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  • Black-and-white image of a group of figures in suits and white shirts surrounding a large military tank, they are grabbing the sides and trying to control the vehicle.
    Black-and-white image of a group of figures in suits and white shirts surrounding a large military tank, they are grabbing the sides and trying to control the vehicle.
    Motoharu Jonouchi, Document 6-15, 1961-62 [Black-and-white image of a group of figures in suits and white shirts surrounding a large military tank, they are grabbing the sides and trying to control the vehicle.]
    Caption Motoharu Jonouchi, Document 6-15, 1961-62
    Image description Black-and-white image of a group of figures in suits and white shirts surrounding a large military tank, they are grabbing the sides and trying to control the vehicle.
    Year
    Related pages Yasunao Tone Film Screening #4
  • Black and green sans-serif text decorating a white gallery wall. Large, green text stacked vertically reads,
    Black and green sans-serif text decorating a white gallery wall. Large, green text stacked vertically reads,
    Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt. [Black and green sans-serif text decorating a white gallery wall. Large, green text stacked vertically reads, "lines of loss." Smaller, black text superimposed over each of the green lettered words reads, "gabriel kuri damian ortega manuel rocha mauricio rocha guillermo santamarina." A small wall label below the text notes the exhibition's sponsors.]
    Caption Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt.
    Image description Black and green sans-serif text decorating a white gallery wall. Large, green text stacked vertically reads, "lines of loss." Smaller, black text superimposed over each of the green lettered words reads, "gabriel kuri damian ortega manuel rocha mauricio rocha guillermo santamarina." A small wall label below the text notes the exhibition's sponsors.
    Year 1997
    Related pages Lines of Loss
  • Color photograph of two figures preparing to perform. In the foreground, out of focus, is the side profile of a figure playing a white keyboard, with music sheets in front of them. To the right, in focus, another figure sits on a wooden chair, eyes closed in concentration and behind a microphone stand.
    Color photograph of two figures preparing to perform. In the foreground, out of focus, is the side profile of a figure playing a white keyboard, with music sheets in front of them. To the right, in focus, another figure sits on a wooden chair, eyes closed in concentration and behind a microphone stand.
    Shala Miller performs Genesis: Medley at Artists Space, co-presented with Frieze New York 2023. Performance documentation, May 19th. Photo by Vanessa Diaz/CKA. Courtesy of Frieze. [Color photograph of two figures preparing to perform. In the foreground, out of focus, is the side profile of a figure playing a white keyboard, with music sheets in front of them. To the right, in focus, another figure sits on a wooden chair, eyes closed in concentration and behind a microphone stand.]
    Caption Shala Miller performs Genesis: Medley at Artists Space, co-presented with Frieze New York 2023. Performance documentation, May 19th. Photo by Vanessa Diaz/CKA. Courtesy of Frieze.
    Image description Color photograph of two figures preparing to perform. In the foreground, out of focus, is the side profile of a figure playing a white keyboard, with music sheets in front of them. To the right, in focus, another figure sits on a wooden chair, eyes closed in concentration and behind a microphone stand.
    Year 2023
    Related pages Genesis: Medley
  • Black text overlays a white background with a blue bunch of flowers in the lower right corner. The top left corner reads: “Sheila Maldonado / & Rick Snyder / April 9, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”
    Black text overlays a white background with a blue bunch of flowers in the lower right corner. The top left corner reads: “Sheila Maldonado / & Rick Snyder / April 9, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”
    Flyer for Segue Reading Series featuring Sheila Maldonado & Rick Snyder. April 9, 2022, Artists Space. [Black text overlays a white background with a blue bunch of flowers in the lower right corner. The top left corner reads: “Sheila Maldonado / & Rick Snyder / April 9, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”]
    Caption Flyer for Segue Reading Series featuring Sheila Maldonado & Rick Snyder. April 9, 2022, Artists Space.
    Image description Black text overlays a white background with a blue bunch of flowers in the lower right corner. The top left corner reads: “Sheila Maldonado / & Rick Snyder / April 9, 5pm.” The middle reads: “Segue Reading Series & ARTISTS SPACE.” The bottom left reads: “11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519.”
    Year 2022
    Related pages Segue Reading Series: Sheila Maldonado & Rick Snyder
  • A color image of an unframed colorful drawing reasting on a wooden easel. The drawing shows a figure elagantly sitting cross-legged on a black chair. In the background, two painting are on the floor laying against the wall.
    A color image of an unframed colorful drawing reasting on a wooden easel. The drawing shows a figure elagantly sitting cross-legged on a black chair. In the background, two painting are on the floor laying against the wall.
    Drake Carr, Tonne Goodman, 2023. Colored pencil on paper. 40 1/8 x 30 1/8 inches. Image courtesy Artists Space, New York. Photo: Filip Wolak. [A color image of an unframed colorful drawing reasting on a wooden easel. The drawing shows a figure elagantly sitting cross-legged on a black chair. In the background, two painting are on the floor laying against the wall.]
    Caption Drake Carr, Tonne Goodman, 2023. Colored pencil on paper. 40 1/8 x 30 1/8 inches. Image courtesy Artists Space, New York. Photo: Filip Wolak.
    Image description A color image of an unframed colorful drawing reasting on a wooden easel. The drawing shows a figure elagantly sitting cross-legged on a black chair. In the background, two painting are on the floor laying against the wall.
    Year
    Related pages Drake Carr: Housecalls
  • A teal circle on a white background with several names written around the perimeter, circling the midpoint of the circle. White text on the right side of the circle reads,
    A teal circle on a white background with several names written around the perimeter, circling the midpoint of the circle. White text on the right side of the circle reads,
    Poster for No Total Weekend, May 29-31, 2015, Artists Space. [A teal circle on a white background with several names written around the perimeter, circling the midpoint of the circle. White text on the right side of the circle reads, "May 29-31. 2015 / No Total Weekend." The rest of the text spells out the schedule of the event.]
    Caption Poster for No Total Weekend, May 29-31, 2015, Artists Space.
    Image description A teal circle on a white background with several names written around the perimeter, circling the midpoint of the circle. White text on the right side of the circle reads, "May 29-31. 2015 / No Total Weekend." The rest of the text spells out the schedule of the event.
    Year 2015
    Related pages No Total Weekend
  • Two figures wearing medical scrubs hold a mannequin over a table.
    Two figures wearing medical scrubs hold a mannequin over a table.
    Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court [Two figures wearing medical scrubs hold a mannequin over a table.]
    Caption Devynn Emory: Grandmother Cindy. Performance documentation, May 8, 2022, 7pm. Artists Space, New York. Photo: Paula Court
    Image description Two figures wearing medical scrubs hold a mannequin over a table.
    Year 2022
    Related pages Grandmother Cindy
  • Several drawings and small paintings pinnned to the outside of a cabinet depicting city scenes, portraits, and still life images.
    Several drawings and small paintings pinnned to the outside of a cabinet depicting city scenes, portraits, and still life images.
    Classroom wall at PS140 Nathan Straus, with work from students in the Portfolio Development program. [Several drawings and small paintings pinnned to the outside of a cabinet depicting city scenes, portraits, and still life images.]
    Caption Classroom wall at PS140 Nathan Straus, with work from students in the Portfolio Development program.
    Image description Several drawings and small paintings pinnned to the outside of a cabinet depicting city scenes, portraits, and still life images.
    Year 2014
    Related pages The Importance of Art Education
  • Color image of a gallery space with large panels of adobe with paintings of various figures on them. Adobe bricks are laid out on the floor to create a small walkway.
    Color image of a gallery space with large panels of adobe with paintings of various figures on them. Adobe bricks are laid out on the floor to create a small walkway.
    rafa esparza: Camino. Installation view, Artists Space, 2023. Photo: Filip Wolak. [Color image of a gallery space with large panels of adobe with paintings of various figures on them. Adobe bricks are laid out on the floor to create a small walkway.]
    Caption rafa esparza: Camino. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description Color image of a gallery space with large panels of adobe with paintings of various figures on them. Adobe bricks are laid out on the floor to create a small walkway.
    Year
    Related pages rafa esparza: Camino
  • A figure in a blue morph suit kneels down on one knee, placing their hands on top of a table made of wood and fresnel lenses while audience members watch in the background.
    A figure in a blue morph suit kneels down on one knee, placing their hands on top of a table made of wood and fresnel lenses while audience members watch in the background.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [A figure in a blue morph suit kneels down on one knee, placing their hands on top of a table made of wood and fresnel lenses while audience members watch in the background.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description A figure in a blue morph suit kneels down on one knee, placing their hands on top of a table made of wood and fresnel lenses while audience members watch in the background.
    Year 2022
    Related pages SCRAAATCH 12-3
  • Circular bricolage sculpture in a white-walled gallery space.
    Circular bricolage sculpture in a white-walled gallery space.
    Lizbeth Marano. Third Circle, 1985. [Circular bricolage sculpture in a white-walled gallery space.]
    Caption Lizbeth Marano. Third Circle, 1985.
    Image description Circular bricolage sculpture in a white-walled gallery space.
    Year
    Related pages Four Artists: An Exhibition of Painting and Sculpture
  • A red room containing a pile of miscellaneous items. Yellow text that reads,
    A red room containing a pile of miscellaneous items. Yellow text that reads,
    Show and Tell: A Chronicle. of Group Material. Doug Ashford, Julie Ault, Sabrina Locks. Four Corners Books, 2010. Hardcover, 272 pages. $35 . $120 Signed. at the Artists Space Bookstore [A red room containing a pile of miscellaneous items. Yellow text that reads, "Show and Tell: A Chronical of Group Material, Edited by Julie Ault."]
    Caption Show and Tell: A Chronicle. of Group Material. Doug Ashford, Julie Ault, Sabrina Locks. Four Corners Books, 2010. Hardcover, 272 pages. $35 . $120 Signed. at the Artists Space Bookstore
    Image description A red room containing a pile of miscellaneous items. Yellow text that reads, "Show and Tell: A Chronical of Group Material, Edited by Julie Ault."
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • Lining the wall are multiple glass display cased filled with ephemera, text and images hang on the wall above them, in the corner sits a tv monitor on a shelf.
    Lining the wall are multiple glass display cased filled with ephemera, text and images hang on the wall above them, in the corner sits a tv monitor on a shelf.
    Till They Listen: Bill Gunn Directs America. Installation view, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak [Lining the wall are multiple glass display cased filled with ephemera, text and images hang on the wall above them, in the corner sits a tv monitor on a shelf.]
    Caption Till They Listen: Bill Gunn Directs America. Installation view, Artists Space, June 5 – August 15, 2021. Courtesy Artists Space, New York. Photo: Filip Wolak
    Image description Lining the wall are multiple glass display cased filled with ephemera, text and images hang on the wall above them, in the corner sits a tv monitor on a shelf.
    Year 2021
    Related pages Till They Listen: Bill Gunn Directs America
  • A color installation photograph of a black, grey, and white abstract painting on a white wall.
    A color installation photograph of a black, grey, and white abstract painting on a white wall.
    Richard Klauber. Installation view, Ruth Hardinger, Richard Klauber, Artists Space, 1975. [A color installation photograph of a black, grey, and white abstract painting on a white wall.]
    Caption Richard Klauber. Installation view, Ruth Hardinger, Richard Klauber, Artists Space, 1975.
    Image description A color installation photograph of a black, grey, and white abstract painting on a white wall.
    Year 1975
    Related pages Ruth Hardinger, Richard Klauber
  • Black and white cropped image of an animal-like figure. An eye is located on the upper right corner. Feathers and fur fill the frame.
    Black and white cropped image of an animal-like figure. An eye is located on the upper right corner. Feathers and fur fill the frame.
    [Black and white cropped image of an animal-like figure. An eye is located on the upper right corner. Feathers and fur fill the frame.]
    Caption
    Image description Black and white cropped image of an animal-like figure. An eye is located on the upper right corner. Feathers and fur fill the frame.
    Year
    Related pages Andy Robert: Papaloko
  • Photograph of a corner of a gallery, with printed and woven works along one wall, next to a row of TV flatscreens on another wall. In the center of the space is a large wooden platform.
    Photograph of a corner of a gallery, with printed and woven works along one wall, next to a row of TV flatscreens on another wall. In the center of the space is a large wooden platform.
    Clocking Out: Time Beyond Management. Installation view, Artists Space, 2023. Photo: Greg Carideo. [Photograph of a corner of a gallery, with printed and woven works along one wall, next to a row of TV flatscreens on another wall. In the center of the space is a large wooden platform.]
    Caption Clocking Out: Time Beyond Management. Installation view, Artists Space, 2023. Photo: Greg Carideo.
    Image description Photograph of a corner of a gallery, with printed and woven works along one wall, next to a row of TV flatscreens on another wall. In the center of the space is a large wooden platform.
    Year 2023
    Related pages Whitney Independent Study: Clocking Out: Time Beyond Management
  • The image shows a wooden paddle with the preamble for the U.S. Constitution reproduced on it. It says,
    The image shows a wooden paddle with the preamble for the U.S. Constitution reproduced on it. It says,
    Mike Kelley, Untitled, 1992, Beech wood paddle with screen print and leather strap, 23 1/4 in x 6 in x 3/4 in / 59.1 cm x 15.2 cm x 1.9 cm, Edition of 50. [The image shows a wooden paddle with the preamble for the U.S. Constitution reproduced on it. It says, "We the People of the United States, in Order to form a more perfect Union, establish Justice, insure domestic Tranquility, provide for the common defence, promote the general Welfare, and secure the Blessings of Liberty to ourselves and our Posterity, do ordain and establish this Constitution for the United States of America."]
    Caption Mike Kelley, Untitled, 1992, Beech wood paddle with screen print and leather strap, 23 1/4 in x 6 in x 3/4 in / 59.1 cm x 15.2 cm x 1.9 cm, Edition of 50.
    Image description The image shows a wooden paddle with the preamble for the U.S. Constitution reproduced on it. It says, "We the People of the United States, in Order to form a more perfect Union, establish Justice, insure domestic Tranquility, provide for the common defence, promote the general Welfare, and secure the Blessings of Liberty to ourselves and our Posterity, do ordain and establish this Constitution for the United States of America."
    Year 1992
    Related pages Editions
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Caption
    Image description
    Year
    Related pages fwiw
  • A figure in overalls spreads paint over a dark tarp hung against a white wall. The length of the tarp is covered with wide strokes of lighter paint.
    A figure in overalls spreads paint over a dark tarp hung against a white wall. The length of the tarp is covered with wide strokes of lighter paint.
    Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [A figure in overalls spreads paint over a dark tarp hung against a white wall. The length of the tarp is covered with wide strokes of lighter paint.]
    Caption Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description A figure in overalls spreads paint over a dark tarp hung against a white wall. The length of the tarp is covered with wide strokes of lighter paint.
    Year 2019
    Related pages Speaker Music: drape over another
  • A color photo of three individuals standing together amidst conversation and festivities. The individual to the left and the person in the center both look towards the camera jovially.
    A color photo of three individuals standing together amidst conversation and festivities. The individual to the left and the person in the center both look towards the camera jovially.
    The Founders Dinner, 2019. [A color photo of three individuals standing together amidst conversation and festivities. The individual to the left and the person in the center both look towards the camera jovially.]
    Caption The Founders Dinner, 2019.
    Image description A color photo of three individuals standing together amidst conversation and festivities. The individual to the left and the person in the center both look towards the camera jovially.
    Year 2019
    Related pages Support
  • A man in a sleeveless Metallica shirt stands in front of a makeshift music studio, looking at the camera.
    A man in a sleeveless Metallica shirt stands in front of a makeshift music studio, looking at the camera.
    [A man in a sleeveless Metallica shirt stands in front of a makeshift music studio, looking at the camera.]
    Caption
    Image description A man in a sleeveless Metallica shirt stands in front of a makeshift music studio, looking at the camera.
    Year 2013
    Related pages Bulletin Board Systems
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • College-ruled paper with numerous tallies in different colors and orientations
    College-ruled paper with numerous tallies in different colors and orientations
    Photography and the City attendance sheets. Courtesy Harvard University Archives. [College-ruled paper with numerous tallies in different colors and orientations]
    Caption Photography and the City attendance sheets. Courtesy Harvard University Archives.
    Image description College-ruled paper with numerous tallies in different colors and orientations
    Year 2017
    Related pages An Organized System of Instructions
  • View of 5 musicians on stage performing under blue tinted lights with the audience in the foreground. From left to right the instruments played are the cello, clarinet, horn, flute, guitar, and vocals.
