-
Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure stands behind a microphone, their hands placed together in front of them and looking off.] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Image of a dimly-lit basement, a figure holding a video camera with a rig on their shoulder takes footage of the back wall, which has blue and purple light projected onto it.] -
Nayiel Walker, Self Portrait, 2018 [An abstract painting, mostly blue, purple, and black, with splashes of yellow and pink. Several of the brush strokes take on a vaguely anthropomorphic association.] -
-
Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure dressed in black stands behind a microphone and stretches their arms above their head.] -
Lyndon Barrois Jr., Balthazar (After Bresson), 2021. Blue graphite on paper, antique brass frame. 10 x 8 inches. Photo: Filip Wolak. [A small framed drawing of a donkey head in blue, resting on a white shelf against the wall of a gallery space.] -
-
-
Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a background of turqoise, beige, pink and red paper. Small pieces of yellow paper with typewritten text listing the performers and event details are scattered around the flyer.] -
Tom of Finland: The Pleasure of Play. Installation view, Artists Space, 2015. [Six pornographic illustrations of men near trees are framed on a wall.] -
Yasunao Tone in Concert with Barbara Held. Performance documentation, January 19, 2023, Artists Space. Photo: Destiny Mata [A figure sits in front of a table with audio equipment, including a commodore computer and flute-to-haiku converter.] -
Anne Collier, Tear Sheet, 2010, Digital C-print, 23 1/3 x 20 in / 59,2 x 50,8 cm, Signed and numbered certificate. [A color photo advertisement for an Olympus OM-10 camera, depicting a woman holding the camera and smiling, looking just past the viewer. The image is titled "CHERYL TIEGS PRAISES HER FAVORITE MODEL." A short interview is printed at the bottom right of the image, where Cheryl goes back and forth with an "interviewer" about her love of the camera.] -
-
Selections from the Artists File. Installation view, Artists Space, 1989. [A photograph of two walls of a gallery space. On one, photographs hang in an uneven row. On the other, two sculptures protrude from the wall.] -
Activated Walls. Installation view, Artists Space, 1993. [A person sits in a chair with a ladder next to them, bent over and painting on the bottom of a wall. The wall is painted top to bottom with a large black cross and several figures. Hand-painted text at the top of the wall reads, "WHAT THE CHURCH OFFERS."] -
Flyer for Segue Reading Series featuring Trisha Low and Alisha Mascarenhas. Saturday, November 14, 2020, Artists Space. Artist: Keith Higginbotham [Cropped cutout photographs of a face are collaged together, forming an irregular shape. Purple text over the image reads "Trisha Low / Alisha Mascarenhas / Segue."] -
Mitch Corber, video still, c. 1977. [Black lowercase typewriter text on a white background reads "we can't wait."] -
Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon. [Ten photographs are displayed on a white gallery wall. The photographs are arranged into two identical rows. The photographs along the top are darker and cool toned. The photographs along the bottom are much brighter and warm toned. To the left of the photographs is a white panel that shows the floor plan of a gallery.] -
New Art Auction and Exhibition. Installation view, Artists Space, 1977. [A black and white installation view of a gallery space with a set of six large window panes. Various pieces of artwork hang from the walls.] -
Mr. Dead & Mrs. Free: A History of Squat Theatre. Installation view, Artists Space, 1996. [A room with two chairs facing toward a low table with a small monitor and assorted bottles. There are two windows, both blotted out with smears of paint. A large sculpture of a person with crouched legs and their arms above their head is suspended from the ceiling, with a second smaller head emerging from between the squatting legs.] -
Constantina Zavitsanos: fwiw. Installation view, Artists Space, 2024. Photo: Carter Seddon. -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Three figures perform in a basement. Two figures in blue morph suits act out a scene together. The figure on the right scratches a fresnel lens attached to a wooden rolling table while the left figure walks toward the table. A third figure takes video footage of the scene.] -
John Torreano. Installation view, Artists Space, 1974. [A black and white installation photograph of a gallery space. Two dark square canvasses hang on the wall, one is a large and the other small.] -
Tom of Finland: The Pleasure of Play. Installation view, Artists Space, 2015. [Four pornographic illustrations framed on a wall.] -
Selections from the Artists File. Installation View, Artists Space, October 1, 1987 - October 31, 1987. [A painting collage with three separate figures represented hanging in a white-walled gallery space with a clock above it right where a finger in painting is pointing.] -
-
[Graphic logo reads I ♥ John Giorno in red text.] -
