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  • A woman dressed in a suit sits among clouds in a blue sky, smiling, with six arms. Each hand is holding two phones, an alarm clock, globe, laptop, and folder.
    A woman dressed in a suit sits among clouds in a blue sky, smiling, with six arms. Each hand is holding two phones, an alarm clock, globe, laptop, and folder.
    [A woman dressed in a suit sits among clouds in a blue sky, smiling, with six arms. Each hand is holding two phones, an alarm clock, globe, laptop, and folder.]
    Caption
    Image description A woman dressed in a suit sits among clouds in a blue sky, smiling, with six arms. Each hand is holding two phones, an alarm clock, globe, laptop, and folder.
    Year
    Related pages Women Inc. Lexicon
  • Color image of a framed piece of notebook graph paper, with a pen and ink drawing of a rectangle with various lines and dots. In the bottom-center of the paper is the word
    Color image of a framed piece of notebook graph paper, with a pen and ink drawing of a rectangle with various lines and dots. In the bottom-center of the paper is the word
    Andy Robert, The Terrain, 2021. Photo: Filip Wolak. [Color image of a framed piece of notebook graph paper, with a pen and ink drawing of a rectangle with various lines and dots. In the bottom-center of the paper is the word "TERRAIN."]
    Caption Andy Robert, The Terrain, 2021. Photo: Filip Wolak.
    Image description Color image of a framed piece of notebook graph paper, with a pen and ink drawing of a rectangle with various lines and dots. In the bottom-center of the paper is the word "TERRAIN."
    Year 2023
    Related pages Artists for Artists Space
  • Black & white photograph of one side and the entrance into a gallery room. The walls are painted black, and at the corner of the entrance stands a performer singing into a microphone stand. Around him and along the wall audience members sit on the floor or stand.
    Black & white photograph of one side and the entrance into a gallery room. The walls are painted black, and at the corner of the entrance stands a performer singing into a microphone stand. Around him and along the wall audience members sit on the floor or stand.
    Shala Miller performs Genesis: Medley. Performance documentation, May 11, 2023, Artists Space. Photo: Roy Baizan. [Black & white photograph of one side and the entrance into a gallery room. The walls are painted black, and at the corner of the entrance stands a performer singing into a microphone stand. Around him and along the wall audience members sit on the floor or stand.]
    Caption Shala Miller performs Genesis: Medley. Performance documentation, May 11, 2023, Artists Space. Photo: Roy Baizan.
    Image description Black & white photograph of one side and the entrance into a gallery room. The walls are painted black, and at the corner of the entrance stands a performer singing into a microphone stand. Around him and along the wall audience members sit on the floor or stand.
    Year 2023
    Related pages Genesis: Medley
  • Drake Carr: Housecalls. Performance documentation, September 9, 2023, Artists Space at the Armory Show. Photo: Joshua Wildman.
    Caption Drake Carr: Housecalls. Performance documentation, September 9, 2023, Artists Space at the Armory Show. Photo: Joshua Wildman.
    Image description
    Year
    Related pages Drake Carr: Housecalls
  • Color image of a video installation in the center of the floor of a gallery. A walkway made of plywood runs along the edges of the room, encircling the projection. The projection depicts a mirrored negative film image. The image features an assortment of abstracted objects arranged on a blue background.
    Color image of a video installation in the center of the floor of a gallery. A walkway made of plywood runs along the edges of the room, encircling the projection. The projection depicts a mirrored negative film image. The image features an assortment of abstracted objects arranged on a blue background.
    Crystal Z Campbell: Ode to the Underloved. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color image of a video installation in the center of the floor of a gallery. A walkway made of plywood runs along the edges of the room, encircling the projection. The projection depicts a mirrored negative film image. The image features an assortment of abstracted objects arranged on a blue background.]
    Caption Crystal Z Campbell: Ode to the Underloved. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color image of a video installation in the center of the floor of a gallery. A walkway made of plywood runs along the edges of the room, encircling the projection. The projection depicts a mirrored negative film image. The image features an assortment of abstracted objects arranged on a blue background.
    Year
    Related pages Crystal Z Campbell
  • A warm-colored living space littered with discarded wrapping paper and boxes. A champagne bottle sits on a side table next to an orange couch.
    A warm-colored living space littered with discarded wrapping paper and boxes. A champagne bottle sits on a side table next to an orange couch.
    [A warm-colored living space littered with discarded wrapping paper and boxes. A champagne bottle sits on a side table next to an orange couch.]
    Caption
    Image description A warm-colored living space littered with discarded wrapping paper and boxes. A champagne bottle sits on a side table next to an orange couch.
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • A black and white image of a figure wearing all black, with a black hat, facing to the wall and slightly illuminated by a light in their hands. In the foreground, there is a partially visible metal grid with several plastic-covered white lights.
    A black and white image of a figure wearing all black, with a black hat, facing to the wall and slightly illuminated by a light in their hands. In the foreground, there is a partially visible metal grid with several plastic-covered white lights.
    The Heart of Your Mother for my Dogs. Performance view, Artists Space, 2009. [A black and white image of a figure wearing all black, with a black hat, facing to the wall and slightly illuminated by a light in their hands. In the foreground, there is a partially visible metal grid with several plastic-covered white lights.]
    Caption The Heart of Your Mother for my Dogs. Performance view, Artists Space, 2009.
    Image description A black and white image of a figure wearing all black, with a black hat, facing to the wall and slightly illuminated by a light in their hands. In the foreground, there is a partially visible metal grid with several plastic-covered white lights.
    Year 2009
    Related pages When Time Becomes Form: The Heart of Your Mother for My Dogs
  • A miniature home crafted out of printed and handwritten material is displayed on a vitrine. At the front of the house above the doorway reads,
    A miniature home crafted out of printed and handwritten material is displayed on a vitrine. At the front of the house above the doorway reads,
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A miniature home crafted out of printed and handwritten material is displayed on a vitrine. At the front of the house above the doorway reads, "CHEROKEE PHEONIX & INDIAN ADVOCATE." Two other homes can be seen in the background.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description A miniature home crafted out of printed and handwritten material is displayed on a vitrine. At the front of the house above the doorway reads, "CHEROKEE PHEONIX & INDIAN ADVOCATE." Two other homes can be seen in the background.
    Year 2017
    Related pages Unholding
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A crowd of people standing outside in Cortlandt Alley surrounding several performers. The performers are mixed in with the crowd, holding metal poles, some looking at a baby doll which is photographed in midair after being thrown upwards.
    A crowd of people standing outside in Cortlandt Alley surrounding several performers. The performers are mixed in with the crowd, holding metal poles, some looking at a baby doll which is photographed in midair after being thrown upwards.
    Ei Arakawa: WEWORK BABIES. Performance documentation, December 8, 2019, Artists Space. Photo © 2019 Paula Court. [A crowd of people standing outside in Cortlandt Alley surrounding several performers. The performers are mixed in with the crowd, holding metal poles, some looking at a baby doll which is photographed in midair after being thrown upwards.]
    Caption Ei Arakawa: WEWORK BABIES. Performance documentation, December 8, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description A crowd of people standing outside in Cortlandt Alley surrounding several performers. The performers are mixed in with the crowd, holding metal poles, some looking at a baby doll which is photographed in midair after being thrown upwards.
    Year 2019
    Related pages Ei Arakawa: WEWORK BABIES (11 Cortlandt Alley)
  • Drawing of large square architectural development with half circle surrouding it and a small development above it to the right.
    Drawing of large square architectural development with half circle surrouding it and a small development above it to the right.
    Ian Bader. Spalation Clock, 1977. Axonometric. [Drawing of large square architectural development with half circle surrouding it and a small development above it to the right.]
    Caption Ian Bader. Spalation Clock, 1977. Axonometric.
    Image description Drawing of large square architectural development with half circle surrouding it and a small development above it to the right.
    Year 1977
    Related pages Architecture Project
  • A close up detail of the sculpted deer head with patterned designs on its face and antlers.
    A close up detail of the sculpted deer head with patterned designs on its face and antlers.
    Sherry Markovitz. Danny Boy (detail), 1985. [A close up detail of the sculpted deer head with patterned designs on its face and antlers.]
    Caption Sherry Markovitz. Danny Boy (detail), 1985.
    Image description A close up detail of the sculpted deer head with patterned designs on its face and antlers.
    Year
    Related pages U.S. Projects
  • A mouth silently forms the shape of the eight Korean vowel graphemes while video noise or ‘snow’ threatens to drown it out.
    A mouth silently forms the shape of the eight Korean vowel graphemes while video noise or ‘snow’ threatens to drown it out.
    Theresa Hak Kyung Cha, still from Mouth to Mouth, 1975. Video, black and white; 8 minutes. Courtesy University of California, Berkeley Art Museum and Pacific Film Archive. [A mouth silently forms the shape of the eight Korean vowel graphemes while video noise or ‘snow’ threatens to drown it out.]
    Caption Theresa Hak Kyung Cha, still from Mouth to Mouth, 1975. Video, black and white; 8 minutes. Courtesy University of California, Berkeley Art Museum and Pacific Film Archive.
    Image description A mouth silently forms the shape of the eight Korean vowel graphemes while video noise or ‘snow’ threatens to drown it out.
    Year 1975
    Related pages Whitney ISP Archive
  • Two silhouetted figures kissing behind a microphone. They are backlit by a white projection with black capitalized text reading
    Two silhouetted figures kissing behind a microphone. They are backlit by a white projection with black capitalized text reading
    New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court. [Two silhouetted figures kissing behind a microphone. They are backlit by a white projection with black capitalized text reading "RENUNCIATION KISSING STATION".]
    Caption New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court.
    Image description Two silhouetted figures kissing behind a microphone. They are backlit by a white projection with black capitalized text reading "RENUNCIATION KISSING STATION".
    Year 2020
    Related pages New Red Order: Informants Get Paid!
  • A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979. [A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.]
    Caption Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979.
    Image description A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    Year 1979
    Related pages Patricia Hearst - A Second Reading
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    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • Text superimposed across a deep green and blue image of architectural blueprints depicting both structures and topography. Small white text on the center right side of the image reads,
    Text superimposed across a deep green and blue image of architectural blueprints depicting both structures and topography. Small white text on the center right side of the image reads,
    [Text superimposed across a deep green and blue image of architectural blueprints depicting both structures and topography. Small white text on the center right side of the image reads, "L.E.FT : SQUATVILLE / 03.09 - 05.01.2004 / ARCHITECTURE + DESIGN PROJECT SERIES." Large yellow text running up the left side of the image and arranged such that it reads from the bottom to the top of the image reads, "ARTISTS SPACE."]
    Caption
    Image description Text superimposed across a deep green and blue image of architectural blueprints depicting both structures and topography. Small white text on the center right side of the image reads, "L.E.FT : SQUATVILLE / 03.09 - 05.01.2004 / ARCHITECTURE + DESIGN PROJECT SERIES." Large yellow text running up the left side of the image and arranged such that it reads from the bottom to the top of the image reads, "ARTISTS SPACE."
    Year 2004
    Related pages L.E.F T: Squatville, 2004
  • Two figures perform in a basement. On the left a figure with a video camera and shoulder rig takes footage of another figure on the right, dressed in a blue morph suit, and pushing a semicircular rolling table made of wood and fresnel lenses. Along the back wall blue and purple tinted live CCTV video footage is projected.
    Two figures perform in a basement. On the left a figure with a video camera and shoulder rig takes footage of another figure on the right, dressed in a blue morph suit, and pushing a semicircular rolling table made of wood and fresnel lenses. Along the back wall blue and purple tinted live CCTV video footage is projected.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Two figures perform in a basement. On the left a figure with a video camera and shoulder rig takes footage of another figure on the right, dressed in a blue morph suit, and pushing a semicircular rolling table made of wood and fresnel lenses. Along the back wall blue and purple tinted live CCTV video footage is projected.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Two figures perform in a basement. On the left a figure with a video camera and shoulder rig takes footage of another figure on the right, dressed in a blue morph suit, and pushing a semicircular rolling table made of wood and fresnel lenses. Along the back wall blue and purple tinted live CCTV video footage is projected.
    Year 2022
    Related pages SCRAAATCH 11-19
  • Black lower case text on a red page reads,
    Black lower case text on a red page reads,
    Catalog cover from polke / richter – richter / polke , 1966 galerie h, Hannover Courtesy August Haseke [Black lower case text on a red page reads, "richter/polke, polke/richter."]
    Caption Catalog cover from polke / richter – richter / polke , 1966 galerie h, Hannover Courtesy August Haseke
    Image description Black lower case text on a red page reads, "richter/polke, polke/richter."
    Year 1966
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • A screenshot of a video call presentation. Several students are seen holding strips of white paper. They are flanked on the right side by the images of ten individuals who are joining the call remotely.
    A screenshot of a video call presentation. Several students are seen holding strips of white paper. They are flanked on the right side by the images of ten individuals who are joining the call remotely.
    We Are The History of the Future: Listening to the LES online presentation, weaving a North Star, P.S. 140 7th grade students [A screenshot of a video call presentation. Several students are seen holding strips of white paper. They are flanked on the right side by the images of ten individuals who are joining the call remotely.]
    Caption We Are The History of the Future: Listening to the LES online presentation, weaving a North Star, P.S. 140 7th grade students
    Image description A screenshot of a video call presentation. Several students are seen holding strips of white paper. They are flanked on the right side by the images of ten individuals who are joining the call remotely.
    Year 2020
    Related pages Exhibitions and Events
  • A series of amorphous, basket-like objects sit on a series of plinths of varying heights in a gallery space. The baskets are composed of a variety of materials, including wood, grass, gourd, and paper.
    A series of amorphous, basket-like objects sit on a series of plinths of varying heights in a gallery space. The baskets are composed of a variety of materials, including wood, grass, gourd, and paper.
    Baskets. Installation view, Artists Space, 2006. [A series of amorphous, basket-like objects sit on a series of plinths of varying heights in a gallery space. The baskets are composed of a variety of materials, including wood, grass, gourd, and paper.]
    Caption Baskets. Installation view, Artists Space, 2006.
    Image description A series of amorphous, basket-like objects sit on a series of plinths of varying heights in a gallery space. The baskets are composed of a variety of materials, including wood, grass, gourd, and paper.
    Year 2006
    Related pages Architecture & Design Project Series: Baskets
  • An aerial view of a naked woman with long, brown hair riding on a saddled brown and white horse down a cobbled urban street. There are parked cars on either side of her, a single lampost, and a few pedestrians looking on. She casts a long shadow onto the cobbled street.
    An aerial view of a naked woman with long, brown hair riding on a saddled brown and white horse down a cobbled urban street. There are parked cars on either side of her, a single lampost, and a few pedestrians looking on. She casts a long shadow onto the cobbled street.
    Sonic Godiva Music Fest. Performance documentation, November 19, 2005, Artists Space. [An aerial view of a naked woman with long, brown hair riding on a saddled brown and white horse down a cobbled urban street. There are parked cars on either side of her, a single lampost, and a few pedestrians looking on. She casts a long shadow onto the cobbled street.]
    Caption Sonic Godiva Music Fest. Performance documentation, November 19, 2005, Artists Space.
    Image description An aerial view of a naked woman with long, brown hair riding on a saddled brown and white horse down a cobbled urban street. There are parked cars on either side of her, a single lampost, and a few pedestrians looking on. She casts a long shadow onto the cobbled street.
    Year 2005
    Related pages Empty Space With Exciting Events
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    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • Close-up of a bottle of golden Dior perfume decorated with a black bow resting on a white surface.
    Close-up of a bottle of golden Dior perfume decorated with a black bow resting on a white surface.
    Sarah Morris, still from Strange Magic, 2014. REDCODE HD digital video, 45 min 8 sec. Courtesy the artist. [Close-up of a bottle of golden Dior perfume decorated with a black bow resting on a white surface.]
