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Ellen Fullman. Performance documentation, May 3rd, 2024, Artists Space. Photo: Casey Kelbaugh. Courtesy of Frieze and CKA. [A photograph taken from a low angle, looking up at a performer whose hand is poised on top of a long set of instrumental wires that run across the image.] -
Friends of Artists Space Dinner, 2023. Photo: Joshua Wildman. [Color image of four individuals crowded together as they look at something on a cellphone. Two individuals in the group are seated at a dinner table, where other guests are also engaged in conversation. A dimly lit and elegant venue full of other individuals can be seen in the background.] -
The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich. [A large screen in a dark room, showing an image of a pair of bare legs from the knees down.] -
Too Black, Too Strong! Installation View, Artists Space, 1988. [A black and white photograph of mixed media collage work hanging on gallery walls.] -
A film by Michael Asher. Documentation, January 23rd, 2025, Artists Space. Photo: John Miller. [A film projector is set up in the middle of a darkened room, facing a blank wall. A rectangular grey image is projected onto the wall. A group of seated spectators are backlit by the projected image.] -
Brad Kronz, I Reject the Good Opinion of Others, 2024. Wood, carpet, paper, latex paint, staples, bolts, nails. Photo: Carter Seddon [Two boards, one horizontal on the ground and the other vertical on the wall, meet at a right angle. The bottom board sits covered with stripped carpet, the top nearly covered with marroon carpet. ] -
Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez [In the foreground a large, orange slug sculpture forming a circular ring shape is installed around two cast-iron columns suspended by ten elastic cords such that it encircles the column and rests close to the ceiling. Behind it is a large, orange slug sculpture forming a circular ring shape installed around one cast-iron column suspended by eight elastic cords such that it encircles the column and rests at its vertical center. In this white-walled gallery space one can also notice a partial view of a painting in the background.] -
Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York. [Two figures move a table on wheels.] -
Shala Miller performs Genesis: Medley. Performance documentation, May 11, 2023, Artists Space. Photo: Roy Baizan. [Black & white photograph of a music score and handwritten lyrics on a music stand, with a cello bow.] -
Darien Urena, Living Brick, 2018. [A close-up photo of a snake plant in a white pot next to a brick wall, in front of a mural with somoene's instagram handle painted on.] -
Andy Robert: PAPALOKO. Installation view(Ruin, 2023; Untitled, 2023), Artists Space, 2024. Photo: Carter Seddon. [Color image of a gallery space. To the left, a taxidermied griffon vulture rests on a branch protuding from a section of a tree. Rusted, chain link fence is interwoven into the bark of the tree. Off to the right, a small shovel afixed to a childs chair is placed on the ground.] -
Lyndon Barrois Jr., Future Glimpsed, 2022. Oil on linen-mounted board, brass, solvent transfers, raw linen panel, linoleum frame, plywood. 20.75 x 16.75 inches. Photo: Filip Wolak. [A color photograph of a framed painting of two sets of hands. On top of the frame rests a color control strip.] -
Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [A crowd of people fill a dimly lit red room, some sitting and some standing. Projections of abstract images and an illuminated painting cover three of the space’s walls.] -
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Irene Fortuyn and Robert O'Brien. Atlantis, 1984. [A sculpture with a large pointy top appears on a black pedestal appear in a white-walled gallery space.] -
James Coleman. Still from Seeing for Oneself, 1987-88. Slideshow (black and white), 40 min. [A black and white film still of a person with a white beard wearing an apron seated in front of a workbench covered in glass bottles and scientific instruments. He holds an hourglass and the wall behind him is lined with dials.] -
El Nascimiento De La Tierra, Recirculation, Word-Up Community Book Store pop-up, May 2024 -
Gerhard Richter, Schloß Neuschwanstein, 1963 (Neuschwanstein Castle). Courtesy Atelier Gerhard Richter [A blue and green, abstracted watercolor illustration of a white castle settled in a landscape.] -
The Low Riders: Meridel Rubenstein. Postcard, Artists Space, 1981. [A black and white image of three individuals, one sitting inside a car and the others standing against it.] -
Pictures. Installation view, Artists Space, 1977. Photo: D. James Dee. [A black and white installation photo of a gallery space. An illuminated low pedastal on the floor holds a crescent shaped object.] -
Gulf Labor action at the Solomon R. Guggenheim Museum, March 29, 2014. Image courtesy Global Ultra Luxury Faction/Gulf Labor. [A photo looking down from the top of the Guggenheim Museum's atrium, showing people crowded around an unfurling banner.] -
Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure plays a bell into three microphones.] -
SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement with a table made of wood and a fresnel lens tabletop on the right side of the space. Along the top of the image the basement windows are tinted blue.] -
Attention Line. Installation view, Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [An image of a gallery with a jacket and poster hanging on one wall, and a projection visible on the other. In front of the projection is a sculpture made out of bike parts and other materials.] -
Poster for Schizo-Culture Colloquium. November 13 – 16, 1975, Columbia University. [Poster design featuring a white background and red text, listing a number of talks and workshops conducted by Sylvère Lotringer, John Rajchman, Arthur Danto, James Fessenden, Jean-François Lyotard, Robert Fine, Joel Kovel, François Péradldi, William Burroughs, Félix Guattari, Michel Foucault, John Cage, Ti Grace Atkinson, and Gilles Deleuze.] -
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We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [A light sculpted figure appears on a pedestal in the foreground and behind it appears a map with images of humans and nature.] -
Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [Two white walls forming a corner in an exhibition space. Displayed on the left wall is a large a photograph of an eye visible through a round hole in a white fabric hood. Displayed on the right wall is a photograph of a figure in a green KKK hood against a black background.] -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure dressed in white, laying down on a window ledge facing the street. They raise on arm up and a white light shines from their pelvic area.] -
Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979. [One red photograph is mounted at an angle on a white gallery wall.] -
Cindy Sherman. Work unknown. [Black and white photo of various figures in an office space. The set and costumes are in the style of the 1950s. One woman sits at a desk looking through papers, one woman sits at a typewriter. Three other figures are also in the space in casual poses.] -
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You Are The Everything and The Everything Is In You. Installation view, Artists Space, 2005. [A corner of a gallery space with wooden floors. Two framed works on paper hang on the left wall. A light blue color has also been imprinted on the central portion of the wall. A long scroll of paper stretches horizontally across the wall to the right. The paper is covered with black and pastel-colored markings.] -
Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Amiri Baraka, Cellar Vigil (Experimental Death Unit #2), 1966), Artists Space, 2023. Photo: Filip Wolak. [The entrance to a gallery space. Two video stills are projected on the wall facing the entrance. The left projector shows a black-and-white film image of two figures in trench coats with paper bags over their heads doing pushups. On the right is a black-and-white film image of a pair of black shoes hanging over a wooden ledge.] -
[A man in a sleeveless Metallica shirt stands in front of a makeshift music studio, looking at the camera.] -
Yuki Kimura, Wardrobe Extensions Version 5, 2019, three wood wardrobes with metal hardware, wood panel, paint. Photo: Daniel Pérez [A wooden wardrobe stands against a white wall. In the background, four projectors sit on the floor amid one black column. Two white test patterns are projected on white walls.] -
Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman. [A performer on stage leaning over a table with electronic instruments, holding a mic close to their mouth. They are bathed in yellow abstract projections, which also cover the wall.] -
Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Gary Burnley. [A black and white photograph of a multicolored globe sitting on a wooden floor.] -
[Screenshot of an Instagram image posted 18 minutes ago by an account named "tusetamer." The photo depicts an outdoor concrete wall with an air conditioner unit visible in the background. Red text spray painted across the wall reads, "Tayyip / WINTER IS / COMING."] -
Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman [A band plays on stage, with a figure playing the piano in the foreground of the image, while another plays congas behind him. A third figure plays the tuba in the background.] -
Artists Performance Series. Installation view, Artists Space, 1977. [A black and white photograph of a gallery space. On the wall, seven framed works are hung, each featuring a grid of small black and white images.] -
Caroline Key. Still from Speech Memory, 2007. 16mm film on video, color, sound; 23 minutes. Courtesy the artist. [White text on a black screen reads: “An additional interpreter was needed to translate my father’s Korean into English.”] -
[Video still of a figure in glasses wearing a pink dress with black tulle fabric on a small stage. An overturned, white table is siutated to their right, and papers are strewn across the ground. The figure hunches over, looking out towards the audience. Their left hand is bent at their chest and points upwards, while their right hand touches the back of their head.] -