    View of 5 musicians on stage performing under blue tinted lights with the audience in the foreground. From left to right the instruments played are the cello, clarinet, horn, flute, guitar, and vocals.
    Axine M: Sold Licker Glass, 2024, Artists Space. Courtesy of ISSUE Project Room. Photography by Cameron Kelly McLeod. [View of 5 musicians on stage performing under blue tinted lights with the audience in the foreground. From left to right the instruments played are the cello, clarinet, horn, flute, guitar, and vocals.]
    Caption Axine M: Sold Licker Glass, 2024, Artists Space. Courtesy of ISSUE Project Room. Photography by Cameron Kelly McLeod.
    Image description View of 5 musicians on stage performing under blue tinted lights with the audience in the foreground. From left to right the instruments played are the cello, clarinet, horn, flute, guitar, and vocals.
    Year
    Related pages Axine M: Sold Licker Glass
  • A man holds a woman over his shoulder as looks to the right. Writing can be seen on the wall behind them. Subtitles are burned into the bottom of the screen that read,
    A man holds a woman over his shoulder as looks to the right. Writing can be seen on the wall behind them. Subtitles are burned into the bottom of the screen that read,
    Sistema Sandinista de Television. Still from Golpes de la Corazon (Blows of the Heart)*, 1983. Video (sound, black and white). Spanish with English Subtitles. [A man holds a woman over his shoulder as looks to the right. Writing can be seen on the wall behind them. Subtitles are burned into the bottom of the screen that read, "I'm the boss in my house...stay here!" Scan lines are in the image and the box of the CRT monitor is visible.]
    Caption Sistema Sandinista de Television. Still from Golpes de la Corazon (Blows of the Heart)*, 1983. Video (sound, black and white). Spanish with English Subtitles.
    Image description A man holds a woman over his shoulder as looks to the right. Writing can be seen on the wall behind them. Subtitles are burned into the bottom of the screen that read, "I'm the boss in my house...stay here!" Scan lines are in the image and the box of the CRT monitor is visible.
    Year 1983
    Related pages TV Sandino
  • Close-up of a series of metal cutouts shaped like curved
    Close-up of a series of metal cutouts shaped like curved
    H_edge. Installation view, Artists Space, 2006. Photo: Whitney Cox. [Close-up of a series of metal cutouts shaped like curved "x"'s hanging from lengths of metal chainlinks. The many rows of cutouts overlap, forming a hedge-like sculptural body.]
    Caption H_edge. Installation view, Artists Space, 2006. Photo: Whitney Cox.
    Image description Close-up of a series of metal cutouts shaped like curved "x"'s hanging from lengths of metal chainlinks. The many rows of cutouts overlap, forming a hedge-like sculptural body.
    Year 2006
    Related pages H_edge
  • A series of metal cutouts shaped like curved
    A series of metal cutouts shaped like curved
    H_edge. Installation view, Artists Space, 2006. Photo: Whitney Cox. [A series of metal cutouts shaped like curved "x"'s hang on lengths of metal chainlinks in a gallery space. The rows of cutouts overlap, forming a hedge-like sculptural body. A gallery hallway decorated with vinyl reading "ARTISTS SPACE" is visible through the overlapping cutouts.]
    Caption H_edge. Installation view, Artists Space, 2006. Photo: Whitney Cox.
    Image description A series of metal cutouts shaped like curved "x"'s hang on lengths of metal chainlinks in a gallery space. The rows of cutouts overlap, forming a hedge-like sculptural body. A gallery hallway decorated with vinyl reading "ARTISTS SPACE" is visible through the overlapping cutouts.
    Year 2006
    Related pages H_edge
  • A man wearing a POLICE cap and aviator glasses, straddling half-naked. Two men wearing glossy leather jackets and boots, hold him close with their pants down. One takes the policeman from behind while the other holds the policeman's genitals in his hand.
    A man wearing a POLICE cap and aviator glasses, straddling half-naked. Two men wearing glossy leather jackets and boots, hold him close with their pants down. One takes the policeman from behind while the other holds the policeman's genitals in his hand.
    Tom of Finland Untitled , 1985 Graphite on paper Collection John McConnell, San Diego [A man wearing a POLICE cap and aviator glasses, straddling half-naked. Two men wearing glossy leather jackets and boots, hold him close with their pants down. One takes the policeman from behind while the other holds the policeman's genitals in his hand.]
    Caption Tom of Finland Untitled , 1985 Graphite on paper Collection John McConnell, San Diego
    Image description A man wearing a POLICE cap and aviator glasses, straddling half-naked. Two men wearing glossy leather jackets and boots, hold him close with their pants down. One takes the policeman from behind while the other holds the policeman's genitals in his hand.
    Year 1985
    Related pages Tom of Finland: The Pleasure of Play
  • An image of a gallery space with walls painted red and a projection with speakers in front of the right-facing wall.
    An image of a gallery space with walls painted red and a projection with speakers in front of the right-facing wall.
    Vaginal Davis, The White to be Angry, 1999, color video converted to digital. Photo: Filip Wolak [An image of a gallery space with walls painted red and a projection with speakers in front of the right-facing wall.]
    Caption Vaginal Davis, The White to be Angry, 1999, color video converted to digital. Photo: Filip Wolak
    Image description An image of a gallery space with walls painted red and a projection with speakers in front of the right-facing wall.
    Year 2022
    Related pages Attention Line
  • A blue, black and brown abstract object sits on a white base. A metal antenna sticks out of it on a diagonal.
    A blue, black and brown abstract object sits on a white base. A metal antenna sticks out of it on a diagonal.
    Not yet titled, 2019
    Clay, glaze, metal antenna
    3 1/2 x 13 x 12 inches (variable)
    $3,500 [A blue, black and brown abstract object sits on a white base. A metal antenna sticks out of it on a diagonal.]
    Caption Not yet titled, 2019
    Clay, glaze, metal antenna
    3 1/2 x 13 x 12 inches (variable)
    $3,500
    Image description A blue, black and brown abstract object sits on a white base. A metal antenna sticks out of it on a diagonal.
    Year 2019
    Related pages Trisha Baga Edition
  • Gritty street wall background with a white poster on it with black text that reads,
    Gritty street wall background with a white poster on it with black text that reads,
    Jenny Holzer. Maxim Poster, 1982. [Gritty street wall background with a white poster on it with black text that reads, "ABUSE OF POWER SHOULD COME AS NO SURPRISE / ALIENATION CAN PRODUCE ECCENTRICS OR REVOLUTIONARIES / AN ELITE IS INEVITABLE / ANGER OR HATE CAN BE A USEFUL MOTIVATING FORCE / ANY SURPLUS IS IMMORAL / DISGUST IS THE APPROPRIATE RESPONSE TO MOST SITUATIONS / EVERYONE'S WORK IS EQUALLY IMPORTANT / EXCEPTIONAL PEOPLE DESERVE SPECIAL CONCESSIONS / FAITHFULNESS IS A SOCIAL NOT A BIOLOGICAL LAW / FREEDOM IS A LUXURY NOT A NECESSITY / GOVERNMENT IS A BURDEN ON THE PEOPLE / HUMANISM IS OBSOLETE / IDEALS ARE EVENTUALLY REPLACED BY CONVENTIONAL GOALS / INHERITANCE MUST BE ABOLISHED / KILLING IS UNAVOIDABLE BUT IS NOTHING TO BE PROUD OF / LABOR IS A LIFE-DESTROYING ACTIVITY / MONEY CREATES TASTE / MORALS ARE FOR LITTLE PEOPLE / MOST PEOPLE ARE NOT FIT TO RULE THEMSELVES / MOSTLY YOU SHOULD MIND YOUR OWN BUSINESS / MUCH WAS DECIDED BEFORE YOU WERE BORN / MURDER HAS ITS SEXUAL SIDE / PAIN CAN BE A VERY POSITIVE THING / PEOPLE ARE NUTS IF THEY THINK THEY CONTROL THEIR LIVES / PEOPLE WHO DON'T WORK WITH THEIR HANDS ARE PARASITES / PEOPLE WHO GO CRAZY ARE TOO SENSITIVE / PEOPLE WON'T BEHAVE IF THEY HAVE NOTHING TO LOSE / PLAYING IT SAFE CAN CAUSE A LOT OF DAMAGE / PRIVATE OWNERSHIP IS AN INVITATION TO DISASTER / ROMANTIC LOVE WAS INVENTED TO MANIPULATE WOMEN / SELFISHNESS IS THE MOST BASIC MOTIVATION / SEPARATISM IS THE WAY TO A NEW  BEGINNING / SEX DIFFERENCES ARE HERE TO STAY / STARVATION IS NATURE'S WAY / STERLIZIZATION IS OFTEN JUSTIFIED / STUPID PEOPLE SHOULDN'T BREED / TECHNOLOGY WILL MAKE OR BRAKE US / THE FAMILY IS LIVING ON BORROWED TIME / THE LAND BELONGS TO NO ONE / TIMIDITY IS LAUGHABLE / TORTURE IS HORRIBLE AND EXCITING / TRADING A LIFE FOR A LIFE IS FAIR ENOUGH / UNIQUE THINGS MUST BE  THE MOST VALUABLE / YOU DIG YOUR OWN GRAVE / YOU MUST REMEMBER YOU HAVE FREEDOM OF CHOICE."]
    Caption Jenny Holzer. Maxim Poster, 1982.
    Image description Gritty street wall background with a white poster on it with black text that reads, "ABUSE OF POWER SHOULD COME AS NO SURPRISE / ALIENATION CAN PRODUCE ECCENTRICS OR REVOLUTIONARIES / AN ELITE IS INEVITABLE / ANGER OR HATE CAN BE A USEFUL MOTIVATING FORCE / ANY SURPLUS IS IMMORAL / DISGUST IS THE APPROPRIATE RESPONSE TO MOST SITUATIONS / EVERYONE'S WORK IS EQUALLY IMPORTANT / EXCEPTIONAL PEOPLE DESERVE SPECIAL CONCESSIONS / FAITHFULNESS IS A SOCIAL NOT A BIOLOGICAL LAW / FREEDOM IS A LUXURY NOT A NECESSITY / GOVERNMENT IS A BURDEN ON THE PEOPLE / HUMANISM IS OBSOLETE / IDEALS ARE EVENTUALLY REPLACED BY CONVENTIONAL GOALS / INHERITANCE MUST BE ABOLISHED / KILLING IS UNAVOIDABLE BUT IS NOTHING TO BE PROUD OF / LABOR IS A LIFE-DESTROYING ACTIVITY / MONEY CREATES TASTE / MORALS ARE FOR LITTLE PEOPLE / MOST PEOPLE ARE NOT FIT TO RULE THEMSELVES / MOSTLY YOU SHOULD MIND YOUR OWN BUSINESS / MUCH WAS DECIDED BEFORE YOU WERE BORN / MURDER HAS ITS SEXUAL SIDE / PAIN CAN BE A VERY POSITIVE THING / PEOPLE ARE NUTS IF THEY THINK THEY CONTROL THEIR LIVES / PEOPLE WHO DON'T WORK WITH THEIR HANDS ARE PARASITES / PEOPLE WHO GO CRAZY ARE TOO SENSITIVE / PEOPLE WON'T BEHAVE IF THEY HAVE NOTHING TO LOSE / PLAYING IT SAFE CAN CAUSE A LOT OF DAMAGE / PRIVATE OWNERSHIP IS AN INVITATION TO DISASTER / ROMANTIC LOVE WAS INVENTED TO MANIPULATE WOMEN / SELFISHNESS IS THE MOST BASIC MOTIVATION / SEPARATISM IS THE WAY TO A NEW  BEGINNING / SEX DIFFERENCES ARE HERE TO STAY / STARVATION IS NATURE'S WAY / STERLIZIZATION IS OFTEN JUSTIFIED / STUPID PEOPLE SHOULDN'T BREED / TECHNOLOGY WILL MAKE OR BRAKE US / THE FAMILY IS LIVING ON BORROWED TIME / THE LAND BELONGS TO NO ONE / TIMIDITY IS LAUGHABLE / TORTURE IS HORRIBLE AND EXCITING / TRADING A LIFE FOR A LIFE IS FAIR ENOUGH / UNIQUE THINGS MUST BE  THE MOST VALUABLE / YOU DIG YOUR OWN GRAVE / YOU MUST REMEMBER YOU HAVE FREEDOM OF CHOICE."
    Year
    Related pages Eating Friends
  • A black and white close-up photograph of an eye. Text at the top reads,
    A black and white close-up photograph of an eye. Text at the top reads,
    Leaflet cover for Extended Definitions, Artists Space, 1989. [A black and white close-up photograph of an eye. Text at the top reads, "Extended Definitions: Video Experiments in Perception." Text at the bottom reads, "September 28-November 4, Artists Space."]
    Caption Leaflet cover for Extended Definitions, Artists Space, 1989.
    Image description A black and white close-up photograph of an eye. Text at the top reads, "Extended Definitions: Video Experiments in Perception." Text at the bottom reads, "September 28-November 4, Artists Space."
    Year 1989
    Related pages Extended Definitions: Video Experiments in Perception
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • A portrait of a purple buffalo photocollaged with of images including objects and people.
    A portrait of a purple buffalo photocollaged with of images including objects and people.
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A portrait of a purple buffalo photocollaged with of images including objects and people.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description A portrait of a purple buffalo photocollaged with of images including objects and people.
    Year 2017
    Related pages Unholding
  • An animated setting of an icy background with miscellaneous objects and imagery appearing throughout. Light green text over the top half of the image reads,
    An animated setting of an icy background with miscellaneous objects and imagery appearing throughout. Light green text over the top half of the image reads,
    Flyer for Segue Reading Series featuring Monica de la Torre and Joan Retallack. Saturday, January 23, 2021, Artists Space. [An animated setting of an icy background with miscellaneous objects and imagery appearing throughout. Light green text over the top half of the image reads, "Monica De La Torre / Joan Retallack". Light green text in the center left of the image at a left-slanted angle reads, "SEGUE." On the left hand corner in light green text reads, "23 January" and on the right hand corner in light green text reads, "5PM EST."]
    Caption Flyer for Segue Reading Series featuring Monica de la Torre and Joan Retallack. Saturday, January 23, 2021, Artists Space.
    Image description An animated setting of an icy background with miscellaneous objects and imagery appearing throughout. Light green text over the top half of the image reads, "Monica De La Torre / Joan Retallack". Light green text in the center left of the image at a left-slanted angle reads, "SEGUE." On the left hand corner in light green text reads, "23 January" and on the right hand corner in light green text reads, "5PM EST."
    Year
    Related pages Segue Reading Series: Mónica de la Torre & Joan Retallack
  • A white wall with three sets of multiple photographs of rooms. Each set of photographs has a framed accompanying text below.
    A white wall with three sets of multiple photographs of rooms. Each set of photographs has a framed accompanying text below.
    Sean Snyder. Installation view, Artists Space, 2010-11. Photo: Daniel Peréz. [A white wall with three sets of multiple photographs of rooms. Each set of photographs has a framed accompanying text below.]
    Caption Sean Snyder. Installation view, Artists Space, 2010-11. Photo: Daniel Peréz.
    Image description A white wall with three sets of multiple photographs of rooms. Each set of photographs has a framed accompanying text below.
    Year 2010
    Related pages Sean Snyder
  • A white rectangular image with an opaque black circle in the center right, and a capital D outlined in black in the top left of the image.
    A white rectangular image with an opaque black circle in the center right, and a capital D outlined in black in the top left of the image.
    Adam Pendleton, Title TK, 2010, Silkscreen with embossing on Somerset Satin 500 gsm, 17 ¼ x 23 ½ inches, Signed and numbered. [A white rectangular image with an opaque black circle in the center right, and a capital D outlined in black in the top left of the image.]
    Caption Adam Pendleton, Title TK, 2010, Silkscreen with embossing on Somerset Satin 500 gsm, 17 ¼ x 23 ½ inches, Signed and numbered.
    Image description A white rectangular image with an opaque black circle in the center right, and a capital D outlined in black in the top left of the image.
    Year 2010
    Related pages Artists Space Annual Edition Portfolio 2010
  • A close up image of vinyl text installed on a gallery wall. The header of the text reads,
    A close up image of vinyl text installed on a gallery wall. The header of the text reads,
    She Who Is: Adrienne Kennedy and the Drama of Difference. February 29, 2020–September 19,2020. Image courtesy of Artists Space, New York. Photo: Filip Wolak [A close up image of vinyl text installed on a gallery wall. The header of the text reads, "She Who Is / Adrienne Kennedy and the Drama of Difference." Past this gallery wall, a large exhibition space is visible. Several old Hollywood films are projected on the space's far gallery walls.]