    Caption Sarah Morris, still from Strange Magic, 2014. REDCODE HD digital video, 45 min 8 sec. Courtesy the artist.
    Image description Close-up of a bottle of golden Dior perfume decorated with a black bow resting on a white surface.
    Year 2014
    Related pages Artists Space Dialogues: Sarah Morris and Bettina Funcke
  • A woman is seated wearing a long, yellow dress with a full skirt that has extra fabric at the bottom. She is washing the front of her dress with soap suds, some of which are dripping down the front of the skirt.
    A woman is seated wearing a long, yellow dress with a full skirt that has extra fabric at the bottom. She is washing the front of her dress with soap suds, some of which are dripping down the front of the skirt.
    Yellow. Performance view, Artists Space, 2008. [A woman is seated wearing a long, yellow dress with a full skirt that has extra fabric at the bottom. She is washing the front of her dress with soap suds, some of which are dripping down the front of the skirt.]
    Caption Yellow. Performance view, Artists Space, 2008.
    Image description A woman is seated wearing a long, yellow dress with a full skirt that has extra fabric at the bottom. She is washing the front of her dress with soap suds, some of which are dripping down the front of the skirt.
    Year 2008
    Related pages When Time Becomes Form: Yellow
  • An animation of a black and white clock whose hands move backwards. The clock is positioned on a silhouette of a head in profile. Sans-serif text below the graphic reads,
    An animation of a black and white clock whose hands move backwards. The clock is positioned on a silhouette of a head in profile. Sans-serif text below the graphic reads,
    [An animation of a black and white clock whose hands move backwards. The clock is positioned on a silhouette of a head in profile. Sans-serif text below the graphic reads, "The Fainnie Azul Horologe."]
    Caption
    Image description An animation of a black and white clock whose hands move backwards. The clock is positioned on a silhouette of a head in profile. Sans-serif text below the graphic reads, "The Fainnie Azul Horologe."
    Year 2014
    Related pages HOROLOGICS
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A figure in overalls leans forward to paint broad strokes of lighter paint on a black tarp hung on a wall. Painting supplies sit on a table directly behind them.
    A figure in overalls leans forward to paint broad strokes of lighter paint on a black tarp hung on a wall. Painting supplies sit on a table directly behind them.
    Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [A figure in overalls leans forward to paint broad strokes of lighter paint on a black tarp hung on a wall. Painting supplies sit on a table directly behind them.]
    Caption Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description A figure in overalls leans forward to paint broad strokes of lighter paint on a black tarp hung on a wall. Painting supplies sit on a table directly behind them.
    Year 2019
    Related pages Speaker Music: drape over another
  • A color photograph of a figure with raised arms in an orange-lit space.
    A color photograph of a figure with raised arms in an orange-lit space.
    Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space. [A color photograph of a figure with raised arms in an orange-lit space.]
    Caption Yuji Agematsu: Chasing Milford. Performance documentation, January 15, 2022, Artists Space.
    Image description A color photograph of a figure with raised arms in an orange-lit space.
    Year 2022
    Related pages Yuji Agematsu
  • A figure in a suit performs on stage, reading into a microphone off sheets on a music stand in front of them.
    A figure in a suit performs on stage, reading into a microphone off sheets on a music stand in front of them.
    Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [A figure in a suit performs on stage, reading into a microphone off sheets on a music stand in front of them.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure in a suit performs on stage, reading into a microphone off sheets on a music stand in front of them.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-10
  • Partial view of two large orange slug sculptures forming a circular ring shape around cast-iron columns suspended by black elastic cords and two square paintings of the human form are on adjacent walls in a white-walled gallery space.
    Partial view of two large orange slug sculptures forming a circular ring shape around cast-iron columns suspended by black elastic cords and two square paintings of the human form are on adjacent walls in a white-walled gallery space.
    Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez. [Partial view of two large orange slug sculptures forming a circular ring shape around cast-iron columns suspended by black elastic cords and two square paintings of the human form are on adjacent walls in a white-walled gallery space.]
    Caption Jana Euler: Unform. Installation view, Artists Space, February 21, 2020 – September 19, 2020. Photo: Daniel Pérez.
    Image description Partial view of two large orange slug sculptures forming a circular ring shape around cast-iron columns suspended by black elastic cords and two square paintings of the human form are on adjacent walls in a white-walled gallery space.
    Year 2020
    Related pages Jana Euler
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    Year
    Related pages Milford Graves: Fundamental Frequency
  • An illustration takes up the whole frame depicting a yellow house with one rectangular door, one square window, and an orange roof. The house sits in an ambiguous space of slanted red ovals without any perspectival grounding.
    An illustration takes up the whole frame depicting a yellow house with one rectangular door, one square window, and an orange roof. The house sits in an ambiguous space of slanted red ovals without any perspectival grounding.
    Sydney Schrader [An illustration takes up the whole frame depicting a yellow house with one rectangular door, one square window, and an orange roof. The house sits in an ambiguous space of slanted red ovals without any perspectival grounding.]
    Caption Sydney Schrader
    Image description An illustration takes up the whole frame depicting a yellow house with one rectangular door, one square window, and an orange roof. The house sits in an ambiguous space of slanted red ovals without any perspectival grounding.
    Year
    Related pages Nandi Loaf Aristotelis Nikolas Mochloulis Ricardo Nagaoka Sydney Schrader
  • Color photograph of three figures, wearing conical costumes made of reflective one-way mirror film, standing at the doorways of a gallery space.
    Color photograph of three figures, wearing conical costumes made of reflective one-way mirror film, standing at the doorways of a gallery space.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of three figures, wearing conical costumes made of reflective one-way mirror film, standing at the doorways of a gallery space.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of three figures, wearing conical costumes made of reflective one-way mirror film, standing at the doorways of a gallery space.
    Year 2022
    Related pages keyon gaskin 12-14
  • Various paintings hang on the walls as guests enjoy the exhibition opening.
    Various paintings hang on the walls as guests enjoy the exhibition opening.
    Traditions: Five Painters. Installation View, Artists Space, 1978. [Various paintings hang on the walls as guests enjoy the exhibition opening.]
    Caption Traditions: Five Painters. Installation View, Artists Space, 1978.
    Image description Various paintings hang on the walls as guests enjoy the exhibition opening.
    Year
    Related pages Traditions: Five Painters, Charles Clough, William Fares, Sidney Goldberg, John Lees, Ann Thornycroft
  • Six figures each stand before a music stand in front of a seated audience. They are arranged side by side in a horizontal line, illuminated by overhead lights. A figure at the group's center is speaking. Their outstretched hand gestures towards the crowd.
    Six figures each stand before a music stand in front of a seated audience. They are arranged side by side in a horizontal line, illuminated by overhead lights. A figure at the group's center is speaking. Their outstretched hand gestures towards the crowd.
    The Owl Answers. Performance documentation, February 29, 2020, Artists Space. Photo ©️ 2020 Filip Wolak. [Six figures each stand before a music stand in front of a seated audience. They are arranged side by side in a horizontal line, illuminated by overhead lights. A figure at the group's center is speaking. Their outstretched hand gestures towards the crowd.]
    Caption The Owl Answers. Performance documentation, February 29, 2020, Artists Space. Photo ©️ 2020 Filip Wolak.
    Image description Six figures each stand before a music stand in front of a seated audience. They are arranged side by side in a horizontal line, illuminated by overhead lights. A figure at the group's center is speaking. Their outstretched hand gestures towards the crowd.
    Year 2020
    Related pages The Owl Answers
  • An image of three seperate glass display cases, with various ephemera hanging on the walls behind them.
    An image of three seperate glass display cases, with various ephemera hanging on the walls behind them.
    Attention Line. Installation view, Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak [An image of three seperate glass display cases, with various ephemera hanging on the walls behind them.]
    Caption Attention Line. Installation view, Artists Space, June 11 - August 20, 2022. Photo: Filip Wolak
    Image description An image of three seperate glass display cases, with various ephemera hanging on the walls behind them.
    Year 2022
    Related pages Attention Line
  • A diagonal view of photographs, paintings, sculptures, and prints against two walls. In the corner rests a TV displaying a person with their back turned.
    A diagonal view of photographs, paintings, sculptures, and prints against two walls. In the corner rests a TV displaying a person with their back turned.
    Social Surfaces. Installation view, Pearl River Mart, 2017. Photo: Ron Amstutz. [A diagonal view of photographs, paintings, sculptures, and prints against two walls. In the corner rests a TV displaying a person with their back turned.]
    Caption Social Surfaces. Installation view, Pearl River Mart, 2017. Photo: Ron Amstutz.
    Image description A diagonal view of photographs, paintings, sculptures, and prints against two walls. In the corner rests a TV displaying a person with their back turned.
    Year 2017
    Related pages Social Surfaces
  • White gallery wall featuring various small framed works on paper, one on pink ground.
    White gallery wall featuring various small framed works on paper, one on pink ground.
    Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak. [White gallery wall featuring various small framed works on paper, one on pink ground.]
    Caption Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak.
    Image description White gallery wall featuring various small framed works on paper, one on pink ground.
    Year
    Related pages Dream Lines: Drawings by Marian Zazeela
  • A close-up image of a musician surrounded by three microphones is sitting on the floor playing the violin. Three other violins lay on the stage before her. Abstract images are projected onto the back.
    A close-up image of a musician surrounded by three microphones is sitting on the floor playing the violin. Three other violins lay on the stage before her. Abstract images are projected onto the back.
    Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman. [A close-up image of a musician surrounded by three microphones is sitting on the floor playing the violin. Three other violins lay on the stage before her. Abstract images are projected onto the back.]
    Caption Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman.
    Image description A close-up image of a musician surrounded by three microphones is sitting on the floor playing the violin. Three other violins lay on the stage before her. Abstract images are projected onto the back.
    Year
    Related pages Abasement #65
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    Year
    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • A grayscale image of two naked people, kneeling on the ground of an untidy room. They are embracing, with their foreheads pressed together. Behind them there is a window and a typewriter on a stand.
    A grayscale image of two naked people, kneeling on the ground of an untidy room. They are embracing, with their foreheads pressed together. Behind them there is a window and a typewriter on a stand.
    Whatever Happened to Sex in Scandinavia (2011). Knut Ove Arntzen, Stan Brakhage, Marta Kuzma and Pablo LaFuente. [A grayscale image of two naked people, kneeling on the ground of an untidy room. They are embracing, with their foreheads pressed together. Behind them there is a window and a typewriter on a stand.]
    Caption Whatever Happened to Sex in Scandinavia (2011). Knut Ove Arntzen, Stan Brakhage, Marta Kuzma and Pablo LaFuente.
    Image description A grayscale image of two naked people, kneeling on the ground of an untidy room. They are embracing, with their foreheads pressed together. Behind them there is a window and a typewriter on a stand.
    Year 2011
    Related pages Whatever Happened to Sex in Scandinavia?
  • Red and green text overlay an orange background with abstract lines and a drawing of a male figure riding a horse in the bottom left corner. The text in the middle reads
    Red and green text overlay an orange background with abstract lines and a drawing of a male figure riding a horse in the bottom left corner. The text in the middle reads
    Flyer for Segue Reading Series featuring erica kaufman and M. Lamar. January 28, 2023, Artists Space. [Red and green text overlay an orange background with abstract lines and a drawing of a male figure riding a horse in the bottom left corner. The text in the middle reads "erica kaufman / Segue Reading Series / M. Lamar."]
    Caption Flyer for Segue Reading Series featuring erica kaufman and M. Lamar. January 28, 2023, Artists Space.
    Image description Red and green text overlay an orange background with abstract lines and a drawing of a male figure riding a horse in the bottom left corner. The text in the middle reads "erica kaufman / Segue Reading Series / M. Lamar."
    Year
    Related pages Segue Reading Series: erica kaufman & M. Lamar
  • In the foreground a vacuum can be seen on a plexiglass shelf case with a fluorescent light underneath and above it. Behind it is an image on a white wall of an automobile with text visible that reads,
    In the foreground a vacuum can be seen on a plexiglass shelf case with a fluorescent light underneath and above it. Behind it is an image on a white wall of an automobile with text visible that reads,
    Jeff Koons. Installation View, Artists Space, 1983. [In the foreground a vacuum can be seen on a plexiglass shelf case with a fluorescent light underneath and above it. Behind it is an image on a white wall of an automobile with text visible that reads, "ROOOMY!" on the top left and "TOYOTA" on the bottom left and "NEW FAMILY CAMRY" on the bottom right.]
    Caption Jeff Koons. Installation View, Artists Space, 1983.
    Image description In the foreground a vacuum can be seen on a plexiglass shelf case with a fluorescent light underneath and above it. Behind it is an image on a white wall of an automobile with text visible that reads, "ROOOMY!" on the top left and "TOYOTA" on the bottom left and "NEW FAMILY CAMRY" on the bottom right.
    Year
    Related pages Los Angeles/New York Exchange
  • A color photograph of an alleyway. Two sets of grey and yellow posters hang on the brick surface, next to a large black doorway.
    A color photograph of an alleyway. Two sets of grey and yellow posters hang on the brick surface, next to a large black doorway.
    virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of an alleyway. Two sets of grey and yellow posters hang on the brick surface, next to a large black doorway.]
    Caption virgil b/g taylor, Minor Publics. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color photograph of an alleyway. Two sets of grey and yellow posters hang on the brick surface, next to a large black doorway.
    Year 2022
    Related pages virgil b/g taylor: Minor Publics
  • Two human arms and one robotic arm are writing the partially formed word
    Two human arms and one robotic arm are writing the partially formed word
    [Two human arms and one robotic arm are writing the partially formed word "EVOLUTION" in tandem on a white piece of paper.]
    Caption
    Image description Two human arms and one robotic arm are writing the partially formed word "EVOLUTION" in tandem on a white piece of paper.
    Year 2012
    Related pages Exits to the Posthuman Future
  • A warm colored room, surrounded by windows across two walls with view to a dimly lit horizon. String lights illuminate a scene of miscellaneous items scattered across a living space furnished with a table and chairs.
    A warm colored room, surrounded by windows across two walls with view to a dimly lit horizon. String lights illuminate a scene of miscellaneous items scattered across a living space furnished with a table and chairs.
    [A warm colored room, surrounded by windows across two walls with view to a dimly lit horizon. String lights illuminate a scene of miscellaneous items scattered across a living space furnished with a table and chairs.]
    Caption
    Image description A warm colored room, surrounded by windows across two walls with view to a dimly lit horizon. String lights illuminate a scene of miscellaneous items scattered across a living space furnished with a table and chairs.
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • A painting over a black background of a set of hands cupping a rose. Above, several more roses are pictured.
    A painting over a black background of a set of hands cupping a rose. Above, several more roses are pictured.
    Gary Bower, White Bouquet, 1976. From Gary Bower, Fontaine Dunn, Hermine Ford, Artists Space, 1976. [A painting over a black background of a set of hands cupping a rose. Above, several more roses are pictured.]
    Caption Gary Bower, White Bouquet, 1976. From Gary Bower, Fontaine Dunn, Hermine Ford, Artists Space, 1976.
    Image description A painting over a black background of a set of hands cupping a rose. Above, several more roses are pictured.
    Year 1976
    Related pages Gary Bower, Fontaine Dunn, Hermine Ford
  • Black text on an orange background. The text reads: “Nov 9 / Norman Fischer / The New York Neo-Futurists.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on an orange background. The text reads: “Nov 9 / Norman Fischer / The New York Neo-Futurists.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on an orange background. The text reads: “Nov 9 / Norman Fischer / The New York Neo-Futurists.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on an orange background. The text reads: “Nov 9 / Norman Fischer / The New York Neo-Futurists.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Norman Fischer & The New York Neo-Futurists
  • A rectangular column against a white background. The bottom segment is covered in corn kernals, then there is a layer of black tar, and the top is a cube of copper.
