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  • In the foreground is one dark painting image and in the background is a painting of a figure coming out of a square brick chimney-like structure with marking above them. These two paintings appear in a white-walled gallery space.
    In the foreground is one dark painting image and in the background is a painting of a figure coming out of a square brick chimney-like structure with marking above them. These two paintings appear in a white-walled gallery space.
    Five Spanish Artists. Installation View, Artists Space, 1985. [In the foreground is one dark painting image and in the background is a painting of a figure coming out of a square brick chimney-like structure with marking above them. These two paintings appear in a white-walled gallery space.]
    Caption Five Spanish Artists. Installation View, Artists Space, 1985.
    Image description In the foreground is one dark painting image and in the background is a painting of a figure coming out of a square brick chimney-like structure with marking above them. These two paintings appear in a white-walled gallery space.
    Year
    Related pages Five Spanish Artists
  • Color photo of two men sitting at a worktable that holds various musical and electronic equipment. In the background, various audience members sit and observe the performers within a dimly lit space. Yellow projections shine on the wall behind the performers along with blue and pink spotted lights.
    Color photo of two men sitting at a worktable that holds various musical and electronic equipment. In the background, various audience members sit and observe the performers within a dimly lit space. Yellow projections shine on the wall behind the performers along with blue and pink spotted lights.
    Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman. [Color photo of two men sitting at a worktable that holds various musical and electronic equipment. In the background, various audience members sit and observe the performers within a dimly lit space. Yellow projections shine on the wall behind the performers along with blue and pink spotted lights.]
    Caption Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman.
    Image description Color photo of two men sitting at a worktable that holds various musical and electronic equipment. In the background, various audience members sit and observe the performers within a dimly lit space. Yellow projections shine on the wall behind the performers along with blue and pink spotted lights.
    Year
    Related pages Abasement #64
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    Year
    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • A black and white oil painting of two people on black tile flooring. Only their legs are visible. One person is lying on the ground, the other is squatting and holding a notebook.
    A black and white oil painting of two people on black tile flooring. Only their legs are visible. One person is lying on the ground, the other is squatting and holding a notebook.
    Jordan Kantor, Untitled (forensic scene), 2004. Oil on canvas, 32 x 48 inches. Courtesy the artist. [A black and white oil painting of two people on black tile flooring. Only their legs are visible. One person is lying on the ground, the other is squatting and holding a notebook.]
    Caption Jordan Kantor, Untitled (forensic scene), 2004. Oil on canvas, 32 x 48 inches. Courtesy the artist.
    Image description A black and white oil painting of two people on black tile flooring. Only their legs are visible. One person is lying on the ground, the other is squatting and holding a notebook.
    Year 2004
    Related pages Recent Paintings
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A color image of the corner of a gallery space. The two walls have been painted black, and various paintings depicting Black Queer figures are depicted. White and yellow drawings are painted onto the wall itself, moving through and around the artworks.
    A color image of the corner of a gallery space. The two walls have been painted black, and various paintings depicting Black Queer figures are depicted. White and yellow drawings are painted onto the wall itself, moving through and around the artworks.
    Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of the corner of a gallery space. The two walls have been painted black, and various paintings depicting Black Queer figures are depicted. White and yellow drawings are painted onto the wall itself, moving through and around the artworks.]
    Caption Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A color image of the corner of a gallery space. The two walls have been painted black, and various paintings depicting Black Queer figures are depicted. White and yellow drawings are painted onto the wall itself, moving through and around the artworks.
    Year
    Related pages Jonathan Lyndon Chase
  • El Nascimiento De La Tierra, Recirculation, Word-Up Community Book Store pop-up, May 2024
    Caption El Nascimiento De La Tierra, Recirculation, Word-Up Community Book Store pop-up, May 2024
    Image description
    Year
    Related pages Exhibitions and Events
  • A collaged image, depicting the upper body of a man, with his fists to his chin, overlaid with lower body of a horse. Blue text on top and bottom of image reads
    A collaged image, depicting the upper body of a man, with his fists to his chin, overlaid with lower body of a horse. Blue text on top and bottom of image reads
    Flyer for Segue Reading Series featuring Robert Glück & Ted Rees. Saturday, October 17, 2020, Artists Space. Artist: Keith Higginbotham [A collaged image, depicting the upper body of a man, with his fists to his chin, overlaid with lower body of a horse. Blue text on top and bottom of image reads "Robert Glück / Ted Rees / Segue".]
    Caption Flyer for Segue Reading Series featuring Robert Glück & Ted Rees. Saturday, October 17, 2020, Artists Space. Artist: Keith Higginbotham
    Image description A collaged image, depicting the upper body of a man, with his fists to his chin, overlaid with lower body of a horse. Blue text on top and bottom of image reads "Robert Glück / Ted Rees / Segue".
    Year 2020
    Related pages Segue Reading Series: Robert Glück & Ted Rees
  • A large gallery space houses a variety of plinths made from MDF, atop of which are various archival objects. On the walls are large photographs affixed directly to the wall.
    A large gallery space houses a variety of plinths made from MDF, atop of which are various archival objects. On the walls are large photographs affixed directly to the wall.
    Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon. [A large gallery space houses a variety of plinths made from MDF, atop of which are various archival objects. On the walls are large photographs affixed directly to the wall.]
    Caption Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon.
    Image description A large gallery space houses a variety of plinths made from MDF, atop of which are various archival objects. On the walls are large photographs affixed directly to the wall.
    Year
    Related pages Michael Asher
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    Related pages Project: Model City
  • Black text on a grey background. The text reads: “Jan 17 / Cody-Rose Clevidence / Marcella Durand.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on a grey background. The text reads: “Jan 17 / Cody-Rose Clevidence / Marcella Durand.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on a grey background. The text reads: “Jan 17 / Cody-Rose Clevidence / Marcella Durand.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on a grey background. The text reads: “Jan 17 / Cody-Rose Clevidence / Marcella Durand.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Cody-Rose Clevidence & Marcella Durand
  • A black and white installation photograph. Four black rectangular panels hang on the wall. Each one is filled with white silhouetted shapes of human figures, and objects.
    A black and white installation photograph. Four black rectangular panels hang on the wall. Each one is filled with white silhouetted shapes of human figures, and objects.
    Pictures. Installation view, Artists Space, 1977. Photo: D. James Dee. [A black and white installation photograph. Four black rectangular panels hang on the wall. Each one is filled with white silhouetted shapes of human figures, and objects.]
    Caption Pictures. Installation view, Artists Space, 1977. Photo: D. James Dee.
    Image description A black and white installation photograph. Four black rectangular panels hang on the wall. Each one is filled with white silhouetted shapes of human figures, and objects.
    Year 1977
    Related pages Pictures
  • A large decorative panel painting with sculptural elements hangs on the back wall adjacent to photographic images on the wall. In between two columns are two glass covered cases.
    A large decorative panel painting with sculptural elements hangs on the back wall adjacent to photographic images on the wall. In between two columns are two glass covered cases.
    We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [A large decorative panel painting with sculptural elements hangs on the back wall adjacent to photographic images on the wall. In between two columns are two glass covered cases.]
    Caption We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987.
    Image description A large decorative panel painting with sculptural elements hangs on the back wall adjacent to photographic images on the wall. In between two columns are two glass covered cases.
    Year
    Related pages We the People
  • Black and white depiction of two figures in the woods at night. One is is hammering a fence post by the light of the lantern held by the second person.
    Black and white depiction of two figures in the woods at night. One is is hammering a fence post by the light of the lantern held by the second person.
    Peter Wächtler, Untitled (Nightly Scene Forest), 2015 Black and white linocut on paper, 19 x 23 ½ in / 50,2 x 59,7 cm, Signed and Numbered. [Black and white depiction of two figures in the woods at night. One is is hammering a fence post by the light of the lantern held by the second person.]
    Caption Peter Wächtler, Untitled (Nightly Scene Forest), 2015 Black and white linocut on paper, 19 x 23 ½ in / 50,2 x 59,7 cm, Signed and Numbered.
    Image description Black and white depiction of two figures in the woods at night. One is is hammering a fence post by the light of the lantern held by the second person.
    Year 2016
    Related pages Artists Space Annual Edition Portfolio 2016
  • Poetry Class: Writing As Flow, 2024
    Caption Poetry Class: Writing As Flow, 2024
    Image description
    Year
    Related pages Art and Literacy: Poetry
  • A photograph of a gallery space with a long rectangular table and a black chair. On the table is a long sheet of white paper. In the corner hangs eight photographs and print-outs next to a wooden bench.
    A photograph of a gallery space with a long rectangular table and a black chair. On the table is a long sheet of white paper. In the corner hangs eight photographs and print-outs next to a wooden bench.
    Tiffany Sia, The Bastard Scroll, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A photograph of a gallery space with a long rectangular table and a black chair. On the table is a long sheet of white paper. In the corner hangs eight photographs and print-outs next to a wooden bench.]
    Caption Tiffany Sia, The Bastard Scroll, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A photograph of a gallery space with a long rectangular table and a black chair. On the table is a long sheet of white paper. In the corner hangs eight photographs and print-outs next to a wooden bench.
    Year 2021
    Related pages Tiffany Sia: Slippery When Wet
  • A performer stands close to a microphone with their right arm in the air holding a musical score. Their eyes are closed and pieces of their hair falls over their face. They are bathed in soft green light and the background is tinted dark purple.
    A performer stands close to a microphone with their right arm in the air holding a musical score. Their eyes are closed and pieces of their hair falls over their face. They are bathed in soft green light and the background is tinted dark purple.
    Heist Divination (fwiw remix). Performance documentation, October 25th, 2024, Artists Space. Photo: Destiny Mata. [A performer stands close to a microphone with their right arm in the air holding a musical score. Their eyes are closed and pieces of their hair falls over their face. They are bathed in soft green light and the background is tinted dark purple.]
    Caption Heist Divination (fwiw remix). Performance documentation, October 25th, 2024, Artists Space. Photo: Destiny Mata.
    Image description A performer stands close to a microphone with their right arm in the air holding a musical score. Their eyes are closed and pieces of their hair falls over their face. They are bathed in soft green light and the background is tinted dark purple.
    Year
    Related pages S*an D. Henry-Smith
  • Photograph of a performer standing behind a small desk that holds audio equipment. The performer stands upright with their hands held together in front of their face. To the performer's right a music stand holds a score. The background is bathed in blue and red light.
    Photograph of a performer standing behind a small desk that holds audio equipment. The performer stands upright with their hands held together in front of their face. To the performer's right a music stand holds a score. The background is bathed in blue and red light.
    Heist Divination (fwiw remix). Performance documentation, October 25th, 2024, Artists Space. Photo: Destiny Mata. [Photograph of a performer standing behind a small desk that holds audio equipment. The performer stands upright with their hands held together in front of their face. To the performer's right a music stand holds a score. The background is bathed in blue and red light. ]
    Caption Heist Divination (fwiw remix). Performance documentation, October 25th, 2024, Artists Space. Photo: Destiny Mata.
    Image description Photograph of a performer standing behind a small desk that holds audio equipment. The performer stands upright with their hands held together in front of their face. To the performer's right a music stand holds a score. The background is bathed in blue and red light.
    Year
    Related pages S*an D. Henry-Smith
  • A tan and green object stands on a white base. On the flat surface of the object, an onion and a lemon are connected by a rainbow wire. In the base of the object a processing chip is embedded.
    A tan and green object stands on a white base. On the flat surface of the object, an onion and a lemon are connected by a rainbow wire. In the base of the object a processing chip is embedded.
    Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $5,000
    [A tan and green object stands on a white base. On the flat surface of the object, an onion and a lemon are connected by a rainbow wire. In the base of the object a processing chip is embedded.]
    Caption Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $5,000
    Image description A tan and green object stands on a white base. On the flat surface of the object, an onion and a lemon are connected by a rainbow wire. In the base of the object a processing chip is embedded.
    Year 2019
    Related pages Trisha Baga Edition
  • The exterior of a Soho building at night. Inside the third floor are two glowing blue neon quotation marks visible from outside.
    The exterior of a Soho building at night. Inside the third floor are two glowing blue neon quotation marks visible from outside.
    Laurel Woodcock, (Untitled), Neon Quote, 2005. Neon sculptures. Courtesy the artist. [The exterior of a Soho building at night. Inside the third floor are two glowing blue neon quotation marks visible from outside.]
    Caption Laurel Woodcock, (Untitled), Neon Quote, 2005. Neon sculptures. Courtesy the artist.
    Image description The exterior of a Soho building at night. Inside the third floor are two glowing blue neon quotation marks visible from outside.
    Year 2007
    Related pages On Being an Exhibition
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A man stands, motioning towards at an LED light sculpture hung on the wall. A woman sits on one of three benches circling the man, and the audience is seated on the floor behind them.
    A man stands, motioning towards at an LED light sculpture hung on the wall. A woman sits on one of three benches circling the man, and the audience is seated on the floor behind them.
    Guilt for Shame. Performance documentation, August 22, 2013, Artists Space. Photo: Lyndsy Welgos. [A man stands, motioning towards at an LED light sculpture hung on the wall. A woman sits on one of three benches circling the man, and the audience is seated on the floor behind them.]
    Caption Guilt for Shame. Performance documentation, August 22, 2013, Artists Space. Photo: Lyndsy Welgos.
    Image description A man stands, motioning towards at an LED light sculpture hung on the wall. A woman sits on one of three benches circling the man, and the audience is seated on the floor behind them.
    Year 2013
    Related pages Guilt For Shame
  • A large black display case with several books arranged in a small viewing window. One book is titled *MOBY-DICK*, while another displays japanese text and a woman on its cover.
    A large black display case with several books arranged in a small viewing window. One book is titled *MOBY-DICK*, while another displays japanese text and a woman on its cover.
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [A large black display case with several books arranged in a small viewing window. One book is titled *MOBY-DICK*, while another displays japanese text and a woman on its cover.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description A large black display case with several books arranged in a small viewing window. One book is titled *MOBY-DICK*, while another displays japanese text and a woman on its cover.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • Two people seated at a table covered with assorted art supplies. They talk to each other as they paint or prepare to draw.
    Two people seated at a table covered with assorted art supplies. They talk to each other as they paint or prepare to draw.
    Dayna Goldfine and Dan Geller, still from Kids of Survival: The Art and Life of Tim Rollins & K.O.S., 1996. 87 min. [Two people seated at a table covered with assorted art supplies. They talk to each other as they paint or prepare to draw.]
    Caption Dayna Goldfine and Dan Geller, still from Kids of Survival: The Art and Life of Tim Rollins & K.O.S., 1996. 87 min.
    Image description Two people seated at a table covered with assorted art supplies. They talk to each other as they paint or prepare to draw.
    Year 1996
    Related pages Film and Video Program | Macho Man, Tell It To My Heart: Collected by Julie Ault | December 19
  • Magazine cut-outs and ink drawings are collaged together on a background of yellow, pink, and orange paper. A piece of green paper at the bottom reads
    Magazine cut-outs and ink drawings are collaged together on a background of yellow, pink, and orange paper. A piece of green paper at the bottom reads
    Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a background of yellow, pink, and orange paper. A piece of green paper at the bottom reads "A/BA/SEME/N/T." Other pieces of typewritten text list the performers and event details.]
    Caption Flyer by Joe Frivaldi.
