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  • A city-scape is positioned upside down, the point of the skyscraper reaching towards the bottom of the image. Googley eyes, eyebrows, and a mouth are drawn near the top of the building. Red serif font across the top of the image reads
    A city-scape is positioned upside down, the point of the skyscraper reaching towards the bottom of the image. Googley eyes, eyebrows, and a mouth are drawn near the top of the building. Red serif font across the top of the image reads
    [A city-scape is positioned upside down, the point of the skyscraper reaching towards the bottom of the image. Googley eyes, eyebrows, and a mouth are drawn near the top of the building. Red serif font across the top of the image reads "The New Red Times Magazine." White serif font in the bottom left corner reads "TIRED OF LIVING ON STOLEN LAND?" Below, red serif font reads "GIVE IT BACK."]
    Caption
    Image description A city-scape is positioned upside down, the point of the skyscraper reaching towards the bottom of the image. Googley eyes, eyebrows, and a mouth are drawn near the top of the building. Red serif font across the top of the image reads "The New Red Times Magazine." White serif font in the bottom left corner reads "TIRED OF LIVING ON STOLEN LAND?" Below, red serif font reads "GIVE IT BACK."
    Year 2021
    Related pages New Red Order: Feel at Home Here
  • A circular print of a painting hangs on a lavender wall. The painting depicts two white women wearing dresses with crinoline hoop skirts that appear to be from the antebellum period before the US Civil War, surrounded by a pink mat and a gold frame. It hangs over a coffee maker and next to a vacuum cleaner and a wood armoire. Bed pillows, positioned in the foreground, are lightly reflected in the glass of the print’s frame.
    Caption A circular print of a painting hangs on a lavender wall. The painting depicts two white women wearing dresses with crinoline hoop skirts that appear to be from the antebellum period before the US Civil War, surrounded by a pink mat and a gold frame. It hangs over a coffee maker and next to a vacuum cleaner and a wood armoire. Bed pillows, positioned in the foreground, are lightly reflected in the glass of the print’s frame.
    Image description
    Year 2021
    Related pages Jordan Lord: Prophetic Memory
  • [A flatscreen television hangs on a lavender wall. Playing on the television is a news desk in a tv studio that reads in pixelated text,
    [A flatscreen television hangs on a lavender wall. Playing on the television is a news desk in a tv studio that reads in pixelated text,
    [[A flatscreen television hangs on a lavender wall. Playing on the television is a news desk in a tv studio that reads in pixelated text, "Retire Right Television." On the bottom of the tv screen is a blurry reflection of a white person who is gesticulating with their hands. Beneath the television, a bottle of hand sanitizer, an analog clock, a cable box, and a DVD player rest on a dresser, next to a white door showing its locks and handle.]
    Caption
    Image description [A flatscreen television hangs on a lavender wall. Playing on the television is a news desk in a tv studio that reads in pixelated text, "Retire Right Television." On the bottom of the tv screen is a blurry reflection of a white person who is gesticulating with their hands. Beneath the television, a bottle of hand sanitizer, an analog clock, a cable box, and a DVD player rest on a dresser, next to a white door showing its locks and handle.
    Year 2021
    Related pages Jordan Lord: Prophetic Memory
  • A photograph of a person with a black hoodie and silver chains sitting on a bench. Their face is hidden by a a swath of white. A band of black borders an image of brick which covers their feet.
    A photograph of a person with a black hoodie and silver chains sitting on a bench. Their face is hidden by a a swath of white. A band of black borders an image of brick which covers their feet.
    Zach Barcelona, Fake News, digital photograph, 2020 [A photograph of a person with a black hoodie and silver chains sitting on a bench. Their face is hidden by a a swath of white. A band of black borders an image of brick which covers their feet.]
    Caption Zach Barcelona, Fake News, digital photograph, 2020
    Image description A photograph of a person with a black hoodie and silver chains sitting on a bench. Their face is hidden by a a swath of white. A band of black borders an image of brick which covers their feet.
    Year 2020
    Related pages Scholastic Art and Writing Awards
  • A sharp image of two halves of a pvc pipe placed in front of an out of focus background. Water flows across the pipes; behind the pipes is a steel column.
    A sharp image of two halves of a pvc pipe placed in front of an out of focus background. Water flows across the pipes; behind the pipes is a steel column.
    Ei Arakawa with Gela Patashuri, NYC Corrals & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak. [A sharp image of two halves of a pvc pipe placed in front of an out of focus background. Water flows across the pipes; behind the pipes is a steel column.]
    Caption Ei Arakawa with Gela Patashuri, NYC Corrals & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak.
    Image description A sharp image of two halves of a pvc pipe placed in front of an out of focus background. Water flows across the pipes; behind the pipes is a steel column.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab
  • A long roll of paper is hung from the ceiling to the floor. The paper is filled with different symbols in a square grid format.
    A long roll of paper is hung from the ceiling to the floor. The paper is filled with different symbols in a square grid format.
    Pieter Holstein: The Waterfall. Installation view, Artists Space. 1979. [A long roll of paper is hung from the ceiling to the floor. The paper is filled with different symbols in a square grid format.]
    Caption Pieter Holstein: The Waterfall. Installation view, Artists Space. 1979.
    Image description A long roll of paper is hung from the ceiling to the floor. The paper is filled with different symbols in a square grid format.
    Year 1979
    Related pages The Waterfall Pieter Holstein
  • An image is projected onto a white wall.
    An image is projected onto a white wall.
    Krzysztof Wodiczko: Guidelines. Installation View, Artists Space, 1978. [An image is projected onto a white wall.]
    Caption Krzysztof Wodiczko: Guidelines. Installation View, Artists Space, 1978.
    Image description An image is projected onto a white wall.
    Year 1978
    Related pages Guidelines Krzysztof Wodiczko
  • A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.
    A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.
    Donald Lipski: Gathering Dust. Installation view, Artists Space, 1978. [A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.]
    Caption Donald Lipski: Gathering Dust. Installation view, Artists Space, 1978.
    Image description A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.
    Year 1978
    Related pages Gathering Dust Donald Lipski
  • A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.
    A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.
    Donald Lipski: Gathering Dust. Installation view, Artists Space, 1978. [A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.]
    Caption Donald Lipski: Gathering Dust. Installation view, Artists Space, 1978.
    Image description A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.
    Year 1978
    Related pages Gathering Dust Donald Lipski
  • A photograph of a room with photographs and small works on paper hung on each wall. A visitor looks at the works on the far wall.
    A photograph of a room with photographs and small works on paper hung on each wall. A visitor looks at the works on the far wall.
    Art From the British Left. Installation view, Artists Space, 1979. Courtesy Artists Space. [A photograph of a room with photographs and small works on paper hung on each wall. A visitor looks at the works on the far wall.]
    Caption Art From the British Left. Installation view, Artists Space, 1979. Courtesy Artists Space.
    Image description A photograph of a room with photographs and small works on paper hung on each wall. A visitor looks at the works on the far wall.
    Year 1979
    Related pages Art From the British Left
  • A photograph of a short printed text. In front of the text is a doll lying in supine position.
    A photograph of a short printed text. In front of the text is a doll lying in supine position.
    Rasheed Araeen, Paki Bastard, 1977. Courtesy Artists Space. [A photograph of a short printed text. In front of the text is a doll lying in supine position.]
    Caption Rasheed Araeen, Paki Bastard, 1977. Courtesy Artists Space.
    Image description A photograph of a short printed text. In front of the text is a doll lying in supine position.
    Year 1979
    Related pages Art From the British Left
  • Black and white photograph of a gallery space with windows in the background. Mats hang on the left and right walls.
    Black and white photograph of a gallery space with windows in the background. Mats hang on the left and right walls.
    Richards Jarden: Mats. Installation view, Artists Space, 1978. [Black and white photograph of a gallery space with windows in the background. Mats hang on the left and right walls.]
    Caption Richards Jarden: Mats. Installation view, Artists Space, 1978.
    Image description Black and white photograph of a gallery space with windows in the background. Mats hang on the left and right walls.
    Year 1978
    Related pages Mats Richards Jarden
  • A photograph of a room hung with photographs and works on paper. In the center of the room is a table with folders and magazines and three chairs nearby.
    A photograph of a room hung with photographs and works on paper. In the center of the room is a table with folders and magazines and three chairs nearby.
    Art From the British Left. Installation view, Artists Space, 1979. Artwork by Alexis Hunter. Courtesy Artists Space. [A photograph of a room hung with photographs and works on paper. In the center of the room is a table with folders and magazines and three chairs nearby.]
    Caption Art From the British Left. Installation view, Artists Space, 1979. Artwork by Alexis Hunter. Courtesy Artists Space.
    Image description A photograph of a room hung with photographs and works on paper. In the center of the room is a table with folders and magazines and three chairs nearby.
    Year 1979
    Related pages Art From the British Left
  • A person with a tennis racket wearing a white hat, shirt, and red and green shorts throws his hands up in gleeful celebration. In the background, a crowd behind a net watches intently.
    A person with a tennis racket wearing a white hat, shirt, and red and green shorts throws his hands up in gleeful celebration. In the background, a crowd behind a net watches intently.
    Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [A person with a tennis racket wearing a white hat, shirt, and red and green shorts throws his hands up in gleeful celebration. In the background, a crowd behind a net watches intently.]
    Caption Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak.
    Image description A person with a tennis racket wearing a white hat, shirt, and red and green shorts throws his hands up in gleeful celebration. In the background, a crowd behind a net watches intently.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab (outdoor performance)
  • Installation view of a video work. A television monitor is attached to the wall, flanked by two speakers on narrow stands. In front of the monitor are two black chairs with silver metal legs. In the background, a dark doorframe and elevator are visible.
    Installation view of a video work. A television monitor is attached to the wall, flanked by two speakers on narrow stands. In front of the monitor are two black chairs with silver metal legs. In the background, a dark doorframe and elevator are visible.
    Jordan Lord, Expressions, in collaboration with Annette Carter, 2021. HD video, 36 min, looped. Exhibition design, images and annotated descriptions, projection. Image courtesy Artists Space. Photo: Filip Wolak. [Installation view of a video work. A television monitor is attached to the wall, flanked by two speakers on narrow stands. In front of the monitor are two black chairs with silver metal legs. In the background, a dark doorframe and elevator are visible.]
    Caption Jordan Lord, Expressions, in collaboration with Annette Carter, 2021. HD video, 36 min, looped. Exhibition design, images and annotated descriptions, projection. Image courtesy Artists Space. Photo: Filip Wolak.
    Image description Installation view of a video work. A television monitor is attached to the wall, flanked by two speakers on narrow stands. In front of the monitor are two black chairs with silver metal legs. In the background, a dark doorframe and elevator are visible.
    Year 2021
    Related pages Jordan Lord: Prophetic Memory
  • A large photo decal runs along the entire length of a long, horizontal wall in a light-filled gallery space with wooden floors. The photo decal depicts a to-scale, warmly-lit domestic space. A wooden chest of drawers, radiators, various shelves, and a low bed covered in a quilt fill the space. A dart board hangs on the wall, along with various paintings.
    A large photo decal runs along the entire length of a long, horizontal wall in a light-filled gallery space with wooden floors. The photo decal depicts a to-scale, warmly-lit domestic space. A wooden chest of drawers, radiators, various shelves, and a low bed covered in a quilt fill the space. A dart board hangs on the wall, along with various paintings.
    Rip It Up and Start Again. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A large photo decal runs along the entire length of a long, horizontal wall in a light-filled gallery space with wooden floors. The photo decal depicts a to-scale, warmly-lit domestic space. A wooden chest of drawers, radiators, various shelves, and a low bed covered in a quilt fill the space. A dart board hangs on the wall, along with various paintings.]
    Caption Rip It Up and Start Again. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description A large photo decal runs along the entire length of a long, horizontal wall in a light-filled gallery space with wooden floors. The photo decal depicts a to-scale, warmly-lit domestic space. A wooden chest of drawers, radiators, various shelves, and a low bed covered in a quilt fill the space. A dart board hangs on the wall, along with various paintings.
    Year 2010
    Related pages Rip It Up and Start Again: William S. Burroughs, Charles Henri Ford, Ray Johnson, Philippe Thomas, Arthur Russell
  • Four people stand in an alleyway in front of a black net, one of them holding a black megaphone. Five tennis balls lie at their feet.
    Four people stand in an alleyway in front of a black net, one of them holding a black megaphone. Five tennis balls lie at their feet.
    Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [Four people stand in an alleyway in front of a black net, one of them holding a black megaphone. Five tennis balls lie at their feet.]
    Caption Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak.
    Image description Four people stand in an alleyway in front of a black net, one of them holding a black megaphone. Five tennis balls lie at their feet.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab
  • Image of a photograph attached to a piece of paper. The photograph is of a seated person with a mustache, swifly waving their hands up at chest height. A mirror on the left reflects the figure of a standing person in white pants and a dark shirt.
    Image of a photograph attached to a piece of paper. The photograph is of a seated person with a mustache, swifly waving their hands up at chest height. A mirror on the left reflects the figure of a standing person in white pants and a dark shirt.
    Milford Graves, from Yara Scrapbook (compiled by Yuji Agematsu), c. 1989. Black and white photograph. Courtesy of the Estate of Milford Graves [Image of a photograph attached to a piece of paper. The photograph is of a seated person with a mustache, swifly waving their hands up at chest height. A mirror on the left reflects the figure of a standing person in white pants and a dark shirt.]
    Caption Milford Graves, from Yara Scrapbook (compiled by Yuji Agematsu), c. 1989. Black and white photograph. Courtesy of the Estate of Milford Graves
    Image description Image of a photograph attached to a piece of paper. The photograph is of a seated person with a mustache, swifly waving their hands up at chest height. A mirror on the left reflects the figure of a standing person in white pants and a dark shirt.
    Year 1989
    Related pages Yuji Agematsu
  • A photograph of a hallway with a white piece of cloth hanging from the ceiling to the floor. Printed on the cloth is a figure dressed in black and bent at the waist holding a long stick.
    A photograph of a hallway with a white piece of cloth hanging from the ceiling to the floor. Printed on the cloth is a figure dressed in black and bent at the waist holding a long stick.
    The Levitation of Anna: Michael Zwack. Installation view, Artists Space, 1979. Courtesy Artists Space. [A photograph of a hallway with a white piece of cloth hanging from the ceiling to the floor. Printed on the cloth is a figure dressed in black and bent at the waist holding a long stick.]
    Caption The Levitation of Anna: Michael Zwack. Installation view, Artists Space, 1979. Courtesy Artists Space.
    Image description A photograph of a hallway with a white piece of cloth hanging from the ceiling to the floor. Printed on the cloth is a figure dressed in black and bent at the waist holding a long stick.
    Year 1979
    Related pages The Levitation of Anna, Michael Zwack
  • Photocopied envelope. In the center,
    Photocopied envelope. In the center,
    Martin Cohen, All is Pretty Andy Warhol, 1979. Envelope. Courtesy Artists Space. [Photocopied envelope. In the center, "All is Pretty Andy Warhol" is written in black script, and below "Artists Space, 105 Hudson Street, November 27-December 22" appears in black text.]
    Caption Martin Cohen, All is Pretty Andy Warhol, 1979. Envelope. Courtesy Artists Space.
    Image description Photocopied envelope. In the center, "All is Pretty Andy Warhol" is written in black script, and below "Artists Space, 105 Hudson Street, November 27-December 22" appears in black text.
    Year 1979
    Related pages Martin Cohen
  • Installation view of a gallery space with a green and tan wooden dining corral with a metal barricade. In the background are four grey concrete columns. Between the gaps of the columns a net and two signs which read
    Installation view of a gallery space with a green and tan wooden dining corral with a metal barricade. In the background are four grey concrete columns. Between the gaps of the columns a net and two signs which read
    Ei Arakawa with Gela Patashuri, Social Muscle Rehab. Installation view, Artists Space, 2021. Image courtesy Artists Space. Photo: Filip Wolak. [Installation view of a gallery space with a green and tan wooden dining corral with a metal barricade. In the background are four grey concrete columns. Between the gaps of the columns a net and two signs which read "Social" and "Rehab" are visible.]
    Caption Ei Arakawa with Gela Patashuri, Social Muscle Rehab. Installation view, Artists Space, 2021. Image courtesy Artists Space. Photo: Filip Wolak.
    Image description Installation view of a gallery space with a green and tan wooden dining corral with a metal barricade. In the background are four grey concrete columns. Between the gaps of the columns a net and two signs which read "Social" and "Rehab" are visible.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab
  • A photograph of a gallery wall hung with seven works on paper. In front of the wall are two chairs and a table with several envelopes and magazines.
    A photograph of a gallery wall hung with seven works on paper. In front of the wall are two chairs and a table with several envelopes and magazines.
