is a cardboard set illustrated to look like a fire.
    Year 2022
    Related pages Circus Amok
  • In the foreground of a white gallery space is a large sculpture made of a wooden box topped with a floral textile and wooden chairs. Another sculpture and painting are installed behind it.
    In the foreground of a white gallery space is a large sculpture made of a wooden box topped with a floral textile and wooden chairs. Another sculpture and painting are installed behind it.
    Metaphysical Visions. Installation view, Artists Space, 1989. [In the foreground of a white gallery space is a large sculpture made of a wooden box topped with a floral textile and wooden chairs. Another sculpture and painting are installed behind it.]
    Caption Metaphysical Visions. Installation view, Artists Space, 1989.
    Image description In the foreground of a white gallery space is a large sculpture made of a wooden box topped with a floral textile and wooden chairs. Another sculpture and painting are installed behind it.
    Year 1989
    Related pages Metaphysical Visions: Middle Europe
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  • A darkened room with several wooden platforms with white pads on top facing a wide screen. The screen shows the image of a pond surrounded by trees.
    A darkened room with several wooden platforms with white pads on top facing a wide screen. The screen shows the image of a pond surrounded by trees.
    Kerry Tribe. Installation view of Florida, 2003. Video (sound). [A darkened room with several wooden platforms with white pads on top facing a wide screen. The screen shows the image of a pond surrounded by trees.]
    Caption Kerry Tribe. Installation view of Florida, 2003. Video (sound).
    Image description A darkened room with several wooden platforms with white pads on top facing a wide screen. The screen shows the image of a pond surrounded by trees.
    Year 2007
    Related pages Elephant Cemetery
  • A black and white installation photograph of a gallery space. Two floor bound sculptures are visible in the foreground, and in the background a few framed works hangfrom the wall.
    A black and white installation photograph of a gallery space. Two floor bound sculptures are visible in the foreground, and in the background a few framed works hangfrom the wall.
    Louisa Chase. Installation view, Louisa Chase, Ted Stamm, Meryl Vladimer, Artists Space, 1975. [A black and white installation photograph of a gallery space. Two floor bound sculptures are visible in the foreground, and in the background a few framed works hangfrom the wall.]
    Caption Louisa Chase. Installation view, Louisa Chase, Ted Stamm, Meryl Vladimer, Artists Space, 1975.
    Image description A black and white installation photograph of a gallery space. Two floor bound sculptures are visible in the foreground, and in the background a few framed works hangfrom the wall.
    Year 1975
    Related pages Louisa Chase, Ted Stamm, Meryl Vladimer
  • Wide view of 5 musicians on stage performing under blue tinted lights with the audience on the left. From left to right the instruments played are the cello, clarinet, horn, flute, guitar, and vocals.
    Wide view of 5 musicians on stage performing under blue tinted lights with the audience on the left. From left to right the instruments played are the cello, clarinet, horn, flute, guitar, and vocals.
    Axine M: Sold Licker Glass, 2024, Artists Space. Courtesy of ISSUE Project Room. Photography by Cameron Kelly McLeod. [Wide view of 5 musicians on stage performing under blue tinted lights with the audience on the left. From left to right the instruments played are the cello, clarinet, horn, flute, guitar, and vocals.]
    Caption Axine M: Sold Licker Glass, 2024, Artists Space. Courtesy of ISSUE Project Room. Photography by Cameron Kelly McLeod.
    Image description Wide view of 5 musicians on stage performing under blue tinted lights with the audience on the left. From left to right the instruments played are the cello, clarinet, horn, flute, guitar, and vocals.
    Year
    Related pages Axine M: Sold Licker Glass
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  • In the center of the gallery space wall rests a large, square MDF wall with a grid of empty sardine cans. To the left of this MDF wall is a chair adorned with various objects, and in the forefront red, white, and blue wax candles spelling
    In the center of the gallery space wall rests a large, square MDF wall with a grid of empty sardine cans. To the left of this MDF wall is a chair adorned with various objects, and in the forefront red, white, and blue wax candles spelling
    LIFE—a group show, curated by Arnold J. Kemp. Installation view, Artists Space, 2025. Photo: Carter Seddon [In the center of the gallery space wall rests a large, square MDF wall with a grid of empty sardine cans. To the left of this MDF wall is a chair adorned with various objects, and in the forefront red, white, and blue wax candles spelling "LOVE." To the right of the MDF wall is an artwork on the floor in the spce of the Star of David with painted text on top. On the wall is a black and white painting and a framed text drawing. ]
    Caption LIFE—a group show, curated by Arnold J. Kemp. Installation view, Artists Space, 2025. Photo: Carter Seddon
    Image description In the center of the gallery space wall rests a large, square MDF wall with a grid of empty sardine cans. To the left of this MDF wall is a chair adorned with various objects, and in the forefront red, white, and blue wax candles spelling "LOVE." To the right of the MDF wall is an artwork on the floor in the spce of the Star of David with painted text on top. On the wall is a black and white painting and a framed text drawing.
    Year 2025
    Related pages Arnold J. Kemp
  • A large black speaker rests at an angle in the middle of a wood floor. On the walls, a red cloth with black polka dots, a black and white photograph, and a taped black square with an X and horizontal line through the center are displayed.
    A large black speaker rests at an angle in the middle of a wood floor. On the walls, a red cloth with black polka dots, a black and white photograph, and a taped black square with an X and horizontal line through the center are displayed.
    Aloïs Godinat: New Works. Installation view, Artists Space, 2007. Photo: Bill Orcutt. [A large black speaker rests at an angle in the middle of a wood floor. On the walls, a red cloth with black polka dots, a black and white photograph, and a taped black square with an X and horizontal line through the center are displayed.]
    Caption Aloïs Godinat: New Works. Installation view, Artists Space, 2007. Photo: Bill Orcutt.
    Image description A large black speaker rests at an angle in the middle of a wood floor. On the walls, a red cloth with black polka dots, a black and white photograph, and a taped black square with an X and horizontal line through the center are displayed.
    Year 2007
    Related pages New Works
  • A painting with blue, yellow, and neutral tones is hung on a white wall. Another painting is visible in the background with bright yellow and orange hues.
    A painting with blue, yellow, and neutral tones is hung on a white wall. Another painting is visible in the background with bright yellow and orange hues.
    Miyoko Ito: Heart of Hearts. Installation view, Artists Space, 2018. Photo: Daniel Peréz. [A painting with blue, yellow, and neutral tones is hung on a white wall. Another painting is visible in the background with bright yellow and orange hues.]
    Caption Miyoko Ito: Heart of Hearts. Installation view, Artists Space, 2018. Photo: Daniel Peréz.
    Image description A painting with blue, yellow, and neutral tones is hung on a white wall. Another painting is visible in the background with bright yellow and orange hues.
    Year 1959
    Related pages Miyoko Ito: Heart of Hearts
  • Color image of a painting, done on linen. The left edge is painting a light blue, and the bottom edge is painting orange, with a large rectangle of dark blue paint covering the rest of the work. Accents of light blue paint run through the center and around the edges.
    Color image of a painting, done on linen. The left edge is painting a light blue, and the bottom edge is painting orange, with a large rectangle of dark blue paint covering the rest of the work. Accents of light blue paint run through the center and around the edges.