[Black, Arial text, reads, "The Library of Helen DeWitt."] -
Neraldo de la Paz, Angel, 1982. [A figurine human head and hands appear from an amalgamation of various objections and materials hanging on a white wall.] -
Gerhard Richter Hotel Diana , 1967 80 copies + 40 artists proofs, signed and numbered screen print, 59,4 x 80 cm Courtesy of Edition Block, Berlin [A sepia photograph of an angled, above view of two men lying in seperate adjacent beds. On the walls above them, hang two small picture frames.] -
David Kroll. The Intrusion of Fear, the Fear of Knowing, 1985. [A fanciful drawn landscape of hunters following deer next to a figure in front of their desk next to a window and fireplace.] -
Black text overlays a pixelated gradient pattern in various hues of pink and yellow. The text reads: “April 6 / Charles Alexander / Laura Jaramillo.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)" -
We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [A large decorative panel painting with sculptural elements hangs on the back wall adjacent to photographic images on the wall. In between two columns are two glass covered cases.] -
Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure to the right stands on stage and performs in front of an audience, shown to the left.] -
Jeremy Deller, Together 4 Ever, 1995. Silkscreen on paper, 27 x 19 inches. Edition of 4. 2 of 4 AP. Courtesy the artist and Gavin Brown's Enterprise, New York. [A rainbow-hued poster of the Queen. Black serif text positioned above and below her image reads, "Together 4 Ever".] -
Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a gallery space. Various musical instruments and audio devices are placed around the middle of the room, photographs and vitrines hang on the walls, and various television monitors and projected images are placed along the sides of the room.] -
[A person wearing a blue jacket and headphones sits at a table, surrounded by windows with view to a rocky, dry terrain.] -
[A lamp pole, left of center, in an upward angled view of a sunny, cloud covered sky. The pole has a coiled wire running upward to a security camera mounted on its top.] -
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Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photo of an installation work in a gallery. On a wooden partition wall in the back of the space, two large carboard drawings hang. To the left, in front of the wooden parition, a paper-mache sculpture is placed on the floor. In the center of the image, ceramic works and kinetic sculptures made of branches surround a structural column. Behind the column, there are more paper-mache sculptures placed on the floor and hanging off the wall. In the right foreground, two windows with images painted on the glass hang from the ceiling.] -
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Judith Barry. In the Shadow of the City (Vampry...). Installation view. Artists Space, 1985. [A video projection on a scrim of an urban environment with a store and a park lot visible with buildings in the background. A standing box with a wire coming from the back is visible and another box with a wire from the back is visible on the right wall. All of this is set up in a gallery setting.] -
Marina Grzinic and Aina Smid, still from Axis of Life, 1987. 6 minutes. [Two people are seen from below, standing and facing one another in a shadowy window. Below them, the subtitle text reads, "although it was a case of murder. I remember the report."e] -
Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A projected image on a standing screen shows a bumper-to-bumper view of two shiny silver cars with a third car in the background.] -
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Mark Morrisroe. Still from Nymph-O-Maniac (1984). [Three people wearing facemasks. One is dressed in an ultra-feminine mask, nightgown and open robe, facing the camera. The other two are facing the first figure, dressed casually in t-shirts and a denim vest.] -
SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement with a rectangular shaped sculpture made of a wooden frame with fresnel lenses placed along the top and sides. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.] -
Not yet titled, 2019
Clay, glaze, mixed media
12 x 13 x 5 inches (variable)
$5,000
[An Elegoo microcontroller is affixed to the side of a brownish sculpture sitting on a white base. Two blue wires are plugged into a lemon and an onion on a platform, each connected to the microcontroller.] -
Metaphysical Visions. Installation view, Artists Space, 1989. [An abstract sculpture made of sticks, cords, and a textile sits in the center of a gallery space. Three large paintings hang on the walls around it, all blending abstract, painterly designs with latin text.] -
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Local Transit. Installation view, Artists Space, 2006. [A long sheet of paper with a drawing of highway signs and a gas station on it hanging on a white wall. Hung above that are three paintings of logos.] -