    Image description Magazine cut-outs and ink drawings are collaged together on a background of yellow, pink, and orange paper. A piece of green paper at the bottom reads "A/BA/SEME/N/T." Other pieces of typewritten text list the performers and event details.
    Year
    Related pages Abasement #72
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    Related pages Abasement #74
  • A red book cover with white text superimposed on a black palm print.
    A red book cover with white text superimposed on a black palm print.
    Artists Space, Witnesses: Against Our Vanishing, 1989. [A red book cover with white text superimposed on a black palm print.]
    Caption Artists Space, Witnesses: Against Our Vanishing, 1989.
    Image description A red book cover with white text superimposed on a black palm print.
    Year 1989
    Related pages Book Sale!
  • A bookshelf constructed from cardboard boxes sits slightly raised off the ground on a low platform. The top two rows face away from the camera, while the bottom two face out, filled with books. Opposite that is a white wall with blue text reading
    A bookshelf constructed from cardboard boxes sits slightly raised off the ground on a low platform. The top two rows face away from the camera, while the bottom two face out, filled with books. Opposite that is a white wall with blue text reading
    The columns held us up. Installation view, Artists Space, 2009. Photo: Adam Reich. [A bookshelf constructed from cardboard boxes sits slightly raised off the ground on a low platform. The top two rows face away from the camera, while the bottom two face out, filled with books. Opposite that is a white wall with blue text reading "Artists Space."]
    Caption The columns held us up. Installation view, Artists Space, 2009. Photo: Adam Reich.
    Image description A bookshelf constructed from cardboard boxes sits slightly raised off the ground on a low platform. The top two rows face away from the camera, while the bottom two face out, filled with books. Opposite that is a white wall with blue text reading "Artists Space."
    Year 2009
    Related pages The columns held us up
  • A large painting appears in a white-gallery space with various drawings of city architecture around a large amorphous black section in the middle. White columns and other paintings are visible in the surrounding area.
    A large painting appears in a white-gallery space with various drawings of city architecture around a large amorphous black section in the middle. White columns and other paintings are visible in the surrounding area.
    Five Spanish Artists. Installation View, Artists Space, 1985. [A large painting appears in a white-gallery space with various drawings of city architecture around a large amorphous black section in the middle. White columns and other paintings are visible in the surrounding area.]
    Caption Five Spanish Artists. Installation View, Artists Space, 1985.
    Image description A large painting appears in a white-gallery space with various drawings of city architecture around a large amorphous black section in the middle. White columns and other paintings are visible in the surrounding area.
    Year
    Related pages Five Spanish Artists
  • A trough sits between two iron columns, liquid spouts out from the belly button of a torso-like sculpture hanging above the trough.
    A trough sits between two iron columns, liquid spouts out from the belly button of a torso-like sculpture hanging above the trough.
    rio nagaoka, Fountain II, 2025. Steel, hydrocal, urine. Photo: Carter Seddon [A trough sits between two iron columns, liquid spouts out from the belly button of a torso-like sculpture hanging above the trough.]
    Caption rio nagaoka, Fountain II, 2025. Steel, hydrocal, urine. Photo: Carter Seddon
    Image description A trough sits between two iron columns, liquid spouts out from the belly button of a torso-like sculpture hanging above the trough.
    Year
    Related pages Nandi Loaf Aristotelis Nikolas Mochloulis rio nagaoka Sydney Schrader
  • A black and white image of a man looking at documents through a window on a street sidewalk. Behind him, a women in a hat looks at him. People are present walking on the street surrounding them.
    A black and white image of a man looking at documents through a window on a street sidewalk. Behind him, a women in a hat looks at him. People are present walking on the street surrounding them.
    Installation view at Kaiserstraße 31A, Düsseldorf May 11, 1963 Courtesy Archiv Kuttner, Erkrath Photo: Manfred Kuttner [A black and white image of a man looking at documents through a window on a street sidewalk. Behind him, a women in a hat looks at him. People are present walking on the street surrounding them.]
    Caption Installation view at Kaiserstraße 31A, Düsseldorf May 11, 1963 Courtesy Archiv Kuttner, Erkrath Photo: Manfred Kuttner
    Image description A black and white image of a man looking at documents through a window on a street sidewalk. Behind him, a women in a hat looks at him. People are present walking on the street surrounding them.
    Year 1963
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • Small sculptures on pedestals are lined up diagonally in front of a map and various images.
    Small sculptures on pedestals are lined up diagonally in front of a map and various images.
    We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [Small sculptures on pedestals are lined up diagonally in front of a map and various images.]
    Caption We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987.
    Image description Small sculptures on pedestals are lined up diagonally in front of a map and various images.
    Year
    Related pages We the People
  • Portraits of two figures are arranged side-by-side. On the left, a figure wearing a white shirt sits at a table with different objects spread out on its surface, speaking into a microphone. On the right, a black and white photo of a figures bust sits inside a larger black square.
    Portraits of two figures are arranged side-by-side. On the left, a figure wearing a white shirt sits at a table with different objects spread out on its surface, speaking into a microphone. On the right, a black and white photo of a figures bust sits inside a larger black square.
    Portraits of Peter Osborne and Brendan Harvey. [Portraits of two figures are arranged side-by-side. On the left, a figure wearing a white shirt sits at a table with different objects spread out on its surface, speaking into a microphone. On the right, a black and white photo of a figures bust sits inside a larger black square.]
    Caption Portraits of Peter Osborne and Brendan Harvey.
    Image description Portraits of two figures are arranged side-by-side. On the left, a figure wearing a white shirt sits at a table with different objects spread out on its surface, speaking into a microphone. On the right, a black and white photo of a figures bust sits inside a larger black square.
    Year 2021
    Related pages Artists Space Dialogues: Ciarán Finlayson and Peter Osborne (with Brendan Harvey)
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  • Bright red milk crates arranged on top of one another in descending height in a gallery space. Wooden planks are balanced on top of the crates and supported by longer wooden planks that rest against cinderblocks along the side of the structure.
    Bright red milk crates arranged on top of one another in descending height in a gallery space. Wooden planks are balanced on top of the crates and supported by longer wooden planks that rest against cinderblocks along the side of the structure.
    Salad Days 2. Installation view, Artists Space, 2006. Photo: Bill Ocrutt. [Bright red milk crates arranged on top of one another in descending height in a gallery space. Wooden planks are balanced on top of the crates and supported by longer wooden planks that rest against cinderblocks along the side of the structure.]
    Caption Salad Days 2. Installation view, Artists Space, 2006. Photo: Bill Ocrutt.
    Image description Bright red milk crates arranged on top of one another in descending height in a gallery space. Wooden planks are balanced on top of the crates and supported by longer wooden planks that rest against cinderblocks along the side of the structure.
    Year 2006
    Related pages Salad Days 2
  • Man standing outside at a microphone in front of a large silver inflatable penis, reading from a purple folder.
    Man standing outside at a microphone in front of a large silver inflatable penis, reading from a purple folder.
    Edgar Oliver reading at Marble Cemetery. Photo: © Paula Court, 2018. [Man standing outside at a microphone in front of a large silver inflatable penis, reading from a purple folder.]
    Caption Edgar Oliver reading at Marble Cemetery. Photo: © Paula Court, 2018.
    Image description Man standing outside at a microphone in front of a large silver inflatable penis, reading from a purple folder.
    Year 2018
    Related pages Garden Party at Marble Cemetery
  • In front of a large colorful projection, a figure wearing headphones around their neck leans down over musical technology.
    In front of a large colorful projection, a figure wearing headphones around their neck leans down over musical technology.
    SCRAAATCH, Tower of Babel, 2019, Les Urbaines. Photo: Mathilda Olmi [In front of a large colorful projection, a figure wearing headphones around their neck leans down over musical technology.]
    Caption SCRAAATCH, Tower of Babel, 2019, Les Urbaines. Photo: Mathilda Olmi
    Image description In front of a large colorful projection, a figure wearing headphones around their neck leans down over musical technology.
    Year 2019
    Related pages SCRAAATCH 11-19
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
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    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • Light teal and pink text overlay a dark teal background with abstract lines and drawings of a female portrait in the bottom left and a hand holding a phone in the top right corner. The text in the middle reads
    Light teal and pink text overlay a dark teal background with abstract lines and drawings of a female portrait in the bottom left and a hand holding a phone in the top right corner. The text in the middle reads
    Flyer for Segue Reading Series featuring David Rothenberg and Robert Fitterman. December 3, 2022, Artists Space. [Light teal and pink text overlay a dark teal background with abstract lines and drawings of a female portrait in the bottom left and a hand holding a phone in the top right corner. The text in the middle reads "David Rothenberg / Segue Reading Series / Robert Fitterman."]
    Caption Flyer for Segue Reading Series featuring David Rothenberg and Robert Fitterman. December 3, 2022, Artists Space.
    Image description Light teal and pink text overlay a dark teal background with abstract lines and drawings of a female portrait in the bottom left and a hand holding a phone in the top right corner. The text in the middle reads "David Rothenberg / Segue Reading Series / Robert Fitterman."
    Year
    Related pages Segue Reading Series: Robert Fitterman & David Rothenberg
  • Color photograph of a figure wearing black, holding a long wooden stick over a reflective surface with an orange construction net over it.
    Color photograph of a figure wearing black, holding a long wooden stick over a reflective surface with an orange construction net over it.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a figure wearing black, holding a long wooden stick over a reflective surface with an orange construction net over it.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of a figure wearing black, holding a long wooden stick over a reflective surface with an orange construction net over it.
    Year
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • Installation view of a gallery filled with projectors arranged on the floor around three large black columns in the middle of the room. Each projector is projecting a bright white test screen onto white walls, aligned so all play at the same height. A wooden wardrobe stands in the foreground of the image against a white wall.
    Installation view of a gallery filled with projectors arranged on the floor around three large black columns in the middle of the room. Each projector is projecting a bright white test screen onto white walls, aligned so all play at the same height. A wooden wardrobe stands in the foreground of the image against a white wall.
    Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater. Installation view, Artists Space, 2019. Photo: Daniel Pérez. [Installation view of a gallery filled with projectors arranged on the floor around three large black columns in the middle of the room. Each projector is projecting a bright white test screen onto white walls, aligned so all play at the same height. A wooden wardrobe stands in the foreground of the image against a white wall.]
    Caption Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater. Installation view, Artists Space, 2019. Photo: Daniel Pérez.
    Image description Installation view of a gallery filled with projectors arranged on the floor around three large black columns in the middle of the room. Each projector is projecting a bright white test screen onto white walls, aligned so all play at the same height. A wooden wardrobe stands in the foreground of the image against a white wall.
    Year 2019
    Related pages Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater
  • A black and white photograph of a performance. Three figures stand in a cleared portion of a room, each one balancing on their right foot. A crowd looks on.
    A black and white photograph of a performance. Three figures stand in a cleared portion of a room, each one balancing on their right foot. A crowd looks on.
    Jill Kroesen, Previews of Lou and Walter. Performance documentation, November 12, 1977, Artists Space. [A black and white photograph of a performance. Three figures stand in a cleared portion of a room, each one balancing on their right foot. A crowd looks on.]
    Caption Jill Kroesen, Previews of Lou and Walter. Performance documentation, November 12, 1977, Artists Space.
    Image description A black and white photograph of a performance. Three figures stand in a cleared portion of a room, each one balancing on their right foot. A crowd looks on.
    Year 1977
    Related pages Artists Performance Series
  • A large gallery space full of hundreds of metal cutouts shaped like curved
    A large gallery space full of hundreds of metal cutouts shaped like curved
    H_edge. Installation view, Artists Space, 2006. Photo: Whitney Cox. [A large gallery space full of hundreds of metal cutouts shaped like curved "x"'s hanging from lengths of metal chainlinks. The cutouts are arranged in the gallery so that they form a hedge-like landscape of varying heights. Visible through the cutouts is a black and gray composition installed on a gallery wall.]
    Caption H_edge. Installation view, Artists Space, 2006. Photo: Whitney Cox.
    Image description A large gallery space full of hundreds of metal cutouts shaped like curved "x"'s hanging from lengths of metal chainlinks. The cutouts are arranged in the gallery so that they form a hedge-like landscape of varying heights. Visible through the cutouts is a black and gray composition installed on a gallery wall.
    Year 2006
    Related pages H_edge
  • In a bright gallery, three vitrines recead into the space. They are met by a white wall bearing four large color photographs.
    In a bright gallery, three vitrines recead into the space. They are met by a white wall bearing four large color photographs.
    David Armstrong: Portraits. Installation view, March 10 – May 23, 2026, Artists Space. Photo: Carter Seddon [In a bright gallery, three vitrines recead into the space. They are met by a white wall bearing four large color photographs. ]
    Caption David Armstrong: Portraits. Installation view, March 10 – May 23, 2026, Artists Space. Photo: Carter Seddon
    Image description In a bright gallery, three vitrines recead into the space. They are met by a white wall bearing four large color photographs.
    Year
    Related pages David Armstrong: Portraits
  • A crowd watches a large humanoid blue bird turn around.
    A crowd watches a large humanoid blue bird turn around.
    Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court [A crowd watches a large humanoid blue bird turn around.]
    Caption Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court
    Image description A crowd watches a large humanoid blue bird turn around.
    Year 2022
    Related pages Circus Amok
  • Gritty street wall background with a white poster on it with black text that reads,
    Gritty street wall background with a white poster on it with black text that reads,
    Jenny Holzer. Maxim Poster, 1982. [Gritty street wall background with a white poster on it with black text that reads, "ABUSE OF POWER SHOULD COME AS NO SURPRISE / ALIENATION CAN PRODUCE ECCENTRICS OR REVOLUTIONARIES / AN ELITE IS INEVITABLE / ANGER OR HATE CAN BE A USEFUL MOTIVATING FORCE / ANY SURPLUS IS IMMORAL / DISGUST IS THE APPROPRIATE RESPONSE TO MOST SITUATIONS / EVERYONE'S WORK IS EQUALLY IMPORTANT / EXCEPTIONAL PEOPLE DESERVE SPECIAL CONCESSIONS / FAITHFULNESS IS A SOCIAL NOT A BIOLOGICAL LAW / FREEDOM IS A LUXURY NOT A NECESSITY / GOVERNMENT IS A BURDEN ON THE PEOPLE / HUMANISM IS OBSOLETE / IDEALS ARE EVENTUALLY REPLACED BY CONVENTIONAL GOALS / INHERITANCE MUST BE ABOLISHED / KILLING IS UNAVOIDABLE BUT IS NOTHING TO BE PROUD OF / LABOR IS A LIFE-DESTROYING ACTIVITY / MONEY CREATES TASTE / MORALS ARE FOR LITTLE PEOPLE / MOST PEOPLE ARE NOT FIT TO RULE THEMSELVES / MOSTLY YOU SHOULD MIND YOUR OWN BUSINESS / MUCH WAS DECIDED BEFORE YOU WERE BORN / MURDER HAS ITS SEXUAL SIDE / PAIN CAN BE A VERY POSITIVE THING / PEOPLE ARE NUTS IF THEY THINK THEY CONTROL THEIR LIVES / PEOPLE WHO DON'T WORK WITH THEIR HANDS ARE PARASITES / PEOPLE WHO GO CRAZY ARE TOO SENSITIVE / PEOPLE WON'T BEHAVE IF THEY HAVE NOTHING TO LOSE / PLAYING IT SAFE CAN CAUSE A LOT OF DAMAGE / PRIVATE OWNERSHIP IS AN INVITATION TO DISASTER / ROMANTIC LOVE WAS INVENTED TO MANIPULATE WOMEN / SELFISHNESS IS THE MOST BASIC MOTIVATION / SEPARATISM IS THE WAY TO A NEW  BEGINNING / SEX DIFFERENCES ARE HERE TO STAY / STARVATION IS NATURE'S WAY / STERLIZIZATION IS OFTEN JUSTIFIED / STUPID PEOPLE SHOULDN'T BREED / TECHNOLOGY WILL MAKE OR BRAKE US / THE FAMILY IS LIVING ON BORROWED TIME / THE LAND BELONGS TO NO ONE / TIMIDITY IS LAUGHABLE / TORTURE IS HORRIBLE AND EXCITING / TRADING A LIFE FOR A LIFE IS FAIR ENOUGH / UNIQUE THINGS MUST BE  THE MOST VALUABLE / YOU DIG YOUR OWN GRAVE / YOU MUST REMEMBER YOU HAVE FREEDOM OF CHOICE."]