    Julia Rommel, Back Channel, 2023. Photo: Filip Wolak. [Color image of a painting, done on linen. The left edge is painting a light blue, and the bottom edge is painting orange, with a large rectangle of dark blue paint covering the rest of the work. Accents of light blue paint run through the center and around the edges.]
    Caption Julia Rommel, Back Channel, 2023. Photo: Filip Wolak.
    Image description Color image of a painting, done on linen. The left edge is painting a light blue, and the bottom edge is painting orange, with a large rectangle of dark blue paint covering the rest of the work. Accents of light blue paint run through the center and around the edges.
    Year 2023
    Related pages Artists for Artists Space
  • A device with several electrical wire connections is displayed on a metal wire shelf.
    A device with several electrical wire connections is displayed on a metal wire shelf.
    Devin Kenny, “What would Upski think?”, 2018. Photo: Daniel Pérez. [A device with several electrical wire connections is displayed on a metal wire shelf.]
    Caption Devin Kenny, “What would Upski think?”, 2018. Photo: Daniel Pérez.
    Image description A device with several electrical wire connections is displayed on a metal wire shelf.
    Year 2018
    Related pages Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff
  • Portrait of a figure caught offguard.
    Portrait of a figure caught offguard.
    Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [Portrait of a figure caught offguard.]
    Caption Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman
    Image description Portrait of a figure caught offguard.
    Year 2022
    Related pages Abasement #61
  • A color photograph of a a punching bag, other boxing equipment, and a sculpture of a human figure suspended from a rectangular wooden panel. In the background, three television monitors are stacked in a column, each playing a color video of figures in movement.
    A color photograph of a a punching bag, other boxing equipment, and a sculpture of a human figure suspended from a rectangular wooden panel. In the background, three television monitors are stacked in a column, each playing a color video of figures in movement.
    Milford Graves: Fundamental Frequency. Installation view (Yara Training Bag, c. 1990; Three Monitors with Yara Videos, c. 1980s and 90s), Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak. [A color photograph of a a punching bag, other boxing equipment, and a sculpture of a human figure suspended from a rectangular wooden panel. In the background, three television monitors are stacked in a column, each playing a color video of figures in movement.]
    Caption Milford Graves: Fundamental Frequency. Installation view (Yara Training Bag, c. 1990; Three Monitors with Yara Videos, c. 1980s and 90s), Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak.
    Image description A color photograph of a a punching bag, other boxing equipment, and a sculpture of a human figure suspended from a rectangular wooden panel. In the background, three television monitors are stacked in a column, each playing a color video of figures in movement.
    Year 2021
    Related pages Milford Graves: Fundamental Frequency
  • Flyer design featuring a pile of pink hair against a lime green background. Large white text superimposed over the clump of hair at the top edge of the image reads,
    Flyer design featuring a pile of pink hair against a lime green background. Large white text superimposed over the clump of hair at the top edge of the image reads,
    [Flyer design featuring a pile of pink hair against a lime green background. Large white text superimposed over the clump of hair at the top edge of the image reads, "DEMONCLOWNMONKEY." Several small, black and white icons are arranged in a line along the image's lower edge. The icons feature stylized depictions of a skull with horns, a clown, a rabbit, and other symbols.]
    Caption
    Image description Flyer design featuring a pile of pink hair against a lime green background. Large white text superimposed over the clump of hair at the top edge of the image reads, "DEMONCLOWNMONKEY." Several small, black and white icons are arranged in a line along the image's lower edge. The icons feature stylized depictions of a skull with horns, a clown, a rabbit, and other symbols.
    Year
    Related pages Demonclownmonkey
  • An angled view of two adjacent gray walls displaying various paper material, documents, and photographs.
    An angled view of two adjacent gray walls displaying various paper material, documents, and photographs.
    Living with Pop. A Reproduction of Capitalist Realism. Installation view of the section “Düsseldorf and the Rhineland (1957–1964)," Artists Space, 2014. [An angled view of two adjacent gray walls displaying various paper material, documents, and photographs.]
    Caption Living with Pop. A Reproduction of Capitalist Realism. Installation view of the section “Düsseldorf and the Rhineland (1957–1964)," Artists Space, 2014.
    Image description An angled view of two adjacent gray walls displaying various paper material, documents, and photographs.
    Year 2014
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • A side view of a sculpture of a man leaning againt a white column. He hols a book in his right hand. He is wearing a purple shirt and blue patterned shorts.
    A side view of a sculpture of a man leaning againt a white column. He hols a book in his right hand. He is wearing a purple shirt and blue patterned shorts.
    Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013. [A side view of a sculpture of a man leaning againt a white column. He hols a book in his right hand. He is wearing a purple shirt and blue patterned shorts.]
    Caption Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013.
    Image description A side view of a sculpture of a man leaning againt a white column. He hols a book in his right hand. He is wearing a purple shirt and blue patterned shorts.
    Year 2013
    Related pages Pride Goes Before a Fall
  • A figure holding a sword in the middle of a man and woman with a car visible behind them. Subtitles burned onto the bottom of the image read,
    A figure holding a sword in the middle of a man and woman with a car visible behind them. Subtitles burned onto the bottom of the image read,
    Sistema Sandinista de Television. Still from Golpes de la Corazon (Blows of the Heart), 1983. Video (sound, black and white). 30 minutes (excerpted). Spanish with English subtitles. [A figure holding a sword in the middle of a man and woman with a car visible behind them. Subtitles burned onto the bottom of the image read, "Aha, I found you." Scan lines in the image and the outer box of a CRT monitor are visible.]
    Caption Sistema Sandinista de Television. Still from Golpes de la Corazon (Blows of the Heart), 1983. Video (sound, black and white). 30 minutes (excerpted). Spanish with English subtitles.
    Image description A figure holding a sword in the middle of a man and woman with a car visible behind them. Subtitles burned onto the bottom of the image read, "Aha, I found you." Scan lines in the image and the outer box of a CRT monitor are visible.
    Year 1983
    Related pages TV Sandino
  • Three figures perform in a basement. Two figures in blue morph suits act out a scene together. The figure on the right scratches a fresnel lens attached to a wooden rolling table while the left figure walks toward the table. A third figure takes video footage of the scene.
    Three figures perform in a basement. Two figures in blue morph suits act out a scene together. The figure on the right scratches a fresnel lens attached to a wooden rolling table while the left figure walks toward the table. A third figure takes video footage of the scene.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Three figures perform in a basement. Two figures in blue morph suits act out a scene together. The figure on the right scratches a fresnel lens attached to a wooden rolling table while the left figure walks toward the table. A third figure takes video footage of the scene.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Three figures perform in a basement. Two figures in blue morph suits act out a scene together. The figure on the right scratches a fresnel lens attached to a wooden rolling table while the left figure walks toward the table. A third figure takes video footage of the scene.
    Year 2022
    Related pages SCRAAATCH 12-3
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    Related pages FWIW
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Magazine cut-outs and ink drawings are collaged together on a colorful background, with blue, pink, yellow and beige paper. Cut up pieces of beige paper are scattered throughout the image, and feature typewritten text listing the performers and event details.
    Magazine cut-outs and ink drawings are collaged together on a colorful background, with blue, pink, yellow and beige paper. Cut up pieces of beige paper are scattered throughout the image, and feature typewritten text listing the performers and event details.
    Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a colorful background, with blue, pink, yellow and beige paper. Cut up pieces of beige paper are scattered throughout the image, and feature typewritten text listing the performers and event details.]
