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  • Two figures in blue morph suits engage in an argument, standing on either side of a wooden table with a fresnel lens as the tabletop. A third figure to the right films their encounter, while audience members watch in the background.
    Two figures in blue morph suits engage in an argument, standing on either side of a wooden table with a fresnel lens as the tabletop. A third figure to the right films their encounter, while audience members watch in the background.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Two figures in blue morph suits engage in an argument, standing on either side of a wooden table with a fresnel lens as the tabletop. A third figure to the right films their encounter, while audience members watch in the background.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Two figures in blue morph suits engage in an argument, standing on either side of a wooden table with a fresnel lens as the tabletop. A third figure to the right films their encounter, while audience members watch in the background.
    Year 2022
    Related pages SCRAAATCH 12-3
  • A series of sculptures in a large gallery space with wooden floors. In the center of the image, a dark sculpture forming an hourglass shape rests on a white plinth, while three potted ferns rest on another, low plinth to the right. A long chain with white appendages hangs from the gallery ceiling.
    A series of sculptures in a large gallery space with wooden floors. In the center of the image, a dark sculpture forming an hourglass shape rests on a white plinth, while three potted ferns rest on another, low plinth to the right. A long chain with white appendages hangs from the gallery ceiling.
    Nina in Position. Installation view, Artists Space, 2008. Photo: Bill Orcutt. [A series of sculptures in a large gallery space with wooden floors. In the center of the image, a dark sculpture forming an hourglass shape rests on a white plinth, while three potted ferns rest on another, low plinth to the right. A long chain with white appendages hangs from the gallery ceiling.]
    Caption Nina in Position. Installation view, Artists Space, 2008. Photo: Bill Orcutt.
    Image description A series of sculptures in a large gallery space with wooden floors. In the center of the image, a dark sculpture forming an hourglass shape rests on a white plinth, while three potted ferns rest on another, low plinth to the right. A long chain with white appendages hangs from the gallery ceiling.
    Year 2008
    Related pages Nina in Position
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  • A black and white photograph of the base of a monument in a city square. Steps lead up to a pedastal surrounded by three large spheres connected by a metal chain.
    A black and white photograph of the base of a monument in a city square. Steps lead up to a pedastal surrounded by three large spheres connected by a metal chain.
    Bases of the equestrian monument to Kaiser Wilhem which was destroyed by the British occupation in Münster after World War II. The photographs were printed as post cards in the early 20th century and collected from eBay and oldthing.de in 2021. [A black and white photograph of the base of a monument in a city square. Steps lead up to a pedastal surrounded by three large spheres connected by a metal chain.]
    Caption Bases of the equestrian monument to Kaiser Wilhem which was destroyed by the British occupation in Münster after World War II. The photographs were printed as post cards in the early 20th century and collected from eBay and oldthing.de in 2021.
    Image description A black and white photograph of the base of a monument in a city square. Steps lead up to a pedastal surrounded by three large spheres connected by a metal chain.
    Year 2022
    Related pages virgil b/g taylor: Minor Publics
  • A figure plays the saxophone into a microphone. Red and purple light are cast onto them.
    A figure plays the saxophone into a microphone. Red and purple light are cast onto them.
    Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman [A figure plays the saxophone into a microphone. Red and purple light are cast onto them.]
    Caption Abasement #62. Performance documentation, December 5, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure plays the saxophone into a microphone. Red and purple light are cast onto them.
    Year 2022
    Related pages Abasement: #62
  • A row of figures sitting in wooden chairs hold various sections of a folded up book, reading off different parts.
    A row of figures sitting in wooden chairs hold various sections of a folded up book, reading off different parts.
    Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang. [A row of figures sitting in wooden chairs hold various sections of a folded up book, reading off different parts.]
    Caption Chang Yuchen: Coral Dictionary Vol. 1: 2019-2022. Performance documentation, April 28, 2023, Artists Space. Photo: Lane Lang.
    Image description A row of figures sitting in wooden chairs hold various sections of a folded up book, reading off different parts.
    Year 2023
    Related pages Chang Yuchen: Coral Dictionary Vol. 1, 2019-2022
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  • Black and white photo of Andre Cadere holding a striped stick over one shoulder and crossing the street in New York City.
    Black and white photo of Andre Cadere holding a striped stick over one shoulder and crossing the street in New York City.
    Andre Cadere, 11 December, 1976, David Ebony Gallery, New York, 13.00 to 17.30, Photograph by Gianfranco Gorgoni Digital print Image size: 10 x 8 in / 25,4 x 20,3 cm Paper size: 11 x 8 in / 27,9 x 21,6 cm Signed and numbered certificate [Black and white photo of Andre Cadere holding a striped stick over one shoulder and crossing the street in New York City.]
    Caption Andre Cadere, 11 December, 1976, David Ebony Gallery, New York, 13.00 to 17.30, Photograph by Gianfranco Gorgoni Digital print Image size: 10 x 8 in / 25,4 x 20,3 cm Paper size: 11 x 8 in / 27,9 x 21,6 cm Signed and numbered certificate
    Image description Black and white photo of Andre Cadere holding a striped stick over one shoulder and crossing the street in New York City.
    Year 2015
    Related pages Artists Space Annual Edition Portfolio 2015
  • Two panels of wood are joined to create a miniature stage set. In the center, sitting in a miniature director's chair are two cartoon frog plushies wearing black top hats. The larger frog plushy cradles the smaller frog in it's arms. Two more director's chairs are positioned facing the plushies, along with a miniature stage light and stand that shines a spotlight on the plushies.
    Two panels of wood are joined to create a miniature stage set. In the center, sitting in a miniature director's chair are two cartoon frog plushies wearing black top hats. The larger frog plushy cradles the smaller frog in it's arms. Two more director's chairs are positioned facing the plushies, along with a miniature stage light and stand that shines a spotlight on the plushies.
    Aristotelis Nikolas Mochloulis, Frog Man & Baby Frog, 2025. Michigan J. Frog plushies, miniature directors chairs, ARRI 150 Junior light, Manfrotto Nano light stand, speakers, audio excerpts from movies. Photo: Carter Seddon. [Two panels of wood are joined to create a miniature stage set. In the center, sitting in a miniature director's chair are two cartoon frog plushies wearing black top hats. The larger frog plushy cradles the smaller frog in it's arms. Two more director's chairs are positioned facing the plushies, along with a miniature stage light and stand that shines a spotlight on the plushies.]
    Caption Aristotelis Nikolas Mochloulis, Frog Man & Baby Frog, 2025. Michigan J. Frog plushies, miniature directors chairs, ARRI 150 Junior light, Manfrotto Nano light stand, speakers, audio excerpts from movies. Photo: Carter Seddon.
    Image description Two panels of wood are joined to create a miniature stage set. In the center, sitting in a miniature director's chair are two cartoon frog plushies wearing black top hats. The larger frog plushy cradles the smaller frog in it's arms. Two more director's chairs are positioned facing the plushies, along with a miniature stage light and stand that shines a spotlight on the plushies.
    Year
    Related pages Nandi Loaf Aristotelis Nikolas Mochloulis Ricardo Nagaoka Sydney Schrader
  • Along the wall is a glass display case holding ephemera, hanging above are two black and white contact sheets.
    Along the wall is a glass display case holding ephemera, hanging above are two black and white contact sheets.
    Till They Listen: Bill Gunn Directs America. Installation view, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [Along the wall is a glass display case holding ephemera, hanging above are two black and white contact sheets.]
    Caption Till They Listen: Bill Gunn Directs America. Installation view, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description Along the wall is a glass display case holding ephemera, hanging above are two black and white contact sheets.
    Year 2021
    Related pages Till They Listen: Bill Gunn Directs America
  • Over a black background, “terminology / BLACK** / adj. / 1. Having the very dark color of the night sky or the eye’s pupil / 2. Of or relating to any various population groups of especially African ancestry often considered as having dark pigmentation of the skin but in fact having a wide range of skin colors / 3. Of or relating to Black people / 4. Dirty, soiled / 5. Characterized by the absence of light / 6. Served without milk or cream / 7. Indicative of condemnation or discredit / 8. Heavy / 9. Connected with or invoking the supernatural and especially the devil” is written in white text. Certain words are underlined and appear in grey.
    Over a black background, “terminology / BLACK** / adj. / 1. Having the very dark color of the night sky or the eye’s pupil / 2. Of or relating to any various population groups of especially African ancestry often considered as having dark pigmentation of the skin but in fact having a wide range of skin colors / 3. Of or relating to Black people / 4. Dirty, soiled / 5. Characterized by the absence of light / 6. Served without milk or cream / 7. Indicative of condemnation or discredit / 8. Heavy / 9. Connected with or invoking the supernatural and especially the devil” is written in white text. Certain words are underlined and appear in grey.
    Prince Grace, Of Black, 2021. [Over a black background, “terminology / BLACK** / adj. / 1. Having the very dark color of the night sky or the eye’s pupil / 2. Of or relating to any various population groups of especially African ancestry often considered as having dark pigmentation of the skin but in fact having a wide range of skin colors / 3. Of or relating to Black people / 4. Dirty, soiled / 5. Characterized by the absence of light / 6. Served without milk or cream / 7. Indicative of condemnation or discredit / 8. Heavy / 9. Connected with or invoking the supernatural and especially the devil” is written in white text. Certain words are underlined and appear in grey.]
    Caption Prince Grace, Of Black, 2021.
    Image description Over a black background, “terminology / BLACK** / adj. / 1. Having the very dark color of the night sky or the eye’s pupil / 2. Of or relating to any various population groups of especially African ancestry often considered as having dark pigmentation of the skin but in fact having a wide range of skin colors / 3. Of or relating to Black people / 4. Dirty, soiled / 5. Characterized by the absence of light / 6. Served without milk or cream / 7. Indicative of condemnation or discredit / 8. Heavy / 9. Connected with or invoking the supernatural and especially the devil” is written in white text. Certain words are underlined and appear in grey.
    Year 2022
    Related pages If improvisation could serve as a manual, if gesture could serve as a guide
  • A color film still of an individual curled against a worn beige headboard as they lean into a candle. They don a red beanie and a checkered shawl, covered by a vintage coat emblazoned with a Howard University logo. The immediate background depicts a dilapidated green wall behind the headboard.
    A color film still of an individual curled against a worn beige headboard as they lean into a candle. They don a red beanie and a checkered shawl, covered by a vintage coat emblazoned with a Howard University logo. The immediate background depicts a dilapidated green wall behind the headboard.
    [A color film still of an individual curled against a worn beige headboard as they lean into a candle. They don a red beanie and a checkered shawl, covered by a vintage coat emblazoned with a Howard University logo. The immediate background depicts a dilapidated green wall behind the headboard.]
    Caption
    Image description A color film still of an individual curled against a worn beige headboard as they lean into a candle. They don a red beanie and a checkered shawl, covered by a vintage coat emblazoned with a Howard University logo. The immediate background depicts a dilapidated green wall behind the headboard.
    Year
    Related pages Shala Miller, Malcolm Peacock, Amiri Baraka
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    Related pages Exhibitions and Events
  • A projected video displays a black and white still of two black men looking at each other. We see the back of one of these men's heads and the furrowed face of the other. A speaker sits in front of the projection. And although subtle, the corners of the gallery walls are curved as opposed to perpendicular.
    A projected video displays a black and white still of two black men looking at each other. We see the back of one of these men's heads and the furrowed face of the other. A speaker sits in front of the projection. And although subtle, the corners of the gallery walls are curved as opposed to perpendicular.
    LIFE—a group show, curated by Arnold J. Kemp. Installation view (Nick Raffel, No title, 2025; Catherine Sullivan in collaboration with George Lewis and Sean Griffin, Afterword via Fantasia, 2015), Artists Space, 2025. Photo: Carter Seddon [A projected video displays a black and white still of two black men looking at each other. We see the back of one of these men's heads and the furrowed face of the other. A speaker sits in front of the projection. And although subtle, the corners of the gallery walls are curved as opposed to perpendicular.]
    Caption LIFE—a group show, curated by Arnold J. Kemp. Installation view (Nick Raffel, No title, 2025; Catherine Sullivan in collaboration with George Lewis and Sean Griffin, Afterword via Fantasia, 2015), Artists Space, 2025. Photo: Carter Seddon
    Image description A projected video displays a black and white still of two black men looking at each other. We see the back of one of these men's heads and the furrowed face of the other. A speaker sits in front of the projection. And although subtle, the corners of the gallery walls are curved as opposed to perpendicular.
    Year 2025
    Related pages Arnold J. Kemp
  • Color image of a corner in a darkened gallery space. A large golden egg sculpture sits on the floor in the corner.
    Color image of a corner in a darkened gallery space. A large golden egg sculpture sits on the floor in the corner.
    Matthew Langan-Peck, Golden Egg 1, 2024. Photo: Carter Seddon. [Color image of a corner in a darkened gallery space. A large golden egg sculpture sits on the floor in the corner.]
    Caption Matthew Langan-Peck, Golden Egg 1, 2024. Photo: Carter Seddon.
    Image description Color image of a corner in a darkened gallery space. A large golden egg sculpture sits on the floor in the corner.
    Year
    Related pages Doris Guo Matthew Langan-Peck Isabelle Frances McGuire Ruben Ulises Rodriguez Montoya
  • A color image of a white wall with windows and black and white curtains with pink flowers. Through the windows, a figure is seen sitting cross-legged on a chair. They are wearing a yellow dress.
    A color image of a white wall with windows and black and white curtains with pink flowers. Through the windows, a figure is seen sitting cross-legged on a chair. They are wearing a yellow dress.
    Drake Carr: Housecalls. Performance documentation, September 8, 2023, Artists Space at the Armory Show. Photo: Joshua Wildman. [A color image of a white wall with windows and black and white curtains with pink flowers. Through the windows, a figure is seen sitting cross-legged on a chair. They are wearing a yellow dress.]
    Caption Drake Carr: Housecalls. Performance documentation, September 8, 2023, Artists Space at the Armory Show. Photo: Joshua Wildman.
    Image description A color image of a white wall with windows and black and white curtains with pink flowers. Through the windows, a figure is seen sitting cross-legged on a chair. They are wearing a yellow dress.
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    Related pages Drake Carr: Housecalls
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  • Photograph of a youthful figure with short brown hair wearing blue jeans and a dark shirt with a green jacket tossed over their left shoulder. A black bandana covers their mouth, obscuring the lower half of their face. They hold a sign in front of their chest with both hands. The phrase,
    Photograph of a youthful figure with short brown hair wearing blue jeans and a dark shirt with a green jacket tossed over their left shoulder. A black bandana covers their mouth, obscuring the lower half of their face. They hold a sign in front of their chest with both hands. The phrase,
    Gillian Wearing, All I Ever Wanted Was Love, 1992/93, 23.5 x 16.5 inches [Photograph of a youthful figure with short brown hair wearing blue jeans and a dark shirt with a green jacket tossed over their left shoulder. A black bandana covers their mouth, obscuring the lower half of their face. They hold a sign in front of their chest with both hands. The phrase, "ALL I EVER WANTED WAS LOVE" is scrawled across the sign in handwritten text. A hand-drawn image of a sun and palm tree decorate the right side of the poster. The figure stares directly at the viewer and poses against a dark wall. Small white text placed at the image's lower left corner reads, "2020Solidarity - Gillian Wearing."]
    Caption Gillian Wearing, All I Ever Wanted Was Love, 1992/93, 23.5 x 16.5 inches
    Image description Photograph of a youthful figure with short brown hair wearing blue jeans and a dark shirt with a green jacket tossed over their left shoulder. A black bandana covers their mouth, obscuring the lower half of their face. They hold a sign in front of their chest with both hands. The phrase, "ALL I EVER WANTED WAS LOVE" is scrawled across the sign in handwritten text. A hand-drawn image of a sun and palm tree decorate the right side of the poster. The figure stares directly at the viewer and poses against a dark wall. Small white text placed at the image's lower left corner reads, "2020Solidarity - Gillian Wearing."
    Year 1992
    Related pages 2020Solidarity
  • Photograph of a white magazine stand with black trim. Along the top of the stand, four stacks of black-and-white journals rest on acrylic stands. A selection of art journals in a variety of shapes and colors sit along the stand's two rows.