    Caption She Who Is: Adrienne Kennedy and the Drama of Difference. February 29, 2020–September 19,2020. Image courtesy of Artists Space, New York. Photo: Filip Wolak
    Image description A close up image of vinyl text installed on a gallery wall. The header of the text reads, "She Who Is / Adrienne Kennedy and the Drama of Difference." Past this gallery wall, a large exhibition space is visible. Several old Hollywood films are projected on the space's far gallery walls.
    Year 2020
    Related pages She Who Is: Adrienne Kennedy and the Drama of Difference
  • Black-and-white photograph of a figure, walking in the middle of the frame between two sets of suspended wires that run from across the room. The figures hands manipulate the wires on each side of them.
    Black-and-white photograph of a figure, walking in the middle of the frame between two sets of suspended wires that run from across the room. The figures hands manipulate the wires on each side of them.
    Other Minds, San Francisco. Photo: John Fago [Black-and-white photograph of a figure, walking in the middle of the frame between two sets of suspended wires that run from across the room. The figures hands manipulate the wires on each side of them.]
    Caption Other Minds, San Francisco. Photo: John Fago
    Image description Black-and-white photograph of a figure, walking in the middle of the frame between two sets of suspended wires that run from across the room. The figures hands manipulate the wires on each side of them.
    Year
    Related pages Ellen Fullman & JACK Quartet
  • The Decolonize This Place Logo in red text.
    The Decolonize This Place Logo in red text.
    [The Decolonize This Place Logo in red text.]
    Caption
    Image description The Decolonize This Place Logo in red text.
    Year 2016
    Related pages Decolonize This Place
  • A black and white installation photo of a gallery space. An illuminated low pedastal on the floor holds a crescent shaped object.
    A black and white installation photo of a gallery space. An illuminated low pedastal on the floor holds a crescent shaped object.
    Pictures. Installation view, Artists Space, 1977. Photo: D. James Dee. [A black and white installation photo of a gallery space. An illuminated low pedastal on the floor holds a crescent shaped object.]
    Caption Pictures. Installation view, Artists Space, 1977. Photo: D. James Dee.
    Image description A black and white installation photo of a gallery space. An illuminated low pedastal on the floor holds a crescent shaped object.
    Year 1977
    Related pages Pictures
  • A television set sits in the corner on a pedestal with framed images on the two walls surrounding it.
    A television set sits in the corner on a pedestal with framed images on the two walls surrounding it.
    Young Fluxus. Installation view, Artists Space, 1982. [A television set sits in the corner on a pedestal with framed images on the two walls surrounding it.]
    Caption Young Fluxus. Installation view, Artists Space, 1982.
    Image description A television set sits in the corner on a pedestal with framed images on the two walls surrounding it.
    Year
    Related pages Young Fluxus
  • A few people standing in a gallery space with a picket fence and drapery on the walls behind them.
    A few people standing in a gallery space with a picket fence and drapery on the walls behind them.
    Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork: Candace Hill-Montgomery. [A few people standing in a gallery space with a picket fence and drapery on the walls behind them.]
    Caption Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach. Installation view, Artists Space, 1979. Artwork: Candace Hill-Montgomery.
    Image description A few people standing in a gallery space with a picket fence and drapery on the walls behind them.
    Year 1979
    Related pages Gary Burnley, Martin Cohen, Candance Hill-Montgomery, Lewis Stein, Haim Steinbach
  • A small wooden room with a circular window depicting a woven gradient of blue to orange. On the right side of the room is a lofted bed with a ladder, under which sits a desk and chair. Various images and documents are pinned to the walls surrounding the desk.
    A small wooden room with a circular window depicting a woven gradient of blue to orange. On the right side of the room is a lofted bed with a ladder, under which sits a desk and chair. Various images and documents are pinned to the walls surrounding the desk.
    Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Malcolm Peacock, How to address the full capacity of our will, 2023), Artists Space, 2023. Photo: Filip Wolak. [A small wooden room with a circular window depicting a woven gradient of blue to orange. On the right side of the room is a lofted bed with a ladder, under which sits a desk and chair. Various images and documents are pinned to the walls surrounding the desk.]
    Caption Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Malcolm Peacock, How to address the full capacity of our will, 2023), Artists Space, 2023. Photo: Filip Wolak.
    Image description A small wooden room with a circular window depicting a woven gradient of blue to orange. On the right side of the room is a lofted bed with a ladder, under which sits a desk and chair. Various images and documents are pinned to the walls surrounding the desk.
    Year 2023
    Related pages Shala Miller, Malcolm Peacock, Amiri Baraka
  • Various people having conversations and looking around at the art during the exhibition opening.
    Various people having conversations and looking around at the art during the exhibition opening.
    Artists Draw. Installation view, Artists Space, 1979. [Various people having conversations and looking around at the art during the exhibition opening.]
    Caption Artists Draw. Installation view, Artists Space, 1979.
    Image description Various people having conversations and looking around at the art during the exhibition opening.
    Year 1979
    Related pages Artists Draw: Tom Martin, Auste Peciura, Alan Saret, Patti Smith, Nancy Spero
  • A black and white photograph of three figures standing in a gallery space. They each hold a drink in their hand and are smiling.
    A black and white photograph of three figures standing in a gallery space. They each hold a drink in their hand and are smiling.
    Pictures. Opening Reception, Artists Space, September 23, 1977. Maureen McFadden of National Distillers and Chemical Corporation (sponsor), (left), Irving Sandler (middle), Helene Winer (right). Photo: D. James Dee. [A black and white photograph of three figures standing in a gallery space. They each hold a drink in their hand and are smiling.]
    Caption Pictures. Opening Reception, Artists Space, September 23, 1977. Maureen McFadden of National Distillers and Chemical Corporation (sponsor), (left), Irving Sandler (middle), Helene Winer (right). Photo: D. James Dee.
    Image description A black and white photograph of three figures standing in a gallery space. They each hold a drink in their hand and are smiling.
    Year 1977
    Related pages Pictures
  • Flyer design featuring a pile of pink hair against a lime green background. Large white text superimposed over the clump of hair at the top edge of the image reads,
    Flyer design featuring a pile of pink hair against a lime green background. Large white text superimposed over the clump of hair at the top edge of the image reads,
    [Flyer design featuring a pile of pink hair against a lime green background. Large white text superimposed over the clump of hair at the top edge of the image reads, "DEMONCLOWNMONKEY." Several small, black and white icons are arranged in a line along the image's lower edge. The icons feature stylized depictions of a skull with horns, a clown, a rabbit, and other symbols.]
    Caption
    Image description Flyer design featuring a pile of pink hair against a lime green background. Large white text superimposed over the clump of hair at the top edge of the image reads, "DEMONCLOWNMONKEY." Several small, black and white icons are arranged in a line along the image's lower edge. The icons feature stylized depictions of a skull with horns, a clown, a rabbit, and other symbols.
    Year
    Related pages Demonclownmonkey
  • An Elegoo microcontroller is affixed to the side of a brownish sculpture sitting on a white base. Two blue wires are plugged into a lemon and an onion on a platform, each connected to the microcontroller.
    An Elegoo microcontroller is affixed to the side of a brownish sculpture sitting on a white base. Two blue wires are plugged into a lemon and an onion on a platform, each connected to the microcontroller.
    Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $5,000
    [An Elegoo microcontroller is affixed to the side of a brownish sculpture sitting on a white base. Two blue wires are plugged into a lemon and an onion on a platform, each connected to the microcontroller.]
    Caption Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $5,000
    Image description An Elegoo microcontroller is affixed to the side of a brownish sculpture sitting on a white base. Two blue wires are plugged into a lemon and an onion on a platform, each connected to the microcontroller.
    Year 2019
    Related pages Trisha Baga Edition
  • Sheets of text hang on a white wall. Text is too small to be legible.
    Sheets of text hang on a white wall. Text is too small to be legible.
    _____, Louise Lawler, Adrian Piper & Cindy Sherman Have Agreed to Participate in an Exhibition Organized by Janelle Reiring at Artists Space, September 23 through October 28, 1978, Artists Space, 1978. Installation view, Artists Space, 1978. [Sheets of text hang on a white wall. Text is too small to be legible.]
    Caption _____, Louise Lawler, Adrian Piper & Cindy Sherman Have Agreed to Participate in an Exhibition Organized by Janelle Reiring at Artists Space, September 23 through October 28, 1978, Artists Space, 1978. Installation view, Artists Space, 1978.
    Image description Sheets of text hang on a white wall. Text is too small to be legible.
    Year 1978
    Related pages ______ , Louise Lawler, Adrian Piper & Cindy Sherman Have Agreed to Participate in an Exhibition Organized by Janelle Reiring at Artists Space, September 23 through October 28, 1978.
  • Cosima von Bonin
    Le Chic, 2023
    Enamel on wood
    (Two color options: red & grey or red & white)
    25 x 4 ½ x 4 ½ inches
    Edition of 20 with 5 APs
    Introductory price: $5,000 each
    Caption Cosima von Bonin
    Le Chic, 2023
    Enamel on wood
    (Two color options: red & grey or red & white)
    25 x 4 ½ x 4 ½ inches
    Edition of 20 with 5 APs
    Introductory price: $5,000 each
    Image description
    Year 2023
    Related pages Cosima von Bonin
  • Close up of two musicians sitting side by side and looking down. The musician on the right plays the guitar and the musician on the left plays the violin. The wall in the background is purple tinted.
    Close up of two musicians sitting side by side and looking down. The musician on the right plays the guitar and the musician on the left plays the violin. The wall in the background is purple tinted.
    Abasement #71. Performance documentation, August 5th, 2024, Artists Space. Photo: Joshua Wildman. [Close up of two musicians sitting side by side and looking down. The musician on the right plays the guitar and the musician on the left plays the violin. The wall in the background is purple tinted.]
    Caption Abasement #71. Performance documentation, August 5th, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Close up of two musicians sitting side by side and looking down. The musician on the right plays the guitar and the musician on the left plays the violin. The wall in the background is purple tinted.
    Year
    Related pages Abasement #71
  • A view of paintings and photographs across three walls in the space. Black columns divide the room; to the left, a sculpture is displayed on the ground.
    A view of paintings and photographs across three walls in the space. Black columns divide the room; to the left, a sculpture is displayed on the ground.
    Social Surfaces. Installation view, Pearl River Mart, 2017. Photo: Ron Amstutz. [A view of paintings and photographs across three walls in the space. Black columns divide the room; to the left, a sculpture is displayed on the ground.]
    Caption Social Surfaces. Installation view, Pearl River Mart, 2017. Photo: Ron Amstutz.
    Image description A view of paintings and photographs across three walls in the space. Black columns divide the room; to the left, a sculpture is displayed on the ground.
    Year 2017
    Related pages Social Surfaces
  • A wide cyclindrical glass bottle with a lightbulb inserted at its opening.
    A wide cyclindrical glass bottle with a lightbulb inserted at its opening.
    Paper Exhibition. Installation view, Artists Space, 2009. Photo: Adam Reich. [A wide cyclindrical glass bottle with a lightbulb inserted at its opening.]
    Caption Paper Exhibition. Installation view, Artists Space, 2009. Photo: Adam Reich.
    Image description A wide cyclindrical glass bottle with a lightbulb inserted at its opening.
    Year 2009
    Related pages Paper Exhibition
  • A portrait of a woman whose face is covered by a colorful cloth that extends over her entire top body. Only the top of her ear and hair are visible.
    A portrait of a woman whose face is covered by a colorful cloth that extends over her entire top body. Only the top of her ear and hair are visible.
    Metahaven, WikiLeaks, 2011, Scarf. Photo: Meinke Klein. [A portrait of a woman whose face is covered by a colorful cloth that extends over her entire top body. Only the top of her ear and hair are visible.]
    Caption Metahaven, WikiLeaks, 2011, Scarf. Photo: Meinke Klein.
    Image description A portrait of a woman whose face is covered by a colorful cloth that extends over her entire top body. Only the top of her ear and hair are visible.
    Year 2011
    Related pages Frozen Lakes
  • A geometric, silver metal sculpture sits on a wooden gallery floor in front of a large, light-filled window. The sculpture is modular, hollow, and consists of rectangular and triangular metal components. Two vent-like openings in the sculpture face the viewer, while the opposite side of the sculpture bends towards the gallery window.
    A geometric, silver metal sculpture sits on a wooden gallery floor in front of a large, light-filled window. The sculpture is modular, hollow, and consists of rectangular and triangular metal components. Two vent-like openings in the sculpture face the viewer, while the opposite side of the sculpture bends towards the gallery window.
    Charlotte Posenenske. Configured by the staff of Artists Space. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A geometric, silver metal sculpture sits on a wooden gallery floor in front of a large, light-filled window. The sculpture is modular, hollow, and consists of rectangular and triangular metal components. Two vent-like openings in the sculpture face the viewer, while the opposite side of the sculpture bends towards the gallery window.]
    Caption Charlotte Posenenske. Configured by the staff of Artists Space. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description A geometric, silver metal sculpture sits on a wooden gallery floor in front of a large, light-filled window. The sculpture is modular, hollow, and consists of rectangular and triangular metal components. Two vent-like openings in the sculpture face the viewer, while the opposite side of the sculpture bends towards the gallery window.
    Year 2010
    Related pages Charlotte Posenenske
  • A shiny dark plaquette-like object with engraving sits on a white pedestal.
    A shiny dark plaquette-like object with engraving sits on a white pedestal.
    Young Fluxus. Installation view, Artists Space, 1982. [A shiny dark plaquette-like object with engraving sits on a white pedestal.]
    Caption Young Fluxus. Installation view, Artists Space, 1982.
    Image description A shiny dark plaquette-like object with engraving sits on a white pedestal.
    Year
    Related pages Young Fluxus
  • A figure whose face is illuminated by red light plays flute into a microphone.
    A figure whose face is illuminated by red light plays flute into a microphone.
    Eiko Ishibashi: Two New York Nights. Performance documentation, June 9, 2022, 8pm. Artists Space, New York. Photo: Paula Court [A figure whose face is illuminated by red light plays flute into a microphone.]
    Caption Eiko Ishibashi: Two New York Nights. Performance documentation, June 9, 2022, 8pm. Artists Space, New York. Photo: Paula Court
    Image description A figure whose face is illuminated by red light plays flute into a microphone.
    Year 2022
    Related pages Eiko Ishibashi in Concert
  • White gallery wall featuring various small framed works on paper, some featuring abstract ornamental bands, large concentric shapes against black ground, clusters of curled black lines organized into a square shape, and pencil-shaded boxes on gridded paper in various geometric shapes and configurations.
    White gallery wall featuring various small framed works on paper, some featuring abstract ornamental bands, large concentric shapes against black ground, clusters of curled black lines organized into a square shape, and pencil-shaded boxes on gridded paper in various geometric shapes and configurations.
    Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak. [White gallery wall featuring various small framed works on paper, some featuring abstract ornamental bands, large concentric shapes against black ground, clusters of curled black lines organized into a square shape, and pencil-shaded boxes on gridded paper in various geometric shapes and configurations.]
    Caption Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak.
    Image description White gallery wall featuring various small framed works on paper, some featuring abstract ornamental bands, large concentric shapes against black ground, clusters of curled black lines organized into a square shape, and pencil-shaded boxes on gridded paper in various geometric shapes and configurations.
    Year
    Related pages Dream Lines: Drawings by Marian Zazeela
  • Caption
    Image description
    Year
    Related pages Dream Lines: Drawings by Marian Zazeela
  • Black text overlays a mauve background. The top left corner reads:
    Black text overlays a mauve background. The top left corner reads:
    Flyer for Segue Reading Series featuring Tyrone Williams and Joselia Rebekah Hughes. Saturday, December 11, 2021, Artists Space. [Black text overlays a mauve background. The top left corner reads: "Tyrone Williams & Joselia Rebekah Hughes." The center right reads: "Segue Reading Series & ARTISTS SPACE." The bottom left reads: "Saturday December 11 - 5pm, 11 Cortland Alley + Zoom". The image of a 5 dollar bill is placed within the text.]
    Caption Flyer for Segue Reading Series featuring Tyrone Williams and Joselia Rebekah Hughes. Saturday, December 11, 2021, Artists Space.
    Image description Black text overlays a mauve background. The top left corner reads: "Tyrone Williams & Joselia Rebekah Hughes." The center right reads: "Segue Reading Series & ARTISTS SPACE." The bottom left reads: "Saturday December 11 - 5pm, 11 Cortland Alley + Zoom". The image of a 5 dollar bill is placed within the text.