    A rectangular column against a white background. The bottom segment is covered in corn kernals, then there is a layer of black tar, and the top is a cube of copper.
    Robert Gero, Untitled, 1989. Corn, copper, tar. [A rectangular column against a white background. The bottom segment is covered in corn kernals, then there is a layer of black tar, and the top is a cube of copper.]
    Caption Robert Gero, Untitled, 1989. Corn, copper, tar.
    Image description A rectangular column against a white background. The bottom segment is covered in corn kernals, then there is a layer of black tar, and the top is a cube of copper.
    Year 1989
    Related pages Energeia
  • Black and white image of several sculptures and two-dimensional artworks installed in a gallery space bisected by three white columns. Behind the columns, a large dark tarp covers two gallery walls that form a small corner. To the right of the columns, a large glass container filled with honey rests on a plinth. To the left of the columns, a wide doorway opens up into another gallery room, where several chandelier-like sculptures hang from the ceiling, while three spindly structures are propped on the floor.
    Black and white image of several sculptures and two-dimensional artworks installed in a gallery space bisected by three white columns. Behind the columns, a large dark tarp covers two gallery walls that form a small corner. To the right of the columns, a large glass container filled with honey rests on a plinth. To the left of the columns, a wide doorway opens up into another gallery room, where several chandelier-like sculptures hang from the ceiling, while three spindly structures are propped on the floor.
    A Living Testament of the Blood Fairies. Installation view, Artists Space, 1996. [Black and white image of several sculptures and two-dimensional artworks installed in a gallery space bisected by three white columns. Behind the columns, a large dark tarp covers two gallery walls that form a small corner. To the right of the columns, a large glass container filled with honey rests on a plinth. To the left of the columns, a wide doorway opens up into another gallery room, where several chandelier-like sculptures hang from the ceiling, while three spindly structures are propped on the floor.]
    Caption A Living Testament of the Blood Fairies. Installation view, Artists Space, 1996.
    Image description Black and white image of several sculptures and two-dimensional artworks installed in a gallery space bisected by three white columns. Behind the columns, a large dark tarp covers two gallery walls that form a small corner. To the right of the columns, a large glass container filled with honey rests on a plinth. To the left of the columns, a wide doorway opens up into another gallery room, where several chandelier-like sculptures hang from the ceiling, while three spindly structures are propped on the floor.
    Year 1996
    Related pages A Living Testament of the Blood Fairies
  • A gray television sits on a rectangular wooden board. There is a mass of wires next to it that snakes towards a pile of nearby photographs.
    A gray television sits on a rectangular wooden board. There is a mass of wires next to it that snakes towards a pile of nearby photographs.
    Replica of a Lost Original. Installation view, Artists Space, 2007. Photo: Bill Orcutt. [A gray television sits on a rectangular wooden board. There is a mass of wires next to it that snakes towards a pile of nearby photographs.]
    Caption Replica of a Lost Original. Installation view, Artists Space, 2007. Photo: Bill Orcutt.
    Image description A gray television sits on a rectangular wooden board. There is a mass of wires next to it that snakes towards a pile of nearby photographs.
    Year 2007
    Related pages Replica of a Lost Original
  • Two figures dance on stage in black-and-white.
    Two figures dance on stage in black-and-white.
    Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [Two figures dance on stage in black-and-white.]
    Caption Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman
    Image description Two figures dance on stage in black-and-white.
    Year 2022
    Related pages Abasement #61
  • Close-up color image of a performer. They are looking down as they play guitar, using a wrench to strum on the guitar strings. In the foreground a sticker reads
    Close-up color image of a performer. They are looking down as they play guitar, using a wrench to strum on the guitar strings. In the foreground a sticker reads
    Abasement #75. Performance documentation, February 3rd, 2025, Artists Space. Photo: Joshua Wildman. [Close-up color image of a performer. They are looking down as they play guitar, using a wrench to strum on the guitar strings. In the foreground a sticker reads "WAR IS OVER!". The performer and the room around them is tinted with blue light.]
    Caption Abasement #75. Performance documentation, February 3rd, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Close-up color image of a performer. They are looking down as they play guitar, using a wrench to strum on the guitar strings. In the foreground a sticker reads "WAR IS OVER!". The performer and the room around them is tinted with blue light.
    Year
    Related pages Abasement #75
  • A woman uses a shovel to dig a shallow rectangular pit in a grassy field. Four burlap sacks filled with earth lay to the left side.
    A woman uses a shovel to dig a shallow rectangular pit in a grassy field. Four burlap sacks filled with earth lay to the left side.
    Catalina Parra, Fosa común, 1984. Installation at Art Awareness Gallery, Lexington, New York, USA. Courtesy Archive, Catalina Parra, New York. [A woman uses a shovel to dig a shallow rectangular pit in a grassy field. Four burlap sacks filled with earth lay to the left side.]
    Caption Catalina Parra, Fosa común, 1984. Installation at Art Awareness Gallery, Lexington, New York, USA. Courtesy Archive, Catalina Parra, New York.
    Image description A woman uses a shovel to dig a shallow rectangular pit in a grassy field. Four burlap sacks filled with earth lay to the left side.
    Year 1984
    Related pages Whitney ISP Archive
  • ARTstudio exhibition at Blue Sky Gallery, PS 140, 2024
    Caption ARTstudio exhibition at Blue Sky Gallery, PS 140, 2024
    Image description
    Year
    Related pages ARTstudio
  • Four abstract sculptures constructed from neutral-toned materials are displayed atop white virtrines. Three more sculptures are hung in a row against a white wall.
    Four abstract sculptures constructed from neutral-toned materials are displayed atop white virtrines. Three more sculptures are hung in a row against a white wall.
    UniBodies. Installation view, Artists Space, 2006. Photo: Bill Ocrutt. [Four abstract sculptures constructed from neutral-toned materials are displayed atop white virtrines. Three more sculptures are hung in a row against a white wall.]
    Caption UniBodies. Installation view, Artists Space, 2006. Photo: Bill Ocrutt.
    Image description Four abstract sculptures constructed from neutral-toned materials are displayed atop white virtrines. Three more sculptures are hung in a row against a white wall.
    Year 2006
    Related pages UniBodies
  • A person in a red shirt, white cap, and multicolored pants smiles and poses with a tennis racquet, standing atop a large piece of paper with colorful drawings on it. In the background are people sitting on the ground and printed images of trees.
    A person in a red shirt, white cap, and multicolored pants smiles and poses with a tennis racquet, standing atop a large piece of paper with colorful drawings on it. In the background are people sitting on the ground and printed images of trees.
    Ei Arakawa, Mega Please Draw Freely, 2021 (The artist wears Uniqlo Roger Federer) [A person in a red shirt, white cap, and multicolored pants smiles and poses with a tennis racquet, standing atop a large piece of paper with colorful drawings on it. In the background are people sitting on the ground and printed images of trees.]
    Caption Ei Arakawa, Mega Please Draw Freely, 2021 (The artist wears Uniqlo Roger Federer)
    Image description A person in a red shirt, white cap, and multicolored pants smiles and poses with a tennis racquet, standing atop a large piece of paper with colorful drawings on it. In the background are people sitting on the ground and printed images of trees.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab (outdoor performance)
  • A figure wearing a suit plays guitar, their feet dangling over a pedal.
    A figure wearing a suit plays guitar, their feet dangling over a pedal.
    Eiko Ishibashi: Two New York Nights. Performance documentation, June 9, 2022, 8pm. Artists Space, New York. Photo: Paula Court [A figure wearing a suit plays guitar, their feet dangling over a pedal.]
    Caption Eiko Ishibashi: Two New York Nights. Performance documentation, June 9, 2022, 8pm. Artists Space, New York. Photo: Paula Court
    Image description A figure wearing a suit plays guitar, their feet dangling over a pedal.
    Year 2022
    Related pages Eiko Ishibashi in Concert
  • Black text overlays a mauve background. The top left corner reads:
    Black text overlays a mauve background. The top left corner reads:
    Flyer for Segue Reading Series featuring Holly Melgard and Trey. Saturday, January 22, 2021, Artists Space. [Black text overlays a mauve background. The top left corner reads: "Holly Melgard and Trey (also known as Vernon Keeve III)" The center right reads: "Segue Reading Series & ARTISTS SPACE." The bottom left reads: "Saturday January 22, 5pm, Zoom ID: 893 9594 7519, Suggested donation $5". The image of a 5 dollar bill is placed within the text.]
    Caption Flyer for Segue Reading Series featuring Holly Melgard and Trey. Saturday, January 22, 2021, Artists Space.
    Image description Black text overlays a mauve background. The top left corner reads: "Holly Melgard and Trey (also known as Vernon Keeve III)" The center right reads: "Segue Reading Series & ARTISTS SPACE." The bottom left reads: "Saturday January 22, 5pm, Zoom ID: 893 9594 7519, Suggested donation $5". The image of a 5 dollar bill is placed within the text.
    Year 2021
    Related pages Segue Reading Series: Trey & Holly Melgard
  • A bedroom scene set up in the middle of an open room. There is a beige rug, with a chrome lamp and matching bed frame. The bed has blue sheets with a dark blue comforter cover and a red blanket. There is a wooden chair facing in, and a brown table with assorted bottles on top. On the far side of the bed is a coffee machine, microwave, and television. In the background, various framed images are hung on white gallery walls.
    A bedroom scene set up in the middle of an open room. There is a beige rug, with a chrome lamp and matching bed frame. The bed has blue sheets with a dark blue comforter cover and a red blanket. There is a wooden chair facing in, and a brown table with assorted bottles on top. On the far side of the bed is a coffee machine, microwave, and television. In the background, various framed images are hung on white gallery walls.
    The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich. [A bedroom scene set up in the middle of an open room. There is a beige rug, with a chrome lamp and matching bed frame. The bed has blue sheets with a dark blue comforter cover and a red blanket. There is a wooden chair facing in, and a brown table with assorted bottles on top. On the far side of the bed is a coffee machine, microwave, and television. In the background, various framed images are hung on white gallery walls.]
    Caption The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich.
    Image description A bedroom scene set up in the middle of an open room. There is a beige rug, with a chrome lamp and matching bed frame. The bed has blue sheets with a dark blue comforter cover and a red blanket. There is a wooden chair facing in, and a brown table with assorted bottles on top. On the far side of the bed is a coffee machine, microwave, and television. In the background, various framed images are hung on white gallery walls.
    Year 2008
    Related pages The New Normal
  • Poetry Class: Writing As Flow, 2024
    Caption Poetry Class: Writing As Flow, 2024
    Image description
    Year
    Related pages Art and Literacy: Poetry
  • A dark black and white photograph with various shadows visible.
    A dark black and white photograph with various shadows visible.
    Gerome Kamrowski. Facets of a Dome, 1960. [A dark black and white photograph with various shadows visible.]
    Caption Gerome Kamrowski. Facets of a Dome, 1960.
    Image description A dark black and white photograph with various shadows visible.
    Year
    Related pages Moderns in Mind
  • A side projector projects an image of a figure in an elaborate dress onto a freestanding wall in the middle of a gallery space. A mannequin wearing a decorative orange costumes stands to the left of the projection. In the background, a video monitor sits on a table and framed documents hang on the walls.
    A side projector projects an image of a figure in an elaborate dress onto a freestanding wall in the middle of a gallery space. A mannequin wearing a decorative orange costumes stands to the left of the projection. In the background, a video monitor sits on a table and framed documents hang on the walls.
    Jack Smith: Art Crust of Spiritual Oasis. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A side projector projects an image of a figure in an elaborate dress onto a freestanding wall in the middle of a gallery space. A mannequin wearing a decorative orange costumes stands to the left of the projection. In the background, a video monitor sits on a table and framed documents hang on the walls.]
    Caption Jack Smith: Art Crust of Spiritual Oasis. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description A side projector projects an image of a figure in an elaborate dress onto a freestanding wall in the middle of a gallery space. A mannequin wearing a decorative orange costumes stands to the left of the projection. In the background, a video monitor sits on a table and framed documents hang on the walls.
    Year 2018
    Related pages Jack Smith: Art Crust of Spiritual Oasis
  • An image of rocky terrain with a cliff in the forefront. Near the lower left corner of the photograph are some shrubs and a tiny human figure in the distance. Below the image is text reading:
    An image of rocky terrain with a cliff in the forefront. Near the lower left corner of the photograph are some shrubs and a tiny human figure in the distance. Below the image is text reading:
    ArtpArkArtIII. Exhibition Postcard, Artists Space, 1978. [An image of rocky terrain with a cliff in the forefront. Near the lower left corner of the photograph are some shrubs and a tiny human figure in the distance. Below the image is text reading: "ArtpArkArt III / Artists Space / March 18-April 1."]
    Caption ArtpArkArtIII. Exhibition Postcard, Artists Space, 1978.
    Image description An image of rocky terrain with a cliff in the forefront. Near the lower left corner of the photograph are some shrubs and a tiny human figure in the distance. Below the image is text reading: "ArtpArkArt III / Artists Space / March 18-April 1."
    Year
    Related pages ArtpArkArtIII: Photo documentation from Art Park's 1977 installations
  • White text on a grey and blue ombré background. The text reads: “March 8 / Farnoosh Fathi / A. B. Spellman.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    White text on a grey and blue ombré background. The text reads: “March 8 / Farnoosh Fathi / A. B. Spellman.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [White text on a grey and blue ombré background. The text reads: “March 8 / Farnoosh Fathi / A. B. Spellman.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description White text on a grey and blue ombré background. The text reads: “March 8 / Farnoosh Fathi / A. B. Spellman.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Farnoosh Fathi & A. B. Spellman
  • A color installation photograph of a gallery space with a central opening. A black canvas hangs on the wall on the left, and several yellow sculptures are visible on the right.
    A color installation photograph of a gallery space with a central opening. A black canvas hangs on the wall on the left, and several yellow sculptures are visible on the right.
    Group Exhibition. Installation view, Artists Space, 1974. [A color installation photograph of a gallery space with a central opening. A black canvas hangs on the wall on the left, and several yellow sculptures are visible on the right.]
    Caption Group Exhibition. Installation view, Artists Space, 1974.
    Image description A color installation photograph of a gallery space with a central opening. A black canvas hangs on the wall on the left, and several yellow sculptures are visible on the right.
    Year 1974
    Related pages Group Exhibition: Paula Barr, Cynthia Carlson, Byoung Min, Annette Oko, Arthur Gibbons, Ken Hubbell, Marsha Liberty, Joe Neill, Barbarie Rothstein, Marsha Vander Heyden, Joan Goldberg, Mimi Smith
  • Lonnie Holley with his painting The Hand of My Grandfather (1984), 1987. Photo: William Arnett. © Lonnie Holley / Artists Rights Society (ARS), New York. Courtesy of the artist and BLUM Los Angeles, Tokyo, New York
    Caption Lonnie Holley with his painting The Hand of My Grandfather (1984), 1987. Photo: William Arnett. © Lonnie Holley / Artists Rights Society (ARS), New York. Courtesy of the artist and BLUM Los Angeles, Tokyo, New York
    Image description
    Year
    Related pages Lonnie Holley
  • An abstract painting depicting several geometric figures against a turquoise background, arranged on either side of the canvas. Each figure has a green or brown outline and various colored patterns inside. Several outlined circles and squares grid across the background of the image
    An abstract painting depicting several geometric figures against a turquoise background, arranged on either side of the canvas. Each figure has a green or brown outline and various colored patterns inside. Several outlined circles and squares grid across the background of the image
    Mariselis Rivera, Abstract Painting, 2015 [An abstract painting depicting several geometric figures against a turquoise background, arranged on either side of the canvas. Each figure has a green or brown outline and various colored patterns inside. Several outlined circles and squares grid across the background of the image]
    Caption Mariselis Rivera, Abstract Painting, 2015
    Image description An abstract painting depicting several geometric figures against a turquoise background, arranged on either side of the canvas. Each figure has a green or brown outline and various colored patterns inside. Several outlined circles and squares grid across the background of the image
    Year 2015
    Related pages Scholastic Art and Writing Awards
  • Eleven tan sacks of various sizes hang on a while wall. Each is illustrated with individual imagery and/or text. A long one, hanging at the top left, reads
    Eleven tan sacks of various sizes hang on a while wall. Each is illustrated with individual imagery and/or text. A long one, hanging at the top left, reads
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [Eleven tan sacks of various sizes hang on a while wall. Each is illustrated with individual imagery and/or text. A long one, hanging at the top left, reads "CHASE" in block letters. A painting is hung in the background on a wall.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description Eleven tan sacks of various sizes hang on a while wall. Each is illustrated with individual imagery and/or text. A long one, hanging at the top left, reads "CHASE" in block letters. A painting is hung in the background on a wall.