    Photograph of a white magazine stand with black trim. Along the top of the stand, four stacks of black-and-white journals rest on acrylic stands. A selection of art journals in a variety of shapes and colors sit along the stand's two rows.
    Michael Asher, Musée d'Art Contemporain de Montreal, Montreal, Canada, l'art conceptuel, une perspective, August 5–October 21, 1990. Art journals with advertisements for the exhibition placed by Michael Asher displayed in the museum’s bookstore. Photograph by Denis Farley. Michael Asher Archive, © Michael Asher Foundation. [Photograph of a white magazine stand with black trim. Along the top of the stand, four stacks of black-and-white journals rest on acrylic stands. A selection of art journals in a variety of shapes and colors sit along the stand's two rows.]
    Caption Michael Asher, Musée d'Art Contemporain de Montreal, Montreal, Canada, l'art conceptuel, une perspective, August 5–October 21, 1990. Art journals with advertisements for the exhibition placed by Michael Asher displayed in the museum’s bookstore. Photograph by Denis Farley. Michael Asher Archive, © Michael Asher Foundation.
    Image description Photograph of a white magazine stand with black trim. Along the top of the stand, four stacks of black-and-white journals rest on acrylic stands. A selection of art journals in a variety of shapes and colors sit along the stand's two rows.
    Year 1990
    Related pages Michael Asher
  • Close-up of a bottle of golden Dior perfume decorated with a black bow resting on a white surface.
    Close-up of a bottle of golden Dior perfume decorated with a black bow resting on a white surface.
    Sarah Morris, still from Strange Magic, 2014. REDCODE HD digital video, 45 min 8 sec. Courtesy the artist. [Close-up of a bottle of golden Dior perfume decorated with a black bow resting on a white surface.]
    Caption Sarah Morris, still from Strange Magic, 2014. REDCODE HD digital video, 45 min 8 sec. Courtesy the artist.
    Image description Close-up of a bottle of golden Dior perfume decorated with a black bow resting on a white surface.
    Year 2014
    Related pages Artists Space Dialogues: Sarah Morris and Bettina Funcke
  • Jutta Koether is a painter, performance artist, musician, critic, and theoretician based in New York and Berlin. Her work with Artists Space began in 2012 with her performance fifth season act and most recently Analogue Drive (2024) performed in Hong Kong for Artists Space and Empty Gallery. In her live works, Koether enacts a highly specific form of entangled action centering on and around specific artworks. Embedded with performative possibility, these objects – positioned in a room, a situation, a city – circuit together in a network of language, duration, and the artist's active negotiation between producer and produced. As a painter, Koether challenges the viewer’s understanding of the medium’s terms and histories, often appropriating and retooling elements from the work of male masters. Engaging a range of motifs and materials—such as grids, X-marks, and red paint—she cultivates painting’s ability to yield something unanticipated, vital, and feminine. Koether studied art and philosophy at the University of Cologne and the Whitney ISP. In 1981 she joined the editorial staff of the music and art journal Spex. She is the author of several books and has written for such publications as Eau de Cologne, Artforum, Texte zur Kunst, and Flash Art. From 2010 to 2024 Koether was Professor for Painting and Drawing at the University of Fine Arts Hamburg. She has had major solo exhibitions at the Museum Brandhorst, Munich, Mudam Luxembourg – Musée d’Art Moderne Grand-Duc Jean; Museum Abteiberg, Mönchengladbach; Artium Museoa, Vitoria-Gasteiz; PRAXES Center for Contemporary Art, Berlin; Moderna Museet, Stockholm; Van Abbemuseum, Eindhoven; Kunsthalle Bern, Switzerland; Academy of Fine Arts Vienna; and Kölnischer Kunstverein, Cologne, among other venues. [Photo: Empty Gallery, Hong Kong, 2024]
    Caption Jutta Koether is a painter, performance artist, musician, critic, and theoretician based in New York and Berlin. Her work with Artists Space began in 2012 with her performance fifth season act and most recently Analogue Drive (2024) performed in Hong Kong for Artists Space and Empty Gallery. In her live works, Koether enacts a highly specific form of entangled action centering on and around specific artworks. Embedded with performative possibility, these objects – positioned in a room, a situation, a city – circuit together in a network of language, duration, and the artist's active negotiation between producer and produced. As a painter, Koether challenges the viewer’s understanding of the medium’s terms and histories, often appropriating and retooling elements from the work of male masters. Engaging a range of motifs and materials—such as grids, X-marks, and red paint—she cultivates painting’s ability to yield something unanticipated, vital, and feminine. Koether studied art and philosophy at the University of Cologne and the Whitney ISP. In 1981 she joined the editorial staff of the music and art journal Spex. She is the author of several books and has written for such publications as Eau de Cologne, Artforum, Texte zur Kunst, and Flash Art. From 2010 to 2024 Koether was Professor for Painting and Drawing at the University of Fine Arts Hamburg. She has had major solo exhibitions at the Museum Brandhorst, Munich, Mudam Luxembourg – Musée d’Art Moderne Grand-Duc Jean; Museum Abteiberg, Mönchengladbach; Artium Museoa, Vitoria-Gasteiz; PRAXES Center for Contemporary Art, Berlin; Moderna Museet, Stockholm; Van Abbemuseum, Eindhoven; Kunsthalle Bern, Switzerland; Academy of Fine Arts Vienna; and Kölnischer Kunstverein, Cologne, among other venues. [Photo: Empty Gallery, Hong Kong, 2024]
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    Related pages Friends of Artists Space Dinner
  • A female mannequin stands in a gallery space. It is wearing blue trousers and a grey fur coat over a blue checkered shirt. The shirt and jacket are left unbuttoned, exposing the mannequin's breasts, obscured by a large bone necklace.
    A female mannequin stands in a gallery space. It is wearing blue trousers and a grey fur coat over a blue checkered shirt. The shirt and jacket are left unbuttoned, exposing the mannequin's breasts, obscured by a large bone necklace.
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [A female mannequin stands in a gallery space. It is wearing blue trousers and a grey fur coat over a blue checkered shirt. The shirt and jacket are left unbuttoned, exposing the mannequin's breasts, obscured by a large bone necklace.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description A female mannequin stands in a gallery space. It is wearing blue trousers and a grey fur coat over a blue checkered shirt. The shirt and jacket are left unbuttoned, exposing the mannequin's breasts, obscured by a large bone necklace.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • A snowglobe with a portrait photograph inside sits on a surface next to three sheets of paper featuring typewritten and handwritten notes.
    A snowglobe with a portrait photograph inside sits on a surface next to three sheets of paper featuring typewritten and handwritten notes.
    Selections from the ART CLUB2000 archive. Photo: Nicole Eisenman. [A snowglobe with a portrait photograph inside sits on a surface next to three sheets of paper featuring typewritten and handwritten notes.]
    Caption Selections from the ART CLUB2000 archive. Photo: Nicole Eisenman.
    Image description A snowglobe with a portrait photograph inside sits on a surface next to three sheets of paper featuring typewritten and handwritten notes.
    Year 2021
    Related pages *intent *content *form: six takes on ART CLUB2000
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  • One sculpted deer head is seen in the foreground with a paper mache design and a darker deer head sculpture is seen in the background with horns. Both are hung in a white-walled gallery space.
    One sculpted deer head is seen in the foreground with a paper mache design and a darker deer head sculpture is seen in the background with horns. Both are hung in a white-walled gallery space.
    Sherry Markovitz. Installation view. Artists Space, 1985. [One sculpted deer head is seen in the foreground with a paper mache design and a darker deer head sculpture is seen in the background with horns. Both are hung in a white-walled gallery space.]
    Caption Sherry Markovitz. Installation view. Artists Space, 1985.
    Image description One sculpted deer head is seen in the foreground with a paper mache design and a darker deer head sculpture is seen in the background with horns. Both are hung in a white-walled gallery space.
    Year
    Related pages U.S. Projects
  • A figure stands behind a microphone stand, one hand raised to their chin and the other arm up and pointing away from themselves. The figure stands in front of a blank background.
    A figure stands behind a microphone stand, one hand raised to their chin and the other arm up and pointing away from themselves. The figure stands in front of a blank background.
    Gregg Bordowitz, Open Book: Letters, Marks, Politics, 2024, lecture performance, Bonner Kunstverein. Photo: Max Beck. [A figure stands behind a microphone stand, one hand raised to their chin and the other arm up and pointing away from themselves. The figure stands in front of a blank background.]
    Caption Gregg Bordowitz, Open Book: Letters, Marks, Politics, 2024, lecture performance, Bonner Kunstverein. Photo: Max Beck.
    Image description A figure stands behind a microphone stand, one hand raised to their chin and the other arm up and pointing away from themselves. The figure stands in front of a blank background.
    Year 2024
    Related pages One Night Only
  • A partial view of a large, orange circular slug sculpture is in front of a painting hanging in a white-walled gallery space.
    A partial view of a large, orange circular slug sculpture is in front of a painting hanging in a white-walled gallery space.
    Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez. [A partial view of a large, orange circular slug sculpture is in front of a painting hanging in a white-walled gallery space.]
    Caption Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez.
    Image description A partial view of a large, orange circular slug sculpture is in front of a painting hanging in a white-walled gallery space.
    Year 2020
    Related pages Jana Euler
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    Related pages THE SECOND ANNUAL CONFERENCE ABOUT ARTIST-CURATED EXHIBITIONS
  • Cave of Animals: Cave of the Future, site recording, 2024
    Caption Cave of Animals: Cave of the Future, site recording, 2024
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    Related pages Listening to the LES
  • A digital greyscale rendering of a loose spiral made from flexible bricks.
    A digital greyscale rendering of a loose spiral made from flexible bricks.
    [A digital greyscale rendering of a loose spiral made from flexible bricks.]
    Caption
    Image description A digital greyscale rendering of a loose spiral made from flexible bricks.
    Year 2000
    Related pages Defective Brick Project
  • A string of light bulbs decends from the celing of an exhibition space, with the end of its wiring resting on the ground below. A framed image of a figure's face is installed high on the wall directly behind the light string. A small cardboard box with gold details sits on the ground to the right of the light string.
    A string of light bulbs decends from the celing of an exhibition space, with the end of its wiring resting on the ground below. A framed image of a figure's face is installed high on the wall directly behind the light string. A small cardboard box with gold details sits on the ground to the right of the light string.
    Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A string of light bulbs decends from the celing of an exhibition space, with the end of its wiring resting on the ground below. A framed image of a figure's face is installed high on the wall directly behind the light string. A small cardboard box with gold details sits on the ground to the right of the light string.]
    Caption Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description A string of light bulbs decends from the celing of an exhibition space, with the end of its wiring resting on the ground below. A framed image of a figure's face is installed high on the wall directly behind the light string. A small cardboard box with gold details sits on the ground to the right of the light string.
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
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    Related pages DRAFT IMAGE PAGE_NEVER DELETE
  • A nightime view of a truck driving past a parking lot. In the top left of the image is a superimposed video of a blond woman. The words
    A nightime view of a truck driving past a parking lot. In the top left of the image is a superimposed video of a blond woman. The words
    Ursula Biemann, still from Writing Desire, 2000. Video, 23 minutes. Courtesy the artist. [A nightime view of a truck driving past a parking lot. In the top left of the image is a superimposed video of a blond woman. The words "Hello I'm Natascha" appear in red to the right of the woman.]
    Caption Ursula Biemann, still from Writing Desire, 2000. Video, 23 minutes. Courtesy the artist.
    Image description A nightime view of a truck driving past a parking lot. In the top left of the image is a superimposed video of a blond woman. The words "Hello I'm Natascha" appear in red to the right of the woman.
    Year 2000
    Related pages New Economy
  • A black and white photograph of mixed media collage work hanging on gallery walls.
    A black and white photograph of mixed media collage work hanging on gallery walls.
    Too Black, Too Strong! Installation View, Artists Space, 1988. [A black and white photograph of mixed media collage work hanging on gallery walls.]
    Caption Too Black, Too Strong! Installation View, Artists Space, 1988.
    Image description A black and white photograph of mixed media collage work hanging on gallery walls.
    Year 1988
    Related pages Too Black, Too Strong!
  • In a corner of a gallery space, a small black and white photograph hangs in a black frame on the left wall. On the right, a small white panel of black text hangs above a sign attached to a glass box that protrudes from the wall. Inside the box are what appear to be bloodied white linens, and on the sign above them the words
    In a corner of a gallery space, a small black and white photograph hangs in a black frame on the left wall. On the right, a small white panel of black text hangs above a sign attached to a glass box that protrudes from the wall. Inside the box are what appear to be bloodied white linens, and on the sign above them the words
    Works by Mark Morrisroe. Witnesses: Against Our Vanishing. Installation view, Artists Space, 1989. [In a corner of a gallery space, a small black and white photograph hangs in a black frame on the left wall. On the right, a small white panel of black text hangs above a sign attached to a glass box that protrudes from the wall. Inside the box are what appear to be bloodied white linens, and on the sign above them the words "AM I DEAD YET" are written in blood.]
    Caption Works by Mark Morrisroe. Witnesses: Against Our Vanishing. Installation view, Artists Space, 1989.
    Image description In a corner of a gallery space, a small black and white photograph hangs in a black frame on the left wall. On the right, a small white panel of black text hangs above a sign attached to a glass box that protrudes from the wall. Inside the box are what appear to be bloodied white linens, and on the sign above them the words "AM I DEAD YET" are written in blood.
    Year 1989
    Related pages Witnesses: Against Our Vanishing
  • Multiple paintings are hung on white walls, some in rounded frames, depicting various people in outdoor settings. Suspended from the ceiling is a sculpture in the shape of an inverted cone and covered in artificial plants. Multicolored streamers hang from the base of the sculpture.
    Multiple paintings are hung on white walls, some in rounded frames, depicting various people in outdoor settings. Suspended from the ceiling is a sculpture in the shape of an inverted cone and covered in artificial plants. Multicolored streamers hang from the base of the sculpture.
    Lukas Duwenhögger: Undoolay. Installation view, Artists Space, 2016. Photo credit: Jean Vong. [Multiple paintings are hung on white walls, some in rounded frames, depicting various people in outdoor settings. Suspended from the ceiling is a sculpture in the shape of an inverted cone and covered in artificial plants. Multicolored streamers hang from the base of the sculpture.]
    Caption Lukas Duwenhögger: Undoolay. Installation view, Artists Space, 2016. Photo credit: Jean Vong.
    Image description Multiple paintings are hung on white walls, some in rounded frames, depicting various people in outdoor settings. Suspended from the ceiling is a sculpture in the shape of an inverted cone and covered in artificial plants. Multicolored streamers hang from the base of the sculpture.
    Year 2016
    Related pages Lukas Duwenhögger: Undoolay
  • An angled view of three light, mauve-colored and parallel walls displaying drawings and paneled canvases in an exhibition space with wooden flooring. The canvases are slightly three-dimensional, with elements that stretch in or out from their surfaces.
    An angled view of three light, mauve-colored and parallel walls displaying drawings and paneled canvases in an exhibition space with wooden flooring. The canvases are slightly three-dimensional, with elements that stretch in or out from their surfaces.
    Zilia Sánchez. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [An angled view of three light, mauve-colored and parallel walls displaying drawings and paneled canvases in an exhibition space with wooden flooring. The canvases are slightly three-dimensional, with elements that stretch in or out from their surfaces.]
    Caption Zilia Sánchez. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description An angled view of three light, mauve-colored and parallel walls displaying drawings and paneled canvases in an exhibition space with wooden flooring. The canvases are slightly three-dimensional, with elements that stretch in or out from their surfaces.
    Year 2013
    Related pages Zilia Sánchez
  • Color image of two performers on stage. The performer on the left is standing as they sing into a microphone and play the violin. The performer on the left is sitting down playing the drums with their mouth open in an expressive way. The drummer and the back wall are bathed in blue light, with blocks of white abstract patterns.
    Color image of two performers on stage. The performer on the left is standing as they sing into a microphone and play the violin. The performer on the left is sitting down playing the drums with their mouth open in an expressive way. The drummer and the back wall are bathed in blue light, with blocks of white abstract patterns.