    Year 2021
    Related pages Segue Reading Series: Tyrone Williams & Joselia Rebekah Hughes
  • Two people sit at a table while a third person places a plate of food in front of them.
    Two people sit at a table while a third person places a plate of food in front of them.
    Production still from Black Picture Show, 1978. Photo: Marshall Johnson. Image courtesy of the artist. [Two people sit at a table while a third person places a plate of food in front of them.]
    Caption Production still from Black Picture Show, 1978. Photo: Marshall Johnson. Image courtesy of the artist.
    Image description Two people sit at a table while a third person places a plate of food in front of them.
    Year 1975
    Related pages Black Picture Show
  • A metal plaque engraved with text is displayed on a white gallery wall that extends into the left half of the image's frame. Past and to the right of the wall, a series of colorful panels are staggered around a white column in front of a red wall. Some of the panels are decorated with cartoonish illustrations of animals and forests. Large text on one of the visible panels reads,
    A metal plaque engraved with text is displayed on a white gallery wall that extends into the left half of the image's frame. Past and to the right of the wall, a series of colorful panels are staggered around a white column in front of a red wall. Some of the panels are decorated with cartoonish illustrations of animals and forests. Large text on one of the visible panels reads,
    Sam Pulitzer: A Colony for “Them”. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [A metal plaque engraved with text is displayed on a white gallery wall that extends into the left half of the image's frame. Past and to the right of the wall, a series of colorful panels are staggered around a white column in front of a red wall. Some of the panels are decorated with cartoonish illustrations of animals and forests. Large text on one of the visible panels reads, "We're all going to really miss doing your work for you."]
    Caption Sam Pulitzer: A Colony for “Them”. Installation view, Artists Space, 2014. Photo: Daniel Pérez.
    Image description A metal plaque engraved with text is displayed on a white gallery wall that extends into the left half of the image's frame. Past and to the right of the wall, a series of colorful panels are staggered around a white column in front of a red wall. Some of the panels are decorated with cartoonish illustrations of animals and forests. Large text on one of the visible panels reads, "We're all going to really miss doing your work for you."
    Year 2014
    Related pages Sam Pulitzer: A Colony for "Them"
  • A dim, twilight image of a city on a coastline. Bright, turquoise blue streetlights dot the photograph.
    A dim, twilight image of a city on a coastline. Bright, turquoise blue streetlights dot the photograph.
    Establishing Shot. Installation view, Artists Space, 2004. [A dim, twilight image of a city on a coastline. Bright, turquoise blue streetlights dot the photograph.]
    Caption Establishing Shot. Installation view, Artists Space, 2004.
    Image description A dim, twilight image of a city on a coastline. Bright, turquoise blue streetlights dot the photograph.
    Year 2004
    Related pages Establishing Shot
  • Caption
    Image description
    Year
    Related pages Friends of Artists Space Dinner 2024
  • A figurative painting shows a cat-like figure drooping down to grab a long mushroom-like object. Painting appears in a white-walled gallery space.
    A figurative painting shows a cat-like figure drooping down to grab a long mushroom-like object. Painting appears in a white-walled gallery space.
    Five Spanish Artists. Installation view, Artists Space, 1985. [A figurative painting shows a cat-like figure drooping down to grab a long mushroom-like object. Painting appears in a white-walled gallery space.]
    Caption Five Spanish Artists. Installation view, Artists Space, 1985.
    Image description A figurative painting shows a cat-like figure drooping down to grab a long mushroom-like object. Painting appears in a white-walled gallery space.
    Year
    Related pages Five Spanish Artists
  • A man in a suit, black shirt, and glasses strums a guitar while singing into a microphone in a white-walled gallery space.
    A man in a suit, black shirt, and glasses strums a guitar while singing into a microphone in a white-walled gallery space.
    The Friends of Artists Space Dinner, May 8, 2010. Stephen Prina's performance. [A man in a suit, black shirt, and glasses strums a guitar while singing into a microphone in a white-walled gallery space.]
    Caption The Friends of Artists Space Dinner, May 8, 2010. Stephen Prina's performance.
    Image description A man in a suit, black shirt, and glasses strums a guitar while singing into a microphone in a white-walled gallery space.
    Year 2010
    Related pages The Friends of Artists Space Dinner
  • A hand extends its fingers admist a shower of droplets of liquid. A bright light shines on the hand and droplets.
    A hand extends its fingers admist a shower of droplets of liquid. A bright light shines on the hand and droplets.
    [A hand extends its fingers admist a shower of droplets of liquid. A bright light shines on the hand and droplets.]
    Caption
    Image description A hand extends its fingers admist a shower of droplets of liquid. A bright light shines on the hand and droplets.
    Year 2008
    Related pages Nina in Position
  • A color image of a freestanding white wall that emerges from the left side of the frame into the gallery space. On the wall, there is a row of six items including two handwritten documents, a drawing, a map, a mounted TV screen displaying a black and white image of a cloth and a small white shelf that holds a plexi box. In the background, a black and white projected image of a fork and spoon is visible on a back wall.
    A color image of a freestanding white wall that emerges from the left side of the frame into the gallery space. On the wall, there is a row of six items including two handwritten documents, a drawing, a map, a mounted TV screen displaying a black and white image of a cloth and a small white shelf that holds a plexi box. In the background, a black and white projected image of a fork and spoon is visible on a back wall.
    Terry Fox: All These Different Things Are Sculpture. Installation view, Artists Space, 2024. Photo: Filip Wolak. [A color image of a freestanding white wall that emerges from the left side of the frame into the gallery space. On the wall, there is a row of six items including two handwritten documents, a drawing, a map, a mounted TV screen displaying a black and white image of a cloth and a small white shelf that holds a plexi box. In the background, a black and white projected image of a fork and spoon is visible on a back wall. ]
    Caption Terry Fox: All These Different Things Are Sculpture. Installation view, Artists Space, 2024. Photo: Filip Wolak.
    Image description A color image of a freestanding white wall that emerges from the left side of the frame into the gallery space. On the wall, there is a row of six items including two handwritten documents, a drawing, a map, a mounted TV screen displaying a black and white image of a cloth and a small white shelf that holds a plexi box. In the background, a black and white projected image of a fork and spoon is visible on a back wall.
    Year
    Related pages All These Different Things Are Sculpture
  • An angled view of table's length, on which are various organized documents, books, and papers displaying images and text. In the background are bookshelves and tables.
    An angled view of table's length, on which are various organized documents, books, and papers displaying images and text. In the background are bookshelves and tables.
    The Library Vaccine. Installation view, Artists Space, 2014. [An angled view of table's length, on which are various organized documents, books, and papers displaying images and text. In the background are bookshelves and tables.]
    Caption The Library Vaccine. Installation view, Artists Space, 2014.
    Image description An angled view of table's length, on which are various organized documents, books, and papers displaying images and text. In the background are bookshelves and tables.
    Year 2014
    Related pages The Library Vaccine
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • An image of multiple abstract line drawings. The drawings on the left are depicted in black and the drawings on the right are depicted in a range of colors. Black text over the top half of the image reads
    An image of multiple abstract line drawings. The drawings on the left are depicted in black and the drawings on the right are depicted in a range of colors. Black text over the top half of the image reads
    Flyer for Segue Reading Series featuring Ron Silliman and Tonya Foster. Saturday, January 9, 2021, Artists Space. [An image of multiple abstract line drawings. The drawings on the left are depicted in black and the drawings on the right are depicted in a range of colors. Black text over the top half of the image reads "Ron Silliman/ Tonya Foster." Black and white text layed out vertically between drawings reads "Segue" and black text on the lower half of the image reads, "9 January / 5 pm".]
    Caption Flyer for Segue Reading Series featuring Ron Silliman and Tonya Foster. Saturday, January 9, 2021, Artists Space.
    Image description An image of multiple abstract line drawings. The drawings on the left are depicted in black and the drawings on the right are depicted in a range of colors. Black text over the top half of the image reads "Ron Silliman/ Tonya Foster." Black and white text layed out vertically between drawings reads "Segue" and black text on the lower half of the image reads, "9 January / 5 pm".
    Year 2021
    Related pages Segue Reading Series: Ron Silliman & Tonya Foster
  • A color image of a large gallery room with columns running along the left side of the room. In the center is a checkerboard floor, with three large sculptures of two figures, a hairbrush, and a bottle of hair gel placed on it. The left wall is painted red, and large paintings and durags are hung across it.
    A color image of a large gallery room with columns running along the left side of the room. In the center is a checkerboard floor, with three large sculptures of two figures, a hairbrush, and a bottle of hair gel placed on it. The left wall is painted red, and large paintings and durags are hung across it.
    Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color image of a large gallery room with columns running along the left side of the room. In the center is a checkerboard floor, with three large sculptures of two figures, a hairbrush, and a bottle of hair gel placed on it. The left wall is painted red, and large paintings and durags are hung across it.]
    Caption Jonathan Lyndon Chase: his beard is soft, my hands are empty. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A color image of a large gallery room with columns running along the left side of the room. In the center is a checkerboard floor, with three large sculptures of two figures, a hairbrush, and a bottle of hair gel placed on it. The left wall is painted red, and large paintings and durags are hung across it.
    Year
    Related pages Jonathan Lyndon Chase
  • [Black text overlays a mauve background. The top left corner reads:
    [Black text overlays a mauve background. The top left corner reads:
    Flyer for Segue Reading Series featuring Charles Alexander and Lonely Christopher. Saturday, January 29, 2021, Artists Space. [[Black text overlays a mauve background. The top left corner reads: "Charles Alexander & Lonely Christopher" The center right reads: "Segue Reading Series & ARTISTS SPACE." The bottom left reads: "Saturday January 29, 5pm, Zoom ID: 893 9594 7519, Suggested donation $5". The image of a 5 dollar bill is placed within the text.]]
    Caption Flyer for Segue Reading Series featuring Charles Alexander and Lonely Christopher. Saturday, January 29, 2021, Artists Space.
    Image description [Black text overlays a mauve background. The top left corner reads: "Charles Alexander & Lonely Christopher" The center right reads: "Segue Reading Series & ARTISTS SPACE." The bottom left reads: "Saturday January 29, 5pm, Zoom ID: 893 9594 7519, Suggested donation $5". The image of a 5 dollar bill is placed within the text.]
    Year 2021
    Related pages Segue Reading Series: Charles Alexander & Lonely Christopher
  • A green poster with white text giving information about a virtual reading event. There is an image at the bottom of a person looking into digital, VR-style goggles with large headphones. Smaller white text in the bottom corner reads,
    A green poster with white text giving information about a virtual reading event. There is an image at the bottom of a person looking into digital, VR-style goggles with large headphones. Smaller white text in the bottom corner reads,
    [A green poster with white text giving information about a virtual reading event. There is an image at the bottom of a person looking into digital, VR-style goggles with large headphones. Smaller white text in the bottom corner reads, "stay well & be good to each other."]
    Caption
    Image description A green poster with white text giving information about a virtual reading event. There is an image at the bottom of a person looking into digital, VR-style goggles with large headphones. Smaller white text in the bottom corner reads, "stay well & be good to each other."
    Year 2020
    Related pages Segue Reading Series: Tongo Eisen-Martin & Jennifer Soong
  • Caption
    Image description
    Year
    Related pages fwiw
  • A brown object with a processing chip imbedded in its front sits on a white base. On top of the object, a small potato sits with a wire attached.
    A brown object with a processing chip imbedded in its front sits on a white base. On top of the object, a small potato sits with a wire attached.
    Not yet titled, 2019
    Clay, glaze, mixed media
    7 x 12 x 17 inches (variable)
    $5,000
    [A brown object with a processing chip imbedded in its front sits on a white base. On top of the object, a small potato sits with a wire attached.]
    Caption Not yet titled, 2019
    Clay, glaze, mixed media
    7 x 12 x 17 inches (variable)
    $5,000
    Image description A brown object with a processing chip imbedded in its front sits on a white base. On top of the object, a small potato sits with a wire attached.
    Year 2019
    Related pages Trisha Baga Edition
  • Multicolored circles, torii (donut shapes), and a cylinder are on a yellow-orange gradient background. The image is overlaid with the text,
    Multicolored circles, torii (donut shapes), and a cylinder are on a yellow-orange gradient background. The image is overlaid with the text,
    Flyer for Segue Reading Series featuring Joey Yearous-Algozin and Filip Marinovich. Saturday, April 24, 2021, Artists Space. [Multicolored circles, torii (donut shapes), and a cylinder are on a yellow-orange gradient background. The image is overlaid with the text, "artists space & the segue reading series / merrily invite you to an online reading by / Joey Yearous-Algozin / and / Filip Marinovich / saturday 4.24.21 5pm eastern / $5 suggested it'll be terrific / zoom id: 830 2698 4031]
    Caption Flyer for Segue Reading Series featuring Joey Yearous-Algozin and Filip Marinovich. Saturday, April 24, 2021, Artists Space.
    Image description Multicolored circles, torii (donut shapes), and a cylinder are on a yellow-orange gradient background. The image is overlaid with the text, "artists space & the segue reading series / merrily invite you to an online reading by / Joey Yearous-Algozin / and / Filip Marinovich / saturday 4.24.21 5pm eastern / $5 suggested it'll be terrific / zoom id: 830 2698 4031
    Year 2021
    Related pages Segue Reading Series: Filip Marinovich & Joey Yearous-Algozin
  • A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979. [A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.]
    Caption Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979.
    Image description A continuous strip extends around the perimeter of the room, hung up on the walls. The strip alternates between photographic stills and black boxes overlaid with white text.
    Year 1979
    Related pages Patricia Hearst - A Second Reading
  • A view down an isle, between theater seating and blue track lighting, to a projected video screen. On the back wall, a still image of a man, in a pilots uniform, gestures toward the viewers with two fingers. Hito Stereyl stands behind him with her arm outstretched.
    A view down an isle, between theater seating and blue track lighting, to a projected video screen. On the back wall, a still image of a man, in a pilots uniform, gestures toward the viewers with two fingers. Hito Stereyl stands behind him with her arm outstretched.
    Hito Steyerl, In Free Fall, 2010. HD video with sound, 30 mins. Courtesy of the artist and Andrew Kreps, New York. [A view down an isle, between theater seating and blue track lighting, to a projected video screen. On the back wall, a still image of a man, in a pilots uniform, gestures toward the viewers with two fingers. Hito Stereyl stands behind him with her arm outstretched.]
    Caption Hito Steyerl, In Free Fall, 2010. HD video with sound, 30 mins. Courtesy of the artist and Andrew Kreps, New York.
    Image description A view down an isle, between theater seating and blue track lighting, to a projected video screen. On the back wall, a still image of a man, in a pilots uniform, gestures toward the viewers with two fingers. Hito Stereyl stands behind him with her arm outstretched.
    Year 2015
    Related pages Hito Steyerl
  • A black and white image of the exterior of a modern house standing on stilts.
    A black and white image of the exterior of a modern house standing on stilts.
    Eileen Gray, E. 1027, 1926-29. Exterior. [A black and white image of the exterior of a modern house standing on stilts.]
    Caption Eileen Gray, E. 1027, 1926-29. Exterior.
    Image description A black and white image of the exterior of a modern house standing on stilts.
    Year
    Related pages Presence and Absence
  • Color photograph of a vitrine from above. Various ephemera, including magazines, correspondence, and photocopied photographs in black-and-white are placed inside.
    Color photograph of a vitrine from above. Various ephemera, including magazines, correspondence, and photocopied photographs in black-and-white are placed inside.
    Yasunao Tone: Region of Paramedia. Installation view (ephemera c. 1970s), Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a vitrine from above. Various ephemera, including magazines, correspondence, and photocopied photographs in black-and-white are placed inside.]
    Caption Yasunao Tone: Region of Paramedia. Installation view (ephemera c. 1970s), Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photograph of a vitrine from above. Various ephemera, including magazines, correspondence, and photocopied photographs in black-and-white are placed inside.
    Year 2023
    Related pages Yasunao Tone: Region of Paramedia
  • Black-and-white photograph of a reed organ covered in plastic with an ice cube placed on top of the keyboard, a microphone stand, and a music stand with a clock resting on it. In the background is a stage with chairs set up.
    Black-and-white photograph of a reed organ covered in plastic with an ice cube placed on top of the keyboard, a microphone stand, and a music stand with a clock resting on it. In the background is a stage with chairs set up.
