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  • A display of multiple images on a white gallery wall.
    A display of multiple images on a white gallery wall.
    ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A display of multiple images on a white gallery wall.]
    Caption ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A display of multiple images on a white gallery wall.
    Year 2021
    Related pages ART CLUB2000
  • Two figures play music on a stage, the left figure plays a keyboard. Washes of blue and green light are projected onto them.
    Two figures play music on a stage, the left figure plays a keyboard. Washes of blue and green light are projected onto them.
    Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [Two figures play music on a stage, the left figure plays a keyboard. Washes of blue and green light are projected onto them.]
    Caption Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman
    Image description Two figures play music on a stage, the left figure plays a keyboard. Washes of blue and green light are projected onto them.
    Year 2022
    Related pages Abasement #61
  • A wide angle image of a dark exhibition space, on the left a large projection is shown on a long wall, on the right photograph negatives hang off a wall.
    A wide angle image of a dark exhibition space, on the left a large projection is shown on a long wall, on the right photograph negatives hang off a wall.
    New Red Order: Feel at Home Here. Installation view, Artists Space, May 19 – August 21, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A wide angle image of a dark exhibition space, on the left a large projection is shown on a long wall, on the right photograph negatives hang off a wall.]
    Caption New Red Order: Feel at Home Here. Installation view, Artists Space, May 19 – August 21, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A wide angle image of a dark exhibition space, on the left a large projection is shown on a long wall, on the right photograph negatives hang off a wall.
    Year 2021
    Related pages New Red Order: Feel at Home Here
  • A painting in color of two Black Queer people in a red interior setting. One of them, wearing gray underpants, gazes out of the picture plane, while another profile of their head turned to the right is superimposed. The barber on their right is shaping the seated person’s hair with clippers. The rounded edge of a tabletop with a mirror, comb, and shears atop of it is pictured to the left of the image. A single window depicting snowfall at night can be seen behind the two Black Queer figures.
    A painting in color of two Black Queer people in a red interior setting. One of them, wearing gray underpants, gazes out of the picture plane, while another profile of their head turned to the right is superimposed. The barber on their right is shaping the seated person’s hair with clippers. The rounded edge of a tabletop with a mirror, comb, and shears atop of it is pictured to the left of the image. A single window depicting snowfall at night can be seen behind the two Black Queer figures.
    Jonathan Lyndon Chase, The Shape Up, 2023. Courtesy of the artist and Company Gallery, New York. [A painting in color of two Black Queer people in a red interior setting. One of them, wearing gray underpants, gazes out of the picture plane, while another profile of their head turned to the right is superimposed. The barber on their right is shaping the seated person’s hair with clippers. The rounded edge of a tabletop with a mirror, comb, and shears atop of it is pictured to the left of the image. A single window depicting snowfall at night can be seen behind the two Black Queer figures.]
    Caption Jonathan Lyndon Chase, The Shape Up, 2023. Courtesy of the artist and Company Gallery, New York.
    Image description A painting in color of two Black Queer people in a red interior setting. One of them, wearing gray underpants, gazes out of the picture plane, while another profile of their head turned to the right is superimposed. The barber on their right is shaping the seated person’s hair with clippers. The rounded edge of a tabletop with a mirror, comb, and shears atop of it is pictured to the left of the image. A single window depicting snowfall at night can be seen behind the two Black Queer figures.
    Year
    Related pages Jonathan Lyndon Chase
  • A view of five vitrines, displaying various documents, arranged in columns in the middle of a room. On either wall, book cases used for display.
    A view of five vitrines, displaying various documents, arranged in columns in the middle of a room. On either wall, book cases used for display.
    Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A view of five vitrines, displaying various documents, arranged in columns in the middle of a room. On either wall, book cases used for display.]
    Caption Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description A view of five vitrines, displaying various documents, arranged in columns in the middle of a room. On either wall, book cases used for display.
    Year 2013
    Related pages Documenting Cadere: 1972 - 1978
  • Several figures fill a dimly lit, basement room. Some figures sit and talk on large couches, while others stand and talk to each other. Video projections play on two of the space’s walls.
    Several figures fill a dimly lit, basement room. Some figures sit and talk on large couches, while others stand and talk to each other. Video projections play on two of the space’s walls.
    Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [Several figures fill a dimly lit, basement room. Some figures sit and talk on large couches, while others stand and talk to each other. Video projections play on two of the space’s walls.]
    Caption Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description Several figures fill a dimly lit, basement room. Some figures sit and talk on large couches, while others stand and talk to each other. Video projections play on two of the space’s walls.
    Year 2019
    Related pages Speaker Music: drape over another
  • A green, blue, and yellow abstract landscape painting hangs on a white wall. A purple buffalo painting is hanging on the wall to the left. To the right, a tall paper is pinned into a purple section of wall.
    A green, blue, and yellow abstract landscape painting hangs on a white wall. A purple buffalo painting is hanging on the wall to the left. To the right, a tall paper is pinned into a purple section of wall.
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A green, blue, and yellow abstract landscape painting hangs on a white wall. A purple buffalo painting is hanging on the wall to the left. To the right, a tall paper is pinned into a purple section of wall.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description A green, blue, and yellow abstract landscape painting hangs on a white wall. A purple buffalo painting is hanging on the wall to the left. To the right, a tall paper is pinned into a purple section of wall.
    Year 2017
    Related pages Unholding
  • A black and white image of a figure wearing all black, with a black hat, facing to the wall and slightly illuminated by a light in their hands. In the foreground, there is a partially visible metal grid with several plastic-covered white lights.
    A black and white image of a figure wearing all black, with a black hat, facing to the wall and slightly illuminated by a light in their hands. In the foreground, there is a partially visible metal grid with several plastic-covered white lights.
    The Heart of Your Mother for my Dogs. Performance view, Artists Space, 2009. [A black and white image of a figure wearing all black, with a black hat, facing to the wall and slightly illuminated by a light in their hands. In the foreground, there is a partially visible metal grid with several plastic-covered white lights.]
    Caption The Heart of Your Mother for my Dogs. Performance view, Artists Space, 2009.
    Image description A black and white image of a figure wearing all black, with a black hat, facing to the wall and slightly illuminated by a light in their hands. In the foreground, there is a partially visible metal grid with several plastic-covered white lights.
    Year 2009
    Related pages When Time Becomes Form: The Heart of Your Mother for My Dogs
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    Year
    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • Photographs hung on a wall in two rows. The top row photographs are outlined in black and show images of people inside an apartment. The bottom row photographs show people on a subway.
    Photographs hung on a wall in two rows. The top row photographs are outlined in black and show images of people inside an apartment. The bottom row photographs show people on a subway.
    Salad Days. Installation view, Artists Space, 2004. [Photographs hung on a wall in two rows. The top row photographs are outlined in black and show images of people inside an apartment. The bottom row photographs show people on a subway.]
    Caption Salad Days. Installation view, Artists Space, 2004.
    Image description Photographs hung on a wall in two rows. The top row photographs are outlined in black and show images of people inside an apartment. The bottom row photographs show people on a subway.
    Year 2004
    Related pages Salad Days
  • Caption
    Image description
    Year
    Related pages Exhibitions and Events
  • A brown object with a processing chip imbedded in its front sits on a white base. On top of the object, a small potato sits with two wires attached.
    A brown object with a processing chip imbedded in its front sits on a white base. On top of the object, a small potato sits with two wires attached.
    Not yet titled, 2019
    Clay, glaze, mixed media
    7 x 12 x 17 inches (variable)
    $5,000
    [A brown object with a processing chip imbedded in its front sits on a white base. On top of the object, a small potato sits with two wires attached.]
    Caption Not yet titled, 2019
    Clay, glaze, mixed media
    7 x 12 x 17 inches (variable)
    $5,000
    Image description A brown object with a processing chip imbedded in its front sits on a white base. On top of the object, a small potato sits with two wires attached.
    Year 2019
    Related pages Trisha Baga Edition
  • Red text reading “we cover for you / new red order / 1-888-NEW-RED1 / newredorder.org” is overlaid on an image of a person in a black shirt holding a rock in front of their face.
    Red text reading “we cover for you / new red order / 1-888-NEW-RED1 / newredorder.org” is overlaid on an image of a person in a black shirt holding a rock in front of their face.
    [Red text reading “we cover for you / new red order / 1-888-NEW-RED1 / newredorder.org” is overlaid on an image of a person in a black shirt holding a rock in front of their face.]
    Caption
    Image description Red text reading “we cover for you / new red order / 1-888-NEW-RED1 / newredorder.org” is overlaid on an image of a person in a black shirt holding a rock in front of their face.
    Year
    Related pages New Red Order: Informants Get Paid!
  • A performer facing an audience in a dim, red-tinted room. The musician is standing over a table covered in electronic instruments. Patterns of white dots reflecting from a disco ball surround the room.
    A performer facing an audience in a dim, red-tinted room. The musician is standing over a table covered in electronic instruments. Patterns of white dots reflecting from a disco ball surround the room.
    Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman. [A performer facing an audience in a dim, red-tinted room. The musician is standing over a table covered in electronic instruments. Patterns of white dots reflecting from a disco ball surround the room. ]
    Caption Abasement #74. Performance documentation, December 2nd, 2024, Artists Space. Photo: Joshua Wildman.
    Image description A performer facing an audience in a dim, red-tinted room. The musician is standing over a table covered in electronic instruments. Patterns of white dots reflecting from a disco ball surround the room.
    Year
    Related pages Abasement #74
  • A figure with short hair energetically strums an electric guitar, their mouth wide open. Another figure with dark hair, partially cut off in the image, leans down to strum another guitar or base instrument.
    A figure with short hair energetically strums an electric guitar, their mouth wide open. Another figure with dark hair, partially cut off in the image, leans down to strum another guitar or base instrument.
    Vivienne Dick. Still from Guerilla Talks, 1978. [A figure with short hair energetically strums an electric guitar, their mouth wide open. Another figure with dark hair, partially cut off in the image, leans down to strum another guitar or base instrument.]
    Caption Vivienne Dick. Still from Guerilla Talks, 1978.
    Image description A figure with short hair energetically strums an electric guitar, their mouth wide open. Another figure with dark hair, partially cut off in the image, leans down to strum another guitar or base instrument.
    Year 1978
    Related pages Vivienne Dick
  • A photograph of a white walled gallery space densely hung with figurative paintings.
    A photograph of a white walled gallery space densely hung with figurative paintings.
    Min Joong Art. Installation view, Artists Space, 1988. [A photograph of a white walled gallery space densely hung with figurative paintings.]
    Caption Min Joong Art. Installation view, Artists Space, 1988.
    Image description A photograph of a white walled gallery space densely hung with figurative paintings.
    Year 1988
    Related pages Min Joong Art: A New Cultural Moment from Korea
  • David Armstrong: Portraits. Installation view, March 10 – May 23, 2026, Artists Space. Photo: Carter Seddon
    Caption David Armstrong: Portraits. Installation view, March 10 – May 23, 2026, Artists Space. Photo: Carter Seddon
    Image description
    Year
    Related pages David Armstrong: Portraits
  • A photograph of a large gallery space with white walls and columns in the center of the room and artworks lining the walls. In the center of the image, visible through the columns, are many small photographs hung in the shape of the letters
    A photograph of a large gallery space with white walls and columns in the center of the room and artworks lining the walls. In the center of the image, visible through the columns, are many small photographs hung in the shape of the letters
    Min Joong Art. Installation view, Artists Space, 1988. [A photograph of a large gallery space with white walls and columns in the center of the room and artworks lining the walls. In the center of the image, visible through the columns, are many small photographs hung in the shape of the letters "DMZ."]
    Caption Min Joong Art. Installation view, Artists Space, 1988.
    Image description A photograph of a large gallery space with white walls and columns in the center of the room and artworks lining the walls. In the center of the image, visible through the columns, are many small photographs hung in the shape of the letters "DMZ."
    Year 1988
    Related pages Min Joong Art: A New Cultural Moment from Korea
  • A color photograph of a gallery space with an exposed back section of drywall. The wall features one grey panel with a framed image. A large piece of grey and yellow vinyl partialy hangs from the wall, falling in large folds on the right.
    A color photograph of a gallery space with an exposed back section of drywall. The wall features one grey panel with a framed image. A large piece of grey and yellow vinyl partialy hangs from the wall, falling in large folds on the right.
    virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of a gallery space with an exposed back section of drywall. The wall features one grey panel with a framed image. A large piece of grey and yellow vinyl partialy hangs from the wall, falling in large folds on the right.]
    Caption virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color photograph of a gallery space with an exposed back section of drywall. The wall features one grey panel with a framed image. A large piece of grey and yellow vinyl partialy hangs from the wall, falling in large folds on the right.
    Year 2022
    Related pages virgil b/g taylor: Minor Publics
  • A black and white installation view of a rectangular photographic work with wide white matting.
    A black and white installation view of a rectangular photographic work with wide white matting.
    Susan Eder. Installation view, Artists Space, 1976. [A black and white installation view of a rectangular photographic work with wide white matting.]
    Caption Susan Eder. Installation view, Artists Space, 1976.
    Image description A black and white installation view of a rectangular photographic work with wide white matting.
    Year 1976
    Related pages Susan Eder, Matt Mullican
  • A view of a book stand perpendicular to a wall in which staggered posters are hung. The book stand displays various documents and materials.
    A view of a book stand perpendicular to a wall in which staggered posters are hung. The book stand displays various documents and materials.
    Richard Hollis. Installation view, Artists Space, 2013. [A view of a book stand perpendicular to a wall in which staggered posters are hung. The book stand displays various documents and materials.]
    Caption Richard Hollis. Installation view, Artists Space, 2013.
    Image description A view of a book stand perpendicular to a wall in which staggered posters are hung. The book stand displays various documents and materials.
    Year 2013
    Related pages Richard Hollis
  • A two-page spread from the novel Dictée shows four diagrams of a human larynx and neck on the left-hand page and a page of writing from the novel on the right.
    A two-page spread from the novel Dictée shows four diagrams of a human larynx and neck on the left-hand page and a page of writing from the novel on the right.
    Theresa Hak Kyung Cha, Dictée (New York: Tanam Press, 1982), 74 - 75. [A two-page spread from the novel Dictée shows four diagrams of a human larynx and neck on the left-hand page and a page of writing from the novel on the right.]
    Caption Theresa Hak Kyung Cha, Dictée (New York: Tanam Press, 1982), 74 - 75.
    Image description A two-page spread from the novel Dictée shows four diagrams of a human larynx and neck on the left-hand page and a page of writing from the novel on the right.
    Year 1982
    Related pages Whitney ISP Archive
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Color image of a performance space illuminated by red light. In the center, two standing figures play the violin. On the left, audience members look towards the performers. On the right, a stage filled with music equipment, such as speakers, cables and microphones. In the background, a table filled with electronic equipment, and a man looking at a computer monitor.
    Color image of a performance space illuminated by red light. In the center, two standing figures play the violin. On the left, audience members look towards the performers. On the right, a stage filled with music equipment, such as speakers, cables and microphones. In the background, a table filled with electronic equipment, and a man looking at a computer monitor.
    Abasement #66. Performance documentation, October 9, 2023, Artists Space. Photo: Joshua Wildman. [Color image of a performance space illuminated by red light. In the center, two standing figures play the violin. On the left, audience members look towards the performers. On the right, a stage filled with music equipment, such as speakers, cables and microphones. In the background, a table filled with electronic equipment, and a man looking at a computer monitor.]
    Caption Abasement #66. Performance documentation, October 9, 2023, Artists Space. Photo: Joshua Wildman.
    Image description Color image of a performance space illuminated by red light. In the center, two standing figures play the violin. On the left, audience members look towards the performers. On the right, a stage filled with music equipment, such as speakers, cables and microphones. In the background, a table filled with electronic equipment, and a man looking at a computer monitor.
    Year
    Related pages Abasement #66
  • A barrel, converted into a grill, sits horizontally on a wheeled cart. It is opened, with a silver metallic interior, in the center of the room. On the left, three long planks of glass lean onto the wall. To the right, photographs displayed in a pane of glass sit at eye-level on the wall.
    A barrel, converted into a grill, sits horizontally on a wheeled cart. It is opened, with a silver metallic interior, in the center of the room. On the left, three long planks of glass lean onto the wall. To the right, photographs displayed in a pane of glass sit at eye-level on the wall.
    Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A barrel, converted into a grill, sits horizontally on a wheeled cart. It is opened, with a silver metallic interior, in the center of the room. On the left, three long planks of glass lean onto the wall. To the right, photographs displayed in a pane of glass sit at eye-level on the wall.]
    Caption Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description A barrel, converted into a grill, sits horizontally on a wheeled cart. It is opened, with a silver metallic interior, in the center of the room. On the left, three long planks of glass lean onto the wall. To the right, photographs displayed in a pane of glass sit at eye-level on the wall.