    Art From the British Left. Installation view, Artists Space, 1979. Artwork by Marie Yates. Courtesy Artists Space. [A photograph of a gallery wall hung with seven works on paper. In front of the wall are two chairs and a table with several envelopes and magazines.]
    Caption Art From the British Left. Installation view, Artists Space, 1979. Artwork by Marie Yates. Courtesy Artists Space.
    Image description A photograph of a gallery wall hung with seven works on paper. In front of the wall are two chairs and a table with several envelopes and magazines.
    Year 1979
    Related pages Art From the British Left
  • A wooden reception desk with piles of various materials on it. A person sits at the desk smiling, and behind them, mounted on the wall, are two glowing neon quotation marks.
    A wooden reception desk with piles of various materials on it. A person sits at the desk smiling, and behind them, mounted on the wall, are two glowing neon quotation marks.
    Lee Walton, Hillary Wiedemann: Living Record, 2007. Performance. Courtesy the artist. Photo: Bill Orcutt. [A wooden reception desk with piles of various materials on it. A person sits at the desk smiling, and behind them, mounted on the wall, are two glowing neon quotation marks.]
    Caption Lee Walton, Hillary Wiedemann: Living Record, 2007. Performance. Courtesy the artist. Photo: Bill Orcutt.
    Image description A wooden reception desk with piles of various materials on it. A person sits at the desk smiling, and behind them, mounted on the wall, are two glowing neon quotation marks.
    Year 2007
    Related pages On Being an Exhibition
  • Six people holding tennis rackets stand in an alleyway. Each of them has their right shoe off and rubs the sole of their foot on top of a tennis ball. Suspended in the background, the words
    Six people holding tennis rackets stand in an alleyway. Each of them has their right shoe off and rubs the sole of their foot on top of a tennis ball. Suspended in the background, the words
    Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [Six people holding tennis rackets stand in an alleyway. Each of them has their right shoe off and rubs the sole of their foot on top of a tennis ball. Suspended in the background, the words "Socil Muscle Rehab" are painted in white on top of black and green signs.]
    Caption Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak.
    Image description Six people holding tennis rackets stand in an alleyway. Each of them has their right shoe off and rubs the sole of their foot on top of a tennis ball. Suspended in the background, the words "Socil Muscle Rehab" are painted in white on top of black and green signs.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab (outdoor performance)
  • Photograph of two white gallery walls. On one wall there are photographs, text, and the title
    Photograph of two white gallery walls. On one wall there are photographs, text, and the title
    Art From the British Left. Installation view, Artists Space, 1979. Artwork by Margaret Harrison. Courtesy Artists Space. [Photograph of two white gallery walls. On one wall there are photographs, text, and the title "HOMEWORKERS: WOMAN'S WORK," while the far wall features a row of small works on paper.]
    Caption Art From the British Left. Installation view, Artists Space, 1979. Artwork by Margaret Harrison. Courtesy Artists Space.
    Image description Photograph of two white gallery walls. On one wall there are photographs, text, and the title "HOMEWORKERS: WOMAN'S WORK," while the far wall features a row of small works on paper.
    Year 1979
    Related pages Art From the British Left
  • A photograph of a room with photographs and works on paper on the walls. In the center of the room is a table with folders and binders and three chairs. A door marked with
    A photograph of a room with photographs and works on paper on the walls. In the center of the room is a table with folders and binders and three chairs. A door marked with
    Art From the British Left. Installation view, Artists Space, 1979. Courtesy Artists Space. [A photograph of a room with photographs and works on paper on the walls. In the center of the room is a table with folders and binders and three chairs. A door marked with "205" is ajar on the left side of the photograph.]]
    Caption Art From the British Left. Installation view, Artists Space, 1979. Courtesy Artists Space.
    Image description A photograph of a room with photographs and works on paper on the walls. In the center of the room is a table with folders and binders and three chairs. A door marked with "205" is ajar on the left side of the photograph.]
    Year 1979
    Related pages Art From the British Left
  • Six books on a white shelf against a white wall. From left, their authors are Saidiya Hartman, Augusto Boal, Fred Moten, Edward W. Said, Eric Williams, and James Baldwin.
    Six books on a white shelf against a white wall. From left, their authors are Saidiya Hartman, Augusto Boal, Fred Moten, Edward W. Said, Eric Williams, and James Baldwin.
    Jordan Lord, Fire Sale, 2012-2018. Installation view, Artists Space, 2021. Photo: Filip Wolak. [Six books on a white shelf against a white wall. From left, their authors are Saidiya Hartman, Augusto Boal, Fred Moten, Edward W. Said, Eric Williams, and James Baldwin.]
    Caption Jordan Lord, Fire Sale, 2012-2018. Installation view, Artists Space, 2021. Photo: Filip Wolak.
    Image description Six books on a white shelf against a white wall. From left, their authors are Saidiya Hartman, Augusto Boal, Fred Moten, Edward W. Said, Eric Williams, and James Baldwin.
    Year 2021
    Related pages Jordan Lord: Prophetic Memory
  • A green and tan wooden dining corral with a ramp and a metal barricade. People sit and stand in and around the corral.
    A green and tan wooden dining corral with a ramp and a metal barricade. People sit and stand in and around the corral.
    Ei Arakawa: Social Muscle Rehab. Performance documentation, October 10, 2021, Artists Space. Photo: Ei Arakawa. [A green and tan wooden dining corral with a ramp and a metal barricade. People sit and stand in and around the corral.]
    Caption Ei Arakawa: Social Muscle Rehab. Performance documentation, October 10, 2021, Artists Space. Photo: Ei Arakawa.
    Image description A green and tan wooden dining corral with a ramp and a metal barricade. People sit and stand in and around the corral.
    Year 2021
    Related pages Ei Arakawa: Performance People Book Release & Artist’s Reception at Social Muscle Rehab
  • Tennis players stand in an alleyway, ready to hit balls from an automatic ballfeeder. A crowd watches intently in the background. Suspended above them the words
    Tennis players stand in an alleyway, ready to hit balls from an automatic ballfeeder. A crowd watches intently in the background. Suspended above them the words
    Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [Tennis players stand in an alleyway, ready to hit balls from an automatic ballfeeder. A crowd watches intently in the background. Suspended above them the words "Social Muscle Rehab" are painted in white capitalized text on black and green signs.]
    Caption Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak.
    Image description Tennis players stand in an alleyway, ready to hit balls from an automatic ballfeeder. A crowd watches intently in the background. Suspended above them the words "Social Muscle Rehab" are painted in white capitalized text on black and green signs.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab (outdoor performance)
  • A numbered list of rules is arranged on white ground in various black fonts. Text reads:
    A numbered list of rules is arranged on white ground in various black fonts. Text reads:
    Angela Bulloch, Rules of the Space, 2012, from the Rules Series, Silkscreen print on record sleeve, 12 3/8 x 12 3/8 inches, Signed and numbered [A numbered list of rules is arranged on white ground in various black fonts. Text reads: "Rules of the Space / 1. This SPACE is OCCUPIED. Anyone CAN SLEEP HERE / 2. NO Police (Pigs) and NO Informants (Rats) / 3. No Press OR Photos / 4. This is a Safer SPACE No Bullshit / 5. NO Peacekeepers or WANNA-BE POLICE / 6. INVITE EVERYONE (Except the aforementioned pigs and rats) / 7. create the world you want to see in the future (occupy the future) / 8. The HISTORICAL BREAK / 9. SEQUESTER THE BOSSES / 10. SHUT IT DOWN!!! / 11. Flush the toilet - don't shit on the floor.. this isn't Zucotti. / 12. PANTS ARE OPTIONAL / 13. DEMAND NO. 1 CATS (AND WE WANT THEM MEOW!) / 14. Louder! Louder!! LOUDER!!! If You Wanna Exploit LABOR you havta be you have to be 15ft from the door / 15. Rock & Roll ALL NIIIGHT AND PARTY EV-ERY DAY! / 16. CREATE MYTHS TO SUSTAIN CATASTROPHE]
    Caption Angela Bulloch, Rules of the Space, 2012, from the Rules Series, Silkscreen print on record sleeve, 12 3/8 x 12 3/8 inches, Signed and numbered
    Image description A numbered list of rules is arranged on white ground in various black fonts. Text reads: "Rules of the Space / 1. This SPACE is OCCUPIED. Anyone CAN SLEEP HERE / 2. NO Police (Pigs) and NO Informants (Rats) / 3. No Press OR Photos / 4. This is a Safer SPACE No Bullshit / 5. NO Peacekeepers or WANNA-BE POLICE / 6. INVITE EVERYONE (Except the aforementioned pigs and rats) / 7. create the world you want to see in the future (occupy the future) / 8. The HISTORICAL BREAK / 9. SEQUESTER THE BOSSES / 10. SHUT IT DOWN!!! / 11. Flush the toilet - don't shit on the floor.. this isn't Zucotti. / 12. PANTS ARE OPTIONAL / 13. DEMAND NO. 1 CATS (AND WE WANT THEM MEOW!) / 14. Louder! Louder!! LOUDER!!! If You Wanna Exploit LABOR you havta be you have to be 15ft from the door / 15. Rock & Roll ALL NIIIGHT AND PARTY EV-ERY DAY! / 16. CREATE MYTHS TO SUSTAIN CATASTROPHE
    Year 2013
    Related pages Artists Space Annual Edition Portfolio 2013
  • Three people holding tennis rackets squat against a grey graffitied metal door in an alleyway, pressing their backs against green tennis balls.
    Three people holding tennis rackets squat against a grey graffitied metal door in an alleyway, pressing their backs against green tennis balls.
    Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [Three people holding tennis rackets squat against a grey graffitied metal door in an alleyway, pressing their backs against green tennis balls.]
    Caption Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak.
    Image description Three people holding tennis rackets squat against a grey graffitied metal door in an alleyway, pressing their backs against green tennis balls.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab (outdoor performance)
  • Contact sheet of installation images showing sculptures and other artworks in a 6 x 6 grid.
    Contact sheet of installation images showing sculptures and other artworks in a 6 x 6 grid.
    William Leavitt: Installation and Drawings. Contact sheet of installation views for William Leavitt: Installation and Drawings, The Levitation of Anna: Michael Zwack, and Ken Wade, Artists Space, 1979. [Contact sheet of installation images showing sculptures and other artworks in a 6 x 6 grid.]
    Caption William Leavitt: Installation and Drawings. Contact sheet of installation views for William Leavitt: Installation and Drawings, The Levitation of Anna: Michael Zwack, and Ken Wade, Artists Space, 1979.
    Image description Contact sheet of installation images showing sculptures and other artworks in a 6 x 6 grid.
    Year 1979
    Related pages William Leavitt, Installation and Drawings
  • Black and white background image of children standing in a street, they are screaming. In the center
    Black and white background image of children standing in a street, they are screaming. In the center
    Martin Cohen, All is Pretty Andy Warhol, 1979. Exhibition postcard. Courtesy Artists Space. [Black and white background image of children standing in a street, they are screaming. In the center "All is Pretty Andy Warhol" is witten in black script, below "Artists Space, 105 Hudson Street, November 27 - December 22" appears in black text.]
    Caption Martin Cohen, All is Pretty Andy Warhol, 1979. Exhibition postcard. Courtesy Artists Space.
    Image description Black and white background image of children standing in a street, they are screaming. In the center "All is Pretty Andy Warhol" is witten in black script, below "Artists Space, 105 Hudson Street, November 27 - December 22" appears in black text.
    Year 1979
    Related pages Martin Cohen
  • A black and white photograph of a gallery space with windows and an open door in the background. On the right, four mats hang on the wall.
    A black and white photograph of a gallery space with windows and an open door in the background. On the right, four mats hang on the wall.
    Richards Jarden: Mats. Installation view, Artists Space, 1978. [A black and white photograph of a gallery space with windows and an open door in the background. On the right, four mats hang on the wall.]
    Caption Richards Jarden: Mats. Installation view, Artists Space, 1978.
    Image description A black and white photograph of a gallery space with windows and an open door in the background. On the right, four mats hang on the wall.
    Year 1978
    Related pages Mats Richards Jarden
  • A set of white metal shelves against a white wall, each shelf holds eight books. From left, the authors of the books on the bottom shelf are: Pamela M. Lee, Frank O'Hara, David Prutchi, Georgia Kleege, Rosalind Deutsche, Judith Lewis Herman, Marina Vishmidt, and Avery Gordon.
    A set of white metal shelves against a white wall, each shelf holds eight books. From left, the authors of the books on the bottom shelf are: Pamela M. Lee, Frank O'Hara, David Prutchi, Georgia Kleege, Rosalind Deutsche, Judith Lewis Herman, Marina Vishmidt, and Avery Gordon.
    Jordan Lord, Fire Sale, 2012-2018. Installation view, Artists Space, 2021. Photo: Filip Wolak. [A set of white metal shelves against a white wall, each shelf holds eight books. From left, the authors of the books on the bottom shelf are: Pamela M. Lee, Frank O'Hara, David Prutchi, Georgia Kleege, Rosalind Deutsche, Judith Lewis Herman, Marina Vishmidt, and Avery Gordon.]
    Caption Jordan Lord, Fire Sale, 2012-2018. Installation view, Artists Space, 2021. Photo: Filip Wolak.
    Image description A set of white metal shelves against a white wall, each shelf holds eight books. From left, the authors of the books on the bottom shelf are: Pamela M. Lee, Frank O'Hara, David Prutchi, Georgia Kleege, Rosalind Deutsche, Judith Lewis Herman, Marina Vishmidt, and Avery Gordon.
    Year 2021
    Related pages Jordan Lord: Prophetic Memory
  • A man stands on top of a rock formation. Water from a nearby stream falls over the rock formation into a shallow pool. Text at the top of the image reads,
    A man stands on top of a rock formation. Water from a nearby stream falls over the rock formation into a shallow pool. Text at the top of the image reads,
    Pieter Holstein: The Waterfall. Postcard, Artists Space, 1979. [A man stands on top of a rock formation. Water from a nearby stream falls over the rock formation into a shallow pool. Text at the top of the image reads, "Pieter Holstein Presents: The Waterfall."]
    Caption Pieter Holstein: The Waterfall. Postcard, Artists Space, 1979.
    Image description A man stands on top of a rock formation. Water from a nearby stream falls over the rock formation into a shallow pool. Text at the top of the image reads, "Pieter Holstein Presents: The Waterfall."
    Year 1979
    Related pages The Waterfall Pieter Holstein
  • Black and white photograph of people standing in a gallery among five spherical balls on the floor. Framed artworks hang on the right wall.
    Black and white photograph of people standing in a gallery among five spherical balls on the floor. Framed artworks hang on the right wall.
    Gary Burnley, Martin Cohen, Candace Hill-Montgomery, Louis Stein, and Haim Steinbach. Photograph from exhibition opening, Artists Space, 1979. [Black and white photograph of people standing in a gallery among five spherical balls on the floor. Framed artworks hang on the right wall.]
    Caption Gary Burnley, Martin Cohen, Candace Hill-Montgomery, Louis Stein, and Haim Steinbach. Photograph from exhibition opening, Artists Space, 1979.
    Image description Black and white photograph of people standing in a gallery among five spherical balls on the floor. Framed artworks hang on the right wall.
    Year 1979
    Related pages Display #7, Haim Steinbach
  • A black and white photograph of a woven mat on a white background.
    A black and white photograph of a woven mat on a white background.
    Richards Jarden: Mats. Detail, Artists Space, 1978. [A black and white photograph of a woven mat on a white background.]
    Caption Richards Jarden: Mats. Detail, Artists Space, 1978.
    Image description A black and white photograph of a woven mat on a white background.
    Year 1978
    Related pages Mats Richards Jarden
  • Photograph of three musicians in a room with a red carpet. The figure on the left is playing an upright bass, the center figure is seated behind a drum set, and the figure on the left holds a guitar with their back turned to the camera.
    Photograph of three musicians in a room with a red carpet. The figure on the left is playing an upright bass, the center figure is seated behind a drum set, and the figure on the left holds a guitar with their back turned to the camera.
    Milford Graves with William Parker and Shahzad Ismaily. Performance documentation, October 15, 2017, The Artists Institute, New York. Image courtesy The Artists Institute. [Photograph of three musicians in a room with a red carpet. The figure on the left is playing an upright bass, the center figure is seated behind a drum set, and the figure on the left holds a guitar with their back turned to the camera.]
    Caption Milford Graves with William Parker and Shahzad Ismaily. Performance documentation, October 15, 2017, The Artists Institute, New York. Image courtesy The Artists Institute.
    Image description Photograph of three musicians in a room with a red carpet. The figure on the left is playing an upright bass, the center figure is seated behind a drum set, and the figure on the left holds a guitar with their back turned to the camera.