    Abasement #75. Performance documentation, February 3rd, 2025, Artists Space. Photo: Joshua Wildman. [Color image of two performers on stage. The performer on the left is standing as they sing into a microphone and play the violin. The performer on the left is sitting down playing the drums with their mouth open in an expressive way. The drummer and the back wall are bathed in blue light, with blocks of white abstract patterns.]
    Caption Abasement #75. Performance documentation, February 3rd, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Color image of two performers on stage. The performer on the left is standing as they sing into a microphone and play the violin. The performer on the left is sitting down playing the drums with their mouth open in an expressive way. The drummer and the back wall are bathed in blue light, with blocks of white abstract patterns.
    Year
    Related pages Abasement #75
  • White text on a bright fuchsia background. The text reads: “Oct 18 / Laura Moriarty / Kevin Holden” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    White text on a bright fuchsia background. The text reads: “Oct 18 / Laura Moriarty / Kevin Holden” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [White text on a bright fuchsia background. The text reads: “Oct 18 / Laura Moriarty / Kevin Holden” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description White text on a bright fuchsia background. The text reads: “Oct 18 / Laura Moriarty / Kevin Holden” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Laura Moriarty & Kevin Holden
  • Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They wave a red object in the air.
    Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They wave a red object in the air.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They wave a red object in the air.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They wave a red object in the air.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • A variety of plinths made of MDF are arranged around a large gallery space. Along the left wall, a low, angled plinth displays a series of annotated utility maps. On the back wall a large photograph is affixed to the wall and depicts the snowy landscape of Neuenkirchen, Germany.
    A variety of plinths made of MDF are arranged around a large gallery space. Along the left wall, a low, angled plinth displays a series of annotated utility maps. On the back wall a large photograph is affixed to the wall and depicts the snowy landscape of Neuenkirchen, Germany.
    Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon. [A variety of plinths made of MDF are arranged around a large gallery space. Along the left wall, a low, angled plinth displays a series of annotated utility maps. On the back wall a large photograph is affixed to the wall and depicts the snowy landscape of Neuenkirchen, Germany. ]
    Caption Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon.
    Image description A variety of plinths made of MDF are arranged around a large gallery space. Along the left wall, a low, angled plinth displays a series of annotated utility maps. On the back wall a large photograph is affixed to the wall and depicts the snowy landscape of Neuenkirchen, Germany.
    Year
    Related pages Michael Asher
  • Bright red milk crates arranged on top of one another in descending height in a gallery space. Wooden planks are balanced on top of the crates and supported by longer wooden planks that rest against cinderblocks along the side of the structure.
    Bright red milk crates arranged on top of one another in descending height in a gallery space. Wooden planks are balanced on top of the crates and supported by longer wooden planks that rest against cinderblocks along the side of the structure.
    Salad Days 2. Installation view, Artists Space, 2006. Photo: Bill Ocrutt. [Bright red milk crates arranged on top of one another in descending height in a gallery space. Wooden planks are balanced on top of the crates and supported by longer wooden planks that rest against cinderblocks along the side of the structure.]
    Caption Salad Days 2. Installation view, Artists Space, 2006. Photo: Bill Ocrutt.
    Image description Bright red milk crates arranged on top of one another in descending height in a gallery space. Wooden planks are balanced on top of the crates and supported by longer wooden planks that rest against cinderblocks along the side of the structure.
    Year 2006
    Related pages Salad Days 2
  • Caption
    Image description
    Year
    Related pages Milford Graves: Fundamental Frequency
  • White text overlays a green and sandw background. The text reads: “April 22 / Adjua Gargi Nzinga Greaves / Alexis Pauline Gumbs.
    White text overlays a green and sandw background. The text reads: “April 22 / Adjua Gargi Nzinga Greaves / Alexis Pauline Gumbs.
    [White text overlays a green and sandw background. The text reads: “April 22 / Adjua Gargi Nzinga Greaves / Alexis Pauline Gumbs." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description White text overlays a green and sandw background. The text reads: “April 22 / Adjua Gargi Nzinga Greaves / Alexis Pauline Gumbs." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year
    Related pages Segue Reading Series: Adjua Gargi Nzinga Greaves & Alexis Pauline Gumbs
  • Black and white photograph of a doll lying on a wooden surface. To the left of the doll, white text on a metal surface reads,
    Black and white photograph of a doll lying on a wooden surface. To the left of the doll, white text on a metal surface reads,
    Hiroshi Araki, still from Mechanic and Angel, 1990. [Black and white photograph of a doll lying on a wooden surface. To the left of the doll, white text on a metal surface reads, "GOD POWER." A cross is situated between the two words.]
    Caption Hiroshi Araki, still from Mechanic and Angel, 1990.
    Image description Black and white photograph of a doll lying on a wooden surface. To the left of the doll, white text on a metal surface reads, "GOD POWER." A cross is situated between the two words.
    Year 1990
    Related pages Japan: Outside/Inside/In Between. Part 2: An Inside View
  • A photograph of a long sheet of dot matrix paper with text on a black table.
    A photograph of a long sheet of dot matrix paper with text on a black table.
    Tiffany Sia, The Bastard Scroll (detail view), 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A photograph of a long sheet of dot matrix paper with text on a black table.]
    Caption Tiffany Sia, The Bastard Scroll (detail view), 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A photograph of a long sheet of dot matrix paper with text on a black table.
    Year 2021
    Related pages Tiffany Sia: Slippery When Wet
  • White LEDs hung on a white wall spelling
    White LEDs hung on a white wall spelling
    [White LEDs hung on a white wall spelling "SPRITZ".]
    Caption
    Image description White LEDs hung on a white wall spelling "SPRITZ".
    Year 2013
    Related pages NEONS
  • Black-and-white drawing of a cluster of black curled lines organized into a square shape in the middle of a white page. Handwritten text in faint pencil along the bottom of the page reads
    Black-and-white drawing of a cluster of black curled lines organized into a square shape in the middle of a white page. Handwritten text in faint pencil along the bottom of the page reads
    Marian Zazeela, 19 XI 66/2, 1966, India ink on card. Courtesy of the artist. [Black-and-white drawing of a cluster of black curled lines organized into a square shape in the middle of a white page. Handwritten text in faint pencil along the bottom of the page reads "© Marian Zazeela 1988."]
    Caption Marian Zazeela, 19 XI 66/2, 1966, India ink on card. Courtesy of the artist.
    Image description Black-and-white drawing of a cluster of black curled lines organized into a square shape in the middle of a white page. Handwritten text in faint pencil along the bottom of the page reads "© Marian Zazeela 1988."
    Year
    Related pages Dream Lines: Drawings by Marian Zazeela
  • A color photograph of a gallery space. On the left, a large piece of grey and white vinyl hangs from the wall. A row of dark metal columns occupies the center of the space, extending back to a perpendicular section of grey metal scaffolding. On the right of the space there is a large grey table with four red chairs. The table holds a stack of yellow posters and two smaller stacks of grey handouts. The wall on the right has a large window and a blue poster.
    A color photograph of a gallery space. On the left, a large piece of grey and white vinyl hangs from the wall. A row of dark metal columns occupies the center of the space, extending back to a perpendicular section of grey metal scaffolding. On the right of the space there is a large grey table with four red chairs. The table holds a stack of yellow posters and two smaller stacks of grey handouts. The wall on the right has a large window and a blue poster.
    virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of a gallery space. On the left, a large piece of grey and white vinyl hangs from the wall. A row of dark metal columns occupies the center of the space, extending back to a perpendicular section of grey metal scaffolding. On the right of the space there is a large grey table with four red chairs. The table holds a stack of yellow posters and two smaller stacks of grey handouts. The wall on the right has a large window and a blue poster.]
    Caption virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color photograph of a gallery space. On the left, a large piece of grey and white vinyl hangs from the wall. A row of dark metal columns occupies the center of the space, extending back to a perpendicular section of grey metal scaffolding. On the right of the space there is a large grey table with four red chairs. The table holds a stack of yellow posters and two smaller stacks of grey handouts. The wall on the right has a large window and a blue poster.
    Year 2022
    Related pages virgil b/g taylor: Minor Publics
  • Caption
    Image description
    Year
    Related pages Abasement #67
  • A collaged image, depicting the upper body of a man, with his fists to his chin, overlaid with lower body of a horse. Blue text on top and bottom of image reads
    A collaged image, depicting the upper body of a man, with his fists to his chin, overlaid with lower body of a horse. Blue text on top and bottom of image reads
    Flyer for Segue Reading Series featuring Robert Glück & Ted Rees. Saturday, October 17, 2020, Artists Space. Artist: Keith Higginbotham [A collaged image, depicting the upper body of a man, with his fists to his chin, overlaid with lower body of a horse. Blue text on top and bottom of image reads "Robert Glück / Ted Rees / Segue".]
    Caption Flyer for Segue Reading Series featuring Robert Glück & Ted Rees. Saturday, October 17, 2020, Artists Space. Artist: Keith Higginbotham
    Image description A collaged image, depicting the upper body of a man, with his fists to his chin, overlaid with lower body of a horse. Blue text on top and bottom of image reads "Robert Glück / Ted Rees / Segue".
    Year 2020
    Related pages Segue Reading Series: Robert Glück & Ted Rees
  • Close-up color image of a persons hands on a red audio mixing device. Various blue and red cords stick out of the machine. A camera on a tripod sits on top of the machine. The background is blurred, with a few audience members visible. The scene is lit with soft pink light.
    Close-up color image of a persons hands on a red audio mixing device. Various blue and red cords stick out of the machine. A camera on a tripod sits on top of the machine. The background is blurred, with a few audience members visible. The scene is lit with soft pink light.
    Abasement #77. Performance documentation, April 7th, 2025, Artists Space. Photo: Joshua Wildman. [Close-up color image of a persons hands on a red audio mixing device. Various blue and red cords stick out of the machine. A camera on a tripod sits on top of the machine. The background is blurred, with a few audience members visible. The scene is lit with soft pink light.]
    Caption Abasement #77. Performance documentation, April 7th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Close-up color image of a persons hands on a red audio mixing device. Various blue and red cords stick out of the machine. A camera on a tripod sits on top of the machine. The background is blurred, with a few audience members visible. The scene is lit with soft pink light.
    Year
    Related pages Abasement #77
  • Several students sit, looking down towards printed sheets of paper, in front of colorful silk banners with writing stating
    Several students sit, looking down towards printed sheets of paper, in front of colorful silk banners with writing stating
    YAP (Young Artists Perform), P.S. 140, 2018 [Several students sit, looking down towards printed sheets of paper, in front of colorful silk banners with writing stating "Your dreams can become a reality," "like a cheetah in a snail's race," "bridge can just go like boom bom boom BOOM," "I see a light it's so BRIGHT -Destiny" and others.]
    Caption YAP (Young Artists Perform), P.S. 140, 2018
    Image description Several students sit, looking down towards printed sheets of paper, in front of colorful silk banners with writing stating "Your dreams can become a reality," "like a cheetah in a snail's race," "bridge can just go like boom bom boom BOOM," "I see a light it's so BRIGHT -Destiny" and others.
    Year 2018
    Related pages Education
  • A city skyline on fire behind black and white waves. Above that are four circular portraits of people and a title decal with the words
    A city skyline on fire behind black and white waves. Above that are four circular portraits of people and a title decal with the words
    Poster from Polly II - A Plan for a Revolution in Docklands (2006). [A city skyline on fire behind black and white waves. Above that are four circular portraits of people and a title decal with the words "POLLY II: Plan for a Revolution in Docklands."]
    Caption Poster from Polly II - A Plan for a Revolution in Docklands (2006).
    Image description A city skyline on fire behind black and white waves. Above that are four circular portraits of people and a title decal with the words "POLLY II: Plan for a Revolution in Docklands."
    Year 2006
    Related pages Polly II - A Plan for a Revolution in Docklands
  • A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979. [A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.]
    Caption Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979.
    Image description A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    Year 1979
    Related pages Patricia Hearst - A Second Reading
  • Light teal and pink text overlay a dark teal background with abstract lines and drawings of a female portrait in the bottom left and a hand holding a phone in the top right corner. The text in the middle reads
    Light teal and pink text overlay a dark teal background with abstract lines and drawings of a female portrait in the bottom left and a hand holding a phone in the top right corner. The text in the middle reads
    Flyer for Segue Reading Series featuring David Rothenberg and Robert Fitterman. December 3, 2022, Artists Space. [Light teal and pink text overlay a dark teal background with abstract lines and drawings of a female portrait in the bottom left and a hand holding a phone in the top right corner. The text in the middle reads "David Rothenberg / Segue Reading Series / Robert Fitterman."]
    Caption Flyer for Segue Reading Series featuring David Rothenberg and Robert Fitterman. December 3, 2022, Artists Space.
    Image description Light teal and pink text overlay a dark teal background with abstract lines and drawings of a female portrait in the bottom left and a hand holding a phone in the top right corner. The text in the middle reads "David Rothenberg / Segue Reading Series / Robert Fitterman."
    Year
    Related pages Segue Reading Series: Robert Fitterman & David Rothenberg
  • Color photo of two performers kneeling on the floor of a dark performance venue. A deep red glowing light emanating from between the performers serves as the only source of illumination. The crouching individuals are wearing quilted pants and have a variety of nightvision gear attached to their legs and torsos.
    Color photo of two performers kneeling on the floor of a dark performance venue. A deep red glowing light emanating from between the performers serves as the only source of illumination. The crouching individuals are wearing quilted pants and have a variety of nightvision gear attached to their legs and torsos.
    Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman. [Color photo of two performers kneeling on the floor of a dark performance venue. A deep red glowing light emanating from between the performers serves as the only source of illumination. The crouching individuals are wearing quilted pants and have a variety of nightvision gear attached to their legs and torsos.]
    Caption Abasement #64. Performance documentation, August 7, 2023, Artists Space. Photo: Joshua Wildman.
    Image description Color photo of two performers kneeling on the floor of a dark performance venue. A deep red glowing light emanating from between the performers serves as the only source of illumination. The crouching individuals are wearing quilted pants and have a variety of nightvision gear attached to their legs and torsos.
    Year
    Related pages Abasement #64
  • A conical shape extends from a planet on the right side of the image towards a glowing orange sphere to the left. This basic image is repeated directly below with slight variations. The image is overlaid with text that reads “the segue reading series and artists space / present / Brenda Iijima / Simone White / saturday, 4-17 / 5pm eastern / $5 suggested / zoom id: 830 2698 4031.
    A conical shape extends from a planet on the right side of the image towards a glowing orange sphere to the left. This basic image is repeated directly below with slight variations. The image is overlaid with text that reads “the segue reading series and artists space / present / Brenda Iijima / Simone White / saturday, 4-17 / 5pm eastern / $5 suggested / zoom id: 830 2698 4031.
    Flyer for Segue Reading Series featuring Brenda Iijima & Simone White. Saturday April 17, 2021, Artists Space. [A conical shape extends from a planet on the right side of the image towards a glowing orange sphere to the left. This basic image is repeated directly below with slight variations. The image is overlaid with text that reads “the segue reading series and artists space / present / Brenda Iijima / Simone White / saturday, 4-17 / 5pm eastern / $5 suggested / zoom id: 830 2698 4031."]
    Caption Flyer for Segue Reading Series featuring Brenda Iijima & Simone White. Saturday April 17, 2021, Artists Space.
    Image description A conical shape extends from a planet on the right side of the image towards a glowing orange sphere to the left. This basic image is repeated directly below with slight variations. The image is overlaid with text that reads “the segue reading series and artists space / present / Brenda Iijima / Simone White / saturday, 4-17 / 5pm eastern / $5 suggested / zoom id: 830 2698 4031."
    Year 2021
    Related pages Segue Reading Series: Brenda Iijima & Simone White
  • A shell of an architectural edifice stands over a small moveable two-wheeled car in a gallery space.
    A shell of an architectural edifice stands over a small moveable two-wheeled car in a gallery space.
    Installation view from From Here to Eternity: Fact and Fiction in Recent Architectural Projects, Artists Space, May 24, 1986 - June 28, 1986. [A shell of an architectural edifice stands over a small moveable two-wheeled car in a gallery space.]
    Caption Installation view from From Here to Eternity: Fact and Fiction in Recent Architectural Projects, Artists Space, May 24, 1986 - June 28, 1986.
