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Bill Gunn and Duane Jones on the set of Ganja & Hess. Image courtesy Tom Cummings. [A black-and-white photograph of a group of men shooting a scene on an outdoor film set. They are surrounded by trees and grass.] -
Friends of Artists Space Annual Dinner, 2022. [A color photo of several individuals engaged in festivities and banter within a large reception space. Light and dark red overhead lights shine onto the guests in the event.] -
Brad Kronz, Egna Spartan, 2025. Plywood, wood filler, stain. Photo: Carter Seddon [Lit from above, a square wooden panel hangs in the center of the wall. ] -
Elephant Cemetery. Installation view, Artists Space, 2007. [A gallery room filled with various sculptures and objects. There are several cube and rectangular sculptures in various sizes, some solidly painted with black, white and silver, and some painted with a brick pattern. There is a table with two projectors projecting a small image on the wall. On the far wall, there are a series of framed drawings. On the righthand side of the room, there is a half-wall behind which a piece made of 7x4 rectangular images hangs on a wall.] -
Selections from the Artists File, installation view, Artists Space, 1986. [A number of wooden sculptures appear in various shapes in a white-walled gallery space.] -
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Yasunao Tone Concert #2. Performance documentation, April 13, 2023, Artists Space. Photo: Destiny Mata [Color image of a closeup of a figure, in profile, holding up a small radio to their ear.] -
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Iliana Polanco, Curve, photography, 2016 [A close-up, black-and-white photo of a small dirt area surrounded by a metal fence. A large tree stands in the middle of the image, surrounded by short plants and a small flower] -
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Not yet titled, 2019
Clay, glaze, mixed media
7 x 12 x 17 inches (variable)
$3,000
[A yellow object painted with a green and grey cracked surface sits on a white base. There is a rectangular panel with wiring attached to the front. On top of the object sits a small yellow figure.] -
[Black text on a grey background. The text reads: “Jan 10 / Erica Hunt / Aditi Machado.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
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Joel Katz, History Lessons, 1990. Installation view, Artists Space, 1990. [A photograph, taken from above, of rows of school desks facing a television with a map behind it.] -
Lyndon Barrois Jr.: Mirage Collar. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of a gallery space with several dark columns. A small wooden chest with a red piece of fabric and three white objects on top along with a small wooden stool are visible in the foreground. Further in the background are a yellow couch and a large wicker pannier..] -
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New Red Order with Laura Gardin Fraser Teddy’s Touchdown, 1938/2021 16mm film, black and white 14 minutes (loop) Image courtesy Artists Space, New York Photo: Filip Wolak [An image of a dark exhibition space, a film projector projects a sepia tone image onto the wall.] -
SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Two figures perform in a basement. On the left a figure with a video camera and shoulder rig takes footage of another figure on the right, dressed in a blue morph suit, and pushing a semicircular rolling table made of wood and fresnel lenses. Along the back wall blue and purple tinted live CCTV video footage is projected.] -
H_edge. Installation view, Artists Space, 2006. Photo: Whitney Cox. [A series of metal cutouts shaped like curved "x"'s hang on lengths of metal chainlinks in a gallery space. The rows of cutouts overlap, forming a hedge-like sculptural body. A gallery hallway decorated with vinyl reading "ARTISTS SPACE" is visible through the overlapping cutouts.] -
Five Spanish Artists. Installation View, Artists Space, 1985. [A large painting appears in a white-gallery space with various drawings of city architecture around a large amorphous black section in the middle. White columns and other paintings are visible in the surrounding area.] -
Michael Kalil, an analytical study for Osmotic Membrane (detail), 1986. [A scan of a constructed line drawing using different architectural notations like dashed and construction lines.] -
Eiko Ishibashi: Two New York Nights. Performance documentation, June 8, 2022, 8pm. Artists Space, New York. [A figure faces towards a microphone and red light, playing some sort of instrument that is out of focus.] -
Film still from Now Voyager, 1942. [A black and white image of a woman looking into the camera. She has a wide-brimmed hat with a sheer veil over her face, and dark makeup.] -
Yates McKee, Strike Art: Contemporary Art and the Post-Occupy Condition (New York: Verso Books, 2017). [A book cover with the title "Strike Art: Contemporary Art and the Post-Occupy Condition" and author Yates McKee in black and grey on white ground. In the upper right corner, a red-toned image shows a group of standing men.] -