    Year 2017
    Related pages Unholding
  • A fully furnished miniature living room containing a couch, midcentury television set, antique radio, rug, and paintings hung on the walls. A doll made to look like a woman sits on the couch.
    A fully furnished miniature living room containing a couch, midcentury television set, antique radio, rug, and paintings hung on the walls. A doll made to look like a woman sits on the couch.
    Laurie Simmons: Photographs. Postcard, Artists Space, 1979. [A fully furnished miniature living room containing a couch, midcentury television set, antique radio, rug, and paintings hung on the walls. A doll made to look like a woman sits on the couch.]
    Caption Laurie Simmons: Photographs. Postcard, Artists Space, 1979.
    Image description A fully furnished miniature living room containing a couch, midcentury television set, antique radio, rug, and paintings hung on the walls. A doll made to look like a woman sits on the couch.
    Year 1979
    Related pages Photographs: Laurie Simmons
  • Benje LaRico. Goa VI, 1987. Enamel, Plastic, Wood, Wallpaper on plywood. 52 inches x 8.5 inches x 1 inch.
    Caption Benje LaRico. Goa VI, 1987. Enamel, Plastic, Wood, Wallpaper on plywood. 52 inches x 8.5 inches x 1 inch.
    Image description
    Year
    Related pages Abstraction in Process
  • Aluminum foil, partially unrolled, with a pile of pennies is dramatically lit in a darkened room.
    Aluminum foil, partially unrolled, with a pile of pennies is dramatically lit in a darkened room.
    Clegg & Guttmann, Change, 2015, C-print , 24 x 20 in
/ 61 x 50,8 cm, Signed and Numbered Certificate. [Aluminum foil, partially unrolled, with a pile of pennies is dramatically lit in a darkened room.]
    Caption Clegg & Guttmann, Change, 2015, C-print , 24 x 20 in
/ 61 x 50,8 cm, Signed and Numbered Certificate.
    Image description Aluminum foil, partially unrolled, with a pile of pennies is dramatically lit in a darkened room.
    Year 2016
    Related pages Artists Space Annual Edition Portfolio 2016
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Two ceramic works sit in the foreground on a table. The left ceramic is painted with bricks and the right ceramic is painted with line. In the back is a square, MDF wall of gridded sardine cans and a black and white painting.
    Two ceramic works sit in the foreground on a table. The left ceramic is painted with bricks and the right ceramic is painted with line. In the back is a square, MDF wall of gridded sardine cans and a black and white painting.
    LIFE—a group show, curated by Arnold J. Kemp. Installation view, Artists Space, 2025. Photo: Carter Seddon [Two ceramic works sit in the foreground on a table. The left ceramic is painted with bricks and the right ceramic is painted with line. In the back is a square, MDF wall of gridded sardine cans and a black and white painting.]
    Caption LIFE—a group show, curated by Arnold J. Kemp. Installation view, Artists Space, 2025. Photo: Carter Seddon
    Image description Two ceramic works sit in the foreground on a table. The left ceramic is painted with bricks and the right ceramic is painted with line. In the back is a square, MDF wall of gridded sardine cans and a black and white painting.
    Year 2025
    Related pages Arnold J. Kemp
  • A dimly lit gallery space with wooden flooring. Three large, rectangular photographs of various buildings’ architectural details are suspended from the ceiling, hanging on thin wires. Two of the images have been printed on a tarp-like material, while the image on the far left is suspended within a large sheet of transparent plexiglass.
    A dimly lit gallery space with wooden flooring. Three large, rectangular photographs of various buildings’ architectural details are suspended from the ceiling, hanging on thin wires. Two of the images have been printed on a tarp-like material, while the image on the far left is suspended within a large sheet of transparent plexiglass.
    Zaha Hadid. Installation view, Artists Space, 2003. [A dimly lit gallery space with wooden flooring. Three large, rectangular photographs of various buildings’ architectural details are suspended from the ceiling, hanging on thin wires. Two of the images have been printed on a tarp-like material, while the image on the far left is suspended within a large sheet of transparent plexiglass.]
    Caption Zaha Hadid. Installation view, Artists Space, 2003.
    Image description A dimly lit gallery space with wooden flooring. Three large, rectangular photographs of various buildings’ architectural details are suspended from the ceiling, hanging on thin wires. Two of the images have been printed on a tarp-like material, while the image on the far left is suspended within a large sheet of transparent plexiglass.
    Year 2003
    Related pages Mainspace Architecture & Design Project Series: Zaha Hadid
  • A device with several electrical wire connections is displayed on a metal wire shelf.
    A device with several electrical wire connections is displayed on a metal wire shelf.
    Devin Kenny, “What would Upski think?”, 2018. Photo: Daniel Pérez. [A device with several electrical wire connections is displayed on a metal wire shelf.]
    Caption Devin Kenny, “What would Upski think?”, 2018. Photo: Daniel Pérez.
    Image description A device with several electrical wire connections is displayed on a metal wire shelf.
    Year 2018
    Related pages Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff
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    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • Several framed posters, photographs, and ephemera varying sizes hang on a white gallery wall. On the right side of the wall hangs a photographic portrait of a figure in a striped shirt standing against a striped wall.
    Several framed posters, photographs, and ephemera varying sizes hang on a white gallery wall. On the right side of the wall hangs a photographic portrait of a figure in a striped shirt standing against a striped wall.
    The Serving Library. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [Several framed posters, photographs, and ephemera varying sizes hang on a white gallery wall. On the right side of the wall hangs a photographic portrait of a figure in a striped shirt standing against a striped wall.]
    Caption The Serving Library. Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description Several framed posters, photographs, and ephemera varying sizes hang on a white gallery wall. On the right side of the wall hangs a photographic portrait of a figure in a striped shirt standing against a striped wall.
    Year 2011
    Related pages The Serving Library
  • The interior of a Soho loft space. Its central column is collaged with photographs and printed paper with a small stack of materials on the floor next to it. On the left is a wide dark doorway to another room. In the distance is a bench, images on the wall in a grid, and a TV on the floor. There is wall text to the right and a wall shelf with photocopied papers on it.
    The interior of a Soho loft space. Its central column is collaged with photographs and printed paper with a small stack of materials on the floor next to it. On the left is a wide dark doorway to another room. In the distance is a bench, images on the wall in a grid, and a TV on the floor. There is wall text to the right and a wall shelf with photocopied papers on it.
    On Being an Exhibition. Installation view, Artists Space, 2007. Photo: Bill Orcutt. [The interior of a Soho loft space. Its central column is collaged with photographs and printed paper with a small stack of materials on the floor next to it. On the left is a wide dark doorway to another room. In the distance is a bench, images on the wall in a grid, and a TV on the floor. There is wall text to the right and a wall shelf with photocopied papers on it.]
    Caption On Being an Exhibition. Installation view, Artists Space, 2007. Photo: Bill Orcutt.
    Image description The interior of a Soho loft space. Its central column is collaged with photographs and printed paper with a small stack of materials on the floor next to it. On the left is a wide dark doorway to another room. In the distance is a bench, images on the wall in a grid, and a TV on the floor. There is wall text to the right and a wall shelf with photocopied papers on it.
    Year
    Related pages On Being an Exhibition
  • Ten photographs are displayed on a white gallery wall. The photographs are arranged into two identical rows. The photographs along the top are darker and cool toned. The photographs along the bottom are much brighter and warm toned. To the left of the photographs is a white panel that shows the floor plan of a gallery.
    Ten photographs are displayed on a white gallery wall. The photographs are arranged into two identical rows. The photographs along the top are darker and cool toned. The photographs along the bottom are much brighter and warm toned. To the left of the photographs is a white panel that shows the floor plan of a gallery.
    Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon. [Ten photographs are displayed on a white gallery wall. The photographs are arranged into two identical rows. The photographs along the top are darker and cool toned. The photographs along the bottom are much brighter and warm toned. To the left of the photographs is a white panel that shows the floor plan of a gallery.]
    Caption Michael Asher. Installation View, Artists Space, 2025. Photo: Carter Seddon.
    Image description Ten photographs are displayed on a white gallery wall. The photographs are arranged into two identical rows. The photographs along the top are darker and cool toned. The photographs along the bottom are much brighter and warm toned. To the left of the photographs is a white panel that shows the floor plan of a gallery.
    Year
    Related pages Michael Asher
  • Two people are seen from below, standing and facing one another in a shadowy window. Below them, the subtitle text reads,
    Two people are seen from below, standing and facing one another in a shadowy window. Below them, the subtitle text reads,
    Marina Grzinic and Aina Smid, still from Axis of Life, 1987. 6 minutes. [Two people are seen from below, standing and facing one another in a shadowy window. Below them, the subtitle text reads, "although it was a case of murder. I remember the report."e]
    Caption Marina Grzinic and Aina Smid, still from Axis of Life, 1987. 6 minutes.
    Image description Two people are seen from below, standing and facing one another in a shadowy window. Below them, the subtitle text reads, "although it was a case of murder. I remember the report."e
    Year 1987
    Related pages Deconstruction, Quotation, & Subversion: Video from Yugoslavia
  • A black and white photograph of a textured wall with white and grey splotches.
    A black and white photograph of a textured wall with white and grey splotches.
    Pamela Jenrette. Lavalava, 1974. From Scott Burton, Pamela Jenrette, Artists Space,1975. [A black and white photograph of a textured wall with white and grey splotches.]
    Caption Pamela Jenrette. Lavalava, 1974. From Scott Burton, Pamela Jenrette, Artists Space,1975.
    Image description A black and white photograph of a textured wall with white and grey splotches.
    Year 1975
    Related pages Scott Burton, Pamela Jenrette
  • Pickle green background with black text that reads,
    Pickle green background with black text that reads,
    Jenny Holzer. Poster, 1982. [Pickle green background with black text that reads, "CHANGE IS THE BASIS OF HISTORY, THE PROOF OF VIGOR. THE OLD IS SOILED AND DISGUSTING BY NATURE. STALE FOOD IS REPELLENT, MONOGAMOUS LOVE BREEDS CONTEMPT, SENILITY CRIPPLES THE GOVERNMENT THAT IS TOO POWERFUL TOO LONG. UPHEAVAL IS DESIRABLE BECAUSE FRESH, UNTAINTED GROUPS SEIZE OPPORTUNITY. VIOLENT OVERTHROW IS NICE IF THE SITUATION IS INTOLERABLE. SLOW MODIFICATION IS EFFECTIVE BECAUSE PEOPLE ARE TRANSFORMED BEFORE THEY NOTICE AND RESIST. THE DECADENT AND THE POWERFUL CHAMPION CONTINUITY. "NOTHING ESSENTIAL CHANGES." THAT IS A MYTH. IT WILL BE REFUTED. THE NECESSARY BIRTH CONVULSIONS WILL BE TRIGGERED. ACTION WILL BRING THE EVIDENCE TO YOUR DOORSTEP."]
    Caption Jenny Holzer. Poster, 1982.
    Image description Pickle green background with black text that reads, "CHANGE IS THE BASIS OF HISTORY, THE PROOF OF VIGOR. THE OLD IS SOILED AND DISGUSTING BY NATURE. STALE FOOD IS REPELLENT, MONOGAMOUS LOVE BREEDS CONTEMPT, SENILITY CRIPPLES THE GOVERNMENT THAT IS TOO POWERFUL TOO LONG. UPHEAVAL IS DESIRABLE BECAUSE FRESH, UNTAINTED GROUPS SEIZE OPPORTUNITY. VIOLENT OVERTHROW IS NICE IF THE SITUATION IS INTOLERABLE. SLOW MODIFICATION IS EFFECTIVE BECAUSE PEOPLE ARE TRANSFORMED BEFORE THEY NOTICE AND RESIST. THE DECADENT AND THE POWERFUL CHAMPION CONTINUITY. "NOTHING ESSENTIAL CHANGES." THAT IS A MYTH. IT WILL BE REFUTED. THE NECESSARY BIRTH CONVULSIONS WILL BE TRIGGERED. ACTION WILL BRING THE EVIDENCE TO YOUR DOORSTEP."
    Year
    Related pages Eating Friends
  • One sculpted deer head is seen in the foreground with a paper mache design and a darker deer head sculpture is seen in the background with horns. Both are hung in a white-walled gallery space.
    One sculpted deer head is seen in the foreground with a paper mache design and a darker deer head sculpture is seen in the background with horns. Both are hung in a white-walled gallery space.
    Sherry Markovitz. Installation view. Artists Space, 1985. [One sculpted deer head is seen in the foreground with a paper mache design and a darker deer head sculpture is seen in the background with horns. Both are hung in a white-walled gallery space.]
    Caption Sherry Markovitz. Installation view. Artists Space, 1985.
    Image description One sculpted deer head is seen in the foreground with a paper mache design and a darker deer head sculpture is seen in the background with horns. Both are hung in a white-walled gallery space.
    Year
    Related pages U.S. Projects
  • Two figures stand behind a table, setting up audio equipment.
    Two figures stand behind a table, setting up audio equipment.
    Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [Two figures stand behind a table, setting up audio equipment.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman
    Image description Two figures stand behind a table, setting up audio equipment.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-10
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  • Color photograph of the side of an oscillator box, with various notes written next to all of the controls.
    Color photograph of the side of an oscillator box, with various notes written next to all of the controls.
    Yasunao Tone: Region of Paramedia. Installation view (Device for Paramedia, 1990), Artists Space, 2023. Photo: Filip Wolak. [Color photograph of the side of an oscillator box, with various notes written next to all of the controls.]
    Caption Yasunao Tone: Region of Paramedia. Installation view (Device for Paramedia, 1990), Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photograph of the side of an oscillator box, with various notes written next to all of the controls.
    Year 2023
    Related pages Yasunao Tone: Region of Paramedia
  • Color photograph of a piano from above. Six solenoids are placed along the piano's strings, and are attached by wires to a device placed on a chair next to the piano.
    Color photograph of a piano from above. Six solenoids are placed along the piano's strings, and are attached by wires to a device placed on a chair next to the piano.
    Yasunao Tone: Region of Paramedia. Installation view (Instrument for Aleitheia, 1987), Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a piano from above. Six solenoids are placed along the piano's strings, and are attached by wires to a device placed on a chair next to the piano.]
    Caption Yasunao Tone: Region of Paramedia. Installation view (Instrument for Aleitheia, 1987), Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photograph of a piano from above. Six solenoids are placed along the piano's strings, and are attached by wires to a device placed on a chair next to the piano.