Community Listening event, Listening to the LES, P.S. 140, 2018 [A photograph of a classroom environment with several students sitting around the edges of the room and a few drawing directly onto a white tablecloth in the center of the room. An image of the underside of a large bridge is shown on a monitor at the front of the room] -
Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. [A color photograph of a figure standing behind audio mixing equipment and a microphone in an orange-lit space. A crowd looks on.] -
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Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a background of yellow, orange, purple, blue, and red paper. Small pieces of paper with typewritten text listing the performers and event details are scattered around the flyer.] -
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Michaela Eichwald, Ten Top Photographs for Artists Space, 2015, Series of ten inkjet prints, Assorted dimensions range from 5 x 7 in to 5 x 7 ½ in / 12,7 x 17,8 cm to 12,7 x 19 cm, each Signed and Numbered Certificate [An arrangement of 10 colored photos, each showing a different outdoor and indoor settings, including settings of nature, animals, a red trailer, an overexposed lecture hall, and a portrait of a woman.] -
Brad Kronz. Installation view, Artists Space, 2025. Photo: Carter Seddon [Stacked wooden planks stand on the left wall. One plank rests at an angle as if supporting the others above. Three other sculptures are seen dispersed around the gallery. ] -
Samuel Steward [A slightly grainy image of a man standing shirtless with his arms crossed. He has a large, floral tattoo spanning from shoulder to shoulder across his chest, and a cigarette in his mouth.] -
Matt Mullican, Wall Labels, 1976. From Susan Eder, Matt Mullican, Artists Space, 1976. [A black and white photograph of dark silhouetted shapes pasted on a wall, including a tree, a television set, a phone, a lightbulb, and a place setting.] -
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Pictures. Installation view, Artists Space, 1977. Photo: D. James Dee. [Black and white installation shot of a gallery corner. Attached to the wall are nine square black pieces on the left, and two dark circles on the right.] -
Artists Draw. Installation view, Artists Space, 1979. [A group of people sitting in chairs arranged in a circle, all facing inwards. Drawings are hung on the walls.] -
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John Salvest, Cipher, 1989. Wood, brass, plexiglass, alphabet noodles, 80 x 24 x 6 inches. [A narrow, white door with the number "0" on it is partially open against a white wall, obscuring what is behind it.] -
Pride Goes Before a Fall/Beware of a Holy Whore - An Exhibition in Two Acts. Installation view, Artists Space, 2013. [A TV monitor is displayed left of center on a white wall plastered with black-and-white posters that read, "Wanted, wee willy," and two large "e"s. To the right behind a doorway, large beanbags sit infront of bookshelves.] -
Andy Robert, Pocket Money (a little pocket money; a chase, a bill, away—to runaround), 2021. Photo: Filip Wolak. [Color image of a small framed white envelope, folded in half, with an abstract pen drawing of a face on it.] -
Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata [Color image of a darkly lit room. A figure sits behind a white table filled with audio equipment and two standing microphones are placed above the table. Light sensors are attached to the wall behind the figure where a projection of images plays.] -
Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [A female mannequin stands upright in a gallery space. It wears a shiny black wig with bangs, a black polo shirt, and a red skirt with gold lacing that drapes onto its legs. A red, fabric cut-out hangs from the bottom edge of the skirt, draping against the mannequin's left leg.] -
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Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court [Three figures stand in front of a large banner bearing a portrait.] -
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Tisziji Muñoz [A black and white image of a figure with long, wispy hair and a mustache playing guitar.] -
Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. [A color photograph of a figure in an orange and white-lit space, leaning forward slightly to adjust a dial on a piece of audio equipment.] -
Gerome Kamrowski. Hopeful Monster, 1980. [Three panels with animal-like figure outlines appear on the floor opened out with a black background.] -
Witnesses: Against Our Vanishing. Installation View, Artists Space, 1989. Photo: Frances Miller Smith. [A gallery with low lighting and white walls is hung with a painting and a grid of photographs. More artworks are visible around a corner in another room.] -
Yellow. Performance view, Artists Space, 2008. [A woman is seated wearing a long, yellow dress with a full skirt that has extra fabric at the bottom. She is holding up soapsuds, which are dripping down onto the front of her skirt.] -