    Caption Jenny Holzer. Maxim Poster, 1982.
    Image description Gritty street wall background with a white poster on it with black text that reads, "ABUSE OF POWER SHOULD COME AS NO SURPRISE / ALIENATION CAN PRODUCE ECCENTRICS OR REVOLUTIONARIES / AN ELITE IS INEVITABLE / ANGER OR HATE CAN BE A USEFUL MOTIVATING FORCE / ANY SURPLUS IS IMMORAL / DISGUST IS THE APPROPRIATE RESPONSE TO MOST SITUATIONS / EVERYONE'S WORK IS EQUALLY IMPORTANT / EXCEPTIONAL PEOPLE DESERVE SPECIAL CONCESSIONS / FAITHFULNESS IS A SOCIAL NOT A BIOLOGICAL LAW / FREEDOM IS A LUXURY NOT A NECESSITY / GOVERNMENT IS A BURDEN ON THE PEOPLE / HUMANISM IS OBSOLETE / IDEALS ARE EVENTUALLY REPLACED BY CONVENTIONAL GOALS / INHERITANCE MUST BE ABOLISHED / KILLING IS UNAVOIDABLE BUT IS NOTHING TO BE PROUD OF / LABOR IS A LIFE-DESTROYING ACTIVITY / MONEY CREATES TASTE / MORALS ARE FOR LITTLE PEOPLE / MOST PEOPLE ARE NOT FIT TO RULE THEMSELVES / MOSTLY YOU SHOULD MIND YOUR OWN BUSINESS / MUCH WAS DECIDED BEFORE YOU WERE BORN / MURDER HAS ITS SEXUAL SIDE / PAIN CAN BE A VERY POSITIVE THING / PEOPLE ARE NUTS IF THEY THINK THEY CONTROL THEIR LIVES / PEOPLE WHO DON'T WORK WITH THEIR HANDS ARE PARASITES / PEOPLE WHO GO CRAZY ARE TOO SENSITIVE / PEOPLE WON'T BEHAVE IF THEY HAVE NOTHING TO LOSE / PLAYING IT SAFE CAN CAUSE A LOT OF DAMAGE / PRIVATE OWNERSHIP IS AN INVITATION TO DISASTER / ROMANTIC LOVE WAS INVENTED TO MANIPULATE WOMEN / SELFISHNESS IS THE MOST BASIC MOTIVATION / SEPARATISM IS THE WAY TO A NEW  BEGINNING / SEX DIFFERENCES ARE HERE TO STAY / STARVATION IS NATURE'S WAY / STERLIZIZATION IS OFTEN JUSTIFIED / STUPID PEOPLE SHOULDN'T BREED / TECHNOLOGY WILL MAKE OR BRAKE US / THE FAMILY IS LIVING ON BORROWED TIME / THE LAND BELONGS TO NO ONE / TIMIDITY IS LAUGHABLE / TORTURE IS HORRIBLE AND EXCITING / TRADING A LIFE FOR A LIFE IS FAIR ENOUGH / UNIQUE THINGS MUST BE  THE MOST VALUABLE / YOU DIG YOUR OWN GRAVE / YOU MUST REMEMBER YOU HAVE FREEDOM OF CHOICE."
    Year
    Related pages Eating Friends
  • Color photograph of two figures performing in a dark gallery space, lit only by an installation of LED lights covered in dried SCOBY material. One figure wearing black leans down in front of one of the LED lights. Partly hidden behind a column, another figure stands wearing a red suit.
    Color photograph of two figures performing in a dark gallery space, lit only by an installation of LED lights covered in dried SCOBY material. One figure wearing black leans down in front of one of the LED lights. Partly hidden behind a column, another figure stands wearing a red suit.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata [Color photograph of two figures performing in a dark gallery space, lit only by an installation of LED lights covered in dried SCOBY material. One figure wearing black leans down in front of one of the LED lights. Partly hidden behind a column, another figure stands wearing a red suit.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of two figures performing in a dark gallery space, lit only by an installation of LED lights covered in dried SCOBY material. One figure wearing black leans down in front of one of the LED lights. Partly hidden behind a column, another figure stands wearing a red suit.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • Six watercolor paintings affixed to a white wall with pins. The paintings are various sizes, five depicting the sky and landscapes at various times of day. In the center, a man is depicted facing backwards, pulling down his pants to expose a tattoo of a triangle.
    Six watercolor paintings affixed to a white wall with pins. The paintings are various sizes, five depicting the sky and landscapes at various times of day. In the center, a man is depicted facing backwards, pulling down his pants to expose a tattoo of a triangle.
    The Mind/Body Problem. Installation view, Artists Space, 2006. Photo: Alan Wiener. [Six watercolor paintings affixed to a white wall with pins. The paintings are various sizes, five depicting the sky and landscapes at various times of day. In the center, a man is depicted facing backwards, pulling down his pants to expose a tattoo of a triangle.]
    Caption The Mind/Body Problem. Installation view, Artists Space, 2006. Photo: Alan Wiener.
    Image description Six watercolor paintings affixed to a white wall with pins. The paintings are various sizes, five depicting the sky and landscapes at various times of day. In the center, a man is depicted facing backwards, pulling down his pants to expose a tattoo of a triangle.
    Year 2006
    Related pages The Mind/Body Problem
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  • What is the Sound of Water? Listening Booth
    Caption What is the Sound of Water? Listening Booth
    Image description
    Year 2022
    Related pages Listening to the LES
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    Related pages Welcome
  • Color photograph of a figure seated behind a white desk filled with audio equipment. On the wall behind is a projected illustation of a figure holding a bow and arrow. The room is bathed in an orange/red light.
    Color photograph of a figure seated behind a white desk filled with audio equipment. On the wall behind is a projected illustation of a figure holding a bow and arrow. The room is bathed in an orange/red light.
    Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata [Color photograph of a figure seated behind a white desk filled with audio equipment. On the wall behind is a projected illustation of a figure holding a bow and arrow. The room is bathed in an orange/red light.]
    Caption Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata
    Image description Color photograph of a figure seated behind a white desk filled with audio equipment. On the wall behind is a projected illustation of a figure holding a bow and arrow. The room is bathed in an orange/red light.
    Year 2023
    Related pages Yasunao Tone Concert #2
  • Visit to Artists Space to see exhibition Zoo or an Orchestra, Char Jaré, 2024
    Caption Visit to Artists Space to see exhibition Zoo or an Orchestra, Char Jaré, 2024
    Image description
    Year
    Related pages Listening to the LES
  • A figure standing central in the image with a microphone and two slightly upholstered chairs behind him. The logo
    A figure standing central in the image with a microphone and two slightly upholstered chairs behind him. The logo
    Sandinista Sistema de Television. Still from Aqui En Esta Esquina (Here On This Corner), 1983. Video (sound, black and white). Spanish with English subtitles. [A figure standing central in the image with a microphone and two slightly upholstered chairs behind him. The logo "CDF" can be seen written on the wall next to another word of partial view. Video scan lines and black edges of CRT monitor are visible.]
    Caption Sandinista Sistema de Television. Still from Aqui En Esta Esquina (Here On This Corner), 1983. Video (sound, black and white). Spanish with English subtitles.
    Image description A figure standing central in the image with a microphone and two slightly upholstered chairs behind him. The logo "CDF" can be seen written on the wall next to another word of partial view. Video scan lines and black edges of CRT monitor are visible.
    Year 1983
    Related pages TV Sandino
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A red leather armchair with a coffee table on a gray rug in the corner of a room. On the coffee table, there are several books, a lamp, and an old radio. On the opposite wall, there are three photographs each showing the view out of three different windows.
    A red leather armchair with a coffee table on a gray rug in the corner of a room. On the coffee table, there are several books, a lamp, and an old radio. On the opposite wall, there are three photographs each showing the view out of three different windows.
    Flipside. Installation view, Artists Space, 2004. [A red leather armchair with a coffee table on a gray rug in the corner of a room. On the coffee table, there are several books, a lamp, and an old radio. On the opposite wall, there are three photographs each showing the view out of three different windows.]
    Caption Flipside. Installation view, Artists Space, 2004.
    Image description A red leather armchair with a coffee table on a gray rug in the corner of a room. On the coffee table, there are several books, a lamp, and an old radio. On the opposite wall, there are three photographs each showing the view out of three different windows.
    Year 2004
    Related pages Flipside
  • A color installation view of a gallery space with a white column, and three white tables.
    A color installation view of a gallery space with a white column, and three white tables.
    Don Gummer. Installation view, Artists Space, 1974. [A color installation view of a gallery space with a white column, and three white tables.]
    Caption Don Gummer. Installation view, Artists Space, 1974.
    Image description A color installation view of a gallery space with a white column, and three white tables.
    Year 1974
    Related pages Laurie Anderson, Don Gummer, Barbara Kruger
  • A person in a long coat, hat, and sunglasses leans against a doorframe.
    A person in a long coat, hat, and sunglasses leans against a doorframe.
    Rohesia Hamilton Metcalfe, After the Paint Has Dried, 1986. 15 minutes, 16mm, color. Film still. [A person in a long coat, hat, and sunglasses leans against a doorframe.]
    Caption Rohesia Hamilton Metcalfe, After the Paint Has Dried, 1986. 15 minutes, 16mm, color. Film still.
    Image description A person in a long coat, hat, and sunglasses leans against a doorframe.
    Year 1986
    Related pages Signs of Fiction
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    Related pages Abasement #82
  • A black and white close-up image of an adolescent girl, smiling at the camera. She is holding up a scrub brush in one hand and a bottle of Soft Scrub in the other and is wearing a bathrobe and a shower cap.
    A black and white close-up image of an adolescent girl, smiling at the camera. She is holding up a scrub brush in one hand and a bottle of Soft Scrub in the other and is wearing a bathrobe and a shower cap.
    Mindy Faber. Still from Identity Crisis, 1989. 3 min. Photo: Micki McGee. [A black and white close-up image of an adolescent girl, smiling at the camera. She is holding up a scrub brush in one hand and a bottle of Soft Scrub in the other and is wearing a bathrobe and a shower cap.]
    Caption Mindy Faber. Still from Identity Crisis, 1989. 3 min. Photo: Micki McGee.
    Image description A black and white close-up image of an adolescent girl, smiling at the camera. She is holding up a scrub brush in one hand and a bottle of Soft Scrub in the other and is wearing a bathrobe and a shower cap.
    Year 1989
    Related pages Body Language: Studies in Female Expression
  • Black text overlays a light gray background. The text at the top reads: “Segue Reading Series & ARTISTS SPACE / Winter 2025-26 Season / December/January 2025-26 curated by Roof Books: / Lonely Christopher & James Sherry / Saturdays at 5pm: 11 Cortlandt Alley + Zoom
    Black text overlays a light gray background. The text at the top reads: “Segue Reading Series & ARTISTS SPACE / Winter 2025-26 Season / December/January 2025-26 curated by Roof Books: / Lonely Christopher & James Sherry / Saturdays at 5pm: 11 Cortlandt Alley + Zoom
    [Black text overlays a light gray background. The text at the top reads: “Segue Reading Series & ARTISTS SPACE / Winter 2025-26 Season / December/January 2025-26 curated by Roof Books: / Lonely Christopher & James Sherry / Saturdays at 5pm: 11 Cortlandt Alley + Zoom"]
    Caption
    Image description Black text overlays a light gray background. The text at the top reads: “Segue Reading Series & ARTISTS SPACE / Winter 2025-26 Season / December/January 2025-26 curated by Roof Books: / Lonely Christopher & James Sherry / Saturdays at 5pm: 11 Cortlandt Alley + Zoom"
    Year
    Related pages Segue Reading Series
  • A color image of the corner of a gallery space. On the left wall there is a line of nine polaroid photographs, evenly spaced and hung about five feet from the light wooden floor. The right wall features a frame from a video being played from a projector. The black and white film frame shows the interior of an industrial space, the exposed ceiling rafters and brick wall.
    A color image of the corner of a gallery space. On the left wall there is a line of nine polaroid photographs, evenly spaced and hung about five feet from the light wooden floor. The right wall features a frame from a video being played from a projector. The black and white film frame shows the interior of an industrial space, the exposed ceiling rafters and brick wall.
    Terry Fox: All These Different Things Are Sculpture. Installation view, Artists Space, 2024. Photo: Filip Wolak. [A color image of the corner of a gallery space. On the left wall there is a line of nine polaroid photographs, evenly spaced and hung about five feet from the light wooden floor. The right wall features a frame from a video being played from a projector. The black and white film frame shows the interior of an industrial space, the exposed ceiling rafters and brick wall. ]
    Caption Terry Fox: All These Different Things Are Sculpture. Installation view, Artists Space, 2024. Photo: Filip Wolak.
    Image description A color image of the corner of a gallery space. On the left wall there is a line of nine polaroid photographs, evenly spaced and hung about five feet from the light wooden floor. The right wall features a frame from a video being played from a projector. The black and white film frame shows the interior of an industrial space, the exposed ceiling rafters and brick wall.
    Year
    Related pages All These Different Things Are Sculpture
  • A shirtless man holding a film camera outdoors.
    A shirtless man holding a film camera outdoors.
    Juan Downey, Hepewe, 1976 - 77. Photograph by Juan Downey. Courtesy the Juan Downey Estate, Marilys B. Downey. [A shirtless man holding a film camera outdoors.]
    Caption Juan Downey, Hepewe, 1976 - 77. Photograph by Juan Downey. Courtesy the Juan Downey Estate, Marilys B. Downey.
    Image description A shirtless man holding a film camera outdoors.
    Year
    Related pages Mimetic Exchange: Michael Taussig on Juan Downey and Jean Rouch
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A skewed, black-and-white drawing of a power outlet, with cords connected to both plugs.
    A skewed, black-and-white drawing of a power outlet, with cords connected to both plugs.
    Hikima Bermejo, Untitled, 2014 [A skewed, black-and-white drawing of a power outlet, with cords connected to both plugs.]
    Caption Hikima Bermejo, Untitled, 2014
    Image description A skewed, black-and-white drawing of a power outlet, with cords connected to both plugs.
