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  • A photo of the bookstore at 55 Walker Street - the front half is a bookstore, while the back half is an empty exhibition/performance space. Both have white walls and a light wood floor. They are divided by a temporary wall with a large doorway, which leaves a large gap between the top of the temporary wall and the ceiling. The back half is empty, with windows letting in light on the furthest wall. The front half has bookshelves adorning the walls, with a lower shelf to keep some books on display. A red pipe runs floor-to-ceiling between two columns of shelves.
    A photo of the bookstore at 55 Walker Street - the front half is a bookstore, while the back half is an empty exhibition/performance space. Both have white walls and a light wood floor. They are divided by a temporary wall with a large doorway, which leaves a large gap between the top of the temporary wall and the ceiling. The back half is empty, with windows letting in light on the furthest wall. The front half has bookshelves adorning the walls, with a lower shelf to keep some books on display. A red pipe runs floor-to-ceiling between two columns of shelves.
    Bookstore at 55 Walker Street. [A photo of the bookstore at 55 Walker Street - the front half is a bookstore, while the back half is an empty exhibition/performance space. Both have white walls and a light wood floor. They are divided by a temporary wall with a large doorway, which leaves a large gap between the top of the temporary wall and the ceiling. The back half is empty, with windows letting in light on the furthest wall. The front half has bookshelves adorning the walls, with a lower shelf to keep some books on display. A red pipe runs floor-to-ceiling between two columns of shelves.]
    Caption Bookstore at 55 Walker Street.
    Image description A photo of the bookstore at 55 Walker Street - the front half is a bookstore, while the back half is an empty exhibition/performance space. Both have white walls and a light wood floor. They are divided by a temporary wall with a large doorway, which leaves a large gap between the top of the temporary wall and the ceiling. The back half is empty, with windows letting in light on the furthest wall. The front half has bookshelves adorning the walls, with a lower shelf to keep some books on display. A red pipe runs floor-to-ceiling between two columns of shelves.
    Year
    Related pages Bookstore
  • Three book covers, arranged in a triangle, with title text reading from top to bottom, left to right,
    Three book covers, arranged in a triangle, with title text reading from top to bottom, left to right,
    [Three book covers, arranged in a triangle, with title text reading from top to bottom, left to right, "Danger In Dusseldorf," "Die, Chastrommel," and "Berliner."]
    Caption
    Image description Three book covers, arranged in a triangle, with title text reading from top to bottom, left to right, "Danger In Dusseldorf," "Die, Chastrommel," and "Berliner."
    Year 2014
    Related pages The Library Vaccine
  • Six orange papers arranged in a rectangle are painted with the letters
    Six orange papers arranged in a rectangle are painted with the letters
    Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [Six orange papers arranged in a rectangle are painted with the letters "DMC SIT-IN" in black text.]
    Caption Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description Six orange papers arranged in a rectangle are painted with the letters "DMC SIT-IN" in black text.
    Year 2010
    Related pages Duncan Campbell: Make It New John
  • Bold, black text of varying sizes arranged in a rectangular block on a white background reads,
    Bold, black text of varying sizes arranged in a rectangular block on a white background reads,
    [Bold, black text of varying sizes arranged in a rectangular block on a white background reads, "TREAT A COMPLETE STRANGER / AS A LOVER, HUG THEM / AS GOOD FRIENDS, AS THEY ARE / OR AS 10 YEARS AGO YOU MIGHT HAVE HAD / FABULOUS SEX / WITH ABSOLUTE ABANDON / WITH THE SAME STRANGER. / NOW LIFE IS RAVAGED / AND WE OFFER LOVE FROM THE SAME ROOT OF BOUNDLESS / COMPASSION."]
    Caption
    Image description Bold, black text of varying sizes arranged in a rectangular block on a white background reads, "TREAT A COMPLETE STRANGER / AS A LOVER, HUG THEM / AS GOOD FRIENDS, AS THEY ARE / OR AS 10 YEARS AGO YOU MIGHT HAVE HAD / FABULOUS SEX / WITH ABSOLUTE ABANDON / WITH THE SAME STRANGER. / NOW LIFE IS RAVAGED / AND WE OFFER LOVE FROM THE SAME ROOT OF BOUNDLESS / COMPASSION."
    Year 1993
    Related pages AIDS FORUM: John Giorno
  • A person wearing a blue jacket and headphones sits at a table, surrounded by windows with view to a rocky, dry terrain.
    A person wearing a blue jacket and headphones sits at a table, surrounded by windows with view to a rocky, dry terrain.
    [A person wearing a blue jacket and headphones sits at a table, surrounded by windows with view to a rocky, dry terrain.]
    Caption
    Image description A person wearing a blue jacket and headphones sits at a table, surrounded by windows with view to a rocky, dry terrain.
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • Close up image of a series of black shelves mounted to a white wall. Various wooden blocks painted with scenes of crowds, witches, and other characters are placed on the shelves, alongside smaller blocks decorated with white letters that spell out words including
    Close up image of a series of black shelves mounted to a white wall. Various wooden blocks painted with scenes of crowds, witches, and other characters are placed on the shelves, alongside smaller blocks decorated with white letters that spell out words including
    [Close up image of a series of black shelves mounted to a white wall. Various wooden blocks painted with scenes of crowds, witches, and other characters are placed on the shelves, alongside smaller blocks decorated with white letters that spell out words including "stooge," "atheist," and "traitor." At the center of the shelves sits a black figurine of a goat.]
    Caption
    Image description Close up image of a series of black shelves mounted to a white wall. Various wooden blocks painted with scenes of crowds, witches, and other characters are placed on the shelves, alongside smaller blocks decorated with white letters that spell out words including "stooge," "atheist," and "traitor." At the center of the shelves sits a black figurine of a goat.
    Year 1991
    Related pages Project: Our Bodice, Our Selves
  • Two rectangular boxes lying next to each other on a white background, with a small shadow. The left box is black. The right is white paper, with a black border, and it has two columns of very small red text, offset to the bottom left of the page.
    Two rectangular boxes lying next to each other on a white background, with a small shadow. The left box is black. The right is white paper, with a black border, and it has two columns of very small red text, offset to the bottom left of the page.
    Dexter Sinister (Stuart Bailey and David Reinfurt): Cover Material, 2010 Custom archival box, 24 1/2 x 20 1/2 x 1 1/2 in / 62 x 52 x 4 cm, Wrapped in “Cialux 1580,” manufactured from direct dyes in aqueous solution by Manifattura del Seveso, Osio Sotto, Italy, Accompanied by: A List of Incorrect Things, 2010 Nick Relph Offset print 6 2/3 x 11 in / 17 x 28 cm, Signed and numbered by Stuart Bailey and David Reinfurt. [Two rectangular boxes lying next to each other on a white background, with a small shadow. The left box is black. The right is white paper, with a black border, and it has two columns of very small red text, offset to the bottom left of the page.]
    Caption Dexter Sinister (Stuart Bailey and David Reinfurt): Cover Material, 2010 Custom archival box, 24 1/2 x 20 1/2 x 1 1/2 in / 62 x 52 x 4 cm, Wrapped in “Cialux 1580,” manufactured from direct dyes in aqueous solution by Manifattura del Seveso, Osio Sotto, Italy, Accompanied by: A List of Incorrect Things, 2010 Nick Relph Offset print 6 2/3 x 11 in / 17 x 28 cm, Signed and numbered by Stuart Bailey and David Reinfurt.
    Image description Two rectangular boxes lying next to each other on a white background, with a small shadow. The left box is black. The right is white paper, with a black border, and it has two columns of very small red text, offset to the bottom left of the page.
    Year 2010
    Related pages Artists Space Annual Edition Portfolio 2011
  • A person dressed in all pink extends a heart-shaped canvas in front of her, while her eyes look away. She is surrounded by rapt audience members arranged in a semi-circle around her. There are light spots reflected at even intervals patterning the room.
    A person dressed in all pink extends a heart-shaped canvas in front of her, while her eyes look away. She is surrounded by rapt audience members arranged in a semi-circle around her. There are light spots reflected at even intervals patterning the room.
    Jutta Koether: xxapollo. Performance documentation, January 5, 2020, Artists Space. Photo © 2020 Paula Court. [A person dressed in all pink extends a heart-shaped canvas in front of her, while her eyes look away. She is surrounded by rapt audience members arranged in a semi-circle around her. There are light spots reflected at even intervals patterning the room.]
    Caption Jutta Koether: xxapollo. Performance documentation, January 5, 2020, Artists Space. Photo © 2020 Paula Court.
    Image description A person dressed in all pink extends a heart-shaped canvas in front of her, while her eyes look away. She is surrounded by rapt audience members arranged in a semi-circle around her. There are light spots reflected at even intervals patterning the room.
    Year 2020
    Related pages Jutta Koether
  • A black-and-white image depicting several translucent photos overlaid, some of natural plant life and others of industrial scenes, with power lines and bridge spokes
    A black-and-white image depicting several translucent photos overlaid, some of natural plant life and others of industrial scenes, with power lines and bridge spokes
    Sharon Halliday, Shaded Times, 2014 [A black-and-white image depicting several translucent photos overlaid, some of natural plant life and others of industrial scenes, with power lines and bridge spokes]
    Caption Sharon Halliday, Shaded Times, 2014
    Image description A black-and-white image depicting several translucent photos overlaid, some of natural plant life and others of industrial scenes, with power lines and bridge spokes
    Year 2014
    Related pages Scholastic Art and Writing Awards
  • Three planks of glass lean on a white wall. Etched displays read from left to right;
    Three planks of glass lean on a white wall. Etched displays read from left to right;
    Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [Three planks of glass lean on a white wall. Etched displays read from left to right; "The more you teach the less you learn," a smiley-face,"But I swear dis beat go."]
    Caption Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description Three planks of glass lean on a white wall. Etched displays read from left to right; "The more you teach the less you learn," a smiley-face,"But I swear dis beat go."
    Year 2018
    Related pages Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff
  • A black-and-white image of Batman fighting another man facing away from the camera overlaid with a translucent façade of walkup apartment buildings in Manhattan
    A black-and-white image of Batman fighting another man facing away from the camera overlaid with a translucent façade of walkup apartment buildings in Manhattan
    Catily Dominici, Untitled, photography, 2016 [A black-and-white image of Batman fighting another man facing away from the camera overlaid with a translucent façade of walkup apartment buildings in Manhattan]
    Caption Catily Dominici, Untitled, photography, 2016
    Image description A black-and-white image of Batman fighting another man facing away from the camera overlaid with a translucent façade of walkup apartment buildings in Manhattan
    Year 2016
    Related pages Scholastic Art and Writing Awards
  • Two men walking inside a large inflatable sphere being followed by a crowd of people, some who are filming them, outside in a grassy and paved area.
    Two men walking inside a large inflatable sphere being followed by a crowd of people, some who are filming them, outside in a grassy and paved area.
    Tilo Schulz, Remake Performance, Artists Space, 2004. [Two men walking inside a large inflatable sphere being followed by a crowd of people, some who are filming them, outside in a grassy and paved area.]
    Caption Tilo Schulz, Remake Performance, Artists Space, 2004.
    Image description Two men walking inside a large inflatable sphere being followed by a crowd of people, some who are filming them, outside in a grassy and paved area.
    Year 2004
    Related pages Repeat Performance
  • A classroom with several adults sitting around the perimeter. In the center, colorful student artworks are arranged across several desks.
    A classroom with several adults sitting around the perimeter. In the center, colorful student artworks are arranged across several desks.
    Arts and Family Engagement evening, student and parent panel on high school portfolio preparation, P.S. 140, 2019 [A classroom with several adults sitting around the perimeter. In the center, colorful student artworks are arranged across several desks.]
    Caption Arts and Family Engagement evening, student and parent panel on high school portfolio preparation, P.S. 140, 2019
    Image description A classroom with several adults sitting around the perimeter. In the center, colorful student artworks are arranged across several desks.
    Year
    Related pages Education Exhibitions and Events
  • A book shelf displays various documents and photographs behind glass. Documents with text hang directly above.
    A book shelf displays various documents and photographs behind glass. Documents with text hang directly above.
    Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A book shelf displays various documents and photographs behind glass. Documents with text hang directly above.]
    Caption Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description A book shelf displays various documents and photographs behind glass. Documents with text hang directly above.
    Year 2013
    Related pages Documenting Cadere: 1972 - 1978
  • A man with a shaved head stands in front of a crowd seated at a long table in a large gallery space. He stares in front of him with one hand resting at his hip and wears a white collared shirt and a black, knee-length skirt.
    A man with a shaved head stands in front of a crowd seated at a long table in a large gallery space. He stares in front of him with one hand resting at his hip and wears a white collared shirt and a black, knee-length skirt.
    The Friends of Artists Space Dinner, May 8, 2010. Michael Clark & Company's performance. [A man with a shaved head stands in front of a crowd seated at a long table in a large gallery space. He stares in front of him with one hand resting at his hip and wears a white collared shirt and a black, knee-length skirt.]
    Caption The Friends of Artists Space Dinner, May 8, 2010. Michael Clark & Company's performance.
    Image description A man with a shaved head stands in front of a crowd seated at a long table in a large gallery space. He stares in front of him with one hand resting at his hip and wears a white collared shirt and a black, knee-length skirt.
    Year 2010
    Related pages The Friends of Artists Space Dinner
  • A red image, portraying a window squeege at the bottom left of frame, of which the section of it's width above is a darker red.
    A red image, portraying a window squeege at the bottom left of frame, of which the section of it's width above is a darker red.
    KH Hödicke Magic Window Cleaner II , 1967 80 copies + 40 artists proofs, signed and numbered screen print on Plexiglas, 83 x 59 cm Courtesy of Edition Block, Berlin [A red image, portraying a window squeege at the bottom left of frame, of which the section of it's width above is a darker red.]
    Caption KH Hödicke Magic Window Cleaner II , 1967 80 copies + 40 artists proofs, signed and numbered screen print on Plexiglas, 83 x 59 cm Courtesy of Edition Block, Berlin
    Image description A red image, portraying a window squeege at the bottom left of frame, of which the section of it's width above is a darker red.
    Year 1967
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • Caption
    Image description
    Year
    Related pages 11 Cortlandt Alley Tote Bag
  • Two men dressed in uniform and carrying guns are looking toward the right of the image. They are within the red seats of a theatre; one is sitting and one is standing.
    Two men dressed in uniform and carrying guns are looking toward the right of the image. They are within the red seats of a theatre; one is sitting and one is standing.
    Still from The Empty Plan (2010). [Two men dressed in uniform and carrying guns are looking toward the right of the image. They are within the red seats of a theatre; one is sitting and one is standing.]
    Caption Still from The Empty Plan (2010).
    Image description Two men dressed in uniform and carrying guns are looking toward the right of the image. They are within the red seats of a theatre; one is sitting and one is standing.
    Year 2010
    Related pages The Empty Plan
  • A split screen of two people, each visible between their nose and their chest. Both are extremely excited, with their hands raised up.
    A split screen of two people, each visible between their nose and their chest. Both are extremely excited, with their hands raised up.
    Catherine Ross, still from Fingering and Footing, 2005. [A split screen of two people, each visible between their nose and their chest. Both are extremely excited, with their hands raised up.]
    Caption Catherine Ross, still from Fingering and Footing, 2005.
    Image description A split screen of two people, each visible between their nose and their chest. Both are extremely excited, with their hands raised up.
    Year 2005
    Related pages The Mind/Body Problem
  • A large gallery space full of hundreds of metal cutouts shaped like curved
    A large gallery space full of hundreds of metal cutouts shaped like curved
    H_edge. Installation view, Artists Space, 2006. Photo: Whitney Cox. [A large gallery space full of hundreds of metal cutouts shaped like curved "x"'s hanging from lengths of metal chainlinks. The cutouts are arranged in the gallery so that they form a hedge-like landscape of varying heights.]
    Caption H_edge. Installation view, Artists Space, 2006. Photo: Whitney Cox.
    Image description A large gallery space full of hundreds of metal cutouts shaped like curved "x"'s hanging from lengths of metal chainlinks. The cutouts are arranged in the gallery so that they form a hedge-like landscape of varying heights.
    Year 2006
    Related pages H_edge
  • A teenage girl holds a film camera obscuring her face, and takes a photo of her reflection in a small, round mirror. The background is blurred but suggests a retail environment.
    A teenage girl holds a film camera obscuring her face, and takes a photo of her reflection in a small, round mirror. The background is blurred but suggests a retail environment.
    Geanet Rogers, Rosy Boom, photography, 2016 [A teenage girl holds a film camera obscuring her face, and takes a photo of her reflection in a small, round mirror. The background is blurred but suggests a retail environment.]
    Caption Geanet Rogers, Rosy Boom, photography, 2016
    Image description A teenage girl holds a film camera obscuring her face, and takes a photo of her reflection in a small, round mirror. The background is blurred but suggests a retail environment.
    Year 2016
    Related pages Scholastic Art and Writing Awards
  • An inferometer in the foreground, bolted onto a black peg-board table, projects a green dot, through multiple lenses, onto a white wall.
    An inferometer in the foreground, bolted onto a black peg-board table, projects a green dot, through multiple lenses, onto a white wall.
    Amalle Dublon & Constantina Zavitsanos, Interferometer (Quantum Eraser), 2018 (detail view). Photo: Daniel Pérez. [An inferometer in the foreground, bolted onto a black peg-board table, projects a green dot, through multiple lenses, onto a white wall.]
    Caption Amalle Dublon & Constantina Zavitsanos, Interferometer (Quantum Eraser), 2018 (detail view). Photo: Daniel Pérez.
    Image description An inferometer in the foreground, bolted onto a black peg-board table, projects a green dot, through multiple lenses, onto a white wall.
    Year 2018
    Related pages Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff
  • A scan of printed text. The legible portion reads
    A scan of printed text. The legible portion reads
    Susan Howe, From DEBTHS, 2016, Silkscreen on archival box, 24 ¼ 20 ½ x 1 ½ in / 62,2 x 52 x 3,8 cm, Signed and Numbered Certificate [A scan of printed text. The legible portion reads "Upon the frontier of unimaged night"]
    Caption Susan Howe, From DEBTHS, 2016, Silkscreen on archival box, 24 ¼ 20 ½ x 1 ½ in / 62,2 x 52 x 3,8 cm, Signed and Numbered Certificate
    Image description A scan of printed text. The legible portion reads "Upon the frontier of unimaged night"
    Year
    Related pages Artists Space Annual Edition Portfolio 2017
  • A flyer depicting a stylized black body in profile. Handwritten text at the top and bottom edges of the flyer reads,
    A flyer depicting a stylized black body in profile. Handwritten text at the top and bottom edges of the flyer reads,
    [A flyer depicting a stylized black body in profile. Handwritten text at the top and bottom edges of the flyer reads, "BODIES OF LIGHT / EXIT STRATEGY / DEC 3RD / DECOLONIZE THIS PLACE / 55 WALKER ST / 6PM-11PM / NEW YORK, NEW YORK."]