Eiko Ishibashi: Two New York Nights. Performance documentation, June 8, 2022, 8pm. Artists Space, New York. [A figure facing a microphone looks upon a computer with audio software open.] -
Luis and Alaniz, La Montana Everest, acrylic paint on paper, 2024 -
Anna Gili, Casi del Mare. [Five glass sculptures of varying colors arranged in a line. They are painted with small circular and oval dots.] -
[Close up image of a series of black shelves mounted to a white wall. Various wooden blocks painted with scenes of crowds, witches, and other characters are placed on the shelves, alongside smaller blocks decorated with white letters that spell out words including "stooge," "atheist," and "traitor." At the center of the shelves sits a black figurine of a goat.] -
Flyer for Segue Reading Series featuring Dazie Grego-Sykes and Douglas A. Martin. Saturday, October 24, 2020, Artists Space. Artist: Keith Higginbotham [Yellow rectangles with cropped black text are arranged haphardly on a white background. Black text over the top and bottom of the image reads "Dazie Grego-Sykes / Douglas A. Martin," and positioned in the center vertically, black text reads "Segue."] -
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LIFE—a group show, curated by Arnold J. Kemp. Installation view, Artists Space, 2025. Photo: Carter Seddon [Two ceramic works sit in the foreground on a table. The left ceramic is painted with bricks and the right ceramic is painted with line. In the back is a square, MDF wall of gridded sardine cans and a black and white painting.] -
Judy Rifka. Installation view, Deborah S. Freedman, Judy Rifka and Ernest Silva. Artists Space, 1975. [A black and white photograph of three forms over a wooden background. The forms are vaguely triangular and are white, grey, and black.] -
Split/Vision. Installation View. Artists Space, 1985-86. [Papers lies on a table in front of exhibition wall text, baskets with paper are hanging on an adjacent wall. Framed paintings can be seen in the white-walled gallery space in the background.] -
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[Two people on a city street in front of a graffitied brick wall. One faces the camera, holding a megaphone and a piece of paper at his sides. The other is walking, facing the side, and speaking into her megaphone and reading off a sheet of paper.] -
On Being an Exhibition. Installation view, Artists Space, 2007. Photo: Bill Orcutt. [The interior of a Soho loft space. In the foreground, a plastic bucket hands from a red rope attached to an overhead pulley that is suspended from a wooden plank hanging overhead. '"ARTISTS SPACE" is written on the far wall, and a number of bookcases, a white pedestal with a clear plastic hood, and a front desk populate the room. Behind the front desk are two neon quotation marks.] -
Sistema Sandinista de Television. Still from Golpes de la Corazon (Blows of the Heart), 1983. Video (sound, black and white). Spanish with English subtitles. [Older man with microphone stands next to five small boys. The wall behind them reads "en esta esquina" in black letters on one side and "CDS" in white letters on the other. Subtitles burned into the image at the bottom read, "Our prizes are 2000, 1000 and 500!" Video scan lines and outer edges of CRT monitor are visible.] -
[White text overlays a painting of a cityscape at night, which is predominantly black. The text reads: “Feb 10 / Bernadette Van-Huy / Richard Maxwell" Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)] -
Apartment Show: If the dogs are barking. Installation view, Artists Space, 2009. [A ceramic figure of a headless gray dog sits on the top of a shining metal barrel in an open gallery space. A garland of sausages connected to the ceramic dog drapes over the sides of the barrel. A wooden chair sits behind and to the right of the barrel. Many paintings, drawings, photographs, and posters hang on the gallery walls.] -
New Red Order, still from CULTURE CAPTURE: TERMINAL ADDITION, 2019. [A figure wearing a black, puffy coat and a white, waxy mask that covers their entire head stands beside a stone structure with an illegible inscription. Their hand rests on the stone next to a small, spherical surveillance camera as they look off into the distance.] -
Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure on the left sings into a microphone, while on thhe right, a figure sitting down and wearing a baseball cap plays the guitar.] -
Abasement #79. Performance documentation, August 11th, 2025, Artists Space. Photo: Joshua Wildman. [Two performers stand side by side on stage. One performer plays a brass instrument and the other a woodwind instrument. The performers and room are bathed in colorful light, created from a projection of a geometric pattern of green, blue, and red stripes.] -
Installations by Jurgen Partenheimer and Stuart Wilson. Installation view, Artists Space, 1982. [Three figures appear in distinctive dress flowing through space around each other as if in a duel amongst themselves with a black background.] -
Abasement #82. Performance documentation, November 17th, 2025, Artists Space. Photo: Joshua Wildman. [A performer sings and plays the keyboard on stage, facing an audience. The performer is lit by a spotlight, and the audience is bathed in a red and blue light. ] -