    Year 2014
    Related pages Scholastic Art and Writing Awards
  • A swirling cloud of grey mist covers most of a figures face. Slivers of their eyes and mouth are revealed through holes in the blanket of grey.
    A swirling cloud of grey mist covers most of a figures face. Slivers of their eyes and mouth are revealed through holes in the blanket of grey.
    Tameca Cole, Locked in a Dark Calm, 2016. Courtesy of the artist and Ellen Driscoll [A swirling cloud of grey mist covers most of a figures face. Slivers of their eyes and mouth are revealed through holes in the blanket of grey.]
    Caption Tameca Cole, Locked in a Dark Calm, 2016. Courtesy of the artist and Ellen Driscoll
    Image description A swirling cloud of grey mist covers most of a figures face. Slivers of their eyes and mouth are revealed through holes in the blanket of grey.
    Year 2020
    Related pages Artists Space Dialogues: Jackie Wang with Nicole R. Fleetwood
  • An emanating, abstract blue and black circle on a teal backdrop.
    An emanating, abstract blue and black circle on a teal backdrop.
    Mark Fell, Isomorphism and Totality (projection still), 2010. [An emanating, abstract blue and black circle on a teal backdrop.]
    Caption Mark Fell, Isomorphism and Totality (projection still), 2010.
    Image description An emanating, abstract blue and black circle on a teal backdrop.
    Year 2010
    Related pages Mark Fell
  • Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 20 / Imani Elizabeth Jackson / Emily Simon.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 20 / Imani Elizabeth Jackson / Emily Simon.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 20 / Imani Elizabeth Jackson / Emily Simon.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 20 / Imani Elizabeth Jackson / Emily Simon.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Imani Elizabeth Jackson & Emily Simon
  • An image is reproduced from three different angles: two in landscape with the third, vertical and upside down. Two people stand in a red-lit room, one looks at a camera and the other stands beside them. A double exposure overlays the image with the same two people, the former holding up the camera and the latter posing for a photo.
    An image is reproduced from three different angles: two in landscape with the third, vertical and upside down. Two people stand in a red-lit room, one looks at a camera and the other stands beside them. A double exposure overlays the image with the same two people, the former holding up the camera and the latter posing for a photo.
    Speaker Music, still from a finesse, 2019, (filmed at 11 Cortlandt Alley). [An image is reproduced from three different angles: two in landscape with the third, vertical and upside down. Two people stand in a red-lit room, one looks at a camera and the other stands beside them. A double exposure overlays the image with the same two people, the former holding up the camera and the latter posing for a photo.]
    Caption Speaker Music, still from a finesse, 2019, (filmed at 11 Cortlandt Alley).
    Image description An image is reproduced from three different angles: two in landscape with the third, vertical and upside down. Two people stand in a red-lit room, one looks at a camera and the other stands beside them. A double exposure overlays the image with the same two people, the former holding up the camera and the latter posing for a photo.
    Year 2019
    Related pages Speaker Music: drape over another
  • A color image of the corner of a gallery space. Two pillars run down the side of the space, inbetween them is a black leather couch with a soft sculpture of a figure laying down, wearing a durag, with a red PlayStation controller. In front of the couch is a table, comprised of a glass panel and a sculpture of a figure laying down with their backside raised. On the left wall is an arrangement of framed drawings. On the right wall is a large red painting, alongside more framed drawings.
    A color image of the corner of a gallery space. Two pillars run down the side of the space, inbetween them is a black leather couch with a soft sculpture of a figure laying down, wearing a durag, with a red PlayStation controller. In front of the couch is a table, comprised of a glass panel and a sculpture of a figure laying down with their backside raised. On the left wall is an arrangement of framed drawings. On the right wall is a large red painting, alongside more framed drawings.
    Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of the corner of a gallery space. Two pillars run down the side of the space, inbetween them is a black leather couch with a soft sculpture of a figure laying down, wearing a durag, with a red PlayStation controller. In front of the couch is a table, comprised of a glass panel and a sculpture of a figure laying down with their backside raised. On the left wall is an arrangement of framed drawings. On the right wall is a large red painting, alongside more framed drawings.]
    Caption Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A color image of the corner of a gallery space. Two pillars run down the side of the space, inbetween them is a black leather couch with a soft sculpture of a figure laying down, wearing a durag, with a red PlayStation controller. In front of the couch is a table, comprised of a glass panel and a sculpture of a figure laying down with their backside raised. On the left wall is an arrangement of framed drawings. On the right wall is a large red painting, alongside more framed drawings.
    Year
    Related pages Jonathan Lyndon Chase
  • A black and white photo captures a New York City postal service box.
    A black and white photo captures a New York City postal service box.
    Klara Lidén, Untitled (mailbox), 2012, Archival inkjet print, 24 x 18 inches, Signed and numbered certificate [A black and white photo captures a New York City postal service box.]
    Caption Klara Lidén, Untitled (mailbox), 2012, Archival inkjet print, 24 x 18 inches, Signed and numbered certificate
    Image description A black and white photo captures a New York City postal service box.
    Year 2014
    Related pages Artists Space Annual Edition Portfolio 2013
  • Color image of a figure looking to the left and leaning over a table filled with audio equipment. The figure holds sheets of paper with instructions, and manipulates an audio machine.
    Color image of a figure looking to the left and leaning over a table filled with audio equipment. The figure holds sheets of paper with instructions, and manipulates an audio machine.
    Still from video of Yasunao Tone performing Paramedia, Experimental Intermedia Foundation, 1990 [Color image of a figure looking to the left and leaning over a table filled with audio equipment. The figure holds sheets of paper with instructions, and manipulates an audio machine.]
    Caption Still from video of Yasunao Tone performing Paramedia, Experimental Intermedia Foundation, 1990
    Image description Color image of a figure looking to the left and leaning over a table filled with audio equipment. The figure holds sheets of paper with instructions, and manipulates an audio machine.
    Year
    Related pages Yasunao Tone Concert #3
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
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    Related pages Theresa Hak Kyung Cha: Multiple Offerings
  • Several sculptures and models sit in a gallery space with wooden floors. To the left of the image, there are several shining metalic forms supported by long, spider-like legs standing at hip height. On the image's right is a large model of a futuristic building. Hanging from the ceiling behind the metal sculptures is a shiny, white rectangular sculpture with sleek, ribbon-like forms.
    Several sculptures and models sit in a gallery space with wooden floors. To the left of the image, there are several shining metalic forms supported by long, spider-like legs standing at hip height. On the image's right is a large model of a futuristic building. Hanging from the ceiling behind the metal sculptures is a shiny, white rectangular sculpture with sleek, ribbon-like forms.
    Matters of Sensation. Installation view, Artists Space, 2008. Photo: Adam Reich. [Several sculptures and models sit in a gallery space with wooden floors. To the left of the image, there are several shining metalic forms supported by long, spider-like legs standing at hip height. On the image's right is a large model of a futuristic building. Hanging from the ceiling behind the metal sculptures is a shiny, white rectangular sculpture with sleek, ribbon-like forms.]
    Caption Matters of Sensation. Installation view, Artists Space, 2008. Photo: Adam Reich.
    Image description Several sculptures and models sit in a gallery space with wooden floors. To the left of the image, there are several shining metalic forms supported by long, spider-like legs standing at hip height. On the image's right is a large model of a futuristic building. Hanging from the ceiling behind the metal sculptures is a shiny, white rectangular sculpture with sleek, ribbon-like forms.
    Year 2008
    Related pages Matters of Sensation
  • A close up detail of the sculpted deer head with patterned designs on its face and antlers.
    A close up detail of the sculpted deer head with patterned designs on its face and antlers.
    Sherry Markovitz. Danny Boy (detail), 1985. [A close up detail of the sculpted deer head with patterned designs on its face and antlers.]
    Caption Sherry Markovitz. Danny Boy (detail), 1985.
    Image description A close up detail of the sculpted deer head with patterned designs on its face and antlers.
    Year
    Related pages U.S. Projects
  • A number of framed photographs and texts are hung on walls in a gallery space.
    A number of framed photographs and texts are hung on walls in a gallery space.
    Reese Williams. Installation view, Artists Space, 1980. [A number of framed photographs and texts are hung on walls in a gallery space.]
    Caption Reese Williams. Installation view, Artists Space, 1980.
    Image description A number of framed photographs and texts are hung on walls in a gallery space.
    Year
    Related pages Reese Williams
  • A miniature clay sculpture sitting on a gray table. The sculpture depicts a woman folding over, cross-legged, on carpet. Miscelaneous items are dispersed across the carpets.
    A miniature clay sculpture sitting on a gray table. The sculpture depicts a woman folding over, cross-legged, on carpet. Miscelaneous items are dispersed across the carpets.
    The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich. [A miniature clay sculpture sitting on a gray table. The sculpture depicts a woman folding over, cross-legged, on carpet. Miscelaneous items are dispersed across the carpets.]
    Caption The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich.
    Image description A miniature clay sculpture sitting on a gray table. The sculpture depicts a woman folding over, cross-legged, on carpet. Miscelaneous items are dispersed across the carpets.
    Year 2014
    Related pages The Issues of Our Time
  • Color photograph of a large group of people standing around a gallery space. Chairs, and tanker desks with TV monitors on them are placed in the space. The audience watches a figure in a red suit that stands next to a column, holding their hand to their mouth.
    Color photograph of a large group of people standing around a gallery space. Chairs, and tanker desks with TV monitors on them are placed in the space. The audience watches a figure in a red suit that stands next to a column, holding their hand to their mouth.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a large group of people standing around a gallery space. Chairs, and tanker desks with TV monitors on them are placed in the space. The audience watches a figure in a red suit that stands next to a column, holding their hand to their mouth.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of a large group of people standing around a gallery space. Chairs, and tanker desks with TV monitors on them are placed in the space. The audience watches a figure in a red suit that stands next to a column, holding their hand to their mouth.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • Black-and-white drawing of a cluster of black curled lines organized into a square shape in the middle of a white page. Handwritten text in faint pencil along the bottom of the page reads
    Black-and-white drawing of a cluster of black curled lines organized into a square shape in the middle of a white page. Handwritten text in faint pencil along the bottom of the page reads
    Marian Zazeela, 19 XI 66/2, 1966, India ink on card. Courtesy of the artist. [Black-and-white drawing of a cluster of black curled lines organized into a square shape in the middle of a white page. Handwritten text in faint pencil along the bottom of the page reads "© Marian Zazeela 1988."]
    Caption Marian Zazeela, 19 XI 66/2, 1966, India ink on card. Courtesy of the artist.
    Image description Black-and-white drawing of a cluster of black curled lines organized into a square shape in the middle of a white page. Handwritten text in faint pencil along the bottom of the page reads "© Marian Zazeela 1988."
    Year
    Related pages Dream Lines: Drawings by Marian Zazeela
  • Black text at the top of a white background reads,
    Black text at the top of a white background reads,
    ‘MoRADE Seeks Positive Action’ poster. Design by Richard Hollis, 1968. Courtesy Richard Hollis [Black text at the top of a white background reads, "At Guilford 40 part-time staff have been dismissed, 7 full-time staff suspended, 5 full-time staff threatened, some students are in danger of being refused readmission. Hornsey is to stay closed for six weeks; Haringey has asked local authorities to pay grants monthly." Red text at the bottom reads, "MoRADE seeks positive action."]
    Caption ‘MoRADE Seeks Positive Action’ poster. Design by Richard Hollis, 1968. Courtesy Richard Hollis
    Image description Black text at the top of a white background reads, "At Guilford 40 part-time staff have been dismissed, 7 full-time staff suspended, 5 full-time staff threatened, some students are in danger of being refused readmission. Hornsey is to stay closed for six weeks; Haringey has asked local authorities to pay grants monthly." Red text at the bottom reads, "MoRADE seeks positive action."
    Year 1968
    Related pages Richard Hollis
  • Three metal cutouts of hands, each displaying a different finger expression, are installed on a white wall. Each hand holds stacks of white, blue, and purple cards.
    Three metal cutouts of hands, each displaying a different finger expression, are installed on a white wall. Each hand holds stacks of white, blue, and purple cards.
    The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich. [Three metal cutouts of hands, each displaying a different finger expression, are installed on a white wall. Each hand holds stacks of white, blue, and purple cards.]
    Caption The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich.
    Image description Three metal cutouts of hands, each displaying a different finger expression, are installed on a white wall. Each hand holds stacks of white, blue, and purple cards.
    Year 2014
    Related pages The Issues of Our Time
  • A low platform on a concrete floor supporting a glasstop photograph of pink clouds on a blue sky.
    A low platform on a concrete floor supporting a glasstop photograph of pink clouds on a blue sky.
    Katsuhiro Saiki. Installation view, Artists Space, 2003. [A low platform on a concrete floor supporting a glasstop photograph of pink clouds on a blue sky.]
    Caption Katsuhiro Saiki. Installation view, Artists Space, 2003.
    Image description A low platform on a concrete floor supporting a glasstop photograph of pink clouds on a blue sky.
    Year 2003
    Related pages Katsuhiro Saiki
  • A woman looking at herself in a handheld mirror while getting a haircut at a barbershop
    A woman looking at herself in a handheld mirror while getting a haircut at a barbershop
    Deborah Willis. From Embracing Eatonville: A Photographic Survey, 2010 [A woman looking at herself in a handheld mirror while getting a haircut at a barbershop]
    Caption Deborah Willis. From Embracing Eatonville: A Photographic Survey, 2010
    Image description A woman looking at herself in a handheld mirror while getting a haircut at a barbershop
    Year 2010
    Related pages Justin Allen, Rin Johnson, Diamond Stingily, Deborah Willis
  • Along the wall is a glass display case holding ephemera, hanging above are two black and white contact sheets.
    Along the wall is a glass display case holding ephemera, hanging above are two black and white contact sheets.
    Till They Listen: Bill Gunn Directs America. Installation view, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [Along the wall is a glass display case holding ephemera, hanging above are two black and white contact sheets.]
    Caption Till They Listen: Bill Gunn Directs America. Installation view, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description Along the wall is a glass display case holding ephemera, hanging above are two black and white contact sheets.
    Year 2021
    Related pages Till They Listen: Bill Gunn Directs America
  • A black cord sticks out from underneath a tan carpet. Wires are visible running underneath the carpeted floor throughout the frame.
    A black cord sticks out from underneath a tan carpet. Wires are visible running underneath the carpeted floor throughout the frame.
    The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich. [A black cord sticks out from underneath a tan carpet. Wires are visible running underneath the carpeted floor throughout the frame.]
    Caption The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich.
    Image description A black cord sticks out from underneath a tan carpet. Wires are visible running underneath the carpeted floor throughout the frame.
    Year 2014
    Related pages The Issues of Our Time
  • An illuminated performer sings into a microphone.
    An illuminated performer sings into a microphone.
    Abasement #81. Performance documentation, October 20th, 2025, Artists Space. Photo: Joshua Wildman. [An illuminated performer sings into a microphone. ]
    Caption Abasement #81. Performance documentation, October 20th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description An illuminated performer sings into a microphone.
    Year
    Related pages Abasement #81
  • Cutouts seen placed in front of drawing on wall. Paintings and sculptures can be seen in the area around it in a gallery setting.