    Caption
    Image description A flyer depicting a stylized black body in profile. Handwritten text at the top and bottom edges of the flyer reads, "BODIES OF LIGHT / EXIT STRATEGY / DEC 3RD / DECOLONIZE THIS PLACE / 55 WALKER ST / 6PM-11PM / NEW YORK, NEW YORK."
    Year 2016
    Related pages Bodies of Light: Exit Strategy
  • The image shows a crowd of figures drawn with black ink. Four text bubbles project from the crowd that read: [top left]
    The image shows a crowd of figures drawn with black ink. Four text bubbles project from the crowd that read: [top left]
    Amy Sillman, MoMA Opening, 2007, Archival ink jet on Somerset Paper, 14 x 16 3/4 inches (36.6 x 42.5 cm), Edition of 17, 10 AP, 1 BAT, Courtesy the artist and Sikkema Jenkins & Co., Printed by Jean-Yves Noblet Contemporary Prints. [The image shows a crowd of figures drawn with black ink. Four text bubbles project from the crowd that read: [top left] "I curated the next show! You'll love it! I just like what you do, right up your alley!" [top center] "This is my work but the wall label is really wierd..." [bottom left] "Oh! You two split up?! I had no idea! Two years ago? Goodness! I remember when you went on your first date! Your were so happy! Are you seeing someone new?" [bottom right] "I love your work." On the bottom right is written "MOMA opening 9-06."]
    Caption Amy Sillman, MoMA Opening, 2007, Archival ink jet on Somerset Paper, 14 x 16 3/4 inches (36.6 x 42.5 cm), Edition of 17, 10 AP, 1 BAT, Courtesy the artist and Sikkema Jenkins & Co., Printed by Jean-Yves Noblet Contemporary Prints.
    Image description The image shows a crowd of figures drawn with black ink. Four text bubbles project from the crowd that read: [top left] "I curated the next show! You'll love it! I just like what you do, right up your alley!" [top center] "This is my work but the wall label is really wierd..." [bottom left] "Oh! You two split up?! I had no idea! Two years ago? Goodness! I remember when you went on your first date! Your were so happy! Are you seeing someone new?" [bottom right] "I love your work." On the bottom right is written "MOMA opening 9-06."
    Year 2007
    Related pages Editions
  • A book cover design. The title
    A book cover design. The title
    Der symbolische Auftraggeber/The Symbolic Commissioner, edited Søren Grammel, published by Sternberg Press, 2011. [A book cover design. The title "Der symbolische Auftraggeber/The Symbolic Commissioner" is situated at the top of the cover. Below it is an image of two sculptures made of large rectangular panels affixed in midair by metal poles that reach floor to ceiling. To the right of the sculptures is a white plinth, and in front of that, a television on the ground.]
    Caption Der symbolische Auftraggeber/The Symbolic Commissioner, edited Søren Grammel, published by Sternberg Press, 2011.
    Image description A book cover design. The title "Der symbolische Auftraggeber/The Symbolic Commissioner" is situated at the top of the cover. Below it is an image of two sculptures made of large rectangular panels affixed in midair by metal poles that reach floor to ceiling. To the right of the sculptures is a white plinth, and in front of that, a television on the ground.
    Year 2011
    Related pages The Symbolic Commissioner
  • A person in a white button-down shirt with an outline of a black tie drawn on the front of the shirt. Their hands are adjusting the collar of the shirt.
    A person in a white button-down shirt with an outline of a black tie drawn on the front of the shirt. Their hands are adjusting the collar of the shirt.
    [A person in a white button-down shirt with an outline of a black tie drawn on the front of the shirt. Their hands are adjusting the collar of the shirt.]
    Caption
    Image description A person in a white button-down shirt with an outline of a black tie drawn on the front of the shirt. Their hands are adjusting the collar of the shirt.
    Year 2004
    Related pages The Score
  • Video still of a figure in glasses wearing a pink dress with black tulle fabric on a small stage. An overturned, white table is siutated to their right, and papers are strewn across the ground. The figure hunches over, looking out towards the audience. Their left hand is bent at their chest and points upwards, while their right hand touches the back of their head.
    Video still of a figure in glasses wearing a pink dress with black tulle fabric on a small stage. An overturned, white table is siutated to their right, and papers are strewn across the ground. The figure hunches over, looking out towards the audience. Their left hand is bent at their chest and points upwards, while their right hand touches the back of their head.
    [Video still of a figure in glasses wearing a pink dress with black tulle fabric on a small stage. An overturned, white table is siutated to their right, and papers are strewn across the ground. The figure hunches over, looking out towards the audience. Their left hand is bent at their chest and points upwards, while their right hand touches the back of their head.]
    Caption
    Image description Video still of a figure in glasses wearing a pink dress with black tulle fabric on a small stage. An overturned, white table is siutated to their right, and papers are strewn across the ground. The figure hunches over, looking out towards the audience. Their left hand is bent at their chest and points upwards, while their right hand touches the back of their head.
    Year 2004
    Related pages eRacism
  • A black and white image of a shirtless woman holding a baby, while another woman looks on from a doorway to the right.
    A black and white image of a shirtless woman holding a baby, while another woman looks on from a doorway to the right.
    Azian Nurudin. Still from The Headhunters of Borneo, 1989. 10 min. Photo: Micki McGee. [A black and white image of a shirtless woman holding a baby, while another woman looks on from a doorway to the right.]
    Caption Azian Nurudin. Still from The Headhunters of Borneo, 1989. 10 min. Photo: Micki McGee.
    Image description A black and white image of a shirtless woman holding a baby, while another woman looks on from a doorway to the right.
    Year 1989
    Related pages Body Language: Studies in Female Expression
  • A white image with a faint grey line that bisects the page lengthwise. In small text, the word
    A white image with a faint grey line that bisects the page lengthwise. In small text, the word
    Jim Hodges, Untitled, 1999, Etching and aquatint with chine-collé, 22 x 30 inches (55.9 x 76.2 cm), Edition of 30, Signed & numbered. [A white image with a faint grey line that bisects the page lengthwise. In small text, the word "with" Iies at the center of the image.]
    Caption Jim Hodges, Untitled, 1999, Etching and aquatint with chine-collé, 22 x 30 inches (55.9 x 76.2 cm), Edition of 30, Signed & numbered.
    Image description A white image with a faint grey line that bisects the page lengthwise. In small text, the word "with" Iies at the center of the image.
    Year 1999
    Related pages Editions
  • Photo of a woman partially obscured by a white umbrella. A light shining on the umbrella casts a large shadow of the woman's hand on its curved surface.
    Photo of a woman partially obscured by a white umbrella. A light shining on the umbrella casts a large shadow of the woman's hand on its curved surface.
    Image courtesy Anne Gillis and Blank Forms. [Photo of a woman partially obscured by a white umbrella. A light shining on the umbrella casts a large shadow of the woman's hand on its curved surface.]
    Caption Image courtesy Anne Gillis and Blank Forms.
    Image description Photo of a woman partially obscured by a white umbrella. A light shining on the umbrella casts a large shadow of the woman's hand on its curved surface.
    Year 2016
    Related pages Blank Forms presents Anne Gillis
  • Two figures in dark clothing stand before two music stands in front of a seated audience. The figure on the right is speaking, her hand pinched in a small gesture at her torso.
    Two figures in dark clothing stand before two music stands in front of a seated audience. The figure on the right is speaking, her hand pinched in a small gesture at her torso.
    Passages from People Who Led to My Plays. Performance documentation, March 1, 2020, Artists Space. Photo ©️ 2020 Paula Court. [Two figures in dark clothing stand before two music stands in front of a seated audience. The figure on the right is speaking, her hand pinched in a small gesture at her torso.]
    Caption Passages from People Who Led to My Plays. Performance documentation, March 1, 2020, Artists Space. Photo ©️ 2020 Paula Court.
    Image description Two figures in dark clothing stand before two music stands in front of a seated audience. The figure on the right is speaking, her hand pinched in a small gesture at her torso.
    Year 2020
    Related pages Passages from People Who Led to My Plays
  • A still from Totloop, set during the twilight, featuring an empty model house being lit on fire, with a small tree visible to its left.
    A still from Totloop, set during the twilight, featuring an empty model house being lit on fire, with a small tree visible to its left.
    Union Gaucha Productions in collaboration with Fabio Kacero. Still from Totloop, 2003. 16mm film (silent, color), 4 min 49 sec. Courtesy of Union Gaucha Productions. [A still from Totloop, set during the twilight, featuring an empty model house being lit on fire, with a small tree visible to its left.]
    Caption Union Gaucha Productions in collaboration with Fabio Kacero. Still from Totloop, 2003. 16mm film (silent, color), 4 min 49 sec. Courtesy of Union Gaucha Productions.
    Image description A still from Totloop, set during the twilight, featuring an empty model house being lit on fire, with a small tree visible to its left.
    Year 2003
    Related pages Union Gaucha Productions
  • A black and white image of a man in sunglasses holding a large cluster of balloons tied to strings above his head with his left hand.
    A black and white image of a man in sunglasses holding a large cluster of balloons tied to strings above his head with his left hand.
    Konrad Lueg with Balloons July 1962 Zero Festival, Rhine Meadows, Düsseldorf-Over-Kassel Courtesy Archiv Reiner Ruthenbeck, Ratingen © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Photo: Reiner Ruthenbeck [A black and white image of a man in sunglasses holding a large cluster of balloons tied to strings above his head with his left hand.]
    Caption Konrad Lueg with Balloons July 1962 Zero Festival, Rhine Meadows, Düsseldorf-Over-Kassel Courtesy Archiv Reiner Ruthenbeck, Ratingen © 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Photo: Reiner Ruthenbeck
    Image description A black and white image of a man in sunglasses holding a large cluster of balloons tied to strings above his head with his left hand.
    Year 1962
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • A large red carpet extends across the length of an exhibition space next to a windowed wall. A long line of framed photographs lean against the windowed wall. Two figures examine the photographs and additional artworks displayed in the space's background.
    A large red carpet extends across the length of an exhibition space next to a windowed wall. A long line of framed photographs lean against the windowed wall. Two figures examine the photographs and additional artworks displayed in the space's background.
    Frozen Lakes. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A large red carpet extends across the length of an exhibition space next to a windowed wall. A long line of framed photographs lean against the windowed wall. Two figures examine the photographs and additional artworks displayed in the space's background.]
    Caption Frozen Lakes. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description A large red carpet extends across the length of an exhibition space next to a windowed wall. A long line of framed photographs lean against the windowed wall. Two figures examine the photographs and additional artworks displayed in the space's background.
    Year 2013
    Related pages Frozen Lakes
  • A drawing of several glasses of varying shapes holding colorful liquids suspended on a flat background
    A drawing of several glasses of varying shapes holding colorful liquids suspended on a flat background
    Tracy Benissan, Untitled, 2014 [A drawing of several glasses of varying shapes holding colorful liquids suspended on a flat background]
    Caption Tracy Benissan, Untitled, 2014
    Image description A drawing of several glasses of varying shapes holding colorful liquids suspended on a flat background
    Year 2014
    Related pages Scholastic Art and Writing Awards
  • A large room with a wooden table in the foreground. A standing screen is centered between two white poles, showing a projected image of a white sign with handwritten text reading
    A large room with a wooden table in the foreground. A standing screen is centered between two white poles, showing a projected image of a white sign with handwritten text reading
    Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [A large room with a wooden table in the foreground. A standing screen is centered between two white poles, showing a projected image of a white sign with handwritten text reading "DELOREAN DREAM WORKERS NIGHTMARE."]
    Caption Duncan Campbell: Make it new John. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description A large room with a wooden table in the foreground. A standing screen is centered between two white poles, showing a projected image of a white sign with handwritten text reading "DELOREAN DREAM WORKERS NIGHTMARE."
    Year 2010
    Related pages Duncan Campbell: Make It New John
  • Two children holding up black signs with white text in front of a building covered by an opaque plastic material, one sign reads
    Two children holding up black signs with white text in front of a building covered by an opaque plastic material, one sign reads
    “Decolonize This Museum” protest outside the American Museum of Natural History, October 10, 2016. Photo: Andrés Rodriguez [Two children holding up black signs with white text in front of a building covered by an opaque plastic material, one sign reads "WAKE" and the other reads "Remember."]
    Caption “Decolonize This Museum” protest outside the American Museum of Natural History, October 10, 2016. Photo: Andrés Rodriguez
    Image description Two children holding up black signs with white text in front of a building covered by an opaque plastic material, one sign reads "WAKE" and the other reads "Remember."
    Year 2016
    Related pages Decolonize This Place
  • Objects are cluttered on the floor of a room lit with a warm, yellow hue. There is a low-hanging disco ball, two standing lights, and a small television showing white static mounted on a stand. There are two vases with plants and a string of white lights.
    Objects are cluttered on the floor of a room lit with a warm, yellow hue. There is a low-hanging disco ball, two standing lights, and a small television showing white static mounted on a stand. There are two vases with plants and a string of white lights.
    Enough Tiranny Recalled, 1972–2009. Installation view, Artists Space, 2009. Photo: Daniel Pérez. [Objects are cluttered on the floor of a room lit with a warm, yellow hue. There is a low-hanging disco ball, two standing lights, and a small television showing white static mounted on a stand. There are two vases with plants and a string of white lights.]
    Caption Enough Tiranny Recalled, 1972–2009. Installation view, Artists Space, 2009. Photo: Daniel Pérez.
    Image description Objects are cluttered on the floor of a room lit with a warm, yellow hue. There is a low-hanging disco ball, two standing lights, and a small television showing white static mounted on a stand. There are two vases with plants and a string of white lights.
    Year 2009
    Related pages Marc Camille Chaimowicz: Enough Tiranny Recalled, 1972 – 2009
  • A colorful drawing of a Goya can behind a package of canilla enriched rice, and an empty cap. Each object is lying on an orange surface, with a green background
    A colorful drawing of a Goya can behind a package of canilla enriched rice, and an empty cap. Each object is lying on an orange surface, with a green background
    Nelissa Rodriguez, 2014 [A colorful drawing of a Goya can behind a package of canilla enriched rice, and an empty cap. Each object is lying on an orange surface, with a green background]
    Caption Nelissa Rodriguez, 2014
    Image description A colorful drawing of a Goya can behind a package of canilla enriched rice, and an empty cap. Each object is lying on an orange surface, with a green background
    Year
    Related pages Scholastic Art and Writing Awards
  • An abstract image featuring monotone areas of green, red, orange, and blue color. A large green rectangle stretches across the image's center. Three red shapes resembling falling figures are arranged within the green shape. To the left of the green shape, the composition is covered with a blue checkerboard pattern. Across the top portion of the image, amorphous, pipe-like red and orange forms twist and connect on a pale green backdrop.
    An abstract image featuring monotone areas of green, red, orange, and blue color. A large green rectangle stretches across the image's center. Three red shapes resembling falling figures are arranged within the green shape. To the left of the green shape, the composition is covered with a blue checkerboard pattern. Across the top portion of the image, amorphous, pipe-like red and orange forms twist and connect on a pale green backdrop.
    [An abstract image featuring monotone areas of green, red, orange, and blue color. A large green rectangle stretches across the image's center. Three red shapes resembling falling figures are arranged within the green shape. To the left of the green shape, the composition is covered with a blue checkerboard pattern. Across the top portion of the image, amorphous, pipe-like red and orange forms twist and connect on a pale green backdrop.]
    Caption
    Image description An abstract image featuring monotone areas of green, red, orange, and blue color. A large green rectangle stretches across the image's center. Three red shapes resembling falling figures are arranged within the green shape. To the left of the green shape, the composition is covered with a blue checkerboard pattern. Across the top portion of the image, amorphous, pipe-like red and orange forms twist and connect on a pale green backdrop.
    Year 2003
    Related pages Abstruction
  • An abstract sculpture with a chrome finish is displayed on a white pedestal. The sculpture's form includes amorphous voids alongside somewhat rectangular structures.
    An abstract sculpture with a chrome finish is displayed on a white pedestal. The sculpture's form includes amorphous voids alongside somewhat rectangular structures.
    UniBodies. Installation view, Artists Space, 2006. Photo: Bill Ocrutt. [An abstract sculpture with a chrome finish is displayed on a white pedestal. The sculpture's form includes amorphous voids alongside somewhat rectangular structures.]
    Caption UniBodies. Installation view, Artists Space, 2006. Photo: Bill Ocrutt.
    Image description An abstract sculpture with a chrome finish is displayed on a white pedestal. The sculpture's form includes amorphous voids alongside somewhat rectangular structures.
    Year 2006
    Related pages UniBodies
  • A large gallery space with a wooden floor and white walls. On one wall that forms an L shape into the space, slightly distorted color portraits are arranged floor to ceiling in a tight grid. On the other white wall is a large black and white photograph, with several other small photographs with accompanying text.
    A large gallery space with a wooden floor and white walls. On one wall that forms an L shape into the space, slightly distorted color portraits are arranged floor to ceiling in a tight grid. On the other white wall is a large black and white photograph, with several other small photographs with accompanying text.
    Establishing Shot. Installation view, Artists Space, 2004. [A large gallery space with a wooden floor and white walls. On one wall that forms an L shape into the space, slightly distorted color portraits are arranged floor to ceiling in a tight grid. On the other white wall is a large black and white photograph, with several other small photographs with accompanying text.]
    Caption Establishing Shot. Installation view, Artists Space, 2004.
    Image description A large gallery space with a wooden floor and white walls. On one wall that forms an L shape into the space, slightly distorted color portraits are arranged floor to ceiling in a tight grid. On the other white wall is a large black and white photograph, with several other small photographs with accompanying text.
    Year 2004
    Related pages Establishing Shot
  • Assorted animals, including tropical fish, birds, reptiles, a cat, dog, and rabbit are drawn in black marker on yellow paper.
    Assorted animals, including tropical fish, birds, reptiles, a cat, dog, and rabbit are drawn in black marker on yellow paper.
    Gedi Sibony Animal Scramble, 2013, Archival inkjet print, 14 1/4 x 13 1/2 in / 36,2 x 34,3 cm (image size), 24 x 20 in / 61 x 51 cm (paper size), Signed and Numbered [Assorted animals, including tropical fish, birds, reptiles, a cat, dog, and rabbit are drawn in black marker on yellow paper.]