    Caption Flyer by Joe Frivaldi.
    Image description Magazine cut-outs and ink drawings are collaged together on a colorful background, with blue, pink, yellow and beige paper. Cut up pieces of beige paper are scattered throughout the image, and feature typewritten text listing the performers and event details.
    Year
    Related pages Abasement #71
  • A film still of a crowd of people sitting in rows of seats. Some wear sunglasses. Most do not speak to one another but gaze forward or glance around themselves.
    A film still of a crowd of people sitting in rows of seats. Some wear sunglasses. Most do not speak to one another but gaze forward or glance around themselves.
    Still from Eli Noyes and Claudia Weill's IDCA 1970, 1970. [A film still of a crowd of people sitting in rows of seats. Some wear sunglasses. Most do not speak to one another but gaze forward or glance around themselves.]
    Caption Still from Eli Noyes and Claudia Weill's IDCA 1970, 1970.
    Image description A film still of a crowd of people sitting in rows of seats. Some wear sunglasses. Most do not speak to one another but gaze forward or glance around themselves.
    Year 1970
    Related pages The Aspen Complex
  • A slide projector sits in a dimly lit corner of a gallery space. The device projects an image of rocks and other debris onto a poster hung on the wall, which lists various statistics related to The Letchworth Village, a residential commuinty in Rockland County, New York. A second poster hangs on a wall to the left of the slide projector. A stack of papers rests on a small support below the poster.
    A slide projector sits in a dimly lit corner of a gallery space. The device projects an image of rocks and other debris onto a poster hung on the wall, which lists various statistics related to The Letchworth Village, a residential commuinty in Rockland County, New York. A second poster hangs on a wall to the left of the slide projector. A stack of papers rests on a small support below the poster.
    Salad Days 2. Installation view, Artists Space, 2006. Photo: Bill Ocrutt. [A slide projector sits in a dimly lit corner of a gallery space. The device projects an image of rocks and other debris onto a poster hung on the wall, which lists various statistics related to The Letchworth Village, a residential commuinty in Rockland County, New York. A second poster hangs on a wall to the left of the slide projector. A stack of papers rests on a small support below the poster.]
    Caption Salad Days 2. Installation view, Artists Space, 2006. Photo: Bill Ocrutt.
    Image description A slide projector sits in a dimly lit corner of a gallery space. The device projects an image of rocks and other debris onto a poster hung on the wall, which lists various statistics related to The Letchworth Village, a residential commuinty in Rockland County, New York. A second poster hangs on a wall to the left of the slide projector. A stack of papers rests on a small support below the poster.
    Year 2006
    Related pages Salad Days 2
  • A small goldfish is visible swimming inside a round-shaped bowl with water in it with a silver watch behind it. The bowl is sitting on a pedestal on a white wall.
    A small goldfish is visible swimming inside a round-shaped bowl with water in it with a silver watch behind it. The bowl is sitting on a pedestal on a white wall.
    Jon Rubin. Alice Underwater. Installation view. Artists Space, 1985. [A small goldfish is visible swimming inside a round-shaped bowl with water in it with a silver watch behind it. The bowl is sitting on a pedestal on a white wall.]
    Caption Jon Rubin. Alice Underwater. Installation view. Artists Space, 1985.
    Image description A small goldfish is visible swimming inside a round-shaped bowl with water in it with a silver watch behind it. The bowl is sitting on a pedestal on a white wall.
    Year
    Related pages Dark Rooms
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    Related pages Jack Smith Film Retrospective
  • One figure stands in a small square construction waist high and a nearby child stands inside another square construction with their head peeking out at the other figure. A figure stands behind them by a washbasin with clothes hanging from a clothesline in front of them. Bushes and trees appear behind them along with another edifice in the background. Video scan lines and black edges of CRT monitor are visible.
    One figure stands in a small square construction waist high and a nearby child stands inside another square construction with their head peeking out at the other figure. A figure stands behind them by a washbasin with clothes hanging from a clothesline in front of them. Bushes and trees appear behind them along with another edifice in the background. Video scan lines and black edges of CRT monitor are visible.
    Sistema Sandinista de Television. Still from Golpes de la Corazon (Blows of the Heart), 1983. Video (sound, black and white). Spanish with English subtitles. [One figure stands in a small square construction waist high and a nearby child stands inside another square construction with their head peeking out at the other figure. A figure stands behind them by a washbasin with clothes hanging from a clothesline in front of them. Bushes and trees appear behind them along with another edifice in the background. Video scan lines and black edges of CRT monitor are visible.]
    Caption Sistema Sandinista de Television. Still from Golpes de la Corazon (Blows of the Heart), 1983. Video (sound, black and white). Spanish with English subtitles.
    Image description One figure stands in a small square construction waist high and a nearby child stands inside another square construction with their head peeking out at the other figure. A figure stands behind them by a washbasin with clothes hanging from a clothesline in front of them. Bushes and trees appear behind them along with another edifice in the background. Video scan lines and black edges of CRT monitor are visible.
    Year 1983
    Related pages TV Sandino
  • Two people with hats, sunglasses, and long straight hair. One looks into the camera, the other diagonally past.
    Two people with hats, sunglasses, and long straight hair. One looks into the camera, the other diagonally past.
    Cecilia Dougherty. Still from Grapefruit, 1989. Video. [Two people with hats, sunglasses, and long straight hair. One looks into the camera, the other diagonally past.]
    Caption Cecilia Dougherty. Still from Grapefruit, 1989. Video.
    Image description Two people with hats, sunglasses, and long straight hair. One looks into the camera, the other diagonally past.
    Year 1989
    Related pages Remapping Boundaries: Video Art and Popular Culture
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    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • Three book covers, arranged in a triangle, with title text reading from top to bottom, left to right,
    Three book covers, arranged in a triangle, with title text reading from top to bottom, left to right,
    [Three book covers, arranged in a triangle, with title text reading from top to bottom, left to right, "Danger In Dusseldorf," "Die, Chastrommel," and "Berliner."]
    Caption
    Image description Three book covers, arranged in a triangle, with title text reading from top to bottom, left to right, "Danger In Dusseldorf," "Die, Chastrommel," and "Berliner."
    Year 2014
    Related pages The Library Vaccine
  • Drawing with various stools and faces in the center rectangle with lines emerging under it stretching towards the bottom.
    Drawing with various stools and faces in the center rectangle with lines emerging under it stretching towards the bottom.
    Hani Rashid, Corset Shop in Paris, 1985. Mixed media with ink, old paints, acids, chalks, 33 x 24 inches. [Drawing with various stools and faces in the center rectangle with lines emerging under it stretching towards the bottom.]
    Caption Hani Rashid, Corset Shop in Paris, 1985. Mixed media with ink, old paints, acids, chalks, 33 x 24 inches.
    Image description Drawing with various stools and faces in the center rectangle with lines emerging under it stretching towards the bottom.
    Year
    Related pages Kursaal For An Evacuee
  • A color image of three framed works hang on the white wall. The works, all made on black paper, consist of colorful shapes, white line drawings and illegible text that form abstract compsitions.
    A color image of three framed works hang on the white wall. The works, all made on black paper, consist of colorful shapes, white line drawings and illegible text that form abstract compsitions.
    Renee Gladman: Narratives of Magnitude. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of three framed works hang on the white wall. The works, all made on black paper, consist of colorful shapes, white line drawings and illegible text that form abstract compsitions.]