    Cutouts seen placed in front of drawing on wall. Paintings and sculptures can be seen in the area around it in a gallery setting.
    Installation View from Recent Art From Chicago, Artists Space, March 8, 1986 - April 5, 1986. [Cutouts seen placed in front of drawing on wall. Paintings and sculptures can be seen in the area around it in a gallery setting.]
    Caption Installation View from Recent Art From Chicago, Artists Space, March 8, 1986 - April 5, 1986.
    Image description Cutouts seen placed in front of drawing on wall. Paintings and sculptures can be seen in the area around it in a gallery setting.
    Year
    Related pages Recent Art from Chicago
  • A set of wooden chairs arranged in the exhibition space to face projected film
    A set of wooden chairs arranged in the exhibition space to face projected film
    She Who Is: Adrienne Kennedy and the Drama of Difference. Installation view, Artists Space, February 29 – September 19, 2020. Photo: Filip Wolak. [A set of wooden chairs arranged in the exhibition space to face projected film]
    Caption She Who Is: Adrienne Kennedy and the Drama of Difference. Installation view, Artists Space, February 29 – September 19, 2020. Photo: Filip Wolak.
    Image description A set of wooden chairs arranged in the exhibition space to face projected film
    Year 2020
    Related pages She Who Is: Adrienne Kennedy and the Drama of Difference
  • View of the audience at the Artists Space and Decolonize This Place event, with banners of resistance posted along the walls. One visible reads
    View of the audience at the Artists Space and Decolonize This Place event, with banners of resistance posted along the walls. One visible reads
    Our Uprisings: Art Action Assembly. Event documentation, November 20, 2016, Artists Space. Courtesy Decolonize This Place. Photo: Marz Saffore. [View of the audience at the Artists Space and Decolonize This Place event, with banners of resistance posted along the walls. One visible reads "Akai Gurley Murdered by NYPD Open Mic Moved To Streets," while another reads "ABOLISH WHITE SUPREMACY."]
    Caption Our Uprisings: Art Action Assembly. Event documentation, November 20, 2016, Artists Space. Courtesy Decolonize This Place. Photo: Marz Saffore.
    Image description View of the audience at the Artists Space and Decolonize This Place event, with banners of resistance posted along the walls. One visible reads "Akai Gurley Murdered by NYPD Open Mic Moved To Streets," while another reads "ABOLISH WHITE SUPREMACY."
    Year 2016
    Related pages Decolonize This Place
  • Abasement #73. Performance documentation, November 4th, 2024, Artists Space. Photo: Joshua Wildman.
    Caption Abasement #73. Performance documentation, November 4th, 2024, Artists Space. Photo: Joshua Wildman.
    Image description
    Year
    Related pages Abasement #73
  • A figure in a blue denim shirt wearing headphones sits at a dining room table cluttered with papers, bowls of fruit, and colorful candles. The figure's back faces the viewer. A bright and rocky, arid landscape is visible through the many windows that line the walls of the dining room.
    A figure in a blue denim shirt wearing headphones sits at a dining room table cluttered with papers, bowls of fruit, and colorful candles. The figure's back faces the viewer. A bright and rocky, arid landscape is visible through the many windows that line the walls of the dining room.
    [A figure in a blue denim shirt wearing headphones sits at a dining room table cluttered with papers, bowls of fruit, and colorful candles. The figure's back faces the viewer. A bright and rocky, arid landscape is visible through the many windows that line the walls of the dining room.]
    Caption
    Image description A figure in a blue denim shirt wearing headphones sits at a dining room table cluttered with papers, bowls of fruit, and colorful candles. The figure's back faces the viewer. A bright and rocky, arid landscape is visible through the many windows that line the walls of the dining room.
    Year 2014
    Related pages Macho Man, Tell It To My Heart: Collected by Julia Ault - Film and Video Program
  • Black fabric drops down from the black table top in an oval-like shape.
    Black fabric drops down from the black table top in an oval-like shape.
    Selections from the Artists File, installation view, Artists Space, 1986. [Black fabric drops down from the black table top in an oval-like shape.]
    Caption Selections from the Artists File, installation view, Artists Space, 1986.
    Image description Black fabric drops down from the black table top in an oval-like shape.
    Year
    Related pages Selections from the Artists File
  • A color photo of several individuals seated at banquet-style dining tables. Individuals are clapping and looking around the large reception space.
    A color photo of several individuals seated at banquet-style dining tables. Individuals are clapping and looking around the large reception space.
    The Founders Dinner, 2019. [A color photo of several individuals seated at banquet-style dining tables. Individuals are clapping and looking around the large reception space.]
    Caption The Founders Dinner, 2019.
    Image description A color photo of several individuals seated at banquet-style dining tables. Individuals are clapping and looking around the large reception space.
    Year 2019
    Related pages Support
  • A person dressed in all pink steps over a mass of wires. She is illuminated from behind by a bright, white wall. In the foreground, dimly lit figures face varying directions.
    A person dressed in all pink steps over a mass of wires. She is illuminated from behind by a bright, white wall. In the foreground, dimly lit figures face varying directions.
    Jutta Koether: xxapollo. Performance documentation, January 5, 2020, Artists Space. Photo © 2020 Paula Court. [A person dressed in all pink steps over a mass of wires. She is illuminated from behind by a bright, white wall. In the foreground, dimly lit figures face varying directions.]
    Caption Jutta Koether: xxapollo. Performance documentation, January 5, 2020, Artists Space. Photo © 2020 Paula Court.
    Image description A person dressed in all pink steps over a mass of wires. She is illuminated from behind by a bright, white wall. In the foreground, dimly lit figures face varying directions.
    Year 2020
    Related pages Jutta Koether
  • Black text overlays a color-scheme grid background. The text reads: “Jan 13 / isaiah a. hines / Elizabeth Robinson.
    Black text overlays a color-scheme grid background. The text reads: “Jan 13 / isaiah a. hines / Elizabeth Robinson.
    [Black text overlays a color-scheme grid background. The text reads: “Jan 13 / isaiah a. hines / Elizabeth Robinson." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description Black text overlays a color-scheme grid background. The text reads: “Jan 13 / isaiah a. hines / Elizabeth Robinson." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year
    Related pages Segue Reading Series: isaiah a. hines & Elizabeth Robinson
  • An an angled view of resident entrances from a street view with white text at the bottom that reads,
    An an angled view of resident entrances from a street view with white text at the bottom that reads,
    The Gentrification of the Mind: Witness To A Lost Imagination. Sarah Schulman. Univ. of California Press, 2012. Paperback, 192 pages. $20. at the Artists Space Bookstore [An an angled view of resident entrances from a street view with white text at the bottom that reads, "Sarah Schulman." Red text underneath reads, "The Gentrification of the Mind, Witness to a Lost Imagination."]
    Caption The Gentrification of the Mind: Witness To A Lost Imagination. Sarah Schulman. Univ. of California Press, 2012. Paperback, 192 pages. $20. at the Artists Space Bookstore
    Image description An an angled view of resident entrances from a street view with white text at the bottom that reads, "Sarah Schulman." Red text underneath reads, "The Gentrification of the Mind, Witness to a Lost Imagination."
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • Caption
    Image description
    Year
    Related pages Performance People
  • Circular sculptural forms hang from the ceiling and touch the floor in a white-walled gallery space.
    Circular sculptural forms hang from the ceiling and touch the floor in a white-walled gallery space.
    Four Artists: An Exhibition of Painting and Sculpture. Installation View. Artists Space, 1985. [Circular sculptural forms hang from the ceiling and touch the floor in a white-walled gallery space.]
    Caption Four Artists: An Exhibition of Painting and Sculpture. Installation View. Artists Space, 1985.
    Image description Circular sculptural forms hang from the ceiling and touch the floor in a white-walled gallery space.
    Year
    Related pages Four Artists: An Exhibition of Painting and Sculpture
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A black and white image of multiple sculptures along a wall.
    A black and white image of multiple sculptures along a wall.
    Western Agenda. Installation view, Artists Space, 1991. [A black and white image of multiple sculptures along a wall.]
    Caption Western Agenda. Installation view, Artists Space, 1991.
    Image description A black and white image of multiple sculptures along a wall.
    Year 1991
    Related pages
  • Two performers stand behind a table operating various musical equipment.
    Two performers stand behind a table operating various musical equipment.
    Abasement #86. Performance documentation, April 6th, 2026, Artists Space. Photo: Joshua Wildman. [Two performers stand behind a table operating various musical equipment. ]
    Caption Abasement #86. Performance documentation, April 6th, 2026, Artists Space. Photo: Joshua Wildman.
    Image description Two performers stand behind a table operating various musical equipment.
    Year
    Related pages Abasement #86
  • Color image of a video installation in the center of the floor of a gallery. A walkway made of plywood runs along the edges of the room, encircling the projection. The projection depicts a mirrored negative film image. The image features an assortment of abstracted objects arranged on a blue background.
    Color image of a video installation in the center of the floor of a gallery. A walkway made of plywood runs along the edges of the room, encircling the projection. The projection depicts a mirrored negative film image. The image features an assortment of abstracted objects arranged on a blue background.
    Crystal Z Campbell: Ode to the Underloved. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color image of a video installation in the center of the floor of a gallery. A walkway made of plywood runs along the edges of the room, encircling the projection. The projection depicts a mirrored negative film image. The image features an assortment of abstracted objects arranged on a blue background.]
    Caption Crystal Z Campbell: Ode to the Underloved. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color image of a video installation in the center of the floor of a gallery. A walkway made of plywood runs along the edges of the room, encircling the projection. The projection depicts a mirrored negative film image. The image features an assortment of abstracted objects arranged on a blue background.
    Year
    Related pages Crystal Z Campbell
  • The image shows a cut paper collage that uses saturated color blocks to define the architecture of a bedroom, including a bed, desk, reclining chair, and other abstracted shapes and figures.
    The image shows a cut paper collage that uses saturated color blocks to define the architecture of a bedroom, including a bed, desk, reclining chair, and other abstracted shapes and figures.
    Kate Shephard, Paper Bedroom, 2006, Cut paper collage, 13.75 x 10.25 inches (34.0 x 26 cm), Edition of 30. [The image shows a cut paper collage that uses saturated color blocks to define the architecture of a bedroom, including a bed, desk, reclining chair, and other abstracted shapes and figures.]
    Caption Kate Shephard, Paper Bedroom, 2006, Cut paper collage, 13.75 x 10.25 inches (34.0 x 26 cm), Edition of 30.
    Image description The image shows a cut paper collage that uses saturated color blocks to define the architecture of a bedroom, including a bed, desk, reclining chair, and other abstracted shapes and figures.
    Year 2006
    Related pages Editions
  • Teaching Artist Stephanie Costello with 8th grade Portfolio student from P.S. 140, 2021
    Caption Teaching Artist Stephanie Costello with 8th grade Portfolio student from P.S. 140, 2021
    Image description
    Year 2021
    Related pages Portfolio Development
  • A white book lying on a larger blue book.
    A white book lying on a larger blue book.
    Corrugated Slogans and An Anthology of Invalid Format. [A white book lying on a larger blue book.]
    Caption Corrugated Slogans and An Anthology of Invalid Format.
    Image description A white book lying on a larger blue book.
    Year 2013
    Related pages Novel Operations
  • A series of small, black and white photo-collages displayed in white frames on a gallery wall. The collages depict various interior spaces overlaid with geometric cut-outs of other photographic images.
    A series of small, black and white photo-collages displayed in white frames on a gallery wall. The collages depict various interior spaces overlaid with geometric cut-outs of other photographic images.
    Model Modernisms. Installation view, Artists Space, 2005. [A series of small, black and white photo-collages displayed in white frames on a gallery wall. The collages depict various interior spaces overlaid with geometric cut-outs of other photographic images.]
    Caption Model Modernisms. Installation view, Artists Space, 2005.
    Image description A series of small, black and white photo-collages displayed in white frames on a gallery wall. The collages depict various interior spaces overlaid with geometric cut-outs of other photographic images.
    Year 2005
    Related pages Model Modernisms
  • A gallery room filled with various sculptures and objects. There are several cube and rectangular sculptures in various sizes, some solidly painted with black, white and silver, and some painted with a brick pattern. There is a table with two projectors projecting a small image on the wall. On the far wall, there are a series of framed drawings. On the righthand side of the room, there is a half-wall behind which a piece made of 7x4 rectangular images hangs on a wall.
    A gallery room filled with various sculptures and objects. There are several cube and rectangular sculptures in various sizes, some solidly painted with black, white and silver, and some painted with a brick pattern. There is a table with two projectors projecting a small image on the wall. On the far wall, there are a series of framed drawings. On the righthand side of the room, there is a half-wall behind which a piece made of 7x4 rectangular images hangs on a wall.
    Elephant Cemetery. Installation view, Artists Space, 2007. [A gallery room filled with various sculptures and objects. There are several cube and rectangular sculptures in various sizes, some solidly painted with black, white and silver, and some painted with a brick pattern. There is a table with two projectors projecting a small image on the wall. On the far wall, there are a series of framed drawings. On the righthand side of the room, there is a half-wall behind which a piece made of 7x4 rectangular images hangs on a wall.]
    Caption Elephant Cemetery. Installation view, Artists Space, 2007.
    Image description A gallery room filled with various sculptures and objects. There are several cube and rectangular sculptures in various sizes, some solidly painted with black, white and silver, and some painted with a brick pattern. There is a table with two projectors projecting a small image on the wall. On the far wall, there are a series of framed drawings. On the righthand side of the room, there is a half-wall behind which a piece made of 7x4 rectangular images hangs on a wall.
    Year 2007
    Related pages Elephant Cemetery
  • An inkjet print mounted on a pink wall. The print includes a woman standing behind a desk and in front of several rainbow-colored bookshelves. Above the bookshelves hang several flags.
    An inkjet print mounted on a pink wall. The print includes a woman standing behind a desk and in front of several rainbow-colored bookshelves. Above the bookshelves hang several flags.
    Adjua Gargi Nzinga Greaves, 1741 Honey Locust, 2020. Inkjet print, 44 x 58 inches. Edition of 2. Courtesy Artists Space, New York. Photo: Filip Wolak [An inkjet print mounted on a pink wall. The print includes a woman standing behind a desk and in front of several rainbow-colored bookshelves. Above the bookshelves hang several flags.]
    Caption Adjua Gargi Nzinga Greaves, 1741 Honey Locust, 2020. Inkjet print, 44 x 58 inches. Edition of 2. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description An inkjet print mounted on a pink wall. The print includes a woman standing behind a desk and in front of several rainbow-colored bookshelves. Above the bookshelves hang several flags.
    Year 2021
    Related pages Adjua Gargi Nzinga Greaves
  • Black and white photograph close up of white picket fence and painted dark background.
    Black and white photograph close up of white picket fence and painted dark background.
    Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Candice Hill-Montgomery. [Black and white photograph close up of white picket fence and painted dark background.]
    Caption Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Candice Hill-Montgomery.
    Image description Black and white photograph close up of white picket fence and painted dark background.
    Year 1979
    Related pages Candance Hill-Montgomery
  • Text reading “'We Cover for You. / – NRO” is overlaid on an image of a plastic gloved hand that applies blue plaster with a wooden stick.