    Year 2021
    Related pages Shahzad Ismaily
  • A round table and two chairs sit in front of a tall curtain. To the right, a tree extends from the floor to the ceiling. In the background of the image is a sculpture of a man on a horse.
    A round table and two chairs sit in front of a tall curtain. To the right, a tree extends from the floor to the ceiling. In the background of the image is a sculpture of a man on a horse.
    William Leavitt: Installation and Drawings. Installation view, Artists Space, 1979. [A round table and two chairs sit in front of a tall curtain. To the right, a tree extends from the floor to the ceiling. In the background of the image is a sculpture of a man on a horse.]
    Caption William Leavitt: Installation and Drawings. Installation view, Artists Space, 1979.
    Image description A round table and two chairs sit in front of a tall curtain. To the right, a tree extends from the floor to the ceiling. In the background of the image is a sculpture of a man on a horse.
    Year 1979
    Related pages William Leavitt, Installation and Drawings
  • Wires, matches, sticks, bits of string, and other scrap metal pieces are strewn across a white background.
    Wires, matches, sticks, bits of string, and other scrap metal pieces are strewn across a white background.
    Donald Lipski, work unknown. Artists Space, 1978. [Wires, matches, sticks, bits of string, and other scrap metal pieces are strewn across a white background.]
    Caption Donald Lipski, work unknown. Artists Space, 1978.
    Image description Wires, matches, sticks, bits of string, and other scrap metal pieces are strewn across a white background.
    Year 1978
    Related pages Gathering Dust Donald Lipski
  • Nine books next to a stack of papers on a sunlit windowsill. The leftmost book with a red spine reads
    Nine books next to a stack of papers on a sunlit windowsill. The leftmost book with a red spine reads
    Jordan Lord, Fire Sale, 2012-2018. Installation view, Artists Space, 2021. Photo: Filip Wolak. [Nine books next to a stack of papers on a sunlit windowsill. The leftmost book with a red spine reads "Critical Race Theory" in white capitalized text. In the background, the blurred front of a delivery truck is visible through the window.]
    Caption Jordan Lord, Fire Sale, 2012-2018. Installation view, Artists Space, 2021. Photo: Filip Wolak.
    Image description Nine books next to a stack of papers on a sunlit windowsill. The leftmost book with a red spine reads "Critical Race Theory" in white capitalized text. In the background, the blurred front of a delivery truck is visible through the window.
    Year 2021
    Related pages Jordan Lord: Prophetic Memory
  • A darkened room with a projected video, several chairs and a black sofa. Two colums are visible on the left.
    A darkened room with a projected video, several chairs and a black sofa. Two colums are visible on the left.
    Jordan Lord, Prophetic Memory (Live Replay), with Annette Carter and Deborah Lorde, 2021. 4K video, 90 min., looped. Image courtesy Artists Space. Photo: Filip Wolak. [A darkened room with a projected video, several chairs and a black sofa. Two colums are visible on the left.]
    Caption Jordan Lord, Prophetic Memory (Live Replay), with Annette Carter and Deborah Lorde, 2021. 4K video, 90 min., looped. Image courtesy Artists Space. Photo: Filip Wolak.
    Image description A darkened room with a projected video, several chairs and a black sofa. Two colums are visible on the left.
    Year 2021
    Related pages Jordan Lord: Prophetic Memory
  • In an alleyway, five people with tennis rackets hit tennis balls towards suspended black and green signs that read
    In an alleyway, five people with tennis rackets hit tennis balls towards suspended black and green signs that read
    Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [In an alleyway, five people with tennis rackets hit tennis balls towards suspended black and green signs that read "Social Muscle Rehab" in white paint.]
    Caption Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak.
    Image description In an alleyway, five people with tennis rackets hit tennis balls towards suspended black and green signs that read "Social Muscle Rehab" in white paint.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab (outdoor performance)
  • A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.
    A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.
    Donald Lipski: Gathering Dust. Installation view, Artists Space, 1978. [A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.]
    Caption Donald Lipski: Gathering Dust. Installation view, Artists Space, 1978.
    Image description A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.
    Year 1978
    Related pages Gathering Dust Donald Lipski
  • A photograph of a mat made of a beige wicker-like material.
    A photograph of a mat made of a beige wicker-like material.
    Richards Jarden: Mats. Postcard, Artists Space, 1978. [A photograph of a mat made of a beige wicker-like material.]
    Caption Richards Jarden: Mats. Postcard, Artists Space, 1978.
    Image description A photograph of a mat made of a beige wicker-like material.
    Year 1978
    Related pages Mats Richards Jarden
  • Black and white image of a studio light shining onto a set of four panels against a wall. Below, text reads
    Black and white image of a studio light shining onto a set of four panels against a wall. Below, text reads
    John S. Gordon, The Mazola Quaternary, 1973. Mixed media light installation, 54 x 120 x 120 inches. At the San Francisco Art Institution. Courtesy Artists Space. [Black and white image of a studio light shining onto a set of four panels against a wall. Below, text reads "John S. Gordon, *The Mazola Quaternary*, 1973. Mixed media light installation, 54" x 120" x 120," at the San Francisco Art Institution.]
    Caption John S. Gordon, The Mazola Quaternary, 1973. Mixed media light installation, 54 x 120 x 120 inches. At the San Francisco Art Institution. Courtesy Artists Space.
    Image description Black and white image of a studio light shining onto a set of four panels against a wall. Below, text reads "John S. Gordon, *The Mazola Quaternary*, 1973. Mixed media light installation, 54" x 120" x 120," at the San Francisco Art Institution.
    Year 1979
    Related pages in/valid fragments
  • A photograph of a person standing at the corner of a rooftop looking towards the camera. They are surrounded by a light fog, which partially obscures the glow of purple lights and yellow windows of a building behind the figure.
    A photograph of a person standing at the corner of a rooftop looking towards the camera. They are surrounded by a light fog, which partially obscures the glow of purple lights and yellow windows of a building behind the figure.
    Serena Booth, On The Edge, digital photograph, 2021 [A photograph of a person standing at the corner of a rooftop looking towards the camera. They are surrounded by a light fog, which partially obscures the glow of purple lights and yellow windows of a building behind the figure.]
    Caption Serena Booth, On The Edge, digital photograph, 2021
    Image description A photograph of a person standing at the corner of a rooftop looking towards the camera. They are surrounded by a light fog, which partially obscures the glow of purple lights and yellow windows of a building behind the figure.
    Year 2021
    Related pages Scholastic Art and Writing Awards
  • A black-and-white photograph of a video installation with multiple projections running simultaneously on different parts of the walls. A chair and table are visible in the foreground.
    A black-and-white photograph of a video installation with multiple projections running simultaneously on different parts of the walls. A chair and table are visible in the foreground.
    Krzysztof Wodiczko: Guidelines. Postcard, Artists Space, 1978. [A black-and-white photograph of a video installation with multiple projections running simultaneously on different parts of the walls. A chair and table are visible in the foreground.]
    Caption Krzysztof Wodiczko: Guidelines. Postcard, Artists Space, 1978.
    Image description A black-and-white photograph of a video installation with multiple projections running simultaneously on different parts of the walls. A chair and table are visible in the foreground.
    Year 1978
    Related pages Guidelines Krzysztof Wodiczko
  • Installation view of a video work. A television monitor is attached to the wall, flanked by two speakers on narrow stands. In front of the monitor are two black chairs with silver metal legs.
    Installation view of a video work. A television monitor is attached to the wall, flanked by two speakers on narrow stands. In front of the monitor are two black chairs with silver metal legs.
    Jordan Lord, Expressions, in collaboration with Annette Carter, 2021. HD video, 36 min, looped. Exhibition design, images and annotated descriptions, projection. Image courtesy Artists Space. Photo: Filip Wolak. [Installation view of a video work. A television monitor is attached to the wall, flanked by two speakers on narrow stands. In front of the monitor are two black chairs with silver metal legs.]
    Caption Jordan Lord, Expressions, in collaboration with Annette Carter, 2021. HD video, 36 min, looped. Exhibition design, images and annotated descriptions, projection. Image courtesy Artists Space. Photo: Filip Wolak.
    Image description Installation view of a video work. A television monitor is attached to the wall, flanked by two speakers on narrow stands. In front of the monitor are two black chairs with silver metal legs.
    Year 2021
    Related pages Jordan Lord: Prophetic Memory
  • Eight books on a white shelf against a white wall. Five of the books are authored by Marcel Proust, two by William Shakespeare, and one by Samuel R. Delany.
    Eight books on a white shelf against a white wall. Five of the books are authored by Marcel Proust, two by William Shakespeare, and one by Samuel R. Delany.
    Jordan Lord, Fire Sale, 2012-2018. Installation view, Artists Space, 2021. Photo: Filip Wolak. [Eight books on a white shelf against a white wall. Five of the books are authored by Marcel Proust, two by William Shakespeare, and one by Samuel R. Delany.]
    Caption Jordan Lord, Fire Sale, 2012-2018. Installation view, Artists Space, 2021. Photo: Filip Wolak.
    Image description Eight books on a white shelf against a white wall. Five of the books are authored by Marcel Proust, two by William Shakespeare, and one by Samuel R. Delany.
    Year 2021
    Related pages Jordan Lord: Prophetic Memory
  • A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.
    A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.
    Donald Lipski: Gathering Dust. Installation view, Artists Space, 1978. [A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.]
    Caption Donald Lipski: Gathering Dust. Installation view, Artists Space, 1978.
    Image description A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.
    Year 1978
    Related pages Gathering Dust Donald Lipski
  • A photograph of a collage with newspaper articles and other paper ephemera.
    A photograph of a collage with newspaper articles and other paper ephemera.
    Rasheed Araeen, For Oluwale, 1971-1973. Collage panel, dimensions unknown. Courtesy Artists Space. [A photograph of a collage with newspaper articles and other paper ephemera.]
    Caption Rasheed Araeen, For Oluwale, 1971-1973. Collage panel, dimensions unknown. Courtesy Artists Space.
    Image description A photograph of a collage with newspaper articles and other paper ephemera.
    Year 1979
    Related pages Art From the British Left
  • Contact sheet of installation images showing sculptures and other artworks in a 6 x 6 grid.
    Contact sheet of installation images showing sculptures and other artworks in a 6 x 6 grid.
    Ken Wade: Installation/New Work. Contact sheet of installation views for William Leavitt: Installation and Drawings, The Levitation of Anna: Michael Zwack, and Ken Wade, Artists Space, 1979. [Contact sheet of installation images showing sculptures and other artworks in a 6 x 6 grid.]
    Caption Ken Wade: Installation/New Work. Contact sheet of installation views for William Leavitt: Installation and Drawings, The Levitation of Anna: Michael Zwack, and Ken Wade, Artists Space, 1979.
    Image description Contact sheet of installation images showing sculptures and other artworks in a 6 x 6 grid.
    Year 1979
    Related pages Ken Wade, Installation/New Work
  • Three numbered boxes are lined up in a row against a solid black background. The box on the left is a black-and-white photograph of people standing in a line on a hill. The middle box and the rightmost box are line drawings in white.
    Three numbered boxes are lined up in a row against a solid black background. The box on the left is a black-and-white photograph of people standing in a line on a hill. The middle box and the rightmost box are line drawings in white.
    Bernard Tschumi: Architectural Manifestos. Postcard, Artists Space, 1978. [Three numbered boxes are lined up in a row against a solid black background. The box on the left is a black-and-white photograph of people standing in a line on a hill. The middle box and the rightmost box are line drawings in white.]
    Caption Bernard Tschumi: Architectural Manifestos. Postcard, Artists Space, 1978.
    Image description Three numbered boxes are lined up in a row against a solid black background. The box on the left is a black-and-white photograph of people standing in a line on a hill. The middle box and the rightmost box are line drawings in white.
    Year 1978
    Related pages Architectural Manifestos Bernard Tschumi
  • An installation view of a green and tan wooden dining corral with a ramp, metal tables, and wooden chairs.
    An installation view of a green and tan wooden dining corral with a ramp, metal tables, and wooden chairs.
    Ei Arakawa with Gela Patashuri, NYC Corrals & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak. [An installation view of a green and tan wooden dining corral with a ramp, metal tables, and wooden chairs.]
    Caption Ei Arakawa with Gela Patashuri, NYC Corrals & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak.
    Image description An installation view of a green and tan wooden dining corral with a ramp, metal tables, and wooden chairs.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab
  • A photograph of a white gallery wall, hung with photographs and printed text. The title
    A photograph of a white gallery wall, hung with photographs and printed text. The title
    Art From the British Left. Installation view, Artists Space, 1979. Artwork by Margaret Harrison. Courtesy Artists Space. [A photograph of a white gallery wall, hung with photographs and printed text. The title "HOMEWORKERS: WOMAN'S WORK" is visible in the center.]
    Caption Art From the British Left. Installation view, Artists Space, 1979. Artwork by Margaret Harrison. Courtesy Artists Space.
    Image description A photograph of a white gallery wall, hung with photographs and printed text. The title "HOMEWORKERS: WOMAN'S WORK" is visible in the center.
    Year 1979
    Related pages Art From the British Left
  • Six people standing in an alleyway with tennis rackets on either side of a metal barricade. The person closest to the camera with green shorts hits a ball. Suspended in the background, the words
    Six people standing in an alleyway with tennis rackets on either side of a metal barricade. The person closest to the camera with green shorts hits a ball. Suspended in the background, the words
    Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [Six people standing in an alleyway with tennis rackets on either side of a metal barricade. The person closest to the camera with green shorts hits a ball. Suspended in the background, the words "Social Muscle Rehab" are painted in white text on top of black and green signs.]
    Caption Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak.
    Image description Six people standing in an alleyway with tennis rackets on either side of a metal barricade. The person closest to the camera with green shorts hits a ball. Suspended in the background, the words "Social Muscle Rehab" are painted in white text on top of black and green signs.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab (outdoor performance)
  • Black and white photograph of a performance. In the foreground, a blurred barefoot person in a suit swiftly raises their arms and right leg, curving in a halfmoon shape. In the background a drummer sitting at a drumset is visible.
    Black and white photograph of a performance. In the foreground, a blurred barefoot person in a suit swiftly raises their arms and right leg, curving in a halfmoon shape. In the background a drummer sitting at a drumset is visible.
    Aki Onda, Milford Graves and Min Tanaka, 1985. Courtesy of Aki Onda. [Black and white photograph of a performance. In the foreground, a blurred barefoot person in a suit swiftly raises their arms and right leg, curving in a halfmoon shape. In the background a drummer sitting at a drumset is visible.]
    Caption Aki Onda, Milford Graves and Min Tanaka, 1985. Courtesy of Aki Onda.
    Image description Black and white photograph of a performance. In the foreground, a blurred barefoot person in a suit swiftly raises their arms and right leg, curving in a halfmoon shape. In the background a drummer sitting at a drumset is visible.
    Year 2022
    Related pages Min Tanaka
  • A row of images hangs on a white wall. The images are composed of simple shapes which are arranged to form scenes. The foremost image shows a house on a lawn.
    A row of images hangs on a white wall. The images are composed of simple shapes which are arranged to form scenes. The foremost image shows a house on a lawn.
    Life Story Number 1. Installation view, Artists Space, 1979. [A row of images hangs on a white wall. The images are composed of simple shapes which are arranged to form scenes. The foremost image shows a house on a lawn.]
    Caption Life Story Number 1. Installation view, Artists Space, 1979.
    Image description A row of images hangs on a white wall. The images are composed of simple shapes which are arranged to form scenes. The foremost image shows a house on a lawn.
    Year 1979
    Related pages Life Story Number 1
  • Three walls hung with photographs and small works on paper are visible. There is a window on the right.
    Three walls hung with photographs and small works on paper are visible. There is a window on the right.
    Art From the British Left. Installation view, Artists Space, 1979. Artwork by Mary Kelly. Courtesy Artists Space. [Three walls hung with photographs and small works on paper are visible. There is a window on the right.]
    Caption Art From the British Left. Installation view, Artists Space, 1979. Artwork by Mary Kelly. Courtesy Artists Space.
    Image description Three walls hung with photographs and small works on paper are visible. There is a window on the right.
    Year 1979
    Related pages Art From the British Left
  • Contact sheet of installation images showing sculptures and other artworks in a 6 x 6 grid.
    Contact sheet of installation images showing sculptures and other artworks in a 6 x 6 grid.
    The Levitation of Anna: Michael Zwack. Contact sheet of installation views for William Leavitt: Installation and Drawings, The Levitation of Anna: Michael Zwack, and Ken Wade, Artists Space, 1979. Courtesy Artists Space. [Contact sheet of installation images showing sculptures and other artworks in a 6 x 6 grid.]