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Carol Sun, Journey to Gold Mountain. [A slide of a painting of a pyramid of stairs with a ladder extending upwards, connected to several gold mountains by a railroad track.] -
Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a background of yellow, pink, and orange paper. Pieces of paper with typewritten text listing the performers and event details are scattered around the flyer.] -
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Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [A figure performs on stage using a microphone and an audio mixer, with the audience in the back left of the image.] -
virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of a windowsill with a larger yellow book and a small black book. The yellow book reads "Sol" in black text. The front book reads "Sol Lewitt Lost Voices Synagogue Stommeln 2005" in white text. To the left of the windowsill is a piece of semitransparent fabric hung from grey metal scaffolding.] -
Jeff Koon. Installation view, Artists Space, 1983. [A black and white Duratrans on a lightbox of a portrait of a child holding a crayon with a box of crayons and a small book lie on a desk in front of them under their crossed arms. This is on a wall with the plug for the box coming from under the left side.] -
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Circus Amok, The Patriot Act, 2002, performed for the Summer Parks Tour at Housing Plaza (Harlem). Image courtesy Jennifer Miller [A color image depicts five figures performing on the street. The five figures are wearing blue or red American flag patterned skirts with different shirts. The center figure holds two shopping bags with the text "America: Open for Business" on the front surfaces. The other four figures surround and reach toward the middle figure and the tote bags. A band is playing music in the background.] -
Fifth Season Act, Apotheosically. Performance documentation, May 31, 2012, Artists Space. [Close up detail of a sculpture composed of a large glass pane with a painted canvas installed in the pane's center. The back of the canvas faces the viewer, and faint words are penciled onto its surface. A golden tassle and necklce cluster and hang around the canvas' edge.] -
Amalia Soto, My Apology, 2022. Single-Channel video, 23:59 minutes, wall vinyl. Photo: Steven Cottingham. [Color installation image showing a video monitor mounted on a wall which is covered in tiled images of YouTube pages. A pair of wired headphones is hanging to the right of the monitor.] -
Yuki Kimura, The Circle, 2019, 21 stainless steel round trays. Photo: Daniel Pérez [21 silver, round, stainless steel trays sit nested on a wood floor.] -
Leila Torres, Self Portrait, 2015 [The bust of a teenage girl looking up and away from the viewer's perspective, with a green, grey and yellow background. On the green section, white text reads, "We have lingered in the chamber of seas. With seaweed both red and brown. Till Human Voices Wake us. And we drown"] -
Abasement #80. Performance documentation, September 22nd, 2025, Artists Space. Photo: Joshua Wildman. [A band of three performers plays on stage. From left to right, the performers play: a guitar, drums, and a violin. The room and stage are bathed in blue, pink, and orange light created by a live video projection of the performance.] -
ART CLUB2000: Selected Works 1992–1999. Installation view, Artists Space, November 21, 2020 – January 30, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak [A display of four black and white photographs on a beige gallery wall.] -
Gedi Sibony Animal Scramble, 2013, Archival inkjet print, 14 1/4 x 13 1/2 in / 36,2 x 34,3 cm (image size), 24 x 20 in / 61 x 51 cm (paper size), Signed and Numbered. [Assorted animals, including tropical fish, birds, reptiles, a cat, dog, and rabbit are drawn in black marker on yellow paper.] -
Aristotelis Nikolas Mochloulis, Aristotelis Nikolas Mochloulis, 2025. Marionette. Photo: Carter Seddon. [A marionette wearing a black suit, collared shirt, and white Nike Air Force 1s is positioned laying prone on a windowsill. Red curtains cover half of the window behind the marionette. In the corner, a small stage lights is directed at the marionette. Outside of the window is an alleyway with graffiti.] -
Peter Osborne, Anywhere or Not At All (Verso Books, 2013). [A book cover with an old car vertically arranged next to Arabic writing.] -
Hito Steyerl. Installation view, Artists Space, 2015. [A monitor facing a seating arrangement constructed of stacked pillows. Two pairs of monitors are suspended on poles in the background. An image of Hito Steyerl is seen in both pairs; next to an image of a pile of cigarettes and an image of shipping containers.] -
[A green poster with white text giving information about a virtual reading event. There is an image at the bottom of a person looking into digital, VR-style goggles with large headphones. Smaller white text in the bottom corner reads, "stay well & be good to each other."] -
Retrovizija (Peter Vezjak), still from Laibach: Sympathy for the Devil, 1988. 5 minutes, 40 seconds. [A seated group of four people cluster together in front of a white background.] -