    Image description A shell of an architectural edifice stands over a small moveable two-wheeled car in a gallery space.
    Year
    Related pages From Here to Eternity: Fact and Fiction in Recent Architectural Projects
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A book cover design. The title
    A book cover design. The title
    Der symbolische Auftraggeber/The Symbolic Commissioner, edited Søren Grammel, published by Sternberg Press, 2011. [A book cover design. The title "Der symbolische Auftraggeber/The Symbolic Commissioner" is situated at the top of the cover. Below it is an image of two sculptures made of large rectangular panels affixed in midair by metal poles that reach floor to ceiling. To the right of the sculptures is a white plinth, and in front of that, a television on the ground.]
    Caption Der symbolische Auftraggeber/The Symbolic Commissioner, edited Søren Grammel, published by Sternberg Press, 2011.
    Image description A book cover design. The title "Der symbolische Auftraggeber/The Symbolic Commissioner" is situated at the top of the cover. Below it is an image of two sculptures made of large rectangular panels affixed in midair by metal poles that reach floor to ceiling. To the right of the sculptures is a white plinth, and in front of that, a television on the ground.
    Year 2011
    Related pages The Symbolic Commissioner
  • An angled view from a ledge containing household items, into a bedroom. Above the doorway black text reads,
    An angled view from a ledge containing household items, into a bedroom. Above the doorway black text reads,
    [An angled view from a ledge containing household items, into a bedroom. Above the doorway black text reads, "Macho Man, Tell it to My Heart."]
    Caption
    Image description An angled view from a ledge containing household items, into a bedroom. Above the doorway black text reads, "Macho Man, Tell it to My Heart."
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • Photographs hang on a white wall. On the left, two black and white portraits are stacked vertically. In the center, a row of five color photographs includes a person sitting in a lounge chair and a person in a hospital bed. On the right, the edge of a painting in visible.
    Photographs hang on a white wall. On the left, two black and white portraits are stacked vertically. In the center, a row of five color photographs includes a person sitting in a lounge chair and a person in a hospital bed. On the right, the edge of a painting in visible.
    Works by Philip-Lorca diCorcia. Witnesses: Against Our Vanishing. Installation view, Artists Space, 1989. [Photographs hang on a white wall. On the left, two black and white portraits are stacked vertically. In the center, a row of five color photographs includes a person sitting in a lounge chair and a person in a hospital bed. On the right, the edge of a painting in visible.]
    Caption Works by Philip-Lorca diCorcia. Witnesses: Against Our Vanishing. Installation view, Artists Space, 1989.
    Image description Photographs hang on a white wall. On the left, two black and white portraits are stacked vertically. In the center, a row of five color photographs includes a person sitting in a lounge chair and a person in a hospital bed. On the right, the edge of a painting in visible.
    Year 1989
    Related pages Witnesses: Against Our Vanishing
  • A white table holds a white model of a house. Behind it, a television on a stand displays an image of a large, white house. There is a white wall with five color photographs arranged in a cross formation with images of a large house and yard.
    A white table holds a white model of a house. Behind it, a television on a stand displays an image of a large, white house. There is a white wall with five color photographs arranged in a cross formation with images of a large house and yard.
    Sean Snyder. Installation view, Artists Space, 2010-11. Photo: Daniel Peréz. [A white table holds a white model of a house. Behind it, a television on a stand displays an image of a large, white house. There is a white wall with five color photographs arranged in a cross formation with images of a large house and yard.]
    Caption Sean Snyder. Installation view, Artists Space, 2010-11. Photo: Daniel Peréz.
    Image description A white table holds a white model of a house. Behind it, a television on a stand displays an image of a large, white house. There is a white wall with five color photographs arranged in a cross formation with images of a large house and yard.
    Year 2010
    Related pages Sean Snyder
  • A band of three performers sit on stage. From left to right the performers play: a double-neck guitar, drums, and a bass of guitar. The room and stage is bathed in a green and white light, created from a projection.
    A band of three performers sit on stage. From left to right the performers play: a double-neck guitar, drums, and a bass of guitar. The room and stage is bathed in a green and white light, created from a projection.
    Abasement #79. Performance documentation, August 11th, 2025, Artists Space. Photo: Joshua Wildman. [A band of three performers sit on stage. From left to right the performers play: a double-neck guitar, drums, and a bass of guitar. The room and stage is bathed in a green and white light, created from a projection.]
    Caption Abasement #79. Performance documentation, August 11th, 2025, Artists Space. Photo: Joshua Wildman.
    Image description A band of three performers sit on stage. From left to right the performers play: a double-neck guitar, drums, and a bass of guitar. The room and stage is bathed in a green and white light, created from a projection.
    Year
    Related pages Abasement #79
  • One man takes off an orange sweater while another man watches.
    One man takes off an orange sweater while another man watches.
    Ken Okiishi. Still from Telly & Casper, 2000. Digital video (sound, color), 27 min. Courtesy the artist. [One man takes off an orange sweater while another man watches.]
    Caption Ken Okiishi. Still from Telly & Casper, 2000. Digital video (sound, color), 27 min. Courtesy the artist.
    Image description One man takes off an orange sweater while another man watches.
    Year 2000
    Related pages Ken Okiishi
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A figure holding a sword in the middle of a man and woman with a car visible behind them. Subtitles burned onto the bottom of the image read,
    A figure holding a sword in the middle of a man and woman with a car visible behind them. Subtitles burned onto the bottom of the image read,
    Sistema Sandinista de Television. Still from Golpes de la Corazon (Blows of the Heart), 1983. Video (sound, black and white). 30 minutes (excerpted). Spanish with English subtitles. [A figure holding a sword in the middle of a man and woman with a car visible behind them. Subtitles burned onto the bottom of the image read, "Aha, I found you." Scan lines in the image and the outer box of a CRT monitor are visible.]
    Caption Sistema Sandinista de Television. Still from Golpes de la Corazon (Blows of the Heart), 1983. Video (sound, black and white). 30 minutes (excerpted). Spanish with English subtitles.
    Image description A figure holding a sword in the middle of a man and woman with a car visible behind them. Subtitles burned onto the bottom of the image read, "Aha, I found you." Scan lines in the image and the outer box of a CRT monitor are visible.
    Year 1983
    Related pages TV Sandino
  • A dilapidated wood shed is shown partially covered by large mounds of earth. Fingers reach out from the lower-right corner to caress the image.
    A dilapidated wood shed is shown partially covered by large mounds of earth. Fingers reach out from the lower-right corner to caress the image.
    Renée Green. Still from Partially Buried, 1996. Video, color, sound; 20 minutes. Courtesy the artist, Free Agent Media, and Video Data Bank. [A dilapidated wood shed is shown partially covered by large mounds of earth. Fingers reach out from the lower-right corner to caress the image.]
    Caption Renée Green. Still from Partially Buried, 1996. Video, color, sound; 20 minutes. Courtesy the artist, Free Agent Media, and Video Data Bank.
    Image description A dilapidated wood shed is shown partially covered by large mounds of earth. Fingers reach out from the lower-right corner to caress the image.
    Year 1997
    Related pages Whitney ISP Archive
  • A color photograph of a figure standing in an orange-lit space filled with various audio equipment and a stereo player. They crouch down to press adjust a dial on an audio mixer.
    A color photograph of a figure standing in an orange-lit space filled with various audio equipment and a stereo player. They crouch down to press adjust a dial on an audio mixer.
    Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. [A color photograph of a figure standing in an orange-lit space filled with various audio equipment and a stereo player. They crouch down to press adjust a dial on an audio mixer.]
    Caption Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space.
    Image description A color photograph of a figure standing in an orange-lit space filled with various audio equipment and a stereo player. They crouch down to press adjust a dial on an audio mixer.
    Year 2022
    Related pages Yuji Agematsu
  • An Elegoo microcontroller is affixed to the side of a brownish sculpture sitting on a white base. Two blue wires are plugged into a lemon and an onion on a platform, each connected to the microcontroller.
    An Elegoo microcontroller is affixed to the side of a brownish sculpture sitting on a white base. Two blue wires are plugged into a lemon and an onion on a platform, each connected to the microcontroller.
    Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $5,000
    [An Elegoo microcontroller is affixed to the side of a brownish sculpture sitting on a white base. Two blue wires are plugged into a lemon and an onion on a platform, each connected to the microcontroller.]
    Caption Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $5,000
    Image description An Elegoo microcontroller is affixed to the side of a brownish sculpture sitting on a white base. Two blue wires are plugged into a lemon and an onion on a platform, each connected to the microcontroller.
    Year 2019
    Related pages Trisha Baga Edition
  • A black-and-white photograph of a gallery space with several floor lamps installed throughout.
    A black-and-white photograph of a gallery space with several floor lamps installed throughout.
    Served Up! R.M. Fischer. Installation view, Artists Space, 1979. [A black-and-white photograph of a gallery space with several floor lamps installed throughout.]
    Caption Served Up! R.M. Fischer. Installation view, Artists Space, 1979.
    Image description A black-and-white photograph of a gallery space with several floor lamps installed throughout.
    Year
    Related pages Served Up! R. M. Fischer
  • Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon.
    Caption Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon.
    Image description
    Year
    Related pages Michael Asher
  • Contact sheet of stills depicting numerous installation views.
    Contact sheet of stills depicting numerous installation views.
    Sixth Anniversary Exhibition. Installation views, Artists Space, 1979. [Contact sheet of stills depicting numerous installation views.]
    Caption Sixth Anniversary Exhibition. Installation views, Artists Space, 1979.
    Image description Contact sheet of stills depicting numerous installation views.
    Year 1979
    Related pages Sixth Anniversary Exhibition
  • A large room with white walls. Artworks hang on the right and left walls, covering most of the surface area. There is a door open towards the back of the room.
    A large room with white walls. Artworks hang on the right and left walls, covering most of the surface area. There is a door open towards the back of the room.
    Pictures. Installation view, Artists Space, 1977. [A large room with white walls. Artworks hang on the right and left walls, covering most of the surface area. There is a door open towards the back of the room.]
    Caption Pictures. Installation view, Artists Space, 1977.
    Image description A large room with white walls. Artworks hang on the right and left walls, covering most of the surface area. There is a door open towards the back of the room.
    Year 1977
    Related pages Pictures
  • A green and white flyer with green and black text listing the event information.
    A green and white flyer with green and black text listing the event information.
    Flyer for the People's Cultural Plan Launch, July 18, 2017, Artists Space. [A green and white flyer with green and black text listing the event information.]
    Caption Flyer for the People's Cultural Plan Launch, July 18, 2017, Artists Space.
    Image description A green and white flyer with green and black text listing the event information.
    Year 2017
    Related pages The People's Cultural Plan
  • A photograph of several works on yellow paper hung on a white gallery wall.
    A photograph of several works on yellow paper hung on a white gallery wall.
    Adjua Gargi Nzinga Greaves, Better homes and gardens back by popular demand, detail, 2021. Magazine, artists tape, overall dimensions variable. Courtesy Artists Space, New York. Photo: Filip Wolak [A photograph of several works on yellow paper hung on a white gallery wall.]
    Caption Adjua Gargi Nzinga Greaves, Better homes and gardens back by popular demand, detail, 2021. Magazine, artists tape, overall dimensions variable. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A photograph of several works on yellow paper hung on a white gallery wall.
    Year 2021
    Related pages Adjua Gargi Nzinga Greaves
  • A black and white image of three figures performing on stage. The figure on the left plays the saxophone, a clarinet is on the floor, right in front of them. The figure in the center plays the drums, and the one on the right, the double bass. Three microphones are scattered across the stage.
    Caption A black and white image of three figures performing on stage. The figure on the left plays the saxophone, a clarinet is on the floor, right in front of them. The figure in the center plays the drums, and the one on the right, the double bass. Three microphones are scattered across the stage.
    Image description
    Year
    Related pages Abasement #66
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A red background with white text which reads:
    A red background with white text which reads:
    [A red background with white text which reads: "DUMP THE FINE ART OF GENTRIFICATION", followed by the Decolonize This Place Logo.]
    Caption
    Image description A red background with white text which reads: "DUMP THE FINE ART OF GENTRIFICATION", followed by the Decolonize This Place Logo.
    Year 2016
    Related pages Decolonize This Place
  • Six lines of calligraphy written in black ink on white paper are lined by musical staves.
    Six lines of calligraphy written in black ink on white paper are lined by musical staves.
    Yasunao Tone, Score for Trio for a Flute Player, 1985. [Six lines of calligraphy written in black ink on white paper are lined by musical staves.]
    Caption Yasunao Tone, Score for Trio for a Flute Player, 1985.
    Image description Six lines of calligraphy written in black ink on white paper are lined by musical staves.
    Year 1985
    Related pages Yasunao Tone in Concert with Barbara Held
  • Two people in a mountainous, desert location face each other. One, dressed in an orange and green cloak, sits at a green desk. The other is posed with a mirror aimed at the clear sky.
    Two people in a mountainous, desert location face each other. One, dressed in an orange and green cloak, sits at a green desk. The other is posed with a mirror aimed at the clear sky.
    Untitled, c. 1970s, 35mm slide, Copyright Jack Smith Archive, Courtesy Gladstone Gallery, New York and Brussels [Two people in a mountainous, desert location face each other. One, dressed in an orange and green cloak, sits at a green desk. The other is posed with a mirror aimed at the clear sky.]
    Caption Untitled, c. 1970s, 35mm slide, Copyright Jack Smith Archive, Courtesy Gladstone Gallery, New York and Brussels
    Image description Two people in a mountainous, desert location face each other. One, dressed in an orange and green cloak, sits at a green desk. The other is posed with a mirror aimed at the clear sky.
    Year 1970
    Related pages Jack Smith: Art Crust of Spiritual Oasis
  • View of the audience members from the Artists Space and Decolonize this Place event, featuring black, white, red, and yellow banners on the wall with slogans for global resistance.
    View of the audience members from the Artists Space and Decolonize this Place event, featuring black, white, red, and yellow banners on the wall with slogans for global resistance.
    “Palestine, BLM & Boycott in the Arts.” Artists Space Books & Talks, Friday, November 4, 2016. Courtesy Decolonize This Place and Artists Space, New York. Photo: Andrés Rodriguez [View of the audience members from the Artists Space and Decolonize this Place event, featuring black, white, red, and yellow banners on the wall with slogans for global resistance.]
    Caption “Palestine, BLM & Boycott in the Arts.” Artists Space Books & Talks, Friday, November 4, 2016. Courtesy Decolonize This Place and Artists Space, New York. Photo: Andrés Rodriguez
    Image description View of the audience members from the Artists Space and Decolonize this Place event, featuring black, white, red, and yellow banners on the wall with slogans for global resistance.
    Year 2016
    Related pages Decolonize This Place
  • LaToya Ruby Frazier, A Message In Nestle Water Bottles from Shea Cobb and Amber Hasan at Sussex Drive and West Pierson Road, Flint, MI, 2017/2023, set of three archival pigment prints on Canson Platine Fibre Rag, 16 x 24 inches (40.6 x 61 cm)
    Caption LaToya Ruby Frazier, A Message In Nestle Water Bottles from Shea Cobb and Amber Hasan at Sussex Drive and West Pierson Road, Flint, MI, 2017/2023, set of three archival pigment prints on Canson Platine Fibre Rag, 16 x 24 inches (40.6 x 61 cm)
    Image description
    Year
    Related pages Artists Fund
  • Three large metal rectangular scuptures, hinging at an angle off the floor. A large photographic print of deer in woods hangs on the wall directly behind the sculptures.
    Three large metal rectangular scuptures, hinging at an angle off the floor. A large photographic print of deer in woods hangs on the wall directly behind the sculptures.
    Underground: Jose Gabriel Fernandez. Installation view, Artists Space, 1991. [Three large metal rectangular scuptures, hinging at an angle off the floor. A large photographic print of deer in woods hangs on the wall directly behind the sculptures.]
    Caption Underground: Jose Gabriel Fernandez. Installation view, Artists Space, 1991.
    Image description Three large metal rectangular scuptures, hinging at an angle off the floor. A large photographic print of deer in woods hangs on the wall directly behind the sculptures.