    Caption Renee Gladman: Narratives of Magnitude. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A color image of three framed works hang on the white wall. The works, all made on black paper, consist of colorful shapes, white line drawings and illegible text that form abstract compsitions.
    Year
    Related pages Renee Gladman
  • Photographs hanging on a wall in a gallery space.
    Photographs hanging on a wall in a gallery space.
    David Kulik, Frank Majore, Kevin Noble, Ken Pelka, Pat Place, Rene Santos, and Brian Weil. Installation view, Artists Space, 1980. [Photographs hanging on a wall in a gallery space.]
    Caption David Kulik, Frank Majore, Kevin Noble, Ken Pelka, Pat Place, Rene Santos, and Brian Weil. Installation view, Artists Space, 1980.
    Image description Photographs hanging on a wall in a gallery space.
    Year
    Related pages David Kulik, Frank Majore, Kevin Noble, Ken Pelka, Pat Place, Rene Santos, and Brian Weil
  • A photograph of paintings hanging on the walls of a large gallery space with white walls. The work closest to the camera is a realistic painting of a baby, shown for the waist up.
    A photograph of paintings hanging on the walls of a large gallery space with white walls. The work closest to the camera is a realistic painting of a baby, shown for the waist up.
    Selections from the Artists File. Installation view, Artists Space, 1989. [A photograph of paintings hanging on the walls of a large gallery space with white walls. The work closest to the camera is a realistic painting of a baby, shown for the waist up.]
    Caption Selections from the Artists File. Installation view, Artists Space, 1989.
    Image description A photograph of paintings hanging on the walls of a large gallery space with white walls. The work closest to the camera is a realistic painting of a baby, shown for the waist up.
    Year 1989
    Related pages Selections from the Artist File
  • An image of an exhibition space filled with metal square tubes on dolly carts.
    An image of an exhibition space filled with metal square tubes on dolly carts.
    Charlotte Posenenske 2010 Series D Vierkantrohre (Square Tubes), 1967. Configured by the staff of Artists Space, 2010. Photo: Daniel Perez. [An image of an exhibition space filled with metal square tubes on dolly carts.]
    Caption Charlotte Posenenske 2010 Series D Vierkantrohre (Square Tubes), 1967. Configured by the staff of Artists Space, 2010. Photo: Daniel Perez.
    Image description An image of an exhibition space filled with metal square tubes on dolly carts.
    Year 2010
    Related pages
  • The screenprint shows a collage of photos some in black & white and some in color. Some images show scenes with people and others document different multimedia installations. On top of the collage in large white block letters is written
    The screenprint shows a collage of photos some in black & white and some in color. Some images show scenes with people and others document different multimedia installations. On top of the collage in large white block letters is written
    Marc Camille Chaimowicz, Enough Tiranny Recalled (Artists Space), 2009, 6 color screenprint, 24 x 24 in (60 x 60 cm), Edition of 10 + 3AP. [The screenprint shows a collage of photos some in black & white and some in color. Some images show scenes with people and others document different multimedia installations. On top of the collage in large white block letters is written "Enough / Tyranny, / Recalled."]
    Caption Marc Camille Chaimowicz, Enough Tiranny Recalled (Artists Space), 2009, 6 color screenprint, 24 x 24 in (60 x 60 cm), Edition of 10 + 3AP.
    Image description The screenprint shows a collage of photos some in black & white and some in color. Some images show scenes with people and others document different multimedia installations. On top of the collage in large white block letters is written "Enough / Tyranny, / Recalled."
    Year 2009
    Related pages Editions
  • A graphic illustration of a headless female mannequin is seated against a checkered background. Her arms suggest the motion of tightening a sash around her waist, but the implied fabric around her body is missing from the image, leaving an empty space that divides her body in two halves.
    A graphic illustration of a headless female mannequin is seated against a checkered background. Her arms suggest the motion of tightening a sash around her waist, but the implied fabric around her body is missing from the image, leaving an empty space that divides her body in two halves.
    Caitlin Keogh, Interiors, 2016, 
Silkscreen on paper, 24 x 18 in / 61 x 45,7 cm, Signed and Numbered. [A graphic illustration of a headless female mannequin is seated against a checkered background. Her arms suggest the motion of tightening a sash around her waist, but the implied fabric around her body is missing from the image, leaving an empty space that divides her body in two halves.]
    Caption Caitlin Keogh, Interiors, 2016, 
Silkscreen on paper, 24 x 18 in / 61 x 45,7 cm, Signed and Numbered.
    Image description A graphic illustration of a headless female mannequin is seated against a checkered background. Her arms suggest the motion of tightening a sash around her waist, but the implied fabric around her body is missing from the image, leaving an empty space that divides her body in two halves.
    Year 2017
    Related pages Artists Space Annual Edition Portfolio 2017
  • A figure in a black hoodie and an LED light stapped on their chest performs on a stage, behind a table full of audio equipment. A green light projection is cast onto the stage.
    A figure in a black hoodie and an LED light stapped on their chest performs on a stage, behind a table full of audio equipment. A green light projection is cast onto the stage.
    Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman [A figure in a black hoodie and an LED light stapped on their chest performs on a stage, behind a table full of audio equipment. A green light projection is cast onto the stage.]
    Caption Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure in a black hoodie and an LED light stapped on their chest performs on a stage, behind a table full of audio equipment. A green light projection is cast onto the stage.
    Year
    Related pages Abasement: #62
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    Related pages Abasement #72
  • A performer plays the upright bass on stage. The stage and wall behind it are bathed in orange and blue light.
    A performer plays the upright bass on stage. The stage and wall behind it are bathed in orange and blue light.
    Abasement #80. Performance documentation, September 22nd, 2025, Artists Space. Photo: Joshua Wildman. [A performer plays the upright bass on stage. The stage and wall behind it are bathed in orange and blue light.]
    Caption Abasement #80. Performance documentation, September 22nd, 2025, Artists Space. Photo: Joshua Wildman.
    Image description A performer plays the upright bass on stage. The stage and wall behind it are bathed in orange and blue light.
    Year
    Related pages Abasement #80
  • A color photograph of a vitrine containing an EKG printout and several black and white photographs.
    A color photograph of a vitrine containing an EKG printout and several black and white photographs.
    Milford Graves: Fundamental Frequency. Installation view (ephemera c. 1970s), Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak. [A color photograph of a vitrine containing an EKG printout and several black and white photographs.]
    Caption Milford Graves: Fundamental Frequency. Installation view (ephemera c. 1970s), Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak.
    Image description A color photograph of a vitrine containing an EKG printout and several black and white photographs.
    Year 2021
    Related pages Milford Graves: Fundamental Frequency
  • A disco ball reflects multicolored light spots across a room lit by pink and yellow hues. On the floor sit a second disco ball, a silver glittery hat, a silver chain, and a white convertable toy car.
    A disco ball reflects multicolored light spots across a room lit by pink and yellow hues. On the floor sit a second disco ball, a silver glittery hat, a silver chain, and a white convertable toy car.
    Enough Tiranny Recalled, 1972–2009. Installation view, Artists Space, 2009. Photo: Daniel Pérez. [A disco ball reflects multicolored light spots across a room lit by pink and yellow hues. On the floor sit a second disco ball, a silver glittery hat, a silver chain, and a white convertable toy car.]