    Text reading “'We Cover for You. / – NRO” is overlaid on an image of a plastic gloved hand that applies blue plaster with a wooden stick.
    [Text reading “'We Cover for You. / – NRO” is overlaid on an image of a plastic gloved hand that applies blue plaster with a wooden stick.]
    Caption
    Image description Text reading “'We Cover for You. / – NRO” is overlaid on an image of a plastic gloved hand that applies blue plaster with a wooden stick.
    Year
    Related pages New Red Order: Informants Get Paid!
  • A performer manipulates a record while seated at a turntable.
    A performer manipulates a record while seated at a turntable.
    Abasement #84. Performance documentation, February 16th, 2026, Artists Space. Photo: Joshua Wildman. [A performer manipulates a record while seated at a turntable.]
    Caption Abasement #84. Performance documentation, February 16th, 2026, Artists Space. Photo: Joshua Wildman.
    Image description A performer manipulates a record while seated at a turntable.
    Year
    Related pages Abasement #84
  • Caption
    Image description
    Year
    Related pages Austin Sley Julian + Julia Santoli, Vida Vojić, Bromp Treb, Benjamin Kendall
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A color photograph of a figure with raised arms and in motion in an orange-lit space next to a small piece of audio equipment with a wire on the floor. A crowd looks on in the background.
    A color photograph of a figure with raised arms and in motion in an orange-lit space next to a small piece of audio equipment with a wire on the floor. A crowd looks on in the background.
    Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. [A color photograph of a figure with raised arms and in motion in an orange-lit space next to a small piece of audio equipment with a wire on the floor. A crowd looks on in the background.]
    Caption Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space.
    Image description A color photograph of a figure with raised arms and in motion in an orange-lit space next to a small piece of audio equipment with a wire on the floor. A crowd looks on in the background.
    Year 2022
    Related pages Yuji Agematsu
  • A colored image depicts a figure's upper half of the body facing front against a black background. The figure's face is painted white with contrasting makeup. The figure is wearing a fake white nose, a white wig, and an American flag patterned hat and scarf around his shoulder.
    A colored image depicts a figure's upper half of the body facing front against a black background. The figure's face is painted white with contrasting makeup. The figure is wearing a fake white nose, a white wig, and an American flag patterned hat and scarf around his shoulder.
    Ed Bereal, Bodacious Buggerilla performance documentation (still), c. 1970s, color film converted to video, 15 minutes. Image courtesy of the artist. [A colored image depicts a figure's upper half of the body facing front against a black background. The figure's face is painted white with contrasting makeup. The figure is wearing a fake white nose, a white wig, and an American flag patterned hat and scarf around his shoulder.]
    Caption Ed Bereal, Bodacious Buggerilla performance documentation (still), c. 1970s, color film converted to video, 15 minutes. Image courtesy of the artist.
    Image description A colored image depicts a figure's upper half of the body facing front against a black background. The figure's face is painted white with contrasting makeup. The figure is wearing a fake white nose, a white wig, and an American flag patterned hat and scarf around his shoulder.
    Year 1970
    Related pages Attention Line
  • Installation view from Split/Vision, Artists Space, 1985-86
    Caption Installation view from Split/Vision, Artists Space, 1985-86
    Image description
    Year
    Related pages Split/Vision
  • A geometric, silver metal sculpture sits on a low dolley with wheels on a wooden gallery floor. The sculpture is modular, hollow, and consists of a cube-like metal component. Under the sculpture, long arrows of colorful tape are installed on the gallery floors.
    A geometric, silver metal sculpture sits on a low dolley with wheels on a wooden gallery floor. The sculpture is modular, hollow, and consists of a cube-like metal component. Under the sculpture, long arrows of colorful tape are installed on the gallery floors.
    Charlotte Posenenske. Configured by Rirkrit Tiravanija. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A geometric, silver metal sculpture sits on a low dolley with wheels on a wooden gallery floor. The sculpture is modular, hollow, and consists of a cube-like metal component. Under the sculpture, long arrows of colorful tape are installed on the gallery floors.]
    Caption Charlotte Posenenske. Configured by Rirkrit Tiravanija. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description A geometric, silver metal sculpture sits on a low dolley with wheels on a wooden gallery floor. The sculpture is modular, hollow, and consists of a cube-like metal component. Under the sculpture, long arrows of colorful tape are installed on the gallery floors.
    Year 2010
    Related pages Charlotte Posenenske
  • A color installation view of a gallery space. On the left wall are six black and white photographs and a television monitor positioned on the floor. In the background, another wall-mounted television monitor is visible along with a large wall hanging and two sculptures. The space is bisected by three dark columns.
    A color installation view of a gallery space. On the left wall are six black and white photographs and a television monitor positioned on the floor. In the background, another wall-mounted television monitor is visible along with a large wall hanging and two sculptures. The space is bisected by three dark columns.
    Milford Graves: Fundamental Frequency. Installation view, Artists Space, October 8, 2021 – January 15, 2022. Image courtesy Artists Space, New York. Photo: Filip Wolak. [A color installation view of a gallery space. On the left wall are six black and white photographs and a television monitor positioned on the floor. In the background, another wall-mounted television monitor is visible along with a large wall hanging and two sculptures. The space is bisected by three dark columns.]
    Caption Milford Graves: Fundamental Frequency. Installation view, Artists Space, October 8, 2021 – January 15, 2022. Image courtesy Artists Space, New York. Photo: Filip Wolak.
    Image description A color installation view of a gallery space. On the left wall are six black and white photographs and a television monitor positioned on the floor. In the background, another wall-mounted television monitor is visible along with a large wall hanging and two sculptures. The space is bisected by three dark columns.
    Year 2021
    Related pages Milford Graves: Fundamental Frequency
  • Two cars sitting on a city street in front of a dumpster covered with a tarp.
    Two cars sitting on a city street in front of a dumpster covered with a tarp.
    [Two cars sitting on a city street in front of a dumpster covered with a tarp.]
    Caption
    Image description Two cars sitting on a city street in front of a dumpster covered with a tarp.
    Year 2016
    Related pages No Total
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A black and white film still of four people in period dress sprawled on a curving stone stairwell. Two of these people appear to have fainted, and are supported by the other two. At the top of the stairs, a person in a maid's costume peeks around the corner, observing.
    A black and white film still of four people in period dress sprawled on a curving stone stairwell. Two of these people appear to have fainted, and are supported by the other two. At the top of the stairs, a person in a maid's costume peeks around the corner, observing.
    James Coleman. Still from Seeing for Oneself, 1987-88. Slideshow (black and white), 40 min. [A black and white film still of four people in period dress sprawled on a curving stone stairwell. Two of these people appear to have fainted, and are supported by the other two. At the top of the stairs, a person in a maid's costume peeks around the corner, observing.]
    Caption James Coleman. Still from Seeing for Oneself, 1987-88. Slideshow (black and white), 40 min.
    Image description A black and white film still of four people in period dress sprawled on a curving stone stairwell. Two of these people appear to have fainted, and are supported by the other two. At the top of the stairs, a person in a maid's costume peeks around the corner, observing.
    Year 1988
    Related pages Michael Asher / James Coleman
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Black text overlays a white background with purple bunches of flowers in the upper left and bottom right corners. The top left corner reads: “Lauren Russell / & Teri Cross Davis / May 14, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”
    Black text overlays a white background with purple bunches of flowers in the upper left and bottom right corners. The top left corner reads: “Lauren Russell / & Teri Cross Davis / May 14, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”
    Flyer for Segue Reading Series featuring Lauren Russell & Teri Cross Davis. May 14, 2022, Artists Space. [Black text overlays a white background with purple bunches of flowers in the upper left and bottom right corners. The top left corner reads: “Lauren Russell / & Teri Cross Davis / May 14, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”]
    Caption Flyer for Segue Reading Series featuring Lauren Russell & Teri Cross Davis. May 14, 2022, Artists Space.
    Image description Black text overlays a white background with purple bunches of flowers in the upper left and bottom right corners. The top left corner reads: “Lauren Russell / & Teri Cross Davis / May 14, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”
    Year 2022
    Related pages Segue Reading Series: Lauren Russell & Roberto Carlos Garcia
  • A figure performs on stage, standing straight and looking at material held on a music stand in front of them.
    A figure performs on stage, standing straight and looking at material held on a music stand in front of them.
    Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [A figure performs on stage, standing straight and looking at material held on a music stand in front of them.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure performs on stage, standing straight and looking at material held on a music stand in front of them.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-10
  • Magazine cut-outs and ink drawings are collaged together on a background of turqoise, beige, pink and red paper. Small pieces of yellow paper with typewritten text listing the performers and event details are scattered around the flyer.
    Magazine cut-outs and ink drawings are collaged together on a background of turqoise, beige, pink and red paper. Small pieces of yellow paper with typewritten text listing the performers and event details are scattered around the flyer.
    Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a background of turqoise, beige, pink and red paper. Small pieces of yellow paper with typewritten text listing the performers and event details are scattered around the flyer.]
    Caption Flyer by Joe Frivaldi.
    Image description Magazine cut-outs and ink drawings are collaged together on a background of turqoise, beige, pink and red paper. Small pieces of yellow paper with typewritten text listing the performers and event details are scattered around the flyer.
    Year
    Related pages Abasement #80
  • Frame photographs and text hang on the wall in a gallery space.
    Frame photographs and text hang on the wall in a gallery space.
    Pool Show. Installation view, Artists Space, 1980. [Frame photographs and text hang on the wall in a gallery space.]
    Caption Pool Show. Installation view, Artists Space, 1980.
    Image description Frame photographs and text hang on the wall in a gallery space.
    Year
    Related pages Pool Show
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    Image description
    Year
    Related pages Abasement #77
  • In a dimly lit room with light wood flooring and white pillars, three illuminated panels are suspended from the ceiling in the distance. The panels each display a single word—
    In a dimly lit room with light wood flooring and white pillars, three illuminated panels are suspended from the ceiling in the distance. The panels each display a single word—
    "Identity". Installation View, Artists Space, 2011. Photo: Daniel Pérez. [In a dimly lit room with light wood flooring and white pillars, three illuminated panels are suspended from the ceiling in the distance. The panels each display a single word—"tri", "angu", and "late"—in a cursive font.]
    Caption "Identity". Installation View, Artists Space, 2011. Photo: Daniel Pérez.
    Image description In a dimly lit room with light wood flooring and white pillars, three illuminated panels are suspended from the ceiling in the distance. The panels each display a single word—"tri", "angu", and "late"—in a cursive font.
    Year 2011
    Related pages Dexter Sinister: "Identity"
  • A diptych drawing of one figure sitting cross-legged on the left and another figure lying down next to flowers in a vase depicted on the right.
    A diptych drawing of one figure sitting cross-legged on the left and another figure lying down next to flowers in a vase depicted on the right.
    Joseph Hilton, Beside the Sleeping Guards (of Cairo) Day and Night, 1986. [A diptych drawing of one figure sitting cross-legged on the left and another figure lying down next to flowers in a vase depicted on the right.]
    Caption Joseph Hilton, Beside the Sleeping Guards (of Cairo) Day and Night, 1986.
    Image description A diptych drawing of one figure sitting cross-legged on the left and another figure lying down next to flowers in a vase depicted on the right.
    Year
    Related pages Recent Art from Chicago
  • A black and white photograph of two projected images emerging from darkness.
    A black and white photograph of two projected images emerging from darkness.
    Charles Long. Installation view of Gnomons' Land, 1987. Film Installation. [A black and white photograph of two projected images emerging from darkness.]
    Caption Charles Long. Installation view of Gnomons' Land, 1987. Film Installation.
    Image description A black and white photograph of two projected images emerging from darkness.
    Year 1987
    Related pages Dark Rooms
  • Color photograph of a framed artwork. Various images of people, the sun, and other objects are cut-out and in red ink over them are japanese characters.
    Color photograph of a framed artwork. Various images of people, the sun, and other objects are cut-out and in red ink over them are japanese characters.
    Yasunao Tone: Region of Paramedia. Installation view (Social Eclipse, 1997), Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a framed artwork. Various images of people, the sun, and other objects are cut-out and in red ink over them are japanese characters.]
    Caption Yasunao Tone: Region of Paramedia. Installation view (Social Eclipse, 1997), Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photograph of a framed artwork. Various images of people, the sun, and other objects are cut-out and in red ink over them are japanese characters.
    Year 2023
    Related pages Yasunao Tone: Region of Paramedia
  • Book cover design featuring an image of a large room with red walls. A banner of colorful flags hangs from the ceiling. A large collection of objects is scattered on the floor, including coca-cola bottles, posters, chip bags, paint cans, detergent bottles, and other assorted items.
    Book cover design featuring an image of a large room with red walls. A banner of colorful flags hangs from the ceiling. A large collection of objects is scattered on the floor, including coca-cola bottles, posters, chip bags, paint cans, detergent bottles, and other assorted items.
    Show and Tell: A Chronicle of Group Material, edited by Julie Ault, published by Four Corners Books, 2010. [Book cover design featuring an image of a large room with red walls. A banner of colorful flags hangs from the ceiling. A large collection of objects is scattered on the floor, including coca-cola bottles, posters, chip bags, paint cans, detergent bottles, and other assorted items.]
    Caption Show and Tell: A Chronicle of Group Material, edited by Julie Ault, published by Four Corners Books, 2010.
    Image description Book cover design featuring an image of a large room with red walls. A banner of colorful flags hangs from the ceiling. A large collection of objects is scattered on the floor, including coca-cola bottles, posters, chip bags, paint cans, detergent bottles, and other assorted items.
    Year 2010
    Related pages Show & Tell: A Chronicle of Group Material
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    Year
    Related pages Brad Kronz
  • Two men wearing identical white shirts and blue jeans crouch outdoors at night. The figure on the right grasps two tree branches with both hands. His pants have been dropped to the ground and he sticks his bare rear out. The second figure on the left is fully clothed and crouches behind the other figure, shining a flashlight at his rear end.
    Two men wearing identical white shirts and blue jeans crouch outdoors at night. The figure on the right grasps two tree branches with both hands. His pants have been dropped to the ground and he sticks his bare rear out. The second figure on the left is fully clothed and crouches behind the other figure, shining a flashlight at his rear end.
    Dave Burns, SEACH FOR TRUTH, 2003. Digital photograph, archival light jet print. Courtesy the artist. [Two men wearing identical white shirts and blue jeans crouch outdoors at night. The figure on the right grasps two tree branches with both hands. His pants have been dropped to the ground and he sticks his bare rear out. The second figure on the left is fully clothed and crouches behind the other figure, shining a flashlight at his rear end.]
    Caption Dave Burns, SEACH FOR TRUTH, 2003. Digital photograph, archival light jet print. Courtesy the artist.
    Image description Two men wearing identical white shirts and blue jeans crouch outdoors at night. The figure on the right grasps two tree branches with both hands. His pants have been dropped to the ground and he sticks his bare rear out. The second figure on the left is fully clothed and crouches behind the other figure, shining a flashlight at his rear end.
    Year 2005
    Related pages Log Cabin
  • Black and white photo of Andre Cadere holding a striped stick over one shoulder and crossing the street in New York City.
    Black and white photo of Andre Cadere holding a striped stick over one shoulder and crossing the street in New York City.