    Year 2018
    Related pages Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff
  • An image of a woman riding a bull through a green bank note. One hand holds on to the reins of the bull, the other scatters bills. She wears a yellow dress that is opening at the top.
    An image of a woman riding a bull through a green bank note. One hand holds on to the reins of the bull, the other scatters bills. She wears a yellow dress that is opening at the top.
    [An image of a woman riding a bull through a green bank note. One hand holds on to the reins of the bull, the other scatters bills. She wears a yellow dress that is opening at the top.]
    Caption
    Image description An image of a woman riding a bull through a green bank note. One hand holds on to the reins of the bull, the other scatters bills. She wears a yellow dress that is opening at the top.
    Year 2009
    Related pages Spending in 2008
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Photograph of a performer, standing next to a table covered in a black cloth. The background is bathed in purple light. A white spotlight shines on the table, highlighting the performer's hands as they pour liquid from one teacup into another teacup held below.
    Photograph of a performer, standing next to a table covered in a black cloth. The background is bathed in purple light. A white spotlight shines on the table, highlighting the performer's hands as they pour liquid from one teacup into another teacup held below.
    S*an D. Henry Smith in Constantina Zavitsanos’ Entropy (2023), a set of three performances (on-site and online) for If I Can’t Dance, I Don’t Want to Be a Part of Your Revolution. Performers and co-creators of the score: Angelo Custódio and Pedro Matias, S*an D. Henry-Smith and Geo Wyex. Photo: Prins de Vos [Photograph of a performer, standing next to a table covered in a black cloth. The background is bathed in purple light. A white spotlight shines on the table, highlighting the performer's hands as they pour liquid from one teacup into another teacup held below.]
    Caption S*an D. Henry Smith in Constantina Zavitsanos’ Entropy (2023), a set of three performances (on-site and online) for If I Can’t Dance, I Don’t Want to Be a Part of Your Revolution. Performers and co-creators of the score: Angelo Custódio and Pedro Matias, S*an D. Henry-Smith and Geo Wyex. Photo: Prins de Vos
    Image description Photograph of a performer, standing next to a table covered in a black cloth. The background is bathed in purple light. A white spotlight shines on the table, highlighting the performer's hands as they pour liquid from one teacup into another teacup held below.
    Year
    Related pages S*an D. Henry-Smith
  • A flyer titled
    A flyer titled
    Liz Moy, Chinatown Gallery Map, 2016. [A flyer titled "Sites of Mass Displacement," depicting a map of Chinatown with pins on every gallery in the neighborhood. It asks, "Is this what a neighborhood 'untouched' by gentrification looks like?" Text at the bottom of the flyer notes "There are currently over 100 galleries occupying Chinatown, Two Bridges, and the Lower East Side. Can a neighborhood be both a holdout to gentrification and the new art enclave?"]
    Caption Liz Moy, Chinatown Gallery Map, 2016.
    Image description A flyer titled "Sites of Mass Displacement," depicting a map of Chinatown with pins on every gallery in the neighborhood. It asks, "Is this what a neighborhood 'untouched' by gentrification looks like?" Text at the bottom of the flyer notes "There are currently over 100 galleries occupying Chinatown, Two Bridges, and the Lower East Side. Can a neighborhood be both a holdout to gentrification and the new art enclave?"
    Year 2016
    Related pages Chinatown Is Not for Sale
  • People standing around a gallery space with various globes surrounding them and frame images hanging on the wall to the right.
    People standing around a gallery space with various globes surrounding them and frame images hanging on the wall to the right.
    Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork: All is Pretty Andy Warhol!, Martin Cohen. [People standing around a gallery space with various globes surrounding them and frame images hanging on the wall to the right.]
    Caption Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork: All is Pretty Andy Warhol!, Martin Cohen.
    Image description People standing around a gallery space with various globes surrounding them and frame images hanging on the wall to the right.
    Year 1979
    Related pages Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach
  • A group of people sit around a circular dining table. Wade Guyton and Kathy Halbreich are on the far left side of the frame. Andy Robert and Joan Jonas face each other and are mid-conversation. Robert wears a diamond-patterned sweater, black jacket, and black, red, and yellow striped beanie. Jonas wears a black jacket over a blue blouse with small red polka dots and scalloped edges, and her hair is held out of her face with a decorative clip.
    A group of people sit around a circular dining table. Wade Guyton and Kathy Halbreich are on the far left side of the frame. Andy Robert and Joan Jonas face each other and are mid-conversation. Robert wears a diamond-patterned sweater, black jacket, and black, red, and yellow striped beanie. Jonas wears a black jacket over a blue blouse with small red polka dots and scalloped edges, and her hair is held out of her face with a decorative clip.
    Wade Guyton, Kathy Halbreich, Andy Robert, Joan Jonas. Photo: Joshua Wildman [A group of people sit around a circular dining table. Wade Guyton and Kathy Halbreich are on the far left side of the frame. Andy Robert and Joan Jonas face each other and are mid-conversation. Robert wears a diamond-patterned sweater, black jacket, and black, red, and yellow striped beanie. Jonas wears a black jacket over a blue blouse with small red polka dots and scalloped edges, and her hair is held out of her face with a decorative clip.]
    Caption Wade Guyton, Kathy Halbreich, Andy Robert, Joan Jonas. Photo: Joshua Wildman
    Image description A group of people sit around a circular dining table. Wade Guyton and Kathy Halbreich are on the far left side of the frame. Andy Robert and Joan Jonas face each other and are mid-conversation. Robert wears a diamond-patterned sweater, black jacket, and black, red, and yellow striped beanie. Jonas wears a black jacket over a blue blouse with small red polka dots and scalloped edges, and her hair is held out of her face with a decorative clip.
    Year
    Related pages Support
  • A man holds a woman over his shoulder as looks to the right. Writing can be seen on the wall behind them. Subtitles are burned into the bottom of the screen that read,
    A man holds a woman over his shoulder as looks to the right. Writing can be seen on the wall behind them. Subtitles are burned into the bottom of the screen that read,
    Sistema Sandinista de Television. Still from Golpes de la Corazon (Blows of the Heart)*, 1983. Video (sound, black and white). Spanish with English Subtitles. [A man holds a woman over his shoulder as looks to the right. Writing can be seen on the wall behind them. Subtitles are burned into the bottom of the screen that read, "I'm the boss in my house...stay here!" Scan lines are in the image and the box of the CRT monitor is visible.]
    Caption Sistema Sandinista de Television. Still from Golpes de la Corazon (Blows of the Heart)*, 1983. Video (sound, black and white). Spanish with English Subtitles.
    Image description A man holds a woman over his shoulder as looks to the right. Writing can be seen on the wall behind them. Subtitles are burned into the bottom of the screen that read, "I'm the boss in my house...stay here!" Scan lines are in the image and the box of the CRT monitor is visible.
    Year 1983
    Related pages TV Sandino
  • Sculpture of an alien spaceship made out of sheet metal, with a red and blue LED light, sitting in a gallery.
    Sculpture of an alien spaceship made out of sheet metal, with a red and blue LED light, sitting in a gallery.
    George Clinton, Peter Larkin and Jules Fisher, The Mothership, 1990s. Collection of the Smithsonian National Museum of African American History and Culture. Gift of Love to the planet. [Sculpture of an alien spaceship made out of sheet metal, with a red and blue LED light, sitting in a gallery.]
    Caption George Clinton, Peter Larkin and Jules Fisher, The Mothership, 1990s. Collection of the Smithsonian National Museum of African American History and Culture. Gift of Love to the planet.
    Image description Sculpture of an alien spaceship made out of sheet metal, with a red and blue LED light, sitting in a gallery.
    Year
    Related pages Artists Space Dialogues: Huey Copeland, Michelle Kuo
  • A display of nine CRT monitors showing nine individuals in a bluish hue.
    A display of nine CRT monitors showing nine individuals in a bluish hue.
    ART CLUB2000 Untitled (Individual Viewing Station for Interviews with Artists on the Year 1970), 1997 CRT monitor with videos of Vito Acconci, Simon Cerigo, Henry Flynt, Isa Genzken, Alex Katz, Les Levine, Niki Logis, Olivier Mosset, and Carolee Schneemann Image courtesy Artists Space, New York Photo: Filip Wolak [A display of nine CRT monitors showing nine individuals in a bluish hue.]
    Caption ART CLUB2000 Untitled (Individual Viewing Station for Interviews with Artists on the Year 1970), 1997 CRT monitor with videos of Vito Acconci, Simon Cerigo, Henry Flynt, Isa Genzken, Alex Katz, Les Levine, Niki Logis, Olivier Mosset, and Carolee Schneemann Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description A display of nine CRT monitors showing nine individuals in a bluish hue.
    Year 2021
    Related pages ART CLUB2000
  • A color photograph of a gallery space with several columns. In between two columns, a large fabric work is stretched with an image of cows lying on the ground. To the right, in between two other columns, a painting on fabric that depicts two people on a green background is hanging. Further in the background, a painting is visible hanging on the wall. In the foreground, one board from a cornhole set is resting on the floor.
    A color photograph of a gallery space with several columns. In between two columns, a large fabric work is stretched with an image of cows lying on the ground. To the right, in between two other columns, a painting on fabric that depicts two people on a green background is hanging. Further in the background, a painting is visible hanging on the wall. In the foreground, one board from a cornhole set is resting on the floor.
    Everything is common. Installation view, Artists Space, 2022. Photo: Steven Cottingham. [A color photograph of a gallery space with several columns. In between two columns, a large fabric work is stretched with an image of cows lying on the ground. To the right, in between two other columns, a painting on fabric that depicts two people on a green background is hanging. Further in the background, a painting is visible hanging on the wall. In the foreground, one board from a cornhole set is resting on the floor.]
    Caption Everything is common. Installation view, Artists Space, 2022. Photo: Steven Cottingham.
    Image description A color photograph of a gallery space with several columns. In between two columns, a large fabric work is stretched with an image of cows lying on the ground. To the right, in between two other columns, a painting on fabric that depicts two people on a green background is hanging. Further in the background, a painting is visible hanging on the wall. In the foreground, one board from a cornhole set is resting on the floor.
    Year
    Related pages Whitney Independent Study: Everything is Common
  • A black and white photograph of various objects hanging in a white-walled gallery space.
    A black and white photograph of various objects hanging in a white-walled gallery space.
    Freya Hansell. Installation view, Artists Space, 1980. [A black and white photograph of various objects hanging in a white-walled gallery space.]
    Caption Freya Hansell. Installation view, Artists Space, 1980.
    Image description A black and white photograph of various objects hanging in a white-walled gallery space.
    Year
    Related pages Freya Hansell
  • A black and white photograph of a mixed media collage hanging on a gallery wall hanging opposite of four mixed media collaged in frames with a back-projected slide image of two faces centerd in the image with a dark curtain covering its surroundings.
    A black and white photograph of a mixed media collage hanging on a gallery wall hanging opposite of four mixed media collaged in frames with a back-projected slide image of two faces centerd in the image with a dark curtain covering its surroundings.
    Too Black, Too Strong! Installation View, Artists Space, 1988. [A black and white photograph of a mixed media collage hanging on a gallery wall hanging opposite of four mixed media collaged in frames with a back-projected slide image of two faces centerd in the image with a dark curtain covering its surroundings.]
    Caption Too Black, Too Strong! Installation View, Artists Space, 1988.
    Image description A black and white photograph of a mixed media collage hanging on a gallery wall hanging opposite of four mixed media collaged in frames with a back-projected slide image of two faces centerd in the image with a dark curtain covering its surroundings.
    Year 1988
    Related pages Too Black, Too Strong!
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • A large gallery space full of hundreds of metal cutouts shaped like curved
    A large gallery space full of hundreds of metal cutouts shaped like curved
    H_edge. Installation view, Artists Space, 2006. Photo: Whitney Cox. [A large gallery space full of hundreds of metal cutouts shaped like curved "x"'s hanging from lengths of metal chainlinks. The cutouts are arranged in the gallery so that they form a hedge-like landscape of varying heights.]
    Caption H_edge. Installation view, Artists Space, 2006. Photo: Whitney Cox.
    Image description A large gallery space full of hundreds of metal cutouts shaped like curved "x"'s hanging from lengths of metal chainlinks. The cutouts are arranged in the gallery so that they form a hedge-like landscape of varying heights.
    Year 2006
    Related pages H_edge
  • Wide view of 5 musicians on stage performing under blue tinted lights with the audience on the left. From left to right the instruments played are the cello, clarinet, horn, flute, guitar, and vocals.
    Wide view of 5 musicians on stage performing under blue tinted lights with the audience on the left. From left to right the instruments played are the cello, clarinet, horn, flute, guitar, and vocals.
    Axine M: Sold Licker Glass, 2024, Artists Space. Courtesy of ISSUE Project Room. Photography by Cameron Kelly McLeod. [Wide view of 5 musicians on stage performing under blue tinted lights with the audience on the left. From left to right the instruments played are the cello, clarinet, horn, flute, guitar, and vocals.]
    Caption Axine M: Sold Licker Glass, 2024, Artists Space. Courtesy of ISSUE Project Room. Photography by Cameron Kelly McLeod.
    Image description Wide view of 5 musicians on stage performing under blue tinted lights with the audience on the left. From left to right the instruments played are the cello, clarinet, horn, flute, guitar, and vocals.
    Year
    Related pages Axine M: Sold Licker Glass
  • Flyer featuring densely collaged images of food in metal trays, renaissance-era images of saints and angels, Cookie Monster and other puppets, electric keyboards and vintage video game consoles, images of people holding vegetables and plates of food, and tree-filled landscapes. Below the collage, white sans-serif text is superimposed over an image of stars in space. The text reads: “artists space & the segue reading series invite you to a virtual reading by / Steven Seinberg / and / Darcie Dennigan / saturday, may 2nd, 5pm nyc time, zoom id: 378 232 567 / it will be robust.
    Flyer featuring densely collaged images of food in metal trays, renaissance-era images of saints and angels, Cookie Monster and other puppets, electric keyboards and vintage video game consoles, images of people holding vegetables and plates of food, and tree-filled landscapes. Below the collage, white sans-serif text is superimposed over an image of stars in space. The text reads: “artists space & the segue reading series invite you to a virtual reading by / Steven Seinberg / and / Darcie Dennigan / saturday, may 2nd, 5pm nyc time, zoom id: 378 232 567 / it will be robust.
    [Flyer featuring densely collaged images of food in metal trays, renaissance-era images of saints and angels, Cookie Monster and other puppets, electric keyboards and vintage video game consoles, images of people holding vegetables and plates of food, and tree-filled landscapes. Below the collage, white sans-serif text is superimposed over an image of stars in space. The text reads: “artists space & the segue reading series invite you to a virtual reading by / Steven Seinberg / and / Darcie Dennigan / saturday, may 2nd, 5pm nyc time, zoom id: 378 232 567 / it will be robust.]
    Caption
    Image description Flyer featuring densely collaged images of food in metal trays, renaissance-era images of saints and angels, Cookie Monster and other puppets, electric keyboards and vintage video game consoles, images of people holding vegetables and plates of food, and tree-filled landscapes. Below the collage, white sans-serif text is superimposed over an image of stars in space. The text reads: “artists space & the segue reading series invite you to a virtual reading by / Steven Seinberg / and / Darcie Dennigan / saturday, may 2nd, 5pm nyc time, zoom id: 378 232 567 / it will be robust.
    Year 2020
    Related pages Segue Reading Series: Darcie Dennigan & Steven Seidenberg
  • Two figures wearing medical scrubs hold a mannequin, while looking towards a projection.
    Two figures wearing medical scrubs hold a mannequin, while looking towards a projection.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court [Two figures wearing medical scrubs hold a mannequin, while looking towards a projection.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court
    Image description Two figures wearing medical scrubs hold a mannequin, while looking towards a projection.
    Year 2022
    Related pages Grandmother Cindy
  • A figure in a white suit—the artist Jutta Koether—stands with her back to the viewer in front of a sculpture composed of a large glass pane with a painted canvas installed in the panel's center. Her left hand gestures in the air and grasps a metal wand with a butterfly ornament as well as papers with handwritten text.
    A figure in a white suit—the artist Jutta Koether—stands with her back to the viewer in front of a sculpture composed of a large glass pane with a painted canvas installed in the panel's center. Her left hand gestures in the air and grasps a metal wand with a butterfly ornament as well as papers with handwritten text.
    Fifth Season Act, Apotheosically. Performance documentation, May 31, 2012, Artists Space. [A figure in a white suit—the artist Jutta Koether—stands with her back to the viewer in front of a sculpture composed of a large glass pane with a painted canvas installed in the panel's center. Her left hand gestures in the air and grasps a metal wand with a butterfly ornament as well as papers with handwritten text.]
    Caption Fifth Season Act, Apotheosically. Performance documentation, May 31, 2012, Artists Space.