    Caption Enough Tiranny Recalled, 1972–2009. Installation view, Artists Space, 2009. Photo: Daniel Pérez.
    Image description A disco ball reflects multicolored light spots across a room lit by pink and yellow hues. On the floor sit a second disco ball, a silver glittery hat, a silver chain, and a white convertable toy car.
    Year 2009
    Related pages Marc Camille Chaimowicz: Enough Tiranny Recalled, 1972 – 2009
  • A black and white photograph of a gallery installation. A figure poses in front of a wall with several hanging objects, their arms outstretched to either side.
    A black and white photograph of a gallery installation. A figure poses in front of a wall with several hanging objects, their arms outstretched to either side.
    Pictures. Opening Reception, Artists Space, September 23, 1977. Photo: D. James Dee. [A black and white photograph of a gallery installation. A figure poses in front of a wall with several hanging objects, their arms outstretched to either side.]
    Caption Pictures. Opening Reception, Artists Space, September 23, 1977. Photo: D. James Dee.
    Image description A black and white photograph of a gallery installation. A figure poses in front of a wall with several hanging objects, their arms outstretched to either side.
    Year 1977
    Related pages Pictures
  • An image of several students paitning with watercolors, each on their own desk
    An image of several students paitning with watercolors, each on their own desk
    P.S. 140 students painting sound, 2019 [An image of several students paitning with watercolors, each on their own desk]
    Caption P.S. 140 students painting sound, 2019
    Image description An image of several students paitning with watercolors, each on their own desk
    Year 2019
    Related pages Listening to the LES
  • An abstract drawing consisting of horizontal white lines scratched across black paper with circles interspersed throughout the composition. On the right side of the drawing are arrows, and blurred, scribbled lines and illegible text. Yellow marks accentuate different parts of the composition.
    An abstract drawing consisting of horizontal white lines scratched across black paper with circles interspersed throughout the composition. On the right side of the drawing are arrows, and blurred, scribbled lines and illegible text. Yellow marks accentuate different parts of the composition.
    Renee Gladman, Untitled (Moon Math), 2022. Pigment, oil, pastel, 30 x 44 inches. Courtesy of the Artist [An abstract drawing consisting of horizontal white lines scratched across black paper with circles interspersed throughout the composition. On the right side of the drawing are arrows, and blurred, scribbled lines and illegible text. Yellow marks accentuate different parts of the composition.]
    Caption Renee Gladman, Untitled (Moon Math), 2022. Pigment, oil, pastel, 30 x 44 inches. Courtesy of the Artist
    Image description An abstract drawing consisting of horizontal white lines scratched across black paper with circles interspersed throughout the composition. On the right side of the drawing are arrows, and blurred, scribbled lines and illegible text. Yellow marks accentuate different parts of the composition.
    Year 2022
    Related pages Renee Gladman
  • In a large dark room, a modular structure is recessed into a raised floor covered with black carpet. The structure is lit in bright blue light, and hosts open water. Red light shines in the back room.
    In a large dark room, a modular structure is recessed into a raised floor covered with black carpet. The structure is lit in bright blue light, and hosts open water. Red light shines in the back room.
    Constantina Zavitsanos: fwiw. Installation view (Wishing Well (Korpi), 2023/24; There's something happening here, 2024), Artists Space, 2024. Photo: Carter Seddon. [In a large dark room, a modular structure is recessed into a raised floor covered with black carpet. The structure is lit in bright blue light, and hosts open water. Red light shines in the back room.]
    Caption Constantina Zavitsanos: fwiw. Installation view (Wishing Well (Korpi), 2023/24; There's something happening here, 2024), Artists Space, 2024. Photo: Carter Seddon.
    Image description In a large dark room, a modular structure is recessed into a raised floor covered with black carpet. The structure is lit in bright blue light, and hosts open water. Red light shines in the back room.
    Year
    Related pages Support
  • A color photograph of a performance piece showing a nude person lying face-down and completely covered in green paint. They are laying on a large set of green, patterned, and painted paper with a soccer ball and glass of white liquid near their body.
    A color photograph of a performance piece showing a nude person lying face-down and completely covered in green paint. They are laying on a large set of green, patterned, and painted paper with a soccer ball and glass of white liquid near their body.
    Sheida Soleimani, Dukhan Field, Qatar, 2018. Courtesy the artist and Denny Dimin Gallery [A color photograph of a performance piece showing a nude person lying face-down and completely covered in green paint. They are laying on a large set of green, patterned, and painted paper with a soccer ball and glass of white liquid near their body.]
    Caption Sheida Soleimani, Dukhan Field, Qatar, 2018. Courtesy the artist and Denny Dimin Gallery
    Image description A color photograph of a performance piece showing a nude person lying face-down and completely covered in green paint. They are laying on a large set of green, patterned, and painted paper with a soccer ball and glass of white liquid near their body.
    Year
    Related pages Whitney Independent Study: in/stasis
  • Installation view of several works in a gallery space. Twelve long wooden poles are mounted on a white gallery wall in a circular formation, projecting out from the wall and intersecting a line of black columns, forming a teepee shape. A large piece of brown linen stained with various black, white, and rust-colors hangs from the poles. Part of the linen drapes on the ground below the teepee structure. A wooden wardrobe stands against a wall in front of the structure. Several bottles filled with urine stand in a line behind the structure, in front of an abstract sculpture in the corner of the room. The sculpture contains a humanoid head, a TV monitor, and haphazard pieces of wooden and cardboard.
    Installation view of several works in a gallery space. Twelve long wooden poles are mounted on a white gallery wall in a circular formation, projecting out from the wall and intersecting a line of black columns, forming a teepee shape. A large piece of brown linen stained with various black, white, and rust-colors hangs from the poles. Part of the linen drapes on the ground below the teepee structure. A wooden wardrobe stands against a wall in front of the structure. Several bottles filled with urine stand in a line behind the structure, in front of an abstract sculpture in the corner of the room. The sculpture contains a humanoid head, a TV monitor, and haphazard pieces of wooden and cardboard.
    Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater. Installation view, Artists Space, 2019. Photo: Daniel Pérez. [Installation view of several works in a gallery space. Twelve long wooden poles are mounted on a white gallery wall in a circular formation, projecting out from the wall and intersecting a line of black columns, forming a teepee shape. A large piece of brown linen stained with various black, white, and rust-colors hangs from the poles. Part of the linen drapes on the ground below the teepee structure. A wooden wardrobe stands against a wall in front of the structure. Several bottles filled with urine stand in a line behind the structure, in front of an abstract sculpture in the corner of the room. The sculpture contains a humanoid head, a TV monitor, and haphazard pieces of wooden and cardboard.]
    Caption Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater. Installation view, Artists Space, 2019. Photo: Daniel Pérez.
    Image description Installation view of several works in a gallery space. Twelve long wooden poles are mounted on a white gallery wall in a circular formation, projecting out from the wall and intersecting a line of black columns, forming a teepee shape. A large piece of brown linen stained with various black, white, and rust-colors hangs from the poles. Part of the linen drapes on the ground below the teepee structure. A wooden wardrobe stands against a wall in front of the structure. Several bottles filled with urine stand in a line behind the structure, in front of an abstract sculpture in the corner of the room. The sculpture contains a humanoid head, a TV monitor, and haphazard pieces of wooden and cardboard.