    Year 1991
    Related pages Underground: Jose Gabriel Fernandez
  • Black and white photograph of white picket fence opening with dark painted background behind it.
    Black and white photograph of white picket fence opening with dark painted background behind it.
    Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Candice Hill-Montgomery. [Black and white photograph of white picket fence opening with dark painted background behind it.]
    Caption Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Candice Hill-Montgomery.
    Image description Black and white photograph of white picket fence opening with dark painted background behind it.
    Year 1979
    Related pages Candance Hill-Montgomery
  • White and dark blue text overlay a light blue background with abstract lines and a drawing of a male bust in the bottom left corner. The text in the middle reads
    White and dark blue text overlay a light blue background with abstract lines and a drawing of a male bust in the bottom left corner. The text in the middle reads
    Flyer for Segue Reading Series featuring Jacob Kahn and Erica Hunt. January 28, 2023, Artists Space. [White and dark blue text overlay a light blue background with abstract lines and a drawing of a male bust in the bottom left corner. The text in the middle reads "Jacob Kahn / Segue Reading Series / Erica Hunt."]
    Caption Flyer for Segue Reading Series featuring Jacob Kahn and Erica Hunt. January 28, 2023, Artists Space.
    Image description White and dark blue text overlay a light blue background with abstract lines and a drawing of a male bust in the bottom left corner. The text in the middle reads "Jacob Kahn / Segue Reading Series / Erica Hunt."
    Year
    Related pages Segue Reading Series: Erica Hunt & Jacob Kahn
  • Ten photographs are displayed on a white gallery wall. The photographs are arranged into two identical rows. The photographs along the top are darker and cool toned. The photographs along the bottom are much brighter and warm toned. To the left of the photographs is a white panel that shows the floor plan of a gallery.
    Ten photographs are displayed on a white gallery wall. The photographs are arranged into two identical rows. The photographs along the top are darker and cool toned. The photographs along the bottom are much brighter and warm toned. To the left of the photographs is a white panel that shows the floor plan of a gallery.
    Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon. [Ten photographs are displayed on a white gallery wall. The photographs are arranged into two identical rows. The photographs along the top are darker and cool toned. The photographs along the bottom are much brighter and warm toned. To the left of the photographs is a white panel that shows the floor plan of a gallery.]
    Caption Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon.
    Image description Ten photographs are displayed on a white gallery wall. The photographs are arranged into two identical rows. The photographs along the top are darker and cool toned. The photographs along the bottom are much brighter and warm toned. To the left of the photographs is a white panel that shows the floor plan of a gallery.
    Year
    Related pages Michael Asher
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A black and white image of two couches set in front of a TV monitor on a pedestal and two speakers installed on either side of it. The TV screen is on, but no clear image is visible on it. A door to exit is visible in the background.
    A black and white image of two couches set in front of a TV monitor on a pedestal and two speakers installed on either side of it. The TV screen is on, but no clear image is visible on it. A door to exit is visible in the background.
    Too Black, Too Strong! Installation View, Artists Space, 1988. [A black and white image of two couches set in front of a TV monitor on a pedestal and two speakers installed on either side of it. The TV screen is on, but no clear image is visible on it. A door to exit is visible in the background.]
    Caption Too Black, Too Strong! Installation View, Artists Space, 1988.
    Image description A black and white image of two couches set in front of a TV monitor on a pedestal and two speakers installed on either side of it. The TV screen is on, but no clear image is visible on it. A door to exit is visible in the background.
    Year 1988
    Related pages Too Black, Too Strong!
  • Two photographs are mounted on a white gallery wall.
    Two photographs are mounted on a white gallery wall.
    Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979. [Two photographs are mounted on a white gallery wall.]
    Caption Place, (title to be determined), for a Participant: Ken Feingold. Installation view, Artists Space, 1979.
    Image description Two photographs are mounted on a white gallery wall.
    Year 1979
    Related pages Place, (title to be determined), for a Participant: Ken Feingold
  • A figure in a blue denim shirt wearing headphones sits at a dining room table cluttered with papers, bowls of fruit, and colorful candles. The figure's back faces the viewer. A bright and rocky, arid landscape is visible through the many windows that line the walls of the dining room.
    A figure in a blue denim shirt wearing headphones sits at a dining room table cluttered with papers, bowls of fruit, and colorful candles. The figure's back faces the viewer. A bright and rocky, arid landscape is visible through the many windows that line the walls of the dining room.
    [A figure in a blue denim shirt wearing headphones sits at a dining room table cluttered with papers, bowls of fruit, and colorful candles. The figure's back faces the viewer. A bright and rocky, arid landscape is visible through the many windows that line the walls of the dining room.]
    Caption
    Image description A figure in a blue denim shirt wearing headphones sits at a dining room table cluttered with papers, bowls of fruit, and colorful candles. The figure's back faces the viewer. A bright and rocky, arid landscape is visible through the many windows that line the walls of the dining room.
    Year 2014
    Related pages Macho Man, Tell It To My Heart: Collected by Julia Ault - Film and Video Program
  • Two people on a city street in front of a graffitied brick wall. One faces the camera, holding a megaphone and a piece of paper at his sides. The other is walking, facing the side, and speaking into her megaphone and reading off a sheet of paper.
    Two people on a city street in front of a graffitied brick wall. One faces the camera, holding a megaphone and a piece of paper at his sides. The other is walking, facing the side, and speaking into her megaphone and reading off a sheet of paper.
    [Two people on a city street in front of a graffitied brick wall. One faces the camera, holding a megaphone and a piece of paper at his sides. The other is walking, facing the side, and speaking into her megaphone and reading off a sheet of paper.]
    Caption
    Image description Two people on a city street in front of a graffitied brick wall. One faces the camera, holding a megaphone and a piece of paper at his sides. The other is walking, facing the side, and speaking into her megaphone and reading off a sheet of paper.
    Year 2009
    Related pages Adam Pendleton
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    Related pages Membership
  • A figure in a blue morph suit kneels down next to a wooden table and looks off to the right. Audience members sit along the floor in the background.
    A figure in a blue morph suit kneels down next to a wooden table and looks off to the right. Audience members sit along the floor in the background.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [A figure in a blue morph suit kneels down next to a wooden table and looks off to the right. Audience members sit along the floor in the background.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description A figure in a blue morph suit kneels down next to a wooden table and looks off to the right. Audience members sit along the floor in the background.
    Year 2022
    Related pages SCRAAATCH 11-19
  • A gallery space with a large circle of decals on the wall on the right. In the far left corner, a projector sits on a pedestal.
    A gallery space with a large circle of decals on the wall on the right. In the far left corner, a projector sits on a pedestal.
    Installation view, Robert Morgan. Artists Space, 1977. [A gallery space with a large circle of decals on the wall on the right. In the far left corner, a projector sits on a pedestal.]
    Caption Installation view, Robert Morgan. Artists Space, 1977.
    Image description A gallery space with a large circle of decals on the wall on the right. In the far left corner, a projector sits on a pedestal.
    Year 1977
    Related pages Robert Morgan
  • White glossy paper folded in geometric patterns against a white wall.
    White glossy paper folded in geometric patterns against a white wall.
    Paper Exhibition. Installation view, Artists Space, 2009. Photo: Adam Reich. [White glossy paper folded in geometric patterns against a white wall.]
    Caption Paper Exhibition. Installation view, Artists Space, 2009. Photo: Adam Reich.
    Image description White glossy paper folded in geometric patterns against a white wall.
    Year 2009
    Related pages Paper Exhibition
  • A black tote bag against a white background. Small white, all-caps sans-serif text in the middle states
    A black tote bag against a white background. Small white, all-caps sans-serif text in the middle states
    11 Cortlandt Alley Tote Bag. Produced by Artists Space. Edition of 150. 2019. $24 [A black tote bag against a white background. Small white, all-caps sans-serif text in the middle states "ARTISTS SPACE"]
    Caption 11 Cortlandt Alley Tote Bag. Produced by Artists Space. Edition of 150. 2019. $24
    Image description A black tote bag against a white background. Small white, all-caps sans-serif text in the middle states "ARTISTS SPACE"
    Year 2019
    Related pages Artists Space Items
  • A darkened room with several wooden platforms with white pads on top facing a wide screen. The screen shows the image of a pond surrounded by trees.
    A darkened room with several wooden platforms with white pads on top facing a wide screen. The screen shows the image of a pond surrounded by trees.
    Kerry Tribe. Installation view of Florida, 2003. Video (sound). [A darkened room with several wooden platforms with white pads on top facing a wide screen. The screen shows the image of a pond surrounded by trees.]
    Caption Kerry Tribe. Installation view of Florida, 2003. Video (sound).
    Image description A darkened room with several wooden platforms with white pads on top facing a wide screen. The screen shows the image of a pond surrounded by trees.
    Year 2007
    Related pages Elephant Cemetery
  • A painted orange sun outlined in yellow with light orange rays with a black background is visible in the upper corner of a ceiling with cyan moulding.
    A painted orange sun outlined in yellow with light orange rays with a black background is visible in the upper corner of a ceiling with cyan moulding.
    Lucas Pedernieras, from Huh portfolio, 2020, digital photograph [A painted orange sun outlined in yellow with light orange rays with a black background is visible in the upper corner of a ceiling with cyan moulding.]
    Caption Lucas Pedernieras, from Huh portfolio, 2020, digital photograph
    Image description A painted orange sun outlined in yellow with light orange rays with a black background is visible in the upper corner of a ceiling with cyan moulding.
    Year 2020
    Related pages BRIDGE Photography
  • A black and white photograph of a gallery with paintinfs on the wll and several figures milling and chatting.
    A black and white photograph of a gallery with paintinfs on the wll and several figures milling and chatting.
    Opening reception for J.B. Cobb, Martha Edelheit, Ree Morton, Artists Space, 1973 [A black and white photograph of a gallery with paintinfs on the wll and several figures milling and chatting.]
    Caption Opening reception for J.B. Cobb, Martha Edelheit, Ree Morton, Artists Space, 1973
    Image description A black and white photograph of a gallery with paintinfs on the wll and several figures milling and chatting.
    Year 1973
    Related pages J.B. Cobb, Martha Edelheit, Ree Morton
  • A color photograph of a grey and blue piece of semi-transparent fabric, partially hung from a grey metal scaffold in a gallery space.
    A color photograph of a grey and blue piece of semi-transparent fabric, partially hung from a grey metal scaffold in a gallery space.
    virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of a grey and blue piece of semi-transparent fabric, partially hung from a grey metal scaffold in a gallery space.]
    Caption virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color photograph of a grey and blue piece of semi-transparent fabric, partially hung from a grey metal scaffold in a gallery space.
    Year 2022
    Related pages virgil b/g taylor: Minor Publics
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Stephon making the drawing 90’s dress, 2022, acrylic on paper
    Caption Stephon making the drawing 90’s dress, 2022, acrylic on paper
    Image description
    Year 2022
    Related pages ARTstudio
  • A black and white photograph of two figures standing in a gallery space. The figure on the left looks at the one on the right. In the background, a crowd of people and se veral large wall hangings are visible.
    A black and white photograph of two figures standing in a gallery space. The figure on the left looks at the one on the right. In the background, a crowd of people and se veral large wall hangings are visible.
    Pictures. Opening Reception, Artists Space, September 23, 1977. Sherrie Levine (left), Irving Sandler (right). Photo: D. James Dee. [A black and white photograph of two figures standing in a gallery space. The figure on the left looks at the one on the right. In the background, a crowd of people and se veral large wall hangings are visible.]
    Caption Pictures. Opening Reception, Artists Space, September 23, 1977. Sherrie Levine (left), Irving Sandler (right). Photo: D. James Dee.
    Image description A black and white photograph of two figures standing in a gallery space. The figure on the left looks at the one on the right. In the background, a crowd of people and se veral large wall hangings are visible.
    Year 1977
    Related pages Pictures
  • A digital rendering of a large, rectangular aquarium filled with fish. Resting on top of the aqaurium are three terraria of different spherical shapes.
    A digital rendering of a large, rectangular aquarium filled with fish. Resting on top of the aqaurium are three terraria of different spherical shapes.
    [A digital rendering of a large, rectangular aquarium filled with fish. Resting on top of the aqaurium are three terraria of different spherical shapes.]
    Caption
    Image description A digital rendering of a large, rectangular aquarium filled with fish. Resting on top of the aqaurium are three terraria of different spherical shapes.
    Year 2008
    Related pages Local River
  • A flyer for Slideshow/Cloakroom at Artists Space featuring information about the event in black text. At the bottom there is a line drawing of a hanger with decibel readings within it.
    A flyer for Slideshow/Cloakroom at Artists Space featuring information about the event in black text. At the bottom there is a line drawing of a hanger with decibel readings within it.
    [A flyer for Slideshow/Cloakroom at Artists Space featuring information about the event in black text. At the bottom there is a line drawing of a hanger with decibel readings within it.]
    Caption
    Image description A flyer for Slideshow/Cloakroom at Artists Space featuring information about the event in black text. At the bottom there is a line drawing of a hanger with decibel readings within it.
    Year 2009
    Related pages Slideshow/Cloakroom with Pierre Leguillon
  • A series of candles, each made of layers of red, white, and blue wax, are placed on an aluminum shelf. From the front, the shape of the candles spell out
    A series of candles, each made of layers of red, white, and blue wax, are placed on an aluminum shelf. From the front, the shape of the candles spell out
    Nayland Blake, Rafts (detail), 2019. Wax and aluminum. 3 aluminum shelves, each: 8 x 20 x 60 inches. 60 wax candles, each: 7 1/2 x 7 x 1 7/8 inches. ©Nayland Blake, Courtesy Matthew Marks Gallery. [A series of candles, each made of layers of red, white, and blue wax, are placed on an aluminum shelf. From the front, the shape of the candles spell out "LOVE." ]
    Caption Nayland Blake, Rafts (detail), 2019. Wax and aluminum. 3 aluminum shelves, each: 8 x 20 x 60 inches. 60 wax candles, each: 7 1/2 x 7 x 1 7/8 inches. ©Nayland Blake, Courtesy Matthew Marks Gallery.
    Image description A series of candles, each made of layers of red, white, and blue wax, are placed on an aluminum shelf. From the front, the shape of the candles spell out "LOVE."
    Year
    Related pages Arnold Kemp
  • A color image of a gallery space with two columns in the middle. Framed drawings depicting colorful abstract compositions hang on the white walls. Five of the drawings are made on black paper, and two on white paper.
    A color image of a gallery space with two columns in the middle. Framed drawings depicting colorful abstract compositions hang on the white walls. Five of the drawings are made on black paper, and two on white paper.
    Renee Gladman: Narratives of Magnitude. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of a gallery space with two columns in the middle. Framed drawings depicting colorful abstract compositions hang on the white walls. Five of the drawings are made on black paper, and two on white paper.]
    Caption Renee Gladman: Narratives of Magnitude. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A color image of a gallery space with two columns in the middle. Framed drawings depicting colorful abstract compositions hang on the white walls. Five of the drawings are made on black paper, and two on white paper.
    Year
    Related pages Renee Gladman
  • Two beds appear on the floor with a mirror and a picture hanging on the walls along with a clock in the right corner. Light is shining onto the wall from an area not visible to the viewer.
    Two beds appear on the floor with a mirror and a picture hanging on the walls along with a clock in the right corner. Light is shining onto the wall from an area not visible to the viewer.
    Audrey Glassman, Untitled, 1983. Cibachrome, 28 x 42 inches. [Two beds appear on the floor with a mirror and a picture hanging on the walls along with a clock in the right corner. Light is shining onto the wall from an area not visible to the viewer.]
    Caption Audrey Glassman, Untitled, 1983. Cibachrome, 28 x 42 inches.
    Image description Two beds appear on the floor with a mirror and a picture hanging on the walls along with a clock in the right corner. Light is shining onto the wall from an area not visible to the viewer.
    Year
    Related pages U.S. Projects
  • A dim photograph of mulitple artworks hanging on a white wall in the exhibition space.
    A dim photograph of mulitple artworks hanging on a white wall in the exhibition space.
    Gary Falk, Brigid Kennedy, Ladd Kessler, Peggy Yunque. Installation view, Artists Space, 1981. [A dim photograph of mulitple artworks hanging on a white wall in the exhibition space.]