    Year 2023
    Related pages Yasunao Tone: Region of Paramedia
  • A horizontal image with a flat, light blue background. On the right side is a pink, cotton candy-like image of a cloud. The word,
    A horizontal image with a flat, light blue background. On the right side is a pink, cotton candy-like image of a cloud. The word,
    Flyer for Segue Reading Series featuring Kamden Hilliard and E.J. McAdams. Saturday, November 13, 2021, Artists Space. Artist: Lonely Christopher & Venn Daniel [A horizontal image with a flat, light blue background. On the right side is a pink, cotton candy-like image of a cloud. The word, "Segue" appears in pink text on the top left side. The name, "Kamden Hilliard," is written on the center-left in large red text, while the name, "Laura Elrick," appears in purple on the center-right.]
    Caption Flyer for Segue Reading Series featuring Kamden Hilliard and E.J. McAdams. Saturday, November 13, 2021, Artists Space. Artist: Lonely Christopher & Venn Daniel
    Image description A horizontal image with a flat, light blue background. On the right side is a pink, cotton candy-like image of a cloud. The word, "Segue" appears in pink text on the top left side. The name, "Kamden Hilliard," is written on the center-left in large red text, while the name, "Laura Elrick," appears in purple on the center-right.
    Year 2021
    Related pages Segue Reading Series: Laura Elrick & E.J. McAdams
  • An Elegoo microcontroller is affixed to the side of a brownish sculpture sitting on a white base. Two blue wires are plugged into a lemon and an onion on a platform, each connected to the microcontroller.
    An Elegoo microcontroller is affixed to the side of a brownish sculpture sitting on a white base. Two blue wires are plugged into a lemon and an onion on a platform, each connected to the microcontroller.
    Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $5,000
    [An Elegoo microcontroller is affixed to the side of a brownish sculpture sitting on a white base. Two blue wires are plugged into a lemon and an onion on a platform, each connected to the microcontroller.]
    Caption Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $5,000
    Image description An Elegoo microcontroller is affixed to the side of a brownish sculpture sitting on a white base. Two blue wires are plugged into a lemon and an onion on a platform, each connected to the microcontroller.
    Year 2019
    Related pages Trisha Baga Edition
  • keyon's two hands are gripping the top of an i-beam ceiling rafter and their leg wearing a black knee pad and combat boot is dangling from below the rafter far above and in front of a crowd/audience. The audience mostly looks up at keyon and one figure stands below keyon and in front of the audience holding a taut black rope that is also coming from the rafter, seemingly attached to keyon but that part of keyon's body is obscured by the rafter. The surrounding room is large and empty besides the bodies, with lots of windows and a hardwood floor. This image is a video still of a performance by keyon in 2015 in Portland, OR.
    keyon's two hands are gripping the top of an i-beam ceiling rafter and their leg wearing a black knee pad and combat boot is dangling from below the rafter far above and in front of a crowd/audience. The audience mostly looks up at keyon and one figure stands below keyon and in front of the audience holding a taut black rope that is also coming from the rafter, seemingly attached to keyon but that part of keyon's body is obscured by the rafter. The surrounding room is large and empty besides the bodies, with lots of windows and a hardwood floor. This image is a video still of a performance by keyon in 2015 in Portland, OR.
    [keyon's two hands are gripping the top of an i-beam ceiling rafter and their leg wearing a black knee pad and combat boot is dangling from below the rafter far above and in front of a crowd/audience. The audience mostly looks up at keyon and one figure stands below keyon and in front of the audience holding a taut black rope that is also coming from the rafter, seemingly attached to keyon but that part of keyon's body is obscured by the rafter. The surrounding room is large and empty besides the bodies, with lots of windows and a hardwood floor. This image is a video still of a performance by keyon in 2015 in Portland, OR.]
    Caption
    Image description keyon's two hands are gripping the top of an i-beam ceiling rafter and their leg wearing a black knee pad and combat boot is dangling from below the rafter far above and in front of a crowd/audience. The audience mostly looks up at keyon and one figure stands below keyon and in front of the audience holding a taut black rope that is also coming from the rafter, seemingly attached to keyon but that part of keyon's body is obscured by the rafter. The surrounding room is large and empty besides the bodies, with lots of windows and a hardwood floor. This image is a video still of a performance by keyon in 2015 in Portland, OR.
    Year
    Related pages keyon gaskin 12-18
  • Fibe book covers displayed in a line against a white background. Each one has been illustrated over with various colos of marker and pen.
    Fibe book covers displayed in a line against a white background. Each one has been illustrated over with various colos of marker and pen.
    Works by Dieter Roth Published by Edition Hansjörg Mayer [Fibe book covers displayed in a line against a white background. Each one has been illustrated over with various colos of marker and pen.]
    Caption Works by Dieter Roth Published by Edition Hansjörg Mayer
    Image description Fibe book covers displayed in a line against a white background. Each one has been illustrated over with various colos of marker and pen.
    Year 2014
    Related pages The Library Vaccine
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    Related pages Artists Space: Artists Fund
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    Related pages Michael Asher
  • Flyer for Pierre Leguillon, Slideshow/Cloackroom
    Caption Flyer for Pierre Leguillon, Slideshow/Cloackroom
    Image description
    Year
    Related pages Hypnotic Show
  • Photograph of a large building on an urban street composed of rectangular sections of dark black and white stone that jut variously in towards and away from the building's facade. The bottom portion of the building is supported by two white columns and has a glass facade.
    Photograph of a large building on an urban street composed of rectangular sections of dark black and white stone that jut variously in towards and away from the building's facade. The bottom portion of the building is supported by two white columns and has a glass facade.
    [Photograph of a large building on an urban street composed of rectangular sections of dark black and white stone that jut variously in towards and away from the building's facade. The bottom portion of the building is supported by two white columns and has a glass facade.]
    Caption
    Image description Photograph of a large building on an urban street composed of rectangular sections of dark black and white stone that jut variously in towards and away from the building's facade. The bottom portion of the building is supported by two white columns and has a glass facade.
    Year 2003
    Related pages Mainspace Architecture & Design Project Series: Zaha Hadid
  • Two musicians perform on stage. To the left, one of them sits on a chair with an electric guitar laying on his legs. To the right, a musician stands playing the saxophone. Rainbow lights are projected onto the stage.
    Two musicians perform on stage. To the left, one of them sits on a chair with an electric guitar laying on his legs. To the right, a musician stands playing the saxophone. Rainbow lights are projected onto the stage.
    Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman. [Two musicians perform on stage. To the left, one of them sits on a chair with an electric guitar laying on his legs. To the right, a musician stands playing the saxophone. Rainbow lights are projected onto the stage.]
    Caption Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman.
    Image description Two musicians perform on stage. To the left, one of them sits on a chair with an electric guitar laying on his legs. To the right, a musician stands playing the saxophone. Rainbow lights are projected onto the stage.
    Year
    Related pages Abasement #65
  • A person in a long coat, hat, and sunglasses leans against a doorframe.
    A person in a long coat, hat, and sunglasses leans against a doorframe.
    Rohesia Hamilton Metcalfe, After the Paint Has Dried, 1986. 15 minutes, 16mm, color. Film still. [A person in a long coat, hat, and sunglasses leans against a doorframe.]
    Caption Rohesia Hamilton Metcalfe, After the Paint Has Dried, 1986. 15 minutes, 16mm, color. Film still.
    Image description A person in a long coat, hat, and sunglasses leans against a doorframe.
    Year 1986
    Related pages Signs of Fiction
  • A photograph of three paintings hanging in a row on a white gallery wall. The closest to the camera, on the right, shows a ship at sea, the center shows a fountain, and the painting on the left is an abstract composition of black diagonal lines.
    A photograph of three paintings hanging in a row on a white gallery wall. The closest to the camera, on the right, shows a ship at sea, the center shows a fountain, and the painting on the left is an abstract composition of black diagonal lines.
    Selections from the Artists File. Installation view, Artists Space, 1989. [A photograph of three paintings hanging in a row on a white gallery wall. The closest to the camera, on the right, shows a ship at sea, the center shows a fountain, and the painting on the left is an abstract composition of black diagonal lines.]
    Caption Selections from the Artists File. Installation view, Artists Space, 1989.
    Image description A photograph of three paintings hanging in a row on a white gallery wall. The closest to the camera, on the right, shows a ship at sea, the center shows a fountain, and the painting on the left is an abstract composition of black diagonal lines.
    Year 1989
    Related pages Selections from the Artist File
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  • A composited image of a gallery scene, building from a street view, hand gun, and a blue rose against a yellow back ground, distorted through buldges and pulls.
    A composited image of a gallery scene, building from a street view, hand gun, and a blue rose against a yellow back ground, distorted through buldges and pulls.
    Louise Lawler, Egg and Gun (distorted for the times, dire), 2008/2017. [A composited image of a gallery scene, building from a street view, hand gun, and a blue rose against a yellow back ground, distorted through buldges and pulls.]
    Caption Louise Lawler, Egg and Gun (distorted for the times, dire), 2008/2017.
    Image description A composited image of a gallery scene, building from a street view, hand gun, and a blue rose against a yellow back ground, distorted through buldges and pulls.
    Year 2008
    Related pages Social Surfaces
  • A black and white photograph of a mop on top of a working CRT television in a gallery setting.
    A black and white photograph of a mop on top of a working CRT television in a gallery setting.
    Carolee Schneemann. Installation View of War Mop, 1985. Video sculpture and installation with mechanized mop, plexiglas fulcrum, TV monitor. [A black and white photograph of a mop on top of a working CRT television in a gallery setting.]
    Caption Carolee Schneemann. Installation View of War Mop, 1985. Video sculpture and installation with mechanized mop, plexiglas fulcrum, TV monitor.
    Image description A black and white photograph of a mop on top of a working CRT television in a gallery setting.
    Year 1987
    Related pages Dark Rooms
  • A man holds a photograph up to his face with a microphone directly in front of him.
    A man holds a photograph up to his face with a microphone directly in front of him.
    Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979. [A man holds a photograph up to his face with a microphone directly in front of him.]
    Caption Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979.
    Image description A man holds a photograph up to his face with a microphone directly in front of him.
    Year 1979
    Related pages Patricia Hearst - A Second Reading
  • Image of a basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    Image of a basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata [Image of a basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.]
    Caption SCRAAATCH. Installation documentation, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a basement with various sculptures made of wood and fresnel lenses placed around the space. Contact microphones are attached to the fresnel lenses and audio wires wrap around the floor. Along the back wall a blue projected image of live CCTV footage of the basement is displayed.
    Year 2022
    Related pages SCRAAATCH 11-19
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A black and white photograph of a painted, sculpted object appears hanging above a person's head in a dark space.
    A black and white photograph of a painted, sculpted object appears hanging above a person's head in a dark space.
    Gerome Kamrowski. Paintings on the Surface of a Dome, 1960. [A black and white photograph of a painted, sculpted object appears hanging above a person's head in a dark space.]
    Caption Gerome Kamrowski. Paintings on the Surface of a Dome, 1960.
    Image description A black and white photograph of a painted, sculpted object appears hanging above a person's head in a dark space.
    Year
    Related pages Moderns in Mind
  • A painting of a bald man with glasses looking off to the side. He wears a red Lacoste polo shirt.
    A painting of a bald man with glasses looking off to the side. He wears a red Lacoste polo shirt.
    Tim Doud, 2001. [A painting of a bald man with glasses looking off to the side. He wears a red Lacoste polo shirt.]
    Caption Tim Doud, 2001.
    Image description A painting of a bald man with glasses looking off to the side. He wears a red Lacoste polo shirt.
    Year 2001
    Related pages Painting as Paradox
  • A black and white photograph of two projectors hanging central in a darkened gallery and projecting images onto two separate screens in the foreground with light coming in from the background
    A black and white photograph of two projectors hanging central in a darkened gallery and projecting images onto two separate screens in the foreground with light coming in from the background
    Anne Bray. Installation View of Man on First and Third, 1987. Slide and sound installation. [A black and white photograph of two projectors hanging central in a darkened gallery and projecting images onto two separate screens in the foreground with light coming in from the background]
    Caption Anne Bray. Installation View of Man on First and Third, 1987. Slide and sound installation.
    Image description A black and white photograph of two projectors hanging central in a darkened gallery and projecting images onto two separate screens in the foreground with light coming in from the background
    Year 1987
    Related pages Dark Rooms
  • Small house-like wooden sculptures appear on a table with a large white image on the ground between them. A video monitor and framed images are visible in the background.
    Small house-like wooden sculptures appear on a table with a large white image on the ground between them. A video monitor and framed images are visible in the background.
    Young Fluxus. Installation view, Artists Space, 1982. [Small house-like wooden sculptures appear on a table with a large white image on the ground between them. A video monitor and framed images are visible in the background.]
    Caption Young Fluxus. Installation view, Artists Space, 1982.
    Image description Small house-like wooden sculptures appear on a table with a large white image on the ground between them. A video monitor and framed images are visible in the background.
    Year
    Related pages Young Fluxus
  • A black Christmas tree stands in the room, adorned with white twinkling lights. A black toy train circulates around the shiny black base of the tree.
    A black Christmas tree stands in the room, adorned with white twinkling lights. A black toy train circulates around the shiny black base of the tree.
    Nandi Loaf, WÜNDERBAR, 2025. Artifical tree (monument), custom 4-4-0 model locomotive + semi-autonomous rail system, re-routed grid hardware, ornaments, site-specific electrical circulation. Photo: Carter Seddon [A black Christmas tree stands in the room, adorned with white twinkling lights. A black toy train circulates around the shiny black base of the tree.]
    Caption Nandi Loaf, WÜNDERBAR, 2025. Artifical tree (monument), custom 4-4-0 model locomotive + semi-autonomous rail system, re-routed grid hardware, ornaments, site-specific electrical circulation. Photo: Carter Seddon
    Image description A black Christmas tree stands in the room, adorned with white twinkling lights. A black toy train circulates around the shiny black base of the tree.
    Year
    Related pages Nandi Loaf Aristotelis Nikolas Mochloulis Ricardo Nagaoka Sydney Schrader
  • A film still of a woman, captured from the shoulders up, standing in an outdoor field. The white subtitle reads
    A film still of a woman, captured from the shoulders up, standing in an outdoor field. The white subtitle reads
    Anton Vidokle, still from This Is Cosmos, 2014. [A film still of a woman, captured from the shoulders up, standing in an outdoor field. The white subtitle reads "that death is a mistake."]
    Caption Anton Vidokle, still from This Is Cosmos, 2014.
    Image description A film still of a woman, captured from the shoulders up, standing in an outdoor field. The white subtitle reads "that death is a mistake."
    Year 2014
    Related pages This Is Cosmos
  • A figure sits on stage in front of a crowd and looks to the right as text is projected onto the right wall.
    A figure sits on stage in front of a crowd and looks to the right as text is projected onto the right wall.
    Yasunao Tone in Concert with Barbara Held. Performance documentation, January 19, 2023, Artists Space. Photo: Destiny Mata [A figure sits on stage in front of a crowd and looks to the right as text is projected onto the right wall.]
    Caption Yasunao Tone in Concert with Barbara Held. Performance documentation, January 19, 2023, Artists Space. Photo: Destiny Mata
    Image description A figure sits on stage in front of a crowd and looks to the right as text is projected onto the right wall.
    Year 2023
    Related pages Yasunao Tone in Concert with Barbara Held
  • Doll sculptural objects appear with text in the background while cases can be visible in the foreground with items behind glass in a white-walled gallery space.
    Doll sculptural objects appear with text in the background while cases can be visible in the foreground with items behind glass in a white-walled gallery space.
    We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987. [Doll sculptural objects appear with text in the background while cases can be visible in the foreground with items behind glass in a white-walled gallery space.]
    Caption We the People. Installation View, Artists Space, November 12, 1987 - December 23, 1987.
    Image description Doll sculptural objects appear with text in the background while cases can be visible in the foreground with items behind glass in a white-walled gallery space.