    Caption The Levitation of Anna: Michael Zwack. Contact sheet of installation views for William Leavitt: Installation and Drawings, The Levitation of Anna: Michael Zwack, and Ken Wade, Artists Space, 1979. Courtesy Artists Space.
    Image description Contact sheet of installation images showing sculptures and other artworks in a 6 x 6 grid.
    Year 1979
    Related pages The Levitation of Anna, Michael Zwack
  • A person in black athletic wear hits a tennis ball towards the camera in an alleyway. Behind them, the words
    A person in black athletic wear hits a tennis ball towards the camera in an alleyway. Behind them, the words
    Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [A person in black athletic wear hits a tennis ball towards the camera in an alleyway. Behind them, the words "Artists Space" appear in white text on the windowpane of a black door.]
    Caption Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak.
    Image description A person in black athletic wear hits a tennis ball towards the camera in an alleyway. Behind them, the words "Artists Space" appear in white text on the windowpane of a black door.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab
  • White outlines of leaf and fern-like forms overlay a dark green background. The word
    White outlines of leaf and fern-like forms overlay a dark green background. The word
    Flyer for Segue Reading Series featuring Lyric Hunter and Adrian Shirk. Saturday, October 16, 2021, Artists Space. Artist: Lonely Christopher & Venn Daniel [White outlines of leaf and fern-like forms overlay a dark green background. The word "Segue" is written in bright pink script on the top left, and the names "Lyric Hunter" and "Adrian Shirk" are written below in white.]
    Caption Flyer for Segue Reading Series featuring Lyric Hunter and Adrian Shirk. Saturday, October 16, 2021, Artists Space. Artist: Lonely Christopher & Venn Daniel
    Image description White outlines of leaf and fern-like forms overlay a dark green background. The word "Segue" is written in bright pink script on the top left, and the names "Lyric Hunter" and "Adrian Shirk" are written below in white.
    Year 2021
    Related pages Segue Reading Series: Lyric Hunter & Adrian Shirk
  • Six people stretch on the ground of an alleyway. Suspended behind them, the words
    Six people stretch on the ground of an alleyway. Suspended behind them, the words
    Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [Six people stretch on the ground of an alleyway. Suspended behind them, the words "Social Muscle Rehab" are painted in white on black and green signs.]
    Caption Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak.
    Image description Six people stretch on the ground of an alleyway. Suspended behind them, the words "Social Muscle Rehab" are painted in white on black and green signs.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab (outdoor performance)
  • A paper clip is half-wrapped in twine on a white background.
    A paper clip is half-wrapped in twine on a white background.
    Donald Lipski: Gathering Dust. Postcard, Artists Space, 1978. [A paper clip is half-wrapped in twine on a white background.]
    Caption Donald Lipski: Gathering Dust. Postcard, Artists Space, 1978.
    Image description A paper clip is half-wrapped in twine on a white background.
    Year 1978
    Related pages Gathering Dust Donald Lipski
  • Photograph of students and a teacher in a grey sweater stand in a classroom. They are smiling and holding the ends of white strips of paper which are woven into a tight knot in the center.
    Photograph of students and a teacher in a grey sweater stand in a classroom. They are smiling and holding the ends of white strips of paper which are woven into a tight knot in the center.
    7th and 8th grade students and staff at P.S. 140 participate in My Story, Our Story, 2020 [Photograph of students and a teacher in a grey sweater stand in a classroom. They are smiling and holding the ends of white strips of paper which are woven into a tight knot in the center.]
    Caption 7th and 8th grade students and staff at P.S. 140 participate in My Story, Our Story, 2020
    Image description Photograph of students and a teacher in a grey sweater stand in a classroom. They are smiling and holding the ends of white strips of paper which are woven into a tight knot in the center.
    Year 2020
    Related pages Listening to the LES
  • A photograph of a long corridor with a far wall with the words
    A photograph of a long corridor with a far wall with the words
    Art From the British Left. Installation view, Artists Space, 1979. Courtesy Artists Space. [A photograph of a long corridor with a far wall with the words "SOME BRITISH ART FROM THE LEFT." Small works on paper are hung on the left side of the hallway.]
    Caption Art From the British Left. Installation view, Artists Space, 1979. Courtesy Artists Space.
    Image description A photograph of a long corridor with a far wall with the words "SOME BRITISH ART FROM THE LEFT." Small works on paper are hung on the left side of the hallway.
    Year 1979
    Related pages Art From the British Left
  • Looking into a gallery space through a window, on the right wall two shelves are filled with books. Further in the background a dark rectangle hangs on the wall. On the windowpane the words
    Looking into a gallery space through a window, on the right wall two shelves are filled with books. Further in the background a dark rectangle hangs on the wall. On the windowpane the words
    Jordan Lord, Fire Sale, 2012-2018. Installation view, Artists Space, 2021. Photo: Filip Wolak. [Looking into a gallery space through a window, on the right wall two shelves are filled with books. Further in the background a dark rectangle hangs on the wall. On the windowpane the words "Bortolami, Kaufmann Repetto, Andrew Kreps Gallery and 55 Walker" are visible in black and pink text.]
    Caption Jordan Lord, Fire Sale, 2012-2018. Installation view, Artists Space, 2021. Photo: Filip Wolak.
    Image description Looking into a gallery space through a window, on the right wall two shelves are filled with books. Further in the background a dark rectangle hangs on the wall. On the windowpane the words "Bortolami, Kaufmann Repetto, Andrew Kreps Gallery and 55 Walker" are visible in black and pink text.
    Year 2021
    Related pages Jordan Lord: Prophetic Memory
  • Head on view of a projected video. The screen shows three figures sitting and includes closed captioning that reads
    Head on view of a projected video. The screen shows three figures sitting and includes closed captioning that reads
    Jordan Lord, Prophetic Memory (Live Replay), with Annette Carter and Deborah Lorde, 2021. 4K video, 90 min., looped. Photo: Filip Wolak. [Head on view of a projected video. The screen shows three figures sitting and includes closed captioning that reads "[Mimi laughing] Bet you don't remember that, do you? / Do you know how that broke my heart?"]
    Caption Jordan Lord, Prophetic Memory (Live Replay), with Annette Carter and Deborah Lorde, 2021. 4K video, 90 min., looped. Photo: Filip Wolak.
    Image description Head on view of a projected video. The screen shows three figures sitting and includes closed captioning that reads "[Mimi laughing] Bet you don't remember that, do you? / Do you know how that broke my heart?"
    Year 2021
    Related pages Jordan Lord: Prophetic Memory
  • An image is projected onto a white wall. In the image, a figure's chin and upper chest are visible as they hold a round object in their hand, close to their chin.
    An image is projected onto a white wall. In the image, a figure's chin and upper chest are visible as they hold a round object in their hand, close to their chin.
    Krzysztof Wodiczko: Guidelines. Installation View, Artists Space, 1978. [An image is projected onto a white wall. In the image, a figure's chin and upper chest are visible as they hold a round object in their hand, close to their chin.]
    Caption Krzysztof Wodiczko: Guidelines. Installation View, Artists Space, 1978.
    Image description An image is projected onto a white wall. In the image, a figure's chin and upper chest are visible as they hold a round object in their hand, close to their chin.
    Year 1978
    Related pages Guidelines Krzysztof Wodiczko
  • Four wooden chairs around a red dining umbrella. Handwritten in black sharpie, the words
    Four wooden chairs around a red dining umbrella. Handwritten in black sharpie, the words
    Ei Arakawa: Social Muscle Rehab. Installation view, Artists Space, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak. [Four wooden chairs around a red dining umbrella. Handwritten in black sharpie, the words "Social Muscle Rehab, Ei Arakawa with Gela Patashuri" appear on a white wall in the background.]
    Caption Ei Arakawa: Social Muscle Rehab. Installation view, Artists Space, 2021. Image courtesy Artists Space, New York. Photo: Filip Wolak.
    Image description Four wooden chairs around a red dining umbrella. Handwritten in black sharpie, the words "Social Muscle Rehab, Ei Arakawa with Gela Patashuri" appear on a white wall in the background.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab
  • An LED screen is visible behind a set of black bars at the level of a sidewalk. The screen reads in multicolored text
    An LED screen is visible behind a set of black bars at the level of a sidewalk. The screen reads in multicolored text
    Ei Arakawa, @naomiosaka, 11:24am, Aug 29, 2021, 2021. 24” x 48.” 6496 LEDs (WS2813, 100 LEDs/m, black) on hand-dyed fabric with grommets, T-300K controller, 2GB SD card with LedEdit 2014 files, 3× 5V 80A power supply with 22 AWG stranded wire. Image courtesy Artists Space, New York. Photo: Filip Wolak [An LED screen is visible behind a set of black bars at the level of a sidewalk. The screen reads in multicolored text "procrastinate on something? Champion."]
    Caption Ei Arakawa, @naomiosaka, 11:24am, Aug 29, 2021, 2021. 24” x 48.” 6496 LEDs (WS2813, 100 LEDs/m, black) on hand-dyed fabric with grommets, T-300K controller, 2GB SD card with LedEdit 2014 files, 3× 5V 80A power supply with 22 AWG stranded wire. Image courtesy Artists Space, New York. Photo: Filip Wolak
    Image description An LED screen is visible behind a set of black bars at the level of a sidewalk. The screen reads in multicolored text "procrastinate on something? Champion."
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab
  • View of a florbound television screen and speaker next to a brown pole. The edge of a black net is visible on the left.
    View of a florbound television screen and speaker next to a brown pole. The edge of a black net is visible on the left.
    Ei Arakawa. Social Muscle Rehab (early edit for exhibition), 2021. 5:19 minutes. With Dan Chen, Danielle A. Jackson, K.O. Nnamdie, Masako Shiba, Kenneth Teng, Ivanny Pagan, Britnie Williams. Camera by Lazar Bozic (Ortvi.com). Image courtesy Artists Space, New York. Photo: Filip Wolak [View of a florbound television screen and speaker next to a brown pole. The edge of a black net is visible on the left.]
    Caption Ei Arakawa. Social Muscle Rehab (early edit for exhibition), 2021. 5:19 minutes. With Dan Chen, Danielle A. Jackson, K.O. Nnamdie, Masako Shiba, Kenneth Teng, Ivanny Pagan, Britnie Williams. Camera by Lazar Bozic (Ortvi.com). Image courtesy Artists Space, New York. Photo: Filip Wolak
    Image description View of a florbound television screen and speaker next to a brown pole. The edge of a black net is visible on the left.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab
  • Installation view of white PVC pipe that is cut in half lengthwise. The pipe runs along a wall in the background and makes a sharp turn to drain into a black plastic bin on the floor.
    Installation view of white PVC pipe that is cut in half lengthwise. The pipe runs along a wall in the background and makes a sharp turn to drain into a black plastic bin on the floor.
    Ei Arakawa with Gela Patashuri, NYC Plumbing & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak. [Installation view of white PVC pipe that is cut in half lengthwise. The pipe runs along a wall in the background and makes a sharp turn to drain into a black plastic bin on the floor.]
    Caption Ei Arakawa with Gela Patashuri, NYC Plumbing & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak.
    Image description Installation view of white PVC pipe that is cut in half lengthwise. The pipe runs along a wall in the background and makes a sharp turn to drain into a black plastic bin on the floor.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab
  • A black and white photograph of a gallery space with windows and an open door in the background. Four mats hang on the walls.
    A black and white photograph of a gallery space with windows and an open door in the background. Four mats hang on the walls.
    Richards Jarden: Mats. Installation view, Artists Space, 1978. [A black and white photograph of a gallery space with windows and an open door in the background. Four mats hang on the walls.]
    Caption Richards Jarden: Mats. Installation view, Artists Space, 1978.
    Image description A black and white photograph of a gallery space with windows and an open door in the background. Four mats hang on the walls.
    Year 1978
    Related pages Mats Richards Jarden
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Black and white photograph of people standing in a gallery among five spherical balls on the floor. Framed artworks hang on the right wall.
    Black and white photograph of people standing in a gallery among five spherical balls on the floor. Framed artworks hang on the right wall.
    Gary Burnley, Martin Cohen, Candace Hill-Montgomery, Louis Stein, and Haim Steinbach. Photograph from exhibition opening, Artists Space, 1979. [Black and white photograph of people standing in a gallery among five spherical balls on the floor. Framed artworks hang on the right wall.]
    Caption Gary Burnley, Martin Cohen, Candace Hill-Montgomery, Louis Stein, and Haim Steinbach. Photograph from exhibition opening, Artists Space, 1979.
    Image description Black and white photograph of people standing in a gallery among five spherical balls on the floor. Framed artworks hang on the right wall.
    Year 1979
    Related pages Martin Cohen
  • Three cakes sit atop a white table in an alleyway. A crowd behind a black net looks on intently.
    Three cakes sit atop a white table in an alleyway. A crowd behind a black net looks on intently.
    Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [Three cakes sit atop a white table in an alleyway. A crowd behind a black net looks on intently.]
    Caption Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak.
    Image description Three cakes sit atop a white table in an alleyway. A crowd behind a black net looks on intently.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab (outdoor performance)
  • Horizontal image of man with round glasses peering down at the figure of a woman held in his hand. The woman has blond hair and wears a red dress. In the upper left corner, the word
    Horizontal image of man with round glasses peering down at the figure of a woman held in his hand. The woman has blond hair and wears a red dress. In the upper left corner, the word
    Flyer for Segue Reading Series featuring Geoffrey Olsen and Charles Bernstein. Saturday, November 20, 2021, Artists Space. Artist: Lonely Christopher & Venn Daniel [Horizontal image of man with round glasses peering down at the figure of a woman held in his hand. The woman has blond hair and wears a red dress. In the upper left corner, the word "Segue" is written in bright pink script. On the right side, the name "Geoffrey Olsen" is written in black capitalized text over as white background. Below, the name "Charles Bernstein" is written in white capitalized text over a black background.]
    Caption Flyer for Segue Reading Series featuring Geoffrey Olsen and Charles Bernstein. Saturday, November 20, 2021, Artists Space. Artist: Lonely Christopher & Venn Daniel
    Image description Horizontal image of man with round glasses peering down at the figure of a woman held in his hand. The woman has blond hair and wears a red dress. In the upper left corner, the word "Segue" is written in bright pink script. On the right side, the name "Geoffrey Olsen" is written in black capitalized text over as white background. Below, the name "Charles Bernstein" is written in white capitalized text over a black background.
    Year 2021
    Related pages Segue Reading Series: Charles Bernstein & Geoffrey Olsen
  • An image is projected onto a white wall.
    An image is projected onto a white wall.
    Krzysztof Wodiczko: Guidelines. Installation View, Artists Space, 1978. [An image is projected onto a white wall.]
    Caption Krzysztof Wodiczko: Guidelines. Installation View, Artists Space, 1978.
    Image description An image is projected onto a white wall.
    Year 1978
    Related pages Guidelines Krzysztof Wodiczko
  • Installation view of a video work. A television monitor is attached to the wall, flanked by two speakers on narrow stands. In front of the monitor are two black chairs with silver metal legs. On the right, a row of columns extends into the background towards sunlit windows.
    Installation view of a video work. A television monitor is attached to the wall, flanked by two speakers on narrow stands. In front of the monitor are two black chairs with silver metal legs. On the right, a row of columns extends into the background towards sunlit windows.
    Jordan Lord, Expressions, in collaboration with Annette Carter, 2021. HD video, 36 min, looped. Exhibition design, images and annotated descriptions, projection. Image courtesy Artists Space. Photo: Filip Wolak. [Installation view of a video work. A television monitor is attached to the wall, flanked by two speakers on narrow stands. In front of the monitor are two black chairs with silver metal legs. On the right, a row of columns extends into the background towards sunlit windows.]
    Caption Jordan Lord, Expressions, in collaboration with Annette Carter, 2021. HD video, 36 min, looped. Exhibition design, images and annotated descriptions, projection. Image courtesy Artists Space. Photo: Filip Wolak.
    Image description Installation view of a video work. A television monitor is attached to the wall, flanked by two speakers on narrow stands. In front of the monitor are two black chairs with silver metal legs. On the right, a row of columns extends into the background towards sunlit windows.
    Year 2021
    Related pages Jordan Lord: Prophetic Memory
  • The bust of a person is positioned in the top third of the image. Inside the outlines of their face there is an illustration of a Fiona Apple tape, and five pairs of pink lips. A drawing of a purple flashlight makes up the person's eye, shooting out black lightning bolts over a light green background. Below, the name
    The bust of a person is positioned in the top third of the image. Inside the outlines of their face there is an illustration of a Fiona Apple tape, and five pairs of pink lips. A drawing of a purple flashlight makes up the person's eye, shooting out black lightning bolts over a light green background. Below, the name
    Flyer for Segue Reading Series featuring Megan Milks and Sara Jane Stoner. Saturday, October 23, 2021, Artists Space. Artist: Lonely Christopher & Venn Daniel [The bust of a person is positioned in the top third of the image. Inside the outlines of their face there is an illustration of a Fiona Apple tape, and five pairs of pink lips. A drawing of a purple flashlight makes up the person's eye, shooting out black lightning bolts over a light green background. Below, the name "Megan Milks" is written in a dark pink and the name "Sara Jane Stoner" is written in black text. The word "Segue" is written in bright pink script on the top right corner.]