Chadwick Rantanen, Untitled, 2007. Video animation. Courtesy the artist. Photo: Bill Orcutt. [A rectangular television sits on the wooden floor near the wall. The high-contrast image on the TV shows another room with a long table upon which are computers, phones, and other office equipment. There are chairs at the desk and images hung on the wall.] -
Adjua Gargi Nzinga Greaves, Autotelemachy, detail, 2017. Collage, 59 x 68 inches. Courtesy Artists Space, New York. Photo: Filip Wolak [A collage with a woman's figure in profile attached to a framed map, mounted on a pink gallery wall.] -
Friends of Artists Space Annual Dinner, 2018. [A color photo of three individuals smiling and posing together in an embrace for the camera. Other individuals engage with each other in the background of a dimly lit space.] -
Nandi Loaf, Aristotelis Nikolas Mochloulis, ricardo nagaoka, Sydney Schrader. Installation view, Artists Space, 2025. Photo: Carter Seddon [A series of paintings are hung along four gallery walls. Many of the paintings loosely depict human figures or abstracted body parts in brown and red toned paint against white backgrounds.] -
Ian White, Here Is Information. Mobilise (Montréal: LUX, 2016). Image courtesy of Tenderbooks. [A blue book cover with white text that reads "Here is Information. / Mobilise. / Ian White."] -
devynn emory, Grandmother Cindy. Performance documentation, May 18, 2022, Artists Space [A person dressed in blue stands next to a mannequin draped in red fabric lying on a rolling table. To the left is an IV stand and people seated in the background.] -
Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [A figure performs on stage into a microphone with a small electric guitar in their lap.] -
Abasement #67. Performance documentation, January 15, 2024, Artists Space. Photo: Joshua Wildman. [Color image of the audience. In the foreground, audience members are seated in chairs and in the background, folks stand and watch the performance. Almost all of their eyes are attuned towards the stage, which is out of frame to the right. Many of the audience members wear smiling, joyful faces as they watch the show. The audience sits in the dark of the seating area, small specks of bright white light reflecting from a disco ball scatter on their bodies and the walls behind them. ] -
Lyn Blumenthal and Kate Horsfield, still from Nancy Spero: An Interview, 1982. 35 min. [A close-up, black and white photo of a person mid-speech, looking off-center.] -
Meryl Vladimer. Installation view, Louisa Chase, Ted Stamm, Meryl Vladimer, Artists Space, 1975. [A black and white photograph of a sculpture comprised of nine dark orbs on a dark circular backgroun.] -
Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [A figure plays the violin in front of a microphone.] -
SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.] -
We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [A large decorative panel painting with sculptural elements hangs on the back wall adjacent to photographic images on the wall. In between two columns are two glass covered cases.] -
-
Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Four gallery walls sit at various angles in a bright-lit exhibition space. One of the walls is decorated with colorful vertical stripes. Another wall is covered in many small, square grid-like compositions. A wall at the photograph's center is decorated with a composition of abstract, smooth shapes and various figures rendered in black and white.] -
Cory Arcangel, $10 Applebee’s Gift Card, 2013, Plastic gift card with $10 value, 2 x 3 in 5 x 7,6 cm, Signed and Numbered [Gift cards features Applebee's branded logo of a red apple. Verso of the card shows the apple design with an American flag and says "THANK YOU"] -
Flyer for Segue Reading Series featuring erica kaufman and M. Lamar. January 28, 2023, Artists Space. [Red and green text overlay an orange background with abstract lines and a drawing of a male figure riding a horse in the bottom left corner. The text in the middle reads "erica kaufman / Segue Reading Series / M. Lamar."] -
Split/Vision. Installation View. Artists Space, 1985-86. [Photographic works hang on two adjacent walls in a gallery space. On the left they are more horizontal and on the right they appear more vertically arranged.] -
Artists Performance Series. Installation view, Artists Space, 1977. [A black and white photograph of a gallery space. On the wall, seven framed works are hung, each featuring a grid of small black and white images.] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Two figures perform in a basement. On the left a figure with a video camera and shoulder rig takes footage of another figure on the right, dressed in a blue morph suit, and pushing a semicircular rolling table made of wood and fresnel lenses. Along the back wall blue and purple tinted live CCTV video footage is projected.] -