    Year
    Related pages We the People
  • A life-size vinyl against a black wall depicting a black-and-white image of a body in motion, multiple images are overlayed on top of each other to create a ghostly atmosphere.
    A life-size vinyl against a black wall depicting a black-and-white image of a body in motion, multiple images are overlayed on top of each other to create a ghostly atmosphere.
    Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Shala Miller, Genesis, 2023), Artists Space, 2023. Photo: Filip Wolak. [A life-size vinyl against a black wall depicting a black-and-white image of a body in motion, multiple images are overlayed on top of each other to create a ghostly atmosphere.]
    Caption Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Shala Miller, Genesis, 2023), Artists Space, 2023. Photo: Filip Wolak.
    Image description A life-size vinyl against a black wall depicting a black-and-white image of a body in motion, multiple images are overlayed on top of each other to create a ghostly atmosphere.
    Annotation 2023
    Year
    Related pages Shala Miller, Malcolm Peacock, Amiri Baraka
  • A black and white photograph of a room filled with plinths of varying heights, several objects suspended from the ceiling, and a pile of small fans with a mess of wires sitting on the floor.
    A black and white photograph of a room filled with plinths of varying heights, several objects suspended from the ceiling, and a pile of small fans with a mess of wires sitting on the floor.
    A New World Order III: The Curio Shop. Installation view, Artists Space, 1993. [A black and white photograph of a room filled with plinths of varying heights, several objects suspended from the ceiling, and a pile of small fans with a mess of wires sitting on the floor.]
    Caption A New World Order III: The Curio Shop. Installation view, Artists Space, 1993.
    Image description A black and white photograph of a room filled with plinths of varying heights, several objects suspended from the ceiling, and a pile of small fans with a mess of wires sitting on the floor.
    Year 1993
    Related pages A New World Order III: The Curio Shop
  • Black text on a light blue-grey and yellow ombré background. The text reads: “April 19 / Jennifer Firestone / Matvei Yankelevich.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Black text on a light blue-grey and yellow ombré background. The text reads: “April 19 / Jennifer Firestone / Matvei Yankelevich.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    [Black text on a light blue-grey and yellow ombré background. The text reads: “April 19 / Jennifer Firestone / Matvei Yankelevich.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"]
    Caption
    Image description Black text on a light blue-grey and yellow ombré background. The text reads: “April 19 / Jennifer Firestone / Matvei Yankelevich.” Text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)"
    Year
    Related pages Segue Reading Series: Jennifer Firestone & Matvei Yankelevich
  • Bruce Colvin . Invisible Structures (Dates of Writing), 1976. From Sigrid Burton, Bruce Colvin, Ellen Phelan, Artists Space, 1976
    Caption Bruce Colvin . Invisible Structures (Dates of Writing), 1976. From Sigrid Burton, Bruce Colvin, Ellen Phelan, Artists Space, 1976
    Image description
    Year
    Related pages Sigrid Burton, Bruce Colvin, Ellen Phelan
  • Two drawings hung up on adjacent walls. On the left is a nude headless figure with a star covering its groin and smaller figures walking along the top. On the right is a nude headless figure with two disembodied heads floating nearby with long extended tongues.
    Two drawings hung up on adjacent walls. On the left is a nude headless figure with a star covering its groin and smaller figures walking along the top. On the right is a nude headless figure with two disembodied heads floating nearby with long extended tongues.
    Artists Draw. Installation view, Artists Space, 1979. [Two drawings hung up on adjacent walls. On the left is a nude headless figure with a star covering its groin and smaller figures walking along the top. On the right is a nude headless figure with two disembodied heads floating nearby with long extended tongues.]
    Caption Artists Draw. Installation view, Artists Space, 1979.
    Image description Two drawings hung up on adjacent walls. On the left is a nude headless figure with a star covering its groin and smaller figures walking along the top. On the right is a nude headless figure with two disembodied heads floating nearby with long extended tongues.
    Year 1979
    Related pages Artists Draw: Tom Martin, Auste Peciura, Alan Saret, Patti Smith, Nancy Spero
  • Color photograph of a gallery space with an installation consisting of a large mirrored pond, made from a wooden base with a reflective lining on top, that is surrounded by tree trunks, plants, fish tanks, and a phone booth. A large lamp hangs from the ceiling, and an orange construction net is placed over the pond.
    Color photograph of a gallery space with an installation consisting of a large mirrored pond, made from a wooden base with a reflective lining on top, that is surrounded by tree trunks, plants, fish tanks, and a phone booth. A large lamp hangs from the ceiling, and an orange construction net is placed over the pond.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a gallery space with an installation consisting of a large mirrored pond, made from a wooden base with a reflective lining on top, that is surrounded by tree trunks, plants, fish tanks, and a phone booth. A large lamp hangs from the ceiling, and an orange construction net is placed over the pond.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of a gallery space with an installation consisting of a large mirrored pond, made from a wooden base with a reflective lining on top, that is surrounded by tree trunks, plants, fish tanks, and a phone booth. A large lamp hangs from the ceiling, and an orange construction net is placed over the pond.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • An oil painting of a colorful city crowded with buildings.
    An oil painting of a colorful city crowded with buildings.
    James Sheehan, Halcyon Days, 2000. [An oil painting of a colorful city crowded with buildings.]
    Caption James Sheehan, Halcyon Days, 2000.
    Image description An oil painting of a colorful city crowded with buildings.
    Year 2000
    Related pages Painting as Paradox
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    Image description
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    Related pages Exhibitions and Events
  • A color installation photograph of a black, grey, and white abstract painting on a white wall.
    A color installation photograph of a black, grey, and white abstract painting on a white wall.
    Richard Klauber. Installation view, Ruth Hardinger, Richard Klauber, Artists Space, 1975. [A color installation photograph of a black, grey, and white abstract painting on a white wall.]
    Caption Richard Klauber. Installation view, Ruth Hardinger, Richard Klauber, Artists Space, 1975.
    Image description A color installation photograph of a black, grey, and white abstract painting on a white wall.
    Year 1975
    Related pages Ruth Hardinger, Richard Klauber
  • The image shows a wooden paddle with the preamble for the U.S. Constitution reproduced on it. It says,
    The image shows a wooden paddle with the preamble for the U.S. Constitution reproduced on it. It says,
    Mike Kelley, Untitled, 1992, Beech wood paddle with screen print and leather strap, 23 1/4 in x 6 in x 3/4 in / 59.1 cm x 15.2 cm x 1.9 cm, Edition of 50. [The image shows a wooden paddle with the preamble for the U.S. Constitution reproduced on it. It says, "We the People of the United States, in Order to form a more perfect Union, establish Justice, insure domestic Tranquility, provide for the common defence, promote the general Welfare, and secure the Blessings of Liberty to ourselves and our Posterity, do ordain and establish this Constitution for the United States of America."]
    Caption Mike Kelley, Untitled, 1992, Beech wood paddle with screen print and leather strap, 23 1/4 in x 6 in x 3/4 in / 59.1 cm x 15.2 cm x 1.9 cm, Edition of 50.
    Image description The image shows a wooden paddle with the preamble for the U.S. Constitution reproduced on it. It says, "We the People of the United States, in Order to form a more perfect Union, establish Justice, insure domestic Tranquility, provide for the common defence, promote the general Welfare, and secure the Blessings of Liberty to ourselves and our Posterity, do ordain and establish this Constitution for the United States of America."
    Year 1992
    Related pages Editions
  • Caption
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    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Color image of two performers, shot from behind the stage looking out to the audience. The musician on the left is bent down with their arms out and their back is facing the camera. The musician on their right is signing into a microphone. Multiple rows of audience members are facing the stage. A bright light from the back of the room creates a glare in the image. The room is dark and it is tinted yellow and pink.
    Color image of two performers, shot from behind the stage looking out to the audience. The musician on the left is bent down with their arms out and their back is facing the camera. The musician on their right is signing into a microphone. Multiple rows of audience members are facing the stage. A bright light from the back of the room creates a glare in the image. The room is dark and it is tinted yellow and pink.
    Abasement #76. Performance documentation, March 3rd, 2025, Artists Space. Photo: Joshua Wildman. [Color image of two performers, shot from behind the stage looking out to the audience. The musician on the left is bent down with their arms out and their back is facing the camera. The musician on their right is signing into a microphone. Multiple rows of audience members are facing the stage. A bright light from the back of the room creates a glare in the image. The room is dark and it is tinted yellow and pink.]
    Caption Abasement #76. Performance documentation, March 3rd, 2025, Artists Space. Photo: Joshua Wildman.
    Image description Color image of two performers, shot from behind the stage looking out to the audience. The musician on the left is bent down with their arms out and their back is facing the camera. The musician on their right is signing into a microphone. Multiple rows of audience members are facing the stage. A bright light from the back of the room creates a glare in the image. The room is dark and it is tinted yellow and pink.
    Year
    Related pages Abasement #76
  • A person looks at several sheets of paper with text and black and white photographs mounted on a wall. Hanging just above the papers is a sculpture of a human head with blonde wig.
    A person looks at several sheets of paper with text and black and white photographs mounted on a wall. Hanging just above the papers is a sculpture of a human head with blonde wig.
    Mr. Dead & Mrs. Free: A History of Squat Theatre. Installation view, Artists Space, 1996. [A person looks at several sheets of paper with text and black and white photographs mounted on a wall. Hanging just above the papers is a sculpture of a human head with blonde wig.]
    Caption Mr. Dead & Mrs. Free: A History of Squat Theatre. Installation view, Artists Space, 1996.
    Image description A person looks at several sheets of paper with text and black and white photographs mounted on a wall. Hanging just above the papers is a sculpture of a human head with blonde wig.
    Year 1996
    Related pages Mr. Dead & Mrs. Free: A History of Squat Theatre (1969 – 1991)
  • Several students listen to a woman speaking, while standing in an exhibition space. Several materials are arranged in a vatrine and several framed artworks hang on the opposite wall. Behind the students are large open windows opening to a cityscape, and one of the windows has the word
    Several students listen to a woman speaking, while standing in an exhibition space. Several materials are arranged in a vatrine and several framed artworks hang on the opposite wall. Behind the students are large open windows opening to a cityscape, and one of the windows has the word
    [Several students listen to a woman speaking, while standing in an exhibition space. Several materials are arranged in a vatrine and several framed artworks hang on the opposite wall. Behind the students are large open windows opening to a cityscape, and one of the windows has the word "PRINT" in large back letters]
    Caption
    Image description Several students listen to a woman speaking, while standing in an exhibition space. Several materials are arranged in a vatrine and several framed artworks hang on the opposite wall. Behind the students are large open windows opening to a cityscape, and one of the windows has the word "PRINT" in large back letters
    Year
    Related pages Exhibitions and Events
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    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A man is shown in front of a Jackson Pollock painting wearing a frilly baby bonnet, sunglasses, a pacifier, a white t-shirt and a white cloth that resembles a diaper.
    A man is shown in front of a Jackson Pollock painting wearing a frilly baby bonnet, sunglasses, a pacifier, a white t-shirt and a white cloth that resembles a diaper.
    Union Gaucha Productions Still from As Long As it Lasts , 2010 Digital video on six screens (silent, color), 191 min Film production and editing assistance: Francisca Caporali and Lior Shvil Originally commissioned by The Museum of Modern Art Courtesy of Union Gaucha Productions and The Museum of Modern Art [A man is shown in front of a Jackson Pollock painting wearing a frilly baby bonnet, sunglasses, a pacifier, a white t-shirt and a white cloth that resembles a diaper.]
    Caption Union Gaucha Productions Still from As Long As it Lasts , 2010 Digital video on six screens (silent, color), 191 min Film production and editing assistance: Francisca Caporali and Lior Shvil Originally commissioned by The Museum of Modern Art Courtesy of Union Gaucha Productions and The Museum of Modern Art
    Image description A man is shown in front of a Jackson Pollock painting wearing a frilly baby bonnet, sunglasses, a pacifier, a white t-shirt and a white cloth that resembles a diaper.
    Year 2010
    Related pages Union Gaucha Productions
  • A black and white photograph of a man standing outside, surrounded by trees and grass, with his hand on a tripod.
    A black and white photograph of a man standing outside, surrounded by trees and grass, with his hand on a tripod.
    Paul Sharits [A black and white photograph of a man standing outside, surrounded by trees and grass, with his hand on a tripod.]
    Caption Paul Sharits
    Image description A black and white photograph of a man standing outside, surrounded by trees and grass, with his hand on a tripod.
    Year
    Related pages Summer Knowledge: Paul Sharits
  • Seven people are in a courtyard in period dress, facing the camera. Some stand on a ladder, another leans against a colonnade in the background. Smoke billows out behind them from an unseen source.
    Seven people are in a courtyard in period dress, facing the camera. Some stand on a ladder, another leans against a colonnade in the background. Smoke billows out behind them from an unseen source.
    Retrovizija (Peter Vezjak), still from Laibach: Sympathy for the Devil, 1988. 5 minutes, 40 seconds. [Seven people are in a courtyard in period dress, facing the camera. Some stand on a ladder, another leans against a colonnade in the background. Smoke billows out behind them from an unseen source.]
    Caption Retrovizija (Peter Vezjak), still from Laibach: Sympathy for the Devil, 1988. 5 minutes, 40 seconds.
    Image description Seven people are in a courtyard in period dress, facing the camera. Some stand on a ladder, another leans against a colonnade in the background. Smoke billows out behind them from an unseen source.
    Year 1988
    Related pages Deconstruction, Quotation, & Subversion: Video from Yugoslavia
  • A photograph of a pale pink stucco wall that separates two properties. Green trees and shrubbery line the side of the wall that is pictured. Additional trees on the neighbor's side are visible, in partial view.
    A photograph of a pale pink stucco wall that separates two properties. Green trees and shrubbery line the side of the wall that is pictured. Additional trees on the neighbor's side are visible, in partial view.
    Michael Asher, permanent work for the Grinstein Collection, Los Angeles, California, USA, 1979. Viewing north on the neighbor’s property toward the reconstructed wall section, as photographed in 2017. Photograph by Jeff McLane. © Michael Asher Foundation. [A photograph of a pale pink stucco wall that separates two properties. Green trees and shrubbery line the side of the wall that is pictured. Additional trees on the neighbor's side are visible, in partial view.]
    Caption Michael Asher, permanent work for the Grinstein Collection, Los Angeles, California, USA, 1979. Viewing north on the neighbor’s property toward the reconstructed wall section, as photographed in 2017. Photograph by Jeff McLane. © Michael Asher Foundation.
    Image description A photograph of a pale pink stucco wall that separates two properties. Green trees and shrubbery line the side of the wall that is pictured. Additional trees on the neighbor's side are visible, in partial view.
    Year 2017
    Related pages Michael Asher
  • Eight colorful paintings are exhibited in a grid pattern on a wall with a small didactic.
    Eight colorful paintings are exhibited in a grid pattern on a wall with a small didactic.
    Art Day, Blue Sky Gallery, 2017 [Eight colorful paintings are exhibited in a grid pattern on a wall with a small didactic. "Blue Sky Gallery - P.S. 140 and Artists Space Expanded Art Ideas" is printed on the wall.]
    Caption Art Day, Blue Sky Gallery, 2017
    Image description Eight colorful paintings are exhibited in a grid pattern on a wall with a small didactic. "Blue Sky Gallery - P.S. 140 and Artists Space Expanded Art Ideas" is printed on the wall.
    Year 2017
    Related pages Exhibitions and Events
  • An inverted color-like green, black, and white, overexposed image of a person wearing a hat, holding thier hands to their face. Most of their facial features are overexposed and not visible. In the bottom right of the image, a grey image is overlaid, as if cut-out, depicting various unidentifiable objects.
    An inverted color-like green, black, and white, overexposed image of a person wearing a hat, holding thier hands to their face. Most of their facial features are overexposed and not visible. In the bottom right of the image, a grey image is overlaid, as if cut-out, depicting various unidentifiable objects.