    Andre Cadere, 11 December, 1976, David Ebony Gallery, New York, 13.00 to 17.30, Photograph by Gianfranco Gorgoni Digital print Image size: 10 x 8 in / 25,4 x 20,3 cm Paper size: 11 x 8 in / 27,9 x 21,6 cm Signed and numbered certificate [Black and white photo of Andre Cadere holding a striped stick over one shoulder and crossing the street in New York City.]
    Caption Andre Cadere, 11 December, 1976, David Ebony Gallery, New York, 13.00 to 17.30, Photograph by Gianfranco Gorgoni Digital print Image size: 10 x 8 in / 25,4 x 20,3 cm Paper size: 11 x 8 in / 27,9 x 21,6 cm Signed and numbered certificate
    Image description Black and white photo of Andre Cadere holding a striped stick over one shoulder and crossing the street in New York City.
    Year 2015
    Related pages Artists Space Annual Edition Portfolio 2015
  • Magazine pages are arranged in several rows on a white gallery wall. Below the pages is a row of sketches on yellow paper.
    Magazine pages are arranged in several rows on a white gallery wall. Below the pages is a row of sketches on yellow paper.
    Adjua Gargi Nzinga Greaves, Better homes and gardens back by popular demand, 2021. Magazine, artists tape, overall dimensions variable. Courtesy Artists Space, New York. Photo: Filip Wolak [Magazine pages are arranged in several rows on a white gallery wall. Below the pages is a row of sketches on yellow paper.]
    Caption Adjua Gargi Nzinga Greaves, Better homes and gardens back by popular demand, 2021. Magazine, artists tape, overall dimensions variable. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description Magazine pages are arranged in several rows on a white gallery wall. Below the pages is a row of sketches on yellow paper.
    Year
    Related pages Adjua Gargi Nzinga Greaves
  • Contact sheet of stills depicting numerous installation views.
    Contact sheet of stills depicting numerous installation views.
    Sixth Anniversary Exhibition. Installation views, Artists Space, 1979. [Contact sheet of stills depicting numerous installation views.]
    Caption Sixth Anniversary Exhibition. Installation views, Artists Space, 1979.
    Image description Contact sheet of stills depicting numerous installation views.
    Year 1979
    Related pages Sixth Anniversary Exhibition
  • A grid of photographs displaying candid portraiture is arranged in a white frame.
    A grid of photographs displaying candid portraiture is arranged in a white frame.
    Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A grid of photographs displaying candid portraiture is arranged in a white frame.]
    Caption Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description A grid of photographs displaying candid portraiture is arranged in a white frame.
    Year 2013
    Related pages Documenting Cadere: 1972 - 1978
  • A person stands at a microphone reading off sheets of paper. In the background, there is a slightly blurry image of a book cover:
    A person stands at a microphone reading off sheets of paper. In the background, there is a slightly blurry image of a book cover:
    New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court. [A person stands at a microphone reading off sheets of paper. In the background, there is a slightly blurry image of a book cover: "Twice-Told Tales" by Nathanial Hawthorne.]
    Caption New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court.
    Image description A person stands at a microphone reading off sheets of paper. In the background, there is a slightly blurry image of a book cover: "Twice-Told Tales" by Nathanial Hawthorne.
    Year 2020
    Related pages New Red Order: Informants Get Paid!
  • Color image of an audience in a room. Some of them are seated, others in the background are standing up. A bright yellow light is pointing into the camera, creating a dramatic light flare. The wall in the background features an abstract image projection, resembling a piece of shattered glass. The atmosphere in the room is hazy, and white dots of light from a disco ball fill the room.
    Color image of an audience in a room. Some of them are seated, others in the background are standing up. A bright yellow light is pointing into the camera, creating a dramatic light flare. The wall in the background features an abstract image projection, resembling a piece of shattered glass. The atmosphere in the room is hazy, and white dots of light from a disco ball fill the room.
    Abasement #77. Performance documentation, April 7th, 2025, Artists Space. Photo: Joshua Wildman. [Color image of an audience in a room. Some of them are seated, others in the background are standing up. A bright yellow light is pointing into the camera, creating a dramatic light flare. The wall in the background features an abstract image projection, resembling a piece of shattered glass. The atmosphere in the room is hazy, and white dots of light from a disco ball fill the room.]
    Caption Abasement #77. Performance documentation, April 7th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Color image of an audience in a room. Some of them are seated, others in the background are standing up. A bright yellow light is pointing into the camera, creating a dramatic light flare. The wall in the background features an abstract image projection, resembling a piece of shattered glass. The atmosphere in the room is hazy, and white dots of light from a disco ball fill the room.
    Year
    Related pages Abasement #77
  • Magazine cut-outs and ink drawings are collaged together on a background of yellow, orange, pink, blue, and red paper. Small pieces of paper with red typewritten text listing the performers and event details are scattered around the flyer.
    Magazine cut-outs and ink drawings are collaged together on a background of yellow, orange, pink, blue, and red paper. Small pieces of paper with red typewritten text listing the performers and event details are scattered around the flyer.
    Flyer by Joe Frivaldi [Magazine cut-outs and ink drawings are collaged together on a background of yellow, orange, pink, blue, and red paper. Small pieces of paper with red typewritten text listing the performers and event details are scattered around the flyer.]
    Caption Flyer by Joe Frivaldi
    Image description Magazine cut-outs and ink drawings are collaged together on a background of yellow, orange, pink, blue, and red paper. Small pieces of paper with red typewritten text listing the performers and event details are scattered around the flyer.
    Year
    Related pages Abasement #84
  • Caption
    Image description
    Year
    Related pages Abasement #72
  • A black and white photograph of a gallery space. Several film reels and projectors are positioned on tables and stands.
    A black and white photograph of a gallery space. Several film reels and projectors are positioned on tables and stands.
    Super 8 Film Exposition. Installation view, Artists Space, New York, 1977. [A black and white photograph of a gallery space. Several film reels and projectors are positioned on tables and stands.]
    Caption Super 8 Film Exposition. Installation view, Artists Space, New York, 1977.
    Image description A black and white photograph of a gallery space. Several film reels and projectors are positioned on tables and stands.
    Year
    Related pages Artists Super 8 Film Exposition
  • Three figures perform in front of an audience. Two figures in blue morph suits face off with a wooden table between them, while a third figure takes video footage of the scene.
    Three figures perform in front of an audience. Two figures in blue morph suits face off with a wooden table between them, while a third figure takes video footage of the scene.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Three figures perform in front of an audience. Two figures in blue morph suits face off with a wooden table between them, while a third figure takes video footage of the scene.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Three figures perform in front of an audience. Two figures in blue morph suits face off with a wooden table between them, while a third figure takes video footage of the scene.
    Year 2022
    Related pages SCRAAATCH 12-3
  • Color image of a musician on stage, seated in a chair, holding an instrument that appears to be a guitar across their lap. To their right, a microphone is positioned close to an amp. Their feet control several pedals placed on the floor. Their long blonde-brown hair falls down over their chest and back as they gaze down in deep focus at the instrument in their lap. Behind the musician, a diamond-shaped, geometric pattern, outlined in bright pink is projected on the back wall. 
    Color image of a musician on stage, seated in a chair, holding an instrument that appears to be a guitar across their lap. To their right, a microphone is positioned close to an amp. Their feet control several pedals placed on the floor. Their long blonde-brown hair falls down over their chest and back as they gaze down in deep focus at the instrument in their lap. Behind the musician, a diamond-shaped, geometric pattern, outlined in bright pink is projected on the back wall. 
    Abasement #67. Performance documentation, January 15, 2024, Artists Space. Photo: Joshua Wildman. [Color image of a musician on stage, seated in a chair, holding an instrument that appears to be a guitar across their lap. To their right, a microphone is positioned close to an amp. Their feet control several pedals placed on the floor. Their long blonde-brown hair falls down over their chest and back as they gaze down in deep focus at the instrument in their lap. Behind the musician, a diamond-shaped, geometric pattern, outlined in bright pink is projected on the back wall. ]
    Caption Abasement #67. Performance documentation, January 15, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Color image of a musician on stage, seated in a chair, holding an instrument that appears to be a guitar across their lap. To their right, a microphone is positioned close to an amp. Their feet control several pedals placed on the floor. Their long blonde-brown hair falls down over their chest and back as they gaze down in deep focus at the instrument in their lap. Behind the musician, a diamond-shaped, geometric pattern, outlined in bright pink is projected on the back wall. 
    Year
    Related pages Abasement #67
  • Still from video interview with Daniel Buren about the work of Christopher D'Arcangelo, conducted by Dean Inkster and Sébastien Pluot, 2010.
    Caption Still from video interview with Daniel Buren about the work of Christopher D'Arcangelo, conducted by Dean Inkster and Sébastien Pluot, 2010.
    Image description
    Year
    Related pages Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979)
  • A figure in a blue morph suit kneels down on one knee, placing their hands on top of a table made of wood and fresnel lenses while audience members watch in the background.
    A figure in a blue morph suit kneels down on one knee, placing their hands on top of a table made of wood and fresnel lenses while audience members watch in the background.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [A figure in a blue morph suit kneels down on one knee, placing their hands on top of a table made of wood and fresnel lenses while audience members watch in the background.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description A figure in a blue morph suit kneels down on one knee, placing their hands on top of a table made of wood and fresnel lenses while audience members watch in the background.
    Year 2022
    Related pages SCRAAATCH 11-19
  • Photograph of a reading room, with graphic posters and shelves displaying reading materials along the walls. In the center is a long table with seats around it.
    Photograph of a reading room, with graphic posters and shelves displaying reading materials along the walls. In the center is a long table with seats around it.
    Clocking Out: Time Beyond Management. Installation view, Artists Space, 2023. Photo: Greg Carideo. [Photograph of a reading room, with graphic posters and shelves displaying reading materials along the walls. In the center is a long table with seats around it.]
    Caption Clocking Out: Time Beyond Management. Installation view, Artists Space, 2023. Photo: Greg Carideo.
    Image description Photograph of a reading room, with graphic posters and shelves displaying reading materials along the walls. In the center is a long table with seats around it.
    Year 2023
    Related pages Whitney Independent Study: Clocking Out: Time Beyond Management
  • A painting can be seen on the right adjacent to walls with a number of posters on them and a window. A sculpture on a pedestal can be seen in the background. A curving ceiling is visible above.
    A painting can be seen on the right adjacent to walls with a number of posters on them and a window. A sculpture on a pedestal can be seen in the background. A curving ceiling is visible above.
    We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [A painting can be seen on the right adjacent to walls with a number of posters on them and a window. A sculpture on a pedestal can be seen in the background. A curving ceiling is visible above.]
    Caption We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987.
    Image description A painting can be seen on the right adjacent to walls with a number of posters on them and a window. A sculpture on a pedestal can be seen in the background. A curving ceiling is visible above.
    Year
    Related pages We the People
  • Contact sheets made from the installation of the exhibition.
    Contact sheets made from the installation of the exhibition.
    Frames 2-9: installation views of Ken Lum’s “Untitled Sculpture”; Frames 10-23:installation views of Nic Nicosia’s “Domestic Dramas” ; Frames 27-35: installation views of Peter Waite’s “Las Meninas”. Artists Space, 1982. [Contact sheets made from the installation of the exhibition.]
    Caption Frames 2-9: installation views of Ken Lum’s “Untitled Sculpture”; Frames 10-23:installation views of Nic Nicosia’s “Domestic Dramas” ; Frames 27-35: installation views of Peter Waite’s “Las Meninas”. Artists Space, 1982.
    Image description Contact sheets made from the installation of the exhibition.
    Year 1982
    Related pages U.S. Projects: Nic Nicosia and Peter Waite
  • A performer plays a stringed instrument with a bow. The stage and wall behind it are bathed in blue light, created from projections of a geometric pattern.
    A performer plays a stringed instrument with a bow. The stage and wall behind it are bathed in blue light, created from projections of a geometric pattern.
    Abasement #80. Performance documentation, September 22nd, 2025, Artists Space. Photo: Joshua Wildman. [A performer plays a stringed instrument with a bow. The stage and wall behind it are bathed in blue light, created from projections of a geometric pattern.]
    Caption Abasement #80. Performance documentation, September 22nd, 2025, Artists Space. Photo: Joshua Wildman.
    Image description A performer plays a stringed instrument with a bow. The stage and wall behind it are bathed in blue light, created from projections of a geometric pattern.
    Year
    Related pages Abasement #80
  • Color image of three individuals captured as they engage with other guests at their table. A dimly lit and elegant dinner venue can be seen in the background.
    Color image of three individuals captured as they engage with other guests at their table. A dimly lit and elegant dinner venue can be seen in the background.
    Friends of Artists Space Dinner, 2023. Photo: Joshua Wildman. [Color image of three individuals captured as they engage with other guests at their table. A dimly lit and elegant dinner venue can be seen in the background.]
    Caption Friends of Artists Space Dinner, 2023. Photo: Joshua Wildman.
    Image description Color image of three individuals captured as they engage with other guests at their table. A dimly lit and elegant dinner venue can be seen in the background.
    Year
    Related pages Support
  • White text on a blue and grey ombré background. The text reads: “March 22 / Sibyl Kempson / Timmy Straw.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    White text on a blue and grey ombré background. The text reads: “March 22 / Sibyl Kempson / Timmy Straw.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [White text on a blue and grey ombré background. The text reads: “March 22 / Sibyl Kempson / Timmy Straw.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description White text on a blue and grey ombré background. The text reads: “March 22 / Sibyl Kempson / Timmy Straw.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Sibyl Kempson & Timmy Straw
  • Several framed posters, photographs, and ephemera varying sizes hang on a white gallery wall. On the right side of the wall hangs a photographic portrait of a figure in a striped shirt standing against a striped wall.
    Several framed posters, photographs, and ephemera varying sizes hang on a white gallery wall. On the right side of the wall hangs a photographic portrait of a figure in a striped shirt standing against a striped wall.
    The Serving Library. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [Several framed posters, photographs, and ephemera varying sizes hang on a white gallery wall. On the right side of the wall hangs a photographic portrait of a figure in a striped shirt standing against a striped wall.]
    Caption The Serving Library. Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description Several framed posters, photographs, and ephemera varying sizes hang on a white gallery wall. On the right side of the wall hangs a photographic portrait of a figure in a striped shirt standing against a striped wall.
    Year 2011
    Related pages The Serving Library
  • Color image of the corner of a darkened gallery installation. On the left, a pinhole projector inside a plaid travel bag sits atop a pedestal. On the back wall, an image of a green square with a crenellated metal opening is projected. On the right, a pinhole projector housed within a plywood box sits on a pedestal. On the right wall, an image of a red pearlescent ball, with a small white pearlescant ball attached on top, is projected.
    Color image of the corner of a darkened gallery installation. On the left, a pinhole projector inside a plaid travel bag sits atop a pedestal. On the back wall, an image of a green square with a crenellated metal opening is projected. On the right, a pinhole projector housed within a plywood box sits on a pedestal. On the right wall, an image of a red pearlescent ball, with a small white pearlescant ball attached on top, is projected.
    Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view (Doris Guo, Travel 2, 2024; Doris Guo, angst, 2023), Artists Space, 2024. Photo: Carter Seddon. [Color image of the corner of a darkened gallery installation. On the left, a pinhole projector inside a plaid travel bag sits atop a pedestal. On the back wall, an image of a green square with a crenellated metal opening is projected. On the right, a pinhole projector housed within a plywood box sits on a pedestal. On the right wall, an image of a red pearlescent ball, with a small white pearlescant ball attached on top, is projected.]