Abasement #77. Performance documentation, April 7th, 2025, Artists Space. Photo: Joshua Wildman. [Color image of a performer leaning over a record player with headphones on. One of their hands is partly out of frame while touching the machine. The background is out of focus, and bathed in bright blue light. A small portable light is placed on top of the record player, illuminating both it and the performer. ] -
Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [A figure performs on stage, holding their iPhone up to a microphone.] -
Michael Brewster. Text and documentation of installations, Inside, Outside, Down and Soliloquies, 1977. [A speaker balances on its side on the top of a step ladder in a gallery space. Directly above the ladder are four large window panes which look out onto trees.] -
-
ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A view of a vending machine against a glazed over window, tiled images on a white gallery wall, and a glass table surrounded by four wooden chairs.] -
Carolee Schneemann. Installation View of War Mop, 1985. Video sculpture and installation with mechanized mop, plexiglas fulcrum, TV monitor. [A black and white photograph of a mop on top of a working CRT television in a gallery setting.] -
Paper Exhibition. Installation view, Artists Space, 2009. Photo: Adam Reich. [A large, empty room with three white walls. The right wall displays glossy papers folded into geometric shapes. The left wall has symmetric, geometric patterns drawn on it.] -
Art Day, Photo Club exhibition, PS 140, 2017. [A tile wall with a grid of assorted photographs against a white background. A title to the left of the grid states "Artists Space P.S. 140 Photography Club".] -
Matters of Sensation. Installation view, Artists Space, 2008. Photo: Adam Reich. [Two large structures made of long, white strips that swirl around one another and form a vertical column are mounted from the ceiling and floor of an open gallery space. Black text posted on a gallery wall to the right of the image reads, "MATTERS OF SENSATION." To the left of the image, in the background, three rectangular forms rest on white plinths.] -
Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman. [Musician holding a microphone stand with both hands. Their eyes are closed and they are wearing glasses. A blue guitar is around their body. The background and the musicians face are decorated with green, blue, red, and yellow abstract patterns.] -
Pictures. Installation view, Artists Space, 1977. Photo: D. James Dee. [A black and white installation photograph of three framed drawings on a white wall. The center frame is a pared down sketch of a column, and the flanking frames feature feature a simple croshatch of four lines, topped with a fifth.] -
You Are The Everything and The Everything Is In You. Installation view, Artists Space, 2005. [A corner of a gallery space with wooden floors. Two framed works on paper hang on the left wall. A light blue color has also been imprinted on the central portion of the wall. A long scroll of paper stretches horizontally across the wall to the right. The paper is covered with black and pastel-colored markings.] -
John Neff, Tony Greene Movie, 2016. Photo: Daniel Pérez. [Two blue chairs face a monitor that displays a still image of framed windows in which three curtains have been tied to look like bodies in dresses.] -
Warnung vor einer heiligen Nutte (Beware of a Holy Whore). Dir. Rainer Werner Fassbinder. 1971. [Two men sit at a bar discreetly discussing an event that occurs off-screen. Two other men appear in the background, focused on a separate activity.] -
Developing cyanotypes, 2022 -
Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman. [Color photo of two performers sitting on the ground in a dark venue space that is illuminated by deep red overhead lights. The performers are holding up clear, geometric objects against a neon yellow and blue projection on a wall.] -
Marvin Torffield. Sesondo, 1974. Three coat plaster on wire lathe with nova ply and Masonite. Installation view, Artists Space, 1974. Credit: Marvin Torffield. [A color installation photograph of a figure in front of a curved white wall in a gallery space.] -
The Serving Library. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [Several framed posters, photographs, and other ephemera of varying sizes hang on a white gallery wall. At the center of the wall is a doorway-shaped opening, through which more of the gallery space is visible.] -
Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Two screens installed on either side of the top portion a white column in a gallery space. The front screen displays a logo consisting of a large letter "b" and small letter "c" conjoined together. The room is otherwise empty.] -
Local Transit. Installation view, Artists Space, 2006. [A corner made by two white walls. One wall has four framed images of yellow amorphus shapes on different backrounds, arranged in a horizontal line. The other wall has three framed images, one hung by itself and the other two stacked vertically.] -
Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photo of an installation work. A row of structural columns cut through the installation. In the foreground, a kinetic scutlpure featuring a sock being dipped into a pot sit on the floor next to a column. Behind the first column, two windows with images painted on the glass hang from the ceiling. Behind the windows, ceramic sculptures and kinetic sculptures featuring branches surround another column. To the right of the ceramic sculptures and branch sculptures, large paper-mache sculptures rest on the floor and hang on the walls. In the right forground, a large drawing done on craft paper featuring a cow hangs on the wall. In the background, two large drawings done on cardboard are hung from a wooden partition wall.] -
-
ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A view of multiple works displayed in a multilevel gallery space. An old tv monitor, a coffee machine, and an artificial seagull are placed near a yellow boombox sitting on a black rug. Beside the boombox is a large image of a group of individuals in a defaced bedroom.] -
J.B. Cobb, Optical, 1973. From J.B. Cobb, Martha Edelheit, Ree Morton, Artists Space, 1973. [A black and white photograph of a television set upon a wooden side table in front of a window in a gallery space.] -
-
Individual self-portraits, Untitled, 2021, collage and sequins on paper -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure dressed in white, laying on the floor of a dark room. The figure has one leg raised in the air, shining a light from their pelvic area onto the floor and wall across from them. A small TV monitor sits in the corner.] -
Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. Photo: Filip Wolak [A color photograph of a figure standing in an orange-lit space filled with various audio equipment and a stereo player. They lean down to press adjust a dial on an audio mixer.] -
Jutta Koether, xxapollo. Performance documentation, Artists Space, January 5, 2020. Photo © Paula Court. [A person dressed in all pink grips a heart-shaped canvas in front of her, while her eyes look past the camera. She is surrounded by rapt audience members behind her. There are light spots reflected at even intervals patterning the room.] -
Installation view at Kaiserstraße 31A, Düsseldorf May 11, 1963 Courtesy Archiv Kuttner, Erkrath Photo: Manfred Kuttner [A black and white image of the back of a chair in front of a man in front of a train car, in which a man exits the door.] -
Miyoko Ito at the opening of Miyoko Ito: A Review, The Renaissance Society at the University of Chicago, 1980. [Faded photograph of artist Miyoko Ito standing with her arms crossed in front of two of her paintings.] -
Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view (clippers, 2023), Artists Space, 2023. Photo: Filip Wolak. [A color image of the stair landing inside a gallery. The whole image is illuminated in blue, and in the corner rests a large soft sculpture of hair clippers. A long cord connected to the clippers runs vertically up the wall and is draped to the other side. The outlet rests in the air, next to a windowsill.] -
Yasunao Tone: Region of Paramedia. Installation view (Peter Moore, Concert at The Kitchen, 1979; Paramedia Music, 1990), Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a gallery wall. On the left, four black-and-white photographs are hung vertically, and on the right is a shelf with a television monitor placed on it.] -
UniBodies. Installation view, Artists Space, 2006. Photo: Bill Ocrutt. [Four abstract sculptures constructed from neutral-toned materials are displayed atop white virtrines. Three more sculptures are hung in a row against a white wall.] -
Renee Gladman, Slowly We Have the Feeling: Scores, 2019–22, pastel and pigment on paper (grid of nine), dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak. [A color image of nine framed works displayed as a grid against a white wall. The drawings are done on black paper and depict abstract compositions made up of colorful shapes and strokes, and white lines and arrows.] -
Speaker Music (DeForrest Brown, Jr.), portrait by Ting Ding, 2019, Shirt & Harness by HECHA / 做. [A man in t-shirt and fabric harness crouching, face slightly obscured behind metal pipes, wearing a baseball cap saying "MAKE TECHNO BLACK AGAIN"] -
Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [A female mannequin stands upright in a gallery space. It wears a shiny black wig with bangs, a black polo shirt, and a red skirt with gold lacing that drapes onto its legs. A red, fabric cut-out hangs from the bottom edge of the skirt, draping against the mannequin's left leg.] -
Joan Jonas, Night Light, 2013, Steel and LEDs, 37 x 15 x 10 inches (94 x 38 x 25 cm), Edition of 10 + 1 AP, Signed certificate. [The photo shows steel rods that make a curved pyramid shape laying on its side with an LED light-strip running along one of the rods. The sculpture lies on a wooden floor against a white wall.] -
Flyer for Segue Reading Series featuring Ron Silliman and Tonya Foster. Saturday, January 9, 2021, Artists Space. [An image of multiple abstract line drawings. The drawings on the left are depicted in black and the drawings on the right are depicted in a range of colors. Black text over the top half of the image reads "Ron Silliman/ Tonya Foster." Black and white text layed out vertically between drawings reads "Segue" and black text on the lower half of the image reads, "9 January / 5 pm".] -