    Caption Gary Falk, Brigid Kennedy, Ladd Kessler, Peggy Yunque. Installation view, Artists Space, 1981.
    Image description A dim photograph of mulitple artworks hanging on a white wall in the exhibition space.
    Year
    Related pages Gary Falk, Brigid Kennedy, Ladd Kessler, Peggy Yunque
  • A long, cubic rectangle held by suspension wires on a weathered wooden floor. A small, white box rests within the rectangle.
    A long, cubic rectangle held by suspension wires on a weathered wooden floor. A small, white box rests within the rectangle.
    Underground: Jose Gabriel Fernandez. Installation view, Artists Space, 1991. [A long, cubic rectangle held by suspension wires on a weathered wooden floor. A small, white box rests within the rectangle.]
    Caption Underground: Jose Gabriel Fernandez. Installation view, Artists Space, 1991.
    Image description A long, cubic rectangle held by suspension wires on a weathered wooden floor. A small, white box rests within the rectangle.
    Year 1991
    Related pages Underground: Jose Gabriel Fernandez
  • An individual performing while standing in front of a projection of themselves and a child. A thought bubble on the right side of the projection reads
    An individual performing while standing in front of a projection of themselves and a child. A thought bubble on the right side of the projection reads
    Adrian Piper: It's Just Art. Performance documentation, 1981, Artists Space. [An individual performing while standing in front of a projection of themselves and a child. A thought bubble on the right side of the projection reads "14. WE DEFEND EACH OTHER (YOU CERTAINLY DIDN'T COME TO AN ART PERFORMANCE TO HEAR A LECTURE ON CURRENT EVENTS).]
    Caption Adrian Piper: It's Just Art. Performance documentation, 1981, Artists Space.
    Image description An individual performing while standing in front of a projection of themselves and a child. A thought bubble on the right side of the projection reads "14. WE DEFEND EACH OTHER (YOU CERTAINLY DIDN'T COME TO AN ART PERFORMANCE TO HEAR A LECTURE ON CURRENT EVENTS).
    Year 1981
    Related pages
  • A diptych drawing of one figure sitting cross-legged on the left and another figure lying down next to flowers in a vase depicted on the right.
    A diptych drawing of one figure sitting cross-legged on the left and another figure lying down next to flowers in a vase depicted on the right.
    Joseph Hilton, Beside the Sleeping Guards (of Cairo) Day and Night, 1986. [A diptych drawing of one figure sitting cross-legged on the left and another figure lying down next to flowers in a vase depicted on the right.]
    Caption Joseph Hilton, Beside the Sleeping Guards (of Cairo) Day and Night, 1986.
    Image description A diptych drawing of one figure sitting cross-legged on the left and another figure lying down next to flowers in a vase depicted on the right.
    Year
    Related pages Recent Art from Chicago
  • A split screen of two people, each visible between their nose and their chest. Both are extremely excited, with their hands raised up.
    A split screen of two people, each visible between their nose and their chest. Both are extremely excited, with their hands raised up.
    Catherine Ross, still from Fingering and Footing, 2005. [A split screen of two people, each visible between their nose and their chest. Both are extremely excited, with their hands raised up.]
    Caption Catherine Ross, still from Fingering and Footing, 2005.
    Image description A split screen of two people, each visible between their nose and their chest. Both are extremely excited, with their hands raised up.
    Year 2005
    Related pages The Mind/Body Problem
  • Two men, Drake Carr and George Wells, sit around a circular dining table, both gazing out while listening to a speaker who is out of frame. Carr rests his elbow on the back of his chair.
    Two men, Drake Carr and George Wells, sit around a circular dining table, both gazing out while listening to a speaker who is out of frame. Carr rests his elbow on the back of his chair.
    Drake Carr and George Wells. Photo: Jenna Bascom [Two men, Drake Carr and George Wells, sit around a circular dining table, both gazing out while listening to a speaker who is out of frame. Carr rests his elbow on the back of his chair.]
    Caption Drake Carr and George Wells. Photo: Jenna Bascom
    Image description Two men, Drake Carr and George Wells, sit around a circular dining table, both gazing out while listening to a speaker who is out of frame. Carr rests his elbow on the back of his chair.
    Year
    Related pages Support
  • A clay sculpture of a person, outstretched on a sofa, with miscellaneous items around them, is displayed on a wooden floor.
    A clay sculpture of a person, outstretched on a sofa, with miscellaneous items around them, is displayed on a wooden floor.
    The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich. [A clay sculpture of a person, outstretched on a sofa, with miscellaneous items around them, is displayed on a wooden floor.]
    Caption The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich.
    Image description A clay sculpture of a person, outstretched on a sofa, with miscellaneous items around them, is displayed on a wooden floor.
    Year 2014
    Related pages The Issues of Our Time
  • A black and white image of a blank frame on a white wall. At the center of the frame, a sculptural mold of a brain protrudes out from the canvas.
    A black and white image of a blank frame on a white wall. At the center of the frame, a sculptural mold of a brain protrudes out from the canvas.
    AIDS Forum: Danny Dries - Generic Memorial (for WM. Schwedler, 1942-1982). Installation view, Artists Space, 1992. [A black and white image of a blank frame on a white wall. At the center of the frame, a sculptural mold of a brain protrudes out from the canvas.]
    Caption AIDS Forum: Danny Dries - Generic Memorial (for WM. Schwedler, 1942-1982). Installation view, Artists Space, 1992.
    Image description A black and white image of a blank frame on a white wall. At the center of the frame, a sculptural mold of a brain protrudes out from the canvas.
    Year 1992
    Related pages AIDS FORUM: Generic Memorial (for WM. Schwedler, 1942-1982)
  • A grainy, black and white image of a vintage automobile driving on a winding, deserted road through a set of mountains. The car is in the foreground of the image, with part of its body cut off by the image's frame.
    A grainy, black and white image of a vintage automobile driving on a winding, deserted road through a set of mountains. The car is in the foreground of the image, with part of its body cut off by the image's frame.
    [A grainy, black and white image of a vintage automobile driving on a winding, deserted road through a set of mountains. The car is in the foreground of the image, with part of its body cut off by the image's frame.]
    Caption
    Image description A grainy, black and white image of a vintage automobile driving on a winding, deserted road through a set of mountains. The car is in the foreground of the image, with part of its body cut off by the image's frame.
    Year 2007
    Related pages Program 4 - In The Poem About Love You Don't Write The Word Love Film Series at Anthology Film Archives
  • A view of a large amorphous creature with eyes and mouth on the right next to a dwelling space with a figure lying on a bed with clothes and other accoutrements nearby.
    A view of a large amorphous creature with eyes and mouth on the right next to a dwelling space with a figure lying on a bed with clothes and other accoutrements nearby.
    Jim Lutes. Lazy, 1985. [A view of a large amorphous creature with eyes and mouth on the right next to a dwelling space with a figure lying on a bed with clothes and other accoutrements nearby.]
    Caption Jim Lutes. Lazy, 1985.
    Image description A view of a large amorphous creature with eyes and mouth on the right next to a dwelling space with a figure lying on a bed with clothes and other accoutrements nearby.
    Year
    Related pages Recent Art from Chicago
  • An angled view of a room with a set of two tables and chairs, books resting on the tables, in the center. On the back wall hangs a banner in red painted text, reads
    An angled view of a room with a set of two tables and chairs, books resting on the tables, in the center. On the back wall hangs a banner in red painted text, reads
    The Library Vaccine. Installation view, Artists Space, 2014. [An angled view of a room with a set of two tables and chairs, books resting on the tables, in the center. On the back wall hangs a banner in red painted text, reads "...Pessimism of the intellect, Optimism of the will... Gramsci." On the right adjacent wall, text covers the whole height, the title reading, "Vigilance:"]
    Caption The Library Vaccine. Installation view, Artists Space, 2014.
    Image description An angled view of a room with a set of two tables and chairs, books resting on the tables, in the center. On the back wall hangs a banner in red painted text, reads "...Pessimism of the intellect, Optimism of the will... Gramsci." On the right adjacent wall, text covers the whole height, the title reading, "Vigilance:"
    Year 2014
    Related pages The Library Vaccine
  • A text banner with a warm pastel yellow and green border, which reads
    A text banner with a warm pastel yellow and green border, which reads
    [A text banner with a warm pastel yellow and green border, which reads "IT CLOSES AT SUNSET", in a rounded-word Art style font. The shadows behind each letter are visible.]
    Caption
    Image description A text banner with a warm pastel yellow and green border, which reads "IT CLOSES AT SUNSET", in a rounded-word Art style font. The shadows behind each letter are visible.
    Year 2016
    Related pages Lukas Duwenhögger: Undoolay
  • Frame photographs and text hang on the wall in a gallery space.
    Frame photographs and text hang on the wall in a gallery space.
    Pool Show. Installation view, Artists Space, 1980. [Frame photographs and text hang on the wall in a gallery space.]
    Caption Pool Show. Installation view, Artists Space, 1980.
    Image description Frame photographs and text hang on the wall in a gallery space.
    Year
    Related pages Pool Show
  • A person dressed in all pink extends a pink heart-shaped canvas over her head in front of a rapt audience. There are light spots reflected at even intervals patterning the room.
    A person dressed in all pink extends a pink heart-shaped canvas over her head in front of a rapt audience. There are light spots reflected at even intervals patterning the room.
    Jutta Koether, xxapollo. Performance documentation, Artists Space, January 5, 2020. Photo © 2020 Paula Court. [A person dressed in all pink extends a pink heart-shaped canvas over her head in front of a rapt audience. There are light spots reflected at even intervals patterning the room.]
    Caption Jutta Koether, xxapollo. Performance documentation, Artists Space, January 5, 2020. Photo © 2020 Paula Court.
    Image description A person dressed in all pink extends a pink heart-shaped canvas over her head in front of a rapt audience. There are light spots reflected at even intervals patterning the room.
    Year 2020
    Related pages
  • Image of a gallery space with a metal locker, mirrored wooden base, and some tree stumps and plants. A large light and construction nets hang from the ceiling, and on the wall in the back a video is projected onto a screen.
    Image of a gallery space with a metal locker, mirrored wooden base, and some tree stumps and plants. A large light and construction nets hang from the ceiling, and on the wall in the back a video is projected onto a screen.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, September 16, 2022 - December 3, 2022. Photo: Filip Wolak [Image of a gallery space with a metal locker, mirrored wooden base, and some tree stumps and plants. A large light and construction nets hang from the ceiling, and on the wall in the back a video is projected onto a screen.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, September 16, 2022 - December 3, 2022. Photo: Filip Wolak
    Image description Image of a gallery space with a metal locker, mirrored wooden base, and some tree stumps and plants. A large light and construction nets hang from the ceiling, and on the wall in the back a video is projected onto a screen.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • One figure is looking at the ground with their back facing the camera and another painted figure appears frontally looking down. They both are around a bright light emerging from below. A black wall covers the right half of the image.
    One figure is looking at the ground with their back facing the camera and another painted figure appears frontally looking down. They both are around a bright light emerging from below. A black wall covers the right half of the image.
    Keeph, Artists Space construction site no. 2, 2020, digital photograph [One figure is looking at the ground with their back facing the camera and another painted figure appears frontally looking down. They both are around a bright light emerging from below. A black wall covers the right half of the image.]
    Caption Keeph, Artists Space construction site no. 2, 2020, digital photograph
    Image description One figure is looking at the ground with their back facing the camera and another painted figure appears frontally looking down. They both are around a bright light emerging from below. A black wall covers the right half of the image.
    Year 2020
    Related pages BRIDGE Photography
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Portrait of a figure caught offguard.
    Portrait of a figure caught offguard.
    Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [Portrait of a figure caught offguard.]
    Caption Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman
    Image description Portrait of a figure caught offguard.
    Year 2022
    Related pages Abasement #61
  • Color image of an abstract drawing consisting of horizontal white lines scratched across black paper with circles interspersed throughout the composition. On the right side of the drawing are arrows, and blurred, scribbled lines and illegible text. Yellow marks accentuate different parts of the composition.
    Color image of an abstract drawing consisting of horizontal white lines scratched across black paper with circles interspersed throughout the composition. On the right side of the drawing are arrows, and blurred, scribbled lines and illegible text. Yellow marks accentuate different parts of the composition.
    Renee Gladman, Untitled (moon math), 2022. Photo: Filip Wolak. [Color image of an abstract drawing consisting of horizontal white lines scratched across black paper with circles interspersed throughout the composition. On the right side of the drawing are arrows, and blurred, scribbled lines and illegible text. Yellow marks accentuate different parts of the composition.]
    Caption Renee Gladman, Untitled (moon math), 2022. Photo: Filip Wolak.
    Image description Color image of an abstract drawing consisting of horizontal white lines scratched across black paper with circles interspersed throughout the composition. On the right side of the drawing are arrows, and blurred, scribbled lines and illegible text. Yellow marks accentuate different parts of the composition.
    Year 2023
    Related pages Artists for Artists Space
  • Two ceramic works sit in the foreground on a table. The left ceramic is painted with bricks and the right ceramic is painted with line. In the back is a square, MDF wall of gridded sardine cans and a black and white painting.
    Two ceramic works sit in the foreground on a table. The left ceramic is painted with bricks and the right ceramic is painted with line. In the back is a square, MDF wall of gridded sardine cans and a black and white painting.
    LIFE—a group show, curated by Arnold J. Kemp. Installation view, Artists Space, 2025. Photo: Carter Seddon [Two ceramic works sit in the foreground on a table. The left ceramic is painted with bricks and the right ceramic is painted with line. In the back is a square, MDF wall of gridded sardine cans and a black and white painting.]
    Caption LIFE—a group show, curated by Arnold J. Kemp. Installation view, Artists Space, 2025. Photo: Carter Seddon
    Image description Two ceramic works sit in the foreground on a table. The left ceramic is painted with bricks and the right ceramic is painted with line. In the back is a square, MDF wall of gridded sardine cans and a black and white painting.
    Year 2025
    Related pages Arnold J. Kemp
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Fishing for sound in the East River, 2022
    Caption Fishing for sound in the East River, 2022
    Image description
    Year 2022
    Related pages Listening to the LES
  • Five works depicting wood patterns in various tones are arranged in a horizontal line on a white wall.
    Five works depicting wood patterns in various tones are arranged in a horizontal line on a white wall.
    A Strategy Hinted At. Installation view, Artists Space, 1996. [Five works depicting wood patterns in various tones are arranged in a horizontal line on a white wall.]
    Caption A Strategy Hinted At. Installation view, Artists Space, 1996.
    Image description Five works depicting wood patterns in various tones are arranged in a horizontal line on a white wall.
    Year 1996
    Related pages A Strategy Hinted At: New Conceptual Artists
  • Magazine cut-outs and ink drawings are collaged together on a background of turqoise, beige, pink and red paper. Small pieces of yellow paper with typewritten text listing the performers and event details are scattered around the flyer.
    Magazine cut-outs and ink drawings are collaged together on a background of turqoise, beige, pink and red paper. Small pieces of yellow paper with typewritten text listing the performers and event details are scattered around the flyer.
    Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a background of turqoise, beige, pink and red paper. Small pieces of yellow paper with typewritten text listing the performers and event details are scattered around the flyer.]
    Caption Flyer by Joe Frivaldi.
    Image description Magazine cut-outs and ink drawings are collaged together on a background of turqoise, beige, pink and red paper. Small pieces of yellow paper with typewritten text listing the performers and event details are scattered around the flyer.
    Year
    Related pages Abasement #80
  • A color image of a work, made out of cut-out panel, of a woman-presenting figure with short blond hair. The work on the left is a woman-presenting figure, with short blond hair. It has its arms crossed over its chest, and is dramatically looking up. It's wearing a black suit and a single red glove
    A color image of a work, made out of cut-out panel, of a woman-presenting figure with short blond hair. The work on the left is a woman-presenting figure, with short blond hair. It has its arms crossed over its chest, and is dramatically looking up. It's wearing a black suit and a single red glove
    Drake Carr, Marcs IV, 2023. Acrylic on panel. 87 x 33 1/2 x 2 inches. Image courtesy Artists Space, New York. Photo: Filip Wolak. [A color image of a work, made out of cut-out panel, of a woman-presenting figure with short blond hair. The work on the left is a woman-presenting figure, with short blond hair. It has its arms crossed over its chest, and is dramatically looking up. It's wearing a black suit and a single red glove]
    Caption Drake Carr, Marcs IV, 2023. Acrylic on panel. 87 x 33 1/2 x 2 inches. Image courtesy Artists Space, New York. Photo: Filip Wolak.