    Year 2019
    Related pages Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater
  • Students create cyanotypes from gathered and found materials, 2022
    Caption Students create cyanotypes from gathered and found materials, 2022
    Image description
    Year 2022
    Related pages Listening to the LES
  • Two figures crouch next to two abstract artworks standing on the floor of a gallery space. Both people have dyed hair and half-blue facepaint.
    Two figures crouch next to two abstract artworks standing on the floor of a gallery space. Both people have dyed hair and half-blue facepaint.
    CaptionKari Altmann, still from XOMIA, 2015. Courtesy the artist and Ellis King Gallery. [Two figures crouch next to two abstract artworks standing on the floor of a gallery space. Both people have dyed hair and half-blue facepaint.]
    Caption CaptionKari Altmann, still from XOMIA, 2015. Courtesy the artist and Ellis King Gallery.
    Image description Two figures crouch next to two abstract artworks standing on the floor of a gallery space. Both people have dyed hair and half-blue facepaint.
    Year 2015
    Related pages Kari Altmann & Ruth Saxelby
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  • A color image of a pink-hued room inside which an irregularly shaped platform with a reflective surface sits on the ground. Objects such as plants, a fish tank, and tree stumps sit on and around the platform.
    A color image of a pink-hued room inside which an irregularly shaped platform with a reflective surface sits on the ground. Objects such as plants, a fish tank, and tree stumps sit on and around the platform.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022. [A color image of a pink-hued room inside which an irregularly shaped platform with a reflective surface sits on the ground. Objects such as plants, a fish tank, and tree stumps sit on and around the platform.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022.
    Image description A color image of a pink-hued room inside which an irregularly shaped platform with a reflective surface sits on the ground. Objects such as plants, a fish tank, and tree stumps sit on and around the platform.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • A view of four police officer cardboard cutouts with red eyes in a red lit room. They are wearing sashes that read
    A view of four police officer cardboard cutouts with red eyes in a red lit room. They are wearing sashes that read
    ART CLUB2000 Untitled (Punishing Enforcers of an Oppressive Regime), detail, 1998 Eight printed cardboard standees, satin sashes, and LED lights Image courtesy Artists Space, New York Photo: Filip Wolak [A view of four police officer cardboard cutouts with red eyes in a red lit room. They are wearing sashes that read "Punishing Enforcers of an Oppressive Regime."]
    Caption ART CLUB2000 Untitled (Punishing Enforcers of an Oppressive Regime), detail, 1998 Eight printed cardboard standees, satin sashes, and LED lights Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description A view of four police officer cardboard cutouts with red eyes in a red lit room. They are wearing sashes that read "Punishing Enforcers of an Oppressive Regime."
    Year 2021
    Related pages ART CLUB2000
  • A black and white installation photograph of a gallery space. Two dark square canvasses hang on the wall, one is a large and the other small.
    A black and white installation photograph of a gallery space. Two dark square canvasses hang on the wall, one is a large and the other small.
    John Torreano. Installation view, Artists Space, 1974. [A black and white installation photograph of a gallery space. Two dark square canvasses hang on the wall, one is a large and the other small.]
    Caption John Torreano. Installation view, Artists Space, 1974.
    Image description A black and white installation photograph of a gallery space. Two dark square canvasses hang on the wall, one is a large and the other small.
    Year 1974
    Related pages Sidney Geist, Marvin Torffield, John Torreano
  • Four geometric, silver metal sculptures are installed on the floors of a light-filled gallery space. The sculptures are modular, hollow, and consist of cube-like and triangular metal components.
    Four geometric, silver metal sculptures are installed on the floors of a light-filled gallery space. The sculptures are modular, hollow, and consist of cube-like and triangular metal components.
    Charlotte Posenenske. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [Four geometric, silver metal sculptures are installed on the floors of a light-filled gallery space. The sculptures are modular, hollow, and consist of cube-like and triangular metal components.]
    Caption Charlotte Posenenske. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description Four geometric, silver metal sculptures are installed on the floors of a light-filled gallery space. The sculptures are modular, hollow, and consist of cube-like and triangular metal components.
    Year 2010
    Related pages Charlotte Posenenske
  • A sketch of a projector on a stand, projecting a black hole into a wall.
    A sketch of a projector on a stand, projecting a black hole into a wall.
    Adam Putnam, Magic Lanterns, 2004. [A sketch of a projector on a stand, projecting a black hole into a wall.]
    Caption Adam Putnam, Magic Lanterns, 2004.
    Image description A sketch of a projector on a stand, projecting a black hole into a wall.
    Year 2004
    Related pages Magic Lanterns
  • Color photograph of a performer dressed in white, kneeling on all fours. A bright light from their pelvic area shines onto the floor, as viewers stand around the figure.
    Color photograph of a performer dressed in white, kneeling on all fours. A bright light from their pelvic area shines onto the floor, as viewers stand around the figure.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a performer dressed in white, kneeling on all fours. A bright light from their pelvic area shines onto the floor, as viewers stand around the figure.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a performer dressed in white, kneeling on all fours. A bright light from their pelvic area shines onto the floor, as viewers stand around the figure.
    Year 2022
    Related pages keyon gaskin 12-16
  • In a large, open gallery space, several photographs hang on walls to the right. To the left, multiple small monitors mounted to a colorful gallery wall play video works. In front of the monitors, there are wooden stools with headphones resting upon them.
    In a large, open gallery space, several photographs hang on walls to the right. To the left, multiple small monitors mounted to a colorful gallery wall play video works. In front of the monitors, there are wooden stools with headphones resting upon them.
    Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose. Installation view, Artists Space, 2012. Photo: Daniel Pérez.. [In a large, open gallery space, several photographs hang on walls to the right. To the left, multiple small monitors mounted to a colorful gallery wall play video works. In front of the monitors, there are wooden stools with headphones resting upon them.]
    Caption Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose. Installation view, Artists Space, 2012. Photo: Daniel Pérez..
    Image description In a large, open gallery space, several photographs hang on walls to the right. To the left, multiple small monitors mounted to a colorful gallery wall play video works. In front of the monitors, there are wooden stools with headphones resting upon them.
    Year 2012
    Related pages Radical Localism: Art, Video and Culture from Pueblo Nuevo’s Mexicali Rose
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  • Color photograph of a hand, fingers outstretched and manipulating a group of suspended wires that run across the frame.
    Color photograph of a hand, fingers outstretched and manipulating a group of suspended wires that run across the frame.
    Ellen Fullman. Performance documentation, April 26th, 2024, Artists Space. [Color photograph of a hand, fingers outstretched and manipulating a group of suspended wires that run across the frame.]
    Caption Ellen Fullman. Performance documentation, April 26th, 2024, Artists Space.
    Image description Color photograph of a hand, fingers outstretched and manipulating a group of suspended wires that run across the frame.
    Year
    Related pages Support
  • A brown and tan object stands on a white base. On the flat surface of the object, an onion and a lemon sit connected by a rainbow wire. In the base of the object, a processing chip is embedded.
    A brown and tan object stands on a white base. On the flat surface of the object, an onion and a lemon sit connected by a rainbow wire. In the base of the object, a processing chip is embedded.
    Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $5,000
    [A brown and tan object stands on a white base. On the flat surface of the object, an onion and a lemon sit connected by a rainbow wire. In the base of the object, a processing chip is embedded.]
    Caption Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $5,000
    Image description A brown and tan object stands on a white base. On the flat surface of the object, an onion and a lemon sit connected by a rainbow wire. In the base of the object, a processing chip is embedded.