    Trisha Donnelly, Untitled, 2010, 3 1/2 x 5 in / 8,9 x 12,7 cm, C print, Signed and numbered certificate. [An inverted color-like green, black, and white, overexposed image of a person wearing a hat, holding thier hands to their face. Most of their facial features are overexposed and not visible. In the bottom right of the image, a grey image is overlaid, as if cut-out, depicting various unidentifiable objects.]
    Caption Trisha Donnelly, Untitled, 2010, 3 1/2 x 5 in / 8,9 x 12,7 cm, C print, Signed and numbered certificate.
    Image description An inverted color-like green, black, and white, overexposed image of a person wearing a hat, holding thier hands to their face. Most of their facial features are overexposed and not visible. In the bottom right of the image, a grey image is overlaid, as if cut-out, depicting various unidentifiable objects.
    Year 2010
    Related pages Artists Space Annual Edition Portfolio 2011
  • A person dressed in all pink extends a heart-shaped canvas in front of her, while her eyes look away. She is surrounded by rapt audience members arranged in a semi-circle around her. There are light spots reflected at even intervals patterning the room.
    A person dressed in all pink extends a heart-shaped canvas in front of her, while her eyes look away. She is surrounded by rapt audience members arranged in a semi-circle around her. There are light spots reflected at even intervals patterning the room.
    Jutta Koether: xxapollo. Performance documentation, January 5, 2020, Artists Space. Photo © 2020 Paula Court. [A person dressed in all pink extends a heart-shaped canvas in front of her, while her eyes look away. She is surrounded by rapt audience members arranged in a semi-circle around her. There are light spots reflected at even intervals patterning the room.]
    Caption Jutta Koether: xxapollo. Performance documentation, January 5, 2020, Artists Space. Photo © 2020 Paula Court.
    Image description A person dressed in all pink extends a heart-shaped canvas in front of her, while her eyes look away. She is surrounded by rapt audience members arranged in a semi-circle around her. There are light spots reflected at even intervals patterning the room.
    Year 2020
    Related pages Jutta Koether
  • A black-and-white image depicting several translucent photos overlaid, some of natural plant life and others of industrial scenes, with power lines and bridge spokes
    A black-and-white image depicting several translucent photos overlaid, some of natural plant life and others of industrial scenes, with power lines and bridge spokes
    Sharon Halliday, Shaded Times, 2014 [A black-and-white image depicting several translucent photos overlaid, some of natural plant life and others of industrial scenes, with power lines and bridge spokes]
    Caption Sharon Halliday, Shaded Times, 2014
    Image description A black-and-white image depicting several translucent photos overlaid, some of natural plant life and others of industrial scenes, with power lines and bridge spokes
    Year 2014
    Related pages Scholastic Art and Writing Awards
  • Three red, orange, and green fabric rolls are arranged vertically on a white wall. Further along the wall, two marbled, gray and red sheets have been hung low on the wall such that their lower halves drape on the gallery floor.
    Three red, orange, and green fabric rolls are arranged vertically on a white wall. Further along the wall, two marbled, gray and red sheets have been hung low on the wall such that their lower halves drape on the gallery floor.
    Local Transit. Installation view, Artists Space, 2006. [Three red, orange, and green fabric rolls are arranged vertically on a white wall. Further along the wall, two marbled, gray and red sheets have been hung low on the wall such that their lower halves drape on the gallery floor.]
    Caption Local Transit. Installation view, Artists Space, 2006.
    Image description Three red, orange, and green fabric rolls are arranged vertically on a white wall. Further along the wall, two marbled, gray and red sheets have been hung low on the wall such that their lower halves drape on the gallery floor.
    Year 2006
    Related pages Local Transit: An Exhibition in Two Parts
  • A bedroom scene set up in the middle of an open room, seen between two white poles. There is a beige rug, with a chrome lamp and matching bed frame. The bed has blue sheets with a dark blue comforter cover and a red blanket. There is a wooden chair facing in, and a brown table with assorted bottles on top. On the far side of the bed is a coffee machine, microwave, and television. In the background, various framed images are hung on white gallery walls.
    A bedroom scene set up in the middle of an open room, seen between two white poles. There is a beige rug, with a chrome lamp and matching bed frame. The bed has blue sheets with a dark blue comforter cover and a red blanket. There is a wooden chair facing in, and a brown table with assorted bottles on top. On the far side of the bed is a coffee machine, microwave, and television. In the background, various framed images are hung on white gallery walls.
    The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich. [A bedroom scene set up in the middle of an open room, seen between two white poles. There is a beige rug, with a chrome lamp and matching bed frame. The bed has blue sheets with a dark blue comforter cover and a red blanket. There is a wooden chair facing in, and a brown table with assorted bottles on top. On the far side of the bed is a coffee machine, microwave, and television. In the background, various framed images are hung on white gallery walls.]
    Caption The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich.
    Image description A bedroom scene set up in the middle of an open room, seen between two white poles. There is a beige rug, with a chrome lamp and matching bed frame. The bed has blue sheets with a dark blue comforter cover and a red blanket. There is a wooden chair facing in, and a brown table with assorted bottles on top. On the far side of the bed is a coffee machine, microwave, and television. In the background, various framed images are hung on white gallery walls.
    Year 2008
    Related pages The New Normal
  • A color image of a drawing consisting of green, purple, yellow, and red lines and shapes that form an abstract composition. Single line white drawings complement the composition.
    A color image of a drawing consisting of green, purple, yellow, and red lines and shapes that form an abstract composition. Single line white drawings complement the composition.
    Renee Gladman, Untitled (black city), 2022, oil pastel and pigment on paper, 30 x 44 inches. Image courtesy Artists Space, New York. Photo: Filip Wolak. [A color image of a drawing consisting of green, purple, yellow, and red lines and shapes that form an abstract composition. Single line white drawings complement the composition.]
    Caption Renee Gladman, Untitled (black city), 2022, oil pastel and pigment on paper, 30 x 44 inches. Image courtesy Artists Space, New York. Photo: Filip Wolak.
    Image description A color image of a drawing consisting of green, purple, yellow, and red lines and shapes that form an abstract composition. Single line white drawings complement the composition.
    Year
    Related pages Renee Gladman
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  • A figure with long brown hair wearing a gray sweater over a light pink and white button-down shirt clenches their eyes shut as a red ball hits their face.
    A figure with long brown hair wearing a gray sweater over a light pink and white button-down shirt clenches their eyes shut as a red ball hits their face.
    Traci Tullius, Some People Never Learn, 2001. [A figure with long brown hair wearing a gray sweater over a light pink and white button-down shirt clenches their eyes shut as a red ball hits their face.]
    Caption Traci Tullius, Some People Never Learn, 2001.
    Image description A figure with long brown hair wearing a gray sweater over a light pink and white button-down shirt clenches their eyes shut as a red ball hits their face.
    Year 2005
    Related pages Open Video Call
  • A black and white photograph of a multicolored globe sitting on a wooden floor.
    A black and white photograph of a multicolored globe sitting on a wooden floor.
    Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Gary Burnley. [A black and white photograph of a multicolored globe sitting on a wooden floor.]
    Caption Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Gary Burnley.
    Image description A black and white photograph of a multicolored globe sitting on a wooden floor.
    Year
    Related pages Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach
  • A discolored envolope, stained and frayed, with cursive handwriting that reads
    A discolored envolope, stained and frayed, with cursive handwriting that reads
    Rent check envelope prop, c.1970s. Copyright Jack Smith Archive. Courtesy Gladstone Gallery, New York and Brussels [A discolored envolope, stained and frayed, with cursive handwriting that reads "The Lobster Lucky Landlord Paradise".]
    Caption Rent check envelope prop, c.1970s. Copyright Jack Smith Archive. Courtesy Gladstone Gallery, New York and Brussels
    Image description A discolored envolope, stained and frayed, with cursive handwriting that reads "The Lobster Lucky Landlord Paradise".
    Year
    Related pages Jack Smith: Art Crust of Spiritual Oasis
  • Installation view of several cast concrete blocks arranged on top of one another and leaning against each other, in two groups, standing on a wood floor.
    Installation view of several cast concrete blocks arranged on top of one another and leaning against each other, in two groups, standing on a wood floor.
    Beverly Buchanan, slab works, c. 1978–1980. Cast concrete sculptures with acrylic paint. Dimensions unknown. Courtesy the Frances Mulhall Achiles Library, Artist File, Whitney Museum of American Art. [Installation view of several cast concrete blocks arranged on top of one another and leaning against each other, in two groups, standing on a wood floor.]
    Caption Beverly Buchanan, slab works, c. 1978–1980. Cast concrete sculptures with acrylic paint. Dimensions unknown. Courtesy the Frances Mulhall Achiles Library, Artist File, Whitney Museum of American Art.
    Image description Installation view of several cast concrete blocks arranged on top of one another and leaning against each other, in two groups, standing on a wood floor.
    Year
    Related pages Beverly Buchanan, 1978 – 1981
  • A stone-walled lawn filled with people watching Kembra Pfahler.
    A stone-walled lawn filled with people watching Kembra Pfahler.
    Kembra Pfahler performing with the Girls of Karen Black. Photo: © Paula Court, 2018. [A stone-walled lawn filled with people watching Kembra Pfahler.]
    Caption Kembra Pfahler performing with the Girls of Karen Black. Photo: © Paula Court, 2018.
    Image description A stone-walled lawn filled with people watching Kembra Pfahler.
    Year 2018
    Related pages Garden Party at Marble Cemetery
  • A white wall with three sets of multiple photographs of rooms. Each set of photographs has a framed accompanying text below.
    A white wall with three sets of multiple photographs of rooms. Each set of photographs has a framed accompanying text below.
    Sean Snyder. Installation view, Artists Space, 2010-11. Photo: Daniel Peréz. [A white wall with three sets of multiple photographs of rooms. Each set of photographs has a framed accompanying text below.]
    Caption Sean Snyder. Installation view, Artists Space, 2010-11. Photo: Daniel Peréz.
    Image description A white wall with three sets of multiple photographs of rooms. Each set of photographs has a framed accompanying text below.
    Year 2010
    Related pages Sean Snyder
  • A color image of three framed works against a white wall. The drawings are done on black paper and depict abstract compositions made up of white, and colorful shapes, lines and strokes.
    A color image of three framed works against a white wall. The drawings are done on black paper and depict abstract compositions made up of white, and colorful shapes, lines and strokes.
    Renee Gladman: Narratives of Magnitude. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of three framed works against a white wall. The drawings are done on black paper and depict abstract compositions made up of white, and colorful shapes, lines and strokes.]
    Caption Renee Gladman: Narratives of Magnitude. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A color image of three framed works against a white wall. The drawings are done on black paper and depict abstract compositions made up of white, and colorful shapes, lines and strokes.
    Year
    Related pages Renee Gladman
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    Year
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  • Six figures stand before a set of music stands in front of a seated audience in an interior space with industrial columns. They stand side by side in a horizontal line and are illuminated by overhead lights. A figure at the group's center looks up towards the audience, speaking. Their outstretched hand gestures towards the crowd.
    Six figures stand before a set of music stands in front of a seated audience in an interior space with industrial columns. They stand side by side in a horizontal line and are illuminated by overhead lights. A figure at the group's center looks up towards the audience, speaking. Their outstretched hand gestures towards the crowd.
    The Owl Answers. Performance documentation, February 29, 2020, Artists Space. Photo ©️ 2020 Filip Wolak. [Six figures stand before a set of music stands in front of a seated audience in an interior space with industrial columns. They stand side by side in a horizontal line and are illuminated by overhead lights. A figure at the group's center looks up towards the audience, speaking. Their outstretched hand gestures towards the crowd.]
    Caption The Owl Answers. Performance documentation, February 29, 2020, Artists Space. Photo ©️ 2020 Filip Wolak.
    Image description Six figures stand before a set of music stands in front of a seated audience in an interior space with industrial columns. They stand side by side in a horizontal line and are illuminated by overhead lights. A figure at the group's center looks up towards the audience, speaking. Their outstretched hand gestures towards the crowd.
    Year 2020
    Related pages The Owl Answers
  • Three large wall text pieces appear in a white-walled gallery space.
    Three large wall text pieces appear in a white-walled gallery space.
    Young Fluxus. Installation view, Artists Space, 1982. [Three large wall text pieces appear in a white-walled gallery space.]
    Caption Young Fluxus. Installation view, Artists Space, 1982.
    Image description Three large wall text pieces appear in a white-walled gallery space.
    Year
    Related pages Young Fluxus
  • Six glass vitrines displaying books, photographs, and other paper ephemera are installed in the center of a gallery space. A series of old Hollywood films are projected on the back wall of the exhibition space.
    Six glass vitrines displaying books, photographs, and other paper ephemera are installed in the center of a gallery space. A series of old Hollywood films are projected on the back wall of the exhibition space.
    She Who Is: Adrienne Kennedy and the Drama of Difference. Installation view, Artists Space, February 29 – September 19, 2020. Photo: Filip Wolak. [Six glass vitrines displaying books, photographs, and other paper ephemera are installed in the center of a gallery space. A series of old Hollywood films are projected on the back wall of the exhibition space.]
    Caption She Who Is: Adrienne Kennedy and the Drama of Difference. Installation view, Artists Space, February 29 – September 19, 2020. Photo: Filip Wolak.
    Image description Six glass vitrines displaying books, photographs, and other paper ephemera are installed in the center of a gallery space. A series of old Hollywood films are projected on the back wall of the exhibition space.
    Year 2020
    Related pages She Who Is: Adrienne Kennedy and the Drama of Difference
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  • The corner of a gallery space with a wooden camper structure placed there. Two ramps lead to doorways along the front and side of the structure. The edge of a free-standing white wall sits to the left of the camper..
    The corner of a gallery space with a wooden camper structure placed there. Two ramps lead to doorways along the front and side of the structure. The edge of a free-standing white wall sits to the left of the camper..
    Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view, Artists Space, 2023. Photo: Filip Wolak. [The corner of a gallery space with a wooden camper structure placed there. Two ramps lead to doorways along the front and side of the structure. The edge of a free-standing white wall sits to the left of the camper..]
    Caption Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description The corner of a gallery space with a wooden camper structure placed there. Two ramps lead to doorways along the front and side of the structure. The edge of a free-standing white wall sits to the left of the camper..
    Year 2023
    Related pages Shala Miller, Malcolm Peacock, Amiri Baraka
  • A drawing of various animals running or flying around in an indoor dwelling with three figures in states of disarray around them.
    A drawing of various animals running or flying around in an indoor dwelling with three figures in states of disarray around them.
    David Kroll. The Aftermath of Columbus' Coming, 1985. [A drawing of various animals running or flying around in an indoor dwelling with three figures in states of disarray around them.]
    Caption David Kroll. The Aftermath of Columbus' Coming, 1985.
    Image description A drawing of various animals running or flying around in an indoor dwelling with three figures in states of disarray around them.
    Year
    Related pages Recent Art from Chicago
  • Dark blue text overlays red-pink background. The text reads: “March 4 / John Godfrey / Nicole Wallace.
    Dark blue text overlays red-pink background. The text reads: “March 4 / John Godfrey / Nicole Wallace.
    [Dark blue text overlays red-pink background. The text reads: “March 4 / John Godfrey / Nicole Wallace." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description Dark blue text overlays red-pink background. The text reads: “March 4 / John Godfrey / Nicole Wallace." Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year
    Related pages Segue Reading Series: John Godfrey & Nicole Wallace
  • A black and white installation photograph of a sculpture. The work features two wooden rods, connected to form an obtuse angle in the center. The end of each rod has a set of wheels, and the piece rests on a sling-like piece of sturdy fabric.