[Semi-translucent, white cloth material embroidered with thin black and yellow linework. A cluster of embroidered black lines gather at the top of the fabric. At their center is a group of words that have been embroidered onto the fabric. They overlap with such density that they are illegible. Small embroidered yellow circles decorate the lower half and right corner of the fabric.] -
Las Nietas de Nonó, Especie: archivo natural, 2022, sounds, lamp, phone booth, phone booth hotline, fish tanks, atmospheric water, yucca, corn, dracaena, snake plant, dragon tree, tree trunks, handmade lyca garments for tree trunks, mirror pond; Dimensions variable. Photo: Filip Wolak [A large mirrored pond made of a wooden base with a reflective lining on top is surrounded by three tree trunks, plants, fish tanks, and a phone booth. A large lamp hangs from the ceiling with a metal locker in the back.] -
Eiko Ishibashi: Two New York Nights. Performance documentation, June 8, 2022, 8pm. Artists Space, New York. [A figure facing a microphone looks upon a computer with audio software open.] -
A Strategy Hinted At. Installation view, Artists Space, 1996. [Five works depicting wood patterns in various tones are arranged in a horizontal line on a white wall.] -
Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court [A group of figures dressed as firefighters spread out a tarp. Behind them is a cardboard set illustrated to look like a fire.] -
Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman. [A performer facing an audience in a dim, red-tinted room. The musician is standing over a table covered in electronic instruments. Patterns of white dots reflecting from a disco ball surround the room. ] -
Adjua Gargi Nzinga Greaves, For Aricka, Ayana, Ayodele, Bernice, Chantelle, Charmaine, Cynthia Ch., Cynthia Co., Daphne, Davina, Dawn, Dina, Emily, Erica, Evadne, Frances, Gail, Gwen, Hara, Heather, Imanei, Imani, Janet, Jenny, Kadija, Kahdeidra, kale, Kelly, Kenya (R), LesLes, Lois, Lynnette, Madeleine, Mahogany, Marsha, Maiya, Najela, Nontsi, Ola, Pilar, Queen, RaFia, Ro-Ro, Sandra, Sasha, Serenity, Shana, Simone L, Simone W, Tabitha, Taiyi, Trinity, Uchenna, Vivian, Wangechi, X, Yvette, Zuri, detail, 2021. Living plants: Hannibal (Epipremnum aureum) with rose quartz, Gertrude Deuxieme (Tillandsia xerographica), Leonie (Philodendron totem), Eversley Deuxieme (Tillandsia xerographica), Melford (Epipremnum aureum) with amethyst; dessicated floral matter (eucalyptus, grass, willow, palm), knight on horseback figurine, brass candlesticks, polystyrene, porcelain and 18 karat gold plates, crystals (various), bamboo earrings, jade, cremains, leather, cork, glass, dragon figurine, sandalwood incense and ceramic holder, palo santo (Bursera graveolens), and window, overall dimensions variable. Courtesy Artists SPace, New York. Photo: Filip Wolak [Potted plants and small figurines line the windowsill. Beneath the window are four framed works on paper.] -
Barbara Levy: Photographs. Postcard, Artists Space, 1979. [A view of a city street and the tail end of a bicycle is obscured by window blinds.] -
We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [Painting of figures with Native American headdresses on a white gallery wall with a sculpture appearing in front of it.] -
David Gesualdi. Placeredii, 1987. [Black background with a white outline of an amorphous white figure.] -
Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [A figure plays the violin in front of a microphone.] -
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Marian Zazeela, 19 XI 66/2, 1966, India ink on card. Courtesy of the artist. [Black-and-white drawing of a cluster of black curled lines organized into a square shape in the middle of a white page. Handwritten text in faint pencil along the bottom of the page reads "© Marian Zazeela 1988."] -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure dressed in white, laying face down across two ledges of a raised desk.] -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a large empty room bathed in a red light. Along one wall, a performer dressed in white stands against the wall, bending over and looking to their left. A bright white light shines from their hips and a sheath of crinkly, reflective one-way mirror film lays on the ground in front of them.] -
Combined Faulty Acts. Installation view, Artists Space, 2008. Photo: Bill Ocrutt. [Five rows of bleachers built from wood, with dozens and dozens of assorted sculptures of gray, painted pigs arranged in decreasing size from the top bleacher to the bottom. Two flying pigs are hung on the wall directly behind the bleachers. Several feet away, across from the pigs, is a side view of a frame made of columns. On the wall between the pigs and the columns is a poster of hanging scales.] -
Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [A figure in a suit performs on stage, reading into a microphone off sheets on a music stand in front of them.] -
Dubhenge, 2025, wood, stain, wood filler, screws, carpet, fabric, and board. Photo: Carter Seddon [Five wooden panels stack atop one another to vertically scale the wall.] -
Frederick Hammersley. Hide and Speak, 1973. Oil on Linen. 40 inches x 40 inches. [Abstract painting with orange squares and black lines around the side and center with white filling most of the central area.] -