    Caption Gedi Sibony Animal Scramble, 2013, Archival inkjet print, 14 1/4 x 13 1/2 in / 36,2 x 34,3 cm (image size), 24 x 20 in / 61 x 51 cm (paper size), Signed and Numbered
    Image description Assorted animals, including tropical fish, birds, reptiles, a cat, dog, and rabbit are drawn in black marker on yellow paper.
    Year 2014
    Related pages Artists Space Annual Edition Portfolio 2014
  • Several photographs and sculptures in a large gallery space with wooden floors and white columns. To the left of the space is a white sculpture forming a rig-like structure, with two wing-like appendages at its top. A large animal skull rests on a triangular support mounted to the gallery wall on the left. Glass panes with red liquid spread across them rest on the gallery floor in the image's center.
    Several photographs and sculptures in a large gallery space with wooden floors and white columns. To the left of the space is a white sculpture forming a rig-like structure, with two wing-like appendages at its top. A large animal skull rests on a triangular support mounted to the gallery wall on the left. Glass panes with red liquid spread across them rest on the gallery floor in the image's center.
    Nina in Position. Installation view, Artists Space, 2008. Photo: Bill Orcutt. [Several photographs and sculptures in a large gallery space with wooden floors and white columns. To the left of the space is a white sculpture forming a rig-like structure, with two wing-like appendages at its top. A large animal skull rests on a triangular support mounted to the gallery wall on the left. Glass panes with red liquid spread across them rest on the gallery floor in the image's center.]
    Caption Nina in Position. Installation view, Artists Space, 2008. Photo: Bill Orcutt.
    Image description Several photographs and sculptures in a large gallery space with wooden floors and white columns. To the left of the space is a white sculpture forming a rig-like structure, with two wing-like appendages at its top. A large animal skull rests on a triangular support mounted to the gallery wall on the left. Glass panes with red liquid spread across them rest on the gallery floor in the image's center.
    Year 2008
    Related pages Nina in Position
  • A crowd of people sitting in a dimly lit room. Most have their eyes obscured by black blindfolds. In the background, a white projection with black text just visible reads,
    A crowd of people sitting in a dimly lit room. Most have their eyes obscured by black blindfolds. In the background, a white projection with black text just visible reads,
    New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court. [A crowd of people sitting in a dimly lit room. Most have their eyes obscured by black blindfolds. In the background, a white projection with black text just visible reads, "No-peep show."]
    Caption New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court.
    Image description A crowd of people sitting in a dimly lit room. Most have their eyes obscured by black blindfolds. In the background, a white projection with black text just visible reads, "No-peep show."
    Year 2020
    Related pages New Red Order: Informants Get Paid!
  • An exhibition view of various artworks. Several stylized portraits hang on the right; in the middle, a large didactic titled
    An exhibition view of various artworks. Several stylized portraits hang on the right; in the middle, a large didactic titled
    Reinventado, exhibition at Word Up Community Bookshop, 2018 [An exhibition view of various artworks. Several stylized portraits hang on the right; in the middle, a large didactic titled "REINVENTADO." On the left, several small photos of students in a classroom hang underneath a red-white-and blue airplane suspended from the ceiling]
    Caption Reinventado, exhibition at Word Up Community Bookshop, 2018
    Image description An exhibition view of various artworks. Several stylized portraits hang on the right; in the middle, a large didactic titled "REINVENTADO." On the left, several small photos of students in a classroom hang underneath a red-white-and blue airplane suspended from the ceiling
    Year 2018
    Related pages Threads of History
  • A miniature clay sculpture sitting on a gray table. The sculpture depicts a woman folding over, cross-legged, on carpet. Miscelaneous items are dispersed across the carpets.
    A miniature clay sculpture sitting on a gray table. The sculpture depicts a woman folding over, cross-legged, on carpet. Miscelaneous items are dispersed across the carpets.
    The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich. [A miniature clay sculpture sitting on a gray table. The sculpture depicts a woman folding over, cross-legged, on carpet. Miscelaneous items are dispersed across the carpets.]
    Caption The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich.
    Image description A miniature clay sculpture sitting on a gray table. The sculpture depicts a woman folding over, cross-legged, on carpet. Miscelaneous items are dispersed across the carpets.
    Year 2014
    Related pages The Issues of Our Time
  • Two panels of square images, of which are surrounded by text within sections.
    Two panels of square images, of which are surrounded by text within sections.
    Invitation for the exhibition at Kaiserstraße 31A (two copies) Düsseldorf, May 11, 1963 Collection Tobias Kuttner, Berlin [Two panels of square images, of which are surrounded by text within sections.]
    Caption Invitation for the exhibition at Kaiserstraße 31A (two copies) Düsseldorf, May 11, 1963 Collection Tobias Kuttner, Berlin
    Image description Two panels of square images, of which are surrounded by text within sections.
    Year 1963
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • Close up detail of a sculpture composed of a large glass pane with a painted canvas installed in the pane's center. The back of the canvas faces the viewer, and faint words are penciled onto its surface. A golden tassle and necklce cluster and hang around the canvas' edge.
    Close up detail of a sculpture composed of a large glass pane with a painted canvas installed in the pane's center. The back of the canvas faces the viewer, and faint words are penciled onto its surface. A golden tassle and necklce cluster and hang around the canvas' edge.
    Fifth Season Act, Apotheosically. Performance documentation, May 31, 2012, Artists Space. [Close up detail of a sculpture composed of a large glass pane with a painted canvas installed in the pane's center. The back of the canvas faces the viewer, and faint words are penciled onto its surface. A golden tassle and necklce cluster and hang around the canvas' edge.]
    Caption Fifth Season Act, Apotheosically. Performance documentation, May 31, 2012, Artists Space.
    Image description Close up detail of a sculpture composed of a large glass pane with a painted canvas installed in the pane's center. The back of the canvas faces the viewer, and faint words are penciled onto its surface. A golden tassle and necklce cluster and hang around the canvas' edge.
    Year 2012
    Related pages Fifth Season Act, Apotheosically
  • A person holds a sign that reads
    A person holds a sign that reads
    Demonstrations outside Artists Space during the opening of Witnesses: Against Our Vanishing, November 16, 1989. [A person holds a sign that reads "KEEP ART FREE!" in handpainted text.]
    Caption Demonstrations outside Artists Space during the opening of Witnesses: Against Our Vanishing, November 16, 1989.
    Image description A person holds a sign that reads "KEEP ART FREE!" in handpainted text.
    Year 1989
    Related pages Witnesses: Against Our Vanishing
  • A wide view of an installation in a large exhibition space. Four images of figures posing in various outfits hang from the ceiling in diagonally decreasing proximity. To the right of the space, an abstract sculptural piece is displayed. To the left are several orange tables and two orange, transparent rectangles supported by metal frames.
    A wide view of an installation in a large exhibition space. Four images of figures posing in various outfits hang from the ceiling in diagonally decreasing proximity. To the right of the space, an abstract sculptural piece is displayed. To the left are several orange tables and two orange, transparent rectangles supported by metal frames.
    DUOX: DUOX4Larkin. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [A wide view of an installation in a large exhibition space. Four images of figures posing in various outfits hang from the ceiling in diagonally decreasing proximity. To the right of the space, an abstract sculptural piece is displayed. To the left are several orange tables and two orange, transparent rectangles supported by metal frames.]
    Caption DUOX: DUOX4Larkin. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description A wide view of an installation in a large exhibition space. Four images of figures posing in various outfits hang from the ceiling in diagonally decreasing proximity. To the right of the space, an abstract sculptural piece is displayed. To the left are several orange tables and two orange, transparent rectangles supported by metal frames.
    Year 2012
    Related pages DUOX: DUOX4Larkin
  • A brown paper bag, placed on a shelf at an angle, an illustration, in colored pencil, of a man wearing a ten-gallon hat, in which his strands of black hair stick out from the bottom. A graphic that reads,
    A brown paper bag, placed on a shelf at an angle, an illustration, in colored pencil, of a man wearing a ten-gallon hat, in which his strands of black hair stick out from the bottom. A graphic that reads,
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A brown paper bag, placed on a shelf at an angle, an illustration, in colored pencil, of a man wearing a ten-gallon hat, in which his strands of black hair stick out from the bottom. A graphic that reads, "Pioneer," across his hat. In the background and the side of the bag are small detailed multicolored line patterns. A single cannabis leaf, facing sideways amongst the line pattern.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description A brown paper bag, placed on a shelf at an angle, an illustration, in colored pencil, of a man wearing a ten-gallon hat, in which his strands of black hair stick out from the bottom. A graphic that reads, "Pioneer," across his hat. In the background and the side of the bag are small detailed multicolored line patterns. A single cannabis leaf, facing sideways amongst the line pattern.
    Year 2017
    Related pages Unholding
  • Several sculptures, paintings, video works, and photographs installed in a gallery space with wooden flooring. A sculpture consisting of a white panel affixed to a wooden board upon which two striped rocks rest is installed on the ground. A TV monitor is installed in the room's corner directly behind the sculpture. The portion of the wall directly behind the TV monitor has been covered with a grid of poster-like images. Three color photographs and two paintings with muted purple and gray tones frame the monitor on its left and right sides.
    Several sculptures, paintings, video works, and photographs installed in a gallery space with wooden flooring. A sculpture consisting of a white panel affixed to a wooden board upon which two striped rocks rest is installed on the ground. A TV monitor is installed in the room's corner directly behind the sculpture. The portion of the wall directly behind the TV monitor has been covered with a grid of poster-like images. Three color photographs and two paintings with muted purple and gray tones frame the monitor on its left and right sides.
    Log Cabin. Installation view, Artists Space, 2005. [Several sculptures, paintings, video works, and photographs installed in a gallery space with wooden flooring. A sculpture consisting of a white panel affixed to a wooden board upon which two striped rocks rest is installed on the ground. A TV monitor is installed in the room's corner directly behind the sculpture. The portion of the wall directly behind the TV monitor has been covered with a grid of poster-like images. Three color photographs and two paintings with muted purple and gray tones frame the monitor on its left and right sides.]
    Caption Log Cabin. Installation view, Artists Space, 2005.
    Image description Several sculptures, paintings, video works, and photographs installed in a gallery space with wooden flooring. A sculpture consisting of a white panel affixed to a wooden board upon which two striped rocks rest is installed on the ground. A TV monitor is installed in the room's corner directly behind the sculpture. The portion of the wall directly behind the TV monitor has been covered with a grid of poster-like images. Three color photographs and two paintings with muted purple and gray tones frame the monitor on its left and right sides.
    Year 2005
    Related pages Log Cabin
  • Andres Serrano wearing a dark blue shirt and looking at an off-camera interviewer mid-speech.
    Andres Serrano wearing a dark blue shirt and looking at an off-camera interviewer mid-speech.
    University of Colorado, still from On Art and Artists Series. Andres Serrano: What Follows…, 1991. 31 min. [Andres Serrano wearing a dark blue shirt and looking at an off-camera interviewer mid-speech.]
    Caption University of Colorado, still from On Art and Artists Series. Andres Serrano: What Follows…, 1991. 31 min.
    Image description Andres Serrano wearing a dark blue shirt and looking at an off-camera interviewer mid-speech.
    Year 1991
    Related pages Film and Video Program | Macho Man, Tell It To My Heart: Collected by Julie Ault | December 12
  • An older man in a white collared shirt, pink tie, and black vest leans against a shining countertop—perhaps a bar—with both hands. A restaurant interior and fishtank gleam behind him.
    An older man in a white collared shirt, pink tie, and black vest leans against a shining countertop—perhaps a bar—with both hands. A restaurant interior and fishtank gleam behind him.
    [An older man in a white collared shirt, pink tie, and black vest leans against a shining countertop—perhaps a bar—with both hands. A restaurant interior and fishtank gleam behind him.]
    Caption
    Image description An older man in a white collared shirt, pink tie, and black vest leans against a shining countertop—perhaps a bar—with both hands. A restaurant interior and fishtank gleam behind him.
    Year 2005
    Related pages La Villa Basque, Vernon, CA
  • A close up view of two abstract, earth-toned paintings hanging on a wall. Beyond them a doorway and another room with more painting is visible.
    A close up view of two abstract, earth-toned paintings hanging on a wall. Beyond them a doorway and another room with more painting is visible.
    Witnesses: Against Our Vanishing. Installation View, Artists Space, 1989. Photo: Frances Miller Smith. [A close up view of two abstract, earth-toned paintings hanging on a wall. Beyond them a doorway and another room with more painting is visible.]
    Caption Witnesses: Against Our Vanishing. Installation View, Artists Space, 1989. Photo: Frances Miller Smith.
    Image description A close up view of two abstract, earth-toned paintings hanging on a wall. Beyond them a doorway and another room with more painting is visible.
    Year 1989
    Related pages Witnesses: Against Our Vanishing
  • Black and green sans-serif text decorating a white gallery wall. Large, green text stacked vertically reads,
    Black and green sans-serif text decorating a white gallery wall. Large, green text stacked vertically reads,
    Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt. [Black and green sans-serif text decorating a white gallery wall. Large, green text stacked vertically reads, "lines of loss." Smaller, black text superimposed over each of the green lettered words reads, "gabriel kuri damian ortega manuel rocha mauricio rocha guillermo santamarina." A small wall label below the text notes the exhibition's sponsors.]
    Caption Lines of Loss. Installation view, Artists Space, 1997. Photo: Bill Orcutt.
    Image description Black and green sans-serif text decorating a white gallery wall. Large, green text stacked vertically reads, "lines of loss." Smaller, black text superimposed over each of the green lettered words reads, "gabriel kuri damian ortega manuel rocha mauricio rocha guillermo santamarina." A small wall label below the text notes the exhibition's sponsors.
    Year 1997
    Related pages Lines of Loss
  • A man looking at a laptop, with a modular synth and mixer next to the laptop.
    A man looking at a laptop, with a modular synth and mixer next to the laptop.
    Kevin Drumm. [A man looking at a laptop, with a modular synth and mixer next to the laptop.]
    Caption Kevin Drumm.
    Image description A man looking at a laptop, with a modular synth and mixer next to the laptop.
    Year 2013
    Related pages Kevin Drumm
  • A grid of pink hearts on a blue background.
    A grid of pink hearts on a blue background.
    [A grid of pink hearts on a blue background.]
    Caption
    Image description A grid of pink hearts on a blue background.
    Year 2017
    Related pages Bowery Poetry ❤ John Giorno
  • A dim room with four benches in front of a large video screen. A black and white image of a woman in front of a red star and a wreath is projected.
    A dim room with four benches in front of a large video screen. A black and white image of a woman in front of a red star and a wreath is projected.
    Hito Steyerl, November, 2004. Digital video with sound, 25 mins. Courtesy of the artist and Andrew Kreps, New York. [A dim room with four benches in front of a large video screen. A black and white image of a woman in front of a red star and a wreath is projected.]
    Caption Hito Steyerl, November, 2004. Digital video with sound, 25 mins. Courtesy of the artist and Andrew Kreps, New York.
    Image description A dim room with four benches in front of a large video screen. A black and white image of a woman in front of a red star and a wreath is projected.
    Year 2015
    Related pages Hito Steyerl
  • A collage of four half-naked men dressed in a pilots hat arranged on paper.
    A collage of four half-naked men dressed in a pilots hat arranged on paper.
    Tom of Finland, Untitled, ca. 1966, collage on paper. Courtesy Tom of Finland Foundation, Permanent Collection. [A collage of four half-naked men dressed in a pilots hat arranged on paper.]
    Caption Tom of Finland, Untitled, ca. 1966, collage on paper. Courtesy Tom of Finland Foundation, Permanent Collection.
    Image description A collage of four half-naked men dressed in a pilots hat arranged on paper.
    Year 1966
    Related pages Tom of Finland: The Pleasure of Play
  • Book cover design featuring a white mask in the shape of a human face installed on a white backdrop. Ribbons of white material extend from the mask's lower right side, curling on the backdrop. Black text reading
    Book cover design featuring a white mask in the shape of a human face installed on a white backdrop. Ribbons of white material extend from the mask's lower right side, curling on the backdrop. Black text reading
    Price, Seth by Seth Price, edited by Beatrix Ruf, text by Michael Newman, published by JRP Ringier, 2010. [Book cover design featuring a white mask in the shape of a human face installed on a white backdrop. Ribbons of white material extend from the mask's lower right side, curling on the backdrop. Black text reading "PRICE, SETH" is superimposed on the image's upper left corner.]
    Caption Price, Seth by Seth Price, edited by Beatrix Ruf, text by Michael Newman, published by JRP Ringier, 2010.
    Image description Book cover design featuring a white mask in the shape of a human face installed on a white backdrop. Ribbons of white material extend from the mask's lower right side, curling on the backdrop. Black text reading "PRICE, SETH" is superimposed on the image's upper left corner.
    Year 2010
    Related pages Seth Price Book Launch
  • An image of a factory with smokestacks on concrete, just behind a body of water surrounded by long grasses.
    An image of a factory with smokestacks on concrete, just behind a body of water surrounded by long grasses.
    Lisi Raskin, still from = (equals), 2004. [An image of a factory with smokestacks on concrete, just behind a body of water surrounded by long grasses.]
    Caption Lisi Raskin, still from = (equals), 2004.
    Image description An image of a factory with smokestacks on concrete, just behind a body of water surrounded by long grasses.
    Year 2004
    Related pages Salad Days
  • A gray television sits on a rectangular wooden board. There is a mass of wires next to it that snakes towards a pile of nearby photographs.
    A gray television sits on a rectangular wooden board. There is a mass of wires next to it that snakes towards a pile of nearby photographs.
    Replica of a Lost Original. Installation view, Artists Space, 2007. Photo: Bill Orcutt. [A gray television sits on a rectangular wooden board. There is a mass of wires next to it that snakes towards a pile of nearby photographs.]
    Caption Replica of a Lost Original. Installation view, Artists Space, 2007. Photo: Bill Orcutt.
    Image description A gray television sits on a rectangular wooden board. There is a mass of wires next to it that snakes towards a pile of nearby photographs.
    Year 2007
    Related pages Replica of a Lost Original
  • Three floor-standing, backlit images of a woman wearing a white Adidas soccer jersey decorated with a
    Three floor-standing, backlit images of a woman wearing a white Adidas soccer jersey decorated with a
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [Three floor-standing, backlit images of a woman wearing a white Adidas soccer jersey decorated with a "bc" logo. The images are identical and are arranged one behind the other. Paragraphs of text are superimposed across two of the photos.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description Three floor-standing, backlit images of a woman wearing a white Adidas soccer jersey decorated with a "bc" logo. The images are identical and are arranged one behind the other. Paragraphs of text are superimposed across two of the photos.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • A disco ball reflects multicolored light spots across a room lit by pink and yellow hues. On the floor sit a second disco ball, a silver glittery hat, a silver chain, and a white convertable toy car.