    Image description A color image of a work, made out of cut-out panel, of a woman-presenting figure with short blond hair. The work on the left is a woman-presenting figure, with short blond hair. It has its arms crossed over its chest, and is dramatically looking up. It's wearing a black suit and a single red glove
    Year
    Related pages Drake Carr: Housecalls
  • A black and white photograph of a square white canvas covered in shiny and textured black splotches.
    A black and white photograph of a square white canvas covered in shiny and textured black splotches.
    John Torreano. Untitled, 1974. Oil and glass jewels on canvas. Artists Space, 1974. [A black and white photograph of a square white canvas covered in shiny and textured black splotches.]
    Caption John Torreano. Untitled, 1974. Oil and glass jewels on canvas. Artists Space, 1974.
    Image description A black and white photograph of a square white canvas covered in shiny and textured black splotches.
    Year 1974
    Related pages Sidney Geist, Marvin Torffield, John Torreano
  • A pen and watercolor artwork of several glasses resting on a surface, each filled with different color liquids and casting shadows towards the viewer
    A pen and watercolor artwork of several glasses resting on a surface, each filled with different color liquids and casting shadows towards the viewer
    Aisha Rodriguez, Untitled, 2014 [A pen and watercolor artwork of several glasses resting on a surface, each filled with different color liquids and casting shadows towards the viewer]
    Caption Aisha Rodriguez, Untitled, 2014
    Image description A pen and watercolor artwork of several glasses resting on a surface, each filled with different color liquids and casting shadows towards the viewer
    Year 2014
    Related pages Scholastic Art and Writing Awards
  • A photograph of the exhibition opening reception. A group of visitors look around at the art.
    A photograph of the exhibition opening reception. A group of visitors look around at the art.
    Four Scottish Artists. Opening Reception, Artists Space, 1979. [A photograph of the exhibition opening reception. A group of visitors look around at the art.]
    Caption Four Scottish Artists. Opening Reception, Artists Space, 1979.
    Image description A photograph of the exhibition opening reception. A group of visitors look around at the art.
    Year 1979
    Related pages Four Scottish Artists
  • Several parallel dividers constructed from metal fencing positioned between black metal frames are arranged in an exhibition space. Colorful textiles and t-shirts are displayed on the fencing.
    Several parallel dividers constructed from metal fencing positioned between black metal frames are arranged in an exhibition space. Colorful textiles and t-shirts are displayed on the fencing.
    Frozen Lakes. Installation view, Artists Space, 2013. Photo: Meinke Klein. [Several parallel dividers constructed from metal fencing positioned between black metal frames are arranged in an exhibition space. Colorful textiles and t-shirts are displayed on the fencing.]
    Caption Frozen Lakes. Installation view, Artists Space, 2013. Photo: Meinke Klein.
    Image description Several parallel dividers constructed from metal fencing positioned between black metal frames are arranged in an exhibition space. Colorful textiles and t-shirts are displayed on the fencing.
    Year 2013
    Related pages Frozen Lakes
  • Caption
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A dimly lit view of a wooden wall with scattered video-still images at varying placements. Behind the wood is a white wall.
    A dimly lit view of a wooden wall with scattered video-still images at varying placements. Behind the wood is a white wall.
    Union Gaucha Productions. Installation view, Artists Space, 2015. Photo: Daniel Pérez. [A dimly lit view of a wooden wall with scattered video-still images at varying placements. Behind the wood is a white wall.]
    Caption Union Gaucha Productions. Installation view, Artists Space, 2015. Photo: Daniel Pérez.
    Image description A dimly lit view of a wooden wall with scattered video-still images at varying placements. Behind the wood is a white wall.
    Year 2015
    Related pages Union Gaucha Productions
  • Black text overlays a white background with teal bunches of flowers in the lower left and upper right corners. The top left corner reads: “Jerome Sala / & Sarah Riggs / May 21, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”
    Black text overlays a white background with teal bunches of flowers in the lower left and upper right corners. The top left corner reads: “Jerome Sala / & Sarah Riggs / May 21, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”
    Flyer for Segue Reading Series featuring Jerome Sala & Sarah Riggs. May 21, 2022, Artists Space. [Black text overlays a white background with teal bunches of flowers in the lower left and upper right corners. The top left corner reads: “Jerome Sala / & Sarah Riggs / May 21, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”]
    Caption Flyer for Segue Reading Series featuring Jerome Sala & Sarah Riggs. May 21, 2022, Artists Space.
    Image description Black text overlays a white background with teal bunches of flowers in the lower left and upper right corners. The top left corner reads: “Jerome Sala / & Sarah Riggs / May 21, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”
    Year 2022
    Related pages Segue Reading Series: Jerome Sala & Sarah Riggs
  • Contact sheet of installation images taken during exhibition opening.
    Contact sheet of installation images taken during exhibition opening.
    Gary Burnley, Martin Cohen, Candace Hill-Montgomery, Louis Stein, and Haim Steinbach. Contact sheet of photos from exhibition opening, Artists Space, 1979. Photos by Gary Burnley. [Contact sheet of installation images taken during exhibition opening.]
    Caption Gary Burnley, Martin Cohen, Candace Hill-Montgomery, Louis Stein, and Haim Steinbach. Contact sheet of photos from exhibition opening, Artists Space, 1979. Photos by Gary Burnley.
    Image description Contact sheet of installation images taken during exhibition opening.
    Year 1979
    Related pages Display #7, Haim Steinbach
  • In front of a large colorful projection, a figure wearing headphones around their neck leans down over musical technology.
    In front of a large colorful projection, a figure wearing headphones around their neck leans down over musical technology.
    SCRAAATCH, Tower of Babel, 2019, Les Urbaines. Photo: Mathilda Olmi [In front of a large colorful projection, a figure wearing headphones around their neck leans down over musical technology.]
    Caption SCRAAATCH, Tower of Babel, 2019, Les Urbaines. Photo: Mathilda Olmi
    Image description In front of a large colorful projection, a figure wearing headphones around their neck leans down over musical technology.
    Year 2019
    Related pages SCRAAATCH 11-19
  • A brightly painted red wall with the phrase “TWO-WAY” centered in large white text. The floor in front of the wall, and to the side is covered in a pattern of light blue linoleum tiles. Brown columns stretch into the darkness behind the wall.
    A brightly painted red wall with the phrase “TWO-WAY” centered in large white text. The floor in front of the wall, and to the side is covered in a pattern of light blue linoleum tiles. Brown columns stretch into the darkness behind the wall.
    Carolyn Lazard: Two-way. Installation view, Artists Space, 2025. Photo: Greg Carideo. [A brightly painted red wall with the phrase “TWO-WAY” centered in large white text. The floor in front of the wall, and to the side is covered in a pattern of light blue linoleum tiles. Brown columns stretch into the darkness behind the wall.]
    Caption Carolyn Lazard: Two-way. Installation view, Artists Space, 2025. Photo: Greg Carideo.
    Image description A brightly painted red wall with the phrase “TWO-WAY” centered in large white text. The floor in front of the wall, and to the side is covered in a pattern of light blue linoleum tiles. Brown columns stretch into the darkness behind the wall.
    Year
    Related pages Carolyn Lazard
  • Two people sit on chairs in front of television monitors that are showing a black image. The television monitors are on pedestals in the gallery space.
    Two people sit on chairs in front of television monitors that are showing a black image. The television monitors are on pedestals in the gallery space.
    Installation view of Social Disease and Two Possibilities, Artists Space, April 12, 1986 - May 10, 1986. [Two people sit on chairs in front of television monitors that are showing a black image. The television monitors are on pedestals in the gallery space.]
    Caption Installation view of Social Disease and Two Possibilities, Artists Space, April 12, 1986 - May 10, 1986.
    Image description Two people sit on chairs in front of television monitors that are showing a black image. The television monitors are on pedestals in the gallery space.
    Year
    Related pages Social Disease and Two Possibilities
  • A hulking biomorphic black sculpture, composed of car parts and a large black t-shirt smeared with pigmented dragon skin silicone, hangs from the ceiling. To the right, a small sculpture of scuffed white plastic, brown fur, and various jutting animal teeth sits on a shelf.
    A hulking biomorphic black sculpture, composed of car parts and a large black t-shirt smeared with pigmented dragon skin silicone, hangs from the ceiling. To the right, a small sculpture of scuffed white plastic, brown fur, and various jutting animal teeth sits on a shelf.
    Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view (Ruben Ulises Rodriguez Montoya, The Lil Rat that Made it on Board the Ship, 2021; Ruben Ulises Rodriguez Montoya, Goyas lil bat from “sueño de la razón produce monstruos”, 2022), Artists Space, 2024. Photo: Carter Seddon. [A hulking biomorphic black sculpture, composed of car parts and a large black t-shirt smeared with pigmented dragon skin silicone, hangs from the ceiling. To the right, a small sculpture of scuffed white plastic, brown fur, and various jutting animal teeth sits on a shelf.]
    Caption Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view (Ruben Ulises Rodriguez Montoya, The Lil Rat that Made it on Board the Ship, 2021; Ruben Ulises Rodriguez Montoya, Goyas lil bat from “sueño de la razón produce monstruos”, 2022), Artists Space, 2024. Photo: Carter Seddon.
    Image description A hulking biomorphic black sculpture, composed of car parts and a large black t-shirt smeared with pigmented dragon skin silicone, hangs from the ceiling. To the right, a small sculpture of scuffed white plastic, brown fur, and various jutting animal teeth sits on a shelf.
    Year
    Related pages Doris Guo Matthew Langan-Peck Isabelle Frances McGuire Ruben Ulises Rodriguez Montoya
  • A close up, black and white image of the seat of an antique wooden chair. A mold of a human brain emerges from the center of the chair's cushion.
    A close up, black and white image of the seat of an antique wooden chair. A mold of a human brain emerges from the center of the chair's cushion.
    AIDS Forum: Danny Dries - Generic Memorial (for WM. Schwedler, 1942-1982). Installation view, Artists Space, 1992. [A close up, black and white image of the seat of an antique wooden chair. A mold of a human brain emerges from the center of the chair's cushion.]
    Caption AIDS Forum: Danny Dries - Generic Memorial (for WM. Schwedler, 1942-1982). Installation view, Artists Space, 1992.
    Image description A close up, black and white image of the seat of an antique wooden chair. A mold of a human brain emerges from the center of the chair's cushion.
    Year
    Related pages AIDS FORUM: Generic Memorial (for WM. Schwedler, 1942-1982)
  • A black-and-white photograph of a group of men shooting a scene on an outdoor film set. They are surrounded by trees and grass.
    A black-and-white photograph of a group of men shooting a scene on an outdoor film set. They are surrounded by trees and grass.
    Bill Gunn and Duane Jones on the set of Ganja & Hess. Image courtesy Tom Cummings. [A black-and-white photograph of a group of men shooting a scene on an outdoor film set. They are surrounded by trees and grass.]
    Caption Bill Gunn and Duane Jones on the set of Ganja & Hess. Image courtesy Tom Cummings.
    Image description A black-and-white photograph of a group of men shooting a scene on an outdoor film set. They are surrounded by trees and grass.
    Year
    Related pages The Films of Bill Gunn
  • Yellow cursive text superimposed over an array of plush, blue diamonds. The text is slightly hazy and reads,
    Yellow cursive text superimposed over an array of plush, blue diamonds. The text is slightly hazy and reads,
    Mike Parker, This Town Needs an Enema, 1990. Oil on canvas. [Yellow cursive text superimposed over an array of plush, blue diamonds. The text is slightly hazy and reads, "Let's Broaden Our Minds."]
    Caption Mike Parker, This Town Needs an Enema, 1990. Oil on canvas.
    Image description Yellow cursive text superimposed over an array of plush, blue diamonds. The text is slightly hazy and reads, "Let's Broaden Our Minds."
    Year 1990
    Related pages A Living Testament of the Blood Fairies
  • Caption
    Image description
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    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • A color installation photograph of two sculptures in a gallery space. The sculpture closer to the camera is composed of a human skeleton, and anatomical models of human heads, a brain, and a spine. The sculpture in the background features several monitors, and is topped by a sculpture of an eagle in mid-flight.
    A color installation photograph of two sculptures in a gallery space. The sculpture closer to the camera is composed of a human skeleton, and anatomical models of human heads, a brain, and a spine. The sculpture in the background features several monitors, and is topped by a sculpture of an eagle in mid-flight.
    Milford Graves: Fundamental Frequency. Installation view, Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak. [A color installation photograph of two sculptures in a gallery space. The sculpture closer to the camera is composed of a human skeleton, and anatomical models of human heads, a brain, and a spine. The sculpture in the background features several monitors, and is topped by a sculpture of an eagle in mid-flight.]
    Caption Milford Graves: Fundamental Frequency. Installation view, Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak.
    Image description A color installation photograph of two sculptures in a gallery space. The sculpture closer to the camera is composed of a human skeleton, and anatomical models of human heads, a brain, and a spine. The sculpture in the background features several monitors, and is topped by a sculpture of an eagle in mid-flight.
    Year 2021
    Related pages Milford Graves: Fundamental Frequency
  • *Jordan Lord: Prophetic Memory," Installation view, Artists Space (55 Walker Street), 2021.
    Caption *Jordan Lord: Prophetic Memory," Installation view, Artists Space (55 Walker Street), 2021.
    Image description
    Year
    Related pages Jordan Lord: Prophetic Memory
  • A black and white image of a hand holding a newspaper with a view of the street and surroudning buildings in the background.
    A black and white image of a hand holding a newspaper with a view of the street and surroudning buildings in the background.
    Anne Bray. Film still from Man on First and Third, 1987. Slide and Sound Installation. [A black and white image of a hand holding a newspaper with a view of the street and surroudning buildings in the background.]
    Caption Anne Bray. Film still from Man on First and Third, 1987. Slide and Sound Installation.
    Image description A black and white image of a hand holding a newspaper with a view of the street and surroudning buildings in the background.
    Year 1987
    Related pages Dark Rooms
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • Five dice float at the top of a container of water, which is tinted blue. There are small ripples created across the surface of the water and the frame of structure containing the water is slightly visible through the ripple distortion.
    Five dice float at the top of a container of water, which is tinted blue. There are small ripples created across the surface of the water and the frame of structure containing the water is slightly visible through the ripple distortion.
    Heist Divination (fwiw remix). Performance documentation, October 25th, 2024, Artists Space. Photo: Destiny Mata. [Five dice float at the top of a container of water, which is tinted blue. There are small ripples created across the surface of the water and the frame of structure containing the water is slightly visible through the ripple distortion.]
    Caption Heist Divination (fwiw remix). Performance documentation, October 25th, 2024, Artists Space. Photo: Destiny Mata.
    Image description Five dice float at the top of a container of water, which is tinted blue. There are small ripples created across the surface of the water and the frame of structure containing the water is slightly visible through the ripple distortion.
    Year
    Related pages S*an D. Henry-Smith
  • A film still of a woman, captured from the shoulders up, standing in an outdoor field. The white subtitle reads
    A film still of a woman, captured from the shoulders up, standing in an outdoor field. The white subtitle reads
    Anton Vidokle, still from This Is Cosmos, 2014. [A film still of a woman, captured from the shoulders up, standing in an outdoor field. The white subtitle reads "that death is a mistake."]
    Caption Anton Vidokle, still from This Is Cosmos, 2014.
    Image description A film still of a woman, captured from the shoulders up, standing in an outdoor field. The white subtitle reads "that death is a mistake."
    Year 2014
    Related pages This Is Cosmos
  • An animation of a black and white clock whose hands move backwards. The clock is positioned on a silhouette of a head in profile. Sans-serif text below the graphic reads,
    An animation of a black and white clock whose hands move backwards. The clock is positioned on a silhouette of a head in profile. Sans-serif text below the graphic reads,
    [An animation of a black and white clock whose hands move backwards. The clock is positioned on a silhouette of a head in profile. Sans-serif text below the graphic reads, "The Fainnie Azul Horologe."]