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Five Spanish Artists. Installation View, Artists Space, 1985. [A few indistinguishable paintings appear on adjacent walls in a white-walled gallery space.] -
New Economy. Installation view, Artists Space, 2007. [An installation view with a deconstructed skateboard on a pedestal in the foreground with two suitcases in the background and a two dimensional depiction of a stereo system along with other small wall works.] -
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Abasement #70. Performance documentation, July 1st, 2024, Artists Space. Photo: Joshua Wildman. [View of 3 performers on stage from center left. Performers pictured in front of soft pink, blue, and white light against a wall. Leftmost performers is seated, speaking into a microphone and manipulating a tape machine with hands. Performer in center is drinking from a blue water bottle. Rightmost performer is making sound through cupped hands into microphone. Sharply defined shadows against back wall. ] -
New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court. [A figure wearing all black lies on their back on a concrete floor. Their hips and knees are lifted off the floor, with their hand holding a dangling microphone by the cord. There is a crowd of people arranged in a semi-circle behind the performer, and disordered empty chairs in the foreground.] -
Robert Longo, c. 1976. From Exchange Show: Hallwalls, Buffalo, NY, Artists Space, 1976. [A granulated image of a figure's face resembling the Statue of Liberty.] -
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Michael Bullock, Roman Catholic Jacuzzi (New York: Karma Publishing, 2012). [A blue and teal book cover depicting the title and author against a flat background.] -
Murray Reich. Two Ply, 1989. [A plywood board with rows of circular holes cut out of it overlays a black rectangle with blue and yellow lines on it.] -
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SCRAAATCH, Untitled July 4th Performance, 2022. Photo: Mo Costello. [A microphone and lights are set up in a field, with trees along the horizon line.] -
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We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [A painting can be seen on the right adjacent to walls with a number of posters on them and a window. A sculpture on a pedestal can be seen in the background. A curving ceiling is visible above.] -
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Split/Vision. Installation View. Artists Space, 1985-86. [Framed square and rectangualar photographs are visible in a white-walled gallery space with white columns centered in the image.] -
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Super 8 Film Exposition. Installation view, Artists Space, New York, 1977. [A black and white photograph of a gallery space. Several film reels and projectors are positioned on tables and stands.] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [A figure in a blue morph suit leans their arms on top of a rolling table made of wood and fresnel lenses, pushing it toward another figure that stands in front of them filming them. In the background a third figure in a blue morph suit sits and leans down on top of a rectangular wooden frame. Blue footage is projected onto the back wall.] -
Alaa, Nature Dress, 2022, acrylic on paper -
“Decolonize This Museum” protest outside the American Museum of Natural History, October 10, 2016. Photo: Andrés Rodriguez [Two children holding up black signs with white text in front of a building covered by an opaque plastic material, one sign reads "WAKE" and the other reads "Remember."] -
Friends of Artists Space Dinner 2024. Barbara Gladstone and Emily Wei Rales. Photo: Jenna Bascom [Two women stand close together and smile at the camera. Barbara Gladstone, who stands on the left, is wearing a black long-sleeved cowl-neck gown. Emily Wei Rales, who is on the right, wears a dark eggplant dress with fringe accents and trim.] -
Ruben Ulises Rodriguez Montoya, Gloria Gloria, Balenciaga 2010 FW/RTW by Nicolas Ghesquiere, and Kate Moss as a hologram for Alexander McQueen, 2022 [Color image of the corner of a gallery space with three hanging sculptures. The sculptures are made of pigmented silicone, old clothes, zip ties and various other found materials. The sculptures are mainly made of white materials, and feature anthropormorphic and abstracted forms.] -
Frozen Lakes. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A red metal sculpture displayed on a pedestal in front of a monitor installed on a freestanding wall. The monitor's screen displays an image of three people gathered around the displayed sculpture as it is pieced together.] -
Adjua Gargi Nzinga Greaves: The x in florxal is silent when spoken. Installation view, Artists Space, 2021. Photo: Filip Wolak. Courtesy Artists Space, New York. [A photograph of a gallery space with works on paper hung on the far wall and plants, works on paper, and a collage mounted on the right wall, which is painted pink.] -