    A disco ball reflects multicolored light spots across a room lit by pink and yellow hues. On the floor sit a second disco ball, a silver glittery hat, a silver chain, and a white convertable toy car.
    Enough Tiranny Recalled, 1972–2009. Installation view, Artists Space, 2009. Photo: Daniel Pérez. [A disco ball reflects multicolored light spots across a room lit by pink and yellow hues. On the floor sit a second disco ball, a silver glittery hat, a silver chain, and a white convertable toy car.]
    Caption Enough Tiranny Recalled, 1972–2009. Installation view, Artists Space, 2009. Photo: Daniel Pérez.
    Image description A disco ball reflects multicolored light spots across a room lit by pink and yellow hues. On the floor sit a second disco ball, a silver glittery hat, a silver chain, and a white convertable toy car.
    Year 2009
    Related pages Marc Camille Chaimowicz: Enough Tiranny Recalled, 1972 – 2009
  • A man lifts up the hood of a white car on the side of the road amidst a sprawling open landscape. The front doors on both sides of the vehicle are open.
    A man lifts up the hood of a white car on the side of the road amidst a sprawling open landscape. The front doors on both sides of the vehicle are open.
    Pena Bonita, Stalled, 1987. Color photograph. [A man lifts up the hood of a white car on the side of the road amidst a sprawling open landscape. The front doors on both sides of the vehicle are open.]
    Caption Pena Bonita, Stalled, 1987. Color photograph.
    Image description A man lifts up the hood of a white car on the side of the road amidst a sprawling open landscape. The front doors on both sides of the vehicle are open.
    Year 1987
    Related pages Unholding
  • A ghostly, blurry figure in white with their arms out with digital light blurs swirled around.
    A ghostly, blurry figure in white with their arms out with digital light blurs swirled around.
    Michael Robinson. Still from All Through the Night, 2008. [A ghostly, blurry figure in white with their arms out with digital light blurs swirled around.]
    Caption Michael Robinson. Still from All Through the Night, 2008.
    Image description A ghostly, blurry figure in white with their arms out with digital light blurs swirled around.
    Year 2008
    Related pages Summer Knowledge: Michael Robinson
  • Two silhouetted figures kissing behind a microphone. They are backlit by a white projection with black capitalized text reading
    Two silhouetted figures kissing behind a microphone. They are backlit by a white projection with black capitalized text reading
    New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court. [Two silhouetted figures kissing behind a microphone. They are backlit by a white projection with black capitalized text reading "RENUNCIATION KISSING STATION".]
    Caption New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court.
    Image description Two silhouetted figures kissing behind a microphone. They are backlit by a white projection with black capitalized text reading "RENUNCIATION KISSING STATION".
    Year 2020
    Related pages New Red Order: Informants Get Paid!
  • Several parallel dividers constructed from metal fencing positioned between black metal frames are arranged in an exhibition space. Colorful textiles and t-shirts are displayed on the fencing.
    Several parallel dividers constructed from metal fencing positioned between black metal frames are arranged in an exhibition space. Colorful textiles and t-shirts are displayed on the fencing.
    Frozen Lakes. Installation view, Artists Space, 2013. Photo: Meinke Klein. [Several parallel dividers constructed from metal fencing positioned between black metal frames are arranged in an exhibition space. Colorful textiles and t-shirts are displayed on the fencing.]
    Caption Frozen Lakes. Installation view, Artists Space, 2013. Photo: Meinke Klein.
    Image description Several parallel dividers constructed from metal fencing positioned between black metal frames are arranged in an exhibition space. Colorful textiles and t-shirts are displayed on the fencing.
    Year 2013
    Related pages Frozen Lakes
  • A person dressed in all pink, holding several sheets of paper, speaks into a microphone, her arms are draped with masses of cords. A crowd of audience members surrounds her, some seated and some standing.
    A person dressed in all pink, holding several sheets of paper, speaks into a microphone, her arms are draped with masses of cords. A crowd of audience members surrounds her, some seated and some standing.
    Jutta Koether, xxapollo. Performance documentation, Artists Space, January 5, 2020. Photo © Paula Court. [A person dressed in all pink, holding several sheets of paper, speaks into a microphone, her arms are draped with masses of cords. A crowd of audience members surrounds her, some seated and some standing.]
    Caption Jutta Koether, xxapollo. Performance documentation, Artists Space, January 5, 2020. Photo © Paula Court.
    Image description A person dressed in all pink, holding several sheets of paper, speaks into a microphone, her arms are draped with masses of cords. A crowd of audience members surrounds her, some seated and some standing.
    Year 2020
    Related pages
  • A sculpture consisting of a large rectangular pane of glass, its bottom edge wedged into the center of a square block, is installed in a white-walled gallery space. A small canvas is attached to the center of the glass pane with its wooden backing facing the viewer. String and an orange, mesh-like object hang and drip from the canvas's lower edge. Three figures are visible behind the sculpture, talking in a small cluster.
    A sculpture consisting of a large rectangular pane of glass, its bottom edge wedged into the center of a square block, is installed in a white-walled gallery space. A small canvas is attached to the center of the glass pane with its wooden backing facing the viewer. String and an orange, mesh-like object hang and drip from the canvas's lower edge. Three figures are visible behind the sculpture, talking in a small cluster.
    Jutta Koether, The Seasons ("Summer," Seasons set #3, Reena Spaulings, Frieze New York), 2012. [A sculpture consisting of a large rectangular pane of glass, its bottom edge wedged into the center of a square block, is installed in a white-walled gallery space. A small canvas is attached to the center of the glass pane with its wooden backing facing the viewer. String and an orange, mesh-like object hang and drip from the canvas's lower edge. Three figures are visible behind the sculpture, talking in a small cluster.]
    Caption Jutta Koether, The Seasons ("Summer," Seasons set #3, Reena Spaulings, Frieze New York), 2012.
    Image description A sculpture consisting of a large rectangular pane of glass, its bottom edge wedged into the center of a square block, is installed in a white-walled gallery space. A small canvas is attached to the center of the glass pane with its wooden backing facing the viewer. String and an orange, mesh-like object hang and drip from the canvas's lower edge. Three figures are visible behind the sculpture, talking in a small cluster.
    Year 2012
    Related pages Fifth Season Act, Apotheosically
  • Two cropped photographs of figures cut into irregular shapes are laid over a light blue background. White and blue text on the image reads
    Two cropped photographs of figures cut into irregular shapes are laid over a light blue background. White and blue text on the image reads
    Flyer for Segue Reading Series featuring Richard Loranger and Yanyi. Saturday, November 21, 2020, Artists Space. Artist: Keith Higginbotham [Two cropped photographs of figures cut into irregular shapes are laid over a light blue background. White and blue text on the image reads "Richard Loranger / Yanyi / Segue."]
    Caption Flyer for Segue Reading Series featuring Richard Loranger and Yanyi. Saturday, November 21, 2020, Artists Space. Artist: Keith Higginbotham
    Image description Two cropped photographs of figures cut into irregular shapes are laid over a light blue background. White and blue text on the image reads "Richard Loranger / Yanyi / Segue."
    Year 2020
    Related pages Segue Reading Series: Yanyi & Richard Loranger
  • Drawing depicting an impoverished beggar and his child outside an auction house where the father's painting is being sold for large sums.
    Drawing depicting an impoverished beggar and his child outside an auction house where the father's painting is being sold for large sums.
    This drawing by Jean-Louis Forain, published on the front page of a Parisian newspaper in 1920, rallied support for the original Droit De Suite. [Drawing depicting an impoverished beggar and his child outside an auction house where the father's painting is being sold for large sums.]
    Caption This drawing by Jean-Louis Forain, published on the front page of a Parisian newspaper in 1920, rallied support for the original Droit De Suite.
    Image description Drawing depicting an impoverished beggar and his child outside an auction house where the father's painting is being sold for large sums.
    Year 1920
    Related pages The Artist's Resale Right
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    Image description
    Year 2019
    Related pages About this Website
  • A small rectangle outlined in a thick black border sits inside the larger rectangle of the paper. The interior rectangle contains a cropped image of a pink colored man with his pants pulled down. In his right hand he holds a gun, pointing towards the ground against a washy abstracted black background.
    A small rectangle outlined in a thick black border sits inside the larger rectangle of the paper. The interior rectangle contains a cropped image of a pink colored man with his pants pulled down. In his right hand he holds a gun, pointing towards the ground against a washy abstracted black background.
    Carroll Dunham Untitled, 2006, 4 Color etching with aquatint, 14 1/4 x 11 inches (36.2 x 27.9 cm), Edition of 30 Signed & numbered, Edition of 30, Signed & numbered, Published by Two Palms Press. [A small rectangle outlined in a thick black border sits inside the larger rectangle of the paper. The interior rectangle contains a cropped image of a pink colored man with his pants pulled down. In his right hand he holds a gun, pointing towards the ground against a washy abstracted black background.]
    Caption Carroll Dunham Untitled, 2006, 4 Color etching with aquatint, 14 1/4 x 11 inches (36.2 x 27.9 cm), Edition of 30 Signed & numbered, Edition of 30, Signed & numbered, Published by Two Palms Press.
    Image description A small rectangle outlined in a thick black border sits inside the larger rectangle of the paper. The interior rectangle contains a cropped image of a pink colored man with his pants pulled down. In his right hand he holds a gun, pointing towards the ground against a washy abstracted black background.
    Year 2006
    Related pages Editions
  • An upward angled view of two people performing with a gray curtain behind them. One person, with black hair and a yellow jacket, is playing an electric guitar, the other, with red hair and wearing a black sequin top and blue scarf with matching eyeshadow, is singing into a mic.
    An upward angled view of two people performing with a gray curtain behind them. One person, with black hair and a yellow jacket, is playing an electric guitar, the other, with red hair and wearing a black sequin top and blue scarf with matching eyeshadow, is singing into a mic.
    Laura Cottingham & Leslie Singer, still from The Anita Pallenburg Story, 2000. Digital Video, 76 min. [An upward angled view of two people performing with a gray curtain behind them. One person, with black hair and a yellow jacket, is playing an electric guitar, the other, with red hair and wearing a black sequin top and blue scarf with matching eyeshadow, is singing into a mic.]
    Caption Laura Cottingham & Leslie Singer, still from The Anita Pallenburg Story, 2000. Digital Video, 76 min.
    Image description An upward angled view of two people performing with a gray curtain behind them. One person, with black hair and a yellow jacket, is playing an electric guitar, the other, with red hair and wearing a black sequin top and blue scarf with matching eyeshadow, is singing into a mic.
    Year 2017
    Related pages Laura Cottingham & The Anita Pallenberg Story
  • A figure with long brown hair wearing a gray sweater over a light pink and white button-down shirt clenches their eyes shut as a red ball hits their face.
    A figure with long brown hair wearing a gray sweater over a light pink and white button-down shirt clenches their eyes shut as a red ball hits their face.
    Traci Tullius, Some People Never Learn, 2001. [A figure with long brown hair wearing a gray sweater over a light pink and white button-down shirt clenches their eyes shut as a red ball hits their face.]
    Caption Traci Tullius, Some People Never Learn, 2001.
    Image description A figure with long brown hair wearing a gray sweater over a light pink and white button-down shirt clenches their eyes shut as a red ball hits their face.
    Year 2005
    Related pages Open Video Call
  • Close-up of a series of metal cutouts shaped like curved
    Close-up of a series of metal cutouts shaped like curved
    H_edge. Installation view, Artists Space, 2006. Photo: Whitney Cox. [Close-up of a series of metal cutouts shaped like curved "x"'s hanging from lengths of metal chainlinks. The many rows of cutouts overlap, forming a hedge-like sculptural body.]
    Caption H_edge. Installation view, Artists Space, 2006. Photo: Whitney Cox.
    Image description Close-up of a series of metal cutouts shaped like curved "x"'s hanging from lengths of metal chainlinks. The many rows of cutouts overlap, forming a hedge-like sculptural body.
    Year 2006
    Related pages H_edge
  • A television box monitor displays a diagram connecting Robert Smithson to Theresa Hak Kyung Cha, and the past to the present and the future.
    A television box monitor displays a diagram connecting Robert Smithson to Theresa Hak Kyung Cha, and the past to the present and the future.
    Renée Green. Still from Partially Buried Continued, 1997. Video, color, sound; 36 minutes. Courtesy the artist, Free Agent Media, and Video Data Bank. [A television box monitor displays a diagram connecting Robert Smithson to Theresa Hak Kyung Cha, and the past to the present and the future.]
    Caption Renée Green. Still from Partially Buried Continued, 1997. Video, color, sound; 36 minutes. Courtesy the artist, Free Agent Media, and Video Data Bank.
    Image description A television box monitor displays a diagram connecting Robert Smithson to Theresa Hak Kyung Cha, and the past to the present and the future.
    Year 1997
    Related pages Whitney ISP Archive
  • A rectangular, 3x5 grid hung on a white wall, comprised of close-up photographs of the inside of people's mouths. Just in front of the wall to the left of the photographs, there is a white plinth with a black Converse shoe, a false shin extending out of it, with a metal bone coming out of the top.
    A rectangular, 3x5 grid hung on a white wall, comprised of close-up photographs of the inside of people's mouths. Just in front of the wall to the left of the photographs, there is a white plinth with a black Converse shoe, a false shin extending out of it, with a metal bone coming out of the top.
    Salad Days. Installation view, Artists Space, 2004. [A rectangular, 3x5 grid hung on a white wall, comprised of close-up photographs of the inside of people's mouths. Just in front of the wall to the left of the photographs, there is a white plinth with a black Converse shoe, a false shin extending out of it, with a metal bone coming out of the top.]
    Caption Salad Days. Installation view, Artists Space, 2004.
    Image description A rectangular, 3x5 grid hung on a white wall, comprised of close-up photographs of the inside of people's mouths. Just in front of the wall to the left of the photographs, there is a white plinth with a black Converse shoe, a false shin extending out of it, with a metal bone coming out of the top.
    Year 2004
    Related pages Salad Days
  • A spotted pattern against a white ground, with each spot having a unique stain, splatter, or drops of ink.
    A spotted pattern against a white ground, with each spot having a unique stain, splatter, or drops of ink.
    Anicka Yi, Flirting Is An Algorithm, 2015, Silkscreen on archival box, 24½ x 20½ x 1½ in / 62,2 x 52 x 3,8 cm, Signed and Numbered. [A spotted pattern against a white ground, with each spot having a unique stain, splatter, or drops of ink.]
    Caption Anicka Yi, Flirting Is An Algorithm, 2015, Silkscreen on archival box, 24½ x 20½ x 1½ in / 62,2 x 52 x 3,8 cm, Signed and Numbered.
    Image description A spotted pattern against a white ground, with each spot having a unique stain, splatter, or drops of ink.
    Year 2016
    Related pages Artists Space Annual Edition Portfolio 2016
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    Image description
    Year 2019
    Related pages About this Website
  • A figure looks into the viewfinder of a camera. In the background, an abstract image is projected onto a wall.
    A figure looks into the viewfinder of a camera. In the background, an abstract image is projected onto a wall.
    Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [A figure looks into the viewfinder of a camera. In the background, an abstract image is projected onto a wall.]
    Caption Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description A figure looks into the viewfinder of a camera. In the background, an abstract image is projected onto a wall.
    Year 2019
    Related pages Speaker Music: drape over another
  • A tile wall with a grid of assorted photographs against a white background. A title to the left of the grid states
    A tile wall with a grid of assorted photographs against a white background. A title to the left of the grid states
    Art Day, Photo Club exhibition, PS 140, 2017. [A tile wall with a grid of assorted photographs against a white background. A title to the left of the grid states "Artists Space P.S. 140 Photography Club"]
    Caption Art Day, Photo Club exhibition, PS 140, 2017.
    Image description A tile wall with a grid of assorted photographs against a white background. A title to the left of the grid states "Artists Space P.S. 140 Photography Club"
    Year 2017
    Related pages Education
  • A red background with white text which reads:
    A red background with white text which reads:
    [A red background with white text which reads: "BDS IS THE FLOOR NOT THE CEILING", followed by the Decolonize This Place Logo.]
    Caption
    Image description A red background with white text which reads: "BDS IS THE FLOOR NOT THE CEILING", followed by the Decolonize This Place Logo.
    Year 2016
    Related pages Decolonize This Place
  • Three large prints rest on the floor against a windowed wall. Two on the left are black and white, of an interior room. On the right is a colorful illustration of two women.
    Three large prints rest on the floor against a windowed wall. Two on the left are black and white, of an interior room. On the right is a colorful illustration of two women.
    Living with Pop. A Reproduction of Capitalist Realism. Installation view, Artists Space, 2014. [Three large prints rest on the floor against a windowed wall. Two on the left are black and white, of an interior room. On the right is a colorful illustration of two women.]
    Caption Living with Pop. A Reproduction of Capitalist Realism. Installation view, Artists Space, 2014.
    Image description Three large prints rest on the floor against a windowed wall. Two on the left are black and white, of an interior room. On the right is a colorful illustration of two women.
    Year 2014
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • Cindy Sherman. Untitled (Secretary), 1978 . Photographed for Cover Magazine.
    Caption Cindy Sherman. Untitled (Secretary), 1978 . Photographed for Cover Magazine.
    Image description
    Year
    Related pages 40 Years of Artists Space
  • A small stack of papers sits on a white, square tile in a gallery space with wooden floors. Directly behind the stack of papers, a black couch sits back-to-back against a wooden reception desk and counter. Several framed and unframed drawings, photographs, tote bags, and posters hang on the wall behind the reception desk.
    A small stack of papers sits on a white, square tile in a gallery space with wooden floors. Directly behind the stack of papers, a black couch sits back-to-back against a wooden reception desk and counter. Several framed and unframed drawings, photographs, tote bags, and posters hang on the wall behind the reception desk.
    Apartment Show: If the dogs are barking. Installation view, Artists Space, 2009. [A small stack of papers sits on a white, square tile in a gallery space with wooden floors. Directly behind the stack of papers, a black couch sits back-to-back against a wooden reception desk and counter. Several framed and unframed drawings, photographs, tote bags, and posters hang on the wall behind the reception desk.]
    Caption Apartment Show: If the dogs are barking. Installation view, Artists Space, 2009.