Lyndon Barrois Jr., Masters of Fine Arts, 2011/2022. Oil on canvas, artist frame, solvent transfer, plywood, curtains, frames, lights, easels, conservators coat, headlamp. Dimensions variable. Photo: Filip Wolak. [A color photograph of an installation. In front of dark green curtains, a painting in a gold frame is illuminated. To the left, a conservator's coat hangs from an easel. Several empty frames and a studio light are visible on the right.] -
Tiffany Sia, In Plain Sight (detail view), 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [A close-up photograph of an orange LED light on the gallery floor. Black vinyl on the floor in front of the LED reads, "SIGHT]."] -
Critical Art Ensemble, Disturbances (London: Four Corners Books, 2012). [The front and back cover of a book; on the front, the title in white and red - on the back, two people in hazmat suits walking through a foggy field.] -
[White text on a pink background spells out 24 artists' names, arranged to form the composite words "ACTIVATED WALLS."] -
[Collaged image of two naked figures crouching on the shore of a beach as the sun sets. One reaches out to grasp the other’s arm as they stare into each other’s eyes. Below them is a collaged image of a metal, machine-like contraption with looping wires sitting on the ground next to a craggy rock.] -
Blue Sky Gallery exhibition P.S. 140, 2019 [In this photograph, eleven people pose for a picture in front of drawings and paintings that hang on the wall. Most stand while three kneel.] -
Danh Vo: Autoerotic Asphyxiation. Installation view, Artists Space. 2010 [An expansive space with a grid of white columns, sheer curtains cover windows lining the back wall.] -
Traditions: Five Painters. Installation View, Artists Space, 1978. [Two pieces hang on a wall.] -
Terry Fox: All These Different Things Are Sculpture. Installation view, Artists Space, 2024. Photo: Filip Wolak [ A color image of the corner of a gallery space. A row of four small speakers, evenly spaced and held on small wooden shelves, span the left wall. On the right wall, a collection of six framed black and white photographs are arranged in a grid. Each frame is black, with three on the top and three on the bottom. ] -
Char Jeré: Zoo or an Orchestra. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Black and white drawing of two cows. A tv sits on the floor between them, and a smoke column is seen in the background. A blue piece of tape with the words Moooo hurting is taped on top of the smoke column. A wooden structure, an electronic device, and a small canvas painted in blue with the word River written across it, cover part of the cow drawing on the left.] -
Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [An audience watches a performance, smoke and an orange light fill the room.] -
Charlotte Posenenske, Series D Vierkantrohre (Square Tubes), 1967. Galvanized sheet steel, dimensions variable. Photo: Burkhard Brunn. [Black and white photograph of three, geometric metal structures sitting on a wide, outdoor concrete plaza. One of the metal structures is situated in the center of the photograph, while the additional two sit behind it, flanking it on either side. The structures are composed of hollow cube-like and triangular components.] -
Margia Kramer. Installation view, Artists Space, 1980. [Black and white photograph of cursive white text on a black background on the floor.] -
Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A photograph of an empty room, dimly lit with chairs in the background, where a projection is playing on the wall. The projection displays an image of a man with tan skin and facial hair, wearing aviators, talking to a soldier.] -
Patricia Hearst – a Second Reading. Contact sheet of installation views, Artists Space, 1979. [Contact sheet of installation images showing artwork hung up on walls .] -
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Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979. [A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.] -
Pictures. Installation view, Artists Space, 1977. Photo: D. James Dee. [A black and white installation view of two square black panels on a white wall. The hazy outline of a circle with a figure behidn can be discerned in each canvas.] -
[Four images arranged in a rectangular tile formation. Each image shows a digital rendering of a large structure composed of suspended sheets of red material installed in a gray room. The red sheets are stacked on top of one another, suspended from lengths of wire that run from ceiling to floor. The sheets are arranged differently in each image, bending towards and away from each other. They arranged such that they resemble irregular layers of sedimentary rock or strata. Various digitally-rendered figures observe the structure in each image.] -
Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a background of beige, yellow, orange, green, and red paper. Small pieces of paper with red typewritten text listing the performers and event details are scattered around the flyer.] -
Young Fluxus. Installation view, Artists Space, 1982. [Wide view of a white-walled gallery space with various artworks visible on the walls.] -