    Year 2019
    Related pages Trisha Baga Edition
  • Three figurative paintings hanging on walls in a gallery space.
    Three figurative paintings hanging on walls in a gallery space.
    Patricia Caire. Installation view, Artists Space, 1980. [Three figurative paintings hanging on walls in a gallery space.]
    Caption Patricia Caire. Installation view, Artists Space, 1980.
    Image description Three figurative paintings hanging on walls in a gallery space.
    Year
    Related pages Patricia Caire
  • Two paintings hung on white walls meeting in a corner. The paintings are colorful, predominantly pink and red.
    Two paintings hung on white walls meeting in a corner. The paintings are colorful, predominantly pink and red.
    Salad Days. Installation view, Artists Space, 2004. [Two paintings hung on white walls meeting in a corner. The paintings are colorful, predominantly pink and red.]
    Caption Salad Days. Installation view, Artists Space, 2004.
    Image description Two paintings hung on white walls meeting in a corner. The paintings are colorful, predominantly pink and red.
    Year 2004
    Related pages Salad Days
  • A number of colorful animal-like figures appear in space with a white background.
    A number of colorful animal-like figures appear in space with a white background.
    Gerome Kamrowski. Hopeful Monster, 1980. [A number of colorful animal-like figures appear in space with a white background.]
    Caption Gerome Kamrowski. Hopeful Monster, 1980.
    Image description A number of colorful animal-like figures appear in space with a white background.
    Year
    Related pages Moderns in Mind
  • White text on a bright fuchsia background. The text reads: “Nov 8 / Samiya Bashir / Nora Treatbaby.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    White text on a bright fuchsia background. The text reads: “Nov 8 / Samiya Bashir / Nora Treatbaby.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [White text on a bright fuchsia background. The text reads: “Nov 8 / Samiya Bashir / Nora Treatbaby.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description White text on a bright fuchsia background. The text reads: “Nov 8 / Samiya Bashir / Nora Treatbaby.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Samiya Bashir & Nora Treatbaby
  • Two small items in a white glossy frame, one is a photograph and the other a postcard. The photograph is a black and white image of a man standing, slightly hunched over, pasted on top of an image of a sailor. Beneath the photograph, a faded handwritten postcard reads in blue ink,
    Two small items in a white glossy frame, one is a photograph and the other a postcard. The photograph is a black and white image of a man standing, slightly hunched over, pasted on top of an image of a sailor. Beneath the photograph, a faded handwritten postcard reads in blue ink,
    Ken Okiishi, detail from Wish I Were Here, 1997 – 2001. Five archival inkjet prints. Courtesy the artist [Two small items in a white glossy frame, one is a photograph and the other a postcard. The photograph is a black and white image of a man standing, slightly hunched over, pasted on top of an image of a sailor. Beneath the photograph, a faded handwritten postcard reads in blue ink, "11 July 1997, Dear Cindy Sherman, I am lost - not physically, but emotionally. I am on a cruise ship to Greece with my straight best friend, who I am in love with. Acting like "The Girl" is getting me nowhere with him. Did it get you anywhere? Sincerely, Ken Okiishi."]
    Caption Ken Okiishi, detail from Wish I Were Here, 1997 – 2001. Five archival inkjet prints. Courtesy the artist
    Image description Two small items in a white glossy frame, one is a photograph and the other a postcard. The photograph is a black and white image of a man standing, slightly hunched over, pasted on top of an image of a sailor. Beneath the photograph, a faded handwritten postcard reads in blue ink, "11 July 1997, Dear Cindy Sherman, I am lost - not physically, but emotionally. I am on a cruise ship to Greece with my straight best friend, who I am in love with. Acting like "The Girl" is getting me nowhere with him. Did it get you anywhere? Sincerely, Ken Okiishi."
    Year 1997
    Related pages Frozen Lakes
  • Various drawings are hung up on white walls. The drawings consist of simple shapes and lines.
    Various drawings are hung up on white walls. The drawings consist of simple shapes and lines.
    Artists Draw. Installation view, Artists Space, 1979. [Various drawings are hung up on white walls. The drawings consist of simple shapes and lines.]
    Caption Artists Draw. Installation view, Artists Space, 1979.
    Image description Various drawings are hung up on white walls. The drawings consist of simple shapes and lines.
    Year 1979
    Related pages Artists Draw: Tom Martin, Auste Peciura, Alan Saret, Patti Smith, Nancy Spero
  • A bottle of wine sits on a set dining table covered in a red tablecloth, surrounded by wine glasses. The wine label features an irregular curved white semi-oval, overlaid with a smaller burgundy red shape, and the embossed text
    A bottle of wine sits on a set dining table covered in a red tablecloth, surrounded by wine glasses. The wine label features an irregular curved white semi-oval, overlaid with a smaller burgundy red shape, and the embossed text
    Wine sponsor Vivanterre. Photo: Jenna Bascom [A bottle of wine sits on a set dining table covered in a red tablecloth, surrounded by wine glasses. The wine label features an irregular curved white semi-oval, overlaid with a smaller burgundy red shape, and the embossed text "Vivanterre"]
    Caption Wine sponsor Vivanterre. Photo: Jenna Bascom
    Image description A bottle of wine sits on a set dining table covered in a red tablecloth, surrounded by wine glasses. The wine label features an irregular curved white semi-oval, overlaid with a smaller burgundy red shape, and the embossed text "Vivanterre"
    Year
    Related pages Support
  • Black and white image depicting a performance. The artist is standing in the center of the frame and wearing spotted tights and cowboy boots. The upper half of their body is enveloped in a large plastic foam fabric, which covers their torso, face, and arms. Affixed to the large fabric construction are clusters of plastic takeout containers. Audience members are visible in the foreground.
    Black and white image depicting a performance. The artist is standing in the center of the frame and wearing spotted tights and cowboy boots. The upper half of their body is enveloped in a large plastic foam fabric, which covers their torso, face, and arms. Affixed to the large fabric construction are clusters of plastic takeout containers. Audience members are visible in the foreground.
    Johanna Went performing at The Hong Kong Cafe, Los Angeles. Photo: Ed Colver [Black and white image depicting a performance. The artist is standing in the center of the frame and wearing spotted tights and cowboy boots. The upper half of their body is enveloped in a large plastic foam fabric, which covers their torso, face, and arms. Affixed to the large fabric construction are clusters of plastic takeout containers. Audience members are visible in the foreground.]
    Caption Johanna Went performing at The Hong Kong Cafe, Los Angeles. Photo: Ed Colver
    Image description Black and white image depicting a performance. The artist is standing in the center of the frame and wearing spotted tights and cowboy boots. The upper half of their body is enveloped in a large plastic foam fabric, which covers their torso, face, and arms. Affixed to the large fabric construction are clusters of plastic takeout containers. Audience members are visible in the foreground.
    Year
    Related pages Attention Line
  • Color photograph of a performer dressed in white, kneeling on all fours. A bright light from their pelvic area shines onto the floor, as viewers stand around the figure.
    Color photograph of a performer dressed in white, kneeling on all fours. A bright light from their pelvic area shines onto the floor, as viewers stand around the figure.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a performer dressed in white, kneeling on all fours. A bright light from their pelvic area shines onto the floor, as viewers stand around the figure.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a performer dressed in white, kneeling on all fours. A bright light from their pelvic area shines onto the floor, as viewers stand around the figure.