    Image description A small stack of papers sits on a white, square tile in a gallery space with wooden floors. Directly behind the stack of papers, a black couch sits back-to-back against a wooden reception desk and counter. Several framed and unframed drawings, photographs, tote bags, and posters hang on the wall behind the reception desk.
    Year 2009
    Related pages Apartment Show: If the dogs are barking
  • A white plinth in a white room is seen through a rectagular cutout window. There is a small object on the plinth, lit from above by a square, fluorescent light.
    A white plinth in a white room is seen through a rectagular cutout window. There is a small object on the plinth, lit from above by a square, fluorescent light.
    Paper Exhibition. Installation view, Artists Space, 2009. Photo: Adam Reich. [A white plinth in a white room is seen through a rectagular cutout window. There is a small object on the plinth, lit from above by a square, fluorescent light.]
    Caption Paper Exhibition. Installation view, Artists Space, 2009. Photo: Adam Reich.
    Image description A white plinth in a white room is seen through a rectagular cutout window. There is a small object on the plinth, lit from above by a square, fluorescent light.
    Year 2009
    Related pages Paper Exhibition
  • In this photograph, eleven people pose for a picture in front of drawings and paintings that hang on the wall. Most stand while three kneel.
    In this photograph, eleven people pose for a picture in front of drawings and paintings that hang on the wall. Most stand while three kneel.
    Blue Sky Gallery exhibition P.S. 140, 2019 [In this photograph, eleven people pose for a picture in front of drawings and paintings that hang on the wall. Most stand while three kneel.]
    Caption Blue Sky Gallery exhibition P.S. 140, 2019
    Image description In this photograph, eleven people pose for a picture in front of drawings and paintings that hang on the wall. Most stand while three kneel.
    Year 2019
    Related pages Portfolio Development
  • Two black monitors facing opposite directions sit on a large, rectangular wooden table. One screen is visible, showing an image of two hands holding a piece of white paper with typed text. In the background, a framed photograph is installed on a white gallery wall.
    Two black monitors facing opposite directions sit on a large, rectangular wooden table. One screen is visible, showing an image of two hands holding a piece of white paper with typed text. In the background, a framed photograph is installed on a white gallery wall.
    Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979). Installation view, Artists Space, 2011. Photo: Daniel Pérez. [Two black monitors facing opposite directions sit on a large, rectangular wooden table. One screen is visible, showing an image of two hands holding a piece of white paper with typed text. In the background, a framed photograph is installed on a white gallery wall.]
    Caption Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979). Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description Two black monitors facing opposite directions sit on a large, rectangular wooden table. One screen is visible, showing an image of two hands holding a piece of white paper with typed text. In the background, a framed photograph is installed on a white gallery wall.
    Year 2011
    Related pages Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979)
  • An angled view of two adjacent walls, in between sit vitrines with minature houses constructed from documents. From left to right on the wall: colorful paper bags, a monitor with a video still, a purple section of wall with various photographic objects.
    An angled view of two adjacent walls, in between sit vitrines with minature houses constructed from documents. From left to right on the wall: colorful paper bags, a monitor with a video still, a purple section of wall with various photographic objects.
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [An angled view of two adjacent walls, in between sit vitrines with minature houses constructed from documents. From left to right on the wall: colorful paper bags, a monitor with a video still, a purple section of wall with various photographic objects.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description An angled view of two adjacent walls, in between sit vitrines with minature houses constructed from documents. From left to right on the wall: colorful paper bags, a monitor with a video still, a purple section of wall with various photographic objects.
    Year 2017
    Related pages Unholding
  • A light pink paper with black typeface announcing the premiere of two plays, AM by Otis Bigelow and The Owl Answers by Adrienne Kennedy. Other printed information includes the time, date and location of the show, the board of directors, and the director.
    A light pink paper with black typeface announcing the premiere of two plays, AM by Otis Bigelow and The Owl Answers by Adrienne Kennedy. Other printed information includes the time, date and location of the show, the board of directors, and the director.
    Poster for the original production of The Owl Answers at The White Barn Theatre in Westport, Connecticut, 1965. Courtesy the Harry Ransom Archives at UT Austin, Texas. [A light pink paper with black typeface announcing the premiere of two plays, AM by Otis Bigelow and The Owl Answers by Adrienne Kennedy. Other printed information includes the time, date and location of the show, the board of directors, and the director.]
    Caption Poster for the original production of The Owl Answers at The White Barn Theatre in Westport, Connecticut, 1965. Courtesy the Harry Ransom Archives at UT Austin, Texas.
    Image description A light pink paper with black typeface announcing the premiere of two plays, AM by Otis Bigelow and The Owl Answers by Adrienne Kennedy. Other printed information includes the time, date and location of the show, the board of directors, and the director.
    Year 1965
    Related pages The Owl Answers
  • A long rectangular wooden table with three TV monitors facing outwards on different sides. Six small wooden seats with wired headphones resting on them are arranged in front of the monitors. One visible screen displays an image of a man sitting at a table.
    A long rectangular wooden table with three TV monitors facing outwards on different sides. Six small wooden seats with wired headphones resting on them are arranged in front of the monitors. One visible screen displays an image of a man sitting at a table.
    Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979). Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A long rectangular wooden table with three TV monitors facing outwards on different sides. Six small wooden seats with wired headphones resting on them are arranged in front of the monitors. One visible screen displays an image of a man sitting at a table.]
    Caption Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979). Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description A long rectangular wooden table with three TV monitors facing outwards on different sides. Six small wooden seats with wired headphones resting on them are arranged in front of the monitors. One visible screen displays an image of a man sitting at a table.
    Year 2011
    Related pages Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979)
  • Miniature houses constructed of documents are displayed on vitrines in the foreground. Behind them, tan, illustrated sacks of various sizes hang on a while wall. A purple painting of a buffalo with photo collage hangs on a wall to the right.
    Miniature houses constructed of documents are displayed on vitrines in the foreground. Behind them, tan, illustrated sacks of various sizes hang on a while wall. A purple painting of a buffalo with photo collage hangs on a wall to the right.
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [Miniature houses constructed of documents are displayed on vitrines in the foreground. Behind them, tan, illustrated sacks of various sizes hang on a while wall. A purple painting of a buffalo with photo collage hangs on a wall to the right.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description Miniature houses constructed of documents are displayed on vitrines in the foreground. Behind them, tan, illustrated sacks of various sizes hang on a while wall. A purple painting of a buffalo with photo collage hangs on a wall to the right.
    Year 2017
    Related pages Unholding
  • A decorated paper bag on a shelf. Blue ferns have been illustrated onto white, red, and pink backgrounds.
    A decorated paper bag on a shelf. Blue ferns have been illustrated onto white, red, and pink backgrounds.
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A decorated paper bag on a shelf. Blue ferns have been illustrated onto white, red, and pink backgrounds.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description A decorated paper bag on a shelf. Blue ferns have been illustrated onto white, red, and pink backgrounds.
    Year 2017
    Related pages Unholding
  • A grid of pink hearts on a green background.
    A grid of pink hearts on a green background.
    [A grid of pink hearts on a green background.]
    Caption
    Image description A grid of pink hearts on a green background.
    Year 2017
    Related pages I ❤ John Giorno: Welcoming The Flowers
  • A dark room with a screen projection showing an image of a man with a partially cut out button down shirt. The sleeves and top button are intact, with the chest and torso bare except for three elastic strips spaced out spanning the torso.
    A dark room with a screen projection showing an image of a man with a partially cut out button down shirt. The sleeves and top button are intact, with the chest and torso bare except for three elastic strips spaced out spanning the torso.
    The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich. [A dark room with a screen projection showing an image of a man with a partially cut out button down shirt. The sleeves and top button are intact, with the chest and torso bare except for three elastic strips spaced out spanning the torso.]
    Caption The New Normal. Installation view, Artists Space, 2008. Photo: Adam Reich.
    Image description A dark room with a screen projection showing an image of a man with a partially cut out button down shirt. The sleeves and top button are intact, with the chest and torso bare except for three elastic strips spaced out spanning the torso.
    Year 2008
    Related pages The New Normal
  • A portrait of a purple buffalo photocollaged with of images including objects and people.
    A portrait of a purple buffalo photocollaged with of images including objects and people.
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [A portrait of a purple buffalo photocollaged with of images including objects and people.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description A portrait of a purple buffalo photocollaged with of images including objects and people.
    Year 2017
    Related pages Unholding
  • A white bust with a plaque reading
    A white bust with a plaque reading
    Still from The Last Days of Jack Sheppard (2009). [A white bust with a plaque reading "DEFOE" below it. Slightly offset and partially in shadow is a man seen in profile, dressed identically to the bust with a powdered wig.]
    Caption Still from The Last Days of Jack Sheppard (2009).
    Image description A white bust with a plaque reading "DEFOE" below it. Slightly offset and partially in shadow is a man seen in profile, dressed identically to the bust with a powdered wig.
    Year 2009
    Related pages The Last Days of Jack Sheppard
  • Remnants of discarded objects fill the frame. A flattened rubber chicken sits in the middle next to various bottles and boxes. On the right reads a white square in black and red font,
    Remnants of discarded objects fill the frame. A flattened rubber chicken sits in the middle next to various bottles and boxes. On the right reads a white square in black and red font,
    Jack Smith Untitled (Plaster Foundation of Atlantis), 35mm slide, c. 1970. Copyright Jack Smith Archive. Courtesy Gladstone Gallery, New York and Brussels. [Remnants of discarded objects fill the frame. A flattened rubber chicken sits in the middle next to various bottles and boxes. On the right reads a white square in black and red font, "Exotic, Tropical Fruit."]
    Caption Jack Smith Untitled (Plaster Foundation of Atlantis), 35mm slide, c. 1970. Copyright Jack Smith Archive. Courtesy Gladstone Gallery, New York and Brussels.
    Image description Remnants of discarded objects fill the frame. A flattened rubber chicken sits in the middle next to various bottles and boxes. On the right reads a white square in black and red font, "Exotic, Tropical Fruit."
    Year 1970
    Related pages Jack Smith: Art Crust of Spiritual Oasis
  • Several silhouetted figures backlit by a red glow stand among columns. The figure in the center holds a white-lit object in the air.
    Several silhouetted figures backlit by a red glow stand among columns. The figure in the center holds a white-lit object in the air.
    New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court. [Several silhouetted figures backlit by a red glow stand among columns. The figure in the center holds a white-lit object in the air.]
    Caption New Red Order: Informants Get Paid! Performance documentation, January 23, 2020, Artists Space. Photo © 2020 Paula Court.
    Image description Several silhouetted figures backlit by a red glow stand among columns. The figure in the center holds a white-lit object in the air.
    Year 2020
    Related pages New Red Order: Informants Get Paid!
  • A black-and-white scan of a page of The New York Times newspaper, folded in half lengthwise. A translucent geometric pattern is visible across the image, with washed out pinks, greens, blues, and yellows. The visible story is a continuation from the story featured on the first arts page, titled
    A black-and-white scan of a page of The New York Times newspaper, folded in half lengthwise. A translucent geometric pattern is visible across the image, with washed out pinks, greens, blues, and yellows. The visible story is a continuation from the story featured on the first arts page, titled
    Rachel Harrison, What the world needs now, 2009, Inkjet print on Ilford Galerie Gold Fibre Silk, 310 gsm 22 x 17 in / 55,9 x 43,2 cm, Signed and numbered [A black-and-white scan of a page of The New York Times newspaper, folded in half lengthwise. A translucent geometric pattern is visible across the image, with washed out pinks, greens, blues, and yellows. The visible story is a continuation from the story featured on the first arts page, titled "Foundation's New Prize To Honor Artists Under 35." Above the title is a photo of Victor Pinchuk, a Ukrainian businessman and art collector. Below the title is six images of "artist-mentors:" Andreas Gursky, Jeff Koons, Damien Hirst, Takashi Murakami, and institutional board members Nicholas Serota and Glenn D. Lowry of the Tate and MoMA, respectively. Each of the six figures has a color wig, bright lipstick, and two have glasses, giving each a goofy appearance.]
    Caption Rachel Harrison, What the world needs now, 2009, Inkjet print on Ilford Galerie Gold Fibre Silk, 310 gsm 22 x 17 in / 55,9 x 43,2 cm, Signed and numbered
    Image description A black-and-white scan of a page of The New York Times newspaper, folded in half lengthwise. A translucent geometric pattern is visible across the image, with washed out pinks, greens, blues, and yellows. The visible story is a continuation from the story featured on the first arts page, titled "Foundation's New Prize To Honor Artists Under 35." Above the title is a photo of Victor Pinchuk, a Ukrainian businessman and art collector. Below the title is six images of "artist-mentors:" Andreas Gursky, Jeff Koons, Damien Hirst, Takashi Murakami, and institutional board members Nicholas Serota and Glenn D. Lowry of the Tate and MoMA, respectively. Each of the six figures has a color wig, bright lipstick, and two have glasses, giving each a goofy appearance.
    Year 2009
    Related pages Artists Space Annual Edition Portfolio 2010
  • A black and white image of a man lying on the ground, his arms and legs splayed out as if in agony. His eyes are closed and his face is contorted.
    A black and white image of a man lying on the ground, his arms and legs splayed out as if in agony. His eyes are closed and his face is contorted.
    Still from Sacrifice/Gisei (1959). [A black and white image of a man lying on the ground, his arms and legs splayed out as if in agony. His eyes are closed and his face is contorted.]
    Caption Still from Sacrifice/Gisei (1959).
    Image description A black and white image of a man lying on the ground, his arms and legs splayed out as if in agony. His eyes are closed and his face is contorted.
    Year 1959
    Related pages Dancing in a Pool of Gray Grits
  • Black and white photographs hang in a horizontal line across a dark wall descending into an exhibition space. On the right, a video monitor sits on the ground. In the background is a free-standing wall featuring a series of framed photographs. A mannequin dressed in orange and green fabric is displayed in front of the photographs.
    Black and white photographs hang in a horizontal line across a dark wall descending into an exhibition space. On the right, a video monitor sits on the ground. In the background is a free-standing wall featuring a series of framed photographs. A mannequin dressed in orange and green fabric is displayed in front of the photographs.
    Jack Smith: Art Crust of Spiritual Oasis. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [Black and white photographs hang in a horizontal line across a dark wall descending into an exhibition space. On the right, a video monitor sits on the ground. In the background is a free-standing wall featuring a series of framed photographs. A mannequin dressed in orange and green fabric is displayed in front of the photographs.]
    Caption Jack Smith: Art Crust of Spiritual Oasis. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description Black and white photographs hang in a horizontal line across a dark wall descending into an exhibition space. On the right, a video monitor sits on the ground. In the background is a free-standing wall featuring a series of framed photographs. A mannequin dressed in orange and green fabric is displayed in front of the photographs.
    Year 2018
    Related pages Jack Smith: Art Crust of Spiritual Oasis
  • Four abstract sculptures constructed from neutral-toned materials are displayed atop white virtrines. Three more sculptures are hung in a row against a white wall.
    Four abstract sculptures constructed from neutral-toned materials are displayed atop white virtrines. Three more sculptures are hung in a row against a white wall.
    UniBodies. Installation view, Artists Space, 2006. Photo: Bill Ocrutt. [Four abstract sculptures constructed from neutral-toned materials are displayed atop white virtrines. Three more sculptures are hung in a row against a white wall.]
    Caption UniBodies. Installation view, Artists Space, 2006. Photo: Bill Ocrutt.
    Image description Four abstract sculptures constructed from neutral-toned materials are displayed atop white virtrines. Three more sculptures are hung in a row against a white wall.
    Year 2006
    Related pages UniBodies
  • A scan of an invoice from Corcraft, issued to Artists Space at 38 Greene Street. The customer number reads
    A scan of an invoice from Corcraft, issued to Artists Space at 38 Greene Street. The customer number reads
    [A scan of an invoice from Corcraft, issued to Artists Space at 38 Greene Street. The customer number reads "9102000". The invoice details the purchase of a two oak court benches, totalling to $1309.00.]
    Caption
    Image description A scan of an invoice from Corcraft, issued to Artists Space at 38 Greene Street. The customer number reads "9102000". The invoice details the purchase of a two oak court benches, totalling to $1309.00.
    Year 2015
    Related pages Cameron Rowland: 91020000
  • A figure wearing all black clothing, a black hood, heavy eyeshadow, and a fake mustache looks at the floor.
    A figure wearing all black clothing, a black hood, heavy eyeshadow, and a fake mustache looks at the floor.
    Jack Smith, still from Hamlet in the Rented World (A Fragment), 1970-73. 16mm transferred to video, (sound, color), 27 minutes. [A figure wearing all black clothing, a black hood, heavy eyeshadow, and a fake mustache looks at the floor.]
    Caption Jack Smith, still from Hamlet in the Rented World (A Fragment), 1970-73. 16mm transferred to video, (sound, color), 27 minutes.
    Image description A figure wearing all black clothing, a black hood, heavy eyeshadow, and a fake mustache looks at the floor.
    Year 1970
    Related pages Reconstructing Performance
  • A variety of images of covers and photographs of nude and semi-nude people is displayed on a white background.
    A variety of images of covers and photographs of nude and semi-nude people is displayed on a white background.
    Mark Morrisroe: From This Moment On. Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A variety of images of covers and photographs of nude and semi-nude people is displayed on a white background.]
    Caption Mark Morrisroe: From This Moment On. Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description A variety of images of covers and photographs of nude and semi-nude people is displayed on a white background.
    Year 2011
    Related pages Mark Morrisroe: From This Moment On
  • Two slide projectors sit on a table, projecting small images onto perpendicular walls. On one wall, there is a paper lamp and three framed photographs: two black and white images of folded paper, and one color image.
    Two slide projectors sit on a table, projecting small images onto perpendicular walls. On one wall, there is a paper lamp and three framed photographs: two black and white images of folded paper, and one color image.
    Elephant Cemetery. Installation view, Artists Space, 2007. [Two slide projectors sit on a table, projecting small images onto perpendicular walls. On one wall, there is a paper lamp and three framed photographs: two black and white images of folded paper, and one color image.]
    Caption Elephant Cemetery. Installation view, Artists Space, 2007.
    Image description Two slide projectors sit on a table, projecting small images onto perpendicular walls. On one wall, there is a paper lamp and three framed photographs: two black and white images of folded paper, and one color image.
    Year 2007
    Related pages Elephant Cemetery
  • A dimly lit room where two people are seated in chairs on the right, looking at a projection. The projection displays a yellow-hued image of a city skyline.
    A dimly lit room where two people are seated in chairs on the right, looking at a projection. The projection displays a yellow-hued image of a city skyline.