    Image description A figure in a white suit—the artist Jutta Koether—stands with her back to the viewer in front of a sculpture composed of a large glass pane with a painted canvas installed in the panel's center. Her left hand gestures in the air and grasps a metal wand with a butterfly ornament as well as papers with handwritten text.
    Year 2012
    Related pages Fifth Season Act, Apotheosically
  • A figure plays the drums in the background with an out of focus piano in the foreground.
    A figure plays the drums in the background with an out of focus piano in the foreground.
    Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman [A figure plays the drums in the background with an out of focus piano in the foreground.]
    Caption Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure plays the drums in the background with an out of focus piano in the foreground.
    Year 2022
    Related pages Tisziji Muñoz with Francisco Mora Catlett and AfroHORN
  • Sepia toned image of a figure leaning over and biting the neck and shoulder of another figure that leans back, their face contorted in pain.
    Sepia toned image of a figure leaning over and biting the neck and shoulder of another figure that leans back, their face contorted in pain.
    Masao Adachi, Galaxy, 1967 [Sepia toned image of a figure leaning over and biting the neck and shoulder of another figure that leans back, their face contorted in pain.]
    Caption Masao Adachi, Galaxy, 1967
    Image description Sepia toned image of a figure leaning over and biting the neck and shoulder of another figure that leans back, their face contorted in pain.
    Year
    Related pages Yasunao Tone Film Screening #3
  • An opened gate is visible on the right with tables and chairs set up on a cement floor and decorative steel windows visible at the top.
    An opened gate is visible on the right with tables and chairs set up on a cement floor and decorative steel windows visible at the top.
    Audrey Glassman, Untitled. Cibachrome, 28 x 42 inches. [An opened gate is visible on the right with tables and chairs set up on a cement floor and decorative steel windows visible at the top.]
    Caption Audrey Glassman, Untitled. Cibachrome, 28 x 42 inches.
    Image description An opened gate is visible on the right with tables and chairs set up on a cement floor and decorative steel windows visible at the top.
    Year
    Related pages U.S. Projects
  • Four overlapping photographs show a panorama of a crowd outside Artists Space at night. One group int he foreground files into the gallery through its double doors, while others on the sidewalk hold protest signs.
    Four overlapping photographs show a panorama of a crowd outside Artists Space at night. One group int he foreground files into the gallery through its double doors, while others on the sidewalk hold protest signs.
    Demonstrations outside Artists Space during the opening of Witnesses: Against Our Vanishing, November 16, 1989. [Four overlapping photographs show a panorama of a crowd outside Artists Space at night. One group int he foreground files into the gallery through its double doors, while others on the sidewalk hold protest signs.]
    Caption Demonstrations outside Artists Space during the opening of Witnesses: Against Our Vanishing, November 16, 1989.
    Image description Four overlapping photographs show a panorama of a crowd outside Artists Space at night. One group int he foreground files into the gallery through its double doors, while others on the sidewalk hold protest signs.
    Year 1989
    Related pages Witnesses: Against Our Vanishing
  • A crowd is pictured in front of a performer. Behind the performer are three large colorful projections.
    A crowd is pictured in front of a performer. Behind the performer are three large colorful projections.
    SCRAAATCH, Tower of Babel, 2019, Les Urbaines. Photo: Mathilda Olmi [A crowd is pictured in front of a performer. Behind the performer are three large colorful projections.]
    Caption SCRAAATCH, Tower of Babel, 2019, Les Urbaines. Photo: Mathilda Olmi
    Image description A crowd is pictured in front of a performer. Behind the performer are three large colorful projections.
    Year 2019
    Related pages SCRAAATCH 11-19
  • Color image of an individual standing and smiling jovially towards the camera. A podium can be seen to the left of the image, and a variety of seated party guests are also imaged within the elegant and decorative venue.
    Color image of an individual standing and smiling jovially towards the camera. A podium can be seen to the left of the image, and a variety of seated party guests are also imaged within the elegant and decorative venue.
    Friends of Artists Space Dinner, 2023. Photo: Joshua Wildman. [Color image of an individual standing and smiling jovially towards the camera. A podium can be seen to the left of the image, and a variety of seated party guests are also imaged within the elegant and decorative venue.]
    Caption Friends of Artists Space Dinner, 2023. Photo: Joshua Wildman.
    Image description Color image of an individual standing and smiling jovially towards the camera. A podium can be seen to the left of the image, and a variety of seated party guests are also imaged within the elegant and decorative venue.
    Year
    Related pages Support
  • El Bosque Luminoso Bajo El Mar, M.S. 324 exhibition, Threads of History, May 2023
    Caption El Bosque Luminoso Bajo El Mar, M.S. 324 exhibition, Threads of History, May 2023
    Image description
    Year
    Related pages Exhibitions and Events
  • A side view of a large video monitor screen, sitting on the ground, with a large ramp extending from the base. Two viewers sit on large pillows at the curve of the ramp. The room is tinted blue. On the screen, there is a man in a sitting in an office with a note pad and a pen at the table in front of him.
    A side view of a large video monitor screen, sitting on the ground, with a large ramp extending from the base. Two viewers sit on large pillows at the curve of the ramp. The room is tinted blue. On the screen, there is a man in a sitting in an office with a note pad and a pen at the table in front of him.
    Hito Steyerl, Liquidity, Inc., 2014, HD video with sound, 30 mins. Courtesy the artist and Andrew Kreps, New York. Installation view from Hito Steyerl, Artists Space, 2015. [A side view of a large video monitor screen, sitting on the ground, with a large ramp extending from the base. Two viewers sit on large pillows at the curve of the ramp. The room is tinted blue. On the screen, there is a man in a sitting in an office with a note pad and a pen at the table in front of him.]
    Caption Hito Steyerl, Liquidity, Inc., 2014, HD video with sound, 30 mins. Courtesy the artist and Andrew Kreps, New York. Installation view from Hito Steyerl, Artists Space, 2015.
    Image description A side view of a large video monitor screen, sitting on the ground, with a large ramp extending from the base. Two viewers sit on large pillows at the curve of the ramp. The room is tinted blue. On the screen, there is a man in a sitting in an office with a note pad and a pen at the table in front of him.
    Year 2015
    Related pages Hito Steyerl
  • A portrait of a woman whose face is covered by a colorful cloth that extends over her entire top body. Only the top of her ear and hair are visible.
    A portrait of a woman whose face is covered by a colorful cloth that extends over her entire top body. Only the top of her ear and hair are visible.
    Metahaven, WikiLeaks, 2011, Scarf. Photo: Meinke Klein. [A portrait of a woman whose face is covered by a colorful cloth that extends over her entire top body. Only the top of her ear and hair are visible.]
    Caption Metahaven, WikiLeaks, 2011, Scarf. Photo: Meinke Klein.
    Image description A portrait of a woman whose face is covered by a colorful cloth that extends over her entire top body. Only the top of her ear and hair are visible.
    Year 2011
    Related pages Frozen Lakes
  • Caption
    Image description
    Year
    Related pages Michael Asher
  • A third floor entrance off of an elevator. Beyond its black-floored vestibule is a large object standing at an angle inside the doorway. It emulates the interior panels of an elevator. A partially obscured sign saying
    A third floor entrance off of an elevator. Beyond its black-floored vestibule is a large object standing at an angle inside the doorway. It emulates the interior panels of an elevator. A partially obscured sign saying
    BGL, Elevator, 2007. Site-specific installation. Courtesy the artists. Photo: Bill Orcutt. [A third floor entrance off of an elevator. Beyond its black-floored vestibule is a large object standing at an angle inside the doorway. It emulates the interior panels of an elevator. A partially obscured sign saying "ARTISTS SPACE" is visible in the room beyond the doorway on its far wall.]
    Caption BGL, Elevator, 2007. Site-specific installation. Courtesy the artists. Photo: Bill Orcutt.
    Image description A third floor entrance off of an elevator. Beyond its black-floored vestibule is a large object standing at an angle inside the doorway. It emulates the interior panels of an elevator. A partially obscured sign saying "ARTISTS SPACE" is visible in the room beyond the doorway on its far wall.
    Year 2007
    Related pages On Being an Exhibition
  • An angled view of a large video monitor screen positioned on the ground behind a collumn. The room is tinted blue. Three pairs of pipe-frame panels visible in the front and both sides of the screen, which projects a video-still of a composited frame that includes computer generated images of the ocean.
    An angled view of a large video monitor screen positioned on the ground behind a collumn. The room is tinted blue. Three pairs of pipe-frame panels visible in the front and both sides of the screen, which projects a video-still of a composited frame that includes computer generated images of the ocean.
    Hito Steyerl, Liquidity, Inc., 2014 HD video with sound, 30 mins. Courtesy the artist and Andrew Kreps, New York. Installation view from Hito Steyerl, Artists Space, 2015 [An angled view of a large video monitor screen positioned on the ground behind a collumn. The room is tinted blue. Three pairs of pipe-frame panels visible in the front and both sides of the screen, which projects a video-still of a composited frame that includes computer generated images of the ocean.]
    Caption Hito Steyerl, Liquidity, Inc., 2014 HD video with sound, 30 mins. Courtesy the artist and Andrew Kreps, New York. Installation view from Hito Steyerl, Artists Space, 2015
    Image description An angled view of a large video monitor screen positioned on the ground behind a collumn. The room is tinted blue. Three pairs of pipe-frame panels visible in the front and both sides of the screen, which projects a video-still of a composited frame that includes computer generated images of the ocean.
    Year 2015
    Related pages Hito Steyerl
  • A wide view of a gallery featuring an array of paintings, sculptures, and photographs hung along a wall and wrapping around a corner.
    A wide view of a gallery featuring an array of paintings, sculptures, and photographs hung along a wall and wrapping around a corner.
    Witnesses: Against Our Vanishing. Installation View, Artists Space, 1989. Photo: Frances Miller Smith. [A wide view of a gallery featuring an array of paintings, sculptures, and photographs hung along a wall and wrapping around a corner.]
    Caption Witnesses: Against Our Vanishing. Installation View, Artists Space, 1989. Photo: Frances Miller Smith.
    Image description A wide view of a gallery featuring an array of paintings, sculptures, and photographs hung along a wall and wrapping around a corner.
    Year 1989
    Related pages Witnesses: Against Our Vanishing
  • A low futon couch on a wooden platform with multicolored pillows is fit into the corner of a room with two windows. There is a short table with two placemats and brochures, and a television. In the foreground, there is a white plinth with a glass top housing an orange object.
    A low futon couch on a wooden platform with multicolored pillows is fit into the corner of a room with two windows. There is a short table with two placemats and brochures, and a television. In the foreground, there is a white plinth with a glass top housing an orange object.
    The columns held us up. Installation view, Artists Space, 2009. Photo: Adam Reich. [A low futon couch on a wooden platform with multicolored pillows is fit into the corner of a room with two windows. There is a short table with two placemats and brochures, and a television. In the foreground, there is a white plinth with a glass top housing an orange object.]
    Caption The columns held us up. Installation view, Artists Space, 2009. Photo: Adam Reich.
    Image description A low futon couch on a wooden platform with multicolored pillows is fit into the corner of a room with two windows. There is a short table with two placemats and brochures, and a television. In the foreground, there is a white plinth with a glass top housing an orange object.
    Year 2009
    Related pages The columns held us up
  • A close up of a series of old Hollywood films projected on the back wall of the exhibition space
    A close up of a series of old Hollywood films projected on the back wall of the exhibition space
    She Who Is: Adrienne Kennedy and the Drama of Difference. Installation view, Artists Space, February 29 – September 19, 2020. Pictured: multi-projection compilation of film excerpts selected by Hilton Als. Photo: Filip Wolak. [A close up of a series of old Hollywood films projected on the back wall of the exhibition space]
    Caption She Who Is: Adrienne Kennedy and the Drama of Difference. Installation view, Artists Space, February 29 – September 19, 2020. Pictured: multi-projection compilation of film excerpts selected by Hilton Als. Photo: Filip Wolak.
    Image description A close up of a series of old Hollywood films projected on the back wall of the exhibition space
    Year 2020
    Related pages She Who Is: Adrienne Kennedy and the Drama of Difference
  • A portrait of a purple buffalo photocollaged with of images including objects and people.
    A portrait of a purple buffalo photocollaged with of images including objects and people.
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A portrait of a purple buffalo photocollaged with of images including objects and people.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description A portrait of a purple buffalo photocollaged with of images including objects and people.
    Year 2017
    Related pages Unholding
  • A green object with a processing chip embedded in its front sits on a white base. On top of the object sit a red potato with a wire attached, false teeth, and a telephone cord.
    A green object with a processing chip embedded in its front sits on a white base. On top of the object sit a red potato with a wire attached, false teeth, and a telephone cord.
    Not yet titled, 2019
    Clay, glaze, mixed media
    7 x 12 x 17 inches (variable)
    $5,000
    [A green object with a processing chip embedded in its front sits on a white base. On top of the object sit a red potato with a wire attached, false teeth, and a telephone cord.]
    Caption Not yet titled, 2019
    Clay, glaze, mixed media
    7 x 12 x 17 inches (variable)
    $5,000
    Image description A green object with a processing chip embedded in its front sits on a white base. On top of the object sit a red potato with a wire attached, false teeth, and a telephone cord.
    Year 2019
    Related pages Trisha Baga Edition
  • Figures wearing partial face coverings stand in front of a projection that reads:
    Figures wearing partial face coverings stand in front of a projection that reads:
    New Red Order, Informants Get Paid! Performance documentation, Artists Space, January 23, 2020. Photo © Paula Court. [Figures wearing partial face coverings stand in front of a projection that reads: "We cover for you / new red order"]
    Caption New Red Order, Informants Get Paid! Performance documentation, Artists Space, January 23, 2020. Photo © Paula Court.
    Image description Figures wearing partial face coverings stand in front of a projection that reads: "We cover for you / new red order"
    Year 2020
    Related pages
  • A rectangular, abstract painting is mounted on a black frame at an angle to the white gallery wall.
    A rectangular, abstract painting is mounted on a black frame at an angle to the white gallery wall.
    John Mendelsohn and Donald Sultan, Installation view, Artists Space, 1977. [A rectangular, abstract painting is mounted on a black frame at an angle to the white gallery wall.]
    Caption John Mendelsohn and Donald Sultan, Installation view, Artists Space, 1977.
    Image description A rectangular, abstract painting is mounted on a black frame at an angle to the white gallery wall.
    Year 1977
    Related pages John Mendelsohn and Donald Sultan
  • A cloth image is emerging from the darkness.
    A cloth image is emerging from the darkness.
    We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [A cloth image is emerging from the darkness.]
    Caption We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987.
    Image description A cloth image is emerging from the darkness.
    Year
    Related pages We the People
  • A man holding a clipboard at his side walks past a large, columned white wall with palm trees on either end.
    A man holding a clipboard at his side walks past a large, columned white wall with palm trees on either end.
    Still from The Empty Plan (2010). [A man holding a clipboard at his side walks past a large, columned white wall with palm trees on either end.]
    Caption Still from The Empty Plan (2010).
    Image description A man holding a clipboard at his side walks past a large, columned white wall with palm trees on either end.
    Year 2010
    Related pages The Empty Plan
  • View of the audience members from the Artists Space and Decolonize this Place event, featuring black, white, red, and yellow banners on the wall with slogans for global resistance.
    View of the audience members from the Artists Space and Decolonize this Place event, featuring black, white, red, and yellow banners on the wall with slogans for global resistance.
    “Palestine, BLM & Boycott in the Arts.” Artists Space Books & Talks, Friday, November 4, 2016. Courtesy Decolonize This Place and Artists Space, New York. Photo: Andrés Rodriguez [View of the audience members from the Artists Space and Decolonize this Place event, featuring black, white, red, and yellow banners on the wall with slogans for global resistance.]
    Caption “Palestine, BLM & Boycott in the Arts.” Artists Space Books & Talks, Friday, November 4, 2016. Courtesy Decolonize This Place and Artists Space, New York. Photo: Andrés Rodriguez
    Image description View of the audience members from the Artists Space and Decolonize this Place event, featuring black, white, red, and yellow banners on the wall with slogans for global resistance.
    Year 2016
    Related pages Decolonize This Place
  • An abstract drawing consisting of horizontal white lines scratched across black paper with circles interspersed throughout the composition. On the right side of the drawing are arrows, and blurred, scribbled lines and illegible text. Yellow marks accentuate different parts of the composition.
    An abstract drawing consisting of horizontal white lines scratched across black paper with circles interspersed throughout the composition. On the right side of the drawing are arrows, and blurred, scribbled lines and illegible text. Yellow marks accentuate different parts of the composition.