Till They Listen: Bill Gunn Directs America. Installation view, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [Along the wall are two glass display cases filled with ephemera, in the center of them, three images hang on the wall.] -
Lillian Mulero, Folk Art/Self Portrait, 1990. Oil and aluminum on canvas, 41 x 50 inches, diptych. [Two monochrome grey panels of equal sizes. The left is an image of an oval frame with a blank white center. The right shows a woman in period dress, pulling up her skirt, urinating into chamber pot.] -
Abasement #79. Performance documentation, August 11th, 2025, Artists Space. Photo: Joshua Wildman. [Two performers are on stage, the performer on the left side blows into a long woodwind instrument. The performer on the right sits behind a desk on top of which is a large pile of audio equipment. The stage and wall behind it are bathed in blue light, created from projections of a geometric pattern.] -
Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure stands behind a microphone, smiling and looking off into the audience.] -
-
Installation view from Annual Selections Show, Artists Space, 1985 [A black and white image of paintings hanging on a white wall, and sculptures occupying the gallery floor.] -
Terry Fox, Yield, University Art Museum, Berkeley, California, September 4, 1973. Photo: Larry Fox. Courtesy Marilyn Bogerd. [Black-and-white film photograph of a mound of flour on a concrete floor. A figure's hands are shown along the right and top side of the composition. The figure's right hand is poised above the center of the flour mound, pouring yeast into it from a small packet.] -
-
Installation View from Recent Art From Chicago, Artists Space, March 8, 1986 - April 5, 1986. [Dirt can be seeng lining the walls on the floor and also in the clear cases above them. There is stark lighting of the walls in this gallery setting.] -
Friends of Artists Space Dinner 2024. Wine sponsor Vivanterre. Photo: Jenna Bascom [A bottle of wine sits on a set dining table covered in a red tablecloth, surrounded by wine glasses. The wine label features an irregular curved white semi-oval, overlaid with a smaller burgundy red shape, and the embossed text "Vivanterre"] -
Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt. [A wooden door opens on a view of a tiled, single-user bathroom. To the right of the room is a small, porcelain sink and warped mirror. Behind the sink is a tan toilet below a thin window.] -
Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Detail view of a black platform with a black screen at the end, depicting a person wearing a shirt] -
[Black and white cropped image of an animal-like figure. An eye is located on the upper right corner. Feathers and fur fill the frame.] -
Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [Two figures stand behind a table, setting up audio equipment.] -
Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman. [A close-up color image of a musician sitting on a chair playing an electric guitar in an unusual way. The guitar is laying on his legs and he is using a metal stick to play the chords. Blue and purple projections cast onto him.] -
Bases of the equestrian monument to Kaiser Wilhem which was destroyed by the British occupation in Münster after World War II. The photographs were printed as post cards in the early 20th century and collected from eBay and oldthing.de in 2021. [A black and white photograph of the base of a monument in a city square. Steps lead up to a pedastal surrounded by three large spheres connected by a metal chain.] -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure dressed in white, laying face down across two ledges of a raised desk.] -
Portrait of Dorothy E. Roberts [Portrait of a black woman, looking forward with her face resting in her left hand, and her right arm placed on a table. Behind her is a dark grey background.] -
Bill Gunn and Duane Jones on the set of Ganja & Hess. Image courtesy Tom Cummings. [A black-and-white photograph of a group of men shooting a scene on an outdoor film set. They are surrounded by trees and grass.] -
Jerry Beck, Cryptic Cross, 1985. [A sculpted pedestal with a black object on it is visible on a wooden floor below a sculpted multilayered cross hanging on a white gallery wall. Numbers are visible above the image.] -
[A black and white, portrait photograph of a woman at the beach. She wears sunglasses and has short, curled hair.] -
-
-
Ei Arakawa: WEWORK BABIES. Performance documentation, December 8, 2019, Artists Space. Photo © 2019 Paula Court. [A man stands on one foot on a half-rolled yoga mat, holding out a baby doll as if to throw it. Two people behind him are bent over yoga mats, mid-movement. A crowd of people stands around the group watching.] -
Attention Line. Installation view (posters and ephemera from Other Cinema, c. 1970s-80s), Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [An image of a brightly lit wall, upon which various ephemera are mounted.] -