    Union Gaucha Productions. Installation view, Artists Space, 2015. Photo: Daniel Pérez. [A dimly lit room where two people are seated in chairs on the right, looking at a projection. The projection displays a yellow-hued image of a city skyline.]
    Caption Union Gaucha Productions. Installation view, Artists Space, 2015. Photo: Daniel Pérez.
    Image description A dimly lit room where two people are seated in chairs on the right, looking at a projection. The projection displays a yellow-hued image of a city skyline.
    Year 2015
    Related pages Union Gaucha Productions
  • A black and white line drawing of a person in an art gallery looking at a portrait on the wall. There is another piece on the wall of a person holding a rectangular box and blowing a bubble.
    A black and white line drawing of a person in an art gallery looking at a portrait on the wall. There is another piece on the wall of a person holding a rectangular box and blowing a bubble.
    [A black and white line drawing of a person in an art gallery looking at a portrait on the wall. There is another piece on the wall of a person holding a rectangular box and blowing a bubble.]
    Caption
    Image description A black and white line drawing of a person in an art gallery looking at a portrait on the wall. There is another piece on the wall of a person holding a rectangular box and blowing a bubble.
    Year 1997
    Related pages Hot Coffee
  • A black, kayak-shaped sculpture is suspended from the ceiling in a gallery space. On either wall, there are black and white prints mimicking the structure of the boat.
    A black, kayak-shaped sculpture is suspended from the ceiling in a gallery space. On either wall, there are black and white prints mimicking the structure of the boat.
    Local Transit. Installation view, Artists Space, 2006. [A black, kayak-shaped sculpture is suspended from the ceiling in a gallery space. On either wall, there are black and white prints mimicking the structure of the boat.]
    Caption Local Transit. Installation view, Artists Space, 2006.
    Image description A black, kayak-shaped sculpture is suspended from the ceiling in a gallery space. On either wall, there are black and white prints mimicking the structure of the boat.
    Year 2006
    Related pages Local Transit: An Exhibition in Two Parts
  • Onlookers and news reporters with cameras crowd around helmeted police officers surrounding a graffitied truck.
    Onlookers and news reporters with cameras crowd around helmeted police officers surrounding a graffitied truck.
    DIVA TV Collective, Target City Hall, 1989. 27 min. [Onlookers and news reporters with cameras crowd around helmeted police officers surrounding a graffitied truck.]
    Caption DIVA TV Collective, Target City Hall, 1989. 27 min.
    Image description Onlookers and news reporters with cameras crowd around helmeted police officers surrounding a graffitied truck.
    Year 1989
    Related pages Film and Video Program | Macho Man, Tell It To My Heart: Collected by Julie Ault | December 5
  • Eleven brown bags of varying sizes are displayed on a wall, pinned so that their mouths hang open slightly. Charcoal rubbings on the bags trace out corporate logos and other words and phrases.
    Eleven brown bags of varying sizes are displayed on a wall, pinned so that their mouths hang open slightly. Charcoal rubbings on the bags trace out corporate logos and other words and phrases.
    Alan Michelson. Permanent Title, 1993. Wax, muslin, charcoal. Overall: 144 x 144 x 9 in. (366 x 366 x 23 cm). Courtesy the artist. [Eleven brown bags of varying sizes are displayed on a wall, pinned so that their mouths hang open slightly. Charcoal rubbings on the bags trace out corporate logos and other words and phrases.]
    Caption Alan Michelson. Permanent Title, 1993. Wax, muslin, charcoal. Overall: 144 x 144 x 9 in. (366 x 366 x 23 cm). Courtesy the artist.
    Image description Eleven brown bags of varying sizes are displayed on a wall, pinned so that their mouths hang open slightly. Charcoal rubbings on the bags trace out corporate logos and other words and phrases.
    Year 1993
    Related pages Whitney ISP Archive
  • Three red, orange, and green fabric rolls are arranged vertically on a white wall. Further along the wall, two marbled, gray and red sheets have been hung low on the wall such that their lower halves drape on the gallery floor.
    Three red, orange, and green fabric rolls are arranged vertically on a white wall. Further along the wall, two marbled, gray and red sheets have been hung low on the wall such that their lower halves drape on the gallery floor.
    Local Transit. Installation view, Artists Space, 2006. [Three red, orange, and green fabric rolls are arranged vertically on a white wall. Further along the wall, two marbled, gray and red sheets have been hung low on the wall such that their lower halves drape on the gallery floor.]
    Caption Local Transit. Installation view, Artists Space, 2006.
    Image description Three red, orange, and green fabric rolls are arranged vertically on a white wall. Further along the wall, two marbled, gray and red sheets have been hung low on the wall such that their lower halves drape on the gallery floor.
    Year 2006
    Related pages Local Transit: An Exhibition in Two Parts
  • A black and white photo of a nude person in profile with arms crossed.
    A black and white photo of a nude person in profile with arms crossed.
    Collier Schorr, D., 2012, Archival pigment ink print, 14 x 11 inches, Signed and numbered [A black and white photo of a nude person in profile with arms crossed.]
    Caption Collier Schorr, D., 2012, Archival pigment ink print, 14 x 11 inches, Signed and numbered
    Image description A black and white photo of a nude person in profile with arms crossed.
    Year 2014
    Related pages Artists Space Annual Edition Portfolio 2013
  • A Samsung television monitor displaying Benjamin Buchloh, in a black sweater and thin rectangular glasses, being interviewed.
    A Samsung television monitor displaying Benjamin Buchloh, in a black sweater and thin rectangular glasses, being interviewed.
    Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979). Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A Samsung television monitor displaying Benjamin Buchloh, in a black sweater and thin rectangular glasses, being interviewed.]
    Caption Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979). Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description A Samsung television monitor displaying Benjamin Buchloh, in a black sweater and thin rectangular glasses, being interviewed.
    Year 2011
    Related pages Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979)
  • A large group of people photographed from above, stading in Cortlandt Alley, forming a small circle in the middle. Some people standing near the center hold baby dolls.
    A large group of people photographed from above, stading in Cortlandt Alley, forming a small circle in the middle. Some people standing near the center hold baby dolls.
    Ei Arakawa: WEWORK BABIES. Performance documentation, December 8, 2019, Artists Space. Photo © 2019 Paula Court. [A large group of people photographed from above, stading in Cortlandt Alley, forming a small circle in the middle. Some people standing near the center hold baby dolls.]
    Caption Ei Arakawa: WEWORK BABIES. Performance documentation, December 8, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description A large group of people photographed from above, stading in Cortlandt Alley, forming a small circle in the middle. Some people standing near the center hold baby dolls.
    Year 2019
    Related pages Ei Arakawa: WEWORK BABIES (11 Cortlandt Alley)
  • A blurry black-and-white photo of someone wearing a large white headdress holding several unidentifiable objects.
    A blurry black-and-white photo of someone wearing a large white headdress holding several unidentifiable objects.
    Joan Jonas. Organic Honey's Visual Telepathy, 1972 [A blurry black-and-white photo of someone wearing a large white headdress holding several unidentifiable objects.]
    Caption Joan Jonas. Organic Honey's Visual Telepathy, 1972
    Image description A blurry black-and-white photo of someone wearing a large white headdress holding several unidentifiable objects.
    Year 1972
    Related pages How to be a wo(man)
  • A moving gif of a paper diagram blowing from the wind of a computer device. The top right corner of the machine reads,
    A moving gif of a paper diagram blowing from the wind of a computer device. The top right corner of the machine reads,
    [A moving gif of a paper diagram blowing from the wind of a computer device. The top right corner of the machine reads, "StarTech.com"]
    Caption
    Image description A moving gif of a paper diagram blowing from the wind of a computer device. The top right corner of the machine reads, "StarTech.com"
    Year
    Related pages Aaron Flint Jamison
  • A miniature clay sculpture of a man sitting, cross-legged, in an armchair is displayed on a carpeted floor. A curled wire extends from underneath the edge of the carpet where it meets the wooden floor below it.
    A miniature clay sculpture of a man sitting, cross-legged, in an armchair is displayed on a carpeted floor. A curled wire extends from underneath the edge of the carpet where it meets the wooden floor below it.
    The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich. [A miniature clay sculpture of a man sitting, cross-legged, in an armchair is displayed on a carpeted floor. A curled wire extends from underneath the edge of the carpet where it meets the wooden floor below it.]
    Caption The Issues of Our Time. Installation view, Artists Space, 2014. Photo: Adam Reich.
    Image description A miniature clay sculpture of a man sitting, cross-legged, in an armchair is displayed on a carpeted floor. A curled wire extends from underneath the edge of the carpet where it meets the wooden floor below it.
    Year 2014
    Related pages The Issues of Our Time
  • A woman dressed in a suit sits among clouds in a blue sky, smiling, with six arms. Each hand is holding two phones, an alarm clock, globe, laptop, and folder.
    A woman dressed in a suit sits among clouds in a blue sky, smiling, with six arms. Each hand is holding two phones, an alarm clock, globe, laptop, and folder.
    [A woman dressed in a suit sits among clouds in a blue sky, smiling, with six arms. Each hand is holding two phones, an alarm clock, globe, laptop, and folder.]
    Caption
    Image description A woman dressed in a suit sits among clouds in a blue sky, smiling, with six arms. Each hand is holding two phones, an alarm clock, globe, laptop, and folder.
    Year
    Related pages Women Inc. Lexicon
  • Two people dressed in black looking down. Superimposed on top of them is a poster reading,
    Two people dressed in black looking down. Superimposed on top of them is a poster reading,
    Still from Polly II - A Plan for a Revolution in Docklands (2006). [Two people dressed in black looking down. Superimposed on top of them is a poster reading, "JENNY DIVER CALLS ON ALL PEOPLE OF THE FLOOD EAST ORGANIZE NOW! PEACE TO HUMBLE DWELLINGS! WAR TO THE PALACES!"]
    Caption Still from Polly II - A Plan for a Revolution in Docklands (2006).
    Image description Two people dressed in black looking down. Superimposed on top of them is a poster reading, "JENNY DIVER CALLS ON ALL PEOPLE OF THE FLOOD EAST ORGANIZE NOW! PEACE TO HUMBLE DWELLINGS! WAR TO THE PALACES!"
    Year 2006
    Related pages Polly II - A Plan for a Revolution in Docklands
  • Pablo Picasso looking at an image of Joseph Stalin.
    Pablo Picasso looking at an image of Joseph Stalin.
    [Pablo Picasso looking at an image of Joseph Stalin.]
    Caption
    Image description Pablo Picasso looking at an image of Joseph Stalin.
    Year 1949
    Related pages The Battle for Picasso’s Mind
  • Black and white photograph of several wooden boxes and drawers filled with small animal bones and preserved insects. Several animal skulls are scattered around and in between the drawers.
    Black and white photograph of several wooden boxes and drawers filled with small animal bones and preserved insects. Several animal skulls are scattered around and in between the drawers.
    [Black and white photograph of several wooden boxes and drawers filled with small animal bones and preserved insects. Several animal skulls are scattered around and in between the drawers.]
    Caption
    Image description Black and white photograph of several wooden boxes and drawers filled with small animal bones and preserved insects. Several animal skulls are scattered around and in between the drawers.
    Year 1991
    Related pages Reconstructions, assemblages
  • White painted brick wall; a black plate with white text that reads,
    White painted brick wall; a black plate with white text that reads,
    Alternative Art New York, 1965 - 1985. Julie Ault. Univ. of Minnesota Press, 2002. Paperback, 408 pages. $30. at the Artists Space Bookstore. [White painted brick wall; a black plate with white text that reads, "Title: Alternative Art New York Date: 1965-1985 Editor: Julie Ault."]
    Caption Alternative Art New York, 1965 - 1985. Julie Ault. Univ. of Minnesota Press, 2002. Paperback, 408 pages. $30. at the Artists Space Bookstore.
    Image description White painted brick wall; a black plate with white text that reads, "Title: Alternative Art New York Date: 1965-1985 Editor: Julie Ault."
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • A television on a metal stand shows an image of a man in a cowboy hat. A white bar with black text on the bottom of the screen reads,
    A television on a metal stand shows an image of a man in a cowboy hat. A white bar with black text on the bottom of the screen reads,
    Sean Snyder. Installation view, Artists Space, 2010-11. Photo: Daniel Peréz. [A television on a metal stand shows an image of a man in a cowboy hat. A white bar with black text on the bottom of the screen reads, "The actor said. He explains that thousands of bootleg copies."]
    Caption Sean Snyder. Installation view, Artists Space, 2010-11. Photo: Daniel Peréz.
    Image description A television on a metal stand shows an image of a man in a cowboy hat. A white bar with black text on the bottom of the screen reads, "The actor said. He explains that thousands of bootleg copies."
    Year 2010
    Related pages Sean Snyder
  • An entryway with layered, decorative carpets and black-and-white images displayed across the height and length of the wall. A small school desk sits on the left in front of a large bookshelf.
    An entryway with layered, decorative carpets and black-and-white images displayed across the height and length of the wall. A small school desk sits on the left in front of a large bookshelf.
    Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [An entryway with layered, decorative carpets and black-and-white images displayed across the height and length of the wall. A small school desk sits on the left in front of a large bookshelf.]
    Caption Documenting Cadere: 1972 - 1978. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description An entryway with layered, decorative carpets and black-and-white images displayed across the height and length of the wall. A small school desk sits on the left in front of a large bookshelf.
    Year 2013
    Related pages Documenting Cadere: 1972 - 1978
  • Three empty wine glasses in row, each engraved with two words:
    Three empty wine glasses in row, each engraved with two words:
    Louise Lawler, Who Says, Who Shows, Who Counts, 1990. [Three empty wine glasses in row, each engraved with two words: "who says," "who shows," "who counts."]
    Caption Louise Lawler, Who Says, Who Shows, Who Counts, 1990.
    Image description Three empty wine glasses in row, each engraved with two words: "who says," "who shows," "who counts."
    Year 1990
    Related pages
  • Miniature houses constructed of documents are displayed in vitrines in the middle of the room. Various photographs utilizing the wall and floor are displayed to the left on a purple section of wall. Tan, illustrated sacks of variable sizes hang on a white wall to the right.
    Miniature houses constructed of documents are displayed in vitrines in the middle of the room. Various photographs utilizing the wall and floor are displayed to the left on a purple section of wall. Tan, illustrated sacks of variable sizes hang on a white wall to the right.
    Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez. [Miniature houses constructed of documents are displayed in vitrines in the middle of the room. Various photographs utilizing the wall and floor are displayed to the left on a purple section of wall. Tan, illustrated sacks of variable sizes hang on a white wall to the right.]
    Caption Unholding. Installation view, Artists Space, 2018. Photo: Daniel Pérez.
    Image description Miniature houses constructed of documents are displayed in vitrines in the middle of the room. Various photographs utilizing the wall and floor are displayed to the left on a purple section of wall. Tan, illustrated sacks of variable sizes hang on a white wall to the right.
    Year 2017
    Related pages Unholding
  • A large gallery space with white walls and wooden flooring. The length of a long gallery wall has been painted with amorphous areas of turquoise, yellow, red, and green color amidst vaguely cloud-like white shapes. Several rectangular canvases decorated with similar designs lean against the wall. A large blue shape resembling a bridge stretches across the wall design.
    A large gallery space with white walls and wooden flooring. The length of a long gallery wall has been painted with amorphous areas of turquoise, yellow, red, and green color amidst vaguely cloud-like white shapes. Several rectangular canvases decorated with similar designs lean against the wall. A large blue shape resembling a bridge stretches across the wall design.
    Abstruction. Installation view, Artists Space, 2003. [A large gallery space with white walls and wooden flooring. The length of a long gallery wall has been painted with amorphous areas of turquoise, yellow, red, and green color amidst vaguely cloud-like white shapes. Several rectangular canvases decorated with similar designs lean against the wall. A large blue shape resembling a bridge stretches across the wall design.]
    Caption Abstruction. Installation view, Artists Space, 2003.
    Image description A large gallery space with white walls and wooden flooring. The length of a long gallery wall has been painted with amorphous areas of turquoise, yellow, red, and green color amidst vaguely cloud-like white shapes. Several rectangular canvases decorated with similar designs lean against the wall. A large blue shape resembling a bridge stretches across the wall design.
    Year 2003
    Related pages Abstruction
  • A seven shelf, white, book case is housed full of various colorful and sized books.
    A seven shelf, white, book case is housed full of various colorful and sized books.
    The Library Vaccine. Installation view, Artists Space, 2014. [A seven shelf, white, book case is housed full of various colorful and sized books.]
    Caption The Library Vaccine. Installation view, Artists Space, 2014.
    Image description A seven shelf, white, book case is housed full of various colorful and sized books.
    Year 2014
    Related pages The Library Vaccine
  • A photograph of a figure in a long furry coat who walks along a path in a lush garden, their back facing the camera.
    A photograph of a figure in a long furry coat who walks along a path in a lush garden, their back facing the camera.
    Beverly Semmes, Still from Cornelia Walking Through the Formal Garden in the Pink Feather Coat and Hedge Hat, 1988. [A photograph of a figure in a long furry coat who walks along a path in a lush garden, their back facing the camera.]
    Caption Beverly Semmes, Still from Cornelia Walking Through the Formal Garden in the Pink Feather Coat and Hedge Hat, 1988.
    Image description A photograph of a figure in a long furry coat who walks along a path in a lush garden, their back facing the camera.
    Year 1988
    Related pages Beverly Semmes
  • Many colorful documents, photographs, and posters installed on a white wall in an exhibition space. A small television monitor displaying a green image sits on the ground beneath the posters and other artworks.
    Many colorful documents, photographs, and posters installed on a white wall in an exhibition space. A small television monitor displaying a green image sits on the ground beneath the posters and other artworks.
    Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [Many colorful documents, photographs, and posters installed on a white wall in an exhibition space. A small television monitor displaying a green image sits on the ground beneath the posters and other artworks.]
    Caption Macho Man, Tell It To My Heart: Collected by Julie Ault. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description Many colorful documents, photographs, and posters installed on a white wall in an exhibition space. A small television monitor displaying a green image sits on the ground beneath the posters and other artworks.
    Year 2013
    Related pages Macho Man, Tell It To My Heart: Collected by Julie Ault
  • White text against black background, landscape orientation poisitioned in portrait with words reading from bottom to top. The large title reads
    White text against black background, landscape orientation poisitioned in portrait with words reading from bottom to top. The large title reads
    Wolf Vostell idécollage No. 3, Bulletin aktueller Ideen , Cologne, December 1962 Collection Andersch [White text against black background, landscape orientation poisitioned in portrait with words reading from bottom to top. The large title reads "dé collage."]