    Renee Gladman, Untitled (Moon Math), 2022. Pigment, oil, pastel, 30 x 44 inches. Courtesy of the Artist [An abstract drawing consisting of horizontal white lines scratched across black paper with circles interspersed throughout the composition. On the right side of the drawing are arrows, and blurred, scribbled lines and illegible text. Yellow marks accentuate different parts of the composition.]
    Caption Renee Gladman, Untitled (Moon Math), 2022. Pigment, oil, pastel, 30 x 44 inches. Courtesy of the Artist
    Image description An abstract drawing consisting of horizontal white lines scratched across black paper with circles interspersed throughout the composition. On the right side of the drawing are arrows, and blurred, scribbled lines and illegible text. Yellow marks accentuate different parts of the composition.
    Year 2022
    Related pages Renee Gladman
  • Two poems. On the left, by Quentin:
    Two poems. On the left, by Quentin:
    P.S. 140 student poems from “I am” project, 2018 [Two poems. On the left, by Quentin: "I am from a computer and websites and games. / I am from a fun house and a loud house. / I am from an acacia tree and a bush whose stems I remember as if they were my own. / I am from Fourth of July and birthdays and from being sick toether and my sister Sivanda. / I am from my niece and being observant and independent. / I am from "stay out of the trouble" and "wait until you're older" and *Wheels on the Bus.* / I am from always eating at 7 o'clock. / I am from Manhattan and Puerto Rico and Africa and chicken and rice and seafood. / I am from fighting all the time and shiny and precious jewlery." The second poem, by Gabby, reads: "I am from Hip Hop music and cocoa butter and sprite. / I am from Joy and love. / I am from a cherry tree and daisies whose stems I remember as if they were my own. / I am from church and birthday parties and from bravery and confidence. / I am from Sabrina and cleaning the house and from family that is protective of me. / I am from 'mind your business' and 'I don't have friends, I have associates' and 'stay alive longer!' and the song *Body Party* by Ciara. / I am from visiting with family in Pennsylvania. / I am from East Harlem and West Indians and fried chicken and mac 'n cheese. / I am from Shakina who passed and I am named after her and a beautiful Egyptian statue"]
    Caption P.S. 140 student poems from “I am” project, 2018
    Image description Two poems. On the left, by Quentin: "I am from a computer and websites and games. / I am from a fun house and a loud house. / I am from an acacia tree and a bush whose stems I remember as if they were my own. / I am from Fourth of July and birthdays and from being sick toether and my sister Sivanda. / I am from my niece and being observant and independent. / I am from "stay out of the trouble" and "wait until you're older" and *Wheels on the Bus.* / I am from always eating at 7 o'clock. / I am from Manhattan and Puerto Rico and Africa and chicken and rice and seafood. / I am from fighting all the time and shiny and precious jewlery." The second poem, by Gabby, reads: "I am from Hip Hop music and cocoa butter and sprite. / I am from Joy and love. / I am from a cherry tree and daisies whose stems I remember as if they were my own. / I am from church and birthday parties and from bravery and confidence. / I am from Sabrina and cleaning the house and from family that is protective of me. / I am from 'mind your business' and 'I don't have friends, I have associates' and 'stay alive longer!' and the song *Body Party* by Ciara. / I am from visiting with family in Pennsylvania. / I am from East Harlem and West Indians and fried chicken and mac 'n cheese. / I am from Shakina who passed and I am named after her and a beautiful Egyptian statue"
    Year 2018
    Related pages Listening to the LES
  • White text on a black background spells out
    White text on a black background spells out
    [White text on a black background spells out "THEHEARTOFYOURMOTHERFORMYDOGS"]
    Caption
    Image description White text on a black background spells out "THEHEARTOFYOURMOTHERFORMYDOGS"
    Year 2009
    Related pages When Time Becomes Form: The Heart of Your Mother for My Dogs
  • Black and white photograph of a city street: a man stands, holding a lit cigarette in his mouth. He is flanked on one side by a staircase and on the other by a portable toilet. A large truck is parked behind him with its headlights on.
    Black and white photograph of a city street: a man stands, holding a lit cigarette in his mouth. He is flanked on one side by a staircase and on the other by a portable toilet. A large truck is parked behind him with its headlights on.
    Viv Latta, Fresh Air, digital photograph, 2020 [Black and white photograph of a city street: a man stands, holding a lit cigarette in his mouth. He is flanked on one side by a staircase and on the other by a portable toilet. A large truck is parked behind him with its headlights on.]
    Caption Viv Latta, Fresh Air, digital photograph, 2020
    Image description Black and white photograph of a city street: a man stands, holding a lit cigarette in his mouth. He is flanked on one side by a staircase and on the other by a portable toilet. A large truck is parked behind him with its headlights on.
    Year 2020
    Related pages Scholastic Art and Writing Awards
  • A photograph showing mostly the concrete floor of a gallery. Sitting on the floor is a large plexiglass box, the bottom of which is lined with eggs arranged in neat rows.
    A photograph showing mostly the concrete floor of a gallery. Sitting on the floor is a large plexiglass box, the bottom of which is lined with eggs arranged in neat rows.
    Selections from the Artists File. Installation view, Artists Space, 1989. [A photograph showing mostly the concrete floor of a gallery. Sitting on the floor is a large plexiglass box, the bottom of which is lined with eggs arranged in neat rows.]
    Caption Selections from the Artists File. Installation view, Artists Space, 1989.
    Image description A photograph showing mostly the concrete floor of a gallery. Sitting on the floor is a large plexiglass box, the bottom of which is lined with eggs arranged in neat rows.
    Year 1989
    Related pages Selections from the Artist File
  • Jaylynn Reyna, Bonnie, 2022, digital photograph
    Caption Jaylynn Reyna, Bonnie, 2022, digital photograph
    Image description
    Year 2022
    Related pages Scholastic Art and Writing Awards
  • A nude figure is seen sitting in a pool of water in the corner with ceramic tile wall paneling behind them. Sharp lighting accentuates the top half of the image where the face of the figure is, staring into the camera.
    A nude figure is seen sitting in a pool of water in the corner with ceramic tile wall paneling behind them. Sharp lighting accentuates the top half of the image where the face of the figure is, staring into the camera.
    Audrey Glassman, Untitled, 1983. Cibachrome, 28 x 42 inches. [A nude figure is seen sitting in a pool of water in the corner with ceramic tile wall paneling behind them. Sharp lighting accentuates the top half of the image where the face of the figure is, staring into the camera.]
    Caption Audrey Glassman, Untitled, 1983. Cibachrome, 28 x 42 inches.
    Image description A nude figure is seen sitting in a pool of water in the corner with ceramic tile wall paneling behind them. Sharp lighting accentuates the top half of the image where the face of the figure is, staring into the camera.
    Year
    Related pages U.S. Projects
  • Two black monitors facing opposite directions sit on a large, rectangular wooden table. One screen is visible, showing an image of two hands holding a piece of white paper with typed text. In the background, a framed photograph is installed on a white gallery wall.
    Two black monitors facing opposite directions sit on a large, rectangular wooden table. One screen is visible, showing an image of two hands holding a piece of white paper with typed text. In the background, a framed photograph is installed on a white gallery wall.
    Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979). Installation view, Artists Space, 2011. Photo: Daniel Pérez. [Two black monitors facing opposite directions sit on a large, rectangular wooden table. One screen is visible, showing an image of two hands holding a piece of white paper with typed text. In the background, a framed photograph is installed on a white gallery wall.]
    Caption Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979). Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description Two black monitors facing opposite directions sit on a large, rectangular wooden table. One screen is visible, showing an image of two hands holding a piece of white paper with typed text. In the background, a framed photograph is installed on a white gallery wall.
    Year 2011
    Related pages Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979)
  • A round, diner-style table with a white mug, napkins, a baked good sitting on top of its open wrapper, and a small card with text. A long, straight line of crumbs stretches across the diameter of the table.
    A round, diner-style table with a white mug, napkins, a baked good sitting on top of its open wrapper, and a small card with text. A long, straight line of crumbs stretches across the diameter of the table.
    Pedro Lasch, Crumbs: Drawing on a Limited View of New York City's Cultural Wealth, 2000. [A round, diner-style table with a white mug, napkins, a baked good sitting on top of its open wrapper, and a small card with text. A long, straight line of crumbs stretches across the diameter of the table.]
    Caption Pedro Lasch, Crumbs: Drawing on a Limited View of New York City's Cultural Wealth, 2000.
    Image description A round, diner-style table with a white mug, napkins, a baked good sitting on top of its open wrapper, and a small card with text. A long, straight line of crumbs stretches across the diameter of the table.
    Year 2000
    Related pages When Artists Say We
  • Twelve long wooden poles are mounted on a white gallery wall in a circular formation, projecting out from the wall and intersecting a line of black columns, forming a teepee shape. A large piece of brown linen stained with various black, white, and rust-colors hangs from the poles. Part of the linen drapes on the ground below the teepee structure. Several sculptures are visible behind the structure, containing disembodied humanoid heads arranged among platforms and pieces of wood, cardboard, and other materials.
    Twelve long wooden poles are mounted on a white gallery wall in a circular formation, projecting out from the wall and intersecting a line of black columns, forming a teepee shape. A large piece of brown linen stained with various black, white, and rust-colors hangs from the poles. Part of the linen drapes on the ground below the teepee structure. Several sculptures are visible behind the structure, containing disembodied humanoid heads arranged among platforms and pieces of wood, cardboard, and other materials.
    Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater. Installation view, 2019. Photo: Daniel Pérez. [Twelve long wooden poles are mounted on a white gallery wall in a circular formation, projecting out from the wall and intersecting a line of black columns, forming a teepee shape. A large piece of brown linen stained with various black, white, and rust-colors hangs from the poles. Part of the linen drapes on the ground below the teepee structure. Several sculptures are visible behind the structure, containing disembodied humanoid heads arranged among platforms and pieces of wood, cardboard, and other materials.]
    Caption Danica Barboza, Jason Hirata, Yuki Kimura, Duane Linklater. Installation view, 2019. Photo: Daniel Pérez.
    Image description Twelve long wooden poles are mounted on a white gallery wall in a circular formation, projecting out from the wall and intersecting a line of black columns, forming a teepee shape. A large piece of brown linen stained with various black, white, and rust-colors hangs from the poles. Part of the linen drapes on the ground below the teepee structure. Several sculptures are visible behind the structure, containing disembodied humanoid heads arranged among platforms and pieces of wood, cardboard, and other materials.
    Year 2019
    Related pages
  • A person driving a car is seen from behind, as if the camera is in the backseat. Their face is hidden by the headrest of the car seat. Trinkets hang from the rearview mirror.
    A person driving a car is seen from behind, as if the camera is in the backseat. Their face is hidden by the headrest of the car seat. Trinkets hang from the rearview mirror.
    Jayce Salloum, Episode 1: So. Cal., 1988. 33 minutes, 1/2", color. Film still. [A person driving a car is seen from behind, as if the camera is in the backseat. Their face is hidden by the headrest of the car seat. Trinkets hang from the rearview mirror.]
    Caption Jayce Salloum, Episode 1: So. Cal., 1988. 33 minutes, 1/2", color. Film still.
    Image description A person driving a car is seen from behind, as if the camera is in the backseat. Their face is hidden by the headrest of the car seat. Trinkets hang from the rearview mirror.
    Year 1988
    Related pages Document and Dream
  • A color film still depicting a person who walks up a dirt path carrying a myriad of empty plastic bottles. To the person's right is a billboard facing away from the camera.
    A color film still depicting a person who walks up a dirt path carrying a myriad of empty plastic bottles. To the person's right is a billboard facing away from the camera.
    Still from Hicham Gardaf, In Praise of Slowness, 2023. Courtesy of the artist. [A color film still depicting a person who walks up a dirt path carrying a myriad of empty plastic bottles. To the person's right is a billboard facing away from the camera.]
    Caption Still from Hicham Gardaf, In Praise of Slowness, 2023. Courtesy of the artist.
    Image description A color film still depicting a person who walks up a dirt path carrying a myriad of empty plastic bottles. To the person's right is a billboard facing away from the camera.
    Year 2023
    Related pages Whitney Independent Study: Clocking Out: Time Beyond Management
  • In a dimly lit room with light wood flooring and white pillars, three illuminated screens are suspended side-by-side from the ceiling. Two of the screens are off. The screen to the far left displays an image of a 19th century painting of a female bartender.
    In a dimly lit room with light wood flooring and white pillars, three illuminated screens are suspended side-by-side from the ceiling. Two of the screens are off. The screen to the far left displays an image of a 19th century painting of a female bartender.
    "Identity". Installation View, Artists Space, 2011. Photo: Daniel Pérez. [In a dimly lit room with light wood flooring and white pillars, three illuminated screens are suspended side-by-side from the ceiling. Two of the screens are off. The screen to the far left displays an image of a 19th century painting of a female bartender.]
    Caption "Identity". Installation View, Artists Space, 2011. Photo: Daniel Pérez.
    Image description In a dimly lit room with light wood flooring and white pillars, three illuminated screens are suspended side-by-side from the ceiling. Two of the screens are off. The screen to the far left displays an image of a 19th century painting of a female bartender.
    Year 2011
    Related pages Dexter Sinister: "Identity"
  • A black, kayak-shaped sculpture is suspended from the ceiling in a gallery space. On either wall, there are black and white prints mimicking the structure of the boat.
    A black, kayak-shaped sculpture is suspended from the ceiling in a gallery space. On either wall, there are black and white prints mimicking the structure of the boat.
    Local Transit. Installation view, Artists Space, 2006. [A black, kayak-shaped sculpture is suspended from the ceiling in a gallery space. On either wall, there are black and white prints mimicking the structure of the boat.]
    Caption Local Transit. Installation view, Artists Space, 2006.
    Image description A black, kayak-shaped sculpture is suspended from the ceiling in a gallery space. On either wall, there are black and white prints mimicking the structure of the boat.
    Year 2006
    Related pages Local Transit: An Exhibition in Two Parts
  • An opened case, with camera equipment resting inside gray foam, is displayed in the center of a room. A large black and white painting with text is hung on a wall underneath a hanging sculpture. In the background, individual papers of beer logos are displayed behind glass, stretching across two connecting walls.
    An opened case, with camera equipment resting inside gray foam, is displayed in the center of a room. A large black and white painting with text is hung on a wall underneath a hanging sculpture. In the background, individual papers of beer logos are displayed behind glass, stretching across two connecting walls.
    Social Surfaces. Installation view, Pearl River Mart, 2017. Photo: Ron Amstutz. [An opened case, with camera equipment resting inside gray foam, is displayed in the center of a room. A large black and white painting with text is hung on a wall underneath a hanging sculpture. In the background, individual papers of beer logos are displayed behind glass, stretching across two connecting walls.]
    Caption Social Surfaces. Installation view, Pearl River Mart, 2017. Photo: Ron Amstutz.
    Image description An opened case, with camera equipment resting inside gray foam, is displayed in the center of a room. A large black and white painting with text is hung on a wall underneath a hanging sculpture. In the background, individual papers of beer logos are displayed behind glass, stretching across two connecting walls.
    Year 2017
    Related pages Social Surfaces
  • A color photograph of a red poster with three faces and Japanese captions. The poster is beneath other ephemeral material, including an open book, a pamphlet, and a black and white photograph.
    A color photograph of a red poster with three faces and Japanese captions. The poster is beneath other ephemeral material, including an open book, a pamphlet, and a black and white photograph.
    Milford Graves: Fundamental Frequency. Installation view (ephemera c. 1980-1998), Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak. [A color photograph of a red poster with three faces and Japanese captions. The poster is beneath other ephemeral material, including an open book, a pamphlet, and a black and white photograph.]
    Caption Milford Graves: Fundamental Frequency. Installation view (ephemera c. 1980-1998), Artists Space, October 8, 2021 – January 15, 2022. Photo: Filip Wolak.
    Image description A color photograph of a red poster with three faces and Japanese captions. The poster is beneath other ephemeral material, including an open book, a pamphlet, and a black and white photograph.
    Year 2021
    Related pages Milford Graves: Fundamental Frequency
  • A flyer depicting a stylized black body in profile. Handwritten text at the top and bottom edges of the flyer reads,
    A flyer depicting a stylized black body in profile. Handwritten text at the top and bottom edges of the flyer reads,
    [A flyer depicting a stylized black body in profile. Handwritten text at the top and bottom edges of the flyer reads, "BODIES OF LIGHT / EXIT STRATEGY / DEC 3RD / DECOLONIZE THIS PLACE / 55 WALKER ST / 6PM-11PM / NEW YORK, NEW YORK."]
    Caption
    Image description A flyer depicting a stylized black body in profile. Handwritten text at the top and bottom edges of the flyer reads, "BODIES OF LIGHT / EXIT STRATEGY / DEC 3RD / DECOLONIZE THIS PLACE / 55 WALKER ST / 6PM-11PM / NEW YORK, NEW YORK."