    Caption
    Image description An animation of a black and white clock whose hands move backwards. The clock is positioned on a silhouette of a head in profile. Sans-serif text below the graphic reads, "The Fainnie Azul Horologe."
    Year 2014
    Related pages HOROLOGICS
  • A photograph of three TV screens stacked on top of each other. Two small speakers are visible on either side of the TV screens.
    A photograph of three TV screens stacked on top of each other. Two small speakers are visible on either side of the TV screens.
    Tiffany Sia, A Wet Finger in the Air, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A photograph of three TV screens stacked on top of each other. Two small speakers are visible on either side of the TV screens.]
    Caption Tiffany Sia, A Wet Finger in the Air, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A photograph of three TV screens stacked on top of each other. Two small speakers are visible on either side of the TV screens.
    Year 2021
    Related pages Tiffany Sia: Slippery When Wet
  • A large black bowl, painted with colorful faces, is filled to the brim with vibrant beaded jewelry. The bowl is placed on a tall black rectangular platform, covered with a beige woven blanket with long tassels and a white pattern along its border. Beaded jewelry from the bowl dangles down to the floor, intertwined and curled amongst themselves.
    A large black bowl, painted with colorful faces, is filled to the brim with vibrant beaded jewelry. The bowl is placed on a tall black rectangular platform, covered with a beige woven blanket with long tassels and a white pattern along its border. Beaded jewelry from the bowl dangles down to the floor, intertwined and curled amongst themselves.
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A large black bowl, painted with colorful faces, is filled to the brim with vibrant beaded jewelry. The bowl is placed on a tall black rectangular platform, covered with a beige woven blanket with long tassels and a white pattern along its border. Beaded jewelry from the bowl dangles down to the floor, intertwined and curled amongst themselves.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description A large black bowl, painted with colorful faces, is filled to the brim with vibrant beaded jewelry. The bowl is placed on a tall black rectangular platform, covered with a beige woven blanket with long tassels and a white pattern along its border. Beaded jewelry from the bowl dangles down to the floor, intertwined and curled amongst themselves.
    Year 2017
    Related pages Unholding
  • Close up of a person drawing. Only the right arm is visible. The hand is holding a small yellow color pencil. The drawing is of a crossed-arm man sitting on a sofa.
    Close up of a person drawing. Only the right arm is visible. The hand is holding a small yellow color pencil. The drawing is of a crossed-arm man sitting on a sofa.
    Drake Carr: Housecalls. Performance documentation, September 7, 2023, Artists Space at the Armory Show. Photo: Joshua Wildman. [Close up of a person drawing. Only the right arm is visible. The hand is holding a small yellow color pencil. The drawing is of a crossed-arm man sitting on a sofa.]
    Caption Drake Carr: Housecalls. Performance documentation, September 7, 2023, Artists Space at the Armory Show. Photo: Joshua Wildman.
    Image description Close up of a person drawing. Only the right arm is visible. The hand is holding a small yellow color pencil. The drawing is of a crossed-arm man sitting on a sofa.
    Year
    Related pages Drake Carr: Housecalls
  • A large, framed photograph of two books, a wooden rectangle, and a photograph stacked vertically on each other. There is a second photograph offset to the right in the image.
    A large, framed photograph of two books, a wooden rectangle, and a photograph stacked vertically on each other. There is a second photograph offset to the right in the image.
    Leslie Hewitt, Make it Plain, 2006. C-print. [A large, framed photograph of two books, a wooden rectangle, and a photograph stacked vertically on each other. There is a second photograph offset to the right in the image.]
    Caption Leslie Hewitt, Make it Plain, 2006. C-print.
    Image description A large, framed photograph of two books, a wooden rectangle, and a photograph stacked vertically on each other. There is a second photograph offset to the right in the image.
    Year 2006
    Related pages Replica of a Lost Original
  • A photo of the exterior of a building, with several colorful portrait paintings lying on the wooden porch. One has text stating
    A photo of the exterior of a building, with several colorful portrait paintings lying on the wooden porch. One has text stating
    Alza Tu Voz, back porch, exhibition at Dykeman Farmhouse Museum, 2017 [A photo of the exterior of a building, with several colorful portrait paintings lying on the wooden porch. One has text stating "no te dejes oprimir." A large poster hangs on the door to the building, with the title "Alza tu Voz"]
    Caption Alza Tu Voz, back porch, exhibition at Dykeman Farmhouse Museum, 2017
    Image description A photo of the exterior of a building, with several colorful portrait paintings lying on the wooden porch. One has text stating "no te dejes oprimir." A large poster hangs on the door to the building, with the title "Alza tu Voz"
    Year 2017
    Related pages Exhibitions and Events
  • White text overlays a color-scheme grid background. The text reads: “Oct 21 / Richard Loranger / r. erica doyle.
    White text overlays a color-scheme grid background. The text reads: “Oct 21 / Richard Loranger / r. erica doyle.
    Flyer [White text overlays a color-scheme grid background. The text reads: “Oct 21 / Richard Loranger / r. erica doyle." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption Flyer
    Image description White text overlays a color-scheme grid background. The text reads: “Oct 21 / Richard Loranger / r. erica doyle." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year
    Related pages Segue Reading Series: r. erica doyle & Richard Loranger
  • A gallery space with two large black treadmills placed on the right side of the room. Along the back and side are doors with large window panes that show the street outside. The edge of a wooden railing can be seen to the left of the treadmills.
    A gallery space with two large black treadmills placed on the right side of the room. Along the back and side are doors with large window panes that show the street outside. The edge of a wooden railing can be seen to the left of the treadmills.
    Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Malcolm Peacock, How to address the full capacity of our will, 2023), Artists Space, 2023. Photo: Filip Wolak. [A gallery space with two large black treadmills placed on the right side of the room. Along the back and side are doors with large window panes that show the street outside. The edge of a wooden railing can be seen to the left of the treadmills.]
    Caption Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Malcolm Peacock, How to address the full capacity of our will, 2023), Artists Space, 2023. Photo: Filip Wolak.
    Image description A gallery space with two large black treadmills placed on the right side of the room. Along the back and side are doors with large window panes that show the street outside. The edge of a wooden railing can be seen to the left of the treadmills.
    Year 2023
    Related pages Shala Miller, Malcolm Peacock, Amiri Baraka
  • Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon.
    Caption Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon.
    Image description
    Year
    Related pages Michael Asher
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • Black-and-white print featuring multiple photographs of a naked body, spotlighted against a black background and collaged together. Flashes of white light across the print obscure parts of the image, bringing the body in and out of focus.
    Black-and-white print featuring multiple photographs of a naked body, spotlighted against a black background and collaged together. Flashes of white light across the print obscure parts of the image, bringing the body in and out of focus.
    Shala Miller, Modern-Day Sisyphus I, 2023. Courtesy the artist [Black-and-white print featuring multiple photographs of a naked body, spotlighted against a black background and collaged together. Flashes of white light across the print obscure parts of the image, bringing the body in and out of focus.]
    Caption Shala Miller, Modern-Day Sisyphus I, 2023. Courtesy the artist
    Image description Black-and-white print featuring multiple photographs of a naked body, spotlighted against a black background and collaged together. Flashes of white light across the print obscure parts of the image, bringing the body in and out of focus.
    Year
    Related pages Shala Miller, Malcolm Peacock, Amiri Baraka
  • Several neutral, blue toned books, propped up by a red book stand, fill the frame on the shelf they sit in.
    Several neutral, blue toned books, propped up by a red book stand, fill the frame on the shelf they sit in.
    The Library of Helen DeWitt Kitchen view, Courtesy Helen DeWitt. [Several neutral, blue toned books, propped up by a red book stand, fill the frame on the shelf they sit in.]
    Caption The Library of Helen DeWitt Kitchen view, Courtesy Helen DeWitt.
    Image description Several neutral, blue toned books, propped up by a red book stand, fill the frame on the shelf they sit in.
    Year 2014
    Related pages The Library Vaccine
  • A group of people waiting in line in front of a building. One man raises his hand, reaching out of frame.
    A group of people waiting in line in front of a building. One man raises his hand, reaching out of frame.
    David Martine, No Reservation: New York Contemporary Native American Art Movement (AMERINDA, 2017). [A group of people waiting in line in front of a building. One man raises his hand, reaching out of frame.]
    Caption David Martine, No Reservation: New York Contemporary Native American Art Movement (AMERINDA, 2017).
    Image description A group of people waiting in line in front of a building. One man raises his hand, reaching out of frame.
    Year 2017
    Related pages No Reservation
  • Four people pose for a photo, leaning on a table with three drawings of butterflies splayed across the surface. A papier mache butterfly composed of saturated pink and gold paper and red, yellow, black and white cotton balls hangs above the people at the top right of the image.
    Four people pose for a photo, leaning on a table with three drawings of butterflies splayed across the surface. A papier mache butterfly composed of saturated pink and gold paper and red, yellow, black and white cotton balls hangs above the people at the top right of the image.
    Collaborative team designing butterfly, 2018 [Four people pose for a photo, leaning on a table with three drawings of butterflies splayed across the surface. A papier mache butterfly composed of saturated pink and gold paper and red, yellow, black and white cotton balls hangs above the people at the top right of the image.]
    Caption Collaborative team designing butterfly, 2018
    Image description Four people pose for a photo, leaning on a table with three drawings of butterflies splayed across the surface. A papier mache butterfly composed of saturated pink and gold paper and red, yellow, black and white cotton balls hangs above the people at the top right of the image.
    Year 2018
    Related pages Threads of History
  • A figurine human head and hands appear from an amalgamation of various objections and materials hanging on a white wall.
    A figurine human head and hands appear from an amalgamation of various objections and materials hanging on a white wall.
    Neraldo de la Paz, Angel, 1982. [A figurine human head and hands appear from an amalgamation of various objections and materials hanging on a white wall.]
    Caption Neraldo de la Paz, Angel, 1982.
    Image description A figurine human head and hands appear from an amalgamation of various objections and materials hanging on a white wall.
    Year
    Related pages Recent Art from Chicago
  • A large open space with drawings hung up on the walls. One drawing shows a woman surrounded by musical notes. Another shows a woman's profile with a pipe in her mouth.
    A large open space with drawings hung up on the walls. One drawing shows a woman surrounded by musical notes. Another shows a woman's profile with a pipe in her mouth.
    Artists Draw. Installation view, Artists Space, 1979. [A large open space with drawings hung up on the walls. One drawing shows a woman surrounded by musical notes. Another shows a woman's profile with a pipe in her mouth.]
    Caption Artists Draw. Installation view, Artists Space, 1979.
    Image description A large open space with drawings hung up on the walls. One drawing shows a woman surrounded by musical notes. Another shows a woman's profile with a pipe in her mouth.
    Year 1979
    Related pages Artists Draw: Tom Martin, Auste Peciura, Alan Saret, Patti Smith, Nancy Spero
  • Yellow and red text overlay a pink background with a drawing of a male bust in the bottom left corner. The text in the middle reads
    Yellow and red text overlay a pink background with a drawing of a male bust in the bottom left corner. The text in the middle reads
    Flyer for Segue Reading Series featuring Kay Gabriel and Paolo Javier. January 14, 2023, Artists Space. [Yellow and red text overlay a pink background with a drawing of a male bust in the bottom left corner. The text in the middle reads "Kay Gabriel / Segue Reading Series / Paolo Javier."]
    Caption Flyer for Segue Reading Series featuring Kay Gabriel and Paolo Javier. January 14, 2023, Artists Space.
    Image description Yellow and red text overlay a pink background with a drawing of a male bust in the bottom left corner. The text in the middle reads "Kay Gabriel / Segue Reading Series / Paolo Javier."
    Year
    Related pages Segue Reading Series: Kay Gabriel & Paolo Javier
  • Two people with hats, sunglasses, and long straight hair. One looks into the camera, the other diagonally past.
    Two people with hats, sunglasses, and long straight hair. One looks into the camera, the other diagonally past.
    Cecilia Dougherty. Still from Grapefruit, 1989. Video. [Two people with hats, sunglasses, and long straight hair. One looks into the camera, the other diagonally past.]
    Caption Cecilia Dougherty. Still from Grapefruit, 1989. Video.
    Image description Two people with hats, sunglasses, and long straight hair. One looks into the camera, the other diagonally past.
    Year 1989
    Related pages Remapping Boundaries: Video Art and Popular Culture
  • An image of two figures in blue scrubs standing on opposite ends of a sterile table. A medical mannequin on the table is covered in shiny red silk fabric. In the background, there are projections and forms draped in yellow fabric.
    An image of two figures in blue scrubs standing on opposite ends of a sterile table. A medical mannequin on the table is covered in shiny red silk fabric. In the background, there are projections and forms draped in yellow fabric.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court [An image of two figures in blue scrubs standing on opposite ends of a sterile table. A medical mannequin on the table is covered in shiny red silk fabric. In the background, there are projections and forms draped in yellow fabric.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court
    Image description An image of two figures in blue scrubs standing on opposite ends of a sterile table. A medical mannequin on the table is covered in shiny red silk fabric. In the background, there are projections and forms draped in yellow fabric.
    Year 2022
    Related pages Grandmother Cindy
  • A color installation view of a gallery space with three dark columns. A wicker pannier and a yellow brocade couch are visible in the foreground. In the background, a multi-tiered door, several paintings, a wooden stool and nightstand are also visible.
    A color installation view of a gallery space with three dark columns. A wicker pannier and a yellow brocade couch are visible in the foreground. In the background, a multi-tiered door, several paintings, a wooden stool and nightstand are also visible.
    Lyndon Barrois Jr.: Mirage Collar. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color installation view of a gallery space with three dark columns. A wicker pannier and a yellow brocade couch are visible in the foreground. In the background, a multi-tiered door, several paintings, a wooden stool and nightstand are also visible.]
    Caption Lyndon Barrois Jr.: Mirage Collar. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color installation view of a gallery space with three dark columns. A wicker pannier and a yellow brocade couch are visible in the foreground. In the background, a multi-tiered door, several paintings, a wooden stool and nightstand are also visible.
    Year 2022
    Related pages Lyndon Barrois Jr.: Mirage Collar
  • A darkened gallery space with dark blue walls and dark blue carpeting with a large wall projection. The projection depicts a black patient in a blue hospital gown laying down on an examination table. A white doctor holds a stethoscope to the patient’s stomach.
    A darkened gallery space with dark blue walls and dark blue carpeting with a large wall projection. The projection depicts a black patient in a blue hospital gown laying down on an examination table. A white doctor holds a stethoscope to the patient’s stomach.
    Carolyn Lazard: Two-way. Installation view (Vital, 2025), Artists Space, 2025. Photo: Greg Carideo. [A darkened gallery space with dark blue walls and dark blue carpeting with a large wall projection. The projection depicts a black patient in a blue hospital gown laying down on an examination table. A white doctor holds a stethoscope to the patient’s stomach.]
    Caption Carolyn Lazard: Two-way. Installation view (Vital, 2025), Artists Space, 2025. Photo: Greg Carideo.
    Image description A darkened gallery space with dark blue walls and dark blue carpeting with a large wall projection. The projection depicts a black patient in a blue hospital gown laying down on an examination table. A white doctor holds a stethoscope to the patient’s stomach.
    Year
    Related pages Carolyn Lazard
  • Close up of the torso and legs of a figure with long hair wearing nylon tights and a blue silk jacket on their bare chest. They are illuminated by red stage lights and appear to stand on a stage in front of a drum set and speakers.
    Close up of the torso and legs of a figure with long hair wearing nylon tights and a blue silk jacket on their bare chest. They are illuminated by red stage lights and appear to stand on a stage in front of a drum set and speakers.
    [Close up of the torso and legs of a figure with long hair wearing nylon tights and a blue silk jacket on their bare chest. They are illuminated by red stage lights and appear to stand on a stage in front of a drum set and speakers.]
    Caption
    Image description Close up of the torso and legs of a figure with long hair wearing nylon tights and a blue silk jacket on their bare chest. They are illuminated by red stage lights and appear to stand on a stage in front of a drum set and speakers.
    Year 2012
    Related pages Sandy Relief Dance Party
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