    A black and white installation photograph of a sculpture. The work features two wooden rods, connected to form an obtuse angle in the center. The end of each rod has a set of wheels, and the piece rests on a sling-like piece of sturdy fabric.
    Louisa Chase. Installation view, Louisa Chase, Ted Stamm, Meryl Vladimer, Artists Space, 1975. [A black and white installation photograph of a sculpture. The work features two wooden rods, connected to form an obtuse angle in the center. The end of each rod has a set of wheels, and the piece rests on a sling-like piece of sturdy fabric.]
    Caption Louisa Chase. Installation view, Louisa Chase, Ted Stamm, Meryl Vladimer, Artists Space, 1975.
    Image description A black and white installation photograph of a sculpture. The work features two wooden rods, connected to form an obtuse angle in the center. The end of each rod has a set of wheels, and the piece rests on a sling-like piece of sturdy fabric.
    Year 1975
    Related pages Louisa Chase, Ted Stamm, Meryl Vladimer
  • A color photograph of two wooden cafe chairs with green cushions in a gallery space. A television screen with a cord extending down to an outlet in the floor rests upon each chair.
    A color photograph of two wooden cafe chairs with green cushions in a gallery space. A television screen with a cord extending down to an outlet in the floor rests upon each chair.
    Nicole-Antonia Spagnola, Untitled, 2022. Raw Power, Raw Power; Kollettivo, Lotta per il potere; Antigenesi, Una donna non e’ merda; Negazione, Tutti Pazzi; RAF Punk, Contro la pace Contro la guerra; Peggio Punx, Scemo. 8mm to MP4 transfer (color, sound), monitors, chairs. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of two wooden cafe chairs with green cushions in a gallery space. A television screen with a cord extending down to an outlet in the floor rests upon each chair.]
    Caption Nicole-Antonia Spagnola, Untitled, 2022. Raw Power, Raw Power; Kollettivo, Lotta per il potere; Antigenesi, Una donna non e’ merda; Negazione, Tutti Pazzi; RAF Punk, Contro la pace Contro la guerra; Peggio Punx, Scemo. 8mm to MP4 transfer (color, sound), monitors, chairs. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color photograph of two wooden cafe chairs with green cushions in a gallery space. A television screen with a cord extending down to an outlet in the floor rests upon each chair.
    Year 2022
    Related pages Nicole-Antonia Spagnola: Anti-Genesis
  • Four pornographic illustrations of men in jail cells are framed on the wall.
    Four pornographic illustrations of men in jail cells are framed on the wall.
    Tom of Finland: The Pleasure of Play. Installation view, Artists Space, 2015. [Four pornographic illustrations of men in jail cells are framed on the wall.]
    Caption Tom of Finland: The Pleasure of Play. Installation view, Artists Space, 2015.
    Image description Four pornographic illustrations of men in jail cells are framed on the wall.
    Year 2015
    Related pages Tom of Finland: The Pleasure of Play
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    Related pages Anne Gardiner: Through the Tulips and The Red Red Rose - May 2
  • Several students stand around a large science room desk. One holds a model of a Delta airplane, smiling for the camera. The rest are busy at work.
    Several students stand around a large science room desk. One holds a model of a Delta airplane, smiling for the camera. The rest are busy at work.
    Collaborative team of students working on their design, 2018 [Several students stand around a large science room desk. One holds a model of a Delta airplane, smiling for the camera. The rest are busy at work.]
    Caption Collaborative team of students working on their design, 2018
    Image description Several students stand around a large science room desk. One holds a model of a Delta airplane, smiling for the camera. The rest are busy at work.
    Year 2018
    Related pages Threads of History
  • A color image of a figure, seen from behind, performing on stage. The figure sits on a chair and plays the guitar, and the audience is on the background. Red, and purple light fills the room.
    A color image of a figure, seen from behind, performing on stage. The figure sits on a chair and plays the guitar, and the audience is on the background. Red, and purple light fills the room.
    Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman. [A color image of a figure, seen from behind, performing on stage. The figure sits on a chair and plays the guitar, and the audience is on the background. Red, and purple light fills the room.]
    Caption Abasement #65. Performance documentation, September 18, 2023, Artists Space. Photo: Joshua Wildman.
    Image description A color image of a figure, seen from behind, performing on stage. The figure sits on a chair and plays the guitar, and the audience is on the background. Red, and purple light fills the room.
    Year
    Related pages Abasement #65
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    Related pages Sharon Hayes and Brooke O'Harra 2
  • Color image of a pile of freeway rubble arranged on the floor, with a sculpture of a bird made of a deconstructed Nike sneaker perched on top of the pile, with its wings spread.
    Color image of a pile of freeway rubble arranged on the floor, with a sculpture of a bird made of a deconstructed Nike sneaker perched on top of the pile, with its wings spread.
    rafa esparza, NH1, 2023, 1 pair of US mens size 11 black and white Nike Cortez, chicken wire, and black Nike socks, freeway rubble. Image courtesy Artists Space, New York. Photo: Filip Wolak. [Color image of a pile of freeway rubble arranged on the floor, with a sculpture of a bird made of a deconstructed Nike sneaker perched on top of the pile, with its wings spread.]
    Caption rafa esparza, NH1, 2023, 1 pair of US mens size 11 black and white Nike Cortez, chicken wire, and black Nike socks, freeway rubble. Image courtesy Artists Space, New York. Photo: Filip Wolak.
    Image description Color image of a pile of freeway rubble arranged on the floor, with a sculpture of a bird made of a deconstructed Nike sneaker perched on top of the pile, with its wings spread.
    Year
    Related pages rafa esparza: Camino
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    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Two figures wearing medical scrubs stand on the edge of pieces of red fabric, stretching their arms outward.
    Two figures wearing medical scrubs stand on the edge of pieces of red fabric, stretching their arms outward.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court [Two figures wearing medical scrubs stand on the edge of pieces of red fabric, stretching their arms outward.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court
    Image description Two figures wearing medical scrubs stand on the edge of pieces of red fabric, stretching their arms outward.
    Year 2022
    Related pages Grandmother Cindy
  • Several small planks of wood of different sizes, shapes, and colors lean against a white gallery wall. Different words have been painted across the length of each plank, including
    Several small planks of wood of different sizes, shapes, and colors lean against a white gallery wall. Different words have been painted across the length of each plank, including
    Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [Several small planks of wood of different sizes, shapes, and colors lean against a white gallery wall. Different words have been painted across the length of each plank, including "rhythm," "grace," "love," and "warmth." Above the planks hang two framed, green paintings.]
    Caption Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description Several small planks of wood of different sizes, shapes, and colors lean against a white gallery wall. Different words have been painted across the length of each plank, including "rhythm," "grace," "love," and "warmth." Above the planks hang two framed, green paintings.
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
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    Year
    Related pages Dream Lines: Drawings by Marian Zazeela
  • Text written in black on white background reads,
    Text written in black on white background reads,
    Martha Wallner and Miriam Loasiga. Still from Con Guerra O Sin Guerra (With or Without War), 1987. Video (sound, black and white). 20 minutes. Spanish with English subtitles. [Text written in black on white background reads, "-inista ejercityo popular sandiniista ejerc-". A line above the text appears as a type of rope or barbed wire and the top opens up into black. Video scan lines and black edges of CRT monitor are visible.]
    Caption Martha Wallner and Miriam Loasiga. Still from Con Guerra O Sin Guerra (With or Without War), 1987. Video (sound, black and white). 20 minutes. Spanish with English subtitles.
    Image description Text written in black on white background reads, "-inista ejercityo popular sandiniista ejerc-". A line above the text appears as a type of rope or barbed wire and the top opens up into black. Video scan lines and black edges of CRT monitor are visible.
    Year 1987
    Related pages TV Sandino
  • A poster design with a light, gradated purple background with cloud-like, blue patterns laid overtop it. The cloud forms partially obstruct a large, digital rainbow wheel and extremely elongated text that reads
    A poster design with a light, gradated purple background with cloud-like, blue patterns laid overtop it. The cloud forms partially obstruct a large, digital rainbow wheel and extremely elongated text that reads
    [A poster design with a light, gradated purple background with cloud-like, blue patterns laid overtop it. The cloud forms partially obstruct a large, digital rainbow wheel and extremely elongated text that reads "WikiLeaks." Small text at the poster's bottom spells out the event details.]
    Caption
    Image description A poster design with a light, gradated purple background with cloud-like, blue patterns laid overtop it. The cloud forms partially obstruct a large, digital rainbow wheel and extremely elongated text that reads "WikiLeaks." Small text at the poster's bottom spells out the event details.
    Year 2012
    Related pages WikiLeaks Dark Store
  • Color image of a gallery space. To the left, a taxidermied griffon vulture rests on a branch protuding from a section of a tree. Rusted, chain link fence is interwoven into the bark of the tree. Off to the right, a small shovel afixed to a childs chair is placed on the ground.
    Color image of a gallery space. To the left, a taxidermied griffon vulture rests on a branch protuding from a section of a tree. Rusted, chain link fence is interwoven into the bark of the tree. Off to the right, a small shovel afixed to a childs chair is placed on the ground.
    Andy Robert: PAPALOKO. Installation view(Ruin, 2023; Untitled, 2023), Artists Space, 2024. Photo: Carter Seddon. [Color image of a gallery space. To the left, a taxidermied griffon vulture rests on a branch protuding from a section of a tree. Rusted, chain link fence is interwoven into the bark of the tree. Off to the right, a small shovel afixed to a childs chair is placed on the ground.]
    Caption Andy Robert: PAPALOKO. Installation view(Ruin, 2023; Untitled, 2023), Artists Space, 2024. Photo: Carter Seddon.
    Image description Color image of a gallery space. To the left, a taxidermied griffon vulture rests on a branch protuding from a section of a tree. Rusted, chain link fence is interwoven into the bark of the tree. Off to the right, a small shovel afixed to a childs chair is placed on the ground.
    Year
    Related pages Andy Robert: Papaloko
  • Two figures move a table on wheels.
    Two figures move a table on wheels.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York. [Two figures move a table on wheels.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 18, 2022, 7:30pm. Artists Space, New York.
    Image description Two figures move a table on wheels.
    Year
    Related pages Grandmother Cindy
  • Close up image of a series of black shelves mounted to a white wall. Various wooden blocks painted with scenes of crowds, witches, and other characters are placed on the shelves, alongside smaller blocks decorated with white letters that spell out words including
    Close up image of a series of black shelves mounted to a white wall. Various wooden blocks painted with scenes of crowds, witches, and other characters are placed on the shelves, alongside smaller blocks decorated with white letters that spell out words including
    [Close up image of a series of black shelves mounted to a white wall. Various wooden blocks painted with scenes of crowds, witches, and other characters are placed on the shelves, alongside smaller blocks decorated with white letters that spell out words including "stooge," "atheist," and "traitor." At the center of the shelves sits a black figurine of a goat.]
    Caption
    Image description Close up image of a series of black shelves mounted to a white wall. Various wooden blocks painted with scenes of crowds, witches, and other characters are placed on the shelves, alongside smaller blocks decorated with white letters that spell out words including "stooge," "atheist," and "traitor." At the center of the shelves sits a black figurine of a goat.
    Year 1991
    Related pages Project: Our Bodice, Our Selves
  • A brass outlet plug against a wooden floor has a cable plugged into one socket, and the other socket is covered by a flat brass circle with the text
    A brass outlet plug against a wooden floor has a cable plugged into one socket, and the other socket is covered by a flat brass circle with the text
    Nandi Loaf, 的1-9, 2025. Reclaimed electrical infrastructure, branded site-specific hardware, standardized socket covers, branded overlays. Photo: Carter Seddon. [A brass outlet plug against a wooden floor has a cable plugged into one socket, and the other socket is covered by a flat brass circle with the text "8...Blitze(nn)" engraved on it.]
    Caption Nandi Loaf, 的1-9, 2025. Reclaimed electrical infrastructure, branded site-specific hardware, standardized socket covers, branded overlays. Photo: Carter Seddon.
    Image description A brass outlet plug against a wooden floor has a cable plugged into one socket, and the other socket is covered by a flat brass circle with the text "8...Blitze(nn)" engraved on it.
    Year
    Related pages Nandi Loaf Aristotelis Nikolas Mochloulis Ricardo Nagaoka Sydney Schrader
  • An abstract image of two rectangles, one light and one dark, each dotted with a grid of circles. Below this, black text reads,
    An abstract image of two rectangles, one light and one dark, each dotted with a grid of circles. Below this, black text reads,
    Pamphlet Cover for Mike Henderson, Artists Space, 1990. [An abstract image of two rectangles, one light and one dark, each dotted with a grid of circles. Below this, black text reads, "Mike Henderson, April 19-May 19, Artists Space."]
    Caption Pamphlet Cover for Mike Henderson, Artists Space, 1990.
    Image description An abstract image of two rectangles, one light and one dark, each dotted with a grid of circles. Below this, black text reads, "Mike Henderson, April 19-May 19, Artists Space."
    Year 1990
    Related pages Mike Henderson
  • A black and white photograph of a crowded room filled with people conversing.
    A black and white photograph of a crowded room filled with people conversing.
    Opening at the Tanager Gallery, NY, 1959. [A black and white photograph of a crowded room filled with people conversing.]
    Caption Opening at the Tanager Gallery, NY, 1959.
    Image description A black and white photograph of a crowded room filled with people conversing.
    Year 1959
    Related pages Goodbye to Tenth Street, A Novel by Irving Sandler
  • Several empty food containers and milk boxes on a hardwood floor, with milk spilled out all over the floor.
    Several empty food containers and milk boxes on a hardwood floor, with milk spilled out all over the floor.
    INFESTED. Installation view, Arists Space, 2013. Photo: Lyndsy Welgos. [Several empty food containers and milk boxes on a hardwood floor, with milk spilled out all over the floor.]
    Caption INFESTED. Installation view, Arists Space, 2013. Photo: Lyndsy Welgos.
    Image description Several empty food containers and milk boxes on a hardwood floor, with milk spilled out all over the floor.
    Year 2013
    Related pages INFESTED
  • Black and white line drawing of a bucket with handle.
    Black and white line drawing of a bucket with handle.
    [Black and white line drawing of a bucket with handle.]
    Caption
    Image description Black and white line drawing of a bucket with handle.
    Year 2018
    Related pages Coop Fund Workshops
  • Three figures perform in a basement. On the left a figure in a blue morph suit wears a pair of wings made of fresnel lenses. On the right another figure in a blue morph suit stands behind a rolling table made of wood and fresnel lenses. Another figure to the far right takes video footage.
    Three figures perform in a basement. On the left a figure in a blue morph suit wears a pair of wings made of fresnel lenses. On the right another figure in a blue morph suit stands behind a rolling table made of wood and fresnel lenses. Another figure to the far right takes video footage.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Three figures perform in a basement. On the left a figure in a blue morph suit wears a pair of wings made of fresnel lenses. On the right another figure in a blue morph suit stands behind a rolling table made of wood and fresnel lenses. Another figure to the far right takes video footage.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Three figures perform in a basement. On the left a figure in a blue morph suit wears a pair of wings made of fresnel lenses. On the right another figure in a blue morph suit stands behind a rolling table made of wood and fresnel lenses. Another figure to the far right takes video footage.
    Year 2022
    Related pages SCRAAATCH 11-19
  • People standing around a gallery space with various globes surrounding them and frame images hanging on the wall to the right.
    People standing around a gallery space with various globes surrounding them and frame images hanging on the wall to the right.
    Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Gary Burnley. [People standing around a gallery space with various globes surrounding them and frame images hanging on the wall to the right.]
    Caption Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork by Gary Burnley.
    Image description People standing around a gallery space with various globes surrounding them and frame images hanging on the wall to the right.
    Year 1979
    Related pages Gary Burnley
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