    Year 2016
    Related pages Bodies of Light: Exit Strategy
  • A view through a doorway into a white-walled gallery space with drawings on the walls and a banner on the windows.
    A view through a doorway into a white-walled gallery space with drawings on the walls and a banner on the windows.
    Young Fluxus. Installation view, Artists Space, 1982. [A view through a doorway into a white-walled gallery space with drawings on the walls and a banner on the windows.]
    Caption Young Fluxus. Installation view, Artists Space, 1982.
    Image description A view through a doorway into a white-walled gallery space with drawings on the walls and a banner on the windows.
    Year
    Related pages Young Fluxus
  • A video projection on a scrim of an urban environment with a store and a park lot visible with buildings in the background. A standing box with a wire coming from the back is visible and another box with a wire from the back is visible on the right wall. All of this is set up in a gallery setting.
    A video projection on a scrim of an urban environment with a store and a park lot visible with buildings in the background. A standing box with a wire coming from the back is visible and another box with a wire from the back is visible on the right wall. All of this is set up in a gallery setting.
    Judith Barry. In the Shadow of the City (Vampry...). Installation view. Artists Space, 1985. [A video projection on a scrim of an urban environment with a store and a park lot visible with buildings in the background. A standing box with a wire coming from the back is visible and another box with a wire from the back is visible on the right wall. All of this is set up in a gallery setting.]
    Caption Judith Barry. In the Shadow of the City (Vampry...). Installation view. Artists Space, 1985.
    Image description A video projection on a scrim of an urban environment with a store and a park lot visible with buildings in the background. A standing box with a wire coming from the back is visible and another box with a wire from the back is visible on the right wall. All of this is set up in a gallery setting.
    Year 1985
    Related pages Dark Rooms
  • A drawing of various nude human figures appearing in space with a white background.
    A drawing of various nude human figures appearing in space with a white background.
    Joseph Hilton, Beside the Sleeping Guards (of Cairo) Day and Night, 1986. [A drawing of various nude human figures appearing in space with a white background.]
    Caption Joseph Hilton, Beside the Sleeping Guards (of Cairo) Day and Night, 1986.
    Image description A drawing of various nude human figures appearing in space with a white background.
    Year
    Related pages Recent Art from Chicago
  • A glossy object with dark tones showing glimpses of bright blue and purple throughout is pictured on a white base. The object has a lemon and an onion balanced on either end, with electrical cords running from the produce to a chipboard at the object's center.
    A glossy object with dark tones showing glimpses of bright blue and purple throughout is pictured on a white base. The object has a lemon and an onion balanced on either end, with electrical cords running from the produce to a chipboard at the object's center.
    Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $5,000
    [A glossy object with dark tones showing glimpses of bright blue and purple throughout is pictured on a white base. The object has a lemon and an onion balanced on either end, with electrical cords running from the produce to a chipboard at the object's center.]
    Caption Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $5,000
    Image description A glossy object with dark tones showing glimpses of bright blue and purple throughout is pictured on a white base. The object has a lemon and an onion balanced on either end, with electrical cords running from the produce to a chipboard at the object's center.
    Year
    Related pages Trisha Baga Edition
  • Color image of a video installation in the center of the floor of a gallery space. A walkway made of plywood runs along the edges of the room, around the projection. The projection depicts a negative film image that has been mirrored along the center. Objects are arranged on a blue background to create vaguely recognizable images.
    Color image of a video installation in the center of the floor of a gallery space. A walkway made of plywood runs along the edges of the room, around the projection. The projection depicts a negative film image that has been mirrored along the center. Objects are arranged on a blue background to create vaguely recognizable images.
    Crystal Z Campbell: Ode to the Underloved. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color image of a video installation in the center of the floor of a gallery space. A walkway made of plywood runs along the edges of the room, around the projection. The projection depicts a negative film image that has been mirrored along the center. Objects are arranged on a blue background to create vaguely recognizable images.]
    Caption Crystal Z Campbell: Ode to the Underloved. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color image of a video installation in the center of the floor of a gallery space. A walkway made of plywood runs along the edges of the room, around the projection. The projection depicts a negative film image that has been mirrored along the center. Objects are arranged on a blue background to create vaguely recognizable images.
    Year
    Related pages Crystal Z Campbell
  • A PrintFile photo preserver is visible with two black and white photographic artworks inside and the top photograph has tape around it with writing on it.
    A PrintFile photo preserver is visible with two black and white photographic artworks inside and the top photograph has tape around it with writing on it.
    Seth Laderman. Installation view, Artists Space, 1980. [A PrintFile photo preserver is visible with two black and white photographic artworks inside and the top photograph has tape around it with writing on it.]
    Caption Seth Laderman. Installation view, Artists Space, 1980.
    Image description A PrintFile photo preserver is visible with two black and white photographic artworks inside and the top photograph has tape around it with writing on it.
    Year
    Related pages Seth Laderman
  • A room, view from above a stair case, with a group of men sat scatted around the area.
    A room, view from above a stair case, with a group of men sat scatted around the area.
    Waiting room view of Leben mit Pop - Eine Demonstration für den kapitalistischen Realismus , 1963 (Living with Pop – A Demonstration for Capitalist Realism) © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Photo: Reiner Ruthenbeck [A room, view from above a stair case, with a group of men sat scatted around the area.]
    Caption Waiting room view of Leben mit Pop - Eine Demonstration für den kapitalistischen Realismus , 1963 (Living with Pop – A Demonstration for Capitalist Realism) © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Photo: Reiner Ruthenbeck
    Image description A room, view from above a stair case, with a group of men sat scatted around the area.
    Year 1963
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • A person dressed in blue stands next to a mannequin draped in red fabric lying on a rolling table. To the left is an IV stand and people seated in the background.
    A person dressed in blue stands next to a mannequin draped in red fabric lying on a rolling table. To the left is an IV stand and people seated in the background.
    devynn emory, Grandmother Cindy. Performance documentation, May 18, 2022, Artists Space [A person dressed in blue stands next to a mannequin draped in red fabric lying on a rolling table. To the left is an IV stand and people seated in the background.]
    Caption devynn emory, Grandmother Cindy. Performance documentation, May 18, 2022, Artists Space
    Image description A person dressed in blue stands next to a mannequin draped in red fabric lying on a rolling table. To the left is an IV stand and people seated in the background.
    Year
    Related pages Artists Space Venue
  • A figure in a blue morph suit kneels down on one knee, placing their hands on top of a table made of wood and fresnel lenses while audience members watch in the background.
    A figure in a blue morph suit kneels down on one knee, placing their hands on top of a table made of wood and fresnel lenses while audience members watch in the background.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [A figure in a blue morph suit kneels down on one knee, placing their hands on top of a table made of wood and fresnel lenses while audience members watch in the background.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description A figure in a blue morph suit kneels down on one knee, placing their hands on top of a table made of wood and fresnel lenses while audience members watch in the background.
    Year 2022
    Related pages SCRAAATCH 12-3
  • A brass outlet plug against a wooden floor has a cable plugged into one socket, and the other socket is covered by a flat brass circle with the text
    A brass outlet plug against a wooden floor has a cable plugged into one socket, and the other socket is covered by a flat brass circle with the text
    Nandi Loaf, 的1-9, 2025. Reclaimed electrical infrastructure, branded site-specific hardware, standardized socket covers, branded overlays. Photo: Carter Seddon. [A brass outlet plug against a wooden floor has a cable plugged into one socket, and the other socket is covered by a flat brass circle with the text "8...Blitze(nn)" engraved on it.]
    Caption Nandi Loaf, 的1-9, 2025. Reclaimed electrical infrastructure, branded site-specific hardware, standardized socket covers, branded overlays. Photo: Carter Seddon.
    Image description A brass outlet plug against a wooden floor has a cable plugged into one socket, and the other socket is covered by a flat brass circle with the text "8...Blitze(nn)" engraved on it.
    Year
    Related pages Nandi Loaf Aristotelis Nikolas Mochloulis Ricardo Nagaoka Sydney Schrader
  • Caption
    Image description
    Year
    Related pages All These Different Things Are Sculpture
  • Two rectangular boxes lying next to each other on a white background, with a small shadow. The left box is black. The right is white paper, with a black border, and it has two columns of very small red text, offset to the bottom left of the page.
    Two rectangular boxes lying next to each other on a white background, with a small shadow. The left box is black. The right is white paper, with a black border, and it has two columns of very small red text, offset to the bottom left of the page.
    Dexter Sinister (Stuart Bailey and David Reinfurt): Cover Material, 2010 Custom archival box, 24 1/2 x 20 1/2 x 1 1/2 in / 62 x 52 x 4 cm, Wrapped in “Cialux 1580,” manufactured from direct dyes in aqueous solution by Manifattura del Seveso, Osio Sotto, Italy, Accompanied by: A List of Incorrect Things, 2010 Nick Relph Offset print 6 2/3 x 11 in / 17 x 28 cm, Signed and numbered by Stuart Bailey and David Reinfurt. [Two rectangular boxes lying next to each other on a white background, with a small shadow. The left box is black. The right is white paper, with a black border, and it has two columns of very small red text, offset to the bottom left of the page.]
    Caption Dexter Sinister (Stuart Bailey and David Reinfurt): Cover Material, 2010 Custom archival box, 24 1/2 x 20 1/2 x 1 1/2 in / 62 x 52 x 4 cm, Wrapped in “Cialux 1580,” manufactured from direct dyes in aqueous solution by Manifattura del Seveso, Osio Sotto, Italy, Accompanied by: A List of Incorrect Things, 2010 Nick Relph Offset print 6 2/3 x 11 in / 17 x 28 cm, Signed and numbered by Stuart Bailey and David Reinfurt.
    Image description Two rectangular boxes lying next to each other on a white background, with a small shadow. The left box is black. The right is white paper, with a black border, and it has two columns of very small red text, offset to the bottom left of the page.
    Year 2010
    Related pages Artists Space Annual Edition Portfolio 2011
  • A figure kneels beside a table and traces their finger along the screen of an iPad. They wear a baseball cap that reads “MAKE TECHNO BLACK AGAIN.”
    A figure kneels beside a table and traces their finger along the screen of an iPad. They wear a baseball cap that reads “MAKE TECHNO BLACK AGAIN.”
    Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [A figure kneels beside a table and traces their finger along the screen of an iPad. They wear a baseball cap that reads “MAKE TECHNO BLACK AGAIN.”]
    Caption Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description A figure kneels beside a table and traces their finger along the screen of an iPad. They wear a baseball cap that reads “MAKE TECHNO BLACK AGAIN.”
    Year 2019
    Related pages Speaker Music: drape over another
  • Constantina Zavitsanos: fwiw. Installation view (Specific Objects (Swing), 2024), Artists Space, 2024. Photo: Carter Seddon.
    Caption Constantina Zavitsanos: fwiw. Installation view (Specific Objects (Swing), 2024), Artists Space, 2024. Photo: Carter Seddon.
    Image description
    Year
    Related pages fwiw
  • Color image of audience members watching a performance out of the left side of the frame. On the left side of the image, there are two rows of seated audience members in shadow. In the center of the image, audience members stand against a wall. The upper half of the standing audience members is cast in orange and red light emitted from a projector. Behind the standing audience, an image of a figure rendered in red, yellow and blue is projected on the wall. On the right edge of the image, there is a table with clear glasses and bottles of wine. 
    Color image of audience members watching a performance out of the left side of the frame. On the left side of the image, there are two rows of seated audience members in shadow. In the center of the image, audience members stand against a wall. The upper half of the standing audience members is cast in orange and red light emitted from a projector. Behind the standing audience, an image of a figure rendered in red, yellow and blue is projected on the wall. On the right edge of the image, there is a table with clear glasses and bottles of wine. 
    Abasement #68. Performance documentation, February 12, 2024, Artists Space. Photo: Joshua Wildman. [Color image of audience members watching a performance out of the left side of the frame. On the left side of the image, there are two rows of seated audience members in shadow. In the center of the image, audience members stand against a wall. The upper half of the standing audience members is cast in orange and red light emitted from a projector. Behind the standing audience, an image of a figure rendered in red, yellow and blue is projected on the wall. On the right edge of the image, there is a table with clear glasses and bottles of wine. ]
    Caption Abasement #68. Performance documentation, February 12, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Color image of audience members watching a performance out of the left side of the frame. On the left side of the image, there are two rows of seated audience members in shadow. In the center of the image, audience members stand against a wall. The upper half of the standing audience members is cast in orange and red light emitted from a projector. Behind the standing audience, an image of a figure rendered in red, yellow and blue is projected on the wall. On the right edge of the image, there is a table with clear glasses and bottles of wine. 
    Annotation Color image of a seated musician playing a tenor saxophone on a stage. In the foreground of the image, there is the blurred back of the heads of seated audience members. In the center midground of the image, the musician is basked in green and yellow light being emitted from a projector. The projection covers the back wall behind the musician and the stage. 
    Year
    Related pages Abasement #68
  • Installation view of a mechanical wall covering a window in a gallery space, with a diamond-shaped glass pane in the center letting light through.
    Installation view of a mechanical wall covering a window in a gallery space, with a diamond-shaped glass pane in the center letting light through.
    Alan Ruiz, Hunter Green 1390, 2016. Courtesy the artist. [Installation view of a mechanical wall covering a window in a gallery space, with a diamond-shaped glass pane in the center letting light through.]
    Caption Alan Ruiz, Hunter Green 1390, 2016. Courtesy the artist.
    Image description Installation view of a mechanical wall covering a window in a gallery space, with a diamond-shaped glass pane in the center letting light through.
    Year 2016
    Related pages In the Last Instance
  • A block of cheese sitting on a white plate on a wooden table. There are several Band-Aids covering the holes on the block of cheese.
    A block of cheese sitting on a white plate on a wooden table. There are several Band-Aids covering the holes on the block of cheese.
    Praydoliub Ivanov, Pessimism No More (detail), 2002. [A block of cheese sitting on a white plate on a wooden table. There are several Band-Aids covering the holes on the block of cheese.]
    Caption Praydoliub Ivanov, Pessimism No More (detail), 2002.
    Image description A block of cheese sitting on a white plate on a wooden table. There are several Band-Aids covering the holes on the block of cheese.
    Year 2002
    Related pages Flipside
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    Related pages All These Different Things Are Sculpture
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Two beds appear on the floor with a mirror and a picture hanging on the walls along with a clock in the right corner. Light is shining onto the wall from an area not visible to the viewer.
    Two beds appear on the floor with a mirror and a picture hanging on the walls along with a clock in the right corner. Light is shining onto the wall from an area not visible to the viewer.
    Audrey Glassman, Untitled, 1983. Cibachrome, 28 x 42 inches. [Two beds appear on the floor with a mirror and a picture hanging on the walls along with a clock in the right corner. Light is shining onto the wall from an area not visible to the viewer.]
    Caption Audrey Glassman, Untitled, 1983. Cibachrome, 28 x 42 inches.
    Image description Two beds appear on the floor with a mirror and a picture hanging on the walls along with a clock in the right corner. Light is shining onto the wall from an area not visible to the viewer.
    Year
    Related pages U.S. Projects
  • A crafted deer head with horns appears on the wall with various drawn patterns on it.
    A crafted deer head with horns appears on the wall with various drawn patterns on it.
    Sherry Markovitz, Danny Boy, 1985. [A crafted deer head with horns appears on the wall with various drawn patterns on it.]
    Caption Sherry Markovitz, Danny Boy, 1985.
    Image description A crafted deer head with horns appears on the wall with various drawn patterns on it.
    Year
    Related pages U.S. Projects
  • Benje LaRico. Goa VI, 1987. Enamel, Plastic, Wood, Wallpaper on plywood. 52 inches x 8.5 inches x 1 inch.
    Caption Benje LaRico. Goa VI, 1987. Enamel, Plastic, Wood, Wallpaper on plywood. 52 inches x 8.5 inches x 1 inch.
    Image description
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    Related pages Abstraction in Process
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  • The image shows a wooden paddle with the preamble for the U.S. Constitution reproduced on it. It says,
    The image shows a wooden paddle with the preamble for the U.S. Constitution reproduced on it. It says,
    Mike Kelley, Untitled, 1992, Beech wood paddle with screen print and leather strap, 23 1/4 in x 6 in x 3/4 in / 59.1 cm x 15.2 cm x 1.9 cm, Edition of 50. [The image shows a wooden paddle with the preamble for the U.S. Constitution reproduced on it. It says, "We the People of the United States, in Order to form a more perfect Union, establish Justice, insure domestic Tranquility, provide for the common defence, promote the general Welfare, and secure the Blessings of Liberty to ourselves and our Posterity, do ordain and establish this Constitution for the United States of America."]
    Caption Mike Kelley, Untitled, 1992, Beech wood paddle with screen print and leather strap, 23 1/4 in x 6 in x 3/4 in / 59.1 cm x 15.2 cm x 1.9 cm, Edition of 50.