    Caption Flyer for Segue Reading Series featuring Megan Milks and Sara Jane Stoner. Saturday, October 23, 2021, Artists Space. Artist: Lonely Christopher & Venn Daniel
    Image description The bust of a person is positioned in the top third of the image. Inside the outlines of their face there is an illustration of a Fiona Apple tape, and five pairs of pink lips. A drawing of a purple flashlight makes up the person's eye, shooting out black lightning bolts over a light green background. Below, the name "Megan Milks" is written in a dark pink and the name "Sara Jane Stoner" is written in black text. The word "Segue" is written in bright pink script on the top right corner.
    Year 2021
    Related pages Segue Reading Series: Sara Jane Stoner & Megan Milks
  • An LED screen can be seen behind a set of black bars at the level of a sidewalk. The screen reads in multicolored text,
    An LED screen can be seen behind a set of black bars at the level of a sidewalk. The screen reads in multicolored text,
    Ei Arakawa, @naomiosaka, 11:24am, Aug 29, 2021, 2021. 24” x 48.” 6496 LEDs (WS2813, 100 LEDs/m, black) on hand-dyed fabric with grommets, T-300K controller, 2GB SD card with LedEdit 2014 files, 3× 5V 80A power supply with 22 AWG stranded wire. Image courtesy Artists Space, New York. Photo: Filip Wolak [An LED screen can be seen behind a set of black bars at the level of a sidewalk. The screen reads in multicolored text, "Recently, I've been asking myself."]
    Caption Ei Arakawa, @naomiosaka, 11:24am, Aug 29, 2021, 2021. 24” x 48.” 6496 LEDs (WS2813, 100 LEDs/m, black) on hand-dyed fabric with grommets, T-300K controller, 2GB SD card with LedEdit 2014 files, 3× 5V 80A power supply with 22 AWG stranded wire. Image courtesy Artists Space, New York. Photo: Filip Wolak
    Image description An LED screen can be seen behind a set of black bars at the level of a sidewalk. The screen reads in multicolored text, "Recently, I've been asking myself."
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab
  • An installation view of a green and tan wooden dining corral with a metal table and two wooden chairs. Halved PVC pipes are visible in the background.
    An installation view of a green and tan wooden dining corral with a metal table and two wooden chairs. Halved PVC pipes are visible in the background.
    Ei Arakawa with Gela Patashuri, NYC Corrals & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak. [An installation view of a green and tan wooden dining corral with a metal table and two wooden chairs. Halved PVC pipes are visible in the background.]
    Caption Ei Arakawa with Gela Patashuri, NYC Corrals & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak.
    Image description An installation view of a green and tan wooden dining corral with a metal table and two wooden chairs. Halved PVC pipes are visible in the background.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab
  • A black and white photograph of a gallery space, three mats are visible hanging on the wall.
    A black and white photograph of a gallery space, three mats are visible hanging on the wall.
    Richards Jarden: Mats. Installation view, Artists Space, 1978. [A black and white photograph of a gallery space, three mats are visible hanging on the wall.]
    Caption Richards Jarden: Mats. Installation view, Artists Space, 1978.
    Image description A black and white photograph of a gallery space, three mats are visible hanging on the wall.
    Year 1978
    Related pages Mats Richards Jarden
  • An installation view of a green and tan wooden dining corral with a ramp and two metal barricades.
    An installation view of a green and tan wooden dining corral with a ramp and two metal barricades.
    Ei Arakawa with Gela Patashuri, NYC Corrals & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak. [An installation view of a green and tan wooden dining corral with a ramp and two metal barricades.]
    Caption Ei Arakawa with Gela Patashuri, NYC Corrals & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak.
    Image description An installation view of a green and tan wooden dining corral with a ramp and two metal barricades.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab
  • A photograph of a room with works on paper hung on one wall and photographs on the other wall. In the center of the room is a table, strewn with papers, with three chairs.
    A photograph of a room with works on paper hung on one wall and photographs on the other wall. In the center of the room is a table, strewn with papers, with three chairs.
    Art From the British Left. Installation view, Artists Space, 1979. Artwork by Marie Yates. Courtesy Artists Space. [A photograph of a room with works on paper hung on one wall and photographs on the other wall. In the center of the room is a table, strewn with papers, with three chairs.]
    Caption Art From the British Left. Installation view, Artists Space, 1979. Artwork by Marie Yates. Courtesy Artists Space.
    Image description A photograph of a room with works on paper hung on one wall and photographs on the other wall. In the center of the room is a table, strewn with papers, with three chairs.
    Year 1979
    Related pages Art From the British Left
  • An installation view of a green and tan wooden dining corral with metal tables and wooden chairs.
    An installation view of a green and tan wooden dining corral with metal tables and wooden chairs.
    Ei Arakawa with Gela Patashuri, NYC Corrals & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak. [An installation view of a green and tan wooden dining corral with metal tables and wooden chairs.]
    Caption Ei Arakawa with Gela Patashuri, NYC Corrals & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak.
    Image description An installation view of a green and tan wooden dining corral with metal tables and wooden chairs.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab
  • Four people stand in an alleyway in front of a black net, one of them holding a black megaphone. Five tennis balls lie at their feet.
    Four people stand in an alleyway in front of a black net, one of them holding a black megaphone. Five tennis balls lie at their feet.
    Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [Four people stand in an alleyway in front of a black net, one of them holding a black megaphone. Five tennis balls lie at their feet.]
    Caption Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak.
    Image description Four people stand in an alleyway in front of a black net, one of them holding a black megaphone. Five tennis balls lie at their feet.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab (outdoor performance)
  • Six people with tennis rackets in an alleyway jump and swing to hit tennis balls towards the camera which is behind a black net. A crowd behind the tennis players watches attentively.
    Six people with tennis rackets in an alleyway jump and swing to hit tennis balls towards the camera which is behind a black net. A crowd behind the tennis players watches attentively.
    Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [Six people with tennis rackets in an alleyway jump and swing to hit tennis balls towards the camera which is behind a black net. A crowd behind the tennis players watches attentively.]
    Caption Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak.
    Image description Six people with tennis rackets in an alleyway jump and swing to hit tennis balls towards the camera which is behind a black net. A crowd behind the tennis players watches attentively.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab (outdoor performance)
  • An arrangement of rectangular prisms made of cardboard.
    An arrangement of rectangular prisms made of cardboard.
    Life Story Number 1. Installation view, Artists Space, 1979. [An arrangement of rectangular prisms made of cardboard.]
    Caption Life Story Number 1. Installation view, Artists Space, 1979.
    Image description An arrangement of rectangular prisms made of cardboard.
    Year 1979
    Related pages Life Story Number 1
  • Six people with tennis rackets hit tennis balls against a graffitied metal door in an alleyway. Suspended behind them are a black net and signs that read
    Six people with tennis rackets hit tennis balls against a graffitied metal door in an alleyway. Suspended behind them are a black net and signs that read
    Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [Six people with tennis rackets hit tennis balls against a graffitied metal door in an alleyway. Suspended behind them are a black net and signs that read "Social Muscle Rehab" in painted white]
    Caption Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak.
    Image description Six people with tennis rackets hit tennis balls against a graffitied metal door in an alleyway. Suspended behind them are a black net and signs that read "Social Muscle Rehab" in painted white
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab (outdoor performance)
  • A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.
    A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.
    Donald Lipski: Gathering Dust. Installation view, Artists Space, 1978. [A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.]
    Caption Donald Lipski: Gathering Dust. Installation view, Artists Space, 1978.
    Image description A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.
    Year 1978
    Related pages Gathering Dust Donald Lipski
  • Graphic logo reads I ♥ John Giorno in red text.
    Graphic logo reads I ♥ John Giorno in red text.
    [Graphic logo reads I ♥ John Giorno in red text.]
    Caption
    Image description Graphic logo reads I ♥ John Giorno in red text.
    Year 2017
    Related pages Ugo Rondinone: I ♥ John Giorno
  • An installation view of the corner of a green and tan wooden dining corral. In the center a black plastic bin with black tubes and crumpled black fabric like material is visible.
    An installation view of the corner of a green and tan wooden dining corral. In the center a black plastic bin with black tubes and crumpled black fabric like material is visible.
    Ei Arakawa with Gela Patashuri, NYC Corrals & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak. [An installation view of the corner of a green and tan wooden dining corral. In the center a black plastic bin with black tubes and crumpled black fabric like material is visible.]
    Caption Ei Arakawa with Gela Patashuri, NYC Corrals & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak.
    Image description An installation view of the corner of a green and tan wooden dining corral. In the center a black plastic bin with black tubes and crumpled black fabric like material is visible.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab
  • A series of black and white/light grey horizontal bars on a white background.
    A series of black and white/light grey horizontal bars on a white background.
    Wall Pieces, Alain Middleton. Postcard, Artists Space, 1978. [A series of black and white/light grey horizontal bars on a white background.]
    Caption Wall Pieces, Alain Middleton. Postcard, Artists Space, 1978.
    Image description A series of black and white/light grey horizontal bars on a white background.
    Year 1978
    Related pages Wall Pieces, Alain Middleton
  • A black and white photograph of a figure with long dark hair. Over the figure's face the words
    A black and white photograph of a figure with long dark hair. Over the figure's face the words
    Artists unknown, from Super 8 Film Exposition. Artists Space, 1977. [A black and white photograph of a figure with long dark hair. Over the figure's face the words "she hides from questions and cameras" is written in large, black capitalized text.]
    Caption Artists unknown, from Super 8 Film Exposition. Artists Space, 1977.
    Image description A black and white photograph of a figure with long dark hair. Over the figure's face the words "she hides from questions and cameras" is written in large, black capitalized text.
    Year 1977
    Related pages Artists Super 8 Film Exposition
  • An image is projected onto a white wall. In the image, a figure plays a cello.
    An image is projected onto a white wall. In the image, a figure plays a cello.
    Krzysztof Wodiczko: Guidelines. Installation View, Artists Space, 1978. [An image is projected onto a white wall. In the image, a figure plays a cello.]
    Caption Krzysztof Wodiczko: Guidelines. Installation View, Artists Space, 1978.
    Image description An image is projected onto a white wall. In the image, a figure plays a cello.
    Year 1978
    Related pages Guidelines Krzysztof Wodiczko
  • A black and white image of a person sitting at a drum set. He is holding up two drumsticks, and staring intently.
    A black and white image of a person sitting at a drum set. He is holding up two drumsticks, and staring intently.
    Guy Kopelowicz, Portrait of Milford Graves, c. 1980s. Courtesy of the Estate of Milford Graves. [A black and white image of a person sitting at a drum set. He is holding up two drumsticks, and staring intently.]
    Caption Guy Kopelowicz, Portrait of Milford Graves, c. 1980s. Courtesy of the Estate of Milford Graves.
    Image description A black and white image of a person sitting at a drum set. He is holding up two drumsticks, and staring intently.
    Year 2021
    Related pages Milford Graves Memorial
  • A photograph of a paper clip wrapped in twine, bobby pins wrapped in linen, and wrapped wires, lined up in a row.
    A photograph of a paper clip wrapped in twine, bobby pins wrapped in linen, and wrapped wires, lined up in a row.
    Donald Lipski, work unknown. Artists Space, 1978. [A photograph of a paper clip wrapped in twine, bobby pins wrapped in linen, and wrapped wires, lined up in a row.]
    Caption Donald Lipski, work unknown. Artists Space, 1978.
    Image description A photograph of a paper clip wrapped in twine, bobby pins wrapped in linen, and wrapped wires, lined up in a row.
    Year 1978
    Related pages Gathering Dust Donald Lipski
  • A black and white photograph of a gallery wall, two hanging mats and a doorframe are visible.
    A black and white photograph of a gallery wall, two hanging mats and a doorframe are visible.
    Richards Jarden: Mats. Installation view, Artists Space, 1978. [A black and white photograph of a gallery wall, two hanging mats and a doorframe are visible.]
    Caption Richards Jarden: Mats. Installation view, Artists Space, 1978.
    Image description A black and white photograph of a gallery wall, two hanging mats and a doorframe are visible.
    Year 1978
    Related pages Mats Richards Jarden
  • English version of the poem “You can survive without eating anything for three weeks in hot weather…/En climas cálidos, puede sobrevivir hasta tres semanas sin comer nada...” is written in the top-left portion of the page while the Spanish version is written in the lower-right. A grey line of varying widths divides the two languages.
    English version of the poem “You can survive without eating anything for three weeks in hot weather…/En climas cálidos, puede sobrevivir hasta tres semanas sin comer nada...” is written in the top-left portion of the page while the Spanish version is written in the lower-right. A grey line of varying widths divides the two languages.
    Electronic Disturbance Theater 2.0/b.a.n.g. lab. The Transborder Immigrant Tool, 2007–ongoing. Pages excerpted from The Transborder Immigrant Tool publication. Courtesy the artist, University of Michigan Ann Arbor, and University of California, San Diego. [English version of the poem “You can survive without eating anything for three weeks in hot weather…/En climas cálidos, puede sobrevivir hasta tres semanas sin comer nada...” is written in the top-left portion of the page while the Spanish version is written in the lower-right. A grey line of varying widths divides the two languages.]
    Caption Electronic Disturbance Theater 2.0/b.a.n.g. lab. The Transborder Immigrant Tool, 2007–ongoing. Pages excerpted from The Transborder Immigrant Tool publication. Courtesy the artist, University of Michigan Ann Arbor, and University of California, San Diego.
    Image description English version of the poem “You can survive without eating anything for three weeks in hot weather…/En climas cálidos, puede sobrevivir hasta tres semanas sin comer nada...” is written in the top-left portion of the page while the Spanish version is written in the lower-right. A grey line of varying widths divides the two languages.
    Year 2007
    Related pages Whitney ISP Archive
  • A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.
    A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.
    Donald Lipski: Gathering Dust. Installation view, Artists Space, 1978. [A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.]
    Caption Donald Lipski: Gathering Dust. Installation view, Artists Space, 1978.
    Image description A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.
    Year 1978
    Related pages Gathering Dust Donald Lipski
  • A crowd looking left in an alleyway, a child in a purple shirt and mask holds onto a balcony railing leaning out over the crowd to get a better view.
    A crowd looking left in an alleyway, a child in a purple shirt and mask holds onto a balcony railing leaning out over the crowd to get a better view.
    Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [A crowd looking left in an alleyway, a child in a purple shirt and mask holds onto a balcony railing leaning out over the crowd to get a better view.]
    Caption Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak.
    Image description A crowd looking left in an alleyway, a child in a purple shirt and mask holds onto a balcony railing leaning out over the crowd to get a better view.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab (outdoor performance)
  • A group of eight people holding tennis rackets stand and crouch in an alleyway. On signs suspended above them, the words
    A group of eight people holding tennis rackets stand and crouch in an alleyway. On signs suspended above them, the words
    Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [A group of eight people holding tennis rackets stand and crouch in an alleyway. On signs suspended above them, the words "Social Muscle Rehab" are painted in white capitalized text over black and green backgrounds.]
    Caption Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak.
    Image description A group of eight people holding tennis rackets stand and crouch in an alleyway. On signs suspended above them, the words "Social Muscle Rehab" are painted in white capitalized text over black and green backgrounds.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab (outdoor performance)
  • Tennis players stand in an alleyway, ready to hit balls from an automatic ballfeeder. A crowd watches intently in the background. Suspended above them the words
    Tennis players stand in an alleyway, ready to hit balls from an automatic ballfeeder. A crowd watches intently in the background. Suspended above them the words
    Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [Tennis players stand in an alleyway, ready to hit balls from an automatic ballfeeder. A crowd watches intently in the background. Suspended above them the words "Social Muscle Rehab" are painted in white capitalized text on black and green signs.]
    Caption Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak.
    Image description Tennis players stand in an alleyway, ready to hit balls from an automatic ballfeeder. A crowd watches intently in the background. Suspended above them the words "Social Muscle Rehab" are painted in white capitalized text on black and green signs.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab
  • Screenshot of a digital meeting. Each user has their own box, either filled with an image of their face, or a colored circle with a white letter corresponding to the first letter of their first name.
    Screenshot of a digital meeting. Each user has their own box, either filled with an image of their face, or a colored circle with a white letter corresponding to the first letter of their first name.