Traditions: Five Painters. Installation View, Artists Space, 1978. [Various paintings hang on the walls to the left and right.] -
Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York. [Two figures wearing medical scrubs stand on pieces of red fabric, stretching outwards toward the audience.] -
Abstruction. Installation view, Artists Space, 2003. [Corner of a gallery space with white walls and wooden flooring. Two large rectangular lengths of translucent, white cloth embroidered with amorphous red and blue linework are installed on the corner's left and right walls.] -
Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez. [Two large, orange slug sculptures forming a circular ring shape around separate cast iron columns suspended by black elastic chords in a white walled gallery space with a square painting in the background.] -
Installation view from Four Artists: An Exhibition of Painting and Sculpture, Artists Space, 1985 -
Brittany, Plant observation, watercolor painting, 2025 -
Whitney Museum of American Art Independent Study Program Studio Exhibition. Installation view, Artists Space, 2018. [Sixty images with dark backgrounds and a white, pixelated spot emanating from their centers arranged in a grid formation on an indigo blue gallery wall.] -
Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman. [A performer sitting down playing the guitar is bathed in colorful light. They are wearing a geometric print shirt and a blue, green, and white projected pattern covers their face and the wall behind. There are two mic stands to their right.] -
-
-
Edgar Oliver reading at Marble Cemetery. Photo: © Paula Court, 2018. [Man standing outside at a microphone in front of a large silver inflatable penis, reading from a purple folder.] -
[Two rectangular cards arranged on a white background. Large black text printed on each card reads, "LADYLAND" and is framed by a pattern of swirls. The top card is blue, and the bottom card is yellow.] -
U.S. Projects: Howard Fried. Installation view, Artists Space, 1983. [A sink structure on wheels sits atop a tilted wooden table top with legs of varying sizes. Light from the ceiling is seen emanating onto the structure in the white-walled gallery space.] -
Not yet titled, 2019
Clay, glaze, mixed media
7 x 12 x 17 inches (variable)
$5,000
[A green object with a processing chip embedded in its front sits on a white base. On top of the object sit a red potato with a wire attached, false teeth, and a telephone cord.] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Two figures in blue morph suits face off, with one figure sitting down on a wooden box looking up at the other figure who stands above them wearing wings made of fresnel lenses. All the way on the right a figure takes video footage of the scene.] -
-
The Library Vaccine. Installation view, Artists Space, 2014. [An angled view of table's length, on which are various organized documents, books, and papers displaying images and text. In the background are bookshelves and tables.] -
James Carpenter. Shaking. Installation view. Artists Space, 1985. [An indistinguishable projection on the wall with an installed light appearing above it facing the opposite direction and a bright light coming in from the upper right corner of the image. A column bisects the image.] -
[Cutouts of black and white illustrations arranged next to each other. In the center, several illustrated eyes form a circle. Above the eyes is a round, illustrated face, while two wings are positioned below the eyes.] -
SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement window that has been tinted with blue paint, streaming in blue light.] -
Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon. [Two identical plinths made of MDF sit side by side in a gallery. Each plinth displays a red and black store-bought checkerboard, with a set of checkers layed out. The checkers on the left are made of steel and plated with a chrome and black-oxide finish. The checkers on the right are made of powder-coated aluminum.] -
Asia Negron, Untitled, 2018. [A photo of a crosswalk with a red car standing halfway in it, and a small puddle of water in the foreground.] -
Abasement #73. Performance documentation, November 4th, 2024, Artists Space. Photo: Joshua Wildman. [Image of a performer on stage in a yellow shirt and baseball cap playing the drums. They are facing an audience. To their right is another performer playing the guitar. The room is dark with red and blue-tinted light.] -
Renee Gladman: Narratives of Magnitude. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of a gallery space. On the left wall hangs a framed work that consists of a colorful abstract drawing made on white paper, with pencil strokes surrounding the colored shapes. On the right wall, three framed works hang on a horizontal line. The three abstract works are made on black paper, and depict colorful compositions.] -
Diane Tallan, Royal Flush, Baby!, c. 1977. Acrylic, glitter, canvas, deciban. 9x13 inches. [A black and white photograph of a sculptural hand of cards with a ten, jack, queen, and king of diamonds. The piece is placed over a brick surface.] -