Nayiel Walker, Self Portrait, 2018 [An abstract painting, mostly blue, purple, and black, with splashes of yellow and pink. Several of the brush strokes take on a vaguely anthropomorphic association.] -
Lyndon Barrois Jr., Balthazar (After Bresson), 2021. Blue graphite on paper, antique brass frame. 10 x 8 inches. Photo: Filip Wolak. [A small framed drawing of a donkey head in blue, resting on a white shelf against the wall of a gallery space.] -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a fgure wearing a conical sheath of reflective one-way mirror film that covers their entire body. They squat down next to a viewer sitting in a wooden chair. The performer shines a bright light against their face, making their face visible from under the mirror film.] -
Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of a gallery space divided by two walls, with columns running down the middle. There are multple paintings and drawings hanging on the walls. In the center of the back room, a black-and-white checkered floor. To the right, an A-frame sign with the words "Barber Shop." Another space, on the right, is illuminated with blue light.] -
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Salad Days 3. Installation view, Artists Space, 2008. Photo: Jeremy Ross. [Several artworks sit in a dimly lit gallery space, illuminated by light from an open gallery window. Three video monitors are installed on plinths to the left of the image. In front of them and closest to the viewer, an overturned cardboard box rests on the floor. To the left, a stool-like structure sits on a plinth illuminated by a bright overhead light. Behind this structure, a series of small works on paper are displayed on a gallery wall.] -
Black Cat Collective. Still from Many Faces of Paper, 1989. [Black and white video still of a figure in a packed crowd, speaking into a microphone. A date and time stamp at the bottom left corner of the still read, "PM 1:11" and "FEB. 15 1988."] -
Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Detail view of white lettering on a black glossy structure: "SMASH FALSE DREAMLANDS".] -
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Frank Palaia, When Will We Learn?, 1990. Automobile hood, paint, 48 x 58 inches. [A car hood is shown hanging on a white wall, painted with small, silhouetted figures of people and animals,] -
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Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [Miniature houses constructed of documents are displayed on vitrines in the foreground. Behind them, tan, illustrated sacks of various sizes hang on a while wall. A purple painting of a buffalo with photo collage hangs on a wall to the right.] -
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Eiko Ishibashi: Two New York Nights. Performance documentation, June 9, 2022, 8pm. Artists Space, New York. Photo: Paula Court [A figure plays the flute into a microphone.] -
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Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A view of two vitrines, one in front of the other, displaying documents in front of a book case on the wall. Documents containing text are hung on the wall.] -
Sixth Anniversary Exhibition. Installation view, Artists Space, 1979. Artwork by Barbara Schwartz. [Sculptural pieces mounted to the left wall. A white display pedestal sits in the background on the right, next to an open door.] -
Claire Fontaine, Greve Humaine (Interrompue), 2009. [Five people, two standing and three in folding chairs, painting the partially formed words "GREVE H" in brown on white walls. Assorted debris is scattered on the floor around them.] -
Artists Performance Series. Installation view, Artists Space, 1977. [A bends at the waist, resting their head on the side of a television monitor. The monitor's screen shows two figures, facing away from the camera.] -
Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt. [An image of a hand holding a yellow golf ball projected onto the wall of a dimly-lit gallery space. Several square holes have been removed from several spots on the gallery wall, through which a space on the other side of the wall is visible.] -
"Identity". Installation View, Artists Space, 2011. Photo: Daniel Pérez. [In a dimly lit room with light wood flooring and white pillars, three illuminated screens are suspended side-by-side from the ceiling. Two of the screens are off. The screen to the far left displays an image of a 19th century painting of a female bartender.] -
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Radical Localism: Art, Video and Culture from Pueblo Nuevo's Mexicali Rose. Installation view, Artists Space, 2012. Photo: Daniel Pérez.. [In a large, open gallery space, several photographs hang on walls to the right. To the left, multiple small monitors mounted to a colorful gallery wall play video works. In front of the monitors, there are wooden stools with headphones resting upon them.] -
Tisziji Muñoz [A black and white image of a figure with long, wispy hair and a mustache playing guitar.] -