    YAP: Poets on Poets online event May 2021 poems [Screenshot of a digital meeting. Each user has their own box, either filled with an image of their face, or a colored circle with a white letter corresponding to the first letter of their first name.]
    Caption YAP: Poets on Poets online event May 2021 poems
    Image description Screenshot of a digital meeting. Each user has their own box, either filled with an image of their face, or a colored circle with a white letter corresponding to the first letter of their first name.
    Year 2021
    Related pages Art and Literacy: Poetry
  • Photograph of a pink and yellow abstract collage with drawings in black ink and pecil. The words
    Photograph of a pink and yellow abstract collage with drawings in black ink and pecil. The words
    Tree/plant, watercolor, marker and collage, 7th grade student at P.S. 140, 2021 [Photograph of a pink and yellow abstract collage with drawings in black ink and pecil. The words "love," "tree," and "oak," are written in pencil in the top right corner.]
    Caption Tree/plant, watercolor, marker and collage, 7th grade student at P.S. 140, 2021
    Image description Photograph of a pink and yellow abstract collage with drawings in black ink and pecil. The words "love," "tree," and "oak," are written in pencil in the top right corner.
    Year 2021
    Related pages Listening to the LES
  • View of a gallery space with four grey concrete columns. In the gaps between the columns, a net and three signs are visible. The signs read,
    View of a gallery space with four grey concrete columns. In the gaps between the columns, a net and three signs are visible. The signs read,
    Ei Arakawa. Social Muscle Rehab, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak. [View of a gallery space with four grey concrete columns. In the gaps between the columns, a net and three signs are visible. The signs read, "Social Muscle Rehab" in painted white text over green and black backgrounds.]
    Caption Ei Arakawa. Social Muscle Rehab, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak.
    Image description View of a gallery space with four grey concrete columns. In the gaps between the columns, a net and three signs are visible. The signs read, "Social Muscle Rehab" in painted white text over green and black backgrounds.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab
  • A photograph of a room painted white with an open door. In the adjacent room, small metal circles, bars, and other pieces mounted on a white gallery wall can be seen.
    A photograph of a room painted white with an open door. In the adjacent room, small metal circles, bars, and other pieces mounted on a white gallery wall can be seen.
    Donald Lipski: Gathering Dust. Installation view, Artists Space, 1978. [A photograph of a room painted white with an open door. In the adjacent room, small metal circles, bars, and other pieces mounted on a white gallery wall can be seen.]
    Caption Donald Lipski: Gathering Dust. Installation view, Artists Space, 1978.
    Image description A photograph of a room painted white with an open door. In the adjacent room, small metal circles, bars, and other pieces mounted on a white gallery wall can be seen.
    Year 1978
    Related pages Gathering Dust Donald Lipski
  • Installation view of a gallery space with sunlit windows. On the right, a row of colums extends into the background. A wooden bench is pushed against the wall on the left under a windowsill with several books.
    Installation view of a gallery space with sunlit windows. On the right, a row of colums extends into the background. A wooden bench is pushed against the wall on the left under a windowsill with several books.
    Jordan Lord, Fire Sale, 2012-2018. Installation view, Artists Space, 2021. Photo: Filip Wolak. [Installation view of a gallery space with sunlit windows. On the right, a row of colums extends into the background. A wooden bench is pushed against the wall on the left under a windowsill with several books.]
    Caption Jordan Lord, Fire Sale, 2012-2018. Installation view, Artists Space, 2021. Photo: Filip Wolak.
    Image description Installation view of a gallery space with sunlit windows. On the right, a row of colums extends into the background. A wooden bench is pushed against the wall on the left under a windowsill with several books.
    Year 2021
    Related pages Jordan Lord: Prophetic Memory
  • Two white shelves attached to a white wall hold four sets of books and some papers. On the right is a black metal pole.
    Two white shelves attached to a white wall hold four sets of books and some papers. On the right is a black metal pole.
    Jordan Lord, Fire Sale, 2012-2018. Installation view, Artists Space, 2021. Photo: Filip Wolak. [Two white shelves attached to a white wall hold four sets of books and some papers. On the right is a black metal pole.]
    Caption Jordan Lord, Fire Sale, 2012-2018. Installation view, Artists Space, 2021. Photo: Filip Wolak.
    Image description Two white shelves attached to a white wall hold four sets of books and some papers. On the right is a black metal pole.
    Year 2021
    Related pages Jordan Lord: Prophetic Memory
  • A sharp image of two halves of a pvc pipe placed in front of an out of focus background. Water flows across the pipes; behind the pipes is a steel column.
    A sharp image of two halves of a pvc pipe placed in front of an out of focus background. Water flows across the pipes; behind the pipes is a steel column.
    Ei Arakawa with Gela Patashuri, NYC Corrals & Iwaki Ocean’s Temporal Visit, detail, 2021, Dimensions variable. [A sharp image of two halves of a pvc pipe placed in front of an out of focus background. Water flows across the pipes; behind the pipes is a steel column.]
    Caption Ei Arakawa with Gela Patashuri, NYC Corrals & Iwaki Ocean’s Temporal Visit, detail, 2021, Dimensions variable.
    Image description A sharp image of two halves of a pvc pipe placed in front of an out of focus background. Water flows across the pipes; behind the pipes is a steel column.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab
  • A large black G over a green background. On the left,
    A large black G over a green background. On the left,
    Cover of Godzilla: Asian American Arts Network, edited by Howie Chen, published by Primary Information, 2021. Image courtesy of Primary Information. [A large black G over a green background. On the left, "Asian American Arts Network" appears in white vertical text over a black background.]
    Caption Cover of Godzilla: Asian American Arts Network, edited by Howie Chen, published by Primary Information, 2021. Image courtesy of Primary Information.
    Image description A large black G over a green background. On the left, "Asian American Arts Network" appears in white vertical text over a black background.
    Year 2021
    Related pages Godzilla: Asian American Arts Network (1990–2001) Book Launch
  • A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.
    A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.
    Donald Lipski: Gathering Dust. Installation view, Artists Space, 1978. [A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.]
    Caption Donald Lipski: Gathering Dust. Installation view, Artists Space, 1978.
    Image description A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.
    Year 1978
    Related pages Gathering Dust Donald Lipski
  • An image is projected onto a white wall. The image is text on a solid background. Text is illegible.
    An image is projected onto a white wall. The image is text on a solid background. Text is illegible.
    Krzysztof Wodiczko: Guidelines. Installation View, Artists Space, 1978. [An image is projected onto a white wall. The image is text on a solid background. Text is illegible.]
    Caption Krzysztof Wodiczko: Guidelines. Installation View, Artists Space, 1978.
    Image description An image is projected onto a white wall. The image is text on a solid background. Text is illegible.
    Year 1978
    Related pages Guidelines Krzysztof Wodiczko
  • Five people holding tennis rackets running in a circle in an alleyway. A small crowd watches, standing against a brick wall with metal doors covered in graffiti on the right.
    Five people holding tennis rackets running in a circle in an alleyway. A small crowd watches, standing against a brick wall with metal doors covered in graffiti on the right.
    Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [Five people holding tennis rackets running in a circle in an alleyway. A small crowd watches, standing against a brick wall with metal doors covered in graffiti on the right.]
    Caption Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak.
    Image description Five people holding tennis rackets running in a circle in an alleyway. A small crowd watches, standing against a brick wall with metal doors covered in graffiti on the right.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab (outdoor performance)
  • Installation view of white PVC pipe that is cut in half lengthwise. The pipe runs along a wall on the right and makes a sharp turn to drain into a black plastic bin on the floor.
    Installation view of white PVC pipe that is cut in half lengthwise. The pipe runs along a wall on the right and makes a sharp turn to drain into a black plastic bin on the floor.
    Ei Arakawa with Gela Patashuri, NYC Plumbing & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak. [Installation view of white PVC pipe that is cut in half lengthwise. The pipe runs along a wall on the right and makes a sharp turn to drain into a black plastic bin on the floor.]
    Caption Ei Arakawa with Gela Patashuri, NYC Plumbing & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak.
    Image description Installation view of white PVC pipe that is cut in half lengthwise. The pipe runs along a wall on the right and makes a sharp turn to drain into a black plastic bin on the floor.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab
  • A person with a tennis racket wearing a white hat, shirt, and red and green shorts throws his hands up in gleeful celebration. In the background, a crowd behind a net watches intently.
    A person with a tennis racket wearing a white hat, shirt, and red and green shorts throws his hands up in gleeful celebration. In the background, a crowd behind a net watches intently.
    Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [A person with a tennis racket wearing a white hat, shirt, and red and green shorts throws his hands up in gleeful celebration. In the background, a crowd behind a net watches intently.]
    Caption Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak.
    Image description A person with a tennis racket wearing a white hat, shirt, and red and green shorts throws his hands up in gleeful celebration. In the background, a crowd behind a net watches intently.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab
  • Wires, matches, sticks, bits of string, and other scrap metal pieces are strewn across a white background.
    Wires, matches, sticks, bits of string, and other scrap metal pieces are strewn across a white background.
    Donald Lipski, work unknown. Artists Space, 1978. [Wires, matches, sticks, bits of string, and other scrap metal pieces are strewn across a white background.]
    Caption Donald Lipski, work unknown. Artists Space, 1978.
    Image description Wires, matches, sticks, bits of string, and other scrap metal pieces are strewn across a white background.
    Year 1978
    Related pages Gathering Dust Donald Lipski
  • A person in black athletic wear hits a tennis ball towards the camera in an alleyway. Behind them, the words
    A person in black athletic wear hits a tennis ball towards the camera in an alleyway. Behind them, the words
    Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [A person in black athletic wear hits a tennis ball towards the camera in an alleyway. Behind them, the words "Artists Space" appear in white text on the windowpane of a black door.]
    Caption Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak.
    Image description A person in black athletic wear hits a tennis ball towards the camera in an alleyway. Behind them, the words "Artists Space" appear in white text on the windowpane of a black door.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab (outdoor performance)
  • On a white background black print reads
    On a white background black print reads
    Art From the British Left. Installation view, Artists Space, 1979. Courtesy Artists Space. [On a white background black print reads "IF THERE'S NO DANCING AT THE REVOLUTION, I'M NOT COMING -Emma Goldman" above handwriting reading "So, who said you're invited?" and "You mean 'WAVE' distortion in that case, no FEAT required. Mr Mü."]
    Caption Art From the British Left. Installation view, Artists Space, 1979. Courtesy Artists Space.
    Image description On a white background black print reads "IF THERE'S NO DANCING AT THE REVOLUTION, I'M NOT COMING -Emma Goldman" above handwriting reading "So, who said you're invited?" and "You mean 'WAVE' distortion in that case, no FEAT required. Mr Mü."
    Year 1979
    Related pages Art From the British Left
  • An installation view of a green and tan wooden dining corral with a ramp and a metal barricade.
    An installation view of a green and tan wooden dining corral with a ramp and a metal barricade.
    Ei Arakawa with Gela Patashuri, NYC Corrals & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak. [An installation view of a green and tan wooden dining corral with a ramp and a metal barricade.]
    Caption Ei Arakawa with Gela Patashuri, NYC Corrals & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak.
    Image description An installation view of a green and tan wooden dining corral with a ramp and a metal barricade.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab
  • A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.
    A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.
    Donald Lipski: Gathering Dust. Installation view, Artists Space, 1978. [A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.]
    Caption Donald Lipski: Gathering Dust. Installation view, Artists Space, 1978.
    Image description A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.
    Year 1978
    Related pages Gathering Dust Donald Lipski
  • An installation view of a green and tan wooden dining corral with a ramp. A chair and column are visible in the background.
    An installation view of a green and tan wooden dining corral with a ramp. A chair and column are visible in the background.
    Ei Arakawa with Gela Patashuri, NYC Corrals & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak. [An installation view of a green and tan wooden dining corral with a ramp. A chair and column are visible in the background.]
    Caption Ei Arakawa with Gela Patashuri, NYC Corrals & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak.
    Image description An installation view of a green and tan wooden dining corral with a ramp. A chair and column are visible in the background.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab
  • Image of a PVC pipe that has been cut in half lengthwise, nestled in the wall of a wooden dining corral. Water flows through the pipe towards the camera. On the right, a metal barricade can be seen.
    Image of a PVC pipe that has been cut in half lengthwise, nestled in the wall of a wooden dining corral. Water flows through the pipe towards the camera. On the right, a metal barricade can be seen.
    Ei Arakawa with Gela Patashuri, NYC Corrals & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak. [Image of a PVC pipe that has been cut in half lengthwise, nestled in the wall of a wooden dining corral. Water flows through the pipe towards the camera. On the right, a metal barricade can be seen.]
    Caption Ei Arakawa with Gela Patashuri, NYC Corrals & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak.
    Image description Image of a PVC pipe that has been cut in half lengthwise, nestled in the wall of a wooden dining corral. Water flows through the pipe towards the camera. On the right, a metal barricade can be seen.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab
  • A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.
    A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.
    Donald Lipski: Gathering Dust. Installation View, Artists Space, 1978. [A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.]
    Caption Donald Lipski: Gathering Dust. Installation View, Artists Space, 1978.
    Image description A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.
    Year 1978
    Related pages Gathering Dust Donald Lipski
  • A set of white metal shelves against a white wall. The top shelf hold seven books and the bottom shelf holds seven books and stapled pamphlets in a clear stand.
    A set of white metal shelves against a white wall. The top shelf hold seven books and the bottom shelf holds seven books and stapled pamphlets in a clear stand.
    Jordan Lord, Fire Sale, 2012-2018. Installation view, Artists Space, 2021. Photo: Filip Wolak. [A set of white metal shelves against a white wall. The top shelf hold seven books and the bottom shelf holds seven books and stapled pamphlets in a clear stand.]
    Caption Jordan Lord, Fire Sale, 2012-2018. Installation view, Artists Space, 2021. Photo: Filip Wolak.
    Image description A set of white metal shelves against a white wall. The top shelf hold seven books and the bottom shelf holds seven books and stapled pamphlets in a clear stand.
    Year 2021
    Related pages Jordan Lord: Prophetic Memory
  • Six sticky notes with black text on a white background. From the top left corner:
    Six sticky notes with black text on a white background. From the top left corner:
    “We want” Jamboard prompt for 8th grade students, 2021 [Six sticky notes with black text on a white background. From the top left corner: "We want our voices to be heard, our pleads to be answered, our rights to be fully secured." is written on a yellow sticky note; "we want to be free" is written on a yellow sticky note; "we want to make this earth better," is written on a pink sticky note; "We want the earth to be clean," is written on a yellow sticky note; "we want everyone to be treated the same," is written on a blue sticky note; and "We want to relax," is written on a green sticky note.]
    Caption “We want” Jamboard prompt for 8th grade students, 2021
    Image description Six sticky notes with black text on a white background. From the top left corner: "We want our voices to be heard, our pleads to be answered, our rights to be fully secured." is written on a yellow sticky note; "we want to be free" is written on a yellow sticky note; "we want to make this earth better," is written on a pink sticky note; "We want the earth to be clean," is written on a yellow sticky note; "we want everyone to be treated the same," is written on a blue sticky note; and "We want to relax," is written on a green sticky note.
    Year 2021
    Related pages Art and Literacy: Poetry
  • A photograph of a room with photographs and works on paper hung on the walls. In the center of the room is a table with folders and magazines and three chairs nearby.
    A photograph of a room with photographs and works on paper hung on the walls. In the center of the room is a table with folders and magazines and three chairs nearby.
    Art From the British Left. Installation view, Artists Space, 1979. Artwork by Alexis Hunter. Courtesy Artists Space. [A photograph of a room with photographs and works on paper hung on the walls. In the center of the room is a table with folders and magazines and three chairs nearby.]
    Caption Art From the British Left. Installation view, Artists Space, 1979. Artwork by Alexis Hunter. Courtesy Artists Space.
    Image description A photograph of a room with photographs and works on paper hung on the walls. In the center of the room is a table with folders and magazines and three chairs nearby.
    Year 1979
    Related pages Art From the British Left
  • A black and white photograph of a gallery wall. Five mats hang on the wall, their top left corners curving slightly away from the flat surface.
    A black and white photograph of a gallery wall. Five mats hang on the wall, their top left corners curving slightly away from the flat surface.
    Richards Jarden: Mats. Installation view, Artists Space, 1978. [A black and white photograph of a gallery wall. Five mats hang on the wall, their top left corners curving slightly away from the flat surface.]
    Caption Richards Jarden: Mats. Installation view, Artists Space, 1978.
    Image description A black and white photograph of a gallery wall. Five mats hang on the wall, their top left corners curving slightly away from the flat surface.
    Year 1978
    Related pages Mats Richards Jarden
  • A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.
    A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.