Devin Kenny, “What would Upski think?”, 2018. Photo: Daniel Pérez. [A device with several electrical wire connections is displayed on a metal wire shelf.] -
Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [A figure stands behind a microphone and table with audio equipment. They hold one hand over their mouth and the other around their neck.] -
Social Surfaces. Installation view, Alexander and Bonin, 2017. Photo: Ron Amstutz. [A wooden platform on wheels surrounded by a border of small poppy red brick-like sculptures, that continue to surround the base of a white pole. Sculptures and paintings are visible on the back wall behind the wooden platform.] -
-
Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman. [Color photo of a woman captured with her eyes closed, standing before a pair of microphones in a darkened performance space. Blue spotted lights and the reddish glow from a different light source shine onto the performer.] -
Selections from the Artists File. Installation view, Artists Space, 1989. [A photograph of a low-ceilinged gallery space. On the right, drawings on black paper are arranged in grids and arches on the wall. On the left, electrical equiment sits on top of a pedestal.] -
Artists Draw. Installation view, Artists Space, 1979. [A drawing depicting the entrance to a cave from the outside as well as the inside of a subterranean cave filled with stalagmites.] -
-
ART CLUB2000 Seven Black and White Photographs (Untitled), detail, 1993 Silver gelatin prints 11 x 14 inches each Image courtesy Artists Space, New York Photo: Filip Wolak [A display of Gap shoe boxes that meet an intersecting wall. Behind them, on the gallery wall is a series of images showing found documents. Above the images is a yellow band that wraps to the adjacent wall with text that reads "A youngboy might start crying, a middle aged housewife".] -
Ruben Ulises Rodriguez Montoya, Gloria Gloria, Balenciaga 2010 FW/RTW by Nicolas Ghesquiere, and Kate Moss as a hologram for Alexander McQueen, 2022. Photo: Carter Seddon. [Color image of a gallery space with three large white biomorphic sculptures by Ruben Ulises Rodriguez Montoya hanging from the ceiling throughout. The sculptures are composed of discarded car parts, pigmented silicone, animal horns, clothes, and various other found materials.] -
Demonstrations outside Artists Space during the opening of Witnesses: Against Our Vanishing, November 16, 1989. [A line of people marching forward hold up signs reading "replace frony" and "Keep 1st amendment, stop helms," among other phrases.] -
Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak. [Closeup view of three small framed works on paper hanging on a white gallery wall. The works feature detailed, abstract calligraphic strokes in black, orange, and chartreuse.] -
Tom of Finland Untitled , 1967 Graphite on paper Tom of Finland Foundation, Permanent Collection [A man wearing only a leather jacket thrusts his pelvis forward as he ejaculates in front of seven enthusiastic men.] -
Krzysztof Wodiczko: Guidelines. Installation View, Artists Space, 1978. [An image is projected onto a white wall.] -
Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [A figure dressed in leather performs on stage with a purple projection on them.] -
Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York. [Two figures wearing scrubs hold a piece of red fabric between them.] -
Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang. [A row of figures sitting in wooden chairs hold various sections of a folded up book, reading off different parts.] -
Visiting Hana Yilma Godine exhibition Rachel Uffner Gallery, Lower East Side, 2024 -
Constantina Zavitsanos, Three Card Monte, 2018/24, three 2.5 gram Pamp Suisse 999.9 gold bars on offer in their certifying cases, dimensions variable. Photo: Constantina Zavitsanos. [A takeaway artwork shows three 2.5 gram gold bullion bars in blue Pamp Suisse certifying cases. Each bar depicts a low relief icon of Lady Fortuna, the blindfolded goddess of luck, fortune, and chance.] -
John Knecht. I'm Glad To The Brink Of Fear, 1986. Video Installation. [A black and white photograph with two images of faces illuminated in the darkness and text underneath.] -
Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata [Color photograph of two figures performing in a dark gallery space, lit only by an installation of LED lights covered in dried SCOBY material. One figure wearing black leans down in front of one of the LED lights. Partly hidden behind a column, another figure stands wearing a red suit.] -
Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022. [Inside a pink-hued room are three tanker desks and three rolling office chairs in a single-file line. Security monitors with color videos sit on each desk alongside small pieces of clay. In the distance, tree trunks wrapped in fabric rest on the floor and construction nets hang from the ceiling. A wooden structure and an aquarium with purple-colored lights are positioned behind the tree trunks.] -
-
Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court [Two figures wearing medical scrubs move a table with wheels, on which a mannequin lies.] -
Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Gary Burnley. [A black and white photograph of a multicolored globe sitting on a wooden floor.] -
[A looseleaf sheet of paper with "Spring 2012 F.R. DAVID" printed on the top in red type. The page is filled with handwritten black text.] -
Sharon Halliday, Shaded Times, 2014 [A black-and-white image depicting several translucent photos overlaid, some of natural plant life and others of industrial scenes, with power lines and bridge spokes] -
Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang. [A figure's hands are shown, standing at the edge of a white table, unfolding a small book as another figure on the other side of the table holds part of the book and reads off of it.] -
Untitled (Business card), late 1970s. Copyright: Jack Smith Archive. Courtesy: Gladstone Gallery, New York and Brussels [A black and white illustration featuring a person in a black cat suit. A group of penguins, behind him, face towards the background. Text reads, "Jack Smith, Exotic Theatrical Genius!"] -
-
Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman [A band plays on stage in front of a seated crowd. From left to right, a figure is sitting and playing the piano, another figure stands and plays the saxophone, another figure in the back plays the drums, and the fourth figure stands and plays the guitar.] -
Union Gaucha Productions in collaboration with Fabio Kacero. Still from Totloop, 2003. 16mm film (silent, color), 4 min 49 sec. Courtesy of Union Gaucha Productions. [A black and white video still of a painting hanging on a decorative wall. The image in the painting has been burned and is illegibly white.] -
-
Heather Rowe, A Careful Arrangement, 2008, Archival pigment inkjet and silkscreen on Somerset velvet paper, Image size: 12-1/2 x 13 inches (31.8 x 33 cm) Paper size: 21-3/4 x 17 inches (55.2 x 43.2 cm), Edition of 25 + 8 AP. [The photograph shows an ornate room decorated symmetrically with couches on the left and right of the image and a fireplace at the back flanked by two windows. Overlayed on top of the image is a series of black squares and rectangles that overlap each other.] -
Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon. [A receding row of columns lines our view into the far gallery space. In the foreground, several of Ruben Ulises Rodriguez Montoya's biomorphic sculptures are displayed on walls, resting on a pedestal, or hanging from the ceiling. In the distance, two of Matthew Langan-Peck's monumental painted toy box sculptures sit on the gallery floor; a set of headphones hangs on the side of each box. In the background, Isabelle Frances McGuire's three large pink banners emblazoned with silver stars hang from ceiling to floor.] -
-
Passages from People Who Led to My Plays. Performance documentation, March 1, 2020, Artists Space. Photo ©️ 2020 Paula Court. [Two figures in dark clothing stand before two music stands in front of a seated audience. The figure on the right is speaking, her hand pinched in a small gesture at her torso.] -
Photograph released by St. Louis County prosecuting attorney of police officer Darren Wilson after he fatally shot Michael Brown on Aug. 9, 2014 in Ferguson, Missouri. [A small ruler held up to a man's face, measuring a bruise on his cheek.] -
Young Fluxus. Installation view, Artists Space, 1982. [Wide view of a white-walled gallery space with various artworks visible on the walls.] -
Gordon Onslow-Ford, Play, 1985. [Various abstract star-like symbols appear wih a black background.] -
Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez. [Large, orange slug forms are visible with the cast iron columns in a white-walled gallery with paintings of slugs hanging on the opposite side of the image behind a staircase.] -
Abasement #73. Performance documentation, November 4th, 2024, Artists Space. Photo: Joshua Wildman. [Two performers on stage in front of a seated audience. The musician on the left is holding a violin in the air as they use audio equipment on the table in front of them. The musician on the right is sitting playing the drums. The room is red-tinted, and white dots reflected from a disco ball cover the walls.] -
Flyer for Segue Reading Series featuring Wo Chan and Ronaldo V. Wilson. October 29, 2022, Artists Space. [Light blue text overlays a dark blue background. The top left corner reads: "Wo Chan & Ronaldo V. Wilson / October 29, 5pm." The middle reads: "Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519."] -
Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photo of an installation work. A large, paper-mache sculpture of a cow-like creature stands next to a crocheted blanket laid on the floor. On top of the blanket there is a red thermos with two red mugs and a miniature white couch. On the back wall behind the paper-mache sculpture and blanket is a round mirror. The mirror contains a reflection of a large box TV with a static screen. On the left-side background, behind the paper-mache sculpture, two blow-dryers hang from a freestanding metal fixture.]