Covers of Jef Geys: Catalogue Raisonnable, WIELS, 2025 and Ghislaine Leung: Holdings (2015-2025), the Renaissance Society, 2025. [Two books lay side by side. On the left, a gray cover with black text reads "JEF GEYS." On the right, a yellow cover with white text reads "SCORE / NON-SCORES / SUB-SCORES."] -
Richard Hollis. Installation view, Artists Space, 2013. [A view of a book stand perpendicular to a wall in which staggered posters are hung. The book stand displays various documents and materials.] -
Collage project on mapping and migration -
Adjua Gargi Nzinga Greaves, SELF, 2021. Chromogenic print with pigment ink pen, 41 ½ x 41 ½ inches. Courtesy Artists Space, New York. Photo: Filip Wolak [A digital print of four books with annotations on each side.] -
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Milford Graves, Cosmos 2 - 5, 2020. Wood, copper netting, hand-painted drum, lights, metal, casters, acupuncture head, figurines, artifact, turntable, printed label, metal, glue, copper netting tubing, hand-painted drum, plasma globe, tree branch, model brain, lights, printed label, stones, transducer, amplifier, wires, wooden crate, metal bracket, anatomical model, copper pipe, outdoor house lamp, transducer, amplifier, printed label. Dimensions variable. Photo: Filip Wolak. [A color photograph of four sculptures mounted on wooden pedastals. The sculptures are connected by copper netting and are composed of objects including a model of a human head, a plasma globe, a drum, lights, and wires.] -
Invitation for the exhibition at Kaiserstraße 31A (two copies) Düsseldorf, May 11, 1963 Collection Tobias Kuttner, Berlin [Two panels of square images, of which are surrounded by text within sections.] -
Adjua Gargi Nzinga Greaves, 1741 Honey Locust, 2020. Inkjet print, 44 x 58 inches. Edition of 2. Courtesy Artists Space, New York. Photo: Filip Wolak [An inkjet print mounted on a pink wall. The print includes a woman standing behind a desk and in front of several rainbow-colored bookshelves. Above the bookshelves hang several flags.] -
Danica Barboza, Omnia - Mercurial, Interposition. Installation view Galerie Buchholz, Cologne 2019. [On a white wall two artworks on paper and of the same size hang side-by-side. On the left, nine pencil drawings in no order depict the same figure from different angles. On the right, nine small blocks of text with white letters on a black background sit in orderly 3 x 3 rows.] -
Art Day, Blue Sky Gallery, P.S. 140, 2019 [Several students and two teachers smiling for the camera in front of their artwork hanging on the wall] -
Still from video of Yasunao Tone performing Paramedia, Experimental Intermedia Foundation, 1990 [Color image of a figure looking to the left and leaning over a table filled with audio equipment. The figure holds sheets of paper with instructions, and manipulates an audio machine.] -
Carolyn Lazard. Still from Untitled, 2020. [A gas fireplace turned on is framed with a strip of faux white marble on either side. The flames are yellow and white with glowing orange embers at their base. A yellow caption appears at the base of the fireplace with the following text in between musical notes: Where my dreams await someone to share.] -
Log Cabin. Installation view, Artists Space, 2005. [Several sculptures and 2D works installed in a gallery space with wooden flooring. Two walls emerge on the left and right sides of the image, creating a doorway through which another area of the gallery is visible. The wall on the left is painted black, while all other walls are painted white. Several photographs—including two picturing nude figures bound in rope—and works on paper hang on either wall. In the far gallery space, three sculptures sit on the floor and a single TV monitor is installed on the farthest wall.] -
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SCRAAATCH, Tower of Babel, 2019, Les Urbaines. Photo: Mathilda Olmi [In front of a large colorful projection, a figure wearing headphones around their neck leans down over musical technology.] -
LIFE—a group show, curated by Arnold J. Kemp. Installation view (Pope.L and Mami Takahashi, Family, 2025), Artists Space, 2025. Photo: Carter Seddon [A display case holds three Christmas stockings labeled "Mami, William, and Desmond." There are two Christmas trees and cards at the bottom along with an assortment of Christmas paraphernalia.] -
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Shirley Jaffe. The Blue Daisy, 1988-89. [A geometric composition of black, blue, yellow, red, and orange flat shapes on a white background.] -
Mitch Corber, video still, c. 1977. [Black lowercase typewriter text on a white background reads "we can't wait."] -
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Establishing Shot. Installation view, Artists Space, 2004. [A profile of a man in a jacket on a gray and white background. Painted streaks of color are superimposed over the man's profile. The whole image is slightly blurry.] -
[Black text on a light yellow background. The text reads: “May 17 / Nazareth Hassan / Karla Kelsey.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
Abasement #84. Performance documentation, February 16th, 2026, Artists Space. Photo: Joshua Wildman. [A performer plays the drums on stage. The stage and wall behind it are bathed in blue, patterned lights.] -