    Donald Lipski: Gathering Dust. Installation view, Artists Space, 1978. [A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.]
    Caption Donald Lipski: Gathering Dust. Installation view, Artists Space, 1978.
    Image description A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.
    Year 1978
    Related pages Gathering Dust Donald Lipski
  • A green and tan wooden dining corral with a ramp, metal tables and chairs. People sit and stand in and around the corral.
    A green and tan wooden dining corral with a ramp, metal tables and chairs. People sit and stand in and around the corral.
    Ei Arakawa: Social Muscle Rehab. Performance documentation, October 10, 2021, Artists Space. Photo: Ei Arakawa. [A green and tan wooden dining corral with a ramp, metal tables and chairs. People sit and stand in and around the corral.]
    Caption Ei Arakawa: Social Muscle Rehab. Performance documentation, October 10, 2021, Artists Space. Photo: Ei Arakawa.
    Image description A green and tan wooden dining corral with a ramp, metal tables and chairs. People sit and stand in and around the corral.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab
  • Installation image of a gallery space with a window looking out onto a street. On the left, a red pole with ladder rungs, a rectangular collaged artwork, and two shelves holding books and papers are visible.
    Installation image of a gallery space with a window looking out onto a street. On the left, a red pole with ladder rungs, a rectangular collaged artwork, and two shelves holding books and papers are visible.
    Jordan Lord, Fire Sale, 2012-2018. Installation view, Artists Space, 2021. Photo: Filip Wolak. [Installation image of a gallery space with a window looking out onto a street. On the left, a red pole with ladder rungs, a rectangular collaged artwork, and two shelves holding books and papers are visible.]
    Caption Jordan Lord, Fire Sale, 2012-2018. Installation view, Artists Space, 2021. Photo: Filip Wolak.
    Image description Installation image of a gallery space with a window looking out onto a street. On the left, a red pole with ladder rungs, a rectangular collaged artwork, and two shelves holding books and papers are visible.
    Year 2021
    Related pages Jordan Lord: Prophetic Memory
  • A green and tan wooden dining corral with a ramp and a metal barricade. People sit and stand in and around the corral.
    A green and tan wooden dining corral with a ramp and a metal barricade. People sit and stand in and around the corral.
    Ei Arakawa: Social Muscle Rehab. Performance documentation, October 10, 2021, Artists Space. Photo: Ei Arakawa. [A green and tan wooden dining corral with a ramp and a metal barricade. People sit and stand in and around the corral.]
    Caption Ei Arakawa: Social Muscle Rehab. Performance documentation, October 10, 2021, Artists Space. Photo: Ei Arakawa.
    Image description A green and tan wooden dining corral with a ramp and a metal barricade. People sit and stand in and around the corral.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab
  • Installation view of white PVC pipes that are cut in half lengthwise. The pipes rest on nails against the wall and water trickles inside.
    Installation view of white PVC pipes that are cut in half lengthwise. The pipes rest on nails against the wall and water trickles inside.
    Ei Arakawa with Gela Patashuri, NYC Plumbing & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak. [Installation view of white PVC pipes that are cut in half lengthwise. The pipes rest on nails against the wall and water trickles inside.]
    Caption Ei Arakawa with Gela Patashuri, NYC Plumbing & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak.
    Image description Installation view of white PVC pipes that are cut in half lengthwise. The pipes rest on nails against the wall and water trickles inside.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab
  • A black-and-white photograph depicting three men equally distanced from one another. They hold their hands up to the ceiling with their palms out and stand near a floral printed wall.
    A black-and-white photograph depicting three men equally distanced from one another. They hold their hands up to the ceiling with their palms out and stand near a floral printed wall.
    Yara in the dojo, c. 1970s. Courtesy the Estate of Milford Graves. [A black-and-white photograph depicting three men equally distanced from one another. They hold their hands up to the ceiling with their palms out and stand near a floral printed wall.]
    Caption Yara in the dojo, c. 1970s. Courtesy the Estate of Milford Graves.
    Image description A black-and-white photograph depicting three men equally distanced from one another. They hold their hands up to the ceiling with their palms out and stand near a floral printed wall.
    Year 2022
    Related pages Yuji Agematsu
  • Contact sheet of stills depicting numerous installation views.
    Contact sheet of stills depicting numerous installation views.
    The Levitation of Anna: Michael Zwack. Contact sheet of installation views for William Leavitt: Installation and Drawings, The Levitation of Anna: Michael Zwack, and Ken Wade, Artists Space, 1979. Courtesy Artists Space. [Contact sheet of stills depicting numerous installation views.]
    Caption The Levitation of Anna: Michael Zwack. Contact sheet of installation views for William Leavitt: Installation and Drawings, The Levitation of Anna: Michael Zwack, and Ken Wade, Artists Space, 1979. Courtesy Artists Space.
    Image description Contact sheet of stills depicting numerous installation views.
    Year 1979
    Related pages The Levitation of Anna, Michael Zwack
  • A photograph of small metal circles and bars on a white background.
    A photograph of small metal circles and bars on a white background.
    Donald Lipski: Gathering Dust. Installation view, Artists Space, 1978. [A photograph of small metal circles and bars on a white background.]
    Caption Donald Lipski: Gathering Dust. Installation view, Artists Space, 1978.
    Image description A photograph of small metal circles and bars on a white background.
    Year 1978
    Related pages Gathering Dust Donald Lipski
  • A black and white photograph of a gallery space. Five mats hang on the left wall.
    A black and white photograph of a gallery space. Five mats hang on the left wall.
    Richards Jarden: Mats. Installation view, Artists Space, 1978. [A black and white photograph of a gallery space. Five mats hang on the left wall.]
    Caption Richards Jarden: Mats. Installation view, Artists Space, 1978.
    Image description A black and white photograph of a gallery space. Five mats hang on the left wall.
    Year 1978
    Related pages Mats Richards Jarden
  • A white drawing on a black background showing a sculpture of a man on a horse on top of a pedestal.
    A white drawing on a black background showing a sculpture of a man on a horse on top of a pedestal.
    William Leavitt: Installation and Drawings. Drawing by William Leavitt, Artists Space, 1979. [A white drawing on a black background showing a sculpture of a man on a horse on top of a pedestal.]
    Caption William Leavitt: Installation and Drawings. Drawing by William Leavitt, Artists Space, 1979.
    Image description A white drawing on a black background showing a sculpture of a man on a horse on top of a pedestal.
    Year 1979
    Related pages William Leavitt, Installation and Drawings
  • Over a light blue and white background, the word
    Over a light blue and white background, the word
    Flyer for Segue Reading Series featuring Stacy Szymaszek and Charles Theonia. Saturday, October 16, 2021, Artists Space. Artist: Lonely Christopher & Venn Daniel [Over a light blue and white background, the word "Segue" is written in bright pink script in the top left corner. The names "Stacy Szymaszek" and "Charles Theonia" are written in black capitalized text on the left, and again in fuschia lettering on the right.]
    Caption Flyer for Segue Reading Series featuring Stacy Szymaszek and Charles Theonia. Saturday, October 16, 2021, Artists Space. Artist: Lonely Christopher & Venn Daniel
    Image description Over a light blue and white background, the word "Segue" is written in bright pink script in the top left corner. The names "Stacy Szymaszek" and "Charles Theonia" are written in black capitalized text on the left, and again in fuschia lettering on the right.
    Year 2021
    Related pages Segue Reading Series: Charles Theonia & Stacy Szymaszek
  • View of a gallery space. A black net hangs from the ceiling, extending from the center foreground into the background where a small television screen is visible. On the left, three signs are propped against the wall. In white text over green and black backgrounds the signs read
    View of a gallery space. A black net hangs from the ceiling, extending from the center foreground into the background where a small television screen is visible. On the left, three signs are propped against the wall. In white text over green and black backgrounds the signs read
    Ei Arakawa. Social Muscle Rehab, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak. [View of a gallery space. A black net hangs from the ceiling, extending from the center foreground into the background where a small television screen is visible. On the left, three signs are propped against the wall. In white text over green and black backgrounds the signs read "Social Muscle Rehab."]
    Caption Ei Arakawa. Social Muscle Rehab, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak.
    Image description View of a gallery space. A black net hangs from the ceiling, extending from the center foreground into the background where a small television screen is visible. On the left, three signs are propped against the wall. In white text over green and black backgrounds the signs read "Social Muscle Rehab."
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab
  • A view of a gallery space with white walls and a window looking out onto a street. On the left wall two shelves hold various books and papers.
    A view of a gallery space with white walls and a window looking out onto a street. On the left wall two shelves hold various books and papers.
    Jordan Lord, Fire Sale, 2012-2018. Installation view, Artists Space, 2021. Photo: Filip Wolak. [A view of a gallery space with white walls and a window looking out onto a street. On the left wall two shelves hold various books and papers.]
    Caption Jordan Lord, Fire Sale, 2012-2018. Installation view, Artists Space, 2021. Photo: Filip Wolak.
    Image description A view of a gallery space with white walls and a window looking out onto a street. On the left wall two shelves hold various books and papers.
    Year 2021
    Related pages Jordan Lord: Prophetic Memory
  • Two people carry a white table out of a door and into an alleyway. Behind them several others cheer, one with a megaphone. Suspended in the background are a black net and black and green signs that read
    Two people carry a white table out of a door and into an alleyway. Behind them several others cheer, one with a megaphone. Suspended in the background are a black net and black and green signs that read
    Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [Two people carry a white table out of a door and into an alleyway. Behind them several others cheer, one with a megaphone. Suspended in the background are a black net and black and green signs that read "Social Muscle Rehab" in white painted text.]
    Caption Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak.
    Image description Two people carry a white table out of a door and into an alleyway. Behind them several others cheer, one with a megaphone. Suspended in the background are a black net and black and green signs that read "Social Muscle Rehab" in white painted text.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab (outdoor performance)
  • An installation view of a green and tan wooden dining corral with a ramp, metal tables and wooden chairs.
    An installation view of a green and tan wooden dining corral with a ramp, metal tables and wooden chairs.
    Ei Arakawa with Gela Patashuri, NYC Corrals & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak. [An installation view of a green and tan wooden dining corral with a ramp, metal tables and wooden chairs.]
    Caption Ei Arakawa with Gela Patashuri, NYC Corrals & Iwaki Ocean’s Temporal Visit, 2021. Dimensions variable. Image courtesy Artists Space, New York. Photo: Filip Wolak.
    Image description An installation view of a green and tan wooden dining corral with a ramp, metal tables and wooden chairs.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab
  • Black and white photograph of a performance. In the foreground, a barefoot figure in a suit leans to their right side. A drummer is visible in the background.
    Black and white photograph of a performance. In the foreground, a barefoot figure in a suit leans to their right side. A drummer is visible in the background.
    Aki Onda, Milford Graves and Min Tanaka, 1985. Courtesy of Aki Onda. [Black and white photograph of a performance. In the foreground, a barefoot figure in a suit leans to their right side. A drummer is visible in the background.]
    Caption Aki Onda, Milford Graves and Min Tanaka, 1985. Courtesy of Aki Onda.
    Image description Black and white photograph of a performance. In the foreground, a barefoot figure in a suit leans to their right side. A drummer is visible in the background.
    Year 2022
    Related pages Min Tanaka
  • Six people with tennis rackets in an alleyway jump and swing to hit tennis balls towards the camera which is behind a black net. A crowd behind the tennis players watches attentively.
    Six people with tennis rackets in an alleyway jump and swing to hit tennis balls towards the camera which is behind a black net. A crowd behind the tennis players watches attentively.
    Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [Six people with tennis rackets in an alleyway jump and swing to hit tennis balls towards the camera which is behind a black net. A crowd behind the tennis players watches attentively.]
    Caption Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak.
    Image description Six people with tennis rackets in an alleyway jump and swing to hit tennis balls towards the camera which is behind a black net. A crowd behind the tennis players watches attentively.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab
  • A photograph of a white wall hung with 12 works of the same size in a row.
    A photograph of a white wall hung with 12 works of the same size in a row.
    Art From the British Left. Installation view, Artists Space, 1979. Artwork by Mary Kelly. Courtesy Artists Space. [A photograph of a white wall hung with 12 works of the same size in a row.]
    Caption Art From the British Left. Installation view, Artists Space, 1979. Artwork by Mary Kelly. Courtesy Artists Space.
    Image description A photograph of a white wall hung with 12 works of the same size in a row.
    Year 1979
    Related pages Art From the British Left
  • A group of eight people holding tennis rackets stand and crouch in an alleyway. On signs suspended above them, the words
    A group of eight people holding tennis rackets stand and crouch in an alleyway. On signs suspended above them, the words
    Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [A group of eight people holding tennis rackets stand and crouch in an alleyway. On signs suspended above them, the words "Social Muscle Rehab" are painted in white capitalized text over black and green backgrounds.]
    Caption Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak.
    Image description A group of eight people holding tennis rackets stand and crouch in an alleyway. On signs suspended above them, the words "Social Muscle Rehab" are painted in white capitalized text over black and green backgrounds.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab
  • A group of people dressed in black standing in the street with their hands up. Behind them, green and white fabrics on top of blue poles create a tent-like structure. The word
    A group of people dressed in black standing in the street with their hands up. Behind them, green and white fabrics on top of blue poles create a tent-like structure. The word
    Ei Arakawa, RIOT THE 8 BARS, nGbK, Berlin, 2007, Photo: Christin Lahr [A group of people dressed in black standing in the street with their hands up. Behind them, green and white fabrics on top of blue poles create a tent-like structure. The word "Riot" appears on one of the poles, written in white text over a black background.]
    Caption Ei Arakawa, RIOT THE 8 BARS, nGbK, Berlin, 2007, Photo: Christin Lahr
    Image description A group of people dressed in black standing in the street with their hands up. Behind them, green and white fabrics on top of blue poles create a tent-like structure. The word "Riot" appears on one of the poles, written in white text over a black background.
    Year 2021
    Related pages Ei Arakawa: Performance People Book Release & Artist’s Reception at Social Muscle Rehab
  • An image is projected onto a white wall. The image consists of various simple rectangular shapes.
    An image is projected onto a white wall. The image consists of various simple rectangular shapes.
    Krzysztof Wodiczko: Guidelines. Installation View, Artists Space, 1978. [An image is projected onto a white wall. The image consists of various simple rectangular shapes.]
    Caption Krzysztof Wodiczko: Guidelines. Installation View, Artists Space, 1978.
    Image description An image is projected onto a white wall. The image consists of various simple rectangular shapes.
    Year 1978
    Related pages Guidelines Krzysztof Wodiczko
  • Installation view of a gallery space with a green and tan wooden dining corral with a metal table and wooden chairs. In the background on the left are grey concrete columns. Between the gaps of the columns, a net and a sign that reads
    Installation view of a gallery space with a green and tan wooden dining corral with a metal table and wooden chairs. In the background on the left are grey concrete columns. Between the gaps of the columns, a net and a sign that reads
    Ei Arakawa with Gela Patashuri, Social Muscle Rehab. Installation view, Artists Space, 2021. Image courtesy Artists Space. Photo: Filip Wolak. [Installation view of a gallery space with a green and tan wooden dining corral with a metal table and wooden chairs. In the background on the left are grey concrete columns. Between the gaps of the columns, a net and a sign that reads "Social" are visible.]
    Caption Ei Arakawa with Gela Patashuri, Social Muscle Rehab. Installation view, Artists Space, 2021. Image courtesy Artists Space. Photo: Filip Wolak.
    Image description Installation view of a gallery space with a green and tan wooden dining corral with a metal table and wooden chairs. In the background on the left are grey concrete columns. Between the gaps of the columns, a net and a sign that reads "Social" are visible.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab
  • A green and tan wooden dining corral with a ramp, metal tables and chairs. People sit and stand in and around the corral.
    A green and tan wooden dining corral with a ramp, metal tables and chairs. People sit and stand in and around the corral.
    Ei Arakawa: Social Muscle Rehab. Performance documentation, October 10, 2021, Artists Space. Photo: Ei Arakawa. [A green and tan wooden dining corral with a ramp, metal tables and chairs. People sit and stand in and around the corral.]
    Caption Ei Arakawa: Social Muscle Rehab. Performance documentation, October 10, 2021, Artists Space. Photo: Ei Arakawa.
    Image description A green and tan wooden dining corral with a ramp, metal tables and chairs. People sit and stand in and around the corral.
    Year 2021
    Related pages Ei Arakawa: Performance People Book Release & Artist’s Reception at Social Muscle Rehab
  • A black and white photograph of a gallery space with windows in the background. Mats hang on the left and right walls.
    A black and white photograph of a gallery space with windows in the background. Mats hang on the left and right walls.
    Richards Jarden: Mats. Installation view, Artists Space, 1978. [A black and white photograph of a gallery space with windows in the background. Mats hang on the left and right walls.]