    Year 2022
    Related pages keyon gaskin 12-18
  • A diagram superimposed across a blurry image of a wooden folding chair facing a small wooden bookshelf filled with colorful books. The diagram is composed of a simplistic icon that loosely resembles an open book. Circling the book icon are several hand-drawn arrows that point to various handwritten words and phrases, such as
    A diagram superimposed across a blurry image of a wooden folding chair facing a small wooden bookshelf filled with colorful books. The diagram is composed of a simplistic icon that loosely resembles an open book. Circling the book icon are several hand-drawn arrows that point to various handwritten words and phrases, such as
    [A diagram superimposed across a blurry image of a wooden folding chair facing a small wooden bookshelf filled with colorful books. The diagram is composed of a simplistic icon that loosely resembles an open book. Circling the book icon are several hand-drawn arrows that point to various handwritten words and phrases, such as "PDF's" and "Followed remotely." Below the book icon are hand-drawn drops of liquid and a puddle.]
    Caption
    Image description A diagram superimposed across a blurry image of a wooden folding chair facing a small wooden bookshelf filled with colorful books. The diagram is composed of a simplistic icon that loosely resembles an open book. Circling the book icon are several hand-drawn arrows that point to various handwritten words and phrases, such as "PDF's" and "Followed remotely." Below the book icon are hand-drawn drops of liquid and a puddle.
    Year 2011
    Related pages The Serving Library
  • Four dynamic images of a group of individuals pinned by large push pins on a blue gallery wall.
    Four dynamic images of a group of individuals pinned by large push pins on a blue gallery wall.
    ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [Four dynamic images of a group of individuals pinned by large push pins on a blue gallery wall.]
    Caption ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak
    Image description Four dynamic images of a group of individuals pinned by large push pins on a blue gallery wall.
    Year 2021
    Related pages ART CLUB2000
  • A teal circle on a white background with several names written around the perimeter, circling the midpoint of the circle. White text on the right side of the circle reads,
    A teal circle on a white background with several names written around the perimeter, circling the midpoint of the circle. White text on the right side of the circle reads,
    Poster for No Total Weekend, May 29-31, 2015, Artists Space. [A teal circle on a white background with several names written around the perimeter, circling the midpoint of the circle. White text on the right side of the circle reads, "May 29-31. 2015 / No Total Weekend." The rest of the text spells out the schedule of the event.]
    Caption Poster for No Total Weekend, May 29-31, 2015, Artists Space.
    Image description A teal circle on a white background with several names written around the perimeter, circling the midpoint of the circle. White text on the right side of the circle reads, "May 29-31. 2015 / No Total Weekend." The rest of the text spells out the schedule of the event.
    Year 2015
    Related pages No Total Weekend
  • Several sculptures and 2D works sit in a large gallery space with wooden floors and white columns. To the right, a stool-like object sits on a white plinth, illuminated by a bright overhead light. On the ground in the center of the image, an overturned cardboard box rests on the floor. A colorful structure resembling a well is installed in the background.
    Several sculptures and 2D works sit in a large gallery space with wooden floors and white columns. To the right, a stool-like object sits on a white plinth, illuminated by a bright overhead light. On the ground in the center of the image, an overturned cardboard box rests on the floor. A colorful structure resembling a well is installed in the background.
    Salad Days 3. Installation view, Artists Space, 2008. Photo: Jeremy Ross. [Several sculptures and 2D works sit in a large gallery space with wooden floors and white columns. To the right, a stool-like object sits on a white plinth, illuminated by a bright overhead light. On the ground in the center of the image, an overturned cardboard box rests on the floor. A colorful structure resembling a well is installed in the background.]
    Caption Salad Days 3. Installation view, Artists Space, 2008. Photo: Jeremy Ross.
    Image description Several sculptures and 2D works sit in a large gallery space with wooden floors and white columns. To the right, a stool-like object sits on a white plinth, illuminated by a bright overhead light. On the ground in the center of the image, an overturned cardboard box rests on the floor. A colorful structure resembling a well is installed in the background.
    Year 2008
    Related pages Salad Days 3
  • A glass vitrine displaying a series of images, pages of text, and two large rat skulls.
    A glass vitrine displaying a series of images, pages of text, and two large rat skulls.
    She Who Is: Adrienne Kennedy and the Drama of Difference. Installation view, Artists Space, February 29 – September 19, 2020. Photo: Filip Wolak. [A glass vitrine displaying a series of images, pages of text, and two large rat skulls.]
    Caption She Who Is: Adrienne Kennedy and the Drama of Difference. Installation view, Artists Space, February 29 – September 19, 2020. Photo: Filip Wolak.
    Image description A glass vitrine displaying a series of images, pages of text, and two large rat skulls.
    Year 2020
    Related pages She Who Is: Adrienne Kennedy and the Drama of Difference
  • Color photograph of two figures preparing to perform. In the foreground, out of focus, is the side profile of a figure playing a white keyboard, with music sheets in front of them. To the right, in focus, another figure sits on a wooden chair, eyes closed in concentration and behind a microphone stand.
    Color photograph of two figures preparing to perform. In the foreground, out of focus, is the side profile of a figure playing a white keyboard, with music sheets in front of them. To the right, in focus, another figure sits on a wooden chair, eyes closed in concentration and behind a microphone stand.
    Shala Miller performs Genesis: Medley at Artists Space, co-presented with Frieze New York 2023. Performance documentation, May 19th. Photo by Vanessa Diaz/CKA. Courtesy of Frieze. [Color photograph of two figures preparing to perform. In the foreground, out of focus, is the side profile of a figure playing a white keyboard, with music sheets in front of them. To the right, in focus, another figure sits on a wooden chair, eyes closed in concentration and behind a microphone stand.]
    Caption Shala Miller performs Genesis: Medley at Artists Space, co-presented with Frieze New York 2023. Performance documentation, May 19th. Photo by Vanessa Diaz/CKA. Courtesy of Frieze.
    Image description Color photograph of two figures preparing to perform. In the foreground, out of focus, is the side profile of a figure playing a white keyboard, with music sheets in front of them. To the right, in focus, another figure sits on a wooden chair, eyes closed in concentration and behind a microphone stand.
    Year 2023
    Related pages Genesis: Medley
  • A performer plays a clarinet on stage, bathed in blue and pink light.
    A performer plays a clarinet on stage, bathed in blue and pink light.
    Abasement #80. Performance documentation, September 22nd, 2025, Artists Space. Photo: Joshua Wildman. [A performer plays a clarinet on stage, bathed in blue and pink light.]
    Caption Abasement #80. Performance documentation, September 22nd, 2025, Artists Space. Photo: Joshua Wildman.
    Image description A performer plays a clarinet on stage, bathed in blue and pink light.
    Year
    Related pages Abasement #80
  • Two gray silhouettes displayed next to each other on a white wall. In front of them, a gray table displays colorful documents.
    Two gray silhouettes displayed next to each other on a white wall. In front of them, a gray table displays colorful documents.
    The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich. [Two gray silhouettes displayed next to each other on a white wall. In front of them, a gray table displays colorful documents.]
    Caption The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich.
    Image description Two gray silhouettes displayed next to each other on a white wall. In front of them, a gray table displays colorful documents.
    Year 2014
    Related pages The Issues of Our Time
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