    Yasunao Tone performing Genealogy and Music, Event 201, Merce Cunningham Studio, New York, 1978 [Black-and-white photograph of a reed organ covered in plastic with an ice cube placed on top of the keyboard, a microphone stand, and a music stand with a clock resting on it. In the background is a stage with chairs set up.]
    Caption Yasunao Tone performing Genealogy and Music, Event 201, Merce Cunningham Studio, New York, 1978
    Image description Black-and-white photograph of a reed organ covered in plastic with an ice cube placed on top of the keyboard, a microphone stand, and a music stand with a clock resting on it. In the background is a stage with chairs set up.
    Year
    Related pages Yasunao Tone Concert #2
  • A figure stands behind a microphone and table with audio equipment. They hold one hand over their mouth and the other around their neck.
    A figure stands behind a microphone and table with audio equipment. They hold one hand over their mouth and the other around their neck.
    Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman [A figure stands behind a microphone and table with audio equipment. They hold one hand over their mouth and the other around their neck.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 10, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure stands behind a microphone and table with audio equipment. They hold one hand over their mouth and the other around their neck.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-10
  • A black monitor sits on a wooden table. The image onscreen shows a hand holding a black and white paper with text. A stack of photographs lay underneath the paper.
    A black monitor sits on a wooden table. The image onscreen shows a hand holding a black and white paper with text. A stack of photographs lay underneath the paper.
    Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979). Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A black monitor sits on a wooden table. The image onscreen shows a hand holding a black and white paper with text. A stack of photographs lay underneath the paper.]
    Caption Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979). Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description A black monitor sits on a wooden table. The image onscreen shows a hand holding a black and white paper with text. A stack of photographs lay underneath the paper.
    Year 2011
    Related pages Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979)
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    Related pages Christopher D'Arcangelo
  • Yasunao Tone: Region of Paramedia. Installation view (Flute from Lyrictron for Flute, 1968; Score for Trio for a Flute Player, 1985), Artists Space, 2023. Photo: Filip Wolak.
    Caption Yasunao Tone: Region of Paramedia. Installation view (Flute from Lyrictron for Flute, 1968; Score for Trio for a Flute Player, 1985), Artists Space, 2023. Photo: Filip Wolak.
    Image description
    Year 2023
    Related pages Yasunao Tone: Region of Paramedia
  • Grade 7 students with collage self-portraits, 2021
    Caption Grade 7 students with collage self-portraits, 2021
    Image description
    Year 2021
    Related pages Threads of History
  • A black and white postcard with an image of a bed with a mountain in the middle of it and a dilapidated chair with the back hollowed out. Text underneath the images reads,
    A black and white postcard with an image of a bed with a mountain in the middle of it and a dilapidated chair with the back hollowed out. Text underneath the images reads,
    [A black and white postcard with an image of a bed with a mountain in the middle of it and a dilapidated chair with the back hollowed out. Text underneath the images reads, "A Bed / And A Chair / Eileen Neff / April 9 - May 23, 1992 / Artists Space."]
    Caption
    Image description A black and white postcard with an image of a bed with a mountain in the middle of it and a dilapidated chair with the back hollowed out. Text underneath the images reads, "A Bed / And A Chair / Eileen Neff / April 9 - May 23, 1992 / Artists Space."
    Year 1992
    Related pages The Mountain A Bed and A Chair
  • Red text reading “we cover for you / new red order / 1-888-NEW-RED1 / newredorder.org” is overlaid on an image of a person in a black shirt holding a rock in front of their face.
    Red text reading “we cover for you / new red order / 1-888-NEW-RED1 / newredorder.org” is overlaid on an image of a person in a black shirt holding a rock in front of their face.
    [Red text reading “we cover for you / new red order / 1-888-NEW-RED1 / newredorder.org” is overlaid on an image of a person in a black shirt holding a rock in front of their face.]
    Caption
    Image description Red text reading “we cover for you / new red order / 1-888-NEW-RED1 / newredorder.org” is overlaid on an image of a person in a black shirt holding a rock in front of their face.
    Year
    Related pages New Red Order: Informants Get Paid!
  • A square, gray canvas with a large white circle centered towards its bottom edge hangs on a light, mauve-colored wall. At the bottom center of the circle, the canvas stretches outward in a verticle line.
    A square, gray canvas with a large white circle centered towards its bottom edge hangs on a light, mauve-colored wall. At the bottom center of the circle, the canvas stretches outward in a verticle line.
    Zilia Sánchez. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A square, gray canvas with a large white circle centered towards its bottom edge hangs on a light, mauve-colored wall. At the bottom center of the circle, the canvas stretches outward in a verticle line.]
    Caption Zilia Sánchez. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description A square, gray canvas with a large white circle centered towards its bottom edge hangs on a light, mauve-colored wall. At the bottom center of the circle, the canvas stretches outward in a verticle line.
    Year 2013
    Related pages Zilia Sánchez
  • Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They have papers taped and placed over their face.
    Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They have papers taped and placed over their face.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They have papers taped and placed over their face.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 29, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of a figure in a red suit preforming in front of a seated audience. The figure sits at a tanker desk with a TV monitor placed on top of it. They have papers taped and placed over their face.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • An overhead view of a very modern building with a dark, bulbous, skin-like facade. Protruding from its top are tuberous skylights all facing the same direction, and at left is a long elevated walkway.
    An overhead view of a very modern building with a dark, bulbous, skin-like facade. Protruding from its top are tuberous skylights all facing the same direction, and at left is a long elevated walkway.
    realities:united, BIX Comminicative Display Skin, 2003. Photo: H. Schiffer. [An overhead view of a very modern building with a dark, bulbous, skin-like facade. Protruding from its top are tuberous skylights all facing the same direction, and at left is a long elevated walkway.]
    Caption realities:united, BIX Comminicative Display Skin, 2003. Photo: H. Schiffer.
    Image description An overhead view of a very modern building with a dark, bulbous, skin-like facade. Protruding from its top are tuberous skylights all facing the same direction, and at left is a long elevated walkway.
    Year
    Related pages Contemporary Architecture - an installation by realities:united
  • A digital rendering of a large, rectangular aquarium filled with fish. Resting on top of the aqaurium are three terraria of different spherical shapes.
    A digital rendering of a large, rectangular aquarium filled with fish. Resting on top of the aqaurium are three terraria of different spherical shapes.
    [A digital rendering of a large, rectangular aquarium filled with fish. Resting on top of the aqaurium are three terraria of different spherical shapes.]
    Caption
    Image description A digital rendering of a large, rectangular aquarium filled with fish. Resting on top of the aqaurium are three terraria of different spherical shapes.
    Year 2008
    Related pages Local River
  • Detail view of a table filled with several stacks of a book titled *EINE PINOT GRIGIO BITTE*. The book covers appear in various shades of orange, pink, blue, yellow, and green, and are stamped with the same ornate Latin emblem. Some are comb bound and others are side stitched.
    Detail view of a table filled with several stacks of a book titled *EINE PINOT GRIGIO BITTE*. The book covers appear in various shades of orange, pink, blue, yellow, and green, and are stamped with the same ornate Latin emblem. Some are comb bound and others are side stitched.
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Detail view of a table filled with several stacks of a book titled *EINE PINOT GRIGIO BITTE*. The book covers appear in various shades of orange, pink, blue, yellow, and green, and are stamped with the same ornate Latin emblem. Some are comb bound and others are side stitched.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Detail view of a table filled with several stacks of a book titled *EINE PINOT GRIGIO BITTE*. The book covers appear in various shades of orange, pink, blue, yellow, and green, and are stamped with the same ornate Latin emblem. Some are comb bound and others are side stitched.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
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    Year
    Related pages DRAFT IMAGE PAGE_NEVER DELETE
  • Black text overlays a solid orange background. The text at the top reads: “Segue Reading Series & ARTISTS SPACE / Fall/Winter 2024 Season / October/November curated by A Gathering of the Tribes / Saturdays at 5pm: 11 Cortlandt Alley + Zoom
    Black text overlays a solid orange background. The text at the top reads: “Segue Reading Series & ARTISTS SPACE / Fall/Winter 2024 Season / October/November curated by A Gathering of the Tribes / Saturdays at 5pm: 11 Cortlandt Alley + Zoom
    [Black text overlays a solid orange background. The text at the top reads: “Segue Reading Series & ARTISTS SPACE / Fall/Winter 2024 Season / October/November curated by A Gathering of the Tribes / Saturdays at 5pm: 11 Cortlandt Alley + Zoom"]
    Caption
    Image description Black text overlays a solid orange background. The text at the top reads: “Segue Reading Series & ARTISTS SPACE / Fall/Winter 2024 Season / October/November curated by A Gathering of the Tribes / Saturdays at 5pm: 11 Cortlandt Alley + Zoom"
    Year
    Related pages Segue Reading Series
  • The upper body of a figure appears in front of a microphone, into which they play the flute.
    The upper body of a figure appears in front of a microphone, into which they play the flute.
    Eiko Ishibashi: Two New York Nights. Performance documentation, June 8, 2022, 8pm. Artists Space, New York. [The upper body of a figure appears in front of a microphone, into which they play the flute.]
    Caption Eiko Ishibashi: Two New York Nights. Performance documentation, June 8, 2022, 8pm. Artists Space, New York.
    Image description The upper body of a figure appears in front of a microphone, into which they play the flute.
    Year
    Related pages Eiko Ishibashi in Concert
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    Image description
    Year
    Related pages Michael Asher
  • Portrait of a figure caught offguard.
    Portrait of a figure caught offguard.
    Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman [Portrait of a figure caught offguard.]
    Caption Abasement #61. Performance documentation, November 7, 2022, Artists Space. Photo: Joshua Wildman
    Image description Portrait of a figure caught offguard.
    Year 2022
    Related pages Abasement #61
  • A black and white installation photograph of a gallery space. Several large framed pieces hang on the left and right walls.
    A black and white installation photograph of a gallery space. Several large framed pieces hang on the left and right walls.
    Pictures. Installation view, Artists Space, 1977. Photo: D. James Dee. [A black and white installation photograph of a gallery space. Several large framed pieces hang on the left and right walls.]
    Caption Pictures. Installation view, Artists Space, 1977. Photo: D. James Dee.
    Image description A black and white installation photograph of a gallery space. Several large framed pieces hang on the left and right walls.
    Year 1977
    Related pages Pictures
  • A figure in overalls leans forward to paint broad strokes of lighter paint on a black tarp hung on a wall. Painting supplies sit on a table directly behind them.
    A figure in overalls leans forward to paint broad strokes of lighter paint on a black tarp hung on a wall. Painting supplies sit on a table directly behind them.
    Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [A figure in overalls leans forward to paint broad strokes of lighter paint on a black tarp hung on a wall. Painting supplies sit on a table directly behind them.]
    Caption Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description A figure in overalls leans forward to paint broad strokes of lighter paint on a black tarp hung on a wall. Painting supplies sit on a table directly behind them.
    Year 2019
    Related pages Speaker Music: drape over another
  • A red image, portraying a window squeege at the bottom left of frame, of which the section of it's width above is a darker red.
    A red image, portraying a window squeege at the bottom left of frame, of which the section of it's width above is a darker red.
    KH Hödicke Magic Window Cleaner II , 1967 80 copies + 40 artists proofs, signed and numbered screen print on Plexiglas, 83 x 59 cm Courtesy of Edition Block, Berlin [A red image, portraying a window squeege at the bottom left of frame, of which the section of it's width above is a darker red.]
    Caption KH Hödicke Magic Window Cleaner II , 1967 80 copies + 40 artists proofs, signed and numbered screen print on Plexiglas, 83 x 59 cm Courtesy of Edition Block, Berlin
    Image description A red image, portraying a window squeege at the bottom left of frame, of which the section of it's width above is a darker red.
    Year 1967
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • Ten black and white photographs arranged in a rectangle on a white wall. The images show various scenes of assorted trash on streets.
    Ten black and white photographs arranged in a rectangle on a white wall. The images show various scenes of assorted trash on streets.
    Sean Snyder. Installation view, Artists Space, 2010-11. Photo: Daniel Peréz. [Ten black and white photographs arranged in a rectangle on a white wall. The images show various scenes of assorted trash on streets.]
    Caption Sean Snyder. Installation view, Artists Space, 2010-11. Photo: Daniel Peréz.
    Image description Ten black and white photographs arranged in a rectangle on a white wall. The images show various scenes of assorted trash on streets.
    Year 2010
    Related pages Sean Snyder
  • A fruit salad with watermelon, oranges, berries, and more in a metal dish, as if at a deli station. Overlaid white text in script reads
    A fruit salad with watermelon, oranges, berries, and more in a metal dish, as if at a deli station. Overlaid white text in script reads
    [A fruit salad with watermelon, oranges, berries, and more in a metal dish, as if at a deli station. Overlaid white text in script reads "Salad Days."]
    Caption
    Image description A fruit salad with watermelon, oranges, berries, and more in a metal dish, as if at a deli station. Overlaid white text in script reads "Salad Days."
    Year 2004
    Related pages Salad Days
  • Three panels with animal-like figure outlines appear on the floor opened out with a black background.
    Three panels with animal-like figure outlines appear on the floor opened out with a black background.
    Gerome Kamrowski. Hopeful Monster, 1980. [Three panels with animal-like figure outlines appear on the floor opened out with a black background.]
    Caption Gerome Kamrowski. Hopeful Monster, 1980.
    Image description Three panels with animal-like figure outlines appear on the floor opened out with a black background.
    Year
    Related pages Moderns in Mind
  • Drawing of a curving tower with accentuated imagery spilling into the white surrounding areas.
    Drawing of a curving tower with accentuated imagery spilling into the white surrounding areas.
    Hani Rashid, Certain First Principles, 1985. Mixed media with ink, old paint, acids, chalks, 33 x 24 inches. [Drawing of a curving tower with accentuated imagery spilling into the white surrounding areas.]
    Caption Hani Rashid, Certain First Principles, 1985. Mixed media with ink, old paint, acids, chalks, 33 x 24 inches.
    Image description Drawing of a curving tower with accentuated imagery spilling into the white surrounding areas.
    Year 1985
    Related pages Kursaal For An Evacuee
  • Two framed collaged images on a white wall. Both display a central image of two dogs.
    Two framed collaged images on a white wall. Both display a central image of two dogs.
    Mark Morrisroe: From This Moment On. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [Two framed collaged images on a white wall. Both display a central image of two dogs.]
    Caption Mark Morrisroe: From This Moment On. Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description Two framed collaged images on a white wall. Both display a central image of two dogs.
    Year 2011
    Related pages Mark Morrisroe: From This Moment On
  • A closed rectangular box with a black cover sits on a white backdrop. Large, white text reading
    A closed rectangular box with a black cover sits on a white backdrop. Large, white text reading
    [A closed rectangular box with a black cover sits on a white backdrop. Large, white text reading "Avalanche" runs along the top of the box's right side.]
    Caption
    Image description A closed rectangular box with a black cover sits on a white backdrop. Large, white text reading "Avalanche" runs along the top of the box's right side.
    Year 2010
    Related pages Liza Béar and Christophe Cherix in conversation regarding Avalanche
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    Year
    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • Color photograph of a large group of people standing around a gallery space. Chairs, and tanker desks with TV monitors on them are placed in the space. The audience watches a figure in a red suit that stands next to a column, holding their hand to their mouth.
    Color photograph of a large group of people standing around a gallery space. Chairs, and tanker desks with TV monitors on them are placed in the space. The audience watches a figure in a red suit that stands next to a column, holding their hand to their mouth.
    Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata [Color photograph of a large group of people standing around a gallery space. Chairs, and tanker desks with TV monitors on them are placed in the space. The audience watches a figure in a red suit that stands next to a column, holding their hand to their mouth.]
    Caption Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN. Performance documentation, October 30, 2022, Artists Space. Photo: Destiny Mata
    Image description Color photograph of a large group of people standing around a gallery space. Chairs, and tanker desks with TV monitors on them are placed in the space. The audience watches a figure in a red suit that stands next to a column, holding their hand to their mouth.
    Year 2022
    Related pages Las Nietas de Nonó: Posibles Escenarios, Vol. 1 LNN
  • Caption
    Image description
    Year
    Related pages Doris Guo Matthew Langan-Peck Isabelle Frances McGuire Ruben Ulises Rodriguez Montoya
  • An image of a dark exhibition space with three video projections projected on to a wall.
    An image of a dark exhibition space with three video projections projected on to a wall.
    New Red Order with Ashley Byler and Jeremy Pheiffer / Kate August and Enver Chakartash Urge 2 Merge, 2021 3 channel video, color 12 minutes (loop) Image courtesy Artists Space, New York Photo: Filip Wolak [An image of a dark exhibition space with three video projections projected on to a wall.]