Brad Kronz, While the Neglected Thought Dies, the Neglected Object Continues to Grow, 2025. Wooden stool, felt, cardboard, acrylic, paper, fabric, cotton stuffing, poly stuffing, push pins, yarn. Photo: Carter Seddon [A wooden box sits open atop a stool. Fabric, string, and fluffy white material spill out. ] -
Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork: Candace Hill-Montgomery. [A few people standing in a gallery space with a picket fence and drapery on the walls behind them.] -
The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich. [A television monitor positioned on the ground with its wiring exposed. A pair of headphones rests on the ground to the right of the monitor. It displayes a still image of a washed-out portrait that implies movement through the blurring and repeititon of the face.] -
Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a figure wearing black, holding a long wooden stick over a reflective surface with an orange construction net over it.] -
Lou Cantor and Clamens Jahn (eds.), Turning Inward (Berlin: Sternberg Press, 2015). [A book cover depicting an upside-down photo of a section of Manhattan, taken from above.] -
Flyer for Segue Reading Series featuring Amber Dawn & Kai Cheng Thom. Saturday March 13, 2021, Artists Space. [A green colored background features black text in the top half of the image that reads, "Segue Reading Series / Amber Dawn & Kai Cheng Thom / March 13 / 5pm on Zoom / Suggested donation: Five dollars / Zoom ID: 830 2698 4031." Black text in the bottom right corner reads, "Artists Space."] -
Wolfgang Tillmans,still life (Bühnenbild), 2020, 23.5 x 16.5 inches [Photograph of a series of objects clustered on a dusty shelf, illuminated by soft daylight. Two identical green vases and two clear cups sit on the right side of the shelf. A photograph of several tomato plant stalks and other flowers is causally propped behind the leftmost vase. Stacks of paper, a plastic bag, and used candles are scattered behind these objects. Small text at the lower left and right corners of the image reads, "2020Solidarity - Wolfgang Tillmans / A project by Between Bridges."] -
Hito Steyerl, Lovely Andrea, 2007. Digital video with sound, 30 mins. Courtesy of the artist. [A dim room with four benches in front of a large video projection screen. A still image of a woman suspended by rope is projected.] -
[Black text on a light green background. The text reads: “April 25 / Wayne Koestenbaum / Douglas Kearney.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"] -
keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of a figure, wearing reflective one-way mirror film around their body, hanging off the ledge of an open doorway entrance.] -
Jack Smith: Art Crust of Spiritual Oasis. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A display case holds materials in the middle of a neutral colored room. A black and white video is projected on a wall on the left side of the room. The projection faces a wall displaying several framed photographs and drawings.] -
Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure reads into a microphone, glancing at their phone.] -
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[A flyer featuring a vintage orange and black computer with a small monitor and chunky keyboard set against a saturated yellow background. White, stylized text on a faded computer screen reads: "A READING BY ALAN FELSENTHAL AND BETSY FAGIN." Red text on the yellow background in the upper left corner reads: "Artists Space & the Segue Reading Series present" and in the lower right corner: "Saturday May 23rd / 5 pm NYC time / Zoom ID 378 232 567”] -
Photo: Ricardo Estanislao Zulueta. [Installation view in a room with white walls and blue floors. In the middle of the wall there is votive candle stand filled with dark blue prayer candles. Above it there is a rectangular artwork with a black and white abstract image in the shape of a circle printed on metal. In the right edge of the image there is a white radiator.] -
Yasunao Tone: Region of Paramedia. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a corner of a gallery space. On the left wall hang various framed posters, and black-and-white photographs. A small window in the wall leads to the front of the gallery. On the right wall are more photographs and posters, and a vitrine. On the floor sits a television monitor displaying a black-and-white image of a pocketwatch.] -
Fontaine Dunn, Everything's Always Just the Same, Only Different, 1976. From Gary Bower, Fontaine Dunn, Hermine Ford, Artists Space, 1976. [A black and white image of a painted spiral.] -
Nandi Loaf, Aristotelis Nikolas Mochloulis, ricardo nagaoka, Sydney Schrader. Installation view, Artists Space, 2025. Photo: Carter Seddon [A series of paintings are hung along four gallery walls. Many of the paintings loosely depict human figures or abstracted body parts in brown and red toned paint against white backgrounds.] -
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Attention Line. Installation view (various envelopes by Blaster Al Ackerman, c. 1970s-2000s, Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [A close-up of a vitrine housing several postcards which have been drawn and collaged upon.] -