    Caption Richards Jarden: Mats. Installation view, Artists Space, 1978.
    Image description A black and white photograph of a gallery space with windows in the background. Mats hang on the left and right walls.
    Year 1978
    Related pages Mats Richards Jarden
  • The head of person with blonde hair is pictured lying horizontally. Their eyes are closed and a lit cigarette protrudes between their red lips. The word
    The head of person with blonde hair is pictured lying horizontally. Their eyes are closed and a lit cigarette protrudes between their red lips. The word
    Flyer for Segue Reading Series featuring Edmund White and Max Steele. Saturday, October 2, 2021, Artists Space. Artist: Lonely Christopher & Venn Daniel [The head of person with blonde hair is pictured lying horizontally. Their eyes are closed and a lit cigarette protrudes between their red lips. The word "Segue" is written vertically and in bright pink script on the left. In the center, the name "Edmund White" is written in lower case black letters, and the name "Max Steele" is written in white lowercase letters.]
    Caption Flyer for Segue Reading Series featuring Edmund White and Max Steele. Saturday, October 2, 2021, Artists Space. Artist: Lonely Christopher & Venn Daniel
    Image description The head of person with blonde hair is pictured lying horizontally. Their eyes are closed and a lit cigarette protrudes between their red lips. The word "Segue" is written vertically and in bright pink script on the left. In the center, the name "Edmund White" is written in lower case black letters, and the name "Max Steele" is written in white lowercase letters.
    Year 2021
    Related pages Segue Reading Series: Edmund White & Max Steele
  • A large gallery space full of hundreds of metal cutouts shaped like curved
    A large gallery space full of hundreds of metal cutouts shaped like curved
    H_edge. Installation view, Artists Space, 2006. Photo: Whitney Cox. [A large gallery space full of hundreds of metal cutouts shaped like curved "x"'s hanging from lengths of metal chainlinks. The cutouts are arranged in the gallery so that they form a hedge-like landscape of varying heights. Visible through the cutouts is a black and gray composition installed on a gallery wall.]
    Caption H_edge. Installation view, Artists Space, 2006. Photo: Whitney Cox.
    Image description A large gallery space full of hundreds of metal cutouts shaped like curved "x"'s hanging from lengths of metal chainlinks. The cutouts are arranged in the gallery so that they form a hedge-like landscape of varying heights. Visible through the cutouts is a black and gray composition installed on a gallery wall.
    Year 2006
    Related pages H_edge
  • A person with a yellow hat and red shirt hits a tennis ball in an alleyway. A small crowd watches in the background on the left.
    A person with a yellow hat and red shirt hits a tennis ball in an alleyway. A small crowd watches in the background on the left.
    Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak. [A person with a yellow hat and red shirt hits a tennis ball in an alleyway. A small crowd watches in the background on the left.]
    Caption Ei Arakawa: Social Muscle Rehab (outdoor performance). Performance documentation, October 16, 2021, Artists Space. Photo: Filip Wolak.
    Image description A person with a yellow hat and red shirt hits a tennis ball in an alleyway. A small crowd watches in the background on the left.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab (outdoor performance)
  • A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.
    A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.
    Donald Lipski: Gathering Dust. Installation view, Artists Space, 1978. [A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.]
    Caption Donald Lipski: Gathering Dust. Installation view, Artists Space, 1978.
    Image description A photograph of small metal circles, bars, and other pieces mounted on a white gallery wall.
    Year 1978
    Related pages Gathering Dust Donald Lipski
  • A tennis player sits next to a white bag with gold detailing and white tennis racket. A blue towel covers their face. On the right,
    A tennis player sits next to a white bag with gold detailing and white tennis racket. A blue towel covers their face. On the right,
    Naomi Osaka at the Miami Open at Hard Rock Stadium, March 31, 2021. Image courtesy UPI/Alamy Live News. Photo: Gary I. Rothstein [A tennis player sits next to a white bag with gold detailing and white tennis racket. A blue towel covers their face. On the right, "Social Muscle Rehab" is written in yellow lettering.]
    Caption Naomi Osaka at the Miami Open at Hard Rock Stadium, March 31, 2021. Image courtesy UPI/Alamy Live News. Photo: Gary I. Rothstein
    Image description A tennis player sits next to a white bag with gold detailing and white tennis racket. A blue towel covers their face. On the right, "Social Muscle Rehab" is written in yellow lettering.
    Year 2021
    Related pages Ei Arakawa: Social Muscle Rehab (outdoor performance)
  • A black-and-white photograph of stuffed geese made with geese-printed fabric staged in a room.
    A black-and-white photograph of stuffed geese made with geese-printed fabric staged in a room.
    Christy Rupp: Goose Encounters. Postcard, Artists Space, 1978. [A black-and-white photograph of stuffed geese made with geese-printed fabric staged in a room.]
    Caption Christy Rupp: Goose Encounters. Postcard, Artists Space, 1978.
    Image description A black-and-white photograph of stuffed geese made with geese-printed fabric staged in a room.
    Year 1978
    Related pages Goose Encounters Christy Rupp
  • A photograph of a room with a series of photographs and works on paper hung in two rows on the far wall. A window on the left and a window on the right side are visible.
    A photograph of a room with a series of photographs and works on paper hung in two rows on the far wall. A window on the left and a window on the right side are visible.
    Art From the British Left. Installation view, Artists Space, 1979. Courtesy Artists Space. [A photograph of a room with a series of photographs and works on paper hung in two rows on the far wall. A window on the left and a window on the right side are visible.]
    Caption Art From the British Left. Installation view, Artists Space, 1979. Courtesy Artists Space.
    Image description A photograph of a room with a series of photographs and works on paper hung in two rows on the far wall. A window on the left and a window on the right side are visible.
    Year 1979
    Related pages Art From the British Left
  • A photograph of a long corridor. The wall at the end of the hallway shows the words
    A photograph of a long corridor. The wall at the end of the hallway shows the words
    Art From the British Left. Installation view, Artists Space, 1979. Courtesy Artists Space. [A photograph of a long corridor. The wall at the end of the hallway shows the words "SOME BRITISH ART FROM THE LEFT." There is an open door on the right, where a room hung with small artworks can be seen.]
    Caption Art From the British Left. Installation view, Artists Space, 1979. Courtesy Artists Space.
    Image description A photograph of a long corridor. The wall at the end of the hallway shows the words "SOME BRITISH ART FROM THE LEFT." There is an open door on the right, where a room hung with small artworks can be seen.
    Year 1979
    Related pages Art From the British Left
  • An image is projected onto a white wall. In the image, a woman holds a man's head in her hands.
    An image is projected onto a white wall. In the image, a woman holds a man's head in her hands.
    Krzysztof Wodiczko: Guidelines. Installation View, Artists Space, 1978. [An image is projected onto a white wall. In the image, a woman holds a man's head in her hands.]
    Caption Krzysztof Wodiczko: Guidelines. Installation View, Artists Space, 1978.
    Image description An image is projected onto a white wall. In the image, a woman holds a man's head in her hands.
    Year 1978
    Related pages Guidelines Krzysztof Wodiczko
  • Grade 7 students with collage self-portraits, 2021
    Caption Grade 7 students with collage self-portraits, 2021
    Image description
    Year 2021
    Related pages Threads of History
  • A color image of the corner of a gallery space. A row of four small speakers, evenly spaced and held on small wooden shelves, span the left wall. On the right wall, a collection of six framed black and white photographs are arranged in a grid. Each frame is black, with three on the top and three on the bottom.
    A color image of the corner of a gallery space. A row of four small speakers, evenly spaced and held on small wooden shelves, span the left wall. On the right wall, a collection of six framed black and white photographs are arranged in a grid. Each frame is black, with three on the top and three on the bottom.
    Terry Fox: All These Different Things Are Sculpture. Installation view, Artists Space, 2024. Photo: Filip Wolak [ A color image of the corner of a gallery space. A row of four small speakers, evenly spaced and held on small wooden shelves, span the left wall. On the right wall, a collection of six framed black and white photographs are arranged in a grid. Each frame is black, with three on the top and three on the bottom. ]
    Caption Terry Fox: All These Different Things Are Sculpture. Installation view, Artists Space, 2024. Photo: Filip Wolak
    Image description A color image of the corner of a gallery space. A row of four small speakers, evenly spaced and held on small wooden shelves, span the left wall. On the right wall, a collection of six framed black and white photographs are arranged in a grid. Each frame is black, with three on the top and three on the bottom.
    Year
    Related pages All These Different Things Are Sculpture
  • Drawing depicting an impoverished beggar and his child outside an auction house where the father's painting is being sold for large sums.
    Drawing depicting an impoverished beggar and his child outside an auction house where the father's painting is being sold for large sums.
    This drawing by Jean-Louis Forain, published on the front page of a Parisian newspaper in 1920, rallied support for the original Droit De Suite. [Drawing depicting an impoverished beggar and his child outside an auction house where the father's painting is being sold for large sums.]
    Caption This drawing by Jean-Louis Forain, published on the front page of a Parisian newspaper in 1920, rallied support for the original Droit De Suite.
    Image description Drawing depicting an impoverished beggar and his child outside an auction house where the father's painting is being sold for large sums.
    Year 1920
    Related pages The Artist's Resale Right
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 3_NEVER DELETE
  • Black and white image of a gallery enclave. The walls are covered with long lists of individual signatures that form several rows from floor to ceiling.
    Black and white image of a gallery enclave. The walls are covered with long lists of individual signatures that form several rows from floor to ceiling.
    Kathe Burkhart and Chrysanne Stathacos: Abortion Project. Installation view, Artists Space, 1991. [Black and white image of a gallery enclave. The walls are covered with long lists of individual signatures that form several rows from floor to ceiling.]
    Caption Kathe Burkhart and Chrysanne Stathacos: Abortion Project. Installation view, Artists Space, 1991.
    Image description Black and white image of a gallery enclave. The walls are covered with long lists of individual signatures that form several rows from floor to ceiling.
    Year 1991
    Related pages Abortion Project
  • Caption
    Image description
    Year
    Related pages DRAFT IMAGE PAGE 2_NEVER DELETE
  • A close up of a store display planter stuffed with Gap clothing store bags and crumpled documents.
    A close up of a store display planter stuffed with Gap clothing store bags and crumpled documents.
    ART CLUB2000 Plantar, 1993 Slatwall, mirror, spider plant, shopping bags Image courtesy Artists Space, New York Photo: Filip Wolak [A close up of a store display planter stuffed with Gap clothing store bags and crumpled documents.]
    Caption ART CLUB2000 Plantar, 1993 Slatwall, mirror, spider plant, shopping bags Image courtesy Artists Space, New York Photo: Filip Wolak
    Image description A close up of a store display planter stuffed with Gap clothing store bags and crumpled documents.
    Year 2021
    Related pages ART CLUB2000
  • Contact sheets made from the installation of the exhibition.
    Contact sheets made from the installation of the exhibition.
    Frames 2-9: installation views of Ken Lum’s “Untitled Sculpture”; Frames 10-23:installation views of Nic Nicosia’s “Domestic Dramas” ; Frames 27-35: installation views of Peter Waite’s “Las Meninas”. Artists Space, 1982. [Contact sheets made from the installation of the exhibition.]
    Caption Frames 2-9: installation views of Ken Lum’s “Untitled Sculpture”; Frames 10-23:installation views of Nic Nicosia’s “Domestic Dramas” ; Frames 27-35: installation views of Peter Waite’s “Las Meninas”. Artists Space, 1982.
    Image description Contact sheets made from the installation of the exhibition.
    Year 1982
    Related pages U.S. Projects: Nic Nicosia and Peter Waite
  • Image of a dimly lit basement. Along the back wall, on the right, a shadow of a figure in profile is cast onto a blue and purple projected screen.
    Image of a dimly lit basement. Along the back wall, on the right, a shadow of a figure in profile is cast onto a blue and purple projected screen.
    SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata [Image of a dimly lit basement. Along the back wall, on the right, a shadow of a figure in profile is cast onto a blue and purple projected screen.]
    Caption SCRAAATCH. Performance documentation, November 18, 2022, Artists Space. Photo: Destiny Mata
    Image description Image of a dimly lit basement. Along the back wall, on the right, a shadow of a figure in profile is cast onto a blue and purple projected screen.
    Year 2022
    Related pages SCRAAATCH 11-19
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    Year
    Related pages Michael Asher / James Coleman
  • A figure sits in front of a table with audio equipment, including a commodore computer and flute-to-haiku converter.
    A figure sits in front of a table with audio equipment, including a commodore computer and flute-to-haiku converter.
    Yasunao Tone in Concert with Barbara Held. Performance documentation, January 19, 2023, Artists Space. Photo: Destiny Mata [A figure sits in front of a table with audio equipment, including a commodore computer and flute-to-haiku converter.]
    Caption Yasunao Tone in Concert with Barbara Held. Performance documentation, January 19, 2023, Artists Space. Photo: Destiny Mata
    Image description A figure sits in front of a table with audio equipment, including a commodore computer and flute-to-haiku converter.
    Year 2023
    Related pages Yasunao Tone in Concert with Barbara Held
  • Eleven brown bags of varying sizes are displayed on a wall, pinned so that their mouths hang open slightly. Charcoal rubbings on the bags trace out corporate logos and other words and phrases.
    Eleven brown bags of varying sizes are displayed on a wall, pinned so that their mouths hang open slightly. Charcoal rubbings on the bags trace out corporate logos and other words and phrases.
    Alan Michelson. Permanent Title, 1993. Wax, muslin, charcoal. Overall: 144 x 144 x 9 in. (366 x 366 x 23 cm). Courtesy the artist. [Eleven brown bags of varying sizes are displayed on a wall, pinned so that their mouths hang open slightly. Charcoal rubbings on the bags trace out corporate logos and other words and phrases.]
    Caption Alan Michelson. Permanent Title, 1993. Wax, muslin, charcoal. Overall: 144 x 144 x 9 in. (366 x 366 x 23 cm). Courtesy the artist.
    Image description Eleven brown bags of varying sizes are displayed on a wall, pinned so that their mouths hang open slightly. Charcoal rubbings on the bags trace out corporate logos and other words and phrases.
    Year 1993
    Related pages Whitney ISP Archive
  • Magazine cut-outs and ink drawings are collaged together on a beige background, with red accents throughout. Pieces of yellow paper featuring typewritten text listing the performers and event details are cut out and scattered throughout the flier.
    Magazine cut-outs and ink drawings are collaged together on a beige background, with red accents throughout. Pieces of yellow paper featuring typewritten text listing the performers and event details are cut out and scattered throughout the flier.
    Flyer by Joe Frivaldi. [Magazine cut-outs and ink drawings are collaged together on a beige background, with red accents throughout. Pieces of yellow paper featuring typewritten text listing the performers and event details are cut out and scattered throughout the flier.]
    Caption Flyer by Joe Frivaldi.
    Image description Magazine cut-outs and ink drawings are collaged together on a beige background, with red accents throughout. Pieces of yellow paper featuring typewritten text listing the performers and event details are cut out and scattered throughout the flier.
    Year
    Related pages Abasement #68
  • A color documentation image of Shala Miller's Genesis, 2023. Three monochrome projection panels float equidistantly in a dark room, with vinyls on blacks walls.
    A color documentation image of Shala Miller's Genesis, 2023. Three monochrome projection panels float equidistantly in a dark room, with vinyls on blacks walls.
    Shala Miller, Genesis. Installation view, Artists Space, 2023. Photo: Filip Wolak. [A color documentation image of Shala Miller's Genesis, 2023. Three monochrome projection panels float equidistantly in a dark room, with vinyls on blacks walls.]
    Caption Shala Miller, Genesis. Installation view, Artists Space, 2023. Photo: Filip Wolak.
    Image description A color documentation image of Shala Miller's Genesis, 2023. Three monochrome projection panels float equidistantly in a dark room, with vinyls on blacks walls.
    Year
    Related pages Genesis: Medley
  • Black and white video still of a figure in a packed crowd, speaking into a microphone. A date and time stamp at the bottom left corner of the still read,
    Black and white video still of a figure in a packed crowd, speaking into a microphone. A date and time stamp at the bottom left corner of the still read,
    Black Cat Collective. Still from Many Faces of Paper, 1989. [Black and white video still of a figure in a packed crowd, speaking into a microphone. A date and time stamp at the bottom left corner of the still read, "PM 1:11" and "FEB. 15 1988."]
    Caption Black Cat Collective. Still from Many Faces of Paper, 1989.
    Image description Black and white video still of a figure in a packed crowd, speaking into a microphone. A date and time stamp at the bottom left corner of the still read, "PM 1:11" and "FEB. 15 1988."
    Year 1989
    Related pages Video Witnesses: Festival of New Journalism
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