    Caption New Red Order with Ashley Byler and Jeremy Pheiffer / Kate August and Enver Chakartash Urge 2 Merge, 2021 3 channel video, color 12 minutes (loop) Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description An image of a dark exhibition space with three video projections projected on to a wall.
    Year 2021
    Related pages New Red Order: Feel at Home Here
  • A figure wearing all black clothing, a black hood, heavy eyeshadow, and a fake mustache looks at the floor.
    A figure wearing all black clothing, a black hood, heavy eyeshadow, and a fake mustache looks at the floor.
    Jack Smith, still from Hamlet in the Rented World (A Fragment), 1970-73. 16mm transferred to video, (sound, color), 27 minutes. [A figure wearing all black clothing, a black hood, heavy eyeshadow, and a fake mustache looks at the floor.]
    Caption Jack Smith, still from Hamlet in the Rented World (A Fragment), 1970-73. 16mm transferred to video, (sound, color), 27 minutes.
    Image description A figure wearing all black clothing, a black hood, heavy eyeshadow, and a fake mustache looks at the floor.
    Year 1970
    Related pages Reconstructing Performance
  • A figurine human head and hands appear from an amalgamation of various objections and materials hanging on a white wall.
    A figurine human head and hands appear from an amalgamation of various objections and materials hanging on a white wall.
    Neraldo de la Paz, Angel, 1982. [A figurine human head and hands appear from an amalgamation of various objections and materials hanging on a white wall.]
    Caption Neraldo de la Paz, Angel, 1982.
    Image description A figurine human head and hands appear from an amalgamation of various objections and materials hanging on a white wall.
    Year
    Related pages Recent Art from Chicago
  • A figure plays the drums in the background with an out of focus piano in the foreground.
    A figure plays the drums in the background with an out of focus piano in the foreground.
    Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman [A figure plays the drums in the background with an out of focus piano in the foreground.]
    Caption Tisziji Muñoz with Francisco Mora Catlett and AfroHORN. Performance documentation, October 21, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure plays the drums in the background with an out of focus piano in the foreground.
    Year 2022
    Related pages Tisziji Muñoz with Francisco Mora Catlett and AfroHORN
  • Image of a dimly-lit basement, a figure holding a video camera with a rig on their shoulder takes footage of the back wall, which has blue and purple light projected onto it.
    Image of a dimly-lit basement, a figure holding a video camera with a rig on their shoulder takes footage of the back wall, which has blue and purple light projected onto it.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Image of a dimly-lit basement, a figure holding a video camera with a rig on their shoulder takes footage of the back wall, which has blue and purple light projected onto it.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a dimly-lit basement, a figure holding a video camera with a rig on their shoulder takes footage of the back wall, which has blue and purple light projected onto it.
    Year 2022
    Related pages SCRAAATCH 12-3
  • Book cover design featuring a blue-tinged photograph of a woman in a white blouse resting casually against an armchair, her left hand reaching up towards her face and her fingers curling in a relaxed position. She appears contemplative, as if she is about to speak. Text superimposed over the top left hand corner of the image reads
    Book cover design featuring a blue-tinged photograph of a woman in a white blouse resting casually against an armchair, her left hand reaching up towards her face and her fingers curling in a relaxed position. She appears contemplative, as if she is about to speak. Text superimposed over the top left hand corner of the image reads
    Piecing Together Los Angeles: An Esther McCoy Reader, edited by Susan Morgan, published by East of Borneo Books, 2012. [Book cover design featuring a blue-tinged photograph of a woman in a white blouse resting casually against an armchair, her left hand reaching up towards her face and her fingers curling in a relaxed position. She appears contemplative, as if she is about to speak. Text superimposed over the top left hand corner of the image reads "Piecing Together Los Angeles: An Esther McCoy Reader."]
    Caption Piecing Together Los Angeles: An Esther McCoy Reader, edited by Susan Morgan, published by East of Borneo Books, 2012.
    Image description Book cover design featuring a blue-tinged photograph of a woman in a white blouse resting casually against an armchair, her left hand reaching up towards her face and her fingers curling in a relaxed position. She appears contemplative, as if she is about to speak. Text superimposed over the top left hand corner of the image reads "Piecing Together Los Angeles: An Esther McCoy Reader."
    Year 2012
    Related pages Piecing Together Los Angeles: An Esther McCoy Reader
  • A pink object with a white, cracked surface sits on a white base. A flat green surface is attached to the left side, and a metal antenna extends out on a diagonal.
    A pink object with a white, cracked surface sits on a white base. A flat green surface is attached to the left side, and a metal antenna extends out on a diagonal.
    Not yet titled, 2019
    Clay, glaze, metal antenna
    3 1/2 x 13 x 12 inches (variable)
    $2,500
    [A pink object with a white, cracked surface sits on a white base. A flat green surface is attached to the left side, and a metal antenna extends out on a diagonal.]
    Caption Not yet titled, 2019
    Clay, glaze, metal antenna
    3 1/2 x 13 x 12 inches (variable)
    $2,500
    Image description A pink object with a white, cracked surface sits on a white base. A flat green surface is attached to the left side, and a metal antenna extends out on a diagonal.
    Year 2019
    Related pages Trisha Baga Edition
  • A gallery space with two large black treadmills placed on the right side of the room. Along the back and side are doors with large window panes that show the street outside. The edge of a wooden railing can be seen to the left of the treadmills.
    A gallery space with two large black treadmills placed on the right side of the room. Along the back and side are doors with large window panes that show the street outside. The edge of a wooden railing can be seen to the left of the treadmills.
    Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Malcolm Peacock, How to address the full capacity of our will, 2023), Artists Space, 2023. Photo: Filip Wolak. [A gallery space with two large black treadmills placed on the right side of the room. Along the back and side are doors with large window panes that show the street outside. The edge of a wooden railing can be seen to the left of the treadmills.]
    Caption Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Malcolm Peacock, How to address the full capacity of our will, 2023), Artists Space, 2023. Photo: Filip Wolak.
    Image description A gallery space with two large black treadmills placed on the right side of the room. Along the back and side are doors with large window panes that show the street outside. The edge of a wooden railing can be seen to the left of the treadmills.
    Year 2023
    Related pages Shala Miller, Malcolm Peacock, Amiri Baraka
  • Color photograph of a gallery wall. On the left, four black-and-white photographs are hung vertically, and on the right is a shelf with a television monitor placed on it.
    Color photograph of a gallery wall. On the left, four black-and-white photographs are hung vertically, and on the right is a shelf with a television monitor placed on it.
    Yasunao Tone: Region of Paramedia. Installation view (Peter Moore, Concert at The Kitchen, 1979; Paramedia Music, 1990), Artists Space, 2023. Photo: Filip Wolak. [Color photograph of a gallery wall. On the left, four black-and-white photographs are hung vertically, and on the right is a shelf with a television monitor placed on it.]
    Caption Yasunao Tone: Region of Paramedia. Installation view (Peter Moore, Concert at The Kitchen, 1979; Paramedia Music, 1990), Artists Space, 2023. Photo: Filip Wolak.
    Image description Color photograph of a gallery wall. On the left, four black-and-white photographs are hung vertically, and on the right is a shelf with a television monitor placed on it.
    Year 2023
    Related pages Yasunao Tone: Region of Paramedia
  • Color image of a side view of a booth inside an art fair. On the outside of the left wall, three works made of cut-out panels can be seen. One is in the shape of curtains, and two are human figures. Inside the booth, a window with balck and white curtains with pink flowers can be seen. On the right wall hangs a colorful drawing with two figures sitting on a couch.
    Color image of a side view of a booth inside an art fair. On the outside of the left wall, three works made of cut-out panels can be seen. One is in the shape of curtains, and two are human figures. Inside the booth, a window with balck and white curtains with pink flowers can be seen. On the right wall hangs a colorful drawing with two figures sitting on a couch.
    Drake Carr: Housecalls. Installation view, Artists Space at the Armory Show, 2023. Photo: Filip Wolak. [Color image of a side view of a booth inside an art fair. On the outside of the left wall, three works made of cut-out panels can be seen. One is in the shape of curtains, and two are human figures. Inside the booth, a window with balck and white curtains with pink flowers can be seen. On the right wall hangs a colorful drawing with two figures sitting on a couch.]
    Caption Drake Carr: Housecalls. Installation view, Artists Space at the Armory Show, 2023. Photo: Filip Wolak.
    Image description Color image of a side view of a booth inside an art fair. On the outside of the left wall, three works made of cut-out panels can be seen. One is in the shape of curtains, and two are human figures. Inside the booth, a window with balck and white curtains with pink flowers can be seen. On the right wall hangs a colorful drawing with two figures sitting on a couch.
    Year
    Related pages Drake Carr: Housecalls
  • A close up of a dramatically lit small drum kit that reads
    A close up of a dramatically lit small drum kit that reads
    ART CLUB2000 Untitled (Drum kit), 1994 Miniature drum kit and spotlight Image courtesy Artists Space, New York Photo: Filip Wolak [A close up of a dramatically lit small drum kit that reads "art club 2000".]
    Caption ART CLUB2000 Untitled (Drum kit), 1994 Miniature drum kit and spotlight Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description A close up of a dramatically lit small drum kit that reads "art club 2000".
    Year 2021
    Related pages ART CLUB2000
  • Three large pink fabric banners by Isabelle Frances McGuire, each bearing three silver star patches, hang from the ceiling to rest on the floor.
    Three large pink fabric banners by Isabelle Frances McGuire, each bearing three silver star patches, hang from the ceiling to rest on the floor.
    Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon. [Three large pink fabric banners by Isabelle Frances McGuire, each bearing three silver star patches, hang from the ceiling to rest on the floor.]
    Caption Doris Guo, Matthew Langan-Peck, Isabelle Frances McGuire, Ruben Ulises Rodriguez Montoya. Installation view, Artists Space, 2024. Photo: Carter Seddon.
    Image description Three large pink fabric banners by Isabelle Frances McGuire, each bearing three silver star patches, hang from the ceiling to rest on the floor.
    Year
    Related pages Doris Guo Matthew Langan-Peck Isabelle Frances McGuire Ruben Ulises Rodriguez Montoya
  • Five performers sitting in a row playing various wind, string, and percussion instruments. They are facing microphone and sheet music stands. Multicolored patterned projections and disco ball reflections cover the two walls and musicians. Audience members are visible around the stage.
    Five performers sitting in a row playing various wind, string, and percussion instruments. They are facing microphone and sheet music stands. Multicolored patterned projections and disco ball reflections cover the two walls and musicians. Audience members are visible around the stage.
    Abasement #72. Performance documentation, October 7th, 2024, Artists Space. Photo: Joshua Wildman. [Five performers sitting in a row playing various wind, string, and percussion instruments. They are facing microphone and sheet music stands. Multicolored patterned projections and disco ball reflections cover the two walls and musicians. Audience members are visible around the stage.]
    Caption Abasement #72. Performance documentation, October 7th, 2024, Artists Space. Photo: Joshua Wildman.
    Image description Five performers sitting in a row playing various wind, string, and percussion instruments. They are facing microphone and sheet music stands. Multicolored patterned projections and disco ball reflections cover the two walls and musicians. Audience members are visible around the stage.
    Year
    Related pages Abasement #72
  • Grainy photograph of a wall drawing in a gallery space.
    Grainy photograph of a wall drawing in a gallery space.
    Gary Falk, Brigid Kennedy, Ladd Kessler, Peggy Yunque. Installation view, Artists Space, 1981. [Grainy photograph of a wall drawing in a gallery space.]
    Caption Gary Falk, Brigid Kennedy, Ladd Kessler, Peggy Yunque. Installation view, Artists Space, 1981.
    Image description Grainy photograph of a wall drawing in a gallery space.
    Year
    Related pages Gary Falk, Brigid Kennedy, Ladd Kessler, Peggy Yunque
  • A color photograph of two wooden cafe chairs with green cushions in a gallery space. A television screen with a cord extending down to an outlet in the floor rests upon each chair.
    A color photograph of two wooden cafe chairs with green cushions in a gallery space. A television screen with a cord extending down to an outlet in the floor rests upon each chair.
    Nicole-Antonia Spagnola, Untitled, 2022. Raw Power, Raw Power; Kollettivo, Lotta per il potere; Antigenesi, Una donna non e’ merda; Negazione, Tutti Pazzi; RAF Punk, Contro la pace Contro la guerra; Peggio Punx, Scemo. 8mm to MP4 transfer (color, sound), monitors, chairs. Installation view, Artists Space, 2022. Photo: Filip Wolak. [A color photograph of two wooden cafe chairs with green cushions in a gallery space. A television screen with a cord extending down to an outlet in the floor rests upon each chair.]
    Caption Nicole-Antonia Spagnola, Untitled, 2022. Raw Power, Raw Power; Kollettivo, Lotta per il potere; Antigenesi, Una donna non e’ merda; Negazione, Tutti Pazzi; RAF Punk, Contro la pace Contro la guerra; Peggio Punx, Scemo. 8mm to MP4 transfer (color, sound), monitors, chairs. Installation view, Artists Space, 2022. Photo: Filip Wolak.
    Image description A color photograph of two wooden cafe chairs with green cushions in a gallery space. A television screen with a cord extending down to an outlet in the floor rests upon each chair.
    Year 2022
    Related pages Nicole-Antonia Spagnola: Anti-Genesis
  • a black and white photograph of a gallery filled with people conversing. The walls are lined with several framed and unframed artworks.
    a black and white photograph of a gallery filled with people conversing. The walls are lined with several framed and unframed artworks.
    Pictures. Opening Reception, Artists Space, September 23, 1977. Photo: D. James Dee. [a black and white photograph of a gallery filled with people conversing. The walls are lined with several framed and unframed artworks.]
    Caption Pictures. Opening Reception, Artists Space, September 23, 1977. Photo: D. James Dee.
    Image description a black and white photograph of a gallery filled with people conversing. The walls are lined with several framed and unframed artworks.
    Year 1977
    Related pages Pictures
  • An angled view of the exhibition exit, on which the left of the doorway is text, on the right a projected image. Across the frame is a large bookstand displaying documents, books, and papers.
    An angled view of the exhibition exit, on which the left of the doorway is text, on the right a projected image. Across the frame is a large bookstand displaying documents, books, and papers.
    Richard Hollis. Installation view, Artists Space, 2013. [An angled view of the exhibition exit, on which the left of the doorway is text, on the right a projected image. Across the frame is a large bookstand displaying documents, books, and papers.]
    Caption Richard Hollis. Installation view, Artists Space, 2013.
    Image description An angled view of the exhibition exit, on which the left of the doorway is text, on the right a projected image. Across the frame is a large bookstand displaying documents, books, and papers.
    Year 2013
    Related pages Richard Hollis
  • A black and white image of three individuals, one sitting inside a car and the others standing against it.
    A black and white image of three individuals, one sitting inside a car and the others standing against it.
    The Low Riders: Meridel Rubenstein. Postcard, Artists Space, 1981. [A black and white image of three individuals, one sitting inside a car and the others standing against it.]
    Caption The Low Riders: Meridel Rubenstein. Postcard, Artists Space, 1981.
    Image description A black and white image of three individuals, one sitting inside a car and the others standing against it.
    Year 1981
    Related pages
  • A small constructed dancing figurine appears on a pedestal with light shining on it from the right creating a shadow on its left.
    A small constructed dancing figurine appears on a pedestal with light shining on it from the right creating a shadow on its left.
    Neraldo de la Paz. Melania's Thigh, 1982. [A small constructed dancing figurine appears on a pedestal with light shining on it from the right creating a shadow on its left.]
    Caption Neraldo de la Paz. Melania's Thigh, 1982.
    Image description A small constructed dancing figurine appears on a pedestal with light shining on it from the right creating a shadow on its left.
    Year
    Related pages Recent Art from Chicago
  • A rough sketch of a gallery with names in specific zones, done in blue ink
    A rough sketch of a gallery with names in specific zones, done in blue ink
    Floor plan sketch for Group Show, Artists Space, 1975. [A rough sketch of a gallery with names in specific zones, done in blue ink]
    Caption Floor plan sketch for Group Show, Artists Space, 1975.
    Image description A rough sketch of a gallery with names in specific zones, done in blue ink
    Year 1975
    Related pages Group Show
  • A gestural line drawing of two figures embracing set against a geomatric pattern of blue, teal, brown, red, and pink rectangular forms.