    Caption Wolf Vostell idécollage No. 3, Bulletin aktueller Ideen , Cologne, December 1962 Collection Andersch
    Image description White text against black background, landscape orientation poisitioned in portrait with words reading from bottom to top. The large title reads "dé collage."
    Year 1962
    Related pages Living with Pop. A Reproduction of Capitalist Realism
  • A bulbous light-hued pink sphere-like object rests upon a white plinth. When in use, a red light on the object blinks to signal that the object is functioning correctly.
    A bulbous light-hued pink sphere-like object rests upon a white plinth. When in use, a red light on the object blinks to signal that the object is functioning correctly.
    Cici Wu, Foreign Object #1 Fluffy Light (anonymous), 2018. Handmade opalescent glass, CDS photo-reflectors, white and orange LED indicator, switch, chargeable battery, electronic board, memory cardboard. 4.5 × 4.5 × 4.5 in. (11.43 × 11.43 × 11.43 cm). Courtesy the artist and 47 Canal Gallery. Photo by Joerg Lohse. [A bulbous light-hued pink sphere-like object rests upon a white plinth. When in use, a red light on the object blinks to signal that the object is functioning correctly.]
    Caption Cici Wu, Foreign Object #1 Fluffy Light (anonymous), 2018. Handmade opalescent glass, CDS photo-reflectors, white and orange LED indicator, switch, chargeable battery, electronic board, memory cardboard. 4.5 × 4.5 × 4.5 in. (11.43 × 11.43 × 11.43 cm). Courtesy the artist and 47 Canal Gallery. Photo by Joerg Lohse.
    Image description A bulbous light-hued pink sphere-like object rests upon a white plinth. When in use, a red light on the object blinks to signal that the object is functioning correctly.
    Year 2018
    Related pages Whitney ISP Archive
  • A monitor on a wheeled stand is displayed in the corner of two white walls. The monitor projects an image of a whiteboard with hand written text that reads,
    A monitor on a wheeled stand is displayed in the corner of two white walls. The monitor projects an image of a whiteboard with hand written text that reads,
    John Neff, Authorization Sessions Set 2018: Manhattan Project, 2018. Photo: Daniel Pérez [A monitor on a wheeled stand is displayed in the corner of two white walls. The monitor projects an image of a whiteboard with hand written text that reads, "People think because, People lie others..., People ignore..." circled in red, green and blue. A green office swivel chair with headphones is placed in front.]
    Caption John Neff, Authorization Sessions Set 2018: Manhattan Project, 2018. Photo: Daniel Pérez
    Image description A monitor on a wheeled stand is displayed in the corner of two white walls. The monitor projects an image of a whiteboard with hand written text that reads, "People think because, People lie others..., People ignore..." circled in red, green and blue. A green office swivel chair with headphones is placed in front.
    Year 2018
    Related pages Coop Fund, Amalle Dublon & Constantina Zavitsanos, Devin Kenny, John Neff
  • A projection on a wall in a dark room shows an image of a man holding a boombox with the text,
    A projection on a wall in a dark room shows an image of a man holding a boombox with the text,
    The columns held us up. Installation view, Artists Space, 2009. Photo: Adam Reich. [A projection on a wall in a dark room shows an image of a man holding a boombox with the text, "SELF PORTRAIT (2006), Burt Barr, American, b. 1938" displayed to the right of his figure.]
    Caption The columns held us up. Installation view, Artists Space, 2009. Photo: Adam Reich.
    Image description A projection on a wall in a dark room shows an image of a man holding a boombox with the text, "SELF PORTRAIT (2006), Burt Barr, American, b. 1938" displayed to the right of his figure.
    Year 2009
    Related pages The columns held us up
  • Caption
    Image description
    Year
    Related pages Joo-Hyun Kim, Ted Rees, Oki Sogumi
  • Close-up of Annette Peacock wearing a beret, looking off to the left.
    Close-up of Annette Peacock wearing a beret, looking off to the left.
    Photo: Alistair Thain. [Close-up of Annette Peacock wearing a beret, looking off to the left.]
    Caption Photo: Alistair Thain.
    Image description Close-up of Annette Peacock wearing a beret, looking off to the left.
    Year
    Related pages Annette Peacock
  • A figure in overalls leans forward to paint broad strokes of lighter paint on a black tarp hung on a wall. Painting supplies sit on a table directly behind them.
    A figure in overalls leans forward to paint broad strokes of lighter paint on a black tarp hung on a wall. Painting supplies sit on a table directly behind them.
    Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [A figure in overalls leans forward to paint broad strokes of lighter paint on a black tarp hung on a wall. Painting supplies sit on a table directly behind them.]
    Caption Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description A figure in overalls leans forward to paint broad strokes of lighter paint on a black tarp hung on a wall. Painting supplies sit on a table directly behind them.
    Year 2019
    Related pages Speaker Music: drape over another
  • A collage-style image. The background is a 19th century-style painting titled
    A collage-style image. The background is a 19th century-style painting titled
    Paul Chan, Wht is the nture of lw, 2011, Inkjet print and silkscreen on paper, 19 1/3 x 16 1/8 in / 49 x 48,6 cm, Signed and numbered. [A collage-style image. The background is a 19th century-style painting titled "Start of the Famous Race between the Natchez & Robt," drawing from an actual race between two steamboats named the Nachez and the Robert E. Lee in 1870 New Orleans. The painting depicts a maritime scene. It appears slightly ripped at the top, with a black background, and black, blue, and yellow opaque squares appearing in each corner. At the bottom, "THE END" is printed in a square formation. In the center, a printed, black, numbered list is overlaid on top of the painting, with 20 elements. The text reads: "1. Dylan quote: To be just, one has to be against the law / 2. Artist are "natural" lawbreakers / 3. Art synonymous with freedom (against law) / But art is not lawless, it simply followed another law (law as tendency) / 5. Expression is the following of a more natural law (perhaps higher law in line with nature and non-man made law / 6. Diotima? Marcus Aurelius? Hardot / Natural law, nature) / 7. Artmaking is when one discovers a law that one already follows (science) / 8. In the end, it is law against law. / 9. But still, law is sin (St. Paul) and death. / 10. Petrified unrest / manic energy / overproduction / 11. What is truly against the law? / 12. Duchamp / against one's taste / contranatural / (perverse) / 13. Kant = Contranatural is Anti-Christ / 14. His anti-art was in fact a private pleasure forced to live on for others. / 15. Crime and pleasure (≠ happiness) / 16. Crime is what is pleasing only to onself? / 17. Real art is what is pleasing to oneself? / 18. Real art is a real crime? / 19. Adorno quote as Nietzschean bluster / 20. The real crime is that what we do for ourselves is pleasing"]
    Caption Paul Chan, Wht is the nture of lw, 2011, Inkjet print and silkscreen on paper, 19 1/3 x 16 1/8 in / 49 x 48,6 cm, Signed and numbered.
    Image description A collage-style image. The background is a 19th century-style painting titled "Start of the Famous Race between the Natchez & Robt," drawing from an actual race between two steamboats named the Nachez and the Robert E. Lee in 1870 New Orleans. The painting depicts a maritime scene. It appears slightly ripped at the top, with a black background, and black, blue, and yellow opaque squares appearing in each corner. At the bottom, "THE END" is printed in a square formation. In the center, a printed, black, numbered list is overlaid on top of the painting, with 20 elements. The text reads: "1. Dylan quote: To be just, one has to be against the law / 2. Artist are "natural" lawbreakers / 3. Art synonymous with freedom (against law) / But art is not lawless, it simply followed another law (law as tendency) / 5. Expression is the following of a more natural law (perhaps higher law in line with nature and non-man made law / 6. Diotima? Marcus Aurelius? Hardot / Natural law, nature) / 7. Artmaking is when one discovers a law that one already follows (science) / 8. In the end, it is law against law. / 9. But still, law is sin (St. Paul) and death. / 10. Petrified unrest / manic energy / overproduction / 11. What is truly against the law? / 12. Duchamp / against one's taste / contranatural / (perverse) / 13. Kant = Contranatural is Anti-Christ / 14. His anti-art was in fact a private pleasure forced to live on for others. / 15. Crime and pleasure (≠ happiness) / 16. Crime is what is pleasing only to onself? / 17. Real art is what is pleasing to oneself? / 18. Real art is a real crime? / 19. Adorno quote as Nietzschean bluster / 20. The real crime is that what we do for ourselves is pleasing"
    Year 2011
    Related pages Artists Space Annual Edition Portfolio 2012
  • A colorful painting of a landscape, with a river running through the center of the image, a mountain across the river and a cloudy sky
    A colorful painting of a landscape, with a river running through the center of the image, a mountain across the river and a cloudy sky
    Jayline Quiles, Landscape, 2018 [A colorful painting of a landscape, with a river running through the center of the image, a mountain across the river and a cloudy sky]
    Caption Jayline Quiles, Landscape, 2018
    Image description A colorful painting of a landscape, with a river running through the center of the image, a mountain across the river and a cloudy sky
    Year 2018
    Related pages Scholastic Art and Writing Awards
  • VHS-distorted image of Wonder Woman holding up her fist, from which emanates a burst of energy.
    VHS-distorted image of Wonder Woman holding up her fist, from which emanates a burst of energy.
    Dara Birnbaum, Technology/Transformation: Wonder Woman, 1978/9. Videotape still. [VHS-distorted image of Wonder Woman holding up her fist, from which emanates a burst of energy.]
    Caption Dara Birnbaum, Technology/Transformation: Wonder Woman, 1978/9. Videotape still.
    Image description VHS-distorted image of Wonder Woman holding up her fist, from which emanates a burst of energy.
    Year
    Related pages How to be a wo(man)
  • A black and white graphic illustration of a primitive man with leaves encircling his head and his waist, leaning on a branch. The thought bubble above his head reads
    A black and white graphic illustration of a primitive man with leaves encircling his head and his waist, leaning on a branch. The thought bubble above his head reads
    Liam Gillick, Thinking, 2010. Inkjet print on Sunset Cotton Etch 285 gsm. [A black and white graphic illustration of a primitive man with leaves encircling his head and his waist, leaning on a branch. The thought bubble above his head reads "Thinking more about production than consumption..."]
    Caption Liam Gillick, Thinking, 2010. Inkjet print on Sunset Cotton Etch 285 gsm.
    Image description A black and white graphic illustration of a primitive man with leaves encircling his head and his waist, leaning on a branch. The thought bubble above his head reads "Thinking more about production than consumption..."
    Year 2010
    Related pages Annual Edition Portfolio
  • A black and white photograph of a crowded room filled with people conversing.
    A black and white photograph of a crowded room filled with people conversing.
    Opening at the Tanager Gallery, NY, 1959. [A black and white photograph of a crowded room filled with people conversing.]
    Caption Opening at the Tanager Gallery, NY, 1959.
    Image description A black and white photograph of a crowded room filled with people conversing.
    Year 1959
    Related pages Goodbye to Tenth Street, A Novel by Irving Sandler
  • Two individuals seated in two wooden chairs while a third in between them holds a single headphone. They are seated in front of a TV monitor displaying Edward Snowden's image.
    Two individuals seated in two wooden chairs while a third in between them holds a single headphone. They are seated in front of a TV monitor displaying Edward Snowden's image.
    Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez. [Two individuals seated in two wooden chairs while a third in between them holds a single headphone. They are seated in front of a TV monitor displaying Edward Snowden's image.]
    Caption Laura Poitras: 9/11 Trilogy. Installation view, Artists Space, 2014. Photo: Daniel Pérez.
    Image description Two individuals seated in two wooden chairs while a third in between them holds a single headphone. They are seated in front of a TV monitor displaying Edward Snowden's image.
    Year 2014
    Related pages Laura Poitras: 9/11 Trilogy
  • Photographic portrait of a youthful figure leaning against a white brick wall. They wear a partially unbuttoned, blue and black plaid shirt and a trucker hat. Large black text emblazoned across the front of the hat reads,
    Photographic portrait of a youthful figure leaning against a white brick wall. They wear a partially unbuttoned, blue and black plaid shirt and a trucker hat. Large black text emblazoned across the front of the hat reads,
    Cass Bird, I Look Like My Daddy, 2004. C-print, 30 x 40 inches. Courtesy the artist. [Photographic portrait of a youthful figure leaning against a white brick wall. They wear a partially unbuttoned, blue and black plaid shirt and a trucker hat. Large black text emblazoned across the front of the hat reads, "I LOOK JUST LIKE MY DADDY." A miniature gun token has been attached to the hat, to the left of the text. The figure stares ahead, the right side of their face illuminated by daylight.]
    Caption Cass Bird, I Look Like My Daddy, 2004. C-print, 30 x 40 inches. Courtesy the artist.
    Image description Photographic portrait of a youthful figure leaning against a white brick wall. They wear a partially unbuttoned, blue and black plaid shirt and a trucker hat. Large black text emblazoned across the front of the hat reads, "I LOOK JUST LIKE MY DADDY." A miniature gun token has been attached to the hat, to the left of the text. The figure stares ahead, the right side of their face illuminated by daylight.
    Year 2004
    Related pages Log Cabin
  • A yellow paper bag with handles, detailed illustrations across its sides. At the front is a drawing of two large crows. Intricate line designs in the background and along the handles. On the side of the bag is a barren tree, with small dots indicating snowfall, and a fence that stretches in the background.
    A yellow paper bag with handles, detailed illustrations across its sides. At the front is a drawing of two large crows. Intricate line designs in the background and along the handles. On the side of the bag is a barren tree, with small dots indicating snowfall, and a fence that stretches in the background.
    Peter Jemison, Crows in Winter (Paris), 1980s. [A yellow paper bag with handles, detailed illustrations across its sides. At the front is a drawing of two large crows. Intricate line designs in the background and along the handles. On the side of the bag is a barren tree, with small dots indicating snowfall, and a fence that stretches in the background.]
    Caption Peter Jemison, Crows in Winter (Paris), 1980s.
    Image description A yellow paper bag with handles, detailed illustrations across its sides. At the front is a drawing of two large crows. Intricate line designs in the background and along the handles. On the side of the bag is a barren tree, with small dots indicating snowfall, and a fence that stretches in the background.
    Year 2017
    Related pages Unholding
  • Three vitrines are displayed in a light-filled gallery space with light wooden floors. The vitrines sit in between three white columns to the image's left side. On the right, a series of large, colorful prints featuring graphic, abstracted letters overlaid over various abstract shapes, patterns, and printed figures are displayed on a gallery wall.
    Three vitrines are displayed in a light-filled gallery space with light wooden floors. The vitrines sit in between three white columns to the image's left side. On the right, a series of large, colorful prints featuring graphic, abstracted letters overlaid over various abstract shapes, patterns, and printed figures are displayed on a gallery wall.
    Rip It Up and Start Again. Installation view, Artists Space, 2010. Photo: Daniel Pérez. [Three vitrines are displayed in a light-filled gallery space with light wooden floors. The vitrines sit in between three white columns to the image's left side. On the right, a series of large, colorful prints featuring graphic, abstracted letters overlaid over various abstract shapes, patterns, and printed figures are displayed on a gallery wall.]
    Caption Rip It Up and Start Again. Installation view, Artists Space, 2010. Photo: Daniel Pérez.
    Image description Three vitrines are displayed in a light-filled gallery space with light wooden floors. The vitrines sit in between three white columns to the image's left side. On the right, a series of large, colorful prints featuring graphic, abstracted letters overlaid over various abstract shapes, patterns, and printed figures are displayed on a gallery wall.
    Year 2010
    Related pages Rip It Up and Start Again: William S. Burroughs, Charles Henri Ford, Ray Johnson, Philippe Thomas, Arthur Russell
  • A blue hued photograph of a horse's behind is placed on top of an image of a figure lounging, the two images together forming a picture of a centaur. Blue and black text on top of the images read
    A blue hued photograph of a horse's behind is placed on top of an image of a figure lounging, the two images together forming a picture of a centaur. Blue and black text on top of the images read
    Flyer for Segue Reading Series featuring Jamie Stewart and Ted Rees. Saturday, October 17, 2020, Artists Space. Artist: Keith Higginbotham [A blue hued photograph of a horse's behind is placed on top of an image of a figure lounging, the two images together forming a picture of a centaur. Blue and black text on top of the images read "Jamie Stewart / Ted Rees / Segue."]
    Caption Flyer for Segue Reading Series featuring Jamie Stewart and Ted Rees. Saturday, October 17, 2020, Artists Space. Artist: Keith Higginbotham
    Image description A blue hued photograph of a horse's behind is placed on top of an image of a figure lounging, the two images together forming a picture of a centaur. Blue and black text on top of the images read "Jamie Stewart / Ted Rees / Segue."
    Year 2020
    Related pages Segue Reading Series: Jamie Stewart & Ted Rees
  • Books packed on two adjacent metal shelving units.
    Books packed on two adjacent metal shelving units.
    [Books packed on two adjacent metal shelving units.]
    Caption
    Image description Books packed on two adjacent metal shelving units.
    Year 2014
    Related pages Going Down the Market
  • Three abstract sculptures in the foreground of a white-walled gallery space with white columns. In the background, there are other gallery spaces with artworks hanging on the walls.
    Three abstract sculptures in the foreground of a white-walled gallery space with white columns. In the background, there are other gallery spaces with artworks hanging on the walls.
    Metaphysical Visions. Installation view, Artists Space, 1989. [Three abstract sculptures in the foreground of a white-walled gallery space with white columns. In the background, there are other gallery spaces with artworks hanging on the walls.]
    Caption Metaphysical Visions. Installation view, Artists Space, 1989.
    Image description Three abstract sculptures in the foreground of a white-walled gallery space with white columns. In the background, there are other gallery spaces with artworks hanging on the walls.
    Year
    Related pages Metaphysical Visions: Middle Europe
  • A red leather armchair with a coffee table on a gray rug in the corner of a room. On the coffee table, there are several books, a lamp, and an old radio. On the opposite wall, there are three photographs each showing the view out of three different windows.
    A red leather armchair with a coffee table on a gray rug in the corner of a room. On the coffee table, there are several books, a lamp, and an old radio. On the opposite wall, there are three photographs each showing the view out of three different windows.
    Flipside. Installation view, Artists Space, 2004. [A red leather armchair with a coffee table on a gray rug in the corner of a room. On the coffee table, there are several books, a lamp, and an old radio. On the opposite wall, there are three photographs each showing the view out of three different windows.]
    Caption Flipside. Installation view, Artists Space, 2004.