Underground: Jose Gabriel Fernandez. Installation view, Artists Space, 1991. [A large cone-shaped object in a room with wooden floors and a window covered with a sheer curtain. A light, floral print decorates one wallpapered wall; the same print covers the cone.] -
Marc Blane, c. 1975. From Marc Blane, Ken Hubbell, Carole Stein, Artists Space, 1975. [A color photograph of four sculptures resembling miniature theatre sets.] -
Social Surfaces. Installation view, Alexander and Bonin, 2017. Photo: Ron Amstutz. [A wooden platform on wheels surrounded by a border of small poppy red brick-like sculptures, that continue to surround the base of a white pole. Sculptures and paintings are visible on the back wall behind the wooden platform.] -
Friends of Artists Space Dinner, 2023. Photo: Joshua Wildman. [Color image of three individuals captured as they engage with other guests at their table. A dimly lit and elegant dinner venue can be seen in the background.] -
New Art Auction and Exhibition. Installation view, Artists Space, 1977. [A black and white installation view of a gallery space with a set of six large window panes. Various pieces of artwork hang from the walls.] -
Young Fluxus. Installation view, Artists Space, 1982. [A number of trays of items appear around a flickering light beam over a white sheet on the ground.] -
Nayiel Walker, Don’t Let the Sun go Down on Me (for Puerto Rico), acrylic on paper, 2019 [A stylized painting of a silhouette sitting on the edge of a brick wall, looking out at a vibrant sunset, with a palm tree in the distance] -
Andy Robert, Favorite Perch, 2023. Taxidermy crow, hair, bottle caps, iron nails, iron axe. Image courtesy Artists Space, New York. Photo: Carter Seddon. [A color image of a gallery space. In the corner of a gallery space, a taxidermied crow is perched atop an iron axe that is decorated with bottle caps. The crow and the iron axe are placed upon a tall pedestal about four feet tall, so that the crow is at, or above the viewers eye level. Entangled in the birds feathers and wings are strands of black hair.] -
Jack Smith: Art Crust of Spiritual Oasis. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A two-toned wall with three paper collages hanging next to a niche that houses a red elevator. Vinyl text displayed on the wall above the niche reads, "Jack Smith, Art Crust of Spirtual Oasis, June 22 - September 9."] -
[White text on a bright fuchsia background. The text reads: “Nov 1 / Jzl Jmz / Edward Salem.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
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LaToya Ruby Frazier, A Message In Nestle Water Bottles from Shea Cobb and Amber Hasan at Sussex Drive and West Pierson Road, Flint, MI, 2017/2023, set of three archival pigment prints on Canson Platine Fibre Rag, 16 x 24 inches (40.6 x 61 cm) -
DIVA TV Collective, Target City Hall, 1989. 27 min. [Onlookers and news reporters with cameras crowd around helmeted police officers surrounding a graffitied truck.] -
Yasunao Tone performing Molecular Music (1982–85) during a studio rehearsal, New York, c. 1990. [A black-and-white image shows a person seated behind a white desk, adjusting an audio device with their hands. The device is surrounded by replacement speakers with organically shaped wires. In the background, a projected video shows a landscape and a shadowy figure.] -
Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a background of beige, yellow, orange, green, and red paper. Small pieces of paper with red typewritten text listing the performers and event details are scattered around the flyer.] -
Those Lost Trees by Viola Yesiltac (2005). [A woman stands, facing away from the camera. She is standing on a photo backdrop of trees in a forest, which covers part of the floor and is raised into the air by stand. Studio lights surround her, casting a slight glare off the backdrop.] -
Artists Performance Series. Installation view, Artists Space, 1977. [A black and white photograph of a gallery space. A television monitor is placed on a bench on the left, and two figures look on from a couch directly across from the screen. Hanging on the wall to their right are four framed works.] -
Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater. Installation view, 2019. Photo: Daniel Pérez. [Twelve long wooden poles are mounted on a white gallery wall in a circular formation, projecting out from the wall and intersecting a line of black columns, forming a teepee shape. A large piece of brown linen stained with various black, white, and rust-colors hangs from the poles. Part of the linen drapes on the ground below the teepee structure. Several sculptures are visible behind the structure, containing disembodied humanoid heads arranged among platforms and pieces of wood, cardboard, and other materials.] -
Warnung vor einer heiligen Nutte (Beware of a Holy Whore). Dir. Rainer Werner Fassbinder. 1971. [A man and a woman sit in two low wooden chairs. The man wears a brown hat and striped suit, while the woman wears a white top with a low v-neck. Her hair is blonde and stylishly curled. She stares ahead, her left hand gently resting on her chin. The man stares sideways at her.] -