    A gestural line drawing of two figures embracing set against a geomatric pattern of blue, teal, brown, red, and pink rectangular forms.
    Nick Mauss, This afternoon, 2012, 5-color, hand-stenciled gouache on paper, each unique 24 x 18 inches, Signed and numbered. [A gestural line drawing of two figures embracing set against a geomatric pattern of blue, teal, brown, red, and pink rectangular forms.]
    Caption Nick Mauss, This afternoon, 2012, 5-color, hand-stenciled gouache on paper, each unique 24 x 18 inches, Signed and numbered.
    Image description A gestural line drawing of two figures embracing set against a geomatric pattern of blue, teal, brown, red, and pink rectangular forms.
    Year 2014
    Related pages Artists Space Annual Edition Portfolio 2013
  • An angled view of three light, mauve-colored and parallel walls displaying drawings and paneled canvases in an exhibition space with wooden flooring. The canvases are slightly three-dimensional, with elements that stretch in or out from their surfaces.
    An angled view of three light, mauve-colored and parallel walls displaying drawings and paneled canvases in an exhibition space with wooden flooring. The canvases are slightly three-dimensional, with elements that stretch in or out from their surfaces.
    Zilia Sánchez. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [An angled view of three light, mauve-colored and parallel walls displaying drawings and paneled canvases in an exhibition space with wooden flooring. The canvases are slightly three-dimensional, with elements that stretch in or out from their surfaces.]
    Caption Zilia Sánchez. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description An angled view of three light, mauve-colored and parallel walls displaying drawings and paneled canvases in an exhibition space with wooden flooring. The canvases are slightly three-dimensional, with elements that stretch in or out from their surfaces.
    Year 2013
    Related pages Zilia Sánchez
  • A figure in a red sweater and a black bowler hat stands behind three microphones, speaking into them.
    A figure in a red sweater and a black bowler hat stands behind three microphones, speaking into them.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure in a red sweater and a black bowler hat stands behind three microphones, speaking into them.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure in a red sweater and a black bowler hat stands behind three microphones, speaking into them.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
  • A green, blue, and yellow abstract landscape painting hangs on a white wall. A purple buffalo painting is hanging on the wall to the left. To the right, a tall paper is pinned into a purple section of wall.
    A green, blue, and yellow abstract landscape painting hangs on a white wall. A purple buffalo painting is hanging on the wall to the left. To the right, a tall paper is pinned into a purple section of wall.
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A green, blue, and yellow abstract landscape painting hangs on a white wall. A purple buffalo painting is hanging on the wall to the left. To the right, a tall paper is pinned into a purple section of wall.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description A green, blue, and yellow abstract landscape painting hangs on a white wall. A purple buffalo painting is hanging on the wall to the left. To the right, a tall paper is pinned into a purple section of wall.
    Year 2017
    Related pages Unholding
  • White text overlays a background of a blue sky, tree tops, and tadpoles. The text reads: “May 20 / Fred Moten / Onyx Collective (Austin Williamson & Isaiah Barr)
    White text overlays a background of a blue sky, tree tops, and tadpoles. The text reads: “May 20 / Fred Moten / Onyx Collective (Austin Williamson & Isaiah Barr)
    [White text overlays a background of a blue sky, tree tops, and tadpoles. The text reads: “May 20 / Fred Moten / Onyx Collective (Austin Williamson & Isaiah Barr) " Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)]
    Caption
    Image description White text overlays a background of a blue sky, tree tops, and tadpoles. The text reads: “May 20 / Fred Moten / Onyx Collective (Austin Williamson & Isaiah Barr) " Smaller text in the bottom left corner reads: “5pm / 11 Cortlandt Alley + Zoom / Zoom ID: 893 9594 7519 / $5 (all proceeds go to readers)
    Year
    Related pages Segue Reading Series: Fred Moten & Onyx Collective
  • A figure kneels down on all fours on the stage, setting up audio equipment. Blue and red lights are cast onto them.
    A figure kneels down on all fours on the stage, setting up audio equipment. Blue and red lights are cast onto them.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure kneels down on all fours on the stage, setting up audio equipment. Blue and red lights are cast onto them.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure kneels down on all fours on the stage, setting up audio equipment. Blue and red lights are cast onto them.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
  • A photograph made in a two mirror Schlieren system with knife edge shows the silhouette of a hand holding a small lit flame in front of a round mirror, staged in a black surround. Typically invisible, heat waves are visible along the golden shadowy gradient of a telescope mirror. At the bottom a candle’s wick and its mirror image break the circle.
    A photograph made in a two mirror Schlieren system with knife edge shows the silhouette of a hand holding a small lit flame in front of a round mirror, staged in a black surround. Typically invisible, heat waves are visible along the golden shadowy gradient of a telescope mirror. At the bottom a candle’s wick and its mirror image break the circle.
    Constantina Zavitsanos, the one who knows may show the one who knows (detail), 2024. Digital print on dibond. 30 x 30 in. [A photograph made in a two mirror Schlieren system with knife edge shows the silhouette of a hand holding a small lit flame in front of a round mirror, staged in a black surround. Typically invisible, heat waves are visible along the golden shadowy gradient of a telescope mirror. At the bottom a candle’s wick and its mirror image break the circle.]
    Caption Constantina Zavitsanos, the one who knows may show the one who knows (detail), 2024. Digital print on dibond. 30 x 30 in.
    Image description A photograph made in a two mirror Schlieren system with knife edge shows the silhouette of a hand holding a small lit flame in front of a round mirror, staged in a black surround. Typically invisible, heat waves are visible along the golden shadowy gradient of a telescope mirror. At the bottom a candle’s wick and its mirror image break the circle.
    Year
    Related pages fwiw
  • Black and white depiction of two figures in the woods at night. One is is hammering a fence post by the light of the lantern held by the second person.
    Black and white depiction of two figures in the woods at night. One is is hammering a fence post by the light of the lantern held by the second person.
    Peter Wächtler, Untitled (Nightly Scene Forest), 2015 Black and white linocut on paper, 19 x 23 ½ in / 50,2 x 59,7 cm, Signed and Numbered. [Black and white depiction of two figures in the woods at night. One is is hammering a fence post by the light of the lantern held by the second person.]
    Caption Peter Wächtler, Untitled (Nightly Scene Forest), 2015 Black and white linocut on paper, 19 x 23 ½ in / 50,2 x 59,7 cm, Signed and Numbered.
    Image description Black and white depiction of two figures in the woods at night. One is is hammering a fence post by the light of the lantern held by the second person.
    Year 2016
    Related pages Artists Space Annual Edition Portfolio 2016
  • A large painting illuminated by lights hangs on a wall behind two black columns. A small sculpture sits on the ground in front of it. Smaller artworks are visible on the connecting walls.
    A large painting illuminated by lights hangs on a wall behind two black columns. A small sculpture sits on the ground in front of it. Smaller artworks are visible on the connecting walls.
    Social Surfaces. Installation view, Bortolami, 2017. Photo: Ron Amstutz. [A large painting illuminated by lights hangs on a wall behind two black columns. A small sculpture sits on the ground in front of it. Smaller artworks are visible on the connecting walls.]
    Caption Social Surfaces. Installation view, Bortolami, 2017. Photo: Ron Amstutz.
    Image description A large painting illuminated by lights hangs on a wall behind two black columns. A small sculpture sits on the ground in front of it. Smaller artworks are visible on the connecting walls.
    Year 2017
    Related pages Social Surfaces
  • A photograph of a gallery space with works on paper hung on the far wall and plants, works on paper, and a collage mounted on the right wall, which is painted pink.
    A photograph of a gallery space with works on paper hung on the far wall and plants, works on paper, and a collage mounted on the right wall, which is painted pink.
    Adjua Gargi Nzinga Greaves: The x in florxal is silent when spoken. Installation view, Artists Space, 2021. Photo: Filip Wolak. Courtesy Artists Space, New York. [A photograph of a gallery space with works on paper hung on the far wall and plants, works on paper, and a collage mounted on the right wall, which is painted pink.]
    Caption Adjua Gargi Nzinga Greaves: The x in florxal is silent when spoken. Installation view, Artists Space, 2021. Photo: Filip Wolak. Courtesy Artists Space, New York.
    Image description A photograph of a gallery space with works on paper hung on the far wall and plants, works on paper, and a collage mounted on the right wall, which is painted pink.
    Year 2021
    Related pages Adjua Gargi Nzinga Greaves
  • Two figures perform in front of large projected images.
    Two figures perform in front of large projected images.
    SCRAAATCH, Tower of Babel, 2019, Les Urbaines. Photo: Mathilda Olmi [Two figures perform in front of large projected images.]
    Caption SCRAAATCH, Tower of Babel, 2019, Les Urbaines. Photo: Mathilda Olmi
    Image description Two figures perform in front of large projected images.
    Year 2019
    Related pages SCRAAATCH 11-19
  • A black and white oil painting depicting a person lying facedown on asphalt.
    A black and white oil painting depicting a person lying facedown on asphalt.
    Jordan Kantor, Untitled (Pasolini), 2004. Oil on canvas, 52 x 96 inches. Courtesy the artist. [A black and white oil painting depicting a person lying facedown on asphalt.]
    Caption Jordan Kantor, Untitled (Pasolini), 2004. Oil on canvas, 52 x 96 inches. Courtesy the artist.
    Image description A black and white oil painting depicting a person lying facedown on asphalt.
    Year 2004
    Related pages Recent Paintings
  • A painting of a lamb figurine.
    A painting of a lamb figurine.
    Brett Reichman, Squeaker, 1991. Oil on canvas, 36 x 36 inches. Courtesy the artist. [A painting of a lamb figurine.]
    Caption Brett Reichman, Squeaker, 1991. Oil on canvas, 36 x 36 inches. Courtesy the artist.
    Image description A painting of a lamb figurine.
    Year 1991
    Related pages Writers Who Love Too Much
  • An image of a large number
    An image of a large number
    DUOX: DUOX4Larkin. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [An image of a large number "9" printed across a series of rectangular pieces of paper that are linked together by metal rings such that they form a large, draping sheet. The sheet of linked papers is held in the air by four poles supporting each of its four corners. The poles are mounted in silver buckets filled with multicolored objects.]
    Caption DUOX: DUOX4Larkin. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description An image of a large number "9" printed across a series of rectangular pieces of paper that are linked together by metal rings such that they form a large, draping sheet. The sheet of linked papers is held in the air by four poles supporting each of its four corners. The poles are mounted in silver buckets filled with multicolored objects.
    Year 2012
    Related pages DUOX: DUOX4Larkin
  • Color photograph of three figures, wearing all white, performing in a dark gallery space. The leftmost figure lays on the floor with their legs spread and hands pushing their chest up. On the right, a figure with a flashlight around their hips stands with their shoulders and head flung back. The third figure contorts their body on the floor in the rightmost corner.
    Color photograph of three figures, wearing all white, performing in a dark gallery space. The leftmost figure lays on the floor with their legs spread and hands pushing their chest up. On the right, a figure with a flashlight around their hips stands with their shoulders and head flung back. The third figure contorts their body on the floor in the rightmost corner.
    keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata. [Color photograph of three figures, wearing all white, performing in a dark gallery space. The leftmost figure lays on the floor with their legs spread and hands pushing their chest up. On the right, a figure with a flashlight around their hips stands with their shoulders and head flung back. The third figure contorts their body on the floor in the rightmost corner.]
    Caption keyon gaskin with Moya Michael & Zinzi Minott. Performance documentation, December 16, 2022, Artists Space. Photo: Destiny Mata.
    Image description Color photograph of three figures, wearing all white, performing in a dark gallery space. The leftmost figure lays on the floor with their legs spread and hands pushing their chest up. On the right, a figure with a flashlight around their hips stands with their shoulders and head flung back. The third figure contorts their body on the floor in the rightmost corner.
    Year 2022
    Related pages keyon gaskin 12-16
  • A close up detail of the sculpted deer head with patterned designs on its face and antlers.
    A close up detail of the sculpted deer head with patterned designs on its face and antlers.
    Sherry Markovitz. Danny Boy (detail), 1985. [A close up detail of the sculpted deer head with patterned designs on its face and antlers.]
    Caption Sherry Markovitz. Danny Boy (detail), 1985.
    Image description A close up detail of the sculpted deer head with patterned designs on its face and antlers.
    Year
    Related pages U.S. Projects
  • A color image of a white wall with windows and black and white curtains. Through the window, a cross-legged figure is partially seen sitting on a chair. Only the legs and hands are visible.
    A color image of a white wall with windows and black and white curtains. Through the window, a cross-legged figure is partially seen sitting on a chair. Only the legs and hands are visible.
    Drake Carr: Housecalls. Performance documentation, September 10, 2023, Artists Space at the Armory Show. Photo: Joshua Wildman. [A color image of a white wall with windows and black and white curtains. Through the window, a cross-legged figure is partially seen sitting on a chair. Only the legs and hands are visible.]
    Caption Drake Carr: Housecalls. Performance documentation, September 10, 2023, Artists Space at the Armory Show. Photo: Joshua Wildman.
    Image description A color image of a white wall with windows and black and white curtains. Through the window, a cross-legged figure is partially seen sitting on a chair. Only the legs and hands are visible.
    Year
    Related pages Drake Carr: Housecalls
  • A silver and gold object sits on a white base. A flat, multicolored surface is attached to the left side, and a metal antenna extends out on a diagonal.
    A silver and gold object sits on a white base. A flat, multicolored surface is attached to the left side, and a metal antenna extends out on a diagonal.
    Not yet titled, 2019
    Clay, glaze, metal antenna
    3 1/2 x 13 x 12 inches (variable)
    $3,500
    [A silver and gold object sits on a white base. A flat, multicolored surface is attached to the left side, and a metal antenna extends out on a diagonal.]
    Caption Not yet titled, 2019
    Clay, glaze, metal antenna
    3 1/2 x 13 x 12 inches (variable)
    $3,500
    Image description A silver and gold object sits on a white base. A flat, multicolored surface is attached to the left side, and a metal antenna extends out on a diagonal.
    Year 2019
    Related pages Trisha Baga Edition
  • A color photograph of a figure from the chest up. Moore wears a green collared shirt and looks directly into the camera. He stands in front of a translucent glass background, in whose reflection buildings are faintly visible.
    A color photograph of a figure from the chest up. Moore wears a green collared shirt and looks directly into the camera. He stands in front of a translucent glass background, in whose reflection buildings are faintly visible.
    Portrait of Carman Moore. [A color photograph of a figure from the chest up. Moore wears a green collared shirt and looks directly into the camera. He stands in front of a translucent glass background, in whose reflection buildings are faintly visible.]
    Caption Portrait of Carman Moore.
    Image description A color photograph of a figure from the chest up. Moore wears a green collared shirt and looks directly into the camera. He stands in front of a translucent glass background, in whose reflection buildings are faintly visible.
    Year 2021
    Related pages Carman Moore Improvises Personal Problems
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  • Silver, italic text displayed across the top edge of a white gallery wall reads,
    Silver, italic text displayed across the top edge of a white gallery wall reads,
    Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [Silver, italic text displayed across the top edge of a white gallery wall reads, "Tier 3 1980 Dallas 1963 Cabins 2007 Color TV 1954 TITMH 2013 Alexis de Tocqueville 1992." An image of the moon in a black sky and a small letter are displayed side-by-side on the gallery wall beneath the silver text.]
    Caption Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description Silver, italic text displayed across the top edge of a white gallery wall reads, "Tier 3 1980 Dallas 1963 Cabins 2007 Color TV 1954 TITMH 2013 Alexis de Tocqueville 1992." An image of the moon in a black sky and a small letter are displayed side-by-side on the gallery wall beneath the silver text.
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • An adult sits in a chair and reads a book to a child seated on their lap and holding a doll. The adult wears wears a white, pointed, Klu Klux Klan-style hood.
    An adult sits in a chair and reads a book to a child seated on their lap and holding a doll. The adult wears wears a white, pointed, Klu Klux Klan-style hood.
    Lee Gordon, Father Reading to Son, 1987. Oil on white lead on canvas, 32 x 40 inches. [An adult sits in a chair and reads a book to a child seated on their lap and holding a doll. The adult wears wears a white, pointed, Klu Klux Klan-style hood.]
    Caption Lee Gordon, Father Reading to Son, 1987. Oil on white lead on canvas, 32 x 40 inches.
    Image description An adult sits in a chair and reads a book to a child seated on their lap and holding a doll. The adult wears wears a white, pointed, Klu Klux Klan-style hood.