    Image description A red leather armchair with a coffee table on a gray rug in the corner of a room. On the coffee table, there are several books, a lamp, and an old radio. On the opposite wall, there are three photographs each showing the view out of three different windows.
    Year 2004
    Related pages Flipside
  • A person with their face painted blue, framed by a large black mane of hair.
    A person with their face painted blue, framed by a large black mane of hair.
    Kembra Pfahler. Photo: © Paula Court, 2018. [A person with their face painted blue, framed by a large black mane of hair.]
    Caption Kembra Pfahler. Photo: © Paula Court, 2018.
    Image description A person with their face painted blue, framed by a large black mane of hair.
    Year 2018
    Related pages Garden Party at Marble Cemetery
  • A figure stands next to a fold-out table in a dimly lit space. They look down at their feet while their hand rests at their hip.
    A figure stands next to a fold-out table in a dimly lit space. They look down at their feet while their hand rests at their hip.
    Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court. [A figure stands next to a fold-out table in a dimly lit space. They look down at their feet while their hand rests at their hip.]
    Caption Speaker Music: drape over another. Performance & Album Launch documentation, December 13, 2019, Artists Space. Photo © 2019 Paula Court.
    Image description A figure stands next to a fold-out table in a dimly lit space. They look down at their feet while their hand rests at their hip.
    Year 2019
    Related pages Speaker Music: drape over another
  • A figure with long brown hair wearing a gray sweater over a light pink and white button-down shirt closes their eyes as a thrown book flies towards their face.
    A figure with long brown hair wearing a gray sweater over a light pink and white button-down shirt closes their eyes as a thrown book flies towards their face.
    Traci Tullius, Some People Never Learn, 2001. [A figure with long brown hair wearing a gray sweater over a light pink and white button-down shirt closes their eyes as a thrown book flies towards their face.]
    Caption Traci Tullius, Some People Never Learn, 2001.
    Image description A figure with long brown hair wearing a gray sweater over a light pink and white button-down shirt closes their eyes as a thrown book flies towards their face.
    Year 2005
    Related pages Open Video Call
  • A large, shiny black structure consisting of three columns supporting a large, irregularly shaped flat plane installed in a gallery space. A black-and-white image wraps around the rightmost, cylindrical column of the structure. The image depicts a person dressing a mannequin in an office.
    A large, shiny black structure consisting of three columns supporting a large, irregularly shaped flat plane installed in a gallery space. A black-and-white image wraps around the rightmost, cylindrical column of the structure. The image depicts a person dressing a mannequin in an office.
    Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez. [A large, shiny black structure consisting of three columns supporting a large, irregularly shaped flat plane installed in a gallery space. A black-and-white image wraps around the rightmost, cylindrical column of the structure. The image depicts a person dressing a mannequin in an office.]
    Caption Bernadette Corporation: 2000 Wasted Years. Installation view, Artists Space, 2012. Photo: Daniel Pérez.
    Image description A large, shiny black structure consisting of three columns supporting a large, irregularly shaped flat plane installed in a gallery space. A black-and-white image wraps around the rightmost, cylindrical column of the structure. The image depicts a person dressing a mannequin in an office.
    Year 2012
    Related pages Bernadette Corporation: 2000 Wasted Years
  • A green object with a cracked, black surface sits on a white base. A metal antenna extends out on a diagonal.
    A green object with a cracked, black surface sits on a white base. A metal antenna extends out on a diagonal.
    Not yet titled, 2019
    Clay, glaze, metal antenna
    3 1/2 x 13 x 12 inches (variable)
    $2,500
    [A green object with a cracked, black surface sits on a white base. A metal antenna extends out on a diagonal.]
    Caption Not yet titled, 2019
    Clay, glaze, metal antenna
    3 1/2 x 13 x 12 inches (variable)
    $2,500
    Image description A green object with a cracked, black surface sits on a white base. A metal antenna extends out on a diagonal.
    Year 2019
    Related pages Trisha Baga Edition
  • An image of several students paitning with watercolors, each on their own desk
    An image of several students paitning with watercolors, each on their own desk
    P.S. 140 students painting sound, 2019 [An image of several students paitning with watercolors, each on their own desk]
    Caption P.S. 140 students painting sound, 2019
    Image description An image of several students paitning with watercolors, each on their own desk
    Year 2019
    Related pages Listening to the LES
  • Draped fabric that reads
    Draped fabric that reads
    [Draped fabric that reads "American Express World Service" in an all-over pattern.]
    Caption
    Image description Draped fabric that reads "American Express World Service" in an all-over pattern.
    Year 2014
    Related pages Folklore U.S.
  • A black and white oil painting of two people on black tile flooring. Only their legs are visible. One person is lying on the ground, the other is squatting and holding a notebook.
    A black and white oil painting of two people on black tile flooring. Only their legs are visible. One person is lying on the ground, the other is squatting and holding a notebook.
    Jordan Kantor, Untitled (forensic scene), 2004. Oil on canvas, 32 x 48 inches. Courtesy the artist. [A black and white oil painting of two people on black tile flooring. Only their legs are visible. One person is lying on the ground, the other is squatting and holding a notebook.]
    Caption Jordan Kantor, Untitled (forensic scene), 2004. Oil on canvas, 32 x 48 inches. Courtesy the artist.
    Image description A black and white oil painting of two people on black tile flooring. Only their legs are visible. One person is lying on the ground, the other is squatting and holding a notebook.
    Year 2004
    Related pages Recent Paintings
  • A glossy object with dark tones showing glimpses of bright blue and purple throughout is pictured on a white base. The object has a lemon and an onion balanced on either end, with electrical cords running from the produce to a chipboard at the object's center.
    A glossy object with dark tones showing glimpses of bright blue and purple throughout is pictured on a white base. The object has a lemon and an onion balanced on either end, with electrical cords running from the produce to a chipboard at the object's center.
    Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $3,000
    [A glossy object with dark tones showing glimpses of bright blue and purple throughout is pictured on a white base. The object has a lemon and an onion balanced on either end, with electrical cords running from the produce to a chipboard at the object's center.]
    Caption Not yet titled, 2019
    Clay, glaze, mixed media
    12 x 13 x 5 inches (variable)
    $3,000
    Image description A glossy object with dark tones showing glimpses of bright blue and purple throughout is pictured on a white base. The object has a lemon and an onion balanced on either end, with electrical cords running from the produce to a chipboard at the object's center.
    Year
    Related pages Trisha Baga Edition
  • A sculpture consisting of a large, leaning metal pole installed in a gallery space in front of a wall of framed photographs, drawings, and other two-dimensional works. The pole is braced at the floor and leans to the left. Several metal clamps are attached to the bottom portion of the pole, near where it meets the floor. A stack of white papers is displayed on the ground in front of the sculpture.
    A sculpture consisting of a large, leaning metal pole installed in a gallery space in front of a wall of framed photographs, drawings, and other two-dimensional works. The pole is braced at the floor and leans to the left. Several metal clamps are attached to the bottom portion of the pole, near where it meets the floor. A stack of white papers is displayed on the ground in front of the sculpture.
    Apartment Show: If the dogs are barking. Installation view, Artists Space, 2009. [A sculpture consisting of a large, leaning metal pole installed in a gallery space in front of a wall of framed photographs, drawings, and other two-dimensional works. The pole is braced at the floor and leans to the left. Several metal clamps are attached to the bottom portion of the pole, near where it meets the floor. A stack of white papers is displayed on the ground in front of the sculpture.]
    Caption Apartment Show: If the dogs are barking. Installation view, Artists Space, 2009.
    Image description A sculpture consisting of a large, leaning metal pole installed in a gallery space in front of a wall of framed photographs, drawings, and other two-dimensional works. The pole is braced at the floor and leans to the left. Several metal clamps are attached to the bottom portion of the pole, near where it meets the floor. A stack of white papers is displayed on the ground in front of the sculpture.
    Year 2009
    Related pages Apartment Show: If the dogs are barking
  • A poster design featuring the text
    A poster design featuring the text
    [A poster design featuring the text "Shellshock Rock An Alternative Blast From Belfast" superimposed onto a grainy, black and white graphic of an open mouth yelling into a microphone. A smaller graphic of a man running with a guitar case is situated to the left of the text "Shellshock."]
    Caption
    Image description A poster design featuring the text "Shellshock Rock An Alternative Blast From Belfast" superimposed onto a grainy, black and white graphic of an open mouth yelling into a microphone. A smaller graphic of a man running with a guitar case is situated to the left of the text "Shellshock."
    Year 2010
    Related pages Shellshock Rock
  • A VHS recording of a person holding an object on the beach.
    A VHS recording of a person holding an object on the beach.
    Zilia Sánchez. Still from Soy Isla. Compréndelo y Retírate, 2000. [A VHS recording of a person holding an object on the beach.]
    Caption Zilia Sánchez. Still from Soy Isla. Compréndelo y Retírate, 2000.
    Image description A VHS recording of a person holding an object on the beach.
    Year 2000
    Related pages Soy Isla
  • An abstract painting depicting several geometric figures against a turquoise background, arranged on either side of the canvas. Each figure has a green or brown outline and various colored patterns inside. Several outlined circles and squares grid across the background of the image
    An abstract painting depicting several geometric figures against a turquoise background, arranged on either side of the canvas. Each figure has a green or brown outline and various colored patterns inside. Several outlined circles and squares grid across the background of the image
    Mariselis Rivera, Abstract Painting, 2015 [An abstract painting depicting several geometric figures against a turquoise background, arranged on either side of the canvas. Each figure has a green or brown outline and various colored patterns inside. Several outlined circles and squares grid across the background of the image]
    Caption Mariselis Rivera, Abstract Painting, 2015
    Image description An abstract painting depicting several geometric figures against a turquoise background, arranged on either side of the canvas. Each figure has a green or brown outline and various colored patterns inside. Several outlined circles and squares grid across the background of the image
    Year 2015
    Related pages Scholastic Art and Writing Awards
  • Two paintings hung on white walls meeting in a corner. The paintings are colorful, predominantly pink and red.
    Two paintings hung on white walls meeting in a corner. The paintings are colorful, predominantly pink and red.
    Salad Days. Installation view, Artists Space, 2004. [Two paintings hung on white walls meeting in a corner. The paintings are colorful, predominantly pink and red.]
    Caption Salad Days. Installation view, Artists Space, 2004.
    Image description Two paintings hung on white walls meeting in a corner. The paintings are colorful, predominantly pink and red.
    Year 2004
    Related pages Salad Days
  • A flyer featuring a vintage orange and black computer with a small monitor and chunky keyboard set against a saturated yellow background. White, stylized text on a faded computer screen reads:
    A flyer featuring a vintage orange and black computer with a small monitor and chunky keyboard set against a saturated yellow background. White, stylized text on a faded computer screen reads:
    [A flyer featuring a vintage orange and black computer with a small monitor and chunky keyboard set against a saturated yellow background. White, stylized text on a faded computer screen reads: "A READING BY ALAN FELSENTHAL AND BETSY FAGIN." Red text on the yellow background in the upper left corner reads: "Artists Space & the Segue Reading Series present" and in the lower right corner: "Saturday May 23rd / 5 pm NYC time / Zoom ID 378 232 567”]
    Caption
    Image description A flyer featuring a vintage orange and black computer with a small monitor and chunky keyboard set against a saturated yellow background. White, stylized text on a faded computer screen reads: "A READING BY ALAN FELSENTHAL AND BETSY FAGIN." Red text on the yellow background in the upper left corner reads: "Artists Space & the Segue Reading Series present" and in the lower right corner: "Saturday May 23rd / 5 pm NYC time / Zoom ID 378 232 567”
    Year 2020
    Related pages Segue Reading Series: Betsy Fagin & Alan Felsenthal
  • A framed photograph displayed on a white wall. The photograph shows multicolored flowers laying on a white surface with a black background.
    A framed photograph displayed on a white wall. The photograph shows multicolored flowers laying on a white surface with a black background.
    Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979). Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A framed photograph displayed on a white wall. The photograph shows multicolored flowers laying on a white surface with a black background.]
    Caption Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979). Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description A framed photograph displayed on a white wall. The photograph shows multicolored flowers laying on a white surface with a black background.
    Year 2011
    Related pages Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979)
  • A square, gray canvas with a large white circle centered towards its bottom edge hangs on a light, mauve-colored wall. At the bottom center of the circle, the canvas stretches outward in a verticle line.
    A square, gray canvas with a large white circle centered towards its bottom edge hangs on a light, mauve-colored wall. At the bottom center of the circle, the canvas stretches outward in a verticle line.
    Zilia Sánchez. Installation view, Artists Space, 2013. Photo: Daniel Pérez. [A square, gray canvas with a large white circle centered towards its bottom edge hangs on a light, mauve-colored wall. At the bottom center of the circle, the canvas stretches outward in a verticle line.]
    Caption Zilia Sánchez. Installation view, Artists Space, 2013. Photo: Daniel Pérez.
    Image description A square, gray canvas with a large white circle centered towards its bottom edge hangs on a light, mauve-colored wall. At the bottom center of the circle, the canvas stretches outward in a verticle line.
    Year 2013
    Related pages Zilia Sánchez
  • A 3x5 grid of false-color stickers. The top four rows depict fruits cut in half resembling a grapefruit or orange. The last row depicts a coconut cut in half. A handful of stickers have a think line of black and white checkerboard pattern added to the perimeter of the fruit.
    A 3x5 grid of false-color stickers. The top four rows depict fruits cut in half resembling a grapefruit or orange. The last row depicts a coconut cut in half. A handful of stickers have a think line of black and white checkerboard pattern added to the perimeter of the fruit.
    Guyton\Walker, Fruit Stickers for Artists Space, 2010, Set of 15 Inkset printed stickers, 6 in / 15,2 cm each, Signed and numbered certificate. [A 3x5 grid of false-color stickers. The top four rows depict fruits cut in half resembling a grapefruit or orange. The last row depicts a coconut cut in half. A handful of stickers have a think line of black and white checkerboard pattern added to the perimeter of the fruit.]
    Caption Guyton\Walker, Fruit Stickers for Artists Space, 2010, Set of 15 Inkset printed stickers, 6 in / 15,2 cm each, Signed and numbered certificate.
    Image description A 3x5 grid of false-color stickers. The top four rows depict fruits cut in half resembling a grapefruit or orange. The last row depicts a coconut cut in half. A handful of stickers have a think line of black and white checkerboard pattern added to the perimeter of the fruit.
    Year 2010
    Related pages Artists Space Annual Edition Portfolio 2011
  • An angled view of paintings and photographs against multiple walls. In the background, a pink wall installation is mounted.
    An angled view of paintings and photographs against multiple walls. In the background, a pink wall installation is mounted.
    Social Surfaces. Installation view, Pearl River Mart, 2017. Photo: Ron Amstutz. [An angled view of paintings and photographs against multiple walls. In the background, a pink wall installation is mounted.]
    Caption Social Surfaces. Installation view, Pearl River Mart, 2017. Photo: Ron Amstutz.
    Image description An angled view of paintings and photographs against multiple walls. In the background, a pink wall installation is mounted.
    Year 2017
    Related pages Social Surfaces
  • A long rectangular wooden table supporting three television monitors facing outwards on different sides. Two small wooden seats with wired headphones resting on them are arranged in front of the leftmost monitor.
    A long rectangular wooden table supporting three television monitors facing outwards on different sides. Two small wooden seats with wired headphones resting on them are arranged in front of the leftmost monitor.
    Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979). Installation view, Artists Space, 2011. Photo: Daniel Pérez. [A long rectangular wooden table supporting three television monitors facing outwards on different sides. Two small wooden seats with wired headphones resting on them are arranged in front of the leftmost monitor.]
    Caption Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979). Installation view, Artists Space, 2011. Photo: Daniel Pérez.
    Image description A long rectangular wooden table supporting three television monitors facing outwards on different sides. Two small wooden seats with wired headphones resting on them are arranged in front of the leftmost monitor.
    Year 2011
    Related pages Anarchism Without Adjectives: On the Work of Christopher D’Arcangelo (1975–1979)
  • Four green rectangles arranged in a pinwheel formation on a white background.
    Four green rectangles arranged in a pinwheel formation on a white background.
    Carmen Herrera, Green's Way, 1988. Acrylic on canvas, 42 x 42 inches. Courtesy the artist. [Four green rectangles arranged in a pinwheel formation on a white background.]
    Caption Carmen Herrera, Green's Way, 1988. Acrylic on canvas, 42 x 42 inches. Courtesy the artist.
    Image description Four green rectangles arranged in a pinwheel formation on a white background.
    Year 1988
    Related pages Tony Bechara, Carmen Herrera, Tom Murrin, Mac Wells
  • A person sits in a chair with a ladder next to them, bent over and painting on the bottom of a wall. The wall is painted top to bottom with a large black cross and several figures. Hand-painted text at the top of the wall reads,
    A person sits in a chair with a ladder next to them, bent over and painting on the bottom of a wall. The wall is painted top to bottom with a large black cross and several figures. Hand-painted text at the top of the wall reads,
    Activated Walls. Installation view, Artists Space, 1993. [A person sits in a chair with a ladder next to them, bent over and painting on the bottom of a wall. The wall is painted top to bottom with a large black cross and several figures. Hand-painted text at the top of the wall reads, "WHAT THE CHURCH OFFERS."]
    Caption Activated Walls. Installation view, Artists Space, 1993.
    Image description A person sits in a chair with a ladder next to them, bent over and painting on the bottom of a wall. The wall is painted top to bottom with a large black cross and several figures. Hand-painted text at the top of the wall reads, "WHAT THE CHURCH OFFERS."
    Year 1993
    Related pages Activated Walls
  • Amelia Bande stands in front of wall covered with posters and gestures towards her eyes as she says, “We wore masks and protective eyewear at the protests in Santiago.”
    Amelia Bande stands in front of wall covered with posters and gestures towards her eyes as she says, “We wore masks and protective eyewear at the protests in Santiago.”
    Amelia Bande. Stills from El estallido / The Outbreak, 2020. Recording of a live performance held over Zoom on August 7, 2020. Stage design and camera collaboration with Rachel Higgins. Courtesy the artist. [Amelia Bande stands in front of wall covered with posters and gestures towards her eyes as she says, “We wore masks and protective eyewear at the protests in Santiago.”]
    Caption Amelia Bande. Stills from El estallido / The Outbreak, 2020. Recording of a live performance held over Zoom on August 7, 2020. Stage design and camera collaboration with Rachel Higgins. Courtesy the artist.
    Image description Amelia Bande stands in front of wall covered with posters and gestures towards her eyes as she says, “We wore masks and protective eyewear at the protests in Santiago.”
    Year 2020
    Related pages Whitney ISP Archive
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