    Caption Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view (Doris Guo, Travel 2, 2024; Doris Guo, angst, 2023), Artists Space, 2024. Photo: Carter Seddon.
    Image description Color image of the corner of a darkened gallery installation. On the left, a pinhole projector inside a plaid travel bag sits atop a pedestal. On the back wall, an image of a green square with a crenellated metal opening is projected. On the right, a pinhole projector housed within a plywood box sits on a pedestal. On the right wall, an image of a red pearlescent ball, with a small white pearlescant ball attached on top, is projected.
    Year
    Related pages Doris Guo Matthew Langan-Peck Isabelle Frances McGuire Ruben Ulises Rodriguez Montoya
  • Color photograph of a figure sitting at the head of a table with seven chairs in an empty room. In front of each chair there is a small stack of papers.
    Color photograph of a figure sitting at the head of a table with seven chairs in an empty room. In front of each chair there is a small stack of papers.
    Installation view of Barbara Bloom's Solution. From Barbara Bloom, David Salle, Artists Space, 1976. [Color photograph of a figure sitting at the head of a table with seven chairs in an empty room. In front of each chair there is a small stack of papers.]
    Caption Installation view of Barbara Bloom's Solution. From Barbara Bloom, David Salle, Artists Space, 1976.
    Image description Color photograph of a figure sitting at the head of a table with seven chairs in an empty room. In front of each chair there is a small stack of papers.
    Year 1976
    Related pages Barbara Bloom, David Salle
  • A black and white illustration featuring a person in a black cat suit. A group of penguins, behind him, face towards the background. Text reads,
    A black and white illustration featuring a person in a black cat suit. A group of penguins, behind him, face towards the background. Text reads,
    Untitled (Business card), late 1970s. Copyright: Jack Smith Archive. Courtesy: Gladstone Gallery, New York and Brussels [A black and white illustration featuring a person in a black cat suit. A group of penguins, behind him, face towards the background. Text reads, "Jack Smith, Exotic Theatrical Genius!"]
    Caption Untitled (Business card), late 1970s. Copyright: Jack Smith Archive. Courtesy: Gladstone Gallery, New York and Brussels
    Image description A black and white illustration featuring a person in a black cat suit. A group of penguins, behind him, face towards the background. Text reads, "Jack Smith, Exotic Theatrical Genius!"
    Year
    Related pages Jack Smith: Art Crust of Spiritual Oasis
  • A room, view from above a stair case, with a group of men sat scatted around the area.
    A room, view from above a stair case, with a group of men sat scatted around the area.
    Waiting room view of Leben mit Pop - Eine Demonstration für den kapitalistischen Realismus , 1963 (Living with Pop – A Demonstration for Capitalist Realism) © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Photo: Reiner Ruthenbeck [A room, view from above a stair case, with a group of men sat scatted around the area.]
    Caption Waiting room view of Leben mit Pop - Eine Demonstration für den kapitalistischen Realismus , 1963 (Living with Pop – A Demonstration for Capitalist Realism) © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Photo: Reiner Ruthenbeck
    Image description A room, view from above a stair case, with a group of men sat scatted around the area.
    Year 1963
    Related pages Living with Pop. A Reproduction of Capitalist Realism
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  • Three glass topped vintrines carry smaller color photographs. The gallery walls behind display five photographs, each depicting a different hazy space adorned with thick black borders.
    Three glass topped vintrines carry smaller color photographs. The gallery walls behind display five photographs, each depicting a different hazy space adorned with thick black borders.
    David Armstrong: Portraits. Installation view, March 10 – May 23, 2026, Artists Space. Photo: Carter Seddon [Three glass topped vintrines carry smaller color photographs. The gallery walls behind display five photographs, each depicting a different hazy space adorned with thick black borders. ]
    Caption David Armstrong: Portraits. Installation view, March 10 – May 23, 2026, Artists Space. Photo: Carter Seddon
    Image description Three glass topped vintrines carry smaller color photographs. The gallery walls behind display five photographs, each depicting a different hazy space adorned with thick black borders.
    Year
    Related pages David Armstrong: Portraits
  • Black text overlays a blue background. The top left corner reads: Heather Lynn Johnson / Edwin Torres. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, March 5, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5.
    Black text overlays a blue background. The top left corner reads: Heather Lynn Johnson / Edwin Torres. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, March 5, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5.
    Flyer for Segue Reading Series featuring Heather Lynn Johnson and Edwin Torres. March 5, 2022, Artists Space. [Black text overlays a blue background. The top left corner reads: Heather Lynn Johnson / Edwin Torres. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, March 5, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5."]
    Caption Flyer for Segue Reading Series featuring Heather Lynn Johnson and Edwin Torres. March 5, 2022, Artists Space.
    Image description Black text overlays a blue background. The top left corner reads: Heather Lynn Johnson / Edwin Torres. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, March 5, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5."
    Year 2022
    Related pages Segue Reading Series: Heather Lynn Johnson & Edwin Torres
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A grid of yellow hearts on a pink background.
    A grid of yellow hearts on a pink background.
    [A grid of yellow hearts on a pink background.]
    Caption
    Image description A grid of yellow hearts on a pink background.
    Year 2017
    Related pages I ❤ John Giorno: Eating The Sky
  • A sculpture of a man holding a book is leaning against a column in an empty, open room. He is wearing a purple shirt, patterned blue shorts, and is crossing his legs, wearing white sneakers.
    A sculpture of a man holding a book is leaning against a column in an empty, open room. He is wearing a purple shirt, patterned blue shorts, and is crossing his legs, wearing white sneakers.
    Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013. [A sculpture of a man holding a book is leaning against a column in an empty, open room. He is wearing a purple shirt, patterned blue shorts, and is crossing his legs, wearing white sneakers.]
    Caption Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013.
    Image description A sculpture of a man holding a book is leaning against a column in an empty, open room. He is wearing a purple shirt, patterned blue shorts, and is crossing his legs, wearing white sneakers.
    Year 2013
    Related pages Pride Goes Before a Fall
  • A lightbox displaying a group of sitting and standing individuals. Behind them is a wall of small photographs and artworks.
    A lightbox displaying a group of sitting and standing individuals. Behind them is a wall of small photographs and artworks.
    Untitled (Dealers in a round table dialogue, Basilico Fine Arts, July 18, 1996), 1996 Duratran lightbox 3 x 8 feet Image courtesy Artists Space, New York Photo: Filip Wolak [A lightbox displaying a group of sitting and standing individuals. Behind them is a wall of small photographs and artworks.]
    Caption Untitled (Dealers in a round table dialogue, Basilico Fine Arts, July 18, 1996), 1996 Duratran lightbox 3 x 8 feet Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description A lightbox displaying a group of sitting and standing individuals. Behind them is a wall of small photographs and artworks.
    Year 2021
    Related pages ART CLUB2000
  • A black and white installation photograph of six paintings with dark geometric forms in a gallery space.
    A black and white installation photograph of six paintings with dark geometric forms in a gallery space.
    Judy Rifka. Installation view, Deborah S. Freedman, Judy Rifka, Ernest Silva, Artists Space, 1975. [A black and white installation photograph of six paintings with dark geometric forms in a gallery space.]
    Caption Judy Rifka. Installation view, Deborah S. Freedman, Judy Rifka, Ernest Silva, Artists Space, 1975.
    Image description A black and white installation photograph of six paintings with dark geometric forms in a gallery space.
    Year 1975
    Related pages Deborah S. Freedman, Judy Rifka, Ernest Silva
  • Color image of a gallery space with paintings done on adobe panels that rest on steel armatures, and are laid out around the space. The artworks depict paintings of various figures. On the wall hangs a wooden ladder horizontally.
    Color image of a gallery space with paintings done on adobe panels that rest on steel armatures, and are laid out around the space. The artworks depict paintings of various figures. On the wall hangs a wooden ladder horizontally.
    rafa esparza: Camino. Installation view (Timo, 2023; Adobera 1 (adobe brick mold), 2023; Sancha, 2023), Artists Space, 2023. Photo: Filip Wolak. [Color image of a gallery space with paintings done on adobe panels that rest on steel armatures, and are laid out around the space. The artworks depict paintings of various figures. On the wall hangs a wooden ladder horizontally.]
    Caption rafa esparza: Camino. Installation view (Timo, 2023; Adobera 1 (adobe brick mold), 2023; Sancha, 2023), Artists Space, 2023. Photo: Filip Wolak.
    Image description Color image of a gallery space with paintings done on adobe panels that rest on steel armatures, and are laid out around the space. The artworks depict paintings of various figures. On the wall hangs a wooden ladder horizontally.
    Year
    Related pages rafa esparza: Camino
  • White text on a blue and grey ombré background. The text reads: “Feb 8 / Rae Armantrout / John Kelsey.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    White text on a blue and grey ombré background. The text reads: “Feb 8 / Rae Armantrout / John Kelsey.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [White text on a blue and grey ombré background. The text reads: “Feb 8 / Rae Armantrout / John Kelsey.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description White text on a blue and grey ombré background. The text reads: “Feb 8 / Rae Armantrout / John Kelsey.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Rae Armantrout & John Kelsey
  • Two shelves and several artworks sit in a gallery space with wooden floors. To the right, there are two empty wooden bookshelves placed at right angles to one another. Above a bookshelf positioned against the gallery wall, there is text that reads
    Two shelves and several artworks sit in a gallery space with wooden floors. To the right, there are two empty wooden bookshelves placed at right angles to one another. Above a bookshelf positioned against the gallery wall, there is text that reads
    Nina in Position. Installation view, Artists Space, 2008. Photo: Bill Orcutt. [Two shelves and several artworks sit in a gallery space with wooden floors. To the right, there are two empty wooden bookshelves placed at right angles to one another. Above a bookshelf positioned against the gallery wall, there is text that reads "ARTISTS SPACE." To the left of the shelves is a figurine with rectangular torso, arms, and legs and a more naturalistic face made of a brown, clay-like material. Four small monitors are installed on the gallery wall behind the figurine, while a larger monitor rests on the gallery floor to the image's far left.]
    Caption Nina in Position. Installation view, Artists Space, 2008. Photo: Bill Orcutt.
    Image description Two shelves and several artworks sit in a gallery space with wooden floors. To the right, there are two empty wooden bookshelves placed at right angles to one another. Above a bookshelf positioned against the gallery wall, there is text that reads "ARTISTS SPACE." To the left of the shelves is a figurine with rectangular torso, arms, and legs and a more naturalistic face made of a brown, clay-like material. Four small monitors are installed on the gallery wall behind the figurine, while a larger monitor rests on the gallery floor to the image's far left.
    Year 2008
    Related pages Nina in Position
  • Three yellow-toned paintings hang at eye level, adjacent to four black viewing boxes installed on a gallery wall to the right of the canvases. A kite hangs from the ceiling in the middle of the exhibition space, its tail touching the floor.
    Three yellow-toned paintings hang at eye level, adjacent to four black viewing boxes installed on a gallery wall to the right of the canvases. A kite hangs from the ceiling in the middle of the exhibition space, its tail touching the floor.
    Whitney Museum of American Art Independent Study Program Studio Exhibition. Installation view, Artists Space, 2018. Photo: Gustavo Murillo Fernández-Valdés. [Three yellow-toned paintings hang at eye level, adjacent to four black viewing boxes installed on a gallery wall to the right of the canvases. A kite hangs from the ceiling in the middle of the exhibition space, its tail touching the floor.]
    Caption Whitney Museum of American Art Independent Study Program Studio Exhibition. Installation view, Artists Space, 2018. Photo: Gustavo Murillo Fernández-Valdés.
    Image description Three yellow-toned paintings hang at eye level, adjacent to four black viewing boxes installed on a gallery wall to the right of the canvases. A kite hangs from the ceiling in the middle of the exhibition space, its tail touching the floor.
    Year 2018
    Related pages Whitney Museum of American Art Independent Study Program Studio Exhibition
  • Close up of an illuminated white curtain, which reveals small, delicate embroidery of various flowers and herbs.
    Close up of an illuminated white curtain, which reveals small, delicate embroidery of various flowers and herbs.
    Danh Vo: Autoerotic Asphyxiation. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [Close up of an illuminated white curtain, which reveals small, delicate embroidery of various flowers and herbs.]
    Caption Danh Vo: Autoerotic Asphyxiation. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description Close up of an illuminated white curtain, which reveals small, delicate embroidery of various flowers and herbs.
    Year 2010
    Related pages Danh Vo: Autoerotic Asphyxiation
  • El Bosque Luminoso Bajo El Mar, M.S. 324 exhibition, Threads of History, May 2023
    Caption El Bosque Luminoso Bajo El Mar, M.S. 324 exhibition, Threads of History, May 2023
    Image description
    Year
    Related pages Exhibitions and Events
  • Color photograph of a fgure wearing a conical sheath of reflective one-way mirror film that covers their entire body. They squat down next to a viewer sitting in a wooden chair. The performer shines a bright light against their face, making their face visible from under the mirror film.
    Color photograph of a fgure wearing a conical sheath of reflective one-way mirror film that covers their entire body. They squat down next to a viewer sitting in a wooden chair. The performer shines a bright light against their face, making their face visible from under the mirror film.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a fgure wearing a conical sheath of reflective one-way mirror film that covers their entire body. They squat down next to a viewer sitting in a wooden chair. The performer shines a bright light against their face, making their face visible from under the mirror film.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a fgure wearing a conical sheath of reflective one-way mirror film that covers their entire body. They squat down next to a viewer sitting in a wooden chair. The performer shines a bright light against their face, making their face visible from under the mirror film.
    Year 2022
    Related pages keyon gaskin 12-18
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    Related pages Milford Graves: Fundamental Frequency
  • Close up color image of two performers on stage. In the center of the image a musician is sitting down playing the bass flute into a microphone. Out of focus in the background, another musician is playing the violin. The scene is tinted by yellow light.
    Close up color image of two performers on stage. In the center of the image a musician is sitting down playing the bass flute into a microphone. Out of focus in the background, another musician is playing the violin. The scene is tinted by yellow light.
    Abasement #76. Performance documentation, March 3rd, 2025, Artists Space. Photo: Joshua Wildman. [Close up color image of two performers on stage. In the center of the image a musician is sitting down playing the bass flute into a microphone. Out of focus in the background, another musician is playing the violin. The scene is tinted by yellow light.]
    Caption Abasement #76. Performance documentation, March 3rd, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Close up color image of two performers on stage. In the center of the image a musician is sitting down playing the bass flute into a microphone. Out of focus in the background, another musician is playing the violin. The scene is tinted by yellow light.
    Year
    Related pages Abasement #76
  • The image positioned below a speaker shows a performer singing while playing the keyboard.
    The image positioned below a speaker shows a performer singing while playing the keyboard.
    Abasement #82. Performance documentation, November 17th, 2025, Artists Space. Photo: Joshua Wildman. [The image positioned below a speaker shows a performer singing while playing the keyboard. ]
    Caption Abasement #82. Performance documentation, November 17th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description The image positioned below a speaker shows a performer singing while playing the keyboard.
    Year
    Related pages Abasement #82
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