    Year 1987
    Related pages Post-Boys&Girls: Nine Painters
  • A rectangular pit resembling a mass grave is shown lined with bags of excavated sand. Barbed wire stretches across the pit and a shovel lays to one side. The site of the pit appears to be recreational, with a lake and picnic benches visible in the background.
    A rectangular pit resembling a mass grave is shown lined with bags of excavated sand. Barbed wire stretches across the pit and a shovel lays to one side. The site of the pit appears to be recreational, with a lake and picnic benches visible in the background.
    Catalina Parra, FOSA, 2001. Installation at Mercosul Biennial, Porto Alegre, Brazil. Courtesy Archive, Catalina Parra, New York. [A rectangular pit resembling a mass grave is shown lined with bags of excavated sand. Barbed wire stretches across the pit and a shovel lays to one side. The site of the pit appears to be recreational, with a lake and picnic benches visible in the background.]
    Caption Catalina Parra, FOSA, 2001. Installation at Mercosul Biennial, Porto Alegre, Brazil. Courtesy Archive, Catalina Parra, New York.
    Image description A rectangular pit resembling a mass grave is shown lined with bags of excavated sand. Barbed wire stretches across the pit and a shovel lays to one side. The site of the pit appears to be recreational, with a lake and picnic benches visible in the background.
    Year 2001
    Related pages Whitney ISP Archive
  • A constructed drawing of human figures using compound curvature.
    A constructed drawing of human figures using compound curvature.
    Elizabeth Diller and Ricardo Scofidio, Bed for the Condemned Man, 1986. [A constructed drawing of human figures using compound curvature.]
    Caption Elizabeth Diller and Ricardo Scofidio, Bed for the Condemned Man, 1986.
    Image description A constructed drawing of human figures using compound curvature.
    Year 1986
    Related pages From Here to Eternity: Fact and Fiction in Recent Architectural Projects
  • A color image of a man sitting down on a low sofa. He is seen, through a window, holding up a portrait of him that depicts him in this specific scenario.
    A color image of a man sitting down on a low sofa. He is seen, through a window, holding up a portrait of him that depicts him in this specific scenario.
    Drake Carr: Housecalls. Performance documentation, September 7, 2023, Artists Space at the Armory Show. Photo: Joshua Wildman. [A color image of a man sitting down on a low sofa. He is seen, through a window, holding up a portrait of him that depicts him in this specific scenario.]
    Caption Drake Carr: Housecalls. Performance documentation, September 7, 2023, Artists Space at the Armory Show. Photo: Joshua Wildman.
    Image description A color image of a man sitting down on a low sofa. He is seen, through a window, holding up a portrait of him that depicts him in this specific scenario.
    Year
    Related pages Drake Carr: Housecalls
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  • Several students and two teachers smiling for the camera in front of their artwork hanging on the wall
    Several students and two teachers smiling for the camera in front of their artwork hanging on the wall
    Art Day, Blue Sky Gallery, P.S. 140, 2019 [Several students and two teachers smiling for the camera in front of their artwork hanging on the wall]
    Caption Art Day, Blue Sky Gallery, P.S. 140, 2019
    Image description Several students and two teachers smiling for the camera in front of their artwork hanging on the wall
    Year 2019
    Related pages Exhibitions and Events
  • Sculptural and painted works appear in a white-walled gallery space.
    Sculptural and painted works appear in a white-walled gallery space.
    35 Artists Return to Artists Space. Installation view, Artists Space, 1981. [Sculptural and painted works appear in a white-walled gallery space.]
    Caption 35 Artists Return to Artists Space. Installation view, Artists Space, 1981.
    Image description Sculptural and painted works appear in a white-walled gallery space.
    Year
    Related pages 35 Artists Return to Artists Space: A Benefit Exhibition
  • A monitor facing a seating arrangement constructed of stacked pillows. Two pairs of monitors are suspended on poles in the background. An image of Hito Steyerl is seen in both pairs; next to an image of a pile of cigarettes and an image of shipping containers.
    A monitor facing a seating arrangement constructed of stacked pillows. Two pairs of monitors are suspended on poles in the background. An image of Hito Steyerl is seen in both pairs; next to an image of a pile of cigarettes and an image of shipping containers.
    Hito Steyerl. Installation view, Artists Space, 2015. [A monitor facing a seating arrangement constructed of stacked pillows. Two pairs of monitors are suspended on poles in the background. An image of Hito Steyerl is seen in both pairs; next to an image of a pile of cigarettes and an image of shipping containers.]
    Caption Hito Steyerl. Installation view, Artists Space, 2015.
    Image description A monitor facing a seating arrangement constructed of stacked pillows. Two pairs of monitors are suspended on poles in the background. An image of Hito Steyerl is seen in both pairs; next to an image of a pile of cigarettes and an image of shipping containers.
    Year 2015
    Related pages Hito Steyerl
  • A black-and-white image of a man sitting on his knees with two African drums placed in front of him. His head looks downward while his left-hand hovers above the drums. His right hand firmly holds the side of a shaker instrument.
    A black-and-white image of a man sitting on his knees with two African drums placed in front of him. His head looks downward while his left-hand hovers above the drums. His right hand firmly holds the side of a shaker instrument.
    Portrait of Milford Graves, New York, c. 1987. Photo: Lona Foote. Courtesy the Photo Estate of Lona Foote [A black-and-white image of a man sitting on his knees with two African drums placed in front of him. His head looks downward while his left-hand hovers above the drums. His right hand firmly holds the side of a shaker instrument.]
    Caption Portrait of Milford Graves, New York, c. 1987. Photo: Lona Foote. Courtesy the Photo Estate of Lona Foote
    Image description A black-and-white image of a man sitting on his knees with two African drums placed in front of him. His head looks downward while his left-hand hovers above the drums. His right hand firmly holds the side of a shaker instrument.
    Year 1987
    Related pages Milford Graves: Fundamental Frequency
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  • A car hood is shown hanging on a white wall, painted with small, silhouetted figures of people and animals,
    A car hood is shown hanging on a white wall, painted with small, silhouetted figures of people and animals,
    Frank Palaia, When Will We Learn?, 1990. Automobile hood, paint, 48 x 58 inches. [A car hood is shown hanging on a white wall, painted with small, silhouetted figures of people and animals,]
    Caption Frank Palaia, When Will We Learn?, 1990. Automobile hood, paint, 48 x 58 inches.
    Image description A car hood is shown hanging on a white wall, painted with small, silhouetted figures of people and animals,
    Year 1990
    Related pages Selections: Aljira & Artists Space
  • An entryway with layered, decorative carpets and black-and-white images displayed across the height and length of the wall. A small school desk sits on the left in front of a large bookshelf.
    An entryway with layered, decorative carpets and black-and-white images displayed across the height and length of the wall. A small school desk sits on the left in front of a large bookshelf.
    Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [An entryway with layered, decorative carpets and black-and-white images displayed across the height and length of the wall. A small school desk sits on the left in front of a large bookshelf.]
    Caption Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description An entryway with layered, decorative carpets and black-and-white images displayed across the height and length of the wall. A small school desk sits on the left in front of a large bookshelf.
    Year 2013
    Related pages Documenting Cadere: 1972 - 1978
  • A figure is shown in profile speaking into a microphone, sitting behind a table and working on a laptop.
    A figure is shown in profile speaking into a microphone, sitting behind a table and working on a laptop.
    Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman [A figure is shown in profile speaking into a microphone, sitting behind a table and working on a laptop.]
    Caption Chorus: A Sound Poetry Festival. Performance documentation, November 11, 2022, Artists Space. Photo: Joshua Wildman
    Image description A figure is shown in profile speaking into a microphone, sitting behind a table and working on a laptop.
    Year 2022
    Related pages Chorus: A Sound Poetry Festival 11-11
  • A black and white photograph of a small photograph against a white surface. The image pictured features the faces of two figures.
    A black and white photograph of a small photograph against a white surface. The image pictured features the faces of two figures.
    Work by Susan Eder. From Susan Eder, Matt Mullican Artists Space, 1976. [A black and white photograph of a small photograph against a white surface. The image pictured features the faces of two figures.]
    Caption Work by Susan Eder. From Susan Eder, Matt Mullican Artists Space, 1976.
    Image description A black and white photograph of a small photograph against a white surface. The image pictured features the faces of two figures.
    Year 1976
    Related pages Susan Eder, Matt Mullican
  • A color documentation image of Shala Miller's <i>Genesis</i>, 2023. Three monochrome projection panels float equidistantly in a dark room, with vinyls on black walls.
    A color documentation image of Shala Miller's <i>Genesis</i>, 2023. Three monochrome projection panels float equidistantly in a dark room, with vinyls on black walls.
    Shala Miller, Genesis. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color documentation image of Shala Miller's Genesis, 2023. Three monochrome projection panels float equidistantly in a dark room, with vinyls on black walls.]
    Caption Shala Miller, Genesis. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A color documentation image of Shala Miller's Genesis, 2023. Three monochrome projection panels float equidistantly in a dark room, with vinyls on black walls.
    Year 2023
    Related pages Genesis: Medley
  • Blurry view of a painting hanging on a wall in gallery space.
    Blurry view of a painting hanging on a wall in gallery space.
    Allan McCollum. Installation view, Artists Space, 1980. [Blurry view of a painting hanging on a wall in gallery space.]
    Caption Allan McCollum. Installation view, Artists Space, 1980.
    Image description Blurry view of a painting hanging on a wall in gallery space.
    Year
    Related pages Allan McCollum
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    Year
    Related pages fwiw
  • Photographs mounted to black backgrounds are hung up in a row on a white wall.
    Photographs mounted to black backgrounds are hung up in a row on a white wall.
    Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979. [Photographs mounted to black backgrounds are hung up in a row on a white wall.]
    Caption Patricia Hearst – a Second Reading. Installation view, Artists Space, 1979.
    Image description Photographs mounted to black backgrounds are hung up in a row on a white wall.
    Year 1979
    Related pages Patricia Hearst - A Second Reading
  • A line of people marching forward hold up signs reading
    A line of people marching forward hold up signs reading
    Demonstrations outside Artists Space during the opening of Witnesses: Against Our Vanishing, November 16, 1989. [A line of people marching forward hold up signs reading "replace frony" and "Keep 1st amendment, stop helms," among other phrases.]
    Caption Demonstrations outside Artists Space during the opening of Witnesses: Against Our Vanishing, November 16, 1989.
    Image description A line of people marching forward hold up signs reading "replace frony" and "Keep 1st amendment, stop helms," among other phrases.
    Year 1989
    Related pages Witnesses: Against Our Vanishing
  • A view of a large window with the facade of other buildings, a restaurant is visible on the left. Graffiti text is visible above the length of the horizontal window and lights appear hanging from the ceiling directed to opposite sides.
    A view of a large window with the facade of other buildings, a restaurant is visible on the left. Graffiti text is visible above the length of the horizontal window and lights appear hanging from the ceiling directed to opposite sides.
    New Galleries of the Lower East Side. Installation View. Artists Space, 1984. Photo: Kenji Fujita. [A view of a large window with the facade of other buildings, a restaurant is visible on the left. Graffiti text is visible above the length of the horizontal window and lights appear hanging from the ceiling directed to opposite sides.]
    Caption New Galleries of the Lower East Side. Installation View. Artists Space, 1984. Photo: Kenji Fujita.
    Image description A view of a large window with the facade of other buildings, a restaurant is visible on the left. Graffiti text is visible above the length of the horizontal window and lights appear hanging from the ceiling directed to opposite sides.
    Year 1984
    Related pages New Galleries of the Lower East Side
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    Related pages All These Different Things Are Sculpture
  • The exterior of a Soho building at night from the opposite street corner. Inside the third floor are two glowing blue neon quotation marks visible from outside.
    The exterior of a Soho building at night from the opposite street corner. Inside the third floor are two glowing blue neon quotation marks visible from outside.
    Laurel Woodcock, (Untitled), Neon Quote, 2005. Neon sculptures. Courtesy the artist. [The exterior of a Soho building at night from the opposite street corner. Inside the third floor are two glowing blue neon quotation marks visible from outside.]
    Caption Laurel Woodcock, (Untitled), Neon Quote, 2005. Neon sculptures. Courtesy the artist.
    Image description The exterior of a Soho building at night from the opposite street corner. Inside the third floor are two glowing blue neon quotation marks visible from outside.
    Year 2007
    Related pages On Being an Exhibition
  • A student holds up artwork depicting her family tree.
    A student holds up artwork depicting her family tree.
    7th grade Threads of History student at M.S. 324, 2020 [A student holds up artwork depicting her family tree.]
    Caption 7th grade Threads of History student at M.S. 324, 2020
    Image description A student holds up artwork depicting her family tree.
    Year 2020
    Related pages Threads of History
  • An image of a woman riding a bull through a green bank note. One hand holds on to the reins of the bull, the other scatters bills. She wears a yellow dress that is opening at the top.
    An image of a woman riding a bull through a green bank note. One hand holds on to the reins of the bull, the other scatters bills. She wears a yellow dress that is opening at the top.
    [An image of a woman riding a bull through a green bank note. One hand holds on to the reins of the bull, the other scatters bills. She wears a yellow dress that is opening at the top.]
    Caption
    Image description An image of a woman riding a bull through a green bank note. One hand holds on to the reins of the bull, the other scatters bills. She wears a yellow dress that is opening at the top.
    Year 2009
    Related pages Spending in 2008
  • A life-size vinyl against a black wall depicting a black-and-white image of a body in motion, multiple images are overlayed on top of each other to create a ghostly atmosphere.
    A life-size vinyl against a black wall depicting a black-and-white image of a body in motion, multiple images are overlayed on top of each other to create a ghostly atmosphere.
    Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Shala Miller, Genesis, 2023), Artists Space, 2023. Photo: Filip Wolak. [A life-size vinyl against a black wall depicting a black-and-white image of a body in motion, multiple images are overlayed on top of each other to create a ghostly atmosphere.]
    Caption Shala Miller & Malcolm Peacock, with Amiri Baraka's Cellar Vigil. Installation view (Shala Miller, Genesis, 2023), Artists Space, 2023. Photo: Filip Wolak.
    Image description A life-size vinyl against a black wall depicting a black-and-white image of a body in motion, multiple images are overlayed on top of each other to create a ghostly atmosphere.
    Year 2023
    Related pages Shala Miller, Malcolm Peacock, Amiri Baraka
  • An angled view of the external corner of two walls. On the left are monitors, displaying various images. On the right large paintings and images are hung on all surface area of the wall.
    An angled view of the external corner of two walls. On the left are monitors, displaying various images. On the right large paintings and images are hung on all surface area of the wall.
    Living with Pop. A Reproduction of Capitalist Realism. Installation view, Artists Space, 2014. [An angled view of the external corner of two walls. On the left are monitors, displaying various images. On the right large paintings and images are hung on all surface area of the wall.]
    Caption Living with Pop. A Reproduction of Capitalist Realism. Installation view, Artists Space, 2014.
    Image description An angled view of the external corner of two walls. On the left are monitors, displaying various images. On the right large paintings and images are hung on all surface area of the wall.
    Year 2014
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • Five framed works on paper, one individual work on the left and a cluster of four on the right, hang on a white gallery wall. Works feature abstract, calligraphic strokes in black ink on paper. Individual work on the left includes hand-painted text reading
    Five framed works on paper, one individual work on the left and a cluster of four on the right, hang on a white gallery wall. Works feature abstract, calligraphic strokes in black ink on paper. Individual work on the left includes hand-painted text reading
    Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak. [Five framed works on paper, one individual work on the left and a cluster of four on the right, hang on a white gallery wall. Works feature abstract, calligraphic strokes in black ink on paper. Individual work on the left includes hand-painted text reading "3 concerts, improvised music. La Monte Young - sopranino saxophone, Angus MacLise - hand drums, drone, 8-12pm Sundays - August 12, 19, 26, 10-4 Group Gallery, 73 4th Avenue, contribution $1.50" ]
    Caption Dream Lines: Marian Zazeela. Installation view, Artists Space, 2024. Photo: Filip Wolak.
    Image description Five framed works on paper, one individual work on the left and a cluster of four on the right, hang on a white gallery wall. Works feature abstract, calligraphic strokes in black ink on paper. Individual work on the left includes hand-painted text reading "3 concerts, improvised music. La Monte Young - sopranino saxophone, Angus MacLise - hand drums, drone, 8-12pm Sundays - August 12, 19, 26, 10-4 Group Gallery, 73 4th Avenue, contribution $1.50"
    Year
    Related pages Dream Lines: Drawings by Marian Zazeela
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