    Image description The image shows a wooden paddle with the preamble for the U.S. Constitution reproduced on it. It says, "We the People of the United States, in Order to form a more perfect Union, establish Justice, insure domestic Tranquility, provide for the common defence, promote the general Welfare, and secure the Blessings of Liberty to ourselves and our Posterity, do ordain and establish this Constitution for the United States of America."
    Year 1992
    Related pages Editions
  • Color photograph of a gallery space. Along the middle of the space are placed various television monitors and musical instruments and audio devices. To the right on the wall are a series of photographs and prints, and two vitrines hang on the wall.
    Color photograph of a gallery space. Along the middle of the space are placed various television monitors and musical instruments and audio devices. To the right on the wall are a series of photographs and prints, and two vitrines hang on the wall.
    Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a gallery space. Along the middle of the space are placed various television monitors and musical instruments and audio devices. To the right on the wall are a series of photographs and prints, and two vitrines hang on the wall.]
    Caption Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photograph of a gallery space. Along the middle of the space are placed various television monitors and musical instruments and audio devices. To the right on the wall are a series of photographs and prints, and two vitrines hang on the wall.
    Year 2023
    Related pages Yasunao Tone: Region of Paramedia
  • *Jordan Lord: Prophetic Memory," Installation view, Artists Space (55 Walker Street), 2021.
    Caption *Jordan Lord: Prophetic Memory," Installation view, Artists Space (55 Walker Street), 2021.
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    Related pages Jordan Lord: Prophetic Memory
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    Related pages Abasement #85
  • A blurry black-and-white photo of someone wearing a large white headdress holding several unidentifiable objects.
    A blurry black-and-white photo of someone wearing a large white headdress holding several unidentifiable objects.
    Joan Jonas. Organic Honey's Visual Telepathy, 1972 [A blurry black-and-white photo of someone wearing a large white headdress holding several unidentifiable objects.]
    Caption Joan Jonas. Organic Honey's Visual Telepathy, 1972
    Image description A blurry black-and-white photo of someone wearing a large white headdress holding several unidentifiable objects.
    Year 1972
    Related pages How to be a wo(man)
  • A photocollage of the same image, a man opening a car hood, repeated 14 x 4 times includes has been altered with white, yellow, and black paint in individual photographs. These include scenes such as fire, melting, and the addition of new characters.
    A photocollage of the same image, a man opening a car hood, repeated 14 x 4 times includes has been altered with white, yellow, and black paint in individual photographs. These include scenes such as fire, melting, and the addition of new characters.
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A photocollage of the same image, a man opening a car hood, repeated 14 x 4 times includes has been altered with white, yellow, and black paint in individual photographs. These include scenes such as fire, melting, and the addition of new characters.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description A photocollage of the same image, a man opening a car hood, repeated 14 x 4 times includes has been altered with white, yellow, and black paint in individual photographs. These include scenes such as fire, melting, and the addition of new characters.
    Year 2017
    Related pages Unholding
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  • A diagonal view of six monitors in a row are lined up in the middle of a floating bookshelf, displaying stills from the film. On the left corner of the image, a desk holds long slips of black paper with white text on it, curled and intertwined, resembling film strips.
    A diagonal view of six monitors in a row are lined up in the middle of a floating bookshelf, displaying stills from the film. On the left corner of the image, a desk holds long slips of black paper with white text on it, curled and intertwined, resembling film strips.
    Union Gaucha Productions. Installation view, Artists Space, 2015. Photo: Daniel Pérez. [A diagonal view of six monitors in a row are lined up in the middle of a floating bookshelf, displaying stills from the film. On the left corner of the image, a desk holds long slips of black paper with white text on it, curled and intertwined, resembling film strips.]
    Caption Union Gaucha Productions. Installation view, Artists Space, 2015. Photo: Daniel Pérez.
    Image description A diagonal view of six monitors in a row are lined up in the middle of a floating bookshelf, displaying stills from the film. On the left corner of the image, a desk holds long slips of black paper with white text on it, curled and intertwined, resembling film strips.
    Year 2015
    Related pages Union Gaucha Productions
  • A color image of two figures before a table filled with electronic equipment such as cables, cameras, and monitors. The figure on the left is sitting down, and the figure on the right is standing up. They are both looking at something outside of the frame. Their faces are illuminated by red light.
    A color image of two figures before a table filled with electronic equipment such as cables, cameras, and monitors. The figure on the left is sitting down, and the figure on the right is standing up. They are both looking at something outside of the frame. Their faces are illuminated by red light.
    Abasement #66. Performance documentation, October 9, 2023, Artists Space. Photo: Joshua Wildman. [A color image of two figures before a table filled with electronic equipment such as cables, cameras, and monitors. The figure on the left is sitting down, and the figure on the right is standing up. They are both looking at something outside of the frame. Their faces are illuminated by red light.]
    Caption Abasement #66. Performance documentation, October 9, 2023, Artists Space. Photo: Joshua Wildman.
    Image description A color image of two figures before a table filled with electronic equipment such as cables, cameras, and monitors. The figure on the left is sitting down, and the figure on the right is standing up. They are both looking at something outside of the frame. Their faces are illuminated by red light.
    Year
    Related pages Abasement #66
  • View of a florbound television screen and speaker next to a brown pole. The edge of a black net is visible on the left.
    View of a florbound television screen and speaker next to a brown pole. The edge of a black net is visible on the left.
    Ei Arakawa. Social Muscle Rehab (early edit for exhibition), 2021. 5:19 minutes. With Dan Chen, Danielle A. Jackson, K.O. Nnamdie, Masako Shiba, Kenneth Teng, Ivanny Pagan, Britnie Williams. Camera by Lazar Bozic (Ortvi.com). Image courtesy Artists Space, New York. Photo: Filip Wolak [View of a florbound television screen and speaker next to a brown pole. The edge of a black net is visible on the left.]
    Caption Ei Arakawa. Social Muscle Rehab (early edit for exhibition), 2021. 5:19 minutes. With Dan Chen, Danielle A. Jackson, K.O. Nnamdie, Masako Shiba, Kenneth Teng, Ivanny Pagan, Britnie Williams. Camera by Lazar Bozic (Ortvi.com). Image courtesy Artists Space, New York. Photo: Filip Wolak
    Image description View of a florbound television screen and speaker next to a brown pole. The edge of a black net is visible on the left.
    Year
    Related pages Ei Arakawa: Social Muscle Rehab
  • The image shows a quarter of a circle on a white background that is colored half-brown, half-blue with two black ovals of different sizes etched on top.
    The image shows a quarter of a circle on a white background that is colored half-brown, half-blue with two black ovals of different sizes etched on top.
    Robert Mangold, Untitled, 1995, Etching with aquatint, 24 x 30 inches (61 x 76.2 cm), Editions of 50, Signed & numbered. [The image shows a quarter of a circle on a white background that is colored half-brown, half-blue with two black ovals of different sizes etched on top.]
    Caption Robert Mangold, Untitled, 1995, Etching with aquatint, 24 x 30 inches (61 x 76.2 cm), Editions of 50, Signed & numbered.
    Image description The image shows a quarter of a circle on a white background that is colored half-brown, half-blue with two black ovals of different sizes etched on top.
    Year
    Related pages Editions
  • To the left sits a chair adorned in cloth and green onion. On the gallery wall is a square MDF wall with graddied sardine cans along in. On the floor in front of this MDF wall is an assortment of objects: bag, box, electrical cord, and more sardine cans.
    To the left sits a chair adorned in cloth and green onion. On the gallery wall is a square MDF wall with graddied sardine cans along in. On the floor in front of this MDF wall is an assortment of objects: bag, box, electrical cord, and more sardine cans.
    LIFE—a group show, curated by Arnold J. Kemp. Installation view (Kristan Kennedy, B.E.W.E.L.L.P.O.P.E.L., 2025; Pope.L, Maybe, 2009-2010), Artists Space, 2025. Photo: Carter Seddon [To the left sits a chair adorned in cloth and green onion. On the gallery wall is a square MDF wall with graddied sardine cans along in. On the floor in front of this MDF wall is an assortment of objects: bag, box, electrical cord, and more sardine cans.]
    Caption LIFE—a group show, curated by Arnold J. Kemp. Installation view (Kristan Kennedy, B.E.W.E.L.L.P.O.P.E.L., 2025; Pope.L, Maybe, 2009-2010), Artists Space, 2025. Photo: Carter Seddon
    Image description To the left sits a chair adorned in cloth and green onion. On the gallery wall is a square MDF wall with graddied sardine cans along in. On the floor in front of this MDF wall is an assortment of objects: bag, box, electrical cord, and more sardine cans.
    Year 2025
    Related pages Arnold J. Kemp
  • A black and white installation photograph of a gallery space. Several rectangular forms are on the floor, and a large voluminous black rectangle is attached to the wall on the left.
    A black and white installation photograph of a gallery space. Several rectangular forms are on the floor, and a large voluminous black rectangle is attached to the wall on the left.
    Pictures. Installation view, Artists Space, 1977. Photo: D. James Dee. [A black and white installation photograph of a gallery space. Several rectangular forms are on the floor, and a large voluminous black rectangle is attached to the wall on the left.]
    Caption Pictures. Installation view, Artists Space, 1977. Photo: D. James Dee.
    Image description A black and white installation photograph of a gallery space. Several rectangular forms are on the floor, and a large voluminous black rectangle is attached to the wall on the left.
    Year 1977
    Related pages Pictures
  • A black and white flyer with various slogans, from
    A black and white flyer with various slogans, from
    Wages of Whiteness in the Art Economy. Poster. Decolonize This Place, 2016. [A black and white flyer with various slogans, from "Black Lives Matter" to "Abolish White Supremacy," printed on the front.]
    Caption Wages of Whiteness in the Art Economy. Poster. Decolonize This Place, 2016.
    Image description A black and white flyer with various slogans, from "Black Lives Matter" to "Abolish White Supremacy," printed on the front.
    Year 2016
    Related pages Wages of Whiteness in the Art Economy
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  • 20 photographs arranged in 5 rows of 4 on a white wall. The photos show various shots taken under beds. There is descriptive wall text to the right of the photos.
    20 photographs arranged in 5 rows of 4 on a white wall. The photos show various shots taken under beds. There is descriptive wall text to the right of the photos.
    The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich. [20 photographs arranged in 5 rows of 4 on a white wall. The photos show various shots taken under beds. There is descriptive wall text to the right of the photos.]
    Caption The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich.
    Image description 20 photographs arranged in 5 rows of 4 on a white wall. The photos show various shots taken under beds. There is descriptive wall text to the right of the photos.
    Year 2008
    Related pages The New Normal
  • A color photograph of a gallery space with several dark columns. A small wooden chest with a red piece of fabric and three white objects on top along with a small wooden stool are visible in the foreground. Further in the background are a yellow couch and a large wicker pannier..
    A color photograph of a gallery space with several dark columns. A small wooden chest with a red piece of fabric and three white objects on top along with a small wooden stool are visible in the foreground. Further in the background are a yellow couch and a large wicker pannier..
    Lyndon Barrois Jr.: Mirage Collar. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of a gallery space with several dark columns. A small wooden chest with a red piece of fabric and three white objects on top along with a small wooden stool are visible in the foreground. Further in the background are a yellow couch and a large wicker pannier..]
    Caption Lyndon Barrois Jr.: Mirage Collar. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color photograph of a gallery space with several dark columns. A small wooden chest with a red piece of fabric and three white objects on top along with a small wooden stool are visible in the foreground. Further in the background are a yellow couch and a large wicker pannier..
    Year 2022
    Related pages Lyndon Barrois Jr.: Mirage Collar
  • A view of four red-eyed police officer cardboard cutouts with sashes that read
    A view of four red-eyed police officer cardboard cutouts with sashes that read
    ART CLUB2000 Untitled (Punishing Enforcers of an Oppressive Regime), detail, 1998 Eight printed cardboard standees, satin sashes, and LED lights Image courtesy Artists Space, New York Photo: Filip Wolak [A view of four red-eyed police officer cardboard cutouts with sashes that read "Punishing Enforcers of an Oppressive Regime." A blue police light sits in the corner of the red lit room.]
    Caption ART CLUB2000 Untitled (Punishing Enforcers of an Oppressive Regime), detail, 1998 Eight printed cardboard standees, satin sashes, and LED lights Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description A view of four red-eyed police officer cardboard cutouts with sashes that read "Punishing Enforcers of an Oppressive Regime." A blue police light sits in the corner of the red lit room.
    Year 2021
    Related pages ART CLUB2000
  • Color photograph of a figure dressed in white, laying face down across two ledges of a raised desk.
    Color photograph of a figure dressed in white, laying face down across two ledges of a raised desk.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure dressed in white, laying face down across two ledges of a raised desk.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a figure dressed in white, laying face down across two ledges of a raised desk.
    Year 2022
    Related pages keyon gaskin 12-16
  • A strip of black and white film negatives of a cavernous gallery space.
    A strip of black and white film negatives of a cavernous gallery space.
    Michael Brewster, An Acoustic Sculpture, 1977. Negatives of Installation views from An Acoustic Sculpture, A Clicker Drawing. Artists Space, 1977. [A strip of black and white film negatives of a cavernous gallery space.]
    Caption Michael Brewster, An Acoustic Sculpture, 1977. Negatives of Installation views from An Acoustic Sculpture, A Clicker Drawing. Artists Space, 1977.
    Image description A strip of black and white film negatives of a cavernous gallery space.
    Year 1977
    Related pages Michael Brewster: An Acoustic Sculpture, A Clicker Drawing
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A black-and-white drawing in a collage style, depicting many public parking signs, street-level façades, advertisements, buildings, a bycicle, smoke, and two large, flowing arrows
    A black-and-white drawing in a collage style, depicting many public parking signs, street-level façades, advertisements, buildings, a bycicle, smoke, and two large, flowing arrows
    Kayla Asalcedo, Lower East Side Map, 2018 [A black-and-white drawing in a collage style, depicting many public parking signs, street-level façades, advertisements, buildings, a bycicle, smoke, and two large, flowing arrows]
    Caption Kayla Asalcedo, Lower East Side Map, 2018
    Image description A black-and-white drawing in a collage style, depicting many public parking signs, street-level façades, advertisements, buildings, a bycicle, smoke, and two large, flowing arrows
    Year 2018
    Related pages Scholastic Art and Writing Awards
  • Color image of a portrait of a man's face, done in purple, orange, and pink colored pencil and pastel on beige paper. Half of the man's face is detailed, while his other faetures are left undefined.
    Color image of a portrait of a man's face, done in purple, orange, and pink colored pencil and pastel on beige paper. Half of the man's face is detailed, while his other faetures are left undefined.
    Elizabeth Peyton, TC (Timothée), 2022-2023. Photo: Filip Wolak. [Color image of a portrait of a man's face, done in purple, orange, and pink colored pencil and pastel on beige paper. Half of the man's face is detailed, while his other faetures are left undefined.]
    Caption Elizabeth Peyton, TC (Timothée), 2022-2023. Photo: Filip Wolak.
    Image description Color image of a portrait of a man's face, done in purple, orange, and pink colored pencil and pastel on beige paper. Half of the man's face is detailed, while his other faetures are left undefined.
    Year 2023
    Related pages Artists for Artists Space
  • Color image of performer using their left hand to control a soundboard resting on a circular table while their left hand grasps a microphone. Next the performer is an empty music stand. The performer's serious face peeks out from their long brown hair. To stage left, audience members hold their hands up in applause. The performer is illuminated by the colorful light of a projector, which casts red and blue light on the wall behind the performer.
    Color image of performer using their left hand to control a soundboard resting on a circular table while their left hand grasps a microphone. Next the performer is an empty music stand. The performer's serious face peeks out from their long brown hair. To stage left, audience members hold their hands up in applause. The performer is illuminated by the colorful light of a projector, which casts red and blue light on the wall behind the performer.
    Abasement #67. Performance documentation, January 15, 2024, Artists Space. Photo: Joshua Wildman. [Color image of performer using their left hand to control a soundboard resting on a circular table while their left hand grasps a microphone. Next the performer is an empty music stand. The performer's serious face peeks out from their long brown hair. To stage left, audience members hold their hands up in applause. The performer is illuminated by the colorful light of a projector, which casts red and blue light on the wall behind the performer.]
    Caption Abasement #67. Performance documentation, January 15, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Color image of performer using their left hand to control a soundboard resting on a circular table while their left hand grasps a microphone. Next the performer is an empty music stand. The performer's serious face peeks out from their long brown hair. To stage left, audience members hold their hands up in applause. The performer is illuminated by the colorful light of a projector, which casts red and blue light on the wall behind the performer.
    Year
    Related pages Abasement #67
  • Two figures stand behind a table, setting up audio equipment.
    Two figures stand behind a table, setting up audio equipment.
    Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [Two figures stand behind a table, setting up audio equipment.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman
    Image description Two figures stand behind a table, setting up audio equipment.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-10
  • Black and white image of several sculptures and two-dimensional artworks installed in a gallery space bisected by three white columns. Behind the columns, a large dark tarp covers two gallery walls that form a small corner. To the right of the columns, a large glass container filled with honey rests on a plinth. To the left of the columns, a wide doorway opens up into another gallery room, where several chandelier-like sculptures hang from the ceiling, while three spindly structures are propped on the floor.
    Black and white image of several sculptures and two-dimensional artworks installed in a gallery space bisected by three white columns. Behind the columns, a large dark tarp covers two gallery walls that form a small corner. To the right of the columns, a large glass container filled with honey rests on a plinth. To the left of the columns, a wide doorway opens up into another gallery room, where several chandelier-like sculptures hang from the ceiling, while three spindly structures are propped on the floor.
    A Living Testament of the Blood Fairies. Installation view, Artists Space, 1996. [Black and white image of several sculptures and two-dimensional artworks installed in a gallery space bisected by three white columns. Behind the columns, a large dark tarp covers two gallery walls that form a small corner. To the right of the columns, a large glass container filled with honey rests on a plinth. To the left of the columns, a wide doorway opens up into another gallery room, where several chandelier-like sculptures hang from the ceiling, while three spindly structures are propped on the floor.]
    Caption A Living Testament of the Blood Fairies. Installation view, Artists Space, 1996.
    Image description Black and white image of several sculptures and two-dimensional artworks installed in a gallery space bisected by three white columns. Behind the columns, a large dark tarp covers two gallery walls that form a small corner. To the right of the columns, a large glass container filled with honey rests on a plinth. To the left of the columns, a wide doorway opens up into another gallery room, where several chandelier-like sculptures hang from the ceiling, while three spindly structures are propped on the floor.
    Year 1996
    Related pages A Living Testament of the Blood Fairies
  • White text overlays a gray, purple and light blue gradient background. The text at the top reads: “Segue Reading Series & ARTISTS SPACE / Winter 2025 Season / February/March curated by Stella Cilman and / Jay Sanders of ARTISTS SPACE / Saturdays at 5pm: 11 Cortlandt Alley + Zoom
    White text overlays a gray, purple and light blue gradient background. The text at the top reads: “Segue Reading Series & ARTISTS SPACE / Winter 2025 Season / February/March curated by Stella Cilman and / Jay Sanders of ARTISTS SPACE / Saturdays at 5pm: 11 Cortlandt Alley + Zoom
    [White text overlays a gray, purple and light blue gradient background. The text at the top reads: “Segue Reading Series & ARTISTS SPACE / Winter 2025 Season / February/March curated by Stella Cilman and / Jay Sanders of ARTISTS SPACE / Saturdays at 5pm: 11 Cortlandt Alley + Zoom"]
    Caption
    Image description White text overlays a gray, purple and light blue gradient background. The text at the top reads: “Segue Reading Series & ARTISTS SPACE / Winter 2025 Season / February/March curated by Stella Cilman and / Jay Sanders of ARTISTS SPACE / Saturdays at 5pm: 11 Cortlandt Alley + Zoom"
    Year
    Related pages Segue Reading Series
  • Abstract painting of two people sitting at a table, having a conversation.
    Abstract painting of two people sitting at a table, having a conversation.
    Avery Singer, The Studio Visit, 2012. Courtesy the artist and Gavin Brown's enterprise, New York/Rome and Kraupa-Tuskany Zeidler, Berlin. [Abstract painting of two people sitting at a table, having a conversation.]
    Caption Avery Singer, The Studio Visit, 2012. Courtesy the artist and Gavin Brown's enterprise, New York/Rome and Kraupa-Tuskany Zeidler, Berlin.
    Image description Abstract painting of two people sitting at a table, having a conversation.
    Year 2012
    Related pages The Love of Painting
  • A solo performer with their hands up holds tuning forks. They are standing behind a mic stand. The performer and walls are covered with mulitcolored light projections.
    A solo performer with their hands up holds tuning forks. They are standing behind a mic stand. The performer and walls are covered with mulitcolored light projections.
    Abasement #72. Performance documentation, October 7th, 2024, Artists Space. Photo: Joshua Wildman. [A solo performer with their hands up holds tuning forks. They are standing behind a mic stand. The performer and walls are covered with mulitcolored light projections.]
    Caption Abasement #72. Performance documentation, October 7th, 2024, Artists Space. Photo: Joshua Wildman.
    Image description A solo performer with their hands up holds tuning forks. They are standing behind a mic stand. The performer and walls are covered with mulitcolored light projections.
    Year
    Related pages Abasement #72
  • A variety of images of covers and photographs of nude and semi-nude people is displayed on a white background.
    A variety of images of covers and photographs of nude and semi-nude people is displayed on a white background.
    Mark Morrisroe: From This Moment On. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A variety of images of covers and photographs of nude and semi-nude people is displayed on a white background.]
    Caption Mark Morrisroe: From This Moment On. Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description A variety of images of covers and photographs of nude and semi-nude people is displayed on a white background.
    Year 2011
    Related pages Mark Morrisroe: From This Moment On
  • Several artworks and vitrines displayed in a gallery space. On the left, a slide projector projects an image of a figure wearing a leopard-print body suit onto a white wall. A glass vitrine displaying several paper documents stands in the middle of the room next to a freestanding wall. Twelve drawings arranged in a grid formation and one additional drawing installed to the right of the grid are dispalyed on the freestanding wall.
    Several artworks and vitrines displayed in a gallery space. On the left, a slide projector projects an image of a figure wearing a leopard-print body suit onto a white wall. A glass vitrine displaying several paper documents stands in the middle of the room next to a freestanding wall. Twelve drawings arranged in a grid formation and one additional drawing installed to the right of the grid are dispalyed on the freestanding wall.
    Jack Smith: Art Crust of Spiritual Oasis. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [Several artworks and vitrines displayed in a gallery space. On the left, a slide projector projects an image of a figure wearing a leopard-print body suit onto a white wall. A glass vitrine displaying several paper documents stands in the middle of the room next to a freestanding wall. Twelve drawings arranged in a grid formation and one additional drawing installed to the right of the grid are dispalyed on the freestanding wall.]
    Caption Jack Smith: Art Crust of Spiritual Oasis. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description Several artworks and vitrines displayed in a gallery space. On the left, a slide projector projects an image of a figure wearing a leopard-print body suit onto a white wall. A glass vitrine displaying several paper documents stands in the middle of the room next to a freestanding wall. Twelve drawings arranged in a grid formation and one additional drawing installed to the right of the grid are dispalyed on the freestanding wall.
    Year 2018
    Related pages Jack Smith: Art Crust of Spiritual Oasis
  • Dark blue text overlays red-pink background. The text reads: “March 11 / Yuko Otomo / Ed Steck.
    Dark blue text overlays red-pink background. The text reads: “March 11 / Yuko Otomo / Ed Steck.
    [Dark blue text overlays red-pink background. The text reads: “March 11 / Yuko Otomo / Ed Steck." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description Dark blue text overlays red-pink background. The text reads: “March 11 / Yuko Otomo / Ed Steck." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year 2023
    Related pages Segue Reading Series: Yuko Otomo & Ed Steck
  • Three figurative, red and black gestural paintings hang on a white wall. On the left, a vertical work shows the exterior of a building with a ladder leading to a window. On the right, two horizontal works hung one above the other feature pairs of chairs, each connected by a circle.
    Three figurative, red and black gestural paintings hang on a white wall. On the left, a vertical work shows the exterior of a building with a ladder leading to a window. On the right, two horizontal works hung one above the other feature pairs of chairs, each connected by a circle.
    Works by Robert Vitale. Witnesses: Against Our Vanishing. Installation view, Artists Space, 1989. [Three figurative, red and black gestural paintings hang on a white wall. On the left, a vertical work shows the exterior of a building with a ladder leading to a window. On the right, two horizontal works hung one above the other feature pairs of chairs, each connected by a circle.]
    Caption Works by Robert Vitale. Witnesses: Against Our Vanishing. Installation view, Artists Space, 1989.
    Image description Three figurative, red and black gestural paintings hang on a white wall. On the left, a vertical work shows the exterior of a building with a ladder leading to a window. On the right, two horizontal works hung one above the other feature pairs of chairs, each connected by a circle.
    Year 1989
    Related pages Witnesses: Against Our Vanishing
  • A color photograph of a ceramic jub resting on a small wooden stool next to a color control strip. On the wall above and to the right is a painting of two hands. Another color control strip rests on top of the painting's frame.
    A color photograph of a ceramic jub resting on a small wooden stool next to a color control strip. On the wall above and to the right is a painting of two hands. Another color control strip rests on top of the painting's frame.
    Lyndon Barrois Jr., Breakaway Palm, 2022. Oil on linen-mounted board, brass, solvent transfers, raw linen panel, linoleum frame, plywood. 20.75 x 16.75 inches. Photo: Filip Wolak. [A color photograph of a ceramic jub resting on a small wooden stool next to a color control strip. On the wall above and to the right is a painting of two hands. Another color control strip rests on top of the painting's frame.]
    Caption Lyndon Barrois Jr., Breakaway Palm, 2022. Oil on linen-mounted board, brass, solvent transfers, raw linen panel, linoleum frame, plywood. 20.75 x 16.75 inches. Photo: Filip Wolak.
    Image description A color photograph of a ceramic jub resting on a small wooden stool next to a color control strip. On the wall above and to the right is a painting of two hands. Another color control strip rests on top of the painting's frame.
    Year 2022
    Related pages Lyndon Barrois Jr.: Mirage Collar
  • A fractured image of a person hung on a white wall next to a tall stack of suitcases painted gold.
    A fractured image of a person hung on a white wall next to a tall stack of suitcases painted gold.
    A New World Order II: Remapping Tales of Desire. Installation view, Artists Space, 1992. [A fractured image of a person hung on a white wall next to a tall stack of suitcases painted gold.]
    Caption A New World Order II: Remapping Tales of Desire. Installation view, Artists Space, 1992.
    Image description A fractured image of a person hung on a white wall next to a tall stack of suitcases painted gold.
    Year 1992
    Related pages A New World Order II: Remapping Tales of Desire
  • Color photograph of a figure wearing a conical sheath of reflective one-way mirror film that covers most of their body. They lay on the floor and spread one arm out from under the mirror film. A bright light shines from under the film.
    Color photograph of a figure wearing a conical sheath of reflective one-way mirror film that covers most of their body. They lay on the floor and spread one arm out from under the mirror film. A bright light shines from under the film.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure wearing a conical sheath of reflective one-way mirror film that covers most of their body. They lay on the floor and spread one arm out from under the mirror film. A bright light shines from under the film.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of a figure wearing a conical sheath of reflective one-way mirror film that covers most of their body. They lay on the floor and spread one arm out from under the mirror film. A bright light shines from under the film.
    Year 2022
    Related pages keyon gaskin 12-14
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    Related pages Yasunao Tone: Region of Paramedia
  • A flyer for Slideshow/Cloakroom at Artists Space featuring information about the event in black text. At the bottom there is a line drawing of a hanger with decibel readings within it.
    A flyer for Slideshow/Cloakroom at Artists Space featuring information about the event in black text. At the bottom there is a line drawing of a hanger with decibel readings within it.
    [A flyer for Slideshow/Cloakroom at Artists Space featuring information about the event in black text. At the bottom there is a line drawing of a hanger with decibel readings within it.]
    Caption
    Image description A flyer for Slideshow/Cloakroom at Artists Space featuring information about the event in black text. At the bottom there is a line drawing of a hanger with decibel readings within it.
    Year 2009
    Related pages Slideshow/Cloakroom with Pierre Leguillon
  • Black and white installation photograph of a gallery corner. On the floor, a crescent shaped object rests on a pedastal. Above, several black panels are attached to the wall.
    Black and white installation photograph of a gallery corner. On the floor, a crescent shaped object rests on a pedastal. Above, several black panels are attached to the wall.
    Pictures. Installation view, Artists Space, 1977. Photo: D. James Dee. [Black and white installation photograph of a gallery corner. On the floor, a crescent shaped object rests on a pedastal. Above, several black panels are attached to the wall.]
    Caption Pictures. Installation view, Artists Space, 1977. Photo: D. James Dee.
    Image description Black and white installation photograph of a gallery corner. On the floor, a crescent shaped object rests on a pedastal. Above, several black panels are attached to the wall.
    Year 1977
    Related pages Pictures
  • Three pedestals, covered with fabric scarves and various objects, sit atop a dark floor covering. Framed images hang on the walls. Along the back wall, large windows are adorned with candlesticks.
    Three pedestals, covered with fabric scarves and various objects, sit atop a dark floor covering. Framed images hang on the walls. Along the back wall, large windows are adorned with candlesticks.
    Sixth Anniversary Exhibition. Installation view, Artists Space, 1979. Artwork by Thomas Laningan-Schmidt. [Three pedestals, covered with fabric scarves and various objects, sit atop a dark floor covering. Framed images hang on the walls. Along the back wall, large windows are adorned with candlesticks.]
    Caption Sixth Anniversary Exhibition. Installation view, Artists Space, 1979. Artwork by Thomas Laningan-Schmidt.
    Image description Three pedestals, covered with fabric scarves and various objects, sit atop a dark floor covering. Framed images hang on the walls. Along the back wall, large windows are adorned with candlesticks.
    Year 1979
    Related pages Sixth Anniversary Exhibition
  • A color image of a dark room featuring illuminated yellow and orange shapes floating on the wall and reflected on the floor.
    A color image of a dark room featuring illuminated yellow and orange shapes floating on the wall and reflected on the floor.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022. [A color image of a dark room featuring illuminated yellow and orange shapes floating on the wall and reflected on the floor.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Installation view, Artists Space, New York, 2022.
    Image description A color image of a dark room featuring illuminated yellow and orange shapes floating on the wall and reflected on the floor.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
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    Related pages Michael Asher
  • Three people wearing facemasks. One is dressed in an ultra-feminine mask, nightgown and open robe, facing the camera. The other two are facing the first figure, dressed casually in t-shirts and a denim vest.
    Three people wearing facemasks. One is dressed in an ultra-feminine mask, nightgown and open robe, facing the camera. The other two are facing the first figure, dressed casually in t-shirts and a denim vest.
    Mark Morrisroe. Still from Nymph-O-Maniac (1984). [Three people wearing facemasks. One is dressed in an ultra-feminine mask, nightgown and open robe, facing the camera. The other two are facing the first figure, dressed casually in t-shirts and a denim vest.]
    Caption Mark Morrisroe. Still from Nymph-O-Maniac (1984).
    Image description Three people wearing facemasks. One is dressed in an ultra-feminine mask, nightgown and open robe, facing the camera. The other two are facing the first figure, dressed casually in t-shirts and a denim vest.
    Year 1984
    Related pages Mark Morrisroe: Super 8
  • A row of books with silver covers on a shelf. A black table and chair can be seen in the reflection of the book cover.
    A row of books with silver covers on a shelf. A black table and chair can be seen in the reflection of the book cover.
    Tiffany Sia, Barriers Buy Time, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A row of books with silver covers on a shelf. A black table and chair can be seen in the reflection of the book cover.]
    Caption Tiffany Sia, Barriers Buy Time, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description A row of books with silver covers on a shelf. A black table and chair can be seen in the reflection of the book cover.
    Year 2021
    Related pages Tiffany Sia: Slippery When Wet
  • An inverted triangle of straw held together with wax supports an X made of lead.
    An inverted triangle of straw held together with wax supports an X made of lead.
    Robert Gero, Untitled, 1989. Lead, straw, wax. [An inverted triangle of straw held together with wax supports an X made of lead.]
    Caption Robert Gero, Untitled, 1989. Lead, straw, wax.
    Image description An inverted triangle of straw held together with wax supports an X made of lead.
    Year 1989
    Related pages Energeia
  • The entrance to a gallery space. Two video stills are projected on the wall facing the entrance. The left projector shows a black-and-white film image of two figures in trench coats with paper bags over their heads doing pushups. On the right is a black-and-white film image of a pair of black shoes hanging over a wooden ledge.
    The entrance to a gallery space. Two video stills are projected on the wall facing the entrance. The left projector shows a black-and-white film image of two figures in trench coats with paper bags over their heads doing pushups. On the right is a black-and-white film image of a pair of black shoes hanging over a wooden ledge.
    Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Amiri Baraka, Cellar Vigil (Experimental Death Unit #2), 1966), Artists Space, 2023. Photo: Filip Wolak. [The entrance to a gallery space. Two video stills are projected on the wall facing the entrance. The left projector shows a black-and-white film image of two figures in trench coats with paper bags over their heads doing pushups. On the right is a black-and-white film image of a pair of black shoes hanging over a wooden ledge.]