Nandi Loaf, Aristotelis Nikolas Mochloulis, ricardo nagaoka, Sydney Schrader. Installation view, Artists Space, 2025. Photo: Carter Seddon [A series of paintings made with brown and red paint against a white background are hung on a wall.] -
Craig Baldwin, Spectres of the Spectrum (still), 1999. [A black and white photo of three figures. The faint circular outline of a clock face surrounds the middle one, who is wearing a suit and a helmet.] -
Flyer for Segue Reading Series featuring Julian Louis Phillips and LA Warman. February 26, 2022, Artists Space. [Black text overlays a blue background. The top left corner reads: Julian Louis Phillips / LA Warman. The middle reads: Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “Saturday, February 26, 5pm / Zoom ID: 893 9594 7519 / Suggested donation $5."] -
Gary Falk, Brigid Kennedy, Ladd Kessler, Peggy Yunque. Installation view, Artists Space, 1981. [A dim photograph of mulitple artworks hanging on a white wall in the exhibition space.] -
Vivienne Dick. Still from Guerilla Talks, 1978. [A figure with short hair energetically strums an electric guitar, their mouth wide open. Another figure with dark hair, partially cut off in the image, leans down to strum another guitar or base instrument.] -
Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang. [In a basement space, an audience watches as a figure sitting behind a white table reads into a microphone. On the back wall behind the figure are two projected videos featuring a notebook, pieces of coral, and an image of the ocean.] -
Abasement #66. Performance documentation, October 9, 2023, Artists Space. Photo: Joshua Wildman. [A color image of two figures performing. The figure on the left plays the saxophone. There is a standing microphone in front of them. The figure on the right, has their eyes closed, and is playing the guitar. Blue and red light is projected onto them.] -
Abasement #71. Performance documentation, August 5th, 2024, Artists Space. Photo: Joshua Wildman. [Portrait of a musician with long blonde hair holding a microphone with their eyes close. There are microphones and stands to their sides. The wall behind them is yellow with images of architectural columns. ] -
The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich. [To the right, a gray silhouette of a woman with her hands on her hips is installed on a white wall. Exposed wires run from an electrical socket to the left of her legs to a box on the ground. A television monitor sits on the ground in front of the back of a projection screen positioned between two standing speakers.] -
Sam Pulitzer: A Colony for “Them”. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A freestanding white wall displaying a metal plaque engraved with paragraphs of text juts in front of another angled, white wall in an exhibition space. A large paragraph of wall vinyl text is displayed on the second, angled wall.] -
Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang. [A figure in a blue dress stands behind a white table, they slowly unfold a book as another figure in the audience stands and reaches over to read off of the paper.] -
Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez. [A partial view of a large, orange circular slug sculpture is in front of a painting hanging in a white-walled gallery space.] -
Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman. [Color photo of three musicians captured mid-performance on stage in a low-lit venue space. The central musician plays the trumpet, and is flanked at either side by men playing clarinets. Abstract and fragmented projections in green and yellow-orange shine onto the musicians and cast onto the wall behind them.] -
Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure is shown in profile speaking into a microphone, sitting behind a table and working on a laptop.] -
Jessica, the imagination of being in the rocks, digital photograph, 2023 -
Jason Hirata, Gavroche, 2019. 5000º Kelvin industrial LED retrofit bulb, gallery power grid. [In the corner of a room, close to the ceiling, a white L-shaped wall mount holds an LED lightbulb upright. A black wire connected to the lamp is taped to the wall with black tape and disappears off to the right of the image.] -
Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman [Black-and-white image of three figures standing and performing on stage. Each figure holds a microphone to their face, their eyes closed in concentration. The figure in the middle is wearing a guitar while the other two on the left and right stand behind tables full of audio equipment.] -
Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon. [A series of reproduced photographic stills are displayed in a row along a white gallery wall. The stills are taken from a television broadcast and depict graphics from commercials, and the inside of a television studio. In the foreground is a magazine, displayed open on a plinth made from MDF. ] -
[A pink trifolded pamphlet with black text opened fully to display information about "Putt-Modernism", an "artist created 18-hole fully playable minature golf course," including a list of participating artists.]