Photo: Alistair Thain. [Close-up of Annette Peacock wearing a beret, looking off to the left.] -
[White text overlays a color-scheme grid background. The text reads: “Oct 14 / Cyrée Jarelle Johnson / Eric Sneathen." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)] -
Heist Divination (fwiw remix). Performance documentation, October 25th, 2024, Artists Space. Photo: Destiny Mata. [A group of people sit on the floor of a dimly-lit gallery. The audience is facing towards a wall on the left side of the image where a projection of live transcription text is projected. On the right side a performer bathed in green light holds their hands together as they stand infront of a mic. The audience member in the foreground is lit with red light, as well as an exit sign on the back wall. The rest of the gallery walls are blue and purple tinted.] -
Salad Days 2. Installation view, Artists Space, 2006. Photo: Bill Ocrutt. [A metal desk with each of its legs perched on top of four vertical cinderblocks. The side of the desk is decorated with a dark blue and aqua blue stripe. A bright red ball rests on top of the desk.] -
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Yasunao Tone performing Paramedia, Experimental Intermedia Foundation, 1990 [Black-and-white photograph of two figures sitting behind tables filled with audio equipment. They are focused on manipulating the audio machines in front of them.] -
Lee Mullican, Four Musicians, 1984. [An abstract painting littered with dots, black shapes and line forms.] -
Clocking Out: Time Beyond Management. Installation view (Simon Gush, Sunday Light, 2013 / Without Light, 2016; Victor Masayesva Jr., Itam Hakim, Hopiit. 1984; ektor garcia, portal DF/SF, 2021; ektor garcia, textile bronceado, 2023), Artists Space, 2023. Photo: Greg Carideo. [Photograph of a corner of a basement gallery space with large columns along the back. Behind the columns are benches placed in front of video displays. On the right is a CRT TV monitor, and to the left is a projected video.] -
UniBodies. Installation view, Artists Space, 2006. Photo: Bill Ocrutt. [An abstract sculpture with a chrome finish is displayed on a white pedestal. The sculpture's form includes amorphous voids alongside somewhat rectangular structures.] -
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Geanet Rogers, Rosy Boom, photography, 2016 [A teenage girl holds a film camera obscuring her face, and takes a photo of her reflection in a small, round mirror. The background is blurred but suggests a retail environment.] -
[Black and white cropped image of an animal-like figure. An eye is located on the upper right corner. Feathers and fur fill the frame.] -
Flyer for Segue Reading Series featuring Brenda Iijima & Simone White. Saturday April 17, 2021, Artists Space. [A conical shape extends from a planet on the right side of the image towards a glowing orange sphere to the left. This basic image is repeated directly below with slight variations. The image is overlaid with text that reads “the segue reading series and artists space / present / Brenda Iijima / Simone White / saturday, 4-17 / 5pm eastern / $5 suggested / zoom id: 830 2698 4031."] -
Sherry Markovitz. Installation view. Artists Space, 1985. [One sculpted deer head is seen in the foreground with a paper mache design and a darker deer head sculpture is seen in the background with horns. Both are hung in a white-walled gallery space.] -
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virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of a gallery space. On the left, a large piece of grey and white vinyl hangs from the wall. A row of dark metal columns occupies the center of the space, extending back to a perpendicular section of grey metal scaffolding. On the right of the space there is a large grey table with four red chairs. The table holds a stack of yellow posters and two smaller stacks of grey handouts. The wall on the right has a large window and a blue poster.] -
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Chang Yuchen, Coral Dictionary Vol.1: 2019-2022, 2022. Published by Gong Press, 2023. [A color image of a hand holding up a small blue book, in front of a solid grey background. White handwritten text is overlayed the image, the text reads: "Coral Dictionary Vol.1: 2019-2022 / book launch and performance / April 28 2023 / 8pm / Artists Space / 11 Cortlandt Alley / Published by Gong Press.] -
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Heist Divination (fwiw remix). Performance documentation, October 25th, 2024, Artists Space. Photo: Destiny Mata. [A performer's hand adjusts the dials of audio equipment which is placed on top of a small desk. Their hands are adorned with rings and bracelets, and the scene is bathed in green light. The background is blue and purple tinted, and there are blurred silhouettes of audience members behind the performer.] -
Circus Amok, Escape to New York. Performance documentation, August 13, 2022, Artists Space. Photo: Paula Court [A figure wearing blue clothing uses the body of another person beneath them to hold their weight up.]