    Caption Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Amiri Baraka, Cellar Vigil (Experimental Death Unit #2), 1966), Artists Space, 2023. Photo: Filip Wolak.
    Image description The entrance to a gallery space. Two video stills are projected on the wall facing the entrance. The left projector shows a black-and-white film image of two figures in trench coats with paper bags over their heads doing pushups. On the right is a black-and-white film image of a pair of black shoes hanging over a wooden ledge.
    Year 2023
    Related pages Shala Miller, Malcolm Peacock, Amiri Baraka
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    Related pages Abasement #75
  • Two people in a mountainous, desert location face each other. One, dressed in an orange and green cloak, sits at a green desk. The other is posed with a mirror aimed at the clear sky.
    Two people in a mountainous, desert location face each other. One, dressed in an orange and green cloak, sits at a green desk. The other is posed with a mirror aimed at the clear sky.
    Untitled, c. 1970s, 35mm slide, Copyright Jack Smith Archive, Courtesy Gladstone Gallery, New York and Brussels [Two people in a mountainous, desert location face each other. One, dressed in an orange and green cloak, sits at a green desk. The other is posed with a mirror aimed at the clear sky.]
    Caption Untitled, c. 1970s, 35mm slide, Copyright Jack Smith Archive, Courtesy Gladstone Gallery, New York and Brussels
    Image description Two people in a mountainous, desert location face each other. One, dressed in an orange and green cloak, sits at a green desk. The other is posed with a mirror aimed at the clear sky.
    Year 1970
    Related pages Jack Smith: Art Crust of Spiritual Oasis
  • A view of a gallery installed with multiple sculptures by Matthew Langan-Peck, Ruben Ulises Rodriguez Montoya, and Isabelle Frances McGuire. In the center foreground sits a wooden box sculpture painted light blue, with a pair of headphones hanging from a small peg on the side facing us. Another wooden box, painted dark blue with a repeated traffic light motif, sits in the distance behind and partially occluded by the box in the foreground. To the left, a large biomorphic sculpture composed of found materials hangs from the ceiling. In the background, three large pink banners emblazoned with silver stars hang from ceiling to floor.
    A view of a gallery installed with multiple sculptures by Matthew Langan-Peck, Ruben Ulises Rodriguez Montoya, and Isabelle Frances McGuire. In the center foreground sits a wooden box sculpture painted light blue, with a pair of headphones hanging from a small peg on the side facing us. Another wooden box, painted dark blue with a repeated traffic light motif, sits in the distance behind and partially occluded by the box in the foreground. To the left, a large biomorphic sculpture composed of found materials hangs from the ceiling. In the background, three large pink banners emblazoned with silver stars hang from ceiling to floor.
    Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon. [A view of a gallery installed with multiple sculptures by Matthew Langan-Peck, Ruben Ulises Rodriguez Montoya, and Isabelle Frances McGuire. In the center foreground sits a wooden box sculpture painted light blue, with a pair of headphones hanging from a small peg on the side facing us. Another wooden box, painted dark blue with a repeated traffic light motif, sits in the distance behind and partially occluded by the box in the foreground. To the left, a large biomorphic sculpture composed of found materials hangs from the ceiling. In the background, three large pink banners emblazoned with silver stars hang from ceiling to floor.]
    Caption Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon.
    Image description A view of a gallery installed with multiple sculptures by Matthew Langan-Peck, Ruben Ulises Rodriguez Montoya, and Isabelle Frances McGuire. In the center foreground sits a wooden box sculpture painted light blue, with a pair of headphones hanging from a small peg on the side facing us. Another wooden box, painted dark blue with a repeated traffic light motif, sits in the distance behind and partially occluded by the box in the foreground. To the left, a large biomorphic sculpture composed of found materials hangs from the ceiling. In the background, three large pink banners emblazoned with silver stars hang from ceiling to floor.
    Year
    Related pages Doris Guo Matthew Langan-Peck Isabelle Frances McGuire Ruben Ulises Rodriguez Montoya
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    Related pages Abasement #71
  • Three figures perform in a basement. Two figures in blue morph suits act out a scene together. The figure on the right scratches a fresnel lens attached to a wooden rolling table while the left figure walks toward the table. A third figure takes video footage of the scene.
    Three figures perform in a basement. Two figures in blue morph suits act out a scene together. The figure on the right scratches a fresnel lens attached to a wooden rolling table while the left figure walks toward the table. A third figure takes video footage of the scene.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Three figures perform in a basement. Two figures in blue morph suits act out a scene together. The figure on the right scratches a fresnel lens attached to a wooden rolling table while the left figure walks toward the table. A third figure takes video footage of the scene.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Three figures perform in a basement. Two figures in blue morph suits act out a scene together. The figure on the right scratches a fresnel lens attached to a wooden rolling table while the left figure walks toward the table. A third figure takes video footage of the scene.
    Year 2022
    Related pages SCRAAATCH 11-18
  • Photographic print of an urban skyline on a sunny day. A small skyscraper juts out from a cluster of lower buildings at the image's center. Text emblazoned across the facade of a low, white building in front of the skyscraper reads,
    Photographic print of an urban skyline on a sunny day. A small skyscraper juts out from a cluster of lower buildings at the image's center. Text emblazoned across the facade of a low, white building in front of the skyscraper reads,
    Alex Slade, Ministry of Agriculture, Manaus Brasil, 1999. C-print, 60 x 38 inches. Courtesy the artist. [Photographic print of an urban skyline on a sunny day. A small skyscraper juts out from a cluster of lower buildings at the image's center. Text emblazoned across the facade of a low, white building in front of the skyscraper reads, "TROPICAL" and "MERCADÃO DE BEBÊ." Cars drive along a four lane road to the left of the skyscraper.]
    Caption Alex Slade, Ministry of Agriculture, Manaus Brasil, 1999. C-print, 60 x 38 inches. Courtesy the artist.
    Image description Photographic print of an urban skyline on a sunny day. A small skyscraper juts out from a cluster of lower buildings at the image's center. Text emblazoned across the facade of a low, white building in front of the skyscraper reads, "TROPICAL" and "MERCADÃO DE BEBÊ." Cars drive along a four lane road to the left of the skyscraper.
    Year 2001
    Related pages Urban Pornography
  • A skewed black-and-white image looking up at the façade of a building and the sky. An LED sign spelling
    A skewed black-and-white image looking up at the façade of a building and the sky. An LED sign spelling
    Eniya Alonzia, The Sky, 2018. [A skewed black-and-white image looking up at the façade of a building and the sky. An LED sign spelling "DINER" hangs from the left side of the building.]
    Caption Eniya Alonzia, The Sky, 2018.
    Image description A skewed black-and-white image looking up at the façade of a building and the sky. An LED sign spelling "DINER" hangs from the left side of the building.
    Year 2018
    Related pages BRIDGE Photography
  • A man in a sleeveless Metallica shirt stands in front of a makeshift music studio, looking at the camera.
    A man in a sleeveless Metallica shirt stands in front of a makeshift music studio, looking at the camera.
    [A man in a sleeveless Metallica shirt stands in front of a makeshift music studio, looking at the camera.]
    Caption
    Image description A man in a sleeveless Metallica shirt stands in front of a makeshift music studio, looking at the camera.
    Year 2013
    Related pages Bulletin Board Systems
  • Black lower case text on a red page reads,
    Black lower case text on a red page reads,
    Catalog cover from polke / richter – richter / polke , 1966 galerie h, Hannover Courtesy August Haseke [Black lower case text on a red page reads, "richter/polke, polke/richter."]
    Caption Catalog cover from polke / richter – richter / polke , 1966 galerie h, Hannover Courtesy August Haseke
    Image description Black lower case text on a red page reads, "richter/polke, polke/richter."
    Year 1966
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • White text overlay on two photographs of people in bathing suits and summer clothing lounging on a beach.
    White text overlay on two photographs of people in bathing suits and summer clothing lounging on a beach.
    Book cover for Disordered Attention: How We Look at Art and Performance Today by Claire Bishop. [White text overlay on two photographs of people in bathing suits and summer clothing lounging on a beach.]
    Caption Book cover for Disordered Attention: How We Look at Art and Performance Today by Claire Bishop.
    Image description White text overlay on two photographs of people in bathing suits and summer clothing lounging on a beach.
    Year
    Related pages Disordered Attention
  • An exhibition wall filled with colorful posters, prints and magazine covers, a tv monitor sits on the floor.
    An exhibition wall filled with colorful posters, prints and magazine covers, a tv monitor sits on the floor.
    Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artist Space, 2013. Photo: Daniel Pérez. [An exhibition wall filled with colorful posters, prints and magazine covers, a tv monitor sits on the floor.]
    Caption Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artist Space, 2013. Photo: Daniel Pérez.
    Image description An exhibition wall filled with colorful posters, prints and magazine covers, a tv monitor sits on the floor.
    Year 2013
    Related pages
  • White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Feb 24 / Alexandra Auder / Stephanie LaCava
    White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Feb 24 / Alexandra Auder / Stephanie LaCava
    [White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Feb 24 / Alexandra Auder / Stephanie LaCava" Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Feb 24 / Alexandra Auder / Stephanie LaCava" Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year
    Related pages Segues Reading Series: Alexandra Auder & Stephanie LaCava
  • An outline drawing of a figure in motion with one leg raised. Handwritten text notates points on the figure, reading,
    An outline drawing of a figure in motion with one leg raised. Handwritten text notates points on the figure, reading,
    Drum Suit, 1983. Illustration. [An outline drawing of a figure in motion with one leg raised. Handwritten text notates points on the figure, reading, "Drum suit: sensors are attached and played remote" as well as "bass drum," "high hat," "snare," and "drum claps."]
    Caption Drum Suit, 1983. Illustration.
    Image description An outline drawing of a figure in motion with one leg raised. Handwritten text notates points on the figure, reading, "Drum suit: sensors are attached and played remote" as well as "bass drum," "high hat," "snare," and "drum claps."
    Year 1983
    Related pages Laurie Anderson: Whirlwind
  • A yellowish image of a fireplace with paintings, a mirror and a TV monitor next to a line of text that reads:
    A yellowish image of a fireplace with paintings, a mirror and a TV monitor next to a line of text that reads:
    Louise Lawler. Installation View. Artists Space, 1986 [A yellowish image of a fireplace with paintings, a mirror and a TV monitor next to a line of text that reads: "Once there was a little boy and everything turned out alright. The End."]
    Caption Louise Lawler. Installation View. Artists Space, 1986
    Image description A yellowish image of a fireplace with paintings, a mirror and a TV monitor next to a line of text that reads: "Once there was a little boy and everything turned out alright. The End."
    Year 1984
    Related pages The Fairy Tale: Politics, Desire, and Everyday Life
  • View from right of 5 musicians, with lights from a disco ball visible along the walls behind them. From left, musician playing a clarinet, behind which is a musician playing a vibraphone. In the center a musician playing a trumpet into a microphone. In the foreground are pictured musicians playing a cello and a violin.
    View from right of 5 musicians, with lights from a disco ball visible along the walls behind them. From left, musician playing a clarinet, behind which is a musician playing a vibraphone. In the center a musician playing a trumpet into a microphone. In the foreground are pictured musicians playing a cello and a violin.
    Abasement #70. Performance documentation, July 1st, 2024, Artists Space. Photo: Joshua Wildman. [View from right of 5 musicians, with lights from a disco ball visible along the walls behind them. From left, musician playing a clarinet, behind which is a musician playing a vibraphone. In the center a musician playing a trumpet into a microphone. In the foreground are pictured musicians playing a cello and a violin. ]
    Caption Abasement #70. Performance documentation, July 1st, 2024, Artists Space. Photo: Joshua Wildman.
    Image description View from right of 5 musicians, with lights from a disco ball visible along the walls behind them. From left, musician playing a clarinet, behind which is a musician playing a vibraphone. In the center a musician playing a trumpet into a microphone. In the foreground are pictured musicians playing a cello and a violin.
    Year
    Related pages Abasement #70
  • David Armstrong, Enrique, 2003, Silver Gelatin Print. © David Armstrong; Courtesy of the David Armstrong Estate
    Caption David Armstrong, Enrique, 2003, Silver Gelatin Print. © David Armstrong; Courtesy of the David Armstrong Estate
    Image description
    Year
    Related pages David Armstrong: Portraits
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Contact sheet of installation and opening photos from the exhibition.
    Contact sheet of installation and opening photos from the exhibition.
    Selections from the Unaffiliated Artists File. Installation view, Artists Space, 1982. [Contact sheet of installation and opening photos from the exhibition.]
    Caption Selections from the Unaffiliated Artists File. Installation view, Artists Space, 1982.
    Image description Contact sheet of installation and opening photos from the exhibition.
    Year
    Related pages Selections from the Unaffiliated Artists File
  • Detail view of a display case. Several mugs are stacked on top of each other on the left side of the case, while five others are placed haphazardly across its surface. Each white mug is decorated with black text that reads, *STANCHION*. Several photos of a nude woman are arranged across the surface of the case.
    Detail view of a display case. Several mugs are stacked on top of each other on the left side of the case, while five others are placed haphazardly across its surface. Each white mug is decorated with black text that reads, *STANCHION*. Several photos of a nude woman are arranged across the surface of the case.
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Detail view of a display case. Several mugs are stacked on top of each other on the left side of the case, while five others are placed haphazardly across its surface. Each white mug is decorated with black text that reads, *STANCHION*. Several photos of a nude woman are arranged across the surface of the case.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Detail view of a display case. Several mugs are stacked on top of each other on the left side of the case, while five others are placed haphazardly across its surface. Each white mug is decorated with black text that reads, *STANCHION*. Several photos of a nude woman are arranged across the surface of the case.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
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    Related pages Jana Euler: Exhibitionism
  • A photograph of a large gallery. In the center of the room, a person gazes at large, geometric sculptures.
    A photograph of a large gallery. In the center of the room, a person gazes at large, geometric sculptures.
    Selections from the Artists File. Installation view, Artists Space, 1989. [A photograph of a large gallery. In the center of the room, a person gazes at large, geometric sculptures.]
    Caption Selections from the Artists File. Installation view, Artists Space, 1989.
    Image description A photograph of a large gallery. In the center of the room, a person gazes at large, geometric sculptures.
    Year 1989
    Related pages Selections from the Artist File
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    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
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    Related pages Arnold Dreyblatt
  • A performer plays the violin on stage. The stage and the wall behind it are bathed in orange light.
    A performer plays the violin on stage. The stage and the wall behind it are bathed in orange light.
    Abasement #80. Performance documentation, September 22nd, 2025, Artists Space. Photo: Joshua Wildman. [A performer plays the violin on stage. The stage and the wall behind it are bathed in orange light. ]
    Caption Abasement #80. Performance documentation, September 22nd, 2025, Artists Space. Photo: Joshua Wildman.
    Image description A performer plays the violin on stage. The stage and the wall behind it are bathed in orange light.
    Year
    Related pages Abasement #80
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    Image description
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
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    Related pages Abasement #77
  • An image of an exhibition space consisting of a mock up bedroom, a bed, table, chair, lamp, television, microwave, and coffee maker sit on a large beige rug.
    An image of an exhibition space consisting of a mock up bedroom, a bed, table, chair, lamp, television, microwave, and coffee maker sit on a large beige rug.
    The New Normal. Installation view, Artists Space, 2008. [An image of an exhibition space consisting of a mock up bedroom, a bed, table, chair, lamp, television, microwave, and coffee maker sit on a large beige rug.]
    Caption The New Normal. Installation view, Artists Space, 2008.
    Image description An image of an exhibition space consisting of a mock up bedroom, a bed, table, chair, lamp, television, microwave, and coffee maker sit on a large beige rug.
    Year 2008
    Related pages
  • A long piece of paper covered with muted pastel and black areas of color stretches horizontally along two walls in the corner of a gallery space. Vinyl text installed to the right of the paper scroll reads:
    A long piece of paper covered with muted pastel and black areas of color stretches horizontally along two walls in the corner of a gallery space. Vinyl text installed to the right of the paper scroll reads:
    You Are The Everything and The Everything Is In You. Installation view, Artists Space, 2005. [A long piece of paper covered with muted pastel and black areas of color stretches horizontally along two walls in the corner of a gallery space. Vinyl text installed to the right of the paper scroll reads: "Andrew Kuo / YOU ARE THE EVERYTHING AND THE EVERYTHING IS IN YOU."]
    Caption You Are The Everything and The Everything Is In You. Installation view, Artists Space, 2005.
    Image description A long piece of paper covered with muted pastel and black areas of color stretches horizontally along two walls in the corner of a gallery space. Vinyl text installed to the right of the paper scroll reads: "Andrew Kuo / YOU ARE THE EVERYTHING AND THE EVERYTHING IS IN YOU."
    Year 2005
    Related pages You Are The Everything and The Everything Is In You
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